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HomeNewsEventsSailingAsia-Pacific
Sailing Champions League adds Asia Pacific competition
Image credit: Sailing Champions League
The Sailing Champions League and the National Sailing League have launched the 'Sailing Champions League – Asia Pacific' concept following the success of the competition in Europe.
The new competition will create a pathway for Asia Pacific sailing clubs to compete on the world stage, with qualifying rounds to be launched to provide entry to a final that will be held at Sydney Harbour from April 3-5 next year. The final will replace the NSL Oceania Final.
The top-three clubs from the Sailing Champions League – Asia Pacific Final will gain entry to the European final for a "club versus club" battle.
The new series will be run by the organisers of the NSL – Oceania, which launched in April with a three-day final event. The winner of the event was Royal Sydney Yacht Squadron (RSYS), which went on to win the Sailing Champions League Final in Switzerland.
Asia Pacific League director Mark Turnbull said: "We are very excited with the enthusiasm shown towards league sailing in our region, and this was substantially heightened by RSYS winning at St Moritz. To expand to Asia Pacific in our second season is huge, and we look forward to the participation of six Asian clubs joining Australia, New Zealand and the Pacific Islands for the upcoming season.
"The winner of the inaugural NSL Oceania Final taking out the prestigious Sailing Champions League – Final shows we have the talent in this part of the world. Expanding beyond Australian and New Zealand shores means more sailors can enjoy step-on step-off fleet racing on supplied one design boats.
"We look forward to creating Sailing Champions League – Asia Pacific qualifiers in both Oceania and Asia in the 2021 season as we ultimately aim to create multiple club and National Sailing Leagues."
The 2020 Sailing Champions League – Asia Pacific season will include one northern and one southern qualifier. The six clubs that gain entry from these qualifiers into the 2020 SCL Asia Pacific Final will be joined by a further six from Asia, while six from New Zealand and the Pacific will also be invited to compete.
In 2021, it is hoped Asian and Pacific qualifying regattas will be added to the circuit.
National Sailing League
World Sailing adds Genoa to World Cup Series
World Sailing has confirmed the Italian port city of Genoa will feature in both the 2019 and 2020 editions of its World Cup Series.
World Sailing to launch new offshore competition
World Sailing has revealed details of its new Offshore World Championship, which will be held for the first time in 2019.
Ineos Team UK builds sailing portfolio with SailGP deal
Ineos Team UK, the British challenger for the America's Cup, has agreed a deal to operate the Great Britain team in fledgling sailing series SailGP.
Adidas and Prada launch sailing footwear partnership
German sportswear manufacturer Adidas and Italian fashion house Prada are partnering to produce limited edition footwear, including sailing shoes under Prada's Luna Rossa label


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SAN RAFAEL, Calif., July 30 /PRNewswire-FirstCall/ -- With nearly 7,000 participants in North America, and more than 8,000 product downloads to date, the Autodesk Assistance Program is now available in Europe. Launched in North America in April, the program was designed to help displaced workers in the architecture, engineering, design and manufacturing industries maintain and develop their 3D design technology skills and help improve their employability in a down economy.
"Overwhelmingly positive feedback from customers and partners has shown us that the Autodesk Assistance Program is not just of domestic interest," said Ken Bado, executive vice president of sales and services at Autodesk. "We're proud to expand the program globally in response to the challenging worldwide economic climate in hopes that design professionals around the globe will stay competitive and emerge from this crisis in a better place than they started."
The program is now available in Northern Europe, and will continue to roll out to the rest of Europe, Mexico and Brazil over the next few months. For more information about the Autodesk Assistance Program, please contact your local reseller, contact Autodesk directly at Email Contact or visit www.autodesk.com/assistanceprogram.
Autodesk, Inc. (NASDAQ: ADSK), is a world leader in 2D and 3D design software for the manufacturing, building and construction, and media and entertainment markets. Since its introduction of AutoCAD software in 1982, Autodesk has developed the broadest portfolio of state-of-the-art Digital Prototyping solutions to help customers experience their ideas before they are real. Fortune 1000 companies rely on Autodesk for the tools to visualize, simulate and analyze real-world performance early in the design process to save time and money, enhance quality and foster innovation. For additional information about Autodesk, visit www.autodesk.com.
Autodesk and AutoCAD are registered trademarks or trademarks of Autodesk, Inc., and/or its subsidiaries and/or affiliates in the USA and/or other countries. All other brand names, product names or trademarks belong to their respective holders. Autodesk reserves the right to alter product offerings and specifications at any time without notice, and is not responsible for typographical or graphical errors that may appear in this document.


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New Beginning 210
An unknown figure, cloaked in late night shadows, crept down the hallway towards the entrance to Monk's Abbey, just to the right of the Cathedral's pommel. It was here that all the highest-ranking monks, including the Archpriest himself, slept.
Four main buildings were attached to the Church purlieu, Monk's Abbey, Prelate Hall where lived the lower ranked monks, including the novices, Servant's Alley and the Dungeon. The dungeon, situated at the tip of the sword-shaped cathedral, was built underground to protect the faithful of Vordis from the sight and sound of evil in the form of the condemned. But the evil being done this night did not confine itself to the dungeon.
Upon reaching the entrance, the figure spoke a word and the door opened silently. Unlike the other buildings, Monk's Abbey was attached to the Cathedral by a short wooden walkway completely sealed and paved over with clay tiles to match the roof.
Entering the Archpriest's chambers, the figure bowed diffidently and presented a parchment. "Read it," the Archpriest commanded.
The figure broke the seal and unfolded the parchment. "It is from the Archbishop, your grace. He indicates that your pommel bears resemblance to the impotent testicle of a mangy dog and is inferior in every way to the great spire of his Cathedral."
The Archpriest rose red-faced to his feet. "What effrontery is this?"
"I am but a messenger, your grace," the figure said in hushed tones, and bowed again.
"Then return this message whence it came, and with it take these words: Your gargoyles cling to the entrance of your shed like the crabs to a country whore."
"As you will, your grace." The messenger bowed once more, and left the room. Proceeding back along the covered walkway, he smiled to himself. Their vanity would escalate this quickly. Soon the Presbyterians would have control of Vordis and all its purlieus.
Opening: Michele Acker.....Continuation: ril
Posted by Evil Editor at 8:29 AM
Saipan Writer said...
Oh ril--another great continuation.
Author,
I got pulled in by the first paragraph, and then pushed out by the second. Then I liked the first sentence of paragraph 3, but not the rest.
I'd suggest leaving the architecture and design elements out at first. You can add them in when needed.
jmho.
2/7/07, 11:51 PM
Uh, please define Pommel. The online reference things describe it as a decoration on the hilt of a sword.
Purlieu is defined as outlying bits (that doesn't help the story).
Vordis means something but I can't read or speak that language.
And Archpriest?
Are you Anthony Burgess in disguise?
2/8/07, 12:11 AM
The bits about architecture and sleeping arrangements are irrelevant to the story (at this point), and because you're "telling" rather than "showing" us all this stuff, they're also dull to read.
Here's your beginning, if you take out all the "telling":
An unknown figure, cloaked in late night shadows, crept down the hallway towards the entrance to Monk's Abbey. Upon reaching the entrance, the figure spoke a word and the door opened silently.
And that's it! Those two sentences are the only two that actually take us into the story; the rest was infodump.
You might have a great story here, but I couldn't read it because I would get so frustrated wading through the junk trying to find the plot.
My suggestion would be to chop out everything that doesn't advance the plot, and then try to put it back in subtly and in small bites, taking care to paint the scene for the reader, rather than lecturing them on what things look like.
To whom is the figure unknown?
The reader doesn't know who the figure is, so you don't have to tell us it's an unknown figure.
Agree with others re description of architecture and sleeping arrangements.
2/8/07, 6:41 AM
I couldn't get a clear sense of the place despite the overly detailed description of the building and its environs. Mainly this was due to terms which had no meaning, as well as some archaic sentence structure which distracted me.
Author, I like your use of language, but you didn't hook me with all this description. You say there is a figure, the first couple of sentences give me the sense of maybe-Gothic sensibility, and then we lose the figure to get all this description.
Additionally, you use so many words that seem to not exist in the use you have them that this must be fantasy (Pommel?). Dumping this amount of terms not explained in context can be offputting to a reader.
If this started with ril's stuff, I'd keep reading. What a riot!
I'm with the others here on the excessive words that serve no purpose. There's no action. I've stopped reading books that give me too much description. If he passes a odd door, or finds a hidden passway, that's a description we need to know about because it may end up later in the story. Rest of this just seems like filler.
I agree with whitemouse that your opening would be well-served with these two sentences:
I think I understand that you're working to set the tone of your story with the "tone" of your setting; on this I agree with saipan writer, who suggested leaving these out initially, and adding them as they work in naturally with your story line, especially because many of the terms are not commonly known.
You will still be setting the tone, but the flow of the story can hold the interest of your readers as events and description unfold.
I liked this: But the evil being done this night did not confine itself to the dungeon.
If you're working towards a Gothic feeling, this works.
And, ril, I loved the continuation, especially this:
He indicates that your pommel bears resemblance to the impotent testicle of a mangy dog and is inferior in every way to the great spire of his Cathedral.
Oh, yeah. Very Monty Python. Thanks for the smile.
I agree with Anon.
Why tell us the figure is "unknown"?
And unnecessary because of "cloaked" and "crept."
And I feel I'm at the wrong end of a telescope.
Yes, churches were often in a cruciform design. Yes, swords often had a cruciform hand guard.
But to stick us with "pommel" right off creates a cart-before-the horse WTF.
And we don't need the floor plan at this point anyway, do we?
Awesome continuation! Nice work ril.
Author, I agree with the other comments, too much description. I have to fight this same impulse. I often find myself opening scenes with paragraphs of description, rather than drawing the reader in with compelling action and dropping in bite-sized nuggets of the setting. Your opening sentence is compelling, but then you dulled my senses with description and architectural and religious terms that I didn't understand. Whitemouse whittled it down nicely. You can take those two sentences, and dress them up with a bit of setting, but keep the action moving, especially in the beginning. I always allow for the fact that this is only 150 words, and the next paragraph might launch us into the story. See if you can work it in sooner.
Ril, that is another great one. If I was a snark-like sycophant I'd do what they do and invent a wild story about liquids being spewed on my keyboard. Hey maybe I will.
(revised comment)
After I read Ril's continuation I did the following:
1) Sprayed coffee on my keyboard.
2) vomited on my monitor.
3) [I'm too shy to say what happened next but it involves the CPU unit under my desk]
Tacky enough for ya' ?
Yanno, maybe there's a little too much description. For me, though, it really helped set the scene. I know I'm in the minority but I like some detailed description of setting and I don't mind investing an extra minute or two of reading in it. That way I know I'm in an ornate, sacred setting, maybe even at the Vatican, rather than in the basement of the church at the corner of 7th and Hickory.
Cut it down some maybe, but write it YOUR WAY.
...dave conifer
shaded-lily said...
I'm with the majority for once -- I found the architectural description disruptive to the flow of the story here. I also think the word "unknown" is unneeded.
Other than that, the opening is interesting, and (if I read fantasy) I'd read this.
Classic continuation. :D That one has to be in Novel Deviations II.
I'm with Anonymous Dave Conifer. I don't mind scene setting description one bit. I agree it needs to be done carefully, however.
I think the word "unknown" can be deleted and some of the paragraphs streamlined, but to do a wholesale delete is unnecessary.
Just my humble opinion.
Wonderwood said...
I don't typically mind some scene-setting, but if it bogs down the action too much I'll lose interest. In this case, I think the description could be trimmed, but I wouldn't throw it all away. It helps to set the tone. I'd just see if it could be worked in with smaller pieces within the action. Outstanding continuation ril!
BTW, anyone that's bored to tears, or wants to be, please check out the first chapter on my blog.
2/8/07, 2:44 PM
I'd read the book that the continuation is for :)
I don't necessarily mind an opening that emphasizes the setting, but this struck me as, well, rather trite, really. Like the very first words ought to be, "It was a dark and stormy night." Apparently it's a fantasy setting, with the Vardis and the sword-shaped cathedral, but it's still a dark and stormy knight.
You might want to pay attention to your punctuation and sentence structure, too. The way it's presently written, you have the Servant's Alley and the Dungeon included with the novices as lower-ranked monks.
McKoala said...
I strongly agree on the 'unknown' figure. We don't know anybody yet, and it's cloaked and creeping, so clearly suspicious. I had no idea what a pommel was when it came to a catherdral and I drifted off during the description of the buildins and who slept where. The creeping figure is the story so far, stick with him.
Blogless Troll said...
This beverage snorting phenomenon is fascinating. But what all you anonymous jokers laughing at the Snark-created snorting hordes don't realize is she created you too. And you appear to be dead even in the ridiculous race. It's like a less colorful version of The Sneeches, with Miss Snark as Sylvester McMonkey McBean.
Face-Lift 282
Now in Existence!
You asked for it . . .
Okay, I'm game.
Q & A 96 Will I be ruined?
Q & A 95
Novel Deviations 2
Why You Don't Get Published
Q & A 94 Jarring Question
Oscar Awards Guess the Plot 1
Evil Editor's Oscar Preview

redpajama_set_name: RedPajamaCommonCrawl


Delicious seafood, smashing beer and good times were shared at this year's Ontario Oyster Festival.
People were packed in the alley beside Rodney's Oyster House (469 King St. W.) with early lines extending all the way across the front of one of Toronto's premiere oyster pubs. You could smell the seafood in the air as people pawed their way through lobster, oysters, mussels and beer.
"I really like seafood and I like the summer and I like Toronto. So I came out and had some beers with some good friends and I'm just rockin' out," says Ian who withheld his last name. He thought his level of drunkenness might be too unprofessional for the microbrewery he works for, which was on tap at the festival.
He wavered slightly where he stood but maintained a bright smile as he spoke.
The Ontario Oyster Festival has been around for 24 years or since Rodney's Oyster Shack was in its former location at Adelaide and Jarvis.
The first Ontario Oyster Festival began with about 150 people in a little parking lot. Bands played, beers poured and the event was capped off with oyster shucking. The festival has mostly remained the same, though it has grown significantly. This year the organizers even started to pre-sell tickets to the event, which now includes multiple beer vendors.
Clark says they sold out their 400 pre-sale tickets and sold another 500 tickets at the door. For $35, ticket-holders got two drinks and a plate of oysters.
Environmental Defence has been working with Rodney's Oyster Shack since the festival's humble beginnings and is still a beneficiary. The organization set up a tent near the entrance and spread their message about the state of waterways.
"Our water quality has gotten so bad that people don't trust the water right here where they live. They don't trust it enough to swim in it or to even drink it," says David Donnelly, legal counsel for Environmental Defence.
Donnelly says he wants people to realize that we're all connected to the issue and we have to strive for better water practices. At the event, Environmental Defence was touting their Blue Flag Canada campaign. They've marked bodies of water on a map with blue flags to show that the source of water is clean and safe.
Over the years Rodney's has donated thousands upon thousands of dollars to the charity to ensure there will still be seafood for his restaurant and a carnival atmosphere at festivals in later years. This year the oyster pub handed over a big cheque for $16,184.92 to Environmental Defence.
Shannon Fitzpatrick, a seasoned Oyster Festival partier, hung out in a poncho with other water proofed friends while the rain washed other people in under the big tent. Undaunted by the rain, she and her friends were able to keep a table in the crowded alleyway.
Fitzpatrick's come out in support of Rodney's and Environmental Defence for several years now.


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Celebrating Disney Pixar's COCO DVD & Digital Release Date #PixarCoco
February 27, 2018279
Have you seen Disney Pixar's COCO yet? We are celebrating Disney Pixar's COCO DVD release date since I refused to venture out into a movie theater with my one-year-old. I sent the boys to see the highly raved about COCO movie with my mom instead. They all loved it, my mom cried, my boys cried, and I was slighlty jealous I missed it. I've never seen my boys get emotional the way she described and they gushed while they talked about the COCO movie. I was so happy they saw it with their abuela, but I just couldn't wait for the DVD release so we could all watch it together.
Disney Pixar COCO is available on Blu-Ray and 4K Ultra HD™ on Tuesday, February 27th.
Pixar sent me a free copy of the movie COCO. All thoughts expressed below are my own.
Disney Pixar sent us our own gift to experience COCO at home and you guys this movie made me proud; proud to be Hispanic, proud to share my culture with the world, proud that the opening Disney theme song was played to the tune of Mariachi music, proud to have this beautifully made movie to watch with my family over and over.
Disney Pixar's COCO DVD Release Date Tuesday, February 27th
The critically acclaimed animated film celebrates the importance of family, honoring your ancestors and following your dreams, and includes extensive extras for the whole family.
FAMILY REUNION — In Disney•Pixar's "Coco," Miguel finds himself magically transported to the stunning and colorful Land of the Dead where he meets his late family members, who are determined to help him find his way home. ©2017 Disney•Pixar. All Rights Reserved.
Disney•Pixar's "Coco" —the story of a 12-year-old aspiring musician's extraordinary journey to the magical land of his ancestors—won a 2018 Golden Globe AwardÒ for Best Animated Motion Picture, topped the domestic box office Thanksgiving holiday weekend, became the highest grossing film of all time in Mexico, broke records in China and earned widespread praise, receiving 96 percent from critics and 97 percent from audiences on Rotten Tomatoes. Now this vibrant tale filled with love and laughter arrives home Digitally in HD and 4K Ultra HD™ and on Movies Anywhere on Feb. 13, and on 4K Ultra HD,™ Blu-ray,™ DVD and On-Demand on Feb. 27.
Follow Pixar's COCO
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Related tags : COCO disney Disney Movie
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This is part of a sponsored collaboration with Latina Mom Bloggers and Disney Studios. However, all opinions expressed are my own. #MiHeroeFavorito Disney's Planes Fire & Rescue is avail


do not accept them simply because of the reverence you have for me.
is the knowledge of the Four Noble Truths. In other words, it is the understanding of oneself as one really is.
The keynote of Buddhism is this Right Understanding. Buddhism, as such, is based on knowledge and not on unreasonable belief.
Kind Thoughts which are opposed to ill will.
deals with refraining from killing, stealing and lack of chastity. It helps one to develop a character that is self-controlled and mindful of rights of others.
Right Livelihood means earning one's living in a way that is not harmful to others.
the endeavor to discard evil that has already arisen.
the endeavor to prevent the arising of evil.
the endeavor to develop that good which has already arisen.
the endeavor to promote that good which has not already arisen.
Effort is needed to cultivate Good Conduct or develop one's mind, because we are often distracted or tempted to take the easy way out of things. The Buddha teaches that attaining happiness and Enlightenment depends upon one's own efforts. Effort is the root of all achievement. If one wants to get to the top of a mountain, just sitting at the foot thinking about it will not bring one there. It is by making the effort of climbing up the mountain, step by step, that eventually the summit is reached. Thus, no matter how great the Buddha's achievement may be, or how excellent His Teaching is, one must put the Teaching into practice before desired results can be obtained.
Meditation means the gradual process of training the mind to focus on a single object and to remain fixed upon the object without wavering. The constant practice of meditation helps to develop a calm and concentrated mind and helps to prepare for the ultimate attainment of Wisdom and Enlightenment.


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Q: Save custom object array to Shared Preferences Can I save my own object array to the SharedPreferences, like in the post below?
Android ArrayList of custom objects - Save to SharedPreferences - Serializable?
But there he doesn't save an array, so is there a possibility to save a custom object array to SharedPreferences like in the post of the link?

A: You can use gson to serialize class objects and store them into SharedPreferences. You can downlaod this jar from here https://code.google.com/p/google-gson/downloads/list
SharedPreferences  mPrefs = getPreferences(Context.MODE_PRIVATE);

To Save:
Editor prefsEditor = mPrefs.edit();
Gson gson = new Gson();
String json = gson.toJson(MyObject);
prefsEditor.putString("MyObject", json);
prefsEditor.commit();

To Retreive:
Gson gson = new Gson();
String json = mPrefs.getString("MyObject", "");
MyObject obj = gson.fromJson(json, MyObject.class);

redpajama_set_name: RedPajamaStackExchange


We may lose them which can be really frustrating for us if they were important. Gmail is a free internet- based email service currently which is currently being tested at Google that offers users storage for messages provides the feature to search for particular texts messages. This is an artifact of how Gmail implemented labels, not a Thunderbird quirk. In fact I' d go so far as to say that as I write this it is perhaps the best. You can add someone by email address or by selecting their name directly from inside of an email. Let Gmail become your one account to rule them all!
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text:
Did You Know? Crimes Committed By Your Spouse May Be Detrimental to Your Pension
May 12, 2020 Posted by Pension Lawyer Eva Cantarella
Our intuition suggests this cannot be the case. After all, YOU did not commit the crime. However, at least in Texas (and possibly some other states) our intuition would be wrong if the retirement savings were jointly possessed during the marriage. A recent Fifth Circuit Court of Appeals decision makes this point abundantly clear. United States v. Berry, No. 19-20050, 2020 U.S. App. LEXIS 6260 (Feb. 28, 2020)
In the Berry case, Gwendolyn Berry was convicted of wire fraud, mail fraud, and falsifying a tax return, all in connection with her ongoing theft of funds from her employers. As part of her sentence, she was ordered to pay restitution in excess of $2 million. To enforce this restitution order, the government sought to garnish funds in retirement accounts held in Gwendolyn's name and in the name of her husband Michael. Gwendolyn agreed to release the funds in the accounts in her name, but the Government also wanted 50% of the retirement funds in the accounts in Michael's name, approximately $1 million.. The district court issued a garnishment order requiring this amount be paid to the government. The Berrys appealed.
In considering whether the funds in the accounts in Michael's name could be garnished, the Court of Appeals explained that, under the federal Mandatory Victims Restitution Act, a lien for restitution to victims of federal crimes attaches to the defendants' property and rights to property. But the Berrys had argued that Gwendolyn had no rights to the property in Michael's accounts and, therefore, the government could not garnishee those accounts. The Court of Appeals disagreed. It explained that the law of the state where a debtor is domiciled defines the property interests to which a judgment lien may attach. Gwendolyn was domiciled in Texas and, under Texas law, she had a 50% interest in property possessed by Michael during their marriage. Therefore, the Court of Appeals ruled that the district court properly ordered that 50% of the funds held in the accounts in Michael's name, approximately $1 million, be paid to the government.
While the courts' rulings might seem unfair to Michael, as he did not commit the crimes, they did not leave Michael destitute. His 50% portion of the retirement savings in the accounts in his name still equaled approximately $1 million. Under the Court's rulings, the government could not touch that amount.
To read more of my pension and retirement posts, go to my Pension Justice 4 You Facebook page. Click the Like and Following tabs just below the picture at the top of the page to receive automatic notifications when I have published a new post. Have a pension problem? Call me Eva Cantarella at 248-335-5000, or email me at [email protected] or [email protected]
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Out of a Job Due to Covid-19? You May Be Eligible for a Fully Vested Pension


"Working here is really an eye opening experience. I have heard horror stories about how some rehab centers don't care about their patients and as a result, the patients never recover 100%. However, the opposite is true here. We do everything we can to ensure everyone has a speedy recovery and is taken care of. The Concierge Service is available 24/7 so if anyone ever needs anything, we are going to help them. Our guests are always in good hands. " Drew M.
"I recommend this healthcare facility to anyone needing quality healthcare but doesn't want to feel like 'just another patient.' These people are friendly and fun and the place is more comfortable than you can imagine. The added effort, from the decorations to the concierge, is certainly worth it. I can feel the difference, in the atmosphere and also in my health. Without the help of the lovely staff here, I wouldn't have been able to successfully reach my health goals and I am very grateful for it. " Margaret W.
"Everyone was very good. " Katherine O.
"I enjoyed my stay." T.T.
"All of the people I met here are very nice. So compassionate and helpful." Liz D.
"Everyone was very helpful. This was the best stay I have had at The Grand." L.L.
"We were very satisfied with the care Rachel received at The Grand at Rome. The staff was very patient and kind. " R.A.
"I was happy with my stay again. The therapy team is fantastic." B.H.
"I was very happy with the therapy department. The staff was very nice and helpful. " Ben L.
"We are very happy with the care that M. received at The Grand. As a family it was nice to see so many people helping my dad and finding a way to bring him home so we could let him pass with his own family by his side. The amount of compassion and care that the team at The Grand has shown us is outstanding. " Family of M.C.
"I was very happy with my stay at The Grand at Rome. I will be attending the day care program after I am discharged and am excited to be able to see everyone that helped me. " Shana H.
"The Grand was a good place for me to transition while starting the dialysis program. The people were all very nice and helpful. " M.W.
"I was happy with the care that my mother received during her stay." Abby O.
"The workers at the Grand really do care about their patients comfort and well being." Elaine T.
"I've been here before, that's why I chose to come back. " S.S.


AGT 2016's first audition episode was amazing! Thirteen-year-old singer Laura Bretan received some high praise from Simon...and Mel B's Golden Buzzer propelled Laura directly to the Live shows!
Tuesday's show was recorded in early March. Laura is no stranger when it comes to talent shows...last month she was on Romania's Got Talent (she is Romanian but born in America) and has done dozens on YouTube.
Loved her. I think on the same program Boy Who Wears Tape On His Face also appeared. He comes from Christchurch New Zealand. He is very funny silent comedian. He performs at our World Buskers Festival to sold out shows.
As mentioned in the BGT thread, I'm sorry, but I found Laura to be very cringeworthy. Sarah Brightman she is not... though there are probably opera singers out there who don't sound much better... which is why, in general, I am not keen on "true" opera singing. Her tongue-rolling was much too exaggerated, and there were moments when the thought that came to mind was that it sounded like she was swallowing her tongue. Sounds like poor technique, if you ask me. She certainly could improve with time; but it's not as if there's demand for a 13 year old in the opera, is there?
Sorry, I'm the Simon Cowell critiquer this time. Not a fan. The girl from last year was far more tolerable.
After hearing the soprano with Andrea Bocelli last night, I'm that much less impressed than I was the night before. This lady was very good, and not too warbly. It's not just the strange sound from her mouth, it was the fact her handling of the notes was less than perfect, too. I am so over tweeny opera singers, and judging by Ariel Barille's placement last year, the American audience has had their fill as well. In general, the AGT audience are fed up with singers, going by comments I see every year. They want unique stuff, and since the prize is a show in Las Vegas, that actually is what I prefer these days, as well.
I wish they wouldn't include the staged comments (and weird looks) from the audience, because they don't add anything, and are just annoying.
It's somewhat similar to what the winner a few years ago did, but I think it's better. This is why singers don't win anymore. Singers have become boooorrrinngg. They're never that good, and when there's unique stuff like this, who needs them?
I've shortened the thread title to cover all artists, as with Britain's Got Talent, so you can post any more videos in this thread.
This girl was on last night and, not surprisingly, got the golden buzzer. I found her performance to be very beautiful and powerful. I liked the way she used her voice, and she is very genuine and real. All she had to do was stand and sing, and the whole audience was completely quiet listening to her. Singers are always told or expected to move around the stage or do something else besides just stand there, but in her case, nobody even cared, because all that mattered was her voice and her beautiful face. I was shocked to find out she was only 16. She looks like she's in her 20's.
There was another great dog act on the show tonight, Patrick and Ginger! This dog might be stiff competition for Carrie and Jose (seen above).
If anyone has missed the auditions, they're playing a re-cap of some of the "best" auditions tonight. Next week are the beginning of the call-backs, and I think Jose and Carrie are going to be on! I hope they make it, but that other dog might be tough competition for her. It looked like she'll be back to her more complicated twirling tricks, so it'll be a better audition than the first one, I'm sure.
I see AGT is on twice a week now on NBC, with the live shows starting on July 26. A break for the Olympic Games coverage takes place in early to mid-August.
Guest judges will include George Lopez, Reba McEntire, Louis Tomlinson and Ne-Yo.
So the live shows start right before they take a break?
Thank goodness for gymnastics, though that always entails staying up very late with very little online time.
Okay, have to post Tape Face Boy's latest performance, too. His skits are very odd, to say the least, and I don't really get the point of the latest ones, but... just look at that face in the still! I'm not kidding, I watch it for his face alone! Where does anyone get eyes that can open so wide? LOL The comments below this video say that he has some really good acts that they hope he does next time he's on the show, and I hope he does it, too.
Now, here's Carrie and Jose. Not the most amazing dance they've done, so it's understandable why they didn't make it. It's still very cute!
Unfortunately, I don't know what happened to Patrick & Ginger. They were never on the judges' cuts, and I realize now that there may have been some acts that were on that I don't remember very likely were replacements for them. I don't think that's why the video above no longer works, because I found another one of the same thing.


The arms for the Twirled Balloon are made following the pattern principle used for Heart #050 with Triangles. First you prepare two pieces with 12 arms each from two parts of different colour and then you weave the two pieces together like the simple Balloon #001.
You have three different options for combining and weaving together the two pieces. The outcome is rather different.
This tutorial is for the Balloon with triangles in purple/yellow/black/turquoise shown on the picture.
1. First thing to do is to "twirl" together the two different pieces, part 1 (purple) and part 2 (yellow). Place the two pieces next to each other, arms swirling in the same direction.
2. Place part 1 on top of part 2. No holes must show along the arms.
3. Now you must twirl the arms one by one. Keep together the center of the two pieces with left hand's thumb and forefinger. With your right hand lift up the piece behind (yellow) and place it in front of the other piece (purple) using the first notch along the right edge of the purple arms to make the colours shift while still maintaining the outer shape of the arm.
4. Again lift up the piece in the lower layer (yellow) and place it in front of the other piece (purple) using the next notch along the right edge to make the colours shift.
5. Continue twirling until all notches are used.
6. Prepare the other piece from the mirrored parts in the same way. Here the black part 1 is the one showing in the center.
7. Weave the balloon from the two pieces prepared in the same way as you would weave Balloon #001. Consider that the purple star shall show. Also consider that the vertical line between the two colours of a piece always splits the "square" in two equal sized sections. The longest edge of the small triangles shall run as a vertical line from the top of the balloon to the lower edge.
8. Take the basket, cords and wide arched piece in colour C (black).
9. Fix the wide arched strip along the edge on the outside of the balloon. The longer edge should follow the longer side of the last row of triangles in colour C and the points of the squares in colour A/B (purple/yellow). Press down to make a tight fit.
10. Form the small basket. Fix the sides using the small notch as a guide. Smear glue on the small flaps of the bottom and press down inside the basket. Let it dry.
11. Smear glue along the upper edge outside the basket. Also smear glue on the inside of the open strip holding the cords. Roll the strip around the basket upper edges aligned. Tighten and press down.
12. Fix the horizontal bar at the end of the 6 cords to the inside of the balloon. The bar should go near the edge. Let them dry.
13. To hang the balloon make a small hole in the centre of the top and fix a piece of string tying a pearl or like to the end inside the balloon.
This tutorial is for the Balloon with triangles in dark purple/yellow/light purple/red shown on the picture.
14. First thing to do is to "twirl" together two different pieces, part 1 (yellow) and part 2 (dark purple). Place the two pieces next to each other, arms swirling in the same direction.
15. Place part 2 on top of part 1. No holes must show along the arms.
16. Now you must twirl the arms one by one. Keep together the center of the two pieces with left hand's thumb and forefinger. With your right hand lift up the piece behind (yellow) and place it in front of the other piece (dark purple) using the first notch along the left edge of the purple arms to make the colours shift while still maintaining the outer shape of the arm.
17. Again lift up the piece in the lower layer (dark purple) and place it in front of the other piece (yellow) using the next notch along the left edge to make the colours shift.
18. Continue twirling until all notches are used.
19. Prepare the other piece from the mirrored parts in the same way. Here the red part 2 is the one showing in the center.
20. Weave the balloon from the two pieces prepared in the same way as you would weave Balloon #001. Consider that the dark purple star shall show. Also consider that the horizontal line between the two colours of a piece always splits the "square" in two sections from point to point. The longest edge of the small triangles shall run as concentric circles from the top of the balloon to the lower edge.
21. Finish the balloon as indicated in steps 8 -13 above. The basket, cords and wide arched piece are now in colour D (red) like the last row of triangles.
This tutorial is for the Balloon with triangles in yellow/pink/red/green shown on the top picture.
22. First thing to do is to "twirl" together two different pieces, part 1 (yellow) and part 2 (pink). Place the two pieces next to each other, arms swirling in the same direction.
23. Place part 1 on top of part 2. No holes must show along the arms.
24. Twirl the arms as explained in steps 3 – 4.
25. Continue twirling until all notches are used.
26. Next thing to do is to "twirl" together the two different and mirrored pieces, part 1 (red) and part 2 (green). Place the two pieces next to each other, arms swirling in the same direction.
27. Place part 2 on top of part 1. No holes must show along the arms.
28. Twirl the arms as explained in steps 16 – 17.
29. Continue twirling until all notches are used.
30. Weave the balloon from the two pieces prepared in the same way as you would weave Balloon #001. Consider that the yellow star shall show. Also consider that the line between the two colours of a piece always splits the "square" in two sections from point to point.
31. Finish the balloon making steps 8 -13 above. The basket, cords and wide arched piece are now in colour D (green) like the last row of triangles.
These are lovely! My problem with creating them though is that your cut files (pdf) are scaled for approximately12″ x 12″ paper. My printer does not take that size paper. Since I hand cut all my products, I am having a problem scaling your cut files for 8.5″ x 11″ paper. If I simply use Adobe Acrobat Reader to print the files (which is the program I have for pdf files) the entire design is scaled incorrectly and the balloon strips turn out too short. Since I am not experienced in using a computer to rescale designs, I would appreciate either rescaled pdf files for 8.5″ x 11″ paper or instructions on how to properly rescale the files myself. Thanks so much. I have enjoyed all your designs and have had much fun creating almost all of them.
Thank you so much for your quick response. I can't wait to get started!


Former Delhi BJP chief Satish Upadhyay said he felt both the Aam Aadmi Party and Congress were just fooling people with their bickering.
Former Delhi BJP chief Satish Upadhyay claimed on Tuesday that despite the bickering between the Aam Aadmi Party and the Congress, the two parties will form an alliance for Lok Sabha polls in the national capital. The Congress and the AAP were fooling people with their allegations against each other, he said.
"I feel both the AAP and the Congress are fooling people by levelling allegations and counter-allegations. Ultimately they will contest the elections in alliance," Upadhyay, joint in-charge of the BJP for Lok Sabha polls in Madhya Pradesh, told reporters.
He was talking to the media after attending a meeting of the BJP's state election management committee.
"The AAP had formed government in Delhi with the Congress' support earlier too," he said, adding that the AAP's national convener Arvind Kejriwal had once said he would never form government with the Congress support, but he later did a U-turn.
"Both parties are involved in a friendly fight," he said.
Earlier Tuesday, the Congress said it had shown a "big heart" by agreeing to form an alliance with the AAP in Delhi, and the ball was now in the court of the Kejriwal-led party.


text:
283.17(2) (2) If a point source with a discharge having a thermal component is modified, the point source shall not be subject to any more stringent effluent limitation with respect to the thermal component of its discharge during either the 10-year period beginning on the date of completion of the modification or the period of depreciation or amortization of the facility for the purpose of section 167 or 169 of the internal revenue code, whichever ends first, if all of the following apply:
283.17(2)(a) (a) The modification of the point source commenced after October 18, 1972.
283.17(2)(b) (b) The point source, as modified, meets the most stringent effluent limitation established under s. 283.13.
283.17(2)(c) (c) The limitation under par. (b) assures protection and propagation of a balanced indigenous population of shellfish, fish, and wildlife in and on the water into which the discharge is made.
283.17 History History: 1987 a. 27 ss. 1846mg, 1846ms; Stats. 1987 s. 147.055; 1991 a. 39; 1995 a. 227 s. 862; Stats. 1995 s. 283.17; 2015 a. 307.
283.19 283.19 Standards of performance.
283.19(1)(1) The department shall, by rule, promulgate standards of performance, for each class or category of sources referred to under s. 283.13 (1) that is required to be covered by permits issued under s. 283.31, which shall reflect the greatest degree of effluent reduction achievable through the application of the best available demonstrated control technology, processes, operating methods, or other alternatives. Where practicable, a standard of performance permitting no discharge of pollutants shall be adopted.
283.19(2) (2) Standards of performance adopted under this section shall apply to all new sources within each class or category of sources for which a standard of performance has been adopted under this section.
283.19(3) (3) The department shall revise such standards to reflect changes in control technology, processes, operating methods or other alternatives. When establishing or revising standards of performance under this section, the department shall consider the cost of achieving such effluent reductions and the nonwater quality environmental impact and energy requirements of such reductions.
283.19(4) (4) The department may distinguish among classes, types and sizes within categories of sources for the purpose of establishing or revising standards of performance under this section.
283.19(5) (5) No owner or operator of any new source may operate such source in violation of any standard of performance applicable to such a source.
283.19 History History: 1973 c. 74; 1993 a. 16.; 1995 a. 227 s. 863; Stats. 1995 s. 283.19; 2015 a. 307.
283.19 Cross-reference Cross-reference: See also NR 200-, Wis. adm. code.
283.21 283.21 Toxic and pretreatment effluent standards.
283.21(1)(1) Toxic effluent limitations and standards.
283.21(1)(a) (a) List. The department shall promulgate by rule a list of toxic pollutants or combinations of pollutants subject to this chapter which consists of those toxic pollutants referred to in table 1 of committee print number 95-30 of the committee on public works and transportation of the U.S. house of representatives. After promulgation of this list, the department may revise by rule the list periodically and may add to or remove from the list any pollutant. In revising this list the department shall consider the toxicity of the pollutant, its persistence, degradability, the usual or potential presence in any waters of any organisms affected by the discharge of the toxic pollutant or combination of pollutants, the importance of the affected organism and the nature and extent of the effect of the toxic pollutant on these organisms. A determination by the department under this subsection is subject to declaratory judgment proceedings under s. 227.40.
283.21(1)(b) (b) Effluent standards. The department may promulgate by rule an effluent standard, which may include a prohibition, establishing requirements for a toxic pollutant which, if an effluent limitation is applicable to a class or category of point sources, is applicable to that category or class of point sources only if this effluent standard imposes more stringent requirements than are imposed under s. 283.13 (2) (b). An effluent standard promulgated under this section shall take into account the toxicity of the pollutant, its persistence, degradability, the usual or potential presence of affected organisms in any waters, the importance of affected organisms, the nature and extent of the effect of the toxic pollutant on these organisms and the extent to which effective control is being or may be achieved under other regulatory authority.
283.21(1)(c) (c) Promulgation; review. The department shall promulgate by rule an effluent standard which may include a prohibition in accordance with par. (a) for each toxic pollutant referred to in table 1 of committee print number 95-30 of the committee on public works and transportation of the U.S. house of representatives as soon as practicable but no later than one year after the U.S. environmental protection agency promulgates an effluent standard for the pollutant. The department shall establish effluent standards for any other toxic pollutant listed under par. (a) as soon as practicable after it is listed. Each effluent standard promulgated under this paragraph shall be reviewed and, if appropriate, revised every 3 years.
283.21(1)(d) (d) Ample margin of safety. An effluent standard promulgated under this subsection shall be established at that level which the department determines provides an ample margin of safety.
283.21(1)(e) (e) Applicability to classes or categories of sources. If the department proposes or promulgates an effluent standard under this subsection, it shall designate the class or category of point sources to which the effluent standard applies. The department may include the disposal of dredged material in a class or category of point sources.
283.21(1)(f) (f) Effective date. An effluent standard promulgated under this subsection takes effect on the date specified in the order promulgating the standard, but not more than one year after the date of the order. If the department determines that compliance within one year after the date of the order is technologically infeasible for a class or category of sources, the department may establish the effective date for the effluent standard for that class or category of sources at the earliest date upon which compliance can be feasibly attained by those sources, but in no case more than 3 years after the date of the order.
283.21(1)(g) (g) Procedure for promulgation in absence of federal standards. In promulgating rules establishing a toxic effluent standard or prohibition for which the U.S. environmental protection agency has not promulgated a toxic effluent limitation, standard or prohibition, the department shall follow the additional procedures specified in s. 283.11 (4) (d).
283.21(2) (2) Pretreatment standards.
283.21(2)(a) (a) The department shall by rule promulgate pretreatment standards to regulate the introduction into publicly owned treatment works of pollutants which are not susceptible to treatment by such treatment works or which would interfere with the operation of such treatment works.
283.21(2)(b) (b) Pretreatment standards promulgated under this section shall specify a time for compliance, not to exceed 3 years after the date of promulgation, and shall be established to prevent the discharge through any publicly owned treatment work of any pollutant which interferes with, passes through, or otherwise is incompatible with the treatment works. If any toxic pollutant under sub. (1) is introduced by a source into a publicly owned treatment works, if the treatment by the works removes all or any part of that toxic pollutant, if the discharge from the works does not violate the effluent limitation or standard which would be applicable to that toxic pollutant if it were discharged by the source other than through a publicly owned treatment works and if the treatment of that toxic pollutant does not prevent sludge use or disposal by the works in accordance with section 1345 of the federal water pollution control act, as amended, 33 USC 1251 to 1376, then the pretreatment requirements for the sources actually discharging the toxic pollutant into the publicly owned treatment works may be revised by the owner or operator of the works to reflect the removal of that toxic pollutant by the works.
283.21(2)(c) (c) The department shall by rule promulgate the classes or categories of sources to which the pretreatment standards adopted under this section shall apply.
283.21(2)(d) (d) The department shall revise the pretreatment standards adopted under this section to reflect changes in control technology, processes, operating methods or other alternatives.
283.21 History History: 1973 c. 74; 1979 c. 221; 1985 a. 29; 1985 a. 182 ss. 11, 57; 1995 a. 227 s. 864; Stats. 1995 s. 283.21.
subch. IV of ch. 283 SUBCHAPTER IV
283.31 283.31 Water pollutant discharge elimination system; permits, terms and conditions.
283.31(1)(1) The discharge of any pollutant into any waters of the state or the disposal of sludge from a treatment work by any person is unlawful unless such discharge or disposal is done under a permit issued by the department under this section or s. 283.33. The department may by rule exempt certain classes or categories of vessels from this section.
283.31(2) (2) No permit shall be issued by the department for the discharge into the waters of the state of any of the following:
283.31(2)(a) (a) Any radiological, chemical or biological warfare agent or high-level radioactive waste.
283.31(2)(b) (b) Any discharge which the secretary of the army acting through the chief of the U.S. army corps of engineers has objected to in writing on the ground that anchorage and navigation would be substantially impaired.
283.31(2)(c) (c) Any discharge to which the U.S. environmental protection agency has objected to in writing pursuant to s. 283.41.
283.31(2)(d) (d) Any discharge from a point source which is in conflict with any existing area-wide waste treatment management plan approved by the department. No area-wide waste treatment management plan may require the abandonment of existing waste treatment facilities which meet the requirements of this chapter unless the abandonment of such facilities clearly represents the most efficient and cost-effective method of providing waste treatment for the entire planning area.
283.31(3) (3) The department may issue a permit under this section for the discharge of any pollutant, or combination of pollutants, other than those prohibited under sub. (2), upon condition that such discharges will meet all the following, whenever applicable, subject to sub. (5m):
283.31(3)(a) (a) Effluent limitations.
283.31(3)(b) (b) Standards of performance for new sources.
283.31(3)(c) (c) Effluent standards, effluents prohibitions and pretreatment standards.
283.31(3)(d) (d) Any more stringent limitations, including those:
283.31(3)(d)1. 1. Necessary to meet federal or state water quality standards, or schedules of compliance established by the department; or
283.31(3)(d)2. 2. Necessary to comply with any applicable federal law or regulation; or
283.31(3)(d)3. 3. Necessary to avoid exceeding total maximum daily loads established pursuant to a continuing planning process developed under s. 283.83.
283.31(3)(e) (e) Any more stringent legally applicable requirements necessary to comply with an approved areawide waste treatment management plan.
283.31(3)(f) (f) Groundwater protection standards established under ch. 160.
283.31(4) (4) The department shall prescribe conditions for permits issued under this section to assure compliance with the requirements of sub. (3). Such additional conditions shall include at least the following, subject to sub. (5m):
283.31(4)(a) (a) That the discharge of any pollutant more frequently than or at a level in excess of that identified and authorized by the permit shall constitute a violation of the terms and conditions of the permit;
283.31(4)(b) (b) That facility expansions, production increases, or process modifications which result in new or increased discharges of pollutants at frequencies or levels in excess of the maximum discharges described in the permit shall be reported to the department under s. 283.59 (1);
283.31(4)(c) (c) That the permittee shall permit authorized representatives of the department upon the presentation of their credentials to enter upon any premises in which an effluent source is located or in which any records are required to be kept for the purpose of administering s. 283.55;
283.31(4)(d) (d) That the permittee shall at all times maintain in good working order and operate as efficiently as possible any facilities or systems of control installed by the permittee to achieve compliance with the terms and conditions of the permit;
283.31(4)(e) (e) That if a toxic effluent standard or prohibition, including any schedule of compliance specified in such effluent standard or prohibition, is established under s. 283.21 (1) for a toxic pollutant present in the permittee's discharge and, if such standard or prohibition is more stringent than any limitation upon such pollutant in the permit, the department shall revise or modify the permit in accordance with the toxic effluent standard or prohibition;
283.31(4)(f) (f) That, if the permit is for a discharge from a publicly owned treatment work, the permittee shall:
283.31(4)(f)1. 1. Inform the department of any new introduction of pollutants into the treatment works under s. 283.59 (2);
283.31(4)(f)2. 2. Require that any industrial user of such treatment work comply with the requirements of ss. 283.21 (2), 283.55 and 283.57.
283.31(5) (5) Each permit issued by the department under this section shall, in addition to those criteria provided in subs. (3) and (4), specify maximum levels of discharges. Maximum levels of discharges shall be developed from the permittee's reasonably foreseeable projection of maximum frequency or maximum level of discharge resulting from production increases or process modifications during the term of the permit.
283.31(5m) (5m) The department shall include the requirements of 40 CFR 451.11 in permits issued under this section for concentrated aquatic animal production facilities described in 40 CFR 451.10. The department may not include additional conditions in a permit for a fish farm except as necessary for the farm to meet the applicable limitations, standards, and other provisions described in sub. (3) (a) to (f). Any conditions included in a permit issued under this section for a fish farm shall be limited to site-specific best management practices to the greatest extent allowed under federal law.
283.31(6) (6) Any permit issued by the department under this chapter which by its terms limits the discharge of one or more pollutants into the waters of the state may require that the location, design, construction and capacity of water intake structures reflect the best technology available for minimizing adverse environmental impact.
283.31(7) (7) The holder of a permit under this section shall pay $100 to the department as a groundwater fee on January 1 if the permittee discharges effluent on land or if the permittee produces sludge from a treatment work which is disposed of on land. If the permittee discharges effluent on land and disposes of sludge from a treatment work on land, the permittee shall pay $200 to the department as a groundwater fee on January 1. The moneys collected under this subsection shall be credited to the environmental fund for environmental management.
283.31(8) (8) The holder of a permit under this section for a concentrated animal feeding operation shall annually pay to the department a fee of $345, which shall be credited to the appropriation account under s. 20.370 (9) (ag). The department shall annually submit a report to the joint committee on finance and, under s. 13.172 (3), to the standing committees of the legislature with jurisdiction over agricultural and environmental matters describing the use of the moneys credited to the appropriation account under s. 20.370 (9) (ag) under this subsection and the use of the moneys appropriated under s. 20.370 (9) (ap).
283.31 History History: 1973 c. 74; 1975 c. 349; 1983 a. 410; 1993 a. 16.; 1995 a. 227 s. 851, 857; Stats. 1995 s. 283.31; 1997 a. 27; 1999 a. 85; 2009 a. 28; 2011 a. 207; 2013 a. 70; 2015 a. 196; 2017 a. 21; 2019 a. 9.
283.31 Cross-reference Cross-reference: See also chs. NR 203, 204, 206, 208, 213, 214, 231, and 236 and s. NR 200.01, Wis. adm. code.
283.31 AnnotationThis section does not govern dam removal. Chapter 31 does. Froebel v. DNR, 217 Wis. 2d 652, 579 N.W.2d 774 (Ct. App. 1998), 97-0844.
283.31 Annotation A concentrated animal feeding operation (CAFO) under s. 283.01 (12) includes not only where the animals are confined, but also the equipment that applies the animal waste to fields outside the confinement area, whether the fields are owned by the CAFO operator or others. Any overapplication of manure by the operator is a discharge under s. 283.01 (5) whether because of runoff to surface waters or percolation to groundwater. DNR has authority to regulate discharges from overapplication of manure from a CAFO regardless of whether the discharge occurs on land owned by the CAFO. Maple Leaf Farms v. DNR, 2001 WI App 170, 247 Wis. 2d 96, 633 N.W.2d 720, 00-1389.
283.31 Annotation The DNR has authority under sub. (1) to issue permits to federal agencies. 68 Atty. Gen. 52.
283.33 283.33 Storm water discharge permits.
283.33(1)(1) Requirement. Except as provided in sub. (1m), an owner or operator shall obtain a permit under this section for any of the following:
283.33(1)(a) (a) A discharge from a discernible, confined, and discrete conveyance of storm water associated with an industrial activity that meets criteria in rules promulgated by the department.
283.33(1)(am) (am) A discharge from a discernible, confined, and discrete conveyance of storm water associated with a construction site, including a construction site for a building, that meets criteria in rules promulgated by the department.
283.33(1)(b) (b) A discharge of storm water from a municipal separate storm sewer system serving an incorporated area with a population of 100,000 or more, as determined by the 1990 federal census.
283.33(1)(c) (c) A discharge of storm water from a municipal separate storm sewer system serving an area located in an urbanized area, as determined by the U.S. bureau of the census based on the latest decennial federal census.
283.33(1)(cg) (cg) A discharge of storm water from a municipal separate storm sewer system serving an area with a population of 10,000 or more and a population density of 1,000 or more per square mile, if the system is designated by the department to be regulated under this section based on an evaluation of whether the storm water discharge results in, or has the potential to result in, water quality standards being exceeded, including impairment of designated uses, or in other significant water quality impacts, including habitat and biological impacts.
283.33(1)(cr) (cr) A discharge of storm water from a municipal separate storm sewer system that is designated by the department to be regulated under this section because the system contributes substantially to the pollutant loadings of a physically interconnected municipal separate storm sewer system that is regulated under this section.
283.33(1)(d) (d) A discharge of storm water from a facility or activity, other than a facility or activity under pars. (a) to (cr), if the department determines that the discharge either contributes to a violation of a water quality standard or is a significant contributor of pollutants to the waters of the state.
283.33(1m) (1m) Exemptions; limitation on local permitting.
283.33(1m)(a)(a) An owner or operator is not required to obtain a permit under this section for any of the following:
283.33(1m)(a)1. 1. A discharge of storm water associated with planting, growing, cultivating, or harvesting crops for use or consumption by humans, livestock, as defined in s. 95.80 (1) (b), or poultry, including sod farms and tree nurseries.
283.33(1m)(a)2. 2. A discharge of storm water associated with pasturing or yarding livestock, as defined in s. 95.80 (1) (b), or poultry.
283.33(1m)(a)3. 3. A discharge of storm water from land containing dredged material removed from a drainage district ditch, if the land is adjacent to the ditch from which the dredged material was removed.
283.33(1m)(a)4. 4. Any other discharge of storm water exempted by the department by rule from obtaining a permit under this section.
283.33(1m)(b) (b) A political subdivision may not require an owner or operator to obtain a permit from the political subdivision for any discharge described under par. (a) 1. to 4. In this paragraph, "political subdivision" means a city, village, town, or county.
283.33(1m)(c) (c) The exemptions under par. (a) and the prohibition under par. (b) do not apply to the construction of barns, manure storage facilities, barnyard runoff control systems, or other similar structures.
283.33(2) (2) Municipal separate storm sewer systems; applications. The owner or operator of a portion of a municipal separate storm sewer system for which a permit is required under sub. (1) shall do one of the following:
283.33(2)(a) (a) Submit a permit application for its portion of the municipal separate storm sewer system.
283.33(2)(b) (b) Submit a permit application jointly with one or more other owners or operators of the municipal separate storm sewer system.
283.33(2)(c) (c) Authorize a regional authority with control over discharges to a separate storm sewer system that serves areas in more than one municipality to submit an application for a permit that covers the owner's or operator's portion of the municipal separate storm sewer system and other portions of the system if all of the following apply:
283.33(2)(c)1. 1. The regional authority, together with the owners or operators, has authority over a storm water management program that will be in operation by the deadline established by the department.
/statutes/statutes/283 true statutes /statutes/statutes/283/iv Chs. 279-299, Natural Resources statutes/subch. IV of ch. 283 statutes/subch. IV of ch. 283 section true


text:
Q: Problema con envio de datos por ajax (laravel) Estoy enviando un dato por ajax con type : 'post', pero me genera error, cuando lo cambio a type : 'get', los datos si son recibidos en success. Este es el codigo.
Ajax
$('.QuestionList-item').on('click', function() {
        $('.Question').show();
        $('.QuestionList').removeClass('col-12').addClass('col-6');

        var param = {
            '_token'  : $('#token').val(),
            'userid': $(this).children('.clientName').val()
        };

        $.ajax({
            url     :  "{{route('questionDetail')}}",
            type    :  'post',
            dataType:  'json',
            data    :   param,
            success :   function (data) {
                alert('send');
            },
            error   :   function() {
                alert('error');
            }
        });
    });

Blade
@foreach($questions as $question)

            <svg title="checkmark" viewBox="0 0 32 32" class="svgIcon detailsTitle-checkmarkSvg"><polygon points="30,5.077 26,2 11.5,22.5 4.5,15.5 1,19 12,30"></polygon></svg>

        {{$question->product->name}}
        <input class="clientName" type="text" value="{{$question->user_id}}">

@endforeach

Ruta
Route::post('preguntas', [
'uses' => 'QuestionController@questionDetail',
'as' => 'questionDetail',
'middleware' => 'VerifyProvider']);

Controlador
function questionDetail(Request $request){
    if($request->ajax()){
        $user = User::find(1);
        return response()->json([$user]);
    }
}

A: Ya solucioné el error.
Para enviar por el metodo post, en laravel es necesario el token. Se me olvidó ponerlo en blade.
<input id="token" type="hidden" name="_token" value="{{ csrf_token() }}">

A: Luego de iniciar el evento .on pones esto:
event.preventDefault();
$.ajaxSetup({headers: { 'X-CSRF-Token' : $('meta[name=_token]').attr('content')}  })


Sorry. There are no upcoming Lola Kirke shows near Ashburn, Virginia.
Aaron "Neddy" Stein profiled new albums by Lola Kirke, Mikaela Davis, Mary Lattimore, Emma Tricca & Liz Cooper & The Stampede that both he and his wife love.


CranioSacral Therapy may be covered by insurance. You need the approval of your doctor and insurance carrier.
Hours: Richard works Monday through Sunday. He is available at different locations on different days of the month.
* Fees may vary at certain locations.
Other locations & home appointments. may be arranged in the Chicago Land area. Please contact Richard Popp to make an appointment.


Dr. Christopher Warren, a project coordinator at the University of South Florida, was named director of the Write Field Program for Minority Youth at the Poynter Institute on Thursday. He will succeed Kenny Irby, who left the institute last month.
Warren, who oversees a program for unmarried parents, is a non-traditional hire for a writing program once headed by Irby, a traditionally trained journalist.
Now in its fifth year, the Write Field Program mentors middle school boys in hopes of improving their academic performance. The program was featured nationally on PBS and recognized by U.S. Education Secretary Arne Duncan last year for its work in helping to reduce the dropout rate, especially among students of color.
Before being named director, Warren had served as a mentor with the Write Field Program for three years, according to a press release announcing his new appointment.
Irby, who had been director of diversity programs and community relations and who also founded Poynter's photojournalism department in 1995, left as part of a "necessary reduction in staff as the institute seeks financial stability," the Maynard Institute's Richard Prince reported late last month.


The Classic Century delivers both form and function. In this simple, yet elegant design, the small-sized journal features a high-quality finish with an elastic closure and ribbon page marker. Inside, you'll find lightly lined, perforated pages for ease and flexibility.


We understand and we deliver! We provide you with housekeepers and professional cleaners, with years of cleaning experience.
Wipe down of window grills and internal glass panel within reachable and accessible height and limit.


As promised I am about to deliver to you 7 strategies to make more money…immediately. This continues my series of ACTION LISTS for you to generate quick results. There is no guess work here, just hard hitting strategies to implement and make you more money.
Last week I gave you a comprehensive list of referral strategies and systems that you should have in your arsenal and as part of your new customer strategy at every major point in your business.
Now…here's 7 down and dirty fast to get results ways to add money to your bottom line now.
1. Offer an upsell. Whatever you are selling now, however your transactions are structure make sure you are offering an upsell after purchase to your customers. Once they say yes to one thing, they'll say it again to something else.
2. Add additional payments. One of the fastest ways to increase your prices is to add payments. If you only ask for one payment now, raise your price and ask for two payments. If they paid the amount once they will pay it twice. This is easy money and adds no work to your sales process.
3. Create a premium version or a bundle of everything you offer. Some call it the "whole enchilada" or the complete package, whatever it is, just sell them everything at once. No one will buy what you don't offer for sale, offer it, someone will buy it.
4. Fast Start or Introductory Program. This is an interesting one that most won't realize exists in their business until someone shows them. Think of it this way what are the 3-6 things that each of your new customers would like to know or need to know; or would just make them better customers for you? Package this up as a starter item include in it the sale or upsell but people will buy it because it just makes sense, and actually you probably need it anyway to do your customer the best service.
5. Sell education: instructional calls, workshops, and events. This is similar to number 4 but just more related to education or ongoing seminars or workshops. The reality is you can't overfeed your buyer if they are the best customers and one that is really into your business products and services. Sell other ways for them to learn more. This is one of the fastest ways to generate revenue, to put on an event, or to sell to your existing customers something new.
6. Private…anything…concierge membership…high end. This is somewhat self explanatory, but I will use the example of a fitness center. They sell membership, they sell products, they sell additional workshops and classes, they sell premium memberships, they sell upsells, they do all of this but they also offer PRIVATE Training, they offer a one-on-one version of everything else. This could be you, whether someone goes out to install whatever it is you sell or someone is dedicated as 'The Concierge' there is always room for something more individualized or custom in your business.
7. Coaching / Consulting. Sell your customers coaching on anything really, but certainly on your niche or subculture or whatever category you sell or provide. Everyone likes a leader and wants one actually. You can do group or individual, term or ongoing, or just as an upsell or starter package. Sell your information and knowledge, sell your time and leverage, don't just sell your products and services.
Consulting is another, entirely different ball game, and my favorite. I'm well known for putting people in the consulting business and helping them find hidden, bigger money within their customer base and industry by adding consulting as a key revenue growth strategy. It also brings about many opportunities that you would not otherwise have cultivated.
Next week I'll bring you a list of things I've never shared before. The ultimate customer selling and psychology list…why they buy, and how to get them to buy more from you.
It's advanced…and may very well offend you, it's definitely going to make you laugh out loud at the sales training that you've followed up to this point. What I will share with you will cover all medias, face to face, seminar, and online selling – in general – my list will help you everywhere you ask for money.


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Tom Brady hits a record-breaking fourth-quarter comeback in game #44 as the Tampa Bay Buccaneers beat the New Orleans Saints
When his team trails in the fourth quarter, Tom Brady It is almost inevitable.
Down 13 points against the New Orleans Saints in the closing minutes, Brady led the Tampa Bay Buccaneers to an improbable 17-16 win on Monday Night Football.
In the process, he passed Peyton Manning for the most career fourth quarter returns (44) in NFL history.
The win was unusual even by Brady standards, marking the largest fourth-quarter regular season comeback of his career, according to ESPN.
"Just as we painted it," the 45-year-old replied as he arrived at the post-match press conference, prompting a flurry of laughter from those present.
The comeback began with 5:21 remaining when Brady led the Bucs on a 10 drive that ended when Cade found Otton on a one-yard touchdown pass.
That brought Tampa Bay within six points before Brady orchestrated an 11-play game-winning touchdown run and found Rashad White for a touchdown with three seconds left in the game.
Ryan Succop's extra point made the difference between the two teams, moving the Bucs to 6-6 on the season at the top of the NFC South while the Saints fell to 4-9.
Brady finished the night with 36 of 54 passes for 281 yards and later dedicated the win to his daughter Vivian, who celebrated her 10th birthday on Monday.
Having announced his retirement earlier this year only to reverse resolutionThe win was proof that the seven-time Super Bowl champion wasn't done yet on the football field.
"We've got a lot of games to go, some we've won and some we've lost, and that's why we're 6-6," Brady told reporters. "This is not where we want to be, but we will keep fighting."
For the Saints, it was a disappointing night against their rivals at Raymond James Stadium.
Quarterback Andy Dalton was 20 of 28 for 229 yards and 1 touchdown, which came when he connected with Taisum Hill in the second quarter. Otherwise, they were tied to three field goals by Will Lutz.
"I feel like a broken record saying the same thing over and over," He said Dalton. "We just missed opportunities."
Coach Dennis Allen Dalton shared his frustration: "We gave ourselves every chance and didn't make it… I felt like we had a chance to win this game and we didn't finish," he said.
New Orleans this weekend and the Atlanta Falcons on Dec. 18, while Tampa Bay takes on the San Francisco 49ers on Sunday.
"Alcohol enthusiast. Twitter ninja. Tv lover. Falls down a lot. Hipster-friendly coffee geek."
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NYPD officers identified 3 protesters who arrested in Times Square during the Nichols photo demonstrations
Rep. George Santos' staff is under scrutiny on Capitol Hill


text:
Quick Transmigration Female Lead: Male God, Never Stopping
Chapter 1641: Being a popular singer: Hello sir major! (Part 55)
Luo Qing Chen suddenly felt like she was being teased and this certain major's teasing was that successful!
No matter how good people were in this world, they would always have flaws, but to hug you using that flaw was that special.
"Thank you, Shi Yi Bei." Luo Qing Chen said with a faint smile, "I feel that you are more dazzling than when you were major Shi."
"Really?" Shi Yi Bei lovingly patted her head, "I hope that in your eyes, I will always be dazzling."
He wanted to be the most dazzling person in her eyes, always being the only one to attract her attention in a crowd.
Luo Qing Chen gave him a warm smile as she gave a serious nod.
This was the love she wanted the most, blooming splendidly in winter.
Smiling with each other, a quiet life.
The next morning, Luo Qing Chen got up early. Because of the military accomplishments of the Silver Soul Squad in the White Cliff United Nations, their entire squad was given five days off.
Shi Yi Bei said that this was his first long vacation.
He also said that this was his first date.
Since the movie theater was banned by Luo Qing Chen, this time our major Shi changed the location.
Amusement park!
In order to cater to Shi Yi Bei's first day, Luo Qing Chen changed into a lotus pink sweater which had white bunny ears in front. She had a moon white dress, a pair of black leather shoes, and slight curls in her hair which made her look young and cute. She looked just like a high school student.
But in reality, what she was wearing was the new set from Milan this year. Her entire outfit cost fifty thousand and that didn't include her backpack and jewelry.
A silver gray Maserati and Shi Yi Bei stood there with his hands in his pocket.
He was wearing a casual uniform and if you didn't look closely, you would think that they were wearing couples outfits.
It was really hard to imagine that this person who was dressed like a rich second generation was a man who defended the country, running in front of bullets without fear to protect children, and had even been shot eight times.
It seems like Shi Ze really loved this son of his, or how could he let him become a soldier?
Luo Qing Chen waved her hand at him with a face covered in happiness.
"Major Shi's car really is expensive." Luo Qing Chen sat in the passenger seat and seeing the decorations of the car, she teased him with a smile.
"I'm used to driving a jeep or a tank, I'm really not used to driving this kind of car." Shi Yi Bei couldn't help looking in her direction.
This feeling really was wonderful.
This was the first time in his life that he couldn't help thinking that if he wasn't a soldier, if he had a permanent vacation, he could always be by her side.
"What are you thinking that you're this lost in thought?" Luo Qing Chen looked at him and said, "If you keep looking at me, I'll feel embarrassed."
Love in the beginning was like an obsession, you would be excited by every action the other side made.
"You look good!" He narrowed his eyes and revealed a gentle smile, "It looks good no matter how you look at it."
She suddenly felt that Shi Yi Bei was a man who could wildly throw sweet words at her, but his words were always serious.
Actually, if she could be with Shi Yi Bei like this in this life, it should be a very beautiful thing.
DXHaseoXD


If theatre were a religion, explains David Mamet in his opening chapter, 'many of the observations and suggestions in this book might be heretical'. As always, Mamet delivers on his promise: in Theatre, the acclaimed author of Glengarry Glen Ross and Speed the Plow, calls for nothing less than the death of the director and the end of acting theory. For Mamet, actors are either good or they are non-actors, and good actors generally work best without the interference of a director, however well-intentioned. Issue plays, political correctness, method actors, impossible directions, Stanislavksy, and elitists all fall under Mamet's critical gaze. To students, teacher, and directors, who crave a blast of fresh air in a world that can be insular and fearful of change, Theatre throws down a gauntlet that challenges everyone to do better, including Mamet himself.
From iconic and idiosyncratic director and playwright David Mamet, a mischievous manifesto designed to defrock the high priests and challenge the holy bibles of the theatre world.
If theatre were a religion, explains David Mamet in his opening chapter, 'many of the observations and suggestions in this book might be heretical'. As always, Mamet delivers on his promise: in Theatre, the acclaimed author of Glengarry Glen Ross and Speed the Plow, calls for nothing less than the death of the director and the end of acting theory. For Mamet, actors are either good or they are non-actors, and good actors generally work best without the interference of a director, however well-intentioned. Issue plays, political correctness, method actors, impossible directions, Stanislavksy, and elitists all fall under Mamet's critical gaze. To students, teacher, and directors, who crave a blast of fresh air in a world that can be insular and fearful of change, Theatre throws down a gauntlet that challenges everyone to do better, including Mamet himself.From iconic and idiosyncratic director and playwright David Mamet, a mischievous manifesto designed to defrock the high priests and challenge the holy bibles of the theatre world.


text:
Rugby logos
Melbourne Storm Logo
Melbourne Storm Logo PNG
While the logo of the rugby league team Melbourne Storm went through an update in 2018, it hasn't changed dramatically. The brand identity has always preserved its three core values: the color purple, the depiction of Storm man, and the lightning bolt.
Anyone who has seen the current Melbourne Storm logo would have recognized the original one, too. Here, we also see the iconic Storm man, although the design is more complex. The Storm man's torso goes out of a navy cloud, which appears to be boiling.
Interestingly, it wasn't the first logo developed for the team. Before adopting the Storm man logo and the name Melbourne Storm, the cofounders were going to name the club Melbourne Mavericks. The initial brand identity supposed a completely different logotype – it featured a gunslinger with a fistful of dollars. However, they received a recommendation from News Limited's Lachlan Murdoch, who told they should develop another brand identity as this one sounded too American. Among the multiple ideas discussed were Trams and Flying Foxes.
Eventually, Chris Johns and John Ribot opted for the themes of lightning, power, and storm, and the current brand identity was introduced.
On 17 October 2018, the 20th Anniversary logo was unveiled depicting only the torso of the Storm man and the name of the team in a different font. The design was placed in a shield with the lettering "20 years."
The anniversary shield was transformed into a new team logo. For this, the shield shape was removed and the type was slightly modified.
The sharp elements on the letters fit the lightning bolt perfectly.
The co-founders wanted to build the palette upon the symbol of their state, Victoria (navy blue with a white "V"). They also received a recommendation from the JAG fashion house's Peter McWhirter, the club consultant, who told they could make the brand identity more eye-pleasing by using purple and gold. The four colors were used from 1998 to 2004.
In 2005-2009, gold was replaced by gray. In 2010-2012, the gold returned, the gray disappeared, while the purple became the dominant color in the jersey. In 2013, the team introduced a new jersey, where the "V" was deeper and there was more navy. Gone were the gold and most of the white, while the lightning bolts grew purple.
In addition to the purple, which has been associated with the Melbourne Storm logo ever since the team was introduced, the current emblem also features navy, gray, and white. Out of these colors, gray is the only one that isn't included in the list of the team's official colors and isn't used for the kits.
Penrith Panthers Logo
Crusaders Logo
St. George Illawarra Dragons Logo
Wests Tigers Logo
South Sydney Rabbitohs Logo
Canterbury-Bankstown Bulldogs Logo
Parramatta Eels Logo
Gold Coast Titans Logo
The Highlanders Logo
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Sydney Roosters Logo
Play the game, guess the logos!!
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Dubai has become a global business and commercial trading hub in the Middle East. Home to manmade islands, great hotels, massive entertainment and shopping malls, Dubai is a place where one is bound to encounter cultures from around the world that blend together beautifully.
Explore the stunning island of Corfu! Luxury Experience has a great choice of deals on luxury hotels in Corfu, so come in and see what you can save today!


Composed between 1996 and 1998 Nemesis is a three movement work. It is written in a contemporary classical style with jazz and latin influences. There is a short improvised section in part two, with an alternative notated 'solo'. Nemesis was originally composed for soprano saxophone and vibraphone and recorded by Rob Buckland and Simone Rebello on the CD "Towards the Light ", Andy Scott completed this version of Nemesis for flute and vibraphone in 2003.


To create a brand is a journey. It is as if the brand needs to be revealed - layered under ideas and expectations, the authentic brand is found in the core values and the feeling of the business. Working through this process with someone is beautiful - it is like giving something life.


text:
Q: upsert:true with a Dotted _id Query https://docs.mongodb.com/manual/reference/method/db.collection.update/#mongodb30-upsert-id
According to this document the upsert does not go through because
"This restriction ensures that the order of fields embedded in the _id document is well-defined and not bound to the order specified in the query"
But if I slighlty modify the query as shown below, it inserts successfully.
Why is this allowed?
db.collection.update(
    {"_id.name": "Robert Frost", "_id.uid": 0},
    {"$set": {"categories": ["poet", "playwright"]}},
    {upsert: true}
)

https://jira.mongodb.org/browse/SERVER-34189?page=com.atlassian.jira.plugin.system.issuetabpanels%3Aall-tabpanel


text:
Q: Find -> (node:1976) Warning: a promise was created in a handler but was not returned from it How to find where promise is created and not returned. I am using bluebird.
(node:1976) Warning: a promise was created in a handler but was not returned from it

I know we can ignore this warning by adding BLUEBIRD_W_FORGOTTEN_RETURN=0 in my environment. I am more interested in to find where it is coming from.


text:
Home»Deerfield Beach»Our Congressman Ted Deutch Responds to Robert Mueller's Statement
Deerfield Beach/Lighthouse Point/News/Pompano Beach
Our Congressman Ted Deutch Responds to Robert Mueller's Statement
Our area Congressman Ted Deutch issued a response earlier today to Robert Mueller's statement on his investigation and report. Deutch's district includes much of Northeast Broward County including most of Pompano Beach, Deerfield Beach, Lighthouse Point and Lauderdale-by-the-Sea.
Following Special Counsel Robert Mueller's press conference, Congressman Ted Deutch (FL-22) issued this statement:
"Today Special Counsel Mueller made clear that Congress must act to ensure that the President is not above the law. In his brief remarks he said, '[i]f we had confidence the president clearly did not commit a crime, we would have said so.'"Contrary to what President Trump has said, the Special Counsel's investigation did not exonerate him or find him innocent. Rather, the Special Counsel was prevented from reaching a conclusion based on Department of Justice policy, and he said that the 'constitution requires a process other than the criminal justice system to formally accuse a sitting president of wrongdoing.' "As the Special Counsel leaves the Department of Justice, it is time for President Trump to stop lying and stop stonewalling congressional investigations. Congress's role is not a do-over of the Special Counsel's criminal investigation but an inquiry into whether the President of the United States violated his oath of office, broke the public trust, and committed high crimes and misdemeanors."
Earlier today, Mueller made his first public statement since he began his investigation two years ago. USA Today reports: "Robert Mueller objected to Attorney General William Barr's characterization of the principal findings of the Russia investigation and asked the attorney general on multiple occasions to release the special counsel's prepared summaries of the report."
This story was prepared by our local news desk with additional information from various public sources and other websites.
For more Pompano Beach news and things to do in Pompano Beach read Pompano! magazine and search our website.
Congressman Ted Deutch. Courtesy Photo
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Seminole Hard Rock's $1.5 Billion Expansion Promises to Make the Hotel-Casino a World-Recognized Landmark
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Dining Guide/Local Restaurants/Pompano Beach/Restaurants
OUT TO LUNCH: POMPANO BEACH AND DEERFIELD BEACH RESTAURANTS TO TRY FOR LUNCH