Stop by anytime during the day to write your own letter encouraging Congress to protect programs that help people struggling with hunger and poverty in the United States and around the world. We will provide everything you need to write a compelling letter. Take 10 minutes; make a difference.


Toddler Coat Rack picture is in category Home Design that can use for individual and noncommercial purpose because All trademarks referenced here in are the properties of their respective owners. In this post we give you some picture about children's coat rack amazon, children's coat rack canada, children's coat rack ikea, children's coat rack kmart, children's coat rack on wheels, children's coat rack wall, children's coat rack with storage, children's coat racks personalized, diy toddler coat rack, toddler coat rack, Toddler Coat Rack. If you want to view image in full size just click image on gallery bellow.
Nautica Soft Snorkel Coat Toddler Boys Nordstrom Rack King Princess Wooden coat hangers for Children's Clothing Swan Childs Coat Rack Coat Racks Toddler Coat Rack Wall Mounted Coat Rack Kids Wall Hooks Kids Coat Rack Coat Racks Girls Coat Rack Child Size Make a Kids Building Block Coat Rack Soon To Be Done Pinterest Coat Racks glamorous toddler coat rack toddlercoatrackpencil Viv Rae Children's Coat Rack Reviews Wayfair Coat Racks glamorous toddler coat rack Children's Coat Rack Wall Lockers Coat Racks CoatrackwithshelfKidsEclecticwithbedBedroombutterflydecor Toddler Coat Rack.


text:
Алекса́ндровка () — село на Украине, находится в Жмеринском районе Винницкой области.

Код КОАТУУ — 0521080203. Население по переписи 2001 года составляет 894 человека. Почтовый индекс — 23127. Телефонный код — 4332.
Занимает площадь 1,83 км².

В селе действует храм Святителя Николая Чудотворца Жмеринского благочиния Винницкой епархии Украинской православной церкви.

Адрес местного совета
23127, Винницкая область, Жмеринский р-н, с. Александровка, пр. Шевченко

Примечания

Ссылки
 Александровка на сайте Верховной рады Украины

Населённые пункты Жмеринского района

redpajama_set_name: RedPajamaWikipedia


The underlying assumption is that if you are using version control *anywhere*, then you should be making decisions for how things get updated.
You can run git status to verify core files have been changed. Also at this point you can commit and push your changes up.
This post is part of my Jetpack for WordPress guide.
Since I work in marketing, I cannot tell you how much mailing lists are an underrated goldmine. If you haven't had the time to setup a more robust mailing program like Mailchimp, you should at least start collecting readers' emails. They love your content, and they want you to stay in touch. Jetpack's subscription feature adds a widget to your widget library so users can subscribe to your blog by email. The plugin uses WordPress.com's subscription system, so your end user will see a lot of WordPress branding, but in the end you can curate a list of all their email addresses!
Favicons and Apple touch icons are a necessary vanity. I don't particularly enjoy putting these together since I'm not much of a designer, but Jetpack's Site Icon feature makes it much easier. Upload an image (maybe just your logo?), crop it with the familiar WordPress image editor, and bam! Done! It generates all the necessary icon formats and puts them in for you. Note: It doesn't appear this module renders an .ico format, which is necessary if you want IE<11 support.
Markdown is clean, universal, and pretty. Haven't heard of it? Check it out! The Markdown module will allow you write posts in markdown and process it into clean HTML Markup. And just as expected, you can mix your markdown with HTML, Shortcode, and inline styles. This feature doesn't have any settings, but I recommend turning off the Visual Editor under Your Profile before using it.
Another reason I really like this plugin is that if you deactivate it, your website won't start spewing out markdown. This is because the plugin stores a markdown copy, and a formatted copy (in the post_content_formatted column). This is also great for performance, so it doesn't take a hit every time you load a page.
Another side note: this module includes additional Markdown features from Markdown Extra. You can read the documentation here: https://michelf.ca/projects/php-markdown/extra/.
+ WP-Markdown: For users who like to preview their markdown while typing.
+ Markdown on Save Improved: This is the same as the Jetpack plugin, bet it's officially deprecated. Only use this if you're avoiding Jetpack and need an alternative.


text:
Releasing old software
After a long, long time, I decided to release a new version of psiconv. That is tooling I wrote between ten and fifteen year ago. In those days I owned a Psion 5 (and later the upgraded model, the Psion 5MX), a small PDA with keyboard running EPOC (also known as EPOC32, a precursor of Symbian).
EPOC used its own file formats. There was a tool for Windows to convert files, but nothing for other operating systems. So I set out to fill that gap and psiconv was born. The hard thing was to reverse engineer the used file formats, as they were completely undocumented. On some forums, people even insisted that there was nothing like a file format, due to the way the documents were streamed to disk. Of course, that made it only a better challenge.
So, why release a new version now? I no longer own a Psion. But I want at least the file format documentation to remain available. So I wrote a script to import them into this site. But the documentation was originally written on my Psions, so I needed psiconv to translate that. And of course, doing so I encountered a bug in one of the output formats which really needed fixing: the last line of documents was replaced by a blank line.
While at it I wanted to support newer releases of ImageMagick and its fork, GraphicsMagick. Those libraries are used to convert the image formats of the Psion to more common formats. But that, in turn, meant I had to revamp the version-dependent code which detects what image formats are supported. Version-dependent as in: the code is slightly different depending on the ImageMagick or GraphicsMagick version.
Of course, I could just have removed support for the now ten year old versions of ImageMagick, but I did not want that. Instead, I opted for testing that code. Installing those versions on a modern system would have been a lot of work, if at all possible.
Virtualization to the rescue! Older Debian releases should work without too much trouble on a virtual machine. My current workstation is powerful enough to host several virtual machines at the same time. So I installed several old Debian versions and tested psiconv on it.
The funny thing is that the code I changed worked the first time around with all relevant versions of ImageMagick and GraphicsMagick. I could have released it blindly. There is a first time for everything, I guess!
‹ Previous: Images are just files
Next: Virtual Debian ›

redpajama_set_name: RedPajamaCommonCrawl


New website chat to text feature for IDX/MLS websites.
Personalized photos are now easily created using the IDX/MLS data and SYNCRO.
We've just released personalized call to action chat buttons for IDX/MLS enabled websites. Up your chat game and get personal with these dynamic chat buttons. These lovely calls to action are generated on the fly within our software and don't require any heavy lifting on your part. When we set up your brokerage or banner website with SYNCRO we'll populate your instance with agents' photos and mobile numbers and these buttons will appear like magic.
IDX/MLS WEBSITE WITH PERSONALIZED CALL TO ACTION BUTTON IN LOCATION A.
Stay tuned for more engaging innovation next month and as always we love to hear from you.
If you have a suggestion on how to make SYNCRO better for your business please let us know! Our goal is to make SYNCRO the most engaging, easy to use software for real estate and your feedback is invaluable. Chat with us now, message us on Twitter or leave a comment below.


text:
Why Mandatory Firearm Insurance Could Be a Hugely Powerful Gun Control Play
By Robert Garson • 03/02/18 5:24pm
Surrendered handguns. David McNew/Getty Images
Where has creativity in policy formation gone? What happened to the think tanks actually thinking?
With most brainstorming sessions, pedestrian ideas are taken as a given, such as mental health checks for new firearms purchases, raising the purchasing age, and banning assault-style weapons and high-capacity magazines. The clearly bonkers outliers like the burbling bloke in the corner who says things like "I know, let's arm all teachers" are usually thrown into the virtual dustbin from the outset. Such easy fixes could be implemented with much more expedition were the major retailers of firearms to take an ethical selling stance. And guess what? Dick's Sporting Goods, Walmart and Kroger have just taken the stand that they should have been forced into by the government years—and hundreds of lives—ago.
Congress should realize private industry is in a much better position to regulate the consumer than the federal government and pass a single law: mandatory firearm insurance. Just as it is an offense to not have car insurance, the same approach should be applied to the ownership of firearms. And if you don't have insurance, you can't buy a gun.
Under such a law, for example, a person with no previous convictions and who only uses his or her firearm to hunt in a controlled environment would pay a low premium. On the other hand, those who have a domestic violence conviction would see premiums skyrocket. Such a law would likely lead to decreased legal gun ownership, thanks to expensive barriers to entry and possibly even coverage denials—especially for the very people in whose hands guns could be most dangerous. If you shoot yourself in a hunting accident, you could claim, and if you shoot another, they or their families could make a claim. Under the current system, the families of children murdered in mass shootings have to try to make claims against schools or local districts, which are largely immune.
Premiums would be lower for those who undergo regular training sessions, attend periodic mental health assessments, or keep only certain categories of firearms. This law would also have the collateral benefit of pitting the insurance lobby against the NRA, with the former working tooth and nail to ensure it wouldn't be forced into making payments to the families of victims of school shootings.
To be fair, I cannot take the credit for this stellar idea. Such credit should go to a lifelong friend of mine, who is a gun owner and has asked not to be named for fear of some crazy bloke with an AR-15. This solution is elegant because it has the capacity to tackle a whole range of problems that have not yet been properly identified.
For example, mental health checks on the purchase of a new weapon are essential, but implementation outside of the major retailers or in the second-hand market might prove problematic. Further, a single check at the outset does not protect against those who already have a gun or later onset and progressive mental illness. Firearms insurance companies would be able to build policies with lower premiums for those willing to undergo regular mental health checks. Also, underwriters would demand enhanced oversight for those who have a history of being prescribed antidepressants and certain drugs, such as Ritalin and Adderall. There are multiple studies indicating that long-term dependency or withdrawal from both drugs can lead to delusions, anxiety, paranoia and agitation, all of which pose underwriting risk.
While not being the panacea, few things are more certain than that politicians will agree on gun reform in three ways: badly, late and never. But one simple stroke from lawmakers has the potential to make a tremendous difference: placing private industry and, in this instance, insurers, in place to set the agenda.
Robert Garson is managing partner of Garson, Ségal, Steinmetz, Fladgate LLP, an intellectual property and international litigation firm in New York. He provides Observer legal representation.
Filed Under: Politics, National Politics, Policy, Wal-Mart, National Rifle Association, mass shootings, Adderall, Kroger, school shootings, Ritalin
SEE ALSO: What Are the Taliban's Plans for Afghanistan's Cultural Heritage?


text:
The Co-op Center...?
The Sonic Center > Forum > Sonic Central > Competition Central > The Co-op Center...?
Your opinion on the TCOC concept -- Please vote only after reading the entire first post.
Approve -- full support with the idea as is
Approve -- but some things should be tweaked
Neutral -- Don't know enough to say anything
Neutral -- Undecided
Disapprove -- The concept might be abusable
Disapprove -- The concept is inept / The concept doesn't seem it would be popular
Author Topic: The Co-op Center...? (Read 14083 times)
SpinDashMaster
Dime Turner
Architect emeritus
TSC Profile
Sonic 2 Racer Extraordinaire
I've had this idea for quite some time, but I want to take things a step further and share my idea -- especially since S4E2 promotes and ranks the concept now.
I'd like to begin a subsite of TSC called the Co-Op center, a competition chart list focusing on two players playing in each of the games' inherent Co-Op modes.
Here's some facts that would apply:
Creation hurdles -- Nothing new would need to be coded into the charts. When two people obtain a stat, they submit it to the site under their respective usernames (or just yourself if you got the stat with a non-member).
How it affects Sitewide -- It won't. Since everything would be tracked on a separate subsite, no changes will need to be made to the main TSC competition rules.
Old Stats -- in games where Co-Op and single player mode are not separated (e.g. Sonic 2/ Sonic 3), players may submit stats obtained in single player mode, but only from the same character as the one who takes the lead role in Co-Op (e.g. Sonic's stats in S+T charts in S2 is OK, but Tails' stats are not.). This would help create a benchmark for comparing single player stats against Co-Op stats.
Labor required -- after the subsite is made, I can handle basically everything else on my own (I've pretty much mastered chartmaking now that I did S4E2) and I already know how to create forums and competition rules and such.
Also for reference, the following games would be included:
Sonic & Knuckles
Knuckles Chaotix
Sonic Adventure
Sonic Colors
Sonic 4: Episode II
So, what do you think? Want to embark on a new adventure with your friends? Post your approval or disapproval below and don't forget to vote.
« Last Edit: May 30, 2012, 04:27:48 pm by SpinDashMaster »
arcfx1985
up up down down up up up up
Re: The Co-op Center...?
I'd say with the release of Sonic 4 Episode 2 that this could have some initial popularity, but would it have staying power? I'd love to be able to pair up with someone for some Sonic 2/3&K runs as well (I believe emus support netplay, or I could just control Tails with my foot). It'd be a nice place to go for people disheartened that certain games don't allow co-op. I'm expecting a lot more glitched runs though.
Is this where I can advertise stuff?
THC98
SADX gamer.
Uh...
You should just create an extra chart for the Co-op games with this mode. It wouldn't change the normal ranking, because the Co-op rankings would be for entertainment purpose. I think that creating a sub-site would be a big thing to a small thing, in other words, an useless thing. It's not everyone that can play in Co-op. By the way, only a few Sonic games have Co-op modes...
(new here)
Can't co-op just go under Freestyle? (What IS freestyle, anyway?)
Quote from: arcfx1985 on May 24, 2012, 11:48:49 pm
As far as I know, Freestyle charts are the ones that don't count for the overall ranking, like an optional chart. It would be a good idea to do Co-op charts as Freestyle, like I said before.
Aitamen
I am a follower of the immortal Dark Falz!
Would it take issue with the fact that I'd be obtaining them myself, as a proper speedrunner?
Year 33 — The Malkavians claim that their greatest practical joke happened during this year, when they perform a bit of graverobbing in Jerusalem.
-- Vampire: The Masquerade
I would allow such stats.
Using any sort of script, however, to control the second player would be definitely illegal.
Gpro
TSC: Gamepro011
It's okay; don't worry about it
Hm... Why not just create a seperate game for S4E2 Co-op(considering it has online Co-op[unless I'm misinformed and it isn't online], placing an exception in the rule). Not that I'm against you guys creating a whole other sub-division of TSC, I'm just curious as to how THAT would work out and such.
Also, I'm curious about what's bad about proposing this, and why Co-op Center would be better suited. Anyone want to gove me a pros/cons list?
There doesn't seem to be one yet. 6 "Disapprove" votes and not one post of distaste o_O
Meh, I'd say that implementing S4E2 Co-op should be a whole new game entirely, allowing two people to gain Site points for the normal part of the site. This would require a small edit in the rules(saying S4E2 Co-op is the ONLY place where Co-op is allowed). ...BUT this should only be if this gets completely shot down and you still want to implement Co-op. The only thing being that you'd have to find out how people can submit stats together. Maybe if you make the stat pend until the person you did it with gets online.... DAMN that sounds complicated >_<
Not really. You simply submit your stat if you got it. Both players don't HAVE to submit their stat.
Parax
No to having it on TSC because it absolutely should not be a requirement to have a second person to compete.
I don't really like the idea of having a subsite for it either, but whatever, as long as coop stays off the main site. :/
MrSparkle
Doin Good
Re: The Cl-op Center...?
I know this is just for Sonic games, but I'd be all over some Portal 2 co op charts! What about making co-op stats freestyle? A subsite for a few stats in a few games seems really silly.
« Last Edit: May 30, 2012, 06:48:44 am by MrSparkle »
Because Freestyle is a special chart reserved for things that need to be "Freestyled".
I don't see why anyone would be harshly against it, since it's not a bad idea. I don't really see why anyone would be for it, either(it's completely opinionated, though I'm for it, just because I can XD)
Quote from: Umbreon on May 30, 2012, 03:34:50 am
because it absolutely should not be a requirement to have a second person to compete.
Not that I'm for putting it on the main site either, but reading helps:
Quote from: Aitamen
Quote from: SpinDashMaster
In tl;dr format, you technically don't need a second player.
You would need a second player if you wanted stats that don't suck.
Quote from: Umbreon on May 30, 2012, 04:16:34 pm
Says who? SM and Aita do it all the time.
EDIT: in fact, in rings and some score divisions, the pace is so casual that you can take the time to control one guy at a time.
1 hour, 39 minutes, 52 seconds
Broseidon
TSC: Groudon199
How about versus mode charts as well?
That would add some levels to S2, and include more stuff, say from SA2, Sonic Rush, Sonic Rush Adventure, Sonic and the Secret Rings, and probably others too.
For Versus modes, you may be able to do combined times to account for both players.
There's a lot that opens up with this concept and I encourage further discussion of it to those who are interested.
Strong Bad
new co-op chart: s3TA with player 2 waiting on the platform on Chrome Gadget
You don't need to do that. You can glitch through the platform.
In S4E2, you can play online, which means almost infinite goes with people: no issue there, especially since there's a few TSCers who are willing and able to play as well as the rest of TSC (or be able to learn, we're a generally intellectual bunch). I know a lot of people have lag and it's not at all a perfect system, but lots of people *could* get use from it that way, if limited to some extent.
In the rest, you'd have to play offline (does/can netplay work over LAN? I need to go look...), and I'm not specifically sure there's an advantage in all of the levels that have co-op... like in S2, there's no benefit to having Tails in EH1 in any category, I don't believe (maybe score?).
And while I'm only one person, I learned how to use Tails in S2/S3 for a handful of uses because I wanted to try and copy parts of the TAS. I can either dual-palm the controllers (A trait I'm not sure how many people have learned...), or in some cases play with my feet (if it's something like one-tap SD or just keeping tailed desynced)
Also, if it's a sub-site you wouldn't be required to play. It wouldn't have any base effect on TSC except the extra bandwidth (which I don't know that that's a problem, afaik our site runs plenty well).
I mean, I have a 2P (My gf), I have net, and I have the ability to play two characters in some instances, so I certainly stand as someone who could/would have full use of the site. Which is why I *don't* support it being on the main site: having someone to play with isn't something available to everyone, and it's far harder to get a decent, competent player than, say, to get DLC, and those already warrant separate games.
I don't even know if I'd really compete (I would probably upload my S4E2 stats I have with my gf, if for no other reason than that I have them), but I think having it open would be better, and unless it's a huge load on the site (which I don't know, both not being a networking expert and not knowing the site specifically), I don't see the problem with it, since SDM said "I'll do the charting" and "it won't be hard", from what I've seen.
Hits: 511 | Hits This Month: 4 | DB Calls: 8 | Mem Usage: 1.26 MB | Time: 0.10s | Printable


Thank you for visiting eYou.com.au. Your privacy is important to us. To better protect your privacy, we provide this notice explaining our online information practices and the choices you can make about the way your information is collected and used at this website.
From us you can pay for services, vote in polls, or otherwise express an opinion, or participate in different online forums or other online systems where you can submit information that might be viewable by third parties. The types of personally identifiable information that may be collected at these pages include but may not be limited to: name, address, e-mail address, telephone number, fax number, credit card information, and information about your interests in and use of our products, programs, and services.
At some times you can submit information about other people. For example, you might submit a person's name and e-mail address for technical support or as a referral. The types of personally identifiable information that may be collected about other people at these pages include but might not be limited to: recipient's name, address, e-mail address, and telephone number.
We also may collect certain non-personally identifiable information when you visit our web pages such as the type of browser you are using (e.g., Netscape, Internet Explorer), the type of operating system you are using, (e.g., Windows 95 or Mac OS) and the domain name of your Internet service provider (e.g., America Online, Earthlink).
We sometimes use this information to communicate with you, such as to notify you when we make changes to our subscriber agreements, to fulfil a request by you for regarding our online forums, or to contact you about your account with us.
We sometimes use the non-personally identifiable information that we collect to improve the design and content of our site and to enable us to personalize your Internet experience and use of our products. We also may use this information in the aggregate to analyse site usage, as well as to offer you products, programs, or services.
Agents and contractors of eYou.com.au who have access to personally identifiable information are required to protect this information in a manner that is consistent with this Privacy Notice by, for example, not using the information for any purpose other than to carry out the services they are performing for eYou.com.au.
eYou.com.au will not disclose personally identifiable information to companies not in the same management as eYou.com.au who want to market products or services to you.
Finally, eYou.com.au will not use or transfer personally identifiable information provided to us in ways unrelated to the ones described above without also providing you with an opportunity to opt out of these unrelated uses.
Collection of Information by Third-Party Sites and SponsorsSome of our pages contain links to other sites whose information practices may be different than ours. Visitors should consult the other site??s privacy notices as we have no control over information that is submitted to, or collected by, these third parties.
eYou.com.au sometimes may offer contests, sweepstakes, or promotions that are sponsored by or co-sponsored with identified third parties. By virtue of their sponsorship, these third parties may obtain personally identifiable information that visitors voluntarily submit to participate in the contest, sweepstakes, or promotion. eYou.com.au has no control over the third-party sponsors/contractors use of this information. eYou.com.au will notify you at the time of requesting personally identifiable information if third-party sponsors will obtain such information.
How You can Access or Correct InformationTo change or remove personally identifiable information that eYou.com.au has collected about you online, or how to correct factual errors in such information, please contact us at sales@eyou.com.au.
Special Note for ParentsThe site you are visiting is a general audience site. We do not have any filters or protection to protect children from bad language or similar things online. We ask and encourage parents to monitor what their children are doing online. If a child has submitted personal information or gives out other sensitive data on any of our systems please contact us at sales@eyou.com.au we will immediately remove this information. To protect your privacy and security, we will take reasonable steps to help verify your identity before removing information or making any corrections.
How to Contact UsIf you have any questions or concerns about eYou.com.au's online policy or it's implementation you may contact us at sales@eyou.com.au.


text:
Manifesto For The Successor To NXEA
The Manningtree Rail Users Association, as part of the Essex Rail Users Federation (ERUF) is compiling a 'manifesto' of requirements and expectations of the successor to National Express East Anglia. This manifesto will be presented to local MPs and the Department for Transport as the latter prepares to go out to tender for the new franchise.
If there any any particular points you would like to see included please let us know at info@mrua.org
Who Might Take Over From NXEA?
Last night three major rail operators said they would be interested in bidding for the current NXEA franchise. FirstGroup, who ran the First Great Eastern franchise prior to National Express, Virgin and Stagecoach have all indicated an interest.
However, they have all said that any decision on a potential bid will be subject to the terms of the franchise as advertised by the Department of Transport.
NXEA To Lose Franchise Early
The government has this morning announced that National Express East Anglia (NXEA) will be losing their franchise in March 2011. Although this is actually the original end date of the franchise the company had been looking forward to a three year extension to 2014 having met the prerequisite performance targets. However, the recent failure of the East Coast franchise has meant that National Express (NX) were likely to lose the NXEA business too. There were rumours that the Department for Transport (DfT) wanted to strip NX of the NXEA and C2C franchises with immediate effect but they have since decided against this. (The C2C business is up for renewal in May 2011)
The DfT have stated that the process for securing a new operator would start immediately so that a new franchise could begin in April 2011.
An interesting footnote to the timing of the end of the franchise is how close it is to the 2012 Olympics which some may see as inconvenient to say the least.
Dovercourt Station Revamp Plan Is Scrapped
Plans to revamp Dovercourt station at a cost of £150,000 have been scrapped because National Express East Anglia (NXEA) and Network Rail are unhappy with the terms of the lease to make it happen.
There had been plans to create a restaurant and perhaps a creche or even doctor's surgery as well as improve facilities for passengers. Grants were in place from the Dovercourt Township Heritage Trust and the Railway Heritage Fund. A third party would have taken over the project by leasing the building with the agreement of NXEA and Network Rail. However this agreement has not been obtained.
Online Plan Of Manningtree Station
Network Rail now provide an online plan of stations on the rail network. For details of Manningtree Station click here. Hovering over the individual icons shown on the plan will provide the relevant photo.
For other stations go to the Network Rail website, enter the station name in the Search box; Click on the relevant station name that comes up and then on Stations Made Easy
Oyster Pay As You Go To Be Extended
From 2 January 2010 all National Express East Anglia stations within the Greater London area (zones 1-6) will accept Oyster pay as you go cards. On the Great Eastern line this means all stations from Harold Wood into Liverpool Street.
NXEA Vision For Rail Services Between London and Norwich
National Express East Anglia has set out its vision of services on the London to Norwich mainline. Speaking at the conference Shaping Norfolk's Future, NXEA's managing director Andrew Chivers highlighted the three main areas to be addressed: Quicker journey times between Norwich and London with the fastest service taking only 1 hour 30 mins; new Inter-City trains; and further improvements to the railway infrastructure, including tracks and signalling.
Ironically some of the improvements, such as new trains, will come into service beyond the end of the current franchise in 2011 which may see another operator running the service. However, the planning does need to start now. In the short term, the widely publicised increase in capacity on commuter routes will continue with the ongoing addition of 'hand me down' trains to the Class 321 fleet enabling many services to be lengthened. NXEA will also be looking, at last, to installing WiFi services on their Inter City fleet.
The time taken by London - Norwich trains at the moment is dictated by many things: Busy commuter routes into London hindered by there only being four tracks as far as Shenfield; Very few passing loops (Places for trains to pass) beyond Shenfield; Speeds limited to a maximum of 100mph; the number of station stops made on each journey. To achieve the goal of a 1 hour 30 min journey between Norwich and London some of the above, if not all, will need to be addressed.
New trains for the London - Norwich route will be a very welcome change to the tradition on this line of taking elderly, second hand trains off somebody else's hands.
Changes to the infrastructure will take considerably longer to implement but may include a passing loop at the new station proposed near Boreham and even extending four tracks beyond Shenfield, possibly as part of the CrossRail project.
Of concern to Manningtree passengers is the possibility of fewer Inter City trains stopping here to improve overall journey times and as such the MRUA will be monitoring developments closely.
Government Changes Lead To Passengers Paying More
In the week that next year's fare increases are announced across the country the Campaign For Better Transport has highlighted the fact in a report that passengers are actually paying considerably more as a consequence of changes to the rules regarding fare increases.
Traditionally, regulated fare increases were capped at the Retail Price Index (RPI) minus 1. However in 2003 the government changed this to RPI plus 1. This was done as part of the government desire to have rail passengers pay a greater share of the costs of the rail network.
As a result of this change to the rules passengers in Manningtree are paying considerably more. Specifically, the annual season ticket from Manningtree to London at £4,400 is £570 more than it would have been under the previous rules.
NXEA Among The Worst For Customer Satisfaction
In the latest government rail review National Express East Anglia scored just 61% for customer satisfaction placing it 14th out of 18 operators nationally. London Midland, First Capital Connect, Northern Rail and London Overground are the only operators to score lower.
Somewhat ironically National Express East Coast, the franchise taken over by the government at the weekend, came top with a score of 78%.
National Express To Freeze Unregulated Fares
National Express East Anglia will be freezing all unregulated fares in the new year. The national average for fare increases is 1.1%
Regulated fares such as season tickets will reduce by 0.4%
Adonis Critical Of NX Retaining Franchise
Transport Secretary, Lord Adonis has said it is "unacceptable" for National Express to retain its remaining franchises having given up the East Coast main line at the weekend.
Regarding NXEA and C2C National Express said it "continued to meet all its contractual obligations for the East Anglia and C2C franchises". However, Lord Adonis said in a BBC interview "I regard it as unacceptable and not the way to treat the government that they seek to give up their loss-making franchise.... but keep the ones that are profitable."
Unregulated Fares To Increase by Average of 1.1%
The Association Of Train Operating Companies (ATOC) has announced that unregulated fares such as cheap day returns are to increase by an average of 1.1% in the new year. This is the lowest increase since privatisation.
Regulated tickets such as season tickets are set to decrease by 0.4% as a consequence of these prices being tied to the RPI which has fallen.
National Express To Lose NXEA Franchise Early?
Hidden in the small print of the National Express rights issue document is an admission by the group that its default on the East Coast franchise means that it will "lose the right automatically" to the three year extension to the NXEA franchise. Any extension will now be "at the sole discretion of the Department for Transport".
Under the current terms of the NXEA franchise it will be extended by three years from 2011 if the company meets certain performance targets. It is currently meeting those targets.
Rail Travel Too Expensive For Network Rail
Network trail is transporting 200 of its staff from Reading to a conference in Coventry by coach because going by rail would be too expensive. If open return tickets were bought at £135 per head it would cost £27,000, so the company has opted for the coach alternative which comes in at £12 a head - a saving of £24,000!
Surely a lesson there somewhere....
National Express Announces £350m Rights Issue
National Express Group has announced a £350m rights issue in an attempt to shore up its debt laden balance sheet. Interestingly this move does not appear to have the support of its largest shareholder, the Cosmen family, who own 18% of the business.
National Express this week hand back their East Coast franchise and it is reported that the Department for Transport is still determined to strip the group of its East Anglian (NXEA) and C2C franchises. However the group said this morning that it would fight any such attempt that would effectively remove it from the UK rail business.
No Compensation For Recent Disruption
NXEA will not be paying compensation to passengers following the recent disruption on the Harwich Branch Line. NXEA are saying that any compensation due will be based on the revised timetable that included the replacement bus service.
Users of this replacement service will know that whilst some of the buses were respectable, modern coaches there were also 30-40 year old buses in use and some of the routes taken were hardly direct. As such many passengers were significantly inconvenienced and did not receive the service they had paid for. The MRUA will be pursuing this with NXEA to get appropriate compensation to those affected.
Harwich Branch Now Fully Open
Following the threat yesterday of further disruption during peak periods it is being reported that the second line on the Harwich Branch is now fully operational.
Cancellations On The Harwich Line
Following on from the resumption of services following the recent landslip, services in the peak period on the Harwich line between Manningtree and Harwich are being cancelled this evening. A Network Rail spokesman has said that this was always planned and is because there is still only one line open to passenger traffic and there are a number of freight trains that have to go at a certain time.
The same thing is likely tomorrow (Friday) with a full service resuming on Monday 9th November.
Harwich Branch Line Services To Resume Early
Network Rail is reporting that services on the Harwich Line are to resume tomorrow (Tuesday), 6 days earlier than the original estimated date.
A 200m sheet metal wall has been placed into the ground and hundreds of tons of granite shingle is being used to stabilise the track which had subsided following a landslip near Wrabness. Although services will be running again, they will be subject to 20mph speed restrictions in the affected area.
NXEA Vision For Rail Services Between London and N...


Shockout has released another pumping, bass, drummy, beat heavy EP - Silicon Summer. Barcelona's wizz-kid Cardopusher (and definitely one of my favorite dubstep / lazer bass producers) offers great, Night Slugz'-like beat and synth-driven dubstep summer vibes in Heartbeat Jam, but my favorite tracks come from Cardo's friends, the Caracas production Duo of Pacheko & Pocz. Kuduro step par excellence! Cohete with neon synths, stomping kuduro beat and talking bassline creates the fusion of sounds I would really like to hear more coming from dubstep / UK Funky / future garage scene!! San Fran's Ghosts on Tape mutates the sound and vocals in a kind of liquid digital raeggaton / UK Funky style but focusing more on darker and deeper vibes. Finally, BADXMAN from Agoraphobistan in UK employs tons of lazers in a dirty, rude UK urban trip rolling on a pulsating low-frequency sub-bass. This EP is a must for any fan of forward-looking EDM!!


Born in raised in Washington DC, a program director and Radio personality at WINDCRadio. Which is a platform for indie artist and entrepreneurs and more. I have worked as a musical manager for a few artist and bands in the DMV area. Attended Eastern High School graduated class of 92 I promoted for band such as 202 band and Da Aftermath.Managed my sons Yo Boy Breeze and Andy Da Kidd and DMV artist group Da Family and LOD.In my free time I love doing poetry and writing books.


Profile: In September 2005, Arendt & Medernach chose New York as the base for its first overseas representative office. Establishing an office there was the natural first step in our intern.
Practice Areas: Administrative Law, Property and Construction; Bank Lending and Structured Finance; Banking and Financial Services; Capital Markets; Corporate and Tax Compliance Services; Corporate Law, Mergers and Acquisitions; Dispute Resolution;.


text:
A Palm Springs Weekend
Amanda Scarborough
Adventures, ESPN
Went to Palm Springs for the Mary Nutter Softball Classic at the Big League Dreams Park. What an amazing weekend of watching high level softball, getting to listen in on interviews from many of the top teams' coaches and players, and then an awesome video shoot with a camera called the Phantom that shoots at 3200 frames per second. (In comparison, this video was shot at 1000 frames per second). By the way — the views you will see in these pictures are stunning. AWESOME weather with sunny skies and beautiful backdrops! The teams that were there at the tournament included Tennessee, Washington, Oregon, Arizona, Nebraska, Texas, Stanford, Texas A&M, Baylor, Oklahoma State, Cal St Fullerton, UCLA, Cal, LSU, Pacific, Cal State Northridge, Oregon State, UNLV, Missouri, amongst others! To see all of the results of the many, many great match ups from this weekend, click here.
What I learned: I love this game more than anything, this weekend was definitely a reinforcement for that. But what I also learned, is that the talent at the D1 level is spread out amongst all conferences. In the past, there were just a few schools who would "take the cake" year in and year out. What's so fun about going out to a game now, is that you really don't know who is going to win simply by looking at the names on the uniforms.
Who I enjoyed watching: I really enjoyed being able to see Ellen Renfroe pitch in real life. She is someone who doesn't really throw above 60mph, but her spin is amazing. She is a true pitcher. She is not going to blow the ball by you, she is going to be crafty in her locations and precise in her spots by mixing up her pitches in different quadrants. I highly recommend being able to go and watch this senior pitch in real life or on TV to see a real pitcher and not just a thrower. She is living proof that you do NOT have to throw hard to have success at the collegiate level. (If you remember, she helped pitch Tennessee to the National Championship game last year in Oklahoma City to go up against Oklahoma).
Offensively, I enjoyed watching Stanford third baseman Hanna Winter. She plays third base and she hits left handed. If you want to see someone who might be one of the quickest, most athletic players in the country, she's your girl. I saw her make some amazing plays at 3B, and the way she runs bases and has such great bat control front the left handed side of the plate is just awesome.
Tatum Edwards, senior All American pitcher for Nebraska, throwing against senior, All American short stop, Madison Shipman, on Fenway at Big League Dreams in Cathedral City. Great drop ball and change up that Edwards has and throws about 65mph.
All American, senior pitcher, Ellen Renfroe led the way for Tennessee, So awesome to get to watch her pitch from back behind home plate. The first time I had seen her pitch live. Remember the National Championship Series last year when she went up against Oklahoma and threw an amazing game against them? Some of the best movement and spin of any pitcher in the country.
Always a packed Wrigley Field whenever UCLA takes on anybody at the Palm Springs Classic. Californians love to come out and see their Bruins play. Check out the background and getting to play in the mountains.
Senior pitcher for LSU, Ashley Czechner, going up against Oregon senior third baseman, Courtney Ceo on Fenway!
Texas A&M taking on Cal on Yankee.
Throughout Friday and Saturday, teams were stopping by to take go through different stations, taking pictures, getting video footage and also interviewing with Holly Rowe and Jessica Mendoza. I tagged along for some! They interviewed over 12 teams this weekend, and next weekend they will go out to another big tournament in Orlando, to get some of the top teams there, too. I got to hear about so many different team's cultures and head coaches talking about individual players who make a difference on their team. There were tons of good stories from the head coaches and the players, many of them you will be able to catch on ESPN's coverage of the regular season and post season, which will start at the end of March.
Head Coach of Texas A&M sitting down and talking to Holly Rowe about the 2014 Aggies, their experience in the SEC, approaching 1000 career wins, and previewing their televised match ups against Florida and Tennessee.
Senior pitcher for Tennessee talking to Jessica Mendoza about her senior year and last year's WCWS National Runner Up season.
Stanford Head Coach, John Rittman, talks with Stanford alum, Jessica Mendoza. Cool moment to get to see them interact, as he used to coach her when she was a player in the PAC 10.
Saturday morning, the ESPN crew met up at the field to use an incredible camera that shoots at thousands of frames per second — 3200 frames per second to be exact. Kristyn Sandberg, who played at Georgia and currently plays for USSSA Pride, caught and hit, I pitched, and Jessica Mendoza also came to hit, too. This camera was so awesome – the detail it catches of every little thing is so amazing. They zoomed in on my release from a side angle, my drag from a side angle and then they filmed from back behind Kristen catching me to get the ball coming out of my hand, too. They also shot some catching, fielding and hitting clips all done by myself, Kristyn Sandberg and Jessica Mendoza. These will be used for different shots throughout the coverage of college softball. You most likely won't be able to see or tell that they are me or Kristyn, because they were more about cool shots like the look of a ball coming out of a pitcher's hand at release, the look of a pitcher's feet dragging, the ball coming off the bat, a tag being made at 3B. WE will know that the shots were of us, but not very many people will probably be able to tell!
Previous postSo, What Exactly Are College Coaches Looking For?
Next postWhy She Has 1000…
About author View all posts
Big 12 Freshman of the Year (2005)
Big 12 Player of the Year (2005)
Texas A&M Softball All American ('05 & '07)
Big 12 Pitcher of the Year (2007)
WCWS Appearances ('07 & '08)
Texas A&M Athletic Hall of Fame Inductee (2014)
ESPN Softball Analyst
The Packaged Deal co-founder


text:
Kathleen Campbell M.M.
Professor of Music, Saxophone, Woodwind Chamber Ensembles, Aural Theory, Keyboard Strategies
kcampbel@setonhill.edu
Kathleen M. Campbell is Professor of Music at Seton Hill University where she teaches woodwind chamber ensembles, aural theory, keyboard strategies and saxophone. She was the founder of the Westmoreland Symphonic Winds, a wind and percussion performance and educational organization consisting of professional musicians from southwestern Pennsylvania and music students from Seton Hill University and served as its music director and conductor from 1985 - 2008. In addition, she was the founding director of the Seton Hill University Community Arts Program Youth Honors Band which has served middle school music students for over 30 years. An active member of the National Association for Music Education, the Pennsylvania Music Educators Association and the Westmoreland County Music Educators Association, Ms. Campbell also served on the Arts in Education committee of the Westmoreland Cultural Trust from 1998-2008. Kathleen Campbell is a graduate of Seton Hill University and holds a Master of Music in Wind Conducting from the University of Cincinnati, College Conservatory of Music where she was assistant director of bands under Dr. Terrence Milligan. From 1991-95 and 2013-2017, Ms. Campbell served as Chair of the Music Department at Seton Hill University and from 1994-96, served as Music Director and Conductor of the Westmoreland Youth Symphony Orchestra. In addition, she has guest conducted numerous honors bands at the local, state, and national levels. An active clinician and adjudicator in the tri-state area, Ms. Campbell also performs regularly as a free-lance musician, including appearances with the Westmoreland and University of Pittsburgh Symphony Orchestras, Glass City Swing Band, Wally Gingers Orchestra, for numerous churches and various regional musical theater productions. Ms. Campbell was the recipient of the "Lifetime Achievement in the Arts" award given by the Greensburg Area Cultural Council (now the Westmoreland Cultural Trust) and was also awarded the CASE "Professor of the Year" at Seton Hill University
B.M. in Music Education, Seton Hill University
M.M. in Wind Conducting, University of Cincinnati (College-Conservatory of Music)
Seton Hill University, CASE PROFESSOR OF THE YEAR; Greensburg Area Cultural Council LIFETIME ACHIEVEMENT IN THE ARTS Award; PMEA State In-Service Conference Performance by the Westmoreland Symphonic Winds
College Band Directors National Association; National Catholic Band Association; Music Educators National Conference; Pennsylvania Music Educators Association; Westmoreland County Music Educators Association
"Music Education and Advocacy: Limited Time, Unlimited Resources," Diocese of Pittsburgh Music Educator In-Service; PMEA State In-Service Conference Performance by the Westmoreland Symphonic Winds; WQED-FM Local Touch Broadcast by the Westmoreland Symphonic Winds; Instrumental Performance Clinician/Adjudicator for numerous events including PMEA Festivals, Westmoreland Symphony Orchestra Young Artist Concerto Competition, Indiana University of Pennsylvania Gorell Competition, Duquesne University Concerto Competition, West Virginia Weslyan University MTNA Solo Competition, Mansfield University Orchestra & Band Festival, and PA Governor School for the Arts
Guest Conductor for numerous high school, junior high, and elementary honors band festivals including Westmoreland, Huntingdon, Somerset, Fayette, Washington, Greene, Bradford-Sullivan and Indiana Counties, PMEA Districts, Alle-Kiski and Allegheny Valley Honors Band, Diocese of Pittsburgh, Connecticut Independent High Schools and All-State Festivals, and West Virginia University Invitational High School Honors Band
Pennsylvania Teaching Certificate: Music K-12
Former Music Director and Conductor of the Westmoreland Symphonic Winds; Former Music Director and Conductor of the Westmoreland Youth Symphony Orchestra; Freelance saxophonist, including appearances with the Westmoreland Symphony Orchestra, University of Pittsburgh Symphony Orchestra, Glass City Swing Band, Wally Gingers Orchestra, and for numerous regional churches, and various regional musical theater productions.


text:
BORN TO MOVE
Modern life makes it harder to keep kids active. But building healthy habits at a young age has lifelong benefits. That's why we created BORN TO MOVE, a series of age-appropriate movement classes designed to help young people become happier and healthier through movement.
Want to get a feel for BORN TO MOVE? Watch our latest workout trailer below.
What is BORN TO MOVE?
BORN TO MOVE™ is a series of movement classes for different age groups: 2-3 years, 4-5, 6-7, 8-12 and 13-16.
Our children are the next generation of changemakers, motivators, leaders and decision makers. The best way we can support them is to help them live a healthy, active life. That's why we created BORN TO MOVE; high energy classes with awesome music and fun moves that are all about the kids.
If you're a gym or health club, your members want to take care of their own health. And if they're parents, it's likely they will be conscious of what's healthy for their children too. BORN TO MOVE is a unique offering that can make your club even more appealing to members with children. Smart scheduling can open up opportunities for parents to do their favorite workouts while the kids enjoy BORN TO MOVE.
If you're a school or community group, giving children opportunities to live a healthier, more active life is a vital part of what you do. BORN TO MOVE gives you an easy option for keeping kids active, led by specially trained LES MILLS instructors, without the competitive pressures of organized sport.
All of us have a responsibility to help shape a better future. As a global community, one of the best things we can do for the next generation is to help them live happier, healthier lives. BORN TO MOVE provides a professionally designed, globally successful, scientifically proven program created specifically to give children a better future.
Interested in adding BORN TO MOVE to your timetable? Get in touch.
INTERESTED IN BORN TO MOVE FOR YOUR CLUB? GET IN TOUCH
Get in touch with us today to find out how to build relationships beyond memberships
Name of Club or Facility *
What's the name of your Club or Facility?
Tell us about yourself * Select... I work in a club or fitness facility I'm an instructor (or would like to be) I want to work out Other
Role * Select... Business Owner Club Manager / Supervisor Group Fitness Manager Instructor Exerciser
What's your role?
Country * Select... United Kingdom United States Albania Algeria Andorra Angola Anguilla Antigua and Barbuda Argentina Armenia Aruba Australia Austria Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belgium (Finnish) Belize Bermuda Bolivia Bonaire Bosnia and Herzegovina Brazil British Virgin Islands Brunei Darussalam Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cayman Islands Chile China Colombia Cook Islands Costa Rica Cote d'Ivoire Croatia Curacao Cyprus Czech Republic Democratic Republic of Congo Denmark Dominica Dominican Republic Ecuador Egypt El Salvador Estonia Ethiopia Federation of Saint Kitts and Nevis. Fiji Finland France Gabon Georgia Germany Greece Grenada Guadeloupe Guam Guatemala Guernsey Guinea Haiti Honduras Hong Kong Hungary Iceland India Indonesia Iran Iraq Ireland Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Korea, South Kuwait Latvia Lebanon Lithuania Luxembourg Macedonia Madagascar Malaysia Maldives Mali Malta Martinique Mauritius Mexico Moldavia Monaco Montenegro Montserrat Morocco Myanmar Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Nigeria Norway Oman Pakistan Palestine Panama Papua New Guinea Paraguay Peru Philippines Poland Portugal Puerto Rico Qatar Reunion Romania Russian Federation Saint Lucia Saint Vincent and the Grenadines Samoa San Marino Saudi Arabia Senegal Serbia Singapore Slovakia Slovenia South Africa Spain Sri Lanka Sweden Switzerland (French) Switzerland (German) Switzerland (Italian) Syrian Arab Republic Tahiti Taiwan Thailand Tonga Trinidad and Tobago Tunisia Turkey Turks and Caicos Ukraine United Arab Emirates Uruguay Vanuatu Venezuela Vietnam Virgin Islands, U.S. West Indies Yemen Antarctica
State * Select... Alabama Alaska Arizona Arkansas California Colorado Connecticut Delaware Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming District of Columbia Virgin Islands, U.S.
Postcode * Zip Code *
What are you interested in? Select... More insights & information Attending a webinar or seminar Discussing a Les Mills partnership
By submitting this form, you accept the Terms and Conditions
Classes range between 30 and 55 minutes. Live and Virtual
CORE AUDIENCE
Children and teens from 2-16
Confidence, energy, healthy bodies and minds
TEACHING KIDS TO LOVE EXERCISE HELPS KEEP THEM FIT FOR LIFE
Keep children active and they grow into fit, healthy adults. To quote Les Mills Snr: "We have to find a way to make people fall in love with fitness".


When you first hear of chocolate beet cake, you may wonder who thought that up. Don't be turned off by the beets! You won't taste them at all, and they make the cake very moist.
This easy cake is rich, chocolate decadence at its finest. It is surprisingly light and not overly sweet so the chocolate flavor shines. You must try it to believe it.
This cake is moist and delicious without any topping. However, if you would like to dress it up, you may sift powdered sugar over the top or frost it with your favorite icing.
Depending on how you cut it, you can get 36 to 48 servings. Or, far, far less if you cut larger squares. If you want to keep more for yourself, just tell the less adventurous guests that there are beets in the cake.
Preheat oven to 350 F. Arrange the rack in the center of the oven.
Line a 9 x 13-inch baking pan with non-stick foil.
In a medium bowl, measure flour, baking soda, and salt. Whisk the dry ingredients to combine them. Set them aside.
Puree the drained beets in a food processor or a heavy-duty blender. Scrape them into a large bowl. You can use either a hand mixer or a stand mixer in the next step, so choose your bowl accordingly.
Add sugar, vegetable oil, and 1/2 cup reserved beet juice to the pureed beets and mix on medium speed until combined.
Add eggs and vanilla extract, blending until completely incorporated.
Add the flour mixture to the beet mixture. Using medium speed, mix until combined, at least two minutes, scraping down sides often.
Add melted unsweetened chocolate and mix until combined.
Pour the batter into the baking pan. Distribute chocolate chips evenly over the top of the batter.
Bake for 30 to 35 minutes or until a toothpick inserted in the center comes out clean. Do not over-bake or it will become dry. Let cool to room temperature.
*You can also use fresh beets for this recipe if you first peel and cook them. Adjust the liquid accordingly as you won't have the 1/2 cup of beet juice and you can substitute water.


Beautiful Handmade Miller Chinese Wall Scrolls.
Buy a Chinese and/or Japanese Miller wall scroll with here!
米勒 is a common way to transliterate the name Miller into Mandarin Chinese.
ミラー is the name Miller written in Katakana (phonetic Japanese).


Update: and by the way this is an interesting note too.
This one really should have been a hit.
Seems I should get tired of these--but they're just so very well done, especially the acting. As we were discussing in the comments on some other post recently, most of the characters are truly believable as real people, and this is partly because they aren't Hollywood-beautiful. Frequently the women in American productions who are playing supposedly tough action-oriented characters somehow manage to convey to me the sense that they're way more concerned with how they look than with being the character.
Happy Valley, which really exemplifies what I was just talking about. This is not a mystery, but a cop show. The cop is a middle-aged woman, Catherine Cawood, played by Sarah Lancashire. and she is utterly convincing, as is another important character, Catherine's sister Clare (Siobhan Finneran). The valley of the title is, as you might expect, not at all happy; it's a rather depressed area of Yorkshire. There are two series of six episodes each, and each series is a complete story. My only hesitation about recommending it is that the subject matter is pretty grim. There's not much explicit violence, but there's disturbing psychological stuff.
Shetland and Vera are both based on mystery novels by Ann Cleeves. I knew nothing about Cleeves until my wife read one of the novels featuring Deputy Chief Inspector Vera Stanhope and found out there was a BBC series featuring her. Vera is a female variant of the traditional gruff-but-basically-kind-hearted cop, a rather dumpy, plain, and unfashionable middle-aged woman who is of course brilliant at solving crimes. She's a great character, wonderfully portrayed by Brenda Blethyn.
Shetland is almost as good. The biggest difference is that the detective, Detective Inspector Jimmy Perez (Douglas Henshall), is not as vivid a character as Vera. It's set in the Shetland Islands, which means you get many glimpses of great scenery. (Vera, set on the coast of Northumberland, also gives you a good bit of that.) And by the way if you wonder about "Perez", as I did: Spanish Armada.
Endeavour is the somewhat unlikely attempt to portray Inspector Morse, of the famous novels and late-'80s/early-'90s TV series, as a young man. In my opinion it works very well for the most part. Shaun Evans plays the young Morse. It's a lot to ask of a young actor to play a role in which he's expected to resemble one (John Thaw) playing an older version of the same character, but Evans is at least plausible. I notice that he uses a certain pained grimace-smile that Thaw often used. The series is set in the mid-1960s, and of course for someone my age that's interesting. Also interesting for fans of the old series are the characters who are the younger versions of characters from the old series. I especially like young Max, the pathologist (James Bradshaw). Also of interest to fans of the old series is that John Thaw's daughter, Abigail, has a small but recurring role as a journalist.
Also worthy of mention, I think, so far, is The Tunnel, although I don't like it as well as the others. It's currently being broadcast on PBS. We're about halfway through ten episodes. Like Happy Valley it's one long story, and the individual episodes are only forty minutes or so long. It's a joint Anglo-French production, featuring a beautiful and eccentric (mildly autistic, or something of that sort) young French policewoman played by Clémence Poésy. I thought she looked slightly familiar: turns out she played Fleur Delacour in one of the Harry Potter movies. It's very well done (as usual), but be warned that it is much more grim, violent, and generally disturbing than any of the others. It's based on a Swedish series called The Bridge, which I have not seen.
And be advised that I don't really care that much about the plausibility and coherence of plots in crime stories. That's definitely a fault in some of these, especially I think some of the Endeavour episodes. But it's the characters and the way their moral choices play out that keep me interested--in addition, of course, to the basic what-will-happen-next appeal of a good story.
All of these except The Tunnel and probably the current season of Endeavour are available on Netflix.
It's hard to figure out how to start this post because I am writing about a movie that is bad in so many ways. Most of the characters are very stiff. The leading man is an Englishman playing the part of Japanese and the leading woman is an American playing the part of a Russian Jewish immigrant. Neither of these portrayals works 100% of the time. The Japanese houseboy, played by Marc Marno, who you will think is Bobby Darin, is an outrageous parody along the lines of Jose Jimenez, or more like Jerry Lewis in Still Laughing. (I'm not against all ethnic humour; I just think these are insulting and over-the-top). In so many ways the movie just does not work.
So, I've been asking myself why this is one of my favorite movies--one of the few that I own?
Well, one thing is that it is in places hysterically funny. There's one line from the movie (which I will not divulge) that regularly comes up in family conversations. And then, the stars of the movie are Alec Guinness and Rosalind Russell, and despite the fact that their accents are occasionally a bit jarring and that Alec Guinness just looks a bit strange, the chemistry between the two is wonderful. I'm not talking about romance, although there is that, it's more like the feeling you get when you meet someone with whom you can really communicate. They really hear what you are saying. They understand your jokes. They care about the things you care about.
As good as Alec Guiness is, the star of this movie is Rosalind Russell. Her character, Bertha Jacoby is wise; she is funny; and she knows who she is, and what her place is in this world. All my adult life I have wished that I knew some wise, older woman who I could go to for advice, and I have never found anyone to fill that role. I think this woman might. And as ably as Ms. Russell portrays the serious side of Bertha Jacoby, she truly excels in the humorous side. Her comedic timing is impeccable--from the few scenes that approach slapstick to the more numerous scenes where the humor is more subtle.
Bertha is a widow whose son was killed by the Japanese in World War II. She lives alone in an apartment in New York City, where she appears to be very content. As the movie begins, we find her awaiting the visit of her daughter, Alice, and son-in-law, Jerry, who is a member of the U. S. Foreign Service. She knows they have an announcement to make, and she is sure that the announcement is the one that every mother of a young married person awaits—but she is far off the mark. She finds that Jerry has been assigned to the U. S. Embassy in Japan to help with negotiations for a trade agreement with that country. Still bitter over the death of her son, she cannot at first accept the situation at all.
Gradually, however, she comes to see that this is an advantageous position for Jerry. She accepts the fact that they are going to what she sees as an enemy land, and then receives a further surprise. Alice wants her mother to come with them. Neither Jerry nor her mother thinks that Bertha could be happy in Japan, but gradually their objections are overcome and off to Japan they all go.
Once aboard the ocean liner, they meet Mr. Koichi Asano, a Japanese businessman who will be taking part in the negotiations that Jerry will be helping to conduct. Mr. Asano attempts to befriend Mrs. Jacoby, but she is very cold. Eventually, though, after finding out a bit more about Mr. Asano and his life, she comes to see him as an individual who could be a friend, rather than as an embodiment of the enemy who killed her son.
A Majority of One was released in 1962, and was based on a Broadway hit starring Gertrude Berg, and Cedric Hardwicke that opened in 1959. I would guess that at this time there were still many people in the United States who had the same feelings toward the Japanese as Mrs. Jacoby did. Perhaps, this was considered a daring movie. I don't know. It dealt with racial prejudice—although not the sort that we are most accustomed to—in a time when that was not a popular topic. It does not however, sink under the weight of the topic, or become so preachy as to be tedious. The story, not the lesson, always drives the movie.
One thing I really enjoy about the movie is the discussions where Mr. Asano and Mrs. Jacoby compare their different cultural/religious traditions. There is a certain amount of similarity which comes, I think, from the fact that we are all human and the tools that we have to express our traditions are the same for us all: beauty, nature, our inward desires and search for meaning—many similar things. Different cultures and religions inform these basic similarities, but it's natural that we would come to some common expressions of what is most important to us. The movie doesn't downplay the differences, however. In fact there is one scene where Mr. Asano talks about how difficult those differences can be.
It would seem that Mrs. Berg, who won the Tony Award for best actress in the role of Bertha Jacoby, would have been perfect for the movie version, but Jack Warner did not want her, and offered the role to Rosalind Russell, who was shocked. This exchange is found on the TMC website.
"You've been drinking," she told Warner according to her 1977 autobiography Life Is a Banquet. "What would I be doing playing this Jewish lady from Brooklyn? I'm a little Irish girl from Waterbury, Connecticut. Use Gertrude Berg, it's her part," she said.
"We'll never use Gertrude Berg," replied Warner. "She made a picture over at Paramount years ago, and it was a disaster."
"But that has nothing to do with this," said Russell. "You'd be crazy to put me in that part, and I'd be crazy to take it."
However, when Jack Warner suggested that she could possibly co-star with Sir Alec Guinness, Russell reconsidered. "Well, that's another cup of chicken soup," she told him. "I'll think about that little item."
Earlier, I mentioned the stiffness of some of the characters, and, indeed, there is a sort of stiffness in several of the scenes, and I wonder if that can be attributed to the fact that the movie is derived from a play. In fact, it frequently has the feel of a play. I can think of certain scenes in the movie that were probably staged in the exact same way as those in the theater.
Unfortunately, this movie is difficult to find. It is occasionally on TMC, and probably elsewhere on cable. If you want to watch it soon, though, you will probably have to buy it, or you can come to my house or go wrest my other copy from my granddaughter in San Juan.
At First Things. "The doors of our churches remain open."
If it wasn't for supernatural hope, I wouldn't have no hope at all.
Mr. Levin views the post-war era—roughly the period running from 1945 to the year 2000—as following a coherent trajectory that has left us in a situation in which it is impossible to put into place the grand designs of either liberals or conservatives. As he writes, "In our cultural, economic, political, and social life, this has been a trajectory of increasing individualism, diversity, dynamism, and liberalization. And it has come at a cost of dwindling solidarity, cohesion, stability, authority, and social order." This is what he means by the "fractured" republic. Over the course of these decades, Americans lived through a cultural revolution that promoted greater freedom and liberation from social norms and a market revolution that promoted dynamism and innovation while destroying the private sector unions and corporate oligopolies that dominated economic life from the 1940s to the 1980s. Conservative attempts to restore social consensus and liberal attempts to restore a managed economy are both bound to fail due to the liberating effects of these twin revolutions.
As a consequence, the two political parties are exceptionally backward looking, albeit in quite different ways. Republicans and Democrats long to restore different elements of the post-war order. Liberals and Democrats, for example, wish to restore the corporatist economic structure of the 1950s and 1960s, characterized by powerful labor unions negotiating with corporate oligopolies, while also reigniting the spirit of liberation and rebellion that burned during the 1960s. Conservatives, meanwhile, tend to assess the present in relation to recollections of the social stability and shared values of the 1950s and take their economic and political bearings from the 1980s when, under Ronald Reagan's leadership, they restored the nation's economic dynamism following the inflation and slow growth of the 1970s while presiding over a military build-up that helped to win the Cold War. Each side looks back to the post-war period as a kind of golden age and seeks to restore a piece of it without acknowledging how far away we have since moved from the conditions of that era.
Perhaps it's just a matter of what I've happened to see and read, but it seems to me that liberal affection for the 1950s is a fairly new thing. I've been accustomed since the late '60s to hearing the '50s vilified as everything from merely conformist to quasi-fascist. But then I've probably been more exposed to the cultural revolutionaries than to old-line liberals.
Robert Osborne of Turner Classic Movies, introducing this film, says it's his favorite film noir, and one of the best. I agree. In preparation for writing this note, I've just watched it for the third time, and liked it even better. I'd have to say now that it's one of my favorite movies, period.
I think any reasonable critic would agree that it's at very least among the best of its kind. To pick a personal favorite from a list including other excellent examples (Double Indemnity, The Postman Always Rings Twice, et.al.), is partly a matter of subjective preferences. The noir plot generally has near its center a bad romance, a man who is tough and perhaps somewhat shady, but usually fundamentally decent, and a beautiful but treacherous woman.
If you're going to be emotionally involved in the story, you have to find that couple convincing and at least somewhat appealing. And for me that's one of the things that distinguish Out of the Past from others: the couple are played by Robert Mitchum and Jane Greer, and both of them are to me both convincing and appealing. I've liked Mitchum for as long as I can remember watching movies. (If I saw Thunder Road soon after it was first released, which I think I must have, I was only ten or eleven.) As far as I can remember Out of the Past was the first time I'd seen Greer. What can I say except that she's very beautiful, and in a way that happens to hit the mark for me? I'd certainly fall in love with her if I were sitting in a dim cantina in Acapulco and she walked in out of the sun.
But that gets ahead of the story. The second thing that makes Out of the Past so powerful for me is the cinematography, which seems to me superior to most similar films of its time. This is especially striking in the opening. We're given a number of beautiful scenes of the Sierra Nevadas, then a road sign that sets the stage: Los Angeles that way, Lake Tahoe and Reno the other way, and just one mile away, Bridgeport.
Corruption this way, corruption that way. Or you could stop and hide in Bridgeport.
Stefano arrives at the garage.
These opening scenes are bright and crisp. It's winter and the trees are bare, but the sun is bright, and lines are sharp. The town is quiet. Stefano arrives at Bailey's garage, and learns from a deaf-mute boy who works there (referred to only as "the kid", as far as I remember) that Bailey is not there. There is a bit here that I hadn't noticed until I watched the opening again just now. We don't yet know who these people are. But as Stefano is talking to the kid, a police car comes down the otherwise empty street. Stefano watches it come, which is natural. But then he turns to watch it go, with an interest which is not quite so natural. And the kid notices this, and doesn't like it. We learn soon enough that his suspicion is justified.
Big-city guy Stefano signals his disrupting presence in Bridgeport by cranking up loud jazz on the jukebox as soon as he sets foot in Marny's Cafe.
The kid has gone off into the mountains in search of Bailey, who is out fishing with a lovely local girl, Ann (Virginia Huston). If the town is pleasant, the fishing scene is idyllic, the winter sun glittering on the lake.
Talking about clouds, and the future, not realizing that this is noir.
There is a romantic conversation, and a brief kiss. Ann looks off into the distance. Over her shoulder Jeff sees the kid, who is signing to Jeff, and the idyll is disturbed.
Not maybe, but maybe not: the perfect note for Jeff's fatalistic but not hopeless attitude. And those two examples of the dialog illustrate another aspect of the film's quality: the dialog is for the most part excellent, plain but with resonances, clever but not ostentatiously so, and happily lacking in the overdone wisecracks, labored slang, and macho posturing one often finds in crime dramas of this period. Well, okay, there is some macho posturing, but it's not exaggerated.
Stefano is a hoodlum who works for a gambler and "operator," presumably of criminal enterprises, Whit Sterling (Kirk Douglas). Bailey/Markham had also worked for Sterling in the past, but there are clear indications that the parting was not a friendly one, and presumably has something to do with the fact that Markham has changed his name. Stefano seems friendly but there's an undertone of menace in the conversation, not least as a result of the fact that Stefano has found Jeff at all. (How this came about is never quite explained.) Sterling wants to hire Jeff again. He agrees to meet with Stirling in Lake Tahoe the next morning. We assume there is an implied threat here, that Jeff was hiding from Sterling, and that now that he's been found must deal with the situation.
The next scene takes place at night, and from this point the film gets literally and figuratively darker. Jeff asks Ann to accompany him on the all-night drive to Tahoe (only 78 miles according to the signpost in that opening scene, but maybe the mountain roads made for slow going). He wants to tell her the truth about his past.
In a lengthy flashback we learn of his previous life as a private detective hired by Sterling to locate Kathie Moffat (Greer), the girlfriend who had shot him and stolen $40,000.
I'll stop the plot summary at this point. I've gone into this detail, and included these stills, in an effort to communicate how well-crafted the movie is. The story gets pretty complicated from here on, and I won't be giving anything away if I tell you it's not a light-hearted one.
If you want to see a clip, go here. I didn't include it here because it goes further in the story than I wanted to, although it's not a major spoiler.
Kirk Douglas gives an excellent performance as Sterling—affable, smooth, and ruthless.
There's something crocodilian about that grin.
Sterling is involved with miscellaneous other shady types, including Rhonda Fleming as a femme at least as fatale as Kathie. The most potent thing about Kathie for me is that she taps something in men—or at least in this man—which makes us, against all evidence, suppose that a really beautiful woman is also good. (There is a great riff about this in one of John Le Carre's books, but I'm not sure which one.) Ann is perhaps a bit too sweet; I learn from poking around on the internet that Virginia Huston was somewhat typecast as the good girl in this sort of film, and you can see why.
The kid is a poignant figure. At the end of the movie we are back with him in Bridgeport. It's another bright day, but things have changed. There's an ambiguous bit at the end which fans of the film don't seem to be entirely agreed upon. Roger Ebert thinks it's just ambiguous, and I tend to agree.
I like this movie so much that I may buy a copy. That's very high praise for me, as I own fewer than a couple of dozen movies, and a lot of those are Bergman. If there's a noir film that you think is better, please let me know. And of course if you like the genre and haven't seen Out of the Past, do so at your earliest convenience.
—Mac is the proprietor of this blog.
For several weeks now I've established a routine of going down to the bay every morning with a folding chair, a cup of coffee, and my notebook, and writing for a couple of hours. I also take my phone with me, partly because someone might need to contact me, and partly so that I can set a timer to keep myself from sitting for too long at a stretch (back problems). That obviously presents a great danger of distraction, but so far I've managed to keep it mostly under control.
What did begin to distract me, though, after the first few days, was my surroundings. There is the constant activity of gulls, pelicans, herons, ducks, geese, kingfishers, and the occasional osprey over and around the water. There is the water itself, the changing light and textures. And a bit to my surprise, the sky, with its constant movement of clouds--not surprise that it is beautiful and changing, but that I find myself paying so much attention to it. Of course that may have something to do with the desire to avoid work. And sometimes I can't resist picking up the phone and taking a picture.


The Coast Capital Savings Peer Resource and Leadership Centre, located in the Student Union Building next to the Student Life offices on the first floor, opened quietly over the summer. The space was created to give students a starting point to find out about UFV services, advising, and / or student activities. The centre operates on a $50,000 grant from Coast Capital Savings, and can be renewed for three more years.


Don't hesitate to choose Joseph if you're interested in taking intense martial arts training courses for students of any age and level. Apart from self defense programs, they also teaches western boxing. This adept pro offers personal fitness training services as well.
Duval offers martial arts training and private self defense lessons for new clients. Dallas Kyokushin Karate has a pro team conducting fitness program and martial arts training for repeat clients. This qualified person specialize in teaching kung fu, qigong, and tai chi, among others at wallet-friendly rate.
Erwin Ramos is a martial arts instructor with 2 years of experience in the field at great rate pricing. This skilled professional specialize martial arts lessons at an hourly rate. This dojo provides karate lessons for students of all ages, skills and levels.
Let this respectable company provide you with professional knife self defense courses anytime today. They provide boxing, kickboxing, and self defense. These pros offer quality services that are worth your hard-earned money.
Choose this individual if you are trying to search for one of the trusted self defense teachers in your area for clients in different part of the village. This professional in your locale provides mixed martial arts training programs in Irving. Song Choe College Of Tae Kwon Do is a local and veteran-owned private investigation, self-defense training and protective services company that offers a full line of services.
Want to learn tae kwon do now? Worry no more and hire Jim who offer free estimates. This licensed individual also offer instruction in brazilian jiu jitsu, muay thai, self defense and more in your locale.
Consider hiring Nik if you are looking for a specialist who can provide self defense training services for various clients. This licensed individual is a skilled pro who offers professional self defense techniques for women and men in your local area. They also offer a basic scheme of practice including self healing and martial qi gong, tui shou and more.
Learn effective self defense techniques from this professional at reasonable cost. Their self defence classes include hapkido, kids' martial arts, tai chi, kung fu and more. Take a look at Top Rank Security Concepts's good feedback on Lessons.com.
FITNZ 360 offers effective male and female self defense and martial arts training for college students. This qualified person provides self defense boxing training for flexibility, meditation, and yoga at cost-efficient rate. This licensed individual have received positive reviews from customers all over the world.


Joey Chestnut set a new world record en route to his 10th title, while Miki Sudo destroyed the women's bracket for a fourth straight time.
For the 10th time on the Fourth of July, Joey Chestnut successfully ate more hot dogs than several other men seeking to knock him off his mustard-and-ketchup stained throne.
Arguably the greatest competitive eater the world has ever known, Chestnut was once again untouchable at the 2017 Nathan's Famous International Hot Dog Eating Contest on Coney Island, racking up a world-record 72 hot dogs to capture the title for a 10th time. Over 10 grueling minutes, the 33-year-old Californian and holder of countless eating records demolished the competition, finishing 10 hot dogs ahead of second-place Carmen Cincotti and destroying third-place Matt Stonie, the 2015 champion, who downed 48 dogs.
"I know I could do better," Chestnut said after the contest, a horrifying thought for anyone to consider.
On the women's side, defending champion Miki Sudo took home her fourth straight title by eating 41 hot dogs in 10 minutes. Sudo blew the competition away, with runner-up Michelle Lesco managing a paltry 32 1/2 hot dogs—just ahead of third-place finisher and three-time champion Sonya "Black Widow" Thomas, who ate 30.
Sudo beat her previous personal record of 38 with the 41 dogs, though she was originally credited with only 36. Sudo also came close to beating Thomas' all-time record of 45, but had to settle for yet another title.


Legendary Game Of Heroes Cheat – Legendary Game Of Heroes Cheats – Hack For Goh Finally Revealed recently released file, with new, updated features. This tool will not let you down.
Obviously you can do it now with my legendary game of heroes hack android!..We have finally made a way to hack legendary game of heroes undetected!..
If you are looking for a way to get free gems in legendary game of heroes than you are in the right place..
New legendary game of heroes hack is just came out and today i will show you how to use it.
Visit our website first and then search for legendary game of heroes hack tool.Here are some links that can be helpful if you are a legendary game of heroes player..
The first working ever legendary game of heroes hack is here!Legendary game of heroes hack legendary game of heroes hack ios legendary game of heroes hack android legendary game of heroes hack golds legendary game of heroes hack gems legendary game of heroes legendary game of heroes gameplay legendary game of heroes cheats legendary game of heroes cheats ios legendary game of heroes cheats android legendary game of heroes cheats golds legendary game of heroes cheats gems hack ios android cheats golds gems.Today i have new legendary game of heroes hack to show you in a few easy steps i will guide you to free gems and gold and you will be able to use it for improving your gaming skills and of course to become better than your friends!.You need to visit our website and then to look for legendary game of heroes cheat.If you are wondering how to hack legendary game of heroes watch the video and you won't have any questions anymore!..
Enjoy Legendary Game Of Heroes Cheat – Legendary Game Of Heroes Cheats – Hack For Goh Finally Revealed.


Are there any further updates or clarifications/decisions regarding the EPA ORCR August 5, 2010 memo concerning when the spiking of soil samples should occur relative to the addition of the drying agent (e.g., sodium sulfate)?
There are no further updates or changes since the August 5, 2010 memo: www.epa.gov/sites/production/files/2015-10/documents/spiking-memo.pdf was released. The guidance in that memo still holds.


text:
GHOSTS OF PASHA
MAPOTHER IV
PSEUDOLOGIA FANTASTICA
THE PIG SUN
WAY TO GO GLOVE VOL 1-3
THIS IS YOUR LIFE UK EP
Week 4.
The song is :"Zoom 2" from the upcoming album "Hidden Hits"
It's a sexier version of the song Zoom from "This is your Life UKep"
It's now live on the www.2lofi4u.com website and will be in stores & streaming next week.
If you missed the first three songs
"Oh I'm...Wound Like a Clock"
"JIB (Redux)"
"People Who Tin"
They are available on the Spotify playlist @ www.2lofi4u.com
-ghosts
FUN FACT: Zoom 2 was featured on original Myspace TV show Roommates.
"Roommates was web series created by Iron Sink Media for MySpace which ran from October 2007 through May 2008. It was dubbed the "first original series" created for MySpace, and was sponsored by Fresh Look contact lenses and the Ford Motor Company, whose 2008 Ford Focus was featured prominently in the show. Roommates has been reported to have been one of the more successful web series in terms of its audience, with in excess of 25 million views."
DEAD ON ARRIVAL - THE GHOSTS OF PASHA STORY


Craigyjar 1 year, 3 months ago.
I have had two miscarriages and would like to know if I would ever have a baby and when?
Relax and enjoy your relationship together. I know you must feel like you need the answer but maybe you don't. Enjoy the love you have for each other and what is meant to be will be.


text:
Is This How Neoliberalism Ends - With a Crash?
It's been nearly 15 years since John Ralston Saul proclaimed the death of neoliberalism in "The Collapse of Globalism, and the Reinvention of the World." Back then he envisioned a new economic model, a new ideology, that would spread through the world and sweep aside the deeply flawed and failing globalism model. Only that didn't happen.
Globalism is still with us. We don't know what else to do. Canada is not a leader in this sort of thing and no one is showing us a new path.
Does this mean that JRS' criticisms of globalism are wrong? Hardly. It's just that no one has found a way out of our deepening rut. So, what's next?
One way or the other, the wheels are coming off the wagon and we don't have a Plan B.
Paul Mason, writing in New Statesman, America argues that the future may no longer be able or willing to bail out modern capitalism.
In his own dumb way, Matt Hancock just summed up the survival strategy for global capitalism. Blinking into the camera lights, Britain's hapless Health Secretary assured viewers that he could promise to build 40 new hospitals with just £100m because "the rest of the money will come in the future".
He was instantly ridiculed but he was right. Eleven years after the financial crash, the only dynamism still left in the system is being driven by the twin engines of rising debt and money creation by central banks. Each of these represents a claim on the future: the problem is, it's a future that may not exist.
With Germany sliding towards recession, and some $17trn worth of debt now yielding negative interest rates, policymakers are coming face to face with an existential question: what happens when even borrowing and printing money on an unprecedented scale no longer drives sufficient growth? And for the banking industry it poses an even sharper question: what happens when the time value of money evaporates?
First, since the financial crisis of 2008, the world's companies, households and states have borrowed an extra $57trn, taking the global debt pile to an estimated 325 per cent of GDP.
Second, in order to keep the world economy from depression, the central banks have been forced to print money to the tune of $20trn. When, according to their established doctrines, the US Federal Reserve and the European Central Bank simultaneously tried to unwind quantitative easing over the past 18 months, global growth began to slow.
Exhibit Three is the impact of quantitative easing on interest rates. As an influential paper by Larry Summers and the Bank of England's Lukasz Rachel shows, real interest rates in the world's most advanced economies are now negative and likely to fall further. In layman's terms, for more and more savers, there is no income to be generated from putting money into the bank, or lending it to a government by buying bonds.
Fourth and finally, in August this year, the so-called yield curve on government debt "inverted". Normally it should cost more for a government to borrow money over ten years than over two, but the cost of borrowing short term has surged, while the cost of borrowing long-term continues to fall.
His conclusion? The party's over.
If I and the other post-capitalist theorists are right, there is no future income or measurable economic growth from which to pay down the debts, or manage down the central bank balance sheets. The ultimate structural reform needed is a managed transition beyond capitalism itself.
It is slowly dawning on the clearest thinkers in the official system that the entire era of financial globalisation has been based on borrowing from and speculating against a future income stream that may not exist. While in the short term, aggressive and radical social-democratic programmes will need to be adopted across the developed world, the strategic task is to design an economy that replaces one based on markets, scarcity, debt, speculation and (of course) carbon.
Posted by The Mound of Sound at 7:35 AM
Northern PoV said...
"It is slowly dawning on the clearest thinkers in the official system that the entire era of financial globalisation has been based on borrowing from and speculating against a future income stream that may not exist. "
or iow
" feasting on the carcass of the future "
Yeah, I suppose. Bit of a FUBAR, don't ya think?
Searching for Signs of Life
Peter MacKay. Let the Feeding Frenzy Begin.
A Golden Age for Despots and Thugs
A Murder of Convenience?
Good News for The Donald
Roubini - When the Next Crash Comes
And Nobody Listened
The Clock Runs Out on Little Bay Islands
The Many Facets of Climate Change
"Living the Storm Before the Storm" Nikiforuk on B...
The Liberals Serve Notice on Jaggy. The Pipeline I...
He Said What? Colorado?
Anybody Remember Joe Clark?
If Scientists Can Get It Wrong, Why Not Economists...
Now There's an Idea! Every Vote Should Count.
It'd Serve the Bastards Right
Everyone Has a Mandate. Where's Yours?
Well, We Repelled All Boarders
While You Focus on Who Should Govern, Suzuki and L...
Five Billion - Does That Get Your Attention?
The Assembly of First Nations Says the Choice is C...
If You Think This Election Must Place the Environm...
Has the Worm Turned On Donald Trump?
If Nothing Else, 2019 Might Get Us What We Were Pr...
Help Me Out Here. Is There a Grade Lower Than "F"?
Oh, So That's the Burr Under Warren's Saddle
For Boeing, It Only Gets Worse.
The Solutions Aren't Any More Radical Than the Thi...
Mattis Strikes Back, Kicks Trump To the Curb
"Trudeau Should Step Down" - Yeah Sure, Chuckles.
"Get Over It" - Trump's New Strategy
Kenney's Beloved Tar Sands at Heart of New York Fr...
Obama Endorses Trudeau
Anybody Else Notice? Trump Is Looking Like a Bag o...
Could This Explain the Big Advance Poll Turnout?
George Heads Off to the Greybar Hotel
BREAKING NEWS!! - Kinsella Won't Vote Liberal
Captain NumbNuts Has Done It This Time.
Liberal Schizophrenia - Oil Good, Oil Bad!
It Will Still Be FPTP But At Least Not a False Maj...
Greta Comes Calling. Jason Gets Knickers In a Bunch.
The Flagship of the Pacific Northwest Still Listing
Oh, That "Other" Justin Trudeau?
IMF Calls for Massive Carbon Tax
Hey, "Journalist," I Think They're Talking About You.
This Is Why I Don't Buy Singh's Greenwash
More than just "Locker Room Talk"
Better Than Scheer? Hard to Tell.
Nobel Peace Prize - Tomorrow
Your Government Will Sit By as Its Petro-Pals Do I...
Enough With the "Journalist" Crap
Monbiot - How the Fossil Fuel Giants Made Us Their...
Running from His Own Shadow - And Pulling Away.
Time to Euthanize the Fossil Fuelers?
The Tyee Trolls Andrew Scheer - Episode Two, "WTF?"
This Dismal Season
Anybody Want to Start a Pool?
Andrew Weaver Steps Down
Anyone Want to Bet Trump Isn't Augering In?
The Tyee Trolls Andrew Scheer
Ralph Nader. 19 Reasons Americans Should Be Taking...
In Trumpland, Everything and Every One is Expendable.
This Should Make Trump's Week.
What's the Plan When the Bubble Bursts?
Every Man, Woman and Child Indentured to the Fossi...
There Was a Time When We Understood Democracy and ...
How Much Lasting Damage have Britain's Tories Caused?
Charter Rights Are Not a "Balancing Act," Mr. Trud...
A Moment of Comic Relief for Electoral Hump Day
The Real Skinny On Joe and Hunter Biden
Meanwhile, In Russian News
A Sensible Carbon Tax
Death Knell For the F-35?
Harper Defends Prorogation. He Would, Wouldn't He.
The End of the Line for Bernie?
Isn't It Time for Brutal Honesty?


IMPORTANT - after downloading TeXTe+ please uninstall TeXTe from your phone (if you have it).
TeXTe+ is an enhanced simple and straight forward emergency SMS app.
With TeXTe+, you set-up 3 code words (CASE SENSITIVE) with different priority and alarm.
when ever someone who knows one of the words (according to your choice) send you a text message CONTAINING it, your phone will sound a high volume alarm.
So in case of an emergency, your : husband / wife / son / daughter / friend / pet.
If you have problems with the app please let me know and I'll fix it .


Choir Directors and College pianga lascia Music Students may join our free. Lascia ch' io pianga. Download free free Aria from " Rinaldo" sheet music for soprano , Print Lascia ch' io lascia pianga lascia mia cruda sorte, Recitative piano by George Frideric Handel. Edition Peters # EP735. Lascia ch io pianga sheet music free voice to text. Contralto Songs ( Various). Lascia ch io pianga sheet music free voice to text. Semele ( voice HWV 58) is a ' musical drama' originally presented " after the voice manner of an oratorio" in three parts by George Frideric voice Handel. Edited by Draths, Willi.
Includes " Lascia ch' io lascia pianga. Play more, pay less with PASS: Unlimited online lascia sheet music + 50% off voice all downloads Try it free for 7 days Get unlimited sheet music voice with PASS text Try it free. free At the start of the second act, Almirena sits in her captor' s palace sheet garden mourning her predicament. Based on a pre- existent opera libretto by William Congreve, the work is an opera in free voice all text but name but voice was first presented in concert form at Covent Garden theatre on 10 February 1744. Shop the World' s Largest Sheet Music Selection today at Sheet Music text Plus.
Choral Sheet music › Piano and Voice › Georg. Handel – Translation / Accompaniment with sheet music. Share guitar, print free sheet music for piano, download , flute more voice on the world' s largest community of sheet music creators. Having been taken away from the love of her life with no hope of ever escaping, Almirena can only text pray for mercy. sheet music audio recordings . Lascia chio pianga by G. com) the largest best organized voice classical music site on the web.
Lascia ch' io pianga mia cruda sorte,. Lascia ch' io pianga Hatton: The enchantress Haydn: Hark! The Yiddish Voice a radio show serving Boston' s Yiddish- speaking community, a. Listen to this sublime performance of " Lascia ch' io pianga" by Renee Fleming on YouTube. Lascia chio pianga a setting by Giacomo Rossi, is a song composed by George Frideric Handel in F major in 1711 is from the Opera Rinaldo which was first performed at the Queen' s Theatre in London' s Haymarket on 24 February 1711.
Georg Händel ( senior) was born at the beginning of the free war , was apprenticed to a barber in Halle at voice the age of 14 after his father died. lascia George Frideric Handel ( composerPlay streams in free full or download MP3 from Classical Archives ( classicalarchives. The arts however, flourished only free among the higher strata ( free not text only in text Halle but throughout Germany), music of which Handel' s family was not a member. Toggle navigation. pianga The story comes from lascia Ovid' s Metamorphoses concerns Semele lascia mother of Bacchus. Classic Carols For Christmas - Medium Voice sheet music - medium voice solo and piano sheet music by Thomas Fettke: Lorenz Publishing Company.
Shop lascia sheet music, music books, music scores & more at Sheet Music Plus, the World' s Largest Selection of Sheet Music. Includes " Lascia Ch' io Pianga. Find helpful customer reviews and review ratings for Celtic Woman Songbook: Piano/ Vocal/ Chords at Amazon. Lascia Ch' io Pianga Mo Ghile Mear. For 18 years we provide a free and legal service for free sheet music. If you use and like Free- scores.
com, thank you to consider support donation. George Frideric Handel: Lascia Ch' io Pianga ( from Rinaldo) for piano solo, intermediate piano sheet music. High Quality and Interactive, transposable in any key, play along and easy practice by changing the tempo, and more.


Sending my condolences to the Dorr family for the loss of your dear Wayne. May you find comfort from the bible scriptures at Acts 24:15 that "there is going to be a resurrection" and John 5:28, 29 that holds out a hope of being reunited with your loved one. God hates death and views it as an enemy. Soon he will conquer that enemy that brings sorrow and mourning to families everywhere - 1 Corinthians 15:26.