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2021 Mercedes-Benz GLC 350e plug-in hybrid Price, Review and Buying Guide
S. Kulshrestha
Automotive Journalist
The GLC-class was a replacement for the GLK-class when it debuted in 2016. The GLC 350e is an essential extension of the GLC-class which gives you all the luxury SUV vibes while leaving a much smaller carbon footprint on the environment.
The Mercedes-Benz GLC 350e received a number of updates and upgrades in the year 2020 when it received a new MBUX infotainment system, larger batteries, more electric range, and some other additional tech features. Now, since it has not been a complete year since the German auto-marque made these enhancements to the GLC-350e, we expect the SUV to venture into the year 2021 without any changes. Now, since the 2021 GLC 350e will supposedly be a carryover model, the prices are also expected to remain the same as the 2020 model. Following these lines, we can say that the prices for the 2021 Mercedes-Benz GLC 350e will initiate at $52,895. Though there has been no official word by the company about the 2021 GLC 350e's release date, yet we expect it to hit the dealerships in the latter half of 2020.
See detailed review »
An appealing daily driver
Spacious and luxurious interior
A bit more expensive than other rivals
The car remains unchanged for the year 2021.
See all used Mercedes-Benz GLC 350e plug-in hybrid cars for sale »
$33,999 / 56 mpg
RMV: $39,611
Excellent Deal
See all used Mercedes-Benz GLC 350e plug-in hybrid for sale
2021 Mercedes-Benz GLC 350e plug-in hybrid Latest Update
2021 Mercedes Benz GLC 350e Review: Features, Performance, Charging Time, Range, MPG, Rivals
In Mercedes parlance, the Mercedes GLC is the Mercedes C Class based crossover and it gets a new plug-in hybrid version. The new GLC 350e is a part of the brand's expanding PHEV range. The crossover S ..
By R. Mehra June 24, 2020
Mercedes-Benz CLA Coupe, GLA, and CLA Shooting Brake Take The Plug-In Route Courtesy of EQ Power
Mercedes already has unveiled a plethora of eco-friendly alternatives for environment-loving people. With these three new cars, Mercedes has now rounded up its family of compact cars equipped with an ..
By K. Harit March 03, 2020
Colors and Styles
Vehicle images are guides only and may not reflect the model's exact specifications/features– exact specifications/features should be confirmed with the seller.
Engine And Performance
2021 Volvo XC60 Recharge SUV
2021 BMW X3 plug-in hybrid SUV
2021 Mitsubishi Outlander plug-in hybrid SUV
2021 Audi Q5 plug-in hybrid SUV
Trims and Configurations
4MATIC 4dr SUV AWD (2.0L 4cyl Turbo gas/electric hybrid 7A)
Starting at $51,900 MSRP TBD 2 L, Inline 4,
7-speed Automatic TBD 5
Expert Review, Pricing Analysis and Buying Guide
With new innovative EV Range and scintillating guise, this upcoming model is ready to grace the audience, which will give stiff competition to its rivals like Mitsubishi Outlander PHEV GT S-AWC, and Volvo XC60 T8 Momentum. Here's our take on the 2021 Mercedes-Benz GLC 350e that is soon going to be on sale in the market.
2021 Mercedes-Benz GLC 350e plug-in-hybrid SUV front view
2021 Mercedes-Benz GLC 350e plug-in-hybrid SUV rear view
2021 Mercedes-Benz GLC 350e plug-in hybrid Pricing and Features
The GLC 350e is a stand-alone trim and does not offer any other procurable configurations, except for the one and only default version. The designers introduced only single trim in its killer portfolio as all the specifications are covered by GLC 350e only.
Now, since the Mercedes-Benz GLC 350e is being carried forward to 2021 without any changes, the prices are also expected to remain the same as the 2020 model. This implies that the 2021 Mercedes-Benz GLC 350e will cost $52,895, without any options.
Dual-Zone Automatic Control
7 inch touchscreen color display
40/20/40-split rear seats with power folding
Dynamic Select
4MATIC all-wheel drive
The plug-in hybrid trim, GLC 350e trim starts at $52,895 and is loaded with cool gadgets and gizmos. The trim offers a plethora of standard and optional features in its portfolio; however optional features may cost a lot from your pocket. It offers prominent highlighted features such as 4MATIC all-wheel drive, Dual-Zone Automatic Control, and 40/20/40-split rear seats with power folding.
2021 Mercedes-Benz GLC 350e plug-in hybrid Maintenance, Reliability and Warranty
The iconic brand "Mercedes-Benz" which is known to amplify the palette of the automotive industry sounds opulent and reliable with its new plug-in hybrid GLC 350e which garners grand attention with its array of features and unique styling. GLC 350e is famed for showing a good scorecard in terms of terrific reliability ratings and ownership costs. Be it the J D Power reports or critique satisfaction reports, the Mercedes-Benz GLC 350e has been a favorite in the segment.
Reliability and Ownership Costs
The Mercedes-Benz GLC 350e has grown on to attract all types of users with varying tempers; the German auto marquee ensures the quality by meeting the two ends of luxury and performance. With a captivating engine and impeccable interior, this car enjoys dominance in the market.
JD Power Reports are not officially out for the 2021 model yet, hence due to a lack of data, we would take the 2020 model as a reference point. As per J.D. Power report, the 1st-generation GLC scores an above-average predicted dealership experience rating of 83 out of 100 and managed to score 83 out of 100 in terms of quality and reliability rating. These ratings are of the highest standard which is capable of matching the level of its rivals.
Car prices vary from state to state all across the US. The main reasons being the different levels of state taxes as well as the destination charges and dealer discounts. However, the prices of the Mercedes-Benz GLC 350e are almost the same everywhere with just slight deviations, this feat in itself portrays the popularity of this Merc.
The real cost of ownership
Speaking of ownership costs, in the case of GLC 350e, you get hassle-free maintenance. The reports say that its repairs are not more burdensome than its level-headed rivals in the market. The average of the real ownership cost for the GLC 350e comes close to a total amount of $68,000 spread over a period of 5 years. This amount includes a number of costs such as insurance, taxes and dealership charges, depreciation, repairs, fuel, financing, etc.
When you have Benz GLC 350e in your parking place, you really need not worry about its recalls and safety concerns, as the brand firmly believes in removing the uncertainties faced in the previous models. We haven't heard of any recalls this year but According to NHTSA, in the 2019 model, it issued recalls to fix the airbag problems.
Germans really offer a handsome warranty coverage package in their catalog. The 2021 Mercedes-Benz GLC 350e comes with a sound warranty coverage, which offers compelling 4 years or 50,000 miles (whichever comes first) limited warranty coverage and is known for long 4-year powertrain warranty.
4 years/ 50,000 miles; whichever is earlier
GLC 350e has not settled for less in case of warranty criteria and ensures peace of mind which gives assurance that your car is protected against the uncertainties. However, what rather comes as a surprise is that a brand as premium as Mercedes-Benz, doesn't offer scheduled complimentary maintenance with the GLC 350e.
Miles Per dollar
Miles Per dollar helps in estimating the budget of the buyer and provides a realistic approach to buy vehicles. But looking over the data cost to drive 1 mile is 10.0984 dollars, so to put things in perspective GLC 350e offers around 10.16 miles per dollar.
2021 Mercedes-Benz GLC 350e plug-in hybrid Buying Advice
Since the Mercedes-Benz is offered only in one trim i.e. 350e, there's no scope of getting choosy here. However, for the buyers, the car packs in all the bells and whistles you'd expect from such a hybrid car.
Is buying a used Mercedes-Benz GLC 350e a good idea?
The brand like Mercedes never faces the conundrum in case of reselling, as no or few recalls have been issued against this model. Although buying this car accompanies huge maintenance costs but that is worthy even with this model.
The depreciation report also speaks nothing bad about this brand but its inclination towards an eccentric innovative approach makes it stand-out more in the market.
2021 Mercedes-Benz GLC 350e plug-in hybrid Engine and Performance
Along with its highly rigid body and delightfully nimble chassis, the GLC 350e has plenty of power and performance to bring to the table. Starting with the mechanical aspect, we get familiar with the Intercooled Turbo Gas or 2.0L I-4 engine which powers the 2021 GLC 350e.
This engine is mated to a 90kw rated motor that is powered by a larger 13.5kWh battery pack. This motor also powered its predecessor. It has 315 horsepower and 516 lb.-ft. of torque for you to enjoy the drive. The power from the engine travels to all wheels of this car through a 7-speed automatic transmission.
2021 Mercedes Benz GLC 350e SUV (Expected)
2020 Mitsubishi Outlander PHEV GT S-AWC
2020 Volvo XC60 T8 Momentum
2.0L Intercooled Turbo Gas/Electric I-4
2.0L Gas/Electric I-4
2.0L Turbo/Supercharger Gas/Electric I-4
315 hp @500rpm
516 lb-ft@1200rpm
From the above bunch of rivals, Mercedes depicts enthralling figures by offering amazing 516 lb-ft torque. But comparatively looking into its closest rivals, the Volvo XC60 T8 Momentum emerges first in the race as it belts out 400 horsepower and comes with 8-speed automatic transmission.
2021 Mercedes-Benz GLC 350e Acceleration and Braking Performance
GLC 350e exhibits exponential acceleration capabilities, going from 0-60 in 6.2 seconds, which happens to be a pretty impressive figure considering the segment standards. The powertrain and sensible power to weight ratio do a fine job, while the presence of AWD gives a boost to power and performance.
2021 Mercedes-Benz GLC 350e plug-in-hybrid SUV accelerate 0-60 mph in 6.2 sec
GLC 350e has also performed well in the braking department; they do a commendable job of bringing it to a stress-free stop and give an immediate response by stopping the car at 116feet. The SUV feels planted and inspires confidence under panic braking conditions.
Quarter- Mile
Top- Speed
60-0 MPH
Acceleration times offered by the rivals are quite competitive. GLC 350e managed to provide a satisfactory figure, but the trophy was stolen by Volvo XC60 T8 Momentum with the enthralling numbers of 0-60mph in just 5.1 seconds, which becomes fastest in the segment.
2021 Mercedes-Benz GLC 350e plug-in hybrid Fuel Economy
GLC 350e offers an impressive EV range of 30 miles. It has envisioned more on improving the fuel economy to give a boost to the performance of the car.
With the fuel capacity of 17.4 gallons, GLC 350e does a great job. Although manufacturers have not provided official mpg figures, we expect that 2021 Mercedes-Benz GLC 350e would come up with improved numbers.
MPG (City)
MPG (Combined)
17.4gallons
Range (City/Hwy/Combined)
Since fuel economy data is not revealed for some cars, it is difficult to make a solid conclusion here. But the GLC 350e with an improved battery capacity is expected to offer great fuel economy figures and its rival XC60 still wins with a decent mileage if you consider the performance it offers.
2021 Mercedes-Benz GLC 350e plug-in hybrid Interior
Being based on the C Class sedan, the interior portion of the GLC 350e is worth giving nice long looks.. Adhering to the principles of ultimate luxury, Mercedes-Benz GLC 350e marries luxury with comfort in true sense.
2021 Mercedes-Benz GLC 350e plug-in-hybrid SUV cockpit area
At first glance, you will catch the guise of enticing dashboard design with the leather-trimmed heated steering wheel. Premium materials have been used in adorning the interior of the car. Apart from its luxury quotient one thing that amazes Benz enthusiasts is ample space. This SUV can easily accommodate five people with the utmost ease, providing them ultimate plush rides every time. All the seats are power-adjustable with heated and ventilated seats.
Front Row (Head/Shoulder/Leg) (in)
41.9/57.3/40.8
38/58.2/41.5
Rear Row (Head/Shoulder/Leg) (in)
38.5/NA /37.3
38.1/56/37.9
38/56.3/38
From the above table, it is evident that the 2021 Mercedes-Benz GLC 350e offers generous front and rear room space by smoothly accommodating five people in its room. Enough space is provided by GLC 350e so that each and every passenger must feel the comfort without feeling claustrophobic inside the cabin.
How's the 2021 Mercedes-Benz GLC 350e Infotainment system?
Mercedes-Benz GLC 350e has a Plethora of features in its Pandora. It has everything to keep you entertained throughout the journey with a subtle user interface and hassle-free infotainment system.
2021 Mercedes-Benz GLC 350e plug-in-hybrid SUV infotainment system
GLC 350e has everything to enjoy while driving this luxury. The updated MBUX system is a new attention seeker, which gets activated by simply saying "Hey Mercedes". The touch screen size has been increased to many folds in the upcoming GLC 350e model. Apple Car Play and Android Auto integration come standard with this segment, however, audiophiles can pay an extra penny out of their pocket to install superior sound systems.
2021 Mercedes-Benz GLC 350e plug-in-hybrid SUV interior image
2021 Mercedes-Benz GLC 350e plug-in hybrid Exterior
The current generation of the Mercedes-Benz GLC 350e has been around for some time, but its design is very stately and enticing since it features a lot of solid lines and creases. The GLC 350e grille also plays a big part in uplifting its image, since the massive grille up front, along with the floating Mercedes logo, helps it look like a true luxury wheel.
2021 Mercedes-Benz GLC 350e plug-in-hybrid SUV
It has not left the shadow of the base model and is arriving with the same exterior design with new color options, to make the new guise of the upcoming GLC 350e. The side profile remains exactly the same as the GLC class except for the EQ badging. A charging port can be found on the corner of the passenger side. It also features Panoramic sunroof, C shaped LED DRLs, and new updated rear tail lamps.
Over to the side, the GLC 350e body lines are accentuated by its overall length, thus helping it maintain elegance and poise despite its big size. The GLC 350e is one of the widest offerings in the class and provides the best in class wheelbase as well. Together these dimensions translate to a truly liberal cabin.
2021 Mercedes-Benz GLC 350e plug-in hybrid Safety
Mercedes-Benz GLC 350e has been awarded IIHS Top Safety Pick for the 2020 model, but it has not undergone a crash test, so NHTSA ratings are not available yet. It offers a plethora of safety features along with all the driver-assistance technology.
Some of the most prominent standard safety features of the GLC 350e are:
· Active Brake Assist
· LED headlamps and tail lamps
· Blind Spot Assist with Exit Warning Assist
· Attention Assist
· Active Distance Assist DISTRONIC
· Crosswind Assist
· Pre-Safe systems
· Adaptive braking technology
· Aluminum and high-strength steel body structure
· Antitheft alarm system with remote panic feature
2021 Mercedes-Benz GLC 350e plug-in hybrid Competition
2021 Mercedes-Benz GLC 350e vs. Volvo XC60 T8 Momentum
Both these rivals are moguls in the muck, Volvo XC60 T8 Momentum gives tough competition to 2021 Mercedes-Benz GLC 350e, Most of the data comparison speaks in favor of the Volvo XC60 T8 Momentum as this SUV simply dominates the performance figures. We would highly recommend Volvo XC60 T8 as it justifies each and every figure with an appropriate price tag.
Volvo XC60 T8 Momentum
2021 Mercedes-Benz GLC 350e vs. Mitsubishi Outlander PHEV GT S-AWC
These two rivals are the different ends of the threads; the German-bred is ahead of Japanese bred in many folds. The exterior styling of GLC 350e is more practical and opulent. But the handwork of Mitsubishi doesn't cost too much like Mercedes, so people wanting luxury can absolutely go for GLC 350e without any second thought.
Mitsubishi Outlander PHEV GT S-AWC
2021 Mercedes-Benz GLC 350e plug-in hybrid Final Verdict
The 2021 Mercedes-Benz GLC 350e is a really enticing car when it comes to its exterior and interior design. With all the top-level materials used, this car astonishes its enthusiasts with invigorating drive and scintillating design. German handiwork has been depicted inside this opulence which brings luster to eyes. So in case, you are looking for an entry-level luxury SUV that can carry you in the utmost splendor, and that too with a small carbon footprint, the Mercedes-Benz GLC 350e is the ideal car for you.
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2019 Mercedes-Benz GLC 350e plug-in hybrid 2 $33,999 42 Listings
2018 Mercedes-Benz GLC 350e plug-in hybrid 0 $31,998 6 Listings
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This is an official book, published in association with Formula 1, and richly illustrated with more than 250 photographs spanning decades of F1 racing
Formula 1 racing annually attracts a cumulative television audience of 1.92 billion, with more than 500 million fans worldwide and 28.2 million social media followers
Author Maurice Hamilton, is one of the world's most respected motorsport journalists
Ross Brawn, Managing Director of the Formula One Group, has contributed the Foreword
2020 marks the 70th anniversary of the FIA Formula 1 World Championship
Formula 1: The Official History is an electrifying account of the F1 phenomenon, telling the complete story of one of the world's most popular, thrilling, and glamorous sports. Bringing together a superbly written account of the history of the sport by acclaimed author Maurice Hamilton, and an exceptional selection of stunning images from across seven decades of F1 racing, the book charts the FIA Formula One World Championship, decade by decade, from its first race at Silverstone in May 1950 right through to the present day. Each chapter tells the fascinating stories behind the greatest drivers and teams, important personnel, famous and infamous incidents, as well as key changes to the rules on design, safety and competitiveness. These tales are accompanied by more than 250 exceptional photographs featuring icons past and present, including Ayrton Senna, Michael Schumacher, Alain Prost, Sebastian Vettel and Lewis Hamilton. Accessible and entertaining for any F1 fan, and with a foreword by Ross Brawn, Managing Director of the FIA Formula One World Championship, this is the definitive visual history of the sport. Author Maurice Hamilton was the motor racing correspondent for leading newspapers The Guardian, The Independent, and The Observer for 30 years and a summariser on BBC Radio Five Live's motor racing coverage. He has written over 25 books on F1, along with numerous biographies of drivers and team principals. A motor sports fan since the age of 7, Maurice has attended over 500 Grands Prix worldwide. Contents: Foreword by Ross Brawn OBE, Managing Director of Formula One GroupChapter 1: The 1950sChapter 2: The 1960sChapter 3: The 1970sChapter 4: The 1980sChapter 5: The 1990sChapter 6: The 2000sChapter 7: The 2010s
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text:
Puppy Pals, anyone? —
Adieu Thrones, bye Avengers—this is the TV/film we're eyeing for the rest of 2019
In case you haven't heard, a lot of Star Wars is coming (along with other intriguing stuff).
Ars Staff - Jul 6, 2019 12:45 pm UTC
Coming into 2019, it felt like pop culture only had two things on its mind: the final season of Game of Thrones and the final chapter in Marvel's Avengers saga. Looking back from the half-way point in the year, hey, at least one of those delivered.
HBO's Los Espookys will make you want to be a horror technician, too
Of course, pop culture is never that straightforward or simple, and 2019 so far has brought plenty of delightful surprises. Netflix finally hit on another series with the loop-y Russian Doll. Jordan Peele followed up perhaps the most beloved horror movie in years with another winner called Us. And maybe HBO didn't please everyone with the last chapter in Westeros, but seemingly everyone has adored the company's surprise historical hit, Chernobyl, to say nothing of the (currently airing) delightfully weird supernatural comedy, Los Espookys.
But we're getting ahead of ourselves. Around Ars, we don't really indulge in Best Of list-making until December rolls around, and there's a simple reason for that: six more months of highly anticipated stuff and out-of-nowhere surprises await all of us. So as folks work their way through a certain hyped Hawkins, Indiana, show this weekend, don't worry about binging too fast and being without something new and exciting on the horizon. Here's the pop culture from the rest of 2019 that already has us counting down the days.
The trailer for the first season of Mindhunter.
Netflix's second-best show?
With Stranger Things' new season out as of this round-up and Mr. Robot's final season not officially pegged to Christmas time yet, the obvious candidates for 2019's best-yet-to-come have been taken off the table. And something like Fantastic Fest—the annual Austin, Texas, genre film event that brought us alien love documentaries, Anne Hathaway as kaiju, and a film entirely set in a 911 dispatch center—can practically top my anticipation rankings every year.
So instead, my mind travels back in time to 1970s' Pittsburgh and DC to an unlikely trio trying to read the minds of a more deranged set. Netflix's Mindhunter originally seemed like a quick but forgettable green light: grab a dude from Hamilton, make him some kind of authority figure in a crime thing, and darken up the story a bit. Then I watched the show's first David Fincher-produced season and suddenly understood why everyone obsesses over true crime as a genre. Mindhunter is much, much smarter than your average Law & Order as it follows the origins of the FBI's criminal profiling division while it attempts to understand the known serial killers of the era in order to prevent future ones from striking.
Stranger Things without Spoiler Things: It's dark, different, and still delightful
Jonathan Groff (the Hamilton guy) plays upstart FBI agent Holden Ford, a man obsessed with the job and with making his way up the bureau food chain. His odd-couple (err, trio) team of Bill Tench (Holt McCallany as a grizzled, skeptical FBI vet) and Wendy Carr (Anna Torv as an academic psychologist in it for the research data) sizzles every time they're interacting in a scene. That's saying something considering how dynamite Ford's direct interactions with killers can be (Cameron Britton is a revelation as serial killer Ed Kemper, an intimidating physical presence happy to indulge in a little narcissistic "talk about yourself" exercise regularly). The show demonstrates, at times in cringing detail, that the line between hyper-focused good guy and demented, dangerous villain may be thinner than anyone cares to admit. And with all-time evil like Richard Speck showing up S1, the stakes are likely about to get even dicier for Ford and co. as they move further into the era of Charles Manson et al.
—Nathan Mattise, Features Editor
The one trailer that needs no introduction.
Star Wars Episode IX: The Rise of Skywalker
I suspect I will never like the name, no matter how I end up feeling about the film. But Star Wars was foundational media for me as a kid. The first fanwear I ever remember having was a set of R2-D2 Underoos. John Williams' soaring scores are entirely why I ended up playing French horn. The original trilogy, especially the soundtracks, are part of what set me on the path that eventually led to film school, arts criticism, and, indirectly, my entire career.
Star Wars: The Rise of Skywalker has been revealed with a stunning trailer
My inner six-year-old is still giddy at what I've gotten to see on the big screen in The Force Awakens and The Last Jedi. And my outer adult is giddy at the fact that I can bring my actual six-year-old daughter with me to see this conclusion in the theater later this year.
—Kate Cox, Tech Policy Reporter
Of course the zombie outbreak spreads in Little Monsters.
YouTube/Sundance Institute
Jesse Custer (Dominic Cooper) faces off against childhood nemesis Jody (Jeremy Childs) in the season 3 finale of Preacher.
All the horror comedies
I'm most looking forward to a couple of quirky entries in the horror/black comedy genre. Up first: Ready or Not, from Fox Searchlight, is slated for theatrical release on August 23, 2019. Grace (Samara Weaving) is thrilled to be marrying into a wealthy gaming dynasty, the Le Domas family. Her eccentric new in-laws insist it's family tradition to play a game at midnight after the wedding; only then will she be a true member of the family. The game: Hide and Seek, except it turns out that Grace is the prey who must elude detection until dawn to avoid being killed in a bizarre ritual sacrifice. The trailer makes this film look smart and wickedly funny, especially given her in-laws' utter incompetence with weaponry. Learn to shoot a crossbow already!
From there, I turn to Little Monsters starring Lupita Nyong'o as Miss Caroline, a perky kindergarten schoolteacher who takes her kids on a field trip to Pleasant Valley Farm just as a zombie outbreak occurs. The innocent excursion turns into a bloody fight for survival, and Miss Caroline must protect her young charges not just from the physical threat, but the threat to their innocence. She's helped by a failed musician named Dave (Alexander England), who's tagging along in hopes of winning her affections, and Teddy McGiggle (Josh Gad), a children's entertainer who also has romantic designs on Miss Caroline. Based on footage released by Sundance earlier this year, it looks like a blast—sort of Zombieland meets Kindergarten Cop. And I am here for that. The film doesn't yet have an official theatrical release date, but it's still playing the festival circuit (like Montreal's Fantasia Fest later this month).
Finally, the fourth and final season of Preacher debuts on AMC August 4, 2019. It's based on the DC comic series by Garth Ennis and Steve Dillon, and it follows the adventures of Jesse Custer (Dominic Cooper), a conman turned preacher who inexplicably becomes the case host for an entity known as Genesis (i.e., the embodiment of the Word of God). That makes him a target for a religious order called the Grail, who wants to wield Genesis for its own nefarious purposes. In our year-end Best of TV list for 2018, we singled out a scene filled with a rapid succession of exploding Messiah clones, trying and failing to serve as host to Genesis. The sequence captured "all the over-the-top irreverence and operatic violence (and sometimes downright sacrilege) that we've come to expect from this singular series."
By season three's end, Jesse and the gang were heading for a showdown with Herr Starr (Pip Torrens) and the Grail for control of Genesis. If past seasons are any indication, it's going to be an insane, bloody, unpredictable ride.
—Jennifer Ouellete, Senior Culture and Science Reporter
Listing image by YouTube/Sundance Institute
alanmies Ars Tribunus Militum
reply Sat Jul 06, 2019 8:08 am
So I guess there's Mindhunter S2 to look forward to? After The Last Jedi and Solo I can't see how anyone could be interested in Star Wars. Especially since D&D will be doing the next trilogy (GoT was great when they had some source material to work with. After that... I had a major argument here, but I just kinda forgot about it)
OrthoBones Smack-Fu Master, in training
No mention of The Expanse? After it got resurrected, it's in for a New life, possibly better than ever!
alanmies wrote:
After The Last Jedi and Solo I can't see how anyone could be interested in Star Wars.
Some people like strawberry ice cream, others like chocolate. Some can't eat ice cream at all.
Is it really that difficult to understand that others might like different things from you?
arcite Ars Legatus Legionis
OrthoBones wrote:
Yea what gives. Everything on that list sounds like garbage (except Downton - can't get enough of that).
The Expanse is the ONLY good sci-fi on tv at the moment. Pretty sad actually.
Cephus Smack-Fu Master, in training
A very uninspiring list. The obvious omission is The Expanse season 4. The third series was absolutely brilliant, and I'm hopeful the show will find new life on Amazon.
2 posts | registered May 2, 2017
thegrommit wrote:
Certainly not.
Just that from a nerd/SW fan/having at least a cursory understanding about cinema perspective, those last two movies were absolute stinkers with few redeeming qualities.
I personally gave up on Star Wars after wasting good money on The Phantom Menace. That poisoned the entire well for me.
Ah yes, because only nerd/SW snobs are the arbiters of what's enjoyable for everyone else.
Never thought I'd see the day when star wars "fans" were the elitist ones
dra2840 Ars Centurion
Oh boy, here we go again. We get it, you didn't like TLJ, other people (some also nerds, some also SW fans) did, and they are and will be interested in the new movie. As another Disney character would say: Let it go.
RockDaMan Ars Legatus Legionis
Begun already, this stupid Stars Wars arguing has.
12234 posts | registered Jun 19, 2007
NinjaNerd56 Ars Tribunus Militum
I played the French Horn; Conn 8D - Vincent Bach #11 mouthpiece.
Rinsewynd Wise, Aged Ars Veteran
Yeah, and some people just like really bad tasting junk food.
MacCruiskeen Ars Centurion
Can't even watch the original films any more. Lucas even managed to poop all over those.
Rinsewynd wrote:
A reminder:
https://www.telegraph.co.uk/news/celebr ... veals.html
Sir Alec Guinness thought the dialogue for his character Obi Wan Kenobi in Star Wars was "rubbish", it has been revealed.
Richard Cranium Smack-Fu Master, in training
MacCruiskeen wrote:
I agree. At this point I think D & D and SW are a match made in terrible content heaven.
It'll be easy to ignore their new trilogy and they won't have time to ruin something I actually care about.
This is just content-less trolling.
So I'm left with a choice...ignore the story threads where SW's is mentioned, or just go scorched earth and ignore en masse this tiny contigent that is determined to trollbomb these threads so as to ruin them for everyone else.
It's not a perfect fix, especially since I can see where people respond to their trolling, but option B it is.
gerryq Ars Scholae Palatinae
Just seems like they are flogging a dead AT-AT...
Sajuuk Ars Tribunus Militum
Pablo Pascal is the only reason I will even try watching the Mandalorian.
Yeah and? Most dialog in SW was rubbish.
Richard Cranium wrote:
anonArs Ars Scholae Palatinae
reply Sat Jul 06, 2019 10:13 am
Episode IX and The Mandalorian are easily my top two from this list.
Hope we hear about The Expanse soon too.
Personally, I'm waiting for the next season of Journey Quest.
https://www.youtube.com/user/ZombieOrpheusEnt
itfa Ars Scholae Palatinae
Right there with you. Kind of amazing how having more and more money to make the Star Wars films did nothing to improve them over time.
Altamar Smack-Fu Master, in training et Subscriptor
There's a Werner Herzog actor who isn't THE Werner Herzog? That's an odd coincidence.
62 posts | registered Mar 2, 2013
You forgot the upcoming Dark Crystal prequel series airing next month.
https://www.youtube.com/watch?v=WwcvJTVnUgc
RandomZero Ars Scholae Palatinae et Subscriptor
I scanned through until I hit the part about a new Cure album, then followed the link to that article. That's now pretty much the only thing I'm excited about now, omg....
sanitychecker Smack-Fu Master, in training
Was never a Star Wars 'fan' but all were good popcorn entertainment except for Episodes 1-3. Even Solo was doable popcorn entertainment if expectations aren't high. I'll check out Disney+ once a month every few months.
Fingers crossed for Ad Astra, but nothing else on this list interests me.
I'm certainly looking forward to Rick and Morty S4, however.
cgh Seniorius Lurkius
Altamar wrote:
It actually is THE Werner Herzog in this. Yes, the man who directed Aguirre, The Wrath of God is in a Star Wars tv show.
Psst. They were being rhetorical.
They actually do fully believe and understand that other humans have differences of opinion, and probably were are probably not actually sitting in their computer chair still dumb founded with disbelief. When someone says "I can't believe X", they generally actually can believe, they are just expressing how different their opinion is from yours using a common rhetorical device not meant to be taken literally.
I just can't believe (<---- rhetorical lie) how some people just don't understand basic rhetoric and take stuff literal that clearly is not meant to be taken literally.
Last edited by Rindan on Sat Jul 06, 2019 11:28 am
Zeroumus wrote:
Sure there is people out there that like the new starwars, but doubt its a significant amount. not enough to offset the pissed off fans anyway
I think it's interesting how on one side of fandom you have these franchises that start out great (GoT, SW, etc) but along the way completely destroy their legacy to where they dwindle their fan bases to a skeleton crew and on the other side you have these franchises that do everything right and pull off greatness over a bunch of years and installments (MCU, etc).
The failures of SW and GoT franchises highlights just how much Marvel really knocked it out of the park. I don't even like Marvel or comic books but I have total respect for what they managed to do with their saga.
Last edited by Richard Cranium on Sat Jul 06, 2019 11:32 am
Trout Mask Replica Ars Tribunus Militum
No mention of Dark?
Regarding Star wars.... The original trilogy was a product of it's time. Ground-breaking special effects and cinematography, good story, somewhat cheesy dialog appropriate for the era. With the exception of Rogue One (which wasn't perfect but was still good) everything since has been utter garbage with some of the stupidest dialog this side of Plan 9 from Outer Space. But, don't worry, this isn't an attack on your intellect, that's just like, my opinion man...
F3 Ars Scholae Palatinae
I'm excited for Episode IX. Where do I turn in my nerd card?
Chett_Manly Wise, Aged Ars Veteran
The failures of SW and GoT franchises shows just how much Marvel really knocked it out of the park.
GoT isnt really a franchise though, its just yet another TV series that ended badly. Lost, Battlestar...
And I am not so sure on Marvel staying on top without RDJ's Iron Man led Avengers to anchor the franchise. They could have some flops on their hands real quick if they are not careful. People overlooked the bad 2nd Avengers movie, but will they do that for a bad New Avengers movie? Will even mediocre movies like Captain Marvel cut it on their own now? I'm not so sure.
Billiam29 Ars Centurion
I'm going to use the Ready or Not trailer to air a personal grievance. What's with this trend that arose over the last few years of having a short "preview montage" before a trailer starts? Are there people that actually like this? A trailer *is* a preview of the movie. Do we really need a 5-10 second preview of the preview immediately before the preview itself?
Chett_Manly wrote:
They are making more shows based in the Game of Thrones universe, so it is the beginning of a franchise - one where they couldn't even get past the first installment before disappointing a large portion of their fanbase.
gaballard Ars Scholae Palatinae
Wait! There's still some meat on that Star Wars bone! You take that home, throw in some special effects, some Carl Weathers... baby, you got a show going!
Last edited by gaballard on Sat Jul 06, 2019 2:23 pm
Trebek Wise, Aged Ars Veteran
Star Wars, ESB, and the first 40 minutes of RoTJ were so good that people have sat through 36 years of mediocre to bad content. I mean, I'm pretty curious to see that Mandalorian show even though it's probably going to be garbage!


text:
Trade Centre Wales are proud to sponsor Emily Morgan
Publish Date: 13th August 2016
he Trade Centre Wales are proud to sponsor Emily Morgan who is representing Miss Blaenau Gwent in this years Miss Wales 2011 at St Davids Hall Cardiff 29th July. 19 Year old Emily is a student from Tredegar who is currently studying art and design at Merthyr College with the ambition to become an art Teacher and one day have her own dress making business, She has already designed and made her first dress and has had the opportunity to model for designer Julian McDonald.
Congratulations to Alec Stock on completing the Shelter Cymru Cardiff to Paris ride
We would like to congratulate all the riders who took part in the charity bike ride for Shelter Cymru. After reading a letter from the organiser Richard (below) we were really proud to have been given the opportunity to sponsor Alec Stock on his journey through Paris given the tough conditions that Alec and all the riders faced! Shelter Cymru is Wales' people and homes charity. Their vision is that everyone in Wales should have a decent home. They believe a home is a fundamental right and essential to the health and well-being of people and communities.
Team Trade Centre Wales Raise £2000.00 for Cancer Research UK
Zoe Thomas' sister Debbie was diagnosed with breast cancer just before Christmas last year. Zoe's Sister has since undergone a mastectomy and chemotherapy and has come through it with courage and humour.
Government Announces £11 Million Hydrogen Fuel Plans, De Ja Vu?
Hydrogen is the next big thing! The government has recently announced an £11 million investment into hydrogen fuel plans, apparently this investment is part of a bigger picture for the UK to become the leader in ultra-low emission vehicles across the globe… We're personally a little sceptical about this, and rightly so to, whilst electric and hydrogen new and used cars are definitely cleaner and offer several advantages. A little history tells us that before long, Electric cars will be classed as 'killers in disguise' within the next 5 years; just like Petrol, and just like Diesel… What is to then stop Hydrogen become the killer?


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Ms. Collins was born on August 21, 1928 in Johnston County to the late William Thomas and Pauline Johnson Rhodes. She was preceded in death by her daughter, Rebecca Anne Boehning; brother, Thomas Alfred Rhodes; sisters, Lucille Johnson and Pauline Elizabeth Barnes and a grandson, William Scott Archbell. Ms. Collins was a retired retail sales clerk and was a member of Gethsemane Baptist Church.
Survivors include her daughter, Shirley Ellis of Smithfield; sons, Kenneth Hocutt of Four Oaks, and Leland Hocutt and wife, Nancy of Little River, SC; 8 grandchildren, 15 great-grandchildren and 19 great-great-grandchildren; many nieces and nephews.
The family will receive friends at the home and immediately following the graveside service on Friday.


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text:
Book Giveaways Review Spoiler Alert Therese Lacson
"The Host" Comes To Theaters & Giveaway!
Therese Lacson
Despite my current dislike of the Twilight series, at the time the Host was published I was a reader of Stephanie Meyer. By that time, I had already fallen off the bad wagon of reading Twilight, but was still very much into young adult novels. When The Host was released I quickly went to read it and found myself pleasantly surprised. Personally, I found the story to be an interesting one, the concept was presented in a way that made it enjoyable. There was still the inevitable love triangle, but nothing that caused overkill.
The best part of the film adaptation was the visuals and the sound. The world that they created, of a captured earth that had been changed to adapt to the aliens' needs as well as their cave camp area, was very similar to how I had imagined it. The bad part? The stagnant acting. Sadly none of the young actors seemed to have flourished in their roles. I'm not sure if it was because of poor direction, a bad script, or some odd combination of that mixed with something else, but having seen Saoirse Ronan, Jake Abel, and Max Irons act properly I know that they can. Hell even Diane Kruger's transformation from bitch to human was pretty badly done. And sometimes it wasn't even the acting, just the dialogue that was legitimately horrible. Despite having some pretty awesome people, like Titanic's Frances Fisher, William Hurt, Scott Lawrence, and Boyd Holbrook, the acting remained to be one of the worst aspects of the movie.
When they said that they were making a movie like this, the obvious question was how they were going to portray Melanie's emotions with Wanda's. The two have the most active dialogue with each other and in a book that's fine, but in a movie, it's something different. The voice over of Ronan's was annoying at times, if not distracting, despite serving its purpose. I don't blame them for doing the voice over since I couldn't actually think of any other way they could have done it.
The designs of the new alien formed human world were perfect, in my opinion. Down to the very last shiny blouse. Sure the seekers could have had black suits like in the books, but the clean look of the white looks more futuristic to me. The reflective cars, the clean ikea furniture, the neo 50's style of dress, and the hints of glitter and sparkle all hint at both the origin of the Souls as well as their serene and peace loving selves. Speaking of the Souls, I was pretty impressed with the way they designed them. In my mind, they were basically just glow worms, which made it hard for me to see them as anything other than glowing insects, but the way they made it made it almost seem like some sort of sea creature. It helped that they were shimmering and beautiful.
Locations were wonderful. Jeb's camp was perfect. The wheat fields left me in as much wonder as Wanda. The labyrinth like caverns curve and slope and sound carries, but it seems perfect. The star base that the Souls arrive in was magnificent. Each portal shimmering into a beautiful netting that looks something like a constellation and something like an enchanted spider web. There was a very other worldly experience. The formality and punctuality of the Seeker office designs as well as the cookie cutter aspect of the "store" was awesome.
Now let's get down to the nitty gritty. The plot. My biggest problem with it was one that I was willing to live with. All of the side characters were kicked to the curb. And in a movie where you are put into such a new world and a complicated love triangle develops, it can be impossible to develop and create side characters that do well. Unfortunately characters like Sunny were my favorite, and losing them was a disappointment. However, I was willing to live with it. I understand how movies go and how they are made, so I can understand. As far as the basic plot, I liked it. It was clean and simple. There was no complication, no confusion. The play on the purity of a Soul was beautiful. I always love it when the invading alien species is much more of a morally good species than we are. The scene when Wanda walks in on the doctor cutting up a Soul was one of the stronger ones. Diane Kruger's Seeker was relentless like I expected though her human host was suppose to be just as bad, which was ruined by this sudden prisoner "trapped" character. It diverged so far from what I was expecting that I found it odd.
As far as Ronan, Abel, and Irons go, I found it incredibly funny that Irons resembles Robert Pattinson, Abel resembles Taylor Lautner, and Ronan resembled Kristen Stewart. Like, it was very clear that they were looking to target the Twilight group by the way they styled the actors.
I give it a C+, the plus being I loved the story and I'm a very visual person, but the acting and dialogue was just too bad. I'm almost tempted to take away the plus because they put Wanda into the body of Emily Browning, but I digress. All in all, it wasn't bad. Just don't go in expecting something perfect. Also, try not to go in with a Stephanie Meyer prejudice, because I know how that is, and I definitely didn't have one when I read it the first time and I really enjoyed it. There's also a hilarious scene with Jeb where he pulls a Rick and states "This is not a democracy. It's a dictatorship". If you are a fan of the movie, or just enjoy getting some free stuff, keep and eye out here and on our twitter and facebook for some awesome giveaways related to The Host! Make sure you follow and like us to get all the updates!
Tagged in : Aliens andrew niccol book to movie boyd holbrook diane kruger Ian O'Shea jake abel Jared Howe max irons melanie stryder saoirse ronan scott lawrence seekers souls stephanie meyer the host wanderer william hurt young adult fiction
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The Bond Choice branches in South Africa gives you the opportunity to check which branch to visit when you need to borrow money to buy a house. If you are in the Western Cape, there are branches in Tyger Valley, Table View, Somerset West, Garden Route, George, Klein Karoo, Bergvliet and Paarl. Even though they offer nationwide financial service, it is still better to visit a branch and deal directly with a consultant who can tell you about the home loans. They will take everything into consideration and use their calculator to see what your installments will be on your bond.
With the nationwide financial service options that are available with this company, applying for home loans from any of the Bond Choice branches in South Africa is easy. If you are looking for branches in KwaZulu-Natal, a few of them include Westville, Durban North, Pietermaritzburg, Richards Bay, Newcastle and of course the head office in Musgrave. At Bond Choice, they believe in offering their clients convenience, expertise and choice, so when you want to borrow money to buy a house, using this company could be your best option as you get so much out, not just the money you need but a pleasant experience too and there's no better way to start off a new beginning in a new home.
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text:
Q: StackExchange TimeoutException when trying to insert 750 items in 2 sets in redis Initially I'm trying to insert some collection of items into 2 redis sets (maybe this is not good idea at all, but ...). amount of entries that I'm trying to add at once: 750+
For now I do receive timeout exception when trying to perform this action using StackExchange.redis client, the interesting thing that I'm able to complete similar action using "legacy" booksleeve client I've investigated previously.
So, I definitely wrong in something (even maybe in my intial bookSleeve implementation), just trying to figure out what exactly is wrong.
Below is sample of the code that I use with redis clients:
BookSleeve:
using (var tran = connection.CreateTransaction())
{
Task lastOpTask = null;
tran.SuspendFlush();
try
{
    // perform required configurations/ actions
    tran.Sets.Add(_redisConfiguration.DbNumber, CurrentIdsSetDbKey, stringIds);
    tran.Sets.Add(_redisConfiguration.DbNumber, CurrentDetailsSetDbKey, stringDetails);
    lastOpTask = tran.Execute();
    isOperationSuccessful = true;
}
catch (TaskCanceledException ex)
{
    ...
}
catch (TimeoutException ex1)
{
    ...
}
finally
{
    tran.ResumeFlush();
}

if (lastOpTask != null)
{
    connection.Wait(lastOpTask);
    ...
}
}

StackExchange.redis implementation of the same code:
var tran = db.CreateTransaction();

// todo: do we need to add here any condition or PipeLining? any watch/unwatch verifications?
tran.SetAddAsync(CurrentIdsSetDbKey, stringIds);
tran.SetAddAsync(CurrentDetailsSetDbKey, stringDetails);

try
{
    isOperationSuccessful = tran.Execute();
}
catch (TaskCanceledException ex)
{
    ...
}
catch (TimeoutException ex1)
{
    ...
}

After I start unit tests I receive next error for StackExchange client:
Message: Timeout performing EXEC, inst: 3, queue: 3, qu=0, qs=3, qc=0, wr=0/0
Source:    in StackExchange.Redis.ConnectionMultiplexer.ExecuteSyncImpl[T](Message message, ResultProcessor1 processor, ServerEndPoint server) in c:\TeamCity\buildAgent\work\18a91a3757cef937\StackExchange.Redis\StackExchange\Redis\ConnectionMultiplexer.cs:line 1693
   in StackExchange.Redis.RedisBase.ExecuteSync[T](Message message, ResultProcessor1 processor, ServerEndPoint server) in c:\TeamCity\buildAgent\work\18a91a3757cef937\StackExchange.Redis\StackExchange\Redis\RedisBase.cs:line 92
   in StackExchange.Redis.RedisTransaction.Execute(CommandFlags flags) in c:\TeamCity\buildAgent\work\18a91a3757cef937\StackExchange.Redis\StackExchange\Redis\RedisTransaction.cs:line 51
   in DFS.Cache.CacheManager.RedisStackExchange.RedisContestCacheManager.RegisterAvailableContests(IList1 contests) in d:\Projects\DFS\Code\DFS\DFS.Cache.CacheManager.RedisStackExchange\RedisContestCacheManager.cs:line 131
Just wondering, what exactly I'm doing wrong. Thank you in advance for any suggestions!.
P.S. For stackEchange.redis configuration I'm using config sample provided by Marc from github (available here: StackExchange/StackExchange.Redis/blob/master/Docs/Configuration.md)
P.S.
Please see current StackExchange client Config file:
var config = new ConfigurationOptions
{
    EndPoints =
        {
            {"MasterIP", 6379},
            {"SlaveIP", 6380}
        },
    CommandMap = CommandMap.Create(new HashSet<string>
        {
            // EXCLUDE a few commands (to work with data-flow-related mode only)
            "INFO",
            "CONFIG",
            "CLUSTER",
            "PING",
            "ECHO",
            "CLIENT"
        }, available: false),
    KeepAlive = 60, // 60 sec to ensure connection is alive
    ConnectTimeout = 5000, // 5 sec
    SyncTimeout = 5000, // 5 sec
    ServiceName = "mymaster", // sentinel service name
    DefaultVersion = new Version(2, 8, 8),
    Password = "password"
};

Standard entry (used in sets) looks like:
{
    "Id":"08e5ffdbced046cb8f55c50e4bab822d",
    "Entries":0,
    "State":"i",
    "Name":"very dummy entry name value: autoGet 299",
    "Summary": "entry summary details, some long string 299, some common info, some data: true, 8200"
    "IsMultiple":true,
    "IsPublic":true,
    "MaxEntries":8200,
    "IsEntryVisible":true,
    "StartDate":"9/10/2014 12:00:00 AM"
}

P.S.
After Marc's response I ran couple of tests and got some other errors in Unit tests,
for example
{"Timeout performing SISMEMBER set:raw:Ids, inst: 1, queue: 6, qu=0, qs=6, qc=0, wr=0/0"} when set contains not more than 300 items.

So I agree that this is Connection issue and has nothing to do with current switch to the StackExchange.redis client.

A: The following passes just fine, and reports 10ms locally. I would be very interested if you could fill in the blanks a bit so I can do a representative test that reproduces the issue. Note that qu=0, qs=3 tells me that at the point that it times out, we're waiting for the redis server to respond. Obviously local bandwidth and latency would be of interest, but fundamentally, it should work. I'd also be interested in what your sync-timeout is set to.
using System.Diagnostics;
using System.Linq;
using NUnit.Framework;

namespace StackExchange.Redis.Tests.Issues
{
    [TestFixture]
    public class SO22786599 : TestBase
    {
        [Test]
        public void Execute()
        {
            string CurrentIdsSetDbKey = Me() + ".x";
            string CurrentDetailsSetDbKey = Me() + ".y";

            RedisValue[] stringIds = Enumerable.Range(1, 750).Select(i => (RedisValue)(i + " id")).ToArray();
            RedisValue[] stringDetails = Enumerable.Range(1, 750).Select(i => (RedisValue)(i + " detail")).ToArray();

            using (var conn = Create())
            {
                var db = conn.GetDatabase();
                var tran = db.CreateTransaction();

                tran.SetAddAsync(CurrentIdsSetDbKey, stringIds);
                tran.SetAddAsync(CurrentDetailsSetDbKey, stringDetails);

                var watch = Stopwatch.StartNew();
                var isOperationSuccessful = tran.Execute();
                watch.Stop();
                System.Console.WriteLine("{0}ms", watch.ElapsedMilliseconds);
                Assert.IsTrue(isOperationSuccessful);
            }
        }
    }
}

redpajama_set_name: RedPajamaStackExchange


to make my migration efforts (ubuntu 14.04 to 18.04) a bit easier I thought I could run z-push and webapp already on the new server, kopano-core on the old.
So I just changed in /etc/z-push/kopano.conf.php the MAPI_SERVER part to https://<old-server>:237/kopano and it worked.
Then I changed /etc/kopano/webapp/config.php the DEFAULT_SERVER part to https://<old-server>:237/kopano and it doesn't work. While logging in the webapp I only get "Cannot connect to Kopano Core".
So I guess the connection via 237/tcp between new and old server works and I bet I missed a small part at the webapp config?
Sounds like something is wrong in the configuration indeed, but this is hard to say without the config ;-) As you are not seeing anything in the server.log, I expect there is some sort of indication in the web server log - are you getting anything there?
the rest is the default config for ubuntu 18.04 via your repository.
and there is nothing, besides the access itself, in the webserver logs.
I am really confused…and I am confused too, why z-push is working. there I only changed the server-line too.
so the firewall logs are clean, I tried IP and FQDN.
any debug logs or something I could activate?
So your kopano-server is listening on port 443?
ok…I just installed another, new server, plain ubuntu 18.04 and only the kopano-webapp…it works.
sorry for your time…but thanks for the input!
Good to read it has been solved!


text:
package core.domain.management;

public enum ClientState {

	ONLINE,
	IN_GAME
}

redpajama_set_name: RedPajamaGithub


Yes, McDonald's! Since 2011 they have offered gluten-free products at their locations in Spain. There is a prominent announcement about this on their Spanish web site. Fries are fries, and they are fine if you like McDonald's fries (from a dedicated fryer, as in the US), but the gluten-free cheeseburger on the gluten free bun was very dry and tough, as was the bun. Also, the wait-staff at the location I visited was not sure about their gluten free offerings and had to ask questions of the cooks, so it made me a little uncomfortable. I did not have the opportunity to try any other gluten free products at any McDonald's. However, the Gran Via location (and maybe others) in Madrid is open 24 hours, so you can be sure of never going totally hungry in Madrid!


In honor of When We Rule The World Podcast guest, Jennifer Foehner Wells (author of the phenomenal Sci-Fi book, Fluency) we asked you to tell us what would happen if you were astronauts. Many, many tweeps shared all the different bodily fluids they would release into space, others shared great Sci-fi movie quotes, and NASA told us all how we could actually become astronauts (Thanks NASA!). Even though you are all winners in our book here is a very small sample of our faves for #IfIWereAnAstronaut.
If you are interested in Jen's book you can follow her @Jenthulu or visit her website www.jenniferfoehnerells.com, and you can listen to When We Rule the World podcast at www.onefootover.com.
Thank you all for playing, we'll see you again this Thursday at 9AM CST @Beehive_Game with your hosts @secretbee2 and @secretbee1.
Play @Beehive_Game Weekly with the @HashtagRoundup App – Free for iPhone, iPad, and Android!
#IfIWereAnAstronaut I would fill my space helmet with jelly beans and play pacman as they floated around my head.
#IfIWereAnAstronaut I would end every email "Sent from my iPhone IN SPACE".
#IfIWereAnAstronaut I'd tell a bad joke about the moon…. then look at you & say" Sorry… I guess you had to be there"
#IfIWereAnAstronaut I would hope to educate, delight, & share as much as venerable @Cmdr_Hadfield did. Big shoes, bigger mustache to fill.
#IfIWereAnAstronaut Earth is a spaceship, and when you look into a clear night sky, you see the universe as it is. You *are* an astronaut.
#IfIWereAnAstronaut I would brag about it all the time when I got back. "This one time, in space…"


Here are updates on the interaction between the FMLA and the ADA, and on the U. S. Department of Labor's new guidance on the FLSA and higher educational institutions.
A federal court in Texas has concluded that attendance can be considered an essential function of a job. A disabled worker who can't make it to work with some regularity simply isn't qualified; no amount of accommodation can fix that problem.
Company supervisors who make family leave decisions and manage FMLA administration can be held personally liable for violations. Until now, it was unclear in California whether that liability extended to supervisors who administer the FMLA at public agencies. It is now clear it does.
The first in-person treatment with a health care professional must take place within seven days of the initial illness or injury that rendered the worker incapable of performing his job. Otherwise, the regulations assume the condition isn't a serious health condition. Thus, the worker would not be entitled to FMLA leave.
When an employee is injured on the job, what you do—and when you do it—can determine not only how quickly the employee will return to work but also whether he or she will return at all.
Is your HR office short-handed? That could spell big trouble, especially if supervisors have to handle personnel matters without HR's help. Short-staffed or not, make sure bosses know they must consult HR on key employment law issues.
When an employee requests time off for an FMLA-related reason, you should inform her she may be eligible and provide information on how to request leave. But sometimes, the employee may not want to use FMLA leave. Don't force her.
Employees who take FMLA leave are not immune to discipline discovered while they are out on FMLA leave or after they return to work.
Follow these guides to crafting your company's sick-leave policy.
Employees have up to two years after a request for FMLA leave is denied to file an FMLA interference lawsuit unless the violation was willful.
How you handle disability accommodation requests may determine whether a worker receives unemployment compensation if you terminate her after she's used up all her leave.
Except in very rare circumstances, an employer isn't obligated to provide an accommodation for a disabled worker who doesn't ask for one. Otherwise, employers would be stuck having to read their employees' minds.
Some employers like to keep résumés and applications on hand just in case they need to fill a position on short notice. But running frequent ads to generate up-to-date résumés can backfire if you end up terminating someone, even for good cause. He might try to argue that your ad proves you were planning to fire him even before the supposed triggering event occurred.
A Tennessee employer faces an EEOC lawsuit alleging it unlawfully fired a worker after she asked for leave to deal with her anxiety. The case highlights an HR imperative: When dealing with an employee who has medical problems, you may need to consider the ADA in addition to the FMLA.
Workers who are fired for breaking a workplace rule generally aren't eligible for unemployment compensation. That's because rule-breaking may constitute willful misconduct, which bars benefits.


text:
Bel Canto Music Academy
Instruments We Teach
Drums Lessons
English Horn Lessons
Clarinet Lessons
Bassoon Lessons
Private and Group Lessons
Suzuki Lessons
About the Instruments We Teach
Among the earliest stringed instruments with a keyboard in Europe was the dulcimer, a closed, shallow box over which stretched wires were struck with two wooden hammers. The dulcimer led to the development of the clavichord, which also appeared in the 14th century. These were followed by the spinet, virginal, clavecin, gravicembalo, and finally, the harpsichord in the 15th century.
The harpsichord, however, was limited to one, unvarying volume. The artistic desire for more controlled expression led directly to the invention of the piano, on which the artist could alter the loudness and tone with the force of one's fingers.
The earliest piano, or pianoforte as it was called at the time, was invented by expert harpsichord maker Bartolomeo Cristofori (1655–1731) of Padua about 1698-1700. (Historians are not in total agreement as to the exact date.) Cristofori was able to solve the fundamental mechanical problem of piano design: the hammer must strike the key but not remain in contact with it. This way volume could be controlled and the same note could be hit multiple times in succession. Cristofori's new instrument was known as the pianoforte because it allowed players to produce notes at different dynamic levels by controlling the inertia with which the hammers hit the strings.
During the late 18th century, piano-making flourished in the Viennese school which included the likes of Johann Andreas Stein and the Viennese makers Nannette Streicher and Anton Walter. Viennese-style pianos featured wood frames, two strings per note, and leather-covered hammers. Some of these pianos came with black natural keys and white accidental keys, the opposite of modern day pianos and keyboards. Wolfgang Amadeus Mozart composed his concertos and sonatas for such instruments.
The piano is at the center of Western musical history in every style of music, from classical to jazz and rock/pop. Well-known pianists in the 20th and 21st century include Ling Ling, Yuja Wang, Elton John, Billy Joel, Art Tatum, Ray Charles, Mary Lou Williams, and Marian McPartland.
You could argue that the voice is man's first musical instrument! If you can speak, you can sing. Vocalizing / singing has been a part of every culture for hundreds of years, with styles that often reflect the individual language and dialect of the culture from which it springs. Sung text seems to elevate both the singer and the audience in a way that is completely unique.
Singing has been used to tell stories, to worship, to woo, and, we believe, to heal the soul. Singing with a group can reduce loneliness by bringing together like-minded people engaged in the same activity. It can reduce stress and anxiety, boost confidence, and possibly even strengthen the immune system and cardiovascular health.
Bel Canto Academy offers both private and group lessons for children and private lessons for adults.
The guitar is a plucked stringed musical instrument that probably originated in Spain early in the 16th century, deriving from the guitarra latina, a late-medieval instrument with a waisted body and four strings. The early guitar was narrower and deeper than the modern guitar, with a less pronounced waist. It was closely related to the vihuela, the guitar-shaped instrument played in Spain in place of the lute.
The guitar originally had four courses of strings - three double, the top course single, that ran from a violin-like pegbox to a tension bridge glued to the soundboard, or belly; the bridge thus sustained the direct pull of the strings. In the belly was a circular sound hole, often ornamented with a carved wooden rose. The 16th-century guitar was tuned C–F–A–D′, the tuning of the centre four courses of the lute and of the vihuela.
From the 16th to the 19th century several changes occurred in the instrument. A fifth course of strings was added before 1600; by the late 18th century a sixth course was added. Before 1800 the double courses were replaced by single strings tuned E–A–D–G–B–E′, still the standard tuning.
By the early 19th century, guitars looked very close to the six-stringed instruments of today but were smaller in size. In the mid-1800's, Antonio de Torres Jurado, a Spanish musician and luthier, began creating the style of guitar that would give rise to all modern guitars. Though in modern times he doesn't get quite as much credit as he deserves, he is in many ways the grandfather figure in the history of the guitar.
With a broadened body, increased waist curve, thinned belly, and machined head which replaced wooden tuning pegs, his creations became particularly notable thanks to an innovative form of fan bracing and body design, which give classical guitars their distinct voicing and thick, heavy sound. Andres Segovia, another influential Spanish guitarist, took the classic guitar that Torres had created and established it as a concert instrument. He also transcribed early polyphonic music and created complex musical compositions that we now think of as 'classical' guitar music.
Meanwhile, European immigrants carried a steel-stringed version of the reshaped Spanish instrument with them to America, where the history of the guitar really started to take shape—and where the flat top, the archtop, and eventually, the modern electric guitar would be created.
Guitar in the United States is generally associated with folk, jazz, and rock music. Influential rock and blues guitarists include Jimi Hendrix, Robert Johnson, and Jimmy Page.
Perhaps the most well-known string instrument in the orchestra, the violin is also considered one of the most expressive. The instrument evolved from a variety of other stringed instruments, including the lira (9th century Europe), the rabab, an Arabian 2-stringed fiddle, and Spain's three-stringed rebec. The French vielle, like the rebec, was usually supported on the chest or under the chin and was widely used by troubadours in the 13th to 15th centuries to accompany singing and dancing. Stringed instruments have a long history in folk music, but the violin became more standardized after it went to court.
Most historians agree that today's violin emerged in the early 16th century in northern Italy, an area which would maintain the violin-making tradition over the coming centuries. Maple and spruce, the two types of wood most favored by violin makers then and since, were readily available in the Lombardy region. The city of Brescia, located at the foot of the Alps, was the earliest to excel in the crafting of violins, but Cremona, home to the world's most famous luthiers, Giuseppe Guarneri, Antonio Stradivari, and the Amati family, became synonymous with the art of violin making.
Around 1786, François Tourte created the modern bow, standardizing its length and weight. The invention of the chin rest around 1820 made the instrument easier to hold and increased its range of play. The neck and fingerboard were both lengthened and tilted in the 19th century, allowing the violinist to play the highest notes, and the bass bar was made heavier to produce a bigger, more brilliant sound.
Many composers have written for the violin, and it is an instrument that appears in nearly all forms of Western music. Some of the most well-known classical violinists today include Joshua Bell, Sarah Chang, Itzhak Perlman, and Hilary Hahn.
The violoncello or cello is the tenor voice in the string family tuned one octave lower than the viola and one octave higher than the cello bass. Although shaped like a violin, the cello is much larger and is held between the player's knees. It is said to be the instrument that most resembles the human voice with its deep, rich tone. Like all the members of the violin family, the cello first emerged in Northern Italy in the first half of the 16th century in the workshops of famous instrument makers like Andrea Amati and Gasparo da Salo.
The cello is primarily an orchestral and chamber music instrument, but it is also heard in jazz, folk, rock, and pop music as well. Famous classical cello players include Yo-Yo Ma, Jacqueline du Pre, Zara Nelsova, Johann Sebastian Paetsch, Mstislav Rostropovich, Janos Starker, and Maurice Gendron, to name just a few. Well-known jazz cello players include Oscar Pettiford, Harry Babasin, Dave Holland, Abdul Wadud, Ron Carter, Oscar Pettiford, and many others. Rock/pop bands that have used the cello include Led Zeppelin, the Beatles, ELO, Genesis, Pink Floyd, and Aerosmith.
string instrument
Before the start of the 16th Century, the term "viola" was already in use to describe string instruments that bore similar characteristics of the violin family: the viola da braccio, which was played on the arms, had low ribs, four strings across a curved bridge and a round back; and the viola da gamba, which was played at the legs, had high ribs, five to seven strings across a flatter bridge and a flat back. The first actual visual evidence that we have of the viola is one that is painted into a famous fresco in the Santuario di Saronno's dome near Milan, along with a number of period instruments that fit the criteria for the violin family.
In 1597, a Venetian composer, Giovanni Gabrieli, wrote Sonata pian'e forte, a chamber piece wherein one part was specifically assigned to the viola. During the 16th and 17th centuries, the viola was mainly used in the orchestra and the opera. In the later period of the 17th Century came another form of composition – the Concerto Grosso. It was a form of Baroque concerto that consisted of a small group of solo instruments (called "concertino") and a string orchestra (called "ripieno") which included the viola. Famous Concerto Grossi composers included Vivaldi and Corelli.
The first known viola sonatas published in England in 1770 were written by William Flackton, a bookseller, publisher, organist and violist. Mozart wrote an entire Sinfonia Concertante for Violin and Viola in 1775. Joseph Schubert, another violist, penned a Viola Concerto in E-flat Major, which debuted in Dresden around 1800.
The viola is generally considered to have reached something close to its modern form in the 1600s and early 1700s, but experimentation continued into the 20th century. In the 1930s luthier Arthur Richardson and player Lionel Tertis set out to consolidate all the best parts of their favorite viola designs into an instrument that was ideal in every way, including a full tone and a smaller size. The Tertis viola is still highly respected today.
The viola often plays the alto voice in string quartets and symphonic writing. Viola soloistic roles in orchestral music include the symphonic poem Don Quixote by Richard Strauss and the symphony Harold en Italie, by Hector Berlioz. In the earlier part of the 20th century, more composers began to write for the viola, encouraged by the emergence of specialized soloists such as Lionel Tertis and William Primrose. English composers Benjamin Britten, Rebecca Clarke, Ralph Vaughan Williams, among others, wrote chamber and concert works featuring the viola. Paul Hindemith, who was a violist, wrote a substantial amount of music for the instrument, including the concerto Der Schwanendreher. The concerti by Béla Bartók, Carl Stamitz, Georg Philipp Telemann, and William Walton are considered major works in the viola repertoire.
The viola is primarily an orchestral and chamber music instrument, but it is also heard in jazz, folk, rock and pop music as well.
Famous classical viola players include Lionel Tertis, Paul Hindemith, Walter Trampler, Theophile Laforge, Vadim Borisovsky, Maurice Vieux, Lillian Fuchs, William Primrose, Frederick Riddle and Ernst Wallfisch. Well known jazz viola players include Leroy Jenkins, Mat Maneri and Will Taylor.
Rock/pop bands that have used the viola include The Who, The Cure, The Beatles, Van Morrison, and the 10,000 Maniacs. Folk musicians Mary Ramsey, Helen Bell, and Nancy Kerr have used the viola in their work.
woodwind instrument
The flute is the oldest woodwind instrument, dating to 900 B.C. or earlier. The first likely flute was called the "ch-ie" and emerged in China. Early flutes were played in two different positions: vertically, like a recorder, or horizontally, in what was called the transverse position. The transverse flute first arrived in Europe with traders from the Byzantine Empire during the Middle Ages and flowered in Germany, so much so that it became known as the German flute.
During the 1100s and 1200s, the flute was widely used in courtly music and saw use as a military signaling and marching tool. Swiss mercenaries helped popularize it in the 1300s. During the Renaissance, it became fashionable for amateur flute players to practice and play together with what was known as consort music in cultured homes. By 1600, plucked and bowed instruments were combined with flute in mixed consort music.
The late 1600s and 1700s saw solo flute repertoire emerge, giving players music that featured a range extended below the usual high register melodies. It also called for the player to add more individual character to each part. Composers like Vivaldi, Bach, Handel, Telemann and Blavet wrote extensively for the solo flute and professional players such as J.J. Quantz began to find success traveling from area to area performing concerts on the baroque flute.
Around 1750, London instrument makers took the baroque flute and added a system of flute keys, while also increasing the taper of its bore. The result was an even stronger lower register and more solid tuning. By the end of the century, the keyed flute was almost universally adopted. Every country had its own style of keyed flute and hosted visiting artists from other countries to show off their repertoire, instrument, and skill. J.G. Tromlitz, a German flautist, was well known at the time as a virtuoso who performed on a keyed flute of his own personal design.
Flute design flourished through the first half of the 19th century, with significant design variations found in Austria, England, America, France and Germany, among others. Theobald Boehm of Bavaria began to attract attention with a key design that used a system of complex interlocked rods to allow accurate, fast fingering in a more natural hand position.
Today's flute is based on Boehm's innovations, with modifications that vary somewhat depending on the instrument maker. The flute is primarily thought of as a classical and jazz instrument, but it has made some notable appearances in pop music as well.
Famous classical flute players include James Galway, Jeanne Baxtresser, and Jean-Pierre Rampal. Well known jazz flute players include Herbie Mann and Bobbi Humphries.
percussion instrument
Drums consist of a membrane (also known as a skin) stretched over an open-ended cylinder (also known as a shell) and struck with a mallet or stick, or by using the hand or fingers. In jazz, some drummers will use brushes for a smoother, quieter sound. In many traditional cultures, drums have a symbolic function and are used in religious ceremonies. They are often used in music therapy, especially hand drums, because of their tactile nature and ease of use by a wide variety of people.
Along with the voice, the drum is perhaps the oldest instrument known to humans. Drums first appeared as far back as 6000 B.C. Mesopotamian excavations have unearthed small cylindrical drums dated 3000 B.C..
Drums may be played individually, with the player using a single drum or in a set of two or more all played by the one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Several factors determine the sound a drum produces, including the type, shape and construction of the drum shell, the type of drum heads it has, and the tension of these drumheads. Different drum sounds have different uses in music.
Famous drummers include Buddy Rich and Max Roach (jazz), and Phil Collins, Keith Moon, Meg White, and Neil Peart (rock).
The oboe is a double reed instrument in the woodwind family. A double reed instrument uses a type of reed consisting of two pieces of cane that vibrate against each other. The oboe is a unique and beautiful instrument with a history that goes all the way back to ancient Greece. Although the oboe made its orchestral debut in France in 1657, historians believe that the earliest rudimentary oboe-like instruments were first used around 2800 B.C., performing in royal funerals depicted in ancient drawings. More sophisticated forms of early oboes can be traced to India during the twelfth to the seventh centuries B.C. Although these oboes can be traced back the farthest, the instrument that is believed to be the closest predecessor of the oboe is the medieval shawm. The shawm (developed from the Asian zurna) was made of wood and had a conical shape with a flared bell. It came in several lengths in order to have different pitches and had either a hole to put the double reed in or a bocal (a slightly angled piece of metal covered by cork at the end inserted into the instrument) for the reed to sit on.
As time passed, musicians desired an instrument with a wider range and more control over pitches. During the middle of the 17th century, the first baroque oboe (called hautbois, meaning high-wood) was created in France, where it was used to entertain the French court. Made of boxwood with several holes but only two or three keys, it gained immediate popularity in many countries. During this time, the oboe da caccia (hunting oboe) was also created. This instrument had a curved body and was used in many of Bach's cantatas and masses. The classical period brought on several more changes to the oboe—a narrower body (called the bore) and more keys, giving the instrument a much wider range. From these earlier forms came the modern oboe, which has a range of more than two and a half octaves in the treble range. The oboe is slightly lower in pitch than the flute and can be thought to occupy the alto register in the woodwind section of the orchestra.
Some well-known oboe players in the 19th and 20th centuries include Felix-Charles Berthelemy, Ralph Gomberg, Leon Goosens, Haakon Stotjin, Eugene Izotov, John Mack, and Alex Klein.
The English Horn, or Cor Anglais, is a double reed instrument in the woodwind family approximately one and half times the length of the oboe. A double reed instrument uses a type of reed consisting of two pieces of cane that vibrate against each other. The English Horn is a transposing instrument pitched in F, a perfect fifth lower than the oboe, which is pitched in C. What this means is that music for the English Horn is written a perfect fifth higher than the instrument actually sounds. The fingering and playing technique used for the English Horn are essentially the same as that for the oboe and therefore many oboists will also play this instrument as required.
The pear-shaped bell of the English Horn has a more covered tone than the oboe which is often considered more mellow and plaintive. The term cor anglais is French for English horn, but the instrument is neither from England nor related to the various conical-bore brass instruments called "horns", such as the French horn, the natural horn, the post horn, or the tenor horn.
The instrument originated in Silesia about 1720, when a bulb bell was fitted to a curved oboe da caccia-type body by the Weigel family of Breslau. The two-keyed, open-belled, straight tenor oboe, and more particularly the flare-belled oboe da caccia, resembled the horns played by angels in religious images of the Middle Ages. This gave rise in German-speaking central Europe to the Middle High German instrument name engellisches Horn, meaning "angelic horn". Because engellisch also meant English in the vernacular of the time, the "angelic horn" became the "English horn". Gluck and Haydn were among the first composers to write orchestral parts for the instrument in the 1750s, and first English horn concertos were written in the 1770s.
Though primarily featured in classical music, the English Horn has also been played by jazz musicians and is featured in recordings of Broadway and pop songs such as "Send in the Clowns" from Sondheim's musical A Little Night Music and Elton John's "Can You Feel the Love Tonight."
The clarinet is a relative newcomer among woodwind instruments, said to have been invented by the Nuremberg instrument maker Johann Christoph Denner at the start of the eighteenth century by adding a register key to the earlier chalumeau. Over time, additional keywork and airtight pads were added to improve the tone and playability. In modern times, the most popular clarinet is the B-flat clarinet. However, the clarinet in A, just a semitone lower, is regularly used in orchestral music. The clarinet uses a single reed made from the cane of Arundo donax, a type of grass, or manufactured from synthetic materials.
The name "clarinet" is believed to have derived from various names for trumpet in the Renaissance and Baroque eras such as the clarion. The clarinet has a single-reed mouthpiece, a straight, cylindrical tube with an almost cylindrical bore, and a flared bell. Grenadilla, which is now the most commonly used material for clarinet making, has a higher relative density than boxwood, making it easier to support with the body while performing, thereby allowing for more air volume. When blowing gently it becomes soft and gentle.
The clarinet is a very popular instrument in orchestral, jazz, and big band music. Many works of chamber music have been written for the clarinet, and concertos for the instrument have been written by popular composers such as Mozart, Copland, and Weber. American players Alphonse Picou, Larry Shields, Jimmie Noone, Johnny Dodds, and Sidney Bechet were all pioneers of the instrument in jazz. Swing clarinetists such as Benny Goodman, Artie Shaw, and Woody Herman led successful big bands and smaller groups from the 1930s onward. Duke Ellington, active from the 1920s to the 1970s, used the clarinet as lead instrument in his compositions.
In addition to the B-flat and A clarinet, the most common instrument in the clarinet family is the bass clarinet, which plays an octave lower than the B-flat clarinet. Most modern bass clarinets are straight-bodied, with a small upturned silver-colored metal bell and curved metal neck. Early examples varied in shape, some having a doubled body making them look similar to bassoons. The bass clarinet is fairly heavy and is supported either with a neck strap or an adjustable peg attached to its body.
The bassoon is the principal bass instrument of the woodwind section of the orchestra known for its warm tone and its distinctive shape consisting of a long tube that looks as if it has been folded in two. It is a double reed instrument, which means it uses a type of reed consisting of two pieces of cane that vibrate against each other. In the bassoon the reed is attached to a curved metal mouthpiece called a "crook" or "bocal" which is joined to the main part of the instrument. The bassoon plays music written in the bass and tenor clefs, and occasionally the treble clef. Its size (about four feet long!) and weight necessitates using a neckstrap in addition to a seatstrap.
It is said that the bassoon derived from the dulcian, which is another double reed woodwind instrument from the 1500's. It is commonly believed that the inventor of the bassoon was Martin Hotteterre, who created the first bassoon in the 1650s in four sections (wing joint, boot, bass joint, and bass). In the Baroque period the bassoon became popular as an instrument to play the bass line. Composers like Antonio Vivaldi and Mozart wrote concertos for the instrument. In the 1800's the bassoon was refined for use in concert halls and for greater playability. In the first half of the 19th century, German military bandmaster Carl Almenräder began efforts to improve the instrument. He increased the number of keys and made other innovations such as improving the part of the instrument where the tube bends back on itself, known as the "U-tube." This made the instrument's pitch easier to control, and at the same time increased its volume. The fruits of these efforts via musical instrument maker Johann Adam Heckel, who worked with Almenräder, have now come to be known as the German or Heckel bassoon.
The bassoon is used in a variety of music styles including classical, jazz, and modern and popular music. In some pieces with a large orchestra a contrabassoon is used, which plays an octave lower than a bassoon.
Although most saxophones are made of brass, it is a member of the woodwind family because the sound is produced by an oscillating reed. The instrument was invented by Belgian instrument maker Adolphe Sax, who patented it in 1846. Saxophones have been produced in a variety of series distinguished by transpositions within instrument sets and tuning standards. The modern saxophones consist of instruments in the B-flat through E-flat series, with the widest use of the soprano, alto, tenor, and baritone saxophones. The soprano saxophone consists of a straight conical tube with a flared bell, contrasting with the lower-pitched alto, tenor and baritone saxophones which have the familiar curved shape in the throat of the bell directing it forward. Because all saxophones use the same key arrangement and fingering to produce a given notated pitch, it is not difficult for a competent player to switch among the various sizes when the music has been suitably transposed.
In the 1840s and 1850s, the saxophone was used in small classical ensembles as well as in French and British military bands. The use of the instrument declined dramatically in the latter half of the 19th century in Europe just as it was gaining popularity in the United States thanks to the efforts of Patrick Gilmore, leader of the 22nd Regiment Band. After recruitment of Edward Lefebre to the band, it soon featured a soprano-alto-tenor-saxophone section which also performed as a quartet. The saxophone's use in vaudeville and ragtime bands around the turn of the 20th century laid the foundation for the instrument's prominence in dance halls and eventually jazz. The Fletcher Henderson Orchestra, formed in 1923, featured arrangements to back up improvisation, bringing the first elements of jazz to the large dance band format. Show bands with saxophone sections became a staple of television talk shows (such as the Tonight Show that featured bands led by Doc Severinsen and Branford Marsalis) and Las Vegas stage shows.
As Chicago style jazz evolved from New Orleans jazz in the 1920s, one of its defining features was the addition of saxophones to the ensemble. The small Chicago ensembles offered more improvisational freedom than did the New Orleans or large band formats, fostering the innovations of saxophonists Jimmy Dorsey (alto), Frankie Trumbauer (c-melody), Bud Freeman (tenor) and Stump Evans (baritone). Dorsey and Trumbauer became important influences on tenor saxophonist Lester Young, who in turn had great influence on later jazz saxophonists. But the greatest influence of the saxophone on jazz was to occur a few years later when alto saxophonist Charlie Parker became an icon of the bebop revolution. The small-group format of bebop and post-bebop jazz ensembles gained ascendancy in the 1940s as musicians used the harmonic and melodic freedom pioneered by Parker, Dizzy Gillespie, Thelonious Monk, and Bud Powell in extended jazz solos. Saxophonists such as John Coltrane, Ornette Coleman, Sam Rivers, and Pharoah Sanders defined the forefront of creative exploration with the avant-garde movement of the 1960s. The saxophone remains prominent in jazz, soul, and funk bands today.
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