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Monster Hunter Stories 2 Rite of Channeling Guide
By Syed Tayyab Jul 11, 2021 Oct 28, 2021 Share
The first time to Channel a Monstie is during Chapter 2 of Moster Hunters Stories 2: Wings of Ruins. You'll get notified about this mechanic once you've completed few main quests. In this Monster Hunter Stories 2 Rite of Channeling guide, you'll learn the basics of using the Rite of Channeling in MH Stories 2.
Monster Hunter Stories 2 Rite of Channeling
During MH Stories 2, you'll get to know about the Rite of Channeling Mechanic at the Rutoh Village. To progress any further, you need to sacrifice an Aptonoth. Once sacrificed, you can now master the mechanics and channel your own Monsties.
Below you'll find Rite of Channeling tips to help you get started with the process in MH Stories 2 Wings of Ruin.
How to Use Rite of Channeling
Let's start from the basics. Initially, all you need to know is that despite Rite of Channeling not being obligatory during your campaign, it does play an important role while facing tough competitions later on when participating in Player vs Player battles.
Many other RPG games have a similar concept called breeding where two characters share their genes to make a new character. Monster Hunter Stories 2 follows the same concept but with few changes added to the list. For example, during Rite of Channeling, the first character inherits the genes from the second character while the second character vanishes and becomes a part of the first character.
Therefore, before randomly selecting a character to swap genes, make sure to take a look at your characters list since you don't want one of your best Monsties to get cut off like that.
One more important thing that should be pointed out is that during Rite of Channeling, you must select one character that already has good stats and perks. Also, you can do this with both Active as well as Passive skills of characters such as Pukei-Pukei.
You play MH Stories 2 to fight Monsters and most probably catch them and will come across various genes.
These genes can be both Active and Passive and you can view all the genes you've come across in a list of genes called the Book of genes. Head over to the main menu and you'll find the book of genes at the Field Guide section.
As mentioned before, you must select a character having high stats and make sure to pick the ones with all of the ability slots unlocked as it helps in swapping genes.
In case the slots are locked, simply head over to the "Use Ritual Item" option out of the menu and use them on your selected Monstie to unlock the ability slot. You can unlock these Items either from the Melynx Inc. shop or as rewards.
Using the Bingo System can increase your character's abilities. The character ability slot is distributed into a 3×3 grid on all sides whether it be diagonal, vertical, or horizontal and by matching any 1/3 color lines or lining up the same symbols, you receive a bonus.
The best part about this system is that you can get both bingos of elemental color as well as an attack type. The Rainbow Gene acts as a free note and you can place it at the center which helps it complete the bingo in case you're going for different elements and symbols.
Lastly, you must keep an eye on the skill detonation with three types of variants such as S, M, and L where L has the highest effective rate. Also, using the same gene provides extra bonuses marked with a star on them and you can do that until two stars appear on the ability Icon.
Syed Tayyab
Busy roaming around the virtual streets of Alpha City. Mostly spend time playing the likes of Super-Mecha Champions, NBA 2K, WWE 2K and other shooting games such as CS:GO.


I mainly read beauty blogs as that is what I am most interested in but I love a good lifestyle blog and February Girl was the first lifestyle blog I started to read. One day as I was scrolling through my twitter feed I came across a tweet talking about a post called 'How To Be A Legit Blogger'. At the time I was just starting out and had no idea what a legit blogger was. I went to read Joelle's post and instantly loved her style of writing. The way she wrote it was hilarious and it was obvious she was talking the 'Michael' out of legit bloggers. If you haven't read it, I would click here and have a little read!
My trip to China in 2009 really inspired me. I was 15 and had the most amazing time, so decided to set up a blog to tell the world about my Asian Adventure!
How much has your blog changed and devolved since you first started?
The blog that I write now 'FebruaryGirl' evolves every month. It's not that I am not happy with it; I just like to develop it to the best of my ability. I am really into experimenting with HTML, music and blog header design these days, so I am constantly challenging myself to create new visuals for my blog.
What is your all-time favourite post you have ever written?
I have two! Firstly, my 'SuperbBloggers' post, which I wrote on the spot at around 4am one morning. I don't know where it even came from, but I just felt that I needed to say something to encourage the blogging community. It was really well-received and was my first post to reach over 10,000 page views, which was pretty surreal.
My other favourite post has to be 'How To Be A Legit Blogger'. Again, I wrote in off the top of my head and decided to try a new comedic writing style. The feedback/comments I am still getting from that post make my day. I think people like that fact that not every part of blogging should be taken so seriously and you can still have fun with your readers through your words.
Where would you like to see you and your blog in 5 years' time and why?
In 5 years' time, I would have been a blogger for 10 years!! I just hope that I carry on writing about fashion and lifestyle and enjoy it as much as I do know. I will be a working Geologist then, but hopefully I will still have time to blog part-time and continue to be part of this amazing community.
What is your number 1 top tip for blogging, for any bloggers seeking advice or for those bloggers starting out?
My top tip: Be patient! No blogger gets thousands of followers in their first few months/years of blogging, so just relax and don't give in to pressure.
I feel that lots of new bloggers want all the page views/followers/magazine features too quickly. They are focusing on the perks before actually focusing on how to make their blog readable and likeable. Once you are happy with your blog content, readers will come in time!!
Thank you so much Joelle for taking part in my Blogger of The Month! If you haven't already, go over and give February Girl a read and maybe even a follow if you love her blog as much as I do!
No worries! I love your blog and am glad you enjoyed taking part!


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In Memoriam of actor Reggie Carter (1936-1995)
By: Steven Jay Rubin
The James Bond Movie Encyclopedia presents This Day in James Bond Movie History. Today, we remember actor Reggie Carter who passed away on this day in 1995 - he played the memorable Mr. Jones, a Jamaican operative of Dr. No - and James Bond's (Sean Connery) first adversary in the Eon Productions series, Dr. No (1962), directed by Terence Young.
Arriving in the Kingston airport, Bond is greeted by Mr. Jones who is offering chauffeur services. Excusing himself, 007 makes a telephone call to Principal Secretary Pleydell-Smith and asks if a car has been sent for him. When Pleydell-Smith says No, Bond looks through the phone booth window and glares at Mr. Jones.
Director Terence Young told me in 1977 that when he shot this scene on the first day of the location shoot in Jamaica, Sean Connery's glare was the beginning of Bond.
Reggie Carter did not pursue movie acting - he was a bit of a media celebrity in Jamaica, working as a journalist and on-air announcer, while doing advertising work and occasional theater. But he secured his place in 007 lore while taking that first hard punch from James Bond.
Copyright © 2020 Steven Jay Rubin. All rights reserved.
#dr_no
#in_memoriam
#steven_jay_rubin

redpajama_set_name: RedPajamaCommonCrawl


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Module enrolment is the process by which students enrol for the modules they wish to study in the forthcoming academic year. The guides below provide information about enrolment for academic staff to enable them to advise any student who contacts them for help or guidance on module choice. Please also refer to the Student Enrolment pages for further information.


We read that nearly one in five construction sites failed safety checks during a national initiative to improve construction site safety. This is a slight improvement on previous years which is good news, but is this trend down to less construction work being carried out?
The investigation was carried out by HSE staff and concentrated on high-risk activity including working at height and ensuring sites were in 'good order', being clean and tidy with clear access routes.


Official HandBrake releases and nightly builds are available for Linux, Mac, and Windows.
HandBrake is open-source software licensed under the GNU General Public License Version 2 (GPLv2)1. Anyone can download and use HandBrake for free.
Ubuntu Linux users should install the official release PPA or the official snapshots PPA. The PPA may work, but is not tested, on other Debian-compatible distributions. Users of other BSD- and *nix-like distributions may compile from source.
HandBrake source code is available at the official HandBrake repository on GitHub.
Other versions obtained via third parties are not supported.
HandBrake is available for free at the HandBrake website.2 This is the only official download source for HandBrake.
Beware of third-party websites and peer-to-peer downloads of HandBrake. They may include unwanted extras such as additional applications, ransomware, or other forms of malware. The HandBrake Team has no control over these external services. Avoid!
Beware of online marketplaces and auction sites. HandBrake is free software.
Certain BSD/Linux distributions and package repositories create their own versions of HandBrake. These modified versions are often crippled (features removed for political reasons) and broken (bugs due to modifications), and should be avoided.
Please do not request support for these or any other unofficial versions. The HandBrake Team has zero control over them and therefore cannot provide meaningful support.
BSD users should compile from the official source code.
Linux users should install the official release PPA, install the official snapshots PPA, or compile from the official source code.
Continue to Downloading and installing HandBrake.


text:
What's Next After School Board Votes to Stick With One High School Approach?
Vernon Miles October 1, 2019 at 9:30am
Students address the Alexandria School Board (Staff photo by Jay Westcott)
School Board member Heather Thornton (Staff photo by Jay Westcott)
ACPS Superintendent Gregory Hutchings, Jr. (Staff photo by Jay Westcott)
ACPS Superintendent Gregory Hutchings, Jr. and School Board member Michelle Rief (staff photo by Jay Westcott)
T.C. Williams students address the Alexandria School Board (Staff photo by Jay Westcott)
Previous Image 1/9 Next Image
The School Board has shot down a plan to add a second high school in Alexandria and is sticking with — as several members of the audience chanted throughout the night — "One T.C."
After a long debate at its Sept. 26 meeting that dredged up Alexandria's history of segregation in schools and the ongoing achievement gap, the School Board voted 6-3 in favor of expanding the current high school into a "campus."
The new proposal calls for the expansion of the Minnie Howard (3801 W. Braddock Road) site — currently a satellite school a few blocks west of T.C. Williams High School currently used as a facility for 9th grade students. Designs for the campus and what types of programs would be located across the different buildings remain to be determined.
With the approval of the campus-style high school, Superintendent Gregory Hutchings Jr. said the planning process for the design is about to start. In addition to determining the physical location and layout of the new buildings, Hutchings said the school district will look at the high school curriculum and determine which programs could best utilize separate buildings across the campus.
The design phase of the project is scheduled to run from 2020-2021.
"Now we will reconvene the educational design team and add additional members to that team to look at educational programming now that we have a model," Hutchings said. "We have to start beginning the design phase and look at educational specifications to look at what these specs will be for the building."
Keeping Alexandria's high schoolers united in one school was the choice favored by several T.C. Williams students at the meeting, as well as Hutchings and T.C. Williams Principal Peter Balas.
"Urge you to cast your vote for one high school," Balas, a former social studies teacher at the school, said in an impassioned plea during the public comment portion of the meeting. "T.C. is the heart of the city.
"I strongly encourage you to support our diversity as one of our greatest strengths," he continued. "Our Titans experience diversity greater than anywhere else in this country. Two high schools lead us down a path of divisive battles [with] inequity between the two schools and leaving certain groups facing increasing disenfranchisement. These inequities will become deeper over time. Separation may be in our school's name, but you can oppose it by voting to keep us together."
Balas and Hutchings were also direct with their frustrations with current inequity within the schools and their struggles to try to eliminate that. Hutchings echoed the concerns of other parents and School Board members when he said he was worried multiple high schools would exacerbate those problems. Particularly, Hutchings noted, with the proposal for split high schools specializing in arts or science and technology.
"When you have more than one high school, whether it is reality or perception, someone is going to say 'they're getting more than I'm getting, they're better than I am, they're getting more options than I'm getting,'" Hutchings said. "It is inevitable that we're not going to be able to offer those same courses. I want us to be honest about that. We are going to limit the options some of those students have."
A contingent of students from Alexandria City Public Schools (ACPS), both T.C. students and some in lower grades, spoke at the meeting against a separated high school system. Lorraine Johnson, a student at T.C., said that students involved in the early stages of the decision-making were focused on a collective good of the schools in a way that she didn't see from parents.
"The student meeting mirrored the diversity [of the school] and unlike the adults, these students saw the bigger picture," said Lorraine Johnson, a student at T.C. "They saw pathways. They saw possibilities. They saw the future of the next generation of high schools flourishing in that high school."
A dozen parents who spoke at the meeting said they believed, contrary to the concerns from others, that split schools would intensify existing stratification, with low-income and minority schools being lost in the shuffle at the single, oversized T.C. Williams High School.
"We can honor our history, but tonight the vote is about turning the corner and looking ahead," said Angela Mills. "The campus model might be a good idea, but it's just an idea. It's not enough. We can't just hope for the best. Bigger high schools fail low-income students. Smaller is better, full stop."
"We need to build schools," said Marc Solomon. "Not only will a networked annex building have worse educational options, but it will bind future school boards' hands when giving students the options they deserve."
School Board members Meagan Alderton, Michelle Rief and Heather Thornton voted against the plan for a campus-style high school.
"We need to take the common sense approach other communities approach when they reach capacity," said Rief. "All of the data indicates we should build a second high school… It's our jobs as leaders to look ahead to the future. If we don't build a second high school now, we're punting this decision to a future School Board."
"Building a connected high school network will leave us overcrowded in the near future with nowhere to grow," she added. "We will have spent a lot of time and effort trying to make a split campus work. We'll likely be back here in ten years but with inflated building costs."
Hutchings said there was a common misconception that the second high school would add more classroom space than the campus-style school.
"Whether we have one or two, the square footage is the same," Hutchings said. "People thought second high school would be bigger, but we were talking about the same amount of square feet."
Proponents of the two-school approach argued that planning for ten years out was short-sighted based on current population trends and the incoming Amazon headquarters.
After the meeting, Hutchings told ALXnow that he didn't rule out the possibility of needing to build another high school at some point in the future, but said school officials needed to make the best decision with the data they had on hand. Current ACPS projections estimate a total of 5,000 students by 2025.
"We would not be fiscally responsible for making decisions off of what-ifs," Hutchings said. "What we have is data for the next ten years. One misinterpretation is that the 5,000 students [incoming] will be in 2025, but really the 5,000 is at the end of those ten years — that's where the maximum comes from."
Alexandria City Public Schools Minnie Howard School Board superintendent T.C. Williams High School
Morning Notes'Vulcan Materials' Development on Van Dorn Street Heats Up


text:
Het Château de Litzberg was een kasteeltje dat zich enkele kilometers ten westen van Lanklaar bevond. Het was gelegen aan de Hoeveweg 145.

Het werd gebouwd in 1868 door de heer Wenmaekers. Het werd omringd door een Engelse tuin en enkele mooie lanen. Het kasteeltje werd echter in 1939 vernield door soldaten, tijdens de mobilisatie. Wat bleef was de kasteelhoeve. Deze werd eind jaren 80 van de 20e eeuw aangekocht door Miel Craeghs, die het uitbreidde en verbouwde tot restaurant, voorzien van een mooie binnenplaats.

Het gebouw ligt op het Kempens Plateau op een hoogte van 95 meter, niet ver van de steilrand naar de Maasvallei.

In 2006 dreigde het geheel te moeten worden afgebroken, omdat er geen bouwvergunning voorlag. Dit is echter niet gebeurd.

Vanaf het restaurant vertrekken wandelroutes door het Nationaal Park Hoge Kempen en ook het recreatiedomein Maasvallei ligt in de onmiddellijke nabijheid.

Naamsverklaring
De heuvel werd plaatselijk Litzberg genoemd naar het woord litzen, het dialectwoord voor glijden.

deLitzberg
Dilsen-Stokkem

redpajama_set_name: RedPajamaWikipedia


text:
Q: Relaciones Many to Many hibernate estoy haciendo algunos CRUD en una base de datos con JSF e hibernate, hay algunas tablas con relación @ManyToMany como Usuarios y Rol, me gustaría saber, ¿Cómo ingreso los datos en esa relación de @ManyToMany?
Esta es la clase Usuario
    @Entity
@Table(name="Usuarios")
public class Usuario implements Serializable{
    private static final long serialVersionUID = 1L;

    @Id
    @Column (name="Id_Usuario")
    private int id_usuario;

    @Column(name="Tipo_Documento")
    private String tipo_documento;

    @Column(name="Nombre")
    private String nombre;

    @Column(name="Apellido")
    private String apellido;

    @Column (name="Correo")
    private String correo;

    @Column (name="Direccion")
    private String direccion;

    @Column (name="Telefono")
    private String telefono;
    @OneToMany(mappedBy = "Fk_Usuario", cascade ={CascadeType.MERGE})
    private List<Pqr> listPqr;
    @OneToMany(mappedBy="Fk_Admin",cascade = {CascadeType.MERGE})
    private List<Respuesta_Pqr> listResp;
    @OneToMany(mappedBy = "Fk_Usuario", cascade ={CascadeType.MERGE})
    private List<Venta> listVenta;
    @ManyToMany
    @JoinTable (name="Usuario_Rol",
            joinColumns=@JoinColumn(name="Fk_Usuario",nullable=false),
            inverseJoinColumns=@JoinColumn(name="Fk_Rol",nullable=false))
    private List<Rol> listRol;

Esta es la clase rol
@Entity
@Table (name="Rol")
public class Rol implements Serializable {
    private static final long serialVersionUID = 1L;
    @Id
    @GeneratedValue(strategy = GenerationType.IDENTITY)
    @Column(name="No_Rol")
    private long id_rol;

    @Column(name="Nombre_Rol")
    private String nombre_rol;

    @ManyToMany(mappedBy="listRol",cascade={CascadeType.MERGE})
    private List<Usuario> listUsuario;

Este es el metodo del Bean para agregar la clase usuario, quiero saber como enlazo las dos tablas en este método para agregar la clase Usuario y a la vez ingresar los datos en la tabla @ManyToMany llamada usuario_rol
public String registrarUsuario(){
usuarioImp usuarioImp = new usuarioImp();
usuarioImp.add(usuario);

return "/usuarios/listUsuarios.xhtml?faces-redirect=true";
}

Seria de gran ayuda que me pudieran resolver esta duda.
Para aclaración estoy usando JSF e Hibernate.
Gracias.

redpajama_set_name: RedPajamaStackExchange


The course covers the key concepts, techniques, and methodologies relevant to the process of developing information systems (IS). The course focuses on the development of requirements, analysis, and design models of the system to be. The specifications of these models are done using the Unified Modeling Language (UML). In addition, the course provides a contextual coverage of the system development life cycle and select concepts of IS construction, deployment and project management respectively.
Note: A prerequisite may be waived if the student has specific professional experience. Students registered in the Certificate in Health Informatics who have successfully completed CHIT 100, but do not have the listed prerequisites and wish to take this course, may contact the Academic Coordinator, Pria Nippak, at pnippak@ryerson.ca for more information.


We are often asked to provide a break down of costs for how a music video budget will be spent. Of course no two videos are the same, but there are some common areas where time and effort has to be spent.
This short article sets out the key areas and reasons why budgets can vary so much.
Any video production is broken down into three distinct stages. Within each stage there will be areas of cost that will always exist regardless of the type of music video made.
• Pre-production (Producing) – which includes planning, finding locations, casting actors, picking crew, and booking equipment. Without this essential effort the filming day won't happen.
• Production (Shooting) - crew, cast, lights, equipment, locations, transport. The filming day is everything.
• Post-production (Editing) - editing, colour grading, video exports (different versions for different channels). This is when all the components are brought to one place to be weaved into the final video.
These three paragraphs barely cover what is involved. Even a simple half-day shoot with a self-shooting director and assistant will need a lot of planning, a location and editing.
Most of the film budget will be spent on the crew.
Following is a list of the key roles. That isn't to say all of them will be required on your shoot, but they might. If budget is tight crew members will double up on roles if they have the skill sets and sometimes even if they don't.
• Director - It is the director who will be masterminding the project, creating the idea and bringing it to life. Before filming starts only they will know what the finished video will look like. Meet our inhouse Directors, here.
• 1st Assistant Director (1st AD) – supports the director and helps make their job easier.
• Director of Photography (DOP) – responsible for the visual look and feel and by specifying camera, lenses, lights, and other specialised equipment.
• Art Director – their responsibility can range from designing sets, to sourcing props, making props and adapting them for filming.
• Hair & Make Up Artist – these are two distinct roles and are combined only because their responsibilities are broadly the same: to find the right look and feel to reflect the directors chosen look. It is worth bearing in mind that these crew members, often in the background, will spend more time with the artists than anyone else.
• Stylist / Wardrobe – just like it ever was; how you look counts in music videos. From studied casualness to bang on the money zeitgeist fashion, it matters!
• Production Assistant – their role is to support the shoot as required with a particular eye on the external elements of the shoot – getting crew about the place, making sure kit is where it should be.
• Talent – If the treatment includes acted scenes or a choreographed dance scene you'll have to recruit your talent and rehearse them beforehand.
• Location – Studios or External. Outdoor shoots are the riskiest. What do you do if it rains and you have a swimwear scene lined up? Obviously you try and ship off to the Caribbean or such like, but in the real world you don't shoot summer scenes in the winter.
Studio shoots or internal location shoots can be a lot more controlled and for that reason have a lot to commend them.
• Equipment – it's true that crew can consume a lot of the budget. It's also true about equipment. The following list is not exhaustive but gives a sense of what can be involved.
-> Choice of Camera & Lens, e.g DSLR v Red/Arri/4K.
The camera of choice for many low budgets music videos has been the Canon 5D, a DSLR camera that captures video good enough for YouTube. There are some spectacular examples of DSLR filmed videos Dodie: Coke TV. You can operate one of these with a crew as small as two people.
In comparison a Red or Arri Camera is inherently more expensive. It will require at least a three person team to operate it efficiently. They cost a lot more to hire plus lenses and other accessories are more expensive.
A Red or Arri with prime lenses can easily add £1-2K to the budget. We compare the two, here.
Just like camera's, kit hire can run on and on. It is often a temptation to over order kit and equipment to ensure every possibility is catered for.
Most people will know this as the edit. It comprises of a number of tasks.
Firstly the footage has to be backed up, logged, named and organised ready for editing.
The edit can consist of an assembly edit, 1st edit to show the client, complete edit and finally colour graded edit (which is basically the final edit).
Colour grading is like 'photoshopping' – colours and tones are adjusted within the editing software to get a specific 'look' that the video was lit and filmed for.
If there are any special effects to be built into the video it usually happens before the complete edit.
After the process of review and amendment the video is finished. All that remains to be done is to create different formats of the video for the different places where the video will be shown. These days that mainly means the Internet: YouTube, Facebook etc, but if you want a version to be shown on an outdoor display 20 feet across then you will need a differently optimised version.
The Production Company Point of View.
One thing every artist, band, manager or record label should know is that with music videos most of the budget goes into the production. In our experience this is more the case than any other form of branded content and applies whether the budget is small or generous.
There is a quid pro quo. You will always get a better bang for your buck if you allow the Director and their team get on with what they do best. If you do they will always go that extra step.
The best videos we've made have been because the director and the artist have had a meeting of minds. Trust has been implicit from the outset.


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redpajama_set_name: RedPajamaGithub


text:
2013 Metropolitan Lyon/Givors
Repositionning of the South-West sector of the Lyon Metropolitan Area
Givors, France. 20-26 January 2013
Cities and agglomerations are at a crossroads - they need to accommodate future growth in either furthering urban sprawl or becoming denser, as more concentrated territories offer more efficiency in infrastructure provision, transport usage, economic, commercial and social functions.
The agglomeration of Lyon (Grand Lyon) in France is developing such a strategy, working towards a multinodal metropolis.
To enrich the debate between the 60 urban poles composing the metropolis, the Grand Lyon has invited INTA to bring an International peer-to-peer review (Panel) to launch a reflection on the positioning of the South West pole centred on the citiy of Givors and its surroundings. Download the set of maps available.
The mandate was to review the overall coherence of the Metropolitan project, its viability and its implementation, and to focus on a higher level of strategic vision for the South West sector.
The INTA panel consisted of ten people from different backgrounds who all have some skills and practice experience on urban development and governance issues. (See profile of panelists).
The panel members first had a technical visit of the territory on Sunday and starting from Monday morning, have interviewed more than 30 local stakeholders in 3 days to gather information about the territory, its constraints and challenges: elected representatives and technicians from the City of Givors City and the Greater Lyon, but also of the the County Council (Rhône) and of State administrations (DDT), the planning agency, representatives of the business sector (Chamber of Commerce, entrepreuneurs ...) and the civil society.
After these days of hearings, the panel gathered to analyze the information and suggest some recommendations for the future of the territory. Here are the main results:
Givors polarity, the medium city retrieved in the metropolitan context: Confluence 2.0
The relations of the Givors polarity within the metropolitan territory.
The panel has taken the measure of the strategic positioning of the Givors polarity within the metropolis, whether for Greater Lyon or in the context of the Pole Metropolitain (cooperation of 4 urban districts: Greater Lyon, Saint Etienne Métropole, Vienne and l'Isle d'Abeau-Bourgoin Jallieu) where Givors and its surrounding areas are a real crossroads that articulates the metropolitan area.
L onely city. Givors suffered deindustrialization and from city center, it found itself at the margin having to undertake a heavy fragmentation on its territory.
Retrieved City. The 2000-2010 development plan of the municipality, the entry in the Regional Masterplan (ScoT) and in the Greater Lyon has made Givors a territory for the future.
Penalized city. What was its strength became a risk: meaningful identity, highway, rivers, clinging to the metropolitan system not producing an rapid improvement of the quality of life.
Major challenges remain and assert (low income population, urban fractures due to large regional and national infrastructure, a lack of image, the confluence of the Rhone and Gier and the banks are not valued enough), with strong potential:
- Exceptional location
- Good public transport system
- Being part of an intermunicipality (Greater Lyon) and a dynamic region
- First-class public services and amenities for a city of this size, enabling it to play the role of polarity
- Values of "living together" is a brand identity, but also a political process
In this context, the Panel has proposed an approach of the future: CONVERGE
Building on the achievements and measuring the extent of the problems and challenges, a new plan for the future generation should be established. Marker of this plan for the future could be the notion of CONFLUENCE *:
- Territorial confluence to benefit from the strengths of the multiplicity of territories where falls and plays the future of the Givors polarity, which means for the city to raise its collective capacity in urban engineering
- Time confluence between a powerful story, and a future to feed
- Human confluence mobilizing internal resources of the city and its external partners with a confluence of business sectors between training institutions and economic actors, entrepreneurs and integrated activity networks, education, culture, sport, citizenship and environment, the city and its neighborhoods, urban development and sustainability of this development.
The accelerator may consist of the systematic implementation of this everyday multifunctional CONFLUENCE that could become a brand and a strong and attractive contribution to the whole metropolis.
*The definition adopted by the panel of CONFLUENCE = all dimensions to make converge, depending on the prerogatives of each, the development and sharing of a new vision for the future.
The spirit in which these transformations should be lead:
- Pulling up Givors and its polarity.
- Expand the institutional and functional interactions. Givors voluntarism must find relays in the Greater Lyon internal mechanisms, choosing the appropriate scale of the territory from the intermunicipality (Greater Lyon) to the Pole Métropolitain, and mastering the competition between the different functional areas (transportation authorities, commercial, housing, major infrastructure, ...)
- Recognition of mutual interests - Capacity to offer something for a mutual gain!
- Raise the quality of the territory without undressing other places of their functions ; « redoing » the territory in an constrained public resources economy environment (partnerships, alliances)
Metropolitan dynamics generates its own logic of investments and projects which requires that Givors has in a continous way, a strong and realistic programme for the project credibility and public management to strengthen the new image. The recent entry into the intermunicipality dynamic supposes to go to a next step in the partnership.
Metropolitan dynamic passing over territories should be avoid thanks to a strategy that goes further than the scenarios of the Regional Masterplan. Without the ability to hold at least three scales, it seems difficult to believe in a trend inflection:
- The scale of Regional Masterplan (SCoT Lyon) and interSCoT for planning,
- The scale of the intermunicipalities (Greater Lyon) to ensure solidarity, and the future project management,
- The scale of the Givors centrality for the implementation and construction of a new collective identity around the project.
This means both the metropolis succeeds in its strategic priority areas with the help of the Givors polarity and the city benefits from the metropolis to regereate itself.
From polarity to centrality
In the metropolitan context and its opening to the South, the "Givors plate " should occupy a pivot function complementary to the city of Vienna, the Gier valley, with alliances to organize, in order to avoid to be in a narrow position in the south of intermunicipality, whence the importance of co-visibility projects with neighboring territories.
The overall project should combine a strong and ambitious programming component with a vicinity dimension, coming at people's lives - "city for everyone" – that ensures the adhesion of the population. This means being precursor, correcting metropolitan excesses with a different vision of what can be a medium city "for everyone" in a metropolitan logic.
The voluntarism of Givors must find other fields of application such as the establishment of conditions for a knowledge ecosystem, a development process through a selective and abundant strategy of future projects - a city where it feels good to innovate.
In conclusions, Givors requires:
1. to adopt a global method / approach
Invest a multitude of "scenes" and a variety of specific scenarios, for example, Givors junction of interregional and metropolitan cycling routes. The Regional masterplan calls to assess the landscapes and promote alternative modes of transport.
2. articulation of a new mechanism components
• Via Rhôna (Lake Geneva to the Mediterranean), the segment Lyon / Givors is not done to date
• the Confluences green road carried by the Pôle Métropolitain (St Etienne to l'Isle d'Abeau)
• a "museum" (Maison du Fleuve Rhône), a branch of the Office of Tourism of the Greater Lyon, a dock for passenger ships, a river stop, a hotel restaurant, a park, an walking trails of the Pilat Regional Park
3. Build an operating system
Alliances with different actors (Greater Lyon, CNR, VNF Company boats, bike clubs, Pôle Métropolitain) for a scenario involving services to create, promotion, associated event, service partners…
Eg the "Village Auto"; young entrepreneurs in Givors ...
Change the image of the city - a story and some "style"
- Local social values are the elements of the construction of the image (solidarity, sharing pride, strength)
- Write a new page in the history backed by local legacies structuring the long time (to recognize themselves in a social "novel")
- No taste (fashion, evanescent) but the style (a way of being and acting in the world but continuously evolving / adapting)
We invite you to check the document of the public presentation of the results of the work of the Panel, held on January 26, 2013 in Givors.
A written report will be available at the end of March 2013.
Panel Metropolitan Lyon
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text:
Sachin's feat
S. DINAKAR
Sachin receives the Man of the Tournament award from Sir Garfield Sobers. - ANTONY NJUGUNA/REUTERS
In a fitting tribute to the master batsman, Sachin Tendulkar was adjudged Man of the Tournament at the ICC Cricket World Cup, 2003.
NELSON PARK is a strikingly pretty practice facility adjacent to the McClean Stadium, the chief cricketing venue in Napier. And it was a day of glorious sunshine, with the light bouncing off the green grass, a cool breeze blowing across the ground, and lovely mountains in the backdrop making the setting even more spectacular.
But things were not so bright for the beleaguered Indians on their tour of New Zealand just before the World Cup. They were outplayed 0-2 in the Test series by Stephen Fleming's men and had gone down in a tight finish in a low-scoring thriller in Auckland, the first of the seven-match one-day series. Clearly, this was crunch time.
Even as the Indians went about their net session, Sachin Tendulkar lay in a make-shift bench behind the nets, his sprained right ankle strapped, and physio Andrew Leipus beside him. Ater a while, he kept his right foot down and grimaced in pain.
The maestro had suffered the injury while bowling at the nets ahead of the first one day international (ODI) , and this marked a huge threat to India's chances. The Indian team management could not take any chances with Tendulkar, ahead of the World Cup.
Whispered affable Indian coach John Wright: "You know, we need Sachin to be fit and firing in the World Cup." Hors de combat, Tendulkar's mind was clearly trained on the premier one-day competition.
Sachin did not return for the Napier game, but came back for the last three ODIs of that disastrous tour, struggled to find his touch and timing on seaming pitches with bounce. His footwork was tentative, and his shot selection awry. But, the World Cup would witness a very different Tendulkar.
There is much talk about Tendulkar's breathtaking repertoire of strokes, his footwork and his balance, yet the strongest aspect of his batsmanship is the man's enormous strength of mind.
It is this self-belief and the desire to conquer, that shone through as he walked up to collect the Man of the Tournament award from the Caribbean legend, Sir Garfield Sobers.
Yet, Tendulkar would have swapped this ultimate individual award, for the World Cup winner's medal. Indeed, the disappointment on his visage was all too visible.
The mammoth Aussie score of 359 meant that he would have to fire straightaway, forcing him to pull a delivery not quite short in length from pace predator Glenn McGrath. Tendulkar's departure was the defining moment of the summit clash.
Sachin Tendulkar scores off Kenys's Collins Obuya in the semi-final at Kingsmead, Durban.-V.V. KRISHNAN
For the most part, World Cup 2003 had been an exhilarating journey for the Mumbai genius and the Indian team, even if the final proved to be a let-down in terms of providing competitive fare. And Tendulkar was very much the inspiration at the top of the order.
Indian captain Sourav Ganguly deserves praise for unselfishly vacating the opening slot for Tendulkar. In fact, ahead of the World Cup, there was considerable speculation about Tendulkar's batting position.
Slotting Tendulkar in the middle-order was a conscious decision that was made by the team management in a bid to provide the middle-order more solidity. With Sehwag running hot over the past 12 months, the feeling was that he and Ganguly would be the ideal right-left combination, with the team having the additional cover of Tendulkar trooping out at No.4.
The switch did make sense, since the Indian team has often reeled under the psychological impact of losing Tendulkar early. And the ploy worked well in the NatWest triangular competition in England, where Tendulkar sparkled, holding the innings together in the middle-overs, and then accelerating towards the finish.
However, when the cricket caravan moved to Colombo for the ICC Champion's Trophy, Tendulkar, who had been suffering a minor slump in form, expressed a desire to open the innings during a press conference. Ganguly averred that the team came first, not individuals.
Ganguly himself had shown flexibility in his approach, surfacing in the middle-order in the summit clash against Sri Lanka, the idea being to take on Muttiah Muralitharan's off-spin. There were two reasons for this Ganguly can strike the spinners out of the ground, and Murali, surprisingly, does not operate too well against southpaws.
This clearly suggested that Ganguly was not rigid in his methods. However, he had reservations about Tendulkar reverting to the opening slot, keeping in mind the balance of the line-up.
There were murmurs of differences between the skipper and the great batsman, and the issue was played up by certain sections of the media. Both Ganguly and Tendulkar have only the interest of Indian cricket at heart, and a conflict, if at all there was any, was only regarding what they felt was best for the side. In other words, there was nothing `personal' here.
Tendulkar missed the seven ODIs at home, when India took on Carl Hooper's Caribbeans, due to a hamstring injury. Then, on the forgettable tour of New Zealand, he was undone by an ankle sprain during the limited overs contests. When he flew into South Africa, along with the Indian team he had played only three of India's last 14 ODIs.
It had become evident that Tendulkar should be back in the opening slot. On the juicy surfaces in New Zealand, where Ganguly's form suffered, the pacemen were able to make the early inroads, and the side did miss the solidity of Tendulkar at the beginning of the innings; his sheer presence can have a demoralising effect on bowlers with the new ball.
Even as the team went into the practice games before the big event, the signals from the team management were unclear; there were signs that Tendulkar might bat at No 3. To his credit, Ganguly agreed to Tendulkar opening the innings again; this is what actually set up the maestro for the Man of the Tournament award.
From a psychological standpoint, the idea made sense. Tendulkar wanted to be at the top of the order, and, knowing how proud a cricketer he is, he would only be too keen to prove a point.
In fact, at the beginning of the competition, it was Ganguly who partnered Tendulkar, reviving a vastly successful combination. Tendulkar began with a circumspect 52 against the Netherlands. Against the feared Aussie attack at Centurion he did essay some pleasing strokes in front of the wicket before shuffling across to Jason Gillespie and paying the price. Yet, there was enough promise in that innings of 36 to suggest better things were in store.
Indeed, the maestro's disciplined 81 on a sluggish Harare pitch before he was castled by a left-arm spinner's dream delivery from Grant Flower, his strokeful 152 at the expense of minnows Namibia at Peitmaritzburg, and a 50 of stunning brilliance against England at Kingsmead, where he subjected the pace pair of Andrew Caddick and James Anderson to a savage attack, revealed the kind of mood he was in.
Although the pitch at Durban was slow, Tendulkar had begun to enjoy his cricket, an ominous sign for the bowlers. Whenever Tendulkar frees his hands with a free mind, he moves into a different plane altogether; he was a clear and present danger to Pakistan when the Asian giants clashed in Centurion in a high-voltage duel.
He cut loose against Wasim Akram, Shoaib Akhtar and Waqar Younis after Pakistan set a challenging target of 274. It was an onslaught whose memories will last a lifetime. The occasion was huge, and Tendulkar by now he had Virender Sehwag as his partner whipped up magic, launching into the Pakistani pacemen with those booming drives, rasping flicks, whiplash pulls, and sizzling cuts, his quick eye enabling him to pick the line a shade earlier, his wonderful timing sending the ball racing to the pickets.
Mentally, he dominated the Pakistanis, never allowed the quicks to settle into a rhythm, and such was the pace of his run-making (98 off 75 balls), that the little man, knocked Waqar's men out of the game. India was in a pressure situation when it began the pursuit. However, once Tendulkar started rolling, all the heat appeared to be on Pakistan.
This is the advantage of possessing an aggressive opener; even in the event of a middle-order collapse, the side can always recover because of the runs that were gathered at a hectic pace earlier. Such was Tendulkar's blitzkreig that Rahul Dravid and Yuvraj Singh, despite a mini-collapse, were able to guide the side home without resorting to risks. Tendulkar did waltz at the Centurion that day.
In the Super Six, where India faced off with the Lankans at the Wanderers, Tendulkar handled the swing of Chaminda Vaas and Muttiah Muralitharan's off-spin, with panache. However, he once again fell short of a hundred, by three runs.
During his cleverly compiled 83 against Kenya in the semi-final at Kingsmead, he revealed how well he could adjust to a slow surface. In the final, the odds were loaded against him, after the Aussies got to a big score, and he went down as a brave soldier would.
Nevertheless, his fourth World Cup has been a brilliant one - dotted by a century and six half-centuries. In the process, he surpassed Pakistani giant Javed Miandad's record figure of 1,083 for most runs in the World Cup. Tendulkar played with the desire, commitment, heart and the genius of a champion.
As Man of the Tournament, he had 14 points; Ganguly was his closest challenger with 10 points, which included three centuries. One would have to acknowledge the remarkable performances from pacemen Chaminda Vaas and Brett Lee, two contrasting bowlers, one relying on late swing and the other on brute pace.
But then, Tendulkar it was, who was the most influential figure of the 2003 World Cup, even if the awesome Australians deprived him and his team the final triumph. Maybe, four years from now, he will still be around when the Indians have another tilt at the glory that has eluded them since 1983.


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SAG Award nominees
ICYMI: Will Smith, Kate Winslet and more stars react to their 2022 SAG Awards nominations
By Wonderwall.com Editors 7:42am PST, Jan 15, 2022
"I'm truly humbled and honored to be nominated by my peers in the Screen Actors Guild; to be recognized by those who know and understand this wonderful craft we get to practice as our living is just fantastic. Preparing and making and experiencing the reaction to 'The Power of the Dog' has been one of the best experiences of my life. Not least because of the amazing community of people in front of and behind the camera who made it all possible, especially our fearless and inspirational leader, Jane Campion. So I am so thrilled that Kodi and Kirsten have been recognized for their exceptional work, and that I stand not alone, but with them and Jesse and all of the actors, as well as the crew who supported me and inspired me to be 'Phil Burbank' each and every day." —Benedict Cumberbatch, who is nominated for Outstanding Performance by a Male Actor in a Leading Role for "The Power of the Dog"
"I am humbled and honored that the Williams family trusted me with their story and that my fellow actors have given our film such a warm reception. Getting to walk in Richard's shoes and having the opportunity, not only to show the world how misunderstood he was, but also to illuminate the true plight of this family as they paved their own road to becoming two of the most iconic names in sports history. AND to get to do it with this absolutely beautiful cast of actors – Aunjanue, Jon, Tony and the powerhouse performances by two of the best young actors I've ever seen on film, Saniyya and Demi! I'm beyond grateful for this experience, for this ensemble cast being recognized, and am mostly proud to play a small part in shining further light and love on the Williams family!" –Will Smith, who was nominated for Outstanding Performance by a Male Actor in a Leading Role for "King Richard"
"I'm jumping for joy! This means so much to me. To be nominated by actors, by the people I admire, the artists I cherish and crave spending time with, this really means the world me. To be part of this category and for playing a role that fundamentally changed me in many ways, feels like the ultimate acknowledgment. And to share in a moment like this alongside these powerful almighty women who have created such rich exciting work is a privilege. AND to be up there with Jean Smart, knowing what she and I went through on 'Mare of Easttown'…. this truly feels like a badge of honor. I'm deeply grateful today!" —Kate Winslet, who was nominated for Outstanding Performance by a Female Actor in a TV Movie or Limited Series nominee for "Mare of Easttown"
"What great news to wake up to! It has been a long time dream of mine to be in a Jane Campion movie. The fact that I got to play Rose in 'The Power of The Dog' along with a great ensemble of actors and the genius that is Jane Campion has far exceeded any dream I could have. I am so proud of Kodi and Benedict and extremely grateful to my fellow actors who have acknowledged our performances." –Kirsten Dunst, who is nominated for Outstanding Performance by a Female Actor in a Supporting Role for "The Power of the Dog"
"There's no bigger compliment to an actor than being recognized by their peers. Congratulations to our incredibly talented cast on this wonderful and well deserved nomination." –Taylor Sheridan, who was nominated as a part of the Outstanding Ensemble Cast in Drama Series for "Yellowstone"
"This experience has been absolutely surreal. First off, my congratulations to all of my fellow nominees. There's no greater feeling than being recognized by your peers alongside such extraordinary talent. It is profoundly humbling and I'm incredibly proud to be a member of SAG-AFTRA." –Kodi Smit-McPhee, who is nominated for Outstanding Male Actor in a Supporting role for "The Power of the Dog"
"I am honored to be recognized by my fellow SAG-AFTRA peers for a project of which I am so ridiculously proud," the actress said in a statement. "Any recognition is amazing, but coming from my community of actors, it's beyond special. What an honor to be included amongst these stunningly talented women and all of this year's nominees. I'm so thankful to Steven [Spielberg], Kristie Macosko Krieger, Kevin McCollum, Disney, and the entire cast, crew & creative team of West Side Story, especially my fellow actors with whom I worked so closely and who helped lift me through this performance." –Ariana DeBose, who was nominated for Outstanding Performance by a Female Actor in a Supporting Role for "West Side Story"
"This honor and recognition from my peers and friends in the Screen Actors Guild means more than I'm able to express. Anyone with a SAG card feels and knows the story of Jonathan Larson in tick, tick…BOOM! because it is their story. It's the story of an artist longing to express themself, an artist longing to sing as much of their song as possible while they are here alive and breathing. It's a story about longing to bring our gifts to the world; about following the thread of our destiny in the face of failure and rejection. I'm grateful to the SAG voters for this encouragement to continue to follow my own thread of life. I'm mostly grateful to them for giving Jonathan Larson more life. For giving him his flowers and helping to keep his spirit alive for the world to hear more of his life affirming song. I share this honor with my genius director, Lin-Manuel Miranda, and this most incredible ensemble cast of actors, singers, dancers and creators. We are a true community and none of this could happen without everyone's unique giftedness and heart. Thank you from the very bottom of my overflowing heart." —Andrew Garfield, who was nominated for Outstanding Performance by a Male Actor in a Leading Role for "tick…tick…BOOM!"
"Wow! This is so cool! All I hope for when I'm making something is that the people I look up to see me and think I'm alright. I couldn't be luckier to have had the opportunity to bring Stephanie Land's beautiful and heartbreakingly real story to life, alongside my own mom and my incredible on-screen daughter, Rylea Nevaeh. I'm so flattered and I really love being a part of this community, thank you!" –Margaret Qualley, who is nominated for Outstanding Performance by a Female Actor in a Television Movie or Limited Series for "Maid"
"A very special thank you to two special ladies: Rebecca Hall and Tessa Thompson. Was grateful to also share the screen with my peers André Holland, Alex Skarsgård, Ashley Ware Jenkins, Bill Camp, and everyone who was part of this project. It's a great privilege to know them and to have worked with these wildly talented artists. Major shoutouts to Nina Yang Bongiovi, Margot Hand and Forest Whitaker." –Ruth Negga, who was nominated for Outstanding Performance by a Female Actor in a Supporting Role nominee for "Passing"
"Thank you so much SAG Awards.. so honoured to be in this fine company." –Caitriona Balfe, who was nominated for Outstanding Performance by a Female Actor in a Supporting Role for "Belfast"
"To be nominated and recognized by your peers is one of the highest honors imaginable and upon hearing the news this morning I was filled with gratitude and humility. Making 'House Of Gucci' and working with this incredible cast was an absolute inspiration. Thank you to my fellow SAG-AFTRA members, congratulations to my fellow nominees, and to the entire 'House of Gucci' gang – BOOF!" —Jared Leto, who is nominated for Outstanding Performance by a Male Actor in a Supporting Role for "House of Gucci"
"I'm in complete shock and am overjoyed by this recognition from SAG. I'm thrilled for all my 'Ted Lasso' family, most especially my dear friend and force of nature Hannah Waddingham! It means so much to be recognized by my fellow actors amongst this incredible group of women, and I'm very grateful." –Juno Temple, who is nominated for Outstanding Performance by a Female Actor in a Comedy Series for "Ted Lasso"
"Thank you, SAG-AFTRA, I am honored to be nominated by my peers and to find myself in such remarkable company. Today's nominations for 'Being the Ricardos' are a tribute to the trailblazing couple that are Lucy and Desi Arnaz. It was a great privilege to portray Desi Arnaz – a groundbreaking visionary, proud immigrant and veteran who transformed modern television." —Javier Bardem, who was nominated for Outstanding Male Actor in a Leading Role nominee for "Being the Ricardos"
"To be on this list with four of my all time heroes is truly fxxxing wild. Thank you SAG Awards. Amazing." –Brett Goldstein, who was nominated for Male Actor in a Comedy Series for "Ted Lasso"
"Thank you Screen Actors Guild members! First, I am truly excited for the best ensemble nomination, which has made all of our team's time spent together on Squid Game even more valuable. Working on this series, and acting for the first time, I thought about how creating something 'together,' and 'as an ensemble' just might be the true value of our society. I feel empowered to be reminded of how 'together' is more precious than a solo achievement. I am truly grateful! I'm also reminded of our best stunt team, being nominated for the best stunt ensemble nomination. I send all the love and thanks to the best stunt team ever who made sure all of us were safe on the set. Lastly, I was truly taken by surprise that I was nominated. I'm just happy knowing that my photo is going to appear alongside that of Jennifer Aniston, Reese Witherspoon, Elizabeth Moss, and Sarah Snook. Thank you to everyone who voted!" –Jung Ho-yeon, Outstanding Performance by a Female Actor in a Drama Series nominee for "Squid Game"
"What wonderful news this morning! Safely making Season 4 of 'The Handmaid's Tale' during the ongoing pandemic was a challenging undertaking but we are so incredibly proud of what we accomplished and receiving these SAG Award nominations is a beautiful cherry on top. I'm most especially thrilled for our cast nomination as I am lucky enough to work alongside some of the best actors in the business and I will never tire of seeing them acknowledged. Seeing them work through the lens as a director this season gave me an entirely new love and appreciation for them as artists and who they are as people. They lift me and the crew up every day!" —Elisabeth Moss, who is nominated for Outstanding Performance by a Female Actor in a Drama Series for "The Handmaid's Tale"
"I am not going to lie; this is meaningful because this recognition may bring more people to watch 'Dopesick.' The show shines a light on our country's ongoing and infuriating battle against big pharma, corruption, and, thanks to our leader, the incredibly smart, empathetic, and talented Danny Strong, it does so without judgement, recognizing the innocent victims of prescribed opioid addiction and the families who suffer in the wake of this vicious cycle. As an actor, I have a whole bunch of reasons to feel grateful and know that the company we keep matters. On 'Dopesick' I was fortunate to play with some real Greats: Barry Levinson, Michael Cuesta, Patricia Riggen, Kaitlyn Dever, Will Poulter, Peter Sarsgaard, Mare Winningham, Ray McKinnon, Michael Stuhlbarg, Rosario Dawson, John Hoogenakker, Phillipa Soo, Jake McDorman, a kickass crew and producers who are best in class and kept us safe in COVID. Sometimes you get such a brilliant script, it feels like the work is done for you. Thanks to the SAG-AFTRA community and I sure hope we are able to celebrate safely together in-person." –Michael Keaton, who was nominated for Outstanding Performance by a Male Actor In a Television Movie or Limited Series for "Dopesick"
"I am speechless and beyond excited to be nominated, not just individually but for our entire 'Squid Game' team! I vividly remember the precious moments we shared together, putting in all the hard work to film the intense six rounds of games. On top of the unforgettable memories we shared, today's SAG Awards nominations will forever be remembered as a precious and touching moment. Thank you so much to the members of SAG-AFTRA. I am also so humbled and want to share this moment with all the fans of Squid Game who have faith in justice and love, we as people cherish." –Lee Jung-jae, who is nominated for Outstanding Performance by a Male Actor In a Drama Series for "Squid Game"
"Thank you to SAG-AFTRA. I am honored to be recognized by my peers for a role that means so much to me, alongside actors I greatly admire. 'The Great' is made possible by our fearless ensemble cast, our writing genius Tony McNamara, the tireless hours of our hardworking crew, and the one who raises our bar every day, Nicholas Hoult." —Elle Fanning, who is nominated for Outstanding Performance by a Female Actor in a Comedy Series for "The Great"
"It is such an incredible honor to be recognized by my fellow actors and actresses, who inspire me daily and whose company I am so proud and humbled to be in. I am deeply grateful for this nomination." –Jeremy Strong, who was nominated for Outstanding Performance by a Male Actor in a Drama Series nominee for "Succession"
"Great way to start off the New Year. Thank you to all my peers who voted. 'Kominsky Method' was a career highlight from start to finish." –Michael Douglas, who was nominated for Outstanding Male Actor in a Leading Role in a Comedy Series for "The Kominsky Method"
Troy Kotsur scored a nomination for Outstanding Performance by a Male Actor in a Supporting Role in a Motion Picture for "Coda," making him the first solo Deaf actor to receive an individual SAG Award nomination. He released a video sharing his joyful reaction to the news, during which he signed "I love you," flashed double thumbs-up and clapped.
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KryptonicsSs is truly unique! Among all world's millionaires, there would only be 483,020 people like him!
My name is KryptonicsSs, I'm male and 27 Years old. My Sign of Zodiac is scorpio. I live in Tallinn, Estonia.	On Flirtic.com I've been registered for 19.06.2011 years.
My education is high school - completed.	I speak english, finnish. My mother tongue is estonian.	I have no kids.
I like to listen to Põhja-Tallinn, Eminem, Lil Wayne, Ludacris, Snoop Dogg, Mihkel Raud, 2Pac.


It is 8:30AM on Day Three of our do-it-yourself Mumbai travel, and my son and I are having breakfast at the hotel restaurant. Our flight back to Chennai leaves at 2:45PM. Allowing time for the drive back to the airport, checking in for our flight, and a little foot-dragging in between, we have roughly three and a half hours to squeeze some more sight-seeing before we bid "Phir milenge!" to the City of Dreams. Destinations beyond South Mumbai are out of the question due to time constraints, so we are exploring the Fort district again on foot to cover the ground we had missed on Day One.
The Chhatrapati Shivaji Terminus, also known as the Victoria Terminus, is a historic railway terminal that was designated a World Heritage Site by UNESCO in 2004. Showcasing a glorious fusion of Victorian Gothic Revival and Indian traditional architecture, the majestic railway station features elaborate stone carvings of flora and fauna, arched tympana, decorated rose windows, as well as a stone dome, pointed arches, and a ground plan reminiscent of Indian palaces. The railway station spreads over an area of 1,450 acres and serves three million commuters every day. At the terminal, I clicked away with my camera to capture the morning rush hour scene, while Motito stood transfixed by the massive iron horses, as Dickinson would say. I've done my fair share of rail travel in India, taking the Shatabdi from Chandigarh to New Delhi, then hopping on the Rajdhani Express for the onward journey to Chennai to visit the in-laws, boarding the Kalka-Shimla line to head for the cooler climes of the hill station, and reverse engineering the process for the journey back. The last train trip we had taken as a family was in 2008, when Motito was two. He doesn't remember any of those trips now.
No Mumbai travel would be complete sitting down to a cup of Irani tea and a piece of brun maska in any of the city's quaint Irani cafes. Having fled to Bombay to escape religious persecution in their native Iran, the hardworking and self-reliant Zoroastrian Iranis or Parsis opened cafes and bakeries to support themselves in their adopted homeland. At the the Yazdani Restaurant and Bakery, time appears to have stood still, with the establishment preserving its original look and feel since it opened in 1953. Breads and cookies are made by hand and baked in a wood-fired oven. Peering into the glass display cases of Yazdani, I couldn't resist filling a bag with a dozen Mawa cakes, a block of Madeira cake, a loaf of fresh-off-the-slicer white sandwich bread, and a round chocolate cake to bring back to Chennai. Motito and I split a heavenly brun maska, a toasted-on-the-outside-fluffy-on-the-inside buttered bun, which we daintily dunked in sweet milky Irani chai. Yazdani is one the last Parsi cafes standing in the face of onslaught from the modern cafe culture purveyed by Starbucks and company. From numbering to 550 in 1950, according to CNN, only about 15 to 20 Irani cafes have survived the new millennium. Parsi cafes are as integral to Bombay heritage as Bollywood and bhel puri. It is hard to imagine Mumbai without them.
A couple of hours later at the airport, a mild cacophony erupted in the boarding gates area of the Mumbai airport. Not a manic frenzy that fills you with fear, but the kind that erupts in civilized spaces when a well-known celebrity unexpectedly walks in. I turned to see what had caused the commotion. Six or seven of the finest male specimens of the human race were striding toward their final security check. Clad in bright yellow uniforms, the strapping hunks of athleticism and swag looked familiar, but I couldn't be sure. My eyes scanned the dreamboat contingent for any familiar faces that would confirm my hunch. Just then the Guy, the one they called Captain Cool, started making his way to the security check. "Oh, it's him! It's him! It's Dhoni!," I squealed like a school girl, as I grabbed Motito, who had been oblivious to the celebrity sighting the whole time, and we pushed our way through the jostling crowd.
My son demanded to know what the fuss was all about. Why, the Chennai Super Kings happened to be passing through, I exclaimed. "Who are the Chennai Super Kings?," my son asked impatiently. "They're cricket players," I explained. "You know, cricket. The only thing that is able to hold your Appa and Thatha's attention longer than a Sunny Leone item number." Motito looked thoughtful for a moment, before realization dawned. "Oh, cricket! Yes, yes…cricket…," he sad, then quickly dismissed, "Meh. I think it's boring." There was no way I was gonna get this guy to use his "cute, young phoren cricket fan" advantage to snag a photo-op with the team. The cricket superstars obliged a few lucky autograph and sefie seekers, flashing their pearly whites as countless smartphone cameras clicked from all directions, before being whisked to a waiting airport bus by the burly body guards. Resignedly, we returned to our seats in the gate. I scrolled through the photos I had managed to click in the brief chaos. What a story to tell my father-in-law when we got home! The photos were blurry, shaky, useless disasters, though I did manage to take one of Irfan Pathan's face half-obscured by an airport police in the foreground. And there was an out-of-focus snap of Dhoni. Yup, it's a keeper.
Previous story Marvelous Mumbai trip: The Maximum City on minimum effort, Day Two.


Alex Ruck Keene and Annabel Lee are involved in a major judicial review of the ban on assisted dying, led by Richard Gordon QC, and instructed by Irwin Mitchell LLP.
In the first claim since Parliament considered the matter in 2015, the judicial review challenges the compatibility of section 2(1) Suicide Act with the Human Rights Act 1998. The challenge, brought on behalf of Noel Conway, a terminally ill man with motor neurone disease, is unprecedented in the nature and extent of the evidence to be put before the court, differing thereby from the case brought by Tony Nicklinson considered by the Supreme Court in 2014; the case is also different in that Mr Conway who has a terminal illness and his legal team are setting out strict criteria and clear potential safeguards to protect vulnerable people from any abuse of the system.
A decision on permission is awaited. For more details, see the press release issued by Dignity in Dying, which is supporting Mr Conway's claim.


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The Complete INDIANA JONES Blu-ray Collection Coming This Fall
INDIANA JONES will return this fall, uh kind of. How about the four movie collection will release on Blu-ray with 'The Complete Indiana Jones Blu-ray Collection'. We don't have any specs yet but there is a cool trailer after the jump.
From the Press Release:
ONLY ONE NAME DEFINES THE ULTIMATE HERO…
ONLY ONE FORMAT DELIVERS THE ULTIMATE EXPERIENCE…
FOR THE FIRST TIME EVER, THE COMPLETE INDIANA JONES
FILM COLLECTION COMES TO BLU-RAY!
SAN FRANCISCO, Calif. (February 29, 2012) – The man with the hat is back – and looking better than ever! The world's favorite globe-trotting archaeologist is, at long last, embarking on his greatest adventure – when The CompleteIndiana Jones Blu-ray Collectioncomes to Blu-ray Disc from Lucasfilm Ltd. and Paramount Home Media Distribution. The Complete Indiana Jones Blu-ray Collection will be excavated in the fall of 2012 and will include all four of Indy's thrilling adventures, using the highest possible high definition picture and audio presentation – along with a "best of" collection of documentaries, interviews, featurettes and a few new surprises.
About Paramount Home Media Distribution
Paramount Home Media Distribution (PHMD) is part of Paramount Pictures Corporation (PPC), a global producer and distributor of filmed entertainment. PPC is a unit of Viacom (NASDAQ: VIA, VIAB), a leading content company with prominent and respected film, television and digital entertainment brands. The PHMD division oversees PPC's home entertainment, digital and television distribution activities worldwide. The division is responsible for the sales, marketing and distribution of home entertainment content on behalf of Paramount Pictures, Paramount Animation, Paramount Vantage, Paramount Classics, Insurge Pictures, MTV, Nickelodeon, Comedy Central, CBS and PBS and for providing home entertainment fulfillment services for DreamWorks Animation Home Entertainment. PHMD additionally manages global licensing of studio content and distribution across worldwide digital and television distribution platforms including online, mobile and portable devices and emerging technologies.
Lucasfilm, Indiana Jones™ and related properties are trademarks and/or copyrights, in the United States and other countries, of Lucasfilm Ltd. and/or its affiliates. TM & © Lucasfilm Ltd. All rights reserved. All other trademarks and trade names are properties of their respective owners.
Labels: blu-ray, indiana jones
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RRI4 - End of recruitment
The Sports Medicine Research Laboratory (LIH) has launched a new large study on running. This study is the first to investigate the running technique and the risk of injury in a cohort of over 800 runners! This is one of the largest groups of runners observed over a period of several months. The aim of the study is to identify the influence of the damping properties of the running shoes, the body weight, as well as the running technique on the risk of injury.
The recruitment phase is completed now. More than 870 participants were included in the study. The latter will finish at the end of July 2018. The study conclusions will be available on this site by the end of the year.
Is there evidence for an association between changes in training load an running-related injuries? A systematic review
Damsted C1, Glad S2, Nielsen RO1, Sørensen H1, Malisoux L3.
1 Section of Sport Science, Department of Public Health, Aarhus University, Aarhus, Denmark.
2 University College Lillebaelt, Odense, Denmark.
3 Sports Medicine Research Laboratory, Department of Population Health, Luxembourg Institute of Health, Luxembourg.
Sudden changes (increases and decreases) in training load have been suggested to play a key role in the development of running-related injuries. However, the compiled evidence for an association between change in training load and running-related injury does not exist.
The purpose of the present systematic review was to compile the evidence from original articles examining the association between changes in training load and running-related injuries.
STUDY DESIGN:
Systematic review.
Four databases (Pubmed/Medline, SPORTDiscus, Embase, and Scopus) were systematically searched. Two reviewers screened titles, abstracts, and full-text articles independently. Articles were included if i) the study design was a randomized trial, a prospective cohort study, a cross-sectional study or a case-control study, ii) participants were runners between 18-65 years, and iii) specific information on changes in training load was provided. Methodological quality of included articles was assessed using the Newcastle Ottawa Scale and the PEDro rating scale.
Four articles fulfilled the eligibility criteria of which three found an association between increases in training load and an increased risk of running-related injuries: This association was shown by an increased injury risk amongst runners: i) if they recently had performed one or more changes in either velocity and/or distance and/or frequency compared with the non-injured runners (p = 0.037), ii) increasing their average weekly running distance by more than 30% compared to an increase less than 10% (Hazard Ratio = 1.59 (95% Confidence Interval: 0.96; 2.66)), iii) increasing their total running distance significantly more the week before the injury origin compared with other weeks (mean difference: 86%; 95% Confidence Interval: 12%; 159%, p = 0.026). However, no difference was found between a 10% and a 24% average increase in weekly volume (HR = 0.8, 95% CI: 0.6; 1.3).
Very limited evidence exists supporting that a sudden change in training load is associated with increased risk of running-related injury.
LEVEL OF EVIDENCE:
Etiology; running-related injuries; training load
Link to Pubmed article