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Q: How to set cookie in wordpress? I want to set cookie in wprdpress but its not working.This is my code
add_action('init', 'set_new_cookie');
    function set_new_cookie() {
        setcookie('cart_item','some value', time() + (86400 * 30), "/");
    }

but this is not working.
Actually init hook is not working.I am trying to do ajax request here(page visitors are not logged in).

A: setcookie('cart_item',$carts,time() + (86400*30),'/');

Its working fine for me. / at the last is to set cookie for whole site.
Remove / to set cookie for particulat directory only.

A: Well if this is the sequence your code runs then you need to switch the function and the call to it. Now you are calling the function before you initiated it.

redpajama_set_name: RedPajamaStackExchange


text:
Whiplash Market Size
Delivered July 6th, 2021. Contributors: Alexandra I.
Research Outline: Whiplash Market Size
The market size for the treatment of whiplash associated disorder in the United States is between $29 billion and $30 billion annually.
American spending on whiplash treatment has grown nearly eight-fold over the last two decades, up from $3.9 billion as of 2001.
Approximately 3 million Americans currently experience a whiplash-related injury every year, with nearly half (1.5 million Americans) suffering from chronic pain as a result of the injury, while one-tenth (300,000) become disabled.
The research team has provided the market size associated with the treatment of whiplash associated disorder in the US. As readily available, the research team has complemented this data with both (1) a historic perspective of how this industry has expanded in size and (2) alternative metrics for understanding the scale of the industry.
US Whiplash Treatment Market in Dollars
The market size associated with the treatment of whiplash associated disorder in the United States is approximately $29 billion annually, according to car accident and personal injury law firm Gemma Law.
This estimate appears to be corroborated by medical trade MedicineNet and the latest available reporting from medical consultancy MKC Medical Management, which state that Americans spend $30 billion per year to "manage and treat whiplash-related injuries."
Notably, the current level of spending on the treatment of whiplash in America has grown nearly eight-fold over the last two decades, up from $3.9 billion as of 2001, according to The American Journal of Medicine.
Additional Market Sizing Data
Approximately 3 million Americans currently experience a whiplash-related injury every year, according to the Spine Research Institute of San Diego.
Notably, this figure from the Spine Research Institute of San Diego is widely referenced at present by both medical practitioners (e.g., Brookdale Health) and personal injury law firms (e.g., Sobo & Sobo Injury Lawyers) as the leading estimate for whiplash injuries in the country.
Among those injured with whiplash every year in the US, nearly half (1.5 million Americans) suffer from chronic pain while one-tenth (300,000) become disabled.
According to legal trade AllLaw, these more "serious cases" of whiplash associated disorder may cost $30,000 or more in treatment per patient.
For this research on the American whiplash treatment market, the research team leveraged the most reputable sources of information available in the public domain, including publications by medical journals/trades (e.g., The American Journal of Medicine, MedicineNet), personal injury law firms (e.g., Gemma Law, Sobo & Sobo Injury Lawyers) and medical companies (e.g., MKC Medical Management, Brookdale Health). In select cases, somewhat dated information was included to offer either (1) historical context or (2) corroboration for key data points.
Whiplash Injury In a Car Accident? | Gemma Law | RI Injury Lawyers
gemmalaw.com
Whiplash Injury Symptoms, Treatment, Causes & Prevention
medicinenet.com
Whiplash: diagnosis, treatment, and associated injuries
ncbi.nlm.nih.gov
Whiplash and its costs to insurers | MKC Medical Management
mkcmedicalmanagement.com
Crash Facts | Whiplash Chiropractors in Brooklyn Center MN
brookdalehealth.com
Whiplash Injuries: Statistics & Settlements | Sobo & Sobo
sobolaw.com
Spine Research Institute of San Diego
srisd.com
Getting Fair Compensation for a Whiplash Injury
alllaw.com
The Ultimate List of Whiplash Statistics: 22 Facts You Need to Know
chirocareflorida.com
1500000 * 30000 - Google Search

redpajama_set_name: RedPajamaCommonCrawl


A miracle is generally defined, according to the etymology of the word - it comes from the Greek "thaumasion" and the Latin "miraculum" - as "that which causes wonder and astonishment, being extraordinary in itself and amazing or inexplicable by normal standards."
Because that which is normal and usual is also considered to be "natural," miracles have occasionally been defined as "SUPER-natural" events, but this definition pre-supposes a very specific conception of nature and natural laws and cannot, therefore, be generally applied.
The significance of a miraculous event is frequently held to reside not in the event as such but in the reality to which it points - thus, a miracle is also called a sign - from the Greek "sēmeion" signifying and indicating something "beyond itself."
Extraordinary and astonishing occurrences become specifically religious phenomena when they express, reveal, or signify a religious reality, however defined. Belief in miraculous happenings is a feature of practically all religions, and the incidence of miracles (i.e., of belief in and reports regarding miracles) is universal, though their functions, nature, purpose, and explanations vary with the social and cultural ... including theological and philosophical context in which they appear.
However unable to be explained, all "miracles" have an explanation in the sense that they are accounted for and categorized in terms of the religious and cultural system that supports them and that, in turn, they are meant to support.
Without the intervention or consideration of religious catalysts, these "miracles" are but only unexplained phenomena. Or are they? Anything that is able to happen, and does … is obviously natural in that it was able to occur in the first place. Using the list of Immutable Universal Laws, there can be no way of transgressing or transcending these laws because they are immutable. For example, for every effect, there must be a cause. Period. No other way around it. This is LAW.
When we speak of "supernatural" events or miracles, we frequently take them out of context. For example, we say "it's a miracle that Bob survived that car accident." Why is it a miracle? Why would it have to be "supernatural?" - astonishing and extraordinary perhaps (which is the original meaning of miracle) - but why must it be "supernatural?" We humans short-change ourselves in the department of "natural" ability and phenomena. If we have accomplished it, of we are capable of a task, if we completed a project, then "naturally" … it can be done.
Back to Bob … expertly trained first responders and medical personnel did what was necessary to save his life. Therefore, his survival was a natural occurrence … not miraculous. Unless, we go back to the original meaning of the word … and say it is with "wonder and astonishment" that Bob survived his injuries. But those wonders and astonishments are still natural.
"Having a physical or real existence as contrasted with one that is spiritual, intellectual, or fictitious , of, relating to, or operating in the physical as opposed to the spiritual world"
Now, was Bob saved physically, or spiritually? He was saved physically … in this material physical world. Obviously we can consider spiritual, intellectual, intuitive actions at work here but nonetheless … he was saved physically, in a physical world, confined to the ways of a material natural event. Therefore, it was NOT a miracle as defined by modern day churchmen - Divine intervention from a Supernatural God - it was was actually a natural event by Divinely inspired natural procedures.
My whole point here is that if it can happen here in a physical - natural world, then it cannot be "supernatural." What happens in the realm of the body of nature - the physical - is natural. It involves the nature of the beast. What happens "supernaturally" happen in the realm of Spirit - spiritual/supernatural. It involves the Spirit of the beast. A Metaphysical event ... Beyond the natural-physical.
So the next time you witness a "miraculous" event … remember that the meaning of this word is "that which causes wonder and astonishment, being extraordinary in itself and amazing or inexplicable by normal standards." But still … natural. Do not shortchange the powers of mankind to perform beyond the normal. To be able to raise the non-existent ceiling of endless abilities.
We've all heard the story of the Mother lifting a farm tractor off of her son after he got trapped under it. Was this a miracle? No … It was astonishing, extraordinary, and amazing … but still not a miracle. It did not break the immutable Universal Laws of the Universe that can never be broken … not even by God-Source itself.
Flying in an airplane to someone from the 1400's would be a miracle to them. But it isn't. We learned physics, jet propulsion, aerodynamics, lift, speed, weight ratios, and voila … we fly airplanes all day everyday. Now, the next time you crack an egg for breakfast, and a pony comes out … let's talk.
Many believe that the word/name America is derived from the first name of Italian explorer Amerigo Vespucci. Using a different approach of sacred etymology, we can search through many different esoteric sources to arrive at a deeper understanding of the name America, in a spiritual context.
The architectural landscape of Washington, D.C. provides clues as to how we should begin to find the first implementation of the sacred etymological analysis. This architecture of the Nation's Capitol, was inspired by the great colossal projects of ancient Kemet/KMT (Modern Day Egypt). According to scholars such as Mathu Ater, Anthony Browder, Ashra Kwesi and others, the builders of Washington, D.C. wanted to create a "Kemet in the West" and copied the motifs of Ancient Kemet (KMT) to symbolize their country.
When seen in the following three-part arrangement "America" becomes "A-Meri-Ca." Using the sacred etymology method, we can find correspondences with languages of other cultures, and not only those from Europe. To derive a true understanding of "A-Meri-Ca" we begin with Kemet, which is one of the oldest and influential nations to emerge out of Africa, and one that had a profound impact on the minds of the founders of America.
In ancient Kemet "Meri" (MR) by itself or attached to other words denoted a sense of elevated status. For instance, "Meri-Ka-Re" means "the beloved of the Ka of Re" or "The Ka of Re is loved." "Ta-Meri," one of the various names ascribed to the Kemetic civilization means "the beloved land." On a side note, consider all the Mary's (Miriam) throughout Biblical scripture. This name is also rooted in MR.
The first wife of Ramses II was Nefertari Meri-en-Mut. Her name translated means "The most beautiful woman, beloved of Mut." Ramses II, loved her so much that she was equal to him. It was recorded that together they had 4 sons and 5 daughters.
Ca = Equivalent to "Ka." The letters "C" and "K" are interchangeable for "C" sometimes carries the same sound as "K."
"Ka" is the spirit that inhabits a body during a lifetime and can survive after - through death via mummification or by substitution. "Ka" stands for its survival.
Ka is "creative life energy" and the ka of a mortal was created at birth, and it was their belief that it remained with the body for life as a Spiritual double. Ka was sometimes depicted in art as a smaller version of the individual.
When the body died, it was the ka that remained in existence and successfully entered the after-life, where it was sustained by grave goods and libations by the living.
Thus when combining the meanings of the three parts of "A-Meri-Ca," we see that "America" means "the beloved eternal spirit" or "the eternal spirit that is loved."


Today we launched a new Model Optimizer for AWS DeepLens, which will optimize your deep learning models to run on the DeepLens GPU efficiently, with a single line of Python. The Model Optimizer is available in AWS DeepLens software version 1.2.0.
You can access the Model Optimizer by including this line of code in your inference Lambda function. An inference Lambda function allows AWS DeepLens to access the models that you have just deployed. In this post, we show how to create an inference Lambda function, and provide a template that you can customize to suit your requirements.
The inference Lambda performs three key functions: pre-processing, inference, and post-processing.
Choose Create function. You customize this function to run inference for your deep learning models.
Search for the greengrass-hello-world blueprint.
Give your Lambda function the same name as your model.
Choose an existing IAM role: AWSDeepLensLambdaRole. You must have created this role as part of the registration process.
In Function code, make sure the handler is greengrassHelloWorld.function_handler.
In the GreengrassHello file, remove all of the code. You will write the code for inference Lambda function in this file.
Importing the os lets you access the operating system for AWS DeepLens. Importing awscam allows you to access the AWS DeepLens inference API. mo lets you access the Model Optimizer. cv2 lets you access the open CV library, which contains common tools for image pre-processing and importing. thread lets you access Python's multi-threading library. You use a separate thread to send the inference results to mplayer, where you can view the model output.
Next, create a Greengrass Core SDK client that allows you to send messages to the cloud with AWS IoT using MQTT. The Greengrass core SDK is already loaded on the device, so you didn't need to import it.
Next, create an AWS IoT topic for the Lambda function to send the messages to. You can access this topic on the AWS IoT console.
To enable viewing the output locally with mplayer, declare a global variable containing the jpeg image to put into the FIFO file, results.mjpeg. You can also turn off streaming to the FIFO file by changing Write_To_FIFO to False. This terminates the thread, so you cannot access the image with mplayer to view the output.
Next, create a simple class that runs on its own thread so that you can publish the output images to the FIFO file and view it with mplayer. This is standard code for viewing the output over mplayer, and is common to all inference Lambda functions. For your own projects, you can copy and paste this code into your inference Lambda function.
Now define the inference class in the Lambda function. Start by defining a Greengrass inference function.
The input_width and input_height parameters define the input parameters for the model. To perform inference, the model expects frames of the same size. You can customize these parameters for the model that you are deploying to AWS DeepLens.
In the next line, define the name of the model. This name has to match the prefix of the params and json files of the trained model. For example, if the params and json files are squeezenet_v1.1-0000.params and squeezenet_v1.1-symbol.json, respectively, the model name is the prefix squeezenet_v1.1. This is important. If model names do not match the prefix to these two files, inference will not work and will generate an error.
Now, initiate the Model Optimizer. This converts the deployed model into Cl-DNN format, which can be accessed in the AWS DeepLens GPU. This returns the path to the post-optimized artifacts.
Load the model into the inference engine. This is where you provide code to access the GPU. To access the CPU, simply code the "GPU" = 0. For deep learning models, however, we recommend that you access the GPU for the sake of efficiency and speed.
You can send a message to AWS IoT to inform it that the model has loaded.
Next, define the type of model that you are running. For example, the model type for a neural style transfer is segmentation, and for object localization is ssd (single shot detector). For image classification, it is classification. Because you are deploying a squeezenet model that classifies images, define the model type as classification.
Because squeezenet_v1.1 has 1,000 classifiers, it's not practical to write out a python list to define a map of the numeric label to a human-readable label. Instead, we add a text file that has the index and labels represented in order. You can find the text file for this example here.
Your file with the relevant index and labels is added to the lambda function package.
Now return to your python code by choosing the greengrassHelloWorld.py from the left menu. The next step is to open the 'sysnet.txt' we just added.
Define the number of classifiers that you want to see in the output. By specifying 5, the output result returns the top 5 highest probability values in descending order. You can specify any number that is supported by the model.
Now start the FIFO thread to view the output locally with mplayer.
Publish the Inference is starting message to the AWS IoT console. In the next few lines, you will code the inference loop.
The following code allows AWS DeepLens to access the latest frame on the mjpeg stream. This is the input stream from the AWS DeepLens camera. awscam.getLastFrame captures the last or latest frame from the stream to parse and perform inference. raise Exception allows the function to raise an exception if it fails to get the frame from the stream.
Now for image pre-processing. The input frame from the camera is different from the input dimensions that the model is trained on. You defined the input parameters of the model earlier. In this step, resize the input frame from the camera to the input dimensions of the model. In this example, you only need to downsample the frame to fit the model input parameters. Depending on the model that you have trained, you might need to perform other pre-processing steps, such as image normalization.
Now the frame from the pre-processed step is ready for inference. The preceding code outputs the results of the model as a dictionary with the last layer's name. The output data is not parsed into a human-readable format. If you use this output as is, you have to implement your own parsing algorithm. AWS DeepLens provides an easy interface to parse the network outputs for supported model types. The following method returns a dictionary with the model_type as its key and a second dictionary as its value. The second dictionary has label and probability keys to allow you to retrieve the non-human readable label and the associated probability.
You can customize the code to display only the top 'n' results from the output. In this example, we have customized it to display the top 5 entries. Entries are displayed in descending order, starting with the entry with the highest probability.
Now that you have the results, send it to the cloud. Notice that we put the results in json format so that other Lambda functions on the cloud can subscribe to this IoT topic and perform an action when they detect a particular event of interest. For example, at the re:Invent workshops, we deployed a Lambda function in the cloud that sent an SMS message every time a hot dog was detected. Also notice how you used the labels list that you constructed before entering the loop to convert the labels that the network outputs into human-readable labels.
Now that the message is in json format, send it to the cloud with AWS IoT.
Now that the data is in the cloud, post-process the image to view it on mplayer. In this case, do simple post- processing to add a label to the original 4 megapixel image by using openCV. You can customize this step to suit your requirements.
After post-processing, update the global jpeg variable so that you can view the results using mplayer.
Optionally, you might want to add code that catches the exceptions if something goes wrong and sends them to the cloud. Use the following code for this.
Now, run the function and view the results!
Be sure to save the code and publish it. If you do not publish the function, you will not be able to view the inference Lambda function in your AWS DeepLens console.
Congratulations! You just created a Lambda function that you can use for inference with a squeezenet model. And you used the Model Optimizer.
You can access the squeezenet model here.
If you have any questions or looking for help, see the AWS DeepLens forum.


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Home Technology Google may soon demo an AI Search chatbot amid pressure from ChatGPT
Google may soon demo an AI Search chatbot amid pressure from ChatGPT
It seems Google is feeling the heat from OpenAI's ChatGPT. The artificial intelligence-powered chatbot has taken the tech world by storm over the last couple months, as it can provide users with information they're looking for in an easy-to-understand format. Google sees ChatGPT as a threat to its search business and has shifted plans accordingly over the last several weeks, according to The New York Times.
The report claims CEO Sundar Pichai has declared a "code red" and accelerated AI development. Google is reportedly preparing to show off at least 20 AI-powered products and a chatbot for its search engine this year, with at least some set to debut at its I/O conference in May.
According to a slide deck viewed by the Times, among the AI projects Google is working on are an image generation tool, an upgraded version of AI Test Kitchen (an app used to test prototypes), a TikTok-style green screen mode for YouTube and a tool that can generate videos to summarize other clips. Also in the pipeline are a feature titled Shopping Try-on (perhaps akin to one Amazon has been developing), a wallpaper creator for Pixel phones and AI-driven tools that could make it easier for developers to create Android apps.
Pichai reportedly brought in Google founders Larry Page and Sergey Brin last month to meet with current leaders, review AI plans and offer input. The duo hasn't had much day-to-day involvement with the company since 2019, as they're focusing on other projects.
Google has attempted to speed up product approval processes, including checks to ensure that AI-driven tech is fair and ethical, it's claimed. In addition, the company is said to be adjusting the risk levels it's prepared to take on as it rolls out such tech. Priorities for a demo of the search chatbot seemingly include safety, accuracy and blocking out misinformation. However, for the other products and tools Google is working on, it has "a lower bar and will try to curb issues relating to hate and toxicity, danger and misinformation rather than preventing them," the Times reported.
Of late, Google has exercised some caution when it comes to unveiling new products. The slide deck reportedly mentioned "copyright, privacy and antitrust" as the main risks of AI tech. It's said to have noted that solutions were needed to keep out copyrighted material and prevent personally identifiable information from being shared.
Over the last few years, there has been a backlash against Google's handling of AI ethics. Timnit Gebru and Margaret Mitchell, two leading AI ethics researchers, said Google fired them. Gebru and Mitchell accused Google of censoring research that criticizes AI language-learning models, including concerns that they encode biases found in training data. That can result "in models that encode stereotypical and derogatory associations along gender, race, ethnicity, and disability status," the researchers wrote in a paper. Training datasets can include false information as well. Two other prominent ethics researchers left Google early last year, after Gebru and Mitchell's departures.
It's not difficult to understand why Google is said to be in panic mode over ChatGPT. For one thing, earlier this month, reports suggested that Microsoft (an OpenAI investor) plans to incorporate some of the tech powering ChatGPT into Bing. The company said this week that it will soon integrate ChatGPT into the Azure OpenAI Service.
The latest report over Google's response to ChatGPT comes just after the company announced it's laying off 12,000 people. "I am confident about the huge opportunity in front of us thanks to the strength of our mission, the value of our products and services, and our early investments in AI," Pichai wrote in a memo to staff. "To fully capture it, we'll need to make tough choices."
The CEO added that the company is preparing to unveil "some entirely new experiences for users, developers and businesses. We have a substantial opportunity in front of us with AI across our products and are prepared to approach it boldly and responsibly."
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'Returnal' will arrive on PC on February 15th
The next former PS5 exclusive that Sony is bringing to PC is Returnal, as the bullet hell roguelike will hit Steam and the...


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Q: Regex Conditionnals I would like to control orphans in InDesign by applying a "No Break" character style based on a GREP expression. Basically, I need to target the last 2 words of a paragraph (That is to say: The last 2 strings of characters separated by a space).
I found a solution for my English publications where (\H+?\h?){2}$ works like a charm.
The problem is with my French publications where some punctuation requires to have a space before it. I am trying to specify the Matching Pattern based on the last character of the paragraph: If it is a ?, ! or :, I match the last 3 "words" using (\H+?\h?){3}$, if not than I match the last 2.
I thought the following expression would work:
(?(?=[\?!:]$)((\H+?\h?){3}$)|(\H+?\h?){2}$)

but somehow it always default to the "else" statement.
Can someone tell me where I did go wrong?

A: Maybe you want option (A) below
See if I understand correctly ...
The requirements are:

*

*Capture the last two words

*Even if in the end it is ?,! or :

(A) Use this to capture as group: https://regexr.com/4lr6h
(\w*)(?:\s*)(\w*)(?:\s*)(\w*)(?:[\?!:]|$)

(B) Use this to capture only words: https://regexr.com/4lr84
\w*\s\w*(?=(?:$|[\?!:]))

(C) Use this to capture tree last words with marks: https://regexr.com/4lr87
\w*\s\w*[\?!:]?$


Add the appropriate amount of "Layayway Items" to your cart.... as close to 25% as you can get.
During Checkout - Enter the item number of the knife you wish to put on layaway.
Customers will have 60 days from the day they place their order to pay their order off in it's entirety.
If you are an IL resident add 6.5% sales tax.
Free Priority USPS Shipping with tracking number provided.
Please be sure you have picked the knife you really want and that you are able to make the payments in the specified time frame. We will not switch knives half way through your layaway.
Balance must be paid in full in time frame agreed upon - or money and goods are forfeited.
No Refunds. I can't afford to hang on to products for 2 months and then have someone change their mind.
Note: Layaway Items are Non-Refundable! Please Note that your item will NOT ship until the final payment is made!
Please call me at (618) 483-9009 with any questions.


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Preview: Homeland S08 E07
Varun Patel
'Homeland,' currently in its eighth and final season, seeks to present a satisfying end that would tie up the entire series together. Its focus in the season has been a peace treaty between the Afghani government and the Taliban. However, the stakes have been raised much higher than an inconsequential peace deal.
'Homeland' revolves around the CIA agent, Carrie who suffers from bipolar disorder. The show begins with the major conflict being about the possibility of a Marine having joined the Al-Qaeda.
Homeland Season 8 Episode 7 Release Date: When Does it Premiere?
The seventh episode of the eighth season of 'Homeland' is scheduled to premiere on March 22, 2020 at 9/8c on Showtime. The episode is titled 'F***er Shot Me' and returns one week after the fourth episode of the season was aired. The show follows a weekly format with each new episode slated to be released every Sunday.
Where to Watch Homeland Season 8 Episode 7 Online?
You can watch the seventh episode of the eighth season of 'Homeland' by tuning into Showtime during the timeslot mentioned above. Other than that, you can also watch the episode live on the Showtime Anytime app or website with a valid cable provider's login. Other than that, you can also catch the episode on the Showtime App or website if you do not have a cable provider's login by paying for a monthly subscription fee of $10.99 (they also offer a 7-day free trial).
Moreover, the show can also be streamed live with a subscription for Sling TV, Direct TV, YouTube TV or Fubo TV. Moreover, you can also watch the second episode if you have an add-on package for Showtime on Hulu or Amazon Prime Video. Both packages come with an additional monthly cost of $10.99.
Homeland Season 8 Episode 6 Recap:
The sixth episode of the eighth season of 'Homeland' reveals that Max is taken by a single captor. He attempts to escape but gets shot in the process. As a result, his captor ties him to a hospital bed somewhere and proceeds to sell the items in his bag.
G'ulom asks Saul for Haqqani's whereabouts since he wants to publicly burn him. Saul does not give him up. The Afghani government announces a $1 million bounty on Haqqani's head. Talibani men are captured and taken to a stadium. Haqqani is threatened that the men will be killed if he does not surrender.
Carrie is tasked with finding Max. She goes to Yevgeny for help in finding Max. In return, Yevgeny wants Carrie to switch off the CIA's monitoring system. Back at the Kabul station, Carrie gets interviewed by the FBI. Jenna shows Dunne a recording of Carrie and Yevgeny's meeting near the fountain.
Mike tells Saul about the recording. Saul confronts Carrie. He decides to send her to Germany since he thinks that Yevgeny is recruiting her. Jenna escorts Carrie to the airport. However, after Jenna leaves, Carrie secretly meets Yevgeny!


text:
Nikki Brammeier, geboren als Nikki Harris, (Derby, 30 december 1986) is een Britse veldrijdster. Ze is sinds april 2016 de echtgenote van Matthew Brammeier.

Brammeier combineerde als jeugdrenster en tijdens het begin van haar carrière zowat alle disciplines van de wielersport. Zo werd ze in 2006 vice-kampioene van haar land in de achtervolging; enkel Rebecca Romero was sneller op de piste. Begin 2008 ontdekt ze dan ook de cyclocross. Het daaropvolgende seizoen won ze met de GP van Hasselt haar eerst grote klassementscross. Op professioneel niveau begon Brammeier in 2011 in dienst van het Belgische Telenet-Fidea. Helemaal doorbreken deed ze tijdens het seizoen 2012-2013. Toen klopte ze, na drie tweede plaatsen op een rij, voor het eerst Helen Wyman tijdens het Brits kampioenschap. Voorts won ze nog in Ruddervoorde en in Gavere. In de daaropvolgende jaren groeide ze uit tot een vaste waarde binnen de crosswereld. Ze boekte onder andere overwinningen in de Flandriencross, de GP Mario De Clercq en de GP Région Wallonne. Voorts boekte ze vooral vele ereplaatsen, zo werd ze tweede tijdens het EK in 2013. Dit nadat ze een jaar eerder in eigen land ook al derde geweest was op het EK. Op 21 december 2015 won ze haar eerste wereldbekerwedstrijd, de Citadelcross in Namen.

Eind november 2015 raakte bekend dat Brammeier vanaf één januari Telent-Fidea verliet voor het Nederlandse topteam Boels Dolmans. Ze begon goed bij haar nieuwe ploeg door begin januari haar tweede Britse titel in het veld binnen te rijven. In augustus 2016 nam ze namens Groot-Brittannië deel aan de wegwedstrijd tijdens de Olympische Zomerspelen 2016 in Rio de Janeiro, samen met Emma Pooley en Lizzie Armitstead. Deze laatste eindigde als vijfde; Pooley en Brammeier haalden de finish niet. In december 2017 maakte ze bekend het team Boels Dolmans te verlaten en vanaf 2018 een eigen Britse veldritploeg op te richten: MUDIIITA.

Overwinningen

Cross

Brits veldrijder
Brits wielrenner
Brits olympisch deelnemer

redpajama_set_name: RedPajamaWikipedia


text:
(-) Addiction 10
Older Adults 1
Professionals 7
Common Questions About Addiction
What is substance misuse? What are the characteristics of substance use disorders? What are the most common addictions? Shelly F. Greenfield, MD, MPH, chief academic officer and director of the Alcohol, Drug, and Addiction Clinical and Health...
Depression, Addiction, and the Restaurant Industry
The restaurant and hospitality industries are high-paced and high-stress—and have some of the highest rates of mental illness in any field. For staff in these industries, it's the nature of the job to look after everyone else and put themselves last...
Lecture – Using Data to Improve Quality of Care for Substance Use Disorders
Presented by Alisa Busch, MD, MS, McLean Hospital, 2021 Jack H. Mendelson Memorial Research Award honoree. A 2019 Substance Abuse and Mental Health Services Administration report found that 7.7% of Americans had a substance use disorder. Nearly 4%...
Expanding Access to Addiction Care (TIPS 2020)
Prabhat Chand, MD, NIMHANS Digital Academy, India, presents as part of a panel on "Global Access to Mental Healthcare Through Digital Technology." These remarks are part of the 2020 Technology in Psychiatry Summit, an event sponsored by the McLean...
Lecture – Dr. R. Kathryn McHugh Examines Addiction and Anxiety
Presented by R. Kathryn McHugh, PhD, McLean Hospital – McLean Forum lecture Nearly 20% of people with substance use disorders also have an anxiety disorder. Co-occurring anxiety and substance addiction are more prevalent in individuals with drug use...
Lecture – Frameworks for Integrating Treatments for PTSD and Addictions
Presented by Denise Hien, PhD, ABPP, Rutgers, The State University of New Jersey – The Cathie Cook Lecture Over the past 20 years, clinicians and researchers have become more aware of the strong relationship between early and ongoing trauma exposure...
Aaron Josephson Discusses the Past, Present, and Future of FDA Approval for Digital Therapeutics (TIPS 2018)
Aaron Josephson is the senior director of ML Strategies, a consulting subsidiary of the law firm Mintz Levin. Prior to joining ML Strategies, he was a senior policy advisor at the FDA's Center for Devices and Radiological Health. Here, he speaks...
Unpacking the Innovation Pipeline in Substance Use Disorders (TIPS 2018)
Despite the potential for "digital therapeutics" to transform the treatment landscape in behavioral health, the path through the digital development process is complex and evolving—from identifying a problem or need, to innovating a potential set of...


text:
Q: Capture raw axios request from AWS Lambda I have code that calls a vendor API to do a formdata upload of a file by axios from inside an AWS Lambda. The call returns a 400 error. If I run the code locally using the same node version v14 it works. I want to capture both raw requests and compare them for differences. How do I capture both raw requests? I've tried using ngrok and pipedream but they don't show the raw but decode the request and the file.
  let response = null;
  try {
    const newFile = fs.createReadStream(doc);
    const formData = new FormData();
    formData.append("file", newFile);
    formData.append("url", url);
    const headers = {
      Authorization: "Bearer " + token,
      ...formData.getHeaders(),
    };
    console.log("Headers: ", headers);

    response = await axios.post(`${APIBASE}/file/FileUpload`, formData, {
      headers,
    });
    console.log("file upload response", response);
  } catch (err) {
    console.log("fileupload error at API", err);
  }

A: You're not able to capture the request on the network level, as this is totally controlled by AWS. Maybe there's a way to do this when running in a VPC, but I don't think so.
You could simply use a tool such as axios debug logger to print out all of the request and response contents (including headers etc) before the request is made/after the response has arrived. This might provide some more information as to where things are going wrong.
As to the cause of the problem, it is difficult to help you there since you haven't shared the error message nor do we know anything about the API you're trying to call.

A: You might be able to just use a custom request interceptor and interrogate at the requests that way.
https://axios-http.com/docs/interceptors

A: There are multiple ways to debug

*

*axios debug logger .

*AWS cloud watch where you can see all the logs. you can capture the request
and response.

*Use postman to call the prod lambda endpoint and verify the response.


Obituary – Taylor Jr., Frank Carol « Perry High School Alumni Association, Inc.
Frank Carol Taylor, Jr. was born in Perry, Oklahoma, lived in Crestline, CA for 11 years, and died in a San Bernardino. CA hospital on Wednesday at the age of 45.
He was a bus driver for the Rim of the World School District.
He was survived by his wife, Mary; four daughters, Cynthia Simmons, Pamela Patterson, and Sharon and Karen Taylor, all of Crestline; a son, Frank of Crestline; his parents, Mr. & Mrs. Frank C. Taylor of Long Beach; a sister, Carol Morrison of Santa Maria; a brother, Jerry Taylor of Palm Desert; and three grandchildren, Eryk and Curtis Simmons and Sonny Patterson.
Mark B. Shaw Memorial Chapel is handling the arrangements. In lieu of flowers, donations may be made to the Rim of the World Youth Sports League.


Both of these amazing programs are 21 days long and give amazing results—IF you do them correctly. So, when it comes to the the 21 Day Fix vs the Ultimate Reset, which one should YOU choose?
The 21 Day Fix and the Ultimate Reset are two completely different programs. Monica does the 21 Day Fix regularly and we both do the Ultimate Reset once to twice a year when we feel like we need to totally reboot our minds and bodies.
Let's analyze, compare and contrast these two programs a bit so you can see what they entail and make your decision.
The 21 Day Fix program is designed to help you shed pounds through portion/calorie control AND tone your body with exercise.
The 21 Day Fix program comes with color-coded containers with each color representing a different food group. These portion control containers help you measure the amount of food that you're allotted each day according to your calorie range. Once you consume all your containers in your calorie range, you're done for the day.
There are numerous delicious and satisfying healthy options—primarily single ingredients foods—for each container. The program allows you to choose the foods from the food list that work best for YOU. You CAN have caffeine, alcohol and sugar during the 21 days, but with pretty significant limitations.
Before you know it, you'll be eating this way quite naturally.
The 21 Day Fix workouts are fairly simple exercise routines that typically last for about 30 minutes. If you find some of the exercises too difficult, you can follow the modifier. The program also includes active recovery days to allow your body to unwind and rest a bit, while still undergoing less rigorous exercises.
If you're up for a tougher version of the program, check out the 21 Day Extreme!
The Ultimate Reset is a 21 day gentle cleanse designed to get your body hydrated, restore your body's pH level, and help you establish some simple healthy habits that will serve you for a long time after it's over.
It's more focused on cleansing and alkalinizing your body than losing weight and exercising. During the 21 days of this program, you follow a rigorous and straightforward nutrition plan.
You can NOT have caffeine, alcohol and sugar during the entire 21 days. Additionally, the program comes with various supplements that help you cleanse your body, which is the primary reason it is a bit more expensive than all the other programs.
I won't lie. There will be tough days, but the payoff makes it all worth it. I really encourage you to give the Ultimate Reset a shot. I've done it many times and it's always a positive experience.
As we mentioned, both programs last for 21 days. Although this isn't a long time period, it is long enough to pick up some healthy habits that you can continue even after you're done with the program.
One major difference between the two programs is that the 21 Day Fix allows you to eat a variety of healthy single ingredient foods while toning your body and the Ultimate Reset focuses more on "resetting" and alkalinizing your system by eliminating proteins from your diet and flushing toxins out of your body.
A common fallacy about the Ultimate Reset is that you're not allowed to exercise at all during the 21 days. False! You are encouraged to move around and do a variety of your favorite exercises, as long as they are not super vigorous.
So, when is the best time to do the 21 Day Fix or the Ultimate Reset? Honestly, in our opinion, the best way to do is to adopt the 21 Day Fix as a healthy lifestyle and do the Ultimate Reset one to two times per year.
So now that I've covered the 21 Day Fix vs Ultimate Reset, which one will you do?
If the 21 Day Fix resonated most with you, make life easy on yourself and work with an expert. Monica has been coaching since before Beachbody coaches even existed. (Before there were coaches, there were busy online message boards. She was so helpful there that she was asked to be one of the company's founding coaches!) She fell so in love with the 21 Day Fix that she chose to specialize in it.


text:
Q: Gitlab maven output directory I'm using Gitlab for CI/CD.
Basically I have a project with 2 branches.
Branch A and B and both have .gitlab-ci.yml which do maven install and copy the output jar file to a remote server, two branches will copy it in different remote servers.
Below is my sample .gitlab-ci.yml
build:
  stage: build
  tags:
      - myrunner
  script:
      - mvn clean install
      - cp /root/myrunner/my/project/target/*.jar /remote/server/

The problem is that, both projects are in the same runner directory when build, so there's a possibility to clash and overwrite the target directory.
I understand that I can change the runner for the other branch so that the path will be different but what if I have 10 branches for that project?
Is there a way to specify the build directory of the runner like something below?
/root/myrunner/my/project/branchname/target/

A: My advice will be to use a Gitlab Runner with Docker executor.
This way, each job will be executed in a different container and there is no clash possibility.


text:
Karan Kayastha is a community of Kayastha that inhabit Orissa and Mithila region, a region now divided between India and Nepal.

History and migration
Eminent archeologist, BP Sinha explains that duty of Karana was rajaseva and durgantapuraraksha. They held high position in Oriya society with them being mentioned highly in early scriptures. They adopted the profession of writing and were merged in the Kayastha community. He also mentions that the word Kayastha and Karana are often used synonymously in the scriptures of Orissa.
Sahay explains their migration from present day Bihar to Orissa and Nepal. The Karanas held important positions in Magadh bureaucracy and due to regime change had to move North into the Terai and Nepal and South into Orissa and southern India. Those in the periphery of Magadh moved to Himalayan regions including the Terai. While those that moved south came to be later known as Karana in Orissa, Karanam in Andhra, Karuneeka in Karnataka and Karunageer in TamilNadu.

Eminent epigraphist of Archaeological Survey of India, Dineshchandra Sircar, mentions that several historial edicts and inscriptions have been found in the relevant geographic locations that show that the terms Karana, Karanin, Karaneeka, Karanakas, Karaneegars are used to represent bureaucratic range from clerks to ministers. Significant among these are Minor Rock Edict No. II, Kanas plates of Lokavigraha, Ghugrahati copperplate of Samacharadeva, Tipper copperplate of Lokanath etc.

Karan of Bihar

Maithil Karan Kayasth  are  also known as Tirhutiya Kayasth. They follow the Panji system of genealogies, which is indigenous to a few ethnicities of the region. Verma explains that these help in understanding their migration over several centuries as several manuscripts of Panjis are possessed by various panjikars of Bihar which deal with such genealogies. They are written in Tirhuta script on palm leaves or old indigenous paper mainly dealing with Mulgrams and the transmigration to subsequent places of living.
The early records also mention Nanyadev of Karnat dynasty, whose rule began in 1057 AD as also mentioned in Simraungadh inscription.

Indigenous to the region is also the Mithila paintings that mainly females of some ethnicities including the Karans elaborate in their domestic-ritual space.

Karana of Odisha
Main article : Karana

Thurston suggests that the Karanas were first invited to Orissa by the King Yayati Keshari in about 5th century A. D.
Sircar suggests that as shown in the Bhajas inscription, a list of individuals involved in land records contains a phrase 'Brahmana-Karana-Puroga-Nivasi' which may be good indication of their social status then. Historian RS Sharma also mention that Loknatha, a Karana, was also referred to as a Brahmin in inscriptions, but they were ranked lower in most literature.
Even in the current scenario they hold good political power in Odisha including several Chief Ministers in recent years.

Karanam or Sistakarnam of Andhra
Sircar mentions that they mostly dealt with accounting, bureaucracy, teaching etc.
They are believed to have migrated from Orissa to the flourishing Vijayanagar empire where they also were heads of villages mostly in Northern costal Andhra, with quite a few ministers, warriors, reformers and administrators. Sahay mentions that the Sistakarnams perform the Upanayan ceremony and hold the belief of descent from Shri Chitragupta, the language of these communities in Andhra is mostly Odiya called Karnala bhasha and are also called Karnalu, Chitti Karnalu or Shristikarnalu.

Karuneegar of TamilNadu

Sahay mentions that the poet Paarisanadhar wrote Karuneegar Purana during the Vallar Pandiyan era. Their holiest cite is the Shri Chitragupt Swamy Temple in Kanchipuram and they hold the belief to have descended from the presiding deity and have 64 gotras in the community. They are mainly devotees of Vallalar Shri Ramalinga Swamy of Vadalur. The famous Tamil saint, reformer and poet belonged to the community and to a line of Tamil saints known as "gnana siddhars".
Sircar mentions that they give great importance to mathematics, so much so that one of the subcaste is named Kanakkar which literally stands for Mathematics in Tamil.

References

Hindu surnames
Kayastha
Social groups of Bihar


text:
LHonda Acty costituisce una gamma di piccoli veicoli commerciali prodotti dalla Honda fin dal 1977. Il veicolo è stato prodotto per il mercato interno, dove è considerato come keicar, ed ha dimensioni ridotte ed un motore di una cilindrata di 660 cm³.

Il contesto

Sono pensati per essere dei veicoli commerciali piccoli, agili ed economici; per questo hanno un allestimento piuttosto sobrio anche se è disponibile, come optional, l'aria condizionata. Il motore della versione più recente è un tre cilindri con testata a quattro valvole per cilindro montato in posizione centrale mentre la trazione è posteriore. La potenza erogata è di 46 cv (34 kW) a 5.500 giri al minuto. La coppia è di 60 N·m a 5.000 giri.

Il modello base è la versione pick-up che costa  (2008) circa 777.000 yen mentre con carrozzeria furgonata il costo sale a 1.092.000 yen. Su tutte le versioni furgonate e pick-up è disponibile la trazione integrale.

Versioni britanniche

Il veicolo venne venduto in Gran Bretagna come TN7 con motore da 350 cm³ e cambio senza sincronizzatore. Si dimostrò un veicolo popolare per piccoli trasporti in zone difficili delle città.

Versioni australiane

In Australia il veicolo venne venduto nel 1982 ma si rivelò poco adatto, a causa della potenza del motore, ai terreni collinosi.

Altri progetti

Collegamenti esterni

Acty


Security Engineering enables Databricks to develop secure products and services while sustaining high-feature velocity and high quality and ensure that Databricks meets customer security and compliance requirements.
We are seeking a security architect, who is a senior hands-on developer and will be responsible for driving Security Architecture and shaping Security strategy of the engineering organization. In this role, you'll report to the Senior Director of Product Security and Security Engineering, with visibility to our executive leadership team as well as our customers. This role involves defining security integration into SDLC, provide security best practices, review existing services and infrastructure, build security frameworks across different programming languages and participate in design reviews. This role requires constant collaboration with other teams in engineering and security stakeholder outside engineering.
Define and drive Secure SDLC including training, security best practices, Security Architecture, Design/Code Reviews, Threat Modelling, Security Tools, Pen Testing, Incident Response.
Research, Prototype and integrate Security Tools into CI/CD pipeline (Container Security, Static, Dynamic, Application Scanning, Third party Vulnerability Scanning, etc) with 100% coverage of all deployment/build pipelines.
Be the engineering POC on compliance and Collaborate with IT security, Product Management and Field to address various compliance requirements -- PCI, FedRAMP, HITRUST, HIPAA, etc.
Build Security Frameworks (Authentication, Authorization, Crypto, Multi-Tenancy, Vulnerability Protection) across Java, Scala, Python.
Ensure 100% of CVEs are monitored and assessed within 30 days for DB relevant vulns with a trackable SLA for closing the exposure.
2+ years of experience in Product Security, specifically reviewing Designs and Threat Modeling for cloud services.
Designed and Implemented significant components and features in some of the following areas - Cryptography, PKI, Network Security, IAM and Threats/Anti Virus.
In-depth experience identifying and protecting against web application and web service security vulnerabilities & threats and ways to mitigate them including those found in the OWASP Top 10 and CWE Top 25.


Data capacity – This specifies how much data the tag can carry. It is often expressed in bits. For example, a 64-bit carrier is effectively capable of carrying eight digits and eight characters or a combination of characters and digits. A 2kbit tag would be capable of carrying 256 characters.
Read-write capabilities – This specifies what is possible in terms or read-only and read-write capability. It is worth remembering that many read-only tags are factory programmed and carry an identification number (tag ID). Other tags, including read/write devices can also carry a tag identifier which is used to unambiguously identify a tag. This identifier is distinct from user introduced identifiers for supporting other application needs.
Read-only devices are generally less costly and may be factory programmable read-only or one time programmable (OTP). One-time programmability provides the opportunity to write once then read many times thus supporting 'passport' type applications where data can be added at key points during the lifetime or usage of an item and thus providing an incorruptible history or audit trail for the item data.
Read/write data carriers offer the facility for changing the content of the carrier as and when appropriate within a given application. Some devices will have both a read-only and read-write component that can support both identification and other data carrier needs. The read-write capability can clearly support applications in which an item, such as a container or assembly support, is re-usable and requires some means of carrying data about its contents or on what is being physically carried. It is also significant for life-time applications such as maintenance histories, where a need is seen to add or modify data concerning an item over a period of time. The read/write capability may also be exploited within flexible manufacturing to carry and adjust manufacturing information and item-attendant details, such as component tolerances. A further important use of read/write is for local caching of data as a portable data file, using it as and when required, and selectively modifying it as appropriate to meet process needs.
Data transfer – Specifying how fast the data can be transferred from tag to host management system. It is generally quoted in bits per second.
Data security and error control support features – This deals with what is required to support the realisation of security-centric applications where stored or encrypted data is used as part of a security application. In the case of error control, exploiting algorithms for error detection and correction, the facility should provide greater confidence in the accuracy and integrity of the data transferred from a tag to a host or vice versa.
Time to read – This is the time it takes to read a tag, which of course is related to data transfer rate. For example, a system operating at 1 kbit per second transfer rate will take approximately 0.1 of a second to read a 96 bit tag (96/100 with a bit of time for communication management). Various factors can influence read time including competing readers and tags (reader access and batch readability).
Batch Readability – Where readers are competing for attention this can have an influence upon the time to read depending upon the access management methods that are used to control them. Where a number of tags are competing for attention this can also have an influence upon the time to read and requires anticontention facilities to handle the reading process. The time to read them all is clearly multiplied by the number of tags. This may be fine if the tags are stationary. However, if the tags are on items moving through the read zone the time they are available for read becomes important and may indicate the need for a faster transfer rate. For higher capacity tags the time to read is correspondingly higher if all the data is to be transferred. Where parts of the tag-held data can be selectively read the time to read will depend upon the amount of data to be transferred in the selective read. For read / write systems the time to write can also be significant.
Range – the distance over which the data can be transferred from tag to host, primarily related to available power and carrier frequency, which it should be remembered is governed by national and, in some cases, international regulations. Generally speaking active tag systems exhibit longer ranges than passive, but this is not always the case. For read/write systems the write range is usually shorter than the read range due to the higher energy generally required for writing data to a tag. It should also be appreciated that there are numerous factors that can influence the range that can be achieved, other than power and carrier frequency. These factors include tag-to-reader orientation and obstacles within the reading zone that can reflect, diffract, absorb or otherwise distort the fields that couple the tag and interrogator/reader devices. Close proximity of tags may also impede or even prevent communications if sufficiently close.
Interference – Systems need to be immune from interference by signals or fields from other sources and commissioned to ensure that they comply with regulatory requirements and do not cause interference with other systems.
Form and robustness – This relates to the various forms that the data carriers may take in respect of the physical form, size and weight and robustness of the tags and facilities for attachment to items.
Standards – Knowing what technical and application standards are applicable to the applications envisaged.
Regulatory requirements – Knowing what regulations govern the usage of RFID systems, including spectrum usage, safety regulations and guidelines.
Costs – You need to determine how much the basic parts of a system are likely to cost. This should include support costs that can have an important bearing upon determining and justifying an application for RFID .
Application features – This can have a significant bearing upon the type of RFID system to be used and provide insight into where best the technology can be applied.
Of all these features the costs and areas of application should provide the greatest comfort feeling in appreciating what can be achieved and the opportunities for the technology to meet your own needs.
The other features are important to consider once you have achieved a level of appreciation of the system capabilities and how they relate to your own sphere of business activity. Information concerning the majority of these features is generally to be found in product data sheets. The attributes identified for RFID, in part or in total, can often provide advantage over and above other AIDC data carrier technologies that are limited by read/write capability, range, data carrying capability and robustness in respect of environmental conditions. RFID should, in general, be considered complementary to such technologies, opening up opportunities for new applications.
Although a consideration of the general attributes can provide a useful insight into the relevance of the technology for data handling processes, more specific, and often technical, considerations are important in moving to a solution. It is also important to consider the limitations on usage. In the very prescriptive sense of the word, these limitations relate essentially to the performance of systems with respect to the defining attributes; the limitations on range, data capacity, and data transfer.
One should bear in mind that the performance ratings are generally influenced by the system design and the practicalities of the applications, including the environment in which they operate. Some attributes such as range will be influenced by a number of factors including, for example, power, frequency, antenna characteristics and environmental "clutter" (the features present in the application environment that can reflect, refract or absorb the radio signals used to communicate with the RFID data carriers). The guiding principle is to ask appropriate questions and obtain reliable information concerning product capabilities and performance ratings.


The agency is well positioned to continue growing and take advantage of US Hispanic market expansion.
"New York is the US media capital, [and our opening an office there signals] recognition of how important US Hispanic business is going forward," Jeff Sharlach, president and CEO says.
"Companies are taking a broader perspective," he adds. "More and more realize the overlap in US and Latin American consumers. As communications tools become more electronic, geography matters less. Language is uniting people."
The Jeffrey Group has 55 employees (up four with 8% turnover) and contracted staff in every country of Latin America and the Caribbean. Eduardo Chac-n joined from Fleishman-Hillard as GM of The Jeffrey Group Mexico. Mike ValdŽs-Fauli moved from Miami headquarters to become MD of The Jeffrey Group New York and leader of US Hispanic practice.
A New York office was opened in mid-2006. "All Latin American clients are asking to expand in the US Hispanic market and vice versa," says Sharlach. "Synergy is developing. We're investing heavily." Brazil, Mexico, and Argentina also show strong growth.
The agency specializes in Latin American and US Hispanic consumer and corporate work across practice areas. An in-house creative services department was added to offer a full range of print and electronic design and production capabilities.
Clients include Kodak, American Express, British Airways, Sony Ericsson, Getty Images, and FedEx. Among 2006 wins are Diageo, Western Union, and ViewSonic (all across three or more countries). Diageo, Getty Images, and Western Union each expanded into new markets. No clients were lost, and 90% of business is retainer-based.
The agency saw double-digit growth for the second year in a row, ending 2006 up 16% at $3.7 million.
Mike Valdés-Fauli named Managing Director of The Jeffrey Group New York (relocated from Miami HQ) and leader of US Hispanic Practice.
We have contracted staff in every country of Latin America and the Caribbean.
US Hispanic is fastest-growing part of our business. Brazil and Mexico - and Argentina to a lesser extent - are all showing strong growth.
In-house creative services department offers full range of design and production, both print and electronic.
See above. We work with consolidated numbers.


text:
writing that takes its time
Joe Pera's Church Announcements are all I need
December 10, 2018 Sarah Axelrod
Joe Pera as Joe Pera in "Joe Pera Reads You The Church Announcements" (Joe Pera Talks With You, ep.6). 4 days ago I had never heard the name Joe Pera.
Hello. Today is December 10th. I will now tell you what happened when my husband and I watched "Joe Pera Reads You the Church Announcements." We watched it last Friday and we haven't stopped talking about it since. It's the sixth episode in the series Joe Pera Talks With You, and it begins with the titular Joe Pera beginning to read the church announcements at his (presumably) regular Sunday service. He then stops mid-sentence and looks up from the lectern: "I'm sorry, but have you guys heard The Who? They rock! They're unbelievable! I heard them for the first time on Thursday and I haven't slept since!" After living vicariously through Joe Pera's musical discovery, we were transformed. We listened to "Baba O'Riley" in the car on the way to get our Christmas tree. We quoted the episode to each other throughout the day. Every now and then, à propos of nothing, one of us would start singing, "I don't need be forgiven, yeah yeah yeah yeah" and we would both laugh. In the afternoon, we listened to "Baba O'Riley" in the car, again, on our way to our friends' house, and when we got there, we made them watch "Joe Pera Reads the Church Announcements" with us before dinner. And we laughed, loudly, the whole way through even more than we had the first time. I cried a couple of times (not that you're surprised). The next day another friend came to visit, and we made her watch it with us, too. We all laugh-cried together; I think I laughed harder than I had the first two times. I sent the video to my dad and my brother and my best running friend, and for that matter I posted a link to it in my running group.
This is an 11-minute episode of TV that perfectly depicts what it feels like to be under the spell of a great song and immediately succumb to the irresistible urge to not only experience that thing again and again but also to get everyone you know to experience it, too. In so doing, it has masterfully turned us, its viewers, into evangelists of "Joe Pera Reads the Church Announcements" on the same level as Joe Pera himself, whose evangelism of The Who deep-sixes the church announcements after about 30 seconds.
Do you remember the first time you heard the song "Baba O'Riley"? Or maybe you knew it as "Teenage Wasteland" (if so, the sarcastic radio DJ Joe eagerly dials to ask what song that was will set you straight). Watch Joe Pera receive those opening chords over the electronic intro: as he's doing his "kitchen chores" (or rather washing his dishes with soap before putting them in the dishwasher) he stops suddenly, sudsy bowl suspended midway to dishwasher rack. For a few moments, we just see the barely-perceptible bob of his head on the downbeats. His physical reactions to the song aren't big (yet) he's too busy feeling all the feelings inside, and he shows us just enough (slowly turning off the water, turning around, his head still bobbing) that we know exactly what he is experiencing. We have been Joe Pera. We have lived that euphoria. And when he then calls every radio station in the area one by one to request the song again and again, we feel like we are watching something special. We are watching someone experience a kind of weightlessness, an immediate and inimitable joy that, in my mind, only art can create.
You don't get to watch other people experience such things very often. I can remember seeing Fun. in concert once and feeling roughly 30 years older than everyone else in the audience. A friend had invited me, and I thought it sounded like, uh, fun! Despite not being a true fan of the band, I had a good time at the concert, and what I remember most about it was watching the true fans in the throes of total bliss. They looked like mostly high-school kids, and they were having the time of their lives. They knew every word to every song. iPhones floated in the air as girl after girl Instagrammed her heart out. Cries of "OH MY GOOOOOD" abounded. It was kind of magical. I loved watching them love the hell out of this band. I didn't need to love Fun. to appreciate what an effect they had, and seeing that effect in action was in and of itself life-affirming. Watching other people love things is a thing that I happen to love a lot.
Episode 1: "Joe Pera Shows You Iron"
Joe Pera's nine episodes show us a man who loves lots of things an embarrassing amount (rocks and minerals, the Upper Peninsula of Michigan, his dog, fireworks, the history of rat wars in Canada, breakfast restaurants, thinking, The Who, and Starbucks coffee). Unlike me, though, it would never occur to him to call his love embarrassing. He just wants to share it, without a hint of irony.
I think this is why Joe Pera might be the only white male character I ever need to see again on TV, or at least the only one I need to watch playing a version of himself. Pete Holmes is pretty endearing on HBO's Crashing, and his self-awareness earns him some points, but honestly it's an uphill battle for me to feel particularly invested in him. Marc Maron pulled off a pretty good Maron in Maron, and I'm also glad that he decided to end that show before it got old or started to feel annoyingly self-serving. Honestly, if Maron were a new show airing now, I doubt I'd watch it. Call it the 2017 effect; I'm just kinda over white dudes exploring their feelings and frustrations, even if I can allow that their feelings and frustrations are likely very interesting to them and probably worth exploring for them. Even Larry David on Curb Your Enthusiasm has a far higher bar to clear than he once did, and that's really saying something (but you can pry "Beloved Cunt" from my cold dead fingers).
Joe Pera is awkward like Pete Holmes and to some degree socially stunted like Maron, but he's not cruel and selfish like Larry on Curb, nor do others respond to his awkwardness with scorn or indifference. for the most part. Joe lives a life in which he doesn't feel slighted or wronged or misunderstood. There are only a few moments that are truly cringe-worthy throughout the nine available episodes of Joe Pera Talks With You, and when they happen, they don't arise from people being unnecessarily mean or improbably shortsighted. Rather, these are the sorts of daily awkwardnesses that arise from people's honest efforts to understand and relate to each other sometimes not being enough. And on Joe Pera, enough people are trying to be kind and good that watching them occasionally stumble doesn't hurt quite so badly. Watching people act generally kind and loving towards one another and share in one another's excitement and enthusiasm about things sounds like a pretty smarmy premise for a show, but its honesty and its capacity to marvel at the world and its desire to put good things out into it set it apart from nearly every other show that interests me. The last TV show I wrote about took Seinfeld's "no hugging and no learning" ethos to a new extreme, and I have loved and respected it for that. It's good to know that the same heart that loves Sunny also has room for Joe Pera and all the wonders he has to share.
In cultural reflection, screens and pages Tags joe pera, holidays, the who
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Commemorating the death anniversary of iconic Leila Mourad
Angy Essam
Sat, 21 Nov 2020 - 12:54 GMT
File: Leila Mourad.
CAIRO – 21 November 2020: In memory of legendary singer/actress Leila Mourad, the voice of the golden cinema age, Egypt Today sheds light on some of the highlights of her artistic and personal life, marking her death anniversary.
She was born Jewish in Cairo on February 17, 1918 to a Syrian father, Zaki Mourad, and a Polish mother, Gamilah Salmon. Her father was a composer and singer who encouraged Leila to sing in radio in the 1930s. Being the eldest daughter, she later had to financially support her family.
Her debut as a singer in the cinema was in "The Victims", six years before starting her acting career with the "Long Live Love" film starring singer Mohamed Abdel Wahab, who also made her sign a contract for ten musical records. Director Mohamed Karim first said that she wouldn't make a good actress due to her extremely small frame, but Abdel Wahab managed to convince him.
Producer, director, scriptwriter and actor Togo Mizraahy gave her true fame through seven films, including "Leila Bent El-Reef" (Laila From the Countryside), "Leila Bent Madares" (Laila: The School Student), and "Leila". Out of 28 films of her career, 17 carried her real name. Mizraahy was able to work on Leila's shyness, which was the only factor that she lacked to be a great cinematic actress. He taught her how to boldly face the camera and trained her on how to control her facial expression and voice coloring.
Mourad was in need of another director to change her skin and remove the solemnity of tragedies which was the main characteristic of Mizraahy films. She needed a director who can easily create a commercial formula while maintaining he artistic caliber, this man was simply the famous Egyptian producer, actor and director Anwar Wagdy.
The marriage of Wagdi and Mourad in 1945 significantly contributed to the immortal booming success of this artistic duo and increasing both their credibility and popularity among viewers, especially that at that time Mourad and Wagdy were the only artistic couple who were married in real life.
Wagdy's innovative methods led the audience to be more attached to Mourad and follow her professional and personal news as if they were members of the same family. Wagdy's intimate method increased ticket sales.
Mourad reached with Wagdy the peak of her artistic and popular success. As a result, Mourad became more confident in other cinematic experiences with other directors.
After the end of World War II, Wagdi was smart enough to realize that the Egyptian audience's tastes shifted from tragedies to comedy and musical films or their combination, especially low classes who constituted the majority of cinema goers.
- Her film "Ghazl El Banat" (The Flirtation of Girls) is until today one of the most important films in the history of the Egyptian cinema. She co-starred with legendary actors Naguib El-Rihany and Youssef Wahby, who had introduced the film idea to Mourad.
Her unforgettable role in "Qalby Daleeli" (My Heart is My Guide) film with Anwar Wagdy and the song carrying the same name has maintained wide fame for generations. The song is still featured in modern films, including the late director Mohamed Khan's "Fi Shaqet Masr El Gedida" ( In Heliopolis' Apartment ), who believed that "her voice is a unique classic."
Until the mid-1940s, Egyptian cinema didn't witness the phenomenon of the female "box office star" until Mourad appeared. Mourad was described with this expression not only because her films achieved high revenues, but because her fans were strongly attached to her to the extent that drove them to go to the cinema to watch her movies only because she was these movies' heroine, without paying attention to any other details. Her name on any movie poster was a strong guarantee of its high quality.
- She declared her Islam in 1947, one year after she sang "Ya Hoggag El-Beit" (Oh Pilgrims) and "Ya Sett Nazra" (Lady Zeinab, Look at Me).
One day in Ramadan, she woke up to the voice of "Adhan" (Islamic call for worship) near her home at 26 Sherif Street, in Downtown Cairo. As she felt an inner peace to listen to it, keenly bringing up her spiritual inspiration, she asked her husband actor Anwar Wagdy why he did not ask her to convert to Islam, telling him that she wanted to embrace Islam immediately.
- In response to a rumor published in a Syrian magazine accusing Leila of being a spy who donated EGP 50,000 to Israel, Egypt and most Arab countries boycotted her artistic performances for some time.
- While in Europe, she asked for protection from President Mohamed Naguib. She then sang her last national song "Union, Organization, and Work" (Bel Itihad, W El-Nezam, W El-Amal), and then retired from her artistic career as a way to thank him.
- The romantic film was a successful end for her acting journey that lasted for 15 years. She insisted on retiring in 1955, until Egyptian composer Baleegh Hamdi convinced her to host a TV program in the 1960s on Abu Dhabi TV.
She decided to retire when she was only 37 years old, at the peak of her artistic maturity and cinematic glory, to keep an immortal youthful image in the minds and hearts of her fans. Despite her retirement, she maintained her stature and popularity until her death and even after.
Mourad is considered one of the most iconic singers in Egypt's modern history. She acted in more than 20 movies and sung hundreds of songs that are deeply entrenched in Egyptians' memory. Known for her innocent golden voice, full of emotions, Mourad would always grab attention when one heard her singing a symphony. She passed away November 21, 1995, leaving behind a large history of immortal movies and songs that will live ever after.
Leila Mourad


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Q: installing Net/SSH/Perl.pm I am fairly new to scripting with perl. I am trying to ssh into a server and perform some commands. I have to provide a username and password.
When trying to run the script that i have so far (code listed below). I get the following error.
I am assuming this means that i need to install/make Net/SSH/Perl.pm, however, when i follow the instructions and tutorials i have found online, none have worked.
Can someone please assist me. I have tried CPAN and ppm, CPAN says it cannot find net::ssh::perl or other variations of that string. And ppm will not even run, i do not see it in my perl directory. Any help is greatly appreciated!

// The code
#!/usr/bin/perl
use Net::SSH::Perl;

$uName = "username";
$pWord = "password";

$unitIp = $ARGV[0];

my $ssh = Net::SSH::Perl->new($unitIp, 35903);
$ssh->login($uName, $pWord);
my $out = $ssh->cmd("java -version");
print $out;

// the error that is returned
Can't locate Net/SSH/Perl.pm in @INC (@INC contains: /usr/lib/perl5/5.8.5/i386-linux-thread-multi /usr/lib/perl5/5.8.5 /usr/lib/perl5/site_perl/5.8.5/i386-linux-thread-multi /usr/lib/perl5/site_perl/5.8.4/i386-linux-thread-multi /usr/lib/perl5/site_perl/5.8.3/i386-linux-thread-multi /usr/lib/perl5/site_perl/5.8.2/i386-linux-thread-multi /usr/lib/perl5/site_perl/5.8.1/i386-linux-thread-multi /usr/lib/perl5/site_perl/5.8.0/i386-linux-thread-multi /usr/lib/perl5/site_perl/5.8.5 /usr/lib/perl5/site_perl/5.8.4 /usr/lib/perl5/site_perl/5.8.3 /usr/lib/perl5/site_perl/5.8.2 /usr/lib/perl5/site_perl/5.8.1 /usr/lib/perl5/site_perl/5.8.0 /usr/lib/perl5/site_perl /usr/lib/perl5/vendor_perl/5.8.5/i386-linux-thread-multi /usr/lib/perl5/vendor_perl/5.8.4/i386-linux-thread-multi /usr/lib/perl5/vendor_perl/5.8.3/i386-linux-thread-multi /usr/lib/perl5/vendor_perl/5.8.2/i386-linux-thread-multi /usr/lib/perl5/vendor_perl/5.8.1/i386-linux-thread-multi /usr/lib/perl5/vendor_perl/5.8.0/i386-linux-thread-multi /usr/lib/perl5/vendor_perl/5.8.5 /usr/lib/perl5/vendor_perl/5.8.4 /usr/lib/perl5/vendor_perl/5.8.3 /usr/lib/perl5/vendor_perl/5.8.2 /usr/lib/perl5/vendor_perl/5.8.1 /usr/lib/perl5/vendor_perl/5.8.0 /usr/lib/perl5/vendor_perl .) at needsAName.pl line 31.
BEGIN failed--compilation aborted at needsAName.pl line 31.

A: You can try this:
curl -L http://cpanmin.us | perl - --sudo App::cpanminus
cpanm Net::SSH::Perl

case sensitive.
Explanation:
1st line will install "cpanm" - what is IMHO the easiest way installing modules
2nd line will install the module Net::SSH::Perl

A: Instead of Net::SSH::Perl try using Net::SSH2 or if you are in an Unix/Linux environment Net::OpenSSH. They are far easier to install!

A: Why should you use Net::OpenSSH instead of other perl ssh? This is what I found after install it via cpanm:
Net::OpenSSH Vs Net::SSH::.* modules
   Why should you use Net::OpenSSH instead of any of the other Perl SSH
   clients available?

   Well, this is the perldoc writters (biased) opinion:

   Net::SSH::Perl is not well maintained nowadays (update: a new
   maintainer has stepped in so this situation could change!!!), requires
   a bunch of modules (some of them very difficult to install) to be
   acceptably efficient and has an API that is limited in some ways.

   Net::SSH2 is much better than Net::SSH::Perl, but not completely stable
   yet. It can be very difficult to install on some specific operative
   systems and its API is also limited, in the same way as Net::SSH::Perl.

   Using Net::SSH::Expect, in general, is a bad idea. Handling interaction
   with a shell via Expect in a generic way just can not be reliably done.

   Net::SSH is just a wrapper around any SSH binary commands available on
   the machine. It can be very slow as they establish a new SSH connection
   for every operation performed.

   In comparison, Net::OpenSSH is a pure perl module that doesn't have any
   mandatory dependencies (obviously, besides requiring OpenSSH binaries).

A: just type cpan on terminal and then type: force install Net::SSH::Perl

A: perl -MCPAN -e 'install Net::SSH::Perl'


text:
Principles of Biochemistry
This introduction to biochemistry explores the molecules of life, starting at simple building blocks and culminating in complex metabolism.
Open February 18, 2020 – February 9, 2021
The structure and function of the chemical building blocks of life
How to navigate protein structures using PyMOL
The central role of enzymes in catalyzing the reactions of life
The primary metabolic pathways that power cells
The intricate mechanisms that regulate cellular metabolism
The integration of biochemical processes in the context of cells, tissues, and whole organisms
Principles of Biochemistry integrates an introduction to the structure of macromolecules and a biochemical approach to cellular function. Topics addressing protein function will include enzyme kinetics, the characterization of major metabolic pathways and their interconnection into tightly regulated networks, and the manipulation of enzymes and pathways with mutations or drugs. An exploration of simple cells (red blood cells) to more complex tissues (muscle and liver) will be used as a framework to discuss the progression in metabolic complexity. Learners will also develop problem-solving and analytical skills that are more generally applicable to the life sciences.
Alain Viel
Director of Undergraduate Research and Senior Lecturer in the Department of Molecular and Cellular Biology, Harvard University
Rachelle Gaudet
Professor of Molecular and Cellular Biology, Harvard University
MalariaX: Defeating Malaria from the Genes to the Globe
How can we eradicate malaria? Explore cutting-edge science and technology, and examine policies needed, to control and eliminate...


text:
Tag - GORGON CITY
Dirtybird Players Stage at Imagine 2017
Events, Feature, News
2016 marked the first year of Imagine Music Festival taking place at the Atlanta Motor Speedway. The larger venue allowed for an impressive layout of stages catering to specific styles of music: the Oceania Stage hosted an assortment of big names and headliners, the Amazonia Stage trended towards live music, funk, and glitch, the Aeria Stage had a slew of heavier drum & bass and dubstep, and the Disco Inferno stage naturally showcased an assortment of disco, house, and techno artists. Imagine will be building upon the success of the curated stages, notably with the Disco Inferno Stage, which will feature Claude VonStroke and the Dirtybird Players Stage.
Barclay Crenshaw, AKA Claude VonStroke, has been building the Dirtybird Records brand since 2005, specializing in a brand of house music that he's dubbed "tech funk." Some of the quintessential characteristics of the Dirtybird brand seem to revolve around having fun, being chill, and just doing your own thing. This is immediately evident given the events that Dirtybird Records has been throwing lately, namely the Dirtybird BBQ series and Dirtybird Campout. If the event names don't make it clear, a primary goal is to elicit a laid-back feel, with a funky soundtrack of course. After Mixmag voted Dirtybird Records as the number one record label of the decade, Claude VonStroke was surprised and humbled, commenting that "We've always done our own thing, even if it wasn't popular. It definitely wasn't popular for a while, and it might not even be popular now, but we're still just doing our own thing."
Much of the success of Dirtybird could be attributed to this laid-back style of focusing on what's fun and unique, not necessarily what's popular or trendy. This style of recruiting artists, running a label, and throwing events should make any house music fan excited to see what's in store this year for the Disco Inferno Stage at Imagine Music Festival. This year's Disco Inferno Stage has an impressive lineup, including Dirtybird artists: Claude VonStroke, Shiba San, Will Clarke, Ciszak, and Dateless, as well as Gorgon City, Chris Lake, Claptone, and Nora En Pure. The Dirtybird Players Stage will take place on Sunday, September 24, while the remaining artists will perform at the Disco Inferno Stage throughout the rest of the weekend.
In addition to the music, the festival producers are expanding the stage. Glen Goodhand, Co-Founder of Imagine Music Festival explains what's in store for this year's Disco Inferno Stage:
"This year's Disco Inferno Stage will feature a giant disco ball center piece that shoots a 100 foot flame out of the top of it. Along with many other disco domes sprinkled in the crowd that will have water misting during the day and fire roofs at night. These will all be tied together with an elaborate truss system and massive D&B Audiotechnik sound system so everyone can hear and feel the beautiful sounds. A true 360-degree immersive experience."
Between the music, atmosphere, and stage production, the Disco Inferno Stage at Imagine Music Festival should certainly heat up the dance floor and get the crowd groovin' and we can't wait! If you haven't purchased tickets yet, GA and VIP tickets are still available through the ticketing website. We hope to see you there!
Imagine Music Festival 2017 Full Lineup
After dropping a first phase lineup that would exceed most other festival's full rosters, the three-day music and camping festival is releasing the next round of performers for its 2017 event. Returning to Atlanta Motor Speedway in Atlanta, Georgia on September 22 through 24, 2017, Imagine has put an exclamation point on its performer lineup with a mix of new heavyweights, including:
Big Gigantic: Perennial fan favorites, Big G, has made a name for themselves by pairing electronic beats with their signature live saxophone and drums. Tracks from their latest release, last year's Brighter Future that included a bevy of collaborators, is currently getting the remix treatment from acts like Luca Lush, Kasbo and Naderi.
STS9: Originally from Georgia and affectionately known to fans simply as "Tribe", this tight knit group of electronic rock instrumentalists with a meteoric rise to fame, is now nearly 20 years into their illustrious career. Perfecting their self-described "post-rock dance music" through live rock instrumentation on one of their many tours, STS9 is one of the top-grossing live acts globally.
Claude VonStroke: A producer obsessed with the cross-pollination of genres, Claude VonStroke has made a name for himself as a house and techno pioneer with the chops to craft pristine, albeit laid-back remixes. This year, as the owner of Dirtybird Records, VonStroke will be joined by Shiba San, Will Clarke, Ciszak and Dateless on the label's branded stage at Imagine.
G Jones: A favorite of the underground bass scene, G Jones has emerged as a staple on the festival circuit having played such notables as Bonnaroo, Euphoria, Camp Bisco and more. His unique blend of distorted bass and trip visuals make for one of the more energetic shows on the circuit.
Illenium: As a relative newbie to the game, Illenium has taken big strides since the release of his debut Ashes in 2016, having remixed Dawn Golden, ODESZA and Oh Wonder, amongst others.
NGHTMRE: Originally a trap and house producer, NGHTMRE released an eponymous EP in 2016- considered by many to be one of the top dance/electronic contributions of the year. The recently released "End of the Night" is a collaboration with Ghastly that is an epic example of what to expect at Imagine.
Additional artists new to the lineup include: Ciszak; Dateless; Hippie Sabotage; and The Funk Hunters, as well as local talent: Alex Lucas; Bandikook; Blunts & Blondes; Corey Von Waters; Daddydough; Daniels Jack; Deep Technicians; Devious; Domii; Exit 9; Flats Stanlie (theUntz Winner); Higher Learning; Jordan Gervais; Kevin Flum; Lucidea; LYFTD (theUntz Winner); Organik; Riven; Robbie Dude; Sejva; Space Kadet; Stranger Candy; Sylo; Teriyaki Noize; White Rhino; Yuki; and Zen Selekta. Additional music blocks will be provided by: Bass Family, Slow & Low and Trance Family.
Oceania Stage at IMF 2017
Featuring over six stages, each with its own distinct musical focus and vibe, there will not be an inch of the festival grounds that will not be bathed in Imagine's immersive aquatic fairytale. Previously announced artists on the 2017 performer lineup include: Headliners: Above & Beyond; Deadmau5; Tiësto; Pretty Lights Live and Gorgon City. Oceania Stage: Datsik; Deorro; Flux Pavilion; Seven Lions; Zomboy; 12th Planet; Black Tiger Sex Machine; Liquid Stranger; Marc Kitchen; Codeko; Fransis Derelle; Leah Culver; and Ying Yang Twins, with Pyramid Schemes. Amazonia Stage: The Floozies; Bleep Bloop; Minnesota; Rob Garza; Spag Heddy; Boogie T; Buku; Esseks; ill.Gates; Ott; Squnto; and Yeti. Disco Inferno Stage: Chris Lake; Claptone; Nora En Pure; Shiba San and Will Clarke. Aeria Stage: Netsky; Noisia; Planet of the Drums, featuring AK1200, Dara, Dieselboy and Messinian; Black Sun Empire; Andy Bruh; Bryson Taylor; Daily Bread; Eddie Gold; High Kalliber; Ployd; Ra & Adara; Sunday Service and music blocks by: Torch DNB and Wiggle Factor.
Disco Inferno Stage at IMF 2016
Imagine will be returning to Atlanta Motor Speedway this September 22-24, 2017 for the fourth edition of the festival. The return to the venue means fans can expect plenty of upgrades, based in large part on feedback from its 2016 attendees. Expanded water stations, camping upgrades, improved VIP areas, shade and charging stations, food options, dancers, art, workshops, the return of the Imagine splash pool and of course an even bigger and better lineup. As one of the country's last remaining independent festivals, Imagine creates an all-encompassing, 360-degree sensory experience that blends music, circus troupes, performers, dancers, art, workshops, classes and more.
Tickets are available now starting at $163 for a 3-day pass. VIP passes, with front row pit access, an elevated viewing area, VIP (no line) access, air conditioned chill lounge, bottle service, cocktail service, complimentary champagne toasts, private security, clean trailer bathrooms with running water and air conditioning, giveaways, meet and greets, and more are available starting at $299 for a 3-day pass. Camping passes are also available to purchase as an add-on to the festival tickets with prices starting at $99. Four camping packages are available including GA Camping, VIP Camping, Easy Life Pre-Set Souvenir Tents, The Glamp Life Premium Tents, Geo-Dome Luxe Tents, GA RV Camping and VIP RV Camping. Tickets are available online at www.imaginefestival.com. Imagine Music Festival is an 18 and over event.
Imagine Music Festival is produced by Iris Presents. Visit www.imaginefestival.com for the most up-to-date information. Stay connected on Twitter at www.twitter.com/imaginemusicfes and on Facebook at www.facebook.com/imaginemusicfestival.
Imagine Music Festival 2017 Phase 1 Lineup
Following a transformative third year, which saw the region's largest independent EDM camping festival host fans from across the country, Imagine has released the first phase of its lineup and it's bigger than ever. Returning to Atlanta Motor Speedway in Atlanta, Georgia on September 22 through 24, 2017, Imagine is continuing its trend of attracting some of the biggest talent from around the globe. The first round of headliners for the highly-anticipated music and camping festival include: Above & Beyond; Deadmau5; Tiësto; Pretty Lights Live and Gorgon City.
Featuring over six stages, each with its own distinct musical focus and vibe, there will not be an inch of the festival grounds that will not be bathed in Imagine's immersive aquatic fairytale. Additional artists on the 2017 performer lineup include: Oceania Stage: Datsik; Deorro; Flux Pavilion; Seven Lions; Zomboy; 12th Planet; Black Tiger Sex Machine; Liquid Stranger; Marc Kitchen; Codeko; Fransis Derelle; Leah Culver; and Ying Yang Twins, with Pyramid Schemes. Amazonia Stage: The Floozies; Jai Wolf; Bleep Bloop; Minnesota; Rob Garza; Spag Heddy; Boogie T; Buku; Esseks; ill.Gates; Ott; Squnto; and Heti. Disco Inferno Stage: Chris Lake; Claptone; Nora En Pure; Shiba San and Will Clarke. Aeria Stage: Noisia; Netsky; Planet of the Drums, featuring AK1200, Dara, Dieselboy and Messinian; Black Sun Empire; Andy Bruh; Bryson Taylor; Daily Bread; Eddie Gold; High Caliber; Ployd; Ra & Adara; Sunday Service and music blocks by: Torch DNB and Wiggle Factor. A second round of artists and additional stages will be announced in the coming weeks.
"The festival is a living and breathing representation of our guests wishes and imagination," says Iris Presents founders Glenn and Madeleine Goodhand. "Each year we are challenged to not only top the lineup from the year before, but exceed expectations- this lineup is just the beginning of the magic that awaits."
Earlier this year, Imagine announced it would be returning to Atlanta Motor Speedway this September 22-24, 2017 for the fourth edition of the immersive aquatic fairytale. The return to the venue means fans can expect plenty of upgrades, based in large part to feedback from its 2016 attendees. Expanded water stations, camping upgrades, improved VIP area, shade and charging stations, food options, dancers, art, workshops, the return of the Imagine pool and of course an even bigger and better lineup. As one of the country's last remaining independent festivals, Imagine creates an all-encompassing, 360-degree sensory experience that blends music, circus troupes, performers, dancers, art, workshops, classes and more.
Tickets are available now starting at $125 for a 3-day pass. VIP passes, with front row pit access, an elevated viewing area, VIP (no line) access, air conditioned chill lounge, bottle service, cocktail service, complimentary champagne toasts, private security, clean trailer bathrooms with running water and air conditioning, giveaways, meet and greets, and more are available starting at $299 for a 3-day pass. Camping passes are now available to purchase as an add-on to the festival tickets with prices starting at $99. Four camping packages available including GA Camping, VIP Camping, Easy Life Pre-Set Souvenir Tents, The Glamp Life Premium Tents, Geo-Dome Luxe Tents, GA RV Camping and VIP RV Camping. Tickets are available online at www.imaginefestival.com. Imagine Music Festival is an 18 and over event.