text:
Harold James Ruthven Murray (24 June 1868 – 16 May 1955) was a British educationalist, inspector of schools, and prominent chess historian. His book, A History of Chess, is widely regarded as the most authoritative and  comprehensive history of the game.

Early life and education
Murray, the eldest of eleven children, was born near Peckham Rye in Peckham, London. The son of Sir James Murray, the first editor of the Oxford English Dictionary, he attended school at Mill Hill and, in his spare time, helped his father produce the first edition of the OED. By the time Harold had finished school and was preparing to leave for university, he had produced over 27,000 quotations that later appeared in the OED.

He won a place at Balliol College, Oxford where in 1890 he graduated with a first class degree in Mathematics. He became an assistant master at Queen's College, Taunton where he learned to play chess. Later he was assistant master at Carlisle Grammar School, and in 1896 became headmaster of Ormskirk Grammar School in Lancashire. On 4 January 1897, he married Kate Maitland Crosthwaite. In 1901, he was appointed a school inspector, and in 1928 he became a member of the Board of Education.

Murray was a champion of the left-handed, defending children against the attempts of schools to make them conform by using their right hands.

History of Chess
In 1897, Murray was encouraged by Baron von der Lasa (who had just completed his book on the history of European chess) to research the history of chess. Murray gained access to the largest chess library in the world, that of John G. White of Cleveland, Ohio, and also used the collection of J. W. Rimington Wilson in England. The White collection contained some Arabic manuscripts, so Murray learned Arabic, and German. The research took him 13 years, during which time he contributed articles on aspects of chess history to the British Chess Magazine and the Deutsches Wochenschach. In 1913 he published A History of Chess, proposing the theory that chess originated in India. This remains the most widely accepted theory. (See Origins of chess.)

Although A History of Chess was recognised as the standard reference on the subject, its scholarly approach and great length (900 pages) made it inaccessible to most chess players. Murray began a shorter work on chess history written in a more popular style; it remained unfinished at his death and was completed by B. Goulding Brown and Harry Golombek and published in 1963 as A Short History of Chess.

Murray was the father of educationalist and biographer K. M. Elisabeth Murray and the archaeologist Kenneth Murray.

Other areas of research
In 1952 Murray published A History of Board Games other than Chess.  His work there on other games has received some criticism.  Notably, he was skeptical of the consensus history of the game Go; he wrote that weiqi (the Chinese term for Go) dated to 1000 AD at the earliest, and wrote that Chinese historians had exaggerated the antiquity of the game as well as their inventions in general.  Historians of Go have not agreed with Murray's eccentric position; archaeological evidence (some of it post-dating Murray's work, in fairness) exists of weiqi boards from 200 AD as well as pictures of a Go player dated to around 750 AD, as does background evidence of recorded stories, anecdotes, manuals, and so on that all date long before 1000 AD.

A History of Board Games Other Than Chess has been nonetheless praised as the first attempt to develop a "scheme for the classification of board games".

Bibliography

Published works
A History of Chess (London: Oxford University Press, 1913)
A History of Chess (Northampton, MA: Benjamin Press, 1985)
A History of Chess (New York: Skyhorse Publishing, 2012, paperback reprint of the 1913 edition)
A History of Board Games other than Chess (1952)
A Short History of Chess (1963, posthumously)

Unpublished works
 The Dilaram Arrangement
 The Dilaram position in European Chess
 A History of Draughts
 A History of Heyshott
 The Early History of the Knight's Tour
 The Knight's Problem
 The Classification of Knight's Tours
Most of his unpublished works are held in the Bodleian Libraries of Oxford University.

Notes

References

 (annotated bibliography)

External links

A History of Chess by H.J. R. Murray (1913) on Google Books
Chess Cafe column by Tim Harding about Harold Murray.
"The Chess Historian H.J.R. Murray" by Edward Winter
H.J.R. Murray Papers at the Oxford University Bodleian Libraries
Papers of H.J.R. Murray relating to knight's tours at the Oxford University Bodleian Libraries

1868 births
1955 deaths
English historians
Schoolteachers from Lancashire
British chess writers
Chess historians
People from Peckham
Alumni of Balliol College, Oxford
English people of Scottish descent
Tabletop game writers
English male non-fiction writers
Heads of schools in England
Schoolteachers from Cumbria
Schoolteachers from Somerset


So, Julieta had stop Office of the Barangay Council get judgement on client that was not paying their bill, so we waited for city employee to show up, but he/she never show up. So, the door was unlocked, Julieta had to go to bathroom, so she went to the office bathroom by that time I had go to the bathroom, too, so I went I the office to find her and she told me where it was. On my way out I seen this ancient computer and I was just amazed that they were still using something so ancient!
This entry was posted on Monday, November 14th, 2011 at 21:55	and is filed under My Thoughts. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.
by Dr. Seuss I Can Read With My Eyes Shut!


NOSE: Layers of fruit flavor.
PALATE: Rich, fleshy backbone of black cherry and a seamless, silky finish.
COLOUR: Deep inky purple color.
NOSE: Aromas of black plum, cherry and enticing spice notes. Fruit flavors of black cherry, berry and plum.
PALATE: Undertones of cassis, licorice, tobacco and chocolate.
NOSE: Aromas of kaffir lime, nectarine and honeysuckle.
NOSE: Pure aromas of musky nectarine, grapefruit and pineapple.
PALATE: Boasts good thickness and richness of chardonnay. Stone fruit flavors.
NOSE: Fruit flavors and aromas: dried apricots, apples and pineapples.


Terry is feeling much better. Still not able to walk on slanted ditch banks, or to carry heavy loads, but improving daily.
With the healing of the foot, he is now restless…a good sign, as they say.
So Terry decided it was time to clean off the top of the settling pond and haul the dirt into low spots on the farm.
This isn't our settling pond, but our neighbor always lets us clean the top off, then he comes in and digs out all the dirt so the water can 'settle' before it goes onto the fields.
Since the air was hot and dry, no sign of wind or rain anywhere. Off we went a mile away…to haul loads and loads of dirt onto the hollow spots on our farm.
We worked all afternoon until around five. Only stopping a short spell to change the water in the little corn field.
Finally, it was time to head home. Terry with the load. Me on the tractor. We will begin again in the morning. After I get the water changed and some of my housework done.
I'm so glad he is feeling better. Soon, maybe by next week, he will be back to normal. That's my wish anyway!
After winter we are back in the world of 'real' leaving behind that time of dreaming…of planning—a sort of make-believe time, whereby we think of all the things we want to do 'come spring'.
Saturday Terry got the two new culverts put in and under the driveway. These culverts carry the water from the neighboring fields under our road back into the canal, on it's way to the other farms below us.
The Red-Winged Blackbirds have decided to live in our thicket of trees and 'hunt' along the grass of our lawn…filling our days with restless and constant movement and joyful songs.
Although, the morning air still has the collected cool from the night before I open all my windows giving myself the gift of their songs.
The days are changing rapidly now…more warmth is arriving on the land. And the wind…the wind has come (also)…starting as early as mid-morning; stopping after the sunsets.
It will be this way until all the snow is melted on the Uncompahgre Plateau. By the first of June the wind will have died and the Plateau will be alive with spring flowers and….PEOPLE!
Finally, after last light, we are home. That welcoming refuge of strength and serenity, the soft glow of a few lights, as we settle down for an hour of exquisite delightful relaxation—Terry with a favorite TV show and I with some hand sewing.
Even with all the 'stuff' to do….I am so grateful and thankful for the coming of Spring!


The European Union (EU) was founded in 1957. Their first aim was to build a "common market", but they soon found that without sharing a common currency, their economic goals did not flourish as much as they could. Even so, it was not until 1992 when the Maastricht Treaty enshrined a single currency for the EU.
The Euro was introduced on January 1, 1999, when it became the new official currency of 11 Member States. It gradually replaced the old national currencies in two stages. The first stage involved using the Euro only for electronic and virtual payments, while the old currencies were still used for cash transactions. During these cash transactions, old currencies were considered "sub-units" of the Euro. Then, on January 1, 2002, the Euro banknotes and coins were introduced.
Not all Member States of the European Union adopt the Euro as their currency. Denmark and the United Kingdom, for example, have opted out via a clause in the Treaty, and many others (including most of the newest Member States and Sweden) have not yet met the conditions to adopt the Euro as their single currency. Once they do meet the conditions, their old national currencies will be replaced with the Euro.
In 1999, Belgium, Germany, Ireland, Spain, France, Italy, Luxembourg, the Netherlands, Austria, Portugal and Finland adopted the Euro as their currency. Greece switched to the Euro in 2001, followed by Slovenia in 2007, Cyprus and Malta in 2008, ad Slovakia in 2009.


text:
Structure, Polarization, and Sum Frequency Generation Spectrum of Interfacial Water on Anatase TiO 2
Marcos F. Calegari Andrade, Hsin Yu Ko, Roberto Car, Annabella Selloni
Princeton Institute for Computational Science and Engineering
The photocatalytic activity of TiO 2 for water splitting has been known for decades, yet the adsorption structure and hydrogen bonding of water at the interface with TiO 2 have remained controversial. We investigate the prototypical aqueous interface with anatase TiO 2 (101) using ab initio molecular dynamics (AIMD) with the strongly constrained and appropriately normed (SCAN) density functional, recently shown to provide an excellent description of the properties of bulk liquid water. We find that water forms a stable bilayer of intact molecules with ice-like dynamics and enhanced dipole moment and polarizability on the anatase surface. The orientational order and H-bond environment of interfacial water are reflected in the computed sum frequency generation (SFG) spectrum, which agrees well with recent measurements in the OH stretching frequency range (3000-3600 cm -1 ). Additional AIMD simulations for a model interface with 66% of dissociated water in the contact layer show that surface hydroxyls disrupt the order in the bilayer and lead to a much faster orientational dynamics of interfacial water. Nonetheless, the computed SFG spectrum for the hydroxylated surface also agrees with experiment, suggesting that SFG measurements in a wider frequency range would be necessary to unambiguously identify the character of interfacial water on anatase.
Journal of Physical Chemistry Letters
10.1021/acs.jpclett.8b03103
Dive into the research topics of 'Structure, Polarization, and Sum Frequency Generation Spectrum of Interfacial Water on Anatase TiO 2'. Together they form a unique fingerprint.
Sum-Frequency Generation Chemical Compounds 100%
Titanium dioxide Engineering & Materials Science 99%
anatase Physics & Astronomy 82%
Polarization Engineering & Materials Science 69%
Titanium Dioxide Chemical Compounds 62%
water Physics & Astronomy 43%
Water Engineering & Materials Science 41%
polarization Physics & Astronomy 40%
Calegari Andrade, M. F., Ko, H. Y., Car, R., & Selloni, A. (2018). Structure, Polarization, and Sum Frequency Generation Spectrum of Interfacial Water on Anatase TiO 2 Journal of Physical Chemistry Letters, 9(23), 6716-6721. https://doi.org/10.1021/acs.jpclett.8b03103
Calegari Andrade, Marcos F. ; Ko, Hsin Yu ; Car, Roberto et al. / Structure, Polarization, and Sum Frequency Generation Spectrum of Interfacial Water on Anatase TiO 2 In: Journal of Physical Chemistry Letters. 2018 ; Vol. 9, No. 23. pp. 6716-6721.
@article{b09f5ac6b6d34e938bb5744e3734d742,
title = " Structure, Polarization, and Sum Frequency Generation Spectrum of Interfacial Water on Anatase TiO 2 ",
abstract = " The photocatalytic activity of TiO 2 for water splitting has been known for decades, yet the adsorption structure and hydrogen bonding of water at the interface with TiO 2 have remained controversial. We investigate the prototypical aqueous interface with anatase TiO 2 (101) using ab initio molecular dynamics (AIMD) with the strongly constrained and appropriately normed (SCAN) density functional, recently shown to provide an excellent description of the properties of bulk liquid water. We find that water forms a stable bilayer of intact molecules with ice-like dynamics and enhanced dipole moment and polarizability on the anatase surface. The orientational order and H-bond environment of interfacial water are reflected in the computed sum frequency generation (SFG) spectrum, which agrees well with recent measurements in the OH stretching frequency range (3000-3600 cm -1 ). Additional AIMD simulations for a model interface with 66% of dissociated water in the contact layer show that surface hydroxyls disrupt the order in the bilayer and lead to a much faster orientational dynamics of interfacial water. Nonetheless, the computed SFG spectrum for the hydroxylated surface also agrees with experiment, suggesting that SFG measurements in a wider frequency range would be necessary to unambiguously identify the character of interfacial water on anatase. ",
author = "{Calegari Andrade}, {Marcos F.} and Ko, {Hsin Yu} and Roberto Car and Annabella Selloni",
note = "Funding Information: This work was conducted within the Computational Chemical Center: Chemistry in Solution and at Interfaces funded by the DoE under Award DE-SC0019394. A.S. acknowledges the support of DoE-BES, Division of Chemical Sciences, Geosciences and Biosciences under Award DE-SC0007347. M.F.C.A. acknowledges financial support from the CNPq-Brazil. We used resources of the National Energy Research Scientific Computing Center (DoE Contract No. DE-AC02-05CH11231). We also acknowledge use of the TIGRESS High Performance Computer Center at Princeton University. Publisher Copyright: Copyright {\textcopyright} 2018 American Chemical Society.",
doi = "10.1021/acs.jpclett.8b03103",
journal = "Journal of Physical Chemistry Letters",
Calegari Andrade, MF, Ko, HY, Car, R & Selloni, A 2018, ' Structure, Polarization, and Sum Frequency Generation Spectrum of Interfacial Water on Anatase TiO 2 ', Journal of Physical Chemistry Letters, vol. 9, no. 23, pp. 6716-6721. https://doi.org/10.1021/acs.jpclett.8b03103
Structure, Polarization, and Sum Frequency Generation Spectrum of Interfacial Water on Anatase TiO 2 . / Calegari Andrade, Marcos F.; Ko, Hsin Yu; Car, Roberto et al.
In: Journal of Physical Chemistry Letters, Vol. 9, No. 23, 06.12.2018, p. 6716-6721.
T1 - Structure, Polarization, and Sum Frequency Generation Spectrum of Interfacial Water on Anatase TiO 2
AU - Calegari Andrade, Marcos F.
AU - Ko, Hsin Yu
AU - Car, Roberto
AU - Selloni, Annabella
N1 - Funding Information: This work was conducted within the Computational Chemical Center: Chemistry in Solution and at Interfaces funded by the DoE under Award DE-SC0019394. A.S. acknowledges the support of DoE-BES, Division of Chemical Sciences, Geosciences and Biosciences under Award DE-SC0007347. M.F.C.A. acknowledges financial support from the CNPq-Brazil. We used resources of the National Energy Research Scientific Computing Center (DoE Contract No. DE-AC02-05CH11231). We also acknowledge use of the TIGRESS High Performance Computer Center at Princeton University. Publisher Copyright: Copyright © 2018 American Chemical Society.
N2 - The photocatalytic activity of TiO 2 for water splitting has been known for decades, yet the adsorption structure and hydrogen bonding of water at the interface with TiO 2 have remained controversial. We investigate the prototypical aqueous interface with anatase TiO 2 (101) using ab initio molecular dynamics (AIMD) with the strongly constrained and appropriately normed (SCAN) density functional, recently shown to provide an excellent description of the properties of bulk liquid water. We find that water forms a stable bilayer of intact molecules with ice-like dynamics and enhanced dipole moment and polarizability on the anatase surface. The orientational order and H-bond environment of interfacial water are reflected in the computed sum frequency generation (SFG) spectrum, which agrees well with recent measurements in the OH stretching frequency range (3000-3600 cm -1 ). Additional AIMD simulations for a model interface with 66% of dissociated water in the contact layer show that surface hydroxyls disrupt the order in the bilayer and lead to a much faster orientational dynamics of interfacial water. Nonetheless, the computed SFG spectrum for the hydroxylated surface also agrees with experiment, suggesting that SFG measurements in a wider frequency range would be necessary to unambiguously identify the character of interfacial water on anatase.
AB - The photocatalytic activity of TiO 2 for water splitting has been known for decades, yet the adsorption structure and hydrogen bonding of water at the interface with TiO 2 have remained controversial. We investigate the prototypical aqueous interface with anatase TiO 2 (101) using ab initio molecular dynamics (AIMD) with the strongly constrained and appropriately normed (SCAN) density functional, recently shown to provide an excellent description of the properties of bulk liquid water. We find that water forms a stable bilayer of intact molecules with ice-like dynamics and enhanced dipole moment and polarizability on the anatase surface. The orientational order and H-bond environment of interfacial water are reflected in the computed sum frequency generation (SFG) spectrum, which agrees well with recent measurements in the OH stretching frequency range (3000-3600 cm -1 ). Additional AIMD simulations for a model interface with 66% of dissociated water in the contact layer show that surface hydroxyls disrupt the order in the bilayer and lead to a much faster orientational dynamics of interfacial water. Nonetheless, the computed SFG spectrum for the hydroxylated surface also agrees with experiment, suggesting that SFG measurements in a wider frequency range would be necessary to unambiguously identify the character of interfacial water on anatase.
U2 - 10.1021/acs.jpclett.8b03103
DO - 10.1021/acs.jpclett.8b03103
JO - Journal of Physical Chemistry Letters
JF - Journal of Physical Chemistry Letters
Calegari Andrade MF, Ko HY, Car R, Selloni A. Structure, Polarization, and Sum Frequency Generation Spectrum of Interfacial Water on Anatase TiO 2 Journal of Physical Chemistry Letters. 2018 Dec 6;9(23):6716-6721. doi: 10.1021/acs.jpclett.8b03103

redpajama_set_name: RedPajamaCommonCrawl


A person fencing, using a foil.
Foil is a roll of extremely thin sheet metal used mainly to wrap food. It is also a person or a thing that serves as a contrast and makes another person or thing look better. As a verb, to foil means 'to frustrate and prevent the success of a plan.' A foil is also a flexible sword used in the sport fencing.
Jamie wrapped the leftovers in foil and put them in the fridge.
In famous comic duos, there is usually a "straight man" and a comedian. The straight man does not tell jokes and is a foil for the comedian.
Their plans for a picnic were foiled by bad weather.
The two women took up their foils and began to fence.
The food wrap is more fully known as aluminum foil in the US and aluminium foil in the UK. Especially in the UK, people also sometimes call it tinfoil.
Fencing has been practiced for centuries, mostly as a way men learned how to duel (ie, fight between two people with weapons) and defend themselves. Some believe that, at the end of the Roman Empire, German soldiers spread the practice of resolving arguments by dueling, so learning how to fight with a sword became essential. In some places, dueling was prohibited in the 15th century, but the tradition of fencing continued. It began to be seen as a sport in the 18th century, and it has been an Olympic sport since the first modern Olympic Games were held, in 1896.
As sheet metal, foil dates back to the second half of the 14th century and comes from the Latin word folium, meaning 'leaf' or 'blade,' the Old French words fuelle, fueille, foille, and the Middle English words foille or foil.


(1) Can we penetrate eBay's regular use of Hackathons?
Many companies have begun to stage hack-a-thons as a way to seed innovative ideas and identify top tech talent. eBay Inc.'s Battle Hack is a series of 10 hack-a-thons held in 10 major cities around the world. During these 24-hour coding challenges, teams of developers create applications that have a positive impact on their communities and use PayPal in some fashion. The winning team from each challenge competes at the world finals, held at eBay's headquarters, for a chance to win $100,000.
We've had thousands of developers participate and had hundreds of mobile applications and websites built. Battle Hack gives developers a lot of exposure to eBay's development tools and capabilities, and shows them how easily they can create applications using our technology.
Ben's Take: This seems like a golden opportunity. I wonder whether we could leverage our client relationship with eBay to scale their Hackathons by orders of magnitude (both in quality and potential extreme value outcomes). eBay travels the world to 10 cities to host its Hackathons, which I understand from a PR perspective, especially given the developers' charge in these particular contests of building community-focused applications. I still think this could be done virtually, and at a PR advantage for us if we focus on the global and distributed nature of open innovation. A potential partnership here? Or maybe (more likely) a model for working with someone else with similar goals?
(2) IBM says that 80% of organizations are turning to the crowd for innovation.
First, let's keep in mind the source, which doesn't mean we should distrust the results. Trust and verify.
The study examined common traits of "pacesetters," leading organizations that are achieving tangible business results from cloud, analytics, mobile and social technologies. Pacesetters are finding creative new ways to narrow the skills gaps in their organization, including gaps in general IT skills, application development or data analytics. One way pacesetters are filling these gaps is via partnerships with citizen developers.
In addition to turning to citizen developers, these pacesetter organizations are twice as likely to turn to academia for product development . . . .
Ben's Take: The underlined section interests me most. I read articles daily about how universities are starting crowdsourcing initiatives. I posted an article earlier this week in our internal Crowdsourcing News about a Stanford Professor who hopes to take crowdsourcing to a different level. The next day there was an article about the National Science Foundation's pioneering work with Cal Tech and UCLA. This is now standard daily fare. My first reaction is that universities want "save humanity" projects. My second reaction is that coupled with strong MBA and departmental expertise, these universities can help us understand how crowdsourcing can solve field / vertical problems, which would be huge for us.
(3) What's the point of clustering beer?
King asks what application this has to the business world.
There are many potential applications of classification and clustering, but a common one is identifying the characteristics of a company's best customers and then searching a pool of potential customers for ones that meet those characteristics. If your best customers have between 1000-2500 employees, are in the manufacturing and retail verticals, and are located in the New England area of the US, that's good information to know.
Ben's Take: Fred Brooks, in his key book The Mythical Man-Month (1995), states that over 90% of the costs of a typical system arise in the maintenance phase, and that any successful piece of software will inevitably be maintained. Wow. Now consider Software-as-a-Service, where client-side maintenance is eliminated. Consider further the idea that within the next 5-10 years, everything will be able to be consumed as a service. McKinsey calls this the "anything-as-service" phenomenon. Imagine the savings. Companies will call it bliss, and in order to compete in what will we be an elastic price market, they will wisely transfer savings to their clients, unlike the opacity of current models, which Clayton Christensen identifies as the primary reason that traditional consulting models haven't been disrupted. (At least for now.) But SaaS and other service providers will still need to know their markets cold, often by clustering and finding sweet spots. These offerings won't sell themselves, and new service market paradigms will be as competitive as ever.


text:
Home Science The Botany of Botany Bay Plants Banks & Solander specimens - what happened to them?
Banks & Solander specimens - what happened to them?
Banks and Solander had collected enthusiastically at Botany Bay in 1770. However, a definitive list and description of these plants was never formally published. Why?
In July 1771 Banks and Solander returned to London with an immense amount of material, the botanical part of which was for the most part already described in manuscript, and needed but little to prepare it for the press. Solander took up residence in Banks' house as botanist-librarian. The descriptive tickets, which had been drawn up by Solander, were arranged in systematic order and transcribed for publication. About 700 plates were engraved on copper in folio at Banks' expense, and a few prints or proofs were taken, but they remained largely unpublished until the Florilegium project in the 1980s. Solander's death in 1782 and Banks' devotion to his duties as President of the Royal Society and his directorship of the Royal Garden at Kew were probably responsible for the failure to complete the work.
As a result, the specimens collected at Botany Bay in 1770 did not play a major role in the subsequent systematic description of the Australian flora, and do not include the large number of taxonomic Type specimens that might be expected for a major scientific expedition into new territory. Visiting botanists such as the Swede Carl von Linnaeus (the son of Carl Linnaeus) and the German Joseph Gaertner had access to the specimens, and they described a few of the many species brought back by Banks and Solander. For example, specimens collected at Botany Bay were used as Type specimens for the iconic species Old Man Banksia, Banksia serrata, which was described by the younger Linnaeus in 1781 in honour of Banks, as well as for Banksia integrifolia and Banksia ericifolia, which he also described.
The visit to Banks in 1778 of the German botanist Joseph Gaertner, who was particularly interested in fruit shapes, led to Botany Bay material, or the illustrations based on it, being cited as types for a number of species including Corymbia gummifera, Leptospermum arachnoides, Leptospermum laevigatum (capsule pictured), Leptospermum squarrosum, Angophora costata, Melaleuca armillaris, Melaleuca nodosa, Syzygium paniculatum and Philydrum lanuginosum.
After Solander's death, the collections were looked after by other botanist-librarians: until 1810 by Jonas Dryander (1748-1810), and from then by Robert Brown (1773-1858) after he returned from Australia. On his death in 1820, Banks left his herbarium, library and papers for the use of Robert Brown, but they were to go to the Trustees of the British Museum on Brown's death. Brown transferred the collections to the British Museum and in 1827 became the first Keeper of the Botanical Department.
The many exciting new plants of Sydney were largely described by other botanists from other dried specimens and from living plants grown from seed sent back by the colonists and the French and Spanish expeditions. Sir James Edward Smith, for example, received specimens from Surgeon-General John White and others, and described these species in his book A Specimen of the Botany of New Holland (1793-95). This was the first important English-language publication on Australian botany.
Banks himself was very influential in other spheres. He set a model for later European expeditions by adding scientific enquiry to geographic exploration on Cook's voyages. Not only did he promote the inclusion of scientists on expeditions, he also promoted the inclusion of artists to draw the plants and animals seen.This model was followed by all subsquent major expeditions, notably by the British, French and Spanish in the Australasian region. Banks was also instrumental in starting the development of the royal gardens at Kew near London into today's leading scientific and horticultural organisation, the Royal Botanic Gardens Kew.
Banks had a particular influence in the way Australia changed post-contact. Botany Bay was chosen for a convict settlement largely on his recommendation. He later corresponded with the first Governors of the colony, and sent out a series of naturalists and horticulturalists. In particular, he sent out the Scottish botanist Robert Brown, who was based in Sydney 1802-1805 and travelled around Australia on Matthew Flinders' Investigator. Brown's plant descriptions were based mainly upon his own field observations and specimens, but also used the specimens of Banks and Solander, Labillardière and others. He published these descriptions in his Prodromus Florae Novae Hollandiae (1810) - the first comprehensive and systematic account of the Australian flora as then known.
The main set of Banks and Solander's specimens of plants and animals is still kept in the British Museum (now called the Natural History Museum) in London. Since about 1900, duplicate material has been donated by the Museum to other institutions relevant to the Endeavour voyage. The National Herbarium of New South Wales at the Royal Botanic Garden Sydney has received over 600 specimens, including material from Queensland (labelled variously as collected at Bustard Bay, Bay of Inlets, Palm Island and Endeavour River) as well as from Botany Bay. These duplicates were incorporated into the general herbarium with other material of the same species. As a result it was not possible to access a complete list of these specimens until they were again separated in the 1960s and, more recently, redetermined with current names, databased and maintained as a separate historical collection.
We would like to acknowledge the Cadigal people of the Eora Nation within Sydney and pay our respect to Elders past, present and future.


text:
Henry Curtis Beardslee (28 de setembro de 1865 - 1 de janeiro de 1948) foi um micologista norte-americano. Publicou várias obras com William Chambers Coker e trabalhou na Flórida com Gertrude Simmons Burlingham depois que ambos se aposentaram.

Beardslee formou-se na Painesville High School, em Painesville, Ohio em 1883. Graduou-se na Western Reserve University em 1889.

Espécies descritas
Amanita cylindrispora Beardslee 1936
Amanita mutabilis Beardslee 1919
Boletus betula Beardslee 1902
Boletus carolinensis Beardslee
Boletus rubinellus Beardslee
Cortinarius robustus Beardslee
Lactarius cognoscibilis Beardslee & Burl. 1940
Lactarius floridanus Beardslee & Burl. 1940
Lactarius imperceptus Beardslee & Burl. 1940
Lactarius limacinus Beardslee & Burl. 1940
Lactarius paradoxus Beardslee & Burl. 1940
Lactarius proximellus Beardslee & Burl. 1940
Lactarius pseudodeliciosus Beardslee & Burl. 1940
Lepiota caerulea Beardslee
Lepiota floccosa Beardslee
Lepiota parva Beardslee
Mycena anomala Beardslee 1924
Mycena glutinosa Beardslee 1934
Russula admirabilis Beardslee & Burl. 1939
Russula cinerascens Beardslee 1918
Russula flava Beardslee
Russula heterospora Beardslee 1934
Russula magna Beardslee 1918
Russula pungens Beardslee 1918
Russula rubescens Beardslee 1914
Volvaria cinerea Beardslee

Biólogos dos Estados Unidos
Micologistas

redpajama_set_name: RedPajamaWikipedia


text:
Money track
Over half of India's digital payments are through UPI, at the cost of card payments
However, it isn't the government's BHIM – Google Pay remains digital India's favourite app, clocking a growth of nearly 10% in October.
Niharika Sharma, qz.com
India's Unified Payments Interface now fulfils the majority of all digital transactions in the country.
In October, the real-time payment service was responsible for over 50.49% of all digital transactions, according to data from Razorpay, a Bengaluru-based payment gateway.
UPI transactions on Razorpay's platform grew 11.02% month-on-month in October. The growth has come at the cost of the popularity of card-based transactions. In September, UPI's share of digital transactions – 45% – had gone past cards for the first time. "In September, cards accounted for 42.56% of all digital transactions," Razorpay observed. "In October it fell by 6.89%, to reach 35.67%."
The UPI payment system was launched in 2016 by the state-owned National Payments Corporation of India, the umbrella organisation that manages most digital payments in the country.
However, the government's own BHIM app witnessed a decline of 10.06% month-on-month in the number of UPI transactions it enabled in October. Google Pay retained its title as the top app for UPI transactions, clocking a growth of 9.92%.
Karnataka leads the club
Karnataka has been at the forefront of leading UPI's popularity. In October, the southern state accounted for 27.72% of total transactions in the country, according to Razorpay data.
Karnataka's capital Bengaluru, often called the Silicon Valley of India, is way ahead in making payments through UPI, compared with other tier-1 cities of India.
"Tier-2 and Tier-3 cities contributed 30.97% and 6.16% respectively to the UPI transactions across the country," said Razorpay.
This article first appeared on Quartz.
United Payments Interface
Four charts that explain why we don't need a separate rail budget


text:
1841 first performance of Robert Schumann's 'Concert Fantasy' for piano and orchestra, at a closed rehearsal of the Leipzig Gewandhaus Orchestra conducted by Felix Mendelssohn, with Clara Schumann (8 and 1/2 months pregnant at the time) as the soloist; the work was later revised as the first movement of Schumann's Piano Concerto in a Op 54, which Clara Schumann premiered in Dresden on December 4, 1845 at a concert conducted by Ferdinand Hiller.
1876 first complete performance of Richard Wagner's cycle Der Ring des Nibelungen (The Ring of the Nibelung) opened the new Bayreuth Festspielhaus with a performance of Das Rheingold (this music drama had received its premiere performance in Munich on Sept. 22, 1869).
1879 John Ireland – English composer (d.1962); developed his own brand of 'English Impressionism,' related more to French and Russian models than to the folk-song style then prevailing in English music.
1948 Kathleen Battle – American light lyric-coloratura soprano (69 years old); has retired from opera, but remains active in concert and recital performances.
1964 first performance of Gustav Mahler's Symphony No. 10 as arranged for performance by the English musicologist Deryck Cooke; this first complete performance was by the London Symphony conducted by Berthold Goldschmidt.
1976 premiere of Duke Ellington's ballet and last major work Three Black Kings (posthumously), at the New York State Theater at Lincoln Center by the Alvin Ailey American Dance Theater conducted by Mercer Ellington; the three movements depict Balthazar, the Black king of the Nativity, Solomon, King of Israel and Martin Luther King, Jr.
No Recording of the Week
00:00 CLASSICAL MUSIC with Rob Grier
02:08:00 01:18:48 Gustav Mahler Symphony No. 10 in F sharp major
Riccardo Chailly Deutsches Symphonie Berlin Decca 421182
03:29:00 00:27:22 Ludwig van Beethoven Piano Sonata No. 32 in C minor Op 111
Igor Levit, piano Sony 370387
03:58:00 00:18:09 Duke Ellington Three Black Kings
JoAnn Falletta Buffalo Philharmonic Naxos 559737
04:18:00 00:33:05 José Serebrier Symphony on Bizet's "Carmen"
José Serebrier Barcelona Symphony Bis 1305
04:53:00 00:27:08 Wolfgang Amadeus Mozart Flute Concerto No. 1 in G major
Vienna Philharmonic Karl Böhm Werner Tripp, flute DeutGram 4795448
05:22:00 00:17:05 Robert Schumann Overture, Scherzo and Finale Op 52
Thomas Dausgaard Swedish Chamber Orchestra Bis 1569
05:41:00 00:06:00 Claude Debussy L'isle joyeuse
Alexander Schimpf, piano Oehms 1820
05:52:00 00:06:58 Joseph Martin Kraus Olympie: Overture
Petter Sundkvist Swedish Chamber Orchestra Naxos 553734
06:00 CONCIERTO with Frank Dominguez: Celebrating the Latin contribution to classical music
Ludwig van Beethoven: Symphony No. 5 in c, Op. 67 (1st mvt.)
Joaquín Rodrigo: Concierto Heroico
Jerónimo Giménez: Intermezzo: La boda de Luis Alonso
Manuel Saumell: Contradanzas Cubanas
Jacques Ibert: Escales (Ports of Call)
Evencio Castellanos: Santa Cruz de Pacairigua
08:00 PERFORMANCE TODAY WEEKEND with Fred Child
Jean Sibelius: Symphony No. 5 in E-flat Major, Op. 82
The Buffalo Philharmonic Orchestra; JoAnn Falletta, conductor
Kleinhans Music Hall, Buffalo, NY
Music: 28:08
09:00 PERFORMANCE TODAY WEEKEND
Vasily Kalinnikov: Serenade for String Orchestra
Chamber Orchestra Kremlin; Misha Rachlevsky, conductor
Beaches Fine Arts, Jacksonville, Florida, St. Paul's by the Sea Episcopal Church, Jacksonville, FL
Music: 4:40
Joaquin Turina: Sonata, Op. 61: Movement 1
Adam Holzman, guitar
92nd Street Y, New York, NY
Ludwig van Beethoven: Piano Concerto No. 4: Movements 1, 3
Nikita Mndoyants, piano; The Cleveland Orchestra; Bramwell Tovey, conductor
Cleveland International Piano Competition, Severance Hall, Cleveland, OH
10:00 CLASSICAL WEEKEND with Jacqueline Gerber
10:01:00 00:03:14 Ari Pulkkinen Angry Birds: Main Theme
Andrew Skeet London Philharmonic X5 Group 2011
10:06:00 00:07:21 Petronio Franceschini Sonata for 2 Trumpets & Strings in D major
Philharmonia Orchestra Christopher Warren-Green John Wallace, trumpet; John Miller, trumpet Nimbus 5017
10:15:00 00:12:47 Ludwig van Beethoven Leonore Overture No. 3 Op 72
Daniel Harding German Chamber Philharmonic VirginClas 45364
10:29:00 00:07:59 Gustav Holst The Planets: Venus Op 32
Sir Andrew Davis BBC Philharmonic Chandos 5086
10:39:00 00:07:01 Franz Schubert Scherzo from Piano Trio No. 2
Joseph Kalichstein, piano; Jaime Laredo, violin; Sharon Robinson, cello Bridge 9376
10:48:00 00:04:09 Maurice Ravel Daphnis et Chloé: Danse général
Daniel Barenboim Orchestra of Paris DeutGram 4795448
10:54:00 00:04:04 Alexandre Desplat Coco Before Chanel
Traffic Quintet Alain Planès, piano Mercury 481217
11:00 FROM THE TOP with Christopher O'Riley and America's finest young musicians; recorded February 20, 2015 - From Denver, Colorado, this week's episode features a special guest appearance by one of America's finest living film composers, Danny Elfman. Our young musicians perform arrangements of his music from the soundtracks of "Milk" and "The Nightmare Before Christmas." Mr. Elfman also shares stories from his own colorful teenage years, and a phenomenal 17-year-old from New York performs the music of Lowell Liebermann
12:00 CLASSICAL WEEKEND with Jim Mehrling; COMPOSERS DATEBOOK with John Zech;
CLASSICS FOR KIDS with Naomi Lewin: Johann Strauss Jr
12:16:00 00:07:58 Richard Wagner Die Walküre: Magic Fire Music
José Serebrier Bournemouth Symphony Naxos 570293
12:26:00 00:09:07 John Ireland Epic March
Richard Hickox London Symphony Orchestra Chandos 8879
12:39:00 00:10:38 Sir Edward Elgar Serenade for Strings in E minor Op 20
Conrad van Alphen Rotterdam Chamber Orchestra Telarc 80623
12:51:00 00:07:03 Sir Edward Elgar Caractacus: Triumphal March Op 35
James Judd New Zealand Symphony Naxos 557273
13:00 THE BIG WORK AT ONE
13:00:00 01:02:23 Anton Bruckner Symphony No. 2 in C minor
Daniel Barenboim Berlin Philharmonic Teldec 21485
13:39:00 00:07:34 Robert Schumann Bunte Blätter: Albumblätter Op 99
Vassily Primakov, piano LP Classic 1004
13:46:00 00:07:59 Johannes Brahms Andante from Horn Trio Op 40
Richard King, horn; Amy Lee, violin; Orli Shaham, piano Albany 1325
14:00 WCLV CLASSICAL WEEKEND
14:10:00 00:10:00 Jack Gallagher Diversions Overture
JoAnn Falletta London Symphony Orchestra Naxos 559652
14:25:00 00:08:12 Gabriel Pierné Ramuntcho: Overture
Juanjo Mena BBC Philharmonic Chandos 10633
14:37:00 00:10:00 Frédéric Chopin Scherzo No. 2 in B flat minor Op 31
Yundi, piano DeutGram 3887
14:49:00 00:08:06 Edvard Grieg Two Elegiac Melodies Op 34
Neeme Järvi Gothenburg Symphony DeutGram 437520
15:00 WCLV CLASSICAL WEEKEND; COMPOSERS DATEBOOK with John Zech
15:05:00 00:28:00 Wolfgang Amadeus Mozart String Quintet No. 5 in D major
Sarah Kapustin, violin; Diana Cohen, violin; Mark Holloway, viola; Sebastian Krunnies, viola; David Soyer, cello Marlboro 80001
15:37:00 00:09:32 Herbert Howells Paradise Rondel
15:48:00 00:08:01 Oskar Nedbal The Winegrower's Bride: Overture
Douglas Bostock Carlsbad Symphony Classico 192
16:03:00 00:14:18 Wolfgang Amadeus Mozart Variations on a Theme by Gluck
András Schiff, piano Decca 421369
16:20:00 00:10:02 Franz Liszt Hungarian Rhapsody No. 4 for Orchestra
Iván Fischer Budapest Festival Orchestra DeutGram 4779525
16:32:00 00:12:00 Carl Philipp Emanuel Bach String Symphony in A major
Rebecca Miller Orch of Age of Enlightenment Signum 395
16:45:00 00:07:04 Johann Sebastian Bach Concerto after Vivaldi in F
Cyprien Katsaris, piano Sony 66272
17:00 THE SCORE with Edmund Stone: The Leitmotif - The famous 2 notes that meant Jaws was near, Darth Vader's Imperial March. We'll explore the use of character themes, or leitmotifs, in film music
18:00 FOOTLIGHT PARADE: SOUNDS OF THE AMERICAN MUSICAL with Bill Rudman: "Playing With Words" - Some dazzling lyrics by the great Ira Gershwin and his equally brilliant boyhood chum Yip Harburg, with performers including Judy Garland, Bobby Short and Groucho Marx
19:00 SYMPHONY AT SEVEN with John Simna
19:02:00 00:15:16 Michael Haydn Symphony No. 41 in F major
Matthias Bamert London Mozart Players Chandos 9352
19:19:00 00:36:04 Robert Schumann Symphony No. 2 in C major Op 61
Kenneth Woods Orchestra of the Swan Avie 2231
19:58:00 00:01:20 Peter Tchaikovsky The Seasons: July Op 37
Lang Lang, piano Sony 511758
20:00 SATURDAYS FROM SEVERANCE with Robert Conrad - The Cleveland Orchestra, Franz Welser-Möst, conductor; William Preucil, violin; Mark Kosower, cello; Miami – Adrienne Arsht Center
Sergei Prokofiev: Divertimento for Orchestra
Johannes Brahms: Concerto for Violin and Cello in a "Double"
Sergei Prokofiev: Symphony No. 3 in c
22:00 WEEKEND RADIO with Robert Conrad - Some items from Steven Wright including "Hitchhiking," "Cross Country," and "Ice"… An assortment of Myron Cohen yarns… Stuart McLean tells about the "Grocery Cart"… Richard Howland-Bolton describes the "Invasion of Squirrels… This Week in the Media
23:00 QUIET HOUR with John Simna
23:02:00 00:06:14 Felix Mendelssohn Andante from Piano Trio No. 1 Op 49
Emanuel Ax, piano; Itzhak Perlman, violin; Yo-Yo Ma, cello Sony 52192
23:08:00 00:08:48 Camille Saint-Saëns Andantino from Violin Concerto No. 3 Op 61
Philharmonia Orchestra Antonio Pappano Maxim Vengerov, violin EMI 57593
23:19:00 00:06:35 George I. Gurdjieff Night Procession
Anja Lechner, cello; François Couturier, piano ECM 2367
23:25:00 00:04:49 John Ireland A Downland Suite: Minuet
William Boughton English String Orchestra Nimbus 7020
23:30:00 00:06:15 Heitor Villa-Lobos Bachianas Brasileiras No. 5: Aria
Dresden State Orchestra Fabio Luisi Elina Garanca, mezzo DeutGram 4795448
23:56:00 00:03:16 Aram Khachaturian Masquerade: Nocturne
Royal Philharmonic Barry Wordsworth Janine Jansen, violin Decca 475011
23:58:00 00:01:39 Frédéric Chopin Prelude No. 4 in E minor Op 28
Daniil Trifonov, piano DeutGram 4791728


text:
Home / Road /Supersport / YZF-R1M
Yamaha YZF-R1M Australia for Sale at MOTOGO Yamaha in Bentleigh, VIC | Specifications and Review Information
Your whole motorcycling career has been building up to this moment. And with the new YZF-R1M, you can be sure that you are in possession of the most advanced Yamaha production track bike of all time. Take a look at the new more aerodynamic M1-inspired carbon bodywork and it's clear that this race-focused motorcycle is constructed like no other machine.
With its state-of-the-art Öhlins Electronic Racing Suspension (ERS) - including new NPX anti-cavitator gas front forks - as well as new Brake Control (BC) system and new 3-mode Engine Brake Management (EBM) system, the YZF-R1M is ready to push the boundaries.
And its mind-blowing array of wirelessly tuneable electronic control technologies give you the highest degree of confidence.
REFINED CP4 ENGINE
The YZF-R1 comes equipped with the next generation of Yamaha's unique 998cc inline four-cylinder crossplane crankshaft engine for refined performance. Returning features such as titanium fracture-split connecting rods and offset cylinders contribute to a responsive and potent character, while the cylinder head, fuel injectors, finger-follower rocker arms, and camshaft profiles are new for 2020.
ADVANCED BODYWORK
Redesigned bodywork contributes to higher-quality performance and a more comfortable rider fit. The new design creates a 5.3% increase in aerodynamic efficiency while reducing wind noise and pressure on the rider when in a tucked position, and improved comfort comes from smoother side sections where the rider's legs contact the bike. The 2020 YZF-R1M also receives a new carbon fibre tail cowl.
BRAKE CONTROL SYSTEM
Technology is transforming the way we ride, and the latest YZF-R1 features no fewer than seven electronic control systems. Featuring two modes, the new Brake Control (BC) system analyses data such as lean angle and slipping acceleration and modulates hydraulic brake pressure to prevent wheel lock-ups.
ENGINE BRAKE MANAGEMENT
Control is everything when you're on the track, and the new Engine Brake Management (EBM) system allows you to adjust engine braking force. Using data from various sensors, the EBM adjusts throttle opening, ignition timing and fuel injection volume to give you a choice of three engine braking modes to suit different riding situations.
ENHANCED SUSPENSION
Öhlins Electronic Racing Suspension (ERS) on the YZF-R1M features new NPX pressurised fork legs, along with a revised rear shock. Everything is adjustable through the YRC settings and Y-TRAC on the TFT dash or via a smartphone.
ACCELERATOR POSITION SENSOR
An all-new Accelerator Position Sensor with Grip (APSG) ride-by-wire system- featuring Yamaha's Chip Controlled Throttle (YCC-T) - eliminates throttle cables and reduces weight while providing smoother throttle operation.
New lightweight, compact LED twin headlights for both the low and high beam, combined with the redesigned body styling to create a new front face symbolising the next-generation of R-Series design.
Liquid-cooled, 4-stroke, DOHC, 4-valve, forward-inclined parallel 4-cylinder
13.0 : 1
YCC-T, YCC-I, TCS, SCS, LIF, QSS, UBS, ABS, LCS
Constant mesh 6-speed
Aluminium Deltabox
Öhlins electronic adjustable telescopic forks, 120mm travel
Öhlins electronic adjustable, 120mm travel
Hydraulic dual discs, 320mm - ABS
Hydraulic single disc, 220mm - ABS
120/70 ZR17MC (58W) Tubeless
200/55 ZR17M/C (78W) Tubeless


text:
import javax.swing.event.*;
import javax.swing.text.*;
import javax.swing.undo.UndoableEdit;

/**
 * A document implementation that can be tokenized by the syntax highlighting
 * system.
 *
 * @author Slava Pestov
 * @version $Id: SyntaxDocument.java,v 1.14 1999/12/13 03:40:30 sp Exp $
 */
public class SyntaxDocument extends PlainDocument
{
	/**
	 * Returns the token marker that is to be used to split lines
	 * of this document up into tokens. May return null if this
	 * document is not to be colorized.
	 */
	public TokenMarker getTokenMarker()
	{
		return tokenMarker;
	}

	/**
	 * Sets the token marker that is to be used to split lines of
	 * this document up into tokens. May throw an exception if
	 * this is not supported for this type of document.
	 * @param tm The new token marker
	 */
	public void setTokenMarker(TokenMarker tm)
	{
		tokenMarker = tm;
		if(tm == null)
			return;
		tokenMarker.insertLines(0,getDefaultRootElement()
			.getElementCount());
		tokenizeLines();
	}

	/**
	 * Reparses the document, by passing all lines to the token
	 * marker. This should be called after the document is first
	 * loaded.
	 */
	public void tokenizeLines()
	{
		tokenizeLines(0,getDefaultRootElement().getElementCount());
	}

	/**
	 * Reparses the document, by passing the specified lines to the
	 * token marker. This should be called after a large quantity of
	 * text is first inserted.
	 * @param start The first line to parse
	 * @param len The number of lines, after the first one to parse
	 */
	public void tokenizeLines(int start, int len)
	{
		if(tokenMarker == null || !tokenMarker.supportsMultilineTokens())
			return;

		Segment lineSegment = new Segment();
		Element map = getDefaultRootElement();

		len += start;

		try
		{
			for(int i = start; i < len; i++)
			{
				Element lineElement = map.getElement(i);
				int lineStart = lineElement.getStartOffset();
				getText(lineStart,lineElement.getEndOffset()
					- lineStart - 1,lineSegment);
				tokenMarker.markTokens(lineSegment,i);
			}
		}
		catch(BadLocationException bl)
		{
			bl.printStackTrace();
		}
	}

	/**
	 * Starts a compound edit that can be undone in one operation.
	 * Subclasses that implement undo should override this method;
	 * this class has no undo functionality so this method is
	 * empty.
	 */
	public void beginCompoundEdit() {}

	/**
	 * Ends a compound edit that can be undone in one operation.
	 * Subclasses that implement undo should override this method;
	 * this class has no undo functionality so this method is
	 * empty.
	 */
	public void endCompoundEdit() {}

	/**
	 * Adds an undoable edit to this document's undo list. The edit
	 * should be ignored if something is currently being undone.
	 * @param edit The undoable edit
	 *
	 * @since jEdit 2.2pre1
	 */
	public void addUndoableEdit(UndoableEdit edit) {}

	// protected members
	protected TokenMarker tokenMarker;

	/**
	 * We overwrite this method to update the token marker
	 * state immediately so that any event listeners get a
	 * consistent token marker.
	 */
	protected void fireInsertUpdate(DocumentEvent evt)
	{
		if(tokenMarker != null)
		{
			DocumentEvent.ElementChange ch = evt.getChange(
				getDefaultRootElement());
			if(ch != null)
			{
				tokenMarker.insertLines(ch.getIndex() + 1,
					ch.getChildrenAdded().length -
					ch.getChildrenRemoved().length);
			}
		}

		super.fireInsertUpdate(evt);
	}

	/**
	 * We overwrite this method to update the token marker
	 * state immediately so that any event listeners get a
	 * consistent token marker.
	 */
	protected void fireRemoveUpdate(DocumentEvent evt)
	{
		if(tokenMarker != null)
		{
			DocumentEvent.ElementChange ch = evt.getChange(
				getDefaultRootElement());
			if(ch != null)
			{
				tokenMarker.deleteLines(ch.getIndex() + 1,
					ch.getChildrenRemoved().length -
					ch.getChildrenAdded().length);
			}
		}

		super.fireRemoveUpdate(evt);
	}
}

redpajama_set_name: RedPajamaGithub


The 8:45AM Main Minyan Kiddush is sponsored by Art Boyars & Bev Morris on the occasion of the third Yahrzeit, 28 Iyar, of his mother, Sarah Boyars, z"l.
There will be a Mevorchim HaChodesh Kiddush at University Blvd. this Shabbos.
Vicki Binstock on the engagement of her daughter, Shoshana, to Noam Feldman. Mazal Tov to Shana`s brothers Avi & David, her grandmother Florence Avigan (Joel), and Aunt Karen & Howard Schulman, cousins Daniel Kramer and Adina Moses and their families. Mazal Tov to Ruth & Gary Feldman of Bala Cynwyd, PA.
The family of former YISE member Blossom Reutlinger, who passed away last week in Israel. The funeral and shiva took place in Israel.
The following new members were voted in at the YISE Board meeting: Rysel House, Shira & Moshe Kasser, Shani & Yehuda Malka, Masha & Reuven Schore.
All-New YISE.org website! On Monday, May 17, we will re-launch YISE.org with an all-new look, easy to use navigation, online donate features, and more!
Ice Cream Party! Children of all ages are invited to an special milchig Ice Cream Party on the 2nd day of Shavuos, May 20, from 4 to 5 pm. Come join us for delicious treats and lots of fun in the small side of the Social Hall! For more information email scottmiller@yise.org.
The Wednesday evening Advanced Men`s Gemara shiur previously taught by Rabbi Anemer, z"l, will now be conducted by Rabbi Moshe Arzouan, Wednesday nights following maariv at University Blvd.
R` Pinchas Werner – Shiur on points of topical interest in the Parsha, 8:15am-8:45am, in the small youth room behind the balcony. Men of all backgrounds are welcome.
The Women`s Group studying "Practical Applications of the Chafetz Chaim & Insights of the Parsha through the Eyes of Rav Pam" will meet this Shabbat at the home of Rebbetzin Myrna Klavan, 1106 Arcola Avenue, 4:30pm. All women welcome!
First Grade Girls` Shabbos Group this Shabbos is at the home of Danya Tyberg, at 4pm.
The Women`s Rosh Chodesh Shiur for Chodesh Sivan will be presented by Yvonne Marzouk on Wednesday night, May 12, 8:30pm, at the home of Chaya Shinensky, 601 Hyde Road. All women are welcome.
How Can I Help My Child Cope? Wednesday, May 12, 7:30pm at Hebrew Day School, 1840 University Blvd. W. "How Can I Help My Child Cope? Strategies for the Classroom, Home and other Social Environments." Led by Judi Lapidus, OTR/L, a pediatric occupational therapist.
Mikvah Emunah Society community-wide symposium on Jewish Married Life presented by Rabbi Yaakov and Rebbetzin Peshi Neuberger. Sunday May 16 – 7:00pm Mincha, 7:15pm program at YISE Arcola.
Learn computer skills online – The OU will webcast classes, generally 90 minutes each, on vital computer skills. Six-part series on PowerPoint starts May 17; series on Dreamweaver, Excel, Photoshop, Quickbooks, and Word start later. For info and to register, please visit www.ou.org/jobs. For individualized attention to your career needs, please contact Avi Zemelman at azemelman@jobassist.org.
Financial First Aid JSSA – Jewish Social Service Agency`s June 2 free workshop is for people experiencing financial hardship due to the difficult economy. You will gain tools to deal with immediate to long-term financial needs –mortgage options, creditors and credit rating, downsizing, and budgeting. Call to register at 301-610-8330.
Free jobsearch bootcamps – These popular, monthly bootcamps, run by JSSA are "sold out" every month. Kickstart your jobsearch and learn about about the hidden job market, networking, effective resumes, and interviewing. Limited openings, so pre-registration required, 301-610-8380. Next open sessions are on June 15 and 16, July 20 and 21, and August 17 and 18.
The YISE community is invited to the University Blvd. Shul after Maariv, Sunday, May 9, for the annual commemoration of the yahrzeit of Reuven Fishman, z"l. Reuven, an idealistic Ba`al Teshuva who befriended our community, was murdered by Arab terrorists in Jerusalem in 1978. Mishnayos will be learned and light refreshments served.
Tuesday 6:30am 6:55am/7:35am 6:15am "
Wednesday 6:30am 6:30am**/7:35am 6:15am "
Friday-Rosh Chodesh 6:10am 6:35am/7:35am ** 6:00am "
Yom Yerushalayim davening Wednesday is at 6:30am in the Belonofsky Sanctuary.
It includes a Haftara and Hallel without brachot.
Next Shabbos Shorts Deadline: Wednesday, May 12, at 12 Noon.


text:
Blood donors enjoy pancakes, crab cakes during drive at Pasadena parish
When people file into the church hall at St. Jane Frances de Chantal, Pasadena, Feb. 25, they will catch a whiff of sausage sizzling on a griddle and crab cakes being laid on a bun, and for a taste it will only cost them a pint of blood.
Volunteers will be serving pancakes, sausage and rolls during the morning hours of the parish's blood drive and crab cakes during the afternoon session, said Joe Turchetta, a parishioner of the church and organizer of the event.
"It's become a tradition for us," said Mr. Turchetta of Pasadena. "We get more than 100 pints of blood at all of our blood drives. A lot of these people tell me they come just for the crab cakes or the pancakes."
The blood drive begins 8 a.m. in the church hall, and the 10 parish volunteers begin serving breakfast to the donors by 8:30 a.m., he said. "We start serving the crab cakes around 12:30 p.m. and keep them coming until the blood drive ends at 2:30 p.m."
Though the church has always served refreshments during the three blood drives it holds each year, the goodies for breakfast and lunch didn't surface until a few years ago, when parishioner Bill Green – owner of the Stoney Creek Inn in Curtis Bay – suggested his restaurant could provide the meals for hungry donors.
Before the pancakes and crab cakes, the parish blood drives might have been lucky to collect 40 pints each time, Mr. Turchetta said.


text:
by Keith Keller | Oct 20, 2015 | GUEST BLOG POSTS: Social Media & SEO | 0 comments
"P.R.I.S.M"
Monetising Your Marketing
Guest Blog Post By Ian Cleary
You will hear a lot of people saying that the number of fans/followers doesn't really matter but it actually does!
It matters if you are building a relevant audience.
If you've got a relevant, growing audience of fans/followers it makes sense that you will get more eyeballs on your content which will result in more clicks and more website visits.
Our traffic from Twitter increased by over 100% when we implemented tactics for growing our following.
The revenue on social comes mainly comes from sales on your website and relationships that turn into sales. You can't do either without building a relevant audience.
If you want to do an analysis of your followers go to analytics. Twitter.com and you'll see a breakdown similar to the following:
To build a good audience you need to be attracting the right type of people with the right type of content. If you have a good profile audience but poor engagement you are providing the wrong type of content. If you get great engagement but you're attracting the wrong audience you won't be able to mobilize this audience into action.
Yes, on social you need to be social!
You need to share your content and also other people's content.
As you share more of other people's content they will start sharing yours.
As you engage with more people they will engage more with you. This leads to more engagement with your content which leads to more traffic. They are all linked!
One good way of building relationships is identifying a group of influencers that are engaging with an audience you want to engage with and build a relationship with them.
As you build the relationship they will start sharing your content (if it's good!).
If you wanted to keep track of a group of influencers on Twitter you'd add them to a Twitter list. This can be a private list so only you can see it.
When you add them to a list you can then add this list as a stream within Hootsuite and this allows you keep track of everyone on the list!
You then have a stream to keep an eye on!!
INCOMING TRAFFIC
When you build the audience and relationships you'll start getting some inbound traffic. Inbound traffic means potential for sales because sales still mainly happen on your website.
But you need to consider that when you share out content on your website on social media the vast majority of people do not see your content!
What's the reach on your Facebook page? (i.e. number of fans to see your content)?
It's probably going to be under 20% and it's likely it's fewer than 10%
Your Tweet lasts about an hour. How many of your Twitter followers are active during that hour? How many were active but didn't see your Tweet? How many seen it but didn't click on it.
Less than 5% of your Twitter followers (on average) will ever see your Tweets.
SUBSCRIBERS & SOCIAL RETARGETING
70% of all website traffic will never come back to your website!
Also, the majority of visitors from social media are not ready to buy. So what do you do when they are not ready to buy?
You try to get them to subscribe to your email list. It's far easier to get people to buy over email than over social media channels.
When someone signs up to your email list you can build a closer relationship with them which will ultimately lead to a sale.
When someone leaves your website you should also retarget them with ads to join your email list because the majority of people will not.
MONETISING YOUR EFFORTS IN 5 EASY STEPS
Now that you have built email subscribers you strengthen the relationship through providing great content and then you give them opportunities to buy.
A sales funnel is a series of steps a person takes before they buy something from you. We could spend a month on this section alone because there is so much you can do.
Here is a very basic funnel.
This can all be fully automated.
The amount of people you buy depends on many things, for example:
What words you use to describe what you are selling
How often you ask them to buy – too much or too little
Do you retarget them – Retarget them with offers if they don't buy. For example, show an ad on Facebook.
What is the offer – Price, guarantee etc.?
Understanding sales funnels and how you implement them online is one of the most valuable skills you can ever learn.
ABOUT IAN CLEARY
Ian Cleary is the founder of RazorSocial, a site dedicated to the productive and efficient use of social media through the smart and strategic use of online tools and technology.
Built alongside his business partner, Colette, their hard work has earned countless accolades, speaking invitations that include Social Media Marketing World, Content Marketing World, Boom Social, TBEX, and opportunities to write for cool places like VentureBeat, Content Marketing Institute, Entrepreneur.com, and Huffington Post.
After selling off his shares from the last technology company Ian worked for, he began a new career in the technology field with an eye toward bridging the gap between technology and social media.
While the rest of the industry was ironing out social media strategies, Ian took a more hands on approach. RazorSocial was created to help the common entrepreneur access and utilize the social media tools already available in the market – no matter their tech experience.
Now boasting 2013, 2014, and 2015 Top 10 Blog Awards from Social Media Examiner, RazorSocial has become one of the most trafficked social media blogs in the world.
With a home base in Ireland, Ian was currently ranked among the Top 40 Digital Strategists in a recent annual report by Online Marketing Institute in the US. Given his twenty-plus years of experience working for and managing companies in the tech and marketing industries, it's no surprise he's also ranked among the Top 50 Content Marketers in the world.
Ian is a sporting enthusiast and with his competitive nature he's always looking at ways to challenge himself including several years at kick boxing and recently turning his hand to break dancing. He had more success with the kick boxing!
TRY THESE SOCIAL AUDIO PLATFORMS FOR BETTER ONLINE…


Icon is a unique, low VOC, high-solids, epoxy-based formula offers significant advantages over the conventional water-based urethane finishes, including ease-of-application, higher gloss and unsurpassed durability. Icon provides the toughness, abrasion resistance, and durability necessary to stand up to the heaviest of traffic and tournament play. Icon should be used withing one hour of mixing and may be applied with Multi-Flo, Multi-Flo XP or lightweight T-Bar. Approximately 400 to 600 square feet per gallon. Ultra durable and high gloss finish.


While the precise origins of this exercise remain unknown, the first mention of the "pull-up" was somewhere between the years of 1850 and 1855. The pull-up is one of the staple movements across different organizations, including the US Marine Corps. It is also one of the classics in calisthenics. It is a closed chain compound pulling movement. A brief explanation of these terms follows. "Closed chain" means that the extremity used is fixated and is not free to switch position during the movement. A compound exercise is that which engages multiple joints and muscle groups to perform the movement. In pulling exercises, the aim is to work the musculature of the back.
Firstly, grip with both of your hands onto a fixated a bar which is placed above your head. Use a pronated grip. Curl your legs behind you so that you no longer contact the floor. Using your upper back, bring yourself up, with the face being vertically over the bar by the end of the repetition. Do this without utilizing momentum gained by swinging your body. Lower your body into full extension of the elbows, with your feet still in the air. Repeat.
Here is a list of what not to do: look up or push your head upwards, create momentum, use a false grip (thumbless), come up only halfway.
The fundamental objective of this exercise is to train the upper back. Primarily, the latissimus dorsi. This exercise uses two of this muscle's primary functions: shoulder adduction and extension. This means that the pull-up results in a great activation of the latissimus dorsi. The pull-ups also engage many other back muscles, including: the rotator cuff (teres major, teres minor, pectoralis minor and infraspinatus), posterior deltoids, rhomboids, levator scapulae and the trapezius. Besides the back muscles, two others are used: the brachioradialis and the biceps brachialis. All of these are only synergists in this movement. The high amount of muscles used means that this exercise has a considerable loading potential, making it exceptional for purposes of both strength and hypertrophy.
Although virtually no equipment is required to perform this exercise, many new variations could be created by the use of it. The variations will be separated into two groups, where one of them requires additional equipment, and the other doesn't. Every variation of these can be done with weights attached.
Negatives (only performing the eccentric portion).
Many elements of these variations can be combined to create a new variation of the pull-up. Most of the variations that do not require equipment can be performed with it. It is important to mention that not every variation will work with every individual. For instance, behind-the-back pull-up may cause a painful sensation in some people. If this happens to your, cease to perform the exercise immediately.


text:
Microsoft Promises More Flexibility, Transparency for Windows 10 Updates
Posted on March 1, 2017 by Paul Thurrott in Windows 10 with 36 Comments
Today, Microsoft revealed its plans to improve the Windows 10 update and upgrade experiences. And, as important, its goals for being more transparent about the changes it is making to your PCs.
These changes were of course driven by customer feedback. And they relate both to updates—the ongoing "Windows as a service" stuff—and upgrades, which is what happens when you move from one version of Windows 10 to the next version.
There are issues with both. And while I don't like to pat myself on the back, I have been a big part of both conversations, and have in both cases, I think, raised awareness that things needed to change.
Last October, I noted that Windows as a Service simply wasn't working, that treating a monolithic, legacy code base like a cloud service when it comes to updating may in fact be impossible.
"It doesn't work," I wrote at the time. "We're all in a perpetual beta, where the speed of these updates and the explicit understanding that they will always be followed my more updates, means that quality control can lapse. If Microsoft screws up an update, no worries: They can and will just patch it again, because they can. And patch it and patch it and patch it. Which they have."
Updating—and the lack of quality there—is something that Windows 10 users deal with on a monthly basis. But upgrading only happens once or twice a year. So that should be a better experience, right?
Well, as you may recall, the previous major Windows 10 upgrade, called the Anniversary Update, suffered from major reliability issues, necessitating a longer-than-expected, months-long rollout. Not to mention some scrambling on Microsoft's part to find out what went wrong and to ensure that it never happens again.
The problems were so bad that I called on Microsoft to consider a formal Reliable Computing Initiative that would mimic past actions such as the Trustworthy Computing Initiative. But I also spoke privately with the Windows team at this time. And to be fair, the firm does at least have various processes in place to ensure that when things do go south, they can regroup and fix the problems. What was needed, I argued, was better transparency: Microsoft's continued silence in the face of criticism was harming customers' view of Windows 10, and of the company.
Well, I'm happy to say that it appears that Microsoft has taken this advice to heart. And that the firm is moving to make both updates and upgrades more reliable, more predictable, and easier on those who, to date, have felt that the way the system works now is simply too Draconian.
Some of these changes were apparent in previous Windows 10 Insider builds, but some of this new as well. So here's a quick rundown of what Microsoft is promising.
Update install timing configuration. Today, Windows 10 doesn't provide a way for customers to configure the timing of updates. With the Creators Update, you will now have several options for scheduling this timing. You can "hit a snooze button" and pick an install time so that your PC doesn't just reboot to install an update, for example. And Microsoft is widening the Active Hours setting.
Fewer reboots. Updates will trigger fewer reboots, which reduce the likelihood that an update will be installed at an inopportune time.
"At a glance" update status. A new icon in the Windows Update page in Settings will help customers understand whether their PC is up-to-date with updates. Microsoft says this change is consistent with the UI in the new Windows Defender Security Center.
Better performance. Update downloads will have less impact on PC performance while they are in progress, Microsoft says.
More control over privacy during Setup. On new installs and with upgrades, Microsoft will make it easier for users to choose the privacy and diagnostic data collection settings that they prefer. Insiders have seen this screen on new installs, but the upgrade experience is new to build 15046 (see below) and is much more attractive than what you see on a clean install of the OS.
Better transparency through communication. Microsoft's Director of Program Management John Cable will keep customers up-to-date on improvements to the Windows 10 update experience over the coming months via blog posts. "You can expect to hear more from me about our process for rolling out the Creators Update, how we partner with OEMs to ensure high-quality experiences, and how we utilize your real time feedback and data to ensure the best update experience for all our customers," Mr. Cable notes.
I assume, given its experience with the Anniversary Update, that Microsoft will proceed slowly with the Creators Update rollout, which starts in early April. Hopefully, this time will be different. But whatever happens, I like the openness we're seeing there: Microsoft isn't just doing the right thing with regards to updates and upgrades, it is doing the right thing in the way it communicates these changes. This is both smart and very welcome.


text:
Drew Barrymore Age 9
Drew Barrymore had fantastic success as a kid starlet, and also has attained a brand-new degree of recognition as a grown-up, starring in many effective motion pictures. She has actually also made a name for herself as a producer of films as well as supervisor of a flick.
It is a blog site about this wonderful starlet. Blog Description: Drew Barrymore is an American starlet, director, manufacturer, talk show host as well as writer. A participant of the Barrymore family of stars, she is the recipient of numerous honors, consisting of a Golden Globe and an Emmy.
Drew Barrymore's career began at eleven months, when she appeared in a dog-food commercial. In Charlie's Angels, Barrymore, Cameron Diaz played the triad of detectives in Los Angeles. Barrymore was birthed into a movie industry household.
Her father, John Barrymore, was a well-known stage as well as display star, and her mother, Jaid, was an effective film producer. Barrymore was close to her uncle John Drew Barrymore, who was also a star.
At the age of eight, Barrymore made her movie debut in Altered States, as well as at age eleven, she played Gertie in Steven Spielberg's E.T. the Extra-Terrestrial. In 1982, Barrymore starred in Irreconcilable Differences, as well as had a minor role in the film variation of John Irving's The Hotel New Hampshire. In 1984, she showed up in Madman, and also in Gremlins.
Drew Barrymore is one of one of the most effective kid actors of all time, raking in millions of dollars and obtaining vital recognition for her efficiencies at a young age.
She's had her reasonable share of confrontations with the regulation, battled with alcohol as well as drug abuse, and also even checked herself into rehabilitation, but she's gotten better as an adult and also is readied to appear in an additional Stephen King adaptation, this time around joining the actors of It.
Drew Barrymore's personal life has actually been a little bit of a roller rollercoaster flight, yet she's handled ahead out of it with her head held high. Her initial marriage, to bar owner Jeremy Thomas, finished after 5 years in 2000.
Soon after the breakup, Barrymore was associated with an on and off partnership with Tom Green that lasted until 2001. In 2001, Barrymore became involved to her previous other half's cousin, bar owner Lance Armstrong. Despite a major partnership that lasted five years, both never ever wed.
After breaking up with Armstrong, Barrymore had a quick love with Jimmy Fallon, and also in 2004, she started a partnership with model Jason Bleick. The couple separated in 2006. In 2009, Barrymore began dating actor John Mayer. In 2011, her involvement to Mayer was aborted. In 2012, Barrymore was connected to the founder of FabFitFun, Eden Sassoon.
Her most recent role
Drew Barrymore's newest role is as a host of her own daytime talk show. The show will broadcast on September 14, 2020, and also Drew has actually stated she is "prepared to discuss a lot of things." She's likewise stated that she's going to be "chatting with a great deal of celebs and VIPs."
The program will certainly be recorded in front of a live workshop audience, however Drew has stated that it will not resemble her motion pictures. She's additionally stated that it's going to be more like The Ellen DeGeneres Show. The Drew Barrymore Show will certainly be an excellent program for stars because it will give them an opportunity to share their side of the story.
Drew Barrymore has actually been a Hollywood wild youngster considering that she was a youngster. Her early days made headlines, as she was captured by paparazzi in an auto with a much older male. She later on admitted that she was smoking pot in the image.
Barrymore's rebelliousness played itself out on screen as well as in print. She forged a picture as a manipulative teenage seductress, starting with Poison Ivy. The film, based upon DC Comics' fictional character, developed her as an instigator, and also the media did the same. In response to the hype, Barrymore told a reporter, "I run out suggestion what I'm doing as a 15-year-old than anyone else. I'm not rebellious."
Drew Barrymore is a well-known American actress. Drew Barrymore started her occupation as a kid actress in the late 1970s, and has actually been a well known name in the market for greater than a decade.
She has actually also made a mark for herself as a manufacturer and a version, and is a pleased owner of a few magazine covers. Drew Barrymore has been honored with Golden Globe Awards, Emmy Awards, People's Choice Awards, and also Kids Choice Awards, amongst numerous other prestigious honors.
Drew Barrymore has actually made a name for herself as a starlet, version, as well as producer. She is likewise a proud owner of some magazine covers. She has a few movies coming out soon, so see to it you check them out.
Drew Barrymore is among one of the most effective actors of our time as well as there are lots of lessons to be learned from her story.
We wish you appreciated our blog site about Drew Barrymore. With this expertise, you can see that no matter what your history is, you can be successful in life. So what are you waiting on?
Start striving today, and dream big! If you're seeking some more inspiration, look into our blog regarding just how to be effective.
Drew Barrymore Ready To Wear 1994 Movie
Debra Wilson + Drew Barrymore
The Early Years: A blog site around Drew's early years growing up in an acting household.
Drew Barrymore had terrific success as a child starlet, and also has attained a brand-new degree of recognition as an adult, starring in lots of effective flicks. She has likewise made a name for herself as a producer of films and also director of a motion picture.
It is a blog concerning this great actress. Blog Site Description: Drew Barrymore is an American actress, supervisor, manufacturer, talk show host as well as author. A member of the Barrymore household of actors, she is the recipient of a number of honors, consisting of a Golden Globe and an Emmy.
4. Her newest duty
Drew Barrymore's profession began at eleven months, when she showed up in a dog-food commercial. In Charlie's Angels, Barrymore, Cameron Diaz played the trio of investigators in Los Angeles. Barrymore was birthed into a movie industry household.
Her dad, John Barrymore, was a popular phase as well as display star, and her mother, Jaid, was a successful film producer. Barrymore was close to her uncle John Drew Barrymore, that was likewise a star.
At the age of 8, Barrymore made her film launching in Altered States, and at age eleven, she played Gertie in Steven Spielberg's E.T. the Extra-Terrestrial. In 1982, Barrymore starred in Irreconcilable Differences, and also had a minor role in the movie variation of John Irving's The Hotel New Hampshire. In 1984, she showed up in Madman, and in Gremlins.
Drew Barrymore is one of one of the most successful youngster stars of perpetuity, bring in numerous bucks as well as receiving important recognition for her efficiencies at a young age.
She's had her reasonable share of encounters with the regulation, had problem with alcohol and drug misuse, and also examined herself into rehabilitation, but she's bounced back as an adult as well as is readied to appear in another Stephen King adjustment, this moment signing up with the actors of It.
Drew Barrymore's personal life has been a little bit of a roller coaster flight, but she's taken care of to come out of it with her head held high. Her initial marital relationship, to bar owner Jeremy Thomas, finished after 5 years in 2000.
Quickly after the separation, Barrymore was associated with an on-and-off relationship with Tom Green that lasted up until 2001. In 2001, Barrymore ended up being engaged to her previous other half's relative, bar owner Lance Armstrong. Despite a severe connection that lasted five years, both never ever married.
After breaking up with Armstrong, Barrymore had a short love with Jimmy Fallon, as well as in 2004, she started a connection with design Jason Bleick. The couple separated in 2006. In 2009, Barrymore started dating actor John Mayer. In 2011, her interaction to Mayer was aborted. In 2012, Barrymore was connected to the creator of FabFitFun, Eden Sassoon.
Drew Barrymore's most recent duty is as a host of her very own daytime talk show. The program will broadcast on September 14, 2020, and also Drew has actually claimed she is "ready to speak about a lot of points." She's likewise claimed that she's going to be "chatting with a great deal of stars and also VIPs."
The program will certainly be recorded in front of an online studio target market, but Drew has stated that it will not be like her movies. She's additionally claimed that it's mosting likely to be much more like The Ellen DeGeneres Show. The Drew Barrymore Show will be a fantastic show for celebrities due to the fact that it will give them an opportunity to share their side of the story.
Drew Barrymore has been a Hollywood wild kid considering that she was a child. Her very early days made headings, as she was captured by paparazzi in a car with a much older guy. She later admitted that she was smoking pot in the image.
Barrymore's rebelliousness played itself out on display and also in print. She created a photo as a manipulative adolescent seductress, starting with Poison Ivy. The film, based upon DC Comics' imaginary personality, developed her as a mischief-maker, and the media followed suit. In reaction to the hype, Barrymore informed a press reporter, "I run out suggestion what I'm doing as a 15-year-old than anybody else. I'm not rebellious."
Drew Barrymore is a well-known American starlet. Drew Barrymore started her occupation as a child starlet in the late 1970s, and has been a well well-known name in the market for more than a years.
She has also made a mark for herself as a producer and a version, as well as is a honored owner of a couple of magazine covers. Drew Barrymore has actually been bestowed Golden Globe Awards, Emmy Awards, People's Choice Awards, and also Kids Choice Awards, among numerous other respected honors.
Drew Barrymore has gone far for herself as a starlet, model, as well as manufacturer. She is likewise a proud owner of some magazine covers. She has a few movies appearing soon, so ensure you check them out.
Drew Barrymore is just one of one of the most effective stars of our time as well as there are many lessons to be picked up from her tale.
We wish you appreciated our blog site about Drew Barrymore. With this understanding, you can see that no matter what your background is, you can be successful in life. What are you waiting for?
Start striving today, as well as dream large! If you're trying to find some more ideas, look into our blog site concerning how to be successful.
Peliculas De Drew Barrymore Y Adam Sandler
Is Drew Barrymore Dead


You may be aware of Josh Tillman as the multi-talented drummer and backing vocalist in Fleet Foxes, however, Josh is first and foremost a solo artist in his own right. He writes jams that have a certain starkness and well lived-in narratives that have endeared him to fans of and drew comparisons with the likes of Nick Drake, Will Oldham and Jason Molina.
Josh has made six records in total – two of which have been released on Bella Union. Firstly, 2008's Vacilando Territory Blues and 2009's Year In The Kingdom… He's a pretty prolific guy.


Verizon announced its very own Android Wear device a few months ago, but it didn't have specs or an exact release date. The previous "next month" release window came and went (that would have been March), but now we've got more specifics. The device launches in 24 days (because Wear24), and there are a couple items on the spec sheet.
The LTE-equipped Wear 24 will have a 1.39-inch round display with a pixel density of 290 PPI. Verizon doesn't mention the actual resolution, but that should work out to 400x400. The device will have a large 450mAh battery with wireless charging as well. Verizon also mentions IP67 protection, but that's something you expect on a smartwatch. It also runs Wear 2.0, which we knew before.
As for the launch date, 24 days from now is May 11th. The Wear24 will be priced at $349.99 if you want to buy it outright. A 2-year contract knocks $50 off that price, and it can be added to your plan for $5 per month. The watch will come in stainless steel, gunmetal black, and rose gold colors.


text:
Treme Brass Band
Nectar's
Join the procession led by New Orleans' premier traditional brass band! The Treme Brass Band is a marching brass band from New Orleans, Louisiana, led by snare drummer Benny Jones Sr. A core mission of the Treme Brass Band is to facilitate the continuity of traditional brass band music. The "Treme" in the band's name references the Faubourg Tremé, one of the oldest New Orleans neighborhoods and an important center for African-American and Creole culture. By acknowledging the Tremé, the band displays pride in Black and Creole New Orleans history. In order to maintain the tradition, band members wear the standard uniform of band cap and white shirt, practice traditional musical techniques, and participate in rituals such as the jazz funeral. The band is a recipient of a 2006 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States' highest honor in the folk and traditional arts.
The Legendary Ingramettes
Clemmons Family Farm
2213-2122 Greenbush Rd, Charlotte, VT
Bobby Rush Raw
An Intimate Night of Stories and Songs
Flynn Space


In my experience as a Sleep Science Coach, I've noticed that most people struggling with insomnia focus their attention on what they can do differently at night to try to resolve their sleeping challenges. Now, I'm not saying that's wrong. On the contrary, there are many things you can do at night which will help you to re-gain your well-earned ZZZ's. So what else is there?
What I suggest strongly is, if you haven't already, please look at the broader picture of what it takes to re-gain sound sleep. And, strange as it may seem, this means looking at what you can do not only at night, but first thing in the morning as well. Yep, there are very simple and natural tactics you can use to re-set your 24-hour master clock and, thus, create a daily, day-time path towards optimal, nocturnal sleep.
'So, what's the broader picture?', you asked. 'Sunlight,' I answer. Let me explain. When light enters your eyes first thing in the morning, it lets your brain know that a new day has begun. And, when your brain gets that a new day has started, a lot of good things can happen. The more morning daylight you get, the more awake and energized you'll feel. In fact, sunlight tells your brain it's day, while darkness sends messages that it's night. When the brain knows nighttime is approaching, melatonin, a sleep hormone, is released. And, usually within two hours of melatonin release, sleepiness sets in. So long story short, at night you need to block out light, especially blue-light, while during the day you need to take in sunlight.
1) Wake up and open your windows, go for a walk outside, drive in your car with the windows down and avoid wearing sunglasses first thing.
2) Have a cup of coffee outside, walk to work or get off the subway one stop early and walk the rest of the way.
3) Take a break outside mid-morning for five or ten minutes.
4) Go out for lunch and eat outside if weather permitting.
5) Take mid and late afternoon breaks and go outside again.
If you have any questions, please write and let me know.
If you've enjoyed this article, please pass it on to friends, family and colleagues.


text:
Q: Python. Django. An Error "No file was submitted. Check the encoding type on the form" with UpdateView class I new with Django. I hope you could help me with this error "No file was submitted. Check the encoding type on the form".
I've read several questions on stackoverflow, but there was problems with absence of "save()" in function in views.py, or absence of method "post", or absence of "csrf_token" in HTML. But I use UpdateView class and method "post" and "csrf_token" are included in HTML file. I have no any idea what the problem is.
This is a  blog-service with the function of adding/ updating/ deleting cities and trains. I use CreateView/ UpdateView/ DeleteView classes. Information regarding to cities and trains is stored in linked tables. All classes in the "cities" app (views.py) work without problems, the same classes copied to the "trains" app don't work for creating and changing data through the form on the site. It raise an error right on the page: "Not a single file was sent. Check the encoding type of the form".
At the same time, the deletion works correctly on the site. And create/ update/ delete work correctly through the admin panel.
The corresponding models and forms have been created for the "trains" app. Both apps are registered in settings.py.
Please tell me: where could be the problem? Thank you in advance.
views.py
class TrainListView(ListView):
    paginate_by = 4
    model = Train
    template_name = "trains/trains.html"

class TrainDetailView(DetailView):
    queryset = Train.objects.all()
    template_name = "trains/detail.html"

class TrainCreateView(SuccessMessageMixin, CreateView):
    model = Train
    form_class = TrainForm
    template_name = "trains/create.html"
    success_url = reverse_lazy("trains:trains")
    success_message = "Train has been created"

class TrainUpdateView(SuccessMessageMixin, UpdateView):
    model = Train
    form_class = TrainForm
    template_name = "trains/update.html"
    success_url = reverse_lazy("trains:trains")
    success_message = "Train has been updated"

class TrainDeleteView(DeleteView):
    model = Train
    template_name = "trains/delete.html"
    success_url = reverse_lazy("trains:trains")

    def get(self, request, *args, **kwargs):
        messages.success(request, "Train has been deleted")
        return self.post(request, *args, **kwargs)

forms.py
class TrainForm(forms.ModelForm):
    name = forms.CharField(label="Train",
                           widget=forms.TextInput(attrs={
                               "class": "form-control",
                               "placeholder": "Input train name"
                           }))

    travel_time = forms.ImageField(label="Travel time",
                                   widget=forms.NumberInput(attrs={
                                       "class": "form-control",
                                       "placeholder": "Input travel time"
                                   }))

    departure_city = forms.ModelChoiceField(label="Departure city",
                                            queryset=City.objects.all(),
                                            widget=forms.Select(attrs={
                                                "class": "form-control",
                                            }))

    destination_city = forms.ModelChoiceField(label="Destination city",
                                              queryset=City.objects.all(),
                                              widget=forms.Select(attrs={
                                                  "class": "form-control",
                                              }))

    class Meta:
        model = Train
        fields = "__all__"

models.py
class Train(models.Model):
    name = models.CharField(max_length=50, unique=True, verbose_name="Train")
    travel_time = models.PositiveSmallIntegerField(verbose_name="Travel time")

    departure_city = models.ForeignKey(City, on_delete=models.CASCADE,
                                       related_name="departure_city_set",
                                       verbose_name="Departure city"
                                       )
    destination_city = models.ForeignKey("cities.City", on_delete=models.CASCADE,
                                         related_name="destination_city_set",
                                         verbose_name="Destination city"
                                         )

    def __str__(self):
        return f'Train {self.name} from {self.departure_city} to {self.destination_city}'

    class Meta:
        verbose_name = "Train"
        verbose_name_plural = "Trains"
        ordering = ["name"]

    def clean(self):
        if self.departure_city == self.destination_city:
            raise ValidationError("Departure city and destination city can't be the same")
        qs = Train.objects.filter(departure_city=self.departure_city,
                                  destination_city=self.destination_city,
                                  travel_time=self.travel_time,
                                  ).exclude(pk=self.id)

        if qs.exists():
            raise ValidationError("Change travel time")

    def save(self, *args, **kwargs):
        self.clean()
        super().save(*args, **kwargs)

trains/update.html
{% extends 'main/base.html' %}
{% block title %} Train update {% endblock %}

{% block content %}

Train update

    {% include "main/form.html" with button="Update" %}

{% endblock %}

main/form.html

        <form action="{{action}}" method="post">
            {% csrf_token %}
            {{ form.as_p }}
            <button type="submit" class="btn btn-info">{{ button }}</button>
        </form>

urls.py
app_name = "trains"

urlpatterns = [
    path('', TrainListView.as_view(), name="trains"),
    path('<int:pk>/', TrainDetailView.as_view(), name="detail"),
    path('create/', TrainCreateView.as_view(), name="create"),
    path('<int:pk>/update/', TrainUpdateView.as_view(), name="update"),
    path('<int:pk>/delete/', TrainDeleteView.as_view(), name="delete"),
              ]

A: In your forms.py, is travel_time supposed to be an ImageField? That seems like the reason that it would be expecting a file to be submitted.

redpajama_set_name: RedPajamaStackExchange


Enjoy the way you work with transfer-functions.
Render data-sets as curves and contours.
Manipulate data with specialized processing tools.
Organize and document your design process.
VACS is useful for the daily engineering, when data from the measurement chamber, simulation results and calculations need to be graphed, compared and prepared for a report.
See feature-list, screen-shots and videos.
Get a license via our ordering-system.
Example files and additional documentation.
The Readme.txt file shows the log of recent development.


Published 04/19/2019 02:37:56 am at 04/19/2019 02:37:56 am in Grout Cleaning Machines Home Depot.
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I've been having a heck of a time with MOLTING lately. I try everything (brushing, combing, wet hand smoothing, rubber thing, etc...)----but sometimes my pre-visit efforts really backfire and release even more fur. So, the following idea came to me and I tried something new----lint removal tape!
This is Smudge. He was rescued by construction workers at a site with his litter of four baby siblings. We kept Smudge and Tucker and adopted out the other three after they were spayed/neutered, and socialized. Each baby looked different!
Well, this week it was Smudge's turn to visit, and he LOVES visiting.
He was also molting and he was NOT happy about THAT.
I gently positioned lint removal tape over his body. I didn't push it down at all. His bunny friends came over to investigate. I slowly removed each piece of tape. He relaxed during this, and stayed very calm. He didn't blink or move---similar behavior as when he's being groomed with a brush.
I was SHOCKED at the extra fur that came off with the tape!
This may not work with ALL our rabbits, but it worked for Smudge! The tape held the fur intact---no flying around---and I disposed of it without mess or fuss. He had a wonderful visit that night and looked (and felt!) amazing!
Great idea!! We were having the same problems, and I never thought of this.
My sister has a rabbit at home and she wants to have it groomed because it looks puffy with all of the furs. It was explained here that lint removal tape can remove the excess fur in its body. Furthermore, it's recommended to go to a trusted professional when considering rabbit grooming.