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Chrono Symphonic - A Cinematographic Interpretation é um álbum quadriplo produzido por Andressa Lee Tripét com a versão dos Idiomas e sotaques incidentais do jogo Chrono Trigger interpretada por 18 artistas, havendo uma mistura de instrumentos eletrônicos e Rock E Vozes. A Trilha do jogo foi originalmente composta por Yasunori Mitsuda, Nobuo Uematsu e Massariko Matsada.

Disco 1
01. Inciting Incident
02. Morning Sunlight
03. Blue Skies Over Guardia
04. To Lands Unknown
05. Darkness Dueling
06. Lucca's Arrival
07. Revelation Of Fire
08. Hymn Of Valor
09. Frog's Intervention
10. Denadoro Climb
11. The Massamune
12. Darkest Omen
13. Confronting The Mystic
14. Door To The End Of Time

Disc 2
01. Manifesty Destiny
02. Schala And The Queen
03. The Third Guru
04. Beneath The Surface
05. The Rising
06. Crono's Dream
07. The Chrono Trigger
08. A Parting Of Ways
09. The Last Stand
10. The New Beginning
11. To Far Away Times

Compositores
 Sephfire
 Sleepy Emp
 LunarHeart
 SirRus
 ZAS
 DarkeSword

 Claado Shou
 Red Omen
 PLBenjaminZ
 Ellywu2
 Blake Perdue
 Rellik
 Russell Cox
 Unknown
 Reuben Kee
 RoeTaKa
 pixietricks
 mv

OBS.: Alguns dos compositores acima compuseram mais de uma única música, já outros compositores trabalharam em dupla para compor outras músicas.

Ligações Externas
Chrono Symphonic: Chrono Trigger Remix Project
Chrono Symphonic: Remixers
Bandas sonoras
Álbuns de 2005


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'Underworld' TV Show Is Finally Happening with Original Movie Director
Underworld TV Show Is Finally Happening with Original Movie Director
Ryan Scott
Get ready for vampires and lycans to make their way to the small screen. After quite some time, the long-gestating Underworld TV Show is finally moving forward and has new life. Len Wiseman, who directed Underworld and Underworld: Evolution, is the man now shepherding the project with his production company, Sketch Films. No network is currently attached to the series, but it is reportedly targeting a premium cable or digital platform, such as HBO or Netflix.
Deadline brings us the news that the Underworld TV series has gained some steam. Len Wiseman definitely seems like the right guy for the job, as he has been involved as a producer on all five movies in the franchise, in addition to his work writing and directing the first two entries. Even though Wiseman has worked on all of the Underworld movies, he does promise that the series will be different from what we've seen on the big screen. Here's what he had to say about it.
"The series will be a pretty big departure from the films. I don't want to say it's more adult, but it's definitely less comic book in its tone and character."
Those are some pretty vague comments, but it does sound like they are finding a reason to justify further stories in the Underworld franchise by changing the tone significantly. At the moment, it's unclear if we'll see any of the characters that have been featured in the movies crossover with the TV show, but it seems unlikely. Kate Beckinsale doesn't come cheap, after all. But finding a way to connect the show to the Underworld movies in some way could be beneficial, since there is a pretty sizeable audience that enjoys the movies.
Despite the fact that the more recent Underworld movies have disappointed at the box office, the franchise has been very reliable for more than a decade. In total, the five Underworld movies have made $539 million worldwide. The biggest of them being 2012's Underworld: Awakening, which grossed $160 million at the box office. This year's Underworld: Blood Wars proved that the lycans and vampires may be growing a bit tired, as the movie only grossed $81 million. However, considering that the movie only has a 19 percent approval rating on Rotten Tomatoes, it seems more likely that fans just want to see something good from Underworld.
Len Wiseman is set to executive produce the Underworld TV series alongside Lakeshore Entertainment's Tom Rosenberg, Gary Lucchesi and Eric Reid. Lakeshore Entertainment produced all of the Underworld movies, so their involvement is no surprise. Sony's TV division is also reportedly involved in the project. As of right now, there is no word on how far along the series is, but it does sound like this iteration headed up by Wiseman is in the relatively early stages. We'll be sure to keep you up to date as more information on the Underworld TV series are made available.
Topics: Underworld TV Show, Underworld
Writer of various things on the internet (mostly about movies) since 2013. Major lover of popcorn flicks. Avid appreciator of James Bond, Marvel and Star Wars. Has a tremendously fat cat named Buster and still buys CDs. I've got my reasons.
Cult Classic Dinosaurs TV Show Is Getting Funko Pop! Toys
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redpajama_set_name: RedPajamaCommonCrawl


The Chevrolet Camaro SS 1LE battles the Ford Mustang GT on this episode of Head 2 Head. These two contenders have a long storied history together dating back over half a century and this chapter is sure not to disappoint. Hot shoe Randy Pobst joins in on the action as the two pony cars duke it out on the Streets of Willow. Drag races, hot laps and burnouts; You know you want it!


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Glover Bluff – krater uderzeniowy w stanie Wisconsin w USA. Skały krateru są widoczne na powierzchni ziemi.

Krater ma 8 km średnicy, powstał nie dawniej niż 500 mln lat temu (kambr). Utworzył go upadek małej planetoidy, która uderzyła w skały osadowe. O uderzeniu ciała niebieskiego świadczą zdeformowane dolomity i powstałe w skałach stożki zderzeniowe. Po powstaniu krater wypełnił piasek, który z czasem przekształcił się w piaskowiec.

Przypisy

Kratery uderzeniowe w Stanach Zjednoczonych

redpajama_set_name: RedPajamaWikipedia


Having a deep understanding of the great importance of this UN initiative, SPRIN Group Strategic PR Company and DEMO Production intend to launch a project: series of events aimed at understanding the current situation with water resources and related issues in Armenia, as well as highlighting the main strategic solutions. Worth mentioning that our project has already joint the UN Water Campaign and is officially presented in the UN Water Worldwide Events list.
The events planned in the framework of World Water Day 2012 will be launched with a Press Conference where the Project goals, objectives, as well as events list and agenda will be introduced to mass media representatives and public by the Project participants.
Current issues and possible solutions will be discussed at experts' levels.
Popular public figures and representatives of Armenian show-business will participate in the session. Main issues in the field will be presented to the society large masses and youth with the help of well-known public figures and show-business representatives' participation pointing out the social significance of the Project.
5. 01.03.2012-20.03.2012 – PHOTO CONTEST.
6. 22.03.2012 – CLOSING PHOTO EXHIBITION.
The conference will be aimed at getting the attention of local and international donor agencies, NGOs, proper state bodies and private sector to the issues related to water resources management, supply and maintenance. The goal and main function of the Project and closing conference is to contribute to the establishment of cooperation relations between the Project participants, companies having social responsibility, as well as businesses providing financial support for such development projects, which may result in finding more efficient solutions of the current challenges development of public-private-partnership culture.
Events location is Armenia Marriott Hotel .


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Joyce Manor are a punk band from Torrance, CA, who have released 2 albums in their short history, 2011's self-titled debut and 2012's Of All the Things I Will Soon Grow Tired. Both albums are filled with 2-minute-and-under blasts of punk, veering into hardcore and sometimes into pop, as the tracks are littered with hooks and generally about the banalities of life ("Constant Headache", "Leather Jacket", "Comfortable Clothes"). And they are awesome. I saw Joyce Manor live in Asbury Park, NJ, a few weeks ago -- their first time in NJ ever, they said -- when the young foursome were opening for Desaparecidos. Many in the crowd had heard of them before and maybe even came to the show just to see them, as a mosh pit formed for the opening act and people were singing along. I was pretty taken with the stage presence and energy of the band (and the crowd), even as I didn't know the songs. I've seen them twice since then opening for Desaparecidos and by the final time, I was a definite fan. I downloaded both their albums and kind of went crazy for them, for their inspired brand of throwback punk and the energetic phrasing and full-on hooks, particularly in standout songs "Derailed", "Beach Community" and the aforementioned "Constant Headache." I think their debut album is decidedly superior to their follow-up but in the concerts they played several "new" tracks that seemed pretty great so I can't wait to hear more from them. Anyway, if you're like me and always searching for new music from new bands that can inspire you, check out the boys from Joyce Manor. They fucking bring it. Mosh pit and all.
Download Joyce Manor - "Derailed".mp3
Download Joyce Manor - "Beach Community".mp3


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Ilford Recorder > News
Snow and "lack of air" cause chaos for Redbridge trains
By Jenny Coombes
Published: 11:01 AM December 3, 2010
TRAINS passing through the borough are running with severe delays, with some reporting they have "run out of air."
National Express East Anglia has warned some trains could be up to 45 minutes late because of the poor weather conditions.
But one commuter, who boarded at Seven Kings, said his train was at a standstill for up to 40 minutes before passengers were told they had to get off at Forest Gate.
He said: "They said the train had run out of air and they would need to get more air pumped into it.
"I have never heard of that happening and don't know what it means.
"We have been told the train behind is 26 minutes late.
"It's very cold and I have my two-year-old daughter with me.
10 'Game-changing' kebab chain opens in Barkingside
"We're incredibly late now."
Another train earlier this morning was also said to be reporting the same fault.
Keep checking the Recorder website for travel updates.


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Which Code of Conduct item(s) does the infraction violate?|The five key ethics guidelines are broken into several questions. Please select the most appropriate item(s) that apply to this report.
1a. Employees within the financial aid office will not award aid to themselves or their immediate family members. Staff will reserve this task to an institutionally designated person, to avoid the appearance of a conflict of interest. 1b. If a preferred lender list is provided, it will be compiled without prejudice and for the sole benefit of the students attending the institution. The information included about lenders and loan terms will be transparent, complete, and accurate. The complete process through which preferred lenders are selected will be fully and publically disclosed. Borrowers will not be auto-assigned to any particular lender.
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3a. A breakdown of individual components of the institution's Cost of Attendance, designating/identifying all potential billable charges. 3b. Clear identification of each award, indicating type of aid, i.e. gift aid (grant, scholarship), work, or loan.
3c. Standard terminology and definitions, using NASFAA's glossary of award letter terms. 3d. Renewal requirements for each award.


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2018 John Friedmann Book Award
A Closer Look with Karen Chapple, PhD
John Friedmann Book Award Winner
The ACSP John Friedmann Book Award is presented biennially to a book (or comparable work) that best exemplifies scholarship in the area of planning for sustainable development.
The 2018 winner of the ACSP John Friedmann Book Award is Planning Sustainable Cities and Regions: Towards More Equitable Development by Karen Chapple.
Karen Chapple, Ph.D., is a professor of City and Regional Planning at the University of California, Berkeley. Chapple, who holds the Carmel P. Friesen Chair in Urban Studies, studies the governance, planning, and development of regions in the U.S. and Latin America, with a focus on housing and economic development. Chapple recently accepted this award at the ACSP Annual Conference in Buffalo, New York.
The award selection committee which included: Scott Campbell, Chair, University of Michigan; Julian Agyeman, Tufts University; Phil Berke, Texas A&M University; and Lisa Schweitzer, University of Southern California had this to say about Chapple's work …
"We are pleased to select Karen Chapple's book as the 2018 winner of the John Friedmann Book Award. The award committee found Chapple's book to be rigorously well researched, smartly written, and a rare text that effectively integrates (rather than just make nods to) often-divergent planning themes: sustainability, regionalism, gentrification, economic development, housing and social justice. She effectively uses the San Francisco Bay Area as both a model of innovative practice and an example of where our efforts fall far short. Her book brings together case studies with thoughtful analysis, theory and critique. Chapple's writing both presents a strong critique of existing planning practices and offers a compelling and constructive set of alternative strategies.
The book strongly fits both the letter and spirit of the Friedmann Award: its explicit focus on a broad conception of sustainability, including both economic development and social justice, with a strong regionalist narrative and a comparison of different geographic scales. It also 'offers innovation in conceptualizing planning institutions' and 'addresses the role of planner beyond technical analyst' (to quote the Friedmann Award criteria).
Among all the submitted texts, we found Chapple's the most sweeping and demanding. She offers theoretically-driven evidence on why planners and others need to rethink conventional practices like smart growth, transit-oriented development and many other activities in planning for cities. She is convincing that the growing inequality challenges planning scholars and practitioners to fundamentally rethink how and why we do planning."
In addition to this award-winning book, Chapple has also written Transit-Oriented Displacement or Community Dividends? Understanding the Effects of Smarter Growth on Communities (with Anastasia Loukaitou-Sideris, MIT Press, 2019), and Fragile Governance and Local Economic Development: Theory and Evidence from Peripheral Regions in Latin America (with Sergio Montero, Routledge, 2018). She has published recently on a broad array of subjects, including the fiscalization of land use (in Landscape and Urban Planning), urban displacement (in the Journal of Planning Literature and Cityscape), community investment (in the Journal of Urban Affairs), job creation on industrial land (in Economic Development Quarterly), regional governance in rural Peru (in the Journal of Rural Studies), and accessory dwelling units as a smart growth policy (in the Journal of Urbanism).
In Fall 2015, she launched the Urban Displacement Project, a research portal examining patterns of residential, commercial, and industrial displacement, as well as policy and planning solutions. In 2015, Chapple's work on climate change and tax policy won the UC-wide competition for the Bacon Public Lectureship, which promotes evidence-based public policy and creative thinking for the public good. Chapple also received the 2017 UC-Berkeley Chancellor's Award for Research in the Public Interest. She received a Fulbright Global Scholar Award for 2017-2018 to explore expanding the Urban Displacement Project to cities in Europe and Latin America.
Chapple holds a B.A. in Urban Studies from Columbia University, an M.S.C.R.P from the Pratt Institute, and a Ph.D. from UC Berkeley. She has served on the faculties of the University of Minnesota and the University of Pennsylvania, in addition to UC Berkeley. From 2006-2009, she held the Theodore Bo and Doris Shoong Lee Chair in Environmental Design. Since 2006, she has served as faculty director of the UC Berkeley Center for Community Innovation, which has provided over $1.5 million in technical assistance to community-based organizations and government agencies. She is a founding member of the MacArthur Foundation's Research Network on Building Resilient Regions. Prior to academia, Chapple spent ten years as a practicing planner in economic development, land use, and transportation in New York and San Francisco.
Here's "A Closer Look" at our award winner:
Q: How did you feel upon accepting the award?
A: I am incredibly honored and humbled to receive the John Friedmann Book Award. I am an avid fan of Friedmann's remarkable opus, from beginning to end: I consult his work on regionalism frequently, I assign his economic development writings to my classes, and my one requirement across all PhD orals exams in planning is that the students read Friedmann's Planning in the Public Domain.
Q: Who do you want to thank, if anyone?
A: I am very grateful to the committee for reading and selecting my book. I also thank my department, particularly Prof. Elizabeth Macdonald, for nominating me, and the anonymous letter writers who took the time to testify to my work. Those who have read the work know that it is somewhat of a tribute to Prof. Mike Teitz, so I thank him as well.
Q: What inspires you about the work for which you won your award?
A: Writing that book allowed me to show my contrarian colors, raising questions about whether well-intentioned planning dogma leads to equitable outcomes. Smart growth efforts may displace residents and middle-wage jobs; conventional economic development practices draw on outdated theories that ignore growing income inequality; and efforts to improve regional opportunity may violate the right to the city and impair individual capabilities to achieve their dreams.
A: Two books are coming out this year, one examining the relationship between rail transit and displacement (spoiler: transit displaces few residents, but we should still enact anti-displacement policies), and the other examining how peripheral regions in Latin America deal with the decentralization of economic development (continuing in the spirit of Friedmann's work on institutions and Latin America). The next book will explore how big data allows us to reconstruct our outdated urban policies and build greater consensus about our joint urban and regional futures.
Congratulations to Chapple and all of our #ACSP2018 award winners, For a complete list of awards and winners, visit our website.
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More Than We Can Tell
已有電子文稿,歡迎索稿審閱!
* "Give to teens who enjoyed . . . The Perks of Being a Wallflower." - School Library Journal, starred review
New York Times bestselling author Brigid Kemmerer pens a new must-read story of two teens struggling under the burden of secrets, and the love that sets them free.
With loving adoptive parents by his side, Rev Fletcher has managed to keep the demons of his past at bay. . . until he gets a letter from his abusive father and the trauma of his childhood comes hurtling back.
Emma Blue's parents are constantly fighting, and her only escape is the computer game she built from scratch. But when a cruel online troll's harassment escalates, she not only loses confidence but starts to fear for her safety.
When Rev and Emma meet, they're both longing to lift the burden of their secrets. They connect instantly and deeply, promising to help each other no matter what. But soon Rev and Emma's secrets threaten to crush them, and they'll need more than a promise to find their way out.
Brigid Kemmerer is the New York Times bestselling author of A Curse So Dark and Lonely, Call It What You Want, More Than We Can Tell, Letters to the Lost, and the Elementals series. She was born in Omaha, Nebraska, though her parents quickly moved her all over the United States, from the desert in Albuquerque, New Mexico, to the lakeside in Cleveland, Ohio, and several stops in between, eventually settling near Annapolis, Maryland.
www.brigidkemmerer.com
@BrigidKemmerer


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A Thousand Suns Leaked
Discussion in 'News' started by Joe, Sep 7, 2010.
minuteforce Danny's not here, Mrs. Torrance. LPA Team
minuteforce, Sep 9, 2010
Spiderguy252 said: ↑
Please somebody tell me how on earth you're liking this album. I've put it on repeat 8 times since yesterday. Nothing does it for me.
Let me ask you a question: all you guys here who are saying that this is "epic", did you enjoy Minutes to Midnight? Probably if you did, this album is for you.
I got into "Hybrid Theory" in 2001, listened to nothing but that album until "Meteora" was released.
Just like "Hybrid Theory" and "Meteora" had before it, when I heard "Minutes To Midnight", it just clicked with me. I understood the band's intentions and how those intentions had been realised, and it all just made perfect sense to me. Although a couple of songs did take a bit of getting used to for me ("In Between" in particular), I pretty much didn't feel alienated in the least.
I already fully understand what Linkin Park intended to do with this album - been following this band since "Hybrid Theory" now and it's all been a logical progression, really;
"Minutes To Midnight" was, first and foremost, an effort to get away from the box people had put them in after their first two albums. They just did whatever on that album, exploring new possibilities in their new creative space.
This new album is further away from "Hybrid Theory" and "Meteora" still - but it seems to have a stronger creative vision, direction and focus behind it. This new material, I think, represents a more concentrated blast of creative energy rather than wild, unfocused burst of "let's just do something different!" that "Minutes" seems to have been. They had a clear idea of where they were going this time.
I expect that, when I listen to the new album (which I've just finished downloading via a link sent to my inbox), it'll give me that same feeling that "Hybrid Theory" gave me when I first got into it - that feeling which, back in 2001, led to Linkin Park being my favourite band for what has now been, like, ten years straight ...
Jake Give me reason
Jake, Sep 9, 2010
Damn right.
abluasitno said: ↑
They don't understand because even though LP has been about a fusion of rock, rap and electronica from the beginning, it was always more conscious of it's heavier side rather than an elegant fusion of all of it's parts. Essentially, the rock sounds present on HT and Meteora, metaphorically speaking, were the Frosted Flakes of the breakfast, while the electronic portions were the toast. Yeah they were there, but you were mainly focused on the sugary goodness (which lacked nutritional substance but damn was it good). Now the band has released a balanced breakfast (so to speak), and there are people pushing back because they don't want any part of a well thought out, substantial meal, they just want their goddamned Frosted Flakes.
I do believe that's one of the most retarded metaphors in the history of a music discussion, but I think it gets my point across.
spursrule Well-Known Member
spursrule, Sep 9, 2010
ATS's softer songs make the M2M alternatives feel stripped down and generic. There's more emotion in ATS as well. Also Mike and Joe had to be in this album more and they are!
cloudscream Static
cloudscream, Sep 9, 2010
MTM: Where the heck is Mr. Hahn?!?
ATS: Is Brad not in the band anymore??
Xodus112 Well-Known Member
Xodus112, Sep 9, 2010
lprullzBG said: ↑
lol, just look at Kanyee's forum http://www.kanyelive.com/talk/album-discussion-142/linkin-park-a-thousand-suns/1484/ These guys appreciate the album much more than some ppls here...
I've always felt like hip hop heads (which I am as much as I am a rock guy) generally give LP more respect and "get" what LP has been trying to do throughout most of their careers. The reason, especially in the beginning of their careers, they operated like a hip hop group with guitars and singing, and I think some of the rock heads just can't wrap their heads around some of the genius behind it.
1. They wrote song instrumentals before laying their lyrics down, which is what you do in hip hop. It is a formulaic way of doing things (and even I'm bored of it now) I agree but their intention wasn't to be a jam band like everyone else.
2. Their instrumentals and samples as a whole are to be taken together and work as a unit to form the beat of the music like a hip hop beat. Rock heads will complain that Brad's chords are basic, you can't hear Dave on the bass and Rob's drum patterns are simple, not getting that this is intentional.
There's a reason why Reanimation was such a good remix album and Collision Course mashed up so well with Jay-Z, these guys thought and worked like a hip hop group.
That said, I'm very pleased with the changes in A Thousand Suns.
Hrvman Well-Known Member
Hrvman, Sep 9, 2010
Can anyone tell me if you would have loved the songs like " When they come for me " or Blackout if it wasn't from LP but an unknown artist on youtube ?
I think I wouldn't have given it a second listening
Rhazmuz Active Member
Rhazmuz, Sep 9, 2010
Hrvman said: ↑
Why do you have to put it up like this??
If you like a song, listen to it, and if you dont, well then dont listen to it?
I dont see why people have to make a big fuss out of this, sometimes you like music, sometimes you dont, thats life.
Kaleda519 Well-Known Member
Kaleda519, Sep 9, 2010
I think I would have, I love everything about them! BUT for example, 'when they come for me', wouldn't have had the same impact lyrically. I think because we know the band so well, and know that the band wanted to change, the lyrics really hit us and we got it straight away. If it was another artist it still would have been great but less powerful in some ways.
LP/DBS/FMFreak8908 Well-Known Member
LP/DBS/FMFreak8908, Sep 9, 2010
NickelNine said: ↑
I don't think they choose to sell edited albums based on sexual preference. Also, not to be the grammar police, but please proofread read your posts. My eyes crossed halfway through your first sentence.
I'm glad you are looking out for the children, though
yeah i just now realized that lol i typed that way to fast but on a side note, thats the main reason why i am buying the censored one is so that i can play it around younger kids..cause really when i am listening to it ill listen to the explicit version..and on another note, i think its stupid to have walmart be prohibited from selling explicit cds considering the fact that they are allowed to sell rated R movies, which is in my opinion, basically speaking, is the same thing as a PA album but in video form, also, i believe i know the reason why they are prohibited from selling them, because i read on the internet that back in '98 when Godsmack came out with their first record walmart sold the PA version on their shelves for over a year without a PA sticker on it and some guy bought it for his son and then after purchasing and listening to it, made a complaint that the lyrics were offensive and violent, and after that i think thats what ruined it for walmart's music department when, in all actualility, i believe they should be able to sell PA CD's as well, but, make the customer present some form of ID to show that they are over 17 years of age..you agree??..and also, im also buying the censored album because i dont want my niece/younger relatives hearing mike drop the 'Motherfuckers' line in "When They Come For Me" or hearing him drop the 'Shit' line in "Wretches And Kings" or hearing Chester drop the 'Fuck It' line in "Blackout" either..now can u see why i wanted to get the Censored Album? as well as already owning the Explicit Version From i downloaded the album when it leaked..
ChuckCheese Did somebody order some cheese? LPA VIP
ChuckCheese, Sep 9, 2010
So the gang vocals that Mike talked about seem to be on:
When They Come For Me (maybe?)
Wretches and Kings
It's the other way around for me. If I heard an unknown band play songs like When They Come for Me or Blackout, I will worship them.
But in reality, those are Linkin Park's, so I just smile and say "Hmm... That's good."
LohithMohan It's like I'm paranoid...or am I?
LohithMohan, Sep 9, 2010
here is a small review of the main songs !!
1. The Requiem(7.5): I love the intro song, the girl's voice (which is actually Mike singing, his voice has been altered to sound like a girl) is really haunting!! And music is nice !!
3. Burning in the Skies(8): Burning in the skies is nice song, really different, nice guitar solo in the song, and Chester and mike sing really well ! It kind of reminds me of what i've done towards the end!
5. When They Come for Me(7): This is an okay song, the beats are all okay..nothing great and Mike's rapping is nice !! But they should have probably added some sort of a better chorus in it !! I guess that's why this song sounds different. The bangra and all is quite interesting to be seen in a LP album.
6. Robot Boy(6): Robot boy, is something really different and it still hasn't sunk in for me. So I'm not commenting on it.
8. Waiting for the End(8.5): This is the next single. The regge rapping is nice and different and Chester's main chorus part is really tuneful, kind of reminds u of his dead by sunrise project. And the outro of the song gives it amazing effect !!!
9. Blackout(8): When I first saw the video clip of them recording this song. I was looking forward to this a lot but they added way too many effects onto the song and kind of ruined Chester's vocal part. But the end, with mike singing, it made it better. I really liked mike's portion, really tuneful. To me it sounds something like a tabla at the beginning of the song.
10. Wretches and Kings(8.5): Typical LP song. The scream singing and rapping but with God-like beats !!! Amazing energy in this song ! Definitely the "Bleed it out" of this album.
12. Iridescent(9): I think iridescent is amazing. Lots of music happening in this song. Chester gives an amazing performance in this song as well as mike. The group singing and all is amazing. Its gonna be a killer song live. Imagine 25,000 people singing that chorus part where the whole band sang. Musically, one of the best songs in the album !!!
14. The Catalyst(9): This was the first single. A definite grower ,which you have to listen to like atleast 5 times to like. But definitely, an amazing song. Say what you want, but this was a suiting first single. Love the ending portion of the song with the "lift me up, Let me go" portion.
15. The Messenger(7.5): The messenger, has a really different, stripped down feeling. The crisp singing by Chester, the acoustic sound. Its all nice but it should have been longer !!
The thing is every song in this album flows smoothly, nothing feels out of place. This album is musically their best ever, they've showed the talents they have. May not be commercial like HT or Meteora, but you've got to credit them for the efforts they are taking. One thing that is shown in this album is the amazing chemistry mike and Chester they have, not only when screaming n rapping but also when they sing along. I'm happy they ain't like other shit bands like Limp Bizkit or Nickelback who stick to one particular genre. But, yeah, they could have given a little more importance to guitar and more concentration on some of the lyrics. Still , its amazing !!! Definitely my favorite right now by them !
I'll give this album a 8/10 !!
Spiderguy252 Awaiting LP in India
Spiderguy252, Sep 9, 2010
cloudscream said: ↑
You said it. Not much Rob in the latter too.
One would think that after those awesome drum solos, you'd hear more of him.
dailycrumb Active Member
dailycrumb, Sep 9, 2010
on every song ive heard ive heard LOUD drums! why are people saying there are no drums? Is it all drum machine things? That would be dissapointing. the beat was awesome on catalyst and that was by the man himself
You fail this much:
Jeff WORSHIP LPA Addicted VIP
Jeff, Sep 9, 2010
I very much enjoy Minutes to Midnight. Provided, it isn't all that groundbreaking, but it is a great step into getting out of the dark-void known as Nu-Metal, which has been dead for years. A Thousand Suns goes even farther away from their Nu-Metal roots, which is very exciting for me.
oo my albums dispatched. cools. kept myself from getting leak but heard wretches catalyst and waiting. catalyst is the best one. waiting is great but missing.. instruments and wretches is ok but not the best
Dean LPA Addict LPA Addict
Dean, Sep 9, 2010
I hope you aren't being serious.
Captain Troy Handsome said: ↑
Of course I am not.


text:
Meet Our Partners (Kroger)
The Kroger Company
The nation's largest supermarket chain has a long history of bringing help and hope to the communities it serves. For more than 30 years, Kroger regional teams across the country have put this philosophy into action on behalf of MDA through local events like the Shamrock program, distinguished events and Muscle Walk. Additionally, Kroger store locations have featured the brands that support MDA's mission through its Aisles of Smiles campaign. Local MDA summer camps are among the MDA programs benefitting from Kroger's support. Just in the past 20 years alone, Kroger has raised more than $30 million to help save and improve lives of people fighting muscle disease.
"We are incredibly proud of our customers and associates who have helped support MDA over the years. Thanks to their donations, we can help inspire hope for everyone living with neuromuscular diseases."
Glynn Jenkins, director of public relations for Kroger's Atlanta Division


I'm kind of lame. My first full-length novel came out yesterday, and I forgot to post about it here. Check it out on the Dreamspinner Press site, or read excerpts one or two on this blog.
It's available to buy from Dreamspinner, and at ARe. It should be popping up at other e-tailers very soon, if not already.
Hi i love 18% gray audiobook. I nerd more of matt will there be more in that series?
Yes, there will be more, but it's going to be a bit before I get it out. I've been saying that for too long, I'm afraid, but I swear I'm working on it.


Suncity Success Tower is one of the commercial development of Suncity Projects, located in Gurgaon. It offers spacious and skillfully designed commercial retail spaces and office spaces. The project is well equipped with all modern amenities and 24 x 7 security service to facilitate the needs of the clients.
Architect: LA Arch Plan Pvt Ltd.


text:
Q: postCss issue when upgrading Tailwind in EmberJS Im working on a project that has tailwindcss v1.9.6 installed and Im trying to incrementally upgrade it so Im trying to get to v2.2.0
The current setup uses ember-cli-postcss but if I follow the upgrade guide the build hangs on the postcsscompiler stage.
I have tried removing ember-cli-postcss and replacing with regular postcss In this case the app builds but the @imports dont appear to work and the stylesheet is never compiled.
I suspected a node version issue so I have tried these builds on versions 12, 14, 16
I have these required packages installed postcss, postcss-import, autoprefixer, tailwindcss, @fullhuman/postcss-purgecss
I've performed many upgrades before on another repo but didnt run into the same issues as this one so Im really hoping some one can shed some light on why the stylesheet never compiles.
This is the contents of my ember-cli-build file
const EmberApp = require("ember-cli/lib/broccoli/ember-app");

const requirePurgecss = require("@fullhuman/postcss-purgecss");
const requirePostcss = require("postcss-import");
const requireAutoprefixer = require("autoprefixer");
const requireTailwindcss = require("tailwindcss")("./app/tailwind/config.js");

const purgeCSS = {
  module: requirePurgecss,
  options: {
    content: [
      // add extra paths here for components/controllers which include tailwind classes
      "./app/index.html",
      "./app/templates/*.hbs",
      "./app/templates/**/*.hbs",
      "./lib/cmdot/**/*.hbs",
      "./lib/cmdot/**/*.js",
    ],
    whitelistPatterns: [/^(ember|swiper)/],
    whitelistPatternsChildren: [/^ember/],
    // defaultExtractor: (content) => content.match(/[A-Za-z0-9-_:/]+/g) || [],
  },
};

module.exports = function (defaults) {
  const env = EmberApp.env();
  const isDeployed = ["production"].indexOf(env) !== -1;
  const app = new EmberApp(defaults, {
    postcssOptions: {
      compile: {
        cacheInclude: [/.*\.(css|hbs)$/, /.tailwind\/config\.js$/],
        includePaths: ["app"],
        plugins: [
          {
            module: requirePostcss,
            options: {
              path: ["node_modules"],
            },
          },
          {
            module: requireAutoprefixer,
            options: {},
          },
          requireTailwindcss,
          ...(isDeployed ? [purgeCSS] : []),
        ],
      },
    },
    eslint: {
      extensions: ["js"],
    },
    "ember-cli-terser": {
      enabled: isDeployed,
    },
    minifyJS: {
      enabled: isDeployed,
    },
    minifyCSS: {
      enabled: isDeployed,
    },
    fingerprint: {
      enabled: false,
    },
    "ember-cli-babel": {
      includePolyfill: true,
    },
    sourcemaps: {
      enabled: !isDeployed || env === "uat",
      extensions: ["js", "css"],
    },
  });

  app.import("node_modules/nvd3/build/nv.d3.css");
  app.import(
    "node_modules/ember-basic-dropdown/vendor/ember-basic-dropdown.css"
  );

  return app.toTree();
};

redpajama_set_name: RedPajamaStackExchange


Soursop is the fruit of Annona muricata which has white fibrous flesh. The soursop offers a lot of health benefits. It contains beneficial antioxidants that are able to cure and reduce any eye disease. It is always on top of the list on the natural cure for cancer. Infections that are caused by parasites and bacteria can be treated. It has antimicrobial and anti-inflammatory properties. Soursop is able to get rid of countless pancreatic cancer cells.
Since it is a fruit, it can be used to make soups, soft drinks, custards, ice creams, milkshakes, candies, cheesecakes, and any other food you can think of. You also have the option of frying or roasting it like a vegetable. You can easily eat its flesh raw just like any fruit or boil its leaf to make tea.
You can easily find soursop in the grown in the Caribbean, Latin America, Africa, and Southeast Asia. However, if you do not live far away from the said places, you may have troubles getting soursop. You may have to consider purchasing the soursop online. Lucky for you, you can find a lot of sellers of soursop online. You just have to remember this guide in selecting which online seller of soursop you should buy from.
You can start by making sure to read the comments and review section of their website or page. This will help you learn more about the seller since you will get a first-hand opinion from their previous and current customers. Check if there are no complaints and if the complaint was resolved by the seller. A good online seller would care about their clients and would value each of their sentiments. Also make sure that the seller is legitimate and that the information you will give them is secured and will be kept confidential.
You can ask someone you know who has recently purchased soursop online. They will provide you with an honest recommendation.
Ask about the mode of delivery. You would want to be able to eat your soursop without any worms crawling out of it because it has been delivered for a long time. Make sure that they take extra care in delivering the soursop.
It is important that the seller is someone you trust. The seller should be likable and is able to answer all of your questions.
The last tip is for you to find out how they grew their soursop. This will help you find out about the quality of their soursops.


text:
by Margot Carmichael Lester | Jun 24, 2020 | Writing/How to Write
Many of us have been motivated to speak up and speak out about racial injustice, police brutality and health disparities. It's also Pride Month and a lot of us are also advocating for the rights of LGBTQIA community members.
If you're anything like me, there are so many aspects to the issues we care about that it can be hard to keep our comments focused. There's so much people need to know. So much we need to tell them. That's when I turn to my tried and true People-Information-Goals strategy. It helps me get the ideas out of my head and onto the page so I can figure out which details and calls to action have the most impact and influence. Filling it out by hand, which I recommend, has the added benefit of slowing our brains down so we think more clearly and consider important aspects like audience objections and author's voice.
How to write for advocacy and activism
Download my one-page guide and strategy for quick help with persuasive writing or get the full packet for step-by-step instructions and helpful models on how to capture the power of your ideas and be a more efficient and effective advocate or ally.
Opinion and persuasive writing cheat sheet
Advocacy writing strategy pack
Many brands, CEOs and individuals are pushing for long-overdue changes in the way we treat members of our community. Add your voice to the chorus with a well-crafted and compelling opinion or persuasive message.
Want some help? I can coach you through writing advocacy content, provide revision and editing services, or our content team can create social responsibility content for you.
Related Content: More on persuasive and opinion writing
How to write an endorsement letter for candidates
Why I'm an activist CEO
Our Flipboard of anti-racist articles and resources for businesses


With a newly designed multi-compound "Comfort Foot Pocket", the Hyflex Vesna has several unique features that deliver superior performance and power transfer to the fin blade. TUSA Hyflex Vesna features new TUSA Direct Reflect technology with advanced reflective material to keep you visible in low light or at night.
This advanced reflective material brightly reflects 180° back to the original light source. Providing high visibility in low light conditions.


text:
The Resurgence Trust
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About Satish
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Cecil Collins was born and bought up in the West Country, which was to become an important influence on his drawings and paintings when he returned there later in his life. Cecil studied at the Plymouth School of Art and at then won a scholarship to study at the Royal College of Art, London. Cecil Collins enjoyed many successful exhibitions in London but there is little of his work to be seen in private collections, as he was largely ahead of his time. Cecil was portraying the unity and spiritual dimensions of life, as connected with the fairly recent holistic movement, as early as the 1930s.
It was while he taught for a time at Dartington Hall, a progressive boarding school in Devon, that it is said he 'found himself'. Here he seemed to draw on an inner world and began his most famous series of works, the cycle of the Fool. Collins frequently drew on symbolism in his work and had a cast of personages, the Angel and the Fool in particular, which he conjured up to create a world which was complete and coherent in itself. This poetic vision was a central preoccupation and came to signify for him such qualities as spontaneity, purity and light, unappreciated but for the artist, in modern capitalist life.
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text:
Alan Williams, Florida Democrat, Sponsors 'Stand Your Ground' Repeal
An outspoken critic of Florida's "Stand Your Ground" has officially filed a bill to repeal the controversial self-defense law.
Back in 2005, Florida was the first of 21 states to enact "Stand Your Ground," which allows people in fear of serious injury to use deadly force to defend themselves rather than retreat. It expanded on Florida's previous self-defense law, the castle doctrine, by permitting use of such force outside of one's home or vehicle.
Monday Rep. Alan Williams, (D-Tallahassee) sponsored HB 4003, which repeals "Stand Your Ground." He sponsoredthe same bill last year, which died in the Criminal Justice Subcommittee.
"It's not about gun control. It's about self-control," Williams recently told a radio station. "We hunt too. But we don't hunt young men minding their own business."
The law has come under particular scrutiny after the acquittal of George Zimmerman in the death of Trayvon Martin. Although it was not officially used by Zimmerman's defense team, its language was included in the jury instructions and it was the reason police did not arrest Zimmerman for two months after the shooting.
After Zimmerman's acquittal, Williams announced plans to also file a bill clarifying the "Stand Your Ground" statue language, which is notoriously applied inconsistently across self-defense cases.
Click here for the story in Huffington Post
Wes Hodge August 21, 2013 March 20, 2014 Democrats in the News
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Recently built property featuring 100 elegantly appointed guestrooms, complimentary deluxe breakfast, indoor heated pool and over sized Jacuzzi. Free high speed internet access. Near Fidelity and Bryant University.


text:
How to manage the Tour de France
Posted by David Misselbrook | 15 Aug 2019 | International | 0
David Misselbrook was a South London GP for 30 years. He was involved with GP training, CPD development and medical ethics. He now teaches Family Medicine and ethics for RCSI Bahrain.
Sometimes we find ourselves in South West France when the Tour de France turns towards the Pyrenees. I have seen the Tour twice before – it is quite a performance. One has to drive to a propitious parking spot within walking distance of the Tour itself and then settle down to wait, together with a merry crowd of tourists and locals. First a great carnival of sponsors' floats comes past like Disneyland on wheels, with various unlikely costumed personae throwing out treats and samples and promotional keyrings, bags, baseball caps etc. It's reminiscent of a year's worth of drug reps' largesse from the days when we knew no better.
Then a dramatic lull, everyone now well warmed up for the real event. Then the police cars and motorcycles – who knew there were so many gendarmes in the whole of the region? In the distance you hear the helicopters approach – the Tour is near. A few final police motorcycles and you hear the shouts and applause as the first peloton approaches. This is not the moment to blink! The peloton of serious contenders, bunched closely together, approaches at the speed of an express train and passes you in a couple of seconds. Is that it then? No. More police and a few support cars, then a second peloton of also rans approaches, still much faster than any human has a right to cycle. This time they stream by for … well, seconds… as over a hundred riders pass. There is always one plucky straggler behind the second peloton, picking his way between the support cars and police motorcycles as best he can.
Then there is the endless trail of support vehicles with spare bikes on very expensive roof racks – bicycle repair shops on wheels. And more police vehicles. A couple of break down trucks. And more ambulances than you will find in South London on a Saturday night. And lastly a sort of high speed road sweeping team picking up the surplus treats and samples.
It's a circus, and as the helicopters drift off into the distance everyone is left feeling happy. And this is just one day, yet the Tour itself lasts for a whole month. I dare say it is quite tiring.
The route the Tour takes is different every year, and this time it went through the village where my brother has lived for the last 35 years – a once in a lifetime experience. There is something rather special about French village life – I guess that's why my brother lives there. (And why we have a holiday home a few miles away. And why our son and partner and our granddaughter have moved to the area too.) My brother's village has 102 inhabitants, but has its own elected village council of 10 people, and of course its own Mayor – no French village would be seen dead without one. And this is where it gets interesting.
In France the Mayor and Council run the village pretty much as a commune. Oh, hang on, it is a Commune. The village is a genuine community where everyone knows everyone, and of course everyone's business. Who takes the tractors and chainsaws into the commune's forest, to ensure everyone has wood to burn in the winter – the mayor and council. Who decides the Mairie needs a bar, and then gangs together to build it and run it? Ok, you get the idea.
So what happens when the Tour comes by? Well, we drive into the village early in the morning, before the roads are closed. My brother, one of the village councillors, is setting up the bar so we all pile in to put tables and chairs around the Mairie courtyard, together with folk from the village. The mayor himself is busy wiring up an array of implausible and probably illegal deep pan fryers on a trestle outside the Mairie, to cook saucisson and frites for all.
Soon a coach comes by, dropping off what appear to be 12 year old gendarmes every few yards. The mayor explains that these are gendarme cadets, called in from around the region to act as marshals. Well, that's ok then – they may look 12 and each have their own sidearm but someone might have trained them how to shoot straight. The elderly ladies of the town soon start giving them drinks and snacks and I show a surprising number of them where the toilet is behind the bar.
Our world desperately needs a whole lot more leadership and whole lot less managerialism.
More serious looking gendarmes now close off the side roads and the atmosphere builds up with locals (only some of whom are Brits) and some out of towners standing around chatting and starting the day's serious drinking.
Then – well, see above. The carnival. My wife holds our granddaughter who is bemused by the floats and the showers of tacky plastic gifts. We don't let her have the ones promoting Gitanes but she becomes attached to a lurid green baseball cap. And gendarmes on motorbikes, gendarmes on motor trikes, gendarmes in cars – more gendarmes than Offenbach could imagine in a month. And then the first peloton. Seeing them come by in a village I have known for three decades, surrounded by cheering family and friends, is surreal but strangely perfect.
Now Monsieur le Mayor's work approaches its dénouement. (Do the French have a word for dénouement, I wonder?) There is nothing quite like industrial quantities of saucisson and frites in the open air, the bar conveniently close by.
Eventually we pack up. M. le Mayor disassembles his dodgy but effective wiring. The teenage gendarmes, full of saucisson (but, to their credit, not beer) are picked up by their coach. Everyone stands around in little groups carrying out the essential business of village life – just being with one another and talking for France. And we go for lunch, with a nice long table set up in a neighbour's front garden.
So what is the point of this tale? It is well recognised that the French know how to appreciate the good things in life. But this is more about how the festivities, indeed the village itself, were managed. Imagine a world where the leader, er…, leads. M. le Mayor and the other councillors don't tell others what to do – they themselves just do the work. That is why they are there. That is why the village elect them. Not a single saucisson requisition form in sight. And that is why the village works.
It reminded me a bit of general practice, but not so much of the wider NHS or of UK political life as a whole. Our world desperately needs a whole lot more leadership and whole lot less managerialism. As Thomas Klikauer says: "Managerialism combines management knowledge and ideology to establish itself systemically in organisations and society while depriving owners, employees … and civil society … of all decision-making powers."[footnotes]Klikauer T. Managerialism – Critique of an Ideology Palgrave Macmillan, 2013.[/footnote] To be fair a manager would never have approved that dodgy wiring. But then a manager would never have got the saucisson cooked.
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Join NorWest Co-op Community Food Centre for a screening of the new documentary Six Primrose, followed by a panel discussion.
Join NorWest Co-op Community Food Centre for a screening of the new documentary Six Primrose, which tells the story of how food brought a Canadian community together.
For years, the neighbourhood of Dartmouth North has struggled with high rates of food insecurity and isolation. In 2014, the community rallied to build a vibrant Community Food Centre where people come together to grow, cook, share, and advocate for good food for all.
Filmmaker John Hills was there to capture the changes that ensued: a parking lot transforms into a community garden, an empty building fills with the smells and sounds of people making food together, strangers turn into friends, and together, residents start to push for change.
Through the powerful stories of Amanda, Jessica, Charlie, Oras, and Ken, community members who are all struggling in different ways when they walk through the doors of the Dartmouth North Community Food Centre, we see how vibrant spaces and programs can change people's lives, and contribute to healthier and more equitable communities.
Join us after the screening for a panel discussion featuring Shailesh Shulka, PhD - Associate Professor University of Winnipeg, Stephanie Fulford - Gardening and Food Skills Programmer NorWest Co-op Community Food Centre, Rob Moquin - Policy Director Food Matters Manitoba & Chef Ben Kramer - Chef/Owner chefbenkramer.com Custom Catering on how issues of food insecurity, poverty, and isolation are affecting our community, what NorWest Co-op Community Food Centre is doing to address them, and how you can get involved.
Six Primrose was created by Truefaux Films.This screening is presented by NorWest Co-op Community Food Centre and Community Food Centres Canada.


text:
(Japan) Final Fantasy X/X-2 Vita Bundles Announced
Monday, September 9th, 2013
By Operation Rainfall Contributor / September 9th, 2013
One of the many announcements made at Sony's pre-TGS conference was a PlayStation Vita bundle containing one stark white console, one copy of the remastered version of Final Fantasy X and one copy of the remastered version of Final Fantasy X-2.
There's still no word on the release date for this bundle or even on the release date for the remastered versions of Final Fantasy X and Final Fantasy X-2. No further details were given on the game or the bundle, either, so now, it's back to the waiting game.
Who else is looking forward to seeing Final Fantasy X and Final Fantasy X-2 get an HD remake? I know I am despite not owning the console necessary to play it. I just loved Final Fantasy X so much, and so did some other oprainfall staff members. It'll be fantastic to watch my mates play through it all over again and see the game looking the best it possibly can.
About Operation Rainfall Contributor
A contributor is somebody who occasionally contributes to the oprainfall website but is not considered an oprainfall author.
View all posts by Operation Rainfall Contributor
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text:
Q: a geometric interpretation of a line integral Is there a geometric interpretation of the line integrals
:
$\int_{\gamma} f(x,y)\, dx$
$\int_{\gamma} f(x,y)\, dy$
(which should not be confused with $\int_{\gamma} f(x,y)\, ds$)
where the function $f(x,y)$ to be integrated is evaluated along a curve $\gamma$ ?

A: I'm not familiar with such line integrals, but I would think that one could interpret
$$\int_{\gamma} f(x,y)\, dx$$
as the area of the projection on the x-axis of the sheet defined by $f(x,y)$ evaluated along $\gamma$. Similarly, I would interpret
$$\int_{\gamma} f(x,y)\, dy$$
as the area of the projection on the y-axis of the sheet defined by $f(x,y)$ evaluated along $\gamma$.

Assuming that we follow $\gamma$ from the lower right (see diagram), integrating with respect to $dx$ (along $\gamma$) will yield negative areas if the yellow side is exposed (to the $x$-axis), and positive areas if the blue side is exposed. Of course portions of $\gamma$ that run parallel to the $y$-axis wouldn't contribute anything to
$$\int_{\gamma} f(x,y)\, dx$$

A: A line integral of the form $\int_\gamma f(x,y)\,dx$ is simply the line integral of the vector field $\vec F(x,y) = f(x,y)\vec i$ over $\gamma$, so if you understand the geometric interpretation of line integrals of vector fields you have your answer. Similarly for a line integral with respect to $dy$.


text:
A Conversation with DeWitt Henry
By Susan Tepper
DeWitt Henry is the author of the novel The Marriage of Anna Maye Potts (winner of the inaugural Peter Taylor Prize for the Novel), and a mid-life memoir-in-essays, Safe Suicide: Narratives, Essays, and Meditations. Both are sequels to his latest memoir, Sweet Dreams, about growing up on Philadelphia's Main Line. The founding editor of Ploughshares literary magazine, he is a Professor at Emerson College in Boston. (For more details, please visit www.dewitthenry.com.)
The cover of your compelling new memoir Sweet Dreams (a family history) shows two disparate images juxtaposed. The "house" image could be a sweet Victorian postcard, while the "sleeping man" image is a disturbing one. During the reading of this book, I found a steady reliance on cameras and home-movie equipment used by the family over the years. As if the memories, left on their own, might somehow jump out and distort; or disappear entirely. While "the camera never lies."
The sleeping man on my book cover is my father. As I wrote in Safe Suicide: "I took a black and white photo when I was sixteen or seventeen, which sums up my feelings about my father then. He looks dead, as in some part of my heart I wished him to be."
We had home movies as a family, usually taken by my father; later on, our family events were captured by a Polaroid, with instant prints. Inspired by these, I became a shutterbug as early as fifth grade. My older brother, Chuck, brought back a slide show of his tour in occupied Korea, and I rivaled him with my own photos, not of exotica, but of felt minutiae around home: still lives.
In any case, photographs serve not only as detailed evidence and prompts to memory, but also as clues. Who took the picture and why? What made that framing salient? So much of my family's story was deliberately hidden from me that I sought its secrets through these artifacts. But then the pictures that never were taken were significant as well. For instance, our family maid, who served as a surrogate mother to me, was never photographed by me or anyone else in the family.
You mention your book Safe Suicide. Is there such a thing as safe suicide? Does it play into your memoir, Sweet Dreams, as a theme or sub-plot?
A bungee jump is a safe suicide. You experience the fall, but then are saved from disaster by the elastic cord. I see imagination as a bungee cord: dreaming the experience, if you will; then waking from the dream to life. No literal suicide is safe; nor literal adultery or addiction. If there is a connection between this metaphor and Sweet Dreams, I suppose it involves my effort to perceive my father's fall, which I never witnessed, although his damages to himself and to the family were real.
Beginning when I was born in 1941, and peaking in 1948, he was an abusive alcoholic while struggling to keep up the appearances of being a candy executive and family man. I have no memory of him during those years, while I do remember most everything else. From 1949, he underwent treatment and therapy, and the father I suffered with growing up— a recovering alcoholic—seemed lobotomized, rigid about rules, distant, and infantile. My mother stayed with him "for our sakes." In college, I joked that I had Kafka's father and D.H. Lawrence's mother.
Kafka's father and D.H. Lawrence's mother… DH as in DeWitt Henry? Was that intentional on your part to choose D.H. Lawrence to link to your mother? As opposed to, say, Arthur Miller's After the Fall? Since falling seems to be the subject at hand.
I'm not familiar with After the Fall, but do love Death of a Salesman, which is about destructive dreaming, and which my father labeled "morbid." The Kafka and Lawrence reference was about Oedipal tensions. Towards the end of Sweet Dreams, I recount a correspondence with my mother, where she sent me a Lawrence quote "suggesting that some things are better kept private between parents and children."
Your mother is presented as very typical of upper middle class Mom's during the time after World War II. She ran a traditional household, but she was also a painter and a book collaborator. So she had an artist's sensibility. You say she resembled Katherine Hepburn. Lovely. Your father's alcohol problems really did a number on her, and she left a few times to recuperate physically and emotionally in Bermuda. You were the youngest child. Did her absences make you feel deserted?
The most significant absence was while she contemplated divorce, alone, in Bermuda, although at seven, I had no idea that that was the issue. I cried myself to sleep. I got an ear infection that kept me bedridden and supposedly forced her to return. Feverish, I coveted a medallion with her picture in color. And then she suddenly appeared in my doorway and gathered me in her arms, "all in one delirious rush." As an adult, later, I felt that I was deserting her, visit after visit. I think we all did, especially while she was dying. I write: "She left us, at last. We were the ones left. The ones staying." While much of Sweet Dreams concerns my mixed feelings for my father, the deepest and most moving story is my mother's, and I could only tell it obliquely. Hers is a story of being gifted and socially bell-jarred. I appreciated a recent comment by Elizabeth Mosier: that as subtext to my coming-of-age, "Henry develops his mother's and sister's stories, which resonate with his moving epilogue reflecting on his daughter's less circumscribed potential."
This whole book— your life— sprang up around sweetness, sweets, candy. Chocolate! The DeWitt P. Henry Candy Factory. A family business. I find it incredibly interesting how someone's personal journey gets "set up" in a certain way. A certain country, certain house, certain family. Is it random? Some eastern teachings tell otherwise. Your house, at that time in history, the gardens, the brothers and sisters, the endless candy— it's my reincarnation fantasy. But a peek past the blue shutters reveals real life. Not the candy palace.
Those were the Eisenhower Years. McCarthy rampaged. Homosexuals hid. African- Americans were denied nearly everything. In a way, your house and life and upbringing reflected that era. Did your parents take steps to hide their sadder truths from the outside world?
Despite AA's insistence that alcoholism was a disease afflicting people of every class, we felt it as a primal stigma, as if Dad were a war criminal. He felt it that way. His own socially ambitious mother (who had been a factory worker, and whom my sister suspected of being part black) was in denial about it ever happening. Respectability was everything.
You mention the maid who worked in your house for decades, and how she began to fall down on the job as she started aging. Your father had a significant verbal reaction about her inability to fulfill her tasks.
In my most insensitive teens, I asked Mom why we kept Anna, since she did so little work. "Mom answered: 'She knows too much. Your father wouldn't hear of letting her go.'"
We kept this intense family secret. Where the public emphasis was on the good life and loyalty to the American way; and where, from Communist sympathizers to crime bosses, subversives were called to account before congressional hearings; in our family's instance, we both rejected and hid behind proprieties. Our father's alcoholism was our shame. At the same time, the fictions of public normality to which he aspired and clung, the two-dimensional code of conduct that had been prescribed for him as "sane": all were easy targets for our ridicule and rebellion. I felt a thrill of intimacy the first time I told an outsider, my first love, Kathie, about his alcoholism. Likewise, with later girlfriends, it became a ritual confession, like revealing scars. (In fact, the original title of Sweet Dreams was Tribal Scars. I changed it when a friend suggested that no one would ever buy a book with "scars" in the title).
What a strange comment your friend made about the word scars. It's a word I happen to like, though I think SWEET DREAMS is a better title for this memoir. As a child did you see your father as a racist? A lot of white people in those days were inherently racist.
My father's racism made me feel defiant and ashamed, but at the same time made me examine my own prejudices. My public school was "integrated," even if our local movie theater wasn't. One of my best friends from grammar school was Rudy, who was black, and I went to his house, but Mom told me he couldn't come to ours. I demanded why, and she said because the neighbors wouldn't like it. Anna knew his mother, and they went to Church together. However, it was okay to exchange visits with my friend John, who was white and poor and lived on a farm, so the issue wasn't class. Rudy went on to become one of the most gifted and popular guys in high school, but didn't get to college, because he knocked up a girl and got married. Let me quote: "I always spoke up for Rudy to Dad, as my friend….So it was with some satisfaction, axioms verified, that Dad sent me a local news article later on, after I had moved from college to graduate school." Rudy had shot a clerk to death in the dry cleaner's, over drugs apparently, and been sentenced for first-degree murder and sent to prison. My classmates say he had become a hit man.
That sounds like a novel.
I agree. When I shared this story with Jim McPherson, my writer friend (who became the first Afro-American to win the Pulitzer Prize), he urged me to read John Edgar Wideman's Brothers And Keepers for insights into Rudy's life. I tried, but I have to admit that Rudy's story, like my mother's, is beyond my imagination. I don't know enough. I'm not dedicated or talented enough. Actually, I hope that my failing is one of the appeals of Sweet Dreams.
I'm not quite sure what you mean here.
That both I and my reader bear responsibility for stories outside the frame. Regardless of how well I may understand myself becoming—the "character" of myself—and how honestly I recall and portray my inner life through time, my own narrative is only a corridor, while these other stories stand like open doors along the corridor. As we pass by, we know they lead somewhere. They are calls to imagination and conscience.
"Calls to the imagination and conscience."
Absolutely. That's one reason I am drawn to writing memoir. I question the successes of fiction: the recognizable personality, the prescribed learning experience, the epiphany. Where the patterns of traditional narrative coincide with what seems true, I let them carry. But my search for meaning is also a search for the untold, the unspoken, the necessary witnessing. For instance, when it comes to "plot," any closure is provisional. As I say, "endings are only for the dying."
Very interesting. I have strenuously avoided memoir, except for one story I wrote some fifteen years ago that just recently got picked up. Is that a wake-up-call to me? I hope not. I'm afraid of writing my real life.
Let's go back to some of the "subtexts" in your story. During the Vietnam war you evaded the draft with deferments for graduate school, as did many young men during those times. In the memoir you write: "I was more a baffled witness to public events of these years than I was a participant." What about that?
War has been the backdrop of America in my lifetime. World War II, Korea, Vietnam, the Cold War and nuclear missiles, 9/11, Iraq and the War Against Terror. Tim O'Brien, a friend I first met in Cambridge, has been my generation's spokesperson about this. He is wonderful about indicting our materialism as a form of denial: "I detested their blind, thoughtless, automatic acquiescence to it all, their simple-minded patriotism, their prideful ignorance…how they were sending me off to a war they didn't understand and didn't want to understand…I held them personally and individually responsible." He articulates the crises of conscience we all felt: "I feared the war, yes, but I also feared exile…all I wanted was to live the life I was born to—a mainstream life…I was ashamed of my conscience."
Paul Fussel puts it frankly: war is an attempt by old men to see how efficiently teenage boys can kill the greatest numbers of other teenage boys. War is always, always criminal and obscene. The draft and the Viet Nam war twisted my twenties, and in writing about those years, I try to suggest how our lives on the home front were as profoundly impacted as my parents' lives were by World War II. That said I still react against the easy sentimentality of anti-war demonstrations: "make love, not war." Platitudes and pieties are not part of the solution. Forbidding your male children to play with toy guns is a desperate gesture, although my wife and I disagree about this. I treasured my childhood's little atomic bomb ring that glowed in the dark.
I once read something Tim O'Brien said about his war experience, that he played the card he was dealt. He called it "the war card." It's an interesting take on personal destiny and quite an empowering one. But is there really anything that can be done by the common man (woman) today to reverse the downward slide? Grassroots movements are, by and large, greatly diminished. Without the aimed gun of the draft, for instance. The draft launched the big Vietnam war protests. We've evolved into a society of phones and personal hand-held technology.
Having studied Thomas More and the Oxford Reformers, I invoked them when McPherson and I co-edited a Ploughshares issue called "Confronting Racial Difference." We have to write about correctable evils as we experience them, both within ourselves and between ourselves, and write honestly as "alienated intellectuals" who refuse to "accept the validity of the assumptions, objectives, and rewards of the power system of the culture we live in." We must write and teach according to our consciences, and in a way that promotes decency. High fidelity memoir should always see the skull the beneath the face. The passage of a life, an ordinary life—if there is such a thing–is only representative as it implies, confronts, and tries to reconcile the world we share.
"Reconcile" is a good word.
I mean it in the sense of "find purpose in… make sense of…," and I guess I see that as what literature can contribute to resistance and reform. I think of Thoreau's wanting to determine whether life was mean or sublime. In Sweet Dreams, I encounter life as "harsh, sacred, precious, cruel, dangerous, tricky and inscrutable, impersonally judgmental, all at once." You dream. You plan. You think life should go in certain ways and are baffled and challenged when it doesn't. You have a lover's quarrel with the world. You try to live in uncertainties and doubts. You play your cards. You mean well and are flawed. Any serious memoir is about destiny; but it is also about that struggle and who we become.
TAGS: alcoholism, author, Childhood, DeWitt Henry, Fiction Interviews, new memoir, Ploughshares, racism, Sweet Dreams, War, Writing
SUSAN TEPPER has a new collection of linked-flash-fiction titled From the Umberplatzen released by Wilderness House Press. She's the author of three previously published books. For more information, please visit www.susantepper.com.
5 responses to "A Conversation with DeWitt Henry"
W.F. Lantry says:
Meg Tuite says:
Brilliant!!! What an amazing interview!! I am going to order this book immediately!! Thank you, DeWitt, for your candor. I am excited to read this memoir-in-essays. Deep waters! And such insightful questions, Susan!!! This was exceptional!!! Thank you both for this!
DeWitt Henry says:
Thank you, Meg. You might enjoy my series of excerpts from SWEET DREAMS, running as "Episodes of a Wayne Childhood" on Radnor Patch (http://radnor.patch.com/users/dewitt-henry/blog_posts ). It's been like mounting an interactive gallery show, focused more on the place and time than on my family's story. There are excerpts from new work, as well.
Ploughshares founder, memoirist DeWitt Henry interviewed at The Nervous Breakdown « Boston Writers Review says:
[…] Read the interview. DeWitt Henry […]
Richard Gilbert says:
Just returned to reread this. It is so rich, so packed with wisdom. Thanks all around . . .


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Mikes Test
Uncut Gems Actor Had A Great Response To The Movie's Oscar Shutout
By Associated Press AP , 3 days ago January 16, 2020 Off 3
By saying that great artists don't need awards in his tweet, Eric Bogosian is also letting it be known how he feels about the artists he worked with on Uncut Gems. Josh and Benny Safdie didn't receive an award for Best Director (nor were they expected to), and they, along with co-writer Ronald Bronstein, didn't get a Best Original Screenplay nomination. Still, that doesn't take away from the fact that they are great artists.
The Gentlemen And The C-Word: Watch The Cast React To The Movie's Profanity
Since The Gentlemen is set across the pond, it has a unique relationship to the C-bomb. It's simply not as taboo of a word in the U.K., and as a result the word "cunt" is said and read consistently throughout the movie's runtime– often to hilarious results. I had the chance to speak with the cast of The Gentlemen, when I asked the actors what their relationship was to the C-word during filming. They were charming and hilarious, so check out the comments from Hugh Grant, Matthew McConaughey, Henry Golding, Charlie Hunnam, and Michelle Dockery below.
Sam Mendes Explains How His Grandfather And His Influence Led Him To Make 1917
Sam Mendes' Golden Globe winning film 1917 isn't based on a true story. The story of two lance corporals running to stop an attack which will end in tragedy never happened, but the story was inspired by very real events. Of course, the film is set during the very real World War I, but simply the idea of making the movie in the first place was largely inspired by a real person, Mendes' own grandfather Alfred, who was a soldier during the great war and who once had a mission shockingly similar to the one in the movie.
Will Smith Explains Why It Took So Long For Bad Boys To Get Another Sequel
Man, if only the industry as a whole took the approach to sequels and franchise continuations that Will Smith describes here, we'd have been spared a lot of disappointment over the years. The reason why it took so long for Bad Boys to get another sequel, 17 years after 2003's Bad Boys II, is that Will Smith wanted to protect this franchise, which is the one that really kicked off his career as a movie star.
Academy Award For Best Director: How Many Women Have Ever Been Nominated Or Won?
Greta Gerwig (Lady Bird)
As we have mentioned before, Greta Gerwig's Academy Award nomination for Best Director in 2018 was a big deal, and not just for being the fifth woman to earn the nod. Her directorial debut, Lady Bird, received plenty of love at the Golden Globes that year, earning star Saoirse Ronan a lead actress award and being crowned Best Picture in the Musical or Comedy division, but Gerwig's sole nomination for her work was Best Screenplay, which Best Director award presenter Natalie Portman famously commented on before listing the "all male nominees," causing her co-presenter, Ron Howard, to awkwardly chuckle.
Walt Disney World Is Adding Three New Musical Films To Epcot
In addition to the film itself, Tales as Old as Time: French Storytelling on Stage and Screen is a new walk through gallery exhibition that will show off costuming and other elements of French storytelling, including how French literature inspired many Disney classic films, like Sleeping Beauty, and Cinderella.
Before No Time To Die's Release, Barbara Broccoli Explains Why Daniel Craig Makes Such A Great Bond
Daniel Craig doesn't have the same over the top swagger as his predecessors as Bond. 007 feels like a real person, who doesn't use catch phrases or gadgets. What's more, Craig brings a hulking physical presence, making Bond much more imposing and believable as a killer. His debut Casino Royale was extremely gritty, while Skyfall gave Judi Dench's M one final outing.
That Time Laura Dern Kept Rushing Back And Forth To Show Equal Support For Little Women And Marriage Story
In those other cases, however, the actor in question likely easily made the decision where to hang out for the night, Robert De Niro surely said hi to the Joker crew, but sat with The Irishman. Laura Dern had strong supporting roles in both of her films, likely making it a bit tougher to choose, so she didn't.
Mindhunter Season 3 Just Got Some Bad News From Netflix And Fans Are Not Happy
Enough people are upset that Twitter tells me there have recently been 5,341 Tweets on the topic at the time of this writing. I know Twitter is only a small subset of people, but if this many people are upset about the news, you have to think Mindhunter is at least fairly popular on the streaming service, right? Which means Netflix would likely want more programming if it felt Fincher was on board, which would square with the statement made.
The Lovebirds Trailer Puts Kumail Nanjiani And Issa Rae In A Hilarious Murder Mystery
Murder mysterious as a tried and true genre in filmmaking. Audiences have been enjoying this type of film for decades, as they attempt to figure out whodunit before the detective onscreen. Rian Johnson recently had great success with his murder mystery comedy Knives Out, which continues to make money and has even inspired plans for a sequel. Luckily for moviegoers, there's another one of these movies coming: Michael Showalter's The Lovebirds.
Michael Showalter has had a successful career, directing hits like The Big Sick and Wet Hot American Summer. His new romantic comedy The Lovebirds follows a couple as they accidentally get involved in a murder mystery. Kumail Nanjiani and Insecure's Issa Rae star as the couple in question, and the movie looks like a wild ride. Check out The Lovebirds' first trailer below.
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Royal Rumble (1995) — девятое в истории рестлинг-шоу Royal Rumble, организованное World Wrestling Federation (WWF, ныне WWE). Оно состоялось 22 января 1995 года Тампе, Флорида в «Ю-си-эф Сан Доум».

Главным событием стал матч «Королевская битва» 1995 года, который выиграл Шон Майклз, войдя в матч первым. Это был первый случай, когда первый участник выиграл матч и новый борец вступал в матч каждые 60 секунд.

Результаты

Матч «Королевская битва»
Рестлеры выходили каждую минуту.

Время указано с момента окончания обратного отчета, а не фактическое нахождение на ринге. Так например Мо на ринге провел всего 4 секунды, а остальное время заняло на выход.

Так же при выходе Оуэн Харт и Боб Бэклунд были атакованы Брет Хартом и на ринге провели на 1 минуту меньше каждый.

Остальные

Ссылки
 Официальный сайт Королевской Битвы 1995

Спортивные соревнования в Тампе


Dyalog Forums • View topic - Disclose with Axis does not work as with APL2 !?
Disclose with Axis does not work as with APL2 !?
between which new axes are to be inserted.
X defines the axes of Z,into which items of R are structured.
⍴⊃[1 3]R ======> may be : 2 3 4 ====> not possible with Dyalog ?
is that this difference in operation is voluntary on your part?
Dyalog : ".... a fractional number ...."
is that this improvement is possible ?
Re: Disclose with Axis does not work as with APL2 !?
Thanks for pointing this out; it does look strange.
Thank you for this suggestion. I have now implemented the full APL2 behaviour of disclose-with-axis, and it will be available in Dyalog APL Version 14.0 (scheduled for release in 2014).


In 1990 Damark International, a national mail order firm based in Minneapolis, was advertising for $699.99 ("manufacturer's suggested retail price $1,199.00") the Bionaire Cold Front Portable Air Conditioner, a "free-standing portable unit" which "does not require outside venting."
This appliance was intended to be rolled from room to room by the user, who could simply plug it into an ordinary 110-V AC outlet and enjoy the cool air from its "Cold Front." It was claimed to provide 5,500 Btu/hour cooling capacity for 695 watts by drawing 6.3 amperes of electric current.
1. It can be checked whether 695 W is consistent with 6.3 amperes and 110 V.
2. The heat removed from the air blown out the front, 5,500 Btu/hour, can be calculated to be 1,612 W in SI units, making use of the conversion factor 1 Btu = 1055 joules.
(1612 W)/(695 W) = 2.3.
EER = (5,500 Btu/hour)/(695 W) = 7.9 Btu/Wh.
This is on the low side, since efficient window air conditioners can have EER values of 10 or higher; in fact, it does not meet current national minimum standards.
1612 W + 695 W = 2307 W = 7872 Btu/hour.
Presumably this is not out the "Cold Front," so it must be out an unadvertised "Warm Back."
to the room in which it is used. So this air conditioner, because it does not vent the exhaust heat outside, is really a heater! Perhaps during the winter the unit could be sold as a portable heater, with users facing its "Cold Front" away from them! Of course, its price of $739.99 (including shipping) is an order of magnitude greater than that of commonly-available electric resistance space heaters.
Copyright 1995 by Laurent Hodges, 12 Physics Hall, Iowa State University, Ames, IA 50011-3160.
Last update: June 11, 1996.
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