The highly heralded Tim Tebow had just three completions.
Brady had thrown for 246 yards.
that (34.6 percent, as it turned out) against the Patriots.
Super Bowl winner and two-time MVP.
coming to a party and being ignored in favor of Ugly Betty.
If Brady was insulted, he didn't say anything.
But his actions spoke much louder than any words.
they also have a good defense, and they're a good rushing team.
and execute well. To play the way we did - it was a fun day."
Watch Brady throw the ball. Then watch Tebow.
The talent gap is as wide as the Grand Canyon.
just maybe - you can trade all 11 for one Brady jersey.
possession, rather than have Tebow put the ball in the air.
took him two seasons to put Hernandez at the right position?
Easy, Pats fans. Just kidding.
rushing once for 16 yards.
for 97 yards and three TDs.
Tom, as we've known all along, is terrific.
before he's in Brady's league.


In Circuit Court District 2, which includes Harrison, Hancock and Stone counties, three additional candidates have qualified to run for the judgeship that John C. Gargiulo holds. They are Robert Fant Walker, Chris Schmidt and Myles Sharp.
Word on the street in Gulfport back at Mardi Gras identified Judge Garguilo as slated to become the new federal court magistrate in Gulfport.
In Chancery Court District 16, which includes Jackson, George and Greene counties, the judgeships held by D. Neil Harris and G. Charles "Chuck" Bordis have additional candidates.
Pascagoula City Judge Michael Fondren and Pascagoula attorney Gary Roberts have qualified to run for the seat Bordis holds….


text:
Lobbyist Transparency Act
Concerning measures to promote transparency about the activities of persons lobbying state government officials, and, in connection therewith, making an appropriation.
Elections & Redistricting
Regulation of lobbyists - clarification of term "client" - heightened disclosure requirements - secretary of state to convene working group to consider upgrades to electronic filing system used by lobbyists - appropriation. The act clarifies that the term "client" used in connection with statutory provisions regulating lobbyists means the person who employs or retains the professional services of one or more lobbyists to undertake lobbying on behalf of that person. The act also clarifies that a professional lobbyist is not, for purposes of the statute, a client of either a lobbying firm or any other person that employs or retains one or more professional lobbyists to undertake lobbying on behalf of one or more clients.
The act clarifies that existing provisions that require heightened disclosure when a lobbyist enters into an agreement to engage in lobbying apply when the general assembly is in regular or special session.
In addition to any other disclosure, during the period that the general assembly is in regular or special session, the act also requires a professional lobbyist to notify the secretary of state (secretary) by means of the electronic filing system within 72 hours after:
The lobbyist agrees to undertake lobbying in connection with new legislation, standards, rules, or rates for either a new or existing client of the lobbyist; or
The lobbyist takes a new position on a new or existing bill for a new or existing client of the lobbyist.
During this period, where the lobbyist agrees to undertake lobbying in connection with new or existing legislation for either a new or existing client, the disclosure required by the act includes the bill number of the legislation at issue and whether the lobbyist's client is supporting, opposing, amending, or monitoring the legislation at the time the lobbyist agrees to undertake lobbying in connection with the legislation or takes a new position.
The act also states that an attorney who is a professional lobbyist may not decline to disclose his or her lobbying as such lobbying is required to be disclosed on the grounds that the lobbying is protected against disclosure as confidential matters between an attorney and a client.
In connection with any requirement under existing law to disclose the identity of a client, a professional lobbyist who is a natural person and who is employed or retained by a lobbying firm or any other firm or entity may disclose the name of the lobbying firm or other person or entity by means of which, or under the name of which, a professional lobbyist does business, but to satisfy such disclosure requirement the lobbyist is also required to disclose the name of the client who employs or retains the professional services of the lobbyist, or a lobbying firm or any other person or entity that employs or retains the lobbyist, to undertake lobbying on its behalf.
The act also requires the secretary to convene a working group to consider upgrades to the electronic filing system used by lobbyists to file their disclosure reports. The act specifies the mission of the working group and requirements affecting its organization and membership. The working group is required to report its conclusions to the general assembly.
For the 2019-20 state fiscal year, the act appropriates $38,160 to the department of state from the department of state cash fund for use by the information technology division.
Michael Weissman
Lisa Cutter
Mike Foote
04/23/2019 | Senate Appropriations (1 )
Refer House Bill 19-1248 to the Committee of the Whole.
Adopt amendment J.001
03/26/2019 | House State, Veterans, & Military Affairs (3 )
Adopt amendment L.002 (Attachment H).
Adopt amendment L.003 (Attachment I).
Refer House Bill 19-1248, as amended, to the Committee on Appropriations.
COW * (.001)
J.001
HOU Appropriations
HOU State, Veterans, & Military Affairs
04/27/2019 Senate Senate Third Reading Passed - No Amendments
04/26/2019 Senate Senate Second Reading Passed with Amendments - Floor
04/25/2019 Senate Senate Second Reading Laid Over Daily - No Amendments
04/23/2019 Senate Senate Committee on Appropriations Refer Unamended to Senate Committee of the Whole
04/17/2019 Senate Senate Committee on State, Veterans, & Military Affairs Refer Unamended to Appropriations
03/26/2019 House House Committee on State, Veterans, & Military Affairs Refer Amended to Appropriations
Rep. L. Cutter, Rep. M. Weissman
Sen. M. Foote
Rep. J. Arndt, Rep. K. Becker, Rep. J. Buckner, Rep. Y. Caraveo, Rep. M. Froelich, Rep. R. Galindo, Rep. S. Gonzales-Gutierrez, Rep. E. Hooton, Rep. C. Kennedy, Rep. C. Kipp, Rep. S. Lontine, Rep. D. Michaelson Jenet, Rep. D. Roberts, Rep. S. Sandridge, Rep. J. Singer, Rep. E. Sirota, Rep. M. Snyder, Rep. K. Tipper, Rep. B. Titone
Sen. J. Bridges, Sen. L. Court, Sen. K. Donovan, Sen. S. Fenberg, Sen. L. Garcia, Sen. J. Gonzales, Sen. R. Rodriguez, Sen. N. Todd
Electric Vehicle Grant Fund
Repeal Fallen Heroes Memorial Commission
Modify Previously Approved Regional Tourism Project
Summary of Elections & Redistricting Legislation (2018)
Submission of Fiscal Impact Estimates for Citizen-Initiated Ballot Measures
Final Report of the State Capitol Building Advisory Committee (2016)

redpajama_set_name: RedPajamaCommonCrawl


Items were delivered and in good shape. Love them all - t-shirt, hoodie and phone cover.
The hoodie arrived as ordered and in a timely fashion! Will order again sometime!
The hoodies were great and well received. I would recommend that you tell people the sizes are large. Plenty of room for a warm sweater or shirt underneath!
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The sweatshirt arrived yesterday. I am quite pleased with it and plan to give it as a gift to my daughter. The service was quite prompt.
I am very pleased with my hoodie. The quality is better than I expected, the colour vibrant and the lettering easy to read! I would purchase from this vendor again without any worries.
Have worn this hoodie all day... warm and comfortable. I was able to play tennis in this morning and love the front pocket for holding tennis balls. Great addition to my wardrobe.
Was very pleasantly surprised by the quality of my purchases. Can't wait to wear them. Great packaging.
Love my hoodie and t-shirt. Going to order again but Next order will order a large.
Great service fast delivery, and a beautiful quality hoodie.
I am totally satisfied with the hoodie and also the rapid service received. Thank you!
I love the hoodie but it fit a little big . I love the material and the style of the hoodie.
We carry dozens of Parrot t-shirts, mugs, bags, phone cases and more!


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(window.blockly = window.blockly || {}).appLocale = {
"actor":function(d){return "キャラクター"},
"alienInvasion":function(d){return "エイリアンが侵略(しんりゃく) してきた!"},
"backgroundBlack":function(d){return "まっくろ"},
"backgroundCave":function(d){return "どうくつ"},
"backgroundCloudy":function(d){return "くもり"},
"backgroundHardcourt":function(d){return "テニスコート"},
"backgroundNight":function(d){return "よる"},
"backgroundUnderwater":function(d){return "みずのなか"},
"backgroundCity":function(d){return "まち"},
"backgroundDesert":function(d){return "さばく"},
"backgroundRainbow":function(d){return "にじ"},
"backgroundSoccer":function(d){return "サッカー"},
"backgroundSpace":function(d){return "うちゅう"},
"backgroundTennis":function(d){return "テニス"},
"backgroundWinter":function(d){return "ふゆ"},
"catActions":function(d){return "操作"},
"catControl":function(d){return "ループ"},
"catEvents":function(d){return "イベント"},
"catLogic":function(d){return "ロジック(論理)"},
"catMath":function(d){return "数値"},
"catProcedures":function(d){return "関数"},
"catText":function(d){return "テキスト"},
"catVariables":function(d){return "変数"},
"changeScoreTooltip":function(d){return "スコアへポイントを追加または削除します。"},
"changeScoreTooltipK1":function(d){return "スコアにポイントを追加します。"},
"continue":function(d){return "次へ"},
"decrementPlayerScore":function(d){return "ポイントをへらします。"},
"defaultSayText":function(d){return "ここに入力"},
"emotion":function(d){return "気分"},
"finalLevel":function(d){return "おめでとうございます !最後のパズルを解決しました。"},
"for":function(d){return "ため"},
"hello":function(d){return "こんにちは"},
"helloWorld":function(d){return "ハローワールド!"},
"incrementPlayerScore":function(d){return "ポイントを採点する。"},
"makeProjectileDisappear":function(d){return "消える"},
"makeProjectileBounce":function(d){return "はねる"},
"makeProjectileBlueFireball":function(d){return "青い火の玉を作る"},
"makeProjectilePurpleFireball":function(d){return "むらさきの火の玉を作る"},
"makeProjectileRedFireball":function(d){return "赤い火の玉を作る"},
"makeProjectileYellowHearts":function(d){return "きいろいハートを作る"},
"makeProjectilePurpleHearts":function(d){return "むらさきのハートを作る"},
"makeProjectileRedHearts":function(d){return "赤いハートを作る"},
"makeProjectileTooltip":function(d){return "ちょうどとつげきしたほうしゃ物を作る消えるか、またはバウンドします。"},
"makeYourOwn":function(d){return "じぶんだけのプレイラボアプリを作ろう!"},
"moveDirectionDown":function(d){return "下"},
"moveDirectionLeft":function(d){return "左"},
"moveDirectionRight":function(d){return "右"},
"moveDirectionUp":function(d){return "上"},
"moveDirectionRandom":function(d){return "ランダム"},
"moveDistance25":function(d){return "25 ピクセル"},
"moveDistance50":function(d){return "50 ピクセル"},
"moveDistance100":function(d){return "100 ピクセル"},
"moveDistance200":function(d){return "200 ピクセル"},
"moveDistance400":function(d){return "400 ピクセル"},
"moveDistancePixels":function(d){return "ピクセル"},
"moveDistanceRandom":function(d){return "ランダムなピクセル"},
"moveDistanceTooltip":function(d){return "俳優を指定方向に特定距離で移動させる。"},
"moveSprite":function(d){return "移動"},
"moveSpriteN":function(d){return "キャラクター "+appLocale.v(d,"spriteIndex")+" をうごかす"},
"toXY":function(d){return "to x,y"},
"moveDown":function(d){return "下に移動します。"},
"moveDownTooltip":function(d){return "俳優を下に移動します。"},
"moveLeft":function(d){return "左に移動"},
"moveLeftTooltip":function(d){return "俳優を左に移動します。"},
"moveRight":function(d){return "右に移動します。"},
"moveRightTooltip":function(d){return "アクターを右に移動します。"},
"moveUp":function(d){return "上に移動します。"},
"moveUpTooltip":function(d){return "俳優を上に移動します。"},
"moveTooltip":function(d){return "俳優を移動します。"},
"nextLevel":function(d){return "おめでとうございます !このパズルを完了しました。"},
"no":function(d){return "いいえ"},
"numBlocksNeeded":function(d){return "このパズルは%1個のブロックで解けます。"},
"ouchExclamation":function(d){return "いたい!"},
"playSoundCrunch":function(d){return "バリバリ音の再生"},
"playSoundGoal1":function(d){return "目標 1 のサウンドを再生します。"},
"playSoundGoal2":function(d){return "目標 2 サウンドを再生します。"},
"playSoundHit":function(d){return "サウンドを押して再生します。"},
"playSoundLosePoint":function(d){return "失点音の再生してください。"},
"playSoundLosePoint2":function(d){return "失点音2の再生をしてください。"},
"playSoundRetro":function(d){return "レトロなサウンドを再生します。"},
"playSoundRubber":function(d){return "ゴムの音を再生します。"},
"playSoundSlap":function(d){return "平手打ちの音を再生します。"},
"playSoundTooltip":function(d){return "選択音を再生"},
"playSoundWinPoint":function(d){return "勝利ポイントの音を再生します。"},
"playSoundWinPoint2":function(d){return "勝利ポイント2の音を再生します。"},
"playSoundWood":function(d){return "木製の音を再生します。"},
"positionOutTopLeft":function(d){return "ばしょを左上のトップへ"},
"positionOutTopRight":function(d){return "上右上のばしょに"},
"positionTopOutLeft":function(d){return "左のばしょ外トップへ"},
"positionTopLeft":function(d){return "左上に"},
"positionTopCenter":function(d){return "上のまんなかに"},
"positionTopRight":function(d){return "右上に"},
"positionTopOutRight":function(d){return "右のばしょ外トップへ"},
"positionMiddleLeft":function(d){return "左はしの真ん中に"},
"positionMiddleCenter":function(d){return "まんなかに"},
"positionMiddleRight":function(d){return "右はしのまんなかに"},
"positionBottomOutLeft":function(d){return "左のばしょの外側の下に"},
"positionBottomLeft":function(d){return "左下に"},
"positionBottomCenter":function(d){return "下のまんなかに"},
"positionBottomRight":function(d){return "右下に"},
"positionBottomOutRight":function(d){return "右のばしょの外側の下に"},
"positionOutBottomLeft":function(d){return "ばしょを左下の下"},
"positionOutBottomRight":function(d){return "下右ばしょの下"},
"positionRandom":function(d){return "ランダムな位置に"},
"projectileBlueFireball":function(d){return "青い火の玉"},
"projectilePurpleFireball":function(d){return "むらさきの火の玉"},
"projectileRedFireball":function(d){return "赤い火の玉"},
"projectileYellowHearts":function(d){return "きいろいハート"},
"projectilePurpleHearts":function(d){return "むらさきのハート"},
"projectileRedHearts":function(d){return "赤いハート"},
"projectileRandom":function(d){return "ランダム"},
"projectileAnna":function(d){return "アナ"},
"projectileElsa":function(d){return "エルザ"},
"projectileHiro":function(d){return "ヒロ"},
"projectileBaymax":function(d){return "ベイマックス"},
"projectileRapunzel":function(d){return "ラプンツェル"},
"projectileCherry":function(d){return "cherry"},
"projectileIce":function(d){return "ice"},
"projectileDuck":function(d){return "duck"},
"reinfFeedbackMsg":function(d){return "「やり直す」ボタンをおすとお話をもう一度見ることができます。"},
"repeatForever":function(d){return "ずっと"},
"repeatDo":function(d){return "してください"},
"repeatForeverTooltip":function(d){return "物語を動かしている間ずっと、ブロックの中のアクションをくりかえします。"},
"saySprite":function(d){return "という"},
"saySpriteN":function(d){return "と、スプライト "+appLocale.v(d,"spriteIndex")+" が言う"},
"saySpriteTooltip":function(d){return "指定した俳優から会話気泡と関連の原文がポップアップする"},
"saySpriteChoices_1":function(d){return "Hi there!"},
"saySpriteChoices_2":function(d){return "How are you?"},
"saySpriteChoices_3":function(d){return "This is fun..."},
"scoreText":function(d){return "得点:"},
"setBackground":function(d){return "背景をセット"},
"setBackgroundRandom":function(d){return "背景をランダムにセット"},
"setBackgroundBlack":function(d){return "背景を黒くする"},
"setBackgroundCave":function(d){return "背景をどうくつにする"},
"setBackgroundCloudy":function(d){return "背景を雲にする"},
"setBackgroundHardcourt":function(d){return "背景を木の模様にする"},
"setBackgroundNight":function(d){return "背景を夜にする"},
"setBackgroundUnderwater":function(d){return "背景を水の中にする"},
"setBackgroundCity":function(d){return "背景を街の中にする"},
"setBackgroundDesert":function(d){return "背景を砂漠にする"},
"setBackgroundRainbow":function(d){return "背景を虹にする"},
"setBackgroundSoccer":function(d){return "背景をサッカー場にする"},
"setBackgroundSpace":function(d){return "背景を宇宙にする"},
"setBackgroundTennis":function(d){return "背景をテニスコートにする"},
"setBackgroundWinter":function(d){return "背景を冬に"},
"setBackgroundLeafy":function(d){return "set leafy background"},
"setBackgroundGrassy":function(d){return "set grassy background"},
"setBackgroundFlower":function(d){return "set flower background"},
"setBackgroundTile":function(d){return "set tile background"},
"setBackgroundIcy":function(d){return "set icy background"},
"setBackgroundSnowy":function(d){return "set snowy background"},
"setBackgroundTooltip":function(d){return "背景画像を設定"},
"setEnemySpeed":function(d){return "てきのうごくはやさをえらぶ"},
"setPlayerSpeed":function(d){return "プレイヤーのうごくはやさをえらぶ"},
"setScoreText":function(d){return "得点を設定"},
"setScoreTextTooltip":function(d){return "ポイント欄に表示される文章を設定します。"},
"setSpriteEmotionAngry":function(d){return "おこったかおに"},
"setSpriteEmotionHappy":function(d){return "うれしいかおに"},
"setSpriteEmotionNormal":function(d){return "ふつうのかおに"},
"setSpriteEmotionRandom":function(d){return "ランダムな気分に"},
"setSpriteEmotionSad":function(d){return "かなしいかおに"},
"setSpriteEmotionTooltip":function(d){return "キャラの表情をセット"},
"setSpriteAlien":function(d){return "宇宙人"},
"setSpriteBat":function(d){return "こうもりに"},
"setSpriteBird":function(d){return "鳥に"},
"setSpriteCat":function(d){return "ねこに"},
"setSpriteCaveBoy":function(d){return "たんけんたいの男の子に"},
"setSpriteCaveGirl":function(d){return "たんけんたいの女の子に"},
"setSpriteDinosaur":function(d){return "恐竜に"},
"setSpriteDog":function(d){return "犬に"},
"setSpriteDragon":function(d){return "竜に"},
"setSpriteGhost":function(d){return "おばけに"},
"setSpriteHidden":function(d){return "隠れた像へ"},
"setSpriteHideK1":function(d){return "かくす"},
"setSpriteAnna":function(d){return "to a Anna image"},
"setSpriteElsa":function(d){return "エルザのイメージへ"},
"setSpriteHiro":function(d){return "ヒロのイメージへ"},
"setSpriteBaymax":function(d){return "to a Baymax image"},
"setSpriteRapunzel":function(d){return "ラプンツェルのイメージへ"},
"setSpriteKnight":function(d){return "騎士に"},
"setSpriteMonster":function(d){return "モンスターに"},
"setSpriteNinja":function(d){return "忍者に"},
"setSpriteOctopus":function(d){return "たこに"},
"setSpritePenguin":function(d){return "ペンギンに"},
"setSpritePirate":function(d){return "海賊に"},
"setSpritePrincess":function(d){return "おひめさまに"},
"setSpriteRandom":function(d){return "はいけいをランダムに"},
"setSpriteRobot":function(d){return "ロボットに"},
"setSpriteShowK1":function(d){return "表示する"},
"setSpriteSpacebot":function(d){return "宇宙ロボットに"},
"setSpriteSoccerGirl":function(d){return "サッカーする女の子に"},
"setSpriteSoccerBoy":function(d){return "サッカーをする男の子に"},
"setSpriteSquirrel":function(d){return "リスに"},
"setSpriteTennisGirl":function(d){return "テニスする女の子に"},
"setSpriteTennisBoy":function(d){return "テニスする男の子に"},
"setSpriteUnicorn":function(d){return "ユニコーンに"},
"setSpriteWitch":function(d){return "魔女に"},
"setSpriteWizard":function(d){return "魔法使いに"},
"setSpritePositionTooltip":function(d){return "キャラを指定した場所にすぐにうごかします。"},
"setSpriteK1Tooltip":function(d){return "キャラクターを表示したりかくしたりします。"},
"setSpriteTooltip":function(d){return "キャラクターのイメージを設定"},
"setSpriteSizeRandom":function(d){return "ランダムなサイズに"},
"setSpriteSizeVerySmall":function(d){return "とても小さいサイズに"},
"setSpriteSizeSmall":function(d){return "小さいサイズに"},
"setSpriteSizeNormal":function(d){return "もとのサイズに"},
"setSpriteSizeLarge":function(d){return "大きいサイズに"},
"setSpriteSizeVeryLarge":function(d){return "とても大きいサイズに"},
"setSpriteSizeTooltip":function(d){return "キャラクターの大きさを設定"},
"setSpriteSpeedRandom":function(d){return "ランダムなスピードに"},
"setSpriteSpeedVerySlow":function(d){return "とてもおそいスピードに"},
"setSpriteSpeedSlow":function(d){return "おそいスピードに"},
"setSpriteSpeedNormal":function(d){return "ふつうのスピードに"},
"setSpriteSpeedFast":function(d){return "はやいスピードに"},
"setSpriteSpeedVeryFast":function(d){return "とてもはやいスピードに"},
"setSpriteSpeedTooltip":function(d){return "キャラクターのはやさをセット"},
"setSpriteZombie":function(d){return "ゾンビに"},
"shareStudioTwitter":function(d){return "私のお話を見てください。 @codeorg を使って自分で作りました。"},
"shareGame":function(d){return "お話をみんなに見てもらう"},
"showCoordinates":function(d){return "座標を表示します。"},
"showCoordinatesTooltip":function(d){return "主人公の座標を画面に表示します。"},
"showTitleScreen":function(d){return "表紙を見せる"},
"showTitleScreenTitle":function(d){return "だいめい"},
"showTitleScreenText":function(d){return "テキスト"},
"showTSDefTitle":function(d){return "ここにタイトルを入れる"},
"showTSDefText":function(d){return "ここにテキストを入力"},
"showTitleScreenTooltip":function(d){return "だいめいとせつめいのあるひょうしをひょうじします。"},
"size":function(d){return "おおきさ"},
"setSprite":function(d){return "セット"},
"setSpriteN":function(d){return "キャラクター "+appLocale.v(d,"spriteIndex")+" をセット"},
"soundCrunch":function(d){return "crunch"},
"soundGoal1":function(d){return "ゴール1"},
"soundGoal2":function(d){return "ゴール2"},
"soundHit":function(d){return "ヒット"},
"soundLosePoint":function(d){return "ポイントがへる"},
"soundLosePoint2":function(d){return "lose point 2"},
"soundRetro":function(d){return "レトロ"},
"soundRubber":function(d){return "ゴム"},
"soundSlap":function(d){return "たたく"},
"soundWinPoint":function(d){return "ポイントがふえる"},
"soundWinPoint2":function(d){return "win point 2"},
"soundWood":function(d){return "木"},
"speed":function(d){return "スピード"},
"startSetValue":function(d){return "start (rocket-height function)"},
"startSetVars":function(d){return "game_vars (title, subtitle, background, target, danger, player)"},
"startSetFuncs":function(d){return "game_funcs (update-target, update-danger, update-player, collide?, on-screen?)"},
"stopSprite":function(d){return "ストップ"},
"stopSpriteN":function(d){return "キャラクター "+appLocale.v(d,"spriteIndex")+" を止める"},
"stopTooltip":function(d){return "キャラクターの動きを止めます。"},
"throwSprite":function(d){return "投げる"},
"throwSpriteN":function(d){return "キャラクター "+appLocale.v(d,"spriteIndex")+" が投げる"},
"throwTooltip":function(d){return "指定したキャラクターからの物をなげます。"},
"vanish":function(d){return "消す"},
"vanishActorN":function(d){return "キャラクター "+appLocale.v(d,"spriteIndex")+" を消す"},
"vanishTooltip":function(d){return "キャラクターを消します。"},
"waitFor":function(d){return "まで待つ"},
"waitSeconds":function(d){return "秒"},
"waitForClick":function(d){return "クリックされるまで待つ"},
"waitForRandom":function(d){return "wait for random"},
"waitForHalfSecond":function(d){return "0.5秒まつ"},
"waitFor1Second":function(d){return "1びょうまつ"},
"waitFor2Seconds":function(d){return "2びょうまつ"},
"waitFor5Seconds":function(d){return "5びょうまつ"},
"waitFor10Seconds":function(d){return "10びょうまつ"},
"waitParamsTooltip":function(d){return "Waits for a specified number of seconds or use zero to wait until a click occurs."},
"waitTooltip":function(d){return "Waits for a specified amount of time or until a click occurs."},
"whenArrowDown":function(d){return "↓"},
"whenArrowLeft":function(d){return "←"},
"whenArrowRight":function(d){return "→"},
"whenArrowUp":function(d){return "↑"},
"whenArrowTooltip":function(d){return "指定した矢印キーが押されるまでアクションを実行します。"},
"whenDown":function(d){return "矢印が下のとき"},
"whenDownTooltip":function(d){return "下向きの矢印キーが押されたとき次のアクションを実行します。"},
"whenGameStarts":function(d){return "ストーリーが始まったとき"},
"whenGameStartsTooltip":function(d){return "物語が始まったときアクションを実行します"},
"whenLeft":function(d){return "左矢印"},
"whenLeftTooltip":function(d){return "下向きの矢印キーが押されたとき以下のアクションを実行します。"},
"whenRight":function(d){return "右向き矢印キーが押されたとき"},
"whenRightTooltip":function(d){return "右向きの矢印キーが押されたとき以下のアクションを実行します。"},
"whenSpriteClicked":function(d){return "クリックされたとき"},
"whenSpriteClickedN":function(d){return "キャラクター "+appLocale.v(d,"spriteIndex")+" がクリックされたとき"},
"whenSpriteClickedTooltip":function(d){return "キャラクターがクリックされたときアクションを実行します。"},
"whenSpriteCollidedN":function(d){return "キャラクター "+appLocale.v(d,"spriteIndex")+" が"},
"whenSpriteCollidedTooltip":function(d){return "キャラクターがほかのキャラクターにさわるとアクションを実行します"},
"whenSpriteCollidedWith":function(d){return "さわった"},
"whenSpriteCollidedWithAnyActor":function(d){return "何かキャラクターにさわる"},
"whenSpriteCollidedWithAnyEdge":function(d){return "どこかのはしっこにさわる"},
"whenSpriteCollidedWithAnyProjectile":function(d){return "だれかがなげたなにかにさわる"},
"whenSpriteCollidedWithAnything":function(d){return "何かにさわる"},
"whenSpriteCollidedWithN":function(d){return "キャラクター "+appLocale.v(d,"spriteIndex")+" にさわる"},
"whenSpriteCollidedWithBlueFireball":function(d){return "青い火の玉にさわる"},
"whenSpriteCollidedWithPurpleFireball":function(d){return "むらさきの火の玉にさわる"},
"whenSpriteCollidedWithRedFireball":function(d){return "赤い火の玉にさわる"},
"whenSpriteCollidedWithYellowHearts":function(d){return "黄色のハートにさわる"},
"whenSpriteCollidedWithPurpleHearts":function(d){return "むらさきのハートにさわる"},
"whenSpriteCollidedWithRedHearts":function(d){return "赤のハートにさわる"},
"whenSpriteCollidedWithBottomEdge":function(d){return "下のはしにさわる"},
"whenSpriteCollidedWithLeftEdge":function(d){return "ひだりはしにさわる"},
"whenSpriteCollidedWithRightEdge":function(d){return "みぎはしにさわる"},
"whenSpriteCollidedWithTopEdge":function(d){return "うえのはしにさわる"},
"whenUp":function(d){return "上向き矢印が押されたとき"},
"whenUpTooltip":function(d){return "上向きの矢印キーが押されたとき以下のアクションを実行します。"},
"yes":function(d){return "はい"}};

redpajama_set_name: RedPajamaGithub


text:
Veteranclaims's Blog
NOVA v. SECRETARY OF VETERANS AFFAIRS, Order; Issues: whether FedCir. has jurisdiction under 38 U.S.C. § 502 to review provisions of the Department of Veterans Affairs' Adjudication Procedures Manual M21-1 that are binding on the agency's initial adjudicators but not on the Board of Veterans' Appeals; whether this court should overrule Disabled American Veterans v. Secretary of Veterans Affairs, 859 F.3d 1072 (Fed. Cir. 2017); whether the time for filing a direct action for judicial review under 38 U.S.C. § 502 is governed by the 60-day deadline specified by Federal Circuit Rule 47.12(a) or only by the six-year statute of limitations in 28 U.S.C. § 2401(a);
Filed under: Uncategorized — veteranclaims @ 5:56 pm
NATIONAL ORGANIZATION OF VETERANS'
ADVOCATES, INC.,
SECRETARY OF VETERANS AFFAIRS,
Petition for review pursuant to 38 U.S.C. Section 502.
ON PETITION FOR HEARING EN BANC
ROMAN MARTINEZ, Latham & Watkins LLP, Washington,
DC, filed a petition for hearing en banc for petitioner.
Also represented by SHANNON MARIE GRAMMEL, BLAKE
STAFFORD.
ISAAC B. ROSENBERG, Commercial Litigation Branch,
Civil Division, United States Department of Justice, Washington,
DC, filed a response to the petition for respondent.
Also represented by JOSEPH H. HUNT, ROBERT EDWARD
KIRSCHMAN, JR., MARTIN F. HOCKEY, JR.; CHRISTOPHER O.
ADELOYE, JULIE HONAN, Y. KEN LEE, Office of General
Counsel, United States Department of Veterans Affairs,
Case: 20-1321 Document: 50 Page: 1 Filed: 05/06/2020
2 NOVA v. SECRETARY OF VETERANS AFFAIRS
MELANIE L. BOSTWICK, Orrick, Herrington & Sutcliffe
LLP, Washington, DC, for amicus curiae Military-Veterans
Advocacy Inc. Also represented by JEFFREY T. QUILICI,
Austin, TX; JOHN B. WELLS, Law Office of John B. Wells,
Slidell, LA.
STEPHEN BLAKE KINNAIRD, Paul Hastings LLP, Washington,
DC, for amici curiae National Veterans Legal Services
Program, Paralyzed Veterans of America, Veterans of
Foreign Wars. Amicus curiae National Veterans Legal Services
Program also represented by BARTON F. STICHMAN,
National Veterans Legal Services Program, Washington,
Before PROST, Chief Judge, NEWMAN, LOURIE, DYK,
O'MALLEY, REYNA, WALLACH, TARANTO, CHEN, HUGHES,
and STOLL, Circuit Judges. *
The National Organization of Veterans' Advocates,
Inc. ("NOVA") filed a petition for initial hearing en banc. A
response thereto was invited by the court and filed by the
Secretary of Veterans Affairs. NOVA was granted leave to
file a reply in support of the petition. Military-Veterans
Advocacy Inc. and the National Veterans Legal Services
Program, Paralyzed Veterans of America, and the Veterans
of Foreign Wars were granted leave to file briefs as amici
curiae in support of the petition.
The petition was referred to the circuit judges who are
in regular active service. A poll was requested and taken,
Circuit Judge Moore did not participate.
NOVA v. SECRETARY OF VETERANS AFFAIRS 3
and the court has decided that the petition warrants en
banc attention.
Upon consideration thereof,
IT IS ORDERED THAT:
(1) The petition for hearing en banc is granted.
(2) The parties are requested to file briefs addressing
the following two issues:
A. Whether this court has jurisdiction under 38
U.S.C. § 502 to review provisions of the Department
of Veterans Affairs' Adjudication
Procedures Manual M21-1 that are binding
on the agency's initial adjudicators but not on
the Board of Veterans' Appeals, and whether
this court should overrule Disabled American
Veterans v. Secretary of Veterans Affairs, 859
F.3d 1072 (Fed. Cir. 2017).
B. Whether the time for filing a direct action for
judicial review under 38 U.S.C. § 502 is governed
by the 60-day deadline specified by
Federal Circuit Rule 47.12(a) or only by the
six-year statute of limitations in 28 U.S.C.
§ 2401(a).
(3) NOVA's opening brief must be filed within 45 days
from the date of this order. The Secretary's brief is
due within 45 days after service of NOVA's opening
brief. NOVA's reply brief must be filed within
30 days after service of the Secretary's brief.
(4) The court invites the views of amici curiae. Any
such brief may be filed without consent and leave
of court. Any amicus brief supporting NOVA's position
or supporting neither position must be filed
within 20 days after service of NOVA's opening
brief. Any amicus brief supporting the Secretary's
position must be filed within 20 days after service
of the Secretary's brief.
(5) The court requires 24 paper copies of all briefs and
appendices provided by the filer within 5 business
days from the date of electronic filing of the document.
Administrative Order No. 20-01 does not exempt
the filing of these paper copies.
(6) This case will be heard en banc on the basis of the
briefing ordered herein and oral argument.
(7) Oral argument will be scheduled at a later date.
FOR THE COURT
/s/ Peter R. Marksteiner
Peter R. Marksteiner
Veteranclaims's Blog
Pay $0.00


text:
Q: Calculate speed by distance and friction I am writing a game in Javascript, Canvas, HTML5, and I just found a big problem, related to advanced maths. The game is in flat 2D, so you see the world from over. That means there is no gravity, only friction.
CODE:
var friction = 0.97

var target = {
  x: 70,
  y: 90,
}

var ball = {
  x: 10,
  y: 20,
  vx: 0,
  vy: 0,
}
var dx = ball.x - target.x
var dy = ball.y - target.y
var angle = Math.atan2(dy, dx)
var dist = Math.sqrt(dx * dx + dy * dy) // <--- AS FAR AS I'VE COME
var speed = ??? // <--- HERE IS THE PROBLEM
ball.vx = Math.cos(angle) * speed
ball.vy = Math.sin(angle) * speed

function update() {
  ball.vx *= friction
  ball.vy *= friction
  ball.x += ball.vx
  ball.y += ball.vy

  // Drawing and other unneccesary things to involve here

  window.requestAnimationFrame(update)
}

update()

So, my question is: How do I calculate the speed in the section where I create the ball, to make the ball stop at exactly the targets x and y position? As far as I've come I've only calculated the starting distance between the ball and the targets position.. Soo, any ideas? Is there an equation for this?

A: So you want the sum for i from 1 to ∞ over the term (speed × frictioni), and you want the result to equal dist. This is an infinite geometric series, the limit of which is speed×friction/(1 − friction).

So simply solve the equation for speed, and you obtain:

speed = (1/friction - 1)*dist

redpajama_set_name: RedPajamaStackExchange


text:
Steve Flink: "Djokovic is still the man to beat at the US Open. The Canadians are on fire!"
Ubaldo Scanagatta
A preview of Week 2 of the American Slam. The women's draw – Williams, Osaka, or someone else? Djokovic and his new Professional Tennis Players Association. Steve talks a little more about his outstanding new book on Pete Sampras.
While far apart and unable to record their traditional end-of-the-day recaps, Ubitennis's Ubaldo Scanagatta and his colleague and Hall-of-Famer Steve Flink set up a telematic rendezvous to discuss the first week of the 2020 US Open, and to speculate on what will happen next. Here's their chat:
VIDEO SCHEDULE
00:00 – Steve Flink says a little more about his new book, "Pete Sampras. Greatness revisited", which was published on September 1.
02:30 – Flink on Djokovic: "He's a perfectionist, against Struff he was almost flawless." For Ubaldo and Steve, Djokovic is the big favourite of the tournament.
04:35 – Shapovalov vs Goffin to book a showdown with the Serbian: "Very interesting match."
06:40 – For the first time since 2001 two Australians reached the fourth round – De Minaur and Thompson. Coric's great comeback against Tsitsipas: "There was a lot of on-court tension…"
09:00 – Ubaldo's recollection of the match between Vilas and Orantes, the 1975 US Open semifinal at Forest Hills, discussed in another one of Steve's books, "The greatest tennis matches of all time".
11:45 – Zverev vs Davidovich Fokina. The Spaniard is the Cinderella Story so far. Flink: "It is difficult to make predictions on Zverev. He hasn't impressed me so far…"
13:30 – Berrettini vs Rublev. Ubaldo: "Matteo held his serve 45 times in a row and is yet to be broken." Flink: "Rublev is a tough one". Does the Russian have the solidity to avenge his defeat from last year?
17:00 – Tiafoe vs Medvedev – how tough of a match-up can the American be for last year's finalist?
18:30 – Pospisil vs De Minaur: "Nobody thought Pospisil would beat Bautista Agut, he has his chances…"
20:50 – "Félix Auger-Aliassime is playing the best tennis of his life!" The rise of Canadian tennis.
22:30 – Djokovic and the PTPA: "It's not true that they don't want women on board. Even if Federer and Nadal disagree, it was clear that something was wrong…"
25:10 – "The players only get a small fraction of the revenues from the Grand Slams and the Masters 1000. It's unfair they are the ones who create the show, so that they ask for more money."
29:50 – Ubaldo: "I am surprised by the reaction of Federer and Nadal…" Flink: "This has nothing to do with the big guys, it's about protecting the players with a lower ranking."
32 – "Who would be easier to talk into this – Gaudenzi, Federer or Nadal?". Ubaldo on Gaudenzi: "I was disappointed that he didn't go to the US, since he also has responsibilities".
36:40 – The women's draw: "If Kerber wins the next match, she becomes a serious contender for the title!"
39:25 – Osaka and Kvitova – who has looked like a potential winner so far?
41:30 – Williams Vs Sakkari."Serena will want to exact revenge from last week. However, …"
46:00 – Flink on Azarenka: "Looks like old Vika, she might have a shot." Mothers who have won Majors.
Transcript by Andrea Canella, edited by Tommaso Villa
Related Topics:Naomi OsakaNovak DjokovicSteve FlinkUbaldo ScanagattaUS Open 2020
Novak Djokovic Is Out, And The Field At The US Open Has Never Been More… Open
US Open Day 7 Preview: Five Must-See Matches
Don't Bet On Rafael Nadal Beating Djokovic At Australian Open, Says Federer's Ex- Coach
Ubaldo Scanagatta's 2021 Predictions To "Strike" Everyone: Federer, Djokovic, Nadal, Thiem, Sinner, and Serena Williams
Novak Djokovic, Rafael Nadal To Quarantine In Adelaide Ahead Of Australian Open
Sofia Kenin Prepared To Seek Guidance From Djokovic Ahead Of Australian Open Defence
Post-lockdown performance: Djokovic leads the way
The Year Tennis Was Hit By A "Submarine…"
Quarantine Drama: Players And Support Staff Warned For 'Challenging Behaviour' Amid Argument Over Rules
Officials and players are at a disagreement over the rules concerning who is deemed a 'close contact' of somebody who test positive for COVID-19.
Adam Addicott
The Commissioner for COVID-19 Quarantine in Victoria says she will tolerate no rule breaking by those staying in quarantine ahead of the Australian Open after a fourth confirmed test emerged on Sunday.
Emma Cassar said that there have been incidents of 'challenging behaviour' from both players and members of their teams in relation to the rules set out. Due to the pandemic, everybody has to go into a 14-day quarantine but the process has turned more complicated following a series of positive tests by those travelling on plans funded by Tennis Australia. The latest case involves a member of the broadcast team flying from Los Angeles.
The Australian government has ruled that everybody on board a plane where somebody has tested positive for the virus must go into a stricter form of quarantine where they must remain in their room and are not allowed to train outside. This has affected more than 40 players on two different flights from Abu Dhabi and another from Los Angeles. As it currently stands 62 people have been deemed close contacts of the four cases, three of which were announced on Saturday, according to Fox Australia.
To add to the drama, Cassar has confirmed that some players and their team members have already been given a warning for what she says is 'challenging behaviour.' Branding their actions as 'dangerous acts that we can't tolerate.'
"I can give you two examples – a player who opened his door to try and have a conversation with his training mate down the hallway. Again, he's got a phone, you can pick up the phone and use the telephone as opposed to putting you and others at risk," she said.
"The other was another gentleman who shouted some UberEats to some other people on the floor and was praising his great efforts and opened his door to do so.
"It is very low level, but they are dangerous acts that we cannot tolerate … they have been formerly warned, and Victoria Police will continue to follow up those who haven't been spoken to yet."
Even more extraordinary is the confirmation that extra police have been sent to the hotels where players are quarantined. Repeat offenders have been warned they could be fined or even transferred to a 'complexed care hotel' where a police officer stays outside their door.
Did the players know?
In regards to the quarantine process, some have questioned the transparency of the rules which has been set out. Critics have argued that they were never informed that should someone test positive on a plane everybody on board would have to isolate for 14 days.
World No.12 Belinda Bencic has gone as far as saying that the rules have been changed upon arrival in Melbourne. A view that has also been expressed by Alize Cornet, Yulia Putintseva and Sorana Cirstea.
"We made our decision to come here from rules that were sent to us. Then we arrived and received an information/rule book with more/new rules that we did not know about," Bencic wrote on Twitter.
Australian Open tournament director Craig Tiley has addressed those statements by saying that all players were informed that this would be a possible scenario that they would face. Leading up to the quarantine, all players and their teams should have been sent documents detailing their stay.
"The determination of who was and who wasn't a close contact was going to be entirely up to the health department, and they're doing what is necessary in order to keep our community safe," he told Channel 9 TV.
"Obviously what has changed over the last several weeks is the new UK strain, which is more infectious, and there's obviously a great desire by all of us to make sure that doesn't come into our community.
We are joined by Tennis Australia CEO, Craig Tiley, after 50 players were deemed unable to train for two weeks after being on flights with infected people. #9Today pic.twitter.com/tDeqOXXY4v
— The Today Show (@TheTodayShow) January 16, 2021
Although the motion that the rules have changed in some capacity is disputed by Commissioner Cessar who stated that no adjustments to the policy will be made in the coming days.
"The rules of close contacts haven't changed, and there's no other way you can consider this. If you're on a plane for 16 to 24 hours in air that circulates throughout the plane, you are a close contact," she said.
"The program is set up to keep people safe. We will not be modifying the program or watering it down under any circumstances."
Whilst there are ongoing discussions concerning the scheduling of tournaments taking place during the first week of February, Tiley has confirmed that the Australian Open start date of February 8th will remain unchanged.
24 Players In Isolation After Positive COVID-19 Tests On Australian Open Charter Flight
It is understood that Kei Nishikori and Victoria Azarenka are among those to be affected by the latest development.
Tennis Australia has been dealt a new blow to their preparations for the Melbourne Grand Slam after it was confirmed two people tested positive for COVID-19 on one of their flights.
A member of the flight crew and one passenger who was on Flight QR793 from Los Angeles Airport have tested positive for the virus. It has been reported by journalist Pablo Amalfitano that the coach of Lauren Davis, Edward Elliot, is the passenger who has tested positive. Although he reportedly claims that the result is a false positive.
A total of 79 people were on the flight with 24 of those being players such as Kei Nishikori, Victoria Azarenka, Sloane Stephens, Alison Riske, Vaskek Pospisil and Tennys Sandgren. Sandgren did test positive prior to the fight but was given the all clear to travel after it was deemed that he was 'viral shedding.'
Due to their possible exposure to COVID-19 Australian health officials have instructed all players to isolate for 14 days and they will not be allowed to leave their room to train in what will be a big setback to their preparations.
"The Chief Health Officer has reviewed the flight and has determined that everyone on board needs to isolate and will be confined to their rooms for the 14-day quarantine," a leaked email sent to players read. "We know this is not how you imagined your preparations for the AO would start but our entire team is here to support you and do everything that we can to get you through this."
There were two positive COVID-19 tests on Santiago Gonzalez's flight to Melbourne from LAX and everyone on it will have to quarantine for two weeks. pic.twitter.com/mS510fWiOJ
— Tumaini Carayol (@tumcarayol) January 16, 2021
News of the positive tests was first reported online by the players themselves after they uploaded a leaked email detailing what had happened before Tennis Australia had a chance to publish a statement.
"We are communicating with everyone on this flight, and particularly the playing group whose conditions have now changed, to ensure their needs are being catered to as much as possible, and that they are fully appraised of the situation," Tennis Australia chief Craig Tiley commented.
"Our thoughts are with the two people who tested positive on the flight and we wish them well for their recovery."
Doubles specialist Artem Sitak, who was on board the plane, commented on the situation by giving an update to his followers on Instagram. The Russian-born New Zealand player is currently ranked 78th in the world and has won five ATP titles so far in his career.
"We're all deemed close contact. I asked for a bike, so hopefully I'll get one and stay in shape," Sitak said. "We'll probably be out on the 29th of January and head straight into the ATP 250 a few days after.
"Obviously not great, but that's the risk we were all taking. They kind of warned us this was going to be at the discretion of the Australian government, Australian health authorities if something like this happened. It's just unlucky that two of them contracted the virus."
In a later update the 34-year-old confirmed that he has had a bike delivered to his room. |
Meanwhile, Japanese media have confirmed that all of Nishikori's team has tested negative for the virus but the former US Open finalist will be training alone in his room.
The first series of tournaments are set to take place in Melbourne a week before the Australian Open on January 31st.
List of affected players
Tennys Sandgren
Artem Sitak
Marcos Giron
Note – list is incomplete and compiled via news agencies
Tennis Australia Back Tennys Sandgren To Fly Internationally Despite Positive COVID-19 Test
The world No.50 is said to be allowed to fly following intervention from tennis boss Craig Tiley.
Tennis Australia has insisted that adequate health and safety protocols are being followed after it was confirmed that one player will be allowed to enter their bio-secure bubble less than a week after testing positive for CVOVID-19.
Tennys Sandgren, who reached the quarter-finals of the Australian Open last year, posted a series of tweets detailing his dilemma. The American said he tested positive for a second time on Monday after also doing so during Thanksgiving before going on to cast doubt on his abilities to travel. However, in a separate tweet written less than two hours later he confirmed that he was on a plane before calling Australian Open director Craig Tiley 'a wizard' for his intervention.
"Wait, hold on I think they are trying to get me on 15 minuets after the plane was supposed to depart.. my bags still aren't checked," Sandgren wrote.
"Wow I'm on the plane. Maybe I just held my breath too long.. Craig Tiley is a wizard," he later added.
The decision to allow Sandgren to head to the 'bio-secure bubble' in Melbourne comes amid what has been dubbed as one of the strictest COVID-19 measurements taken by a country for athletes. All players arriving in Australia are required to go through a 14-day quarantine period where they will be only allowed to leave their rooms for training. Should anybody break the rules they face a fine of up to AUS$20,000 and even deportation.
As to why Sandgren is allowed to enter the bubble despite testing positive is a due to the fact those who recover from the virus can still continue to test positive over the coming weeks. Tennis Australia says their decision has been made after the local health authority reviewed Sandgren's medical file. Although it is unclear as to what evidence they had to prove that Sandgren didn't contract the virus for a second time which is possible.
"In the case of Tennys Sandgren, who has self-disclosed that he previously tested positive in late November, his medical file had to be reviewed by Victorian health authorities," a Tennis Australia statement reads.
"Upon completion of that review he was cleared to fly. Any recovered case must go through this process in order to have an opportunity to travel here for the Australian Open . No one can travel without either proof of a negative test or this special clearance from authorities confirming they are not infectious.'
"Upon arrival all players are immediately placed in a secure quarantine environment for 14 days under the authority of COVID Quarantine Victoria, and will undergo a more rigorous testing schedule than most returning travellers."
Lisa Neville, who is the Australian Minister for Police and Emergency Services, confirmed that Sandgren has been declared as somebody who is 'viral shedding from a previous virus' according to health experts. Neville also stated that anybody who test positive for COVID-19 the first time or are 'infectious' would not be allowed to play in the Grand Slam.
It is estimated that around 1200 players and their teams will be landing in Australia within the next few days to begin their quarantine. Under protocols set out by the local government and Tennis Australia, they will all be subject to daily COVID-19 tests and allowed to train upto five hours a day. Most of the players will be staying at hotels in Melbourne however, the top three players on both the ATP and WTA Tour's will be staying in Adelaide.
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Sunday Morning Update: After tallying the numbers for the past week it really was no surprise that Furious 7 topped all buzz seeing as though it is on the eve of its release and has been getting surprisingly strong views by those critics fortunate enough to have been offered a screening. Regardless of what critics said this was going to be a blockbuster thanks to the upward trajectory of recent films and the tragic story of this being Paul Walker's last role. I would be very surprised if this didn't rake more than $100 million n its first weekend. Here at Box Office our early number is $119 million. With a start like that it should be a real contender for $1 billion worldwide during its run.
A waning Paper Towns and Avengers: Age Of Ultron occupied second and third slot on the weekend despite falling 50% and 35% respectively. Nothing to be alarmed with really as news from recent announcements died down. While I do expect Paper Towns to cool a bit in the coming weeks until more news/another trailer surfaces, the Age Of Ultron marketing machine is about to kick into high gear in coming weeks as its release approaches. It should reign supreme for the 2-3 weeks prior to release at least.
Mission: Impossible - Rogue Nation unveiled its first trailer in the beginning of the week where it peaked at just over 24,000 tweets. The last installment Ghost Protocol had just 11,200 tweets with its first trailer back in June of 2011 so there is clearly an uptick in buzz surrounding the trailer here. Ghost Protocol was by far the most profitable in the franchise in terms of worldwide grosses, and Rogue Nation is no doubt hoping to build on that success (not unlike Furious 7 I might add). The film has been scheduled for a release over Christmas but the brass at Paramount decided it would be a better move to debut it in the late Summer. The first three films were May releases and saw openings north of $45 million in 1996, 2000 and 2006. Dare I say that Rogue Nation looks poised to open far above that, perhaps even topping $80 million. Hard to bet against its chances here.


Syneron lasers incorporate variable wavelength multi technology base unit capable of outputting a combination of Diode and High intensity Bipolar radiofrequency, IPL, Laser and Q-switch technology. There are a variety of diode handpieces that can be used for several different treatments and these systems can be built to suit your practice.
Although, these lasers are quite durable and can last through several hundred thousand pulses (some diodes can last up to 1 million pulses), they need to be maintained regularly to ensure quality treatments and reliability. Lasers need to be maintained just like any revenue generating asset. the manufacturer recommends maintenance once a year.
Laser output will deteriorate over time with regular use and will deteriorate even faster with heavy or high intensity use. To ensure your patients to get the best treatments manufacturers recommend that lasers must be maintained once a year or after a certain amount of pulses at minimum. avoid follow up visits with your patients by having your equipment serviced and calibrated to the manufacturer's specification. Servicing these lasers will also help your practice avoid large issues that can cause significant downtime such as power supply failures, water flow issues, water leaks burned optics and blown handpieces or fibers.
There are many other error codes. If you see an error code that's not listed call us anytime for free troubleshooting on palomar lasers and IPL systems or fill out our contact form.


text:
Blanc de Chine 1600-1900
The white, undecorated blanc de Chine with its ivory-grey or creamy-white glaze on a thick, pure-white body was produced in kilns in and around Dehua in southern China. Since the late 16th century, potters there specialised in figures of animals and Chinese Immortals, especially of Guanyin, the patroness of women, poor people and fishermen. Unusually for Chinese depictions of women, Guanyin has bare feet. Occasionally figures of Europeans were made, sometimes riding a mythical animal, and even statues of Mary and Child or Mary and a monk are known. Apart for export, these figures might also have served as curiosities or 'Western exotics' for Chinese collectors. Figures and other items such as teapots, covered boxes and vases were made in moulds. Interesting are the so-called libation cups, modelled after examples made from rhinoceros horn. The rough surface and sometimes even the imprint of the potter's fingers can be seen on the inside of hollow figures. Decorations in relief, for instance of plum blossom, are hardly detailed. It is the thick, shiny glaze emphasising the simple form that makes blanc de Chine so attractive. In particular on figures, blanc de Chine may have a potter's or workshop mark. Blanc de Chine was much in demand in Europe as an exotic curiosity and figures were often overdecorated locally in black or red cold paint. Blanc de Chine figures are still being made in Dehua, often using the traditional techniques.
Currently there are no Blanc de Chine wares for sale.
4559418 visitors - 8 online


text:
Thomas Dyke Auckland Tellefsen, född 26 november 1823 i Trondheim, död 6 oktober 1874 i Paris, var en norsk pianist och tonsättare.

Tellefsen kom vid 19 års ålder till Paris, där han blev elev till Friedrich Kalkbrenner och Frédéric Chopin samt snart själv en eftersökt lärare och pianist. Han gav åtskilliga konserter i Skandinavien (Stockholm 1855, då han även invaldes som ledamot av Kungliga Musikaliska Akademien) och Storbritannien och fick rykte i synnerhet som Chopinspelare. Hans omkring 50 kompositioner, i synnerhet för piano, uppvisar vid sidan av den nationella grundtonen påverkan av Chopin, märkbart bland annat i den eleganta utformningen.

Källor

Norska klassiska kompositörer
Norska klassiska pianister
Ledamöter av Kungliga Musikaliska Akademien
Norska musiker under 1800-talet
Musiker från Trondheim
Födda 1823
Avlidna 1874
Män
Ugglan

redpajama_set_name: RedPajamaWikipedia


text:
Сентя́брьская у́лица — название улиц в различных населённых пунктах государств бывшего СССР.

Россия

 Сентябрьская улица — улица в Апрелевке Московской области
 Сентябрьская улица — улица в Казани
 Сентябрьская улица — улица в посёлке городского типа Кокошкино Наро-Фоминского района Московской области
 Сентябрьская улица — улица в Нальчике
 Сентябрьская улица — улица в Нижнем Тагиле Свердловской области
 Сентябрьская улица — улица в Перми
 Сентябрьская улица — улица в Ростове-на-Дону
 Сентябрьская улица — улица в Южно-Сахалинске

Украина

 Сентябрьская улица — улица в Днепропетровске
 Сентябрьская улица — улица в Донецке
 В Кривом Роге Днепропетровской области:
 Сентябрьская улица (Ингулецкий район)
 Сентябрьская улица (Октябрьский район)
 Сентябрьская улица — улица в Черновцах

См. также

 Сентябрьский переулок
 Сентябрьский проезд — улица в Ставрополе


At 60 pages in length, it includes commentary, as well as sheet music, tablature and in some cases additional accompaniment sheets.
You can download a free sample (includes Lesson 37. Andy McGann's - which is a totally different tune to Lesson 19, Andy McGann's Jig!).
The book is a downloadable PDF, and costs US $9.00. Payments (including those by credit card) are handled securely by PayPal.


Weekly bulletins from COOL during 2018 are available here. Prior years are under "News - Schedules >> Bulletin Archives" from the drop down menu . Please note that in order to view a church bulletin, you will need the Adobe Acrobat Reader . If you do not have it on your computer, you must first download it and install it. You can download the reader for free by clicking on the 'Get Acrobat Reader' button on the right.


11 (11) REQUEST TO AMEND TENANCY AGREEMENT TO ALLOW INSTALLATION OF ENERGY EFFICIENCY MEASURES – The Director of Neighbourhood and Environment Services submitted a report seeking approval of a request by North Lincolnshire Homes to vary their tenancy agreement to allow the installation of photo voltaic solar panels.
North Lincolnshire Homes ('NLH') were in discussions with installers regarding the installation of Solar Photo Voltaic (PV) panels on some of its properties so that electricity could be generated without emitting carbon dioxide. There was a list of criteria that had to be met in order for a property to be considered viable in the project, and NLH were currently engaged in these investigations, together with negotiations on the overarching agreement for the project.
The main principle of this agreement was that NLH would allow the equipment to be installed onto the property in return for the ability to receive some "free" electricity for the tenant during the hours of generation.
NLH had requested a Deed of Variation to the existing tenancy agreement. This was because many of the properties likely to be included in this project were inevitably going to be households who were tenants of the council prior to the stock transfer.
Resolved – That the request from North Lincolnshire Homes for a Deed of Variation be approved.


text:
Unedited Music Blog
Latest [unedited] Music Reviews
Janxx [unedited]
Posted on July 23, 2017 by John Cronin
Janxx on Spotify
Janxx
Interview & Review
"It pretty much is my lifestyle", Janxx says about how her music is affecting her lifestyle….. Which she says she even is taking time off of work. Everything about her music is worth spending more time with it, with inspirations coming mainly from the 90's such as Radiohead and Portishead. Her inspirations seem to be rubbing off of her fans because her "local fans seem to be older, like in the 30's and 40's. Which I didn't notice until I opened for a band that has a very young fan base…. Like 16 years old" she states.
Living in an area that doesn't have a lot of electronic gigs in the music scene, Janxx finds herself traveling at least 6 ho urs to play gigs in other parts of California. Other than her local fans, it seems like she has more online fans she says.
She says that after years of trying to build her success with playing on different bands, she decided "instead of forming a band I decided to do it by myself" she says.
Her songs are, like I have said, influenced by mainly 90's bands, and when she makes them she "sit(s) down to a piano and a song comes out." This is a very broad and interesting way to make a song, and one way that I have never heard anyone do. It seems like most of the bands I have interviewed lately have made a majority of their songs by coming up with their background first and then writing the lyrics.
Janxx wasn't even aware that she was on the #MonsterThread playlist when I reached out to her and asked her to do an interview and review, and in fact didn't even know who Jon Magnusson was. So I told her her song "Beat Down" was on House playlist, I believe, and she says so far she hasn't gotten any bigger of an audience. She is awfully busy, "I'm currently getting ready to record my first album" she says. It's a good life she's living right now though, because she's making money off of what is her passion. In a year from now, she says she can see herself "make a living doing what I love, that would be happy" Janxx says.
Undress: ★★★★1/2
High Horse: ★★★★1/2
Janxx (Album): ★★★★☆
Published by John Cronin
John is the founder and main writer for Unedited Music Blog, and although he struggled to obtain a satisfying amount of views on BlogSpot he is certainly more hopeful for success on WordPress. He currently is in touch with many musicians worldwide ranging from small to big bands, all of them he considers more than just musicians... He also considers them to be something like his friends. John's interest in music started back when he was attending Adams Middle School in his hometown of Massachusetts (USA). Considering himself as a music geek, little did he know he would make a kind of impact on the music industries the way he is doing now. Currently training to be an editor for Genius community and Waze Map Editors community, he certainly enjoys all that he does and is not planning to stop anytime soon.	View all posts by John Cronin
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Visions for Vets is extremely proud of our Veteran Artists! Since the program's inception in 2015, our Artist's Community is growing and the artwork they're creating is impressive. Our Veterans are extremely talented and have found great successes with their creations. Read the following stories and you'll see how the amazing healing power of art has changed the lives of so many.
As the daughter of one of the volunteer Veterans, I can not express my gratitude for this program!
I go there on the weekends and I simply can't say enough good things, about the program as well as the people running it. Personally I've been involved with them for a little over a month and I'd be remissed if I failed to mention what a wonderful learning experience it is. Scott and Dan are both extremely talented Artists. And has been, and still is to my delight and privilege to learn under the tutelage of such fine people. l am better for having met them.
THANK YOU Scott Beaty for your service, talent & providing this outlet for other Veterans! Sharing your Visions for Vets Facebook page since I have so many family members & friends who are Veterans including my dad Greg Mathis who is a 4th Infantry Division Vietnam Vet.
I spend time almost weekly at Vision for Vets. I have learned so much there and found that I actually can draw! It relaxes me and I meet with my vet friends and all of the volunteers. All of them encourage me and give me the confidence to try new things. I had not drawn from more than 45 years, and now I am proud of what I can do. I have found a new way to express myself and encouragement to explore new things. What more could you ask for? Wish I could spend more time there.
As a member of this team each week I am learning something new, being taught great skills and being encouraged. The fellow ship time with other veterans couldn't be any better nor can the meals we share with one another. I challenge you to come out and express your self, put your vision into action and create something, hope to see you soon.
Get our latest news and updates delivered right to your inbox!


After running some of SA's most successful software companies, IT entrepreneur Alan Greig has headed for the hills with his wife Jane Mitchell to run a restaurant in one of SA's oldest buildings.
Alan and Jane, who has an extensive background in recruitment and professional development, have bought the historic Leonards Mill restaurant and function centre on the Fleurieu Peninsula.
The restaurant, which they are in the process of refurbishing before a planned pre-Christmas launch, is in a building that dates back to 1859, just 23 years after the colony of South Australia was founded.
Located in Second Valley, the bay was imaginatively named by SA's visionary Colonel William Light who came across the sea-facing valley shortly after discovery Rapid Bay – which was the first valley!
With a professional pedigree that includes being CEO of SA-based software innovators Prophecy and Empower, Alan has accepted second fiddle position at Leonards Mill, where he will stock and manage the bar while Jane will be in charge of the overall operation.
Alan said the immediate challenge after getting the keys next month was to refurbish Leonards Mills. "We want to refresh it a bit," he said. "Our intention is to brighten up the main bar and restaurant area and to make it feel a bit more contemporary, while keeping the heritage flavour.
"We'll open a few weeks later, with our main goal being to get through the high demand period of Christmas and the summer break, when a lot of people head for the beach. We'll start with lunch and dinner, seven days a week, before looking at functions and weddings further down the track.
"We plan to offer an affordable, quality menu with a strong focus on local produce, including Angus beef from the Coorong and local seafood such as Kangaroo Island oysters and King George whiting.
One of the items on a fairly lengthy to-do list is to create an initial website for Leonards Mill at the web address www.leonardsmill.com.au.
If you want to catch up with Alan or Jane, you can email them at alan@leonardsmill.com.au or jane@leonardsmill.com.au.


text:
Some Bright Spots Among Online Traffic Decline
While nearly 70 percent of pure-play Internet companies saw their online traffic decrease last month, online travel, jobs and entertainment were among several categories that managed to attract more visitors, according to PC Data's Top 100 list.
The jump in traffic, however, may not be much of a boost for sites in those categories.
"Many investors and capitalists are realizing that it takes more than unique users and more than a large visitor base to generate a successful online company," said John Megahed, director of research and analysis at PC Data, Reston, VA. "Things like loyalty measures, stickiness and return visitation are key at this point … and profitability, which means not only bringing a lot of users, but converting the lookers to bookers.
"The fast, free, fun stuff of the Web doesn't make a lot of money for many companies," he added.
But offline companies could benefit from increased traffic even if it does not result in sales, Megahed said, provided those companies use the Web as a promotional outlet, to offer customer service or as an opportunity to extend their brands.
Online Games Trail Only Board Games in Popularity
A recent study claims that online gaming is the second most popular way to play games nationwide after…
PRC holds hearing on universal service
The Postal Regulatory Commission is holding a public hearing on the universal postal service obligation on July 10…
Ellen Keohane
Append: Strategy to Boost Your Database, Part 2
The first article in this series explained how e-mail append can help marketers build their database assets. Now…


Total text length is 15,697 characters (approximately 10.8	pages).
.....iles, M. (2006) Tuberculosis in pregnancy – case studies and a review of Australia's screening process. Australian and New Zealand Journal of Obstetrics and Gynecology 46, 451-55.
, F. (1939). Pregnancy and tuberculosis. Chest 5, 8-10.
, R., et al. (2007).
in patients with tuberculosis. Clinical Infectious Diseases 45, 1001-7.
Snider, D. (1984). Pregnancy and tuberculosis. Chest 86 (3), 108-38.
, J. (2006). Tuberculosis prevention for non-US-born pregnant women. American Journal of Obstetrics & Gynecology 194, 451-6.


text:
Zombie Nation
DE München – Electronica / Techhouse / Indie
No past gigs added
Visit: http://www.zombienation.com https://www.facebook.com/zombienation https://soundcloud.com/zombie-nation http://www.youtube.com/watch?v=z5LW07FTJbI "Electro superstar Zombie Nation is a true veteran of the studio, having been generating gritty analog hits since his career-defining stadium anthem, "Kernkraft 400." Next week, Florian Senfter will be releasing his fifth studio album, RGB, on Montreal's legendary Turbo imprint.URB" — URB "Continuing to push himself forward, new album 'RGB' is a real statement of intent.
Liberally pillaging the history of electronic music, Zombie Nation brings his experience to the forefront on fourteen tracks which run the gamut between house, techno and electro. (CLASH)"
— Robin Murray, CLASH
"Explores the more sensual properties of the fuzzbox, wrapping lanky grooves and quavering synthesizers in a halo of white noise (SPIN)"
— SPIN
"Meathead isn't exactly a light meal - Resident Advisor"
— Jordan Rothlein, RESIDENT ADVISOR
"Far from being a one hit wonder, Zombie Nation has been fleshing out a consistent catalogue of masterpieces - EARMILK"
— EARMILK
" Zombie Nation's fifth album is a product of sheer craftsmanship, total gear control and well, a little bit of craziness too. A very obscure but highly intriguing affair, the skilled producer has once more delivered a standout LP any fan of warped electronics will love. Beats and Beyond"
— Beats and Beyond
"Music assembled by a man with a seemingly limitless scope, or constructed by androids on a trance-like production line." "All tracks here are exceptionally strong "
— The Music Magazine (UK)
"I would say that Zombielicious is already a contender for album of the year, it's that good"
— Muso's Guide / Music Online Guide (USA)
"…a devastatingly good collection of songs forming his fourth studio album"
— EQ Magazine (UK)
"It's hard to find fault with the seamlessness of this record. With Daft Punk on an extended hiatus and with the echo of Kraftwerk always in his music's vicinity, Senfter's sound is needed more than ever at this time"
— BBC Online (UK)
"… a storming run-through of fist pumping anthems that will no doubt sound colossal at the club scene"
— Clash Magazine (UK)
"Burning energy, gritty funk and a delicious cool wash over the album's entirety," "… the world will soon realize that this fella's more than just Johnny Kernkraft"
— DJ Magazine (UK)
"…an intoxicating adventure through bass thumping, heart pounding, surreal electronic dance soundscapes." …"the quirky weirdness of early Chemical Brothers, the rhythmic complexity of Justice and peppered in sounds from the '70s, this is what you would get.""
— Exclaim Magazine (Canada)
"Every track pops with fresh reverberations—pounding electro funk, high-octane drums, dirty basslines, rapid-fire tech mash-ups; it's a masterpiece of sound if there ever was one."
— URB Magazine (USA)
"…loaded with propulsive, synth-driven, post-electroclash dance cuts." "…songs like "Supercake 53," "Worth It Pt1," and "Forza" are bassy slices of filtered electro that will undoubtedly be slurped up by your local blog house DJ. "
— XLR8R (USA)


If you want to see any of the previous photographs that were on this front page, you will find them here.
The redesign of my site is taking way longer than I originally anticipated. A portion of it is done, but I am still working on a different way to show photographs. If you want to have a look, you will find it here. Until I get that completed, I am placing my photographs and slideshows on my blog.
You may view some photographs of our trip here. We still have a few more days here so I expect there will be a second page with more photographs. Stay tuned! I made a panorama of our beach as well as Pearl Harbor as seen from the monorail that goes between Uptown and Downtown at the Pearlridge shopping center. Click here for the beach and here for Pearl Harbor.
Aloha!! We made it back to Makaha on the island of Oahu to stay at the Hawaiian Princess. This sunset was captured from the lanai off our apartment on our second day. I also made a quick video. The small version (WMV format) is just over 725 KB. The large version (MPG format) is just under 150 MB. Both videos have the sound of the waves on the beach. Enjoy!
And as if that wasn't enough ... Here is another version of a single page calendar. Just like the other one, you can download this one and open it with Adobe Reader. Once in Adobe Reader, you should be able to print it and hang it up on your fridge!
Clever, eh? Ellen saw a group of people staring up into a tree a few blocks from our house. Thankfully, she was curious enough to ask what was occupying their interest. Apparently there are 2 baby owls in the tree. The parents are flying around somewhere. Click on the photo above to view some of the photos taken of them. The last one is one of the parents on a rooftop. Since the owls only came out after sunset, there is not a great amount of light for the photographs. I brightened some of them in order to get a better view of the owls. I hope you enjoy them. If you are unable to view the Flash version of the owls, you can view a non-Flash version here.
Lions, tigers, and bears. Oh my!!
On Friday, 21 April, 2006, we went to the Rocky Mountain Wildlife Conservation Center. As this is an educational facility and not a display facility, not all of the animals they have are available for viewing, although you are able to walk over the tiger and lion areas. You might be able to borrow binoculars to see the animals. On our visit, we saw tigers, mountain lions, leopards, lions, a camel, an emu, and bears. There is an area for wolves, but you cannot visit it. They are situated in Hudson, which is away from any highly populated areas. Hudson is located near Barr Lake. There is a map to the Sanctuary on their site. Of course, we did take some photographs.
Wow! I seen it's been some time since I've updated my site. Another trip to the zoo allowed me to get more photographs of the animals. Have a look here. I also created a calendar for March that has one of the photographs from this latest set. If you'd like one, feel free to download and print it. It is a .PDF file which needs Adobe Reader to open it. If you'd like one with a different photograph, send me an email and I'll see what I can do.
Addison and I took a trip up to South Dakota during the middle of July, 2005. Here are some photo of that trip. You might also notice that I updated the banner at the top of my pages with a photograph I took in Lost Springs, Wyoming.
The Hawaii 2004 page has a few more shopping links: Crazy Shirts and Hilo Hatties. Both are places that definitely say "Hawaii" to me. Aloha!
Some of the photographs from my visit to the Denver Zoo on Thursday May 26, 2005 may be found here. If you have any problems viewing the horizontal version, you can viewing the web page as Full Screen. Press F11 to go to Full Screen mode. To return to your usual viewing, press F11 again..
1and1, my web host company, has made Dynamic Content available. I'm just starting to incorporate that content into my site. Have a look here for some initial pages.
We found a new program, Corel Painter, that allows you to do a number of interesting things. One of them is being able to turn a photograph into a watercolor printing. Check out the original, my version, and one done with a Photoshop watercolor filter. You will find all of these on the Retouch page.
In case you hadn't noticed, a few changes were made to my site. The banner at the top has a new photograph that was taken from the tram that runs along the Royal Gorge Bridge in Canon City, Colorado. I'll eventually make a page with some photos from that trip. Also, the REFS page has been changed to RETOUCH as it now contains some of the retouching I've done with Photoshop on some photographs.
Addison and I took an overnight trip to Canon City, Colorado at the end of March, 2005. While we were there, we were able to see Cheyenne the wolf and some of her friends. You can view some of the photos here. You may now (finally) also check out the second page of photos, which contains photos of a couple of the other wolves.
Here are some of the photos of our trip to Maine at the end of October, 2004. Have a look here.
You may still view the Kenosha Pass page.
Have a look at a couple of photographs I took during the lunar eclipse.
You may still check out the Hawaii 2004 page for photos of the Big Island Air Tour as well as some interesting links. Aloha!
Colorado Pink Plates is an initiative started by a group of individuals who desparately want to see an end to breast cancer!
Even if you're not looking for a new browser, you might want to click on the following link and get Firefox. Try out Tabbed Browsing for a new way to surf. It's also supposed to be free of the security flaws that plague Internet Explorer.


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Talent Accelerators
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This Week in Leadership: Why Your Quest For Perfection May Be Holding You Back
OUT LEADERSHIP VERTICAL
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September 24th @ 10:00 AM EDT | 15:00 BST
Throughout the past few months, Out Leadership's "This Week in Leadership" series quickly became a crowd favorite. Many people can relate to the idea that they want to do everything possible in their life to the best of their ability. Join Out Leadership and Remy Blumenfeld for an incredibly interesting episode highlighting why your quest for perfection may actually be holding you back.
Remy Blumenfeld – Forbes Contributor. Mindset and Business Coach. Online Course Professor. Creative Industries Empowerment Coach
Remy Blumenfeld is an entrepreneur, coach and business adviser to the creative industries. He's been named by Broadcast Magazine as one of the world's top 5 Format Kings and by The Independent as one of the Top 20 most influential GayPeople in theUK. He works primarily with the founders of content companies who want to build, grow and sell. A onetime news reporter for The Wall Street Journal Report, he is the founder of two TV Production companies and has written extensively for Forbes.
Alexander Leon – LinkedIn Changemaker, writer, campaigner, LGBT+ activist
Alexander Leon is a writer and campaigner focussed on LGBT+ rights, anti–racism and mental health. His work on issues such as sexual racism, LGBT+ mental healthin equality, and global LGBT+ human rights has been featured in The Guardian, BBC, MTV, The Independent, Huffington Post and more. He is currently working with LinkedIn as part of their LinkedIn Changemakers campaign, which connects businesses to activists to encourage change in the world of work. During the day he works for the leading LGBT+ international human rights charity Kaleidoscope Trust, where he heads up their communications and campaigning work.
Campbell X – Writer, LGBT+ Advocate
Campbell X is a transgender writer/director who directed the award–winning queer urban romantic comedy feature film STUD LIFE. Stud Life was voted by theGuardian as one of the top 10 Black British feature films ever made. It was also in Vogue magazine as one of the best films to watch in 2020. Stud Life was also selected by the British Film Institute as one of the top 8 queer films to view while we were all on lockdown. Campbell was one of the writers at the Royal Court for My White Best Friend theatre series in 2020. In 2015 Campbell was voted as in the top 50 LGBTIQ people in the UK by the Independent on Sunday Pink List. Campbell is the Co–founder with Neelu Bhuman of Wahala Film Funda completion fund for short films by and about QTIPOC people.
Jared Green – Transpersonal Psychotherapist
Jared Green is a UKCP registered psychotherapist. He works in private practice in Central London with a range of client groups, from CEOs to students and a diversity of intersectionalities. Jared works with issues such including life purpose and work, shame and internalized homophobia, sexuality and identity. He is also a staff member at London's Centre for Counseling and Psychotherapy Education (CCPE), where he supervises trainee therapists. He has worked at a number of organisations serving the LGBTI community as a therapist and as a supervisor. He has also run courses and has been published on workplace wellness and workplace toxicity. Prior to training as a psychotherapist, Jared had a 15 year career in eCommerce, working for US, UK and Australian companies including eBay, Havas, Intel and Trainline. Alongside his psychotherapy qualifications, he has Bachelor's degrees in Computer Science and Business from the Australian National University.
OluTimehin Adegbeye – Othering Correspondent at The Correspondent
OluTimehin is a Nigerian queer feminist advocate who works on human rights, inclusion and social justice in the areas of Gender, Sexualities and Urbanisation. Her TED Talk on urban justice "WhoBelongs in a City?", was selected by TED's lead curator Chris Anderson as one of the ten most notable TED talks of 2017. She has addressed audiences in over a dozen countries, and has worked with a variety of corporate and civil society organisations locally and internationally. She was awarded the 2019 Gerald Kraak Prize for her essay on sexual violence and secondary victimisation, 'Mothers and Men'. She currently writes for The Correspondent, and her work has been translated into French, Japanese, Spanish, Norwegian and other languages, with selected publications incorporated into academic curricula in various countries.
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More Americans are now dying of drug overdose each year than car accidents. And the biggest killer among those accidental deaths is prescribed opioids, according to the Centers for Disease Control and Prevention.
The CDC reports the amount of painkillers prescribed and sold in the United States has nearly quadrupled since 1999, yet there has not been an overall change in the amount of pain that Americans report.
A California physician was even recently convicted of second-degree murder in connection with the overdose deaths of three patients, in what prosecutors said was the first time a doctor was found guilty of murder for recklessly prescribing drugs.
The California Workers' Compensation Institute found that 1 percent of prescribers accounted for one-third of schedule II opioid prescriptions and 10 percent accounted for 80 percent of prescriptions.
In a research letter to JAMA Internal Medicine, the focus of a recemt press release, Stanford researchers investigate whether such disproportionate prescribing of opioids — such as morphine, oxycodone and hydrocodone — occurs in the national Medicare population as well.
The Stanford researchers examined individual prescriber data from the 2013 Medicare Part D (prescription drug coverage) claims data set created by the Centers for Medicare and Medicaid Services. Part D covers about 68 percent of the roughly 50 million people on Medicare, the federal insurance program for Americans who have certain disabilities or are 65 years or older.
While they found that up to 60 percent of opioid prescriptions do come from the top 10 percent of prescribers, they note this is no more skewed than Medicare prescriptions for any other drug.
Opioid prescriptions are concentrated among specialty services for pain, anesthesia, physical medication and rehabilitation. By sheer volume, however, the authors found that general practitioners dominate total prescriptions.
"High-volume prescribers are not alone responsible for the high national volume of opioid prescriptions," writes lead author Jonathan C. Chen, MD, PhD, a Stanford Health Policy VA Medical Informatics Fellow; psychiatrist Anna Lembke, MD; psychiatrist Keith Humphreys, PhD and Nigam H. Shah, MBBS, PhD, a biomedical informatics specialist.
"Efforts to curtail national opioid overprescribing must address a broad swatch of prescribers to be effective," the authors write.


Headstone from the grave of Jelle Dirks Eerdmans (*13 Aug 1856 +9 Nov 1914).
Headstone from the grave of Aaltje Langenberg (* +) & Engbert Lingsma (* +).
Headstone from the grave of Eeltje Foppe Laagland (16 Dec 1899 - 30 July 1969) and wife Hieke de Jong (10 Aug 1898 - 2 Nov 1980).
To the left is the grave of Hieke de Jong's mother Hendrikje and aunt Eeke de Jong.
Headstone from the grave of Emke Willem de Vries (*10/06/1925 +25/08/1962)and Minze Melle Roode (*16/05/1910 +17/06/1995). Minze Melle Roode was the second husband of Eisine Annette Postema.
Headstone from the grave of Grietje Feenstra (*12-3-1906 +22-10-1990) and husband Arnoldus de Vries (*31-10-1899 +13-4-1978).
Headstone form the grave of Harm Langenberg (*28 May 1893 +1 May 1935). The headstone and grave were removed in 1985.
Headstone from the grave of Jacob Langenberg and wife Leentje Meester, and daughter Geeske Langenberg & husband Petrus Brakels.
Headstone from the grave of Klaas Hettes Laagland (*10 July 1848 +23 November 1914) and Hinke Strikwerda (*28 October 1850 +25 March 1937). Headstone from the grave of Dieuwke Laagland (*1 July 1880 +5 October 1947).
Headstone from the grave of Pieter F Feenstra & wife Aukje Haitsma and Aukje's parents Siebren M Haitsma and Annaatje Walsweer.
Headstone from the grave of Rinke F Feenstra (*13-9-1876 +29-10-1944)& Jitske Miedema (*12-11-1880 +23-2-1970) and son Douwe (*15-12-1918 +21-9-1950).
Headstone from the grave of sisters Eeke de Jong (reads 16 April 1886 - 26 Aug 1966 : birth date is incorrect and should read 16 April 1874) and Hendrikje de Jong (8 July 1876 - 2 Jan 1965).
Headstone from the grave of Sybrigje Feenstra (*16-11-1887 +9-8-67).


text:
Závitové očko je nástroj sloužící k vyřezávání vnějších závitů na válcovém materiálu. Pro vyřezávání vnitřních závitů se používá závitník. Oba nástroje se při práci upevňují do vratidla, které umožňuje jejich snadné uchopení a působení dostatečné síly.

Závitové očko má tvar plochého disku, který má uprostřed řezný otvor. Na obvodu tohoto otvoru jsou malé otvory pro odvod odřezků.

Nástroje
Šroubování
en:Tap and die#Die


History: Brad is proud to be of First Nation's descent with ancestry traced back to the Manitoba Red River Band. With over 20 years' experience in the construction industry, Brad offers an extensive background of project procurement in industries from agriculture, electrical distribution to commercial construction. Brad is a NABCEP certified professional with a thirst for ongoing education in the renewable field.
History: Born and raised in Vancouver, Kol is very familiar and involved with his community and has led all Grid-Tied solar projects successfully at Rikur Energy. He thoroughly inspects and monitors the installation team and is very involved in the outcome for each job. Kol is up to date with the latest products, installation techniques and permitting procedures within different municipalities.
History: Greg has 24 years of experience as a journeyman electrician and is presently designing and managing large multi-use construction projects for a Vancouver based developer. Greg is keen and interested in renewable, cutting edge technologies with respect to energy and mechanical systems and has recently teamed up with Rikur Energy to be an industry leader in photovoltaic energy systems. Greg is a resident of New Westminster and has a solar array on his home.