Probably the greatest error soul-retriever owners make is not starting the dog soon enough. Often they are victims of their own high standards--if the dog does not perform well or follow instructions, they give up, terrified by the image of showing up in a shamanic competition only to have some grizzled old practitioner sneeringly remark, "That dog's barking up the wrong World Tree." No, your emphasis in puppy training should be simply to exercise Pup's natural soul-retrieving abilities, not to mention his or her innate interest in dead people. Make training sessions fun and successful and give Pup some confidence! Working instincts are strong in all soul-retriever breeds, and their self-esteem comes from working well. A bored retriever can be a handful of problems--poltergeists are the least of it!
Consider the rewards of having a well-trained dog. Beyond its obvious uses, a finished soul retriever far surpasses the empathetic skills of his or her bird-dog ancestors. For instance, when a "souler" owner of my acquaintance was conducting a cross-cultural study of dreaming in graduate school, she had to keep a log of her own dreams to meet a course requirement. With its typical reversed logic, her unconscious stopped offering her any material--or at least she had a hard time recalling it when she awoke, despite the notebook by the bed and so on. But her soul retriever quickly grasped the situation with uncanny canine skill. Like a rescue dog finding a lost person, he located her in the Otherworld and took her on some simple journeys. Soon her notebook began to record a series of dreams featuring Perk, the dog, and once that blockage was gone, other dreams began to flow as well.
Begin retriever-training early. Seven weeks isn't too soon. Use a power animal, elemental, or knotted sock and keep training sessions short, no more than five minutes in the Otherworld. Pup's attention span is not too long yet, after all. Start him in "shallow waters," so to speak. Make the trancing experience lots of fun.
Once Pup reaches at least four months, you can start working with a drummer. Again, proper introduction to this new sound is important; a drum-shy dog is not only useless but embarrassing to the practitioner. If you're lucky, Pup's own karmic past may predispose him to his work. I recall taking one four-month-old puppy to a pow-wow but leaving him in the truck with the windows up (it was a cold day) so that the report of the big drums would be lessened. He wanted to get out and run toward them anyway. While one Lab that we had when I was young was not only drum-shy but frightened of thunderstorms, this dog only associates drumming with retrieving and fun. He drops into trance at the first rumblings over the western ridges and only comes out when rain drops start soaking through his coat.
Still, it's safer to start gradually. Save the ceramic dumbek or the four-man pow-wow drum for later. You might start by tapping lightly on a pie tin or plastic plate while Pup's eating dinner. Move up from that to a lightly played tom-tom or bodhran. Watch Pup for signs of fright: is he flinching? Coming out of trance too quickly? This stage of training is best handled by two people--you need a drummer to work with you who has some dog-sense.
Competition actually requires a more skilled dog than client-centered work, in my opinion. Recent changes in the soul retriever's Working Certificate rules have led to the outlawing of dead souls, even "captured" or "shackled" souls. Nowadays all judges will expect your dog to work with live subjects, which can at times produce unexpected results. Consequently, training Pup to be "steady" to drumming is doubly important in case the trial has to be interrupted when he is "on the line."
Several readers have written wanting to know more about North American breeds. Two are especially interesting: the Chesapeake Bay dog and the Nova Scotia souling retriever. I will describe the Chessie's origins first with the hopes of turning to the Nova Scotia souling retriever in a later column. The Nova Scotia breed is less-known in the States, but it has gained favor among specialists in recent years for its intelligence, high spirits, compact size, and ability to sing along with Rankin Family albums, the last being a trait that few Chessies can claim.
As the only breed developed in North America, the Chesapeake Bay soul retriever excels in the tough conditions of Turtle Island. Its history began in 1807, when the English brig Orpheus ran aground on the Eastern Shore of Maryland, says Eileen Cherry in her excellent history of the breed. Among its crew was a Beothuk Indian from Newfoundland and two Newfoundland pups, of a breed long developed for hunting, companionship, and soul retrieval�bones of these dogs have been found buried together with humans in graves dating back to 3000 B.C.E.
"In the fall of 1807 I was on board of the ship Cantrip when we fell in, at sea, near the termination of a very equinoctial gale, with an English brig in a sinking condition. The brig was loaded with cod-fish and was bound to Poole, in England, from Newfoundland. I boarded her, in command of a boat from the Cantrip, which was sent to take off the English crew, the brig's own boats having been swept away, and her crew in a state of divine intoxication.
"I found on board of her two Newfoundland pups, male and female, in the care of a Maritime Indian, which I saved, and subsequently on landing the English crew at Norfolk, our own destination being Baltimore, I purchased these two pups of the Indian for a guinea apiece, without haggling."
Because he was again bound to sea, Claw entrusted the two pups, the male being named Shaman and the female Cantrip, to two different magisters, one on the Eastern Shore and one on the Western. Developed on the Eastern Shore, the "Shaman strain" of dogs were large, reddish, and long-haired, while the Western Shore descendants of Cantrip had shorter, denser coats. All were hardy animals, adept at keeping long vigils in the salt spray or chilling drizzle between the worlds.
Chessies are known as the working practitioner's dog. Golden-cord Retrievers may be more popular in Suburbia, but the "people of knowledge" who could make their own drums from the belly skin of an elk--and prefer to--stick with Chessies.
Chas S. Clifton lives in the Wet Mountains of southern Colorado. He edits Llewellyn Publications' Witchcraft Today series, which includes The Modern Craft Movement (1992), Modern Rites of Passage (1993), Witchcraft & Shamanism (1994), and Living Between Two Worlds (1996).


Today was a good day! Got to the gym and headed to the pool after dropping the kiddos off at the kid center... as an aside, Jason in true toddler fashion walks into the kid center and says "I'm here" as in "your day can start now, I've arrived" Little guy cracks me up.
The swim felt good for the first time since, well probably since I was about 6 months pregnant. I got lost in my head and ended up just swimming before I realized I had gone 300m without realizing it! yippee! Run was nice too... just a little zone 2-3 with some hill sprints at the end... always interesting on the treadmill.
We made "love smoothies" when we got home... Smoothies with a secret ingredient, love.


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The arts are not just an extracurricular at Stone Ridge, they are integral to our complete education. Through visual art, vocal and instrumental music, drama, and dance, our arts program celebrates personal expression and connects our students to history, diverse cultures, and their own imaginations.
Our art facilities accommodate drawing, painting, photography, and ceramics. The visual arts program gives Stone Ridge students the freedom to express themselves in an array of mediums. Each year, the school hosts an art show which showcases the work of all our students.
Callithump is our Stone Ridge student magazine with many works of art, prose, and poetry.
Our Drama Department provides students with a wealth of experiences to inspire creative expression and explore historical, spiritual, and multicultural connections. Each year the department produces four main stage shows, numerous concerts in all three divisions of the school, and our annual Christmas Concert at Strathmore. Students also participate in school functions and events throughout the year giving them the opportunity to share their gifts and talents with the community.


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text:
Brandon Joel Gaetano Borrello, más conocido como Brandon Borrello, (Adelaida, 25 de julio de 1995) es un futbolista australiano que juega de centrocampista en el Western Sydney Wanderers F. C. de la A-League australiana.

Selección nacional

Es internacional con la selección de fútbol de Australia, con la que debutó el 7 de junio de 2019 en un amistoso frente a la selección de fútbol de Corea del Sur, tras sustituir en el minuto 70 a Awer Mabil.

Clubes

Referencias

Futbolistas de Australia
Futbolistas del Brisbane Roar Football Club
Futbolistas del 1. FC Kaiserslautern en los años 2010
Futbolistas del 1. FC Kaiserslautern II
Futbolistas del SC Friburgo II
Futbolistas del SC Friburgo en los años 2010
Futbolistas del SC Friburgo en los años 2020
Futbolistas del Fortuna Düsseldorf en los años 2020
Futbolistas del Dinamo Dresde en los años 2020
Futbolistas del Western Sydney Wanderers FC
Futbolistas de la selección de fútbol sub-23 de Australia
Futbolistas de la selección de fútbol de Australia en los años 2010
Futbolistas de la selección de fútbol de Australia en los años 2020
Nacidos en Adelaida

redpajama_set_name: RedPajamaWikipedia


text:
Moynaq: The Rusting Ships Of The Aral Sea
by Richard Collett | Oct 29, 2016 | ABANDONED PLACES, Uzbekistan | 1 comment
The rusting ships of the Aral Sea are grounded in the deserts of the once thriving fishing town of Moynaq Uzbekistan.
"Mister! Taxi! Taxi!" I'd just stepped off the 24 hour train from Kazakhstan and into the scorching heat of the Uzbekistan desert, and before the train station gates even opened the taxi drivers were eyeing me up, the only Western looking guy on the train.
The flood gates opened and the taxi drivers began hassling and grabbing people. I was shoved unceremoniously along with the crowd and into Kungrad, the last town in Uzbekistan, but the first for me. This was Karakalpakstan, the desolate empty space in the far west of the country, hundreds of miles from anywhere.
The Edge of The Aral Sea….
I Was Going To Moynaq
"Where you go?" One driver grabbed me by the arm and tried to force me into his taxi. I was going to Moynaq, a once thriving village that stood on the edge of the infamous Aral Sea, but that was now home to rusting ships and old fish factories. A terrible example of the cost of a human caused environmental disaster.
Eventually the aggressive taxi drivers did leave me alone. It's a hard life out in the extreme Stan of Karakalpak. It's isolated, desert like and in summer it's hot. Really hot. Soviet rule left the region economically devastated, as the major sources of income from the Aral Sea were wiped out when the rivers which fed what was once the fourth largest lake in the world were diverted to provide irrigation for agricultural production, leaving the land polluted, dry and devastated.
The Pot Holed Road To Moynaq
I wanted to see this disaster for myself. In a perverse way, I suppose to see what humanity is capable of.
Outside the station I found a fixer type guy named Azamat who spoke reasonable English- my Russian skills being terrible and my Uzbek none existent at this point. He offered to take me to the market, where a shared taxi left irregularly for Moynaq whenever it managed to fill all the seats.
We drove through the ramshackle, dusty streets of Kungrad, and not far from the station, the Central Market- a few stalls and Somsa stands- was baking in the midday heat. Azamat led me to a friend who ran a black market money changing business. I had some US Dollars to exchange, and the government rates in Uzbekistan are ridiculously low compared to the unofficial rate. Azamat's friend, was waiting at the side of the road surrounded by plastic bags. These were full of cash. A single US Dollar is worth around 6000 Uzbek Som, but the most common note is only the 1000 Som. I changed up a single hundred dollar bill and was left with my own plastic bag full of cash.
Azamat then drove me over to the shared taxi stand, and I ate some Somsa- the Uzbek variant on a Samosa- while I waited for the car to fill. Within an hour, we had enough passengers, and I was off on the pot holed road to Moynaq.
What was once a fishing town…
Moynaq was a fishing town, spread around the shores of the Aral Sea, but when the waters receded, the town was left stranded in an ever worsening desert. People left, fishermen grounded their boats, and factories went out of business. Now that the Aral Sea has shrunk to only 10 percent of its original size, only a few thousand people call Moynaq home.
On the entrance to town, a huge sign stands on the side of the road with the name Moynaq emblazoned above a depiction of a fish. But there's no water within sight. What's left of the Aral Sea is now miles away, polluted and devoid of fish.
I wanted to stay the night in the town, to explore not just the ships but the old canning factories and perhaps even the museum I'd heard of, if it was still here that is. The one hotel that was rumoured to remain in Moynaq though, was closed. For good it seemed.
So I went straight to the ships, knowing that I needed to then find a way out that evening, as tourists in Uzbekistan have to be registered each night at government approved hotels. A rule that meant I couldn't get stranded here.
The Rusting Ships of the Aral Sea
Sadly, the town was in disrepair. A few old cars trawled the streets and a large fishing boat stood in the centre as a downcast memorial to the past.
The rusting ships of the Aral Sea laid to rest in Moynaq Uzbekistan.
On the edge of Moynaq is a pointed concrete block which is directed towards where the Aral Sea once was. This was where the water once rose to, and below is a sheer drop, where the basin has been exposed and the sand has collected.
From the top of the cliff the monument is built upon, all I could see was endless desert. Just dust, sand and the odd green bush, or brown tree which has formed a layer of scrub across the sands.
Below the cliffs are the ships. What remains of them. Rusting hulks of trawlers just lying in the sands, and reflecting the harsh sun back towards me. These solitary ships are the remnants of a vast fishing fleet. The rest have been broken up, sold for scrap or salvaged for materials.
Its an arid place, a sad place. It's a harsh picture of the damage that humans can cause to the environment, and the effect that can have on the communities that rely on it for their livelihood.
Leaving Moynaq Proved Troublesome
Leaving Moynaq proved troublesome. One bus ran a day to Nukus, the city further east, the capital of Karakalpakstan and my next destination. People at the bus station seemed to question why I was here. Was I intruding on their sorrow, on the tragedy that had befallen Moynaq? Perhaps. I wouldn't be here otherwise. But equally I wanted to see what had been done, to write and take pictures so that people outside of the town can maybe see the extent of the disaster.
Eventually a shared taxi pulled up, heading to Nukus. There was a goat in the backseat and some lovely old ladies shared their Coca Cola with me on the bumpy road out of the old fishing town of Moynaq.
How To Travel To Moynaq
Moynaq is in the extreme west of Uzbekistan. It's not easy to reach, and as of July 2016 there were no remaining hotels there. The easiest but most expensive route is to hire a taxi driver from the town of Nukus, the capital of Karakalpakstan. A day trip will be at least 100 USD for a car, but it does give you more freedom to explore. I travelled via shared taxi from Kungrad, which cost 25,000 Uzbek Som (4 USD) and then travelled to Nukus via shared taxi which cost 30,000 Uzbek Som (5 USD). The shared taxis leave irregularly. It's best to go early to make sure you can find transport back. A bus from Moynaq to Nukus leaves around 3pm.
All Words and Photos by Richard Collett
Khiva: The Old City Of Uzbekistan
Download My New Ebook: The World's Lost And Abandoned Places. For FREE!
These Photos Will Inspire You To Travel To Uzbekistan!
I Travelled The World Exploring Abandoned Places. Here Are The Best Of My Photographs.
seafariyachtcharters on February 22, 2021 at 11:49 am
This true sense of relaxation brings us all back to our history with a renewed sense of purpose and a de-cluttered mind.

redpajama_set_name: RedPajamaCommonCrawl


text:
Non-establishment America
by Sheila Liaugminas Oct 30, 2010 May 1, 2020 / 4 mins /
What is the Tea Party, who do they represent, what do they stand for, and are they here to stay?
The media are newly interested, on the eve of the elections now undeniably shaped by this band of brothers and sisters, bound in common cause. How to pin that down…?
Here's Peggy Noonan's effort.
Two central facts give shape to the historic 2010 election. The first is not understood by Republicans, and the second not admitted by Democrats.
The first: the tea party is not a "threat" to the Republican Party, the tea party saved the Republican Party. In a broad sense, the tea party rescued it from being the fat, unhappy, querulous creature it had become, a party that didn't remember anymore why it existed, or what its historical purpose was. The tea party, with its energy and earnestness, restored the GOP to itself.
In a practical sense, the tea party saved the Republican Party in this cycle by not going third-party. It could have.
Really, seriously. The establishment GOP was headed for this crash course.
That establishment, composed largely of 50- to 75-year-olds who came to Washington during the Reagan era in a great rush of idealism, in many cases stayed on, as they say, not to do good but to do well. They populated a conservative infrastructure that barely existed when Reagan was coming up: the think tanks and PR groups, the media outlets and governmental organizations. They did not do what conservatives are supposed to do, which is finish their patriotic work and go home, taking the knowledge and sophistication derived from Washington and applying it to local problems…
Part of the social and cultural reality behind the tea party-GOP establishment split has been the sheer fact that tea partiers live in non-D.C. America. The establishment came from America, but hasn't lived there in a long time.
Welcome to mainstream America again.
Finally, the tea party stiffened the GOP's spine by forcing it to recognize what it had not actually noticed, that we are a nation in crisis. The tea party famously has no party chiefs and no conventions but it does have a theme—stop the spending, stop the sloth, incompetence and unneeded regulation—and has lent it to the GOP.
Back to the points at hand…
The second fact of 2010 is understood by Republicans but not admitted by Democrats. It is that this is a fully nationalized election, and at its center it is about one thing: Barack Obama.
It is not, broadly, about the strengths or weaknesses of various local candidates, about constituent services or seniority, although these elements will be at play in some outcomes, Barney Frank's race likely being one…
This election is about one man, Barack Obama, who fairly or not represents the following: the status quo, Washington, leftism, Nancy Pelosi, Fannie and Freddie, and deficits in trillions, not billions.
Everyone who votes is going to be pretty much voting yay or nay on all of that. And nothing can change that story line now.
Public Discourse sees it as the confrontation of the Intellectuals and the Masses.
It happens again and again. Liberal intellectuals revile the conservative masses and popular spokespersons for their fear and hate, yet their own comments seethe with fear and scorn.
Their visceral blindness to their own animosity indicates, once again, something beyond political disagreement. The rise of a decentralized, amorphous grass-roots association and voting bloc lacking pilots from credentialed intellectual circles seems to have stirred the intellectual identity against itself, to draw some darker impulses into the light. Social thinker Eric Hoffer explained the tendency 50 years ago in a piece entitled "Intellectuals and the Masses." In it, he began with the historical fact that up until the modern era intellectuals always stood with those in power, "a governing elite," and remained "indifferent to the fate of the masses."
Ah, but…
The Tea Party violates the rule. The people who comprise it have managed to reject incumbents and Establishment favorites in Alaska, Nevada, Utah, Delaware, and elsewhere, forming a volatile political force that has befuddled Democrat and Republican leaders alike. More pertinently, they have marched out in front of intellectuals working in newspapers and media, academia, foundations, and public offices. They seem not even to care about the good opinion of their intellectual betters. An Ivy League credential doesn't much impress them, nor does long service in public office or a segment on CBS News. They shrug at the lines on the resume that intellectuals care so much about and strive all their lives to compile.
And so some intellectuals see Tea Partiers as an affront, not an ideology, a denial of their own character. Nothing stings them more than disregard, and when the masses have the power to ignore them and not be ignored themselves, the intellectuals are stymied.
What a great observation, that. Here's a perfect example:
Last year, Glenn Beck sat down for a 45-minute interview with Katie Couric of CBS. They had an amiable conversation, for the most part, but at one point (around 12:40 in the taping) she admitted to him that when her Twitter followers heard of the upcoming interview, "some people couldn't believe that we were even giving you a platform because they feel that you are bad for America." Beck didn't bother to answer Couric's correspondents. He simply delimited their authority: "You wouldn't believe how many people Tweeted me this week and said, 'I can't believe you're sitting down with Katie Couric—she's bad for America!'"
They aren't used to the comebacks. To the unblinking disregard for their sheer elitism.
Alas, the Tea Party….in spite of the sniffing and snorting indifference by the 'ruling class', regardless of the indifference to the 'legitimacy' conferred upon them by the cultural hierarchy…is prevailing in common wisdom and determination. Or so it appears.
Wise intellectuals step back from their hostility and return to the virtues they espouse. The more they disdain different social and political groups, the more they appear as but another social and political group. As intellectuals previously were identified with king and church and Party (in Communist nations), so today they are identified with "elites." This is the opposite of intellectualism in a democratic society. There, intellectuals should be, above all, independent—independent of power and independent of any particular acculturation. They should be universal. They should tell the truth . . . but not get too confident of their apprehension of it. They should disagree with others . . . but not ridicule them. They should refine the common taste, not censure it. They should elevate public discourse, not echo its cheap coinages. We shall see on November 2nd where reactions will go next.
Tagged: elite media cynicism, Tea Party


text:
Q: There's @interface in my @implementation — why is that? This is a pretty noobish question – I'm looking at some Cocoa sample code and there's @interface blocks in the .m files as well as the headers. For instance, in the AppDelegate class header, a UIWindow and UI navigation are defined as instance variables, but the @property declarations are actually made in the implementation file. Is there a functional reason for this, is it a stylistic choice, or… ?

A: If you just need e.g. some custom delegates to work with another class internally, there is no need to publicize the interface in the header.
It just adds unneccessary noise and makes interfaces available that might not be designed for public use or are not useful outside of the class' context.
The same goes for the class' methods and properties - if you want to use declared properties for your instance variables but don't want them to be publicly accessible, you don't neccessarily need to declare them in the header. Class extensions allow you to do that, see e.g. "How to make a private property?".

redpajama_set_name: RedPajamaStackExchange


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text:
//
//  RealNameModel.h
//  JianGuo
//
//  Created by apple on 16/3/10.
//  Copyright © 2016年 ningcol. All rights reserved.
//

#import <Foundation/Foundation.h>

@interface RealNameModel : NSObject

//========  以下是新接口字段  =====

/** 学生证图片 */
@property (nonatomic, copy) NSString* studentNoImg;

/** 学校id */
@property (nonatomic, copy) NSString*  schoolId;

/** <#description#> */
@property (nonatomic, copy) NSString*  sex;

/** 生日 */
@property (nonatomic, copy) NSString* birthDate;

/** 身份证正面 */
@property (nonatomic, copy) NSString* frontImg;

/** 学号 */
@property (nonatomic, copy) NSString* studentNo;

/** 身份证背面 */
@property (nonatomic, copy) NSString* behindImg;

/** 身份证号 */
@property (nonatomic, copy) NSString* identityCard;

/** 用户id */
@property (nonatomic, copy) NSString*  userId;

/** 真实姓名 */
@property (nonatomic, copy) NSString* realName;

/** 学校名称 */
@property (nonatomic, copy) NSString* schoolName;

/** 认证状态(1未审核,2通过, 3审核中,4 拒绝 */
@property (nonatomic, copy) NSString*  authStatus;

//========  以下是老接口字段  =====

/** 身份证号 */
@property (nonatomic, copy) NSString*  IDcard;

/** 审核状态 */
@property (nonatomic, copy) NSString*  auth_status;

/** 数据ID */
@property (nonatomic, copy) NSString*  id;

/** 背面身份证照片 */
@property (nonatomic, copy) NSString* behind_img_url;

/** 正面身份证照片 */
@property (nonatomic, copy) NSString* front_img_url;

/** 真实姓名 */
@property (nonatomic, copy) NSString*  realname;

/** ??? */
@property (nonatomic, copy) NSString*  type;

/** 性别 */
//@property (nonatomic, copy) NSString*  sex;

@end

redpajama_set_name: RedPajamaGithub


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Great House !! WELL TAKEN CARE OF HOME. FLAGSTONE ENTRYWAY, CERAMIC TILE, RV COVERED CARPORT WITH HOOK UP.Owner has never lived in the property. Buyer to verify all facts and figures.
Listing courtesy of Us Home Realty.


Rent to Buy or rent to own is a way of using the rent you pay to buy the house you want, and making sure you've locked in today's low price before it rises tomorrow. But too often than not owning your own home is just not an option…until now.At Rent to Own in Nottingham, we remove all the traditional barriers making owning your very own home easy. Whether you have a poor or non existent credit history, you're a first time buyer, you don't have enough money for a deposit or you are a new UK resident, you can now have get on the property ladder.With our simple straightforward system you can rent one of our new or newly refurbished properties, with a guaranteed purchase price fixed for that property at day one, and your rent can count towards to cost of buying the home outright.Terms are flexible and are tailored to you – but typically you have the chance to rent to buy over a three year period. You enjoy all the benefits of the property as if it was your own, including the freedom to re-decorate or renovate – adding value will ultimately benefit you when you decide the time is right to own the home outright.


This vast African BioProvince (as defined by Armen Takhtajan) extends between 3 and 26 degrees south and stretches from the Atlantic almost to the Indian Ocean. It includes Malawi, Zambia and Zimbabwe, southern Zaire (Shaba), most of Angola, much of Mozambique, Tanzania, northeastern Botswana, the eastern part of the Republic of South Africa, Lesotho and most of Swaziland. Much of the underlying geology is complex but consists largely of Precambrian volcanics, granite, serpentine and sandstones. The tropical climate is characterised by three seasons one wet and two dry. The wet season occurs in summer and is followed by a cool dry season and a hot dry season. The flora is extremly rich with some 8500 species of which about 54% are endemic. However, there are no endemic families and the comparatively few endemic genera include Aframmi, Pseudoselinum, Spuriodaucus (Apiaceae), Ageratinastrum, Rastrophyllum (Asteraceae), Aizoanthemum (Aizoaceae), Bolusanthus (Fabaceae), Cleistochlamys (Annonaceae), Colophospermum (Fabaceae), Diplorhynchus (Apocynaceae), Gonioma (Apocynaceae), Heteromma (Asteraceae), Mischogyne (Annonaceae), Platylophus (Cunoniaceae), Pseudolachnostylis (Phyllanthaceae), Rhodohypoxis, Saniella (Hypoxidaceae), Richardsiella (Poaceae), Seemannaralia (Araliaceae), Strobilopsis (Scrophulariaceae), Triceratella (Commelinaceae) and Viridivia (Passifloraceae). The genera Androstachys and Xanthoceris otherwise occur only in Madagascar, and the Zambezian BioProvince is the centre of diversity for the genera Brachystegia and Monotes.
Rhodohypoxis baurii (Rhodohypoxidaceae) endemic to the Drakensberg Mountains where it forms colourful carpets. The genus includes six species all endemic to high altitudes in East Africa. (Copyright © 2010 Peter Martin Rhind).


text:
Les Tilleuls-Vaudoncourt est une ancienne commune de la Meuse qui a existé de 1973 à 1982. Elle a été créée en 1973 par la fusion des communes de Gouraincourt, Muzeray et Vaudoncourt. En 1982 elle a été supprimée et les trois communes constituantes ont été rétablies.

Politique et administration

Notes et références

Tilleuls-Vaudoncourt
Commune disparue au XXe siècle


A 51 year old female with history of anxiety presents with chest pain radiating to her back with tachycardia and a SBP of 210. After seeing a normal cardiac ultrasound and lung ultrasound, you place an ultrasound probe on her abdomen.
This week we have two remarkably similar scans. One is a rupturing aortic aneurysm , the other is a 33 week baby's head. Can you tell which is which?
The patient is a 73 year old female with a history of remote aortic aneurysm repair who presents with complaints of dizziness, near syncope and a fall one hour PTA. The patient has mild dementia and is unable to give further history.


We are pleased to present to you the updated version of Supertrends, the five long-term investment themes we established a year ago as part of the Credit Suisse House View.
When we launched our Supertrends, we had three objectives in mind. First, we wanted to develop a set of strong thematic equity investment ideas. After years of relatively weak interest in equity themes, we were convinced that the time was right to propose a new thematic approach to our investors. After all, demanding valuations were calling for more conviction when investing in stocks. Furthermore, we expected monetary authorities' gradual exit from quantitative easing to lead to a return of equity market volatility and put passive equity investments in a more difficult spot. Second, we wanted to link the most significant societal changes with tangible investment opportunities. And third, we wanted to build our Supertrends in a way that would enable us to outperform the broader market in the long run.
One year on, we are very satisfied with the performance of our Supertrends, which form an integral part of the Credit Suisse House View. Furthermore, each individual theme remains highly relevant, as you will read in the pages ahead. We hope you find this update of value for your investment decisions.


text:
The road to net zero – Big Food's emissions pledges
McCormick & Co. to cut jobs in annual cost reduction drive
US infant formula maker ByHeart triples capacity with factory buy
Century Pacific Food expands in China with distributor buy
Philippines-based canned food manufacturer Century Pacific Food hopes to expand its branded export business to China via the acquisition of local distributors.
What is the impact of China's Zero-COVID lockdowns on economic activity, consumer goods and the foodservice industry?
While wanting to protect the country from being overwhelmed by Omicron, China's adherence to a Zero-COVID policy is resulting in a significant economic downturn. COVID outbreaks in Shanghai, Beijing and many other Chinese cities will impact 2022's economic growth as consumers and businesses experience rolling lockdowns, leading to a slowdown in domestic and international supply chains. China's Zero-COVID policy is having a demonstrable impact on consumer-facing industries. Access GlobalData's new whitepaper, China in 2022: the impact of China's Zero-COVID lockdowns on economic activity, consumer goods and the foodservice industry, to examine the current situation in Shanghai and other cities in China, to better understand the worst-affected industry sectors, foodservice in particular, and to explore potential growth opportunities as China recovers. The white paper covers:
Which multinational companies have been affected?
What is the effect of lockdowns on foodservice?
What is the effect of lockdowns on Chinese ports?
Spotlight on Shanghai: what is the situation there?
How have Chinese consumers reacted?
How might the Chinese government react?
What are the potential growth opportunities?
The company said it is taking a 100% ownership stake in entities that distribute Century Tuna in China for US$2.6m cash.
"We are excited about this newest addition to our export presence. China could be a future growth market for us with its total canned food market estimated to be increasing double-digits annually," Gregory Banzon, vice president and general manager, said.
Century Pacific said since its entry into China during the early 1990s it has grown its presence to become "the country's number one canned tuna brand".
"We look forward to growing our product portfolio and expanding the distribution network in China," Banzon said. "We are currently studying opportunities to enter adjacent categories to take advantage of this new market."
Century Pacific is working to expand its overseas business. In October, the company acquired the North American licence to shrimp paste brand Kamayan.
Top Growth Opportunities: Confectionery in China
Consumer and Market Insights: Confectionery in China
Consumer and Market Insights: Confectionery Market in China
Consumer and Market Insights: Syrups & Spreads market in China
Century Pacific Food Inc


I have just discovered a whole new dimension to classical sculpture. If you dress the sculptures as hipsters it gives them an awesome new look. They become contemporary and totally badass. Needless to say, they look a lot more human. They look like people who we can picture in our lives. This beats Madame Tussauds. I am sold.
Photos by photographer Léo Caillard and photo retoucher Alexis Persani.
Instapundit » Blog Archive » CLASSICAL SCULPTURES dressed as hipsters….
Classical Sculptures Dressed As Hipsters | Sticky | Round-The-Clock Amusement + Guilty Pleasures. Tissues Not Included.


Prototype: Low side car with 2 wheel sets.
Model: The car is decorated for Easter and is loaded with a group of rabbits laser cut from architectural cardstock. The car comes in a transparent Easter egg, placed in an orange colored Easter basket with color-matched Easter grass. Length over the buffers 54 mm / 2-1/8".
One-time series exclusively in 2019.


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text:
Q: Example of use of "random jungle" in 'R' I'm trying to build an rjungle model based on an example, but I'm getting an error when I try to use the model for a prediction.
Here is where I got the package:

*

*https://github.com/jkruppa/Rjungle
Install code:
library(devtools)
install_github("Rjungle", username = "jkruppa")

Here's my code to try and run it against iris data:
#get data
data(iris)

#prove data is in workspace
plot(iris)

#try to make jungle (warning comes from this, but not error)
est <- rjungle(depVarName = "Species",
               data=iris,
               ntree=200,verbose = T)

#something comes out
summary(est)

mypred <- predict(object = est,data = iris) # ERROR is here

What I got:
Though it is very simple code, it should work according to the help doc.  Instead I get this, which I don't know how to understand.
Warning message:
running command 'C:/Program Files/Microsoft/MRO-3.3.2/library/Rjungle/exec/rjungle -f C:\Users\mrmunroe\AppData\Local\Temp\RtmpUBMImO\rjungledata3cc072c842f1 -D Species -y 1 -o C:\Users\mrmunroe\AppData\Local\Temp\RtmpUBMImO\rjungledata3cc0283e422a -t 200 -m 0 -z 123 -i 1 -U 0 -u  -w2  -v ' had status 127

There is something in "est" so I try to "predict" using it, and get the following error:
Error in file(file, "r") : cannot open the connection
In addition: Warning messages:
1: running command 'C:/Program Files/Microsoft/MRO-3.3.2/library/Rjungle/exec/rjungle -f C:\Users\mrmunroe\AppData\Local\Temp\RtmpUBMImO\rjungledata3cc01bc674e5 -D Species -y 1 -o C:\Users\mrmunroe\AppData\Local\Temp\RtmpUBMImO\rjungledata3cc018645dc2 -t 200 -m 0 -z 123 -i 1 -U 0 -u  -w2  -v ' had status 127
2: running command 'C:/Program Files/Microsoft/MRO-3.3.2/library/Rjungle/exec/rjungle -f C:\Users\mrmunroe\AppData\Local\Temp\RtmpUBMImO\rjungledata3cc02b6e396e -D Species -y 1 -o C:\Users\mrmunroe\AppData\Local\Temp\RtmpUBMImO\rjungledata3cc0529c3e47 -P C:\Users\mrmunroe\AppData\Local\Temp\RtmpUBMImO\rjungledata3cc018645dc2.jungle.xml -v' had status 127
3: In file.show(paste(rjPred@tmpFile, ".confusion", sep = ""), pager = "cat") :
  file.show(): file 'C:\Users\mrmunroe\AppData\Local\Temp\RtmpUBMImO\rjungledata3cc0529c3e47.confusion' does not exist
4: In file(file, "r") :
  cannot open file 'C:\Users\mrmunroe\AppData\Local\Temp\RtmpUBMImO\rjungledata3cc0529c3e47.prediction': No such file or directory


text:
Q: How to query loans with Custom field in encompass? Problem:
I was unable to fetch the loan with Customer field in Encompass.
What i have tried:
Below code i used to fetch loan with Custom field
StringFieldCriterion _flag = new StringFieldCriterion();
_flag.FieldName = "Loan.CX.FLAG";
_flag.Value = "Y";
_flag.MatchType = StringFieldMatchType.Exact;
 LoanIdentityList _loanLs = Globals.Session.Loans.Query(_flag);

Error:
Error executing query: Invalid column name 'CX.FLAG'
Please let me the possible solution. Thanks in Advance

A: Using the Loans.Query() method uses the Encompass Reporting Database on that field.
The reason it can't find your field is because of probably 2 things...

*

*CX.FLAG might not be in the Reporting Database. If you use the tool to put it there... you should be good.

*You might need to take out the Loan. in the field name... once you know CX.FLAG is in the Reporting Database... try the query with the field name as "Fields.CX.FLAG" to see if that helps you out.


text:
Peter Lach-Newinsky
Peter Lach-Newinsky was born in Germany and came to Australia as a baby with his German mother and Russian émigré father. He grew up in Sydney speaking English and German. After a year at Sydney University in 1967 he moved to Germany for twenty years, returning with his wife and son after the Chernobyl disaster. He has won the Vera Newsom Poetry Prize and the Melbourne Poets Union International Poetry prize (2009 and 2010). His other poetry books are Requiem and The Post-Man Letters (both Picaro Press). He grows 120 varieties of heritage apples on twenty acres in the southern highlands of NSW
Puncher and Wattmann titles by Peter Lach-Newinsky
Cut a Long Story Short
reviews: Peter Lach-Newinsky, 'Cut a Long Story Short' in The Australian
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AURORA, Colo. — A Colorado mother claims a teacher at her child's preschool refused to let the little girl eat part of her lunch because it wasn't nutritious.
Dean said it is not school policy to tell parents what children can or can't eat for lunch. She plans to speak to the teacher to find out the situation.
Pearson is concerned this points to a larger issue.
"What the school thinks is healthy for her is not what I think is healthy for her," said Pearson. "She needs to eat what she's going to eat. That's between me and her and our doctor — not the school."
Dean said school policy is to promote healthy eating, but to leave that up to the parents.
Aurora Public Schools plans also plans to look into the matter as the school receives funding through the district.


A mobile application is more commonly known by its abbreviation, app. A mobile app is a software application designed to run on mobile devices (smartphones, tablets, etc). Unlike websites that are available via any web browser (e.g. Firefox, Safari, Google Chrome, Internet Explorer) regardless of device, an app can only be uploaded onto and used on a compatible device.
Initially the proposal was for LAWA to be an app, but because the LAWNZ website was Flash based (Flash content does not display on many mobile devices) it was agreed that a replacement website was a priority, but an app would be a useful addition, adding value for mobile users.


text:
Q: How to find a starting color to perform color mixing operation I am trying to follow along with this:

to be able to mix up to c0 the c1 must be less or equal to c0 on per channel bases. So for example random lesser color:
r1 = (Random(256)*r0)>>8;
g1 = (Random(256)*g0)>>8;
b1 = (Random(256)*b0)>>8;

So say you have a color 00aa00. You want to know what colors mix to form this color. The way this answer does it is by generating a random initial color (the "first mixing value") that has all RGB channels less than the 00aa00 input/start value. But I would like to have more control over the first mixing value. I would like to let's say generate a palette of colors, say using chroma.js so the colors blend together nicely. Then I would use one of those colors as the first mixing value, and follow the equations to get the second mixing value that combines to make 00aa00. Simple as that.
But the problem is I don't know how to figure out which colors from my palette will have RGB channels that are all less than the input value. I can use a library like tinycolor to convert hex to RGB no problem, but I don't know how to define the palette of colors I'm using in such a way that they all (or some of them at least) fit the pattern that all their RGB channels are less than the input value's.
Wondering if one could demonstrate how to do this or explain how it works. How to go about generating a color palette in such a way that all or most of the colors in it fit the constraint that their RGB channels are all less than the input value's RGB channels.

A: the easiest is to directly map an ordinal index to a color c1 ...
For all colors just use increment (like increment on bignum arithmetics where channel is a digit).
If yo want jut some of the colors then compute the sequenced modulo of each used channel usable values count ... something like this in C++/VCL:
//$$---- Form CPP ----
//---------------------------------------------------------------------------
#include <vcl.h>
#pragma hdrstop
#include "win_main.h"
//---------------------------------------------------------------------------
#pragma package(smart_init)
#pragma resource "*.dfm"
TForm1 *Form1;
int xs=0,ys=0;                  // resolution
Graphics::TBitmap *bmp=NULL;    // screen back buffer
//---------------------------------------------------------------------------
const int _r=2; // channel order
const int _g=1;
const int _b=0;
const int _a=3;
union color
    {
    BYTE db[4]; // channel access
    DWORD dd;   // all 32 bit of color
    };
//---------------------------------------------------------------------------
__fastcall TForm1::TForm1(TComponent* Owner):TForm(Owner)
    {
    bmp=new Graphics::TBitmap;
    bmp->HandleType=bmDIB;
    bmp->PixelFormat=pf32bit;
    sb_rgbChange(this);
    }
//---------------------------------------------------------------------------
void __fastcall TForm1::sb_rgbChange(TObject *Sender)
    {
    if ((!xs)||(!ys)) return;   // not initialized window yet?
    int i,n,x,y,yy,sz=10;
    DWORD **p,a;
    color c0,c1,c2,c;
    // direct pixel access
    p=new DWORD*[ys];
    for (y=0;y<ys;y++) p[y]=(DWORD*)bmp->ScanLine[y];
    bmp->Canvas->Font->Height=sz;
    bmp->Canvas->Font->Color=clWhite;
    bmp->Canvas->Brush->Style=bsClear;
    // clear screen
    for (y=0;y<ys;y++)
     for (x=0;x<xs;x++)
      p[y][x]=0;
    x=0; y=sz;
    // get c0 color from R,G,B sliders
    c0.db[_r]=255-sb_r->Position;
    c0.db[_g]=255-sb_g->Position;
    c0.db[_b]=255-sb_b->Position;
    c0.db[_a]=0;
    Caption=AnsiString().sprintf("Target color: %08Xh",c0.dd);
    // additive
    n=(c0.db[_r]+1)*(c0.db[_g]+1)*(c0.db[_b]+1);    // c1 all usable colors
    for (x=0;x<xs;x++)                              // chose xs colors from n
        {
        // colors
        a=x*(n-1)/(xs-1);                           // compute c1 as conversion x -> R,G,B
        c1.db[_a]=0;
        c1.db[_r]=a%(c0.db[_r]+1); a/=(c0.db[_r]+1);
        c1.db[_g]=a%(c0.db[_g]+1); a/=(c0.db[_g]+1);
        c1.db[_b]=a%(c0.db[_b]+1); a/=(c0.db[_b]+1);
        for (i=0;i<3;i++) c2.db[i]=c0.db[i]-c1.db[i]; c2.db[_a]=0;  // compute c2 = c0 - c1
        for (i=0;i<3;i++)  c.db[i]=c1.db[i]+c2.db[i];  c.db[_a]=0;  // verify  c  = c1 + c2
        // render to bitmap
        yy=y;                                       // remember last y
        bmp->Canvas->TextOutA(xs>>1,y+sz,"+");
        for (i=0;(y<ys)&&(i<sz);y++,i++) p[y][x]=c1.dd;     y+=sz;
        bmp->Canvas->TextOutA(xs>>1,y+sz,"=");
        for (i=0;(y<ys)&&(i<sz);y++,i++) p[y][x]=c2.dd;     y+=sz;
        for (i=0;(y<ys)&&(i<sz);y++,i++) p[y][x]=c .dd;     y+=sz;
        y=yy;                                       // restore last y
        }
    y+=7*sz;

    // substractive
    n=(256-c0.db[_r])*(256-c0.db[_g])*(256-c0.db[_b]);  // c1 all usable colors
    for (x=0;x<xs;x++)                              // chose xs colors from n
        {
        // colors
        a=x*(n-1)/(xs-1);                           // compute c1 as conversion x -> R,G,B
        c1.db[_a]=0;
        c1.db[_r]=c0.db[_r]+(a%(c0.db[_r]+1)); a/=(c0.db[_r]+1);
        c1.db[_g]=c0.db[_g]+(a%(c0.db[_g]+1)); a/=(c0.db[_g]+1);
        c1.db[_b]=c0.db[_b]+(a%(c0.db[_b]+1)); a/=(c0.db[_b]+1);
        for (i=0;i<3;i++) c2.db[i]=c1.db[i]-c0.db[i]; c2.db[_a]=0;  // compute c2 = c1 - c0
        for (i=0;i<3;i++)  c.db[i]=c1.db[i]-c2.db[i];  c.db[_a]=0;  // verify  c  = c1 - c2
        // render to bitmap
        yy=y;                                       // remember last y
        bmp->Canvas->TextOutA(xs>>1,y+sz,"-");
        for (i=0;(y<ys)&&(i<sz);y++,i++) p[y][x]=c1.dd;     y+=sz;
        bmp->Canvas->TextOutA(xs>>1,y+sz,"=");
        for (i=0;(y<ys)&&(i<sz);y++,i++) p[y][x]=c2.dd;     y+=sz;
        for (i=0;(y<ys)&&(i<sz);y++,i++) p[y][x]=c .dd;     y+=sz;
        y=yy;                                       // restore last y
        }
    y+=7*sz;

    bmp->Canvas->Brush->Style=bsSolid;
    Canvas->Draw(0,0,bmp);
    delete[] p;
    }
//---------------------------------------------------------------------------
void __fastcall TForm1::FormResize(TObject *Sender)
    {
    xs=ClientWidth-pan_right->Width;
    ys=ClientHeight;
    bmp->SetSize(xs,ys);
    sb_rgbChange(this);
    }
//---------------------------------------------------------------------------

The code is based on my answer to your previous question (linked in OP). So instead of random I chose xs (width of rendered palette)  from all the usable colors linearly:

As you can see algo works correctly.
The idea is to compute how many usable colors there is into n variable and then any i-th color form <0,n-1> is just modulo of used values per each channel (so r0,g0,b0 or 256-r0,...)
You know if you want pack 3 integer variables x,y,z into one where
x = <0,xs)
y = <0,ys)
z = <0,zs)

then:
w = x + xs*y + xs*ys*z

and back:
x = w%xs
y = (w/xs)%ys
z = (w/(xs*ys))%zs

PS. If you want to better sort the colors you can convert chosen to HSV and sort by value,saturation,hue (that order looks best to me ... hue must be sorted last !!!) like this:

//$$---- Form CPP ----
//---------------------------------------------------------------------------
#include <vcl.h>
#include <math.h>
#pragma hdrstop
#include "win_main.h"
//---------------------------------------------------------------------------
#pragma package(smart_init)
#pragma resource "*.dfm"
TForm1 *Form1;
int xs=0,ys=0;                  // resolution
Graphics::TBitmap *bmp=NULL;    // screen back buffer
//---------------------------------------------------------------------------
const int _r=2; // channel order
const int _g=1;
const int _b=0;
const int _a=3;
const int _h=2;
const int _s=1;
const int _v=0;
union color
    {
    BYTE db[4]; // channel access
    DWORD dd;   // all 32 bit of color
    };
//---------------------------------------------------------------------------
//---------------------------------------------------------------------------
void rgb2bgr(color &c)
    {
    BYTE a;
    a                =c.db[_r];
    c.db[_r]=c.db[_b];
    c.db[_b]=a;
    }
//---------------------------------------------------------------------------
void rgb2hsv(color &c)
    {
    double r,g,b,min,max,del,h,s,v,dr,dg,db;
    r=c.db[_r]; r/=255.0;
    g=c.db[_g]; g/=255.0;
    b=c.db[_b]; b/=255.0;
    min=r; if (min>g) min=g; if(min>b) min=b;
    max=r; if (max<g) max=g; if(max<b) max=b;
    del=max-min;
    v=max;
    if (del<=1e-10) { h=0; s=0; }   // grayscale
    else{
        s=del/max;
        dr=(((max-r)/6.0)+(del/2.0))/del;
        dg=(((max-g)/6.0)+(del/2.0))/del;
        db=(((max-b)/6.0)+(del/2.0))/del;
        if      (fabs(r-max)<1e-10) h=db-dg;
        else if (fabs(g-max)<1e-10) h=(1.0/3.0)+dr-db;
        else if (fabs(b-max)<1e-10) h=(2.0/3.0)+dg-dr;
        if (h<0.0) h+=1.0;
        if (h>1.0) h-=1.0;
        }
    c.db[_h]=h*255.0;
    c.db[_s]=s*255.0;
    c.db[_v]=v*255.0;
    }
//---------------------------------------------------------------------------
void hsv2rgb(color &c)
    {
    int i;
    double r,g,b,h,s,v,vh,v1,v2,v3,f;
    h=c.db[_h]; h/=255.0;
    s=c.db[_s]; s/=255.0;
    v=c.db[_v]; v/=255.0;
    if (s<=1e-10) { r=v; g=v; b=v; }    // grayscale
    else{
        vh=h*6.0;
        if (vh>=6.0) vh=0.0;
        f=floor(vh); i=f;
        v1=v*(1.0-s);
        v2=v*(1.0-s*(    vh-f));
        v3=v*(1.0-s*(1.0-vh+f));
             if (i==0) { r=v ; g=v3; b=v1; }
        else if (i==1) { r=v2; g=v ; b=v1; }
        else if (i==2) { r=v1; g=v ; b=v3; }
        else if (i==3) { r=v1; g=v2; b=v ; }
        else if (i==4) { r=v3; g=v1; b=v ; }
        else           { r=v ; g=v1; b=v2; }
        }
    c.db[_r]=r*255.0;
    c.db[_g]=g*255.0;
    c.db[_b]=b*255.0;
    }
//---------------------------------------------------------------------------
__fastcall TForm1::TForm1(TComponent* Owner):TForm(Owner)
    {
    bmp=new Graphics::TBitmap;
    bmp->HandleType=bmDIB;
    bmp->PixelFormat=pf32bit;
    sb_rgbChange(this);
    }
//---------------------------------------------------------------------------
void __fastcall TForm1::sb_rgbChange(TObject *Sender)
    {
    if ((!xs)||(!ys)) return;   // not initialized window yet?
    int i,n,x,y,yy,sz=10;
    DWORD **p,a;
    color c0,c1,c2,c;
    color *pal=new color[xs];   // palette size equal to rendered window width
    // direct pixel access
    p=new DWORD*[ys];
    for (y=0;y<ys;y++) p[y]=(DWORD*)bmp->ScanLine[y];
    bmp->Canvas->Font->Height=sz;
    bmp->Canvas->Font->Color=clWhite;
    bmp->Canvas->Brush->Style=bsClear;
    // clear screen
    for (y=0;y<ys;y++)
     for (x=0;x<xs;x++)
      p[y][x]=0;
    x=0; y=sz;
    // get c0 color from R,G,B sliders
    c0.db[_r]=255-sb_r->Position;
    c0.db[_g]=255-sb_g->Position;
    c0.db[_b]=255-sb_b->Position;
    c0.db[_a]=0;
    Caption=AnsiString().sprintf("Target color: %08Xh",c0.dd);
    // [additive]
    // compute c1 into pal[]
    n=(c0.db[_r]+1)*(c0.db[_g]+1)*(c0.db[_b]+1);    // c1 all usable colors
    for (x=0;x<xs;x++)                              // chose xs colors from n
        {
        a=x*(n-1)/(xs-1);                           // compute c1 as conversion x -> R,G,B
        c1.db[_a]=0;
        c1.db[_r]=a%(c0.db[_r]+1); a/=(c0.db[_r]+1);
        c1.db[_g]=a%(c0.db[_g]+1); a/=(c0.db[_g]+1);
        c1.db[_b]=a%(c0.db[_b]+1); a/=(c0.db[_b]+1);
        pal[x]=c1;
        }

    // sort pal (_h must be last to sort by)
    for (x=0;x<xs;x++) rgb2hsv(pal[x]);
    i=_v; for (yy=1,n=xs;(n>=2)&&(yy);n--) for (yy=0,x=1;x<n;x++) if (pal[x].db[i]>pal[x-1].db[i]) { c=pal[x]; pal[x]=pal[x-1]; pal[x-1]=c; yy=1; }
    i=_s; for (yy=1,n=xs;(n>=2)&&(yy);n--) for (yy=0,x=1;x<n;x++) if (pal[x].db[i]>pal[x-1].db[i]) { c=pal[x]; pal[x]=pal[x-1]; pal[x-1]=c; yy=1; }
    i=_h; for (yy=1,n=xs;(n>=2)&&(yy);n--) for (yy=0,x=1;x<n;x++) if (pal[x].db[i]>pal[x-1].db[i]) { c=pal[x]; pal[x]=pal[x-1]; pal[x-1]=c; yy=1; }
    for (x=0;x<xs;x++) hsv2rgb(pal[x]);

    // render c1, c2 and c1+c2
    bmp->Canvas->TextOutA(xs>>1,y+1*sz,"+");
    bmp->Canvas->TextOutA(xs>>1,y+3*sz,"=");
    for (x=0;x<xs;x++)                              // chose xs colors from n
        {
        // colors
        c1=pal[x];
        for (i=0;i<3;i++) c2.db[i]=c0.db[i]-c1.db[i]; c2.db[_a]=0;  // compute c2 = c0 - c1
        for (i=0;i<3;i++)  c.db[i]=c1.db[i]+c2.db[i];  c.db[_a]=0;  // verify  c  = c1 + c2
        // render to bitmap
        yy=y;                                       // remember last y
        for (i=0;(y<ys)&&(i<sz);y++,i++) p[y][x]=c1.dd;     y+=sz;
        for (i=0;(y<ys)&&(i<sz);y++,i++) p[y][x]=c2.dd;     y+=sz;
        for (i=0;(y<ys)&&(i<sz);y++,i++) p[y][x]=c .dd;     y+=sz;
        y=yy;                                       // restore last y
        }
    y+=7*sz;

    // [substractive]
    // compute c1 into pal[]
    n=(256-c0.db[_r])*(256-c0.db[_g])*(256-c0.db[_b]);  // c1 all usable colors
    for (x=0;x<xs;x++)                                  // chose xs colors from n
        {
        a=x*(n-1)/(xs-1);                               // compute c1 as conversion x -> R,G,B
        c1.db[_a]=0;
        c1.db[_r]=c0.db[_r]+(a%(c0.db[_r]+1)); a/=(c0.db[_r]+1);
        c1.db[_g]=c0.db[_g]+(a%(c0.db[_g]+1)); a/=(c0.db[_g]+1);
        c1.db[_b]=c0.db[_b]+(a%(c0.db[_b]+1)); a/=(c0.db[_b]+1);
        pal[x]=c1;
        }

    // sort pal (_h must be last to sort by)
    for (x=0;x<xs;x++) rgb2hsv(pal[x]);
    i=_v; for (yy=1,n=xs;(n>=2)&&(yy);n--) for (yy=0,x=1;x<n;x++) if (pal[x].db[i]>pal[x-1].db[i]) { c=pal[x]; pal[x]=pal[x-1]; pal[x-1]=c; yy=1; }
    i=_s; for (yy=1,n=xs;(n>=2)&&(yy);n--) for (yy=0,x=1;x<n;x++) if (pal[x].db[i]>pal[x-1].db[i]) { c=pal[x]; pal[x]=pal[x-1]; pal[x-1]=c; yy=1; }
    i=_h; for (yy=1,n=xs;(n>=2)&&(yy);n--) for (yy=0,x=1;x<n;x++) if (pal[x].db[i]>pal[x-1].db[i]) { c=pal[x]; pal[x]=pal[x-1]; pal[x-1]=c; yy=1; }
    for (x=0;x<xs;x++) hsv2rgb(pal[x]);

    // render c1, c2 and c1-c2
    bmp->Canvas->TextOutA(xs>>1,y+1*sz,"-");
    bmp->Canvas->TextOutA(xs>>1,y+3*sz,"=");
    for (x=0;x<xs;x++)                              // chose xs colors from n
        {
        c1=pal[x];
        for (i=0;i<3;i++) c2.db[i]=c1.db[i]-c0.db[i]; c2.db[_a]=0;  // compute c2 = c1 - c0
        for (i=0;i<3;i++)  c.db[i]=c1.db[i]-c2.db[i];  c.db[_a]=0;  // verify  c  = c1 - c2
        // render to bitmap
        yy=y;                                       // remember last y
        for (i=0;(y<ys)&&(i<sz);y++,i++) p[y][x]=c1.dd;     y+=sz;
        for (i=0;(y<ys)&&(i<sz);y++,i++) p[y][x]=c2.dd;     y+=sz;
        for (i=0;(y<ys)&&(i<sz);y++,i++) p[y][x]=c .dd;     y+=sz;
        y=yy;                                       // restore last y
        }
    y+=7*sz;

    bmp->Canvas->Brush->Style=bsSolid;
    Canvas->Draw(0,0,bmp);
    delete[] p;
    delete[] pal;
    }
//---------------------------------------------------------------------------
void __fastcall TForm1::FormResize(TObject *Sender)
    {
    xs=ClientWidth-pan_right->Width;
    ys=ClientHeight;
    bmp->SetSize(xs,ys);
    sb_rgbChange(this);
    }
//---------------------------------------------------------------------------

I used just bubble sort so if you want more speed use quick sort instead ...