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Elizabeth M. Scarce
October 3, 1927 - April 10, 2021
Elizabeth M. Scarce, 93, of Danville, VA she went home to be with her Lord on Saturday, April 10, 2021 at her residence after being in declining health for several months. Mrs. Scarce was born in Durham, North Carolina on October 3, 1927 a daughter of the late Mary Morgan Lane and Garnett L. Morgan. She spent most of her life in the Danville area where she worked for the human resources department at Dan River Mills for twenty-seven years. She then went on to work as the manager of the apparel department at Barbee Fabrics for 25 years. She loved her Lord and Savior and shared her faith through her love of music. Over a thirty-year period, she lead church choirs at Melville Ave, Woodberry Hills, and Rivermont Baptist, where she was also a member. In her spare time, she enjoyed being creative, baking cakes, and taking care of her pets, Buttons and Pockets. On June 3, 1946 she married the love of her life, Floyd Shields Scarce, Jr. who died on November 22, 1995. In addition to her husband she was predeceased by her brother David Morgan. She is survived by nieces, Lori Touart (John), Lydia Landrum (J.), Cindy Pegram (Steve), and Teresa Morgan; her dear friend, Julian Bryant; and numerous great nieces, great nephews, and great great nieces and nephews. A graveside service will be held on Monday, April 12, 2021 at 1:00 PM in Danville Memorial Gardens with Pastor Wayne Johnson and Pastor Joel Fletcher officiating. In lieu of flowers, the family suggests that memorial donations may be made to the American Cancer Society or a charity of your choice. Wrenn-Yeatts North Main Chapel is respectfully serving the Scarce family
Elizabeth M. Scarce, 93, of Danville, VA she went home to be with her Lord on Saturday, April 10, 2021 at her residence after being in declining health for several months. Mrs. Scarce was born in Durham, North Carolina on October 3, 1927... View Obituary & Service Information
The family of Elizabeth M. Scarce created this Life Tributes page to make it easy to share your memories.
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Outlander Author Diana Gabaldon Offers Harsh Criticism of Love Scene in Latest Ep: 'Bad Dialogue, Bad Direction'
By Kimberly Roots / March 22 2020, 8:14 PM PDT
Courtesy of Starz
Outlander's Claire is known for speaking her mind. So it's not that surprising that the woman who created her did that — and then some — after this week's episode.
Author Diana Gabaldon, who penned the series of novels on which the Starz series is based, tweeted her harsh review of part of Episode 6, "Better to Marry Than Burn," Sunday afternoon after the installment began streaming on the Starz app. (The channel airs the show Sundays at 8/7c.)
Gabaldon tweeted that the episode was available, and a viewer replied that the chemistry between lead actors Caitriona Balfe and Sam Heughan seemed off near the end of the hour, during a sex scene in a stable. (Editor's note: I thought the same and mentioned it in my recap, which you can read here.) Gabaldon then replied to the viewer with her take on why the moment didn't work.
Coronavirus Interrupts TV: Which Seasons Will Be Shortened?
"Bad dialogue, bad direction, bad lighting, awkward set," she posted, making sure to defend Heughan and Balfe. "Actors did their level best with what they were given to work with."
In a subsequent tweet, Gabaldon clarified that she was not against the entire hour, just that specific exchange between Mr. and Mrs. Fraser. "Would y'all pay attention?," she wrote. "I was referring explicitly to one 45-second scene, NOT the episode." Later, she added that "Most of it was pretty good."
Gabaldon is a consultant on the Starz series, and she wrote the current season's upcoming Episode 11.
TAGS: Diana Gabaldon, Outlander, Starz
GET MORE: Controversy


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My Shifu (Dharma teacher) is from China. During one of our chats, he suggested that all of us pool some money to buy a piece of land near the mountains. Shifu likes admiring the beauty of nature, he spends most of his holidays (he's a lecturer at Nan-Po-Tuo) at Su-hung, where the mountains and valleys are most beautiful.
All of us were very euthusiatic about this idea. We even discuss how we should layout the piece of land. I think I was going to call my hut 'zi3-zu2-yuan4' (Purple Bamboo Hut). I will grow some bamboo in the courtyard, have a pavement made up with white daisies, every guest will feel very pleasant and relax coming into the hut. Everyday, the river behind the hut sings with its soothing pace and mountain echo the peaceful wind. I think life like that is so simple and perfect.


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Home Resources Resource library News digest Changes made after trainee complaints
Changes made after trainee complaints
NEW measures have been introduced at a hospital following complaints from trainees of long working hours and a lack of consultant support.
An investigation was carried out by West Midlands Deanery following concerns raised by junior anaesthetists at the University Hospital of North Staffordshire Trust.
All 23 junior doctors involved said they would not recommend others to train at the trust and would not want to apply for a consultant post there. A report from the deanery said concerns had been raised about trainees being asked to carry out procedures beyond their competence without the support of the on-call consultant.
Other trainees reported a "bullying culture" where they were asked to start work early and stay past their finishing time in order to help clear waiting lists. There were also concerns that pre-operative checks were not being completed and that training was unsatisfactory with no "structured in-house protected teaching time".
Following the deanery investigation, the trust said it had introduced a number of measures to address the issues, including the introduction of better team briefings, the recruitment of extra consultants, extra time for pre-operative assessment and the development of a new code of conduct for theatre staff.
Trust chief executive Julia Bridgewater told HSJ: "The deanery report highlighted some issues. As a result we had external support to help us work through them and significant progress has been made. A re-visit has shown most of the issues have now been resolved.
"We have met both trainees and consultants and conveyed our need to be flexible for our patients' sake. We have to balance the needs of patients against the need to train doctors."


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Fashion Exposé
April 4, 2017 Alastair Hadden
For two decades, the annual Fashion Exposé runway show has given College of Textiles students — and the wider Triangle design community — a spotlight for their talent and tenacity.
Organized by the African American Textile Society (AATS) at NC State, Fashion Exposé is the longest-running student design competition on campus. As part of Pan-Afrikan Week, the 20th anniversary show was held in the ballroom of Talley Student Union on Apr. 6, 2017.
Fashion Exposé has always been a student-run affair. Since the show's beginnings in 1997, everything from funding to staging has been taken on by passionate AATS members and their friends.
"It's an all-year thing," says Ashley Williams, a junior in textile technology and co-chair of this year's Fashion Exposé alongside Deja Richards and Kiah Pinkney. "As students, we come in for a retreat at the beginning of the year, we start to think of dates that we're going to do fundraisers, what days are we going to do model calls, which companies are we going to reach out to for sponsorship …"
The show typically features scores of student models and more than a dozen student designers competing across two categories: "Novice" and "Intermediate and Beyond." Both categories offer a scholarship reward for their respective winners, but the designers are quick to credit the many other resources available to them through the college.
"I'm going to miss our studio," says Sarah Nicholson, one-half of a senior design team with Anna Page. "The machines, the technology we have. We have every single type of sewing machine you could ever need. Every kind of software. It's going to be a sad day when we wake up after graduation and can't use that anymore."
While Nicholson and Page are seasoned designers, the inclusion of a "Novice" category in Fashion Exposé is testament to the show's welcoming vibe: First-time entrants are invited to develop their skills and confidence by taking part.
"You're going to see a wide variety of designs — and skill levels, too," says Delisha Hinton, a College of Textiles alumna who now serves as the college's associate director of student services for recruitment and diversity. "We've seen students who are in their beginning stages, just getting started, and students who have done it year after year and then have gone off and participated in Charleston Fashion Week."
Because the College of Textiles is a close-knit family within NC State, those alumni tend to come back to show — and give back to the community. Hinton highlights the ongoing involvement of alumni such as Joelle Bond, who is now completing a master's in fashion at the Savannah College of Art Design and has designs in the storefront of Neiman Marcus. Bond is set to appear at an upcoming "Dessert With a Designer" event within the college.
Another alumna, Jasmine Flood — a former Park and Centennial Scholar who has designed for Disney and seen her products featured in Birchbox — also returns often to speak to current students. Flood is an exemplar for the complete pipeline of textiles education at NC State, having taken part in the college's Summer Textile Exploration Program (STEP) camps while she was still in high school.
"It gives students the opportunity see an alum who's been able to make some of those initial stepping stones in the fashion world," says Hinton.
The African American Textile Society was created nearly three decades ago with the goal of weaving a network and support system for students of color within their college. It serves to connect those students with one another, with industry and business leaders, and with students of all backgrounds across campus.
"Finding that organization that's willing to support you, be a mentor and basically introduce you to textiles and the campus in general — it's very vital." says Danielle Marble, the current society president and a junior in fashion and textile management. "Once you connect with AATS, you feel like you have automatic family. Anybody can join if you're down for the cause and you're motivated."
While the AATS is responsible for the decades-long success of Fashion Exposé, their wish is for the show to be enjoyed by the widest possible community — one that extends beyond the College of Textiles or even the NC State campus.
"Our student designers are very diverse, but they all have a love and a passion for what they do, which is what you'll see at the show," says Williams. "I think people will be really surprised and happy to see that even with juggling all their schoolwork and course load, students are taking the time to find their passion and work towards it."
Support NC State Textiles
african american textile society
centennial scholars
college of textiles
fashion expose
summer textile exploration program
Chiedu Chukwumah says:
Wow! I'm so excited I have run across this article and event. I will definitely be in attendance today. My name is Chiedu Chukwumah and I am a graduate of the College of Management. I just recently started an African inspired clothing line and I hope to connect and work with the AATS.
Moving Forward Together: 5 Questions With GLBT Center Director Jonathan McCorey
NC State to Hold Fall Commencement Ceremony on Thursday


The Gemstone Forecaster has one important problem with the methodology of this report. Of course, we do not know Peter A. Natale, the Manhattan jeweler utilized by the WSJ to verify the purchases. What we find unusual is that here is a jeweler who believed he was expert enough to disagree with the GIA's grading of Ashford.com's one carat, G color, VS2, but refused to grade Blue Nile's one carat, G, VS2 diamond because it had an IGI grading report. It is even stranger to us because he probably had all the stones together, including two other GIA graded G-VS2's. We find this extremely suspect and it does not make sense.


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Olivia Wilde Thanks Strangers For Helping When Son Otis Had A 'Meltdown'
Frazer Harrison / Getty Images
Olivia Wilde is an actor and director, but she is also a mother who runs into the same problems as other moms out there, and she took to Twitter to thank those people who were willing to lend a hand.
People Magazine shared a story from Wilde who was at a restaurant with her children Otis, 5 and Daisy, 2 when the little boy got crabby. Wilde said Otis had a "level 10, defcon 1, couldn't-control-his-body meltdown," that was very stressful for her as a parent.
The director of the movie Booksmart explained that the restaurant was crowded, her child was melting down, but her faith in humanity was restored as people were helpful. She explains she was holding Daisy and four shopping bags when things got rough.
"The place was packed and we were very much on display. I was in way over my head. I stayed calm but I was kind of crumbling inside. In the midst of the madness, 2 strangers, a young man and woman, approached and asked if they could help."
Wilde tweeted that she had trouble initially admitting that she needed help balancing both kids, but finally gave in and said yes and allowed the two to help her manage the situation.
Olivia Wilde showed off her incredibly toned body in a dark orange swimsuit when she had the time of her life with her two kids, Otis and Daisy, on a beach in Hawaii.https://t.co/hs0vHjSykj
— Luca Forzin (@Luca_Forzin) June 19, 2019
The House actor said that admitting to strangers that she was in need of help was humbling.
"I swallowed my pride and said yes, please, and they walked with us, placed my stuff into my trunk, and even put my daughter in her car seat, while I tried to soothe my son. I thanked them and they said, 'hey no problem. We all have days like this.'"
She continued saying that she was so grateful by the act of kindness that she wanted to tweet about it to say that it restored her faith in humanity, and thank you.
This has been a big year for Wilde as she made her directorial debut with Booksmart and launched it at the SXSW Festival, explains The Inquisitr. The film, which stars Beanie Feldstein and Kaitlyn Dever, is a coming of age movie about the transition between being a high school student and heading off to college.
Wilde said that she wanted to make a movie like those which formed her own adolescence, like Breakfast Club, Dazed And Confused, and Fast Times At Ridgemont High. "These are movies that shaped me, and they helped me get through life, and they inspired me."


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A chapter in a new book on
preaching launched today
I am missing the launch of a new book, Perspectives on Preaching: A Witness of the Irish Church, in Christ Church Cathedral, Dublin, this evening [22 January 2018].
I am one of the 12 contributors to this new book, published by Church of Ireland Publishing (CIP) in conjunction with the Church of Ireland Theological Institute (CITI). It is being launched this evening by Bishop Ken Good of Derry and Raphoe, in the Music Room of Christ Church Cathedral, Dublin.
The new book, featuring contributions from a wide range of notable preachers and theologians, has been edited by Canon Dr Maurice Elliott, Director of CITI, and the Revd Dr Patrick McGlinchey, Lecturer in Missiology and Pastoral Studies at CITI.
My chapter is titled 'Preaching and Celebrating, Word and Sacrament: Inseparable Signs of the Church' (pp 77-90).
Dr Elliott says the book has been produced with 'the underlying conviction that biblically-grounded, Spirit-filled and culturally-relevant preaching is a sine qua non for the health of any local church.' He continues: 'The place of preaching needs urgently to be re-established as a consummately noble one within the life of every Christian congregation.'
Before this evening's book launch, Bishop Ken Good said: 'I warmly welcome this publication. A recurrent theme in it is the need for the preacher not only to stretch people's minds but also to move their hearts. I have to confess that my heart was excited as I read these preachers' convictions about God's transformative power being released through the spoken word.'
He continued: 'Here we are reminded that the preacher, during his or her preparation, must be the first one willing to be touched by the Christ–centred message they are making ready to deliver. Then, as they speak out the message with authenticity and vitality, the hearts and minds of their congregation can be rekindled by the Holy Spirit in a way that enables influence for Christ to radiate out into the community. There is much in this book to encourage preachers and to raise their confidence in what God can accomplish in the Church and in the world through this vital ministry.'
In 12 chapters, this new publication engages with the themes of preaching Scripture, denominational charisms and preaching to the culture.
The editors have been my colleagues on the academic staff at CITI. Dr Elliott writes 'On the Book of Common Prayer and the task of preaching,' and Dr McGlinchey writes about 'Preaching to the De-Churches and Unchurched in Contemporary Ireland,' and also pens the 'Conclusions' to this book.
In addition to me and the editors, the contributors are:
Archbishop Richard Clarke of Armagh, who discusses ''The business of preaching and the world of literature.'
The Revd Dr Shane Crombie, curate in the parish of Tullamore, Co Offaly, in the Diocese of Meath, who reviews 'The Roman Catholic Experience.'
The Revd Dr Brian Fletcher, a former President of the Methodist Church in Ireland, who writes about 'The task of preaching: a Methodist perspective.'
The Revd Barry Forde, Church of Ireland chaplain at the Queen's University, Belfast, who writes from his own experience about 'Preaching in a university context.'
Bishop Ferran Glenfield of Kilmore, Elpin and Ardagh, who asks: 'What does Scripture say about preaching?'
Dr Katie Heffelfinger, lecturer in Biblical Studies in the Church of Ireland Theological Institute, who examines 'Emotion and Encounter in the witness of Israel's Prophetic Poets.'
Bishop Harold Miller of Down and Dromore, who looks at 'The Preacher: the Person and the Passion.'
The Very Revd Dr Trevor Morrow, Minister Emeritus of Lucan Presbyterian Church and a former Moderator of the General Assembly of the Presbyterian Church in Ireland, who discusses 'Preaching in the Reformed tradition.'
The Revd Dr Robin Stockitt, Rector of Donemana and an adjunct lecturer at CITI, discusses 'Narrative Preaching.'
In the first part of the book, Bishop Glenfield, Dr Heffelfinger and Dr Stockitt look at 'Preaching Scripture.' Dr Morrow, Dr Fletcher, and Dr Crombie join me in contributing to the second part that looks at 'Denominational Charisms.' In the third part, the other contributors examine 'Preaching to the Culture.'
In all, eight of the 12 contributors are from the Church of Ireland. If there are weaknesses in this book then, perhaps, then they include the fact that apart from Archbishop Clarke and me, the other six Church of Ireland contributors approach the topic from an evangelical, and even a 'conservative evangelical' perspective.
Indeed, Dr McGlinchey, in his conclusions, seems uncomfortable with my 'style of churchmanship' and my paper, saying my 'perspective does marks a seeming dissonance within the volume.'
Perhaps there might have been less dissonance and more balance if I was not the only person from position within Anglicanism who was invited to contribute to this volume. Indeed, I seem to be the only writer who discusses Patristic sources for the place of preaching within the Liturgy, there is only one Roman Catholic writer, and there is no Orthodox voice among the contributors.
The 242pp book sells at €11/£10. It is available at this evening's launch and is also available through this link: https://store.ireland.anglican.org/store/product/140/perspectives-on-preaching-a-witness-of .
Posted by Patrick Comerford at 18:30 No comments:
Labels: Book reviews, Books, Christ Church Cathedral, Liturgy, Preaching
Limerick says farewell to
'a convinced advocate
of truth, love and peace'
Inside Saint Joseph's Church, Limerick … thousands lined up yesterday to say their final farewells to Dolores O'Riordan (Photograph: Patrick Comerford, 2018)
People lined up in their thousands in Limerick for several hours yesterday to pay their respects and to say their goodbyes to Dolores O'Riordan as her body lay in repose in Saint Joseph's Church on O'Connell Avenue.
This was the church where she made her first Communion, where she was confirmed, and where she went to church regularly when she went to school nearby.
Bishop Brendan Leahy, who met her family and her coffin at the church, said the day was Limerick's public moment to bid farewell to Dolores O'Riordan. He said people had come to offer a heartfelt greeting to a deeply loved and cherished daughter of Limerick, a talented representation of the potential of Limerick people, and a convinced advocate of living life in truth, love and peace.
The lead singer of the Cranberries died last Monday at the age of 46. Her body is being taken to Cross's Funeral Home in Ballyneety, this afternoon, followed by removal this evening to Saint Ailbe's Church in her native Ballybricken.
Her funeral Mass takes place tomorrow morning [Tuesday] in Saint Ailbe's Church, and a private family burial will follow the Mass.
I found myself yesterday listening a number of times to her song Zombie, the protest song recorded by the Cranberries. She wrote the song about the 1993 IRA bombing in Warrington, and in memory of the two young victims, Johnathan Ball and Tim Parry.
Three-year-old Johnathan Ball was killed when two bombs hidden in litter bins detonated on a busy shopping street in March 1993; Tim Parry, aged 12, died five days later.
The song was released in September 1994 as the lead single from their second studio album, No Need to Argue. The song reached No 1 in the charts in many countries, won the 'Best Song' award at the 1995 MTV Europe Music Awards.
Dolores O'Riordan wrote the lyrics and chords of Zombie during the Cranberries' English Tour in 1993.
The Rough Guide to Rock said Zombie had an 'angry grunge' sound with 'aggressive' lyrics. AllMusic said dismissively that the song 'trivialised' the events of the Troubles, and that the 'heavy rock trudge' of the song did not play to the band's strengths.
But Dolores O'Riordan said: 'This song's our cry against man's inhumanity to man; and man's inhumanity to child.' Her pain was real: Zombie was a visceral response to the murder of those two children in Warrington, and a seething condemnation of the IRA. It was backed by pummelling, distorted guitars while O'Riordan's lilt was contorted into a primal howl:
What's in your head, in your head?
Zombie, zombie, zombie-ie-ie, oh.
She was on tour at the time and found herself deeply affected by the tragedy.
'I remember seeing one of the mothers on television, just devastated,' she would recall. 'I felt so sad for her, that she'd carried him for nine months, been through all the morning sickness, the whole thing and some … prick, some airhead who thought he was making a point, did that.'
She was particularly offended that terrorists claimed to have carried out these acts in the name of Ireland. 'The IRA are not me. I'm not the IRA,' she said. 'The Cranberries are not the IRA. My family are not.'
She added: 'When it says in the song, 'It's not me, it's not my family,' that's what I'm saying. It's not Ireland, it's some idiots living in the past.'
Her anger and frustration poured into the song, which she wrote alone in her flat in Limerick on an acoustic guitar, before toughening it up in rehearsals.
The song was released in September 1994 and soon became the band's biggest-selling single.
Her lyrics were criticised by some people who called her naive and accused her of taking sides in a conflict she did not understand.
But she responded: 'I don't care whether it's Protestant or Catholic, I care about the fact that innocent people are being harmed. That's what provoked me to write the song.'
The song was a highlight of the Cranberries' concerts, regularly acting as the closing number. Later it became an anthem for innocent people trapped by other people's violence. In the 1990s, she would regularly dedicate it to the citizens of Bosnia and Rwanda; and her message applies equally to recent attacks in Manchester, Paris and Egypt.
The official version of the video has been viewed more than 660 million times on YouTube, making it the 210th most-popular video of all time on YouTube.
In 2011, Archbishop Justin Welby, when he was Dean of Liverpool, invited me to preach at the Annual Judges' Service in Liverpool Cathedral. In my sermon, I pointed out that the Warrington bombers who murdered Tim Parry and Johnathan Ball in 1993 'never faced justice.'
'This was a tragedy that struck me personally, for Johnathan's mother was Marie Comerford,' I said. 'In 2001, the parents of these two young boys met Sinn Féin's Martin McGuinness. After the meeting, Martin McGuinness declined to say whether he had apologised to those parents on behalf of the IRA.'
'The Warrington bombers never faced justice, and no mercy was shown to their victims by a man who is now a presidential candidate in the Republic of Ireland,' I said at the time. And I asked: 'Is it any wonder that Marie Comerford died of a broken heart …?'
Two years later, Martin McGuinness said the Warrington bombings were a 'shameful' act. Speaking before of a lecture he gave at the Tim Parry Jonathan Ball Peace Foundation in Warrington, he said he was sorry that the two boys had been victims of the Troubles. But his apology was qualified as he added that Irish children had died too and said it was important that everyone now recognised peace was the only way forward.
Last week, Colin Parry's father Tim Parry learned for the first time that Dolores O'Riordan's song Zombie had been inspired by his son's murder. He told BBC's Good Morning Ulster programme he had been touched by the lyrics but had not known their significance until after the singer's death.
'I was completely unaware what it was about. My wife came home from the police centre where she worked yesterday and told me the news,' he said. 'I got the song up on my laptop, watched the band singing, saw Dolores and listened to the words.'
'The words are both majestic and also very real,' he said. 'To read the words written by an Irish band in such compelling way was very, very powerful.'
And perhaps it is that message of defiance, peace and solidarity that will be the legacy of Dolores O'Riordan.
Zombie by Dolores O'Riordan:
Another head hangs lowly
Child is slowly taken
And the violence caused such silence
Who are we mistaken?
But you see, it's not me
It's not my family
In your head, in your head, they are fightin'
With their tanks, and their bombs
And air bombs, and their guns
In your head, in your head, they are cryin'
In your head, in your head
Zombie, zombie, zombie-ie-ie
Zombie, zombie, zombie-ie-ie, oh
Du, du, du, du
Another mother's breakin'
Heart is takin' over
When the violence causes silence
We must be mistaken
It's the same old theme
Since nineteen-sixteen
In your head, in your head, they're still fightin'
In your head, in your head, they are dyin'
What's in your head, in your head?
[Instrumental Outro]
Labels: Limerick, Music, violence, War and peace
A chapter in a new book on preaching launched toda...
Limerick says farewell to 'a convinced advocate of...


text:
http://tvtropes.org/pmwiki/pmwiki.php/Main/SpookySeance
Spooky Séance
Create New - Create New - Analysis Characters FanficRecs FanWorks Fridge Haiku Headscratchers Laconic PlayingWith Quotes Recap ReferencedBy Synopsis Timeline Trivia WMG YMMV
Bullwinkle: Eenie meenie chili beanie, the spirits are about to speak!
Rocky: Are they friendly spirits?
Bullwinkle: Friendly? Just listen.
— Rocky and Bullwinkle
A séance is an attempt to communicate with the spirits of the dead, usually involving a gathering of individuals who sit down around a table and led by a medium.
Séances were popular forms of entertainment around the mid-nineteenth and early twentieth century, during which time many people became interested in spiritualism and the occult. Usually the medium would attempt to contact the spirits while asking everyone else in the room to concentrate on summoning and welcoming them. Real séances did not require a dark room, just a pleasantly peaceful atmosphere. The darkened room came into vogue when people started trying to produce materialized "phenomena" — most of which you could buy from theatrical supply companies.
The lights may flicker or the room suddenly grow colder, and the medium would either become possessed by the spirit that was summoned or merely speak with it. Objects might start being thrown about the room to show that the ghost is present and active. Once for Yes, Twice for No is another common element (and it's Truth in Television). After that there's usually a lot of dramatic screaming and fainting.
Sometimes the séance is revealed to be a hoax created by a Phony Psychic, although it still may turn out to be Real After All...
If it's a murder mystery, expect someone to take advantage of the lights being out to kill their target. "But we were all holding hands!"
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Necronauts: Sir Arthur Conan Doyle is part of a seance in London when the summoner is possessed by the Sleepers in the Void and rips his own face off. This is a sign to Arthur that he needs to help his friend Houdini.
Fan Works
Disney's Haunted Mansion ride includes a spooky séance presided by the ghostly medium Madame Leota. In Haunted Mansion and the Hatbox Ghost, a Fan Verse based on the attraction, it is quite natural to have Madame Leota and her Séance Room having a role.
Films — Animation
In Disney's Robin Hood, Robin, disguised as a Gypsy fortune-teller, stages a fake séance as a distraction while he and Little John rob Prince John.
Films — Live-Action
Subverted in the opening of Amityville 3-D, where the seance turns out to be a laughable hoax.
In And You Thought Your Parents Were Weird!, teens perform a séance and accidentally summon the late father of one of the participants.
In Bill & Ted's Bogus Journey, after Bill and Ted get killed, they find somebody they know holding a séance and try to get a message through. They're mistaken for evil spirits, and dismissed.
The Changeling: (1980) has a particularly spooky séance scene where the medium attempts to contact the ghost in the house, is put in a trance and draws the ghost's answers to her questions on paper. It is absolutely terrifying.
Full Circle features a disturbingly successful attempt.
Ghost: Whoopi Goldberg plays a Phony Psychic conducting fake séances for money, who, to her surprise, actually does manage to communicate with the dead.
The Haunting in Connecticut features one character's psychic flashbacks to a séance that took place in the Haunted House long ago, in which an adolescent boy channels ectoplasm from his mouth.
A very typical phony séance is shown toward the end of Tony Curtis' 1953 Houdini. Harry Houdini really did expose fake mediums for many years.
After having accidentally received a MacGuffin from a Nazi spy posing as a Fortune Teller in Ministry of Fear, Ray Milland traces the fortune teller to London. He finds a completely different woman by that same name, who works as a medium, and promptly has her join her spooky seance. Just as the medium is uttering some things that make Stephen really uncomfortable, a shot rings out, and Stephen is framed for murder.
Night of the Demon features a séance where the medium channels the spirit of a researcher killed in the beginning of the movie, who provides some crucial information to his niece and his co-worker (who dismisses the séance as prearranged bunk).
The Others has one. The protagonists are being contacted by the very much alive new residents of their house.
Played for laughs, then chills in Paranormal Activity 2, in which Ali and her boyfriend use a Ouija board to try to contact the spirit haunting Ali's family and her little brother Hunter. When asked what the spirit wants, the planchette first spells out "PUSSY" (the result of the boyfriend being mischievous), and then spells out "HUNT" before Ali calls it off. The implication that the demon was spelling out "Hunter" is clear.
Sherlock Holmes: The Hound of the Baskervilles (1939) Dr. Mortimer's wife performs one.
In The Uninvited (1944), Rick stages a phony séance to convince Stella that her dead mom wants her to leave the house, only to have Mom ( her real mom, that is!) actually show up and explain that she's trying to protect the girl. We see in this picture the old-time spelling glass, a homemade device which was eventually replaced by the Ouija board.
The Mystery Science Theater 3000 favorite, The Wild World of Batwoman, features a séance scene for, quite frankly, no real reason at all. The ethnic slurs incurred make it a scene best not discussed in polite company.
Happens in the 1940 Kay Kyser musical You'll Find Out. Bela Lugosi is the medium, Prince Saliano. Various weird effects include the use of the Sonovox for spirit voices.
Blithe Spirit has Mme. Arcati. She's the genuine article and speaks quite matter-of-factly about it. Looks like Noel Coward Did the Research as her focus on health and exercise is actually recommended for mediums in Spiritualist manuals. Her hesitance to eat meat right before a session is also textbook.note Dame Margaret Rutherford, who plays Mme. Arcati in the 1944 film version, really was a Spiritualist.
The documentary No One Dies in Lily Dale is worth watching to see what today's Spiritualist camp villages, seances and mediums are like.
"Proper" séance techniques are discussed in the "How to Contact the Dead" chapter of The Action Hero's Handbook.
In a Noodle Incident from Tim Powers' The Anubis Gates, a séance was being conducted at the site of one of the gaps in time. As these gaps cause magic to start working in their vicinity, this séance presumably got results; just what result, no one knows, as the participants were all found dead the next day, sitting around their ouija board with horrified looks on their faces.
The Bible: King Saul, after God ignores his inquiries as to how to defeat the Philistines, turns in desperation to a medium (or "witch") in Endor and asks her to raise Samuel's spirit. (The irony was that Saul had previously cracked down on all necromancy within the Kingdom of Israel.) The medium, though recognizing Saul despite his disguise and suspecting entrapment, complies, and Samuel's spirit appears as an elderly man in a robe, none too pleased to be woken from his eternal rest. He curtly tells Saul that the next day he and his sons will die in battle, and sure enough, guess what happens.
It's intensely argued whether or not it was actually the ghost of Samuel or if it was some other spirit posing as Samuel, but most Biblical scholars agree that the witch of Endor called up something, and the news was not good.
Angela in Shirley Jackson's never-finished Come Along With Me is a (real) medium. However, because the spirits tend to come to her at random, she isn't always sure that when she holds an actual sit-down seance she's going to be able to talk to the sitters' loved ones. Their messages don't fit the sitters' preconceived notions either, and they leave unsatisfied.
Willie Connolly in J.R. Lowell's Daughter Of Darkness is being violently haunted by her own mother after casting a Ritual Magic spell that caused her to kill herself (not Willie's intention). She attends a séance to try to apologize, although she's pretty sure the mediums are phonies. They are, but Mom actually shows up and wrecks the place. She later apologizes, repeatedly communicating "Don't hurt Willie".
A Drowned Maiden's Hair, by Laura Amy Schlitz, revolves around séances conducted by the Hawthorne sisters.
Elemental Masters: In The Wizard of London the heroes debunk a Phony Psychic, then a real ghost appears at the end of the séance.
In chapter 4 of The Exorcist (novel), a Jeane Dixon Expy at Chris' party reveals a little-known story (sans names) about a phony medium who had studied to be a Jesuit priest. A French empress at a séance felt what she thought was a spirit child's hand touching her, and someone turned on the lights to reveal the medium "with his naked foot on the empress' arm." It's Truth in Television: the empress was Eugénie Montijo note she is the Empress with the sick child in The Song of Bernadette, and the medium was D.D. Home . This story was buried for over a century; the fact that Blatty found it is testimony to his intense research.
Good Omens has Madame Tracy, fake medium, and a scene where a séance unexpectedly produces real spirits.
Zilpha Keatley Snyder has the children hold a séance in The Headless Cupid. Amanda has been teaching her step-siblings the basics of Psychic Powers, witchcraft and ceremonial Ritual Magic. She really attempts to contact the dead, but in case they don't show up, she has a few tricks planned to satisfy the others.
"Angel Down, Sussex" by Kim Newman begins with the heroine, Catriona Kaye, at a fake séance, which she proceeds to mercilessly deconstruct. (Arthur Conan Doyle makes a guest appearance in the story.)
In Newman's novel Jago, Catriona is present at a séance that attracts a genuine spirit — not a ghost, however, but an Astral Projection with an Ominous Message from the Future.
Nina Tanleven: An atypical version occurs in The Ghost Let Go when Nine and Chris, who can already see Mrs. Smiley's ghost, work to bring Dolores Smiley into the link so she can see and communicate with her mother's spirit and, by making peace with her, allow her to pass on.
A.S. Byatt's Possession has a kind of sub-subplot devoted to séances and exposure of phonies. Randolph's and Christabel's last meeting is at one of these. While it's possible something psychic did happen, there's also some fakery, which Randolph exposes. He calls this his "Gaza Exploit", comparing himself to Samson tearing down the Philistine temple, and writes "Mummy Possest", a poem about fake mediums. This is based on Truth in Television with Robert Browning (see below).
A fancy séance is very prominent in Rim Of The Pit.
In Sword of Truth, the Mud People have the power to call a gathering of ancestors. With a firm grasp on the Idiot Ball, Richard decides to become a Mud Person so he can perform such a ceremony, despite being the son of the first book's villain.
The Time of the Ghost by Diana Wynne Jones has a scene where the Ghost tries to get through to her sisters while they're messing around with a ouija board. She has trouble making the board say what she wants, partly because one of the living participants is surreptitiously steering it to say something else.
In Watersong, Marcy convinces Harper and Alex to try holding a seance to ask the ghosts of the sirens' victims to tell them Gemma's location. She defies a lot of the normal tropes by holding it outside and during daytime, calling the others ignorant when they ask if it shouldn't be done around a table at night. The seance does manage to call some spirits which light a candle with blue flame and move some rocks, but they are unhelpful in determining Gemma's location.
Live-Action TV
Subverted in Angel when the Wolfram & Hart psychic is called in to clear their Haunted Headquarters. She turns out to be a pretty blonde griping about missing her pilates class, who says she's going to "mutter a few calming words" to set the mood. When Fred asks if they should be Holding Hands she replies, "Only if you're lonely. Now, zip it and let me do my sweet funky." Then it gets creepy when she starts bleeding from the nose and her head explodes.
Buffy the Vampire Slayer had these in "I Only Have Eyes For You" to exorcise the school from a school ghost who shot his teacher before he met his demise and "Where The Wild Things Are" to exorcise the Lowell House from the Living Memory spirits created from the orphans' negative emotions.
This was, of course, a staple of Dark Shadows. Resulted in Victoria being sent to the past, having been swapped with a person from that time. Odd result of a séance, but hey.
Doctor Who:
In "The Unquiet Dead", they hold a séance to find out what's going on. It turns out to be Energy Beings rather than actual ghosts.
"The Name of the Doctor": Vastra's psychic cross-time "conference call" has something of this vibe, including an actual ghost (River Song, who's speaking from the Library).
George Furth conducts one for Ruth Buzzi on The Monkees episode "A Coffin Too Frequent".
One occurs in the second episode of Penny Dreadful. Somewhat surprisingly, given that it's being put on at a party, the medium turns out to be quite genuine, although she still ends up terrified when it turns serious. Expecting to simply be indulging a few silly Victorian socialites, she's rather overshadowed when Vanessa channels three or four different entities, not all human, none of whom are very happy with the man sitting across from her, and who let that fact be known without regard for the language or content usually expected at a society party.
Professor Quentin E. Deverill, the protagonist of the early '80s adventure series Q.E.D., debunks a phony séance during the course of his first investigation in London. The "medium" then sics his henchmen on the Professor, which ends badly for them.
There is one in the third episode of Ravenswood. It doesn't go well.
A séance (the "Argelian empathic contact") occurs in the Star Trek: The Original Series episode "Wolf in the Fold".
In The Suite Life of Zack and Cody episode "The Ghost in Suite 613", the cast investigates a purportedly haunted room in the Tipton and attempt to contact the ghost of a woman who died in there. It takes a spooky turn when the cast minus Zack disappears during the seance and Zack gets scared out of his mind, however it's later revealed to be nothing but a prank on him in revenge for all the pranks he's pulled.
There is one in The X-Files episode "Closure" in which Mulder finds out what happened to his sister Samantha. In the middle of searching for a missing little girl (not Samantha), Mulder encounters a self-professed psychic, who claims that both girls were taken by "walk-ins" (read: killed) to save them from a horrible fate on earth.note They did get that right. A walk-in is a spirit who enters the body of a living child or adult, sometimes to save them from abuse, and thereafter pretends to be that person. The original soul may go on to heaven, return later, or stay around forming a cooperative team. Many quite sane, rational people who are not at all into "spiritual" things have reported having this experience. This psychic begins to have visions of Samantha, as Mulder is tracing her whereabouts after her abduction, and holds the séance to help Mulder find resolution with what happened to her. The seance is successful, leading to a touching scene between Mulder and Samantha, who is revealed to be dead. However, being Mulder and Scully, the scene could not escape the show's habitual deadpan snark:
Scully: Oh, yay. A séance. I haven't done that since high school.
Mulder: Maybe afterwards we can play "postman" and "spin the bottle".
The Beatles in "Cry Baby Cry":
At twelve o'clock a meeting 'round the table for a séance in the dark
The voices out of nowhere put on 'specially by the children for a lark
The "Séance" mode in The Addams Family, complete with the Power disrupting the movement of the pinball.
Call of Cthulhu.
Campaign The Fungi from Yuggoth. The investigators can have Paul LeMond perform a séance to bring forth the spirit of Nophru-Ka.
Adventure Pursuit to Kadath. In the Back Story, the PCs participate in a séance that releases a spirit of great evil.
Mysterium: The conceit of the game is that most of the players are psychics holding a seance, while the remaining player is a ghost trying to communicate with them.
Noël Coward's play Blithe Spirit (no relation) begins with a séance, which causes Charles's first wife to appear. Hilarity Ensues.
In the opera The Medium by Gian Carlo Menotti, Baba (aka Madame Flora) is a Phony Psychic and alcoholic, who fakes séances with the help of her daughter and a mute boy she took in. During one of her séances, she feels an icy hand grab her throat. It is never revealed whether it was supernatural in nature, or just her imagination.
She subsequently confesses to her clients that she was faking everything — and they refuse to believe her. They think she believes she was faking but actually did contact spirits — which is exactly what she's terrified of.
The play The Thirteenth Chair by Bayard Veiller uses this as a murder mystery setup.
A séance is held in the indie Adventure Game Ben Jordan : Case 4: Horror at Number 50.
Dark Fall: The Journal: Jonathan Boakes's previous game, includes a ouija board through which you can ask ghosts questions.
One of the levels in Ghost Master has a couple of college students performing a séance in the basement of a frat house. Thanks to you, they get much more than they bargained for.
The Hound Of Shadow: This Lovecraftian Interactive Fiction game begins with one.
The Lost Crown: One of Nigel's first experiments is a one-man séance using an upside-down teacup, that rattles around when he asks the spirits questions.
The Room 2 devoted an entire chapter of puzzles to this concept. You end up in the room of a Phony Psychic who decided it was Real After All and then conducted a seance that probably went horribly wrong. As you solve the puzzles, flickering lights and flying objects let you know when you've hit a solution.
One of these is part of a puzzle in Sam & Max: Beyond the Alley of the Dolls.
"Mortimer Moleman, your entrance is cued. To conquer your stage fright, just picture us nude."
The chamber in which a medium regularly performs this trope is the setting for one chapter of The Room 2. The medium herself isn't present, but a box and cards used in her rituals is there, as is a letter scolding her for leaving her accomplice out of her latest scam.
Ace Attorney: A formal spirit channeling is done this way. However, it's usually unnecessary and Maya often channels Mia with barely a moment's notice.
New Danganronpa V3: In Chapter 3, a seance is held by the students in an effort to determine who killed the latest victim. It goes awry when the spirit medium gets killed too.
On Rocko's Modern Life, Rocko and Heffer attend a séance where the fortune-teller summons Mortimer Khan (Genghis' lesser-known brother), who recognizes Heffer as the reincarnation of someone who betrayed him through incompetence and haunts him as revenge.
On a "Treehouse of Horror" opening of The Simpsons, the titular family is conducting a séance, with Ned Flanders present, summoning the spirit of the late Maude Flanders.
The SpongeBob SquarePants episode "Séance Schméance" has SpongeBob and Mr. Krabs holding one to uncover a long-forgotten sandwich recipe.
Spiritualism began as a couple of kids talking to a ghost in their house, and quickly evolved into a political movement allied with the Quakers, advocating the emancipation of women, and strongly abolitionist. It was called Modern Spiritualism to distinguish it from similar practices that are Older Than Dirt. It was extremely popular between 1848 and the early 1900s. So many revolutionary discoveries were made, especially the telephone, telegraph and radio — the "Internet" of that time — that the idea of communicating with the afterlife didn't seem far fetched. Many how-to guides were written: A Guide to Mediumship is one of the most sensible. Spiritualism is also a religion , guided by principles and ideas that will be familiar to anyone with a working knowledge of New Age doctrine.
Harry Houdini (in Real Life and in the Bio Pic Houdini) went to many Fortune Tellers and whatnot trying to communicate with his mother on The Other Side, but all were bunk and he became a semi-professional debunker.
Conversely Arthur Conan Doyle was a great believer in spiritualism, including séances.
Mary Todd Lincoln consulted mediums to talk with her dead children. Abe went along out of curiosity. Contrary to popular myth, Abe did not claim that spirits wrote, or persuaded him to write, the Emancipation Proclamation.
Teenage trance medium Nettie Colburn Maynard, however, had a sitting with Lincoln in December 1862 concerning when he should sign the Proclamation into law, as advisers were pressuring him to wait. The impressively worded answer , possibly from Daniel Webster, was that Lincoln should stand by his own convictions.
Other serious investigations of Spiritualism were made by Queen Victoria, Horace "Go west, young man" Greeley, Booth Tarkington (author of Alice Adams), Beethoven, Marie and Pierre Curie and Pierre's brother Jacques, and Elizabeth Barrett Browning.
Her husband Robert Browning was less than impressed, having caught famed "rock star" medium D.D. Home red-handed two years before the incident in France described above. Browning's poem about D.D. Home's fraud is "Mr. Sludge, the Medium ".
Dan Aykroyd's family has had several mediums, including his father and grandfather. He is a committed spiritualist himself.
Today's Spiritualist environments and practices are documented by photographer Shannon Taggert . Her forthcoming book is called Seance: Spiritualist Ritual and the Search for Ectoplasm. Here, she gives more details about her work and a little history. Christine Wicker's Lily Dale tells the story of the oldest Spiritualist camp town.
Spirit Advisor
Haunted Index
Spooky Silent Library
The Spook
ImageSource/Photography
Super-Trope
Spoiling Shout Out
AlliterativeName/Tropes S to Z
Spotlight-Stealing Squad
Spooky Photographs
Horror Tropes
Spring-Loaded Corpse
Secret Underground Passage
Index of Gothic Horror Tropes
Supernatural Aid


text:
d'Amico Widens Net Loss but Bullish on 2019
Illustration. Image Courtesy: Pixabay under CC0 Creative Commons license
Italian tanker shipping company d'Amico International Shipping (DIS) suffered a full-year net loss of USD 55.1 million in 2018 as a result of the weaker product tanker market.
The company's net loss widened when compared to a loss of USD 38.1 million seen in 2017.
DIS' daily spot rate was USD 10,798 in the full-year 2018, against USD 12,026 in the full-year 2017. The freight market hit historically low rates in the third quarter of the year but rebounded to profitable levels towards the end of 2018. At the beginning of 2019, they are showing clear signs of improvement, according to the company.
Time charter equivalent (TCE) earnings stood at USD 244.9 million in 2018, compared to USD 257.4 million recorded a year earlier.
"2018 was unfortunately one of the worst years for product tankers in the last decade. However, DIS managed to mitigate the effects of such a negative market, thanks to a prudent commercial strategy coupled with a constant focus on strengthening its financial structure," Paolo d'Amico, Chairman and Chief Executive Officer of DIS, commented.
"We were very pleased to see our market rebounding to profitable levels towards the end of the year, with clear signs of improvement confirmed also at the start of 2019, relative to the prior year."
As explained, the company's main focus will be to strengthen its financial structure. With this objective, DIS' Board of Directors approved on March 20, 2019, a share capital increase amounting to the USD equivalent of EUR 44 million, with preferential subscription rights offered to its existing shareholders and the new shares issued at a discount to the theoretical ex-rights price (TERP) of 15%, based on DIS' reference share price on March 19. DIS' controlling shareholder, d'Amico International SA, fully guarantees the offering. With this move, the company intends to reduce its financial leverage and improve liquidity position.
Referring to the outlook on the product market, Paolo d'Amico believes it is positive. Specifically, the net fleet growth of the segments DIS operates in is expected to be limited and below 2.0% over the next two years. Additionally, the sulphur cap in 2020 is expected to generate demand for the company's vessels already from mid-2019.
"I believe DIS' recent investments and our prudent commercial strategy, together with … fleet and organization, will allow us to benefit in full from the next expected positive shipping cycle. Our investment plan based on 22 newbuilding vessels we began to order in 2012 is now coming to an end, with the last LR1 ship expected to be delivered in Q3 2019," DIS' CEO concluded.
Posted on March 21, 2019 with tags d'Amico International Shipping, earnings.
Navios Holdings Sells Bulker, Widens Loss
The 50,316 dwt bulker was sold to an unnamed buyer in February this year.
d'Amico Joint Venture Sells MR Product Tanker
d'Amico International Shipping has, through its JV, sold a 2009-built MR product tanker for USD 16.4 million.
2020 Bulkers to Finance New Ships with USD 240 Mn Loan
2020 Bulkers signed a USD 240 million deal for the post-delivery financing of its newbuilding program.
d'Amico Tankers Inks Sale and Leaseback for New LR1 Tanker
d'Amico Tankers signed a sale and leaseback for its newbuilding LR1 vessel, MT Cielo di Houston.
d'Amico Inks Sale and Leaseback Deal for MR Tanker
d'Amico Tankers signs MOA and bareboat charter contract for the sale and leaseback of the MT High Trader.
Increased Bunker Cost Widens HMM's Loss
Hyundai Merchant Marine widened its loss in the third quarter of 2018 as bunker cost climbed up.
New CEO Takes the Reins of DIS
Paolo d'Amico will take over as the new chief executive officer of DIS.
Scorpio Tankers Widens Net Loss
Scorpio Tankers wrapped up the first three quarters of this year with a widened net loss.
CEO of d'Amico Marco Fiori to Step Down
Chief Executive Officer of d'Amico International Shipping SA, Marco Fiori, to resign.
HMM Widens Loss amid High Bunker Costs, Poor Freight Rates
Higher bunker costs and lower average freight rates pushed HMM further into loss during the second quarter.
DIS Bags Another Sale and Leaseback Deal for MR Tanker
d'Amico International Shipping inks sale and leaseback deal for another medium-range product tanker.
d'Amico Not Happy with First Half Results
d'Amico International Shipping was hit by a very difficult market in the second quarter of 2018.
d'Amico Agrees Sale and Leaseback for MR Tanker
d'Amico International Shipping agreed a sale and leaseback for its medium-range tanker, MT High Trust.
d'Amico Sheds Its Oldest Product Tanker
d'Amico has reached an agreement to sell its oldest handy product tanker vessel, the 2003-built MT Cielo di Milano.
DIS CEO Upbeat on Market Recovery despite Q1 Loss
Relatively soft product tanker market has pushed d'Amico International Shipping into the red.


text:
The GREAT Project
The GREAT Project offers free and subsidised support for regenerative agriculture to farmers in Gloucestershire.
GREAT stands for Gloucestershire Regenerative Environment and Agriculture Transition. It's a three-year project, funded by Thirty Percy, to boost the transition to farming methods that restore the soil, water and air. We want to join to dots between farmers, advisors, growers, mentors and their communities to facilitate this change that is so sorely needed for a resilient future for farms, nature and the earth. The project will make Gloucestershire a leading county in regenerative agriculture, which is a growing farming movement that emphasises building soil carbon and structure.
The project has three core aims: build evidence, facilitate knowledge exchange, and nurture enterprise.
GREAT has launched its offer of free and subsidised advice, knowledge exchange, mentoring and enterprise support. It also features an education bursary and a small grants scheme for those seeking small amounts of cash for farm-based enterprises, such as start-up costs or crucial pieces of equipment. Although the project's offerings are free or subsidised only to those farming in Gloucestershire, many of their events are available to anybody at full cost.
In addition to its knowledge exchange events, led by Oxon-based trailblazers, FarmED, the project is offering a series of 'enterprise bootcamps' and webinars, led by the School of Enterprise at the Royal Agricultural University (RAU). The first bootcamp is set to begin on 10th September 2021, with 20 spaces free to those in Gloucestershire.
From autumn 2021, new entrants to farming will be able to sign up for mentoring and advice on accessing land. Those already farming in Gloucestershire can already access free advice from FWAG SouthWest or join a mentoring programme so that those beginning the transition to regenerative agriculture can benefit from the support of their peers.
Project Manager, Bea Oliver ([email protected]), invites Gloucestershire farmers, landowners, growers and individuals looking to start a rural food enterprise, to get in touch to find out where The GREAT Project can help you in your regenerative journey. Visit www.greatglos.co.uk or speak to your FWAG advisor to find out more. Follow the twitter for up to date information @GREATglos
Published: 23rd July, 2021
The Flourishing Floodplains Project
The Flourishing Floodplains Project is a collaboration between FWAG SW, WWT (Wildfowl and Wetlands Trust) and the Floodplain Meadows Partnership, operating in the Severn and Avon Vale Region.
Forest Guardians (Forest of Dean) Facilitation Fund
The Forest of Dean and surrounding area is a highly significant district of Gloucestershire and is unique in its diverse environment in which to live, work and visit. There are many special designations to protect the Forest and its associated habitats and wildlife, which need to be integrated into a thriving rural economy supporting farming and tourism in the local area.
Environmental Land Management System Trial
The Environmental Land-Management System (ELMS) is being developed by DEFRA as a potential new payment methodology that is planned to replace current Basic Payment Scheme and Countryside Stewardship.
Severn Vale Guardians
Gloucestershire FWAG are delighted to announce that we have been awarded funding from Natural England to support our new farmer group, the 'Severn Vale Guardians'. Working with key partners the Wildfowl and Wetlands Trust (WWT), the aim of the Severn Vale Guardians is to form a collaborative group of farmers and land managers to achieve landscape scale improvements in the local natural environment.
Farmer Guardians of the Upper Thames
The farmer lead collaborations of the Guardians of the Upper Thames, chaired by local farmer Richard Rumming, focus on the communities at risk of flooding by covering 16,000 hectares from the river's source at Kemble to areas such as Cricklade in Wiltshire, aiming for methods of long term environmental improvements. Many positive outcomes have emerged from this particular initiative in the Cotswolds. Click here to find out more.
Carrant Catchment Restoration Project
The Carrant Catchment Restoration Project (CCARP) is an open collaborative partnership project that invites everyone interested in the aims and objectives of the group to join. The project aims to enhance habitat connectivity stemming from water quality across the farm holdings, looking at improving wildlife connectivity by increasing habitat corridors, natural flood management, hedge planting and management.
ILD – Integrated Local Delivery
The Farming and Wildlife Advisory Southwest has been championing and delivering an approach we term as "Integrated Local Delivery" (ILD) in the Southwest of England for over 10 years. The approach inspires and enables farmers and communities to come together to build resilience, supported by an all-inclusive partnership of organisations working together at a local level. Click here to read more about the ILD and to download the supporting documents.
WILD Project
The Cotswold Water Park WILD Project (Water with Integrated Local Delivery) is a three year project set within the Cotswold Water Park, it aims to improve water quality and biodiversity in order to meet the demands of EU legislation.


text:
Q: Sharing Resources across WebGLRendering Contexts Does anybody know about present and future of Sharing Resources across WebGLRendering Contexts ?
Now I make hidden gl handler that makes me useful images in the "timeout process"(I cant use main context for creation my little images), then I create samplers from these images in the main context. I think sharing resources between webgl contexts could help me out.

redpajama_set_name: RedPajamaStackExchange


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Winnats Pass, Hope Valley, The Peak District.
Alternative pre-wedding portrait session at Winnats Pass, The Peak District. Honestly, hats off to these guys! They travelled up and stayed in The Peak District the evening before our morning session and in true unpredictable British weather, that morning – it was bloody awful. You know that sideways wind and rain that just hits you in the face and before you know it you're drenched? Yeah, that happened.
Janine and Mark are photographers/digital artists themselves so no pressure! They were just wonderful. Not phased by the weather at all we had a good walk, nearly got blown off the top of Winnats Pass, so went and found shelter from the rain. Well, they did, we didn't – but thats okay. We're well trained in getting wet and having to do our job. We wouldn't call this much of a job though, meeting the coolest of couples, getting on super easy like we've known each other years, getting to capture them in a completely soul bearing way. It was an easy job because they are a truly beautiful couple. The rain and sideways winds were just merely the background. My favourite picture is the last one – completely defying all the "natural shots only, don't look at the camera" – look at what happens when you do?
Thank you to Janine and Mark. You were perfect and it was a real pleasure hanging out with you guys!
We're huge fans of the peak district so if you want an alternative portrait session in this beautiful place, send us a message!
We love chatting to couples about their plans and getting to know you. We don\'t do a hard sell - you either love us or you won\'t, either is fine! We wont know until we have a chat!
We are now 60% booked up for 2019, and 15% booked for 2020. Send us a message to see if we\'re free on your big day!


text:
Q: Выскакивает ошибка при сортировке, через OrderBy: "At least one object must implement IComparable" Здраствуйте! Подскажите, пожалуйста, почему при сортировке, если добавляю в письмо один объект, то ошибки нет, а если больше, то выбивает ошибка: "At least one object must implement IComparable". Как ее исправить?
public class Date
{

    public int Year = DateTime.Now.Year;
    public int Month = DateTime.Now.Month;
    public int Day = DateTime.Now.Day;
    public int Hours = DateTime.Now.Hour;
    public int Minutes = DateTime.Now.Minute;

    public Date() { }

    public Date(int Year, int Month, int Day, int Hours, int Minutes)
    {
        this.Year = Year;
        this.Month = Month;
        this.Day = Day;
        this.Hours = Hours;
        this.Minutes = Minutes;
    }
    public override string ToString()
    {
        return $"{Year}-{Month}-{Day} {Hours}:{Minutes}";
    }
}

public class Airplane : Date
{
    public string StartCity { get; set; }
    public string FinishCity { get; set; }
    public Date StartDate { get; set; }
    public Date FinishDate { get; set; }

    public Airplane() { }

    public Airplane(string StartCity, string FinishCity, Date StartDate, Date FinishDate)
    {
        this.StartCity = StartCity;
        this.FinishCity = FinishCity;
        this.StartCity = StartCity;
        this.FinishCity = FinishCity;
    }
}

class Program : Airplane
{
    static void PrintAirplanes(List<Airplane> airplanes)
    {
        foreach (var i in airplanes)
        {
            Console.WriteLine($"{i.StartCity}\n { i.FinishCity}\n { i.StartDate}\n { i.FinishDate}");
        }
    }

    static List<Airplane> SortAirplanesByDate(List<Airplane> airplanes)
    {
        List<Airplane> sorted = airplanes.OrderBy(x => x.StartDate)
                                   .ToList();
        return sorted;

    }

    static void Main(string[] args)
    {
        try
        {
            Airplane a = new Airplane();
            a.StartCity = "Kiev";
            a.FinishCity = "Oslo";
            a.StartDate = new Date(2000, 05, 13, 10, 00);
            a.FinishDate = new Date(2000, 05, 13, 12, 00);

            List<Airplane> airplanes = new List<Airplane>();

            airplanes.Add(a);

            Airplane a1 = new Airplane();
            a1.StartCity = "Kiev";
            a1.FinishCity = "Oslo";
            a1.StartDate = new Date(2000, 05, 13, 12, 00);
            a1.FinishDate = new Date(2000, 05, 13, 13, 00);
            airplanes.Add(a1);

            List<Airplane> Sortairplanes = SortAirplanesByDate(airplanes);
            foreach (Airplane air in Sortairplanes)
            {
                air.ToString();
            }

            Console.WriteLine("\n");
            PrintAirplanes(airplanes);
        }
        catch (Exception e)
        {
            Console.WriteLine(e.Message);
        }
    }
}


text:
Sound Lounge Film + Television Sound Artists to Speak at DOC NYC
By Keith Gayhart
NEW YORK— Supervising Sound Editors/Re-Recording Mixers Steve "Major" Giammaria and Evan Benjamin from Sound Lounge's Film + Television division will share their insights into documentary sound at the DOC NYC PRO Conference, held in conjunction with the DOC NYC film festival.
Giammaria and Benjamin will take part in a panel discussion titled Post-Sound: What You See is What You Hear, included in the conference's Post Production Secrets track. The event is scheduled for November 13 at 10:45 a.m. Other panelists will include Director Rachel Shuman and SIM International's Keith Hodne. Writer-director Ian Harnarine will moderate.
Giammaria will discuss his work on documentaries such as One October and The Last Laugh, and how he works with filmmakers to develop strategies for sound to enhance the quality of their films and improve efficiency. "It's important for filmmakers to plan for sound before they get to post," he says. "If they wait until after picture is locked it may be too late. Docs are typically about talking, but there are points in any film where sound design can help tell the story and set the mood."
Benjamin will talk about sound design he has created for documentaries including CNN's RBG, HBO's Baltimore Rising and Paramount Network's Rest in Power: The Trayvon Martin Story. "My role on docs is to make it as real as possible," he says. "That can be a challenge as they are often shot verité style and the production sound is rough. Sound design can help to make the story feel cohesive and move forward without distracting the audience's attention."
What: DOC NYC PRO Conference
Post Production Secrets
Panel Discussion: "Post-Sound: What You See is What You Hear"
When: November 13
10:45 a.m. – 11:45 a.m.
Where: IFC Center
About Sound Lounge
Sound Lounge is an audio post-production facility, providing services for TV and radio commercials, feature films, television series, digital campaigns, gaming and other emerging media. Based in Manhattan, Sound Lounge is artist-owned and operated. Follow on Facebook, Twitter, LinkedIn and Instagram or visit http://www.soundlounge.com for the latest Sound Lounge news.
www.soundlounge.com
Sound for Netflix's THE POWER OF THE DOG and THE GUILTY Added to Mix Presents Sound for Film & Television
Panelists Announced for Sound Editing, Mixing Series at Mix Presents Sound for Film & Television Event
Mix Presents Sound for Film & Television 2018
Sound Designer Wylie Stateman to Deliver Keynote Address at Mix Presents Sound for Film & Television 2019
It's a Wrap! Mix Presents Sound for Film & Television 2018
'Mix Sound for Film & TV: Awards Season' Event – Register Now!
Mix Sound for Film & Television 2018 Wrap-Up


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