Like the tourist trail, which stretches from Frankfurt to Mad King Ludwig's fairytale castles, German has delighted, inspired, surprised – and occasionally shocked – the intrepid students at Brentwood who have embarked upon it.
From Snow White to strudels, Beethoven to bierfests, Einstein to the Economic Miracle - the German world is an endlessly rich and varied one.
Mark Twain famously wrote an essay titled 'The Awful German Language' although his main motivation for doing so was comic mischief. Indeed, beguiled by it, he spent years admiring and acquiring its intricacies. As our students invariably attest: German is not difficult, just different. Its structure has an elegance and logic which appeals to the scientist, yet it also holds the ability to conjure up wonderful images to inspire creativity. What other language would call a light bulb a Glühbirne ('glowing pear') or nitrogen Stickstoff ('choky stuff')? The fact is, German is very akin to English - which derives from it - and our examination results at all levels indicate that pupils cope very well indeed with its challenges.
At Brentwood, however, German does not just mean learning the language. It fosters an understanding and appreciation of the people, turbulent history, landscapes and genius which lie behind it. In the Rhineland, we follow in Beethoven's footsteps and explore the myths and legends behind the fairytales of the Brothers Grimm; the School's longest-running exchange takes us to baroque jewel of Bamberg and also to walled, medieval Nuremberg where the post-war trials of leading Nazis still echo; in Berlin, we thrill at one of the most vibrant and creative cities of the modern world but encounter at every turn reminders of the great political tensions - fascism versus democracy and then democracy versus communism - which became so prominent there.
It is no surprise that such a rich culture and multi-dimensional language offers intriguing insight to all students, no matter what their interests might be. We invite you to join us in studying German; you are sure to find a road which will fascinate, delight and amaze you, too.
Having checked into our four-star accommodation and unfazed by the early start, we explored the middle of a city with three centres: the western one, the eastern one and the central one. Every time I go there, parts are unrecognisable, reflecting changing values. The statue of the founders of communism, Karl Marx and Friedrich Engels, no longer has pride of place on the Marx-Engels Forum, but is instead hidden beneath trees and by recycling bins round the corner. Even the 'Truemmerfrauen', a monument to the women who helped rebuild the city after the war, are obscured, as new commercial premises emerge between the Lutheran church and the Red Town Hall.
Our first museum in the city - which boasts the best in the world - is devoted to life in Russian-controlled East Germany. Life there was often drab, stultifying and constrained by the perpetual menace of the secret police, the Stasi. But, once initial euphoria at the fall of the Wall was replaced by angst over the concomitants of capitalism, unemployment and commercial rents, attitudes changed. Lamenting that you can't eat freedom, old Easterners developed a nostalgia for the certainties of the former system. The museum is a shrine to those comforts. The cream-coloured Trabant car, for which you had to wait twenty years, but which has no suspension and can only manage 50 mph, has pride of place, alongside vitrines housing naturist beach scenes and a compact mock-up worker's apartment. Just a little less compact, indeed, than the Stasi cell which abuts it.
Skirting the imposing cathedral, we then made our way to the beautiful neo-classical heart of Berlin, designed by Schenkel. Most notable is the Berlin State opera facing the prestigious Humboldt University. By the opera, though, is a square where the Nazis burnt books of any writer ideologically opposed to them; in effect, any free-thinking western author. A plaque there bears the poet, Heine's, chilling prophesy: "Where you start by burning books, you end by burning people." The square is overlooked by the statue of Frederick the Great, Germany's greatest King but who has a typically schizophrenic legacy. A celebrated composer for the flute, champion of enlightened philosopher, Voltaire, and bringer of religious tolerance to the continent, he too had a darker side. He revelled in military combat, leading the army himself and seizing territory in a prelude to Germany's monstrous militarisation and annexations in the twentieth century. Hitler had a portrait of him in his room in the bunker. In the street named after him, Friedrichstrasse, Mercedes showrooms and other commercial opulence attest to Germany's new - economic - dominance of Europe.
I think Brentwood gives pupils a lot of confidence and leadership qualities for the future.
To view the German curriculum please click here.


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To achieve monthly set targets for cards, OD , Loans and CASA. A team player is a MUST in a robust environment .
Must work well and closely towards a friendly environment.
Developed professional sales culture with an inquisitive mind set to continuously challenge status quo to drive growth opportunities.


Launched in 1959, Laurent-Perrier Grand Siècle was the first multi-vintage prestige cuvée champagne. A blend of Laurent-Perrier's best vintage years and best crus from twelve of the most prestigious villages, Grand Siècle is made with a pinot noir and chardonnay, the latter being slightly dominant.
The blended wine is aged during the second fermentation on the yeast for approximately five years.
Clear, pale golden and small persistent bubbles.
Buttered toast, pastry and cheesecake base with ripe peach, pear and faint lychee. Honey and nuts with uplifting lime zestyness.
Ripe pear, honey, sour apple, plum fruit and faint sultana perfect balance dry toast, hazelnuts and mild lemon then lime citrus acidity.
Long, buttery biscuit and lime zest finish.


text:
(function() {
  var Auth;

  angular.module('BookStore').service('Auth', Auth = (function() {
    Auth.$inject = ['$location', '$rootScope', '$cookieStore', '$http'];

    function Auth($location, $rootScope, $cookieStore, $http) {
      $rootScope.user = $cookieStore.get('user') || {};
      this.login = function(email, password, callback) {
        if (callback == null) {
          callback = angular.noop;
        }
        return $http.post("" + window.api_host + "/api/login?hashed=true", {
          email: email,
          password: password
        }).then(function(resp) {
          var user;
          user = angular.extend(resp.data, {
            password: password
          });
          $rootScope.user = user;
          $cookieStore.put('user', user);
          callback(null, $rootScope.user);
          return $location.path('/books');
        }, function(err) {
          $cookieStore.remove('user');
          return callback(err);
        });
      };
      this.logout = function(callback) {
        if (callback == null) {
          callback = angular.noop;
        }
        return $http.post("" + window.api_host + "/api/logout").then(function() {
          $rootScope.user = {};
          $cookieStore.remove('user');
          $location.path('/');
          return callback();
        });
      };
      this.isLoggedIn = function() {
        var _ref;
        return !!((_ref = $rootScope.user) != null ? _ref.email : void 0);
      };
    }

    return Auth;

  })());

}).call(this);

redpajama_set_name: RedPajamaGithub


It is always an uplifting pleasure to spend time with the Ghetto Classics kids at Korogocho and to see their dreams that they hold for themselves, their siblings and the area as a whole. How they always all want to make it in life and come back and change the place.
Last Sunday was one such one afternoon that I spent with them in between their practice of assorted musical instruments and although I did not speak to all of them, I've spoken to enough of them over time to know that the common thread among them is to become full time musicians, part time musicians, excel in their studies and change their communities for the better. The discipline of music changes their mindsets and it is always so powerful to be among such beaming hopes on the verge of rising from adversity. To be among youngsters who were to some degree hitherto staring at futures of doom and gloom, only to be uplifted to heights they never imagined. And how they embrace this opportunity always challenges me.
Ghetto classics is where all proceeds of the increasingly popular Safaricom Jazz go.
One young lady I met that Sunday at Korogocho is Lewinsky Atieno, who plays Clarinet and who joined Ghetto Classics in 2014. Lewinsky is 19 years old and has no doubt in her mind that she wants to pursue music and music only as a career. She'll be joining Kenyatta University next year to study the same and she prays that the fees will be available to see her through the whole way. Although she'll have to start at certificate level, onto diploma and further, she'll be going to KU with the distinct advantage of the music background that she has gained at Ghetto Classics. She's also among the kids who went to Poland courtesy of the Brave Festival and Jimek who came and around and like many other international stars, fell in love with the idea and the execution that is Ghetto Classics, and decided to take an active part in helping.
The Poland visit and practicing with professionals was an eye opener beyond her wildest dreams. Having grown up in the not so favorable Kariobangi area and schooled in Our Lady of Fatima in the neighborhood, flying out was not anywhere in her radar – let alone in her wildest dreams. It was also quite a catalyst for her to build bigger dreams.
Lewinsky feels very comfortable at Ghetto Classics and while she used to manage just 2 weekdays plus weekends while she was still in school, now she comes every day. Although she has blood brothers and sisters, she also feels a strong sense of family at Ghetto Classics and one thing she kept insisting is that no matter how far she manages to go, she's never forgetting this as her home.
Seated across the young lady, I could not help feeling that I was in the presence of a star in the making. I wish her and her family all the very best.
On the same day I spoke to a young man by the name Stephen Ongoma aged 18 and who is a student at Our Lady of Fatima. He's in form 3 and is therefore clearing fourth form next year, after which he plans to continue excelling in his instrument of choice and expertise – the violin, as well as International Relations. Wherever his dreams take him, his one wish before anything else is to get his hard working mother out of Kariobangi where they live. The mum is a casual worker in Lakisama and as much as food is always available, rent is debatable. Availability of work for her is a hit or miss and this is something he wishes to correct by helping her set up a good business in future.
His older sister dropped out of school and later studied beauty and he has dreams of also helping her grow by buying her equipment to excel in her business. She has a young baby with a good guy from the neighborhood.
Before joining high school and Ghetto Classics, Stephen was in a missionary primary school with among other things, a feeding program and this paved the way for him to ace his studies and dreams.
Stephen is also among the kids who traveled to Poland and one thing that struck him is the focus and clarity with which identifying, picking a line of work and giving it one's all at a young age is quite a thing in that country. Laser focus if you may. He was quite fascinated by the history, infrastructure and technological development there and I got the feeling that maybe that's why he wants to pursue International Relations.
He knows that he'll get out of Korogocho, but he also plans to will come back to invest in terms of knowledge and whatever else he can in the area and of course Ghetto Classics.
These are just two examples of what the community program that is Ghetto classics does to kids and young adults in Korogocho and even though not everyone in the area has joined, what has been done is a clear example that they're not born wanting to be criminals and drug addicts as one would imagine of informal areas. Given a chance they do want to excel in other fields just like other people and Safaricom Jazz is certainly to thank for uplifting their dreams and livelihoods.


text:
Game Review: Doctor Who: The Eternity Clock (PS Vita)
Before I start, I have to say that I'm a big Doctor Who fan. Not the sort of person who makes sure that they sit down every Saturday night and watches the show without fail, but a long-time fan. I grew up watching the series when I was a kid when Tom Baker was the Doctor, watched repeats of the older shows and at the end of the 1980s ran my own Doctor Who fan club / fanzine. Yes, I'm that much of a fan… Like all fans, there are actors who have played the part of the Doctor who I appreciate and others… well… who I never particularly warmed to. And in the case of the current Doctor, Matt Smith, I'm one of those who hasn't particularly taken to his portrayal of the Time Lord.
So that being the case, I was already a little apprehensive about this game knowing that it was based on his incarnation of the Doctor and was also featuring a full voiceover by Matt Smith himself along with Alex Kingston reprising her role as Dr River Song. The story sees the TARDIS caught in a temporal maelstrom that has send it crashing off course and disrupting all of its systems. Crash landing on Earth, the Doctor sets off to investigate the source of the time storm that is causing the breaches in time… This leads to an adventure spanning four different time zones – the present day, the future and Elizabethan and Victorian England where the Doctor and River Song will have to team up to solve puzzles and fend off some of the Doctors toughest and deadliests classic and current adversaries – the Daleks, Cybermen, Silurians and the Silence, if he wants to save the planet.
Visually this looks superb with fantastic animation on the main and supporting characters, great looking and varied backgrounds and some impressive visual effects that match up to the standards of the television series and certainly do the license justice. Sound is superb with some great spot effects and a stirring score lifted straight from the series. The graphics and sound have Doctor Who written all over them and really create a fantastic atmosphere. There is wonderful tension generated by some of the monsters you encounter… there is a scene in one of the early levels featuring the Cybermen. I won't spoil it for you here but suffice to say that you will be up against more than a few of them in a race against the clock and you'll feel the urgency build and almost feel your heart pump and palms sweat…
Along the way there are bonuses you can collect including boxes containing hats for the Doctor and pieces of River Song's diary. They don't seem to serve any particular in-game purpose other than as added goals to try to achieve but it's something extra to try to achieve in addition to the main game's storyline and need some additional puzzle solving to reach some of them. There are some tough puzzles throughout the game although the difficulty can be adjusted to suit all players and if you find that the game gets too tough at any point, this can be adjusted during the game itself which can be a lifesaver with some of the more taxing puzzles in the game.
Controls are somewhat hit and miss for the game. For the most part, it makes use of the left stick for movement and the right stick for additional control (the Doctor's sonic screwdriver for example) with object interaction done using the Vita's buttons. Throughout the game, you will need to solve various puzzles and these need the use of the touch screen and that's what let the game down. Each puzzle has it's own control system which isn't particularly intuitive and is hit-and-miss at best. You'll find yourself struggling with the controls more often than not and in most cases they could have replaced the controls quite easily using the D-Pad and made the puzzles far less frustrating. I'm all for challenging puzzles in the game, but that should come from working them out, not fighting against the control system.
It wasn't just the controls that were a hinderance for the game. Rather than having a set number of lives, both characters have a set amount of energy and once that's gone you have to restart from whatever checkpoint you have reached. Equally, rather than your energy depleting gradually, you can be killed instantly and returned to the checkpoint if you are caught by a Cyberman, caught by security cameras (if you are controlling River Song) or various other means.
However, you have an unlimited number of lives so you can continue playing until you can get to the end of each level but this is where the game gets frustrating… while there is an autosave function so you won't lose progress, this only occurs once the PS Vita loads in new stages and not at checkpoints and there is no option to manually save the game so if you need to save at any point then you have to reach the end of a particular stage or you lose your progress in the game. The only positive aspect of the game save function is that all save data is fully compatible with the PS3 version so if you have both you can start playing on one version of the game and continue from where you left off on the other.
To be honest, I was fairly disappointed with this. There's a great game in here struggling to get out and despite having a great storyline, a generally good script and great performances from the cast it's let down horribly by the abysmal unforgiving controls. I wanted to like this game so much, even with it being based around the 11th Doctor, but ultimately it is just too frustrating and needs too much perseverance to make it worthwhile for all but the most hardened Doctor Who fan.
Simon Plumbe
Title: Doctor Who: The Eternity Clock
Publisher: Supermassive Games
System: PS Vita
Format: PSN Download
Cross Buy: No
Cross Play: Yes
PlayStation TV Compatible: No
Memory Card Space Needed: 823Mb

redpajama_set_name: RedPajamaCommonCrawl


text:
Justice Raju Varadarajulu Raveendran or simply R. V. Raveendran (born 15 October 1946) is a former judge of the Supreme Court of India. On 13 October 2011, the Supreme Court bench headed by Justice R Raveendran, inexplicably, nearly halved the sum of compensation awarded to victims by the [Delhi high court], and slashed punitive damages to be paid by cinema owners, the Ansal brothers, from ₹2.5 crore (equivalent to ₹4.4 crore or US$550,000 in 2020) to ₹25 lakh (equivalent to ₹44 lakh or US$55,000 in 2020).. He retired the next day, 14 October 2011, upon reaching superannuation. On 27 October 2021, Supreme Court of India appointed Justice RV Raveendran to supervise a three-member committee that will examine the allegations of unauthorised surveillance using Israeli spyware Pegasus.

Career
He holds a bachelor's degree in Science and Law. He became an advocate in 1968. He was inducted to the Karnataka High Court in 1993. He became the Chief Justice of the Madhya Pradesh High Court in 2004, and was elevated to the Supreme Court of India in October 2005.

He has seen several high-profile cases like the OBC reservation, 1993 Bombay bombings and the Krishna Godavari basin dispute. He also recused from the Krishna Godavari basin dispute case citing conflict of interest.

References

1946 births
Living people
University Law College, Bangalore University alumni
20th-century Indian judges
Chief Justices of the Madhya Pradesh High Court
Judges of the Karnataka High Court
Justices of the Supreme Court of India

redpajama_set_name: RedPajamaWikipedia


text:
Peter O'Toole's Hilarious First Reaction To His Only Oscar Award
Peter O'Toole's hilarious first reaction to his only Oscar award Extra.ie
De Longpre 1 year ago
A new TG4 documentary on the legendary Peter O'Toole has revealed he said 'stuff your Oscar' when offered an honorary Academy Award.
Peter O'Toole – Réalta & Rógaire, a documentary airing on Christmas Day on TG4 at 9.25pm, chronicles the life of one of Hollywood's most iconic actors.
Kate O'Toole, Peter's daughter, revealed her father's hilarious reaction when the Academy nominated him for his honorary Oscar.
A new TG4 documentary chronicles the life of Peter O'Toole. Photo: TG4.
The honorary Oscar has gone to movie legends including Robert Redford, Paul Newman and Orson Welles. Yet, O'Toole wasn't ready to give up winning one for a singular role.
Kate explained: 'He wrote out the speech saying "Stuff your Oscar, I want to win one, I don't want to be given one for a lifetime, I'm still in the game."'
The Irish actor was nominated eight times at the Oscar's during his career but lost out to the likes of John Wayne, Marlon Brando and Robert De Niro. The only actor with as many nominations without a win is Basic Instinct star Glenn Close.
Peter O'Toole was nominated for 8 Academy Awards. Photo: TG4.
Peter eventually changed his mind on taking the honorary Academy Award and had his award presented to him by Meryl Streep.
He said in his speech: 'I wish the Academy to know that I am as delighted as I am honoured. And I am honoured. The magic of the movies enraptured me when I was a child; as I totter into antiquity, movie magic enraptures me still.'
The TG4 documentary chronicles the life and career from one the industry's most respected performers of all time.
The TG4 Peter O'Toole documentary airs on Christmas Day 9.30pm. Photo: TG4.
Containing family archive and interviews with his daughter Kate, friends and co-stars, including Supermodel, actress and singer Twiggy, the legendary actor Brian Blessed and Irish co-stars Bryan Murray, Jim Bartley and Mary Coughlan this is a documentary you don't want to miss.
The Lawrence of Arabia star was proud to call Connemara his home and used it as a refuge from the pressures of Hollywood.
Full of fun stories of wild excess, brilliant movie anecdotes and essentially the story of a man longing to be Irish: Peter O'Toole – Réalta & Rógaire airs on TG4 on Christmas Day at 9.30pm.
Previous: 10 Oscar Losers That Deserved To Win
Next: Israeli-made documentary on Nazis in US shortlisted for Academy Award


text:
Living the Country Life / Animals
What's a hinny?
If you saw one you probably wouldn't know it
Jodi Henke
Photo courtesy of TMD Equine University
Mules are the product of a male donkey and a female horse. On the flip side, a hinny is the offspring of a male horse and a female donkey. Hinnies aren't nearly as common, but if you saw one you probably wouldn't know it.
Amy McLean is an equine reproduction specialist at the University of California-Davis and a board member of the American Mule Association. She says unless you see one born, it takes a trained eye to determine the animal is a hinny and not a mule.
"In my opinion, the face has more of a "dish" to the forehead, the ears tend to turn sharper. The idea that they're longer, they're disproportionate and things like that is not completely true," says McLean. "We did find when we were measuring, the hinnies to be closer to the donkeys in having the same underline and same topline ratio, meaning the back's the same length as the belly."
Hinnies are highly valued in countries such as Brazil, Colombia, and Portugal for ranching and as pack animals. McLean says they seem to be hardier and have a calmer temperament than mules.
So why are hinnies not as popular here in the United States? One obstacle is getting the male stallion to mate with a jenny, the female donkey.
"The other big obstacle is having a jenny that will conceive with a hybrid embryo," says McLean. "There's different ideas on why it might be harder for a jenny to come in foal with a hinny embryo versus a donkey embryo. Some of that goes back to possibly the pH of the uterus of a donkey. So, it's harder to breed them, and people who have tried, they haven't had a lot of success."
Learn more about hinnies
Listen here to the radio mp3
Mules,
Horses,


text:
Boots 66 Prepares To Hit The Road Again: 'I Can't Do Nothing'
Filed Under:Boots 66, hurricane relief, Lowe's, Tony Brenning, Wes Love
By Jeff Todd
DENVER (CBS4) – Two Coloradans who can't sit by and watch other people suffer are making their second trip to the Southeast to deliver hurricane relief donations.
CBS4's Jeff Todd interviews Wes Love. (credit: CBS)
"For me it's Americans helping Americans. And the other thing is doing nothing is not an option. It's just not for us," said Wes Love. "I can't do nothing. I've got to do something."
Wes and his friend Tony Brenning took a truckload to North Carolina earlier in the month to help Hurricane Florence victims. While they were driving Hurricane Matthew struck Florida.
(credit: Boots 66)
"We're headed back this time to Panama City, Florida. The hardest hit area," Love said.
Love and Brenning rely on donations for gas and to fill the large truck.
They've teamed up with the Lowe's store at 5405 Wadsworth Bypass Arvada, CO 80002. Buckets are being offered with essentials for recovery like bleach, bug spray, respirators and a dustpan. Those are being offered for $25.
"To see the devastation a hurricane or something like that can do is humbling," said Michael Hall the Lowe's Store Manager. "Wes and Tony dedicate a lot of their time just to help others. There's no glory in it. They're just two very unique and great human beings to take their time and drive across country."
"We need donations, and we also need money to feed this thing going all the way down there," said Love. "No we're not going to save the world down there, but at least we can help some of the people."
LINK: Boots 66
Jeff Todd joined the CBS4 team in 2011 covering the Western Slope in the Mountain Newsroom. Since 2015 he's been working across the Front Range in the Denver Headquarters. Follow him on Twitter @CBS4Jeff.


text:
Q: How to have thread-safe Rails initializers? I am thinking about switching my Rails app to Sidekiq and Puma when my app gets some significant load. However, they require the app to be thread-safe.
One of the things that are typically considered not thread-safe are global variables. But my app uses a common pattern found in Rails apps and tutorials, where you define global variables in initializers like so:
# config/initializers/aws.rb
...
$s3_bucket = Aws::S3::Resource.new.bucket(ENV['AWS_S3_BUCKET'])

# config/initializers/mixpanel.rb
$mixpanel = Mixpanel::Tracker.new(ENV['MIXPANEL_TOKEN']) do |*message|
  ...
end

# config/initializers/redis.rb
$redis = Redis.new(host: ENV['REDIS_HOST'], port: ENV['REDIS_PORT'])

# config/initializers/twilio.rb
$twilio_client = Twilio::REST::Client.new(ENV['TWILIO_ACCOUNT_SID'], ENV['TWILIO_AUTH_TOKEN'])

I like this approach because the rest of the codebase can use these variables very easily, and it makes it is terser.
But are these global variables thread-safe? If not, what are my options? I would preferably use a solution that still keeps the codebase easy to read.

A: Initializers are run in the main thread before other threads are created.  They can be thread-unsafe.
A better solution would be to either instantiate mixpanel/twilio_client/etc every time before using them, or use a connection pool.

redpajama_set_name: RedPajamaStackExchange


text:
Is Quartz Natural Stone? Here's What You Should Know
If you're thinking of redoing your kitchen countertop, you've probably seen a lot of quartz options lately. Except you don't want anything fake or synthetic, but rather something natural. So that begs the question: Is quartz natural stone? How do you know which variety of quartz is natural? We'll explain below.
1. What Is Quartz?
Quartz is the second most abundant mineral in Earth's crust, behind feldspar. It also exists in several different varieties, usually used as jewelry and headstone materials.
Quartz is a rock, but it has an icy look about it. The ancient Greeks called quartz krustallos, whose root kruos translates to "icy cold," believing that the rock was a form of supercooled ice.
Quartz Varieties
Most varieties of quartz are colorless and transparent and are traditionally known as rock crystals.
Color differences arise from the presence of impurities in the crystal's molecular makeup. Such changes change molecular orbit, allowing for electronic transitions in the visible color spectrum, allowing the naked eye to see regular quartz crystals in different colors.
How is Quartz Made
Quartz typically comes from quarries worldwide, usually in India, Brazil, Mexico, and the US. No product is truly 100 percent quartz. After extraction, the quartz gets generally weighed to about 90 percent quartz before it gets combined with other materials, such as polyester resins and pigments.
Large amounts of pressure then compact the quartz and other materials together to create the slabs. With all materials packed so close together, it doesn't allow liquids to seep into the slab.
Finally, the slabs are cured together in kilns, which creates a seal to truly maintain the slab's nonporous nature. A finish completes the slab's look.
Natural Forms of Quartz
Caches of naturally colored quartz exist all over the world.
Smoky quartz is gray, sometimes brownish-gray or black. The color arises from natural irradiation acting on the aluminum found in the crystal structure.
Milky quartz is the most common crystalline quartz. The color comes from small, trapped fluid inclusions of gas, liquid, or both when the crystal forms.
Rose quartz is pale pink or light red because of small bits of manganese, iron, or titanium. Some samples contain microscopic rutile needles that produce a small group of star-like lights in transmitted light. Crystalline rose quartz, a rare variety of rose quartz, has a color created by phosphate or aluminum traces.
Amethyst ranges from bright violet to lavender and gets its color from traces of iron.
Synthetic or Artificial Forms
Synthetic quartz is treated with heat or radiation to produce different colors. Quartz might also get coated with metal vapors to create a lovely sheen over the gemstone.
Sometimes it's hard to tell the difference between natural and synthetic quartz. Previously observed in Poland, natural prasiolite is mint green, but heat treatment can create the same olive color in synthetic quartz. Citrine also occurs naturally but can be synthetic through heat-treating smoky quartz and amethyst (purple-colored quartz).
Some varieties of clear quartz receive artificial color through heat or gamma irradiation. However, how well that variety of quartz takes to the intended color depends on where the quartz gets mined.
Whether quartz is natural stone depends on what type of quartz you're looking at. Overall, it is a naturally occurring stone but is not mined in for slabs for tabletops.
Written by stephen · Categorized: Uncategorized


text:
Canthon obscuriellus är en skalbaggsart som beskrevs av Schmidt 1922. Canthon obscuriellus ingår i släktet Canthon och familjen bladhorningar. Inga underarter finns listade.

Källor

Bladhorningar
obscuriellus


text:
Q: Codeigniter регистрация к базе SQLSRV/MSSQL не работает запрос к базе mssql сам Codeigniter настроен коннект есть проверял
Controller:
    public function register()
{

    if (isset($_POST['register'])) {

        $data = array(
            'memb___id' => $_POST['login'],
            'mail_addr' => $_POST['email'],
            'memb__pwd' => $_POST['pass']

        );

        $this->db->_insert('MEMB_INFO', $data);
        $this->session->set_flashdata("success", "Ваш аккаунт был зарегистрирован. Вы можете войти сейчас");
        redirect(base_url(), 'refresh');
    }
    $this->load->view('register');
}

register.php:
        <form action="<?php echo base_url('home/register')?>" class="popup-input-search" method="post" >

            <input type="text" class="input-signtype" id="login" name="login" placeholder="UserName">

            <input type="text" class="input-signtype" id="email" name="email" placeholder="Email">

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Resort living in sun city anthem. "the charleston" largest model in sun city anthem on corner lot. Home offers two masters, den, formal living room & dining room, separate family room, with wet bar for entertaining, kitchen has breakfast area with island, pantry & computer work space, granite counters, counter top stove, upgraded cabinets, family room with fireplace, all tile except bedrooms. Desert landscape front & back with artificial grass.
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text:
est un genre de fourmis de la sous-famille des Myrmicinae et de la famille des Formicidae.

Présentation
C'est l'un des plus grands genres de myrmicinae avec plus de 174 espèces réparties dans le monde entier dans les tropiques et la région afrotropicale. Beaucoup d'entre eux sont de très petits habitants du sol cryptique et de la litière de feuilles. Ils nichent dans du bois pourri auquel l'écorce adhère encore dans la région afrotropicale, ou peuvent être commensaux nichant à proximité d'autres espèces de fourmis. Certaines espèces sont connues pour exister de manière parasitaire dans les nids de termites. On sait peu de choses sur la biologie de l'espèce. Cependant, ils se distinguent par la grande différence de taille entre les reines et les ouvrières.

Espèces de Carebara

Carebara aborensis (Wheeler, 1913)
Carebara abuhurayri Sharaf & Aldawood, 2011
Carebara acuta (Weber, 1952)
Carebara acutispina (Xu, 2003)
Carebara afghana (Pisarski, 1970)
Carebara africana (Forel, 1910)
Carebara alluaudi (Santschi, 1913)
Carebara alperti Fernández, 2010
Carebara alpha (Forel, 1905)
Carebara altinoda (Xu, 2003)
Carebara amia (Forel, 1913)
Carebara ampla Santschi, 1912
Carebara angolensis (Santschi, 1914)
Carebara angulata Fernández, 2004
Carebara anophthalma (Emery, 1906)
Carebara arabara Fernández, 2010
Carebara arabica (Collingwood & Van Harten, 2001)
Carebara armata (Donisthorpe, 1948)
Carebara arnoldi (Forel, 1913)
Carebara arnoldiella (Santschi, 1919)
Carebara asina (Forel, 1902)
Carebara atoma (Emery, 1900)
Carebara audita Fernández, 2004
Carebara bartrumi Weber, 1943
Carebara bengalensis (Forel, 1902)
Carebara beta (Forel, 1905)
Carebara bicarinata Santschi, 1912
Carebara bihornata (Xu, 2003)
Carebara borealis (Terayama, 1996)
Carebara bouvardi (Santschi, 1913)
Carebara brasiliana Fernández, 2004
Carebara brevipilosa Fernández, 2004
Carebara bruchi (Santschi, 1933)
Carebara bruni (Forel, 1913)
Carebara butteli (Forel, 1913)
Carebara capreola (Wheeler, 1927)
Carebara carinata Bharti & Kumar, 2013
Carebara castanea Smith, 1858
Carebara coeca Fernández, 2004
Carebara concinna (Mayr, 1867)
Carebara convexa (Weber, 1950)
Carebara coqueta Fernández, 2006
Carebara cornigera (Forel, 1902)
Carebara crassiuscula (Emery, 1900)
Carebara cribriceps (Wheeler, 1927)
Carebara crigensis (Belshaw & Bolton, 1994)
Carebara curvispina (Xu, 2003)
Carebara debilis (Santschi, 1913)
Carebara dentata Bharti & Kumar, 2013
Carebara deponens (Walker, 1859)
Carebara diabola (Santschi, 1913)
Carebara diabolica (Baroni Urbani, 1969)
Carebara distincta (Bolton & Belshaw, 1993)
Carebara donisthorpei (Weber, 1950)
Carebara elmenteitae (Patrizi, 1948)
Carebara elongata Fernández, 2004
Carebara erythraea (Emery, 1915)
Carebara escherichi (Forel, 1911)
Carebara fayrouzae Sharaf, 2013
Carebara frontalis (Weber, 1950)
Carebara globularia Fernández, 2004
Carebara grandidieri (Forel, 1891)
Carebara guineana Fernández, 2006
Carebara hannya (Terayama, 1996)
Carebara hornata Bharti & Kumar, 2013
Carebara hunanensis (Wu & Wang, 1995)
Carebara inca Fernández, 2004
Carebara incerta (Santschi, 1919)
Carebara incierta Fernández, 2004
Carebara infima (Santschi, 1913)
Carebara intermedia Fernández, 2004
Carebara jacobsoni (Forel, 1911)
Carebara jeanneli (Santschi, 1913)
Carebara jiangxiensis (Wu & Wang, 1995)
Carebara junodi Forel, 1904
Carebara khamiensis (Arnold, 1952)
Carebara kofana Fernández, 2004
Carebara lamellifrons (Forel, 1902)
Carebara langi Wheeler, 1922
Carebara latro (Santschi, 1937)
Carebara leei (Forel, 1902)
Carebara lignata Westwood, 1840
Carebara longiceps (Santschi, 1929)
Carebara longii (Wheeler, 1903)
Carebara lucida (Santschi, 1917)
Carebara lusciosa (Wheeler, 1928)
Carebara majeri Fernández, 2004
Carebara manni (Donisthorpe, 1941)
Carebara mayri (Forel, 1901)
Carebara menozzii (Ettershank, 1966)
Carebara minima (Emery, 1900)
Carebara minuta Fernández, 2004
Carebara mjobergi (Forel, 1915)
Carebara nana (Santschi, 1919)
Carebara nayana (Sheela & Narendran, 1997)
Carebara norfolkensis (Donisthorpe, 1941)
Carebara nosindambo (Forel, 1891)
Carebara nuda Fernández, 2004
Carebara obtusidenta (Xu, 2003)
Carebara octata (Bolton & Belshaw, 1993)
Carebara oertzeni (Forel, 1886)
Carebara oni (Terayama, 1996)
Carebara osborni Wheeler, 1922
Carebara overbecki (Viehmeyer, 1916)
Carebara paeta (Santschi, 1937)
Carebara panamensis (Wheeler, 1925)
Carebara patrizii Menozzi, 1927
Carebara paya Fernández, 2004
Carebara perpusilla (Emery, 1895)
Carebara peruviana (Emery, 1906)
Carebara petulca (Wheeler, 1922)
Carebara pilosa Fernández, 2004
Carebara pisinna (Bolton & Belshaw, 1993)
Carebara polita (Santschi, 1914)
Carebara polyphemus (Wheeler, 1928)
Carebara propomegata Bharti & Kumar, 2013
Carebara pseudolusciosa (Wu & Wang, 1995)
Carebara punctata (Karavaiev, 1931)
Carebara qianliyan Terayama, 2009
Carebara raja (Forel, 1902)
Carebara rara (Bolton & Belshaw, 1993)
Carebara rectangulata Bharti & Kumar, 2013
Carebara rectidorsa (Xu, 2003)
Carebara reina Fernández, 2004
Carebara reticapita (Xu, 2003)
Carebara reticulata Fernández, 2004
Carebara robertsoni (Bolton & Belshaw, 1993)
Carebara rothneyi (Forel, 1902)
Carebara rugata (Forel, 1913)
Carebara sakamotoi Terayama, Lin & Eguchi, 2012
Carebara sangi (Eguchi & Bui, 2007)
Carebara santschii (Weber, 1943)
Carebara sarasinorum (Emery, 1901)
Carebara sarita (Bolton & Belshaw, 1993)
Carebara satana (Karavaiev, 1935)
Carebara sauteri (Forel, 1912)
Carebara semilaevis (Mayr, 1901)
Carebara sicheli Mayr, 1862
Carebara silvestrii (Santschi, 1914)
Carebara simalurensis (Forel, 1915)
Carebara similis (Mayr, 1862)
Carebara sinhala Fischer, Azorsa & Fisher, 2014
Carebara sodalis (Emery, 1914)
Carebara spinata Bharti & Kumar, 2013
Carebara stenoptera (Kusnezov, 1952)
Carebara striata (Xu, 2003)
Carebara sublatro (Forel, 1913)
Carebara subreptor (Emery, 1900)
Carebara sudanensis (Weber, 1943)
Carebara sudanica Santschi, 1933
Carebara sundaica (Forel, 1913)
Carebara tahitiensis (Wheeler, 1936)
Carebara taiponica (Wheeler, 1928)
Carebara taprobanae (Forel, 1911)
Carebara tenua Fernández, 2004
Carebara termitolestes (Wheeler, 1918)
Carebara thoracica (Weber, 1950)
Carebara traegaordhi (Santschi, 1914)
Carebara ugandana (Santschi, 1923)
Carebara urichi (Wheeler, 1922)
Carebara vidua Smith, 1858
Carebara viehmeyeri (Mann, 1919)
Carebara villiersi (Bernard, 1953)
Carebara voeltzkowi (Forel, 1907)
Carebara vorax (Santschi, 1914)
Carebara weyeri (Karavaiev, 1930)
Carebara wheeleri (Ettershank, 1966)
Carebara wroughtonii (Forel, 1902)
Carebara yamatonis (Terayama, 1996)

Espèces fossiles

†Carebara antiqua (Mayr, 1868)
†Carebara bohemica (Novák, 1877)
†Carebara groehni
†Carebara kutscheri
†Carebara nitida (Dlussky & Perkovsky, 2002)
†Carebara rugiceps
†Carebara schossnicensis
†Carebara sophiae (Emery, 1891)
†Carebara thorali (Théobald, 1937)
†Carebara ucrainica (Dlussky & Perkovsky, 2002)

Bibliographie

Article

Liens externes

Notes et références

Références taxonomiques

Références

Myrmicinae
Genre de Fourmis (nom scientifique)


text:
Kingston Daily Freeman, July 7, 2008, "Can't We all Get Along? Editorial about tourism
Posted on July 17, 2008 by Editor
Can't we all get along?
WHEN it comes to tourism, some lawmakers seem to forget that a rising tide will list all boats. For a time in the Hudson Valley and Catskills, it was every county for itself. Tourism directors, under the gun from the elected officials who hired them, pretty much did their own thing, promoted parochially and viewed the county just over the border (or across the river) as competition.
That began to change in the '90s, when IBM's significant exodus from the valley prompted the Cuomo administration to explore economic alternatives, tourism key among them. Regional cooperation began to grow.
But that didn't mean there was no more "we" and "them" in regional tourism, witness the on-going squabble between Ulster and Greene counties regarding Belleayre Ski Center.
It started in Greene, where owners of privately owned ski resorts Hunter and Windham were getting antsy as the state poured resources into its ski center at Belleayre in neighboring Ulster. That got the attention of Greene lawmakers and they screamed foul, claiming Belleayre was at an unfair advantage. That, in turn, motivated state legislators to carry a bill calling for the formation of a blue-ribbon panel to study the impact of state-run outdoor recreational facilities (skiing and golf among them) on the private sector. The legislation awaits Gov. Paterson's signature.
Not to be outdone, Ulster County Legislature Chairman David Donaldson, D-Kingston, told Greene (and the state) to back off. He went so far as to call on Ulster residents to boycott Hunter and Windham's summer activities – and maybe even wintertime skiing, as well.
"I say we need to take a stance here in Ulster County," Donaldson declared. "We need to stick together and defend Belleayre against these unjust criticisms."
Sounds a little like Davy Crockett protecting the Alamo.
LET'S TRY to sort this thing out:
*Providing low-cost public facilities is part of what governments do. New York has a network of ski resorts and golf courses. Those without the wherewithal or opportunity to recreate at private facilities have a less-expensive alternative.
*It wasn't all that long ago when Belleayre was in serious trouble, its infrastructure in significant need of repair. A grass roots coalition formed, led by the tireless Joseph Kelly of Long Island, and Belleayre's plight found its way to Albany's radar screens. Pushed by state lawmakers – perhaps most prominently, Sen. John Bonacic, R-Mount Hope – Belleayre has improved dramatically. And other upgrades to the area could be on the way, particularly if any part of private sector developer Dean Gitter's vision ever becomes reality.
*Ironically (given his aforementioned support of Belleayre),
Bonacic and Senate colleague William Larkin, R-Cornwall, also are under fire from Donaldson for supporting the bill pending in Albany: "You need to protect the residents you actually represent," Donaldson said.
HERE'S where Donaldson loses us:
"If this legislation becomes law, it calls into question the state's right to provide low-cost recreation for its citizens," he said. Are they going to study the impact of Jones Beach? Bethpage Golf Course? State campgrounds? And how about local parks, pools and the like that receive state funding? When they finish studying the impact of state recreation outdoors, will they then study the impact of the state university system on private colleges?"
Could be. But so what? What's wrong with some scholarly analysis?
"We have absolute faith that, not only will Belleayre come out smelling like a rose, but that maybe it will teach the Democrats, who have ignored it, the importance of it," said Bonacic spokesman Langdon Chapman.
We agree with that, at least the first part. We're confident Belleayre can withstand the scrutiny. As for the politics, Rep. Maurice Hinchey, D-Hurley, and Assemblyman Kevin Cahill, D-Kingston, haven't exactly been strangers to Belleayre. But this is an election year, and Donaldson did target only two Republicans, although all Democrats in the Assembly (save for two, Cahill one of them) voted in favor of the blue-ribbon commission.
BUT HERE'S the real point – and it takes us back to where we started in bemoaning parochial approaches to tourism.
In Langdon's words, Belleayre is "a driver for the economic and skiing vitality in the whole (emphasis ours) Catskill region."
There's plenty of room for Belleayre, Hunter and Windham to thrive. There's room for visitors to Ulster to find their way to Greene and the other way around.
Boycotts of one county or the other are ill-advised.
A rising tide lifts all boats.
Link to full article is here:
http://www.dailyfreeman.com/site/news.cfm?newsid=19826247&BRD=1769&PAG=461&dept_id=82701&rfi=6
©Daily Freeman 2008
This entry was posted in Related Articles by Editor. Bookmark the permalink.
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What I see here is David being, perhaps, too honest, for our western ears. It is well worth noting the figurative and poetic language that David used in the Psalms was traditional to his culture and when reading verses such as these, Western society easily misinterprets the meaning based on our current norms. This part of the Song of the Bow sounds as though David is describing his relationship with Jonathan in a way which indicates sexual intimacy. This is a cultural misunderstanding.
As for the wording, "…your love to me was more wonderful than the love of women." Like any husband, David would have felt let down and harassed at times, by the complications of his relationships with his wives; and like many men, he would have felt a stong bond with other men who tend to be less demanding and complicated. How many men do you know who go to a friend's place to watch sport when the heat is on with the Mrs? Men, especially on the battlefield, bond very deeply. They rely on each other for survival and that can build connections which are equally as strong as those of husband and wife, if not more so.
Romans 5:7 says "Very rarely will anyone die for a righteous person, though for a good person someone might possibly dare to die." In combat, men shield their comrades in this way. Don't underestimate that bond's power.
It sounds like David was very normal for the type of life he lived. Close friends are more valuable than all of a king's wealth and Jonathan was one of them. When reading about Jonathan, I've been amazed by his unselfishness. He fought with King Saul, his father, as he wanted David to take the throne. That was HIS inheritance, his chance of fame and power but he was willing to relinquish it to God's choice of King, who he could clearly discern from the moment David killed Goliath.
It leaves me with the deepest respect for Jonathan and the greatest respect for a special friendship, built during hard times.


New Delhi : Concept Pub. House, 2004.
Studies in rural participation, 5.
Robert Chambers, 1802-1871, Scottish publisher and writer.
xix, 456 pages : illustrations ; 22 cm.
Add tags for "Participatory rural appraisal : methods and applications in rural planning : essays in honour of Robert Chambers". Be the first.


Publishers these days are all a-jitter at the prospect of a digital future, writes Robert Hanks, when people will download their books rather than buying old-fashioned paper. They're probably overreacting – it will be hard for digital readers to compete with something as cheap, sturdy and easy to use as a paperback – but Penguin has been showing the right way to react to the supposed crisis: make the physical object much more desirable.
Their latest initiative is Penguin Magnums, a series of six classic or nearly classic works of reportage, with classic-looking photojournalism covers from the Magnum archives - though the boast is that none of the images has been published before. They are striking to look at, individually and as a set, though the front of Hunter S. Thompson's Hell's Angels (top, photo by Dennis Stock) and Truman Capote's In Cold Blood (below, photo by Inge Morath) are a bit too similar – black and white studies of desolate, anonymous American landscapes.
What's most striking is that the front is quite deliberately only half the story, or less: the image wraps right around the book and in several cases it's only the back cover that makes sense of it. Andrew Chaikin's account of the Apollo missions, A Man on the Moon, features a looming stars and stripes against a perfectly black background: you have to turn it over to see the spacesuited astronaut holding the flagpole and saluting (this isn't, by the way, an actual moonshot, but was taken by Rene Burri at a dismantled space installation - possibly the very one where the moon landings were faked). The front of Nick Tosches' Hellfire (below) shows part of a piano and a microphone stand: you have to turn it over to find out that the pianist, and Tosches' subject, is Jerry Lee Lewis.
In a couple of cases the turn doesn't finish the story but it does add a dimension: the front of the Capote is dominate by a tree covered with posters announcing 'Christ died for the ungodly' and 'Ye must be born again'; the back reveals what's happening beyond the tree, a sleek Fifties saloon car speeding down the highway - a fabulous contrast between narrow American dogmatism and wide American freedom.
It looks, then, as if this really is the book as a complete object, designed to be seen in the round. There are other nice touches: on the back is a debossed block of text, each book in a different font; on the front, the title is printed on a removable sticker, so that you can clear the image completely. But – a big but – the bar-code is printed at the top of the spine, so that when these sit on your shelves (as opposed to being strewn artistically around your living room to impress guests) they look distinctly ugly; couldn't they have put it somewhere less conspicuous - even at the bottom of the spine? And when you open them, it is clear the books have been photostatted from older editions - the typefaces are distressingly uncoordinated. A book to be seen not in the round, then, or even from inside; but stick to the front and back and they're gorgeous.
See 'Artwork and play', Robert Hanks's article about Brian Knight's 'Airfix art' in Eye 72, 'Advertisers in the dock. Again' for the Eye blog, and his own blog, Zoo in the head.
See details of the The Penguin Magnum Collection on the Penguin website.
NB: The Penguin Magnums are contenders for the book cover category of Just Add Stock, Eye's new awards for the use of stock photography. But only if they enter before 31 July 09. Follow the awards on Twitter.


Gary is a principal Limosa guide who lives in Norfolk, where he divides his time between guiding for Limosa and working at Holme Bird Observatory, on the North Norfolk coast. A former Herts Bird Club committee member and warden of a local nature reserve in north London (where he lived and birded for over 35 years), he is a qualified ringer with a particular fascination for studying bird migration in the eastern Mediterranean.
In addition to leading most of Limosa's Norfolk breaks over the past 9 years, Gary's growing repertoire of overseas tours includes Greece, Spain, Iceland and Gambia. He regularly joins our guided BirdWalks in Norfolk and Suffolk, and not infrequently pops up on TV wildlife programmes - having featured on everything from Springwatch to Bill Bailey's Birdwatching Bonanza.
Gary's enthusiasm is infectious and he's hugely popular with all who travel with him.


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text:
Genius Free-kick Scored by Dundee United Defender Charlie Mulgrew in Scottish League Cup Land acquisition begins for Thane-Borivali tunnel project New study to assess Kochi's air quality- The New Indian Express Earthquake shakes Peru's north Pacific coast Indian Railways Recruitment: Over 1600 posts vacant, to apply visit official website at rrcpryi.org | Jobs Career News National Nutrition Week: Low Carb Recipes That May Help Manage Diabetes Taliban likely to announce new govt soon, but fight in Panjshir rages on Delhi HC asks Centre, CVC to respond to plea challenging Jamia Vice Chancellor's appointment- The New Indian Express Novavax vaccine 90% effective against Covid-19, says US firm Costume designer Ruth Carter on 'Black Panther' and 'Coming 2 America'
Jackie Shroff: Dev Anand used to say there is a touch of spirituality in our relationship – Exclusive! | Hindi Movie News
Jackie Shroff owes his career to his mentor and idol Dev Anand. On the legend's birth anniversary, ETimes reached out to Jackie, who had got his first break in films with Anand's Navketan Films' 'Swami Dada'. In his characteristic candour, Jackie remembers the Dev Anand only he knew. Excerpts:
There's an interesting story behind your first meeting with Dev Anand.
His son Sunil Anand took me to meet him. I think he had seen one of my advertisements in the morning and so when I was standing in front of him with his son he said, "Subah Subah tumhari tasveer dekhi thi, shaam ko tum mere saamne khade ho. Tumhe ek role dunga main (I saw your photograph in the morning and you're standing in front of me in the evening. I'll give you a role)." And then he offered me a role. It was so quick that I didn't even realise it. I got the role of the second lead. Obviously, the lead was Dev Saab. And then after 15 days he called me. So I went to meet him again. He said that I have given the role to Mithun but still there is a role for you. From the second lead hero I became the second lead villain to Shakti Kapoor sir. 15 days mein mera demotion ho gaya (In 15 days I had been relegated)…
Did you protest?
For me it was a blessing from Dev Saab that his hands were on my head. He laid the foundation for my acting career. He sowed the seeds.
Having worked with him, in which role did you like Dev Anand most, director or the actor?
Dev Saab was just magic as a co-actor and director. He looked after me like a child and guided me throughout. Being with such a legend you cannot be judgemental. He was a legend who gave me the opportunity to act in his film and watching him was magic.
Did you imbibe any qualities or habits of Dev Anand?
I may have imbibed something because Khalid Mohammed had said in his first interview that he (Jackie) is so much like Dev Anand; his speech and everything. Subconsciously, I definitely imbibed his mannerism. My mother used to style my hair like him. I used to love his songs. He has always been my hero, who I looked up to. My mom used to feel that I was like Dev Saab. My mom loved Dev saab and Dharmendra.
How do you look back at your journey with Dev Anand?
It was beautiful, a smooth flow. One would not realise how time flew when you were with Dev Saab. We used to learn from him. I got to see his style from such close quarters; mera naseeb tha (it was destiny). I worked with him in about four to five films. He would always take me in his movies. He would say pahado mein jayenge picture banayenge (we'll head to the mountains and make movies). And I used to be ready to go with him. I would request other producers and adjust my dates for him; boss ke liye karna hi padta hai (you have to make exceptions for the boss). I had become a star but I used to be in every film he would make so my relationship with him was always there.
You were part of so many of his films, what did he like about you?
I really don't know but he always took me in his films and I was honoured to be with him. I never asked him but like I told you in the beginning, in my first meeting with him he said he liked my style.
There are many contrasting stories about how Dev Anand used to conduct himself on sets. Some have said he was reserved, others have said he was always bustling. How was your experience?
He used to never sit down, always standing and directing and always active. I remember there is one structure in Panchgani which has a black wall, 15 feet high. He climbed up and asked the cameraman to take a close up. The cameraman asked sir kaise chadhu main (how do I get up there)? Dev Saab said if I can climb, why can't you? Sir was younger than the youngest.
Any memories of Dev Anand that have stayed with you?
My first meeting with him and that statement that I told you, subah tumhari tasveer dekhi sham ko tum mere saamne ho (saw your photograph in the morning and you're standing in front of me in the evening). Also there was an action scene I had to perform but I was unable to do. The fight master got angry with me. Dev Saab intervened and said take it easy, naya ladka hai, seekh jayega, usko batao kaise karne hai (he's a new kid, he'll learn, teach him how it's done), don't shout at him. That is what I learnt from him and I apply that in my case to any junior who comes into the industry. I treat him like my child.
Would you ever like to remake any of Dev Anand's films?
Almost all his films like 'Tere Mere Sapne', 'Guide', 'Hare Rama Hare Krishna'. He asked me to direct a film for Navketan films. He told me I will be there with you, direct one film for us.
Did he mean to mentor you?
I wonder even in his book he wrote one and a half pages for me. In 60 years of his career in films he wrote a page on me. There were so many people but he wrote those two pages for me. He gave me an autograph and wrote there is a touch of spirituality in our relationship. I have loved him since my childhood and I am lucky to have got a chance to work with him.
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text:
The Evolution of Sex in Cinema and its Top 100 Actresses # 98. Janet Leigh
American Actress, B-Movies, Entertainment, Film, Film Directors, French Actresses, French Film, French New Wave, Golden Age of Hollywood, Hollywood	by Thomas Swan August 15, 2019 August 15, 2019
The depiction of sexuality on cinema screens has been discussed and debated often throughout the century plus of the cinema's existence. Its relevance and depiction s have been debated and analysed ad nauseam. Subjects and ideas, more adult in origin, have been better utilized by decidedly lesser talented. European filmmakers. When American filmmakers do venture down that road, the project is inevitably bungled beyond all hope. LBJBR presents the Evolution of Sex in Cinema and its 100 top actresses.
# 98. Janet Leigh
If one from my generation were to meet Jamie Lee's mom, back in the day, we would probably be more geeked we were meeting Jaime Lee's mom and thank her for gifting Jaime Lee to the world more than anything else. That Jaime Lee's mom could be a key component in the evolution of Sex in Cinema would be the furthest from any of our minds.
Cue Alfred Hitchcock and his 1960 film Psycho. Although the film has now entered into the parent friendly zone of "cinema classic," for 1960, an actress in a bra, Leigh would appear in two separate scenes, was still almost unheard of.
Later, while being interviewed by Francois Truffaut, Hitchcock would admit to the French film journalist turned director that he now, in 1966, felt Leigh's character should have been topless during the first scene. Given, again, this was 1960 not 1970, that was not going to happen.
Our Conclusion: When filmmaking was completed, Leigh returned the two bras to the sail boats she borrowed them from.
alfred hitchcockHollywoodJanet LeighPsychoSex in Cinema and
The Evolution of Sex in Cinema and its 100 Top Actresses: #99. Sean Young
The Evolution of Sex in Cinema and its Top 100 Actresses #97. Tina Krause


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Visionaries Plan with EIZO Innovations ― Customized Monitor Solution for Alphatron Marine BV
Products Deployed: DuraVision DV4624
Alphatron CEO Luuk Vroombout is an entrepreneur with pioneering vision. It was his idea to equip the Alphatron AlphaBridge with the largest possible monitor to provide navigation officers with the very best working conditions. This resulted in the AlphaPremiumBridge concept with a 46-inch full HD monitor solution.
Luuk Vroombout, CEO,
Alphatron Marine BV
Alphatron Marine, headquartered in the Netherlands, designs, delivers and installs high-quality navigation and communication systems for maritime and inland shipping. The company opted for EIZO when it came to selecting a suitable monitor manufacturer for the new bridge concept.
Several factors played a role in the decision-making process. The two companies have a close business relationship in both the Netherlands and Japan that goes back over several years. As a result, Alphatron Marine BV has been using over 4,000 EIZO 19-inch monitors since 2006 for radar applications. EIZO in Japan has already successfully developed a 26-inch ECDIS monitor in line with individual requirements for Japan Radio Co., Ltd. (JRC), a Japanese partner firm of Alphatron.
Alphatron premium bridge system with EIZO's Duravision DV4624 monitors
What's more, EIZO took on the major challenge of working with Alphatron to realize Luuk Vroombout's vision and develop new 46-inch monitor for shipping, specifically designed for the AlphaPremiumBridge concept. Alphatron also considered other well-known manufacturers, but these companies turned down the company's request at the outset.
Alphatron did indeed have very high requirements for the desired monitor. In addition to top product and image quality, Alphatron required certification according to IEC 60945, versatile connection options and a flexible power supply. Alphatron also wanted the ability to remotely configure and adjust the monitor's brightness via the bridge. The EIZO development team in Germany managed to successfully fulfill all of these requirements for the new monitor.
When asked what he valued most when working on the AlphaPremiumBridge concept with EIZO, Bas Eerden, Marketing and Product Development Manager for Alphatron Marine BV, said: "The direct communication and the quick reaction times, as well as EIZO's proactive approach to the development work." He added, "This is in addition to the short time frame of just one year in which we were able to work with EIZO to implement the concept to our utmost satisfaction."
The First Patrol Boats with Visionary AlphaBridge Systems Featuring EIZO 46-inch Monitors Have Set Sail
Alphatron has supplied four patrol boats of a renowned Dutch shipyard with the first AlphaBridge system to feature three integrated 46-inch EIZO DuraVision DV4624 monitors in the fall of 2015. The patrol boats, on which these systems have been installed, are now making their rounds in the waters off the northern coast of South America.
Patrol boat officers need to be able to correctly detect potential hazards in order to quickly react to emergency situations. Powerful reliable navigation and monitoring equipment is indispensable to this task. The AlphaBridge system offers unique, premium navigation and monitoring features, displayed in the highest possible resolution on DV4624 monitors suitable for use within the most adverse weather conditions.
Website: https://www.alphatronmarine.com/en/


These fun strawberries are as delicious as they are good looking! A dozen fresh, juicy strawberries are dipped in silky white and dark Belgian chocolate and artistically decorated with bowties and intricate lace. This a fun, unique gift for any occasion. Perfect as wedding dessert buffets or as favours for guests.


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Pages tagged with: the-house
University of Plymouth: The House is our new, £7 million performing arts centre - cutting edge theatre in the heart of Plymouth.
Global conference on computer music research
Plymouth University news: Researchers and innovators from across the world will be travelling to Plymouth University for the 11th International Symposium on Computer Music Multidisciplinary Research from June 16-19
Last updated: 7 June 2019
Iconic projects win at the quadruple
Plymouth University News: Two iconic projects which have transformed the eastern edge of Plymouth University's city centre campus have each won two accolades at the 2014 Abercrombie Awards
Concert explores secrets of life with percussionists ensemblebash
A one-off concert showcasing the cutting edge of research, composition and performance is taking place next month, with renowned percussionists ensemblebash.
The House: Using research to unlock mysteries of the mind
Plymouth University News: Plymouth University's Interdisciplinary Centre for Computer Music Research (ICCMR), based in The House, is working to identify a range of innovative techniques which analyse the brain's response to music and movement
The House: a packed programme of performance
Plymouth University News: Plymouth University's brand new performing arts centre already has a full programme of events lined up for the coming months
The House: learning in a setting which inspires and excites
Plymouth University News: Plymouth University's new performing arts centre is already transforming the experience of those wanting to excel in the creative industries
Official launch of our performing arts venue
Plymouth University News: Plymouth University formally unveils its award-winning performance space, The House, with facilities to rival the best university theatre provision in the UK
Using creativity and dance to promote global understanding
Plymouth University news: Young people are being given the chance to communicate directly with children affected by the Ebola crisis in Sierra Leone and the ongoing disputes in the West Bank as part of a week of events at Plymouth University
Last updated: 9 April 2019
University of Plymouth: Find out about the how The House is used.
Audience set for a shock at musical premiere
Plymouth University news: A 'surprising' piece of music for orchestra, percussion and electronics will be premiered at a concert in Plymouth University's performing arts building, The House
Entertainment aims to strike a chord at Big Festival Weekend
Plymouth University news: A performance by one of the UK's top Bhangra bands and the premiere of a new piece for orchestra and electronics will be among the musical highlights of a weekend of festivities at Plymouth University


A piano that is out of tune, or is damaged in some other way, will not produce good sound. When the notes are even slightly off key, any piece of music played can become foul and annoying. Pianos are not easily tuned and finding the exact repairs to be made is the realm of professional experts. It takes a special kind of mechanic to work with a special musical instrument such as a piano.
You may be learning just fine and perhaps you are getting to higher level of ability than before. If the piano you are learning and training with is in any state of disrepair, it will lead you to improper form, balance, and sound. Since the piano is an instrument of percussion, the notes need to be right on target and so does rhythm.
To be certain, contract the service of a piano repairman birmingham area professionals offer just around the corner. With a local repairman to come out and estimate the job, you do not have to pay any shipping costs. This alone saves a huge bundle of money. The qualified technician will know exactly what is needed, where it needs to be installed, and what parts will need to come out.
It is most often more affordable to do repairs on an instrument such as a piano. Rather than replacing the whole instrument, find the problems and do the repairs. This saves time and money. Usually, many of these instruments are appropriated to schools with low budgets so expensive replacement costs are not feasible.
After all, would you just go buy a new car if the one you have just needs some reasonable repairs? You probably would not do this unless you plan on giving the car away as a gift to your teenager. Make sure the piano is perfect for the learner whether it is you or a loved one.


The Carnivale pattern installed as a kitchen splashback in this modern kitchen upgrade. Framing the panels in the Border Small. The panels are powder coated in Oxytech "Serpentine Green" to create a dramatic contrast to the black cabinetry.


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Newspaper editor and theatre reviewer for 31 years.
ALARMINGLY funny and chaotically comedic, Tom Stoppard's raucous Rough Crossing is currently jamming them in at the Theatre Royal, Windsor, writes Paul Thomas.
Set sail on some serious comedy as Britain's most prolific impresario, Bill Kenwright, brings this wonderful new adaptation of Stoppard's 1985 classic to his own stage in the shadow of Windsor Castle.
And it's a right royal romp down at the 'Royal' as some of the best stage actors make this a night to remember for an appreciative house as hapless playwrights and wannabes create mayhem and misunderstanding on a luxury transatlantic liner.
It's the 1930s, when Hungarian playwrights Sandor Turai and Alex Gal board the SS Italian Castle, from Cherbourg to New York, where their musical comedy, The Cruise of the Dodo will be debuted. French composer, Adam Adam, a former actor with a strange speech impediment caused by his awful mother, is with them.
However, all goes terribly overboard as one of the star actors, Iver Fish, is accidentally overheard declaring unparalleled love for fellow thespian, Natasha Navratilova which bounces her latest love Adam into apoplexy.
What starts out quite innocently diminishes into fabled farce as Turai, Natasha, and Ivor, along with a cabin steward and the devilishly 'I can do anything' Dvornichek, try to convince the suicidal Adam that what he heard was actually a rehearsal for a new ending to the play.
From there on in, it's all hands on deck as one misunderstanding leads to another, including - no spoilers here - believing the ship is going down, an hilarious attempt at going overboard and the final involvement of the piano-playing Dvornichek in the musical comedy.
This is Stoppard at his best - but it needs a truly brilliant cast to set it afloat and it's bravo Bill Kenwright for bringing this cracking crew before the mast.
John Partridge (EastEnders) is sublimely and adoringly subtle in his chortlingly cheesy portrayal of Turai.
Rob Ostlere (Holby City, Doctors) as Adam brings an encourageable eagerness to the lovelorn Adam and is a great foil to Simon Dutton's (Endeavour, Midsummer Murders) irritatingly irrational and inescapably irascible Ivor.
Issy Van Randwyck (Spooks, The Danish Girl) is delightfully demure in her appreciation of this comedy. Like her companions, she doesn't overplay this. The audience is treated to a wonderfully gentle volcanic eruption of continuous control as the laughter lava flows from start to finish.
However, the stand-outs of what can only be described as a voyage of hilarious voyeurism are Matthew Cottle as Gal and the rising star in our theatrical firmament, Charlie Stemp as Dvornichek .
Cottle (Murder on the Blackpool Express, Citizen Khan) is at his absolute best with comedic timing so in touch with his fellow cast it leaves you coming up for air.
The whole crew is delightful in this first class ferryboat of fun.
Stemp (Half a Sixpence, New York's Hello Dolly beside Bette Midler, for which he received the 2018 Theatre World Award for Outstanding Broadway Debut) underlines his growing credentials - at a tender 25 - as a great entertainer. He told me dancing and singing are his 'first love' and it shows, but branching out for more acting and his brilliance at comedy timing were a delight to watch.
Stemp has stamped his mark on yet another theatrical genre.
The decadent art deco look of the liner sets off the scenic beauty of this production.
Rachel Kavanaugh's direction is tight, slick, subtle and dynamic with a delicate, delicious touch of irony.
And with music by Andre Previn and lyrics by Stoppard himself in this freely adapted version of Molnar's Play at the Castle, what more would keep you on dry land.
Go on, wade out into a sea of laughter.
Don't be a plank, ditch the tellybox and walk onboard the 'Royal' as you cast-off for comedy genius.
Rough Crossing, Theatre Royal Windsor, until Saturday, February 9. Box office: 01753 853888 or theatreroyalwindsor.co.uk.
We review theatre around the UK.
Cameron Lowe Editor at UK Theatre Network Thanks, Paul. Great review!


If you fancy a change of scene and love to travel, then working for Emirates – who recently announced the launch of direct flights from Edinburgh - may be your dream job.
Anyone interested should head along to Glasgow's Crowne Plaza tomorrow (12 May) from 8am as the hotel is hosting an open day for the airline, who are looking for cabin crew.
No previous experience is required but applicants need to be 21 years of age at the time of joining, and have an arm reach of 212cm when standing on tiptoes.
The Emirates base, in Dubai, is a holiday-makers haven with year-round sunshine, internationally renowned restaurants and luxury hotels.
New joiners of the airline can expect a tax free income, staff accommodation in Dubai and concession travel benefits for family and friends.
Richard Jewsbury, Divisional Vice President UK for Emirates said: "Our cabin crew are open-minded, helpful, friendly and service-oriented and that's what we need from candidates in order to deliver Emirates' award-winning onboard experience to customers.
"This open day is a great opportunity for people to get their career off to a flying start.


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Bolanle Ninalowo Celebrates His 39th Birthday, Rocks Agbada (Photos)
Popular Nollywood actor, Bolanle Ninalowo Celebrates his 39 years birthday as he rock native Agbada instyle.
Bolanle Ninalowo is one of the prominent actor in the Nigerian movie industry born on May 7 1980 in Lagos.
The tall, handsome and talented actor is the second child in a family of eight children.
He hails from Ikorodu part of Lagos where he was raised before moving to chicago in the U.S at the age of 15.
He spent 15 years in Chicago where he obtained a Bachelor's degree in Accounting from Dewry University. He also obtained a masters degree in Marketing from Kellar graduate school of Management.
Nino as fondly called worked as a banker in General growth properties in Chicago after his studies. He returned back to Nigeria in 2010 and decided to fall back on his childhood dream of becoming an actor
Categories: Entertainment, News
UN General Assembly President, Maria Garcia Arrives Nigeria (Photos)
British Airways Announces Abuja Terminal Move


The Fair Debt Collection Practices Act, found at 15 U.S.C. 1692, addresses abusive debt collection practices. It is a remedial statute passed by Congress in 1977 to prevent deception in the process. Courts interpreting this law apply a standard of whether the communication would deceive or mislead the least sophisticated debtor. This is an objectively low standard that protects all consumers, the shrewd and the most gullible, from deceptive collection practices.
To reach a decision, the Court determines whether a debt collection letter can be reasonably read by that least sophisticated debtor to have two or more different meanings, one of which is inaccurate.
The 3rd Circuit Court of Appeals visited this issue in Rosenau v. Unifund, and decided two issues: one issue relating to false representation or implication that a letter is from an attorney, in violation of 1692e(3), that I discuss in Debt Collection Letter May Not Falsely Imply it is from Lawyer; and another issue under 1692e(10) prohibiting any false representation or deceptive means to collect a debt, that I discuss in A Legal Department Without Lawyers.


I did druidry this morning, followed by 20 squats and 20 push-ups. Then I did Eight Pieces of Silk and Five Golden Coins. Then, since this morning I did druidry and tai chi in the same room, I did four iterations of the form of tai chi that I do — one in each of the cardinal directions.
It's silly to me that I've not picked up on this before. Actually I have, before, done push-ups and forms to the four directions. But it's silly to me that I forgot this particular insight — which is that if I face the four directions, and do tai chi from each of those four starting positions, then I'm honoring my druidry and honoring my tai chi practice at the same time. More practice, more good practice, more better. Right?
This week I heard a speech about Jane McGonigal's relatively recent book, Super Better. It's about gamifying your life. Some of the elements of it are giving yourself power-ups from time to time, and quests, and challenges. A daily tai chi practice and druidic work are two of the ways I'm gamifying my life: if you read yesterday's entry about making a bag and some tokens for my druidic 'runes', you'll see that I'm recognizing that the work of studying magic has in fact helped make me into a Maker (and a poet, and a teacher, and a…). I think it's a complicated relationship, really — because being a gamer is kind of what got me thinking about magic in the first place. And now, twenty, thirty years on from my first D&D game, I'm a practicing druid, magician, martial artist, and nominal cleric. Multi-class! And what am I doing with this set of skills? Gaming my life.


The Handbook of Neural Engineering provides theoretical foundations in computational neural science and engineering and current applications in wearable and implantable neural sensors/probes. Inside, leading experts from diverse disciplinary groups representing academia, industry, and private and government organizations present peer-reviewed contributions on the brain-computer interface, nano-neural engineering, neural prostheses, imaging the brain, neural signal processing, the brain, and neurons.
Metin Akay, PhD, is an interim chair and Professor of Bioengineering in the Harrington Department of Bioengineering at Arizona State University (ASU). He is Editor of the IEEE Press Series on Biomedical Engineering and the author, coauthor, or editor of fourteen books. His current research interests at the ASU Neural Engineering and Informatics, Wearable Technology, and Sensors Labs include the dynamics of motor function in Parkinson and post-stroke disease subjects, and the effect of developmental abnormalities and maturation on the dynamics of respiration.
CHAPTER 3: ESTIMATION OF POSTERIOR PROBABILITIES WITH NEURAL NETWORKS: APPLICATION TO MICROCALCIFICATION DETECTION IN BREAST CANCER DIAGNOSIS (Juan Ignacio Arribas, Jesús Cid-Sueiro, and Carlos Alberola-López).
CHAPTER 17: BIOMIMETIC INTEGRATION OF NEURAL AND ACOUSTIC SIGNAL PROCESSING (Rolf Müller and Herbert Peremans).
CHAPTER 30: MODEL OF MAMMALIAN VISUAL SYSTEM WITH OPTICAL LOGIC CELLS (J. A. Mart&ıacute;n-Pereda and A. González Marcos).
CHAPTER 31: CNS REORGANIZATION DURING SENSORY-SUPPORTED TREADMILL TRAINING (I. Cikajlo, Z. Matjačić, and T. Bajd).
CHAPTER 38: PROBING OSCILLATORY VISUAL DYNAMICS AT THE PERCEPTUAL LEVEL (H. Fotowat, H. Ö&gcaron;men, H. E. Bedell, and B. G. Breitmeyer).


If you place regular orders with us, we will store and use the personal data you have provided in order to be able to inform you personally by e-mail in the future of our existing and new products and services and possibly make you an offer in this connection. We have a legitimate interest in using your personal data for this purpose, namely selling our products and services. Every time we send you a marketing e-mail, you have the option of informing us per mail that you no longer wish to receive such e-mails. If you are a one-off client of ours we will only send you marketing e-mails if you have granted us your approval to do so in advance.


Ah, the grandeur of old school Metal acts! Magnum are not really what we would call a big band, though they had their moments in the 1980s. They even hit the British charts several times, but they did not resist the member changes and split up in 1995. Though times they change, my friends and Magnum returned in 2001 being active since then.
I met Magnum only in 2007 or 2008, when I was affected by the eMule fever and downloaded some albums. I was caught by the granditude of Magnum. This "Lost On The Road To Eternity" is their twentieth album. It is not everyday that we see something like this. No, not really. And still in great shape. "Lost On The Road To Eternity" is full of memorable songs. Magnum really know how to make a memorable album with strong tracks. Chorus are not catchy, they are memorable which is something completely different. They are strong and strengthfull. Even the balad "Storm Baby" is powerful with grand guitar riffs. It is really difficult to point out only a song, but if I would, I'd say "Without Love," which has a pretty deceptive title. One may think it is a ballad, but wrong. It is a strong and grand hard rock. The 1970s taste is so present. Almost a Free song. Grand and memorable chorus. The perfect track for you and a babe.
I have been using the word grand and its derivates a lot to explain this "Lost On The Road To Eternity," but I could not think of a better word to explain Magnum and "Lost On The Road To Eternity." It is not only the guitar riffing, not only Bob Catley's marvelous voice, it is the resourceful songwriting, the correct and catchy drums, the pianos that make each song great. Some art rock moments, some great guitar solo timing as in "Welcome To The Cosmic Cabaret" with an eletrict piano that is pure 1970's Jeff Beck. Not to mention the leading keyboards in the title track. Magnum have been a band of great songs since always. "Lost On The Road To Eternity" is an effort that shows how Magnum were able to resist through time hard rocking with some moments of AOR. Amazing!
"Lost On The Road To Eternity" is an effort for everybody who apreciates good music despite the genre.
Magnum "Lost On The Road To Eternity" will gain the road to eternity on January 19th via Steamhammer / SPV Records.


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Cleitamia orthocephala är en tvåvingeart som beskrevs av Friedrich Georg Hendel 1914. Cleitamia orthocephala ingår i släktet Cleitamia och familjen bredmunsflugor. Inga underarter finns listade i Catalogue of Life.

Källor

Bredmunsflugor
orthocephala


Don't take a back seat, call now.
The hiring of an attorney is an important decision that should not be based solely upon advertisements. Your lawyer should be charged with confidence, and committed to the particular area of law in which they choose to practice. All of the information contained on this website is for general information only and is not intended to be specific or individualized legal advice.


Hi i'm Spike from OST Clan we are looking for new member.
You should play a lot of people to see if they're any good, then ask him to join. Not just "hey who wanna join us?", thats not gonna work out IMO.
It might work if they have some kind of tryout or initiation that potential members have to pass.


The Galoob Baby Face dolls are a big part of my collection and some of my very favorites. These 13" multi-jointed vinyl dolls were manufactured in 1990-91 only. Because of their quality and just plain old cuteness, they are steadily rising in popularity among today's modern doll collectors.
These two are from the bathtub series and don't have the extra joints like their older counterparts. They have more "realistic" fingers and toes and came wearing a screened on under shirt that disappeared when bathed in warm water.