Wrapped up summer camps this week! I've started the Lanterns Unity project, but don't quite have content to show yet. Programming and production will commence in earnest!
I have been thinking a lot about how the game will present itself in its opening cutscene. Watching Dunkirk this week I saw how important it is to keep the audience up to speed about what is happening. It's not enough to assume that the viewer or player is familiar with the cultural traditions or history. In Dunkirk, they included onscreen text to explain how dire the situation was during the war. I would like to do a similar thing to explain what the purpose behind the lantern festivals are.
I've also considered the writing that will appear on the lanterns. During lantern festivals, families will write messages to their deceased loved ones. I'd like to include some of these messages--perhaps in a variety of different languages. Another option I've been considering is to create messages in an fictional language, and have the players infer the meanings and stories behind each. A game that did this well was Journey, where the story was presented with imagery, and not words.
Also, got to tour Sony San Mateo! We checked out their Sound department and got inspired by the music (in Uncharted, Journey, etc). So much detail and care was taken in getting the sound to evoke the right emotions.
I am taking time to review how to use Blender (been watching youtube videos), and start modelling the 3D assets needed for my game. This week I created a basic model of the lantern, and the next step is to light it! Modelling out the environment is daunting, I've never done such a large project before!
On a side note: I brought the Gear 360 out to a family gathering and snapped a bunch of pictures. It was really fun to play with and I'm thinking about recording a biking video, or cat video with it. The bike one would be a short and leisurely bike tour around my neighborhood. I want to show off some of the interesting areas around the creeks and even go off the trail.
The cat video would have the camera strapped onto the back of a cat, and it would let us experience life from the perspective of a cat-- really close to the floor! I'll have to figure out how to secure it properly as not to damage the camera, though!
Found a little bit of time after work at Girls Make Games summer camps (had fun recording the classroom with the 360 camera, too!) to do these thumbnails for my project. I tried to capture the mix of colors and feelings that would be in the game.
Next two weeks are looking super busy, too! Won't have time to start development in Unity, yet, but I'll be thinking about starting basic modelling in Blender.
Development on Lanterns will be slow this month, but I expect to catch up in August.
This week I've written the poem that will play out at the beginning of each chapter.
The pale white moon glows ever bright.
Catching us from moving foward.
A slicing wind strikes aboard.
O lanterns won't you float along?
Your kindled flames will crackle strong.
To their homes in the sky.
Starting this week I will be developing the visual style of the Lanterns world. There are three locations and they need to be distinct yet stylistically cohesive. They are: The Village, The River, and The Sky.
The Village will be after sunset, golden, lit up by the flames of the lanterns. It starts of rather dim, but as soon as the first lantern few lanterns are lit by the player, the entire riverside is crackling and glowing. Some float along gracefully, while others struggle. Every nearby lantern can be interacted with. Sometimes the player will reveal the spirit being guided by it, or help nudge the lantern forward, or give it a little bobbing in the water. As you ride away from the village some lanterns begin to rise out of the water.
The River will be dark and dangerous, winding, and sullen. The wind tries to prevent your passage. Lights get snuffed out, and the air becomes difficult to breathe. The maze of trees begins to capture lanterns. The lanterns in the air get stuck between the branches, and in the ones floating in the water get trapped by roots and stones. The spirits reveal themselves in distress and call to the player for help.
The Sky will be bright, lofty, almost dreamlike. The water in the sky is replaced by rolling clouds. The boat still floats above but the sky is intensely bright and blue. The sun glares upon the top of the clouds. You can only tell the boat is moving because a restaurant with a dock gradually drifts closer. I'm not exactly sure yet what will happen here, but the feeling I'm going for will be that of a sendoff and the last goodbye's to these lanterns that have accompanied the player so closely during the game.
The Boat itself is also currently up in the air. My initial sketches have it as a dingy one-person rowboat (without the need for rowing), such as the one used in by the monks in the film Spring, Summer, Fall, Winter, And Spring. It's unadorned, cramped, fragile, and solitary. It's old and well-worn--many trips have been made in it.
I've also given some thought about the transitions between each section. While one continuous boat ride sounds great on paper, I don't think it would be engaging without good content to tie together the sections of play.
The first method--the most building-intensive, would be to construct the entire river but make it interesting all the way through.
The second method--animation-intensive, would be to create an abstract animation to safely skip the player between each segment. They would still be be in the boat, but be pleasantly surprised to find themselves suddenly in a new space. It could involve directing the players attention away from the world and enveloping their view, akin to a magic trick.
I'm leaning towards the second. The focused attention during the transition could be a great tool to layer in additional narrative. A poem or a letter to be read to clue in the player about the journey that they're making.


These questions are doing the rounds in political circles prompting the political pundits and observers to name it 'mistrust syndrome' gripping alliances.
Will Rashtriya Janta Dal (RJD) support Congress? Will Bhartiya Janta Party (BJP) stand by JD-U candidates? Will the little-known VIP be accepted by voters and supporters of other Grand Alliance (GA) parties like Congress, RJD and LJP?
In Purnia, NDA has given ticket to sitting JD-U MP Santosh Kumar while GA has opted for the political turncoat Uday Singh alias Pappu Singh on Congress ticket. Singh, a two-time BJP MP from Purnia, has recently joined Congress after he was denied party ticket to reclaim the seat.
As far as Katihar and Kishanganj seats are concerned the same mistrust has gripped both NDA and GA. The Congress rank and file neither seems to be comfortable with political turncoat Tariq Anwar nor is the BJP district team comfortable with the JD-U nominee.
"Tariq has been critical of the Congress party for 19 long years. He had resigned from the grand old party, which gave him the recognition during his initial political days, on the issue of Sonia's foreign origin. How we can accept him as our nominee?," Prem Shankar Singh, a Congress supporter asked.
On Katihar seat JD-U candidate Dulal Chandra Goswami will be talking on Tariq Anwar in a direct clash.
The same situation is on Madhepura seat where RJD supporters are pretty upset over giving party ticket to Sharad Yadav. "Sharad Yadav had spent his entire political career abusing Lalu Prasad. Today, he has Lalu's blessings and RJD ticket to contest," Ghanshyam Yadav of Udakishunganj said, declaring the developments highly unfortunate.


Arthritis in neck is the leading cause of pain in many people, although neck pain may be associated with other conditions too.
Arthritis in the neck: What causes it?
In the present times, working at the PC for long hours, playing computer games or pouring over books for long intervals could lead to the problem.
In the past, this condition was common in people over forty years of age. But, these days, even younger folks are increasingly suffering from arthritis related neck problems.
Arthritis in the neck is caused by overuse of the neck. Osteoarthritis is the most common reason for an arthritic neck.
When the joints in the neck are subjected to continuous use, degenerative changes take place in the alignment and structure of the joints and the tissues surrounding them.
This gradually causes a change in the vertebrae, which ultimately causes inflammation and pain. This condition is also called as cervical spondylosis.
Arthritis in the neck: What will I feel?
Nerve compression is common in people with an arthritic neck. Symptoms depend on where the nerve compression is located.
Generally though, patients feel numbness, pain, headaches, weakness, spells of dizziness and even urinary problems.
In the beginning, most patients do not experience any symptoms at all.
In mild cases, patients experience headaches, pain and stiffness in the neck. This may be accompanied by swelling, tenderness and stiffness in the neck.
Sometimes, the pain may shoot down the arms. Hand movements may become clumsy.
Sometimes, weakness and numbness may even extend to the legs. Unsteadiness in walking is generally seen in elderly people who suffer from spondylosis.
Urinary problems including urinary incontinence may appear in some patients.
Without proper care, symptoms become worse with age.
Arthritis in the neck: How can it be cured?
Exercise. - This strengthens the muscles and joints, and keeps the cartilage in good condition. If you feel pain, relax on the days when pain occurs and exercise on the good days. Exercise can help arrest the progress of the disease.
Hot and cold treatments: These treatments help you manage acute pain. It also helps to reduce stiffness of the neck.
Pillows: Cervical pillows relieve the stress on your neck.
Massage: Massaging the affected area with capsaicin cream relieves pain greatly.
Posture: Poor posture is the leading cause of arthritis in the neck.
Neck pain? - Look out for Cervical Arthritis!
Learn on other major Arthritis Types along with Arthritis in neck.
Leave arthritis in neck and go to Arthritis Treatments Relief Home.


Building a startup is no minor feat and the owner has their hands in so many different places at the same time that it seems near impossible to turn their dream into a reality. There are several legal issues to address one of which is integral to the success of your startup: Intellectual Property protection.
What is Intellectual Property Protection?
The basic concept is that you do not wish your original business ideas to be stolen by competitors or used by the general public in any way. That idea, although intangible, has commercial value and is your sole property unless you decide to sell it.
This is applicable to all kinds of brands and business; however, there are some considerations you must check before deciding that it's worth protecting.
Why does your startup need an IP strategy?
Since a startup owner has their hands full, they may think that an IP strategy is either not worth the time and investment or that it's just not that important. The truth could not be far from this.
Everything you build could come crashing down once the core idea of your business is copied by a competitor and they gain rights to it. Once some other company gains rights to your original idea and presents it as their own, you lose the chance to declare that it was actually your property. This may seem unfair to you but if someone coincidentally came up with the same idea as you or stole your idea, it became theirs because they obtained legal rights to it. The origin of the idea is irrelevant so now you are left empty handed because you ignored the need for an IP strategy.
Once your idea becomes public domain, you lose all claims to it.
Moral: Establish an IP strategy pronto!
Get in touch your IP body and gain their expertise on a suitable patent search if it is relevant to your company. Narrow down your search to ensure you are not infringing on anyone's rights and see what's out there from your competitors in the market. This will give you a pretty good picture of what you are up against and inspire you to select ideas of your own for patenting.
Examine your assets keenly and ask yourself if any of your business ideas worth being patented. Obviously, you cannot patent every single thing so pick out the one which is most unique to your brand and maybe defines you as a business. Choose something that sets you apart from your competitors and helps you establish yourself in the market.
How to tell if your idea is eligible for a patent?
There are two main categories of patents available depending on the nature of your idea and its significance in the business sphere. They may cost you tens of thousands of dollars on a national level so make sure you do it right.
You may be granted a utility patent for around twenty years before it expires. These are appropriate for good inventions in machinery, manufactures, development procedures and chemical substances.
This lasts for around fifteen years from when you were first granted it. As is obvious from its name, a design patent protects your rights to any design you have created for a product your company manufactures. These are relatively inexpensive and fast.
A company trademark is a huge investment so it is not to be taken lightly especially by a startup operating with limited funds. Before you proceed, ascertain that it is indeed available for trademark and not owned by any other brand. Be perfectly certain that you are doing this for the long run and won't be giving up on this trademark in the near future. You need to understand that your particular trademark has to stand out from the rest of your competitors in the market. This is an excellent way to literally "make your mark in the world".
Trademark words, names, logos or designs are widely known. Consumers and brands both are familiar with some famous trademarks such as logos of companies like Coca-Cola, Shell, BMW, Ferrari, Audi, Apple, Bayer, SONY, Toblerone, Microsoft, Lacoste and many more. Slogans such as "I'm lovin' it" (Mcdonalds), "Just do it" (Nike) and "Et fresh" (Subway) are also very popular.
This is for tangible property especially the written word and images. Anything that is available in print or electronic form such as website design, source code and web content. This is well known in literary circles and the media.
It is quite affordable as compared to other means of protecting intellectual property. Anyone infringing on your copyrights is liable to pay hundreds of thousands of dollars worth as compensation.
These are often jealously guarded and the envy of competitors everywhere for good reason. They make you the exclusive provider of that particular product or service. It piques the curiosity of consumers and competitors both boosting your market value and enhancing your brand identity.
These may include but are not limited to manufacturing details, formulas, client particulars, development procedures, marketing strategies, etc.
Trade secret protection entails some work for the owner because you must take strong measures to ensure your secret does not leak out. This often involves employees signing nondisclosure documents, limiting access to that trade secret within your company and setting up software security programs.
There are several famous trade secrets with much speculation surrounding them such as Google's search algorithm, KFC's Secret Recipe of 11 Herbs and Spices, Coca-Cola's formula, Mrs. Fields chocolate chip cookie recipe, Thomas' English Muffins recipe, etc.
How to build an IP strategy?
If this is your first time managing a startup, you may not be well versed in business legalities. That's okay as long as you have a good consultant who is both experienced and referred to you by reliable sources.
Staying on top of your IP protection strategy will keep you well informed and open to improvisations or compromises when unexpected situations arise. This is one step of building a startup you cannot ignore for that could lead to dire consequences.


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Becoming partly cloudy later with any flurries or snow showers ending by noontime. High near 20F. Winds WNW at 10 to 20 mph. Chance of snow 30%..
Partly cloudy skies. Low 16F. Winds NW at 10 to 15 mph.
Matt Haarms fights for a rebound with Illinois' Kipper Nichols (2) and Ayo Dosunmu (11) on Feb. 27, 2019. Haarms had a double-double with 21 points and 10 rebounds. He also blocked 5 shots.
Ziheng Shao | Staff Photgrapher
Purdue Men's Basketball: Boilers visit Illinois for Sunday night feature
Two teams seeking their identity in the conference will meet each other on Sunday.
Purdue (9-5, 2-1) will face Illinois (9-5, 1-2) at 8 p.m., in a game that will be televised by FoxSports 1. It should be an interesting early-season matchup.
For Purdue, it hopes to break from the middle of the pack in the Big Ten and become a contender. For Illinois, it wants to have a winning season and return to the NCAA Tournament play for the first time since 2013.
Coach Brad Underwood is in his third season in Champaign. Prior to coming to Illinois, he coached three seasons at Stephen F. Austin where he won 86.4 percent of his games. He followed that with a single season at Oklahoma State where he was 20-13.
The Illini are coming off a season where they were 12-21 overall and 7-13 in the Big Ten. They played Purdue once last season on Feb. 27, 2018 in Mackey Arena.
The Illini were very competitive with the Boilers, who eventually tied for the regular-season Big Ten crown. Purdue won that game, 73-56. No Illinois player scored in double figures – the only time one of its players did not reach double figures all last season.
In that game, Purdue center Matt Haarms had his first double-double of his career with 21 points and 10 rebounds. With 9:43 to go, the two teams were tied at 48. Then Purdue outscored the visitors 25-8 the rest of the way.
"This was a dogfight, you can look at the final score," Coach Matt Painter said after last season's battle with Illinois. "That's the way it is when you play his teams … I like the fact, if I was on their side of things, is that they're different, and when you prepare to play Illinois you have to prepare differently. I think that gives them an advantage, and obviously they play extremely hard."
The 2019-20 version of the Illini is different than last season, though, particularly at center.
Three players are double-figure scorers, led by Ayo Dosunmu, a 6-5 sophomore guard, who averages 15.8 points per game. Dosunmu, who has taken the most shots on the team (89 makes out of 185 attempts), is shooting 48.1 percent from the field but is shooting 28.0 percent from 3-point distance (14 of 50).
Dosunmu led the Illini in scoring during Thursday's loss at Michigan State, with 18 points on 8 of 20 from the field and 2 of 3 from the line.
Kofi Cockburn, a 7-0 freshman center from Jamaica, is the team's second-leading scorer at 15.2 points per game. He is the leading rebounder, averaging 9.6, and leads the team with 21 blocked shots. The third-leading scorer is Andres Feliz, a 6-2 senior from the Dominican Republic. He averages 11.5 points per game.
Non-starter Alan Griffin, a 6-5 sophomore guard who averages 9.0 points a game, was a key contributor at Michigan State on Thursday. He had 17 points and 9 rebounds in the 76-56 loss in East Lansing.
Comparatively, Purdue has three players averaging in double figures: Matt Haarms (12.1 points per game), Jahaad Proctor (11.8) and Eric Hunter Jr. (11.3).
Proctor has taken the most shots on the team – 149 – 36 fewer than Illinois' leading shot taker, Dosunmu. Proctor is shooting 38.3 from the field.
Trevion Williams recently has played at the same time as Haarms but started the season as a substitute center. Williams is Purdue's leading rebounder at 9.1 per game despite only playing 19.1 minutes per game, seventh on the team in minutes played.
• Purdue has won the last four games vs. Illinois. In addition to the 2019 win in Mackey, the games have gone like this: Feb. 22, 2018: Purdue 93, Illinois 86; Jan. 17, 2017: Purdue 91, Illinois 68; March 11, 2016: Purdue 89, Illinois 58.
2/27/19 No. 14 Purdue 73, Illinois 56
Ziheng Shao, Gabby Hamill | Staff Photographers
Matt Haarms had a perfect night from the floor – including a 3-pointer – and the line as he scored 21 points, had 10 rebounds and 5 blocks, le…
Purdue Men's Basketball: Boilers avoid the trap and defeat Illinois
Tonight's 56-73 win over the Illini made the Boilers the third Big Ten program to win 14 lea…
2/27/19 Purdue-Illinois Statistics
Purdue Men's Basketball: Boilers regain first place tie with win over Fighting Illini
No. 14 Purdue was a 13.5-point favorite entering into Wednesday's game against Illinois; the…
Purdue Illinois Basketball

redpajama_set_name: RedPajamaCommonCrawl


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Jure Robic (picture credit Kayvz/Wikimedia Commons)
Multiple RAAM winner Jure Robič killed on training ride
Slovenian dies after collision with car close to his home town
Sat, Sep 25, 2010 00:12
The renowned Slovenian ultra-distance rider, Jure Robič, who won five editions of the Race Across America (RAAM) has been killed following a collision with a car while out training.
The accident happened close to the village of Plavški Rovt a few kilometres from the Austrian border and close to Robič's hometown of Jesenice at around 2pm on Friday. A picture of the scene appears to show that Robič collided with a saloon car towing a trailer while he was negotiating a steep downhill, left-hand bend on an unsurfaced forest road. The local police have reported that the car driver was a 55 year old local man.
Robič was noted for his remarkable mental toughness which, allied to extraordinary physical stamina honed through years of punishing training regimes, helped him to win the RAAM event in 2005 and 2006 as well as 2007 and 2008 and finally this year.
He also broke the world 24 hour endurance record in 2004 by cycling 834.77 km (518.70 miles) and in 2005 and 2006 won the Tour Ultime – essentially a non-stop version of the Tour de France lasting 11 days rather than 21.
Jure Robič was 45 years old when he died.
ultradistance
Martin73 1 min 45 sec ago
"We're vigilantes, but we're vigilantes with a twist, working within the law and not against it."...


Apartamento Cookbook 3 is a new edition in its series of annual cookbooks. This time it provides a fresh take on a global staple: the humble grain of rice. For this latest, 2018 instalment, the team sought out 16 (more) of the world's best chefs and food lovers to contribute their most nourishing recipes, with German artist Stefan Marx interpreting them in a series of beautiful drawings.


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petrie museum online catalogue
More information about the museum itself can be found at the Petrie Museum homepage. The Ägyptisches Museum und Papyrussammlung (Egyptian Museum and Papyrus Collection) has a very special connection with the rooms in which it is exhibited: they were created especially for the collection in 1855 in the Neues Museum.The building was destroyed in the Second World War and remained a ruin in the centre of the city for many decades. As well, the Friends raise funds towards the conservation, publication and display of the Petrie Museum's outstanding collection.[12]. Welcome to the Penn Museum online collections, the one stop portal for the vast range of digital content offered by the University of Pennsylvania Museum of Archaeology and Anthropology! What is the Petrie Online Catalogue? Costume is another strength of the collection. The results have steadily been put online: British Museum (BM) objects going live immediately on the Museum's Collections Online Catalogue and non-BM pieces, alongside BM ones, in a dedicated Naukratis Online Research Catalogue (Villing et al. London -- Petrie Museum of Egyptian Archaeology. The Museum houses one of the largest archaeological collections in the world for Egypt and Sudan. This is the searchable dataset for all 80,000 artefacts preserved in the Petrie Museum of Egyptian Archaeology, with one photograph for each item. [17], The museum contains over 80,000 objects and ranks among some of the world's leading collections of Egyptian and Sudanese material. Both the department and the museum were created in 1892 through the bequest of the writer Amelia Edwards (1831-1892). The Petrie Museum of Egyptian Archaeology and the Science Library, Malet Place, CS1 maint: bot: original URL status unknown (, Learn how and when to remove this template message, "UCL: The Petrie Museum of Egyptian Archaeology", "Rehumanising the past. W. M. Flinders Petrie (Petrie, W. M. Flinders (William Matthew Flinders), 1853-1942) An online book about this author is available, as is a Wikipedia article.. Petrie, W. M. Flinders (William Matthew Flinders), 1853-1942: Athribis (London: School of Archaeology in Egypt, and B. Quaritch, 1908), contrib. The folowing is from the Petrie Museum online catalog UC15332 White cross-lined pottery vase, type C 98 N. Damaged by salt Another gallery contains mainly pottery. Content is available under CC BY-SA 3.0 unless otherwise noted. In the early 1950s it was moved into a former stable, where it remains adjacent to the science library of UCL. - W. M. Flinders Petrie, Scarabs and Cylinders with names; Plate LXVIII, Q40, Q45 - British Museum, EA40663 For comparable large scarab with similar Sekhmet see: Egypt -- Qifṭ. Céramique -- Égypte -- Qifṭ (Égypte) -- Antiquité. Initially, the collection's visitors were students and academics; it was not then open to the general public. The museum was established as a teaching resource for the Department of Egyptian Archaeology and Philology at University College at the same time as the department was established in 1892. Večje in dragocenejše zbirke imajo samo Kairski muzej, Britanski muzej in Egipčanski muzej v Berlinu.. Katalog. Amarna is famous for its glass, its craftsmen producing some truly spectacular pieces, using different colours to create some stunning effects. [14][verification needed][page needed] In addition to the 'oldest dress' there is a unique beadnet dress of a dancer from the Pyramid Age (about 2400 BC),[15] two long sleeved robes of the same date, a suit of armour from the palace of Memphis, as well as socks and sandals from the Roman period. The Petrie Museum of Egyptian Archaeology (London, UK) - Housed at the University College London, the Petrie Museum is the only teaching museum in Egyptian art and archaeology in the world. Pottery. Petrie retired from University College London (UCL) in 1933, though his successors continued to add to the collections, excavating in other parts of Egypt and Sudan. The Petrie Museum is a university museum. by J. H. Walker and E. B. Knobel (PDF at ETANA) For permission to use items for commercial purposes please contact the museum at petrie.museum@ucl.ac.uk. The Museum houses one of the largest archaeological collections in the world for Egypt and Sudan. Antiquities. A large permanent exhibition of hundreds of objects from UCL's collections is now on display in the OBL lab, and many of these objects were in need of updated and improved object descriptions for our museum database and online catalogue. Over three-quarters of the material comes from excavations directed or funded by Petrie, or from purchases he made for university teaching. (Oxford English Dictionary). The museum contains over 80,000 objects and ranks among some of the world's leading collections of Egyptian and Sudanese material. William Matthew Flinders Petrie Collection (Friends of the Petrie Museum) George Lloyd Album (Friends of the National Libraries) We are continually working to upload more detailed catalogues and are currently actively working on the following collections: Jaroslav Černý Collection (Anglo-Czech Educational Fund given to H. Navratilova) With over 80,000 objects, it is one of the world's best collections of objects from Egypt and the Sudan. The collection contains works of art from Akhenaten's city at Amarna: colourful tiles, carvings and frescoes, from many other important Egyptian and Nubian settlements and burial sites. Egypt. (UCL Petrie Museum Online Catalogue, 2017). Click on the Petrie Museum >>>Search the Online Catalogue, to access the museum's artifact database. Most of Egyptology, University College London. The initial collection was donated by the writer Amelia Edwards. Online catalogues that include the entire collection of a museum are rare but can be found, like the National Museum of Ethnology in The Netherlands (see W ebsite). Petrie excavated dozens of major sites in the course of his career, including the Roman Period cemeteries at Hawara,[5] famous for the beautiful mummy portraits in classical Roman style;[6][7] Amarna, the city of king Akhenaten;[8] and the first true pyramid, at Meydum, where he uncovered some of the earliest evidence for mummification.[9]. The collection has been digitised and the catalogue can be viewed online. Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported, The Petrie Museum of Egyptian Archaeology UCL, http://creativecommons.org/licenses/by-nc-sa/3.0/. The Petrie Museum curator is responsible for the updating of information, from research at UCL and worldwide, including the discovery of new parallels in fresh excavations in Egypt and Sudan. The seal is now in the Petrie Museum, catalog number UC 11616. [16], There is a substantial archive held in the museum, including excavation records, correspondence and photographs relating to excavations led by Flinders Petrie. Oct 12, 2020 - Explore The Closet Historian's board "Travel", followed by 1671 people on Pinterest. For additional information and full license text see http://creativecommons.org/licenses/by-nc-sa/3.0/. [according to whom? ISBN: 0856680036 9780856680038 0856680095 9780856680090: OCLC Number: 899239: Notes: Catalogue of objects in the Petrie Collection in the Dept. Katalog. ][citation needed]. Petrie Museum, behind Gower Street, Bloomsbury", "Ancient Faces: Mummy Portraits from Roman Egypt", "Friends of the Petrie Museum Membership", https://www.ucl.ac.uk/culture/petrie-museum/bead-net-dress, "Homepage / الصفحة الرئيسية - Artefacts of Excavation", Division of Psychology and Language Sciences, Faculty of the Built Environment (The Bartlett), Faculty of Mathematical and Physical Sciences, Faculty of Social and Historical Sciences, School of Slavonic and East European Studies, Department of Science and Technology Studies, Slade Centre for Electronic Media in Fine Art, Great Ormond Street Institute of Child Health, Pedestrian Accessibility and Movement Environment Laboratory, Edwards Professor of Egyptian Archaeology and Philology, Grote Chair of the Philosophy of Mind and Logic, Royal Free, University College and Middlesex Medical Students RFC, Great Ormond Street Hospital for Children NHS Foundation Trust, Moorfields Eye Hospital NHS Foundation Trust, University College London Hospitals NHS Foundation Trust, National Hospital for Neurology and Neurosurgery, Royal London Hospital for Integrated Medicine, Royal National Throat, Nose and Ear Hospital, University College Hospital at Westmoreland Street, European Network for Training Economic Research, Museum of Domestic Design and Architecture, Estorick Collection of Modern Italian Art, Museum of Brands, Packaging and Advertising, Old Operating Theatre Museum and Herb Garret, https://en.wikipedia.org/w/index.php?title=Petrie_Museum_of_Egyptian_Archaeology&oldid=999173786, Articles with incomplete citations from February 2017, CS1 maint: bot: original URL status unknown, Infobox mapframe without OSM relation ID on Wikidata, Articles needing additional references from February 2017, All articles needing additional references, Wikipedia articles needing factual verification from February 2017, Wikipedia articles needing page number citations from February 2017, All articles with specifically marked weasel-worded phrases, Articles with specifically marked weasel-worded phrases from February 2017, Articles with unsourced statements from February 2017, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 8 January 2021, at 21:11. Comprehensive registration began only in 1935, under his successor as Professor Stephen Glanville, who introduced the single-number "University College" sequence starting at UC001. There are additionally documents relating to the distribution of finds from fieldwork to museums worldwide between the 1887 and 1949. References: [1] Petrie Museum online catalogue, object no. Like any museum inventory, the Petrie Museum online catalogue is a hybrid of research publication and public/research access project. The museum is split into three galleries, with the main gallery (housed above the old stables) containing many of the museum's small artifacts, as well as tablets of writing and mummy portraits and cases. About the Object Amulet refers to "anything worn about the person as a charm or preventive against evil, mischief, disease, witchcraft, etc." Nov 8, 2012 - SEARCHABLE PHOTO DATABASE of all 80,000 artifacts in the Petrie Museum of Egyptian Archaeology in London, the personal collection of Flinders Petrie, pioneering egyptologist .. 24 Barcelona, Museu Egipci, number unknown Unknown – … Admission is free, and as of January 2018 the museum is open each afternoon 1pm-5pm, Tuesday to Saturday, with researchers accommodated at other times as well. To keep this research in view, the web catalogue is regularly updated. NC Cardinal is supported by the Institute of Museum and Library Services under the provisions of the federal Library Services and Technology Act (LSTA), as administered by the State Library of North Carolina, a division of the Department of Natural and Cultural Resources. [1], The museum was established as a teaching resource for the Department of Egyptian Archaeology and Philology at University College at the same time as the department was established in 1892. The Petrie Museum of Egyptian Archaeology in London is part of University College London Museums & Collections. Petrie himself kept no accession register, preferring to concentrate on publications for research and teaching, with simple inventories for each type or technology: from 1914 to 1937, he personally saw to publication volumes including Objects of Daily Use, Stone and Metal Vases, Weights and Measures, Scarabs, and Amulets – others were published posthumously from his notes, mainly by his widow Hilda. The collection has been digitised and the catalogue can be browsed and consulted online.[13]. Sculpture, Egyptian. The Museum also preserves important archives for material from Petrie excavations and purchases. A white cross-lined redware vessel from the Petrie Museum of Egypt Archaeology, University College London (UC15285). As a result of the number of individuals and different levels of expertise involved, all information should be treated as a starting-point rather than an end in discovering more about the objects in the collection. Here, Yanning Zhao and Giulia Marinos describe their work to update some of these object records for objects from the Petrie Museum collection. Seventy Years Registering the Collection [7][page needed], The collection also includes material from the Coptic and Islamic periods. Petrie Museum of Egyptology (Londres) -- Catalogues. Online Collections. It was set up as a teaching resource for the Department of Egyptian Archaeology and Philology at University College London (UCL). During this time some information about our collections may be out of date. Petrie Museum of Egyptology. In the following seven decades, broken only by the Second World War, dozens of staff and volunteers with different levels of research training, and varying amounts of time, contributed to the cataloguing project. UCL MUSEUMS & COLLECTIONS PETRIE MUSEUM CATALOGUE You are here: UCL Home > UCL Museums & Collections > The Petrie Museum > Catalogue **We are in the process of updating our online catalogue. The Petrie Museum of Egyptian Archaeology in London is part of University College London Museums and Collections. • AIS 222 - American Indian Museum Studies • AIS 308 - California Indian History • AIS 313 - American Indian Genders and Sexualities • AIS 319 - The Ethnic Experience in the U.S. • AIS 335 - American Indian Philosophies • AIS 336 - Indigenous Philosophies of Sustainability [19] It is edited by Alice Stevenson. Continuing research and conservation into these archival holdings is also contributing to the online catalogue. Anyone – from UCL students and staff, to external researchers, to general public – is welcome to contact the Museum for research access to examine an object from display or in the stored collections: please contact us at petrie.museum@ucl.ac.uk, All images and text in the Petrie Museum online catalogue can be used under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported license. The collection and library were arranged in galleries within the university and a guidebook published in 1915. Type C 13 c Period: Naqada I Materials: pottery Dimensions: diameter: 12.2 cms Publications: Petrie, William Matthew Flinders. Leta 2015 je Petriejev muzej v sodelovanju z UCL objavil katalog z naslovom The Petrie Museum of Egyptian Archaeology: Characters and Collections. Online Books by. UC7790. This is the searchable dataset for all 80,000 artefacts preserved in the Petrie Museum of Egyptian Archaeology, with one photograph for each item. The third is along a stairwell down to an emergency exit. To start searching right away, click on 'Search' above. The proceedings of two colloquia are in … Many fields of information have not been entered yet, as research continues, particularly for the fields on inscriptions and the history of acquisition. The museum is at Malet Place, near Gower Street and the University College London science library. The following short history of the registration may help users to know what to expect from the contents. To start searching right away, click on 'Search' above. You may share and remix these items provided that you do not do so for commercial purposes, that you attribute The Petrie Museum of Egyptian Archaeology UCL, and that if you distribute these items you do so under the same or a similar license. Approximately ten percent of the Petrie Museum collection is displayed in the museum. 2. It took 70 years to complete the catalogue, which is now available online. Rockefeller Building University College London 21 University Street London WC1E 6DE (0) 20 3108 9000 email: museums@ucl.ac.uk 23 London, Petrie Museum, UC 15796 Unknown, ex MacGregor coll. During the Second World War (1939–1945) the collection was packed up and moved out of London for safekeeping. [2] The initial collection was donated by the writer Amelia Edwards. Muzejska zbirka z več kot 80.000 predmetov spada med največje zbirke egipčanskega in sudanskega gradiva. Although the Museum does house a small collection of human remains, these specimens are currently being re-catalogued to conform to the UCL policy on human remains and so have not been published at the present time. For example, laboratory analysis is expensive, and so, as in most collections, the identification of material usually follows only quick inspection and general expectations: specific identifications are often given for stone and metal, but will need checking by analysis, while specific types of wood are rarely given, awaiting a larger research project of analyses. [18] It only ranks behind the collections of the Cairo Museum, The British Museum and the Ägyptisches Museum, Berlin in number and quality of items. The museum houses the world's largest collection of Roman period mummy portraits (first to second centuries AD). In 2015, the museum, in conjunction with UCL, published a multi-author compilation of articles, The Petrie Museum of Egyptian Archaeology: Characters and Collections, which is available in both print and via a free open access download. Reliefkeramik. [3][4] The first Edwards Professor, William Matthew Flinders Petrie, conducted many important excavations, and in 1913 he sold his collections of Egyptian antiquities to University College, creating the Flinders Petrie Collection of Egyptian Antiquities, and transforming the museum into one of the leading collections outside Egypt. Petrie and the Collection To access our digital resources, scroll down to browse samples, click through to explore further, or use the links on the navigation bar above. [10], The museum has an education programme for adults and families,[11] and has an active Friends organisation allowing members to attend lectures, museum seminars, tours to Egypt and Egyptian collections, social events, and so on. It is named after William Matthew Flinders Petrie (1853-1942), appointed in 1892 as first UCL Edwards Professor of Egyptian Archaeology and Philology. Scanned with the permission of the Petrie Museum using photogrammetry with a Canon EOS Rebel T5i (450 photographs) and Photoscan 1.4.2. 6.7 5.3 2.8 Petrie Museum online catalogue. UC4108 Wooden Astrolabe, Petrie Museum Online Catalogue, http://petriecat.museums.ucl.ac.uk/detail.aspx [Accessed 8 Feb 2018]. Khamudi (also known as Khamudy) was the last Hyksos ruler of the Fifteenth Dynasty of Egypt. Ping response time 7ms Excellent ping Site Owner: Unlisted Host name adlibweb-08-09-d05-vip.ucl.ac.uk, IP address: 193.60.251.89, location: London United Kingdom Site alexa rank: 7,789 See more ideas about Rent in london, Audrey hepburn funny face, Tower bridge apartments. Some parts of the collection are not lit to protect light-sensitive items, and torches (flashlights) are supplied to see inside the cases. In this way, the process of revising the database can lead to important new research projects of scientific and historical research. References Last edited on 17 August 2020, at 08:16. From 1999 to 2002 the last 40,000 objects were registered and the whole collection put online with government funding through the Designation Challenge Fund. See additional publications for more information on the origins of these objects. In 2005 six hundred items on loan to the National Museum of Science and Industry returned to be registered, taking the collection to UC80604. 1. The Online Books Page. University College London Malet Place London WC1E 6BT (0) 20 3108 9000 email: museums@ucl.ac.uk Arguably, museums deliver exact data in only two areas: measurements, and date of acquisition – all other key fields, from material to dating to depend on unstated levels of research and subjective interpretation. The following is from the catalogue entry for the object in the Petrie's online catalogue: UC15285 White cross-lined pottery bowl. Qift. After Petrie retired from UCL in 1933 his successors continued to expand the museum's collection and began to properly register every item – a task Petrie himself had never even attempted. Whilst drifting happily through the Petrie Museum's online catalogue to find other examples of that pottery, I found these glorious glass ear studs. 2013–15). The collection contains some significant 'firsts': one of the earliest pieces of linen from Egypt (about 5000 BC); two lions from the temple of Min at Koptos, from the first group of monumental sculpture (about 3000 BC, these are located in the main UCL building); a fragment from the first kinglist or calendar (about 2900 BC); the earliest example of metal from Egypt, the first worked iron beads; the earliest example of glazing; the earliest 'cylinder seal' in Egypt (about 3500 BC); the oldest wills on papyrus paper; the oldest gynaecological papyrus; the only veterinary papyrus from ancient Egypt; and the largest architectural drawing, showing a shrine (about 1300 BC). The rest of the collection is held in storage around the gallery, and is not securely accessible during normal opening hours. 2018 ] ( Égypte ) -- Antiquité to complete the catalogue can be found the. 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petrie museum online catalogue 2021


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BRUSSELS — European Union leaders on Wednesday called on Britain to give them a clear plan to split from Europe amid concern that the political chaos that led to a historic defeat for British Prime Minister Theresa May's Brexit plan could lead to an uncontrolled departure.
May was widely expected to lose Tuesday's vote in the British Parliament on the withdrawal agreement she negotiated with the E.U., but the definitive scale of her rejection — 432 to 202 — helped feed a sense on the continent that the March 29 Brexit deadline would need to be postponed, if only to give both sides extra time to prepare for the turbulence that would result from the lack of a safety net from a negotiated transition plan.
Even though May survived a confidence vote in Parliament on Wednesday, there were few clear indications of what other plans she might propose or whether she could hold on long enough to deliver any Brexit deal.
European policymakers gave little ground on their insistence that any withdrawal deal adhere broadly to the principles of the one that was incinerated in the House of Commons. They said the onus was on British lawmakers to come up with a proposal — any proposal — that could win a majority at home, to form a basis for continued talks.
So far, Westminster appears unable to do so, with a clear majority agreeing on scenarios that would be unacceptable, and with no common vision for a path forward.
In Brussels, diplomats said the scale of the defeat suggested May had fundamental political problems with the Brexit process that went beyond any individual policy in the deal, meaning they could do little to influence the discussion from outside.
The vote was a "crystal clear" rejection of the withdrawal deal, the E.U.'s chief Brexit negotiator, Michel Barnier, told the European Parliament on Wednesday, after entering the chamber to applause.
But he said that the current agreement was the "objective" outcome based on Britain's own red lines, including a vow to uphold the 1998 Good Friday Agreement that quelled a long-running insurgency in Northern Ireland. That agreement depends on an open border between the Republic of Ireland, which is remaining in the E.U., and Northern Ireland, which would exit the E.U. along with the United Kingdom.
Ireland has insisted on keeping the border open, and the British government also has said that is a priority, even as lawmakers have objected to the steps in the deal to go about it.
Barnier said if Britain changes its red lines — by softening its opposition to remaining permanently in the E.U. Customs Union, for example — more discussions could be possible.
European leaders said they would not abandon their red lines — and their Irish allies — just to ease the life of an unruly departing member.
There was more openness to the possibility of extending the March 29 deadline.
"When Parliament needs more time, then this is something that will have to be considered by the European Council, and personally I would see that as a reasonable request," German Minister Peter Altmaier told the BBC.
An extension would need the consent of the remaining 27 E.U. leaders. It would be relatively easy to offer one until July, when a new European Parliament needs to be seated, but anything longer would embed the E.U. in a thicket of legal issues.
One analyst said the broad-based British opposition to the deal was a sign to Brussels that it may have miscalculated which incentives would resonate in Britain during negotiations.
French leaders, concerned about the ticking clock, appeared to be trying to incite Britain to act faster.
A second Brexit referendum was once a pipe dream. No longer.


text:
Densho Digital Repository Densho Digital Repository
By Narrator
Using Materials in the DDR
densho.org
Mits Koshiyama
Nisei male. Born August 7, 1924, in Mountain View, California. Grew up in the Santa Clara Valley, California, working on his family's leased strawberry farm. In June of 1942, he was involuntarily "evacuated" to Santa Anita Assembly Center, California, then to Heart Mountain concentration camp, Wyoming. Graduated from high school in camp and at the age of 19, refused induction into the military on the grounds that the incarceration violated his Constitutional rights as an American citizen. Served two years at McNeil Island federal penitentiary, Washington. Later resettled in California and established a flower nursery business with his brother. Currently, Mr. Koshiyama participates in speaking engagements regarding his wartime resistance.
Mits Koshiyama Interview — ddr-densho-122-10
August 15 & 16, 1993. Los Angeles, California.
00:37:46 — 14 segments.
https://ddr.densho.org/ddr-densho-122-10/
Mits Koshiyama Interview — ddr-densho-1000-130
July 14, 2001. Seattle, Washington.
https://ddr.densho.org/ddr-densho-1000-130/
Mits Koshiyama Interview — ddr-densho-1002-6
October 2, 1992. San Jose, California.
https://ddr.densho.org/ddr-densho-1002-6/
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text:
Die Panorama DDR-Auslandspresseagentur GmbH in Berlin fungierte für spezifische Aufgaben im Bereich der Auslandsinformation der DDR.

Sie verschickte Exklusivbeiträge für ausländische Massenmedien, stellte Faktenmaterial und Dokumentationen über das gesamte öffentliche Leben in der DDR zur Verfügung, gab Informationsbroschüren heraus und vertrieb eine Monatszeitschrift. Diese hieß "Panorama Kommunal" und erschien in Zusammenarbeit mit dem Städte- und Gemeindetag der DDR in einer Auflage von 9000 Exemplaren in Deutsch, Englisch und Französisch.

Nachrichtenagentur (Deutschland)
Medienorganisation (DDR)
Unternehmen (DDR)
Außenpolitik (DDR)

redpajama_set_name: RedPajamaWikipedia


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1961 House Bill 1026. An Act Requiring Insurance Companies Licensed To Issue Workmen's Compensation Policies To Conduct Extensive Medical, Physical And Legal Investigations In Certain Industrial Accident Cases.
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text:
Sale Catalog
Registered Herefords Since 1938
Dudley Bros. was established in 1927 by brothers Gail, Tom, and Eltos Dudley. They operated a successful tire and automobile business and later expanded into full time ranching. The Dudley brothers acquired several large ranch properties during those expansion years, and part of the current land holdings includes a portion of Comanche County property originally purchased in 1885 by their grandfather, James Hudson Dudley.
Today, Dudley Bros. operates as a family owned Limited Partnership with a Limited Liability Company serving as the managing general partner. Currently, fourteen family members are shareholders in the Limited Partnership and John, Jim, T. J., Tom R., Ray, and Harry Dudley serve as Limited Liability Company board members.
The Dudley Bros. ranching enterprise has a long history of producing registered horned Herefords. The partnership began raising registered horned Herefords in 1938, and the ranch continues to produce top quality Hereford cattle on the native range lands of Central Texas. In 1962, Dudley Bros. began holding an annual Fall Production Bull Sale. The ranch has now sold over 7,500 two year old Hereford bulls through their annual auctions. The legacy bull sale is held every October at the ranch headquarters, located two miles west of Comanche, Texas. Ranch raised females are sold private treaty in the spring. Dudley Bros. has an impressive herd bull battery that consists of the best genetics available in the horned Hereford industry, and new prospects are purchased annually from other outstanding Hereford breeders across the country.
Dudley Bros. has always used and raised top quality ranch bred quarter horses that complement the registered Hereford cattle operation. The Central Texas ranch is also home to abundant populations of whitetail deer, wild turkey, and feral hogs. The ranch provides hunting leases to hunters that enjoy the high quality wildlife and hill country style landscape. In 2012, Dudley Bros. embraced renewable energy with a long term wind energy lease. The ranch family continues to look for ways to improve and expand the Dudley Bros. ranching operation.
Dudley Bros. Ltd. proudly partners with ranching industry associations to promote agricultural issues that ultimately benefit producers, consumers, and the environment. The Dudley family actively serves on national, state, regional, and local boards that focus on political and economic issues, historical preservation, western heritage, community improvement, and education. The ranch family also hosts gatherings for various groups that are interested in gaining insight into Dudley Bros. ranching philosophy and family heritage.
The American Rancher featuring Dudley Bros. LLC
Comanche County Ranch
TWO MILES WEST OF COMANCHE, TEXAS, ON HIGHWAYS 67 AND 377
JOHN@DUDLEYBROS.COM
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