Website Publisher Forums > Website Promotion > General Promotion > Submit to Google.
View Full Version : Submit to Google.
to the site from another PR6 site ?
I ***ume there's no advantage if googlebot did his first visit (through that link) but I hope you don't mind me double checking.
Well the site will get ipicked up eventually if its linked to (even quicker if the site is spidered often), but there is no harm in hurrying up the process. Some even submit urls(s) time and time again until the pages are indexed although I am not sure how effective that is haveing never tried it.
It never hurts to go ahead and submit your site.
If Google has already been, then its just a case of waiting for the deep crawl I think. The submit URL just tells Google about your domain, but as it already knows about it, its kinda useless.
I must admit I'm a bit confused over this Google submission stuff.
I've submitted my site PurpleAds.com (http://www.purpleads.com) to Google about 3 times since January this year. Having just found pagerank.net on another thread on this forum (:cool: cheers) I see that the main pages are listed in google, the main page has a PR of 3 (mainly because my kitcar site links to it), but the site doesn't come back with any of my keywords.
Why would that be? has it just made a mental note of the pages but not actually indexed them do you think and therefore has no record yet of keywords.
Hoping it's going to appear soon as the site needs a bit of a kick start.
* Little or no relevant anchor text.
* You are targetting very, ver popular keywords (too much competition). I assume your targetted keywords are "used cars" and "used motorcycles"?
Dead right about the keywords as well. I did Wordtracker for keywords but decided at the time that it would be too difficult to get listed high enough for these sort of keywords so at the time decided on a different promotional tack. I'm still doing that but have decided I do need to get listed as soon as possible for credibility.
Difficult bit is, is that there isn't much content to the site besides the actual car adverts (still trying to build this side of things up) so have decided to add more keyword relevant content to the site in the shape of informational pages and see how that goes.


text:
Offenburger FV is een Duitse voetbalclub uit Offenburg, Baden-Württemberg.

Geschiedenis
De club werd in 1907 opgericht als Fußball-Club 1907 Offenburg. Op 8 februari 1913 fuseerde de club met Fußball-Verein 1910 Offenburg en nam zo de naam Offenburger FV 1907 aan.

In 1938 promoveerde de club naar de Gauliga Baden en speelde daar twee seizoenen. Na de Tweede Wereldoorlog speelde de club lange tijd in de Amateurliga Südbaden. De club won deze competitie 9 keer, maar promoveerde nooit naar de tweede klasse. In 1978 werd de Oberliga Baden-Württemberg ingevoerd als nieuwe derde klasse. De club speelde hier tot 1991. In 1984 vierde de club het grootste succes uit de geschiedenis toen ze amateurkampioen werden na een 4:1 overwinning op SC Eintracht Hamm. Na degradatie uit de Oberliga speelde de club drie jaar in de Verbandsliga. Door de invoering van de Regionalliga in 1994 betekende dit dat de club in één keer van de vierde naar de zesde klasse zakte. Het duurde tot 2001 vooraleer de club naar de Verbandsliga kon promoveren en in 2008 werd de club daar kampioen en promoveerde weer naar de Oberliga, die nu door de invoering van de 3. Liga nog maar de vijfde klasse was. De club degradeerde meteen en kon in 2011 terugkeren tot 2013. In 2016 promoveerde de club naar de Oberliga Baden-Württemberg, maar degradeerde al weer na één seizoen.

Erelijst
Duits amateurkampioen
 1984

Externe links
 Officiële website

Offenburg
Sportvereniging in Baden-Württemberg
Offenburg

redpajama_set_name: RedPajamaWikipedia


text:
Bloomberg touts impact of American Cities Climate Challenge
Bloomberg Philanthropies
The 25 cities involved in Bloomberg Philanthropies' American Cities Climate Challenge are projected to collectively cut 40 million metric tons of carbon emissions by 2025, according to a new analysis released by the foundation. That's the equivalent of eliminating 10 coal plants.
The $70 million challenge brings 25 cities into a two-year accelerator program, which will offer money and technical assistance for local efforts to fight climate change. The full cohort of cities was announced last month.
Former New York City Mayor Michael Bloomberg said in a statement that globally, cities account for more than 70% of carbon emissions. "And while cities are where the problems are, they're also where the solutions are. In the era of Trump, U.S. cities are taking up the mantle of climate leadership," he said.
In a blog post, the Natural Resources Defense Council (NRDC) said that the carbon cuts from the cities would put the U.S. back on pace to meet its commitment to the Paris Agreement, which was to cut emissions by 26-28% of 2005 levels by 2025. The Trump administration has said it will take the U.S. out of that United Nations agreement, but cities and states have rallied around the agreement through the "We Are Still In" coalition.
The Bloomberg challenge will see cities tackling a range of strategies to reduce their climate impacts, especially around transportation. Participants like Denver, San Antonio and Honolulu will be expanding public transit access, while cities like Portland, OR and Austin, TX will expand bicycle and pedestrian networks. Others are working to expand electric vehicles, especially in municipal fleets, or enacting stricter building codes that will encourage more energy efficiency.
Including actions that will be taken outside of the challenge, sponsors estimate that the participating cities will cut 75 million metric tons of carbon emissions by 2025. "Our cities are a tremendous force in the fight against climate change, and this analysis underscores their power to lead our nation forward," NRDC president Rhea Suh said in a statement. "These mayors are not waiting on Washington to build a better future; they're starting right in the in their own backyard."
Mike Bloomberg Announces Potential Impact of the Bloomberg Philanthropies American Cities Climate Challenge Bloomberg Philanthropies
Challenge Cities on Track to Beat Their Paris Climate Target Natural Resources Defense Council
Taylor McKnight/Smart Cities Dive
Revisit the year's one-on-one conversations, including with tech and climate leaders in Honolulu, Phoenix and San Diego and with execs at Revel, Veo and Drop Mobility.
PeterPhoto via Getty Images
Building electrification momentum grew in US cities in 2021
From Denver to Ithaca, New York, cities are charting new territory in their quest to slash built-environment emissions. Solutions include changing codes and adding performance standards, and even electrifying entire city building stocks.
Latest in Environment

redpajama_set_name: RedPajamaCommonCrawl


How can I get a copy of my record(s) or test results?
Through My Health Portal you can view your health information, including X-ray and other test results, at your convenience anywhere from an internet-enabled device. To sign up for My Health Portal, tell the front desk team you're interested in signing up. Once you provide your email address, we will email you a sign-up link. (The email will be from no-reply@healthdataexchange.com, so check your "Junk" folder if you don't see it in your Inbox.) Once you create an account, you can log in to view documents or any messages. You'll receive an email notice when you have an item to view in your portal. And if you want to forward your records to another physician, simply click the "Forward" button and you can email that document.


Sufjan Stevens Calls the 50 States Album Project "Such a Joke"
"I no longer have faith in the album anymore. I no longer have faith in the song."
It has now been more than four years since Sufjan Stevens released Illinois, the second album in his proposed 50 States project. Sufjan had claimed that he was going to release an album in honor of every one of our United States. But at this rate, unless he picked up the pace drastically, he wasn't likely to ever finish the project, unless he lived to be about 200.
In a recent interview with Paste, Stevens admits that the entire ambitious concept was "such a joke."
Stevens told Paste, "The whole premise was such a joke, and I think maybe I took it too seriously. I started to feel like I was becoming a clichĂŠ of myself."
In that same interview, Stevens talks about how his focus turned toward his recent multimedia project The BQE, which consumed his attention after Illinois: "In all honesty, [The BQE] is what really sabotaged my creative momentum. It wasn't Illinois so much. I suffered sort of an existential creative crisis after that piece. I no longer knew what a song was and how to write an album. It overextended me in a way that I couldn't find my way back to the song."
Elsewhere in the interview, Stevens expresses what sounds like a total lack of interest in the album as an art form: "I'm wondering, why do people make albums anymore when we just download? Why are songs like three or four minutes, and why are records 40 minutes long? They're based on the record, vinyl, the CD, and these forms are antiquated now. So can't an album be eternity, or can't it be five minutes? ... I no longer really have faith in the album anymore. I no longer have faith in the song."
Looks like it might be a while before we hear any albums from Sufjan Stevens, let alone any albums in the 50 States project.


I just finished reading "In The Plex: How Google Thinks, Works, and Shapes Our Lives" on my kindle.
In Chapter 5 Steven Levy goes into great detail, on how Google became involved with mobile phones. The Chapter is titled, Outside the Box: The Google Phone Company and the Google TV Company. This becomes a priority for Google cofounders Larry Page and Sergey Brin because they realise, Mobile devises are the new gateway to the internet, and Google search needs to be there.
Google's involvement with the Android Phone puts them on a collision course with Apple's iPhone.


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Tottenham signing this 25-year-old Serie A star would solve a crucial problem for Mourinho
by Rohan Sengupta December 1, 2019, 1:30 pm
Why Andrea Conti would be a smart signing for Tottenham
Back in 2017, Sky Sports had claimed Tottenham were looking at then Atalanta star Andrea Conti as a replacement for Kyle Walker. But a move didn't materialise and the Italian, instead, went on to join AC Milan in the summer of 2017.
Andrea Conti, 25, has struggled to nail down his place at AC Milan since recovering from his knee injury last year. He has been and out of the team this season as well, although the 25-year-old started in their games against Juventus and Napoli.
AC Milan have struggled throughout this season and are currently 12th in the table, 11 points behind fourth-placed Cagliari. The appointment of Stefano Pioli as Marco Giampaolo's replacement hasn't done any favours yet, with the Rossoneri winning just once under the new manager.
Given the turmoil Milan are in, Tottenham should take advantage of their situation to sign Conti in January.
Andrea Conti in action for Atalanta. (Getty Images)
Tottenham dominated the football headlines last week after long-serving head coach Mauricio Pochettino was sacked and less than 12 hours later, Jose Mourinho was appointed as the club's new manager.
So far, the Mourinho-era has started off well with victories over West Ham, Bournemouth and Olympiacos. Although the wins haven't been straightforward, the Portuguese tactician should be pleased with three victories on board.
However, Spurs have conceded four goals in the last two games and the defence appears to be an area Mourinho must improve by spending in January.
A central defender should be a priority given the likes of Toby Alderweireld and Jan Vertonghen are out of contract at the end of the season. In addition to a centre-back, the newly-appointed Spurs boss must also sign a new right-back.
Serge Aurier was one of the worst performances during the late stages of Pochettino's reign. But he has started both of Mourinho's first three games in charge of Spurs and netted the crucial third goal in the 4-2 comeback Champions League victory over Olympiacos.
Even though the Ivorian has made an instant improvement under Mourinho, the lack of cover and competition at right-back should be addressed in January.
Tottenham right-back Serge Aurier has shown an instant improvement under Jose Mourinho. (Getty Images)
More Tottenham News
Why Breel Embolo could be a brilliant signing for Tottenham
Why Tottenham should go all out to sign Fabian Schar in January
Why Tottenham should go all out to sign Nathan Ake in January
That's why the signing of Andrea Conti would make sense for the North Londoners. Conti is an attacking right-back with good technique, interception and tackling skills.
As per WhoScored, the Italian has averaged 1.3 tackles, 2.3 interceptions and 1.7 clearances, whilst achieving a 77.1% pass success rate so far in the 2019/20 Serie A season.
His versatility to operate as a wing-back would make Conti a solid signing for Tottenham. He'll improve Spurs defensively, whilst bringing competition for Aurier at right-back.
More From: AC Milan
Who Is Helena Seger? Meet the wife of Zlatan Ibrahimovic
Celtic's stance on the future of 22-year-old star revealed amidst Serie A interest
19-year-old Reading starlet wanted by high-flying Serie A giants
Celtic reject offer from Serie A giants for key star and slap £27m price tag
AC MilanAndrea ContiJose MourinhoOpinionsTottenham
[Image] 3 ways Liverpool could line up if they sign this £110m Bundesliga star – looks brilliant
4 goals, 2 assists – West Ham signing this prolific 28-year-old star would make them lethal


text:
#ifndef DEVTOOLS_CDBG_DEBUGLETS_JAVA_JVM_OBJECT_EVALUATOR_H_
#define DEVTOOLS_CDBG_DEBUGLETS_JAVA_JVM_OBJECT_EVALUATOR_H_

#include "class_indexer.h"
#include "class_metadata_reader.h"
#include "common.h"
#include "config.h"
#include "iterable_type_evaluator.h"
#include "jvariant.h"
#include "map_entry_type_evaluator.h"
#include "map_type_evaluator.h"
#include "object_evaluator.h"
#include "stringable_type_evaluator.h"
#include "type_evaluator.h"

namespace devtools {
namespace cdbg {

class JvmObjectEvaluator : public ObjectEvaluator {
 public:
  struct Options {
    // Determines whether classes that implement the Iterable interface should
    // be pretty printed.
    bool pretty_print_iterable = true;

    // Determines whether classes that implement the Map interface should be
    // pretty printed.
    bool pretty_print_map = true;

    // Determines whether classes that implement the Map.Entry interface should
    // be pretty printed.
    bool pretty_print_map_entry = true;

    // Determines whether supported classes should be pretty printed using
    // "toString()". StringableTypeEvaluator::IsSupported() is used to determine
    // if a class is supported for pretty printing using "toString()".
    bool pretty_print_stringable = true;
  };

  explicit JvmObjectEvaluator(ClassMetadataReader* class_metadata_reader);

  ~JvmObjectEvaluator() override;

  void Initialize() { Initialize(Options()); }

  void Initialize(const Options& options);

  void Evaluate(
      MethodCaller* method_caller,
      jobject obj,
      bool is_watch_expression,
      std::vector<NamedJVariant>* members) override;

  // Selects the most appropriate pretty printer given the class metadata. If
  // the class doesn't have a specialized pretty printer, this function returns
  // reference to "GenericTypeEvaluator". Returns null in case of bad
  // metadata.
  // This function is public for unit testing purposes.
  TypeEvaluator* SelectEvaluator(
      jclass cls,
      const ClassMetadataReader::Entry& metadata) const;

 private:
  ClassMetadataReader* const class_metadata_reader_;

  std::unique_ptr<TypeEvaluator> generic_;
  std::unique_ptr<TypeEvaluator> array_[TotalJTypes];
  std::unique_ptr<IterableTypeEvaluator> iterable_;
  std::unique_ptr<MapEntryTypeEvaluator> map_entry_;
  std::unique_ptr<MapTypeEvaluator> map_;
  std::unique_ptr<StringableTypeEvaluator> stringable_;

  DISALLOW_COPY_AND_ASSIGN(JvmObjectEvaluator);
};

}  // namespace cdbg
}  // namespace devtools

#endif  // DEVTOOLS_CDBG_DEBUGLETS_JAVA_JVM_OBJECT_EVALUATOR_H_

redpajama_set_name: RedPajamaGithub


I arrived just before 6:50 am and parked here at Glen Banchor, nobody else there in the early morning time. It's a smaller carpark ( 10-12 cars capacity ), the last one at the end of the road from Newtonmore. I started my walk at 7:01 am continuing the road downhill just behind the car park. There is a bridge over the Allt a Chaorain.
Shortly after the footbridge the ground is really boggy, but the sign of the path is still visible. After split of the track, followed the one in the right to the big open grassy area. First sign of the 1st Munro - Carn Dearg. I probably missed a plate "Welcome to the boggy land" but even without I was sure that I'm there.
Munro no.3 - the summit of A' Chailleach, misty...without views again.
Last edited by Petr Dakota on Wed Nov 09, 2016 3:04 pm, edited 1 time in total.
Gorgeous sunrise.... and a lot of mud!
dogplodder wrote: Gorgeous sunrise.... and a lot of mud!
Sorry we did not meet I would turn to Kingussie as I had left some spare ( even little ) time, if I knew about.
I agree, despite how it looks the walk is really enjoyable...especially in the early morning's silence and the Autumn colours. Great refreshment there !
Shame about the fog. This is big sky country on a clear day.
I'm very envious that you manage to get out on the hills virtually every week.
Silverhill wrote: Shame about the fog. This is big sky country on a clear day.
A bit of me in their as well; I'd have liked to have done them all, but in my mind was looking forward to returning to the one's I liked for a second look at the views I missed in the clag for some , although for others the fond memories.


How I use a campaign to manage my newsletter subscribers. Note that an external email program is still required, such as Vertical Response.
I use Vertical Response but I manage my newsletter subscription within Salesforce. I use a campaign and automation to help me out! I'd love to have something fancier but "True to the Core" is actually pretty good!
Completed — someone who was confirmed and we have sent a welcome letter. These people are ready to get quarterly newsletters!
Here is a screenshot of how the advanced setup page on the campaign looks. There is where you setup the status values for the campaign. Only Completed is marked as "responding" so that the campaign statistics can tell me how many people are ready to receive newsletters.
I have two workflow rules that runs when a campaign member on this campaign has a specific status. Each sends a personalized email and updates the status to the next step.
You could do this with in Process Builder instead easily enough. My workflow rules predate Process Builder.
Here is a screenshot of one of the workflow rules. The only trick is to require that the email address not be empty.
The email templates are straightforward and typical.
I have a couple of scheduled reports that help me out. When they arrive in my inbox, I check them out and see if I want to take action. Usually all I do is rerun the report in SF using the report link in the mail and then add the contacts in the report to the campaign. Which status depends on which report it is.
The first report looks for contacts who are not yet on the email campaign at all and who we have known for at least 30 days. We intend to ask many people to receive our newsletter in person or in a more personal way than an automatic email. But if we haven't done so by 30 days, we get the report saying it's time. I just add them to the campaign with the status "Prospect." The workflow then invites them and changes the status to "Sent Email Asking to Join". If I rerun the report, none of the same names will come up because they are now on the campaign. Awesome!
The second report looks for contacts who have asked to receive the newsletter but don't have a status of Completed on the campaign. To support this, we have a custom field on our contacts that indicates someone has asked to receive the newsletter. It can be set in many ways, including from our website, from volunteer registration, from surveys, or it can be manually by staff when someone says they want it. No matter the source, the report shows shows who haven't attained the status of "Completed." At that point, I add them to the campaign with status "Confirmed." Since they might be already on this campaign with another status, it is important to click "override status". The welcome email gets sent and the status gets updated to Completed. If I rerun the report, none of the same names will come up. Exception: if there is no email address, there is no way to welcome them and it remains on the list. No problem, really, but it is an oddity.
We send the email using Vertical Response. We actually segment the mailing so we don't actually send using the Master List. But we could if we send only to those with the status of Completed.
When someone bounces, we just delete their email. We often find or receive a new one. Nothing else changes so the subscription gets suspended while the email is blank and it resumes when we have an email again.
When someone unsubscribes using Vertical Response, Vertical Response handles no longer sending an email to them. We don't update the campaign status as it would be too much work. Vertical Response does set the "Email Opt Out" field so we know they unsubscribed.


text:
Adrien Brody
FilmJoshua Bullock January 29, 2014 Adam Driver, Adrien Brody, africa, Angel, animism, Antonio Zazueta Olmos, army, art, beach, beats, Bill Murray, black, blog, Brooklyn, Brooklyn Gang, Bruce Davidson, Burberry, celebrity, Charlotte Gainsbourg, Christian Slater, Cinema Paradiso, clothes, Congo, Connie Nielsen, cool, culture, dance, dead, diary, Dior, Ed Norton, editors, electronic, Eliot Lee Hazel, Elliot Carpenter, exhibition, fashion, film, Gainsbourg, Grand Budapest Hotel, Greta Gerwig, Gus Van Sant, Harvey Keitel, Her, ICA, images, India Windsor-Clive, infrared, internet, Ireland, Issue, James Dean, James Wright, Jamie Bell, Jamie Burke, Japan, Jason Schwartzman, Jeff Goldblum, Joaquin Phoenix, Joshua Bullock, Jude Law, landscapes, Lars von Trier, Lawrence of Arabia, Lewis Carpenter, life, literature, London, magazine, Marlon Brando, men, mining, models, murder, music, New York, Nymphomaniac, Peter O'TOole, photography, pictures, poems, Prada, print, Ralph Fiennes, rave, Richard Mosse, Ryan Cogler, Saoirse Ronan, Serge Gainsbourg, series, Shia LaBoeuf, so it goes, SOHN, Sophie Wright, Spike JOnze, Spike Lee, Stacy Martin, Stellan Skarsgård, style, teddy boys, The Ruling Class, Tilda Swinton, travel, Wes Anderson, white, Willem Dafoe, women, World, youth
ICA – East Side Stories: Japanese Cinema Exploring Youth Culture
CultureJ. Harley Nalley January 29, 2014 Adam Driver, Adrien Brody, africa, Angel, animism, Antonio Zazueta Olmos, army, art, beach, beats, Bill Murray, black, blog, Brooklyn, Brooklyn Gang, Bruce Davidson, Burberry, celebrity, Charlotte Gainsbourg, Christian Slater, Cinema Paradiso, clothes, Congo, Connie Nielsen, cool, culture, dance, dead, diary, Dior, Ed Norton, editors, electronic, Eliot Lee Hazel, Elliot Carpenter, erotic, exhibition, eye, fashion, Gainsbourg, georges bataille, Grand Budapest Hotel, Greta Gerwig, Gus Van Sant, Harvey Keitel, Her, images, India Windsor-Clive, infrared, internet, Ireland, Issue, James Wright, Jamie Bell, Jamie Burke, Jason Schwartzman, Jeff Goldblum, Joaquin Phoenix, Joshua Bullock, Jude Law, landscapes, Lars von Trier, Lawrence of Arabia, Lewis Carpenter, life, literature, London, magazine, men, milk, mining, models, murder, music, New York, Nymphomaniac, paris, Peter O'TOole, photography, pictures, poems, Prada, print, Ralph Fiennes, rave, Richard Mosse, Ryan Cogler, Saoirse Ronan, Serge Gainsbourg, series, sex, Shia LaBoeuf, simone, so it goes, SOHN, Sophie Wright, Spike JOnze, Spike Lee, Stacy Martin, Stellan Skarsgård, story of the eye, style, suacer, teddy boys, The Ruling Class, Tilda Swinton, travel, Wes Anderson, white, Willem Dafoe, women, World
The Story of the Eye – On the Hinge between this World and Another
MusicJoshua Bullock January 29, 2014 Adam Driver, Adrien Brody, africa, Angel, animism, Antonio Zazueta Olmos, army, art, beach, beats, Bill Murray, black, blog, Brooklyn, Brooklyn Gang, Bruce Davidson, Burberry, celebrity, Charlotte Gainsbourg, Christian Slater, Cinema Paradiso, clothes, Congo, Connie Nielsen, cool, culture, dance, dead, diary, Dior, Ed Norton, editors, electronic, Eliot Lee Hazel, Elliot Carpenter, exhibition, fashion, Gainsbourg, Gilles Peterson, Grand Budapest Hotel, Greta Gerwig, Gus Van Sant, Harvey Keitel, Her, images, India Windsor-Clive, infrared, internet, Ireland, Issue, James Wright, Jamie Bell, Jamie Burke, Jason Schwartzman, Jeff Goldblum, Joaquin Phoenix, Jonwayne, Joshua Bullock, Jude Law, King Krule, Koko, landscapes, Lars von Trier, Lawrence of Arabia, Lewis Carpenter, life, literature, London, magazine, men, mining, models, murder, music, New York, Nymphomaniac, Peter O'TOole, photography, pictures, poems, Prada, print, Ralph Fiennes, rave, Richard Mosse, Ryan Cogler, Saoirse Ronan, Serge Gainsbourg, series, Shia LaBoeuf, so it goes, SOHN, Sophie Wright, Spike JOnze, Spike Lee, Stacy Martin, Stellan Skarsgård, style, teddy boys, The Ruling Class, Tilda Swinton, travel, Wes Anderson, white, Willem Dafoe, women, World, Worldwide
Worldwide Awards 2014
FilmJoshua Bullock January 28, 2014 Adam Driver, Adrien Brody, africa, Angel, animism, Antonio Zazueta Olmos, army, art, beach, beats, Bill Murray, black, blog, Brooklyn, Brooklyn Gang, Bruce Davidson, Burberry, celebrity, Charlotte Gainsbourg, Christian Slater, Cinema Paradiso, clothes, Congo, Connie Nielsen, cool, culture, dance, dead, diary, Dior, Ed Norton, editors, electronic, Eliot Lee Hazel, Elliot Carpenter, exhibition, fashion, Gainsbourg, Grand Budapest Hotel, grande bellezza, Greta Gerwig, Gus Van Sant, Harvey Keitel, Her, images, India Windsor-Clive, infrared, internet, Ireland, Issue, italy, James Wright, Jamie Bell, Jamie Burke, Jason Schwartzman, Jeff Goldblum, Joaquin Phoenix, Joshua Bullock, Jude Law, landscapes, Lars von Trier, Lawrence of Arabia, Lewis Carpenter, life, literature, London, magazine, men, mining, models, murder, music, New York, Nymphomaniac, paolo sorrentino, Peter O'TOole, photography, pictures, poems, Prada, print, Ralph Fiennes, rave, Richard Mosse, rome, Ryan Cogler, Saoirse Ronan, Serge Gainsbourg, series, Shia LaBoeuf, so it goes, SOHN, Sophie Wright, Spike JOnze, Spike Lee, Stacy Martin, Stellan Skarsgård, style, teddy boys, The Great BEauty, The Ruling Class, Tilda Swinton, Toni Servillo, travel, Wes Anderson, white, Willem Dafoe, women, World
La Grande Bellezza by Paolo Sorrentino
Culture, FilmJoshua Bullock January 24, 2014 Adam Driver, Adrien Brody, africa, Angel, animism, Antonio Zazueta Olmos, army, art, beach, beats, Bill Murray, black, blog, Brooklyn, Brooklyn Gang, Bruce Davidson, Burberry, celebrity, Charlotte Gainsbourg, Christian Slater, Cinema Paradiso, clothes, Congo, Connie Nielsen, cool, culture, dance, dead, diary, Dior, Ed Norton, editors, electronic, Eliot Lee Hazel, Elliot Carpenter, exhibition, fashion, Gainsbourg, grad, Grand Budapest Hotel, Greta Gerwig, Gus Van Sant, Harvey Keitel, Her, images, India Windsor-Clive, infrared, internet, Ireland, Issue, James Wright, Jamie Bell, Jamie Burke, Jason Schwartzman, Jeff Goldblum, Joaquin Phoenix, Joshua Bullock, Jude Law, kino, landscapes, Lars von Trier, Lawrence of Arabia, Lewis Carpenter, life, literature, London, magazine, men, mining, models, murder, music, New York, Nymphomaniac, Peter O'TOole, photography, pictures, poems, Prada, print, Ralph Fiennes, rave, Richard Mosse, rosie rockel, russia, Ryan Cogler, Saoirse Ronan, Serge Gainsbourg, series, Shia LaBoeuf, so it goes, SOHN, Sophie Wright, Spike JOnze, Spike Lee, Stacy Martin, Stellan Skarsgård, style, tate, teddy boys, The Ruling Class, Tilda Swinton, travel, Wes Anderson, white, Willem Dafoe, women, World
Kino/Film: Soviet Posters of the Silent Screen
StyleJoshua Bullock January 24, 2014 Adam Driver, Adrien Brody, africa, Angel, animism, Antonio Zazueta Olmos, army, art, beach, beats, Bill Murray, black, blog, Brooklyn, Brooklyn Gang, Bruce Davidson, Burberry, celebrity, Charlotte Gainsbourg, Christian Slater, Cinema Paradiso, clothes, Congo, Connie Nielsen, cool, culture, dance, dead, diary, Dior, Ed Norton, editors, electronic, Eliot Lee Hazel, Elliot Carpenter, Emile Hirsch, exhibition, fashion, Gainsbourg, Glen Luchford, Grand Budapest Hotel, Greta Gerwig, Gus Van Sant, Harvey Keitel, Her, images, India Windsor-Clive, infrared, internet, Ireland, Issue, James Wright, Jamie Bell, Jamie Burke, Jason Schwartzman, Jeff Goldblum, Joaquin Phoenix, Joshua Bullock, Jude Law, landscapes, Lars von Trier, Lawrence of Arabia, Lewis Carpenter, life, literature, London, magazine, men, mining, models, murder, music, New York, Nymphomaniac, Peter O'TOole, photography, pictures, poems, Prada, print, Ralph Fiennes, rave, Richard Mosse, Ryan Cogler, Saoirse Ronan, Serge Gainsbourg, series, Shia LaBoeuf, so it goes, SOHN, Sophie Wright, Spike JOnze, Spike Lee, Stacy Martin, Stellan Skarsgård, style, teddy boys, The Ruling Class, Tilda Swinton, travel, Wes Anderson, white, Willem Dafoe, women, World
rag & bone SS / '14 campaign – Stacy Martin by Glen Luchford
Culture, FilmJoshua Bullock January 13, 2014 Adam Driver, Adrien Brody, africa, Angel, animism, Antonio Zazueta Olmos, army, art, beach, beats, Bill Murray, black, blog, Brooklyn, Brooklyn Gang, Bruce Davidson, Burberry, celebrity, Charlotte Gainsbourg, Christian Slater, Cinema Paradiso, clothes, Congo, Connie Nielsen, cool, coonskin, culture, dance, dead, diary, Dior, Ed Norton, editors, electronic, Eliot Lee Hazel, Elliot Carpenter, exhibition, fashion, Gainsbourg, Grand Budapest Hotel, Greta Gerwig, Gus Van Sant, Harvey Keitel, Her, images, India Windsor-Clive, infrared, internet, Ireland, Issue, James Wright, Jamie Bell, Jamie Burke, Jason Schwartzman, Jeff Goldblum, Joaquin Phoenix, Joshua Bullock, Jude Law, landscapes, Lars von Trier, Lawrence of Arabia, Lewis Carpenter, life, literature, London, lord of the rings, magazine, men, mining, models, murder, music, New York, Nymphomaniac, peter jackson, Peter O'TOole, photography, pictures, poems, Prada, print, quentin tarantino, ralph bakshi, Ralph Fiennes, rave, Richard Mosse, Ryan Cogler, Saoirse Ronan, Serge Gainsbourg, series, Shia LaBoeuf, so it goes, SOHN, Sophie Wright, Spike JOnze, Spike Lee, Stacy Martin, Stellan Skarsgård, style, teddy boys, The Ruling Class, Tilda Swinton, travel, Wes Anderson, white, Willem Dafoe, women, World
Ralph Bakshi and the Fight for Middle Earth
FilmIndia Windsor-Clive January 10, 2014 Adam Driver, Adrien Brody, africa, Angel, animism, Antonio Zazueta Olmos, army, art, beach, beats, Bill Murray, black, blog, Brooklyn, Brooklyn Gang, Bruce Davidson, Burberry, celebrity, Charlotte Gainsbourg, Christian Slater, Cinema Paradiso, clothes, Congo, Connie Nielsen, cool, culture, dance, dead, diary, Dior, Ed Norton, editors, electronic, Eliot Lee Hazel, Elliot Carpenter, exhibition, fashion, Gainsbourg, Grand Budapest Hotel, Greta Gerwig, Gus Van Sant, Harvey Keitel, Her, ICA, images, India Windsor-Clive, infrared, internet, Ireland, Issue, James Wright, Jamie Bell, Jamie Burke, Jan Ole Gerster, Jason Schwartzman, Jeff Goldblum, Joaquin Phoenix, Joshua Bullock, Jude Law, landscapes, Lars von Trier, Lawrence of Arabia, Lewis Carpenter, life, literature, London, magazine, men, mining, models, murder, music, New York, Nik, Nymphomaniac, Oh Boy, Peter O'TOole, photography, pictures, poems, Prada, print, Ralph Fiennes, rave, Richard Mosse, Ryan Cogler, Saoirse Ronan, Serge Gainsbourg, series, Shia LaBoeuf, so it goes, SOHN, Sophie Wright, Spike JOnze, Spike Lee, Stacy Martin, Stellan Skarsgård, style, teddy boys, The Ruling Class, Tilda Swinton, travel, Wes Anderson, white, Willem Dafoe, women, World
CultureJoshua Bullock January 09, 2014 Adam Driver, Adrien Brody, africa, Angel, animism, Antonio Zazueta Olmos, army, art, beach, beats, Bill Murray, black, blog, Brooklyn, Brooklyn Gang, Bruce Davidson, Burberry, celebrity, Charlotte Gainsbourg, Christian Slater, Cinema Paradiso, clothes, cold, Congo, Connie Nielsen, cool, culture, dance, dead, diary, Dior, Ed Norton, editors, electronic, Eliot Lee Hazel, Elliot Carpenter, exhibition, fashion, Gainsbourg, Grand Budapest Hotel, Greta Gerwig, Gus Van Sant, Harvey Keitel, Her, images, India Windsor-Clive, infrared, internet, Ireland, Issue, James Wright, Jamie Bell, Jamie Burke, Jason Schwartzman, Jeff Goldblum, Joaquin Phoenix, Joshua Bullock, Jude Law, Kenneth Rexroth, landscapes, Lars von Trier, Lawrence of Arabia, Lewis Carpenter, life, literature, London, magazine, men, mining, models, murder, music, New York, Nymphomaniac, Peter O'TOole, photography, pictures, poems, Prada, print, Ralph Fiennes, rave, Richard Mosse, Ryan Cogler, Saoirse Ronan, Serge Gainsbourg, series, sex, Shia LaBoeuf, snow, so it goes, SOHN, Sophie Wright, Spike JOnze, Spike Lee, Stacy Martin, Stellan Skarsgård, style, teddy boys, The Ruling Class, Tilda Swinton, travel, USA, weather, Wes Anderson, white, Willem Dafoe, women, World
'Gradualism' by Kenneth Rexroth
FilmJoshua Bullock December 17, 2013 Adam Driver, Adrien Brody, africa, Angel, animism, Antonio Zazueta Olmos, army, art, beach, beats, Bill Murray, black, blog, Brooklyn, Brooklyn Gang, Bruce Davidson, Burberry, celebrity, Charlotte Gainsbourg, Christain Slater, Cinema Paradiso, clothes, Congo, Connie Nielsen, cool, culture, dance, dead, diary, Dior, Ed Norton, editors, electronic, Eliot Lee Hazel, Elliot Carpenter, exhibition, fashion, Gainsbourg, Grand Budapest Hotel, Greta Gerwig, Gus Van Sant, Harvey Keitel, Her, images, India Windsor-Clive, infrared, internet, Ireland, Issue, James Wright, Jamie Bell, Jamie Burke, Jason Schwartzman, Jeff Goldblum, Joaquin Phoenix, Joshua Bullock, Jude Law, landscapes, Lars von Trier, Lawrence of Arabia, Lewis Carpenter, life, literature, London, magazine, men, mining, models, murder, music, New York, Nymphomaniac, Peter O'TOole, photography, pictures, poems, Prada, print, Ralph Fiennes, rave, Richard Mosse, Ryan Cogler, Saoirse Ronan, Serge Gainsbourg, series, Shia LaBoeuf, so it goes, SOHN, Sophie Wright, Spike JOnze, Spike Lee, Stacy Martin, Stellan Skarsgård, style, teddy boys, The Ruling Class, Tilda Swinton, travel, Wes Anderson, white, Willem Dafoe, women, World
CultureJoshua Bullock December 13, 2013 Adam Driver, Adrien Brody, africa, Angel, animism, Antonio Zazueta Olmos, army, art, beach, beats, Bill Murray, black, blog, Brooklyn, Brooklyn Gang, Bruce Davidson, Burberry, Charlotte Gainsbourg, Christain Slater, Cinema Paradiso, clothes, Congo, Connie Nielsen, cool, culture, dance, diary, Dior, Ed Norton, editors, electronic, Eliot Lee Hazel, Elliot Carpenter, exhibition, fashion, Gainsbourg, Grand Budapest Hotel, Greta Gerwig, Gus Van Sant, Harvey Keitel, Her, images, India Windsor-Clive, infrared, internet, Issue, James Wright, Jamie Bell, Jamie Burke, Jason Schwartzman, Jeff Goldblum, Joaquin Phoenix, Joshua Bullock, Jude Law, landscapes, Lars von Trier, Lewis Carpenter, life, literature, London, magazine, men, mining, models, murder, music, New York, Nymphomaniac, photography, pictures, poems, Prada, print, Ralph Fiennes, rave, Richard Mosse, Ryan Cogler, Saoirse Ronan, Serge Gainsbourg, series, Shia LaBoeuf, so it goes, SOHN, Sophie Wright, Spike JOnze, Spike Lee, Stacy Martin, Stellan Skarsgård, style, teddy boys, Tilda Swinton, travel, Wes Anderson, white, Willem Dafoe, women, World
Antonio Zazueta Olmos – The Landscape of Murder
CultureJoshua Bullock December 10, 2013 Adam Driver, Adrien Brody, africa, Angel, animism, army, art, beach, beats, Bill Murray, black, blog, Brooklyn, Brooklyn Gang, Bruce Davidson, Burberry, Charlotte Gainsbourg, Christain Slater, Cinema Paradiso, clothes, Congo, Connie Nielsen, cool, culture, dance, diary, Dior, Ed Norton, editors, electronic, Eliot Lee Hazel, Elliot Carpenter, exhibition, fashion, Gainsbourg, Grand Budapest Hotel, Greta Gerwig, Gus Van Sant, Harvey Keitel, Her, images, India Windsor-Clive, infrared, internet, Issue, James Wright, Jamie Bell, Jamie Burke, Jason Schwartzman, Jeff Goldblum, Joaquin Phoenix, Joshua Bullock, Jude Law, landscapes, Lars von Trier, Lewis Carpenter, life, literature, London, magazine, men, mining, models, music, New York, Nymphomaniac, photography, pictures, poems, Prada, print, Ralph Fiennes, rave, Richard Mosse, Saoirse Ronan, Serge Gainsbourg, series, Shia LaBoeuf, so it goes, SOHN, Sophie Wright, Spike JOnze, Spike Lee, Stacy Martin, Stellan Skarsgård Ryan Cogler, style, teddy boys, Tilda Swinton, travel, Wes Anderson, white, Willem Dafoe, women, World
Photography – Richard Mosse
FilmJoshua Bullock December 05, 2013 Adam Driver, Adrien Brody, africa, Angel, animism, art, beach, beats, Bill Murray, black, blog, Brooklyn, Brooklyn Gang, Bruce Davidson, Burberry, Charlotte Gainsbourg, Christain Slater, Cinema Paradiso, clothes, Connie Nielsen, cool, culture, dance, diary, Dior, Ed Norton, editors, electronic, Eliot Lee Hazel, Elliot Carpenter, exhibition, fashion, Gainsbourg, Grand Budapest Hotel, Greta Gerwig, Gus Van Sant, Harvey Keitel, Her, images, India Windsor-Clive, internet, Issue, James Wright, Jamie Bell, Jamie Burke, Jason Schwartzman, Jeff Goldblum, Joaquin Phoenix, Joshua Bullock, Jude Law, Lars von Trier, Lewis Carpenter, life, literature, London, magazine, men, models, music, New York, Nymphomaniac, photography, pictures, poems, Prada, print, Ralph Fiennes, rave, Saoirse Ronan, Serge Gainsbourg, series, Shia LaBoeuf, so it goes, SOHN, Sophie Wright, Spike JOnze, Spike Lee, Stacy Martin, Stellan Skarsgård Ryan Cogler, style, teddy boys, Tilda Swinton, travel, Wes Anderson, white, Willem Dafoe, women, World
So It Goes – Trailers of the Week


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District of Maine
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U.S. Attorneys » District of Maine » News
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Clinton Woman Pleads Guilty to Social Security Fraud and False Statements
Bangor Maine: A Clinton woman pleaded guilty on Friday in federal court in Bangor to Social Security fraud and making false statements, U.S. Attorney Halsey B. Frank announced.
According to court records, from about August 2006 through March 2019, Katherine Prosper, 61, a recipient of Supplemental Security Income ("SSI"), concealed the presence of her husband in her household in order to maintain her eligibility to receive benefit payments. SSI benefits are paid to people with limited income who are blind, disabled, or elderly. Prosper's husband had sufficient income to render her ineligible for the benefits she received during that period. In multiple reviews of her eligibility for benefits, Prosper falsely represented to the Social Security Administration ("SSA") that she was living alone and not receiving help or money from any other person during this time. At an interview with law enforcement agents, Prosper admitted to concealing her living situation from SSA because she knew it would make her ineligible to receive SSI.
Prosper faces up to five years in prison and a fine of up to $250,000 on both charges, and up to three years of supervised release. She will be sentenced after the completion of a presentence investigation report by the U.S. Probation Office.
The investigation was conducted by SSA's Office of the Inspector General and the U.S. Postal Inspection Service.
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Berichte der FBVA, Heft 77, 1994.
Forschungsprojekt im Auftrag des BMLF, GZ.:56.810/08-VA2/93.
Bericht BMGSK, Wien, GZ.:353.012/4-III/9/92, 1994.
Review of national projects - Austria. in COST 74 final report.
Proc. 7th Int. Sympos. on Acoustic Remote Sensing and Associated Techniques of the Atmosphere and Oceans, Boulder, Colorado, 3.-7.Oct.1994, pp 7.19-7.24; NOAA/ERL/ETL, Ed.: W.D.Neff.


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Home › Features › Greensboro to Have First Mental Health Urgent Care in State
Greensboro to Have First Mental Health Urgent Care in State
By carolinianweb on October 23, 2019 • ( 0 )
Peyton Upchurch
PC: Pixabay
On Thursday, Oct. 10, 2019, city officials broke ground on a new facility expected to assist adults and adolescents in Greensboro who are suffering from mental health crises by allowing them to avoid long emergency room wait times.
This new facility, located at 931 Third St., is the first of its kind in North Carolina and it is expected to open its doors in early 2021. It will provide mental health emergency care and house two in-house crisis centers, including two 16-bed facilities. One facility will be for adults, and one will be for children and adolescents.
The center is 60,000 square feet and will cost roughly $28 million to build. It is one of only a few of its kind in the country and will take a holistic approach to patient care. Guilford County and the state of North Carolina are sharing the $20 million cost of design and construction, and the Sandhills Center for mental health and substance abuse is paying for the $8 million child and adolescent side of the facility.
"You don't have to go to two or three places to get your healthcare needs met," said Debbie Cunningham, president of Cone Health Women's Hospital and Cone Health Behavioral Health Services, to Greensboro News and Record.
Typically, behavioral health centers have focused on mental health treatment, whereas emergency rooms screen patients coming in due to a mental health crisis for other medical issues. This results in patients remaining in the emergency room for several days before their mental health concerns or substance abuse issues even begin to be addressed.
Physicians at this new center will now be equipped to address the mental health crises of patients as well as physical health concerns that may be the result of mental health issues, such as high blood pressure. Patients are able to stay at the facility for three to five days while they receive treatment, and can be transferred to long-term facilities such as Cone Behavioral Health Hospital if additional care is required.
"It's one-stop shopping," said Cunningham. "It will definitely have an impact on emergency rooms—around 3,000 to 4,000 patient visits a year will be diverted to this new center."
Cunningham also added that she hopes that the new facility will help lessen the stigma surrounding mental health obstacles and substance abuse issues.
"[The stigma] makes it very difficult for people to even want to seek care," said Cunningham.
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The World's Worst Airline
If you were writing a sitcom about an awful eastern European budget airline, you might easily come up with the name WIZZ AIR. That a Budapest-based airline with such a name really exists should have been warning enough.
In Lublin this morning we were called for boarding and herded into outdoor sheep-pens on a runway with no aeroplane in sight. Babies screamed. Harassed parents became desperate. Old ladies passed out. Old men pleaded to be allowed back inside to go to the toilet.
Nearly two hours later a fuchsia-and-mauve plane landed beside the sheep pens. We desperate passengers charged on board, all safety rules ignored. People were still conducting violent marital tiffs and moving around the cabin during take-off.
I had been bought an Extra Leg Room seat by my Polish hosts, and sat in embarassed solitude on the slightly less confining middle row. Asked by the dismal flight attendant if I would operate the safety exit in the event of an emergency, it being situated on my row, I said that everyone would be safer if someone more confident with machinery and aviation sat by the door.
The dismal attendant went glassy-eyed. She could not sit anyone else there because Nobody Else had Paid the 16-Euros Extra Leg Room supplement. I said, "So what? Plenty of passengers would like that seat and could operate the door." The three large men crammed into the row behind me all volunteered. Glass-Eyes continued to maintain No Pay No Upgrade. But when I offered to swap with one of the large men, she finally gave up and let reason prevail. Just think! How outrageous! A man who had not paid the supplement got legroom!
Turbulence was terrible and the flight-attendants looked terrified all the time, as if they knew something we didn't about a defective engine. The first thing I did when I finally got home was look up W(H)IZZ in the dictionary. Since the 1600s, as a verb it has denoted the movement of lethal missiles such as bullets and cannon balls. In the Depression a Whizz meant a pickpocket or petty thief. In the 1970s 'going for a whizz' meant urinating. In the 1980s and 1990s 'whizz' meant 'recreational' amphetamines.
It was only in September 2003, exactly a decade ago, that the term became associated not only with lethal danger, being ripped off, taking a/the p**s and psychotropic chemicals (all of which seem appropriate to my experience this morning), but an airline so abysmal that I would very much rather have hitchhiked all the way. You have been warned.
What the Ancient Greeks Knew about Slaves' Dream-Lives
While suffering from concussion earlier this summer I agreed to be in three places at once this week: introducing the great Orlando Patterson at a conference on slavery in Indiana, co-relating classics and social class in Ljubljana, Slovenia, and interpreting ancient dream interpretation in Poland. So I have chosen according to personal loyalty on the conference front (Poland) and sent video talks to the other two (something I may do more of now, it being nicer to the planet than planes).
Fortunately for my hosts, virtual and actual, and for my own sanity, there is a link between all three talks: our one surviving ancient handbook of dream interpretation, by Artemidorus of Daldis, who recorded the colourful dreams experienced by his customers—mostly Greeks—under the Roman Empire. His book, The Interpretation of Dreams, enthralled Sigmund Freud, who borrowed the title for his own most famous work, Traumdeutung, in 1899/1900.
Freud was struck by the numerous positions in which ancient Greek men told Artemidorus that they had enjoyed dream-sex with their mothers. But the real reason why Artemidorus is important is that his accounts of the dreams experienced by his many slave-class customers provide our best surviving access to the inner, mental and emotional lives of the millions of people in Greek and Roman antiquity who were not free.
Artemidorus tells us that the same dream will mean different things depending on whether you are a slave or not: 'Olive trees whose fruit has been gathered up means good luck for all but slaves, for whom it means thrashings, since it is by blows that the fruit is taken down'. If a pregnant free woman dreams she gives birth to a snake, it is a good omen, but in a slave woman it can only mean that the child will become a runaway, 'because a snake does not follow a straight path'.
Slaves' dreams tell desperately sad stories. A house-slave dreamt that one star fell out of the sky while another star ascended into the sky. When his master died, he thought he was free and without any master. But it came to light that his former master had a son, and he was forced to become his slave. The fallen star therefore stood for the man who died, while the one that ascended into the sky signified the one who would control him and be his master.
This slave's disappointment on discovering that he was legally compelled to serve another man, much younger than his previous owner, can only be imagined. Another slave, whose subconscious clearly could not cope with his subordination, dreamt that he was playing ball with Zeus. He then quarrelled with his master, and, since he took certain liberties in his speech, he antagonised the man. For Zeus signified the master. The ball-playing indicated both the exchange of words on an equal footing and the quarrel itself.
Artemidorus was a man of his time, and often recycles embarrassing prejudices against slaves. He argues, for example that slaves are more physical and less cerebral than the free. Slaves are often represented by animals (e.g. mice) and body parts (feet) in dreams, whereas the free are represented by more abstract symbolism to do with souls.
But Artemidorus' book also undermines the ancient distinction between slaves and free in ways which are paralleled by no other ancient evidence. It undermines the hierarchies of waking life by his actual practice of taking slave dreams seriously. The egalitarian form of many passages in the amazing ancient dream book implicitly dismantles its hierarchical content. Ancient slaves may have left us few documents in their own voices. But the soul – or psyche - of the ancient slave was of course really there all the time. [A full discussion of Artemidorus' slave dreamers is included in Alston, Hall & Proffitt, Reading Ancient Slavery and can be read free online ninth offprint from the top here].
Fiddling while Troy Burns
Backdrop (detail of Hogarth's Southwark Fair)
Next Friday, some young colleagues at a conference in Oxford will revive scenes from a remarkable 300-year old farce on the siege of Troy.
Elkanah Settle's musical comedy The Siege of Troy began life as a successful opera in 1701. It remained the uncontested hit of the London fairgrounds in both booth theatre and puppet shows from 1707 to at least 1735, when Hogarth portrayed it as the central attraction in his famous engraving 'Southwark Fair'.
Heroic Cobbler Bristle
The hero is an enterprising Trojan cobbler named Tom Bristle. The Trojan working class, who speak earthy prose, elect him their captain. They stay safe during the siege by holding a party, and survive to rebuild the city when the Greeks leave. Meanwhile the Trojan ruling class, who speak pompous heroic rhyming couplets, are either killed or commit spectacular suicide.
Forgotten Masterpiece of the London Fairs
Settle's subversive The Siege of Troy is what really united John Dryden and Alexander Pope. It wasn't just their mutual obsession with Trojans and with classical epic (they produced the canonical English verse translations of the Aeneid and the Iliad in 1697 and 1715-20 respectively). It was unremitting envy and hatred of Settle.
Settle is the Missing Link in the British reception of classical epic. When his Empress of Morocco struck gold in the Restoration theatre, Dryden wrote vicious attacks which reveal the toxic extent of his envy. Dryden knew that Settle's shows were lucrative: 'The height of his ambition is we know/But to be Master of a Puppet-show./On that one Stage his works may yet appear,/And a month's Harvest keeps him all the Year.'
Dryden's Aeneid (1697)
Settle's The Siege of Troy, in response, put two populist fingers up at Dryden's version of the siege of Troy in his Aeneid book 2, by completing it with ale, fiddles, and scatological humour. I would rather be transported back in time to watch Settle's droll at Southwark Fair than re-read Dryden any time.
Pope loathed Settle even more than Dryden had. Just when the ambitious young Pope was trying to drum up support from subscribers including royalty to fund his Homer translation project, the same royalty were going to the fairgrounds to laugh with their populace at Settle's boisterous Trojans, surviving by drinking and fiddling even as Troy burned.
Pope's Iliad (1715-20)
Pope took revenge by launching some of his most vindictive satire ever against Settle in his Dunciad. It closes with the ghost of Settle announcing the inauguration by bad poets of the new cosmic Age of Dullness: 'Thy hand great Dulness! lets the curtain fall,/And universal Darkness covers all'.
The Siege of Troy, Highlight of Southwark Fair according to Hogarth
This was spiteful and unfair: dullness was one thing Settle was never guilty of. He is last heard of in a green costume, acting the dragon in his own fairground play about St. George. It is extraordinary how this impresario has been written out of the cultural history of classical epic. On Friday we are going to put that right.
What the Ancient Greeks Knew about Slaves' Dream-L...
How Not to be a TV Academic


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Items where Author is "Assaf, Albert"
Assaf, Albert, Barros, Carlos Pestana and Matousek, Roman (2010) Technical efficiency in Saudi Arabian banks. Centre for EMEA Banking, Finance and Economics Working Paper Series, 2010 (03). pp. 1-22.
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The Precast Show is the largest precast-specific trade show in North America and this year it will be held in Denver, Colorado! The trade show floor will be open to attendees February 22-24, 2018. This trade show is the meeting place for the industry's most important suppliers and foremost equipment experts each year. If you will be attending, be sure you stop by Booth #1935!


It's obvious that if you have a major water intrusion into your home, whether from the inside or outside of the home, the water and it's effects need to be cleaned and dried to mitigate the loss and repair the damage. However many homes suffer minor water intrusions the homeowner tries to deal with on there own. If a carpet gets wet they try to extract the water with a wet vac and put a fan on the effected area. This can lead to serious problems down the road. All though the carpet may feel dry the backing can still be wet. And what about the carpet pad and the sub floor. These are usually still quite wet underneath the carpet and can take weeks if not months to completely dry.
Then there's the water that can wick up the drywall and stay wet for up to a year. Water left in these areas to long will cause secondary damage to the surfaces but also is a perfect breeding ground for mold. Mold will start to grow between 48-72 hours after the water intrusion so it is important to dry the wet areas as soon as possible.
Here at ACS we have the state of the art equipment that aids us in finding all the moisture. We also keep up to date with the latest technology in the industry to provide you the best possible service. Whether you have a major water intrusion or a minor one ACS has what it takes to dry you out and protect the investment in your home.
Any fire in your home is a major fire to your home. Be it from a small grease fire to a large fire ACS has what it takes to put your life back in order. From cleaning your home and valuables to removing the odor we can help you get back into your home.
We also offer Mold Remediation. Click here for details.


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chrisairey01	1990s	 December 28, 2018 December 28, 2018 2 Minutes
There came a time where British music and culture was a thing to be celebrated. This was in the mid to late 1990s, and this album is the best representation of that.
The album itself was recorded in a 2 week period in Wales with producer Owen Morris, and with new drummer Alan White replacing Tony McCarroll. The songs here are really excellent. Let's explore in depth the songs on this awesome album.
The album begins with strummed chords for another song on the album (take a guess which one) before erupting into Hello. It's a relatively average song but you can definitely hear the difference between Definitely Maybe and this recording. The song is a better layered and textured piece with more emotionally oriented singing from Liam Gallagher. It's great listening.
The pop song Roll With It follows with a strong message and deep and meaningful singing from Liam. It's an excellent song, although rather repetitive. Still, it is a good song of the time.
Wonderwall is a lovely ballad. It ironically, for Oasis's biggest song ever, didn't make it to number one on the pop charts in the UK. It's a great song, from Liam's heartfelt vocal to the acoustic guitar strumming away and the cello sound. It's a great song and has not aged one bit.
Don't Look Back In Anger is a stadium sounding song, and yet another hit single. It's often quoted and is a reminder to the listener not to deal with issues in the past. A great song with Noel Gallagher on lead vocals. Mint.
The following track, Hey Now! is a little weak but still is a great song to listen to. Liam sing this extremely well, and it is loud, Definitely Maybe style.
The Untitled piece part one is a rather odd musical pastiche sampled from a rather poor Oasis instrumental named The Swamp Song. It isn't really necessary here but lasts less than a minute.
Some Might Say is a profound-sounding song about the treatment of oneself and others. It was the band's first number one single and is great fun to listen to. "Some might say, they don't believe in heaven. Go and tell it to the man who lives in hell." Simply awesome.
Cast No Shadow sounds soothing and lush. Although the song itself drags on somewhat, it makes up for it with the most beautiful of sounds there. Liam nails his job here, an excellent piece.
The Digsy's Dinner sequel, She's Electric is next. It's a joyous and upbeat song about trivial matters of a girl. It's a good song but falls short of being a great song.
The most open drug advocating song is here in the title track Morning Glory. It's a loud and interesting rock song. It has a swirling guitar outro that you will bang your head to.
Untitled part two arrives mixing Morning Glory into the next song. It sounds a little different here with the sound of water sloshing around. Once again, it is very short.
Champagne Supernova closes the album nicely. It's a really great and underrated song. It starts off quietly with the most profound lyrics Noel Gallagher ever wrote. It then builds up to a crescendo before going quiet again. It has many different sounds and textures on it. A winner.
This album is a truly enjoyable listen to anyone who is either a fan of pop or rock music. It is light years ahead of many other records, including other Oasis records. Cherish this album, and own it today. Recently a remastered reissue was released of this album, so fans ought to check this out.
Previous Post Oasis – Definitely Maybe (1994)
Next Post Oasis – Standing On The Shoulder Of Giants (2000)


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Last season was all about coping with life in the Championship for Barnsley, following their promotion from League One in 2016. But the Tykes are now building for the future, with boss Paul Heckingbottom already bringing in four exciting young talents this summer.
So, who are the Barnsley newboys…and why are we tipping them for success?
The first deal struck was for St Mirren midfielder Stevie Mallan, who arrives off the back of a talismanic campaign for the Buddies, who he almost single-handedly saved from relegation last term.
Despite being more than 10 points adrift in the Ladbrokes Championship at one point last season, Mallon produced a sensational end to the campaign, scoring six goals and providing nine assists in the final nine league games to save the club from the drop on the final day.
That took his tally of assists in all competitions during 2016-17 to a hugely impressive 22. And while the opposition he'll face south of the border will offer a slightly trickier test, there's no doubt he's a hugely talented player and big game performer. And at just 21-years-old, we reckon he'll continue to improve at Oakwell.
He's one of two players to arrive from Scottish clubs, with fellow 21-year-old Liam Lindsay arriving from Partick Thistle.
The centre-back was an integral part of Thistle's success last term, as they secured a top-six finish in the Scottish top-flight for the first time since 1981. A towering and tough presence at the heart of defence, the youngster also offers a huge threat from set-pieces, scoring six times last term, including grabbing a goal against Celtic.
Elsewhere, the highly-rated Cameron McGeehan arrives from Luton Town, with 102 senior appearances under his belt, despite having only recently turned 22-years-old.
Despite missing a large chunk of last season through injury, the versatile midfielder – as adept on the right flank as he is in a central role – still managed to chalk up a slew of match-winning displays for the Hatters, including a stunning solo display against promotion-winning Doncaster Rovers, netting twice and running the game.
As with Mallan, he will be making a step up, but like the former St Mirren man, he's absolutely got the skill and dynamism to handle that and progress.
Last but not least, they've also brought in defender Jason McCarthy. And while the youngster did fail to break into the team at parent club Southampton, he impressed hugely on loan at Wycombe Wanderers (winning the Supporters' Player of the Year award in 2015-16), and then at Walsall, who converted him from a centre-back to a right-back.
A remarkably assured and composed performer for 21-years-old, he was a reliable ever-present in League One for the Saddlers last term, playing every minute of their league campaign. And with the ability to get forward and ping in a good cross, he's far more than just a solid defensive performer.
With all that in mind, the 20/1 for Barnsley to win promotion in the coming campaign looks well worth a flutter. But even if they don't mount a challenge this year, don't expect it to be long before they're knocking on the door of the Premier League.


text:
Flute4u :: Sheet Music :: Flute & Piano (A-B) :: Burton, E :: Sonatina
Burton, E :: Sonatina
A native of Fitzgerald, Georgia, Eldin Burton studied piano and composition at the Atlanta Conservatory and Juilliard School of Music. Sonatina for flute and piano is Burton's best-known work and is adapted from a work for solo piano written for a composition class at Julliard. Burton dedicated his composition to a fellow Julliard student, the noted flutist Samuel Baron, who debuted the performance in 1947 in New York City. Sonatina won the composition contest of the New York Flute Club in 1948 and as a first prize Burton was awarded a publishing contract for his composition with G. Schirmer Inc. Burton went on to work for G Schirmer Inc. and later retired in Sarasota, Florida.
Sonatina for flute and piano is a three-movement work with a conservative, yet unique approach to melody, harmony and rhythm. The first Allegretto grazioso movement dances gracefully with its agile tempo and song-like melody, lyrically toying with scales and arpeggios against a rich harmonic structure. Andantino Sognando, with its playful and quirky passages, is at some moments bold and at others, inquisitive; a sublime contrast to the lively and humorous triple-metered third movement, Allegro giocoso quasi fandango, that begins with lightly spirited burst of energy and races off in interesting and animated directions.
- CD Notes, Susan Hoeppner's American Flute Masterpieces
SKU C000798408010331
Publisher Carl Fischer [O3643]
Orchestration fl, pn
Includes CD No
Classification Not Applicable
Genre Undefined


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text:
VII Зимові Дефлімпійські ігри пройшли в м. Адельбоден, Швейцарія, з 25 по 29 січня 1971 року. У змаганнях взяли участь 92 спортсмени з 13 країн.

Дисципліни
Змагання пройшли з 2 дисциплін.

Країни-учасники

В VII Зимових дефлімпійських іграх взяли участь спортсмени з 13 країн :

Нагороди

Примітки

Посилання
 Офіційний вебсайт Міжнародного комітету спорту глухих
 VII Зимові дефлімпійські ігри

1971
Спортивні події 1971
Січень 1971


text:
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text:
Has the impact of temperature on mortality really decreased over time?
Honghyok Kim, Jina Heo, Hyomi Kim, Jong Tae Lee
Department of Public Health Sciences
Many studies have reported that the temperature effect on mortality has decreased over time. However, most of those studies did not consider lag times longer than 10. days, which is frequently used to explore its effect net out compensatory effect (harvesting) and lag effects.We sought to examine the temporal variation of the temperature effect on mortality, considering both a lag effect and mortality displacement.Time-series analysis was conducted with lag of temperature up to 21. days on all-cause, cardiovascular, cerebrovascular, and respiratory deaths. We applied a series of time-windows, 8. years long, with which we compared the oldest to more recent intervals and took consecutive annual variation, excluding an interannual harvesting effect.At the 99th percentile (29. °C), relative to the 90th percentile (25. °C), we found a decreasing trend of heat effect on concurrent days whereas the risk of cardiovascular deaths increased over time. Cumulative risks of deaths increased recently except for respiratory disease. At the 10th percentile (-. 1. °C) relative to the 25th percentile (4. °C), cumulative cold effects on cardiovascular and respiratory mortality have emerged recently.Our study showed differences in the temporal variation in the temperature effect on mortality at concurrent day and in cumulative term. It is suggested that the time-varying nature of the temperature-mortality relationship depends not only on suggested factors, such as improvements in technology and infrastructure, and human physiological acclimatization, but also mortality displacement and lagged effects. Further studies on its complex nature are needed to provide relevant evidence for public health policy making.
Science of the Total Environment
https://doi.org/10.1016/j.scitotenv.2015.01.012
Published - 2015 Apr 5
Cumulative effect
Mortality displacement
Time-varying effect
Waste Management and Disposal
10.1016/j.scitotenv.2015.01.012
Dive into the research topics of 'Has the impact of temperature on mortality really decreased over time?'. Together they form a unique fingerprint.
Thermal effects Engineering & Materials Science 100%
mortality Earth & Environmental Sciences 74%
Displacement Chemical Compounds 53%
Cold effects Engineering & Materials Science 45%
Temperature Engineering & Materials Science 39%
temperature effect Earth & Environmental Sciences 38%
temperature Earth & Environmental Sciences 36%
Kim, H., Heo, J., Kim, H., & Lee, J. T. (2015). Has the impact of temperature on mortality really decreased over time? Science of the Total Environment, 512-513, 74-81. https://doi.org/10.1016/j.scitotenv.2015.01.012
Has the impact of temperature on mortality really decreased over time? / Kim, Honghyok; Heo, Jina; Kim, Hyomi et al.
In: Science of the Total Environment, Vol. 512-513, 05.04.2015, p. 74-81.
Kim, H, Heo, J, Kim, H & Lee, JT 2015, 'Has the impact of temperature on mortality really decreased over time?', Science of the Total Environment, vol. 512-513, pp. 74-81. https://doi.org/10.1016/j.scitotenv.2015.01.012
Kim H, Heo J, Kim H, Lee JT. Has the impact of temperature on mortality really decreased over time? Science of the Total Environment. 2015 Apr 5;512-513:74-81. doi: 10.1016/j.scitotenv.2015.01.012
Kim, Honghyok ; Heo, Jina ; Kim, Hyomi et al. / Has the impact of temperature on mortality really decreased over time?. In: Science of the Total Environment. 2015 ; Vol. 512-513. pp. 74-81.
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title = "Has the impact of temperature on mortality really decreased over time?",
abstract = "Many studies have reported that the temperature effect on mortality has decreased over time. However, most of those studies did not consider lag times longer than 10. days, which is frequently used to explore its effect net out compensatory effect (harvesting) and lag effects.We sought to examine the temporal variation of the temperature effect on mortality, considering both a lag effect and mortality displacement.Time-series analysis was conducted with lag of temperature up to 21. days on all-cause, cardiovascular, cerebrovascular, and respiratory deaths. We applied a series of time-windows, 8. years long, with which we compared the oldest to more recent intervals and took consecutive annual variation, excluding an interannual harvesting effect.At the 99th percentile (29. °C), relative to the 90th percentile (25. °C), we found a decreasing trend of heat effect on concurrent days whereas the risk of cardiovascular deaths increased over time. Cumulative risks of deaths increased recently except for respiratory disease. At the 10th percentile (-. 1. °C) relative to the 25th percentile (4. °C), cumulative cold effects on cardiovascular and respiratory mortality have emerged recently.Our study showed differences in the temporal variation in the temperature effect on mortality at concurrent day and in cumulative term. It is suggested that the time-varying nature of the temperature-mortality relationship depends not only on suggested factors, such as improvements in technology and infrastructure, and human physiological acclimatization, but also mortality displacement and lagged effects. Further studies on its complex nature are needed to provide relevant evidence for public health policy making.",
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author = "Honghyok Kim and Jina Heo and Hyomi Kim and Lee, {Jong Tae}",
note = "Publisher Copyright: {\textcopyright} 2015 Elsevier B.V. Copyright: Copyright 2020 Elsevier B.V., All rights reserved.",
doi = "10.1016/j.scitotenv.2015.01.012",
volume = "512-513",
journal = "Science of the Total Environment",
T1 - Has the impact of temperature on mortality really decreased over time?
AU - Kim, Honghyok
AU - Heo, Jina
AU - Kim, Hyomi
AU - Lee, Jong Tae
N1 - Publisher Copyright: © 2015 Elsevier B.V. Copyright: Copyright 2020 Elsevier B.V., All rights reserved.
N2 - Many studies have reported that the temperature effect on mortality has decreased over time. However, most of those studies did not consider lag times longer than 10. days, which is frequently used to explore its effect net out compensatory effect (harvesting) and lag effects.We sought to examine the temporal variation of the temperature effect on mortality, considering both a lag effect and mortality displacement.Time-series analysis was conducted with lag of temperature up to 21. days on all-cause, cardiovascular, cerebrovascular, and respiratory deaths. We applied a series of time-windows, 8. years long, with which we compared the oldest to more recent intervals and took consecutive annual variation, excluding an interannual harvesting effect.At the 99th percentile (29. °C), relative to the 90th percentile (25. °C), we found a decreasing trend of heat effect on concurrent days whereas the risk of cardiovascular deaths increased over time. Cumulative risks of deaths increased recently except for respiratory disease. At the 10th percentile (-. 1. °C) relative to the 25th percentile (4. °C), cumulative cold effects on cardiovascular and respiratory mortality have emerged recently.Our study showed differences in the temporal variation in the temperature effect on mortality at concurrent day and in cumulative term. It is suggested that the time-varying nature of the temperature-mortality relationship depends not only on suggested factors, such as improvements in technology and infrastructure, and human physiological acclimatization, but also mortality displacement and lagged effects. Further studies on its complex nature are needed to provide relevant evidence for public health policy making.
AB - Many studies have reported that the temperature effect on mortality has decreased over time. However, most of those studies did not consider lag times longer than 10. days, which is frequently used to explore its effect net out compensatory effect (harvesting) and lag effects.We sought to examine the temporal variation of the temperature effect on mortality, considering both a lag effect and mortality displacement.Time-series analysis was conducted with lag of temperature up to 21. days on all-cause, cardiovascular, cerebrovascular, and respiratory deaths. We applied a series of time-windows, 8. years long, with which we compared the oldest to more recent intervals and took consecutive annual variation, excluding an interannual harvesting effect.At the 99th percentile (29. °C), relative to the 90th percentile (25. °C), we found a decreasing trend of heat effect on concurrent days whereas the risk of cardiovascular deaths increased over time. Cumulative risks of deaths increased recently except for respiratory disease. At the 10th percentile (-. 1. °C) relative to the 25th percentile (4. °C), cumulative cold effects on cardiovascular and respiratory mortality have emerged recently.Our study showed differences in the temporal variation in the temperature effect on mortality at concurrent day and in cumulative term. It is suggested that the time-varying nature of the temperature-mortality relationship depends not only on suggested factors, such as improvements in technology and infrastructure, and human physiological acclimatization, but also mortality displacement and lagged effects. Further studies on its complex nature are needed to provide relevant evidence for public health policy making.
KW - Cumulative effect
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I have built an application is ext js4. I want the viewport and other internal components(Grids etc.) to fit in all screens irrespective of the screen size. Currently the view of the application looks very cramped on big screens and it is fine on normal screens. Please advise.
Please do not double post. If you make a mistake in one then you can edit your post. I have deleted the other thread for you.
Ext.container.Viewport will render to the body and take 100% of the width and height available. For child items, you should try to stay away from define width/height values and use flex in box layouts or anchor, something that will flow if the screen size changes.
This is one of my child panels which is defined inside a card layout container. I am using 'vbox' layout and this panel has a child grid with width 700. Can you tell what changes should i do to this panel so that ihe panel and the grid flows to entire screen.
Also, when i remove width: 700 from child grid, the data is not displayed in the grid. That is because the width of gridview is rendered as 0px, and data is overflowed from the gridview. Any ideas about this too would be most welcome.


Traditionally success for bridal storeowners has been defined in terms of sales: The higher your sales, the more successful you are. But what about cash flow, the bottom line, growth and proper management?
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>She now lives in London with her prince and their two kids, Princess Leonore and Prince Nicolas.
Les Twins x Skitzo x Waydi x Boom Squad x Team France | YAK Films x HANN "HANN Wrap"
"Very sadly, Zara and Mike Tindall have lost their baby. At this difficult time, we ask that everyone respects their privacy."
An attractive woman who is married to a usually much older, affluent man.
the young, often second, wife of a rich middle-aged man.
A young, attractive wife regarded as a status symbol for an older man.


text:
Huddersfield Town News
Dublin, Republic Of Ireland
Joe Murphy Facebook
Joe Murphy Career stats
League 100 0 2 0 0 7
FA Cup 2 0 0 0 0 0
League Cup 5 0 0 0 0 0
European Cups 0 0 0 0 0 0
Others 6 0 1 0 0 1
League 204 0 5 0 3 26
Rep of Ireland
International 2 2 0 0 0 0
League 0 0 0 0 0 0
League 14 0 0 0 0 1
Rep of Ireland U21


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text:
1972 - Georges Yatridès, a painter of future memories
Documentary by Daniel Danneyrolles
Presenter: "Georges Yatridès was born in Greece and has lived in Grenoble for over 48 years although he is not well known in France. Even so, over 300 of his works were sold in the United States of America, where Yatridès is regarded as a unique painter and a pure individuality presenting a point of view. René Char described him as a "painter outside the tumult". His approach was associated with De Chirico's, even Dali's, but Georges Yatridès shares neither the first's metaphysical anguish or the latter's exhibitionism. The painter responds to another problem, a personal response to Gauguin's questions: "Where do we come from? What are we? Where are we going?" In order to attain this response, almost engraved in each of his works, Yatridès had to follow a tormented, passionate and painstaking path. As exuberant a path as it might seem, it proved totally intransigent. This meant imposing on himself a life of renunciation. Taking the easy way out, therefore, was impossible, and he had to opt out on conventionalism and pseudo- modernism. Yatridès wants to paint for his own time, even for tomorrow. Ranked as one of the best painters in the art stream of the 20th Century, Yatridès had to move away from its influence in 1963. This means renouncing, once again, only this time he renounced a colourful atmosphere and the use of outlines as a way to create volume. Yatridès, on the contrary, strives to master a colourful space and bring harmony to the whole painting by saturating the light in every plane and creating volumes without resorting to the use of shadings. The furrows, etched in the paint itself spread the exterior light. Thus, one can better realize the heart-wrenching renunciations that Yatridès had to endure in order to surpass himself, almost on the verge of self-denial, for the sake of going against the current, he who had given in to the Fauvism's spontaneous expression in a joyful, violent manner around the 1950s. Sasha Bourmeyster, his long-time friend and constant witness of his creative evolution analyzes the pictorial universe of Georges Yatridès.
Sasha Bourmeyster: "I think that presently, truthfully, Yatridès has acquired an extraordinary technique that few present-day painters possess. It has been roughly ten years since he mastered and fully enjoyed his paintings and that has evidently transformed his personality. If you will, this kind of fulfilment that he attains through his art manifests itself in his behaviour. When you contemplate a painting such as Ezekiel, you can only feel admiration, although this admiration is somewhat mixed with questions. This work fascinates but it is hard to know why. Now, one should take this painting and progressively unveil it because some kind of question and answer game occurs at each moment in the representation of Ezekiel, the wall of Jerusalem or this lifeless, bare and empty landscape. There is an array of elements that, when pieced together, show the history of painting as imagined by Yatridès. Because, apart from his painting, he is primarily an erudite person. He is not the kind that shuts himself away in some naive art and lets his heart rule. He would never want this. For him, that would be an outright abomination. What Georges Yatridès's painting stands for is quite the opposite: it is essentially a universal, encyclopaedic spirit immersed in all sorts of fields of knowledge such as religion, history and pictorial techniques, with an interest for the development of sciences. I am not saying that he creates science-fiction. Rather, he is interested in the evolution of humanity, the future of our society. This is why we could use Yatridès's work to run a semeiological analysis that would be diachronic – that is to say a history of painting, of temptations that confronted painters in such and such area, that they more or less assimilated, more or less accepted or rejected, and then Georges Yatridès's attitude towards each element, thwarting the traps of mediocrity, subjectivity, of what has been done and then providing a personal response. People who view his paintings might have answers or opposite opinions but a close inspection reveals that Yatridès has already found the answers to questions that the audience and connoisseurs alike have yet to ask or have asked clumsily. He is ahead of the game, if you will. In this, his work might seem a hermetically sealed world but it is absolutely not a closed world, on the contrary. Georges Yatridès wishes to call out to the world and speak with his public.
Presenter: "Georges Yatridès wanted to express himself through colours. He soon realized that they alone could not provide the light. He then set about painting with lines – a mere graphic exercise –which he abandoned out of dissatisfaction. Nonetheless, Yatridès's instinct tells him that in order to master the light, he had to organize his painting around the lines, which he calls "his personal grammar".
Yatridès: I had to get past all that. I had to get past the lines first, which is the source of all science so that I could then access the true material, get past paper, a material that risks damage, could disappear in civilizations to come, dissolve and return to dust. I needed to find materials that would stand the test of time. Furthermore, through this visual design that I wanted to be self-sufficient, without shadings, where lines create volume, that is to say creating volume only with lines, I needed the material to set me free, and create this self-sufficient light, capable of existing even in the absence of shadings. This light that comes from the sun exists even if no object gets in its way. Therefore, this liberation is complete and allows me to depict a major part of Man's adventure while restoring bygone values."
Presenter: At first this painting leaves you puzzled: women, children, still lifes in a lifeless setting.
Yatridès: "Here, some mountains have erupted out of a vitrified surface. They are still warm. I want to show you that the planet's subsoil is still boiling with life and that it is meant to survive no matter what. However, the planet itself looks vitrified because Man subjugated it and sucked it dry. Thus, obviously, there remains no trace of vegetation. On the other hand, the subjugation


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Now Reading Bill Mott: Eclipsing His Own Expectations
Bill Mott: Eclipsing His Own Expectations
November 13th, 2017 by Tom Pedulla
Bill Mott and John Velazquez at Gulfstream Park. (Eclipse Sportswire)
Even as a teenager, when some youngsters are inclined to think the world is theirs for the taking, Hall of Fame trainer Bill Mott did not dream big.
"I was 18 years old and hauling horses around in a two-horse trailer to the bush tracks," recalled the native of Mobridge, S.D. "I never imagined training for anybody else other than myself."
As the son of a veteran, Mott had grown up around horses. He possessed a love for them and a desire to bring out whatever innate abilities each of them had. It was that way with My Assets, a $320 mare who finished in a dead heat to give him his first victory and enough earnings to help him purchase Kosmic Tour for $2,000. Incredibly, Mott won the South Dakota Futurity with Kosmic Tour before he graduated from high school.
Mott spent time as an exercise rider and learned lessons that would last him a lifetime as an assistant to Hall of Famer Jack Van Berg for three years. He set out on his own in 1978. "It all certainly worked in my favor and it just turned into a business," he said.
Mott with his three-time Eclipse Award winner Royal Delta. (Eclipse Sportswire)
His willingness to respect the needs of his horses, to allow them to dictate the rate of their progress, reaped huge rewards. He owns 10 training titles at Belmont Park, nine apiece at Saratoga Race Course in upstate New York and at Florida's Gulfstream Park, and five at Keeneland in Lexington, Ky. He boasts 10 Breeders' Cup victories.
In 1998, at age 45, Mott surpassed Allen Jerkens as the youngest conditioner to be inducted into the National Museum of Racing and Hall of Fame. He became the ninth trainer in North American history to record 4,000 victories when Mystic prevailed at Saratoga on Aug. 7, 2010.
The self-effacing Mott expresses disbelief at his level of accomplishment. "It wasn't something I planned, so did it far exceed anything I thought it would? Absolutely," he said.
Mott is best known, of course, for his handiwork with Cigar, who had shown little ability under previous hands. Mott's first decision typified his willingness to give horses the time they need, ever confident that there will be a reward for that patience. He kept Cigar away from the races for half a year.
He also unlocked the key to Cigar, who had faltered on the turf, by trying him in a dirt race at Aqueduct Racetrack. As the saying goes, he won for fun. He was on his way.
Mott at Saratoga (Eclipse Sportswire)
Cigar stitched together one of the most brilliant campaigns in history when his 10-for-10 perfection in 1995 culminated in a resounding victory in the Breeders' Cup Classic on a muddy track at Belmont Park.
Mott views that as his most memorable triumph. "We hadn't breezed him on an off track, so I wasn't sure how he was going to do," he said. "To have him pass that test on that particular day and, obviously, he sewed up a championship and a Horse of the Year trophy, it was pretty special."
Cigar and jockey Jerry Bailey went on to win the inaugural running of the Dubai World Cup and to tie Citation's record of 16 consecutive victories. Cigar retired with $9,999,815 in earnings, then a record.
Although Mott owns but one victory in a Triple Crown race, that coming when Drosselmeyer delivered as a 13-1 longshot in the 2010 Belmont Stakes, the far better measure of him is that he fashioned seven year-end champions.
"I can't imagine that I've been lucky enough to be in the position that I've been in the last few years," he said.
Cleaned stalls for $50 a week at age 14
Sold cattle and pigs as teenager to raise money to buy horses he could train.
Earned first Grade 1 victory when Heatherten took the Apple Blossom at Oaklawn Park in Hot Springs, Ark. in 1984
Saddled 1998 Belmont Stakes winner Victory Gallop for trainer Elliott Walden because Walden was limited by a broken leg.
Has made a habit of celebrating his July 29 birthday with a string of victories at Saratoga Race Course. His birthday has become an annual angle for Saratoga horseplayers.
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