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Monday, April 27, 2020 | History
6 edition of The Old Regular Baptists of Central Appalachia found in the catalog.
The Old Regular Baptists of Central Appalachia
Brothers and Sisters in Hope
by Howard Dorgan
5 Want to read
Published August 2001 by University of Tennessee Press .
History: American,
History,
History - General History,
ISBN 10 1572331607
The Old Regular Baptist, Union Church, and My Family I hope this page helps to tell the true story of the Old Regular Baptist. I have found that so much of the information found on the internet is either misleading or just plain wrong. Many old timer groups of Baptists, including old Regular Baptists, Hardshell or "Primitive" Baptists, etc., especially in rural Appalachia, believe it is "taboo" to preach with notes, or from a pre-planned outline. These believe in complete extempore preaching. There is a philosophy of preaching behind this.
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The Old Regular Baptists of Central Appalachia by Howard Dorgan Download PDF EPUB FB2
The Old Regular Baptists of Central Appalachia: Brothers and Sisters in Hope [Dorgan, Howard] on *FREE* shipping on qualifying offers. The Old Regular Baptists of Central Appalachia: Brothers and Sisters in HopeCited by: 3.
Photo courtesy of Ammodramus. From the days of old, when our forefathers first topped the Blue Ridge Mountains and decided to keep going until they reached the unforgiving mountains of Central Appalachia, the unofficial but undisputed religion of our region has been Christianity; however, what the definition of "true Christianity" actually is differs wildly from house to house and.
Find helpful customer reviews and review ratings for The Old Regular Baptists of Central Appalachia: Brothers and Sisters in Hope at Read honest and 5/5. Regular Baptists are "a moderately Calvinistic Baptist sect that is found chiefly in the southern U.S., represents the original English Baptists before the division into Particular and General Baptists, and observes closed communion and foot washing", according to Merriam Webster.
This definition describes Old Regular Baptists, not those who formed as a result of the Fundamentalist-Modernist. The Old Regular Baptists of Central Appalachia.
Knoxville: University of Tennessee Press, This book is one of a series of studies which the University of Tennessee has been publishing on Southern religious practice. Included in that series, of course, is an earlier book by Dr.
Dorgan, Giving Glory to God in Appalachia. Book Reviews Dorgan, Howard. The Old Regular Baptists of Central Appalachia.
Knoxville: University of Tennessee Press, at his college, Dr. Dorgan may originally have been attracted to the Old Regulars A speech and communication teacher because of their distinctive worship practices, but he learned to love the This book is one of a series of studies been publishing on Southern religious which.
Get this from a library. The Old Regular Baptists of Central Appalachia: brothers and sisters in hope. [Howard Dorgan]. The Old Regular Baptists of Central Appalachia: Brothers and Sisters in Hope, by Howard Dorgan, is an interesting read on this group. Old Regular Baptist link #10 rlvaughn, The Old Regular Baptists of Central Appalachia: Brothers and Sisters in Hope.
By Howard Dorgan (Knoxville: University of Tennessee Press, ) $, cloth. This likeable volume is the first university press book wholly devoted to the Old Regular Baptists of Central Appalachia, one of the more conservative Baptist groups in the region.
The Paperback of the The Old Regular Baptists Of Central Appalachia by Howard Dorgan at Barnes & Noble. FREE Shipping on $35 or more. Due to COVID, orders may be : Univ of Chicago Behalf U of Tennessee Press. 4.) Giving Glory to God in Appalachia by Howard Dorgan.
5.) The Old Regular Baptist of Central Appalachia, Brothers and Sisters in Hope by Howard Dorgan. 6.) The Encyclopedia of Religion edited by Vergilius Ferm, Ph.D. 7.) Alien Baptism and the Baptist by William Nevins. 8.) Works of Josephus - Vols.
- Complete. 9.) The Complete Writings of. Old Regular Baptists of Central Appalachia: Brothers and Sisters in Hope, Pa $ Free shipping. The Old Regular Baptists of Central Appalachia: Brothers and Sisters in Hope by.
Very Good: A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if Seller Rating: % positive. The internet website for The Indian Bottom Association Of Old Regular Baptist Churches Of Jesus Christ.
Indian Bottom Association Of Old Regular Baptists Churches of Jesus Christ. We Hope You Enjoy Your Visit. Please Click The Music Link Below To Hear Our Line Singing.
Old Regular Baptists originated in the s in Appalachia over the extent of the atonement, whether limitied or general. Up until this time many primitivistic baptist churches were known as simply regular, or regular primitive baptists.
Historical Sketch. Old Regular Baptist Churches are a product of central Appalachia. The belief system of the church developed during the nineteenth century, and the first Association, called New Salem, can trace its lineage to in the Pike, Floyd, Perry, and Harlan counties of Kentucky.
Appalachia, Religions of. West Virginia put John F. Kennedy over the top in the presidential primaries of West Virginia saw hard, on-site campaigning by both Kennedy and his principal challenger, Hubert H. Humphrey. The Bostonian Kennedy encountered living conditions in parts of West Virginia he had never known existed in the United the ascendency of Kennedy to the presidency.
The investigation of Primitive Baptist Universalists -- Calvinist 'No-Hellers, ' which sounds for all the world like an oxymoron -- requires the exact type of seasoned and comprehensive field experience which Dorgan has brought to it with meticulous care and insight.
-- Deborah Vansau McCauley, author of Appalachian Mountain ReligionAmong the many forms of religious practice found in the. Book is in typical used-Good Condition. Will show signs of wear to cover and/or pages. There may be underlining, highlighting, and or writing.
May not include supplemental items (like discs, access codes, dust jacket, etc). Will be a good Reading copy. OLD REGULAR BAPTISTS OF CENTRAL APPALACHIA: BROTHERS AND SISTERS IN HOPE By Howard Dorgan.
Old Regular Baptists Dorgan called the Old Regular Baptists the "most traditional of the Central Appalachian Old-Time Baptist groups." He and Deborah McCauley documented the beliefs and activities of the group in lined-out hymns, outdoor immersions, extemporaneous sermons, male-dominated leadership, Calvinistic theology, and specific dress codes.
Manuscript records of the Muskingum Association of Regular Baptists, in Ohio, from (on CD). Manuscript records of the Miami Association of Regular Baptists, of Ohio, from to (original, and on CD).
Typed transcript of the records of Middle Run. Riding the wave of the renewed interest in traditional American music, Classic Mountain Songs From Smithsonian Folkways Recordings showcases a handful of the greatest mountain ballads as performed by some of the most influential folk singers and songwriters of the 20th century.
This collection. The Old Regular Baptists of Central Appalachia: Brothers and Sisters in Hope. By Howard Dorgan. (Knoxville: University of Tennessee Press, Pp. xxiii, Illustrations, tables, notes, index. $) Howard Dorgan's study of the Old Regular Baptists of central Appalachia is a major accomplishment, representing a number of.
The Old Regular Baptists of Central Appalachia. Knoxville: University of Tennessee Press. Melton, J. Gordon. The Baptist The Encyclopedia Of American Religions. Wilmington, North Carolina: McGrath Publishing Company.
74 from the gospel songs on. May our hearts be tuned to sing O n a hot June Sunday morning in a little country church by the North Fork of the Kentucky River, I sat among one hundred fifty or so Old Regular Baptists joined in song.
We were gathered in the Mt. Olivet Church, a nondescript brick building with a humble sign that's easy to miss (I did), just over a one-lane truss bridge off of State Highway in the town. Baptists are a study in contrasts. From Little Dove Old Regular Baptist Church, up a hollow in the Appalachian Mountains, with its member congregation, to strong Saddleback Valley Church in Orange County, California, where hymns appear on wide-screen projectors; from Jerry Falwell, Jesse Helms, and Tim LaHaye to Martin Luther King Jr., Jesse Jackson, Bill/5.
My wife, Candice, and I have just returned from a long weekend of visiting some of my urban Appalachian relatives in Kendallville, Indiana. Specifically, we went to visit my 96 year old half sister, Lucy Hicks Moore, who lives with her daughter and son-in-law, Ollie and Jeannie Shepherd.
The Old Regular Baptists of Central Appalachia. Lane, H. History of the Friendship Association of Old Regular Baptist. Leonard, Bill J., ed. Dictionary of Baptists in America. McCauley, Deborah. Appalachian Mountain Religion: A History. Perrigan, Rufus. History of Regular Baptist and Their Ancestors and Accessors.
Radecki, Patricia Marie (). Frank Newsome is an Old Regular Baptist preacher, singer of lined-out hymnody, and former coal miner in Appalachia. This remarkable singer released an album in Folklorist Jon Lohman describes Newsome's musical tradition and its influence on.
The Old Regular Baptists are an American Christian denomination based primarily in the Appalachia n region of the United States.
History. Most Regular Baptist s merged with the Separate Baptist s near the beginning of 19th century. The party names were dropped in favor of United Baptist s.
The use of the name "Regular" has persisted among some Baptist groups, particularly among primitivistic. The Old Regular Baptists of Central Appalachia: Brothers and Sisters in Hope.
University of Tennessee Press, Airwaves of Zion: Radio Religion In Appalachia. University of Tennessee Press, In the Hands of a Happy God: The No Hellers of Central Appalachia. University of Tennessee Press, Frank Newsome is an Old Regular Baptist preacher, singer of lined-out hymnody, and former coal miner in Appalachia.
Virginia's State Folklorist Jon Lohman describes Newsome's musical tradition and its influence on bluegrass, gospel, and oldtime music. ""Old Time Baptists" or "Old Baptists" are informal titles employed by some in the Central Appalachians to indicate not only the Regulars and the Separates, but also a host of equally small denominations with titles such as Old Missionary Baptists, Old Regular Baptists, Regular Old School Baptists, Regular Primitive Baptists, and United : Stephen Garrett.
Religion has long been a source of identity for many Southerners, and the Appalachian areas in particular have proven to be a virtual fortress protecting faith and culture. Yet, in a region popularly thought to be religiously homogeneous, congregations reflect a wide range of doctrinal differences over such issues as conversion, ministerial leadership, and the authority on which a church bases.
Paperback: $ Howard Dorgan, a professor of communications at Appalachian State University, Boone, North Carolina, has already published two fine religious studies: Giving Glory to God in Appalachia: Worship Practices of Six Baptist Subdenominations () and The Old Regular Baptists of Central Appalachia: Brothers and Sisters in Hope ().
Goodwin Old: $; Goodwin Old Judge Tobacco N Mike Dorgan PSA 2. Howard Dorgan, Giving Glory to God in Appalachia: Worship Practices of Six Baptist Subdenominations (Knoxville: University of Tennessee Press, ); The Old Regular Baptists of Central Appalachia: Brothers and Sisters in Hope (Knoxville: University of Tennessee Press, ); In the Hands of a Happy God: The "No-Hellers" of Central Appalachia.
The Old Regular Baptists of Central Appalachia: Brothers and Sisters in Hope In the Hands of a Happy God: the "No-hellers" of Central Appalachia The Little Home Church and the Question of Racial Harmony within Old Regularism.
Dorgan's books include Giving Glory to God in Appalachia (), The Old Regular Baptist in Central Appalachia (), The Airwaves of Zion (), and In the Hands of a Happy God, ().
He won the Thomas Wolfe Literary Award in An ever growing site of non-fiction,flotsam, fiction,memoir,autobiography,literature,history, ethnography, and book reviews about Appalachia, Appalachian Culture, and how to keep it alive!!. Also,how to pronounce the word: Ap-uh-latch-uh.
Billy Ed Wheeler said that his mother always said,"Billy, if you don't quit, I'm going to throw this APPLE AT CHA" Those two ways are correct.
All The Others. In the Hands of a Happy God: The "No-Hellers" of Central Appalachia. Knoxville: Univ. of Tennessee Press, ———. The Old Regular Baptists of Central Appalachia: Brothers and Sis-ters in Hope.
Knoxville: Univ. of Tennessee Press, Drake, Richard B. A History of Appalachia. Lexington: Univ. Press of Ken-tucky, Cited by: 1. For Old Regular Baptists, lined-out hymn singing was the only music considered acceptable. Harmony was considered "frivolous" and instruments "sinful." For example, the fiddle was long considered by many to be "the devil's instrument," and the banjo lost popularity with some people because it was associated most often with dance.Appalachia (/ ˌ æ p ə ˈ l eɪ tʃ ə,-l eɪ ʃ ə,-l æ tʃ ə /) is a cultural region in the Eastern United States that stretches from the Southern Tier of New York State to northern Alabama and Georgia.
While the Appalachian Mountains stretch from Belle Isle in Canada to Cheaha Mountain in Alabama, the cultural region of Appalachia typically refers only to the central and southern Counties or county-equivalents: See scholar Howard Dorgan's book In the Hands of a Happy God: The "No-Hellers" of Central Appalachia (University of Tennessee Press, ).
These are "Regular Baptists" who do not.
lowdowntracks4impact.com - The Old Regular Baptists of Central Appalachia book © 2020


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Publish one Book
To publish a book
Self-editing books in India has become a simple process. Well, if there's any cost you don't want to go on cheap, this is it. I would like you to order my new Independent Self Publishing: The Complete Guide. You're one of those people, even if you've never thought about writing a book. Nobody buys your book, so there is no serious loyalty to you or your writing.
Roman - Is it possible to publish a book as a whole?
While I don't think you could get a conventional publishing house to do it, many print-on-demand firms will do it for you. Yes, I like a specific calendars in a specific size. I' ve been doing this for, I don't know, 5 or 6 years now, and they've never weighted about me just having 1 or 2 prints printed.
On FastPencil.com, if you choose the "Private Publishing" feature to get a copy of your book for $9.99 plus postage. There' s a wide range of customisation possibilities, which include the possibility to design the text on the back and/or front of the book and the frontal area. FastPencil provides a wide range of pre-configured text styles that allow you to adjust the text's haptics, with different types, text size and border width, which alter the appearance of your text on canvas.
FastPencil was fast and effective in my opinion, and in general the qualitiy is good. I' ve had an output with them--a book that was improperly tied so that the paper was cut off from the cover mostly, pretty much after taking it out of the case. I' ve never had a good opportunity to get in touch with FastPencil because it wasn't long ago, but in the past they had good support, so this shouldn't be seen as a big strikes against them, given that this is a coincidence and that it will be fix.
Explore other tagsed queries or ask your own.
One, and done: Wherever a winning novelist never publishes again
It' about our castle issue. He is an incredibly well-liked author, and the show deals with all kinds of misunderstandings and clichés about being a novelist today. Castle has never had problems with any idea for his work novels, is never really shown working, and in general seems to mean that typing a novel is something you can do in your free tim[ Read
Of course, most authors of fiction never reach such a level of achievement in the actual word, even though they publish several of them. A lot of the first books are published over long period of time, sometimes years or even years, and if they are a great hit, everyone - especially the publishers - starts to nag at the second book. Sometimes the book never comes.
What seems insane to the folks for whom "Castle" is the shared picture of the acclaimed writer: If your first book was resold well, received good critiques and turned into a film, you should at last have the free moment to work on your writings, and this second novel should be an easy thing to choose an inspiration and get to work!
If you have a question, just ask a family member (any author has one) who has many great stories and is willing to "share the prize" if you take his bestselling theory and "just put it down". "Yet the whole worid is full of writers who have had incredibly popular first novel titles and will either never or never have one.
When we say "life", we mean "death", of course, because many writers have succeeded in publishing their first novel just to promptly perish before they could publish a second one. As you know, Sylvia Plath killed herself after The Bell Jar was released, but she was working on a second novel, apparently named The Bell Jar which was either burnt by her alienated husbands Ted Hughes or just "disappeared" years after her demise, according to who you believe (most folks believe that Hughes burnt him because he was autobiographic and not too complimentary; that's another issue resolved by cloud back-ups, we hope).
Not publishing a second novel because you passed away is a tragedy, but completely comprehensible. It is the authors who are or were completely fit and able and whose first books were good enough to ensure the release of a sequel, but who never released them, who are intriguing. There are so many different kinds of readers who fight every single working days to publish a novel.
It is a mystery that you have the possibility to publish a second one and to make a passport, and it is definitely a worthwhile research. Of course, the interview must begin with J.D. Salinger, who set off for The Catcher in the Rye and soon after to Salinger Land to never publish again. The Salinger Land is a frequent contact point for writers whose first few works have achieved an almost unintelligible publicity.
The best-known example is Salinger: a novelist whose early work triggered such a response that he withdrew. In view of the economic autonomy resulting from the popularity of this first book, Salinger did not have to publish in order to help himself, and he decided to do so. She was so amazed by the glory the winds gave her that she pledged never to rewrite.
In 1949 the New York Times written in its obituary: "She said one of these days, in a desperate attack, as she set out to hide from the crowds that were besieging her by phone, wire and in private that she had decided never to speak again as long as she was alive.
" It supposedly took her about three years to produce the first design of "Gone with the Wind" and another five or six years to find a publishers (to be honest, there are stories in which she uses stacks of her manuscripts to support shaky spreadsheets and the like, so that the sentence "trying to find a publisher" obviously means something different for Mitchell than for most).
An educated jounalist, she devoted much of her 1941-45 years to working for the Red Cross and sponsoring loans of wars, which left her little writing to do. Yet her own personal achievement was so overwhelming that she had little interest in repeating this one.
All right, sometimes authors are a victim of their own achievements. Except you have million of users buying your textbooks and find ways to tell you in the midnight how you can change their life with your words, you may not know how terrible can be.
What happens if you have all the cash you could ever need and still don't want to start the second book? It' not always simple to make a novel, all the fun about Stephen King, who writes several books a mont. Ask anyone who takes part in the NaNoWriMo (National Novel Reading Month): a connected history is difficult enough.
It' s even more challenging to add convincing character and atmospheric setting and detail, good typing and the undefinable "it" that makes a storyline work. Here too, the first fiction is often the product of life-long inspirations and years or even years of research, editing, writing, reviewing, and review. If the novel is released and becomes a great hit, the second novel has the choice: to get something out relatively quickly, or to lean back with the royalties and take the second novel as long as the first.
It' s a beautiful issue, of course, and most novel writers don't have the kind of hit that allows it. In 1999 he successfully released memoirs of a geisha. It became a sensational book, selling more than 4 million times and was finally translated into a 2005 movie by Steven Spielberg.
Since then, no new novel has been released that marks more than a century and a half of silences. Iwasaki Mineko, the famous geisha, took him and his editor to court in 2001 for libel and breaking contracts, among other things. He disproved all of Iwasaki's allegations and declared that he had records of their talks to show they were unjust, but he and his editor resolved the claim in private in 2003.
In 1953, when Ralph Ellison won the National Book Award for Invisible Man, he described it as an "attempt at a great novel". "Ellison was a perfectist in his letter, and felt the importance of his glory and reputation very strong. He' d spelled, and wrote, and wrote, and wrote.
We had music for backgrounds about literature and America and destiny - much of it nicely composed; memos about storylines and more character, constructed verbatim, then bury under more notations. He had worked for almost 40 years on June 19, and it took his pal John F. Callahan another four years to work on him into something similar to Ellison's visions, released in 1999.
As soon as Ellison's first novel was a hit, he had the strength to work on his second novel until he found it dignified, a state he never quite made. There is a surprising length y listing of contemporary writers with a large novel who have not yet released a second novel: In 1997 Arundhati Roy released The God of Small Things and won the Man Booker Prize for Belles Lettres.
Since then Roy has certainly not remained quiet and has released other works and countless articles, but despite many links to a second novel, none has come. In 2009, Kathryn Stockett released The Help and more than ten million units were bought, but six years later there is no sequel. Of course, these and other writers can still publish.
It' s just a surprise in the contemporary world because we are all aware of the advertising cycles and the fact that the story now allows people to forget and suppress playwrights like popular artists who take too long with their next one. He may be working on a novel or ten books or nothing at all, but his total lack of information differs from that of other working people.
While most novel writers have trouble getting publishing houses interested in a second novel, these people could publish anything they wanted, and - until now - they haven't done it. The year 2015 could be the year in which all the renowned individual writers abandon their second novel and immediately date this article as a charismatic fail.
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Indiana Center for Biological Microscopy
ICBM Home
Microscopy Resources
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Microscopy on Living Cells
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O'Brien Center
Excellence in imaging, research and service
Founded in 1996, the Indiana Center for Biological Microscopy (ICBM) has grown into a vital research core facility supporting more than 100 laboratories in Indiana. Generous support from Indiana University, IU School of Medicine, the Division of Nephrology, the NIH and the Lilly Endowment have provided the center with the microscopy resources necessary to a modern approach to biomedical research. Serving as a core for several NIH Centers, the ICBM has parleyed these resources into uniquely empowering research tools. Staff provide expert support in all aspects of microscopy and image analysis, train investigators to conduct sophisticated imaging studies independently, and conduct complete studies.
COVID-19 operation and safety
In the Spring of 2020, the ICBM instituted a set of practices and policies designed to minimize the threat of COVID exposure to center users. Original policies included restrictions in hours, number of people allowed in microscope rooms and chaperoned facility access. Policies have been relaxed somewhat, but we continue to monitor all facility access, fastidiously decontaminate all contact surfaces between users and restrict microscope rooms to no more than three investigators at a time.
ICBM news
The ICBM has upgraded the Phenocycler (formerly CODEX) to the Phenocycler-Fusion. The Akoya Phenocycler-Fusion multiplex fluorescence imaging system is an integrated robotic fluidics and fluorescence imaging system that supports multiplexed fluorescence imaging of 40+ probes in the same sample, using a proprietary process of repeated sequential imaging and stripping of fluorescently-labeled DNA-barcode probes. This upgrade separates CODEX runs from the Keyence microscope, giving users increased access to that microscope as well. The Fusion microscope is also capable of high throughput slide scanning with filters for Brightfield and the proprietary Opal dyes between 440 nm and 780 nm.
The ICBM acquired a second high-content, high-throughput imaging system. The Molecular Devices IXM XLS microscope is a fully automated fluorescence microscope equipped with a fluidics handling system and a stage incubator for complex dynamic studies of living cells grown in a variety of different formats.
The high-multiplexing CODEX fluorescence system (for imaging up to 40 probes in a tissue at a time) is now in smooth operation. There are now 16 laboratories on campus at various stages of implementing CODEX for their research, seven have invested in developing antibody panels, and four have done 14 runs. Purchase of this system was made possible by generous contributions from the IU CTSI.
The High-End Instrumentation grant that we submitted to the NIH last spring for funds to purchase a Leica Stellaris STED super-resolution microscope scored reasonably well, well enough that we're anticipating funding next summer. Fingers crossed.
The ICBM upgraded the Yokogawa spinning disk microscope system to a new CSUX system. Equipped with an environmental chamber, the Yokogawa system is ideal for high-speed and long-term 3D microscopy studies of living cell. The upgraded system supports even faster image acquisitions (1000 scans per second), with higher field uniformity and a more user-friendly software interface. This upgrade was made possible by generous contributions from IU School of Medicine, the Division of Nephrology, the Department of Medicine, the Center for Diabetes and Metabolic Diseases and the Department of Microbiology.
The ICBM acquired an ISS Alba Fast FLIM fluorescence lifetime imaging system, bequeathed by Richard Day upon his retirement. Based upon a confocal microscope platform and a white-light laser, the ISS system supports frequency-domain-based fluorescence lifetime imaging and fluorescence correlation microscopy.
The 2021 O'Brien Center Microscopy Workshop, held virtually over Zoom was a resounding success with more than 100 online participants throughout the four-day program. The proceedings of the meeting will be presented in a special issue of Frontiers in Physiology to be published early in 2022.
The ICBM upgraded the Imaris software to significantly extend its capabilities for three-dimensional visualization and quantitative analysis. We offer now version 9.82, Core facility package. View an overview of Imaris and its upgraded capabilities at imaris.oxinst.com. The purchase was made possible by generous contributions from the Department of Medicine, Chandan Sen, Tarek Ashkar, Bob Bacallao and Amelia Linnemann.
The ICBM purchased HALO Image Analysis Software, the software of choice for exploration and analysis of large-scale, highly multiplexed fluorescence image data, such as that produced by the Akoya CODEX system. View an overview of HALO's capabilities at indicalab.com/halo. This purchase was made possible by generous contributions from the Department of Medicine.
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[ARCHIVED] Administrative Investigation Findings and Citations
Administrative Investigation Report
Armendariz Augustine Citation Letter and Citation
Armendariz Domingo Citation Letter and Citation
Armendariz Rebeca Citation Letter and Citation
Calderon Benjamin Citation Letter and Citation
Rachelle Bedell, Communication and Engagement Manager
Administrative Investigation Findings and Citations
Surrounding the Events that Occurred on October 29 and 30, 2021
Monday, April 11, 2022 (Gilroy, CA): Hanson Bridgett LLP has concluded the independent Administrative Investigation Report regarding the possible violation of City Codes concerning the circumstances surrounding the events that occurred at the residence of 490 Las Animas Avenue, on October 29 and 30, 2021, home of Gilroy City Council Member Rebeca Armendariz.
The report concluded that the evidence supported the following findings:
Ms. Armendariz violated the City's Social Accountability Host Ordinance (Ord. No. 2007-14 § I, 6-4-07) whose purpose is to reduce underage drinking and which establishes rules and penalties for persons who actively or passively aid, abet, or allow loud or unruly gatherings and,
Ms. Armendariz violated the City's Special Event Permit Requirements which state that the permit and City barricades issued to Ms. Armendariz were solely for the Dia de los Muertos event specified on the application, and
Ms. Armendariz's conduct involved the unauthorized use of City assets.
The report also concluded that the evidence did not support a finding that Ms. Armendariz's conduct involved the unauthorized closure of a City roadway.
The full Administrative Investigation Report is available on the City's website. (Investigation Report)
It has also been determined that Rebeca Armendariz aided in organizing the event of October 29/30, 2021 and did not obtain the required Gilroy Special Event Permit.
Further, it has been determined that Augustina (Sally) Armendariz, Benjamin Calderon, and Domingo Armendariz also violated the City's Social Host Ordinance and failed to obtain the required Gilroy Special Event Permit for the public event held at 490 Las Animas Avenue.
In accordance with these findings, the City of Gilroy has issued a total of ten citations to Ms. Rebeca Armendariz. Ms. Augustina (Sally) Armendariz, Mr. Benjamin Calderon, and Mr. Domingo Armendariz have each been issued four citations.
On November 5, 2021, the City of Gilroy retained Hanson Bridgett LLP to conduct a thorough review and administrative investigation into Ms. Armendariz's involvement and the potential violation of City rules, regulations, or procedures with regards to the circumstances surrounding the events that occurred at the private residence of 490 Las Animas Avenue, on October 29 and 30, 2021.
With the receipt of the Administrative Investigation Report and the subsequent citations, the administration investigation for this incident is now closed.
The criminal investigation being conducted by the Gilroy Police Department is still ongoing. Additional details involving the criminal investigation are not available at this time. Anyone who has information regarding this incident is encouraged to contact Detective Chris Silva at (408) 846-0335. Those wishing to remain anonymous may call the Gilroy Police Department Tip Line at (408) 846-0330.


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Q: How to add events to built-in calendar? I am looking for way to add events to this calendar.
I know that I can use third-party applications to do it from GUI (or sync it with online service like Google) but I am specifically interested on how it can be done programmatically (from my own app for example).
So far I've been hitting my head against the wall trying to google it.

A: Evolution data server (EDS) is the backend application that your software should interface with.

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Gloria Estefan says she was molested at music school at 9
Date: September 30, 2021, 22:00
in: Science & Health
NEW YORK — Gloria Estefan has revealed that, at the age of 9, she was sexually abused by someone her mother trusted.
The Cuban-American superstar spoke for the first time publicly about the abuse and its effects on her during an episode of the Facebook Watch show "Red Table Talk: The Estefans" that aired Thursday.
"He was family, but not close family. He was in a position of power because my mother had put me in his music school and he immediately started telling her how talented I was and how I needed special attention, and she felt lucky that he was focusing this kind of attention on me," the singer said.
Estefan, who was born in Cuba and moved to Miami with her family when she was a toddler, revealed the abuse at the top of the show, which featured Clare Crawley, the first Latina "Bachelorette." On the episode, called "Betrayed by Trusted Adults," Crawley talked about child abuse she experienced at the hands of a priest.
The Associated Press does not typically identify victims of sexual abuse unless they agree to be named or share their stories publicly.
Sitting at the round red table with her co-hosts — daughter Emily Estefan and niece Lili Estefan — Estefan opened by saying that "93% of abused children know and trust their abusers, and I know this, because I was one of them."
"You've waited for this moment a long time," her niece told her.
"I have," Estefan replied.
The three held hands with teary eyes.
She did not name her abuser but described how she tried to stop him. She said the abuse started little by little before moving fast, and that she knew that she was in a dangerous situation after confronting him.
"I told him, 'This cannot happen, you cannot do this.' He goes: 'Your father's in Vietnam, your mother's alone and I will kill her if you tell her,'" Estefan said. "And I knew it was crazy, because at no point did I ever think that it was because of me that this was happening. I knew the man was insane and that's why I thought he might actually hurt my mother."
Estefan said she started making up excuses to avoid going to music lessons. Her daughter Emily asked if her grandmother had any inkling something was going on. People didn't talk about those things back then, Estefan replied.
She tried to reach her dad, with whom she exchanged voice tapes while he was posted in Vietnam.
Recordings in Spanish from when Estefan was 9 were played at the show with English subtitles:
Gloria: "I'm taking guitar lessons. I like them but the exercises are a little hard."
Her dad: "Mommy told me that the owner of the academy where you're taking your guitar lessons is very proud of you."
Gloria: "I like the notes, but it's a little boring to study the notes".
Her dad: "Mommy tells me that he said that you are a born artist."
Estefan said the level of anxiety made her lose a "circle of hair."
"I couldn't take it anymore," she said, so one night she ran to her mother's bedroom at 3 a.m. and told her what was going on.
Her mother called the police, but the officers advised her not to press charges because the trauma of testifying would be too harmful.
Both Crawley and Estefan said during the show that they didn't like to be called victims. Crawley called herself a survivor.
Estefan said she didn't tell the producers she was going to reveal her story on Thursday's episode. No one knew about the abuse except for her family, said the singer, who has been married to music producer Emilio Estefan for over four decades.
She also said that, when her mother started inquiring about this man within the family, an aunt shared that he had abused her years back in Cuba.
The Associated Press asked the show's publicist if Estefan could answer some questions, including if the man was still alive. The publicist told the AP that she would not make further comments.
On "Red Table Talk," Estefan recalled almost going public in the mid-80s, when her hit "Conga" with the Miami Sound Machine was at the top of the Billboard charts and "this predator, who was a respected member of the community," had the audacity to write a letter to a paper criticizing her music.
"At that moment, I was so angry that I was about to blow the lid off of everything," she said. "And then I thought: 'My whole success is gonna turn into him!
"It's manipulation and control, but that's what they do, they take your power," she added, also admitting the fear that there could be other victims makes her feel bad.
After introducing Crawley and telling her that she didn't want to sit quietly while she shared her story, Estefan said she had been waiting for the right opportunity and space to tell hers.
The show was that space.
"This is one of the reasons why I said yes to the '(Red) Table (Talk)' at all, because we wanted to create this space where we talk about important things that hopefully will make a difference to everybody that's watching out there."
Sigal Ratner-Arias is on Twitter at https://twitter.com/sigalratner.
This story corrects the spelling of Clare Crawley, not Claire Crowley.
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text:
Q: How to check "stripsize" of a stripped logical volume? I have created a stripped logical volume using below command:
lvcreate -L 1G -n lv1 -i 2 -I 128 myvg1 /dev/nvme0n1p5 /dev/nvme0n2p6

Now, how can I check the stripsize again?
I have tried using commands lvs, lvscan and lvdisplay ---v /dev/myvg1/lv1.
None of them is giving information about the strip size.

A: Try that command, it should show you the stripe size of each LV (-a) in the last column of output (stated with + are additional columns to be listed besides the standard ones)
lvs -ao +lv_full_name,devices,stripe_size

Example output, though no striping configured:
root@puppet [130] ~ > lvs -ao +lv_full_name,devices,stripe_size
  LV      VG         Attr       LSize  Pool Origin Data%  Meta%  Move Log Cpy%Sync Convert LV                 Devices         Stripe
  lv_root VolGroup00 -wi-ao---- 47.49g                                                     VolGroup00/lv_root /dev/sda2(0)        0
  lv_root VolGroup00 -wi-ao---- 47.49g                                                     VolGroup00/lv_root /dev/sdb(0)         0
  lv_swap VolGroup00 -wi-ao----  2.00g                                                     VolGroup00/lv_swap /dev/sda2(4479)     0