For other uses, see Gratian (disambiguation).
Gratian (/ˈɡreɪʃən/; Latin: Flavius Gratianus Augustus; Greek: Γρατιανός; 18 April/23 May 359 – 25 August 383) was Roman emperor from 367 to 383. The eldest son of Valentinian I, Gratian accompanied, during his youth, his father on several campaigns along the Rhine and Danube frontiers. Upon the death of Valentinian in 375, Gratian's brother Valentinian II was declared emperor by his father's soldiers. In 378, Gratian's generals won a decisive victory over the Lentienses, a branch of the Alamanni, at the Battle of Argentovaria. Gratian subsequently led a campaign across the Rhine, the last emperor to do so, and attacked the Lentienses, forcing the tribe to surrender. That same year, his uncle Valens was killed in the Battle of Adrianople against the Goths – making Gratian essentially ruler of the entire Roman Empire. He favoured Christianity over traditional Roman religion, refusing the divine attributes of the Emperors and removing the Altar of Victory from the Roman Senate.
Gratian was the son of Emperor Valentinian I by Marina Severa, and was born at Sirmium (now Sremska Mitrovica, Serbia) in Pannonia. He was named after his grandfather Gratian the Elder. Gratian was first married to Flavia Maxima Constantia, daughter of Constantius II. His second wife was Laeta. Both marriages remained childless. His stepmother was Empress Justina and his paternal half siblings were Emperor Valentinian II, Galla and Justa.
On 24 August 367 he received from his father the title of Augustus. On the death of Valentinian (17 November 375), the troops in Pannonia, impelled by the generals Aequitius and Maximinus, two of Valentinian's more unscrupulous ministers, proclaimed his infant son (by a second wife Justina) emperor under the title of Valentinian II.
Gratian prudently acquiesced in their choice; reserving for himself the administration of the Gallic provinces, to command the forces responsible for the frontier, while handing over the peaceful Italy, Illyricum and Africa to Valentinian and his mother, who fixed their residence at Mediolanum. The division, however, was merely nominal, and the real authority even in those provinces remained in the hands of Gratian.
Gratian, with the aid of his capable generals Mallobaudes, a king of the Franks, and Naniemus, completely defeated the Lentienses, the southernmost branch of the Alamanni, in May 378 at the Battle of Argentovaria. Next, Gratian personally led a campaign across the Upper Rhine into the territory of the Lentienses. After initial trouble facing the Lentienses on high ground, Gratian blockaded the enemy instead and received their surrender. The Lentienses were forced to supply young men to be levied into the Roman army, while the remainder were allowed to return home. Later that year, Valens met his death in the Battle of Adrianople against a coalition of hostile Gothic and Hunnic tribes who had rebelled after being settled in Thrace by the eastern emperor. Valens refused to wait for Gratian, who had promised to march to his aid as soon as the Alemanni threat was contained; as a result, two-thirds of Valens men, to the number of 40,000 dead, fell in the battle along with the emperor and some of his top staff.
By the time Gratian arrived in the east to assume the rule of Valens' former possessions, the Gothic war had spiraled out of control; the provinces south of the Danube were daily being devastated by hordes of barbarians, and Roman authority as well as military prestige was all but annihilated. Hearing that the Germans were planning a new invasion in Gaul now that Gratian had departed from the province, and convinced that one emperor alone was incapable of repelling the inundation of foes on several different fronts, the young emperor resorted to the by-now customary expedient of division of power, promoting Theodosius I on 19 January 379 to govern the east with the rank of co-equal Augustus. During the ensuing four years Theodosius would take advantage of the internecine discord and disorder of the Goths to destroy the more intractable of the barbarians and settle the rest by a peaceful treaty in the provinces of Thrace and Asia Minor.
For some years Gratian governed the Empire with energy and success, earning the esteem of the army and people by his personal courage and justice, but at length, being deprived by death of some of his abler counselors, the promising young emperor degenerated into indolence and careless unconcern with public affairs, and occupied himself chiefly with the pleasures of the chase. He alienated the army and German auxiliaries by his favoritism towards a body of Scythian archers whom he made his body-guard and companions in the hunt. Increasingly, he became a tool in the hands of the Frankish general Merobaudes and bishop St. Ambrose of Milan.
By appearing in public in the dress of a Scythian warrior, after the disaster of the Battle of Adrianople, he finally exasperated his army. One of his generals, Magnus Maximus, took advantage of this feeling to raise the standard of revolt in Britain and invaded Gaul with a large army. From Paris, Gratian, having been deserted by his troops, fled to Lyon. There, through the treachery of the governor, Gratian was delivered over to one of the rebel generals, Andragathius, and assassinated on 25 August 383.
Gratian, under the influence of his chief advisor, Ambrose, the Bishop of Milan, took active steps to repress pagan worship. This brought to an end a period of widespread, if unofficial, religious tolerance that had existed since the time of Julian. "In the long truce between the hostile camps", writes historian Samuel Dill, "the pagan, the sceptic, even the formal, the lukewarm Christian, may have come to dream of a mutual toleration which would leave the ancient forms undisturbed but such men, living in a world of literary and antiquarian illusions, know little of the inner forces of the new Christian movement."
He ordered another removal of the Altar of Victory from the Senate House at Rome, despite protests of the pagan members of the Senate, and confiscated its revenues. Pagan Senators responded by sending an appeal to Gratian, reminding him that he was still the Pontifex Maximus and that it was his duty to see that the ancestral pagan rites were properly performed. They appealed to Gratian to restore the Altar of Victory and the rights and privileges of the Vestal Virgins and priestly colleges. Gratian, at the urging of Ambrose, did not grant an audience to the pagan Senators. Moreover, he further renounced the title, office, and insignia of the Pontifex Maximus.
^ Rose, Hugh James (1853). A New General Biographical Dictionary. p. 90.
^ "Letter of Gratian to Ambrose", The Letters of Ambrose Bishop of Milan, 379 AD.
^ R. Kirsch, God Against the Gods, Viking Compass, 2004.
^ Samuel Dill, Roman Society in the Last Century of the Western Empire, 2d rev ed., Meridian New York, 1958, p. 26.
^ Theodosian Code 16.10.20; Symmachus Relationes 1–3; Ambrose Epistles 17–18.
^ Ambrose Epistles 17–18; Symmachus Relationes 1–3.
^ "Gratian." Encyclopædia Britannica. 2008. Encyclopædia Britannica Online. Feb 3, 2008 <http://www.britannica.com/eb/article-9037772>.
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Gratian" . Encyclopædia Britannica. 12 (11th ed.). Cambridge University Press. p. 378.


Satake Shinto Shrine is in the JR Kanda Station west exit shopping street.
Satake Shinto Shrine is at the center of the bustle of the west exit shopping street as a symbol of regional communications.
The container is Mintia's plastic case.
Please note that there are a lot of Muggles in daytime when taking it out.


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John Casali (* 20. Jahrhundert) ist ein britischer Tontechniker.

John Casali wurde beim Film Anfang der 1990er Jahre als Tonassistent tätig und danach ab Mitte der 2000er Jahre überwiegend als Sound-Mixer am Set. Für Bohemian Rhapsody wurde er 2019 mit dem Oscar für den bester Ton und den BAFTA Film Award ausgezeichnet. Insgesamt wirkte er bei über 60 internationalen Produktionen mit.

Filmografie (Auswahl)
 2008: Der Junge im gestreiften Pyjama (The Boy in the Striped Pyjamas)
 2011: Zwei an einem Tag (One Day)
 2011: Dame, König, As, Spion (Tinker Tailor Soldier Spy)
 2012: Anna Karenina
 2013: No Turning Back (Locke)
 2014: Into the Woods
 2015: Pan
 2016: Assassin's Creed
 2016: Die Unfassbaren 2 (Now You See Me 2)
 2017: Die Schöne und das Biest (Beauty and the Beast)
 2017: Justice League
 2017: Die dunkelste Stunde (Darkest Hour)
 2018: Bohemian Rhapsody
 2019: Maleficent: Mächte der Finsternis (Maleficent: Mistress of Evil)

Weblinks

Tontechniker
Oscarpreisträger
Brite
Geboren im 20. Jahrhundert
Mann

redpajama_set_name: RedPajamaWikipedia


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Look your best while enjoying your favorite music anywhere you like. The distortion-free mirror is ideal for the best beauty routine and detailed grooming. Bright accent LEDs with high and low settings provide natural looking light for a look that's right in any situation. Stream audio wirelessly via Bluetooth from your mobile device. Built-in mic, digital voice echo cancellation, and answer and end controls make speakerphone use a pleasure. Siri and Google Now support to enjoy voice control features like playlists, weather, news, and other requests. 1 Amp USB port to charge mobile devices. The bright LEDs and audio work independently while operating on the included AC adapter.
There are no product manuals available for the iCVBT3.
Download warranty information for the iCVBT3.
View the iCVBT3 support page for registration, FAQs, and more.


Bright gamma-ray burst (GRB) 110731A was simultaneously observed by Fermi and Swift observatories, with a follow up optical observation which inferred the redshift of z = 2.83. Thus, available data are spanning from optical to high energy (GeV) emission. We analyze these data within the induced gravitational collapse (IGC) paradigm, recently introduced to explain temporal coincidence of some long GRBs with type Ic supernovae. The case of binary-driven hypcrnova (BdHN) assumes a close system, which starts as an evolved core - neutron star binary. After the core-collapse event, the new NS - black hole system is formed, emitting the GRB in the process. We performed the time-resolved and time-integrated analysis of the Fermi data. Preliminary results gave isotropic energy Eiso = 6.05 × 1053 erg and the total P-GRB energy of Ep–GRB = 3.7 × 1052 erg. At transparency point we found a Lorentz factor Γ ~ 2.17 × 103 laboratory radius of 8.33 x 1013 cm, P-GRB observed temperature of 168 keV and a baryon load B = 4.35 × 10-4. Simulated light-curve and prompt emission spectra showed the average circum burst medium density to be n ~ 0.03 particles per cm3. We reproduced the X-ray light-curve within the rest-frame of the source, finding the common late power-law behavior, with α = –1.22. Considering these results, we interpret GRB 110731A as a member of a BdHNe group.


Get an overview of all highlights, dates, conferences, events, forums and shows and learn about the latest trends and developments in the sports market. Our event schedule helps you to find out when and where the events start.
This page shows a review of the accompanying program of ISPO Beijing 2019. The new schedule will be online in autumn of 2019.


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July 9, 2021 Podcast Episodes
Dr. Emily Williams Knight | Episode 73
Dr. Emily Williams Knight is the CEO of the Texas Restaurant Association and Education. From third grade, her life's mission has been to provide hospitality and education. Her ambition propelled her notable career as the television show "Hotel" inspired it all. Dr. Knight is impressively leading the restaurant industry through the COVID 19 pandemic by securing several waivers from Governor Abbott while also lobbying and securing federal support to help the restaurant and foodservice industry survive. Dr. Knight talks about the changes in hospitality due to the pandemic that are likely to stay, the obstacles around current staffing issues, and the technological improvements that have developed in the last 15 months. She is thankful that the public has rallied around the restaurant and hospitality industry and shares how the public can continue to show support. Dr. Knight also shares her thoughts on the future of tipping. "We Serve All Restaurants" isn't just a tagline, she champions it.

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Can I use links in setValue in file upload using nightwatch Can I use links in different site in setValue in file upload using nightwatch? I look up a link in stackoverflow and see this: File Upload Testing in Nightwatch.js but the answer said that it will not work if the file is coming from 'http://localhost:3000/testfile.txt'. Is this not possible?

A: The simple answer is no you can not specify the web server path.
You can read more about here.
What you can do is First download file and then use its absolutes or relative paths to upload.

redpajama_set_name: RedPajamaStackExchange


text:
Lawson Little, född 23 juni 1910 i Newport i Rhode Island, död 1 februari 1968 i Monterey, Kalifornien, var en amerikansk golfspelare.

Som amatörspelare anses Little som den bäste vid sidan av Bobby Jones och Tiger Woods. Little vann både US Amateur och British Amateur två år i rad (1934 och 1935) vilket varken Jones eller Woods klarade av. Att vinna de båda tävlingarna under ett och samma år fick namnet Little Slam efter Lawson Little, trots att Harold Hilton och Bobby Jones hade gjort det tidigare. Under de två åren vann han dessutom 34 amatörtävlingar i rad mot världens bästa amatörspelare. 1935 belönades han med Sullivan Award för den bäste amerikanske amatöridrottaren.

Little studerade på Stanford University. Han blev professionell 1936 och han vann sammanlagt sex tävlingar på PGA-touren inklusive Canadian Open 1936. Utöver dessa vann han även majortävlingen US Open på Canterbury Golf Club i Beachwood i Ohio 1940. Efter fyra rundor låg han lika med Gene Sarazen på 287 slag men segrade efter särspel med tre slag.

Han fick smeknamnet Cannonball. Han var 175 centimeter lång och muskulöst byggd och slog långa utslag med drivern. Han var duktig i närspelet men hans järnklubbor gav honom ofta problem. Detta ledde till att han ibland hade upp till 7 wedgar i bagen och sammanlagt hade han som mest 26 klubbor med sig under spelet. Han var dock inte den ende spelaren som hade så många klubbor med sig så 1938 infördes regeln att max 14 klubbor fick finnas i golfbagen under en golfrunda.

Han avled 57 år gammal 1968, fyra år efter att han hade opererats för aneurysm i hjärnan.

Little valdes postumt in i World Golf Hall of Fame 1980.

Meriter

Majorsegrar
1940 US Open

Övriga segrar
1934 U.S. Amateur, British Amateur
1935 U.S. Amateur, British Amateur

Utmärkelser
1935 Sullivan Award
1980 World Golf Hall of Fame

Amerikanska golfspelare
Amerikanska idrottare under 1900-talet
Personer från Newport, Rhode Island
Födda 1910
Avlidna 1968
Män
Idrottare i Stanford Cardinal
Alumner från Stanford University


This FREE extension will display HD Sports Cars wallpapers on you your New Tab page turning it into a minimalist dashboard.
Each day a gorgeous new wallpaper will be displayed on the new tab background. The Sports Cars images have been hand picked by our team to help you relax and ensure a pleasant experience for your eyes. Surprise yourself each day with HD Sports Cars  pictures.


There is a wonderful update for you at King David! New Year's special offer "Unordinary 2018" has begun. The residences at King David can be purchased through 20 month length internal interest-free installment payment possibility with only 1% down payment and 8% discount. Upon purchasing the apartments, residents can start renovation works and can move in even before full payment of the apartment.


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He Says: Sunday in the Park with George Thursday at the Hudson with Jake
Annaleigh Ashford, Jake Gyllenhaal Photo By: Matthew Murphy
It's hard to fathom but this Sondheim masterpiece has only gotten better. I saw Sunday in the Park with George when it briefly played at the New York City Center Encores! Gala celebration last October. Now it has shifted and refined itself for a Broadway run at the Hudson Theatre (but I hear it's not submitting itself up for Tony Award consideration – shame). I must say, that with that extra time and energy that have been invested into it, the musical has gotten more beautiful and much stronger overall. It looks better, sounds better, and is definitely performed better than ever by its stellar cast. This is as I had hoped. I had written in my review of the Encores! production (click here for the review) that Jake and Annaleigh were just plain spectacular, surprisingly so. I hadn't expected them to be so fantastic, and in my review I had said, "what would these two be like in a fully staged production, with a real rehearsal schedule? I can only guess that it would be sublime." And I was right. And it is.
Jake Gyllenhaal Photo By: Matthew Murphy
As I had stated previously, the production of Sunday in the Park with George that I saw in London's West End and at the Roundabout Studio 54 Theatre back in 2008 starring a radiate Jenna Russell and a strong Daniel Evans is the quintessential production in my opinion (check out this video here). Visually perfect and vocally stupendous, all future productions will forever be compared to this masterful revival (although Mandy Patinkin might be my all time favorite George). It will always be very difficult to top that spectacular production (much better than the Peters/Patinkin Broadway original in style and substance that I saw in 1985 – back before I even knew about Sondheim: check out this video here), but this new production, lovingly directed by Sarna Lapine (musical staging: Ann Yee), doesn't disappoint in the slightest. It cannot erase the 2008 revival completely but in certain areas, the greatness is challenged.
Annaleigh Ashford Photo By: Matthew Murphy
First and for most, Jake Gyllenhaal is spectacular in the role. Once again, he is devastatingly good right from the beginning. His last go at it at Encores! had the disadvantage of the shortest possible rehearsal schedule one can imagine, and even with that going against him, his performance of this challenging role was impressive. Now, with more rehearsal and a tighter enhanced production, he has only grown more into the dense complicated role of George. Sometimes the depth of character and tone in his voice actually reminds me of Patinkin as he carries a similar richness. His precision is never more apparent than during the complex song, 'Putting it Together'. It's the most demanding song of the show, and he attacks it with vigor. Also, his 'Finishing the Hat' is one of the most heartfelt and layered performances I have heard of that incredibly emotional song. His George has more play and gentleness than any of the other Georges I have seen, while still maintaining the tortured focused artist. It is a tremendous feat he has accomplished here, rivaling his predecessors valiantly, and sometimes even besting them.
Ashford, just like in the fall, still took a bit more convincing. I still struggled a bit with her too modern and American tone, but at moments it felt more appropriate for the part than either Bernadette Peters or Russell. Ashford's Dot is a struggling survivor, not like the well-heeled women that surround her. This is especially apparent in the fantastically funny and touching scene between her and the very polished Yvonne (a very smart and detailed portrayal by Erin Davie), the wife of a very different but more successful artist, Jules (a solid Robert Sean Leonard). Dot shouldn't seem as eloquent or as poised, and she isn't, although her strength of character is luminescent.
Jake Gyllenhaal, Penny Fuller Photo By: Matthew Murphy
As she wound her way through her first number, 'Sunday in the Park with George', I was taken by her. She is a lot more comfortable and playful in the role of Dot, and we totally fall for her in the way that she brings lightness to George. I do prefer the more gentle sound of Russell's voice over Ashford's more angular and sometimes angrier take on the role, but her portrayal is heartfelt and ever so vibrant. There is something deep and raw about Ashford in this part; her resilience balanced with her distress and sense of loss, and she delivers strongly on all counts. She wants George to choose her over his art, but she also knows he can't, and won't. Ultimately, she understands that his focus and determination is what she loves about him. She is harsh with him while still deeply and forever wanting him to (k)need her. Her hurt and disappointment destroys me. When she looks for him in the park, and when she comes to the studio to ask for the painting, I am with her completely. Feeling her desperation with every note sung. I especially loved 'Color and Light' this time around, more so than last October. It seems the two of them have sunk in to their roles completely.
In Act 2, Marie, modern George's grandmother and Seurat's daughter, Ashford is connected and hysterical. Delivering each and every line with authenticity and devilish humor. Her scene in front of the 'family portrait' with the lovely and sad, 'Children and Art' kills me. I'm not sure what it is about Marie and Dot, but both characters throughout this magnificent show have the ability to make me tear up, and Ashford succeeds in making me weep. Maybe not as intensely as Russell did, but Ashford does not disappoint either.
The other thing that didn't disappoint, which I will say is the first time I will be saying this about any production of Sunday in the Park with George, is that finally that art installation is visual inspiring. Every other production has failed miserably making us believe that George's modern light sculpture is something powerful and unique. Captivating enough for museums and art galleries to be fawning over him. This revival creates a 'Chromolume #7' that actually equals what is being said about it, or at least, coming the closest I've ever seen to being something spectacular (lighting: Ken Billington). The set is still simple, as it was at City Center but larger, and this time around it doesn't felt cramped, and the projections took a beautifully performed musical and make it lovely and inspiring to gaze upon as well (scenic design: Beowulf Boritt; projections; Tal Yarden/Christopher Ash). The costumes went from serviceable at Encores! to gorgeous here (costumes: Clint Ramos) at the new Hudson Theatre (a beautiful new addition to Broadway). The orchestra is still visible in the back, generally hidden slightly behind a curtain of gauze, seen just enough to be satisfying but not distracting like it is in Sunset Boulevard. And it sounds just glorious (music co-ordinator; Seymour Red Press; orchestrations: Michael Starobin; music director: Chris Fenwick).
The rest of the cast is also creating something spectacular. Standouts for me include the delicious duo of Ruthie Ann Miles and David Turner as Frieda/Betty and Franz/Dennis, and the always reliable Brooks Ashmanskas and Liz McCartney as the hysterical Mr./Charles and Mrs./Harriet. Replacing the majestic Phylicia Rashad in the dual roles of the Old Lady (Seurat's mother) and Blair Daniels, the art critic, Penny Fuller excelled in both parts. Rashad was wonderful in the Encores! production, but this time, the mother's song, 'Beautiful' is restored in my memory as an equal to the devastating song that precedes it, 'We Do Not Belong Together'. Both so beautiful and sad, glorious and gush worthy.
In the end though, it really comes down to the final song, 'Move On'. And as these two musical stars showed us in 'Color and Light' and 'We Do Not Belong Together' they do in fact belong together on that stage. They both have given us quite the gift, bringing back this masterpiece to Broadway in such beautiful order, design, composition, form, symmetry, tension, balance, light, and most importantly of all, harmony.
So I'm going to repeat myself here, so forgive me. I am going to once again ask for your indulgence. Sunday in the Park with George besides being a masterpiece by Stephen Sondheim (Music and Lyrics) and James Lapine (Book) is just simply one of my all time favorite shows with numerous very special memories attached. This is the sixth time I have seen the show and it literally makes me weep each and every time, and in both acts. I'm not quite sure why it triggers such a response in my emotional core, but it appears that I only need to hear the initial chords of a few particular songs for the tears to begin. Many car drives by myself listening to the cd will attest to that. One of my strongest memories was a night in 2006, when I saw Russell playing the role of Dot in the West End production. I had just arrived that day into London, and maybe it was the jet-lag but the tears started flowing in Act 1, and only intensified in Act 2. So much so, that the sweet Bostonian lady sitting beside me started to maternally stroke my arm in an attempt to settle me down a bit. Bless her and bless this show.
So for more, go to frontmezzjunkies.com
Related Itemsann yeeAnnaleigh AshfordBeowulf BorittBernadette PetersBroadwayChris Fenwickchristopher asherin daviehudson theatreJake GyllenhaalJames LapineJenna Russellken billingtonMandy PatinkinNewRobert Sean LeonardRossSarna LapineStephen SondheimSunday in the Park With GeorgeTal Yarden
Ross @#frontmezzjunkies
My love for theater started when I first got involved in high school plays and children's theatre in London, Ontario, which led me—much to my mother's chagrin—to study set design, directing, and arts administration at York University in Toronto. But rather than pursuing theater as a career (I did produce and design a wee bit), I became a self-proclaimed theater junkie and life-long supporter. I am not a writer by trade, but I hope to share my views and feelings about this amazing experience we are so lucky to be able to see here in NYC, and in my many trips to London, Enlgand, Chicago, Toronto, Washington, and beyond. Living in London, England from 1985 to 1986, NYC since 1994, and on my numerous theatrical obsessive trips to England, I've seen as much theater as I can possibly afford. I love seeing plays. I love seeing musicals. If I had to choose between a song or a dance, I'd always pick the song. Dance—especially ballet—is pretty and all, but it doesn't excite me as, say, Sondheim lyrics. But that being said, the dancing in West Side Story is incredible! As it seems you all love a good list, here's two. FAVORITE MUSICALS (in no particular order): Sweeney Todd with Patti Lupone and Michael Cerveris in 2005. By far, my most favorite theatrical experience to date. Sunday in the Park with George with Jenna Russell (who made me sob hysterically each and every one of the three times I saw that production in England and here in NYC) in 2008 Spring Awakening with Jonathan Groff and Lea Michele in 2007 Hedwig and the Angry Inch (both off-Boadway in 1998 and on Broadway in 2014, with Neal Patrick Harris, but also with Michael C. Hall and John Cameron Mitchell, my first Hedwig and my last...so far), Next To Normal with Alice Ripley (who I wish I had seen in Side Show) in 2009 FAVORITE PLAYS (that's more difficult—there have been so many and they are all so different): Angels in American, both on Broadway and off Lettice and Lovage with Dame Maggie Smith and Margaret Tyzack in 1987 Who's Afraid of Virginai Woolf with Tracy Letts and Amy Morton in 2012 Almost everything by Alan Ayckbourn, but especially Woman in Mind with Julia McKenzie in 1986 And to round out the five, maybe Proof with Mary Louise Parker in 2000. But ask me on a different day, and I might give you a different list. These are only ten theatre moments that I will remember for years to come, until I don't have a memory anymore. There are many more that I didn't or couldn't remember, and I hope a tremendous number more to come. Thanks for reading. And remember: read, like, share, retweet, enjoy. For more go to frontmezzjunkies.com
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She Says: Jake Gyllenhaal And Sunday in the Park With George Musical Perfection


text:
Q: Firebase .on('value') not working Im following this video right here.
And here's my codes.
index.html
<!DOCTYPE html>

        <title>Fire Test</title>

app.js
(function () {

    // Initialize Firebase
    var config = {
        apiKey: "AIzaSyCOJZqfas4gxwEYBbRNyyIy7Z9vEsTx4ME",
        authDomain: "fire-test-e2185.firebaseapp.com",
        databaseURL: "https://fire-test-e2185.firebaseio.com",
        storageBucket: "fire-test-e2185.appspot.com",
    };

    firebase.initializeApp(config);

    var preObject = document.getElementById('object');

    // Create reference
    var dbRefObject = firebase.database().ref().child('object')

    console.log('test log'); // logging

    // Sync object changes
    dbRefObject.on('value', function (snap) {
        console.log(snap.val()); // not logging
    });

    console.log('test log'); // logging
})();

Output

BTW
Here's the structure of my test project in case maybe it matters.
fire-test
    |_ index.html
    |_ app.js

And im running it on apache under /var/www/html/fire-test
http://localhost/fire-test/

A: Actually firebase's database has it's authentication and I found out that the rules on my database is not set properly (to public).
I changed this :
{
    "rules": {
        ".read": "auth != null",
        ".write": "auth != null"
    }
}

to
{
    "rules": {
        ".read": true,
        ".write": true
    }
}

"auth != null" to true
Note
Setting the rules this way is a bad idea. We don't want anyone to access the root node. Though in this answer, this is just to test out the firebase connection.

A: If you're trying to just get a returned object containing the current values stored at that location in your firebase db, change .on to .once.
Using .on indicates that you want something to dynamically happen every time the argued event occurs, but .once indicates that you just was the current data at that location.


text:
In mathematics, codimension is a basic geometric idea that applies to subspaces in vector spaces, to submanifolds in manifolds, and suitable subsets of algebraic varieties.

For affine and projective algebraic varieties, the codimension equals the height of the defining ideal. For this reason, the height of an ideal is often called its codimension.

The dual concept is relative dimension.

Definition
Codimension is a relative concept: it is only defined for one object inside another. There is no "codimension of a vector space (in isolation)", only the codimension of a vector subspace.

If W is a linear subspace of a finite-dimensional vector space V, then the codimension of W in V is the difference between the dimensions:

It is the complement of the dimension of W, in that, with the dimension of W, it adds up to the dimension of the ambient space V:

Similarly, if N is a submanifold or subvariety in M, then the codimension of N in M is

Just as the dimension of a submanifold is the dimension of the tangent bundle (the number of dimensions that you can move on the submanifold), the codimension is the dimension of the normal bundle (the number of dimensions you can move off the submanifold).

More generally, if W is a linear subspace of a (possibly infinite dimensional) vector space V then the codimension of W in V is the dimension (possibly infinite) of the quotient space V/W, which is more abstractly known as the cokernel of the inclusion. For finite-dimensional vector spaces, this agrees with the previous definition

and is dual to the relative dimension as the dimension of the kernel.

Finite-codimensional subspaces of infinite-dimensional spaces are often useful in the study of topological vector spaces.

Additivity of codimension and dimension counting
The fundamental property of codimension lies in its relation to  intersection: if W1 has codimension k1, and W2 has codimension k2, then if U is their intersection with codimension j we have

max (k1, k2) ≤ j ≤ k1 + k2.

In fact j may take any integer value in this range. This statement is more perspicuous than the translation in terms of dimensions, because the RHS is just the sum of the codimensions. In words

codimensions (at most) add.
If the subspaces or submanifolds intersect transversally (which occurs generically), codimensions add exactly.

This statement is called dimension counting, particularly in intersection theory.

Dual interpretation
In terms of the dual space, it is quite evident why dimensions add. The subspaces can be defined by the vanishing of a certain number of linear functionals, which if we take to be linearly independent, their number is the codimension. Therefore, we see that U is defined by taking the union of the sets of linear functionals defining the Wi. That union may introduce some degree of linear dependence: the possible values of j express that dependence, with the RHS sum being the case where there is no dependence.  This definition of codimension in terms of the number of functions needed to cut out a subspace extends to situations in which both the ambient space and subspace are infinite dimensional.

In other language, which is basic for any kind of intersection theory, we are taking the union of a certain number of constraints. We have two phenomena to look out for:

 the two sets of constraints may not be independent;
 the two sets of constraints may not be compatible.

The first of these is often expressed as the principle of counting constraints: if we have a number N of parameters to adjust (i.e. we have N degrees of freedom), and a constraint means we have to 'consume' a parameter to satisfy it, then the codimension of the solution set is at most the number of constraints. We do not expect to be able to find a solution if the predicted codimension, i.e. the number of independent constraints, exceeds N (in the linear algebra case, there is always a trivial, null vector solution, which is therefore discounted).

The second is a matter of geometry, on the model of parallel lines; it is something that can be discussed for linear problems by methods of linear algebra, and for non-linear problems in projective space, over the complex number field.

In geometric topology
Codimension also has some clear meaning in geometric topology: on a manifold, codimension 1 is the dimension of topological disconnection by a submanifold, while codimension 2 is the dimension of ramification and knot theory. In fact, the theory of high-dimensional manifolds, which starts in dimension 5 and above, can alternatively be said to start in codimension 3, because higher codimensions avoid the phenomenon of knots. Since surgery theory requires working up to the middle dimension, once one is in dimension 5, the middle dimension has codimension greater than 2, and hence one avoids knots.

This quip is not vacuous: the study of embeddings in codimension 2 is knot theory, and difficult, while the study of embeddings in codimension 3 or more is amenable to the tools of high-dimensional geometric topology, and hence considerably easier.

See also
Glossary of differential geometry and topology

References

Algebraic geometry
Geometric topology
Linear algebra
Dimension
Dimension theory


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Ghost Ship creative director will ask for funds for his defense
OAKLAND (BCN) The lead attorney for Ghost Ship warehouse creative director Max Harris will ask a judge on Tuesday to provide public funds to help pay for Harris' defense as he prepares to stand trial for his role in a blaze at the warehouse in December 2016 year that killed 36 people.
Curtis Briggs, one of four lawyers who have been representing Harris, 28, on a pro bono basis, said today, "We're asking for what the public defender would get" for a similar case.
Briggs said Harris' defense team has worked 800 hours on the case so far and are asking for "relief" so that they can pay their bills and "provide effective assistance of counsel."
On Dec. 14, at the end of a preliminary hearing that lasted six days, Alameda County Superior Court Judge Jeffrey Horner ordered Harris and Ghost Ship master tenant Derick Almena, 47, to stand trial on 36 counts of involuntary manslaughter for their role in the deadly fire during a music party at the warehouse at 1305 31st Ave. in Oakland's Fruitvale district the night of Dec. 2, 2016.
Horner said testimony at the hearing indicated that the warehouse, where about 25 people lived even though it didn't have a permit for residential use and was cluttered with artwork, woodwork, RVs, trailers and other items, "was a death trap."
Horner said, "There is very strong evidence" that Almena and Harris were responsible for the dangerous conditions at the warehouse, which also was known as the Satya Yuga Collective.
The judge said, "They both had integral and substantial roles in the management of the premises" and, "There is sufficient cause to believe that both defendants are legally responsible for what happened that night and the deaths of 36 people."
But defense attorneys for Almena and Harris said investigators from the Oakland Fire Department and the federal Bureau of Alcohol, Tobacco, Firearms and Explosives were never able to conclusively determine the cause of the fire.
Almena's lead attorney, Tony Serra, said, "The premises was not a fire trap" and argued that the building's owner, Chor Ng, who fled to China after the fire, "had primary responsibility" for the blaze.
Serra also alleged that the Oakland Fire Department knew about the conditions at the warehouse but didn't take any action and "is far more culpable" than Almena.
Serra, who is representing Almena pro bono, said today that he and Almena's defense team won't be seeking any public funds to help with his defense.
Briggs said Harris' motion, which will be heard by Alameda County Superior Court Judge James Cramer, might be held in the judge's chambers because sensitive financial information will be discussed.
Almena and Harris, who face up to 39 years in state prison if they're convicted, remain in custody in lieu of $750,000 bail.
They previously pleaded not guilty and are scheduled to enter pleas a second time on Feb. 20, which is standard procedure following a preliminary hearing.
It's expected that their trial will take place later this year.


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by: lyricssindiaPosted on: September 13, 2022
Bhavana Pandey's Shout Out To Daughter Rysa's Performance: "Shine On"
Rysa Pandey in a still from the video. (courtesy: bhavanapandey)
Bhavana Pandey shared a special post for her daughter Rysa on Tuesday. She shared a video of Rysa's performance at the SOBO House of Music. An emotional Bhavana Pandey captioned the post: "Love, love. love this my Rysu. Thank you Stephen Sir for always pushing and motivating her to sing and do her best SOBO House of Music." She added the hashtag #shineon to her post. In the comments section, Bhavana Pandey's friends cheered for Rysa. Amrita Arora commented: "Wow Bhavs." Maheep Kapoor dropped heart and heart-eyed emojis. Sussanne Khan wrote: "Superstar beyond wowwww Rysa." Sameer Soni added, "Lovely."
See the post shared by Bhavana Pandey here:
Bhavana Pandey, who runs an apparel label by the name LoveGen, became a star after featuring in Netflix's Fabulous Lives Of Bollywood Wives, a series based on the lives of four star-wives – Bhavana Pandey (wife of Chunky Pandey), Seema Sajdeh (previously married to Sohail Khan), Maheep Kapoor (Sanjay Kapoor's wife), and Neelam Kothari (married to Samir Soni). The show was backed by Karan Johar. They recently starred in the second season of Fabulous Lives Of Bollywood Wives.
Bhavana and Chunky Panday's daughter Ananya is an actor, who made her Bollywood debut in the year 2019 with Dharma Productions' Student Of The Year 2. She recently starred in Liger alongside Vijay Deverakonda and Mike Tyson. Ananya also featured in Pati Patni Aur Woh, co-starring Kartik Aaryan and Bhumi Pednekar. She also starred in Khaali Peeli, with Ishaan Khatter. She will next be seen in Kho Gaye Hum Kahan, alongside Siddhant Chaturvedi and Adarsh Gourav.
BollywoodTags : Ananya Panday, Bhavan Pandey, Rysa PandeyLeave a Comment on Bhavana Pandey's Shout Out To Daughter Rysa's Performance: "Shine On"
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Top 10 Best Shoes Company In India [Updated 2022]
The list given below is going to help you look out for the Shoes Company In India. We have listed the top 10 footwear companies which could be fit for you. Be it casual, sports, or fancy you will find it all in the article given below.
Shoes or Footwear Industry In India
Top Shoes Company In India List
1. Liberty
2. Paragon
3. Red Chief
4. Khadims
5. Mochi
6. Metro
7. VKC
8. Lakhani
9. Inc.5
10. Relaxo
FAQs On Shoes Company In India
Which is the best shoes company in India?
How many shoes companies are there in India?
As with any other garment or accessories, footwear companies have also gained equal popularity all around. Shoes are an important element of fashion and in fact, a very necessary one too. One while shopping for footwear would always look for its style, comfort, and quality. And with the emerging fashion trends, footwear has become a great concern all around.
India is the second-largest producer of footwear in the world followed by China. It has become the providing factor for the Indian leather industry. It is now one of the growing businesses in India not only in terms of domestic sales but also the rapid growth of export earnings has helped the shoe business in India extensively.
The government has actively supported the growth of the shoe companies by providing a 100 percent FDI for the footwear sector. Over the recent years, such exposure has led Indian shoe companies to become well-known suppliers of footwear in the global market.
Liberty is one of the leading footwear brands in India which has been operating since 1954. Headquartered in Karnal, Haryana; Liberty has paved its way as one of the top 10 Indian companies in footwear. The company engages in manufacturing and exporting its footwear through the retail and wholesale markets.
The branches for the same have been spread all across north India with its presence in more than 25 other countries. The homegrown liberty shoes are known for producing signature formal, casual, or sports shoes. Currently, it has an annual turnover of INR 600 Crore. It has expanded its business into leather and non-leather shoes making it one of the top brands in India.
Another much-heard name when it comes to shoes would be Paragon. It was formed in 1975 in Kerala by producing rubber shoes at its base. To date, Paragon manufactures all types of shoes ranging from slippers to formals feasible for all generations and genders.
It has a daily production of 400,000 pairs a day. It has been known around the household for manufacturing office wear. At an affordable price, Paragon is accessible from almost everywhere in India. To top it all, it has four major ISO-9001 certified factories.
It was in 1997 when a manufacturing company for detergent started making leather shoes. The internationally styled leather shoes, as they are known now, were first made in Kanpur. One of the reasons for Red Chief to become a household name was because of its advertising and its very affordable prices.
Red Chief is popular for its top leather quality and is also known as the 'Indian version of Woodland'. It has a turnover of about INR 324 Crore and has been establishing its name well in the leather footwear industry. The company has witnessed growth ever since its debut. Apart from boots and shoes, Red Chief has also expanded to clothing.
Khadim India Ltd. was established in 1981 indulging mostly in whole-selling and distributing basic utility footwear. It has made it in the top 10 shoe companies in India as a popular fashion footwear brand. The brand believes in Fashion for all, thus makes no compromises with either style or comfort. It has a strong grip over east India and has been recognized as one of the top three companies in South India.
Mochi is a Made in India brand which started off in 2002 in Bangalore. It's known for its reliability and the uniqueness it provides to the holder. The uniqueness of its shoes is developed due to the introduction of 100 new styles every week which keeps the company growing.
It is a one-stop-shop for any kind of footwear that you are looking for. The marketing for the company is as good as its shoes. It has remained up-to-date with all the fashion trends which helped them in the top 10 shoe companies.
Metro footwear is known as a multi-brand retailer in India. It was opened up in the year of liberation, 1947 with just one store in Mumbai. Over the past six decades, it has made its name strong in the market.
It offers nationwide showrooms in more than 206 prime locations including bits of remote areas. It has been known for manufacturing enhanced and high fashion products giving tough competition to the other shoe companies in the footwear market.
Another Kerala-based shoe company has gained immense popularity in the footwear market. The VKC group initiated the VKC Footwear and also established itself in Hawaii. It was established in 1984 and has been initially manufacturing beach slippers.
It had started off on such a small scale with about 20 employees and today marks as an Indian Footwear company around the world with a turnover of INR 1900 Crores. It has been set up in more than 14 states across India.
Founded in 1966, Lakhani Infinity Footcare Pvt. Ltd. is a premium footwear company. Lakhani Footwear has been identified as the largest sports shoe-producing company.
It is best suited for athletes. Besides that, the Lakhani footwear fits perfectly for all different types of customers. And to meet this demand, it has the capacity to produce 55 million pairs per year.
Inc 5 is considered as a new emerging brand in India which was started by a lady, Almas Nanda in 1998 who wanted to provide some stylish footwear that did not need to be compromised for comfort. It started with one store in Mumbai and now operates with 54 exclusive stores across India.
She has always focused on comforting heels but keeping up with the trend. The company is well known for its stylish heels. It has been gaining its grip over e-commerce portals like Amazon and Flipkart. The company recently started expanding its business to Sri Lanka.
With an ambition to expand the father's business, two brothers namely Mukund Lal Dua and Ramesh Kumar Dua transformed Relaxo into one of the leading companies for footwear in India. It largely engages in making flip-flops, slippers, and beachwear for men and women providing the best quality products for customers.
It has a New Delhi-based headquarters with eight manufacturing units. It produces 600,000 pairs of shoes on a daily basis. It aims to meet comfort, pricing, and quality of shoemaking. It offers a handful of shoes for men, women, and children.
The answer to that could vary from individual to individual as all the companies mentioned above excel in their own ways. The list given above could possibly have the best shoes brand that one is looking for!
There is n number of shoe companies in India, more than 800 brands working on a large scale and small scale. It is 2nd most producing country in terms of footwear contributing 2% to the country's GDP.
In addition to all these branded companies, India also encourages the unorganized shoe industry which is present in a bulk. The list given above is just a random categorization that is not based on pricing, financial contribution, or any other factors.
It is important to check all the boxes like the comfort, durability, style, color, and most importantly quality before you buy a pair of shoes. They are just started to outline the final decision of the footwear brand you choose for yourself!
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Tags: Footwear Company In India, Inc.5, Indian shoe market, Khadims, Lakhani, Liberty, Metro, Mochi, Paragon, Red Chief, Relaxo, Shoes Company In India, VKC
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FDA Requiring Labeling Changes for Benzodiazepines
December 04 , 2020 08:55 am
By: FDA
The U.S. Food and Drug Administration announced today in a Drug Safety Communication that it is requiring an update to the Boxed Warning, the agency's most prominent safety warning, and requiring class-wide labeling changes for benzodiazepines to include the risks of abuse, misuse, addiction, physical dependence and withdrawal reactions to help improve their safe use.
In 2019, an estimated 92 million benzodiazepine prescriptions were dispensed from U.S. outpatient pharmacies, with alprazolam (38%) being the most common followed by clonazepam (24%) and lorazepam (20%). In 2018, an estimated 50% of patients dispensed oral benzodiazepines received them for two months or longer. Most benzodiazepines are recommended for use for periods of weeks or months. Benzodiazepines are important approved treatment options for generalized anxiety disorder, insomnia, seizures, social phobia and panic disorder. They are also used as premedication before some medical procedures. The dose, frequency and duration of treatment vary depending on the patient, the particular benzodiazepine being prescribed and the medical condition that the drug is being used to treat.
"While benzodiazepines are important therapies for many Americans, they are also commonly abused and misused, often together with opioid pain relievers and other medicines, alcohol and illicit drugs," said FDA Commissioner Stephen M. Hahn, M.D. "We are taking measures and requiring new labeling information to help health care professionals and patients better understand that while benzodiazepines have many treatment benefits, they also carry with them an increased risk of abuse, misuse, addiction and dependence."
Physical dependence can occur when benzodiazepines are taken steadily for several days to weeks. Patients who have been taking a benzodiazepine for weeks or months can have withdrawal signs and symptoms when the medicine is discontinued abruptly or continued in lower doses to avoid withdrawal. Stopping benzodiazepines abruptly or reducing the dosage too quickly can result in acute withdrawal reactions, including seizures, which can be life-threatening. Prior to stopping benzodiazepines, patients should talk to their health care provider to develop a plan for slowly tapering the medication.
In addition to requiring an update to the Boxed Warning, the FDA is requiring other changes to the Warnings and Precautions, Drug Abuse and Dependence and Patient Counseling Information sections of the prescribing information for all benzodiazepine products. The agency is also requiring revisions to the existing patient Medication Guides for these medicines to help educate patients and caregivers about these risks.
This action is part of the FDA's ongoing effort to promote the public health by minimizing risks associated with inappropriate use of controlled substances while enabling appropriate access to these products for medical use.
FDA. (2020). FDA Requiring Labeling Changes for Benzodiazepines (Press Release). https://www.fda.gov/news-events/press-announcements/fda-requiring-labeling-changes-benzodiazepines
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Gameday Thursday, 4/28: Ridgefield hosts Wilton; Greenwich visits LP; John Jay and Greeley, Fox Lane and Rye face off
Photo by Jim Stout/MaxPreps.com
Mahopac visits Putnam County rival Brewster today at 4:30 p.m.
They'll be talking about it for a long time to come.
The two teams that have met for the Suffolk Class A title the last six years, one of which — West Islip — has won four state titles during that span, going into overtime in a regular-season game in name only.
It quickly became the stuff of legends as Duke-bound senior goaltender Kyle Turri went from end to end to score the game winning goal as the Lions escaped from Ward Melville with a 7-6 win on what was quite a day for games.
You can read Newsday's Bob Herzog's story on the game and check out the video of the "the play" by clicking here. Also, be sure to catch "the play" on the Thursday premiere of MSG Varsity's "High School SportsDesk," co-hosted by the talented and hard-working duo of Jared Greenberg and Shawna Ryan, at 6 p.m. on Channel 14 (Optimum). The show reairs at 9 p.m.
As if that wasn't enough — and my goodness, don't you think it ought to be? — Darien battled back from early 3-0 and 5-2 deficits to win another overtime thriller, outlasting two-time defending New York CHSAA champion St. Anthony's 9-8 on a goal by junior midfielder Tim Murphy off a feed from junior attackman Case Matheis, who had a hand in all but two of the Blue Waves' goals with two goals and five assists.
And finally, in clash of two of the nation's top prep school programs, Lawrenceville (N.J.) pulled out a 9-8 win at Brunswick on a goal with time winding down.
As we look to today's schedule, we want to first note the possibility of weather factoring into the mix.
Anytime thunderstorms are in the forecast, it's important to wave a cautionary flag. Scroll down to our daily set of links to check out today's weather forecast.
Today's action is highlighted by a key FCIAC showdown between Wilton, coming off a one-goal win over defending conference champ Greenwich, and 2009 FCIAC champ Ridegfield at 4:15 p.m. at Tiger Hollow Stadium in Ridgefield.
Greenwich is also in action as the Cardinals face defending Section 1 Class A titlist Lakeland/Panas at 7 p.m. at Panas High School.
Also of note, Putnam rivals Brewster and Mahopac square off; Greeley visits John Jay; and Rye hosts Fox Lane.
Now, here's look at what's on tap for today:
Deer Park at Bayport-Blue Point, 4 p.m.
Southampton at Bellport, 4 p.m.
Miller Place at Shoreham-Wading River, 4:30 p.m.
Elwood/John Glenn at Sayville, 4:30 p.m.
Center Moriches at Babylon, 4:30 p.m.
Blind Brook at Croton, 4:30 p.m.
Ossining at Pleasantville, 4:30 p.m.
Briarcliff at Sleepy Hollow, 4:30 p.m.
Westlake at Keio, 4:30 p.m.
Byram Hills at Harrison, 4:30 p.m.
Islip at Eastport/South Manor, 4:30 p.m.
Harborfields at Rocky Point, 4:30 p.m.
Mahopac at Brewster, 4:30 p.m.
Putnam Valley at Somers, 4:30 p.m.
Carmel at Peekskill, 4:30 p.m.
Arlington at Wappingers at Roy C. Ketcham, 4:30 p.m.
Kennedy Catholic at North Salem, 4:30 p.m.
Horace Greeley at John Jay, 4:30 p.m.
Westhampton at Huntington, 4:30 p.m.
Seaford at Locust Valley, 4:45 p.m.
Fox Lane at Rye, 5 p.m.
Joel Barlow at Immaculate, 5:15 p.m.
Weston at Staples, 5:30 p.m.
Fairfield Warde at New Canaan at Dunning Stadium, 6 p.m.
Haldane at Hen Hud, 6:30 p.m.
New Fairfield at Newtown at Blue and Gold Stadiun, 7 p.m.
Kings Park at Comsewogue, 7 p.m.
Greenwich at Lakeland/Panas at Panas High School, 7 p.m.
Finally, the Woodstick Classic between Garden City and Manhasset, of course, is just around the corner. You can read more by checking out Bob Staak's preview of the 120th edition of the longest continuously running high school rivalry in the nation at msgvarsity.com by clicking here.
After checking out Bob's story, be sure to weigh in with your vote on who you think will win in our latest poll.
To vote, go to the right panel of this page. Then, just scroll past the "New Comments" and "Popular" tabs and click on "Poll," and then cast your vote from the choices available, or write in your choice if it's not listed.
You can reach us by email at info@laxlessons.com.
Click here for today's weather and a look at the three days ahead.
College schedule/Games on TV
For a rundown of this week's D-I slate, and televised games, click here.
Put those cell phones to good use
Be sure, as always, to weigh in with info/thoughts/scores on games you attend. And don't forget to put those mobile phones to good use in providing in-game updates, gang. If it's easier, you may also send your updates to info@laxlessons.com.
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Posted In: Fairfield lacrosse, fciac, Gameday, Section 1, Section 11, Section 8, Section 9, SWC lacrosse
33 Responses to "Gameday Thursday, 4/28: Ridgefield hosts Wilton; Greenwich visits LP; John Jay and Greeley, Fox Lane and Rye face off"
Tiger Paw says:
If K Christopher plays today . Put valley beats the overrated Lou and Somers.
Valley-10
Somers-9
that's funny!
laxer says:
agreed. valley is down….like really down
Lax Guy says:
Wow thats a pretty bold prediction. I however disagree, I think Somers wins it easily. 14-4
GreenBear says:
That is bold…Even if he plays Somers wins 12-5
Down State lax says:
Lakeland game canceled
LAX says:
Game of day Arlington at Wappingers?
That would be one slow day.
and that would mean
Just got word from Ridgefield coach Roy Colsey that today's game vs. Wilton has been postponed until next Thursday, May 5 at 6 p.m. at
Tiger Hollow Stadium at Ridgefield HS.
Turf Toe says:
HG @ JJ, pac at Brewster, ppd, tba
Other Section 1 postponements:
Blind Brook at Croton
Byram Hills at Harrison
Mahopac at Brewster
Staples-Weston also ppd. till tomorrow.
Tonight's Greenwich at Lakeland/Panas game is now also off. No word on a makeup date.
WestLax says:
Rye vs. Fox ppd. no make up date
sect1lax says:
wow Pac has some nice jerseys. their away jerseys are evven nicer, with bllue and yellow argyle sticker helmet designs with number, indian head, and they add the little hatchets for personal achievment. and have awsome gloves! its always nice for a team to look good…and be good
D-Pac says:
Wow, was that ever sarcastic.
Wow-that's 2 League games canceled for Rye–gotta make em up sometime.
NYmike says:
They only had 6 of the supposed 8 league games on their schedule in the first place – now down to 4 with 2 to make up.
The Somers-Put Valley will now be played tomorrow at 4:30 p.m.
SomersAlum10 says:
anyone got a score?
The sun's out here.
Don't know why games on the turf were cancelled. Don't they look at the weather updates? We need our lacrosse fix! Joe, can you update us inning by inning on the Mets game tonight with a lacrosse flair.
It was actually nice to listen to the Met game on the radio on the ride home from LI last night, at least if you can tolerate Howie Rose. I like the sense of Met history Howie brings to the broadcast myself.
If they made the decision to cancel at 10am, to accomodate travel plans of other schools, e.g. then that's fine. It was evident by 2pm that the worst elements of the storm front wouldn't affect Westchester and Fairfield, but you just can't wait until then. Better safe than sorry with the potential for thunderstorms.
If anyone can do, Joe can!
Thanks, slacrosse. But the Mets might be difficult.
Lax Novice is quite right – schools have to make the call to cancel by 2 at the latest with buses scheduled, etc. I don't know too many parts of the region that were being deluged by heavy rain at that point.
Updates on the NFL draft?????
Not only has no one been drafted from LI Lax's Notre Dame, but Jimmy Clausen just lost his job to Cam Newton. At least the men's lacrosse team is doing well.
IslandLaxpert says:
Here are a couple of CHSAA scores guys!!! (drumroll …. )
Fordham Prep 10, Kellenberg 7
St. A's 16, Stepinac 0
SWR 15, Miller Place 8
Huntington 9, Westhampton 5
Sorry I don't have any play by play for any of them lol
Thx for any word you find out on make-up games.
Hear Rye/Greeley resched for 5/11. Dont know about Fox Lane.
laxerrr says:
Greeley vs. John Jay will probably be reschedules for Friday night, 4/29 between 7 and 8 oclock p.m.
Old Rugger says:
North Salem vs. Kennedy game rescheduled for Friday 4/29 4:30 at Kennedy


Fr. Ernesto Reynoso was born in Mexico City in 1970. He is a graduate from The University of Texas at El Paso with a B.A. in Electronic Media. Prior to his ordination as a priest of the diocese, he had a successful career in Information Technology.
As a priest, he holds two master degrees; one in Philosophy and the other in Divinity. In 2009 he was awarded by the Arizona Knights of Columbus State Council the "Priest of the Year" award. In 2011 he recently received his fourth degree, a specialization in Canon Law at The Catholic University of America in DC. He is our current Adjutant Judicial Vicar for the Diocese of Phoenix.FR. ERNESTO REYNOSO, JCL.
As a priest, he holds two master degrees; one in Philosophy and the other in Divinity. In 2009 he was awarded by the Arizona Knights of Columbus State Council the "Priest of the Year" award. In 2011 he recently received his fourth degree, a specialization in Canon Law at The Catholic University of America in DC. He is our current Adjutant Judicial Vicar for the Diocese of Phoenix.


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text:
Japanski satovi
Seiko Prospex, Grand Seiko, King Seiko, Credor
Credor Spring Drive Sonnerie
Strana 1 od 3 123 Poslednja
Prikaz rezultata 1 do 10 od ukupno 21
tema: Credor Spring Drive Sonnerie
Istaknuti član
Odličan tekst o Credor Sonnerie ručnom satu...
Timezone / Ron DeCorte kaže:
Part One: The Bell
The sound of a bell has a special place in life. At one time it is both soothing for the inner soul and gathering our attention. Surely we have all experienced the power of a bell, true and clean and peaceful. So it is that Credor (a branch of the SEIKO watch company) brings us their Spring Drive Sonnerie. The name Credor comes from two French words, "cret" meaning top and "d'or" meaning gold. I suppose "Crest of Gold" would be a good translation. By the way, for simplicity purposes I will refer to the Credor Spring-Drive Sonnerie as Credor Sonnerie in this article.
Let me begin by explaining what is a Sonnerie. The Sonnerie has a somewhat mythical status in the world of watches; it gathers our attention without the owner's intervention, unlike a typical repeating watch that requires the owner to actuate a button to experience the chimes. From the beginning, Sonneries have occupied the highest position amongst striking watches, and rightfully so as they are the most complicated of all striking mechanisms.
A large temple bell, struck from the left by a timber suspended by ropes...
... and an Orin bell, usually placed on the table and struck by a small mallet (bottom of frame).
Japan's love affair with the bell spans many centuries. From the temple bell to the Orin bell to the wind bell hanging from a tree, all are all highly regarded in life. Naturally, and I mean literally and figuratively, a bell is at the heart of the Credor Sonnerie.
In the pictures above we see a Credor Sonnerie bell on the left and a typical minute repeater gong on the right. The Sonnerie bell is a true bell while the repeater gong is comprised of two circular wires attached to a foot via two screws.. The sounds are quite different. The bell has a rather long, sustained note, while the gong is a bit more staccato.
Please click here to visit the Credor Sonnerie website, where you can experience the sound for yourself. Note: for more accurate sound reproduction, you may wish to let the file download once completely and then play it again - you won't be disappointed.
Let me expand on the idea and origins of the Credor Sonnerie. The SEIKO watch company has a long history of horology dating from 1881. And so it was that in 1881, Kintaro Hattori started a humble clock repair and sales enterprise in the Ginza area of Tokyo. By the late 1900s, the operation had grown to include clock manufacturing and watch manufacturing. The seed was sown and has been nurtured by three generations of the Hattori family since, and will certainly be for many generations to come. By the way, the word SEIKO means precision.
Micro Arts Studio
In the year 2000 the Micro Arts Studio was established by SEIKO-Epson. The main mission of the Micro Arts Studio is to preserve the heritage of watchmaking for the coming generations, and for the public. What is it that sets the Micro Arts Studio apart? Well, first of all it is comprised of a small group of people, only 8 at the moment, that have been hand selected for their particular skills as related to the group. But maybe its the passion that the Micro Arts Studio brings to their work that is most important.
Yours truly with the Micro Arts Artisans: Back row, left to right; Hirose Nobuyuki, Shiohara Kenji, Ron DeCorte, Maejima Masaaki, Yoshifusa Nakazawa. Front row, left to right: Oguchi Tetsuo, Moteki Masatoshi, Nakata Katsumi, Takahashi Osamu.
It was in early 1999 that Mr. Masatoshi of the Micro Arts Artisans was in Switzerland making a presentation. While on the train he experienced the sound of a sonnerie pocket watch worn by a gentleman nearby. Immediately upon returning to Japan the challenge of a Sonnerie was offered, and accepted, by the Micro Arts Studio. Challenge might be too light a word since very few watch companies have ever undertaken such a test. The Micro Arts Studio has certainly passed the test.
For me as a watchmaker, I've experienced countless striking watches (quarter repeaters, five minute repeaters, minute repeaters, and sonnerie), inside and out. The Credor Sonnerie is one of the finest I've ever heard. Believe me that statement was not easy to make, but I stand by my words.
Izvor: timezone
Vladan Stevanovic, vladas, Refresh and 2 others like this.
PRAVILNIK FORUMA :: PRAVILNIK ZA BERZU SATOVA :: VODIČ ZA POSTAVLjANjE SLIKA
"Never look back, look forward, step forward even if only half a step at a time, knowing how to be flexible in order to accept changes, be sincere"
Men invented time. Seiko perfected it.
Vladan Stevanovic
Re: Credor Spring Drive Sonnerie
Ovo je definitivno jedan od mojih omiljenih satova, cak mi je fotografija ovog sata nekada bila avatar. Mislim da ove dve close-up fotografije verno prikazuju svu lepotu ovoga sata, bar je to moj licni utisak iako sat nikada nisam video uzivo.
Respect Credor!
Nastavak priče...
Before we get into the details I should mention that the watch featured in this report is a prototype. Small changes may take place between now and when actual production watches become available in early 2007. I will return to Japan in late 2006 to make a detailed technical report on the sonnerie mechanism and photograph some actual production watches.
The Credor Sonnerie is a true sonnerie, striking the hours on passing. In other words, when set in Sonnerie mode, the watch automatically strikes 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, and 12 at the zenith of each hour. When set toOriginal mode, the watch automatically makes three strikes on each of the following hours, 03:00, 06:00, 09:00, and 12:00. And of course Silence is Silence. But wait, there is more...
Located on the side of the watch at about the 8:00 position is a push button that will activate the sonnerie upon demand. Even if the watch is set to silence or original mode, the last hour will be struck. Example: if it is 7:20 and the upon-demand button is pressed, the watch will strike 7 times on the bell.
The sonnerie barrel has been decorated in the shape of a bell flower. Notice the hand polished screws and beveled jewel settings.
At the bottom portion of the face the sonnerie mode is indicated clearly.
The pierced front plate serves as a dial and provides an excellent view of the ultra complicated sonnerie mechanism.
The power reserve, or "MARCHE", is indicated in the upper left portion of the face. The Spring Drive movement that the Credor Sonnerie is built around has 48 hours of power reserve.
Power reserve for the sonnerie mechanism is located in the upper right portion of the face. The sonnerie mechanism has 60 hours of power reserve, or to be more precise about 400 strikes of the bell.
In this detailed 3-D view we get a good look at the excellent finishing and attention to detail.
In conclusion, the Credor Sonnerie is a fine work of art that pays tribute to the Japanese traditions of craftsmanship. The SEIKO watch company should be proud, and anyone interested in striking watches should certainly give the Credor Sonnerie a serious look, and listen.
Poslednja ispravka: dragon (21.8.2011. u 22:08)
Vladan Stevanovic, vladas and 23jewels like this.
Vladan_Stevanovic kaže:
Da, Credor Sonnerie je zaista prelep sat, zajedno sa novim Spring Drive Minute Repeater modelom. Lepo je videti da, iako Švajcarci i Nemci dominiraju u ovom segmentu časovničarske industrije, ipak postoji još neko ko može da im parira ukoliko to poželi. Uzgred, fotografije u izvornom tekstu su u većoj rezoluciji.
No, priča se tu ne zaustavlja...
Credor Sonnerie: A Detailed Analysis
As promised, this is the technical follow-up to my September '06 review of the Credor Sonnerie. Over the past 6 months I've had ample opportunity to think about this watch and study its technical details. Now I would like to share my observations and a second opinion in retrospect.
When I first saw the Credor Sonnerie I was a bit surprised by the design, especially the dial (or lack of a dial). For the first time in my experience a watch was showing the intricate detail of the striking mechanism without resorting to exaggerated skeletenization of the plates and bridges, or a sapphire dial. Finally I can clearly see what is happening.
A great deal of thought and study went into the design and construction of this sonnerie. It astounds me that such a watch was spawned from such a young team at the Micro Arts Studio and in such a short time.
Moving to some of the finer details: in my first review I wasn't able to photograph the movement except through the front crystal. This time around I had total access to the movement, and later we will make a complete disassembly of the Sonnerie.
vladas and Vukas like this.
Rasklopljen mehanizam...
Now for a more detailed look at the complexity of the Sonnerie movement; For those with high speed internet access please click below to see a complete disassembly of the Sonnerie. Please note that this is quite a large .mov file and could take several minutes to download, but well worth the wait!
Click here to view the Sonnerie slide show
For those who don't have high speed internet, or if you want to see a bit more detail than is provided in the slide show, you may view and click to enlarge the photographs used below.
vladas and nikola0406 like this.
Velika je šteta što fotografije nisu profesionalnije odrađene ili što barem podloga koja je korišćena nije bila svetlija kako bi 7R06 kalibar došao do boljeg izražaja ali šta je tu je... opet naglašavam da su fotografije na izvornom linku postavljene u daleko većoj rezoluciji.
I hope you've enjoyed the preceding photographs and short disassembly movie. Let's move on and explore the technical fundamentals of the Credor Sonnerie in greater detail.
vladas likes this.
Na kraju još malo tehničkih detalja...
First I should start with a basic overview of what a sonnerie is, and what differentiates it from other striking watches. Unlike a repeater watch that strikes the time (hour, quarter, minute, and other variations) only upon demand, the sonnerie is capable of striking totally upon its own, similar to a clock. Hence sonnerie watches are often called "clock watches". There are many different types of sonnerie watches, but they all share one similarity in that they are capable of striking at least the hours without user interaction, automatically or in-passing you might say. Some sonnerie watches called "grand sonnerie" are capable of striking not only the hours but also the quarter hour on-passing. Generally a grand sonnerie has three modes; silence (no striking), grand (striking the hours and quarter hours), and petite (striking only the hours).
The Credor Sonnerie falls into a category that reflects its Japanese heritage. It is capable of striking the hours or being silent as is the case with sonnerie watches in general. But it also has a special function called "Original" that enables it to strike three times every three hours. In other words the watch will strike dong-dong-dong at 12:00, 3:00, 6:00, and 9:00 while the other hours are silent. This Original mode is a most intriguing aspect of the Credor Sonnerie and had me baffled for a short period of time trying to figure how they accomplished the task.
At this point I'd like to move ahead with a detailed technical review of the Credor Sonnerie pointing out its unique mechanical achievements and giving you at least a basic idea of how complicated it is to produce a sonnerie watch. I'll try to keep the message simple, but that's not always easy in this case…
All sonnerie watches have a second barrel with mainspring "A" to power the on-passing (automatic) strike. The power from this barrel is passed in two different directions. The wheels "B" deliver power to the silent governor "C". It is the silent governor that is quite special in this watch as it silently regulates the speed of the striking. In the other direction power is transferred via wheels "D" to the release/return mechanism "E". Rack assembly "F" drops finger "G" onto snail "H" to signal the number of hours to be struck, and Hammer "J" strikes the bell in indication of the hours.
Another characteristic feature of a sonnerie watch is the release/return mechanism, sometimes called a ratchet. As it is that the sonnerie is capable of striking automatically there needs to be an automatic method of releasing power from the striking mainspring barrel to accomplish the striking sequence. It's the release/return mechanism that is responsible for this automatic action and in my opinion is the heart of a sonnerie watch, not to mention the most complicated component. Finger "A" is in charge of the release function. On the left it is in a static position as it is most of every hour, and on the right it is in the act of pushing the release ratchet 25 degrees, as it does near the end of each hour, until pin "B" raises click "C" high enough to release ratchet "D" allowing the hour rack to fall (not shown yet).
In this example the release mechanism has not released yet. Rack assembly "A" is being held back, finger "B" has not contacted hour snail "C", and a long tooth "D" of the strike ratchet (unlike the other 12 teeth "E") is holding the strike hammer "F" away from the bell. This later holding back of the hammer prevents the hammer from striking the bell if the watch is being used during vigorous activity.
At this point, exactly on the hour, the release mechanism has released hour rack "A" allowing finger "B" to contact hour snail "C" at the 6th lobe, or 6:00 o'clock. Also notice that the strike ratchet has rotated CW allowing 6 teeth "D" to pass past the hammer trip "E". The "release" has taken place and the watch is ready to strike, now the "return" operation will commence…
Let the music begin. Now it's time for the release/return mechanism to reverse roles and begin the "return" process. The hour rack has fallen onto the hour snail and the number of hours to be struck is determined, as well the hammer has been released and is now in much closer proximity to the bell (but not quite touching). At this stage the 6th tooth "A" of the strike ratchet is about to engage the hammer trip "B" lifting the hammer until…
…their engagement is completed and the hammer falls, striking the bell to record each hour of the sequence until the hour rack and hammer have been returned to their resting positions. (Notice that the hammer has been retracted, cocked, in order to make the strike).
Of course the sonnerie can be summoned at any time by simply pushing gently on the button located along the outside of the case at the 8:00 position. But that's almost too simple, isn't it?
One of the most intriguing things about the Credor Sonnerie is its ability to be shifted from full sonnerie mode to original mode easily (do you remember what "Original" mode is?). With most sonnerie watches, such as a grand sonnerie, silencing the hour and/or quarter hour strike is accomplished by a series of blocking levers. But the Credor is very different in that it goes from striking every hour in the sonnerie mode to only three strikes every third hour in the Original mode. It took me two or three minutes to realize that two different snails were needed for this to be possible. It took another minute or two to comprehend that the two different snails needed to be located in exactly the same space within the watch. So it is that the Credor Sonnerie has two different snails, one for sonnerie mode and another for original mode that are located concentrically on the same shaft and shifted up or down as required.
Above we see the two snails, the sonnerie mode snail "A" with 12 steps (one for each hour), and the original mode snail "B" with 4 steps (one for each 3 hour increment) mounted on the same assembly "D". A split fork "C" moves the snail assembly up or down on shaft "E", as seen left and right, to facilitate the required strike mode. Is this intelligent or what?
OK, I'd love to continue this conversation and possibly write a book. But I'm sure by this time you are falling asleep or your boss is looking over your shoulder. Hopefully I've shed some light on the attributes of the Credor Sonnerie and the extreme complexity of sonnerie watches in general.
22.8.2011., 3:03 #9
23jewels
9.10.2010.
日本のルール
22.8.2011., 4:25 #10
そのため、動作
« Seiko Shizukuishi Watch Studio | Seiko One-button Chronograph Manual Winding Caliber 5717 »
Seiko Spring Drive
By _ivo_ in forum Seiko Prospex, Grand Seiko, King Seiko, Credor
Poslednja poruka: 19.6.2011., 2:12
Sat Seiko Spring Drive chronograph
By UlysseNardin in forum Seiko
By Oskar in forum Prodaja satova
Jaeger-LeCoultre Hybris Mechanica Grande Sonnerie - Sat od 2.5 miliona EUR
By Vladan Stevanovic in forum Jaeger-LeCoultre
Poslednja poruka: 6.10.2009., 6:06
credor, seiko, sonnerie, spring drive


text:
Q: How to implement cross browser min-height and max-height at the same time? If only to implement max-height:
max-height:200px;
 height:auto !important;
 height:200px;
 overflow:hidden;

if only to implement min-height:
min-height:40px;
height:auto!important;
height:40px;

See?There is conflict on height!
What's the solution?

A: i assume you write your CSS like this because you want to support Internet Explorer, which does not recognize min-height max-height.
I suggest you move everything into a conditional stylesheet, that only IE will use:
<!--[if IE]>
    <link rel="stylesheet" type="text/css" href="ie-only.css" />
<![endif]-->

Read this for more info on this technique. It's the only proper way to deal with Explorer's issues.

A: If you want to go pure CSS, I'd go the conditional stylesheet route.
However, my preferred solution is just a touch of jQuery:
  $(document).ready() (function() {
    if ($("#division").height() > 200) {
        $("#division").height('200px');
    }
    if ($("#division").height() < 40) {
        $("#division").height('40px');
    }
  }

A: Here's a technique derived from an article on min-height and max-height in IE:
* html div#division {
   height: expression(this.scrollHeight >= 200 ? "200px" : this.scrollHeight <= 40 ? "40px" : "auto");
}

div#division {
   min-height: 40px;
   max-height: 200px;
   overflow: hidden;
}

The expression value works only in IE, but works back as far as IE 5. Here, it keeps the height property within the desired range. Standards-compliant browsers will ignore this declaration, and instead use the min-height and max-height rules.
Caveat: JavaScript must be enabled in IE for expression to work.
The technique you are currently using might be preferred by the "use only pure CSS" crowd, but IMHO it is obscure and brittle. Using a non-standard, IE-specific value makes it clear that the code is written specifically to support IE. Not only is this self-documenting, it also makes it easier to migrate the IE-specific code into separate CSS files.

A: Try this
min-height:500px;
height:auto !important;
height:500px;


How does an Educator become an EdTech Entrepreneur?
Kai is a historian (B.A History) and innovative educator (M.Ed) passionate about utilizing technology to provide inclusive opportunities and increased accessibility in cultural institutions for students & young adults.
She is the founder & CEO of Curated x Kai, an award-winning virtual reality company which films inclusive VR field trips in museums and other cultural institutions. Through intense outreach, CxK delivers those experiences to students & young adults, including those in underserved communities.
Before creating Curated x Kai, she worked with several museums such as the United States Holocaust Memorial Museum as well as the Smithsonian National Museum of African American History & Culture, specializing in digital strategy and content creation.
Due to her work in the museum space, Kai was appointed to the Board of Directors for The Museum Computer Network, MCN, which advances the digital transformation of museums.
Kai is a DC Fem Tech Award recipient, which celebrates power women in code, design, and data. In addition, Kai is a fellow of Facebook's Oculus Launchpad which provides people from underrepresented backgrounds funding and resources to ensure diversity of thought in the VR ecosystem.
Her work has been featured in Forbes, The Steve Harvey TV Show, & Black Enterprise & more.


text:
Q: Que un checkbox conserve un valor antiguo Veran, tengo una tabla Contenido con estos valores:
Schema::create('contenidos', function (Blueprint $table) {
        $table->increments('id');
        $table->string('nombre');
        $table->timestamps();
});

Agrupo todas las filas en un vector llamado $contenidos y los uso para un formulario de la siguiente forma:

    Habilidades requeridas:

    @foreach($contenidos as $contenido)
        <input type="checkbox" name="capacidad[]" value="{{$contenido->id}}" {{ (is_array(old('capacidad')) and in_array(1, old('capacidad'))) ? ' checked' : '' }}> {{$contenido->nombre}}

    @endforeach

Lo que quiero es que si se produce un error introduciendo los datos del formulario se conserve que iconos estaban marcados, pero me encuentro que cada vez que se reinicia el formulario debido a datos no validados a diferencia de las cajas de texto los checkbox vuelven a estar sin marcar.
¿Como soluciono esto?

A: Puedes probar lo siguiente, debería funcionar:

    Habilidades requeridas:

    @foreach($contenidos as $contenido)
        <input type="checkbox" name="capacidad[]" value="{{$contenido->id}}"
        {{ !empty(old('capacidad')) && in_array($contenido->id, old('capacidad')) ? 'checked' : '' }}> {{$contenido->nombre}}

    @endforeach


text:
About BB Comms
Brands must offer consumers tangible proof of their eco claims
One of the mega-trends of the last few years is, excuse the pun, hotting up. Though there have been a number of moves from drinks companies over the last few years to meet the environmental concerns of consumers and reduce the waste the industry creates – from biodegradable straws, to recycled materials being used for bottles – in the past few weeks major drinks makers have taken some of their biggest steps yet towards sustainability.
In early April, Molson Coors announced it was to become the first major UK brewer to make all products from 100% green electricity. The producer of brands including Carling, Coors, Doom Bar and Aspall Cyder, will make more than one billion pints in an average year using green electricity. The long-term agreement covers all UK operations including production sites at Burton, Tadcaster, Rock and Suffolk, and sees the business on track to achieve its 50% emissions reduction target in the UK four years ahead of schedule.
A Power Purchase Agreement (PPA) with renewable energy RWE will see electricity generated from wind farms in South Yorkshire, with the 10-year agreement seeing the company deliver around 75 gigawatt hours of green electricity per year. In an average year Molson Coors consumes the same amount of electricity as around 25,000 households – or the population of the business' historic UK brewing home in Burton-upon-Trent.
Fraser Thomson, operations director for Western Europe at Molson Coors Beverage Company said: "One of our values at Molson Coors is taking accountability, and that includes being responsible for the impact our business has on the environment. That's why we've made such bold commitments to play our part in tackling climate change – because it is the right thing to do. We know that this matters to our people, our customers and consumers, and they can now be assured that everything we do, and every pint we make, is powered by 100% green electricity."
Meanwhile at the same time AB InBev announced that every single can, bottle and keg of Budweiser in the UK is now brewed with 100% renewable electricity, commencing in January 2021. In 2018 Budweiser Brewing Group UK&I (BBG) signed the UK's largest privately-funded solar power deal to commit to brewing from 100% renewable sources. BBG now generates enough renewable electricity from the two solar farms and a wind turbine that it built, to power its brewing operations not only of Budweiser, but its entire portfolio, including other BBG brands such as Stella Artois, Corona, Bud Light and Becks.
According to Budweiser, if every one of the 8.5 billion pints drunk every year in Britain was brewed with 100% renewable electricity, it would save more than 350 million tonnes of C02 entering the earth's atmosphere, the equivalent of planting 500,000 trees. The brewer has launched digital and TV adverts promoting the move.
Individual contributions
Paula Lindenberg, president at Budweiser Brewing Group UK&I says: "In the UK we are all concerned about the climate crisis, but the scale of the problem means people often don't know what they can do to help as individuals. Rightly, they're looking to businesses to act."
Scottish brewer BrewDog has also been making moves to bring consumers along with it for its journey into becoming more eco-friendly. Aiming "to set a new standard when it comes to sustainability", in September it announced it had become the world's first carbon negative brewery. However, expanding it beyond the scope of its own footprint as a business, the brewer committed to removing twice as much carbon as its team members are responsible for in their personal as well as business life for as long as they work for the business. The company also owns a 2,000 acre BrewDog Forest where it plans to plant over one million trees.
More recently in March, it launched what it described as the world's first carbon negative beer club. Though the subscription box will include beers from brewers from around the world, to ensure the service is entirely carbon negative, the guest beers will be brewed under license at its own brewery in Ellon. For each box of beers shipped, BrewDog will offset 2,500 grams of CO2.
And in a timely move marking the easing of lockdown in the UK, brewer Heineken announced that is had saved 83,210 fifty-litre kegs of beer from going to waste since May 2020, but converting product that would have gone to shuttered pubs, into energy. The team at the brand's Manchester brewery designed a method whereby excess beer is fed into the onsite water waste treatment plant, placed into an anaerobic digester, and converted into biogas. Equivalent to 7 million pints of beer, Heinekens says it has created enough energy to heat around 28,000 average UK homes for a day.
And now in late April 2021, Carlsberg too has joined the fray, launching an advert in partnership with the World Wide Fund for Nature (WWF) showing how it has partnered with the charity to make a "better tomorrow for our planet". The company is working alongside the WWF to help restore sea meadows to UK waters, which are estimated to have lost 90% of what it used to have. According to Carlsberg, often described as 'an underwater Amazon', seagrass meadows can absorb carbon up to 35 times faster than a rainforest and play a vital role in maintaining healthy seas, as well as providing habitat for ocean wildlife.
https://www.youtube.com/watch?v=KyxwtQdTwSs
The company has previously partnered with the WWF "behind the scenes" to create its sustainability programme, Together Towards Zero, which includes a commitment to create zero carbon emissions from its breweries by 2030.
Eco-minded products, from beers made of waste food products – such as stale bread, or 'wonky' breakfast cereals – have been coming to market for some years, while producers have also been making baby steps towards making their packing less wasteful. And from gin to rum, a number of small-scale craft producers from Cooper King to Copalli rum have opened in recent times, using fully green energy production, as well as a reduction in the materials needed for packing and shipping their products.
However, 2021 thus far has proved a significant time for some of the biggest drinks producers to look at and implement a wholescale revision of how their products are produced. And interestingly, it seems that to win the hearts and minds of ever eco-concerned consumers, having a neutral impact is no longer enough. From giving back with the supply of energy generated from waste beer, to significantly over-compensating not just for the impact of the production of their drinks, but the people employed too, brands are now going a step further grab consumer's attention in a world of increasingly loud and frequent eco-claims across products from body washes, to footwear.
But resting on their laurels is not an option. For those big drinks producers not already able to make eco-claims, work must begin in earnest to catch up. And for others that have begun, consumers will demand more than pilot projects, backing experimentation and pledges. Brands will increasingly be under pressure to demonstrate to consumers the more positive impact of a consumer's individual purchasing decision to opt for their brand over others, in a tangible, micro way. What does this product contribute that comparable ones don't? What resources does it save, or prevent from going to waste?
Even in the face of an economically crippling and personally devastating pandemic, consumer concerns over the environment have only grown. Getty Images' creative insights platform Visual GPS in conjunction with YouGov, published data in October 2020 that climate change and sustainability issues has risen in importance to consumers since the start of the pandemic.
Based on insights from 10,000 consumers across 26 countries, the survey found 81% of people expect companies to be environmentally conscious in their advertising and communications, while 69% claimed they were doing everything possible to minimise their carbon footprint, an increase of 6% from the previous year.
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