text:
Q: Dibujar cuadrado con distintos caracteres Estoy empezando con programación y estoy realizando una actividad que me es complicada, a ver si alguien me puede ayudar!
La actividad consiste en hacer un rectángulo. Para ello, se le pide al usuario el nº de columnas, nº de filas y si quiere que el rectángulo sea relleno o vacío (Para vacío debe pulsar nº 0).
Además, el rectángulo debe cumplir las siguientes características:

*

*para cada una de las cuatro esquinas, se utilizará el carácter '+';

*para los bordes superior e inferior, el carácter '-';

*para los bordes izquierdo y derecho, el carácter '|';

*para el interior:

*

*si va sin rellenar (vacía), el carácter espacio (' ');

*si va rellena, caracteres numéricos que indiquen el número de fila (sin tener en cuenta
el borde superior). Es decir, caracteres '1' para toda la primera fila de relleno,
caracteres '2' para la segunda fila de relleno, y así sucesivamente.

En primer lugar, os muestro el código que he escrito:
        //Línea superior e inferior
        for (int f=0; f<=fila; f++) {
           System.out.print("-");
        }
        System.out.println();

        //Centro de la forma
        for (int c=0; c<=columna-2;c++){
         System.out.println("|");
        }
        if (relleno==0){
           for(int h=1;h<columnas-2; h++){
           System.out.println(" ");
           }
        }else
           for (int r=1; r<columnas-2; r++){
             for(int f=c; f<=c; f++){
             System.out.println(columna);
             }
           System.out.println("\n");
           }
        }

Tras introducir el código que he pensado. No sabría como terminar la parte de la línea superior e inferior porque también tengo que indicar que esas líneas van con el carácter "-" pero las esquinas van con el carácter "*", y esto no se cómo sería posible hacerlo.
Por otro lado, en el centro de la forma, he indicado que la líneas verticales se escriben con el carácter "|". Y dependiendo si no tiene relleno estará con huecos en blancos y, en cambio, si está relleno se hará con números en orden.

A: Tu pregunta requiere de lógica al contrario de ayuda técnica en el tienes que leer para aprender nuevos temas, las preguntas de lógica vas a tener que sentarte tomar lápiz y papel para plantear la solución, puede haber varias formas de solucionarlo pero las ideas son similares.
Te planteo una solución.
        int fila,columna,relleno;
        Scanner leer= new Scanner(System.in);
        System.out.println("Numero de filas:");
        fila=leer.nextInt();

        System.out.println("Numero de columnas:");
        columna=leer.nextInt();

        System.out.println("Vacio -->0 / Relleno -->1 :");
        relleno=leer.nextInt();
        System.out.println("\t DIBUJANDO EL CUADRILATERO \n");
        for (int f=0; f<fila; f++) {
            for (int c = 0; c < columna; c++) {
                //logica para la primera y ultima fila
                if(f==0||f==(fila-1)){
                    //las esquinas se dibujan con +
                    if(c==0||c==(columna-1)){
                        System.out.print("+");
                    }
                    //la primera y ultima fila quitando los extremos van con -
                    else{
                        System.out.print("-");
                    }
                }
                //logica para las filas que no sean la primera ni la ultima
                else{
                    //la primera y ultima columna van con |
                    if(c==0||c==(columna-1)){
                        System.out.print("|");
                    }
                    //logica las columnas internos
                    else
                        //sin relleno
                        if(relleno==0){
                            System.out.print(" ");
                        }
                        //con relleno, digitamos el numero de fila
                        else{
                            System.out.print(f);
                        }
                }
            }
            System.out.println("");
        }

Salida

Observación
Si ingresas que el número de filas es mayor que 11 el dibujo saldrá deformado, la solución es simple pero lo dejo para que lo hagas


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text:
JW April 24, 2020 Tim Winterstein
The Subtler Temptation
UNDER THE SUN OF SATAN, (aka SOUS LE SOLEIL DE SATAN, aka UNDER SATAN'S SUN), Gerard Depardieu, Sandrine Bonnaire, 1987. ©Alive Films/courtesy Everett Collection
In Georges Bernanos' 1926 novel Under the Sun of Satan (Sous le soleil de Satan), Mr Malorthy is described as knowing "very little about that superior form of cheek which the clever call cynicism." Today cynicism seems like just about the only stance left for anyone to take. There is very little room, it seems, for the sincere and the unironic.
1987, when Maurice Pialat made the film version of Bernanos' novel, seems a very long time ago, at least in cultural terms. Bernanos' book is an interesting choice for a director who had no religious faith. The 1987 Cannes film festival didn't like it either, as they booed and whistled when Under the Sun of Satan won the Palme d'Or.
Robert Bresson, who made film adaptations of both Bernanos' Diary of a Country Priest and Mouchette, claimed some kind of religious and spiritual sense behind what he was doing, saying in an interview, "Of course there is a conception of another life because I believe in it. At least one day I believe, the next day I don't, but I believe anyway that there's something more than just living on the earth. … I try to catch and to convey the idea that we have a soul and that the soul is in contact with God."
But Pialat never addresses anything of the sort, that I could find. And yet Under the Sun of Satan is not a mockery of the priest's faith, nor is it really an examination of doubt, which seems to be the common approach to faith in contemporary film. Gérard Depardieu's Donissan is, instead, wrestling primarily with the certainty of his faith. (Depardieu himself, intriguingly, later returned to the faith of his youth via St. Augustine's Confessions.) He confesses to his superior, Menou-Segrais (played by Pialat) that he is ill-fitted to the priesthood, and barely made it through the seminary, but he is willing to obey and submit. Menou-Segrais tells him that it's not too late to change his mind and take up another kind of vocation.
But Donissan seems fated to finish what he's started. It's as he is finishing mass early in the film that Pialat shifts the ground under Donissan and under us. The way the film is cut makes it seem as if Donissan looks up to see the girl, Germaine/Mouchette (frequent Pialat contributor Sandrine Bonnaire), and that she is waiting for Donissan just inside the church doors, when in fact she's meeting one of her lovers, the aristocrat Cadignan. It's an abrupt jump, and it seems as if the story has turned toward a manipulative girl and her amorality, who is now going to tempt the priest to forsake his vows (that is no doubt how a filmmaker in 2020 would have constructed the narrative).
Credit, however, to Pialat for holding to Bernanos' vision, which is something far more original. The "story of Mouchette" (Bernanos' title for the beginning chapters of his book) is all part of the set-up for Donissan's crisis, as he is sent to her village to assist the priest there. On the road, semi-lost, the story becomes something else altogether: an attack on Donissan by the devil, who makes Donissan question whether his unwavering faith might actually become his great temptation. (Incidentally, I would not be surprised to find out that Flannery O'Connor's descriptions of Tarwater's encounter with the devil in The Violent Bear it Away or the character of Mr. Paradise in The River were influenced by the encounter in Under the Sun of Satan.)
Here's where our natural cynicism against anything that appears as sincere religious experience will fail us. Bernanos and Pialat expose a temptation far more frightening than the unoriginal temptations imagined by the cynical and ironic. The temptation of seduction (which Mouchette tries on Donissan and fails) is too easy. The cynics can only see priestly celibacy as a ridiculous and unworldly target, and so it is the simplest way to attack Christianity as a whole. In their eyes, only a "worldly" and rational religion makes any sense at all, which is why so many films involving religion make "forbidden" sexuality the central conflict (consider, e.g., the 1999 remake of The End of the Affair).
Bernanos and Pialat reject the easy path, and so the story, while more subtle, is actually more significant. Donissan's temptation is to be impressed with his spirituality and be the "good priest" that, in the beginning, he doubts he can be. So when, near the end, he is called to visit a sick child (who has died in the meantime), he tells the resident priest not to "tempt him;" that is, he is tempted to do what he finally does, raise the child from the dead. What is too much for Donissan is not the burden of faith, but the burden of being faithful—which means being idolized and exalted (the parishioners even ask for his autograph on the way to visit the child).
Donissan's internal ambiguity is expressed in the ambiguity of the film's ending. He is attacked by the devil, and calls on God to deliver him. He prays, "Lord, if I'm still useful, don't take me from this world." He gets up, and we assume that his prayer has been answered, that he is still useful. And yet, in the end, after all the confessions are done being heard, Menou-Segrais finds him dead in the confessional. Is it that he is no longer useful, which is the obvious implication? Or is it to keep him from enduring the constant temptation to be the miracle worker that the people will now expect?
The answer is left for us to consider, but the temptation is one that is common, in smaller or larger ways, to anyone engaged with holy things. In the world of Under the Sun of Satan (because, as Donissan reminds Menou-Segrais, he is—at least apparently—still the lord of this world), we are confronted with the more dangerous temptation of spiritual pride; more dangerous because it is less obvious to both the unbelieving world and to Christians.
Posted in Tim Winterstein and tagged devil, film, living word, quality, Temptation. Bookmark the permalink.
John J. Flanagan	 on April 25, 2020 at 6:49 am
Interesting review. As I read it I thought back to my youth, as an altar boy and member of the school choir at the Catholic school I attended from 1959-1958. From the eyes of many of us reared under the tutelage of impatient nuns, overbearing and often too quick to administer discipline for minor disobedience, it was to establish within each of us a respect for order and a fear of God. The hands of a nun could easily sweep across your face, slapping you to the floor, in one moment, and next render a kind word to ensure you understood it was for your own benefit. Then you might be asked to stand at the blackboard, chalk in hand, and write "I must not talk in class" 25 or 50 times. One particular nun, Sister Genevieve, a pious but cruel taskmaster, reserved the last 15 minutes of the day to announce before the class everyone's grade on the morning math quiz. Out of a score of 100, some of us struggled to get an 80, and more often than not, arithmetic was my worst subject. So when the good Sister announced the grades publicly, it might sound like, "Flanagan…twenty." "Jones…zero". "Conlon..eighty." Great for self esteem, public humiliation can make one angry, and I was angry indeed. My grades in English, History, Geography, writing, were what carried me through to graduation. The point is that clergy, especially in the old days, seemed to give one the impression, from the eyes of my childhood, that many priests and nuns carried around with them a sense of anger at their vocation, coupled with suppressed sexual desire, and a conflicted relationship with the Lord. I learned early on that this is more common than people realize, a malady of the heart of fallen souls since Adam. It took a few years for me to learn about God's grace, and His lovingkindness. I didn't learn it from the nuns or priests in my elementary school. Their view of the Lord was more harsh, and a twisted form of Christianity like "Under the Sun of Satan,"
Sorry for the typo, the years spent in Catholic elementary school were 1950 to 1958. The following school year was spent in an all boys Catholic high school, followed by an easier time in the public school system of NY, and an opportunity to grow in a faith which relied on the grace of God, not constant discipline as the Roman Catholic education embodied.
Safety Dance

redpajama_set_name: RedPajamaCommonCrawl


text:
from flask import Blueprint

user = Blueprint('user', __name__)
from . import user_views

redpajama_set_name: RedPajamaGithub


Titleist 2017 Scotty Cameron Futura 5.5M Putter Right 33 Steel # 61393. May have very limited use, but will still have that new luster.
Can't quite be considered like new, but has very light wear. Some signs of normal use, but is in great shape and has been very well maintained with only minor scratches.
Has been used, but was well taken care of with no major marks. Driver, Fairways and Hybrids may have minor sky marks. Has marks and other signs of wear, but still performs like new. Scratches, paint chips, and other marks will be visible, but it will still perform like new. &###xA0;We realize that it is only because of you that we are in business and excellent customer service is our goal.
&###xA0;If you are unhappy in any regard, please let us know before leaving feedback so we can make it right. &###xA0;Make sure you add all clubs to your cart to receive the discounted rate. What is the condition of the club? The club you see in the pictures is the actual club you will receive. The description will have a section that tells whether each club includes a cover.
&###xA0;If we have the matching cover we will include it with the club. How do I know you are a legitimate business? We realize that it is only because of you that we are in business and excellent customer service is our goal.
If you are unhappy in any regard, please let us know before leaving feedback so we can make it right. Make sure you add all clubs to your cart to receive the discounted rate. If we have the matching cover we will include it with the club. The item "Titleist 2017 Scotty Cameron Futura 5.5M Putter Right 33 Steel # 61393" is in sale since Friday, November 2, 2018. This item is in the category "Sporting Goods\Golf\Golf Clubs & Equipment\Golf Clubs".
The seller is "golfclubbrokers" and is located in 30115. This item can be shipped to United States, Canada, Bulgaria, Latvia, Lithuania, Malta, Estonia, Australia, Cyprus, Slovenia, Japan, China, South Korea, Indonesia, Taiwan, Thailand, Hong Kong, Israel, Mexico, New Zealand, Philippines, Singapore, Saudi arabia, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Chile, Colombia, Costa rica, Panama, Trinidad and tobago, Guatemala, Honduras, Jamaica, Antigua and barbuda, Aruba, Belize, Dominica, Grenada, Saint kitts and nevis, Saint lucia, Montserrat, Turks and caicos islands, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Pakistan, Paraguay, Reunion.


text:
Q: How to create menu of overlayed divs? How should I create menu like this?

It contains of multiple square divs with different colors. After hovering on one of them the div jumps about 20px to the right (the white square). Active page's square is whole visible at it's original place (not allways on the top), others are almost hidden and only the part of them are visible.
I tried to do it with position: absolute; for every square but I don't know how to move all the divs below the active one after clicking on it. Any other/better ideas?
EDIT:
My HTML code:

Active

page1

Page2

My css code:
nav {
    float: left;
    width: 200px;
}

.nav_container {
    margin: 0px;
    width: 150px;
    height: 300px;
}

nav li {
    padding: 0;
    margin: 0;
    list-style-type: none;
    text-align: center;
}

nav li:hover {
    margin-left: 20px;
    padding: 0;
}

.box1 {
    height: 150px;
    width: 150px;
    background-color:rgba(153, 153, 204, 0.75);
    position: absolute;
}

.box1 a {
    color: #fff;
}

.box2 {
    height: 150px;
    width: 150px;
    top: 350px;
    background-color:rgba(0, 0, 0, 0.75);
    position: absolute;
}

.box2 a {
    color: #fff;
}

.box3 {
    height: 150px;
    width: 150px;
    top: 400px;
    background-color:rgba(255, 255, 255, 0.75);
    position: absolute;
}

.box3 a {
    color: #000;
}

A: I made a basic demo of one way you could do it to get an idea and possibly develop further
it used this css
#nav{
    display:block;
}
#nav .right p{
    position:relative;
    top:115px;
    text-align:right;
    margin-right:5px;
}
#nav .nav1{
    background:blue;
    height:150px;
    width:150px;
    position:absolute;
    top:0px;
    z-index:3;
}
#nav .nav2{
    background:red;
    height:150px;
    width:150px;
    position:absolute;
    top:30px;
    z-index:2
}
#nav .nav3{
    background:yellow;
    height:150px;
    width:150px;
    position:absolute;
    top:60px;
    z-index:1;
}
.right{
    transition:0.5s ease;
}
.right:hover{
    margin-left:80px;
    transition:0.5s ease;
}

here is a JSFIDDLE of it

redpajama_set_name: RedPajamaStackExchange


text:
Posts with tag: Vaccination
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Talking Indonesia: Covid-19 and the vaccine
What are the challenges involved with vaccinating Indonesia's large and diverse population against Covid-19? Is the government taking the right approach? Will the CoronaVac vaccine do the job? Dr Jemma Purdey chats to Dr Ines Atmosukarto in the first episode of Talking Indonesia for 2021.
https://indonesiaatmelbourne.unimelb.edu.au/wp-content/uploads/2021/01/Antarafoto-simulasi-uji-klinis-vaksin-covid-19-060820-agr-2.jpg 450 800 Jemma Purdey, https://indonesiaatmelbourne.unimelb.edu.au/author/jemma/ http://indonesiaatmelbourne.unimelb.edu.au/wp-content/uploads/2020/09/PRIMARY_A_Vertical_Housed_CMYK-trans-180.png Jemma Purdey, https://indonesiaatmelbourne.unimelb.edu.au/author/jemma/2021-01-28 08:07:422021-01-28 11:27:06Talking Indonesia: Covid-19 and the vaccine


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Alireza Amirghassemi  (; born September 19, 1965) is the producer and presenter of the Tapesh TV channel and the producer of concerts of Iranian singers in Los Angeles. In October 1989, he launched the Tapesh TV (PBC) channel with Massoud Jamali.

Biography
Alireza Amirghassemi was born on September 19, 1965, in Tehran. At the age of 13, he left Iran and emigrated to the United Kingdom, where he spent a short time. In 1978, he moved to the United States and started studying at Mira Mesa high school in San Diego, California. From his early childhood in Iran his passion towards films and music was well noticed by all his family members and friends and at the age of 13 he won best playwriter among in Tehran and was awarded by the city councils and one of the legendary fathers of Iran's theater industry, Sadegh Bahrami.

After finishing high school, Alireza continued his education by attending the University of California, Los Angeles College of Film, where he learned westernized film making and started making music videos, music albums and TV programs while attending college. He started his career at the age of 19, by producing an album called Neighbors (Hamsayeh Haa) sung by Siavash Shams, which became one of the most successful albums of that year. He is the founder of Tapash TV and T2. He is one the most influential faces in Persian entertainment, and is known as the "king of Iranian entertainment". He has been involved in numerous fields of entertainment as a film and television director, producer, host and executive producer and the founder of Tapesh television network. He has performed over 1000 events and concerts worldwide in the past 40 years. He is one the most influential individuals in the modern era of Persian entertainment for the past four decades. He has been credited for innovating and revolutionizing Iranian music videos as well as one of the pioneers to preserve old Persian music.

Margins
Recently, an Iranian film was shown in the United States for Iranians living in the United States, the subject of movie was about supported the IRGC. Opponents of the Islamic Republic of Iran clashed with the film's actors at the time of its release. Alireza Amirghasemi supported the actors who played in the film and caused the protesting people to attack his personal page on Instagram and Facebook.

References

External links

Living people
American television producers
Iranian emigrants to the United States
American television hosts
1965 births

redpajama_set_name: RedPajamaWikipedia


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Q: '(NSObject, AnyObject)' is not convertible to 'String' How do I convert an object of type (NSObject, AnyObject) to the type String?
At the end of the first line of the method below, as String causes the compiler error:
'(NSObject, AnyObject)' is not convertible to 'String'

Casting street to NSString instead of String compiles, but I'm casting street to String because I want to compare it to placemark.name, which has the type String!, not NSString.
I know name and street are optionals, but I'm assuming they're not nil for now because all the places returned from MKLocalSearch seem to have non-nil names and streets.
func formatPlacemark(placemark: CLPlacemark) -> (String, String) {
    let street = placemark.addressDictionary["Street"] as String
    if placemark.name == street {
        // Do something
    }
}

A: A String is not an object, so you do need to cast it to an NSString.  I would recommend the following syntax to cast it and unwrap it at the same time.  Don't worry about comparing it to a variable of type String! since they are compatible.  This will work:
func formatPlacemark(placemark: CLPlacemark) -> (String, String) {
    if let street = placemark.addressDictionary["Street"] as? NSString {
        if placemark.name == street {
            // Do something
        }
    }
}

This has the added benefits that if "Street" is not a valid key in your dictionary or if the object type is something other than NSString, this will not crash.  It just won't enter the block.
If you really want street to be a String you could do this:
if let street:String = placemark.addressDictionary["Street"] as? NSString

but it doesn't buy you anything in this case.

A: The return type from looking up via subscript for a swift dictionary has to be an optional since there may be no value for the given key.
Therefor you must do:
as String?

A: I think it may have to do with addressDictionary being an NSDictionary.
If you convert addressDictionary to a Swift dictionary, it should work.
let street = (placemark.addressDictionary as Dictionary<String, String>)["String"]


text:
Review: MOON GIRL AND DEVIL DINOSAUR #11
MOON GIRL AND DEVIL DINOSAUR #11
Written by Amy Reeder, Brandon Montclare
Art by Natacha Bustos, Tamra Bonvillain, & Travis Lanham
Published by Marvel Comics
Ugh! My fragile heart!
Kid Kree has invaded Lunella and Devil Dinosaur's hideout. As she escapes to ask Ms. Marvel, Kamala Khan for help, she unexpectedly switches bodies with her reptilian friend. This leads to her being hospitalized and effectively confined to her room once her parents catch wind of the situation. Soon, Lunella feels as though she's made a friend, while Devil Dinosaur is wary, and she sends him off angrily, only to find that he was right about their new "companion."
Lunella just really can't catch a break. This was one of the most heartbreaking issues because, yet again, she has angrily sent her dinosaur pal away, only to find that she does not have the bastion she once thought. The end of the issue reveals why Marvin has gone through a shift in his behavior towards Lunella, and, though it did feel a bit on the nose, it does at least provide a new dynamic between the two characters.
Brandon Montclare and Amy Reeder bring back Kamala in an effort to highlight Lunella's work to feel as though she belongs somewhere. Kamala's surprise inclusion in the issue touched on similar elements of her prior appearance, in that she is to Lunella what Carol was to her. This interplay of characters creates a charming change which at first seems to give Lunella the reprieve that she needs. However, the stark contrast to these warm moments and the betrayal at the end of the issue prompt a dramatic move from a place of comfort for our main character and the series to one which continues the theme of the challenge of finding your place in the world.
Natacha Bustos has drawn one of the calmest issues of Moon Girl and Devil Dinosaur to date. There is far less pressure placed on Lunella, even as she's in the hospital, and much less emphasis placed on action. I like Bustos' work in this issue because it mirrors Lunella's gravitation toward creating a sense of comfort for herself and how it nearly comes into her grasp. These parallel to the narrative brings home the emotions with much more effect. Tamra Bonvillain, quite the color star, employs deft use of a secondary color scheme, creating an effect that softens the environment within the issue but allows for enough contrast to show action and emotion. Bonvillain is rather brilliant, and I feel the subtlety of these schemes comes into play much more than in previous issues, again mirroring the narrative of assumed peace and realized threat by the end of the issue.
I hate that Moon Girl and Devil Dinosaur #11 brought me deeper into the land of feels, but the story continues to be well done. I do want Lunella to get some relief, but her struggle offers some important dialogue and plot which makes the overall story more provocative. With yet another surprise revealed for our grade school genius, the future of this series seems like it's going to deliver on the emotions and the action.
The Verdict: 9.0/10
Allen Thomas
Tags Amy Reeder, Brandon Montclare, Marvel Comics, Moon Girl And Devil Dinosaur, Natacha Bustos, Tamra Bonvillain


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State Department: Carter Should Press for Democratic Reform in Cuba - 2002-05-10
The Bush administration says it hopes former President Jimmy Carter, in what will be an unprecedented visit to Cuba next week, will press the communist government there for democratic reforms. Mr. Carter will be the most prominent American to visit Cuba since the 1959 revolution that brought Fidel Castro to power.
Mr. Carter has long been a critic of the U.S. economic embargo against Cuba which the Bush administration strongly supports. And officials here are stressing that he is going to Cuba on a private mission and not as an administration envoy, either officially or informally.
At a briefing, State Department spokesman Richard Boucher noted that the former president has been a strong supporter of democracy and human rights in his world-wide travels. He said he hopes that while in Cuba, Mr. Carter delivers a "direct and straight-forward message" that it's time for a "rapid and peaceful transition to democracy" on the communist-ruled island.
"We think it's time for the Cuban government to stop the repression and violation of human rights," the State Department spokesman said. "Cuba should no longer be the exception in the hemisphere, but rather should join the inter-American community of open market democracies. We also hope that President Carter will visit the political opponents of the regime, call for the release of the hundreds of political prisoners held by the Cuban government - their only offense is to insist upon the human rights for the Cuban people - and to call for a peaceful dialogue between the Cuban government and its citizens."
Mr. Carter, who was president from 1977 to 1981, says he plans to meet with Cuban human rights activists and religious figures along with representatives of the Castro government.
The Cuban president said last month Mr. Carter will get a complete look at Cuban society and will be free to make all the criticisms he wants because, as Mr. Castro put it, "we are so convinced" of the "political and human strength of our revolution."
In what was seen as a gesture in advance of the Carter visit, the Castro government last week freed Vladimiro Roca, a democracy activist considered the country's most prominent political prisoner. He was released two months early after serving most of a five-year sentence for sedition.
During the Carter presidency, the United States, which severed relations when Mr. Castro took power in 1959, established the lower-level "interest section" diplomatic representation that continues today.
Mr. Carter's term also included the 1980 "Mariel Boatlift" crisis, which saw the chaotic exodus to the United States of some 125,000 Cuban emigrants.
Mr. Carter is due to arrive in Cuba Sunday for a visit spanning six days.


Lil' Kingdom has more than Tiny Tower: Elves, Wizards, Champions, Dragons and Collections. I like the the dragons and the wizard.
How can I move the floors?
I wish there were cute outfits for the citizens. If you like tiny tower you will like this game!
Too many dragons! And you have to pay attention to the princess and workers.
Build lots of white floors! The elevator gets annoying after a while.
I need 20 diamonds fast, without buying them. How do I get them?


James Lopez, Earl C. "Duke" Austin, Jr. and Congressman Joaquin Castro are the confirmed speakers for Sam Houston State University's 2017 Fall Commencements taking place on Dec. 8 and 9 in the Bernard G. Johnson Coliseum.
On Dec. 8 at 9:30 a.m., Lopez will address graduating students from the College of Education and the College of Fine Arts and Mass Communication. At 2:30 p.m., he will address students from the College of Criminal Justice and the College of Humanities and Social Sciences.
As producer and head of motion pictures at Will Packer Productions, Lopez is responsible for developing and overseeing production on all film projects. Most recently, he served as executive producer on Almost Christmas, the comedy Girls Trip and producer on the upcoming films Breaking In, City of Saints and Thieves. Additional films include Think Like A Man, About Last Night, The Wedding Ringer, The Perfect Guy and When The Bough Breaks. Lopez has been included on Ebony Magazine's Power 100 List and Imagen Foundation's Most Powerful & Influential Latinos in Entertainment.
On Dec. 9 at 9:30 a.m., Austin will address graduates from the College of Business Administration.
Before serving as chief executive officer for Quanta Services, Austin earned a Bachelor of Business Management with an emphasis in accounting from SHSU. Austin has served as chief operating officer and as president of Quanta's Electric Power and Natural Gas and Pipeline Divisions before assuming the chief executive officer role. During his time as president of North Houston Pole Line, LP, a Quanta operating unit, he was instrumental in the strategic growth of the Texas-based unit. Austin serves on the board of the Southwest Line Chapter of the National Electrical Contractors Association, the Junior Achievement board of Southeast Texas and the Greater Houston Partnership board.
On Dec. 9 at 2:30 p.m., Castro will address graduates from the College of Health Sciences and the College of Science & Engineering Technology.
Castro represents Texas' 20th Congressional District and serves on both the House Permanent Select Committee on Intelligence and the House Foreign Affairs Committee. First elected to Congress in 2012, Castro was the 2013 co-president for the House freshman Democrats and now serves in House Democratic Leadership as Chief Deputy Whip and a member of the Democratic Steering and Policy Committee. Castro is also a founding co-chair of the Congressional Pre-K Caucus, the U.S.-Japan Caucus, and the Congressional Caucus on the Association of Southeast Asian Nations. He has been called "a rising star in his party" by The Texas Tribune and one of the top 50 politicos to watch by POLITICO.


Apr 25, 2019, 5:36 p.m.
ALBIS Leasing AG engages in the provision of leasing services. It operates through the Leasing for Capital Goods and Vendor Leasing segments. The Leasing for Capital Goods segment includes the product groups such as trucks and trailers, buses and passenger cars, renewable energies, and agricultural vehicles. The Vendor Leasing segment involves the information technology, motor vehicle workshop technology, catering facilities and food service equipment, food and beverage technologies, working tools and production equipment, fitness equipment, as well as medical technology sectors. The company was founded by Hans-Otto Mahn in 1986 and is headquartered in Hamburg, Germany.


text:
SUBMISSIONS OPEN – FOLKLORE/MYTHOLOGY THEME
WORK WE NEED:
Fantasy (of course); this can be in the form of: magical realism, witches, wizards, swords & sorcery, horror-fantasy, other worlds in some far away places or worlds that collide with ours that live just out of sight. Anything you can think of in the realms of fantasy. We accept YA and adult style fantasy – and by adult we mean age not sexual content, though we do accept this within reasonable boundaries.
WORK WE DON'T NEED:
Apologies, no Sci-Fi or Fanfiction. No children's. No work that includes and/or pertains to any form of discrimination that we feel is just out-right bigotry. If you wish to include such themes because they are integral to the work; i.e. it is a reflection of how society is, this will be considered. However, if we feel you are trying to justify discrimination then it is a no-go.
We accept flash fiction of up to 1000 words and short stories of up to 3000 words. Send up to two pieces for flash and one piece for short.
We accept all forms of visual art, including: illustrations, graphic design, photography and any original pieces. We ask that all work is your own and follows the fantasy theme. Submit up to six pieces – they will be considered for cover art and interior art.
Email submissions to noctivagantpress@gmail.com
Subject line should include 'submissions', your name and which subset you are submitting; prose, poetry or visual art.
Body of email should include a short, third person bio and submitted work as attachments. Please allow up to four weeks for a response.
We accept up to three poems within one document on separate pages. Ideally no more than 30 lines. However, if you wish to submit lengthier work, contact us to discuss beforehand.
Accepted formats: Word document and PDF for Prose and Poetry. JPEG and PNG for images. Font; please use a 12 point legible font. Please be aware that we will use our own typeface for the house-style of Noctivagant Press.
As we are an entirely volunteer run magazine, we do not charge fees for reading and currently don't offer payment for publications – we started Noctivagant Press for our love of writing, creativity and of course, fantasy; we want to give people the opportunity to freely share their work and become published writers. We accept work from all writers – published or unpublished, and accept simultaneous submissions, but please let us know as soon as possible if your work is accepted elsewhere. All work will be proofread and checked/edited for any grammatical errors before being published, and we may suggest content edits. All work will remain the sole property of the corresponding contributor.
If your work has previously been published, please do let us know so that we can give credit where it's due – the responsibility remains with you to secure these rights before submitting to us.
If your work is published by us and you would like to republish elsewhere, then please give us credit.


text:
Tag: wounded warrior
AF leaders cheer on Airmen at Warrior Games
Air Force senior leaders attended the 2017 Warrior Games opening ceremonies July 1, 2017, in Chicago to show support for the athletes participating in the weeklong competition.
Healing from invisible wounds
On Jan. 15, 2008, Senior Airman Christopher D'Angelo, a heavy equipment operator, was the lead gunner in an armored vehicle convoy on a road near Baghdad. The sun was shining and the air comfortable. His unit had just transported construction materials to forward operating bases and was currently scouting an area to see how they might transport heavy equipment.
JB San Antonio-Randolph to host Warrior CARE event Jan. 9-13
The Air Force Wounded Warrior Program will host a Warrior CARE Event Jan. 9 -13 at Joint Base San Antonio-Randolph where about 120 wounded, ill or injured service men and women from across the nation are expected to participate.
Deployed wounded warrior completes back-to-back tours
"Being here, you get treated like a normal person, not like an amputee. Not like an injured guy," said Tech. Sgt. Jason Caswell, as he added more 45-pound plates to his barbell.
Recovery care coordinators provide 'boots on the ground' support
During his 30-year Air Force career, Keith Mondloch spent much of his time on the flightline as an aircraft maintainer, but he also devoted many hours as a senior NCO helping young Airmen with personnel, financial and legal issues.
AF hosts Warrior Care Sitting Volleyball Tournament
The volleyball courts were clear as athletes made their way into the Pentagon Athletic Center. Some arrived in wheelchairs. Some were missing limbs. Many had wounds which couldn't be seen. As they sat down on the court for warm-ups, they all had something in common…they were all wounded warriors. About 50 wounded warriors participated in the joint-service Warrior CARE Sitting Volleyball Tournament here Nov. 17.
Wounded warriors given avenues during CARE event
Nearly 130 Air Force wounded warriors and caregivers attending the latest Air Force Wounded Warrior (AFW2) Program's CARE event at Joint Base Andrews, Maryland, from Nov. 14-18 received tools and resources to help them deal with their individual challenges.
Amputee regains wings
An HC-130J Combat King II pilot at Moody Air Force Base, Georgia, became the sixth amputee and the first female amputee to return to the cockpit. After an above-the-knee amputation and nearly 15 months of rehabilitation -- learning to walk, run and fly again -- Air Force Capt. Christy Wise, a 71st Rescue Squadron HC-130J pilot, was medically cleared to retake to the skies on July 22.
PTSD awareness leads to positive treatment
Post-traumatic stress disorder can be debilitating in some patients, but thanks to advancements in research and the continued training of mental health providers, treatments are getting better all the time. Maj. Joel Foster, the chief of Air Force Deployment Mental Health, said treating PTSD has improved dramatically in the last 20 years.
Archers compete in first visual impairment category at Warrior Games
Wounded, ill and injured service members and veterans continue to break personal records and show fans and friends amazing feats and June 17 was no different, as archers competed in the first-ever visual impairment category at the 2016 Department of Defense Warrior Games at the U.S. Military Academy.
Guardsman sprints to multiple medals at Invictus Games
Staff Sgt. Gideon Connelly, the only Air National Guardsman on the American team, earned a silver medal in the 4x100 relay and bronze medals in the 100- and 200-meter races during this year's Invictus Games at the ESPN World Wide of Sports Complex in Orlando.
Del Toro inspires others during Invictus Games, earns gold at shot put
Master Sgt. Israel Del Toro is all about smiles and inspiring others as he competes at the Invictus Games at the ESPN Wide World of Sports Complex in Orlando.
May issue of Airman magazine now available
The May issue of Airman magazine is now available to download and is viewable through a Web browser. In the cover story, titled "'We Chose This,'" you'll go behind the scenes of the challenging training course required to become a Phoenix Raven at the U.S. Air Force Expeditionary Center at Joint Base McGuire-Dix-Lakehurst, New Jersey.
Airman seeks to rejoin pararescue team despite loss of leg
In July 2011, Staff Sgt. August O'Neill, a pararescueman, was sent to rescue a group of Marines pinned down in Afghanistan when enemy insurgents opened fire on his team's helicopter. A round bounced off the helicopter's door, tearing through both of O'Neill's lower legs and critically wounding his left. O'Neill finally told doctors to remove his left leg last year, but he remains determined to continue his career as a pararescueman.
March issue of Airman magazine now available
The March issue of Airman magazine is now available to download and is viewable through a Web browser. In the cover story, titled "Behind the Blast Doors," we pull back the curtain to Cheyenne Mountain, to bring you an insiders' look at "Americas's Fortress." Airman magazine provides an interactive experience for tablet readers and a limited interactive version is viewable in Web browser format.
Biking brings hope to wounded, recovering veterans
Members from Creech Air Force Base, Nevada, volunteered as part of the Ride 2 Recovery (R2R) program and brought more than 20 wounded and recovering veterans together for the Vegas Challenge Feb. 1-3 in Blue Diamond, Nevada.
US Military Academy to host 2016 DOD Warrior Games
The 2016 Department of Defense Warrior Games will be hosted at the U.S. Military Academy in West Point, New York, from June 14-22, according to DOD officials.
Healing through music
Former Maj. Frank Vassar pulled out his cellphone and played a song that he wrote and recorded as other wounded Airmen listened closely. Vassar, 46, explained to about a dozen Airmen at a music therapy session Nov. 19 on Joint Base Andrews that the song, "Evil," described his post-traumatic stress disorder, a condition that he battles using music.
Wheelchair rugby makes debut for Warrior CARE Month
Fifty-pound wheeled chariots made of steel, aluminum and over-sized wheels were the modes of battle Nov. 16 as teams of joint-service wounded, ill and injured kicked off a demonstration of wheelchair rugby.
BLUE: Charlie Mike to recovery
In this episode of BLUE, through the fog of post-traumatic stress disorder, traumatic injury and illness, American veterans realize that the ability to regain control of their minds and bodies lies within themselves. Wounded warriors talk about how the Air Force Wounded Warrior Care Program has helped them on the road to recovery.


Google has acquired two Web startups SayNow and fflick.
While SayNow is about movie talk, fflick connects celebrities with fans.
A blog on YouTube announced the acquisition of fflick.
Google Group product manager Shiva Rajaraman said the commentary that happens on YouTube has the potential to enrich one's experience when watching and discovering video on the site.
He said, "As part of YouTube, the fflick team will help us build features to connect you with the great videos talked about all over the Web, and surface the best of those conversations for you to participate in."
fflick was launched about six months ago by former Digg employees.
SayNow was founded in 2005. It has said it is pleased to announce the acquisition.
In a blog it said, "As Google has some of the best voice products in the world, we believe combining forces with the Google Voice team will let us innovate in new and unexplored areas."
SayNow claims more than 15 million users and thousands of celebrities for its platforms.


text:
Q: How can I align showframe and header? When I use showframe in the geometry package, then the header "lines" lie not exactly on the header. Is there a way to align them perfectly with the header? I want to do that, to set the exact header distance from the top edge of the page.
Here's an image: http://imgur.com/HGoBFKz


Life was certainly different back in the 50s compared to today.
I recently came across some ads from that era and they prompted me to take a look back at the products customers were enticed to buy and how the manufacturers went about it.
I don't know when I got so behind the times but I have a feeling that retirement is the culprit! I am happy in my little world of limited technology but when various items need replacing I am going to have quite the time adjusting….


text:
using System.Xml;
using System.ServiceModel.Security;

namespace System.ServiceModel.Channels
{
    public sealed class AddressingVersion
    {
        private string _ns;
        private XmlDictionaryString _dictionaryNs;
        private MessagePartSpecification _signedMessageParts;
        private string _toStringFormat;
        private string _anonymous;
        private XmlDictionaryString _dictionaryAnonymous;
        private Uri _anonymousUri;
        private Uri _noneUri;
        private string _faultAction;
        private string _defaultFaultAction;

        private static AddressingVersion s_none = new AddressingVersion(AddressingNoneStrings.Namespace, XD.AddressingNoneDictionary.Namespace,
            SR.AddressingNoneToStringFormat, new MessagePartSpecification(), null, null, null, null, null);

        private static AddressingVersion s_addressing10 = new AddressingVersion(Addressing10Strings.Namespace,
            XD.Addressing10Dictionary.Namespace, SR.Addressing10ToStringFormat, Addressing10SignedMessageParts,
            Addressing10Strings.Anonymous, XD.Addressing10Dictionary.Anonymous, Addressing10Strings.NoneAddress,
            Addressing10Strings.FaultAction, Addressing10Strings.DefaultFaultAction);
        private static MessagePartSpecification s_addressing10SignedMessageParts;

        private AddressingVersion(string ns, XmlDictionaryString dictionaryNs, string toStringFormat,
            MessagePartSpecification signedMessageParts, string anonymous, XmlDictionaryString dictionaryAnonymous, string none, string faultAction, string defaultFaultAction)
        {
            _ns = ns;
            _dictionaryNs = dictionaryNs;
            _toStringFormat = toStringFormat;
            _signedMessageParts = signedMessageParts;
            _anonymous = anonymous;
            _dictionaryAnonymous = dictionaryAnonymous;

            if (anonymous != null)
            {
                _anonymousUri = new Uri(anonymous);
            }

            if (none != null)
            {
                _noneUri = new Uri(none);
            }

            _faultAction = faultAction;
            _defaultFaultAction = defaultFaultAction;
        }

        public static AddressingVersion WSAddressing10
        {
            get { return s_addressing10; }
        }

        public static AddressingVersion None
        {
            get { return s_none; }
        }

        internal string Namespace
        {
            get { return _ns; }
        }

        private static MessagePartSpecification Addressing10SignedMessageParts
        {
            get
            {
                if (s_addressing10SignedMessageParts == null)
                {
                    MessagePartSpecification s = new MessagePartSpecification(
                        new XmlQualifiedName(AddressingStrings.To, Addressing10Strings.Namespace),
                        new XmlQualifiedName(AddressingStrings.From, Addressing10Strings.Namespace),
                        new XmlQualifiedName(AddressingStrings.FaultTo, Addressing10Strings.Namespace),
                        new XmlQualifiedName(AddressingStrings.ReplyTo, Addressing10Strings.Namespace),
                        new XmlQualifiedName(AddressingStrings.MessageId, Addressing10Strings.Namespace),
                        new XmlQualifiedName(AddressingStrings.RelatesTo, Addressing10Strings.Namespace),
                        new XmlQualifiedName(AddressingStrings.Action, Addressing10Strings.Namespace)
                        );
                    s.MakeReadOnly();
                    s_addressing10SignedMessageParts = s;
                }

                return s_addressing10SignedMessageParts;
            }
        }

        internal XmlDictionaryString DictionaryNamespace
        {
            get { return _dictionaryNs; }
        }

        internal string Anonymous
        {
            get { return _anonymous; }
        }

        internal XmlDictionaryString DictionaryAnonymous
        {
            get { return _dictionaryAnonymous; }
        }

        internal Uri AnonymousUri
        {
            get { return _anonymousUri; }
        }

        internal Uri NoneUri
        {
            get { return _noneUri; }
        }

        internal string FaultAction   // the action for addressing faults
        {
            get { return _faultAction; }
        }

        internal string DefaultFaultAction  // a default string that can be used for non-addressing faults
        {
            get { return _defaultFaultAction; }
        }

        internal MessagePartSpecification SignedMessageParts
        {
            get
            {
                return _signedMessageParts;
            }
        }

        public override string ToString()
        {
            return SR.Format(_toStringFormat, Namespace);
        }
    }
}


Looking for ways to celebrate Easter with your family? Enjoy a family favourite film paired with an Afternoon Tea in the UK's first Dolby Cinema.
If you're looking for a super special treat to celebrate your Easter holidays, why not discover ODEON Luxe in Leicester Square?
Offering Afternoon Tea in the luxurious Oscar's Bar from £29.95 for two people, it's the best place to relax over Easter.
Served daily until 6pm, sample a selection of sandwiches, desserts and tea or coffee.
For the grown-ups, add a touch of sparkle to your tea with a Lily's afternoon tea, including a glass of Moët & Chandon Brut Impérial champagne or a Lily's Pink Gin Spritz for £10 more per person.
To reserve your table, call 0333 014 4501 to speak to a member of the ODEON Luxe Leicester Square team.
Looking for a little inspo of what to watch this Easter? Keep scrolling, we've picked the freshest films of the moment.
After your tea, you'll be ready to settle down to watch the next smash-hit movie.
Offering the ultimate cinematic experience, the ODEON Luxe Leicester Square is the very first Dolby Cinema in the UK. There's truly no where better for all you film fanatics!
Using state of the art Dolby Cinema technology, this ODEON cinema is one of a kind. The Dolby Atmos surround sound system ensures you get the best sound no matter where you sit. The Dolby Vision captivates audiences using dramatic imaging using technology never seen before!
So, what are you waiting for? Treat your film loving family to a whole host of family-friendly films.
Everybody's favourite flying elephant, Dumbo, is back. If you haven't seen it yet, it's the perfect film to enjoy this Easter. But, if you have why not see it again?
Featuring a few new twists to the story line, the film is worth the watch.
The hand-drawn components that made up the original film have been replaced with the wonders of CGI. And, (spoiler alert) Dumbo flies at the start of the film, compared to at the end in the original.
Join a star-studded cast for highly anticipated remake of our favourite family friendly elephant tale.
Starring Colin Farrell, Michael Keaton, Danny DeVito and Eva Green.
Available to watch in cinemas from 29th March 2019.
Are you ready to revisit the breath-taking world of Marvels Cinematic Universe?
The brand-new Avengers film is back with a bang.
But will the gang, Tony Stark, Captain Marvel, Captain America, Thor and more be able to defeat the evil forces the battle against?
Available to view in cinemas from 24th April 2019.


text:
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Craft Essays
10 Questions with Urban Waite
Interview by Keith Rawson	October 22, 2014	1 comment
Sometimes the Wolf
Urban Waite
Image by Sean Hunter
What if upon the publication of your first novel, you were compared to Cormac McCarthy? I know, a lot of novelists are compared to the grim Nobelist in waiting, but ask yourself, how would you react? Would you be ecstatic? Or would you feel like it was a burden? Or what if the most widely read and influential novelist of the 20th century praised your work, how would that make you feel?
Urban Waite knows the feelings both of these things provoke. He's been compared to McCarthy in more than a few major critical outlets, and he's had Stephen King reap praise upon him, and I'm here to tell you, all of it is justified. But make no mistake, Waite writes entirely with his own voice. His three novels—The Terror of Living, The Carrion Birds, and the newly released, Sometimes The Wolf—are brilliant explorations into the desperation created by the modern world, filled with the breakneck action of white-knuckle thrillers, but with a keen literary depth rarely seen in such novels.
Simply put, Waite is an exceptional talent, and I'm positive within the next decade, new novelists will be compared to him and they will know how the weight of such a comparison feels.
What was the first story you ever wrote, and what happened to it?
You're bringing me back. I think it might have been a little two-pager I wrote for a class in college. Something about a truck stop convenience store in the middle of America. A boy clerk and the girl who came to visit him during his shifts. The sound of eighteen-wheelers going by in the night—I don't know. It was all very ethereal, nothing really happened. I came into writing through poetry and there was a lot I was trying to do in a minimal sort of way. I remember really liking the feel of putting that story together, the problem solving, and trying to make it all work. The instructor ended up selecting it for a class anthology with some of the other student work. I think I sent my parents a copy. I wonder now if they still have it?
When you sold your first piece of writing, how did you celebrate?
Misfortune happens to all of us, it's just a matter of how we deal with it that will save us or sink us.
The easy answer is I didn't. The complicated version is that I do this writing thing just for myself. I had to be talked into sending my stories out and then after an agent found me through my stories, I had to be talked into writing a novel.
Tell us about your process: Pen, paper, word processor, human blood when the moon is full... how do you write?
I write only in human blood, usually my own. But in a pinch I use a computer. And I get up early.
What's the biggest mistake you've made as a writer?
It's all a big mistake. And I think that's a good thing. I don't believe in perfection. I try to do the best I can with what I have and then I go back over it and I try to do it better. Sometimes it doesn't work. Other times it does. It's never perfect but I try to get it there.
Which fictional character would you most like to have a drink with, and why?
Morgan Drake. He's a stubborn old man in Sometimes the Wolf who likes to sit out on his cabin porch and watch the sun as it comes across his land. He doesn't say much and that seems very good to me.
What kind of catharsis did you achieve from your latest work?
Relief isn't the right emotion for the work. I get really restless if I don't have something to work on. I'm definitely all up and down the emotional scale with every project, but I'm at my lowest when I've finished something and don't know what to start on next. So… catharsis? It doesn't exist in my world.
Where do you buy your books?
Seattle Mystery Bookshop, Elliott Bay Books, Powell's, and pretty much any town I find myself in. I get around, as they say (or in this case, as I say about myself). But I mostly enjoy buying used books. For someone who depends on book sales I'm kind of weird this way. I like to see what past readers dog eared, or underlined, or to see a coffee stain on the page I'm reading and wonder where and when the book was opened and who was reading it.
How do you handle a bad review of your work?
I don't believe in bad reviews. If someone is taking the time to put their opinion out there I take it seriously. I read all the reviews. I learn from them. My job, as someone who creates characters, is to look at all kinds of different perspectives. In short, I keep an open mind. Usually if someone has a problem with what I'm writing I can see where they're coming from, the real value to me is wondering how they got there. As a writer not reading the reviews or attempting to understand the people around you feels to me like self-sabotage.
What's the worst advice you hear authors give writers?
Don't take advice or— as in the previous question—listen to reviews. If you want to be a writer then learn to have your heart broken a little every time you put something out in the world. People are going to disagree with you. Try to figure out why. Sometimes you come to the conclusion that they're just bullshitting you, but you have to come to that conclusion. I'll be real Zen here and sum up my argument by giving the advice: the journey is the destination.
In your three novels—The Terror of Living, The Carrion Birds, and the just released Sometimes the Wolf—you've written about good men driven to desperate situations. What attracts you to write about these characters?
The difference between a good day and a very bad day is as simple as taking the wrong turn down an unknown road. The point being that none of us know what will happen in our futures and we just try to do the best we can with it. These are the characters I like to work with, because it really is as simple as that. Misfortune happens to all of us, it's just a matter of how we deal with it that will save us or sink us.
Interview by Keith Rawson
Keith Rawson is a little-known pulp writer whose short fiction, poetry, essays, reviews, and interviews have been widely published both online and in print. He is the author of the short story collection The Chaos We Know (SnubNose Press)and Co-Editor of the anthology Crime Factory: The First Shift. He lives in Southern Arizona with his wife and daughter.
Follow @keithr34
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Steven Schwartz	from Chicago is reading The Fever by Megan Abbott October 22, 2014 - 6:29pm
Good stuff,bro. Waite is the real deal and look forward to his latest.
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