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O Segundo Consistório Ordinário Público de 2012 para a criação de novos cardeais foi anunciado pelo Papa Bento XVI ao final da tradicional Audiência de Quarta-feira, na Praça São Pedro, no dia 24 de outubro de 2012. Foram criados 6 novos cardeais (todos votantes num eventual conclave). O Consistório realizou-se no dia 24 de novembro de 2012.

Novos cardeais
Os cardeais criados são:

Outros consistórios do papado de Bento XVI
 Consistório Ordinário Público de 2006
 Consistório Ordinário Público de 2007
 Consistório Ordinário Público de 2010
 Primeiro Consistório Ordinário Público de 2012

Ligações externas

Consistórios
2012 no Vaticano

redpajama_set_name: RedPajamaWikipedia


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Activism and the law
Freedom's History
On the inhumanity and alienation of professional detachment
Comment, Apr 4th
A Plan C member writes about their experiences as a domestic violence worker, and the alienation a culture of "professionalism" and State provision engenders.
I am a professional. That's how I am referred to in my work, that's how I refer to myself in the course of doing my job and that's how the people I work with refer to me. Or rather my 'service users', as we insist on calling them. I am the service, they are the service users – the relationship is passive, and they are supposedly receiving something from me.
I'm a domestic violence worker – I help people who have been or are being abused by their partners and families. Or else, I try to help. Most of the time I am merely shown the harshest end of our so-called 'welfare' state. Temporary accommodation which lasts years, benefits that are never paid, police and social services who never follow up, justice that is never served. My relationship to my 'service users' is one that often feels alienated. I started to think about this alienation, how it serves the state, how it serves charity.
I think about this often as people book appointments to come and see me for an hour and I tell them there's almost nothing I can do about their current situation. Yes, that's the council policy. No, they aren't obligated to do anything else. Sorry, I know it's shit. Sometimes the most satisfying illicit thing is telling them that last part. That I, too, know it's shit.
I always feel a bit 'naughty' saying things like that because it is 'not very professional'. This is another thing that haunts me in my work – professionalism. To be professional means to specialise in something, to have the expertise, but it also means something else. It means maintaining appropriate boundaries, letting people know that you are the one with the knowledge, you are the one authorised to write letters on their behalf and perhaps be taken seriously. It means, apparently, you know more than they do about their own situation. It also means that you have to watch someone crying their eyes out and never, ever even consider touching their hand by way of comfort. Just hand them the tissues. Wait till they stop.
The relationship between alienation and professionalism ensures a tiered system in all support work administered by the state and third sector agencies – the two often becoming indistinguishable as everything that is most essential to survival is gradually outsourced and our rights to any state provision at all are degraded. In order to navigate the system, support workers become a mechanism by which one can gain legitimacy. I can write a letter that can be used as 'proof' that domestic violence has taken place, I can provide people with legitimacy. In my professional opinion, this person has suffered an adequate amount. That support comes from the top down. I am paid, employed by a charity, to administer it. My word becomes valid in some way because of that. I have a tiny key to access provision, unlock a tiny trap door where, if you pull real hard, you can get out one or two measly items.
Domestic violence work and most other support work including housing, drugs work and mental health support are mostly done by charities or third-party agencies contracted by the council. A drugs worker called me the other day and told me my service user didn't want to attend their drugs support group, two bus rides away from their house, because they didn't have enough money to get there. 'It's all we can offer, I'm afraid' she said, 'we only do groups now in four different areas, no one-to-one work apart from seeing their caseworker every five weeks'. She assured me that this was all to do with funding and that if my service user was serious about getting help they'd have to suck it up. I could hear the frustration in her voice – my service user had hung up on her during their conversation. I probably would've too. But, as a 'professional', I told her I'd talk to them about it in our next appointment.
The thing is, professionals talk about this 'lack of funding' all the time. We sigh to each other conspiratorially – yes, we could do more but there just isn't the funding. It's true. I can't magically house, feed and clothe my service users. But I often wonder where on earth these people are during rallies against the cuts. They see it every day, but they feel powerless to change anything. That's just how it is, they repeat the mantra to the service users enough to even convince themselves of its truth. Nothing I can do. Sorry. That's just the way it is.
In many ways this is yet another form of alienation from their work. They have come to accept the system that they reside within, they merely labour within it passively without a thought for the product itself. Most support workers are on low wages, most of them are women and, in my city, many of them are women of colour. Their labour is never valued. It is always on a shoe-string budget. It wouldn't even occur to them to demand more – they are doing this out of compassion and yet gradually losing that very compassion. They have to – it is the only way to survive any of it.
Imagine support workers going on strike. I often try to. I think about how my job is funded by a third-party grant scheme for a set amount and how, even if they wanted to, my managers couldn't actually pay me more. The curse of charity. We are at the whim of our benefactors. There is an echo of this in my work, too, as I apply to charities for hardship funding for the people who cannot access enough through the system. Occasionally those grants will get awarded but always with conditions – we can't give the money to the person in question directly. We have to buy them vouchers. This is because the money must be spent on what was specified by the funders. The autonomy of the person in need is secondary to this. Our grants givers' charitable whim must always be respected. How great, indeed, that they gave us anything at all! This creates a further layer of alienation between myself and the person I am supporting. I have to go through a layer of bureaucracy and explain why I can't just give them the cash when I bloody well wish I could do just that. Instead, I remain calm and passive at their pleas 'It's just our policy'.
When I first got my job, I was surprised they'd give someone like me, with no 'professional' experience, a position like this in the first place. My experience was anecdotal – I'd been through a domestically violent relationship myself a few years back, knew a bit about the legal system from reporting a sexual assault and (in a separate incident) being arrested and convicted myself, had been on benefits and helped my mates sort theirs out. I suspect this is the case for a lot of support workers. There's a real sense that you're some kind of heroic martyr when you tell people about the job. 'Must be so rewarding' they say, 'really giving something back'. This makes it especially hard to complain – how could I? I'm lucky to be here. Certainly, luckier than my service users.
In the charity sector, in particular, this paternalistic attitude creates a further layer of coercion in the paid work of support workers. We must be grateful that we are being paid at all. Perhaps this work, good as it is, should simply come from the kindness of our own hearts? All this dirty talk of being paid for our labour! I can't possibly admit to anyone that I too am fucking bored in my job and wish I didn't need to work at all. What a terrible thing to say when these people are relying on you!
In many ways, it is in the interest of the capitalist state to maintain the relations I have described. As long as I am not able to relate to my 'service users' on a personal level, I can maintain a layer of detachment from them, which makes it easier to ignore their suffering. Professionalism is detachment, the forced alienation between service provider and service user. It encourages passivity, too, from the 'service user' themselves for they are merely being helped and have no agency in this. They aren't allowed to apply for these grants themselves, to assert that they have suffered domestic violence themselves, their word is often not enough on its own. Rather than working together as people, as comrades, to face the system, we are alienated and interact only on 'professional' terms. It is the very aim of charity to take the responsibility of providing for its people away from the state. I am a part of that. But, in turn, of course I am coerced into performing waged labour myself as much as anyone else is. Person to person work, I have found, is just as alienated within capitalist relations as anything else is. How could I have expected otherwise?
This article first appeared at Plan C
alienationBirminghamdomestic violenceWork
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This text first appeared in the newly released Class War magazine.
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We are socialists, disbelievers in property, advocates of the equal claims of all to work for the community as seems good — calling no-one master, and of the equal claim to each to satisfy as seems good to them, their natural needs from the stock of social wealth they have laboured to produce ...We are anarchists, disbelievers in the government of the many by the few in any shape and under any pretext.
Freedom, a Journal of Anarchist Socialism, Vol 1, No. 1, October 1886

redpajama_set_name: RedPajamaCommonCrawl


definitions of intake and suggests alternatives for its operationalisation.
the learner. Input here is seen as 'evidence'.
general sense and comprehensible input, i.e.
information with the process of selecting it.
for acquisition to take place (1982, 1985).
them at all' (Long, 1996, p. 425).
language. When the first language (e.g.
these resulted in modified output.
exists no such mechanism' (p. 158).
effects (learning) (cf. Birdsong, 1989).
interrupting the flow of the conversation (i.e.
months in written and oral narration tasks.
this as noticing a 'hole'.
not (e.g. Sanz & Morgan-Short, 2004).
Schwartz, 1993; L. White, 1989).
of various linguistic features in the input.
reported high motivation for learning English.
able to recognise all elements in a sentence.
acquisition of various features in the input.
research on the acquisition of morphemes.
implicit learning, dependent on input.
salience in a broad sense of the word' (p. 37).
identified as affecting noticing and learning.
the process of negotiation on learning.
message comprehensibility' (Pica, 1994, p.
493), has a number of beneficial effects.
necessary for learning to take place.
meaning they would otherwise be unable to.
of negative evidence, see above), i.e.
in the input. (Long, 1996, p. 430).
is more likely to be usable to the learner.
grammatical aspects of the target language.
chance that that item will be remembered.
are crucial for language development.
explicit instruction should look like' (p.
focusing primarily on output practice.
lasting effect for comprehension practice.
its role in the development of fluency.
representation of a physical stimulus' (p.
understood' (p. 102; emphasis in original).
the intake is communicative and understood.
hypotheses may be either absent or non-salient. The learner may never 'notice a gap'.
similar distinction as do Faerch & Kasper.
the customer' (pp. 8-9). This is ambiguous.
for future use, or are they used every day?
all learning would involve concept learning.
'that which is taken in by the hearer' (p. 10).
from that of the other authors cited here.
for the possibility of subsequent analysis.
properties to deeper, grammatical features.
made available for further processing (e.g.
input into their developing grammars' (p. 2).
categories of cognitive activity (1983, pp.
some way to it' (p. 81).
seen as both a product and a process.
one of learning in general.
facilitate intake from input in a literal sense.
concept of intake is said to embrace.
many kinds of information processing tasks.
avenue for research into the topic of intake.
propose a working definition of intake.
the input that is detected by the learner.
comprehension and intake for learning.
It establishes a link with long-term memory.
connections, as well as learning aptitude etc.
character to the event representation'.
measured in a number of different ways.
an exposure session as evidence of intake.
of time learners had to complete the task (cf.
correct verbal production of the target form.
soon after exposure to the second language.
asked to perform on that input.
manipulation of those can affect learning.
into a connectionist approach (but see N.
purposes or be lost before it is stored.
part of a learner's system.
Baddeley, A. (1990). Human memory.
learning? In S. M. Gass & J.
Bohannon, J. N. I., & Stanowicz, L. (1988).
Buckner, R. L. & Tulving, E. T. (1995).
theory and recent PET results. In F.
Second Language Acquisition, 7, 1-14.
of language. Cambridge: MIT Press.
of Applied Linguistics, 5, 161-169.
Adapted. Applied Linguistics, 13, 1-24.
De Bot, K. (1996). Language attrition. In P.
DeKeyser, R. M., & Sokalski, K. J. (1996).
Faerch, C., Haastrup, K., & Phillipson, R.
Goldschneider, J. M., & DeKeyser, R. M.
second language acquisition. In E.
acquisition: a book of readings (pp.
second language acquisition. In J. R.
Krashen, S. D. (1985). The input hypothesis.
second language acquisition. In H.
Loschky, L., & Bley-Vroman. (1993).
methodology. In G. Crookes & S. M.
Mackey, A., & Philp, J. (1998).
Recasts, responses, and red herrings?
Modern Language Journal, 82, 338-356.
Mackey, A., Oliver, R., & Leeman, J.
exploration of NS-NNS and NNS-NNS adult and child dyads.
Language and Cognition, 1, 1-20.
lexicon. In M. L. Rice & R. L.
Plunket, K., & Elman, J. L. (1997).
Rosa, E., & O'Neill, M. D. (1999).
Sanz, C., & Morgan-Short, K. (2004).
two ways of processing input.
development. In S. M. Gass & C.
of transitional stages of competence.
VanPatten, B., & Cadierno, T. (1993).
observe the Subset Principle? In S.
input and intake. In S. M. Gass & C.


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The Zoom design concept would use holographic technology to create a touch-panel laptop.
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But then we remind ourselves to relax--it's just a concept, something pretty to populate our dreams of the future.


text:
Q: Bing Maps call infobox from outside table I have a map on the left and a table on the right. I would like hoverover the table cell and it to pop up the infobox on the map. I have the map mouseover working but don't know how to call it from outside the Map.
I am using MVC.
The table has 50 or so entries and the map has the corresponding pins I want to show the infobox for that pin when the table cell or text his mouse over.

A: Assume that you already have or can manually create some unique id for each pushpin/table cell pair. Then after you create each pushpin, you can assign this info to its metadata:
var pushpin = new Microsoft.Maps.Pushpin(map.getCenter(), null);
pushpin.metadata = { id: "Some Id" };
// ......
// Other work like binding infobox and mouseover event

Now Let's say you eventually add the pushpins to map like this:
var pushpins = [....];
var layer = new Microsoft.Maps.Layer();
layer.add(pushpins);
map.layers.insert(layer);

And on the table side, bind the same id to a custom data attribute of the table cell:
Cell A

When you hover on the table cell, get its data-pushpinId and find the corresponding pushpin on the layer, then invoke its mouse over event.
var pushpinId = tableCell.getAttribute("data-pushpinId");
var pushpin = layer.getPrimitives().find((pushpin) => pushpin.metadata.id === pushpinId);
pushpin && pushpin.mouseover.invoke();

redpajama_set_name: RedPajamaStackExchange


Mersea aromatic body peeling with Dead Sea minerals & aromatic oils is a powerful scrub treatment combining Dead Sea salt minerals with 5 natural oils: jojoba oil, avocado oil, sesame oil, sunflower seed oil, & olive oil. Rich in vitamin a, c, d, e & b12 as well as 27 minerals found in the dead sea salt & aloevera. This combination of oils and salt revitalizes your skin, prevents premature aging, when gently massaged into the body, dead skin cells are immediately removed, leaving your skin soft & refresh. Mersea aromatic body exfoliating blend is available in several intoxicating fragrances: relaxing lavender, energizing vanilla, pampering orange flower, exotic coconut, passiflora, refreshing lemon grass, sensual angel – Blue Ocean, Grapefruit, Apricot and Argan. Paraben free.
On wet skin massage the salt and oil in a circularly motions until the oil is completely absorbed. Pay special attention to dry areas such as elbows, knees, feet, and other cellulite-prone areas, gently remove the remaining salt with running water. Recommendation: use once a week to keep your skin fresh and smooth.


text:
Food trendsBrunch
Bottomless brunch: unlimited prosecco sounds like a good idea – until you're on your fifth glass
All-you-can-drink sounds like a fine concept, but what with the time limits, the yelling patrons and the difficult etiquette, it doesn't survive contact with the real world
Cheers! But maybe not at brunch. Photograph: Luis Alvarez/Getty Images
Zoe Williams
@zoesqwilliams
Last modified on Thu 5 Mar 2020 12.27 EST
I was eavesdropping, on a bus. What struck me was less the content than that the couple didn't look like the kind of young people this kind of thing would happen to. They looked like they played touch rugby and drank alcohol-free gin. But anyway …
At a bottomless brunch, the girl's friend had been ejected after 45 minutes. She wasn't even that drunk – the bouncer had just decided she was. "What was she doing that made them think that?" is the question the guy should have asked, but clearly he wasn't a trained journalist. While the bouncer was outside arguing with the friend, a third bruncher, a man, stood up – he, again, wasn't that drunk, apparently – and just happened to fall clean over, like a tree that had been chainsawed. Then they all got kicked out, and wasn't that quite unfair, given that they had each paid £30 to drink as much prosecco as they humanly could?
I nodded in silent, eavesdroppers' agreement: it was unfair. But then, I think the whole fandango of the bottomless brunch is pretty rum.
Prosecco is not the only bottomless option – cocktails are another favourite – but it's the clear frontrunner. My Mr is a fierce prosecco-phobe, so I have only done it once or twice. It's so-so value, I suppose. You have to be drinking pretty fast to make it worthwhile, considering a regular bottle in a bar would be only £24 and it's so early in the day. There's also usually a time limit of 90 minutes, even for people who don't fall over, which goes against both the principle of brunch (an American import, possibly their only contribution to laziness) and that of binge-drinking (homegrown, signifying that, once you have started, you don't stop).
Recently, themes have started to spring up: a Mexican-themed taco bottomless brunch, a drag theme. I was snooty about these from a distance, believing them to be a calculated distraction from the main downside: that the other tables are fiendishly noisy. Something in that combination of drinking so fast, and the drink always being fizzy and usually stronger than beer – some mysterious alchemy – makes everyone shout their heads off. I hate being that person who glares at people who are laughing. Yet when I hear the joke, because it was delivered at 10,000 decibels, and it wasn't that funny, but the blast of laughter afterwards could lift a toupee, I'm afraid I am that person.
Anyway, as I dove deeper into the themes, I came across the West End musical bottomless brunch, and even though this was more expensive and I hate pastries and muffins, and I couldn't drink 65 quid's worth of anything in an hour and a half, you could rinse me for any amount of money for showtunes.
The marketing for this kind of thing is usually heavily feminised "girls' day out" kind of stuff, the language of the spa day without the wellness. This is in marked contrast to the original all-you-can-drink concept, which was (look away if you can't abide international bickering) from either Tokyo or Moscow or New York or Ayia Napa. Someone I know who can remain anonymous (my brother) used to go to Tokyo specifically for the nomihoudai, which neatly translates as all-you-can-drink, a companion activity to the tabehoudai, all-you-can-eat, and had precisely no complaints except that there were never any women there. It's possible he was just frequenting the wrong establishments. It's possible, in fact, that he never made this complaint, I just guessed it after asking him for the 17th time whether or not he had a girlfriend. It's possible that he is actually married, but doesn't want to reward my curiosity by mentioning it.
Nomidoudai tend to be really good value – about a tenner – but this is where the 90- or 120-minute slots originated, and there is a ton of accrued etiquette. You're not supposed to take a sip until everyone is present, so people hate you if you're late. It's very vulgar to order five drinks as your final round – I don't know why I called this etiquette, this is just "try to be normal" – and you should never try to tack a second nomihoudai on to your first. That said, you can always go somewhere else and do it again. There are bizarro places where you have to order everything you will want to drink in the first 10 minutes, ripoff joints where the drinks are ersatz beer and watery cocktails, and places where you can negotiate your terms with a tout outside the bar, but frankly, you could put that kind of chutzpah and language skill to better use, maybe start a gambling ring or fight crime.
On balance, I feel that there are so many downsides, pitfalls, rip-offs and hazards to the bottomless brunch that you could save more money just drinking half a bottle of vodka before you go out. But the young people on the bus disagreed; they were pretty adamant that if they could just shed the rogue elements of their group, they would be back next week.


text:
Adolf Schulten  (27 May 1870 – 19 March 1960) was a German historian and archaeologist.

Schulten was born in Elberfeld, Rhine Province, and received a doctorate in geology from the University of Bonn in 1892. He studied in Italy, Africa and Greece with support from the Institute of Archaeology. After obtaining the chair of ancient history at the University of Erlangen, he continued his work in Spain with great dedication and to this day is considered a key influence upon archaeological study in Spain.

Schulten led the 1905-12 excavations of the Celtiberian city of Numantia and the Roman camps nearby and in 1924 searched without success for the location of Tartessos. Starting in 1948 he worked on the ruins of Tarraco and in the localities of Mainake, Munda and Segeda.

In recognition of his work, Schulten received a doctorate honoris causa from the University of Barcelona and the Grand Cross of the Civil Order of Alfonso X, the Wise, from the Spanish state in 1940. He was a member of the Institutes of Archaeology and History at the Patria de Módena and was a lead writer for the Austrian Institute of Archaeology and the Academy of the History of Madrid.

His works feature Numantia, in Die Keltiberer und ihre Kriege mit Rom (1914); Tartessos (1924); Viriato; Sertorius; L'amour, l'amour est la véritable clef de l'Histoire; Los cántabros y astures y su guerra con Roma (1943) is Schulten's most important monograph on his excavations.

External links

 Adolf Schulten. Biografías y Vidas
 Historiografia Sobre Tartessos en el Siglo XX  (Historiography of Tartessos in the 20th Century) with photograph

1870 births
1960 deaths
People from Elberfeld
People from the Rhine Province
Archaeologists from North Rhine-Westphalia
20th-century German historians
University of Bonn alumni
Academic staff of the University of Erlangen-Nuremberg
Commanders Crosses of the Order of Merit of the Federal Republic of Germany
Recipients of the Civil Order of Alfonso X, the Wise
German male non-fiction writers
Writers from Wuppertal


text:
Sequel.require 'adapters/jdbc/mssql'

module Sequel
  module JDBC
    # Database and Dataset instance methods for JTDS specific
    # support via JDBC.
    module JTDS
      module DatabaseMethods
        extend Sequel::Database::ResetIdentifierMangling
        include Sequel::JDBC::MSSQL::DatabaseMethods

        private

        # JTDS exception handling with SQLState is less accurate than with regexps.
        def database_exception_use_sqlstates?
          false
        end

        # Handle nil values by using setNull with the correct parameter type.
        def set_ps_arg_nil(cps, i)
          cps.setNull(i, cps.getParameterMetaData.getParameterType(i))
        end
      end

      # Dataset class for JTDS datasets accessed via JDBC.
      class Dataset < JDBC::Dataset
        include Sequel::MSSQL::DatasetMethods

        class ::Sequel::JDBC::Dataset::TYPE_TRANSLATOR
          def jtds_clob(v) v.getSubString(1, v.length) end
        end

        JTDS_CLOB_METHOD = TYPE_TRANSLATOR_INSTANCE.method(:jtds_clob)

        # Handle CLOB types retrieved via JTDS.
        def convert_type_proc(v)
          if v.is_a?(Java::NetSourceforgeJtdsJdbc::ClobImpl)
            JTDS_CLOB_METHOD
          else
            super
          end
        end
      end
    end
  end
end

redpajama_set_name: RedPajamaGithub


text:
TiVo's Latest Consumer Trends Study Suggests Service Providers Need to Appeal to a Highly Segmented Viewer Composition Amidst Fierce Competitive Pressures
AMSTERDAM--(BUSINESS WIRE)-- (IBC 2017) – TiVo Corporation (NASDAQ: TIVO), the global leader in entertainment technology and audience insights, today released findings from its 2017 survey of pay-TV and over-the-top (OTT) service subscribers across the U.S., Europe and Latin America. The multi-country study, which revealed that respondents watch an astonishing global average of 4.4 hours of video content each day, is part of TiVo's ongoing exploration into viewer engagement with the content, services and devices that shape the evolving consumer entertainment experience.
Most notably, this year's survey revealed that:
One in four consumers who have had pay-TV services for less than 12 months are "extremely likely" to cord cut or cord shave in the next six months
Fifty-five percent of pay-TV subscribers in the U.S. and 42 percent in Western Europe have had service with their current provider for four years or more, compared to 32 percent in Latin America
In the U.S. and Western Europe, tenured pay-TV subscribers are much more likely to be Baby Boomers instead of Millennials, which is a stark contrast to Latin America where the distribution of age groups is fairly even. Among those in the U.S. who have been with their provider for four years or more, 51 percent are Boomers while only 11 percent are Millennials.
In Western Europe, just 43 percent of those who have had their pay-TV service for four years or more subscribe to an OTT service, compared to 49 percent in the U.S. and 67 percent in Latin America
"As new, shiny OTT services and streaming devices continue to proliferate in the market and compete for consumer attention, there is considerable risk that younger generations may come to view pay-TV as an antiquated service that doesn't play a role in their daily lives," said Paul Stathacopoulos, vice president of Strategy and Research, TiVo. "Service providers must focus on delivering entertainment experiences that are compelling to a highly segmented viewer composition. By staying ahead of the curve through technology innovation, providers can retain longer-term subscribers, while attracting young consumers by adapting the TV experience to include a wide array of internet video services and viewing devices."
Anyone Watching?
TiVo found that more than 38 percent of viewers shut down and turn off their devices altogether when they can't find something to watch. A striking 50 percent "strongly agree" that, for the amount they pay for their TV service, it should be easier to find what they want to watch, while 26 percent say they would pay more each month for a service that simplified video discovery across all the services they subscribe to.
Stathacopoulos continued, "As video entertainment options expand, consumers around the world continue to consume a vast amount of content across services and devices. But without a shift or focus on innovating the way consumers connect to entertainment, hyper-fragmentation will continue to be a barrier, driving consumer frustration and impacting how the industry captures the entertainment wallet share."
An example of new technology that is winning over consumers is advanced voice technology. While we are still in the early days for voice and devices that support voice, those who use it appear to be using it often:
On average, 60 percent of global respondents who own a voice remote use it frequently or every day
64 percent of those who own voice controlled home assistants use them frequently or every day
59 percent of those with access to a voice enabled video app use it frequently or every day
61 percent of those who own voice controlled wearable devices use the technology frequently or every day
"When it comes to voice technology, we see broad appeal across all generations and this year's survey findings validate that claim. We believe that voice will become the norm especially as voice assistants continue to enter homes and voice search technologies become more accurate and intuitive," concluded Stathacopoulos.
The research findings were the result of an online survey, conducted by TiVo Corporation, of 8,500 pay-TV and OTT subscribers across seven countries worldwide with 2,500 interviews completed in the U.S., and 1,000 interviews completed each in the U.K., France, Germany, Brazil, Mexico, and Colombia.
To download the infographic and the survey data, please click here.
TiVo Corporation (NASDAQ: TIVO) is a global leader in entertainment technology and audience insights. From the interactive program guide to the DVR, TiVo delivers innovative products and licensable technologies that revolutionize how people find content across a changing media landscape. TiVo enables the world's leading media and entertainment providers to deliver the ultimate entertainment experience. Explore the next generation of entertainment at tivo.com, forward.tivo.com or follow us on Twitter @tivo or @tivoforbusiness.
This press release contains forward-looking statements. Readers are cautioned that such forward-looking statements involve risks and uncertainties that could cause actual events or our actual results to differ materially from those expressed in any such forward-looking statements. Readers are directed to TiVo's periodic and other reports filed with the Securities and Exchange Commission (SEC) for a description of such risks and uncertainties. TiVo undertakes no obligation to update any forward-looking statements.
TiVo and the TiVo logo are registered trademarks of TiVo Corporation and its subsidiaries worldwide.
Jennifer Miu, +1-408-764-5411
Jennifer.Miu@tivo.com


West Ham have joined a growing number of sides interested in signing West Brom forward Jay Rodriguez this summer.
The 28-year-old is expected to return to England's top flight following the Baggies' relegation, though Albion are understood to be unwilling to part with one of their star players on the cheap, given he is contracted to the club for another three years.
The Hammers are said to be among a number of clubs keeping an eye on any developments, with Crystal Palace, Bournemouth and Burnley all in the hunt to add Rodriguez to their respective forward lines this summer - as per Sky Sports.
The report claims West Brom will only consider selling should they receive offers of more than £20m, only a year after he joined the club in a £12m deal from Southampton.
Rodriguez was one of the Baggies standout performers in a relatively lacklustre season, scoring 11 goals in a campaign that saw Albion relegated back to the Championship following an eight-year stint in the top flight.
The Hammers interest in the 28-year-old comes as the club's new manager Manuel Pellegrini looks to restore an acceptable level of talent in the striking department, particularly with the futures of Javier Hernandez and injury prone Andy Carroll looking increasingly uncertain.
#burnleyfc and #afcb are interested in signing Jay Rodriguez from #wbafc, I've been told. #palace and #whufc also monitoring the situation. But Albion won't sell him on the cheap - 3yrs left on contract. I expect they'd want £20m+ for him. Scored 11 times in a relegated team.
West Ham will be buoyed by Rodriguez's recent record with injuries as well as his goalscoring form, with the former Southampton ace having missed just one league fixture this season.
Rodriguez could be tempted to link up with his hometown club Burnley though, should Sean Dyche choose to make an approach ahead of the Clarets maiden Europa League campaign next season.


text:
Q: BlackBerry API 6.0. How to make a LabelField wider (to make it stop enforcing new lines)? I have a class which extends LabelField to set font and color.
I have 2 such custom LabelFields and they display some strings of text. Those Strings are rather short, about a dozen symbols long.
The problem is that these custom LabelFields enforce new lines. They break my strings and display them in 2 lines instead of only 1 (no matter if a String is 6 or 12 characters long).
How to make these LabelFields stop enforcing new lines?
I need to have one line stay one line.
Update:
I have found the reason of that problem.
The problem was on another level, - in the process of calculation of width and height for my popup Screen which contained those LabelFields.

A: you can use the style LabelField.ELLIPSIS to force the single line.

like

LabelField l = new LabelField("your text",LabelField.ELLIPSIS);


Click on Image to See A Larger Image!
Coming From Cortez or the West (Going East) this is what your view will look Like!
Coming From Dolores or the East (Going West) this is what your view will look Like!
At the Camp Center there is a place to get together and have fun!


Image Title: Awesome Decoration 60 X 36 Mirror With Mandrinhomes Com Remodel 15. Filename: awesome-decoration-60-x-36-mirror-with-mandrinhomes-com-remodel-15.jpg. Image Dimension: 350 x 350 pixels. Images Format: jpg/jpeg. Publisher/Author: Finn Armstrong. Uploaded Date: Saturday - May 26th. 2018 06:02:41 AM. Category: Architecture. Image Source: homedecor.com.
Tap The Thumbnail Bellow to See Related Gallery of "Awesome Decoration 60 X 36 Mirror With Mandrinhomes Com Remodel 15"


Elegant handmade necklace with Swarovski® crystals in Siam (red), Black Diamond and Red Coral. Pendant size is about 3 x 4 cm. The length of the chain is 41 cm, which has an extension 7 cm long necklace, so you can adjust the necklace exactly as you need it. The necklace is in the surface finish of Rhodium, which increases its life and is anti-allergenic. The product is packed in a gift box. Necklace is designed and manufactured in Jablonec nad Nisou by FaBOS.


text:
Three killed and hundreds of thousands without power as major snowstorm strikes US southern states
Sean Morrison
Tue, 11 Dec 2018 00:58 UTC
Snow, sleet and freezing rain swept across five southern states, leaving dangerously icy roads and hundreds of thousands of people without electricity
At least three people have been killed and hundreds of thousands were without power as a heavy snowstorm slammed into south-eastern US states.
Snow, sleet and freezing rain battered states from Georgia to West Virginia with temperatures expected to plummet further, bringing more treacherous conditions.
The storm has been blamed for at least three deaths in North Carolina and a state of emergency has been declared in the region amid the extreme weather.
Thousands of flights were cancelled across the region, and scores of schools, businesses and government offices were closed as the severe conditions worsened on Monday.
A truck driver died on Sunday after suffering what appeared to be a heart attack from shovelling out his rig that got stuck at the height of the storm in the central part of the state.
Officials said one man also died when a tree fell on his car, while an ailing woman died when her oxygen was cut off due to power outages.
North Carolina Governor Roy Cooper said the worst of the storm had passed but warned residents to be careful if attempting to travel as temperatures will fall overnight.
He said emergency services had responded to more than 670 collision and almost 1,600 calls for help since the storm first took hold.
Snowfall totals topped 20 inches (50 centimetres) in some areas of the western part of the state, according to the National Weather Service.
Flight cancellations and delays continued at Charlotte Douglas International Airport, the sixth busiest airport in the country.
The airport had nearly 400 cancellations, about one-fourth of its scheduled flights.
More than 244,000 power outages were reported across the region on Monday morning, with North Carolina bearing the brunt of it, according to officials.
South Carolina, Virginia and Tennessee also suffered outages.
Comment: Massive storm drops feet of snow on US Southeast
US to impose visas restrictions for pregnant women
I admire Tulsi's guts. However, she had better have some good body guards. She is going to need them. Anyone who dare crosses Queen Hillary...
RedRidingHood
And since the Puppet Masters section is updated so much I will make sure this comment will find its way on other articles related to Serbia and...


PVC Decorative Wall Cladding panels are easy to cut and trim, requiring no specialised tools Point 1. Well, I can't argue that PVC Decorative Wall Cladding is a modern alternative to wall tiles, but this fact alone does not necessarily make it a good alternative.
1-16 of 998 results for "plastic cladding" 20 x 2.5m Length x 300mm UPVC Plastic Soffit Board White Hollow Cladding. by Home Smart. £129.65. Eligible for FREE UK Delivery. 4.8 out of 5 stars 9. Product Features UPVC Plastic Soffit Board White Hollow Cladding.
· X Wood Woodgrain Cladding A premium grade PVC cladding with a stunning woodgrain finish. A highly durable board X Wood is a composite of three different layers each with its own high performance credentials.
GRP Cladding. Glass reinforced plastic cladding is the ideal solution in situations where the use of heavy brick, stone or slate is impractical, and can be fitted at great speed and with no mess. GRP brick effect cladding provides a lightweight and durable alternative to brick slips and brick slip cladding systems.
The only problem I'm seeing with the extruded stuff which is very much like that plastic shiplap cladding you see on some houses - but with invisible joins is that it's a little under a cm thick, and I'm not sure how wall fittings will look going through it, as it'll definitely pull in as you tighten them and you'll need long screws .
Slapping siding on a weeping house will trap moisture like a plastic bag. This will damage the old house by creating an ideal habitat for wood destroying insects, and cause the material underneath to decay.
Plastic vs Timber Cavity Battens - Abodo Wood Cavity fixed cladding is generally accepted as the best method to fix timber cladding and weatherboards. Read the pros and cons of plastic vs timber battens .
Find great deals on eBay for plastic wood cladding and wood plastic composite. Shop with confidence.


It is always there. It follows me down the halls, up stairs, and through doors.
When I run from It, bad things happen.
I lock the door, and the next morning It has broken through. It stands beside my bed. It watched me sleep last night. All night.
I push It down and close It in a box. Soon, the box explodes and It slithers back to me, smiling if It could smile.
I outsmart It until It outsmarts itself.
I outrun It until It runs faster.
I cannot win. It is too much.
It is too scary, too real.
It is standing over my shoulder now, or maybe across the room.
It reads my words and nods. Yes, these will do just fine.
I recognize It's voice, faintly. I've known It for so long, I cannot remember if I have always known the voice.
It stares at me unblinkingly.
My own dead eyes look at their reflection.


2018 will see SEL take over the reins at The Magic Millions Festival of British Eventing.
The Magic Millions Festival of British Eventing takes place at Gatcombe Park, home of HRH The Princess Royal and her family in one of the most beautiful areas of the Cotswolds.
This unique Festival incorporates the Magic Millions British Open, Intermediate and Novice Championships, as well as the Amateur Championship, The Corinthian Cup and for the first time this year plays host to the RoR/NTF Retrained Racehorse Event Championship. It is the only event in the equestrian calendar that provides five Championships and as a result is a genuine showcase of one of the most challenging and competitive sports – Eventing.
The best of the best compete at "The Magic Millions Festival of British Eventing".
The Festival is well known for being a great family day out with an extensive Shopping Village, an exciting main ring entertainment programme and a varied catering / hospitality offering.
Our full skill set will be utilised for this iconic equestrian event, as it will sit within our 'owned event' portfolio. The team will build on The Festival's strong legacy and will take the event into the future, both as the ultimate equestrian Championship 'Finale' and as a great day out for all the family. To find out more about The Festival, please visit our website – www.festivalofbritisheventing.com.


text:
Zimbabwe vacations
Places to visit in Zimbabwe
Great Zimbabwe
Visit Great Zimbabwe, Zimbabwe
Zimbabwe menu
Great Zimbabwe is located southeast of the town of Masvingo and is one of the best preserved stone cities in sub-Saharan Africa. The site itself is 722 hectares and the name is derived from Shona words meaning houses of stone.
The ruins have been the subject of heated debate over the years from the early Europeans believing Africans could not have built them to Cecil Rhodes attributing the ruins to the Phoenicians. Historians believe that the first structures were erected around 1100 AD and these were added to up until the 15th century with the purpose being more religious and political rather than for fortification.
The city was developed over the years as a tribute to a long succession of rulers whose kingdom stretched far and wide and was situated at a key trading position which lead to great wealth.
At its peak it is thought to have been home to some 18,000 people who traded in cloth, beads and ceramics from Arabia and China, via traders from East Africa, for gold, ivory and copper.
Speak to someone
who's been there
Start planning your tailor-made trip to Great Zimbabwe by contacting one of our Zimbabwe specialists
Start planning your trip to Great Zimbabwe
Map view Places near Great Zimbabwe
Map of Great Zimbabwe
Places & hotels on the map
Places near Great Zimbabwe
Gonarezhou National Park 166 kilometers away
Bulawayo 247 kilometers away
Matobo National Park 253 kilometers away
Harare 272 kilometers away
Hwange National Park 444 kilometers away
Matusadona National Park 447 kilometers away
Photos of Great Zimbabwe
Great Zimbabwe ruins
The ruins at Great Zimbabwe
Great Zimbabwe, Zimbabwe
Accommodation choices for Great Zimbabwe
We've selected a range of accommodation options for when you visit Great Zimbabwe. Our choices usually come recommended for their character, facilities and service or location. Our specialists always aim to suggest properties that match your preferences.
Great Zimbabwe Hotel
Ideas for experiencing Great Zimbabwe
Our specialists seek out authentic ways to get to know the places that could feature in your trip. These activities reflect some of the experiences they've most enjoyed while visiting Great Zimbabwe, and which use the best local guides.
Explore the ancient city walls of Great Zimbabwe
A UNESCO World Heritage Site, Great Zimbabwe is a ruined city that was once the capital of the Kingdom of Zimbabwe.
Speak to a certified Zimbabwe specialist to start planning your tailor-made vacation...
Call one of our experts or arrange a video appointment for ideas and advice.
Southern Africa Specialist
Request our brochure
Covering all seven continents, The world your way shows you how you can see the world with us. It features trip ideas from our specialists alongside hand-picked stays and experiences, and introduces our approach to creating meaningful travel experiences.


text:
Георгий Петрович Вербовский () — советский футболист, полузащитник. Мастер спорта СССР (1962). Тренер.

Карьера

Клубная
Начал заниматься футболом в белорусском городе Лида в 1950 году. С 1954 года, после переезда в Калининград, занимался в юношеской команде «Авангард» при местной детско-юношеской школе олимпийского резерва. В 17 лет попал в местный «Пищевик» игравший в классе «Б». В калининградском клубе, переименованном в «Балтику», Вербовский провёл за основной состав шесть сезонов, был капитаном команды.

Несколько игроков «Крыльев Советов», игравших за «Балтику», в 1961 году, вернулись в Куйбышев. Николай Поздняков рекомендовал тренерам «Крыльев» обратить внимание на своего бывшего одноклубника. Вербовского оперативно перевезли в Куйбышев, однако тренер «Балтики» написал в Москву жалобу и футбольная федерация запретила переход игрока. В 1962 году Георгий сыграл несколько международных матчей за сборную РСФСР, за что получил звание мастера спорта и приглашения от московских ЦСКА и «Локомотива». В 1963 году со второй попытки перешёл в «Крылья Советов». Дебютировал за основной состав нового клуба 3 сентября того же года в гостевой встрече с московским «Спартаком», заменив на 71-й минуте Виктора Липатова. 23 октября 1963 года в игре против «Кайрата» забил свой первый гол в классе «А». За «Крылья» он провёл 88 встреч, в которых трижды забивал голы.

В 1969 году вернулся в калининградскую «Балтику», где провёл один сезон. С 1970 по 1972 годы защищал цвета нальчикского «Автомобилиста», где и завершил карьеру игрока.

Тренерская
Тренерскую карьеру Вербовский начал в 1975 году, когда работал тренером в куйбышевской СДЮШОР № 11 «Восход». С 1976 по 1980 годы был помощником Виктора Кирша в «Крыльях Советов». С 1981 по 1983 годы работал на аналогичной должности в горьковской «Волге». В 1984 был тренером в куйбышевской ШВСМ. Спустя год, по приглашению Виктора Кирша, вошёл в тренерский штаб черкесского «Нарта». Кирш вскоре покинул команду, а Вербовский, став главным тренером, проработал в Черкесске ещё два сезона.

С 1988 по 1990 годы тренировал куйбышевский «Нефтяник». В 1991—1992 годах был старшим преподавателем физкультуры в СГПИ. В 1993 году вновь стал помощником Виктора Кирша, на этот раз в самарской команде второй лиги — СКД. Спустя сезон Вербовский возглавил ФК СКД и руководил им до 1996 года. С 1996 по 2001 год работал тренером в самарской СДЮШОР № 5. В 1999 возглавил похвистневский «Нефтяник», однако после первого круга команда снялась из-за финансовых проблем. По состоянию на 2009 год работал тренером в самарской ГУДО СДЮСШОР.

Достижения
 Чемпион РСФСР: 1970.
 Победитель зонального турнира среди команд второй лиги: 1971.

Семья
В Куйбышеве женился. Там родились сын Денис и дочь Анжелика.

Статистика выступлений

Примечание: знаком * отмечены ячейки, данные в которых, возможно, неполные из-за отсутствия протоколов второго круга первенства 1971 года, а также протоколов турнира за право выхода в Первую лигу 1971 года.

Источники:
 Статистика выступлений взята из книги:
 Статистика выступлений взята со спортивного медиа-портала FootballFacts.ru

Статистика в качестве главного тренера

Источники:
 Статистика выступлений взята со спортивного медиа-портала FootballFacts.ru

Примечания

Футболисты СССР
Игроки ФК «Балтика»
Игроки ФК «Крылья Советов»
Игроки ФК «Спартак-Нальчик»
Футбольные тренеры СССР
Футбольные тренеры России
Тренеры ФК «Нарт» Черкесск
Тренеры ФК СКД
Тренеры ФК «Нефтяник» Бугуруслан


text:
Irene Doutney (1949/50 – 11 June 2018) was an Australian politician, who was a councillor of the City of Sydney for the Greens New South Wales. In 2016, she became Deputy Lord Mayor of Sydney.

Early life
Doutney grew up in King's Cross, Australia. Her father died of leukemia when she was 9 years old. Starting at age 12, Doutney battled depression. Her mother was diagnosed with terminal cancer when Doutney was 16. She has a Bachelor of Arts degree in history.

Career
Doutney became involved in community issues through the group REDWatch. She was first elected as a Greens councillor to the City of Sydney in 2008, and re-elected for a second term in 2012. On 29 February 2016, the Sydney Council elected Doutney the new Deputy Lord Mayor following the death of Robyn Kemmis. The election followed an agreement between Green Councillor Doutney and Independent Lord Mayor Clover Moore that Doutney would support Moore's budgetary measures but remain free to object to other proposals.

One of Doutney's signature issues as a public official was advocating for improved public housing. Her first act as an elected councilor was to speak out against the Northern Territory intervention for the Aboriginal rights Coalition.

Doutney was a "78er", having participated in the first Sydney Gay and Lesbian Mardi Gras in 1978, and continued to advocate for marriage equality and LGBT rights. Doutney lead the ultimately successful push for the City of Sydney to divest from fossil fuels. She advocated for urban forest, leading the City of Sydney adopting the Greening Sydney strategy. In 2016, she announced she would not contest the September 2016 elections for the City of Sydney.

Death
Doutney died on 11 June 2018 at the St Vincents Sacred Heart Hospice after a 3-year battle with cancer.

References

20th-century births
2018 deaths
Politicians from Sydney
21st-century Australian politicians
21st-century Australian women politicians
Sydney City Councillors
Australian Greens politicians
Deputy Lord Mayors of Sydney
Women local councillors in Australia
People associated with Kings Cross, New South Wales


"My girlfriends at work just loved them and wanted the recipe for them. I had to make 10 copies!"
Using an electric mixer, beat 6 tablespoons butter and 1/4 cup sugar in a large bowl until creamy. Add the egg; beat until smooth. Beat in corn syrup. Whisk together the flour and cocoa in a small bowl. Beat half of the flour mixture into the butter mixture until well incorporated. Beat in the remaining flour. Divide dough in half.
On a lightly floured board, roll each half of the dough into a rectangle. Cut each large rectangle into 1x3 inch rectangles. Place cookies on prepared baking sheets, 2 inches apart. Bake until firm, 10 to 15 minutes. Let cookies stand on baking sheets for 5 minutes; remove to wire racks to cool completely.
While the cookies are baking, make the filling. Heat chocolate chips in a small saucepan on lowest heat. Stir until chocolate is almost completely melted. Remove from heat; stir until smooth. Allow to cool to room temperature. Beat 1 cup confectioners' sugar and 1/2 cup butter in a large bowl until smooth. Scrape the melted chocolate into the bowl; beat well.
Spread 1/2 teaspoon filling on the bottom of 30 cooled cookies; top with remaining cookies. Sprinkle filled cookies with confectioners' sugar.
I absoulutely love these cookies!!!!! They taste so so good!!!! Very easy to bake and they will go fast. I could never keep one in the cookies jar. All thats left are crumbs!!!
Easy to make but all I could taste was the confectioner's sugar.:( Hubby said no too. Will look further for a chocolate cream for my chocolate chip sandwich cookies.


text:
Artsper Magazine
News from the Art World
A Short Guide to the Secession Movement
The Secession movement was a Viennese branch of 'Art Nouveau' that flourished during the years 1892 to 1906. This movement developed an organic style, typically with floral designs in opposition to more geometric expressions of art nouveau. The movement was represented by a group of twenty or so artists the majority of whom were either Austrian or German. Among the best known are Gustav Klimt, J.Hoffmann, J.Engelhart, M. Kurzweil, C.Moll, K.Moser, F. Von Myrbach et Egon Schiele. They contested the artistic vision of the 'Collectif Küstlerhaus', a conservative group who curtailed artistic liberty and innovation notably by controlling the workings of the art market.
This movement aimed to:
– Unite creative potential in Austria
– Establish contact with artists abroad
– Favour idea-sharing at an international level
– Counter nationalist ambitions prevalent in Europe at this period
– Revive the applied arts
– Create a total work of art, a 'Gesamkunstwerk'
In 1897 a dissenting group of artists led by Gustav Klimt set up the 'Vereinigung bildender Künstler Sezession'. Although they did not have a clear artistic programme, they expressed their desire to take art out of the hands of the dealers by creating popular interest in art and enriching the artistic sensibilities of their contemporaries. For this purpose they contributed to several art magazines.
The major review 'Jugend' (youth), promoted the new ideas on ideas architecture, drawing and interior design. The term 'Jugendstil' comes from this journal.
The official and most well-known of the art magazines was the 'Ver Sacrum' founded in 1897.
Other magazines contributed to the success of the movement for example Pan, 'Simplicissimus, Deutsche-Kunst und Dekoration and so on.
One of the major characteristics of the Secessionist style is organic forms such as portrayals of different plant-forms and animals such as birds and fish.
Detail showing owls from the secession Palace in Vienna
Rich extremely stylized floral compositions and a profusion of curvilinear, sinuous patterns leading to an absence of a balanced perspective.
Floral detail from the Secession palace in Vienna
The Secession style is well-known for its poster designs inspired by images taken from design, typography and graphic illustrations. These posters served to publicize exhibitions, plays and books but rarely publicized industrial goods.
The key artists of the Viennese Secession movement
Gustav Klimt is the major figure of the movement. Indeed, in 1897 he founded the Secession movement and the Ver Sacrum review. He was a painter and expert engraver. The organic, feminine patterns of his works are intertwined with floral motifs and gold leaf and immediately engage the eye of the observer. The subject of his paintings are mainly ancient or biblical myths, allegories and female nudes.
Gustav Klimt. The Kiss (1907 – 1908)
Gustav Klimt. Water serpents II (1904 – 1907)
Like Klimt Otto Eckman was a painter and engraver and is considered one of the major figures of floral Jugenstil. In 1899, he designed an alphabet for the Rudhard foundry which was to become the main type print for the Jugenstil movement and a major influence on later work on type print.
The Eckmann alphabet
Josef Hoffman trained as an architect. Inspired by what he had seen during a trip to Italy, he created his own geometric, ornamented, architectural style. His major work is the Stoclet palace in Brussels.
Dining room, Stoclet palace, Brussels
Koloman Moser was one the founding figures of the Secession movement and is particularly well-known for the scenography of the Secessionist exhibitions.
Koloman Moser, Der Musikant,1909
Vinciane Jones 19/02/2015 16/07/2018
Previous Previous post: A Short Guide to Abstract Expressionism
Next Next post: Collector's Guide: 8 Major Contemporary Artworks
10 things to know about Christo and Jeanne-Claude 16/01/2020
10 Exhibitions to see in 2020 02/01/2020
The 10 most significant exhibitions of the last decade 16/12/2019
10 things that shaped the art market in 2019 02/12/2019
Our 10 favourite exhibitions of 2019 25/11/2019
About Artsper


The Women's Refuge was traditionally run as a collective, but in 2013 we moved to a Governance/Management framework. If you have the right skills for Governing an organisation, we would be pleased to have you join us as a member of our society. We will ready you for election to the Board when a vacancy arises or we can utilise your skills on a sub-committee. Leadership is the name of the game.
Our Crisis and Support line is available 24/7 and is answered by fully trained Volunteers. Once you have successfully completed the Volunteer Training you will become part of the team that is rostered to do evening (5pm to 9am) or weekend/public holiday days (9am to 5pm).
We are always looking for extra pairs of hands to help with the day to day running of the Safe House. Are you a DIY person, a cleaner, a gardener or a general all-rounder we can always find things for you to do that match your skill set. After successfully completing the Volunteer Training you can join the roster of fully trained volunteers to help out during normal work hours. If you can dedicate a few hours, give a half day or a full day, once a week, once a month it all helps.
If you would like to volunteer, please see volunteering.


Before I begin, happy holidays to everyone! I'm going to try to finish all my Europe posts TODAY. Uh huh, you read right, TODAY. There have been a few interruptions --- like my Father's snake getting into our couch and the ensuing chaos as everyone tries to get it out --- but I hope I'll get this series done soon. Like in a few hours.
And hopefully, the snake will come out of our overturned couch with the sign Do not sit. SNAKE inside. on it soon. Like in a few hours.
OK, so we're still in Italy, people!
In Pisa, actually. Can anyone tell me what everyone goes to see in Pisa?
My sister shows us the answer.
The tower doesn't lean as much as we thought it would though. Apparently, the government has been hoisting it up as much as possible to prevent the inevitable fate of any building that becomes increasingly unbalanced: utter destruction. According to our witty guide, "we are lucky to see it now since it may collapse tomorrow". That was a direct quote.
We didn't climb it though. For one thing, a ticket can only be gotten two months in advance. There are also very strict rules on anyone who enters its leaning halls. First, you only get to stay there less than 30 minutes. This means one must run up all those flights of stairs, take a photo on top, then run back down said flights of stairs like one is competing in a foot race. Only a little more than a hundred people at a time are allowed to have this privilege of extra exercise since overcrowding could cause --- see above for the fate of all unbalanced buildings --- utter destruction.
I think the building's actually quite pretty.
It's also an architectural mistake. Is this all we came here for, ladies and gentlemen? To see a slightly drunk-looking tower?
We moved on to look at other buildings in Pisa, dear Reader.
We started with the baptistry.
I think it's pretty too.
In the olden days, the unbaptized heathen was refused entrance into God's holy house without first having water poured (or sprinkled?) over him. Thus, it was convenient to have a building for this rite beside the church. So, you know, people could go at it as quickly as possible.
I'm not sure if it went as speedily as my commentary seems to indicate, but that was the general idea.
We couldn't get into the baptistry --- or maybe the tour group didn't bother; I'm not sure --- so we continued on towards the church.
See that maroon pillar near the top that sticks out like a sore thumb? The guide announced that it was pilfered from a temple of Venus, and used here instead. Apparently, there is an old tale about how looking at said pillar for five minutes would keep your lover faithful. That's right, just five minutes.
The powers of the pillar would fade after twenty-four hours though, so keeping your partner from straying would involve staring at that column for five minutes every single day. The guide helpfully added that we could take a photo of it to bring home and look at for the required amount of time every morning.
The church doors tells a story.
I forgot what the story was though. Something historical. I was too busy being fascinated by the detail on the doors. I can imagine some long-forgotten artisan hunched over that hunk of metal and pounding for hours on end.
His body must have been pretty sore after all that work.
Everything was just so cool.
That's gold leaf at the top, and a really beautiful painting on the other side.
The lamp of Galileo is also pretty known. It's supposed to be the one Galileo, the famous scientist of the 16th century, used to figure out the swings of a pendulum (Physics talk, people). Legend goes he would watch it sway during mass.
That probably meant he wasn't listening to the sermon, but it's still quite an accomplishment.
There was just so much to see. Large wall murals were colorfully splashed on the sides of the cathedral, but they were too dark to get on my camera right. At least without fiddling my camera more than usual, and following the tour group didn't leave much time to fiddle.
Here's the kicker though: the baptistry and the church are also leaning. It's not as clear as the tower because they both have bigger foundations, but they are. The guide explained that the soil in Pisa was quite soft, and foundations there needed more work than in other parts of Italy.
We emerged to sit on marble steps and enjoy the view. I actually have some pictures of myself at that moment --- very rare since I'm usually behind the camera --- since my sister was taking the shots.
The weather was fine enough to remove my coat.
My sister also enjoyed the breather.
My parents were actually running around taking shots of the tower, but I'll always remember goofing off on the church steps with my sister.
We also did take the prerequisite tourist shots with the tower behind us. It took a lot of work to get the whole tower into the pictures though.
My sister doing all that work.
My Dad tries out the same thing.
The pictures weren't half-bad though so it must have been worth all that effort.
We left Pisa to the tunes of a flutist playing in the square. It was wonderful.
We stayed only a few hours but it was one of the most memorable parts of our trip.
To quote a certain book, "the baby Jesus' birthday" found me on the balcony of my Grandmother's house watching the city burst into fireworks. Of course, the whole baby Jesus thing is figurative; he must be pretty old right now. I also hear December 25 wasn't even his real birthday, but that's a whole other irrelevant piece of trivia.
Anyway, the fireworks display was pretty good. But then, it always is since my Grandmother's house is on a hill overlooking the city. Not to mention I'm always surrounded by my cousins, some of the closest friends I've ever had.
I always feel really blessed when Christmas rolls around. For one thing, I get to be with both my paternal and maternal sides of the family (about 70-130 people depending on who's around). I get to enjoy the riot induced by screaming and excited children who get to run around all night while their parents have cups of coffee in the kitchen. I get to watch my cousins and nephews --- no nieces just yet --- get all googly-eyed over how perfect the gifts we gave them are. It was worth every shopping trip, and every headache over what each kid would want without him knowing he'd want it.
I know there'll be times in the future when I won't be with them for Christmas, so I'm milking these moments for all they're worth.
Times will also change; people get old. My cousins joke that we'll stop screaming one day, and our children will do it instead.
I am just so glad to have the family I have right now. I love every one of them, and it's so great to have everyone home for Christmas.
And like I've mentioned, it is "the baby Jesus' birthday". It's amazing to remember how he morphed from Almighty God to Squirming Baby just for us. Talk about doing pretty crazy things for love.
The fireworks are still going off outside, but I think I'll just drop off now.
I'm spending Christmas day with my large family at the beach. Then we'll be heading to church in the evening. This is the country with snow-less Christmases after all.
Goodnight, everyone. And a very merry Christmas.
Note: The Europe posts will continue after this post.
Some people have been asking me when the Europe posts will ever end. Well, including this post there are three more places on my list.
Let's start with a beautiful view, shall we?
Stopping in Florence, Italy for two days was wonderful. The buildings were mostly built with brick and stone; they practically had Renaissance written all over them. I guess that's understandable. Florence practically began the Renaissance.
We began our stay in Florence by imbibing cups of gelato.
That's right, folks. Some clever Italian made gelato out of Kinder chocolate. It seemed weird at first, but it turned out pretty good. My sister practically inhaled all that creamy chocolate goodness.
The Tiramisu in my cup was genius. It had cake crumbs and a slight tinge of alcohol buried in all that creaminess. It was quite good. The Cookie Dough flavor wasn't that bad either though pretty forgettable. In fact, I don't remember much of how it tasted like.
It was still a lot better than most gelatos I'd tried back home. But still, it was disappointing.
We followed behind a tourist group and saw the sights.
The Basilica di Santa Maria del Fiore is striking, isn't it?
The name is a bit of a mouthful though so I shall refer to it as Duomo --- the Italian word for a cathedral church --- from now on. It was this large building with more detail on its walls than my camera could handle. As often happens in Europe, there were loads of tourists. This immediately took away the desire to go in said church and walk through its hallowed halls. The Girl Who Ate Everything did post about huffing and puffing to the top of the Duomo though, so you can check her out for more details.
But the outside was already so cool. Even the doors of the baptistry --- where people were baptized before they could go in the church --- were meticulously done.
Each panel on the door was a story, and made out of metal besides. That must have taken a lot of effort.
We also saw some other old stuff. We passed through the Medicee Chapels, a testament to the glory days of one of the greatest patron families of Florence. It housed the tombs of the Medici family, and even a few glass ornaments containing their brown bones and teeth. I don't think it was very good photo material, but I guess I wasn't allowed to take any pictures anyway.
The marble sculptures by Michelangelo blew me away though. I mean, every figure was so detailed down to the veins on a person's arm. And marble is hard to sculpt. It was also fascinating to hear about the different themes and hidden meanings behind all the art. I couldn't get my mind around some of the ideas; I think I was just surprised those deep ideas would be lurking behind marble positions and faces and whatnot.
No, that last one wasn't in a museum. It could be though. Statues like that dotted the different squares and intersections of Florence. It was so cool.
We also looked at what people were peddling in the markets.
I would have bought the set and brought it home. Except I didn't want to carry it back almost half a world away.
Then there were the usual cookies, cakes, and baked goods. We didn't get any though; we were trying to save space in our stomachs for dinner. We hoped it would be as good as this guy's dinner seemed to be.
I just had to snap a picture.
Dinner did come along eventually at a cafe by a square.
It won't surprise readers that I have forgotten the cafe's name.
My Dad opted for a pizza and a beer. My Mother, for some reason, was not feeling very hungry. I think I remember her getting dessert. But my sister and I had the most amazing meals.
Daphy, my sister, found the lasagna delicious. It was also extremely cheesy; I helped finish it since Daphy later found it too rich to continue gorging on.
My risotto was darling though it came in twice the amount I'm used to eating. That's always been my main peeve about eating abroad; the servings are all so large. Maybe tourists who visit our area also get nitpicky about how small the dishes are.
Either way, little bits of salmon in a warm pillowy bed of risotto was a wonderful way to go. It also helped that salmon is one of my favorite kinds of fish.
Unfortunately, the amount of carbohydrates in that dish --- and my sister's besides --- made me too full to really enjoy a good dessert.
We emerged the restaurant to find the city of Florence lighted up. I especially loved passing by this really cool merry-go-round. It's been a long time since I've seen one of those. In fact, the last time I rode one, I was too short to climb on the horse.
All in all, Florence was a great place to visit. Every place we went to was a great place to visit. :D More on the rest later!
Oswegan described Europe as a photographer's candy store. And I totally agree; I had my camera looped about my wrist most of the time I was there. There were too many shots I could miss.
This is my roundabout way of apologizing for the large number of photos in this post. Does the apology make you feel more goodhearted towards me and the rest of the photo-chasing generation? Will you forgive me for how long it'll take to scroll down if you see nice pictures?
We arrived in Venice about 9 or 10 in the evening. Tired? Extremely. Plans to immediately fall asleep at our beautiful tucked-away-in-that-itty-bitty-corner hotel? Absolutely not. When you're in a new place with so much to see, who wants to sleep?
Not to mention we hadn't even had dinner yet.
We stopped at a little restaurant a few bridges away from our hotel. It had photos of celebrities splashed all over the walls, and a small TV that showed us what the rest of the world was doing. We didn't watch much TV though; we watched our food.
OK, so Aglio Olio's a pretty simple pasta dish that even I could make in my kitchen. It's still my favorite, along with great vegetable soup.
I say great because that's what it was. The vegetables were wonderfully soft and chewy while the broth was delicious.
Silly captions aside, we did enjoy our meal. The food wasn't half-bad.
We emerged from said restaurant at peace with the world due to our comfortably full stomachs. There was a surprisingly large number of people strolling about at 12 am so we decided to join them.
Check out how the moonlight looks on everything.
We ended up in a really large square with a church we were going to visit again in the morning. We also ended up terribly lost. Venice makes me feel like a test hamster in a maze.
It's an urban jungle out there.
We did eventually end up in our beautiful tucked-away-in-that-itty-bitty-corner hotel for some much-needed shuteye.
I wish I could remember my breakfast's name but all I recall is that it started with arrio and sounded really Italian-ish. I console myself that it is perfectly natural to forget a meal's name more than a month after I've eaten it. This is another sign that my mind isn't going anywhere just yet.
Breakfast was good though. The vegetables protruding from it were lightly grilled and fit each other quite well. It was a bit sour, sweet, salty, and bitter depending on the vegetable I happened to stick between my jaws. Extremely flavorful and highly satisfying.
We did a little shopping the next day. The displays were very pretty, and my sister and I needed to buy a few trinkets for friends back home.
Who has the patience to arrange all these little beings in said arrangement? I don't.
Yet another reason to start painting again.
The pigeons of Venice were very much like their other European counterparts. They hopped about with their vapid stares in hopes of receiving peanuts for their trouble.
Pigeons line up at their version of a soup kitchen.
The pigeons were occasionally disturbing though.
Their large numbers could mean the conquest of Venice! If they actually had plans, that is. Their primary aim in life seems to be the conquest of peanuts and other tidbits. They seem to like peanuts but are obviously not very picky.
We went on to the Piazza San Marco or St. Mark's Square. This was the square we ended up in the night before.
Check out the tourists in the foreground. They look pretty awed.
And why wouldn't they? Especially with buildings like the one below to see.
Isn't the arch of St. Mark's Church jaw-dropping?
I wish I had more pictures of the interior but photos weren't allowed. I guess it's a church, after all. How could anyone be reflective with the incessant clicks of camera shutters in the background?
It was beautiful though. Think mosaic floor patterns of different colors and intricate ceilings. You can also think of St. Mark's bones ensconced behind the table for the Mass. I know people consider his body holy and everything, but wouldn't it be creepy to stare at it during the whole service?
Did I mention we were following a tour? Hearing about all the carvings and historical whatnot was pretty cool.
The tour continued to various smaller squares and churches. We got to hear about how people lived in this city (Where do they get water? How about the marketing?) with some cute little folk tales about generals, Casanova, and Marco Polo's Chinese wife to spice things up.
I can understand why so many sketches and paintings of buildings keep popping up in Europe. When you're surrounded by them and have a remotely creative bone in your body, you just can't resist imitating them on paper. I drew some sketches myself.
Venice was pretty romantic. I'm not getting all mushy here; it seemed just the setting for lovey-dovey movies. A lot of couples seemed to think so; I passed quite a few walking around in their respective dream worlds. Some pairs seemed right out of the movies; I remember a teary-eyed couple shouting at each other in impassioned Italian. In front of the train station, if you can believe it.
And I thought all those emotional confrontation scenes in movies didn't resemble reality.
Of course, all beautiful things come to an end and our Venetian excursion was one of them.
What can I say? It was lovely.


text:
John Fred Nye
Jun 10, 1934 - Dec 8, 2021
John F. Nye-Husband, Father, Grandfather and Great-grandfather, passed away at home on December 8, 2021, from complications of Parkinson's Disease and Prostate Cancer. He was born June 10, 1934, in Casper, Natrona County, Wyoming to Ira Joseph and Ida Belle Barnes Nye.
John was educated at Utah State University where he played football for the Aggies and received his Civil Engineering degree. He was a Korean War Veteran. John was employed by UDOT for 38 years, retiring in 1999 following a successful career. He was married to Novella Nicholson, later divorced. He later married Marilyn Rueckert Petersen on August 21, 1976, later being sealed in the Jordan River Temple on May 17, 1994.
Survived by: his wife Marilyn, Children: Mitch Nye, Greg (Karen) Nye, Mark (Elizabeth) Nye, Ira (Ann) Nye, Step-Children: Mark (Debbie) Petersen, Lori (Eddie) Scow; 2 sisters, and 2 brothers. 14 Grandchildren, 9 Great There are no true endings, only everlasting beginnings. ~Dieter F. Uchtdorf Grandchildren, 1 Great Great Grandchild. Preceded in death by parents, 1 Sister, 3 Brothers, and 1 Grandchild.
A viewing will be held on Wednesday, December 15, 2021 at the Larkin Sunset Gardens Mortuary, 1950 E Dimple Dell Road (10600 South) in Sandy, Utah from 6:00-8:00 pm. Funeral services will be held on Thursday, December 16, 2021 at the Mt. Jordan 3rd Ward Chapel, 8950 S 400 E Sandy, Utah beginning at 11:00 am. A viewing will be held at the chapel prior to the funeral services beginning at 10:00 am. Interment to follow at Larkin Sunset Gardens Cemetary.
Casper, Wyoming, United States
Sandy, Utah, United States
Military Affiliation
Worked For
Utah Department Of Transportation
Marilyn, Lori, and family,
We are so sad to hear to hear of John's passing. He was such a kind, sweet, gentle man. He was always so excited to us. I have such tender memories of doing sealings as a bishopric with him and Marilyn. Much, much love to you all and prayers of comfort and peace, especially at this difficult time.
Kyle, Diane, Abram, Matthew, and Hannah Iman
Diane Iman , Sandy, UT, US Dec 10, 2021