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Theatre / News
Ben Tipple / Tue 13 February
Celebrating its 25th anniversary, the iconic film Jurassic Park will tour the UK accompanied by the Czech National Symphony Orchestra.
Released in 1993, the film features music composed by John Williams, with the live orchestra conducted by Ben Palmer.
Jurassic Park, the first in the film franchise based on the novel by Michael Crichton which later would also feature The Lost World, Jurassic Park III, and Jurassic World, centres around a genetic project cloning dinosaurs on the island of Isla Nublar.
The adventure film stars Richard Attenborough as philanthropist John Hammond, alongside Sam Neil, Laura Dern, Jeff Goldblum and more.
The sound and music of the film was recognised across various awards, including the Academy Awards, BAFTAs and the Grammy Awards. John Williams also won a BMI Film Music Award for his compositions.
The live tour, including the film screening and live Czech National Symphony Orchestra, aims to create an immersive atmosphere for Jurassic Park fans.
It kicks off on the 8 September 2018 in Brighton, and runs until the 5 December 2018 at the Portsmouth Guildhall.
Here are those live dates in full:
8 September 2018 – Brighton Dome, Brighton
12 September 2018 – Gateshead Sage, Gateshead
13 September 2018 – City Hall, Sheffield
14 September 2018 – SEC Armadillo, Glasgow
23 September 2018 – Symphony Hall, Birmigham
25 September 2018 – Pavilions, Plymouth
28 September 2018 – St David's Hall, Cardiff
29 September 2018 – Royal Albert Hall, London
19 November 2018 – Bridgewater Hall, Manchester
20 November 2018 – De Montfort Hall, Leicester
21 November 2018 – Royal Concert Hall, Nottingham
22 November 2018 – Pavilion Theatre, Bournemouth
1 December 2018 – Arena, Hull
5 December 2018 – Guildhall, Portsmouth
Tickets for Jurassic Park in Concert go on sale at 10:00 on Friday 16 February 2018 through Ticketmaster.co.uk.
Feature: The five best sets from TRNSMT 2019
Here we f***king go! Here are the best things we saw at this year's TRNSMT Festival.
Frank Turner announces huge UK shows
The No Man's Land UK Tour 2019 will feature two sets per night.
Home » Theatre » Jurassic Park in Concert to tour the UK


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Instead of walling off your data scientists to crunch numbers all day, integrate them with your design team. A human-centered approach to data science is essential for developing smart new products that consumers can actually use. Instead of a version of data science that is narrowly focused on researching new statistical models or building better data visualizations, a design-thinking approach recognizes data scientists as creative problem solvers. We're not suggesting that the disciplines of data science and design merge, but rather that if practitioners work together and learn each other's art they will produce better outcomes. Many of the techniques used in design thinking approaches — such as user research, analogous inspiration, sketching and prototyping — also work well with data-driven products, services, and experiences.
Rise Science's app, before (left) and after (right) user research-informed design.
Analogous inspiration is another design-thinking technique that data scientists can add to their toolkit. That approach was key to the success of a project with Procter & Gamble. When the global organization deploys new technologies, they invite 50 key employees to a two-day training summit. When those employees return home, they are charged with teaching others the technology. While the training itself was effective, the process of hand-picking key employees was fraught. Turns out the people who were picked were not influential enough to spread their new knowledge throughout the company.
Our Data Science team found analogous inspiration in research on how diseases spread through social networks. In most cases of epidemiology, we are interested in disrupting and preventing the spread of a disease. In this case, we wanted the disease (a new technology) to spread as quickly as possible through the social fabric of Procter & Gamble. We wanted to engineer a technology pandemic.
The epidemiologic model allowed us to discover that the hand-selected employees, while close to senior leaders, were too centrally located to meaningfully spread something new throughout the organization. We suggested a different approach: Select participants who were distributed throughout the organization, but strategically located to spread the technology through the social fabric of the organization. We tried hundreds of millions of combinations of people that were best positioned to collectively spread this new technology. The initiative was so successful that the resulting group of ambassadors have been reused for several other change management programs.
Data scientists can use sketches or prototypes to get user feedback, just the way product designers do. Although there's a fog of ambiguity that descends during the exploratory data analysis phase, using the designer's trick of making data visual helps your brain see patterns that suggest a few ways forward.
The key here is to not be afraid to iterate: A pattern might lead you to look at the data in a particular way which then causes you to look at patterns in a completely new light. You might also choose to return to exploratory data analysis to pivot or change directions altogether. Start with a lot of skepticism, as the data could be dirty or missing fields, hence indicating patterns that are off-course.
In another Procter & Gamble project, for example, we began with simple sketches which were shared with key stakeholders to get their input. Before ever writing a line of code we were able to learn what a desirable interface might look like.
It's hard and expensive to build a data science team, so it's no surprise that most companies task these teams only with "data science work." But engaging data scientists in all stages of the design thinking process will pay off in incalculable ways. Interdisciplinary collaboration that pulls data scientists away from their screens and out into the world produces powerful results. It transforms data from a crude tool to measure your business into a sophisticated tool that helps your business grow.


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Inicio Umbrales Thresholds (2 - 6 November 2009)
Thresholds (2 - 6 November 2009)
Workshops:
* Venue: Rectory of the International University of Andalusia, C/ Américo Vespucio 2 (Isla de la Cartuja - Seville)
* Time: 3 - 6 November 2009, 11:00 - 14:30 h.
Lectures and discussions:
* Venue: Las Sirenas Civic Centre, Alameda de Hércules s/n, Seville
* Time: 2, 3, 4, 5 November, 2009 at 19.00 h. | 6 November, 2009 at 18.00 h.
Closing Ceremony:
* Venue: La Carbonería, C/Levíes 18, Seville
* Date: 6 November 2009 at 20:30 h.
FREE ENTRY UNTIL FULL
The outside is not something that lies beyond a particular space: it is more a passage, an exterior that gives access. To a face, to an eidos. When we frame something, we are also opening out the space of the present. We open up presences that are traces, shadows, remnants – something is framed and in turn dissolves and gives shape to the exterior. The threshold as passage, as the start of the search for that face, making possible a gesture towards what may emerge.
About how life, placed at the centre of the diagram of a trap, has become a battlefield.
About the reasons why a technology of power – centred on life, our inside from the outside – operates through a set of institutions, medical, penal, and administrative, that transform existence into a political prey, contained and standardised.
About why life, as a target, is the result of the setting in motion of new political struggles: for life is the threshold between the exercise of (bio)power and the gymnastics of resistance.
About whether the mechanisms of the societies of domination we live in are sustained only by enclosure. Prisons, factories, schools and hospitals: are all these not institutions whose chief characteristic, a total inner world, already operates in the outer one? Is this fold in power relations due to the emergence of a new way of existence being governed? If the mechanisms of government are internalised and the barriers between inside and outside collapse, what effect does this breakdown of polarities have on our existence?
Prisons, hospitals, universities and factories, interfaces of control, appear as crucial expressions of our times. These institutions, which have ceased to be either total worlds or private ones, drive an incessant process of conjunction and conspiracy. At a micropolitical level, they are liminal institutions, as they participate in the process of disrupting a social polarity. They fool around with the boundaries and, in their shade, the limits of the reorganisation of contemporary sovereignty is at stake. They are thresholds where customs become rituals and any answering back – moral, expressive, temporal, symbolic, structural or organic – is disciplined. In their procedures for monitoring, capture and punishment they create degrees of obedience to the rule of order. What is the relationship between command and government?
Given the crisis in the efficiency of the government of these institutions, their failures and general slide, here is a proposal to analyse their limits, fronts and frontiers. Thresholds is a shared itineraries maps to help consider the metamorphosis of these institutions into laboratories turning out orderly, law-abiding lives. Opportunities to test the cracks that lie latent.
Dario Malventi, Coordinator of Thresholds
Venue: Rectory of the International University of Andalusia, C/ Américo Vespucio 2
(Isla de la Cartuja - Seville)
Time: 11.00 - 14.30 h.
SESSION 1. Tuesday_3rd November 2009
Society's Image of Prisons
Coordinator: Mónica Aranda Ocaña
Participants: Manuel Ledesma Moreno (Salhaketa), Jordi Arola (Oficina social) and Valentín Aguilar Villuendes (APDHA)
The idea of a prison as a lasting institution means we are faced with an urgent need to adjust our expectations to current reality, in an attempt to avoid constant frustration. The problem probably arises when this reality is hidden, stereotyped or, at worst, altered. This session aims to act as a tool to approach, if only on tiptoes, the reality of our prisons, attempting to decode the myths that each of the participants, from their different organisations, understand to inhabit the imagination of society.
Mónica Aranda Ocaña has a doctorate in Penal Law from the University of Barcelona (UB) and an MA in Penal Systems and Social Problems from the UB. She is head of the Deprivation of Liberty and Human Rights Department of the Penal System and Human Rights Observation Unit of the UB. She is also a member of the European Group for Prison Research.
Manuel Ledesma Moreno is a lawyer, coordinator of the penal mediation programme of the Provincial Court of Navarre and Coordinator of the Salhaketa Association (Pamplona). Founded in 1984, this association works to defend the rights of prisoners and their families, seeking alternatives to the deprivation of liberty as a sentence and running rehabilitation programmes in Pamplona prison. It currently runs two reception flats for long term stays and two social skills workshops in the young people's unit and the women's unit, all in Pamplona or its provincial prison. www.salhaketa-nafarroa.com
Jordi Arola is a member of the anti-prison collective, the Social Anthropology and Prison Office. He has a degree in History and Anthropology and has helped organise several events on issues related to the world of prisons, at the University of Barcelona and other political arenas.
Valentín Aguilar Villuendas is a lawyer and mediator on the penal mediation for minors programme. He is a member of the Córdoba SOAJP, and a member and coordinator of the Prison Department of APDHA.
SESSION 2. Wednesday_4th November 2009
Limitless Deployment of Institutional Mechanisms: Education-Capture-Work
Coordinator: Claudio Ibarra Varas
Participants: Carlos Gomis (Oficina Social) and Cándido González Carnero (CSI)
Twisting our gaze towards marginal areas, zones on the edge where classical institutionalisation is barely discernible in spaces such as businesses-schools-prisons. A dislocation, or break with the past that allows us to address the issue of the strategies for control that orchestrate the subjective compositions of the capitalist concert. Meanwhile we watch out for the set of mechanisms deployed by the methods of governing life (containment, capture, confinement) in non institutional places as a background to the onslaught: school-street - prison -business. In these places the arguments are produced and reproduced, that "legitimize" the procedures for administering the mass social surplus that has to be classified, integrated, channelled, contained, not-tolerated and imprisoned. Thinking about the use of government mechanisms of socialisation and re-socialisation leads us to thresholds that hold us on the brink of the horizon of total captivity, where society is reconfigured by the machinery of capitalist control. We look at the problem through concepts such as exclusion, inclusion, rehabilitation, expulsion, desertion, containment and flight, on the periphery where educational, working and penal practices are formed. We allow ourselves to envisage links between the workings of education, work and captivity, in the effective connections between them, whether direct or indirect, contemplating a series of experimental transformations of the relations of production, organisation and management in the social laboratory of neo-liberalism.
Claudio Ibarra Varas has a degree in Education and teaches Philosophy (DEA in the History of Subjectivity). He teaches in the Philosophy Department at UMCE (Chile) and is Coordinator of the Research Group on Education and Power (GIEP).
Carlos Gomis is one of the founders of the Social Anthropology and Prison Office. He is a reader and philosopher of life, a lover music of the music of the 1960s, especially Woodstock. He has a few tales to tell about his years at the UTE (Therapeutic and Educational Unit), where they tried to convince him that his future lay in total submission to the institutional networks of therapy directing, controlling and supervising his life. He is still living with the consequences of it all.
Cándido González Carnero is a trade unionist, a member of CSI Asturias, of which he was General Secretary for six years, and a member of the work-place committee of the Gijón Naval Shipyard from 1978 to 2005, when he was forced into early retirement along with 72 other workers. CSI was founded in 1982, as an alternative trade union to the established model, democratic and based on assembly. Its strategy is pressure and negotiation: its main struggles in Asturias have been in the naval and mining sectors. As a result of campaigns in the naval sector, Cándido and one of his comrades (Morala) were sentenced to three years in prison. After 20 days inside, in the therapeutic unit of Villabona prison, they were set free due to mass protests against their imprisonment in the streets of Asturias and all over Spain. Both are currently waiting for a pardon that the government has not yet granted, so that they may still have to return to complete their sentences.
SESSION 3. Thursday_5th November 2009
NU Meio
Coordinator: Filipa Francisco
Participants: Ixiar Rozas, Wenceslao Galán (Espai in Blanc) and Albolote Prison Flamenco Workshop (Gregorio Rosillo, Víctor Vázquez Sánchez, inmates of the Albolote Prison and residents of the Granada Social Rehabilitation Centre)
"The impression I have is that people are going to do a great U-turn and go back to the time when art was such an anonymous part of life that the artist did not exist as a name, a legend. Creation came naturally to people, like eating, making love, living, but without any preoccupations about being an artist. As I understand it, everyone has, potentially, the capacity to create. Then again, if he or she is conditioned in a world that doesn't encourage it, she'll end up not creating. The block, the consumer society, our current conditioning, means that many people keep this sensibility to themselves." (Lygia Clark, The World of Lygia Clark)
As an artist, Filipa Francisco is interested in creating spaces to question things; making the arts accessible in improbable places; reflecting the world in her work; delving into the relationship between art and life. She is interested in building places for action, discussion, construction, resistance. She likes to encourage the discussion: "can dance be a force for change?" Throughout her career she has questioned and reflected deeply about the social and political function of art. She has taken part in artistic projects with groups in the prison environment and, recently, with young minors being rehabilitated at educational centres: the project Rexister with inmates of Castel Branco prison and the project Íman with young people at Cova da Moura. Both projects link teaching with artistic creation, reflecting a connection between art and life. All her projects are collaborative, promoting individual imagination and collective creation. Using her experience at Castel Branco, which lasted nine years, she hopes to create a space for reflection through small practical exercises (the ritual of warming up, voice and body, improvisation as discovery of the other within us), video shows and discussion. The experience will revolve around the question: can art open up spaces for resistance?
Filipa Francisco is a choreographer and performer. She believes that dance and movement can be a force for change. This has led her to develop projects in various different contexts and communities, in which she has worked intensively, questioning the relationship between art and life. These experiences have influenced her work as a choreographer, by allowing her to reflect about the world. For the last nine years she has been working on the project Rexistir, dance-drama and creation workshops with people who have been deprived of their liberty in the Castel Branco prison. With this group she has presented various shows both within the prison and outside: Peças para rir e chorar and Nus meios.
Ixiar Rozas is active in many interrelated fields. She is a writer, dramatist, documentary maker and researcher. She publishes articles, poetry, plays and fiction. Her most recent novel Negutegia (2006) has been translated into Italian and Spanish. She works with choreographers and artists to create scenes, and in this context is researching the relationship between voice, words and body in contemporary dance. She was co-founder and coordinator of Periferiak, encounters between critical thought and artistic practice in Italy and the Basque Country (2002-2007).
Wenceslao Galán is a member of the collective Espai en Blanc from Barcelona, a project that combines critical thought, political action and artistic involvement. With a long and varied career, Espai en Blanc creates spaces to explore the experiences which influence the political meaning of our lives today: the power of anonymity, the power of the therapeutic society, the battle of ideas, etc. Part of all this is collected in the publications of the group – reports, articles, etc. – and on their website. Galán personally has published several essays on the political meaning of words, such as the recent El fuego en la voz. Apuntes sobre la guerra del discurso (2007).
Albolote Prison Flamenco Workshop (GRANADA). Taking part are Gregorio Rosillo (from the Independent Theatre, who began his stage work in Granada Prison in 1983, setting up the audiovisual department of which he is currently in charge) and Víctor Vázquez Sánchez (master of prisons, leading member of the Federation of Flamenco Clubs of Granada and co-author of methods of reading-writing based on Flamenco and Caló), co-directors of the National Prison Flamenco Competition. Also taking part are inmates of the Albolote Prison and residents of the Granada Social Rehabilitation Centre..
SESSION 4. Friday_6th November 2009
Creativity as a Resource in Total Institutions
Coordinator: Nicola Valentino
Participants: Línea Paralela, Onda Cerebral and David Campos (Radio Nikosia)
Nicola Valentino, who was responsible for the "Archivo di scritture, scrizioni e arte irritata" by the Sensibili alle foglie cooperative, will illustrate, with the help of digital images, his research work and collection of pictures, manuscripts and drawings over the last 20 years, from various total institutions (prisons, lifers, death row, psychiatric judiciary, psychiatric institutions, concentration camps, old people's homes and homes for the disabled). The archive currently contains 600 pieces by over 100 authors. One of the chief responses of people who have been locked away to the harmful effects of the total institution is to create symbolic worlds. In different languages of expression, whether drawing, painting or writing, the spontaneous creative act is a vital resource for the individual producing it and provides for society a significant document to describe the awful condition of institutionalisation. This research does not take the psychiatric or criminological approach, which would regard the work of inmates as signs of mental illness or criminal deviance, or for that matter a purely aesthetic approach, selecting them for their artistic merit.
Nicola Valentino is one of the founders of the cooperative Sensibili alle fogle, with which he has undertaken various research projects on total institutions, following a method of narrative socio-analysis. In this context, he coordinates the "Archivio di scritture, scrizioni e arte irritata", a collection of paintings, manuscripts and drawings produced in total institutions, valuing spontaneous creativity as a vital resource. Recently he has organised socio-analytic workshops in hospital, geriatric and psychiatric wards.
Línea Paralela. In 1984 the "psychiatric reform" was introduced in Andalusia and mental asylums were closed. We are continuing the work of helping with social integration, fighting against ostracism...But we all know that the values and practices of the old institutions (exclusion, stereotypes of the role of the "mad", the "loony bin") are being reproduced in new guises. Changes and achievements do not excuse us from the need for constant review. What do the drawings of a person undergoing psychiatric treatment, done in the workshop of an asylum, have to tell us? What is the message of the artistic expression of suffering? And what are we, those watching or sharing, able to understand of this? How do we diminish a piece when we see it out of the institutional and social context of its creation? Is there any sense in talking of marginal art, centred on the life story of the author?
Onda Cerebral. On the 3rd December 2008, the radio station ONDA CEREBRAL (Brain Wave), 107.8 FM was first broadcast in the Psychiatric Prison Hospital of Seville. The motive behind the project was to create a space where the processes of communication and social interaction made sense for the users themselves, a meeting place, a place where words are at the heart of the process of personal development, as a way of trying to understand one's own suffering. From the start, the project has tried to create a scenic space where "reality" is above "reality", where coming into contact with radio space gives a person another dimension apart from the "other", where words are the stars for those taking part.
David Campos is a member of Radio Nikosia, an alternative station broadcasting from "madness", the first of its kind in Spain. Programmes made by people who have been "diagnosed" at some stage. Nikosia is a project in social communication, attempting to make a contribution towards preventative mental health, fighting the stigma that so called mental illnesses still carry today. It carries out all kinds of cultural projects to encourage creativity and personal expression by people who are affected, or have at some point been diagnosed, by psychiatric institutions.
LECTURES/DISCUSSIONS
Venue: Las Sirenas Civic Centre, Alameda de Hércules s/n, Seville
Time: 2, 3, 4, 5 November, 2009 at 19.00 h. | 6 November, 2009 at 18.00 h.
Monday_2nd November 2009
Andalucian Prisons and Violation of Human Rights, by Mª Isabel Mora Grande (lawyer, general coordinator of APDHA) and Jana Vidal Reigada (social worker, mediator and volunteer from the Prison Department, APDHA).
Andalusian Association for Human Rights (APDHA) has worked from the beginning in the field of rights and freedoms, in particular monitoring human rights in prisons. Their knowledge of what goes on in prisons from their work with prisoners and their families has led them to make many denunciations of serious violations of fundamental rights (hygiene, overcrowding, ill treatment…). They understand that politicians have an interest in selling a progressive image of jails, publicising innovative programmes of rehabilitation and even "cure". The reality they find is very different and they urge us to think: what is going on in our prisons?
The Asociación Pro Derechos Humanos de Andalucía (APDHA) is a private, not-for-profit organisation based on the Universal Declaration of Human Rights. It aims to claim the fulfilment of the Declaration as a way to change the conscience of society. It therefore does not hesitate to denounce any infringement with all the means at its disposal. APDHA does not confine itself to abstract defence of the Universal Declaration of Human Rights, but works for the least favoured sectors of society, people who are excluded and those who suffer the highest level of violations of their human rights. www.apdha.org
Tuesday_3rd November 2009
aufBruch, by Peter Atanassow and Sibylle Arndt
Aufbruch, a word that means both "out" as "breakup", is an independent theatre project inside the prison in Berlin. Presentation of the method and the artistical approach of the prison theatre project aufBruch by lecture, short trailers and photographs. Relevant aspects are the structure of the working process (Selection of the plays, of the team both, inmates and artists from outside -, the rehearsal procedure, the function of the public audience and the press, public relations, funding, networking) and the idea of the project: to establish a connection between the reality of the prison and an artistical statement, which is focused on the refurbishment of myths (German, European, ancient).
Co-Existence of Technologies: Pit, Fold, Distance, Threshold, Crisis, by Willy Thayer Morel
The Greek word for theatre (theatron) speaks of a voyeuristic unfolding, a perspective; of a sacrilege in which the immanent ritual, with no distance from itself, exceeds itself to its own surprise, a gulf of surprise creating a significant difference that breaks the sacred immanence of the ritual and displays it as a spectacle, a point of view, with a division of work between the action and its expectation. An instant in which the value of the cult, having reached zero, becomes a show, shoots up the curve of exhibitionism. The emergence of repetition, a copy of the event, its translation into a mediated form in which, precipitated outside itself, it returns to itself, re-forming itself a second time in the spectator, as though vacillating, reflecting, creating a dialectic between stage and audience, a division of work. This is theatre that can erupt in the victim when he looks for a second at his executioner or at himself, or the sacrificial scene of which he forms a part, split in two, in actor and spectator, before they split him, giving rise to the difference between stage and audience, to the re-presentation of the event.
After the talks there will be a discussion chaired by Esteban Zamora.
Peter Atanassow (Director) and Sibylle Arndt (Production Manager) are both artistic directors of aufBruch. The project started in 1997 in Berlin and has now produced over 20 pieces in several prisons in Germany and one in a Russian prison. The project enjoys a permanent growing public interest and is the most professional prison theatre project in Germany. www.gefaengnistheater.de
Willy Thayer Morel teaches Philosophy and Aesthetics at the Universidad Metropolitana de Ciencias de la Educación de Chile (Metropolitan University of Educational Science of Chile), where he is head of the Philosophy department, and Theory of Art at the Escuela de Bellas Artes of the Universidad ARCIS (Fine Arts School of ARCIS University). He is on the examining panel for the Master of Visual Arts of the University of Chile. He is a visiting professor at Duke and Binghampton Universities in the USA. His publications include La crisis no Moderna de la Universidad Moderna (1996) and Escritura y temblor (2000), an edition of posthumous writings by Patricio Marchant and El fragmento repetido, escritos en estado de excepción (2006), as well as numerous articles in the local and regional press.
Esteban Zamora teaches Philosophy at the Metropolitan University of Educational Science of Chile. He has a degree in Philosophy from the ARCIS University in Chile and is studying for a doctorate in "History of Subjectivity" at the Faculty of Philosophy of the University of Barcelona. He edits VÍSCERA magazine and is a member of the Barcelona theatre company "Plan de Fugas" and the anti-prison collective Social Anthropology and Prison Office.
Wednesday_4th November 2009
Prison Genealogies: Archive and Debate
The violent expansion of prison systems in the last thirty years has made the place of prison in contemporary society problematical again. With a new kind of globalizing content, which allows for a wide range of practices from military treatment to therapy, prison channels other functions that are important for the make-up of sovereignty, but these are not functions of discipline. Contemporary prison has entered another frame, a post-panopticon scenario, dominated not, mainly, by an extrinsic (to train, to control) objective, but the creation of niches as a way of capturing and mobilising life. Does this contemporary face of prison mean a break between discipline and bio-politics? Could we say that we are passing from prison-territory to prison-life? Taking issue with these questions and looking into a genealogical interest, the intention of this discussion is to project the strategic functions of the present day prison onto the political plane.
The GIP: Information and Struggle in the Prison Situation. Lecture and Critique, by Philippe Artières
In its two years of existence (from 1971 to 1972), Le Groupe d'Information sur les Prisons did not make it its mission to speak for prisoners, but actually to let them speak; nor to produce knowledge, but to allow those with most interest in the matter to produce knowledge based on their experience. In this process of transforming information Foucault and the militants of the group made a series of kits, at once tools and weapons, particularly useful for the purpose. This talk will focus on them and how they were used.
Surveillance and Punishment beyond the Disciplinary Society , by Manuela Ivone Cunha
En Surveiller et Punir talks less about prison than about the (disciplinary) society of which it forms a part. The reality to which this book refers is more a rationale, a programme of practices, than the practices themselves. In the language of Foucault himself, the idea is to analyse, thirty years after its publication, the contemporary trail of Surveiller et Punir in two fields: prisons and penal. As far as prisons are concerned, we examine the aims and notions associated with the system, such as work and discipline, the part played by the idea of rehabilitation in a globalized market of penal products, and the de-ideologisation of the prison system, which can no longer be formulated in terms of a system. As for the penal area, this is problematic in the light of the blow that the vertiginous expansion in the prison population has dealt to the historic diagnosis contained in Surveiller et Punir, which saw prison as an institution in retreat, a prediction which chimes momentarily with the later extension of the network of external surveillance. Two views of punishment will be confronted: the modern one, aimed at individuals to be normalized, and the post-modern one, aimed at controlling populations. This latter view is expressed nowadays in a growing actuarial tendency, which has found an excellent compliment in the anti-modern tendency towards punitive populism. These two arguments combine and compliment one another in contemporary society in as much as both have nothing to do with a disciplinary society.
After the talks there will be a discussion chaired by Álvaro Garreaud.
Philippe Artières is a historian (with a doctorate from the Denis-Diderot University, Paris 7), CNRS researcher and president of the Michel Foucault Centre. Over the past 15 years he has produced a series of essays on "ordinary" forms of writing in the 19th and 20th centuries. Regarding writing as a liberating act, Artières has shown how it is expressed in relations between power and knowledge, which, far from forbidding or inhibiting it, make it possible in a certain way. Through re-workings of Foucault's work on writing about the self, Artières has analysed how individuals are disposed to write and the methods of written resistance to capture. His research traces themes that cut across philosophy, literature and criminal anthropology. He has also reintroduced a properly historical approach to archives and their social, political and symbolic functions in contemporary society.
Manuela Ivone Cunha is an anthropologist and teacher at the Universidade do Minho. She is a member of CRIA-UM (Portugal) and IDEMEC-CNRS (France). Her interests centre around prisons and total institutions, the informal processes and comparative structure of drugs trade markets. She is currently working on a project on the body, vaccination and society. She has published Entre o Bairro e a Prisão: Tráfico e Trajectos (2002) and Malhas que a reclusão tece. Questões de identidade numa prisão feminina (1994). She edits Aquém e Além da Prisão. Cruzamentos e Perspectivas (2008). She coordinates many topics in the magazines Etnografica and Ethnography.
Álvaro Garreaud has carried out research in Chile, Mexico and Spain. His work as an anthropologist deals with the mutations of contemporary power through the study of political techniques formed in total institutions. He postulates the analysis of forms of power as a method of generating knowledge to confront them and so links his academic work with the political. He is a member of the collective Social Anthropology and Prison Office in Barcelona. In 2009 he has directed the Thresholds project in Berlin, where he currently lives. www.cervantes.de/nueva/es/cultura/krise.php
Thursday_5th November 2009
On the threshold of subjectivity: regimes of visibility and techniques of enunciation
"The suffering of men should never be a dumb remnant of politics, rather, on the contrary, it is the basis of an absolute right to rise up and address those holding power". (Foucault, The Life of Infamous Men)
Power relations are productive: one of their products, the law, as management of illegal acts, has the effect of governing the conventions of life of a population, its systems of values and degree of social sensitivity. The law is war, the dominant class exercising their power to impose relationships by force. On a journey into different mechanisms of governing life, the aim is to think about power in its two ways of making itself known: the visible and the enunciable. The visible regimes of this war, its devices and plans; the techniques for enunciating suffering, its fronts and resistance.
Drugs, Violence and Imprisonment in the United States, by Philippe Bourgois
Based on twelve years of ethnographic and photographic research to document the persistence of a social network of crack smokers and heroin injectors, this talk will analyse the increasing brutalisation of vulnerable sectors under punitive neoliberalism. On the streets of San Francisco, we see the intimate consequences of the war against drugs and imprisonment in the US. A "theory of brutish abuse" under punitive neoliberalism is proposed. Despite, or because of, its extraordinary economic resources, in the US vulnerable people experience especially grotesque subjective situations. That is to say that it has the highest rates of murder, imprisonment, mortality and disease in the industrialised world. Focussing on the relationship between private suffering and the political and economic forces operating on a macro level, allows us a critical view of the global effects of the version of advanced punitive neoliberalism that has been imposed in the US and that produces "pointless suffering" in the "grey zone" of its prison complex and urban ghettos.
Institutions, Mechanisms and A Few Stories, by Renato Curcio
The institution is a social process regulated by mechanisms in which two basic tensions confront each other: that which drives those who administer (govern) it and that which reacts in search of change. When the former impose totalitarian mechanisms the institution becomes a "total institution". This can happen to any institution. The family too, or businesses, educational, therapeutic or service providing institutions can all follow this trend. The story of critical moments in the experience of people directly involved can provide a good analysis to make transparent the mechanisms that are at work and worked upon within institutional processes. This is what we try to do in workshops of narrative socio-analysis, whose aim is to relive collectively an experience lived individually, that is to say, take it to a wider level of awareness. The talk will attempt to illustrate how these workshops work by telling some emblematic story.
After the talks there will be a discussion chaired by Dario Malventi.
Philippe Bourgois has conducted fieldwork in Central America (Costa Rica, Panama, Nicaragua, El Salvador, and Belize) and in the urban United States (East Harlem, New York and San Francisco). In Central America his research addresses the political mobilization of ethnicity, immigration and labour relations, political violence, popular resistance, and the social dislocation of street children. His research in the United States confronts inner-city social suffering and critiques the political economy and cultural contours of U.S. apartheid. He is also addressing gender power relations, and the intersections between structural and intimate violence. His most recent work focuses on substance abuse, violence, homelessness, and HIV-prevention.
Renato Curcio is currently pursuing his socioanalytical activities as a member of the cooperative Sensibili alle foglie, in which he directs the "Social Research Notebooks" collection. In recent years he has coordinated research processes with male and female workers from the Grande Distribuzione Organizzata in Milan. More recently, he has worked with emigrant workers, legal and illegal, to uncover the unwritten codes of their situation, and with minors and young people on the roads leading to Milan.
Dario Malventi has a degree in Philosophy from the University of Philosophy and the Arts of Pisa, Italy. For four years (2003-2007) he has been conducting field work on the life, organisation and mechanisms of power at the Therapeutic and Educational Unit, UTE, of the Villabona prison in Asturias. His doctoral thesis, Curar y reinsertar, analyses this prototype prison as one of the main laboratories of therapeutic-penal governance promoted by the prison system in Spain. He obtained his doctorate from the Anthropology Department of the University of Barcelona. He is a member of the Grupo de Recerca Exclusión y Control, GRECS). In 2006 he helped set up the Social Anthropology and Prison Office, a group which intervenes critically in total institutions. He is co-founder and co-coordinator of the Periferiak encounters (2002-2007). www.periferike.org
Friday_6th November 2009
Presentation of Module 0, by Vidajoc
Module 0 portrays, using a novel computer application, the latest model for therapeutic and educational modules in the prisons of this state. Module 0 is also a digital archive of unpublished documentation, in multimedia format; an application for interactive simulation. ASIs/These are made with free software that exploits the possibilities of the New Information Technologies to create interactions between different users who share links or interests. This is a shared virtual space where content and actions take place against a graphic setting, making non-linear navigation possible, with a map and a timeline, recreating a new world for each user.
The Vidajoc Association for education, games and cyberculture, was born at the beginning of 2008 as a result of the private experiences of a group of people interested in the development of tools and projects as an approach to social education on the internet. VidaJoc (VJ) is made up of people with technological, artistic and social skills and knowledge, who work directly on the development of the virtual platforms and other kinds of communicative projects and games. The VidaJoc collective produces communicative projects such as ASIs, shared virtual spaces where content and actions are linked on a geographical plane, enabling non linear navigation on a territory and with a timeline.
Venue: La Carbonería (C/ Levíes 18, Sevilla)
Time: 20.30 h.
Friday_6th November de 2009
Other galleries. Quico Rivas, Prison and Fine Art, by José Luis Gallero
"As long as criticism has not turned itself into an art to match other arts, it will not cease to be mean, biased, unjust and undignified," wrote Rilke in his Florentine Diary (1898). We do not think we are mistaken in affirming that this claim by the Austrian poet was fully shared by the man who has been considered the most lucid and demanding art critic of his generation. A veritable artist of criticism, Quico Rivas embodied the kind of writing that, as Joseph Brodsky wished, makes it possible to turn criticism into a literary genre in its own right. The best pages that he dedicated to recreating the work of countless artists over forty years, take the reader down an unpredictable path, where philosophy mingles with the everyday, politics with poetry, humour and gravity, the choice quote and the subtle dig, a literary formula of his invention, which he defined as "reflective ramblings of a moral nature."
As suggested by the subtitle of this lecture, a collage -the technique he cultivated so enthusiastically over the years – will reconstruct a career with three main threads: biographical adventure, creative challenge and political experience. For the composition of this collage a set of documents and testimonies will be used– liable at any moment to be enlarged or rearranged - , including critical texts, lectures, interviews, letters, poems, memos, posthumous papers and diverse fragments. Wherever possible, Quico's own words will be the basis for the story, without neglecting also to reproduce those of some of his travelling companions.
Rivas' presence was decisive in two cultural revivals: that in Seville in the first half of the 1970s and that in Madrid in the second half of the decade and early 1980s. Despite often reneging on his job as a critic, an exquisite sense of humour – black when necessary – helped him keep intact his love of painting, literature and music. An organiser of legendary and wildly varied exhibitions, he also promoted incendiary pamphlets. Unpublished as a writer at his own wish, he founded imprints to distribute the work of other authors. A seeker of paradise, he more than once ended up in jail. An instinctive researcher, he often found himself carried away by his detective spirit far beyond what was wise. Despite his apparent wish not to conclude anything, he left his life perfectly finished.
The reading has been organised into five blocks, in strictly chronological order: "As long as a song lasts" (1953-1980), "Prisons and Paradises" (1981-1996), "Laughing at Oneself" (1997-2007), "Other Galleries" (monographic interlude) and "The Last Lamp post" (2008…). At the start of this century, one of Quico's most desired initiatives was on the point of taking shape: The Other galleries. Prison and Fine Art in the Modern Age, a visionary proposal for an exhibition in the old jail at Badajoz. The draft he prepared for this impossible project, to which he dedicated ten years of his life, will give us the opportunity to visit a show that never took place except in the imagination of Quico Rivas.
José Luis Gallero is a poet, editor and documenter. He is the author of Antología de poetas suicidas (1989), Ocho poetas raros (1992), Sólo se vive una vez. Esplendor y ruina de la movida madrileña (1992), 88 Fragmentos (2003), El camino más largo (2006) and Heráclito. Fragmentos e interpretaciones (2009). He edited the magazines Sur Exprés and El Europeo and has worked as a literary and art critic on Diario 16, ABC, El País and Le Monde Diplomatique.
Presentation of Thresolds, by Dario Malventi and Álvaro Garreaud.
Andalusian Prisons and Violation of Human Rights, By APDHA
Workshop. Society's Image of Prisons
Participants: Manuel Ledesma Moreno (Salhaketa), Jordi Arola (Oficina Social) and Valentín Aguilar Villuendas (APDHA)
After the talks there will be a discussion chaired by Esteban Zamora
Workshop. Limitless Deployment of Institutional Mechanisms: Education-Capture-Work
Prison Genealogies: Archive and Debate:
Surveillance and Punishment beyond the Disciplinary Society, by Manuela Ivone Cunha
After the talks there will be a discussion chaired by Álvaro Garreaud
Thursday_5 November 2009
Workshop. NU Meio
Participants: Ixiar Rozas, Wenceslao Galán (Espai en Blanc) and Albolote Prison Flamenco Workshop (Gregorio Rosillo, Víctor Vázquez Sánchez, inmates of the Albolote Prison and residents of the Granada Social Rehabilitation Centre)
On the threshold of subjectivity: regimes of visibility and techniques of enunciation:
Institutions, Mechanism and a Few Stories, by Renato Curcio
After the talks there will be a discussion chaired by Dario Malventi
Friday_6 November 2009
Workshop. Creativity as a Resource in Total Institutions.
Presentation of Módule 0, by Vidajoc
· 20:30 h. Closing Ceremony.
Workshops (mornings): Rectory of the International University of Andalusia, C/ Américo Vespucio 2 (Isla de la Cartuja - Seville)
Lectures and discussions: Las Sirenas Civic Centre, Alameda de Hércules s/n, Seville
Closing Ceremony: La Carbonería, C/Levíes 18, Seville

redpajama_set_name: RedPajamaCommonCrawl


Organisation Yellow Jacket has spread the virus in the Pym Technologies laboratories. Laboratories are creating war robots. This virus called HK-2214 infected robots and took control over them. Robots are now highly aggressive and dangerous. Doctor Hank Pym calls super heroes to help, because only they can help with this disaster. Play as And-mana and his assistant The Wasp. Fight through robots to the reactor toom from where the virus spreads. Switch between characters, shrink and save the world. Now, on your mobile as well. Have fun.


text:
Whitney houston youtube
Watch the official music video for I Will Always Love You by Whitney Houston Listen to Whitney Houston: https://WhitneyHouston.lnk.to/listenYDSubscribe to. Whitney Houston Greatest hits From 1 to 20 are Whitney Houston's Biggest Billboard Hits Whitney Elizabeth Houston was an American singer and actress. She was certified as the most awarded female artist of all time by Guinness World Records and i.. Watch the official music video for I Will Always Love You by Whitney Houston Listen to Whitney Houston: https://WhitneyHouston.lnk.to/listenYD Subscribe.
Whitney Houston's Grammy-winning smash I Will Always Love You is the fourth song from the '90s — and the first solo track from the decade — to join YouTube's billion-views club Whitney Houston's 1992 hit, I Will Always Love You is clearly still getting all the love it deserves because the song has reached 1 billion views on YouTube.. Whitney's song is the first.
In commemoration of Whitney and her enduring musical and cultural influence, the Whitney E. Houston Estate and Sony Music partnered with Black Archives, an archive of black life researched and curated by multimedia artist Renata Cherlise, to create an inspirational lyric video for Whitney's transcendent Greatest Love of All
Mariah Carey told Naomi Campbell about her friendship with Whitney Houston. (YouTube) Naomi confessed that she knew that the Vision Of Love singer would gel with Whitney, who tragically died.
A new Whitney Houston biopic is in the early stages from famed record producer Clive Davis, but people already want to know who will play the singer and her sister-in-law just dropped a big hint
Whitney Houston - I'm Every Woman (Live at HBO's The Concert For A New South Africa, 1994
Whitney Houston's 1992 hit I Will Always Love You has hit the 1 billion views milestone on YouTube.. The accomplishment marks the first solo artist entry from the 1990s to join YouTube's. Whitney Houston, the Notorious B.I.G. and T. Rex's Marc Bolan are all going to be inducted into the Rock and Roll Hall of Fame years after their deaths. Joining them as part of the 2020 class are Nine Inch Nails, Depeche Mode and the Doobie Brothers. Houston, T. Rex, B.I.G. and the Doobie Brothers are all being inducted after being on the ballot for the very first time Whitney Houston's Grammy-winning smash I Will Always Love You is the fourth song from the '90s — and the first solo track from the decade — to join YouTube's billion-views club. Originally written and recorded by Dolly Parton in 1973, the song was recorded and released by Houston in 1992 Whitney Houston - 2020 Rock & Roll Hall of Fame Inductee! Explore photos, news, music, awards, tour history, videos, timeline, movies and TV, and more
The Grammy-winning song I Will Always Love You by Whitney Houston is the fourth song from the '90s and the first solo track of the decade to hit the 1 billion views on YouTube.The song, I Will Always Love You was originally written and recorded by American singer-songwriter Dolly Parton in the year 1973 This combination photo shows Notorious B.I.G., who won rap artist and rap single of the year, during the annual Billboard Music Awards in New York on Dec. 6, 1995, left, and singer Whitney Houston. The music of the late superstar singer and actress Whitney Houston lives on. Houston's video of her 1992 hit, I Will Always Love You just reached 1 billion views on YouTube
Whitney Houston Greatest hits - YouTube
Písnička Whitney Houston - I Will Always Love You - Lyrics, kterou si přehrávte na webu Youtube písničky, si přehrálo už více jak 13190 lidí.Pokud se Vám písnička libí nezapomeňte jí podpořit buďto tlačítkem To se mi líbí nebo Sdílet Whitney Elizabeth Houston was born on August 9, 1963, in what was then a middle-income neighborhood in Newark, New Jersey. She was the daughter of ex-Army serviceman and Newark city administrator John Russell Houston, Jr. and gospel singer Emily Cissy (Drinkard) Houston. Her elder brother Michael is a singer, and her elder half-brother is former basketball player Gary Garland Whitney Houston was inducted into the Rock & Roll Hall of Fame during tonight's ceremony, which aired on HBO. Alicia Keys gave the late icon's induction speech, beginning, Whitney Houston. Whitney Houston's 'I Will Always Love You' Video Just Hit 1 Billion Views On YouTube The singer, who tragically died in 2012, joins three other '90s favorites on YouTube's billion-list
Whitney Houston - YouTube Musi
There was outcry last year when it was announced that a hologram of Whitney Houston was set to go on tour years after she died Whitney Houston - All The Man That I Need (1990) Pokračovat ve čtení Whitney Houston - All The Man That I Need (1990) Štítky Download , Hudba , Melodie na mobil , mp3 , Muzika , Videoklipy , Videoklipy-ke-stažení , Whitney Houston , Youtube.co Whitney Houston; YouTube; Vídeo; Tiempo de lectura 2 min. 28/10/2020 15:30 - Actualizado: 28/10/2020 16:20. Whitney Houston fue una de las mejores voces de la música de.
Whitney Houston's Grammy-winning smash I Will Always Love You is the fourth song from the '90s -- and the first solo track from the decade -- to join YouTube's billion-views club A website that collects and analyzes music data from around the world. All of the charts, sales and streams, constantly updated whitney houston body guard song - YouTube nice son
Whitney Houston - I Will Always Love You - YouTube Musi
Whitney Houston's hit I Will Always Love You has officially reached 1 billion views on YouTube.. This is the first time a music video from the '90s by a solo artist reached that milestone Whitney Houston has just become the first solo 20th-century artist to join YouTube's Billion Views Club. The iconic singer's I Will Always Love You has officially surpassed one billion views on. When Whitney sales 100 thounsand albums, it means 100 thounsand people bought it. When other artists sale 100 thounsand albums, it means 1 thounsand crazy fand bought 100 each, the same goes for YouTube views
11 gift ideas from The Chronicle's Datebook staff to get us through a bizarre holiday season SFChronicle Datebook · 5 days ago. It's December, which means you're one of two things: already finished with your holiday shopping, or stressing because you have no idea what to get the special people in your life Houston was found dead in a hotel bathtub in 2012. Devine currently stars in the thriller Always and Forever, which will stream on UMC. Filed under movies , whitney houston , 12/2/2 Autopsy: Whitney Houston's Last Hours. Biographies, Celebrity / 2 Comments In her lifetime she sold more than two hundred million records, propelling her from a gospel choir to global stardom but at 3:36pm on February 11th 2012, Whitney Houston was found unconscious in a bath in a hollywood hotel Here's a list of Whitney Houston's albums: 1. Whitney Houston ( 1985 ) 2. Whitney ( 1987 ) 3. I'm Your Baby Tonight (1990) 4. The Bodyguard (1992) 5. The Preacher's Wife (1996) 6. My Love Is Your. Whitney Houston (born on August 9, 1963 in Newark, New Jersey, death announced February 11, 2012 in Los Angeles, California) was a Grammy and Emmy Award winning American R&B/pop singer, actress, former fashion model, record and movie producer. Whitney Houston is one of pop music's be read mor
The Whitney Houston hologram that was supposed to make its debut on The Voice years ago has emerged from the shadows new and improved -- the problem is, her estate had NO idea it was happening Since Whitney Houston's tragic death in 2012, the music legend's cultural impact has only grown. Houston's game-changing career yielded chart-topping albums, hit movies, and a place in the Guinness Book of World Records as the most awarded female artist of all time. An inspiration to. One of Whitney Houston's iconic songs joins YouTube's 'billion views club' The late singer is not physically with us, but her music lives in everyone's hearts and playlists. October 27, 202 Whitney Houston - Run To You; Whitney Houston - Greatest Love Of All; Whitney Houston - It's Not Right But It's Ok; Whitney Houston - Saving All My Love For You; Whitney Houston - Jesus Loves Me; Whitney Houston - I'm Every Woman; Whitney Houston - All The Man That I Need; Whitney Houston - Didn't We Almost Have It All; Whitney Houston - Where.
Whitney Houston I Will Always Love You Tops 1 Billion
Gordon's death comes nearly five years after Brown, the daughter of singers Whitney Houston and Bobby Brown, was found face-down and unresponsive in a bathtub in January 2015 Whitney Houston As she inducted Houston into the Rock Hall, Grammy-winning singer Alicia Keys gave a beautiful, heartfelt speech about one of the best singers in pop history. Latest vide Whitney Houston at the American Concert Celebration on July 4, 1986 in Jersey City, New Jersey. By Ron Galella/WireImage/Getty Images
The nostalgic line has an even deeper purpose, as all sales will benefit Whitney E. Houston Legacy Foundation, a nonprofit organization which continues the superstar's extensive philanthropic. Whitney Houston was given more control over the songwriting and production on her third studio album, I'm Your Baby Tonight, which showcases a more urban R&B vibe. The title song was the first single from the project and brought her back to No. 1 on the pop singles chart for the eighth time. 08
Whitney Houston's song has hit 1 billion views on YouTube
» Whitney Houston - Greatest Love Of All (1985), videoklipy ke stažení, videoklipy z YouTube od Loveme.c
This cover image released by Arista Records shows Whitney by Whitney Houston. (AP) The news comes just days after the iconic singer reached new heights on YouTube.. Her Grammy-winning smash 'I Will Always Love You' has become the fourth song from the '90s — and the first solo track from the decade — to join YouTube's billion-views club
On February 22, 2010, Whitney Houston had brought her soon-to-be-notorious Nothing But Love tour to Australia. What ensued was a debacle almost as bizarre as McManus's subsequent dalliances with.
Houston, one of the best-selling acts in music history who died in 2012 at age 48, released her debut album in 1985 and recently became the first Black artist to have three diamond-certified.
Born Whitney Elizabeth Houston on Aug. 9, 1963, in Newark, New Jersey. Died Feb. 11, 2012, in Beverly Hills, California. Whitney Houston's self-titled 1985 debut went to No. 1 on the Billboard 200, spawning her first chart-toppers, Saving All My Love For You, How Will I Know and Greatest Love Of All Whitney Houston is one of pop music's best-selling music artists of all-time, with more than 200 million combined albums, singles, and videos sold worldwide. She was known for her soulful dramatic mezzo-soprano voice, vocal power, range and melismatic skill
MORE: Whitney Houston's hit song reaches YouTube milestone I couldn't believe it, had the greatest voice of all time, just demanded that of little ol' me, said Keys. I was shocked and completely overjoyed and slightly scared, and thus began a beautiful friendship that was so genuine and sincere Whitney Houston died in 2012 at age 48 from accidental drowning associated with heart disease and cocaine use and Christopher Wallace aka Notorious B.I.G. was shot and killed in 1997 at age 24 David Corio/Redferns The late, great Whitney Houston has officially joined the Billion Views Club on YouTube. The singer's rendition of I Will Always Love You has reached one billion views on the video streaming platform, making it the first time a music video from the '90s by a solo artist reached that milestone.It's the fourth '90s music video overall to reach a billion views, following. Whitney Houston's I Will Always Love You Hits 1 Billion Views on YouTube Whitney Houston 's iconic worldwide hit song I Will Always Love You has officially hit one billion YouTube views, making it her first ever music video to reach that milestone H Whitney Houston Whitney. Musíš se nejprve přihlásit. Pokud nemáš účet, tak se zaregistruj. Playlist Sdílej. Clock strikes upon the hour And the sun begins to fade Still enough time to figure out How to chase my blues away I've done alright up till now It's the light of day that shows me how.
Listen to WHITNEY HOUSTON | SoundCloud is an audio platform that lets you listen to what you love and share the sounds you create.. 332 Tracks. 19836 Followers. Stream Tracks and Playlists from WHITNEY HOUSTON on your desktop or mobile device Whitney Houston's speech was as confounding as her song. In the early nineteen-eighties, the teen-ager from East Orange, New Jersey, spoke like a shy ingénue—one who had apparently come from.
Then, on January 27, 1991, at Super Bowl XXV, in Tampa, Whitney Houston did the opposite: she sang the national anthem possibly better than it has ever been sung. Operation Desert Storm was now. Whitney Houston's I Will Always Love You has hit a huge milestone on YouTube, reaching a landmark 1 billion views. The 1992 chart-topping song joins YouTube's prestigious billion views club and.
Videos Whitney Houston Official Sit
From Newark, NJ to the world's biggest stages, Whitney Houston's lif... e and music has left an indelible mark on the globe. Now being the first African American to have 3 RIAA certified Diamond albums — watch fans reflect on her incomparable career as she is welcomed into the Rock and Roll Hall of Fame Whitney Houston and The Notorious B.I.G. were among the musical artists inducted into the Rock and Roll Hall of Fame on Saturday, Nov. 7. The two icons were honored posthumously by friends, family.
Mariah Carey On Whitney Houston Duet: Dishes To Naomi
This is Whitney Houston - Star Spangled Banner - YouTube [360p] by Ms. Z on Vimeo, the home for high quality videos and the people who love them
There are few people in the world that haven't been touched by the voice and talent of Whitney Houston. During her final years on this earth, she focused her heart on the Lord and lifted Him up in many of her performances. This incredibly powerful and<br /> anointed gospel performance with Cece Winans (I Surrender All Count On Me) will give you CHILLS! Take a moment to remember how Whitney's.
Whitney Houston's relevance in terms of deal making. Had evaporated. She was not number one on anybody's list she was often hours late for -- photo shoots rehearsals. And even started canceling.
Dům zesnulé Whitney Houston a její dcery Bobbi Brown je opět na prodej. Nikdo ho ale nechce. Profimedia, reprovideo YouTube Liza Minnelli s Michaelem Jacksonem a Whitney Houston | Profimedia Film Osobní strážce ji vystřelil na vrchol. Ukázala zde, že umí kromě zpívání taky hrát.. Whitney Houston is one of the greatest artists to ever walk the earth and continues to impact generations even though she's no longer with us.. Her official biopic, I Wanna Dance With Somebody, will land during Thanksgiving 2022, directed by Stella Meghie and written by Anthony McCarten. Many expected, when the film was released, that Whitney would achieve even more RIAA certification and. Whitney Houston died in 2012, and seven years later, her childhood friend Robyn Crawford has published a memoir, A Song for You: My Life with Whitney Houston. The book details their relationship.
Whitney Houston bouleverse le monde de la musique avec sa voix exceptionnelle et sa prestance impressionnante. Whitney Houston voit le jour le 9 août 1963 à Newark. Dans sa famille la musique est très importante, sa mère est une choriste reconnue aux Etats-Unis A Song for You: My Life with Whitney Houston will be released on Nov. 12 and is available now for pre-order on Amazon. READ MORE: Whitney Houston documentary resurrects singer's alleged bisexualit
Whitney Houston's Sister-in-Law Reveals Who She Wants to
ati go and get a life and get a job and don't even mention me this time because you are full of cra
ous beauty as much as her legendary voice, captivating audiences with her flawless looks. But by the time of her death eight years ago today, years of drink.
Whitney Houston's I Will Always Love You officially reached 1 billion views on YouTube in October 2020. The video is only the fourth song from the '90s to join YouTube's billion-views club - along with Guns N' Roses' November Rain, Nirvana's Smells Like Teen Spirit, and The Cranberries' Zombie
Whitney Houston stunned X Factor viewers last night with her bizarre behaviour following her performance. The legendary singer, 46, looked disorientated as she nervously shuffled about on stage.
g platform, making it the first time a music video from the '90s by a solo artist reached that milestone.It's the fourth '90s music video overall to reach a billion views.
As melhores de Whitney Houston: Ouça as músicas mais tocadas de Whitney Houston em (2020). Ranking de suas melhores músicas (antigas e novas) no Youtube
Whitney Houston YouTube Statistics and Histor
NEW YORK (AP) — The late Whitney Houston has earned her third diamond-certified album, becoming the first Black artist to achieve the feat.. The Recording Industry Association of America (RIAA) and Legacy Recordings announced Wednesday that Houston's 1987 sophomore album, Whitney, has reached diamond status, which is equivalent to selling 10 million albums Whitney covered the song for her 1985 self-titled debut album. Originally, Clive Davis didn't want Whitney to record the song for the album, but eventually gave in after being persuaded by. Whitney Houston's long awaited induction to the Rock and Roll Hall of Fame is right around the corner. The iconic late singer joins a long list of talented musicians whose careers are being.
Whitney Houston's 'I Will Always Love You' Video Hits 1
THE year was 1985, the scene Whitney Houston's second sellout concert in Carnegie Hall in New York. There were almost 3,000 in the audience, and from somewhere among them, as she launched into. Bio: Whitney Houston (born Whitney Elizabeth Houston, in Newark, New Jersey, on August 9, 1963) was an American singer, actress, producer and model. Whitney is one of the top female performers of.
Whitney Houston, Notorious B
Whitney Houston Bio Whitney Elizabeth Houston (August 9, 1963 - February 11, 2012) was an American recording artist, actress, producer, and model. In 2009, the Guinness World Records cited her as the most-awarded female act of all-time. Houston was also one of the world's best-selling music artists, having sold over 170 million albums. The best Whitney Houston video that rarely gets circulated is from the 1988 Grammys. Whitney, nominated for three awards that night, opened the show with the hit song I Wanna Dance With. The Bodyguard is a 1992 American romantic thriller film directed by Mick Jackson, written by Lawrence Kasdan, and starring Kevin Costner, Whitney Houston, Gary Kemp, Bill Cobbs, and Ralph Waite.It follows a former Secret Service agent turned bodyguard who is hired to protect a music superstar from an unknown stalker. Kasdan wrote the film in the mid-1970s, originally as a vehicle for Steve.
About Billboard. Terms of Use; Privacy Policy; AdChoices; Advertising; California Privacy Rights; Do Not Sell My Personal Information © 2019 Billboard. All Rights. Photo: YouTube Jenifer Lewis recalled working with the legendary Whitney Houston for TV One's Uncensored , and it was, like everything Jenifer Lewis does , delightful My Love Is Your Love is the fourth and title single released from R&B superstar Whitney Houston's fourth studio album.The Wyclef Jean-helmed ballad is anchored by beat beats and a steady. Whitney Elizabeth Houston (* 9.August 1963 in Newark, New Jersey; † 11. Februar 2012 in Beverly Hills, Kalifornien) war eine US-amerikanische R&B-, Soul- und Pop-Sängerin, Schauspielerin und Filmproduzentin.. Mit mehr als 200 Millionen verkauften Tonträgern und über 200 Gold-, Platin-, Silber- und Diamantschallplatten sowie sechs Grammys gehört sie zu den erfolgreichsten Sängern aller. NEW YORK (AP) — The late Whitney Houston has earned her third diamond-certified album, becoming the first Black artist to achieve the feat. The Recording Industry Association of America (RIAA.
Whitney Houston's 'I Will Always Love You' Tops 1 Billion
Secondo quanto riportato da Variety, nel 2020 I Will Always Love You di Whitney Houston ha registrato una media di oltre 350mila visualizzazioni al giorno.Il canale YouTube ufficiale del cantante.
See Whitney's rendition in stunning HD! PopScreen - Video Search, Bookmarking and Discovery Engin
With the loss of both Whitney Houston and Donna Summer, the world is a sadder place. Whitney had an amazingly beautiful and supremely powerful voice. I personally believe that her loss can be credited to the losers in her life and those who duped her and robbed her blind. But, thankfully, no-one could take away her amazing voice
Home Whitney Houston Official Sit
A new holographic Whitney Houston revue, An Evening With Whitney, is backed by the late singer's family and will tour the States later this year
g the first black artist to achieve the feat. The Recording Industry Association of America (RIAA) and Legacy.
Whitney Houston, album di debutto dell'artista publicato nel 1985 ed il primo a raggiungere la certificazione Diamond Award (13x platino), è stato celebrato all'inizio di quest'anno con la.
Lyrics to 'I Have Nothing' by Whitney Houston: Share my life Take me for what I am Cause I'll never change All my colors for you Whitney Houston - I Have Nothing Lyrics | MetroLyrics Please click here if you are not redirected within a few seconds
Rock & Roll Hall of Fame 1100 Rock and Roll Boulevard Cleveland, Ohio 44114 216.781.ROCK (7625
Footage of a 13-year-old singer blowing The Voice Kids judges away with a stunning version of Whitney Houston's 'I Will Always Love You' has garnered a staggering 270 million views on YouTube. Laura Kamhuber, 13, was appearing on the first season of Germany's The Voice Kids when she gave the amazing performance
This is an awesome collection that we are able to show our children who love Whitney Houston.. Last summer my little girl and I were playing the WII American Idol singing game and we were competing against each other and we picked Whitney Houston's song and after we finished the song, I said I should have known better than to pick a Whitney song
canciones de whitney houston youtube; Anuncios relacionados con: whitney houston youtube. The Whitney | The Whitney Search Now | About.com 531.2k Followers, 0 Following, 620 Posts - See Instagram photos and videos from Whitney Houston (@whitneyhouston With a towering voice and a singing style that was rooted in revival halls and massive arenas, Whitney Houston helped define pop-R&B in the late 20th century. Born in Newark, NJ, to gospel singer Cissy Houston in 1963, Houston, a model and singer in her younger years, was taken under the wing of legendary music mogul Clive Davis in 1983 Whitney Houston grew up surrounded by strong female voices: Her mother was a gospel singer and back-up vocalist who worked alongside the likes of Otis Redding. Singers Dionne Warwick and Dee Dee. Whitney Houston píseň přezpívala pro film Osobní strážce a ta se potom stala nejprodávanější ženou nazpívanou skladbou všech dob.. Píseň byla hrána na pohřbu Whitney, když ji nesli v rakvi. Také byla zazpívaná jako pocta Whitney na Grammy, v provedení Jennifer Hudson W herever Whitney Houston goes, she sees love: in God, in Michael Jackson, in shoes, in moisturiser, in us. But boy does she hate her ex, Bobby Brown. While 46-year-old Houston ploughs on with.
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The news that Hollywood actress, Drew Barrymore, relied heavily on the support and advice of her friends when going through divorce underlines the importance of being able to call on someone of sound judgement during a breakup.
Unfortunately, not everyone has a close, reliable network of family and friends to help them, which may mean that professional counselling and/or an experienced family lawyer with a holistic approach are needed.
Such specialists are only too aware that there is more to many divorces than the financial side of things – and usually more to consider than the division of assets. They also understand the emotional toll a split brings and the many feelings it can generate.
At Jones Myers we will suggest support – whether from an objective, sympathetic family member, friend or an accredited counsellor or relationship coach – if we feel it will help families to cope with a marriage break and ensure that the children are put first and retain healthy relationships with both mum and dad.
The benefits of counselling include reducing stress and legal costs by helping couples to avoid conflict and courtroom battles when resolving often sensitive issues, such as children, money and who remains in the family home.
Collaborative lawyers can also signpost separating couples to alternative methods to litigation such as mediation, arbitration and collaboration. Each is designed to make the process as quick and painless as possible, lessening costs and emotional expenditure for increased wellbeing.
With divorce being acknowledged as one of the most stressful life experiences, it is very important that you look after yourself so that you are best-equipped to cope and move on.
Ensure that you get enough sleep, eat well and do not rely on alcohol to help get through it. Exercise is also important, for both a physical and psychological lift, while staying socially active is key to ward off isolation and depression.
You might also see if alternative therapies – e.g. massage, acupuncture or osteopathy – can ease tension and iron out niggling aches and pains.
In the same way as Drew Barrymore was advised to 'put one foot in front of the other' – advice she described as "physically productive and life-choice productive" – it is vital to nurture your physical and mental well-being as you map out the next stage of your life's journey.
If you have any comments, queries or concerns on wider divorce related issues, leave a comment below, call the Jones Myers team on 0113 246 0055 or tweet us on @helpwithdivorce.


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Signs of oil from the SSL Kolkata
August 13, 2018 /in Uncategorized /by Daniel Nicholls
Followers of our work will recall the merchant vessel SSL Kolkata that was being towed by the Indian Navy after catching fire on June 13th off the Sundarbans in the Bay of Bengal. The Indian Navy had to abandon the ship after a series of explosions and it has been stuck in shallow water ever since. There have been concerns that the 400 tonnes of heavy fuel oil might start leaking as the ship is listing and cracks are developing. The Sundarbans are the world's largest collection of mangrove forests and a Unesco World Heritage site (https://whc.unesco.org/en/list/452), and a major oil spill here could be devastating. We see indications in this Sentinel 1 radar satellite image from July 17 that this is a legitimate concern: there appears to be a 17km slick coming from the vessel, being pushed by the strong currents from the Ganges Delta.
Sentinel 1 imagery showing a slick visible with Synthetic Aperture Radar that appears to be emanating from the stricken vessel on July 17.
Considering the volume of oil onboard, the slick on July 17 is far smaller than what we would expect if there were a serious leak. This Sentinel 2 multispectral image from the 19th has also captured the slick. Though it doesn't give us a complete image of the slick as a radar image would (due to interference from the clouds and cloud shadows), we do get an idea of how the slick is spreading not just south, but also north toward the Delta.
Oil slicks seen in Sentinel 2 imagery taken two days later on July 19.
Attempts have been made to salvage the ship but were abandoned after cracks developed and the ship started listing. Now that the fuel tank is underwater, they will need to suck the oil out carefully using a method known as "hot tapping." Although poor weather has delayed these plans, we have observed one tugboat, the Lewek Harrier, visiting the site as recently as the 19th according to its Automatic Identification System (AIS) signal. Though we couldn't definitively identify the vessel visible in this image at the time it was collected, the Lewek Harrier was the only vessel that was broadcasting AIS in the area on that day. The MCS Elly II has also been operating in the area though we haven't seen it in any images.
[ Image 3 ]
This vigilant tug, the Lewek Harrier, has been a regular visitor.
We hope this means an end to this leak and that the extent of the spill will be limited. We will continue to watch this area closely as there is still a real threat to the nearby Sundarbans.
You can find more info on the cleanup here.
You can find more info from when the containers began slipping off the ship here.
https://skytruth.org/wp-content/uploads/2018/08/SSLKolkata_2018_07_17_b.jpg 4133 5846 Daniel Nicholls /wp-content/uploads/2016/08/test_logo.png Daniel Nicholls2018-08-13 11:58:472018-12-19 14:29:14Signs of oil from the SSL Kolkata
Rockwool — Industry comes to SkyTruth's backyard Global Fishing Watch Provides Training to Peru's Vessel Surveillance Grou...


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The Best Cafe and Coffee Shop Websites of 2022
A roundup of cafes and coffee shops with beautiful, revenue-driving websites.
For years, cafes and coffee shops tried to be the "third place" for their customers: that special location between work and home, where someone could both enjoy the energy of being out in public and feel comfortable enough to sit for hours.
As fewer people work from offices these days, that "third" place might have gotten bumped up to second. Cafes and coffee shops are more important than ever to workers and networkers alike — and in order to bring people in, these businesses need to convey an inviting ambiance from the very first interaction a customer has with their brand. Often, that means having a great website.
Keep reading to see some of the cafes and coffee shops able to do just that. Here are several of the best cafe and coffee shop websites on the internet.
Cafe Patachou
cafepatachou.com
Cafe Patachou has such a friendly, congenial vibe that it has long been called a "student union for adults." Owned by Martha Hoover, a four-time James Beard Award semifinalist for outstanding restaurateur, it has also been named among the nation's Top 10 breakfast spots by Bon Apetit. Its website design is sunny, colorful and full of food photography that captures the premium scratch cooking on its menu. The website also features a robust merchandise store that sells apparel, mugs, coffee and the restaurant's signature cinnamon-sugar blend.
Lula Cafe
lulacafe.com
Lula Cafe is an inventive, market-driven restaurant that serves one of Chicago's most popular brunches. Chef Jason Hammel started the restaurant with his wife Amelia Tshilds in 1999, and although he was self-taught, he has grown into a two-time James Beard Award finalist for Best Chef Great Lakes. The cafe's website opens with large photo thumbnails that direct guests to key sections of the website (reservations and menus) with clickable buttons. The menu page is text-based — a key SEO tactic for restaurants — and includes beautiful pictures of menu items.
Saxbys is a coffee house chain with more than 20 locations, many of which are at mid-Atlantic colleges. Having already built brand awareness with many guests in its target audience, its website focuses on building brand equity through purpose-driven campaigns and initiatives. This includes a description of its Experiential Learning Platform, which helps provide education to student employees, along with full pages about its social impact and mission. Its merchandise store is filled with at-home coffee supplies, making it easy for site visitors to support them and their mission — while also brewing a great cup of joe.
friendsandfamilyla.com
Friends & Family is a seasonal cafe and marketplace in East Hollywood, CA. Founded by pastry chef/baker Roxana Jullapat and chef Daniel Mattern, the cafe is dedicated to locally sourced artisan food. As the name suggests, Friends & Family has an inviting air about it, which the site reflects with warm orange accents. Site visitors can browse menus, inquire about catering or purchase Jullapat's cookbook, "Mother Grains," through the merchandise store.
Buzz Coffee
buzzcoffeemaine.com
When guests arrive at Buzz Coffee's website, they are greeted with an alluring line of copy branding it an "underground coffee shop." The site doesn't elaborate on what that means, which adds to the intrigue and tacitly positions it as a place only locals and insiders would know about. Elsewhere on the website, guests can view the no-frills drink menu, which includes only eight items and no descriptions — another sign of confidence and intrigue. On a more practical level, the website also has a jobs page where workers can submit applications, removing a manual step from the increasingly tiring job of hiring restaurant staff.
Founders Coffee
founderscoffeeco.com
With a mix of sunny photography and mint-green textures, Founders Coffee's website exudes freshness. This is fitting for the Las Vegas coffee shop, which is focused on local ingredients and handcrafted beverages. But the web design isn't just for branding: It also directs all attention to the "Order Now" button, ensuring guests can't miss the call-to-action. If guests don't want to order food or drinks online, they can browse the playful t-shirts available in Founders' merchandise store.
lifesuperba.com
Great web design is achieved through a harmony of standout typography, supporting color schemes and intuitive functionality. Superba's website achieves this with clean sans serif fonts and a simple black and yellow color scheme. High-resolution photography helps site visitors get a sense of the brand, its offerings and general vibe, while gestural illustrations on the homepage help guests navigate to sections for each of the shop's four locations.


Puncak Niaga Holdings Bhd executive chairman Tan Sri Rozali Ismail demonstrating how to use its portable field water purification system, Jernih. The company's current revenue is derived from environmental engineering business that comprises water and wastewater.
SINGAPORE: Puncak Niaga Holdings Bhd aims to be among the country's top five palm oil producers in the next five years.
It is also aiming for the business to contribute to half of the company's revenue and net profit.
The environmental engineering firm, established in 1997, is expanding into the oil palm plantation business via a joint venture (JV) by acquiring Danum Sinar Sdn Bhd for RM446.51 million in cash.
Danum Sinar, a unit of Shin Yang Holdings Sdn Bhd, owns 46,674ha of plantation land (9,766.9ha of which are planted), mostly in Murum, Sarawak.
Puncak Niaga executive chairman Tan Sri Rozali Ismail said the transaction is on target to be completed by January.
"We decided to get involved in the plantation business because it is a long-term business. For the last 20 to 30 years, oil palm price has been sustainable. It's a good business and not really impacted by the slowdown.
"That is why we are putting our investment in the plantation business. We are in the process of getting all the approvals. By acquiring 46,674ha of oil palm plantation land, and hopefully more in the future, we will be one of the largest plantation companies in Malaysia," he told Business Times after accepting an award for Outstanding Leaders in Asia at the Asia Corporate Excellence and Sustainability Awards (ACES) for the firm, here, last week.
Puncak Niaga owns 60 per cent of the JV and its share of the purchase price is RM267.9 million, to be funded by internal funds.
The other parties in the JV are Sunshine Upland Sdn Bhd (30 per cent), which is owned by Tan Sri Yee Ming Sing, and Astaka Suria Sdn Bhd (10 per cent) funded by Tan Sri Ling Chiong Ho.
Ling is the executive chairman of the listed Sarawak Oil Palms and also founder/chairman of Shin Yang Group, while Yee is a well-established planter in Sarawak.
Puncak Niaga has been looking for assets to acquire after selling its subsidiaries, Puncak Niaga (M) Sdn Bhd and Syarikat Bekalan Air Selangor, to Pengurusan Air Selangor Sdn Bhd a year ago for RM1.56 billion.
In April, Puncak Niaga said it would acquire TRIplc Bhd, a construction and property firm, in which Rozali owns a substantial stake.
The deal, which is expected to be completed in the first quarter of next year, will allow Puncak Niaga to diversify into property development and make the sector one of its top three income earners in the future after environmental engineering and plantation, said Rozali.
For the six months ended June 30 2016, Puncak Niaga recorded a net loss of RM63.8 million on the back of a lower revenue of RM23.8 million.
Currently, Puncak Niaga's revenue is derived from its environmental engineering business that encompasses water and wastewater, sewerage and construction.
Rozali anticipates that in the next five years, environmental engineering and plantation will contribute equally to the group's revenue and net profit. Earnings from property development will come in after 2020, he said.
Rozali is optimistic that Puncak Niaga's earnings will improve from next year, the majority to still be contributed by environmental engineering, with some coming in from plantation.
Puncak Niaga closed one sen lower on Friday at 99 sen.
An investment analyst has advised investors to hold their position in the firm. This has been the consensus forecast since March 10 last year. The previous consensus forecast advised that Puncak Niaga would outperform the market.
On the ACES award, Rozali said it would drive Puncak Niaga to look for more opportunities in Asia.


text:
Sami Lahssaini (born 18 September 1998) is a Belgian professional footballer who plays as a midfielder for Seraing, on loan from FC Metz.

Club career
On 21 July 2022, Lahssaini returned to Seraing for another loan.

Career statistics

References

1998 births
Living people
Belgian sportspeople of Moroccan descent
Belgian footballers
Belgian expatriate footballers
Association football midfielders
Standard Liège players
R.F.C. Seraing (1922) players
FC Metz players
Belgian Third Division players
Championnat National 3 players
Challenger Pro League players
Belgian Pro League players
Belgian expatriate sportspeople in France
Expatriate footballers in France

redpajama_set_name: RedPajamaWikipedia


Prepare, Student's book, Level 3, Kosta J., Williams M., 2015.
We can reuse buildings in the same way as we can reuse things like cars, clothes and furniture. Do you ever think about what buildings were before? In this article you're going to read about three buildings which started their lives with very different uses from those they have today.
Breakfast cereals are popular in many countries, especially in the USA, where they are served in nine out of ten homes. They are made from grains such as corn, wheat and rice. They are usually eaten with milk, or with yogurt and fruit.
In the beginning, cereals were health foods. In the late 1800s, some doctors in the USA made them in hospitals and gave them to their patients. At first they used whole grains, without sugar or salt and they didn't taste good. However, this soon changed, and from the 1930s, some companies began to add sugar to their cereals and to advertise them to children. They made a lot of money this way, but it wasn't a healthy food any more. These days some children's cereals are 50% sugar and doctors say we shouldn't eat them too often.
History The history of writing.
Design and Technology Materials from nature.
Скачать книгу Prepare, Student s book, Level 3, Kosta J., Williams M., 2015 - fileskachat.com, быстрое и бесплатное скачивание.


text:
Q: Data from mutiple tables without any relationships I have two models PrintEvent and SocialEvent with 2 tables as given below:-
print_events:-
    ╔════╤════════════════════════╤════════════╗
    ║ id │ name                   │ date       ║
    ╠════╪════════════════════════╪════════════╣
    ║ 1  │ Important print event1 │ 01/05/2015 ║
    ╟────┼────────────────────────┼────────────╢
    ║ 2  │ Important print event2 │ 02/05/2015 ║
    ╟────┼────────────────────────┼────────────╢
    ║ 3  │ Important print event3 │ 03/05/2015 ║
    ╚════╧════════════════════════╧════════════╝

social_events:-
    ╔════╤═════════════════════════╤════════════╗
    ║ id │ name                    │ date       ║
    ╠════╪═════════════════════════╪════════════╣
    ║ 1  │ Important social event1 │ 01/05/2015 ║
    ╟────┼─────────────────────────┼────────────╢
    ║ 2  │ Important social event2 │ 02/05/2015 ║
    ╟────┼─────────────────────────┼────────────╢
    ║ 3  │ Important social event3 │ 03/05/2015 ║
    ╚════╧═════════════════════════╧════════════╝

Now I have a search form with 'event date from' and 'event date to' fields and want to show the list of records from both tables using one model or any other way  to achieve this but don't want to use separate queries using both models.
Thanks.

A: Without relation between the tables? Then you just have to do 2 queries instead.
or just do:
class yourFirstModel extends AppModel{
   $public $hasMany = array('secondModel');
}

Then
class secondModel extends AppModel{
   $public $belongTo  = array('yourFirstModel');
}

And when you query any of these Models you should be able to get data from both tables.
Ok, here is another way of using join if you do not want to use my first approach.
You modify the query to meet your own specification.
$this->PrintEvent->find('all', array(
    'joins' => array(
        array(
            'table' => 'social_events',
            'alias' => 'EventJoin',
            'type' => 'INNER',
            'conditions' => array(
                'EventJoin.date = PrintEvent.date'
            )
        )
    ),
    'conditions' => array(
        'PrintEvent.date' => $searchConditions
    ),
    'fields' => array('EventJoin.*', 'PrintEvent.*'),
    'order' => 'PrintEvent.date DESC'
));

Note that this has to be in your controller.
Let me know if this help.

A: As far as I understand CakePHP models can only ever represent one table each. You may need to resort to using query() to preform the UNION SQL:-
$this->PrintEvent->query('SELECT id, name, date FROM print_events UNION SELECT id, name, date FROM social_events');

I would normally advise against using this method, but I believe what you are trying to achieve is not supported by the framework directly.

redpajama_set_name: RedPajamaStackExchange


text:
Residential »
Government aims to construct 12 lakh houses in FY18 under PMAY scheme
The government had launched the Pradhan Mantri Awas Yojana (Urban) in June 2015, aiming to ensure housing for all by 2022.PTI | Updated: May 22, 2017, 18:24 IST
NEW DELHI: The government has set an ambitious target to construct as many as 12 lakh houses under Pradhan Mantri Awas Yojana (Urban) in 2017-18, although only 1.49 lakh houses were built under the scheme in 2016-17.
According to a senior government official, under PMAY (Urban), the Centre targets construction of 26 lakh houses in 2018-19, 26 lakh in 2019-20, 30 lakh in 2020-21 and 29.80 lakh in 2021-22.
The official said the delay in land acquisition is the main reason behind the laggardly implementation of the government's flagship scheme PMAY (Urban).
"So far, the proposal for construction of 18.76 lakhs houses have been sanctioned, and funding for construction of 13.06 lakh houses has been issued. But, due to delay in land acquisition, only 1.49 lakh houses have been completed under PMAY (Urban) in 2016-17," the official said.
The government had launched the Pradhan Mantri Awas Yojana (Urban) in June 2015, aiming to ensure housing for all by 2022.
Tags : Residential, Pradhan Mantri Awas Yojana, PMAY, Housing for All, affordable housing
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No clarity on parking laws in societies, residents cry foul


text:
Rams' 'running back by committee' finally emerges — where does it go from here?
By Jourdan Rodrigue Nov 18, 2020 16
Fantasy football owners, avert your eyes.
During the Rams' 23-16 win over Seattle on Sunday, we finally got a look at what head coach Sean McVay and running backs coach Thomas Brown meant when they said in the offseason that they would operate in a "running back by committee" (RBBC).
It included a near-even distribution of touches for all three backs, with rookie Cam Akers leading in carries (10 for 38 yards), second-year back Darrell Henderson picking up 28 yards and a touchdown on seven carries (plus a 5-yard catch) and veteran Malcolm Brown carrying the ball six times for 33 yards and two touchdowns and recording two catches for 18 yards.
The Rams, who rank first in the NFL in rushing DVOA according to Football Outsiders, finished with 106 rushing yards against a top-five rushing defense. While that's respectable in and of itself, it's also notable that each back had at least one carry of 10-plus yards. That means, even though...