1.1 What is a Rangefinder in Golf?
1.2 What Types of Rangefinders are on the Market?
1.3 Which Rangefinder is Best For Your Needs?
No matter your handicap, being able to accurately ascertain the distance left for a given hole is going to have a huge impact on your final score. Of course, you could learn the art of using certain markers on the course to determine a rough distance, but when you then consider the difference it can make to your club selection, then do you really just want to have a rough estimate?
Thankfully, there is another option out there, and it is a tool that has revolutionized the game of golf from professionals down to those just starting out. That tool is a rangefinder, and if you have never had the opportunity to try one yet, then you are seriously missing out.
What is a Rangefinder in Golf?
How often have you found yourself on the course looking at your second shot and feeling absolutely unsure as to the distance left or even which club to then use? How often have you guessed a rough distance only to either come up short or hit it through the back of the green giving yourself a tricky chip back?
This happens all of the time, but it can easily become a thing of the past simply by using a rangefinder to your advantage.
Using a laser, the rangefinder will tell you the exact distance left allowing you to then have a better understanding of the kind of shot you should be playing next. However, don't for one moment think that it only works with the flag because that's not the case. Instead, a golf range finder is also capable of working with hazards, or even just to get up to the green if you feel that hitting it close to the pin is too tricky thanks to your current position.
In other words, the best rangefinder can be used in a multitude of ways with each round and it will help to guide you through those various hazards that could spell disaster for your final score.
What Types of Rangefinders are on the Market?
In previous years, it used to be the case that the only rangefinders on the market were those that took the form of something that appeared to be similar to binoculars. However, thanks to advances in technology, that has now changed.
Yes, that form of rangefinder is still readily available, and it is extremely popular, but there are other options out there on the market as well including in your smartphone or tablet. However, the laser and GPS models are still the most popular, as well as the most trusted to provide you with the correct data each and every time.
To help, we can check out the different types that you can purchase to assist you in beginning to understand the direction in which you should head when it comes to choosing this particular piece of equipment.
A rangefinder app is just something that you can have on your smartphone or tablet, but considering you are out on the golf course then it makes sense that it is more likely to live on your smartphone than anywhere else.
The aim of the app is straightforward, and they are available on both Apple products and Android, so you should be capable of finding something in next to no time. They use GPS as their way of providing you with accurate information as to how far you have left to the hazard or pin, and it is fair to say that some apps are better at it than others.
However, these apps will often have a number of other features built into them such as a digital scorecard or booking a tee-off time at a course which may prove to be slightly distracting, and that is a problem with the general golf GPS app. To be honest, keeping things as simple as possible will often prove to be the best way to go, and this is something that is not going to work out as you would perhaps expect.
This version also works with GPS, and even though there are still limitations on what it can do, there's no doubt that a golf GPS watch is going to often be easier to use than the app equivalents. Yes, they are unable to perform some of the actions that you will see on hand-held options, but the information and data is clear and easy to follow with it being shown on the face of the digital watch. For people that do not wish to carry around any extra equipment or tools, then this could very well be the perfect solution while still being able to provide you with the data that you need in order to reduce your handicap.
The most common version is clearly the hand-held options that sit comfortably in your bag as you go around the course. Weighing virtually nothing at all, these versions are the main core of the entire market and are the focus of the majority of our buying guide.
This is the version that can use either laser or GPS in order to deliver the readings via the viewfinder, and with a wide range of brands, styles and technology available, this is the version that has dominated the market since the range finder was first launched. Also, with the hand-held option it is easy to find something that falls within your own individual price range simply thanks to the different models that are on the market. Indeed, this is one of the reasons why it can often be so difficult when choosing the correct model to suit your needs, which is why we will also help you to determine what it is that you should be getting.
There are a multitude of clear benefits associated with using this simple piece of technology, and this applies no matter your handicap. Anybody can benefit from those that hit the fairway with almost every drive to those that spend half of their round getting themselves out of trouble in the rough.
The first thing is that the data it provides regarding the distance will always give you some additional confidence in your shot rather than hitting it while being blind to the distance left. If you feel more confident in the shot, then your swing will be steadier and you will hit the ball cleaner than before since a lack of confidence leads to nerves which, in golf, leads to tension in the muscles and things being less smooth.
People are aware of what the intended average distance if for each club, but the reality if often different simply because of variations in swings and power for each individual. This does mean that you will often be uncertain as to what a club is capable of providing you with, and it makes sense that you will then misjudge everything and play a horrible shot.
By studying the data and becoming more aware of the distances you can achieve with your clubs, it will then make it substantially easier for you to make the correct decision and eliminate those costly mistakes. Ultimately, it leads to a better all-round understanding of the game which can only bode well for you reducing your handicap.
When there is uncertainty over the distance left, and then the club selection, it does mean that it takes you longer to complete a round than you would perhaps like. Using a golf range finder is going to speed up play as those key decisions become easier thanks to the data that is made available to you. The fact that they can make their calculations in seconds is another huge bonus and you can just feel completely confident in your decision based purely on the data that is received from the rangefinder.
Slopes and Inclines are No Problem.
If golf was played on a perfectly flat surface all of the time, then it would lose some of its magic and intrigue. Slopes and inclines increase the difficulty level for all players, and yet those very same inclines and slopes will also alter the distance that you have left. When you are already struggling to make sense of the distance on your own, then it is easy to see how it can completely change the outcome, and selecting the wrong club is also going to prove to be far more likely.
The best golf laser rangefinder will take those slopes and inclines into account by compensating for the slope and providing you with a new and updated distance to that hazard or the flag. This alone is extremely important because markers out there on the course are never going to be in a position to help you in dealing with the impact that a slope has on your shot leaving you completely in the dark.
Which Rangefinder is Best For Your Needs?
The advantages of using a rangefinder are clear for all to see, but which style, or version, will prove to be best for your own individual needs. In order to answer this question, we really need to examine more closely the various key components that you should be looking for when it comes to making your selection. However, do remember that this is not going to help with your stance or swing, so do not expect miracles even though it will make a significant difference to your ability to understand distances.
Getting to grips with the features aspect is key as the number of things that the rangefinder can do is going to vary depending on the amount of money that you are willing to spend. A cheap rangefinder will clearly only provide you with the absolute basic information, and for some people that will prove to be enough and there is certainly nothing wrong with that.
However, spend a bit more, and you will be able to purchase a rangefinder with things such as magnification and Jolt Technology where it ascertains that you have indeed honed in on the correct target and not something behind the pin instead. There is also the PinSeeker option where the finder itself determines if it has caught onto the flag saving you so much time in trying to do this all on your own.
So, understanding the range of features on a given model will always be important when selecting a golf range finder.
Not every model is made to the same standards or specifications, and this extends to the maximum range that it is capable of dealing with. The good news is that most of them do cover up to 400m, which is often more than enough for the vast majority of golfers but there are some that go above that figure even though they do cost more money as well.
Remember that you are going to have to carry the rangefinder with you as you play your round, so the last thing that you want is for it to be large, bulky and heavier than is necessary. Thinking about the dimensions and weight is more important than you realize, but thankfully there are a number of models out there on the market that are extremely compact and very easy to transport. Also, don't think that because something is smaller and lighter that it is going to be inadequate in some way because that is not true. The technology that is included in the equipment is so lightweight anyway that this does not make a difference.
Look, there's no doubt that some rangefinders are easier to use than others, and it is not always going to be linked to price as to which one is more complex. If you are new to the game of golf, then you want to go for a rangefinder that is very straightforward in what it does and operates pretty much via a point-and-click method. However, if you already have a good understanding of the game in general, then it may be time to go for something that is a bit more advanced and capable of providing you with more detailed information.
That is where additional technology can be used to take the likes of slopes into account to give you the most accurate details possible. Yes, this has a tendency to increase the price, but there are models across the price range that are packed full of technology that will increase the difficulty factor of using the rangefinder in the first place.
You will also be taking into account how much it will cost you as you should have your budget in mind before you really start to check out what is on offer on the market. The variation in cost can be huge with it depending not only on the technology that is contained within but clearly the brand name will also make a difference.
Careful research will allow you to better understand what you are able to get for your money, and it may surprise you as to what you can get for very little money indeed.
One thing you certainly do not want to do is to just go in blind and purchase a rangefinder that you think is a good fit for your needs. Spending time doing your research is key as this will tell you more about the rangefinder and whether or not it will prove to be a good fit for your needs. It will also be easier if you can hear from others about how easy it is to use and whether or not it has proven to be a useful purchase.
This alone can help you when making your decision, so reading our reviews of various rangefinders will prove to be a rather useful place to start.
You should also spend time understanding what you personally need from the rangefinder before you go ahead and make your purchase. Is the slope and incline feature important for you? Are you simply searching for something that tells you the distance and nothing else?
We strongly recommend being certain about your needs before making a purchase but that is also why you should spend a considerable amount of time doing your research as mentioned before. Is it important to you that it has been passed by different golfing authorities? If so, then there are a number of different options out there for you.
Of course, being aware of the key mistakes that people make when they are searching for the best golf rangefinder will make it substantially easier for you to select the correct one for your needs. Let's face it, you want to get the best one that your money can buy, so avoiding those duds or the things that are just useless for you and your game as this is supposed to be something that is to help you.
So, what should you be avoiding doing?
There is no excuse for not doing your research or reading it and then deciding just to ignore it anyway. There are so many different options out there that it is essential to spend time checking them out. It will become all too easy for you to spend more money than you intended on the range finder and then feel disappointed in your purchase, which is something that we always want to avoid happening.
Dealing with the brand is always going to be more important than most people realize. After all, they are often swayed by a name while others do not place enough importance on it all leading to a rather poor choice of product.
Looking at trying to save money by purchasing an unbranded product is generally going to come with a range of problems and difficulties that you would just not have had to encounter if you had spent time understanding the various brand names that are out there. Not only will a good and respected brand often result in more accurate data being provided to you but it should also provide you with more confidence to then take your shot.
In other words, forget just going for any old brand just to save cash as that can often work against you. Instead, focus on the equipment and what it is able to do for you as you make your decision, but then that is where carrying out adequate research will prove to be beneficial to you.
There are clearly a number of things to take into consideration when you are seeking to purchase a golf rangefinder, and it is certainly not the case that you simply go ahead and select the first one that you see or one that appeals to you. Instead, taking your time and weighing up the various options will prove to be far more beneficial to you and makes it substantially more likely that you will be quite content with your final purchase.
Keep in mind the various things to look out for as well as the mistakes that you need to avoid as this should result in you being effectively guided away from those rangefinders that are best to be left alone. Considering the potential money that you can spend on this very product, spending time doing your research and looking more carefully at the different aspects of the rangefinder, and whether or not it can do all of the things that you want, is always key. Failing to do your research has to be the biggest faux pas around, and as a result the chances of you improving your handicap will drop dramatically.
A golf range finder will prove to be one of the best purchases that you can make, and this applies no matter your handicap. Being able to accurately determine the distance left to the pin or any hazard will speed up your club selection and help you to avoid either falling short or shooting through the green.
So, with all of that in mind, you are now perfectly armed to go ahead and start checking out what is available on the market.
With different models covering a vast array of prices, and not to mention the various styles and levels of technology, our intention is to find for you the best golf range finder that your money can buy. With our reviews, we will take into account each and every aspect from its positives and negatives, to the ease with which it can be used, and even whether or not we believe that it is worth the money that they want.
You see, there's no point in us trying to cover up the truth as we want you to feel confident in the selection that you have made, and the only way in which you can do that is by us getting to the absolute core of each model and determining if it delivers on what it promises. After all, you want something that can make a huge difference in your game and cut out so many of those mistakes that come as a direct result of not being able to gauge the distance correctly. Making an incorrect club selection is one of the fundamental mistakes that those new to the game generally make, and the various rangefinders that we have checked out will rectify those mistakes in an instant.
It is our aim to help you to rekindle the fun aspect of golf rather than dealing with all of those frustrations that come with effectively hacking your way around the course, and by checking out our reviews of the best golf range finders on the market today, then we are confident that you will be able to achieve exactly that.
If you don't want to pay too much and yet don't want to compromise the quality of your purchase either, the TecTecTec VPRO500 is one of the best golf rangefinders the market can offer you. It's particularly suitable for people who value the compactness and portability of their accessories.
A moderately priced laser golf rangefinder that's tournament-ready, this is not your average model. It's designed for users who want top quality performance and aren't afraid to spend a little more on their purchase and should last you a long time.
Another affordable model which still offers a lot more than you would assume from its price, the Nikon 8397 ACULON AL11 is easily the best rangefinder for users who want something that works quickly with a minimal amount of setup, and is reliable enough in the long run.
finder that comes with multiple advanced features to separate it from the rest, and make it one of the best rangefinders on the market by a large shot.
A top-tier model designed for those who truly know what they want, this is one of the most advanced golf rangefinders out there, and the ideal choice for someone who can afford to spend a little extra on their purchase. If you're looking for the best golf laser rangefinder in this price class, look no further.
An advanced laser golf range finder with a lot to offer to those who know how to use it properly, the Bushnell Pro X2 is one of the best rangefinders and can easily suit the needs of most users without being too complicated to use.
A relatively new model with a lot to offer to both beginners as well as experienced users, the VPRODLX is one of TecTecTec's most solid products in the golf rangefinder market.
A good choice for golfers who want an extra edge. The XL450 is not a very advanced model but still comes with a good set of features, and should prove useful to golfers who're having trouble ranging their shots correctly, and need a precise, yet inexpensive golf laser rangefinder.
One of the absolute best rangefinders on the market, the COOLSHOT 40 makes no compromises at all. This is not your everyday model and it's intended for users who know what they need, but once you've used it once, you'll never want to hold another model in your hands.
A great mid-range golf range finder designed to be as flexible as possible, this is a great deal for its price, especially for those who can see themselves getting many years of use out of their rangefinder and want something that's built to last.
A medium-priced golf range finder that will work fine for most people's needs and has the potential to bring a significant improvement into your hunting, especially if you're a more advanced user with more experience in the field.


A New York congressman is putting pressure on the New York Police Department to curb the number of low-level marijuana arrests in the city.
On Thursday, the Drug Policy Alliance will release An Exit Strategy for the Failed War on Drugs. This comprehensive report contains 75 broad and incremental recommendations for legislative reforms.


The Women in Law Empowerment Forum has awarded McCarter & English its Gold Standard Certification for the sixth consecutive year. WILEF's Gold Standard program certifies law firms that promote women into positions of top leadership and compensate and empower women within the legal profession.
Nationwide, McCarter was one of only 11 firms to receive the certification for six consecutive years.
"McCarter is proud to have once again met WILEF's exacting standards to attain gold certification for the sixth year in a row and we are committed to not only meeting, but exceeding these standards." said Simone Wilson-Brito, co-chair of the firm's Women's Initiative Steering Committee and a member of its Diversity Committee.
Law firms with 300 or more practicing attorneys in the United States are eligible for WILEF Gold Standard Certification if they successfully demonstrate that women represent a meaningful percentage of equity partners, participate in firm governance and compensation committees, and are among the firm's most highly compensated partners.
* 10 percent or more of the top half of the most highly compensated partners.


Time is flying by and we are already in week five of this semester. Keep in mind this semester's graduation is APRIL 25th @ 1PM. Make sure you are signing up on the potluck list in the studio for the items you are going to bring so we can make sure everyone gets something to snack on. We have two special guests DJ Babu and DJ Vick One that will be stopping by to show their support.
On the CDJ SX2 the jogwheels are scratching but, the skip and forward are not working.
whats up Verse? been a while how are things going?
Thanks! You don't have to worry about that though, I'm currently on a bourbon kick.
Hey VER5E I can't make it to class today.
Dealing with some emergency issues.


moviess Excellent seller. A+++++! Friendly and professional with great products. Great seller to deal with! Thank you. Looking forward to trading with you soon.
msmsmsms12 Great seller to deal with! Prompt delivery! Item delivered as described.
@gigicychi is on Carousell - Follow to stay updated!


This distinction between the levels of laborer, craftsman and artist may not be so appropriate with today's definitions of textile artist, designer, designer-maker and craftsperson. Many home based hobbyists will describe themselves as craftspersons but will still throw themselves heart, body and soul into what they create.
"The difference between craft and art I define as craft being something that can be taught, and art coming much more from the inspired individual. Many artists are extremely poor craftsmen, many crafts people are rubbish artists.
This seems to me to be a very appropriate and accurate description of the difference between an artist and a craftsperson. A textile artist however, is a combination of the two; a person who is an inspired individual, a creative person, and a skilled craftsperson at the same time, although it can also be argued that someone who labels themselves as an artist may not necessarily have good craft skills.
Designer – someone who develops ideas with a full understanding of the requirements of the textile manufacturer and the marketplace. Someone who designs items that will be made, usually in large quantity, by another company.
Designer-maker – someone who designs and produces one-off or small batch quantities. They tend to be focussed on design first and production second and are not overly concerned if their design is made by someone else.
Craftsperson – very similar to a Designer-maker but focused more on the process of making, with every step of the making process being important to them.
The term designer-maker appears frequently in internet searches and seems to have particular relevance to the production of one off and small production runs of unique furniture. Damon Lewis from Darwin in Australia has his website called www.designermaker.com.au and specialises in furniture and sculpture. In the UK www.designermakers.org.uk is a collection of designer-makers producing bespoke contemporary furniture by commission.
The role of a designer stands separate to the other three being discussed here. A pure designer does not make items themselves, they produce the ideas and designs for other people to create. With textile artists, designer-makers and craftsperson there are large areas of overlap and the boundaries are blurry, so people adopting these titles may choose one because they think it sounds better, or more upmarket, than another term rather than because it is more applicable to what they do. This is an issue picked up in The Textile Book where they discuss the trend for galleries and funding organisations to try to upscale and gain credibility for textiles in a fine arts setting by using the terms of artist or designer -maker instead of craftsperson which is viewed as being more downmarket.
The crossovers between designer-makers and craftspersons are perhaps the most apparent and it can be harder to describe what differentiates them. To the interested viewer or purchaser the difference may not be apparent but it is based around the method of production. The designer-maker may design a prototype themselves, then outsource the making of it. A cratsfperson is more likely to make all items themselves or, if they do outsource the making, that making will still be done by hand by other craftspeople whereas a designer-maker may outsource their idea to be made by machine even if their prototype was crafted by hand.
How do you view textile art? Do you think about it in the same way that you would look at a painting or a piece of sculpture? How far do you feel it has been accepted as a medium for fine art by the fine art establishment?
The question of how I personally view and think about textile art in comparison to other art forms is fairly simple to answer. A painting, piece of sculpture or art work in another medium I will simply look at in terms of like and dislike. I will look at why I have that reaction – is it the colour, style, composition or maybe the subject matter that creates my like or dislike? With textile art I will have that instinctive like/dislike reaction and analysis of why but then I will look at how the piece has been made. I will look more closely at the materials that have been used, see if I can spot how it has been constructed and pick out ideas that I might be able to use myself. I want to take a piece of textile art apart or to see step by step photos of it being made so I can really understand the process behind it as well as see the finished item.
I enjoy the Lord of The Rings trilogy of films and have the extended versions of the DVDs. These include over 9 hours of behind the scenes footage showing how the films were created including the design process and insights into the workshops and costuming departments. This is fascinating to see both the level of detail that has gone into these films but also some of the ways in which props and sets were made and costumes were designed, materials chosen, materials dyed, over-dyed, printed, stitched, beaded and aged. It is that type of background information that I desire when I see a piece of textile art – the "making of" documentary.
The acceptance of textiles as fine art really depends on how fine art is defined. Like other definitions in the artistic field, there appears to be some discrepancies in what fine art actually is.
Universities that have arts degrees and fine arts degrees differentiate between the two by the amount of specialism, with an arts degree involving wider practice across a number of areas that could lead to careers in a range of different fields, and a fine arts degree focussing on one specialism and leading to professional practice in that specialism.
If we follow the premise in these views, then textiles acceptance as fine art depends on it being made by a professional artist specialising in a narrow field and made purely for arts sake rather than the fact of it being a textile work. In The Textile Book (Gale, C and Kaur, J) the authors say "The issue of textile art is not fundamentally about whether it is fine art, design or craft; it is about accessing fine arts's industrial infrastructure, which is increasingly just a part of the media, leisure, tourism and interior decorative industries".
A review of auction houses shows textile work being included in Fine Arts auctions. Sothebys include in their Fine Asian, Australian and European Art catalogue a Le Corbusier print in wool and cotton.
With the blurred definition of fine art and the broader usage of the term fine art, the acceptance of textiles as a medium for fine art is widespread.
Last week I was in a waiting room browsing through magazines and I came across an article titled "'D' for design" in Vogue Living Jan/Feb 14 by Polly Dickens, the Creative Director for the homewares chain Habitat. The article expresses her views on the importance of good design and, fundamentally, what makes for good design in the first place. Polly Dickens hast he view that good design is really about attention to detail and the thoughtfulness that goes into making something.
Polly Dickens also places emphasis on the input that a manufacturer can have on a design, and this is an interesting viewpoint as it is one that was not addressed earlier in this research point. She gives the example of sending an idea, in this case a piece of watercolour art, to two different manufacturers and basically seeing what they came up with. Her example used a high-tech factory in Portugal and a little carpet weaver in India and from the same piece of art the two manufacturers produced a range of bedding and a rug.
This suggests a more collaborative process between the roles of designer and manufacturer and possibly a reiterative process where an idea is circulated between the parties with each adding input until the final product – or range of products – is decided upon. I wonder what would happen if a theme book was circulated between students and each added their input and then the resulting theme book was copied and each student produced their own interpretative work? Other collaborations spring to mind like a weaver working with a potter to cross pollinate ideas based on a single design. A collaborative project such as that involves a level of trust between the artists but could result in some very exciting work that takes each person in directions they have not ventured into before.


text:
The Press is a local, daily, paid for, newspaper, for North and East Yorkshire. It is published in the City of York by Newsquest Media Group Ltd, a subsidiary of Gannett Company Inc.

The Yorkshire Evening Press was established in 1882. It changed from broadsheet to compact format in 2004 and shortly afterwards dropped "Yorkshire" from the title. Morning printing began on 24 April 2006, and the paper was given its present name.

William Wallace Hargrove printed at 9 Coney Street. Paper was delivered by barge along the River Ouse. In 1989, publication moved to Walmgate.

The Press has run campaigns including their Guardian Angels Appeal and Change It.

Circulation

ABC print circulation for second half of year:

References

External links
Official website

1882 establishments in England
Newspapers published by Newsquest
Newspapers published in Yorkshire
Publications established in 1882
Mass media in York
Daily newspapers published in the United Kingdom

redpajama_set_name: RedPajamaWikipedia


Not sobbing. Just streaming tears.
paying attention to its cadence, to its depth.
With each breath, my chest would rise and fill, my spine lifting and releasing.
My body is alive beneath me - no it's actually vibrating.
There is just too much stimuli. Too many thoughts.
Too many things to do. Too many questions. Too many doubts.
to cradle it back to life.
Breath comes in. Breath leaves. Body lifts, then lowers, lifts, then lowers.
My chest falls closer to the bathroom floor.
submitting to the the floor, free falling with each breath.
The tears start to come. No they are streaming now. And I am breathing.
I don't stop them. What's the use? They need to fall. I need them to fall.
They are my body's way of letting go of what's deep inside.
my wishes, my hopes, my dreams, my fears . . .
I am ashamed to admit that after all this time, all this work, they are still there.
When will the questions stop? When the tears do?
Those questions of whether I am good enough.
(I am not crazy. You hear voices in your head too.
The tears stream, and my chest heaves and falls with my breath.
I am not sobbing. Just streaming tears.
based on the number of songs that have played on my iPhone.
And I am still breathing. Still sinking.
Just breathing. Not thinking. Listening to my breathe.
Feeling it move in and out of my body.
Feeling the contraction of my belly and spine.
washing me to and fro . . .
weightless, lifeless, formless . . .
45 minutes now . . .
shoulder's square, arms back, hands resting at my heels.
my eyes still closed . . .
I am breathing. I am still here.
The world has finished turning and I am still here.
I open my eyes. Adjust for reality. The door bell is ringing.
Dogs are barking. People are yelling my name.


I agree that we need more small church involvement in many of our committees. But I'm not convinced that deciding against an enforced quota is the same as deciding against small church involvement.
WOW!!!! This string of comments tells me we are getting it!!!
If our democratic processes shut out small churches / use "saving money" over "telling truth" / allow the EC to override requests from the SBC annual meeting, itself / defer to the new CEO and his outlook----we are clearly showing we no longer care what messengers really think nor are we primarily focused by giving on sending missionaries.
A large and rich organization trying to control the local church and its giving / a place where money can be sent to fund missions mostely?????
It may be too simple for the average reader to grasp, but I think we are grasping it!!!!
It wouldn't take discussion in any meeting for people to know that quotas for nominees is a bad idea. I'm glad to see that one thrown under the bus.
I am disappointed about them declining to recommend the racism clause. When they added the clause that says, "Among churches not in cooperation with the Convention are churches which act to affirm, approve, or endorse homosexual behavior."... (Which I am happy to see in the constitution) they opened the door to making prominent moral issues a standard of cooperation. I think racism certainly rises to the level of seriousness that it could be included, and the SBC should be able to vote on the question.
One could argue that it would be difficult to enforce, and that would be true. But even if it is never able to be enforced, it is still a worthy statement to include because it would emphasize the seriousness with which we take the issue.
Cooperation - an act or instance of working or acting together for a common purpose or benefit; joint action. If this convention continues to alienate and ignore the voice and work of the small churches, they will need more "cooperation" from the "mega" churches to survive. Brother Les should not be suprised by the response of the EC. I would encourage our new Executive Director, Dr. Page, to help in restoring the rift between our SBC and the small churches of the SBC.
Les Puryear is exactly right in his comments. I too, think the decision was made before the committee ever discussed it.
What concernes me most is the refusal to incorporate small churches into the picture of SBC decision-making. [b]This is terribly dangerous!!![/b] I am confident that, just like paying taxes, the [b]small to middle entity pays the freight in reality[/b]. Yet, mega church representatives are raising their hands to say how money is spent.
Make no bones about itd: [b]The heart of any decisions and actions by the SBC reside in the Executive Committee----MORE AND MORE![/b] The same is true in our NCBSC decisions. By and large, the annual meeting--which used to have a strong say--is being given the opportunity to "rubber stamp" decisions discussed behind closed doors and really decided by the Executive Committee.
Should we continue this march toward a few controlling the many, we will have seen our better days. If that "few" is pretty much from the mega churches, we have really missed the boat.
Sadly, it will be the end of many churces cooperating together to keep missionaries in the field. Outside of that purpose, there is little reason for all this trouble about "who runs the SBC show.


text:
May 5, 2014 in Asian films, ★★★★, Feature films, Japan (anime) | Tags: 1995, Cannon Fodder, Katsuhiro Otomo, Koji Morimoto, Magnetic Rose, mass destruction, Memories, opera singer, parallel world, Satoshi Kon, science fiction, Stink Bomb, Tensai Okamura
Director: Kôji Morimoto, Tensai Okamura & Katsuhiro Otomo
Seven years after 'Akira', Katsuhiro Otomo returned to the animated screen with 'Memories', a package film, which impresses, but fails to reach the heights of 'Akira'.
Based on his own short stories, 'Memories' consists of three unrelated parts: Magnetic Rose, Stink Bomb and Cannon Fodder, which are discussed separately below.
Magnetic Rose
Director: Kôji Morimoto
'Magnetic Rose' starts the Memories trilogy, and it's arguably the feature's most satisfying episode. It is the only part that clearly deals with memories (screenplay writer Satoshi Kon's favorite future subject). In this episode a rescuing squad of space garbage collectors is ensnared in the memories of a long deceased opera singer, who still seems alive in her remote satellite home in space, blurring the boundaries of reality.
Even though the science fiction setting with its touches of horror is typical anime, the underlying drama is very mature and quite unique. This episode's screenplay was penned by future director Satoshi Kon. Kon certainly established himself with this screenplay, and he would further explore the theme of memory and loss in 'Millennium Actress' (2001), and the blurring of reality and fantasy in both that film and 'Paprika' (2006) with even more spectacular results. Director Kôji Morimoto, meanwhile, would prove his worth in 'Beyond', the best episode of 'The Animatrix' (2003).
In 'Magnetic Rose' the characters are from all over the world, and this is one of the few anime, in which the Japanese character looks distinctively Asian compared to the European characters.
Director: Tensai Okamura
'Stink Bomb' feels like a comical interlude between the two more serious outer episodes. The story is set in present day Japan and features a very stupid, but surprisingly indestructible protagonist who turns into a nonsensical lethal weapon. The story is simple: our 'hero' accidently swallows the wrong pills, wich turn him into a lethal weapon, sweating poisonous gasses that kill everything in sight. Although he remains unaware of this, he becomes the cause of the destruction of Japan. This story is rather silly, and there's a lot of broad comic acting, but the short also has some disturbing undertones, with the fear of mass destruction weapons and corrupt governments played out well.
Cannon Fodder
Director: Katsuhiro Otomo
Otomo himself directed the last and most beautiful sequence of Memories. This episode has an original graphic style that doesn't resemble any other anime. The film is 'shot' in one long camera take (with a little bit of smuggling, but very impressive nonetheless) and deals with an alternative, distinctively European, world where a totalitarian military regime enters every aspect of life.
In this sequence we're following a single family. They live in a city were all work and school is directed to the war with a mysterious and unseen moving city. This war is fought entirely by using cannons. Despite the caricatured humans, the atmosphere is hardly comical, but dark and disturbing. However, the drama is less engaging than in 'Magnetic Rose'. Nonetheless, because of its unique style, and strict control of cinematography, 'Cannon Fodder' is a small masterpiece.
Watch the trailer for 'Memories' yourself and tell me what you think:
« 千と千尋の神隠し (Spirited Away)
The Animatrix »

redpajama_set_name: RedPajamaCommonCrawl


text:
Define your site secondary menu
By Jef Krohn March 19, 2014
Portugal. The Man – A Portland Band?
By Jef Krohn
Photography by Guy Blanchard. Graphic design by Justin Mortzheim
Portugal. The Man is arguably one of the greatest bands to have ever come out of Portland. Arguable not because of their sheer magnitude and immense popularity compared to the likes of the Decemberists or the Dandy Warhols, but because I'm not sure they are a Portland band to begin with. In most interviews, they're quick to place their roots in Alaska.
However, there is one overtly defining feature of this band, they are one of the hardest working in the industry today, having been recording and touring constantly and consistently since 2004. Portugal. The Man's most recent album Evil Friends has been steadily rising on the charts and is ranked #28 at the time of this article's writing. Their eccentric-electronic retro-pop sound has even earned them a spot on Taco Bell's "Nacho Wrap" national advertising campaign. I sat down with Zach Carothers, co-founder of Portugal. The Man, prior to their show at the Crystal Ballroom to discuss their success, the confusion over the band's hometown, and the challenges involved in making it big in the music industry. There is no arguing the fact that Carothers, and other founding member John Gourley, are from the Alaskan wilderness. They were born and raised in the middle of nowhere, completely cut off from the rest of the world. Their sole inspiration for music was based on their parents' old record collections, an eclectic collaboration of '60s and '70s pop music. It wasn't until Carothers moved to Portland to go to college that he discovered the independent underground music scene and all it entailed. As Carothers recalls, "I moved down to Portland to go to college, and my friends started taking me to all these little shows at bars that cost like $3 or $5, I was like…Oh, my god! I went and saw a show every night; we just went crazy when we moved down here."
Moving to Portland was just the start of Carothers' music career but it was not the start of Portugal. The Man. Soon he wasn't just going to shows, he was the show, and he was performing all over town. At this point there wasn't really a band, and Gourley wasn't a part of the group. The way Carothers tells it, Gourley was still deep in the Alaskan wilderness, freezing his ass off in a quiet, one-room cabin listening to old Hendrix albums that he borrowed from his parents. But that was about to change. Carothers tells us, "I was singing, and I'm not that good of a singer. John and I played music growing up but he was a shy guy—he's always been a shy guy—but he made a demo and we were blown away [by his singing]. I called him down and he was here two days later." That was the start of their first real band, Anatomy of a Ghost, and from 2002 to 2003 their sound attracted droves of local fans. However, they soon split up and moved back to Alaska, presumably to a larger cabin stocked with a wider selection of records. It was then that Gourley started his own side-project, called Portugal. The Man, in—dramatic pause—Alaska, not Portland.
When Carothers joined on bass, they started recording demos and in 2004 moved back to Portland to set up base and continue to record. It was in that strategic and definitive move to Portland, with the sole intention of setting up shop and recording PTM's first record that establishes them as a Portland band. Eventually they stepped out from the studio curtains to hit the pavement and spread the sound they created. They toured constantly, playing every dive bar they could find and gaining serious notoriety in the process. Carothers recalls those early hard years on the road: "You just gotta be poor and live in a van…One day a week we got to go to a fast food place and get a dollar item. But we got to meet a lot of people. They'd take us on tour, we'd sleep on people's floors, they'd cook us food."
In 2005, they landed a record deal with Fearless Records—a label out of Westminster, California, not Portland—and released their debut album, Waiter: "You Vultures!" in 2006. From then, PTM continued to tour, record, and gain widespread recognition and national popularity. In 2007, following their release of Church Mouth, they pulled off their first U.S. tour, followed by a European tour. By 2008, they were on their own independent label with another new album Censored Colors, selling out shows all over the country. Carothers tells us the secret to their success: "It's all about hard work…A day doesn't go by where we don't play some kind of music where we're either in a studio, downstairs in a basement, or at some place playing a show."
But is it really all about working hard? Or could the band's hometown have something to do with their success?
I mean, who's to say that an Alaskan band wouldn't have fared any better? Just look at Jewel, the Builders and the Butchers, Metalcore, and Libby Roderick—all influential Alaskan musical artists that have made it big in their own right. So why not associate the band with Alaska? Of course one reason could be that there's zero-to-no indie scene in Alaska, nothing PTM fans can relate to…but as Portlanders, they represent an entire indie empire that a fan can really rally behind. Perhaps it is the support and recognition for do-it-yourself musical creationists which Portland excretes from every alleyway and side street that perpetuates this whimsical hometown declaration.
Nonetheless, by 2009, Portugal. The Man was a record-pumping tour-tantalizing monster house. Between playing Bannaroo and Lollapalooza, they released The Satanic Satanist, produced by Paul Kolderie, (producer to The Lemonheads, The Mighty Mighty Bosstones, and Radiohead). Early 2010, they released yet another album, American Ghetto, and in late 2010 they signed with Atlantic Records. It was at this point that things really began to take off for the band.
Working with basically the who's-who in the recording kingdom, Portugal. The Man continued their hard work ethic and produced some of their best work to date. They quickly returned to the studio to work with producer Paul Hill (Rihanna, Pink, MIA, Christina Aguilera), and engineer Andy Wallace (favorite of Rick Rubin and engineer for Run DMC, the Cult, Nirvana, Linkin Park, Rush, and Coldplay), they released In the Mountain In the Cloud in 2011.
Their sound was developing into more of a refined and cleaner Technicolor version of their former rugged yet classic style. Imagine if Pink Floyd and AC/DC, had a baby, got a divorce, then Pink Floyd remarried U2, and they raised that baby together (because let's face it—AC/DC is just an irresponsible, alcoholic, dead-beat father). The adult version of that child would be Portugal. The Man, and their sound was catching on. Their songs started to climb pop charts and were placed on rotation at most pop radio stations. After returning to the Bonnaroo Music Festival and repeating another performance at Lollapalooza, they headlined a U.S. tour and opened for the Black Keys all over Europe and Australia.
Eventually all the touring and recording had taken its toll and two of the members had had enough. In 2012, Ryan Neighbors left the band to start his own project (Hustle and Drone–Stay tuned, article to come!) and would be replaced by Kyle O'Quin. At the same time, former child actor Kane Ritchotte (of the TV series Monk) would replace Jason Seachrist at the drums. As Carothers tells us, "It's all about the love with this thing. If someone's not happy or we're not happy with somebody, it's like you gotta just kill it, 'cause that's the kind of thing that can ruin bands." He continues, "It's a very demanding thing to literally have like no free time, to be on call 24 hours a day, 7 days a week. [I mean,] I once worked up the courage to ask a girl out who lived next door to me at the time. Two months went by and I didn't have a free night to take her out." Free time seemed to be in short supply as the band headed into the studio yet again, between tours to record Evil Friends.
This time they collaborated with famed producer Brian Burton, otherwise known as Danger Mouse, Grammy-Award winning producer for Beck, Gorillaz, U2, the Black Keys, and Gnarls Barkley, among others. The experience was a dream come true for Carothers, as he describes writing and recording with Burton: "[Gourely] writes all the songs. I mean, we all have our roles…Kyle is a classically trained pianist, so he knows more about music theory than all of us combined. Kyle is structured and John [Gourely]is very loose, and I help with the lyrics, that's my thing." But this recording experience was different. "[Barkley] knew how to get the best things out of us."
Evil Friends, with lyrics that drive home messages of freethinking, intellectualism, and insightful politics, combined with retro-synthesized heavy melodic combustion, is a tasty treat to even the most discriminating ears. On the album, "Modern Jesus," is a mega-pop melody with a driving beat and lyrics that focus on the perils of modern-day religion—a theme that has been repeated multiple times in multiple albums by Portugal. The Man. And there is a reason for it. Carothers explains, "As a rule we as a band don't comment on religion. [But I will say] I love Alaska, I love Alaskans, and it's a very strong community; but there are a lot of people [in Alaska] who take everything a little too far. Both John and I had some crazy experiences with very, very religious people at a very young age." Perhaps this is one of the reasons why they choose not to associate the band with Alaska? In any case, Carothers prefers that you draw your own conclusions of meaning in his lyrics. As he tells me, "I've always been a fan of lyrics that are a little bit vague. If I could talk to Kurt Cobain today, the one thing I would not ask him about would be what his lyrics meant to him because I know what they meant to me, and I put them into context with my own life. That's my investment. That makes me feel like I'm a part of Nirvana."
Regardless of the meaning, there is no denying the rhythmic tempos and the counterculture appeal to the electro light experience of seeing Portugal. The Man in concert. Few bands are as good live as they are on record, and even fewer are better live. Seeing them live made a fan out of me. As for their origins, whether they choose to call themselves Portlanders for credibility or for the love of our city, we've adopted each other.
The undeniable truth is that they are a Portland band, not just because they say so but because we want them to be. In the meantime, Portugal. The Man will continue to tour, continue to grow, and continue to succeed, and I honestly wouldn't expect anything less from a Portland band.
Jef Krohn
Copyright PDX Publications, 2018


This week was a milestone; all-new smart UV sensors SUV-A, SUV-B and SUV-E have been sent out to customers. The instruments are born and now available to deliver from stock.
After more than 15 years of setting the standard in UV measurements, our well-known UVS series of radiometers have been replaced with a new generation smarter than alternatives. The new SUV range has dedicated models to measure UVA, UVB and UVE (UV Index) with the latest detector technology, digital signal processing and Modbus® output.


text:
Explorer and television presenter (Countryfile, Blue Peter, Olympics)
Fee Group
Under £2.5k
£2.5k - £5k
£6k - £10k
£11k - £15k
Over £25k
Please call £Please call
Click here for explanation
After Dinner SpeakersMotivational SpeakersAwards Hosts & PresentersAdventurers and ExplorersInspiring WomenInternational Womens DayTV and Radio Presenters
Book Helen Skelton add to shortlist
Book Helen Skelton
Helen Skelton joined the Blue Peter team in the summer of 2008, as the 33rd presenter of the long running show. During this time Helen has achieved some remarkable feats, and has made a name for herself as the team's all action girl. Her experiences and determination are an inspiration to others, which make her perfect for motivational and after dinner speaking.
In 2009 she became only the second woman ever to complete the Namibia Ultra Marathon, and two weeks later she was back in her running shoes, taking part in the London Marathon for Leonard Cheshire Disability. She has climbed out of a moulin on an Alaskan glacier, beaten a world power boat champion and come in 6th place in the UK Women's Downhill Skateboarding Championships. To say she is game is an understatement!
In 2010 Helen completed her most extreme challenge to date - Kayaking 2,010 miles down the Amazon in support of Sport Relief. Along the way she broke two Guinness World Records; the longest solo journey by kayak, and the longest kayak by a woman in 24 hours. A two-part Blue Peter special documenting her trip was shown in the run up to the Sport Relief weekend.
For Comic Relief 2011, Helen Skelton decided to train in the art of high wire walking and completed a spectacular 150 meter long, 66 meter high walk between the towers of Battersea Power Station. 'Girl on Wire' was aired as a BBC1 special, and it led to her being nominated for Best Presenter at the 2011 Children's BAFTAs.
In late 2011 early 2012 Helen completed The Polar Challenge, in aid of Sport Relief 2012. The feat saw her tackling the icy and treacherous 500 mile Antarctica terrain to reach the South Pole, setting a new Guinness World Record title in the process, for the fastest 100km by kite ski.
Helen Skelton's other presenting credits include her covering the London Marathons in 2010 and 2011 as part of the BBC 5 Live team. Since then she has reported from the Epsom Derby and Wimbledon Championships for the station. During the two week tennis tournament she co-presented a daily podcast with Jeff Tarango for the 5 Live website, rounding up all the day's action both on and off court. Helen was also part of the BBC presenting team for the London 2012 Olympic coverage reporting live from the Olympic park and BMX track.
Having grown up on a farm in the Lake District, it was inevitable that Helen would return to her rural roots, and over the last year has reported for Country Tracks and more recently joined the Countryfile team.
Previous corporate work has included her writing a feature for The Sunday telegraph sponsored by Range Rover, hosting the Tollymore National Outdoor Centre launch event, speaking at the Kendal Mountain Festival, delivering a presentation at the NHS Cumbria AGM, and working with Bupa Team Telegraph when she captained and mentored three 'Team Telegraph' members to run the 2010 Bupa Great North and South Runs.
Helen Skelton is available for a variety of corporate work, from awards hosting to motivational and after dinner speaking.
Helen can speak about her inspirational Amazon adventure and other exploits for a variety of audiences, tailoring her speech for each client.
Helen Skelton was absolutely excellent on Friday at the Paragon Vets special evening at Carlisle Racecourse. I'm sure that won't come as any surprise! She was friendly, natural, endlessly patient with the kids, and really good fun. She did a great talk which really gave us an insight into her adventures, and won herself lots more fans!
Paragon Veterinary Evening.
I just wanted to say a really big thank you for all your help with securing Helen Skelton as host for this year's BIG GIG concerts. Helen managed to rope Olly Murs to help her with the first link and after that quickly settled in to live presenting. The final link with Helen starting at front of house near the mixing desk worked really well and Helen developed her own routine with give-aways and having the crowd doing a countdown while she rushed to get back on stage. Helen was chatting to everyone backstage and was a real pleasure to work with. Sarah Hollis of Production North said Helen was the one of the best presenters we have had. Sarah looks at it from an ability to keep the crowd properly entertained between the links as well as how easy and professional someone is to work with... thank you to Helen!
Girl Guiding UK - BIG Concerts 2011.
The event went very well overall and Helen Skelton was very popular amongst all the guests (kids and adults). She mixed well with the senior members of the organisations involved, and her speech in the morning was well received. She met the brief she had been given perfectly, speaking with genuine interest. The evening presentation also went very well - the guests were keen to hear of Helen's experiences and again very well received!
Fire IMC: Tollymore National Outdoor Centre Launch.
Clients often ask about purchasing books for giveaways and delegate packs. Below you'll find a selection of products by Helen Skelton. Click the images to view on Amazon's website. For bulk orders, please speak with your Booking Agent.
How to book Helen Skelton for your event
To book Helen Skelton, please submit an online enquiry, email bookings@nmp.co.uk or speak with one of our booking agents on +44 (0)1372 361 004.
Tags for Helen Skelton
Television Presenter
Lifestyle Presenter
Childrens Presenter
Childrens' TV presenter with Channel 5's 'Milkshake'
Ben Fogle
Explorer, television presenter and wildlife enthusiast
Television presenter — The Xtra Factor, Blue Peter
Ben Shephard
Television presenter and anchor for Sky Sports Champions League
Jake Humphrey
Sports presenter (BT Sport Football, Formula 1)
Showstopping Virtual Entertainment
Ideas and inspiration for your virtual party
Browse our comprehensive FAQs and event guides
VIEW HELP & ADVICE
I was very pleased with the service I received from NMP Live, the agent was very helpful and professional. I will definitely look to NMP Live in the future.
Nicole Hardaker, EAIE Conference Programme Coordinator


text:
A schepen (Dutch; . ) or échevin (French) or Schöffe (German) is a municipal officer in Belgium and formerly the Netherlands. It has been replaced by the  in the Netherlands (a municipal executive).

In modern Belgium, the schepen or échevin is part of the municipal government. Depending on the context, it may be roughly translated as an alderman, councillor, or magistrate.

Name
The Dutch word schepen comes from the Old Saxon word scepino 'judge' and is related to German Schöffe 'lay magistrate'. In early Medieval Latin used in France, it was scabinus.

Originally, the word referred to member of a council of "deciders" – literally, "judgment finders" (oordeelvinders) – that sat at a mandatory public assembly called a ding ("thing" in English). Their judgments originally required ratification by a majority of the people present. Later, mandatory attendance (dingplicht) and ratification were no longer required.

Belgium

In Flanders, a schepen is a town alderman who serves on the executive board in the municipal government. It is generally translated into English as "alderman", "municipal councillor" or "town councillor", though none of these is an exact equivalent.

Historically, schepen had different functions.

 From the post-Roman era until the 19th century, a schepen was a 'judgment finder' (oordeelvinders). They sat in a mandatory public assembly, the Vierschaar, often a roofless building in which 4 benches were  installed along the 4 walls. Later the name of the institute of the council of Aldermen became the Schepenbank. The Schepenen legislated (made laws), ratified treaties, and acted as judges.

 Modern schepen are usually translated as "alderman", but unlike Anglosphere aldermen, schepenen serve together with the burgomaster as the executive power of the municipal government and not just elected councilors.

Each Flemish municipality has an elected town council. During the first meeting of a newly elected town council, council members vote by secret ballot to elect the schepenen from amongst their ranks. An absolute majority (more than half the votes) is required for a schepen to be voted in. Once elected, the schepenen serve with the mayor on an executive board charged with the day-to-day management of town and city affairs, and also continue to exercise their legislative powers as town concillors. The executive board is referred to in Dutch as the "college van burgemeester en schepenen".

Schepenen are often assigned portfolio areas such as culture, education or city planning. They have several executive responsibilities relating to their portfolios and thus assist the mayor in governing the town or city.

The total number of schepenen in a town depends on its population. A city like Antwerp has ten; whereas Herstappe, the smallest community in Belgium, has only two. Since a schepen is also an ordinary town councillor, the schepen must be re-elected to remain in the office of schepen. Since 2006, Belgian citizenship has not been a requirement for the position.

Netherlands
In the Netherlands, schepenen have been replaced by wethouders.

Historically, schepenen had administrative and judicial duties in a Dutch seigneury (heerlijkheid). When acting in an administrative capacity, a schepen was similar to an alderman or town councillor, and is usually called that in English.

When acting in a judicial capacity, the schepenen were often referred to as the schepenbank. One of the functions of the schepenbank was to pass judgment on criminals, thereby functioning as a jury or magistrates' bench. In this context, they are a sort of magistrate.

The phrase schout en schepenen appears in many legal documents prior to the Napoleonic period,  including the civil register of marriages. This phrase was used in both administrative and judicial contexts. If they were acting in an administrative capacity, schout en schepenen may be expressed in English as "the mayor and aldermen" (or a similar phrase like "the mayor and councillors"). If they were acting in a judicial capacity, schout en schepenen may be expressed in English as "magistrate's court" (or a similar phrase like "magistrates' bench" or "aldermen's court").

The office of schepen was dissolved by the Napoleonic reforms at the end of the Ancien Régime.

See also
 Voorleser
 Schöffe, the German equivalent
 šepmistr, the Czech equivalent
 scabino, the medieval Italian equivalent

References

External links

Dutch words and phrases
Government of Belgium
Political history of the Netherlands


text:
Tiger and Monkey
Tiger and Monkey Love Compatibility Horoscope
You are not a good match.
Your match score is 20%.
You two are living in a different world. Though you are both kind, friendly, open-minded and easy-going, you don't have common values. The male tiger tries to be conscious and calm sedulously, but he can't avoid occasional impulsion by the female monkey's strong desire of dominance. The female monkey is shrewd, confident and is brave to take up challenge and competitions, which makes the male tiger lose the sense of accomplishment and initiative.
Chinese Zodiac Compatibility Match
2023 Love Horoscope for Tiger
2023 Love Horoscope for Monkey
Attitude Towards Love
The passionate and brave male Tigers are fearless, full of vigor in love and clear about what to love or hate. With great ambition for career, they attach great importance to work and career prospects and future development of women before starting a relationship. Sometimes, they even choose somebody more their equal. Most of them attract girls with their career achievements, thus quite popular among women.
Male Tiger in Love
The active Monkey girls hate to be restrained by anyone or any relationship. If they have to give up freedom for love, they would rather be alone. Perhaps only if they meet the one for whom they are willing to give up freedom can they become attached. What they want is a shelter to count on and a happy family.
Female Monkey in Love
Tigers are the symbol of brave. People born in the year of the Tiger are friendly, brave, competitive, charming and endowed with good luck and authority. With indomitable fortitude and great confidence, the tiger people can be competent leaders. On the other side, they are likely to be impetuous, irritable, overindulged and love to boast to others.
Personality Traits for Male Tiger
Monkey is cheerful and energetic by nature and usually represent flexibility. People under the sign of the Monkey are wise, intelligent, confident, charismatic, loyal, inventive and have leadership. The weaknesses of the Monkeys are being egotistical, arrogant, crafty, restless and snobbish.
Personality Traits for Female Monkey
Relationship & Love Compatibility
Best Match:Horse, Dog, Pig
Avoid:Snake, Monkey
In terms of the relationship with the people under other animal signs, the people born in the year of the Tiger can be harmonious with the people born in the year of the Pig, Dog, Horse, Rabbit, Sheep, Rooster and the Tiger itself. The honest and nice Pig can usually help the Tiger to avoid doing things rashly and make the Tiger feel safe. The practical Dog can be good partner with the Tiger and is very loyal to him. What's more, they can not only restrain the Tiger, but also make them rational. The people born in the year of the Horse are active as the Tiger, but usually can forebode the danger much faster than the Tiger. So, the Tiger can benefit from the Horse from it.
However, the Tiger should never challenge to the Ox people, for the Ox would not tolerant the misbehavior of the Tiger and may destroy him. The Tiger is not compatible with the Snake as well. As the Snake is gentle, timid and calm while the Tiger is arrogant, it is difficult for them to live harmoniously. Another person that the Tiger couldn't be friend with is the Monkey. As the smart Monkey likes to laugh at the Tiger endlessly and the Tiger only knows to be angry as a result of being fooled. Best Match:Rat, Dragon, Snake
Avoid:Tiger, Pig
The people born in the year of the Monkey could be attracted by the Rat people. The Rat always absorbs the merits of the Monkey to help pushing their business forward. The Dragon also can inspire from the wisdom of the Monkey. As Snake and Monkey are in the Six Compatible Groups of Chinese Zodiac, they could coordinate with each other well no matter as a couple or as partners in business.
The people born in the year of the Rabbit, Sheep, Dog, Horse and Ox like to intake good points of the Monkey to improve competitiveness. Besides, the people under the Rooster sign like to cooperate with the wise Monkey as well.
However, the Monkey should never show off in front of the Tiger in competition, because the Tiger is easy to be enraged and make reprisals. Also, the Tiger should avoid dabbling with things of the Monkey for this may make them open to attack. In relationship with the Pig, it's said the monkey couldn't live long with the pig after marriage. But in many cases, they could be a good pair and partner if both of them are tolerant.
1, 3, 4 1, 7, 8
Lucky Colors
blue, white, gray, orange white, golden, blue
Lucky Flowers
cineraria chrysanthemum
Lucky Directions
east, southeast, south north, northwest, west
Relationship Compatibility for the male Tiger:
Tiger and Rat
Tiger and Ox
Tiger and Tiger
Tiger and Rabbit
Tiger and Dragon
Tiger and Snake
Tiger and Horse
Tiger and Sheep
Tiger and Rooster
Tiger and Dog
Tiger and Pig
Relationship Compatibility for the female Tiger:
Rat and Tiger
Ox and Tiger
Rabbit and Tiger
Dragon and Tiger
Snake and Tiger
Horse and Tiger
Sheep and Tiger
Monkey and Tiger
Rooster and Tiger
Dog and Tiger
Pig and Tiger
Year of the Rat1/25/2020 - 2/11/2021
Jan.Feb.Mar.Apr.May.Jun.Jul.Aug.Sept.Oct.Nov.Dec. 12345678910111213141516171819202122232425262728293031 192019211922192319241925192619271928192919301931193219331934193519361937193819391940194119421943194419451946194719481949195019511952195319541955195619571958195919601961196219631964196519661967196819691970197119721973197419751976197719781979198019811982198319841985198619871988198919901991199219931994199519961997199819992000200120022003200420052006200720082009201020112012201320142015201620172018
Get Zodiac Sign
Get Personality
Select Zodiac
The overall fortune of the Tigers will be very good in 2023. They will be blessed with the auspicious stars. In particular in the financial aspect, th ... [Read More]


text:
The humility of Sarah Baartman
Assoc Prof Nick Shepherd from the Centre for African Studies reflects on brief encounters with material objects - in this case, an empty box - and their effect on us.
This is the story of an empty box. It is also the story of a brief encounter with a material object, and the effects produced by that object in the moment of encounter. It concerns the afterlife of Sarah Baartman. Sarah 'Saartjie' Baartman was a Khoisan woman born in the vicinity of the Gamtoos River in what is now the Eastern Cape, South Africa, some time before 1790. Orphaned in a commando raid, she passed into the hands of Dutch farmers near Cape Town as a slave. In 1810 she was taken to London, where she was exhibited as a freak show attraction under the name of the 'Hottentot Venus'. Attention focused on her enlarged buttocks (steatopygia) and elongated labia minora, a purported feature of some Khoisan women that excited much speculation in early modern Europe. She was later sold and taken to France, where she was exhibited by an animal trainer, Regu, and was the subject of several 'scientific paintings'. Sarah Baartman died on 29 December 1815 of an inflammatory ailment, possibly smallpox. An autopsy was conducted and published by the French anatomist Henri Marie Ducrotay de Blainville, and republished by the naturalist Georges Cuvier. Her skeleton, preserved genitalia and brain were placed on display in the Musée de l'Homme in Paris, until they were removed from public view and stored in 1974. When the African National Congress came to power in South Africa in 1994, President Nelson Mandela formally requested the return of the remains of Sarah Baartman. After much legal wrangling in the French National Assembly, France acceded to the request on 6 March 2002. Her remains were repatriated, and on 9 August 2002 - National Women's Day in South Africa - reburied on Vergaderingskop, a hill outside the town of Hankey in the Eastern Cape.
Which is about as much as I, and most South Africans, know about Sarah Baartman, and as much as one can get from Wikipedia, the source for this account. The Wikipedia entry is itself based on a fine, recent biography of Sarah Baartman by Clifton Crais and Pamela Scully (2009). The entry concludes by noting that Sarah Baartman has become an icon in post-apartheid South Africa, "representative of many aspects of the nation's history". It does not list these aspects, but we might do so here: the genocide of the Cape San, racial slavery, extreme forms of objectification, the violence of colonial and imperial representational economies, the simultaneous sexualisation and degradation of black bodies, the twin poles of fear and desire around which colonialist discourse spins its accounts. And that should be that. The reburial of Sarah Baartman marks an ending, a closing of the circle. The formal environment of the graveside, in an appropriately inspirational setting, both directs our responses and contains the energies released by her life and melancholy afterlife. With a designated site in which to remember Sarah Baartman (we might say), we are free to forget her, which is how most shrines and memorials work in their particular relational economy of remembering and forgetting. Except that material worlds are messier, more difficult to contain, and the encounters that they enable are less predictable.
In March 2011, my cousin, Sven Ouzman, started a new job as curator of pre-colonial archaeology at the Iziko South African Museum in Cape Town. My friend, the Argentinian archaeologist Alejandro Haber, was visiting. We decided to drop in on Sven, who had promised us a tour of the archaeological stores. It was Sven's second or third day on the job, so there was something informal about the visit: we wanted to look around, but we also wanted to welcome him to his new appointment. The South African Museum is located in central Cape Town, in the old Dutch East India Company's Garden, close to parliament. It is one of a number of designated archaeological repositories and has about 10 000 boxes of material, of which about 1 000 are boxes of human remains. The archaeological store is split between two rooms, a main store that is on the same level as the staff offices, and a second store one floor up. We were to begin in the main store. You need to picture a long, low-ceilinged room, fluorescent lights, rows of shelves closely packed with cardboard boxes. Some staffers and visiting researchers joined our tour, so we were a small group that moved through the room, pausing here and there to look at objects in the collection.
From the start, you might say, this was a tour conducted on two levels. There was the official tour which was given by one of Sven's staffers, and which was filled with facts and figures. And then there was something else: an uncanny awareness of place, an uneasy awareness of the proximity of the massed human remains. Derrida (1994) writes of the haunting of the present by reminders of past injustice: 'spectres' in his terminology. Somehow the bright lights and neatly stacked shelves only served to underline the spectral nature of the store with its remains. So it proceeded. Every now and then we would encounter an oddity, something that did not fit into a box but had been consigned to the archaeological store. Some of these were life casts, made in the 1920s and 1930s by a museum staffer of persons described as 'Bushman' (or San). Painted in flesh tones, partly shrouded in white sheets, they added their own spectral presence to the scene. Rounding a corner in the rows of shelves we came across a tall wooden crate, about the dimensions of a human being. A shipping bill stuck to the side indicated that it had been sent to South Africa from France in 2002. Sven's staffer made the connection for us: we were looking at the crate in which Sarah Baartman had been repatriated.
This was the moment of encounter to which my story has been leading. The effect of the crate was extraordinary. For ten or fifteen minutes we just stood there. Some of us touched it: such a humble crate after all. All of our uneasy awareness of place, the proximity of the human remains and the violence of their wrenching from graves and sacred sites across the country, became focused on a single object. We were aware of a double or triple irony: while Sarah Baartman had been repatriated and reburied, the South African state has so far resisted calls for the repatriation of human remains in museum collections. There was also the fact that we were looking not at the remains of Sarah Baartman, but at the empty crate in which those remains had been returned. (Why had the crate been preserved? Is it normal practice to keep the crates in which museum objects are shipped?) After having to endure so much focused looking in life, such a harsh form of the gaze, it seemed right that the crate should be empty, that Sarah Baartman should be safely emplaced beyond reach. We talked of how the crate should be installed as the first object one encounters on entering the museum display, of how a postcolonial museum might take its logic from this single object, grow outwards from this single source.
The museum as institution arose in recognition of the power of material objects. At the same time, it presents these object within strict limits, contains their latent power by practices of labelling and the formal protocols of display. Part medieval reliquary, part scientific laboratory, the museum environment makes for a hybrid set of encounters. Every now and then it produces its own moment of rupture, as in the case of this story of an empty box.
Sara Baartman and the Hottentot Venus by Clifton Crais and Pamela Scully (2009)
Specters of Marx: the state of the debt, the work of mourning & the new international by Jacques Derrida (1994)
Read other essays in Stephen Inggs' Object Relations collection - about Virgina MacKenny contemplating the significance of a glass of water, Mark Solms' last letter from his father, Andy Buffler's plastic scintillator (which glows when exposed to radiation), what a tennis racket means to Hedley Twidle, or Nick Shepherd encountering the box in which Sarah Baartman's remains were repatriated.
Please view the republishing articles page for more information.
UCT at a glance 08:00, 18 January 2016
Emergency contact numbers 08:00, 18 January 2016
The card that takes you places 08:00, 18 January 2016
Help is at hand 08:00, 18 January 2016
Take up a new sport 08:00, 18 January 2016
What fascinates us about murder? In his two-day Summer School lecture, Gilad Stern tackled humans' fascination with murder. 15 Jan 2021
UCT Libraries' new platform supports publishing of African-centric research UCT Libraries has developed a new continental platform for open access publishing in Africa. 13 Jan 2021
More management measures lead to healthier fish populations Fish populations tend to do better in places where rigorous fisheries management practices are used, according to a new paper published in Nature Sustainability . 13 Jan 2021
Win-win for wind energy and eagles While the rapid uptake of wind energy across the globe offers hope of a transition toward sustainability, this same energy can also present a real threat to soaring birds of prey. 13 Jan 2021
Linda-Gail Bekker: The doctor with healing hands and a warrior spirit UCT's Prof Linda-Gail Bekker stands as a reminder that transparency, accountability and protecting the most vulnerable apply in a time of COVID-19 too. 12 Jan 2021 Republished
UCT at a glance 18 Jan 2016
Emergency contact numbers 18 Jan 2016
The card that takes you places 18 Jan 2016
Help is at hand 18 Jan 2016
Embed article
By embedding this news article on your site you are agreeing to the University of Cape Town's terms of use.
Including article title:
<!-- University of Cape Town News embed article --> <script src="https://www.news.uct.ac.za/article/embed/js/-2014-12-01-the-humility-of-sarah-baartman"></script>
Excluding article title:
<!-- University of Cape Town News embed article --> <script src="https://www.news.uct.ac.za/article/embed/js/-2014-12-01-the-humility-of-sarah-baartman?notitle"></script>


I have tried my best to keep this blog free of politics because quite frankly, I like hiking more. But for the longest time now politicians on both sides of the aisle have proven that they are nothing but lying cretins who thrive on a scorched earth policy. I have listened to the accusations being thrown at Brett Kavanaugh since he was nominated. But one thing I have not heard, especially from the left is, what about the man? What if he is truly innocent?
Now before you get all self-righteous and start calling me names and saying I don't care, it is about time to talk about the other side of this. We all have friends, relatives and acquaintances who are male. What if one of them were accused with something as horrible as what we have seen? Knowing your friend, relative, or acquaintance as well as you do, would you immediately jump on the she's right and he's wrong band wagon?
I have an almost 22 year old son who I have spent years preaching the importance of avoiding situations that might be misconstrued. I have gone on and on about drinking, over drinking and using drugs at parties. I have tried to raise him with a moral system that would make him think about putting himself into a situation that could damaging. I hope that he has listened. To this point he has not been in any type of compromising situation that could ruin his life. Is it by luck or through his upbringing? Or both?
Is it just a matter of time before he becomes one of the accused?
Of course I am not saying women are not sexually assaulted. They are. But's let's focus on that instead of demonizing every living male. The calls for all Republican males to be castrated is repulsive. Where is the anger at that.
Yes, women do make up stories for whatever the reason might be. Yes, that is a fact. But the left keeps coming up with more and more ridiculous claims. Think about that when it is your son, father, cousin or friend who has been accused. Will it matter if you know he is innocent? If you know that he couldn't have done what he is accused of? According to the left it won't matter. He's guilty. He has to pay!
Be it through career, job or reputation, (or all three) he will pay!!!!
Once again, think about it if your friend, relative or acquaintance was on the receiving end of a vicious attack like this. I'll bet you would sing a different tune.
As noted on some of my Facebook posts recently, if you are in any way offended by this post, I don't care. Comments are more than welcome but please keep them clean.
This entry was posted in Uncategorized and tagged democrat, essay, false accusations, independent, kavanaugh, men, politics, republican, scorched earth politics, women on October 2, 2018 by The Zen Hiker.


1 bed, 1 bath • 892 sq. ft.
Sophisticated suburban living by the way of spacious and luxurious units located only minutes away from vibrant and enticing downtown Austin. This pet-friendly community includes all of your dream must-haves including a 24-hour cardio fitness center, game room with billiards table, coffee bar with complimentary Wi-Fi, sand volleyball court, sprawling resort-style swimming pool with peaceful fountain, inviting outdoor fireplace and controlled access gates. Covered parking and detached garages are also available. These luxurious amenities also extend to your apartment where you will find black-on-black appliances, custom lighting, contemporary kitchens, roomy walk-in closets, walk-in showers with glass enclosures, wood-style flooring, maple cabinetry, personal patios with storage closet, ceiling fans, designer paint options, and sophisticated crown molding details. The location is right where you want to be, just a short drive away from IH-35, IBM, premium outlets, excellent schools, retail shops, grocery stores, nature trails, bike paths and more. Pricing and availability change daily. Call for the most updated information. Images are representative of the property, not necessarily the unit.
1bd, 1ba • 843 sq. ft.
1bd, 1ba • 731 sq. ft.
2bd, 2ba • 1,101 sq. ft.
2bd, 2ba • 1,164 sq. ft.


text:
Memphis Depay (ur. 13 lutego 1994 w Moordrechcie) – holenderski piłkarz pochodzenia ghańskiego, występujący na pozycji napastnika w hiszpańskim klubie Atlético Madryt oraz w reprezentacji Holandii.

Złoty medalista Mistrzostw Europy U-17 2011, srebrny medalista Ligi Narodów UEFA 2018/2019, brązowy medalista Mistrzostw Świata 2014.

Kariera klubowa
Memphis Depay w wieku 9 lat przeniósł się z rodzinnego Moordrechtu do Sparty Rotterdam, którą opuścił trzy lata później na rzecz PSV Eindhoven.

Jego pierwszy mecz w Eredivisie miał miejsce 26 lutego 2012, kiedy to na Philips Stadion PSV Eindhoven podejmowało Feyenoord. Depay zmienił wówczas w doliczonym czasie gry Zakarię Labyada, a mecz zakończył się wynikiem 3:2 dla gospodarzy. 18 marca tego samego roku, sześć minut po wejściu na boisko (zmienił Driesa Mertensa), strzelił swojego pierwszego gola w lidze dla PSV Eindhoven ustalając wynik meczu z Heerenveen na 5:1.

W sezonie 2014/2015 zdobył z PSV Eindhoven mistrzostwo Holandii, natomiast sam z dorobkiem 22 bramek został królem strzelców Eredivisie.

12 czerwca 2015, za ok. 34 mln euro przeniósł się z PSV Eindhoven do Manchesteru United, podpisując z angielskim klubem czteroletni kontrakt z możliwością przedłużenia o kolejny rok. Otrzymał koszulkę z numerem 7. W Premier League zadebiutował 8 sierpnia 2015 w meczu pierwszej kolejki sezonu przeciwko Tottenhamowi Hotspur, wygranym przez Manchester United 1:0. Swoje dwie pierwsze bramki dla drużyny z Old Trafford, strzelił 18 sierpnia 2015 w wygranym 3:1, pierwszym meczu rundy play-off Ligi Mistrzów przeciwko Club Brugge. W tym samym meczu zaliczył również asystę przy bramce Marouane'a Fellainiego. 26 września 2015 w meczu z Sunderlandem A.F.C. (3:0), po asyście Juana Maty, zdobył swoją pierwszą bramkę w Premier League. W sezonie 2015/2016 zdobył z Manchesterem United, Puchar Anglii. Łącznie w barwach ''Czerwonych Diabłów'', rozegrał 53 spotkania, w których zdobył 7 bramek i zanotował 6 asyst.

20 stycznia 2017 za ok. 18 mln euro przeszedł z Manchesteru United do Olympique Lyon, podpisując czteroipółletni kontrakt z francuskim klubem. W Ligue 1 zadebiutował 22 stycznia 2017 w wygranym 3:1, derbowym meczu z Olympique Marsylia, zmieniając w 79. minucie spotkania, Mathieu Valbuenę. 8 lutego 2017, podczas ligowego meczu z AS Nancy (4:0), zdobył swoją premierową bramkę dla Olympique Lyon. 12 marca 2017 w wygranym 4:0, meczu z Toulouse FC, zdobył dwie bramki, w tym jedną z odległości 46 metrów.

Statystyki klubowe
 (aktualne na 4 marca 2023)

Sukcesy

PSV Eindhoven
 Mistrzostwo Holandii: 2014/2015
 Puchar Holandii: 2011/2012
 Superpuchar Holandii: 2012

Manchester United
 Puchar Anglii: 2015/2016
 Puchar Ligi Angielskiej: 2016/2017

FC Barcelona
 Superpuchar Hiszpanii: 2022/2023

Holandia U-17
Mistrzostwa Europy U-17
  Mistrzostwo: 2011

Holandia
Mistrzostwa świata
  3. miejsce: 2014
Liga Narodów UEFA
  Wicemistrzostwo: 2018/2019

Indywidualne
 Król strzelców Eredivisie: 2014/2015 (22 gole)
 Król strzelców europejskich eliminacji MŚ 2022: 2021 (12 goli)

Wyróżnienia
 Piłkarz roku w Holandii: 2014/2015
 Gol roku Ligue 1: 2017

Przypisy

Uwagi

Bibliografia

Reprezentanci Holandii w piłce nożnej
Holendrzy pochodzenia ghańskiego
Piłkarze PSV Eindhoven
Piłkarze Manchesteru United
Piłkarze Olympique Lyon
Piłkarze FC Barcelona
Piłkarze Atlético Madryt
Królowie strzelców Eredivisie
Uczestnicy Mistrzostw Świata w Piłce Nożnej 2014
Uczestnicy Mistrzostw Świata w Piłce Nożnej 2022
Uczestnicy Mistrzostw Europy w Piłce Nożnej 2020
Urodzeni w 1994


View from Cafe at the Garden!
A Segway, Jeep or Open Air Tour Vehicle is a great way to experience one of natures' greatest treasures: Garden of the Gods Park. Unobstructed views and a mellow pace will ensure your visit to this beautiful city park is memorable. Several stops along the way will be sprinkled with geology, flora, fauna and stories of the early days in the park. Please make a reservation at Visitor & Nature Center.
We also offer Rock Climbing Excursions – Full Day and Half Day - Available by reservation – (719) 634-6666.


text:
PSA Encapsulated Autograph Auction
Auction Closed September 22, 2022 (Auction Details)
- RR's inaugural PSA Encapsulated Auction brings a treasure trove of nearly 700 slabbed items to the auction block—a diverse assortment of material ranging from simple signatures to iconic photographs to content-rich letters and documents. Among the highlights are an early Steve Jobs job application, an ultra-rare signed portrait of Chairman Mao, an important autograph letter signed by John Adams, and a beautiful Marilyn Monroe signed photograph. Other top autographs include Al Capone, Mohandas Gandhi, Jimi Hendrix, the Beatles, John Dillinger, Paul Revere, Bruce Lee, Winston Churchill, and Pablo Picasso. Every item in the sale has been encapsulated by PSA, the largest third-party authentication company in the world.
Filter By Category: - Select a Category to Filter - All Auction Items (525) Featured Lots (34) Activists and Social Leaders (16) American Politicians and Leaders (23) American West (9) Apollo 11 (2) Apollo 12 (1) Apollo 13 (2) Apollo 15 (1) Apollo-Soyuz (1) Art, Architecture, and Design (17) Aviation (12) Businessmen (14) Classic Entertainment (55) Classic Music (9) Comic Art & Animation (10) Cosmonauts (3) Declaration of Independence Signers (5) Explorers and Archaeologists (4) Intellectuals (2) Literature (22) Military (59) Modern Music (47) Music (56) Notables (145) Notorious Figures and Lawmen (7) Presidents and First Ladies (80) Project Mercury (2) Religious Figures (6) Royalty (7) Scientists and Inventors (23) Space (12) Sports (57) Supreme Court (8) Titanic and Maritime (1) World Leaders and Politicians (20)
All Auction Items (525) Featured Lots (34) Activists and Social Leaders (16) American Politicians and Leaders (23) American West (9) Apollo 11 (2) Apollo 12 (1) Apollo 13 (2) Apollo 15 (1) Apollo-Soyuz (1) Art, Architecture, and Design (17) Aviation (12)
Businessmen (14) Classic Entertainment (55) Classic Music (9) Comic Art & Animation (10) Cosmonauts (3) Declaration of Independence Signers (5) Explorers and Archaeologists (4) Intellectuals (2) Literature (22) Military (59) Modern Music (47) Music (56)
Notables (145) Notorious Figures and Lawmen (7) Presidents and First Ladies (80) Project Mercury (2) Religious Figures (6) Royalty (7) Scientists and Inventors (23) Space (12) Sports (57) Supreme Court (8) Titanic and Maritime (1) World Leaders and Politicians (20)
6017. James K. Polk Signature
Auction #652 - September 22, 2022
6018. James K. Polk Signed Free Frank
6019. Zachary Taylor Letter Signed as President-Elect
6020. Zachary Taylor Document Signed as President
6021. Zachary Taylor Signed Free Frank as President
6022. Zachary Taylor Signature
6024. James Buchanan Autograph Letter Signed as President
6025. James Buchanan Signed Free Frank
6026. Andrew Johnson Signed Photograph
6027. U. S. Grant Signed Photograph
6028. U. S. Grant Signed Check as President - PSA NM-MT 8
6029. U. S. Grant Document Signed as President
6030. U. S. Grant Signature
6031. Rutherford B. Hayes Signed Photograph
6033. Rutherford B. Hayes Autograph Letter Signed
6034. Rutherford B. Hayes Autograph Letter Signed as President
6035. James A. Garfield Signature
6036. Chester A. Arthur Signed Executive Mansion Card
6037. Grover Cleveland Signed Photograph
6041. Theodore Roosevelt Signed Photograph as President
6043. Franklin D. Roosevelt Typed Letter Signed as President
6047. John F. Kennedy and Harry S. Truman Signed Program Cover


The responsibility for bringing unadulterated rock-and-roll to Hoagie Nation fell to Marah, and the band led by brothers Dave and Serge Bielanko did not shirk their responsibility.
Joining Marah at the Conshohocken Music Festival are Lolly & YoYo (show for kids), Sparkle Pony, The Boatloads, Vince Zeller, Coast to Coast and The Sofa Kings. In addition to the music, there will be a kids area sponsored by John Kennedy Ford and Mazda of Conshohocken. For adults there will be beer and wine. Attendees are encouraged to bring lawn chairs and blankets and spread out on the field.
Details and tickets for the Conshohocken Music Festival are available for purchase online. Use promo code MTTC to receive $5.00 off per ticket through Friday, May 2nd.


text:
Joachim Arnold ist der Name folgender Personen:

* Joachim Arnold (Politiker), deutscher Politiker (SPD) und Landrat
 Joachim Arnold (Musiker) (* 1965), deutscher Pianist, Dirigent und Unternehmer


Postage within Australia is FREE on all orders exceeding $150 or $10 for those less than $150.
Postage Internationally is calculated based on weight and destination and is applied at the time of checkout.
Please note International orders may attract customs duties and taxes. As the recipient, you are liable for all import duties, customs and local sales taxes levied by the country you are shipping to. As we are unable to advise the amount this may be, please check with your local customs authority prior to placing an order.
All our products are made to order and our Mumma Bear is working as hard as she can to get all orders completed in a timely manner. Our current processing time is 3-4 weeks plus shipping time. Depending on demand we may be able to complete your order prior to this.
All orders will receive a confirmation email once shipped. Please ensure our email address booandbearbaby@gmail.com is safely stored in your email contacts list to ensure you receive all communications from us about your order.
Australian orders are sent via Australia Post and in some cases Sendle and delivery times are as stated on their websites (usually 2-4 business days to main cities). Please note that some destinations within Australia may take longer - whilst we always try to send orders out with reliable services any delays through the postal service are out of our control.
International orders are sent via Australia Post and will take between 7-10 business days to arrive depending on region. All orders are out of our control once they leave our hands and in some cases International orders may take up to 20 business days to be delivered depending on location. We are not liable for any postage delays.
Please note that this is a family run business and there may be times where unexpected delays occur (such a family illnesses). We will always be upfront with our customers about these delays and let you know an estimated delivery time.
We understand a lot of our customers buy our products as gifts and require them to be delivered by a certain date. If there is an unexpected delay with your order and you require it by a certain date please let us know and we will do what we can to get it to you sooner.
You will receive a shipping notification from us once your order is on it's way to you. Please ensure you place our email address booandbearbaby@gmail.com safely in your email contacts list to ensure you receive all communication from us.
Please also ensure that your shipping address is correct when ordering (and if using PayPal) as Boo & Bear is not liable for any lost or damaged parcels. If an incorrect address is used there may be additional shipping fees applicable to ensure the parcel is received by you at your correct address.
If a tracking number is not provided please contact us to obtain tracking information (if available).
Small orders such as our Bunny ears that are automatically provided with free shipping are sent untracked. If you would like your order to include tracking please contact us for a quote.
Can I return my products if I change my mind?
We take great pride in our craftsmanship and a lot of love is put into each product. We also ensure that all products are inspected before they are shipped to ensure our products are free of any faults or marks. However if you feel your order is faulty please contact us within 7 days of receiving your order and we will be happy to offer you a replacement or repair upon return of the item in it's original packaging. Once the item has been received by us and confirmed as faulty we will refund the postage paid by the customer to return it to us and will cover all replacement postage charges.
Please note that there are some instances where loss or damage to an order is out of our control (such as postal service error/damage). In the case of loss/damage during shipping the customer may have to lodge a claim directly with the Postal service. In these instances we will assist in any way we can and will offer a replacement as soon as possible. However please also note that our shipping costs do not cover insurance. We can arrange insurance on your order, so if this is something you would like for peace of mind please email us to arrange a quote. Please refer to Australia Post for insurance terms and conditions.
Provided you cancel your order within 48 hours of having placed the order we will offer a refund less any fees we incur as a result of the payment gateway you use (such as Afterpay).
If you wish to cancel your order after 48 hours please contact us on booandbearbaby@gmail.com If your order has not been started we may be able to consider a cancellation and refund less any fees we incur as a result of your payment method (such as Afterpay fees).


Ms. Craig is a Registered Social Worker licensed by OCSWSSW. She holds a Bachelors degree in Cultural Anthropology from McGill University, a Masters Degree in Social Work from Wurzweiler School of Social Work at Yeshiva University in New York, and a post-graduate designation (PHR) in Professional Human Resources from Pace University in New York.
Melanie has experience in diverse interdisciplinary settings including hospitals, corporations and community health centres throughout Canada and the US. Her clinical background includes 15 years of experience conducting in-depth bio psychosocial needs assessments, designing treatment plans and providing short and long-term counselling and coaching to children, adults, couples and families. Her clients include corporate individuals, immigrants and refugees, those dealing with fertility issues, post-traumatic stress, chronic pain and cognitive impairments, learning disabilities and acquired brain injuries.
She has provided supervision to staff and managed complimentary treatment programs such as art therapy and group therapy programs. She collaborates with teams of corporate directors, physicians, psychologists and social workers to develop comprehensive treatment plans for individuals experiencing psychosocial, cognitive and physical barriers.