A native Texan, Sheriff Anderson attended Tarrant County Junior College and the University of Texas at Austin, where he majored in journalism Before joining law enforcement, he worked at various newspapers as both a reported and an editor. He and his wife, Rebecca, have been married since 1985 and have three children, Kelly, Hannah and Ben.
Dee Anderson retired as the 34th Sheriff of Tarrant County in January 2017. He served four terms (16 years) after winning a historic election in 2000, defeating an incumbent Sheriff and six opponents in a primary election without a runoff.
He is credited with taking a struggling organization and turning it into a professional law enforcement operation once again widely respected in all areas. In 2006 Sheriff Anderson was named Sheriff of the Year by the Sheriff's Association in Texas. Despite only serving in his second term, he was chosen as the top Sheriff among all 254 Texas Sheriffs for that year. Sheriff Anderson began his law enforcement career at the Arlington, TX. Police Department in 1980. He served as a patrol officer, field training officer, certified accident investigator and Tactical (SWAT) officer while assigned to the patrol division.
In 1986 he was promoted to a command staff position as the Media Relations Coordinator, handling all media contacts for the department. He gained national recognition or handling numerous high-profile cases and was awarded the Pinnacle Award for Excellence and a Medal of Merit by his agency for his efforts.
In 1996 Anderson was again in the national spotlight during the kidnapping of Amber Hagerman, a nine-year-old Arlington girl who was later found murdered. The tragic case prompted Anderson to co-found the "Amber Plan", a cooperative effort between law enforcement and the media to instantly alert the public in case of a child abduction. After originating in the Arlington-Dallas-Fort Worth area, the plan exploded nationally and internationally, being copied all over the world.


If you google the term "fast fashion," then you're likely to get a definition like the one posted above. Unfortunately, this doesn't paint a clear picture of exactly what fast fashion entails, and it certainly doesn't touch on why we at Socially Conscious Brands refuse to promote any product that was made this way.
Fashion Brands are part of a $3 Trillion dollar industries, but many of their products are made by workers who operate in dangerously unsafe conditions, making pennies a day.
Fast Fashion accounts for some of the highest levels of inequality and environmental destruction the world has ever seen.
There are over 40 million garment makers, and they are widely considered to be among the lowest paid workers in the world.
85% of those workers are women, many of whom have to abandon their families for long hours in the factory.
Because of the disposable nature of Fast Fashion garments, the world now consumes about 80 billion new pieces of clothing a year.
For more information about the havoc that Fast Fashion is causing, watch the documentary, The True Cost.


text:
Director.
Billie Wildrick
Singer.
Billie lives & thrives at the hot intersection of music & theatre because she loves the ferocity of collaboration & the thick messy texture of live, full-faculty story-telling. Billie believes in directing from the roots up, in the spirit of yes, in the power of ensemble & in humanity above all things.
photo by nikkiwomacphotography!
Voiceover Artist.
Productions, Press & Media
@The 5th Avenue Theatre
"Leapin' Lizards, The 5th Ave's ANNIE is a Heartfelt Joyride! ...Director Billie Wildrick has ensured that the message of hope comes through and is never overshadowed by anyone trying too hard to "put on a show". In fact, the whole ensemble, filled with oodles of talent, just looks to be having a blast and it shows and infects the audience giving us hope for a wonderful evening. "
- Jay Irwin @ BWW
"...the 5th Avenue's Annie is sensational... The scenic design (by Beowulf Boritt) is impressive and transporting. The choreography (by Kelli Foster Warder) is amazing—full of unexpected moves and bodily humor that almost reminded me of Fosse...It will not remind you of other productions you've seen... It is a credit to the director Billie Wildrick that all of these elements come together as successfully as they do. In act one I was laughing, and in act two I had tears trembling in my eyes. I had such a genuine human experience with this show, I felt like I was seeing it for the first time."
- Christopher Frizzelle @ The Stranger
"How many adjectives are you allowed when you praise a musical? Unlimited, if you're writing about 5th Avenue Theatre's production of the vintage Broadway musical, "Annie," which is happily nestled in the theatre's Christmas show slot.
"Annie" is one of the best musical theater productions this critic has seen in Seattle. Thanks to the talented director, Billie Wildrick, everything about it works perfectly. The cast is fantastic, and the music, scenery and costumes are marvelous. The choreography is terrific. And, as an added bonus, you can hear and understand every word."
- Starla Smith @ The Queen Anne News
"Ms. Wildrick has found a way to breathe new life and fresh energy into an old chestnut of a show, revitalizing its appeal to an audience well familiar with its merits."
- Eric Andrews-Katz @ Equality 365
"The welcoming, flawlessly orchestrated production of "Annie" at The 5th Avenue Theatre is pure joy. The fact that "Annie" remains a timeless powerhouse in audience popularity is no surprise. Accolades to Billie Wildrick's artistry and sparkle in directing, Kelli Foster Warder's top-notch choreography, Caryl Fantel 's awesome music direction, and the dynamic Creative Team."
- Jeanne Kinley Deller @ SeattlePockets
"Refreshingly, multi-talented director "Billie Wildrick ensures there is "nothing cute for cute sake" in the 5th Avenue's 2018 holiday production. Wildrick and her creative team, including musical director Caryl Fantel, choreographer Kelli Foster Warder, and superb set designer Beowulf Boritt, replace "cute sentimentality" with a naturalistic approach. Wildrick is a whiz at directing kids, and she also surrounds some of the most talented adult actors in the Seattle area around them. The production is beautifully balanced."
- Dewey Mee @ Daily Record
"...the full overture launches the 5th Avenue Theatre's sparkling, heart on its sleeve holiday attraction into the stratosphere. It's one of the best damn musical productions I've seen in 30 years reviewing shows on Seattle stages... Billie Wildrick, who makes her 5th Avenue directorial without reinventing or trying to fix a show that ain't broken, and her (mostly local) cast offer a hand-picked candy box of delights throughout."
- David Edward-Hughes @ Talkin' BWay
"The struggle with Annie is she is such a cultural icon, presentations can easily feel satirical if her performance is too shiny and full of over the top gumption. Thankfully, under the apt direction of Billie Wildrick, Annie's (Visesia Fakatoufifita, also Faith Young in other performances) acting is wonderfully authentic, subtle and heartfelt… The show moved at a brisk, whimsical, joyful pace that felt fresh and confident in the strength of the material.
- Doug Bursch @ The Moderate Voice
@Village Theatre
"...emotional, passionate and purely enthralling."
- Medium Magazine
"...it's simply musical theater heaven. Director Billie Wildrick handles the many scenes and storylines impressively, and all the familiar music sounds just right under the direction of Julia Thornton. Great choreography by Nikki Long (love the take on "Take Back Your Mink") and set design by Steven Capone. And kudos to the hard-working ensemble.
- Seattle Spotlight
"'Guys and Dolls' at the Village Theatre is vibrant, sassy fun. Billie Wildrick is no stranger to "Guys and Dolls," having played the role of Miss Adelaide to great acclaim in the 5th Avenue Theatre Production in 2011. Lately, Miss Wildrick has channeled her multi-talents toward directing. Last holiday season, her production of "Annie" at the 5th Avenue Theatre shimmered with magic. She invests "Guys and Dolls" with a similar sense of uplifting, high-spirits and humanity. "I hope it reminds people that coming at the world from wholly different perspectives can not only be a part of our most dear relationships, it's downright essential in making our world go 'round," Wildrick said in an interview. "The show is all about chemistry. Discerning audience members can look for an exciting, vibrant feel in the color palette; (from scenic designer Steven Capone and costume designer Cathy Hunt) and an explosive, reactionary energy in the choreography (by Nikki Long) and performances."
- The Daily Record
"I had the good fortune to attend a production of "Guys & Dolls" at the Village Theatre, directed by Billie Wildrick, whose expertise at directing "Annie" at Seattle's 5th Avenue Theatre, "Jesus Christ Superstar" at Seattle Musical Theatre, and "Kiss of the Spider Woman at Second Story Rep, among others, shines brilliantly in this quintessential musical comedy."
- Entertainment News NW
"Village Theatre puts on sensational 'Guys & Dolls' under the direction of regional theater favorite Billie Wildrick..."
- Everett Herald
"It's an oldie but goodie, Guys and Dolls is! The almost three-hour musical classic is so good that you can examine it through and through and still probably can't figure out what to cut to make it shorter. That's class!
A splendid version is now at Village Theatre, helmed by stage vet Billie Wildrick who is making her name as a musical director more often these days. You might have seen Wildrick as Miss Adelaide at the 5th Avenue in 2011. Wildrick and choreographer Nikki Long have freshened the choreo elements so they are sharp, angled, in sync, and great fun.
- Seattle Gay News
"Director Billie Wildrick and the team at Village Theatre have created the perfect haven for those looking to lose themselves in the wonderful world of Guys and Dolls."
- Drama in the Hood
The Champagne Widow
@Café Nordo
"The show from Peachey, Workman and Wildrick is a vibrant piece filled with love. Not only the loves of the widows but the obvious love from the creators for the subject. The stories are beautifully weaved into a fantastical dreamlike tapestry, each getting their proper due and each containing all new songs from Workman that are beautiful and haunting. And Wildrick has whipped up the staging into a bubbly party giving the audience a raucous good time... With an all-female team leading the charge and telling the stories of these amazing women who succeeded in the face of and in spite of the men who would hold them back, the show is a celebration of everything that is female. And so, with my three-letter rating system, I give Café Nordo's "The Champagne Widow" a cork popped YAY+. I've seen and enjoyed many a show at Café Nordo but this one ranks up there as one of their absolute best! Go see it!!!" - Jay Irwin @ BWW
@Cornish College of the Arts
@Shoreline CC Theatre
"Fabulous new adaptation of this show. It's unique and charming and pulls the audience into the storyline very quickly. It's a MUST SEE experience and wouldn't be surprised to see this version repeated frequently in the future." - Goldstar audience review
"I can't say enough about this production. It's basically perfect!" - - Goldstar audience review
"⭐⭐⭐⭐⭐" - Goldstar
Murder Ballad
@ Sidecountry Theatre
"Director Billie Wildrick has immersed the audience into the playing area with seats all about the theater including right in the middle.... Wildrick and Sidecountry have crafted a fine piece with this one and done a solid job in getting this obscure tuner out there which is good since it'll probably be one of the few chances for audiences around here to catch it, and catch it they should." -BWW
"[Murder Ballad's] plot is simple but sharp, and its stunningly performed and directed.
When things really work, they really, really work. And this is a 'really, REALLY works'!
- Roger B.A. Klorese
"It's a smart show that's well directed by Billie Wildrick... Since it's a Love Triangle show, I'll also be a tad cliche and give Murder Ballad a hearty "thumbs up". It's provocative and sultry with a sexy score and strong performances." - Seattle Gay Scene
@ The 5th Avenue Theatre
Director: Bill Berry
Associate Director: Billie Wildrick
Choreographer: Bob Richard
Music Director: R.J. Tancioco
Scenic Designer: Jason Sherwood
Lighting Designer: Mike Baldassari
Costume Designer: Rose Pederson
Sound Designer: Joanna Lynne Staub
@ Seattle Musical Theatre
"Seattle Musical Theatre's latest production Jesus Christ Superstar is a full-tilt, high-energy portrait of the last week of Jesus' life with a focus on his relationships. And it's all done with a non-stop vibrancy that leaves the audience inspired and standing for the final ovation." - Huffington post
"...in this Seattle Musical Theatre production, director Billie Wildrick has imaginatively set the story in an indeterminate, post-apocalyptic future. The result is a story that doesn't feel like it's about something that happened long, long ago, but rather as something that could happen at any time... Wildrick clearly believes in this story as much more than a piece of theatrical artifice, and that integrity shows throughout the performance."
- Jerry Kraft @ seattleactor.com
"After a lot of ups and downs in recent seasons, the pendulum swings way back up for Seattle Musical Theatre's production of the venerable 1970s Andrew Lloyd Webber and Tim Rice rock opera Jesus Christ Superstar, thanks to aces high and deeply felt direction by Billie Wildrick, canny and bursting with energetic athletic choreography by Troy Wageman." - David Edward-Hughes @ Talkin' Broadway
The Unsinkable Molly Brown
@ Showtunes Theatre Company
"Showtunes for the Love of Musicals presented a special staged performance of The Unsinkable Molly Brown with a four-piece band and eight, count 'em, eight women playing the single character of Molly Brown. To celebrate the strong female character and give the audience a variety of perspectives, eight women of different ages were cast to play the lead character.
Because of the additional bodies on stage and so many of them devoted to one character, the show had a more ensemble feel to it than normal. We watched a thoughtfully arranged choreography of performers coming up to speak or sing, which led to a feeling of carefully controlled chaos and general excitement.
Every actor sang beautifully, every note delivered clear and true. The band had a terrific time and that could be heard in the playful, polished music they delivered. All in all, the show was performed beautifully and I only wish there were more production companies doing the same thing!"
Peanutty Goodness
@ Theater Schmeater
"This is a great summer cooler of a show with as usual funny and touching and tuneful Scott Warrender tunes and a cast that puts the fun in funny! May be a workshop but it's still one of the smartest shows in town!" - David Edward-Hughes
"Didn't get a chance to talk at all last night after show-- which by the way, I'm telling everyone "kicks ass and takes names" -- As you may gather I'm a fan... Kudos Billie for direction--- And I love the cast-- not only good voices but excellent performers... I'll stop gushing now…" - Doug Staley
"Everyone should go out and see "Peanutty Goodness" at The Schmee. Two more weeks. I haven't laughed that hard in a very long time. Fantastic work from everyone! " - Erik Gratton
"Saw the show last night! Absolutely fantastic! Scott Warrender's humor and music is beyond compare and the direction and performances by the perfect cast left me in tears! My ______ got ________ed! Everyone should see this show!" - Jerry McGarity
"Last night I had the distinct pleasure of watching Scott Warrender's new musical "Peanutty Goodness" in workshop at Theater Schmeater, a theatrical experience that combines silliness, song and the occasional light touch of pathos into a compact evening of surreal comedy. Under the direction of that blonde force of nature Billie Wildrick the quintet of musical theatre talents worked suggestions from the audiences ala "Mad Libs" into a quirky tale of love gone wrong, revenge gone wronger, and getting what you want even when you're not sure what that is. There won't be any reviews of this show (it's a workshop) so you're only going to get the nod to check it out through word of mouth or Facebook raves like this one. Go. See. It." - John Longenbough
"So much Peanutty Goodness! My stomach hurts! It felt great to laugh so hard..." - Maggie Stenson
Can't say enough great thing about this production. The only thing that took the smile off my face the whole time was breaking out into laughter. Amazing music and thoughtful lyrics by Scott A Warrender worked as the thread of for the hilarious story line. Awesome having him as the accompanist and watching him enjoying the show ~ that's different every night~ as much as the audience. Executed perfectly by a cast that were up to the challenge of the improve factor which was no small feat. Reminded me of the days back in Toronto at Second City with Gilda, Martin, John and the gang. Overflowing with talent. Shout out to Christine Noel Riippi who was the reason I was there. I'll be following your career. This ought to go the distance to Broadway. I hope someone who can help make it happen is reading this. Get out this week to see it. Only a few more performances left this week! Peanutty Goodness is really GOOD! - Julie Heller Varon
Kiss of the Spider Woman
@ Second Story Repertory
"Esteemed Seattle actor/singer Billie Wildrick makes a promising directorial debut with this show. If you have never seen this fascinating musical before, SecondStory Rep's production is worth a trip, and if you know it from the Broadway version, this reimagined version will provide lively debate." - Talkin' Broadway
Seattle/Mainstreet Festival of New Musicals
@ West of Lenin
"The week of June 18-23, a very new event pushed its new green shoots from the fertile ground of Seattle's musical theater community and with the indomitable Billie Wildrick at the helm, Seattle's "chapter" of the Mainstreet Festival of New Musicals became a reality.
The idea of Mainstreet Musicals, as stated on their reflections page, is to allow draft musicals to be performed in readings all over the country to get exposure and get a chance to move forward to becoming fully produced. Launched in 2010, they evaluate musicals as submitted to them for eventual inclusion in these nationwide festivals. They choose three musicals to be produced as concert readings (the performers use scripts and music stands with a pianist and your imagination).
Thirteen localities chose to produce this year's festival, one being Seattle. Seattle chose to do the three musicals provided, Under Fire, Jane Austin's Pride and Prejudice and Merton of the Movies. In addition, they spiced up the events by adding a late nite cabaret and another local draft musical focused event, Pitch Sessions.
The pitch sessions were an opportunity for three more local musical drafts to be presented to an eager audience in 20 minute segments. Three musicals from local writers were described, sung from, and given their best foot forward to win a kind of "best pitch" award. Hopefully, all three of those nascent musicals felt support from the crowds, since all of them have great bones and unlimited possibilities.
Seattle / Mainstreet Festival of New Musicals was staged at Fremont's West of Lenin Theatre and finished off the journey with a final concert featuring all-Seattle talent performing pieces written by all-Seattle composers. While they and West of Lenin suffered an ignoble robbery from what was supposed to be a secure deck, landing their meager finances in even more disarray, the events themselves went swimmingly.
As far as I'm concerned, there is no such thing as too much musical theater development in Seattle. I applaud this effort, especially the inclusion of and encouragement of local musical writers to also present their work. Let Billie and her team know that you'd like to support her in doing this again!" - Miryam Gordan
Coach.
billiewildrick@me.com
Seattle-based actor, singer, director, voiceover artist, performance +speaker coach
catch more billieville at:

redpajama_set_name: RedPajamaCommonCrawl


And anything you want to know from us about our products!
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text:
Q: Porcentagem em Java Regra de negócio: Um programa que recebe o codigo de um usuario, a qtd em KWh q ele consume e o tipo dele que podem ser 3: cada tipo multiplica o custo de energia consumida conforme estão definidas as constantes no início do programa, tudo isso enquanto o usuario não insira o código 0, ou seja, o programa vai recebendo mais dados enquanto o codigo digitado não seja 0. Por fim o programa deve devolver algumas coisas como o custo para cada usuario ( definidos unicamente por cada codigo inserido), o custo total para cada tipo inserido pelo programa até seu encerramento (o programa soma os custos para cada tipo), a media de custo para os usuarios do tipo 2 e por fim a porcentagem de usuarios do tipo 3 que utilizaram o programa.
Segue o código:
public class Problema01 {

    static double tipo1 = 1.5, tipo2 = 3.0, tipo3 = 5.0;

    public static void main(String[] args) {

        Scanner sc = new Scanner(System.in);

        int entrada, tipo, codigo, qtd0 = 0, qtd = 0, qtd1 = 0, qtdTotal = 0;
        double porcentagem = 0, consumido, custoTotal, soma0 = 0, soma = 0, soma1 = 0, media = 0;

        do {

        System.out.println("Digite o código do consumidor: ");
                codigo = sc.nextInt();

                System.out.println("Digite a quantidade consumida em KWh: ");
                consumido = sc.nextInt();

                System.out.println("Digite o tipo de consumidor: ");
                tipo = sc.nextInt();

                if (tipo == 1) {
                    qtd0 = qtd0 + 1;
                    custoTotal = tipo1 * consumido;
                    soma0 = soma0 + custoTotal;
                    System.out.println("Valor da conta do usuário " + codigo + " é: " + custoTotal);

                } else if (tipo == 2) {
                    qtd = qtd + 1;
                    custoTotal = tipo2 * consumido;
                    soma = soma + custoTotal;
                    media = soma / qtd;
                    qtdTotal = qtd0 + qtd + qtd1;
                    System.out.println("Valor da conta do usuário " + codigo + " é: " + custoTotal);
                } else if (tipo == 3) {
                    qtd1 = qtd1 + 1;
                    custoTotal = tipo3 * consumido;
                    soma1 = soma1 + custoTotal;
                    System.out.println("Valor da conta do usuário " + codigo + " é: " + custoTotal);
                }

                qtdTotal = qtd0 + qtd + qtd1;
                porcentagem = qtd1 / qtdTotal * 100.0f;

                System.out.println("Total tipo 1: " + soma0);
                System.out.println("Total tipo 2: " + soma);
                System.out.println("Total tipo 3: " + soma1);
                System.out.println("Media custo tipo 2: " + media);
                System.out.println("Tipo 3 (em porcentagem): " + porcentagem + "%");

              }  while (codigo != 0);

        }

    }

A última saída pede a porcentagem de usuários tipo 3 porém não está saindo corretamente. O que está errado?
Exemplo de entrada: 1,
                    10,
                    1,
Saída: Valor da conta do usuário 1 é: 15.0,
       Total tipo 1: 15.0,
       Total tipo 2: 0.0,
       Total tipo 3: 0.0,
       Media custo tipo 2: 0.0,
       Tipo 3 (em porcentagem): 0.0%
Próxima entrada:    2,
                    10,
                    3,
Saída: Valor da conta do usuário 2 é: 50.0,
       Total tipo 1: 15.0,
       Total tipo 2: 0.0,
       Total tipo 3: 50.0,
       Media custo tipo 2: 0.0,
       Tipo 3 (em porcentagem): 0.0%
Como no exemplo acima teve entrada um usuario do tipo 1 e depois um usuario do tipo 3, a minha saída esperada era 0% pela primeira entrada e 50% na segunda pois foram dois tipo sendo um deles o do tipo 3.

A: Reescrevi o seu problema, porque apesar do erro ser devido a divisão de int por int,os nomes de variáveis confundiam. Então segui como padrão colocar o número referente ao tipo logo após o nome da variável. Também criei as variáveis apenas no escopo de uso delas. O resultado foi o seguinte:
import java.util.Scanner;

public class Energia {

  public static void main(String[] args) {
    Scanner sc = new Scanner(System.in);
    int codigo;

    int quantidade1 = 0;
    int quantidade2 = 0;
    int quantidade3 = 0;

    double multiplicador1 = 1.5;
    double multiplicador2 = 3;
    double multiplicador3 = 5;

    double total1 = 0;
    double total2 = 0;
    double total3 = 0;

    do {
      double consumido;
      int tipo;
      double custoTotal = 0;
      double quantidadeTotal;
      double porcentagem3;
      double media2 = 0;

      System.out.println("Digite o código do consumidor: ");
      codigo = sc.nextInt();

      System.out.println("Digite a quantidade consumida em KWh: ");
      consumido = sc.nextDouble();

      System.out.println("Digite o tipo de consumidor: ");
      tipo = sc.nextInt();

      switch (tipo) {
        case 1:
          quantidade1 = quantidade1 + 1;
          custoTotal = multiplicador1 * consumido;
          total1 = total1 + custoTotal;
          break;
        case 2:
          quantidade2 = quantidade2 + 1;
          custoTotal = multiplicador2 * consumido;
          total2 = total2 + custoTotal;
          break;
        case 3:
          quantidade3 = quantidade3 + 1;
          custoTotal = multiplicador3 * consumido;
          total3 = total3 + custoTotal;
          break;
      }

      System.out.println("Valor da conta do usuário " + codigo + " é: " + custoTotal);

      quantidadeTotal = quantidade1 + quantidade2 + quantidade3;
      media2 = total2 / quantidade2;
      porcentagem3 = quantidade3 / quantidadeTotal * 100;

      System.out.println("Total tipo 1: " + total1);
      System.out.println("Total tipo 2: " + total2);
      System.out.println("Total tipo 3: " + total3);
      System.out.println("Media custo tipo 2: " + media2);
      System.out.println("Tipo 3 (em porcentagem): " + porcentagem3 + "%");
    } while (codigo != 0);
  }
}

redpajama_set_name: RedPajamaStackExchange


text:
Malcolm-Jamal Warner Opens Up About Bill Cosby Allegations
Filed Under:American Crime Story, Bill Cosby, Bill Cosby Allegations, Cosby, Entertainment, Malcolm-Jamal Warner, Ryan Murphy, The Cosby Show
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LOS ANGELES (AP) — "The Cosby Show" alum Malcolm-Jamal Warner says the series' legacy is "tarnished" by the sexual assault allegations made against Bill Cosby.
"My biggest concern is when it comes to images of people of color on television and film, no matter what … negative stereotypes of people of color, we've always had 'The Cosby Show' to hold up against that. And the fact that we no longer have that, that's the thing that saddens me the most because in a few generations the Huxtables will have been just a fairy tale," said Warner, who starred as Cosby's son, Theo Huxtable, on the long-running NBC sitcom.
"The legacy can't help but be tarnished. …'The Cosby Show' was part of the fiber of American culture so to see that, to see that the show doesn't necessarily have the same sheen that it once did, is definitely a downer," he said.
Warner said he has been in touch with Cosby, but he would not comment on their conversations.
"I think the things that we discussed really have to stay private between us. But it's just a bad situation all around — for him, for his family, the women, their families, the legacy of the show," said Warner during an interview Thursday.
On Friday, 29 Cosby accusers are set to talk about their allegations on a "Dateline NBC" special. Three separate lawsuits have been filed against him. Cosby has never been charged, and has denied some of the allegations.
Warner, who won his first Grammy earlier this year for his work on Robert Glasper's "Jesus Children," is currently promoting his new album, "Selfless," out now.
He describes the third record with his band Miles Long as "funky passionate vulnerability."
Warner is also filming "American Crime Story: The People vs. O.J. Simpson," directed by Ryan Murphy. He plays Simpson's friend Al "A.C." Cowlings.
"I grew up with a maniacal obsession with not wanting to be one of those 'Where Are They Now Kids,' " said Warner of his busy year. "I feel very blessed to be able to have all of these avenues of expression … to be where I am now and finally at a place where I can let go of that worry about having a life after 'Cosby.' "
(© Copyright 2015 The Associated Press. All Rights Reserved. This material may not be published, broadcast, rewritten or
redistributed.)


The Highland Cinema vastly preferred Love Object, a film that, in spite of its late night cable salaciousness, portrayed the creepiness of Real Doll-dom with far more accuracy. Lars is bleeding heart specialty theatre fare -- a This American Life tale of despair and misguided coping wherein a human simulacrum is anthropomorphized by an entire town in an attempt to soothe an ailing native son. Lars and the Real Girl isn't all bad -- yes, it's slow and unconvincing (evidenced by the calculated wardrobe design for leadin' man Ryan Gosling), but the film's closing third is surprisingly full of an honest and affecting poignancy. Even for us.
I watched this last night. What does it say about me that I was laughing during the funeral scene?


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The Association of Spina Bifida and Hydrocephalus (ASBH) was founded in 1966. It is the nation-wide organization for people with spina bifida and/or hydrocephalus, their families and friends.
It consists of 75 regional self-help groups and national associations in which parents, family members and concerned people volunteer, advice, share information and organise events. The ASBH currently represents approximately 4,000 members nationwide. The coordination of diverse activities is supported by the Federal office based in Dortmund.


Hemp will not get you high.
The Simple answer to the most common question we're asked.
Government is not perfect, we can all agree, but one of the most ridiculous moves they've ever made may have been the criminalization of hemp, a robust industrial commodity of early America. When prohibition of cannabis was enacted in the late 30's hemp was associated with its cousin, Marijuana, because, well, they look alike. At the time they were unable to test the plants adequately enough to determine what was getting people high (THC) but also how the plants chemical structures were different. Read on to learn for yourself why Hemp and Marijuana should never have been grouped together in the first place.
As time has progressed, scientists have been able to test and ultimately, understand the cannabis plant's active ingredients. What they have found is that the molecule Tetrahydrocannabinol, commonly referred to as THC, is the ONLY molecule in the cannabis family that will get you "high". The hundreds of other cannabinoids, terpenes, and phytonutrients present in the cannabis plant that are beneficial to your overall health and wellness are being improperly associated with the properties of one molecule, THC.
Simply put, Hemp contains less than 0.3% THC and as such, contains such a nominal amount of THC that it is relatively impossible to get high from our hemp-based products. Amazingly what hemp does contain is a myriad of other cannabinoids and phytonutrients like CBD, CBN, CBL, CBDA, and others. These cannabinoids, terpenes, and phytonutrients all play an important role in supporting your endocannabinoid system which helps to regulate normal cell functions. We want you to live a happier, more blissful life. This is the reason we have created Ananda Hemp.


text:
Posted by James Topple on December 2, 2009 at 6:22pm in Comics free for all!
We are currently looking for artists/illustrators and writers who would be interested in taking part in a collaborative comic strip project.
The subject of the comics will be 'Tiger and Bear', a performance art project by James Topple and Colin Riddle based on the Korean myth of the tiger and the bear and the founding of Korea.
A lot can be said about it, but basically its two Englishmen in giant comedy animals heads, seeking a dialogue with Koreans about how their culture is changing and what place traditions have in the Korea of today as it under goes rapid modernization. You can find out more about Tiger and Bear in the links below.
http://www.koreaherald.co.kr/NEWKHSITE/data/html_dir/2009/09/04/200...
http://www.theoneonefour.com/2009/09/12/face-to-face-with-the-face-...
One aspect of the project is that Tiger and Bear are interested in giving up control of their image by allowing others to interpret them and their project, which is where the comic comes in:
Collaborators are given a choice of two briefs. Writers need to sketch out or script a 4 panel storyboard with some dialogue, about anything they want. It can be funny, serious, political, sad, historical, whatever, as long as it involves the two foreigners dressed as tiger and bear.
These stories are then passed onto illustrators/artists to transform into four panel comic strips. How the illustrators choose to portray the story and the two characters is completely free, as we would really love receiving a range of different styles and most importantly a range of different takes on the two characters.
What happens with the finished products is they are published in various media outlets around Korea. We have had a fantastic response to the project so far with strips appearing weekly in The Korea Herald (the countries longest lasting English language national newspaper), a monthly spot in a community magazine called Daegu Pockets and a national magazine called Eloquence that is published in both Korea and the U.S.A, and weekly appearances on several popular Korean blogs such as theoneonefour.com and Expacked. We are looking for more media outlets in both Korea and overseas, particularly in the U.K.
Eventually we plan on publishing compendium of the comics and putting on art shows in various art galleries.
There will be no financial compensation at this point, primarily because we're not making any money from this, but credit will of course be given. It will also present an exceptional networking opportunity.
As it stands this could be a really fun and creative collaborative project between foreigners and Koreans. If this sounds like something you want to get involved with email us at tigerandbearkorea@hotmail.com with the subject headline 'COMIC' and join our facebook group!
http://www.facebook.com/#/pages/Tiger-and-Bear/161675304352?ref=ts
For more information, here is an article about the comic project published in the Korea Herald.
tiger and bear portrait.jpg, 258 KB
tiger&bear.jpg, 3.1 MB
tigerbear.jpg, 1.1 MB


2018 Dodge 5500 SLT Reg Cab w/ Cummins 6.7L I-6 OHV Direct Diesel Injection, 24 Valve Intercooled Turbo, 325HP @ 3,000 rpm, 750 lb-ft @ 1,600 rpm, 136 amp alternator, 6 Speed Automatic Aisin AS68RC, Engine Block Heater, 120" CA, 4 Wheel Disc Brakes w/ Front & Rear Vented Discs, Non-Independent Front Suspension, Rear Leaf Suspension, 4 Wheel Anti-Lock Braking System, Daytime Running Lights, Dual Air Bags, A/C, 5" Touch Screen AM/FM/CD Radio, Cruise Control, Power Windows, Power Door Locks, 40-20-40 Split Bench Seat, Vinyl Black Material,19,500 GVWR, Chrome Cab Steps, 22 Gal Fuel Tank, 225/70R19.5 Tires w/ 19.5 Steel, Basic Warranty: 3 yr / 36k miles, Engine Warranty: 5 yr / 100k miles, Transmission Warranty: 5 yr / 100k miles.
LIT: Worklights, 4" Round, LED HD, Pair, Mounted at Winch.
Dist Accessories for proscribed Seat covers - Motor Sheep, Steel top trays on box tops.
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text: Q: To send iOS Push Notification ("wake-up" message) through iOS App we are using python mdm server to send commands and policies on iOS devices. APNS sends the wake up notification to get the payload.Can we send wake up call using iOS Application Push notification?Please Help.


I reported last month Cano was telling teammates he is expecting a 10-year contract at the top of the market. Now, a confidant of Cano informs me the second baseman thinks he has taken a discount once to sign long term with the Yankees and will not do so again.
It's hard to imagine anyone in baseball is going to give a ten year deal to a guy who will be 31 years-old when it comes up. Especially a team that is currently suffering because of a ten year deal given to a guy in Alex Rodriguez who was 32 years-old when he got his ten year deal.


text:
Search results: "administrative\ records"
333 items found in collection [showing 1 - 25]
"administrative records"
bylaws (administrative records) (328)
constitutions (328)
lists (document genre) (2)
YWCA of the U.S.A. microfilm records (333)
Social conditions (333)
Societies and clubs (333)
Leadership in women (332)
Services for (332)
Social service (332)
Young Women's Christian associations (330)
Community organization (1)
Mexican American women (1)
Political activity (1)
Religious aspects (1)
Social group work (1)
Women college students (1)
Young Women's Christian associations--Wyoming (1)
Documents concerning the program, administration, and development of YWCA of the U.S.A. associations in Wenatchee Valley and Yakima, Washington. Documents are arranged alphabetically by area with further topical and form designations on the microfilm. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include general correspondence and reports concerning association program and operations. In addition to these materials, the YWCA of Wenatchee Valley includes a section of documents concerning their relationship and cooperation with the YMCA, including their joint building.
reports, correspondence, bylaws (administrative records), administrative records, constitutions, memorandums
Documents concerning the program, administration, and development of the YWCA of Huntington, West Virginia in addition to annual reports from registered clubs in Morgantown and Moundsville. Documents are arranged alphabetically by area with further topical and form designations on the microfilm for Huntington. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include the report of a survey of recreation and youth services in Huntington and general correspondence and reports concerning association program and operations.
Documents concerning the program, administration, and development of YWCA of the U.S.A. associations in Parkersburg and Wheeling, West Virginia in addition to documents concerning YWCA work in St. Albans, South Charleston, and Weirton. Documents are arranged alphabetically by area with further topical and form designations on the microfilm for Parkersburg and Wheeling. The administration and development of the two affiliated associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include documents concerning YMCA cooperation and general correspondence and reports concerning association program and operations. Documents for the nonaffiliated areas include a visitation report from St. Albans concerns the development of a new organization, the report of a survey of youth needs in South Charleston evaluates the possibility of a joint YMCA-YWCA, and an annual report from a registered club in Weirton summarizes their program and activities for the year.
Documents concerning the program, administration, and development of YWCA of the U.S.A. associations in Vancouver and Walla Walla, Washington. Documents are arranged alphabetically by area with further topical and form designations on the microfilm. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include general correspondence and reports concerning association program and operations.
Documents concerning the program, administration, and development of YWCA of the U.S.A. associations in Beloit and Green Bay, Wisconsin in addition to correspondence on new organization in Eau Claire and Fond Du Lac. Documents are arranged alphabetically by area with further topical and form designations on the microfilm for Beloit and Green Bay. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include general correspondence and reports concerning association program and operations.
Annual report from registered YWCA of the U.S.A. associations in Beckley and Chester, West Virginia in addition to documents concerning the administration, program and development of associations in Bluefield and Charleston. Documents are arranged alphabetically by area with further topical and form designations on the microfilm for the two affiliated associations. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include general correspondence and reports concerning association program and operations.
Documents concerning the program, administration, and development of YWCA of the U.S.A. associations in Clarksburg and Fairmont, West Virginia in addition to request for new organization from Harrisville. Documents are arranged alphabetically by area with further topical and form designations on the microfilm for the two associations. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include general correspondence and reports concerning association program and operations.
Documents concerning the program, administration, and development of YWCA of the U.S.A. associations in Madison, and Milwaukee, Wisconsin. Documents are arranged alphabetically by area with further topical and form designations on the microfilm. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include reports of studies of the program and administration of the YWCA of Madison and other community organizations in addition to general correspondence and reports concerning association program and operations.
Documents concerning the program, administration, and development of YWCA of the U.S.A. associations in Cheyenne and Sheridan, Wyoming in addition to correspondence concerning new organization in Casper, Laramie, and Worland. Documents are arranged alphabetically by area with further topical and form designations on the microfilm for Cheyenne and Sheridan. The administration and development of the affiliated associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include general correspondence and reports concerning association program and operations.
Documents concerning the program, administration, and development of the YWCA of Waukesha and Wausau, Wisconsin with further form and topic designations on the microfilm. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include general correspondence and reports concerning association program and operations.
Documents concerning the program, administration, and development of YWCA of the U.S.A. associations in Janesville and La Crosse, Wisconsin in addition to an annual report from a registered club in Kenosha. Documents are arranged alphabetically by area with further topical and form designations on the microfilm for Janesville and La Crosse. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include general correspondence and reports concerning association program and operations.
Documents concerning the program, administration, and development of YWCA of the U.S.A. associations in Neenah-Menasha and Racine, Wisconsin in addition to correspondence concerning new organization in Sheboygan. Documents are arranged alphabetically by area with further topical and form designations on the microfilm for Neenah-Menasha and Racine. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include general correspondence and reports concerning association program and operations.
Documents concerning the YWCA of Greater Charleston, South Carolina followed by proceedings of the YWCA eastern regional conference. YWCA of Greater Charleston documents continue materials from reel 342, microdex 8 of the YWCA of the U.S.A. records microfilm local association series.
1931 February 4-6, circa 1969-1970
reports, correspondence, bylaws (administrative records), administrative records, constitutions, memorandums, proceedings
Documents concerning the program, administration, and development of YWCA of the U.S.A. associations in Seattle and Spokane, Washington. Documents are arranged alphabetically by area with further topical and form designations on the microfilm. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include reports of studies of the YWCA of Seattle's administration, structure and young adult program in addition to general correspondence and reports concerning association program and operations.
Documents concerning the administration and development of the YWCA of Pittsburgh followed by reports of studies conducted concerning the association and its community of work. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Reports are grouped by year.
reports, correspondence, administrative records, memorandums
Documents concerning the program, administration, and development of YWCA of the U.S.A. associations in Ogden and Salt Lake City, Utah. Documents are arranged alphabetically by area with further topical and form designations on the microfilm. The administration and development of the two affiliated associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include an evaluation of the YWCA of Ogden's services as well as general correspondence and reports concerning association program and operations.
Documents concerning the program, administration and development of YWCA of the U.S.A. associations in Coatesville and Easton, Pennsylvania in addition to correspondence and reports concerning new and developing organization in Donora and Ellwood City. Documents are arranged alphabetically by area with further topical and form designations on the microfilm for Coatesville and Easton. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include a historical overview of the YWCA of Easton as well as correspondence and reports concerning association program and operations.
Documents concerning the program, administration and development of YWCA of the U.S.A. associations in Portland and Salem, Oregon followed by "Summary and recommendations of a study of the social and health needs of The Dalles and Wasco County, Oregon," by William Savin. Documents are arranged alphabetically by area with further topical and form designations on the microfilm. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include and correspondence and reports concerning association program and operations.
Documents concerning the program, administration and development of YWCA of the U.S.A. associations in Butler, Carlisle, and Chester, Pennsylvania in addition to correspondence and reports concerning the town of Carnegie's relationship to the YWCA of Pittsburgh. Documents are arranged alphabetically by area with further topical and form designations on the microfilm for Butler, Carlisle, and Chester. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include and correspondence and reports concerning association program and operations.
Correspondence concerning the work of the YWCA of the U.S.A. and its associations in Pennsylvania followed by documents concerning new organization in Allegheny County and the administration, program and development of associations in Allentown and Altoona. Documents are arranged alphabetically by area with further topical and form designations on the microfilm. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include and correspondence and reports concerning association program and operations. Allegheny County materials include proposed structure, community chest bylaws and a progress report.
Documents concerning the program, administration and development of YWCA of the U.S.A. associations in Bethlehem and Bradford, Pennsylvania. Documents are arranged alphabetically by area with further topical and form designations on the microfilm. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include and correspondence and reports concerning association program and operations.
Documents concerning the program, administration and development of the YWCA of Bucks County, Pennsylvania. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include the report of a 1954 study of economic development in lower Bucks County, narrative reports to the National Board of the YWCA of the U.S.A., pamphlets, and correspondence and reports concerning association program and operations.
Documents concerning the program, administration and development of YWCA of the U.S.A. associations in Piqua, Salem, and Springfield, Ohio. Documents are arranged alphabetically by city or town with further topical and form designations on the microfilm. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include correspondence and reports concerning association program and operations.
Documents concerning the program, administration and development of the YWCA of Eugene, Oregon in addition to documents concerning the affiliation and disaffiliation of the YWCA of Astoria, and correspondence and reports on new organization in Corvallis-Albany, Florence, Forest Grove, and Madras. Documents are arranged alphabetically by area with further topical and form designations on the microfilm. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include and correspondence and reports concerning association program and operations.
Documents concerning the program, administration and development of YWCA of the U.S.A. associations in Steubenville, Tiffin, and Toledo, Ohio. Documents are arranged alphabetically by city or town with further topical and form designations on the microfilm. The administration and development of the associations is documented in basic standards reports, national certification documents, constitutions, and bylaws. Visitation reports include program descriptions, reports of challenges and successes, and discussion of personnel and management need. Additional materials include correspondence and reports concerning association program and operations. YWCA of Tiffin materials include documents concerning their merger with the YMCA.


Drs. Michael and Andrea Moorehead established this office in 1988 to serve the Butler County region with the highest quality primary eye care. We also offer professionally fit eye-wear and contact lenses, both with excellent warranties and "no gimmick", competitive pricing.


Our high-tech infrastructure including a state-of-the-art solvent extraction, oil mill and refinery plant is controlled by our efficient team of professionals, who have in-depth knowledge in their respective fields. Every process of production is carefully inspected as per the set standards to produce the highest quality products.
Recognizing innovation and adapting to change are key features of our marketing programmes. This approach enables us to serve our customers more efficiently, as the approach takes advantage of improvements in product quality, production process changes.
Mr. Obed Asante, the CEO of Ghana Nuts Ltd and the brain behind the business, has over 20 years' experience in agro-industry. His brainchild GNL is the first Solvent Extraction Plant and Shea Butter/Olein Refinery plant in West Africa. Being the first entrepreneur to have successfully achieved this, it has afforded him a vast amount of experience in the industry and has made him a well-respected authority in his trade.
He is an astute business man; and fully understands the short and long term impacts his decisions regarding the business will have on the environment, his workers' well-being, profitability and the hard-won relationships he has nurtured over the years with his customers and clients.
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Mr. Asante's GNL and its reputation as a competitive employer in agro-industry alongside moguls such as UniLever and the like, have always made it a big player in the employment of national and international specialists from finance, agro-processing, engineering, marketing etc.
GNL's unsurpassed reputation has won it several Awards including the Ghana Business Quality Awards' Best Business Icon for Brong Ahafo Region, Ghana in 2017.
Techiman - Brong Ahafo Region.


text:
The Way I Choose
Educated Guesses.
That's all you can call my selections. But isn't that true of anybody playing this game?
Granted, I watch more TV than I see movies, but I can't say I watch most of the TV that is represented here.
On many of these categories, I'm either going by word of mouth, or my own hopes that someone I like and watch wins. ....and sometimes, I just pick someone I hope doesn't win!
So there is a mix here of me picking people I want to win and me wanting to beat Mike (or anyone else who wants to play along - and I hope you do), so I'll pick something I've never seen (Homeland, Breaking Bad, American Horror Story) because the press is all over that shit. ...and I'm nothing if not a conformer.
I've never seen Homeland or Breaking Bad, but I "hear" they are the best shows on TV. Making meth / dying of cancer or a drug-addled Angela Chase tracking down a suspected terrorist doesn't seem that engaging to me (oh, and we don't have Showtime for that show).
I have seen Veep, Downton Abbey, Modern Family and Game Change. Who knew that I'd ever think Woody Harrelson should win anything, but he did an great job, but clearly not as good as Julianne Moore. And while Modern Family is a powerhouse, I wouldn't really bet against, there are some acting roles that I think were just as strong (I mean, I love "Schmidt" on New Girl. He's one of the best characters on TV).
As for writing and directing - it's a total crapshoot. They either don't say which episode it is, or the title they give you means absolutely nothing to me. I'm totally making those up as I go (though I did know the Community episode for comedy writing, which is why it got my pick).
Mike (he's gay! going by the homo by-laws, isn't he required to be called "Michael"?) told me about the Creative Art Emmys and that four of the original categories were broadcast this last weekend. I removed those (as did he). For the record, I won two and lost two on those.....but they don't count now.
So to recap by colour:
Red means: will win.
Blue means: I think should win.
Green means: should and will win.
For competition purposes, only Red and Green count towards a victor..
May the best person win. ....and may that best person be me!
"The Big Bang Theory" (CBS)
"Curb Your Enthusiasm" (HBO)
"Girls" (HBO)
"Modern Family" (ABC)
"30 Rock" (NBC)
"Veep" (HBO)
COMEDY ACTOR
Jim Parsons as Sheldon Cooper in "The Big Bang Theory"
Larry David as Himself in "Curb Your Enthusiasm"
Don Cheadle as Marty Kaan in "House of Lies"
Louis C.K. as Louie in "Louie"
Alec Baldwin as Jack Donaghy in "30 Rock"
Jon Cryer as Alan Harper in "Two and a Half Men"
COMEDY ACTRESS
Lena Dunham as Hannah Horvath in "Girls"
Melissa McCarthy as Molly Flynn in "Mike & Molly"
Zooey Deschanel as Jess Day in "New Girl"
Edie Falco as Jackie Peyton in "Nurse Jackie"
Amy Poehler as Leslie Knope in "Parks and Recreation"
Tina Fey as Liz Lemon in "30 Rock"
Julia Louis-Dreyfus as Selina Meyer in "Veep"
SUPPORTING COMEDY ACTOR
Ed O'Neill as Jay Pritchett in "Modern Family"
Jesse Tyler Ferguson as Mitchell Pritchett in "Modern Family"
Ty Burrell as Phil Dunphy in "Modern Family"
Eric Stonestreet as Cameron Tucker in "Modern Family"
Max Greenfield as Schmidt in "New Girl"
Bill Hader as various characters in "Saturday Night Live"
SUPPORTING COMEDY ACTRESS
Mayim Bialik as Amy Farrah Fowler in "The Big Bang Theory"
Kathryn Joosten as Karen McCluskey in "Desperate Housewives"
Julie Bowen as Claire Dunphy in "Modern Family"
Sofia Vergara as Gloria Delgado-Pritchett in "Modern Family"
Merritt Wever as Zoey Barkow in "Nurse Jackie"
Kristen Wiig as various characters in "Saturday Night Live"
"Boardwalk Empire" (HBO)
"Breaking Bad" (AMC)
"Downton Abbey" (PBS)
"Game of Thrones" (HBO)
"Homeland" (Showtime)
"Mad Men" (AMC)
DRAMA ACTRESS
Glenn Close as Patty Hewes in "Damages"
Michelle Dockery as Lady Mary Crawley in "Downton Abbey"
Julianna Margulies as Alicia Florrick in "The Good Wife"
Kathy Bates as Harriet Korn in "Harry's Law"
Claire Danes as Carrie Mathison in "Homeland"
Elisabeth Moss as Peggy Olson in "Mad Men"
DRAMA ACTOR
Steve Buscemi as Nucky Thompson in "Boardwalk Empire"
Bryan Cranston as Walter White in "Breaking Bad"
Michael C. Hall as Dexter Morgan in "Dexter"
Hugh Bonneville as Robert, Earl of Grantham in "Downton Abbey"
Damian Lewis as Nicholas Brody in "Homeland"
Jon Hamm as Don Draper in "Mad Men"
SUPPORTING DRAMA ACTRESS
Anna Gunn as Skyler White in "Breaking Bad"
Maggie Smith as Violet, Dowager Countess of Grantham in "Downton Abbey"
Joanne Froggatt as Anna in "Downton Abbey"
Archie Panjabi as Kalinda Sharma in "The Good Wife"
Christine Baranski as Diane Lockhart in "The Good Wife"
Christina Hendricks as Joan Holloway Harris in "Mad Men"
SUPPORTING DRAMA ACTOR
Aaron Paul as Jesse Pinkman in "Breaking Bad"
Giancarlo Esposito as Gustavo 'Gus' Fring in "Breaking Bad"
Brendan Coyle as John Bates in "Downton Abbey"
Jim Carter as Mr. Carson in "Downton Abbey"
Peter Dinklage as Tyrion Lannister in "Game of Thrones"
Jared Harris as Lane Pryce "Mad Men"
MINISERIES OR TV MOVIE
"American Horror Story" (FX)
"Game Change" (HBO)
"Hatfields & McCoys" (History)
"Hemingway & Gellhorn" (HBO)
"Luther" (BBC America)
"Sherlock: A Scandal in Belgravia" (PBS)
LEAD ACTRESS IN A MINISERIES OR MOVIE
Connie Britton as Vivien Harmon in "American Horror Story"
Julianne Moore as Sarah Palin in "Game Change"
Nicole Kidman as Martha Gellhorn in "Hemingway & Gellhorn"
Ashley Judd as Rebecca Winstone in "Missing"
Emma Thompson as She in "The Song of Lunch"
LEAD ACTOR IN A MINISERIES OR MOVIE
Woody Harrelson as Steve Schmidt in "Game Change"
Kevin Costner as 'Devil' Anse Hatfield in "Hatfields & McCoys"
Bill Paxton as Randall McCoy in "Hatfields & McCoys"
Clive Owen as Ernest Hemingway in "Hemingway & Gellhorn"
Idris Elba as John Luther in "Luther"
Benedict Cumberbatch as Sherlock Holmes in "Sherlock: A Scandal in Belgravia"
SUPPORTING ACTRESS IN A MINISERIES OR MOVIE
Frances Conroy as Moira in "American Horror Story"
Jessica Lange as Constance Langdon in "American Horror Story"
Sarah Paulson as Nicolle Wallace "Game Change"
Mare Winningham as Sally McCoy in "Hatfields & McCoys"
Judy Davis as Jill Tankard in "Page Eight"
SUPPORTING ACTOR IN A MINISERIES OR MOVIE
Denis O'Hare as Larry Harvey in "American Horror Story"
Ed Harris as John McCain in "Game Change"
Tom Berenger as Jim Vance in "Hatfields & McCoys"
David Strathairn as John Dos Passos in "Hemingway & Gellhorn"
Martin Freeman as Dr. John Watson in "Sherlock: A Scandal in Belgravia"
VARIETY SERIES
"The Colbert Report" (Comedy Central)
"The Daily Show With Jon Stewart" (Comedy Central)
"Jimmy Kimmel Live" (ABC)
"Late Night With Jimmy Fallon" (NBC)
"Real Time With Bill Maher" (HBO)
"Saturday Night Live" (NBC)
DIRECTING FOR A COMEDY SERIES
Robert B. Weide, "Curb Your Enthusiasm "
Lena Dunham, "Girls"
Louis C.K., "Duckling"
Jason Winer, "Modern Family"
Steven Levitan, "Modern Family"
Jake Kasdan, "New Girl"
WRITING FOR A COMEDY SERIES
Chris McKenna, "Community"
Louis C.K., "Louie"
Amy Poehler, "Parks and Recreation"
Michael Schur, "Parks and Recreation"
DIRECTING FOR A DRAMA SERIES
Tim Van Patten, "Boardwalk Empire"
Vince Gilligan, "Breaking Bad"
Brian Percival, "Downton Abbey"
Michael Cuesta, "Homeland"
Phil Abraham, "Mad Men"
WRITING FOR A DRAMA SERIES
Julian Fellowes, "Downton Abbey"
Alex Gansa, Howard Gordon & Gideon Raff, "Homeland"
Semi Chellas & Matthew Weiner, "Mad Men"
Andre Jacquemetton & Maria Jacquemetton, "Mad Men"
Erin Levy & Matthew Weiner, "Mad Men"
DIRECTING FOR A MINISERIES, MOVIE OR DRAMATIC SPECIAL
Jay Roach, "Game Change"
Kevin Reynolds, "Hatfields & McCoys"
Philip Kaufman, "Hemingway & Gellhorn"
Sam Miller, "Luther"
Paul McGuigan, "Sherlock: A Scandal in Belgravia"
Song by: Bad Company
Labels: Blogroll, TV
Sound-A-Sleep
Coming into Los Angeles
win and win
Butter Cookie
XXXs & OOOs
You Can't Win
Vacant Chair
Sick Muse
You're Missing
The Hands That Built America


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Jennifer Anne Harrington passed away at home on May 9, 2012.
Friends may call at Stroyan Funeral Home, 405 W. Harford St. Milford, PA (map/directions) on Friday May 11, 2012 from 2 to 4 and 7 to 9 PM.
A Mass of Christian Burial will be celebrated at St. Joseph's Church, 307 Ave. F Matamoras, PA (map/directions) on Saturday May 12, 2012 at 10 AM with the Rev. August Riccardi officiating.
Burial will take place at Milford Cemetery, Dingman Twp., PA (map/directions).
Mass of Christian Burial, Matamoras - 10:00 a.m.


I have just added a set of birdcage ornaments to the site which I think you will love!
For the next few days, I will be going through some training for call center work, so I probably will not be able to add more Christmas inventory until next week. Please be assured, I do check this site every day and orders will NOT be delayed!


And the fight is on! Who will stand victorious? The weakened Iron Champion, an all time favorite of her devoted fans or the smelly powerful potato thug, who stands with his iconic Hyena bulk?
So answer me this, Who would you like to see fight in the series?
make a fighting game with the PobrePucho cast.
Eh, I'd think the hyena would win, and loose on a rematch vs full cheetah Nelly.
I would acteully like to see Luna fight, what would she do when charms and whiles loose their effectiveness?
I'd like to see the ninja bunnies fighting the dream warriors.
Astrid fighting other Dream Soldiers. It would be interesting to see how her time with the main cast would have changed her. It would also be pathos as it would represent her breaking everything their society stands for. That said, from a certain perspective she is still doing her duty by protecting Pituka.
I would like to see Ryuu and Luna fight.
A Ghost and a Demon should be pretty interesting.


text:
Am-Dam Airport  is a public-use airport located near Am-Dam, Sila, Chad.

See also
List of airports in Chad

References

External links
 Airport record for Am-Dam Airport at Landings.com

Airports in Chad
Sila Region

redpajama_set_name: RedPajamaWikipedia


text:
Bookham Afternoon Bridge Club
Spare Partners
Please check the Spare Partner list at the club; if you are able to sign up for a vacant slot it will be much appreciated; all February slots have now been covered.
The lists for March and April are now available.
Many thanks to all who have acted as host on multiple occasions recently. It is worth remembering that if all members signed up we would all only need to do one Spare Partner duty per year.
Our 50th Anniversary - 15 April 2019
Bookham Afternoon Bridge Club celebrated its 50th anniversary with a special anniversary tea taken during their duplicate bridge session on April 15th 2019. Chairman Neil Higgins welcomed 96 members ensuring that everyone had received their engraved gold coloured anniversary pen and a sparkling drink whilst proposing a toast to celebrate the club's Golden Anniversary. He then invited all past Chairmen present to join him at the cake cutting ceremony with founder member and previous Chairman Jean Suckling being invited to cut the cake which was iced with playing cards and an anniversary message. Whilst giving a brief history of the club, which has grown from an initial membership of 19 to a flourishing 210 with a waiting list for new members, Neil also made an announcement that the committee had decided to award Honorary Life Membership to Jean Suckling in recognition of her 50 years of unbroken membership.
Thanking the existing committee and other members for their help with providing the sumptuous tea, Neil also paid credit and gave thanks to all those who have contributed to the success and smooth running of the club throughout the last 50 years.
An extended tea interval, with tables bedecked on gold cloths and napkins, enabled members to enjoy tasty sandwiches and a golden array of cakes and chocolates served by the committee. Members were delighted that the committee had baked Hokey Pokey biscuits, so long a favourite at the club, with sufficient numbers being left over to also be enjoyed, along with the anniversary cake, at the next session.
Further events, including an Andrew Robson Masterclass being held on December 5th, will be held throughout the year whilst members will also be raising funds towards an anniversary charity account which will be shared between three charities and also a contribution towards youth bridge development in Surrey.
> Chairman's speech > Photos


text:
<?php

namespace Statamic\Console\Commands\Update;

use Illuminate\Console\Command;

class UpdateCommand extends Command
{
    /**
     * The name and signature of the console command.
     *
     * @var string
     */
    protected $signature = 'update';

    /**
     * The console command description.
     *
     * @var string
     */
    protected $description = 'Update Statamic to the latest version (Alias of update:statamic)';

    /**
     * Execute the console command.
     *
     * @return void
     */
    public function fire()
    {
        $this->call('update:statamic');
    }
}

redpajama_set_name: RedPajamaGithub


text:
@Roger_Scruton
Appearances News
Sir Roger Scruton, a Senior Fellow of the Ethics and Public Policy Center, is a philosopher, writer, and public commentator widely known for his work on aesthetics and culture and for his defense of conservative political philosophy.
Mr. Scruton is the author of some three dozen books, ranging in subject matter from academic works on aesthetics, art, and music to popular accounts of conservatism, utopianism, and political philosophy to personal reflections on drinking wine and hunting. His three most recent books, all published in 2012, are Our Church: A Personal History of the Church of England; The Face of God, a defense of the search for meaning and transcendence; and How to Think Seriously About the Planet: The Case for an Environmental Conservatism (published in the United Kingdom as Green Philosophy).
A prolific essayist, Mr. Scruton has regularly written columns and essays for such publications as The New Statesman, The American Spectator, The New Criterion, and EPPC's journal The New Atlantis, where he is a contributing editor. He was also the editor of The Salisbury Review from its founding in 1982 until 2001.
In addition to his nonfiction, he has written two novels and several short stories, and has composed two operas (The Minister and Violet).
Mr. Scruton has taught philosophy and aesthetics at Princeton, Oxford, the University of St. Andrews, Boston University, and Birkbeck College. He has also been a visiting fellow at the American Enterprise Institute and a research fellow at the Institute for the Psychological Sciences. In 2011, Mr. Scruton delivered the Stanton Lectures at the Divinity School at the University of Cambridge. In 2010, he delivered the Gifford Lectures at St. Andrews. In 2009, he wrote and narrated an acclaimed hour-long BBC documentary, Why Beauty Matters.
Mr. Scruton is a fellow of the Royal Society of Literature (since 2003) and a fellow of the British Academy (since 2008). In 1998, he was awarded the Medal of Merit of the Czech Republic, one of that nation's highest state honors, in recognition for his role in the "underground university" he had helped establish in Czechoslovakia in the last decade of communism. He received his B.A., M.A., and Ph.D. in philosophy from the University of Cambridge.
The fact that Roger, the greatest conservative thinker perhaps of our time, would choose to associate himself with this organization tells you everything you need to know about the Ethics and Public Policy Center. It's wonderful to have Roger on the team.
Robert P. George
at EPPC's 40th anniversary gala
Published in The Daily Mail (UK) on June 30, 2019
Should I Forgive the Journalist Who Got Me Fired?
Published in The Spectator (UK) on April 18, 2019
Here's What I Want from Modern Architecture
Published in Spectator (UK) on February 21, 2019
The Fury of the Modernists
Published in The American Conservative on December 13, 2018
You Can Hate Me as Much as You Like – It's Not a Crime
Published in Spectator (UK) on November 28, 2018
The Beauty of Belonging
Published in Plough Quarterly - Autumn 2018 issue on October 11, 2018
The Pompidou Centre, Paris's Great Blemish
Published in Spectator (UK) on September 19, 2018
The Threat of 'Genius' to Truly Successful Architecture
Published in The American Conservative on September 7, 2018
Interview: Sir Roger Scruton on What It Means to Be a Conservative
What Trump Doesn't Get About Conservatism
Published in The New York Times on July 4, 2018
Kant vs. Cant: How Liberals Lost Their Way
Published in Spectator (UK) on June 13, 2018
Big Business Once Cherished Workers. Now It Exploits Them.
Published in The Spectator (UK) on February 21, 2018
Tradition, Culture, and Citizenship
Published in Law and Liberty on December 18, 2017
Universities are Reviving the Notion of Heresy
Published in The Times (UK) on November 27, 2017
As the Left Surges Back, Marxism's Bloody Legacy is Covered Up
Published in The Spectator (UK) on September 21, 2017
The Tories Will Stay Lost Until They Relearn How to be Conservative
Published in The Sunday Times (UK) on August 13, 2017
The Threat of Free Speech in the University
Published in Modern Age - Summer 2017 issue on August 1, 2017
The Case for Nations
Published in Wall Street Journal on June 3, 2017
If We Are Not Just Animals, What Are We?
Published in New York Times on March 6, 2017
The Virtue of Irrelevance
Published in Future Symphony Institute on February 2, 2017
Is High Culture a Luxury, or a Necessity?
Published in Country & Town House on January 27, 2017
What's the Point of Education?
Published in Spectator (UK) on November 3, 2016
National Borders are the Only Sure Guardians of Democracy. The EU Ignores Them at its Peril.
Published in Telegraph (UK) on November 16, 2016
Clown Prince of the Revolution
Published in City Journal on September 29, 2016
Published in Prospect (UK) on July 14, 2016
Universities' War Against Truth
Living with a Mind
Published in First Things - December 2015 issue on March 30, 2016
Confessions of a Heretic by Roger Scruton: What is the Best Way to Mourn?
Published in Independent (UK) on March 23, 2016
Academic Freedom in Conformist Times
Published in Spiked - February 2016 issue on February 29, 2016
Conservatism and the Conservatory
Published in National Review - December 21, 2015 issue on December 17, 2015
The Future of European Civilization: Lessons for America
Published in The Heritage Foundation - Russell Kirk Lecture on December 9, 2015
Catching Up with Roger Scruton: The Philosopher as Composer and Novelist
Published in Catholic World Report on October 29, 2015
Why It's Time to Turn the Music Off
Published in BBC News: A Point of View on November 15, 2015
Why We Should Defend the Right to be Offensive
Published in BBC News: A Point of View on October 25, 2015
For Corbyn, It is as if the Berlin Wall Never Fell
Why MPs Have a Duty to Resist Online Petitions
Published in The Spectator (UK) on August 15, 2015
The Good of Corporations
Published in The Heritage Foundation - Legal Issues on April 14, 2015
'The Truth is Hard': An Interview with Roger Scruton
Published in Spectator (UK) on April 4, 2015
The End of the University
Published in First Things - April 2015 issue
A Point of View: How Do We Know Real Art When We See It?
Published in BBC News Magazine on December 19, 2014
A Point of View: The Strangely Enduring Power of Kitsch
A Point of View: Has Modern Art Exhausted Its Power to Shock?
Published in BBC News Magazine on December 6, 2014
Inequality Matters
Published in Forbes on October 30, 2014
My Brain and I
Published in The New Atlantis - Spring 2014 issue on October 16, 2014
Air Strikes Are Not Enough To Defeat ISIS
Why is the Middle East Failing? Because There Are Too Many Young Men, and No Women
Published in Forbes on September 26, 2014
How to be a Conservative: a Conversation with Roger Scruton
Published in Prospect (UK) on September 12, 2014
Why it's So Much Harder to Think Like a Conservative
Published in The Guardian (UK) on September 10, 2014
Why Did British Police Ignore Pakistani Gangs Abusing 1,400 Rotherham Children? Political Correctness
Published in Forbes on August 30, 2014
The Culture Of Soft Power
Renewing Culture
Published in Forbes on July 20, 2014
Why Iraq Is A Write-Off
Published in Forbes on June 23, 2014
Human Rights: Nonsense On Stilts?
Published in Forbes on May 20, 2014
The Good of Government
Published in First Things (June/July 2014 issue) on May 15, 2014
Is Europe Still Defensible from Invasion?
Published in Forbes on May 4, 2014
The New Politics Of Climate Change: No Space For Deniers
Published in Forbes on April 8, 2014
A Triumph for the Boston Bombers
Published in Forbes on April 18, 2014
Schools Need Freeing from the Right as Well as the Left
Published in The Spectator on March 15, 2014
To Understand Ukraine, We Must Remember The Communist Past
Published in Forbes on March 3, 2014
Stand Up for the Real Meaning of Freedom
Published in Spectator (UK) on January 4, 2014
The Questions That Have No Answers
Published in New Statesman on September 23, 2013
No Mere Academic
Published in American Spectator on September 2, 2013
Is Democracy Overrated?
Published in BBC News Magazine on August 9, 2013
The Meaning of Margaret Thatcher
Published in The Times of London on April 18, 2013


The Junior League of Portland's Freeze Out Hunger gala shows the power of a group of leaders to address community needs.
"It's awesome!" exclaimed Kate Anderson, board member of the Junior League of Portland, surveying the crowded ballroom at the Westin Portland Harborview Hotel as the 6th annual Freeze Out Hunger gala got into full swing.
Junior League board member Kate Anderson, left, with Laura Heckman of Unum and Amy Cunniffe of Lincoln Financial Group.
Lesley Clunie, left, Victoria Hartig of the University of New England and Belle Bocal get into the spirit of the League event.
Jim Rockafellow of Strategic Media enjoys the masquerade gala with Annie Znamierowski of Cashstar in Portland.
It's true. One quick glance at the sea of party-goers suggested a roomful of dynamic, accomplished women getting things done. Jackie Real, a Babson graduate from Boston who recently moved to Maine to start her own fashion line, is a potential new member of the Junior League. She struck up a conversation with Susan Guimond, a past member of the Junior League and administrative coordinator for the nonprofit WinterKids.
Katie Clark, senior research manager at Diversified Communications and vice president of public relations for the Junior League (and one of five Google Glass wearers in Maine), joined her husband Darren in stopping to listen to Kim Block of WGME-TV welcome the crowd and make her own observation, "Let's face it, there are a lot of great women in this room!" as she introduced Sandy Couch-Kelly, the Junior League's president.
"We do make outstanding community leaders," Couch-Kelly agreed as she took the stage to thank sponsors and the Greater Portland community for rallying around the Junior League.
Victoria Hartig, marketing manager at the University of New England and a new member of the Junior League, joined Belle Bocal, Web specialist on the PR committee, and Lesley Clunie, chair of the annual event committee, who donned dramatic masks in keeping with the masquerade theme.
The Junior League has spent the last six years working with the Good Shepherd Food Bank to address hunger in Maine, most notably helping to launch the BackPack Program in 2010, which provides children in need with food to eat over weekends and school vacations when they might otherwise have none.
Shikha Vasaiwala, a media specialist for the Junior League, was joined by her husband, Dr. Samip Vasaiwala, a cardiologist at Maine Medical Center.


text:
What's next | Escrow arrangements
Edwin Lim
Continuing our What's next?' series, this article discusses the standard assumptions made by both the Licensor and the Licensee under an escrow arrangement and considers how they might change in the new Covid-19 environment.
Software plays a crucial role in the day-to-day operations of many organisations. Organisations that rely heavily on the use of software leave themselves at risk should access to that software ever be compromised. Escrow arrangements can be an important part of an organisation's technology risk management strategy and are likely to be even more so during and after the Covid-19 crisis.
Typically, an owner of software (Licensor) will provide software to its customers (Licensees) in object code form that is installed on, and directly executable by, each Licensee's computer environment. This is a form of the software that only a computer can understand. The object code is created using source code, which is human-readable software code that is created by programmers. Source code cannot be executed directly by a computer and is considered the "crown jewels" of the Licensor, which the Licensor will be keen to be kept a trade secret and protected against disclosure. Source code is required to support, maintain and develop the software.
It is common for the Licensor to support, maintain and develop software for its Licensees in return for payment of a support fee and therefore Licensees do not need access to the source code. However, a Licensee may legitimately need to access the source code if, for example, the Licensor fails to provide support and maintenance, or becomes insolvent. To protect the Licensee in these situations,the Licensor may agree to place the source code in escrow with an escrow agent,which is an independent third party entrusted to hold the source code and release it to the Licensee if certain release events occur such as a material breach by the Licensor of its support and maintenance obligations or the insolvency of the Licensor. This is commonly known as an escrow arrangement, which is governed by a tri-partite agreement entered between the Licensor, the Licensee and the escrow agent.
Traditionally a Licensor and a Licensee will be seeking to address certain issues in escrow arrangements:
The Licensor may be reluctant to enter an escrow arrangement but may be required to do so to secure the business of the Licensee.The Licensor will want to limit the events that trigger the release of the source code and ensure that it can object to the escrow agent to the release of the source code. If the source code is released, the Licensor will want to limit how that source code is used by the Licensee.
For the Licensee, it will want to be able to access the most recent version of the source code in use and ensure that the trigger events are broad enough to give it access to the source code when it needs it. It will also want to ensure that the Licensor cannot make it difficult for the Licensee to access the source code by making unreasonable objections to the escrow agent preventing its release. The Licensee may want to have broad rights to use the source code to support, maintain and further develop the software.
This article also addresses escrow arrangements for Licensees that use cloud-based software that is not installed on computers at their premises.
An escrow arrangement provides a Licensee with some assurance that it can access the source code for software used in its organisation if certain events occur. It also provides a Licensor with comfort that any release of its source code is managed by an escrow agent. In the Covid-19 environment, where businesses are arguably more vulnerable to failure that ever, many Licensees will be assessing whether they need, or have, access to source code for software that they need to operate their businesses.
Traditional assumptions for an escrow arrangement may need to be reconsidered, as Licensees seek to have appropriate and potentially easier means of accessing source code under escrow arrangements. In the Covid-19 crisis, it may be that a 'new normal' also applies to escrow arrangements.
Get in touch with either Edwin Lim or Simon Martin for more on this topic or the other areas we have covered in this series.
Social media credit: Markus Spiske


Kristi reached for the bottle. I'm working on making new friends. After long reflection, I ended up making things as they go. Calvin is the lead engineer. I've heard that Mr. Huayllacahua is a carpenter. We couldn't take a bath for want of water. We're historians. A guy named Dori came to see you. I'm the one with the bomb. She accused him and her of stealing.
He put down his racket. He is incompetent. This company and I have signed a three-year contract. Which do you like better, meat or fish? My cousin works in a shop near our home. Please write to me as soon as possible. The church we went past crumbled five minutes afterwards due to a huge earthquake and more than a 100 churchgoers were buried alive. They cannot stop her. Hsuan was obviously drunk. God knows why.
It's kind of scary. I got upset. We have come to the clear realization of the fact that true individual freedom cannot exist without economic security and independence. Necessitous men are not free men. People who are hungry and out of job are the stuff of which dictatorships are made. What do they do here? We were all so thirsty. I know a little French. They won't speak to Darryl. He could make himself agreeable to almost anyone. Dale will be along. Can you do without an English dictionary?
On Earth, new oxygen is produced from plants through the process of photosynthesis. Who is Dorothy anyway? Ram was intimate with Kevin. Every time I meet him, I feel so happy. If I had time, I'd accept his invitation. He owns this land. Chet is watching TV in his room. Can you name anyone that we know who is as talented as he is? It may well be strange, but that's the way it is. Dean knows how to swim like a fish.
Marion says he's busy. Do you think miniskirts will come back again? They're Russian. I'd like something new. They teased me about it. Almost everybody does that. In 1777, I followed my father to the government offices at Haining to work for him. In some countries, being a woman is not a good thing. Please come when it suits you. Even if a hedgehog, a mole, an otter, a rabbit or an opossum look like a rodent, they aren't.
This is far the best of all. That just doesn't make any sense. I didn't want to humiliate him. Don't despise a man because he is poor. How interesting is that! I fell in love with a girl from Vienna. Bob bragged about his big boat. He likes music very much. We can tell him later. I don't have that much time left.
You have to use the money wisely. Do you want me to go now? Where do the batteries go? Emil got into a fistfight. You have to be extra careful around him. She has one too. Anatoly seems like a really nice guy. If the ball hits the head pin too head on you'll end up with a split. Alf was very proud of you. The pencil is blunt. It needs sharpening.
After the accident, he never could move his leg again. I'm going to Boston on Monday. It's a big concern. I can say whatever I want. The news that he died was a shock to me. We stayed an extra two weeks in Paris; and we spent it seeing the sights. I'm pretty sure this book has never been translated into French. This is actually old news. I think it's unlikely that The will get back in time for supper. My life hasn't been the same since I met Raanan.
Does that make you sad? Do you want to say something, Claudio? The little bird couldn't defend itself against the eagle. Have you made an appointment? I don't know what Giles is waiting for. Make sure Takayuki doesn't eat any peanuts. The question is what for. You've still got a place to live. Let's play tag. I don't recommend that.
I don't think we're going to make it. He's after me. I'm not joking. Glen doesn't want to wear expensive brand name clothes. I'll come by bicycle. Melanie works as a translator. Soup was boiling in a large cauldron. Nhan is trying very hard not to fail. When did you buy this cello? The water from the spring is very pure.


A writer in someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is.
Conrad,Nabokov, Naipaul - these are writers known for having managed to migrate between languages, cultures, countries, continents, even civilizations. Their imaginations were fed by exile, a nourishment drawn not through roots but through rootlessness. My imagination however, requires that I stay in the same street, in the same house, gazing at the same view. Istanbul's fate is my fate. I am attached to this city because it has made me who I am.
... los colores no pueden comprenderse, se sienten.
Most of the time it's not the Europeans who belittle us. What happens when we look at them is that we belittle ourselves. When we undertake the pilgrimage, it's not just to escape the tyranny at home but also to reach to the depths of our souls. The day arrives when the guilty must return to save those who could not find the courage to leave.
I am so fortunate to be red! I'm fiery. I'm strong. I know men take notice of me and that I cannot be resisted.
There's been quite a clear upswing in nationalist sentiments. Everyone is talking about it, in Turkey as well.
I'm a dog, and because you humans are much less rational beasts than I,you're telling yourselves, 'Dogs don't talk.' Nethertheless, you seem to believe a story in which corpses speak and characters use words they couldn't possibly know. Dogs do speak, but only to those who know how to listen.
What was the difference between love and the agony of waiting? Like love, the agony of waiting began in the muscles and somewhere around the upper belly but soon spread out to the chest, the thighs, and the forehead, to invade the entire body with numbing force.
Love is a sacred silence.
Throughout history, religious leaders and other honorable men of conscience have always warned against this shaming confusion. They remind us that the poor have hearts, minds, humanity, and wisdom just like everyone else. When Hans Hansen sees a poor man he feels sorry for him. He would not necessarily assume that the man's a fool who's blown his chances or a drunk who's lost his will.
Suddenly Ka realized he was in love with pek. And realizing that this love would determine the rest of his life, he was filled with dread.
this, then, is how we first came across the fearsome secret history of turkey's mannequins.
Are you an angel that approaching you should be so terrifying?
As always after drinking too much, I felt like my own ghost trying to take it's first solo walk outside the body.
Tuna projekcija ivota za pjesnika je primamljivija od samog ivota.
For if a lover's face survives emblazoned on your heart, the world is still your home.
How much can we ever know about the love and pain in another's heart? How much can we hope to understand those who have suffered deeper anguish, greater deprivation, and more crushing disappointments than we ourselves have known? Even if the world's rich and powerful were to put themselves in the shoes of the rest, how much would they really understand the wretched millions suffering around them? So it is when Orhan the novelist peers into the dark corners of his poet friend's difficult and painful life: How much can he really see?
The hero of the book does long to experience God. But his conception of God is very western.
After all, isn't the purpose of the novel, or of a museum, for that matter, to relate our memories with such sincerity as to transform individual happiness into a happiness all can share?
Herkes bilsin, ok mutlu bir hayat yaadm.
With the engine stalled, we would notice the deep silence reigning in the park around us, in the summer villa before us, in the world everywhere. We would listen enchanted to the whirring of an insect beginning vernal flight before the onset of spring, and we would know what a wondrous thing it was to be alive in a park on a spring day in Istanbul.
The drinking of coffee is an absolute sin! Our Glorious Prophet did not partake of coffee because he knew it dulled the intellect, caused ulcers, hernia and sterility; he understood that coffee was nothing but the Devil's ruse.
A miniaturist creates his art by heeding his conscience and by obeying the principles in which he believes, fearing nothing. he pays no attention to what his enemies, the zealots and those who envy him have to say.
Ka found it very soothing: for the first time in years, he felt part of a family. In spite of the trials and responsibilities of what was called 'family', he saw now the joys of its unyielding togetherness, and was sorry not to have known more of it in his life.