Press: Bob, you've directed a film yourself, Renaldo & Clara, and you're not very well known for singing or speaking other people's words. Why did you decide to commit to this film?
Dylan: Oh, it's just the right time, right place, right words.
Norman: I'm Philip Norman from the Sunday Times and I'd like to know why one of the biggest poets and musicians of this century feels he has to play someone who's a retired star. Why isn't he a performing star, as he is, such a great star? Why is he bothering?
Norman: Why aren't you writing poetry? Why aren't you doing the things you're really great at?
Dylan: Well, I do! I'm just taking some time off here.
Norman: Does that mean you're relaxing?
Norman: So you're not going to be trying?
Dylan: Oh no, no, I'm gonna be trying very much.
Press: Bob Dylan's written four songs for this movie. Can he tell us anything about those, please?
Press: Well, they tell us that you have.
Press: What are they going to be about?
Dylan: They're gonna be about the movie.
Press: Are they going to be protest songs?
Dylan: I hope so, yeah, (laughter) if Richard allows them to be.
Dylan: Protesting about the elements in the movie. You have to see the movie.
Norman: You seem very uncertain, Mr. Dylan. Do you know a great deal about this movie yet?
Fiona: It's ten thirty in the morning!
Dylan: I know enough about the movie. I didn't *write* the movie though. A lot of the questions you maybe want to ask the writer.
Norman: Nobody's interested in anybody but you.
Norman: Nobody's interested in anybody but you, in this hall.
Press: I'm from the Guardian. Can I ask Bob Dylan, if he says it's the right place as well as being the right time, is that place England? What do you think of England since you were last here? Do you like England?
Dylan: Oh, yeah, I love England.
Press: What are your thoughts on this country at the moment?
Dylan: Well, I just got here yesterday, haven't been sleeping since then.
Press: Are you looking forward to working here?
Press: You took your name from Dylan Thomas. Have you ever been back to Wales? I see you're going back there now. Are you still interested in Dylan Thomas?
Press: Will you be making a trip back to his village, to where he was born and wrote?
Marquand whispers to Dylan: "We're gonna be very close"
Press: How were you persuaded to do this film with Mr Marquand? What sort of bargaining chips did he use?
Dylan: I don't have any bargaining chips.
Press: But why did *this* film stand out as opposed to any other?
Dylan: Well, you know, I'm not really doing nothing right now. Seemed like a good thing to do.
Press: What about you Richard, how hard did you persuade him?
Marquand: I don't think I really persuaded you Bob, did I?
Dylan: I don't think so.
Marquand: I heard that he was interested and we turned up at the house and we had an afternoon together and we seemed to like each other. (to Dylan:) Did you like me?
Dylan: Did I like you? Yeah, you drank a lot.
Press: In the words of Billy Parker: "You wake up, you're a *star*! But there ain't nothing *to* you no more. You're empty". Is that a sentiment that you would agree with?
Dylan: Some stars are like that, yeah.
Press: Can you tell us what it is you find fascinating about this character?
Dylan: Well, he's a very self-made person. Nobody ever gave him anything. He had to take it all.
Norman: Why didn't you write the script yourself?
Dylan: I couldn't have written a script like this. It's beyond me.
Norman: I don't think it is.
Norman: Why are you so modest?
Norman: Why are you pretending to be inadequate? You're one of the great writers of this age.
Dylan: Well, thank you. thank you!
Norman: Why don't you write a script yourself?
Dylan: I don't know. I'm just trying something different right now, you know.
Press: Could I ask Bob, are they going to give you any time off when they're doing the film, so you could sneak off and play, and if you're not, when are we going to see you play next?
Press: When are we going to see you play next?
Dylan: We've just finished a tour, so maybe sometime in a couple of years.
Press: What are your plans after this film, Bob?
Dylan: Oh, maybe just driftin' around. Then I maybe touring again.
Norman: Are you easily bored, Mr. Dylan?
Dylan: (sharply) I'm never bored!!
Norman: Have you any notion of how bored you're gonna be doing this picture?
Dylan: No, not really, you know. I don't consider myself a big star, other people do.
Press: You are a poet and a singer and you are taking up the role of an actor, which is ...inaudible... very different. How are you gonna handle that?
Dylan: Ah, I find some some way.
Dylan: I'll figure it out.
Norman: Can I ask why you want to be an actor?
Dylan: I just want to see what it's like.
Norman: But you've seen what it's like before.
Dylan: (laughs) I wanna see it again!!
Norman: It obviously sickened you. It obviously put you off, because you haven't done it for ten or twelve years.
Press: Is this the first time that you have to follow a script?
Dylan: No, I think I had to do it once before.
Press: A big thing in America in the music ...inaudible... How does this go along with the Bob Dylan protest songs of the sixties that you're apparently gonna be writing and singing in this film?
Press: You feel good about America at the moment?
Dylan: I've always felt good about America! America's big you know, there's all kinds of different parts to it, you know.
Press: The parts that you used to write about, you felt very bitter about, very contempt .... and you were very funny about it. Why aren't you funny about Ronald Reagan?
Press: It's terrible joke on the world!
Dylan: (tired) Aaah, it's all a joke!
Dylan: Well, I don't know. The sixties are gone you know.
Press: Do you regret the ...inaudible... of legends that surrounds you?
Press: But you give that impression.
Dylan: Well, you know, impressions can be misleading.
Press: Have you lost your enthusiasm?
Press: For life and for writing.
Press: Mr. Dylan, you've talked today about doing this picture because it's different you've said. You, in the past, have been in charge of your own destiny as an artist. But recently you've seemed to have collaborated with Sam Shepard to write an epic song. Here you're going to collaborate with others to make a movie. Does this mean that you're changing your artistic career and that you're now going to do more things that involves collaborating with others or being involved in other people's projects, rather than simply doing your own work?
Dylan: It's not so much other people's projects as finding somebody to work on the same project *with*.
Press: How did the project with Sam Shepard evolve?
Press: If you were rewriting The Times They Are A-Changin' now, if you were writing it now, how would you write it different? Or would you?
Dylan: No, it would be the same.
Press: Would you say the eighties are same as the sixties or is there something different to protest now?
Dylan: Well, you know, if somethings good, it transcends that, whatever generation or date, that you write it.
Press: Bob Dylan, a lot of musicians have made entirely successful attempts to cross over into films. What impressions have you got from ...inaudible... Mick Jagger and David Bowie.
Press: Do you watch many films?
Press: ...inaudible... bought all the albums and now they're forty. Have you got anything to say to them?
Press: What are you reading at present?
Dylan: I was reading a biography of Ulysses S. Grant.
Press: He used to get very drunk I believe.
Press: ...inaudible... interesting to you? A drunken civil war general from the Northern side. I thought you sympathized with the South.
Dylan: Ahhh. I thought he was OK.
Press: ...inaudible... you did the last tour with Petty for the money. Can we take that to be a new philosophy of yours?
Dylan: I'm always doing tours for the money! What's so new about that?
Bauldie: Bob, I was watching The Maltese Falcon recently, and it was full of lines that sounded as though you could have written them. Do you recall watching that film before you wrote the Empire Burlesque songs?
Dylan: I might have seen it. Were there lines from it in there?
Bauldie: Yes, Is it one of your favorite films, that?
Dylan: I don't remember. Which lines were they?
Bauldie: Do you want a list?
Press: Are you deliberately elusive with the press or just shy?
Dylan: (mumbles) I don't know.
Press: Can I just ask, are the Heartbreakers gonna be in the movie and are you gonna tour with the Heartbreakers again?
Dylan: I don't think they're in this movie.
Press: Are you going to tour with them again?
Dylan: The press is the same all over the world.
At the National Film Theatre in London August 17, 1986.
Sources: Hearts Of Fire: The Press Conference - article by John Bauldie in The Telegraph #25. Tape from the press conference.
Note: The largest part of the interview above is transcribed from the tape and as on most press conference tapes, the questions are often very hard to hear. Suggestions for the ...inaudible... parts would therefore be most appreciated.


With very special guests Mary Turner Thomson and Eleanor Longden. Neither Mary nor Eleanor appear in Jon's book, but it wouldn't exist without them. We're being oblique because we don't want to spoil the extraordinary twists and turns in their stories. If you don't know who they are, don't Google them. The less you know the better.


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DBM Films
Welcome to DBM Films' Store Offering New Release DVD Video & Films!
Welcome to DBM Films' Store Offering New Release DVD Video & Films!Welcome to DBM Films' Store Offering New Release DVD Video & Films!Welcome to DBM Films' Store Offering New Release DVD Video & Films!
ENTERTAIN.EDUCATE.INSPIRE.
How We Got Started:
When I was younger, my career path changed to the film industry from the aerospace industry. What a change for the better as I followed my artistic dream of becoming a filmmaker. After starting the business over 27 years ago upon earning a film degree. Many of my dreams have come true during this journey, like creating feature films, releasing them theatrically and distributing them around the world. And I would like to share them with you.
DBM Films has been creating quality entertainment since that time with great passion! We are a production, distribution and development company that specializes in the creation and progression of various media including feature films, documentaries and television. DBM Films creates films, documentaries and general interest projects from concept to completion. Our staff supports clients by producing every aspect of a project on location and in the studio, including scriptwriting, casting, photography, sound, editing, marketing and distribution. We also work with other producer's projects for distribution. Please send it along by contacting me here.
Douglas B. Maddox, DBM Films' Founder and President
Entertain.Educate.Inspire
We invite you to browse through our store for top DVD films and shop with confidence for new release DVD films. We invite you to shop as a guest and tell other's about what we are doing at DBM Films.
Share the Inspiration!
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Tequila Expert
Carlos Andrés Ramírez
Differences between tequilas from Los Altos highlands, lowlands and Jalisco Valley, a SommClass by tequila expert Carlos Andrés Ramírez.
Tequila Event
Tequilas from Los Altos highlands and Jalisco valley
THURS OCT. 29th - 6PM PST
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THURS OCT. 29th - 6PM PST Book Now
You'll Learn the Differences between tequilas from Los Altos highlands and Jalisco valley
Anyone who has visited Arandas, in the Jalisco highlands, has had a chance to enjoy a sunset in its agave fields, UNESCO World Heritage since 2006. It's sensational. Red soils fuse with the horizon as sharp tequilana weber spines align, like origami, across a sea of blue-green vegetation. From this terroir—with its perfect combination of soils, subsoils and climate; the right sunlight, wind and rain; slopes at ideal angles and at a perfect cultivation altitude—come the finest distillates, all with specific organoleptic traits.
About weather
Carlos kicks off thinking about weather in the highlands, an area more than 2000 meters above sea level. ¡It rains from mid-July until the end of September! Last year, Arandas got more than 800 millimeters. There's also a big temperature drop at night, between ten to twenty degrees centigrade. Nights are cold in Arandas. And this thermic range means the agaves can accumulate more sugar. In the valley, it rains more (950 mm annually) than in Arandas. Since it's close to the ocean, the air is more humid; temperatures average ten degrees hotter than in the highlands. The temperature stays higher, even at night.
About soils
Los Altos it's a land of clayey, reddish soils, rich in iron. When it rains, the ground closes up and that means water runs off or puddles on the surface. The PH is slightly lower, so if you're raising agave, you've got to use farming lime.
In valleys, the terrain is gray, reflecting an abundance of obsidian, a volcanic rock. That's what allows the ground to retain more moisture, which can support more undergrowth. The area requires less intense cultivation so farmers may slough off.
It's important to highlight that climate, soils—even agave-size—all influence the organoleptic profiles of tequilas produced in Jalisco's Los Altos highlands as well as its valleys' lower elevations.
About Agave
On a well-tended Los Altos parcel, agaves can weigh up to an average of forty kilograms and contain a total sugar-differential of 25-26%. In contrast, lowland agaves average just 20-40 kilograms; sugar-differentials hover between 21 and 23%.
About Organileptic Differences
Carlos pours two glasses, one with Altos highland tequila; the other contains a lowland blanco variety. He adds a little water to bring out aromas and flavors.
Then, he smells the first glass and say Altos-produced tequilas tend to be fruitier, and sweet, with herbal notes. Sometimes you can even smell wet earth. Flavor usually goes with aroma; it can be sweet and fruity. The body is robust.
They, he moves on to the second glass. Valley tequilas evince major herbal and mineral notes and the taste of alcohol is strong, too. The body skews less complex and the impact on the palate can be intense, maybe astringent.
This kind of tequila features fewer sweet or fruity notes and tends to be more acidic. There's this dry sensation in the aftertaste, and sometimes, it even dulls the palate.
Also you can see differences between distillates that come from different terroirs, as in single-malt scotches, for example. Carlos recalls that In Speyside, you've got sweet, flowery whiskies; highland scotches are spicier. You can taste smoke, salt and iodine in an Islay. In the end, the reality is that all of who works in tequila face is the need to educate consumers about differences between distillates that come from the Los Altos highlands, in comparison to those produced in Jalisco's valleys.
Tastings show people there are innumerable characteristics that can lead to new discoveries in every sip. After he start drinking solid, 100% agave tequilas, he defines preferences for sweet and fruity or herbal and mineral, etc.
Learn How Tequila made?
The process of making Tequila begins in the field with the blue agave plant, which takes at least seven years to reach maturity. It's still harvested by hand, an extremely labor-intensive effort, before being cooked.
Better understanding of a Mexican Spirits
Increase your culture sensitivity.
What is special about tequila?
If you are sipping a Blanco or Silver, you will smell and taste sweet citrus and fruit notes, roasted agave, floral or herbal notes just to mention a few. With Reposados, since they are aged from 2-12 months in oak barrels, they take on flavors of wood, vanilla, caramel, etc
Why is tequila the healthiest alcohol?
Tequila has numerous health benefits (and is lower in calories than Smirnoff vodka). Agavins, the natural sugar found in tequila, are non-digestible (meaning they act like fiber) and won't raise your blood sugar levels. Furthermore, the sugar is shown to help lower cholesterol and can help you lose weight.
Is Tequila good for your immune system?
The fructans from which tequila is derived may give probiotics, which boosts our immune system
Carlos Andrés Ramírez is a Hospitality/Business Manager with emphasis in food and beverage and wine and spirits industry. He´s certified expert in Wine and spirits (advance level) by WSET (Wine and Spirits Education Trust), Sommelier by Escuela de los Sentidos in Chile; Trainer by International Bartending Association, Master of Whisky by Chivas Brother in Scotland and Tequila expert by Consejo Regulador del Tequila. Carlos also serves the role as Global Advocacy Manager for Pernod Ricard House of Tequila brands.
Tequila from Los Altos
Glass of water
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Today, we are going to comment on a very common inquiry we get from many young producers who come through our studio in Chicago and book time. It is the question of whether it is useful or not to go to an audio school to pursue a career in music. With so much of the younger generation discovering a passion for music production (largely due to the affordability of powerful audio & production software), the natural move for a small percentage of them is to want to make a living engineering and producing music full time.
So just like many careers out there, the natural logic is to presume a degree is needed not only for the skill and insight but for the resume, proof of effort, etc. In addition, the idea of going to school to learn how to play around with mixing consoles, top end audio gear and microphones is pretty enticing. So if you've toyed around with these questions, let us give you a few thoughts to take into consideration. Remember, the ultimate decision though is up to you and no one else, don't ever forget that.
We'll just get right to the point here. No degree is needed to make a successful living recording, mixing, mastering, or producing music. As a matter of fact, it wouldn't be all that shocking to discover that most of the top level audio engineers currently in the field didn't go to school for a career in audio. It would even be fair to say that a decent amount didn't even go to school at all.
Audio engineering and music production is not just a field of study. It is an artform, a craft. The typical method of training for a career in audio is an internship where an aspiring engineer learns and works under a seasoned audio engineer, studies and actively employs his or her techniques and philosophies in order to one day develop into a skilled successful engineer. Its been like this since the earliest days of recording. The two things that matter most in this business in order to induce ultra success are connections and experience. These days, one can go to any studio around the world, beg like a dog for an unpaid internship, and start the long and somewhat brutal process of planting one foot in the door. Of course you'll make a lot of coffee, clean a lot of toilets and answer a lot of phones, but its all for that one day when you might be able to assist a session for the first time or be relied upon to edit some audio in Pro Tools before an important mix. Then before you know it, you'll be sitting in more sessions, learning more techniques, asked to do more important things in order to make the engineer or engineers lives that you are interning under exponentially easier in the studio.
With all that was just previously said talking down the idea of going to school for audio engineering, a college education can be invaluable for an aspiring young engineer, giving you hands on experience with recording equipment and real world situations commonly found in most professional studios around the world. You see, its more than just recording and mixing. It's learning the process to meet deadlines, proper session flow, understanding your clients or client psychology, the art of effective promotion, business management and so much more. Some of these things can be hard for an intern to learn in the studio. Having a firm grasp on all these concepts before beginning what is the usual mandatory internship makes it easier to get both feet in the door at a studio and thrown into everyday studio life.
The one unfortunate thing about going to school these days is the amount of money that one must shell out in order to get that piece of paper at the end that confirms you did it. So if you have the money to go or your family or relatives are willing to pay for it so you don't have student loans, go to school, it would be silly not to. The amount of people you'll meet, relationships you'll develop, and life experiences you'll have are ultimately important for personal growth and development. And you can apply these life lessons and relationships to the world of professional audio. Good people skills and relationships can lead to more networking, more networking can lead to more connections, and more connections can ultimately lead to more clients and business.
However, if you have to take out loans to go to school, it's tough to advocate putting yourself in serious financial debt for a degree in audio. Why? At the end of the day, the sad fact is that even with an esteemed degree from a top college, you still have to be accepted into the school of 'hard knocks' as an intern in a recording studio. As we said before, the education should help give you a one up with your experience and knowledge over the rest of the interns. Engineers may turn to you more often to assist or sit in on their sessions, but that's not always a guarantee. At the end, you'll have to ask yourself if its really worth spending all that time and money on a degree only to do what you could have done for free without that certified piece of paper.
So in summary, going away to school for an education in audio is a great thing. As we said before, the relationships you'll build and life experiences you'll have are not only important for self-development and growth, but they will also help out in the real world environment of professional audio. However, not going to school shouldn't be the excuse one uses for not pursuing a career audio engineering. Going back, most top-level engineers didn't go to school for audio. They got in the door and advanced their careers because of their motivation, dedication, hard work ethic, reliability, and personality. They also advanced their careers because of their extraordinary hearing abilities. All these qualities are vitally important in the profession of audio engineering and can't necessarily be learned in school. Plus, a seasoned engineer might be more willing to take a chance on a person with these qualities versus someone with a degree. You'll never know though until you give it a try.
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SAM BIRD & DS VIRGIN RACING "RE...
SAM BIRD & DS VIRGIN RACING "READY FOR CHALLENGE" OF FORMULA E TITLE-DECIDER
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British racer Sam Bird goes head-to-head with France's Jean-Eric Vergne in New York showdown for championship title.
British racing driver Sam Bird and his DS Virgin Racing team say they are "ready for the challenge" as they head to New York City this weekend, fighting for both the teams' and the drivers' championship in Formula E's season finale title-decider.
The final two rounds of the all-electric series take place on Saturday 14 and Sunday 15 July in Red Hook, Brooklyn, where Bird and season-long title rival Jean-Eric Vergne remain the only drivers left in contention. With two races to play out, a total of 58 points are up for grabs with Bird 23 points adrift of Vergne.
Bird, who has two wins and three podiums under his belt so far this season, will also be returning to the site where he secured a famous 'clean sweep' winning both races, securing one pole and amassing a total of 53-points.
At the same time, his DS Virgin Racing team will be vying for the teams' championship where they currently lie third and are counting on every point from Bird and fellow British team-mate Alex Lynn, who made his Formula E debut at the 2017 New York event, securing pole on his first attempt and becoming only the second driver in the series to have ever done so.
This year's race takes place on a slightly modified circuit layout and increased race distance, making Saturday's race the longest ever this season.
Speaking ahead of the weekend Bird said: "For sure, we're ready for the challenge and will be giving it everything we've got. It's going to be tough with the new layout and extended lap count but the whole team has been working flat out – as they have done all season – to prepare for this weekend. We never expected to be in this position at the start of the season, but we're here and we're going to do the very best job we can."
Lynn said: "It's great to be returning to New York where I made my Formula E debut; it's an amazing location for a race. As a team, there's a lot at stake so we've been working hard in the simulator and back at our Silverstone base to ensure we're ready. I know I can deliver strong results myself to help benefit the team and, of course, support Sam."
Sylvain Filippi, DS Virgin Racing's Managing Director, commented: "Since the last race, the preparation from everyone has been intense as we know what we're playing for. Last year was the perfect weekend for the team, both on and off the track, but we know this year the challenge is even greater due to the strength of our competitors. Nevertheless, I know every single team member will do the very best job they can."
DS Performance Director Xavier Mestelan Pinon added: "The two last races of the season will be amazing, with this high intensity duel at the top between Sam and his former team-mate. With just 23 points difference, nothing is certain. We are more motivated than ever to give our best and try and repeat the feat of last year."
For more information on the team, including high-res images and video content, visit its media site here: http://map.ds-virginracing.com/
THE PURETECH 110 WINS ENGINE OF THE YEAR 2018
Fitted to our DS3 and DS3 Cabrio city cars, this engine contributes towards impr ...
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DS Virgin Racing move to third in both drivers' and teams' standings as series r ...
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For a bride and groom's love to be fully captured purely through images, is a difficult thing, but Stella Yang Photography caught great snapshots of these sweethearts and their love for one another! This Romantic Fall Wedding in the Wine Country started with a beautiful ceremony adorned with soft pastel florals and romantic details that paved the way for the couple's big day! With not two, but three different looks, the bride steals the day in her super stylish wedding shoes and you have to see it. We are also adoring the bridesmaids pale blue numbers that are just perfect for an Autumn nuptials. Check out the FULL GALLERY to see all the romance of this California affair!


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Newsroom Home / Audiences / Alumni / From Rutgers Environment & Public Health Program to Industry-Leading Start-Up: How Two EPH Graduates Are Keeping Food Safe at Blue Apron
From Rutgers Environment & Public Health Program to Industry-Leading Start-Up: How Two EPH Graduates Are Keeping Food Safe at Blue Apron
Share the post "From Rutgers Environment & Public Health Program to Industry-Leading Start-Up: How Two EPH Graduates Are Keeping Food Safe at Blue Apron"
Learning about the U.S. food code was a valuable part of the EPH program for students Gary Dorsi and Percy Pingpoh. This photo depicts EPH students taking a field trip to a Rutgers University dining hall to see the real-world applications of the food safety principles they study in class.
Gary Dorsi
Gary Dorsi.
Gary Dorsi loves working at the ground level of a young start-up company. "There are lots of opportunities to learn and gain great work experience here," he explained. But without a few key decisions, Gary's career could have easily headed in a very different direction.
Narrowing His Focus: From Biology to Food Science
When Dorsi graduated from Rowan University in 2012 with a degree in Biology, he wasn't certain where to go next. He soon realized that he "needed more specialized education" and enrolled in a food science graduate program, with a focus on dietetics. That's when he heard about the summer Environment & Public Health (EPH) program at Rutgers University. He was intrigued by the public health aspect of what he was studying. "I realized I had a passion for food safety that I really wanted to pursue," Gary recalled. The streamlined EPH program – which compresses large amounts of education and field work into a relatively short period of time – sealed the deal for Gary, who was anxious to start his career.
Hands-on lessons in the soil pits were one of Dorsi's favorite parts of the EPH course!
EPH Program Provides Hands-On Learning and Valuable Internship Experiences
During the summer between his two years of graduate school at Montclair State University, Dorsi enrolled in EPH. A hands-on learner, Gary particularly enjoyed the components that were interactive and out in the field. "I liked when we went out into the soil pits and got to do soil excavation," he said. "Having a strong science background really helped me in the course, because the basic concepts were all scientific in nature. It's a lot of work, but it's worth it to get into a public health career."
After the classroom portion of EPH ended, Gary was placed in an internship with the health department in Bloomfield, New Jersey, under Health Officer Mike Fitzpatrick. "I got really, really lucky. It's a great township, a great working environment, really nice people," Gary recalled. "You are exposed to all sorts of things – food inspections, nail salon inspections, pool inspections, lead inspections, nuisance complaints, court cases. I was sent to a neighboring community they had a service contract with for septic inspections. I was exposed to pretty much everything!"
The experience that summer in EPH also led him to switch his food science master's degree program from dietetics to an emphasis on food safety.
Getting His Foot in the Door at Gel Spice
As his graduate studies wound down, he completed a hands-on practicum field course at the Gel Spice Company in Bayonne. Pronounced with a hard G, the name Gel Spice may not be familiar to some, but the family-owned company's products are found in many stores. "They produce a variety of spices, under contract, under their own label, and under private labels sold widely," Dorsi explained.
Once he had his master's degree in hand, Dorsi was hired by Gel Spice to manage their sanitation program. His job responsibilities were wide ranging. "I wrote Sanitation Standard Operating Procedures (SSOPs) and other SOPs, managed daily sanitation operations, handled customer complaints, and, as a certified auditor, I oversaw their validation and verification programs, performing those audits."
Joining the Fast-Growing Team at Blue Apron
A little less than a year later, Gary was recruited by Blue Apron, the leading fresh ingredient recipe and delivery service in the U.S. The provider of ready-to-cook-at-home meal kits was growing and looking to expand its sanitation staff. "I was hired to be a Sanitation Supervisor in Blue Apron's Jersey City facility to oversee all environmental work," Gary said. In his role, Dorsi focuses on ensuring that Blue Apron exceeds all food safety regulations.
Continuing Education is Key to Reaching Future Goals
Gary knows that to keep his skills sharp, his licenses and certifications active and his promotion opportunities open, he has to invest in his own continuing education. With that in mind, he completed the Rutgers HACCP Plan Development course in 2016.
"If hazard analysis is your job, you need the skills taught in [the HACCP] class," he said. "It teaches you how to think outside the box."
His employer also makes it easy. "There's an emphasis on staff training at Blue Apron, which really helps."
The future is looking bright for Gary Dorsi. He hopes to move up to a Food Safety Supervisor position where he will have broader oversight of sanitation, including pest control and other related issues. "I love working at Blue Apron," Gary said. "They have a great culture and they offer good perks."
Percy Pingpoh.
Percy Pingpoh
Growing up on an Agricultural extension farm in Cameroon in the 1980's, Percy Pingpoh couldn't have predicted that his future would include a career in the United States with an innovative online meal service company. But, after an unexpected detour, a leap of faith, and lots of hard work, that's exactly what happened.
From the Family Farm to a New Life in the US
After earning a business degree from the University of Buea in Cameroon, Pingpoh returned from college to work on the family farm. "We produced peanuts, beans, and maize, and sold it to local markets. I worked for three years doing the day-to-day business operations and management with my dad."
But Percy felt his agricultural skills were lacking, so he enrolled in a master's degree program at the University of Hohenheim in Germany, taking classes on food, farms, and environmental topics.
His farming career plans soon took an unexpected detour. While he was studying in Germany, he met and began dating Donna, a fellow student. They fell in love and instead of returning to Cameroon after graduation in 2010, Percy joined Donna in the US. They married soon after.
A Leap of Faith Leads to EPH
Percy's first job was in environmental services. It was when his company sent him to an OSHA 40-hour HAZWOPER training program sponsored by Rutgers OCPE that Percy came across the Environment and Public Health (EPH) program. That was a turning point.
"I realized my agriculture background and food knowledge could be much more relevant in my career if I went through the EPH program, [rather] than continued doing what I was doing," Percy recalled.
However, when he saw the enrollment requirements, worry set in. He feared his foreign degrees wouldn't be accepted and began making plans to retake undergraduate science courses. He contacted the EPH program coordinator, Dalynn Knigge, for guidance just in time. She assured him that he didn't need to start his academic career over; he simply needed to have his foreign transcripts evaluated and converted to US equivalents by a recognized service, like World Education Services. He did, was found to be eligible, and enrolled in EPH in 2014.
"It was a leap of faith – a big change in my career path," Percy said. "The program opened my horizons and career options. It opened my eyes."
He gained knowledge in many different topics during EPH, including the US food code ("I knew the food code in Europe, but it is way different from the US food code!"), pest control and HACCP.
Meeting and interacting with professionals in the field was another valuable component of the program. "Talking with them one-on-one during breaks and being able to ask them questions to learn more – I really appreciated that," Percy said.
Internship Lays the Foundation for Career Success
When the classroom portion of EPH ended, Percy completed his field training internship with the City of Paterson under Chief Registered Environmental Health Specialist (REHS), Violeta Good. "She was very nice. She taught me a lot about the job, helped me get out in the field, exposed me to a lot of relevant issues and helped me meet professionals."
Another positive aspect of interning in Paterson was being exposed to commercial food operations, which would prove to be particularly useful to Percy in the future. "They don't just inspect restaurants. Some of the health inspectors were inspecting large food production facilities," Percy recalled. "It was great to see how it's done, what they look for."
With the foundation he received in EPH, Percy was well-prepared to meet the challenges of his position at Blue Apron and enjoys the creative working environment there. In this photo, students go behind the scenes at a Rutgers dining hall to learn about food safety.
Putting EPH Knowledge into Practice at Blue Apron
After he completed EPH, Percy was offered a job as an SQF practitioner – a food safety quality assurance role – at Dell's Maraschino Cherries, a family owned company in Brooklyn. He enjoyed the work and learned a lot there, but the commute to Brooklyn began taking its toll. When a position at Blue Apron in Jersey City opened up, Percy jumped at the opportunity.
Percy was immediately impressed with Blue Apron. "I have never seen so many smart people in one place – across all the different departments."
As a Food Safety Supervisor for Blue Apron, Percy is helping the growing company develop robust food safety programs. "I assist with Good Manufacturing Practices (GMPs), pest control, sanitation, and environmental monitoring," Percy said. "I have some specialists under me and I work with my manager. There is a lot of collaboration and teamwork involved in keeping the food safe."
The experience in EPH enabled Percy to do his job better than he could have expected. "In my opinion, you need to have a broad, diverse background to work effectively in this field. EPH really prepared me for that. EPH covers EVERYTHING from wastewater to septics to food safety."
Percy is also involved in hiring food safety specialists for Blue Apron, and his experience in EPH gives him an edge in evaluating candidates. Percy values the diverse background that EPH gave him and looks for that type of comprehensive understanding in potential job applicants. "EPH gives you the broad knowledge you need, which is very important for ensuring safety in a large food production facility."
After the excellent preparation Percy received from the EPH program, he enjoys the work he's doing now at Blue Apron. "It's a great environment – you are pushed to think outside of the box to solve problems," Percy said. "Of course there are rules and regulations that you must follow, but they encourage you to figure out different ways to do it. They let you be creative in how you approach and solve problems. It's exciting to work in that kind of environment."
Editor's Note: This article originally appeared on the Office of Continuing Professional Education website.
Filed Under: Alumni, Food Science, NJAES, SEBS, Students


text:
Back to Bid or Buy Now
Multi-Platinum Hip-Hop Collection
Bid on rising publishing royalties generated by this star-studded catalog featuring tracks from Meek Mill, Bobby Shmurda, French Montana, Diddy, Drake and more!
TERM: LIFE OF RIGHTS
Top Bid: Bulldog C
Starting Price: $600,000
Bidding Increment: $15,000
Closing Price: $900,000
End Date: Apr 29, 2019, 3:06 PM MDT
Dollar Age:
~ 4.6 Years
Investment Term: Life of author + 70 years
Roc Nation
Mechanical, Public Performance, Sync
Songwriter (World)
First Distribution: April 30, 2019
Distribution Frequency: Biannually
What rights are included?
Copyrights included? No —
Non-Interactive Streaming
Sources: Internet Streaming, AM/FM & Satellite Radio, Digital Downloads, CD Sales, TV/Film/Commercial Placements & Performances, etc. Internet Streaming, Satellite Radio, Digital Downloads, CD Sales, TV/Film/Commercial Placements & Performances, Samples, etc.
Distributors: Roc Nation —
Last year, we auctioned the songwriter royalties for this catalog — you can view that auction here. Now, up for bid are sizable publishing royalties from this multi-Platinum collection.
This star-studded catalog's top-five earning tracks date from 2012 to 2015. This means the catalog has a Dollar Age of approximately 4.6 years. (Read more about Dollar Age and why it's important here). Not only have these songs generated royalties for upwards of seven years, but some track's royalties are also growing.
The majority of the income (38%) in the last year came from a category this distributor labels as digital sync, and earnings grew impressively by 44% year-over-year. These digital sync royalties are paid solely by YouTube and are unlike traditional commercial sync royalties (see note below). Mechanical royalties are the second-highest earning source, with 33% of last year's income.
Acting as the foundation of this offering with 64% of last year's royalties is the single "Hot N*gga" (also known as "Hot Boy") from Bobby Shmurda. "Hot N*gga" grew 35% over last year's earnings. Released in 2014, the certified-Platinum song has 217 million Spotify spins, while the video has over 536 million YouTube views. The song also hit No. 1 on Billboard's Hot R&B/Hip-Hop Songs and No. 6 on Hot 100.
This catalog also features 13 tracks from the massively popular hip-hop artist Meek Mill. The included Meek Mill works feature 2012's "I'ma Boss" featuring Rick Ross, "Monster," "Young & Gettin' It," and "Burn." Other notable titles include Kid Ink's "Lost In The Sauce," "Trap House" from French Montana, and "Standing On Ferraris" from The Game featuring Diddy.
Dollar Age. This collection of songs has a Dollar Age of approximetely 4.6. This means the majority of royalties earned in the last 12 months came from songs that have collected royalties for more than four years. A high Dollar Age like this suggests stability and longevity.
The highest-earning track — "Hot N*gga" — was released in 2014, and royalties continue to grow thanks to steady mechanical and rising digital sync income. A catalog containing mature works with consistent (and even growing earnings) is something worth noting as an investor. This can help sustain a catalog's earnings moving forward.
Income Mix. The winner of this auction can receive income in various ways:
Mechanical: Royalties paid to songwriters and artists when music is sold (think CD or vinyl) but also when music is streamed (streaming mechanicals) "on-demand" (like Spotify).
Performance: Royalties paid to songwriters when music is performed publicly. Music played over the radio, in a restaurant or bar, or over a service like Spotify or Pandora is considered a public performance.
Digital Sync: Royalties paid to songwriters and publishers when music is played on YouTube and any revenue generated on the YouTube platform by the music. This differs from commercial synchronization (noted below).
Synchronization: Royalties paid to songwriters and publishers for the licensing of a song in music for a movie, TV show, or commercial.
Featured Artists. Not surprisingly, the star power within this catalog is an attractive feature. From Bobby Shmurda, to 50 Cent, French Montana, to Kid Ink, to Diddy — these are multi-Platinum-selling artists with a proven track record of hits.
Perhaps most interesting is that the catalog contains 13 tracks from Meek Mill. The hip-hop star was recently released from prison and is at the center of a national debate over prison reform. Meek Mill is one of the most sought-after artists in the music industry and you can benefit from his back catalog being part of this collection.
Matching Right
This seller's publisher holds a matching right on any sale of the income generated by this catalog. The publisher will have the opportunity to match the winning bid after this auction closes. If you are the winning bidder, the publisher must first decline their matching right before you will be able to complete your purchase. For more information on how the matching right works, please email: info@royaltyexchange.com.
Roc Nation, LLC is an American entertainment company founded by Jay-Z in 2008. The full-service entertainment company houses a record label, publishing house, talent agency, touring and concert production company, music, film, philanthropy, and other business activities. Warner/Chappell is the current administrator for Roc Nation. Warner/Chappells collects the royalties, forwards to Roc Nation and Roc Nation remits the payment to the songwriter. Roc Nation pays on a biannual basis.
Publishing Royalties: Cage The Elephant
Publishing Royalties From Hip-Hop Legends
Diverse Catalog Featuring Multi-Platinum Artists


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text:
Pelham City Council approves sewer rate increase
By Neal Wagner
Published 9:58 pm Thursday, December 10, 2009
Pelham residents and business owners will see higher utility bills beginning Jan. 1, as the City Council narrowly approved a motion to increase the city's sewer fees during a Dec. 10 meeting.
The council approved the motion 3-2, with Council President Mike Dickens, and council members Teresa Nichols and Bill Meadows voting in favor of the increase. Council members Steve Powell and Karyl Rice voted against the motion.
The decision ended several weeks of council debate over how to offset the estimated $12.6 million the Pelham Water and Sewer Department has lost over the past 15 years.
The council approved a two-year sewer rate increase plan, which will gradually raise the rates in 2010 and 2011. Currently, Pelham residents pay a flat sewer rate of $22 per month.
Beginning Jan. 1, 2010, residential sewer customers will pay a flat rate of $23.15, which covers the first 3,000 gallons used. The city will then charge $3.65 per 1,000 gallons used after the initial 3,000 gallons.
Small commercial properties, like small businesses, trailer parks and apartments, will pay a flat rate of $52.38 for the first 7,500 gallons, and $4.05 per additional 1,000 gallons.
Beginning Jan. 1, 2011, the residential flat rate will increase to $24.30 for the first 3,000 gallons and the small commercial rate will jump to $60.75 for the first 7,500 gallons.
The 2011 charge per 1,000 gallons used over the initial 3,000 gallons will rise to $7.30 for residential customers and $8.10 for every 1,000 gallons used over the initial 7,500 gallons for small commercial customers.
The city will also charge a fee of $23.15 in 2010 and $24.30 in 2011 to customers who have access to the city's sewer system but are not connected to it.
Although the council members all seemed to agree the city should pass a sewer rate increase, Rice and Powell said they did not agree with the two-year increase schedule.
"I don't believe the two-year schedule is correct," said Powell, who said the city should instead consider increasing the fees over the next three or four years. "That's the only thing I really disagree with. I just don't think two years is right."
"I think we will be putting a great burden on those who will be paying this," said Rice. "I also think we should raise the minimum usage to 5,000 gallons."
Other council members said they were in favor of increasing funding to the Water and Sewer Department as quickly as possible.
"I originally supported this increase in one year," said Nichols. "The two year plan is a compromise on my part."
The increases will also allow the city to complete several federally mandated sewer projects without having to dip into its general fund reserves, Dickens said.
"The overriding theme with this was the importance of a sense of urgency," Dickens said, noting the Water and Sewer Department has a "lot of work" to complete over the next four years to meet the federal mandates.
In other business, the council:
Approved $13,890 to be used to repair damaged roads in the Stonehaven Trail neighborhood.
Authorized the city to seek a $135,636 loan to purchase six new police cruisers.
Approved a $10,000 donation to the Alabama Symphony to be used for music education in Pelham and across the state.
Chelsea Kiwanis, Winn-Dixie team up to feed needy
As the holidays approached, members of Chelsea's Kiwanis Club knew there would be needy families looking for some help. So... read more


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Pictures of beautiful small dining room sets is created to be the inspiration of for you. This image was published on April 22, 2017 and published by this is fall into the category Furniture, the size of image is 1020 x 1020 and this post has 22 related images. If you have any questions please Contact Us. Hope it could inspire you, our beloved reader in nashuahistory.com, back to article please click Some Simple Guides to Present Small Dining Room Sets.
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Australian land casino firm Crown Resorts has announced that it has signed a deal with online sportsbetting firm BetEasy to help develop its online sportsbetting presence.
Details on the deal have not been made available by either firm, but the deal is certainly a coup for BetEasy, which was purchased earlier this year and beat out several larger companies such as Sportsbet, William Hill, and TAB to secure the bid.
BetEasy will assist Crown Resorts in the sportsbetting realm, with the land giant recently registering the trademark Crown Bet.


This publication is devoted to William Kentridge's (born 1955) multimedia cycle "The Nose" (based on Gogol's short story of the same name), comprised of the video installation "I Am Not Me, the Horse Is Not Mine," in addition to sculptures, tapestries and works on paper. Kentridge describes this cycle as an elegy for the artistic language of the Russian Constructivists.
William Kentridge is one of the most highly regarded artists of our time. This publication is released on the occasion of his first Swiss solo exhibition and is devoted to the multimedia cycle of works entitled The Nose. He produced this cycle while working on his staging of Shostakovich's eponymous opera at the Metropolitan Opera in New York and it is based on Nikolai Gogol's surreal short story The Nose from 1836. In addition to the large-scale video installation I am not me, the horse is not mine, which has previously been shown, for instance, at London's Tate Modern in 2012, Museum Haus Konstruktiv is also exhibiting a number of little-known works for the first time – works that were produced in connection with The Nose, including sculptures, tapestries and paper works. Kentridge himself describes this work-complex as an elegy for the artistic language of the Russian constructivists and their stimuli for a societal new beginning.


text:
Accumulation of coronary artery disease risk factors over three years: Data from an international inception cohort
M. B. Urowitz, D. Gladman, D. Ibañez, P. Fortin, J. Sanchez-Guerrero, S. Bae, A. Clarke, S. Bernatsky, C. Gordon, J. Hanly, D. Wallace, D. Isenberg, E. Ginzler, J. Merrill, G. S. Alarcón, K. Steinsson, M. Petri, M. A. Dooley, I. Bruce, S. ManziM. Khamashta, R. Ramsey-Goldman, A. Zoma, G. Sturfelt, O. Nived, P. Maddison, J. Font, R. Van Vollenhoven, C. Aranow, K. Kalunian, T. Stoll
Objective. To examine the accumulation of risk factors over 3 years in a multicenter, international inception cohort of patients with systemic lupus erythematosus (SLE). Methods. The Systemic Lupus International Collaborating Clinics registry for atherosclerosis comprises 27 centers from 11 countries. An inception cohort of 935 patients with SLE was assembled, according to a standardized protocol, from 2000 to 2006 to study risk factors for atherosclerosis. Both classic and other coronary artery disease (CAD) risk factors were collected at entry and through 3 years of followup. Therapy was documented over the 3 years. The Framingham 10-year risk factor profile was calculated for each patient at year 1 and year 3. Results. A total of 278 patients from the inception cohort were followed for 3 years and constituted the population for this study. At enrollment a substantial number of patients already demonstrated several risk factors for CAD, both classic and other. All risk factors increased from enrollment over the 3 years of followup. Treatment of hypertension and hypercholesterolemia also increased over 3 years, but less so for hypercholesterolemia. The Framingham 10-year CAD risk profile was higher in men than in women both at entry and at 3 years, and remained unchanged over the 3 years. Corticosteroid use increased only slightly over 3 years, but use of antimalarials and immunosuppressive agents increased to a greater extent. Conclusion. Patients with SLE should be monitored for CAD risk factors from the time of diagnosis and appropriate treatment should be instituted early. © 2008, American College of Rheumatology.
Arthritis Care & Research
https://doi.org/10.1002/art.23353
10.1002/art.23353
Dive into the research topics of 'Accumulation of coronary artery disease risk factors over three years: Data from an international inception cohort'. Together they form a unique fingerprint.
Coronary Artery Disease Nursing and Health Professions 41%
Coronary Artery Immunology and Microbiology 41%
Systemic Lupus Erythematosus Nursing and Health Professions 25%
Follow up Nursing and Health Professions 16%
Hypercholesterolemia Nursing and Health Professions 16%
Therapeutic Procedure Medicine and Dentistry 16%
Woman Medicine and Dentistry 16%
Urowitz, M. B., Gladman, D., Ibañez, D., Fortin, P., Sanchez-Guerrero, J., Bae, S., Clarke, A., Bernatsky, S., Gordon, C., Hanly, J., Wallace, D., Isenberg, D., Ginzler, E., Merrill, J., Alarcón, G. S., Steinsson, K., Petri, M., Dooley, M. A., Bruce, I., ... Stoll, T. (2008). Accumulation of coronary artery disease risk factors over three years: Data from an international inception cohort. Arthritis Care & Research, 59(2), 176-180. https://doi.org/10.1002/art.23353
Urowitz, M. B. ; Gladman, D. ; Ibañez, D. et al. / Accumulation of coronary artery disease risk factors over three years: Data from an international inception cohort. In: Arthritis Care & Research. 2008 ; Vol. 59, No. 2. pp. 176-180.
@article{00a03b533651404fa1a039ef112d5204,
title = "Accumulation of coronary artery disease risk factors over three years: Data from an international inception cohort",
abstract = "Objective. To examine the accumulation of risk factors over 3 years in a multicenter, international inception cohort of patients with systemic lupus erythematosus (SLE). Methods. The Systemic Lupus International Collaborating Clinics registry for atherosclerosis comprises 27 centers from 11 countries. An inception cohort of 935 patients with SLE was assembled, according to a standardized protocol, from 2000 to 2006 to study risk factors for atherosclerosis. Both classic and other coronary artery disease (CAD) risk factors were collected at entry and through 3 years of followup. Therapy was documented over the 3 years. The Framingham 10-year risk factor profile was calculated for each patient at year 1 and year 3. Results. A total of 278 patients from the inception cohort were followed for 3 years and constituted the population for this study. At enrollment a substantial number of patients already demonstrated several risk factors for CAD, both classic and other. All risk factors increased from enrollment over the 3 years of followup. Treatment of hypertension and hypercholesterolemia also increased over 3 years, but less so for hypercholesterolemia. The Framingham 10-year CAD risk profile was higher in men than in women both at entry and at 3 years, and remained unchanged over the 3 years. Corticosteroid use increased only slightly over 3 years, but use of antimalarials and immunosuppressive agents increased to a greater extent. Conclusion. Patients with SLE should be monitored for CAD risk factors from the time of diagnosis and appropriate treatment should be instituted early. {\textcopyright} 2008, American College of Rheumatology.",
author = "Urowitz, {M. B.} and D. Gladman and D. Iba{\~n}ez and P. Fortin and J. Sanchez-Guerrero and S. Bae and A. Clarke and S. Bernatsky and C. Gordon and J. Hanly and D. Wallace and D. Isenberg and E. Ginzler and J. Merrill and Alarc{\'o}n, {G. S.} and K. Steinsson and M. Petri and Dooley, {M. A.} and I. Bruce and S. Manzi and M. Khamashta and R. Ramsey-Goldman and A. Zoma and G. Sturfelt and O. Nived and P. Maddison and J. Font and {Van Vollenhoven}, R. and C. Aranow and K. Kalunian and T. Stoll",
doi = "10.1002/art.23353",
journal = "Arthritis Care & Research",
Urowitz, MB, Gladman, D, Ibañez, D, Fortin, P, Sanchez-Guerrero, J, Bae, S, Clarke, A, Bernatsky, S, Gordon, C, Hanly, J, Wallace, D, Isenberg, D, Ginzler, E, Merrill, J, Alarcón, GS, Steinsson, K, Petri, M, Dooley, MA, Bruce, I, Manzi, S, Khamashta, M, Ramsey-Goldman, R, Zoma, A, Sturfelt, G, Nived, O, Maddison, P, Font, J, Van Vollenhoven, R, Aranow, C, Kalunian, K & Stoll, T 2008, 'Accumulation of coronary artery disease risk factors over three years: Data from an international inception cohort', Arthritis Care & Research, vol. 59, no. 2, pp. 176-180. https://doi.org/10.1002/art.23353
Accumulation of coronary artery disease risk factors over three years: Data from an international inception cohort. / Urowitz, M. B.; Gladman, D.; Ibañez, D. et al.
In: Arthritis Care & Research, Vol. 59, No. 2, 15.02.2008, p. 176-180.
T1 - Accumulation of coronary artery disease risk factors over three years: Data from an international inception cohort
AU - Urowitz, M. B.
AU - Gladman, D.
AU - Ibañez, D.
AU - Fortin, P.
AU - Sanchez-Guerrero, J.
AU - Bae, S.
AU - Clarke, A.
AU - Bernatsky, S.
AU - Gordon, C.
AU - Hanly, J.
AU - Wallace, D.
AU - Isenberg, D.
AU - Ginzler, E.
AU - Merrill, J.
AU - Alarcón, G. S.
AU - Steinsson, K.
AU - Petri, M.
AU - Dooley, M. A.
AU - Bruce, I.
AU - Manzi, S.
AU - Khamashta, M.
AU - Ramsey-Goldman, R.
AU - Zoma, A.
AU - Sturfelt, G.
AU - Nived, O.
AU - Maddison, P.
AU - Font, J.
AU - Van Vollenhoven, R.
AU - Aranow, C.
AU - Kalunian, K.
AU - Stoll, T.
N2 - Objective. To examine the accumulation of risk factors over 3 years in a multicenter, international inception cohort of patients with systemic lupus erythematosus (SLE). Methods. The Systemic Lupus International Collaborating Clinics registry for atherosclerosis comprises 27 centers from 11 countries. An inception cohort of 935 patients with SLE was assembled, according to a standardized protocol, from 2000 to 2006 to study risk factors for atherosclerosis. Both classic and other coronary artery disease (CAD) risk factors were collected at entry and through 3 years of followup. Therapy was documented over the 3 years. The Framingham 10-year risk factor profile was calculated for each patient at year 1 and year 3. Results. A total of 278 patients from the inception cohort were followed for 3 years and constituted the population for this study. At enrollment a substantial number of patients already demonstrated several risk factors for CAD, both classic and other. All risk factors increased from enrollment over the 3 years of followup. Treatment of hypertension and hypercholesterolemia also increased over 3 years, but less so for hypercholesterolemia. The Framingham 10-year CAD risk profile was higher in men than in women both at entry and at 3 years, and remained unchanged over the 3 years. Corticosteroid use increased only slightly over 3 years, but use of antimalarials and immunosuppressive agents increased to a greater extent. Conclusion. Patients with SLE should be monitored for CAD risk factors from the time of diagnosis and appropriate treatment should be instituted early. © 2008, American College of Rheumatology.
AB - Objective. To examine the accumulation of risk factors over 3 years in a multicenter, international inception cohort of patients with systemic lupus erythematosus (SLE). Methods. The Systemic Lupus International Collaborating Clinics registry for atherosclerosis comprises 27 centers from 11 countries. An inception cohort of 935 patients with SLE was assembled, according to a standardized protocol, from 2000 to 2006 to study risk factors for atherosclerosis. Both classic and other coronary artery disease (CAD) risk factors were collected at entry and through 3 years of followup. Therapy was documented over the 3 years. The Framingham 10-year risk factor profile was calculated for each patient at year 1 and year 3. Results. A total of 278 patients from the inception cohort were followed for 3 years and constituted the population for this study. At enrollment a substantial number of patients already demonstrated several risk factors for CAD, both classic and other. All risk factors increased from enrollment over the 3 years of followup. Treatment of hypertension and hypercholesterolemia also increased over 3 years, but less so for hypercholesterolemia. The Framingham 10-year CAD risk profile was higher in men than in women both at entry and at 3 years, and remained unchanged over the 3 years. Corticosteroid use increased only slightly over 3 years, but use of antimalarials and immunosuppressive agents increased to a greater extent. Conclusion. Patients with SLE should be monitored for CAD risk factors from the time of diagnosis and appropriate treatment should be instituted early. © 2008, American College of Rheumatology.
U2 - 10.1002/art.23353
DO - 10.1002/art.23353
JO - Arthritis Care & Research
JF - Arthritis Care & Research
Urowitz MB, Gladman D, Ibañez D, Fortin P, Sanchez-Guerrero J, Bae S et al. Accumulation of coronary artery disease risk factors over three years: Data from an international inception cohort. Arthritis Care & Research. 2008 Feb 15;59(2):176-180. doi: 10.1002/art.23353


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Added by Michael Lee over 12 years ago. Updated about 10 years ago.
last week to avoid any major hang ups on your end.
Project 75 is squeaky clean!
The only minor issue is 2 stems that are smaller than 40cm DBH that are listed individually. Generally only stems larger than 40cm are listed in this area.
I'll bet Forbes has confirmed that they are OK.
075-02-1001, Nyssa biflora in R has 2 stems (36, 38) that are <40 cm DBH but are written into the big stems columns.
Ready for DBA checking and unfolding otherwise.
individually. Generally only stems larger than 40cm are listed in this area.
are written into the big stems columns.
THESE TWO NYSSA'S NEED NEED TO BE TALLIED INTO THE 35-40 CM COLUMN. "FB"
THESE TWO NYSSA'S NEED NEED TO BE TALLIED INTO THE 35-40 CM COLUMN.
ML: Alternately, we could leave them as is, since they measured the diameters. It won't affect the data, except these two stems will have slightly better accuracy than the ones in the regular tallies.
Fixed the above Nyssa stems that were smaller than 40cm in the biglist. Put them in the 35-40 tally.
There are actually 52 plots, not 53.
75-1-1005 differentiates between Woodwardia virginica (live) and Woodwardia virginia (dead).
Cover values are 9's and 8's for dead ones and 4's and 2's for live. We don't really have a way of dealing with cover information split around a species based on whether or not it is alive. We do have a place to note that trees were dead, but that doesn't apply to ferns.
Best option I see is to add to the notes that there is a fair amount of dead Woodwardia in the plot and delete the line, painful though it is to do.
There are a lot of plots that have more strata available and filled in on the datasheets than the data entry tool expects. Specifically, the ECUSH are on datasheets, but only TSH are available in the entry tool. These were flagged (most of the time?) in the notes section and I went through and edited them. Generally, the combinations were made without considering that much cover in one of the original strata would overlap with cover in another stratum. For example, if E was 5%, T was 75% and U was 60%, we wouldn't combine these to say that T was 100%, but instead assume that U would take up at most 60% of the 25% not already covered by trees, leaving at most 90% cover. I'd even consider making it 85% but this is guess work, certainly. I'd err on the small side, as stems tend to be vertical, keeping cover aligned more than randomly scattered.
I'm not sure how these numbers were created. The entry person could have just added up the covers, or perhaps someone else was involved. Anyway, I'm ratcheting back the values that seem to me unrealistic, but making notes of what I did.
"Zenobia heights varied slightly above and below breast height, an alternative measure was used for this species. Stems were tallied at the base in a 10% subsample to the 4 internal modules. This is a more realistic measure of Zenobia."
They actually tallied Zenobia twice, once strictly above breast height at 100% subsample, and once for all stems, using a 10% subsample (4 intensive modules only).
b) estimate the number of stems in the basal sampled that are already accounted for in full census and remove them, then put the rest in a 0-137m tall height category, which now kind of exists since we have EEP data in the database. The EEP data is 10-50cm, 50-100cm and 100-137cm. This new category would take a bit of fiddling, but not much.
c) something else I haven't thought of.
8-1001 has many cases of Smilax rotundifolia. One record shows 340 stems in the R module, but there are other rows in the R module where they stopped at 50, presumably because they ran out of space. So I think the 340 should be either 30 or 40 or 34, but not 340.
I don't have this datasheet because it apparently wasn't scanned. Does anyone have the original team 8 datasheets where we can access them?
STATUS UPDATE for Project 75.
Bob indicated that comment 8 should be resolved by deleting the Zenobia that was sampled in an odd way. Resolved that comment.
Comment 6 still needs dealing with. Delete the dead pseudospecies?
Comment 7 I'd like to hear from Forbes on.
Comment 9 needs to be doubled checked by Forbes.
Just ignore the dead material and add a note to one of the note fields.
the data prep bugs are waiting on taxonomic IDs before we can migrate, so I am marking these as things I'm not currently working on.


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redpajama_set_name: RedPajamaGithub


text:
Iwan Timofiejewicz Rusak (ros. Иван Тимофеевич Русак, ur. 17 września 1906 we wsi Krzywicze w guberni mińskiej, zm. w marcu 1987 w Leningradzie) – funkcjonariusz radzieckich organów bezpieczeństwa, generał major.

Życiorys
Urodzony w biednej białoruskiej rodzinie chłopskiej, w 1924 skończył szkołę w Słucku, od września 1927 do maja 1930 na rabfaku w Stalingradzie, od grudnia 1929 członek WKP(b), od maja 1930 do maja 1931 studiował w Instytucie Traktorowym w Stalingradzie. Od maja 1931 do czerwca 1934 żołnierz Armii Czerwonej, kursant szkoły wojskowej w Saratowie i dowódca plutonu w Moskiewskim Okręgu Wojskowym, od czerwca 1934 do lutego 1939 studiował w Wojskowej Akademii Mechanizacji i Motoryzacji im. Stalina w Moskwie, od lutego do maja 1939 szef Oddziału 2 Wydziału Specjalnego NKWD 1 Samodzielnej Armii Dalekowschodniej Czerwonego Sztandaru, od 4 lutego 1939 kapitan bezpieczeństwa państwowego. Od maja do listopada 1939 szef Wydziału Specjalnego NKWD 31 Korpusu Piechoty 1 Samodzielnej Armii Dalekowschodniej Czerwonego Sztandaru, potem pomocnik szefa Wydziału Specjalnego NKWD tej armii, od stycznia do kwietnia 1940 szef Wydziału Specjalnego NKWD 15 Armii Frontu Fińskiego (wojna zimowa), od kwietnia 1940 do 27 lipca 1941 zastępca szefa Wydziału Specjalnego NKWD/Wydziału 3 Moskiewskiego Okręgu Wojskowego, w czerwcu 1941 mianowany pułkownikiem. Od 27 lipca 1941 do 2 maja 1942 szef Wydziału Specjalnego NKWD Moskiewskiego Okręgu Wojskowego, 28 lipca 1941 awansowany na starszego majora bezpieczeństwa państwowego, od 2 maja do 30 listopada 1942 szef Wydziału Specjalnego NKWD 34 Armii Frontu Północno-Zachodniego, od 30 listopada 1942 do 29 kwietnia 1943 zastępca szefa Wydziału Specjalnego NKWD Frontu Północno-Zachodniego, 14 lutego 1943 awansowany na komisarza bezpieczeństwa państwowego. Od 29 kwietnia 1943 do 27 maja 1946 pomocnik szefa Głównego Zarządu Kontrwywiadu Smiersz Frontu Karelskiego i 3 Frontu Białoruskiego, 26 maja 1943 mianowany generałem majorem, od 15 lipca 1946 do 3 sierpnia 1949 szef Zarządu Kontrwywiadu MGB Północnokaukaskiego Okręgu Wojskowego, od 3 sierpnia 1949 do 25 lipca 1952 szef Wydziału Kontrwywiadu MGB Dońskiego Okręgu Wojskowego, od 25 lipca 1952 do 20 czerwca 1953 szef Zarządu Kontrwywiadu MGB/Wydziału Specjalnego MWD Dalekowschodniego Okręgu Wojskowego, od 24 sierpnia 1953 do 28 maja 1954 szef Wydziału Specjalnego MWD/KGB 15 Armii Dalekowschodniego Okręgu Wojskowego, od 28 maja 1954 do 6 sierpnia 1956 szef Wydziału Specjalnego KGB Leningradzkiego Okręgu Wojskowego, od września 1956 na emeryturze.

Odznaczenia
 Order Czerwonego Sztandaru (trzykrotnie - 25 maja 1940, 26 kwietnia 1942 i 25 czerwca 1954)
 Order Kutuzowa II klasy (25 marca 1945)
 Order Wojny Ojczyźnianej I klasy (trzykrotnie - 28 października 1943, 13 września 1945 i 11 marca 1985)
 Order Czerwonej Gwiazdy (6 listopada 1946)
 Odznaka "Zasłużony Funkcjonariusz NKWD" (2 lutego 1942)
 Odznaka "50 Lat Członkostwa w KPZR"
I 13 medali.

Bibliografia
 https://web.archive.org/web/20121019175213/http://www.memo.ru/uploads/files/845.pdf (ros.)
 http://shieldandsword.mozohin.ru/personnel/rusak_i_t.htm (ros.)

Funkcjonariusze NKWD
Funkcjonariusze Smiersza
Radzieccy generałowie majorowie
Odznaczeni Orderem Czerwonego Sztandaru
Odznaczeni Orderem Czerwonej Gwiazdy
Odznaczeni Orderem Kutuzowa
Odznaczeni Orderem Wojny Ojczyźnianej I klasy
Radzieccy wojskowi
Urodzeni w 1906
Zmarli w 1987

redpajama_set_name: RedPajamaWikipedia


text:
using System;

class SweetDesert
{
    static void Main()
    {
        decimal ivanchoMoney = decimal.Parse(Console.ReadLine());
        int guests = int.Parse(Console.ReadLine());
        decimal priceOFBananas = decimal.Parse(Console.ReadLine());
        decimal priceOFEggs = decimal.Parse(Console.ReadLine());
        decimal priceOFBerries = decimal.Parse(Console.ReadLine());

        int sets = guests / 6;
        if (guests % 6 != 0)
        {
            sets++;
        }

        decimal totalPrice = (sets * (2 * priceOFBananas)) + (sets * (4 * priceOFEggs)) + (sets * (0.2m * priceOFBerries));

        if (totalPrice <= ivanchoMoney)
        {
            Console.WriteLine($"Ivancho has enough money - it would cost {totalPrice:F2}lv.");
        }
        else
        {
            Console.WriteLine($"Ivancho will have to withdraw money - he will need {totalPrice - ivanchoMoney:F2}lv more.");
        }
    }
}


WAHS is an FM non-commercial radio station broadcasting at 89.5 MHz. The station is licensed to Auburn Hills, MI. The station airs variety programming.
I LOVE your station... I tell everyone about it! The variety is great and the songs you pick, are phenomenal! Love you!
I really enjoyed finding this quite by accident, aside from the oft repeated sports scores, the music is quite good!


Who are Freemasons? Ever Considered Joining?
Our impressive Buckingham Suite can accommodate various layouts from boardroom to theatre-style seating. With seating for up to 120 guests, the Buckingham Suite is the perfect venue for wedding receptions, ladies evenings and parties. Adjacent to the main room and bar, our catering facilities can be tailored to your specific requirements.
The Pemberton Masonic Hall is the perfect venue for a range of events.
Our extensive facilities are popular for a range of events from conferences and dinner dances to weddings. Our experienced, professional and friendly staff can cater for your exact requirements.
With a range of accommodation and fine facilities, including on-site parking, our guests can experience the perfect event, whether it's a wedding reception, dinner dance or special party.
Friendly staff, disabled access, competitive bar prices and excellent catering.


Increase your expectations, not your budget!
This package is simply amazing! Originally introduced in January of 2011 it became our top selling package of the year. This album makes a HUGE impression. Thanks to the new Artisan Elite® build, this album is even more fantastic. There are so many new and exciting album cover choices available that we'll be showing off on this website. Now the covers and accesories on the outside of the album are just about as exciting as what's inside. Since there are too many choices and too much good stuff we're going to be making it easy for our clients to get these album upgrades so that we can photograph them and share them with you. This year's brides will be extra, extra happy!
At the heart of this package is a large and wonderful 12"x12" Artisan Elite® bridal album. When you open it, it's a foot tall and two feet wide. It makes a huge impression! Even if you have a 24" computer monitor these album pages are still larger! For as large as the album is, it's still a very manageable size. With this size album, and our raw album design process the images have a high definition look to them. With our comprehensive layout techniques you will have an absolutely wonderful story to tell about your wedding day!
Eight hours coverage of contemporary, comprehensive innovative wedding photography c from a 10+ year seasoned wedding photographer. More than wedding photography, we work with you to make certain your day runs smoothly and we maximize your photo opportunities. Professional coverage means that your wedding photography needs will be handled by someone who will treat you, your family, your guests and your wedding with the professionalism you expect.
A DVD of ALL of your wedding day images, in full resolution, without overlays, marks or logos. These images are adjusted for proper exposure, proper color, proper density. All images are placed into categories and renamed so that you can find what you're looking for very quickly.
12"x12" 40 side Artisan® Elite magazine bridal album- The build quality of this album is excellent! There are no cuts in the center of the album like is common in other albums. You will enjoy a full view without annoying gutters. The album is manufactured with pride in Southern California with the most state of the art equipment in the industry. This allows for a fast turn around and a build quality to last a lifetime.
Image Bank Once you receive your images and album you are ready to move on to your "happily ever after" part of your life. It's rare but sometimes images get lost and albums get ruined . We go the extra mile to save your images and layouts. We offer reduced cost album replacements and free replacement of your wedding images for the first five years of marriage (limitations apply please contact us for more information).
Smart Payments Options Don't stress about the money, we've got options for you! First, you never spend more than $1000 before your wedding for any package. Payments are simple, $500 when you sign up, $500 two weeks before the wedding and the balance when you want your high resolution images after the wedding. We also have convenient ways to pay including PayPal and Google Checkout. This means that we can accept nearly every major credit card and payment with the exception of Bitcoin and Blue Chip Stamps.
Discounts Lifetime Images proudly salutes the men and women of the armed services and our first responders, and offers discounts to them in gratitude for their service. Friday and Sunday weddings are also eligible for discounts. Please E-mail us regarding these discounts. Please also include your name and date of your wedding.
Rick was the first groom to get the new Artisan Elite® Magazine Album. He was blown away.


text:
Five takeaways from Tony Elliott's weekly press conference
The most notable quotes and comments from the Head Wahoo after racking up win numero uno.
By Zach Carey@Zach_Carey_ Sep 7, 2022, 7:02am EDT
Share All sharing options for: Five takeaways from Tony Elliott's weekly press conference
As the Virginia Cavaliers move on from their win over Richmond last Saturday and prepare to play against the Illinois Fighting Illini this coming Saturday, Head Coach Tony Elliott addressed the media yesterday and spoke on
Offensive line solid in first test
Perhaps the most important group to evaluate after week one, the offensive line managed to be essentially fine on Saturday. Elliott echoed those sentiments as he saw both encouraging play and room for improvement:
"Overall with the offensive line, I thought they protected really well for the most part. We did get Brennan [Armstrong] hit a couple times, gave up one sack, but the times that we got him hit, it was more missed assignments on the back end, running back being too fast, things of that nature."
"I think it took them a little while to kind of get settled in in the run game, but once they had some success, they were able to establish the run game. Still got a lot of work to do. You think about it, [Derek] Devine, first start, I think [Logan] Taylor's first start, [Ty] Furnish's first start, so there was a bunch of first-time starts. I was hoping to get some young guys in there. But overall pleased with their effort. I think the guys up front tried hard. Technically we've got some things to improve, but it was good for them to get that work together, have some success, but also see tons of opportunity to improve."
A number of guys returning from injury
Speaking of the offensive line, Elliott noted that left tackle Jonathan Leech could be set to return against Illinois to provide additional experience and stability to the line:
"[Jonathan] Leech was available last week from an emergency standpoint because he had gotten the stitches out of his hand. He could play with a cast. This week he's back in practice, so I'm excited to finish up here and then go back and watch practice and see how he did. But talking to him coming off the field, he said he felt good. He said the cast that he was in made his hand still very functional for him. We anticipate that he'll be ready to be in the rotation and see where his conditioning is by the end of the week to determine the breakdown."
He also mentioned running backs Ronnie Walker and Cody Brown with Brown all set to go while Walker is still dealing with some pain:
"So [Ronnie Walker is] cleared for contact. He's ready to go. Still wouldn't say he's 100 percent, but he's at a point now where structurally he's good to go. Now it's just a matter of pushing through just the discomfort of the remaining healing that has to take place. So we'll see how he does the rest of the week, but we do get Cody Brown back.
"If [Walker's] fully ready to go, then we'll turn him loose and try to get him some action, but if I see any kind of hesitation, especially at that position, if you're not ready to go, you can get yourself hurt as a running back, especially as much contact as you're involved in. We'll play it — it's a game-time decision on him to see if he's ready."
Linebacker Josh Ahern proving to be a difference maker for the UVA defense
On the defensive side of the ball, Elliott and staff were particularly impressed with Josh Ahern's performance on Saturday after not being able to play the first half. Although UVA didn't release a depth chart this week since Illinois aren't, I'd expect Ahern to get the starting nod at the WILL linebacker spot.
"What I'm hoping is that [Ahern's] able to bring that physicality that we need, and when their OL [offensive line] gets to the second level that he's able to not let them create more space, that he's able to meet them quicker to the line of scrimmage, and I think when you watch the game, Nick Jackson is going to find the football. James [Jackson] was close, but he was trying to figure it out, where I think Ahern is going to be a guy that's not going to have to figure it out. He's going to be able to get in his gap, stay in his gap and also restrict his gap and trust that his pursuit and his teammates are going to come make the tackle. I think just from an experience standpoint, he's going to give confidence to those guys up front to do their job because they know that he's going to fill his gap."
Fentrell Cypress II the defensive player of the game for UVA
Another defensive standout, junior corner Fentrell Cypress II was the team's defensive player of the week as he had three pass breakups and showed real development since last season. If Cypress can continue to play with confidence, according to Elliott, he's got tons of potential.
"The thing with Fentrell is just confidence. He's a lot more confident. He's getting opportunity. I made it known that I believe he can be a really good player, to him, so I think he feels that there's trust from the coaches that he can do what we need him to do and do it at a high level. He was the player of the game for us from the coaching staff, so we voted him the player of the game. Obviously Nick Jackson is going to get a lot of recognition for his tackles, but we felt like overall Fentrell played the best game of the guys on defense."
"But Fentrell is, it's just confidence and experience and understanding and relationship with new coaching staff and understanding, too, that he's got to go, that we're pushing him, like now you've got to go and you need to step into your role as a starter and play with that confidence. It was good to see him have those pass breakups because a lot of it is, too, with both Des and Rud, you're still evaluating, and you don't know until you get to a game. Now to see him be able to go up and play some balls in the air down the field, now gives you a little more confidence as a play caller to be able to put yourself in a situation where you can be a little bit more aggressive and take some chances or some calculated chances."
A new challenge arrives as the 'Hoos hit the road to play Illinois
And, of course, this week marks UVA's first road test of the Elliott era. To prepare, the team has been forced to listen to the Illinois fight song on repeat during practice this week as Elliott and his staff are focused on limiting outside distractions and getting their guys to focus on the task at hand.
"But the biggest thing is today we prepare for crowd noise. Illinois's fight song was playing, so the guys by the time they go to sleep tonight that's all they're going to hear, just so they're prepared. You want to try and minimize as many distractions as possible, but in order to be a good team you've got to go win on the road. And the same formula, and it really shouldn't matter where you play, to be honest with you, whether you're playing in Scott Stadium, whether you're playing in Champaign or playing in the parking lot, it doesn't matter, it takes what it takes, but you do have some added distractions because now you're worrying about families traveling and they want tickets and all those things. We try to get all that stuff out of the way early in the week and then really challenge them to simplify their lives so they can be prepared to be focused on Saturday."


text:
by Cameron Tewson
Frontrowedit
Home » Latest News » REVIEW: VETEMENTS AUTUMN WINTER 2018 MENSWEAR
REVIEW: VETEMENTS AUTUMN WINTER 2018 MENSWEAR
Posted on January 25, 2018 by Cameron Tewson
Shown in the corridors of the Paul Bert Serpette market, north of Paris, Vetements autumn-winter 2018 collection left us all with very mixed feelings. As the fashion collective's main representative, Demna Gvasalia, summed it up, "we took it to the flea market because that's where it always begins." But the clothes, and the styling, didn't only resemble a trashy thrift shop aesthetic. The designer, who has worked for years at Maison Margiela, decided to openly refer the brand and its legendarily anonymous designer as the main source of inspiration. Diet Prada, the passive aggressive Instagram fashion critic, has already criticized Demna's choice to do the Margiela tabi boots in the show – like, what's the sense, if we've got the original?
But as for me, it's not only about the Margiela factor that makes this collection so problematic. Vetements wants to convey the feeling of realauthenticity in their clothes. For instance, Demna went to the kindergarten next door to the Vetements studio in Zurich and set the children the project of making illustrations for the T-shirts. The models, who walked the show, are said to be 'really' dressing like this on the daily. The clothes do look like old and tattered, and that's the entire sense behind them. But aren't they being manufactured from new materials before they hit the stores? If not, then the 1000 pound price tags are a complete absurd. If yes, well… I think you get this kind of hipocrysy. I really do love people who consciously dress in a 'cheesy' and 'trashy' way, go to flea markets. But dressing up in Vetements to look 'disruptive' is somewhat a non-sense. It's like wearing a t-shirt of a band you've never listened to.
About Cameron Tewson
Cameron Tewson is the editor and founder of frontrowedit.co.uk. The online media outlet which launched in 2012 was designed to share his thoughts and observations within the fashion & luxury industry. Rising through the ranks. Since leaving school at the tender age of 16, Cameron has consulted for leading global organisations and has been named one of the 7th top influencers to follow as well as a 30 under 30 rising star in the UK. He can be found instagramming at @camerontewson	View all posts by Cameron Tewson →
This entry was posted in Latest News and tagged menswear, paris fashion week, pfw, Vetements. Bookmark the permalink.
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Cleanlites has remained steadfast in our pledge to reduce harmful waste in landfills, this includes lighting ballast recycling. We stand behind the promises of our R2 RIOS Certifications and make sure each waste stream is properly disposed of. The corporate and environmental risks associated with old electronics in landfills are far too high, it's on us to do things the right way and lead by example.
Cleanlites is proud to offer ballast recycling in bulk or ballast recycling by mail through our lamp and ballast recycling company, Lampmaster. Our by mail recycling solutions come with prepaid postage and allow our customers to recycle with ease. If you are located near one of our recycling centers, you are able to drop your waste off in person during business hours. Please check our locations page to see if there is a recycling center near you.
Our industry expert staff, internal processes and best practices have helped save tens of thousands of tons of electronic waste from being sent to landfills or ending up in the hands of counterfeiters. Cleanlites enforces a strict zero-landfill policy on all harmful waste. Brand security, legal compliance and environmental welfare are the engines that power all recycling at Cleanlites, contact usto learn more.


Trivett Honda Parramatta is conveniently located at 54 Church Street, Parramatta showcasing the latest new and used Honda vehicles. Our experienced team will be able to assist you with the right information to guide you in finding a vehicle to suit your needs.
Our experienced Service team is located nearby at our service centre at Unit A, 10-16 South Street, Rydalmere, NSW 2116, which is equipped with a courtesy vehicle that can drop you off in the local area and pick you up while you wait for your vehicle to be serviced.
Our Parts centre can be located at Unit 11, Cumberland Green, 2-8 South Street, Rydalmere NSW 2116.
Trivett Honda is wholly owned by Trivett Classic Pty Limited. Trivett is Australia's largest prestige automotive group and is the retail unit of Inchcape Australia. Trivett represents 21 automotive brands including a majority of the world's most esteemed marques. Trivett has 31 dealerships across Australia, employing over 1,100 people and selling over 31,000 vehicles annually.
Through our professionalism and expertise of its people, the quality of products offered and the contemporary world-class facilities, Trivett strives to provide the ultimate customer experience everytime and everywhere.
Clever thinking informs everything we do.
There's a good reason each Honda looks smart, feels smart and is smart. Every detail of every vehicle is thoughtfully considered to reward the driver for their savvy purchase. When you buy a Honda you'll be looked after well beyond the showroom.


Baton Rouge, La. — Today, Governor Bobby Jindal and President and CEO Charles "Chip" Groat of The Water Institute of the Gulf joined Baton Rouge Mayor-President Kip Holden, President and CEO John Davies of the Baton Rouge Area Foundation, and LSU President F. King Alexander in breaking ground for the construction of the $22.4 million Water Institute of the Gulf Research and Conference Center along the Mississippi River, between downtown Baton Rouge and LSU.
To be built at the site of Baton Rouge's former municipal dock, the elevated three-story structure will extend over the river, providing a plaza surrounding the structure for unprecedented public viewing of the Mississippi River beyond the levee. The centerpiece of the structure will be The Water Institute of the Gulf, which will occupy offices on the first and second floors of the 34,000-square-foot structure. On the third floor, a major conference space will play host to academic conventions, research conferences and public meetings and hearings, all focused on the preservation of Louisiana's coast, and related efforts worldwide. Applied research projects of the 4-year-old Water Institute of the Gulf are taking place on a global scale and will inform major public policy decisions and public works projects in Louisiana, along the Gulf Coast and around the world.
The Water Institute headquarters joins two other facilities under construction nearby – the state Coastal Protection and Restoration Authority headquarters and the LSU Center for River Studies – as anchors of the 35-acre Water Campus that eventually will be home to an estimated 1.2 million square feet of commercial office, retail, restaurant, hospitality and residential space, along with an estimated 4,000 direct and indirect jobs between Nicholson Drive and the river.
Construction of the Water Institute headquarters will include vehicular and pedestrian pathways connecting the river facility to River Road and to LSU and downtown Baton Rouge via the existing Mississippi River levee trail. The design of the state-funded facility encourages collaboration of water management professionals across the Water Campus while also enabling the public to see and feel the river in a way they've never experienced before.
Construction will be completed in the summer of 2017, when the Water Institute will move from its current office in downtown Baton Rouge to the new headquarters. Now employing 45 research scientists, engineers and technologists, the Water Institute will employ an estimated 55 people at the time of its 2017 move and plans to grow to more than 80 employees in the five years following the move.
The Water Institute of the Gulf is the Center of Excellence and a not-for-profit, independent research and technical services resource for resilient coasts and sustainable water systems worldwide. The work of the Institute helps ensure livable communities and a thriving economy and environment. For more information, visit TheWaterInstitute.org.


Thank you for visiting the Human Resources Division Homepage. It is the mission of the Saddleback Valley Unified School District to "provide all students with a high quality education in a safe and nurturing environment, supported by the partnerships of school, home and community, that will instill the knowledge, skills and values necessary for all students to reach their full potential and to become contributing compassionate citizens in the world community." In support of this mission, the most important function of the Human Resources Division is to recruit and retain people who are innovative, exhibit a positive attitude, genuinely caring, and exceptionally enthusiastic while maintaining the highest moral and ethical standards. If you have these characteristics, why not apply to be a member of our team?


A poster for the first Nambassa festival of arts, crafts and alternative lifestyles in 1978, which drew over 25,000 revellers. From that year Nambassa was held on Landlyst Rd, Golden Valley, near Waihi. This poster is a fine example of the art nouveau-influenced design that was made famous in the 1960s psychedelic era.


"Almost Sunrise" tells the inspiring story of two young men, Tom Voss and Anthony Anderson, who, in an attempt to put their haunting combat experiences behind them, embark on an extraordinary journey—a 2,700-mile trek on foot across America. This powerful film helps to shine a light on serious issues facing our veterans and this film tour is an opportunity for us to share this important message of hope and healing with our communities.
*While this film is unrated, it does deal with issues of violence, war, mental health, trauma, suicide and addiction; there are also instances of mild cursing. Parents and educators should use their discretion if considering accompanying children 14 or under.
Donations collected at the film screenings will be matched by Alpine Bank, up to $30,000. Proceeds from the Breckenridge showing at CMC to benefit BOEC's Heroic Military Program.


Whether its something huge like the Macy's Thanksgiving Day Parade or just a smaller homecoming procession, parades are, for the most part, pretty predictable. There's usually a few handmade floats, a couple well-known characters from a movie or TV show and a marching band or two.
But the participants in these sidestreet shenanigans decided to turn things up a notch when they busted out some awesome dance moves to some heavy hip-hop music.
We dont know whats better: cartoon characters like Dora the Explorer or Spongebob Squarepants breaking it down to some sick beats or the woman filming, who seems to be having the time of her life.
If all parades were like it, the world would be a much better place.