text:
Q: Need to Clarify Batch Apex Callout limit I am creating a batch apex job that will send an HTTP request to an external endpoint (URL) that can only take in one record at a time. The batch size is not very large. Maybe 500 records or so. It will grow in the future, but only incrementally. The batch size should never really exceed several thousand records max.
In the execute method, during each iteration of the scope, I'm making a callout. So, if there are 500 records in my scope, I'm making 500 callouts via the HTTP request to the endpoint (URL) passing in the correct parameters for each record. Will that hit callout limits in batch apex?
If I understand correctly, I would just set the batch size to 1?
MyBatchJob batch = new MyBatchJob();
Id batchprocessid = Database.executebatch(batch,1);

Can someone please confirm if I'm understanding the batch apex governor limit correctly? I want to make sure that I'm not going to hit governor limits.
Thanks.

A: Depends on the number of callouts you have written in your execute method of the batch .
The upper limit now is 100 callouts ,which means if you have one callout in your execute method you can keep batch size as 100.
Say you have two callouts then your batch size can be 50 .

In general if your execute method has N callouts your batch size will be 100/N

redpajama_set_name: RedPajamaStackExchange


Blog » What sort of results can you expect from laser skin resurfacing?
What sort of results can you expect from laser skin resurfacing?
Generally very good, but it depends on the depth of your wrinkles or scars. http://www.drbentkover.com/procedures/wrinkles-scars I have been doing this procedure since 1995 with the carbon dioxide laser and since 2006 with Portrait plasma (for milder wrinkles). If you are a smoker, you will need to stop smoking and results are sometimes not as good.


text:
Our Fallen Article page
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Herbert Green Ainsworth
Bank: Manchester & County Bank
Place of work: Bolton branch
Died: 9 October 1917
Herbert Green Ainsworth was born in Bolton on 7 June 1894, the son of Green Ainsworth, a director in a cotton spinning business, and his wife Lilian. He was educated at Bolton Grammar School. In February 1911, when Ainsworth was 16 years old, he went to work for Manchester & County Bank at its Bolton branch.
In November 1915 Ainsworth joined the Manchester University Officers Training Corps, but as an extra-mural member was forced to leave when new regulations were introduced. The following month he joined the London Regiment, and was later commissioned into the Manchester Regiment. Second Lieutenant Ainsworth was killed in action in Belgium on 9 October 1917. He was 23 years old.
Messages of remembrance
Graham McLeod June 28 2016 5:18PM
2nd Lt Ainsworth was serving with D Company of the 2/9th Battalion, the Manchester Regiment when he was killed on the 9th of October. The 2/9th were part of the 66th (2nd East Lancashire) Division which attacked Poelcappelle on that day. This was part of the Third Battle of Ypres, so 2nd Lt Ainsworth was killed in Belgium and is commemorated on the Tyne Cot Memorial.
RBS Remembers team June 29 2016 8:56AM
Graham, many thanks for the additional information. I have amended Ainsworth's biography above to reflect it.
Back to Our Fallen
Leave your message of remembrance
If you want to leave a message of remembrance about this fallen member of our staff please send us an email.

redpajama_set_name: RedPajamaCommonCrawl


text:
using System;
using System.IO;
using System.Windows.Controls;
using System.Windows.Input;
using System.Xml;
using Dexel.Editor.ViewModels;
using Dexel.Editor.Views.Common;
using Dexel.Library;
using Dexel.Model.DataTypes;
using ICSharpCode.AvalonEdit.Highlighting;
using ICSharpCode.AvalonEdit.Highlighting.Xshd;

namespace Dexel.Editor.Views.CustomControls
{
    /// <summary>
    /// Interaktionslogik für DataNamesControl.xaml
    /// </summary>
    public partial class DataNamesControl : UserControl
    {

        public DataNamesControl()
        {
            InitializeComponent();
            LoadColorSchema(MainWindow.SyntaxColortheme);

            TextBox.LostFocus += (sender, args) => TextBox.TextArea.ClearSelection();

            TextBox.TextChanged += (sender, args) =>
            {
                var caret = TextBox.SelectionStart;
                var currentText = TextBox.Document.Text;

                DataContext.TryCast<DataStream>(ds => Interactions.ChangeConnectionDatanames(ds, currentText));
                DataContext.TryCast<DataStreamDefinition>(dsd => dsd.DataNames = currentText);
                Interactions.UpdateMissingDataTypesCounter(MainViewModel.Instance().Model);
                Interactions.Validate(MainViewModel.Instance().Model);
                TextBox.SelectionStart = caret;
            };

        }

        private static void GetDataNamesFromDataContext(object sender, Action<string> doAction )
        {
            sender.TryGetDataContext<DataStreamDefinition>(dsd => doAction(dsd.DataNames));
            sender.TryGetDataContext<DataStream>(ds => doAction(ds.DataNames));
        }

        #region load color schema

        private static readonly HighlightingManager Man = new HighlightingManager();

        private void LoadColorSchema(string url)
        {
            if (MainWindow.Xshd == null)
            {
                if (!File.Exists(url))
                {
                    return;
                }
                using (var reader = new XmlTextReader(url))
                {
                    MainWindow.Xshd = HighlightingLoader.LoadXshd(reader);
                }
            }

            TextBox.SyntaxHighlighting = HighlightingLoader.Load(MainWindow.Xshd, Man);
        }

        #endregion

        public void SetFocus(bool keepPosition = false)
        {
            TextBox.Focus();
            if (keepPosition)
            {
                return;
            }
            TextBox.SelectionStart = TextBox.Text.Length;
            TextBox.SelectionLength = 0;
        }

        private void TextBox_OnKeyDown(object sender, KeyEventArgs e)
        {

            if (e.Key != Key.Delete && e.Key != Key.Return)
                MainWindow.Get().MainWindow_OnPreviewKeyDown(sender, e);

        }

    }
}

redpajama_set_name: RedPajamaGithub


text:
Q: Cannot generate Xtext artifacts for grammar which uses parentheses and cross-references at once I'm trying to generate DSL from this grammar:
grammar org.xtext.example.mydsl.MyDsl with org.eclipse.xtext.common.Terminals

generate myDsl "http://www.xtext.org/example/mydsl/MyDsl"

Program:
     "print" expression=Expression "where" constant=Constant  |
     "print" expression=Expression;

Expression:
    Add;

Add returns Expression:
    Primary({Add.expression1=current} "+"  expression2=Primary)*;

Primary returns Expression:
    ExpressionParentheses | Number | ConstUsage;

Number returns Expression:
    value=INT;

Constant:
    name=ID "=" number=Number;

ConstUsage returns Expression:
    name=[Constant];

ExpressionParentheses returns Expression:
    "(" Add ")";

But generating Xtext artifacts in Eclipse always produces an error. It occurs always when I'm using ExpressionParentheses and also ConstUsage in Primary rule at once. When I put there either ConstUsage or ExpressionParentheses, everything works fine. What could be the problem with my grammar ?

A: thw following grammar works fine
Program:
     "print" expression=Expression ("where" constant=Constant)?
;

Expression:
    Add;

Add returns Expression:
    Primary({Add.expression1=current} "+"  expression2=Primary)*;

Primary returns Expression:
    Number | ConstUsage | "("Add")";

Number returns Expression:
    value=INT;

Constant:
    name=ID "=" number=Number;

ConstUsage returns Expression:
    name=[Constant];


The aim of the specialization Biomedical Informatics is to educate graduates that understand both basic principles of living organisms functioning (starting from molecular and cellular level up to human physiology) and current tasks, approaches and issues of medical care. In specialization courses they acquire knowledge of most important application areas of medical informatics and at the same time they get theoretical knowledge of informatics that allow them actively participate in one of the following rapidly developing fields of research and development: bioinformatics, neuroinformatics, assistive technologies and supervisory systems, or medical informatics and clinical information systems. Each of these fields is covered by one course that explains state of art and future goals and focuses on mastering those algorithms and informatic tools, which are crucial for the given topic and its further development. One third of the curricula is represented by elective courses. Thanks to this open concept each student can complete the common fundamentals according to his/her interest in such a broad field.


text:
by Paul Lilly — Monday, September 05, 2016, 10:14 AM EDT
John McAfee Files Suit Against Intel For Rights To His Own Name
John McAfee, the antivirus pioneer who created one of the world's most popular security programs and later sold it to Intel for $7.68 billion, is now suing the Santa Clara chip maker for the rights to his name. Apparently McAfee wants to rename his digital gaming company MGT Capital Investments Inc. to John McAfee Global Technologies Inc.
Since McAfee named his former antivirus software company after himself as McAfee Associates, Inc. in 1987 and then ultimately sold the security outfit to Intel, he's put himself in tough spot. Intel has already told him that if he proceeds with his plan, he'll be infringing on trademarks that were transferred to the company as part of the sale, according to the lawsuit.
Image Source: Flickr (Gage Skidmore)
McAfee is a household name in the antivirus arena. In decades past, it was common practice for bulk OEMs to preload a trial version of McAfee Antivirus on PCs it sold, a practice that still exists to a much lesser extent today. It along with other third-party software helped OEMs sell PCs for less than the cost of the individual parts in some cases.
When Intel purchased McAfee, it had big plans of embedding associated security bits into its processors for deeper level protection. Things didn't exactly play out the way Intel envisioned. McAfee has since been renamed Intel Security, but Intel still has a vested interest in the McAfee brand, as it's been feeling out the market for potential buyers as part of a broader restructuring effort.
The dispute between John McAfee and Intel has its roots in a 1991 asset acquisition agreement in which John McAfee sold the McAfee brand to his antivirus firm for $9 million, which Intel then bought in 2010. However, the antivirus software founder contends that the only trademark that traded hands was that of "McAfee Antivirus," and that he still has the rights to use his own name.
Tags: Intel, McAfee, (NASDAQ:INTC), John McAfee
Via: Bloomberg


text:
Caravaggio saw things in a new light
We denizens of the 21st century are familiar with the texture and spread of art fads. They might even be described as the principal way in which change arrives in art today. Something gets fashionable. It pops up in a biennale. Six months later, it is featured at the Serpentine Gallery. Six months after that, it is yesterday's look.
Described thus, the impact of such fads sounds shallow. In our world, they invariably are. But the first conclusion to be drawn from Beyond Caravaggio, at the National Gallery, an investigation of the impact of Caravaggio (1571-1610) on early-17th-century painting, is that art fads are anything but a modern creation (or affliction). The arrival of Caravaggio, his immediate influence, the dramatic uptake of his manner, are events that feel unexpectedly familiar in their tempo and reach. One minute he was unheard of; the next minute he was the prevailing way. We expect the past to have been more stable in its attitudes than our own blighted days, but it wasn't.
There, though, the similarities stop. Our fads are invariably trite and worthless. The Caravaggio fad was not. Actually, it triggered one of the most profound revolutions art has ever seen. He was as influential as the impressionists, as radical as the cubists. And, although the National Gallery show doesn't shout it out — it is too intelligent, scholarly and balanced an event to describe these developments as shrilly as I am doing — Caravaggio changed the course of art. We can talk honestly of art being one thing before him and another after him.
The exhibition that tackles this crucial moment has gathered a handful of Caravaggio originals — not enough of them, but then there never are — sprinkled thinly across seven galleries of work by artists who were changed by him and who learnt from his lessons. The emphasis is on painters who were chronologically close to the master and who actively "copied" his style. This, then, is not a show about his wider, less obvious influence. Had it been that, it would have had to include Rubens, Rembrandt, Velazquez, all of whom were changed on a nuclear level by the passage of Caravaggio. Had it reached as far as the present, it would have needed Cindy Sherman in there, and all the other fierce identity-swappers, because it was Caravaggio who pioneered the complex presence of the artist in their own art.
What, then, are the momentous changes that Beyond Caravaggio wishes us to notice? The one pointed out most loudly and recurrently here is Caravaggio's approach to storytelling. His pictures pulled us into their narratives with a directness that was new. Had he been a novelist, we might be describing his works as "page-turners".
To prove it, the opening gallery has a ring of pictures by his "imitators", showing cardplayers and fortune-tellers cheating their unsuspecting victims. To understand how the scams are being perpetrated, you need to lean in and follow the details closely: see the hand hiding the ace, notice the removal of the pouch of money, trace the swapping of the gazes.
Manfredi's marvellous Fortune Teller, from c 1615, actually shows a three-way scam, as the two gypsies fleecing the innocent boy are themselves being robbed by the boy's accomplice. Is there no one in baroque Rome a man can trust? De La Tour's beautiful Cheat with the Ace of Clubs, meanwhile, from the Kimbell Art Museum, in Texas, makes something dreamy and balletic out of the frozen robbery.
What's missing, apart from the stack of coins that Manfredi's innocent had in his pocket, is the Caravaggios that triggered all this: the early paintings from the 1590s that started the cheating fad. Neither The Fortune Teller, from the Louvre, nor The Cardsharps, from Texas, is here, so we can witness the results of his promptings, but not the actual prompts. Instead, the National's own Boy Bitten by a Lizard, painted in about 1595, a few years after he arrived in Rome from Milan, has to bear the weight of representing early Caravaggio and his cheeky assault on the Queensberry rules of art.
Where the mature Caravaggio was a master of dark and intense religious moods, the early Caravaggio was something lighter and more sarcastic: a painter who mocked his world for its decadence and gullibility. Hence the cardsharps and fortune-tellers. Boy Bitten by a Lizard, a self-portrait in which he is dressed as an effeminate Bacchus who has reached down to pluck a cherry — yes, that cherry — only to have his middle finger — yes, that finger — bitten by a lizard, is a sarky Italian lament on the brevity of sensual pleasures. The lizard, representing Satan's curse, old age, as it always does in art, is punishing the wine-loving Bacchus for his pursuit of pleasure.
Caravaggio's humour, a quality that is often overlooked, spoke quickly to his contemporaries. So did his game-changing realism. In Boy Bitten by a Lizard, the marvellously tangible cherries, the dramatic self-involvement, the Hitchcockian shadows, had the effect of yanking his art out of the middle distance, where most previous art was set, and pressing it under our noses.
The show ahead is dominated by his religious influence, where the mood changes from sarky to sombre, but the methods remain the same. The Taking of Christ, from c 1602, borrowed from the National Gallery of Ireland, is a Caravaggio night scene of stupendous intensity. The lighting, the realism, the sense of overcrowding seek to make a distant religious event feel as if it is happening before you. A good word for the effect would be "cinematic". Not just any cinematic moment, but that especially tangible one when Stanislavski and his method pushed out the Gables and the Coopers and pushed in the Brandos and the Deans.
Apologies for focusing on Caravaggio himself when the show is chiefly about his followers. The inevitable truth is that on most occasions he shows them up. But the displayed works, drawn mainly from provincial collections in the UK, with a few ambitious foreign loans, do an excellent job of proving how quickly and widely his revolution spread.
Caravaggio's career-making moment as a religious artist was the unveiling of his dark telling of the story of St Matthew in the Contarelli Chapel, in Rome, in 1600. The effect was immediate. So immediate that, by 1601, Giovanni Baglione, later to become a bitter enemy, was already painting in a dark and unmistakeably Caravaggesque manner in the slumped Ecstasy of St Francis seen here. Even the sexy boy angels tending Francis, with their homoerotic tingle, are a clear steal.
High marks to the National Gallery for finding so many Caravaggesque examples scattered about Britain's lesser-known collections. Their presence adds weight to the show's argument, and a few of them are real finds. From the Ferens Art Gallery, in Hull, comes a beautiful St Sebastian, slumped on a scarlet cloth with St Irene tenderly pulling out his arrows, painted by Nicolas Regnier, an artist we need to hear more about.
Whoever painted the exquisite Christ in the Carpenter's Shop, from the Royal Collection, does not deserve to be known only as the Candlelight Master. This is a painter of rare sensitivity. As for the weird picture by Spadarino, from Perth Art Gallery, of Christ sticking his finger into his own wounds and urging us to have a good look, it is testimony both to the impact of Caravaggio's dramatic storytelling techniques and to the tasteless depths to which his followers could sink while striving to imitate him.
Beyond Caravaggio, National Gallery, London WC2, until Jan 15
« Portrait of a dashing genius
A prayer for art history »


For over 15 years California personal injury attorney Frederick J. Sette has been successfully representing individuals harmed in accidents throughout the Sacramento area and all over California. His practice focuses on helping those injured due to the fault of others. Attorney Sette has worked tirelessly to obtain the best possible results for those who have suffered injuries in all types of accidents including, but not limited to, motor vehicle accidents, boating accidents, work place incidents and dangerous product accidents. Mr. Sette believes that by providing personalized attention and emphasizing communication, he can ensure his clients obtain the results they deserve.
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Autobooks by Kenneth Ball owners workshop manual for Mazda RX-2 1971-1974. Limited time, free "Haynes Tune-up & Maintenance Guide for Mazda" included with purchase.
This do-it-yourself Workshop Manual has been specially written for the owner who wishes to maintain his car in first class condition and to carry out his own servicing and repairs. Considerable savings on garage charges can be made, and one can drive in safety and confidence knowing the work has been done properly. Comprehensive step-by-step instructions and illustrations are given on all dismantling, overhauling and assembling operations. Throughout the manual hints and tips are included which will be found invaluable, and there is an easy to follow fault diagnosis at the end of each chapter.


text:
Jillian Michaels is One Political Mother
November 18, 2016 Trish Bendix
The out fitness personality has a new book about modern motherhood, and it's as progressive as her politics.
Jillian Michaels might just change some minds and hearts in Trump's America.
Besides Ellen DeGeneres or maybe Neil Patrick Harris, there isn't another household name that is not only both out and successful, but that has a fanbase built partly of Republicans and conservatives in overwhelmingly red states. People are paying attention to what Jillian has to say, because her unabashed and sometimes cruel honesty is part of why they became fans in the first place.
A personal trainer with the ability to both infuriate and inspire her clients, Jillian is an unforgettable personality—a cheerleader you both love and loathe. Outside of her popularity on The Biggest Loser, she maintained that persona in instructional video games, best selling self-help books, advertising her own merchandise and product lines and other television appearances, including E!'s Just Jillian, a docs-series that went inside Jillian's life at home with her partner, Heidi, and their two children, Lukensia (six) and Phoenix (four). At series end, Heidi and Jillian got engaged, celebrating with family and friends.
In her new book Yeah BABY!, a "modern mama's guide to mastering pregnancy," both Jillian and Heidi share from their own experiences and bring in experts to confront misconceptions and common myths. It might just be the most inclusive celebrity-born book about early motherhood that's ever been published—one that readers of all identities will be able to enjoy and undoubtedly learn from. There is, of course, a large focus on the health, wellness and nutritional aspects of pre and post-pregnancy (meal plans included), but some of the best sections of the book come from Jillian's own life—excerpts where she explains her fertility issues and shares her love of Heidi's pregnancy boobs and how it relates to heartburn. The personal touch will thrill readers who feel like they already know Jillian, and also give same-sex couples an inclusive guide that isn't dry or overly-scientific.
The continued success of Jillian's brand ultimately depends on her own likability, and unfortunately, her identity as not only an out lesbian, but one who adopted a black daughter and coparents a half-Latino son birthed by her partner, could count against her. But anyone who adores the fitness and nutrition guru knows that she really doesn't give a shit what you think, unless its affecting her directly, something that's more apparent now than ever.
We spoke with Jillian about the election, what she learned writing Yeah BABY! and her sudden wedding plans.
GO Magazine: How have you been feeling this week after the election?
Jillian Michaels: Oh my god. I mean, furious? You know, I'm trying to find a place where I'm like, "Alright, what is the silver lining here?" And here's what I've come up with: You're starting to see all of these minority groups that I think have existed within their own communities really crossing these boundaries and coming together. It's like Black Lives Matter, LGBT rights community, women's rights and feminism—I mean it's just fucking insane and I think that's really special, and I'm excited to see that.
But I just feel like everyone's temporarily lost their minds. I don't understand. It's like, "Let's see what he's gonna do." What do you mean? "He could be successful." With what? That's what we're excited about? Ripping everybody's civil liberties away? Woo hoo! Jailing political opponents? Yeah, that'll be a great fucking idea. Limiting the freedom of press? Cannot wait.
And you have to respect the office—respect is earned; respect is not given. This man has disrespected the majority of minorities. I don't understand why we owe him anything. It makes me sick. I don't respect him. He's motivated myself and many other people to be more involved, and I just don't understand. When Hitler was elected, "Yeah, he's batshit, but let's see what he's gonna do!" I can't. I'm not there. I just cannot. I'm like, "Bullshit—no way."
GO: And you've had to go out and promote a new book—how has that been for you?
JM: A lot of people, obviously, don't wanna touch it because it's very divisive for all these reasons, and it's extremely polarizing, so no one's really asked me. I think—I wrote the book because I care so much about my kids and because I was frustrated at how corrupted the mainstream information about maternity was. And now one of our kids is black, I have a kid that is half-Latino, my brother and sister are Mexican and Venezuelan, my business partner is Puerto Rican, my mother is an Austrian Jew and my father is Syrian and Greek so if anything—oh and sorry, did I mention we are gay? So we've been hit on all levels here.
My family means more to me than anything in the world, as do my friends, and I think we've all been threatened and everybody's afraid, and for good reason. In essence, it's really the same thing. I wrote the book out of love for my family and feeling upset that people were being exploited and the same goes, in my opinion, with the election and I'm going to watch the situation like a hawk as I know many others are as well.
GO: What I love about Yeah, BABY! is that it is very inclusive because it kind of has to be—you had a baby with your partner, this your experience. When you and Heidi were having a baby, were you able to find any books that spoke to your situation or were they all pretty heteronormative?
JM: Well, obviously, everything felt very heteronormative. For me, we have a very mixed group of friends and—we have a lot of heterosexual couples in our lives—I do identify, in some cases, with their husbands. I just do! And people get pissed: "Oh you guys have modeled this type of dynamic." Heidi is just naturally a little more feminine and soft, and I'm just naturally more masculine, and I do kind of identify with my friend's husbands—it is what it is. And I think, what I was kind of hoping, to be honest with you, is a lot of dads would relate to my perspective or partners that are not pregnant that are playing the sort of stereotypical role of the one on the sidelines. And that's why Heidi's in the book as well so you can see it from both points of view.
But it's also not a memoir. We do include sort of our own anecdotes and personal experiences, but the reason is because the information in the book—and the reason the book was conceived, pun intended—is because of our experiences, and that's why three doctors contributed, and a registered dietitian, and a pregnancy fitness specialist. So I do hope that it does reach across those lines of straight, gay and says we all go through the same stuff here. We're all human, and this is what you need to know for yourself, for your partner, for the health of your baby—all the information is either corrupt or outdated.
GO: Was there anything you learned through the writing of the book that you didn't know about motherhood?
JM: I'd say everything. I clearly know about nutrition and exercise, so that one is going to be a foregone conclusion. But I will say that I was particularly surprised at a lot of the misconceptions about maternity. I didn't understand the tremendous influence you can have on your child—not just, obviously, in the womb, and if you don't take care of yourself, you can hurt the baby. But did you know you can impact their IQ, their long-term earning potential, their athleticism, their body fat, the amount of fat cells they are born with, their body mass index, their taste buds, their taste in food? It's pretty incredible. So that's where we start to look at, beyond removing the bad stuff, having a combination of consistent safe exercise and super nutritive food content that will be huge for your kiddo.
I also didn't understand the pregnancy is essentially a fountain of youth for mommy. We're just now learning the baby can lend the mommy embryonic stem cells, which are completely rejuvenative. So there's a lot that I learned, and there's new research out there. That's why we have doctors, a pediatrician, an OBGYN, an endocrinologist, and of course an RD in a pregnancy specialty. It's a very specific time in your life and the baby's life, and that's why people specialize. There's a lot to know.
GO: If there were new episodes of Just Jillian airing right now, what would we be seeing?
JM: Wow, well. You'd definitely be seeing the backlash of the election, for sure. That's kind of a big deal in our household. People have tried to comment "Your children shouldn't know." I just want to ask what world they fucking live in. Because your kids go to school and at my daughter's school, they have mock elections, and she would come home saying things to me like "Trump doesn't like brown people." She woke up in the morning after the election asking who won, and she started crying. I was like "Sweetie, what's wrong?" She was like "I don't want him to grab me by the privates, Mommy." I was like "Honey, Mommy and I would never let this happen. Where did you hear that?" At school. They hear it at school, you know? They hear that stuff at school, they see the cover of the paper with a freaking Syrian toddler bloodied on the cover of the Los Angeles Times or New York Times at Starbucks, and she's like, "What's going on? What is that?" You can't shelter them.
So that's been a big deal in our household, but I think you'd see a lot of the madness. We're in the middle of a remodel, and then Heidi wants to add four dogs and three more chickens. [laughs] My son has started swearing. I'm OK with it. You're perfectly welcome to express yourself however you need around me. But Heidi doesn't particularly like it. I don't mind it. So we've been dealing with that, but it's always a shit show. What are you gonna do?
GO: I have to ask, any wedding plans for the near future?
JM: Funny that you do ask that. We were going to plan something for summer of 2017, and now I think we're just going to City Hall in the next couple weeks. Because I don't trust—neither one of us trust anything that's coming out of [Trump's] mouth, and our concern is that—we're hoping, and again, we don't fully understand, but we're hoping that if we're already married, you get grandfathered in. Like the couples that were married and then they passed Proposition 8 and then the people that were already married got grandfathered in. So I don't know what that will look like on a federal level, but that's what we're planning on doing now, so she already applied for a marriage license in California. We have 15 days—we have to pick it up in person, so I think we're just going to go to City Hall because time is now of the essence. Like I keep seeing all these people on Facebook saying "Oh no, he's going to give it back to the states." And I'm like what do you think that means? It means the majority gets to vote on the rights of the minority, which is totally unacceptable and you lose your federal rights. What do you think the supreme court fights were about? "He's not going to do anything—he said he's not going to do anything." Oh really, Mike Pence? Mike Pence is the number one anti-gay politician in the country right now. And he's going to push a Supreme Court justice that may be too. Do you think he's not going to bring this back to the courts? I'm sure they are. I'm so upset about this, and I've never been the one to get militant, but you know what? This pushed me over the edge.
Yeah, BABY! is available now from Rodale Books.
Jillian MichaelsLesbian MomLGGTQ parentsMother
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During my twin pregnancy, I picked up a lot of common mythology—like "Breastfeeding makes the weight just magically melt off!" and "You'll be teeny tiny in no time with two babies to keep up with!" While those concepts may play out for some people, they hardly proved true in my case. Losing the weight has been all about huge effort and perseverance steadily over months—no magic involved.
That's a (hard) lesson I learned as a naive first-time mom, and something I'd be more realistic about if I were planning to be pregnant a second time (which I'm not, since I got my two in a one-shot deal)!
Of course, I'm not the only mom to have been naive about pregnancy weight gain. It's a common fallacy among many of us—even celeb mamas. Among those is second-time expecting mama Milla Jovovich, who just posted a prenatal fitness update on her Facebook page that reveals she had some of the same thoughts after her first time around—and is a lot smarter about weight gain now with baby number two on the way.
Writing candidly about her current weight (170 pounds) and her plans until delivery day, she said, "I've gained all the baby weight I need to have a healthy pregnancy—30 pounds—and as of last week, I've started having to be really careful about my lifestyle so I don't continue to gain unnecessarily, which is not healthy for me OR my newborn. I'm really proud of myself for not gaining the same amount of weight that I did with our first child (75 pounds) because I have to be ready to start filming Resident Evil—The Final Chapter in August of this year and I will also be nursing an infant simultaneously (get ready wardrobe department for Alice's new "easy mama access" costume) so I don't want to be on any extreme diets to get ready to go back to action hero mode!"
Two-time mama Jessica Simpson is also among the stars who had the same experience following her first time around. She told ABC News in 2013 that she didn't gain as much weight with the second baby. She said, "Any woman, dealing with their body after pregnancy, you look at yourself and you're like, 'What just happened to me?'... Going into my second pregnancy, I was just like, 'Oh, I can't eat the whole cake. I can just eat a piece of cake.'"
And that sounds like a sensible plan!
Sign up for our pregnancy newsletters and keep up with the latest pregnancy news.
Alesandra Dubin is a new twin mom. She's also a Los Angeles-based writer and the founder of home and travel blog Homebody in Motion. Follow her on Facebook, Instagram, Google+ and Twitter.
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text:
Джеймс Майкл Э́двард Уо́рд-Про́уз (; родился 1 ноября 1994, Портсмут) — английский футболист, полузащитник и капитан футбольного клуба «Саутгемптон». Игрок национальной сборной Англии.

Клубная карьера
Начал карьеру в молодёжной академии «Саутгемптона» в возрасте восьми лет. Дебютировал в основном составе «святых» в возрасте 16 лет 24 октября 2011 года в матче Кубка Футбольной лиги против «Кристал Пэлас». 7 января 2012 года забил свой первый гол за «Саутгемптон» в матче Кубка Англии против «Ковентри Сити».
После выхода «Саутгемптона» в Премьер-лигу в мае 2012 года, Уорд-Проуз подписал с клубом профессиональный контракт и был переведён в основной состав. Он получил футболку с номером «16». Его дебют Премьер-лиге состоялся в матче против действующего чемпиона «Манчестер Сити» 19 августа 2012 года.

Карьера в сборной
Выступал за национальные сборные Англии до 17 и до 19 лет. Летом 2013 года принял участие в чемпионате мира среди молодёжных команд. В сентябре 2013 года дебютировал в составе сборной Англии до 21 года.

В главной сборной Англии дебютировал 22 марта 2017 года в матче против сборной Германии.

Статистика выступлений за сборную

Примечания

Ссылки
 Профиль футболиста на официальном сайте «Саутгемптона»
 Профиль футболиста на официальном сайте Премьер-лиги

Футболисты Англии
Игроки сборной Англии по футболу (до 21 года)
Игроки сборной Англии по футболу
Игроки ФК «Саутгемптон»

redpajama_set_name: RedPajamaWikipedia


text:
<?php

namespace Mbcraft\Laravel\Icons\Bundles\FontAwesome;

interface WebApplication {

const ICON_PREFIX = "fa fa-";

const ICON_LIST = <<<TEXT
adjust
anchor
archive
area-chart
arrows
arrows-h
arrows-v
asterisk
at
automobile (alias)
balance-scale
ban
bank (alias)
bar-chart
bar-chart-o (alias)
barcode
bars
battery-0 (alias)
battery-1 (alias)
battery-2 (alias)
battery-3 (alias)
battery-4 (alias)
battery-empty
battery-full
battery-half
battery-quarter
battery-three-quarters
bed
beer
bell
bell-o
bell-slash
bell-slash-o
bicycle
binoculars
birthday-cake
bolt
bomb
book
bookmark
bookmark-o
briefcase
bug
building
building-o
bullhorn
bullseye
bus
cab (alias)
calculator
calendar
calendar-check-o
calendar-minus-o
calendar-o
calendar-plus-o
calendar-times-o
camera
camera-retro
car
caret-square-o-down
caret-square-o-left
caret-square-o-right
caret-square-o-up
cart-arrow-down
cart-plus
cc
certificate
check
check-circle
check-circle-o
check-square
check-square-o
child
circle
circle-o
circle-o-notch
circle-thin
clock-o
clone
close (alias)
cloud
cloud-download
cloud-upload
code
code-fork
coffee
cog
cogs
comment
comment-o
commenting
commenting-o
comments
comments-o
compass
copyright
creative-commons
credit-card
crop
crosshairs
cube
cubes
cutlery
dashboard (alias)
database
desktop
diamond
dot-circle-o
download
edit (alias)
ellipsis-h
ellipsis-v
envelope
envelope-o
envelope-square
eraser
exchange
exclamation
exclamation-circle
exclamation-triangle
external-link
external-link-square
eye
eye-slash
eyedropper
fax
feed (alias)
female
fighter-jet
file-archive-o
file-audio-o
file-code-o
file-excel-o
file-image-o
file-movie-o (alias)
file-pdf-o
file-photo-o (alias)
file-picture-o (alias)
file-powerpoint-o
file-sound-o (alias)
file-video-o
file-word-o
file-zip-o (alias)
film
filter
fire
fire-extinguisher
flag
flag-checkered
flag-o
flash (alias)
flask
folder
folder-o
folder-open
folder-open-o
frown-o
futbol-o
gamepad
gavel
gear (alias)
gears (alias)
gift
glass
globe
graduation-cap
group (alias)
hand-grab-o (alias)
hand-lizard-o
hand-paper-o
hand-peace-o
hand-pointer-o
hand-rock-o
hand-scissors-o
hand-spock-o
hand-stop-o (alias)
hdd-o
headphones
heart
heart-o
heartbeat
history
home
hotel (alias)
hourglass
hourglass-1 (alias)
hourglass-2 (alias)
hourglass-3 (alias)
hourglass-end
hourglass-half
hourglass-o
hourglass-start
i-cursor
image (alias)
inbox
industry
info
info-circle
institution (alias)
key
keyboard-o
language
laptop
leaf
legal (alias)
lemon-o
level-down
level-up
life-bouy (alias)
life-buoy (alias)
life-ring
life-saver (alias)
lightbulb-o
line-chart
location-arrow
lock
magic
magnet
mail-forward (alias)
mail-reply (alias)
mail-reply-all (alias)
male
map
map-marker
map-o
map-pin
map-signs
meh-o
microphone
microphone-slash
minus
minus-circle
minus-square
minus-square-o
mobile
mobile-phone (alias)
money
moon-o
mortar-board (alias)
motorcycle
mouse-pointer
music
navicon (alias)
newspaper-o
object-group
object-ungroup
paint-brush
paper-plane
paper-plane-o
paw
pencil
pencil-square
pencil-square-o
phone
phone-square
photo (alias)
picture-o
pie-chart
plane
plug
plus
plus-circle
plus-square
plus-square-o
power-off
print
puzzle-piece
qrcode
question
question-circle
quote-left
quote-right
random
recycle
refresh
registered
remove (alias)
reorder (alias)
reply
reply-all
retweet
road
rocket
rss
rss-square
search
search-minus
search-plus
send (alias)
send-o (alias)
server
share
share-alt
share-alt-square
share-square
share-square-o
shield
ship
shopping-cart
sign-in
sign-out
signal
sitemap
sliders
smile-o
soccer-ball-o (alias)
sort
sort-alpha-asc
sort-alpha-desc
sort-amount-asc
sort-amount-desc
sort-asc
sort-desc
sort-down (alias)
sort-numeric-asc
sort-numeric-desc
sort-up (alias)
space-shuttle
spinner
spoon
square
square-o
star
star-half
star-half-empty (alias)
star-half-full (alias)
star-half-o
star-o
sticky-note
sticky-note-o
street-view
suitcase
sun-o
support (alias)
tablet
tachometer
tag
tags
tasks
taxi
television
terminal
thumb-tack
thumbs-down
thumbs-o-down
thumbs-o-up
thumbs-up
ticket
times
times-circle
times-circle-o
tint
toggle-down (alias)
toggle-left (alias)
toggle-off
toggle-on
toggle-right (alias)
toggle-up (alias)
trademark
trash
trash-o
tree
trophy
truck
tty
tv (alias)
umbrella
university
unlock
unlock-alt
unsorted (alias)
upload
user
user-plus
user-secret
user-times
users
video-camera
volume-down
volume-off
volume-up
warning (alias)
wheelchair
wifi
wrench
TEXT;

}


2. Suits for making cake, biscuits, cookies.etc.
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4. Ideal for use with a range of Edible and Non-Edible.
5. Material including sugarpaste(rolled of fondant).
6. Petal paste(gum paste),marzipan or craft clays.
7. Easy to clean and use.


This first-ever report rating individual European Union countries on how they face up their Holocaust pasts was published on January 25, 2019 to coincide with UN Holocaust Remembrance Day. Researchers from Yale and Grinnell Colleges travelled throughout Europe to conduct the research. Representatives from the European Union of Progressive Judaism (EUPJ) have endorsed their work.
The fact that this Report omits to present any research on the topic relating to the candidate countries on the path to becoming EU member countries, such as Serbia, is quite a concern. One would expect that Serbia, which was among the first to declare itself "Judenfrei" (Jew-free) in Europe early 1942, would feature in this Report. But expectation for justice for all Holocaust victims in Europe is one thing and reality – another. Sadly.
● Revisionism is worst in new Central European members – Poland, Hungary, Croatia and Lithuania.
● West European countries are not free from infection – Italy, in particular, needs to improve.
"As the world marks the United Nations Holocaust Remembrance Day on January 27, European governments are rehabilitating World War II collaborators and war criminals while minimising their own guilt in the attempted extermination of Jews.
Revisionism is often accompanied by a revival of Nazi-inspired hate speech. Hungary's right-wing Prime Minister Viktor Orban has described the arrival of asylum seekers in Europe as 'a poison', saying his country did not want or need 'a single migrant'. Jaroslaw Kaczyński, head of Poland's governing Law and Justice Party, has warned that migrants are 'parasites' that carry 'very dangerous diseases long absent from Europe'. In the same vein, French right-wing extremist Marine Le Pen called for the 'eradication of bacterial immigration', proclaiming that immigration was causing an 'alarming presence of contagious diseases' in France. In his Mein Kampf, Hitler repeatedly refers to Jews as parasites," says the Report.
Comparing today's politicians' views regarding mass migration into Europe to Adolf Hitler's views, as this Report does, is in my view utterly irresponsible and wickedly conniving.
Letting that question alone for now and turning our attention to the term of "historical revisionism" we so frequently find in today's world, we should all know that history is, in fact, never fixed or objective, but always a living document — one written by those who have or had power, who have access to the telling because the powers that be allow them that access.
Reading between the lines of the text, and the lines of the text, it would seem the authors of this Report fall among traditionalists of this world who believe that history is objective and once anyone seeks to better understand a person or the narratives of the past, those traditionalists shout "revisionism," as if that new understanding (even new factual finding that contradicts recorded history) is something to be shunned.
Indeed, when it comes to Croatia and its WWII history regarding the numbers of victims of the Holocaust, all attempts at researching the truth, the facts via accessible archival materials, have sadly been branded revisionism. Needless to say, representatives of the Simon Wiesenthal Centres such as Efraim Zuroff, have and still hold the banner for such branding.
That any history written by the elite or powerful ones is objective and apolitical is a naïve but dangerous position; dangerous because it denies all victims justice and due recognition.
"Controversy swirls over the wartime role of the Roman Catholic Church. The Archbishop of Zagreb Aloysius Stepinac has been accused of failing to condemn the Ustaša, yet at the same time credited with thousands of Serbs and Jews. The Church beatified him in 1998. Recent research by historians Robin Harris and Esther Gitman Stepinac show Stepinac as anti-Ustaša, a vocal critic of Ustaša racial theories, and a thorn at Pavelic's side… Much of the issues in the media (in Croatia) revolve around Jasenovac and often reflect problematic revisionist thinking. After film director Jakov Sedlar created a revisionist documentary on Jasenovac in April 4,2016, Croatian state television HRT hosted Sedlar and did not challenge his claims," says the Report.
Whether the Report omits to mention research on Jasenovac camp deaths of Igor Vukic and Roman Leljak, who use archival documentary evidence that significantly refutes the numbers of victims at WWII Jasenovac camp, on purpose in order to provide yet another lifeline to the unjust term of "revisionism" is a matter for each Report reader's consideration. Notwithstanding, one cannot remain blind to facts; one can mar them for political gain, though.
One is compelled to conclude that such recent research and findings are labelled in this Report as "extreme sensitivity" rather than pinning the findings of such research as credible and worth pursuing (for historical truth) to the body of this Report. "Extreme sensitivity continues around the numbers of those murdered at the Jasenovac Concentration Camp. Serbs estimate 700,000 victims. More recent and objective findings, however, such as those of the United States Holocaust Memorial Museum, puts the number between 77,000 and 100,000. The numbers remain unclear and the subject of a genuine detect story. An independent commission, similar to Romania's Weisel Commission, would help clarify," says the Report.
Since the Report goes on to give some kind of credibility to what Serbs claim as estimates it is all the more incredulous and tendentious that the Report fails to address those claims further (as being utterly false or unfounded on facts). Indeed, the Report fails to address the Holocaust in WWII Serbia, which saw 94% of Serbia's Jews exterminated by May 1942 at this time when Serbia is on the path to the EU membership and the authors of this Report obviously consider important for the EU as to which country in Europe is doing what regarding WWII Holocaust.
This kind of reporting or writing perfectly captures the reality of all history.
The great irony of slurring history with "revisionism" is that history as a living document should be a constant act of retelling history in an effort to make the story clearer, more accurate; revisionism is not an erasing of history but a correction of the wrong presented in "officially" recorded history. A revised view of history allows us to acknowledge what is not debatable ― many with power over Croatia in the past (Communists and their subscribers), were racists ― and is essential for helping us resolve what is debatable (and the numbers of the so-called WWII Ustashe victims have been the subject of painful debates, mere estimates dubbed as facts, and politically-driven intolerance), whether or not we correct the victim figures, rename buildings/institutions or dismantle monuments.
There's an old saying that time is the enemy of memory and ignorance is the enemy of knowledge. When the established knowledge based on estimates and other charades that misrepresent the truth are challenged by new findings then ignorance thrives and memories of victims often become banal or fade. It would seem that the usage of the negatively connoted concept of revisionism to characterise fact-finding attempts when it comes to history that includes the Holocaust contributes significantly to the views we come across throughout the world that the world is forgetting the horrors of the Holocaust. One could argue that if attempts to untangle the truth from the lies when it comes to the number of Jews that perished in the Holocaust are labelled as unwelcome revisionism – i.e. denial of the Holocaust – then indeed memory for even the recorded history must suffer; because doubt in the truthfulness of that recorded memory inevitably develops with every new factual finding or every attempt to correct historical records written by those in power.
We can remember those who perished and were murdered without talking about numbers! We can remember the Holocaust human catastrophe and pay respect to those who suffered without trying to embellish it with numbers that are subject to vigorous debates and rows. A human catastrophe is a catastrophe regardless of the number of victims it takes or took with it.
I don't think so Ava, Harris and Gitman are about facts, researched hard facts regarding Stepinac's work on saving Jews and others. There are sadly those still who keep churning political tripe and lies, so we hang on for truth to finally surface.


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He spends time every day carefully browsing through profiles and looking for women who he feels share his same interests – beyond the dating site's algorithm which promises to perform its own magic in matchmaking. I spent hours trying to create a profile that shows people what I'm really like. Sure, I get a lot of profile "views", but no messages.Despite his efforts, few girls ever answer his carefully crafted, very kind messages. I started out using Match.com, but then a friend told me that the success rate is much better on OKCupid, so I switched over to that. I've scheduled about an hour a day to browse through profiles and I look for several things.
I have to mention that I did get maybe a message or two from guys that seemed okay, but once I checked out their profiles, it didn't seem like we had anything in common so I didn't bother.I don't know, maybe some girls might think of that as a compliment but personally, I would have preferred a simple message like, "Hey, would you like to talk?


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text:
MIDDLESEX STANDING JOINT COMMITTEE
Reference code(s) : ACC/0622
Full title : MIDDLESEX STANDING JOINT COMMITTEE
Extent : 0.16 linear metres
Name of creator(s) : MCC | Middlesex County Council x Middlesex County Council
The administration of roads and bridges was one of the very earliest functions of County administration. In 1555 an Act of Parliament was passed which made parishes responsible for the maintenance of the roads running through it, including supply of materials and labour for repairs. In 1663 Parliament first authorised the erection of turnpikes or toll barriers to raise funds for the maintenance of roads. By 1770 there were 7800 toll gates, despite the system being so unpopular it caused riots.
Towards the end of the eighteenth century the Industrial Revolution led to a large increase in traffic. In 1808 a Parliamentary Committee to consider the administration of roads was established. This Committee appointed paid county surveyors to examine the roads and produced a plan for the consolidation of the turnpike system around London, which led to improvement to the Middlesex turnpikes in 1826. It was not until the Local Government Act of 1888 that responsibility for the maintenance and repair of main roads was passed to county councils, while the care of smaller roads was passed to the local councils.
The Standing Joint Committee of most counties was responsible for control of the local police force. However, Middlesex was within the Metropolitan Police Area controlled by the Home Office, so the Standing Joint Committee was given other duties. These included matters relating to the accommodation of the quarter sessions and all property, appointment and control of officers and the provision of petty sessional court houses.
Plan and profile of the road from Tybourne Turnpike to Bayswater Bridge, 1824.
Plan of part of the Uxbridge Turnpike Road at Notting Hill, 1825.
Plan for improving the line of the road at Notting Hill, 1825.
Plan and profile of the road from Notting Hill Turnpike to Holsdon Green, 1825.
Plan of road from Turnham Green to Shepherd's Bush, 182-.
King's Scholars Pond Sewer (also known as the river Tyburn) from the River Thames to Mr White's Bridge, showing intended improvements, 182-.
Plans arranged chronologically.
Available for general access.
Copyright: City of London.
Received in 1957 (ACC/0622).
For further information on the history of road maintenance in Middlesex please see Middlesex by Sir Clifford Radcliffe (2 editions, 1939 and 1953), LMA Library reference 97.09 MID; and The County Council of the Administrative County of Middlesex: 76 years of local government, 1 April 1889 to 31 March 1965, by Middlesex County Council (1965), LMA library reference S97.09 MID.
County surveyors
People by occupation
Road engineering
Turnpike roads
MCC | Middlesex County Council x Middlesex County Council
Holsdon Green
Thames, river
Tyburn, river


It took some work to find this song, that Guy Funk showed me a few months ago...now that I have found ii, I plan to share it on article series I am writing on Surviving Homelessness in Savannah GA. This will be featured on the last article of this series entitled..."The Way Home." God bless you for this song!
I love your tenacity vocally on your song! Great message! I could easily see this song on the back drop of a documentary about the same or a similar subject matter to the song.


Full Marble Fireplaces including a back panel, hearth, body and shelf, all you need to do is add a gas or electric fire of your choice.
These are our full and exclusive package deals designed by us, including a Marble Fireplace and Electric Fire with choices of marble colour, fire colour and more!
These are our in-house designed package deals manufactured by us, including a Marble Fireplace and Electric Fire with choices of marble colour, fire colour and more!
Slimline Gas Fires are usually 4 inches or so deep (a lot less deep than the full depth fuel beds). Slimline fuel beds are suitable for most chimney/flue types including those in newer homes.
Full Depth Gas Fires are much deeper than slimline fires and are designed for homes with brick built chimneys or prefabricated flues. Brick built chimneys are common in pre-1960 homes.
High Efficiency Gas Fires are available in both slimline and deep variants but have a much higher efficiency rating, perfect for people who use a gas fire a lot or people who use a gas fire as a main source of heat.
Ranked in the Top 3 Fireplace companies in the UK.
We pride ourselves on outstanding quality and customer service and our aim is to provide beautiful handmade marble fireplaces at fair prices.
We're proud to say all of our Marble Fireplaces are handmade in the UK.


Sending a message to a candidate is simple!
1. Add a candidate to your pipeline by adding them to a position (they can also end up in your pipeline by applying).
2. Move them to at least the Qualified Stage ( Qualified, Interview, Offer, Hired, Rejected).
3. Send them a message by clicking the "Send Message" link from within that stage (see example below).
When you click the "Send Message" link, a conversation is immediately started with the candidate and we pre-populate the message field with a placeholder message.
At this point you can either send the precomposed message or personalize it before sending.
If you have messages, you will see a new envelope icon next to your name (see below for an example). Clicking that envelope will take you to your inbox where you can read and respond to messages sent by clinicians.
Don't see an icon? That means you haven't sent or received any messages yet.
That's why you'll automatically get an email notification when you receive a new message when you're not logged in (example notification below).
Can clinicians send me a message?
Currently, only employers can start a conversation. This means that although clinicians can send you messages after you contact them, they cannot reach out to you unsolicited.
We're constantly listening to user-feedback to determine how our app should work and would love to hear from you should you have any suggestions!


Our service and presentation packages can be adapted to audiences of one or many and are fully customized to meet your exact needs!
We know you're super busy, so our convenient booking system makes it easy to schedule your next event! Just give us a call or book your event here online and we will do the rest!
To get started, decide whether your event will be a one hour or two-hour event. For instance, we recommend one hour events for children's birthday parties.
Click the book now button associated with the event time you chose and you will arrive at our scheduling tool.
Choose the date and time of your event from the available slots and click the next button.
Fill in the short contact form, submit it, and a representative will contact you to discuss important details. We aim to make your event exactly what you want it to be!
We ask that you book your 802 Reptiles event with us when you are committed to having us and committed to the date and time of your booking.
Refunds or show reschedules will be issued for the following reasons: Inclement Weather (snow, ice, power outages, etc..); Illness or Injury on the part of the customer or our presenter; Family Emergencies on the part of the customer or our presenter; Interruption or Delay of Transportation (the car breaks down, the Highway is closed, etc…) of our presenter; or any cause beyond the control of 802 Reptiles or the customer.


Oliver House, who is a long term member of Studio ARTES, created Ride a Day in My Wheels as a way to increase public awareness of what it is like to be in a wheelchair.
Ride a Day in My Wheels is held in celebration of the International Day of People With Disability. Riders are invited to sign up to ride and fundraise for Studio ARTES in a challenge day around Hornsby Mall. Are you up for the challenge?
Studio ARTES celebrated Carers Week in October 2017, to help raise awareness of carers, the caring role and relationships, and carer supports and services. We celebrated Carers Week as we wanted to let our carers know how much their contribution means! Throughout the week, our sessions focused on celebrating carers and all that they contribute. We also invited parents and carers to attend our 'Carers Open Day' event where we invited guests to join in on our programs for our afternoon sessions. We also invited external services to come so guests could ask them questions about the services they provide.
The above video was created by our Multimedia group as a way to show support for carers and further raise awareness!


Zirconomer Improved defines a new class of restorative that promises the strength and durability of amalgam with the protective benefits of glass ionomer while completely eliminating the hazard of mercury. This high strength restorative has been specially reinforced with nano-zirconia fillers that not only impart remarkable mechanical properties to the restoration for posterior load bearing areas but also provides enough translucency to match natural tooth. Combination of outstanding strength, durability and sustained fluoride protection deems it ideal for permanent posterior restoration in patients with high caries incidence as well as cases where strong structural cores and bases are essential.