text:
// Copyright 2000-2020 JetBrains s.r.o. Use of this source code is governed by the Apache 2.0 license that can be found in the LICENSE file.
package com.intellij.openapi.editor.impl;

import com.intellij.openapi.command.WriteCommandAction;
import com.intellij.openapi.editor.*;
import com.intellij.openapi.editor.colors.FontPreferences;
import com.intellij.openapi.editor.ex.DocumentEx;
import com.intellij.openapi.editor.ex.EditorEx;
import com.intellij.openapi.editor.markup.TextAttributes;
import com.intellij.openapi.util.Disposer;
import com.intellij.testFramework.EditorTestUtil;
import com.intellij.util.DocumentUtil;
import com.intellij.util.containers.ContainerUtil;
import org.jetbrains.annotations.NotNull;

import java.awt.*;
import java.util.Arrays;
import java.util.Collections;
import java.util.List;

import static org.junit.Assert.assertArrayEquals;

public class EditorInlayTest extends AbstractEditorTest {
  public void testCaretMovement() {
    initText("ab");
    addInlay(1);
    right();
    checkCaretPosition(1, 1, 1);
    right();
    checkCaretPosition(1, 1, 2);
    right();
    checkCaretPosition(2, 2, 3);
    left();
    checkCaretPosition(1, 1, 2);
    left();
    checkCaretPosition(1, 1, 1);
    left();
    checkCaretPosition(0, 0, 0);
  }

  public void testFoldedInlay() {
    initText("abc");
    addInlay(1);
    addCollapsedFoldRegion(1, 2, ".");
    right();
    checkCaretPosition(1, 1, 1);
    right();
    checkCaretPosition(2, 2, 2);
  }

  public void testCaretMovementWithSelection() {
    initText("ab");
    addInlay(1);
    rightWithSelection();
    checkCaretPositionAndSelection(1, 1, 1, 0, 1);
    rightWithSelection();
    checkCaretPositionAndSelection(2, 2, 3, 0, 2);
    leftWithSelection();
    checkCaretPositionAndSelection(1, 1, 1, 0, 1);
    leftWithSelection();
    checkCaretPositionAndSelection(0, 0, 0, 0, 0);

    getEditor().getCaretModel().moveToOffset(2);
    leftWithSelection();
    checkCaretPositionAndSelection(1, 1, 2, 1, 2);
    leftWithSelection();
    checkCaretPositionAndSelection(0, 0, 0, 0, 2);
    rightWithSelection();
    checkCaretPositionAndSelection(1, 1, 2, 1, 2);
    rightWithSelection();
    checkCaretPositionAndSelection(2, 2, 3, 2, 2);
  }

  public void testBackspace() {
    initText("ab<caret>c");
    addInlay(1);
    backspace();
    checkResultByText("ac");
    checkCaretPosition(1, 1, 2);
    backspace();
    checkResultByText("ac");
    checkCaretPosition(1, 1, 1);
    backspace();
    checkResultByText("c");
    checkCaretPosition(0, 0, 0);
  }

  public void testDelete() {
    initText("a<caret>bc");
    addInlay(2);
    delete();
    checkResultByText("ac");
    checkCaretPosition(1, 1, 1);
    delete();
    checkResultByText("ac");
    checkCaretPosition(1, 1, 2);
    delete();
    checkResultByText("a");
    checkCaretPosition(1, 1, 2);
  }

  public void testMulticaretDelete() {
    initText("<caret>ab <caret>ab");
    addInlay(1);
    addInlay(4);
    right();
    delete();
    checkResultByText("a<caret>b a<caret>b");
    delete();
    checkResultByText("a<caret> a<caret>");
  }

  public void testMulticaretTyping() {
    initText("<caret>ab <caret>ab");
    addInlay(1);
    addInlay(4);
    right();
    type(' ');
    checkResultByText("a <caret>b a <caret>b");
    assertEquals(Arrays.asList(new VisualPosition(0, 2), new VisualPosition(0, 7)),
                 ContainerUtil.map(getEditor().getCaretModel().getAllCarets(), Caret::getVisualPosition));
    right();
    type(' ');
    checkResultByText("a  <caret>b a  <caret>b");
    assertEquals(Arrays.asList(new VisualPosition(0, 4), new VisualPosition(0, 10)),
                 ContainerUtil.map(getEditor().getCaretModel().getAllCarets(), Caret::getVisualPosition));
  }

  public void testDocumentEditingWithSoftWraps() {
    initText("long line");
    configureSoftWraps(7);
    Inlay<?> inlay = addInlay(1);
    assertNotNull(getEditor().getSoftWrapModel().getSoftWrap(5));
    runWriteCommand(() -> getEditor().getDocument().setText(" "));
    assertFalse(inlay.isValid());
  }

  public void testInlayDoesntGetInsideSurrogatePair() {
    initText(""); // Cannot set up text with singular surrogate characters directly
    runWriteCommand(() -> getEditor().getDocument().setText(HIGH_SURROGATE + LOW_SURROGATE + LOW_SURROGATE));
    Inlay<?> inlay = addInlay(2);
    assertNotNull(inlay);
    assertTrue(inlay.isValid());
    runWriteCommand(() -> ((DocumentEx)getEditor().getDocument()).moveText(2, 3, 1));
    assertFalse(inlay.isValid() && DocumentUtil.isInsideSurrogatePair(getEditor().getDocument(), inlay.getOffset()));
  }

  public void testTwoInlaysAtSameOffset() {
    initText("ab");
    addInlay(1);
    addInlay(1);
    right();
    checkCaretPosition(1, 1, 1);
    right();
    checkCaretPosition(1, 1, 2);
    right();
    checkCaretPosition(1, 1, 3);
    right();
    checkCaretPosition(2, 2, 4);
    left();
    checkCaretPosition(1, 1, 3);
    left();
    checkCaretPosition(1, 1, 2);
    left();
    checkCaretPosition(1, 1, 1);
    left();
    checkCaretPosition(0, 0, 0);
  }

  public void testTypingBetweenInlaysAtSameOffset() {
    initText("ab");
    Inlay<?> inlay1 = addInlay(1);
    Inlay<?> inlay2 = addInlay(1);
    right();
    right();
    type(' ');
    checkResultByText("a <caret>b");
    checkCaretPosition(2, 2, 3);
    assertTrue(inlay1.isValid());
    assertEquals(1, inlay1.getOffset());
    assertTrue(inlay2.isValid());
    assertEquals(2, inlay2.getOffset());
  }

  public void testHasInlayAtVisualPosition() {
    initText("ab");
    addInlay(1);
    addInlay(1);
    assertTrue(getEditor().getInlayModel().hasInlineElementAt(new VisualPosition(0, 2)));
  }

  public void testBackspaceWithTwoInlaysAtSameOffset() {
    initText("ab<caret>c");
    addInlay(1);
    addInlay(1);
    backspace();
    checkResultByText("ac");
    checkCaretPosition(1, 1, 3);
    backspace();
    checkResultByText("ac");
    checkCaretPosition(1, 1, 2);
    backspace();
    checkResultByText("ac");
    checkCaretPosition(1, 1, 1);
    backspace();
    checkResultByText("c");
    checkCaretPosition(0, 0, 0);
  }

  public void testDeleteWithTwoInlaysAtSameOffset() {
    initText("a<caret>bc");
    addInlay(2);
    addInlay(2);
    delete();
    checkResultByText("ac");
    checkCaretPosition(1, 1, 1);
    delete();
    checkResultByText("ac");
    checkCaretPosition(1, 1, 2);
    delete();
    checkResultByText("ac");
    checkCaretPosition(1, 1, 3);
    delete();
    checkResultByText("a");
    checkCaretPosition(1, 1, 3);
  }

  public void testSelectionWithTwoInlaysAtSameOffset() {
    initText("ab");
    addInlay(1);
    addInlay(1);
    rightWithSelection();
    checkCaretPositionAndSelection(1, 1, 1, 0, 1);
    rightWithSelection();
    checkCaretPositionAndSelection(2, 2, 4, 0, 2);
    leftWithSelection();
    checkCaretPositionAndSelection(1, 1, 1, 0, 1);
    leftWithSelection();
    checkCaretPositionAndSelection(0, 0, 0, 0, 0);

    getEditor().getCaretModel().moveToOffset(2);
    leftWithSelection();
    checkCaretPositionAndSelection(1, 1, 3, 1, 2);
    leftWithSelection();
    checkCaretPositionAndSelection(0, 0, 0, 0, 2);
    rightWithSelection();
    checkCaretPositionAndSelection(1, 1, 3, 1, 2);
    rightWithSelection();
    checkCaretPositionAndSelection(2, 2, 4, 2, 2);
  }

  public void testDeleteBetweenInlays() {
    initText("abc");
    addInlay(1);
    addInlay(2);
    right();
    right();
    delete();
    checkResultByText("ac");
    checkCaretPosition(1, 1, 2);
    assertInlaysPositions(1, 1);
  }

  public void testCaretPositionAfterInlayDisposalToTheLeft() {
    initText("ab");
    Inlay<?> inlay = addInlay(1);
    addInlay(1);
    right();
    right();
    Disposer.dispose(inlay);
    checkCaretPosition(1, 1, 1);
  }

  public void testCaretPositionAfterInlayDisposalToTheRight() {
    initText("ab");
    addInlay(1);
    Inlay<?> inlay = addInlay(1);
    right();
    right();
    Disposer.dispose(inlay);
    checkCaretPosition(1, 1, 2);
  }

  public void testPositionConversionForAdjacentInlays() {
    initText("ab");
    addInlay(1);
    addInlay(1);
    LogicalPosition lp = getEditor().visualToLogicalPosition(new VisualPosition(0, 2));
    assertEquals(new LogicalPosition(0, 1), lp);
    assertFalse(lp.leansForward);
  }

  public void testFoldingOperationDoesntMoveCaretFromBetweenInlays() {
    initText("abc");
    addInlay(2);
    addInlay(2);
    right();
    right();
    right();
    addCollapsedFoldRegion(0, 1, "...");
    checkCaretPosition(2, 2, 5);
  }

  public void testBehaviourOnTextInsertion() {
    initText("abc");
    Inlay<?> i1 = addInlay(1, false);
    Inlay<?> i2 = addInlay(2, true);
    runWriteCommand(() -> {
      getEditor().getDocument().insertString(2, " ");
      getEditor().getDocument().insertString(1, " ");
    });
    assertTrue(i1.isValid() && i1.getOffset() == 1);
    assertTrue(i2.isValid() && i2.getOffset() == 4);
  }

  public void testNoOpReplaceDoesntMoveCaret() {
    initText("<caret>abc");
    addInlay(2);
    right();
    right();
    runWriteCommand(() -> getEditor().getDocument().replaceString(1, 2, "b"));
    checkCaretPosition(2, 2, 2);
  }

  public void testCaretMovingToInlayOffset() {
    initText("<caret>abc");
    addInlay(2);
    getEditor().getCaretModel().moveToOffset(2);
    checkCaretPosition(2, 2, 3);
  }

  public void testInlayOrderAfterMerge() {
    initText("ab");
    Inlay<?> i0 = addInlay(0);
    Inlay<?> i1 = addInlay(1);
    Inlay<?> i2 = addInlay(2);
    runWriteCommand(() -> {
      getEditor().getDocument().deleteString(0, 1);
      getEditor().getDocument().deleteString(0, 1);
    });
    assertEquals(Arrays.asList(i0, i1, i2), getEditor().getInlayModel().getInlineElementsInRange(0, 0));
  }

  public void testInlayOrderAfterDocumentModification() {
    initText("abc");
    Inlay<?> i1 = addInlay(2);
    runWriteCommand(() -> getEditor().getDocument().deleteString(1, 2));
    Inlay<?> i2 = addInlay(1);
    assertEquals(Arrays.asList(i1, i2), getEditor().getInlayModel().getInlineElementsInRange(1, 1));
  }

  /**
   * Utility function for line-height block inlays testing.
   *
   * Converts geometric position of editor line that accounts block inlays to visual position that is applicable to text lines only.
   *
   * Consider the following example:
   *
   * abc <- geometric line 0, visual line 0
   * <block inlay with height being equal to line height> <- geometric line 1, visual line NA
   * cde <- geometric line 2, visual line 1
   *
   */
  private int geometricLineToVisualLine(int geometricLine) {
    return getEditor().yToVisualLine(geometricLineY(geometricLine));
  }

  private static int geometricLineY(int geometricLine) {
    return (int)(FontPreferences.DEFAULT_LINE_SPACING * TEST_LINE_HEIGHT) * geometricLine;
  }

  public void testYToVisualLineCalculationForBlockInlay() {
    initText("abc\ndef");
    addBlockInlay(1);
    assertEquals(0, geometricLineToVisualLine(0));
    assertEquals(1, geometricLineToVisualLine(2));
  }

  public void testYToVisualLineCalculationForAboveBlockInlay() {
    initText("abc\ndef");
    addBlockInlay(1, true);
    assertEquals(0, geometricLineToVisualLine(1));
    assertEquals(1, geometricLineToVisualLine(2));
  }

  public void testYToVisualLineCalculationForBlockInlayAnotherCase() {
    initText("abc\ndef\nghi");
    addBlockInlay(1);
    assertEquals(0, geometricLineToVisualLine(0));
    assertEquals(1, geometricLineToVisualLine(2));
    assertEquals(2, geometricLineToVisualLine(3));
  }

  public void testInlayInStartOfCollapsedLine() {
    initText("abc\ndef\nghi");
    addCollapsedFoldRegion(4, 8, "");
    addBlockInlay(4, true, false);
    assertEquals(0, geometricLineToVisualLine(0));
    assertEquals(1, geometricLineToVisualLine(2));
  }

  public void testInlayInStartOfCollapsedLineRelatesToPreceding() {
    initText("abc\ndef\nghi");
    addCollapsedFoldRegion(4, 8, "");
    addBlockInlay(4, true, true);
    assertEquals(geometricLineY(0), getEditor().visualLineToY(0));
    assertEquals(geometricLineY(1), getEditor().visualLineToY(1));
  }

  public void testInlayInCollapsedLine() {
    initText("abc\ndef\nghi");
    addCollapsedFoldRegion(4, 8, "");
    addBlockInlay(5, true, false);
    assertEquals(geometricLineY(0), getEditor().visualLineToY(0));
    assertEquals(geometricLineY(1), getEditor().visualLineToY(1));
  }

  public void testInlayAboveFolding() {
    initText("abc\ndef\nghi");
    addCollapsedFoldRegion(4, 8, "");
    EditorTestUtil.addBlockInlay(getEditor(), 5, true, true, true, 0, null);
    assertEquals(geometricLineY(0), getEditor().offsetToXY(0).y);
    assertEquals(geometricLineY(2), getEditor().offsetToXY(8).y);
  }

  public void testInlayIsAddedIntoCollapsedFoldRegion() {
    initText("abc");
    addCollapsedFoldRegion(0, 3, "...");
    Inlay inlay = EditorTestUtil.addBlockInlay(getEditor(), 0, true, false, 0, null);
    assertEquals((int)(FontPreferences.DEFAULT_LINE_SPACING * TEST_LINE_HEIGHT), getEditor().visualLineToY(1));
    assertNull(inlay.getBounds());
  }

  public void testInlayIsAddedIntoCollapsedFoldRegionDifferentRelatesFlag() {
    initText("abc");
    addCollapsedFoldRegion(0, 3, "...");
    Inlay inlay = EditorTestUtil.addBlockInlay(getEditor(), 0, false, false, 0, null);
    assertEquals((int)(FontPreferences.DEFAULT_LINE_SPACING * TEST_LINE_HEIGHT) * 2, getEditor().visualLineToY(1));
    assertNotNull(inlay.getBounds());
  }

  public void testVerticalCaretMovementInPresenceOfBothTypesOfInlays() {
    initText("abc\nd<caret>ef\nghi");
    addBlockInlay(0);
    addInlay(4, TEST_CHAR_WIDTH * 2);
    down();
    checkResultByText("abc\ndef\nghi<caret>");
  }

  public void testInlayAtLineEndCausesSoftWrapping() {
    initText("abcd efgh");
    addInlay(9, TEST_CHAR_WIDTH * 3);
    configureSoftWraps(10);
    verifySoftWrapPositions(5);
  }

  public void testBlockInlayImpactsEditorWidth() {
    initText("");
    getEditor().getSettings().setAdditionalColumnsCount(0);
    getEditor().getInlayModel().addBlockElement(0, false, false, 0, new EditorCustomElementRenderer() {
      @Override
      public int calcWidthInPixels(@NotNull Inlay inlay) { return 123;}

      @Override
      public void paint(@NotNull Inlay inlay,
                        @NotNull Graphics g,
                        @NotNull Rectangle targetRegion,
                        @NotNull TextAttributes textAttributes) {}
    });
    assertEquals(123, getEditor().getContentComponent().getPreferredSize().width);
  }

  public void testOrderForAboveInlaysWithSamePriority() {
    initText("text");
    addBlockInlay(0, true);
    addBlockInlay(0, true);
    List<Inlay<?>> list1 = getEditor().getInlayModel().getBlockElementsInRange(0, 0);
    List<Inlay<?>> list2 = getEditor().getInlayModel().getBlockElementsForVisualLine(0, true);
    Collections.reverse(list2);
    assertEquals(list1, list2);
  }

  public void testOrderForBelowInlaysWithSamePriority() {
    initText("text");
    addBlockInlay(0, false);
    addBlockInlay(0, false);
    List<Inlay<?>> list1 = getEditor().getInlayModel().getBlockElementsInRange(0, 0);
    List<Inlay<?>> list2 = getEditor().getInlayModel().getBlockElementsForVisualLine(0, false);
    assertEquals(list1, list2);
  }

  public void testCorrectSoftWrappingAfterTextMovementWithInlays() {
    initText(" \tabcd efghijklmno");
    addInlay(1, TEST_CHAR_WIDTH);
    configureSoftWraps(11, false);
    verifySoftWrapPositions(7);
    WriteCommandAction.writeCommandAction(getProject()).run(() -> ((EditorEx)getEditor()).getDocument().moveText(0, 1, 7));
    verifySoftWrapPositions(7, 16);
  }

  public void testInlineElementAtDocumentEnd() {
    initText("");
    addInlay(0, 10);
    assertNull(getEditor().getInlayModel().getElementAt(new Point(5, getEditor().getLineHeight() * 3 / 2)));
  }

  public void testAfterLineEndElementAtDocumentEnd() {
    initText("");
    addAfterLineEndInlay(0, 10);
    assertNull(getEditor().getInlayModel().getElementAt(new Point(TEST_CHAR_WIDTH + 5, getEditor().getLineHeight() * 3 / 2)));
  }

  public void testInlayForDisposedEditor() {
    Editor editor = EditorFactory.getInstance().createEditor(new DocumentImpl(""));
    Inlay<?> inlay = EditorTestUtil.addInlay(editor, 0);
    assertTrue(inlay.isValid());
    EditorFactory.getInstance().releaseEditor(editor);
    assertFalse(inlay.isValid());
  }

  private void checkCaretPositionAndSelection(int offset, int logicalColumn, int visualColumn,
                                              int selectionStartOffset, int selectionEndOffset) {
    checkCaretPosition(offset, logicalColumn, visualColumn);
    assertEquals(selectionStartOffset, getEditor().getSelectionModel().getSelectionStart());
    assertEquals(selectionEndOffset, getEditor().getSelectionModel().getSelectionEnd());
  }

  private void checkCaretPosition(int offset, int logicalColumn, int visualColumn) {
    assertEquals(offset, getEditor().getCaretModel().getOffset());
    assertEquals(0, getEditor().getCaretModel().getLogicalPosition().line);
    assertEquals(logicalColumn, getEditor().getCaretModel().getLogicalPosition().column);
    assertEquals(0, getEditor().getCaretModel().getVisualPosition().line);
    assertEquals(visualColumn, getEditor().getCaretModel().getVisualPosition().column);
  }

  private void assertInlaysPositions(int... offsets) {
    assertArrayEquals(offsets,
                      getEditor().getInlayModel().getInlineElementsInRange(0, getEditor().getDocument().getTextLength()).stream()
                        .mapToInt(inlay -> inlay.getOffset()).toArray());
  }
}

redpajama_set_name: RedPajamaGithub


text:
Image credit: Bitcasino/DPC
DPC China: EHOME vs RNG Odds & Preview – January 10, 2022
in DOTA 2
EHOME is looking strong in the DPC China Division at 2-0
Royal Never Give up are posted as strong favorites as 1.39
EHOME lost two players to RNG in the summer of 2021
The DPC China Division is in full swing, and we have quite a few games to look forward to. The tournament has seen PSG.LGD and EHOME push to the very top of the division rankings while other teams have had to settle for lesser positions.
The upcoming match between EHOME and Royal Never Give Up on Monday, January 10 promises to be everything you have come to expect from the highly competitive region. EHOME is pulling some impressive plays this year, and this is why we feel confident that the team has a great chance of breaking into TI11 later in 2022.
The odds seem to favor RNG at the time of writing and we think this is a mistake. Let's take a look at what is happening in this matchup.
DPC China 2022: EHOME vs RNG Odds – January 10, 2022
EHOME to win at 2.77
Royal Never Give Up to win at 1.39
Where to Watch DPC China 2022 EHOME vs RNG
JoinDOTA: LINK
EHOME Preview (Jan 10, 2022)
EHOME did not qualify for The International 10 and overall, the team has not done so well in competitive Dota 2. The team is a legacy, and it dominated the competitive scene long before Dota transitioned to a standalone game. Its most recent performance though has been poor to say the least.
EHOME missed several big events and failed to make any measurable impact in DPC. So, why would we want to put our money on EHOME? It's simple. They are currently 2-0 in the overall standing and while they took out iG and Phoenix, which are not the top teams in the league, EHOME has shown consistency.
The franchise did have to overhaul its team quickly, though, and invited the majority of its new players in November. Nicholas Lim Eng Han is presently only a stand-in, and the five-man squad will have an interesting game ahead.
The good news is that EHOME already defeated iG in the division, which has a former team member who left in mid-2021. Guo "Xm" Hongcheng is playing for Invictus Gaming. With odds such as 2.77, there should be a reason, though, why RNG seems to be such a strong favorite.
Royal Never Give Up Preview (Jan 10, 2022)
Royal Never Give Up are not a top-seeded team, but they do have a lot of talented players to speak of. The organization launched into professional Dota 2 in 2018, so it has had some years to polish its play. Today, RNG has two of EHOME's former players who left in July 2021, i.e. Yang "Chalice" Shenyi and Yap "xNova" Jian Wei. xNova and Chalice were seen as the backbone of the EHOME roster, and they have inside knowledge into how the organization works.
A possible argument here is that because of that experience, RNG have an almost unfair advantage and are understandably posted at 1.39. However, RNG should really tread lightly here as they hardly know what the new team is capable of.
Another advantage Royal Never Give Up has, though, is the fact that they have not had to do as many changes to their rosters. Poaching EHOME's players in 2021 was their last major roster change, and they feel confident.
While we have every reason to believe RNG will pull an impressive play here, we are also fairly confident that EHOME have a very good chance of securing a win in the game. We will therefore be sticking with the following picks:
Pick: EHOME to win (2.77)
Pick: EHOME correct score 2-1 (4.60)
Tags: ChinaDPCEHOMEEsports BettingPreviewsRNG
Home » DPC China: EHOME vs RNG Odds & Preview – January 10, 2022
DPC NA Division 1: EG vs Quincy Crew Odds & Picks (Jan 20, 2022)
DPC CN Division 1: Vici Gaming vs RNG Odds & Picks (Jan 18, 2022)
by Iwona Baluch
DPC CN Division 1: IG vs Aster Odds & Picks (Jan 18, 2022)
LPL 2022: RNG vs FPX Odds & Preview – January 10, 2022

redpajama_set_name: RedPajamaCommonCrawl


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The Order of the President of the Republic of Azerbaijan
On awarding "Sharaf" Order to N.A. Pashayeva
Guided by Item 23 of Article 109 of the Constitution of the Republic of Azerbaijan, I hereby order:
To award "Sharaf" Order to Nargiz Arif gizi Pashayeva for her great services rendered to the development of science and education in the Republic of Azerbaijan.
Ilham Aliyev
President of the Republic of Azerbaijan
Baku, 13 December 2022
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The Order of the President of the Republic of Azerbaijan on appointing A.H.Asadov as Prime Minister of the Republic of Azerbaijan more...
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This dinosaur jumper has applications hand-embroidered on showing dinosaurs front and back. It is knitted on a hand-operated machine in beige with a zip-up front and a hood.


text:
On the Campus Students Outraged After University Clears Professor Who Said the N-Word
By Julie Bonette
Published in the January 2023 Issue
Princeton professor of visual arts Joe Scanlan
Minnie Cho / Fuseloft LLC
Students made their disapproval known after Princeton University said it is standing behind Joe Scanlan, a professor of visual arts who said the N-word in one of his classes.
The controversy started on Nov. 3 while Scanlan was teaching "Words as Objects." Students had been assigned to read a series of poems by Jonah Mixon-Webster including "Black Existentialism No. 8: Ad Infinitum; or Ad Nauseam" — an example of concrete poetry, which is defined by the Poetry Foundation as emphasizing "nonlinguistic elements in its meaning, such as a typeface that creates a visual image of the topic."
The poem is 24 pages consisting solely of the N-word, which in this case ends with "as." The word itself appears in large print across the first two pages, and a series of "s's" trail on for the remainder.
In a 2021 blog post, Mixon-Webster, who is Black, said "it is still a cultural priority to continue appraising the word while speculating on its implications for Black futurity."
Scanlan, who is white, told PAW he said the word when asking his class how it functioned in the poem.
The fallout was immediate.
According to The Daily Princetonian, some students left, including Omar Farah '23, who also reached out to administrators to file a complaint. Farah was told a few days later by Cheri Burgess, director for institutional equity and equal employment opportunity in the Office of the Provost, that an initial assessment "determined that, given the academic context in which the word was used, it does not implicate the Policy on Discrimination and/or Harassment," according to the Prince.
In a statement, University spokesman Michael Hotchkiss said, "Princeton guarantees all faculty and students the 'broadest possible latitude' to speak freely inside and outside the classroom. Speech is only restricted under narrow exceptions that do not apply to this incident. Our rules recognize that these free speech protections apply to words and ideas that people may find 'offensive, unwise, immoral, or wrong-headed,' but these protections are essential for Princeton's truth-seeking mission."
David Smith '24, a Black student in the class, compared Scanlan's choice to use the N-word in class to former professor Joshua Katz calling the Black Justice League "a small local terrorist organization" in a 2020 online opinion column. Smith told PAW via email that he believes "Joe Scanlan intentionally and carefully planned his use of the word in order to raise another debate on free speech (akin to the Katz debacle) wherein he would emerge victorious." Smith said he believes that Scanlan knew the class "would be greatly distressed by his use of the word."
Scanlan has since written a letter, published Nov. 16 by The Daily Princetonian, in which he said he is "extremely sorry that I overestimated my familiarity with my students and assumed that we could enter a discussion … without making some ground rules, first and foremost, about whether we could use or even discuss the word at all. As I have heard loud and clear from my students, that was a grievously hurtful overestimation on my part."
Princeton politics professor Keith Whittington, who wrote the 2018 Pre-read, Speak Freely: Why Universities Must Defend Free Speech, told PAW that "it's critically important that you maintain a certain level of comfort and trust with the students so you can actually engage in the educational process more effectively, and using that language, I think, just winds up pushing some students away. And so, I think most of the time, you're much better off if you don't do it."
Scanlan has continued to teach, but Simon Wu '17, a Ph.D. candidate at Yale, was appointed course co-adviser.
The repercussions have continued. Twenty-one visual arts students signed a letter calling for a University investigation and critical engagement "with the events [that] took place and their impact on students. And we call on the Visual Arts department to reconcile with the space they have held for racism and disrespect."
The Prince reported that several visual arts students hung posters advocating for Scanlan's dismissal at a Nov. 15 open studio event.
The Prince's editorial board also published a column that stated that "white people's use of the N-word has irreversibly harmed Black people and communities throughout the course of American history, and continues to have that effect today. Although Scanlan says he did not intend to hurt anyone, that is the consequence of his language."
Are My Mark Twain Books and Randy Newman Records Next?
By Jim LaRegina
Positions on Campus Speech
By Norman Ravitch *62


PUMA celebrates the 10th anniversary of Sneakers76, the cult sneaker shop based in Taranto, Italy, featuring an exclusive version of the iconic sneaker, Blaze of Glory.
For the new Blaze of Glory iteration, PUMA and Sneakers76 chose story "The Legend of the Dolphin" and the symbol as inspiration. Ancient legends tell that Taranto was founded by the god Taras, son of Poseidon. During a sea-voyage, Taras was shipwrecked off the coast of Taranto and was rescued by a dolphin. To thank Poseidon for coming to his aid through that dolphin, Taras founded the city of Taranto.
The PUMA x Sneakers76 Blaze of Glory SOFT have premium suede uppers with colors that take cues from the dolphin depicted on the Taranto city emblem. The lace guards come in suede brown while the numbers of pairs are marked in gold on the heels. The emblem of Taranto city is etched in gold and situated on the heels as well. Depicting the color of the wave crests is the white midsole with 'water drop' effetcs and the Sea Blue color of the outer sole. Finishing off the sneaker design is a sockliner with the PUMA and Sneakers76 logos embossed in leather.
Exclusive for Sneakers76, each pair of shoes will have its History Box 03/04 from the saga "A Tale Through Stories, Legends and Symbols of our Teritory". Created to celebrate the 10th Anniversary of Sneakers76, the four boxes book together make up an encyclopedia. Inside the History Box a cleaning kit supported by Jason Markk.
The PUMA x Sneakers76 is scheduled to release on Tuesday, Dec. 20, in Sneakers76 and select sneaker retailers globally.


text:
Date: 15th February 2001
Puffy Daddy and Lopez Split On St Valentines Day
LATEST: After weeks of speculation bad boy rapper PUFF DADDY and Latino singer JENNIFER LOPEZ have finally admitted that they have split up.
Lopez, 30, has been linked to one of her backing dancers and Puff Daddy - real name SEAN COMBS - has been accused of indulging in phone sex with a stripper.
NATHALIE MOAR, a spokesman for Combs, says, "Mr Combs confirmed that he and his love Jennifer Lopez have in fact broken up. Mr Combs is confirming this today as he wanted to put all the rumours surrounding their relationship to rest. At this difficult time we ask that you respect his privacy."
ALAN NEIROB, Lopez's spokesman, said THAT he could not confirm or deny that the romance was over although he noted the source of the information. Combs is currently on trial for gun possession and bribery in New York City stemming from a 1999 nightclub brawl in which three people were shot. He faces 15 years in prison if convicted of the gun charge. Lopez, who was with Combs the night of the altercation, was not charged. (PDD/WNWCYA)
Film Stories : Wedding Planner, The (2001)
Wedding Bells For Jennifer Lopez - 14th August 2001
J-LO World's Sexiest Woman- Again - 18th May 2001
Lopez Sees The Funny Side of Co-Stars' Bum Taunts - 16th March 2001
Lopez Liar? - 15th March 2001
Lopez's Naked Oiled Manicure - 9th March 2001
Film Bosses Tell JLO To Stay Away From London - 23rd February 2001
Jennifer Lopez Fires Drugs Bodyguard - 22nd February 2001
JLO Want $750,000 For A Personal Appearance - 16th February 2001


Peru is located in the middle part of South America and its territory covers an area of 1,285.216 square kilometers. It has many different ecosystems and is home to a large amount of plants and animals, so is considered one of the richest countries in terms of natural resources. It is one of the world's top producers of gold, silver, lead, and has an important reserves of natural gas.
The Cachicata trek to Machu Picchu,is located in the Sacred Valley of the Incas in Cusco and is an alternative path and attractive route due to the Classic Inca Trail.
Colca Canyon is 2 times deeper than the Grand Canyon in the United States, the region is also known as the home of the rare Andean Condor and you can see its flight in the viewpoint of Cruz del Condor.
The Titicaca Lake is title as the largest lake in South America and the world's highest navigable lake, the port of Puno is the starting point to visit the far reaches of the floating islands of Uros.
This high jungle citadel built by the Chachapoyas culture is called Machu Picchu of the Northern Peru it is considered to become the second most important tourist destination of Peru!
Join an ice-climbing expedition to see some beautiful peaks like Huascaran or Alpamayo, also you can go for a day-climb, for example, to the stunning Lake 69! All of these sites are placed in the Huascaran National Park!
You can do white river rafting in Cusco, Arequipa, Tarapoto or in the Apurimac Canyon, if you are an adventure lover you can try the rafting in the wild Apurimac River!


Ram 1500 Rebel or Ram HD Power Wagon?
How does a half-ton compare to a heavy duty truck on a daily basis?
A great review video would be a comparison of a heavy duty truck vs a light duty half-ton. Please show actual differences in parking, towing, maneuvering, light off-roading for weekend recreation: such as hunting, fishing, camping, loading, back seat child hauling, mpg, etc.
The latest heavy duty trucks are getting more advanced, more comfortable, capable, better riding, and more luxurious than ever before. Using a heavy duty truck as a daily driver is becoming more common. Still, the question between a half-ton truck or a daily drive boils down to getting just the right amount of truck for your needs. A heavy duty truck is simply larger than a half-ton in nearly every dimension. An HD truck is inherently less fuel efficient because it is heavier. The only time a heavy duty truck is better as a daily driver, it's when it is also required to do some heavy hauling and towing. We are talking about payloads of over 2,000 lbs or trailers over 10,000 lbs. It does not have to be all work. It can also be something fun like carrying a truck camper in the bed or towing a large boat.
We will do more half-ton vs heavy duty truck comparisons in the near future. Please stay tuned. In the meantime, here are the F-150 and a F-250 diesel trucks.
We are retiring in 1-2 years. We will be traveling out west from Ohio, in the Smokies, White and Green mountains, etc. We will be towing 8-9,000 pounds. We keep our trucks for 10+ years. Which truck should we buy (gas or diesel)? I find your YouTube videos to be very informative.
Towing a 9,000 lbs trailer over mountains and across the country is a job for a heavy duty truck. Yes, a half-ton truck can technically do it as well, but a heavy duty truck can do it with more confidence and last longer. Mark's requirements suggest that a 3/4-ton gas-powered truck will do the job nicely. Also, all three heavy duty truck manufacturers are thoroughly updated or all-new. We have not tested the new gas-powered 2020 HD trucks, but we will complete our Ike Gauntlet towing and hauling testing around November 2019.


Monstera Purple art card - This is Winston (named by my 10 year old daughter Olivia) the Monstera plant from Panama, Mexico - bought from an awesome new plant shop on Burley Road in leeds called Short Press. Love the shape of the leaves and the details of the veins!
Only £2.75 with free p&p to u.k.


A comic about life, love, death, and collectibles, in about three colors.
Later... Damn, I'm getting old.
I have always been the jumping, climbing sort, and it has always served me well in those occasions where my wit fails me (i.e. impressing girls).
Age has come packaged with restraint, and now I rarely find myself jumping over garbage cans, Toyotas, fences, people, etc. I see these things and, of course, think about jumping over them. But usually I do not.
The dog park has five areas, each enclosed in a five-foot-high chain-link fence. For months, now, I have been eying those, debating whether or not to jump. And yesterday the wind gave me reason enough to try as it tossed the frisbee into another pen.
I stretched a bit, eyed the fence, cleared my mind, and ran, jumped, caught the top of the fence, flipped, and landed on my back. I am an experienced faller, though, so I bounced up without a scratch.
But my pride… What happened? Am I too old to jump? I decided it was the fault of the constricted girl jeans I was wearing, and readied for a second attempt, which I made successfully.
But still… two tries? There was a time I could have made that jump in combat boots. There was a time when, the morning after, I would not feel as though I were run over by a train. Damn.
At least I can still fall like a pro. Do girls find that becoming?


The eyes are the window of the soul. It is also said that the heart can truly see things the things the rational mind cannot. So if love is in the air - give the gift of the "Angel Eyes" Soulmirror® - these are free standing or wall mounted. These are acrylic safety mirrors with a touchy soft polymer resin frame and are available in four fabulous colours: Brown, Blue, Green and Grey.


text:
import numpy as np

from pyfr.plugins.base import BasePlugin

class NaNCheckPlugin(BasePlugin):
    name = 'nancheck'
    systems = ['*']
    formulations = ['dual', 'std']

    def __init__(self, *args, **kwargs):
        super().__init__(*args, **kwargs)

        self.nsteps = self.cfg.getint(self.cfgsect, 'nsteps')

    def __call__(self, intg):
        if intg.nacptsteps % self.nsteps == 0:
            if any(np.isnan(np.sum(s)) for s in intg.soln):
                raise RuntimeError('NaNs detected at t = {0}'
                                   .format(intg.tcurr))


text:
Sports Desk: A scoreboard reveals more turned off than on
By Bob Liepa
Zach Holmes of Greenport/Southold/Mattituck tries to thwart an attempted tackle by Babylon's James Messina. (Credit: Garret Meade)
Friday night marked the opening game for the Greenport/Southold/Mattituck high school football team's season, and Dorrie Jackson Memorial Field at Greenport High School may have never looked so nice. Along with the plush grass field, which has been well-watered, there were new NFL-style goal posts. The recently painted purple and gold bleachers looked brilliant in the fading sunlight as kickoff time approached. And there, on the south end of the field, was the sharp looking scoreboard, which was installed last season.
Ah, yes, the scoreboard.
On a night when the game was cut and dried, it was the scoreboard that provided the only real controversy — if you want to call it that — of the evening.
Babylon was in town, and anyone who follows high school football in Suffolk County knows what that means. The two-time defending Long Island Class IV champion Panthers are a powerhouse, one of the amazing stories in Long Island sports, really. Year in, year out, this small school somehow churns out another roster packed with good players, and they win with remarkable regularity.
Some years Babylon is essentially in a league of its own, atop Division IV. Many of Babylon's games are so one-sided that they are essentially decided by halftime, if not the first quarter.
Yes, the Panthers are that good.
Babylon is also fortunate to have one of the top coaches in the county in Rick Punzone, who not only wins, but wins with class. Punzone doesn't run up scores on weaker opponents. He will pull his starters out and insert substitutes once the result is assured.
In those instances when one team pulls so far ahead of another in the score, the game officials, with the consent of the opposing coaches, will let the remaining time on the clock run, without the usual stoppages, say, for an incomplete pass or a player running out of bounds.
Most people, I think, see that as the sensible thing to do. After all, when the score is 48-0, what is the point in prolonging the agony, potentially putting even more points up and unnecessarily subjecting players to a greater threat of injury?
So, as was expected, Babylon pulled comfortably ahead of the Porters by halftime, holding a 35-0 lead (the eventual final score for Babylon's 25th straight win and Punzone's 100th career win).
That's when the game went into run-the-clock mode. Before the third quarter began, a game official instructed press-box personnel to turn off the scoreboard clock, indicating that the officials would keep the time on the field.
So, the scoreboard clock operator, Chris Buckley, did what he was told. Because Buckley did not know how to turn off the scoreboard clock without also wiping out the score and other information on the scoreboard, he shut it all down.
That's when things got interesting.
It wasn't long before the public-address announcer, Greg Dlhopolsky, was fielding inquiries from upset Porters fans about why the scoreboard wasn't on. The first fan who asked about it wasn't pleased at all. "This is bad," he said, going so far as to declare it the low point in the program's history. Others made their displeasure known.
While fans undoubtedly like to turn to the scoreboard to see the score, the time, the down and the distance, I think the source of this discontent was more about pride than electronic numbers. These Porters fans did not like the appearance that the scoreboard had been turned off in order to hide the score. I have to say there is something admirable about that sort of a stand-up attitude.
The blank scoreboard clearly touched a nerve. Greenport's athletic director, Jim Caliendo, said he was taken by surprise at how many people objected to it. "I've been coaching 35 years," he said. "I have never seen that happen."
If such a situation arises in the future, Caliendo said, the scoreboard clock will be set at 0:00, and an announcement will be made that the time will be kept by the officials on the field.
It sounds like a wise policy. People want to know what is going on.
The merits of turning off a scoreboard clock at any time may be argued, but there is no arguing what a blank scoreboard said about the fans in Greenport: Regardless of the score, they have a lot of pride in their team.
Bob Liepa is the sports editor for Times Review Media Group, where he has worked since 1992. Raised in East Meadow, the Long Island native has won both Writer and Sportswriter of the Year from the New York State Press Association.
Email Bob Liepa Email Created with Sketch. Email Bob Liepa
Greenport/Southold/Mattituck
Jim Caliendo
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Girls Soccer: A teary-eyed ending for MSG
When the end comes, tears sometimes follow, but this was in the extreme. After the horn sounded, ending the...
Football: Anderson faces some old friends
Athleticism, academics and attitude are what make Ahkee Anderson a triple-A high school football player. They are why coaches...
Football: Hampton Bays' Smith runs for 7 TDs against Porters
The first quarter Friday night was easily the best quarter the Greenport/Southold/Mattituck football team had played this season. By...
Football: Porters take a 62-0 hit from Port Jeff
Pass happy Port Jefferson left Greenport/Southold/Mattituck decidedly unhappy. The one-sided losses are piling up for Greenport. This latest blowout...
Football: Porters suffer from fumblitis
Jack Martilotta believes his Greenport/Southold/Mattituck football team made progress since its season-opening loss last week. Then again, five lost...


Greendale High School, October 29, 2018: Support Students, Fight Racism!
Per Diannia Merriett, another protest will be held today outside of Greendale HS!! If you can attend, please go stand with and support these young people!! Not sure if I'll be able to make it, but if I can I'll definitely be front and center! These young ladies and men have my full support! Racism has NO place in our lives today. We must stand and fight for our PEACE, SANITY, AND BIRTHRIGHT TO THE PURSUIT OF HAPPINESS.


text:
Манастир Ново Хопово из 15. века припада Епархији сремској Српске православне цркве и представља непокретно културно добро као споменик културе од изузетног значаја.

Налази се на благој падини јужних обронака Фрушке горе, недалеко од Ирига. Удаљен је свега стотинак метара од магистралног пута Рума - Нови Сад, те је један од најприступачнијих фрушкогорских манастира. Манастир Ново Хопово, заједно са Крушедолом, по својој архитектури, просветној улози, историји богатој културним, верским и политичким догађајима, један је од најзначајнијих манастира у Србији, а посебно међу фрушкогорским манастирима.

У њему су похрањене мошти римског војсковође, Светог великомученика Теодора Тирона — најстарија реликвија која се чува на територији Србије.

Историја
Манастир Ново Хопово, са црквом светог Николе, по својој архитектонској вредности представља најзначајнију сакралну грађевину своје епохе на овим просторима. Први писани помен манастира је из 1451. године. По другом извору, подигао га је поново архиепископ српски Максим Бранковић и именовао га (Хопово) и монахе ту сабрао око 1490. године. Паралелно су постојала оба, суседна истоимена манастира, Ново и Старо Хопово. Само је Ново Хопово важнији, већи, богатији, а 1753. године се каже да му је Старо Хопово (стари манастир) филијала, у којем нема властитих монаха, већ долазе по двојица из Новог Хопова. Калуђери су једном приликом чак прешли из Старог у Нови, манастир Хопово.

Садашња црква подигнута је 1575—1576 године, а звоник са малом капелом на спрату посвећеној преносу моштију светог Стефана озидан је 1751. године. Задужбина је више ктитора, Лацка и Марка Јовшића, те Јована Божанића и чланова његове породице, из Горњег (Српског) Ковина (место на острву Чепелу у Мађарској), ктиторски натпис на надвратнику западног портала бележи на првом месту. Саграђена је на месту првобитне цркве која је порушена. Молили су манастирски калуђери 1638—1639. године руског цара за помоћ манастиру који се налази на српској земљи. Цар је одобрио да хоповски калуђери могу на сваких седам, осам година да скупљају помоћ по Русији. Скупљао је 1641. године прилоге по руском царству хоповски проигуман Неофит. Вероватно од тог прилога 1641. године манастирске ћелије су стављене под кров.  У Хопову је боравио од лета 1757. до јесени 1760. године млади Димитрије Обрадовић из Чакова, који се закалуђерио и добио ново име "Доситеј". Примио га је архимандрит Теодор Милутиновић хоповски игуман. Герасим Радосављевић произведен је 1771. године за архимандрита хоповског.

Када је почетком 1788. ратне године од стране Турака спаљен манастир Каленић, избегли монаси предвођени игуманом Вукашиновићем стигли су у Срем. Провели су ту неколико година, са својим богатим инвентаром, до марта 1795. године, све у манастиру Хопову. Године 1855. на челу манастира налазио се архимандрит Севастијан Илић, настојатељ, врло образован човек, књижевни радник и члан неких европских пољопривредних друштава.Јеромонах Герасим Драшковић је био игуман 1809. године. Отворена је 1893. године монашка школа у Хопову, којом је управљао настојатељ манастира.

Женски "руски" манастир
Након Првог светског рата манастир постаје женски, а у њега се насељавају 1921. године руске калуђерице и избеглице. Оне су још 1915. године напустиле свој православни манастир Љешну (у Пољској), али уместо у Русији, завршиле су у Југославији, бежећи од Петрограда преко Бесарабије. Отворен је уз манастир прво Дечији дом за ратну сирочад, па интернат за руску децу (девојчице), а једини мушкарци су били (1932) духовник отац Нељубов (у том звању био 25 година) и администратор манастира отац Пајсије. Поменути Дечији дом је исељен 1921. године у манастир Кувеждин, а руске калуђерице су ту дошле са својим интернатом. Манастир је водила игуманија мати Нина Косаковска, након што је ту умрла прва игуманија мати Катарина Јефимовска (грофица). Оне биле веома образоване и способне, те су спасиле - довеле 1920. године у Србију 60 калуђерица, и прво су годину дана провеле у манастиру Кувеждину. Руске калуђерице су са собом донеле чудотворну икону Богородице Шумске, начињену од камена. Њу је пољском православном манастиру једном поклонио пољски краљ. Да не би била украдена, оригинална икона је чувана у депоу београдске Заложне банке (1932). Постојала је и мања икона - њена копија, која се чувала у хоповском храму.

Манастир Хопово је више пута страдао током ратова у прошлости (1683, 1690, 1716). Последњи пут је то било током Другог светског рата (на Велики четвртак 1943) од стране партизана. Оштећен је звоник храма и уништена богата манастирска библиотека. Обновљени су коначно манастирска црква и конаци тек 1998. године.
 Мошти Св. Теодора Тирона су од 1943. па до 1984. године биле у Иригу, где су склоњене. Манастир Ново Хопово је у 21. веку остао отворен, остао је женски, а у њему су се налазе три монахиње. Сада је манастир опет мушки, а на челу братије се налази настојатељ архимандрит Павле Јовић.

Манастирска ризница
Манастирска ризница је почетком 20. века поседовала вредно књижно благо. Рукописне књиге сведочиле су о времену и манастирском братству. Најстарија богослужбена манастирска књига је Панагерик. Написана је 13. маја 1555. године, од непознатог преписивача у време игумана Кир Стефана, духовника Аврама и еклесијарха Максима. Друга књига, Минеј, преписана је тада - 1559. године. Књига Апостол је настала 1563. године, од руке ђака Станка, при игуману Кир Аврамију и еклесијарху Илариону. Књигу Студит, са осам канона, преписао је хоповски монах Јефрем 1618. године, у време игумана Кир Евсевија. Једно рукописно Јеванђеље је оковано сребром 1630. године у време игумана Кир Стефана. Канон Пресветој Богородици написан је 1654. године. Друго Јеванђеље оковано је 1657. године при проигуману Неофиту.

Имање
Манастирски конак датира од 1641. године, у више наврата је дозиђиван и обнављан. Од 1771. године наводи се да конак окружује манастир са све четири стране, односно да има данашњи барокни изглед.
Добио је манастир 1721. године у посед ливаду на Међешу и њиве у Радинцима. Имало је Ново Хопово 1753. године кућу и дућан у Иригу, много винограда и шума. Отворен је 1856. године мајдан камена пешчара на манастирској земљи (уз Старо Хопово) назван Сандстајн. Поседовао је манастир током 19. века (1855) крчму чарду звану Пркос, удаљену на путу, код иришке хумке, коју је братија издавала у аренду. Манастир је 1902. године поседовао 1624 јутра 54 кв хв земље са чистим катастарским приходом од 6219 круна 94 потура.

Архитектура
Највећа и најрепрезентативнија грађевина епохе, манастирска црква светог Николе има у својој целини два, у архитектонском погледу, различита дела: цркву, развијене и сложене просторне структуре и велику припрату на западној страни, једноставног простора, правоугаоне основе.

Црква је грађевина уписаног крста, комбинованог са триконхосом, са куполом на средини. У простору поред средњег дела, изнад кога је купола и према којем су постављене бочне конхе, има један травеј на западној страни. Травеј приближно исте дужине на источној страни, који се завршава олтарским апсидама и још један, сасвим узак травеј између куполног дела и олтарског простора. Међу фрушкогорским манастирима једино свети Никола у Новом Хопову има тај додатак на источној страни тако да се олтарски простор у архитектонском и структуралном смислу издваја као целина за себе.

Сликарство

Млађи живопис настао у припрати хоповске цркве 1654. године такође је проучен захваљујући раду конзерватора Покрајинског завода за заштиту споменика културе, који су скоро деценију радили на његовом откривању. Тада су уочене разлике које одвајају живопис припрате од живописа наоса (колористичка решења, употреба злата на фрескама и обрада фигура), детаљно је прочитан иконографски репертоар који је и овде распоређен у одвојеним зонама. Једне изнад других ређају се фигуре ратника, краљева, архијереја, пустињака, мученика, затим сцене из циклуса Чуда Христових, сцене Богородичиног акатиста, сцене страдања апостола и илустрација Дамаскинове химне. Сликарство припрате се сматра конзервативним у односу на нови дух који провејава на фрескама наоса и олтара.

Иконостас манастирске цркве су резали Антун и Павел Ризнер. Иконе на иконостасу радио је 1770. године Теодор Крачун. То је његов први познати иконописачки рад. Крачунове барокне иконе (преко 60 ситних) су постављене на темплу изгледа тек 1776. године.

Мошти Св. Теодора Тирона
Највеће богатство манастира су мошти светог Теодора Тирона које се чувају у кивоту, у цркви. У манастиру је 1780. године записана од стране јеромонаха Спиридона Јовановића, повест преноса светих моштију. Мошти великомученикове одавно у манастиру, јер се помињу ту већ 1555. године. По тој рукописној белешки, мошти светог Теодора су из цркве над гробом, коју је подигла побожна Евсевија, од стране неверујућих Јелина (Грка) избачене у море. Након три века, када је хришћанска вера победила, епископ града Евхаитског је мошти извадио из воде, и пренете су у цркву, која је по други пут подигнута над његовим гробом. После дугог времена, богати поклоници из Влашке су тајно узели мошти и однели их у Влашку, у град Сибињ. Богати тамошњи бољар је у својој кући, у једном чардаку, држао ковчег са моштима и клањао им се, а када је умро, оне су ту остале заборављене. Удова бољарева је након извесног времена, морала да поправи кровове и здања своја, па је ангажовала вештог дрводељу Србина из околине Јенопоља, Радована Ракића. Када је мајстор завршио посао, сањао је Св. Теодора који га је подсетио на себе и посаветовао у сну, да његове мошти одатле узме. Измолио је зато Радован удовицу, да му делом уместо новца уступи остатке свечеве. Када је мајстор узео мошти Св. Теодора Тирона, однео их је прво у свој крај, а потом у манастир. Првих 25 година мошти су лежале у манастиру Ходошу, и због њих су много болесници ту тражили исцелење. Како су се прочула чудесна излечења у Ходошу, Мађари са својим клиром, су хтели да силом узму мошти за себе. Да би избегли насиље, монаси су пребегли из Ходоша на Фрушку гору, и свете мошти похранили у манастиру Хопову. Године 1747. заслугом игумана Захарија, уметнички резбарени ћивот од ораховине, платио је и поклонио манастиру да би се у њима чувале мошти, богати становник Бечеја Михаило Чокић.

Галерија

Види још
 Списак манастира Српске православне цркве
 Ћирило Хоповац

Референце

Извори
 Маевский Вл. Лесна, Хопово-Фурке (Подвижницы любви). — Сан-Пауло: Тип. Бразильской Православной Епархии, 1962. — 79 с.
 [Маевский Вл.] Свято-Богородицкий Леснинский монастырь. — Мадрид, 1973. — 193 с.
 Кулић Б., Срећков Н. Манастири Фрушке горе. — Нови Сад: Покрајински завод за заштиту споменика културе / Prometej, 1994. — 192 с.
 Клементьев А. К., Скворцова О. В. Материалы к истории Свято-Богородицкого Леснинского женского монастыря за первый период его пребывания на территории Королевства С. Х. С. (от переезда до кончины игумении Екатерины: 1920-1925 гг.) // Вестник Екатеринбургской духовной семинарии. — 2016. — № 2 (14). — С. 141-220.

Спољашње везе

 Манастир Ново Хопово - Фрушкаћ
 Ново Хопово
 Манастир Ново Хопово: историја и архитектура, докторска дисертација (2014)

Манастири Епархије сремске
Фрушкогорски манастири
Споменици културе од изузетног значаја
Туристичке атракције у Србији
Споменици културе у Сремском округу
Средњовековни манастири у Србији
Православни манастири
Верски објекти у Иригу
Историја Срема
Непокретна културна добра

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This came as the GOP made an important push for their tax plan amid an ongoing health care battle and opioid crisis.
Have you been keeping up with the headlines? Test your knowledge with our Washington Week-ly News Quiz.
The Trump administration plans to intensify pressure against Cuba by allowing U.S. nationals to lodge claims against foreign companies that do business there, a senior U.S.
17 min 6 sec ago.
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41 min 7 sec ago.


text:
Sen. Tim Kaine ties sexism to 'ambition' criticism of potential VP contenders
Wed, August 5 by ABC News
HomePoliticsSen. Tim Kaine ties sexism to 'ambition' criticism of potential VP contenders
By AVERI HARPER, ABC News
(WASHINGTON) — Sen. Tim Kaine, Hillary Clinton's 2016 running mate, reflected on the vice presidential vetting process in an interview with ABC News' "Powerhouse Politics" podcast, and discussed how the women on former Vice President Joe Biden's shortlist may be feeling ahead of his pick.
The senator from Virginia has an unusual amount of first-hand experience with the vetting process. Before being selected as Clinton's running mate in 2016, Kaine was among the finalists identified by then-Sen. Barack Obama for his ticket in 2008. Obama ultimately chose Biden and reportedly told Kaine, "You are the pick of my heart, but Joe is the pick of my head."
Amid reports that claim some Biden donors have said Sen. Kamala Harris, D-Calif., was "too ambitious" to be vice president, Kaine likening it to the scrutiny Clinton endured in 2016.
"The ambition theme that's popped up in recent weeks is just a sad part of what I saw with Hillary running for president in 2016," said Kaine. "We have a double standard for women."
"The hardest part of being on the ticket with Hillary in 2016 was just the endless display of outright misogyny or subtle double standards that demonstrated to me — absolutely clearly — why we haven't had a woman president and why the United States has still such a poor track record of electing women to national legislative office," he continued.
At this point in the vetting process, Kaine said the contenders may feel vulnerable to negative stories and leaked opposition research.
"You're out on a diving board — kind of by yourself — and if anybody has an arrow they're going to fire at you, the campaign kind of wants to see it fire," said Kaine. "They want to know what's out there and they want to know how you respond. They want to know, 'Do voters think this is a serious issue or is that so minor, who cares about that?""
Kaine explained that in order to do no harm to the presumptive nominee, it's actually important for these kinds of negative stories to come out ahead of the pick being announced. He described the process as "necessary" and "nerve-wracking."
"You want any of those arrows fired before you name somebody rather than after," said Kaine. "Let's make sure we understand all the downsides that everybody has because everybody has them. Let's make sure we understand them all before we make a pick."
Over the weekend, vice presidential hopeful California Rep. Karen Bass received blowback after reports unearthed a video of her address at a 2010 Scientology church opening. She has also been criticized for referring to Fidel Castro as "comandante en jefe," which many believe is a term of endearment for the dictator and for work she did in the 1970s in Cuba with a group that sends leftist students to the island nation annually. In interviews on Sunday political talk shows, Bass said, "lesson learned" and said she'd evolved on the subject after conferring with colleagues in Florida.
Kaine said these kinds of attacks have a myriad of sources.
"Negatives come out from every different direction. They come out from enterprising reporters. They come out from — sometimes the candidates themselves want them out there so it's not a surprise later. They definitely come out from rivals," said Kaine. "And sometimes the campaign itself."
Kaine offered insight on the very public nature of this vetting process given the realities of campaigning amid the coronavirus pandemic. Many of the women said to be under consideration for the number two spot have participated in virtual campaign events and fundraisers, in addition to a host of news interviews and television appearances. Kaine hinted that the "public tryout" may outlast COVID-19 and continue into future election cycles.
"It may kind of be a new norm to put people through a very public tryout for some extended period of time to see how they stand up to that," he said.
Meanwhile, negotiations continue on a new coronavirus relief package on Capitol Hill.
Kaine said he believes that lawmakers from both sides of the aisle will have a deal by the end of the week.
"It is a time of dramatic hardship and we just have to make sure that the dollars that are being invested, are going in a targeted way to the folks who really are suffering those hardships in the greatest way," said Kaine.
LISTEN to the full episode here.
In scathing draft of letter never made public, Trump chided James Comey for 'erratic,' 'self-indulgent' conduct


With effect from the 15th of April 2014, the newly elected President of AIIGMA is Mr. R Kannan, Managing Director of the Chennai based business Tamilnadu Air Products Pvt Ltd.
He was elected following the close of this year's annual meeting, held at the Shangri-La Hotel in Bangkok, Thailand, from the 13th to the 15th of April 2014.
Take 10 minutes out this month to catch-up with Savir Julka,Vice-President of Marketing, INOXCVA and learn more about the company's increasing global outreach and in particular, it's activities in the US market.
The conference is being held in Singapore, at the Marina Bay Sands Expo and Conference Centre.
As a new feature to enhance gasworld's coverage of the global news in the Industrial Gases sector, we are offering our website visitors Live Coverage from the forthcoming AIIGMA Seminar held in Bangkok, Thailand, from Sunday the 13th of April to the end of Tuesday the 15th of April.


text:
Q: User-Generated Content View Validation I am developing a user-generated content site.  The goal is that users are rewarded if their content is viewed by a certain number of people.  Whereas a user account is required to post content, an account is not required to view content.
I am currently developing the algorithm to count the number of valid views, and I am concerned about the possibility that users create bots to falsely increase their number of views.  I would exclude views from the content generator's IP, but I do not want to exclude valid views from other users with the same external IP address.  The same external IP address could in fact account for a large amount of valid views in a college campus or corporate setting.
The site is implemented in python, and hosted on apache servers.  The question is more theoretical in nature, as how can I establish whether or not traffic from the same IP is legitimate or not.  I can't find any content management systems that do this, and was just going to implement it myself.

A: You cannot reliably do this.  Any method you create can be automated.
That said, you can raise the bar.  For instance every page viewed can have a random number encoded into a piece of JavaScript that will submit an AJAX request.  Any view where you have that corresponding AJAX request is probably a real browser, and is likely to be a real human since few bots handle JavaScript correctly.  But absolutely nothing stops someone from having an automatic script to drive a real browser.

A: Well... you can make them login (through facebook or google id etc, if you don't want to create your own infrastructure). This way it is much easier to track ratings.

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Active Shooter Defense & All Hazards Emergency Planning…Simplified.
1PLAN is an all-hazards emergency preparedness system that incorporates active shooter defense best practices within an easily customizable standardized framework.
1Plan is maintained and managed in an intuitive secure state-of-the-art online dashboard to streamline and simplify the preparedness process.
Imagine an emergency and place that emergency as an "X' on a timeline. Everything after "X is response and everything before "X" is our opportunity to prepare for that emergency. The 1Plan emergency preparedness framework is designed to help schools get before "X".
1Plan addresses all-aspects of emergency preparedness for you.
The Emergency Response Information Portal (ERIP) houses all emergency plan development, eLearning for staff training, emergency drills, assessments, site mapping, resources and more!
Login from your desktop or mobile device anytime – anywhere!
While active shooter-type attacks are low-occurrence, high impact events, they are increasing in frequency and complexity.
Districts and schools must include active shooter/killer defense as part of their all-hazards preparedness efforts.
While active shooter response training plays a role in safety, the best and first line of defense is comprehensive preparedness program that includes all-hazards emergency plans and a well-trained staff and student body.
Like the Incident Command System (ICS), 1Plan uses plain language within the emergency plans. There are no code phrases to memorize.
The premise is simple – the more important the emergency, the more vital it is that everyone understands what to do.
For emergencies that impact or may impact the entire campus, there are four core actions. When communicating these actions, use plain language to make certain everyone understands.
All 1Plan core actions are enacted using plain language.
1Plan is easy to customize because no emergency plan can account for every possible scenario. 1Plan embraces the Observe-Orient-Decide-Act decision making cycle that was designed by Air Force Colonel John Boyd. Combining best practice emergency plans with engaging eLearning training courses, 1Plan empowers staff to act.
The benefits of 1Plan and the ERIP system are unmatched. With standardized emergency plans, along side eLearning courses for staff, training becomes more effective.
Emergency plans in 1Plan are more than response protocols, they are all-hazards emergency plans that comply with the latest National Incident Management System (NIMS) and Incident Command System (ICS) guidelines. 1Plan supports the needs of the school district, schools, early learning centers, athletic complexes and support facilities.
In an emergency, the district and school(s) likely have the same goals, but typically have different functions. The district provides support and guidance, while the school(s) manage the emergency. Under the Incident Command System or ICS, the district would be referred to as Area Command and each impacted school would have its own command structure.
Because they have unique functions, the district and school needs separate plans. With 1Plan, the District template and Campus/School plan follow the same format and common language, but the content reflects their unique missions and location.
Join the training an leave with a CUSTOM emergency plan to take back to your school and/or district. We offer an eight hour, instructor-led training seminar. We can train your staff, or you can opt for a train-the-trainer seminar and we'll teach you everything you need to know to train your own staff.
Bring in neighboring districts, schools, churches etc. to train and plan with you! As a 1Plan host, you will receive complimentary 1Plan licenses and training seats. Hosting a 1Plan session is great way to improve preparedness, save money and help others in protecting good people from bad things!
• Has a location with multiple rooms to active shooter response scenarios for two hours. Preferably the location will be empty, or at very least well separated from students, guests or customers.
If you are not sure what location might work, just ask!
SafePlans completed some of the nation's largest preparedness initiatives and our systems are used by thousands of organizations across the nation. Our training is fully in line with current best practices recommended by the: Department of Homeland Security (DHS); Federal Emergency Management Agency (FEMA); US Department of Education.
Access emergency plans, communicate with team members and response agencies, track drills and complete assessments all from a mobile device. With the ERIP app ERIP is as mobile as you are!
How much time does it take to integrate 1Plan?
While each district is unique, our goal is to allow the district to customize 1Plan in four hours and each school to complete their 1Plan in just two hours.
Can 1Plan integrate with our district's existing plans?
Absolutely. The overarching goal of the 1Plan framework is to provide consistency, but it is your 1Plan!
Can 1Plan be applied to larger areas, like a county or state?
Yes! Connecting multiple locations across a large geographic area is where 1Plan and its Emergency Response Information Portal (ERIP) technology excel!
My state has very specific requirements for schools, can 1Plan meet these mandates?
Yes. During 1Plan setup, our team will make certain your 1Plan will meet (or exceed) all mandates. We will even show you how 1Plan and ERIP can automatically track compliance.
We like our plans. Can we use the ERIP technology without 1Plan?
Sure. We know how much work goes into developing emergency plans. We can load your existing plans in ERIP and help take your preparedness program to the next level.
Is your SAFE active shooter defense training available without 1Plan?
Absolutely. We offer a variety of training options all the way from train-the-trainer to just eLearning.
Contact us to arrange a short demo.
This section of 1Plan organizes district-level plans and resources. 1Plan can is fully customizable. Here is an example framework for a school district.
This section contains basic policies and an overview of the basic district's emergency planning framework. It can be easily customized to support state laws and district policies.
Contains emergency support annexes, which provide information that supports emergency response and management. Annexes and resources can be easily added (or removed) to support district needs.
Contains hazard specific guides, emergency contact numbers and emergency management information for the school distirct. Content of this QRG is fully customizable to account for area hazards and resources.
This section of 1Plan organizes school or site-level plans and resources.
This section contains basic policies and an overview of the school or campus emergency planning framework. This section is based off of the District EOP Part 1.
Contains emergency support annexes, which provide information that supports emergency response and management. Content may be added for removed based on campus needs.
Contains hazards specific guides, emergency contact numbers and emergency management information for the school or campus. Campus QRG's are fully customizable to refelect local hazards and campus resoruces.


Looking for the the best retaining wall blocks for constructing your own or hiring someone to build a retaining wall for you? CornerStone Retaining wall blocks have been used in the Portland Oregon market for over 20 years. Invented by a contractor for contractors and homeowners. Using the simply designed lug system on the bottom of the blocks cornerstone has become a favourite system of many, many users.
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Steemit, creators of the world's fastest growing decentralized social media platform, has unveiled today what it describes as a "comprehensive roadmap" detailing improvements to its blockchain, company structure and website. As part of its plans Steemit is to migrate its servers this first quarter to Amazon Web Services (AWS), the world's largest hosting provider.
Steemit plugs into a robust blockchain database called Steem, which distributes rewards in cryptocurrency (digital points – Steem), with real value to the users who bring the best articles, commentary, creativity, images and videos to their site.
Also of significance in their Roadmap for 2017, the rising fintech innovator that has attracted over 120,000 registered users in around six months, is creating 'native' Steemit apps for use on mobile iOS and Android.
Founded by Ned Scott back in January 2016 alongside blockchain and crypto pioneer Dan Larimer, Steemit currently has close to a million monthly unique visitors per month. That figure puts it with its registered users as one of the largest and fastest growing blockchain end-user applications.
It now intends to automate the deployment of its software into Amazon Web Services and Elastic Compute Cloud, providing for what is touted as "self-healing, automatically expanding", High Availability hosting service as site traffic grows. Concurrently a "feature-heavy" redesign to improve Steemit's aesthetics and functionality is being initiated.
As such users will soon have access to free 'drag and drop' image hosting, comment moderation for post authors, community namespaces and moderation (similar to subreddits), achievements (similar to video game milestones), user insignia, mobile notifications and an easy to navigate status bar.
Scott, who was a Business Operations & Financial Analyst at Gellert Global Group for three years prior to co-founding Steemit and becoming the firm's CEO, revealed that the organization has "quarterly targets planned" for all features slated for 2017.
In addition to the migration to AWS that is occurring during the first quarter (Q1), Steemit apps are expected to be complete by the fourth quarter (Q4) 2017; the free 'drag and drop' image hosting and the comment moderation for post authors set for the second quarter; community namespaces and moderation as well as the achievements and the easy to navigate status bar is expected by the third quarter (Q3).
Add to that the user insignia is scheduled to be complete by Q3 and the mobile notifications will be complete by Q4, in line with the app completion.
Since its inception Steemit has gone from seven people comprised of three front-end developers, two back-end developers, and two founders – to a team of fifteen.
Their long-term goal remains to provide the "best platform for censorship-resistant publishing and store of value to the widest user base possible, in an effort to increase human freedom and accelerate the spread of access" according to Scott.
"Due to the immutable and tamper proof nature of blockchain, Steemit is completely free from censorship, meaning no advertisements can be hidden from view, nor can user comments be edited," Scott, who graduated from Bates with a degree in Psychology and Economics, pointed out.
Alongside upgrades to the website, the Steem blockchain will receive some fine tuning. It is expected that more announcements on this will made in the future. But at the moment they are launching a dashboard view on steem.io, so that people can view the current state of the Steem blockchain. They are also launching developer.steem.io, dubbed a "world-class developer documentation repository" for rapidly building Steem Blockchain apps.
Fans of Steemit can also expect some changes to the company headquarters. While recruiting world class talent from across the globe, their employees will start to become more decentralized geographically.
It should be noted here that the Steemit organization was initially staffed in the Blacksburg, Virginia region. This allowed the small team to coordinate without specific effort, as conversations could happen in person.
Steemit's executive, whilst continuing to hire talented developers, blockchain and social media experts, will utilize extant internal communications methods to allow them to work from physically dislocated areas around the world.
In a further motion of decentralization, the Steemit, Inc. controlled primary account, @steemit, which holds approximately 41% of the platform's Steem Power, will be gradually divested of its holdings in an effort to increase promotion and development of the platform while dispersing voting power. Scott indicated that this will be done in a "gradual multi-year divestment".
By the end of this year, Steemit also intends to roll out what it describing as a "cutting-edge parallel blockchain" architecture system called Fabric, which stands for Fully Asynchronous Blockchain Rendering with Independent Conformity.
This sets the groundwork for the company's long-term growth while dramatically enhancing scalability, performance, fault isolation and modularity.
By utlizing Fabric, multiple and inter-connected blockchains can be created, each handling separate features within the Steemit platform. This nullifies any risk of a blockchain bottleneck due to single core processing demands.
Slated for the fourth quarter of this year is the widely anticipated launch of sleek Steemit mobile apps. "Our intent is to develop our mobile experience and build feature-rich, native applications for both platforms efficiently by sharing as much of the codebase as possible between the two," Scott said.
November 2016 was the first time in history that mobile internet usage surpassed desktop usage, meaning that more people browse the internet on their smartphones than they do on their computers.
On this Scott remarked: "For this reason, coupled with countless requests from our community, we are prioritizing the development of sleek Steemit apps for Apple and Android users." Watch this space.


text:
Q: I got this message: Cannot construct instance of `reactor.core.publisher.Mono` I used Jersey and Webflux with R2DBC. after send the POST via the postman I got this message " Cannot construct instance of reactor.core.publisher.Mono "
This is my JerseyConfiguration:
@Component
public class JerseyConfiguration
        extends ResourceConfig {
    public JerseyConfiguration() {
        register(ProductController.class, 1);
    }
}

and this is my Controller:
@Path("/v1")
@Controller
public class ProductController {

    @Autowired
    private ProductService productService;

    @POST
    @Consumes(MediaType.APPLICATION_JSON)
    @Produces(MediaType.APPLICATION_JSON)
    @Path("/product")
    public Mono<Product> createProduct(@RequestBody Mono<Product> productMono){
        return productMono.flatMap(this.productService::createProduct);
    }
}

and this sis my service:
@Service
public class ProductService {

    @Autowired
    private ProductRepository repository;

    public Mono<Product> createProduct(final Product product){
        return this.repository.save(product);
    }
}

and also this my pom.xml
<dependencies>
        <dependency>
            <groupId>org.springframework.boot</groupId>
            <artifactId>spring-boot-starter-jersey</artifactId>
        </dependency>
        <dependency>
            <groupId>org.springframework.boot</groupId>
            <artifactId>spring-boot-starter-data-r2dbc</artifactId>
        </dependency>
        <dependency>
            <groupId>org.springframework.boot</groupId>
            <artifactId>spring-boot-starter-webflux</artifactId>
        </dependency>
        <dependency>
            <groupId>io.r2dbc</groupId>
            <artifactId>r2dbc-postgresql</artifactId>
            <scope>runtime</scope>
        </dependency>
        <dependency>
            <groupId>org.projectlombok</groupId>
            <artifactId>lombok</artifactId>
            <optional>true</optional>
        </dependency>
        <dependency>
            <groupId>org.springframework.boot</groupId>
            <artifactId>spring-boot-starter-test</artifactId>
            <scope>test</scope>
            <exclusions>
                <exclusion>
                    <groupId>org.junit.vintage</groupId>
                    <artifactId>junit-vintage-engine</artifactId>
                </exclusion>
            </exclusions>
        </dependency>
        <dependency>
            <groupId>io.projectreactor</groupId>
            <artifactId>reactor-test</artifactId>
            <scope>test</scope>
        </dependency>
    </dependencies>

Now, this is my problem; I got this message from the postman:
Cannot construct instance of `reactor.core.publisher.Mono` (no Creators, like default constructor, exist): abstract types either need to be mapped to concrete types, have custom deserializer, or contain additional type information
 at [Source: (org.glassfish.jersey.message.internal.ReaderInterceptorExecutor$UnCloseableInputStream); line: 1, column: 1]

Please let me know how to solve that problem.
Thank you

A: You cannot mix WebFlux and Jersey. You should choose one or the other, not both. They both provide an HTTP server engine, but:

*

*Jersey is a Servlet JAX-RS implementation, it does not know anything about reactive streams, Mono, Flux, etc.

*Webflux is the Spring HTTP server engine based on reactive streams and async Netty HTTP server.

If you look at Spring Boot reference documentation, section 3.5: Web, you will see that Jersey is one of the available engines, competing with other possible engines, i.e Web MVC and web reactive (webflux).
So, the answer is : Jersey is incompatible with Webflux, and you must choose between Webflux reactive Web and Spring rest annotation, or Jersey and Jax_RS without using Mono/Flux as return-type.
Note 1 : You should annotate your class with @RestController whe using webflux, so it understand that method return is the HTTP response body (see the last paragraph of reference documentation section 1.4.1: @Controller for details.
Note 2 : If you really want to use jersey, but you still require to consume Mono objects from other parts of your system, you might use one of the conversion functions provided by Reactor to return an object that jersey can work with. For example, on Mono object, you will find a toFuture() method. You could also block(), but it could be dangerous.


M. S., Library & Information Science. Syracuse University. Syracuse, NY.
B. A., Social Science. Albertus Magnus College. New Haven, CT.
NIH Innovation Corps (I-Corps). San Diego Cohort. 2018.
Publishing EAD Finding Aids. Rare Book School. Charlottesville, VA.
"Innovators." Movers & Shakers. Library Journal. 2010.
Emerging Leaders. American Library Association. 2009.


text:
Francesco "Frank" Peter Capobianco Jr.
May 8, 1955 - June 12, 2018
Francesco "Frank" Peter Capobianco Jr. peacefully passed on June 12, 2018 at the age of 63 after a long battle with CML Leukemia and MS. He was born in Islip, Suffolk County, NY on May 8, 1955 . He was predeceased by his parents Francesco (Frank) Peter Capobianco, Sr. and Virginia (Jean and Virgie) Capobianco (nee Kowalski), his brother Louis (Lou) Capobianco, and his first wife Maria Frances Capobianco (nee Scmitt). He is survived by his loving and devoted wife, Peggy Ona Capobianco who were married on April 20, 2013, son Frank Peter Capobianco, III, his wife, Heather Dawn Capobianco (nee Moskowitz), and two grandchildren, Zane and Jett Capobianco, all of Colorado. Frank is also survived by his cousin Carolyn Kowalski of Atlanta, GA, sister-in-law Margaret (Margie) Capobianco (nee Sauerbrey), nephew Anthony (Tony) Capobianco, his wife Joan Capobianco (nee Krajewski) of Cape Coral,Florida. Frank's niece Diane Rzeppa, husband Brian and their two children Brendan and Madison Rzeppa reside in East China, Michigan. Frank enjoyed his career as a HVAC Project Manager/Estimator for RK Mechanical in Denver, Colorado. He was passionate about restoring his 64 GTO, enjoyed watching sci-fy movies, making models and cooking authentic Italian dishes for family and friends. He enjoyed working with model trains and creating elaborate displays, especially at Christmas time. He took special pride in son, Frank and grandsons, Zane and Jett; his legacy will live on through them. He will be greatly missed by family and friends, including those of the Scannavino and Kowalski families. Frank resided in New York, Cape Coral, FL and Aurora and Loveland, CO. He graduated from Connetquot High School in Islip, NY in 1973. He was a member of the Northern Colorado GTO Club along with his wife, Peggy. Cremation will be handled through Heflebower Funeral and Cremation Services of Highlands Ranch, CO. A small, private memorial will be held for close family in Englewood, CO.
Francesco "Frank" Peter Capobianco Jr. peacefully passed on June 12, 2018 at the age of 63 after a long battle with CML Leukemia and MS. He was born in Islip, Suffolk County, NY on May 8, 1955 . He was predeceased by his parents... View Obituary & Service Information
The family of Francesco "Frank" Peter Capobianco Jr. created this Life Tributes page to make it easy to share your memories.
Francesco "Frank" Peter Capobianco Jr. peacefully passed on June...
Send flowers to the Capobianco family.


Greetings friends and fellow crafters. As soon as I saw the inspiration photo for this challenge I knew exactly what I was going to use. A dear friend of mine gave me this stamp set a few months ago and for that I thank her.
For this project the stamp is from Penny Black, the green die is from Gina Marie Dies Wonky Stitches set and the green stars are from my stash.
This was a fun card to make, and I hope it brings you inspiration to make a project for this challenge as well.
I love how your bright wonky frame draws the eye to the lovely sentiment LeeAnn. This would make a fabby St Patrick's Day card!
A fabulous expression to share with a special friend and your showcase: green glamorous! Soooo pretty; so heart-warming!
Fantastic card! The sentiment is absolutely amazing, love the colors and layout too.
Lovely card. The sentiment panel is really great.


Receive a free medium cup drink with the purchase of any Subway Brekky Footlong sub.
Valid from 7am to 11am.
Available at Subway Spearwood only.
At Subway Spearwood, a sandwich artist custom-makes a mouth-watering sandwich right before your eyes. The sandwiches are made-to-order, exactly the way you like it on freshly baked bread. You can have them for breakfast, lunch or dinner.
Additional costs for extras. May not be combined with other coupon offers or discount cards. Limit one person per Shop A Docket. Not for resale. No cash value. 2018 Subway IP Inc. Subway and Subway Footlong are registered trademarks of Subway IP Inc.


A JAPANESE man living in west Dorset is thanking people for all their help in the wake of the deadly earthquake and tsunami.
Shigeaki Takezoe thanked wellwishers for their support so far following the tsunami which hit his homeland.
The Echo is appealing for donations to the Shelterbox charity which sends tents and vital supplies to victims of disasters who are left homeless and destitute.
Mr Takezoe, a chef who lives with his family in Chideock, said: "I would like to thank everybody who is concerned about the tragedy in Japan.
"So many people, including our children's friends, have made a point of contacting us, expressing their concern.
Mr Takezoe added: "Although I am not from the Sendai region, I have been there on holiday.
"It is a beautiful place and I remember the sea being clear and clean, a far cry from what it has become since the earthquake." Mr Takezoe said that the speed and scale of the disaster was quite beyond what anyone in Japan had ever dreamed of.
Members of the well established Bridport-Tokyo youth exchange programme have been contacting friends in the wake of the devastating disaster.
Chairman Arthur Woodgate also vowed to continue with a proposed youth exchange this summer – and outlined plans for a memorial for those lost while they are here.
He said: "Thankfully it appears that all are safe. Inevitably everyone has been sadly affected by this terrible disaster. The images on television are horrifying.
Many teenagers from Bridport have gone to Tokyo and have welcomed Japanese students over the past 15 years of the programme.
One of them, Ellie Pritchard said: "My exchange partner Nana Imada who lives on the west side of Tokyo said that the earthquake was very strong and is still continuing to shake.
Hiroki Suzuki, who initiated the exchange with Mr Woodgate 15 years ago, told how transport and telephones had failed after the 'horrible' earthquake. Satori Ohashi, who trains the young people from Bridport in Earthquake Awareness when they arrive in Japan, walked 40 kilometres in nine hours from his place of work in Tokyo to his home in Machida City.
Young people from Tokyo's Koyamadai High School will be staying with Bridport families from July 31 to August 15.
The visit will include a memorial event for those lost in the 'shinsai' – earthquake disaster.


text:
James Scott (director)
James Scott (born 1941) is a British filmmaker, painter, draughtsman and printmaker.
James Scott at the International Film Festival Rotterdam 2020
1.2 Film career
1.2.1 Art documentaries
1.2.2 Political film career and the Berwick Street Film Collective
1.2.3 Dramatic features and cultural recognition
1.2.4 Academy Award win and Hollywood career
1.3 Move to Los Angeles and return to painting
1.4 Pedagogy and professional bodies
BiographyEdit
Early lifeEdit
James Scott was born in the city of Wells, England, the youngest son of two artists, William and Mary Scott.[1] As a young man, he studied painting and theater design at the Slade School of Fine Art in London. After his first student art exhibition, he was featured in The London Times review of the Young Contemporaries exhibit.[2] His interest in film-making and photography led him to write and direct his first movie while still at the Slade, a 16mm dramatic short called The Rocking Horse (1962). The film was given an X-certificate by the board of film censors,[3] but went on to become an official British entry at the Venice and Vancouver film festivals that year.[4] This recognition led to Scott meeting Tony Richardson and John Osborne of Woodfall Films, who signed him to write and direct his first feature film The Sea, but the film was never completed.[5] In 1964, Scott wrote and produced the short dramatic film Changes which featured the young Anthony Hopkins fresh from acting school (RADA).[6] In 1965, he founded the production company Maya Film Productions with Barney Platts-Mills and Adam Barker-Mill.
Film careerEdit
Art documentariesEdit
In the mid-1960s, Scott began directing a series of artist's documentaries. The first, Love's Presentation (1966), follows David Hockney as he worked on his Cavafy etching series.[7] After this came 1967's RB Kitaj and 1969's Richard Hamilton, both made for the Arts Council of Great Britain.[8] In 1970 he made his next artist documentary, The Great Ice Cream Robbery. The double-screen film was based on a visit to London with Claes Oldenburg and Hannah Wilke at the time of Oldenburg's retrospective at the Tate Gallery.[9] In 1974, he began a new film on Antoni Tapies (incomplete)[10] In 1979–1980, he wrote and directed the award-winning documentary Chance, History, Art… for the Arts Council of Great Britain.[11]
Political film career and the Berwick Street Film CollectiveEdit
In 1970, Scott teamed up with Marc Karlin to found the London-based Berwick Street Film Collective. They were joined by Richard Mordaunt, Humphry Trevelyan and Mary Kelly.[12] The collective made political films that were as aesthetically radical as they were socially progressive.[13] During this period, Scott was a founder member of the Independent Filmmakers Association, London (IFA)[14] and joined the board of The Other Cinema.
In 1975, the Collective released Nightcleaners (Part 1). Nightcleaners was originally conceived of as a film documenting attempts to unionize women working at night as contract cleaners in office buildings. The finished film appeared at the Edinburgh Film Festival, and, upon its release, "was attacked and praised with a passion not normally evoked in Britain by a cultural event."[15]
Members of the Collective continued to collaborate on '36 to '77, the second part to Nightcleaners, for the British Film Institute, London.[16]
Dramatic features and cultural recognitionEdit
Scott wrote and directed his first feature film Adult Fun in 1971.[5]
In 1976, he wrote and directed the feature film Coilin and Platonida for the German television station ZDF.[17] The next few years saw retrospectives of his cinematic work being shown at The National Film Theatre, London, The National Cinematheques in Paris, Madrid and Barcelona, the Institute of Contemporary Art, London and Film International in Rotterdam, Holland.
Academy Award win and Hollywood careerEdit
Scott wrote and directed A Shocking Accident (1982). Based on a short story by Graham Greene, the film starred Rupert Everett and Jenny Seagrove.[18] In 1983, the film won the Academy Award for Best Live Action Short Film at the 55th Academy Awards. The producer of the film, Christine Oestreicher, was the recipient of the Academy Award and in her acceptance speech she thanked Scott as "the most important person, who's provided the magic touch"[19][18] It was nominated in the same category at the 1984 BAFTAs.
In 1984, Scott directed the feature film Every Picture Tells A Story for Channel Four TV.[20] Based on the early life of his father, the acclaimed British painter William Scott, the film starred Alex Norton, Phyllis Logan, and Natasha Richardson.
In 1988, Scott wrote and directed the feature film Loser Takes All, also known as Strike It Rich, based on a novel by Graham Greene. The film starred Molly Ringwald, Robert Lindsay, and John Gielgud and was distributed by Miramax Films.
Move to Los Angeles and return to paintingEdit
In 1990, Scott moved to Los Angeles, California, where he has since returned to his roots in painting, drawing and printmaking. He has shown in a number of exhibitions across the States.
In 2013, James and his brother Robert organized their father William Scott's Centenary exhibitions at such institutions as the Tate St. Ives, Wakefield and the Ulster Museum in Belfast.[21]
More than forty years later, Scott's films continue to be exhibited in screenings worldwide. The Great Ice Cream Robbery was shown in 2013 at the BFI Southbank Theatre in London as part of their Expanded Cinema program[22] as well as at Light Industry in NYC.[23] Every Picture Tells A Story was in the BFI April 2013 Projecting the Archive series.[24] Richard Hamilton has been featured in a 2014 Hamilton retrospective at the Tate Modern and at the Madrid Museo Reina Sofia, in the Hayward Gallery in London's "History is Now: 7 Artists Take On Britain",[25] and at the NSW Art Gallery in Australia alongside Love's Presentation.[26] It was also the subject of an online presentation curated by Harun Farocki at the Neuer Berliner Kunstvverein, Berlin,[27] and recently played at the Walker Art Center in Minneapolis, Minnesota for their "International Pop" show which will continue to the Dallas Museum of Art and the Philadelphia Museum of Art through 2016.[28] Nightcleaners was presented this past April at the BFI Southbank Theatre as part of a series on seventies cutting edge political films[29] and was included in the Okwui Enwezor-curated All the World's Futures show at this year's Venice Biennale.[30] Richard Hamilton and The Great Ice Cream Robbery are being screened as part of the Getty Research Institute's Art on Screen program in December 2015.
Pedagogy and professional bodiesEdit
Scott began teaching film at Bath Academy of Art in 1964 and later taught film at Maidstone College of Art, the Royal College of Art, the National Film and Television School and the University of Southern California. He is a member of the American Academy of Motion Picture Arts and Sciences and the Directors Guild of America.
^ Lynton, Norbert (2007). William Scott. London: Thames & Hudson. p. 8.
^ "Art Students' Brilliant Exhibition". The London Times. February 14, 1962.
^ "BFI Screenonline: Rocking Horse, The (1962)". BFI Screenonline. Retrieved November 17, 2015.
^ "Representing Britain: Selections For Three Film Festivals". Film User. June 1962.
^ a b North, Dan (2008). Sights Unseen: Unfinished British Films. Newcastle: Cambridge Scholar's Publishing.
^ "Changes (1965)". BFI. Archived from the original on October 11, 2015. Retrieved November 25, 2015.
^ Wyver, John (2007). Vision On: Film, Television and the Arts in Britain. London: Wallflower. p. 105.
^ Schimmel, Paul, Mark Godfrey, and Vicente Todoli (2015). Richard Hamilton. London: Tate. p. 319.
^ Melly, George (16 April 1972). "The Great Ice Cream Robbery Review". The Observer.
^ Lynton, Norbert (2007). William Scott. London: Thames & Hudson. p. 262.
^ Clarke, Jane (February 1981). "Chance, History, Art... James Scott". Monthly Film Bulletin. 48 (565).
^ Kidner, Dan. "Berwick Street Collective's Nightcleaners". Light Industry. Retrieved November 18, 2015.
^ Johnson, Claire and Paul Willemen (Winter 1975). "Brecht in Britain: The Independent Political Film (on the Nightcleaners)". Screen. 16 (4): 101–118.
^ "James Scott". Stills. 1 (4). Winter 1982.
^ Dickinson, Margaret (1999). Rogue Reels: Oppositional Film Making in Britain, 1945-90. London: British Film Institute. p. 52.
^ "Nightcleaners by Berwick Street Collective". Nightcleaners - Works - LUX Collection. Retrieved November 18, 2015.
^ "A Tribute to Das Kleine Fernsehspiel/ZDF: Alternative Filmmaking in Television". BAM/PFA - Film Programs. Archived from the original on December 8, 2015. Retrieved November 17, 2015.
^ a b "A Shocking Accident". IMDB. Retrieved November 18, 2015.
^ "Christine Oestreicher acceptance speech". Academy Award Speeches Database. Academy of Motion Picture Arts and Sciences. Retrieved 3 March 2020.
^ Gough-Yates, Kevin (November 1984). "Every Picture Tells A Story". Art Monthly (1).
^ "William Scott | Tate". www.tate.org.uk. Retrieved 2015-11-26.
^ "Double Vision 1: A Twin-Projection Compendium | BFI Southbank | BFI | British Film Institute". whatson.bfi.org.uk. Retrieved 2015-11-26.
^ "Light Industry". www.lightindustry.org. Retrieved 2015-11-26.
^ "Every Picture Tells a Story at the BFI Southbank in May | News | Film @ The Digital Fix". Film @ The Digital Fix. Retrieved 2015-11-26.
^ "History Is Now: John Akomfrah | Southbank Centre". www.southbankcentre.co.uk. Retrieved 2015-11-26.
^ "Film series: Pop artists on screen :: Art Gallery NSW". www.artgallery.nsw.gov.au. Retrieved 2015-11-26.
^ "James Scott (in collaboration with Richard Hamilton) - Richard Hamilton - n.b.k. - Video-Forum2". www.nbk.org. Retrieved 2015-11-26.
^ "International Pop Cinema — Calendar — Walker Art Center". www.walkerart.org. Retrieved 2015-11-26.
^ "New Political Cinema: Nightcleaners + Q&A with directors Humphry Trevelyan and James Scott". alternativecinema.co.uk. Retrieved 2015-11-26.
^ "La Biennale di Venezia - The ARENA Program". www.labiennale.org. Retrieved 2015-11-26.
^ Celant, Germano (1995). Claes Oldenburg: An Anthology. New York: Guggenheim Museum Publications. p. 571.
Retrieved from "https://en.wikipedia.org/w/index.php?title=James_Scott_(director)&oldid=993928246"


Americans typically consume about half their recommended daily servings of fruits and vegetables. The American Heart Association recommends eating eight or more fruit and vegetable servings every day. For an average adult consuming 2,000 calories daily, that means about 4 ½ cups of fruits and vegetables a day.
The AHA has a free fruits and vegetable resource guide to help people incorporate more fruits and vegetables in their diet.