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This week's list includes two new Permanent Label releases with the first-ever domestic vinyl reissue of Martin Rev's Clouds Of Glory and VCSR's Tape 4! We also have the new Matchess LP from Trouble In Mind, two Robbie Basho reissues, Black Mountain reissue, Rolling Stones Sticky Fingers 180 Gram reissues, Rat Fist single, and some new cassette releases too! Check out the list below for further details…
The Chicago shop is gearing up for a big 4th of July party on Saturday with performances by Broken Water, Lil Tits, and Hogg! We'll be firing up the grills in the back, so bring your grill-ables! There will be separate grills for meat and veggies. FYI! R'n'R & BBQ = 'Murica!
Then on Sunday, July 5th Australia's Sewers is providing the jamz at the Chicago shop along with local noiseniks Den! This all starts around 5ish! As always in stores are ALL AGES and FREE!!!!
Thanks to everyone who came out to Permanent Records Presents: Forbidden Nights at the Ace Hotel! Stay tuned for more DJ sets in the near future!
Tickets available at the LA shop!
7in - Bad Axe - Coachman b/w Poor Man, Run (Ltd 300) A mere 3 copies left of the hard rockin' archival jammer from '73!
LP - Heater - God and Hair (Regular Edition on Black Vinyl) Columbia Missouri's short lived DIY RNR summer jammer, less than 10 copies are still in the mix.
LP - Leather Slave - Leather Slave (Black Wax, Ltd 200) Under 30 copies on the Permanent exclusive color vinyl left, c'mon creeps, there's still time!
LP - Purling Hiss - Purling Hiss (Regular Edition Black Vinyl) Fully printed jacket version is still with us thanks to a warehouse find! Only 9 copies left of this now classic Hiss debut by Mr. Mike Polizze! Screen printed tour edition stock is dwindling as well...
USED PICKS OF THE WEEK
LP - Robbie Basho - The Falconer's Arm II
Lance - Permanent Records Los Angeles
$99.99 → Email If Interested LISTEN
"This 1968 album, a monumental piece of folk guitar invention from the pioneering American six-string master, fuses the drones of Indian raga to flamenco and traditional folk in a similar fashion to his peers John Fahey and Sandy Bull. Robbie Basho had a profound influence on a younger generation of acoustic folk guitarists such as Leo Kottke and Stefan Grossman, who adapted many of his techniques into their repertoires. The Falconer's Arm, Vol. 2 is the second in a thematic series of works the guitarist recorded in the '60s for Takoma. His later work went further into new age territories and mysticism, yet his '60s recordings remain as essential to the anthology of American folk music as the work of John Fahey, with whom he shared more than a few traits in his six- and 12-string improvisations." - Allmusic.com
LP - The Mummies - Play Their Own Records
Liz - Permanent Records Los Angeles
"It makes perfect sense that the first LP release from garage punk revivalists/satirists the Mummies (and LP is the proper term as the band has never released anything in CD format) is a collection of previous singles. For the Mummies specialize in, among other things, repackaging pre-packaged material from rock's past and pointing out the absurdity of the Play the Hits collections from singles rock's past. Play Their Own Records is a perfect primer for the mania that was the Mummies, collecting as it does, all of the material from the Mummies' early singles (released on a handful of indie labels). These four San Francisco punks had the sense of humor and the audacity to perform out-of-control versions of '60s frat punk classics (along with their own wild, wooly, and socially retarded originals such as "Die," "[Doin' The] Kirk" and a handful of others here) wrapped up in stinking, dirty bandages. But the Mummies were also the next logical progression in the '60s punk lineage, following in the footprints of such Northwest rockers as the Wailers and the Sonics (the band to whom the Mummies owe the greatest debt of influence). But the songs here are also a piss-take on the retro-revivalists who put more fashion than passion into their rock & roll. Lo-fi and proud, the Mummies' takes on such Wailers hits as "Tall Cool One," "Out of Our Tree," and "Mashi" highlight and update the manic originals for a post-punk audience. Not that they were consciously thinking of that. the Mummies flaunted the concept of "budget rock" and flew the middle finger both musically and as a pose. Play Their Own Records is potent, feral punk rock and it doesn't come any more raw, propulsive, or infectious than the sounds the Mummies collected here." - Allmusic.com
LP - Sonic Youth - Confusion Is Sex (Test Pressing)
Emily - Permanent Records Los Angeles
$149.99 → Email If Interested LISTEN
"Abrasive and archaic, theatrical and confrontational, Confusion Is Sex marks the opening strides that Sonic Youth made during their long slog through the American underground scene of the '80s. And yes, this album is underground if anything; it's lo-fi to the point of tonal drabness, as the instruments seem to ring out in only one tone, that of screechy noise. Yet that tone in itself is part of the album's style, which is one of antithesis. The album isn't comprised of songs but rather soundscapes, while the instruments are your traditional guitar-bass-drums-vocals lineup but are performed most untraditionally. Taken as a whole, Confusion Is Sex is a spellbinding listen, especially the first time through. If you're a bona fide Sonic Youth fan, chances are you'll find it especially spellbinding -- the more of the band's albums you've heard, the better. However, if you're unfamiliar with the band, or a casual fan at most, chances are you're going to be thoroughly tested: this is not an easy album to enjoy. As inaccessible as it may be, however, Confusion Is Sex is a cornerstone of Sonic Youth's career, their true opening salvo toward underground heroism, though miles and miles away from such highly regarded albums as Daydream Nation (1988) or Dirty (1992)." - Allmusic.com
LP - Chocolate Watch Band - The Inner Mystique
Dave - Permanent Records Chicago
Still in shrink but open
"Released in early '68, the conundrum of The Inner Mystique is that not only was the band lineup at the time of the album's release almost totally different than the band that recorded the psyche-rippers on the second side, but more stunningly, the music on the first side of the album was mostly recorded by studio musicians Cobb'd together [sic] that were never in Chocolate Watch Band. Far from a detriment, its schizophrenic dual personality makes the album more interesting in my mind.
Let's take it one side at a time. The Inner Mystique kicks off with the psychedelic raga "Voyage of the Trieste". Drenched in sitars, chimes, meandering flute, and jazz sax breaks, the cut is propelled by a repetitive fuzzy power-chord pulsing 'm-e-l-l-o-w'. This cut is followed a soft sitar-psyche rendition of "In the Past" featuring Don Bennett singing. This shimmering and echoey number is impressive considering its strictly studio creature origins. The first side closes with the title track, another sitar ballad that is essentially a reprise of "Voyage of the Trieste", albeit slower and darker in tone. Altogether this side of the album is a pleasant slice of gentle psychedelia, enjoyable, but without the power of the second side to rescue it from the otherwise probable obscurity that would be its fate.
Which brings us to the actual Chocolate Watch Band on the second side. Five songs, covers done better than the originals all, composed of out-takes from their first album No Way Out and a remixed and redubbed version of Dylan's "It's All Over Now, Baby Blue" from CWB's first single released in '66. The first cut is a burning cover of "I'm Not Like Everybody Else" by the Kinks. Aguilar's vocals simmer, coming to a rolling boil as he barks out the chorus in a punk brogue Ray Davies couldn't have achieved. Bashing caveman drums and Fender Twins in overdrive, this is garage primitive at its best. It was at this point Cobb committed a cardinal sin – he removed the original and far superior vocals of Aguilar on the next two tracks, "Medication" and "Let's Go, Let's Go, Let's Go" and dubbed in Bennett's vocals which range from unexceptional on the former to painful on the latter. Despite the mediocre vocals, these tracks still cook. The Dylan cover is excellent although the original 45 version is better as the album cut suffers from Cobb's affinity for superfluous meandering flute overdubs. The album closes out with the wailing "I Ain't No Miracle Worker"; Aguilar positively howls. Jangly guitars and some overdubbed bouzouki round out this killer cut.
Confrontational garage-punk on stage or soft studio psychedelia, whatever it was the Chocolate Watch Band had moved on just as Ed Cobb moved on to producing other bands like Fleetwood Mac, Steely Dan, and Pink Floyd. Luckily we have these scraps and oily rags from the psyche-garage to ignite but The Inner Mystique applies the balm before the burn." - Thom Klepach (http://therisingstorm.net)
LP - Black Sabbath - Master Of Reality (WLP w/Poster)
Jamie - Permanent Records Chicago
" The shortest album of Black Sabbath's glory years, Master of Reality is also their most sonically influential work. Here Tony Iommi began to experiment with tuning his guitar down three half-steps to C#, producing a sound that was darker, deeper, and sludgier than anything they'd yet committed to record. (This trick was still being copied 25 years later by every metal band looking to push the limits of heaviness, from trendy nu-metallers to Swedish deathsters.) Much more than that, Master of Reality essentially created multiple metal subgenres all by itself, laying the sonic foundations for doom, stoner and sludge metal, all in the space of just over half an hour. Classic opener "Sweet Leaf" certainly ranks as a defining stoner metal song, making its drug references far more overt (and adoring) than the preceding album's "Fairies Wear Boots." The album's other signature song, "Children of the Grave," is driven by a galloping rhythm that would later pop up on a slew of Iron Maiden tunes, among many others. Aside from "Sweet Leaf," much of Master of Reality finds the band displaying a stronger moral sense, in part an attempt to counteract the growing perception that they were Satanists. "Children of the Grave" posits a stark choice between love and nuclear annihilation, while "After Forever" philosophizes about death and the afterlife in an openly religious (but, of course, superficially morbid) fashion that offered a blueprint for the career of Christian doom band Trouble. And although the alternately sinister and jaunty "Lord of This World" is sung from Satan's point of view, he clearly doesn't think much of his own followers (and neither, by extension, does the band). It's all handled much like a horror movie with a clear moral message, for example The Exorcist. Past those four tracks, listeners get sharply contrasting tempos in the rumbling sci-fi tale "Into the Void," which shortens the distances between the multiple sections of the band's previous epics. And there's the core of the album -- all that's left is a couple of brief instrumental interludes, plus the quiet, brooding loneliness of "Solitude," a mostly textural piece that frames Osbourne's phased vocals with acoustic guitars and flutes. But, if a core of five songs seems slight for a classic album, it's also important to note that those five songs represent a nearly bottomless bag of tricks, many of which are still being imitated and explored decades later. If Paranoid has more widely known songs, the suffocating and oppressive Master of Reality was the Sabbath record that die-hard metalheads took most closely to heart." - Allmusic.com
LP - Mark Lanegan - The Winding Sheet
Robert - Permanent Records Chicago
"Removing himself for a moment from the rowdy world of grunge, Screaming Trees singer Mark Lanegan put his best solo foot forward with a set of acoustic dirges. His menacing voice haunts each track as the blues come to life throughout the album. Capturing the melancholy mentality of the Pacific Northwest, his words descend like raindrops upon deep puddles of mud. The undeniable beauty of a song such as "Ugly Sunday" obviously comes from reveling in the mire, something that Lanegan has been all too familiar with as a recovering addict. He finds a kindred spirit in Kurt Cobain as the two join forces to present "Down in the Dark." And his version of Leadbelly's "Where Did You Sleep Last Night" is as charged as ever with pent-up frustration and jealousy. An emotional journey through the pains of life, The Winding Sheet is an album that accurately expresses the candid underbelly of the grunge aesthetic." - Allmusic.com
LP - Martin Rev - Clouds Of Glory - Reissue - Silver Vinyl - Edition Of 150
LP - Martin Rev - Clouds Of Glory - Reissue - Black Vinyl - Edition Of 350
Permanent Records 47th release!
MARTIN REV'S (FROM SUICIDE) SECOND LONG PLAYER FINALLY IN PRINT FOR THE FIRST TIME IN 30 YEARS!!!!!
"It's like someone took an unreleased Suicide record, removed the vocal tracks, and replaced them with synth oscilliations, chirps, drones and explosions." - Opium Hum
Haunting second album of minimalist analogue synth experimentation from Suicide's Martin Rev. Never before pressed to vinyl in the States. Previously available as an import on French label New Rose. A killer follow-up to his debut LP reissued in 2013 by Superior Viaduct.
FOR FANS OF:
Suicide, Kraftwerk, Craig Leon, John Bender, Cabaret Voltaire, Silver Apples
LP - VCSR - Tape 4 - Clear Vinyl - Edition Of 150
LP - VCSR - Tape 4 - Black Vinyl - Edition Of 350
NEVER BEFORE RELEASED ARCHIVAL MATERIAL FROM CHICAGO'S ANSWER TO GERMANY'S 70s KOSMISCHE / ELECTRONIC SCENE !!!!!!! FEATURING BIL VERMETTE!!!!
"VCSR existed between 1978 and 1984. They weren't a band or a group so much as it was a collective. They never had an official release but recorded over 60 reels of tape from which cassettes were mixed down for their own use or to give to friends.
They were to be the first record on the Waxx Traxx label with Al Jourgenson producing but that never came to be. Tape #4 is one of these raw reels recorded in 1979 and 1980. There are overdubs but no edits or redos, it was live onto tape and then maybe a second pass to add leads, etc. Many of the reels are live onto one track only. This was done before they had a mixer.
Most of these reels are now in Washington state and some are here in Chicago and some are not accounted for.
Instruments used: Arp-2600, Korg MS-20, Rhythm Ace, Yamaha & Farfisa organs, guitar, ElectroComp synthesizers and various other keyboards and effects." - Bil Vermette
Klaus Schulze, Popol Vuh, Cluster, Bitchin Bajas And Kosmische Musik from the back catalogs of Ohr, Sky and Brain
LP - Matchess - Somnaphoria - Mixed Color Wax
"Whitney Johnson's Matchess project took flight in 2013, with the super limited cassette release "Seraphastra" on Digitalis Industries, a bewitching miasma of synth & organ drones, prepared tape loops, & viola scree. Trouble In Mind re- released "Seraphastra" in 2014 on vinyl, giving it a much-needed wider release, and since then, Johnson has been working diligently, crafting her next installment in a proposed trilogy, entitled "Somnaphoria". Johnson's solo work has always toed the line between the corporeal vs. metaphysical - the juxtaposition of the physical interaction of viola strings & the electronic pulses of circuits & oscillators. Recorded by Johnson in her home studio & mixed by Cooper Crain (Bitchin' Bajas/Cave), & inspired by the writings of Rimbaud, Baudelaire & Verlaine, "Somnaphoria" is a dazzling leap forward. With a cohesive vision both thematically & sonically, the album fuses elements of contemporary classical music & modern experimental electronic music with a neo-new age mysticism. Johnson isn't the first electronic musician to find inspiration in the French poets - pioneering musician Ruth White also found Baudelaire's "Flowers of Evil" to be a guiding force & titled her 1969 album after the writer's collected poetry works & White's seminal work seems to be a touchstone for "Somnaphoria". Much like Rimbaud's symbolist poems, the underlying themes of the album's eleven compositions play out like the fever-dream of a sleeper refusing to wake up, drifting in & out of focus, but seeing all. Indeed Rimbaud's quest to become a "seer" thru his poetry is analagous to Johnson's quest for a shamanic connection to the listener through her music. Matchess continues to evolve, both recorded & in a live setting & Johnson has only begun to allow us, the listener to hear her potential. "Somnaphoria" is released on the vinyl format in an edition of 500 copies on mixed vinyl, with artwork by Chicago illustrator Carrie Vinarsky & includes a download code.
RIYL: Grouper, Zola Jesus, Suicide, Brian Eno, Ruth White, Terry Riley, Craig Leon" - Trouble In Mind
LP - Bedemon - Child Of Darkness
"Reissue of the Long Lost Recordings form America's First Ever Doom Metal Band!
Relapse Records is proud to announce the official re-release of Bedemon's archival recordings, Child of Darkness. Widely considered America's first doom metal band, Bedemon formed in 1973 and consisted of original Pentagram members Randy Palmer, Geof O'Keefe, and Bobby Liebling. The group was an offshoot of Pentagram, with a darker and doomier tone. The band recorded various sessions spanning from 1973-1979 which are now being made available once again after being out-of-print for over 10 years.
Additionally, the release includes extensive liner notes from original members Mike Matthews and Geof O'Keefe and is a must for fans of Pentagram and/or traditional doom metal. Bedemon's Child of Darkness is truly a crucial glimpse into the nihilistic minds that gave birth to an entire genre! LP also includes an accompanying download card for the entire record.
"Bedemon takes all of the perfect elements of heavy music and successfully combines them into an hour-long doom metal journey with massive riffs, screaming guitar solos, headbanging rockers and perfectly-placed subtle nuances that truly brings out the evil in the music." - Iron Fist" - Relapse Records
LP - Black Mountain - Black Mountain - 10th Anniversary 2xLP Reissue
CD - Black Mountain - Black Mountain - 10th Anniversary 2xCD Reissue
"It's only a cliché because it's true, but the greatest records are timeless. Black Mountain's self-titled debut album is just such a record, its roots leading twisting paths back into the past, while always sounding like 'now', like a future still to come. The work of a small collective of musicians operating from Vancouver, Canada, far from any industry buzz but firmly in the eye of their own storm of creativity, Black Mountain's debut grew from skeletal sessions cut by Stephen McBean and Joshua Wells. Here was a new classic rock, its reference points arcane and clear, its sound fresh, unfamiliar and irresistible. Savor the compact, spacey brilliance of that cosmic, heavy and subtle debut album, remastered and expanded now with a raft of delicious bonus tracks scavenged from the Black Mountain Army archives. Black Mountain (10th Anniversary Deluxe Edition) is out June 23rd on Jagjaguwar."- JagJaguwar
LP - Robbie Basho - The Falconer's Arm Vol. 1
"1st time vinyl reissue, fully remastered, excellent sounding LP of Robbie Basho's Facloner's Arm, Vol 1. The Facloner's Arm pair of LPs is largely considered his best work, monumental pieces of folk guitar invention from the pioneer, fusing the drones of Indian raga to flamenco and traditional folk. Limited edition of 500 copies."
"1st time vinyl reissue, fully remastered, excellent sounding LP of Robbie Basho's Facloner's Arm, Vol 2, the second in a thematic series of works he recorded in 1968 for Takoma. The Facloner's Arm pair of LPs is largely considered his best work, monumental pieces of folk guitar invention from the pioneer, guitar lines in unusual tunings influenced by both blues and Indian music. Limited edition of 500 copies."
LP - Dead Moon - In The Graveyard (Mississippi reissue)
ORIGINALS HAVE SOLD FOR OVER $50
Dead Moon most visibly reared their heads to the uninitiated in the 1996 documentary "Hype" as the wild-eyed, chuckling husband and wife leaning over a railing in front of what appeared to be an abandoned cabin in Nowheresville, Oregon, professing endless confusion about the grunge phenomenon if not the entire idea of an organized recording industry. And to the uninitiated, the two seemed to be from a completely different planet than the Kim Thayills and Eddie Vedders of the rest of the film. These two were not struggling with art versus commerce, no. They seemed to barely care about basic physiological needs such as food, clothing, and shelter. Oh the arrogance. Well, that same strange husband and wife, Fred and Toody Cole, had a long and staunchly DIY music "career" from 1978-2006, cutting their own LPs on the same mono lathe used on The Kingsmen's version of "Louie, Louie", issuing them in irregular but small quantities on their own Tombstone label with eerily nonchalant black and white covers, and largely forgoing touring in the U.S. in favor of European appearances. Original copies of their Tombstone releases regularly fetch well over $50, and have not been reissued in any reliable form until now, thanks to the prodigious Mississippi Records.
All of which whould be more than enough to wet your whistles, but what about the music? Well, on "In The Graveyard," the first Dead Moon LP, originally issued in 1988, you'll hear spooky scuzzed-out janglerock approximations of Wipers, Honeymoon Killers, even traces of early Tom Petty, humming with occult vibrations and filtered through Fred Cole's unglued yelp, a distinctive rock voice with the same midrange vocal-chord blowout as Peter Aaron of Chrome Cranks. Think Roky Erickson with his adenoids removed. The Toody Cole tracks come on just as intense, landing halfway between Kim Gordon at her most insistent and Leslie Gore's "You Don't Own Me." And if that sounds a little serious for your tastes, dig their version of "Hey Joe", just as garagey as you please and still true to the album's "maybe something bad happened here" sonic thesis. This is a dank slab of wax to be sure, mushed into shape in a workshop way out there in the dripping wet Oregon woods by a couple of folks who couldn't care less about the critcal or commercial reception. Some people whittle to keep sane. These guys rock. C'est la vie. RECOMMENDED.
LP - Dead Moon - Unknown Passage (Mississippi reissue)
Fred & Toody Cole are lifers, man - the married couple have been touring the world & writing & recording music together since the Seventies & don't seem to show any signs of stopping anytime soon - the Coles started Dead Moon in '87 after their punk band, The Rats dissolved in 1984 & steamrolled ahead for 19 years without stopping. 'Unknown Passage' - the group's second album, came out in 1989 - hot on the heels of their debut the year before & continues the murky onslaught perpetrated by that LP. Despite seeming fully-formed from the first note of their first LP, 'Unknown Passage' is where they really hit their stride & start to succinctly form what would end up becoming THE classic Dead Moon sound; Hot-shit rockers sit side-by-side with dark, mid-tempo ballads all filtered through the Coles' unrestrained writing style - a mix of hard-livin' & paranoia as well as everything musically they'd absorbed up to that point; garage-y stompers, hard rockin' barn burners, & even some classic Puget-Sound punk rock a'la The Wipers or Napalm Beach. This album contains flat-out classics like "Dead Moon Night", "Evil Eye" & quite possibly the all-time Dead Moon live staple "54/40 Or Fight", as well as the requisite cover tune exploded & rebuilt in the Cole style - this time it's a killer version of "Time Has Come Today". We can't even begin to explain what a treat it is to have these available again on wax thanks to the good folks at Mississippi Records - and remastered from the original tapes to boot! Hopefully these will stick around for a while, but we recommend gettin' a copy while the gettin's good! RECOMMENDED!
LP - Dead Moon - Strange Pray Tell - Mississippi Reissue
Mississippi Records is serving up a double shot of Dead Moon reissues this spring so we can all get blasted !!I Fuck Yes !!!! This time around, they've given 1991's "Stranded In The Mystery Zone" and 1992's "Strange Pray Tell" the full on reproduction treatment. Sadly out-of-print for nearly twenty years,and impossible to find used (better get ready to wrestle one outta someone's hands), Mississippi Records has given us the second chance we need to grab these absolutely classic albums from one of America's most unruly and DIY punk bands. Mississippi doesn't release modern bands too often, so you know these records are f'ing important. Here with the facts is the Mississippi PR Dept:
"One of Dead Moon's all time classics, filled with some of their catchiest and most rousing songs. Rockers of the highest caliber such as 'Destination X,' 'Fire in the Western World,' and 'Don't Look Back' as well as perfect ballads such as 'You Can't Do That' and Out in the Blues.' An utter masterpiece of psychedelic rock straight from the heart."
We couldn't agree more--frenzied rock n roll doesn't get any better than Dead Moon on "Strange Pray Tell". Fred Cole and Toody belt out some of the most in-yer-face psych-washed punk blues anthems you'll lay yer ears on (Fire In The Western World?, 13 Going On 21? or Don't Look Back?), and well don't forget Andrew Loomis' skeletal yet driving garage cavestomp furiously pins all the madness down. We might describe Dead Moon as falling somewhere between Gun Club, the Cramps and the Gories, but that would be beside the point. You just gotta hear to believe and you need to throw this one on yer turntable now. As highly suggested as they come and an absolute fucking classic. Don't miss out on this one again. DEAD ON RECOMMENDED!!!!!!!!
LP - Mammane Sani Et Son Orgue - La Musique Electronique Du Niger
BACK IN PRINT!!!! LIMITED TO 1000 COPIES -
YES! We had this KILLER album from Mammane Sani when it was originally reissued a few months back. They sold out in the blink of an eye - before we could even get them into the update! Thankfully the fine, upstanding folks at Mississippi/Sahel Sounds have deemed this one worthy of a repress - read on:
"Extremely unusual organ solo performances from Niger recorded in 1978. Never before on vinyl. Mammane Sani's unique style sounds somewhere close to a minimalist Krautrock record or maybe an undersea adventure soundtrack for a nature documentary. We haven't heard anything from the African continent anything like this ever. Real pleasant avante guarde music. Liner notes in French by Chris Kirkley. Beautiful printed locally hand made covers in the same style as Mississippi covers of the early days. Limited one time edition of 500. Co-release with Sahel Sounds."
This album is one of the rare slabs that really, truly entrances from the moment you drop the needle! Sparse, hypnotic & disarmingly alien sounding grooves - it's weird to hear African melodies & rhythms played thru an electronic instrument - particularly this early in the game. Sani utilizes the cold, processed & pre-programmed drum patterns to great effect - keeping it so simple that it almost sounds like a lost Sun Ra solo album or unheard album from the Sky Records discography. Just imagine if Suicide had it's origins in Nigeria instead of New York City - YEAH. Exactly. TRULY, truly jaw-dropping stuff. This bad-boy was limited to 300 copies originally & has now been repressed (in standard, printed LP jackets) in an edition of 1000 copies. That sounds like a lot, but TRUST US - you don't wanna miss out on this one. ESSENTIAL & RECOMMENDED LISTENING. Buy before you cry!
LP - Rolling Stones - Sticky Fingers - 180 Gram
LP - Rolling Stones - Sticky Fingers - Deluxe Edition - 180 Gram 2xLP
"Expertly Remastered for Soulful, Bluesy, Detailed Sound: 180g Vinyl LP Reissue of Rolling Stones' Sticky Fingers Features Outer Wallet, White Bag & 12 x 12 Insert
Hear 'em knocking from a moonlight mile away. Sticky Fingers, the Rolling Stones' swaggering and swaying 1971 opus that ranks among the greatest rock records ever made, gets restored on this explosive reissue featuring an outer wallet, white bag, and 12x12 insert. The remastered analog sound makes Mick, Keith, ace lead guitarist Mick Taylor, and company come alive in vivid, raw, blues-soaked detail. Wild horses won't even be able to drag you away.
Sticky Fingers captures the band at the absolute peak of its powers on timeless tracks such as "Brown Sugar," "Wild Horses," "Bitch," "Sister Morphine," and "Dead Flowers." The effort was was recorded in Muscle Shoals, Alabama, Stargroves, Mick's country home, and Olympic Studios in London. Produced by Jimmy Miller, the set ranks #63 on Rolling Stone's 500 Greatest Albums of All Time list and originally came out released shortly after the Stones became exiled in the south of France.
The first sessions that led to Sticky Fingers took place as far back as December 1969, in the remote location of Muscle Shoals Sound Studios, Alabama. The band then reconvened, back home in the UK both at Olympic and with the Rolling Stones Mobile parked up at Jagger's Stargroves home. Soon after the album hit, Sticky Fingers became the band's sixth UK #1 LP. Its four-week reign was matched by its performance in the US, and it also raced to the top in Australia, Canada, and through much of Europe. Today, it's rightly considered a near-peerless classic." - Universal Records
LP - Roommate - Make Like
"Roommate is ostensibly a pop ensemble built around Kent Lambert's songwriting, but we use "pop" loosely here. The hooks are off kilter and many of the song have a weird, tilting and slightly disorienting feel to them. This is power pop viewed through a smoky glass reflecting a slightly alternate dimension. It resembles pop music, but it's heart shuffles and lurches instead of beating in an expected fashion." - Chicagoist" - Strange Weather
LP - Royal Jesters - English Oldies
"Twenty-eight homespun stunners from the Alamo City's scrappiest souleros. The Royal Jesters were the kings of San Antonio's cross-cultural teen scene in the 1960s, soundtracking lovelorn slow dances with their heart-sick harmonies. For the first time, English Oldies gathers the best early doo-wop, R&B, and blazing Latin rock and soul from these Tex-Mex masterminds - a simmering melting pot of diverse regional flavors, best served hot." - Numero
LP - Ryley Walker - Primrose Green
"On first listen, it's easy to mistake Ryley Walker's sophomore album as the forgotten effort of a heralded '60s British folk-jazz quartet. Opening with its earthy title track, Primrose Green whisks listeners back several decades. The Chicago songwriter wields his guitar with masterful ease. It's more than an extension of his body — it's an extension of his imagination. His fingerpicking style takes off on its own, ambling down a path, kicking pebbles and scuffing its heels, too busy looking up at the sky and wondering how large it really is to be concerned with where exactly it's headed. It moves comfortably at its own pace, all the while blissfully unaware of its own complexity.
At just 25 years old, Walker is seemingly decades ahead of most of his contemporaries in both technical skill and composition. The fingerpicking on "On the Banks of the Old Kishwaukee" wanders with a tumultuous spirit. Walker is wedded to his instrument — so much so that he was once fired from a job at Jimmy John's for practicing in their walk-in freezer. That discipline eventually brought him to lacquer his fingertips at cheap salons in pursuit of a smoother sound. Several years later, he can last through dizzying codas on "Same Minds" or cheeky Irish licks on "Griffiths Bucks Blues".
Who knows where he learned it, but Walker is hyper-aware of his vintage folk precursors. From the Nick Drake simplicities of "Love Can Be Cruel" to the Van Morrison weight of "All Kinds of You", he follows up his debut album (also titled All Kinds of You) by burying himself deeper in the '60s folk of Tim Hardin and John Fahey, coupled with free jazz wanderings. It's a history well noted and well tailored to his songs.
Much of the reason Primrose Green can stand on its hind legs is because of the ornate work of Walker's backing band. Walker's decision to bring jazz musicians on board came from careful observations of the folk giants before him. John Martyn had double bassist Danny Thompson; Tim Buckley had guitarist Lee Underwood. Their folk sessions saw jazz musicians wandering into the studio beside them, wringing out a final product littered with improvised licks. Similarly, Walker has guitarist Brian Sulpizio and pianist Ben Boye. Primrose Green coalesces bare pastoral swirls of upright bass and dreamlike piano with the kind of background chatter you would find at a coffee shop. Joined by cellist Fred Lonberg-Holm, drummer Frank Rosaly, double bassist Anton Hatwich, and vibraphone player Jason Adasiewicz, Walker incorporates improvisational jazz without compromising the album's folk core.
Whereas William Tyler, Steve Gunn, and Daniel Bachman create long, instrumental escapades, Ryley Walker does the same but with hearty vocals added to the mix. His voice scratches with an undercurrent of soul on "Summer Dress", washing up against the shores of Bert Jansch. What he does differently, though, comes in his looser tone. Every rustic growl etches curlicues into the song's core. Even the explosive electric fuzz that interrupts "Sweet Satisfaction" fits snugly thanks to his clear calls that howl over it all.
Ryley Walker, much like his contemporaries, isn't trying to build an image. That's how he belies his age. He's the nondescript, shaggy-haired musician who looks like any other 20-something with an acoustic guitar in his bedroom. But when he's got a microphone in front of his lips, he transforms into a man twice his age. Walker couldn't care less about who's who in a world of competing buzz and social media politics. He isn't looking to have a billboard face that draws onlookers into his set. Walker wants to jam, and if you want to listen while he does so, that's fine. He doesn't care if you applaud. He doesn't care if you even remember his name. For Walker, it's about breathing life back into '60s folk until it bursts with springtime charm, and Primrose Green is 2015's ultimate encompassment of that sound." - Consequence Of Sound" - Dead Oceans
LP - Various Artists - Hasabe
Mississippi, in collaboration with Change Records continues in it's tireless quest to press all of the music from the legendary Ethiopiques CDs onto vinyl with this sweet compilation called "Hasabe"! The folks at Mississippi/Change have the lowdown:
"Absolutely killer compilation of Ethiopian R&B from the golden age of Ethiopian music. Classic performances by Lemma Demissew, Tlahoun Gessesse, Sefu Yohannes, Bahta Gebre Heywet, Teshome Meteku, Mahmoud Ahmed & Alemeyahu Eshete. All songs never reissued on vinyl before. A nonstop party record that we can recommend without any reservations. The 3rd LP in our continuing series of releases culled from the monumental Ethiopiques series."
"Party record" is definitely a great way to describe this compilation - joyous, celebratory jams recorded in a way that blurs the lines between listener & artist - you practically feel as though you are in the audience watching, & if you're toes aren't tapping by the time the opening track "Astawesaléhu" by Lémma Démissew is finished, then we've lost all hope! If you know this stuff, then we shouldn't have to convince you of it's bewitching greatness, but for the uninitiated think the looooong stretched out mid-Seventies grooves of heavies like James Brown or Féla stitched together with the yearning strains of traditional Ethiopian songcraft. These tunes are all from the "golden era" of modern Ethiopian music from 1969-74 & features more well known artists like Mahmoud Ahmed alongside others of the era like Téshomé Meteku, Bahta Gébré-Heywét, & more! KILLER compilation & not for missing! RECOMMENDED - but bring your dancin' shoes!
7in - Rat Fist - RF 1
This debut single from Rat Fist is a crusher. Gnarly yet melodic, tough as nails punk rock rippers from start to finish. Features Randy from No Age!
Tape - Staring Problem - Long Winter
TOUR EP LIMITED TO 100 COPIES!!! -
"Moody, minimal, swirling postpunk of the new age… Staring Problem are one of leaders of the midwest nugoth craze. If you like The Cure, Christian Death, Raincoats, Malaria!, and/or early Siouxsie, then having this in your collection is a MUST. This phenomenal band, are taking the gothic/postpunk/darkwave revival and reinventing it into their own excellently dark sound." - self released
Tape - Unfollow - Zero Likes
"A dead party mix for the lost souls of this world. Tony Boggs (aka Joshua Treble) is also known for his collaborations with Mitchell Akiyama as Letters Letters on Type Records and Desormais on Akiyama's own Intr_Version label. Zero Likes was recorded as Tony's brother spent his last days in Hospice; sampled life support machines and nurse's whispers inter-splice hazy drones and jaded lo-fi beats. Unfollow zooms in, giving us a dimly lit skeleton; dizzying motorik beats and paranoid textures undulate freely beneath the steady pulse. Mastering and additional production by llarks. C40, 70 copies." - Kikimora Tapes
Tape - Windbreaker - Hostage
"West Side Chicago hardware anthems. Nick Read's Windbreaker project has been his refuge since the days of Lazer Crystal (Thrill Jockey). A Chicago DIY scene staple for over ten years, this is the first Windbreaker full length. Imagine Kraftwerk being trapped in Berghain and living off of floor scraps or Christian Hosoi pulling a Christ Air over the pyramids and you're somewhere close. C50, 70 copies." - Kikimora Tapes
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text:
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Home » "beauty Is Vital For Us All But We Can't Take It For Granted – We Need To Fight For It" An Interview With Dame Fiona Reynolds
"beauty is vital for us all but we can't take it for granted – we need to fight for it" an interview with Dame Fiona Reynolds
Now it is an exciting time for National Parks. Dame Fiona Reynolds, who's sitting on the advisory board of the Glover review, talks to us about her vision for National Parks #21stCenturyNationalParks
Tell us about your role in the Glover review of designated landscapes?
I'm a member of the review group, which means I will contribute to our discussions and conclusions. Between us, we're currently visiting the Parks and AONBs, meeting lots of interested people and organisations, and receiving lots of ideas and views.
Dame Fiona Reynolds, master of Emmanuel College Cambridge. Photo credit: David Levinson
What do you see as the big issues facing the Parks at the moment?
Three things stand out for me: the scope for the Parks to do more for wildlife; the chance to show how being in a National Park provides opportunities for sustainable businesses and jobs; and the need to address why our protected landscapes aren't better known and valued, both at home and internationally.
What keeps you motivated and enthusiastic?
I've always loved walking in beautiful places (I walked Hadrian's Wall at the end of July) and I'm passionate about landscape history. What keeps me going is the spiritual refreshment I get from these things.
Why do you think politicians should care about beauty in the landscape?
Because there are some things that money can't buy, but bring huge benefits to people. Experiencing beauty and nature are top of this list.
A lifelong friend. Dame Fiona and others at the Council for National Parks festival 1987. Photo credit: Campaign for National Parks.
How do we get decision makers to make rural issues more of a priority?
Rural issues are going to be centre stage during Brexit because re-designing the way we fund farming and land management is one of the biggest decisions we must make. It's a chance to do things better, and we mustn't fudge it.
What advice do you have for those who want to see a brighter future for the countryside?
Use and value it, and encourage everyone else to use it too! Whether it's getting city children closer to nature, young people out in the hills, or keeping older people fit and well, our countryside is essential to everyone's lives. It's precious and vulnerable, but at the same time life-affirming and resilient. As I've argued in my book, beauty is vital for us all but we can't take it for granted – we need to fight for it. The countryside is the same.
Dame Fiona Reynolds is a lifelong advocate for the countryside, including leading Campaign for National Parks, CPRE and National Trust. Dame Fiona is currently master of Emmanual College Cambridge and sits on the advisory board of the Glover Review of England's designated landscapes.
This article was originally published in Viewpoint, our members magazine. Click here to subscribe and support our work!
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redpajama_set_name: RedPajamaCommonCrawl


text:
module Testality

	class Resources

		def initialize(array)
			@array = array
		end

		def get
			dir = Dir.glob @array, 0
			contents = []
			dir.each do |filename|
				if File.file? filename
					contents << (File.open filename, "r").read
				end
			end
			contents.join "\r\n"
		end

		def hash
			Digest::SHA2.hexdigest get
		end

	end

end

redpajama_set_name: RedPajamaGithub


We are excited to announce the new, patent pending, TORQ Locker, the STRONGEST auto locker on the market! No Spacers, No Pins, slide-in design equates to an easy driveway project for any automotive enthusiast! The TORQ Locker by Torq-Masters Industries is 100% made in the USA in an ISO9001 certified facility in Rochester NY and includes a 2-year warranty with no loopholes. Owned and operated by Offroad enthusiasts, we are here for our Dealers and our Customers!
· The TORQ Locker will be available to dealers January 1st. They are currently for sale on our website.
· 2016 King of the Hammers, cheer on the TORQ Locker Jeep, #4610 in the Every Man Challenge!
Re: ~~NEW Product Announcement~~ TORQ Locker Dana 60 from Torq-Masters Industries!
This is awesome. Really looks like a great design. Way to shake up the industry!


In the museum-estate Kuskovo May 20, 2017 will be the Day of Historical and Cultural Heritage of Moscow, dedicated to the International Day of Museums.
to all pavilions and visits to events (except for the master class) is FREE OF CHARGE.
Excursions are available on the sessions 11:00, 11:30, 12:00, 12:30, 13:00, 13:30, 14:00, 14:30, 15:00, 15:30.
Collect groups near the excursion office (Kitchen wing).
The folklore ensemble "Ros" will be shown in the park of the Manor near the Grotto pavilion from 14:00 to 15:00.
In the repertoire of the ensemble - songs, dances, rituals of residents of various regions of Russia.
The ensemble members are dressed in authentic (authentic) folk costumes.
Under the open sky, for the second time will be held an art exhibition-action "Glass and ceramics in an old park."
Moscow artists-ceramists and glaziers will show there works.
international event "Night at the Museum".
By the year of ecology the exhibition "Birds, animals and flowers" will be presented.
This is an art project of members of the section of arts and crafts of the Moscow Union of Artists.
Excursions are available on the sessions 18:00, 18:15, 18:30, 18:45, 19:00, 19:15, 19:30, 19:45.
13th Moscow International Festival of Slavic Music.
You can hear the music of Bosnia and Herzegovina, Poland, Montenegro and Croatia.
Pavilions Grotto, the Hermitage, a large stone conservatory, Italian and Dutch houses - until 24:00.


text:
Jake Dunagan
@dunagan23
As a research director at IFTF, Jake's focus is the examination of social invention and the redesign of systems in light of current and emerging tools and knowledge. He has conducted research, written, and lectured on a wide range of topics, including strategic foresight, governance design, comprehensive cognitive design, intellectual property, judicial foresight, kids' technologies, Internet law and politics, mobility, and the future of learning and work.
Jake joined IFTF in 2008 and brought with him the alternative futures methodology developed at the Manoa School of Futures Studies. He continues to explore new futures methodologies and also design artifacts, games, immersive experiences of future worlds, and guerilla public engagement projects that inject the future into the mental ecology of the present.
Jake holds a BA in visual anthropology from Auburn University, an MA in visual anthropology from Temple University, and a PhD from the Manoa School of Futures Studies at the University of Hawaii with an emphasis in neuropolitics, governance design, alternative futures, and communication of foresight. He is currently an adjunct professor in the MBA in Design Strategy program at the California College of the Arts, where he teaches strategic foresight, tactical media, and social invention.
Making the Future
"As the world hurtles toward self-destruction, in large part due to mass aversion to forward thinking and an institutional lack of foresight capacity, futures practices must take on more urgency and must get better. Connected minds from across the planet are potentially the greatest source of imagination and problem solving ever invented. Connected minds generate more alternative futures, and some of these visions could lead the way to better outcomes for humans and the planet."


Secretary of State John Kerry appeared before a skeptical panel of senators during a Senate Foreign Relations Committee hearing about the Iran nuclear deal on Thursday July 23, 2015. The hearing was part of the agreement's 60-day congressional review period that I was covering on assignment for United Press International.
Kerry was accused of being "fleeced" but the Iranians and that he was giving them what they want in the deal.
Appearing with Energy Secretary Ernest Moniz and Treasury Secretary Jacob Lew, Kerry fiercely defended the Iran nuclear deal for four and a half hours on Thursday finally cutting the hearing off saying he was expected at the House of Representatives for another meeting.
Tags: capitol Hill, congressional Hearings, Iran, Nuclear Deal, photojournalism, photojournalist, political photography, Politics, washington d.c.
Secretary of State John Kerry on Sunday defended the nuclear deal he recently negotiated with Iran, refuting criticism it failed to include the promised "anywhere, anytime" facilities inspections.


Facebook CEO Mark Zuckerberg faced tough questions from EU lawmakers during a meeting with the Conference of Presidents of the Political Groups of the European Parliament Tuesday. Lawmakers pressed Facebook's chief executive on issues ranging from privacy to antitrust.
Zuckerberg opened the meeting by reiterating many of the same remarks he had been using during recent appearances, once again apologizing for past misdeeds. "I'm committed to getting this right," he said. Zuckerberg also reminded lawmakers of the economic force of his company in Europe, telling them that Facebook will employ some 10,000 people across 12 European cities by the end of the year.
Antitrust concerns were also brought up by other lawmakers, with Guy Verhofstadt from the Group of the Alliance of Liberals and Democrats for Europe asking Zuckerberg whether he would open Facebook's books for lawmakers to examine whether an antitrust problem existed, and whether he would be open to divest from individual services like Messenger.
Zuckerberg responded to these questions by claiming that the company had plenty of competitors. "We exist in a very competitive space," he said, adding that the average person used 8 different tools for communication, including private messaging apps and more. "It feels like there are new competitors coming up every day," he said without specifically addressing any suggestions to investigate antitrust concerns.
Zuckerberg initially tried to side-step this question, leading to an awkward exchange of shouted follow-up questions. Being pressed by lawmakers, he claimed that the company had to keep data on logged-out users to prevent abuse. "On the security side, we think it is important to keep it to protect people in our community," Zuckerberg said, without responding further to these concerns.
Zuckerberg also ducked a number of other tough questions, and instead talked about using artificial intelligence to proactively screen content for self-harm as well as extremist content. He was able to sidestep specific questions thanks to the format of the meeting, which had all of the attending E.U. parliamentarians ask their questions first, and then Zuckerberg answer them in bulk.
Lawmakers were clearly unhappy about the vagueness of his answers, and Zuckerberg ultimately promised to answer their questions in writing.
Zuckerberg's remarks were seemingly fine-tuned to appeal to European lawmakers, with frequent references to European elections and other local incidents thrown in. However, some of his remarks seemed to be off-base. At one point, he boasted Facebook's ability to register users for elections despite the fact that E.U. citizens generally don't need to register to vote.
The format of the hearing also resulted in questions from journalists during a follow-up press conference held by Antonio Tajani, the president of the European parliament. Asked on who had suggested the format, Tajani said that it had come from the Conference of Presidents. However, a speaker of the German Green party took issue with this, claiming in a tweet that Facebook had been responsible for the format.
Alle Fraktionen wollten Frage-Antwort direkt. Wir haben intern die Information bekommen, dass #Facebook genau das nicht wollte und leider diese Zusicherung von @EP_President erhalten hat.
However, a Facebook spokesperson told Variety that both the format and the length of the hearing were set by Tajani and the Conference of Presidents.
Update: 12:42 pm: This post was updated with a statement from Facebook.


text:
ratchet and clank tools of destruction walkthrough
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The best place to get cheats, codes, cheat codes, walkthrough, guide, FAQ, unlockables, trophies, and secrets for Ratchet And Clank Future: Tools Of Destruction for PlayStation 3 (PS3). Ratchet & Clank Future: Tools of Destruction Summary : Get ready for a galactic adventure filled with explosive mayhem as the Ratchet & Clank series makes its PS3 debut. Hence, as long as you follow our walkthrough, those elusive Gold Bolts, as well as Holo-Plans, will fail to be a cause of any hardship. ===== =Legal Bits= ===== This guide is copyright of me, Tim van der Meij. Ratchet and Clank Future: Tools of Destruction video walkthrough by ChrisZammit. As a testament to our holy mission of providing you, our dear reader, with top-notch information, we have uncovered all the locations of the 32 Gold Bolts and 13 Holo-Plans here and are discussed within the designated walkthrough when it is most convenient to snag them. For Ratchet & Clank Future: Tools of Destruction on the PlayStation 3, FAQ/Walkthrough by PieingDutchman. Ratchet & Clank … Games Movies TV Video. We encourage you to read our updated PRIVACY POLICY and COOKIE POLICY. 1 Gold bolt locations 1.1 Cobalia 1.2 Kortog 1.3 Voron Asteroid Belt 1.4 Mukow 1.5 Nundac Asteroid Ring 1.6 Ardolis 1.7 Rakar Star Cluster 1.8 Rykan V 1.9 Sargasso 1.10 Kreeli Comet 1.11 Viceron 1.12 Verdigris Black Hole 1.13 Jasindu 1.14 … Alcohol Reference, Language, Crude Humor, Fantasy Violence, Animated Blood, Ratchet & Clank Future: Tools of Destruction, Things Ghost of Tsushima Doesn't Tell You. 5. If there's one thing that Insomniac wants to make a point of (other than the fact they truly know how to create an outstanding platformer), it's that we, as the general gaming public, are all closet furries. Additionally, here you can find descriptions of all of the weapons available in the game and their possible upgrades. Congratulations, you've finished Ratchet & Clank: Tools of Destruction! Ratchet & Clank Future: Tools of Destruction Summary : Get ready for a galactic adventure filled with explosive mayhem as the Ratchet & Clank … Follow. -Search for Ratchet After the cutscene, you will be in control of Clank for the last time in the game. Ratchet & Clank: Tools of Destruction marque le début d'une série de flambant neuf de jeux de prochaine génération pour notre héros de renforcement de gadget, Ratchet et son acolyte robot intelligent, Clank. Even without Zuni present, you can hold R1 to slow time down. It is an item used by space pirates to locate treasure. However, we understand that sometimes, especially with the huge variety of weapons at your disposal, deciding how to go about things can be quite a quandary. Ratchet & Clank Future: Tools of Destruction. Ratchet & Clank guide contains a detailed walkthrough of the campaign, coupled with hints concerning the main and side objectives. Category:Tools of Destruction enemies | Ratchet & Clank Wiki | Fandom. 0. Ratchet & Clank Future: Tools of Destruction Walkthrough & Strategy Guide. The item reveals the locations of various collectible items and secret areas on a user's map, such as gold bolts, holo-plans and other items. Tutorials, hints, lets plays, walkthroughs… Introduction. Ratchet and Clank Future: Tools of Destruction video walkthrough guide. Published: Jan 5, 2007. Nah, it's not as simple as that. The game is also just called Ratchet and Clank: Tools of Destruction here, but I think the inclusion of Future makes it better. In Tools of Destruction, it is … Alexandre R.H.Potter. Report. Playing next. In the latest in my series of video guides, I'll provide an in-depth walkthrough for getting by far the most involved Skill Point in this game: Everybody Dance Now. Characters Locations Weapons Gadgets Games. 49 videos on playlist. *If you enjoyed this video, please leave a like, favorite, & share. Ratchet clank tools of destruction. We will, however, be adhering to cardinal directions (north, south, west and east) based on locations in the map (press Select to pull it out). Characters; Locations; Media. Summary: Get ready for a galactic adventure filled with explosive mayhem as the Ratchet & Clank series makes its PS3 debut. Ratchet and Clank Game Guide & Walkthrough The duo is back together! Register Start a Wiki 1,994 Pages. Weapons; Gadgets; Devices; Armors; Encyclopedia. Post Comment . For Ratchet & Clank Future: Tools of Destruction on the PlayStation 3, GameFAQs has 11 guides and walkthroughs. Ratchet and Clank Future: Tools of Destruction Walkthrough Part 1 Rift Apart. Thanks for watching! Since the levels are huge and the camera functions in a 360-degree rotational fashion, we won't be giving you a strict set of directions in the sense of "go left" and "turn right" unless appropriate. 5 лет назад | 0 просмотр. Also, feel free to comment on the video with your feedback. 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2020 ratchet and clank tools of destruction walkthrough


The criminal trial of two former top Dalton McGuinty aides in the gas plants case has been delayed again.
It will now start Sept. 22 after problems with late disclosure of evidence to the defence by Crown prosecutors, Ontario Court Judge Timothy Lipson ruled Friday.
"We've now come to the end of what was supposed to be the first week of the trial," he added after a 20-minute hearing with lawyers.
David Livingston, McGuinty's last chief of staff as premier, and deputy chief of staff Laura Miller are charged with deleting documents related to the government's decisions to scrap controversial gas plants in Oakville and Mississauga before the 2011 election.
On Monday, as the trial was scheduled to begin, defence lawyers asked Lipson for a seven-day adjournment, but concluded by week's end they needed more time to prepare for the trial.
Now that evidence-disclosure problems have been worked out, and "unnecessary witnesses" have been pruned from a list of people slated to testify, the case should be completed in early November as previously scheduled, Lipson said.
The defence had accused prosecutors of withholding information from witnesses recently re-interviewed with help from police investigators, raising concerns new information was being gathered in a "fishing expedition" and not shared with the defendants.
Lipson dubbed the disclosure troubles "a very unfortunate turn of events" and urged the Crown to be more forthcoming.
The case is being watched closely at Queen's Park as a provincial election looms next June.


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By Mitchell Hageman, Tue 14 Dec 2021
2degrees has launched its new Group Text business product to help solve many of the challenges that have come from hybrid work and engagement.
Research conducted by 2degrees revealed that 53% of leaders who said their business was just staying afloat considered customer engagement as something that could hinder productivity and growth going forward.
What's more, research from the Shaping Business Study, which surveyed 1000 plus business decision-makers across New Zealand, showed that the work-from-home movement is here to stay.
35% of businesses considered themselves in a reviving phase and identified that the flexibility to work from home is crucial to their business getting back on track.
2degrees says that Group Text makes engagement simple and easy, allowing businesses to engage with staff and offer customer support easily and at the required scale.
Utilising Bulletin powered technology, the service can be personalised to suit business needs and protocols. It uses a platform that allows two-way text messages with clients and any size contact group, leading to opportunities for businesses to become selective and organised when conducting business externally and internally.
Group Text has the ability to send appointment reminders, status updates and follow-ups, which can reduce no-shows. The solution can also help communicate office announcements or roster changes in an efficient and timely manner, particularly useful with the increase in work from home arrangements.
"Businesses need to be adaptable in the way they engage with their customers and their teams, and this solution offers both. This is a great time for businesses to be getting back on track, and we see Group Text as something we can do to help," says 2degrees general manager business product and marketing Richard Hann.
He says it was also a deliberate move by the company to launch before Christmas in order to "give businesses who had have a tough run this year another way to engage, share updates and hopefully get back to business."
Bulletin managing director Bruce Herbert is pleased that the technology and partnership with 2degrees is helping solve common challenges faced by businesses and believes the product has a strong foothold going into the New Year.
"We've had a long relationship with 2degrees, and it's exciting to partner on this cutting-edge business solution, which we know will further enhance their portfolio of business communication services in New Zealand," he says.
2degrees says the service is powered by technology from a global business messaging provider with 65,000 customers worldwide and believes it offers flexibility, personalisation and rich reporting.
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Pegasystems launches AI-powered customer journey capability>>
2degrees goes live with its 5G network>>
Accenture named a leader in IDC managed cloud services vendor assessment
Accenture has been named a leader in the latest IDC MarketScape, Asia Pacific (excluding Japan) Managed Cloud Services 2021 vendor assessment.>>
How Covid has accelerated the progress of innovative payment solutions
Software technology company Synthesis lays out five ways Covid has changed our behaviour and the payment solutions designed to meet the new criteria.>>
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"Understanding the metaverse is complicated, especially because it doesn't exist yet.">>
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Digital trade in APAC to enter 'golden age' over next three years - Deloitte report>>


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60 Days toRegister
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Brooke López
Co-founder & Features Director, Lone Star Parity Project
Brooke López seeks to bring parity to women in politics. Brooke is the Features Director and co-founder of Lone Star Parity Project, a nonpartisan initiative advancing women+ in Texas politics by amplifying voices and magnifying research. She began her journey into politics and government at a young age by working with her state representative to draft a bill at age 15, founding a social welfare-based nonprofit at age 16, running for municipal public office at age 18, and serving on the Public Arts Advisory Board for her hometown at age 19. She graduated magna cum laude from the University of North Texas at Dallas College of Law with her Juris Doctor and cum laude from the University of Texas at Dallas with a BSc in Public Affairs.
Evaluation Panel Judges
Aaron Dorfman
President & CEO, National Committee for Responsive Philanthropy
Jamila Jefferson Jones
Professor, Wayne State School of Law
Ester Fuchs
Professor of International & Public Affairs and Political Science; Director, Urban and Social Policy Program, Columbia University
Cindy Cohn
Executive Director, Electronic Frontier Foundation


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Jenny Martin
Psychic * Medium * Healer
internationally trained Psychic Medium and Healer
Jenny Martin is an internationally trained Psychic Medium and Healer based in Canberra, A.C.T. Jenny is available locally and nationally for Private Readings and Healing, Public Demonstrations, Mediumship & Psychic Development Classes and Workshops, and Psychic Parties.
Locally, you will regularly find her doing readings at Heavenly Connections, Gold Creek Village in Canberra. Previously she was the resident Tea Leaf reader at The Teahouse, Gold Creek Village in Canberra.
She says " I believe that the work I do helps the individual to head more clearly towards their hopes and dreams. I am continually developing and learning so that I can be the best I can be, to do the work of spirit. I feel blessed and privileged to be doing this work".
Jenny first became aware of the Spirit World when she was a child, but did not fully comprehend it. Quite sensitive and introverted as a child, she now understands that she is an empath and has always felt a strong "calling" to work for the spirit world… but it wasn't until many years later that she began to delve deeper.
Interested in all things metaphysical
Interested in "the other side" and all things metaphysical from a young age; intrigued by "ghost stories" relayed by her clairvoyant mother around many a campfire; her curiosity was piqued and her quest for a deeper understanding of the spirit world was ignited.
She fully discovered her gift when she continued to communicate with her Grandfather after he passed away and from this she came to the realization that he was one of her spirit guides and was always by her side. After many years of learning to trust her intuition, to trust in spirit and undertaking extensive training and study, she feels in true alignment with her life's work.
Jenny works directly from her heart with the utmost integrity and care. She is passionate about helping others to discover their inner light, and brilliance while honouring themselves.
Privately, by Phone or Skype
Certified and Experienced
Development Classes
Includes Mentoring
Small Group Bookings
For Psychic Parties
The Spirituality Church of Canberra
Since 2018 Jenny has enjoyed her role as an Associate Pastor of The Spirituality Church of Canberra, Pearce, A.C.T.
The Spirituality Church of Canberra attracts a new and diverse congregation of people who desire their own connection to divinity, separate to outside authority. Services are held every 2nd and 4th Sunday of each month at 7pm at Pearce Community Centre, Collett Place, Pearce, A.C.T 2607.
Services may include personal development and spirituality speakers, mindfulness, a guided healing meditation, insights from ancient wisdom and contemporary new age and guest mediums. All are welcome.
To find out more information, visit their Facebook Page
shane duffy
On several occasions, I have witnessed Jenny displaying her mediumship abilities on platform. I have always been impressed by her ability to connect with Spirit, offering insightful messages and spiritual encouragement to those with loved ones "on the other side".
Past and Current Spiritual Events
Check What's On
Beginner & Intermediate Psychic and Mediumship Development Classes
Designed to "Discover Your Spiritual Gifts"
© 2019 Jenny Martin | jmartinpsychicmedium@gmail.com


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Rubber Band Lab Physics
Type or paste a DOI name into the text box. Click Go. Your browser will take you to a Web page (URL) associated with that DOI name. Send questions or comments to doi.
High School Science Fair Project Kits The school district told the teachers this week that they will no longer have jobs at the charter school this fall. Some of them have been with Times2 since its inception in 1998. Four high. the. WHY NOT TRY A FUN SCIENCE EXPERIMENT RIGHT NOW? Here's list of great science experiments with instructions that you
McGehee, a physics teacher at Rolling Hills High School in Rolling. Their task, done at home before the event, was to design and build a miniature car powered by a No. 10 rubber band. Students were.
So he recruited his personal trainer — at a rate of $200 an hour, double her fitness-training rate — to assist his daughter with science-lab write-ups. were supposed to use blocks of wood and.
The back end, called the magnetotail, stretches out like a rubber band. When the stretched magnetotail. (2016, September 12). NASA's THEMIS sees Auroras move to the rhythm of Earth's magnetic field.
The most critical vibration characteristic of optical table is its resonances. This is because the table is designed to be as stiff as possible and acts as a rigid body when its resonances are not excited.
At Action Lab, learning facts about science is an unintended but welcome. Enter: the Sauce Squirter; basically, it's two condiment bottles strapped to a desk fan with rubber bands. Herscher teaches.
The Kids' Science Challenge is chock full of inspiring videos, fun games, and downloadable hands-on science activities. Our Science Careers page provides resources for.
Fusion In The Blood: ET Origins of Human Blood Chemistry Origins of Psychokinesis and Bliss Proccess in Blood- by Dan Winter. Intro to- our Draco/Uru/Annunaki Ancestors Blood History: Implications for us- Biologically and Spiritually
Open Response Math Questions 2nd Grade Valentine Math Activities Third Grade There are great educational third grade Christmas activities that help your eight- or nine-year-old exercise her reading, writing, and math skills as well. Enjoy the holiday with third grade Christmas. Old Teaching Pins. What others are saying. Conversation Heart Math Activities Valentine's Day 3rd, 4th, 5th Grade. These candy heart/
Specimen Mounts for Scanning Electron Microscopes. We have now expanded our Specimen Mount section due to the increased demand for us to offer more of a variety.
Above the surface of the sun, plasma roiling in the star's atmosphere does something that so far defies explanation, and seems to defy physics: It gets hotter as it moves farther out. In the corona.
TEE PROBE LEAK TEST BECOMES MANDATORY DECEMBER 31, 2015…ARE YOU READY? Back in July 2013, one of the revisions to the IAC Standards and Guidelines included "the structural and electrical integrity of the transducer must be checked between each use, using an ultrasound transducer leakage tester." This revision becomes effective December 31st, 2015.
In every lab in physics and. equation for the stretch of a rubber band was above average in ability and motivation. For many years, I have done these approximate best fit modeling techniques with.
On a Friday afternoon in a University of Manchester laboratory in 2004. graphene is stronger than steel and more flexible than a rubber band. When Geim and Novoselov won the 2010 Nobel Prize in.
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You're currently viewing our resources for Chemistry. For additional assistance, you should refer to the discussion forum for this course.
Subsequent additional twisting, so that the polymer fiber coils like a heavily twisted rubber band. Baughman's lab as a high school student doing summer research through the NanoExplorers program,
Louis Sokoloff, a researcher at the National Institutes of Health. firing parts of paper clips at each other, with rubber bands. Such conflict continued, he said, until the misfortune of which.
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On a recent Friday afternoon Jet Propulsion Laboratory. ll add more rubber." In future classes, students will build launchers, pitch their companies to investors, wire circuits for the onboard.
Physics picks its favorite stories from 2015. Researchers used the intense pulses from the XFEL at SLAC National Laboratory to obtain the first image of the 3D structure of a single virus (see.
Gorman, part of a panel discussion that included a particle physicist who co-wrote an opera, helped to set the mood for Sunday night's (Nov. 8) opening exhibition of The Laboratory (The. of wooden.
Thorp and Shannon would develop a friendship and, in the process of answering that question, build what is widely regarded to be the first wearable computer. stuff on punch cards and wrap it up in.
In 2012, physics graduate students at the University of Leicester. fibres made from this protein are highly elastic, like a rubber band. The pyriform silk is coated with a sticky protein solution.
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Similarly, the team's simulations captured the rubber band–like elasticity of the enzyme's central stalk. Singharoy's team estimated that when paired with the protein ring, the stalk absorbs about 75.
They're fitting monuments to the person who developed the first unified theory of physics, who showed that electricity. as if attached to stretched rubber bands. But Maxwell's displacement current.
Heinz Wolff. as a lab technician at the Radcliffe Infirmary in Oxford. His work for the Medical Research Council started in the physiology division of the National Institute for Medical Research,
We pulled out the wide-field camera which has an exposed radiator and brought it back down with us, and when I was checking it out at the Jet Propulsion Lab, it looked like. We found a rubber band.
Ashutosh Jogalekar picks up on Horgan's past work, and worries that LIGO might represent a kind of "end of physics", that. act within a limited band of frequencies– passive isolation is limited by.
Educational science toys, STEM kits, teacher workshop materials, classroom sets, easy science fair projects, slime & amazing experiments by Steve Spangler.
But plant physiologists do not have the last word in physics. So I called Princeton University physicist. inward-pulling force in the universe that behaves like a rubber band, Steinhardt said. The.
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The Minister of Internal Affairs of Ukraine Arsen Avakov, together with the Ambassador of Canada to Ukraine Roman Vashchuk, agreed that the two countries will work together to develop new training for rural police officers.
"With Canadian Ambassador Rashid Vashchuk, we agreed to launch the next phase of the MIA reform: the training of rural police officers, with the support of Canadian experts within the International Technical Assistance Program. We doubled the number of trainers," Avakov said.
On August 4, 2015, Ukrainian President Petro Poroshenko signed the National Police Law aimed at eradicating corruption and lawlessness amongst police and judges.


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On Tuesday 150 tenants from New York City and Westchester County took the trip up to Albany to push for stronger rent laws. The laws covering 2.5 million tenants in rent regulated housing are set to expire on June 15 unless Gov. Cuomo pressures Senate Republicans to act. Specifically, tenants are demanding Gov. Cuomo repeal vacancy destabilization, the process by which an apartment leaves rent regulation when there's a vacancy and the rent rises above $2,000/month. This creates an economic incentive for the landlord to target rent-regulated tenants, often elderly, for eviction.


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"Home as Tourist"
Exhibition of a "3rd World Soul in a 1st World Pandemonium" by Thabo Thindi
Nadine Dinh, News from Berlin
A Place to Surf and to Remember »
Franco-German Youth Meeting to Commemorate the First World War »
Watch the Final of the World Cup in Berlin? A Place for Everyone »
The South African indie photographer and filmmaker, Thabo Thindi exhibits his new artwork at the gallery Einundzwanzigzwölf in Berlin from 24th of June to the 22nd of July.
In this exhibition the South African artist presents three different topics in which he shows the numerous issues that touched his country, as social change, social justice and the role as an artist linked to the question of exile and migration.
The first one is a series of interviews entitled "Exile Faces" in which he tried to portray the South African of his parent's generation. He talked about the apartheid rebellions and the force into exile of many.
The second is a series of photographs entitled "A 3rd World Soul in a 1st World Pandemonium", where he documents himself on his days through the streets of Berlin.
The third one is also a series of photographs called "Home as Tourist," in which he addressed the feeling of having become a foreigner in South Africa and the term of "home".
This exhibition shows different topics in which we can all relate, cultural change is always a complicated subject and Thabo Thindi tried to express his feelings about it through his artworks. Being part of two countries can give strength but also raise a lot of questions. It is an exhibition in where you learn to understand the changes, one which gives but also receives from other cultures.


BIMM Manchester, the newest college to open in the award winning contemporary music education group BIMM, has commissioned the celebrated interior design practice Ben Kelly Design (BKD) to create a unique and inspiring destination for aspiring music industry professionals studying full time accredited courses at Diploma and Degree level.
BIMM Manchester has invited BKD to design a vibrant brave design scheme that will delight and impress all users and visitors whilst supporting the key day-to-day functionality of each space. A space for creativity to flourish and for future stars of the music industry to hone their talents.


Tansy Spinks has a PhD from CRiSAP at LCC, University of th Arts, London (studying wth Davd Toop, Angus Carlyle & Cathy Lane), an MA in Photography from the Royal College of Art, a BA in Fine Art from Leeds Polytechnic and an LGSM (violin) from the Guildhall School of Music, London. She has exhibited widely both at home and internationally and her photographic works are in the collections of the Fine Art Museum, Houston, Texas and the National Museum of Media, UK. Many of her images have been used by the major publishers for book covers. She runs the MA Fine Art and teaches on the BA Fine Art here at Middlesex University whilst co-ordinating the Erasmus exchange programme and supervising a number of PhD students. Her research currently involves live, site-specific, associative sound performance and improvisation.
Photography and the object as metaphor.