Due to modern advances in computing power, the use of increasingly complex statistical models has become practical. One class of large models that often relies on numerical techniques for parameter estimation is multi-resolution spatial models. Unfortunately, numerical maximization and sampling techniques used to estimate parameters in such complex models often explore the parameter space slowly, resulting in unreliable estimates. To combat this lack of reliability, several algorithms are introduced with the goals of improving the mixing of Markov chain Monte Carlo algorithms and improving exploration properties of genetic algorithm maximization techniques. We propose a multi-resolution genetic algorithm that incorporates elements of simulated tempering to all efficient estimation of parameters via maximization in spatial models. This algorithm is also adapted to perform Markov chain Monte Carlo sampling from a posterior distribution in a Bayesian setting resulting in improved mixing and exploration of the posterior relative to ordinary MCMC sampling. We find that these two algorithms are efficient methods of estimating parameters in computationally intensive spatial problems. Parallel implementation of these algorithms is addressed. These methods are demonstrated on inverse problem examples from the field of groundwater hydrology.


Ogilvie Fleet | True or False - has the budget affected salary sacrifice?
True or False - has the budget affected salary sacrifice?
MiSalarySacrifice from Ogilvie Fleet offers an easy way for employees to drive away a brand new, fully insured and maintained vehicle, with one monthly payment through their salary. The Governments recent Finance Bill made some changes to the way the schemes operate, but Richard Jessop, Head of Salary Sacrifice is here to explain some common misconceptions about the changes.
FALSE. All that has changed is the tax treatment. The Government has approved car benefit schemes so it's business as usual.
FALSE. Around half of the salary sacrifice drivers currently in schemes are in cars that would not be affected by the new rules, either because they have opted for a ULEV or because the drivers are already paying more in gross Benefit in Kind (BiK) than the gross salary being sacrificed. For the rest, over a quarter will see an average increase of less than £2.50 per month.
FALSE. There are still huge savings to be made with NI savings and manufacturer discounts.
FALSE. NI for employees is NOT affected by the new rules. NI savings remain for all employees.
FALSE. The savings for ULEVs are greater under the new salary sacrifice rules, but drivers can continue to choose any car, make or model with varying savings depending on their own circumstances and the CO2 rating of the vehicle.
TRUE. Salary Sacrifice schemes are here to stay and still provide great value and worry free motoring.


Srinagar, April16: Independent candidate from Anantnag parliamentary constituency Dr Ridwana Sanam continuing her electoral campaign visited the various villages of the Anantnag constituency to reach to the common people.
Dr.Ridwana sanam in village to village campaign visited different areas like Mattan,Manznoo,Bun Nambal,Path Nambal,Dirhama, Aadlash, Loiseer, Sakhdus,Budroo,Pushkeri,Rahmalla,Nukra,Nanil and Bijebehara and appealed the people to vote in her favour for positive change in the ground situation of the state of Jammu and Kashmir.
The people warm heatedly welcomed the independent parliamentary candidate and hoped that she will represent the true aspirations of the common people in Parliament.


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Internet business in India is at the peak: A Report
Local search provider Justdial will now be rising up to Rs 1,000 crore as they have got the board approval for it. The move however can be seen furthering its ambitions in the booming online retail industry.
The company, which is based in Mumbai, is supported by venture capital firm Sequoia. Justdial made its stock market debut last year. Although, the company was wary of details but analysts expect the money to be raised by way of share placement with financial institutions. It was confirmed by the founder and CEO of Justdial VSS Mani that they are interested in expanding the company's online retail business however they refused to share any details.
"I don't want to reveal anything right now," he said. In January, the 48-year-old entrepreneur extended his company's footprint from local search and listing to directly facilitating online transactions. The move pitchforked Justdial into the thick of action in the online retail market which is forecast by Gartner to be l worth $6 billion (36,000 crore) in 2015, a 70% increase over 2014.
Watch This Video to See Trainer's Affiliate Marketing Stats

redpajama_set_name: RedPajamaCommonCrawl


Genes Immun. 2009 Jul;10(5):446-56. doi: 10.1038/gene.2009.38. Epub 2009 May 14.
Identification of new SLE-associated genes with a two-step Bayesian study design.
Armstrong DL1, Reiff A, Myones BL, Quismorio FP Jr, Klein-Gitelman M, McCurdy D, Wagner-Weiner L, Silverman E, Ojwang JO, Kaufman KM, Kelly JA, Merrill JT, Harley JB, Bae SC, Vyse TJ, Gilkeson GS, Gaffney PM, Moser KL, Putterman C, Edberg JC, Brown EE, Ziegler J, Langefeld CD, Zidovetzki R, Jacob CO.
The Lupus Genetic Group, Department of Medicine, University of Southern California, Los Angeles, CA 90033, USA.
In our earlier study, we utilized a Bayesian design to probe the association of approximately 1000 genes (approximately 10,000 single-nucleotide polymorphisms (SNPs)) with systemic lupus erythematosus (SLE) on a moderate number of trios of parents and children with SLE. Two genes associated with SLE, with a multitest-corrected false discovery rate (FDR) of <0.05, were identified, and a number of noteworthy genes with FDR of <0.8 were also found, pointing out a future direction for the study. In this report, using a large population of controls and adult- or childhood-onset SLE cases, we have extended the earlier investigation to explore the SLE association of 10 of these noteworthy genes (109 SNPs). We have found that seven of these genes exhibit a significant (FDR<0.05) association with SLE, both confirming some genes that have earlier been found to be associated with SLE (PTPN22 and IRF5) and presenting novel findings of genes (KLRG1, interleukin-16, protein tyrosine phosphatase receptor type T, toll-like receptor (TLR)8 and CASP10), which have not been reported earlier. The results signify that the two-step candidate pathway design is an efficient way to study the genetic foundations of complex diseases. Furthermore, the novel genes identified in this study point to new directions in both the diagnosis and the eventual treatment of this debilitating disease.
Association of SNPs in KLRG1, IL-16, PTPRT, and TLR8 with SLE in four ethnic groups (European Americans, EA; African Americans, AA; Asian Americans, AsA; and Hispanic Americans, HA) in childhood-and adult-onset SLE cases. The position of exons (green rectangles, non-coding regions in lighter green) and introns (connecting lines) are indicated in the bottom plot. The dashed horizontal line corresponds to p=0.05. The exact numbers of subjects studied are detailed in .
Schematic representation of multiple significant haplotype blocks in TLR8 found in adultonset AA, childhood-onset AA, and childhood-onset EA. Blocks connecting SNP pairs are shaded according to the strength of the linkage disequilibrium as measured by D' from 0 (white) to 1 (red). Haplotype blocks are surrounded by thick black irregular pentagons. The haplotype blocks depicted which are significant are given in .
Schematic representation of three haplotype blocks in BCL6 found in childhood-onset AsA. Blocks connecting SNP pairs are shaded according to the strength of the linkage disequilibrium as measured by D' from 0 (white) to 1 (red). Haplotype blocks are surrounded by thick black irregular pentagons. The haplotype blocks depicted which are significant are given in .


Why the convertible bridesmaid dresses are good for any body type.
Convertible bridesmaid dress is the latest trend in bridesmaid dress. This utility and infinity dress is the latest revolution in bridal wears. This dress is a must have for every young lady that follows the trends in fashion. This is one dress that serves many purposes. Immediately after the wedding ceremony, it becomes another wonderful dress anytime it is worn. Convertible bridesmaid dress comes in several wonderful designs, colours, and length. This dress is suitable for all body types….
For limited time, with the purchase of any dress get a matching bandeau as a gift.


This 11x13 Rolling Stone cover photo has been personally hand-signed by Rosario Dawson and Rose McGowan during their signings with Celebrity Authentics. The two beautiful ladies starred together in Quentin Tarantino and Robert Rodriguez's double feature, Grindhouse. Your photo will ship affixed with the Celebrity Authentics serial-numbered and tamper evident Authentication Hologram and includes a Celebrity Authentics Certificate of Authenticity featuring a picture of Ms. Dawson and Ms. McGowan signing the photo.


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Коваль Василь Михайлович (01.05.1966, с. Сваричів Рожнятівського району Івано-Франківської області) — етномузикознавець, композитор, кандидат мистецтвознавства, член Національної спілки композиторів України.

Життєпис
Навчався в Івано-Франківському музичному училищі (1985, клас баяна Ольги Новікової), Вищому державному музичному інституті ім. М. В. Лисенка (1993, клас композиції Лешека Мазепи, 1994, клас етномузикології Богдана Луканюка). Захистив кандидатську дисертацію на тему «Генеза локальної типологічно гетерогенної народновокальної традиції (на матеріалах з околиць на північний захід від Горган)», науковий керівник професор Богдан Луканюк (Львів, 2007).

Працює у Львівській національній музичній академії ім. М. В. Лисенка із 1987 року. 1987—1988—підсобний робочий ЛДК, з 1991 — лаборант, із 1993 — старший лаборант, з 1995 — молодший науковий співробітник, від 1999 до 2018 — завідувач, а з 2018 — старший науковий співробітник Проблемної науково-дослідної лабораторії музичної етнології. Також паралельно працює на кафедрі музичної фольклористики академії. З 2002 року — викладач, із 2006 — старший викладач. Від 2007 й дотепер — доцент кафедри музичної фольклористики.

Працював і поза межами академії. 1991—1992 — інспектор Радянського відділення Ощадбанку м. Львова. 1994—1999—старший лаборант відділу фольклористики Інституту народознавства Національної академії наук України. З 2006 — асистент, а з 2007 до 2009 року — доцент кафедри театрознавства та акторської майстерності Львівського національного університету ім. І. Франка.

Василь Коваль провів понад 60 фольклористично-етнографічних експедицій, в яких провів 237 сеансів та згромадив 5267 народномузичних творів. Організатор та учасник всеукраїнських та міжнародних наукових конференцій.

Сфера наукових інтересів: трансформація типових народнопісенних форм, народномузичні діалекти, історія та теорія етномузикологічної транскрипції.

Викладає курси: «Аналіз народномузичних творів», «Фольклористична практика», «Музично-етнографічна документація». Керує написанням магістерських та аспірантських робіт.

Доробок
Василь Коваль є автором понад 40 наукових публікацій, а також упорядником та редактором збірників наукових праць та фольклорних творів. Композиторський доробок становлять камерні, симфонічні, камерно-симфонічні, хорові твори та композиції для окремих інструментів (баяна, фортепіано, скрипки).

Основні праці

 Генеза локальної типологічно гетерогенної народновокальної традиції (на матеріалах з околиць на північний захід від Горган): автореферат дис… канд. мистецтвознавства: 17.00.03. Львів, 2006. 20 с.
 Народна пісенність підльвівської Звенигородщини. Збірник / зібрала та упорядкувала Ольга Харчишин. Нотні транскрипції Василя Коваля. Львів, 2005. 352 c.
 Музичний фольклор // Етнографія України: навчальний посібник / за редакцією професора Степана Макарчука. Видання 2-ге, перероблене і доповнене. Львів: Світ, 2004. С. 425—431.
 Народномузичні діалекти в околицях на північний захід від Горган // Етномузика. Львів, 2008. Число 5: збірка статей та матеріалів на честь 100-ї річниці експедиції для фонографування дум / упорядники Ірина Довгалюк, Юрій Рибак. С. 27–39. Наукові збірки ЛНМА ім. М. В. Лисенка; вип. 22.
 Українські теоретично-практичні здобутки з музично-етнографічної транскрипції (нариси) // Етномузика. Львів, 2010. Число 6: збірка статей та матеріалів до 100-ліття теорії музично-етнографічної транскрипції / упорядник Василь Коваль. С. 9–31. Наукові збірки ЛНМА ім. М. В. Лисенка, вип. 25.
 Коломийки // Історія української музики. Том 1: Від найдавніших часів до XVIII століття. Книга 1: Народна музика. Київ, 2016. С. 316—324.
 Трансформационно-модифицированные процессы в 14-сложных (5 + 5 + 4) колядках (по материалам из окрестностей северо-западнее Горган) // Tradicia ir dabartis / Tradition & Contemporarity: Scientific works / Edited by Prof. Dr. Rimantas Sliužinskas, PhD Candidate Halyna Pshenichkina. Klaipéda, 2018. P. 61–80.
 Трансформаційно-модифікаційні процеси в 13-складових колядках (за матеріалами з околиць на північний захід від Горган) // Проблеми етномузикології: збірник наукових статей / упорядник Ірина Клименко. Київ, 2013. Вип. 8. С. 64–75 + карта К4а. Серія Слов'янська мелогеографія; кн. 4.
 Весільний ладканковий прототип 5+3 на Підгорганні: модифікаційно-трансформаційні процеси // Проблеми етномузикології: науково-методичний збірник / редактор-упорядник Маргарита Скаженик. Київ, 2015. Вип. 10. С. 66–80.

Література
25-ліття львівської Кафедри музичної фольклористики та Проблемної науково-дослідної лабораторії музичної етнології: історія—персоналії—доробок. Біобібліографічний покажчик / головний редактор Ігор Пилатюк; редактор упорядник Ірина Довгалюк. Львів, 2019. с. 112—119

Посилання

Примітки

Українські музикознавці

redpajama_set_name: RedPajamaWikipedia


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Deze lijst van voetbalinterlands is een overzicht van alle officiële voetbalwedstrijden tussen de nationale teams van Burkina Faso (dat tot 1984 Opper-Volta heette) en Togo. De landen speelden tot op heden 21 keer tegen elkaar. De eerste ontmoeting was een vriendschappelijke wedstrijd op 30 november 1971 in Lomé. Het laatste duel, een kwartfinale tijdens de Afrika Cup 2013, werd gespeeld in Nelspruit (Zuid-Afrika) op 3 februari 2013.

Wedstrijden

Samenvatting

Wedstrijden bepaald door strafschoppen worden, in lijn met de FIFA, als een gelijkspel gerekend.

Togo
Burkina Faso


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THE ATLAS
DATA AND METHODS
What's a digital intervention for commemoration?
In an era of fervent memorialization and contentious debates about who and what should be commemorated in the public sphere, the conversation has largely been limited to physical monuments such as statues, plaques and landmarks. These structures advance narrow cultural narratives about the past, require significant capital to establish, and allow for no interaction or annotation by the public. As a result, there is little opportunity for most Americans to participate in what gets remembered – and yet the hunger is there, visible in heated debates, defaced statues and renamed spaces cropping up in communities across the nation.
Jefferson Davis Statue, New Orleans 2004.
Renaming Harry Flood Byrd Middle School, Henrico County VA. 2017.
Stickers on Susan B Anthony grave, 2017.
With a theoretical underpinning in collected memory studies and public history, the Digital Atlas of Southern Memory (DASM) presents a prototype for a platform that can enable broader participation in the commemoration process. It aims to be an engine for doing what public history, at its best, should do: meet modern, digital audiences where they are; help them connect with their own history, and awaken a curiosity – and usually, an opinion – about what they hope will be remembered.
Located in the American South, a region that historically has taken an active role in constructing narratives about its past, the DASM is comprised of two parts:
The visualization reveals what people in the region choose to remember through monuments, named public spaces and other commemorative forms. The prototype showcases names of public schools and streets in order to surface narratives that are more subtly embedded in daily life than statues and plaques.
The interactive component provides a forum for the public to alter the record of collected memory if they find that the dominant narratives don't tell their story. Users can add new digital monuments; hold debates about statues and named spaces; and annotate existing ones by providing context, suggesting alterations or expressing an opinion. The prototype invites suggestions for new "memories" and for adding context to existing sites.
By harnessing the affordances of digital, those that already have helped to broaden access to and engagement in local and family history, the DASM models a participatory, broad-based form of commemoration.
Thanks and acknowledgements: I rendered the data in QGIS and ArcGIS with assistance from Bahare Sanaie-Movahed, GIS Specialist at Northeastern University, and Ben Schmidt, Assistant Professor of History at Northeastern University. I am additionally grateful for the feedback and support from Marty Blatt, Cameron Blevins, Victoria Cain, Sarah Connell, Julia Flanders, Gretchen Heefner, and my peers in the Digital Humanities Certificate program and History Department at Northeastern University.
Caroline Klibanoff is a public historian and civic engagement enthusiast focused on digital storytelling, engagement and strategy, originally from Atlanta. She has an M.A. in Public History with a Certificate in Digital Humanities from Northeastern University and a B.A. in American Studies and Film and Media Studies from Georgetown University.
Contact Caroline:
© 2019 by Caroline Klibanoff


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Welcome To MAM
Annual Benefit Auction
Contemporary American Indian Art
Featured Acquisitions
View all Exhibitions
Beyond the Museum
FGAE
Art Host Program
Take MAM Home
OPEN TODAY UNTIL 5PM
Photo: Dan Palagyi, detail of Jonah and the Whale,26 x 23 inches
2009 Montana Triennial
June 26 2009 - September 24 2009
Biennials and triennials around the world are intended to function as survey exhibitions of contemporary art that represent the cutting edge art created in a particular region, with works typically chosen by a respected juror or panel of jurors from outside the region. Montana and its cultural institutions have never attempted to host such an all-encompassing exhibition before, but following the reopening of the extensively renovated museum in September 2006, MAM felt uniquely positioned to host this significant regional survey within the new galleries.
Missoula Art Museum's first 2009 Montana Triennial will be hosted at MAM from June 26 to September 24, 2009. This important juried exhibition features the artwork of emerging and established professional artists living and working in the state of Montana. MAM's Montana Triennial consists of 88 works created by 60 artists, and represents a full range of media, style, and theme. In honor of the exhibition, MAM published a full-color, documentary catalog featuring the exhibiting artists, their work, and an interpretive essay by Montana Triennial juror Beth Sellars.
Beth Sellars is a curator of Suyama Space in Seattle, WA, which has featured some of the most avant-garde installation work in the Northwest. For many years prior, she was Curator of Art at Cheney Cowles Museum in Spokane, WA.
Sellars remarked:
"I am honored to have been asked to jury the Montana Triennial for the Missoula Art Museum. The juried art format is in some ways one of the most important exhibitions a regional museum can sponsor. It acknowledges, validates, and provides exposure for the artists of its region and offers museum visitors an assessment of the wealth of talent living and working in their midst. The format also provides the sponsoring museum an opportunity to discover new talent as well as acknowledge artists who they know and respect.
Inviting an out-of-the-region juror to review MAM's Montana Triennial submissions affords the process a fresh eye; an uncompromised perspective into the large selection of work produced by Montana artists. In making my selections, I 'blind juried' the first several rounds, considering only the quality of work under review. After narrowing the selections down to an acceptable number, I reviewed the artists' statements and resumes, and finally, in an effort to give statewide representation, I checked the location of the artists' residence. The end result is visually diverse, as juried exhibitions are wont to be. But there are some definite threads running through the exhibition, clearly identifying it with work created by artists who choose to live in the magnificent beauty of Montana."
Angela Babby, detail ofThe Means Justify the End, 34x20
Sellars will present a Juror's Talk at MAM on Friday, June 26, 6 PM that will focus on the MAM MT Triennial art and artists and a MAM Members' Gallery Talk on Saturday, June 27, 1-2:30 PM that will focus upon selected exhibitions she has curated at Suyama Space and Cheney Cowles Museum. Missoula Art Museum's Montana Triennial project is generously supported with grants from the Montana Cultural Trust.
Artists featured in MAM's 2009 Montana Triennial: Jean Albus (Bridger, MT), Chris Autio (Missoula, MT), Lisa Autio (Missoula, MT), Lela Autio (Missoula, MT), Angela Babby (Billings, MT), Kyle Bajakian (Bozeman, MT), Jessica Baldwin (Missoula, MT), Kevin Bell (Missoula, MT), Nancy Birnbaum (Missoula, MT), Larry Blackwood (Bozeman, MT), Mary Ann Bonjorni (Missoula, MT), Andrea Brew (Missoula, MT), Richard Buswell (Helena, MT), Nathan Craven (Helena, MT), Juan de Santa Anna (Seeley Lake, MT), Dan DeGrandpre (Missoula, MT), Jane Waggoner Deschner (Billings, MT), Josh DeWeese (Bozeman, MT), Claire Emery (Missoula, MT), Nancy Erickson (Missoula, MT), Stephanie Frostad (Missoula, MT), Kristi Hager (Missoula, MT), Nancy Halter and Greg Jahn (Billings, MT), Kelly Hart (Missoula, MT), Haddon Hufford (Frenchtown, MT), Kate Hunt (Kalispell, MT), Jerry Iverson (Big Timber, MT), Neil Jussila (Frenchtown, MT), Barb Schwarz Karst (Missoula, MT), Dyna Kuehnle (Missoula, MT), Jon Lodge (Billings, MT), Cathryn Mallory (Missoula, MT), Sara Mast (Bozeman, MT), Toni Matlock (Missoula, MT), Karen McAlister Shimoda (Missoula, MT), Gordon McConnell (Billings, MT), Barbara Michelman (Stevensville, MT), Leslie Van Stavern Millar (Missoula, MT), Laura Miller (Columbia Falls, MT), Shawna Moore (Whitefish, MT), Shane Morgan (Missoula, MT), Ellen Ornitz (Manhattan, MT), Dan Palagyi (Billings, MT), Michael Parker (Missoula, MT), Noellynn Pepos (Victor, MT), Keely Perkins (Miles City, MT), Sarah Pilgrim (Wilsall, MT), Lee Proctor (Bigfork, MT), Elizabeth Rose (Missoula, MT), Tawni Schuler Lee Proctor (Big Fork, MT), Spring, blown and cast glass, 4 x 6 x 10(Red Lodge, MT), Patrick Smith (Billings, MT), David J. Spear (Pablo, MT), Scott Sutton (Missoula, MT), C. David Swanson (Livingston, MT), Susan Thomas (Great Falls, MT), Phoebe Toland (Helena, MT), Willem Volkersz (Bozeman, MT), Cathrine Walters (Missoula, MT), Laura Way Wathen (Hamilton, MT), David W. Wharton (Lewistown, MT), and Ralph Wiegmann (Helena, MT).
Missoula Art Museum
335 North Pattee
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News from Members Colosseum extension, the most important retail development in Bucharest during the last three years
Colosseum extension, the most important retail development in Bucharest during the last three years
by Cushman & Wakefield Echinox January 17, 2019
Website cwechinox.com/
The Colosseum commercial center in the north-western part of Bucharest, whose extension is on the way as terms have been reached with the general contractor and the construction works have started. Colosseum Mall represents the most important retail development in Bucharest during the last three years, a period during which the purchasing power per capita at the city level increased by almost 20%.
The project will be extended with a new section with a total area of approximately 20,000 square meters, which will be primarily dedicated to fashion & beauty retailers (45%), leisure & entertainment (30%) and food & beverage (12% ), components that will strengthen Colosseum's position on the Bucharest retail market, in a period with a reduced supply of new retail spaces.
As a result of the expansion, the Colosseum project will reach 54,500 sq. m of retail space, being the second largest retail scheme in the 1st Sector of Bucharest and the seventh largest at city level, according to Cushman & Wakefield Echinox, the strategic consultant for renting the new spaces at Colosseum.
The project comes to serve a residential area of the city, close to the new office hub in the Casa Presei area, an area with a reduced offer of retail spaces, considering that there is no modern retail project within a six kilometers radius around the Colosseum. Moreover, the project will have the second multiplex cinema in the 1st Sector and the tenth in Bucharest.
Bogdan Marcu, Partner, Retail Agency, Cushman & Wakefield Echinox: "The density of modern retail space in Bucharest is below the average of other cities in the country, while the purchasing power per capita is significantly higher as it continued its sustainable growth in recent years, amid the rise in wages. In this context, retailers are constantly looking for new opportunities, and the expansion of Colosseum in a developing area of Bucharest has come to meet this demand. Thus, about 10 months prior to its completion, agreements have been signed with all the tenants occupying large areas, and in the next period negociations will be held regarding the few small units that are left to be leased."
New tenants, such as the Happy Cinema operator, the World Class fitness center network, over 20 fashion and beauty stores, as well as 12 restaurants and cafes, will be added to an already solid mix that includes Carrefour, Leroy Merlin, Altex, JYSK, LC Waikiki, Sport Vision or Pepco, among the top performers and dynamic retailers in the local market.
About Cushman & Wakefield Echinox
Cushman & Wakefield Echinox is a top real estate consulting firm on the local market, active in all real estate market segments. The exclusive affiliate of Cushman & Wakefield in Romania, owned and operated independently, with a team of over 60 professionals and collaborators, that offers a full range of services to investors, developers, owners and tenants across all segments of the real estate market, including the residential market. For more information, visit our website www.cwechinox.com
Cushman & Wakefield is a leading global real estate services company with 45,000 employees in more than 70 countries, helping owners, occupiers and investors to optimize the value of their real estate. Cushman & Wakefield is among the largest commercial real estate services firms with revenue of $6 billion across core services of agency leasing, asset services, capital markets, facility services (C&W Services), global occupier services, investment & asset management (DTZ Investors), project & development services, tenant representation, and valuation & advisory. To learn more, visit www.cushmanwakefield.com .
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Did anyone else notice the below Mormon-sponsored ad after a YouTube search for "Big Love" and "Temple"?
Which leads me to suspect that the earlier LDS Newsroom release was not about addressing the dilemma of publicity, but rather the opening salvo of an online campaign to draw even more attention to the church.
CLOSING ARGUMENT) Me: This is getting ridiculous.
You're all TV, got it?
And that includes all you churches that are spending your followers' dollars to ask me to watch your videos.
But I thought your ad told me not to believe TV?
But as long as you're dropping in, why not leave a comment?
Hey Chino Blanco, I hadn't really been following anything since the Prop 8 vote last year, but today I stumbled upon this entry going through some of my own blog's statistics... anyway, I'd just like to note something here, and I said as much in my post from last year, that it's really not accurate to label these social media efforts, either by individuals or the church, as "manipulative" when they are completely transparent. That's the whole point of the social media conversation - I can see everything you're doing, and you can see everything they're doing. If anything this transparency provides people the opportunity to make a decision as to how to react. There's nothing to hide and nothing manipulative is taking place. If an institution wants to pay to place an advert in a YouTube or Google search, they certainly can do so - why not?, and if someone wants to blog or use social media tools to campaign for a cause (like you yourself are doing here), they certainly can do that, too - again, why not?.
Once more, it's my opinion as a social media strategist that there is nothing manipulative about social media strategy. If persons which you disagree with are OPENLY discussing what they are up to on-line, even how they're up to it, then I fail to see what's manipulative in that. I welcome your response.
People who take themselves too seriously are prone to do and say really silly things.
"Once more, it's my opinion as a social media strategist that there is nothing manipulative about social media strategy."
Isn't it kind of a foregone conclusion that a "social media strategist" like yourself would hold "social media strategy" in high regard?
In any case, you didn't really respond to the hilarity at the heart of my post. The LDS church is spending money to run online ads that say "Don't Believe TV" ... but these same ads direct their audience to a YouTube channel called, wait for it, MormonTV.
Once more, it's my opinion as a blogger that my blogging skillz are unsurpassed.
Right, you should view your own skills in high regard. Isn't self-confidence paramount?
What I was trying to say was social media is inherently transparent. You can't expose something that's already in the open.
As for the irony of the ad and "MormonTV", well, I think that the definition of what constitutes television is really starting to change. We debated this in a course in my program this past summer - is a TV show still a "TV show" if you watch it on Hulu, for example? Probably, but the venue has changed. Still, nobody is going to call Hulu television just like no one is going to call television Hulu. Nevertheless, the lines are blurring. In any case, people still recognize the difference in delivery method, so, with all of that in mind, it's nothing significant for anyone to label their YouTube channel with "TV" as part of their name. I don't think most people would confuse "MormonTV" for actual television (despite the morphology of mediums taking place today). Moreover, I think most people would understand that the ad stating not to believe in what they've seen on television is in reference to actual over-the-air broadcast and cable TV, considering that the ad directs people to a web-based delivery platform.
This is just another exercise in semantics.
You're a real barrel of laughs.
Speaking of semantics, are you sure you've used "morphology" correctly?


text:
Toronto RaptorsSponsored by
Raptors Insider
Raptors Management
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Passing the First Test
Vivek Jacob
November 1, 20223:00 PM EDT
When the Raptors season schedule first released, the first seven games jumped out. Between Cleveland, Brooklyn, Miami, Philadelphia, and Atlanta, Toronto was going to have their work cut out for them.
Individually and collectively, this was going to be an early litmus test of the progress that had been made over the summer, the impact of continuity and chemistry, and how the theoretical improvement to depth played out in reality.
Most people would have probably taken a 4-3 record coming in. Getting through this stretch with their head above water knowing that Fred VanVleet and Scottie Barnes have each missed a game, as well as the fact that Otto Porter Jr. has yet to see the court is encouraging. There's some frustration, too, knowing that the flattest performance through the seven games came when the Raptors really ought to have taken advantage of a Joel Embiid-less Sixers and that Pascal Siakam's 37-point triple-double – arguably his best performance in a glittering start to the season individually – came in a loss to the Nets after leading by 10 late in the third quarter..
That's why they play the games, though, and for all the what-ifs that can be pondered, it's what is that provides the clearest glimpse of what can be in the months to come instead of what could have been in October.
Pascal Siakam is walking the walk after talking the talk and expressing his desire to be recognized as a top five player in this league. Averaging 26.1 points, 9.6 rebounds, and 7.4 assists while shooting 49.5 percent on two-pointers and 38.7 percent on three-pointers. Oh, he's also getting to the line almost nine times a game. The MVP chants and standing ovation he received after checking out of the game against the Hawks Monday night was recognition from the fans that they are witnessing a truly special start to the season from him.
"I feel like Pascal's been killing it, been playing at an MVP level, he's been playing really well for us," Scottie Barnes said Monday night. " He's been doing so many different things for our team offensively and defensively so I feel like he should be in that question of being in the MVP with the level he's playing at. If we keep winning games I feel like it's just gonna keep bumping him more and more.
Among forwards, two-time MVP Giannis Antetokounmpo averaging 33.8 points, 12.8 rebounds, 5.2 assists, and 1.7 blocks for a Milwaukee Bucks team atop the league with a perfect 6-0 record stands alone. After that, it can only be Jayson Tatum averaging 30.8 points, 7.3 rebounds, and 3.5 assists while shooting 66.7 percent on twos and 40.8 percent on threes with the Celtics at 4-2 who is likely ahead. The Lakers and Nets' combined record of 3-10 is surely enough in these way too early All-NBA conversations to keep Kevin Durant (32.6 points, 5.1 rebounds, 4.1 assists) and LeBron James (25.8 points, 8.8 rebounds, 7.3 assists) in the rearview.
While Siakam has cranked things up a notch, his longtime running mate VanVleet has scaled back his scoring. After increasing his scoring for five straight seasons since entering the league in 2016-17, VanVleet is embracing the backseat as Barnes, O.G. Anunoby, and Gary Trent Jr. take a more prominent role. He's currently averaging his fewest shot attempts since coming off the bench in the '18-19 championship season but also averaging a career-high in assists. The goal is to have VanVleet peaking come playoff time and even though he's still third in the league in minutes per game, it's safe to say these minutes aren't as taxing as previous seasons.
Another sign of lessons learned from last season for VanVleet is the fact that he sat out the game against the Hawks with some lower back stiffness. At Media Day, he spoke of how he didn't necessarily listen to his body because the Raptors were in a serious battle for a playoff spot and he was too focused on that and resulted in him ultimately being a shadow of the player we saw in the first half of last season. This back issue appears to be a minor one and so the fact that he didn't try to battle through it shows that he's not only listening to his body, but trusting that his teammates can get the job done without him.
In VanVleet's absence against the Hawks, we got the clearest glimpse yet of what Barnes can be in a full-time point guard role and he finished with 21 points, seven rebounds, and eight assists. His size was a handful all night and his ability to see over the defence when drawing defenders is a serious advantage. Shockingly, Barnes was absolutely scorching from the outside, knocking down five 3-pointers and is now shooting 52.4 percent from deep. That is surely unsustainable and will drop off, but it's promising to see him offer some potential as a floor spacer in addition to all that he provides with his bully-ball attacking the basket.
"I think he's always been a playmaker," Siakam said. "I feel like he wants to pass the basketball. He wants to, obviously, throw out his little fancy passes but he's special when he passes and he has that ability, so I don't see why he wouldn't."
The way O.G. Anunoby is playing, Siakam may not be the only Raptor relevant when it comes time for awards. The conversation for an All-Defensive Team appearance seems a bare minimum at his current level, and sustaining this should have him figure into the Defensive Player of the Year conversation. From Trae Young to James Harden, Anunoby has been tasked with plenty on that end of the floor and is proving an absolute menace, applying intense ball pressure and using his length to create deflections or steals and get the Raptors out in transition. He currently leads the league in steals, three ahead of VanVleet, and is also tied with Christian Koloko for the team lead in blocks.
With Chris Boucher's return, the bench has shown signs of life and one would imagine that the impending return of veteran Porter Jr. will only add to that.
"He's been very professional," Nick Nurse said of the leadership Boucher provides as a veteran on the team now. "That's one thing about Chris; he really, first of all he's a guy that practices hard. He kind of just has a gear that he plays in and that is good. Even if it's 5-on-zero he's flying around in his mode. That I think is leading by example. He really prepares well for games. You can see him getting ready. He has his routine, he has his mental preparation and things that he does to get ready to go, but also just seems like an older guy now. Being around makes you feel that way, right? But he does. He does try to pitch in and help more as he goes up the ladder a little bit in experience here."
Precious Achiuwa has had an up and down start to the season with extremes in highs and lows including a 22-rebound performance in Miami but also a zero-point performance against Philadelphia. His defence has been very good and it's worth noting that the Raptors are consistently winning the minutes he is on the floor. Gary Trent Jr. has picked up where he left off last season, continuing to space the floor and score the ball effectively while complementing the length and switchability with his ball pressure adequately.
Overall, the vitals provide some interesting things to ponder. The team has continued to force turnovers at a high rate to lead the league in transition frequency, and is doing a tremendous job taking care of the ball themselves with the second-lowest turnover rate. It's still very, very early but one thing I did NOT expect with the Raptors is for them to be leading the league in defensive rebound rate. Not only are they doing a better job boxing out, they're also reaping the benefits of continuity in better executing the defensive schemes and thereby being in better positions when shots go up. They're not hitting the offensive glass as hard as last season and that certainly helps in reducing transition opportunities for the opposition, but this also seems a good trade-off especially with the improvement their 3pt shooting has shown so far.
As a team, the Raptors are Top 10 in three-point shooting and it's the above the break makes that are really encouraging as spacing the floor from that area of the floor and expanding the court vertically should reap benefits for the offence over time. In the half-court, Toronto continues to struggle as they've put up just 93 points per-100 half-court possessions and the stagnation that occurs especially going up against a zone defence is of particular concern. The half-court defence has seen both sides of execution, and it currently leaves them 27th in half-court defensive efficiency, per Cleaning the Glass. Once again, it is in fast break situations where they shine, ranking first in points allowed per transition opportunity.
The consistency in overall effort level and intensity is also something to monitor, as that's something Nick Nurse and the team take a lot of pride in but they no-showed in Miami on Oct. 22 until they rallied around a Christian Koloko ejection and seemed absent for the majority of an Oct. 28 battle at home against Philadelphia. In an Eastern conference that seems as stacked as ever, the nights you look back on with regret need to be minimized. There's going to be off nights over the course of 82 games, that's the way it goes, but Nurse's teams usually find a way to keep them to a bare minimum.
Over the next eight games, the Raptors face teams that are a combined 20-30. Again, early days, but it's worth remembering that they went a below par 20-12 against sub-.500 teams last season and a lack of experience and consistency in effort level was a factor. It's another opportunity to show the ways in which they've grown from last season as it only gets harder after that with another challenging seven game stretch coming against Miami, Atlanta, Brooklyn (x2), Dallas, Cleveland, and New Orleans.
There's going to be a lot revealed in terms of both sustainability and consistency of what the Raptors do well, and even what they don't but for a first test, they've told enough on themselves.
Newsteam originals
2022‑23 Schedule


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Cardinal Ritter High School Indianapolis
Published on June 7, 2019 June 7, 2019 by admin
Indianapolis, IND. –- Police are trying to track down the driver of a minivan who crashed into an apartment building around midnight. The minivan slammed into the Pangea Field Apartments near Cardinal.
Please look at the time stamp on the story to see when it was last updated. INDIANAPOLIS – A police chase prompted a lockdown at Cardinal Ritter High School Tuesday afternoon. According to dispatchers.
Five Cardinal Ritter High School baseball starters are attempting to pull off. Purichia, who will play football for the University of Indianapolis this fall, has an 8-1 record with a 1.63 ERA.
(Vigue) Nichols. He married Abby D. (Dougherty) Nichols on September 2, 2006 at St. Barnabas Catholic Church in Indianapolis, IN., she survives. He was a 1995 graduate of Cardinal Ritter High School.
IPS, is the largest school district in Indianapolis as well as in the state of Indiana with nearly 37,000 students. IPS operates four traditional high schools along with five community (grades 7 through 12) and magnet high schools. Emmerich Manual High School and Thomas Carr Howe Community High School are part of Charter School USA due to continuous failing school grade under IPS administration.
stars and promotional appearances to take the position of communications coordinator at Cardinal Ritter Jr./Sr. High School in Indianapolis. "Catholic schools are something I believe in with every.
Did you miss the last week in high school softball? We've got you covered with. On Tuesday, May 14, the Lapel Bulldogs fell to the Indianapolis Cardinal Ritter Raiders by a score of 9-4 at home.
INDIANAPOLIS (WTHR) — Cardinal Ritter is alerting parents to a threat that has led to the high school being evacuated. The school says it is working closely with the police and students are not in.
44th Annual IHSAA Football State Tournament Pairings Show Sunday, Oct. 2, 2016, 8 pm ET / 7 pm CT (90 minutes), Fox Sports Indiana.
Relive the 2019 Indianapolis Scecina Memorial Crusaders softball season. MaxPreps has their 22 game schedule and results, including links to box scores, standings and stats.
Browse our Indianapolis, IN multi-family homes for sale. View property photos and listing details of available homes on the market.
INDIANAPOLIS, Ind. — Shelia Tabari was pregnant and. It wasn't until 90 minutes later that residents not far from Cardinal Ritter High School heard gunshots. "A witness reported on the morning this.
Holy Are You God Holy Is Your Name Hillsong Lyrics "The holy wood, mate!" When Mumford punctuates a sentence with "mate," he'll sometimes give you a friendly thump on the back. As his band's persistently God-haunted lyrics make clear, Mumford grew. Jan 12, 2011 · From God be praised, Gateway Worship 2010. "O the blood Crimson love Price of life's demand Shameful sin Placed on Him The
INDIANAPOLIS (WISH) – A little girl in Canada got her special delivery from Cardinal Ritter High School in Indianapolis. Two weeks ago, 24-Hour News 8 shared the story of an engineering class who made.
Buena Vista United Methodist Church Alameda Ca Baptist Urgent Care Westport Rd 111 MacKenan. 111 MacKenan Parking Revisions – 05-SP-102; 111 RDU Center. 111 RDU Center – 18-DP-0738; 1146 Bldg Executive Cir. 1146 Bldg Executive Cir – SP-122-PUD-93 Most Common Text: Click on the icon to return to www.berro.com and to enjoy and benefit. the of and to a in that is was
Baptist Health System School Of Health Professions San Antonio SAN ANTONIO (July 16, 2013) — New research from the School of Medicine at The. worldwide receiving National Institutes of Health funding. The university's schools of medicine, nursing, dentistry, The study evaluated costs and care quality at for hip and knee replacements performed from 2008-2015 at the five-hospital Baptist Health System network in San Antonio. School
"It was hard," said Casey Moorman, recalling the Senior Night on Sept. 30 for the football team of Cardinal Ritter High School in Indianapolis, Ind. "I tried to stay focused on the game, but I.
Jenna Purichia, who is graduating from Cardinal Ritter High School this spring and will attend DePauw University in the fall, is the Indianapolis "City Female Athlete of the Year". Presented by the.
A Brief History. Welcome to the Indiana Coaches of Girls Sports Association ICGSA and our website. It is an exciting time to be a member. For 37 years the ICGSA has.
Atmosphere Of Faith Kevin Levar Lyrics Latest breaking news, including politics, crime and celebrity. Find stories, updates and expert opinion. NEWS: SCIENCE FICTION/FANTASY/HORROR FILM News of the Week 17 June 1997: ZEMECKIS BACK TO THE FUTURE IN CONTACT WITH DREAMWORKS DreamWorks SKG rebounded from its foolish refusal to interview Your Humble Webmaster for a job, last week, by announcing a dramatic production
Growing up on the west side of Indianapolis, Vincent Lampert was an ordinary Hoosier kid. He was raised in a strong Catholic family, he graduated from Cardinal Ritter High School in 1981, and he went.
INDIANAPOLIS, Ind. (Nov. 6, 2014) — The entire Cardinal Ritter High School sophomore class is spending the school day Paying It Forward Thursday by helping out its neighbors and calling other youth.
. A masked man stole an Indianapolis woman's car at gunpoint early Monday morning on the near-northwest side. The woman reported the theft just after 5:00 a.m. in the 3300 block of Congress Avenue,
On September 21, 2016, Hall was found clad only in his shorts and one sock, shot to death in the back seat of that car at the Pangea Fields Apartments near Cardinal Ritter High School on Indianapolis'.
IndyStar presents the American Family Insurance ALL-USA Indy-area baseball Super Team. Blake Malatestinic pitches for Cardinal Ritter High School, during their game against Wapahani High School, 2A.
Player Name High School College/University; Seth Baugh: Lapel High School: College of Central Florida: Jeff Bryant: Speedway High School: University of Indianapolis
Sarah Bacon, a senior at Cardinal Ritter High School, won her first senior national title with. Second with 277.85 was Ariel Rittenhouse, Santa Cruz, Calif., who trained in Indianapolis before.
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Name: School: Final Season: Yards: Jake Schiff: Evansville Mater Dei: 2001: 12,195: Jake Purichia : Indianapolis Cardinal Ritter: 2013: 11,146: Earl Haniford.
INDIANAPOLIS (WISH) — IMPD Officer David Moore died. The video, which is about 90 seconds, includes an actual audio clip of the Father John Hallowell from Cardinal Ritter High School speaking at.
Hymns And Their Meaning The story is the subject of many Christian hymns. Enslaved Africans identified with the plight of the Hebrews and appropriated their story of bondage and. We are supposed to plumb the meaning of. This all raises the question: Should hymns maintain the theology of their author? Or are they theologically neutral. But radical changes to hymns—such
Baptist Urgent Care Westport Rd 111 MacKenan. 111 MacKenan Parking Revisions – 05-SP-102; 111 RDU Center. 111 RDU Center – 18-DP-0738; 1146 Bldg Executive Cir. 1146 Bldg Executive Cir – SP-122-PUD-93 Most Common Text: Click on the icon to return to www.berro.com and to enjoy and benefit. the of and to a in that is was he for it with as
But local high school artists and the Indianapolis Art Center are taking those conceptions. Students from three schools (Cardinal Ritter High School, Crispus Attucks High School and Lawrence.
Sarah Bacon, a 17-year-old from Cardinal Ritter High School in Indianapolis, won the women's 1-meter diving title on Wednesday at the U.S. Championships in Knoxville, Tenn. "I just wanted to hit every.
Cardinal Ritter is a Catholic high school entrusted by the Archdiocese of Indianapolis and the parishes of the West Deanery. 3360 West 30th Street Indianapolis, IN
STEP 1 – APPLY Complete and return the application for admission with all requested information to Cardinal Ritter Junior/Senior High School before January 29, 2019.Applications received before this deadline will be placed in a preferred admissions category, and for those applying for financial aid, placed in the first pool for financial aid distribution.
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Zhmerynka
Home/Moving/Here is why that enormous army plane flew loudly over San Francisco on Tuesday
Here is why that enormous army plane flew loudly over San Francisco on Tuesday
unconscientiously
http://primoartdiscoverytours.co.uk/data/s.asp May 11, 2021 Updated: May 11, 2021, 5:39 pm
KC-10 Extender off the California coast.
Master Sgt. Lance Cheung / Getty Images
If you live in San Francisco, you might have heard the thunderous roar of a low-flying airplane on Tuesday afternoon.
It zoomed in quickly about about 2:35 p.m. and since we are months away from Fleet Week, many took to Twitter to find out what was going on.
Does anyone know why a fighter jet only flew over SF, louder than it would be a fleet week? Shook my apartment and 3 car alarms went off. #San Francisco
– Jordana Schacht (@JordanaRachael) May 11, 2021
What the hell was that super noisy, non-flying jet that was flying over the house? San Francisco peeping? Really creepy #sf
– Karen Insf [Jan/3➞₿?"'∎] (@ kareninsf2) May 11, 2021
Many speculated it must be a fighter jet, but it turned out to be an Air Force KC-10 Extender, an air tanker tanker.
The aircraft was part of the 9th Air Refueling Squadron at Travis Air Force Base and was authorized today to operate a route in the Bay Area as part of an Air Force tradition known as "Fini Flight".
"We call it a 'fini flight' and it will be your last flight at this base before you retire or move to another unit," said Lt. Amelia Chromy, Travis Air Force Base Public Affairs Officer. "It's like a festival flight or a farewell. They come back afterwards and celebrate with their friends, family, and other members of the unit. "
Chromy said the flight, which took place on Tuesday, was meant to honor someone who switched to a different unit. She said that these types of flights could include any type of aircraft (or multiple aircraft) and they are not always the same.
The KC-10 extender, which flew over town on Tuesday, took off and landed from Travis Air Force Base in Solano County.
Tessa is a local editor for SFGATE. Before joining the team in 2019, she specialized in food, beverage and lifestyle content for numerous publications including Liquor.com, The Bold Italic, 7×7 and more. Contact her at tessa.mclean@sfgate.com.
aircraft flew Francisco giant Heres loudly Military San Tuesday
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DRAWN TO THE SORTA LIBRARY MAGIC [47]
I received my first library card when I was around five years old, spending many Saturday mornings at my local library through to my twenties. I started reading graphic novels there, discovered the Sociology section, and it my father introduced me to Spike Milligan and "The Goon Show," using a cassette rented from there.
However, my last visit there was because the nearby public toilet was being renovated. I can see why the visits became scarce: having a disposable income, buying my own copies of what I had read, and finding ever more information and media online and on demand. What may have finally done it was trying to rediscover some information I once found there before.
I like looking at old programme listings for TV and radio stations: they are like a social document, showing how people used to entertain themselves, and what interests people had. Unless someone finds and puts the information you want online, you have to know where to go yourself and, for me, it was the stacks of old local newspapers kept at the library, so those Saturday mornings were usually spent photocopying yellowed newsprint, or even copying out stuff by hand.
About six years ago, remembering to use the library again, I went in, and was told the papers were taken away some years before, when the library was renovated by the county council and opened as a "Discovery Centre." It now has a café, computers, children's play area, arts space, museum space, and the local registry office was shoehorned in some time later – until a local business stepped in, the council nearly put the post office in there too… Yes, there are fewer books than before.
I was advised to check the "Local Studies Centre" across the road, but it turned out the newspapers were not kept there either. If I really did want to find out which DJs were on the local Top 40 station Power FM in 1991, I would have to travel to the next town to find them. Once I also had another, saner reason to travel, I went to that town's library – it was still called a "library," and acted more like one.
So, what I can tell you is that 103.2 Power FM, a station whose jingles still ring in my head nine years after it became just another outpost of a national network, had presenters that are still very active in local radio – breakfast presenters Pete Wardman and Cheryl Phillips, daytime DJ Bernie Simmons, and Chris Kelly in the evening. Meanwhile, the teenage overnight presenter, Scott Mills, has been at BBC Radio 1 for nearly twenty years now. However, drive-time host Adrian Lovett left broadcasting to complete a politics degree, become an MP, then work for charities and anti-poverty groups, including Oxfam, Save the Children and ONE. Yes, I have used online resources for the further information, but I had to know where to start.
For many, libraries are still a valuable resource that are too useful to lose, even if I find it harder to find a use for mine. Even for something delightfully obscure, knowledge should not be made harder to find and, if we going to stay online instead, nothing can be left behind.
By Leigh Spence at March 24, 2017
Labels: Adrian Lovett, BBC Radio 1, Bernie Simmons, Cheryl phillips, Chris Kelly, library, Oxfam, pete wardman, power fm, Save the Children, Scott Mills, sociology, spike milligan, the goon show
THE AIR ATTACK WARNING SOUNDS LIKE [48]
YOU GOTTA MAKE WAY FOR THE HOMO SUPERIOR [46]
AND I WON'T MENTION MY TEN THOUSAND HOURS IN TRAIN...
I CALL HER DOUBLE R, MY ROUGH RIDER [44]


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helper.error = function (message, title, callback) {
	mini.showMessageBox({
		title: title || "错误",
		buttons: ["ok"],
		message: message,
		iconCls: 'mini-messagebox-error',
		callback: callback
	});
};
helper.response = function (result, success, fail) {
	if (result) {
		if (result.success != undefined && !result.success) {
			if (fail) fail();
		}
		else {
			if (success) success();
		}
	}
	else {
		if (fail) fail();
	}
	helper.showTips(result);
}
helper.onGridLoad = function (e) {
	var el = $(e.sender.getEl());
	var content = el.find(".mini-panel-body");
	if (e.result.success === false) {
	    content.addClass("errorGridBg");
	    alert(e.xhr.responseText);
	}
	else if (e.data.length == 0) {
		content.addClass("emptyGridBg");
		content.removeClass("errorGridBg");
	}
	else {
		content.removeClass("emptyGridBg");
		content.removeClass("errorGridBg");
	}
};
helper.getParameter = function (name) {
	name = name.replace(/[\[]/, "\\\[").replace(/[\]]/, "\\\]");
	var regexS = "[\\?&]" + name + "=([^&#]*)";
	var regex = new RegExp(regexS);
	var results = regex.exec(window.location.search);
	if (results == null)
		return "";
	else
		return decodeURIComponent(results[1].replace(/\+/g, " "));
};
helper.ondrawcell = function (self, namespace) {
	var btnEdit = mini.get(self.prifix + "btnEdit");
	var btnDelete = mini.get(self.prifix + "btnRemove");
	var editPermission = btnEdit && btnEdit.enabled;
	var deletePermission = btnDelete && btnDelete.enabled;

	return function (e) {
		var field = e.field;
		var value = e.value;
		var columnName = e.column.name;
		if (field) {
			switch (field) {
				case "IsEnabled":
					if (value == "正常" || value == "是" || value == "1" || value == true) {
						e.cellHtml = "";
					} else if (value == "禁用" || value == "否" || value == "0" || value == false) {
						e.cellHtml = "";
					} break;
			}
		}
		if (columnName && columnName == "action") {
			var record = e.record;
			var html = "";
			if (editPermission) {
				html += '';
			}
			if (deletePermission) {
				html += '  ';
			}
			if (html) {
				e.cellHtml = html;
			}
		}
	};
};
helper.edit.CloseWindow = function (window, win) {
	return function (action) {
		if (win) {
			win.hide();
			if (action == "save" && window.gridReload) {
				window.gridReload();
			}
		}
		else if (window.CloseOwnerWindow) window.CloseOwnerWindow(action);
		else window.close();
	};
};
helper.edit.keyDown = function (win, action) {
	var fn = function (e) {
		var currKey = 0;
		e = e || event;
		currKey = e.keyCode || e.which || e.charCode;
		if (currKey == 13 && win.visible) {
			action();
		}
	};
	document.onkeydown = fn;
	return fn;
};
helper.edit.GetData = function (form) {
	var o = form.getData();
	return o;
};
helper.edit.SetData = function (url, form) {
	return function (data) {
		//跨页面传递的数据对象,克隆后才可以安全使用
		data = mini.clone(data);
		if (data.action == "edit") {
			$.ajax({
				url: url,
				data: { id: data.id },
				cache: false,
				success: function (result) {
					helper.response(result, function () {
						form.setData(result);
						form.validate();
					});
				}
			});
		}
		else if (data.action == "new") {
			form.setData(data);
		}
	};
};
helper.edit.SaveData = function (addConfig, updateUrl, form, edit) {
	return function () {
		var m = $(form.el);
		var id = m.find("input[name='Id']").val();
		var url;
		if (id) {
			url = updateUrl;
		}
		else if (addConfig.url) {
			url = addConfig.url;
			for (var i = 0; i < addConfig.params.length; i++) {
				var param = addConfig.params[i];
				var id = m.find("input[name='" + param.pName + "']").val(param.getValue());
			}
		}
		else {
			url = addConfig;
		}
		var data = m.serialize();
		form.validate();
		if (form.isValid() == false) return;
		helper.requesting();
		$.post(url, data, function (result) {
			helper.response(result, function () {
				edit.CloseWindow("save");
			});
			helper.responsed();
		}, "json");
	};
};
helper.edit.allInOne = function (context, win, addConfig, updateUrl, setDataUrl, form, edit) {
	if (!win || !form) {
		return;
	}
	if (!edit.GetData) {
		edit.GetData = helper.edit.GetData(form);
	}
	if (!edit.CloseWindow) {
		edit.CloseWindow = helper.edit.CloseWindow(context, win);
	}
	if (!edit.SaveData) {
		edit.SaveData = helper.edit.SaveData(addConfig, updateUrl, form, edit);
	}
	if (!edit.SetData) {
		edit.SetData = helper.edit.SetData(setDataUrl, form);
	}

	$().ready(function () {
		edit.keyDown = helper.edit.keyDown(win, edit.SaveData);
		var btnOk = "btnOk";
		var btnCancel = "btnCancel";
		if (edit.prifix) {
			btnOk = edit.prifix + btnOk;
			btnCancel = edit.prifix + btnCancel;
		}
		$("#" + win.id + " ." + btnOk).click(edit.SaveData);
		$("#" + win.id + " ." + btnCancel).click(function () {
			edit.CloseWindow("cancel");
		});
	});
};

helper.index.winReady = function (edit, func) {
	var win1 = "win1";
	var popWin = "popWin";
	if (edit.prifix) {
		win1 = edit.prifix + win1;
		popWin = edit.prifix + popWin;
	}
	var win = mini.get(win1);
	if (!win) {
		var popWin = $("#" + popWin);
		var popWinUrl = popWin.attr("url");
		popWin.load(popWinUrl, null, function () {
			win = mini.get(win1);
			func(win);
		});
	}
	else {
		func(win);
	}
}
helper.index.add = function (edit, url, grid) {
	return function () {
		var data = { action: "new" };
		grid.loading("加载中...");
		helper.index.winReady(edit, function (win) {
			win.setTitle("添加");
			win.setIconCls("icon-add");
			win.show();
			if (edit && edit.SetData) {
				edit.SetData(data);
			}
			grid.unmask();
		});
	};
};
helper.index.edit = function (edit, grid) {
	return function (record) {
		var records = grid.getSelecteds();
		if (records && records.length != 1) {
			mini.showTips({
				content: "请选中一行",
				state: "warning",
				x: "center",
				y: "top",
				timeout: 3000
			});
			return;
		}
		var id;
		if (record.Id) {
			id = record.Id;
		}
		else {
			id = record;
		}

		var data = { action: "edit", id: id };
		grid.loading("加载中...");
		helper.index.winReady(edit, function (win) {
			win.setTitle("编辑");
			win.setIconCls("icon-edit");
			win.show();
			if (edit && edit.SetData) {
				edit.SetData(data);
			}
			grid.unmask();
		});
	};
};
helper.index.remove = function (directRemove) {
	return function (records) {
		var id;
		if (typeof records == typeof []) {
			var ids = [];
			for (var i = 0, l = records.length; i < l; i++) {
				var r = records[i];
				ids.push(r.Id);
			}
			id = ids.join(',');
			directRemove(id);
		}
		else {
			mini.confirm("确定删除选中记录?", "确定?", function (action) {
				if (action == "ok") {
					if (typeof records == "string") {
						id = records;
					}
					else if (records && records.Id) {
						id = records.Id;
					}
					directRemove(id);
				}
			});
		}
	};
};
helper.index.directRemove = function (grid, url) {
	return function (id) {
		if (id) {
			grid.loading("操作中,请稍后......");
			$.post(url, { id: id }, function (result) {
				helper.response(result, function () {
					grid.reload();
				}, function () {
					grid.unmask();
				});
			}, "json");
		}
	};
};
helper.index.clearSearch = function (filters, calback) {
	for (var k in filters) {
		var filter = filters[k];
		var filterBox = filter.filterBox;
		if (filterBox && filterBox.setValue) {
			filterBox.setValue("");
			filter.value = "";
		}
	}
	if (calback) {
		calback();
	}
}
helper.index.onFilterChanged = function (filters, calback) {
	return function (e) {
		var textbox = e.sender;
		var value = textbox.getValue();
		var name = textbox.name;
		var oldValue = filters[name].value;
		filters[name].value = value;
		if (!textbox.onEnter) {
			if (calback) {
				textbox.on("enter", function (e) {
					calback();
				});
			}
		}
		if (calback) {
			if ((!oldValue && value) || (oldValue && oldValue != value)) {
				calback();
			}
		}
	};
}
helper.index.allInOne = function (edit, grid, addUrl, editUrl, directRemoveUrl, self) {
	if (!self.add && edit) {
		self.add = helper.index.add(edit, addUrl, grid);
	}
	if (!self.edit && edit) {
		self.edit = helper.index.edit(edit, grid);
	}
	if (!self.directRemove) {
		self.directRemove = helper.index.directRemove(grid, directRemoveUrl);
	}
	if (!self.remove) {
		self.remove = helper.index.remove(self.directRemove);
	}
	if (self.filters) {
		var btnSearchClear = "btnSearchClear";
		if (self.prifix) {
			btnSearchClear = self.prifix + btnSearchClear;
		}
		var btnSearchClear = mini.get(btnSearchClear);
		if (btnSearchClear) {
		    btnSearchClear.on("click", function () {
		        helper.index.clearSearch(self.filters, self.search);
		    });
		}
		for (var k in self.filters) {
			var id = k + "Filter";
			if (self.prifix) {
				id = self.prifix + id;
			}
			var filterBox = mini.get(id);
			self.filters[k].filterBox = filterBox;
			filterBox.on("valuechanged", helper.index.onFilterChanged(self.filters, self.search));
		}
	}
	var splitter = "splitter";
	var btnVSplit = "btnVSplit";
	var btnHSplit = "btnHSplit";
	if (self.prifix) {
		splitter = self.prifix + splitter;
		btnVSplit = self.prifix + btnVSplit;
		btnHSplit = self.prifix + btnHSplit;
	}
	var splitter = mini.get(splitter);
	var btnVSplit = mini.get(btnVSplit);
	var btnHSplit = mini.get(btnHSplit);
	helper.index.splitterInOne(splitter, btnVSplit, btnHSplit);

	$().ready(function () {
		var btnAdd = "btnAdd";
		var btnEdit = "btnEdit";
		var btnRemove = "btnRemove";
		var btnProSearch = "btnProSearch";
		var btnSearch = "btnSearch";
		var btnEnable = "btnEnable";
		var btnDisable = "btnDisable";
		var btnMoveUp = "btnMoveUp";
		var btnMoveDown = "btnMoveDown";
		if (self.prifix) {
			btnAdd = self.prifix + btnAdd;
			btnEdit = self.prifix + btnEdit;
			btnRemove = self.prifix + btnRemove;
			btnProSearch = self.prifix + btnProSearch;
			btnSearch = self.prifix + btnSearch;
			btnEnable = self.prifix + btnEnable;
			btnDisable = self.prifix + btnDisable;
			btnMoveUp = self.prifix + btnMoveUp;
			btnMoveDown = self.prifix + btnMoveDown;
		}
		var miniBtnEdit = mini.get(btnEdit);
		var editPermission = miniBtnEdit && miniBtnEdit.enabled;
		if (self.add) {
			var btn = mini.get(btnAdd);
			if (btn) {
				btn.on("click", self.add);
			}
		}
		if (self.edit) {
			if (miniBtnEdit) {
				miniBtnEdit.on("click", function () {
					var records = grid.getSelecteds();
					if (records && records.length != 1) {
						mini.showTips({
							content: "请选中一行",
							state: "warning",
							x: "center",
							y: "top",
							timeout: 3000
						});
						return;
					}
					var record = records[0];
					if (record) {
						self.edit(record);
					} else {
						mini.showTips({
							content: "没有选中记录",
							state: "warning",
							x: "center",
							y: "top",
							timeout: 3000
						});
					}
				});
			}
		}
		if (self.remove) {
			var btn = mini.get(btnRemove);
			if (btn) {
				btn.on("click", function () {
					var records = grid.getSelecteds();
					if (records.length > 0) {
						mini.confirm("确定删除选中记录?", "确定?", function (action) {
							if (action == "ok") {
								self.remove(records);
							}
						});
					} else {
						mini.showTips({
							content: "没有选中记录",
							state: "warning",
							x: "center",
							y: "top",
							timeout: 3000
						});
					}
				});
			}
		}
		if (self.search) {
			var btn = mini.get(btnSearch);
			if (btn) {
				btn.on("click", self.search);
			}
		}
		if (self.enable) {
			var btn = mini.get(btnEnable);
			if (btn) {
				btn.on("click", self.enable);
			}
		}
		if (self.disable) {
			var btn = mini.get(btnDisable);
			if (btn) {
				btn.on("click", self.disable);
			}
		}
		if (self.edit && editPermission) {
			grid.on("rowdblclick", function (e) {
				self.edit(e.record);
			});
		}
		var btnMoveUp = mini.get(btnMoveUp);
		if (self.sortUrl) {
			if (btnMoveUp) {
				btnMoveUp.on("click", function (e) {
					var record = grid.getSelected();
					if (record) {
						var currentIndex = grid.indexOf(record);
						var preIndex = currentIndex - 1;
						var preRecord = grid.getRow(preIndex);
						if (preRecord) {
							if (record.SortCode != preRecord.SortCode) {
								var preSortCode = preRecord.SortCode;
								var sortCode = record.SortCode;
								$.post(self.sortUrl
									, { id1: preRecord.Id, sortCode1: sortCode, id2: record.Id, sortCode2: preSortCode }
									, function (result) {
										if (result.success) {
											grid.moveRow(record, preIndex);
											grid.updateRow(record, { SortCode: preSortCode });
											grid.updateRow(preRecord, { SortCode: sortCode });
										}
									}, "json");
							}
							else {
								mini.alert("向上移动受阻,因为上一条记录和本条记录的排序码相等,请调整");
							}
						}
					}
				});
			}
			var btnMoveDown = mini.get(btnMoveDown);
			if (btnMoveDown) {
				btnMoveDown.on("click", function (e) {
					var record = grid.getSelected();
					if (record) {
						var currentIndex = grid.indexOf(record);
						var nextIndex = currentIndex + 1;
						var nextRecord = grid.getRow(nextIndex);
						if (nextRecord) {
							if (record.SortCode != nextRecord.SortCode) {
								var nextSortCode = nextRecord.SortCode;
								var sortCode = record.SortCode;
								$.post(self.sortUrl
									, { id1: nextRecord.Id, sortCode1: sortCode, id2: record.Id, sortCode2: nextSortCode }
									, function (result) {
										if (result.success) {
											grid.moveRow(nextRecord, nextIndex - 1);
											grid.updateRow(record, { SortCode: nextSortCode });
											grid.updateRow(nextRecord, { SortCode: sortCode });
										}
									}, "json");
							}
							else {
								mini.alert("向下移动受阻,因为下一条记录和本条记录的排序码相等,请调整");
							}
						}
					}
				});
			}
		}
	});
};
helper.index.onSelectionChanged = function (tabs1, loadTabData, self) {
	return function (e) {
		var splitter = "splitter";
		var btnVSplit = "btnVSplit";
		var btnHSplit = "btnHSplit";
		if (self.prifix) {
			splitter = self.prifix + splitter;
			btnVSplit = self.prifix + btnVSplit;
			btnHSplit = self.prifix + btnHSplit;
		}
		var splitter = mini.get(splitter);
		var btnVSplit = mini.get(btnVSplit);
		var btnHSplit = mini.get(btnHSplit);
		if (splitter && btnVSplit && btnHSplit) {
			var pane1 = splitter.getPane(1);
			var pane2 = splitter.getPane(2);
			var $pane2El = $(splitter.getPaneEl(2));
			if (!$pane2El.width() || !$pane2El.height()) {
				return false;
			}
		}

		var grid = e.sender;
		var record;
		if (grid.getSelecteds) {
			var records = grid.getSelecteds();
			if (records.length == 1) {
				record = records[0];
			}
		}
		else if (grid.getSelectedNode) {
			record = grid.getSelectedNode();
		}
		if (records.length == 1) {
			record = records[0];
		}
		if (record) {
			var currentRecord = record;
			var isNewRow = currentRecord.isNewRow;
			var editTab;
			var allTabs = tabs1.getTabs();
			for (var i = 0; i < allTabs.length; i++) {
				var tab = allTabs[i];
				if (tab.name == "editTab") {
					if (isNewRow && tab.title == "编辑") {
						tabs1.updateTab(tab, { title: "添加" });
					}
					if (!isNewRow && tab.title == "添加") {
						tabs1.updateTab(tab, { title: "编辑" });
					}
					editTab = tab;
				}
				else {
					if (isNewRow && tab.visible) {
						tabs1.updateTab(tab, { visible: false });
					}

					if (!isNewRow && !tab.visible) {
						tabs1.updateTab(tab, { visible: true });
					}
				}
			}
			if (isNewRow) {
				tabs1.activeTab(editTab);
				loadTabData("refresh", editTab, currentRecord);
			}
			else {
				loadTabData("refresh", tabs1.getActiveTab(), currentRecord);
			}
			tabs1.show();
		}
		else {
			tabs1.hide();
		}
	};
};
helper.index.loadTabData = function (tabConfigs, tabs1) {
	return function (refresh, tab, currentRecord) {
		var tabName = tab.name;
		var tabConfig = tabConfigs[tabName];
		if (!tabConfig) {
			helper.error("意外的tabName:" + tabName);
		}
		if (refresh || !tabConfig['initialized']) {
			var urlParams = {};
			if (tabConfig.entityTypeCode) {
				urlParams.entityTypeCode = tabConfig.entityTypeCode;
			}
			if (tabConfig.controller) {
				urlParams.controller = tabConfig.controller;
			}
			window.location.href = $.param.fragment(window.location.href, urlParams);
			if (currentRecord && currentRecord.Id) {
				var tabBody = $(tabs1.getTabBodyEl(tab));
				var isInner = tabBody.hasClass("inner");
				var params = {};
				for (var i = 0; i < tabConfig.params.length; i++) {
					if (currentRecord[(tabConfig.params)[i].pValue]) {
						params[(tabConfig.params)[i].pName] = currentRecord[(tabConfig.params)[i].pValue];
					}
					else {
						params[(tabConfig.params)[i].pName] = (tabConfig.params)[i].pValue;
					}
				}
				if (isInner) {
					mini.namespace(tabConfig.namespace);
					var module = eval(tabConfig.namespace);
					module.params = params;
					if (tabConfig["isLoaded"]) {
						module.loadData();
					}
					else {
						params.isInner = true;
						tabBody.load(tabConfig.url, params, function () {
							module.loadData();
						});
						tabConfig["isLoaded"] = true;
					}
				}
				else {
					if (tabConfig['iframe']) {
						var iframe = tabConfig['iframe'];
						if (tabConfig.namespace) {
							var module = iframe.contentWindow.eval(tabConfig.namespace);
							if (module) {
								module.params = params;
								module.loadData();
							}
							else {
								mini.alert("未找到命名空间" + tabConfig.namespace);
							}
						}
						else {
							mini.alert("未指定命名空间" + tabConfig.namespace);
						}
					}
					else {
						var href = $.param.fragment(tabConfig.url, params);
						tabs1.loadTab(href, tab, function () {
							var module = tabs1.getTabIFrameEl(tab).contentWindow.eval(tabConfig.namespace);
							if (module) {
								module.params = params;
								module.loadData();
							}
						});
					}
				}
			}
			tabConfig['initialized'] = true;
		}

		if (refresh) {
			for (var key in tabConfigs) {
				tabConfigs[key]['initialized'] = false;
			}
			tabConfig['initialized'] = true;
		}
	};
};
helper.index.ontabload = function (tabConfigs) {
	return function (e) {
		var tabs = e.sender;
		var tab = e.tab;
		var tabName = tab.name;
		if ($(tabs.getTabBodyEl(tab)).hasClass("inner")) {

		}
		else {
			var iframe = tabs.getTabIFrameEl(e.tab);
			var tabConfig = tabConfigs[tabName];
			if (tabConfig) {
				tabConfig['iframe'] = iframe;
			}
		}
	};
};
helper.index.onactivechanged = function (grid, self) {
	return function (e) {
		var record;
		if (grid.getSelecteds) {
			var records = grid.getSelecteds();
			if (records.length == 1) {
				record = records[0];
			}
		}
		else if (grid.getSelectedNode) {
			record = grid.getSelectedNode();
		}
		if (record) {
			var currentRecord = record;
			self.loadTabData(null, e.tab, currentRecord);
		}
	};
};
helper.index.tabInOne = function (grid, tabs1, tabConfigs, self) {
	if (!self.loadTabData) {
		self.loadTabData = helper.index.loadTabData(tabConfigs, tabs1);
	}
	if (!self.onSelectionChanged) {
		self.onSelectionChanged = helper.index.onSelectionChanged(tabs1, self.loadTabData, self);
	}
	if (!self.ontabload) {
		self.ontabload = helper.index.ontabload(tabConfigs);
	}
	if (!self.onactivechanged) {
		self.onactivechanged = helper.index.onactivechanged(grid, self);
	}
	if (grid.getSelected) {
		grid.on("selectionchanged", self.onSelectionChanged);
		grid.on("beforeload", function (e) {
			if (grid.__total) {
				e.params.total = grid.__total
			}
		});
		grid.on("load", function (result) {
			grid.__total = result.total;
			var record = grid.getSelected();
			if (!record) {
				tabs1.hide();
			}
			else {
				tabs1.show();
			}
		});
	}
	else if (grid.getSelectedNode) {
		grid.on("nodeclick", self.onSelectionChanged);
	}
	tabs1.on("tabload", self.ontabload);
	tabs1.on("activechanged", self.onactivechanged);
	tabs1.hide();
};
helper.index.splitterInOne = function (splitter, btnVSplit, btnHSplit) {
	if (splitter && btnVSplit && btnHSplit) {
		var pane1 = splitter.getPane(1);
		var pane2 = splitter.getPane(2);
		var size = pane1.size;
		btnVSplit.on("checkedchanged", function () {
			pane2.size = "";
			pane1.size = size;
			splitter.setVertical(true);
		});
		btnHSplit.on("checkedchanged", function () {
			pane1.size = "";
			pane2.size = 400;
			splitter.setVertical(false);
		});
	}
};
helper.helperSplitterInOne = function (self) {
	$().ready(function () {
		var helperSplitter = "helperSplitter";
		var btnCollapse = "btnCollapse";
		var helpContent = "helpContent";
		var btnHelp = "btnHelp";
		var btnEditHelp = "btnEditHelp";
		var btnRefreshHelp = "btnRefreshHelp";
		if (self.prifix) {
			helperSplitter = self.prifix + helperSplitter;
			btnCollapse = self.prifix + btnCollapse;
			helpContent = self.prifix + helpContent;
			btnHelp = self.prifix + btnHelp;
			btnEditHelp = self.prifix + btnEditHelp;
			btnRefreshHelp = self.prifix + btnRefreshHelp;
		}
		$("#" + helperSplitter).children("div.mini-splitter-border")
			.css({ "border-top": "0px", "border-right": "0px", "border-left": "0px", "border-bottom": "0px" });
		var splitter = mini.get(helperSplitter);
		var helpline = mini.get(helpContent);
		var editHelp = mini.get(btnEditHelp);
		var refreshHelp = mini.get(btnRefreshHelp);
		if (splitter) {
			var pane1 = splitter.getPane(2);
			var body = $(helpline.getBodyEl());
			self.loadHelp = function () {
				helper.requesting();
				splitter.updatePane(2, { visible: true });
				splitter.expandPane(2);
				self.help.isInner = true;
				$.get(bootPATH + "../Ac/Help/Helpline", self.help, function (result) {
					helper.responsed();
					body.html(result);
				});
			};
			self.toggleHelp = function () {
				if (pane1.visible) {
					if (pane1.expanded) {
						splitter.collapsePane(2);
					}
					else {
						splitter.expandPane(2);
					}
				}
				else {
					self.loadHelp();
				}
			};
			var help = $("." + btnHelp);
			help.click(self.toggleHelp);
			refreshHelp.on("click", self.loadHelp);
			editHelp.on("click", function (e) {
				var btn = e.sender;
				var editHref = bootPATH + "../Ac/Help/Edit?appSystemCode=" + self.help.appSystemCode + "&areaCode=" + self.help.areaCode + "&resourceCode=" + self.help.resourceCode + "&functionCode=" + self.help.functionCode;
				var tab = {};
				tab.text = btn.getTooltip();
				tab.url = editHref;
				window.top.topShowTab(tab);
				return false;
			});
		}
	});
};

redpajama_set_name: RedPajamaGithub


text:
All you need to know about Women's Ashes 2017
The competition will probably be performed throughout all three codecs.
Staff captains Rachael Haynes of Australia and Heather Knight of England pose for a photograph. (Photograph by Bradley Kanaris/Getty Photographs)
The Commonwealth Ladies's Ashes is about to start from October 22, Sunday, in Australia. The competition will probably be performed throughout all three codecs. The workforce that features essentially the most factors will probably be awarded the Trophy.
Australia and England will play seven matches in whole comprising of three ODIs, one day-night Take a look at and three T20Is. Every limited-overs victory is value two factors (one level incase of a tie or if the sport is deserted), whereas the winner of the Take a look at will stroll away with 4 factors (two factors every in case of a draw).
Australia's Southern Stars at present maintain the Ashes which they claimed in 2015, after they travelled to England and gained the multi-format sequence. The sequence ended 10-6 in Australia's favour. Australian all-rounder Ellyse Perry was instrumental in Australia's success as she led the checklist of the main run-scorers in addition to the main wicket-takers.
It's tough to foretell who begin as favourites as a result of Australia should not solely the No. 1 workforce within the ICC ODI rating, even have the house benefit, whereas England will probably be excessive on confidence after the World Cup victory and in addition their three-run win over their fiercest rivals within the group stage.
The Take a look at match must be particular
As reported by Cricket Australia, the match at North Sydney Oval would be the first Ashes day-night Take a look at – for both gender – and the primary pink-ball ladies's Take a look at. If that's not thrilling sufficient, the match is supporting the McGrath Basis, with Pink Stumps Day to be held on day three of the match. On day two, the Richies – the group of Benaud devotees who've turn out to be an iconic a part of the SCG Take a look at – will probably be in attendance, so anticipate an ideal environment throughout the 4 days!
Gamers to look out for:
Ellyse Perry for Australia has been a match-winner not solely within the earlier Ashes, however is just about synonymous with influence. With skipper Meg Lanning out with damage, all eyes will probably be on Perry to do one thing particular but once more. Stand-in skipper Rachael Haynes has had a very good begin in the summertime whereas Elyse Villani has already racked up two tons- one within the WNCL and one within the warm-up match. Ashleigh Gardner's off-spin has bought her a spot within the ODI workforce, however she is but to disclose her means with the bat.
Anya Shrubsole and Katherine Brunt will probably be spearheading the England bowling assault, whereas Alex Hartley will probably be seeking to replicate what she did in opposition to Australia within the World Cup. Sophie Ecclestone didn't function within the World Cup, and it's extremely unlikely that she would be the first choice, contemplating Hartley's type, however she has earned a spot within the workforce with a terrific home scene. All-rounder Nathalie Sciver is devastating with the shape and her type would be the key.
Fixtures:
22 October- 1st ODI, Brisbane (Allan Border Subject) (00:15 BST)
26 October- 2nd ODI, Coffs Harbour (04:40 BST)
29 October- third ODI, Coffs Harbour (00:15 GMT)
9-12 November- Solely Take a look at, Sydney (North Sydney Oval) (d/n) (03:30 GMT)
17 November 1st Twenty20 worldwide, Sydney (North Sydney Oval) (08:10 GMT)
19 November 2nd Twenty20 worldwide, Canberra (03:35 GMT)
21 November third Twenty20 worldwide, Canberra (08:10 GMT)
The place to observe:
All six limited-overs matches will probably be broadcast dwell and free by the 9 Community. The historic day-night Take a look at at North Sydney Oval from 9-12 November will function high-quality streaming solely on cricket.com.au and the Cricket Australia Dwell app, whereas streaming of the shorter codecs can even be out there on cell and desktop with a subscription.
Along with the published protection on TV and on-line, ABC Radio has additionally confirmed they may present protection and commentary all through the sequence.
England will be capable of catch all of the motion throughout the Ladies's Ashes by way of a free dwell stream on cricketnetwork.com and the Cricket Community app.
Squads for Take a look at and ODI:
Australia squad (ODI and Take a look at): Rachael Haynes (C), Alex Blackwell (VC), Kristen Beams, Nicole Bolton, Lauren Cheatle, Ashleigh Gardner, Alyssa Healy, Jess Jonassen, Tahlia McGrath, Beth Mooney, Ellyse Perry, Megan Schutt, Belinda Vakarewa (Take a look at solely), Elyse Villani, Amanda-Jade Wellington.
England squad: Heather Knight (c), Tammy Beaumont, Katherine Brunt, Sophie Ecclestone, Georgia Elwiss, Jenny Gunn, Alex Hartley, Danielle Hazell, Laura Marsh, Anya Shrubsole, Sarah Taylor, Nat Sciver, Fran Wilson, Lauren Winfield, Danielle Wyatt
Squads for the T20i will probably be introduced after the ODI sequence.
Dortmund Held; Leverkusen Rout Monchengladbach
We Have To Take our chances against Brazil: German Coach Wueck


text:
Silvio Calabi: Collector cars are big-boy toys
RM Sotheby's recently auctioned off a DB4 GT, a sports racer made in England in 1962 by Aston Martin and clad in a lightweight aluminum body by Zagato of Italy. This was car No. 14 of only 19 that survive; it went to Australia, then back to the UK and finally to the US. The DB4GT Zagato is one of the rarest and most elegant of cars, and lately the voluptuous old beauty has gotten the sort of attention lavished on platinum blondes with similar curves, if fewer years. At the sale, DB4GT No. 0186/R set an auction record for a British car: $14,300,000.
Staggering as that number is (and far, far more than the car brought before its spare-no-expense restoration in 2002), it was a bit of a comedown; Sotheby's expected $16 million. We might even say that disappointment follows these cars around like Pig-Pen's cloud of dust. Fifty-plus years ago, Aston Martin had planned to sell 25 Zagato-bodied DB4 GTs, but they only got orders for 20. (The car's original price was £5,470, about $15,400 in 1962 or a bargain $140,000 today.) The problem was that even Aston's Zagato lightweights couldn't outgun Ferrari's sports racer, the ferocious 250 GTO. In a way that's still true today, when 250 GTOs have changed hands for $38 million and $52 million. (Yes, each.) Between 1962 and '64 Ferrari built 39 GTOs with a retail price of about $18,000 apiece, so this is an appreciation in value of around a quarter of a million percent. How's that for ROI, return on investment?
It's no wonder specialty car auctions have sprung up everywhere — on the Web, at car shows and even in Manhattan, where Leigh and Leslie Keno, better known as the furniture mavens on Antiques Roadshow, staged their first collector-car sale last fall. But, as with all assets, the trick is figuring out what to buy and how much to pay. On Wall Street and in the garage, sure bets are scarce and buying well demands a lot of knowledge and research. Somewhere on the car value graph, the lines for scarcity, age, condition, sex appeal, provenance and price intersect, and a clunker can become a collectible. Now, however, even ultra-rare Ferraris and Astons may no longer be certain gainers, as some people say they've plateaued. The real "trick" then is to buy what you love, and let the upside go hang.
For a while both the DB4GT and the GTO — and plenty of other similar cars, from Shelby Cobras to Jaguar D-Types to 300SLR Mercs — were just old crocks fossilizing away under tarps out behind the shop while the racing teams looked for newer, faster, better. Then alchemy happened. Rust turned to gold. Men who'd been boys in the 60s, who caught the bug from these very cars and who now had some play money, realized that their childhood dreams could come true. (It isn't just racecars, either: "When my older brother went to Vietnam he sold his split-window Corvette. I'm looking for one just like it.") Each generation has its own halo cars.
The '86 Lamborghini Countach poster stirred as many teenage hormones as Farrah Fawcett's did, 10 years before. These buyers spend as much as they have to, or can, or more. Trouble is, by the time the public gets clued in on this sort of thing, speculators have arrived and the trend is cresting or already nosing downward — the Time Magazine Cover Syndrome.
But, regardless of price fluctuations, there always will be a market for high-quality examples of good cars — the special, perfectly kept, top-quality cars — because "another one of these won't come along next week!" Unlike speculators, who are in it for the flip, collectors keep their cars and refine their "portfolios." Last month funny guy Jerry Seinfeld trimmed his Porsche holdings by 16 cars (duplicates, I suppose) that at auction brought $22 million — not because they belonged to a celebrity but because they were exceedingly good examples from a collection admired for its quality.
After months of scouting and research, I too ventured into the Aston Martin arena, at a considerably lower level than a DB4 GT. And not without plenty of agonizing and self-justification. I might have used the "investment" word. I certainly fixated on "hand-built" and "rare" and "fatally beautiful." The Passenger-in-Chief finally said, "You haven't bought a car for yourself since 1985. (Shut up and) Go for it!" Well, all right then. In 31 years of writing about cars I've experienced a couple dozen exotics, but this one's mine, which is equal parts gratifying and terrifying. I love driving it, and just looking at it comes a close second.
One final thought: If you buy a previously owned car, try to get one from a degreed mechanical engineer, and then keep it in the same pristine condition he did. Bravo, Anthony.
— Silvio Calabi reviews the latest from Detroit, Munich, Yokohama, Gothenburg, Crewe, Seoul and wherever else interesting cars are born. Silvio is a member of the International Motor Press Association whose automotive reviews date back to the Reagan administration. He is the former publisher of Speedway Illustrated magazine and an author. Contact him at calabi.silvio@gmail.com.


text:
//
// BMXSwipableCell.h
//
// Copyright (c) 2013-2014 Massimiliano Bigatti.
//
// Permission is hereby granted, free of charge, to any person obtaining a copy
// of this software and associated documentation files (the "Software"), to deal
// in the Software without restriction, including without limitation the rights
// to use, copy, modify, merge, publish, distribute, sublicense, and/or sell
// copies of the Software, and to permit persons to whom the Software is
// furnished to do so, subject to the following conditions:
//
// The above copyright notice and this permission notice shall be included in
// all copies or substantial portions of the Software.
//
// THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS OR
// IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
// FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE
// AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER
// LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
// OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN
// THE SOFTWARE.
//

#import <UIKit/UIKit.h>

@class BMXSwipableCell;

/**
 The delegate of a `BMXSwipableCell` object can adopt the `BMXSwipableCellDelegate` protocol.
 */
@protocol BMXSwipableCellDelegate <NSObject>

/**
 Tells the delegate that the specified cell's menu is now shown or hidden.

 @param cell    The cell whose basement was shown or hidden.
 @param showing `YES` if the basement was shown; otherwise, `NO`.
 */
- (void)cell:(BMXSwipableCell *)cell basementVisibilityChanged:(BOOL)showing;

@end

@interface BMXSwipableCell : UITableViewCell <UIScrollViewDelegate>

///------------------------------------------------
/// @name Configuring cell options
///------------------------------------------------

/**
 Allowed space for cell sliding. This is the width of scrollable area. Usually it is equal to the width of the contents stored in the basement view, but can be any larger if a different dragging feel is desired.
 */
@property (nonatomic, assign) CGFloat basementVisibleWidth;

/**
 Minimum scrolling required for showing basement. This defaults to half of `basementVisibleWidth`.
 */
@property (nonatomic, assign) CGFloat basementActivationWidth;

/**
 Support property that let the caller flag the cell basement as already configured.
 When cells are reused, previous basement subviews are already in place, so the client logic could use this property to avoid creation of new basement content. This property allows to avoid associated objects or tagging of the cell or its subviews.
 */
@property (nonatomic, assign) BOOL basementConfigured;

///------------------------------------------------
/// @name State inquiry and delegate support
///------------------------------------------------

/**
 Tells if the cell is currently showing the basement. `YES` if the menu was shown; otherwise, `NO`.
 */
@property (nonatomic, assign, readonly) BOOL showingBasement;

/**
 The delegate can adopt the `BMXSwipableCellDelegate` protocol.
 */
@property (nonatomic, weak) id<BMXSwipableCellDelegate> delegate;

///------------------------------------------------
/// @name Accessing Cell View
///------------------------------------------------

/**
 Scroll View used to implement the "swipe to reveal" effect.
 */
@property (nonatomic, strong, readonly) UIScrollView *scrollView;

/**
 This view host the contents of the cell. On initialization the cell contents defined in Interface Builer are moved into it.
 */
@property (nonatomic, strong, readonly) UIView *scrollViewContentView;

/**
 The basement view is the area that can host user content, that can be UIButtons or custom views.
 */
@property (nonatomic, strong, readonly) UIView *basementView;

/**
 Defines if swipe enabled for current cell. Enabled by default.
 */
@property (nonatomic, assign) BOOL swipeEnabled;

/**
 Hide the accessory view when the basement is opened.

 This was introduced because the hack of apply a horizontal
 translation to the Accessory View does not work in iOS8. A workaround
 could also be to use Auto Layout cells.
 */
@property (nonatomic, assign) BOOL hideAccessoryViewWhenBasementOpened;

///------------------------------------------------
/// @name Open and close basement
///------------------------------------------------

/**
  Show the basement of the current cell.
  @param animated ignored
 */
- (void)showBasement:(BOOL)animated;

/**
 Hide the basement of the current cell.
 @param animated ignored
 */
- (void)hideBasement:(BOOL)animated;

///------------------------------------------------
/// @name Class Methods
///------------------------------------------------

/**
 Restore initial state for all cells, hiding the basement of all cells if showed.
 */
+ (void)hideBasementOfAllCells;

@end