Google are world leaders in online services. Google's is one of the most used search engines throughout the world. We use a range of Google services to give our clients the full leverage that Google can offer. Google Analytics began tracking sites in mid-2006. But it's quickly become a preferred web analytics tool because of its price and features. Even though it's free, Google Analytics is packed with many of the same reports you'll find in high-priced solutions.
Google AdWords Is Google's pay per click program is titled, Google's word is relevancy. Google Adwords ads are shown across Google's search engine, AOL, AskJeeves, Earthlink, Lycos, CompuServe, AT&T WorldNet, and NYTimes.com. They have syndication deals with many smaller publishers as well.
Amazon AWS Cloud Hosting. Is a true global cloud hosting service that has a list of clients from small SME clients to huge corporates such as Adobe, GE, Nasa, Netflix, FourSquare & Nokia. AWS Cloud Hosting allows clients like Netflix to quickly deploy thousands of servers and terabytes of storage within minutes. With Amazon AWS Cloud hosting we can offer unprecedented levels of speed and stability and in any location that is equal or superior to any hosting platform available today. Amazon Elastic Compute Cloud (Amazon EC2) is a web service that provides resizable compute capacity in the cloud. It is designed to make web-scale computing easier for developers. Amazon EC2's simple web service interface allows you to obtain and configure capacity with minimal friction. It provides you with complete control of your computing resources and lets you run on Amazon's proven computing environment.
Amazon CloudFront is a web service for content delivery. It integrates with other Amazon Web Services to give developers and businesses an easy way to distribute content to end users with low latency, high data transfer speeds, and no commitments. Amazon CloudFront can be used to deliver your entire website, including dynamic, static and streaming content using a global network of edge locations.
Amazon S3 is storage for the Internet. It is designed to make web-scale computing easier for developers. It gives any developer access to the same highly scalable, reliable, secure, fast, inexpensive infrastructure that Amazon uses to run its own global network of web sites. The service aims to maximize benefits of scale and to pass those benefits on to developers. Designed to provide 99.999999999% durability and 99.99% availability of objects over a given year. Designed to sustain online without interruption even with the concurrent loss of data in two Amazon hosting facilities.
Parallels Panel 11.5 is more admin-friendly, so less training time is required. Plus, this latest version empowers webmasters to manage PHP and Web Server settings site-by-site in an SEO-safe manner - which includes appropriate configuration of redirects, domain aliases, www-prefix and appropriate suspend to keep sites showing up in search engines.


text:
New Production
Die Zauberflöte {343} Metropolitan Opera House: 10/08/2004.
(Debuts: L'ubica Vargicová, Volker Vogel, Kwangchul Youn, Anna Christy, Aiden Bowman, Jason Goldberg, Lev Pakman, Julia Welsh, Julie Taymor, Donald Holder, Michael Curry, Mark Dendy
DIE ZAUBERFLÖTE {343}
Mozart-Schikaneder
Pamina..................Dorothea Röschmann
Tamino..................Matthew Polenzani
Queen of the Night......L'ubica Vargicová [Debut]
Sarastro................Kwangchul Youn [Debut]
Papageno................Rodion Pogossov
Papagena................Anna Christy [Debut]
Monostatos..............Volker Vogel [Debut]
Speaker.................Julien Robbins
First Lady..............Emily Pulley
Second Lady.............Jossie Pérez
Third Lady..............Wendy White
Genie...................Aiden Bowman [Debut]
Genie...................Jason Goldberg [Debut]
Genie...................Lev Pakman [Debut]
Priest..................James Courtney
Priest..................Bernard Fitch
Guard...................Garrett Sorenson
Guard...................Morris Robinson
Slave...................Roger Andrews
Slave...................Dennis Williams
Slave...................Glenn Bater
Dancer..................Julia Welsh [Debut]
Flute Solo: Michael Parloff
Conductor...............James Levine
Production..............Julie Taymor [Debut]
Set Designer............George Tsypin
Costume Designer........Julie Taymor
Lighting Designer.......Donald Holder [Debut]
Puppet Designers........Julie Taymor, Michael Curry [Debut]
Choreographer...........Mark Dendy [Debut]
The production a gift from Mr. and Mrs. Henry R. Kravis.
Additional production gifts from John Van Meter, The Annenberg Foundation,
Karen and Kevin Kennedy, Bill Rollnick and Nancy Ellison Rollnick, Mr. and
Mrs. William R. Miller, Agnes Varis and Karl Leichtman and Mr. and Mrs. Ezra
K. Zilkha.
Production photos of Die Zauberflöte by Ken Howard / Metropolitan Opera
Review of Leighton Kerner in the January 2005 issue of OPERA NEWS
Taymor's direction of the Met's new "Die Zauberflöte" proclaimed that more is exuberantly more.
The Metropolitan Opera turned a brave new corner on October 8 with the first performance of Julie Taymor's company-debut production of Mozart's "Die Zauberflöte." Not since the late John Dexter invaded the house thirty-one years ago had the Met been given such a jolting but enlivening theatrical shake-up. Central to the new bravery is that, while Dexter at his best stripped the stage down to a powerful economy of decor and action, Taymor's direction and design (or codesign) of films, musical plays, Shakespeare, other classic drama and operas has consistently proclaimed that more is exuberantly more. Hers is a theater where walls dance and puppeteered birds, beasts and people disobey any no-fly rules.
Mind you, Taymor's Zauberflöte, an expansion on her staging for Florence's 1993 May Festival, isn't entirely flawless, but it is nevertheless not to be missed. Her apparent preference for wild inspiration rather than safe perfection rules the show. To be more precise, the [first] night's governance was shared, as it should have been, with conductor James Levine, who seems to have deepened and freshly highlighted his already established mastery of this wonder-filled score.
One suspects that Levine would have achieved what he did even with a less ambitious production - such as the Met's 1991 inflated-from-Glyndebourne Flute, whose main visual point was to exhibit politely David Hockney's gracefully monumental and quite beautiful scene-painting, or the company's 1967 Old-Russian dazzler, designed by Marc Chagall with enough (perhaps) vodka-fueled brilliance to lighten up stage director Günther Rennert's otherwise stodgy sense of Viennese humor. But facing what Taymor and her allies in "après-nous-le-déluge" stagecraft were up to, Maestro Levine must have felt self-commanded all the more to rethink every page of the score, and the [first]-night performance sounded as evidence.
Let's begin at the beginning. Russian set-designer George Tsypin, remembered happily by Met audiences for "The Gambler" and "War and Peace," if less fondly for "Benvenuto Cellini," has devised a glassy-plastic front curtain whose dozens of linked Masonic pyramids were illuminated when those famous E-flat-major chords (in three flats, of course, and in three positions) launched the overture. Mozart and librettist Emanuel Schikaneder were politically incorrect Masons - hence the musical prominence of the figure three - and Levine gave special airspace to set off that number.
The overture ended, the front curtain rose, and Tsypin's scenery went into action, swiveling and gliding throughout the evening, holding still only when Mozart's arias and ensembles demanded center-stage, or when the libretto called for a change of pace. Taymor's program note acknowledges her having become "obsessed with the image of the triangular
kaleidoscope as a perfect pyramidic vehicle to house the exterior and inner landscapes of "The Magic Flute" - all this aside from her evident consideration of the opera's pseudo-Egyptian locale, Masonic symbols, and so on. Tsypin has obliged her with circular inner stages, pyramids of various sizes (ancient Egypt, hurrah!), boxy compartments, transparent plastic lions for Sarastro's chariot, and enough air and floor space for almost everything, including beasts, birds and spirits, to prance and to fly about on the ends of long, thin poles manipulated by a hyperactive corps of black-leotarded, barely visible super-Bunraku puppeteers.
Despite all the surprises, you're not being tossed into a barrel of Americanized Eurotrash. For example, Tamino makes his first entrance in a Japanese costume, just as Schikaneder prescribed. None of the twenty-five or so previous "Zauberflöte" productions that I'd seen over six decades obeyed that stage direction. Another unusual but libretto-inspired stroke: the three boy-spirits who guide Tamino to Sarastro's temples, and later on prove adept at preventing the suicides of Pamina and Papageno, symbolize the wisdom attributed to them by the Queen of the Night's three Ladies by sporting delicate white beards.
In the production's first cast, tenor Matthew Polenzani, who has been progressing step by step in his seven-year Met career, did much cultivated justice to his biggest local assignment yet and delivered Tamino's "Dies Bildnis" and the role's other great passages with firm promise of further development. Soprano Dorothea Röschmann's Pamina, after a "Bei Männern" duet with Rodion Pogossov's Pagageno that needed more unhurried warmth (do we blame Levine's or Taymor's speedometer?), bloomed into an emotionally intense, vocally grand heroine. Whether persuading the scared Papageno to trust in "Die Wahrheit" (the truth), mourning a supposedly lost love ("Ach, ich fühl's," that aria-length tragedy in G minor) or describing, Wagner-style, her dead father's flute, which will take the lovers through their trials of fire and water, Röschmann gave us a Pamina to cherish.
Pogossov, one of the Met's younger baritones, replaced the previously announced, more seasoned, but indisposed Matthias Goerne in Schikaneder's own role as the bird-catching, lovelorn Papageno, singing with verve and lyricism. One can understand why the Korean basso cantante Kwangchul Youn, in his Met debut as Sarastro, has been acclaimed so intensely in Europe for his recorded Don Giovanni. His voice is exceptionally beautiful, but he didn't have that profondo substance Sarastro needs at the bottom of the bass clef. He reached those notes but didn't grasp them. He also neglected to express Sarastro's warmth to the lovers and fury toward his enemies.
The other debut singers included a sexy Hollywood starlet-like L'ubica Vargicova as a Queen of the Night with rhinestone top Fs, cute Anna Christy as a doll-like Papagena (whose old woman's cackle was actually more pleasing than her "real" voice) and Volker Vogel as a lively, lewd, and non-black Monostatos, for whom the racial jokes were removed.
Among the many veterans, Emily Pulley, Jossie Pérez and Wendy White sang the Three Ladies' witty music beautifully; Aiden Bowman, Jason Goldberg and Lev Pakman were in fine tune as the bearded boys; Garrett Sorenson and Morris Robinson sang their Bachian chorale sternly in what looked like welded armor (beneath gigantic puppets of themselves); and the orchestra's Michael Parloff played Tamino's flute solos in streams of mellow sound. As for Raymond Hughes's chorus, the men thrilled us with the sweet thunder of "O Isis end Osiris, welche Wonne," and the full chorus sang its final scene with what seemed a new freedom of phrasing without getting sloppy.
Further production credits go to Donald Holder for his virtuoso lighting, Michael Curry as codesigner (with Taymor) of the puppets, Mark Dendy for the choreography, and Taymor again for her mask designs. About those masks: the Three Ladies might have been given more attractive ones (atop their heads) to suit their music, and the old woman Papagena's could have been less horrible. Papageno might have put off this cackler by suggesting a pub-date at the Sign of the Rising Gorge. At any rate, don't let these reservations or those noted above keep you away from this groundbreaking vision of one of the greatest of all operas. It returns to the Met in April.
Die Zauberflöte: Conductor [Levine, James]
Die Zauberflöte: Pamina [Röschmann, Dorothea]
Die Zauberflöte: Tamino [Polenzani, Matthew]
Die Zauberflöte: Queen of the Night [Vargicová, L'ubica]
Die Zauberflöte: Sarastro [Youn, Kwangchul]
Die Zauberflöte: Papageno [Pogossov, Rodion]
Die Zauberflöte: Papagena [Christy, Anna]
Die Zauberflöte: Monostatos [Vogel, Volker]
Die Zauberflöte: Speaker [Robbins, Julien]
Die Zauberflöte: First Lady [Pulley, Emily]
Die Zauberflöte: Second Lady [Pérez, Jossie]
Die Zauberflöte: Third Lady [White, Wendy]
Die Zauberflöte: Genie [Bowman, Aiden]
Die Zauberflöte: Genie [Goldberg, Jason]
Die Zauberflöte: Genie [Pakman, Lev]
Die Zauberflöte: Priest [Courtney, James]
Die Zauberflöte: Priest [Fitch, Bernard]
Die Zauberflöte: Guard [Sorenson, Garrett]
Die Zauberflöte: Guard [Robinson, Morris]
Die Zauberflöte: Slave [Andrews, Roger]
Die Zauberflöte: Slave [Williams, Dennis]
Die Zauberflöte: Slave [Bater, Glenn]
Die Zauberflöte: Dancer [Welsh, Julia]
Die Zauberflöte: Production [Taymor, Julie]
Die Zauberflöte: Set Designer [Tsypin, George]
Die Zauberflöte: Costume Designer [Taymor, Julie]
Die Zauberflöte: Lighting Designer [Holder, Donald]
Die Zauberflöte: Puppet Designer [Taymor, Julie]
Die Zauberflöte: Puppet Designer [Curry, Michael]
Die Zauberflöte: Choreographer [Dendy, Mark]
2004-05: Die Zauberflöte: Production gift: Mr. and Mrs. Henry R. Kravis
2004-05: Die Zauberflöte: Additional production gift: John Van Meter
2004-05: Die Zauberflöte: Additional production gift: The Annenberg Foundation
2004-05: Die Zauberflöte: Additional production gift: Karen and Kevin Kennedy
2004-05: Die Zauberflöte: Additional production gift: Bill Rollnick and Nancy Ellison Rollnick
2004-05: Die Zauberflöte: Additional production gift: Mr. And Mrs. William R. Miller
2004-05: Die Zauberflöte: Additional production gift: Agnes Varis and Karl Leichtman
2004-05: Die Zauberflöte: Additional production gift: Mr. And Mrs. Ezra K. Zilkha
Kravis, Mr. And Mrs. Henry R.: 2004-05: Production gift: Die Zauberflöte
Van Meter, John: 2004-05: Additional production gift: Die Zauberflöte
The Annenberg Foundation: 2004-05: Additional production gift: Die Zauberflöte
Kennedy, Karen and Kevin: 2004-05: Additional production gift: Die Zauberflöte
Rollnick, Bill and Nancy Ellison: 2004-05: Additional production gift: Die Zauberflöte
Miller, Mr. and Mrs. William R.: 2004-05: Additional production gift: Die Zauberflöte
Varis, Agnes and Karl Leichtman: 2004-05: Additional production gift: Die Zauberflöte
Zilkha, Mr. and Mrs. Ezra K.: 2004-05: Additional production gift: Die Zauberflöte
Röschmann, Dorothea: Photograph: Pamina in Die Zauberflöte (Ken Howard/Metropolitan Opera)
Polenzani, Matthew: Photograph: Tamino in Die Zauberflöte (Ken Howard/Metropolitan Opera)
Vargicová, L'ubica: Photograph: Queen of the Night in Die Zauberflöte (Ken Howard/Metropolitan Opera)
Youn, Kwangchul: Photograph: Sarastro in Die Zauberflöte (Ken Howard/Metropolitan Opera)
Pogossov, Rodion: Photograph: Papageno in Die Zauberflöte (Ken Howard/Metropolitan Opera)
Christy, Anna: Photograph: Papagena in Die Zauberflöte (Ken Howard/Metropolitan Opera)
Vogel, Volker: Photograph: Monostatos in Die Zauberflöte (Ken Howard/Metropolitan Opera)
Pulley, Emily: Photograph: First Lady in Die Zauberflöte (Ken Howard/Metropolitan Opera)
Pérez, Jossie: Photograph: Second Lady in Die Zauberflöte (Ken Howard/Metropolitan Opera)
White, Wendy: Photograph: Third Lady in Die Zauberflöte (Ken Howard/Metropolitan Opera)
Bowman, Aiden: Photograph: Genie in Die Zauberflöte (Ken Howard/Metropolitan Opera)
Goldberg, Jason: Photograph: Genie in Die Zauberflöte (Ken Howard/Metropolitan Opera)
Pakman, Lev: Genie in Die Zauberflöte (Ken Howard/Metropolitan Opera)
Welsh, Julia: Photograph: Dancer in Die Zauberflöte (Ken Howard/Metropolitan Opera)
Die Zauberflöte: 2004-05: photos
2004-05: Die Zauberflöte: 10 performances: New Production: Julie Taymor//Julie Taymor/George Tsypin: Statistics
NewReview
Andrews, Roger [Bass]
Bater, Glenn [Bass]
Bowman, Aiden [Child, Male]
Christy, Anna [Soprano]
Courtney, James [Bass Baritone]
Curry, Michael [Puppet Designer]
Dendy, Mark [Choreographer]
Fitch, Bernard [Tenor]
Goldberg, Jason [Child, Male]
Holder, Donald [Lighting Designer]
Levine, James [Conductor]
Pakman, Lev [Child, Male]
Pérez, Jossie [Mezzo Soprano]
Pogossov, Rodion [Baritone]
Polenzani, Matthew [Tenor]
Pulley, Emily [Soprano]
Robbins, Julien [Bass]
Robinson, Morris [Bass]
Röschmann, Dorothea [Soprano]
Sorenson, Garrett [Tenor]
Taymor, Julie [Costume Designer]
Taymor, Julie [Production]
Taymor, Julie [Puppet Designer]
Tsypin, George [Set Designer]
Vargicová, L'ubica [Soprano]
Vogel, Volker [Tenor]
Welsh, Julia [Dancer]
White, Wendy [Mezzo Soprano]
Williams, Dennis [Tenor]
Youn, Kwangchul [Bass]

redpajama_set_name: RedPajamaCommonCrawl


text:
Who was the pirate in Peter Pan?
Are there pirates in Peter Pan?
How many pirates are there in Peter Pan?
Did pirates have hook hands?
Did pirates make you walk the plank?
Why do the Pirates in Peter Pan release Tiger Lily?
Who were the Darling children in Peter Pan?
How did Peter Pan get into Neverland?
CAPTAIN JAMES HOOK
CAPTAIN JAMES HOOK: The captain of the pirate band, Hook is "the largest jewel of the lot." He hates Peter Pan because Peter cut off his hand in an earlier battle and fed it to the crocodile.
Pirates are the antagonistic group of foul mouthed and murderous criminal men who work for Captain Hook. They live on Hook's pirate ship in Neverland and are a major part of the Peter Pan story. They first appeard in J. M. Barrie's classic children's novel titled Peter and Wendy, published in 1911.
What is the name of Peter Pan's pirate enemy?
Captain James Hook is a fictional character, the main antagonist of J. M. Barrie's 1904 play Peter Pan; or, the Boy Who Wouldn't Grow Up and its various adaptations, in which he is Peter Pan's archenemy. The character is a pirate captain of the brig Jolly Roger.
Interestingly, in the original novel, he and Smee were the only two pirates to survive. The only pirate member names that were confirmed were Wibbles, Bill Jukes, Black Murphy, Mullins, Turk, Starkey, Skylights, and Damien Salt.
So hook hands, peg legs, and eye patches are associated with pirates simply because they could be. And because some very good writers chose to make these kinds of disabilities a distinctive mark of their greatest creations. It worked.
Is Peter Pan Wendy's brother?
Wendy Moira Angela Darling is a fictional character and one of the main protagonists of the 1904 play and 1911 novel Peter and Wendy by J. M. Barrie, as well as in most adaptations in other media….
Relatives John Darling (brother) Michael Darling (brother) Margaret (grandchild)
Experts say pirates rarely made people walk the plank. While this may have been done when pirates were looking to be entertained, they usually didn't have much time to hand out punishment. Chances are they simply threw captives overboard if they wanted to get rid of them.
Tiger Lily is kidnapped by Captain Hook and his pirates but is rescued by Peter Pan. In the 1924 silent film Peter Pan, she is played by Anna May Wong . In the Disney animated film of the same name, Captain Hook kidnaps Tiger Lily which leads her father Big Chief to suspect that the Lost Boys were responsible.
What pirate did Captain Hook sail under in Peter Pan?
What ruthless, tyrannical pirate did Captain Hook purportedly sail under in J.M. Barrie's Peter Pan? ANSWER: Captain Hook was Captain Edward "Blackbeard" Teach's boatswain. Captain Hook was Captain Edward "Blackbeard" Teach's boatswain.
Wendy Moira Angela Darling: a young girl, the eldest child of the Darling family, who is befriended by Peter Pan and flies away to Neverland to be a mother to him and the Lost Boys, and share their adventures. John Napoleon Darling: the middle child, named after Jack Llewelyn Davies. Michael Nicholas Darling: the youngest of the three children.
King Kyros
Ice Elves
The Girl in the Moon
The Never Master
Olook
Fairy of the Monday Island
Lone Wolf Nico
How does blood flow through the circulatory system?
How do you make a Wittig reagent?


The dramatic decline in eelgrass coverage in coastal waters during the last decades has serious implications for associated ecosystem services, such as carbon and nitrogen sequestration, coastal protection and biodiversity. The expected recovery of eelgrass following substantial reductions in nutrient loading has not occurred. A major reason is negative feedback mechanisms related to physical and biological disturbances that hinder or delay eelgrass colonization, by constraining the transition from seeds to established seedlings. Our research project is aimed for designing innovative eelgrass restoration techniques specific for estuaries and coastal waters in Europe. We will on a scientific basis develop new technical tools for eelgrass restoration, apply these tools at large scales, provide guidelines for eelgrass restoration, including climatic challenges through modeling, and provide a socio-economic analysis and assessment of the ecosystem services gained by restoration. Harvest, storage, seeding and planting techniques will be developed under consideration of environmental disturbances and tested at small and large scales. Long-term sustainability of restorations will be monitored and modeled based on the sensitivity of eelgrass to predicted climate change and analyzed in relation to the gained ecosystem services.


text:
Supreme Court Justice Breyer Just Issued an Ominous Warning About Judicial Threats to Roe
"Today's decision can only cause one to wonder which cases the Court will overrule next."
Olivier Douliery / AP
When the Supreme Court voted Monday to overrule 40-year-old precedent in favor of political belief, Justice Stephen Breyer used his dissent to issue a warning about potential judicial challenges to Roe v. Wade, the landmark 1973 ruling that affirms a woman's right to an abortion.
In Monday's case, Franchise Tax Board of California v. Hyatt, the Supreme Court voted 5-4 to overrule Nevada v. Hall, a 1979 decision that allowed an individual to sue a state in the courts of another state. While the conservative judges voted in favor of states' rights, Breyer argued that "stare decisis requires us to follow Hall, not overrule it."
In his dissent, Breyer cites Planned Parenthood v. Casey, a 1992 Supreme Court ruling that upheld Roe v. Wade on the basis of precedent. Then, Breyer issued what many are viewing as a warning given recent legislation restricting abortion in states such as Ohio and Georgia, calling the disregard for states' right precedent "dangerous."
"The majority has surrendered to the temptation to overrule Hall even though it is a well-reasoned decision that has caused no serious practical problems in the four decades since we decided it," Breyer wrote. "Today's decision can only cause one to wonder which cases the Court will overrule next."
Alabama Republicans Tried to Pass a Blanket Abortion Ban. Then Chaos Erupted.
Georgia Governor Brian Kemp Just Banned Abortions After Six Weeks. Black Female Lawmakers Aren't Having It.
Marisa Endicott


This month's topic is The daily (database-related) WTF, and one of the most important things for DBA's is security, so there it is my Security audit WTF.
Security is a very important piece of work for database professionals and it doesn't matter if you have just landed in a new company, you are a consultant or you work in a team where multiple people have elevated privileges on the servers, it is always good to know who can do what within your server, (aka who have the right to take it down).
I'm not sure what it'd scare me more, if there are many [sysadmin] or just [sa] because the first one is scary, but the second involves to find out who knows the [sa] password and knowing who did what, can be a real pain in the neck.
One way or another, as I said, I want to know the different people and level of access to my server[s], so back in the day I created this stored procedure which now I want to share with you guys.
We can find all that info using DMV's and in my case I use sys.server_principals, sys.server_role_members and sys.server_permissions and some stored procedure which I bet it's not that well known, sys.xp_logininfo which help to get more granular picture from Windows AD Groups.
So there we go, this is the script, and I have to say that is one of those I use all the time to double check security problems.
Executing this stored procedure can give more than one WTF moment for sure, but it's better to know what is the situation before it's too late.
I just want to thank again to Kennie Nybo for hosting this month's event and you for reading this post.
As always any question or comment, please use the comment box below.


text:
namespace ppapi {
namespace thunk {

namespace {

typedef EnterResource<PPB_VideoCapture_API> EnterVideoCapture;

PP_Resource Create(PP_Instance instance) {
  EnterResourceCreation enter(instance);
  if (enter.failed())
    return 0;
  return enter.functions()->CreateVideoCapture(instance);
}

PP_Bool IsVideoCapture(PP_Resource resource) {
  EnterVideoCapture enter(resource, false);
  return PP_FromBool(enter.succeeded());
}

int32_t EnumerateDevices0_2(PP_Resource video_capture,
                            PP_Resource* devices,
                            PP_CompletionCallback callback) {
  EnterVideoCapture enter(video_capture, callback, true);
  if (enter.failed())
    return enter.retval();

  return enter.SetResult(enter.object()->EnumerateDevices0_2(devices,
                                                             enter.callback()));
}

int32_t EnumerateDevices(PP_Resource video_capture,
                         PP_ArrayOutput output,
                         PP_CompletionCallback callback) {
  EnterVideoCapture enter(video_capture, callback, true);
  if (enter.failed())
    return enter.retval();

  return enter.SetResult(enter.object()->EnumerateDevices(output,
                                                          enter.callback()));
}

int32_t MonitorDeviceChange(PP_Resource video_capture,
                            PP_MonitorDeviceChangeCallback callback,
                            void* user_data) {
  EnterVideoCapture enter(video_capture, true);
  if (enter.failed())
    return enter.retval();
  return enter.object()->MonitorDeviceChange(callback, user_data);
}

int32_t Open(PP_Resource video_capture,
             PP_Resource device_ref,
             const PP_VideoCaptureDeviceInfo_Dev* requested_info,
             uint32_t buffer_count,
             PP_CompletionCallback callback) {
  EnterVideoCapture enter(video_capture, callback, true);
  if (enter.failed())
    return enter.retval();

  std::string device_id;
  // |device_id| remains empty if |device_ref| is 0, which means the default
  // device.
  if (device_ref != 0) {
    EnterResourceNoLock<PPB_DeviceRef_API> enter_device_ref(device_ref, true);
    if (enter_device_ref.failed())
      return enter.SetResult(PP_ERROR_BADRESOURCE);
    device_id = enter_device_ref.object()->GetDeviceRefData().id;
  }

  return enter.SetResult(enter.object()->Open(
      device_id, *requested_info, buffer_count, enter.callback()));
}

int32_t StartCapture(PP_Resource video_capture) {
  EnterVideoCapture enter(video_capture, true);
  if (enter.failed())
    return enter.retval();
  return enter.object()->StartCapture();
}

int32_t ReuseBuffer(PP_Resource video_capture,
                    uint32_t buffer) {
  EnterVideoCapture enter(video_capture, true);
  if (enter.failed())
    return enter.retval();
  return enter.object()->ReuseBuffer(buffer);
}

int32_t StopCapture(PP_Resource video_capture) {
  EnterVideoCapture enter(video_capture, true);
  if (enter.failed())
    return enter.retval();
  return enter.object()->StopCapture();
}

void Close(PP_Resource video_capture) {
  EnterVideoCapture enter(video_capture, true);
  if (enter.succeeded())
    enter.object()->Close();
}

const PPB_VideoCapture_Dev_0_2 g_ppb_video_capture_0_2_thunk = {
  &Create,
  &IsVideoCapture,
  &EnumerateDevices0_2,
  &Open,
  &StartCapture,
  &ReuseBuffer,
  &StopCapture,
  &Close
};

const PPB_VideoCapture_Dev_0_3 g_ppb_video_capture_0_3_thunk = {
  &Create,
  &IsVideoCapture,
  &EnumerateDevices,
  &MonitorDeviceChange,
  &Open,
  &StartCapture,
  &ReuseBuffer,
  &StopCapture,
  &Close
};

}  // namespace

const PPB_VideoCapture_Dev_0_2* GetPPB_VideoCapture_Dev_0_2_Thunk() {
  return &g_ppb_video_capture_0_2_thunk;
}

const PPB_VideoCapture_Dev_0_3* GetPPB_VideoCapture_Dev_0_3_Thunk() {
  return &g_ppb_video_capture_0_3_thunk;
}

}  // namespace thunk
}  // namespace ppapi

redpajama_set_name: RedPajamaGithub


Sachin Tendulkar is considered one of the best cricketer ever witnessed in history of Cricket. He made many great records that are almost unbreakable. Recently Sachin announced retirement from International Cricket.


text:
Lauretta Masiero, née le  à Venise et morte le  à Rome, est une actrice italienne.

Biographie
Lauretta Masiero débuta dans le théâtre, comme danseuse, dans des revues où elle se fit remarquer notamment par la couleur platine de ses cheveux et ses belles jambes. À 18 ans, elle interpréta un rôle de soubrette dans "Amore biondo" avec Walter Chiari. Elle joua ensuite avec Erminio Macario, puis avec Ugo Tognazzi.

Elle débuta dans le cinéma grâce aux dramaturges et scénaristes Pietro Garinei et Sandro Giovannini. En 1952, elle fit ses débuts dans le film "Attanasio cavallo vanesio", aux côtés de l'acteur Renato Rascel. Ce fut un succès immédiat. Elle passa ensuite au répertoire dramatique. Sa première épreuve fut au Théâtre Carlo-Goldoni, en 1954, lors de la Biennale de Venise.

Elle présenta l'émission de télévision Canzonissima en 1958 et 1960. En 1965 et 1966, elle tourna dans la série télévisée "Le avventure di Laura Storm".

Elle fut la femme de l'acteur de cinéma italien  Giorgio Guidi, connu sous son nom de scène de Johnny Dorelli. Ils eurent un fils, Gianluca Guidi, auteur et réalisateur.

Lauretta Masiero est morte le , à l'âge de 82 ans, à Rome après une longue hospitalisation, en raison de la maladie d'Alzheimer. Ses cendres reposent dans le cimetière San Michele de Venise, dans le caveau familial Masiero Favaro.

Théâtre
 Votate per Venere (1951)
 Galanteria (1952)
 Carlo non farlo (1957)
 Mare e whisky (1960)
 Ma non è una cosa seria (1965)
 Il cavallo a vapore (1969)
 Otto mele per Eva (1970)
 La signora Morli uno e due (1973)
 E tu che fai qui? (1974)
 La vedova scaltra (1975)
 La signora dorme sempre a sinistra (1977)
 Il marito va a caccia (1987)
 La cameriera brillante (1988)
 La miliardaria (1989)
 Eva contro Eva (1991)
 A piedi nudi nel parco (1993)
 Twist (1995)
 Non ti conosco più (1996)
 Sorelle Materassi (1999)
 Bella figlia dell'amore (2000)

Filmographie

Télévision
    Canzonissima, émissions de variétés TV, (1960)
    Biblioteca di Studio Uno: Il fornaretto di Venezia, film TV, d'Antonello Falqui (1964)
    Principesse, violini e champagne, variétés TV, de Gianfrancesco Bettetini (1965)
    Addio giovinezza, film TV, de Silverio Blasi (1965)
    Le avventure di Laura Storm (8 épisodes, 1965-1966)
    Qui ci vuole una mano, variétés TV, de Carla Ragionieri (1968)
    Vento di mare, film TV, de Gianfranco Mingozzi (1991)

Cinéma
 1952 : Canzoni di mezzo secolo, de Domenico Paolella
 1952 : Il bandolero stanco, de Fernando Cerchio
 1953 : Siamo tutti Milanesi, de Mario Landi
 1954 : Baracca e burattini de Sergio Corbucci
 1954 : Gran varietà, de Domenico Paolella
 1954 : Accadde al commissariato, de Giorgio Simonelli
 1958 : Totò a Parigi, de Camillo Mastrocinque
 1958 : Vento di primavera, de Giulio Del Torre et Arthur Maria Rabenalt
 1958 : Marinai, donne e guai, de Giorgio Simonelli
 1959 : Tipi da spiaggia, de Mario Mattoli
 1959 : Il mistero della pensione Edelweiß, d'Ottorino Franco Bertolini et Víctor Merenda
 1959 : Lui, lei e il nonno, d'Anton Giulio Majano
 1959 : Psicanalista per signora, de Jean Boyer
 1960 : Caravan Petrol, de Mario Amendola
 1960 : Ferragosto in bikini, de Marino Girolami
 1961 : Son Excellence est restée dîner (Sua Eccellenza si fermò a mangiare) de Mario Mattoli
 1961 : Cacciatori di dote, de Mario Amendola
 1964 : Napoleone a Firenze, de Piero Pierotti
 1976 : Peccatori di provincia, de Tiziano Longo
 1990 : Le Voyage du capitaine Fracasse, d'Ettore Scola
 1992 : Ostinato destino, de Gianfranco Albano

Liens externes

Hommage à Lauretta Masiero, Le Corriere della Sera, daté du 23/03/2010
Hommage à Lauretta Masiero,La Stampa, daté du 24/03/2010

Naissance à Venise
Actrice italienne du XXe siècle
Actrice italienne de cinéma
Actrice italienne de théâtre
Décès à Rome
Naissance en octobre 1927
Décès en mars 2010
Mort de la maladie d'Alzheimer
Décès à 82 ans

redpajama_set_name: RedPajamaWikipedia


text:
Woureddy, an Aboriginal Chief of Van Diemen's Land
Woureddy was a Nuennone man from Bruny Island, and his wife was Trucaninny. There are several other spellings of his name, including Woorrady. He was a skilled hunter, boat builder, and spoke five dialects. Woureddy remained fiercely proud of his identity, refusing to adopt the European diet or dress. He maintained the practice of using ochre for his hair and beard.
Believing that she could better protect her people, Trukanini joined George Augustus Robinson, a settler and lay preacher appointed to lead the removal of Tasmania's Indigenous people to a mission on Flinders Island in the Bass Strait. The government conceived this strategy for the proposed protection of the Aboriginal and non-Aboriginal communities.
At the mission station on Flinders Island, there were over 100 Aboriginal people exiled. Many died there while waiting for the fulfillment of the promise that they would be allowed to return to their traditional lands. In 1839, Woureddy was one of the fourteen Tasmanians who went to Port Phillip following Robinson's appointment to the position of Chief Protector of Aborigines. Woureddy died on this return journey to the mission in 1842. Trukanini, his wife remained at the mission until it closed in 1847, and was then relocated to a former convict depot south of Hobart, close to her traditional country.
In 1835 and 1836, sculptor Benjamin Law (1807–1890) created a pair of busts depicting Truganini and her husband, Woureddy, in Hobart. Law's statue of Woureddy, whom he met, is considered Australia's first portrait sculpture. According to Law's first wife, copies of the busts, were:
'called for not only in all Quarters of the Colony, but are being sent to India, to Sweden, to England, Scotland … and Cambridge College'.
The Benjamin Law's portraits of Trukanini and Woorrady were valued for their 'correctness.' Trukanini and Woureddy were popular subjects, and portraits of them were made by several other artists who each spelled their names differently.
Title: Woureddy, an Aboriginal Chief of Van Diemen's Land
Artist: Benjamin Law
Medium: cast plaster, painted
Museum: National Portrait Gallery, Canberra, Australia
Explore Aboriginal Artifacts and Stories
Australian Museums
Coolamons and Aboriginal Carrying Vessels
Aboriginal Shields
Australian Aboriginal Shields
Trucaninny, wife of Woureddy
Aboriginal Message Stick
Platypus Nest
Thylacine Skeleton (Tasmanian Tiger)
Mummified Thylacine Head
Aboriginal King Plate of Billie Hippie
Bedgi-Bedgi
Australian Native Police Uniform
A Book of Drawings by Tommy McRae
"View taken from the spot – Bateman's Hill" by George Alexander Gilbert
Tour of the National Portrait Gallery
Marianne Egan and her children, Gertrude Evans Cahuac and Henry William Cahuac
Ned Kelly – Death Mask
Portrait of Captain James Cook RN
– Australian Proverb


Sculpted in Polar White, our One Owner, Clean CarFax 2016 Mercedes-Benz E-Class E350 Sport Sedan is the epitome of driving perfection! Powered by an advanced 3.5 Liter V6 that offers 302hp while tethered to a paddle-shifted 7 Speed Automatic transmission. This stellar Rear Wheel Drive machine boasts agile suspension and offers a ride that redefines luxury while scoring near 30mpg on the open road!
Our E-Series has been masterfully crafted with a power sunroof, a navigation system, beautiful hand-polished wood trim, and 14-way power adjustable heated front seats with memory. Our technology is easy to use and our COMAND system with a central controller makes operation second nature. If you are seeking an extra touch of luxury, you have chosen well. E-Class quality runs generations deep and you will appreciate the value when you first settle in!
Advanced safety features from Mercedes-Benz help you to avoid and manage challenging driving situations, and our E350 sedan includes innovative safety systems including Attention Assist that detects your personal driving profile then warns you if you become fatigued. You'll also have peace of mind with ABS, stability control, and nine airbags. Safe, stylish, and the ultimate in powerful performance, our E350 Sedan is the intelligent choice! Reward yourself with this automotive masterpiece! Print this page and call us Now... We Know You Will Enjoy Your Test Drive Towards Ownership! Great quality, easy financing and affordable prices aren't the only things that make Westcoast Auto Sales the first choice of many discerning auto buyers. Stop in and See California's Dealer of the Year!


Before the end of this second decade of the 21st Century, we look to an educational system that is arbitrated centrally in terms of basic skills and learning processes but has a wealth of diversity in terms of what is studied, how the gift of each child is identified, explored and developed.
Several years of hourly performance data archived by AGEM will provide unparalleled tools for career guidance, university or vocational institute selection and for identifying broad matters of national policy on the basis of a broad swathe of data delivered by young people across the region.
The provision of AGEM services will permit children in widely scattered regions to compile research data on issues ranging from the categorization of medicinal plants to the modulation of language patterns.
More than anything, children liberated from boredom into the excitement of learning and discovery will educate parents into sustainable patterns of living.
Teachers liberated from the need for control will gain self esteem and in turn will take up the task of developing with each child, his or her gift, for every child is gifted in different ways and it is our task as educators to help the child flower into it.
Urban migration will reverse as technology brings to the village the three constituents that will fill the voids of primary and adult education, entertainment, and jobs.


Flower girl dresses for your mini bride look.
2018 Flower girl dress styles designed for you. These impressive new style dresses were created by Jaks to match the wedding dress of your choice. Production is underway on many new styles, check back to preview them as they arrive.
30 new styles for 2018.
Ivory A-line flower girl dress with sheer illusion neckline and crystal designed bodice. Matching mother daughter dresses.
We got the dress and I am obsessed!!! Thank you so much. I promise I will send you pictures of her in it!


text:
Aurantiporus pilotae är en svampart som först beskrevs av Ludwig David von Schweinitz, och fick sitt nu gällande namn av William Alphonso Murrill 1905. Aurantiporus pilotae ingår i släktet Aurantiporus och familjen Polyporaceae.   Inga underarter finns listade i Catalogue of Life.

Källor

Basidiesvampar
pilotae


Do you play an instrument or a sport? Do you have a hobby? Find an individual or group who share your interests.
Working on learning a language? Find a native speaker of the local language who would like to learn English (or another language you speak) and take turns practicing and learning languages.
Make a meal for friends, classmates, homestay family, professors, etc. Share your favorite recipes from home. This can be used as an entrée into discussing cultural differences – cuisine-related and otherwise.
Enrolled at a local university? Join a school club. If you're in a student organization at Mac, chances are you can find a similar group in your study away destination. If not, pursue a new interest.
Are you on a group-oriented program and take all your classes with students from the U.S.? Studying on or near a local university's campus can be a great way to meet local peers, hear about events and get a feel for what it's like to be a local college student.
Spending too much time with other students from the U.S.? Make a conscious decision to take yourself away from the group. This could mean dinner with a local friend or going to an event (lecture, concert, film, etc.) alone. Depending upon the local culture, it can be easier to make connections with locals when alone as compared to being with a large group of U.S. students.
Do you find yourself spending most of your out-of-class time with people who are about the same age as you? Getting to know people older and younger than you can help deepen your understanding of your host culture. If you're living with a homestay family, hang out with the parents or grandparents as well as the children. If you're not living with a family, but have made friends with local peers, ask to visit their home. You might hit it off with another member of the family too. People who are older than college students may respond well if you ask them to teach you something. Ask to learn how to prepare a local dish, watch a sports game, play chess, etc.
Just like checking out citypages.com to see what's going on in Minneapolis St. Paul, you should try to research and attend local events. Concerts, films, lectures, performances, festivals, etc. Can't find anything? Ask professors, program staff, and others for suggestions.
Looking for something to do after class? In many countries, cafés, restaurants, community centers and other places where people gather post fliers. Join a book club, learn how to tango, join a knitting circle, etc.
Interested in knowing how a certain aspect of life works where you're studying, but find it's not being explained in your classes? Do some research on your own! It doesn't have to demand too much of your time and effort, you'll learn something you didn't know before, and you'll connect with locals along the way. You could investigate how fresh produce reaches markets in the city where you're studying, or find out the story behind a statue that you walk by everyday.


text:
Q: How do I write a good title? A good title helps your question get the attention it deserves.  What goes into a good title?
Return to FAQ index

A: Instructions
The Good
Your title should be, in order of greatest to least importance:

*

*Searchable.  The point of Stack Exchange is not only to help the asker, but to others who may have the same problem as well in the future.

*Descriptive. A searcher would like to know whether the question is another one of those "How to write a HTML regex parser?" questions or actually the "Why is parsing HTML with regexes a bad idea?" they are looking for.

*Short.       Put your 10-page essay in the post, not the title.

*Precise.     Tell us in

*

*as few words as possible

*as much as possible.

*Interesting. How else will you make the Hot Questions list?

These points go together hand in hand. For example, a short and descriptive title is always searchable.
The Bad
Your title should not be/contain:

*

*Programming language names. I do not need to see "How to fly using Python?". I can just check the tags for the python. This is redundant information which just takes up ~20% extra of the question title. Additionally, Google search results already say "python - How to fly?"

*Funny. Try not to be funny just for the sake of being funny. I am guilty of this too. If you excuse me, I will go have a serious conversation with Mr. Struct.

*Ambiguous.

*

*"Is this code OK?" If your question wasn't about code, you wouldn't be posting it here!

*"Help with programming problem" This tells us nothing that we couldn't infer from the very fact that you're posting here.

*"Help with homework problem plz" But fortunately, certain keywords are automatically rejected.

Examples
The Good

Single word requests, crosswords, and the fight against mediocrity
TortoiseHg Push
RegEx match open tags except XHTML self-contained tags
Why is subtracting these two times (in 1927) giving a strange result?
Is it possible to serve HTML pages with ServiceStack?
How to deep copy an irregular 2D array

The Bad

How Should Titles Be Capitalized?
Memory and Mr. Struct
How to use a struct in C?
C Programming. How to deep copy a struct?
How do you make a deep copy of an object in Java?
  (Any question containing the word 'Java' should be deleted, and its
  asker banned.)

The Ugly

Regular Expression…sql replace

A: 1. Make the topic stand out.
The purpose of a title is to attract people interested in your topic
or who can give you an answer. People scan web pages quickly; make
it easy for them to notice your question and understand what your question is about. Also keep in mind that some people may read questions via the RSS
feed (Stack Overflow example), so they won't see tags.
2. Make it descriptive, but also to the point.
Make sure you describe your question or problem well enough so that readers get the gist of what it's about ("Problem with Java function" is not very descriptive). However, don't put every detail in your title... that's what the question body is for. Make your title descriptive, but also succinct.
For example, these articles discuss how people read web pages, based on using an eye tracking system to monitor users. For Stack Overflow-like pages, people read most of the first and second entries (the bars of the "F"), and then scan down the rest of the list, reading on average the first 16 characters of each line.

3. Use proper grammar and write in question form.
Make sure you spell words completely and correctly, and form your titles in a way that they make sense to people reading them.
Likewise, expert opinion, Meta consensus, and Stack Overflow's Help Center describe how titles written with proper grammar, and in an interrogative form, are preferred.
4. Don't sweat replicating a tag keyword—if necessary.
The tags are orthogonal to the title. You may have to describe a part of your title using words that are already applied from your tags in order to distinguish your question from others and avoid confusion/ambiguity.
However, don't explicitly add tags to the title for their own sake. For example, don't start your title with a tag. See this post for a more detailed discussion of the relationship between tags and titles.
Some Good Examples
Here are some good titles, taken from the highest scoring posts across top sites.
Each of these summarizes the question adequately without introduce fluff or unnecessary verbiage, and, critically, provide context for exactly what the asker's question will be.
(Note that some questions are from very topic-specific sites like Ask Ubuntu or Physics)

*

*Why is it faster to process a sorted array than an unsorted array?

*Can I compute the mass of a coin based on the sound of its fall?

*What is the cURL command-line syntax to do a POST request?

*How do I undo the most recent commits in Git?

*Is there a correct gender-neutral singular pronoun ("his" vs. "her" vs. "their")?

*How to unzip a zip file from the Terminal?

*How do I install a .deb file via the command line?

*How to determine if a bash variable is empty?

*Why don't metals bond when touched together?

*How do I deal with a compromised server?

*In what order should the Star Wars movies be watched?

*How to get bash or ssh into a running container in background mode?

*How does IPv4 Subnetting Work?

*How to upgrade a single package using apt-get?

Some Bad Examples
These titles, also taken from existing, poorly scored posts, are constructed of fragments, don't describe anything about the question, or lack useful context for what the asker's question actually is:

*

*Please help me!

*Python : Need Help About Statistics

*PostgreSQL encrypted backups

*Why it works like this?

*About Computer Architecture

*Constructing images using HTML markup?

*DNS resolvation of a URL

*Combine letter and numbers

*PHP - Passing variables

*BackgroundImage in css

*Map Routing, a la Google Maps?

*MySQL - Error In SQL Syntax

*I can t write in pascal expression

*64-bit XML-RPC values?

*Turning Linux USB power on and off?

5. Finally, be flexible
Different questions benefit from different styles of titles. Applying any single hard and fast rule is probably a mistake.

A: While this is overall an excellent set of advice, I have some issues with a few of the titles:

*

*Oracle: formatting number as xxx-xx-xxxx

*Linux USB: turning the power on and off?

*Oracle: how to UPSERT (update or insert into a table)?

*Python: What OS am I running on?

*X11: raise an existing window via command line?

*XML-RPC: best way to handle 64-bit values?

*X11: move an existing window via command line?

*SQL: sum 3 columns when one column has a null value?

*Oracle: best way to search over a range of values?

*HTML: Constructing images using markup?

*Postgresql: Inserting BLOBs at a high-rate?

I am not sure the rigid format

Tag: Question Title

Is a good one. The starts-with-tag-colon convention is a bit artificial and should be tweaked. Here's what I'd rather see:

*

*formatting number as xxx-xx-xxxx in Oracle?

*turning the USB power on and off in Linux?

*how to UPSERT in Oracle?

*raise an existing X11 window via command line?

*best way to handle 64-bit values in XML-RPC?

*move an existing X11 window via command line?

*sum 3 columns in SQL when one column has a null value?

*Best way to search over a range of values in Oracle?

*Constructing images using HTML markup?

*Inserting BLOBs at a high-rate in PostgreSQL?

*What OS am I running on? (tagged Python)

(obviously all these questions would also be tagged with the right keywords)
To be clear, I think it is fine to duplicate the tags in the title, but only when they can be worked into the titles organically and conversationally.
If we're ritualistically appending tags to the front of the title, that doesn't feel like a tremendous improvement over a bunch of "How do I..." titles in the system, to me.

A: (Jeff raises some good points.  This is a followup to his note, since
I can't edit his post, and I need a bit more formatting that what a comment provides.)

*

*Absolutely correct about rigidly adhering to a formula for titles.  Do what makes sense.

*I didn't realize I had picked so many topic: lines.  There are certainly other ways to write good questions.

*Many of Jeff's alternative are fine titles when considered in isolation.
However, if you want people to pick out your post from a list of
other titles all competing for reader attention, it pays
to note that the people in the study
were scanning on average the first 16 characters
of the titles.
So, it's interesting to truncate your title to 16 characters and
see how they hold up.  If you put something that interests a reader
in the first 16 characters, there's a pretty good chance the rest
of your title will be read.  Once someone has clicked through to your
question it's almost assured your question will be read.  The main
job of the title on the questions page is to get the reader that far.

*

*formatting numbe

*turning the USB

*how to UPSERT in

*raise an existin

*best way to hand

*move an existing

*sum 3 columns in

*Best way to sear

*Constructing ima

*Inserting BLOBs

*What OS am I run

*Oracle: formatti

*Linux USB: turni

*Oracle: how to U

*Python: What OS

*X11: raise an ex

*XML-RPC: best wa

*X11: move an exi

*SQL: sum 3 colum

*Oracle: best way

*HTML: Constructi

*Postgresql: Inse

*Python: What OS

A: Use full grammatically correct questions

*

*Write every title as a full complete grammatically correct question sentence, and finish it with question mark ?
It makes the questions clearer, and more attractive.
Otherwise, we are writing in semi defined "title-language" that no one really speaks.

*Repeat key tags in the title because:

*

*it appears in more places, e.g. linked questions

*a key tag may fall to second place any time behind an useless generic tag. Here are a few examples:

*

*How to test strings for lexicographic less than or equal in Bash? string tag has more hits than the bash tag

*How to create a video from images with FFmpeg? image tag has more hits than the ffmpeg tag

*Use How to whenever it applies, don't use:

*

*How do I: yes, since you are asking, we know it is you :-)

*What is the best way to: people don't usually not want the best way to

Sample good title that follows all above rules:

How to print an integer as hexadecimal in C?

This style is also currently supported by the page: https://stackoverflow.com/help/how-to-ask (archive):

Spelling, grammar and punctuation are important! Remember, this is the first part of your question others will see - you want to make a good impression. If you're not comfortable writing in English, ask a friend to proof-read it for you.
Bad: C# Math Confusion
  Good: Why does using float instead of int give me different results when all of my inputs are integers?
  Bad: [php] session doubt
  Good: How can I redirect users to different pages based on session data in PHP?
  Bad: android if else problems
  Good: Why does str == "value" evaluate to false when str is set to "value"?

This style is further supported yet again by "Title" section of the new ask question wizard from as of 2019-04 https://stackoverflow.com/questions/ask?guided=true

Imagine you're asking a question to another developer.
For example:
Say "Is there an R function for finding the index of an element in a vector?"
Don't say "Please help with R"
Say "How to fix 'Headers already sent' error in PHP"
Don't say "PHP error: Why isn't this working?"

It seems that SO devs agree with me at least then ;-)

redpajama_set_name: RedPajamaStackExchange


Therefore, it's increasingly important for companies to have websites that render properly on smaller screens so that users don't encounter distorted images or experience a sub-optimal site layout. While some businesses still choose to have a separate version of their website for mobile users, responsive design is becoming the norm because it offers greater versatility at lower development costs.
Mobile users in particular have short attention spans. Studies show that mobile visitors tend to abandon web pages that take longer than three seconds to finish loading. If a site isn't optimized for smart phones and tablets, it will also take more time to navigate, which can frustrate customers to a point of no return. Ensuring that your responsive website uses modern performance techniques such as caching and responsive image display will help improve your webpage's loading speed.
Responsive web design is becoming as important to search engine optimization as quality content. Stronger back links and better bounce rates translate into higher search rankings, but there's an extra SEO benefit for mobile optimized sites.
Now that many smart phones and tablets are HTML5 enabled, responsive web design benefits users by making it easier to continue viewing content within HTML5 web applications without an internet connection. Learn more about HTML5 Application Cache.


Do roman shades offer healing, well-being or what? What you mean – Make new memories, Let Go of the past.
You know the grandeur of Roman Era. The words below grace the glory.
Soon, eyes conjure up the image of Grand Colosseum with arched entrances and upscale spectacles. Awnings were rolled out from the top story to shield the audience from the hot Roman sun as they delighted in entertainment.
Yes, Roman Shades offered the healing, so much so we use the inspired design in our present modern day homes.
Roman shade is the hallmark of elegant window covering for home.
Here is how I relate to that.
My wife, true to her female DNA, loves buying clothes. The evidence is her cramped closet. She does not chase trend per se, but wearing the same thing twice in a week is a NO-NO.
Her favorite coat is a beautiful embroidered pink wool coat that makes every outfit look great. This work of embroidery and the overall appearance leads to nice compliments from her coworkers. I was reading somewhere about the benefits of not taking a compliment.
Do I like this coat? How can I say otherwise? The coat made to the fifth season. She can't let it go.
If I could get her to spend money on fewer good quality and flattering items, I would love to win back some closet space. This may incur some savings too – a tongue-in-cheek wish.
Roman shade is one such category of window coverings – a hallmark of an elegant shade design for your home. You can't let it go.
If you can't let go, how you manage the vivacity and appeal of a roman era design in a modern day home.
The answer is you make a pact with today.
Beauty and design of a roman shade remain flawless with its cascade signature folds – fall of fabric in stages each of which triggers or starts the next.
How this design makes a pact with your present-day home decor needs – sleek finish and elegance?
Roman shades of today twisted the flawless cascade design into something new and fresh. Look for yourself.
Modern roman shades are now more fascinating than ever. They offer fresh fabrics, contemporary textures and poised colors.
The emphasis on bringing fabric beauty to your space is a key element in choosing roman shades. If your mind evokes the image of Grandma style clutter and fabric fluff, then you got to Shake it Off – Shake It Off (Taylor Swift).
Handpicked premium fabrics – cotton, silk and linen – in a variety of beautiful colors and distinct textures will complement your décor and create welcoming, comfortable spaces.
Folds are precision engineered for a clean, uncluttered look from both inside and outside the home. A four-inch soft contoured fold inspires the signature cascade fabric design into a transitional, modern look at the window.
When raised, the shade rolls up and disappears into the fabric-covered headrail for an unobstructed view to the outside.
Flat folds are one of the fresh and sublime twists to the grandeur of the roman shades.
You know this well – It's easy to wear the same things, to establish signature "looks". It's easy to stick to what you know and what you like, but your home decor isn't absolute. It is constantly evolving, changing, and challenging.
The six-inch flat fold style in roman shades infuses contemporary uplift and sophisticated looks to your decor. The flat fold roman shade design offers crisp and defined finish to your windows.
Here is the another twist I like – a restyled stacked design for roman shades – great for shallow windows, sidelights and French doors.
Shade layers in the tiered style to stack up, down or anywhere in the middle. When raised, the shade stacks neatly at the top of the window. Shade layers in the tiered style to stack up, down or anywhere in the middle.
This design allows the shade to fit tighter inside the window casing and reduces edge gaps.
You get to call the shots on what design – contoured, flat or stacked – will pull the decor together for your home.
You get privacy with a view. You lower the shade from the top, so you can enjoy natural light and privacy at the same time.
When raised bottom-up, Shades move up like standard shades. When lowered top- down, shades stack neatly at the bottom of the window. This popular design option provides flexibility in light control and privacy.
With such versatility of control, you block the direct sunlight and still allow daylight and privacy.
You control the light as much as you want.
Sheer fabrics will allow lots of light in with moderate privacy. Semi-Opaque and translucent fabrics will allow light to filter in with absolute privacy.
Opaque or light blocking fabrics allow room darkening for bedrooms or media rooms with glare issues.
All the fabrics protect your furniture, flooring and artwork from fading with at least 75% protection from harmful UV rays.
You also reduce the intensity of outside noise. Control depends on fabric choice.
Honey Comb Shade design allows you to keep your areas cooler during summer and warmer during winter.
The same design inspires roman shades to do the same – Twist the norm into something fresh. Modern roman shades are energy efficient shades.
An extra layer of fabric at the back allows roman shades to trap air which then becomes a natural insulator. An extra layer of insulation keeps your home cooler in the summer and warmer in the winter.
Pricing of Roman shades ranges from premium to fair.
Exclusive fabrics, fresh textures, vivid and wide-ranging colors.
No exposed cords – enhanced child safety. No rings, grommets, tapes or cords detract from the exterior view. Shades have smooth, uniform appearance from both inside and outside of the home.
Sleek design at the top – Shades use either fabric-wrapped cassette design at the top or sleep low-profile headrail. The benefit is a tighter fit in the window opening for reduced edge gaps.
Advanced control systems from cordless to motorized systems. Both cordless and motorized systems get rid of any strings dangling or pooling on the floor – Excellent Child Safety.
Our team of professional installers will take care of your new window shades. Modern day shades have nuances that need a professional set of eyes.
One such nuance is Fabric Leveling. If the shade skews or gathers to one side, our installers will adjust the bottom rail weight. Before any adjustment, they will ensure that headrail is level.
In case the mid-rail or bottom rail for Top-Down and Bottom-Up shade is not even, installers can adjust the rails using cam lock button.
Shades need to work to your satisfaction. All of our supplier offer Limited Lifetime Warranty on shades.
I align with quality suppliers to bring the best shades to your home.
Dust with a feather duster or low suction vacuum.
Blow dirt and debris from within the fabric folds using clean, compressed air or a hair dryer set on the COOL setting (not WARM or HOT).
Spot-clean using a solution of warm water and mild detergent. Dampen a clean cloth in the solution. Lightly dab the area to be cleaned, using a second white cloth supporting the fabric from behind. Do not rub the fabric. Rubbing alcohol or non-oil-based baby wipes may be used on more stubborn stains.
Steam the face fabric from the bottom to the top, making sure to get steam under each fabric fold. Be careful not to saturate the fabric with steam.
Professional cleaning: For more thorough cleaning, I suggest using professional window covering cleaners. They use injection/extraction (dry method only) or ultrasonic cleaning.


Gorilla tracking in Rwanda and Uganda are both wonderful experiences. That said there are some logistical and practical differences between the two countries to be aware of when planning your trip.
For those with limited time, Rwanda is a good bet. From Kigali International Airport to the gorilla tracking region is just a two-hour drive on good roads.
You need to be fairly fit to track gorillas but the terrain in Rwanda is generally easier going than in Uganda.
Another factor to consider: the Rwandan forest has lots of bamboo compared to Uganda's more densely-covered canopy. This allows significantly more light through to the forest floor, making your photos much clearer.
If Rwanda is best for limited time, Uganda is best for limited budgets. For those on a budget, Uganda is without doubt the best place to track the gorillas (even despite the recent removal of off-peak discounts).
Demand is consequently much higher in Uganda, which means you'll need to purchase your permits even further in advance.
A solution that takes advantage of Rwanda's good infrastructure and Uganda's competitive pricing is for visitors to fly to Kigali and drive three hours across the border to track the gorillas of Mgahinga. This gives a boost to a forgotten corner of south-west Uganda. However, it should be noted that there is only one habituated gorilla family there, so permit numbers are limited.
Choose your location / accommodation before purchasing your permit.
Very simple. No need to specify gorilla family or accommodation.
The location of your accommodation is very important. Gorilla tracking starts from numerous points and you'll want to book accommodation near to your specific entrance point.
All gorilla tracking starts at the park headquarters in Kinigi. Most accommodation is within easy driving distance (10 minutes to 1.5 hours).
Owing to the remote location, you'll need a minimum two night stay in the gorilla tracking area.
Two night stay is recommended. One night (and even same day) options are available but not recommended.
Terrain is often steep, slippery and sometimes muddy. Tracking through the jungle can be tricky and require trackers to hack a path with machetes.
Generally easier terrain to climb, except on the longer tracks.
Uganda has a huge range of primate, birding, safari and adventure options across the country. The capital Kampala is a buzzing and popular city.
Rwanda has a limited (but decent) range of wildlife and safari activities, including Akagera National Park (a "big five" destination) and Nyungwe Forest National Park (for chimp tracking).
Eight to 10-hour drive from Entebbe International Airport. Fly-in options to airstrips within 30 minutes' drive from gorilla tracking areas are available.
Two-hour drive from Kigali International Airport. Fly-in options to local airstrips, including helicopter transfers, are available.
English. Guides for non-English speakers are available through tour operators.
The day will start early, with breakfast around 6 or 7 am, depending on where you are tracking.
Your lodge will provide a packed lunch and plenty of drinking water (double check this is provided the day before). Pack your rain gear even if the weather looks fine. The higher you get the more it rains!
After breakfast you'll get a briefing and reminder of the rules and regulations.
If you're tracking in Rwanda, you'll drive to Kinigi park headquarters where your group will be assigned to a gorilla family based on your fitness, ability and preferred hike length. To find the gorillas, you can opt for a short hike (30 minutes to an hour), a medium hike (one to three hours) or a longer trek which may take the whole day.
You'll drive to the start point from the park headquarters.
Registration and briefing take place at the Uganda Wildlife Authority park offices from 7:45am and tracking starts at 8:30am. As with Rwanda, you'll be allocated to a particular gorilla family according to your hike preferences and ability. After the briefing, you'll either walk or drive to the start point.
Setting off from the start point, you'll generally hike for at least an hour before you find your gorilla family. In some cases it may be three hours or more. The scenery is stunningly beautiful, the hike is all part of the experience. Be sure to keep your own pace and drink plenty of water. It's easier than you think to get dehydrated, especially at altitude.
Your rangers will be in radio contact with each other, passing information from the previous day's sightings and helping guide you to the right place.
As you come within range, the rangers will ask you to leave your bags so you can approach the gorillas more closely.
Once you make contact you'll spend an hour with the gorillas. They may be munching on bamboo, hanging from the trees, grooming each other, suckling their babies, playing, sleeping, farting or mating. Every experience is unique. Take time to enjoy their presence. Remember to come out from behind the camera lens.
If the gorillas are on the move you'll be able to move with them -- keeping the required minimum distance of seven metres at all times. They may show some interest and approach your group. This is normal and nothing to be concerned about. If they approach you, the rangers will ask you to remain calm and step back slowly.
Remember you're allowed just one hour of contact time. Many visitors find the gorillas more interesting when they're resting, family clustered together, snoozing, grooming and playing. When you approach, ask your guide if they are on the move and, if they are, if you can wait for them to stop before making contact.
The route back to your vehicle (or the park headquarters) is usually shorter than the initial hike although it may involve an uphill climb in places.
Back at base, you will be rewarded with your gorilla tracking certificate!
The ranger guides are immensely knowledgeable and will take good care of you in the forest, helping with your pack and getting you up and down the slopes. Be sure to ask them about the gorillas and other wildlife. They know each gorilla family intimately and can tell you the names and personalities of each individual.
Tips for the rangers and porter are discretionary but will be appreciated (see FAQs.
Part of the excitement of tracking the gorillas is not knowing exactly where you will find them. The altitude, the dark forest, the rain and mud can make it tiring, but it's well worth the effort.
You will find the gorillas in very different settings depending on your location. You may find them in an open clearing, with clear views and plenty of sunlight or they may be in a denser part of the forest under a thick canopy. Keep this in mind when planning your photos -- flash photography is strictly prohibited.
Sightings are not guaranteed but there is a 95% chance or more that you will find your gorilla family.
Encountering mountain gorillas is the ultimate wildlife experience: nothing can prepare you for that awe-inspiring moment when you first cast eyes on the silverback, so human-like, so huge and yet so gentle.
Kurira was the first silverback I ever saw, the big daddy of the Susa group living on Mount Karisimbi in Rwanda's Volcanoes National Park. Rules dictate that humans stay seven metres from the gorillas -- but no-one had told Kurira. As I backed nervously into brambles, he moved so close I could almost touch him. Crouching by the bush, he studied its fruits for some time as if choosing the best in a box of chocolates. Delicately he plucked off a single blackberry, tiny in hands the size of baseball gloves, and popped it into his mouth, savouring every bit.
In that mesmerising moment, I forgot the gruelling five-hour hike through dense rainforest to reach the gorillas, up and down steep muddy gullies and over paths of fallen bamboo shoots like beds of giant slippery spaghetti underfoot.
The Virunga Mountains, spanning Rwanda, DR Congo and Uganda, are home to half the world's 880 mountain gorillas, with the remainder living in Bwindi Impenetrable National Park, Uganda. Their survival has been one of Africa's greatest conservation success stories, yet they remain vulnerable to wars, poaching, disease and deforestation.
Hence gorilla tracking is carefully regulated. Only eight visitors are allowed to each family and you're permitted just one hour in their presence once you reach them. But it's one magical hour: it never fails to amaze me that gorillas are so like us, that there's this surreal primordial connection with our primate cousins.
Guides talk to gorillas in a language of grunts and grumbles. While working on the gorilla habituation experience in Bwindi, I was told to make a long, low rumble, meaning contentment in gorilla-speak, to the silverback Rushenya. When he replied, rumbling back, shivers ran down my spine: in that moment, the connection between us felt real.
And gorillas cry, sulk, laugh and smile just like we do. Always multi-tasking, mums chide playful youngsters whilst giving piggybacks or preening their offspring. Others eat constantly, munching crunchy bamboo shoots, nettles and thistles, dribbling green juices down their chins. Hormonal teenagers sulk and slouch while others flirt remorselessly, and cheeky toddlers play peek-a-boo swinging through the trees, fighting and punching their fists in the air.
But of all the gorillas I've encountered, Byishimo is my favourite. I first saw him as a tiny three-month old baby stuck to his mother's breast with his twin sister Impano on the other. The first twins to survive in fifty years of mountain gorilla conservation, they looked like a fluffy black bikini. Ten years later, I went to find them again.
Impano, with her own baby, stayed away. But Byishimo, now a burly blackback, was breathtakingly beautiful. A true star, he played with babies and rolled in grasses, almost posing for the camera as if he knew he was special. That hour in his company flashed by like seconds, but will stay with me forever.
In both Uganda and Rwanda the gorilla tracking permits are highly regulated systems, enabling the authorities to control human-gorilla interaction and generate much-needed revenue.
The availability of permits is limited by the number of habituated gorilla families and the number of visitors allowed per family. The authorities allow a maximum one hour interaction with the gorillas per day.
With 15 habituated gorilla families in Uganda and a maximum of eight visitors per group, there are a total of 120 permits available per day.
In Rwanda, there are 10 habituated gorilla families and a maximum of eight visitors per group, making a total of 80 permits available per day.
What is a gorilla tacking permit?
A permit allows entry into the national park and one hour with the mountain gorillas, accompanied by a ranger guide.
Back at base, you will be rewarded with bragging rights in the form of a gorilla tracking certificate.
How much does a gorilla tracking permit cost?
A permit in Rwanda costs US $1,500 per person.
A permit in Uganda costs US $600 per person.
Each permit is printed with a unique serial number and the traveller's personal details. They are non-transferable and non-refundable.
Gorilla tracking permits must be paid for in full and purchased in advance.
If you plan to travel during peak season or if you are in a large group, you should book six months or more in advance. Peak seasons are June to October and Christmas and the New Year. The earlier you book the more choice you have on where you track and where you stay. Last minute bookings may be possible during low season or with smaller groups.
Gorilla tracking permits can be purchased up to two years in advance through the Uganda Wildlife Authority (UWA) or the Rwanda Tourism Board (RTB) or via a registered tour company.
A good tour operator offers in-depth and local knowledge. They will have visited the lodges personally and will be familiar with the proximity of each gorilla family. This knowledge can prove invaluable when planning your trip.
A good tour operator will employ reliable ground staff, including good drivers who know the terrain well and can negotiate the steep dirt tracks.
If you plan to extend your trip after you have seen the gorillas, a tour operator can provide a well-planned itinerary and organise your other activities, accommodation and transfers.
If booking your trip with a tour operator, be sure to check the gorilla tracking permit is included in the price.
Some people choose to make their own arrangements: purchasing their own permits, booking accommodation and visiting independently. Counterintuitively this can work out more expensive than booking with an operator. If you plan to travel independently, leave plenty of time to allow for any hiccups. Remember that permits are non-refundable and non-transferable, so if you run into transport problems you may miss your slot to see the gorillas.
Tourists are only allowed to visit and interact with habituated gorilla families. Habituation is a gradual process through which the gorillas get used to the presence of humans. This allows people to visit them without affecting their daily lives or natural behaviour.
The maximum group size for tracking the gorillas is eight people (plus rangers and porters).
Your group is allowed a maximum of one hour with the gorillas.
Visitors to the gorillas must be over the age of 15.
Tracking in thick forest at an altitude of over 2,000 metres (6,560 ft) can be tough. It is often wet. Gorilla trackers must be fit and in good health.
You should not go gorilla tracking if you have diarrhoea, flu or a cold. Gorillas have no immunity to most human diseases and even mild human infections can be lethal to a gorilla. You are obliged to inform the authorities if you are sick and they will decide if you are well enough to visit the gorillas. Remember that the lives of the critically endangered gorillas are more important than your holiday.
If you need to sneeze or cough, cover your nose and mouth to reduce the chance of spreading infection.
Don't spit or leave litter in the forest. Gorillas can catch diseases from human rubbish.
Always leave a distance of seven metres between you and the gorillas. If the gorillas start moving towards you, the rangers may advise you to move away from them.
If a gorilla charges, do not run away. Avoid direct eye contact until the gorilla has moved away. Stay calm and slowly crouch down.
Stay in your group. Do not crowd or surround the gorillas.
If you need to go to the toilet in the forest, tell your guide and he will dig a hole for you. Cover the hole afterwards to prevent spreading disease to the gorillas.
Follow these simple, common-sense rules and your visit will be a positive one -- for the gorillas as well as yourself.
Keeping our gorillas healthy and happy is a never-ending task but luckily we have two very important allies -- tourists and coffee. Both have come to play large and important roles in our conservation work.
Over the years I've come to realise that tourism can be an important force for conservation, through my work with Conservation Through Public Health (CTPH). CTPH is a grassroots Ugandan and US-registered non-profit organisation that promotes conservation by enabling people and gorillas to coexist in and around protected areas.
CTPH was founded in 2003 after an outbreak of a fatal skin disease among the Bwindi gorillas was traced to people living near the park who had limited access to basic health care and other social services.
At our main field station at Buhoma village, at Bwindi Impenetrable National Park's main tourist site, we have developed three programmes: Wildlife health and conservation; community health; and alternative livelihoods. That's where the coffee comes in, but more on that later.
At our specially-built Gorilla Health and Community Conservation Centre, we are constantly on the lookout for diseases that the animals could pick up from the livestock and humans who share their habitats.
We have a Human and Gorilla Conflict resolution team made up of local community volunteers trained by the Uganda Wildlife Authority to chase gorillas back to the park when they stray into community land.
We have also helped to set up a network of 81 Village Health and Conservation Team volunteers to work with villagers around Bwindi, promoting good health and hygiene practices, and explaining why gorilla and forest conservation is important for them. This vital work means that when gorillas do stray out of the park they are less likely to pick up human diseases and be harmed.
Now for the coffee: We have a social enterprise that improves the livelihoods of farmers around Bwindi by buying their good coffee at a premium, and selling it locally and internationally. A donation from every bag of Gorilla Conservation Coffee sold goes to support the CTPH's conservation and community health work.
By developing the production of coffee, we reduce the local farmers' dependence on the gorillas' habitat for food and wood fuel. Tourists can be taken on a coffee safari and get to understand that by enjoying a cup of coffee they are helping gorillas in a very direct way.
I have come to realise that tourism can be an important force for conservation. Real ecotourism isn't just about minimising the negative effect that visitors can have on wildlife. It is about positively protecting habitats, creating economic incentives for conservation, and giving back to the surrounding human communities.
Tourism has been hugely important for mountain gorilla conservation because it has created economic benefits for local communities and the national economy. This means both local people and the authorities have an incentive to protect and conserve the gorillas' habitat. Without that incentive, the future for these magnificent animals would be a lot less certain.
The mountain gorilla is critically endangered, so it is essential that tourist activity causes no harm to the species, or to individual animals. Humans and gorillas share over 98 per cent genetic material and can easily pass on infections to each other. So visitors must take precautions such as not visiting when they're ill, and keeping a safe distance at all times.
And because gorilla tourism brings in great economic benefits to the government, the local community and tour operators, there is a lot of pressure to habituate even more gorilla groups and make them available to visits by tourists.
Currently, 50 per cent of Bwindi gorillas are habituated for tourism and research, but habituation puts the animals at risk. They lose their fear of humans inside the park and outside, when they stray into community land, and habituated gorillas are also at greater risk from contracting human diseases. All this means they have to be followed and managed every day of their lives, whether or not there are visitors.
Although tourism plays an important role, it's essential we leave some gorillas free to live a normal life away from our prying eyes.


text:
import React from 'react';

import MainAppBar from 'containers/appbar';
import MainLeftBar from 'containers/leftnav';

export default class Main extends React.Component {

  constructor(props) {
    super(props);
    this.onHandleOpenLeftNav = this.onHandleOpenLeftNav.bind(this);
    this._handleSetRefLeftBar = this._handleSetRefLeftBar.bind(this);
  }

  onHandleOpenLeftNav() {
    this.leftbar.handleOpen();
  }

  _handleSetRefLeftBar(c) {
    this.leftbar = c;
  }

  render() {
    return (
      <div>
        <MainAppBar
          handleOpenLeftNav={this.onHandleOpenLeftNav}
        />
        <MainLeftBar
          ref={this._handleSetRefLeftBar}
        />
        {this.props.children}
      </div>
    );
  }
}

Main.propTypes = {
  children: React.PropTypes.any,
};


text:
Manchester's New Hero
Manchester United 3 - 2 Arsenal
In the late 90s/early 2000s Manchester United vs Arsenal was the clash of the titans in the Barclays Premier League. In the last couple of years or so this has been less so the case. Today however marked the first time in a while that the game was competitive with Arsenal fighting for the title and United still holding on to hopes of securing qualification for the Champion's League.
Manchester United's Marcus Rashford continued to impress with 2 goals for the club on his league debut against title chasers, Arsenal. The 18-year-old also scored 2 in United's previous game against Denmark's FC Midtjylland. Ander Herrera added to Rashford's brace with a deflected shot and when considering United's injury list their performance was much better than expected.
Arsenal fans will be left disappointed with their team's performance as the favourites to win put in a lacklustre 1st half performance. With the help of the assist master Mesut Özil, ex-United player Danny Welbeck was able to make the scoreline 2-1 to give Arsenal a chance going into the 2nd half. Özil was then able to get a goal of his own in the 2nd half after United had gone 3-1 up. Unfortunately for Arsenal fans it was not enough as they were unable to secure any points in the same weekend that Tottenham and Leicester each snatched 3.
The DREAMERS February 28, 2016
Hiko Momoji - Run Game (Feat. Dutchboy)
#TBT: DreamingOutLoud


Cybersecurity today is much hyped without the knowledge of protecting one's digital assets. The recent incidents of malware attacks such as the Equifax disaster have made industry experts to rethink their strategy for cybersecurity. Cybersecurity insurance is palpably the new weapon in the war against cyber crimes. Having said that, we mean, this insurance is essentially meant for the business owners who buy the policy against the loss of online digital assets. As a matter of fact, this insurance confers a comprehensive protection to the customers of individual businesses worldwide.
To have a complete understanding of the need for an insurance here, you have to understand how data breaches take place despite all security measures in place. Here is a list of things that you should be doing in the first place.
Control your online exposure: Before we take you through a discussion here as regards controlling your online exposure, you must understand that your personal data can be legally traded especially through solicited emails or remarketing. The onus to mention that remarketing is a tool to connect with the visitors of a site or sites altogether who may not have indulged in buying/selling anything there. This, in other words, means your personal data become vulnerable just visiting a webpage alone.
On top of the above, you must double-check what you share online. There are some sites that demand sharing your personal information or the primary contact details such as the email address as the precondition to read an article, for instance. Once you share that, you become a victim of unwanted emails and offers, to say the least here. In other words, nothing comes truly free in life.
Hiding your digital footprint: This is a crooked way of doing things for your own safety. Having said that, we mean, you will be able to dodge the online advertisers by using your temporary email account for a purpose or two such as the above. You should use your permanent email account only for the services that you think worthy befitting your interest. Simultaneously, avoid the temptation of sharing your email address on public platforms such as the directories and forums. Similarly, avoid installing software from the open source and never share information online that you think unnecessary on an online form.
Software patches: To begin here with the right mindset, you must know that a patch is essentially a software that is specially designed to perform a set of tasks such as the software upgrade or fixing a problem and improving the support system. However, there is a potential risk of a poorly designed patch that fails to serve its purpose. The good news is that cybersecurity experts like LegacyArmour have the requisite experience and became the insurance enablement technology platform to secure your data. On top of it, LegacyArmour has digital vault that gives an extra layer of protection to your digital assets.
In short, the implication of cybersecurity insurance is manifold. It is your ingenuity that will summarily guide you here.


Will a considerable part of your large format work involve carrying your equipment significant distances?
Shop for field cameras or lightweight monorails. This allows you to use lighter tripods.
Shop for light weight lenses, understanding the associated tradeoffs.
If you are backpacking, explore packs specifically designed for photo equipment.
Will you be doing both color and B&W? Older, less expensive lenses can be acceptable for B&W and sometimes color, particularly using the best of the older lenses. Color work benefits from modern multicoating and better lateral color correction.
Will you be shooting primarily landscapes? Arguably, landscapes less frequently require major movements, so a lighter, smaller technical or field camera can be used. Lenses with smaller coverage circles can also be used.
Will you be doing primarily portraits? You can use perspective control in portraiture and controlling the field of sharp focus is often important, particularly when using longer lenses and larger formats. Technical, field and monorails can be considered. Coverage needs will depend on the type and extent of movements. For studio work monorails provide the greatest flexibility; for mobile work a good technical model with back movements is more practical.You may also want to consider studio size, since longer lenses require greater camera to subject distances. While you may want to focus on ground glass for composition and critical focusing, adjustable rangefinders and viewfinders are convenient for checking final shots. Lenses in the 200-250mm range provide good feature modeling.
Will you be doing primarily exterior and interior architectural work? Architectural work has perhaps the most critical need for perspective control. A technical or field camera may provide enough movement, but this may be marginal; a monorail may be a better choice. The taller the structure, the greater the need for front standard rise and back standard movements. Lenses with large coverage circles are needed.
Will you be doing largely tabletop or small scale photography? Here again, you would want a camera that provided significant movements for perspective and focus control and also one with significant extension to provide close focusing. Again with movements, lens coverage is important. Weight and bulk would be of less importance, except perhaps if you are doing closeup nature photography.
Do you expect to use wide and very wide lenses? Bellows compression on many cameras limits movements and may even prohibit the use of short lenses. Consider getting a camera that can accept a swappable bag bellows.
Can you compose a picture viewing the image upside down and reversed right to left? That is the default viewing mode for groundglass composition. You are not likely to be able to answer that question until you've tried it for a while. If you think you are burning up too much perceptual energy doing mental flipflopping, you may find a reflex viewer--which does for large format groundglass viewing partly what a pentaprism does on an SLR--may free you to concentrate more on image composition.
Will you be working exclusively with 4 x 5 film, or 120 roll film, or do you want to use both? This will affect your selection of lenses and film backs. Refer back to the lens choice page for help in selecting lenses, remembering that both focal length and coverage are important when planning to use lenses with both formats. Removable focusing panels with Graflok or international type G backs will allow the greatest choice in roll backs, although there are rollfilm backs with film gates that are as thin as sheetfilm holders.
Do you expect to do a significant amount of wedding photography? Experienced wedding photographers have convince me that large format can't compete with digital as a single medium. Quick turnaround to the client, equipment mobility and discretion, compressed event schedules, film handling, image manipulation are all heavily in favor of digital. If your clients are two LF photographers getting hitched, maybe its reasonable to take a few shots with a Deardorf.


At Age UK Devon, we understand that as we get older some household tasks can be a challenge. Older people have told us that companionship, conversation and pursuing hobbies are important to their quality of life.
Our Enabling and Home Support Service aims to meet these needs to enable you to make the most of later life and stay independent in your own home. We will endeavour to match you to an Enabler/Home Support Assistant who shares your interests or outlook, so that you find it easier to get along. Whenever possible, you will be visited by the same person, to build trust and provide reassurance.
Decluttering when thinking of downsizing your home, moving into residential accommodation, or needing help to clear out things that are no longer needed or used.
Holiday Support is for those whose family normally support them in various ways, but who will need extra support and a safe presence when family go on holiday.
If you, or someone you know, would benefit from our regular or time limited services, contact us to discuss your needs. New clients will be visited for an initial assessment, during which a personalised support plan will be developed with you. If your situation changes, we can adjust your plan accordingly. We aim to be as flexible as possible.
Our staff are carefully selected, thoroughly vetted and trained.
We are covered by comprehensive liability insurance.
Our service operates between 9 am - 4 pm, Mondays to Fridays.
For more information on our Enabling and Home Support Service and Packages, including our charges, call us on 0333 241 2340 or email us on homesupport@ageukdevon.co.uk and we will get back to you as soon as we can.
For more information about joining our team visit our Work for us webpage.


text:
Q: How to take a numerical number and store in variable in Flutter I want to take or extract the numerical digit number and store in variable. For example i have var data=18:00, so i want to take 18 and store in variable and similarly take 00 and store in another variable.

A: @SOUGAT, you can try split method.
var data = '18:00'
List<String> dataList = data.split(':');
print(dataList[0]); //18
print(dataList[1]);//00


How much does Franciscan Health Systems pay in Tacoma, WA?
Salaries at Franciscan Health Systems range from an average of $35,047 to $111,643 a year. A Nurse Educator at Franciscan Health Systems makes the most with an average salary of $111,643 per year, while a Sterile Processing Technician makes the least with an average salary of $35,047 per year.


ForPOS Apps an online ordering App for the hospitality and retail industry.
Our goal is to help businesses connect directly with their customers and be more profitable. ForPOS Apps is a cloud-based, self-service platform for online food and drink ordering at any venue, approved by the App Store and Google Play.
In today's society more and more people rely on their mobile phone for ease of communication and quicker reactions. Orders over the telephone and internet will become a thing of the past. ForPOS Apps is designed to make online ordering part of the hospitality industries everyday business and maximise customer experience allowing customers to order and pay from the comfort of their own homes.
ForPOS Apps allows complete control over customer analytics/ reports, order history, payments, customer notifications, your online menu – editing prices, adding items and running promotional offers, all at your own convenience, on your dashboard, you have total control.
Your App is personalised entirely under your brand and having your very own App on the App Store and on Google play provides great kudos for your company.
Deployment and integration with your EPOS system is easy, fast an inexpensive.
What types of businesses can benefit from ForPOS Apps?
Want to find out how ForPOS Apps can work for you? Please call us on 01865 820925 or complete our contact form today! A member of our team will be in contact with you as soon as possible.


text:
Q: CONSOLE_FONT_INFOEX СИ Данная функция вроде как входит в windows.h но GCC отправляет меня нафиг с этой функцией.
Задание из универа, и необходимо чтоб код работал при компиляции прямо из консоли.
#include <stdio.h>
#include <windows.h>
#include <conio.h>
#include <string.h>

void main()
{
    short screenWidth = 192, screenHeight = 108, cs = 8;
    SMALL_RECT writeRegion = { 0, 0, 1, 1 };

    HANDLE hStdOut = GetStdHandle(STD_OUTPUT_HANDLE);
    HWND hWindow = GetConsoleWindow();

    CHAR_INFO *lpBuffer;

    SetConsoleWindowInfo(hStdOut, TRUE, &writeRegion);

    COORD bufferSize = { screenWidth, screenHeight };

    SetConsoleScreenBufferSize(hStdOut, bufferSize);
    SetConsoleActiveScreenBuffer(hStdOut);

    CONSOLE_FONT_INFOEX fontInfo;
}

A: Структура CONSOLE_FONT_INFOEX доступна только начиная с Windows Vista. По всей видимости, у вас в качестве целевой задана более ранняя версия SDK. Попробуйте перед включением windows.h вставить такие строчки:
#define WINVER         _WIN32_WINNT_VISTA
#define _WIN32_WINNT   _WIN32_WINNT_VISTA
#include <SDKDDKVer.h>

Подробнее про это можно почитать здесь.

A: Скорее всего используется устаревший MinGW
Нужно установить что нибудь по новее, например MinGW-w64


text:
St. Louis Information
About St. Louis
History of St. Louis
Travel to St. Louis
Climate in St. Louis
Economy of St. Louis
Culture of St. Louis
Education in St. Louis
Map of St. Louis
St. Louis is an independent city and a major United States port on the eastern line of the state of Missouri. As of the 2010 census, the population was 319,294, and a 2012 estimate put the population at 318,172, making it the 58th-largest U.S. city in 2012. The metropolitan St. Louis area, known as Greater St. Louis (CSA), is the 19th-largest metropolitan area in the United States with a population of 2,900,605.
The city of St. Louis was founded in 1764 by Pierre Laclède and Auguste Chouteau, and named for Louis IX of France. After
Get to know more about St. Louis
Location of St. Louis
When to Visit St. Louis
Religions of St. Louis
Attractions in St. Louis
Tell the world what you think about St. Louis
Albany NY Blowing Rock, NC Brunswick Burlington, VT Destin Destin and Fort Walton Beach Franconia Notch Gillette Great Falls Lewistown Lincoln and North Woodstock Minneapolis New Castle Ogden Panama City Beach Pinetop-Lakeside Plymouth, MA Provincetown Sandwich Sarasota Stuart and Jensen Beach Tucson Wickenburg Window Rock and Ganado Winter Park