text:
THE CHASE IS ON	May 28, 2021
EP Vin Rubino Talks About The Chase S2 Changes
The showrunner sits down with Cory to talk about pacing, money and Mark Labbett.
@pacdude
Cory Anotado, BuzzerBlog: The Chase, I think, is to me, one of the trivia equivalents of The $100,000 Pyramid. It's a game that's been airing on UK TV for, you know, 150,000 years at this point, and they have it down to a science. Knowing a few things: 1, that ITV had already brought it to American shores and it was surprisingly successful, for being on a cable network, it was very well received; and two, the fact that we knew to a point it was going to come on with these big Jeopardy guys, they're going to be the chasers; And three, for me personally, having been a contestant on the original GSN Chase, I had pretty high hopes. One of the major complaints of the first season of The Chase on ABC was the pacing, that the game felt slower than what people expected it to be if they had expectations. But if they didn't have expectations, they just felt that the game was kind of slow. Was that was that an intentional choice on the producer's part, or was that more of the host, trying to find her groove and and it just falling flat of what people expected?
Vin Rubino, EP, The Chase: It was a combination of things. One, when you talk about The Chase on GSN, that was for a very focused game show audience. Those are full-on gamers. On a network for a primetime show, you're gonna have that audience, but you also have a mainstream audience that isn't familiar with it. And it means [you have to slow down] that blinding speed—and it can be, that's the most exciting part, especially the Final Chase. However, when you're when you're bringing a show in for primetime, I think you has to be cognizant that [that pace] can get to be a little dizzying for people when it goes that fast. Also, this is [host] Sara [Haines]'s first swing at it as well. There's 160 questions an episode, a lot to get through. She wanted to be very cautious that people at home can understand that, but most importantly, the people in the studio can understand her. We've made a conscious decision to that. I don't want her to be super blazing fast. It needed to have some clarity to it.
And the other thing is, the GOATs from Jeopardy! are so held up so high in this country, there's super smart, which is why we made the Cash Builder $25,000 for a correct answer, so that you want them to have a bank even if they get 2 or 3 right. Remember that, in the UK it's a daily show, for a lot less money. It's like their Jeopardy! on some level. So it was a bit of balance. In retrospect, $25,000 may have been too high. But there was a balance that had to happen with speed versus the money. Americans like watching people play for million dollars at the end of the game. Having people watch an hour of show to play for $30,000; it doesn't feel like it has enough weight to it.
So there's so many mitigating factors in this show: timing, money values, speed, and difficulty—trying to balance all of those things. And I think we got it quite—I'm not saying perfectly, the first season. But I will tell you this, the second season, we made the necessary changes. We brought the Cash Builder down to $10,000 for a correct answer and it moves a lot faster in that regard, and it is far, far more dynamic.
But again, we're trying to do is we're trying to introduce this to a primetime audience. We didn't touch the format in any way; we just pulled a few levers here and there, I knew the gamers were going to be furious over some things. But at the end of the day, you're making it for a different audience. We'll get to where it has to go. I trust this format. I didn't want to mess with the format too much. There were a lot of things they wanted to try, and I kept saying, no, I don't want to do that.
We brought the Cash Builder down to $10,000 for a correct answer and it moves a lot faster in that regard, and it is far, far more dynamic.
One of the things they did do was touch the Cash Builder money, but what we found is if you go up against Ken Jennings, if you go to the board with $60,000, no one's gonna take the high offer, right? If you have three people who make 60, 40 and 20, so now they're playing for $120,000.
It felt very unsatisfying. We had one person last season take the high offer, because we made the Cash Builder too high—with the idea of Ken Jennings, James or Brad, There's no way they're gonna do it. The one guy that did, it was kind of a little crazy. He crashed and burned. But it's not the case, this time around. We've had some amazing, amazing episodes. And that's the other thing too, we only get nine episodes last season, Right? We got into it, and just as we hit our groove, we're done!
Now, and I said this to Sara when we started, I had some fights with Standards and Practices with this: I wanted to be able to let her read the [game question] material of the day or the night before. They're very restrictive about material. So she's able to read things at night, but it's all secured; it's not allowed to be on paper, she can go over but then she can't see it again, but all of those factors changed and with 14 episodes down, I can tell you season two is so far above what season one was, as it should be! Because this is the second time this team is into this. And the last few episodes we just shot yesterday that were just off the charts. A Plus. I grade everything. A pluses yesterday, I expected more.
Cory, you're right to talk about the format. There's nothing wrong with criticizing what happened with season one. At the end of the day, I'm very proud of what we put together. Was it absolutely perfect? No, but it's a part of evolving this format and growing it for primetime audiences. I can take the notes, but it has to be measured [appropriate against the UK version] because they're working with a show they do on a daily basis. And they play for a lot less money. It's a different vibe there. It's a country full of trivia people. It's a much more of a thing that I did in the United States. There's a balance. And [SVP of alternative programming at ABC] Rob Mills, to his credit, it was his idea from the get go. He called me and he said, "the Jeopardy guys are great, let's put them on The Chase. What do you think?" It's a great idea.
And [the Jeopardy GOATs] are just amazing. They really are kind of like machines. But they know the game, they understood it, and they knew their role to play. I do nothing with them other than say, play your role; play the role of The Chaser.
Yeah. I'm glad that Rob Mills checks the tweets that I tweet at him to say, Hey, bring the chase on ABC. I'm glad he reads those. Now he's he's a he's a true friend of gameshows. Like, We've interviewed him a couple of times. And definitely, I think, more than anyone in his executive level on television, does anyone understand game shows like Rob Mills.
Also, as a television programmer, [game shows are] the only thing that is truly interactive and sticky. All the streamers are trying to figure out how to do it. That's what draws people in to stay.
So yeah, I think you hit a lot of the the comments that I think a lot of people made—to lower the Cash Builder to $10,000, and to increase the speed of the game would definitely introduce a little more risk taking involved in the offers on the board. Because, you know, just like you said, we noted that when you have that vast amount of money on the table, the money that you earn in the Cash Builder is enough to change your life. So why risk even more to go up against, so it's nice that that balance is there. What was the rationale for inviting the Beast [Mark Labbett, one of the original UK Chasers] to the show for Season 2?
Rob Mills, [VP of Alternate Series & Specials at ABC] Tiffany Faigus and I had discussed using Mark "The Beast" Labbett from the very beginning of Season 1, since he is the original Chaser and has done well over 600 episodes in multiple international markets. The Beast has been an iconic centerpiece of The Chase worldwide, and especially for fans in the US who were introduced to him on the successful GSN version. But the decision was made to launch the show in prime time on ABC featuring the GOATs from Jeopardy! as The Chasers. In success, we had always planned to add The Beast to add to our formidable team of Chasers, given his pedigree and world renowned level of quiz genius. Mark has proven to be an incredibly entertaining and powerful player on the primetime version of The Chase and he fits in perfectly alongside Ken, James & Brad. The Beast is back…and he is neither kinder or gentler, but genius. Just like the original UK version, we plan to add to our strong team of Chasers in future seasons.
The Chase will return for Season 2 on Sunday, June 6 at 9/8c. This interview was edited for length and clarity.
The Chase (US)


text:
Katedrála v Segedínu () je římskokatolická katedrála v diecézi Segedín-Csanád postavená v letech 1914–1930 v novorománském slohu. Stavbu navrhl architekt Frigyes Schulek.

Historie

V noci 12. března 1879 rozvodněná Tisa zasáhla větší část města a zahynulo okolo 150 lidí. Voda opadla po třech měsících. Přes 5 400 domů bylo zničeno a asi 60 000 obyvatel zůstalo bez přístřeší. Císař František Josef I. město navštívil 17. března a rozhodl o jeho rozsáhlé rekonstrukci. Pomoc přicházela z různých evropských i jiných zemí. Obyvatelé města se také zavázali postavit novou katedrálu. Vybrali pro ni místo, kde dříve stál středověký kostel sv. Demetria. Z kostela zbyla původní věž (Dömötör-torony), nejstarší stavba v Segedínu.

V soutěži na stavbu katedrály se sešlo 35 návrhů a zvítězil v ní architekt Frigyes Schulek, který projektoval například Rybářskou baštu v Budapešti. Jeho původní návrh byl obdobou pařížské baziliky Sacré-Cœur. Katedrála měla být obložena bílými kameny. Plán přepracoval architekt Ernő Foerk do dnešní podoby. Byl inspirován cihlovou architekturou v Lombardii a na stavbu místo kamene tedy použil levnější pálené cihly. S pracemi se začalo v srpnu 1913. Základní kámen byl položen 21. června 1914, ale práce byly v souvislosti s první světovou válkou, pak revolucí a inflací na několik let přerušeny. Intenzivně se znovu rozeběhly v roce 1923, kdy se stal Segedín znovu sídlem biskupství. Katedrála byla dokončena 24. října 1930. Slavnostně byla otevřena za přítomnosti maďarského regenta Miklóse Horthyho a ministra Kuna Klebelsberga.

Popis
 Exteriér: Segedínská katedrála je zasvěcena Panně Marii. Je čtvrtým největším kostelem v Maďarsku. Má kapacitu až 5 000 osob. Byla založena na půdorysu trojlodní baziliky s transeptem a polokruhovou apsidou. Má dvojici věží v průčelí, dvojici menších věží při závěru a kupoli nad křížením hlavní lodi s transeptem. Nad postranními loděmi je ochoz (triforium).  Dvě dominantní věže v průčelí jsou vysoké 91 metrů a v horních patrech mají pět zvonů. Na východní věži je umístěn největší zvon o váze 8 537 kg. Je druhý největší v zemi a byl odlit v roce 1927. Další čtyři zvony mají hmotnost 2 670 kg, 1 000 kg, 580 kg a nejmenší zvon sv. Terezy 250 kg. Kupole má výšku 54 metrů. Průčelí je novogotické s kruhovou rozetou nad vchodem. Nad hlavním vstupem je v nice umístěna třímetrová socha korunované Madony s Ježíškem, ochránkyně Maďarska. Po stranách vchodu jsou sochy sv. Jana Kapistrána (vlevo) a sv. Gerarda ze Segedínu (vpravo), od sochaře Ištvána Tótha. Po stranách madony je na fasádě v mozaikách vyobrazeno 12 poprsí apoštolů.
 Interiér: Oltáře jsou tesané z bílého mramoru. Před původním hlavním oltářem s motivy Kristových pašijí stojí biskupský baldachýn se současným oltářem čelem k lidu. Postranní oltáře v transeptu jsou zasvěceny patronům Maďarska, sv. Vojtěchovi, sv. Štěpánovi, sv. Ladislavovi a sv. Demetriovi. Okna jsou vyplněna barevnými vitrážemi: v rozetách v transeptu jsou protějškové motivy Nejsvětějšího srdce Ježíšova a srdce Mariina, erby uherských panovnických a hlavních šlechtických rodů, v oknech lodí postavy světců, například Jana Nepomuckého. V kupoli je malba Seslání Ducha svatého. Varhany mají 9 740 píšťal a patří mezi největší v Evropě.

 Obnova: V letech 2014–2015 proběhla velká rekonstrukce celé katedrály, včetně archeologického průzkumu. Po ní byly pro turisty zpřístupněna věž sv. Demetria, krypta, návštěvnické centrum a západní věž. Z věže je vyhlídka na město z výšky 46 metrů, vede k ní 302 schodů. Současně s katedrálou byl podél přilehlého náměstí vystavěn blok budov biskupství, kde sídlí biskup a vysoká škola.

Galerie

Odkazy

Reference
 Jen zčásti

Externí odkazy

 Oficiální stránky
 Katedrála na YouTube

Katedrály v Maďarsku
Segedín
Novorománské kostely
Postaveno v Maďarsku 1930
Segedín

redpajama_set_name: RedPajamaWikipedia


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text: Q: What is the scientific term for an analysis or comparison of percentage of two commodities? My analysis has resulted in a graph where the x-axis is a percentage of one commodity and y-axis is the percentage of another commodity. Is there any concise name or terminology for this kind of analysis? This is my graph:

redpajama_set_name: RedPajamaStackExchange


text:
Q: Function is undefined, but i had defined it I'm a PLC programmer, i made a html page and i need it script refresh every second, so in my body i placed:
    <body onload="changeimage()">

.... code ....

</body>

And the script:
<script>
setInterval(function changeimage() {
var sonde = ["Sonda1","Sonda2","Sonda3","Sonda4"];
var tsonde = ["tsonda1","tsonda2","tsonda3","tsonda4"];
var temperature = [:="OUTPUT".AlarmTemp.Sonda1:,:="OUTPUT".AlarmTemp.Sonda2:,:="OUTPUT".AlarmTemp.Sonda3:,:="OUTPUT".AlarmTemp.Sonda4:];
var hotcold = document.getElementById("Fiocco");
if (:="OUTPUT".Stagione.Estate: > 0){
      hotcold.src="sun.jpg"}
if (:="OUTPUT".Stagione.Inverno: > 0){
      hotcold.src="Neve.png"}
 for (x in temperature) {
           var icona = document.getElementById(sonde[x]);
                     if (temperature[x] > 0 ){
               icona.src="Paverde.png"
           }
           else{
               icona.src="Parossa.png"
           }

     }
}, 1000);
</script>

Anyway i get the error:
ReferenceError: changeimage is not defined
P.S.: Don't get fooled by the arrays who start with ":", is a PLC syntax, is correct.
@ Even removing the setinterval option, the script is not working.

A: Define the function first and make sure the script is loaded.
Example in code pen: https://codepen.io/mikila85/pen/NWPvQPE
function changeimage() {
    setInterval(function() {
        var sonde = ["Sonda1","Sonda2","Sonda3","Sonda4"];
        var tsonde = ["tsonda1","tsonda2","tsonda3","tsonda4"];
        var temperature = [:="OUTPUT".AlarmTemp.Sonda1:,:="OUTPUT".AlarmTemp.Sonda2:,:="OUTPUT".AlarmTemp.Sonda3:,:="OUTPUT".AlarmTemp.Sonda4:];
        var hotcold = document.getElementById("Fiocco");

        if (:="OUTPUT".Stagione.Estate: > 0){
            hotcold.src="sun.jpg"
        }
        if (:="OUTPUT".Stagione.Inverno: > 0){
            hotcold.src="Neve.png"
        }

        for (x in temperature) {
            var icona = document.getElementById(sonde[x]);
            if (temperature[x] > 0 ){
                icona.src="Paverde.png"
            }
            else{
                icona.src="Parossa.png"
            }

        }
    }, 1000);
}

A:
Anyway i get the error: ReferenceError: changeimage is not defined

setInterval(function changeimage() {

Sure it won't be defined, as it was only defined as a callback function to the setInterval() call.
So it won't be visible outside of this setInterval scope, and it won't be visible for the onload event listener of your body.
Solution:
You should define your changeimage() function in the global scope (outside of the setInterval like this:

<head>
  <script>
    function changeimage() {
      var sonde = ["Sonda1", "Sonda2", "Sonda3", "Sonda4"];
      var tsonde = ["tsonda1", "tsonda2", "tsonda3", "tsonda4"];
      var temperature = [: = "OUTPUT".AlarmTemp.Sonda1: ,: = "OUTPUT".AlarmTemp.Sonda2: ,: = "OUTPUT".AlarmTemp.Sonda3: ,: = "OUTPUT".AlarmTemp.Sonda4: ];
      var hotcold = document.getElementById("Fiocco");
      if (: = "OUTPUT".Stagione.Estate: > 0) {
        hotcold.src = "sun.jpg"
      }
      if (: = "OUTPUT".Stagione.Inverno: > 0) {
        hotcold.src = "Neve.png"
      }
      for (x in temperature) {
        var icona = document.getElementById(sonde[x]);
        if (temperature[x] > 0) {
          icona.src = "Paverde.png"
        } else {
          icona.src = "Parossa.png"
        }

      }
    }

    setInterval(changeimage(), 1000);
  </script>
</head>

<body onload="changeimage()">

  .... code ....

</body>

You can see it working in  this Demo.
Note:
Make sure to place your script tag in the head of your HTML page before the body tag so it can be accessed in the onload event listener.

A: try this
function changeImage(){
  ....
}

// if you need to call every 1 sec
setInterval(changeImage,1000);

// else
changeImage();  or // setTimeout(changeImage,1000)


In July, the ISM manufacturing index inched up 0.1 percentage points to 49.8%, undershooting market expectations, which had anticipated the index rising further to 50.1%. The figure marks the second consecutive month in which the index remains below the 50% threshold, following on 34 consecutive months of expansionary readings. The July reading mainly reflected how improvements in the inventories, production and new orders sub-components of the index were nearly offset by declines in the supplier deliveries and employment categories. According to the ISM a growing number of comments from the panel this month reflect a slowdown in their businesses and general concern over increasing economic uncertainty.


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Image Attribution for Lynn Silipigni Connaway Presentations
Harvey, William, Erin M. Hood, and Lynn Silipigni Connaway. 2017. "On Shapes and Sizes: Measuring Diversity of Technological Engagement through Digital Visitors and Residents Maps." Presented at the ASIS&T 2017, 80th Annual Meeting of the Association for Information Science and Technology, Washington, DC, October 31.
https://www.slideshare.net/LynnConnaway/on-shapes-and-sizes-measuring-diversity-of-technological-engagement-through-digital-visitors-and-residents-maps-82064808
https://www.slideshare.net/oclcr/on-shapes-and-sizes-measuring-diversity-of-technological-engagement-through-digital-visitors-and-residents-maps
Image Attributions:
Slide 2: Image: https://www.flickr.com/photos/ameteorshower/7003279005/
Slide 4: Image: https://www.flickr.com/photos/29233640@N07/9363159824/
Slide 5: Image: http://www.flickr.com/photos/15216811@N06/8521338394
Slide 37: Image: https://en.wikipedia.org/wiki/Mouse#/media/File:%D0%9C%D1%8B%D1%88%D1%8C_2.jpg and Image: https://s0.wp.com/wp-content/mu-plugins/wpcom-smileys/twemoji/2/svg/1f9c0.svg
Slide 48: Image: http://atkinsanthro.blogspot.com/2013/11/playing-with-cognitive-mapping.html and http://4.bp.blogspot.com/-ovQmL8OAWtE/UouwsrtOvfI/AAAAAAAAA9g/d2xyJ-nXgD8/s1600/Map+7.jpg and http://www.andrewasher.net/BiblioEthnoHistorioGraphy/coding-library-cognitive-maps/ and http://www.andrewasher.net/BiblioEthnoHistorioGraphy/wp-content/uploads/2013/12/map41.jpg
Slide 50: Image: https://www.flickr.com/photos/scatteredashes/5844154762/
Connaway, Lynn Silipigni, Heidi Julien, Michael Seadle, and Alex Kasprak. 2017. "Digital Literacy in the Era of Fake News: Key Roles for Information Professionals." Panel presented at ASIS&T 2017, 80th Annual Meeting of the Association for Information Science and Technology, Washington, DC, October 30.
https://www.slideshare.net/LynnConnaway/digital-literacy-in-the-era-of-fake-news-key-roles-for-information-professionals
Slide 2: Image: https://twitter.com/oxfordwords/status/798752580872437760?lang=en
Slide 3: Image: https://en.oxforddictionaries.com/word-of-the-year/word-of-the-year-2016
Slide 4: Image: https://www.flickr.com/photos/96310508@N06/10390540955
Slide 5: Image: https://www.flickr.com/photos/mxmstryo/3507201141/
Slide 6: Image: http://bit.ly/2lPFoNi
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Slide 8: Image: https://www.flickr.com/photos/142500385@N08/27577398941/
Slide 9: Image: https://www.flickr.com/photos/bobx-nc/14056106583/
Slide 10: Image: https://www.flickr.com/photos/skinnylawyer/6337956175/
Slide 11: Image: https://www.flickr.com/photos/matoff/9319864689/
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Slide 13: Image: https://www.flickr.com/photos/28500561@N03/5507077908/
Slide 14: Image: https://www.flickr.com/photos/benhosg/32627578042
Slide 15: Image: https://www.flickr.com/photos/deia/6461457
Slide 16: Image: https://www.flickr.com/photos/27518426@N03/3617723004
Slide 17: Image: https://www.flickr.com/photos/thyagohills/5009884654/
Slide 18: Image: https://www.flickr.com/photos/pjotr_savitski/2701378287
Slide 19: Image: https://www.flickr.com/photos/midori_iko/2599635309
Slide 20: Image: https://www.flickr.com/photos/shilad/3547637363
Slide 21: Image: https://www.flickr.com/photos/robertdouglass/15417655065
Slide 22: Image: http://bit.ly/2tJcMX3
Slide 23: Image: https://www.flickr.com/photos/noarau/5540659743/
Connaway, Lynn Silipigni. 2017. "Communicating Library Impact Beyond Library Walls: A Collaborative Effort." Presented at the 2017 ASIS&T Midwest Regional Conference, Columbus, Ohio, September 8.
https://www.slideshare.net/LynnConnaway/communicating-library-impact-beyond-library-walls-a-collaborative-effort
https://www.slideshare.net/oclcr/communicating-library-impact-beyond-library-walls-a-collaborative-effort-79730478
Slide 4: Image: https://www.flickr.com/photos/benhosg/32627578042
Slide 5: Image: http://bit.ly/2lSj7wz
Slide 6: Image: http://bit.ly/2l80QhO
Slide 10: Image: http://bit.ly/2sm9zPc
Slide 13: Image: https://www.flickr.com/photos/opacity/6819349248/
Slide 15: Image: https://www.flickr.com/photos/francisco_osorio/9510953085/
Slide 16: Image: https://www.flickr.com/photos/142500385@N08/27577398941/
Slide 17: Image: https://www.flickr.com/photos/tiffany98101/15228605742
Slide 18: Image: https://www.flickr.com/photos/adrenus/4502437447/
Slide 19: Image: https://www.flickr.com/photos/jaymac3/23749320205/
Slide 20: Image: https://www.flickr.com/photos/parksdh/11340519505/
Slide 21: Image: https://www.flickr.com/photos/whatknot/135308732/
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Slide 23: Image: https://www.flickr.com/photos/citrixonline/5446645129/
Slide 24: Image: https://www.flickr.com/photos/cogdog/2555280926/
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Slide 26: Image: https://www.flickr.com/photos/rrenomeron/8456758333/
Slide 27: Image: https://www.flickr.com/photos/ruthanddave/5818845187/
Slide 30: Image: https://www.flickr.com/photos/ubarchives/4663516752/
Slide 31: Image: http://bit.ly/2mHdL6q
Slide 33: Image: https://www.flickr.com/photos/tambako/2286064777
Slide 35: Image: https://www.flickr.com/photos/fajalar/7129046107
Slide 36: Image: https://www.flickr.com/photos/bobx-nc/14056106583/
Slide 37: Image: https://www.flickr.com/photos/djcurly/1444860869/
Slide 38: Image: https://www.flickr.com/photos/edublogger/5119742141/
Slide 39: Image: https://www.flickr.com/photos/kimberlykv/4495272217/
Slide 40: Image: https://www.flickr.com/photos/sleepy_sarah/15074099707/
Slide 43: Image: https://www.flickr.com/photos/double-m2/4496584452/
Slide 45: Image: http://bit.ly/2l8fAwO
Slide 46: Image: https://www.flickr.com/photos/marcomagrini/698692268/
Connaway, Lynn Silipigni. 2017. "Communicating Library Impact Beyond Library Walls: A Collaborative Effort." Presented at the IFLA World Library and Information Congress 2017, Wrocław, Poland, August 23.
https://www.slideshare.net/LynnConnaway/communicating-library-impact-beyond-library-walls-a-collaborative-effort-79732522
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Connaway, Lynn Silipigni. 2017. "Capturing the Behaviors of the Elusive User: Strategies for Library Ethnography." Presented at the IFLA World Library and Information Congress 2017, 83rd IFLA General Conference and Assembly, Wrocław, Poland, August 22.
https://www.slideshare.net/LynnConnaway/capturing-the-behaviors-of-the-elusive-user-strategies-for-library-ethnography
https://www.slideshare.net/oclcr/capturing-the-behaviors-of-the-elusive-user-strategies-for-library-ethnography-79732864
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Connaway, Lynn Silipigni. 2017. "New Data, Same Skills: Applying Core Principles to New Needs in Data Curation." Presented at the IFLA Satellite Meeting of the World Library and Information Congress 2017, 83rd IFLA General Conference and Assembly, Warsaw, Poland, August 16-17.
https://www.slideshare.net/LynnConnaway/new-data-same-skills-applying-core-principles-to-new-needs-in-data-curation
https://www.slideshare.net/oclcr/new-data-same-skills-applying-core-principles-to-new-needs-in-data-curation-79732705
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Connaway, Lynn Silipigni, William Harvey, Vanessa Kitzie, and Stephanie Mikitish. 2017. "Academic Library Impact: Improving Practice and Essential Areas to Research." Presented at the Update on Value of Academic Libraries Initiative (ACRL) at the ALA Annual Conference, Chicago, Illinois, June 25.
https://www.slideshare.net/LynnConnaway/academic-library-impact-improving-practice-and-essential-areas-to-research-78577032
https://www.slideshare.net/oclcr/academic-library-impact-improving-practice-and-essential-areas-to-research
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Connaway, Lynn Silipigni, and Alan Carbery. 2017. "Communicating Library Impact Beyond Library Walls: Findings from an Action-oriented Research Agenda." Presented at the ACRL Leadership Council at the ALA Annual Conference, Chicago, Illinois, June 23.
https://www.slideshare.net/LynnConnaway/communicating-library-impact-beyond-library-walls-findings-from-an-actionoriented-research-agenda-78577165
https://www.slideshare.net/oclcr/communicating-library-impact-beyond-library-walls-findings-from-an-actionoriented-research-agenda
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Radford, Marie L., Vanessa Kitzie, Lynn Silipigni Connaway, and Diana Floegel. 2017. "'Is it a journal title, or what?' Mitigating Microaggressions in Virtual Reference." Presented at ALA/RUSA's New Discoveries in Reference: The 23rd Annual Reference Research Forum, ALA Annual Conference, Chicago, Illinois, June 22-27.
https://www.slideshare.net/LynnConnaway/is-it-a-journal-title-or-what-mitigating-microaggressions-in-virtual-reference-78577448
https://www.slideshare.net/oclcr/is-it-a-journal-title-or-what-mitigating-microaggressions-in-virtual-reference
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Connaway, Lynn Silipigni. 2017. "Demonstrating the Value of Academic Libraries in Times of Uncertainty: A Research Agenda for Student Learning and Success." Presented at the University of Hong Kong, Hong Kong, April 7.
https://www.slideshare.net/LynnConnaway/demonstrating-the-value-of-academic-libraries-in-times-of-uncertainty-a-research-agenda-for-student-learning-and-success
https://www.slideshare.net/oclcr/demonstrating-the-value-of-academic-libraries-in-times-of-uncertainty-a-research-agenda-for-student-learning-and-success-75710884
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Connaway, Lynn Silipigni. 2017. "Demonstrating the Value of Academic Libraries in Times of Uncertainty: A Research Agenda for Student Learning and Success." Presented at the University of Macau, Macau, April 6.
https://www.slideshare.net/LynnConnaway/demonstrating-the-value-of-academic-libraries-in-times-of-uncertainty-a-research-agenda-for-student-learning-and-success-75710989
Connaway, Lynn Silipigni. 2017. "Research Methods in Library and Information Science: Trends and Tips for Researchers, Students, & Professionals." Presented at the University of Hong Kong, Hong Kong, March 31, 2017.
http://www.slideshare.net/LynnConnaway/research-methods-in-library-and-information-science-trends-and-tips-for-researchers-students-professionals
https://www.slideshare.net/oclcr/research-methods-in-library-and-information-science-trends-and-tips-for-researchers-students-professionals-75711215
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Connaway, Lynn Silipigni. 2017. "Qualitative Research Methods in LIS." Presented at the ASIS&T Symposium, Hong Kong March 28.
http://www.slideshare.net/LynnConnaway/qualitative-research-methods-in-lis
https://www.slideshare.net/oclcr/qualitative-research-methods-in-lis-75711312
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Connaway, Lynn Silipigni, William Harvey, Vanessa Kitzie, and Stephanie Mikitish. 2017. "Changing Tack: A Future-Focused ACRL Research Agenda." Presented at the ACRL 2017 Conference, Baltimore, Maryland, March 23.
http://www.slideshare.net/LynnConnaway/changing-tack-a-futurefocused-acrl-research-agenda
http://www.slideshare.net/oclcr/changing-tack-a-futurefocused-acrl-research-agenda-73607657
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Connaway, Lynn Silipigni. 2017. "Where are We Going and What Do We Do Next? Demonstrating the Value of Academic Libraries in Time of Uncertainty." Presented at the RLUK Conference 2017, London, United Kingdom, March 9.
http://www.slideshare.net/LynnConnaway/where-are-we-going-and-what-do-we-do-next-demonstrating-the-value-of-academic-libraries-in-time-of-uncertainty
https://www.slideshare.net/oclcr/where-are-we-going-and-what-do-we-do-next-demonstrating-the-value-of-academic-libraries-in-time-of-uncertainty-75711388
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Connaway, Lynn Silipigni. 2017. "The Library in the Life of the User." Presented at the ASIS&T Regional Meeting, Dublin, Ohio, March 3.
http://www.slideshare.net/LynnConnaway/the-library-in-the-life-of-the-user-74644182
https://www.slideshare.net/oclcr/the-library-in-the-life-of-the-user-75711577
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Slide 40: Image: https://www.facebook.com/Joe-McDonald-274017182657487/ and Image: https://www.facebook.com/Leola-McDonald-128487107270652/
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Slide 42: Image: https://www.lawrence.edu/library/about/events and Image: https://twin-cities.umn.edu/managing-stress-road-finals-week
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Connaway, Lynn Silipigni, and William Harvey. 2017. "Visitors and Residents: Interactive Mapping Exercise Workshop." Presented at the ASIS&T Regional Meeting, Dublin, Ohio, March 3.
http://www.slideshare.net/LynnConnaway/visitors-and-residents-interactive-mapping-exercise-workshop
https://www.slideshare.net/oclcr/visitors-and-residents-interactive-mapping-exercise-workshop-75711655
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Slide 83: Image: https://en.wikipedia.org/wiki/Digital_Visitor_and_Resident
Connaway, Lynn Silipigni, William Harvey, Vanessa Kitzie, and Stephanie Mikitish. 2017. "Action-Oriented Research Agenda on Library Contributions to Student Learning and Success." Presented at the ALA Midwinter Meeting, Atlanta, Georgia, January 22.
http://www.slideshare.net/LynnConnaway/actionoriented-research-agenda-on-library-contributions-to-student-learning-and-success
http://www.slideshare.net/oclcr/actionoriented-research-agenda-on-library-contributions-to-student-learning-and-success-72009285
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Connaway, Lynn Silipigni. 2016. "Visitors and Residents: The Hows and Whys of Engagement with Technology." Presented at the Library Association of the Republic of China (LAROC) Annual Meeting, Taiwan, December 10.
http://www.slideshare.net/LynnConnaway/visitors-and-residents-the-hows-and-whys-of-engagement-with-technology-70277562
http://www.slideshare.net/oclcr/visitors-and-residents-the-hows-and-whys-of-engagement-with-technology-70277618
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Slide 22: Image: https://www.flickr.com/photos/bonitoclub/9910937863/
Slide 23: Flickr-Katie Mollon
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Slide 47: Image: https://goo.gl/images/Nu6ikt
Slide 50: Image: https://www.flickr.com/photos/catr/2443947064/
Slide 51: Image: https://www.flickr.com/photos/theexhibitionist/5739449829/
Slide 52: Image: https://www.flickr.com/photos/eldh/5858249526/
Slide 53: Image: https://www.flickr.com/photos/freedomiiphotography/5181103215/
Slide 66: Image: Twitter
Slide 67: Image: https://www.lawrence.edu/library/about/events and https://twin-cities.umn.edu/managing-stress-road-finals-week
Connaway, Lynn Silipigni. 2016. "Meeting the User at the Point of Need: Designing for Visitors and Residents." Presented at TamKang University, New Taipei, Taiwan, December 9.
http://www.slideshare.net/LynnConnaway/meeting-the-user-at-the-point-of-need-designing-for-visitors-and-residents-70277261
http://www.slideshare.net/oclcr/meeting-the-user-at-the-point-of-need-designing-for-visitors-and-residents-70277308
Slide 2: Image: http://bit.ly/2eqB1Ht
Slide 4: Image: http://bit.ly/2dF7RD0
Slide 7: Image: https://www.flickr.com/photos/3ammo/12490957864
Slide 8: Image: https://www.flickr.com/photos/elena_87/2567662128/
Slide 13: Image: http://mirror-us-ga1.gallery.hd.org/_c/mechanoids/abacus-3-AJHD.jpg.xhtml
Slide 21: Image: https://www.flickr.com/photos/demond_henderson/6067566970/
Slide 25: Image: https://www.flickr.com/photos/kennedylibrary/4312502214/
Slide 29: Image: https://www.flickr.com/photos/hyku/368912557/
Slide 40: Image: https://www.flickr.com/photos/hocolibrary/8622409370
Slide 41: Image: https://www.flickr.com/photos/mzn37/2802221141/
Connaway, Lynn Silipigni. 2016. "Meeting the User at the Point of Need: Designing for Visitors and Residents." Presented at National Cheng-Chi University, Taipei, Taiwan, December 8.
http://www.slideshare.net/LynnConnaway/meeting-the-user-at-the-point-of-need-designing-for-visitors-and-residents
Connaway, Lynn Silipigni. 2016. "OCLC User Research Update: The Good, the Bad, and the Ugly." Presented at the OCLC Governing Members Consortium Annual Meeting at National Taiwan University, Taipei, Taiwan, December 7.
http://www.slideshare.net/LynnConnaway/dec-7goodbadugly120616-oclc
http://www.slideshare.net/oclcr/oclc-user-research-update-the-good-the-bad-and-the-ugly
Slide 4: Image: https://www.flickr.com/photos/beyondaccessinitiative/14007524987/
Slide 5: Image: https://www.flickr.com/photos/anthonylibrarian/2409580762/
Slide 6: Image: https://www.flickr.com/photos/merchau/8548057127/
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Slide 14: Image: https://www.flickr.com/photos/wocintechchat/25720864220/
Slide 15: Image: https://www.flickr.com/photos/acplinfo/7051589393/
Slide 16: Image: https://www.flickr.com/photos/naiadsspring/160299146/
Slide 17: Image: https://www.flickr.com/photos/lukasbryson/1849746031/
Slide 18: Image: https://www.flickr.com/photos/sanugrah/3260139163/
Slide 19: Image: https://www.flickr.com/photos/thecurrent/17097988322/
Slide 20: Image: https://www.flickr.com/photos/titicat/3687386790/
Slide 21: Image: https://www.flickr.com/photos/danieldslee/7069893153/
Slide 22: Image: https://www.flickr.com/photos/euiweb/6511086709/
Slide 24: Image: https://www.flickr.com/photos/clemsonunivlibrary/5032701615/
Slide 25: Image: https://www.flickr.com/photos/merchau/8548057127/
Slide 28: Image: https://www.flickr.com/photos/sjekkiebunzing/14335749568/
Slide 32: Image: https://www.flickr.com/photos/usfca_webservices/10276115014/
Slide 36: Image: https://www.flickr.com/photos/apnk/4077070706/
Slide 46: Image: https://www.flickr.com/photos/torange-biz/15171785597/
Connaway, Lynn Silipigni, and Marie L. Radford. 2016. "Using Qualitative Methods for Library Evaluation: An Interactive Workshop." Presented at the Libraries in the Digital Age (LIDA) Conference, Zadar, Croatia, June 14.
http://www.slideshare.net/LynnConnaway/using-qualitative-methods-for-library-evaluation-an-interactive-workshop
http://www.slideshare.net/oclcr/using-qualitative-methods-for-library-evaluation-an-interactive-workshop-63645904
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Slide 74: Image: https://www.flickr.com/photos/sophielovescute/6883522255/
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Slide 79: Image: https://www.flickr.com/photos/bamroberts/2230902429/
Slide 80: Image: https://www.flickr.com/photos/matt_molina/2815688603/
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Slide 86: Image: https://www.flickr.com/photos/jbeuh/3368656628/
Slide 88: Image: https://www.flickr.com/photos/artcriminal/15788410874/
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redpajama_set_name: RedPajamaCommonCrawl


text:
Outrage over sentencing for trespasser who shot and killed another hunter on private land
David Barber of Gaylord, Michigan was sentenced for involuntary manslaughter and a gun offense, about a month after a jury convicted him in the shooting death of Justin Beutel.
Investigators said that Barber was trespassing on privet land when he took a 55-yard shot at a deer. Barber was unaware that the deer he was shooting at was already dead and being field dressed by Beutel. When Barber approached, he found Beutel slumped over the deer.
Barber was not supposed to own a gun due to a felony conviction.
It is important to point out that Beutel was wearing an orange vest when he was shot.
The men didn't know each other. Barber, 46, will be eligible for parole after five years in prison.
Hunter films as he is being shot at on public land! [VIDEO]


text:
Super Lawyers → Lawyer Directory → Personal Injury Attorneys → South Carolina → Columbia → Robert F. Goings
Robert F. Goings
Top Rated Personal Injury Attorney in Columbia, SC
Goings Law Firm, LLC
| 1510 Calhoun Street, Columbia, SC 29201
Visit: https://www.goingslawfirm.com
Selected To Rising Stars: 2013 - 2016
Education: University of South Carolina School of Law
Personal Injury - General: Plaintiff (70%),
Workers' Compensation: Claimant (30%)
Robert F. Goings is the founder of the litigation firm, Goings Law Firm, LLC, located in Columbia, South Carolina. Mr. Goings is a trial lawyer, and have successfully tried many cases to verdict in both federal and state courts. Mr. Goings has successfully obtained multi-million dollar verdicts and settlements for his clients. Mr. Goings is the youngest member of the South Carolina Chapter of the American Board of Trial Advocates, a distinguished organization of top trial attorneys throughout the nation.
Devoting his practice exclusively to civil litigation, he represents clients throughout South Carolina in matters involving products liability, workers' compensation, trucking litigation, medical malpractice, construction defects, employment law, business disputes and personal injury. A native of South Carolina, Mr. Goings has received widespread respect from his peers during his legal practice, signified by his award of an AV-Preeminent* rating from Martindale-Hubbell and his designation in 2011 as an "Emerging Legal Leader" by South Carolina Lawyers Weekly. He has received other awards such as Top 100 Trial Attorney and Top 40 under 40 by distinquish national trial organizations.
A 2003 summa cum laude graduate of Wofford College, where he was inducted into Phi Beta Kappa and was elected student body president, Mr. Goings attended the University of South Carolina School of Law, where he was awarded his Juris Doctor in 2006 and served as an editor for the Southeastern Environmental Law Journal. After graduation, Mr. Goings practiced as an associate at a Columbia litigation firm before founding Goings Law Firm, LLC. Admitted to practice in South Carolina, he is also admitted to practice before the U.S. District Court for the District of South Carolina, the U.S. Courts of Appeals for the 4th and Federal Circuits, and the Supreme Court of the United States.
Helping to establish policy for the South Carolina Bar as a member of its House of Delegates, Mr. Goings seeks to keep current on events in his practice areas through his active participation in the American and Richland County bar associations. He stays involved in his community as a member of the Rotary Club of Columbia. He is a member of Trenholm Road United Methodist Church.
*AV-Preeminent and BV-Distinguished are certification marks of Reed Elsevier Properties Inc., used in accordance with the Martindale-Hubbell certification procedures, standards and policies. Martindale-Hubbell is the facilitator of a peer review rating process. Ratings reflect the confidential opinions of members of the Bar and the judiciary. Martindale-Hubbell ratings fall into two categories – legal ability and general ethical standards.
70%Personal Injury - General: Plaintiff
30%Workers' Compensation: Claimant
Animal Bites, Assault, Motor Vehicle Accidents, Personal Injury - Plaintiff, Slip and Fall, Wrongful Death, Dram Shop Laws, Construction Accident, Brain Injury, Sexual Abuse - Plaintiff, Trucking Accidents, Premises Liability - Plaintiff
Super Lawyers: 2017 - 2021 Rising Stars: 2013 - 2016
To: Robert F. Goings
Super Lawyers: Potential Client Inquiry
The information contained in this web site is intended to convey general information. It should not be construed as legal advice or opinion. It is not an offer to represent you, nor is it intended to create an attorney-client relationship. The use of the internet or this contact form for communication is not necessarily a secure environment. Contacting a lawyer or law firm email through this service will not create an attorney-client relationship, and information will not necessarily be treated as privileged or confidential.
Additional Sources of Information About Robert F. Goings
About Robert Goings
Admitted: 2006, South Carolina
Professional Webpage: https://www.goingslawfirm.com/about/robert-f-goings/
Honors/Awards:
Blue Key Honor Societies
"Emerging Legal Leader" in the State of South Carolina, South Carolina Lawyers Weekly Magazine, 2011
Student Body President, 2002
AV- Preeminent Highly Rated Attorney, Martindale Hubbell
Outstanding Citizen Award
Bar/Professional Activity:
U.S. District Court District of South Carolina
South Carolina Bar, Practice and Procedure Committee
Richland County Bar Association
American Board of Trial Advocates (ABOTA), 2014
Elected Member, S.C. Bar House of Delegates, 2012
South Carolina Bar Association
South Carolina Bar, Young Lawyer's Division Committee
Pro bono/Community Service:
Columbia Rotary Club
Trenholm Road United Methodist Church
Wofford College Alumni Association
Scholarly Lectures/Writings:
With over 740 pages of text, South Carolina Damages, Second Edition is the only book of its kind in South Carolina and is co-authored by more than sixty of South Carolina's most outstanding judges, attorneys, and law professors, including Chief Justice Jean Hoefer Toal, Judge Karen L. Henderson, Judge G. Ross Anderson Jr., Judge P. Michael Duffy, Chief Judge Kaye G. Hearn, practicing attorneys Wallace Lightsey, Jan Warner, John E. Parker, Fayrell Furr, Richard Rosen, professors John P. Freeman, Ralph McCullough, and Randy Bridwell, and many more of South Carolina's finest legal minds. Fully updated since publication of the first edition in 2004 and written with the practicing attorney in mind, this cutting-edge book will provide practical and scholarly insights and coverage of virtually every important aspect of damages law in South Carolina. Covering not only the theory and policy behind damages law, the book also includes comprehensive discussion and analysis of compensatory damages in personal injury and property torts, contract damages, and punitive damages, but also more than thirty individual chapters on everything from damages in anti-trust and automobile wreck cases to wrongful death and wrongful discharge and virtually everything in between! Truly, this is a book that every South Carolina attorney, whether plaintiff or defense, should have on his or her shelf., Contributing Author, South Carolina Damages, South Carolina Bar, 2009
Editor, Southeastern Environmental Law Journal, University of South Carolina School of Law, 2006
Verdicts/Settlements:
$600,000 - Auto Accident Verdict, 2014
Jury verdict in Orangeburg, South Carollina for injuries sustained on personal property involving a construction accident., 2016
$2,764,232,46 Business Torts Litigation: Breach of Contract and Fraud, 2013
$375,000 - Auto Accident, 2015
Educational Background:
American Board of Trial Advocates, National Trial College, Harvard School of Law, 2012
Wofford College, B.A. in Government, Summa Cum Laude, 2002
Alcohol Liability
Trucking & Automobile Accidents
Website - www.goingslawfirm.com
Facebook - www.facebook.com/pages/Go...
LinkedIn - www.linkedin.com/pub/robe...
Office Location for Robert F. Goings
1510 Calhoun Street
Robert F. Goings:


text:
Calling Dr. Love: KISS Plan Singles Box Set
You could ask, after a remixed reissue of their most enduring studio album and a new album – their 20th – released last month, what else KISS could possibly release this year. And, because it's KISS, you'd likely have an answer.
This year, that answer is a 28-disc box replicating every single they released on Casablanca Records during their first eight years together. From debut single "Nothin' to Lose" and first charting tune "Kissin' Time" to hits like "Rock and Roll All Nite," "Beth," "I Was Made for Lovin' You" and "Love Gun," The Casablanca Singles captures all those original A and B-sides.
The Casablanca Singles will also feature replicas of picture sleeves from the U.S., Europe and Japan, recreated label artwork, a booklet "track[ing] the genesis and chart history of each single represented in the package" and four masks of Paul Stanley's Starchild, Ace Frehley's Spaceman, Gene Simmons' Demon and Peter Criss' Catman makeup. Additionally, the box will be available on both CD and vinyl, with four of the band's solo singles (from the infamous 1978 solo albums) pressed on colored vinyl.
Look for The Casablanca Singles in stores on December 4, order the CD versions from Amazon U.S. and Amazon U.K., and hit the jump for the full disc breakdown.
The Casablanca Singles (Casablanca/Mercury/UMe, 2012)
Disc 1: Nothin' to Lose b/w Love Theme from KISS (Casablanca NEB-0004, 1974)
Disc 2: Kissin' Time b/w Nothin' to Lose (Casablanca NEB-0011, 1974)
Disc 3: Strutter b/w 100,000 Years (Casablanca NEB-0015, 1974)
Disc 4: Let Me Go, Rock 'N' Roll b/w Hotter Than Hell (Casablanca NB-823, 1974)
Disc 5: Rock and Roll All Nite b/w Getaway (Casablanca NB-829, 1975)
Disc 6: C'mon and Love Me b/w Getaway (Casablanca NB-841, 1975)
Disc 7: Rock and Roll All Nite (Live) b/w Rock and Roll All Nite (Casablanca NB-850, 1975)
Disc 8: Shout It Out Loud b/w Sweet Pain (Casablanca NB-854, 1976)
Disc 9: Flaming Youth b/w God of Thunder (Casablanca NB-858, 1976)
Disc 10: Detroit Rock City b/w Beth (Casablanca NB-863, 1976)
Disc 11: Beth b/w Detroit Rock City (Casablanca NB-863A, 1976)
Disc 12: Hard Luck Woman b/w Mr. Speed (Casablanca NB-873, 1976)
Disc 13: Calling Dr. Love b/w Take Me (Casablanca NB-880, 1976)
Disc 14: Christine Sixteen b/w Shock Me (Casablanca NB-889, 1977)
Disc 14: Love Gun b/w Hooligan (Casablanca NB-895, 1977)
Disc 15: Shout It Out Loud (Live) b/w Nothin' to Lose (Live) (Casablanca NB-906, 1977)
Disc 16: Rocket Ride b/w Tomorrow and Tonight (live) (Casablanca NB-915, 1977)
Disc 17: Strutter '78 b/w Shock Me (Casablanca NB-928, 1978)
Disc 18: Hold Me, Touch Me b/w Goodbye – Paul Stanley (Casablanca NB-940, 1978 – purple vinyl)
Disc 19: New York Groove b/w Snow Blind – Ace Frehley (Casablanca NB-941, 1978 – blue vinyl)
Disc 20: Radioactive b/w See You in Your Dreams – Gene Simmons (Casablanca NB-951, 1978 – red vinyl)
Disc 21: Don't You Let Me Down b/w Hooked on Rock 'N' Roll – Peter Criss (Casablanca NB-952, 1978)
Disc 22: You Matter to Me b/w Hooked on Rock 'N' Roll – Peter Criss (Casablanca NB-961, 1978 – green vinyl)
Disc 23: I Was Made for Lovin' You b/w Hard Times (Casablanca NB-983, 1979)
Disc 24: Sure Know Something b/w Dirty Livin' (Casablanca NB-2205, 1979)
Disc 25: Shandi b/w She's So European (Casablanca NB-2282, 1980)
Disc 26: Tomorrow b/w Naked City (Casablanca NB-2299, 1980)
Disc 27: A World Without Heroes b/w Dark Light (Casablanca NB-2343, 1981)
Disc 28: I Love It Loud b/w Danger (Casablanca NB-2365, 1982)
Written by Mike Duquette
Posted in Box Sets, KISS, News, Vinyl
« Short Takes, Early 2013 Watch: Jackson 5 Get Animated, Talk Talk Rarities, Zeppelin Redux?
Release Round-Up: Weeks of October 30 and November 6 »
I couldn't care less about Kiss, but it amuses me that discs 10 and 11 would appear to be exactly the same, just with the sides flipped.
That's far too much work swapping discs. They should have just made it a 2-disc set.


text:
package wire

import (
	"bytes"
	"io"
	"reflect"
	"testing"

	"github.com/btcboost/copernicus/util"
	"github.com/davecgh/go-spew/spew"
)

// TestGetBlocks tests the MsgGetBlocks API.
func TestGetBlocks(t *testing.T) {
	pver := ProtocolVersion

	// Block 99500 hash.
	hashStr := "000000000002e7ad7b9eef9479e4aabc65cb831269cc20d2632c13684406dee0"
	locatorHash, err := util.GetHashFromStr(hashStr)
	if err != nil {
		t.Errorf("GetHashFromStr: %v", err)
	}

	// Block 100000 hash.
	hashStr = "3ba27aa200b1cecaad478d2b00432346c3f1f3986da1afd33e506"
	hashStop, err := util.GetHashFromStr(hashStr)
	if err != nil {
		t.Errorf("GetHashFromStr: %v", err)
	}

	// Ensure we get the same data back out.
	msg := NewMsgGetBlocks(hashStop)
	if !msg.HashStop.IsEqual(hashStop) {
		t.Errorf("NewMsgGetBlocks: wrong stop hash - got %v, want %v",
			msg.HashStop, hashStop)
	}

	// Ensure the command is expected value.
	wantCmd := "getblocks"
	if cmd := msg.Command(); cmd != wantCmd {
		t.Errorf("NewMsgGetBlocks: wrong command - got %v want %v",
			cmd, wantCmd)
	}

	// Ensure max payload is expected value for latest protocol version.
	// Protocol version 4 bytes + num hashes (varInt) + max block locator
	// hashes + hash stop.
	wantPayload := uint32(16045)
	maxPayload := msg.MaxPayloadLength(pver)
	if maxPayload != wantPayload {
		t.Errorf("MaxPayloadLength: wrong max payload length for "+
			"protocol version %d - got %v, want %v", pver,
			maxPayload, wantPayload)
	}

	// Ensure block locator hashes are added properly.
	err = msg.AddBlockLocatorHash(locatorHash)
	if err != nil {
		t.Errorf("AddBlockLocatorHash: %v", err)
	}
	if msg.BlockLocatorHashes[0] != locatorHash {
		t.Errorf("AddBlockLocatorHash: wrong block locator added - "+
			"got %v, want %v",
			spew.Sprint(msg.BlockLocatorHashes[0]),
			spew.Sprint(locatorHash))
	}

	// Ensure adding more than the max allowed block locator hashes per
	// message returns an error.
	for i := 0; i < MaxBlockLocatorsPerMsg; i++ {
		err = msg.AddBlockLocatorHash(locatorHash)
	}
	if err == nil {
		t.Errorf("AddBlockLocatorHash: expected error on too many " +
			"block locator hashes not received")
	}
}

// TestGetBlocksWire tests the MsgGetBlocks wire encode and decode for various
// numbers of block locator hashes and protocol versions.
func TestGetBlocksWire(t *testing.T) {
	// Set protocol inside getblocks message.
	pver := uint32(60002)

	// Block 99499 hash.
	hashStr := "2710f40c87ec93d010a6fd95f42c59a2cbacc60b18cf6b7957535"
	hashLocator, err := util.GetHashFromStr(hashStr)
	if err != nil {
		t.Errorf("GetHashFromStr: %v", err)
	}

	// Block 99500 hash.
	hashStr = "2e7ad7b9eef9479e4aabc65cb831269cc20d2632c13684406dee0"
	hashLocator2, err := util.GetHashFromStr(hashStr)
	if err != nil {
		t.Errorf("GetHashFromStr: %v", err)
	}

	// Block 100000 hash.
	hashStr = "3ba27aa200b1cecaad478d2b00432346c3f1f3986da1afd33e506"
	hashStop, err := util.GetHashFromStr(hashStr)
	if err != nil {
		t.Errorf("GetHashFromStr: %v", err)
	}

	// MsgGetBlocks message with no block locators or stop hash.
	noLocators := NewMsgGetBlocks(&util.Hash{})
	noLocators.ProtocolVersion = pver
	noLocatorsEncoded := []byte{
		0x62, 0xea, 0x00, 0x00, // Protocol version 60002
		0x00, // Varint for number of block locator hashes
		0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
		0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
		0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00,
		0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, 0x00, // Hash stop
	}

	// MsgGetBlocks message with multiple block locators and a stop hash.
	multiLocators := NewMsgGetBlocks(hashStop)
	multiLocators.AddBlockLocatorHash(hashLocator2)
	multiLocators.AddBlockLocatorHash(hashLocator)
	multiLocators.ProtocolVersion = pver
	multiLocatorsEncoded := []byte{
		0x62, 0xea, 0x00, 0x00, // Protocol version 60002
		0x02, // Varint for number of block locator hashes
		0xe0, 0xde, 0x06, 0x44, 0x68, 0x13, 0x2c, 0x63,
		0xd2, 0x20, 0xcc, 0x69, 0x12, 0x83, 0xcb, 0x65,
		0xbc, 0xaa, 0xe4, 0x79, 0x94, 0xef, 0x9e, 0x7b,
		0xad, 0xe7, 0x02, 0x00, 0x00, 0x00, 0x00, 0x00, // Block 99500 hash
		0x35, 0x75, 0x95, 0xb7, 0xf6, 0x8c, 0xb1, 0x60,
		0xcc, 0xba, 0x2c, 0x9a, 0xc5, 0x42, 0x5f, 0xd9,
		0x6f, 0x0a, 0x01, 0x3d, 0xc9, 0x7e, 0xc8, 0x40,
		0x0f, 0x71, 0x02, 0x00, 0x00, 0x00, 0x00, 0x00, // Block 99499 hash
		0x06, 0xe5, 0x33, 0xfd, 0x1a, 0xda, 0x86, 0x39,
		0x1f, 0x3f, 0x6c, 0x34, 0x32, 0x04, 0xb0, 0xd2,
		0x78, 0xd4, 0xaa, 0xec, 0x1c, 0x0b, 0x20, 0xaa,
		0x27, 0xba, 0x03, 0x00, 0x00, 0x00, 0x00, 0x00, // Hash stop
	}

	tests := []struct {
		in   *MsgGetBlocks   // Message to encode
		out  *MsgGetBlocks   // Expected decoded message
		buf  []byte          // Wire encoding
		pver uint32          // Protocol version for wire encoding
		enc  MessageEncoding // Message encoding format
	}{
		// Latest protocol version with no block locators.
		{
			noLocators,
			noLocators,
			noLocatorsEncoded,
			ProtocolVersion,
			BaseEncoding,
		},

		// Latest protocol version with multiple block locators.
		{
			multiLocators,
			multiLocators,
			multiLocatorsEncoded,
			ProtocolVersion,
			BaseEncoding,
		},

		// Protocol version BIP0035Version with no block locators.
		{
			noLocators,
			noLocators,
			noLocatorsEncoded,
			BIP0035Version,
			BaseEncoding,
		},

		// Protocol version BIP0035Version with multiple block locators.
		{
			multiLocators,
			multiLocators,
			multiLocatorsEncoded,
			BIP0035Version,
			BaseEncoding,
		},

		// Protocol version BIP0031Version with no block locators.
		{
			noLocators,
			noLocators,
			noLocatorsEncoded,
			BIP0031Version,
			BaseEncoding,
		},

		// Protocol version BIP0031Versionwith multiple block locators.
		{
			multiLocators,
			multiLocators,
			multiLocatorsEncoded,
			BIP0031Version,
			BaseEncoding,
		},

		// Protocol version NetAddressTimeVersion with no block locators.
		{
			noLocators,
			noLocators,
			noLocatorsEncoded,
			NetAddressTimeVersion,
			BaseEncoding,
		},

		// Protocol version NetAddressTimeVersion multiple block locators.
		{
			multiLocators,
			multiLocators,
			multiLocatorsEncoded,
			NetAddressTimeVersion,
			BaseEncoding,
		},

		// Protocol version MultipleAddressVersion with no block locators.
		{
			noLocators,
			noLocators,
			noLocatorsEncoded,
			MultipleAddressVersion,
			BaseEncoding,
		},

		// Protocol version MultipleAddressVersion multiple block locators.
		{
			multiLocators,
			multiLocators,
			multiLocatorsEncoded,
			MultipleAddressVersion,
			BaseEncoding,
		},
	}

	t.Logf("Running %d tests", len(tests))
	for i, test := range tests {
		// Encode the message to wire format.
		var buf bytes.Buffer
		err := test.in.Encode(&buf, test.pver, test.enc)
		if err != nil {
			t.Errorf("Encode #%d error %v", i, err)
			continue
		}
		if !bytes.Equal(buf.Bytes(), test.buf) {
			t.Errorf("Encode #%d\n got: %s want: %s", i,
				spew.Sdump(buf.Bytes()), spew.Sdump(test.buf))
			continue
		}

		// Decode the message from wire format.
		var msg MsgGetBlocks
		rbuf := bytes.NewReader(test.buf)
		err = msg.Decode(rbuf, test.pver, test.enc)
		if err != nil {
			t.Errorf("Decode #%d error %v", i, err)
			continue
		}
		if !reflect.DeepEqual(&msg, test.out) {
			t.Errorf("Decode #%d\n got: %s want: %s", i,
				spew.Sdump(&msg), spew.Sdump(test.out))
			continue
		}
	}
}

// TestGetBlocksWireErrors performs negative tests against wire encode and
// decode of MsgGetBlocks to confirm error paths work correctly.
func TestGetBlocksWireErrors(t *testing.T) {
	// Set protocol inside getheaders message.  Use protocol version 60002
	// specifically here instead of the latest because the test data is
	// using bytes encoded with that protocol version.
	pver := uint32(60002)
	wireErr := &MessageError{}

	// Block 99499 hash.
	hashStr := "2710f40c87ec93d010a6fd95f42c59a2cbacc60b18cf6b7957535"
	hashLocator, err := util.GetHashFromStr(hashStr)
	if err != nil {
		t.Errorf("GetHashFromStr: %v", err)
	}

	// Block 99500 hash.
	hashStr = "2e7ad7b9eef9479e4aabc65cb831269cc20d2632c13684406dee0"
	hashLocator2, err := util.GetHashFromStr(hashStr)
	if err != nil {
		t.Errorf("GetHashFromStr: %v", err)
	}

	// Block 100000 hash.
	hashStr = "3ba27aa200b1cecaad478d2b00432346c3f1f3986da1afd33e506"
	hashStop, err := util.GetHashFromStr(hashStr)
	if err != nil {
		t.Errorf("GetHashFromStr: %v", err)
	}

	// MsgGetBlocks message with multiple block locators and a stop hash.
	baseGetBlocks := NewMsgGetBlocks(hashStop)
	baseGetBlocks.ProtocolVersion = pver
	baseGetBlocks.AddBlockLocatorHash(hashLocator2)
	baseGetBlocks.AddBlockLocatorHash(hashLocator)
	baseGetBlocksEncoded := []byte{
		0x62, 0xea, 0x00, 0x00, // Protocol version 60002
		0x02, // Varint for number of block locator hashes
		0xe0, 0xde, 0x06, 0x44, 0x68, 0x13, 0x2c, 0x63,
		0xd2, 0x20, 0xcc, 0x69, 0x12, 0x83, 0xcb, 0x65,
		0xbc, 0xaa, 0xe4, 0x79, 0x94, 0xef, 0x9e, 0x7b,
		0xad, 0xe7, 0x02, 0x00, 0x00, 0x00, 0x00, 0x00, // Block 99500 hash
		0x35, 0x75, 0x95, 0xb7, 0xf6, 0x8c, 0xb1, 0x60,
		0xcc, 0xba, 0x2c, 0x9a, 0xc5, 0x42, 0x5f, 0xd9,
		0x6f, 0x0a, 0x01, 0x3d, 0xc9, 0x7e, 0xc8, 0x40,
		0x0f, 0x71, 0x02, 0x00, 0x00, 0x00, 0x00, 0x00, // Block 99499 hash
		0x06, 0xe5, 0x33, 0xfd, 0x1a, 0xda, 0x86, 0x39,
		0x1f, 0x3f, 0x6c, 0x34, 0x32, 0x04, 0xb0, 0xd2,
		0x78, 0xd4, 0xaa, 0xec, 0x1c, 0x0b, 0x20, 0xaa,
		0x27, 0xba, 0x03, 0x00, 0x00, 0x00, 0x00, 0x00, // Hash stop
	}

	// Message that forces an error by having more than the max allowed
	// block locator hashes.
	maxGetBlocks := NewMsgGetBlocks(hashStop)
	for i := 0; i < MaxBlockLocatorsPerMsg; i++ {
		maxGetBlocks.AddBlockLocatorHash(&mainNetGenesisHash)
	}
	maxGetBlocks.BlockLocatorHashes = append(maxGetBlocks.BlockLocatorHashes,
		&mainNetGenesisHash)
	maxGetBlocksEncoded := []byte{
		0x62, 0xea, 0x00, 0x00, // Protocol version 60002
		0xfd, 0xf5, 0x01, // Varint for number of block loc hashes (501)
	}

	tests := []struct {
		in       *MsgGetBlocks   // Value to encode
		buf      []byte          // Wire encoding
		pver     uint32          // Protocol version for wire encoding
		enc      MessageEncoding // Message encoding format
		max      int             // Max size of fixed buffer to induce errors
		writeErr error           // Expected write error
		readErr  error           // Expected read error
	}{
		// Force error in protocol version.
		{baseGetBlocks, baseGetBlocksEncoded, pver, BaseEncoding, 0, io.ErrShortWrite, io.EOF},
		// Force error in block locator hash count.
		{baseGetBlocks, baseGetBlocksEncoded, pver, BaseEncoding, 4, io.ErrShortWrite, io.EOF},
		// Force error in block locator hashes.
		{baseGetBlocks, baseGetBlocksEncoded, pver, BaseEncoding, 5, io.ErrShortWrite, io.EOF},
		// Force error in stop hash.
		{baseGetBlocks, baseGetBlocksEncoded, pver, BaseEncoding, 69, io.ErrShortWrite, io.EOF},
		// Force error with greater than max block locator hashes.
		{maxGetBlocks, maxGetBlocksEncoded, pver, BaseEncoding, 7, wireErr, wireErr},
	}

	t.Logf("Running %d tests", len(tests))
	for i, test := range tests {
		// Encode to wire format.
		w := newFixedWriter(test.max)
		err := test.in.Encode(w, test.pver, test.enc)
		if reflect.TypeOf(err) != reflect.TypeOf(test.writeErr) {
			t.Errorf("Encode #%d wrong error got: %v, want: %v",
				i, err, test.writeErr)
			continue
		}

		// For errors which are not of type MessageError, check them for
		// equality.
		if _, ok := err.(*MessageError); !ok {
			if err != test.writeErr {
				t.Errorf("Encode #%d wrong error got: %v, "+
					"want: %v", i, err, test.writeErr)
				continue
			}
		}

		// Decode from wire format.
		var msg MsgGetBlocks
		r := newFixedReader(test.max, test.buf)
		err = msg.Decode(r, test.pver, test.enc)
		if reflect.TypeOf(err) != reflect.TypeOf(test.readErr) {
			t.Errorf("Decode #%d wrong error got: %v, want: %v",
				i, err, test.readErr)
			continue
		}

		// For errors which are not of type MessageError, check them for
		// equality.
		if _, ok := err.(*MessageError); !ok {
			if err != test.readErr {
				t.Errorf("Decode #%d wrong error got: %v, "+
					"want: %v", i, err, test.readErr)
				continue
			}
		}
	}
}

redpajama_set_name: RedPajamaGithub


text:
Home » Reviews » CD » A » Arcane Tales…ire and Magic
Arcane Tales - Steel, Fire and Magic
Arcane Tales
Steel, Fire and Magic
by Kevin Lewis at 23 May 2022, 2:50 PM
ARCANE TALES is a one-man band hailing from Italy. Working heavily in the Symphonic, Power Metal arena, Luigi Soranno writes and plays all parts of this epic tale. Influenced by fantasy, these are tales of heroes doing what heroes do, journeying around the world to save the day. "Steel, Fire and Magic" was released via Broken Bones Records on March 15, 2022.
The disc opens with a short instrumental of epic, almost movie score style music, setting the stage for the rest of the record. Airy strings and ambient vocalizations and pounding drums tribal drums give the title of "Ethereal Skies" a sound that befits the name.
This leads into "Essence of Divine," another epic song with a sound that makes you think of the journey the hero must now be on, especially with the spinet piano tones after the guitar solo. That gives a bit of a medieval feel to the track. "Forest Of Ice" adds some seriously neo-classical elements in for an even broader sound. The tones and textures ARCANE TALES achieve is pretty impressive.
"Wings Of the Storm" is a pretty cool, fast-paced rocker that shifts speeds slightly in places. The drums stand out on this track. Those are Power Metal drums through and through. The guitar work is really nice, and the bass is solid, but the drums steal the show. The rhythm section is the prominent piece on "The Ambush." There is always something that stands out in each of the songs. The variety is pretty awesome. It's not the same thing every time.
The title track, "Steel, Fire and Magic," is the seven plus minute epic anthem for this Power Metal album. True power metal requires a song of this caliber. It needs Neo-Classical, Power, and Progressive Metal elements to set it apart from the rest of the album, and this track succeeds in doing that. The guitars are on fire and the rhythm is bombastic, easily the most exciting track on the disc.
This is a very stock-standard type of Power Metal album done with a lot of flair and finesse. Luigi is a stunning talent. He has put out an excellent record that has a lot of depth and emotion. Hitting all the wickets, he creates a power metal album worthy of the name and ready for the stage. Let's hope he can get a killer group of musicians recruited and take this on the road at some point.
Songwriting: 9
Musicianship: 9
Memorability: 8
Production: 8
1. Ethereal Skies (Instrumental)
2. Essence of Divine
3. Forest of Ice
4. The Fires of Hàrgathàn
5. Wings of The Storm
6. The Ambush
7. Realm of The Nordic Stars
8. The Spell's Broken
9. Steel, Fire and Magic
10. Garzard Calls Its Braves
Luigi Soranno – Everything
Record Label: Broken Bones Records


Currently, there are 23 full-time law professors, including 14 full professors, 8 associate professors, and 1 assistant professors in the Department of Law. These law professors obtained their doctoral degrees in law from different countries, including the United States, Germany, France, England and Japan. Their majors cover the fields of constitutional law, administrative law, civil law, criminal law, social law, labor law, international law, and business law. The Department of Law is now seeking to recruit new faculty members and procure additional facilities in order to make the Department a major legal research center in southern Taiwan.
地址:621 嘉義縣民雄鄉大學路 168 號 168, University Rd., Min-Hsiung Chia-Yi, Taiwan, R.O.C.


text:
Russian Circles ist eine US-amerikanische Post-Rock- und Metal-Band, die im Jahr 2004 in Chicago, Illinois, gegründet wurde.

Geschichte

Russian Circles wurde im Jahr 2004 von Gitarrist Mike Sullivan, Bassist Colin DeKuiper und Schlagzeuger Dave Turncrantz gegründet. Das Jahr 2005 sah ihre erste Veröffentlichung in Form einer selbstbetitelten EP. Das Debütalbum Enter erschien im Frühling 2006 beim Label Flameshovel. Nach einem Auftritt auf dem Festival South by Southwest in Austin, Texas und einer kurzen US-Tour zusammen mit Minus the Bear und Chin Up Chin Up trennte sich DeKuiper 2007 von seinen Kollegen. Die Bassistenstelle wurde mit Brian Cook (Botch, These Arms Are Snakes) besetzt. Das umgestaltete Trio produzierte unter Regie von Matt Bayles, bekannt durch seine Arbeit mit Isis, das 2008 erschienene Album Station für ihr neues Label Suicide Squeeze. Im Oktober 2009 folgte mit Geneva das dritte Werk. 2011 unterschrieb die Band einen Vertrag bei Sargent House Records, wo im selben Jahr der Longplayer Empros herauskam, wie sein Vorgänger von Brandon Curtis produziert. Auf dem Titeltrack von Memorial (2013) ist Chelsea Wolfe als Gastsängerin zu hören.

Im August 2016 veröffentlichten sie ihr sechstes Studioalbum Guidance über das Label Sargent House. Produziert wurde es von Converge-Gitarrist Kurt Ballou. Das siebte Studioalbum Blood Year folgte im Jahre 2019.

Stil
Die Band spielt komplexen Postrock, der meist instrumental gehalten ist.

Diskografie

Alben
 2006: Enter (Flameshovel)
 2008: Station (Suicide Squeeze)
 2009: Geneva (Suicide Squeeze)
 2011: Empros (Sargent House)
 2013: Memorial (Sargent House)
 2016: Guidance (Sargent House)
 2019: Blood Year (Sargent House)
 2022: Gnosis (Sargent House)

Sonstige
 2005: Russian Circles (EP, Eigenveröffentlichung)
 2006: Upper Ninety (Single, Suicide Squeeze)
 2008: These Arms Are Snakes / Russian Circles (Split mit These Arms Are Snakes, Sargent House)

Quellen

Weblinks

 Website von Russian Circles

Post-Metal-Band
Post-Rock-Band
US-amerikanische Band


> Mesotherapy presentation> Mesotherapie "medical"
Mesotherapy is based on repeated administration of low doses of allopathic drugs (all drugs used in general medicine in injectable form, except corticosteroids) or homeopathic in the skin, where the disorder or pain is felt . Exist also mesoperfusion.
Its effectiveness in the management of patients and its safety inevitably explain its rapid development around the world.


text:
Iowa PBS News
IPTV to Hold Iowa Press Debate: U.S. Senate Democratic Primary
Live statewide broadcast Thursday, May 26, 7-8 p.m.
IPTV wins multiple Iowa Broadcast News Association Awards
The Iowa Broadcast News Association (IBNA) recently awarded IPTV with multiple awards. IPTV's Market to Market staff took first and second place in the Farm and Agribusiness category. Josh Buettner was recognized with the top award for his feature Tributaries on Trial Water Woes and Colleen Brandford Krantz took second place for her feature U.S. Farmers Enlist Old Techniques to Round Up Super Weeds. John Torpy was recognized for his Market to Market feature Is Booming Oil Industry Causing Earthquakes in Oklahoma? He won third place in the General Reporting category. IBNA also awarded IPTV's...
IPTV KIDS Clubhouse: Parent Preview to Premiere May 12 on IPTV
A special 30-minute preview of IPTV's new locally produced program, IPTV KIDS Clubhouse
IPTV Announces Des Moines Teacher as a Member of the 2016 PBS LearningMedia Digital Innovators Program
Joseph McCright named PBS LearningMedia Digital Innovator
IPTV's High School Mentorship Program
In order to broaden opportunities for Iowa minority and female high school students, IPTV is offering a television production mentorship program for summer 2016. The unpaid mentorship program will give one student the opportunity to observe and gain hands-on experience in several aspects of television production including videography, lighting, video editing, graphic design, web production and story writing. The selected mentee will shadow and assist IPTV personnel during the process of creating broadcast and online content. Students will have the opportunity to work on IPTV programs like...
IPTV Premieres Darling Is Back! The Restoration of Lake Darling
IPTV announced today the premiere of Darling Is Back! The Restoration of Lake Darling . The documentary will premiere Sunday, April 17 at 1:30 p.m. It will also air Monday, April 25 at 10 p.m. and Thursday, April 28 at 6:30 p.m. Named after two-time Pulitzer Prize winning cartoonist and conservationist Jay N. "Ding" Darling, man-made Lake Darling was established in 1950, but had become contaminated by 2002. Darling Is Back! The Restoration of Lake Darling tells the story of the lake's restoration and the dedicated group of people who came together to preserve its dream of beauty. The...
IPTV Presents New Season of Iowa Ingredient
Season 5 of IPTV's Iowa Ingredient premieres April 1 at 6:30 p.m. The season will feature sizzling new episodes exploring fresh ingredients grown in Iowa, the passionate farmers who produce them and the creative chefs who cook with them. Host Charity Nebbe explores maple syrup, asparagus, aronia berries, potatoes, butter, tomatillos, cherries, bison and brussels sprouts this season. Iowa Ingredient features talented chefs who use local ingredients to create delicious recipes. "I think for me the best part of Iowa Ingredient is seeing people who are doing really innovative things with food,"...
IPTV Premieres New Series: Iowa Entrepreneur
IPTV announced today that it will be airing a new series, Iowa Entrepreneur . Each of the 13 episodes features two local Iowa businesses and the stories of how their owners overcame personal and financial struggles to find success. Beginning April 3, episodes will premiere each Sunday at 10:30 a.m. on statewide IPTV. Episodes will repeat on Tuesdays at 6:30 p.m. beginning on April 12. Iowa Entrepreneur tells the personal stories of entrepreneurs of all ages and backgrounds who have found success in a variety of different industries. In each feature, you'll meet extraordinary people, learn how...
IPTV Announces New Locally Produced Series IPTV KIDS Clubhouse to Premiere in June
Something big is about to happen at IPTV – something no other network in Iowa has done for more than 20 years. Today IPTV announced the IPTV KIDS Clubhouse will become a full-fledged, locally produced program complete with ten 30-minute episodes focused on Iowa children. Dedicated to fun, adventure and learning, the weekly series is set to launch June 3. "The IPTV KIDS Clubhouse , hosted by Dan Wardell, has been part of IPTV's annual Festival for more than a decade," said IPTV Executive Director and General Manager Molly Phillips. "The clubhouse has been a place to play, learn and discover...


text:
Medelsheim ist ein Ortsteil der Gemeinde Gersheim im Saarpfalz-Kreis (Saarland). Bis Ende 1973 war Medelsheim eine eigenständige Gemeinde im Landkreis Homburg.

Geographie
Medelsheim liegt in der Landschaft Parr. Im Süden ist die Gemarkungsgrenze die Staatsgrenze zu Frankreich.

Geschichte
Medelsheim war seit alters her Sitz der weltlichen wie der geistlichen Verwaltung der Parr. Die Ersterwähnung als Medelinisheim erfolgte Im Jahr 888 im Zusammenhang mit einer Schenkung von König Arnulf an das Kloster Hornbach. Archäologisch nachgewiesene Siedlungsspuren gibt es bereits ab der frühen Bronzezeit bis in die ausgehende gallo-römische Epoche.

Im Jahr 1334 wurde Medelsheim, das zur Grafschaft Zweibrücken gehörte, als Burg und Statt bezeichnet.

Zu Ende des 14. Jahrhunderts fiel die Lehenshoheit an Kurpfalz und 1395 wurden die Grafen von Zweibrücken-Bitsch mit Medelsheim belehnt.

Nach dem Landshuter Erbfolgekrieg ging die Lehenshoheit 1504 an das Erzherzogtum Österreich über, das weiterhin die Grafen von Zweibrücken-Bitsch mit Medelsheim belehnte.

Die Burg Medelsheim wurde 1508 durch Franz von Sickingen erobert und zerstört. Ihre letzte Erwähnung fand die Burg, die im Bereich der heutigen Pfarrkirche lag, im Jahr 1576.

Im Dreißigjährigen Krieg wurde Medelsheim 1635 entvölkert und verwüstet.

1656 erhielt das Haus von der Leyen Medelsheim mit den anhängenden Dorfschaften Peppenkum und Seyweiler von Erzherzog Ferdinand Karl von Österreich zu Lehen.

1677 wurde das Dorf von Truppen des französischen Marschalls Créquy niedergebrannt.

Als Folge der durch die Französische Revolution ausgelösten Kriege kam es mit dem Linken Rheinufer an die Französische Republik und wurde 1798 Kantonshauptort im Département Donnersberg.

1816 wurde Medelsheim eine Gemeinde des Rheinkreises und somit ein Bestandteil des Königreiches Bayern.

1818 erfolgte die Verschmelzung des Kantons Medelsheim mit dem Kanton Neuhornbach. Medelsheim blieb Sitz der "Bürgermeisterei Medelsheim", die aus den Ortschaften Medelsheim, Peppenkum, Seyweiler und (ab 1828) Utweiler bestand.

Nach dem Ersten Weltkrieg wurde Medelsheim 1920, gemäß den Bestimmungen des Versailler Vertrages, dem Saargebiet zugeordnet. 1935 folgte die Rückgliederung des Saargebietes an das Deutsche Reich.

1937 kam es zur Auflösung der "Bürgermeisterei Medelsheim" und zur Zuordnung zur "Bürgermeisterei Altheim".

Im Verlauf des Zweiten Weltkrieges wurde das Dorf mit der Roten Zone 1939 und 1944 geräumt. Bei Kämpfen im Winter 1939/40 und 1944/45 wurde der Ort zu etwa 84 Prozent zerstört.

Nach dem Krieg wurde Medelsheim 1947 Teil des Saarlandes, das eine selbstständige politische Einheit darstellte, aber wirtschaftlich an Frankreich angeschlossen war.

1950 wurde die "Bürgermeisterei Medelsheim" mit den selbstständigen Gemeinden Medelsheim, Peppenkum, Seyweiler und Utweiler wiederhergestellt.

1957 wurde das Saarland, und damit auch Medelsheim, Teil der Bundesrepublik Deutschland.

Im Rahmen der saarländischen Gebiets- und Verwaltungsreform wurde die bis dahin eigenständige Gemeinde Medelsheim am 1. Januar 1974 der Gemeinde Gersheim zugeordnet.

1995 siegte Medelsheim im Bundeswettbewerb "Unser Dorf soll schöner werden" und erhielt für herausragende Leistungen bei der Gestaltung und Pflege des Dorfes, der Landschaft und des Gemeinschaftslebens eine Goldmedaille.

Politik
Die Ortsteile Medelsheim und Seyweiler bilden gemeinsam einen Gemeindebezirk. Von den neun Sitzen im Ortsrat entfallen alle auf die CDU. Ortsvorsteherin ist Imelda Frenzel (CDU).
(Stand: Kommunalwahl 2019)

Kultur und Sehenswürdigkeiten
Als Zentrum des traditionell katholischen Gebiets der Parr verfügt Medelsheim in seiner Feldflur über viele Wegekreuze, die durch einen Wanderweg untereinander verbunden sind.

Die Kirche St. Martin gründet auf römischen Fundamenten. Sie birgt gotische Wandmalereien und ein gotisches Retabel aus der Zeit um 1430, das 1956 aufgefunden wurde.

Die Kreuzkapelle zur Schmerzhaften Mutter auf dem Husarenberg war früher eine Wallfahrtskapelle. Sie stammt von 1767 und birgt eine Pietà von 1554.

Auf Anregung des Speyerer Bischofs Michael von Faulhaber wurde 1920 der Kreuzweg angelegt, dessen 14 Stationen die Szenen aus dem Leidensweg Christi darstellen. Der Kreuzweg führt hinauf zum Husarenberg. In schlichte weiße Pfeiler mit Satteldächern sind die einzelnen Stationen als volkskünstlerisch gestaltete Halbreliefs eingearbeitet.

Traditionell findet am dritten Sonntag im Juli der seit Jahrhunderten existierende Jakobsmarkt statt, auf dem neben Jahrmarktstreiben auch historisches Handwerk präsentiert wird.

Persönlichkeiten
In Medelsheim wurde um 1726 der bekannte jüdische Unternehmer und Philanthrop Cerf Beer geboren.

Weblinks

Einzelnachweise

Ort im Saarpfalz-Kreis
Geographie (Gersheim)
Ehemalige Gemeinde (Saarpfalz-Kreis)
Gemeindeauflösung 1974