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2019 Ferrari 812 Aperta Redesign, Release Date, Price – We do not have any declaration pertaining to the creation and cost of 2019 Ferrari 812 Aperta. However, even on the routine of rumors, it may be stated that this car can be an outstanding sample of an exceptional car that will be extremely innovative, effective plus expensive.
Once we are talking about the external style of 2019 Ferrari 812 Aperta, we ought to point out that it might proceed relatively classic design and selections of the first types of that manufacturer. However, manufacturera would certainly allow it to be more fashionable and wonderful. The collections and wrinkles can be razor-sharp, but furthermore smooth in a, way in order that car would appear each powerful and powerful and fashionable.
The access element of the car might have classic front side illumination and fog illumination. The car would have a moderate footwear, and it might be made out of two access gates. There are some predictions that manufacturer might make this car in activities convertible and no-convertible type. In either case, the manufacturer's company logo could see on the top side side as well as on the kept side. There are not any details of the wheels, however, they could be related to the size and reliability of the car.
The home style of 2019 Ferrari 812 Aperta would definitely be amazing. High-quality leather-based and provides could be used for baby car chairs and content. Mentioning to sitting, the car could have only two sitting provided, which is regular with this manufacturer. Also, the sprint will be fashionable but easily a type of a activities technique.
Aside from different modern technology and plug-ins, these types of as USB 2. 0, Sound, Wireless, the car will have the most air circulation problem and atmosphere methods. Moreover, protection options considered conventional with this type of car, from car play area to frontward incident notify.
The aspect that is a number of for all those Ferrari vehicles is that they can are all extremely effective and highly effective in circumstances of motor solutions. 2019 Ferrari 812 Aperta would not a different, definitely. There have been some rumors about motor solutions that its car may have, and the most conventional perspective is that the car would use a 6.5-liter motor as the platform one. This may be a V12 liter motor which may be capable of making 789 horsepower as well as use 530 lb-feet of twisting.
The level about these types of vehicles is their speed, i.e. they must be quite powerful and extremely fast. The prediction is that its car could get to 60mph in a question of 2.9 secs. The estimates concerning the top speed of this car are various, from 211 mph to 206 mph. The problem which will be important and valuable can be the intake of Electronic Power Guiding (EPS) within this car. In addition, the Place Glide Control will be given next to with the Online Quick Wheelbase system (Pvc material). Concerning the transmitting, there is a lot of rumors but the biggest probability is that the manufacturer would use the brilliant transmitting.
We have experienced the point that we are discussing the design where we do not have any precise important information whether or not it would be designed. It is then hard to even discuss the possible cost of 2019 Ferrari 812 Aperta. On the other hand, it is recognized that the manufacturer is the manufacturer of really high-class vehicles that cost a whole lot. Over the period of time of goals, the platform cost has placed a place at $340,000.
Though 2019 Ferrari 812 Aperta has become launched for after that season, there are not any confirmations this would generally come about. There are some predictions that it high-quality car could probably see the terrible at times throughout the quiet of this season in a few of the display rooms all around the world. Even so, these rumors have been not resolved by the manufacturer.


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Enrico Pieranunzi/Mads Vinding/Alex Riel: Yesterdays (Stunt Records) Out now
Live recordings are hit and miss. Often they are patchy, an uneven listen and unless there are big bucks in the budget, more often than not the audio quality can be a bit naff to say the least. Even major label stuff with money thrown at it can be disappointing. Many are doctored to death in the studio post-gig, and bear little resemblance to the original recording.
I can count on one hand the number of great live albums I have, in a collection of music that I started way back around 1969. I tend to give live stuff and most compilations the swerve these days, so as not to be disappointed.
I make an exception here. Three real jazz masters… pianist Enrico Pieranunzi, bassist Mads Vinding and drummer Alex Riel….at the peak of their powers, on this new, previously unreleased live album, "Yesterdays", recorded in 1997. The recording quality is second to none, as good as many studio efforts.
In that same year, Stunt Records had released a studio session with this trio, "The Kingdom – Where Nobody Dies," and 20 years later they release this brilliant live album, the trio caught in the act at the Copenhagen Jazzhouse. This high-quality, multi-track recording, captures that November night in Copenhagen, with all three playing with effortless confidence and mastery.
Only seven cuts here, but it all weighs in at a perfectly acceptable 66 minutes, and we are speaking of quality not content, after all. The set opens with the title track, a Jerome Kern composition, the second longest duration here of just above 11 minutes. The Great American Songbook standard, Richard Rogers' "My Funny Valentine", gets a whopping 12 minute and 54 seconds airing.
The outfit also offer up Victor Young's, "My Foolish Heart" – where the bass and drums lock tight and the piano man swings like heck, playing out of his skin with creative run after run – Fats Waller's delightful "Jitterbug Waltz", Gary Peacock's, "Vignette", an Arthur Schwartz composition, "If There Is Someone Lovelier Than You" (a pacy tune that fits like a glove for this trio), and the graceful Enrico Pieranunzi-penned, "A Nameless Date". A quality example of the song writing craft, and a worthy addition to sit alongside the classics. Some beautiful fluid runs from Enrico on this tune.
The Victor Young tune they also recorded on the previously released album "The Kingdom – Where Nobody Dies". (Can't compare them as I have not heard the first go at the song, but I am told this is an extended and more improvised version). That previous album is now one of the all-time best sellers on the Stunt record label.
The Italian's deft skills on those keys are in his own style, for sure, but I hear nods to the likes of McCoy Tyner, Oscar Peterson, Dave Grusin, most definitely the great French pianist Michel Petrucciani, and maybe touches of Ahmad Jamal, Bill Evans and hard bop exponent Cedar Walton. Alex channelling the likes of Max Roach, Tony Williams, Joe Morello, Art Blakey and the sensitivity and unobtrusiveness of former Miles Davis drummer, (from the 70s) Al Foster.
Bassist Mads in the same territory as Mingus, Ray Brown, Eugene (or Gene) Wright and Ron Carter, also with shades of young (45) contemporary bassist Christian McBride. Note: Pieranunzi, Vinding and Riel are in the same class as the likes of all of these starry jazz names I spew out in this review, as regards skill and quality. That is indisputable.
The record swings, it flows, it grooves, it lays back and creates an emotional ambience too; lots of light and shade between the up-tempo and slower material. Enrico is an exceptionally gifted pianist and an uber-creative interpreter of new and older material; the latter of which may have been done to death and seemingly covered every which way – until this man gets a hold of it.
But there should be just as much kudos given to Mads and Alex for their effervescent and steadfast contributions, allowing the Italian to veer off the beam if the fancy takes him, knowing above all else, they have his back. A very safe pair of hands x 2, indeed.
No big name guests required here. This is a glorious jazz trio record showcasing not just a truly magnificent pianist, but two more mega talents and a sparkling performance that has waited two decades to be heard. An essential listen, sincerely, therefore an easy task to award this album the maximum five big fat stars. Bravo.
By Simon Redley
(1 / 5) 'Dull Zone'
(2 / 5) 'OK Zone'
(3 / 5) 'Decent Zone'
(4 / 5) 'Super Zone'
(5 / 5) 'Awesome Zone'

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I am brand new to this site but have been really interested in RMHs for several years and have been researching a lot. I finally have my first opportunity to build an RMH!
A little about me really quick... I am pretty darn mechanically inclined, very handy, a terrific problem solver with a great natural sense for "how things work" (physics). I am no engineer, but I am very inventive and love mechanical things. I also have a B.A. in glassblowing (long story) and learned to make all of our glassblowing equipment (furnaces, glory holes, etc.) that we used to heat glass to 2,300 degrees!! So... you could say that I have some experience with this type of stuff and these kinds of materials... just not in this particular application. So I am turning to the experts!!
Now on to my project and related questions. My father has a 50' long by 15' wide greenhouse that is currently empty but he is interested putting a RMH in to extend growing season AND keep chickens in. We are in central Indiana where summers get hot and humid and winters can get cold and snowy. So basically he has the worst of both worlds.
I am going to suggest to him that he first of all make some moveable panels made of blue foam with Mylar/Reflextix glued to one side to help reflect sunlight back into the greenhouse during the winter and then reflect sunlight away from the greenhouse during the summer... kind of a passive heat type deal since it's a greenhouse and he can really take advantage of the sunlight to help heat/cool the greenhouse. The greenhouse runs from east to west making this a perfect potential solution to making the most of the sunlight.
Next he wants to use an RMH to heat the greenhouse. He is interested in putting the main RMH inside the east corner of the greenhouse just inside the door with the combustion opening on the outside the greenhouse to take advantage of wind to feed the air intake and make sure that chickens aren't exposed to smoke or carbon monoxide. He wants to run "benches" along the 50' length of the greenhouse filled with sand with the RMH duct work running through the center of them... all along the entire 50 feet of the greenhouse on one side, then a 90 degree turn around the end with another 90 degree turn and then back along the other side and along the other 50 foot length of the greenhouse... then out to a chimney and up like 6 feet. A total of 115 feet of duct and mass!!
1) Is the length of this duct work too long? Too ambitious? Can we realistically expect the heat to travel 115 feet and then up the chimney? I have seen some pretty elaborate duct works for RMHs... but never anything quite this long. But theoretically it seems feasible. Yes? No? Would we maybe need to incorporate a fan at the opening of the air intake? I'd rather not, but I am open to it.
2) Is the diameter of the duct critical? I think I have read that it is... but not sure how or why. We were thinking 6" diameter duct would work, but is this too small? Too large?
3) Which burn chamber concept should I go with? I have seen a number of burn chamber designs and... I am not sure which direction to go. My father is really interested in a "down feed" concept because he has lots of trees that shed limbs and loves the idea of shoving some longer limbs in the opening to the burn chamber and letting gravity sort of "self feed" them for a while, but I have also seen this fancier "front feed" version that sort of "V"s at the bottom and people advocating for its effectiveness. I think it's called a "Batch Box"? Is this something I should be interested in? Why or why not? Advantages? Disadvantages? Bad idea for outside the greenhouse? Ideally we'd love this RMH to keep the greenhouse warm for 24 hours so that it only needs attending to once a day. Does type of burn chamber affect this or is is all just in the thermal mass itself?
4) Do we need to incorporate a way to clean the 115 feet of duct work periodically? I realize that RMHs burn very efficiently and cleanly, but... everything in life has to be cleaned periodically, right? LOL!!!
5) Are there any concepts, terms, mathematic equations, formulas or anything like that I should know about before taking on this project? Anything that you could point me toward in terms of arriving at an effective design, setting realistic expectations, etc. would be incredibly appreciated!! Please... feel free to post links to concepts, formulas, photos (I am SUPER visually oriented, so I LOVE pics!), etc. I am here to learn!!!
6) Any particular materials that you would suggest we use for this project? To be honest... we are probably not interested in using cob. I love the natural look of it and all, but I think for a project this large it would be a CRAZY amount of work and really messy... and it's just for a greenhouse/chicken coop. As I mentioned before, I am very comfortable with refractory materials of all kinds (brick, castable, fiber blanket, etc.) as we built all of our own equipment for glassblowing. We will more than likely use refractory materials for the main unit but were considering just using wood boxes filled with sand to surround the ductwork and use as our thermal mass. Anyone see any problem with this?
7) We want this RMH to REALLY ROCKET so that the heat flies through the entire 115' of duct work and heats it all up from beginning to end as much as possible. Any tips on how to really get this thing rocketing the fully 115 feet? There is power in the greenhouse already but Dad is going to add solar panels too, so maybe an electric fan if necessary? If there's a way to design the RMH system so that it jets on its own, that would be really awesome.
Any other pointers, warnings, tips, suggestions, etc. that you all would recommend I consider? I am not at all committed to any particular designs or concepts yet, so I am wide open in terms of advice and suggestions at this point! We have not committed to anything really yet. It's the perfect time to get wisdom from you experts!!
Alright... PHEW!! Sorry for inundating you all with so many questions. Just trying to do this right and end up with amazing results!
I thank you all in advance for your wisdom and insights! I am SO EXCITED about this project!!!


This is where cricket publishers Wisden first opened their shop.
Description: Here, next to Leicester Square tube station entrance, a small shop unit was let to J. Wisden, the biggest cricket publishers and equipment suppliers.
The building, known as Transad House, still has the old wisden frieze sign visible above the actual fish & chips shop. The red facade above the station entrance on the corner between Cranbourn Street and Charing Cross Road, familiar to many Underground stations facades, was designed by Leslie Green.
Legendary Surrey & England cricketer Jack Hobbs lived here.


Pre-heat oven to 375F. Trim off greens leaving 1" to 2" of tops on the beets. Wash, dry, and trim off root end. Rub with oil. Place on baking sheet. Bake for 45 minutes. Slice. Salt & pepper to taste.
Roast some fresh corn on the cob at the same time on the same baking sheet. Sliced beets and sweet roasted corn on the cob go great together.


text:
Desert Flower at Night
by Sanja Marušić
Enter the fantastic and colorful worlds of photographer and film maker Sanja Marušić where she embodies different characters. Each with its own performance, movement and styling, sometimes contrasting with the landscape and other times blending in. As if they're all representing different versions of herself – goddess like, powerful, but also vulnerable, robotic or alien.
She travelled to Death Valley in the United States along with her husband and three battery operated lights to shoot in the middle of nowhere, which was the first obstruction. Her second obstruction was to shoot a scene per every ten seconds of the final film, making it a balancing act between planning and improvisation.
Her work by nature is very experimental and it's difficult to find an obstruction that she doesn't already impose upon herself. She mainly works by herself, operating both the camera and being the model as well as travelling all over the world with minimal equipment. Her visuals on the other hand are quite the opposite – bursting with color, life and love.
Obstruction:
Find the middle of nowhere and shoot one scene for every 10 seconds of the final film.
Packed with three of the brightest lights, a box full of props, tape, scissors, more stuff, camera gear, bottles of water and somewhat of a plan, Sanja and her husband Lars drove into the desert.
Once there it turned out to be very windy, so they had to adjust and form a new plan. In stead of mounting the lights on the stands and film the both of them, Lars had to hold the lights to keep them from falling over. From this unplanned obstruction a new opportunity of light and camera movement was born.
Over the course of several evening they shot different scenes on various locations, using the lights in different ways. Sometimes covering them with colored gels or using the bi-color option to set the right color temperature only to further tweak the colors even further in post production.
A lot of people might know you from your photography. Do you consider yourself to be a film maker as well?
I always say I'm a photographer because I have been doing photography for such a long time, and making movies is something I only began with a few years ago, so I still have to get used to the title "film maker". But the answer is: Yes i think I am both.
How does the process of making this film differ from your photography process and could you tell us a little about how you work?
There is not a big difference actually. The biggest difference is that I feel more freedom with photography, practical wise. With filming I need more equipment and plan things more. When I make my personal work I work really intuitive and I create my end results by a lot of experimenting, I am never afraid to try things and I like to see how far I can push things, with my posing, searching for my locations and with the post production.
For this film did you have an idea or concept before you started filming? It might be both easy and difficult to improvise in the landscapes you go to. How much is planned and how much is spontaneous?
I did actually have the idea to film my husband (a.k.a. Sounds of Confusion) and me together, using a tripod and remote control. But when we were in the desert it happened to be a very stormy week and we couldn't leave the lamps and tripod on their own. So we created another idea, where we filmed me alone. The advantage of this was that we now were able to move the lights around while filming, and we could create camera movement.
This is one of the reasons why I love to work in nature. It forces me to be humble, towards nature's power. I don't like to have all the control, like in the studio. I like to go with the flow.
Does that also apply to the way you handle the images or scenes in post-production? Did you already know how you would change colors or which visual effects you might use when you shot the film?
No, I follow the same intutive process in the post-production. I experiment until it comes to life.
Lighting plays an important part in your film and we even see one of the lights as a practical. How did you use the lights and how did you like working with them?
The desert gets very dark at night, and the effect of artificial lighting gives the surroundings a very cool alienating effect. I like that the lights work on batteries, so I can use them on remote locations. I decided to use colored gels to create pink and red lights. I used the lights on stands, moved them around alot, and also held the lights in my hand, almost as a flashligh, since they are very light.
ABOUT SANJA MARUšIć
Dutch Croatian Photographer, 1991
Graduated photographer at KABK, The Hague
Amsterdam based but travels the world to photograph
www.sanjamarusic.com
Video by: Sanja Marušić
Sound by: Sound of Confusion
Astora PS1200D Power Spot light
Astora PS 1200B Power Spot light
The Small Talk Showby Sem Voortman
Miralls (Mirrors)by Jonathan Herzberg
Country Lifeby Kurt Platvoet
360 Degreesby Joey de Leeuw


text:
<!DOCTYPE html>

  <meta http-equiv="Content-Type" content="text/html; charset=utf-8" />
  <title>The source code</title>
  <link href="../resources/prettify/prettify.css" type="text/css" rel="stylesheet" />

/**
 * @class Ext.chart.series.Line
 * @extends Ext.chart.series.Cartesian
 *
 * Creates a Line Chart. A Line Chart is a useful visualization technique to display quantitative information for different
 * categories or other real values (as opposed to the bar chart), that can show some progression (or regression) in the dataset.
 * As with all other series, the Line Series must be appended in the *series* Chart array configuration. See the Chart
 * documentation for more information. A typical configuration object for the line series could be:
 *
 *     @example
 *     var store = Ext.create('Ext.data.JsonStore', {
 *         fields: ['name', 'data1', 'data2', 'data3', 'data4', 'data5'],
 *         data: [
 *             { 'name': 'metric one',   'data1': 10, 'data2': 12, 'data3': 14, 'data4': 8,  'data5': 13 },
 *             { 'name': 'metric two',   'data1': 7,  'data2': 8,  'data3': 16, 'data4': 10, 'data5': 3  },
 *             { 'name': 'metric three', 'data1': 5,  'data2': 2,  'data3': 14, 'data4': 12, 'data5': 7  },
 *             { 'name': 'metric four',  'data1': 2,  'data2': 14, 'data3': 6,  'data4': 1,  'data5': 23 },
 *             { 'name': 'metric five',  'data1': 4,  'data2': 4,  'data3': 36, 'data4': 13, 'data5': 33 }
 *         ]
 *     });
 *
 *     Ext.create('Ext.chart.Chart', {
 *         renderTo: Ext.getBody(),
 *         width: 500,
 *         height: 300,
 *         animate: true,
 *         store: store,
 *         axes: [
 *             {
 *                 type: 'Numeric',
 *                 position: 'left',
 *                 fields: ['data1', 'data2'],
 *                 label: {
 *                     renderer: Ext.util.Format.numberRenderer('0,0')
 *                 },
 *                 title: 'Sample Values',
 *                 grid: true,
 *                 minimum: 0
 *             },
 *             {
 *                 type: 'Category',
 *                 position: 'bottom',
 *                 fields: ['name'],
 *                 title: 'Sample Metrics'
 *             }
 *         ],
 *         series: [
 *             {
 *                 type: 'line',
 *                 highlight: {
 *                     size: 7,
 *                     radius: 7
 *                 },
 *                 axis: 'left',
 *                 xField: 'name',
 *                 yField: 'data1',
 *                 markerConfig: {
 *                     type: 'cross',
 *                     size: 4,
 *                     radius: 4,
 *                     'stroke-width': 0
 *                 }
 *             },
 *             {
 *                 type: 'line',
 *                 highlight: {
 *                     size: 7,
 *                     radius: 7
 *                 },
 *                 axis: 'left',
 *                 fill: true,
 *                 xField: 'name',
 *                 yField: 'data2',
 *                 markerConfig: {
 *                     type: 'circle',
 *                     size: 4,
 *                     radius: 4,
 *                     'stroke-width': 0
 *                 }
 *             }
 *         ]
 *     });
 *
 * In this configuration we're adding two series (or lines), one bound to the `data1`
 * property of the store and the other to `data3`. The type for both configurations is
 * `line`. The `xField` for both series is the same, the name propert of the store.
 * Both line series share the same axis, the left axis. You can set particular marker
 * configuration by adding properties onto the markerConfig object. Both series have
 * an object as highlight so that markers animate smoothly to the properties in highlight
 * when hovered. The second series has `fill=true` which means that the line will also
 * have an area below it of the same color.
 *
 * **Note:** In the series definition remember to explicitly set the axis to bind the
 * values of the line series to. This can be done by using the `axis` configuration property.
 */
Ext.define('Ext.chart.series.Line', {

    /* Begin Definitions */

    extend: 'Ext.chart.series.Cartesian',

    alternateClassName: ['Ext.chart.LineSeries', 'Ext.chart.LineChart'],

    requires: ['Ext.chart.axis.Axis', 'Ext.chart.Shape', 'Ext.draw.Draw', 'Ext.fx.Anim'],

    /* End Definitions */

    type: 'line',

    alias: 'series.line',

    /**
     * @cfg {String} axis
     * The position of the axis to bind the values to. Possible values are 'left', 'bottom', 'top' and 'right'.
     * You must explicitly set this value to bind the values of the line series to the ones in the axis, otherwise a
     * relative scale will be used.
     */

    /**
     * @cfg {Number} selectionTolerance
     * The offset distance from the cursor position to the line series to trigger events (then used for highlighting series, etc).
     */
    selectionTolerance: 20,

    /**
     * @cfg {Boolean} showMarkers
     * Whether markers should be displayed at the data points along the line. If true,
     * then the {@link #markerConfig} config item will determine the markers' styling.
     */
    showMarkers: true,

    /**
     * @cfg {Object} markerConfig
     * The display style for the markers. Only used if {@link #showMarkers} is true.
     * The markerConfig is a configuration object containing the same set of properties defined in
     * the Sprite class. For example, if we were to set red circles as markers to the line series we could
     * pass the object:
     *
     <pre><code>
        markerConfig: {
            type: 'circle',
            radius: 4,
            'fill': '#f00'
        }
     </code></pre>

     */
    markerConfig: {},

    /**
     * @cfg {Object} style
     * An object containing style properties for the visualization lines and fill.
     * These styles will override the theme styles.  The following are valid style properties:
     *
     * - `stroke` - an rgb or hex color string for the background color of the line
     * - `stroke-width` - the width of the stroke (integer)
     * - `fill` - the background fill color string (hex or rgb), only works if {@link #fill} is `true`
     * - `opacity` - the opacity of the line and the fill color (decimal)
     *
     * Example usage:
     *
     *     style: {
     *         stroke: '#00ff00',
     *         'stroke-width': 10,
     *         fill: '#80A080',
     *         opacity: 0.2
     *     }
     */
    style: {},

    /**
     * @cfg {Boolean/Number} smooth
     * If set to `true` or a non-zero number, the line will be smoothed/rounded around its points; otherwise
     * straight line segments will be drawn.
     *
     * A numeric value is interpreted as a divisor of the horizontal distance between consecutive points in
     * the line; larger numbers result in sharper curves while smaller numbers result in smoother curves.
     *
     * If set to `true` then a default numeric value of 3 will be used. Defaults to `false`.
     */
    smooth: false,

    /**
     * @private Default numeric smoothing value to be used when {@link #smooth} = true.
     */
    defaultSmoothness: 3,

    /**
     * @cfg {Boolean} fill
     * If true, the area below the line will be filled in using the {@link #style eefill} and
     * {@link #style opacity} config properties. Defaults to false.
     */
    fill: false,

    constructor: function(config) {
        this.callParent(arguments);
        var me = this,
            surface = me.chart.surface,
            shadow = me.chart.shadow,
            i, l;
        Ext.apply(me, config, {
            highlightCfg: {
                'stroke-width': 3
            },
            shadowAttributes: [{
                "stroke-width": 6,
                "stroke-opacity": 0.05,
                stroke: 'rgb(0, 0, 0)',
                translate: {
                    x: 1,
                    y: 1
                }
            }, {
                "stroke-width": 4,
                "stroke-opacity": 0.1,
                stroke: 'rgb(0, 0, 0)',
                translate: {
                    x: 1,
                    y: 1
                }
            }, {
                "stroke-width": 2,
                "stroke-opacity": 0.15,
                stroke: 'rgb(0, 0, 0)',
                translate: {
                    x: 1,
                    y: 1
                }
            }]
        });
        me.group = surface.getGroup(me.seriesId);
        if (me.showMarkers) {
            me.markerGroup = surface.getGroup(me.seriesId + '-markers');
        }
        if (shadow) {
            for (i = 0, l = me.shadowAttributes.length; i < l; i++) {
                me.shadowGroups.push(surface.getGroup(me.seriesId + '-shadows' + i));
            }
        }
    },

    // @private makes an average of points when there are more data points than pixels to be rendered.
    shrink: function(xValues, yValues, size) {
        // Start at the 2nd point...
        var len = xValues.length,
            ratio = Math.floor(len / size),
            i = 1,
            xSum = 0,
            ySum = 0,
            xRes = [xValues[0]],
            yRes = [yValues[0]];

        for (; i < len; ++i) {
            xSum += xValues[i] || 0;
            ySum += yValues[i] || 0;
            if (i % ratio == 0) {
                xRes.push(xSum/ratio);
                yRes.push(ySum/ratio);
                xSum = 0;
                ySum = 0;
            }
        }
        return {
            x: xRes,
            y: yRes
        };
    },

    /**
     * Draws the series for the current chart.
     */
    drawSeries: function() {
        var me = this,
            chart = me.chart,
            chartAxes = chart.axes,
            store = chart.getChartStore(),
            storeCount = store.getCount(),
            surface = me.chart.surface,
            bbox = {},
            group = me.group,
            showMarkers = me.showMarkers,
            markerGroup = me.markerGroup,
            enableShadows = chart.shadow,
            shadowGroups = me.shadowGroups,
            shadowAttributes = me.shadowAttributes,
            smooth = me.smooth,
            lnsh = shadowGroups.length,
            dummyPath = ["M"],
            path = ["M"],
            renderPath = ["M"],
            smoothPath = ["M"],
            markerIndex = chart.markerIndex,
            axes = [].concat(me.axis),
            shadowBarAttr,
            xValues = [],
            xValueMap = {},
            yValues = [],
            yValueMap = {},
            onbreak = false,
            storeIndices = [],
            markerStyle = me.markerStyle,
            seriesStyle = me.style,
            colorArrayStyle = me.colorArrayStyle,
            colorArrayLength = colorArrayStyle && colorArrayStyle.length || 0,
            isNumber = Ext.isNumber,
            seriesIdx = me.seriesIdx,
            boundAxes = me.getAxesForXAndYFields(),
            boundXAxis = boundAxes.xAxis,
            boundYAxis = boundAxes.yAxis,
            shadows, shadow, shindex, fromPath, fill, fillPath, rendererAttributes,
            x, y, prevX, prevY, firstX, firstY, markerCount, i, j, ln, axis, ends, marker, markerAux, item, xValue,
            yValue, coords, xScale, yScale, minX, maxX, minY, maxY, line, animation, endMarkerStyle,
            endLineStyle, type, count, items;

        if (me.fireEvent('beforedraw', me) === false) {
            return;
        }

        //if store is empty or the series is excluded in the legend then there's nothing to draw.
        if (!storeCount || me.seriesIsHidden) {
            items = this.items;
            if (items) {
                for (i = 0, ln = items.length; i < ln; ++i) {
                    if (items[i].sprite) {
                        items[i].sprite.hide(true);
                    }
                }
            }
            return;
        }

        //prepare style objects for line and markers
        endMarkerStyle = Ext.apply(markerStyle || {}, me.markerConfig);
        type = endMarkerStyle.type;
        delete endMarkerStyle.type;
        endLineStyle = seriesStyle;
        //if no stroke with is specified force it to 0.5 because this is
        //about making *lines*
        if (!endLineStyle['stroke-width']) {
            endLineStyle['stroke-width'] = 0.5;
        }
        //If we're using a time axis and we need to translate the points,
        //then reuse the first markers as the last markers.
        if (markerIndex && markerGroup && markerGroup.getCount()) {
            for (i = 0; i < markerIndex; i++) {
                marker = markerGroup.getAt(i);
                markerGroup.remove(marker);
                markerGroup.add(marker);
                markerAux = markerGroup.getAt(markerGroup.getCount() - 2);
                marker.setAttributes({
                    x: 0,
                    y: 0,
                    translate: {
                        x: markerAux.attr.translation.x,
                        y: markerAux.attr.translation.y
                    }
                }, true);
            }
        }

        me.unHighlightItem();
        me.cleanHighlights();

        me.setBBox();
        bbox = me.bbox;
        me.clipRect = [bbox.x, bbox.y, bbox.width, bbox.height];
        for (i = 0, ln = axes.length; i < ln; i++) {
            axis = chartAxes.get(axes[i]);
            if (axis) {
                ends = axis.calcEnds();
                if (axis.position == 'top' || axis.position == 'bottom') {
                    minX = ends.from;
                    maxX = ends.to;
                }
                else {
                    minY = ends.from;
                    maxY = ends.to;
                }
            }
        }
        // If a field was specified without a corresponding axis, create one to get bounds
        //only do this for the axis where real values are bound (that's why we check for
        //me.axis)
        if (me.xField && !isNumber(minX) &&
            (boundXAxis == 'bottom' || boundXAxis == 'top') &&
            !chartAxes.get(boundXAxis)) {
            axis = Ext.create('Ext.chart.axis.Axis', {
                chart: chart,
                fields: [].concat(me.xField)
            }).calcEnds();
            minX = axis.from;
            maxX = axis.to;
        }
        if (me.yField && !isNumber(minY) &&
            (boundYAxis == 'right' || boundYAxis == 'left') &&
            !chartAxes.get(boundYAxis)) {
            axis = Ext.create('Ext.chart.axis.Axis', {
                chart: chart,
                fields: [].concat(me.yField)
            }).calcEnds();
            minY = axis.from;
            maxY = axis.to;
        }
        if (isNaN(minX)) {
            minX = 0;
            xScale = bbox.width / ((storeCount - 1) || 1);
        }
        else {
            xScale = bbox.width / ((maxX - minX) || (storeCount -1) || 1);
        }

        if (isNaN(minY)) {
            minY = 0;
            yScale = bbox.height / ((storeCount - 1) || 1);
        }
        else {
            yScale = bbox.height / ((maxY - minY) || (storeCount - 1) || 1);
        }

        // Extract all x and y values from the store
        me.eachRecord(function(record, i) {
            xValue = record.get(me.xField);

            // Ensure a value
            if (typeof xValue == 'string' || typeof xValue == 'object' && !Ext.isDate(xValue)
                //set as uniform distribution if the axis is a category axis.
                || boundXAxis && chartAxes.get(boundXAxis) && chartAxes.get(boundXAxis).type == 'Category') {
                    if (xValue in xValueMap) {
                        xValue = xValueMap[xValue];
                    } else {
                        xValue = xValueMap[xValue] = i;
                    }
            }

            // Filter out values that don't fit within the pan/zoom buffer area
            yValue = record.get(me.yField);
            //skip undefined values
            if (typeof yValue == 'undefined' || (typeof yValue == 'string' && !yValue)) {
                //<debug warn>
                if (Ext.isDefined(Ext.global.console)) {
                    Ext.global.console.warn("[Ext.chart.series.Line]  Skipping a store element with an undefined value at ", record, xValue, yValue);
                }
                //</debug>
                return;
            }
            // Ensure a value
            if (typeof yValue == 'string' || typeof yValue == 'object' && !Ext.isDate(yValue)
                //set as uniform distribution if the axis is a category axis.
                || boundYAxis && chartAxes.get(boundYAxis) && chartAxes.get(boundYAxis).type == 'Category') {
                yValue = i;
            }
            storeIndices.push(i);
            xValues.push(xValue);
            yValues.push(yValue);
        });

        ln = xValues.length;
        if (ln > bbox.width) {
            coords = me.shrink(xValues, yValues, bbox.width);
            xValues = coords.x;
            yValues = coords.y;
        }

        me.items = [];

        count = 0;
        ln = xValues.length;
        for (i = 0; i < ln; i++) {
            xValue = xValues[i];
            yValue = yValues[i];
            if (yValue === false) {
                if (path.length == 1) {
                    path = [];
                }
                onbreak = true;
                me.items.push(false);
                continue;
            } else {
                x = (bbox.x + (xValue - minX) * xScale).toFixed(2);
                y = ((bbox.y + bbox.height) - (yValue - minY) * yScale).toFixed(2);
                if (onbreak) {
                    onbreak = false;
                    path.push('M');
                }
                path = path.concat([x, y]);
            }
            if ((typeof firstY == 'undefined') && (typeof y != 'undefined')) {
                firstY = y;
                firstX = x;
            }
            // If this is the first line, create a dummypath to animate in from.
            if (!me.line || chart.resizing) {
                dummyPath = dummyPath.concat([x, bbox.y + bbox.height / 2]);
            }

            // When resizing, reset before animating
            if (chart.animate && chart.resizing && me.line) {
                me.line.setAttributes({
                    path: dummyPath
                }, true);
                if (me.fillPath) {
                    me.fillPath.setAttributes({
                        path: dummyPath,
                        opacity: 0.2
                    }, true);
                }
                if (me.line.shadows) {
                    shadows = me.line.shadows;
                    for (j = 0, lnsh = shadows.length; j < lnsh; j++) {
                        shadow = shadows[j];
                        shadow.setAttributes({
                            path: dummyPath
                        }, true);
                    }
                }
            }
            if (showMarkers) {
                marker = markerGroup.getAt(count++);
                if (!marker) {
                    marker = Ext.chart.Shape[type](surface, Ext.apply({
                        group: [group, markerGroup],
                        x: 0, y: 0,
                        translate: {
                            x: +(prevX || x),
                            y: prevY || (bbox.y + bbox.height / 2)
                        },
                        value: '"' + xValue + ', ' + yValue + '"',
                        zIndex: 4000
                    }, endMarkerStyle));
                    marker._to = {
                        translate: {
                            x: +x,
                            y: +y
                        }
                    };
                } else {
                    marker.setAttributes({
                        value: '"' + xValue + ', ' + yValue + '"',
                        x: 0, y: 0,
                        hidden: false
                    }, true);
                    marker._to = {
                        translate: {
                            x: +x,
                            y: +y
                        }
                    };
                }
            }
            me.items.push({
                series: me,
                value: [xValue, yValue],
                point: [x, y],
                sprite: marker,
                storeItem: store.getAt(storeIndices[i])
            });
            prevX = x;
            prevY = y;
        }

        if (path.length <= 1) {
            //nothing to be rendered
            return;
        }

        if (me.smooth) {
            smoothPath = Ext.draw.Draw.smooth(path, isNumber(smooth) ? smooth : me.defaultSmoothness);
        }

        renderPath = smooth ? smoothPath : path;

        //Correct path if we're animating timeAxis intervals
        if (chart.markerIndex && me.previousPath) {
            fromPath = me.previousPath;
            if (!smooth) {
                Ext.Array.erase(fromPath, 1, 2);
            }
        } else {
            fromPath = path;
        }

        // Only create a line if one doesn't exist.
        if (!me.line) {
            me.line = surface.add(Ext.apply({
                type: 'path',
                group: group,
                path: dummyPath,
                stroke: endLineStyle.stroke || endLineStyle.fill
            }, endLineStyle || {}));

            if (enableShadows) {
                me.line.setAttributes(Ext.apply({}, me.shadowOptions), true);
            }

            //unset fill here (there's always a default fill withing the themes).
            me.line.setAttributes({
                fill: 'none',
                zIndex: 3000
            });
            if (!endLineStyle.stroke && colorArrayLength) {
                me.line.setAttributes({
                    stroke: colorArrayStyle[seriesIdx % colorArrayLength]
                }, true);
            }
            if (enableShadows) {
                //create shadows
                shadows = me.line.shadows = [];
                for (shindex = 0; shindex < lnsh; shindex++) {
                    shadowBarAttr = shadowAttributes[shindex];
                    shadowBarAttr = Ext.apply({}, shadowBarAttr, { path: dummyPath });
                    shadow = surface.add(Ext.apply({}, {
                        type: 'path',
                        group: shadowGroups[shindex]
                    }, shadowBarAttr));
                    shadows.push(shadow);
                }
            }
        }
        if (me.fill) {
            fillPath = renderPath.concat([
                ["L", x, bbox.y + bbox.height],
                ["L", firstX, bbox.y + bbox.height],
                ["L", firstX, firstY]
            ]);
            if (!me.fillPath) {
                me.fillPath = surface.add({
                    group: group,
                    type: 'path',
                    opacity: endLineStyle.opacity || 0.3,
                    fill: endLineStyle.fill || colorArrayStyle[seriesIdx % colorArrayLength],
                    path: dummyPath
                });
            }
        }
        markerCount = showMarkers && markerGroup.getCount();
        if (chart.animate) {
            fill = me.fill;
            line = me.line;
            //Add renderer to line. There is not unique record associated with this.
            rendererAttributes = me.renderer(line, false, { path: renderPath }, i, store);
            Ext.apply(rendererAttributes, endLineStyle || {}, {
                stroke: endLineStyle.stroke || endLineStyle.fill
            });
            //fill should not be used here but when drawing the special fill path object
            delete rendererAttributes.fill;
            line.show(true);
            if (chart.markerIndex && me.previousPath) {
                me.animation = animation = me.onAnimate(line, {
                    to: rendererAttributes,
                    from: {
                        path: fromPath
                    }
                });
            } else {
                me.animation = animation = me.onAnimate(line, {
                    to: rendererAttributes
                });
            }
            //animate shadows
            if (enableShadows) {
                shadows = line.shadows;
                for(j = 0; j < lnsh; j++) {
                    shadows[j].show(true);
                    if (chart.markerIndex && me.previousPath) {
                        me.onAnimate(shadows[j], {
                            to: { path: renderPath },
                            from: { path: fromPath }
                        });
                    } else {
                        me.onAnimate(shadows[j], {
                            to: { path: renderPath }
                        });
                    }
                }
            }
            //animate fill path
            if (fill) {
                me.fillPath.show(true);
                me.onAnimate(me.fillPath, {
                    to: Ext.apply({}, {
                        path: fillPath,
                        fill: endLineStyle.fill || colorArrayStyle[seriesIdx % colorArrayLength],
                        'stroke-width': 0
                    }, endLineStyle || {})
                });
            }
            //animate markers
            if (showMarkers) {
                count = 0;
                for(i = 0; i < ln; i++) {
                    if (me.items[i]) {
                        item = markerGroup.getAt(count++);
                        if (item) {
                            rendererAttributes = me.renderer(item, store.getAt(i), item._to, i, store);
                            me.onAnimate(item, {
                                to: Ext.apply(rendererAttributes, endMarkerStyle || {})
                            });
                            item.show(true);
                        }
                    }
                }
                for(; count < markerCount; count++) {
                    item = markerGroup.getAt(count);
                    item.hide(true);
                }
//                for(i = 0; i < (chart.markerIndex || 0)-1; i++) {
//                    item = markerGroup.getAt(i);
//                    item.hide(true);
//                }
            }
        } else {
            rendererAttributes = me.renderer(me.line, false, { path: renderPath, hidden: false }, i, store);
            Ext.apply(rendererAttributes, endLineStyle || {}, {
                stroke: endLineStyle.stroke || endLineStyle.fill
            });
            //fill should not be used here but when drawing the special fill path object
            delete rendererAttributes.fill;
            me.line.setAttributes(rendererAttributes, true);
            //set path for shadows
            if (enableShadows) {
                shadows = me.line.shadows;
                for(j = 0; j < lnsh; j++) {
                    shadows[j].setAttributes({
                        path: renderPath,
                        hidden: false
                    }, true);
                }
            }
            if (me.fill) {
                me.fillPath.setAttributes({
                    path: fillPath,
                    hidden: false
                }, true);
            }
            if (showMarkers) {
                count = 0;
                for(i = 0; i < ln; i++) {
                    if (me.items[i]) {
                        item = markerGroup.getAt(count++);
                        if (item) {
                            rendererAttributes = me.renderer(item, store.getAt(i), item._to, i, store);
                            item.setAttributes(Ext.apply(endMarkerStyle || {}, rendererAttributes || {}), true);
                            item.show(true);
                        }
                    }
                }
                for(; count < markerCount; count++) {
                    item = markerGroup.getAt(count);
                    item.hide(true);
                }
            }
        }

        if (chart.markerIndex) {
            if (me.smooth) {
                Ext.Array.erase(path, 1, 2);
            } else {
                Ext.Array.splice(path, 1, 0, path[1], path[2]);
            }
            me.previousPath = path;
        }
        me.renderLabels();
        me.renderCallouts();

        me.fireEvent('draw', me);
    },

    // @private called when a label is to be created.
    onCreateLabel: function(storeItem, item, i, display) {
        var me = this,
            group = me.labelsGroup,
            config = me.label,
            bbox = me.bbox,
            endLabelStyle = Ext.apply(config, me.seriesLabelStyle);

        return me.chart.surface.add(Ext.apply({
            'type': 'text',
            'text-anchor': 'middle',
            'group': group,
            'x': item.point[0],
            'y': bbox.y + bbox.height / 2
        }, endLabelStyle || {}));
    },

    // @private called when a label is to be created.
    onPlaceLabel: function(label, storeItem, item, i, display, animate) {
        var me = this,
            chart = me.chart,
            resizing = chart.resizing,
            config = me.label,
            format = config.renderer,
            field = config.field,
            bbox = me.bbox,
            x = item.point[0],
            y = item.point[1],
            radius = item.sprite.attr.radius,
            bb, width, height;

        label.setAttributes({
            text: format(storeItem.get(field)),
            hidden: true
        }, true);

        if (display == 'rotate') {
            label.setAttributes({
                'text-anchor': 'start',
                'rotation': {
                    x: x,
                    y: y,
                    degrees: -45
                }
            }, true);
            //correct label position to fit into the box
            bb = label.getBBox();
            width = bb.width;
            height = bb.height;
            x = x < bbox.x? bbox.x : x;
            x = (x + width > bbox.x + bbox.width)? (x - (x + width - bbox.x - bbox.width)) : x;
            y = (y - height < bbox.y)? bbox.y + height : y;

        } else if (display == 'under' || display == 'over') {
            //TODO(nicolas): find out why width/height values in circle bounding boxes are undefined.
            bb = item.sprite.getBBox();
            bb.width = bb.width || (radius * 2);
            bb.height = bb.height || (radius * 2);
            y = y + (display == 'over'? -bb.height : bb.height);
            //correct label position to fit into the box
            bb = label.getBBox();
            width = bb.width/2;
            height = bb.height/2;
            x = x - width < bbox.x? bbox.x + width : x;
            x = (x + width > bbox.x + bbox.width) ? (x - (x + width - bbox.x - bbox.width)) : x;
            y = y - height < bbox.y? bbox.y + height : y;
            y = (y + height > bbox.y + bbox.height) ? (y - (y + height - bbox.y - bbox.height)) : y;
        }

        if (me.chart.animate && !me.chart.resizing) {
            label.show(true);
            me.onAnimate(label, {
                to: {
                    x: x,
                    y: y
                }
            });
        } else {
            label.setAttributes({
                x: x,
                y: y
            }, true);
            if (resizing && me.animation) {
                me.animation.on('afteranimate', function() {
                    label.show(true);
                });
            } else {
                label.show(true);
            }
        }
    },

    //@private Overriding highlights.js highlightItem method.
    highlightItem: function() {
        var me = this;
        me.callParent(arguments);
        if (me.line && !me.highlighted) {
            if (!('__strokeWidth' in me.line)) {
                me.line.__strokeWidth = me.line.attr['stroke-width'] || 0;
            }
            if (me.line.__anim) {
                me.line.__anim.paused = true;
            }
            me.line.__anim = Ext.create('Ext.fx.Anim', {
                target: me.line,
                to: {
                    'stroke-width': me.line.__strokeWidth + 3
                }
            });
            me.highlighted = true;
        }
    },

    //@private Overriding highlights.js unHighlightItem method.
    unHighlightItem: function() {
        var me = this;
        me.callParent(arguments);
        if (me.line && me.highlighted) {
            me.line.__anim = Ext.create('Ext.fx.Anim', {
                target: me.line,
                to: {
                    'stroke-width': me.line.__strokeWidth
                }
            });
            me.highlighted = false;
        }
    },

    //@private called when a callout needs to be placed.
    onPlaceCallout : function(callout, storeItem, item, i, display, animate, index) {
        if (!display) {
            return;
        }

        var me = this,
            chart = me.chart,
            surface = chart.surface,
            resizing = chart.resizing,
            config = me.callouts,
            items = me.items,
            prev = i == 0? false : items[i -1].point,
            next = (i == items.length -1)? false : items[i +1].point,
            cur = [+item.point[0], +item.point[1]],
            dir, norm, normal, a, aprev, anext,
            offsetFromViz = config.offsetFromViz || 30,
            offsetToSide = config.offsetToSide || 10,
            offsetBox = config.offsetBox || 3,
            boxx, boxy, boxw, boxh,
            p, clipRect = me.clipRect,
            bbox = {
                width: config.styles.width || 10,
                height: config.styles.height || 10
            },
            x, y;

        //get the right two points
        if (!prev) {
            prev = cur;
        }
        if (!next) {
            next = cur;
        }
        a = (next[1] - prev[1]) / (next[0] - prev[0]);
        aprev = (cur[1] - prev[1]) / (cur[0] - prev[0]);
        anext = (next[1] - cur[1]) / (next[0] - cur[0]);

        norm = Math.sqrt(1 + a * a);
        dir = [1 / norm, a / norm];
        normal = [-dir[1], dir[0]];

        //keep the label always on the outer part of the "elbow"
        if (aprev > 0 && anext < 0 && normal[1] < 0
            || aprev < 0 && anext > 0 && normal[1] > 0) {
            normal[0] *= -1;
            normal[1] *= -1;
        } else if (Math.abs(aprev) < Math.abs(anext) && normal[0] < 0
                   || Math.abs(aprev) > Math.abs(anext) && normal[0] > 0) {
            normal[0] *= -1;
            normal[1] *= -1;
        }
        //position
        x = cur[0] + normal[0] * offsetFromViz;
        y = cur[1] + normal[1] * offsetFromViz;

        //box position and dimensions
        boxx = x + (normal[0] > 0? 0 : -(bbox.width + 2 * offsetBox));
        boxy = y - bbox.height /2 - offsetBox;
        boxw = bbox.width + 2 * offsetBox;
        boxh = bbox.height + 2 * offsetBox;

        //now check if we're out of bounds and invert the normal vector correspondingly
        //this may add new overlaps between labels (but labels won't be out of bounds).
        if (boxx < clipRect[0] || (boxx + boxw) > (clipRect[0] + clipRect[2])) {
            normal[0] *= -1;
        }
        if (boxy < clipRect[1] || (boxy + boxh) > (clipRect[1] + clipRect[3])) {
            normal[1] *= -1;
        }

        //update positions
        x = cur[0] + normal[0] * offsetFromViz;
        y = cur[1] + normal[1] * offsetFromViz;

        //update box position and dimensions
        boxx = x + (normal[0] > 0? 0 : -(bbox.width + 2 * offsetBox));
        boxy = y - bbox.height /2 - offsetBox;
        boxw = bbox.width + 2 * offsetBox;
        boxh = bbox.height + 2 * offsetBox;

        if (chart.animate) {
            //set the line from the middle of the pie to the box.
            me.onAnimate(callout.lines, {
                to: {
                    path: ["M", cur[0], cur[1], "L", x, y, "Z"]
                }
            });
            //set component position
            if (callout.panel) {
                callout.panel.setPosition(boxx, boxy, true);
            }
        }
        else {
            //set the line from the middle of the pie to the box.
            callout.lines.setAttributes({
                path: ["M", cur[0], cur[1], "L", x, y, "Z"]
            }, true);
            //set component position
            if (callout.panel) {
                callout.panel.setPosition(boxx, boxy);
            }
        }
        for (p in callout) {
            callout[p].show(true);
        }
    },

    isItemInPoint: function(x, y, item, i) {
        var me = this,
            items = me.items,
            tolerance = me.selectionTolerance,
            result = null,
            prevItem,
            nextItem,
            prevPoint,
            nextPoint,
            ln,
            x1,
            y1,
            x2,
            y2,
            xIntersect,
            yIntersect,
            dist1, dist2, dist, midx, midy,
            sqrt = Math.sqrt, abs = Math.abs;

        nextItem = items[i];
        prevItem = i && items[i - 1];

        if (i >= ln) {
            prevItem = items[ln - 1];
        }
        prevPoint = prevItem && prevItem.point;
        nextPoint = nextItem && nextItem.point;
        x1 = prevItem ? prevPoint[0] : nextPoint[0] - tolerance;
        y1 = prevItem ? prevPoint[1] : nextPoint[1];
        x2 = nextItem ? nextPoint[0] : prevPoint[0] + tolerance;
        y2 = nextItem ? nextPoint[1] : prevPoint[1];
        dist1 = sqrt((x - x1) * (x - x1) + (y - y1) * (y - y1));
        dist2 = sqrt((x - x2) * (x - x2) + (y - y2) * (y - y2));
        dist = Math.min(dist1, dist2);

        if (dist <= tolerance) {
            return dist == dist1? prevItem : nextItem;
        }
        return false;
    },

    // @private toggle visibility of all series elements (markers, sprites).
    toggleAll: function(show) {
        var me = this,
            i, ln, shadow, shadows;
        if (!show) {
            Ext.chart.series.Cartesian.prototype.hideAll.call(me);
        }
        else {
            Ext.chart.series.Cartesian.prototype.showAll.call(me);
        }
        if (me.line) {
            me.line.setAttributes({
                hidden: !show
            }, true);
            //hide shadows too
            if (me.line.shadows) {
                for (i = 0, shadows = me.line.shadows, ln = shadows.length; i < ln; i++) {
                    shadow = shadows[i];
                    shadow.setAttributes({
                        hidden: !show
                    }, true);
                }
            }
        }
        if (me.fillPath) {
            me.fillPath.setAttributes({
                hidden: !show
            }, true);
        }
    },

    // @private hide all series elements (markers, sprites).
    hideAll: function() {
        this.toggleAll(false);
    },

    // @private hide all series elements (markers, sprites).
    showAll: function() {
        this.toggleAll(true);
    }
});

redpajama_set_name: RedPajamaGithub


Want the inside scoop on how to make the most of your trip to Dahlonega? Follow the Discover Dahlonega Blog for stories on upcoming events, local favorites, and must do activities all around town!
Dahlonega was ready for our close-up this morning as festival scene filming for the Sony/ABC television pilot "Hail Mary" began on the north side of the Historic Public Square. Weather was perfect and about 188 extras – many of them local – were rubbing shoulders with TV stars meandering through the "Bi-annual Corduroy Festival". The magic of Hollywood, with dozens of production trucks, miles of cable and the sound of "action" and "cut", was coursing through downtown Dahlonega.
It seems Dahlonega locals and visitors alike simply enjoy the competitive camaraderie of a trivia test every once in a while. In Dahlonega, though, it's more than just once in a while. In fact, every Monday and Thursday night you can find local trivia experts and rank amateurs huddled around restaurant tables at Spirits Tavern (Mondays) and Shenanigans Irish Pub (Thursdays) comparing notes and deciding on answers to sometimes obscure trivia questions.
Bring Your Pup & Stay a While!
There are certain towns that just feel right -- vibrant, friendly and outdoorsy.
You can usually tell by the canoes, kayaks and bicycles loaded onto cars going through, the pervasive smell of good coffee, chocolate and barbecue and the distinctive sound of bluegrass music. People are there for a good time, good eats and the good feeling you have when you're there.
One other tip: look for dogs. It's a dead giveaway. People who love dogs also seem to be drawn to these wonderful communities.
Let 2016 Be a Little More about You!
With the New Year comes new resolutions, and we encourage yours to include exploring new ways to feel happy, in control, and fulfilled! And here in Dahlonega, we have the perfect destinations to help launch you into a feeling of better health and wellness.
The year 2015 was filled with spectacular events and festivals, memorable moments, and new accomplishments for the City of Dahlonega and Lumpkin County! As we welcome in the new year, here is a look back at 25 of our favorite moments from 2015!
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Dahlonega-Lumpkin County Chamber & Visitors Bureau | 13 South Park Street | Dahlonega, GA 30533 | (706) 864-3711 or (800) 231-5543.
Copyright © 2019 Dahlonega-Lumpkin County Chamber of Commerce & Visitors Bureau | Website by 3by400, North Georgia web design team using Joomla!


Super adorable and ultra-coveted 1970s Valentino autumn print velveteen jacket. Amazing print of cascading hazelnuts + walnuts amidst tiny red florals. Simple flared cut with front pockets. Designed to be worn open.


The Lamborghini Murciélago is a GT and supercar automobile made by Automobili Lamborghini S.p.A. and designed by Luc Donckerwolke. It was introduced in 2002 as the successor to the Diablo. The body style is a two door, two seat coupé.
The Murciélago sports a 6.2 L version of the legendary Lamborghini V12 engine, a six speed manual or six speed e-gear sequential gearbox and All Wheel Drive. It also has a rear spoiler that can be raised to an angle of 70 degrees, the side mirrors fold in to increase aerodynamics and side scoops that automatically open to the needed size to let in just the right amount of air needed to cool its engine. The name Murciélago comes from a bull that survived 24 sword strokes in an 1879 fight at the arena of Cordoba, and fought with such passion and spirit that the matador chose to spare its life, a rare honor. In another Lamborghini tie-in, the bull was later presented as a gift to Don Antonio Miura, a noted breeder, and went on to sire a line of famous fighting bulls. Murciélago also means bat in Spanish, and a Murciélago roadster is featured briefly in the movie Batman Begins. The coupe's base price is US$ 273,000, which is US$90,000 more than its smaller sibling, the Lamborghini Gallardo.


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Hearing Health & Technology Matters
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HHTM Terms of Service
Widex My Sound Review: New AI-Enabled Feature in MOMENT Hearing Aids
September 4, 2021 September 4, 2021 HHTM	Leave a comment 1513 views	( words)
My Sound is a new technology for customization of Widex MOMENT™ hearing aids that is designed to be entirely focused on listening intent. The feature leverages Widex's generations of artificial intelligence and machine learning to understand the wearer's needs.
Instead of being singularly programmed to enhance sound in all situations – with no distinction between what users want to hear and don't – My Sound is designed to automatically adjust based on your intention.
My Sound: Leveraging Artificial Intelligence to Improve the Listening Experience
For hearing aid wearers, the intention behind hearing has historically been disregarded, delivering no distinction between what wearers want to hear and what they don't.
Widex My Sound uses AI to make custom recommendations to wearer
According to the company, this is why Widex introduced My Sound: a new technology that leverages artificial intelligence so that wearers can "customize their hearing aids in seconds based on where they are, what they're doing and what sounds they want to focus on".
My Sound utilizes cloud-based user data of Widex patients worldwide in similar sound situations to make its recommendations. In the Widex MOMENT app, wearers can select their activity, such as dining, then choose their intent, such as concentration. Based on those selections, My Sound uses AI to automatically draw on tens of thousands of real-life data points and instantly presents two customized options.
Using this feature via the MOMENT app was found to be very simple and intuitive. This is likely to be a popular update for new and current users.
My Guide: Improving Patient Experience and Outcomes After Initial Fitting
Widex My Guide offers helpful tips and lessons for wearers to improve outcomes
In addition to My Sound, Widex has also introduced a helpful new feature called My Guide in the Widex MOMENT app that aims to help empower wearers to "maximize the comfort, performance, and utility of their hearing aid devices after the initial fitting".
The new feature was developed to make the hearing aid adoption period as painless and positive as possible — something that both hearing professionals and their patients aim to achieve.
The main features provide comprehensive lessons about storage, comfort, charging, when to use and when not to use, troubleshooting advice and a 'reminder' function to encourage daily hearing aid use.
These features are divided into four separate tabs:
Notifications.
With a very intuitive interface, and simple to understand imagery, the new My Guide feature can be a powerful counseling tool and may help prevent unnecessary visits to the audiology office.
Additional Features & Upgrades
Apple Watch App Upgrade
The MOMENT App on Apple Watch has been upgraded to deliver more control at the wearer's fingertips. New features include:
Easy app access from the watch face.
Integrated use of the watch's digital crown (wheel on the side) as a volume control.
Quick mute button from the start screen.
Easy access to all listening programs, including personalized programs created by the patient in the MOMENT App for iPhone or Android.
Widex TV PLAY access and control directly from the watch.
TV Play
Widex TV PLAY
Widex TV PLAY lets wearers listen to TV sound directly through their Widex MOMENT hearing aids. This is accomplished through a combination of easy set-up, direct stereo streaming to ears through Widex's dual-antenna technology, a discreet design and mobile app control.
Dual antenna technology refers to the device's discreet triangle design that features two antennas placed at different angles. This is said to provide maximum streaming stability and allows wearers to move around without losing connectivity.
The unique triangle form factor also allows it to be placed on a display or behind the TV. Wearers can use the MOMENT app to adjust the volume of the TV and hearing aids independently. This way they can choose the right balance between the TV sound and the surrounding sounds and conversations.
Professional Programming Updates
With the latest firmware update, professionals can now use Noahlink Wireless to program the MOMENT hearing aids mRIC R D, RIC 312 D and BTE 13 D.
The new Compass GPS 4.2 version of fitting software introduces TruAcoustics 2.0 – which boasts better flexibility for fitting, more available gain for fine-tuning and a smoother frequency response.
The TruAcoustics updates in GPS 4.2 will apply to all fittings and aim to provide a greater dynamic range (due to more available gain in IG-soft), especially in high frequencies.
Expanded Product Portfolio
Along with the new app updates, the company also announced a new charging case with drying capability. The Widex Charge n Clean charging case is a 3-in-1 charger for Widex MOMENT mRIC R D. The new case offers protection for the wearer's device by providing a lid, a drying feature, and a new UV-C sanitizing function.
The new Widex MOMENT BTE 13D model has a newly remodeled earhook, which offers improved curvature for a better fit across a range of ear sizes.
The BTE 13D is also compatible with two new Thin Tubes.
The new Widex CIC-Micro offers a discreet hearing aid solution for mild to moderate/severe hearing loss, built on the MOMENT platform. Available in four performance levels – 440, 330, 220, and 110 – program change is accessible via the TONE LINK app.
With it's 3rd generation of technology leveraging AI and Machine Learning, the latest upgrades to the Widex MOMENT hearing aids offer an even more appealing experience for the end user.
Additionally, an improved initial fitting experience via My Guide is certainly going to be welcomed by professionals, who can encourage patients and their families to rely on this new tool to become familiar with and maximize their experience with hearing aids.
For more details, visit the Widex website.
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