text:
Midways and Electrophonics
Claire O'Brocta '23
Most majors in the Conservatory require Junior and Senior recitals, which are exactly what they sound like: recitals you play towards the end of your time at Oberlin. As a double-degree TIMARA major, I can choose any combination of my last three years of school to have my two recitals, and I have even more freedom when it comes to the subject matter (TIMARA recitals can pretty much be whatever we set our minds to, as long as we can accomplish it with sound and technology!). However, I am still in my second year, so it's not quite recital time for me yet. This luckily doesn't mean I'm completely void of ways to show my music! This spring, I've had compositions in two concerts.
Concert Number One: Second Year Midway Composers Concert, February 22nd
The beginning of the spring semester is populated yearly with three concerts known as the Midways. These are for first, second, and third-year composition, TIMARA, and jazz composition majors to present their works, with each class year getting their own Saturday to do it. These Saturdays conveniently line up with Conservatory audition weekends, so auditioning students often come to watch, which is very exciting. When I was a first-year, I had a collaborative piece on the Midway with fellow blogger Cait entitled "Beans." I met a current first-year in one of my classes last fall, who went to the concert during her audition. She recognized my name from "Beans," which she specifically remembered the title of! I didn't necessarily expect the first time I was recognized for my music in college to be related to legumes, but I do find it kind of funny.
This year, I had a solo electronic fixed media piece on the Midway, which (for those of you who don't know) means there were no instrumentalists, it was just music played through the speakers. This is a common thing for TIMARA-involved people to do, and something I'm definitely fond of, as it allows me to edit my piece as last-minute as I need to without having to worry about making things difficult for the people who need to play it. "Beans" last year was structured a bit differently. It started with a fixed media component, which I created based on a melody Cait wrote. We then had live singers come in at the end for a fun twist!
One of my favorite things about the Midway concerts is the fact that they're student-run. Each person who has a piece in the Midway chooses a role, such as poster maker, audio technician, communications director, or recording engineer (plus many more options). This year, I was in charge of gear, so the day before the concert, I checked out speakers, amps, cables, gaff tape, stands, and a mixer from the TIMARA department with some helpers, and the next morning, we set it all up. Additional gear was checked out by our recording engineer for purposes related to his role, so we had a lot of stuff to get ready! Luckily, it was audition day, which, if you've read the blog I wrote last February, you know means free tea and donuts. The sugar and caffeine were extremely helpful in keeping me energized and on my toes through all of the setup hiccups (such as a delay effect on the mixer that we did not know was turned on), and by the time the show started at 2pm, we were in good shape.
It feels so good to have been a part of the Midway through not only composing, but also through the organization and setup processes. Being involved in multiple facets forged a strong connection between me and this event that I was a part of, and made me want to make it that much better. Maybe I just like event logistics and putting on shows. I am in multiple student organizations that deal with those sorts of things! But I think it was really the combination of doing that, having my music in it, and doing it all with my fellow composer friends that made the Second Year Midway extra special.
Concert Number Two: Exquisite Electrophonics, March 7th
This year, TIMARA is celebrating its 50th anniversary! We've had numerous celebratory events this year because of it, with one of the most recent being Exquisite Electrophonics. TIMARA has Electrophonics concerts regularly, which show off musical student work in electronics, video, sound art, and more. This one was extra special because there was a 15-minute long piece at the end that featured 28 TIMARA affiliated students, myself included. This piece followed the exquisite corpse model (hence exquisite in the name), which, according to the program from the concert (that got this definition from the Museum of Modern Art), is:
"A game in which each participant takes turns writing or drawing on a sheet of paper, folding it to conceal his or her contribution. The game gained popularity in artistic circles during the 1920s when it was adopted as a technique by artists of the Surrealist movement to generate collaborative compositions."
This model was interpreted sonically through each of the 28 participants submitting a 5-second "seed" of audio to our professor. Our professor then put our names in order, and we had to take the seed submitted by the person ahead of us on the roster and create a 30-second "sprout" composition based on it. We then had to tack our own seed onto the end of our sprout, so the piece flowed smoothly from one person's sprout to the next.
My "seed" for Exquisite Electrophonics was a highly processed recording of a sound I made by hitting something against my hydroflask, and the person ahead of me submitted a recording of water. In my sprout, I was then able to play with the connection between water and water bottle, which was perfect.
The section in the program for the exquisite corpse piece featured all of the participants' names in order in one column, beside another column with our corresponding sprout titles. When the piece was played, I attempted to follow along with the program and map each person's name to their sound. But, towards the end, I lost track. I think that speaks well of the piece, though, because it shows that it's relatively seamless and cohesive. If the piece didn't fit together as well as it did, it probably would have been easier to keep track of changes from one person's sprout to the next.
A Third Concert? Maybe Next Year...
When I started writing this blog, I had fully intended on wrapping it up by talking about how enthusiastic I was for the third Oberlin concert I was supposed to participate in this semester, which has now been cancelled for obvious reasons. This concert, which would have been held at the Apollo Theater and showcase video content made by TIMARA faculty, was going to feature the Silent Film Ensemble playing along to the video. I'm in this ensemble, so I would have performed! As someone who tends to compose more than perform, this was a new experience and change of pace I was excited for. Looking forward, I'm hoping the Silent Film Ensemble will be offered again in a future semester so (at least some of) my ensemble-mates and I can still have this opportunity. I'm glad that I got to participate in two concerts this semester, regardless, and I'm eager to hopefully be a part of many more in the future, both as a composer and as a performer.
Tag: Conservatory: Majors, Minors, & Courses
Major: TIMARA, Environmental Studies
Interests: live music, astrology, interesting sounds, video games, sustainability, traveling
Winter Term: A Reflection (Pt. 2)
Yuhki Ueda
Another important lesson learned.
A Magical Night at Carnegie Hall
Ariel Roberts
A once in a lifetime experience.
Reflecting on the past few weeks of Winter Term.


text:
2018年国际学生作品征集
2016当代音乐周国际学生作品征集
2015第五届中国当代音乐评论比赛
2014 Notice Critic
2014年国际学生作品入围作品公告
2011当代音乐周
2010年当代音乐周
2010年昆曲
英国作曲家Harrison Birtwistle
Time:2012-09-04Browse times:0
Harrison Birtwistle
Birtwistle was born in Accrington, a mill town in Lancashire some 20 miles north of Manchester.His interest in music was encouraged by his mother, who bought him a clarinet when he was seven, and arranged for him to have lessons with the local bandmaster.[2] He became proficient enough to play in the local military-style band, and also played in the orchestra which accompanied Gilbert and Sullivan productions and the local choral society's performances of Messiah. Birtwistle composed from around this time, later describing his early pieces as 'sub Vaughan Williams'.
In 1952 he entered the Royal Manchester College of Music in Manchester on a clarinet scholarship. While there he met fellow composers Peter Maxwell Davies andAlexander Goehr, who, together with pianist John Ogdon and conductor Elgar Howarth, formed the New Music Manchester group, dedicated to the performances ofserial and other modern works.
Birtwistle left the college in 1955 then studied at the Royal Academy of Music and afterwards made a living as a schoolteacher. In 1957 he spent a short period of time in the sales office of Bells Asbestos and Engineering in Slough. In 1965 a Harkness Fellowship gave him the opportunity to continue his studies in the United States and he decided to dedicate himself to composition.
In 1975 Birtwistle became musical director of the newly established Royal National Theatre in London, a post he held until 1983. He has been honoured with a knighthood (1988) and as a Companion of Honour (2001). From 1994 to 2001 he was Henry Purcell Professor of Composition at King's College London. Birtwistle was the 1987 recipient of the University of Louisville Grawemeyer Award for Music Composition. in 1995 he was awarded the Ernst von Siemens Music Prize.
At the 2006 Ivor Novello Awards he criticised pop musicians at the event for performing too loudly and using too many clichés.
The artist Adam Birtwistle is his son.
New Music Week Shanghai Conservatory of Music South Building 418 20 Fenyang Rd. 200031 Shanghai China
Tel/fax: 0086 21 6431 3701
newmusicweek@qq.com

redpajama_set_name: RedPajamaCommonCrawl


text:
package model;

/**
 * Класс, определяющий хоккейную шайбу. Содержит также все свойства юнита.
 */
public class Puck extends Unit {
    private final long ownerHockeyistId;
    private final long ownerPlayerId;

    public Puck(long id, double mass, double radius, double x, double y, double speedX, double speedY,
                long ownerHockeyistId, long ownerPlayerId) {
        super(id, mass, radius, x, y, speedX, speedY, 0.0D, 0.0D);
        this.ownerHockeyistId = ownerHockeyistId;
        this.ownerPlayerId = ownerPlayerId;
    }

    /**
     * @return Возвращает идентификатор хоккеиста, контролирующего шайбу, или {@code -1}.
     */
    public long getOwnerHockeyistId() {
        return ownerHockeyistId;
    }

    /**
     * @return Возвращает идентификатор игрока, контролирующего шайбу, или {@code -1}.
     */
    public long getOwnerPlayerId() {
        return ownerPlayerId;
    }
}

redpajama_set_name: RedPajamaGithub


On 23 August we published the conference programme in a detailed interactive form using CrowdVine, our conference social networking service. Delegates were able to use this to create their schedule for the event.
details of sessions run by conference sponsors.
If you have any questions or queries on any aspect of the timetable do not hesitate to contact the ALT office.


New Hampshire Statewide Assessment (NH SAS) Practice Tests - Start Practicing Now!
What are the New Hampshire Statewide Assessment (NH SAS) Tests?
The New Hampshire Statewide Assessment System (NH SAS) is a comprehensive program designed to provide information about what students know in core academic areas. It is currently used for English Language Arts (ELA), Mathematics, and Science. This replaces the New Hampshire NHEIAP and NH Smarter Balanced.
Our practice materials helps students build confidence and raise test scores for the New Hampshire Statewide Assessment (NH SAS). The materials are both affordable and comprehensive encompassing all major subjects: English / Language Arts, Mathematics, Science and Social Science.
The Bright Education System is proven effective in helping students prepare for the New Hampshire Statewide Assessment (NH SAS). Our materials are very affordable and we offer flexible pricing options to fit your budget. Volume pricing is also available for schools.
When is the 2019 New Hampshire Statewide Assessment System (NH SAS) Period?


If you are a senior citizen and not yet invested in a senior citizen fixed deposit scheme, you are missing out on the immense benefits that it offers and beyond.
Let's quickly provide you some details about the fixed deposit schemes so that it may help you enjoy worry-free retired life.
Is a fixed deposit scheme the right investment choice for senior citizens?
If you are a senior citizen who has retired or is set to retire in some years, you can choose to invest a portion of your savings in a safe and sound investment scheme. Yes, it is none other than a senior citizen fixed deposit plan.
An FD (Fixed Deposit) investment can help you gain sure-shot interest gains as compared to other risks prone plans such as mutual funds, stocks, equities and more.
Thus, since your returns on the expected interest are not impacted by the ups and downs of the market, it works out to be sure-shot investment option. That does not mean you should not include stocks and mutual funds in your investment profile, but they should not be your only option as well.
Here are some of the benefits of the senior citizen FD plan that you can stand to make the most of if you put in your savings in it.
✓ The FD interest rates for senior citizens are higher than a standard citizen. Online service providers offer senior citizens as high as 8.10% FD interest rates. As a result, you are sure to get better ROI.
✓ The ROI that you earn on your fixed deposit plan can be utilized to cover various responsibilities such as self and household expenses, contribution a portion towards your grandchildren's education and more.
✓ The ROI of an FD is safe and not affected by market conditions and offers steady returns, come what may.
✓ You don't need to put in a large amount to open a senior citizen FD. You can begin your investment with as little as Rs.25,000 only.
✓ You can withdraw your FD amount earlier if you need money and don't have to wait for the tenor to end.
✓ You can also avail a loan against the FD amount in case you need to cover some immediate tasks involving some money.
Why should you wait to invest some savings into benefits-laden senior citizen fixed deposit scheme and miss a golden chance to build a healthy retirement fund?
You can now apply online by filling the online application form. A company representative will then contact you to collect documents, cheque and complete other formalities and your senior citizen FD account will be operational.
Don't wait, apply today and make the most of it!


No, It cannot be integrated. The div cannot be removed.
Because if do priv->timerfreq /= div, that will affect the accuracy.
This branch I has been tested.
1. Get timerfreq and set timerfreq.
sec = 18, ticks = 118295518.., timerfreq = 6249999..
sec = 17, ticks = 110095766.., timerfreq = 6249999..
sec = 16, ticks = 105095737.., timerfreq = 6249999..
sec = 15, ticks = 99495711.., timerfreq = 6249999..


Peripheral manufacturer Razer has announced a new mobile messaging app called RazerGo to help Pokémon Go players in their quest to catch 'em all.
According to the company, RazerGo is designed to work "seamlessly" with Pokémon Go on both iOS and Android platforms. The third-party app features chat rooms for players to interact in, team colors to distinguish individuals, and the mighty important ability to drop "beacons" on the map. Once a beacon is dropped by a player, a new chat room is unlocked for other RazerGo users to join and coordinate the hunt.
There's support for various chat modes, and you can send messages publicly, privately, or just to a specific team. Furthermore, the RazerGo app comes equipped with a local mode where other RazerGo users are lit up on the map in a three mile radius. There's a also a regional option that expands that net to a 60-mile radius. You can tap on any RazerGo individual in your vicinity for a chat.
Note that Razer is not affiliated with Niantic Labs and Nintendo. The third-party app has been created without the consent of the original developer and publisher; hence, any bad experience should be directed towards Razer only.
The web version of the app is scheduled to go live tonight for both iOS and Android.


I thought I'd sit back and kick my feet up for a while.
Hi there. Welcome to Broken. Make yourself at home. We're all pretty much the "sit back and kick your feet up" types.
^ What she said. Welcome aboard.
Thanks for the open door. I wasn't sure this would be a fun place...but it looks like a fun place. So...how broken are we? I mean, as a general rule. I know I'm broken, just wondering if I'm not broken enough, or broken too much. Does everyone here have pieces of them that fall into their tracks?
I know I'm broken, just wondering if I'm not broken enough, or broken too much.
from completely busted to cosmetically blemished, it's all good.
Talking to themselves is only bad when they tell themselves something they didn't already know.


Haulers are true workhorses! Be it to efficiently transport bulk goods as part of earthmoving, asphalt as part of road construction, overburden in quarries and gravel pits, this tipper can rely on its strengths. As one of the most powerful articulated hauler the Volvo A60H has now been added to the BRUDER themed world of construction equipment. Just like the real thing, the model guarantees exemplary off-road capabilities thanks to its solid articulated steering in conjunction with massive balloon tyres. One bworld figure can take to the wheel of the vehicle through the roof hatch of the extremely modern cab and young hauler drivers can load and unload the genuine, enormous tipping trough.
"Playing is not an end in itself, but lets children make experiences in the adult world which they can use for their own development."
In line with this principle, BRUDER products are developed as "model-sized toys." Model-sized to encourage children to imitate real life in the form of role plays; functional to help them understand the technical backgrounds by allowing them to "grasp by grabbing." Special attention is paid to the well-balanced interaction of easy-to-handle play functions and models that are true to life and offer the greatest possible level of stability. BRUDER's company slogan "just like the real thing" manifests itself.
More than 98% of Bruder's products are made at their own factory in Fürth, Germany.
Learn more about Bruder here.


Join us on an exciting new cruising experience. Cuba—the time is now! This unique cruise gives you the chance to witness Cuba`s legendary nightlife, iconic music, and distinct culture. Now, you can experience an island country where yesterday lives today! You`ll also visit Georgetown, Grand Cayman, whose beaches, underwater scenery, and sea life are among the finest in the world.
Click here to view the Best of Cuba Cruise flyer for additional information!


Losing someone, or saying your Goodbyes are the hardest thing to do as always, especially, when it is your Mother. No matter how are we going to say and take it, still it is so heavy to carry in our hearts. We are hurting, to accept that fact that our Mama Lilia will no longer (in flesh) be with us. However, we have faith that someday we will see each other again.
The day that our Mama Lilia bid goodbye, was the hardest thing my family and I had. There are so many questions we need an answers. Things we could have done. Dreams planned with her, were all gone when that day came. Things were so fast, even she could not say her goodbye.
Now occasions like Mother's Day is so hard to accept, she is no longer here. And there will be no Mother or Mama my siblings and I will greet or call to tell her how much we truly love her. To remind her how grateful we are of the love, caring and sacrifices she did for us, so we would not be able to experience the poor life she did while growing up.
I guess, heaven probably needs more Mother than us. After the time we spent together and after that last kiss she gave me. I'm not content with the time we spent together, but I presume to accept that reality.
It is very hard to loss a Mother. Mama Inday will never be replaced in our hearts and will never be forgotten, however her legacy will continue.
This Sunday will be Mother's Day. Please, please do not take for granted to go see your Mother, Mom, Nanay, Ina or Mama. Whatever you call the first woman in your life. Treasure the moments you have with her, forgive and spend more time and create more new memories.
For one day, when her time is up and we don't know if we are ready to accept that day or not. You will miss her. And maybe that time, when she is ready to leave because she knew that her children will be fine without here. You will tell yourself that even though it is not enough, you did your BEST to be with her. To show to her the love she needs to feel before letting go.
I have to stop writing this article because I could not stop my tears from falling while remembering all the things I can share with my Mama Lily.
To ALL Mothers all over the world, may you have a Beautiful Mother's Day!


text:
A Remote Procedure Call (röviden: RPC, "távoli eljáráshívás") olyan, processzek közti kommunikáció adott programban, mely szerint egy függvény vagy procedúra egy másik címtartományban fut (általában másik számítógépen) anélkül, hogy a programozó definiálná ezen kommunikáció működésének részleteit. Tehát a programozó megírja a kódot, és nem kell törődnie azzal, hogy a kód a lokális vagy egy távoli számítógépen fog-e futni.

Jelenleg számos (gyakran egymással nem kompatibilis) rendszer létezik, mely ezt megvalósítja.

Múltja

A RPC ötlete legalább 1976-re megy vissza, amikor először leírták az RFC 707 dokumentumban. Egyik legelső ipari használata a Xerox "Courier"-je volt 1981-ben. Az első elterjedtebb használata az Unix operációs rendszereken a Sun RPC volt (jelenleg ONC RPC-nek nevezik), melyet később az NFS alapjául használták föl.

Egy másik Unix-alapú kivitelezés az Apollo Computers által fejlesztett Network Computing System (NCS) volt. Az NCS-t a DCE/RPC alapjául használták. Tíz évvel később a Microsoft felhasználta a DCE/RPC-t a saját Microsoft RPC (MSRPC) mechanizmusának kifejlesztésére, majd erre került a DCOM rendszer. Körülbelül abban az időben jelent meg a CORBA is, amely olyan RPC megoldás volt, mely elosztott objektumokon és öröklődésen alapult.

Üzenetküldés

Az RPC-t a kliens kezdeményezi, mely küld egy üzenetet egy ismert szervernek, hogy hajtson végre egy meghatározott procedúrát a megadott paraméterekkel. A szerver visszaüzeni a választ a kliensnek, és a program folytatja a munkáját. Számos kisebb eltérés van a RPC különböző kivitelezései közt, emiatt létezik számos nem kompatibilis RPC protokoll. Amíg a szerver feldolgozza a hívást, addig a kliens blokkolva van (vár, amíg a szerver be nem fejezi a munkáját - szinkron hívás).

A lényeges különbség a lokális és a távoli eljáráshívások között az, hogy a távoli hívások sikertelenek lehetnek hálózati okok miatt is.

Hivatkozások
RFC 1057 - ONC RPC 1-es változat
RFC 5531 - ONC RPC 2-es változat

Számítógép-programozás

redpajama_set_name: RedPajamaWikipedia


In addition it was exceptionally permeable and I realize that it would take a lot of paint. An other to block and paint is to go for a magnificent stone completion. The essence of every block notwithstanding the mortar lines should be secured.
On the off chance that you really need your chimney to be seen, at that point you ought to consider slicing some drywall to fit the estimations of the structure and apply hand painting that supplements the block to make irrefutably the most out of the new appearance. Contrasted with all of the contemplations and conceivable costs required with totally supplanting your present chimney, retrofitting your chimney may resemble a unimaginably easy arrangement. Prior to painting, it's much better empower the blocks dry out for around 24 hours before proceeding to the following segment of the system.
So far as assortments of shelves you commonly need to arrange with the stone you've introduced and look you're striving for. The more you'll utilize the chimney the more you'll save, or so the rate of including a chimney or redesigning your old one is going to pay for it later on.
Chimneys may work as simply enhancing or it might be utilitarian to warm the whole home. Need to discover increasingly about shiplap, and the best approach to add it to your living arrangement or chimney attempt 41 Shiplap Ideas (Not just for Walls) Here is my chimney that they're dealing with. The hearth is required here so as to give additional seating to greater gatherings of visitors, and to show an area to come warm up, on account of the bigger measured room.
Knowing the historical backdrop of your chimney will enable you to comprehend whether basic changes in accordance with your home might need to happen in case you're organizing an entire chimney reconstructing venture. Be sure the thoughts that you set in your home inspires you, so it's conceivable to acknowledge to living in your property. Greenhouses can be made inside patio nurseries an extremely low box fences can make many subject territories, even inside a somewhat little greenery enclosure.
Each shade delivers an alternate environment. For the most part, the hearth is known as the extra seating when the friends and family and companions accumulate for merriments and can be delighted in and awed in an assortment of ways. Chimney Update Ideas can give you motivation and empower you to beautify your living space stylistic theme.


Over the years, the qualifications for the individual nominees has fluctuated with principal artists, composers, and producers at one point being the sole eligible nominee, to the more recent standard which includes those whose contributions accounted for the majority of the album. As of 2012, the award description is as follows: "Award to the principal vocalist(s) and the album producer(s) of 51% or more playing time of the album. The lyricist(s) and composer(s) of a new score are eligible for an Award if they have written and/or composed a new score which comprises 51% or more playing time of the album." Therefore, composers and lyricists are ineligible when recordings contain a majority of previously released material (revivals, collected works). Also, while they are not listed among the nominees, since 2001 the Recording Academy has awarded an official Grammy to the engineers/mixers of the winning Album.
Years reflect the year in which the Grammy Awards were handed out, for music released in the previous year. As of 2008, the current eligibility year is defined by the Recording Academy as beginning October 1, and ending the following September 30. Awards are given in February following the eligibility period.
From 2012 it has been known as Best Musical Theater Album.
^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an ao ap aq ar as at au av aw ax ay az ba bb bc bd be bf "Past Winners Search". Grammy.Com.
^ "Grammy Awards 1959". Awards & Shows.
^ "Grammy Awards 1960". Awards & Shows.
^ "Grammy Awards 1961". Awards & Shows.
^ "Grammy Awards 1963". Awards & Shows.
^ "Grammy Awards 1964". Awards & Shows.
^ "Grammy Awards 1966". Awards & Shows.
^ "Grammy Awards 1969". Awards & Shows.
^ "Grammy Awards 1975". Awards & Shows.
^ "Grammy Awards 1979". Awards & Shows.
^ "22nd Grammy Awards". RockOntheNet.Com.
^ a b c d e f g h i j k l m n o p "Grammy Award® Winners: Best Musical Show Album". RateYourMusic.
^ "Grammy Awards 1988". Awards & Shows.
^ "40th Annual Grammy Award Nominations". DigitalHit.
^ "41st Annual Grammy Award Nominations". DigitalHit.
^ "42nd Grammy Award Nominations". DigitalHit.
^ "43rd Grammy Award Nominations". DigitalHit.
^ "45th Grammy Award Nominations Coverage". DigitalHit.
^ "50th Grammy Awards". RockOntheNet.Com.
^ "51st Grammy Awards". RockOntheNet.Com.
^ "52nd Grammy Awards". RockOntheNet.Com.
^ "53rd Grammy Awards". RockOntheNet.Com.
^ "Grammy Nominations Announced". BroadwayWorld.Com.
^ "54th Grammy Award Nominations Coverage". DigitalHit.
^ "Full Nomination List of the 55th Annual Grammy Awards". New York Daily News.
^ "56th Grammy Award Nominations Coverage". DigitalHit.
^ "59th Grammy Award Winners". Grammy.org The Recording Academy.
^ Staff, Variety (2017-11-28). "Grammy Nominations 2018: Complete List". Variety. Retrieved 2017-11-28.


Multi-year funding for collective impact partnerships that foster shared visions, based around bringing services to the populations with the most need, specifically around schools and community centers.
Program funding for individual organizations to support solutions that address community need in the areas of education, health and financial stability.
Funding available year-round that allows United Way of Treasure Valley to support new projects outside of the annual grant process.
Click the links below to review financial documents as shown.


Here's a terrific new photo of Houdini doing his overboard box escape in San Fransisco Bay on November 6, 1915. Houdini performed the escape as part of the Panama-Pacific International Exposition and to promote his appearance at the Orpheum Theater on O'Farrell St. starting the week of November 8.
There are surprisingly few images of this high profile stunt. The only image I had ever seen belongs to Dr. Bruce Averbook and shows the box being lowered into the water (it appears on page 276 of The Secret Life of Houdini and can be seen here). But now we have this stunner!
It's interesting to read that the stunt was filmed. Unfortunately, that footage has not survived to my knowledge. In fact, the only surviving film of Houdini doing a public overboard box escape is this footage at an unidentified location.
An Immersive Theater Experience based on Cynthia von Buhler's graphic novel The Girl Who Handcuffed Houdini begins TODAY at Theatre 80 in New York City. It's presented by Speakeasy Dollhouse and runs through November 10, 2018.
Written and directed by Cynthia von Buhler, the play stars Pearls Daily as Minky Woodcock, Vincent Cinque as Houdini, and Robyn Adele Anderson as Bess. Below is a description of what sounds like quite an experience!
Audience members will witness Harry Houdini's final days through an immersive theater experience in which they are assigned a character to follow and then view events through that character's point of view. They might find themselves attending a séance, helping the magician rehearse backstage, sipping absinthe in a speakeasy, spying on an affair in a hotel room, witnessing an attempted murder, visiting Houdini in his hospital room, or viewing his body in the morgue. All attendees "travel via train" to watch Houdini's final month of performances, including his iconic Water Torture Chamber act, in Rhode Island, Montreal and Detroit. VIP guests follow Harry Houdini or Minky Woodcock, receive the best seats in the house for the stage portions of the show, and are invited onstage to inspect the Water Torture Chamber. Audience members are encouraged to come back again to follow other key players and see alternate facets of what actually led to Houdini's fateful death. Evidence is revealed, but the truth is left up to the theatergoer to decide.
All full price tickets include a signed copy of the collected hardcover edition of The Girl Who Handcuffed Houdini. For more information and showtimes visit the official website.
It's also announced today that Minky will return in a second graphic novel series, Minky Woodcock: They Die Fast on Broadway, in which she will investigate the real-life death of Olive Thomas, whose murder was one of the earliest Hollywood scandals.
Below are more adventures in Houdini advertising.
Every year the National Film Preservation Board at the Library of Congress selects 25 films to showcase the range and diversity of American film heritage and increase awareness for its preservation. The public can suggest which films they think are worthy by nominating up to 50 films.
So let's get a Houdini movie in the mix! Heck, with 50 choices, we can nominate all of Houdini's movies. But let's at least be uniform in nominating what most consider his best film, The Grim Game (1919).
Click to visit the 2018 National Film Registry Nomination Form.
You will be asked for your email address and how you heard about the site (feel free to say you heard about them from Wild About Harry).
You'll then have the opportunity to nominate up to 50 films, listing each by title and year.
Please enter The Grim Game as the title and 1919 as the year.
If you'd like to list his other films, they are: The Master Mystery (1918); Terror Island (1920); The Man From Beyond (1922); Haldane of the Secret Service (1923). I also entered the Tony Curtis biopic Houdini (1953), because there's a lot to recommend that film as choice example of American cinema.
Thanks for your support and feel free to spread the word! It would be terrifc to see The Grim Game or any Houdini movie make the 2018 list.
Speaking of The Grim Game, I will be showing the film along with giving a talk about Houdini in cinema at the Jewish Museum of Maryland in Baltimore on November 4. Click for details.
Here's an interesting item from the October 21, 1911 Buffalo Courier. It appears Houdini took offense to the idea of truant children being manacled, and this is an effective way to use his fame to call out that cruel policy. Go Harry.
One wonders if part of Houdini's feelings here are rooted in any experience he had with truant officers during his own runaway years.
Australia's Star Weekly reports that Diggers Rest historians are holding a fundraiser to secure a local autograph book containing a rare signed photo of Houdini.
The autograph book is from 1910 and has been in the family of Toolern Vale resident Wayne Johnson for more than a century. Mr. Johnson says the autograph book had been passed down to his wife, Kay, from her great-grandmother.
"Kay's great-grandmother used to live in a hotel and she used to collect the signatures of people who came into the hotel," Johnson told the Star. "A lot of the other entries in there are signed, 'a member of the Houdini company', which also helps to verify the authenticity of Houdini himself's signature."
Houdini spent four months touring Australia in early 1910. During this time he made the first successful airplane flight on the continent on March 18 at Diggers Rest.
Diggers Rest History Project members put out a call for donations to help buy the autograph book from Mr. Johnson. They've raised about $1500 towards the $2000 goal. Johnson said he was keen to ensure that the book stayed "close to home".
"You can't put a value on this," he said. "It's been in the family for generations and I'd like it to stay in Diggers Rest."
The Diggers Rest History Project, which began in 2014, shares its collection of artifacts and historic documents with the community through Houdini's Cafe and the Diggers Rest Medical Centre.
To donate and for more information CLICK HERE.
Photo of Wayne Johnson and David O'Conner by Marco De Luca.
Amazon is listing yet another print-on-demand "instant biography" (is that a good name for these?) titled Harry Houdini: A Harry Houdini Biography by Phil Coleman. This one runs 107 pages with no photos.
I really don't know if I should be buying or even blogging about these books. They are not freshly researched biographies, nor do they appear to be written by people with any real interest in Houdini or even a point of view (I'm convinced the last one was written by a bot). These are whipped up with info found on the net, both good and bad, and seem created just to list on Amazon. This particular author is a self-publishing empire all his own, with many similar books on current events and conspiracies.
But maybe that's what makes these books worth getting? Are these unique products of this time? Will these become collectible like chapbooks are now, or will they be considered junk of the early days of print-on-demand publishing? I really don't know. But I do know they shouldn't be purchased for the purpose of learning about Houdini. There are many other better books for that.
Having said all that, you can buy Harry Houdini: A Harry Houdini Biography by Phil Coleman at Amazon.com (U.S.) and Amzon.co.uk (UK).
Today I'm sharing a new block of preview years from The New Houdini Chronology: 1900 to 1905. These are the years that saw Houdini's breakout fame as the "King of Handcuffs and World Champion Jail Breaker" across England, Germany, France, Holland, and Russia.
As a bonus, I've also included the massive "A.D." page that tracks the amazing afterlife of Houdini from 1927 to the present.
You now access the chronology via a standalone webpage HERE. I'm no longer offering the entire chronology online as I'm working toward publishing it as a book. But if you ever need any specific information related to a date not currently previewed, feel free to get in touch.
This Halloween marks the 92nd anniversary of Houdini's death, and the October events are starting to roll in! Here's an event that sounds like fun on October 26 & 27 with the Experience Theatre Project in Beaverton, Oregon. I know this is an early alert, but according to their Facebook page, it is already 50% sold out.
LADIES will perform frightening yet tantilizing burlesque!
WITNESS the Mesmeric Seance that Calls to Houdini!
GHOSTS WILL RISE from nowhere!
7PM Haunted Burlesque feat. Lacy Knickers and Nina Nightshade. Dessert served.
Special appearances by James Luster and Janice Moss, last seen in ETP's immersive production of The Mousetrap as Det. Sgt. Trotter and Mrs. Boyle.
An over 21 event. This is a theatrical performance, not an actual demonstration of dark arts.
You can buy tickets to The RISE of Houdini via Eventbright. For more information visit the official website.
The New-York Historical Society's exhibition Summer of Magic: Treasures from the David Copperfield Collection is coming to a close this Sunday, September 16. The exhibition features rare artifacts from the Golden Age of Magic, including Houdini's Milk Can, Metamorphosis trunk, straitjacket, Bess's stage coat, and the Mirror Handcuffs (first time the cuffs have been displayed publicly in 20 years). If you haven't seen it, now's your last chance!
This final weekened will also feature a reappearance of Houdini himself a.k.a. Duffy Hudson. Below are details.
Meet Summer of Magic's Closing Act: Harry Houdini!
Don't miss the final weekend of our Summer of Magic, and your last chance to shake hands with Harry Houdini—that is, if his arms aren't stuck in a straitjacket or handcuffs! Marvel as Houdini, portrayed by Duffy Hudson, shares his incredible life story, performs illusions with playing cards, and manages to swallow—gulp—sharp needles! Click for more info.
Visit The New-York Historical Society's website for location and hours.
The culmination of Houdini's European adventures and his reign as "The Handcuff King" came in 1904. The year would see him perform the greatest challenge handcuff escape of his career. It was also a unique year in that he only performed in a single country; the United Kingdom.
Houdini began the new year in Glasgow, a city that impressed him with its seven music halls "all doing well." He then moved onto the Empire Palace of Varieties in Sheffield. It was here on January 19 that he escaped from a jail cell that had once held murderer Charles Peace. This was actually the second Peace associated cell he had escaped; the first being in Leeds in 1902.
February found Houdini in Liverpool where he escaped from a jail cell and shackles in the city's local police station. A jail break from the South Shields Central police station followed. Houdini then finished up at the Empire in Birmingham. From there he informed the readers of his Dramatic Mirror column that, by his count, some 72 American acts were currently playing England. "This is certainly an American Invasion," he wrote.
Houdini returned to London in March where he would spend six weeks at the Hippodrome Theater. "Talk about being billed big," he crowed. "You ought to see London and look about. Nothing on the walls but Houdini!" At the photography studios of Campbell & Grey, he took a new series of publicity photos showing him in tux and tails and loaded down with multiple pairs of handcuffs and leg-irons. With his piercing grey eyes and wavy black hair, the images would become iconic.
It was at the London Hippodrome during a matinee performance on March 17 that Houdini accepted a challenge from the London Daily Mirror newspaper to escape a handcuff that had, reportedly, taken a Birmingham locksmith five years to manufacture. The complex Bramah lock contained six tumblers and was said to be unpickable. Today we call this the "Mirror Handcuff Challenge," but at the time it was heralded as "The Great Handcuff Contest."
The dramatic escape took over 90 minutes and was replete with moments of on-stage drama, such as when Houdini used a penknife to cut off his coat. When he finally emerged from his "ghost house" free of the formidable manacle, he broke down and wept as he was paraded on the shoulders of the cheering audience.
How exactly Houdini escaped from the truly inescapable Mirror Cuffs is still debated today. Over the years various theories and scenarios have been put forth, including a story from Will Goldstone that Bess had to plead the key out of the Mirror representative and passed it to her trapped husband in a glass of water. But today most believe that Houdini colluded with the paper in arranging the challenge from the very start, and even had a hand in the manufacture of the Mirror cuff itself. His struggle was pure showmanship. But the truth is no one knows for certain exactly how Houdini beat the legendary handcuff.
Houdini being locked into the Mirror Handcuffs, March 17, 1904.
Houdini became ill during his final week at the Hippodrome. The exact nature of his illness is unknown, but it was serious enough for a doctor to order 12 days of bed rest and for Houdini to listen. He cancelled advanced bookings in Newcastle. "First time I ever disappointed," he wrote in his diary. But Houdini still found the strength to visit the home of Henry Evans Evanion, where he marveled at the old magician's magic collection and purchased some select treasures for his own. His brother Dash and the doctor found him at 3AM and dragged him back to his hotel.
At 30-years old, Houdini was now earning up to $2000 a week ($57,000 in 2018 money), and he begin to enjoy his wealth. He took to wearing a diamond shirt stud and purchased a 14hp Humber Tourist Car, which he claimed to have entered into several auto races. Evidence of this racing career is scant, but there is a well-known photo of Houdini and Martin Beck ("my erstwhile manager") enjoying the new car with a well-appointed Bess in the back seat with their dog Charlie.
On May 27, Houdini set sail for New York aboard the Deutschland for what would be his first real vacation in years. Martin Beck made the return trip with him, upgrading the Houdinis to First Class. Beck offered him $10,000 to play engagements in the U.S., but Houdini uncharacteristically turned the work down. It was time to rest.
If the Mirror challenge was seminal career event of 1904, then this trip home was the most impactful event for him personally. It was more than a vacation. It was time he used to reflect on his past and prepare for the future.
Laying off for three months, Houdini enjoyed his family, taking new portrait photos with all his brothers. He and Dash then travelled to Appleton to visit the scenes of their childhood. Here Houdini was interviewed by Edna Ferber in front of a drugstore on College Avenue. The interview, which ran in the Appleton Evening Crescent on July 21, said Houdini had just paid a visit to his father's old office "where I used to get my spankings." Bess didn't accompany him on the trip, and when he returned to New York, she met him at the 42nd Street Station. "She looks a treat in her pale blue dress," he wrote in his diary that night. "Am certainly pleased to see her. I missed her on my trip."
On August 11, Houdini purchased a large brownstone at 278 W 113th Street in a German enclave of lower Harlem. This would be the new Weiss family home. Into it he moved his mother, sister, and brother Leopold, who would set up his medical practice inside the parlor. He also bought a farm in Connecticut and a new family plot at Machpelah Cemetery in Queens. There he relocated the bodies of his father, grandmother and half-brother Herman. While doing so, he had their caskets opened so he could examine their remains. "Saw what was left of poor father and Herman," he wrote in his diary. "Nothing but skull and bones. Herman's teeth were in splendid condition."
Having secured his family in life and death, Harry and Bess returned to England. There he found himself embroiled in a conflict with his former employer, Moss and Thornton. Houdini's English agent, Harry Day, had negotiated lucrative new contracts for him across England. But the Moss chain claimed they still held an option on his services and tried to get an injunction against his appearance. The matter went to court and was decided in Houdini's favor "without my representative speaking one word." In retaliation, Moss and Thornton hired Frank Hilbert to do an imitation and exposure of Houdini's act, sometimes booking him in direct opposition in the same town.
Success had certainly not mellowed Houdini's feelings about imitators. In late September he clashed with Carl Mysto (real name Sam Sterns). Houdini first met Mysto in 1902. "He was a tramp," Houdini wrote. "I gave him a pair of pants and a few old shirts and a half a dollar." Now Mysto was doing a coffin escape which, his manager claimed, was beyond Houdini's powers. He also said that, unlike Houdini, Mysto did not "talk endlessly of his triumphs." Houdini hired the man who made Mysto's coffin to make him a duplicate. He then exposed Mysto's method on stage in Salford and in the pages of the London Daily Mirror.
It was also in Salford that Houdini introduced a new original creation; The Prison Cell & Barrel Mystery. It was a fusion of his jail escapes and Metamorphosis, using a male assistant, Franz Kukol, instead of Bess for the climatic transposition. (It's possible the new effect was developed precisely because Bess wanted a break from the stage.) But it somehow lacked the power of Metamorphosis, and Houdini experimented with its presentation, sometimes doing it as a straight escape. Today it is best known for the handsome poster Houdini made to promote it during his UK tour.
The last part of the year found Houdini playing dates in Bristol, Liverpool, Halifax, Leeds, Newgate, Brighton, and finally the Grand Theater in Manchester. There's no record of how the Houdinis spent the last two weeks of December, but it's likely they spent the holidays back in London.
Humber photo from the Jim Rawlins collection. Houdini Dash pic is from my own collection. Thanks to Joe Notaro for helping date the Campbell & Grey pics.
Cowell then quipped, "Don't do what Houdini did. He died on stage."
Of course, Cowell is thinking of Houdini's death in the Water Torture Cell as first depicted in the classic Tony Curtis biopic Houdini (1953). But this is a pure Hollywood fabrication. Houdini died in Grace Hospital on October 31, 1926 after several days of battling the infection from a ruptured appendix. His death had nothing to do with any of his stage illusions. Although he did do his final show at the Garrick Theater in Detroit with a 104 degree temperature.
There's been a weird resurgence of this old myth. Recently magician David Blaine also spread the idea in a newspaper interview. Certainly both Simon and Blaine know better. But maybe this is now considered an "alternative fact"?
Shin Lim, wisely, did not correct him.
It was 98 years ago today that Houdini's Terror Island opened at the Strand Theatre on Catalina Island. What makes this particular engagement notable is that the movie was largely shot on Catalina, a fact that was used in the local advertising (below). This rare ad and more Houdini-Catalina history can be seen in the exhibition Houdini Terror on the Magic Isle which is currently running at the Catalina Island Museum through October 7.
The building that housed the Strand Theatre still stands today at 122-124 Sumner Ave., although it is no longer a movie theater. It became "The Strand" in May of 1919 when the theater was upgraded with new projectors.
The Strand Theatre now and yesterday (1920).
Thanks to the good folks at the Catalina Island Museum for the use of the above images, and to Joe Notaro and Jessica Zumberge for finding the location of the Strand. The clock is ticking on Houdini Terror on the Magic Isle, so if you want to see the first exhibition ever devoted to the movie, get yourself to the island!
Houdini plays a role in this latest time travel adventure by David Tank, Secret Santa: The Secret of the Magic Watch. Here's a description.
Sam, Abby and Nick return in this time-traveling adventure to the Roaring Twenties. When Abby gets separated and finds herself lost in New York City, Sam and Nick follow her trail, determined to rescue her. In their race to bring her back to the present, they foil a bank robbery, catch a burglar and learn the secret of magician Harry Houdini's greatest trick. The sequel to Secret Santa: The Mystery of the Stereoscope.
Secret Santa: The Secret of the Magic Watch can be purchased on Amazon.com (U.S.) and Amazon.co.uk (UK).
Below are some more adventures of Houdini and Time Travel.
The Life and Many Deaths of Harry Houdini does offer a creative and, for the most part, well-argued look at a figure in need of a fresh interpretation. In the tradition of Houdini himself, Brandon should be commended for not being afraid to take a chance and for executing her maneuvers with style. She could, though, stand to learn more from the master about which challenges to accept and which to graciously let pass.
The newsletter only runs four pages this time. Filling out page 2 is is an update on the Gravesite Repair Funds, noting that $7000 has been raised. But it also says "repairs to the family grave are on hold for the immediate future, according to George Schindler, a trustee of the S.A.M. Parent Assembly #1." This, we now know, was the start of friction between the cemetery and the S.A.M. which, thankfully, is now in the past.
A report on a live Halloween radio broadcast from the HHC by Rick McNeal and Len Nelson of WAPL in Appleton follows. It says the DJs received their own "message from beyond" about the Green Bay Packers. The museum shop reports that it has in stock the graphic novel Batman/Houdini: The Devils Workshop and Harry Houdini: Legend and Legacy by Roger Wood and Brian Lead. Familiar names listed among the "New Members" are Lee Jacobs and Geno Munari.
Sid Radner devotes his "Backstage" column to that year's Official Houdini Seance, held at the Soldiers', Sailors', Marines', Coast Guard and Airmen's Club in New York City. Attendees included Stanley Palm, Maureen Christopher and Kenneth Silverman. Co-organizer Tom Boldt could not attend that year, but his wife Renee and her mother, Suzanne Goral, attended in his place. Houdini, as usual, was a no show.
Sid then reproduces in full an article about the seance by Barbara C. Bernard from the November 28, 1994 issue of the Union-News in Springfield, Massachusetts.
What was the first Houdini movie released on VHS? One might think it would have been Paramount's Houdini (1953). But that famous biopic did not make it onto Home Video until 1991.
The first Houdini movie to appear on VHS was Houdini's own 1922 silent thriller The Man From Beyond. It was released in 1983 by a company that cinephiles of a certain age will remember very well; Video Yesteryear.
Video Yesteryear was located in Sandy Hook, Connecticut, and was the largest catalog retailer of public domain films on VHS, Beta, and 8mm film beginning in 1978. (It started as Radio Yesteryear in 1967.) The company released their silent films at corrected frame rates speeds -- a process they called Video Accu-Speed -- and included original organ scores composed and performed by Rosa Rio, who had been a theatre organist during the silent era. The company was purchased by Audio Book Club in 1998.
The Man From Beyond was the only available Houdini silent movie until 1996 when Bill McIlhany released Terror Island and later The Master Mystery on VHS. The print used for the Video Yesteryear version appears to be the one that's still used today.
Happily, I have one of the original Video Yesteryear VHS tapes. I vividly recall not believing my eyes when I saw this on the shelf of Vidéothèque on Sunset Blvd in the 1980s. The catalog price was $52.95. As with all Video Yesteryear releases, it included program notes written by J. David Goldin.
While this remains the only commercial VHS release of The Man From Beyond, it has been released by several companies on DVD and even on Blu-ray. Today it can be found streaming on Amazon Prime.
I guess we are wild about Sady this week! Houdini's sister-in-law has always been a somewhat shadowy figure in Houdini history. She's even been referred to as "Dark Sadie." But thanks to Jack Sander's groundbreaking guest blog, turns out Sady was a pretty interesting Weiss!
The below clippings from October 26, 1928 report that Sady, who was a well-known New York fashion designer, is one of several women who have applied for passage aboard the Graf Zeppelin. The giant airship was the talk of New York at this time as it had just crossed the Atlantic on its maiden voyage. The return to Germany was a hot ticket. But check out the absolutely bonkers article in which a Zeppelin representative weighs the value of a female passenger against...a bag of mail.
Turns out Sady did not made the cut. Only two women made the crossing back to Berlin; Mrs. Clara Adams of Tannersville, PA, and Miss Lotta Eckener, daughter of Zeppelin's director, Dr. Hugo Eckener. But one wonders if Sady was even serious about making this trip. Maybe she just saw an opportunity for publicity. A little trick she leaned from her brother-in-law?
Of course, Hugo Eckener's follow-up to the Graf Zeppelin, the Hindenburg, exploded in Lakehurst New Jersey on May 6, 1937, bringing an end to the era of great airships.
Following up on Jack Sander's groundbreaking guest blog yesterday about Leopold and Sadie (a.k.a. Sady) Weiss, here's an interesting item from the Shamokin News Dispatch for August 3, 1927.
As Jack discovered, the Hungarian born Sady was a successful Manhattan fashion designer and executive who ran Bruck-Weiss Millinery off Fifth Avenue. She received a fair amount of press in her day for her fashion philosophy, but the fact that she was Houdini's sister-in-law was rarely mentioned (as it isn't above).


Described in broad terms Tussle's fourth album, Tempest, is built nearly identically to the three full lengths that come before it. The formula is simple: Its runtime is dominated by long groove-oriented instrumentals. The band's jigsaw-tight rhythm section provides the backbone of each track and a diachronic array of electronic ornamentation flesh out the body. Unfortunately the album as a whole, modulo a few bright sections, fails to come to life.
It's tempting to blame this on the album's producer, JD Twitch. As one half of the eclectic Glasgow-based DJ team Optimo, Twitch is well-versed in how to pack a dance floor. However, it seems that his producing talents don't play to Tussle's strengths.
Compare "Eye Context," one of Tempest's singles currently floating around on the internet, with "Eye Contact" a track from Tussle's 2004 album Kling Klang. The latter drives ahead with polyrhythmic percussion that sounds as if it were recorded in a giant empty warehouse—the drumming alone is so compelling that when a sustained synth buzz drops on top it creates a muscular hook with just two notes. "Eye Context," however, pales in comparison. The song's syncopated hand claps and vamping synthesizer are clearly aiming to awaken the listener's need to move, but even with a cowbell breakdown, it only manages to hit the snooze button.
The same problem is faced by many of the album's tracks. They just don't achieve any visceral reaction; instead they sound sterile. Where previous Tussle releases captured the energy of live percussion and played with the range of tone and color the group's skilled drummers could conjure with their sticks, Tempest leaves no space for such dynamism. On "P44" the rhythm section is contained to one thin beat, while on "Moondog" it remained similarly demure. Both tracks do offer up electronic noodling—alternately airy wisps and grimy buzzes—to compensate, they just don't make up for the overall lack of energy.
The new approach does succeed in spots. "Cat Pirate" holds your attention for its eight-minute length with an ever-shifting layer of playful synthesizer—at times it even gets delightfully wonky. And the opener "Yume No Muri" manages to create an eerie groove fit for a rave set in a dingy sewer. Though both these tracks would have worked much better as tone-setting bridge pieces in a more traditional Tussle album. The two songs themselves aren't disappointing; what's disappointing is they're the highlights.


Addressing an envelope with calligraphy is a surefire way to add elegance to your wedding invitations. Use the Calligraphy and Lettering Kit, our Beginners Calligraphy Set, or Elegant Writer Fine Point Calligraphy Pens for your invitations.
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Though this may be time-consuming, using letter stamps to address your invitations will yield impressive results. We recommend using a set such as the Prima Press Script Alphabet Rubber Stamps for your addressing, pairing them with the Prima Press Stamp Holder for straight lines and consistent spacing. Elevate your invitations even further by embossing the letters with the VersaMark Watercolor Inkpad, a choice of embossing powder and the Embossing Heat Tool. For a truly stunning effect, we recommend a metallic embossing powder such as silver or gold.
If these suggestions seem too time consuming or labor intensive, printing your envelope addresses is another option. Find and download a font of your choice and craft your address designs digitally. Consider contacting the printer of your wedding invitations to get the name of the font used to correspond with your envelopes.
There are also unique ways to add a return address to your envelopes. Check out these creative ideas.
The most common form of adding a return address to your invitations is with custom return address labels. Make sure to check out Paper Source's assortment! Many have been designed to match our wedding suites, making for a cohesive invitation from beginning to end. We also have designs that pair beautifully with any and all invitations.
Impress your recipients with an embossed return address. Order a custom embosser in one of our many designs to print onto all of your wedding invitations. The best place to apply your embossed return address is on the flap on the backside of the envelope.
Yes, it may be tedious, but the end result will be a stunning invitation. For more space to hand letter your return address, use the flap on the backside of the envelope. Seal it with a sophisticated sticker or a wax seal.
wow! that is a beautiful color. I have one very similar on my walls! haha. Gorgeous!
Creativity always give some design & in your post I really impressed from new creative wedding invitations.


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Screenshot von Hugin 0.6.1.beta in windows. (for the manual) the "control points"
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I've gone through the hidden messages of this symbol and its intended meaning many times, so feel free to read through my Decoding Illuminati Symbolism post for more on this subject.
Yes, there is Katy Perry eating a slice of pizza. Normally this is to go without recognition (after all, who doesn't eat pizza), but given the connections to be had with Hillary Clinton I can't resist.
Many people in the conspiracy community are divided on the entire Pizzagate scandal. If you're unfamiliar with it please feel free to check out MULTIPLE websites and articles on it, but know that the mainstream media has not investigated this at all. The main idea behind it is that there is a supposed connection to symbolism of pizza & nefarious doings of the "Illuminati" or some outfit of elites.
Alex Jones and Infowars were one of the main sources that talked about this issue, and he recently made a strange and unexpected 180 on this subject and claimed that none of their information was accurate. Yet the hacked emails suggest there could be something of interest to look into. Whether or not it is a secret ring of child abuse is beyond the knowledge and scope of my personal work so that's as far as I'll take it.
Just be aware at that Katy Perry, who has outspokenly aligned herself with Hillary Clinton and the DNC, is now showing us overt symbolism of eating pizza with this shoe line.
Given the political nature of her Chained to the Rhythm video, I can't help but think THEY are grooming her as a false-leader in some kind of fake revolution for the millennial generation to follow.
Given all of the odd symbolism of this shoe line I can't help but think there is a higher conspiracy at play here.
Thanks for reading and sign up for my free email newsletter for MANY more examples of how this agenda is being played out in front of our eyes!
If you're interested in more on Star Wars- I've got just the thing for you in my latest book (which like I said before; it will be FREE on May 4th, 2017 for a few days on Amazon.com). If you get on that email list you'll get the details- so please do so.
If you already bought (or want to buy it now)– THANK YOU FOR YOUR SUPPORT!!! These books and research projects consume a TON of time so it means a lot to me that you're willing to consider these theories and keep an open mind.
Christians didn't take over the pagan holidays. The church of Rome did: Vatican = vatis can (divining serpent).
And by xtension Xtians did it too, dear. Its not rocket science, u see…. The same goes for all Abrahamic religions, surprise, surprise….
Xians huh Christinne, I love it when you guys use that term- so cutting edge.


I have had an unwavering love for bagels for as long as I can remember. So imagine my excitement when my friend and I came across this tiny (and I really do mean tiny) gem in the heart of Cape Town.
Max Bagels can be found at 120 Bree Street and is open 6 days a week from 8am to 4pm. They have a delicious selection of bagel toppings to choose from and a few beverages to go with it. On this occasion, I ordered their BAT (R45) which is a twist on the classic BLT. Bacon, avo, and tomato. So mouthwateringly good.
There are no tables, just a few benches and chairs to sit at, which is great for people-watching, but not so great if you prefer having a place to eat in comfort. In that case, just go in, order the perfect bagel, take a drive down to the Promenade, and enjoy.
Zana was started in 2012 by a mother-daughter duo in Cape Town, both had extensive experience in the creative field and they decided to turn their passion into a business once they saw that there was a (global) demand for their products. Now, four years later, they run a successful workshop in Woodstock where all the products are created, tested and packaged.
They have three pop-up stores; one in Gardens Centre, one in Kloof Centre, and one in Cavendish, but their biggest and most convenient platform is their online store.
I made my purchase on their online store and decided to go for a black and white speckled sling bag (R310). I paid online and received an email to say that my product was ready for pick-up a week later. They do give you an option to have it couriered to you at an extra charge if you are unable to fetch it yourself. I however was able, and took the drive to Zana's beautiful workshop in Woodstock where my package was patiently waiting. They also sell their fabric for those of you interested in DIY!
Very unique, very reasonably priced, and a great option for gifts for loved ones! They have a huge range of products and I can't wait to make my next purchase, which will probably be something from their homeware section because wow.


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COFREPECHE STAFF – A MAJOR ASSET
COFREPECHE is composed of a multidisciplinary human-scale team, allowing a smooth communication, an excellent reactivity and a strong follow-up of the projects by all the members of the team. Each member of the team is very involved in the implementation of projects.
In addition, the offices of COFREPECHE's internal team are located in Paris, the capital of France located in the heart of Europe, which facilitates our responsiveness in our international travel.
Thanks to its extensive database of consultants available for both short and long-term assignments, COFREPECHE can also count on more than 500 qualified specialists. Our network of experts covers all relevant topics such as fisheries, fisheries management and policy, fisheries governance, research, impact assessment, data collection, modeling, software development, climate change, statistics, communication, project management, financial and socioeconomic studies, food security, aquaculture development and sustainable management of marine ecosystems.
Régis TOUSSAINT
Charline GAUDIN
Director of International Development
Yéelen OLIVE
Jean-Tristan HUILLIER
Noémie FRISCOURT
Régis TOUSSAINT, with an engineer background, began his career from 1970 to 1980 at the National Centre for the Exploitation of Oceans (CNEXO) where he was responsible for programs on coastal development. It is in the office of the General Manager of the Merchant Marine that he founded COFREPECHE in 1980. General Manager then CEO, he is now the Honorary Chairman after 38 years of activity within this company. During the beginning at COFREPECHE, he was one of the major players in the development of the tuna fishing in the South West Indian Ocean and their sustainable exploitation. He has worked in more than 30 countries especially in Africa. In 2009 he created a subsidiary in Morocco that he has been managing ever since. Otherwise, Régis Toussaint is Knight of Maritime Merit, Officer of National Merit and Advisor of Foreign Trade of France.
Contact: regis.toussaint@cofrepeche.fr
Mr. Jean-Pierre SILVA is COFREPECHE deputy managing director since 2010. He cumulates more than 25 years of working experience, of which the last 19 with COFREPECHE as Finance and Project Director.
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Graduated in international law and international organizations, Mrs Charline GAUDIN-GOESER has more than 12 years of experience in the field of fisheries, project management and international cooperation.
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Contact : charline.gaudin@cofrepeche.fr
Yéelen Olive is graduated in oceanography and marine environmental management, with a speciality in marine ecosystem conservation.
Before joining COFREPECHE, she worked two years at VisioTerra as a project manager on projects funded by the Total Foundation and the European Space Agency. She also worked at the National Museum of Natural History in the management of protected marine areas and at the Oceanographic Museum of Monaco as scientific leader.
Miss Yéelen OLIVE joined COFREPECHE in 2018 as project manager, and participates in all related management tasks and quality control in the fishery, aquaculture and marine environment sector.
Contact : yeelen.olive@cofrepeche.fr
Mr. Jean-Tristan HUILLIER is Cofrepeche's Coordinator of Observation Program, and in particular the implementation and monitoring of ICCAT's regional bluefin tuna observer program (ROP BFT). Graduated in environmental science and genetic at the Free University of Brussels, Mr. HUILLIER has been involved in observer program during more than 7 years, including training and managing observer team for the Purse Seiner Observer Program in Indian Ocean within the French Southern & Antarctic Land administration (TAAF administration). Mr HUILLIER has himself been an observer on various program (Tropical tuna Purse Seine IOTC & ICCAT, Toothfish longliner CCAMLR and scientific observer for the Falkland Islands Government).
Contact : jt.huillier@cofrepeche.fr
Noémie FRISCOURT is graduated in oceanography with a speciality in marine biology, polar ecology, marine ecosystem functioning and management of fisheries resources. Before joining COFREPECHE, she worked as an observer for the Obsmer and Obsvente programs in France. She has various experiences as a technician or coordinator in oceanographic expeditions. She has also worked as a teacher and trainer at universities and colleges and in science popularization at schools and research institutes.
Miss Noémie Friscourt joined COFREPECHE in 2018 and participates in all related management tasks and quality control in the fishery, aquaculture and marine environment sector. She also, assists Jean-Tristan Huillier in the ICCAT Bluefin tuna Regional Observer Program.
Contact: noemie.fricourt@gmail.com
Copyright © 2019 COFREPECHE All rights reserved - Legal notice


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Good Day Good Sir: Luke Nowland's one-man show
Joe Marcinek Band brings jamming prowess to Kalamazoo
Written by Jayson Bussa
Joe Marcinek PHOTO: Adam McCall
Band name: Joe Marcinek Band
Genre: Funky Jazz
Hometown: Crown Point, Ind.
The Joe Marcinek Band is an ever-evolving musical entity. Front man Joe Marcinek loves to bring in his uber talented friends to get in on the action, much to the delight of an eager audience starved for an off-the-cuff jam session. On March 6, the Crown Point, Ind.-based funky jazz group will return to Kalamazoo to take the stage at Bell's Brewery. He will be joined by guest musicians Steve Molitz (Particle) and Allie Kral (formerly of Cornmeal). We picked his brain about what to expect.
How much of your show is improvised jamming?
At least half, if not more. We basically have songs that serve as skeletons on which we play a melody and then improvise around. Sometimes the improv is solo based and features an individual player and sometimes the improv is a collection of the whole band creating new music on the spot. With both of the current guests having played with the JMB already, I expect more improv and exploration this time.
Is the tone and direction of each show dictated by the guests you have playing with you?
I would say in large part, yes. Location has something to do with it along with life itself. The first time we played with Steve Molitz was back in June of last year and he was the first really big guest star and really brought the band to a new level. Each guest's personality comes through in the music and improv but is still rooted in my original songs and ideas.
How do you select your guests?
There is no easy answer to this. It has as much to do with who I personally love and admire as a musician as it has to do with schedules. There are so many amazing musicians that I've spoken with that are interested in the project but are so busy that it's hard to find who is available at the time of each run.
Do you feel like improvised jamming is one of the purist forms of music and performance?
There is always a risk when you include improv in your music. A big attraction to our genre of music is in that risk and the possibility that your going to have a profound, one-of-kind experience at each show. That's what keeps us going to see bands like the Dead, Phish, Umphrey's and more — that moment when you hear something new or unexpected. It can be anything like the singer forgetting the words and in that moment you realize they are human and that we are all the same. We share that moment together and you feel a part of something bigger than yourself. As a musician, and in some ways as a person, I'm always seeking those moments when something magical happens. The hard part is keeping yourself open to whatever happens and not letting your expectations spoil what brought you there in the first place.
Tell me about the upcoming show in Kalamazoo and some goals you have on the horizon.
For this run, we have Steve Molitz and Allie Kral as our special guests. Both have toured with the JMB before and bring such passion and joy to the stage. The run will start out as a very intimate show in Kalamazoo with a five-piece, including Janis Wallin and Pete Koopmans from Family Groove Company. From there, we head to Indianapolis where an amazing sax player named Rob Dixon will join us. Finally, we wrap it up in Chicago at the Hard Rock Cafe and a late-night Mike Gordon after party. Allen Aucoin and Scott Metzger will join us along with Fareed Haque and more surprise guests.
After that, I plan to focus on writing and recording some new material for the next JMB CD. I've got a ton of ideas and new friends to help me realize them. Things are growing faster than I ever could have imagined for this band. The future looks extremely bright and exciting!
As a musician that seems well traveled, at least regionally, where are some of the stronger local music scenes these days?
I have to start with Indianapolis. It was the first place to really embrace Fresh Hops and now the JMB. There is another new band down there called Funky Junk that are doing some amazing things. Another place that is showing us an incredible amount of love is Valparaiso, Indiana. As far as venues go, I would recommend checking out the Wire in Berwyn just outside of Chicago and the House Pub in St Charles, Illinois.
Published in Artist Spotlight
More in this category: « Good Day Good Sir: Luke Nowland's one-man show	Jucifer: The World's Loudest Nomads »


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At LAS, our goal is to create buildings that have a restorative, positive impact on the building's inhabitants and a regenerative impact on the environment. We have practiced sustainability since the early 1990s and believe in using an analytical approach to optimizing building performance. Additionally, LAS was one of the first architecture firms in the country to adopt The 2030 Challenge, an initiative that called on the global building sector to immediately reduce energy usage by 50 percent in new buildings and major renovations in order to avoid hazardous climate change.
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In February 2007, LAS became one of the first architecture firms in the country to adopt The 2030 Challenge, an initiative that calls on the global building sector to immediately reduce energy usage by 70 percent in new buildings and major renovations in order to avoid hazardous climate change. We are committed not only to creating buildings with a positive impact on occupants and the environment, but to creating a just and equitable workplace. In February 2017, LAS earned a JUST Label, becoming one of the first 20 architecture firms in the world to earn this distinction. Learn more about our JUST Label here.
LAS Sustainability Philosophy
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Jim Nicolow, FAIA, LEED Fellow
Joshua Gassman, RA, LEED AP BD+C
Sustainable Design Director
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View the Portfolio Book


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