text:
`swaggerToAPI()` in [cmd/swagger.go](cmd/swagger.go) converts `swagger.Swagger` to `design.APIDefinition`.

- [x] Name
- [x] Title
- [x] Description
- [x] Version
- [x] Host
- [x] Schemes
- [x] BasePath
- [ ] Params
- [x] Consumes
- [x] Produces
- [x] Origins
- [x] TermsOfService
- [x] Contact
- [x] License
- [x] Docs
- [ ] Resources
- [ ] Types
- [ ] MediaTypes
- [ ] Traits
- [ ] Responses
- [ ] ResponseTemplates
- [ ] DefaultResponses
- [ ] DefaultResponseTemplates
- [ ] DSLFunc
- [ ] Metadata
- [ ] SecuritySchemes
- [ ] Security
- [ ] NoExamples

## Templates for DSL

All goa DSL functions are generated by templates in [cmd/template.go](cmd/template.go). Templates are grouped into the following three types.

- Components that have single value
- Components that have multiple values
- Containers

### DSL functions

- [ ] func API(name string, dsl func()) *design.APIDefinition
- [ ] func APIKeySecurity(name string, dsl ...func()) *design.SecuritySchemeDefinition
- [ ] func AccessCodeFlow(authorizationURL, tokenURL string)
- [ ] func Action(name string, dsl func())
- [ ] func ApplicationFlow(tokenURL string)
- [ ] func ArrayOf(v interface{}, dsl ...func()) *design.Array
- [ ] func Attribute(name string, args ...interface{})
- [ ] func Attributes(apidsl func())
- [x] func BasePath(val string)
- [ ] func BasicAuthSecurity(name string, dsl ...func()) *design.SecuritySchemeDefinition
- [x] func CONNECT(path string, dsl ...func()) *design.RouteDefinition
- [x] func CanonicalActionName(a string)
- [ ] func CollectionOf(v interface{}, apidsl ...func()) *design.MediaTypeDefinition
- [x] func Consumes(args ...interface{})
- [x] func Contact(dsl func())
- [x] func ContentType(typ string)
- [x] func Credentials()
- [x] func DELETE(path string, dsl ...func()) *design.RouteDefinition
- [ ] func Default(def interface{})
- [ ] func DefaultMedia(val interface{}, viewName ...string)
- [x] func Description(d string)
- [x] func Docs(dsl func())
- [x] func Email(email string)
- [ ] func Enum(val ...interface{})
- [ ] func Example(exp interface{})
- [x] func Expose(vals ...string)
- [ ] func Files(path, filename string, dsls ...func())
- [ ] func Format(f string)
- [x] func Function(fn string)
- [x] func GET(path string, dsl ...func()) *design.RouteDefinition
- [x] func HEAD(path string, dsl ...func()) *design.RouteDefinition
- [ ] func HashOf(k, v design.DataType) *design.Hash
- [ ] func Header(name string, args ...interface{})
- [ ] func Headers(params ...interface{})
- [x] func Host(host string)
- [ ] func ImplicitFlow(authorizationURL string)
- [ ] func JWTSecurity(name string, dsl ...func()) *design.SecuritySchemeDefinition
- [x] func License(dsl func())
- [ ] func Link(name string, view ...string)
- [ ] func Links(apidsl func())
- [x] func MaxAge(val uint)
- [x] func MaxLength(val int)
- [ ] func Maximum(val interface{})
- [ ] func Media(val interface{}, viewName ...string)
- [ ] func MediaType(identifier string, apidsl func()) *design.MediaTypeDefinition
- [ ] func Member(name string, args ...interface{})
- [ ] func Metadata(name string, value ...string)
- [x] func Methods(vals ...string)
- [x] func MinLength(val int)
- [ ] func Minimum(val interface{})
- [x] func Name(name string)
- [ ] func NoExample()
- [ ] func NoSecurity()
- [ ] func OAuth2Security(name string, dsl ...func()) *design.SecuritySchemeDefinition
- [x] func OPTIONS(path string, dsl ...func()) *design.RouteDefinition
- [ ] func OptionalPayload(p interface{}, dsls ...func())
- [x] func Origin(origin string, dsl func())
- [x] func PATCH(path string, dsl ...func()) *design.RouteDefinition
- [x] func POST(path string, dsl ...func()) *design.RouteDefinition
- [x] func PUT(path string, dsl ...func()) *design.RouteDefinition
- [x] func Package(path string)
- [ ] func Param(name string, args ...interface{})
- [ ] func Params(dsl func())
- [ ] func Parent(p string)
- [ ] func PasswordFlow(tokenURL string)
- [ ] func Pattern(p string)
- [x] func Payload(p interface{}, dsls ...func())
- [x] func Produces(args ...interface{})
- [ ] func Query(parameterName string)
- [ ] func Reference(t design.DataType)
- [ ] func Required(names ...string)
- [ ] func Resource(name string, dsl func()) *design.ResourceDefinition
- [ ] func Response(name string, paramsAndDSL ...interface{})
- [ ] func ResponseTemplate(name string, p interface{})
- [x] func Routing(routes ...*design.RouteDefinition)
- [x] func Scheme(vals ...string)
- [ ] func Scope(name string, desc ...string)
- [ ] func Security(scheme interface{}, dsl ...func())
- [x] func Status(status int)
- [x] func TRACE(path string, dsl ...func()) *design.RouteDefinition
- [x] func TermsOfService(terms string)
- [x] func Title(val string)
- [ ] func TokenURL(tokenURL string)
- [ ] func Trait(name string, val ...func())
- [ ] func Type(name string, dsl func()) *design.UserTypeDefinition
- [x] func TypeName(name string)
- [x] func URL(url string)
- [ ] func UseTrait(names ...string)
- [x] func Version(ver string)
- [ ] func View(name string, apidsl ...func())


text:
i'm a gummy bear song
Cause I'm a gummy bear. Yeah, I'm a Gummy Bear yeah. Oh I'm a movin' groovin' jammin' singing gummy bear. I'm a Jelly bear, Cuz I'm a Gummy bear, Oh I'm a movin', groovin', Jammin', Singin' Gummy Bear. I'm so excited to celebrate ALL THINGS GUMMY with you, including the anniversaries of my albums, "I Am Your Gummy Bear" and "The Gummy Bear Album", both of which came out on November 13th! Download I'm A Gummy Bear (Karaoke Version) song on Gaana.com and listen I'm A Gummy Bear (The Gummy Bear Song) I'm A Gummy Bear (Karaoke Version) song offline. … I'm A Gummy Bear (Karaoke Version) MP3 Song from the album I'm A Gummy Bear (The Gummy Bear Song). I'm a Jelly bear, Cuz I'm a Gummy bear, Oh I'm a movin', groovin', Jammin', Singin' Gummy Bear Oh Yeah! Oh I'm a yummy tummy funny lucky gummy bear. Oh, I'm a Gummy Bear Yes, I'm a Gummy Bear! Celebrate Gummy Bear Album Day with me! Cause I´m a gummy bear. (Gummy Gummy Gummy Gummy Gummy bear) [Pop! ] Gummy bear - The Gummy bear song (I'm a Gummy bear) recorded by yowhatsupdawg and AndreaGuzman100 on Smule. CHORUS: (Oh I'm a gummy bear… ) A A A C A A A A A C E E E E E D D D D D D D E D C A Boxes, and APO addresses is not available for this item. I'm a Jelly bear, Cuz I'm a Gummy bear, Oh I'm a movin', groovin', Jammin', Singin' Gummy Bear Oh Yeah! Gummy Gummy Gummy Gummy Gummibär Gummy Gummy Gummy Gummy Gummibär Bai ding ba doli party Bamm bing ba doli party Breding ba doli party party pop Oh Oh Oh Oh badudi party didi bab bi du bi dam gummy bear Oh Oh Oh Oh bi du bi dam dam ba du bi da bi didi gummy bear party pop Oh I'm a gummy bear. Boing day ba duty party Boing day ba duty party Boing day ba duty party party pop Oh, I'm a Gummy Bear Yes, I'm a Gummy Bear! and though the world may seem so ugly and mean When you open your eyes and all that you see Are the horrible things, that pain that they bri. I'm a Gummy Bear (The Gummy Bear Song) 2007 La La Love To Dance 2010 The Gummy Bear Song International Club Mixes 2007 I Am Your Gummy Bear 2007 … Oh I'm a gummy bear. Oh, I'm a Yummy, Chummy, Funny, Lucky Gummy Bear. Yes I'm a gummy bear. Download and Listen to The Gummy Bear mp3 Arabic song For Collection - Cartoon Songs Oh I'm a movin' groovin' jammin' singing gummy bear. The Gummy bear song (I'm a Gummy bear) recorded by 1d_girl13 and AndreaGuzman100 on Smule. I'm a jelly bear. Popular Song Lyrics. I'm a Gummy Bear (The Gummy Bear Song) on noveltinen dance-kappale Gummibäriltä, joka viittaa Saksasta peräisin oleviin karhunmuotoisiin nallekarkkeihin.Kappaleen sanoitti saksalainen säveltäjä Christian Schneider sekä julkaisi sen oman Gummybear International levy-yhtiön alaisena 13. Aug 8, 2020 - Explore Lae Maneelath's board "Gummy bear song" on Pinterest. Oh, I'm a Gummy Bear Yes, I'm a Gummy Bear! Listen to I'm a Gummy Bear (The Gummy Bear Song) by Gummy Bear on VIBBIDI - Browse every single Songs, Tracklists, Music Videos, Remixes, Fan Covers, Live Performances, Tours, Playlists, Lyrics, Narrative Stories, News & more for free! Lyrics. Whether he is singing, break dancing, or playing his tuba, both children and adults can't get enough of his funny gummy antics. Plays music - Take the Gummibär Song with you! I'm A Gummy Bear (Karaoke Version) MP3 Song by Karaoke Charts from the album I'm A Gummy Bear (The Gummy Bear Song). The official title of the song is "I'm a Gummy Bear (Gummy Bear Song)."First released in 2007 in Hungary, the song quickly rose to become an international sensation. Oh yeaoooh. I'm a jelly bear. I'm a Gummy Bear is the debut single by Gummibar. Oh I'm a gummy bear. Yes I'm a gummy bear. Oh, I'm a Gummy Bear Yes, I'm a Gummy Bear! Billboard Hot 100. The original German version was released on 2006. Oh, I'm a Gummy Bear yes. Warranty: 90 Day Woot Limited Warranty Sing with lyrics to your favorite karaoke songs. See more ideas about gummy bear song, bear songs, gummy bears. gummy bear song Oh, I'm a Yummy, tummy, Funny, Lucky Gummy Bear. Cause I´m a gummy bear. Today's the day– its Gummy Bear Album Day!! Gummibär. I'm a jelly bear. Oh, I'm a Yummy, Chummy, Funny, Lucky Gummy Bear I'm a Jelly bear, Cuz I'm a Gummy bear, Oh I'm a movin', groovin', Jammin', Singin' Gummy Bear Oh Yeah! When it … Right Hand Notes: Play the following notes with your right hand.This is the lead part or melody of the song. Jul 9, 2020 - Explore Hema Pabba's board "Gummy bear song" on Pinterest. Sing with lyrics to your favorite karaoke songs. I'm A Scatman is a song from the original Gummibär album, I Am Your Gummy Bear. Listen free to Gummy Bear – I'm A Gummy Bear. ! 8.5" bear includes non replaceable batteries ; Sings the original I'm a Gummy Bear song ; Shipping Note: Shipping to Alaska, Hawaii, P.O. Oh Yeah! I'm A Gummy Bear (The Gummy Bear Song) Oh I'm a gummy bear. Oh yeaoooh. As of 2018, it has been translated to various languages including Klingon (a Star Trek language), Japanese, and Greek. Oh yeaoooh. Lyrics to 'Gummy Bear' by Gummibär. Yes I'm a gummy bear. Song: I'm A Gummy Bear (The Gummy Bear Song) 8 translations Translations: Catalan, French , Hebrew , Hungarian , Polish , Russian , Spanish , Swedish Proofreading requested Yes I'm a gummy bear. I'm a jelly bear. See more ideas about gummy bear song, bear songs, gummy bears. The song was at the top of the ringtone charts for eight months in Hungary, and the album ranked in the top 20 in … 2020-11-16T18:18:53Z Buy I Am A Gummy Bear (The Gummy Bear Song) Users who like I Am A Gummy Bear (The Gummy Bear Song) Users who reposted I Am A Gummy Bear (The Gummy Bear Song) Playlists containing I Am A Gummy Bear (The Gummy Bear Song) More tracks like I Am A Gummy Bear (The Gummy Bear Song) License: all-rights-reserved Oh I'm a yummy tummy funny lucky gummy bear. 'Cause I´m a gummy bear. It is a cover of the song of the same name by Scatman John . Gummibär is an international meme multi lingual character and virtual band who sings the Gummy bear-related series of songs on various albums I Am Your Gummy Bear and La La Love to Dance and is featured on The Gummibar Game. It was written by German composer Christian Schneider and released by its label Gummybear International. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. Oh yeaoooh. "I'm a Gummy Bear" is a YouTube video (song) about a dancing gummy bear named Gummibär. Gummibär, a funny and lovable cartoon character, is a green animated gummy bear with a multitude of talents. 1 year ago. Oh I'm a movin' groovin' jammin' singing gummy bear. Directed by Peter Dodd. Boing day ba duty party Boing day ba duty party Boing day ba duty party party pop. Oh I'm a movin' groovin' jammin' singing gummy bear. Emezie - The Gummy Bear Song Lyrics. Gummy Gummy Gummy Gummy Gummibär. Oh I'm a gummy bear yes I'm a gummy bear oh I'm a yummy tummy funny lucky gummy bear I'm a jelly bear cause I'm a gummy bear Ca khúc I'm A Gummy Bear (The Gummy Bear Song) do ca sĩ Gummibar thể hiện, thuộc thể loại Âu Mỹ khác.Các bạn có thể nghe, download (tải nhạc) bài hát i'm a gummy bear (the gummy bear song) mp3, playlist/album, MV/Video i'm a gummy bear (the gummy bear song) miễn phí tại NhacCuaTui.com. Download I'm A Gummy Bear (Karaoke Version) song on Gaana.com and listen I'm A Gummy Bear (The Gummy Bear Song) I'm A Gummy Bear (Karaoke Version) song offline. It became viral in 2007 due to its lyrics being about a gummy bear. a one-hour special celebrating her 16th birthday. Oh I'm a yummy tummy funny lucky gummy bear. "I'm a Gummy Bear (The Gummy Bear Song)" is a novelty dance song by Gummibär, in reference to the gummy bear, a type of bear-shaped candy originating in Germany. Oh I'm a yummy tummy funny lucky gummy bear. 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2020 i'm a gummy bear song

redpajama_set_name: RedPajamaCommonCrawl


text:
Have You Been Looking for Some Great Horror Podcasts?
From time to time, I have looked for articles that would tell me where to find the best horror podcasts and for the most part I've came up empty. Sure, there is Bloody Disgusting, but I was looking for something different. One day on YouTube I happened upon what I'll just call audiopasta. Basically, you can find narrators, horror writers and full audio productions of short horror tales online. I've become so addicted that I've started taking my earbuds everywhere I go, in case I have time to hear just one more tale. I only wish someone had told me about these narrators earlier. So, I'll give you a rundown of some of my favorite places to get my fix.
Chilling Tales for Dark Nights
Available on YouTube and their website, this channel has the largest collection of stories told from a multitude of narrators. The stories have more production quality than any of the rest and they even do full productions with several actors/narrators at once. The channel accepts original works from their fans but, be warned, they are very picky about what they choose to produce. This channel has even had celebrity narrators like Daniel Radcliffe or YouTube greats like Markiplier. Chilling Tales also has a yearly Evil Idol contest, where they look for new narrators to join their cast. Their webpage sells books from their featured authors, so if you are a writer, submitting a story might be worth your while. If you are new to Chilling Tales for Dark Nights… A Truck Stop Horror would be my first dive into the channel. Available here.
Dr. Creepen
OH, MY GOODNESS!! This man sounds just like Tim Curry. He is without a doubt the creepiest sounding narrator I have had the pleasure of listening to. I feel his stories are selected with that voice in mind. He also accepts short stories and has a Reddit page for submissions. He has new stories available every Monday, Wednesday and Friday at 6 pm. He is available for "chats" on Facebook and Twitter and has macabre t-shirts available for purchase. One of my favorites available is A Diner Open 25 Hours a Day, and that might be a pretty good way to meet the great Dr. Creepen. It's very possible his voice will follow you into your dreams. You've been warned! Available here.
Mr. Creepy Pasta
By far, the best of the best on YouTube, Mr. Creepy Pasta reeled me in with his serial, Tales From the Gas Station. It's a continual tale about an amicable but strange man, rarely upset by the various Lovecraftian scenarios that surround his place of work. Tales From the Gas Station should absolutely be a Netflix or perhaps FX series, and quite frankly he should play the lead. Not only that, but several of his other stories are serials or could be serials that find their way over to television. The narrator has an everyman quality that helps you relate to the situation. He isn't creepy sounding at all and instead he relies on his acting ability, more than just the sound of his voice. Mr. Creepy Pasta accepts story submissions and can also be found on Faceboook and Twitter. New stories are released Tuesday, Thursday and Saturday. Personally, I'm waiting for more Tales From the Gas Station stories and some Gas Station merch! Available here.
There are way more people narrating creepypastas out there than I would have ever imagined or could review for you. In my humble opinion, though, these guys are among the best. If you like their work, subscribe, buy their merch and become a patron. Now excuse me, I've got to go and catch the latest downloads from my favorite podcasts.
Goldie Fatale
Goldie Fatale is quite the character who not only blogs but is occasionally an actress, horror pin-up and director. Her hobbies include horror movies, vodka and world domination.
Author archive @GoldieFatale on Twitter
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IRVINE, CA (September 5, 2007). As one the region's leading builders, MBK Homes is known for its award-winning customer service, high-quality construction and commitment to excellence. This high standard also applies to the company's community outreach initiatives.
Headquartered in Irvine, Calif., MBK Homes recently participated in "Walk America," a national walking event that raises awareness and generates funding for the March of Dimes. Founded in 1938, the March of Dimes funds programs of research, community services, education, and advocacy to improve the health of babies by preventing birth defects, premature birth, and infant mortality. Through a corporate sponsorship, individual sponsorships and a company-matching program, MBK Homes and its employees raised $7,160 for the March of Dimes to help babies in the community and across the country get a healthy start.
"The entire team at MBK Homes is proud to support non-profit organizations like March of Dimes in their efforts to improve the quality of life for members of our community," said Tim Kane, president of MBK Homes Southern California. "We understand the importance of contributing to those in need and know that our contribution will make a significant impact on families who rely on March of Dimes' lifesaving programs."
With new communities currently under development throughout Southern California, MBK Homes has spent the last few months unveiling new homes in Los Angeles, San Bernardino and Orange counties. Most recently, MBK Homes introduced Greenbrier, its newest community in Yorba Linda's masterplanned community, Vista del Verde. The company's rapid growth has allowed MBK Homes to solidify its reputation throughout the region as one of California's leading homebuilders.
In addition to Greenbrier, MBK Homes continues to expand its homebuilding activities in some of Southern California's most desirable locations and is planning additional communities at Aragon in Signal Hill, Trieste in Lake Elsinore and 1600 at Artesia Square in Gardena.
"MBK Homes is dedicated to improving our communities, whether through building high-quality homes or by supporting causes that improve the well being of families in our community and the environment," said Kane. "It is very important to our company and to our team members to remain active supporters of the community in which we live and conduct business. This is our home and we strive to make it a better place for everyone."
MBK Homes develops both attached and detached housing for entry-level and move-up homebuyers throughout California. MBK Homes prides itself on its award winning customer satisfaction and its reputation for delivering quality housing that is innovative in design, comfort and craftsmanship, all at an excellent value. MBK Homes Southern California builds residential neighborhoods in Los Angeles, Orange, Riverside and San Bernardino counties. MBK Homes Northern California focuses its efforts in the Sacramento market and its six surrounding counties. For more information, please contact MBK Homes Southern California at 1-888-MBKTODAY, MBK Homes Northern California at (916) 783-1150, or visit the company's website at www.mbkhomes.com.
MBK Real Estate is a multifaceted real estate company backed by the vast financial strength and resources of Mitsui USA. Mitsui USA's parent company, Mitsui & Co., Ltd., Japan, is one of the world's most diversified and comprehensive trading, investment, and service enterprises. Headquartered in Tokyo, Mitsui & Co. maintains a global network of 172 offices in 72 countries and has 582 subsidiaries and associated companies worldwide. Through its three operating companies, MBK Homes, MBK Senior Living and MBK Retail, MBK Real Estate is renowned for building award-winning homes; for its expertise in senior housing; and for its proven skill and knowledge in developing and revitalizing shopping centers. Headquartered in Irvine, California, MBK Real Estate also has a regional office in Sacramento, California. For more information, please visit www.mbk.com, or call (888) MBK-TODAY.


(Sea): Baltic sea, water in: 30 m.
Romantic little cottage at Turku archipelago, Nauvo island.
Free ferry connection between island and mainland.
Cottage for 4+2 persons and separate little guest cabin for 4 persons (only for summer use).
Living room, kitchen, 1 bed-room and open loft (steep stairs).
Municipal water system, bathroom and shower with floor heating, electric sauna. Non-flush outdoor toilet. It is a composting biodynamic toilet which is clean and not smelling.
Kitchen: fridge, set of dishes, electric stove, micro oven, coffee-maker, water heater, toaster.
Vacuum cleaner, widescreenTV , DVD, CD, radio.
Cottage is located on the beach of the Baltic Sea. 10 min walking distance from the quest harbour and services of the village.
Shallow sandy/clay base, suitable also for children.
Within 5 min walking distance is excellent kid friendly swimming beach.
Within 10 min walking distance is an idyllic quest harbour with many cafes restaurants and boutiques. You can buy fresh, still warm smoked salmon every summer morning in the harbour.
Within 15 min walking distance in the village centre you find all service.
Guest cabin with 4 beds, EUR 40,-/night.
Smoking only outside on the terrace.
Shoes should stay in the hallway.
Nearest city: Parainen - 30 km.


$55 million sale of advertising company to public company. The asset sale transaction involved the sale of rights in over 400 locations in four states, the transfer of over 1,000 advertising contracts, and the sale of two commercial buildings. The team helped the client navigate various corporate governance issues and achieve its goal of selling the business.
Represented property owners in the preparation and negotiation of all construction and architectural agreements for a project exceeding $350 million, and counseled property owners concerning contractor delay and performance issues throughout the project.
Successfully obtained zoning code amendments and land use approvals to construct and operate storage facilities in Missouri. Prepared multi-faceted applications to amend the zoning codes and to obtain use permits; appeared at several municipal board meetings; and communicated in a timely manner with municipal staff, committees, board members and our client's teams of engineers and architects to meet deadlines embedded in the complex zoning codes.
Successfully negotiated the peaceful vacation of properties and payment of all past-due rent and other fees from delinquent tenants through the initiation of eviction proceedings, and ultimately, the preparation and execution of complex settlement agreements.
Represented a large general contractor in the preparation and negotiation of AIA contract documents for a multimillion-dollar hospital development in Illinois.
Represented multiple banks, lending institutions and related entities on all matters of real estate including acquisitions, REO management and dispositions, zoning, 1031 exchanges, easements and leases.
Represented owner of portfolio of Class A office buildings throughout St. Louis region.
Represented property owners in the preparation and negotiation of design and construction contracts for a building in California exceeding $80 million.
Represented two national developers in a joint venture project in Clayton, Missouri, to secure the zoning, permitting and governmental incentives for the construction of a mixed-use project of approximately 300 apartments and over 40,000 sq. ft. of commercial space.


The Sibley House at 976 East Jefferson Avenue was completed in 1848. It remains the oldest, unaltered wooden frame structure in the City of Detroit. It was the final home of Detroit's first appointed mayor, Judge Solomon Sibley. Governor Hull appointed Sibley in 1806. Sadly, Judge Sibley died before the house was completed, but his wife, Sarah and two unmarried daughters moved into the house.
Sarah Sibley lived in the house until her death in 1851. After she died, the house was used for various purposes, including a French War Relief organization during World War I. At about the same time the Rector and Vestry of Christ Church, Detroit, the next door neighbor to the Sibley House, determined that there needed to be an increased effort to assist foreign born families in nearby neighborhoods. Therefore, in 1919 Sibley House became a Settlement House, opened under the direction of one of Judge Sibley's granddaughters, Mary Elizabeth Trowbridge. Since that time, Sibley House has been used as the Christ Church Neighborhood Club, was occupied by the British War Relief Society during World War II, and is presently the offices for Christ Church, Detroit.
Major exterior renovation on the house was started in 2013. With help from a matching grant by NSCDA-MI, the project was completed in the fall of 2015.


Special ExtraTop crackers as directed; drizzle lightly with honey.
SubstitutePrepare using your favourite variety of TRISCUIT Crackers.
Substitute Prepare using toasted chopped walnuts or honey-roasted pecans.


The performance of hyperspectral (Hyperion) sensor to evaluate and propose potential vegetation indices and to discriminate land cover classes in arid and semi-arid areas was evaluated. The requirements for extracting indices from Hyperion images are to be first compensated for atmospheric correction using FLAASH model. The minimum noise fraction transformation was applied to reduce the data noise and for extracting the extreme pixels. Some pure pixel endmember for the target types and backgrounds was used in this study to account for the Spectral Angle Mapping and the arrived results were validated with field study. Different classes of vegetation wereidentified from the different images: plantation, grassland, crops and trees at initial and senescence stage. The spectral signature for the differentvegetation is identified and used for spectral library generationand image classification. Vegetation, which is in the senescence stage,can bedistinguished visually from the Hyperion image. The overall accuracy was 96%, 67%, and 91%, for the 177039 image, 177045 image, and 175042image, respectively. Therefore, Hyperion data havehigh capability for crop types mapping and extraction of useful quantitative information for the purpose of crop monitoring and management. 30 vegetation indices have been assessed in this study. Four indices were proposedto support precision agriculture in an arid environment, which isvegetal cover density (VCDI), vegetal water content (VWCI), vegetal water stress (VWSI), and vegetal discriminating (VDI).Thermal imagerycan help in the detection of different infection in different crops from the first hours ofsuccessful germination of conidiospores. The temperature difference allowed the discrimination between infected and healthy leaves before the appearance of visible necrosis on leaves.


text:
We Believe Part 1
BC Legislature Building
Find Life of Victory Family Church in Victoria
From the Legislature Buildings and the Inner Harbour
Travel north on either Douglas Street or Government Street to Fort Street which is one way, and turn right (east).
Cross over Blanshard Street, Quadra Street and Cook Street.
Life of Victory Family Church Services are held in the Chapel in the First Memorial building located on the right side of the street approximately 200 meters after the Cook Street intersection.
From the BC Ferries & the Airport, follow Highway #17 into Victoria.
Highway #17 becomes Blanshard St. within city limits.
This street parallels the Trans-Canada Highway also known as Douglas St., within city limits.
From either street make a left-hand turn onto Fort St. which is one way going east.
Cross over Quadra St., Vancouver St., then Cook St.
First Memorial is located on the right hand side of the road, approximately 200 meters after the Cook St. intersection.
From the Upper Island and/or the Western Communities follow Highway #1 into Downtown Victoria.
Highway #1 becomes Douglas Street within the city limits.
Follow Douglas St south to Fort Street.
Fort Street is one way east and turn left, Cross over Blanshard Street, Quadra Street and Cook Street.
First Memorial Funeral building is located on the right side of the street approximately 200 meters after the Cook Street intersection.
Copyright Life of Victory Family Church, Inc. 2022 - Legal


3/01/2015 · To download the Beta client (used in the past for all sorts of things, like Steam Music and In-Home Streaming) you go to your account settings, look for a listing called "Beta Participation," and... Get an email when your kids want something in the Microsoft Store - instead of a receipt. Share Office 365 Home Let everyone enjoy Office apps on their devices, plus 1 TB of OneDrive cloud storage for each family member.
Cough can influence you to feel completely hopeless, and you likely need to get rid of it as quick as possible. They are common symptoms of colds and influenza, yet can likewise be caused by hypersensitivities, asthma, heartburn, dry air, smoking, and even a few medications.... The Steam software has become my main gaming hub even though I'm not using it exclusively for that. Probably the biggest advantage that Steam is currently having is that all of my gaming buddies have an account there as well, and that we use the software to communicate, organize gaming events, and play if the game is available on Steam.
29/04/2017 · I Pozdrav Svima Momci,Pacov1706 Ovde i Dobrodosli U Novi Video ! Pretplatite se za jos videa,Mnogo bi mi znacilo ! Ovaj Video Je O Kako lock i unlock alert na steamu !... Ten home remedies to get rid of whiteheads Whiteheads are type of acne lesion. We look at ten popular home remedies to help get rid of them, how they work, and self-care to prevent whiteheads.
The Steam software has become my main gaming hub even though I'm not using it exclusively for that. Probably the biggest advantage that Steam is currently having is that all of my gaming buddies have an account there as well, and that we use the software to communicate, organize gaming events, and play if the game is available on Steam.
12/12/2018 · Get some exercise. When you're feeling angry, doing some moderate exercise could help you. A study by the University of Georgia suggests that moderate exercise (such as running or riding a bike) during or immediately after an upsetting experience can help you manage the experience of anger.


Imran Khan has been rushing across the country for his election campaigns. Khan's rigorous presence in rallies and political camps is impressive, as he seems to be in one corner of the country in the morning, and in another corner by the evening. However, is Imran Khan flying across the country on the taxpayers dime?
Pakistan Tehreek e Insaf chairman, Imran Khan, is undergoing investigations against him by the NAB, for alleged misuse of Khyber Pakhtunkhwa government's official helicopters for personal travels. Khan was ordered to appear before Wednesday (today), however PTI, in a letter to NAB, informed them about Khan's unavailability due to his busy schedule.
NAB released a report documenting the loss government suffered, according to which Khan had been using two government helicopters, the MI-17 and Ecureuil. Traveling in the choppers costs an hourly fare of between Rs. 1 million and Rs. 1.2 million for the Mi-17, and between Rs. 0.5 million and Rs. 0.6 million for the Ecureuil.
Khan is accused of using the government choppers for 74 hours, each hour costing the government 28,000 rupees. NAB states that Khan should have paid the KP government 11.1 million rupees, but official documents only mention payments worth 2.1 million. However, PTI has negated these accusations and defended the use of the helicopters by exerting that the use was only for official trips.
Babar Awan, Khan's lawyer, has requested NAB to set the date for the case on 8th of August. PTI released a statement welcoming NAB's investigation into the alleged misuse of helicopter. PTI has always alleged to support open, free and fair investigations, however despite initially welcoming the helicopter misuse investigation case, Imran Khan has decided to skip the first call made by NAB for his appearance.
Khan is accused of using the government choppers for 74 hours, each hour costing the government 28,000 rupees.
Khan's use of the government's helicopters for personal use is ironic as he had himself barred Pervez Khattak from using the choppers for his personal travels in 2013. However last year, Pervez Khattak, reportedly arrived for a wedding in the government's chopper in Mansehra, a clumsy move that led to outspread criticism.
CM Khattak used off heli 2 make it back 4 budget session,BUT Chairman IK has conveyed categorically it was wrong and should not be repeated.
Imran Khan has been rushing across the country for his election campaigns. Khan's rigorous presence in rallies and political camps is impressive, as he seems to be in one corner of the country in the morning, and in another corner by the evening. However, is Imran Khan flying across the country on the taxpayer's dime?
PTI has always alleged to support open, free and fair investigations, however despite initially welcoming the helicopter misuse investigation case, Imran Khan has decided to skip the first call made by NAB for his appearance.
The use of State's resources in electoral campaigns gives one an unfair advantage, compromises the integrity of an election, and reduces the public's trust in the legitimacy of the electoral process and its outcomes, that is all heavy, on the taxpayer's pocket.
Question Mark at the end of the Statement. Is never expected from a professional Journalist. It is the duty of journalist to open facts in front of public. Not confuse them with……..???


You have a burning, painful sensation radiating down the hip or leg, probably on one side. Does your low back hurt? Maybe, but not always. And in addition to or instead of pain, you might have numbness and tingling. The pain can range from mild to severe. Doctors suggest pain medication or surgery. You would like something less invasive with no side-effects. Acupuncture, a natural system of treatment that coaxes the body to heal itself, may be the solution for you.
I have treated hundreds of patients with sciatica, usually very successfully. What causes it? How can acupuncture help relieve it?
► Sciatica results from pressure on the sciatic nerve, causing irritation and inflammation.
From a herniation of a disc pressing on the nerve.
From tightness of the piriformis, a deep gluteal muscle the sciatic nerve passes under or through. The tightness puts pressure on the sciatic nerve.
Two other less common causes are spinal stenosis and spondylolisthesis. More difficult to treat, but pain can often be managed effectively.
It can often relieve pressure on the nerve. Acupuncture relaxes the piriformis. It may relieve pressure of a herniated disc as well, as results are often long-lasting or permanent, but further studies need to be done using before and after diagnostic imaging.
Every patient is different. It could take from 2 to 10 treatments, depending on cause, severity, and duration. I always suggest a trial of 4. Based on progress, it is then easier to predict how many more might be needed, if any. If the pain is gone before the trial is finished, all the better. If for some reason no results have been obtained in 4 visits, I suggest discontinuing. But most cases respond quite positively.
For more details on treating sciatic pain with acupuncture, see my article "Sciatica and Acupuncture". And please look at these testimonials of sciatica patients I have treated.


text:
Democrats and Their Mansions, Again
By David Boaz
Two articles in today's Washington Post Real Estate section remind me of how off‐target a Post political article was a couple of months ago. The House of the Week is Paul and Bunny Mellon's Upperville, Va., estate, which features a 10,000-square-foot main house on 2,000 acres and is being offered for $70 million. The Mellons often entertained their friends John F. and Jacqueline Kennedy there. Bunny Mellon, the daughter of the man who cofounded the Warner‐Lambert drug company, married the heir to the Mellon Bank fortune. Sadly, she made headlines late in her long life for her multi‐million‐dollar support of Sen. John Edwards's presidential campaign, including money to cover up his extramarital affair.
Meanwhile, the feature article in the Real Estate section looks at "an American palace," a 40,000-square-foot house (and you thought the Mellons were extravagant at 10,000 square feet!) in Potomac, Md., built by a businessman who started a company with a federal grant, built it on government contracts, and then sold it for hundreds of millions of dollars. Frank Islam says that "'to whom much is given, much is expected.' It's our responsibility to give back and share." And share he does, with the kind of people who made all that government largesse possible:
Since moving into their 14‐bedroom, 23‐bathroom estate in 2013, the homeowners have regularly staged events for the Democratic Party. They held a June dinner attended by Vice President Biden and a fundraiser for Sen. Al Franken (D‑Minn.) this month.
Islam and Driesman have hosted nearly all the region's Democrats, including Maryland Gov. Martin O'Malley and Lt. Gov. Anthony Brown; Sens. Timothy M. Kaine of Virginia and Benjamin L. Cardin of Maryland; and Montgomery County Executive Isiah Leggett.
All of which reminded me of another Post story by a longtime reporter back in May, which turns out to have been about the very same mansion:
The Potomac estate of IT entrepreneur and philanthropist Frank Islam seemed more fitting for a Republican soiree than a Democratic fundraiser, some of Maryland's top elected officials said Wednesday.…
"There are not too many people who own homes like this who are great Democrats," Sen. Benjamin L. Cardin (D‑Md.) told the audience of about 400.
As I said at the time, "Democrats don't have much trouble finding billionaires and mansions for fundraising events. Reporters shouldn't act like it's an unusual event."
A month after that Sen. Harry Reid declared in one of his tirades about billionaires in politics that the Democratic party "doesn't have many billionaires." (Or maybe he said "any billionaires"; the audio is unclear.) Politifact found plenty of billionaire donors to both parties. Whatever you think of many politics, reporters should stop recycling Democratic spin that big money is found on one side of the aisle.


Description: Your customers have a limited amount of patience, and taking too long to prepare orders means bad business. Get ready to serve customers foods and earn money!. Restaurant Business is a Restaurant Games.


text:
FHP: Father hits son with car in Cocoa; 11-year-old boy hospitalized
Everton Latwain, 11, suffered non-life-threatening injuries
Catherine Mejia
An 11-year-old boy was hospitalized after getting hit by a car driven by his own father in Cocoa, according to the Florida Highway Patrol.Troopers said Latwain Hadley, 42, hit his son, Everton Latwain, with the vehicle after the boy kneeled down in front of it to tie his shoe on Clearlake Road Monday morning. The boy's father had just dropped him off so he could walk to school moments before the incident.Also see: Man shoots at ex for not leaving fast enoughThe boy was transported to Arnold Palmer hospital with non-life-threatening injuries.Troopers said charges are pending.14277264
COCOA, Fla. —
An 11-year-old boy was hospitalized after getting hit by a car driven by his own father in Cocoa, according to the Florida Highway Patrol.
Troopers said Latwain Hadley, 42, hit his son, Everton Latwain, with the vehicle after the boy kneeled down in front of it to tie his shoe on Clearlake Road Monday morning. The boy's father had just dropped him off so he could walk to school moments before the incident.
The boy was transported to Arnold Palmer hospital with non-life-threatening injuries.
Troopers said charges are pending.


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You Wanted the Best: The Dystopian Halloween Party Guide to KISS
dystopian halloween party guide music
Dystopian Dance Party October 7, 2015
You'd never have guessed it from the way we talk about them, but we're actually pretty big fans of KISS here at Dystopian Dance/Halloween Party. And yet, even we–two otherwise relatively normal adults who spend way too much time listening to, talking and thinking about KISS–would never actually suggest that you dive into their discography all willy-nilly. That's why we're making KISS the subject of our first Dystopian Dance Halloween Party Guide.
The Guide is exactly what it sounds like: a recurring feature that gives a broad overview of an artistic body of work–discography, filmography, video game franchise, what have you–without the deep dive of our conceptually similar series Oeuvre. We're starting with KISS because, frankly, theirs isn't a body of work that requires more than just scratching the surface: the 35 songs on the Spotify playlist below are, as far as we're concerned, the cream of the crop, and they amount to more than enough KISS songs than any sane person would have cause to listen to.
So that's why KISS. But why KISS now, specifically? Well, aside from this blog's usual answer (because we felt like it), it's also because, whatever else KISS might be, they're also the ultimate Halloween band. Put it this way: how many people do you know who have dressed up as KISS for Halloween–still, approximately 20 years after the last time they were even remotely relevant? Hell, one year, Zach and his best friend went trick-or-treating as just the first two KISS drummers, Peter Criss and Eric Carr. In a way, Halloween is the only time of year when it's truly acceptable to like KISS–just like it's the only time of year when it's acceptable to eat an entire bag of candy in one sitting. So let's do this now, while we still can: hit "Play," bust out that candy, and enjoy the Dystopian Halloween Party Guide to KISS.
© Casablanca Records
The self-titled debut album by KISS occupies an odd position in their canon: on the one hand, it introduced many of the band's most well-regarded songs; but on the other hand, those same songs have been largely eclipsed in fans' esteem by live versions recorded the following year. As we'll soon see, compared to the superior versions on Alive !, even many of the best songs on KISS seem plodding and leaden–and not just in the sense that pretty much every KISS song is plodding and leaden to some degree. One notable exception is the opening track, "Strutter": the first in a long line of KISS songs about being angry at women for existing, but with a classic big, dumb Gene Simmons riff that plays off against Paul Stanley's ludicrously camp vocals. Speaking of Stanley, the authors of KISS: Behind the Mask – The Official Authorized Biography apparently claim that his lyrics to "Strutter" "display his Bob Dylan influence." If that's the case, then they must mean Dylan while he was suffering from a concussion after his motorcycle accident, because lines like "Everybody says she's looking good / And the lady knows it's understood / Strutter" are about as Dylanesque as…well, any other KISS song.
As alluded to earlier, KISS makes especially lumbering, flat-footed music, even in the realm of 1970s heavy metal: hell, even Black Sabbath could get funky once in a while, but KISS always sounds like they're tripping all over their own oversized heels. In their best songs, however, they make it work; take, for example, "Cold Gin," a song about getting stumbling drunk that is also a perfect musical approximation of drunken stumbling. "Cold Gin" was sung by Gene Simmons, but written by lead guitarist Ace Frehley–no stranger to drink, unlike the notoriously teetotal Simmons (who, not wanting to embarrass his grandparents, merely stuck his dick into everything that crossed his path). This raises an important point about KISS: though the group has been historically dominated by founding members Simmons and Stanley, at least its "classic" lineup of Simmons, Stanley, Frehley, and Peter Criss was a band in the fullest sense of the word, with all four members contributing to the songwriting and, eventually, singing.
Which, in turn, brings us to a weird thing about KISS that is nevertheless crucial to understand. Listening to their first album, a lot of comparisons to other artists come to mind: a less tongue-in-cheek Alice Cooper, a self-consciously macho New York Dolls, a more thoroughly lobotomized Beck, Bogert & Appice. But what KISS really wanted to be was the fucking Beatles. And as ludicrous a proposition as that might be, "Let Me Know"–originally known by the Beatleseque title "Sunday Driver"– is a surprisingly decent stab by Simmons and Stanley at channeling their inner Lennon and McCartney–albeit a Lennon with chronic laryngitis and a McCartney incapable of singing in a register below "nails-on-chalkboard shriek."
It took only eight months for KISS to release their second album, Hotter Than Hell–and while, like the previous album, many of its tracks were later made obsolete by their breakout double album Alive!, this one was quite a bit more consistent overall. In fact, I'd go so far as to say that the album's opening track, "Got to Choose," is my personal ideal for a KISS song. It has it all: the plodding, yet weirdly melodic riff; the fractious anti-harmony of Simmons' guttural bellow and Stanley's high-register caterwauling; the lyrics that are written at a third-grade reading level, but sung as if the band's mutual lives depended on it. Is "Got to Choose" dumb? Of course it is; it is a KISS song. But it's the perfect, glorious kind of dumb that hard rock is all about.
Significantly stranger, but also appealing in its own way, is the cult favorite "Goin' Blind": a holdover from Simmons' and Stanley's pre-KISS band Wicked Lester, which was basically just KISS with an extra, heaping dollop of prog-rock pretension (the Wicked Lester version of another early KISS track, "She," features a fucking flute in the intro). You can detect the Wicked Lester influence in the song's lyrical conceit, about a 93-year-old man in a doomed romance with a 16-year-old girl, which is the kind of thing only a progressive rock band (or, to be fair, Gene Simmons) could come up with. But what I find most striking is how ahead of its time it feels, especially coming from a band as profoundly of-their-time as KISS. It almost sounds like an early-'90s grunge track–hence, probably, why it was covered in the early '90s by both Dinosaur Jr. and the Melvins.
Finally, rounding out our Hotter Than Hell selections, we have the title track, which boasts one of the clumsiest and yet oddly catchy riffs in the KISS songbook. Seriously, just listen to that opening: it sounds like it was assembled from the fragments of three or four other, discarded riffs, and yet somehow it just works. Even the song's writer Paul Stanley–not normally one to pass up an opportunity for self-aggrandizement–later admitted that "Hotter Than Hell" was a cobbled-together mass of influences: the bulk of the song copped from Free's "All Right Now," with "kind of like a Black Sabbath kind of riff" tacked onto the end because he "didn't know quite how to end it." But such is the idiot-savant genius of KISS at their peak: they can take a few clearly derivative ideas, patch them together with the seams still showing, and make them rock out of a combination of brute force and pure chutzpah.
The gap between Hotter Than Hell and the third KISS album, Dressed to Kill , was even shorter than the last one: a mere five months between October 1974 and February 1975. And, frankly, the ruthless efficiency was starting to show: even at a mere 30-minute runtime, there is way more filler on Dressed to Kill than on either of the preceding records. Of course, there's also their most popular song, the deathless party anthem "Rock and Roll All Nite," but I don't really feel the need to spotlight that one here; if you've turned on the TV or attended a sporting event in the last 40 years, you've heard it.
Instead, we're spotlighting two slightly lesser-known tracks. "Rock Bottom" is basically a rehash of "Black Diamond" from KISS: opening with a slow, proggy acoustic guitar pattern, then kicking into high gear when the whole band comes in. The riff isn't nearly as inspired this time around, but the song is an improvement overall, with less melodramatic lyrics and one of Stanley's most assured vocal performances to date. Better still is "Love Her All I Can": another Beatles homage, with a beat that actually grooves (check out the cowbell!) and one of the weirdest throwaway lyrics I've ever heard, as Stanley announces that he's "a lucky guy" when he's with his girl because he "hardly ever" cries. So you're saying that sometimes you still cry for no reason? Is everything okay, Paul?
It was another six months after Dressed to Kill when KISS finally got it right. Alive! is perhaps the one truly unimpeachable classic of the KISS discography: it's the one album you need to hear if you want to "get" this band, and if we had any sense, we would have just posted a link to the album 1500 words ago and called this guide done. But since we've committed to a more extensive analysis, just listen to what the more energetic performances on Alive! do to some of the highlights from the first two albums. It's impossible these days to hear the studio version of "Deuce" from KISS, and not miss the telltale sound of pyro effects blowing up as the band launches into the main riff; and on the Ace Frehley-written Hotter Than Hell burner "Parasite," they sound as limber as a bunch of six-foot-tall goons in platform boots could ever hope to be.
But the most important thing about Alive! is that it offers a strong sense of what KISS–one of the ultimate "better live" bands in rock history–actually sounded like at their peak, up close and in person. Or, maybe it didn't: Peter Criss and producer Eddie Kramer both maintain that the album was heavily reconstructed in the studio, with only the drum tracks actually recorded live. This seems unlikely (and, for Criss, pretty damn convenient), but even if it is true, in the end it doesn't really matter; whether by studio trickery or by sheer luck, Alive! captured the visceral energy of a live KISS show so well that it set a gold standard for live rock albums–a standard that KISS themselves would never meet again, despite releasing four more goddamn entries in the Alive! "series." Another, largely unsung achievement: with its epic version of the first album's "100,000 Years," Alive! introduced a whole new set of fans to Paul Stanley's sublimely ridiculous stage banter, which livens up even the obligatory nine-minute drum solo with a combination of shameless pandering and cartoon drag-queen theatrics ("I wanna know, how many people ovah hee-yah…like to pahhh-ty?").
If there is another "essential" KISS album after Alive!, then Destroyer from 1976 is it. Having at last captured their live theatrics on wax, this is when they made themselves larger than life–even commissioning fantasy artist Ken Kelly for a comic book-inspired cover. And how better to go larger than life than with Bob Ezrin in the producer's chair? Ezrin's production flourishes are all over the album: notably on the Gene Simmons feature "God of Thunder," which uses the sped-up voice of the producer's young son to appropriately demonic effect over the song's lurching heavy metal riff.
But the peak of Destroyer's musical excess comes on "Great Expectations": another Simmons-led song, unaccountably pairing a regal pomp-rock arrangement with leering come-ons to an unnamed (and almost certainly underaged) girl in the audience. The difference between a good KISS song and a bad one is, at best, razor-thin, and it's never more true than with "Great Expectations"; ultimately, however, we had to give it the nod for this guide, if only because it has to be heard to be believed. And anyway, plenty of rock bands wrote highly suspect songs about teenage groupies–but who other than KISS, or Ezrin, would then hire the Brooklyn Boys Chorus to help them sing it?
Last but not least, Stanley contributed a slightly more tasteful groupie anthem with "Do You Love Me?" Like the aforementioned "Love Her All I Can," it's kind of oddly vulnerable for a KISS song: Stanley starts out all strutting machismo, bragging about his limousine and his "seven-inch…leather heels," but then once the chorus hits, he spends the rest of the song unironically begging his jailbait "queen" to affirm that her affections for him are real. Jesus, Paul, don't be so goddamned needy.
Seemingly incapable of building on a success–or maybe just incapable of waiting more than eight months between albums–KISS followed Destroyer with Rock and Roll Over, arguably their weakest early album after Dressed to Kill. As the title suggests, Rock and Roll Over was a "back to basics" move for the band: they went from performing with children's choirs and the New York Philharmonic to recording "live" at the Star Theatre in Nanuet, New York, with Alive! producer Eddie Kramer behind the boards. They also went, by and large, from well-crafted songs to phoned-in filler and half-hearted retreads of earlier material; though "Calling Dr. Love," at least, is a nicely self-parodic bit of chest-beating caveman sexuality from a master of the art, Gene Simmons.
One of Rock and Roll Over's phoned-in filler tracks that we still unaccountably love is Paul Stanley's "Mr. Speed," a cowrite with the band's road manager and choreographer Sean Delaney. Part of it, I suppose, is the sprightly, Chuck Berry-esque riff, which comes like a breath of fresh air after four albums of lumbering heaviosity. If we're really being honest with ourselves, though, the real reason we love it is for the lyrics "I'm so fast / That's why the ladies call me Mr. Speed," which sound hilariously like Stanley is bragging about a premature ejaculation habit.
Easily the best song on Rock and Roll Over–and one of the best KISS songs, period–is "Hard Luck Woman"–a song that wasn't originally meant to be recorded by KISS at all. Stanley wrote it with the intention of shopping it to Rod Stewart, apparently operating under the assumption that the way you get an established artist to record your song is by openly plagiarizing one of his biggest hits. Serving in his rare capacity as voice of reason, Simmons talked Stanley into recording the song with Peter Criss on vocals, and the result was the band's first Top 20 single since the soft-rock smash "Beth"–which Criss also sang. Now you might think that this would set off some lightbulbs for Gene and Paul, and we'd be hearing more of Criss on lead vocals in the near future; he was, quite frankly, the best traditional rock singer in the band. But nope–it's pretty much all Simmons' constipated growl and Stanley's tortured-parrot squawk from here on out.
Another seven months after Rock and Roll Over, KISS came back–again–with Love Gun: effectively a more muscular retread of Destroyer, with another great Ken Kelly cover and Kramer once again replacing Ezrin as producer. The album is solid on the whole, but carries a distinct whiff of diminishing returns: as with the previous record, it's hard to shake the feeling that only three years after their debut, KISS are already retreading past glories ("Tomorrow and Tonight," anyone?). But when they weren't phoning it in, they could still craft a lunk-headed cock-rocker better than most: like Frehley's "Shock Me," a classic cut in spite of a decidedly underwhelming lead vocal debut by the "Space Ace."
Taking the term "cock rock" a tad more literally was the Love Gun's title track, a fast and heavy ode to Paul Stanley's most enduring muse (his dick…I'm talking about his dick). I could uncharitably call it a rewrite of Destroyer's "Detroit Rock City" with an added phallic obsession, and I wouldn't even be wrong, but I have to admit I have some grudging respect for that sledgehammer of an opening riff. More interesting in my book, however, is Simmons' "Almost Human": a sleazy, underappreciated funk-metal track with an auxiliary percussion groove that somehow manages to take the band's usual, flat-footed riffage and make it slither.
In their now-customary fashion, KISS released their next product, Alive II, less than four months after Love Gun. This would almost have been acceptable, were the album another purely live affair; this time, however, the ever-prolific band decided to include a vinyl side's worth of freshly-recorded studio material. Unlike the original Alive!, pretty much none of Alive II is truly essential; that goes double for the studio songs, none of which were even good enough to make it onto the last two, filler-heavy albums. But we'll still give the nod to Frehley's "Rocket Ride"–the guitarist's only contribution to the studio tracks–as it's better than the rest, and also a long-overdue opportunity for the band's resident "spaceman" to compare his dong to a rocket.
After a staggering eight albums in less than four years, interspersed with a grueling tour schedule, you might think that 1978 was high time for KISS to give themselves (and us) a break. But in that case you'd be wrong, because instead the band decided to release four separate "solo" albums on the same day: September 18, 1978, a day that would live on in infamy as the worst thing to ever happen in September. The solo album gimmick was, without a doubt, the peak (or, perhaps more accurately, the nadir) of KISS' hubris, and it marked an irreversible turning point of quality in the band's work.
On the surface, it sort of makes sense. From the beginning, KISS had attempted to establish distinct, comic book-style personalities for each band member; what better way to express those personalities than by giving each member their own album's worth of free range? The problem is that some personalities are best left indistinct: when you zero in on any one of the original KISS "characters," it only underlines how ridiculous they all were. Thus Stanley's solo album framed "the Starchild" as a bedroom-eyed heartthrob type–which makes sense, because who else do women want to be seduced by, if not a hirstute man in clown makeup with an audible lisp? Criss, on the other hand, clearly tried to cash in on his success with ballads and softer rockers–only to learn that, even in the late '70s, there was a limit to how many melodramatic power ballads people wanted to hear performed by a grown man with his face painted like a kitty cat. The Frehley and Simmons albums fared better, largely because their themes weren't as sharply defined: Frehley's was basically a true solo album by a guy who already seemed to be sticking one foot out of the KISS door, while Simmons' was at least honest with itself about its origins as a bugfuck vanity project. Overall, however, even if we were to trim these eight vinyl sides down to two, the result would be a middling KISS album at best.
So let's just rip this Band-Aid off and hit the high points. Paul Stanley 's least offensive track is probably "It's Alright": a slight tweak of the KISS formula toward arena-ready power pop, with reasonably listenable results. Gene Simmons actually gets two standouts: "Radioactive" is basically just a KISS song, with Simmons' bassline front and center (it even got an airing in the band's schlock-classic 1978 TV movie, KISS Meets the Phantom of the Park ), while "Man of 1,000 Faces" is both the strongest evidence of his Beatles obsession to date, and a seemingly confessional song about the mental and emotional toll of living behind a greasepaint mask for four years. Meanwhile, Ace Frehley had a well-received cover of "New York Groove" by glam rockers Hello–which also happened to be the biggest KISS single since "Beth" in 1976–but my personal preference is for "I'm in Need of Love": another confessional track, with surprisingly stark lyrics about Frehley's deteriorating emotional state and some appropriately spacey phased guitar licks. Finally, there are no highlights on Peter Criss ; but if you absolutely need to hear something from it, I recommend "Rock Me Baby," a sprightly blue-eyed soul number written by Sean Delaney that finds Criss adding shades of Tom Jones to his well-worn Rod Stewart impersonation. It's also one of only two songs on the album that doesn't crack the three-minute mark, so I consider that a point in its favor, as well.
After putting their fans' devotion to the ultimate test with the solo records, KISS deigned to release only one album in 1979: the widely heralded "Return of KISS," Dynasty . This album has a somewhat controversial reputation among KISS fans, because it made a definitive shift away from hard rock and toward, of all things, disco: just listen to lead single "I Was Made for Lovin' You," with its undulating bassline, soaring chorus, and sixteenth-note hi-hat beat. The real problem with Dynasty, however, is that its stylistic departures made for its most interesting songs. "I Was Made for Lovin' You" was only the band's second Gold single in their career, and it deserved that distinction: for one thing, unlike the vast majority of the material released by KISS in (at least) the last two years, it actually had hooks and was pleasing to listen to. Stanley's arena-ballad followup "Sure Know Something" perhaps dwelled a bit too far into cheese territory, but at least it demonstrated that the band was trying to do something other than write their thirtieth riff-heavy dirge about fucking groupies.
Indeed, it was arguably when Dynasty hewed closest to the established KISS formula that the album was at its weakest: many of the more conventional "rock" cuts are faceless and unmemorable. One possible exception is Simmons' "Charisma," which if nothing else distinguishes itself by its sheer, undiluted monument to the writer's ego: "What is my charisma?" Simmons growls. "What is it I've got?" Well, Gene, it just so happens that we've been asking ourselves the same damn question.
The impossibly goofy-looking costumes from the 1979 Dynasty tour; photo stolen from Anything Kiss.
After Dynasty, it was all pretty much downhill for KISS, but we still have a few more jewels in the rough to unearth. Despite its arriving a whopping 12 months after its predecessor, 1980's Unmasked was the band's worst album yet; but opening track "Is That You?"–a lesser-known post-glam rocker by British singer-songwriter Gerard McMahon–is a rare post-'70s highlight. Even more surprisingly, there are also a couple of salvageable tracks on 1981's monumentally ill-advised, Bob Ezrin-produced rock opera (!) Music from "The Elder": one of the rare entries in the KISS canon that has been unilaterally condemned by both current and former members. "Mr. Blackwell" suffers from the usual concept-album problem of being about characters and stories nobody but the songwriter cares about, but it at least has a prowling Gene Simmons bassline and some nice atmosphere. The single release "I" is, if anything, worse: a distressing portent of Paul Stanley's future career in flaccid self-affirmation rock masquerading as a conventional KISS song. But if you ignore the corny lyrics, it at least sounds like KISS–which is more than the vast majority of The Elder (sorry, Music from "The Elder") can say.
It's tempting at this point to say that KISS went out with a whimper, but anyone who's listened to as many Paul Stanley vocals as us–and, by this point, anybody else who's been listening to this playlist–knows that that just isn't possible. Though billed as a "return to form" after the excesses of The Elder, 1982's Creatures of the Night was mostly mediocre; it did, however, contain at least one decent arena-rock shouter in "I Love It Loud," a prominent feature for new drummer Eric Carr. The following year's Lick It Up is mostly remembered as the album when an increasingly desperate KISS took off their makeup, but its title track remains a glam-metal guilty pleasure. And, speaking of guilty pleasures, there was exactly one listenable song on 1984's Animalize : "Heaven's on Fire," a step even further into the hair-metal genre featuring some supremely goofy heavy breathing from Mr. Stanley.
And there you have it: the last truly recommendable KISS song (and, in case I haven't made it clear, "Heaven's on Fire" really stretches the definition of the word "recommendable"). But I can't help but feel, even after all that, that we haven't quite done justice to our love-hate relationship with KISS. I'm convinced that, in order to truly understand this band, you need to hit the deepest troughs as well as the highest peaks. So look out next week for a second installment of this feature: a guide to the worst of KISS. We listened to every album in their discography, front to back, so you wouldn't have to; I hope that you'll join us again soon to share in at least some small part of our torture.
Tagged ace frehley, alice cooper, beatles, beck bogert appice, black sabbath, bob dylan, bob ezrin, brooklyn boys chorus, dinosaur jr, eddie kramer, eric carr, free, gene simmons, gerard mcmahon, hello, ken kelly, kiss, kiss meets the phantom of the park, melvins, new york dolls, new york philharmonic, paul stanley, peter criss, rod stewart, star theatre, wicked lester
Someday You'll Find Out: A Requiem for Blanche
From the Vault: Paul Stanley's Live to Win
Podcast: We Saw KISS ¯\_(ツ)_/¯
Jheri Curl June: Pink Rhythm's "Melodies of Love"
Jheri Curl June: Chaka Khan's "This is My Night"
Jheri Curl June: Aretha Franklin's "Who's Zoomin' Who"
Jheri Curl June: Shannon's "Let the Music Play"


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University of Texas at Austin - ocsacollegeblog.blogspot.com.
Many exchange students enjoy private dorms because group living provides a community of university students, with opportunities to make friends and participate in shared activities. American Campus Communities. At American Campus Communities, it is our mission to make your experience at The University Texas at Austin a success. Whether you're.
Choosing to live on campus at The University of Texas at Tyler will make your college experience even more well-rounded, convenient and fun. Choose from four housing options: Ornelas Hall, Patriot Village Apartments, University Pines Apartments and Eagle's Landing Apartments. Each residence offers distinct advantages, but all include on-site.
UT Austin on-campus dorms help for incoming freshman Hello I am a potential student at the University of Texas at Austin for the 2018 academic year. I was wondering if you guys could help me learn some more info on the on campus housing.
PTS welcomes students to The University of Texas at Austin. Several options are available to meet student parking needs. The campus is pedestrian friendly, with shuttle bus service throughout the campus and Austin. Understanding student options for parking and transportation will make campus access easier, and following the parking regulations will promote student safety.
Resources for Families: For Incoming Freshman Families; For Incoming Freshman Families. A Message from the Director of Texas Parents. Dear Class of 2024 Parents and Families, On behalf of The University of Texas at Austin, welcome to the Longhorn Family! Yes, that welcome is extended to you along with your newly admitted student. You have played an integral role in your student's pursuit.
The mission of The University of Texas at Austin is to achieve excellence in the interrelated areas of undergraduate education, graduate education, research and public service. The university provides superior and comprehensive educational opportunities at the baccalaureate through doctoral and special professional educational levels. The university contributes to the advancement of society.
The University of Texas at Austin. Texas Admissions. The University of Texas at Austin. Visit; MyStatus; Sign Up; Contact; Explore; Apply; Afford; Enroll; Menu. You are here. Living in On-Campus Housing Information Sessions Select a date to see available sessions, details and registration information. Return to the Prospective Freshman Campus Visits calendar. Legend: Available. Unavailable.
College of Fine Arts undergraduate admissions information. Includes upcoming deadlines, admissions contacts, and requirements for applying to Music, Theatre and Dance, Design, Art, Art History and Arts and Entertainment Technologiesat The University of Texas at Austin.
School location: Austin, TX. This school is also known as: University of Texas at Austin. Admissions Rate: 31.8%. If you want to get in, the first thing to look at is the acceptance rate. This tells you how competitive the school is and how serious their requirements are. The acceptance rate at UT Austin is 31.8%. For every 100 applicants, 32.
The University of Texas at Austin (UT Austin, UT,. The University of Texas integrated its facilities and desegregated its dorms in 1965.. After becoming the first freshman in school history to lead Texas in scoring and being named the Big 12 Freshman of the Year, Daniel Gibson entered the 2006 NBA draft and was selected in the second round by the Cleveland Cavaliers. In his one year at.
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The cost of attendance (COA) is an estimate of what it costs the typical student to attend UT. Your COA covers both your tuition and basic living expenses, including room and board, books and supplies, transportation and travel costs and personal expenses. UT may cover any amount up to your total COA but will not provide financial aid exceeding that amount.
Homepage of the College of Fine Arts, University of Texas at Austin. Within the College of Fine Arts, youll find a community dedicated to the study and advancement of creative disciplines. We deepen our understanding of humanity through captivating moments onstage and new discoveries in visual artifacts. We engage with diverse cultures, audiences and new technologies through lectures.
No but the best intro to school especially if you come from a small Texas town and a graduating class of only 250 (like I did) is to take the plunge and find a dorm to live in with total strangers as I did. Granted I had the benefit of parents who.
These are the freshman dorms at Trinity, located in a nice part of San Antonio, less than 100 miles south of Austin. For a smaller, private university the facilities were quite impressive and the grounds are nicely kept. I'm happy to say, my son has submitted his applications, on time, to Trinity University, as well as to most of the schools we visited over the summer.
Campus Services Graduate students at The University of Texas at Austin have numerous resources available to assist them with their academic and personal lives. From the resources and services highlighted below to counseling and mental health services, health and wellness and childcare, find out how we can help.
Austin Private Dorm Association, a non-profit organization for student housing dorms. Austin Private Dorm Association A.P.D.A. This site will familiarize you with the private dormitories surrounding the campus of The University of Texas at Austin. Although primarily a service for UT students, we also house students attending St. Edwards University, Concordia University, and Austin Community.
Orientation: Freshman Students; Freshman Students. Welcome, future Class of 2024! We're excited for you to join the Longhorn family. The next step in your journey is to participate in UT Orientation, where you'll get academic resources, campus resources and register for classes. It's all at orientation, and it's required for incoming students. Orientation registration for summer 2020 is.
We believe it's important for our community to have access to extraordinary living, learning and working experiences beyond the classroom. By providing clean, attractive, safe facilities for campus residents and diverse, high-quality food options — along with partnerships and programs dedicated to improving quality of life for our students, faculty and staff — we work hard to create a.
Donor Spotlight: UT Austin School of Nursing Receives Gift from Luci Baines Johnson and Ian Turpin for Gerontology Care, COVID-19 Efforts Upcoming Events Prospective Freshman Info Session.
University of Texas at Austin move-in date: August 21 and 22. How to prepare for move-in day: Book a hotel near UT-Austin right away! Austin fills up fast for move-in weekend, so it's important to make your reservation as soon as possible. Explore hotels near University of Texas at Austin. Plan transportation. If you'll be driving, plan your route and book hotels for overnight stops if.
PTS welcomes students to The University of Texas at Austin. Several options are available to meet student parking needs. The campus is pedestrian friendly,with shuttle bus service throughout the campus and Austin. Understanding the student options for parking and transportation will make campus access easier, and following the parking regulations will promote student safety. The links will.
Philosophy and Purpose of Residential Life. As a vital part of a liberal arts education, the Concordia University Texas Office of Residence Life exists to challenge and support the personal wellness and the educational wholeness of students by inspiring diverse understandings of the world, encouraging critical thinking, and promoting meaningfully engaging living.


Ralph was born in 1895 in Ely, Cambridgeshire. He was the younger of two sons born to Thomas Gunton Mills (1863-1944) and Harriet Mills (née Gunton). By 1911 Ralph was still living at home but he was working as a Theatre Property Maker. Ralph enlisted at Sutton in Ashfield, Nottinghamshire as Private 959, 1st 8th Battalion, Notts and Derby (Sherwood Foresters) Regiment. He was killed on 5 June 1915 in Belgium. He was buried in Kemmel Chateau Military Cemetery, Belgium. He was also commemorated on the war memorial in Sutton in Ashfield and on the war memorial in St Mary Magdalene church, Sutton in Ashfield.


Think cloud solutions and you think of cheap ways to manage modern businesses that require less office space and less paper file storage, right? It's a desirable goal and just one of the many things to consider in terms of either moving to or improving in your workplace. Where things can get complicated is making the decision: To go public, or to go private?
Go private and you can save money on licensing costs but your capability and storage may be pretty limited. Go public and you can benefit from unlimited data capability and possibilities for expanding your software the infrastructure set, but security and compliance may be mitigated. Plus you may have to hire additional staff, who have expertise in cloud systems.
If only there were a way to take these two seemingly mutually exclusive cloud modalities and make of them a super solution that affords you the best of both. Turns out you can. Invest in two solutions that allow you to switch modes as and when needed and it could pay dividends down the track. In fact hybrid cloud solutions are so attractive that CIO estimates that by the end of 2017 'almost half of large enterprises globally will have deployed hybrid cloud infrastructure.' So how do hybrid cloud solutions offer the best of both worlds?
If there's one attribute that future-proofs a company better than any other in this time of unpredictability and disruption, it's agility. And if there's one attribute legacy technologies lack? The very same thing. To be nimble – to be able to move quickly and lightly without kickback or rebound – you need flexibility, not just in your personnel but also in your software arrangements. Hybrid cloud gives you just that. In the last several years, moving to cloud has generally meant signing up for a public cloud service, one with a decent range of usability, suitable for its client.
The beauty of hybrid is in readopting some aspects of these old technologies by adding a private cloud to the public service, but leaving behind the biggest problems — space, servers, power for cooling etc.
It's no surprise then that hybrid models are scalable. Investment in private IT infrastructure, can be costly, and if not chosen wisely, can become obsolete in a short time. A hybrid solution mitigates this risk, because you can extend your IT capabilities without heavy infrastructure investment. Not only does this ensure that the systems can meet the current IT needs of the organisation, but it is also future-proof.
When adopting a hybrid cloud solution, you can maintain security without sacrificing the agility of a public setup.
Another important benefit of a hybrid cloud model, is that it promotes business continuity. Despite popular belief, business continuity doesn't just involve backing up or replicating data on the cloud. Business continuity is actually about having a plan B in place, so that if the worst occurs, business can go on as usual. Hybrid cloud solutions promote business continuity by providing 'disaster insurance.' Pertinent data can be moved or replicated into a public system so that if disaster strikes, nothing is lost, and downtime costs are kept to a minimum.
Is a hybrid solution for you?
Although hybrid cloud solutions are an appealing option for an increasing number of businesses, creating this model isn't straight-forward. A hybrid model is a bespoke solution for your company and internal staff members may not have the level of expertise needed to successfully implement the model.
Another key challenge is that your existing legacy technology may not be compatible with cloud solutions so integration would take a significant amount of time, money and resources. In some instances, with a system that has both public and private capabilities, it may result in your team needing to run two different stacks.
Lastly, adopting a hybrid model isn't just the remit of the IT team. You need to ensure that the move has the support from your senior stakeholders, who will be key in ushering in change to teams who may not be familiar with cloud technology.
However, if you can successfully identify and meet these challenges, then you will be left with a secure, flexible system that can grow with your company. If you would like to know more about the latest in cloud technology trends, then you should download our Cloud 2017 @ CeBIT program today.


With flags flying high above our heads, we salute these chosen few who risk their lives to save the weak and the horrors they come to view.
Their bus will soon be coming. Raise the flag and please be still. We want to honor their fallen comrade until their bus comes over the hill.
The headlines said a soldier died in a land so far away, but it forgot to mention God was there and he's there still to this day.
When it is day I will look toward the heaven. When it is night I will picture you here. I will relive each and every memory, because I know it will help you stay near.
The inspirational and uplifting Christian poems of hope and encouragement on the Heaven's Roll Call websites are meant to help you after the death of a loved one.
I salute you, America, the land that I love. You were born out of freedom and blessed from above. Many fight for the right to be free in this land.
There is pain in the world we live in and tears may often flow, but like the rain that brings the flowers, the tears are there to help us grow.
Did you question God's motive when your life didn't go as planned? Do you feel angry at its unfairness as you try to understand?
Peace I leave with you, my peace I give unto you; not as the world giveth, give I unto you. Let not your heart be troubled neither let it be afraid.
Click on each inspirational poem to enlarge for reading and see the end of the uplifting poem.