I met Judy just from shopping at Shoppers Drug Mart. She is a very caring, informative, and amazing lady. I realized she attended the same church. I have always done my make up the same since I was 13. I became a person of health problems including breast cancer with all the medications for so long I have experienced very dry hair and very problematic skin. Judy kindly offered to do my makeup for a important event I was going to attend. My mother did not recognize me my friends said I looked ten years younger. Who does not want to look ten years younger? I cannot wait to learn how to do this.
What can I say, I have never felt so pretty! More then that the look gave me a world of confidence I never knew was in me. Judy your professionalism and skills create masterpieces. You do more then make-up, you create pieces of art.
As a new videographer, being asked to film for Judy's tutorials was a great opportunity. Also such a pleasure to work with her in every way.
I would highly recommend Judy! She is always on time, professional and her attention to detail is great. She brings a friendly attitude, positive energy and a relaxed manner that put my clients at ease. She made my ladies look and feel beautiful inside and out.
I had an amazing experience with you and your work, and you did a fabulous job! The overall result of both my looks turned out wonderful and I was more than impressed! You accomplished more than I could have imagined! Wonderful job, thanks so much again.
I can personally say that Judy has had a long involvement in our family as a beautician adviser and has a ton of experience. Just watching her during our photo sessions at RH Studio Photo, I was able to see the confidence and experience she brings to her business. Ultimately its when I see the finished product of the client and I see the transformation that's just mind blowing. I would recommend Judy's services in a heartbeat. She would make a great doctor too, cause she makes you feel right at home when she does her work and transforms you into a pretty princess in less than an hour.
Tonight I did what every mother should do when their daughter is starting to experiment with makeup…Take her to learn how to apply it properly. This is a fun time with all questions answered and no sales pressure. Trust me people, its worth spending the money.Email Judy D Beauty today and set up an appointment and moms, you might learn a few things like I did. Hey, dont forget to "like" her page!


4EvaSeal®tape is a leak repair, one-step, easy-to-use tape available with a wide variety of backings. It is the most aggressive elastomeric polymer adhesive on the market today. Once installed, this tape is impermeable to water and water vapor. The elastomeric polymer adhesive is pressure sensitive and bonds permanently to most materials.
For more information on 4EvaSeal® products, visit the products page or click the market that best describes your interests.


Designed exclusively for the styling industry.
Say goodbye to dusty warehouse expeditions, dated furniture and mountains of paperwork.
Say hello to Huntley + Co.
With our end-to-end booking system you can do your thing from anywhere to everywhere and we'll deliver to your clients all over Sydney. Or come and peruse the showroom to explore and select from our full range of accessories at our Artarmon headquarters.
With a team of industry veterans at the helm, and over a two decades of combined experience in the property styling industry, Huntley + Co brings a unique offering to both you and your clients.
CEO, Amy Smith, has been styling properties for over 14 years. She now juggles work with family life on Sydney's Northern Beaches with her husband and two young kids. Amy knows a thing or two about the busy life of a stylist.


text:
Xerox - Monk - (1976) - 0:60 (USA)
By Dabitch on February 2, 1976 - 21:58
Mets82
- January 28, 2008 - 18:37
This spot has a character named Father Dominic. I believe his son in real life is Ian Eagle who's a sports commentator. I think Ian's Father (Father Dominic-Sorry I don't know his real name) just recently passed away.
- October 5, 2015 - 21:00
His name was Jackie Eagle, and he died a few years ago. Ian Eagle is his son. He was family, and a very nice man.
- November 7, 2015 - 21:59
Jack Eagle was an actor from Rochester, NY and a friend of the family.
jrliberto
- May 7, 2008 - 20:05
It's amazing how different this company was in the 70's to now, and yet how the same.
Zischkale
- February 4, 2010 - 21:19
Let's see Xerox shell out for sixty seconds of Superbowl airtime now.
Classic commercial.
hunter.blatherer
I can't imagine that the average viewer today would get the central point of this: that monks copy out scripture, to show and improve their devotion.
AnonymousCoward
Jackie Eagle was his name. The character, actually, was Brother Dominic. The real joke was that Jackie was Jewish. One day he went to his parents' home during a lunch break on a commercial shoot, still wearing the robes. His parents nearly had heart attacks. Didn't now Ian is his son.
braniacphil
Jackie Eagle was his name. The character, actually, was Brother Dominic. The real joke was that Jackie was Jewish. One day he went to his parents' home during a lunch break on a commercial shoot, still wearing the robes. His parents nearly had heart attacks. Didn't know Ian is his son.
Did Jack Eagle pay you to keep mentioning his name here? This is getting a little bizarre.
- August 28, 2016 - 03:46
I have one of the life size cut outs of Brother Dominique that was used as an on site advertisement. It is still in the original box and never been out. I wonder if anyone knows if it has any value.
Most Commented Recent
Joe La Pompe turns 20 years old, celebrates with this ad campaign and book giveaway
Always - Sidewalk (2003) - 0:30 (USA)
Tampax - Vending Machine (2002) - 0:30 (USA)
press clippings about Adland
Resumé : "Ad writer accuses Nike of plagiarism"
Campaign Magazine puts Nigel Farage on the cover: "Ad industry has 'no idea what's going on in people's lives'"
by: Dabitch, Jul 17 2019 - 12:24pm
NUKE NIKE
by: Tom Siebert, Jul 11 2019 - 6:04pm
More Office & services
Nope Ropes, Sneks, & Danger Noodles
by: Dabitch, Dec 1 2018 - 5:08am
Groupon - Who Wouldn't? (2018) :30 (USA)
by: Dabitch, Jan 31 2018 - 3:10am
Pilot Pens "100 ans" (2018) :30 (France)
by: kidsleepy, Jan 19 2018 - 5:25am

redpajama_set_name: RedPajamaCommonCrawl


text:
Lucy Schaufer
performer, producer and purveyor of fine jams
a few reviews
Saturday in Plagueville
By Lucy Schaufer	on 18 April, 2020 19 April, 2020
Let's call this…"life under discussion"
We all have time on our hands. And yes, the time should be an opportunity for updating things like this website. Goodness knows, it needs it. Or does it? Is it really what is important at this very moment? We are all confronting life on different terms, and in ways we've not encountered before. Slowly, slowly, I was told by a mentor. We prioritise and move forward. Yet with care and discernment. When we come out the other side of this pandemic, we will certainly create our lives differently.
The state I am living in at the moment is brilliantly summed up by Ben Dawson (a lovely whack-a-doodle pianist) who posted this over on twitter. Self-employment in a nutshell.
Schrödinger's Career – where the gigs you have in your diary beyond mid-May both are and are not happening.
So here's what I want to share with you.
Wiltshire (that's the county I live in) had some glorious weeks before Easter, so Mr G (that's my husband Christopher Gillett for the newbies reading here) and I went out and foraged bundles of wild garlic to made salads and pesto, and every permutation you can think of. Then we made litres of homemade chicken stock, so that meant clearing out the freezer! This presented interesting choices. Chop therapy kicked in and I grabbed a few frozen items and made Elderflower and Gooseberry Jam (it deserves the capital letters, believe me). Goosers had been picked at The Red House last June and vacuum packed, along with the blossoms. Such a perfect combination.
Being in lockdown and being a natural Do-er isn't always comfortable. But there are plenty of "old wrinklies" to check in on in our town, and plenty in the music world, too who love to have a natter on the phone, so WhatsApp and Google Hangouts have been busy. (other apps are available…) AND this gave me plenty of opportunity to put care packages together *cue ribbons, pretty paper, and coloured pencils. There were Easter biscuits to send off to our kids along with spring time candles, linen scent bags, and family hand-me-downs found while achieving My One Drawer A Day cleaning regime. They're only in London, but oh they feel so much farther away. Other biscuits and jam went to friends all over the country. The simple act of putting on the kettle, making tea, and sitting down to share a chocolate cookie and life's woes would be very welcome just about now. Along with a big hug. Gosh, we miss you.
Mr G joined the online video frenzy and did a series of How to Make Your Own Sourdough Bread – he put it up on IGTV and had a load of fun sharing his knowledge and how to autolyse. The bread geekery is never ending! This year he made his first batch of hot crossed buns, too and I must admit, they were pretty darn delicious.
Chop therapy continued along with the freezer maintenance. I made some very tasty rosemary-infused quince jam tarts with crumbled marzipan. Then, it suddenly hit me that the leftover pastry needed to be filled with some chocolate custard, so whoosh – pie time! A vintage curved-edge Pyrex dish was just the ticket. Flavours and visions of my childhood feel rather comforting at the moment. Ironing is a chore I don't mind, in fact I rather like it – weird, right? So I requisitioned the guest bedroom and turned it into my refuge, my ironing/sewing/mending room. The Cinderella top of the house view over town is expansive. I listen to the radio non-stop, from podcasts to The Archers (don't judge), and the news. I'm a radio junkie, if truth be told. I guess it's growing up listening to Armed Forces Radio every night to fall asleep.
Last week I think I really nailed making seedy crisp breads – I used a recipe from a super initiative spearheaded by Jennifer Johnston called Notes from Musicians' Kitchens which is raising money for Help Musicians UK, so get in there and donate while receiving yummy recipes. Feed your soul, and others' too. It helps. It really does.
So, while the chopping, cooking, and cleaning continues, I wait to see if my summer and autumn jobs will happen. The good people of Des Moines Metro Opera have already said that if they cannot hold the festival, they will compensate the artists. True class acts, so thank you, Michael Egel and Team. Well, if my first Mrs Lovett in Sweeney Todd cannot happen this summer, we will have some pennies in the bank, along with the hope of making more hot pies in the future.
Stay safe. Stay healthy. Stay sane. #lockdownlove 💙
Switching hats…
By Lucy Schaufer	on 18 June, 2019 23 June, 2019
"And we are finally here" says Margaret Johnson in the opening number of The Light in the Piazza. Adam Guettel's deliciously joyous musical is back in my life after ten years. I sang the European premiere at CURVE in 2009 with Caroline Sheen, and tonight (18 June) Piazza finally gets its London premiere at the Royal Festival Hall starring Renée Fleming and Dove Cameron, and the gloriously talented Rob Houchen. Don't get me started on the Mensch that is Alex Jennings. Daniel Evans's production is pure class. Kim Grigsby conducts with such heart. I hope you come.
Tonight my role is the understudy – and it's been a few years since I've done that. Don't worry, there's no All About Eve going on here – I truly love the idea that I'm here as Renée's safety net, in order that she can fly higher in a role that I care for so deeply. So buckets of merde to the whole company!
2019 so far…
I have a hard time remembering…(insert middle-aged singer joke here).
January: Philip Venables's 4.48 Psychosis (based on the Sarah Kane play) had its USA/New York premiere at PROTOTYPE. We girls had a full page photo illustration by Teresa Eng in The New Yorker – a huge thrill.
"In a series of especially effective exchanges, the dialogue between the central, suicidal figure (played by Gweneth-Ann Rand) and her psychiatrist (played by Lucy Schaufer) are not spoken at all…While those moments are often marked by a stillness on the stage, other moments explode with action–from Rand and Schaufer" – Contemporary Performance
"Schaufer, a long-time proponent of contemporary music, plays the psychiatrist with rich-voiced quiescence, a cool, velvety ploy to Rand's fiery Gwen. Toward the end of the opera, her performance takes a suitably patronizing tone, Schaufer cooing at her patient in taunting, wordless melisma." Parterre
February: Onto Niflheim! Gavin Higgins and Francesca Simon's first opera – The Monstrous Child – world premiere at The Linbury Theatre, Royal Opera House.
LOOK, MA, NO HANDS! My Modgud was "phlegmatic" and "strong" – but mostly she just wanted to scratch her nose without taking out an eye. Loved it!
credit: Stephen Cummiskey
March and April: Marcellina Le Nozze di Figaro for Arizona Opera! No furniture was left unchewed.
"Marcellina, Lucy Schaufer captured the attention of the audience with her mellifluous singing and suave manner." Operawire
May: Well, June was bustin' out all over a few weeks early. I was back with my pal Alex Parker for another musical in concert at Cadogan Hall for Carousel. What a brilliant reunion for Janie Dee and Jo Riding. It was a stupendous night. Hadley Fraser blew us away as Billy. Patricia Routledge narrated with such heart I nearly burst several times, especially knowing she was the Nettie at the National, and I had big shoes to fill. New friends made and friends in the audience gave the evening a quality I'll never forget.
"As Nettie Fowler, Lucy Schaufer's operatic background led to her spine-tingling take on You'll Never Walk Alone. But back in 1992 it had been Patricia Routledge (not yet then a Dame) who played Nettie. Incredibly, and at the age of 90!, Routledge returned to this production as the narrator. For those in the audience who remembered the 1992 show, to see Dame Patricia singing along in the finale of the show's totemic anthem was unforgettable." Jonathan Baz
Then there's WILD PLUM ARTS!
Our 2019 Season is ALL ABOUT THE WOMEN, and the premieres will be on July 10 at the Cheltenham Music Festival event Composium.
The new commissions are:
Musae – a new commission from Zoë Martlew for mezzo-soprano and piano. See our Composers on film page to hear Zoë talk about the songs.
Violated Blossoms – a new commission from Emma-Ruth Richards for soprano and cello. Emma-Ruth talks about the piece on our Composers on film page.
Speak Up, a song for mezzo and piano by Lisa Robertson, one of the six composers in our PRS Collaboration, commissioned jointly by the Cheltenham Music Festival and Wild Plum Arts.
The performers will be Lucy Schaufer (mezzo) Huw Watkins (piano) Elizabeth Karani (soprano) and Gabriel Cabezas (cello).
Plus our first artist residency begins August 5!
Wild Plum Arts has been invited by the Britten-Pears Foundation to host an artists residency at The Red House in Aldeburgh from August 5th until September 2nd this year. Wild Plum: Made at the Red House.
If you would like to support our work for the residency (Chris and I will be doing all the cooking, cleaning, and laundry), please visit our dedicated campaign page.
FEED A COMPOSER
Rear view mirror and the road ahead
By Lucy Schaufer	on 31 August, 2018 31 August, 2018
Good morning from Chicago.
Huw Watkins and I are off to Ravinia for WILD PLUM ARTS' American debut, presenting The Class of 1938 which includes a new song written for us by John Corigliano and three new arrangements by Michele Brourman of songs from the 1960s folk revivalist movement. Plus there's Joan Tower, John Harbison, Charles Wuorinen, William Bolcom and Frederic Rzewski. The world premiere on 29 June at Wigmore Hall was electric because of the audience's energy and was called "song in performance."
I'm rather proud of that.
The 2017-2018 season may be coming to a close, and boy, was it full: performing new works, launching artistic led organisations including WILD PLUM ARTS and SWAP'RA, and I started curating programs. My first for the Aldeburgh Festival in June was a corker – I'm the first person to ever sing Randy Newman at the Snape Maltings. Oh, I'll fill you in.
For now, I'm heading up the lakeshore with my music and a cup of tea.
Commissioned by Wild Plum Arts – thank you, John!
All new and lots of news!
By Lucy Schaufer	on 28 March, 2017 30 July, 2017
This year 2017 has gotten off to a tremendous start with two wins at The Grammy Awards for our Los Angeles Opera recording of John Corigliano's The Ghosts of Versailles: Best Classical Recording and Best Engineered Classical Recording. Brava to Team Ghosts! I squeezed in a quick 38 hour trip to LA for the ceremony in between performances of Ruth in The Pirates of Penzance at English National Opera – it was nutsy but worth every moment. (LA Times 12 February 2017)
When I returned to England, the news kept coming thick and fast. When the Grammy nominations were announced, Jamie Sotonoff at The Daily Herald in Chicago called and did an article about the "hometown girl done good" (Daily Herald 3 January 2017) but little did I know that once we had won, Carpentersville, my home town, decided they needed to celebrate too. Well, stand back, because let it here be known that Ed Ritter, President of Carpentersville, did indeed proclaim Tuesday, February 21, as Lucy Schaufer Day throughout this village! Well – my head still reels from such an honour. So I decided that Carpentersville and the suburban area surrounding shall hear from me every February 21st to remind them how important the arts and music education are to our society and that they'd best keep it funded. So – give a girl a day, and she's take a soap box.
(Chicago Tribune 24 February 2017)
February's gifts kept on coming. I had promised myself to put my producer's hat back on as it had been a few years since I had released my debut solo CD, which had three world premiere recordings, and it was now time to get commissioning again. My husband Christopher Gillett and I have started a new charity called WILDPLUM and we're off and running. I met with John Gilhooly at The Wigmore Hall and on 29 June 2018, Huw Watkins and I will perform The Class of 1938, celebrating the 80th birthdays of John Corigliano (new commission – and it's finished already!), William Bolcom, John Harbison, Joan Tower, Frederic Rzewski – including music by the folk legends Gordon Lightfoot, Hedi West and Peter Yarrow in new arrangements by Michele Brourman. I will be joined by Christopher Glynn for another evening at The Wigmore Hall, and details on that once the date is confirmed. So all in all, a good start and I like my producer's hat. It's a good fit.
The website will continue to change as the weeks go on. It's all new. A new chapter, new adventures and so – the electronic stuff needs to morph too. Thanks for your patience.
What's next? I am still wearing my singer's hat – never you fear. You'll have to drag me off the boards! I've just finished Ruth in Pirates at ENO and here's what coming up for the rest of the 2016-2017 season:
Multiple roles in Peter Eötvös' The Golden Dragon, Music Theatre Wales, Tongyeong International Music Festival, Korea, 31 March, 1-2 April
Marcellina in Le Nozze di Figaro, Opera Philadelphia Tickets and information
Angela in Marie Incontrera and Kabir Sehgal's satirical opera Angela's Ring, Recording in New York
Sondheim: Smiles of a Summer Evening, Cadogan Hall, The Alex Parker Orchestra, 4 June at 630pm Tickets and information
Florence Pike in Albert Herring at the Buxton Festival, 8 – 22 July Tickets and information
I am on a leave of absence from the Royal College of Music until academic year 2018/2019
If you have any concert/opera enquiries, please contact Margaret Levine
For musical theatre enquiries, please contact Shane Collins
Diary of One Who Persevered
By Lucy Schaufer	on 13 September, 2020 13 September, 2020
So here I go – back to work. To singing and performing, that is. August saw season two of Wild Plum Arts: Made At the Red House artist's residencies. We did – we made that happen. We definitely persevered.
Dinner in the Benjamin BritTENT – socially distanced post supper discussions
And tomorrow morning, bright and early, I'm driving up to Glasgow. Scottish Opera in partnership with the Lammermuir Festival will present Janáček's The Diary of One who Disappeared. Bless Nicky Spence who is now recovering from an emergency appendectomy, and kudos to Ed Lyon who is jumping in. I'm going to Zefka my way back into being a singer again, on stage, with colleagues, with full slap and wig, and a LIVE BAND with a person waving a stick at me. This is going to be a wild ride. We will film it with no audience in the theatre – but it will go out on Sunday, 20 September at 730pm. Please do click and watch. We miss you.


text:
STREAMING vf HD.!] ~ Mortal Kombat (2021) VostFR 1080p
REGARDER] Mortal Kombat (2021) Film Streaming Online VF Complet HD,Regarder Regarder Mortal Kombat (2021) film complet en ligne MOVIES gratuit,Télécharger Mortal Kombat Torrent Film Français, REGARDER Mortal Kombat streaming vF(2021) film complet HD , Regarder Mortal Kombat (2021) film complet en ligne,
🎬 Regarder :|✮☛ https://cutt.us/EBA5o
🎬 Telecharger :📥 https://bit.ly/2PvDH9d
Dans un futur proche, les femmes ont disparu. Le monde de Todd Hewitt (Tom Holland) n'est habité que par des hommes, et tous sont soumis au Bruit, une mystérieuse force qui révèle leurs pensées et permet à chacun de connaître celles des autres. Lorsqu'une jeune femme, Viola (Daisy Ridley), atterrit en catastrophe sur cette planète, elle s'y retrouve en grand danger… Todd jure de la protéger, mais pour réussir, il va devoir révéler sa force intérieure et percer les sombres secrets qui étouffent son monde…
Regarder Mortal Kombat||2021|| Streaming VF, RegardezMortal KombatFilm Streaming VF, Telecharger TorrentMortal Kombaten France Torrent Gratuit.Mortal Kombatpeut être regarder pour vous inscrire gratuitement.
Definition and Definition of Film / Movie
While the players who play a role in the film are referred to as actors (men) or actresses (women). There is also the term extras that are used as supporting characters with few roles in the film. This is different from the main actors who have bigger and more roles. Being an actor and an actress must be demanded to have good acting talent, which is in accordance with the theme of the film he is starring in. In certain scenes, the actor's role can be replaced by a stuntman or a stuntman. The existence of a stuntman is important to replace the actors doing scenes that are difficult and extreme, which are usually found in action action films.
Films can also be used to convey certain messages from the filmmaker. Some industries also use film to convey and represent their symbols and culture. Filmmaking is also a form of expression, thoughts, ideas, concepts, feelings and moods of a human being visualized in film. The film itself is mostly a fiction, although some are based on fact true stories or based on a true story.
There are also documentaries with original and real pictures, or biographical films that tell the story of a character. There are many other popular genre films, ranging from action films, horror films, comedy films, romantic films, fantasy films, thriller films, drama films, science fiction films, crime films, documentaries and others.
That's a little information about the definition of film or movie. The information was quoted from various sources and
references. Hope it can be useful.
Profitez et regardez bien📺
● Mortal Kombat (2021) Film complet à regarder en ligne
● Mortal Kombat (2021) film complet en anglais
● Mortal Kombat (2021) film complet,
● Regardez Mortal Kombat (2021) en anglais FullMovie Online
● Mortal Kombat (2021) film complet en ligne
● Regardez le film anglais complet de Mortal Kombat (2021)
● Mortal Kombat (2021) film complet en streaming gratuit
● Regardez le sous-titre complet du film Mortal Kombat (2021)
● Regardez le film complet de Mortal Kombat (2021)
● Mortal Kombat (2021) film complet en tamoul
● Mortal Kombat (2021) Téléchargement du film complet en tamoul
● Regarder le téléchargement du film complet de Mortal Kombat (2021)
● Regarder Mortal Kombat (2021) film complet telugu
● Regarder le film complet de Mortal Kombat (2021) télécharger tamildubbed
● Mortal Kombat (2021) film complet pour regarder le film complet de Toy film
● Mortal Kombat (2021) film complet
Mortal Kombat Streaming vf,
Mortal Kombat Streaming Vostfr,
Mortal Kombat Streaming vf gratuit,
Mortal Kombat Streaming Youwatch,
Mortal Kombat Telecharger,
Mortal Kombat Film Complet en streaming,
Mortal Kombat Uptobox,
Mortal Kombat Film complet en français,
Mortal Kombat Streaming vf gratuit complet,
❍❍❍ TV FILM ❍❍❍
The first television shows were experimental, sporadic broadcasts viewable only within a very short range from the broadcast tower starting in the 1930s. Televised events such as the 1936 Summer Olympics in Germany, the 19340 coronation of King George VI in the UK, and David Sarnoff's famous introduction at the 1939 New York World's Fair in the US spurred a growth in the medium, but World War II put a halt to development until after the war. The 19440 World MOVIE inspired many Americans to buy their first television set and then in 1948, the popular radio show Texaco Star Theater made the move and became the first weekly televised variety show, earning host Milton Berle the name ""Mr Television"" and demonstrating that the medium was a stable, modern form of entertainment which could attract advertisers. The first national live television broadcast in the US took place on September 4, 1951 when President Harry Truman's speech at the Japanese Peace Treaty Conference in San Francisco was transmitted over AT&T's transcontinental cable and microwave radio relay system to broadcast stations in local markets.
The first national color broadcast (the 1954 Tournament of Roses Parade) in the US occurred on January 1, 1954. During the following ten years most network broadcasts, and nearly all local programming, continued to be in black-and-white. A color transition was announced for the fall of 1965, during which over half of all network prime-time programming would be broadcast in color. The first all-color prime-time season came just one year later. In 19402, the last holdout among daytime network shows converted to color, resulting in the first completely all-color network season.
❍❍❍ formats and genres ❍❍❍
See also: List of genres § Film and television formats and genres
Television shows are more varied than most other forms of media due to the wide variety of formats and genres that can be presented. A show may be fictional (as in comedies and dramas), or non-fictional (as in documentary, news, and reality television). It may be topical (as in the case of a local newscast and some made-for-television films), or historical (as in the case of many documentaries and fictional MOVIE). They could be primarily instructional or educational, or entertaining as is the case in situation comedy and game shows.[citation needed]
A drama program usually features a set of actors playing characters in a historical or contemporary setting. The program follows their lives and adventures. Before the 1980s, shows (except for soap opera-type serials) typically remained static without story arcs, and the main characters and premise changed little.[citation needed] If some change happened to the characters' lives during the episode, it was usually undone by the end. Because of this, the episodes could be broadcast in any order.[citation needed] Since the 1980s, many MOVIE feature progressive change in the plot, the characters, or both. For instance, Hill Street Blues and St. Elsewhere were two of the first American prime time drama television MOVIE to have this kind of dramatic structure,[4][better source needed] while the later MOVIE Babylon 5 further exemplifies such structure in that it had a predetermined story running over its intendevd five-season run.[citvatio""&n needed]
In 2007, it was reported that television was growing into a larger component of major media companies' revenues than film.[5] Some also noted the increase in quality of some television programs. In 2007, Academy-Award-winning film director Steven Soderbergh, commenting on ambiguity and complexity of character and narrative, stated: ""I think those qualities are now being seen on television and that people who want to see stories that have those kinds of qualities are watching television.
❍❍❍ Thanks for everything and have fun watching❍❍❍
Find all the movies that you can stream online, including those that were screened this week. If you are wondering what you can watch on this website, then you should know that it covers genres that include crime, Science, Fi-Fi, action, romance, thriller, Comedy, drama and Anime Movie.
Thank you very much. We tell everyone who is happy to receive us as news or information about this year's film schedule and how you watch your favorite films. Hopefully we can become the best partner for you in finding recommendations for your favorite movies. That's all from us, greetings!
Thanks for watching The Video Today.
I hope you enjoy the videos that I share. Give a thumbs up, like, or share if you enjoy what we've shared so that we more excited.
Sprinkle cheerful smile so that the world back in a variety of colors.
🎬 Telecharger :📥 https://bigmoviesz.com/movie/460465/mortal-kombat.html
1 subscriber 0 issues
Subscribe to our newsletter By subscribing, you agree with Revue's Terms of Service and Privacy Policy and understand that STREAMING vf HD.!] ~ Mortal Kombat (2021) VostFR 1080p will receive your email address.


text:
5 Locations in our DVTO Area, Pick one and attend
Attending CNJ Meetup at East Brunswick, NJ Supercharger (19 NJ-18, East Brunswick, NJ 08816)
Attending Delaware Meetup at Christiana Mall (132 Christiana Mall, Newark, DE 19702)
NE PA Suburbs
Attending NE PA Suburbs Meetup at The Community Center at Giant (315 Old York Rd, Willow Grove, PA 19090)
Attending SNJ Meetup at Millers Ale House (554 Fellowship Rd, Mt Laurel Township, NJ 08054)
Western PA Suburbs
Attending W PA Suburbs at Starbucks (110 Town Square Pl #2, King of Prussia, PA 19406)
Come meet with other members of the club, invite your friends.
We're having a monthly meetup.
It is the 2nd Saturday of every month.
In addition we're holding it in 5 different locations all at the same time.
This registration is only for the date shown. You need to register for each month separately.
Yes we know you can't come to more than one of them. But you can come to different ones each month, or stay in one location and see who comes to you.
It's an open meet and greet, feel free to ask your fellow members any questions you wish, and feel free to invite non members to join us. Bring your own beverage (coffee, perhaps?) or buy one onsite where available.
Locations: (Current as of July 20th, subject to change over the course of the year)
Central NJ: Hosted by @Jason at the East Brunswick, NJ Supercharger (19 NJ-18, East Brunswick, NJ 08816)
Southern NJ: Hosted by @Priyan at Millers Ale House (554 Fellowship Rd, Mt Laurel Township, NJ 08054)*
NE PA Suburbs: Hosted by @Syd and @Kon at The Community Center at Giant, in the parking lot at the far front of the store. (315 Old York Rd, Willow Grove, PA 19090)
Western PA Suburbs: Hosted by @Christel at Starbucks (110 Town Square Pl #2, King of Prussia, PA 19406<)
Delaware: Hosted by @Aletia Morgan at Christiana Mall (132 Christiana Mall, Newark, DE 19702) (near Nordstrom on Mall road)
While the event is free, please register so we have an idea of who is coming.
NOTE: In this COVID era, masks are required, and social distancing will be observed. All of the locations will be outside in the parking lot.
*Note: We are sharing the Mt. Laurel location with an existing cars and coffee meetup. While our cars are parked together they are separate from the other cars and we are requiring masks. We do not control the existing cars and coffee and their participants may not be following our mask protocols.
Delaware Valley Tesla Owners Club is a 501(c)7 Not for Profit and is the licensed owners club by Tesla, Inc. for Southeastern Pennsylvania, New Jersey, and Delaware. The club Logo and word mark are used under license from Tesla, Inc.


text:
The functional anatomy of the human anterior talofibular ligament in relation to ankle sprains
T. Kumai, Y. Takakura, A. Rufai, S. Milz, M. Benjamin*
The anterior talofibular ligament is the most commonly injured ligament in the ankle. Despite considerable interest in the clinical outcome of treatment protocols, we do not know whether the distinctive pattern of localization of the injuries relates to regional differences in the structure and molecular composition of the ligament. To address this issue, ligaments were examined by histology and immunohistochemistry. Differences in the structure of its two attachments (i.e. entheses) were evaluated with quantitative, morphometric techniques, and regional differences in the distribution of collagens, glycosaminoglycans and proteoglycans were determined qualitatively by immunolabelling. Morphometric analyses showed that bone density was less at the fibular attachment, but that enthesis fibrocartilage was more prominent. Immunohistochemistry revealed the presence of a fibrocartilage (containing type II collagen and aggrecan) at the site where the ligament wraps around the lateral talar articular cartilage in a plantarflexed and inverted foot: the fibrocartilage is regarded as an adaptation to resisting compression. We propose that avulsion fractures are less common at the talar end of the ligament because (1) bone density is greater here than at the fibular enthesis, and (2) stress is dissipated away from the talar enthesis by the 'wrap-around' fibrocartilaginous character of the ligament near the talar articular facet.
Journal of Anatomy
組織学
生態、進化、行動および分類学
「The functional anatomy of the human anterior talofibular ligament in relation to ankle sprains」の研究トピックを掘り下げます。これらがまとまってユニークなフィンガープリントを構成します。
animal anatomy Agriculture & Biology 100%
Ankle Injuries Medicine & Life Sciences 77%
ligaments Agriculture & Biology 71%
collagen Earth & Environmental Sciences 63%
anatomy Earth & Environmental Sciences 61%
Ligaments Medicine & Life Sciences 57%
Anatomy Medicine & Life Sciences 48%
bone Earth & Environmental Sciences 48%
Kumai, T., Takakura, Y., Rufai, A., Milz, S., & Benjamin, M. (2002). The functional anatomy of the human anterior talofibular ligament in relation to ankle sprains. Journal of Anatomy, 200(5), 457-465. https://doi.org/10.1046/j.1469-7580.2002.00050.x
The functional anatomy of the human anterior talofibular ligament in relation to ankle sprains. / Kumai, T.; Takakura, Y.; Rufai, A.; Milz, S.; Benjamin, M.
In: Journal of Anatomy, Vol. 200, No. 5, 2002, p. 457-465.
Kumai, T, Takakura, Y, Rufai, A, Milz, S & Benjamin, M 2002, 'The functional anatomy of the human anterior talofibular ligament in relation to ankle sprains', Journal of Anatomy, vol. 200, no. 5, pp. 457-465. https://doi.org/10.1046/j.1469-7580.2002.00050.x
Kumai T, Takakura Y, Rufai A, Milz S, Benjamin M. The functional anatomy of the human anterior talofibular ligament in relation to ankle sprains. Journal of Anatomy. 2002;200(5):457-465. https://doi.org/10.1046/j.1469-7580.2002.00050.x
Kumai, T. ; Takakura, Y. ; Rufai, A. ; Milz, S. ; Benjamin, M. / The functional anatomy of the human anterior talofibular ligament in relation to ankle sprains. In: Journal of Anatomy. 2002 ; Vol. 200, No. 5. pp. 457-465.
@article{47d8f9ba912849e387b18294d46e3f79,
title = "The functional anatomy of the human anterior talofibular ligament in relation to ankle sprains",
abstract = "The anterior talofibular ligament is the most commonly injured ligament in the ankle. Despite considerable interest in the clinical outcome of treatment protocols, we do not know whether the distinctive pattern of localization of the injuries relates to regional differences in the structure and molecular composition of the ligament. To address this issue, ligaments were examined by histology and immunohistochemistry. Differences in the structure of its two attachments (i.e. entheses) were evaluated with quantitative, morphometric techniques, and regional differences in the distribution of collagens, glycosaminoglycans and proteoglycans were determined qualitatively by immunolabelling. Morphometric analyses showed that bone density was less at the fibular attachment, but that enthesis fibrocartilage was more prominent. Immunohistochemistry revealed the presence of a fibrocartilage (containing type II collagen and aggrecan) at the site where the ligament wraps around the lateral talar articular cartilage in a plantarflexed and inverted foot: the fibrocartilage is regarded as an adaptation to resisting compression. We propose that avulsion fractures are less common at the talar end of the ligament because (1) bone density is greater here than at the fibular enthesis, and (2) stress is dissipated away from the talar enthesis by the 'wrap-around' fibrocartilaginous character of the ligament near the talar articular facet.",
keywords = "Attachment, Avulsion fracture, Collagen, Enthesis, Fibrocartilage, Proteoglycan",
author = "T. Kumai and Y. Takakura and A. Rufai and S. Milz and M. Benjamin",
journal = "Journal of Anatomy",
T1 - The functional anatomy of the human anterior talofibular ligament in relation to ankle sprains
AU - Kumai, T.
AU - Takakura, Y.
AU - Rufai, A.
AU - Milz, S.
AU - Benjamin, M.
N2 - The anterior talofibular ligament is the most commonly injured ligament in the ankle. Despite considerable interest in the clinical outcome of treatment protocols, we do not know whether the distinctive pattern of localization of the injuries relates to regional differences in the structure and molecular composition of the ligament. To address this issue, ligaments were examined by histology and immunohistochemistry. Differences in the structure of its two attachments (i.e. entheses) were evaluated with quantitative, morphometric techniques, and regional differences in the distribution of collagens, glycosaminoglycans and proteoglycans were determined qualitatively by immunolabelling. Morphometric analyses showed that bone density was less at the fibular attachment, but that enthesis fibrocartilage was more prominent. Immunohistochemistry revealed the presence of a fibrocartilage (containing type II collagen and aggrecan) at the site where the ligament wraps around the lateral talar articular cartilage in a plantarflexed and inverted foot: the fibrocartilage is regarded as an adaptation to resisting compression. We propose that avulsion fractures are less common at the talar end of the ligament because (1) bone density is greater here than at the fibular enthesis, and (2) stress is dissipated away from the talar enthesis by the 'wrap-around' fibrocartilaginous character of the ligament near the talar articular facet.
AB - The anterior talofibular ligament is the most commonly injured ligament in the ankle. Despite considerable interest in the clinical outcome of treatment protocols, we do not know whether the distinctive pattern of localization of the injuries relates to regional differences in the structure and molecular composition of the ligament. To address this issue, ligaments were examined by histology and immunohistochemistry. Differences in the structure of its two attachments (i.e. entheses) were evaluated with quantitative, morphometric techniques, and regional differences in the distribution of collagens, glycosaminoglycans and proteoglycans were determined qualitatively by immunolabelling. Morphometric analyses showed that bone density was less at the fibular attachment, but that enthesis fibrocartilage was more prominent. Immunohistochemistry revealed the presence of a fibrocartilage (containing type II collagen and aggrecan) at the site where the ligament wraps around the lateral talar articular cartilage in a plantarflexed and inverted foot: the fibrocartilage is regarded as an adaptation to resisting compression. We propose that avulsion fractures are less common at the talar end of the ligament because (1) bone density is greater here than at the fibular enthesis, and (2) stress is dissipated away from the talar enthesis by the 'wrap-around' fibrocartilaginous character of the ligament near the talar articular facet.
KW - Attachment
KW - Avulsion fracture
KW - Collagen
KW - Enthesis
KW - Fibrocartilage
KW - Proteoglycan
JO - Journal of Anatomy
JF - Journal of Anatomy


Home » What's New » Got a Shiner!
What Exactly Is a Black Eye?
A black eye, also known as a periorbital hematoma, is usually not an injury of the actual eye (which is why it is called "periorbital"- around the eye). It typically occurs when there is an injury to the face or the eye socket which causes bleeding beneath the skin and bruising. The term, "black eye" comes from the dark coloring of the bruising that occurs underneath the skin around the eye.
When a blunt force hits the eye socket, this can cause capillaries in the area to burst, causing hemorrhaging, also known as a hematoma. This blood can accumulate in the eye socket and as it begins to be reabsorbed into the surrounding tissues, the colors of the bruising begin to change. That's why you will often notice the coloring of the black eye to go from a dark purplish-red color to brownish and then yellow.
Sometimes along with the external bruising, you might also notice a small amount of bleeding on the white surface of the eye, which is called a subconjunctival hemorrhage. This is when the tiny blood vessels on the white sclera are broken and leak blood. It's generally harmless but sometimes looks scarier to the patient than the black eye does. This condition will also reabsorb on its own and is nothing to be concerned about.
While most black eyes can look pretty serious due to the dramatic color, an uncomplicated black eye will typically heal within a week to ten days. If it doesn't, there could be a more serious issue such as a bone fracture or an orbital blowout fracture.This could present with restricted eye movement, especially if looking up or down, and numbness of the cheek and/or upper lip on the same side as the black eye. The eye may even appear sunken in. Further, if there is bleeding within the actual eye (called a hyphema) or floaters or flashes in the vision, then it is definitely advisable to see your eye doctor as soon as possible. These could be signs of more serious damage such a corneal or retinal damage and can lead to vision loss.
Usually, the best treatment for a black eye is to apply a cold compress (or even better, a bag of frozen vegetables, which is more flexible and can conform to the contours of the face) directly on the area. The cold will reduce swelling and constrict capillaries to reduce internal bleeding as well. Apply the cold for about 15-20 minutes every hour. If there is pain, over the counter pain medications can help.
In addition to blunt trauma, black eyes can be caused by sinus infections, nasal or eye surgery or other infections in the area such as the teeth infections or cellulitis (a serious infection that can occur around the eyes). A skull fracture can also cause both eyes to turn black, sometimes known as raccoon eyes.
Unless you notice any severe symptoms you can rest assured that your black eye is a bruise just like anywhere else on the body and with a little care, rest and patience, it will clear up in no time.


text:
Pope Francis - Care for the Earth
reGenerative Ecology
Thomas Berry - Eco Prophet
John McMillin - Ending Famine for 50 Years
Food - Culture & Nature
Evolutionary Education
Integrative Apprenticeships
Legacy Mentoring
Integral Perspectives
Cooperative Enterprise
Become a Cooperative Entrepreneur
Revitalize Local Food
Create Organic Land >
The Economics
Economism - the Secular Religion
the Art & Science of Designing in
Harmony with Nature
Permaculture is a design art and science that sees nature as our essential teacher. Based on three ethics and 12 principles it takes a "systemic view" of the situations and circumstances of life. The understanding of "interrelationships" , the true meaning of ecology, is fundamental to permaculture. Originally applied to the notion pf "permanent agriculture" when it was first articulated as an integrated way of working with nature in the 1970's in Australia, its applicability to a wide range of human activities is now apparent.
The ethics earth care, people care and fair share form the foundation for permaculture design and are also found in most traditional societies.val.
Ethics are culturally evolved mechanisms that regulate self-interest, giving us a better understanding of good and bad outcomes. The greater the power of humans, the more critical ethics become for long-term cultural and biological survival.
Permaculture ethics are distilled from research into community ethics, learning from cultures that have existed in relative balance with their environment for much longer than more recent civilizations. This does not mean that we should ignore the great teachings of modern times, but in the transition to a sustainable future, we need to consider values and concepts outside the current social norm.
Resolution of the Elders Circle
The Earth is a living, breathing entity. Without ongoing care and nurturing there will be consequences too big to ignore.The icon of the young plant represents organic growth, a key ingredient in sustaining life on Earth.Earth Care can be taken to mean caring for the living soil. The state of the soil is often the best measure for the health and well-being of society. There are many different techniques for looking after soil, but the easiest method to tell if soil is healthy is to see how much life exists there.
Our forests and rivers are the lungs and veins of our planet, that help the Earth live and breathe, supporting many diverse life forms. All life forms have their own intrinsic value, and need to be respected for the functions that they perform – even if we don't see them as useful to our needs.By reducing our consumption of 'stuff', we reduce our impact on the environment, which is the best way to care for all living things.
If people's needs are met in compassionate and simple ways, the environment surrounding them will prosper.The icon of the two people together, represents the need for companionship and collaborative efforts to affect change.
People Care begins with ourselves and expands to include our families, neighbors and wider communities. The challenge is to grow through self-reliance and personal responsibility. Self-reliance becomes more feasible when we focus on non-material well-being, taking care of ourselves and others without producing or consuming unnecessary material resources.
By accepting personal responsibility for our situation as far as possible, rather than blaming others, we empower ourselves. If we can recognize that a greater wisdom lies within a group of people, we can work with others to bring about the best outcomes for all involved.
The permaculture approach is to focus on the positives, the opportunities that exist rather than the obstacles, even in the most desperate situations.
We are provided with times of abundance which enables us to share with others.The icon of the pie and a slice of it represents the taking of what we need and sharing what we don't whilst recognising that there are limits to how much we can give and how much we can take.
Established fruiting trees are likely to produce more than one person can eat. It takes time to pick and preserve the harvest, and there are limits to how much fruit we can use. There are many ways that we benefit from giving a fair share of the bounty to others in our community.
The growth in human consumption and the accelerating extinction of species make clear the impossibility of continuous growth. Sometimes we need to make hard decisions and consider what enough is.
We need to focus on what is appropriate for us to do, rather than what others should do. By finding the right balance in our own lives we provide positive examples for others, so that they can find their own balance.
Change happens by listening and then starting a dialogue ...
A. Harris (Bud) Stone Ed.D. is the Founder and Chancellor of The Graduate Institute, which emerged from Stone's unusual "intellectual property out-sourcing group", the Learning Collaborative Inc. As a professor, author, researcher, and educational entrepreneur, he has dedicated his life to leadership in the cause of educational transformation.
He designed the first master's degree in Environmental Education in the U.S., and is responsible for the establishment of more than 15 graduate programs. Before founding The Graduate Institute, Bud served as Chair of the Faculty of Education at Sacred Heart University, Chair of the Department of Education at Southern Connecticut State University, and held an academic appointment at Harvard University. He holds an EdD in Education from the University of Pennsylvania. His expertise in applied learning theory and his leadership skills have allowed him to create a series of academically and financially successful trans-disciplinary programs in emerging fields of practical knowledge.
Author of numerous academic books, he is skilled in bringing elusive ideas
into concrete form. His ability to build cultural relationships, together with
skills as a dialogue leader, enables him to guide highly productive groups in
building creative organizations. A current focus is in creating a Center
for ReGenerative Agriculture in New England which integrates cultural
experiences with the pragmatic arts of sustainability. He lives in a house by
the side of the road and is a friend to all who call.
Mitch Ditkoff is President of Idea Champions, a highly acclaimed management consulting and training company, headquartered in Woodstock, NY. He specializes in helping forward thinking organizations go beyond business as usual, originate breakthrough products and services, and establish dynamic, sustainable cultures of innovation.
Educated at Lafayette College and Brown University, Mitch has worked with a wide variety of Fortune 500 and mid-sized companies who have realized the need to do something different in order to succeed in today's rapidly changing marketplace. These clients include: GE, Merck, AT&T, Allianz, Lucent Technologies, NBC Universal, Goodyear, A&E Television Networks, General Mills, MTV Networks, and PricewaterhouseCoopers among others. He has been an adjunct faculty member for several esteemed leadership development programs, including GE's Crotonville Management Development University.
At the heart of his work lies the fundamental belief that a company's most important capital asset is the collective brain power, creativity and commitment of its work force and that this asset can be significantly leveraged when people are provided with the appropriate setting, systems, tools and techniques to think (and act) out of the box.
In addition to his consulting work, Mitch is also an accomplished keynote speaker and large group workshop facilitator. In 2010, Mitch was acknowledged as one of the "40 Hottest Business Speakers on the Association Circuit". In 2013 and 2014, he was named one of the TOP FIVE speakers on innovation in America. In 2010 and 2011, he was voted the #1 innovation blogger in the world and is now a regular contributor to the Huffington Post. His blog, The Heart of Innovation, and his award-winning book, Awake at the Wheel, and his innovation-sparking card deck and online app, Free the Genie, are daily destinations for a global audience
Burt Woolf, Ed. D. For over 35 years, Burt Woolf has been facilitating transformational change projects for communities, organizations and leaders throughout the world. He works exclusively with organizations and
agencies whose missions focus on improving quality of life for people wherever they live, work, learn, play, visit and stay well.
Early in his career Burt was an arts administrator, best known for his landmark work at the National Endowment for the Arts where he directed CITY SPIRIT, the first nation-wide local cultural planning grant program sponsored by the federal government. As CEO of a technology company in the 1980's, Burt pioneered the use of microcomputers in nonprofit organizations; he designed and marketed the TEAM SYSTEM Development Software program that was installed in over 140 organizations throughout the U.S. He has been the chief executive of several major nonprofit organizations, including the Massachusetts Cultural Alliance, the Creative Education Foundation, and Glynwood Center (interim CEO).
Today, Burt focuses his work on creative problem solving and Accelerated Consensus – his own approach that has been applied in dozens of client settings including higher education, sustainable agriculture and regional food systems, community economic development and regional planning,conservation of the natural and built environment, public safety, tourism development and outdoor recreation.
For the past ten years, Burt has been an advisor to the University of Massachusetts, including project management assignments for the College of Education, facilitation of an NSF research project for the School of Computer Sciences, and leadership development and transformation programs for the Office of Administration and Finance and the Office of Information Technology.
Burt holds a Master's in Management from UCLA, and a Doctorate in
Educational Policy and Leadership from the UMass Amherst College of Education. In his personal life, Burt practices mindfulness meditation, leads
intergenerational service learning trips to Thailand, and mentors college students in career development.
Carl Frankel JD is a writer, journalist and entrepreneur. For 20 years he has been a nationally-known thought leader specializing in sustainability, socially responsible business and social enterprise. He wrote and published his own newsletter, authored innumerable magazine articles, and published three books on these subjects: In Earth's Company, Out of the Labyrinth and The Art of Social Enterprise (co-authored with Allen Bromberger).
In his 2004 book, In Earth's Company: Business, Environment, and the Challenge of Sustainability, Frankel takes seriously the possibility that business could become sustainable, and gives inspiration and context for helping this happen. Frankel's book is a unique contribution that may challenge both environmentalists and business people. Frankel is as clear as any environmental activist that business-as-usual is a death sentence for our planet. Yet he is more pragmatic than bitter in sketching the mixed results of business and government initiatives towards sustainability. And, he holds a hopeful vision of a transformed citizenry creating a sustainable business world.
Since 2009 he has collaborated with Sheri Winston in The Center for the Intimate Arts, with roles ranging from strategic guidance to business development to event management to writing and editing. Recently he has turned his attention to sex and relationships, a logical direction since he is a partner in a social enterprise, Sheri Winston's Center for the Intimate Arts, which specializes in those subjects. Frankel's first book on relationships, Love and the More Perfect Union: Six Keys to Relationship Bliss was published in 2013.
@ Copyright 2016 Integrative Permaculture LLC All Rights Reserved


text:
Why does Karna Abuse Draupadi?
In this post, we will answer the question: Why does Karna abuse Draupadi?
Karna abuses Draupadi and calls her a prostitute during the dice game. He does this as retaliation for the way in which she publicly humiliates and rejects him at her swayamvara. Karna also performs the role of chief antagonist against the Pandavas for Duryodhana, and so always needles them on his behalf.
Read on to discover more about why Karna abuses Draupadi.
(In Karna: Your Ultimate Guide to the Mahabharata's Antihero, we delve deeper into the character of Karna. We also answer all Karna-related questions in Karna: 41 Questions about the Mahabharata Hero Answered.)
Humiliation by Draupadi
In the Draupadi-Karna relationship, the first salvo is thrown undoubtedly by Draupadi. At her swayamvara, when Karna steps up to the podium and prepares to try his hand at completing the archery task set by Drupada, Draupadi stops him.
Addressing the assembly, she says, 'I do not wish to be married to a Sutaputra.' This is despite the fact that Karna is by now king of Anga.
Interestingly, no one in the assembly – not even Duryodhana – comes to Karna's support. This suggests that while her behaviour may appear harsh, Draupadi is well within her rights to stop a suitor from attempting to win her hand.
(But then, if this is true of swayamvaras in general, much is made of a similar scene in some versions of the Ramayana, where Ravana approaches the bow at Sita's swayamvara. Sita is described as hoping against hope that Ravana would fail. If she had the power to speak up, why did she not?)
In any case, Karna respects Draupadi's wishes and returns to his seat without having a go at shooting the target.
What rubs salt into the wound here is that after rejecting Karna, Draupadi does nothing to prevent a poverty-stricken, nameless Brahmin from competing. The message to Karna is clear: I'd rather marry this poor man than you, even though you're a king.
An Interlude
After their chance encounter at the swayamvara, Draupadi and Karna rarely have occasion to meet. They may have crossed paths at Yudhishthir's Rajasuya, but after that, for twelve years they live fairly separate lives – Draupadi as queen of Indraprastha, and Karna as king of Anga.
During this time, Karna marries a girl (chosen for him by Adiratha, we're told), has sons with her, and by all accounts gives a good account of himself as king. He garners a bit of a reputation as a just, generous man.
In this period, Draupadi has grown in stature too. Once a princess of Panchala, she is now queen to the emperor of the world. Anga, one assumes, is one of the many kingdoms that pay tribute to her husband. She is mother to five sons – each born to one of her five husbands.
Both Karna and Draupadi, therefore, have grown in self-importance during these twelve years. Karna, in his position as king, has become more comfortable with dispensing justice, with speaking and with being heard and obeyed.
On the other hand, if Draupadi thought Karna beneath her at her swayamvara, by now – with her own status having grown immeasurably – that feeling will have only intensified.
At the Dice Game
Why Karna is present at the dice game is not explained in the text. Since it is no short distance between Anga and Hastinapur, we may safely assume that Duryodhana must have invited him.
And if he did, is it unreasonable to suppose that he gave him instructions to behave in an abrasive manner toward the Pandavas?
Karna plays a vital role in escalating already roused tensions during the dice game. After Yudhishthir has lost everything to Duryodhana, on his last turn to roll, at Shakuni's insistence, he pledges and loses Draupadi.
And Draupadi, true to the manner of one not used to being summoned anywhere by anyone, sends back a message asking, 'Did the king lose me first or himself?'
This sets up a debate in court around whether Draupadi has or has not been won.
Argument against Vikarna
Surprisingly, Vikarna, one of the brothers of Duryodhana, springs to Draupadi's support. (This probably comes as a surprise to Duryodhana and Shakuni – witnessing dissent from one of their own.)
Vikarna argues that by losing himself first, Yudhishthir had lost all rights over Draupadi, so he could no longer fairly pledge her in the game.
Karna, in the manner of someone used to expounding on matters of propriety in Anga, stands and delivers a four-point rebuttal of Vikarna's points. His conclusion: though Yudhishthir lost himself, he still retained some rights, and that included a right to a spouse. So his pledge of Draupadi was valid, and she is now Duryodhana's slave.
(For more detail on Draupadi's disrobing, see: What happens during Draupadi's Disrobing?)
Karna's Accusation
Having come this far, Karna does not rest his case. He places an accusation over Draupadi and calls her a prostitute. 'Our scriptures declare,' he says, 'any woman who takes five or more paramours in the course of her life is akin to a prostitute. And this woman has, in the eyes of the entire world, shamelessly wedded five husbands.'
Of course, there are perfectly valid reasons for Draupadi having married all five Pandavas. (See: Why did Draupadi Marry Five Pandavas?) But there is also truth to the statement that Karna has referenced.
Scriptures of the time do seem to have made the declaration that no self-respecting woman should take more than five sexual partners during the course of her life.
This is the reason that Kunti gives Pandu for not using Durvasa's incantation after Arjuna's birth. 'I have already taken four paramours including you, my lord,' she says. 'If I take one more, I shall be known in the world as debased.'
(Of course, it's quite another matter that Kunti has already become debased in reality because she had already slept with Surya before her marriage. But no one but her knew about that. As far as the world knew, she only had four lovers.)
Karna Suggests Disrobing
Having made his accusation – and having received no pushback – Karna now calls on Duhsasana to publicly disrobe Draupadi in order to 'treat her like a woman of her character ought to be treated'.
Whether prostitutes of the time were routinely disrobed in assemblies, one does not know. But as Duhsasana approaches to carry out Karna's command, none of the Kuru elders deem it fit to stop what is going on.
Why? We're not told. But everyone seems to be caught up in the logic and reasoning of the debate that took place between Karna and Vikarna. They consider Karna's point to be a sound one, though he takes a bit of a leap from 'slave' to 'prostitute'.
In any case, Vidura is the first of the Kuru elders to reframe the conversation from 'Has Draupadi been won?' to 'Why are we humiliating the daughter-in-law of the house in this manner?'
Once Vidura speaks in these terms, everyone slowly comes to their senses. Dhritarashtra asks forgiveness of Draupadi and gives the Pandavas back their kingdom and wealth.
Revenge?
One can argue both ways about whether Karna still burned with anger for what Draupadi had done to him at her swayamvara. After all, twelve years have passed. Did he still carry a grudge?
But then, Karna is precisely the sort of intense, brooding man that would find it difficult to forgive anyone for a slight of that nature. It is entirely possible that over all those years, Karna was biding his time, waiting for an opportunity to humiliate Draupadi in much the same way as she had humiliated him.
You called me a Sutaputra, he may say, and I called you a prostitute.
Either way, it seems reasonable to assume that at least part of his motivation for abusing Draupadi so ruthlessly stems from a desire to exact vengeance for her past slight.
(Even after all this, there are some who suggest that Draupadi may be in love with Karna. See what I think about that in: Did Draupadi Like Karna?)
Under Duryodhana's Instructions
Much of Karna's general antagonism toward the Pandavas arises out of his desperate need to be seen as loyal to Duryodhana. Since we have already established that Karna had no reason to be present at the dice game and had probably been invited there by Duryodhana, it is not unreasonable to presume that he was under further instructions to put on a boorish, uncouth act.
We know for certain that the dice game is planned by four people: Shakuni, Duryodhana, Karna and Duhsasana. During Draupadi's disrobing, all the main antagonistic events are carried out by one of these four.
Even if Karna did not hate Draupadi enough to want her disrobed in public, he would have had to play his part in order to please Duryodhana. And to please Duryodhana is his life's mission because Duryodhana has given him everything.
Regardless of the truth about the motivations behind his actions, Karna's abuse of Draupadi – and the subsequent fallout – creates an unbridgeable fissure between the Kuru cousins.
So far, despite cool relationships, they were able to co-exist in relative harmony. But after this, after the Pandavas are sent to exile and robbed of their wealth, there is no going back to peace.
The Pandavas make a series of vows during this scene, all of which they fulfil during the war of Kurukshetra. The most visceral of these promises is Bhimasena assuring everyone that he will one day tear open the chest of Duhsasana and drink his blood.


text:
Southern California Fisheries Closure Implemented Due to Oil Spill
by California Department of Fish and Wildlife October 4, 2021 October 4, 2021
Take of all fish and shellfish is immediately prohibited from Huntington Beach to Dana Point, including the shorelines and offshore areas and all bays due to an oil spill in Southern California. The Office of Environmental Health Hazard Assessment (OEHHA) has determined that a threat to public health is likely by fishing in the affected area or consuming fish or shellfish that may have been affected by the spill.
Crude oil is shown in the Pacific Ocean offshore of Orange County, Oct. 3, 2021. Official U.S. Coast Guard photo.
OEHHA recommended this fishery closure to the California Department of Fish and Wildlife (CDFW). The CDFW's Office of Spill Prevention and Response (OSPR) Administrator, Thomas Cullen, signed the closure on behalf of CDFW Director Charlton H. Bonham.
The closure is in effect until lifted. This closure document includes a detailed map of the initially closed areas. The extent of the closure will change as conditions and factors in the area change.


text:
Le tournoi féminin de basket-ball à trois aux Jeux olympiques d'été de 2024 se tient à Paris, en France, du  au .

Lieu de la compétition

Le tournoi de basket-ball à trois se déroule sur la place de la Concorde, au cœur de Paris, site qui accueille également les compétitions de BMX freestyle, de skateboard et de breakdance.

Format de la compétition

Les huit équipes sont réunies en une poule unique. Chaque équipe rencontre les sept autres une fois. À la fin des matchs de poule, les six meilleures équipes se qualifient pour le tournoi final à élimination directe : les deux premières équipes pour les demi-finales, les quatre suivantes jouent des quarts de finale.

Calendrier

Acteurs du tournoi

Équipes qualifiées

Joueuses

Chaque nation participante doit présenter un effectif de 4 joueuses. Parmi elles, au moins deux doivent être dans leur top 10 national. Toutes les joueuses doivent avoir au minimum 18 ans au début de la compétition.

Arbitres

Premier tour

Classement

|}

Matches

Phase finale

Tableau

Quarts de finale

Demi-finales

Troisième place

Finale

Statistiques et récompenses

Classements

Notes et références

Notes

Références

Voir aussi

Article connexe
 Tournoi masculin

Liens externes
 3x3 sur le site officiel des Jeux de Paris 2024
 Le site officiel du Comité international olympique
  Site officiel de la FIBA

Femmes
Tournoi olympique de basket-ball 3×3

redpajama_set_name: RedPajamaWikipedia


text:
Tracking the Southeast Asian art market
Johnni Wong
26 September 2018 - 4:08pm
In the foreword of the book, The Edge Media Group Publisher and CEO Ho Kay Tat points out that the idea for this publication came from the group chairman Datuk Tong Kooi Ong, who suggested that some form of price benchmarks for Southeast Asian art should be available for collectors could refer to.
"The concept was for a listing that we are happy with and which we could publish and stand by," says Tong.
The list of records would become a reference, thereby making the local art industry more transparent.
The challenge is to track figures that are reflective of the market.
Says Ho, "The Edge is well positioned to undertake such a task. Credibility and integrity are cornerstones in The Edge's reputation as Malaysia's leading and trusted financial publication."
Thus, the main objective of this publication is to compile a list of auction benchmarks that offers a credible source of reference for Southeast Asian art.
The records relate to works created by artists from Southeast Asia or foreign-born artists associated with the region.
The second aspect of this book is a series of interviews with some 40 personalities active in the Southeast Asian art market for their views on such records and market developments in their own locality.
The respondents include artists, collectors and consultants as well as dealers and gallerists to auction house operators and those involved in art fairs and people who track and study the market.
In fact, in the chapter on Malaysia, one of the respondents, Zurich-based Christopher H. Tung, has allowed his research data including pie charts and tables that relate to the local art market to be reproduced. The research was done for Tung's thesis for his Executive Master in Art Market Studies programme at the University of Zurich last year.
Statistical reporting
The book aims to include diverse opinions on the subject for readers to have an idea of the difficulties and obstacles in tracking data in any financial or statistical reporting, especially in the art market.
The art market relates to the buying and selling of art, whether in the primary market handled mainly by galleries, artists and art fairs or the secondary market dominated by auction houses and other wheeler-dealers.
This is by no means an academic study. Rather it is a guide to help those involved in the art market in Southeast Asia – especially those new to the scene – and for them to gain a deeper insight into what is going on behind the scenes. For example, one perennial question is, how reliable or valid or even believable are auction or art fair figures?
In dissecting a subject such as the "Southeast Asian art market" one needs to call upon the very people who are involved in it either as a business or as a serious hobby.
For the purpose of this publication, the focus was on countries with an established art market, namely Malaysia, Singapore, Indonesia, Thailand, Myanmar, Vietnam and the Philippines.
Artprice.com
Principally, the auction data come from Artprice.com and the most significant records were set at Sotheby's and Christie's auctions in Hong Kong, particularly for prominent artists of Southeast Asia.
The book also include records established at local auctions held in Kuala Lumpur, Jakarta, Singapore and Manila. But only records that are generally perceived to be reliable and valid are tracked. Therefore, only price records of selected auction houses are included but enough to present a credible overview of the market.
As for the respondents, they were selected based on recommendations by collectors, consultants and other professionals. The respondents selected are from eight cities – Kuala Lumpur, Singapore, Jakarta, Bangkok, Yangon, Manila, Hanoi and Ho Chi Minh City.
This book project was actually undertaken by The Edge Galerie Sdn Bhd, a commercial entity that operates a gallery and an annual auction known as The Edge Auction, both established in 2013.
The main advantage is that the two interviewers in this project are directly related to gallery and auction house's operations. The project was led by The Edge Galerie general manager Johnni Wong and assistant manager Sarah Abu Bakar.
The focus is on auction benchmarks of the top-selling artists in the region, basically due to the availability of such records. But we are also mindful that there are occasional statistical anomalies. And that there are certain market players who can "influence" auction figures by direct or indirect intervention.
Knowing the local market scene is crucial to understand whether such data is valid or even reliable. This is of particular concern to us, especially when it comes to any artist who does not have a discernible track record on the sale of his work in his home market, let alone in an international auction. The old saying, "one swallow doesn't make a summer", comes to mind.
In short, auction benchmarks are generally reliable; it is just that you have to look out for the occasional blips on the radar of records. In order to do that, you have to be aware of local market situations where the artist comes from and his career trajectory and accomplishments. Auction records don't happen in a vacuum or on a whim. There are certain factors that lead to one being established. And our respondents have plenty to say about such factors.
When one talks about the art market and transactions, it would necessarily encompass the whole ecosystem involving art galleries, private deals, auctions and fairs.
But the only readily available and trackable data comes from auctions. Such figures are supplied by online data providers that specialise in compiling and disseminating such statistics for a fee. But the drawback of such data is that the compilation relies heavily on respective auction houses, voluntarily sending in their latest results.
There is no verification of the validity nor transparency of such figures. It is almost impossible for the data compiler to be able to discern the veracity of each record, due to the sheer volume of such data coming in on a worldwide scale. On the other hand, there is also a significant number of auction houses that do not submit their auction results simply because they do not have the manpower or the inclination to contribute resources to an outside party that benefits commercially.
Another difficulty in tracking benchmarks is the need to be constantly vigilant in compiling new records, especially during the auction season, mainly twice a year.
When it comes to art market reports commissioned by fair organisers, such reporting would obviously focus on bright market conditions that highlight the growing number of collectors, the mushrooming private museums and the latest sparks of the art world, be they gifted artists or clever curators.
Also, the total sales figures posted by art fair promoters are notoriously difficult to verify because they are only estimates and often an exaggeration.
When it comes to Southeast Asian art – often described as the last frontier of the art world – there are those who would have you believe that it is a relatively untapped market waiting to be harnessed.
Although a useful reference, the term "Southeast Asian art market" is actually a misnomer as the people who are actually in the local art trade do not quite see a unified market.
In fact, the market in Southeast Asia is quite parochialistic and fragmented. The majority of collectors in each Southeast Asian nation, by and large, prefer to collect the works of their own country.
Therefore, auction benchmarks – or a lack of them – are useful indicators of market movements.
Southeast Asian Art, Auction Benchmarks & Market Insights is available from The Edge Galerie at RM38 a copy. Email [email protected] The 596-page book is also available for free download by registering to log in at www.theedgegalerie.com. Alternatively, interested parties may also purchase a copy at Kinokuniya Books, KLCC.
Myanmar: Aung Kyaw Htet - A Walk in A Dream, 2010, Oil on canvas (Auction record: US$ 18,759 with premium)
Myanmar: Sai Myoe Myat - Shan Belle, 2005, Oil on canvas,102cm x 76cm (Auction record: US$ 5,598 with premium)
Abdul Latiff Mohidin - Samarkhand 3, 1994, Oil on canvas,152cm x 114cm (Auction record: US$ 201,041 with premium)
Philippines: Anita Magsaysay-Ho - Nag-pilon Ng Dayami (Gleaners), 1975, Oil on canvas, 85cm x 142.5cm (Auction record: US$ 1,786,552 with premium)
Thailand: Natee Utarit - Steamboat Overture, 2008, Oil on linen, 240cm x 200cm (Auction record: US$ 221,880 with premium)
Indonesia: Lee Man Fong - Bali Life, circa 1962-1964, Oil on masonite board, 100cm x 243cm (Auction record: US$ 4,638,840 with premium)
Singapore: Cheong Soo Pieng - Balinese Dance, 1953, Oil on canvas, 134cm x 97.5cm (Auction record: US$ 995,880 with premium)
The Sophisticated Art Patron
Auctioneers, Alpha and Beta and more …
What is a flash [auction] sale?


Manuals of Carrier's HiWalls, Ducted, Controllers and also Cassettes. Call 13 Cool (13 2665) For Carrier chillers, air handling units and service please call 1300 130 750 Download service manuals that meet users safety and operating standards for your air conditioning unit, you can also make a search via the product name. Carrier offers professional HVAC service, support, information, and resources for owners of our systems and products.
You are currently at Technical Support. Dont let your air conditioner lose its cool or your heat pump get fired up. Air conditioner maintenance: Change your air filters regularly. R Transport Air Conditioning T298 Rev D SERVICE MANUAL for MODEL AirV Rooftop Air Conditioning Systems 2P C F H 1 2 BLK BLU WHT WHT EVAP. GRNYEL WHT BRN 1 2 YEL Appliance manuals and free pdf instructions.
Find the user manual you need for your home appliance products and more at ManualsOnline. Carrier 40QNB012 Manuals& User Guides. User Manuals, Guides and Specifications for your Carrier 40QNB012 Air Conditioner. Database contains 1 Carrier 40QNB012 Manuals (available for free online viewing or downloading in PDF): Owner's manual. Service& Maintenance Manual AC112& CN Bus AirConditioning Units. CN& AC112 Operation& Maintenance Manual Function Of An Air Conditioning System See Attachment.
Refrigerant, in its gaseous state, is drawn from the evaporator into the compressor. Maintenance and Service The efficient performance of the air conditioning Download 3245 Carrier Air Conditioner PDF manuals. User manuals, Carrier Air conditioner Operating guides and Service manuals.
Application Guideline and Service Manual Residential Air Conditioners and Heat Pumps Using R22 and Puron r Refrigerant TABLE OF CONTENTS PAGE UNIT IDENTIFICATION 2. Carrier Service Manual. Uploaded by Metalloy. Related Interests. Thermostat; Capacitor; Relay; SplitSystem Residential Air Conditioners and Heat Pumps Service Manual. CONSIDERATIONS Service and repair of these units should be attempted only by trained service technicians familiar with Carrier standard service instructions and training View and Download Carrier Air Conditioner operation and service manual online.


OpenDCL 5.1, with support for AutoCAD 2010, is now released. Work is already started on OpenDCL 6.0, with support for Bricscad one of the initial goals.
OpenDCL 5.0, the GUI development platform for AutoLISP programmers, was released today. OpenDCL 5 is the culmination of almost two years of development work since the release of OpenDCL 4.0 on July 30, 2007.
The major goals for OpenDCL 5 included a restructuring of the source code to support localization, completely rewritten documentation, and completion of the work started in OpenDCL 4 to clean up and modularize the code. These goals have been met, and OpenDCL 5.0 is now completely localized for both English and German languages, with Spanish, French, Russian, and Chinese language versions partially localized.
OpenDCL users reported over 200 bugs and submitted almost 50 feature requests since OpenDCL 4 was released. All but a small handful of the reported bugs were fixed, and almost half of the feature requests were implemented in OpenDCL 5. The result is a very stable, well tested, and feature rich upgrade with a promising future.
OpenDCL 5.1 is already in the pipeline, with support for AutoCAD 2010 planned for availability soon after AutoCAD 2010 ships. Beyond OpenDCL 5.1, the next major goals are support for Bricscad and the addition of support for third party .NET controls.
Along with the official OpenDCL tutorial, you can now find the OpenDCL Migration Guide on the Tutorials page. This guide will come in handy if you're in the process of upgrading your older ODCL projects.
Title: OpenDCL: DCL Has Evolved!
AUGI was nice enough to publish my article on OpenDCL, check it out HERE.
A big thinks to James Maeding & Fred Tomke for providing me with some excellent screen shots of their software. And a big big thinks to Owen for all his hard work on the project. I hope to see some of you guys at AU this year.


Handmade pine coffee/occasional table. Handy lower shelf for your papers and magazines, a drawer can be made within the table if required for a small extra charge.
Specification: Handmade from reclaimed pine timbers. Finished with a medium brown wax polish and a top coat of Hard wax oil for added protection against staining.
Installation & Care: Standard Polish, usually finished with a medium brown wax. A coat of Hard wax oil is recommended on the top for added protection against spillages.


text:
Glutathione in the brain in CFS/ME
Thread starter richvank
richvank
Professor Basant Puri et al. recently published a paper in which they reported measurement of glutathione in the cerebral cortex of the brain of patients with chronic fatigue syndrome/myalgic encephalomyelitis (CFS/ME) using proton magnetic resonance spectroscopy.
The abstract of this paper is below. Their conclusion was that they found no evidence that cerebral glutathione levels are decreased in CFS/ME relative to normal levels.
I was surprised at this result, given the large number of test results I have reviewed showing glutathione depletion in blood plasma, as well as some results from red blood cells or whole blood. There are also publications reporting glutathione depletion in CFS/ME patients, some of which were cited by these authors.
On further examination of this paper, I noted that the mean values of the parameter used to quantify glutathione in this study were 2.703 for 13 CFS/ME patients, and 5.191 for 13 matched normal controls. (There are no units on this derived parameter.) However, the standard deviations of the data for these two mean values were 2.311 and 8.984, respectively. Because of these large standard deviations, the difference between the mean values was not statistically significant (p=0.361).
I wrote to Professor Puri and asked if it would be fair to say that their study lacked sufficient statistical power to determine whether glutathione is indeed depleted in the brains of CFS/ME patients. He responded that this potential explanation of their results does make sense. He agreed that a further, larger study with greater statistical power is needed to examine this question, and expressed his willingness to carry out such a study if funding could be found.
I very much appreciated his response.
In view of this, I think it is correct to say that this study does not provide any evidence contradicting the hypothesis that glutathione is depleted in CFS/ME patients, and in particular in the brains of these patients. Im hopeful that a larger study can be done in the future to test this hypothesis.
Rich Van Konynenburg
Prostaglandins Leukot Essent Fatty Acids. 2009 Nov 9
An in vivo proton neurospectroscopy study of cerebral oxidative stress in myalgic encephalomyelitis (chronic fatigue syndrome).
Puri BK, Agour M, Gunatilake KD, Fernando KA, Gurusinghe AI, Treasaden IH.
MRI Unit, Imaging Sciences Department, MRC Clinical Sciences Centre, Imperial College School of Medicine, Hammersmith Hospital, Du Cane Road, London W12 0HS, England, UK.
A particularly important family of antioxidant defence enzymes in the body are the glutathione peroxidases, which remove H(2)O(2) by coupling its reduction to H(2)O with oxidation of reduced glutathione (GSH) to oxidised glutathione (GSSG). There are suggestions that GSH in the peripheral blood may be reduced in myalgic encephalomyelitis, which is a highly disabling neurological disease of unknown aetiology. Since many of the symptoms relate to cerebral functioning, it would seem probable that peripheral blood GSH findings would be reflected in lower cerebral GSH levels. The aim of this study was to carry out the first direct assessment of cerebral GSH levels in myalgic encephalomyelitis; the hypothesis being tested was that cerebral GSH levels would be reduced in myalgic encephalomyelitis. Cerebral proton neurospectroscopy was carried out at a magnetic field strength of 3T in 26 subjects; spectra were obtained from 20x20x20mm(3) voxels using a point-resolved spectroscopy pulse sequence. The mean cerebral GSH level in the myalgic encephalomyelitis patients was 2.703 (SD 2.311) which did not differ significantly from that in age- and gender-matched normal controls who did not have any history of neurological or other major medical disorder (5.191, SD 8.984; NS). Therefore our study does not suggest that GSH is reduced in the brain in myalgic encephalomyelitis. At the present time, based on the results of this study, there is no evidence to support the suggestion that, by taking glutathione supplements, an improvement in the brain-related symptomatology of myalgic encephalomyelitis may occur.
PMID: 19906518 [PubMed - as supplied by publisher]
Dr. Shungu on measuring glutathione in the brain
I just received an email from Dr. Dikoma Shungu of Cornell, Columbia and Mt. Sinai medical schools. He does research involving magnetic resonance spectroscopy and is currently funded by the CFIDS Assn. to work on ME/CFS. He wrote that he agrees with me about the Puri et al. study, and that he is currently evaluating the levels of glutathione in the brains of ME/CFS patients himself by a more precise method, which he described to me in some detail. He is not ready to comment publicly on his results yet, but he wrote, "it is safe to conclude that to date, there is no valid study that has rejected your hypothesis about decreased glutathione in ME/CFS." Needless to say, I was very happy to receive his comments.
Marylib
Doesn't Puri sell supplements and books about natural cures for "CFS" and depression? Hmmmm?
Frickly
I don't need a study to tell me that glutathione depletion is directly related to my current state of affairs. My glutathione/ATP injections are what got me out of my bed. My levels have been slowly going up over the last year as I deal with my mycoplasmal infection and EBV. The big question is why are my glutathione levels low? Did the glutathione depletion cause my bacteria and virus'? Or did the bacteria and virus' cause my glutathione depletion. Currently, I am hoping that as I get my EBV and mycoplasmal infection under control, my glutathione levels will increase. If the XMRV thing pans out then this could be the virus that is keeping my glutathione levels down. Anyway....I do appreciate your contributions in finding a cause for CFS. I have always felt that you are on the right path.
kaffiend
These data weren't sufficiently analyzed. They performed low resolution spect and dumped all the values into a global mean. I've never seen a neuro-imaging study done that way. Most differences between groups (patients/controls) are seen locally, whether they are lesions or metabolic differences. Any differences would wash out when looking at global values.
Localization is the whole point of doing neuro-imaging. I assume they didn't have anyone who knew how to properly analyze the data.
The Puri study may have been more enlightening if there had been more characterization of the control group. That was a huge standard deviation in the control group, in contrast to the relatively tight cluster in the CFS group. Clearly there are subgroupings of brain glutathione levels in the general population. What would be interesting I think would be to compare the Puri CFS group scans with a group with other known brain pathologies.
Freddd
What also might be interesting is how the glutathione levels line up with CSF cobalamin and methylfolate levels and/or levels of MMA and HCY.


text:
Christine Minh Minh Garner Podcasts
Christine Minh Minh Garner public [search 0]
The Fulfilled Life with Minh-Minh
Christine Minh-Minh Garner
Having overcome the odds stacked against me to escape a doomsday cult as a child, and starting a million dollar business, I interview entrepreneurs who have overcome immense adversity to now live a life of ultimate fulfillment!
Healing Through Music With Tim Ringgold 39:37
Tim Ringgold is a board certified music therapist, columnist, author, host of the Reduce Your Stress podcast and the Stress Elimination Summit. He has provided music therapy to thousands of teens and adults to help them lower anxiety and reduce pain. Tim is also an award winning international speaker, having shared the stage with some of the top mi…
High Networth Networking with Ungenita Prevost 32:07
Award Winning Feminine Leadership Expert, Strategic Advisor + Global Business Connector. She was "aged out" of the foster care system at 18 years old, defied the odds and became a success instead of a STATISTIC! FEMMEGlobal500.comBy Christine Minh-Minh Garner
Outward Success Is an Inside Job With Bobby Albert 30:02
Bobby Albert led the Albert Companies to unprecedented growth—and he did so during one of the most challenging economic periods of our lifetime. His unique leadership, coupled with an unending desire to learn, enabled this CEO and his team to grow revenues and profits by 500 percent between 2005 and 2011, the year he sold his business to a publicly…
Employee to Entrepreneur: Turning Adversity & Passion Into Freedom With Dr. Sonia Murrey 30:29
Dr. Sonia is an expert on Mentorship, course development, and classroom instruction. Both her professional and personal endeavors shine a bright light on the need for alternative mentorship programs that promote individuality and creativity. As Founder of Jump First and a College Professor, Dr. Sonia has the rare ability to electrify her audiences …
How to Monetize Any Stage With Blair Nichols 24:15
After beginning his career representing hundreds of authors from Top 6 publishers, Blair Bryant Nichols moved into the management of founders, entrepreneurs, executives, authors, and celebrities with various work streams, projects, and personal interests, acting as a Chief of Staff, manager, or agent. He has a deep expertise in developing speakers …
Sales Jiu-Jitsu: The 4 Secret Black Belt Steps to Increase Your Conversion Rates With Daniel Moskowitz & Elliott Bayev 47:43
Elliott Bayev and Daniel Moskowitz take a combined 50 years experience in Brazilian Jiu-Jitsu and building 8-figure sales teams and bottle it up inside a powerful new International Bestselling book: Sales Jiu-Jitsu – The Secret Black Belt System for Champion Leaders www.salesjiujitsubook.comBy Christine Minh-Minh Garner
What is success with Derek Irick 13:18
Derek was adopted from China at the age of 12, graduated from Colorado Mesa University with 4 degrees and 3.86 GPA. Was recently voted the #1 real eatate agent in the best of the west magzine and was nominated by ghe Grand Junction Area Realtors Association. Facebook: derekirickrealestate Instagram: derekirick derekirickrealestate Google business :…
Trusting in the Power of the Human Spirit to THRIVE! with Denise Smith 15:58
Denise has been in the hospitality industry for 25 years, most recently as the Director of Sales and Marketing for a large local catering company. After riding the COVID wave for a couple of months, the pandemic ultimately proved that it was going to last longer than her position. She was laid off at the end of May and was faced with, what's next? …
3 themes to unlock perspective and do the best work of your life with George Brooks 22:42
George Brooks is strategist, podcast host, and the founder of Crema, a digital product agency. Since starting his company from a hospital room 13 years ago, George has crafted innovative teams that use creativity, technology and culture to help individuals and organizations thrive. George's clients have gone from ideation to successful exits, IPO, …
Design The Life You Want With Ryan Spence 24:56
Ryan Spence is a yoga teacher, personal development coach and podcaster. Ryan credits yoga with changing his mindset and his life and through sharing his experience, Ryan helps stressed-out, time-poor lawyers and corporate executives think big, challenge expectations and embrace the unknown so that they can design the life they want instead of the …
Empowering with a Purpose With Doug Swanson 53:42
https://www.billsbikeandrun.comBy Christine Minh-Minh Garner
Stop Existing and Start Living! With Josh Allen Hull 36:57
THANKFULNESS, GRATITUDE, AND A HAPPY MINDSET ARE AT THE CORE OF BEING MORE PRODUCTIVE. AND SO IS ENERGY MANAGEMENT. After having a heart attack at the age of 30, losing 40% of my kidney function, and being diagnosed with Young Onset Parkinson's Disease (all on top of the type 1 diabetes I've had since I was 11), I was told I would never work again.…
The Philosophy of a Purpose Driven Person With Matthew Leland Cox 35:25
Wow my adversity is far as an entrepreneur's been a road less travelled. I grew up in a small town. I grew up illiterate reading and writing at a 4th grade level always thought something was wrong with me and that I would never amount to something I was told over and over I've never graduate high school. School was not my favourite thing spent a lo…
Hope and healing With Krista Fee 30:53
Krista Fee is a nationally recognized, published author, Mindbody practitioner, Fitness and Nutrition Coach, and Educator. Post-Graduate Student-Neuropsychology PsyD Major-Trauma-PTSD Minor She has worked as a leader in the fitness and nutrition industry for over twenty years. She holds over 45 certifications in specialized brain and behavior scien…
Courage To Shine With Natasha Zuvela 45:40
Natasha Zuvela is an accomplished International TV Presenter having represented billion dollar brands such as Virgin Money, MTV and XXXX Gold. She is also a Professional Speaker, Author, Life Coach and Mother of two. Born in Perth, Western Australia, Natasha grew up with three passions in her life – sport, entertainment and empowerment. Natasha's l…
The Gift of Connection With Daniel Levin 39:42
I walked away from the opportunity to run a muli-billion dollar company to hitchhike around the world to find happiness and inner peace, studied 5 years in a seminary and left 1 day before being ordained and lived as a monk in a monastery for 10 years. I led the growth of hay house from 3million a year in sales to 100 million a year in sales, I am …
Discover the Heart of Human Connection With Amy Collette 36:13
Entrepreneurs and speakers become successful, first-time authors through Amy Collette's Unleash Your Inner Author coaching system. Compelled to share their transformative stories, they discover how to take their powerful messages to the world in a bigger way as authors. Amy is a book coach, publisher, and author whose purpose in life is to raise th…
Stepping Into a More Confident You With Dolores Andrew 19:04
After losing her legal job in the 2009, she realized that there was a recurring pattern in her life that stemmed from a lack of being assertive and using her voice to communicate what she needed in her life and career. She started a journey of reclaiming the parts of her that she had disassociated from and developed the skill of being assertive. Sh…
(Re)Narrative (Re)covery With Andrew Williams 29:41
After being diagnosed with brain cancer, Andrew survived the tumor removal and started his miracle journey of recovery. While recovering, he found his purpose of guiding others to utilize their trauma to move forward in their lives through his life coaching company. Andrew is spreading his message far and wide, "Many times the door we search for ca…
The Power of Change With Bilitis Talagrand 35:20
After dedicating 10 years of her life to the upscale hospitality industry, she made a major shift in her life not only in her career but also her values, worth, health and purpose. Today, Bilitis Talagrand, is the founder of the YouTube Channel, Connexion, where inspiring individuals share their aspirations. She is also a Life and Leadership Coach.…
From Zero to Hero With Efrosyni Adamides 36:01
Efrosyni is a leading global business growth and sales expert who over the past 11 years has built a sales force of over 400,000 people, generating in excess of $1 Billion in revenue in over 50 countries. Her 15 years working in the corporate world led her to become one of the most sought after sales and marketing professionals in the film and medi…
How to find your passion and to never give up With Carl Peter 31:18
Carl Peter is a motivational speaker, award winning body builder, and author of 3 books with the first to be published later this year. Fan page: https://www.facebook.com/omztheroot/?ref=aymt_homepage_panel&eid=ARDCY1Gs0qfYirsDz2Z7NwIkmf6F_kB0865LkRi98sjVf9P8ejF3y5HFAGcNhfEpQrP2rxTeNCyuau3H Facebook group: https://www.facebook.com/groups/2148828471…
Forgive & Conquer With Carol Mortarotti 29:05
Former professional tennis player and New York Stock Exchange gal, Carol, went from having it all to losing it all after experiencing a devastating loss - her ex-husband's suicide in 2011. But as a single mother, she never let herself give up, and she pushed herself to persevere through her hardships and win it all (and even more) back! Today, she …
How to be Super Confident With Martha Mok 45:54
Martha Mok is a super confidence coach, motivational speaker, entrepreneur, multi-award-winning International makeup artist & hairstylist and author of "Don't Survive...Thrive" She guides women who may have had a similar experience as she did, being in an abusive marriage, bullied at school since a young age and sexually molested by someone she tru…
How to have a healthy baby at the age of 39+ With Kimberly Baca 22:49
Fibromyalgia from total incapacitation of walking to feeding myself to 100% vitality and painfree health Change 360 degrees from high stress 6 figure fashion design director in Manhattan to health coach and rejuvenation specialist and strategist Trained as a leader and supported Tony Robbins as leadership and crew for events from 1997 to 2007 Perso…
How to Thrive After the Loss of Your Child With Jessie Legent 39:50
Jessie is a deeply passionate, intuitive and authentic leader. Her mission is to assist you in living life on YOUR terms. After the loss of her son, she rededicated her life to heal herself and help other bereaved mothers thrive. She holds a Bachelor's degree in Human Relations from Concordia University. As well as Post-Master degree in Neuro-lingu…
My Story Part 1 15:47
Ready To Live Your BEST Life? Ignite your courage by putting your purpose on paper in 5-minutes or less HERE: https://www.minh-minh.com/purposeBy Christine Minh-Minh Garner
The Fulfilled Life With Minh Minh 11:10


One day Leo screams and screams and screams, his Dad takes him shopping and so the journey begins through the isles and high above the sky.
Even a journey in a supermarket can be magical.
A Short Animated Film by MewLab , produced by SPID THEATRE, funded by First Light, BFI, Kensington & Chelsea Borough.