Imagine your space brought to life with our entry-level MDF plantation shutters, crafted just for you.
The Antigua range is an entry-level premium product made from MDF, covered with an extruded polypropylene coating. Available in most of our popular styles, Antigua has a high-quality finish, making it a versatile and durable choice for your home.
Quick and easy to clean, Antigua is ideal for small and medium sized windows, as there are limitations when using it in larger installations or special shapes. If you are looking for shutters for a specific space, either in size or shape, then our Fiji or Sumatra materials would help you realise your vision. Fiji and Sumatra are crafted from lightweight sustainable hardwoods, available in a broad range of colours and finishes, making them a more versatile choice for plantation shutters.
As MDF is a robust, and hardwearing material, it is a good choice for those with a busier family life. If your furnishings need to be a little bit more resistant to scratches and bumps, then MDF may be the material for you.
Coming in a choice of nine popular shades, the range is for more than just being used as a window covering. The perfect fit for both classic and contemporary interiors, MDF is a durable material, making it a great choice for high traffic areas of the home, such as room dividers or patio doors.
However, MDF is susceptible to deterioration if exposed to moisture over a period of time. For this reason, if you are thinking of transforming high moisture rooms like bathrooms, toilets, and kitchens, then the 100% moisture resistant ABS Java range is for you.
Every Antigua shutter includes a decorative bead along the length of the stile, giving them an enhanced finish. There are five sizes of louvre available in our MDF product, giving you the choice to have control over privacy when you need it, and admire the view where you want it.
Imagine light control, economical heat and improved sound insulation, all wrapped up in a stylish look that will complement your interior design choices and breathe new life into your space. Contact your nearest S:CRAFT dealer today and discover how individually crafted Antigua shutters could look in your home.
To see the next shutter range click here: Bermuda shutters.


text:
KCNA KCNA.kp (En)
Korean Embroidery with Long History
Date: 21/11/2020 | Source: KCNA.kp (En) | Read original version at source
Pyongyang, November 21 (KCNA) -- From olden times, the Korean people have produced various kinds of silk and ramie fabrics embroidered with beautiful patterns.
Those fabrics were well known to neighboring countries in the period of the Three Kingdoms (early 3rd century B.C.-middle 7th century A.D.)
The variety of embroidery was further diversified in the period of the feudal Joson dynasty (1392-1910), following Koryo Kingdom. Appearing in those days were full dress, wedding clothes, sidepiece of a pillow, large wrapper for quilts and others embroidered with pictures of animals, plants and natural scenes.
Embroideries artistically show the noble character of the Korean women who are wise, intelligent and gentle outwardly but sturdy in spirit. They are high in artistic depiction and diverse in techniques.
Today the traditional embroidery of the Korean people has further developed in keeping with the socialist way of life and the national aesthetic taste, winning popularity worldwide.
Typical embroidery works are "Tiger", "Wild Geese in Moonlight" and "Autumn-tinted Mt Chilbo".
The traditional embroidery was registered as a national intangible cultural heritage in Juche 104 (2015). -0-
More From KCNA.kp (En)
Korea April 26 Animation Studio
Pyongyang, January 21 (KCNA) -- The actors and actresses of the Korea April 26 Animation Studio are loved by people as they have
KCNA.kp (En) January 21, 2021
DPRK People Turn out to Achieve New Victory
Pyongyang, January 21 (KCNA) -- All the people in the DPRK are now in high spirits with the fighting strategies for a fresh
Youth Movement Museum
Pyongyang, January 21 (KCNA) -- It has been five years since the Youth Movement Museum in Pyongyang, the capital city of the DPRK,
Rice Research Institute
Pyongyang, January 20 (KCNA) -- Researchers of the Rice Research Institute under the Academy of Agricultural Science in the DPRK
Ryongaksan Spring Water Factory
Pyongyang, January 21 (KCNA) -- The Ryongaksan Spring Water Factory in Pyongyang, the capital city of the DPRK, started its
Mangyongdae Revolutionary Site Souvenir Factory
Pyongyang, January 19 (KCNA) -- Workers of the Mangyongdae Revolutionary Site Souvenir Factory in the DPRK put the production on a
Pyongyang, January 21 (KCNA) -- Following are major news items and articles in leading newspapers of the DPRK on Thursday: Supreme
Leading Newspapers Call upon All People to Arm themselves with Idea and Spirit of 8th Party Congress
Pyongyang, January 21 (KCNA) -- The DPRK leading newspapers on Thursday say it is needed for all the people to make the idea and
Army-People Rallies Held in Provinces and Cities
Pyongyang, January 21 (KCNA) -- There took place army-people rallies in South Phyongan, South Hwanghae and Kangwon provinces and
Supreme Leader Kim Jong Un Sends Reply Message to Laotian President
Pyongyang, January 21 (KCNA) -- Kim Jong Un, general secretary of the Workers' Party of Korea and chairman of the State Affairs
New Year Cards to Supreme Leader Kim Jong Un from Foreign State and Political Party Leaders
Pyongyang, January 21 (KCNA) -- Supreme Leader Kim Jong Un received New Year cards from foreign state and political party leaders
Supreme Leader Kim Jong Un Sends Reply Message to Raul Castro Ruz
Pyongyang, January 21 (KCNA) -- Kim Jong Un, general secretary of the Workers' Party of Korea, on Jan. 18 sent a reply message to
Pyongyang, January 20 (KCNA) -- The Pyongyang Teachers Training College in the DPRK serves as a research and dissemination center
Review of Rodong Sinmun
Pyongyang, January 20 (KCNA) -- Following are major news items and articles in Rodong Sinmun on Wednesday: Supreme Leader Kim Jong
Rangnang Disabled Soldiers' Essential Plastic Goods Factory
Pyongyang, January 19 (KCNA) -- Employees of the Rangnang Disabled Soldiers' Essential Plastic Goods Factory in the DPRK make an

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David Zoller is the Lead Therapist at Socorro Independent School District located in El Paso, TX. He is a 1992 graduate of the University of New Mexico where he received his physical therapy degree. Mr. Zoller has been a school-based therapist for 24 years. He is a MOVE International Trainer and a Cardio Pulmonary Resuscitation Instructor for the American Heart Association.


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text:
North Carolina Member Honored as CNN Hero for Nonprofit Work
Professional Women in Building Council
Contact: Claudia Richards
crichards@nahb.org
Nora E. Spencer's hobby in home repairs led to work on small renovations alongside contractors and tradespeople. But many times, she wondered to herself where all the women in the field were.
Spencer decided to leave her job in corporate America in late 2020 — during a global pandemic — to study social work. But it was an internship at a local homeless shelter and a class in business school focused on aging that shifted her attention to a way she could help both groups.
Spencer wanted to help women recognize the numerous, well-paying jobs available in the residential construction industry while also creating a workforce to enable more seniors to stay in their homes. Her nonprofit, Hope Renovations in Carrboro, N.C., now empowers women to pursue living-wage jobs in the construction trades via a hands-on training program, while a construction program provides repairs and renovations that help older adults stay in their homes as they age.
The work that she and her team do, including graduating more than 40 women and non-binary individuals from the Hope Renovations program and completing more than 130 projects, mostly for seniors, led to recent recognition from CNN. As a CNN Hero, Spencer encourages more women to get involved in residential construction. "We need to take out all the barriers we can and make it as easy for them as possible."
That includes making her program free of charge and offering a stipend for women below a certain income level to help with transportation and childcare during their training. Spencer says her vision is that one day it won't be unusual for women to be working in the industry where they currently make up just 3% of the skilled trades and less than 11% of the overall construction industry — and in the process making good wages and creating better lives for themselves and their families.
Spencer is the 2022 chair of the Professional Women in Building (PWB) Council at the Home Builders Association of Durham, Orange & Chatham Counties in North Carolina. She was also named the 2021 NAHB Young Professionals Award winner for NAHB's National Region B. The award recognizes young building industry professionals under the age of 45 who propel their careers forward by advocating for the industry, engaging with their peers, and establishing themselves as exceptional members of their communities.
To learn more about Hope Renovations visit hoperenovations.org or view the CNN Heroes article.


text:
Shenzhen's First Fab Lab-Shenzhen Open Innovation Lab Now Offers Fab Academy Courses
ACCESSWIRE November 9, 2017
SZOIL is the First and Only Node in Shenzhen that Offers Fab Academy Courses
SHENZHEN, CHINA / ACCESSWIRE / November 8, 2017 / Shenzhen Open Innovation Lab (SZOIL), Shenzhen's first Fab Lab SZOIL, embodies four functions including Fab Lab promotion and FabLab 2.0 research and develop, innovation and entrepreneur education courses, global maker service platform, and supply chain collaboration service.Shenzhen Open Innovation Lab (SZOIL) recently started to offer innovation and entrepreneurship education courses that are clubbed as 'Fab Academy Courses', along with a global maker service platform, and supply chain collaboration service, which creatively connects 'open source design'. The Lab was set up by Shenzhen Industrial Design Profession Association (SIDA), China's largest professional design association and in collaboration with Maker Collider.
SZOIL is the first and only node in Shenzhen that offers Fab Academy courses. The instructors provide course counselling services on Fab Academy, a course led by Professor Neil Gershenfeld that has a failing rate of nearly 50%, and translate the course into Chinese after being authorized by MIT to address jet lag between China and foreign countries, which enable domestic makers and other scholars around the world to interact and exchange knowledge-based information.
Furthermore, SZOIL now provides basic maker equipment, such as 3D printers, laser cutting machines and so on for makers. Makers with ideas can come at SZOIL and make their own prototype. These prototypes are free for everyone to recreate. After industrial design redefinition and transformation, these samples will be equipped with different characteristics. "Relying on Shenzhen's fast and robust manufacturing system, open source design from 1 to 1000 or even 10000 will be realized." an SZOIL insider commented.
"I like Huaqiang Bei, and it is unfair to say that Shenzhen is a Shanzhai city", said Professor Neil Gershenfeld, founder of Fab Lab and director of MIT's Center for Bits and Atoms, at Fab12 last year. In Prof. Neil's view, Shenzhen's "Shanzhai" is an unique innovation, unlike simple replication and plagiarism.
"In the field of design, open source design is regarded as the style or element designed by designers, which can be used by other designers for free. Instead of copying, other designers must make improvement and the upcoming products will also be stored in the database of open design for public use", commented a faculty member.
"There is a fundamental difference among open source design and copying, plagiarism. A work without innovative concept compared to the original can only be called a copy. Karim Rashid, a leading American industrial designer, set up his first studio in the Asia-Pacific region in Shenzhen Sino-Finnish Design Park. With the help of SIDA, a Ningbo bamboo ware company facing bankrupt cooperated with Karim Rashid Studio and had its bamboo kitchen ware redesigned. Its newly designed products become popular, leading the company to transformation, which can be called open source design," he added during the official announcement of the educational courses rolled out.
While acknowledging the pivotal role of SIDA, the faculty member said, "In 2014, SIDA promoted maker education with MIT's CBA and the American Institute for the Future, created international maker communities with different themes, connected makers with industrial design, connected to the global large-scale manufacturing ecosystem and offered services to small and medium-sized hardware entrepreneurs with the support of the Open Innovation Lab, start-up accelerator, R&D solutions, overseas crowd funding channels, incubation and other resources to further consolidate Shenzhen's international standing in the digital intelligent hardware development and manufacturing."
Shenzhen Industrial Design Profession Association (SIDA) is the largest professional design association in China.
Name: Media Relations
Organization: Shenzhen Industrial Design Profession Association (SIDA)
For more information, please visit http://www.szida.org/
SOURCE: Shenzhen Industrial Design Profession Association (SIDA)
What Type Of Shareholder Owns Shenzhen Investment Limited's (HKG:604)?


Mark 16:15 begins by saying, "GO into all the world and preach the Good News to everyone." This command, often referred to as the "Great Commission" sounds simple, and is easy to understand. For most Christians, including me, we have a really hard time playing this out. Either we are afraid of being laughed at or we are too comfortable in our faith.
In a study conducted by LifeWay Research 80% of those who attend church one or two more times a month, believe they have a personal responsibility to share their faith, but 61% have not shared the gospel in the last sixth months. Sixth months that someone could have been lead to Christ and promised eternity in heaven, gone.
In Philippians 2:12-13 it says "Therefore, my dear friends, as you have always obeyed—not only in my presence, but now much more in my absence—continue to work out your salvation with fear and trembling, for it is God who works in you to will and to act in order to fulfill his good purpose." God's reason for putting us on this earth is to share the gospel with others and lead them to Christ. The Father's greatest desire is for you to have a relationship with Him through Christ and to show others the light of Jesus.
Many days I have a hard time getting up and going to school, but something my mom constantly tells me, "Hanna, you have to go, not for you but for other people. Who else is going to show them love? Who else is going to show them the light of Jesus?" Maybe instead of going right up to a person and bluntly saying," Do you have a relationship with God?" You can be kind to them, love on them, show them grace and smile at them when you pass by. Living out our faith means more than just words. Maybe they'll ask questions which is the perfect opportunity to share the good news. Maybe they'll want to learn more, or maybe they'll cut you off as soon as the word Jesus leaves your lips. Either way, you will be following God's greatest desire.
It's not our job to lead everyone to Christ, but to plant the seed. Our most important mission as Christians is not just to know Christ, but to make him known to others. So GO and share the good news.


EWG > Agmag > Want Some Bug-Killer With That?
The Packer, a publication for the food packing industry, reported Friday that the attendees included Larry Elworth, chief agricultural counselor to the administrator at EPA; Steven Bradbury, deputy director of the Office of Pesticide Programs for the EPA; Don Kraemer, deputy director for the office of food safety for FDA; and Sarah Bittleman, senior advisor to the secretary at USDA.
Yes, indeed, EWG crunches information from the FDA and the USDA Pesticide Data Program to make it more accessible to busy consumers. Our popular (about 1 million unique viewers over the past year) Shopper's Guide to Pesticides in produce is for people who routinely buy conventional, not organic, produce, don't have weeks to root around in spreadsheets and want to avoid those fruits and vegetables found by government laboratories to carry especially high pesticide loads. We always urge readers who aren't okay with pesticide residues not to forgo fruits and vegetables if they can't find or afford organics. Instead, we try to help them make smart choices among conventional items so they can eat healthy and minimize their families' pesticide intake.
What does the public have a right to know about pesticides on food?
We take "clear and concise" to mean less information. And spun.
Just because taxpayers have been paying for all that testing doesn't mean they get the facts, just the facts, nothing but the facts, about what government scientists have actually found.
If the conventional produce lobby gets its way, government web pages will be altered to reflect the industry line that eating pesticides won't hurt you.
"U.S. consumers should trust that the produce is safe from pesticides," Gombas added.
Trust? Who? Big business? The government? We don't know what planet United Fresh likes to call home, but judging by everything we're seeing in the news and blogosphere, there are a whole lot of folks who don't trust either.
Anyway, Mr. Gombas' position isn't easy to process. Is he saying – yes, pesticides are on food, but they're safe? Or that pesticides are, yes, dangerous, but somebody – who? — has kept produce "safe from pesticides"?
We all know this: pesticides are built to kill. There's ample scientific evidence that they present health risks to people – some chemicals more than others, some people more than others, some helpful animals, like honey bees, more than others.
There is also plenty of research that shows that pesticides make their way into our diets.
Most recently, a study by a prestigious team of public health researchers from Harvard and Emory universities and the FDA, highlighted in last week's Environmental Health News, documented 14 types of pesticides in the daily diets of 46 Georgia and Washington state children; about one-fifth of the food prepared by the kids' parents contained at least one pesticide.
The sample was too small to make assumptions about nationwide dietary pesticide loads. The scientists acknowledged that the amounts of pesticide detected did not exceed EPA legal maximums. That's not saying much -many scientists and health professionals believe EPA's bars are set too high.
The Harvard-Emory-FDA team suggested that tighter pesticide restrictions are in order. They concluded that "the frequent consumption of certain food commodities with episodic presence of pesticides that are known to cause developmental and neurological effects in young children underlies the need for further mitigation and should be monitored routinely" by USDA.
Or, people can "trust" the conventional produce industry's aggressive PR campaign — which, by the way, just received a $180,000 federal grant, spurring a protest from 50 environmental, public health and consumer groups, including EWG.
Want some neonicotinoids with those fries?
– You can also read this post on Huffington Post.


One day, after being kissed by a magical butterfly, Kara soon discovers she has amazing super powers allowing her to transform into Super Sparkle, her secret, crime-fighting alter ego who flies around the kingdom ready to save the day! But it's not long before her jealous cousin catches the butterfly and also transforms - this time into Dark Sparkle, her nemesis.
Barely escaping from nefarious dognappers, an adorable puppy named Beethoven adopts the unsuspecting Newton family and promptly grows up into 185 pounds of romping, drooling, disaster-prone St. Bernard! Unfortunately, even after proving his canine credentials to mom and the kids, the heroic hound gets nowhere with uptight dad, George. But when a beastly veterinarian makes Beethoven the target of an unspeakable animal experiment, George becomes the only hope for saving the Newton's furriest family member.
In modern-day Wyoming, teenager Katy McLaughlin (Alison Lohman) dreams of working on and, one day, taking over her father's ranch. She tames a mustang and names her Flicka, then finds that she and her new equine companion are more alike than she imagined. After her father (Tim McGraw) sells Flicka, Katy schemes to win back the horse by entering a dangerous race.
When the exhibits at New York's Natural History Museum start behaving strangely, Larry Daley (Ben Stiller) -- now the director of nighttime operations -- must find out the cause. He learns that the Tablet, which magically brings Teddy Roosevelt (Robin Williams), Jedediah (Owen Wilson) and the other exhibits to life at night, has started to decay. Larry, along with his son and museum friends, must travel to London's British Museum to learn how to prevent the Tablet's magic from disappearing.
Happy Kids brings wide variety of the best, animated series and movies featuring children's favourite characters. We make sure kids are entertained for hours on end!


Welcome to our February Update!
Hope you are well and you had the chance to enjoy the very little bit of snow we had. It caused lots of excitement here!
Thank you for the messages and virtual hugs we received following our Facebook post. All is well but we both had a difficult couple of weeks for various reasons.
As part of the NAS I'm One General Election Campaign we are busily organising a hustings, which will be a unique opportunity for a large number of us to raise our concerns and have our issues heard together by candidates from different political parties. Watch out for more details very soon!WAAD - We are already working on Express' World Autism Awareness Day event on the 2nd April. As in previous years we will be using The Rose theatre in Kingston. For 2015 we are putting on a bigger event with three talks, local providers and national organisations taking part. We will publish more details and how to reserve your place at the talks in our next newsletter and on Facebook. Please do book as soon as tickets are released as places will go fast. We are looking forward to bringing another great autism awareness event to Kingston - spread the word!
We are progressing slowly with our temporary office, very frustrating but we hope to announce the address very soon!
NEXT ONE FEBRUARY 24thBooking a Holiday?
LOOK how much you could donate to express without any cost to you!
Register with Easyfundraising select Express CIC as your cause and then proceed to book via their links. If you are booking a holiday it could raise significant funds and make a real difference to us. Look at the donation estimator above to see just how much! It takes just minutes to set up and you will be helping us to support young people with autism and their families. Thank you!
Galaxy hot chocolate will award £300 to one local community group each week until 23rd February, all you have to do is click here and vote for us! Thank you.
Please do read the latest blog from our Patron John Willliams and look out for his book published by Michael O'Mara Books soon!
Love Kingston is a campaign to raise vital funds for local communities - from Chessington to Kingston, New Malden to Norbiton, through to Surbiton and Tolworth. Visit their website to find the events planned for Valentine's Day.
Dr Sara Sopena is a Chartered Clinical Psychologist with many years of experience working in the NHS offering diagnosis and emotional/behavioural support for families with children with ASD and other neuro-developmental conditions. The aim of the workshop will be to offer families some information about what living with ASD may look like, how families can make sense of their child's behaviour and what resources are available locally for their children. Please email info@metooandco.org.uk to book.
A useful guide can be found on IPSEAs website, click hereto view.CYGNET - A course designed for parents or carers of children and young people aged 8 to 16, with a diagnosis of autism. More details here.
How are you today sunshine?


I take Seroquel to help me fall asleep at bedtime cause i was having sleeping disorders..It seems to help me cause i fall sleep more better and i seem to stay asleep, maybe once in while i wake up but not too often.
even if I am not tired, but I have never consumed anything to fall asleep.
Can a bad thyroid cause you to fall asleep?
I want to sleep but I can't. What should I do to fall asleep? Oh and counting sheep doesn't help.
What's the earliest dream you can remember? as in dream you have when you fall asleep?


text:
Гусейн Али-хан (азерб. Hüseynəli xan Ziyadoğlu-Qacar, ? — 9 ноября 1783) — четвёртый хан Эриванского ханства (1759/1760—1783), брат предыдущего Гасан-Али хана.

История
Прошлый хан Гасан-Али был ослеплён по приказу Надир шаха, правивший четыре года, умер в начале 1759 года, его сменил брат — Гусейн Али-хан.

Во внутренней политике Гусейн Али-хан сосредоточил внимание на экономическом укреплении ханства, а во внешней политике проводил политику достижения полной независимости Еревана и жизни в мире с соседними ханствами.

Отношения с народами Дагестана
В августе 1760 года дагестанские войска двинулись на Ереван. Гусейн Али-хан направил против них войско, и в состоявшейся битве дагестанцы, потерпев поражение, отступили. Однако, получившие дополнительную помощь, они дошли до реки Аракс. Когда дагестанские войска возвращались после окончания грабежей, на них внезапно напали картлийско-кахетинские войска и разгромили их. Это событие ещё больше усилило влияние Картли-Кахетинского царства на Эриванское ханство.

Отношения с Картли-Кахетинским царством
Во время правления Гусейн Али-хана границы Эриванского ханства ещё больше расширились и включили Шарурский магал (нынешняя Ширакская область Армении). На основании «Грузинских источников» Меликсет-Бека, автор А. Р. Григорян пишет:

— «В 1779 году грузинский князь Ираклий II напал на Эриванское ханство, занял Шурар и подчинил себе его правителя султана Кахрамана». После этой оккупации вопрос освобождения Шурара и его возвращения в состав Эриванского ханства всегда был в центре внимания внешней политики ханства.

Ираклий II последовательно совершал военные походы на Эреванское ханство в 1759, 1762—1765, 1778—1779 годах. Гусейн-Али хан, знавший симпатии армян к Ираклию II, после ухода грузинского войска решил наказать их.

Егор Хубов, ставший свидетелем этого события, так описал гнев хана по отношению к армянам в своих мемуарах:

— «Участь тех (армян), которые остались в Эреванской крепости, была плачевной. Тридцать из них были сурово наказаны Гусейнали-ханом. Их имущество было разграблено, а один армянин был обвинен в измене и убит. Патриарх Симон очень разозлился, видя участь своего народа. Он просил прощения у этих несчастных. Хан выполнил его просьбу и заменил наказание штрафом».

Большую часть штрафа заплатил сам патриарх Симон, некоторые стали подозревать самого патриарха в измене. Согласно архивным материалам, шесть монахов Эчмиадзинского монастыря были убиты по приказу Гусейн-Али хана. Информацию этого источника подтверждает и П. Бутков, он писал:

— «В то же время, поскольку территория ханства была сильно разрушена Ираклием II, хан Эривани решил наказать Эчмиадзинскую церковь. Но поскольку всё имущество спрятано, хан напал и убил шестерых монахов. В 1759 году Эреванское ханство было вынуждено платить ежегодный налог в казну Ираклия II в результате этих опустошительных походов».

После того, как Карим-хан Зенд победил Фатх-Али хана Афшара, он начал преследовать Азад-хана. Избегая преследования, Азад-хан бежал в Казахский султанат. Заняв там позицию, Азад-хан намеревался получить помощь от Ираклия II. Однако в 1760 году он был захвачен Ираклием II и передан Карим-хану. В обмен на эту услугу Карим-хан Зенд некоторое время закрывал глаза на получение Картли-Кахетии компенсации от Эриванского ханства.

Однако, укрепив свою власть, Гусейн-Али хан отказался платить налоги. Это привело к нападению Ираклия II на Ереван с большой армией в 1765 году. Из-за малочисленности своих сил Гусейн-Алихан снова согласился на мирное предложение и стал платить дань. Но после того, как Ираклий II вывел свои войска из Еревана, Гусейн-Али снова отказался платить налоги. В 1769 году Ираклий II снова напал на Ереван, но потерпел поражение и отступил. Таким образом, военные походы Ираклия II на Эриванское ханство не принесли никаких результатов. Он не мог поставить ханство в зависимость от себя.

Смерть Карим-хана Зенда в 1779 году привела к дальнейшему обострению отношений. Ираклий II, воспользовавшись благоприятными условиями, снова потребовал налогов с Гусейн-Али хана, но тот отверг это. Тогда в сентябре 1779 года Ираклий II снова выступил на Эриванское ханство с 20-ю тысячным войском. Гусейнали-хан, опираясь на поддержку Карабахского и Хойского ханств, потребовал возвращения семей, переселённых в Грузию. При посредничестве Сулеймана-паши Ахалцихского между Гусейн-Али ханом и Ираклием II были начаты мирные переговоры. Намерение Ираклия II захватить Эриванское ханство беспокоило и других ханов. Например, в 1776 году Шекинский хан Мухаммед Хусейн-хан заявил в своём письме Османской империи, что если Ираклий II нападет на Эриванскую крепость, против него объединятся азербайджанские ханы и дагестанские судьи. Гусейн-Али хан, проводивший самостоятельную внешнюю политику, обратился к другим азербайджанским ханам и заявил, что не зависит от Ираклия II. Услышав об этом, Ираклий II побоясь ханов и был вынужден изменить своё отношение к Гусейн-Али хану.

В ноябре 1781 года между Эриванским ханством и Картли-Кахетинским царством был заключен мирный договор. По условиям заключённого договора Гусейн-Али хан обязывался платить Ираклию II подати в размере 30.000 туманов в год. Кроме того, хан Еревана должен был в случае необходимости помогать Ираклию II со своей армией, последующие ханы должны были быть одобрены грузинским царём. Со своей стороны Ираклий II обязался защищать Эриванское ханство от врагов. В результате договора часть оставшихся в живых заключённых из Грузии была возвращена.

Отношение с другими ханствами
Отношения Эриванского ханства с Карабахским ханством часто были нестабильными, так как карабахские ханы постоянно пытались укрепиться в Ереване. Тяжёлым положением Еревана воспользовался основатель Карабахского ханства Панах Али-хан, захватив земли, расположенные к востоку от Севана, вплоть до реки Тертер, и присоединил их к своему ханству. Большинство авторов «Гарабахнаме» утверждают, что Ибрагим Халил-хан взял под своё влияние Ереван вместе с другими территориями. Гусейн-Али хан смог улучшить отношения с Ибрагим Халил-ханом ближе к концу своей жизни.

Смерть
Гусейн-Али хан умер 9 ноября 1783 года от болезни. По воле хана к власти пришёл его старший сын, 15-ти летний Гуламели-хан Каджар. Смерть Гусейна-Али обострила положение в ханстве. Ираклий II воспользовался случаем, чтобы отправить своего зятя из Багратионов с войском в Ереван. Но он, приближаясь к Еревану, услышал, что Гуламели-хан уже у власти, не стал продолжать нападение и вернулся.

Примечания

Эриванские ханы

redpajama_set_name: RedPajamaWikipedia


Scrolling through Facebook this morning, I saw a friend's post and picture about the local splashpad in Bourne at Buzzards Bay Park. By the look of this photo, my friend thought the town would be closing it. Seeing the giant bulldozer, I would have thought the same.
Just last spring, we wrote an article about the grand opening of this same splashpad, located at 90 Main Street in Buzzards Bay.
It was definitely a hot spot last summer. At the start of the season, it was packed with kids and their parents, who had fun cooling off in the heat.
Unfortunately, the splashpad was shut down on July 10 only halfway through the summer of 2018 after a two-year-old toddler was hurt while playing and had her little toe severed while going down one of the playground's slides. Prior to that happening, there were concerns about the water usage by the town; we've got the Fun 107 article on that right here.
I called Bourne Town Hall and spoke with someone regarding the splashpad and whether or not it would be re-opening this summer. I told the woman I had seen a bulldozer over at the park this morning and she said that "they were doing some clean up over at the park and will know in a week or so if the splashpad would be re-opening this summer."
So stay tuned, I'll update this article once I get a firm answer.


This delicious signature cheddar, mustard and – surprise – beer rye bread has become a quick classic in Notch8 Restaurant. Arriving at the table warm ready to pull apart for sharing, carb lovers just need to be careful not to fill up before their main course.
Try the recipe to enjoy it at home. There really is nothing like the smell of freshly baked bread.


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Romantic Rediscoveries: The Music of Emilie Mayer & Young Artist Showcase Concert
Good Shepherd-Faith Presbyterian Church
Dubbed the "female" Beethoven, Emilie Mayer was a talented composer whose works were performed often in her lifetime but fell into obscurity after her death.
This concert features two of Ms. Mayer's best orchestral works, her towering Faust Overture which ranks among the works of Berlioz, Liszt, and Wagner along with the New York premiere of her Fifth (Seventh) Symphony in F Minor which hints at the influence of Mendelssohn and Schumann. Three winners of the 2019 Young Artist Competition will also perform as soloists with the orchestra.
Forgoing traditional printed program notes, Ensemble 212 also features unique live program notes projected on a screen during the performance, serving as a visual listening guide for the audience. This spectacular concert will thrill audiences with dazzling young soloists and the rediscovery of an important long-forgotten female composer!
Emilie MAYER
Faust Overture, Op. 46 (12')
Carl REINECKE
Flute Concerto in D Major, Op. 283 2nd Movement (6')
featuring Semin Kang, Flute Honorable Mention, 2019 Young Artist Competition
Romance No. 2 in F Major for Violin & Orchestra, Op. 50 (10')
featuring Clara Neubauer, Violin 2nd Prize Winner of the 2019 Young Artist Competition
Pyotr Ilyich TCHAIKOVSKY
Violin Concerto in D Major, Op. 35 3rd Movement (10')
featuring Serin Park, Violin Grand Prize Winner of the 2019 Young Artist Competition
*** INTERMISSION ***
Symphony No. 5 in F Minor (35')
New York Premiere
Yoon Jae Lee, Conductor
Advance tickets on BPT (link above) until 6/15 3 PM:
$20 General, $18 Seniors 65+, $15 Students with ID
After that time, tickets at the doors which open at 7:30 will be cash only.
Children 12 and under FREE, no ticket required.
Doors will open at 7:30 on the day of the concert.
Good Shepherd-Faith Presbyterian Church (View)
Arts > Performance
Music > All Ages
Music > Classical
Music > Symphony
Other > Family-Friendly
Owner: Ensemble 212
On BPT Since: Sep 26, 2011
Ensemble 212
info@ensemble212.org


I have a 2002 Jamaica proof set, bought when I served there as a consul, 2001-2004. I went down to the Central Bank and got it. Why are these so elusive? Would the community of collectors like me to post a picture?


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Farmers in Manipur demand state-specific agricultural policy to address their plight
Farmers' representatives from all the districts of Manipur, gathered at Diocesan Social Service Society (DSSS), Mantripukhri, Manipur and deliberated on the issues and challenges faced by the farmers of Manipur in a consultation meeting.
Updated on 16 Jan 2022, 3:01 pm
Farmers of Manipur are still facing challenges and issues in different stages of cultivation, harvesting and farming, and the government should look after the policies, plan, projects, schemes which have been launched for agriculture, said farmers' representatives on Saturday.
Farmers' representatives from all the districts of Manipur, gathered at Diocesan Social Service Society (DSSS), Mantripukhri, Manipur and deliberated on the issues and challenges faced by the farmers of Manipur in a consultation meeting. The meeting was jointly organised by the Human Rights Law Network (HRLN), the Human Rights Alert (HRA) and the Lounmi Sinmi Apun Lup (LOUSAL).
The farmers' representatives shared their experiences, issues and challenges and resolved to take several steps.
It was resolved that a holistic agricultural policy for the state of Manipur should be formulated through an inclusive process.
The need to establish a strong farmers' union for the whole of Manipur to highlight their issues were raised.
It was pointed out that the Public Distribution System suffered from various limitations in providing food security of the people. Vested interest individuals and groups gain out of the system rather than the beneficiaries.
The farmers stated that the state should buy the agricultural and horticultural products of the farmers by ensuring a Minimum Procurement Price. It was also resolved that the locally produced rice should be procured from the local farmers at an assured minimum procurement price and distributed through the existing Targeted Public Distribution System.
Distribution of seeds and bio fertilizers should be done equitably and transparently, the farmers stated.
The farmers expressed that irrigation system should be improved and special attention should be given to the specific needs of the hill areas to harvest rainwater. Multiple and diverse cropping should be encouraged. Liberal credit facilities should be provided to small and marginalized farmers, and concerted efforts should be made to assure stable market of the agricultural and horticultural products, the farmers resolved.
The farmers further expressed that trainings in modern form of agricultural practices and food processes should be given for marketing and training for dry fruit. The farmers further expressed that they do not welcome Palm oil tree plantation in Manipur.
The consultation started with an introduction to the present agricultural challenges of Manipur by former VC M Premjit; former vice chancellor of Central Agricultural University; former deputy director Chingakham Pishak of state Agriculture department and president LOUSAL Mutum Churamani shared the dais. The session was moderated by former member of Manipur State Commission for Protection of Child Rights Keisham Pradipkumar.
The recent success of the farmers' movement and the present challenges faced by them in India was presented by Kirankumar Vissa of the Alliance for Sustainable and Holistic Agriculture (ASHA) from Andhra Pradesh through video conference.
Similarly, Mirnal Gohain of Action Aid, Assam spoke on 'Food Sovereignty and Sustainable Agriculture in North East' highlighting the internal colonialism suffered by the Northeast in the Agriculture sector in the last seven decades.
Environmental activist Wangkheirakpam Ramananda spoke on the 'Developmental Justice and Palm Oil Plantation', citing the experience of Mizoram and other countries of South East Asia.
First published:15 Jan 2022, 4:01 pm
farmers in Manipur
Lousal
consultative meeting
HRLN


text:
Q: GWT Celltable column with label and image I am looking to add a label and image to a CellTable column, with following requisites:
- Label should be followed by an image.
- Click on the column (anywhere on label or image), toggles the image.
I am thinking of creating a custom widget containing an HorizontalPanel. Which in itself contains the Label and Image. Before putting substantial time on the same, just want an confirmation whether this approach is proper ?

A: No, you cannot put a widget in a CellTable.  You will have to make a custom cell (extend AbstractCell) and generate HTML directly.
Take a look at GWT's implementation of different cells to see how they achieve clicking, etc.  There are no nice ClickEvents, for example - you have to respond to the browser events directly.
To toggle an image you will have to re-draw the entire table, or use crazy javascript that you don't want to use.

redpajama_set_name: RedPajamaStackExchange


The Virginia Department of Mines, Minerals and Energy presents its semi-annual mine safety and health law seminar focusing on federal (MSHA) and Virginia state laws governing the mineral mining (metal/nonmetal) industry. This seminar is designed for mining companies as well as contractors that perform work on mine sites. This seminar will be held at Lord Fairfax Community College's Middletown, VA Campus on April 16 – 17. There is no cost to attend this seminar. For more information or to register click the link below.


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We can't breathe : on black lives, white lies, and the art of survival
Asim, Jabari, 1962- author.
Getting it twisted -- The elements of strut -- Shooting negroes -- Color him father -- The seer and the seen : on reading and being -- Brick relics -- The thing itself -- Of love and struggle : the limits of respectability -- Selected bibliography.
African Americans -- Social conditions.
African Americans -- History.
Racism -- United States -- History.
Restorative justice -- United States.
United States -- Race relations.
Essays.
Asim disrupts what Toni Morrison [calls] the 'master narrative' and replaces it with a story of black survival and persistence through art and community in the face of centuries of racism. In eight ... essays, he explores such topics as the twisted legacy of jokes and falsehoods in black life; the importance of black fathers and community; the significance of black writers and stories; and the beauty and pain of the black body"--Front flap.
Book 305.896073 ASI 1 1
A Finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay
Insightful and searing essays that celebrate the vibrancy and strength of black history and culture in America by critically acclaimed writer Jabari Asim
In We Can't Breathe , Jabari Asim disrupts what Toni Morrison has exposed as the "Master Narrative" and replaces it with a story of black survival and persistence through art and community in the face of centuries of racism. In eight wide-ranging and penetrating essays, he explores such topics as the twisted legacy of jokes and falsehoods in black life; the importance of black fathers and community; the significance of black writers and stories; and the beauty and pain of the black body. What emerges is a rich portrait of a community and culture that has resisted, survived, and flourished despite centuries of racism, violence, and trauma. These thought-provoking essays present a different side of American history, one that doesn't depend on a narrative steeped in oppression but rather reveals black voices telling their own stories.
JABARI ASIM was born and raised in St. Louis, Missouri. For eleven years, he was an editor at The Washington Post , where he also wrote a syndicated column on politics, popular culture and social issues, and he served for ten years as the editor in chief of Crisis magazine, the NAACP's flagship journal of politics, culture and ideas. He is the recipient of a Guggenheim Fellowship in Creative Arts and the author of six books for adults, including The N Word, and nine books for children.
In contrast to the whitewashed, abridged history books that have long dominated our historical narrative stands this collection from the renowned writer, scholar, and cultural critic. In eight smartly crafted essays of varying lengths, Asim shares his experience as a black man in America. Most notable is his talent for braiding past and present into a cohesive explanation that shines a light on ugly histories while being honest about how far we have or have not come. "Shooting Negroes" links the murder of Trayvon Martin with slavery and the school-to-prison pipeline. The tender depiction of Asim's father show his roots as a poet-both in the short verses he includes as well as in the descriptions of his family. Educators may be best served by selecting pieces most appropriate for their students, as some entries assume knowledge of historical and current events or use advanced vocabulary, and one contains a graphic sexual description. -VERDICT Sure to spur the conversation on race and identity, this is a strong addition to any collection for mature teens, especially as a supplement to history texts that have left out the stories and voices of people of color.-Lindsay Jensen, Nashville Public Library © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
In this small but expansive collection of essays, writer and cultural critic Asim (Preaching to the Chickens: The Story of Young John Lewis) draws on the full breadth of black history in the United States, illuminating the story of black resilience through the centuries. "Along with brutality, torture, and murder, a principal step in oppression, American style has long involved getting between the oppressed and their stories," he writes. To combat this oppression, he discusses depictions of blackness in art, black fathers and father figures, the meaning of representation in literature, the racist roots of neighborhood watch squads, and the limits of respectability politics. In one heartfelt essay, he wonders at the power of a brick wall-built in a Massachusetts town by an enslaved artisan in 1765-to act as a physical reminder of great sacrifice. In Asim's telling, Trayvon Martin, the black teenager who was murdered by a white neighborhood watch volunteer in 2012, lives alongside Pomp, the man who built that wall. Melding the personal with the national and cultural, this collection is a must-read for history buffs, activists, and students of societal power dynamics. (Oct.) c Copyright PWxyz, LLC. All rights reserved.
A collection of essays that go wide and deep into the black experience in America.As a former editor and columnist for the Washington Post and editor-in-chief of the NAACP's The Crisis, Asim (A Taste of Honey, 2009, etc.) brings an impressive breadth of experience to these pieces. He places current events within the context of a legacy that is literary, political, and cultural as well as racial, with a voice that is both compelling and convincing. "In ideal circumstances, the human body flows in a state of strut," he writes of the body confidence that white people too often find menacing in black males. "A jauntiness, an ease. A response to the rhythms that animate the earth.Strut is the body in motion, occupying, manipulating and moving through space. Strutting requires freedom, the liberty to flex and stretch." This prose struts in an inherently musical way that also seems integral to the black experience as the author delineates its rhythms. Some of these pieces are more ambitious than others and pack more of a punchparticularly "Getting It Twisted" and "The Elements of Strut" as well as the concluding "Of Love and Struggle: The Limits of Respectability," which counters Michelle Obama's strategy of going high when they go low. Others are slighter, such as one on black representation in children's literature, or more personal, like "Color Him Father," about Asim's family. Perhaps most problematic is the longest essay, "The Thing Itself," which ultimately offers a nuanced illumination of cultural appropriation but spends too much space on the old battle over William Styron's The Confessions of Nat Turner. Nonetheless, the author shows throughout how the past informs the present and how age-old fears and prejudices present themselves in new guises.A sharp vision that challenges readers to shift perspective and examine conventional narratives. Copyright Kirkus Reviews, used with permission.
Acclaimed writer Asim (associate professor, director, creative writing, Emerson Coll.; Preaching to the Chickens; A Taste of Honey: Stories) writes an insightful, compact volume featuring eight pivotal essays that redress African American history and culture as it's commonly represented in America today. This latest work eloquently weaves a narrative rich with black philosophers, artists, and writers, juxtaposing the standard offerings of black history found in present-day classrooms. His essays transverse the difficulties of racism, violence, and oppression; however, a keen mastery of language and storytelling positively illuminates how African Americans continue to resist against injustice. Asim effortlessly opens the dialog by widening the lens on various issues such as black fathers as leaders, the appropriation of black tragedy by white artists, how the stories of African American heroes come to be misrepresented, and the misconception that love is enough to fight injustice. VERDICT A highly accessible book that would serve high school and college classrooms well in continuing the conversation about civil rights and social justice.-Angela Forret, Clive, IA © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Getting It Twisted p. 1
The Elements of Strut p. 21
Shooting Negroes p. 49
Color Him Father p. 69
The Seer and the Seen: On Reading and Being p. 91
Brick Relics p. 115
The Thing Itself p. 127
Of Love and Struggle: The Limits of Respectability p. 171
Acknowledgments p. 189
Selected Bibliography p. 191


text:
The disciples risked their necks
That the disciples suffered and were willing to die is multiply attested. Peter and John were arrested by the Sanhedrin and commanded not to preach in the name of Jesus, a command they openly defied. (Acts 4:18-20) Shortly afterward, all the apostles were arrested and flogged. (Acts 5:18, 40) We have the martyrdom of Stephen recorded in Acts 7:55-60. Acts 9:1-2 tells us about Paul threatening and imprisoning Christians before his conversion. We learn of the martyrdom of James the brother of John in Acts 12:1-2.
Paul's sufferings are recorded in Acts and in his own letters to the churches, most notably 2 Corinthians 11: "Five times I received the forty lashes minus one from the Jews. Three times I was beaten with rods. Once I received a stoning. Three times I was shipwrecked. I have spent a night and a day in the open sea. On frequent journeys, I faced dangers from rivers, dangers from robbers, dangers from my own people, dangers from Gentiles, dangers in the city, dangers in the wilderness, dangers at sea, and dangers among false brothers; toil and hardship, many sleepless nights, hunger and thirst, often without food, cold, and without clothing."
The Jewish historian Josephus records the death of Jesus's brother James. (Antiquities 2:200) The martyrdom of James is also recorded by Hegesippus, a Christian chronicler of the 2nd century.
The witness of the early church fathers
Clement of Rome, a Christian pastor who was a contemporary of the apostles reports the sufferings and deaths of Peter and Paul. He wrote in 95 AD "Peter, through unrighteous envy, endured not one or two, but numerous labors; and when he had at length suffered martyrdom, departed to the place of glory due to him. Owing to envy, Paul also obtained the reward of patient endurance, after being seven times thrown into captivity, compelled to flee, and stoned. After preaching both in the east and west, he gained the illustrious reputation due to his faith, having taught righteousness to the whole world, and come to the extreme limit of the west, and suffered martyrdom under the prefects. Thus was he removed from the world, and went into the holy place, having proved himself a striking example of patience." (1 Clement 5:3-7)
Polycarp, another contemporary of the disciples also wrote of the disciples' sufferings: "I exhort you all, therefore, to yield obedience to the word of righteousness, and to exercise all patience, such as you have seen [set] before your eyes, not only in the case of the blessed Ignatius, and Zosimus, and Rufus, but also in others among yourselves, and in Paul himself, and the rest of the apostles. [This do] in the assurance that all these have not run in vain, but in faith and righteousness, and that they are [now] in their due place in the presence of the Lord, with whom also they suffered. For they loved not this present world, but for Him who died for us, and for our sakes was raised again by God from the dead." (Letter to the Philippians, Ch. 9)
Both Clement and Polycarp were not just contemporaries but were reported as knowing the apostles. Irenaeus was a student of both men. He tells us that Clement "had seen the blessed apostles, and had been conversant with them," and that "Polycarp also was not only instructed by apostles, and conversed with many who had seen Christ, but was also, by apostles in Asia, appointed bishop of the Church in Smyrna…)" (Irenaeus, Against Heresies, 3.3.3)
Tertullian of Carthage (155-220 AD) also writes about the fates of James, Paul, and Peter: "That James is slain as a victim at the altar, that Paul is beheaded has been written in their own blood. And if a heretic wishes his confidence to rest upon a public record, the archives of the empire will speak, as would the stones of Jerusalem. We read the lives of the Caesars: At Rome, Nero was the first who stained with blood the rising faith. Then is Peter girt by another, when he is made fast to the cross." (Scorpiace 15)
Notice that Tertullian says these are matters of public record. He essentially says, "If you don't believe me, go to the libraries and investigate it for yourself!"
Sometimes people will risk death for something false, but not for something that they know to be false without some sort of shot at an earthly reward that makes it worth their while. Rather than offering anything tangible here and now in this life, Christianity promoted giving and loving sacrifice and minimized the importance of earthly power.
In the case of the life of Paul, he lived a single life and worked with his own hands to provide for himself and his traveling companions. He clearly was not motivated by power, sex, or money. (1 Corinthians 7:8, 2 Corinthians 4:5, 2 Thessalonians 3:8)
On the significance of their sufferings:
"After Jesus' death, the disciples endured persecution, and a number of them experienced martyrdom. The strength of their conviction indicates that they were not just claiming Jesus had appeared to them after rising from the dead. They really believed it. They willingly endangered themselves by publicly proclaiming the risen Christ."
- Dr. Michael Licona, New Testament scholar and author. He is Associate Professor in Theology at Houston Baptist University and the author of The Resurrection of Jesus: A New Historiographical Approach
Next: Empty Tomb


A Shakespeare classic, deconstructed through Mendelssohn's musical wit and keen imagination for Ears Wide Open.
The bard's tale of mischievous spirits and finding true love has been a rich source of inspiration for many artists. And Mendelssohn's incidental music for the play has become so popular; his name is synonymous with fairy music.


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text:
Q: JWT in Sails.js with passport Does someone know how to use JWT in sails.js with passport?
I saw this link to do it node.js : passport-local with node-jwt-simple
But routes and controllers with sails-generate-auth seems differents so I don't know how to integrate it

A: Take a look at waterlock.ninja it's made for sailsJS and does all the JWT stuff OOTB :)

A: I found a repo on github doing exactly what I was looking for(passport + jsonwebtokens with sails on the back) with in bonus a frontend written in angular
https://github.com/ProLoser/angular-sails-seed


text:
Tag Archives: Fifty-Second Street
"LET MIRTH BE KING": MARTY GROSZ, FRANK TATE, SCOTT ROBINSON, DUKE HEITGER at JAZZ AT CHAUTAUQUA (September 20, 2013)
Unless you were at the Hotel Athenaeum on September 20, 2013, this music will be new to you, and if you were in the audience that day, it might simply be a wistful memory. But here — thanks to the magic of the video camera, the forbearance of the musicians, and the grace of Nancy Hancock Griffith and Kathy Hancock — I can present to you a short set by a Marty Grosz band featuring the leader on guitar, vocal, banter, Frank Tate on string bass, Scott Robinson on reeds, and Duke Heitger, trumpet. I think this was the last year the weekend festival was held in upstate New York before moving to Cleveland, where it resided happily for another few years. I miss it terribly and know that others share my feelings.
But now, some vibrant music from a quartet of revelers — all four still happily with us. Intricate jammed counterpoint; irresistible rhythmic bounce; repertoire worth rediscovering . . . it could only be a Grosz small group, with echoes of Condon, Red McKenzie, Fats and others.
A small technological note: the first half of IT'S A SIN TO TELL A LIE wasn't recorded: it's possible I had to change the camera's battery. But the second half is too good to ignore.
Marty and the Spots, thanks to Eddie Durham and others:
and a song I learned from a 1937 Dick Robertson record featuring Bobby Hackett:
and Sidney Bechet's composition:
and, the second half:
Sharing these performances with you, I think this is why, since 1970, I brought audio recording equipment (cassette recorder, reel-to-reel tape deck, digital recorder) and now pounds of video equipment (Flip, Sony, Panasonic, Rode) wherever I could, to concerts and clubs and gigs. My goal? To make the evanescent become permanent, the players and the sounds immortal.
Posted in "Thanks A Million", Bliss!, Generosities, Hotter Than That, Ideal Places, Irreplaceable, It's All True, Jazz Titans, Mmmmmmmmmmmmm!, Pay Attention!, Swing You Cats!, That Was Fun!, The Heroes Among Us, The Real Thing, The Things We Love, Wow!
Tagged Athenaeum Hotel, Bobby Hackett, Dick robertson, drumless quartet, Duke Heitger, Eddie Condon, Eddie Durham, Fats Waller, Fifty-Second Street, Frank Tate, hot jazz, Ink Spots, Jazz At Chautauqua, Jazz Lives, Kathy Hancock, Marty Grosz, Michael Steinman, Nancy Hancock Griffith, Red McKenzie, Scott Robinson, Sidney Bechet
MELLOW IN MENLO PARK: CLINT BAKER, JESSICA KING, BILL REINHART, ROBERT YOUNG, RILEY BAKER, JEFF HAMILTON (July 19, 2019)
Refreshing evocations of Thirties New York City and of late-Twenties Chicago, with cooling iced tea to spare, at Cafe Borrone in Menlo Park, California, captured for us by RaeAnn Berry on July 19, 2019.
Cafe Borrone from the outside.
The joyous creators are Clint Baker, clarinet and vocal; Robert Young, alto saxophone and vocal; Jeff Hamilton, piano; Riley Baker, string bass; Bill Reinhart, banjo; Jessica King, washboard and vocal.
IF I WERE YOU would have been a fairly obscure 1938 song by Buddy Bernier and Robert D. Emmerich had it not been recorded by Billie Holiday, Fats Waller, Teddy Wilson (with Nan Wynn) and Hot Lips Page — more recently, by Rebecca Kilgore and Dawn Lambeth. Bernier is not especially famous as a composer, although he wrote THE NIGHT HAS A THOUSAND EYES, but he adapted melodies from other cultures — POINCIANA and OUR LOVE perhaps the most famous, so he is responsible for rewarding pop music. Emmerich's lyrics are sly, clever, another example of the Brill Building genius of making memorable songs from common phrases.
Jessica sings it with sweet understated conviction, supported in the best Fifty-Second Street tradition by Clint, Jeff, and Riley (without the dark haze of smoke and the taste of watered drinks that I am told were characteristics of Swing Street):
SWEET SUE, JUST YOU moves us back a decade and east to Chicago's South Side, with Robert Young and Bill Reinhart added — Noone, Poston, and a vocal duet. What could be sweeter? Victor Young just texted me to say he approves:
California dreamin' isn't the property of the Beach Boys, I assure you. If you can get to Cafe Borrone while Clint and friends are playing and singing, you will drive home with a smile.
Posted in "Thanks A Million", Bliss!, Generosities, Ideal Places, It's All True, Jazz Titans, Mmmmmmmmmmmmm!, Pay Attention!, Swing You Cats!, That Was Fun!, The Heroes Among Us, The Real Thing, The Things We Love, Wow!
Tagged Apex Club Orchestra, Bill Reinhart, Billie Holiday, Cafe Borrone, Dawn Lambeth, Doc Poston, Fats Waller, Fifty-Second Street, Hot Lips Page, IF I WERE YOU, Jeff Hamilton, Jessica King, Jimmie Noone, Nan Wynn, RaeAnn Berry, Rebecca Kilgore, Riley Baker, SWEET SUE, Victor Young
"WHICH WAY TO FIFTY-SECOND STREET?": DAWN LAMBETH, MARC CAPARONE, JOHN REYNOLDS, KATIE CAVERA at the JAZZ BASH BY THE BAY (Monterey, March 2, 2018)
I missed out on the 2018 Jazz Bash by the Bay in Monterey, California, March 2-4 of this year. But once again the First Lady of Hot Video, RaeAnn Berry, brought back some good sights and sounds for us.
A particular favorite was this set featuring Marc Caparone, trumpet; Dawn Lambeth, piano; John Reynolds, guitar; Katie Cavera, string bass — with nifty vocals from each of the four. Completely charming, light-hearted melodic swing, with no tricks. They would have been a hit at the Hickory House or the Onyx Club, and what a blessing to have them with us now.
RaeAnn posted all ten performances, but here are the four I was especially charmed by because the songs are rarely performed — and, as JAZZ LIVES readers know, these four musicians are dear to me.
Anyone want to split cab fare to Fifty-Second Street?
PARDON ME, PRETTY BABY:
WHEN THE RED RED ROBIN COMES BOB BOB BOBBIN' ALONG (another thing to thank Harry Woods for, as Dawn offers us some tender optimism):
LITTLE GIRL (I dream of the ten-CD set called JOHN REYNOLDS SINGS FOR YOU):
I'VE GOT MY FINGERS CROSSED (with a sparkling conversation between Marc and John near the end):
With luck and a GPS, I'll be at the 2019 Jazz Bash by the Bay. It beats worrying about snow and then shoveling it, which is March in my world of New York.
Posted in "Thanks A Million", Bliss!, Generosities, Hotter Than That, Ideal Places, Irreplaceable, It's All True, Jazz Titans, Pay Attention!, Swing You Cats!, That Was Fun!, The Heroes Among Us, The Real Thing, The Things We Love, Wow!
Tagged Dawn Lambeth, Dixieland Monterey, Fifty-Second Street, Hickory House, JAzz Bash by the Bay, Jazz Lives, John Reynolds, Katie Cavera, Marc Caparone, Michael Steinman, Onyx Club, RaeAnn Berry
DISMISSED, DERIDED, DELICIOUS: THE VARSITY SEVEN: 1939 and 1940
If you consider an artist's works in chronological sequence (bibliography as well as discography) certain landmarks blot out their neighbors. In the case of Coleman Hawkins, there's BODY AND SOUL, then the Hampton Victor date, then his big band — leading up to the small-group sessions of 1943-44 for Signature, Keynote, Savoy, and more.
The Varsity Seven sides — full of delights — recorded in December 1939 and January 1940 — haven't received the admiration they deserve. Hawkins' admiring biographer, the diligent John Chilton, calls them "a pastiche of Dixieland." I disagree.
The Varsity label (please note the transparent pseudonyms for Hawkins and Carter) was run by Eli Oberstein, and it never seems to have been entirely out in the open. I don't know that Oberstein was the equal of Herman Lubinsky of Savoy, but Eli seems to have been ingenious in his dealings. I believe the masters of these and other sessions were bought by Savoy, and thus the trail to licit reissues is complex. Were they Victor sessions, they would have been available straightforwardly for decades now, including "official" CD issue.
Another side-note is that the session — one or both? — was co-produced by Leonard Feather and Warren Scholl, which may account for a Feather composition being there. I knew two sides from this date because my Long Island friend Tom Piazza played them for me, forty-plus years ago: SHAKE IT AND BREAK IT and A PRETTY GIRL IS LIKE A MELODY. I don't know where each of the musicians was working in 1939-40, whether Fifty-Second Street or Cafe Society or uptown, but they come together to create great jazz. Cheerful Jeanne Burns (known for work with Adrian Rollini and Wingy Manone) is a liability, but we've all heard less polished singers. Here's the information for the first session.
Benny Carter, trumpet, alto saxophone; Danny Polo, clarinet; Coleman Hawkins, tenor saxophone; Joe Sullivan, piano; Ulysses Livingston, guitar, vocal; Artie Bernstein, string bass; George Wettling, drums; Jeanne Burns, vocal. New York, December 14, 1939.
IT'S TIGHT LIKE THAT (Burns, vocal). The first two choruses — bless Sullivan and Wettling, who are bringing Jimmy Ryan's to a record date or doing the Commodore? — are flawless. Ms. Burns has pitch trouble, but I concentrate on Sullivan behind her. Polo and Livingston (the latter sounding much like a sweet Teddy Bunn) aren't derailed by the young lady, and then Hawkins charges in, "I'm back from Europe, and let me remind you who is still King!" My idea of perfection is of course subjective, but the instrumental portions of this recording stand up with any other of this period:
EASY RIDER (Burns, Livingston, vocal). Hawkins starts off rhapsodically, and is then relieved by Polo, whose sound in itself is an aural landscape, no matter how simple his phrases. (In this, he reminds me of poets Joe Marsala, Raymond Burke, and Edmond Hall.) Ms. Burns Is much more at ease at this tempo and in this range, and her unusual mixture of Mae West and Mildred Bailey is her most successful vocal. Livingston's vaudeville couplets are harmlessly archaic counterpoint, leading in to an ensemble where Carter and Polo take up most of the space, leaving Hawkins little to do. One must admire the lovely drumming of Wettling — and how beautifully Artie Shapiro's bass comes through — before the consciously "old-timey" ending:
SCRATCH MY BACK is the one Leonard Feather composition, and a charming one, revisited by Dan Barrett a few years ago. I can't figure out the changes beneath the melody — an experienced friend / musician says the first strain is similar to YOU TOOK ADVANTAGE OF ME. I love the opening ensemble, and Shapiro's deep notes behind Polo, then Sullivan's rollicking solo chorus, where Wettling is having a wonderful time — and the passage where Sullivan abstracts the melody for great dramatic effect. Then — what's this? — a glorious alto solo by "Billy Carton" (heir to the cardboard box fortune) punctuated by a Livingston blues-pastoral. Everyone steps aside for Hawkins, and a recap of the theme with Livingston adding sweet arpeggiated chords. No complaints here:
SAVE IT PRETTY MAMA (Burns, vocal). Aside from the ending, I don't think of this as "Dixieland": rather a series of splendid improvisations from Carter, Sullivan, and two choruses from Hawkins — over a gently propulsive and balanced rhythm section. I find Burns' version of Mildred Bailey's upper-register-vibrato jarring, but I was listening to Polo, murmuring sweet limpid asides, and the rhythm section while she sang:
Fast forward to January 15, 1940: the same personnel except Big Joe Turner replaces Burns, an improvement.
And in his honor, they began with HOW LONG, HOW LONG BLUES. In the opening ensemble, Hawkins is nearly submerged (could this have been what irritated Chilton?) which leads into a lovely chorus by Polo — with plain-spoken rhythm section work. Then, Big Joe, in glowing voice, supported by a very powerful Sullivan, with lovely ensemble encouragements. It almost seems as if Hawkins has been waiting his chance, and he takes it eloquently, before Big Joe and the band return. At 2:23, apparently Turner has momentarily forgotten the lyric couplet or has gotten distracted. A fine improvised ensemble closes off the record, with a Wettling accent. This side seems slightly under-rehearsed, but the looseness adds to its charm:
SHAKE IT AND BREAK IT has always been a favorite, and this vocal version is a prize. If there's a sound more engaging than this rhythm section following Sullivan, I have yet to hear it. Big Joe sounds positively exuberant (in touch with the lyrics); Polo and Livingston keep the forward motion going , and everyone is even more gleeful for Joe's second chorus ("rub it all over the wall") before particularly hot choruses by Carter and Hawkins follow, leading to jamming (with Wettling happily prominent) to end the record. If this is "Dixieland," I want many more sides:
A PRETTY GIRL IS LIKE A MELODY was not a song much utilized for jam session recordings, but to have it here is a pleasure. I wonder if Oberstein said, "No more blues, fellows! Let's have a hot one!" as Big Joe left the studio. Or it just seemed like a melodic yet under-played Berlin song, taken a little quicker than I imagine it was done in the Ziegfeld Follies. A very simple — even cliched — vamp led by Livingston starts things off before Polo takes the lead — which surprisingly turns into an ensemble passage, then a wonderfully quirky Sullivan solo AND Hawkins leaping into his chorus with the zeal of a great athlete (powerful playing from Shapiro, Livingston, and Wettling) — then a magnificent Carter solo and a romping ensemble close. This is one of the most successful sides of the eight:
And, finally, POM POM, a Carter original which might be a phrase from one of his solos scored for small band, with a particularly light scoring: I would have thought the opening 16 was scored for alto, clarinet, and tenor, but for the speed with which Carter plays trumpet on the bridge. Polo's chorus is so tenderly levitating that if you, hearing his work on this session, don't want to hear more, then I have failed. Hawkins is energized in his two-chorus solo, reminding me of the trio records he made in 1937, especially in his powerful second chorus — but Carter is as elegant a mountain-climber as I can imagine (with a distinct similarity to Joe Thomas or Bill Coleman of this period); another piece of swing lace-weaving from Livingston, and the record gracefully winds down — simultaneously hot and gentle. Is that a recording engineer's "fade" or simply everyone getting softer? I don't know, but it's very sweet:
These aren't flawless records. Some of them might have benefited from a second take. But they are uplifting examples of the stars willing to come in and play two dates for what I imagine was scale. All in a day's work — and how glorious the results are.
Posted in "Thanks A Million", Bliss!, Generosities, Hotter Than That, Irreplaceable, It's All True, Jazz Titans, Mmmmmmmmmmmmm!, Pay Attention!, Swing You Cats!, That Was Fun!, The Real Thing, The Things We Love, Wow!
Tagged "Body and Soul", "Dixieland", Adrian Rollini, Benny Carter, Big Joe Turner, Coleman Hawkins, Commodore Records, Danny Polo, Edmond Hall, Eli Oberstein, Fifty-Second Street, George Wettling, Jazz Lives, Jeanne Burns, Joe MArsala, Joe Sullivan, John Chilton, Leonard Feather, Lionel Hampton, Mae West, Michael Steinman, Mildred Bailey, Raymond Burke, Teddy Bunn, The Varsity Seven, Ulysses Livingston, Varsity Records, Warren Scholl, Wingy Manone
DAN MORGENSTERN RECALLS FIFTY-SECOND STREET, SIDNEY BECHET, DICK WELLSTOOD, KENNY DAVERN, ALONZO LEVISTER, KANSAS FIELDS, and MORE (April 21, 2017)
Here is another unique interlude generously offered to us by Dan Morgenstern. I've posted earlier segments here and here — with immense pleasure.
In pursuit of the fine surprising stories that have delighted us so, I'd asked Dan to recall his experiences on Fifty-Second Street, slightly after that street's legendary height . . . and here's what he recalled, with portraits of Sidney Bechet, Alonzo Levister, Kenny Davern, and Dick Wellstood among others.
I will have the mental-emotional image of a set-long Bechet / Dickenson blues forever. And since Dan was close to both Kenny and Dick, here's a wonderful performance, little-known, recorded by the very gracious Joe Shepherd at the Manassas Jazz Festival on December 1, 1978. I WANT TO BE HAPPY, with Billy Butterfield, Kenny Davern, Spiegel Willcox, Spencer Clark, Dick Wellstood, Marty Grosz, Van Perry, Tony Di Nicola.
The video quality is a little fuzzy, but the music is memorable and more. And thank you, Dan, for insights and generosities.
Tagged Alonzo Levister, Billy Butterfield, Dan Morgenstern, Dick Wellstood, Fifty-Second Street, Jazz Lives, Joe Thomas, Kansas Fields, Kenny Davern, Marty Grosz, Michael Steinman, Sidney Bechet, Sidney Catlett, Spencer Clark, Spiegel Willcox, Stan Getz, Tony Di Nicola, Vic Dickenson
"I THOUGHT I HEARD": November 1945
No blues lyrics that I know begin with "The mail carrier came today, and (s)he brought me good news," but it happens to be the case. Evidence herewith:
Once again, prowling eBay about ten days ago, I saw ten issues of Art Hodes' THE JAZZ RECORD — a short-lived and wonderful magazine on sale — and I took money out of the grandchildren's retirement fund and splurged. The issues were the prized possession of someone whose name I can't quite read, and their original owner not only read them avidly, but had a cigarette in his hand . . . typical of the times.
I will in future offer selections — a concert review, or a letter to the editor complaining about varying prices for King Oliver Gennetts — but this is what caught my eye immediately, and the neighbors called to complain that my whimpering was upsetting the dogs in this apartment building. You will understand why.
On the inside front cover, there is a print column titled I Thought I Heard . . . Buddy Bolden wasn't audible in 1945, but his heirs and friends were certainly active in New York City.
Stuyvesant Casino, 2nd Ave. at 9th St. — Bunk Johnson's New Orleans Band
Nick's, 7th Ave. and 10th St. — Miff Mole and orchestra with [Bujie] Centobie, [Muggsy] Spanier, [Gene] Schroeder, George Hartman, bass, Joe Grauso.
Down Beat, 52nd St. — Art Tatum.
Onyx, 52nd St. — Roy Eldridge.
Three Deuces, 52nd St. — Slam Stewart, Erroll Garner, Hal West.
Ryan's, 52nd St. — Sol Yaged, clarinet; Danny Alvin, drums; Hank Duncan, piano.
Cafe Society Downtown, Sheridan Sq. — Benny Morton band, Cliff Jackson, piano.
Cafe Society Uptown, 58th St. — Ed Hall and band.
Spotlight, 52nd St. — Ben Webster.
Yes, Sol Yaged is still with us — the only survivor of those glorious days.
To keep the mellow mood going, here is twenty-nine minutes of Art Hodes and friends from those years. Spot the typo, win a prize:
Posted in "Thanks A Million", Bliss!, Generosities, Hotter Than That, Ideal Places, Irreplaceable, It's All True, Jazz Titans, Jazz Worth Reading, Pay Attention!, Swing You Cats!, That Was Fun!, The Real Thing, The Things We Love
Tagged Art Hodes, Art Tatum, Ben Webster, Benny Morton, Blue Note, Bujie Centobie, Bunk Johnson, Cliff Jackson, Danny Alvin, Ed Hall, Erroll Garner, Fifty-Second Street, Freddie Moore, gene Schroeder, Hal West, Hank Duncan, Jazz Lives, Joe Grauso, Max Kaminsky, Michael Steinman, Miff Mole, Muggsy Spanier, Omer Simeon, Roy Eldridge, Sandy Williams, Slam Stewart, Sol Yaged, THE JAZZ RECORD
STREAMLINED, GENEROUS SWING: "7:33 TO BAYONNE": JÉRÔME ETCHEBERRY, MICHEL PASTRE, LOUIS MAZETIER
Louis Mazetier, Jerome Etcheberry, Michel Pastre. Photograph by Philippe Marchin
Yes, a delightful new CD by players many of you might not be terribly familiar with — but JAZZ LIVES hopes to change this. Without another word from me, visit here where you can (on the right-hand side) hear excerpts from three performances.
This CD is the work of three splendid instrumentalists — Jérôme Etcheberry (of the Swingberries and other groups), trumpet; Michel Pastre, tenor saxophone; Louis Mazetier, piano. And there's no need to ask yourself, "Where's the rest of the band?" because you won't miss them, not even for four bars.
It's clear that this is music with a pulse, a warm swinging heartbeat. I envision the trio as if they were happily walking down Fifty-Second Street. That isn't to suggest that this is a repertory disc, although most of the repertoire would have been applauded in 1944, but that these three players have a deep commitment to Swing: in their medium tempos, in their infallible rhythms, and their lovely balance between solo and ensemble. All three of them are hot players who find joy in ballads, who love to rock, who create backgrounds and riffs, so that the trio never seems like three voices lonely in the aesthetic wilderness.
They balance ease and intensity in the best ways, so that the session is as if Lips Page, Ben Webster, and Johnny Guarnieri found themselves in a congenial place with a good piano and decided to have some fun. Both Etcheberry and Pastre are old-fashioned players, lyrical and hot at the same time, who aren't copying but making their own ways through the material: maybe they aren't Lips and Ben . . . perhaps Shorty or Cootie, Ike Quebec or Chu. You get the idea. Mazetier graciously and unflaggingly is a whole rhythm section in himself, offering orchestral piano in the Waller manner — but we also hear touches of Wilson and Tatum. For me, it's as if my beloved Keynote / Savoy / Blue Note 78s had come to life in this century — and continued to amaze and please right now without a hint of conscious recreation.
The song list will give you a clear idea of what inspires this trio: the original for which the CD is titled, 7:33 TO BAYONNE, and DON'T BE AFRAID, BABY (by Etcheberry and Pastre respectively), ESQUIRE BOUNCE (associated with Hawkins and the Esquire All-Stars), YOU CAN'T LOSE A BROKEN HEART (echoes of Louis, Billie, and James P.), TIME ON MY HANDS, VICTORY STRIDE (think Ellington, James P., and the Blue Note Jazzmen), FOOLIN' MYSELF (for Lester and Billie), SQUATTY ROO (for Hodges and Co.), SHE'S FUNNY THAT WAY, BETWEEN THE DEVIL AND THE DEEP BLUE SEA, I'VE GOT THE WORLD ON A STRING, a ballad medley of SEPTEMBER SONG, MY ONE AND ONLY LOVE, and COCKTAILS FOR TWO, a romping IF DREAMS COME TRUE (again, echoes of James P., the Webb band, Buck, Ben, and Teddy), and Mazetier's LA LIGNE CLAIRE.
Before I remind you where and how you can buy this CD, which I encourage you to do, because it is good for the soul as well as the ears, I will say that musicians wisely don't ask me how to title the new CD. I say "wisely," because not only do I have opinions, but I am often eager to share them. But if the trio had asked, I would have said in a flash, "Call this one THREE GROOVY BROTHERS." "Groovy" makes sense to anyone who's heard the excerpts. "Brothers" might not: their last names are dissimilar . . . but what I kept hearing all through the disc is a wonderful comradely embrace in swing. No one wants to show off, to play more, to play louder, to do fancy stuff. It's all a kind collective endeavor, with each player trying gently to make sure the music sounds as fine as it can. Which it does.
You can buy the disc here — and for the monolingual, the form is easy to follow, and the little credit-card rectangles are, for better or worse, a common language.
Posted in "Thanks A Million", Bliss!, Generosities, Hotter Than That, It's All True, Jazz Titans, Pay Attention!, Swing You Cats!, That Was Fun!, The Heroes Among Us, The Real Thing, The Things We Love, Wow!
Tagged 7:33 to Bayonne, Art Tatum, Ben Webster, Fats Waller, Fifty-Second Street, Hot Lips Page, Jazz Lives, Jerome Etcheberry, Johnny Guarnieri, Louis Mazetier, Michael Steinman, Michel Pastre, Teddy Wilson


text:
Roni Kaplan (; nacido en 1982 en Montevideo, Uruguay) es un capitán israelí y portavoz de las Fuerzas de Defensa de dicho país para la prensa internacional hispano parlante y asiática desde junio de 2012, residiendo en Jerusalén.

Biografía
Radicado en Israel en 2003, estudió economía, filosofía y ciencias políticas en la Universidad Hebrea de Jerusalén. Luego de realizar el servicio militar en 2006 inició sus trabajos en las fuerzas israelíes primero como economista y luego en el sector de estrategia. Entre 2010 y 2011 estudió seguridad y diplomacia en la Universidad de Tel Aviv. Llegó al actual cargo como vocero por ser el idioma español su lengua materna. En cuanto a su vida personal, es judío, está casado y tiene cinco hijas.

Además del español, también habla hebreo, yidis e inglés.

Referencias

Enlaces externos

Nacidos en Montevideo
Judíos de Uruguay
Judíos de Israel
Emigrantes uruguayos hacia Israel
Alumnado de la Universidad Hebrea de Jerusalén
Alumnado de la Universidad de Tel Aviv
Militares de Israel del siglo XXI


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REPORTAR FRAUDE, DESPERDICIO O ABUSO
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The Washington County, OR, Department of Housing Services' Clover Court Project Was Eligible For Continuum of Care Funding
The U.S. Department of Housing and Urban Development (HUD), Office of Inspector General reviewed the allegations contained in a hotline complaint against the Washington County Department of Housing Services, Hillsboro, OR, to determine whether its application and related submissions to secure HUD grant OR0216L0E061500 were false or misleading or would otherwise cause the Clover Court project to be ineligible for Continuum of Care...
#2017-SE-1001
Final Civil Action: Civic Construction, LLC, Settled Allegations of Making False Claims to the Seattle Housing Authority
Based on a referral from the U.S. Department of Housing and Urban Development's (HUD) Seattle Office of Labor Relations, the Office of Inspector General (OIG) performed a review of certain payrolls of the owner of Civic Construction, LLC, of Portland, OR. The payrolls were subject to the Davis-Bacon Act. We completed the review and referred alleged violations to HUD's Office of Program Enforcement for action under the Program Fraud...
A Former Employee of the Helena Housing Authority, Helena, MT, Improperly Released Personally Identifiable Information
The U.S. Department of Housing and Urban Development – Office of Inspector General audited the Helena, MT Housing Authority in response to a hotline complaint alleging a former employee of the housing authority improperly released housing choice voucher holders' personally identifiable information. The objective of our review was to determine whether the allegation had merit. A former Authority employee did improperly release...
#2014-DE-1002
Review of Home Forward, Portland, OR's Compliance With Federal Lobbying Disclosure Requirements and Restrictions
We conducted a review of Home Forward (previously named the Housing Authority of Portland, OR) based on concerns noted during our ongoing internal audit of the U.S. Department of Housing and Urban Development's (HUD) oversight of public housing authorities' compliance with Federal lobbying disclosure requirements. Our review objective was to determine whether Home Forward complied with Federal lobbying disclosure requirements and...
#2014-PH-1806
Allegations Against the Northeast Oregon Housing Authority Were Unsubstantiated or Did Not Violate HUD Requirements
The U.S. Department of Housing and Urban Development (HUD), Office of Inspector General audited the Northeast Oregon Housing Authority. We selected the Authority because we received a hotline complaint expressing several concerns about the Authority's procurement, asset disposal, payroll withholdings, maintenance charge rates, and tenant commissioner housing issues. Our objective was to determine whether the allegations in hotline...
Home Forward Generally Complied With Moving to Work Housing Choice Voucher Requirements
The U.S. Department of Housing and Urban Development (HUD), Office of Inspector General audited Home Forward's Moving to Work Housing Choice Voucher program. We selected Home Forward, formerly known as the Housing Authority of Portland, because it disbursed the highest average Section 8 funds in Oregon from 2010 to 2012 and third highest in the Region, including Alaska, Idaho, Oregon, and Washington. We focused on its tenant-based...
Volunteers of America's Whispering Pines Senior Village, Estacada, OR- HUD and Recovery Act Rules and Regulations
The U.S. Department of Housing and Urban Development (HUD), Office of Inspector General audited Volunteers of America's (VOA) Whispering Pines Senior Village's Green Retrofit program funded by the American Recovery and Reinvestment Act. Our objective was to determine whether VOA used its Whispering Pines Green Retrofit Recovery Act funds in accordance with U.S. Department of Housing and Urban Development (HUD) and Recovery Act rules...
The State of Montana Generally Used Its CDBG-R Funds in Compliance With Requirements but Improperly Negotiated and Serviced Loans
The U.S. Department of Housing and Urban Development (HUD), Office of Inspector General, reviewed the State of Montana's Community Development Block Grant-Recovery (CDBG-R) program, based on HUD's concern with the State directly loaning CDBG-R funds to entities and because of our focus on the administration of American Recovery and Reinvestment Act funds. The objective of our review was to determine whether the State used its CDBG-R...
Mid-Willamette Valley Community Action Agency Did Not Always Follow Recovery Act Homelessness Prevention and Rapid Re-Housing Program Requirements
The US Department of Housing and Urban Development (HUD) Office of Inspector General audited the Mid-Willamette Community Action Agency's (Agency) Homelessness Prevention and Rapid Re-Housing Program (HPRP). Our objective was to determine whether the Agency disbursed HPRP funds and reported data in accordance with Recovery Act requirements. We found that the Agency paid for HPRP services without adequate supporting documentation for...
Oregon Housing and Community Services Did Not Always Disburse Its Tax Credit Assistance Program Funds in Accordance With Program Requirements
The U. S. Department of Housing and Urban Development, Office of Inspector General, audited Oregon Housing and Community Services (Oregon Housing) to determine whether Oregon Housing established eligible grant projects, reported tax credit assistance program (TCAP) information into FederalReporting.gov correctly, and paid eligible TCAP expenditures in accordance with American Recovery and Reinvestment Act of 2009 requirements. Oregon...
Community Planning and Development (6)
Housing and FHA (1)
(-) Oregon (13)
(-) Montana (5)
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