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Home > Uncategorized > Difference between Impulse and Reaction Turbine
Difference between Impulse and Reaction Turbine
By Linquip Team / April 27, 2021 June 27, 2022
From the Perspective of the Physical Principles of Operation
What Is Steam Turbine Differentiate Between Impulse and Reaction Turbine?
Which Is More Efficient Impulse or Reaction Turbine?
From the Perspective of Applications
Impulse Gas Turbine
Impulse Water Turbine
Impulse Steam Turbine
Reaction Gas Turbine
Reaction Water Turbine
Reaction Steam Turbine
From the Perspective of How Energy Is Exchanged
From the Perspective of Blades Shape
From the Perspective of Relative Velocity Changes
From the Perspective of the Flow Direction inside the Turbine
From the Perspective of Maintenance Works
Impulse-Reaction Turbines
Download difference between impulse and reaction turbine PDF
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The difference between impulse and reaction turbine is generally how potential form of energy is converted to rotate the turbine wheel. A working fluid holds potential energy as a pressure head and kinetic energy as a velocity head. The fluid may be whether compressible or incompressible. Impulse and reaction turbines employ different physical principles to use this energy.
The primary distinction between an impulse and a response turbine is that in an impulse turbine, steam passes via the nozzle, but in a reaction turbine, steam passes through the guiding mechanism before passing through the rotating blades. In the industrial tools category, impulse and reaction turbines are essential. There are several Impulse and Reaction Turbines for Sale on Linquip from a range of vendors and firms, as well as various Manufacturers and Distributors.
A full list of impulse and reaction turbine services is available on the Linquip website, which covers all OEM fleets. Linquip vendors can assist you with this. Please contact Linquip's Impulse and Reaction Turbine Experts to learn more about how to connect with a wide choice of service providers who consistently deliver the highest quality products.
In this section, we will mention items to describe the difference between impulse and reaction turbine.
Turbines operate in two distinct ways which are described as impulse and reaction.
Impulse turbines change the direction of fluid flow or gas jet at high velocities. The resulting impulse rotates the turbine, the kinetic energy of fluid flow reduces, and then it leaves the turbine. In the turbine moving blades, there is no pressure change of the fluid (liquid or gas).
In a steam or gas turbine, all the pressure reduction occurs in the stationary blades (the nozzles). Before reaching the turbine, the change in pressure head of the fluid to velocity head takes place by accelerating the fluid with a nozzle. In the case of Pelton wheels and de Laval turbines apply this process thoroughly.
Impulse turbines do not need a pressure chamber around the rotor because the nozzle generates the fluid jet before it reaches the rotor blades. Newton's second law describes the energy transfer in impulse turbines. Impulse turbines are most efficient for use with low flow and high inlet pressure.
Reaction turbines generate torque by reacting to the pressure or mass of the gas or fluid. The gas or fluid pressure changes passing through the turbine rotor blades. The casing holds and guides the working fluid and, for hydraulic turbines, maintains the suction transmitted by the draft tube. Francis turbines and most steam turbines work with this idea.
For compressible working fluids, several stages of the turbine are often used to control the expanding gas effectively. Newton's third law explains the energy transfer for reaction turbines. Reaction turbines are better fitted to higher flow rates or cases where the upstream fluid head (pressure) is low.
Steam impacts the spinning blades with kinetic energy exclusively in an impulse turbine. In a reaction turbine, however, the steam that passes over the rotating blades has both pressure and kinetic energy. During the passage of steam through the rotating blades of an impulse turbine, the pressure of the steam remains constant.
In comparison to the impulse turbine, the response turbine has more blades. As the steam passes through the rotor blades, they rotate. The steam in a reaction turbine travels in the same direction.
Depending on the type of fluid and the industrial application of the turbine and also the fluid flow conditions, impulse or reaction turbines can be manufactured and presented in different types.
Impulse turbines are used in all types of gas, water, and steam turbines.
The impulse turbine comprises a row of nozzles and then a row of blades. The gas is expanded in the nozzle and converts the high heat energy into kinetic energy, represented by the following equation:
V=\sqrt{2\Delta V}
The high-velocity gas strikes the blade. A large part of the kinetic energy of the flowing gas is converted into turbine shaft mechanical work. A schematic diagram of a single-stage impulse turbine is shown in the following figure:
Schematic diagram of an impulse gas turbine (Reference: sciencedirect.com)
The static pressure in the nozzle decreases with an increase in the absolute velocity. The absolute velocity in the rotor then decreases, but the relative velocity and the static pressure remain constant. All enthalpy drop occurs in the nozzle, and the nozzle outlet velocity is much high. As the enthalpy in the rotor does not change, the relative velocity entering the rotor is equal to the relative velocity leaving the rotor blade.
The impulse hydraulic turbine uses the impulse or kinetic energy in a flow of water to run the turbine and generate power. An impulse turbine uses a strong jet of water that is produced from a high head of water.
Impulse Water Turbine Reference alternative-energy-tutorials.com
The basis of impulse turbine work is as follows:
A tall column of water produces a lot of pressure at its base due to the mass of the water pushing down on it. If the water under high pressure is delivered through a proper nozzle, it generates a high-speed jet of water. If this jet is guided to bucket-shaped blades mounted on the circumference of a wheel, it will cause an impulse that will lead the wheel to rotate.
The power available for the water turbine is as the following relation. It depends on the efficiency of the turbine that how much of the power can be converted to output power as electricity.
P=\rho gQh
In the above equation, Q and h are water mass flow and net head upstream of the turbine.
One of the most common impulse turbines in use is the Pelton turbine, first patented by Lester Allan Pelton in 1889. It operates by shooting a jet of water at buckets mounted around a wheel. The Pelton turbine works at its highest efficiency, up to 95%.
As shown in the figure below, a modern Pelton turbine is equipped with a set of spoon-shaped buckets installed on the circumference of a wheel. The buckets are meticulously arranged in a way that the water from the jet striking the bucket changes its direction and leaves at the opposite side. So, the water transfers its momentum to the turbine runner. In this process, the water gives most of its momentum to the runner and exits the bucket in the changed direction.
Pelton turbine schematic diagram (Reference: energyeducation.ca)
Sometimes, the Pelton turbine has two rows of buckets around the circumference, driven by two jets. This improves balancing the lateral forces on the runner and helps smooth operation.
The Pelton turbine is used for the sites with a high head of water and a relatively low flow rate. In large hydropower plants, they are usually used for heads more than 450 meters. However, they can be applied for heads as low as 200 m. The maximum head for a single Pelton unit is about 1000 meters.
A simple Pelton turbine has one or two jets or nozzles, but the output power can be increased by employing up to four nozzles guided at the same runner. One of the main features of all Pelton turbines is that they have to work in free air, with no submerged component. Submerged parts cause drag on the runner and energy waste.
The speed at which a Pelton turbine spins is determined by both the flow rate of water led to the buckets and the required load. If the load falls, the turbine speeds up. So it needs to be controlled by reducing flow via the nozzles. The largest Pelton turbines can generate powers up to 400 MW, while the smallest Pelton turbines are able to generate 5 kW or less.
Another type of impulse turbine used for high head applications is the Turgo turbine. It is similar to the Pelton in design, but with a significant difference: the water jets are in the same plane as the Pelton runner, but in the Turgo turbine, the jet hits buckets at a diagonal angle. The Turgo turbine is generally more challenging to construct. Turgo turbines are commonly used for medium-head sites between those suitable for the Pelton and those suitable for reaction turbines.
To know more about the Turgo turbine, visit here.
In a steam turbine, the inlet and outlet pressures and the inlet temperature of the steam determine the energy obtainable at the turbine inlet. An impulse steam turbine consists of a stage of stationary nozzles followed by a stage of rotating blades. In nozzles, the potential energy of steam is transformed into kinetic energy.
Impulse Steam Turbine Reference nuclear-power.com
A complete steam expansion process with a resulting pressure drop happens only across these nozzles, with a net rise in steam velocity over the stage. The moving rotor blades receive the kinetic energy of high-velocity steam jets and turn it to mechanical work in the form of rotation of the turbine shaft. No heat drop and no pressure drop occur in the moving blades. Therefore, the moving blades mechanical work is simply due to the loss of a proportion of the velocity obtained in the fixed blades.
When a stream jet strikes on a frictionless curved blade, the resulting velocity diagram can be drawn as shown in the following figure:
Velocity triangle of an impulse stream turbine (Reference: sciencedirect.com)
The available energy to the stage of rotor blades of an impulse turbine is (C1 is the absolute steam velocity at entering the blade):
E=\frac{mC_{1}^{2}}{2g}
It can be proved that the maximum efficiency of a steam impulse turbine depends entirely on the steam entrance angle and is calculated as follows:
\eta _{max}=cos^2{\alpha _{1}}
Like impulse turbines, reaction turbines are used in a variety of gas, water, and steam turbines.
The axial-flow reaction turbine is the most broadly used gas turbine. In a reaction turbine, the nozzles and blades both work as expanding nozzles. Therefore, the static pressure reduces across both the fixed and moving blades. The fixed blades perform as nozzles and guide the flow to the moving blades at a velocity somewhat higher than the moving blade velocity. The velocities in the reaction turbine are often much lower, and the entering blade relative velocities are almost axial.
The following figure demonstrates the axial reaction gas turbine schematically:
A schematic diagram of a reaction turbine (Reference: sciencedirect.com)
The work provided by a reaction turbine is half of that of a single-stage impulse turbine running at the same blade speed. Therefore, the cost of a reaction turbine for the same generated work is much higher because it needs more stages.
To maximize the work, usually, multistage turbines including impulse stages in the first few stages followed by reaction turbines are used. The efficiency of the reaction turbine is higher due to blade suction effects. This combined construction has the advantage that both the number of stages is less than a fully reaction turbine, and the efficiency is higher than a fully impulse turbine.
Reaction turbines usually are the first choice for hydraulic heads below 450 m. This type of turbine must be entirely submerged to run efficiently. While the impulse turbine gets the kinetic energy and the momentum transferred by the water mass of a high-pressure jet, a reaction turbine is subjected to the pressure or potential energy generated by the weight of water at the bottom of the head working on one side of its blades called pressure side.
Reaction Water Turbine Reference explainthatstuff.com
There are several types of reaction turbines. The most common, which accounts for 80% of all hydraulic plants in operation, is the Francis turbine. They operate in a wide range of heads between 10 to 650 meters. They are classified in radial and mixed classes as inward-flow reaction turbines. So, Francis can be installed in almost every flow condition. However, for very low heads, propeller turbines (for heads of 1.5 to 15 meters) and Kaplan turbines (for heads of 10 to 70 meters) are usually preferred.
In reaction turbines, only a portion of the overall pressure drop occurs before the turbine entry, and the remaining pressure drop happens in the turbine. Unlike the Pelton turbine in which for each jet, only one or two of the buckets are in contact with the water at a time, the flow fills all of the runner passages in a reaction turbine. Also, a row of guide vanes is applied to control and direct the flow to the runner. Furthermore, a draft tube is installed in the turbine exit, which is considered an important turbine component.
A reaction turbine is built up of rows of fixed blades (as nozzles) and moving blades. The motion of moving blades is a result of the impulse of steam (caused by a momentum change) as well as the steam expansion and acceleration relative to them. In other words, they act also like nozzles.
Velocity diagram of a double-stage reaction steam turbine (Reference: en.wikipedia.org)
The pressure drop in each stage is distributed across the fixed and moving blades in the reaction turbine. The fixed blades accelerate the steam to a medium velocity due to the partial pressure reduction. The steam then strikes on the moving blades and gives some energy to them.
Across the moving blades, the steam is accelerated by the remains of the pressure drop. This acceleration causes a reaction effect and delivers more energy to the moving blades. The steam exits the stage at a low velocity relative to the following row of fixed blades.
Impulse and reaction turbines vary depending on the type of energy the flow to which the turbine is exposed to.
The fluid stream fed to the moving blades of the impulse turbine has only kinetic energy.
The flow within the reaction turbine holds both pressure and kinetic energy throughout the moving blades.
The difference between the forms of blades is as follows:
The shape of the turbine blades is usually symmetrical.
In reaction turbines, the structure of blades is not usually symmetrical.
The following explanation can be given about how relative velocity changes.
In an impulse turbine, the relative velocity of flow remains constant.
The relative velocity in the Reaction turbine increases when it slides on the blades.
The direction of fluid through the turbine can be varied depending on the application.
The flow in most gas turbines is axial. The flow in Impulse water turbines is generally tangential to the blades. Steam turbines also have radial flow.
The flow in reaction turbines is both radial and axial.
Depending on the working conditions and the turbine building, the necessary works for maintenance and repair can vary. Impulse turbines need less maintenance than reaction turbines.
Modern turbine designs apply both reaction and impulse ideas whenever possible. Wind turbines use an airfoil to produce a reaction lift from the moving fluid and transfer it to the rotor. Wind turbines also obtain some energy from the impulse of the wind by turning it at an angle. Multiple-stage turbines may use either reaction or impulse blades at high pressure.
Schematic diagram of an impulse-reaction turbine including trends of velocity and pressure changes (Reference: sciencedirect.com)
Steam turbines have traditionally been of impulse type but move towards reaction designs like those utilized in gas turbines. At low pressure, the working fluid medium expands for small reductions in pressure.
Under these conditions, most of the blade style becomes reaction type design with only the base of the impulse blade. This is because of the effect of the rotational speed for all blades. As the volume rises, the height of the blade increases and the blade base spins at a slower speed relative to the tip. This change of speed forces the designer to move from impulsive design at the base to a high reaction style at the blade tip.
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Impulse Turbine: Working Principle, Components, and Types
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18000 sq ft commercial building for sale. Zoned C 1, easy access, visibility, large off street parking. Large open area for multiple uses such as multi retail, medical/dental, offices, restaurants, more. Skate Country, long time roller skating business which is part of sale.


The camp manager said it best in the beginning.
The TFP's 2nd Annual Call to Chivalry Summer Camp for boys in Louisiana really was quite different. The focus was not on computers or basketball like other camps but on Catholic heroism.
The July 1-10 camp in rural Norwood near the Mississippi border put together the right mix of prayer, study, outings and games making it an unforgettable experience for the 12-18 year-old participants. It was equally memorable for some accompanying dads who provided plenty of support and Cajun cooking. This year's boys came from Louisiana, Texas, Arkansas and even faraway Scotland.
TFP speakers also put together a series of lectures that called to mind the Catholic heroes of times past. However, it was very clear that these age-old values of the Faith are not to remain in the past but be applied to the modern world.
The program's lectures and talks were based on many of the principles developed in Revolution and Counter-revolution by Prof. Plinio Corrêa de Oliveira. Participants studied the four most important Revolutions in the West: the Protestant Revolution, the French Revolution, the Russian Communist Revolution and the "hippy" revolution of the Sixties.
Instructor Byron Whitcraft talks about the most important Revolutions in the West to an attentive audience.
They also discussed inspiring examples of Catholic heroism and chivalry such as the Battle of Lepanto in 1571. Honorary Albanian Consul Bret Clesi spoke on the Catholic hero Skanderbeg. Theatrical presentations helped illustrate the points and the boys were encouraged to discuss and debate revolutionary trends in culture they might confront in their daily lives.
There can be no real heroism without prayer. Thus, there was a spiritual dimension to the camp. From the raising of the papal, American and TFP flags in the morning to the torch-lit rosary procession at night, the role of prayer was emphasized before and after every meal, event or game.
Msgr. Robert Berggreen of St. Agnes parish in Baton Rouge delivered talks on examination of conscience and Confirmation, which he termed the sacrament of courage.
There was even a night "vigil of arms" where potential young knights prayed a half hour in the middle of the night asking for the graces to confront the very different peaceful and legal moral battles of today.
Plenty of physical activity was worked into the program which included swimming, canoeing, horseback riding, field games and hiking. Field trips to the Vicksburg National Military Park, the Port Hudson State Historical Site and historic Natchez, Miss., gave an historical American perspective to the course.
The high point of the summer course was the closing medieval games and banquet. Parents joined their sons to watch the activities. Knights on horseback rallied two teams who tested their courage and knightly qualities in "medieval games" which ended with a grueling yet satisfying obstacle course race.
Msgr. Berggreen present souvenirs at the final banquet.
The closing banquet began with a rosary procession leading into the woods where a picnic pavilion was almost magically transformed into a medieval banquet hall. The Cajun cuisine was indeed a royal treat as parents, sons and TFP supporters feasted and the final speeches given. Msgr. Berggreen presented souvenirs to the boys and prayed as the exciting week ended.
Ended? Yes, but it also began another phase in the lives of the participants. They were invited to put the lessons learned to good use. They were asked to prove that chivalry is not dead. Catholic heroism lives on precisely where it is needed — in the souls of Catholic youth who will face so many obstacles to live their Faith.


Why are standards for the packaging of dangerous goods for transportation considered to be a priority for the Government of Canada?
Two Transport Canada standards being updated serve to protect people, property and the environment safety hazards associated with transportation of dangerous goods.
The standards help meet regulatory objectives and must reflect current industry practices and standards.
Through the Standards Council of Canada's (SCC's) leadership, updated standards will help the federal government maintain the relevance of standards referenced in regulations.
These standards promote public safety in the transportation of dangerous goods by all modes of transport in Canada.
Having these standards in place helps to prevent leaks and spills from the containers that house these dangerous goods, in the event of in-transit accidents, for example. Potential effects might otherwise include hazards to people (through ingestion, inhalation or contact with skin from these products), animals and plant life, and damage to property, such as from fire damage through the release of crude oil. Environmental contamination (to water, soil, and air) might also occur.
Containers that have been designed, manufactured and tested in accordance with those standards and found to be in compliance with them are Registered with Transport Canada and a Registration Certificate is issued as a proof of compliance.
Which key organizations are involved in the update?


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'We will have more of a Covid plateau than a peak'
Dibyendu Mondal
July 25, 2020,
Giridhar R. Babu
India will have sustained transmission in different areas at different points in time, says leading epidemiologist Giridhar R. Babu.
New Delhi: Giridhar R. Babu, a leading epidemiologist in India and Professor and Head Life Course Epidemiology at the Public Health Foundation of India (PHFI), spoke to The Sunday Guardian on the progress of the spread of the Covid-19 pandemic in India and what it is likely to be the road ahead. Excerpts:
Q: As India currently has over 1.3 million Covid-19 positive cases, can we say that we have now reached the peak of infection?
A: I think this is a myth that there will be a nationwide peak and then it will come down. The reason I say this is because the varying numbers of Covid-19 positive cases are coming in from different parts of the country at different points of time; so in my sense, we will have more of a plateau than a peak. Unlike many other countries which are small and have defined populations, India will have sustained transmission in different areas at different points in time since we have varied characteristics and varied travel mechanisms and as the states have opened up the lockdown in different points of time. Let me give you a small example. The states and cities which followed strict lockdown in the beginning did not get the local circulation established very early on and those who did not implement the lockdown well then, had more cases in the beginning. On the contrary, the states and cities which are opening up now are seeing an increasing number of cases.
Q: So, have we reached the stage of plateau or when are we reaching there?
A: It is very difficult to answer this, since Bihar is peaking now, bigger states like Uttar Pradesh and Madhya Pradesh are altering how the pandemic is shifting and remember these are very densely populated states. Until the epidemic plays out in these three states, we will not be in a position to know where we exactly stand. On the other hand, if we do a Seroprevalence survey (Seroprevalence survey uses serology tests to identify people in a population or community that have antibodies against an infectious disease) everywhere, then we will know.
Q: India now has done more than 1.60 crore tests for Covid-19 so far, but given the population of India, do you think we are testing enough?
A: In terms of testing, I think we have done considerably well, given how we started, but there is definitely scope for improving it.
Q: The government is focusing on increasing the number of rapid antigen tests across the country, but as experts say, it cannot replace RTPCR tests. Do you think it can be an alternative?
A: Rapid antigen test is very useful, but, of course, it cannot replace RTPCR tests and I think the government has never said that they will replace RTPCR with antigen tests. Rapid antigen test is useful and important because its specificity is very good, but its sensitivity is not up to the mark and, therefore, all the symptomatic patients who have tested negative should be again tested in RTPCR for confirmation. There are a lot of challenges with the RTPCR test; it is time-consuming doing RTPCR, results come late. Antigen test is a saviour and it should be scaled up and we should be doing as many tests and in as many places as possible across the country.
Q: Many states are once again going for lockdowns. Do you think it is prudent for imposing another set of lockdowns for slowing down the rate of infection?
A: The earlier purpose of the lockdown was to slow down the rate of spread of the infection and also for the government to prepare. Now, I don't think any lockdown anywhere in the country is done with the purpose of slowing down the infection. It is mostly being done for the purpose of coordinating the finer steps of the administration and implementation. There is no scientific basis for it, but I think states should have that independence of doing what they think is best for them.
Q: Do you think it is time for the government to open up international air travel since domestic operations are already on?
A: Well it depends on where we are travelling. The first set of flights should be done mostly from places and countries which are relatively safe to start with and I would recommend a gradual opening of international flights in a phased manner.
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redpajama_set_name: RedPajamaCommonCrawl


am looking for a web designer/Wordpress with good graphic designing skills to make changes to website layout, create web banners, create 3 lead magnets and integrate with CRM software for list segmentation, possibly integration with campaign monitor. Also need Google Analytic setting defined for some data analysis.
Looking to make these changes over the next few days with communication via email outside public holidays. Project outlined in attachment.


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Warrant Officer of the Air Force
Chief of Air Force
Deputy Chief of Air Force
Head of Air Force Capability
Air Commander Australia
Jasper: Take off with STEM
Warrant Officer of the Air Force (WOFF-AF)
Warrant Officer Robert Swanwick
Warrant Officer Robert Swanwick joined the Royal Australian Air Force in 1979 as an Airframe Fitter. After postings to RAAF School of Technical Training, Transport Section RAAF Base Williamtown and No. 2 Operational Conversion Unit, he remustered to Helicopter Crewman in 1982.
As a Crewman, he enjoyed postings at Nos 5 and 9 Squadrons and was deployed on operations with the Australian Contingent, Multinational Force and Observers, flying missions along the border of Egypt and Israel.
In 1987 Warrant Officer Swanwick was part of the team responsible for introducing the Blackhawk helicopter into service and transitioning the capability to Army. During this period he was posted as the 2IC Training, 5 Aviation Regiment, RAAF Base Townsville.
He was promoted to Warrant Officer in 1991 and has since served in various aircrew positions and staff roles, including a brief stint in the civilian sector working as a barista for his daughter in Canberra. A highlight of this time was when Warrant Officer Swanwick was selected to be the Staff Officer Communications for the Air Force's 75th Anniversary.
He also served for 14 years as the Other Ranks Representative Trustee on the Military Superannuation and Benefits Scheme Board.
Warrant Officer Swanwick returned to the Permanent Air Force in 2014 and remustered to Executive Warrant Officer to take up the position of Group Warrant Officer - Surveillance and Response Group at RAAF Base Williamtown. He was selected as the 8th Warrant Officer of the Air Force in July 2014 and commenced the role on 1 December 2015.
Warrant Officer Swanwick lives in Canberra with his fiance Lisa who is a serving Logistics Officer. He enjoys renovating houses, cooking, maintaining his fitness and attempting to play music on his guitar.
RAAF News
Newcastle flypast has locals seeing double
Air Force sharpens skills with F-22 Raptor technology
Air Commander Australia changes Command
Australian-first telescopic docking capability for Air Force
RAAF Williamtown celebrates NAIDOC Week


text:
NEWS & EVENTS (current)
MONT TREMBLANT JOINS THE MOVEMENT!
Resorts have serious political power - jobs and economic impact as well as a direct connection to outdoor enthusiasts. We're thrilled to announce Mont Tremblant has become the first resort to join POW Canada and fully commit to pushing our policy agenda and furthering our mission for climate action.
OFFICIAL PRESS RELEASE
Mont-Tremblant, February 11 2020 – At the 6th edition of its Festival Rando Alpine Tremblant, presented by Smartwool, Station Mont Tremblant announced that it has joined Protect Our Winters Canada (POW) as a resort partner. Tremblant is now adding its voice to this growing movement composed of businesses, professional athletes and outdoor enthusiasts advocating for large-scale policy solutions to climate change. We believe our love of adventure in nature demands our participation in the movement to save and protect it. Since its inception in 2018, POW Canada has focused on uniting and organizing the outdoor community to share a collective voice that drives climate action.
The Environment: At the Heart of Station Mont Tremblant's Preoccupations
For a second consecutive year Festival Rando Alpine Tremblant, presented by Smartwool, was granted Level 2 attestation in the Responsible Event Management category certified by the BNQ (Bureau de normalisation du Québec). This confirms that it has implemented targeted actions across various sectors, from reducing its greenhouse gas emissions and proper waste management to energy conservation.
Last fall, Station Mont Tremblant was also awarded Level 2 certification for Performance in the Sustainable Development Management category by le Conseil des industries durables (CID). Its participation in this program aims to promote, accelerate and facilitate the integration of sustainable development principles and implement ecoresponsible practices across all its activities and operations. Vested with its own Ecoresponsibility Charter, Station Mont Tremblant is also a member of the National Ski Areas Association Climate Challenge, a voluntary program created to acknowledge ski areas that have pledged to reduce their impact on climate. Given all the importance of ecoresponsibility, Station Mont Tremblant and Protect Our Winters Canada prove to be a natural fit.
About Tremblant
Tremblant is part of Alterra Mountain Company's family of 15 iconic year-round destinations, including the world's largest heli-ski operation, offering the Ikon Pass, the new standard in season passes. It is a top four-season resort destination owing to its guest experience both on-mountain, and in its pedestrian village. Its view of the Laurentians, the diversity of its offer and highly acclaimed major events – including IRONMAN Mont-Tremblant, Tremblant's 24 h and the Tremblant International Blues Festival – place Tremblant 23rd among the Best Ski Resorts in the World by Condé Nast Traveler readers in 2019, in addition to being voted #1 Ski Resort in Eastern North America 20 times by SKI magazine readers. With your family, sweetheart, friends or group, Tremblant welcomes vacationers from Toronto on direct flights with Air Canada and Porter Airlines, to enjoy 1,900 lodging units fanned out across 13 hotel establishments, over 75 restaurants, boutiques and a casino, all at nature's doorstep.
Join the Tremblant Community
tremblant.ca • facebook.com/tremblant • @monttremblant #tremblant
OPEN LETTER TO MINISTER GUILBEAULT
POW CANADA IS STARTING 2023 STRONG WITH TWO NEW PARTNERS!


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Q: Constructing a Pushdown Automaton In my lectrures we are given an example of a pushdown automaton that accepts the following language {(a^n)(b^n): n is greater than or equal to zero}.
Q - set of states ={s,p,f}
L - alphabet = {a,b}
R - stack = {a}
F - accepting states ={s,f}
D -transition relation ={
(s,a,e),(p,a)
(p,a,e),(p,a)
(p,b,a),(f,e)}

My question is why the states p and f are necessary? Could you not just use the state s?
Also I was wondering when constructing a PDA is there a method to know how many states you will need and what the stack alphabet will be? Or do you just have to solve it intuitively?

A: In case of not having the state p, the PDA would accept any string having the same number of a's and b's.
There is no non-intuitive method to know the number of states or transitions beforehand, as we are going to convert a non formal description to a formal one, so there is no formal way!

redpajama_set_name: RedPajamaStackExchange


text:
Q: Extract values from a complex column in PySpark I have a PySpark dataframe which has a complex column, refer to below value:
ID  value
1   [{"label":"animal","value":"cat"},{"label":null,"value":"George"}]

I want to add a new column in PySpark dataframe which basically convert it into a list of strings. If Label is null, string should contain "value" and if label is not null, string should be "label:value". So for above example dataframe, the output should look like below:
ID   new_column
 1   ["animal:cat", "George"]

A: You can use transform to transform each array element into a string, which is constructed using concat_ws:
df2 = df.selectExpr(
    'id',
    "transform(value, x -> concat_ws(':', x['label'], x['value'])) as new_column"
)

df2.show()
+---+--------------------+
| id|          new_column|
+---+--------------------+
|  1|[animal:cat, George]|
+---+--------------------+


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FORBERT, Lionel Edward
Lionel Edward Forbert
Lionel Edward Forbert was born April 4, 1940 to Sayde Barsky Forbert and Sol Forbert in New York City, New York. He was raised in Bennington, VT and attended school there where he met and later married Barbara Ayer Forbert. To this union was born one son, David Michael, who died at birth, and his two daughters, Sarah Forbert Watson and Rachel Forbert Acree. Later in his life he met and married Karla Rounds. He welcomed, loved and cared for her and her sons, Lincoln Leatherman and Weston Leatherman as his own children. Lionel and Karla were married on January 13, 2007 and lived, loved and laughed for 13 years together. A gift both felt was given to them by GOD.
Lionel's professional life was that of a power and electrical engineer. He attended college at Rensselaer Polytechnic Institute and accomplished post-doctoral graduate studies. He began his career as an employee of General Electric Corporation and quickly was promoted to executive status. He was General Manager of GE Plants in Detroit, Cleveland, Chicago, & Dallas throughout the course of his employment. Once the GE Corporate office saw how he ran their plants he managed, they quickly began using him as the person who was sent to failing GE plants and was told to fix them or shut them down. He managed them well and he always fixed them and brought them back to stable, profitable plants. He was excellent as his job and was recruited to do management training for new GE executives. He was recognized for his success by receiving numerous awards and rose to the Executive rank of #176 in one of the world's largest corporations. He was the youngest man to have been accepted into the Elfin Society, an invitation only organization of investors associated with GE. Lionel was also a 32nd Degree Mason, an accomplishment he treasured.
During his tenure at GE he was the chief Negotiator for GE with the labor union there. Lionel was not only a "fixer" of plant management, but also union negotiation. Because of his skill and knowledge, he was contracted by NASA to design and develop equipment for a space mission. He invented, developed and designed the exploding collar that held the manned space ship to the rockets fuel supply. So he really was a Rocket Scientist! He was also periodically under contract of the Federal Government to invent, design & develop specific parts of nuclear war head missiles. One of his great loves was machinery, and motors. He could fix anything and did. His specialty was locomotive motors and many of the plants he managed he supervised, built and repaired locomotive engines. He was often called to large companies to repair or design power supplies for coal mines, glass manufacturers, paper mills and many companies who used larger power supplies.
In 1984 he and a partner retired from GE and purchased M&I Electric. That business built power equipment for cruise ships, off shore drilling rigs and many other industrial companies requiring switch gear or power equipment. Lionel was fearless and determined to make the business a success to the point of arresting and holding in port an entire ocean liner to prevent them from leaving port without paying. That company exists today on NASDQ stock exchange as American Electric Technologies Industries. In 2004, he retired from M&I Electric and maintained his holdings in the company. He also owned and operated a Used Car dealership in Livingston Texas, Awesome Autos where his retirement home on Lake Livingston, Texas is located. It was there he employed Lana Baggett who along with her husband Tommy have been faithful friends.
In 2008 Lionel met Orin Patton and developed a longstanding friendship with him. Lionel seeing the potential of the building which was once the Leedey Nursing Home in Leedey Oklahoma he and Weston renovated and converted it to Leedey Ranch Lodge & Restaurant. Lionel loved living in Leedey and one of his greatest joys was to visit with his friends who enjoyed dining at the restaurant. He & Karla also purchased a 1910 building and with the help of Weston, remodeled and restored it to become Leedey Floral and Gifts.
Lionel was an avid deep sea fisherman, a collector of anything with a motor and loved to fly Remote Controlled Airplanes as his hobbies, but, his greatest enjoyment in life was his wife, Karla, his family and the life they shared together. He also loved building things and watching them grow. He leaves a lifetime of businesses, and loved ones to carry on his legacy. He was a brilliant mind, a compassionate spirit and loving heart. He was Karla's hero. He was loved! Lionel was a true mensch!
Lionel was preceded in death by his Parents, Sadye and Sol Forbert, Infant son David Forbert, and is survived by his loving wife Karla Rounds Forbert, her sons Lincoln Ross Leatherman, and wife Rebekah, and J. Weston Leatherman. He is also survived by his daughter Sarah Ann Forbert Watson, her daughters, Chelsea Julia Morgan, her husband Aaron Morgan and their two daughters Kayla and Mackenzi Morgan, and Madison Nicole Vermillion, her two sons Landon Moore and Mason Moore. His daughter Rachel Forbert Acree and her daughters Sophia Grace Galloway and Emily Eden Galloway. Lionel also, leaves a host of friends.
Services were held Monday October 10, 2016 at 10:30 am at the First Baptist Church in Leedey, OK with burial following at Center Point Cemetery, Leedey, OK. Condolences may be made to the family at shawfuneralhome.net. Shaw Funeral Home at Leedey
Cheyenne Star, October 12, 2017


Borgman visited ICO's campus for Homecoming 2015. Amidst events like a Blind Spot, Sox Game, and CE on the effects of cannabis, he was recognized with an award. He is our Young Alumnus of the Year– an honor well deserved.
We followed Borgman through the excitement of Homecoming Saturday.
Photos by Aaron Ross. Interview by Lauren Faits.


Keith (blue jacket) & Peter in the Boolcoomatta Reserve workshop.
Keith & Peter with the trap control boxes.
Peter digging in a trap.
Keith at the repeater site.
Feral cats are wreaking havoc on Australia's native wildlife and to go some way in addressing this, a cat trap system has been trialled at Boolcoomatta Station Reserve in South Australia. Soft-jawed spring traps have been used for some time to reduce feral cat numbers but individual traps set in the wild must be visited daily to prevent undue suffering of any animals held in the traps.
Keith Gooley, with help from Peter Caulder, designed and built a special trap system at Boolcoomatta using a radio telemetry device attached to each trap. When the trap is sprung, a signal is sent to the Base unit, giving the serial number of the trap. The Reserve Manager is able to go directly to the trap as soon as an animal is captured. This means that cats don't suffer unduly by being held in traps for long periods.
This June, Keith and Peter visited Boolcoomatta and upgraded new software in the trap control box and in the Base unit. They completed the upgrade of 14 traps, testing them with the upgraded Base unit. Three traps were set up in the field as a trial during the visit and at the time of writing, 24 hours later none of the traps had been sprung. They will continue to be monitored by the manager.


Recently, we added transcripts to the Messages report, letting you drill-down into conversations for context about how well your bot responds to certain intents. Now, transcripts are also available in the Session Flow report as well as in funnels!
With transcripts now available in multiple reports, you get the full story about how your bot is performing from different perspectives -- saving time on initial development as well as optimizations. For more details, see the Transcripts documentation.
Great addition, thanks Chatbase team!!


text:
package br.com.objectos.way.on;

import br.com.objectos.way.code.AccessInfo;
import com.squareup.javapoet.AnnotationSpec;
import com.squareup.javapoet.TypeName;
import com.squareup.javapoet.TypeSpec;
import com.squareup.javapoet.TypeVariableName;
import javax.annotation.Generated;
import org.testng.annotations.Test;

/**
 * @author Marcio Endo
 */
public class BuilderTypeTest extends AbstractWayOnTest {

  private static final AnnotationSpec GENERATED = AnnotationSpec.builder(Generated.class)
      .addMember("value", "$S", BuilderTypeTest.class.getName())
      .build();

  @Test
  public void basic() {
    BuilderTypeNames names = new BuilderTypeNames(AccessInfo.DEFAULT, cn("testing.on", "Basic"));
    BuilderType builderType = new BuilderType(names)
        .addTypeAnnotation(GENERATED)
        .beginProperty(cn(String.class), "name")
        .addStandardSetter()
        .endProperty()
        .beginProperty(TypeName.INT, "value")
        .addStandardSetter()
        .endProperty();
    TypeSpec res = builderType.typeSpec();
    ASSERT.that(res).hasToStringEqualTo("BuilderTypeTest.BasicOn.poet");
  }

  @Test
  public void generic00() {
    BuilderTypeNames names = new BuilderTypeNames(
        AccessInfo.DEFAULT,
        cn("testing.on", "Generic00"),
        list(TypeVariableName.get("T")));
    BuilderType builderType = new BuilderType(names)
        .addTypeAnnotation(GENERATED)
        .beginProperty(cn(String.class), "name")
        .addStandardSetter()
        .endProperty();
    TypeSpec res = builderType.typeSpec();
    ASSERT.that(res).hasToStringEqualTo("BuilderTypeTest.Generic00On.poet");
  }

}

redpajama_set_name: RedPajamaGithub


text:
The five most beautiful Swiss villages to discover by boat
The Local ([email protected]) • 9 Aug, 2022 Updated Tue 9 Aug 2022 13:40 CEST
Gersau is a beautiful city with great boat tours (Photo by Christian Guerra / @swissvillages)
Switzerland has beautiful villages and lakes which makes it a perfect country to discover and admire by boat. Here are five towns worth exploring from the water fronts.
Switzerland has 6 percent of Europe's freshwater reserves, and to confirm this you only have to look at the huge number of lakes dotting the Confederation.
Each of these lakes possesses a unique flair, and to discover them to the fullest we recommend a boat tour, starting from these 5 beautiful villages, all members of the "The Most Beautiful Villages in Switzerland" network.
1. Gersau - Lake Lucerne (SZ)
In the heart of Switzerland we find Lake Vierwaldstättersee, commonly called Lake Lucerne. Here, in a gentle green patch of land, lies the hamlet of Gersau. In ancient times this municipality was a tiny independent state, remaining the world's smallest republic until 1817, when it was annexed to Canton Schwyz. This region enjoys a Mediterranean micro climate, so it is not surprising to find a rich vegetation of exotic flowers and plants.
(Photo by Christian Guerra / @swissvillages)
From Gersau it is possible to take an unforgettable boat tour on Lake Lucerne to other neighboring villages such as Beckenried and Kehrsiten or directly to the city of Lucerne.
2. Saint Saphorin - Lake Geneva (VD)
In the Lavaux region, one of Switzerland's UNESCO sites, the charming old village of Saint-Saphorin can be found among the vineyards. A few houses gather compactly around the church of Saint Symphorien, which gave its name to the village, which was once called Glerula. The square in the old town invites tourists for a stop, perhaps to enjoy an excellent fish dish and sip a glass of local wine.
Saint-Saphorin overlooks Lake Geneva, the largest lake in all of Europe that bathes the Swiss and French coasts. From here it is possible to reach the cities of Vevey and Cully by boat and even go as far as Lausanne.
3. Ascona - Lake Maggiore (TI)
Ascona is one of the most popular and well-known destinations in Switzerland, thanks to its mild climate and Mediterranean atmosphere. The lakefront is full of restaurants and bars where to enjoy an aperitif, while in the old town center we find many boutiques, stores but also museums and exhibition centers of some importance.
Going up the hill we then reach Monte Verità: a fascinating place that once served as a meeting place for those who followed an alternative life away from the hectic daily routine.
From Ascona it is possible to take beautiful boat tours on Lake Maggiore to nearby destinations such as S. Nazzaro in the Gambarogno or to the Brissago Islands, which are home to the only island botanical garden in all of Switzerland.
4. Erlach - Lake Biel (BE)
Erlach is a unique village overlooking Lake Biel. In the upper part of the town we find the old castle, which now houses a museum and school, and beautiful houses that gradually descend to the shores of the lake, creating a picture-postcard view. All around, the vineyard takes center stage, and there is no shortage of several wine cellars where wine tasting can take place.
Lake Biel possesses a strip of land that stretches from Erlach for several kilometers to the island of St. Peter (now in fact turned into a peninsula), which was home for some time to the well-known philosopher Rousseau. From Erlach it is possible to reach by boat the beautiful villages of Le Landeron and La Neuveville, both members of the same network of "The Most Beautiful Villages in Switzerland".
5. Grandson - Lake Neuchâtel (VD)
On the romantic Lake Neuchâtel, it is impossible not to notice from afar the small town of Grandson. Of great note are its colorful houses and the old St. Baptist Church, a national historic monument. Walking through the narrow lanes we will find ourselves in many small squares and nooks that are decorated and well-kept and all with jaw-dropping views of the lake. Grandson's star is its immense 11th-century castle, which houses an outstanding collection of arms and armor.
Lake Neuchâtel is an ideal summer destination for cooling off in its clear waters. In Grandson, for example, there is certainly no shortage of lidos and green areas to relax. On board the boat you can take part in tours and discover the secrets of the lake's preserved shores.
You can find out more about these 5 villages and many others by downloading the official "Beaux Villages" app for iOS and Android.
#Discover Switzerland
The Local ([email protected]) 2022/08/09 13:40


A chilling debut novel--as terrifying as Rosemary's Baby--but with an intriguing twist for the '90s. The dark forces of chaos and destruction await the arrival of Dorothy Kite's child. They stand poised and ready--and no one is safe now. For so desperate was Dorothy to bear a child, that she made a deal with the devil. And now it's time for the evil one to collect.


text:
use CondorTest;
use strict;
use warnings;

my $cmd = $ARGV[0];
my $debuglevel = 1;

CondorTest::debug("Submit file for this test is $cmd\n",$debuglevel);

my $testdesc =  'Basic Parallel - Parallel U';
my $testname = "job_core_chirp_par";

my $aborted = sub {
	my %info = @_;
	my $done;
	die "Abort event not expected!\n";
};

my $held = sub {
	my %info = @_;
	my $cluster = $info{"cluster"};

	die "Held event not expected.....\n";
};

my $executed = sub
{
	my %args = @_;
	my $cluster = $args{"cluster"};

	CondorTest::debug("Parallel job executed\n",$debuglevel);
};

my $success = sub
{
	CondorTest::debug("Success: Parallel Test ok\n",$debuglevel);
};

CondorTest::RegisterExitedSuccess( $testname, $success);
CondorTest::RegisterExecute($testname, $executed);

if( CondorTest::RunTest($testname, $cmd, 0) ) {
	CondorTest::debug("$testname: SUCCESS\n",$debuglevel);
	exit(0);
} else {
	die "$testname: CondorTest::RunTest() failed\n";
}


text:
Visit insydo بالعربي
Tech & Products
There's an Unbelievable House of Mirrors in Kuwait
Imagine transforming your home into a work of art — using 70 tonnes of mirror. When it comes to unique experiences, Kuwait's under-the-radar Mirror House is unlike any museum you've ever visited. It's the brainchild of eccentric Italian-Kuwaiti artist Lidia Al Qattan and is the only house in the world covered entirely with mirror mosaic.
Lidia first began transforming her home in 1966, followed by the final completion in 2006. Today, guests are welcomed into her private home and taken on a unique journey straight into the artist's soul. The Mirror House was founded after Lidia moved to Kuwait when she married her husband; it is commonly known as the Khalifa & Lidia Qattan Art Museum. Let us show you around…
Learn more about the Mirror House and how to plan a visit
Kitchen Talks With Michelin-Starred Chef Vineet Bhatia
The Oscar-Nominated Lebanese Director Who Counts Oprah As a Fan
First Emirati in Space Will Inspire Dreamers Across the Middle East
Trash to Treasure: Turning Junk Car Parts into Funky Furniture
Hitting the Open Road With Harley Rider Chantal Asaad
There's an Unbelievable House of Mirrors in Kuwait
Meet the Animator-Director Behind the 'Arab Simpsons'
This Guy Got Hit by a Truck... Then Ran 30 Marathons in 30 Days
Eating P.F. Chang's... With Mr. Chiang Himself!
This Guy Just Created the World's First LED Handpan
Other videos from insydo
You Don't Want to Miss the DSF Action at The Outlet Village This Month
This is the World's Tallest Indoor Climbing Wall
Indoor Skydiving in the World's Largest Flight Chamber
An All-New VR World Has Opened in Mall of the Emirates!
Meet the 'King' of Kulcha...
Are You Ready For WAFI's Winter Games?
We're on a mission to create content that inspires people about experiences, places, products and people in the Middle East!
© 2020 insydo


Most of the wildlife sightings in Yosemite last week were fleeting. We saw a few deer crossing the road; we watched ravens scavenging; we heard the sounds of pileated and acorn woodpeckers and nothing more. But, on our last morning as we pulled to the side of the road to photograph from one of the famous photographic viewpoints of Half Dome that Ansel Adams used, a coyote in its thick winter coat was so intent on capturing its morning meal, a small rodent tunneling below ground, that our presence was not noticed. We were closer to these coyotes than we were to the wolf kill in Yellowstone, only a hundred feet or so. When Sadie, Moose's English Beagle who accompanied us on the trip, let out a loud bugling bark from the van where she was confined. I captured the look of the coyote as it turned its head to see where the threatening sound had come from.


text:
The Cincinnati Kid
The Cincinnati Kid (1965) dir. Norman Jewison
Starring: Steve McQueen, Edward G. Robinson, Ann-Margaret, Karl Malden, Tuesday Weld, Joan Blondell, Rip Torn, Cab Calloway, Milton Selzer, Jeff Corey
By Greg Klymkiw
These days it's hard to for me to watch Norman Jewison's The Cincinnati Kid without wondering about the picture that could have been if its original director Sam Peckinpah had not been replaced after only two weeks of shooting.
This, of course, is always the problem with knowing too much about a movie before you see it and why in recent years I've refused to watch trailers, read reviews and/or puff pieces and resist, as best I can, the onslaught of publicity accompanying virtually every new theatrical release. It's tough to do, but I've been pretty successful at having a relatively clean slate when I see movies now.
Not so with older films, though.
And knowing too much kept me away from The Cincinnati Kid for far too long.
My first helping of Jewison's thrilling, finely crafted ode to the world of back-room poker games was at the age of six or seven and I distinctly recall loving it for many years afterwards and trying to see it whenever it was replayed on television (uh, we didn't have home entertainment options other than broadcast television, kids, and some of us didn't even have cable television until we were in our teen years or older).
What I remember most is loving Steve McQueen. I can't think of any kids my age who DIDN'T love him. He was the antithesis to established stalwarts like John Wayne and even the up-and-coming (oh yes, there was such a time) Clint Eastwood.
Steve McQueen was cool! Super cool! His laconic, tight-lipped brand of manhood was what WE all wanted to be as red-blooded young males. The Duke was what we wanted our fathers to be and Clint was, well, Clint - a screen hero ON-screen, but untouchable as a persona - even in our imaginations.
Kind of like Jesus Christ.
With Steve McQueen, though, it was so easy to slip into his shoes in both fantasy and play. He was the modern man and most importantly, EVERY MAN. And damn, if boys did not want to be MEN! And the man we chose to be, the man we imagined we could be, was McQueen.
The other thing I remember loving as a kid was the WORLD of The Cincinnati Kid. Like The Hustler, it depicted cool guys smoking Marlies or Luckies, surrounded by gorgeous dames (yes, DAMES, not WOMEN) who adored them. And they played games for a living instead of working. And they played hard.
What wasn't to love?
As the years advanced, The Cincinnati Kid faded from my thoughts and Robert Rossen's The Hustler replaced it as the movie to beat in the men-who-play-games genre. This certainly made sense in terms of how my tastes developed - something about the hip, breezy mid-60s style of Jewison's approach to the tale began to pale against my discovery and re-discovery of late 50s on-the-sleeve male angst of Walter Tevis's novel of the poolhall-hustle and Robert Rossen's grim, sweat-drenched film adaptation.
In addition to this, I became increasingly obsessive with the work of Sam Peckinpah and upon learning that the iconoclastic genius had been the original director of The Cincinnati Kid, I immediately wanted to know more about THAT movie - a movie that didn't even really exist except in Peckinpah's mind and by extension, ours.
During most of my early adult life, the only information I could find on the matter was a handful of odd reports in the trades about how Peckinpah was behind schedule, over-budget and most of all, wasting precious shooting hours on lascivious nude footage of an actress in bed with Rip Torn, the co-star and chief villain of The Cincinnati Kid.
Peckinpah's firing from the picture led to a long period of inactivity. He had, as it turned out, become persona non Grata in Hollywood.
More years chugged by and long after Peckinpah's death, I continued to watch and re-watch his work, while through this time, all I could think about was how Peckinpah could have brought his penchant for the grubby grotesqueness of life to the world of hardcore poker players. God knows, Peckinpah lived life as mean and hard as the men in his films and looking at his most personal work, Bring Me The Head Of Alfredo Garcia, the mere IDEA of Peckinpah directing The Cincinnati Kid was enough to get me salivating.
In 2001, David Weddle's great book "If They Move, Kill 'Em - The Life and Times of Sam Peckinpah" was published and for the first time, it became clear what happened. Peckinpah was hired by one of the least creative producers in Hollywood.
An inveterate deal maker, Martin Ransohoff's company Filmways specialized in television commercials, and then rural-based TV sitcoms like "The Beverly Hillbilles", "Green Acres" and "Petticoat Junction" and years later, the long-running game show "Hollywood Squares".
Ransohoff initially thought of The Cincinnati Kid as a western with playing cards instead of guns and was thrilled to have Peckinpah, the director of the acclaimed western Ride The High Country on board. Peckinpah started the project that had no script save for a long treatment by Paddy Chayefsky. Eventually, the treatment was cobbled into a screenplay by Ring Lardner Jr. and Terry Southern. Peckinpah took the writing he liked best and made the movie his own. And as always, he did a lot of the writing himself - uncredited, of course.
Ransohoff, for his part, wanted to make - no kidding, these are his words - a "Popsicle".
Shooting in black and white, Peckinpah retained a labour riot from Ring Lardner's script, dehumanized the female characters - objectifying them - not out of misogyny, but as a realistic comment on this male-dominated sub-culture of high-stakes back-room poker and, as was Peckinpah's wont, he added higher levels of violence and sex.
What a movie!
It was, however, never finished.
Ransohoff viewed two weeks of rushes, declared them as "dour" and promptly fired Peckinpah.
Peckinpah's previous picture, Major Dundee - a film that had "masterpiece" written all over it until the moronic producer on that one, Jerry Bresler, took the picture away from "Bloody Sam" in post-production and butchered it - going so far as to maliciously and intentionally sabotage the picture and lay blame on its director.
Bresler obsessively chided Ransohoff in the early going of The Cincinnati Kid - claiming a "maniac" was now at the helm. Peckinpah ignored all stupid suggestions from Ransohoff (which, it seems, were ALL stupid) .
Once shooting began, Ransohoff never went near the set. He sent a bum boy to spy while he busied himself on deal-making for future productions and oversaw his myriad of television productions - no doubt spending an inordinate amount of time auditioning swine for the role of "Arnold the pig" on the series "Petticoat Junction". The spy told tales out of school to his boss - all of which have since been publicly refuted by all major players on the set.
For his part, Peckinpah staged a fight scene, a chase scene and a labour riot with 200 extras. According to numerous witnesses on-set, he latter sequence was brilliantly and efficiently shot in ONE DAY!!!
Hardly the work of an out-of-control maniac.
Alas, Ransohoff wanted his "Popsicle" and did what needed to be done. He hired Norman Jewison. Surely the director of 40 Pounds of Trouble and Send Me No Flowers was just what the doctor ordered.
Jewison, as it turned out, had no intention of making a "Popsicle". He had already made his fair share of cinematic frozen lollies (exquisitely wrought, I might add) and was ready for a change in direction. For Jewison, entertainment would be the order of the day, but not at the expense of drama nor capturing a sense of time and place.
Seeing The Cincinnati Kid recently on Blu-ray, I was delighted that it held up magnificently. Everything I loved about the picture as a kid was there - and then some. In fact, seeing it recently, I was - on one hand sorry I avoided seeing it again for such a long time, but on the other, I was delighted to have done so as it seemed as fresh, vital and entertaining as when I first saw it. (Added life experience - including a 4-year stint surrounded by gamblers as a bet seller at a racetrack and seeing a few thousand more movies both didn't hurt.)
Jewison himself refers to the picture as his "Ugly Duckling" - that special favourite that provided his crossover from early-60s rom-com purgatory to a world where he delivered some of the coolest and most important American pictures of the last half of the 20th Century (In the Heat of the Night, Jesus Christ Superstar, Rollerball, Fiddler on the Roof and Moonstruck).
This classic gambling picture stands on its own as one of the best of its kind.
McQueen plays Eric Stoner (nicknamed the "Kid"), a poker player of the highest order who is just as happy cleaning out dubious lower-drawer sleaze balls in crummy joints as he is in more upscale surroundings. In fact, he probably enjoys the sleazier games, but like all those who prefer a steady diet of tough, but tasty flank steaks, he needs a tender filet Mignon to remind him what his ultimate goals are - wealth and more importantly, total domination.
When the Kid finds out that primo gambler Lancey Howard (Edward G. Robinson) is coming to town, he asks his old pal Shooter (Karl Malden) to set up a match. Malden once held the top-dog spot until Lancey gutted him many years ago and has since built his reputation as an honest dealer and match-maker. Shooter promotes a warm-up round and pits Slade (Rip Torn), a local sleazy "businessman" against Lancey. Slade is gutted mercilessly. He blackmails Shooter to fix the deals in the Kid's favour to get revenge on Lancey.
When the big game comes, the Kid wins so many hands he suspects something's up. He confronts Shooter privately and not only demands fair deals, but - almost in retaliation - beds down Shooter's woman Melba (Ann-Margaret) and in the process, cheats on his own woman Christian (Tuesday Weld). When the next round begins, the Kid fixes it so that Shooter is retired from dealing. The wise-cracking old dame Lady Fingers (Joan Blondell) controls the deck. No cheating now. And the Kid begins his handiwork - winning hand after hand and gutting top-dog Lancey.
The final hand, to determine the ultimate winner, is one of the most thrilling set-pieces ever committed to celluloid in an American film. It's a scorcher - cards dealt, lots of sweat, billows of smoke, money piled up, poker faces betraying little, but extreme closeups of eyes betraying all. The cutting in this sequence, as it is through most of the film, is expertly rendered by editor Hal Ashby (who eventually went on to direct such classics as Being There, The Last Detail and Shampoo, to name but a few).
I love watching card games on film. Many critics complained that The Cincinnati Kid paled in comparison to The Hustler because pool was more visual and hence, more cinematic. What a crock! You either buy into the world of this film and, in particular, card playing - or you don't. Given the picture's success upon its first theatrical release as well as its staying power, the movie made card playing as thrilling as any sporting activity on film. In fact, there's only one picture that bests it in terms of on-screen poker playing - that being Martin Campbell's James Bond reboot Casino Royale with Daniel Craig. That's not a bad run. It took 40 years for someone to edge out The Cincinnati Kid in the poker-on-film sweepstakes and, I might add, only by a hair.
Jewison's picture soars on a number of fronts. With cinematographer Philip Lathrop and a first rate production design team, Jewison drains the picture of primary colours which delivers a unique and visually stunning antiquity. During the poker scenes, the blood red on the face cards jump out with far more power than any 3-D effect - overused with such abandon now - and it's this combination of light and design that delivers a contemporary flavour to the proceedings. So much so, that the movie seldom feels dated in terms of its mise en scene.
Only the 60s hair-dos of the female leads betray the period in which the movie is shot - but this, has more to do with the numb-nuts Martin Ransohoff and his desire for a "Popsicle" instead of a movie. In fact, one of the producer's arguments with Peckinpah was his insistence that the picture's focus should be on the love triangle between Steve McQueen, Ann-Margaret and Tuesday Weld (will Steve choose the "good" girl or the "bad"?).
Interestingly, Jewison seems as disinterested in the love triangle as Peckinpah was. For Peckinpah, women just didn't figure prominently in such a world (save for charming tough old birds like Lady Fingers). Again, this had nothing to do with a misogynistic view (an erroneous, easy and oft-volleyed criticism), but rather, Peckinpah's exploration of worlds that, by there very nature harboured misogyny.
Jewison appears to be a good sport about indulging Ransohoff's overwhelming aesthetic obsession - the ladies are there as eye candy. Nothing more, nothing less. In fact, the ending that appears on the Blu-ray release is NOT Jewison's preferred ending, but rather, Ransohoff's - which, idiotically attaches a happy conclusion to one of the love relationships and detracts from Jewison's powerful choice (closer, no doubt to Peckinpah's).
With a huge, fine cast all delivering to-die-for performances, The Cincinnati Kid is a wonderful movie. Edward G. Robinson (who replaced an ailing Spencer Tracy) turns his role of the wise old poker hand into one of the screen's most memorable characters. Robinson commands every shot he's in with the sense of power, confidence and gentlemanly style the role demands.
Karl Malden, always the stalwart supporting player - deftly blends the attributes he was most gifted with: the almost pathetic sensitivity of his "Mitch" from A Streetcar Named Desire and the roiling conflict of love and nastiness he exuded as Anthony Perkins's father in Fear Strikes Out.
Of course, Rip Torn - surely one of the greatest screen actors of all time - weirdly chews the scenery with, I kid you not, restraint. There's not one likeable thing about the character he plays and yet, when he's on-screen, it's impossible to take one's eyes off him.
Two blasts from the past (even by 60s standards in the nostalgia sweepstakes) manage to add mega-wattage to Jewison's picture. I loved seeing Cab ("Minnie the Moocher") Calloway - so dashing, so stylish, so cool! And a thorough delight is getting ganders at the sashaying, ballsy Joan Blondell as the hottest, sexiest MILF who ever dealt a straight-up hand of poker. Throw in a snake pit of ferociously brilliant character actors like Jack Weston, Milton Selzer, Jeff Corey and the rest - down to even the extras and background players who always look like they belong in the film's world - and you have a picture that sizzles as hotly today as it did in the 60s.
It's a lollapalooza!
Jewison has every right to be proud of it.
As for Peckinpah's version, all we can do is dream about the movie that never was, but could have been. After his firing from the picture, Peckinpah's life spiralled downwards. According to actor-director L.Q. Jones in David Weddle's book:
"It totally destroyed him for a long time . . . nobody would hire him, so he couldn't make movies. That's like telling a preacher he can't go to church. That's Sam's church. So what do you do? You go to pieces, which is what he did."
But years afterwards, Peckinpah directed The Wild Bunch.
He found his way back again.
Movie fans in Toronto, Canada will have an opportunity to see "The Cincinnati Kid" on a big screen in 35mm on August 12 at TIFF Lightbox during the exciting upcoming Norman Jewison retrospective entitled "And Justice for All: The Films of Norman Jewison". If you absolutely can't wait (or sadly, have no way of seeing the movie on a big-screen), "The Cincinnati Kid" is available on Warners Home Entertainment. The Blu-ray is a stunning transfer and beautifully captures Jewison's mise-en-scene and Philip Lathrop's great cinematography. One of the fabulous special features is a commentary track from Norman Jewison. Uncle Norman delivers great commentary. Along with Martin Scorsese, I'd argue Jewison's director commentaries are the finest wrought on all home entertainment mediums. He's seldom anecdotal, never dull and always full of great material on the art of filmmaking.
Posted by Greg Klymkiw at 07:00
Labels: 'Greg Klymkiw Reviews' , *** 1/2 , 1960's , Drama , Norman Jewison , Sam Peckinpah
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text:
Yahoo News Video
Afghan American activist helped thousands who were trying to flee Afghanistan
Arash Azizzada, a co-founder of Afghan activist groups in the U.S., says his organization worked around the clock to help citizens who wanted to flee the country after the Taliban declared victory.
ARASH AZIZZADA: I would say the past two plus weeks have been the most hectic in our collective personal lives. And I say that as an Afghan-American community organizer. But I think that's particularly true for a lot of folks in the Afghan diaspora. We've had to come together as a collective-- us in the Afghan diaspora, us in the private sector, veterans, volunteers, human rights activists, community organizers-- to figure out how to evacuate and get our loved ones and friends to safety and figure out a way to evacuate them. This has meant trying to figure out which Taliban checkpoints to avoid, as well as which gate is even accessible at the airport, figuring out what the immigration process looks like, and coming up to speed on the red tape that exists and the items that prohibit people from applying for asylum, whether it's in the United States, Canada, or in Europe.
But I think the only tools at my disposal were-- I had no resources. And the only tools at my disposal were my phone and my laptop and an internet connection. And that's what-- those were the things that we all, I think, used to do what we were trying to do. We're still getting messages from many, many people who feel left behind and abandoned, so just as a reflection of how many people we were able to help.
The kind of feeling that we're getting from folks on the ground, from conversations we had this morning is that people are increasingly hopeless, increasingly fearful of the Taliban. They feel abandoned by the West and the international community. The streets are empty. The banks have very little cash.
There is an impending-- there is both an economic crisis and a humanitarian disaster that is currently unfolding that will affect 38 million people. And those roughly 38 million people are afraid that the world's spotlight will soon move on from them and that they will be left to fend off for themselves under a repressive Taliban regime. And I think many, many people are fearful of what's going to come next.
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The L-Bomb
With Valentine's Day right around the corner I found it necessary to take a look at the relationships we've all had in the past, the present, and the future. There's never a guarantee in college life that you'll find the love of your life. I remember in high school my friend Megan spread out all of her acceptance letters on her dining room table, looked up and me and in all seriousness said, "Wow. I could meet my future husband at whichever college I choose to attend. This is more than an academic decision. This is my romantic fate." At the time I remember wanting to tell to her, "Meg, we've spent the past four years at an all girls high school. We're going to prom with guy friends and we had to make a down payment of beer to ensure they meet us with suits on! Who cares about meeting our potential future husbands?! I'm getting wet just thinking about the fact that for the first time since 8th grade I'm going to be sitting in class next to penis!" But of course I just smile and nodded. Because when you care about your friends enough, you keep the harsh reality to yourself, quietly.
Slowly but surely the penis sitting next to me in class turned into more than just a classmate, like most penises do. Eventually you develop a relationship with said penis, and if it's successful for a while you'll eventually fall in love. Here's a little secret: I have dropped the L-bomb three times in college. That's an average of 1.3 times in four years. Twice in which the L-bomb was reciprocated. Which is good because two of the three times I was hammered. And once I didn't mean it. So it really amounts to an average of once every two years. Like I said before, it was reciprocated twice and once met with a look of utter horror quickly followed by a look of shock quickly followed by going to the bathroom and never returning. Once it worked out, and once he worked it out with someone else.
"The L-bomb should never be dropped too soon. You never imagine the other person fleeing the building with limbs flailing."
But we're not here to discuss my L-bomb statistics. We're here to discuss its explosion. Some say the H-bomb is more powerful than the L-bomb. But in retrospect, no matter how much time passes, long after you graduate, when you're ten years into your 401K plan, when the memories of college have faded considerably, you'll always remember with amazing clarity where you were, what you were doing, and maybe even what you were wearing/drinking when the L-bomb was dropped, including the explosion and its aftermath.
There are some people who drop the L-bomb way too early in the relationship. You may have heard horror stories about someone dropping the L-bomb on the first date or even by the end of the first week. Let me tell you something, anyone who is releasing that L-word into the wild like that, letting it run rapid through the dorms, not worrying about how strong and powerful it is to hear it after only watching two movies and having lunch together with the person it was fired upon, is fucking creepy. That's why the L-bomb should never be dropped too soon. You imagine the person's reaction, the smile, the eyes widening, the comfort of knowing it is a shared feeling, but you never imagine dropping it and the other person immediately fleeing the building with limbs flailing, seeking safety in any shelter available (a friend's apartment, a car with a full tank of gas, or most convenient, a bar).
I've seen friends in love. It's sweet. I've seen friends bitter at the friends who are in love. I have seen friends who think they're in love with someone who doesn't love them. And I have seen friends who are relentless in the pursuit of falling in love. And who wouldn't want to be in love? The world really isn't that bad of a place when you're in love: the sky is bluer, the grass is greener, you're 20-page term paper won't be so hard, and hey, the food in the dining hall isn't all that bad. But pursing love is a dangerous game. It can lead to drunken rants in public areas when relations don't work out as planned. It can lead to long nights lying awake in bed wondering what you can do to make your lover see how f-ing amazing you are. It can lead you to complete and utter heartache and absolute confusion. In extreme cases it can even drive some men to read (while creatively editing) the book "He's Just Not That Into You." And love makes you do crazy things, but that's when you've reached the point of no return.
Once a guy drops an L-bomb, the immaturity of friends comes out of the woodwork. Normal conversations are now completely distorted into formidable exchanges regarding everyday affairs.
"Hey man, we're going to order a pizza, you want in?"
"Yeah I'm in."
"Alright I'm getting a large pepperoni."
"Awesome, I love pepperoni!"
"Really? You love pepperoni? Do you really love pepperoni? Do you wanna marry pepperoni? Do you wanna make sweet love to pepperoni? Do you love pepperoni all the way to the moon and back?!"
And you stand there knowing that until someone else in your group of friends does something as spectacularly entertaining as the L-bomb, this is how all the conversations will be like from then on out.
Love. They say it's all you need. But when you don't have it on Valentine's Day, love becomes your alcoholic beverage of choice. And let me make this clear once and for all: being single isn't all that bad. Being single on Valentine's Day isn't a big deal. Why some women make it this big sob fest, I'll never know. If Valentine's Day was the one day every year when everyone was herded into a big ark two by two and you had no one to pair up with and perished in a massive flood, then yes, being single on Valentine's Day would seriously suck. But you're single on the 13th, you're single on the 15th, you're single the day after that, and possibly the month after that. All you don't get on the 14th is a cheap box of chocolates and a free meal at a nice restaurant. Big fucking loss. You can wait 'til your birthday rolls around for that.
As a Valentine's Day single I refuse to be around anyone who sits inside with a big bowl of ice cream watching Titanic crying and aching for a love like Jack and Rose had. For the five of you out there who haven't seen the epic film, let me save you three hours of your life by giving you the shortened version and some notice. I'd just like to point out that Jack dies in the end, so anyone wishing to take a boat ride, have sex in a car located in the cargo area (of all romantic places), then freeze to death in the Atlantic ocean, well, I don't think we'd make it as friends.
Workisms
I think that every office building should have a fountain. For one thing, the subtle lapping of water has the power to calm even the most stressed. For another, people can chuck their pennies in and make wishes. Wishes that they might get the big promotion, wishes that the building would burn to the ground, wishes that their computer would spontaneously combust, thus extending their lunch. But most importantly every office should have a fountain where people can go drown themselves on Monday mornings. You know, just as a courtesy.
A week ago I didn't mind eating in the dining area in the building. The food seemed decent enough. Much better than what I was eating at Lawrence. But I can't eat there every day. You get sick of the same old stuff if you have to eat it every day for four years. The other day I found what I would like to believe was gray lint, but other suggested was mold, in my soup. Now I can never eat there again. But that's not the reason why I can't eat there. The truth is, I hit on a 19-year-old who works in the same building as me. In my defense, I didn't know he was 19 at the time. But we'd been making eye contact for a while and I gave him my number. When I suggested we meet for a drink, he told me he was underage. I promptly said this was never going to work out between us. But not before I made my friend Erin fling open the door to the smoking lounge and exclaim like a valley girl, "This isn't the dry cleaners!" Just to see if he was in there.
The other day my parents suggested that I get a job at Ed Debevics, which is a 50's themed restaurant where the waiters dress up in 50's stereotypes (think of the musical Grease), are rude to their customers, and have to dance every fifth song or so. It was really entertaining when I was younger, but the food isn't that good, and there's never any parking. Nevertheless, my mom recited (verbatim from the Optimistic Mother's Manual, I imagine), "It'll give you a chance to really develop a character. Show off your talent." Listen Mom, for $2.50 an hour plus tips, I'd rather show off my talent as Sandra "McStripster" Dee where I can dance on a table for $250 an hour and not have to serve overpriced burgers to tourists. And while the latter would make me financially independent, I don't plan on doing either anytime soon.
Jan Bear February 26, 2006
i love you!!
Kim February 20, 2006
I've fallen into the "happily engaged and sick of my single friends" phase. My fiance and I have been together 5 years and we've not only seen this kind of crap with our friends, chances are we did it in the early stages of our relationship. Scary. And he's 13 years my senior too! I honestly laugh at my single friends now. All it is is "Waaaahh! Men suck! Men are assholes! I hate being single! WAAAAHHHH!" Seriously, it gets depressing. Makes me want to chuck the pennies at THEM.
All right, enough of my blathering. Excellent stuff here. And most definitely amusing and true.
ian February 13, 2006
Great article. I definately fall into the "bitter at the friends who are in love/in relentless pursuit of love" category. and i told my Tanqueray and Sprite last night to "be mine forever."
dan February 13, 2006
my office has a fountain in the lobby where people can sit and eat lunch and take breaks. sadly it isn't deep enough, lol. the water isn't that calmingg.
Friedrich Nietzsche April 26, 2010
The only one i truly have ever love, is my penis and his friends. They complete me and make me very happy whenever i want. ;) True love :D
Guy #1: Do you feel like someone's missing?
Guy #3: Yes.
— Jon Aron


Editor's Note: In this short interview with Professor Peter Rodrigues, author Jakub Ciesielczuk teases out an analysis of the current refugee crisis in the context of Immigration Law and European Law. Practical aspects such as coping with large numbers of migrants and legal frameworks including the Dublin Regulation and limitations of national migration policies, all provide the theoretical backdrop to this particularly accessible interview with a leading academic.
Peter Rodrigues is Professor of Immigration Law and Chairman of the Institute of Immigration Law of the University of Leiden, and former head of the Research and Documentation Department at the Anne Frank House (Amsterdam). Professor Rodrigues has published widely on migration and statelessness. He is a member of the Dutch Standing Committee of experts on international immigration, refugee and criminal law (Meijers Committee) and the Chairman of the Dutch Association for Migration Research. From April 1995 until September 2000 he acted as Commissioner of the Dutch Equal Treatment Commission.
Jakub Ciesielczuk: The first question is very general: How should the EU deal with such a huge influx of refugees, such as the one we are currently facing?
Professor Rodrigues: The fact is that the number of refugees makes it extremely difficult for host countries to deal with it properly. The huge amount of refugees who have just arrived in Europe or are on the way, can be classified as an exceptional situation, therefore some exceptional rules should apply. However, primarily every individual refugee case should be analysed separately. Despite the huge number of refugees, the host countries still need to pay attention to individuals who may pose a threat to national security or simply cannot be classify as asylum seekers.
JC: Do you think that the European Commission's decision on emergency relocation of the refugees may trigger some conflicts within the EU, given that there is a strong disagreement between Member States concerning how to handle the refugee crisis?
Professor Rodrigues: I think that in light of the current crisis, the EU should face the situation with solidarity, given that it is one of its core principles. However, the fact that some Member States follow national migration policies rather than EU directives, has been happening since before the current crisis - Italy and Greece are examples. Unfortunately, many states seem to still seek to secure their national interests and policies rather than act collectively.
JC: Do you think that there is a strong conflict between the rule of sovereignty of the State and obligations under the EU law within the EU?
Professor Rodrigues: When the EU started focusing on migration policy in the context of the Treaty of Amsterdam in 1999, some human right lawyers feared that it would impose very strict regulations on Member States; we were aware of the delicate nature of these legal instruments. Nowadays we are in a position where European Law provides extensive protection for migrants, whereas many national legislation of Member States provide only very limited protection. Given the supremacy of European Law over national legislation such situation is unacceptable - Member States cannot simply lower certain agreed levels of protection for migrants. All the EU legal instruments regarding asylum policy, including EU Directives and Regulations, set up a minimum standard for dealing with migrants and that standard should be followed without exception everywhere within the EU.
JC: Do you think that the Dublin Regulation III, as a legal document regulating the flow of refugees, is efficient enough in coping with the current crisis?
Professor Rodrigues: Not at all. It was already not working properly before the current refuges crisis had even started. As we have seen in the judgment of the European Court of Human Rights in the case M.S.S in 2011 , the Dublin Regulation III is not applicable to Greece anymore. Moreover, there had previously been problems with the Dublin Regulation in Italy, Hungary and Malta.
JC: The Dublin Regulation provides that an asylum seeker has to apply for asylum in the first EU country they enter, and that same Member State is responsible for providing rights to that individual. However, there are politicians like Angela Merkel, who are explicitly inviting migrants to come to Germany, which seems to be in breach of the Dublin Regulation as it encourages migrants to travel across Europe and as a consequence it will in theory deprive the migrants of all rights. What do you think about that?
Professor Rodrigues: Indeed, that seems like a breach of regulation. However, at the same time politicians like Angela Merkel require solidarity and cooperation from all Member States and hope others will follow their approach. As I said before, the huge number of refugees is an exceptional situation and some exceptional measures should be taken.
JC: Do you think that any potential reform of the European Migration Policy is possible or desirable at the moment, and would it help in coping with the current crisis?
Professor Rodrigues: We have some relatively recent recast regulations like Qualification Directive 2011 and Dublin Regulation III 2013 and in my opinion it would be extremely hard to review these legal documents now because there would be no consensus as to how they should be amended. There is no certainty whether the States would opt for more extensive rights for migrants; on the contrary, some States could be willing to further limit current rights. In other words, political climate in Europe at the moment is not the best time for making any changes to migration policy. As we have seen in the decision of the Court of Justice of the European Union in the case MA v UK, proposals to amend the provisions of Dublin Regulation III, even those of very narrow scope such as those referring to unaccompanied minors, were rejected and opposed by States like Germany and the Netherlands. However, it is worth mentioning that the Temporary Protection Directive (2001/55/EC), which was created in 2001 following the uncoordinated response to the refugee crisis generated by conflict in the former Yugoslavia in the 1990s, seems to be an applicable solution to the current refugee crisis. Its purpose is to provide a framework and minimum standards for responses to the mass displacement of persons who are unable to return to their country of origin (for example, due to armed conflict).
JC: That was the last question. Many thanks for finding the time for the interview!
Casandra BordeianuCasandra's areas of professional expertise include fundraising, relationship building and development, and event management and delivery, with a particular focus on widening access to higher education through philanthropic giving.


I felt a tad reluctant to write another post about Craft & Vision so soon but this is worthy of a mention. They have announced a quarterly magazine called Photograph and Issue One is available for purchase from their website now. It's a little different from you'd normally expect from a magazine as it's purely a PDF download and without any advertisements. If you've previously bought any of the Craft&Vision eBooks before then you'll be in familiar territory as it continues pretty much in the same contemporary and classy style. The difference is that it contains many shorter articles from photographers with in the Craft&Vision stable but also features some equipment reviews and photographer portfolios.
Issue one features interviews and portfolios of Iceland pictures from Scottish Photographer Bruce Perry, a Burma and Hokkaido portfolio from Art Wolfe and pictures of Acadia and New England from Nate Parker, as well as articles from David duChemin, Andrew Gibson, Nicole S. Young, John Paul Caponigro, Martin Bailey, Al Smith, Jay Goodrich, Piet Van den Eynde, Younes Bounhar, Kevin Clark, and Chris Orwig. There are some brief gear reviews too including the Fotopro C51 Alu-Mag Professional Tripod, a prototype L-bracket from Vanderven, Radiopoppers PX Flash triggers and some Maha Powerex AA recharcheable batteries.
I'm not going to do a full review as I still haven't finished reading my issue but will direct you to one here at the www.pixiq.com website. I will comment however, and first impressions are pretty good with seemingly a lot on offer. I particularly liked the portfolio sections, and it's really nice to see a good selection of images included from each photographer rather than the paltry 2 or 3 you see in other periodicals, but I would have liked to see longer and more in-depth interviews. The equipment reviews are disappointing too, and I fear they will have to be far more detailed and practical to compete with the current photo journals. It's is however, just issue 1, so hopefully we will see further development next time around.
Priced at US $8.00 and with 133 pages it compares well to current UK monthly photography periodicals. You can currently subscribe for all four issues for just $24.0 until the end of November.


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text:
Drawing Insights: The Renderings of Peter Paul Rubens
Dutch artist Peter Paul Rubens is renowned for many aspects of his career, but when we at Nitram Charcoal hear his name, we think of his draftsmanship. Beyond his unique approach to the figure – most of us have heard reference to his "Rubenseque" forms – Ruben's drawings reveal the remarkable skill of the artist, his absorption of classical ideals, and his passion for Baroque intensity.
Bust of Pseudo-Seneca, 1600-1626. Pen and brown ink over black chalk Metropolitan Museum of Art, New York.
Born outside Cologne, Germany, in 1577, Rubens moved with his family to Antwerp early in his second decade. It was there that Rubens' artistic training began, and his inherent talent allowed him to excel quickly. Near the turn of the century, Rubens traveled to Rome to envelope himself in the artistic energy of the classical world, a visit that would transform his style from earlier Northern Renaissance rigidity to Baroque intensity and fluidity. By 1610, Rubens had returned to Antwerp and established his own workshop, which would grow over the subsequent decades to become one of the most popular and prolific in all of Europe.
A Study for Christ for "The Elevation of the Cross," 1610-1611. Black and white chalk and charcoal on light gay antique paper Harvard Art Museums, Cambridge, Massachusetts.
Underpinning this extensive practice, though, was the spirit of design that is visible in the substantial compendium of Rubens' surviving drawings. Channeling a remarkably varied range of themes and narratives, Rubens nevertheless expressed through them all an unyielding emphasis on the drawn image. Figural studies and preparatory compositions were lavished with the same level of detail as one would expect from a finished composition, revealing Rubens' immense talent in rendering complex and compelling works. This level of finesse was also a means by which Rubens could relay his concepts to his bevy of workshop assistants. By working in step with his rising recruits, Rubens could effectively train his workshop members while also encouraging their pursuit of their own technical genius.
Study of a Man, c. 1617-1618. Victoria and Albert Museum, London.
What is perhaps most fascinating with Rubens' drawings is that they give the viewer a snapshot into the artist's mind. In many of his drawings, highly finished portions, replete with subtle shading and delicate contours, are paired with more roughly sketched parts and gestural outlines. These juxtaposed zones offer the viewer an intimate insight into Rubens' design process, as if we can sense what aspects of the composition were most captivating – or perhaps most challenging – for him. From this perspective, Rubens' drawings offer a documentary history of his design abilities, and it is perhaps for this reason that his works on paper are as equally cherished as his larger oil compositions.
The Assumption of the Virgin, c. 1624 (rendered with the assistance of Paulus Pontius) Black Chalk/Mixed Media. The J. Paul Getty Museum, Los Angeles.
Are you a fan of Rubens? Enjoyed a recent exhibition of his works? What is your favorite Rubens work? Tell us about it! Save Save Save Save


text:
Helen Gahagan Douglas (ur. 25 listopada 1900 w Boonton, zm. 28 czerwca 1980 w Nowym Jorku) – amerykańska aktorka i polityczka, członkini Partii Demokratycznej.

Działalność polityczna
W okresie od 3 stycznia 1945 do 3 stycznia 1951 przez trzy kadencje była przedstawicielką 14. okręgu wyborczego w stanie Kalifornia w Izbie Reprezentantów Stanów Zjednoczonych.

Filmografia
 1935: Ona jako Ona, królowa Hash-A-Mo-Tep of Kor

Życie osobiste
Od 1931 była małżonką aktora Melvyna Douglasa.

Wyróżnienia
Posiada swoją gwiazdę w Hollywoodzkiej Alei Gwiazd.

Przypisy

Bibliografia

 http://projects.latimes.com/hollywood/star-walk/helen-gahagan/
 http://www.geoghegan.org/clan/helengahagandouglas/

Amerykańskie aktorki filmowe
Członkowie Izby Reprezentantów Stanów Zjednoczonych z Kalifornii
Demokraci (Stany Zjednoczone)
Urodzeni w 1900
Zmarli w 1980

redpajama_set_name: RedPajamaWikipedia