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notwithstanding SCO's UnixWare 7.1.4 helps Linux-like capabilities that enable applications to run natively on appropriate of UnixWare, SCO engineers favourite to completely port open-supply purposes into the UnixWare environment. Doing so makes functions more without problems attainable in binary form, which could greatly ease compatibility considerations across a variety of flavors of open-source OSes. SCO's inclusion of these ported functions will support Linux developers transitioning to UnixWare. up to now, Linux clients needed to port and recompile functions manually without a be sure that a ported software would work throughout Linux adaptations.
UnixWare contains a particularly optimized C++ compiler for the Intel platform. A memory-leak device and a graphical debugger that can work with threaded applications are also a part of the OS's construction kit. UnixWare also comprises sun's J2SE 1.four.2, Postgres, MySQL and personal home page.
UnixWare packs powerful tools for net and web functions builders, including a soap/XML toolkit with Apache Axis, gSOAP and PEAR::soap. UnixWare's web services Substrate extends legacy eco-friendly monitor purposes to the internet or to the computing device. by using getting access to software memory and interacting directly with instructions, the substrate equipment can interface with Cobol and legacy C courses that use text-based mostly GUIs.
UnixWare's key kernel locking potential allows builders to pre-empt the kernel at any factor to run other techniques. This granular locking mechanism allows UnixWare to guide up to 32 CPUs, the highest that can also be used by the Intel platform. home windows and Linux don't offer this characteristic. UnixWare's kernel technology instantly optimizes virtual reminiscence according to purchasable server memory and pressure space. This computerized tuning manner takes full capabilities of equipment elements, releasing administrators from having to tweak the OS. because many techniques these days do not consist of floppy drives, UnixWare helps media-less dispensed installations over a community. The server additionally includes a mass replication tool to create server images. UnixWare supports up to 64 Gbytes of RAM and file sizes as much as 1 Tbyte. The OS also helps scorching-swappable CPUs, Intel's hyperthreading know-how, USB 2.0 and numerous DVD drives. UnixWare is commonly utilized in POS and embedded Intel-primarily based methods, considering the fact that the OS supports javax.comm for POS functions that run on JBoss. JBoss does not ship with UnixWare, but it surely is attainable through the Skunkware project.
SCO's Merge technology permits windows functions to run natively in UnixWare. This capacity is chiefly crucial for groups consolidating servers, considering that Merge permits any home windows utility to run aspect-by way of-facet with Unix apps. despite the fact, interfacing with home windows applications is proscribed to internet services or client-base communique through a network. The OS does not supply direct calls to windows applications. UnixWare purposes can best engage with .internet functions through web capabilities.
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www.riverace.com/. The core ACE library contains roughly a quarter million lines of C++ code that comprises approximately 500 classes. Many of these classes cooperate to form ACE's major frameworks. The ACE toolkit also includes higher-level components, as well as a large set of examples and an extensive automated regression test suite.
To separate concerns, reduce complexity, and permit functional subsetting, ACE is designed using a layered architecture [POSA1], shown in Figure 1.7. The capabilities provided by ACE span the session, presentation, and application layers in the OSI reference model [Bla91]. The foundation of the ACE toolkit is its combination of an OS adaptation layer and C++ wrapper facades, which together encapsulate core OS network programming mechanisms to run portably on all the OS platforms shown in Sidebar 2 (page 16). The higher layers of ACE build on this foundation to provide reusable frameworks, networked service components, and standards-based middleware.
Large enterprise systems, for example, OpenVMS, MVS OpenEdition, Tandem NonStop-UX, and Cray UNICOS.
ACE can be used with all of the major C++ compilers on these platforms. The ACE Web site at http://ace.ece.uci.educontains a complete, up-to-date list of platforms, along with instructions for downloading and building ACE.
ACE users in the form of expertise embodied in well-tested and reusable C++ software artifacts. The ACE frameworks implement a pattern language for programming concurrent object-oriented networked applications. Figure 1.8 illustrates the ACE frameworks. To illustrate how the ACE frameworks rely on and use each other, the lines between boxes represent a dependency in the direction of the arrow. Each framework is outlined below.
ACE Reactor and Proactor frameworks. These frameworks implement the Reactor and Proactor patterns [POSA2], respectively. Both are architectural patterns that allow applications to be driven by events that are delivered to the application from one or more event sources, the most important of which are I/O endpoints. The Reactor framework facilitates a reactive I/O model, with events signaling the ability to begin a synchronous I/O operation. The Proactor framework is designed for a proactive I/O model where one or more asynchronous I/O operations are initiated and the completion of each operation triggers an event. Proactive I/O models can achieve the performance benefits of concurrency without incurring many of its liabilities. The Reactor and Proactor frameworks automate the detection, demultiplexing, and dispatching of application-defined handlers in response to many types of events. Chapters 3 and 4 describe the ACE Reactor framework and Chapter 8 describes the ACE Proactor framework.
ACE Service Configurator framework. This framework implements the Component Configurator pattern [POSA2], which is a design pattern that allows an application to link and unlink its component implementations without having to modify, recompile, or relink the application statically. The ACE Service Configurator framework supports the config-uration of applications whose services can be assembled late in the design cycle, such as at installation time and/or run time. Applications with high availability requirements, such as mission-critical systems that perform online transaction processing or real-time industrial process automation, often require such flexible configuration capabilities. Chapter 2 describes the design dimensions associated with configuring networked services and Chapter 5 describes the ACE Service Configurator framework.
ACE Task framework. This framework implements various concurrency patterns, such as Active Object and Half-Sync/Half-Async [POSA2]. Active Object is a design pattern that decouples the thread that executes a method from the thread that invoked it. Its purpose is to enhance concurrency and simplify synchronized access to objects that reside in their own threads of control. Half-Sync/Half-Async is an architectural pattern that decouples asynchronous and synchronous processing in concurrent systems, to simplify programming without reducing performance unduly. This pattern incorporates two intercommunicating layers, one for asynchronous and one for synchronous service processing. A queueing layer mediates communication between services in the asynchronous and synchronous layers. Chapter 5 of C++NPv1 describes the design dimensions associated with concurrent networked applications and Chapter 6 of this book describes the ACE Task framework.
ACE Acceptor-Connector framework. This framework leverages the Reactor framework and reifies the Acceptor-Connector pattern [POSA2]. This design pattern decouples the connection and initialization of cooperating peer services in a networked system from the processing they perform once connected and initialized. The Acceptor-Connector framework decouples the active and passive initialization roles from application-defined service processing performed by communicating peer services after initialization is complete. Chapter 7 describes this framework.
ACE Streams framework. This framework implements the Pipes and Filters pattern, which is an architectural pattern that provides a structure for systems that process a stream of data [POSA1]. The ACE Streams framework simplifies the development and composition of hierarchically layered services, such as user-level protocol stacks and network management agents [SS94]. Chapter 9 describes this framework.
Calls back to application-supplied event handlers to perform processing when events occur synchronously and asynchronously.
Calls back to application-supplied service objects to initialize, suspend, resume, and finalize them.
Calls back to an application-supplied hook method to perform processing in one or more threads of control.
Calls back to service handlers to initialize them after they're connected.
Calls back to initialize and finalize tasks when they are pushed and popped from a stream.
The callback methods in ACE's framework classes are defined as C++ virtual methods. This use of dynamic binding allows networked applications to freely implement and extend interface methods without modifying or rebuilding existing framework classes. In contrast, the ACE wrapper facades rarely use callbacks or virtual methods, so they aren't as extensible as the ACE frameworks. The ACE wrapper facades do support a broad range of use cases, however, and can be integrated together via generic programming [Ale01] techniques based on the C++ traits and traits classes idioms outlined in Sidebar 40 (page 165).
Figure 1.9 illustrates how the class libraries and frameworks in ACE are complementary technologies. The ACE toolkit simplifies the implementation of its frameworks via its class libraries of containers, which include lists, queues, hash tables, strings, and other reusable data structures. Likewise, application-defined code invoked by event handlers in the ACE Reactor framework can use the ACE wrapper facades and the C++ standard library classes [Jos99] to perform IPC, synchronization, file management, and string processing operations. Sidebar 3 describes how to build the ACE library so that you can experiment with the examples we present in this book.
ACE is open-source software that you can download from http://ace.ece.uci. edu or http://www.riverace.com and build yourself. These sites contain a wealth of other material on ACE, such as tutorials, technical papers, and an overview of other ACE wrapper facades and frameworks that aren't covered in this book. You can also purchase a prebuilt version of ACE from Riverace at a nominal cost. See http://www.riverace.com for a list of the prebuilt compiler and OS platforms supported by Riverace.
If you want to build ACE yourself, you should download and unpack the ACE distribution into an empty directory. The top-level directory in the distribution is named ACE_wrappers. We refer to this top-level directory as "ACE_ROOT." You should create an environment variable by that name containing the full path to the top-level ACE directory. The ACE source and header files reside in $ACE_ROOT/ace.
The $ACE_ROOT/ACE-INSTALL.html file has complete instructions for building ACE, including how to configure it for your OS and compiler. This book's networked logging service example source and header files reside in $ACE_ROOT/examples/ C++NPv2 and are ready to build on all platforms that ACE supports. To build your own programs, the $ACE_ROOTdirectory must be added to your compiler's file include path. For command-line compilers, this can be done with the -Ior /Icompiler option. Graphical IDEs provide similar options, such as MSVC++'s "Preprocessor, Additional include directories" section of the C/C++ tab on the Project Settings dialog box.
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Moderated by Dev Zaborav and Sandra Henry-Stocker Web Security Q&A: It's the moment we've all been waiting for: a virus that attacks both Linux and Windows is on the loose.


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Home » Articles » Budget Analysts: 'Efficiencies' Won't Cut it, Could Backfire on Pentagon
Budget Analysts: 'Efficiencies' Won't Cut it, Could Backfire on Pentagon
By Eric Beidel
The Defense Department in its last two budget requests identified $238 billion in "efficiencies" that could help it spend less through 2017, but it is a mistake to call them savings, analysts from the Center for Strategic and Budgetary Assessments said.
Leaders will have to come up with a mix of different ideas and make much tougher decisions than they have been willing to thus far in order to close the gap between dwindling resources and increasing threats to national security, CSBA analysts told reporters June 21 at their Washington, D.C. office.
"The wolf is now at the door," CSBA President Andrew F. Krepinevich Jr. said. "You're going to have to think a lot more creatively if you're going to get through this period without really increasing the risk to security."
Krepinevich compared the oft-invoked efficiencies to fool's gold. Historically, the Defense Department rarely realizes the savings it says it can achieve, he said.
When Donald Rumsfeld became defense secretary in 2001, he spoke about cutting the defense budget by 5 percent through efficiencies, but expenditures only increased, noted Todd Harrison, a senior fellow for defense budget studies at CSBA.
Today, military officials say they can save money by consolidating information technology systems, but determining whether or not that is true is a complicated matter.
"To know if you saved money, you have to know what you spent on all those systems before," Harrison said. "You have to know what the process of combining them costs you and then you have to know what it's now costing you once you've combined them and figure out the difference over time. You won't know that for decades— and in some cases because of the way the budget is and the money is allocated — you may never have a good calculation."
But officials already are allocating anticipated savings to other programs. If the Pentagon fails to achieve the cost-cutting goals already built into the budget, something else has to give. It could leave less money for procurement programs, leading to lower production rates and higher unit costs, Harrison said.
"Strategy in Austerity," a new report co-authored by Krepinevich, Harrison and another colleague, takes a look back at two instances where military powers dealt with austerity — Great Britain between 1900 and 1914 and the United States between 1969 and 1980. These case studies provide some lessons, including maintaining the ability to ramp up military might whenever needed. They also offer pointers on employing resources more efficiently, outsourcing commitments to allies, accepting greater risks, imposing costs on adversaries and negotiating with rivals.
"You can't just do one thing," Harrison said. "You have to do a lot of things, and you have to do painful things all across the federal government."
It may mean shifting focus from modernization to recapitalization and from developing systems that provide limited leaps in capability to longer-term investments in science and technology. It may mean taking on greater risk in the near-term for more security down the road.
The Army's Ground Combat Vehicle is a low-risk program that doesn't provide a significant advance in capability, Krepinevich said. The Pentagon could shift money from that to directed energy development, which would come with a much bigger pay-off, he said. Given the new focus on the Asia-Pacific region, it might make more sense to take money from the GCV and put it into submarines, he added.
The current situation most likely also will force leaders to make even greater cuts to ground forces. Krepinevich and Harrison said the Army and Marine Corps will have to be reduced beyond current proposals that already take them down from 570,000 to 490,000 and from 202,000 to 182,000 respectively.
As for cost-imposition, the United States is losing that battle on the missile defense front. The country relies primarily on kinetic interceptors, which can cost more than the missiles they are designed to strike down. Investing more in directed energy would allow the United States to sidestep the extra costs associated with trying to stop bullets with bullets, Harrison said.
Likewise, the country can impose costs on its adversaries by increasing offensive firepower in cyberspace, "because we know that cyberdefense is incredibly expensive, incredibly hard," Harrison said.
But the complexities of the economic situation mean that the Pentagon is at the mercy of Congress. That brings into the equation a more general discussion of expenditures and revenue, entitlements and taxes, and the much-feared but little-planned-for automatic cuts to the defense budget outlined in the Budget Control Act that could take effect come January.
By the end of the decade, the federal government may be spending more on interest payments than on defense. All of the United States' major wars have been deficit financed. What happens when the country can't borrow money for the next one?
"If we don't get our financial house in order, it's going to be very hard even if we are successful in these other areas," Krepinevich said.
Topics: Defense Department, DOD Budget, DOD Policy, Infotech, Missile Defense, Procurement, Science and Engineering Technology, Shipbuilding, Submarines
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trending Market Intelligence /marketintelligence/en/news-insights/trending/vnx1CuhcHp9gUj_kQj0mBA2 content esgSubNav
Dalian Wanda denies US$5B assets sale; further cooling set for China's RE sector
Author Mc Dowell Ramintas
* Dalian Wanda Group Co. Ltd.'s Wanda Hotel Development Co. Ltd. said media reports claiming that it will sell US$5.00 billion of its development projects in London, the U.S. and Australia are "untrue." The company clarified that it is only undertaking a strategic review of the projects.
* China is looking to implement even stricter property market cooling measures in a bid to stabilize prices and prevent housing bubble risks, Reuters reported, citing government agencies' statement aired on China Central Television.
The move comes amid warnings from agencies such as Moody's, which said earlier in November that extended and tight property cooling measures in the country could result in pressure on real estate businesses, leading to an expected 5% fall in China's contracted sales for the six months to Dec. 31, 2018.
* Mirvac Group entered into an agreement for its A$86.3 million acquisition of two six-story buildings at 75 George St. in the Parramatta suburb of Sydney. The purchase is expected to be settled in January 2018.
* In a separate agreement, Mirvac is leasing for seven years a 17,000-square-meter industrial facility at its Calibre industrial estate in the Sydney suburb of Eastern Creek to household and commercial appliance retailer and manufacturer Miele. The Australian Financial Review reported that the facility was purpose-built for the new tenant.
* A Folkestone Ltd.-established fund agreed to buy for A$43.5 million a 144-room hotel in New South Wales, from GS Hotel Development Pty. Ltd., Folkestone's joint venture with the Veriu Hotels & Suites-affiliated Furnished Property.
* The Schwartz family sold a two-asset portfolio of its estate in Melbourne's central business district for nearly A$100 million, the AFR reported. The Duke of Wellington pub with an adjoining office building on Russell St. and the Adina Hotel on Flinders St. were off-loaded with yields below 4%, increasing the price of the portfolio from the initial expected price of A$80 million.
* The New South Wales government is planning to reform its Property, Stock and Business Agents Act in a bid to tighten the law governing real estate agents, the AFR reported.
* Singapore's Ascendas-Singbridge Group has launched its fifth office fund, with equity of S$39.6 million, through its Ascendas Asset Management Co. Ltd. subsidiary, Deal Street Asia reported.
Ascendas Korea Office Qualified Private Real Estate Investment Trust No. 5, a 10-year closed private fund, manages the ICON Yeoksam office building in Seoul's Gangnam business district, which was purchased Nov. 20 for S$124.3 million.
* UOL Group Ltd. is offering to pay S$11.85 for every offer share it does not already own in Singapore Land Ltd., a subsidiary of United Industrial Corp. Ltd.
The offer was made pursuant to a ruling by the Securities Industry Council of Singapore that mandates UOL to also make a mandatory offer for Singapore Land after its stake in United Industrial surpassed 50% as a result of recent transactions.
* S&P Global Ratings upgraded the long-term corporate credit rating of Vietnam-based Vingroup Joint Stock Co. to B+ from B with a stable outlook.
Hong Kong and China
* Guangzhou R&F Properties Co. Ltd. subsidiary Taiyuan R&F Properties Development Co. Ltd. was ordered by the Taiyuan Arbitration Commission to pay Shanxi Fengyun Reli Co. Ltd. nearly 22.0 million yuan for backing out of a contract. The company clarified that government policy forced Taiyuan R&F to back out of the agreement.
* China Jinmao Holdings Group Ltd. put up for sale on the Shanghai United Assets and Equity Exchange its 50% stake in Shanghai Xingwaitan Development & Construction Ltd.
* China Merchants Shekou Industrial Zone Co. Ltd. and China Merchants Land Ltd. subsidiaries China Merchants Land (Shenzhen) Ltd. and Happy City Investments Ltd. signed a new agreement to amend certain terms of their previous deal, under which an additional 10.00 billion yuan in capital will be injected to their joint venture, Merchants Nanjing Real Estate Co. Ltd. The new deal will see China Merchants Shekou and Happy City pumping additional capital of 30.0 million yuan into Merchants Nanjing.
* Japan Retail Fund Investment Corp. agreed to pay ¥15.0 billion for the Prada-occupied G-Bldg. Midosuji 02 retail asset in the Shinsaibashi shopping district of Osaka.
* Nomura Real Estate Master Fund signed a deal with an unnamed seller to purchase the Summit Store Mukodaicho retail property in Tokyo for ¥5.10 billion.
* A syndicate of banks agreed to provide Daiwa House REIT Investment Corp. with a ¥16.00 billion, 10-year loan to help fund the company's plan to refinance its borrowings that will expire Nov. 29.
Daiwa House also established a ¥20.00 billion commitment line with four banks, which will be available from Dec. 1 to Nov. 30, 2018. Funds drawn from the commitment line are earmarked for asset buys, loan repayments and bonds redemption, among other purposes.
* Senju 1-chome District Urban Redevelopment Association together with Mitsubishi Jisho Residence Co. Ltd., Mitsubishi Logistics Corp. and Sugimoto Holdings launched the construction of mixed-use redevelopment project Senju 1-chome District First Type City Redevelopment Project in Adachi Ward, Tokyo. The building has 30 levels above ground and one underground level, e-LogiT reported.
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Data Dispatch: ETF flows shift toward Brazil, China, pull away from Mexico
The Daily Dose Asia-Pacific, Real Estate edition is updated by 6:30 a.m. Hong Kong time. Some external links may require a subscription. Articles and links are correct as of publication time.
S&P Global Ratings and S&P Global Market Intelligence are owned by S&P Global Inc.
Rollen Catorce and John Chan contributed to this report.
As of Nov. 21, US$1 was equivalent to 6.63 yuan, ¥112.45 and S$1.35.
Mc Dowell Ramintas


Though musicians often charge the bulk of their fee just for reserving and playing the event, there comes a point where they will charge per hour. If there is a large amount of time between when the band needs to set up and when they are going to play, there is a good chance a fee is involved. Try to plan your evening so that the band or sound techs can set up their gear as close to the time of their performance as possible. If you haven't picked a venue yet, consider getting a place where the stage/dance area is not right next to the ceremony area.
We've seen it time and time again; people think "my wedding party LOVES to dance, so lets plan on 5 hours of dancing." No matter how crazy you think your guests are, most people poop out before 3 hours is up. 2-3 hours is a good amount of time to plan on dancing. After that, not only will the guests be tired and the band be exhausted, but the price will be more as well. If a band hears 4 or more hours, they start thinking of ways to make all the ensuing fatigue worth it (this means means a lighter pocket book for you).
Now, being a full-service booking agency, you may find it ironic that we are telling you this. I will devulge some information that booking agencies probably would rather you not know. Some event planners and booking agencies do not work directly with the bands you would like to book. Some quote higher prices so that they can cover their fees on top of the fees of the booking agencies they are about to contact in order to get you your entertainment. We've seen it happen when there are 3 or even 4 tiers of middle-men involved in the music for an event. The event planner contacts an event entertainment firm, who contacts a booking agent, who contacts another booking agent, who has direct access with the band. By the time the quote gets back to you, it can be more than twice what you could pay.
The only reason I'm not getting in trouble for telling you this is thus: we at Utah Live Bands, are musicians. We play in and work directly with our most popular groups. Rest assured that if you book through us, you are already ahead of the game.
If you are booking a band that is out of state or wanting a band to travel with you to a destination location, etc. Offer to take care of travel arrangements (airline tickets, hotels, etc.). This may seem silly; you may be thinking "no, no, no, you misunderstood- I want to SAVE money." The fact is, a band will always err on the side of quoting too much than quoting too little. They need to be sure they're covering their costs. Because they are estimating and are not making travel plans right then, they will quote you a little higher than what they think it will cost for them to travel. Take our advice: make travel arrangements for the band. It will always save you (sometimes QUITE a bit!).


We can no longer guarantee delivery before Christmas. Visit our stores or oxfamunwrapped.org.au for a last minute Christmas gift.
Explore our beautiful range of reasonably priced Christmas gifts between $25 and $50. Whether you're shopping for a family member or a friend, we've got something to brighten up their Christmas morning.


Find Atomic Theory History. Examine Now.
Search Atomic Theorieson Nation.com. Visit & Lookup Immediate Results Now.
Democritus is most famous for being the first person to propose that atoms exist. Democritus was born in Abdera, Thrace, Greece. He was born in the 80th olympiad (460-457 B.C.) and he died around 370 B.C. Over Democritus' life he traveled all around central Europe, Asia and even Africa studying and developing his atomic theory.
Democritus (/ d ɪ ˈ m ɒ k r ɪ t ə s /; Greek: Δημόκριτος, Dēmókritos, meaning "chosen of the people"; c. 460 – c. 370 BC) was an Ancient Greek pre-Socratic philosopher primarily remembered today for his formulation of an atomic theory of the universe.. Democritus was born in Abdera, Thrace, around 460 BC, although there are disagreements about the exact year.
Democritus, an ancient Greek philosopher, was not the first to propose an atomic theory, as his mentor Leucippus originally proposed it. Democritus adopted the theory, developed it further, and provided a more detailed and systematic view of the physical world.
Modern atomic theory began early in the 1800s with John Dalton. More than two millennia before this, Democritus' atomic theory argued from deduction and observation rather than experiment that: Everything is made of atoms. Atoms are the smallest particles of matter – too small for us to see, although larger ones could exist.
Dalton came up with his Dalton atomic theory which is supported by evidence and experiment which later improved until the modern atomic theory proposed. Thereby an explanation about atoms viewed in the point of view of a scientist named Democritus from Greece.
Democritus: Democritus, ancient Greek philosopher, a central figure in the development of philosophical atomism and of the atomic theory of the universe. His works reportedly numbered 73, though only a few hundred fragments have survived, mostly from his treatises on ethics. Learn more about Democritus's life and theories.


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Prick bezeichnet:

 Prick (Band), eine US-amerikanische Rockband

Prick ist der Familienname folgender Personen:

 Arno Prick (* 1946), deutscher Boxer
 Christof Prick (* 1946), deutscher Dirigent
 Nicolaus Prick (1630–1692), deutscher Rechtswissenschaftler und Hochschullehrer

Siehe auch:
 Brick

redpajama_set_name: RedPajamaWikipedia


20 October 2018 to 20 October 2018.
Start your weekend with a splash; have a shore dive.
The forecast is looking good. Light northerlies, low swell, partly sunny. Gordon's bay anyone?
The locations of the shore dive will be picked the Thursday/Friday before based on the weather forecast, and will be somewhere between Bare Island and Shelly beach. No doubt there will be the obligatory bacon roll before, during or after events.
Place TBC, time ~7am for 8am dive.


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Out and Running
Will Richard Tisei be the first openly gay Republican to enter Congress?
By David Weigel
Arizona state Sen. Steve Gallardo testifies before the Senate Judiciary Committee on April 24, 2012, in Washington, D.C.
Photo by Win McNamee/Getty Images
Steve Gallardo wasted no time with his pitch. "I am in Washington, D.C., all week, introducing myself," wrote the Arizona state senator in an email. "If elected I will be the first Gay Latino elected to congress in the United States."
It had been only a few days since Gallardo could say that out loud. On March 5 the Democrat had gathered reporters in the state Senate caucus room and come out of the closet. He and fellow progressives had rallied the business community (and seemingly the entire political press corps) and convinced Arizona Gov. Jan Brewer to veto SB 1062, a bill that codified the right of businesses not to serve gays. "After I stood up on the floor and argued against 1062," he told the reporters, "as I've done on many bills before, I sat down and said, 'Wow. This bill affects me. It affects me directly.' "
Gallardo had already entered the race to replace Rep. Ed Pastor, an 11-term Democrat from Arizona's safely blue, Phoenix-based 7th District. A lot of ambition can build up in two decades; every Democrat with a donor list and a pulse had entered the race, and much of the early hype had gone to state Rep. Ruben Gallego, an Iraq war veteran and rising party star. And then Gallardo came out.
The gay rights movement has won so much so fast, after decades of marginalization, that openly gay candidates no longer seem to be taking risks. They intrigue donors, who don't mind the idea of making history. Over the course of a week, I met with Gallardo, who'd be the first openly gay Hispanic member of Congress ("there aren't many firsts left," he joked) and with Massachusetts Republican Richard Tisei, who in 2012 almost became the first member of his party elected after coming out of the closet. Both are running in 2014, and testing how ready their constituencies actually are to elect gays.
When we met up in Washington, Gallardo had just wrapped a labor union meeting and was prepping for a summit with the Victory Fund, a group that supports openly gay candidates. "I'm the most progressive candidate in the race. I introduced ENDA before anyone knew what ENDA was."
Gallardo introduced an Arizona version of the Employment Non-Discrimination Act a decade before he came out. Gallardo, who's 45, came out to his friends when he was 25 ("most of my friends are gay") and to his family when he was 30. He'd brought his partners to Thanksgiving. He'd won re-elections, easily. No one, he said, had ever tried to out him.
"But during all the rallies," said Gallardo, "while we were waiting for the governor to make a decision, there were two young ladies holding a sign. I forget what the sign said, but I remember them, together holding hands. They asked me: 'Why are they doing this?' I honestly could not even give them an answer. At that time I thought, you know, there's a broader message here. I'm a Latino. I was raised in a strong Catholic family. To this day, my parents have never said the word 'gay.' They know about me. They've known since I was 30 years old—I'm 45 now. They never said the word. I think there's a lot of people in a situation like that and it was time to send the message that it's OK."
Gallardo, who'd wanted to talk about this, lowered his voice. His eyes were dry when he'd started talking. They weren't dry anymore.
"I had to tell my mother what I was going to do," said Gallardo. "So I sat her down, and said, 'I'm going to talk to everyone at the Capitol.' First, she was like, 'What do you mean?' I said, 'I'm gonna come out. I want you prepared. It's going to be in the news.' Her response was 'Why do you have to do this?' I said, 'I need to do it.' So she said she had a meeting with the women's auxiliary of the American Legion on Thursday. Could I do it Friday?"
Gallardo laughed and broke the tension. "I said it had to be Wednesday. You know, I think it goes back to the cultural thing. In the Latino family, it's something you don't talk about. It's the same in pop culture. You have some prominent gay Anglos out there, but very few Latinos. They don't see anyone on TV that's openly gay."
Richard Tisei.
Photo via Wikipedia
But Gallardo was convinced that his announcement wouldn't cost him net votes. "I lose some, I win some," he shrugged. It was, he hoped, an afterthought, which was what Massachusetts Republican Tisei also insisted when we met at a restaurant near the House of Representatives. Tisei had just met with some of the people he might call "colleagues" in 2015. But he hadn't met Rep. Randy Forbes, the Virginia Republican who'd called on the GOP to deny money to gay candidates.
"I haven't bumped into him yet," said Tisei with a half-smile. "Let me just say, I was surprised he would basically say he wouldn't want anyone in the caucus who was gay. If you took out that word, 'gay,' and put any other word in there, I think most people would find that to be pretty inflammatory. Right after he made his comments, the entire leadership said we're going to judge our members by the content of our character."
Tisei's theory, and his main point, is that his party was evolving too. He came out in 2009, when he was 47 years old and being considered as the GOP's nominee for lieutenant governor. The revelation didn't hurt him at all—he got on the ticket, which lost in 2010. Neither that loss nor his 2012 loss had discouraged him about the progress of gay rights or gay candidates. He'd been in the state Senate when the state supreme court legalized gay marriage.
"There was a tsunami of opposition," he said. "I remember being in a room with perhaps 20 state legislators who supported the decision, and we knew it was going to be a steep mountain to climb. The calls were coming in 20–1 against the decision. But over the past 10 years, we've seen just a tremendous change take place in people's attitudes. Five years from now, 10 years from now, it won't even be an issue."
Tisei said that to me in the first week of March, right after his state party had inserted a definition of "traditional marriage" into its manifesto. Days ago he announced that he'd boycott the state convention, to protest a platform from "the 19th century." His campaign happily sent out the news of the intraparty friction. There just wasn't any downside to being known for this, not anymore.
Congress Politics Republicans


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Home » Issues » May 1980 » "Babs" runs again
"Babs" runs again
Bill Boddy
There is good news for those who enjoy watching historic documentaries on TV. The BBC is to show, later this year, such a film, about the World's Land Speed Record, making use of existing video-tapes, but also introducing some live coverage, taken this year.
Among the latter part of the programme will be a feature about "Babs", the 27-litre Liberty-aero-engined Thomas Special in which Parry Thomas was killed at Pendine sands 53 years ago, while attempting to regain his own record of 171.09 m.p.h. Owen Wyn-Owen has exercised "Babs" on a number of occasions since he disinterred the old racing car from her 1927 grave and rebuilt it. To see it in action on this most recent occasion we assembled one freezing March morning at a suitably-deserted stretch of Welsh beach.
The Producer, Jeff Goddard, arrived in a Citroën GS. Raymond Baxter, who was doing this part of the script and commentary, in his recently-acquired Saab 900 Turbo, his first foreign car, with which, he told me, he is very satisfied, seeing it as one way of conserving fuel without sacrificing performance. The camera and sound crews came in those excellent workhorses, two Ford Cortina 2.0 GL saloons. "Babs" arrived on a trailer behind a Land-Rover powered with a 3-litre Rover car engine and Wyn-Owen drove up in his well-known yellow VW Beetle. I was pleased to see that a start has been made on a body for "Babs". Although she still wears the damaged original tail, Wyn-Owen has recently made up a new radiator cowl in aluminium to the correct shape and has fitted bonnet side-panels, although the car still lacks a bonnet-top (this will eventually be secured by fastenings reached through holes in the bonnet sides, as in Thomas' time) and cockpit sides.
When the time came to fire-up, the old LSR car responded easily enough to the loud staccato from its 12 stub-exhausts after a short tow behind the Land-Rover, on a bar with an ingenious self-release. Alas, the weak aspect of the car is the small multi-plate clutch with which Thomas replaced the former Mercedes scroll clutch. This overheats very easily after which it engages with a jerk. This soon caused the key on the n/s driving sprocket to shear, which has happened before. However, I took the mechanics in the Rover 3500 to the Ffestiniog Railway workshops, where a new key was expeditiously made up — and within half-an-hour or so it was being refitted. Where in England would one have received such prompt and willing service?
"Babs" then made many runs up and down the beach, looking very much as it did all those years ago when it was so vitally important to Parry Thomas that he break the LSR, but with such a tragic result. Wyn-Owen scorned helmet or goggles, but Raymond Baxter wisely wore these for his ride as an intrepid passenger. The top speed was estimated as 60-70 m.p.h., and Owen admitted that to save the clutch he had never changed out of bottom gear! The helicopter from which he was being filmed couldn't fly at much below 60 m.p.h., which seemed to confirm the speed.
It was a very enjoyable occasion, with only a small enthusiastic gathering of onlookers, and the Police very helpful and knowledgeable. I only hope everyone present spared a thought for that great Welsh racing motorist, J. G. Parry Thomas, driving "Babs", not at 60, but at over 170 m.p.h. . . . — W.B.


It's now 20 years since Michael Mann's Heat first hit the cinema screens, and many argue that the action crime genre has not been the same since. Mann's slick urban thriller is visually stunning, daring in its action and with Pacino and De Niro as the two main leads at the zenith of their careers leading an all-star cast, superbly acted.
The film tells of Neil McCauley (De Niro), a career criminal who is relentlessly pursued by an LAPD detective, Vicnent Hanna (Pacino). McCauley's criminal gang learn of their pursuit by police and plan one more final daring bank heist in order to secure their futures financially. Managing to escape, McCauley plans to flee the country and the criminal life altogether, but cannot resist exacting revenge upon the person who's snitching led to him being chased by Hanna. The final showdown is of course predictable, but no less dramatic.
Heat was made at a time when Hollywood's action films set the standard for outlandish visuals. Forget your post-9/11 urbicide, CGIed nonsense of Man of Steel or Transformers or the computer-game inspired landscapes of The Edge of Tomorrow, the 90s was a time when action was real, and entire city blocks were closed down to film war-zone style shoot-ups. Heat embodies such action full-bloodedly. From the opening scene, you are catapulted into an outrageous heist of a security van in transit. And save for the few interspersed scenes of marital angst that constitute a rather flabby and lacklustre second act, the film continues to deliver fast-paced cops and robbers drama. The film's most outlandish action scene involves McCauley's group of criminals performing a daylight robbery of a downtown Los Angeles bank, with automatic rifles, balaclavas, sports bags full of cash slung over their shoulders, shooting their way through line after line of policemen and police cars. In scenes that are now commonplace thanks to the Grand Theft Auto games, it was a daring scene not only logistically, but narratively as well.
The film's stylistic, action aesthetics are the hallmark of Michael Mann's devotion to an intense visual experience. The film is shot exquisitely throughout, with the city's grit glistening in the background, something which Mann has perfected (and shows off with even more gusto in Collateral). Mann relates Los Angeles' (and perhaps American society more generally) obsession with mobility and pace with the main protagonists inability to 'settle down'. During the course of the film, McCauley is depicted as a loner, his oft quoted motto is "Don't let yourself get attached to anything you are not willing to walk out on in 30 seconds flat if you feel the heat around the corner". Yet he falls for a girl during the film who agrees to escape with him after the aforementioned bank heist. Yet, he lives up to his words when, in a telling scene he leaves the love of his life in the car, as he flees from the on-rushing Hanna.
But the films' visuals are matched only by the performances of its two main stars. Pacino is at his ferocious best throughout, and while De Niro is more modest in his approach, does not flinch in the delivery of a cold, calculated criminal mastermind. The two characters are two sides of the same coin. Both have an inability to emotionally attach and extricate themselves from their 'work', and while on different sides of the thin blue line, extol similar veracity in trying to outwit each other.
Most action films tend to age badly. Heat if anything has improved with age given that many of the action sequences would not be attempted anymore; and even if they were, would be accused of being too far fetched given the 21st century's obsession with security and barring access to transportation termini. Heat, while perhaps too long and bloated at times, is an action classic, with Mann utilising all his filmmaking skills admirably. It ranks among one of the finest action films ever made.


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Nykaa Fashion's campaign featuring Alaya F announces onboarding of fashion brand Cider on the platform
Founded in 2020, the Los Angeles-based label promotes self-expression by offering everyday statement pieces for everyone, everywhere
BestMediaInfo Bureau Delhi, January 23, 2023
Click on the image to watch the Video
Nykaa Fashion has onboarded American Gen Z label, Cider, on its platform. It also launched a new campaign, featuring actor Alaya F, to announce the same.
As part of this collaboration, Cider's stylish and high-quality clothing will be made available to everyone in India.
Founded in 2020, the Los Angeles-based label promotes self-expression by offering everyday statement pieces for everyone, everywhere.
Michael Wang, Founder and CEO of Cider, said, "Cider is a global brand since day 1. We are super excited about reaching one of the largest markets in the world through our partnership with Nykaa Fashion. The wide range of clothing in trendy designs is sure to win over many fans with something for every mood."
Adwaita Nayar, CEO, Nykaa Fashion and Co-founder of Nykaa, said, "We are focused on curating the best brands from international markets, and extending our fashion assortment with Cider is truly exciting. Cider has made waves with its uber-stylish offerings that resonate with Nykaa Fashion in terms of having unique fashion-forward options. We are excited to onboard one of the strongest GenZ brands and provide our shoppers the opportunity to stay updated with global fashion trends."
The label is now available on Nykaa Fashion's global store that sells NA-KD, Revolve, and many more brands.
A post shared by Nykaa Fashion (@nykaafashion)
Tags: Nykaa Fashion's campaign featuring Alaya F announces onboarding of fashion brand Cider on the platform


Presented here for sale is a Alice Cooper lot of memorabilia featuring an Alice Cooper signed CD. Included in this lot of such a great rock legend is a concert shirt (size 2x), Alice Cooper hand held mask, 7″ x 14″, and a Alice Cooper vintage early 1970's stand up store display 9″ x 10″. Additional collectibles here include an Alice Cooper concert baseball style cap , a 8 x 10 original photo (stamped on reverse by Roger Kranz photography ). Finally a vintage 1973 Alice Cooper high quality decal 5″ x 5″. (see all pictures ) . 7 great pieces of memorabilia for the Alice Cooper fan.


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Das Liverpool Institute for Performing Arts (LIPA), deutsch: Liverpooler Institut für Darstellende Kunst ist eine Universität in der englischen Stadt Liverpool, die Ausbildung und Studiengänge in Schauspiel, Community Drama, Tanz, Musik, Tontechnik, Veranstaltungs- und Kunstmanagement, Veranstaltungstechnik und Bühnenbild anbietet.

Derzeit bietet das LIPA neun grundständige Bachelor of Arts-Studiengänge sowie diverse postgraduatierten Studiengänge mit dem Abschluss Master of Arts an. Darüber hinaus bietet das LIPA auch zertifizierte Ausbildungen und Wochenend-Kurse für Jugendliche.

Geschichte

Vorgeschichte bis zur Gründung 1996
Das Liverpool Institute for Performing Arts wurde 1996 von Paul McCartney und Mark Featherstone-Witty gegründet. Sie brachten zwei Ideen zusammen: Paul McCartney wollte das Gebäude seiner ehemaligen Schule (Liverpool Institute High School for Boys), das seit deren Schließung 1985 ungenutzt war und verfiel, nutzen. Mark Featherstone-Witty, der in London die The London School for Performing Arts & Technology gegründet hatte, wollte seine Ideen in größerem Maßstab umsetzen.

Inspiriert durch Alan Parkers film Fame – Der Weg zum Ruhm (1980) über die New York High School for the Performing Arts dachte Mark Featherstone-Witty darüber nach, welche Ausbildung für ihn und andere die beste gewesen wäre, die eine Karriere in der Entertainmentindustrie oder dem "show business" verfolgten. Aus dem Film nahm er die Idee auf, dass Künstler eine Ausbildung sowohl in Schauspiel, Tanz und Musik benötigen, um erfolgreich zu sein. Ein Buch verdeutlichte ihm, dass das Show Business ein Geschäft war und wie wichtig demzufolge das Wissen um wirtschaftliche Zusammenhänge war. Schließlich nahm er noch die Beobachtung auf, dass die Künstler selbst nur die Spitze eines Eisberges von Beschäftigten in der Entertainmentindustrie waren.

Aus diesen Grundgedanken entwarf er eine Skizze für einen neuen Typus von Ausbildungsstätte und verbrachte drei Jahre damit, in Gesprächen dieses Konzept zu entwickeln. 1985 hatte er rund fünfzig Künstler, Theaterdirektoren, Choreographen and Unternehmer hinter sich.

Plattenproduzent George Martin wusste, dass Mark Featherstone-Witty einen Ort suchte, seine Schule zu gründen, und dass Paul McCartney nach einer Nutzung für das Gebäude suchte und brachte die beiden zusammen. Der Prozess bis zur Eröffnung des Instituts benötigte sieben Jahre und rund £ 20 Millionen für Gebäude und Curriculum.

1996 bis 2006
Das LIPA wurde von Elisabeth II., Königin von England, am 7. Juni 1996 eröffnet. Seitdem wurden jährlich mehr Studiengänge und Kurse angeboten. Die Herausforderung bestand darin, exzellente Ausbildung mit möglichst breiten Zugangsmöglichkeiten zu kombinieren. Als Lösung wurde eine akademische Ausbildung begründet und um eine Anzahl offener und flexibler Kurse ohne Zugangsbeschränkungen ergänzt. Zum zehnjährigen Jubiläum im Januar 2006 fand in der Liverpool Philharmonic Hall eine Show zu Vergangenheit, Gegenwart und Zukunft statt und es erschien ein Bildband. Die Jubiläumsveranstaltung war zugleich Auftakt für das Themenjahr Liverpool Performs, das auf die Europäische Kulturhauptstadt Liverpool 2008 vorbereitete.

Die Geschichte des Gebäudes und der Vorgängerinstitutionen
Das Gebäude geht auf die Liverpool Mechanics' School of Arts zurück, eine 1825 gegründete Arbeiterbildungseinrichtung, die überwiegend Abendkurse anbot. Gastvorträge hielten unter anderen Charles Dickens und Ralph Waldo Emerson. Um 1840 betrieb die inzwischen umbenannte Liverpool Mechanics' Institution die Abendschule, eine Bibliothek und eine Grund- und weiterführende Schule für Jungen. Um 1850 entwickelte sich aus den Abendkursen eine Schule der Künste, was sich 1856 durch eine erneute Umbenennung im Namen widerspiegelte: The Liverpool Institute and School of Art. Aus dieser Zeit stammt das heutige Hauptgebäude an der Mount Street.

In den 1880ern wurde ein neues Gebäude östlich neben dem Hauptgebäude errichtet, um die Schule der Künste aufzunehmen. Aus dieser und den Abendkursen entwickelte sich dann das Liverpool Polytechnic und daraus die heutige Liverpool John Moores University.

1905 ging die Trägerschaft der weiterführenden Schule an Stadt Liverpool über. Bis zu ihrer Schließung 1985 war sie unter dem Namen The Liverpool Institute High School for Boys bekannt. Das Liverpool Institute for Boys verfügte als Grundschule über eine sehr gute Reputation – über 300 Absolventen haben in Cambridge oder Oxford studiert. Einige bekannte Persönlichkeiten aus dem Bereich der darstellenden Künste sind mit den Schulen verbunden: Paul McCartney, George Harrison, Arthur Askey, Bill Kenwright, Peter Sissons und Alan Durband.

Studiengänge

Ausbildungen und Zertifikate
Das LIPA bietet Kurse an, die den Zugang zu akademischen Ausbildungen im LIPA oder an anderen Orten eröffnen. Diese Kurse werden auch von Studierenden genutzt, ihre Fähigkeiten zu verbessern, ohne ein dreijähriges Studium zu absolvieren.

 LIPA-Diplom in Performing Arts (Schauspiel)
 LIPA-Diplom in Performing Arts (Tanz)
 LIPA-Diplom in Performing Arts (Lied)
 LIPA-Diplom in Popular Music and Sound Technology

Grundständige Studiengänge (Bachelor of Arts)
In Zusammenarbeit mit der Liverpool John Moores University
 Bachelor of Arts in Performing Arts (Schauspiel)
 Bachelor of Arts in Music, Theatre and Entertainment (Management)
 Bachelor of Arts in Performing Arts (Tanz)
 Bachelor of Arts in Music
 Bachelor of Arts in Performing Arts (Music)
 Bachelor of Arts in Sound Technology
 Bachelor of Arts in Theatre and Performance (Design)
 Bachelor of Arts in Theatre and Performance Technology
 Bachelor of Arts in Community Drama

Postgraduierte Studiengänge (Master of Arts)
 Schauspiel-Diplom
 Master of Arts in Performing Arts Education
 Master of Arts in Dance Theatre Practice
 Master of Arts in Community Music
 Master of Arts in Contemporary Theatre Practice

Companions

LIPA vergibt keine akademischen Grade ehrenhalber (Ehrendoktorwürde, Ehrenprofessur, Honorarprofessur), sondern "Companionships". Die Companionship wird Einzelpersonen in Anerkennung ihrer Beiträge zu Unterhaltung und Kunst, insbesondere in den Bereichen, in denen LIPA aktiv ist, verliehen. Mögliche Companions waren in der Regel schon vor der Auszeichnung im Institut. Als Companions unterrichten sie Meisterklassen oder nehmen an Diskussions- und Interviewveranstaltungen teil. Einige Companions sind öfter oder regelmäßig im LIPA.

2011
 David Bell
 Paule Constable
 Caroline Elleray
 Chris Johnson
 Steve Nestar
 Billy Ocean (* 1950), Popsänger
 Hannah Waddingham (* 1974), Schauspielerin, Sängerin
 Spencer Leigh

2010
 Heather Knight
 Alan Moulder
 Christopher Oram
 Dave Pammenter
 Jonathan Pryce
 Midge Ure
 Mark Summers

2009
 Will Young
 Joe McGann
 Pippa Ailion
 Richard Hudson
 Natricia Bernard
 Tony Platt
 John Fox

2008
 John Hurt
 Trevor Horn
 Cathy Dennis
 Ann Harrison
 Nitin Sawhney
 Lea Anderson
 Luis Cobos

2007
 Anita Dobson
 Alan McGee
 Ralph Koltai
 Steve Levine
 Ben Elton

2006
 Lynda Bellingham
 Ken Robinson (1950–2020)
 Jörg Sennheiser (* 1944)
 Terence Stamp
 David Stark

2005
 Guy Chambers
 Robin Gibb
 Alec McCowen
 Tim Wheeler

2004
 The Bangles
 Ken Campbell
 Tim Firth
 Terry Marshall
 Arlene Phillips
 Willy Russell
 Jon Webster

2003
 Barbara Dickson (* 1947), Sängerin, Musikerin, Schauspielerin
 Anthony Everitt
 Stephen Bayley
 Andy McCluskey

2002
 Thelma Holt
 Anthony H Wilson

2001
 Joan Armatrading (außerdem ein LIPA Patron)
 Benny Gallagher
 Malcolm McLaren

Patrone
 Paul McCartney
 Joan Armatrading (außerdem ein LIPA Companion)
 Jocelyn Barrow (1929–2020), Pädagogin, Aktivistin
 David Bedford
 Richard Branson
 Graham Collier
 John Dankworth
 Judi Dench
 John Gunter
 Glyn Johns
 Mark Knopfler
 Gillian Lynne
 Cameron Mackintosh
 George Martin
 Robert North
 Lady Olivier
 Alan Parker
 Monica Parker
 David Puttnam
 Paul Scofield
 Alpana Sengupta
 Carly Simon
 Peter Sissons
 Wayne Sleep
 Vangelis
 Toyah Willcox
 Victoria Wood

Bekannte Alumni
 Jan Burton, Musikproduzent
 Dan Costa, Jazz-Pianist und Komponist
 Anthony Eve, Filmkomponist
 Leah Hackett, Schauspielerin (Tina Reilly in Hollyoaks)
 Jesse Harlin, Komponist für Filmmusik bei LucasArts
 Kate Havnevik, norwegische Sängerin und Songwriterin
 Lynette Howell, Filmproduzentin in Hollywood
 Christian Ingebrigtsen, norwegischer singer-songwriter und Musiker
 Nora Krug, Illustratorin & Autorin
 Liam Lynch, US-amerikanischer Singer und Songwriter
 Javier Martínez Maya, kolumbianischer Musikproduzent, -komponist und Arrangeur
 Eugene McGuinness (Musiker), Singer und Songwriter
 Lindsay McKenzie, Schauspielerin (Prinzessin Erina in the CBBC programme Raven)
 Dawn Porter, Fernsehjournalist und Moderator
 Kent Riley, Schauspieler (Zak Ramsey in Hollyoaks)
 Slopes, norwegischer Sänger, Komponist und Musikproduzent
 Lisa Stokke, norwegische Sängerin und Schauspielerin
 Sandi Thom, schottische Sängerin und Songwriterin
 Liz White, Schauspielerin (Life on Mars – Gefangen in den 70ern)
 The Wombats, Indie-Band

Literatur
 LIPA – The First Ten Years In Pictures. Schools for Performing Arts (SPA) Press, 2006, ISBN 978-0-9539423-2-9.

Weblinks
 Offizielle Webseite der LIPA

Einzelnachweise

Universität in England
Kunstschule
Kultur (Liverpool)
Gegründet 1996
Organisation (Liverpool)
Bildung in Liverpool