Play 3 W -140 4.5 26 1-Fran Weiss-Carole Esman vs.
Play 4 W 50 13 76 3-Len Case-George Matuch vs.
Play 3 W -140 4.5 26 4-Betty Nielsen-Patt Corbin vs.
Play 4 E 50 13 76 5-James Rhoden-Patrick Heading vs.
Play 4 W -420 1 6 6-David Drake-Donna Drake vs.
Play 4x S -500 0 0 7-W June Vignati-Thomas McMullin vs.
Play 4 W 50 13 76 8-Maurice Wright-Pamela Wright vs.
Play 3 W -140 4.5 26 9-Michael Dalton-Marianne Claysmith vs.
Play 4 W 50 13 76 10-Mara Tuttle-Linda Miller vs.
Play 3 W 140 12.5 74 1-Randall Rathjen-Dove Terrell vs.
Play 4x S 500 17 100 3-Craig Hemphill-Nancy Mitchell vs.
Play 4 W -50 4 24 4-Linda Kitts-Joseph Ur vs.
Play 4 W -50 4 24 5-Julie Bradley-James Heneghan vs.
Play 3 W 140 12.5 74 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 3 W 140 12.5 74 7-Lewis Norris-Cece Lichtenstein vs.
Play 4 E -50 4 24 8-Mark Kessler-Clive Morgan vs.
Play 4 W -50 4 24 9-Alexander Weiss-Marlise Cusick vs.
Play 4 W 420 16 94 10-Lee Bukstel-Scott Weiss vs.
Play 2NT E -150 7.5 44 1-Fran Weiss-Carole Esman vs.
Play 3NT E -430 1 6 3-Len Case-George Matuch vs.
Play 2NT E -210 4 24 4-Betty Nielsen-Patt Corbin vs.
Play 3NT E -430 1 6 5-James Rhoden-Patrick Heading vs.
Play 4 W -130 11.5 68 6-David Drake-Donna Drake vs.
Play 3 N -300 3 18 7-W June Vignati-Thomas McMullin vs.
Play 5 W 50 15 88 8-Maurice Wright-Pamela Wright vs.
Play 3 W -130 11.5 68 9-Michael Dalton-Marianne Claysmith vs.
Play 3 W -130 11.5 68 10-Mara Tuttle-Linda Miller vs.
Play 2NT E 150 9.5 56 1-Randall Rathjen-Dove Terrell vs.
Play 3 N 300 14 82 3-Craig Hemphill-Nancy Mitchell vs.
Play 3NT E 430 16 94 4-Linda Kitts-Joseph Ur vs.
Play 5 W -50 2 12 5-Julie Bradley-James Heneghan vs.
Play 2NT E 210 13 76 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 3 W 130 5.5 32 7-Lewis Norris-Cece Lichtenstein vs.
Play 3NT E 430 16 94 8-Mark Kessler-Clive Morgan vs.
Play 3 W 130 5.5 32 9-Alexander Weiss-Marlise Cusick vs.
Play 4 W 130 5.5 32 10-Lee Bukstel-Scott Weiss vs.
Play 2 N -50 11 65 1-Fran Weiss-Carole Esman vs.
Play 2 N -50 11 65 3-Len Case-George Matuch vs.
Play 2 N -50 11 65 4-Betty Nielsen-Patt Corbin vs.
Play 2 N -50 11 65 5-James Rhoden-Patrick Heading vs.
Play 2 W -110 2 12 6-David Drake-Donna Drake vs.
Play 2 W -110 2 12 7-W June Vignati-Thomas McMullin vs.
Play 2 W -170 0 0 8-Maurice Wright-Pamela Wright vs.
Play 2 E 100 15.5 91 9-Michael Dalton-Marianne Claysmith vs.
Play 2 W -110 2 12 10-Mara Tuttle-Linda Miller vs.
Play 2 N 50 6 35 1-Randall Rathjen-Dove Terrell vs.
Play 2 W 110 15 88 3-Craig Hemphill-Nancy Mitchell vs.
Play 2 N 50 6 35 4-Linda Kitts-Joseph Ur vs.
Play 2 W 170 17 100 5-Julie Bradley-James Heneghan vs.
Play 2 N 50 6 35 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 2 E -100 1.5 9 7-Lewis Norris-Cece Lichtenstein vs.
Play 2 N 50 6 35 8-Mark Kessler-Clive Morgan vs.
Play 2 W 110 15 88 9-Alexander Weiss-Marlise Cusick vs.
Play 2 W 110 15 88 10-Lee Bukstel-Scott Weiss vs.
Play 3NT S 630 15 88 1-Fran Weiss-Carole Esman vs.
Play 3NT S -100 4 24 2-Mark Franzoni-Nancy Martin vs.
Play 3NT S 630 15 88 4-Betty Nielsen-Patt Corbin vs.
Play 3NT S -100 4 24 5-James Rhoden-Patrick Heading vs.
Play 3NT S -100 4 24 6-David Drake-Donna Drake vs.
Play 3NT S -100 4 24 7-W June Vignati-Thomas McMullin vs.
Play 5 W -100 4 24 8-Maurice Wright-Pamela Wright vs.
Play 3NT N 630 15 88 9-Michael Dalton-Marianne Claysmith vs.
Play 3 N 130 8 47 10-Mara Tuttle-Linda Miller vs.
Play 3NT S 100 13 76 1-Randall Rathjen-Dove Terrell vs.
Play 3NT S 100 13 76 2-Judith Miller-Lee Weiner vs.
Play 5 W 100 13 76 4-Linda Kitts-Joseph Ur vs.
Play 3NT S -630 2 12 5-Julie Bradley-James Heneghan vs.
Play 3NT N -630 2 12 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 3NT S 100 13 76 7-Lewis Norris-Cece Lichtenstein vs.
Play 3 N -130 9 53 8-Mark Kessler-Clive Morgan vs.
Play 3NT S 100 13 76 9-Alexander Weiss-Marlise Cusick vs.
Play 3NT S -630 2 12 10-Lee Bukstel-Scott Weiss vs.
Play 2NT N 150 12 71 1-Fran Weiss-Carole Esman vs.
Play 3 W -170 1 6 2-Mark Franzoni-Nancy Martin vs.
Play 2NT N 150 12 71 4-Betty Nielsen-Patt Corbin vs.
Play 3x W 100 7.5 44 5-James Rhoden-Patrick Heading vs.
Play 2 W -140 3 18 6-David Drake-Donna Drake vs.
Play 2 W 50 6 35 7-W June Vignati-Thomas McMullin vs.
Play 3 N -300 0 0 8-Maurice Wright-Pamela Wright vs.
Play 3NT N 630 17 100 9-Michael Dalton-Marianne Claysmith vs.
Play 2NT N 180 15.5 91 10-Mara Tuttle-Linda Miller vs.
Play 2 W -50 11 65 1-Randall Rathjen-Dove Terrell vs.
Play 3 W 170 16 94 2-Judith Miller-Lee Weiner vs.
Play 3 N 300 17 100 4-Linda Kitts-Joseph Ur vs.
Play 2NT N -150 5 29 5-Julie Bradley-James Heneghan vs.
Play 3NT N -630 0 0 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 3x W -100 9.5 56 7-Lewis Norris-Cece Lichtenstein vs.
Play 2NT N -180 1.5 9 8-Mark Kessler-Clive Morgan vs.
Play 2 W 140 14 82 9-Alexander Weiss-Marlise Cusick vs.
Play 2NT N -150 5 29 10-Lee Bukstel-Scott Weiss vs.
Play 4 E -680 10.5 62 1-Fran Weiss-Carole Esman vs.
Play 4 E -680 10.5 62 2-Mark Franzoni-Nancy Martin vs.
Play 6 E -1430 1 6 4-Betty Nielsen-Patt Corbin vs.
Play 4 E -680 10.5 62 5-James Rhoden-Patrick Heading vs.
Play 4 E -680 10.5 62 6-David Drake-Donna Drake vs.
Play 4 E -680 10.5 62 7-W June Vignati-Thomas McMullin vs.
Play 6 E -1430 1 6 8-Maurice Wright-Pamela Wright vs.
Play 3NT E -720 3 18 9-Michael Dalton-Marianne Claysmith vs.
Play 4 E -680 10.5 62 10-Mara Tuttle-Linda Miller vs.
Play 4 E 680 6.5 38 1-Randall Rathjen-Dove Terrell vs.
Play 4 E 680 6.5 38 2-Judith Miller-Lee Weiner vs.
Play 6 E 1430 16 94 4-Linda Kitts-Joseph Ur vs.
Play 6 E 1430 16 94 5-Julie Bradley-James Heneghan vs.
Play 3NT E 720 14 82 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 4 E 680 6.5 38 7-Lewis Norris-Cece Lichtenstein vs.
Play 4 E 680 6.5 38 8-Mark Kessler-Clive Morgan vs.
Play 4 E 680 6.5 38 9-Alexander Weiss-Marlise Cusick vs.
Play 4 E 680 6.5 38 10-Lee Bukstel-Scott Weiss vs.
Play 5 S 600 10.5 62 1-Fran Weiss-Carole Esman vs.
Play 2x W 500 5 29 2-Mark Franzoni-Nancy Martin vs.
Play 2x W 200 3 18 3-Len Case-George Matuch vs.
Play 3NT N 630 16 94 5-James Rhoden-Patrick Heading vs.
Play 5 S 600 10.5 62 6-David Drake-Donna Drake vs.
Play 5 S 600 10.5 62 7-W June Vignati-Thomas McMullin vs.
Play 5 S 600 10.5 62 8-Maurice Wright-Pamela Wright vs.
Play 3 W 400 4 24 9-Michael Dalton-Marianne Claysmith vs.
Play 3 S 150 1 6 10-Mara Tuttle-Linda Miller vs.
Play 2x W -500 12 71 1-Randall Rathjen-Dove Terrell vs.
Play 5 S -600 6.5 38 2-Judith Miller-Lee Weiner vs.
Play 2x W -200 14 82 3-Craig Hemphill-Nancy Mitchell vs.
Play 3 W -400 13 76 5-Julie Bradley-James Heneghan vs.
Play 3NT N -630 1 6 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 3 S -150 16 94 7-Lewis Norris-Cece Lichtenstein vs.
Play 5 S -600 6.5 38 8-Mark Kessler-Clive Morgan vs.
Play 5 S -600 6.5 38 9-Alexander Weiss-Marlise Cusick vs.
Play 5 S -600 6.5 38 10-Lee Bukstel-Scott Weiss vs.
Play 2 E 100 5 29 1-Fran Weiss-Carole Esman vs.
Play 4 S 420 11 65 2-Mark Franzoni-Nancy Martin vs.
Play 4 S -50 3 18 3-Len Case-George Matuch vs.
Play 3NT S 460 16.5 97 5-James Rhoden-Patrick Heading vs.
Play 3NT S 430 14 82 6-David Drake-Donna Drake vs.
Play 3NT S -100 0.5 3 7-W June Vignati-Thomas McMullin vs.
Play 3NT S -50 3 18 8-Maurice Wright-Pamela Wright vs.
Play 3NT S 400 8 47 9-Michael Dalton-Marianne Claysmith vs.
Play 4 S 420 11 65 10-Mara Tuttle-Linda Miller vs.
Play 4 S -420 6 35 1-Randall Rathjen-Dove Terrell vs.
Play 3NT S 50 14 82 2-Judith Miller-Lee Weiner vs.
Play 4 S 50 14 82 3-Craig Hemphill-Nancy Mitchell vs.
Play 3NT S -400 9 53 5-Julie Bradley-James Heneghan vs.
Play 3NT S -460 0.5 3 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 4 S -420 6 35 7-Lewis Norris-Cece Lichtenstein vs.
Play 3NT S -430 3 18 8-Mark Kessler-Clive Morgan vs.
Play 2 E -100 12 71 9-Alexander Weiss-Marlise Cusick vs.
Play 3NT S 100 16.5 97 10-Lee Bukstel-Scott Weiss vs.
Play 4 E -650 7.5 44 1-Fran Weiss-Carole Esman vs.
Play 4 E -620 11.5 68 2-Mark Franzoni-Nancy Martin vs.
Play 4 W -650 7.5 44 3-Len Case-George Matuch vs.
Play 4 E -680 2 12 5-James Rhoden-Patrick Heading vs.
Play 3 E -170 13 76 6-David Drake-Donna Drake vs.
Play 4 E -680 2 12 7-W June Vignati-Thomas McMullin vs.
Play 4 E 100 15.5 91 8-Maurice Wright-Pamela Wright vs.
Play 4 E -680 2 12 9-Michael Dalton-Marianne Claysmith vs.
Play 4 E -620 11.5 68 10-Mara Tuttle-Linda Miller vs.
Play 4 E 620 5.5 32 1-Randall Rathjen-Dove Terrell vs.
Play 4 E -100 1.5 9 2-Judith Miller-Lee Weiner vs.
Play 4 W 650 9.5 56 3-Craig Hemphill-Nancy Mitchell vs.
Play 4 E 680 15 88 5-Julie Bradley-James Heneghan vs.
Play 4 E 680 15 88 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 4 E 620 5.5 32 7-Lewis Norris-Cece Lichtenstein vs.
Play 3 E 170 4 24 8-Mark Kessler-Clive Morgan vs.
Play 4 E 650 9.5 56 9-Alexander Weiss-Marlise Cusick vs.
Play 4 E 680 15 88 10-Lee Bukstel-Scott Weiss vs.
Play 2 N -200 0 0 1-Fran Weiss-Carole Esman vs.
Play 2 N -100 2.5 15 2-Mark Franzoni-Nancy Martin vs.
Play 2 N 140 14 82 3-Len Case-George Matuch vs.
Play 2 N 110 8 47 4-Betty Nielsen-Patt Corbin vs.
Play 3 N -100 2.5 15 6-David Drake-Donna Drake vs.
Play 3 N 140 14 82 7-W June Vignati-Thomas McMullin vs.
Play 3 S 140 14 82 8-Maurice Wright-Pamela Wright vs.
Play 3 N 140 14 82 9-Michael Dalton-Marianne Claysmith vs.
Play 3 N -100 2.5 15 10-Mara Tuttle-Linda Miller vs.
Play 3 S -140 3 18 1-Randall Rathjen-Dove Terrell vs.
Play 2 N -140 3 18 2-Judith Miller-Lee Weiner vs.
Play 3 N -140 3 18 3-Craig Hemphill-Nancy Mitchell vs.
Play 2 N -110 9 53 4-Linda Kitts-Joseph Ur vs.
Play 3 N 100 14.5 85 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 3 N 100 14.5 85 7-Lewis Norris-Cece Lichtenstein vs.
Play 2 N 200 17 100 8-Mark Kessler-Clive Morgan vs.
Play 3 N -140 3 18 9-Alexander Weiss-Marlise Cusick vs.
Play 2 N 100 14.5 85 10-Lee Bukstel-Scott Weiss vs.
Play 1NT W -90 4 24 1-Fran Weiss-Carole Esman vs.
Play 2 W -90 4 24 2-Mark Franzoni-Nancy Martin vs.
Play 2 N -50 8 47 3-Len Case-George Matuch vs.
Play 2 N -50 8 47 4-Betty Nielsen-Patt Corbin vs.
Play 1NT W 100 13 76 6-David Drake-Donna Drake vs.
Play 2 N -50 8 47 7-W June Vignati-Thomas McMullin vs.
Play 1NT W -120 0.5 3 8-Maurice Wright-Pamela Wright vs.
Play 2 N -50 8 47 9-Michael Dalton-Marianne Claysmith vs.
Play 2 N 110 14.5 85 10-Mara Tuttle-Linda Miller vs.
Play 1NT W 120 16.5 97 1-Randall Rathjen-Dove Terrell vs.
Play 2 N 50 9 53 2-Judith Miller-Lee Weiner vs.
Play 2 N 50 9 53 3-Craig Hemphill-Nancy Mitchell vs.
Play 2 N 50 9 53 4-Linda Kitts-Joseph Ur vs.
Play 2 N -110 2.5 15 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 1NT W -100 4 24 7-Lewis Norris-Cece Lichtenstein vs.
Play 1NT W 90 13 76 8-Mark Kessler-Clive Morgan vs.
Play 2 N 50 9 53 9-Alexander Weiss-Marlise Cusick vs.
Play 2 W 90 13 76 10-Lee Bukstel-Scott Weiss vs.
Play 4 S 620 10 59 1-Fran Weiss-Carole Esman vs.
Play 4 S 620 10 59 2-Mark Franzoni-Nancy Martin vs.
Play 3NT S 630 17 100 3-Len Case-George Matuch vs.
Play 4 S 620 10 59 4-Betty Nielsen-Patt Corbin vs.
Play 4 S 620 10 59 6-David Drake-Donna Drake vs.
Play 3NT N -200 0.5 3 7-W June Vignati-Thomas McMullin vs.
Play 3NT N -200 0.5 3 8-Maurice Wright-Pamela Wright vs.
Play 4 S 620 10 59 9-Michael Dalton-Marianne Claysmith vs.
Play 4 S 620 10 59 10-Mara Tuttle-Linda Miller vs.
Play 3NT N 200 16.5 97 1-Randall Rathjen-Dove Terrell vs.
Play 3NT S -630 0 0 2-Judith Miller-Lee Weiner vs.
Play 4 S -620 7 41 3-Craig Hemphill-Nancy Mitchell vs.
Play 4 S -620 7 41 4-Linda Kitts-Joseph Ur vs.
Play 4 S -620 7 41 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 4 S -620 7 41 7-Lewis Norris-Cece Lichtenstein vs.
Play 4 S -620 7 41 8-Mark Kessler-Clive Morgan vs.
Play 3NT N 200 16.5 97 9-Alexander Weiss-Marlise Cusick vs.
Play 4 S -620 7 41 10-Lee Bukstel-Scott Weiss vs.
Play 3NT W -660 1 6 1-Fran Weiss-Carole Esman vs.
Play 3NT W -630 3 18 2-Mark Franzoni-Nancy Martin vs.
Play 3 E -150 11 65 3-Len Case-George Matuch vs.
Play 3NT E -660 1 6 4-Betty Nielsen-Patt Corbin vs.
Play 3 E -150 11 65 5-James Rhoden-Patrick Heading vs.
Play 4 W -170 8 47 7-W June Vignati-Thomas McMullin vs.
Play 3NT W -600 5 29 8-Maurice Wright-Pamela Wright vs.
Play 2NT W -120 15 88 9-Michael Dalton-Marianne Claysmith vs.
Play 2 E -150 11 65 10-Mara Tuttle-Linda Miller vs.
Play 3 E 150 6 35 1-Randall Rathjen-Dove Terrell vs.
Play 2NT W 120 2 12 2-Judith Miller-Lee Weiner vs.
Play 3NT E 660 16 94 3-Craig Hemphill-Nancy Mitchell vs.
Play 2 E 150 6 35 4-Linda Kitts-Joseph Ur vs.
Play 3 E 150 6 35 5-Julie Bradley-James Heneghan vs.
Play 3NT W 660 16 94 7-Lewis Norris-Cece Lichtenstein vs.
Play 4 W 170 9 53 8-Mark Kessler-Clive Morgan vs.
Play 3NT W 630 14 82 9-Alexander Weiss-Marlise Cusick vs.
Play 3NT W 600 12 71 10-Lee Bukstel-Scott Weiss vs.
Play 3NT N -50 5.5 32 1-Fran Weiss-Carole Esman vs.
Play 3NT S -50 5.5 32 2-Mark Franzoni-Nancy Martin vs.
Play 3NT S 400 14.5 85 3-Len Case-George Matuch vs.
Play 3NT S -100 1 6 4-Betty Nielsen-Patt Corbin vs.
Play 3NT N -50 5.5 32 5-James Rhoden-Patrick Heading vs.
Play 3NT S -50 5.5 32 7-W June Vignati-Thomas McMullin vs.
Play 2NT S 150 11.5 68 8-Maurice Wright-Pamela Wright vs.
Play 3NT N 400 14.5 85 9-Michael Dalton-Marianne Claysmith vs.
Play 3NT S 430 17 100 10-Mara Tuttle-Linda Miller vs.
Play 3NT S -400 2.5 15 1-Randall Rathjen-Dove Terrell vs.
Play 3NT N -400 2.5 15 2-Judith Miller-Lee Weiner vs.
Play 3NT S 100 16 94 3-Craig Hemphill-Nancy Mitchell vs.
Play 3NT S -430 0 0 4-Linda Kitts-Joseph Ur vs.
Play 3NT N 50 11.5 68 5-Julie Bradley-James Heneghan vs.
Play 3NT N 50 11.5 68 7-Lewis Norris-Cece Lichtenstein vs.
Play 3NT S 50 11.5 68 8-Mark Kessler-Clive Morgan vs.
Play 3NT S 50 11.5 68 9-Alexander Weiss-Marlise Cusick vs.
Play 2NT S -150 5.5 32 10-Lee Bukstel-Scott Weiss vs.
Play 4 W 100 14 82 1-Fran Weiss-Carole Esman vs.
Play 3 E -110 9 53 2-Mark Franzoni-Nancy Martin vs.
Play 1NT S 120 16 94 3-Len Case-George Matuch vs.
Play 2 W -110 9 53 4-Betty Nielsen-Patt Corbin vs.
Play 3 E -130 4 24 5-James Rhoden-Patrick Heading vs.
Play 1NT N 120 16 94 7-W June Vignati-Thomas McMullin vs.
Play 3 W -130 4 24 8-Maurice Wright-Pamela Wright vs.
Play 1NT S 120 16 94 9-Michael Dalton-Marianne Claysmith vs.
Play 2 W -110 9 53 10-Mara Tuttle-Linda Miller vs.
Play 1NT S -120 1 6 1-Randall Rathjen-Dove Terrell vs.
Play 1NT S -120 1 6 2-Judith Miller-Lee Weiner vs.
Play 2 W 110 8 47 3-Craig Hemphill-Nancy Mitchell vs.
Play 2 W 110 8 47 4-Linda Kitts-Joseph Ur vs.
Play 3 E 130 13 76 5-Julie Bradley-James Heneghan vs.
Play 4 W -100 3 18 7-Lewis Norris-Cece Lichtenstein vs.
Play 1NT N -120 1 6 8-Mark Kessler-Clive Morgan vs.
Play 3 E 110 8 47 9-Alexander Weiss-Marlise Cusick vs.
Play 3 W 130 13 76 10-Lee Bukstel-Scott Weiss vs.
Play 3NT W -660 7 41 1-Fran Weiss-Carole Esman vs.
Play 3NT W -660 7 41 2-Mark Franzoni-Nancy Martin vs.
Play 3NT W -660 7 41 3-Len Case-George Matuch vs.
Play 3NT W -660 7 41 4-Betty Nielsen-Patt Corbin vs.
Play 3NT W -660 7 41 5-James Rhoden-Patrick Heading vs.
Play 3NT W -660 7 41 6-David Drake-Donna Drake vs.
Play 3NT W -660 7 41 8-Maurice Wright-Pamela Wright vs.
Play 3NT W -660 7 41 9-Michael Dalton-Marianne Claysmith vs.
Play 3NT W -660 7 41 10-Mara Tuttle-Linda Miller vs.
Play 3NT W 660 10 59 1-Randall Rathjen-Dove Terrell vs.
Play 3NT W 660 10 59 2-Judith Miller-Lee Weiner vs.
Play 3NT W 660 10 59 3-Craig Hemphill-Nancy Mitchell vs.
Play 3NT W 660 10 59 4-Linda Kitts-Joseph Ur vs.
Play 3NT W 660 10 59 5-Julie Bradley-James Heneghan vs.
Play 3NT W 660 10 59 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 3NT W 660 10 59 8-Mark Kessler-Clive Morgan vs.
Play 3NT W 660 10 59 9-Alexander Weiss-Marlise Cusick vs.
Play 3NT W 660 10 59 10-Lee Bukstel-Scott Weiss vs.
Play 3 N 200 1 6 1-Fran Weiss-Carole Esman vs.
Play 3NT S 460 10 59 2-Mark Franzoni-Nancy Martin vs.
Play 4 S 450 5.5 32 3-Len Case-George Matuch vs.
Play 4 N 450 5.5 32 4-Betty Nielsen-Patt Corbin vs.
Play 3NT S 460 10 59 5-James Rhoden-Patrick Heading vs.
Play 4 N 450 5.5 32 6-David Drake-Donna Drake vs.
Play 3NT S 460 10 59 8-Maurice Wright-Pamela Wright vs.
Play 4 N 480 14.5 85 9-Michael Dalton-Marianne Claysmith vs.
Play 4 N 480 14.5 85 10-Mara Tuttle-Linda Miller vs.
Play 4 N -480 2.5 15 1-Randall Rathjen-Dove Terrell vs.
Play 4 N -450 11.5 68 2-Judith Miller-Lee Weiner vs.
Play 4 N -480 2.5 15 3-Craig Hemphill-Nancy Mitchell vs.
Play 3NT S -460 7 41 4-Linda Kitts-Joseph Ur vs.
Play 3 N -200 16 94 5-Julie Bradley-James Heneghan vs.
Play 4 N -450 11.5 68 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 3NT S -460 7 41 8-Mark Kessler-Clive Morgan vs.
Play 3NT S -460 7 41 9-Alexander Weiss-Marlise Cusick vs.
Play 4 S -450 11.5 68 10-Lee Bukstel-Scott Weiss vs.
Play 2NT S -200 2.5 15 1-Fran Weiss-Carole Esman vs.
Play 2NT S -200 2.5 15 2-Mark Franzoni-Nancy Martin vs.
Play 2NT S -200 2.5 15 3-Len Case-George Matuch vs.
Play 4 S -100 8.5 50 4-Betty Nielsen-Patt Corbin vs.
Play 2 S 110 13.5 79 5-James Rhoden-Patrick Heading vs.
Play 2NT S -200 2.5 15 6-David Drake-Donna Drake vs.
Play 2 S 110 13.5 79 8-Maurice Wright-Pamela Wright vs.
Play 2NT S -200 2.5 15 9-Michael Dalton-Marianne Claysmith vs.
Play 2NT S -100 8.5 50 10-Mara Tuttle-Linda Miller vs.
Play 2NT S 200 14.5 85 1-Randall Rathjen-Dove Terrell vs.
Play 4 S 100 8.5 50 2-Judith Miller-Lee Weiner vs.
Play 2NT S 100 8.5 50 3-Craig Hemphill-Nancy Mitchell vs.
Play 2 S -110 3.5 21 4-Linda Kitts-Joseph Ur vs.
Play 2NT S 200 14.5 85 5-Julie Bradley-James Heneghan vs.
Play 2NT S 200 14.5 85 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 2NT S 200 14.5 85 8-Mark Kessler-Clive Morgan vs.
Play 2 S -110 3.5 21 9-Alexander Weiss-Marlise Cusick vs.
Play 2NT S 200 14.5 85 10-Lee Bukstel-Scott Weiss vs.
Play 3NT S 430 12.5 74 1-Fran Weiss-Carole Esman vs.
Play 3NT S -50 1 6 2-Mark Franzoni-Nancy Martin vs.
Play 3NT S 400 8 47 3-Len Case-George Matuch vs.
Play 3NT N 460 16 94 4-Betty Nielsen-Patt Corbin vs.
Play 3NT S 430 12.5 74 5-James Rhoden-Patrick Heading vs.
Play 3NT S 400 8 47 6-David Drake-Donna Drake vs.
Play 3NT S 400 8 47 7-W June Vignati-Thomas McMullin vs.
Play 3NT S -150 0 0 10-Mara Tuttle-Linda Miller vs.
Play 3NT N -460 1 6 1-Randall Rathjen-Dove Terrell vs.
Play 3NT S 150 17 100 2-Judith Miller-Lee Weiner vs.
Play 3NT S -430 4.5 26 3-Craig Hemphill-Nancy Mitchell vs.
Play 3NT S -430 4.5 26 4-Linda Kitts-Joseph Ur vs.
Play 3NT S 50 16 94 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 3NT S -400 9 53 7-Lewis Norris-Cece Lichtenstein vs.
Play 3NT S -400 9 53 9-Alexander Weiss-Marlise Cusick vs.
Play 3NT S -400 9 53 10-Lee Bukstel-Scott Weiss vs.
Play 4x N -200 8.5 50 1-Fran Weiss-Carole Esman vs.
Play 6 W 100 13 76 2-Mark Franzoni-Nancy Martin vs.
Play 5 E 100 13 76 3-Len Case-George Matuch vs.
Play 4 E -620 3.5 21 4-Betty Nielsen-Patt Corbin vs.
Play 5 W 100 13 76 5-James Rhoden-Patrick Heading vs.
Play 6 E 100 13 76 6-David Drake-Donna Drake vs.
Play 5 E 100 13 76 7-W June Vignati-Thomas McMullin vs.
Play 6 E 200 16.5 97 9-Michael Dalton-Marianne Claysmith vs.
Play 6 E 200 16.5 97 10-Mara Tuttle-Linda Miller vs.
Play 4 E 620 13.5 79 1-Randall Rathjen-Dove Terrell vs.
Play 6 E -200 0.5 3 2-Judith Miller-Lee Weiner vs.
Play 5 W -100 4 24 3-Craig Hemphill-Nancy Mitchell vs.
Play 4x N 200 8.5 50 4-Linda Kitts-Joseph Ur vs.
Play 6 E -100 4 24 5-Julie Bradley-James Heneghan vs.
Play 6 W -100 4 24 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 5 E -100 4 24 7-Lewis Norris-Cece Lichtenstein vs.
Play 5 E -100 4 24 9-Alexander Weiss-Marlise Cusick vs.
Play 6 E -200 0.5 3 10-Lee Bukstel-Scott Weiss vs.
Play 3 N -200 7 41 1-Fran Weiss-Carole Esman vs.
Play 2 N -200 7 41 2-Mark Franzoni-Nancy Martin vs.
Play 2 N -200 7 41 3-Len Case-George Matuch vs.
Play 2 N -200 7 41 4-Betty Nielsen-Patt Corbin vs.
Play 1NT N -200 7 41 5-James Rhoden-Patrick Heading vs.
Play 1NT N -200 7 41 6-David Drake-Donna Drake vs.
Play 2 N -200 7 41 7-W June Vignati-Thomas McMullin vs.
Play 2 N 110 17 100 9-Michael Dalton-Marianne Claysmith vs.
Play 2 E -110 13 76 10-Mara Tuttle-Linda Miller vs.
Play 2 N 200 10 59 1-Randall Rathjen-Dove Terrell vs.
Play 2 E 110 4 24 2-Judith Miller-Lee Weiner vs.
Play 1NT N 200 10 59 3-Craig Hemphill-Nancy Mitchell vs.
Play 3 N 200 10 59 4-Linda Kitts-Joseph Ur vs.
Play 1NT N 200 10 59 5-Julie Bradley-James Heneghan vs.
Play 2 N 200 10 59 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 2 N 200 10 59 7-Lewis Norris-Cece Lichtenstein vs.
Play 2 N 200 10 59 9-Alexander Weiss-Marlise Cusick vs.
Play 2 N -110 0 0 10-Lee Bukstel-Scott Weiss vs.
Play 4 N 480 3 18 1-Fran Weiss-Carole Esman vs.
Play 6 S 980 12 71 2-Mark Franzoni-Nancy Martin vs.
Play 6 S 980 12 71 3-Len Case-George Matuch vs.
Play 6 S 980 12 71 4-Betty Nielsen-Patt Corbin vs.
Play 5 S 480 3 18 5-James Rhoden-Patrick Heading vs.
Play 4 S 480 3 18 6-David Drake-Donna Drake vs.
Play 6 S 980 12 71 7-W June Vignati-Thomas McMullin vs.
Play 4 S 480 3 18 8-Maurice Wright-Pamela Wright vs.
Play 6 S 980 12 71 10-Mara Tuttle-Linda Miller vs.
Play 6 S -980 5 29 1-Randall Rathjen-Dove Terrell vs.
Play 5 S -480 14 82 2-Judith Miller-Lee Weiner vs.
Play 4 N -480 14 82 3-Craig Hemphill-Nancy Mitchell vs.
Play 4 S -480 14 82 4-Linda Kitts-Joseph Ur vs.
Play 6 S -980 5 29 5-Julie Bradley-James Heneghan vs.
Play 6 S -980 5 29 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 6 S -980 5 29 7-Lewis Norris-Cece Lichtenstein vs.
Play 4 S -480 14 82 8-Mark Kessler-Clive Morgan vs.
Play 6 S -980 5 29 10-Lee Bukstel-Scott Weiss vs.
Play 6 E 100 17 100 1-Fran Weiss-Carole Esman vs.
Play 4 E -710 1 6 2-Mark Franzoni-Nancy Martin vs.
Play 3NT E -600 14.5 85 3-Len Case-George Matuch vs.
Play 4 E -680 4.5 26 4-Betty Nielsen-Patt Corbin vs.
Play 4 E -680 4.5 26 5-James Rhoden-Patrick Heading vs.
Play 4 E -650 10 59 6-David Drake-Donna Drake vs.
Play 4 E -650 10 59 7-W June Vignati-Thomas McMullin vs.
Play 4 E -680 4.5 26 8-Maurice Wright-Pamela Wright vs.
Play 4 E -650 10 59 10-Mara Tuttle-Linda Miller vs.
Play 4 E 650 7 41 1-Randall Rathjen-Dove Terrell vs.
Play 4 E 680 12.5 74 2-Judith Miller-Lee Weiner vs.
Play 6 E -100 0 0 3-Craig Hemphill-Nancy Mitchell vs.
Play 4 E 650 7 41 4-Linda Kitts-Joseph Ur vs.
Play 4 E 710 16 94 5-Julie Bradley-James Heneghan vs.
Play 4 E 650 7 41 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 3NT E 600 2.5 15 7-Lewis Norris-Cece Lichtenstein vs.
Play 4 E 680 12.5 74 8-Mark Kessler-Clive Morgan vs.
Play 4 E 680 12.5 74 10-Lee Bukstel-Scott Weiss vs.
Play 2 E -200 11 65 1-Fran Weiss-Carole Esman vs.
Play 3 W -200 11 65 2-Mark Franzoni-Nancy Martin vs.
Play 3x N -500 0 0 3-Len Case-George Matuch vs.
Play 3 W -170 15 88 4-Betty Nielsen-Patt Corbin vs.
Play 4 W -450 3.5 21 5-James Rhoden-Patrick Heading vs.
Play 4 E -450 3.5 21 6-David Drake-Donna Drake vs.
Play 3 W -170 15 88 7-W June Vignati-Thomas McMullin vs.
Play 4 W -450 3.5 21 8-Maurice Wright-Pamela Wright vs.
Play 3 E -140 17 100 10-Mara Tuttle-Linda Miller vs.
Play 3 E 140 0 0 1-Randall Rathjen-Dove Terrell vs.
Play 4 W 450 13.5 79 2-Judith Miller-Lee Weiner vs.
Play 2 E 200 6 35 3-Craig Hemphill-Nancy Mitchell vs.
Play 4 E 450 13.5 79 4-Linda Kitts-Joseph Ur vs.
Play 3 W 200 6 35 5-Julie Bradley-James Heneghan vs.
Play 3 W 170 2 12 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 3x N 500 17 100 7-Lewis Norris-Cece Lichtenstein vs.
Play 4 W 450 13.5 79 8-Mark Kessler-Clive Morgan vs.
Play 3 W 170 2 12 10-Lee Bukstel-Scott Weiss vs.
Play 3 S 170 2.5 15 1-Fran Weiss-Carole Esman vs.
Play 4 S 480 9 53 2-Mark Franzoni-Nancy Martin vs.
Play 4 S 480 9 53 3-Len Case-George Matuch vs.
Play 3NT S 460 6 35 4-Betty Nielsen-Patt Corbin vs.
Play 6 N 980 15.5 91 5-James Rhoden-Patrick Heading vs.
Play 3NT N 400 4 24 6-David Drake-Donna Drake vs.
Play 7 S -100 1 6 7-W June Vignati-Thomas McMullin vs.
Play 3NT W -720 0 0 8-Maurice Wright-Pamela Wright vs.
Play 3NT N 520 13 76 9-Michael Dalton-Marianne Claysmith vs.
Play 6 N -980 1.5 9 1-Randall Rathjen-Dove Terrell vs.
Play 3 S -170 14.5 85 2-Judith Miller-Lee Weiner vs.
Play 3NT N -400 13 76 3-Craig Hemphill-Nancy Mitchell vs.
Play 4 S -480 8 47 4-Linda Kitts-Joseph Ur vs.
Play 7 S 100 16 94 5-Julie Bradley-James Heneghan vs.
Play 4 S -480 8 47 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 3NT W 720 17 100 7-Lewis Norris-Cece Lichtenstein vs.
Play 3NT S -460 11 65 8-Mark Kessler-Clive Morgan vs.
Play 3NT N -520 4 24 9-Alexander Weiss-Marlise Cusick vs.
Play 3NT S -100 1.5 9 1-Fran Weiss-Carole Esman vs.
Play 1NT S 120 4 24 2-Mark Franzoni-Nancy Martin vs.
Play 4 N 620 7 41 3-Len Case-George Matuch vs.
Play 4 N 680 15 88 4-Betty Nielsen-Patt Corbin vs.
Play 4 N 680 15 88 5-James Rhoden-Patrick Heading vs.
Play 4 S 620 7 41 6-David Drake-Donna Drake vs.
Play 4 N -100 1.5 9 7-W June Vignati-Thomas McMullin vs.
Play 4 N 650 10.5 62 8-Maurice Wright-Pamela Wright vs.
Play 4 N 680 15 88 9-Michael Dalton-Marianne Claysmith vs.
Play 4 N -680 2 12 1-Randall Rathjen-Dove Terrell vs.
Play 3NT S 100 15.5 91 2-Judith Miller-Lee Weiner vs.
Play 4 S -620 10 59 3-Craig Hemphill-Nancy Mitchell vs.
Play 1NT S -120 13 76 4-Linda Kitts-Joseph Ur vs.
Play 4 N 100 15.5 91 5-Julie Bradley-James Heneghan vs.
Play 4 N -620 10 59 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 4 N -650 6.5 38 7-Lewis Norris-Cece Lichtenstein vs.
Play 4 N -680 2 12 8-Mark Kessler-Clive Morgan vs.
Play 4 N -680 2 12 9-Alexander Weiss-Marlise Cusick vs.
Play 5 W -420 12 71 1-Fran Weiss-Carole Esman vs.
Play 3NT W -490 6.5 38 2-Mark Franzoni-Nancy Martin vs.
Play 3NT E -520 3 18 3-Len Case-George Matuch vs.
Play 6 W -920 1 6 4-Betty Nielsen-Patt Corbin vs.
Play 5 W -400 13 76 5-James Rhoden-Patrick Heading vs.
Play 3NT W -490 6.5 38 6-David Drake-Donna Drake vs.
Play 6 W -920 1 6 7-W June Vignati-Thomas McMullin vs.
Play 6 W 50 16 94 8-Maurice Wright-Pamela Wright vs.
Play 5NT E -490 6.5 38 9-Michael Dalton-Marianne Claysmith vs.
Play 5 W 400 4 24 1-Randall Rathjen-Dove Terrell vs.
Play 5 W 420 5 29 2-Judith Miller-Lee Weiner vs.
Play 3NT W 490 10.5 62 3-Craig Hemphill-Nancy Mitchell vs.
Play 3NT W 490 10.5 62 4-Linda Kitts-Joseph Ur vs.
Play 6 W 920 16 94 5-Julie Bradley-James Heneghan vs.
Play 3NT E 520 14 82 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 6 W -50 1 6 7-Lewis Norris-Cece Lichtenstein vs.
Play 6 W 920 16 94 8-Mark Kessler-Clive Morgan vs.
Play 5NT E 490 10.5 62 9-Alexander Weiss-Marlise Cusick vs.
Play 3 W -170 10.5 62 2-Mark Franzoni-Nancy Martin vs.
Play 4 E 50 15.5 91 3-Len Case-George Matuch vs.
Play 3NT W 50 15.5 91 4-Betty Nielsen-Patt Corbin vs.
Play 3NT E -400 5.5 32 5-James Rhoden-Patrick Heading vs.
Play 3 E -170 10.5 62 6-David Drake-Donna Drake vs.
Play 3 W -170 10.5 62 7-W June Vignati-Thomas McMullin vs.
Play 3NT E -400 5.5 32 8-Maurice Wright-Pamela Wright vs.
Play 4 E -420 1.5 9 9-Michael Dalton-Marianne Claysmith vs.
Play 4 E -420 1.5 9 10-Mara Tuttle-Linda Miller vs.
Play 3 E 170 6.5 38 2-Judith Miller-Lee Weiner vs.
Play 3 W 170 6.5 38 3-Craig Hemphill-Nancy Mitchell vs.
Play 3 W 170 6.5 38 4-Linda Kitts-Joseph Ur vs.
Play 4 E -50 1.5 9 5-Julie Bradley-James Heneghan vs.
Play 3NT E 400 11.5 68 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 3NT W -50 1.5 9 7-Lewis Norris-Cece Lichtenstein vs.
Play 4 E 420 15.5 91 8-Mark Kessler-Clive Morgan vs.
Play 3NT E 400 11.5 68 9-Alexander Weiss-Marlise Cusick vs.
Play 4 E 420 15.5 91 10-Lee Bukstel-Scott Weiss vs.
Play 1NT S -100 10.5 62 2-Mark Franzoni-Nancy Martin vs.
Play 1NT N -100 10.5 62 3-Len Case-George Matuch vs.
Play 2NT N -100 10.5 62 4-Betty Nielsen-Patt Corbin vs.
Play 1NT N -100 10.5 62 5-James Rhoden-Patrick Heading vs.
Play 2 N -200 2.5 15 6-David Drake-Donna Drake vs.
Play 2NT N -300 0.5 3 7-W June Vignati-Thomas McMullin vs.
Play 1NT W -120 4.5 26 8-Maurice Wright-Pamela Wright vs.
Play 1NT N -100 10.5 62 9-Michael Dalton-Marianne Claysmith vs.
Play 2 W -90 16.5 97 10-Mara Tuttle-Linda Miller vs.
Play 2 N 200 14.5 85 2-Judith Miller-Lee Weiner vs.
Play 1NT S 100 6.5 38 3-Craig Hemphill-Nancy Mitchell vs.
Play 2NT N 300 16.5 97 4-Linda Kitts-Joseph Ur vs.
Play 1NT N 100 6.5 38 5-Julie Bradley-James Heneghan vs.
Play 1NT W 120 12.5 74 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 2NT N 100 6.5 38 7-Lewis Norris-Cece Lichtenstein vs.
Play 1NT N 100 6.5 38 8-Mark Kessler-Clive Morgan vs.
Play 1NT N 100 6.5 38 9-Alexander Weiss-Marlise Cusick vs.
Play 2 W 90 0.5 3 10-Lee Bukstel-Scott Weiss vs.
Play 3 W -230 10.5 62 2-Mark Franzoni-Nancy Martin vs.
Play 5 W -420 6.5 38 3-Len Case-George Matuch vs.
Play 3NT E -400 8.5 50 4-Betty Nielsen-Patt Corbin vs.
Play 4 E -480 2.5 15 5-James Rhoden-Patrick Heading vs.
Play 3NT E 50 15.5 91 6-David Drake-Donna Drake vs.
Play 3NT E 50 15.5 91 7-W June Vignati-Thomas McMullin vs.
Play 4 E -480 2.5 15 8-Maurice Wright-Pamela Wright vs.
Play 2 E -200 12.5 74 9-Michael Dalton-Marianne Claysmith vs.
Play 4 E -480 2.5 15 10-Mara Tuttle-Linda Miller vs.
Play 3NT E -50 1.5 9 2-Judith Miller-Lee Weiner vs.
Play 3 W 230 6.5 38 3-Craig Hemphill-Nancy Mitchell vs.
Play 3NT E -50 1.5 9 4-Linda Kitts-Joseph Ur vs.
Play 5 W 420 10.5 62 5-Julie Bradley-James Heneghan vs.
Play 4 E 480 14.5 85 6-Prasad Krishna Moorthy-Suresh Sane vs.
Play 3NT E 400 8.5 50 7-Lewis Norris-Cece Lichtenstein vs.
Play 2 E 200 4.5 26 8-Mark Kessler-Clive Morgan vs.
Play 4 E 480 14.5 85 9-Alexander Weiss-Marlise Cusick vs.
Play 4 E 480 14.5 85 10-Lee Bukstel-Scott Weiss vs.


text:
Home > Bank of Valletta reports half-yearly results for June 2018
Notice to Vilhena Funds SICAV plc shareholders - Prospectus Amendment
BlockFinance - Opportunities in the Asset Management Sector
Bank of Valletta supports the Malta-Japan Chamber of Commerce
Bank of Valletta discusses Distributed Ledger Technologies in Banking
Bank of Valletta reports half-yearly results for June 2018
Bank of Valletta licensed as a Higher Education Institution
Bank of Valletta Group has today announced its half-yearly results for the six months which ended on 30 June. Profit before litigation provisions amount to €88.5 million, which is 30% higher than the €67.8 million recorded for the same period last year, and is indeed the highest ever half-yearly profit reported by the Group. The Group has recorded a pre-tax profit of €13.5 million, after recognising a provision against potential litigation losses of €75 million.
Total income for the Group, comprising interest margin, fees and trading income, amounted to €127.9 million, compared to €115.5 million last year, an increase of 11%. Costs were kept under control, rising by 2% to reach €63.9 million. The Group also benefited from an improvement in the credit quality of its loan book, which led to a reversal of impairment provisions of €20.2 million.
The results were impacted by a provision of €75million against potential losses arising on significant litigation cases which arose in previous years in which BOV is involved. The Board of Directors keeps these cases under continuous review to assess the Bank's position from time to time in the light of developments as they occur. Should developments so warrant, the Board will take the necessary measures in accordance with the changed circumstances, including making appropriate provisions. Such provisions are made without prejudice, and do not, in any way, constitute any admission of fault or liability on the part of the Bank.
Lending to customers remains the largest asset on the Group's balance sheet, and showed a satisfactory growth, mostly in the home loans segment. The management of customer deposits was another key focus for the Bank, which was deemed necessary in a period of prolonged low interest rates. While retail deposits continued to increase in a sustained manner, corporate deposits decreased. Total deposits with the Bank today amount to €10 billion.
Mr Deo Scerri, BOV Chairman, explained that the Board is, as always, focused on ensuring the long-term stability and sustainability of the Group, through the build up of strong capital buffers and by keeping the business model under constant review. In this context, the Board has resolved not to declare an interim dividend, and will not be recommending the payment of a final cash dividend. "By re-investing profit rather than paying it out in cash, the capital position of the Bank will continue to be strengthened, as befits a bank which is considered by international regulation as a systemically important institution for Malta," said the Chairman.
The Board is, concurrently, implementing a business restructuring programme at BOV with the aim of reducing the Bank's risk profile. This is a medium term programme which will see the Bank re-dimensioning or closing down certain non-core businesses and relationships which lie at the periphery of the Board's risk appetite, or where the risk being assumed is not adequately remunerated by income generated.
Mr Scerri stated that "these twin strategies of capital conservation and de-risking the business model are the tools which will ensure the long term future of BOV as a safe, sustainable and profitable institution." He concluded by thanking all stakeholders, including customers, shareholders and employees, for their continuing support and their commitment to the Bank.
Click here for the Financial Results Summary
First risk-driven contractual funds on the Maltese market More details >

redpajama_set_name: RedPajamaCommonCrawl


As cheesy as it sounds, finding and being with my now husband really helped me to settle into my own skin, without having to pretend to be anyone else, or not have to laugh at jokes by guys that aren't fun. I can go without make up, sing in the shower, eat all the cookies and i'm still his guy. That's help me alot - in terms of being comfy and being more expecting of myself.
As soon as I finished reading your post, I watched this episode online. All 3 girls were so poised & I loved their style. It seems like it can be exhausting, though, to spend that much time on hair & makeup & clothes every day!


text:
Um tribunal arbitrário é um tribunal que ignora padrões reconhecidos de direito e justiça. A definição também se aplica a julgamentos conduzidos por autoridades judiciais legítimas que intencionalmente ignoram as obrigações jurídicas e éticas. Frequentemente é negada a representação legal aos réus, e em alguns casos a própria defesa.

As causas mais relatadas para tribunais arbitrário são viés preconcebido do julgador ou motivações políticas. Tais julgamentos são frequentemente instituídos com a intenção de dar aparência de um processo justo, apesar do veredito ter sido concebido antes mesmo do processo iniciar. Um exemplo é o julgamento de Pol Pot e seu irmão Ieng San pelo Tribunal Revolucionário do Povo no Camboja em agosto de 1979. Após um longo julgamento que durou cinco dias, ambos foram sentenciados a pena de morte  em 19 de agosto de 1979.
Evidências conclusivas mostraram que os vereditos e os papéis com sentença haviam sido preparados antes do início do julgamento.
Baseado nessas evidências as Nações Unidas não reconheceram o tribunal alegando que este não seguiu os padrões do direito internacional.

Um tribunal arbitrário também pode se desenvolver quando a estrutura e a operação do fórum resultam em condições desiguais entre as partes envolvidas. Um exemplo comum é quando os disputantes institucionais têm vantagens estruturais excessivas e injustas sobre disputantes individuais.

Ver Também
Lawfare
Linchamento
Farsa judicial
Tribunal de exceção

Direito
Tribunais
Vigilantismo

redpajama_set_name: RedPajamaWikipedia


So we went to a vegan restaurant and Gurd left his phone number for a hot waiter. No big deal. But did he call or text???
Also, we talk Oscars dresses, acceptance speeches and Shakespeare!
ALSO we talk about OCD about watching royal weddings.


Naked Farm came to us with a tasty challenge: create a brand identity for their handmade jams, hot-sauces, and rubs that conveys their serious commitment to good ingredients with a humorous edge.
A hand-drawn illustration plays up the made-by-hand origins of these products. That was especially important because they're sold primarily at farmers' markets. We riffed on the au naturel theme, without getting too racy, nor too cartoonish. It had to work on labels for jars and tins as well as on banners and display signage.
Considering colors: punchy, yes. But black-and-white was too stark for this brand. We paired black with peach instead. For earthy appeal, sans the Earth shoes.
Inspired by Scandinavia. Roasted in Concord.


A new stake has been created from the Yerevan Armenia District. The Yerevan Armenia Stake, which includes the Ashtarak, Charentsavan, Gyumri and Yerevan branches and Achapnyak, Arabkir, Artashat, Malatia and Vanadzor wards, was created by Elder Russell M. Nelson of the Quorum of the Twelve, Elder Per G. Malm of the Seventy and Elder Arayik Minasyan, an Area Seventy.
YEREVAN ARMENIA STAKE: (June 16, 2013) President — Hovik Khachaturi Hovhannisyan, 56, self-employed; wife, Laura Karapetyan. Counselors — Varuzhan Poghosyan, 42, Seminary and Institute coordinator; wife, Silva Markaryan Poghosyan. Artur Sargsyan, 37, self-employed; wife, Alla Sargsyan.
ALEXANDRIA LOUISIANA STAKE: (Aug. 17, 2013) President — Matthew David DeFord, 38, associate professor at Northwestern State University; succeeding Dwight Epperson; wife, Julie L. Heggie DeFord. Counselors — Jean Roger LaCaze, 60, equipment inspector for Louisiana Department of Transportation and Development; wife, Breta Ann Arceneaux LaCaze. Richard Jeffrey McClure, 60, baker/owner of The Bakery Cottage; wife, Linda Susan Burke McClure.
MELBOURNE AUSTRALIA HEIDELBERG STAKE: (June 23, 2013) President — James Ashley Parton, 40, asset manager at Relate Empower Deliver; succeeding Robert J. Dudfield; wife, Jodie Christina Llewellyn Parton. Counselors — Roderick Matthew James Terry, 54, sales manager at IBM Australia; wife, Eileen Elizabeth Good Terry. Ivan Stratov, 47, physician; wife, Svitlana Mykolaenna Paicityk Stratov.
CLEARFIELD UTAH STAKE: (Aug. 18, 2013) President — Richard Smith Swanson, 41, principal in the Davis School District; succeeding Douglas P. Reed; wife, Joni Machelle Johansen Swanson. Counselors — Robert Stephen Gross, 64, aircraft production at Hill Air Force Base; wife, Ann Parry Gross. Steven Brett Carlson, 40, self-employed; wife, Julie Ann Mackay Carlson.
INDIANAPOLIS INDIANA NORTH STAKE: (Aug. 18, 2013) President — David S. Kinard, 46, vice president of human resources at Eli Lilly and Company; succeeding Paul H. Sinclair; wife, Heather Kay Hamilton Kinard. Counselors — Randall Kent Bland, 61, 5th grade teacher; wife, Patricia VanDyke Bland. Craig Jay Freeze, 43, executive sales representative at Merck & Co., Inc.; wife, Emily Black Freeze.
OGDEN UTAH PLEASANT VALLEY STAKE: (Aug. 17, 2013) President — Mark Chester Furniss, 60, partner in Schmitt, Griffiths, Smith and Co.; succeeding Michael V. Houtz; wife, Julie Ann Barlow Furniss. Counselors — Johnny R. Nelson, 57, estimator with Redd Roofing; wife, Terri Brough Nelson. Daeyoon Kim, 52, owner of Inno-Vita, Inc.; wife, Jeanhyung Beck Kim.
PELOTAS BRAZIL STAKE: (Aug. 11, 2013) President — Juliano Porto De Souza, 31, clerk at the Bank of Brazil; succeeding Luis Eugenio Asconavieta; wife, Michele De Oliveira De Souza. Counselors — Elton Da Silva Lima, 30, vendor; wife, Daniele De Avila Machado. Paulo Afonso Dias Jr., 26, sales representative at HVAC Engineering Design; wife, Barbara Duro Dias.


Special type pan mixing machine with solenoid control pneumatic door system fitted with Rossi Italy high efficiency bevel helical gear box and 15H.P Motor.
PAN MIXER MANUEL DOOR OPERATED.
500KG PAN MIXER WITH V9 GEAR BOX POWER 20H.P.AVAILABLE MANUEL DOOR AND PENUMATIC DOOR.


(4) patients admitted must not be in need of inpatient rehabilitative care.
(f) that the facility shall participate with the commissioner or his designee in a program of patient care and services monitoring which shall include but not be limited to review of admissions, care and services provided, continued stays, and discharge planning. The facility shall furnish such records and reports at such frequency as the commissioner or his designee may require and shall make available members of the interdisciplinary patient care team for case conferences as the commissioner or his designee deems necessary.


I kind of hate those classic questions.
Questions are sometimes all people feel comfortable asking.
the person asks you something a bit deeper, like, "How are you REALLY?
deeper ones. Usually both people walk away to talk to different people.
meaningful conversation where we truly connected.
you run into someone home from college, ask how they're really doing.
hardships amidst the fun times.
truly living because I'm riding this roller coaster of life.


text:
Q: String comparison C++ I want to check szDir in szSelectedDir. I want the function to consider the below inputs are different. My sample function is not handling the scenario, please let me know the good solutions.
string szSelectedDir ="C:\\Windows1\Test";
string szDir="C:\\Windows";

void IsWindowsDirectory(const string szSpecialPath, const string szSelectedPath)
{

    if(szSelectedPath.compare(szSpecialPath) == 0)
    {
        printf("Both paths are same ");

    }
    else if(szSelectedPath.find(szSpecialPath) != string::npos)
    {
        printf("Both paths are same ");
    }
    else
    {
        printf("Both paths are different ");

    }

}

A: To check szDir in szSelectedDir.
if (szSelectedDir.find(szDir) != string::npos)
{
    // You found szDir in szSelectedDir
}

As someone already said, comparing strings in C++ is pretty straightforward...
if (szSelectedPath == szSpecialPath)

I suggest you to pass strings by reference (strings not null, amongst other things).

redpajama_set_name: RedPajamaStackExchange


IDontWantThisUsername doesn't have a personal statement currently.
I have recorded myself so you could give me some feedback.
Myself I think that I could get more relaxed in my hands when doing vibrato. When I try to make slow vibrato, it feels like my hand gets kind of cramped, and it gets faster than I want it to. Do you have any advice on this?
Do i have to get RiffWorks to record with it?
I'm thinking of getting a new guitar, and I would be happy if i got some good tips.
Does it stay in tune? Are there any flaws?
I heard the pickups were terrible, can anyone describe the sound?
Does it stay in tune? Is the edge pro tremolo system working well?
What would you say if i chose the pink one?


A massive, six-engined mega jet with a wingspan greater than the length of an American football field and known as the world's largest all-composite aircraft completed its first flight Saturday.
The behemoth Stratolaunch jet lifted off from Mojave Air and Space Port in California at 6:58 a.m. PDT. Achieving a maximum speed of 189 miles per hour, the plane flew for 2.5 hours over the Mojave Desert at altitudes up to 17,000 feet.
Stratolaunch Systems was founded in 2011 by the late Microsoft co-founder Paul Allen and is vying to be a contender in the market for air-launching small satellites into space.
"The Stratolaunch aircraft is a mobile launch platform that will enable airline-style access to space that is convenient, affordable, and routine," according to a press release.
The reinforced center wing of the aircraft can support multiple launch vehicles, weighing up to a total of 500,000 pounds.
The test flight on Saturday enabled the Stratolaunch test team to conduct standard aircraft testing exercises. The aircraft performed a variety of flight control maneuvers to calibrate speed and test flight control systems, including roll doublets, yawing maneuvers, pushovers and pull-ups, and steady heading side slips. It also conducted simulated landing approach exercises at a max altitude of 15,000 feet mean sea level.
According to test pilot Evan Thomas, a former F-16 Air Force fighter pilot, the plane flew as predicted for the most part.
The aircraft's wingspan measures 385 feet — wider than any airplane on the planet. It's powered by the same type of engines used by Boeing 747s, and is designed to take off at a maximum weight of 1.3 million pounds (589,676 kilograms).
Its twin fuselages are 238 feet long, and the aircraft is so big, it has two cockpits — one in each fuselage — although only one is used to fly the plane.
The satellites that the Stratolaunch might launch in low Earth orbit in the future can provide communications and broadband internet connectivity to remote areas on the ground, according to CNN.
The market for commercial satellite launch services is growing rapidly and is expected to reach $7 billion by 2024, according to Global Market Insights.
Richard Branson's Virgin Orbit is also close to launching its own LauncherOne rocket into space for its maiden flight next year. LauncherOne is designed to carry and launch small satellites of up to 1,100 pounds into orbit. But unlike most rockets which launch from a stationary pad, LauncherOne will be released from beneath an airplane.


text:
Cercié is een gemeente in het Franse departement Rhône (regio Auvergne-Rhône-Alpes) en telt 911 inwoners (2004). De plaats maakt deel uit van het arrondissement Villefranche-sur-Saône.

Geografie
De oppervlakte van Cercié bedraagt 4,9 km², de bevolkingsdichtheid is 185,9 inwoners per km².

Demografie
Onderstaande figuur toont het verloop van het inwonertal (bron: INSEE-tellingen).

Externe links
 Informatie over Cercié

Gemeente in Rhône


text:
Q: Does std::list's erase member function call the destructor for all stored elements? I am debugging one memory issue it has some relation with the std::list::erase method.
While reading the documentation for std::list::erase, I saw this statement:

"This effectively reduces the container size by the number of elements removed, which are destroyed."

I am having difficulty in understanding this statement. As an example, consider this setup:
class demo {

};
std::list<demo *> mylist;

Now, suppose I call mylist.erase(iterator of list). I thought that this would call the destructor for class demo, but it doesn't seem to, which seems to contradict the statement "which are destroyed."
Can you please help me with this?
Thanks!

A: When you call the clear() method of the list, it will destroy all of the objects stored inside of the list. In your case, you have a list of demo*s This means that each of the pointers will be destroyed, since the pointers are stored inside the list, but the pointees won't be destroyed because the pointees aren't stored inside the list. In other words, destroying the pointers isn't the same as calling delete on each of those pointers. As a result, it's usually not recommended to store raw pointers in container types if those pointers own the objects they point at, since, as you've just seen, the destructors aren't called automatically.
Now, on the other hand, suppose you have a list<unique_ptr<demo>>. In that case, calling clear() will destroy all the unique_ptr<demo>s in the list. This in turn will deallocate the objects that the unique_ptrs point at, since destroying a unique_ptr also destroys the object it points at. This works because unique_ptr has an idea of ownership and realizes that it needs to destroy the object it points at when it is itself destroyed.
Hope this helps!

A: And just to clarify, erase() also destroys the element in the same way that clear() does.
// Removes the element from the list and destroys it:
mylist.erase(iterator);


text:
Questions are currently answered in about 23 minutes. Ask a Question.
Could You Help Me Interpret The Lyrics Of This Song?
ForumsGrammar & Sentence Structure
Maybe the song looks easy, but I don't quite get the message. I can see the trees, but I can't see the wood.
She said "i'll throw myself away,
They're just photos after all"
I can't make you hang around.
I can't wash you off my skin.
Outside the frame, is what we're leaving out
You won't remember anyway
I can go with the flow
I would say it doesn't matter (with the flow) matter anymore
I can go with the flow (I can go)
Do you believe it in your head?
It's so safe to play along
Little soldiers in a row
Falling in and out of love
Something sweet to throw away.
I want something good to die for
To make it beautiful to live.
I want a new mistake, lose is more than hesitate.
Do you believe it in your head? X3
I would appreciate any hints.
Aug 30 2004 13:25:16
demicjusz
Often it's the music that's more important than the lyrics.
It's pretty much incomprehensible, as you point out.
I don't think it's worth the brain strain to try to squeeze any meaning out of it.
I'm not familiar with the song, but maybe someone who is will post a more enlightening reply!
CalifJim
She really likes him, but thinks she can survive without him, but would like him to try to commit himself to their relationship anyway, because she wants to be in love.
... or something to that effect...
Mister Micawber
Site Hint: Check out our list of pronunciation videos.
I would appreciate ANY hints and WILDEST guesses.
Mister Micawber's reply was promoted to an answer.
Students: Are you brave enough to let our tutors analyse your pronunciation?
Nice signature!
"She said she throw herself away "because of the naked pictures she sent to guys. "They're just photos after all". The word "just" says to me that she doesn't matter anymore and that she has got no more self-esteem. "I can't make you hang around" because the guys only want sex with her and nothing else. "I can't wash you of my skin" so with other words: I can't change this, because it happened. I can't go back in time. "Outside the frame is what we're leaving out, you won't remember anyway" is written because the guy she had sex with does not know anything about it after the night. He doesn't give a *** about her personality, it's just sex you know.
"I can go with the flow, but don't say it doesn't matter anymore" is because she thinks it doesn't matter anymore. It's not good for her to think that way. So she has to say "I can go with the flow". After that sentence you get "do you believe it in your head?". So: Do you believe in what you just say "I can go with the flow"?.
"It's so save to play along, little soldiers in a row." The soldiers are the guys who want sex with her and it's "save" to play along with those guys because she's afraid to have love with just one guy. Afraid to get hurt again. "Falling in and out of love, with something sweet to throw away". She throws her love away because she's afraid to get hurt by love. "But I want something good to die for, to make it beautiful to live" is because she wants to "live" and not to survive. She wants love but doesn't dare it because of her horrible love in the past. "I want a new mistake, lose is more than hesitate." Is the most important sentence of the song (I guess). Because she has to move on, to dare to love again, so she will make her life "beautiful" again. "Lose" (her self-esteem) is far more heavy than to "hesitate" about one simple love that MAYBE can or can't succeed. "Do you believe it in your head?" So: Do you believe that "losing" is far more heavy than to "hesitate" about love? The answer is yes, she does. So she made a baby with the guy she loves, and her life will be beautiful again.
Apr 16 2017 11:35:24
Help Me Please.....?
Could You Help Me Get Out What Clinton's Saying?
Can You Help Me With This?
Could Someone Explain Me A Saying?
Help Me With Words Please?
Could You Please Answer The Below Questions...
Help Me Answer This Scholarship Question?
Could You Tell Me How Do You Write A Home Phone...
Deser Loving Meaning In Karma Chameleon Song?
Help Me Check This Writting Lesson ? Thanks You!?
Help Me Check This Request Letter. Thanks?
Please, Help Me By Checking This Leter. Thank You?
Answer some questions
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warning: Global warnings at the end of the logfile.
This package provides a command that generates a list of warnings that are printed out at the very end of the logfile. This is useful for warnings such as 'Rerun for this or that reason' or 'This is a draft, change it before the final run'.


text:
Q: ¿Como hago para que el modal no me cambie el id?
Buenas noches el problema que tengo que ya llevo horas tratando de solucionar es que al hacer uso de un procedimiento almacenado en mysql e imprimirlo con jinja me arroja el id del atleta entre otras cosas(en este caso mi usuario) bien, el problema esta en que a la hora de llamar a una funcion mediante un modal que hace un update, el id aparece cambiado y no tengo idea porque.
Lo que ya hice es comprobar que a la hora de imprimir los usuarios estos si cuentan con el id correcto, es a la hora de llamar a un procedimiento con un modal que se cambia
Aqui les dejo el codigo del html
    {% extends "base.html" %}
    {% block content %}
    <!DOCTYPE html>

      <link href="{{ url_for('static', filename='/css/listar.css' ) }}" rel="stylesheet" />
      <link rel="stylesheet" href="https://stackpath.bootstrapcdn.com/bootstrap/4.1.3/css/bootstrap.min.css"
        integrity="sha384-MCw98/SFnGE8fJT3GXwEOngsV7Zt27NXFoaoApmYm81iuXoPkFOJwJ8ERdknLPMO" crossorigin="anonymous">

 Lista de Atletas a tu Cargo

          <input type="text" class="campotexto" id="search" onkeyup="myFunction()" placeholder="Escriba para buscar">

              Nombre
              Categoria
              Operaciones

            {%for d in atleta%}

              {{ d.1+' '+d.2+' '+d.3 }}
              {{ d.4 }}

                Insertar Medidas
                Insertar Record

{{ d.0 }}

                Actualizar Categoria

            {% endfor %}

      {%for d in atleta%}

Modificar Categoria

           <form action="/actualizar_Cat/{{d.0}}" method="POST" id="insert_form">
            Inserte nueva Categoria:
            <input type="text" name="categoria" id="categoria" list="exampleList">
            <datalist id="exampleList">
              <option value="Principiante">
              <option value="Intermedio">
              <option value="Avanzado">
              <option value="RX">
            </datalist>

            <input type="submit" name="insert" id="insert" value="Insert" class="btn btn-success" />
           </form>

           <button type="button" class="btn btn-default" data-dismiss="modal">Close</button>

      {% endfor %}

    {% endblock %}

Ahora les dejo mis funciones en python 3
#Con esta se carga el template de arriba
@auth.route('/seleccionados', methods=['GET', 'POST'])
def seleccionados():
    cur = mysql.connection.cursor()
    cur.callproc("infoatleta",[current_user.id])
    rv = cur.fetchall()
return render_template('seleccionados.html',atleta=rv)

#Este es el metodo que se manda a llamar mediante el modal
@auth.route('/actualizar_Cat/<id>',methods=['GET', 'POST'])
def actCat(id):
    print ("EL ID DEL ATLETA ES"+str(id))
    cur = mysql.connection.cursor()
    if request.method == 'POST':
        cat = request.form['categoria']
        if cat=="Principiante":
            idcat=1
        elif cat=="Intermedio":
            idcat=2
        elif cat=="Avanzado":
            idcat=3
        elif cat=="RX":
            idcat=4
        cur.callproc("actualizarCategoria", [id, idcat])
        mysql.connection.commit()
        cur.close()
    return  redirect(url_for('auth.seleccionados'))


text:
A Tale of Love and Darkness () is a 2015 drama film written and directed by Natalie Portman in her directorial feature debut. Based on the memoir of the same name by Israeli author Amos Oz, it takes place in Jerusalem in the last years of Mandatory Palestine and the first years of independent Israel. It stars Amir Tessler as Oz, and Gilad Kahana and Portman as his parents. It was screened at the 2015 Cannes Film Festival and in the Special Presentations section of the 2015 Toronto International Film Festival.

Plot
Amos (Yonatan Shiray) reflects on his early childhood in British Mandate of Palestine (now Israel) with his mother Fania (Natalie Portman) and father Arieh (Gilad Kahana). His parents are Ashkenazi Jews who have immigrated from Europe to Jerusalem. Amos's mother finds life difficult because Jerusalem is a desert, because her family lives in Tel Aviv, and because communication with them is difficult. Amos, an only child, is particularly close to his mother, who frequently tells him stories based on her childhood that often have unhappy or violent endings.

Amos's parents regularly lend him out to a childless couple they are friends with. On one occasion this couple take him to visit a friend of theirs, a Palestinian Arab. They warn Amos to be quiet and not make much fuss lest he offend their hosts, but while playing with a swing he accidentally injures the Arab's little son. Terrified, Amos's father calls the injured boy's father and promises to pay all of the hospital fees.

On November 29, 1947, Amos's family and others from the neighbourhood gather around a radio in the street to hear the passing of United Nations General Assembly Resolution 181, which adopted a plan to partition Mandatory Palestine into independent Arab and Jewish states. Amos's parents are overwhelmed with joy. His father tells him  how savagely his grandfather was treated by anti-Semites in Europe and how, now that the Jewish people have a country of their own, that anti-Semitism will disappear forever. Arieh tells Amos that while he may be bullied someday for being an intellectual, no one will ever mistreat him for being a Jew.

Soon afterward, civil war erupts between Arabs and Jews in Palestine. Amos's father enlists to fight in the war, while Amos and other children are recruited to gather bottles for 'cocktails' and bags for sand for the war effort. One of Fania's friends is killed by a Palestinian sniper while she is hanging up her family's laundry.

Although the war soon ends in defeat for the Arabs, Fania falls into major depression and becomes unable to sleep or eat. Amos and Arieh try their best to hide her depression from their friends and family. While taking anti-depressants, Fania abruptly becomes her former, more lively self and begins to act normally with her husband and son. During a meal at a restaurant, however, she relapses once more. Saying that he doesn't know how to help her, Arieh sends Fania to her sisters in Tel Aviv. Despite her sisters' efforts to lift her spirits, Fania commits suicide by a deliberate overdose in 1952. In voiceover, Amos expresses a belief that his mother felt so much pain that she had come to see death as a lover with whom she longed to unite herself.

Years  later, Amos goes to live on a kibbutz, where he works to fulfill his mother's dream of making the desert bloom. During a visit from his father, a teenaged Amos shows off his new life but admits that despite his attempts at being a strong and healthy farmer, he is still a pale and weak intellectual.

Decades later, an elderly Amos Oz sits down to write his memoirs, beginning with the word, "Mother".

Cast
 Natalie Portman as Fania Klausner née Mussman
 Gilad Kahana as Arieh Klausner
 Amir Tessler as Amos Klausner (child)
 Makram Khoury as Halawani
 Yonatan Shiray as Amos Klausner/Oz (teenager)
 Shira Haas as Fania Mussman (young) / Kira
 Tomer Kapon as The Pioneer
 Neta Riskin a Haya

Production

According to Portman, she optioned the rights to the book over tea, while visiting with Oz and his wife. It took her eight years to write the script and find funding, during which time she insisted that the adaptation remain in Hebrew.

It is the second film in which Portman speaks Hebrew. In order to play the role of Amos Oz's mother, an immigrant from what is now Ukraine, Portman made considerable efforts to remove all traces of an American accent from her Hebrew.

Portman recruited designer Alber Elbaz to design the costumes she wore in the film.

In March 2016 Focus World acquired the rights to distribute a theatrical release of the film in the United States.

Reception
The film has received mixed reviews, with 71% out of 58 film critics on the online review website Rotten Tomatoes giving it a positive rating. The website's critical consensus reads, "A Tale of Love and Darkness suggests greater things for debuting writer-director Natalie Portman — even if its reach slightly exceeds her creative grasp." Critical aggregator website Metacritic awarded the film a score of 55, indicating "mixed or average reviews".

References

External links

2015 films
2015 directorial debut films
2015 drama films
American drama films
Amos Oz
2010s Arabic-language films
2010s Hebrew-language films
Israeli drama films
Films about Jews and Judaism
Films based on autobiographies
Films based on Israeli novels
Films directed by Natalie Portman
Films produced by Ram Bergman
Films scored by Nicholas Britell
Films set in the 1940s
Films set in the 1950s
Films set in Jerusalem
Films set in Mandatory Palestine
Films with screenplays by Natalie Portman
2010s Russian-language films
2010s English-language films
2015 multilingual films
American multilingual films
Israeli multilingual films
2010s American films


Cairo Nightlife and Cafes represented by Cairo Jazz Club. The Cairo Jazz Club indeed is the right place to Jazz it up. The club features live performance and delicious drinks. It is one of the best places to go for a lovely night out in Cairo. In fact, it has one of those smoky atmospheres. It seems to go hand in hand with Jazz. There are electronic nights and some beautiful Oriental Jazz sets. The venue is open from 5 PM till 3 AM. Furthermore, it has happy hour from 7 to 9, where drinks are two for one. It's best to reserve if you plan a visit as many locals and expats frequent the club. Anyone under 25 will not admitted. Cairo Jazz Club established in 2001 by 3 young entrepreneurs. They recognized the city's need for a venue and offered quality upscale services within a homely atmosphere.
Cairo Nightlife and Cafes also represented by the Opera House. Cairo Opera House is a part of Cairo's National Cultural Center. Moreover, it is the main performing arts venue in the Egyptian capital. Cairo Opera House is the home to most of Egypt's finest musical groups. It located on the southern part of Gezira Island in the Nile River. It is in the Zamalek district west of and near downtown Cairo. In fact, Cairo Opera House inaugurated on October 10, 1988. The funds for the complex were a gift from the nation of Japan to Egypt. It was as a result of President Hosni Mubarak's visit to Japan in April 1983. In fact, the construction of Cairo Opera House began in May 1985.
Cairo Nightlife and Cafes also represented by El Fishawy Cafe. The Cafe indeed is the most renowned cafe in the Arab world. It is a monument to the traditional Egyptian social style. The Cafe Cairo is popular for relaxing with friends and colleagues. It is the occasional stranger over coffee, tea and tobacco. Some 240 years ago, a man named El Fishawy began serving coffee to his friends. It was in an alley of Cairo's Khan El Khalili district. This was each evening after prayers. According to his descendants El Fishawy's gatherings grew larger. It fueled by the talk of the town. El Fishawy added mint tea and anise tea to his informal menu. This is besides shishas (water pipes). "We are different from the other coffeehouses because we work to preserve the old style". Says Akram El Fishawy. He is one of the El Fishawy Cafe Cairo's seventh-generation owners.
Cairo Nightlife and Cafes also represented by La Bodega Bistro. It is one of Cairo's most refined venues. Moreover, it tucked away on the second floor of a beautiful old Baehler's Mansions building. It is in the uptown Zamalek area in Cairo, Egypt. There is no sign indicating the restaurant / bar. You just head upstairs and there it is. The cuisine at La Bodega Bistro regarded as some of the best in Cairo. It is intercontinental, but with strong French and Mediterranean overtones. The decor is lovely with dark wood, a copper bar and exquisite pieces of art adorning the walls. If you're planning a night at La Bodega Bistro, it's best to dress up. It is is an exclusive venue; reservations recommended.
Cairo Nightlife and Cafes also represented by Le Pacha 1901. The boat is the right place to go if you are looking for extravagant Nile side dining. In fact, The boat features 9 restaurants offering scrumptious meals from around the globe. Moreover, The boat also has several function rooms where you can hold events. It located in Cairo. The boat is the winner of the Best Restaurant in Egypt for 2010. The venue located in the upscale Zamalek area and is a "floating palace". Moreover, the variety and quality of dining in Le Pacha is almost unrivaled in Egypt. Inspired by the "Piazza San Carlo", one of Italy's famous squares. It is Piccolo Mondo's cozy Italian atmosphere.
Cairo Nightlife and Cafes also represented by Nile City Boat. The Nile City Boat in Cairo has five different restaurants and amazing views of the Nile. It located by the 6th of October Bridge on Zamalek in Cairo. It is a great place to visit for lunch or dinner. Chili's is a famous international brand. It indeed is one of the most frequented places on board. Moreover, it offers Tex Mex meals, indoor and outdoor seating. Both are with good views of the river. Johnny Carino's is another restaurant on board of Nile City Boat. It offers wonderful Italian cuisines. Cuisines include pastas, pizzas, soups, and salads. Studio Misr is also available on Nile City Boat Cairo board. It offers Mezze and Middle Eastern grills. They offered at reasonable prices while old movies screened.
Cairo Nightlife and Cafes also represented by Nile Crystal. It is one of the most elegant cruising restaurants on the Nile. The dock of Nile Crystal cruise is on Maadi Cornish in Cairo. Nile Crystal known to have the best quality of service one can find on a Nile cruise in Egypt. The house band performs your all-time favorite Western and Oriental tunes. It is with a twist, as you dine on either a Open Buffet or Set Menu. Nile Crystal cruise program includes spectacular belly dancing show.
Cairo Nightlife and Cafes also represented by Nile Maxim cruise. The Nile Maxim cruise is a cruising restaurant in Cairo. In fact, it offers an exceptional and luxurious model of the cruising restaurants in Cairo. Moreover, it is the only one serving "A La Carte" International cuisine. Furthermore, Nile Maxim cruise features live entertainment program. The program adds an unforgettable atmosphere to the whole scenery. It also features extravaganza Band' Belly Dancer and the Folkloric Tanoura show "Spin Man". The capacity of Nile Maxim cruise Venue can accommodate up to 350 guests. It is with a flexible and adjustable set up. It is according to reservations and nature of event. In fact, the cruise makes 3 trips daily. Each is for 2 hours starting with the sunset cruise. Upon special request other cruises offered for Breakfast, lunch, or Super Late Dinner.
Cairo Nightlife and Cafes also represented by Nile Pharaoh cruise. The Nile Pharaoh cruise is a great way to spend a Cairo evening. Moreover, it is a unique way to enjoy a sumptuous lunch on the Nile. In fact, the Nile cruise begins in Giza and traverses the Nile to the downtown area. And then back, taking approximately two hours. Moreover, on board you will entertained by a belly dancer and an Egyptian singer, as well as a folkloric show. Western Music also played. While you enjoy the entertainment, you will served a lovely buffet dinner with a variety of entrees. Furthermore, the decor of the venue done in Pharaonic style and adds much to the jovial mood.


CHELSEA have reportedly given Antonio Conte the green light to bring in his own backroom staff when he is appointed manager.
Express Sport understand Conte, 46, will be announced as Chelsea's new boss for the summer by the end of the month.
The Italy head coach will lead the national side into Euro 2016 before leaving the post to take charge of Chelsea.
His representatives have been in London to negotiate a three-year contract worth £18m.
As for Conte, the former Juventus manager has successfully brought forward a court hearing in regards to an alleged match fixing scandal in Italy.
Conte is alleged to have known of match fixing while manager of Siena five years ago.
His court appearances is scheduled for April 4 and is expected to last three to four weeks.
The previous date set for the trial threatened to clash with the European Championships.


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A pocket sized solar power station designed for charging AA/AAA batteries, and the batteries of small mobile applications, such as cellular phones, PDAs, digital cameras, portable audio/visual devices, and portable games. A long life and evergreen product awarded GOOD DESIGN AWARD 2001-2002, Small and Medium Enterprises Prize.
A global, economical and environmentally friendly power source for anyone on the planet.
An ideal companion to mobile appliances with its size, weight, compatibility, expandability and charging whilst carrying design.
A reliable and durable outdoor tool with its simple and robust structure.
Designed for charging 2 pieces of AA or AAA (sold separately) Violetta Ni-MH rechargeable batteries at the same time by sunlight. The batteries can be charged in shorter time by interconnecting 2 or more units with DC Power Cables (sold separately).
Designed for charging the batteries of DC4V-6V appliances, such as cellular phones, PDAs, and audio/visual devices with USB Power Adaptors(sold separately) and with widely available USB charger cables.
Designed for powering DC3V appliances, such as audio/visual devices with DC Power Cables.
Equipped with the most efficient single crystalline silicon solar cells for the maximum power generation for its size.
Made of UV resistant polycarbonate and special polymer materials withstanding the maximum abuse under the sun.
Equipped with a reverse current prevention circuit, a solar power indicator and a battery status indicator for carefree operations, and 2 DC in/out jacks for the maximum expandability.
Packed with an AAA battery holder.
It is not necessary to wait until the batteries are fully charged before use.
You can keep the batteries always charged when not in use by leaving them in the charger and facing it to the sunlight regularly. Violetta Ni-MH rechargeable batteries are designed to stand high temperature and overcharging under sunlight, and Violetta Solargear is equipped with the reverse current prevention circuit to protect the batteries from discharging at nighttime without sunlight.


What led her to Adobe?
Last week, Lewnes spoke on the Adobe Summit in Las Vegas. She lined a bit about Adobe's transformation to subscription-based merchandise and a give attention to expertise, having the fitting individuals, constructing a tradition of testing, and what she's wanting ahead to sooner or later.
Those marketing budgets consist of every thing from social media to analytics, market analysis to coaching.
Understandably, deciding the place to allocate these could be a robust query.
A distinct fall 2018 survey of 500 digital entrepreneurs discovered that 99% of companies deliberate to enhance budget in not less than one digital marketing channel over the approaching 12 months.
More funding in digital is a no brainer — the query is, how a lot?
According to the CMO Survey, at the moment marketing departments on common spend just below half (44.three%) of their budget on non-digital spending. In 5 years, nevertheless, that's anticipated to enhance by 22% to simply over half (54.1%).
Not solely would which have been forward of the curve immediately — it was distinctive in 2010.
What sort of individuals make digital transformation profitable?
Next, Lewnes touched on needing the fitting individuals to make transformation profitable.
In her descriptions, she talked about researchers, a mixture of each left and proper brains, and people with a brand new mindset — who are usually not afraid to experiment and problem the established order.
After individuals, of course, come processes.
Over the years, Lewnes has constructed a tradition of testing amongst her marketing staff.
Their beginning objective, years in the past, was only one check per week.
Now? They run not less than 50 per thirty days.
Further proof that so typically the toughest half is simply beginning with one step in the fitting course. If you begin small and do only one factor, you're way more possible to attain your eventual objective than for those who focus an excessive amount of on the issue and all that wants to be accomplished — and of course find yourself doing nothing.
What transformations does Adobe CMO Lewnes see on the horizon?
According to Lewnes, it is a nice time to be in marketing.


Won't you eat lunch with us? Steen doesn't have tea. Her suitors were all after her money. My bonus doesn't come close to covering all the loan payments I have to make. Nick will be waiting for me. Will this be painful? Now I have to find him. I'm counting on your presence. You're unbelievably stupid. You told a lie.
Everybody knows that he is still alive. Tufts is the most dangerous university in the world. This egg was perfectly cooked. Did you buy the painting you were looking at? Randolph won't talk. I'm going to take Mikey home. Can't you see Kenn is in agony? He was clever to leave so early. Francisco lives in a brown house. I became aware of someone looking at me.
Doctors advise us on our health. Christmas is only three weeks off. I had a few auditions, but never got a job. They say Jeannette is gone. Have you finished ordering? Stefan really enjoys cooking. My very educated mother just showed us nine planets. He can play the piano. I've enjoyed my stay. I was impressed with her work.
Hi, Mimi! How are you doing? I'm really looking forward to going to Boston. He writes to me once in a while. You're going to screw this up. You were never home. Bobbie accused Jean-Christophe unfairly. I brush my teeth twice a day. Is everything all right between you and Ramanan? Be on your guard. He's not an easy one to fool. The Web is a gigantic, dynamic document.
I don't want Edwin to get into trouble. Pim finally made up his mind to leave Penny. Don't you guys feel great? She's not my girlfriend. Bring the kids. I think Pam didn't do it. She was dressed in black. My town is quiet on early Sunday morning. Her face was clouded with anxiety. Everything Mann did, Wendi criticised.
It's not fair that she can go and I can't. I got up at seven. I got this recipe from my grandmother. We've got better things to do with our time. I want to see it. The map's legend shows what each symbol stands for. Many young people in Spain are unemployed. What about the combination of both? Niels applied a drying agent to his weeping wound. Your horse is beautiful.
My doctor told me that I should drink more water. I kind of lost my focus. Granville was unfriendly. One can't put that in words. Sergiu has decided to put off his departure. Ask Niels when he gets back. I know this area. When you look up at stars in the night sky, you're seeing other stars in the Milky Way. I really just want to make friends. Has anybody spoken to you?
Ninja isn't as naive as a lot of people think he is. What makes the earth spin? Governments cannot be expected to solve this problem. My hand are benumbed with cold. He accused her of having stolen the bike. Those are my earrings. This is a nice camera. India is now short of food. I never meant to do that. You're better off not getting in his way!
The coworker claimed he had missed the bus. The girl talked to trees. Put the kid into these clothes. I studied my part in the play. You like Piete, don't you? Where did you bone them? There were forty people present. I cannot understand why they are such good friends: they have little in common. I sat on the sofa. You still have time.
Les caught the ball with his right hand. You have a great memory! A friend's coming over tomorrow. Ron was quite a guy. Susumu's teacher wished him the best of luck in whatever he chose to do after leaving school. It rained for a week. Most people killed by smoking were not heavy smokers. Alejandro has the book that Ralf wants to read. The white drapery does not blend with the black wall. I charged them too much money for their room.


text:
<?php

namespace common\models;

use Yii;

/**
 * This is the model class for table "subjects".
 *
 * @property integer $id
 * @property string $name
 * @property integer $departments_id
 */
class Subject extends \yii\db\ActiveRecord
{

    public $teacherIds;
    /**
     * @inheritdoc
     */
    public static function tableName()
    {
        return 'subjects';
    }

    /**
     * @inheritdoc
     */
    public function rules()
    {
        return [
            [['department_id'], 'integer'],
            [['title'], 'string', 'max' => 25],
            [['teacherIds'], 'safe'],

        ];
    }

    public function getDepartment()
    {
        return $this->hasOne(Department::className(), ['id' => 'department_id']);
    }

    public function getTeachers()
    {
        return $this->hasMany(Teacher::className(), ['id' => 'teacher_id'])
            ->viaTable('teacher_subject', ['subject_id' => 'id']);
    }

    /**
     * @inheritdoc
     */
    public function attributeLabels()
    {
        return [
            'id' => 'ID',
            'title' => 'Title',
            'department_id' => 'Departments ID',
        ];
    }
}

redpajama_set_name: RedPajamaGithub


Utilizing Flow-X based flow computer technology, hybrid systems are supported in which our hardware based Flow-X flow series computers can be combined with software based Virtual Flow Computers, to create highly cost-effective and space-efficient metering solutions, all controlled and operated from a single and integrated software environment.
One of the advantages for the end-user is that only one standard type of flow computer module (Flow-X/M) needs to be held on stock, for a large range of flow computer systems, regardless of the application (fiscal, allocation, liquid, gas etc.).
The easy integration of our software and hardware products further ensures successful implementation, as both our software and our hardware products form a perfect fitting match.


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Home About PVAngels Get Involved Local News Event Calendar Add a Charity Partners for Change Contact Us Search
Puerto Vallarta • Riviera Nayarit
About PV
Historic PV
Day Trip to Las Juntas y Los Veranos
Gretchen DeWitt - PEACE Mexico
Las Juntas y Los Veranos is a small village in the municipality of Cabo Corrientes and not part of Puerto Vallarta. Population is listed as 560 persons living in 332 homes. It is an approximate forty-minute curving drive south along the lush, beautiful coastline on highway 200, a two-lane pitted asphalt road that is currently being paved.
Passing the landmark bird-inhabited Los Arcos in the Bay of Banderas and before arriving at the Botanical Gardens, one arrives at Las Juntas y Los Veranos. The name of the town comes from the two rivers that join there ("las juntas") and because it is a place where people went and still come in the summer ("Los Veranos") to cool off.
A Don Crispin tequila sign, an "ejido" office and a few terra cotta painted stores mark the town`s location. Friends are interested in looking at property on which to build, and so the three of us drove down and turned at the town onto a dirt road. We had only gone a couple of hundred yards before spotting a long cement wall, also painted terra cotta and a sign that read, "El 5 to Sol."
Impossible not to stop. The nursery is not a large one, but is filled with beautiful and unusual plants. I bought a Brazilian fruit tree with a strange name, two tropical cherry trees and night blooming jasmine. If there had been space in our car, I would have purchased more.
We continued up the road into the sloping countryside, passing a scattering of homes and livestock and hills covered with a mix of oak, pine, amapa, cedar and palm trees. After a half-hour of meandering, we retraced our way back to the highway and drove down towards the river to the "OK Corral" restaurant for a fajita lunch.
Crossing the street to the low river to cool off, we were entranced by the old wooden ship-like creaking from the cluster of tall, breeze-blown bamboo. The breeze also hinted of sewage, so we forewent our plans for a shallow dip and headed back to Vallarta, stopping at Punta Negra beach for a swim in the glittering bay.
Gretchen@PeaceMexico.org
PEACE Mexico is a nonprofit organization working in the areas of education, animal health, environment, and economic development. The organization works hand-in-hand with communities in the Bay of Banderas area and beyond to increase educational and economic opportunities that support an improved quality of life.
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Show Me an Improving NBA Player, I'll Write You a Blog
Five players who are making the most of new opportunities this season
By Haley O'Shaughnessy Oct 25, 2017, 4:23pm EDT
Share All sharing options for: Show Me an Improving NBA Player, I'll Write You a Blog
Photo by Stacy Revere/Getty Images
Point Guard: LeBron James
Here's the thing about the new, positionless NBA: one old head never cared about the traditional definitions anyway. Of course LeBron would excel at point guard when he took over for an injured Derrick Rose on Tuesday against the Bulls, his first time officially manning the position in the starting lineup since 2005. The longtime forward has been bringing the ball up and regularly alternating that responsibility with whichever ball handler he's playing alongside for years. With the exception of his rookie season, James has led every team he's ever been on—so, for 14 seasons—in assists per game. (He totaled the second most in his first season, behind Jeff McInnis.)
On Tuesday, James finished with 34 points, 13 assists, and three steals to push the Cavaliers past the Bulls 119-112. "Ever since I was a kid," James said after the game, "I've always learned every position on the floor. When I started playing ball, for some reason, I could learn every single position on the floor, all at one time."
It sounds like a humblebrag, but as is often the case with LeBron James, it is simply the truth.
LeBron a lo Magic Johnson pic.twitter.com/GZzayLPFYr
— LeBron en Español (@LeBronSpainFans) October 25, 2017
Shooting Guard (Sort of): D'Angelo Russell
Revenge will undoubtedly be the season-long theme for young Russell, but something tells me he thrives off of it. His stint with Brooklyn has already seen some fluctuation in his surrounding cast, with Jeremy Lin likely done for the season after just one game. D-Lo has been the primary ball handler since, but that move hasn't affected the sterling report card that is the third-year guard's stat line: Four games in with the Nets, Russell is averaging 23 points, 5.5 assists, 4.5 rebounds, and 1.8 steals in under 30 minutes (albeit with 4.3 turnovers).
But his much-improved stats don't capture the full New Russell experience. For instance, this nutmeg pass against Nikola Vucevic:
D'Angelo Russell just passed under Vucevic's leg. Special pic.twitter.com/PhkrTsfspW
— Anthony Puccio (@APOOCH) October 24, 2017
Or maybe this other nutmeg pass, also against Vucevic:
D'Angelo Russell with the NUTMEG on Nikola Vucevic! pic.twitter.com/pQWbJDYCmx
— YES Network (@YESNetwork) October 25, 2017
The Nets are quickly becoming a League Pass team, and have already [watches out for the masses, including many Ringer staffers] stepped up as the most fun team in New York. They're now 2-2 after losing to the Magic 125-121 on Tuesday. (Only 19 more wins to beat last season's record! With Revenge Russell, that should happen.)
Small Forward: Andrew Wiggins
Proof that a lone highlight can change public perception came on Sunday, in a matchup between "superteam" Oklahoma City and Minnesota:
Carmelo Anthony for the win...... until Andrew Wiggins #AllEyesNorth pic.twitter.com/Fl3tJdwGZP
— Fanatics View (@thefanaticsview) October 23, 2017
Wiggins hit a deep, buzzer-beating 3-pointer to edge out the Thunder 115-113. The bank, as they say, was open that night.
Minnesota is still stumbling to find its chemistry, rotation fit on offense, and, much to Tom Thibodeau's displeasure, effectiveness on defense. But, four games in, Wiggins is proving worthy of that five-year, $148 million maximum extension he signed just before the season began. He's averaging 20.3 points—which is about three points fewer than last season, but with improved efficiency from the field as he shares looks with new additions Jimmy Butler and Jeff Teague. He's also shooting the deep ball with confidence (36.4 percent) and more often (two more attempts per game) thanks to the open looks the threat of Butler provides.
Wiggins's trips to the line are horrendous—he's shooting just 51.7 percent on 29 total attempts—but here's hoping that, along with Minny's defense, that smoothes out as the season goes on. In the meantime, enjoy the many positives:
Air Wiggins. #AllEyesNorth
FREE #NBA League Pass https://t.co/jZ2OQu6Lnm pic.twitter.com/XRaQ5Bzo2Y
— NBA (@NBA) October 23, 2017
Power Forward: Blake Griffin
There are really important, super-technical observations to make about Griffin's resuscitation of a season, but first, this dunk:
Blake Griffin pic.twitter.com/1kx15WzOsl
— Ball Is Life™ (@BallOnIy) October 25, 2017
Roll that back, please? To around the 14-second ma—yes. There.
this is the best picture I've ever seen pic.twitter.com/Xzrxd7pNzo
— Ashley Hooooowlcomb (@ashleyxholcomb) October 25, 2017
The arrant confidence that allows one to hang, one-handed, smugly, atop another grown man (a defensive mastermind, at that), never left during Griffin's time with Chris Paul. But the space to exercise that swagger may have been missing. Griffin is thriving next to Patrick Beverley, who is a more complementary player to this superstar than the Point God (I'm sure it'll work out, James Harden). It gives the forward space to operate, and not just to drive and hammer one over a dude. Griffin averaged less than one 3 per game in his first six seasons, but he's now taking six 3s a game. He is also making 3s at a 44.4 percent clip, whereas last season, when his attempts jumped to 1.9 per game, he shot just 33.6 percent.
Small sample size caveats apply. Griffin could cool off as the season continues, and his current career-high 26.7 points per game mark might slightly dip as his hot hand cools to normal temperatures. But Griffin's revival is about more than scoring—although, with Beverley currently sporting the team's next-highest scoring average, at 14.7, the Clips hope it's also very much about scoring—this is finally his team. A little space to stretch his legs—his very healthy, very non-injured legs [laughs nervously, knocks on wood, sacrifices a Chuck the Condor]—has, so far, made Griffin look like the dynamic game-changer he was when Lob City first launched.
Center: Nerlens Noel
Apologies, dear reader, for ending on a negative note. But in the very few minutes that Noel has played this season, there is a discernible difference between the 23-year-old's abilities and the time Rick Carlisle is giving him to help the team.
Noel is currently averaging 18.5 minutes. He's started just one game (last Friday's 93-88 loss against the Kings) as Carlisle opted for a larger lineup with Dennis Smith Jr. out. He was a team-low minus-16 as the Mavs eked out just 88 points, but there were positive signs, especially on the defensive end. Noel has shown signs of steady production when he's not starting, too: Against the Hawks in the opener, Noel had 16 points and 11 rebounds in 20 minutes; in the most recent game against Golden State, he chipped in eight points and seven boards in just 11 minutes. Noel's early per-36 numbers also hint that he has the ability to contribute more: 17 points, 14.1 rebounds, and 2.4 blocks.
So why not play Noel, a young talent who needs time to smooth out his edges, more on a(n 0-4) team that appears to be going nowhere? Carlisle's reasoning for not starting Noel is semi-plausible, saying both that "Dirk at the 5 position is probably the best scenario for Dirk and for our team," and "I just don't think that Dirk's a guy that's going to come off the bench as long as I'm here." Team legends wanting to start is nothing new—Kevin Garnett started every game he played for the Nets and Wolves, even as his age crept toward 40 and his minutes dipped below 20. Dirk, at 39 years old, has not only earned the right to start based on past production but also because of the large sums of money he's forked over in recent years to give the Mavs more space to fill out the supporting cast.
But that doesn't fully explain why Noel is at the end of the rotation. The alternative is Dwight Powell, whose per-36 numbers pale in comparison to Noel's. After the Golden State loss on Monday, Carlisle said Noel is playing so little because the defensive matchups have been primarily shooting threats—in that case, Draymond Green—though his 6-foot-11 big man has proved capable of defending the interior and switching onto smaller guards.
Noel and the Mavericks had a messy summer, going back and forth on contract negotiations until the former (after changing agents) signed a one-year, $4.1 million qualifying offer. If the Mavericks have any interest in keeping him, why alienate him now? A cheap contract does no good on the bench.


Zamzows Inc. is a family-owned and operated business founded by August (Gus) and Carmalita Zamzow during the Great Depression in 1933. The original store, Zamzows Coal and Feed, was located on the corner of Fairview and Liberty in Boise, where the company's Fairview store is still located.
As of 2005, Zamzows Inc. owns and operates 9 retail stores and a large Warehouse and DistributionCenter. In addition to the Chinden operation (which also serves as companies plant distribution center), Zamzows Inc. owns and operates 3 stores in Boise, a 2nd store in Meridian, two stores in Nampa, and individual stores in Eagle, and Kuna.
The majority of the companys sales come from the sale of Lawn and Garden products, with Pet Food and Pet Supplies a close 2nd. The company still makes its own custom-blended livestock feed at the original Feed Manufacturing Facility inMeridian. Over the past 20 years, the company has also aggressively developed its own line of natural based lawn and garden fertilizers too, as well as a line of all natural pet foods, which all now outsell the National brands by a wide margin at the 8 Zamzows stores.
For a location near you, visit here.


1. For the ginger juice: put all of the ginger juice ingredients into a food processor and blend until smooth. Strain through a sieve lined with muslin or through a chinoise, and discard the pulp. Reserve the juice.
2. For the lion heads: put the pork, salt, sugar, white pepper and chicken powder into a bowl and mix well using your hands. Gradually mix in 100ml of the ginger juice.
4. Add the crab roe and shrimp roe, mix well and then portion off into large 200g balls.
5. Mix the cornflour and water together in a small bowl so that you have a thick paste, then coat the lion head balls in the mixture.
6. Bring chicken stock to a simmer in a pot and add the lion heads, cover them with the whole cabbage leaves, then sprinkle over the spring onions and sliced ginger, and pour in the Shaoxing wine. Leave to simmer for 3 hours 30 minutes over a very low heat, or until the lion heads are soft.
7. Remove the lion heads and put into a clay pot along with the pak choi and glass noodles, then pour over enough stock to just cover everything. Bring back to the boil and cook for 6-8 minutes, or until the noodles and vegetables are tender.
8. Serve directly from the clay pot, and drizzle over some Shaoxing rice wine before serving.


I love the button I have several exactly like it in my button stash.
Awesome job! I love it.
Made three more, so I thought I'd show off . My daughter's friend has an iPod and a birthday in April, so I made her one, and well, since I was making one, I made two more. After all, there are other friends and other ipods that need cozying! I changed the button to velco, by the way.
that's very cool! I like the way you incorporated everything you needed.


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Electromecânico é uma especialidade e uma classe de sargentos e praças da Marinha Portuguesa.

História
A Classe de Electromecânico (EM) advém da fusão das classes de Condutores de Máquinas (CM) e de Electricistas (E).

A primeira incorporação de EMs deu-se a 3 de Janeiro de 2005, com os segundo-grumetes do 5º Turno de Recruta de 2005 (a primeira no novo regime de voluntariado das Forças Armadas de Portugal). A 5 de Janeiro de 2009 começou o primeiro curso de promoção a marinheiro (CPM27), curso esse que permite a progressão na carreira de Segundo Marinheiro para Primeiro Marinheiro.

Curso
A formação inicial na especialidade de Electromecânico é ministrada na Escola de Tecnologias Navais após a frequência com aproveitamento do Curso de Formação Básica de Praças (CFBP), vulgo recruta.

O Curso de Formação de Praças (CFP) Electromecânicos tem a duração de nove meses. Os formandos são instruídos nas áreas da mecânica de motores navais, serralharia, sistemas de frio, máquinas eléctricas (geradores e motores eléctricos), instalações eléctricas e também nas áreas militares de infantaria, organização e regulamentos, tiro e educação física.

Após o curso, os militares são promovidos ao posto de Primeiro-Grumete. Posteriormente os Segundos-Marinheiros são nomeados para frequentarem o Curso de Promoção a Marinheiro (CPM) de modo a serem promovidos a Primeiro-Marinheiro.

Marinha Portuguesa


How do I change a page name in a group?
Pages is designed to open to the front page for group, if there is a front page selected. To select a page from the Pages Index, click the View All Pages button.
Delete the previous title, and rename the page title.
To save changes, click the Save button.
View the new page name at the top of the page.
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