Tayshauna, or "Tay" as her family and friends call her, was born 3 months premature and spent 11 months in the hospital. She made her first little sounds at two years old.
"She took little steps at a time, and she developed into this amazing little girl we have now" said Tay's mother, Tanisha.
Tay's feeding tube was the last device to go, and when she turned ten years old she was finally able to venture out of her home. That's when her family started seeing early signs of autism. She wasn't socializing, and she wasn't interacting with anyone.
"It was kind of hard to accept that something was wrong, something was different," said Tanisha.
Two years ago, Tay started her journey with the Virginia Institute of Autism.
At VIA, the Tindalls found a staff that understood and appreciated Tay's needs.
Tanisha says VIA gave her family the support system they had been searching for.
"Everybody there just takes time with us. Not a lot of people know what we go through as a family of a child with autism," Tanisha explained.
Now that Tay is able to communicate and interact with her family members, they feel like they've gotten to know her better.
"Her personality has just sprouted to the type of person she is," said Tanisha.
Tanisha thanks VIA for helping Tay come out of her shell and reach milestones her family never imagined possible.
"We've seen nothing but positive progress since the day we've started at VIA, and it's continued progress. I know that she'll do so well, and it's a support system where I know they've got our backs," said Tanisha.
Tanisha says after two years of constant improvement, she can't wait to see what the future holds for Tay.
"There have been lots of ups and lots of downs but overall we're so glad Tayshauna is our daughter," said Tanisha.


text:
If there's a jobs angle to a bill, Congress will find it this year
Chris Moody Contributor
January 31, 2011 7:57 PM ET
Last year it was about safety and innovation. This year it's about jobs. But it's the same bill.
The Senate this week will move to pass a bipartisan measure to fund much-needed improvements to technology used by the Federal Aviation Administration (FAA) that failed last year after a squabble between the House and Senate over some of the details in the bill. The deficit-neutral bill will authorize funding for the FAA for two years, and support programs to update the archaic instruments the agency still uses to communicate with airlines.
But this year, talk of the new technology is being overshadowed by the jobs advocates say the bill will support.
"This is a bill we've wanted to complete for years," Senate Majority Leader Harry Reid said Monday during a conference call that included Democratic Sen. Chuck Schumer of New York, Democratic Sen. Jay Rockefeller of West Virginia and aviation industry lobbyist Charles Barclay. "This legislation will save or create up to 280,000 jobs."
The heavy emphasis on jobs is part of a larger effort among members of Congress to convince people that they are focused on unemployment — the most pressing issue of concern according to most polls — in each vote they take.
Over the course of the call, the quartet uttered the word "jobs" more than 30 times.
"In November the voters sent both parties a clear message," Schumer said. "Focus like a laser on jobs."
With that, expect to hear members of Congress discovering a jobs angle to in nearly every bill they push. They're really hoping you notice.
Email Chris Moody and follow him on Twitter.
Tags : chris moody chuck schumer harry reid jobs
Chris Moody

redpajama_set_name: RedPajamaCommonCrawl


text:
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I've never quibbled if it was ribald
Post #1438 • January 5, 2010, 9:56 AM • 52 Comments
Supergirl subscribes to Vanity Fair, from which I just learned an interesting tidbit:
According to his son, [Bob] Guccione spends much of his time painting (he started Penthouse as a way to subsidize his art career) and working on his memoir.
The only work I can find images of indicate that too much effort went into the subsidy project for the main one to succeed. (Guccione also has a site devoted to his work but the gallery page is down.) Still, in 1994, the New York Times ran an article on the exhibition of Guccione's private collection at the Nassau County Museum of Art, which included "Degas and Renoir, Botticelli and Van Gogh."
In other art-meets-porn news (via AJ), women depicted in a mural painted on the side of the Erotic Heritage Museum in Las Vegas were forced to don pasties.
Post title comes from the great Tom Lehrer.
I always thought it was pronounced RYE-BALD but to rhyme with "quibbled" it would have to be RIBBLED. On-line sources seem to think that both are correct. I'm too lazy to haul down the OED.
Lehrer is one of those semi-forgotten geniuses of the 50s, along with Gene Shepherd, Ernie Kovacs and Jonathan Winters.
"Erotic Heritage Museum"? There's a strange animal! I wonder what's in it.
Guccione....ouch!
The "Heritage" bit is pretty ridiculous, especially given the site. I mean, what is this, colonial Williamsburg?
Oh, I just found out there's a place called Swedesboro, New Jersey. I had no idea there was any Scandinavian element there. They must have been pretty marginal Swedes.
I wonder what's in it.
We just passed signs for Swedesboro on our way south to Virginia Beach and back to visit my family for Christmas. I wondered aloud to my long-suffering wife if New Jersey also had a Wopville and Poletown. Maybe Finnburg. I further made some Swedish Chef-like noises. Bork bork bork!
Other town names I always enjoy on our trip: Pocomoke, MD, which always occasions a verse or two of the late Beach Boys' hit "Pokomoke" -- "Assateague, Chincoteague, ooh I wanna leave" -- and Onancock, VA, which may be named after an Indian word (like a lot of things in the vicinity) but sounds redundant if you know your Bible.
OP, I always thought it was rye-bald (kind of like my name) too, but I hardly ever know the correct pronunciation of words I only read. I still sometimes read the s as silent in "misled".
Guccione's work could be worse. It looks like it might be okay in person. Hard to say.
I dig that mural, though. Fat chicks rule!
Watch out with the porn links, though, Franklin. You could end up down a road we're all too familiar with.
Turns out Swedesboro is a historic part of New Sweden. I must have missed that day in history class.
Speaking of Ernie Kovaks, here is the wonderful Percy Dovetonsils.
Sorry, it's spelled Kovacs, and the clip is circa 1958.
If I remember correctly, New Sweden gets a bit of discussion in George R. Stewart's Names on the Land: A Historical Account of Place-Naming in the United States. A very enjoyable book, if it does at times read like a just-so story.
Percy reminds me of Christopher Walken's Continental, which is itself a spoof of an old show starring Liberace. My Aunt Joan used to love it, apparently never quite catching on that young women were not Liberace's type.
The essay for the Erotic Museum is definitely worth reading: "We invite you to behold and explore the vast array of socio-cultural perspectives depicting our erotic heritage,", Sounds like the art writing we all know and love.
They also boast "the world's only Eros Chapel." I suppose they not only perform Las Vegas weddings there but encourage their immediate consummation.
Sweden was a big power in the early 17th C and established a company with settlements along the Delaware River in southwest NJ, north Delaware and southeast Pa. There were also Dutch and German settlers. The region was rife with conflict and New Jersey emerged as a colony under Berkely and Carteret later in the century. It is a very complex history because so much was changing. I have an ancestor who was Carteret's surveyor so I have read up on it.
I found the Wikipedia page on New Sweden interesting but your first-person account, OP, is better.
My high school football team was named the Peglegs after Peter Stuyvesant, our namesake. Good name, right? Old Peter is mostly known as the guy who surrendered New Amsterdam to the British. The version of the story I heard is entertaining: Seems the British pulled into New York Harbor and told the people of New Amsterdam they could keep their houses, businesses, money, language, and essentially everything they already had, only they had to install a new British governor. Stuyvesant thought that was a terrible idea. The people shipped him right out to the British.
Peter went home to Holland where he was tried for treason or desertion or something, but then everyone felt bad for him and let him go. He returned to New York, I think, and set up a farm on the east side of Manhattan, on which my high school would eventually be built, and a bunch of apartment buildings.
I did a drawing a few years ago for an alumni directory or something like that. It's Peter Stuyvesant looking at the cornerstone of the old school building, which due to years of sidewalk replacements, appears to be sinking into the street.
It seems Pete also played a part in securing New Jersey against the Swedish hordes. Good for him!
Well, I still think Scandinavians had absolutely no business in Jersey. I mean, please.
Damn right, Jack. Send 'em to Minnesota, where they belong.
First person, Chris? Not really. I was just a babe in arms when they divided up NJ.
Exactly, OP. Minnesota for sure.
Rjm
Kenneth Noland died.
I am so sorry. He was one of the greats.
The irresponsible Roberta Smith writes:
"Mr. Noland's work was championed by Clement Greenberg and other formalist art critics, but in the beginning it was also greatly admired by more wide-ranging critics, including Donald Judd. "
Well, the Swedes are back in the form of Ikea. Damn, I love their meatballs.
Tom Hering
I don't feel sorry for the Swedes, even though all we hear lately is one Saab story after another.
Very good Tom. Humor at my level, for sure.
Jeez, MC. That's a real hummer. Donald Judd, "wide-ranging critic"? Donald Judd, who was famous for liking little else but his own work and roundly condemned anything with the tiniest spark of life to it? Who moved his whole kit and kaboodle to a place virtually devoid of animate life? Good grief! She is a real winner, that lady.
to get a little taste of vegas in a recent movie, check out "hangover". very funny.
"Irresponsible" is too kind, too benign. As OP has already indicated, the woman is either an ignoramus or worse--I expect the latter. How these people get so far is, well, perfectly par for the course. Disgraceful, to say the least.
Judd, by the way, was a jackass, but I suppose he was bound to overcompensate, or try to, at any rate. Citing him as a credible critic is utterly discreditable.
George R
Kenneth Noland RIP.
Robert Hughes on Kenneth Noland: Art: Pure, Uncluttered Hedonism Not totally flattering, but hits the nail on the head.
Roberta Smith should either be fired for her gross incompetance, or, like Holland Carter, be given a Pulitzer. One of the two. I can't decide which.
Like other critics who are fluent writers and trenchant when trashing pretentious art - Jed Perl, Hilton Kramer and some others - when it came to the good stuff Hughes couldn't see past his nose.
Robert Hughes hitting the nail on the head,with regard to Noland? I don't think so. Hughes was much more successful than I was as an art critic for Time magazine because he toadied up to the conservative mass circulation of the magazine by touting sappy realists like John Koch, and occasionally snorting at artworld icons like Julian Schnabel or the Whitney annuals, while at the same time toadying up to to the in-groups of the art world by taking pot shots at Greenberg. All this won him 30 years on the weekly newsmagazine, a record I couldn't begin to emulate (but then it took me just 13 years to realize Time wasn't the beginning and ending of life). I really don't like Hughes's use of the term "hedonism." Although technically it means only "the doctrine that pleasure or happiness is the sole or chief good in life," its connotations are too negative --- the implications of selfishness & self-indulgence & lack of concern with the rest of the world. I think any painter who tries to create beauty also thinks that maybe this is doing something good for one's fellow humans, to give them something to enjoy. I think this was more like Noland's attitude.
The Hughes 1977 review of Ken Noland was recycled in 1986, as a review of the Morris Louis retrospective at MOMA. In it, the plausible but mistaken final line for Noland - "It takes more than talent and stripes—however delectable the color—to become a master" morphed into the absurd "...beauty, in art, is not necessarily enough".
An analog to what Hughes said in the Louis review might be, "putting more points on the board than your opponent, in the NFL, is not necessarily enough".
And as Vince Lombardi said: "Winning isn't everything, it's the only thing."
Greenberg gave a talk at MoMA during the Morris Louis retrospective. At the end of it, he dealt with Hughes by simply saying, Beauty IS enough.:
Quick question, off topic: Did Greenberg have a policy about requests to comment on someone's art? I ask because I've gotten a few artists recently asking me to look at their work -- not inviting me to a show but just asking for an opinion -- and I'm not sure how to handle it exactly. Obviously there are the caveats about looking at JPEGs and so forth, but aside from that.
Heck, forget Greenberg. Franklin, OP, John, you're professorial. Do you have (formal or informal) policies?
All right, Chris. You like drawing, so assume I'm the artist and try this:
It's not a true drawing, but a crayon-manner engraving after a drawing, but never mind that.
Although I haven't had as much experience as others you asked about this, Chris, I have had artists ask me to look at their work. My standard answer, if I'm not already familiar with their work, is that they should wait until they have work in a show --- preferably a solo exhibition, but even a few pieces in a group show will do. Then please send me an announcement & write a note on it & I'll try to get to see the show. If I like what I see, great, and we can take it to another level. If I don't like it, I don't have to say so, or if pressed I can try to think up some tactful email. But what if I am only seeing the work for the first time in a studio situation & don't like it? It's a difficult situation. I know artists are sensitive (so am I, about my own writing). I know that the artist will very probably be hurt if I say I don't like the work, but I can't lie & say that I do like it if I don't. The same situation arises when artists volunteer to meet me at a gallery & show me their work there. There is nothing so distracting as having an artist stand behind me & breathe down my neck while I'm trying to evaluate his/her work.
A number of artists in the past have started out as critics: Fairfield Porter, Robert Goodnough, Donald Judd (who praised Roy Lichtenstein's first show at Castelli for its formal beauties -- that I suppose is why Roberta Smith thinks of him as a wide-ranging critic). Sidney Tillim kept on painting & writing throughout a long career. Porter & Goodnough were both better-than-average artists, and even Tillim had his moments. You will make some friends that way, too, but only with galleries where you can establish some common ground with the proprietors. If you say what you really think about Gerhard Richter, Marion Goodman is just never going to give you a show!
Chris, I'll look just about anytime invited because I like to look. Studios don't bother me at all, especially if it is someone I am not familiar with. The studio is a good place to become familiar with the work. Even when I know the work, I probably prefer the studio to the gallery most of the time. Seems like the difference between seeing an animal in the woods and in the zoo.
The worst thing you can do is say nothing. It is almost always possible to be constructive, in one way or another, no matter how short the work might be. I've experienced a few who then told me I was all wet, that it was perfect as is, and so on. That's an impasse. They don't happen that often.
Jack: I'd never heard of crayon-manner engraving. I find it amusing that it's like an early version of Photoshop, where you can choose your brush shape -- crayon-manner engraving uses tools with irregular heads to simulate charcoal, crayon, or Conté on paper. Pretty funny. Apparently crayon-manner engravings have passed for original drawings, too.
Obviously the "drawing" is technically proficient. I'm a little thrown off, as I always seem to be, by the shifting standards of feminine beauty -- the sitter looks a little odd to me. It may also be that succeeding generations of genetic mixing have left few people who look like this. Beyond those things, I'd say the drawing as a whole lacks life -- it's very stonelike, as if drawn from a bust, not a live person. (I'd add that it's clearly in the Hockney-defined optical aid tradition.) Clearly it's the effort of an expert in their field.
Piri: Having the artist right there does make it difficult. The last time an artist invited me to his show when I got there, after we'd talked, he offered to tour me through the show and I turned him down. I told him I was better off touring myself. I went through the show more times than I would've on my own, and wrote more about it in the end than I probably would have, so in a way it was good -- meeting the artist there forced me to look harder -- but it made it challenging when I had to write a less than positive review. I think in this case the artist respected me for it, but that, it seems, is uncommon. I've had artists and dealers get mad at me for reviews I thought were very positive.
Of course I don't expect everyone to like me and there are some I honestly would prefer to have dislike me. Marion Goodman won't give me a show after my review of Richter, but then I don't want a show from her on that basis anyhow. Clearly we don't think alike.
My plan wasn't so much to meet people and somehow worm my way into their good graces as it was to meet people and find, naturally, some who I could be friends with. Artists and dealers with similar sensibilities. Not in some artificial schmoozing kind of way, but the way people meet friends all the time. Basically I wanted to immerse myself in the contemporary art world they way one would be immersed in an office or a neighborhood. Just be around, meeting people, see what sticks.
That's how I met Franklin, among others. Why I'm here on this blog. So it's working.
One day, when Franklin and WDB and John take over the world again, I'll be there.
John: I know what you mean. I like to look, also. When I've gone through the SVA BFA and MFA open studios I always feel bad not stopping at each studio and looking it over because I was that artist one time, sitting there and wondering why no one slows down to see what I've got on the wall. I wish I could stop at every one and discuss the work, even the work I think is awful (and by god most of it is awful), because I've met very few people who aren't worth talking to for at least a few minutes (artists or otherwise).
I don't have time, though. No one could. It's just not possible. So I shouldn't feel bad, but I can't help it. I also wish I knew how to speak every language in the world. Let me pile up my sadnesses over here.
I figure most critiques fall into a few categories: The artist knows what you're saying is right, and has noticed it themselves; the artist thinks what you're saying is completely wrong; the artist knows what you're saying is right, but considers it as totally irrelevant; and finally, the artist thinks you're right and didn't know about it. That last one is insight, and it's very rare, but it's great when it happens.
Sorry, that's Marian Goodman, not Marion. Marion is John Wayne.
I guess I'm just inhibited, and possibly my antiquity has something to do with it too, but also I think an artist will accept criticism from a fellow artist much more easily than from a fulltime critic like myself. Among other reasons, because the fellow artist will usually not be expected to translate his/her criticisms into print --so the looking becomes a cooperative endeavor rather than evaluation. But when an artist whom I don't know from Adam invites me to look at his/her work, the unspoken question hanging in the air usually is, will she write something about me, something nice enough so that I can show it around and use it to boost my career? They don't want critiques, they want praise, preferably in print.
It's different for artists with whom I've established a rapport -- in such cases, all they want me to do is look at their work & make intelligent conversation about it, maybe offer a few suggestions on how it can be improved -- and that I am always happy to do. Indeed, it's one of the high spots of what I do. But even there, I find I have to make rules for myself -- specifically, not to make a studio visit when I'm going to be shown work that is due to be exhibited in a gallery in the near future. Otherwise, what might happen is that the artist will incorporate any suggestions I might have into the work to be displayed. In that case, I won't be writing a review of somebody else's work, but of work that is at least partially my own -- which is obviously unacceptable.
There are usually some shows -- and sometimes a lot of shows -- that I look at but don't review. This is especially the case with bad art. I usually save my brickbats for the big names, figuring they're so damn successful that nothing I can say could possibly hurt them. With the little fellows, I usually figure a) that they've got enough troubles without me landing on them, and b)if they're Duchampians, they'll just take my drubbing as evidence that they're really daring and controversial, and run around saying, Look at me, how I've been attacked by the Modernist Establishment -- this proves I'm really the True Avant-Garde!
Chris, the piece in #34 is French (obviously), ca. 1770, by a now-forgotten artist who still managed to win the Prix de Rome (something like the Turner Prize of its day, or certainly a very big deal). It may well be a drawing of a sculpture, which it strongly suggests. The face probably corresponds more to a feminine ideal or type prevalent at the time, as opposed to a specific person. It's very much a Boucher or Greuze face. Its generalized or generic features, while pretty, lead the eye to focus on the fabrics framing the face, which are beautifully handled. And then, of course, there's the terrific simulation of a drawing by engraved means, since naturally photographic reproduction was out of the question.
I'm freer for a number of reasons. For one thing I don't work for anyone -- I'm my own editor. Unfortunately the pay is lousy. I have no place at all in any establishment so I'm not constrained in how I approach things -- I don't represent anyone but myself. I can throw bricks at established artists or new ones. I tend to feel nicer towards newer artists (who are not always younger) if they're trying something real. Duchampians I have no time for. I tend only to see that kind of work by accident. I don't go out of my way to see shows I don't think I'll like -- the dreadful Paul McCarthy being an exception -- but I do wander into them when I'm roaming aimlessly, usually after I've seen what I meant to see. Sometimes I'm surprised and find good work I would've dismissed by description or reputation -- Chris Ofili and Eric Fischl are two big examples I can think of. Ofili isn't well thought of on this blog but I really liked his show a few years back.
As far as artist to artist, well, no artist I've spoken to seems to think of me that way. I'm not sure I qualify as an artist. I'm a guy with a studio who paints. Jerry Saltz used to paint (he may still for all I know) and of course Greenberg was a painter, too. I may end up shedding the painting side the way they did. It'd break my heart, but it could happen.
Don't worry, Chris. If you are an artist, you always will be. I gave up on fine art for about thirty years, in order to find my real calling. Guess what I found. Even Duchamp couldn't help himself - he produced Étant donnés.
Chris, In my own column, I don't work for anybody either. I'm my own editor, too, and the pay is no better for me than it is for you. I contribute occasionally to artcritical, for which I am paid a paltry sum, but only if something I wrote appears, and not everything that I write does appear --- which is why I thank God I have my own column where I can say what I want. If you think I'm a member of the modernist establishment, you're talking about something that doesn't exist today, and in my opinion never did. Postmodernists like to fantasize that back in the '60s it ruled the art world, but I was there, back in the 60s, and at Greenberg's peak influence, only a very small number of curators & critics & galleries were "Greenbergian" & most of the market & most of the media was dominated by all the species of art that Greenberg considered middle-brow substitutes for the avant-garde: pop, op, kinetic, minimal, conceptual, etc.
PS. Chris, I guess you didn't get it when I referred to "the Modernist Establishment" in my caricature of how Duchampians respond to negative criticism. That was a joke, a rather bitter one in fact.
Piri, I propose you drop "Duchampians" and replace it with "Du-chumps."
Oh, and Chris, very few people have heard of crayon-manner engraving except for distinctly atypical types like me. In other words, for practical purposes, hardly anybody. It's related, by the way, to stipple engraving, all of it developed in the 18th century, initially in France.
I didn't take it that seriously, Piri. But even I've had people comment on my blog saying, basically, of course I didn't like whatever it was, it's avant garde and I'm old and dumb. So, yeah, you review it negatively and it's worn as a badge of pride by some people.
Speaking of the Establishment, on the subway today I saw someone reading The New Criterion. That reminded me I wanted to find it, but three newsstands later and nothing.
I was going to buy the New Yorker instead, but it's six bucks. Then I was going to get the New York Times for the crossword, but I didn't have a pen and the newsstand wanted 75 cents for one.
Someone left a copy on the bus, though.
Chris, is ol' Will pandering to the flyover states on Monday, Tuesday, Wednesday, Thursday with those puzzles? Or is he pandering to the coasts? Man, I get tired of waiting for the weekends for the goods.
There are moments in the crossword where I feel it's very New York-centric, and there are times when I think it's asking too much pop culture (like Hollywood). I don't know. I haven't done the puzzle in a long time and I'm only occasionally picking it up now, since I found the library a town over makes copies and leaves them out for people to take.
I've been feeling stupider and stupider lately -- over the past year for sure, maybe two -- to the extent that I actually saw not one but two neurologists about it. The first gave me a battery of tests showing that I'm very intelligent, thank you very much, but I knew that. I just feel stupider than I used to, not actually stupid.
So feeling stupid I picked up the Sunday Times puzzle while my kids were working on school projects -- Aaron Burr! -- and managed to finish it. Ten years ago when I was doing the puzzle every day I couldn't finish a Sunday (or a Friday or Saturday, for that matter, and Thursday could be a stretch). Then I found a copy of the previous Sunday puzzle and finished that one, too.
Proof that the New York Times crossword is easier than it used to be.
The next puzzle I got was a Thursday, a few days later, and I found I couldn't get a single clue. Not one. Completely empty puzzle. I gnawed at it for a few hours, too. Nothing.
Now I'm back on track. Last night I nearly finished yesterday's crossword. Not quite. I'm not sure I can get any more, though. Bastards made this one with extra letters on some of the answers. Yes. Superfluous letters in a crossword. What's the world coming to?


text:
Often asked: Raymond carver poet?
1 What is Raymond Carver's writing style?
2 What is Raymond Carver known for?
3 Who is writer of the poem?
4 What is minimalist writing?
5 What is a minimalist story?
6 Why don't we dance Raymond Carver?
7 What is a female poet called?
8 Who are famous poets?
9 What is a poet called?
10 What is dirty realism in literature?
11 Are These Actual Miles?
12 What is the theme of Cathedral by Raymond Carver?
What is Raymond Carver's writing style?
A film version of Short Cuts, directed by Robert Altman, came out in 1993. Carver has a distinct writing style, a strong, minimalist approach that critics often compare to the writing of Ernest Hemingway and Anton Chekhov.
What is Raymond Carver known for?
Raymond Carver, in full Raymond Clevie Carver, (born May 25, 1938, Clatskanie, Oregon, U.S.—died August 2, 1988, Port Angeles, Washington), American short-story writer and poet whose realistic writings about the working poor mirrored his own life.
Who is writer of the poem?
A poet is a person who creates poetry. Poets may describe themselves as such or be described as such by others. A poet may simply be a writer of poetry, or may perform their art to an audience.
What is minimalist writing?
Literary minimalism is characterized by an economy with words and a focus on surface description. Minimalist writers eschew adverbs and prefer allowing context to dictate meaning. These writers were also sparse with prose and kept a psychological distance from their subject matter.
What is a minimalist story?
Literary minimalism is often expressed through the use of short or short-short stories that are nearly plotless. They treat isolated moments or seemingly random insignificant events.
You might be interested: Question: Poet word for before?
Why don't we dance Raymond Carver?
Raymond Carver's short story "Why Don't You Dance?" centers on a very particular small setting: a driveway. The main character is an alcoholic who is going through a rough time in his life. He is holding a garage sale, but the reason is not simply to get rid of old things and make a little bit of money.
What is a female poet called?
Word forms: plural poetesses. countable noun. A poetess is a female poet. Most female poets prefer to be called poets.
Who are famous poets?
Check out the list of top famous English poets of all time.
W.B Yeats.
Sylvia Plath.
Rudyard Kipling.
Robert Burns.
Oscar Wilde.
John Milton.
What is a poet called?
A person who writes poems is known as a poet. Poets are masters of wording manipulation based on meanings, sounds, and rhythms.
What is dirty realism in literature?
Dirty realism is a term coined by Bill Buford of Granta magazine to define a North American literary movement. Writers in this sub-category of realism are said to depict the seamier or more mundane aspects of ordinary life in spare, unadorned language.
Are These Actual Miles?
"Are These Actual Miles?" is a short story written in the third person about a man and a woman trying to sell a car. The man, Leo, "sends" the woman, Toni, out on a date to see if her charm and good looks could hook a buyer for their automobile.
What is the theme of Cathedral by Raymond Carver?
In Cathedral by Raymond Carver we have the theme of jealousy, insecurity, isolation, detachment and connection. Taken from his collection of the same name the story is narrated in the first person by an unnamed man and from the beginning of the story the reader realises how detached the narrator is.
Often asked: 10 types of prose?
Often asked: Poet in residence?
Question: Warrior poet eso?


DOVER, Del. (AP) - A preliminary investigation has found that a gasket failure caused a chemical gas leak that forced the temporary closure of a heavily used bridge connecting Delaware and New Jersey on one of the busiest travel days of the year.
The leak forced the precautionary closure of the Delaware Memorial Bridge for several hours as the Thanksgiving holiday weekend wound down. The bridge which carries traffic on Interstate 295.


"Compressible Gas Flow Experiment and Assisted COMSOL Modeling" by Jared Thomas Brown, Michael Peter Lynch et al.
We designed and constructed a working compressible gas flow laboratory experiment to measure pressure drops and friction factors for air flow in pipes, based on an article in Chemical Engineering Education by two Lehigh University professors. Through experimentation it was found that increasing pressure in the pipe increased the density and, therefore, decreased the velocity of the fluid and the pressure drop along the pipe. We also developed a computer simulation that showed the same trends as the experiment.


Scientists spot a macaque in the middle of an unspeakable act, almost certainly leading to the revocation of all his deer dinner party invitations.
Sometimes nature is so downright unnatural it's creepy. Take the male Japanese snow monkey (otherwise known as a macaque) caught trying to do the deed with a female sika deer.
Snow monkeys and sika deer live side by side, and it's not unusual for the monkeys to playfully ride the deer. But scientists think the hormonal surge they experience during breeding season may have led this frustrated guy in Japan to take things a bit further.
The macaque scientists spotted in the middle of this rarely documented monkey business can essentially be described as a social outlier who might have trouble getting laid.
"This macaque was a non-troop adult male, in other words low in hierarchy," Marie Pelé of the University of Strasbourg in France said in a statement. Pelé is lead author of a study on the odd behavior published online Tuesday in the journal Primates.
"He was therefore probably either peripheral or belonged to a group of peripheral males, as other males were observed in the vicinity of the deer."
In other words, this monkey appears to have been the alpha inter-species mega-perv among a gang of sketchy snow monkey dudes.
In case you're wondering, these deer hang with these monkeys to eat food they drop, as well as their poo (so yeah, deer can be weird too, depending on your perspective).
If you have it in you, you can watch the video below (not totally safe for work, BTW, but likely to be featured in the pilot episode of "To Catch a Predator: Simian Edition").
Also, if you must know: No, there was no actual penetration involved. That kind of extreme inter-species behavior is thought to have only been documented once. I really advise against clicking through that link if you don't want to forever ruin seals' cute and cuddly image.


I am very physical in how I teach drama. My new head has told me to change. Do I have to?
High on my Christmas book list this year will be Trust: How We Lost It and How To Get It Back, by Anthony Seldon, the head of the Wellington College, who argues that the loss of this vital commodity is sapping society. He is right.
You say you are an experienced drama teacher who thinks nothing of giving a student a hug, or moving pupils around by the shoulders. What harm is there in that? But your timid new head is clearly terrified someone will decide these things are the first steps on the nasty road to child abuse.
In making this assumption, he – let's assume it's a he -- is not trusting you to do your job as you think best, not trusting his students to know the difference between normal human contact and physical touching driven by bullying or sexual desire, and not trusting parents to understand this either.
These are, of course, real worries. Unfounded allegations against teachers are made with depressing regularity these days. But a confident school leader would take his own measure of your teaching style, back you if he felt all was well, and only intervene if there was a problem.
Ask your head who exactly has complained about your classroom manner or teaching performance. Explain that it will be difficult to curb your natural exuberance and challenge the assumptions behind his request that you should do so. If he is unbending, and you are confident there is nothing wrong in how you teach, you may want to consider moving jobs.


Welcome to the Fosgate Family Law & Mediation Center. Burbank Family Law Lawyer Jami Fosgate can help you modify a previous ruling, settlement or judgment even if she did not represent you in the initial action or during any subsequent modification proceedings.
Contact Burbank Family Law Post Judgment Modification Attorney Jami Fosgate at (818) 827-7157 to schedule a consultation with a caring and experienced lawyer. Conveniently located in Burbank, we represent clients who live in all of the surrounding communities and have several satellite offices to best serve the needs of all our clients.
Usually in order to have a basis for a court to order a modification, there must be a "material change in circumstances." Changes in circumstances may include, but are not limited to: a job loss by one party, an increase in pay by one party, a change in job location, unexpected health or disability problems, etc.
If you are in need of a modification, Burbank Modification Attorney Jami Fosgate will help you obtain the desired changes through Mediation or Collaborative Representation. When parties are willing to work together, a modification may be achieved in a relatively short period of time and is much less costly than litigation.
Should Mediation or Collaborative Representation fail to obtain an agreement on modification, it will be necessary for you to retain an attorney who handles Family Law related litigation because Ms. Fosgate does not represent parties in court. Remember, it is usually in the best interests of all parties to work together to resolve their modification dispute amicably, outside of court, because litigation will take many months and cost each party thousands of dollars in attorney's fees.
If you believe there has been a change of circumstances that requires modification of a prior court order, please contact Burbank Modification Lawyer Jami Fosgate and the Fosgate Family Law & Mediation Center at (818) 827-7157 today.
We serve clients in Burbank and the surrounding communities, and Attorney Jami Fosgate strives to help couples resolve their disputes amicably and reasonably without going to court. When parties work together instead of working against each other, results can be achieved in a timely, cost-efficient manner. Our goal is to bring individuals together for the best interests of the children and to avoid unnecessary stress. Call today to learn how we can put our experience to work for you!


A posse of Brits descended on QBConnect San Jose in November.
Some you'll see at QBConnect in London at the end of February.
Is it worth your time and effort attending QBConnect?
Because technology, client expectations and MTD are changing at such a rate you and your firm can't afford to stay in the dark. It's essential that you stay current and knowledgeable about what's happening and what's about to happen – you don't want to be left behind.
With the first stage of MTD going live in April, QBConnect in February means your team can see and hear what's happening. When they do they'll return to your firm and help you get the rest of your team to buy-in to the changes that are necessary. Necessary for firms to survive and thrive in 2019 and beyond (can you believe next year we'll be celebrating another decade?).
Book your tickets here – now.
Get a flavour of what QBConnect is all about below, where you'll hear (in less than 2 minutes each) what the following people thought of QBConnect San Jose.
Come for a day or come for two days – but shine a light on the future success of your accounting firm.
Flying to San Jose isn't necessary, join me and some of the speakers above at QBConnect in London on 25th and 26th February. You'll also hear from HMRC and some exciting main-stage speakers too as well as a host of Apps and services to help you and your firm win in a MTD world.


Gate Guard Life: The 20′ flame on the flare stack just down the road is standing straight up this morning. No wind; I hate that. The caliche dust from the traffic on the road hangs like a low fog with no currents of wind to disburse it. It sticks in my throat and films the top of my coffee. I can feel the grit on my skin. The scenery seldom changes where I sit.
4:52AM after a night of steady rain and the gate is open because I don't like to traipse out through that mud every time a truck comes in or out. Gotta keep a close eye out for the Mama Cow and her Evil Herd — they have already proved they can vanish through those open gates in a mere eye blink. All you see is cow tails straight in the air as they run down the caliche road toward Los Angeles (TX) and points West. The Bastards! Gotta watch 'em close!
Not a La Frontera Bandito -Just me wiping off the sweat. Honest.


Has the review of Australia's media landscape missed a crucial point? Julian Lee reports.
One day soon, Natalie Tran, a video blogger from Sydney, might be considered a media entity in her own right.
Her whimsical musings on life, uploaded to YouTube once a week, have captured a global audience seen by at least a million each time and the advertising sold around them affords her a living to the tune of $100,000 a year.
Natalie Tran ... "I bring a level of professionalism to my work."
However, in the eyes of the panel of experts who this week unveiled a road map of the media, Tran doesn't qualify. For one, she doesn't meet the revenue threshold, and her videos are not ''professionally produced''.
Not that she sees it that way. Like others she started out as an amateur with a handycam and an idea, but today she has an audience - and who knows what tomorrow may bring.
''I bring a level of professionalism to my work, I write the script, I do a story board and I edit. I put a lot of time and effort into them. But is that professionally produced?'' she asks rhetorically.
No. But she is in good company. Google, Telstra, which is broadening its offering from mobile phones to internet television, Facebook, and the ubiquitous Apple are among those that the Convergence Review committee deemed as being outside their regulatory framework.
The panel's remit was to write a rule book that can manage the transition from the old world of free-to-air television, radio and newspapers to the new world of smart phones, tablets and applications that deliver articles and videos in ways that the original legislation could never have dreamed of.
But until such time as the likes of YouTube are big enough to carry the burden of producing and distributing the TV programs that we consume, it will fall to the old media to continue to foot the bill.
That space is the one inhabited by the likes of Tran at one end and Apple at the other.
But if the panel's aim was to future-proof the Australian media by building in regulations that would capture the giants of tomorrow, perhaps they are already too late.
The amount of time we spend on the internet exceeds that of television by some six hours a week, according to the researcher Nielsen. Our adoption of reading and watching TV on our mobile phones is rising rapidly, having quadrupled in the past year alone; Australia was faster than the US to reach the point where half the population is using smart phones.
For Matt Bruce, the managing director of Nielsen's media practice, the numbers tell a clear story. Of the top 10 most visited website brands by Australians in March, all are either wholly owned or part-owned by international media companies, starting with Google which was used by 14 million people in March, through to YouTube, Microsoft and Wikipedia.
If someone like Bruce, who is paid to keep abreast and measure media audiences, is finding it hard to keep up with the pace of technological changes what hope is there for the rest of us, let alone legislators whose job it is to preserve the diversity and the revenues of the Australian media.
''It is going to be very difficult for the legislation to keep up with the pace of technological change and if anything it's going to get worse because it is moving so quickly,'' Bruce says, pointing to the impact of the iPhone launched just five years ago and its two-year-old tablet sibling, the iPad, which has already sold 2.6 million. Together they are rendering seismic changes in our media habits. Who would have thought about apps five years ago, says Bruce.
The convergence review panel says that may well be the case but what we are still looking at is content produced by the same old companies, Fairfax, News Ltd, Ten, Nine and Seven. ''Despite these changes, Australians continue to get the vast majority of news and entertainment from a relatively small number of established providers,'' it found.
Already those challengers are earning sizeable revenues from Australian audiences, even if the money made from ''professionally produced'' TV-like content is below the convergence review panel's revenue threshold (see box).
Megan Brownlow, the executive director of PricewaterhouseCoopers' media practice, believes the gap is already closing on traditional players.
YouTube's stated strategy - to move its video-sharing platform away from the home movie tragics of piano-playing cats to more professional content for a more compelling advertising environment - is one such example. In effect, YouTube, which is owned by Google, wants to be like a TV network.
Only this week its global head of content, Robert Kyncl, unveiled three new channels to advertisers, one called Wigs that will focus on scripted dramas for women, another called TeamUSA focusing on the Olympics and another, Maker Studios to be launched later this year developed in conjunction with the company behind the New York Tribeca Film Festival.
Programs like that will be easier to find once Google relaunches its Google TV service, a software program most likely embedded in TV sets that helps users navigate the internet for programs to watch or movies to rent.
Set-top boxes such as Apple TV and Telstra's T-Box, and the internet TV services offered by telcos such as Optus and iiNet, are set to take off as broadband speeds quicken with the advent of the NBN.
Even Facebook, which last year trialled movie rentals, is looking to offer more videos on its site as a way of boosting advertising revenue.
Boreham insists there is still some way to go before there is parity between old and new in the media. ''We thought it would be larger but there really is quite a gap between, say, Bigpond TV and Apple TV and the TV networks,'' he says.
But that is closing. In the decade to 2010 $400 million in advertising has dropped off from the commercial free-to-air TV sector, according to the Commercial Economic Advisory Service of Australia, which compiles media data figures. In that time advertising on the internet has gone from zero to $2.2 billion or 17 per cent of the $13 billion that is spent on advertising in the Australian media.


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So this is week 32 of the freelance life, that's like 8 months right? Recently I've realized that there are 2 things I hate about running a business. The first is a repetitive schedule that makes me feel like a cog in a machine. This is something I struggled with in my old job and thought would be gone when working as a freelancer… but it's not… it's still here. The second is the majority of social media… It's so often toxic, draining, and the birth of all imposter syndrome. There are silver linings to social media, like the friends I've made through it, but I hate the pressure of posting and the anxiety of something not doing well analytically.
While I hate both of these things I am also realizing that in my 8th month I need to work much harder on them. So I sat down and decided to create a schedule for my social media. Here is what I came up with.
It is impossible to juggle all the different social media outlets. My plan is to focus on Dribbble and Instagram. From those 2 I will schedule content for Twitter and Facebook. I will still use Twitter like I do now, but there will also be scheduled posts focused on my work, rather than only having my random ramblings or virtual high fives to people I look up to.
NOTE: The only reason I have a Facebook for Noble Folk is because they require you to create it to have a business account on Instagram. Now that I do have it I may as well aggregate my content there… I guess.
In addition to those 4 I will still be attempting (and often failing) to post on Medium once a week as well as my weekly movie review and poster design on my 52Films site. Last week's poster was for Annihilation.
Looking at these outlets I don't feel as overwhelmed as I thought I would. With proper planning I think it is even maintainable. Because of that, and perhaps my self destructive tendencies, I am throwing a wrench in it all! I talked about it a few months ago, but I am actually going to try and start creating weekly content on youtube. This will be tested in April while I'm traveling and going to Creative South. I'm not totally sold on the fact I will be able to create content worth watching, but I have the means to try it, so why not!
8 months in and I'm another cog again, but this time it's in my machine. Hopefully I can keep up with the plans I so easily made. If you have any suggestions or advice, I would really appreciate it. Leave a comment here or hit me up through my contact page or any social media DM.


Now you don't need to wait for more, as we are back with Rajshree Magic Lotto Guru Weekly Goa lottery Results – 20-12- 2018. Today the state government will be announced the consequences of Goa state lottery at 9:00 PM. For checking your results, you can come straight at our at our webpage of Goa Lottery Results. Here you can find the updated results as well as previous results.
We also have a special section in which the complete knowledge about Goa lotteries is available. Beside this, you will notify for any frequent updates and news, but for that, you have to signup with us then after we send you information and notification directly into your handset or laptop and mail or at any social platform.
Now, good luck with your results.


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Janel Parrish Was 'Intimidated' to Meet 'Trespassers' Costar Fairuza Balk Because of 'The Craft'
Movies By TooFab Staff | July 12, 2019 1:20 PM
IFC Midnight
Stars of 'The Craft': Where Are They Now?
The 'Pretty Little Liars' star reveals why she signed on to the freaky home invasion flick and teases 'To All the Boys I've Loved Before 2.'
Like every other kid who grew up during the 90s, Janel Parrish has a special place in her heart for the 1996 horror flick "The Craft." Unlike the rest of us, however, Parrish got to share the screen with one of the film's star's: Fairuza Balk, aka wicked witch Nancy.
The two appear in IFC Midnight's home invasion film "Trespassers," which hits VOD today. In the movie, Parish's Estelle and three of her friends rent an AirBNB in the middle of the Mojave desert ... and their night quickly goes to hell after Balk knocks on their door.
While Parrish has always been a fan of horror movies, she cited Balk's work as the reason she got into them in the first place.
"I'm so not just saying this because Fairuza Balk is in our film, but 'The Craft' is still to this day one of my favorites," Janel said in an interview with TooFab. "That's one the first movies that I saw that showed me that I like these kinds of films. And I just think the acting in that film is so great."
TooFab's #ThrowbackThursday: Why 'The Craft' Star Rachel True Thinks 'Charmed' Is a Copycat (Exclusive Video)
Because she had only seen Balk do "freaky, strong female characters" like teenage spell caster Nancy, Parrish said she was "sort of intimidated to meet" the actress when it came time to film together. "I had no idea what she was going to be like in person and then she shows up and she's tiny and sweet and kind and professional. You sort of get this feeling of, how can this person who is so small and sweet be so creepy?"
But once the director said "Action!" Parrish saw her snap into character, "and you're like, 'Oh, there it is.'" Teasing Balk's role in the film, she added, "This character shows up and is not necessarily what she appears to be and Fairuza just nails that. She plays every angle just right."
"It was honestly really an honor to just watch her work and act alongside her because I've been such a fan of hers for so long," added Parrish. "I think the world of her."
Keep reading for more from our Q&A with Parrish, as she teased the sequel to Netflix hit "To All the Boys I've Loved Before" and spilled on what she thinks makes a good Scream Queen.
What are some of your other favorite horror movies?
I am a huge fan of the 'Conjuring' series. I like the paranormal-type movies. I think it's just terrifying to imagine something supernatural sneaking up on you in the middle of the night standing over your bed. The TV series 'The Haunting of Hill House,' obsessed. And then there's always a good old fashioned classic 'The Shining.' It's still to this day one of the scariest movies I've ever seen.
I know you've done some genre work before -- even 'Pretty Little Liars' had it's creepy creepy moments -- but why did you decide to dive headfirst into a full-on horror film with this?
I've always wanted to do one because I'm such a fan of that genre. But then when I got the script sent to me, they also sent this look book with pictures of references of the way they wanted it to be filmed with this beautiful neon lighting and wide shot angles. I just was so impressed by the vision that they had for this film and as well as a script, that I just I knew that I wanted to do this project. I just thought it was something so cool and different and it would be a really fun challenge for me seeing as I'd never done horror before.
Now you get to let out a solid scream or two throughout this. What do you think makes for the Scream Queen?
Well I think you just gotta go for it, you've got to remove any of the insecurities of sounding dumb or stupid or whatever it is and just take a big ol breath. Good thing I got the lung power because I'm a singer and you just gotta go for it. Once the shit hits the fan, it gets pretty intense. All of us just trusted each other and trusted that we were in a very safe place to go to really dark places of our minds that -- I can speak for myself -- I've never had to go to before. It's a very vulnerable thing.
In something like this, the emotions are running high. You're literally running around, you're screaming. Is it exhausting too?
Yes. And also keep in mind that both of the film was shot in the middle of the night, all night shoots because the house was glass. You can't cheat anything, so we'd have night shoots a 2-3:00 in the morning and we're sitting around waiting for the shot to be set up and getting pretty tired. But once they say, 'OK, that shot is ready,' you better get your energy up because this film is an extremely high energy and takes a lot out of you emotionally, physically. By the time you finally wrap at like 6:00 in the morning when the sun's coming up, you're not even tired anymore because of all that adrenaline you had to summon running around and screaming your face off.
Obviously not to this extreme, but have you had any getaways from hell?
God no. But you know this movie really terrified me and the script terrified me because I've said for years when AirBnB started ... you just don't know whose house this is. You don't know what's in the house. You don't know like if there's cameras or secrets or like a body somewhere or if there's a serial killer. And I've been saying for a long time somebody needs to make an AirBnB horror film because that simple thought is so terrifying, it could happen. You could be renting the house with somebody who is either a psychopath or has seen some bad stuff. So when I read the script I was like, yes, I want to do this.
You just recently wrapped 'To All the Boys I've Love Before 2.' Why do you think the first one was such a huge success?
I think it was a movie that everybody needed right now. It's just a good old fashioned romantic comedy that just makes you feel so good. It's a coming of age movie. She's a character that a lot of girls young girls can look up to and relate to. She kind of speaks even to the the older women like myself, who are not necessarily that demographic. I watched that movie and she takes me right back to how I felt when I was in high school and had my first love. I think any woman can kind of relate to that.
I also think the fact that the lead of the movie is Asian-American and I think representation really matters. And we don't see a lot of it. I think it's really it's exciting and it's sort of making history. I mean it's been 25 years since a film had an Asian lead that wasn't an Asian film. That film was Joy Luck Club. And I speak for myself because I'm an Asian-American. A lot of Asian American women especially were like this is so cool, what a time, what a time to see an Asian-American lead and being able to tell a story that isn't necessarily about being Asian-American. She just happens to be Asian-American. And that makes it really special and powerful.
Can you tell us anything about the sequel? We'll take anything.
Yes, it's gonna have a very juicy love triangle. At the end of 'To All the Boys I've Love Before,' you see that one of the letters that Lara Jean thought wasn't delivered actually in fact did get delivered and he comes into town to find her. So Peter Kavinsky's got some competition.
"Trespassers" is available now on VOD.
"The Craft" Turns 20 -- Wait'll You See the Bewitching Stars of the Film Now!
#JanelParrish
Jack Nicholson Replaced By Jim Carrey In 'Seamless 'Shining' Deepfake
'American Horror Story: 1984' Cast Reveal, No Sarah Paulson
Samuel L. Jackson and 'Riverdale' Star Join Chris Rock's New 'Saw' Movie
Jennifer Love Hewitt Shares 'I Still Know What You Did Last Summer' Tanning Bed Horror…
Paris Jackson Gets Her 'Scream' on as VH1 Revives Ghostface
Here's What Critics Are Saying About 'Stranger Things' Season 3
Comic-Con Votes for America's Ass: Evans, Hemsworth or Pratt?
Twitter Was Not Ready for That 'Cats' Trailer But the Memes Help
Watch the First Trailer for 'Cats'
What You Missed From The 'Terminator: Dark Fate' Comic-Con Panel
Young Simba Just Can't Wait to Collaborate with Beyonce
'The View' co-host awkwardly confuses John Hickenlooper with Jay Inslee during interview Russo brothers field questions about the Avengers during Comic-Con Meghan McCain reveals she suffered a miscarriage: 'Inside, I am dying'


The tables below list monthly averages for rainfall plus snowfall during October at major cities in Canada. Each place has a total for how many days of wet weather it usually gets this month and for the normal amount of precipitation.
The numbers allow you to compare the typical precipitation for the 33 largest Canadian cities, ranging from St John's, Newfoundland in the east to Victoria, British Columbia in the west.
The month's precipitation totals are averages of weather data collected during 1981 to 2010. The calculation of days includes those when precipitation totalled at least 0.2 millimetres (0.008 inches).


Take an exclusive look at the Colorado Classic Stage 2 Vail Time Trial course with Chris Anthony, former pro skier and bike racer! Chris will take you through the key points of the race and shares his tips on getting the best view of the riders along the course. This iconic time trial is no stranger to professional bike racing. This course dates back to the days of the Red Zinger Classic in the 1970s and has been used numerous times since. Raced on and won by national, world and Tour de France champions alike - this stage is sure to test the riders on a challenging hill climb.
On snow since eighteen months old, Chris competed at an international level not only in skiing but also in cycling. For more than 28 years, Chris traveled as an athlete, host and emcee with Warren Miller Films and Warren Miller Entertainment sports action documentary company. He is a 2018 Colorado Snow Sports Hall of Fame Inductee, has appeared in 28 Warren Miller films and is a veteran of 9 World Extreme Skiing Championships.


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Fill out the form below to receive additional information about our Costa Rica Wilderness Explorer or give us a call at 800-543-8917.
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Costa Rica Wilderness Explorer
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Day 1: San Jose, Costa Rica
Arrive in the capital of San Jose where our Costa Rica ecotour begins with a welcome dinner. If you reach the hotel early, enjoy a walk around the lavish gardens on the grounds, home to abundant birdlife.
Days 2 & 3: Tiskita Jungle Lodge
Transfer to the local airport this morning to board chartered planes for our direct flight to Tiskita Jungle Lodge on Costa Rica's remote southern Pacific coast. At the heart of an 800-acre private rain forest reserve, Tiskita is the only lodging in this undeveloped area just a few miles from the Panama border. Its hand-built cabins, crafted from fallen hardwood trees, survey the sea from a high ridge. Wildlife abounds on the reserve: Look for squirrel monkeys, howler monkeys and white-faced capuchins swinging through the trees, sloths clinging to high branches, and agouti in the underbrush. More than 275 bird species thrive in this lush habitat, and we look for them on early-morning walks. A coveted sighting is the scarlet macaw, successfully reintroduced by Tiskita's owners and now flourishing on the reserve.
Meals are prepared with fresh local ingredients, utilizing some of the more than 125 types of organic tropical fruit grown on the estate. On a hike through the grounds, we'll examine a wide array of exotic fruit trees, and, if certain fruits are in season, we may get to taste some unfamiliar varieties. This is also an excellent chance to see birds and monkeys attracted to the orchards and open areas. An in-depth rain forest hike reveals more wild creatures, while a night walk offers a chance to look for red-eyed tree frogs, tiny endangered granular poison dart frogs and other intriguing amphibians. During our stay, we'll walk to the beachside village of Punta Banco to visit a community sea turtle hatchery in the company of a local leader running this grassroots conservation program. We learn firsthand the critical value of controlled hatcheries that are helping to increase endangered sea turtle populations worldwide. For groups visiting during turtle-hatching season from November–January, we may have the opportunity for an early-morning visit to the beach to see baby olive ridley turtles emerging from their nests and being released to the sea.
Day 4: Sierpe River Cruise / Finca 6 Stone Spheres
Fly from Tiskita to Palmar Sur on a chartered flight this morning, then drive along the central coast to reach the Sierpe River for a private boat cruise into its vast mangrove ecosystem. The Terraba and Sierpe rivers flow from their headwaters on the southern slopes of the Talamanca Mountains to the Pacific where they form a river delta comprising the Terraba Sierpe National Wetlands. A network of channels weaves through Costa Rica's largest untouched mangrove estuary, protecting prolific birds and wildlife within the 67,000-acre reserve. Floating down the languid tropical river, we may see American crocodiles, rainbow boas, green iguanas, white-face capuchins, long-nosed bats, roseate spoonbills, ospreys, kingfishers, frigatebirds and a variety of egrets. If we're lucky, we might even spy some scarlet macaws in the trees.
After lunch in Sierpe Town, we visit the Finca 6 archaeological site at Palmar Sur. At this UNESCO World Heritage Site, observe the mysterious pre-Columbian stone spheres discovered here in the 1930s when the United Fruit Company was clearing land for banana plantations. These perfectly carved orbs range in size from a bowling ball to massive globes weighing 16 tons. Their purpose and how they were created remains open to speculation, but one thing is certain: they are impressive! Late this afternoon, arrive at our hillside hotel high above Ballena Marine National Park, a system of coral reefs and islands that harbors some of the richest undersea life in Costa Rica. Hiking paths leave from the hotel grounds, offering a chance to look for wildlife, including howler monkeys and green iguanas.
Day 5: Hacienda Baru / Bahia Ballena
The 800-acre Hacienda Baru National Wildlife Refuge protects large tracts of lowland rain forest, mangroves, wetlands and secondary growth, which we explore from a network of easy trails. Scientists at the conservation biology center on the refuge research plants and animals found within its bounds and surroundings habitats, including woolly opossum, anteater, sloth, armadillo and ghost bat, plus white-faced, spider and howler monkeys. Keep an eye out for northern raccoon and kinkajou, as well as abundant reptiles. Birdlife is impressive, with nearly 400 recorded species. After lunch, join our Expedition Leader on a walk to Uvita Beach, part of Ballena Marine National Park. The little-visited stretch of sandy coast is famous for its whale's tail shape, surrounded by the turquoise sea. If surf conditions permit, swim or dip your feet in the ocean. Back at our hotel, take advantage of outstanding sunset photo opportunities with a sweeping view over the ocean, before dinner is served on the terrace.
Day 6: Talamanca Mountains—Savegre River
For those who wish to rise early, our Expedition Leader offers guided birdwatching on the hotel's expansive grounds. After breakfast, leave the coast to ascend narrow, winding roads into the Talamanca Mountains. Along our route, cross Cerro de la Muerte, the highest point along the Costa Rican section of the Pan-American Highway. The views are thrilling, when the frequent mists clear enough to reveal waterfalls on steep slopes and green valleys far below. Along the way, we stop for lunch at the home of a local family, savoring traditional home-cooked fare and learning about rural life in Costa Rica. Our hosts live on a small farm where they grow mushrooms on oak logs and make delectable blackberry wine, both of which are featured in our meal.
Our destination is Savegre Mountain Hotel, in an exquisite setting along a rushing river at the base of a narrow, high mountain valley at 7,200 feet. Within this private biological reserve, replete with flowering tropical plants, we find myriad colorful birds—the resplendent quetzal is the biggest prize among the more than 600 different bird species found here. On a guided hike through the cloud forest, pass vivid bromeliads and orchids while we scout for wildlife. This region is home to Baird's tapir, wild boar, monkeys and coati. The rich habitat is also the territory of six species of neotropical cats including jaguar, puma, ocelot, margay, oncilla and jaguarundi, though they are highly elusive and rarely seen. Ferns and mosses flourish in the constant drip of the mists, while birds add dashes of color to the canopy.
Day 7: Los Quetzales National Park
This high-altitude ecosystem will thrill bird lovers, as it is home to a multitude of vibrant species and many endemics. We set out early this morning with the goal of spotting the resplendent quetzal, a revered and endangered creature of striking beauty. Listen for their deep, melodious calls as we quietly track these elusive birds. Photographers come from all over the world in hopes of capturing a shot of the quetzal's splendid plumage, with its electric green head, scarlet breast and long, iridescent turquoise tail. Our dawn nature walk reveals a wide array of birds, and we may also spy the emerald toucanet, golden-browed chlorophonia and spangle-cheeked tanager, among many others.
Return to the lodge for breakfast, then depart for Los Quetzales National Park, encompassing more than 12,000 acres of pristine cloud forest and 14 different ecosystems. The park protects wild sections of the Savegre River, which originates high up on the Cerro de la Muerte. A highlight is lunch at Paraiso Quetzal—"Quetzal Paradise"—an ecolodge perched on a steep mountainside. From the outdoor deck we're sure to see dozens of hummingbirds buzzing around several feeders, offering superb close-up photo opportunities. Later this afternoon, we'll visit Batsu Gardens, where every detail has been intentionally designed to enhance outstanding bird photography opportunities in a lush natural space. This evening, our nature adventure comes to a close over a farewell dinner at the hotel.
Day 8: San Jose / Depart
After breakfast, a group transfer is provided to the San Jose airport to connect with departing flights or an onward journey to Arenal Volcano for travelers who have booked that extension.
Physical Rating: Moderate
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Nature is beautiful, it is wild, majestic, intricate and full of inspiration. The enigmatic shapes and colours of the natural world have influenced artists of all kind, including jewellery designers. Through their creation, they have tried to replicate and give everyone their exquisite reflection of this earthy beauty. Here are such nature-inspired jewellery collections for you so that you can have a precious piece of Mother Earth to yourself.
Taking inspiration from nature's natural ornamentation, the Blume Collection features flowers of all types. From beautiful floral rings to floral earrings, floral pendants, floral bracelets and more, this collection will continue to shine for you even when the summer flowers fade away.
This delicate Blume collection from Zaamor Diamonds is the perfect pick for gifting. Sport them with a fit and flare dress for a day out or party. When it comes to jewellery, flowers are not a fad; they're a true classic. A fresh bouquet of floral jewellery from Zaamor Diamonds has arrived just in time for the new season!
Whether you believe in symbols or just like to admire the beauty of nature in every manner, you will love our Mayuri collection. With an enchanting combination of colours, designs and patterns, every piece in this collection reflects royalty, grace and beauty. While most pieces feature peacock carved out in unique forms, there is a range of items inspired by peacock feathers, the exceptional colour combination and the famous 'peacock dance' theme.
Every piece personifies the eternal beauty of the creature in the most brilliant manner possible. Delicate and divine, the pieces in this collection are the conversation starters. Choose anything from signature rings to extraordinary pendants and spectacular earrings to create an imperial and jaw dropping look.
The delicate beauty of iridescent wings fluttering their way across butterfly rings, pendant or earrings is a sight we will never tire of. A popular motif in jewellery design for many centuries, butterflies have lent a whimsical and delicate touch to fine jewellery.
The Butterfly adds a riot of colours and a flight of fancy. It is feminine and fluttery and charming all at once.
All this jewellery symbolize our love for nature and take much effort to give the pleasant feel. These jewelleries not only reflect our craftsmanship but also our interest to give you the best.


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text:
Prayer 3' 1 x 5' 1 - No. 54663
Prayer 3' 1" x 5' 1" (ft) - No. 54663
This Afghan Prayer design rug is hand-knotted with Wool on Wool.
A prayer rug or prayer mat is a piece of fabric, sometimes a pile carpet, used by Muslims, placed between the ground and the worshipper for cleanliness during the various positions of Islamic prayer. These involve prostration and sitting on the ground. The niche at the top of most Prayer rugs represents the mihrab and the direction of prayer.
Baluchi 2' 7 x 3' 10 - No. 54600
Baluchi 2' 7 x 7' 9 - No. 54807
Kilim 3' 11" x 10' 3" (ft) - No. 39597
Prayer 2' 10 x 4' - No. 54486
Kilim 5' 10" x 13' 11" (ft) - No. 39568
Prayer 2' 10 x 4' 6 - No. 54570
Baluchi 5' 11 x 9' 1 - No. 56982
Kilim 6' 8" x 9' 11" (ft) - No. 39548
Kilim 5' 10" x 7' 9" (ft) - No. 39532
Baluchi 3' x 4' 11 - No. 54641
Baluchi 2' 4 x 8' - No. 54812
Kilim 8' 3" x 9' 9" (ft) - No. 39593
Baluchi 2' 10 x 4' - No. 54482
Baluchi 2' 6 x 12' 6 - No. 55186
Kilim 7' x 10' (ft) - No. 39556
Prayer 3' x 3' 11 - No. 54517
Kilim 6' 10" x 10' (ft) - No. 39555
Prayer 3' x 4' 8 - No. 54557


With a quiver of more than 20 bicycles, this Eddy Merckx is especially significant to Art's Cyclery co-owner Eric Benson. It's the only bike lucky enough to be displayed in his office. Because Eddy Merckx was his role model growing up, values from the Cannibal were instilled in him at a very early age such as the importance of teamwork, persistence, and a love for competition. Eric is old school and his love for all styles of bikes has never faltered.
This particular frameset is the 10th anniversary model and was created with special internally rifled Columbus TSX tubing. When steel was in its heyday, tubing manufacturers experimented with different ways to make frames lighter without sacrificing stiffness and rifling the tubes was one answer. Built up with period correct Campagnolo Record officially makes this a bike time capsule. Sometimes one has to look back on the past to move forward, and this beautiful bicycle is definitely a reminder of that.
Extras: Chrome Silca Pump, T.A. Eddy Merckx Bottle, Campagnolo Skewers, Eddy Merckx Bar Ends, Campagnolo Housings and Cables.


text:
Q: Java Rest Service XML Request syntactically incorrect format I am new to web services. I am building an android app and I'm trying to send a POST request to the web service but I'm not sure what the correct format is.
This is the POST method in the REST:
@POST
@Override
@Consumes({MediaType.APPLICATION_XML, MediaType.APPLICATION_JSON,MediaType.TEXT_XML})
public void create(Users entity) {
    super.create(entity);
}

These are the atributes is the class that corresponds to our table. I am using Oracle 11g database, Glassfish server 4.1.1 and Netbeans. I am trying to call PUT from my android application. Can someone suggest a way to do that?
public class Users implements Serializable {

private static final long serialVersionUID = 1L;
@Id
@Basic(optional = false)
@NotNull
@Column(name = "USER_ID")
private Short userId;
@Basic(optional = false)
@NotNull
@Size(min = 1, max = 30)
@Column(name = "USERNAME")
private String username;
@Basic(optional = false)
@NotNull
@Size(min = 1, max = 20)
@Column(name = "PASSWORD")
private String password;

@Basic(optional = false)
@NotNull
@Size(min = 1, max = 40)
@Column(name = "EMAIL")
private String email;
@OneToOne(cascade = CascadeType.ALL, mappedBy = "users")
private Profiles profiles;

I am trying to call the POST method with the body:
`<users>
<email> user@smth.com</email>
<userid>1</userid>
<password>pass</password>
<username>user</username>
</users>`

How should I call it?

A: you should use JAXB for the serialization of your object or create a string representation of the xml you want to post yourself.
For sending the request use client api from jaxrs https://docs.oracle.com/javaee/7/tutorial/jaxrs-client001.htm#BABBIHEJ
or if you are using spring RestTemplate

A: You can use name value pairs as below:

    List userdetails = new ArrayList();
    userdetails.add(new BasicNameValuePair("email", "s@gmail.com"));
    userdetails.add(new BasicNameValuePair("userid", "1"));
    userdetails.add(new BasicNameValuePair("password", "5353$$"));
    userdetails.add(new BasicNameValuePair("username", "shy"));

Then post it as below:

  // Making HTTP request
        try {

                DefaultHttpClient httpClient = new DefaultHttpClient();
                HttpPost httpPost = new HttpPost("your url goes here");
                httpPost.setEntity(new UrlEncodedFormEntity(userdetails));//params added here
                httpPost.setHeader("Content-type","application/x-www-form-urlencoded");
                httpPost.setHeader("Accept", "application/json");
                HttpResponse httpResponse = httpClient.execute(httpPost);
                HttpEntity httpEntity = httpResponse.getEntity();
                InputStream is = httpEntity.getContent();

        } catch (UnsupportedEncodingException e) {
            e.printStackTrace();
        } catch (ClientProtocolException e) {
            e.printStackTrace();
        } catch (IOException e) {
            e.printStackTrace();
        }

        try {
            BufferedReader reader = new BufferedReader(new InputStreamReader(is), 8);
            StringBuilder sb = new StringBuilder();
            String line = null;
            while ((line = reader.readLine()) != null) {
                Log.d("LINE",line);
                sb.append(line + "\n");
            }
            is.close();
            json = sb.toString();
        } catch (Exception e) {
            e.printStackTrace();
            Log.e("Buffer Error", "Error converting result " + e.toString());
        }

Log.d("RESULT",json);

The Post method in your webservice is like below:

    @POST
    @Consumes({MediaType.APPLICATION_XML,MediaType.TEXT_XML,MediaType.APPLICATION_JSON})
    @Produces({MediaType.APPLICATION_XML,MediaType.APPLICATION_JSON})
    @Path("/insert")
    public Response insertRecord(Users users) {
    }

redpajama_set_name: RedPajamaStackExchange


text:
{{Infobox song
| name     = A Simple Motion
| cover    =
| alt      =
| type     = Song
| artist   = t.A.T.u.
| album    = 200 km/h in the Wrong Lane (re-issue)
| released = 10 November 201231 May 2014 (The Remixes)
| format   =
| recorded = 2002
| studio   =
| venue    =
| genre    = Pop, adult contemporary, electropop, eurodance
| length   = 2:47
| label    = Cherrytree, Interscope
| writer   = Mars Lasar, Ivan Shapovalov, Martin Kierszenbaum, Valery Polienko
| producer = Trevor Horn
| misc     =
}}

"A Simple Motion" (Russian language; Prostye Dvizheniya. Cyrillic; Простые Движения) is a song by Russian recording group t.A.T.u., taken from their re-release of their debut English studio album 200 km/h in the Wrong Lane (2002). The song was written by Mars Lasar, Ivan Shapovalov, Martin Kierszenbaum, Valery Polienko, while the production was handled by Trevor Horn.

Background
"A Simple Motion" was written by Mars Lasar, Ivan Shapovalov, Martin Kierszenbaum, Valeriy Polienko, while the production was handled by Trevor Horn and was to appear on their studio album 200 km/h in the Wrong Lane. Before the song emerged, there was a Russian counterpart entitled "Prostye Dvizheniya". The song was recorded in 2001 and was featured on their remix compilation, t.A.T.u. Remixes (2003). "Prostye" was originally proceeded as the lead single of the compilation, but due to lack of promotion, it was cancelled. A music video was released in Russia, which caused controversy as it featured a nude Volkova masturbating and having orgasms.Tatu presents a naughty video . The song only appeared on the group's remix compilation.

In February 2008, when t.A.T.u. uploaded the Russian edit on their YouTube page, the group added in their description in the video that pre-recordings of the English version did exist, but were left unreleased.

On 2 October 2012 Cherrytree Records announced via their website that they would be re-releasing the group's first studio album as 200 km/h in the Wrong Lane: 10th Anniversary Gold Edition, a celebration of ten years for the group's first studio album. Cherrytree officially confirmed that an unreleased song, which was "A Simple Motion" would be featured on the re-release album, with the track list being revealed.http://www.cherrytreerecords.com/profiles/blogs/note-from-t-a-t-u-reveals-the-tracklisting-for-200km-h-in-the

Recording and release
The song was recorded in Los Angeles, California in 2002. While working with t.A.T.u, their producer and A&R Martin Kierszenbaum stated he had the "privilege" to work with the group and was proud of releasing the album with the unreleased song. Lena Katina, former member of the group stated that she found "A Simple Motion" her favorite on her album described it along with many album tracks as "nostalgic."

Cherrytree Records premiered the song on their SoundCloud account.

Critical reception
"A Simple Motion" received favorable reviews from music critics, which some found it a highlight. Bradley Stern from Muumuse stated "Drifting along mournful strings and a solemn piano melody, the English version is a devastating rendition that puts their lush vocals at the forefront. "A simple motion over and over," the girls cry out on repeat–well, over and over. It's gorgeous." Virginia López from Eurovisionary'' described the version "long-awaited" and called it a "ballad with a solemn piano melody."

Music video
There was no official music video for the English version, only a fan-made video for the Planet Purple Remix. A video for only the Russian edit was shot. The music video caused controversy in Russia, as it featured Julia Volkova masturbating in the video. Some of the controversy was about Yulia's age when this footage was taken; the footage carried a timestamp of April 5, 2002, and she was born on February 20, 1985, which would have made her 17 years old if the timestamp was accurate. The video was eventually banned in Russia due to this content.

Volkova responded to the scene, stating "Well, like everybody does. If you don't know, you must be too young! Although I think people your age probably do much less innocent things." Shapovalov, who directed the music video said that he wasn't concerned about a possible ban, saying "Tatu are ratings-makers for the music TV channels, so I'm positive they will air the video."

An original version was shot, featuring several "simple motions". Lena Katina is shown in a cafe, engaging in numerous simply activities such as drinking water, flipping book pages, and stirring her tea whilst talking on her phone. Several shots showed Yulia Volkova naked in a bathtub masturbating. However, Shapovalov stated in an interview that he had to censor it, saying "[We] decided to censor the masturbation scene, leaving in only a shot of Yulia's face at the moment she has an orgasm." Volkova's nudity was exploited further in leaked clips; after she removed her top, her breasts were exposed while she masturbated.

Track list and formats
Album version
 "A Simple Motion" – 2:47

The Remixes
 "A Simple Motion (GunSlungLow Remix)" – 4:13
 "A Simple Motion (Planet Purple Remix)" – 4:00

Release history

References

External links

Song recordings produced by Trevor Horn
Songs written by Martin Kierszenbaum
Songs written by Valery Polienko
T.A.T.u. songs
2002 songs
Pop ballads
2000s ballads
Music video controversies

redpajama_set_name: RedPajamaWikipedia


text:
Anabel Medina Garrigues
AO WTA awards: Aussie Princess, Small Surprise Package, Miss Lost Opportunity, and more
Marija - January 27, 2014 0
The 2014 Australian Open sure didn't lack in surprises, joy and celebration, but there were those whose performances were far from satisfactory. Let's see which titles our dear contributor Omair gave to our WTA stars based on...
Sharapova strolls into the second round of Roland Garros
Marija - May 28, 2013 3
Maria Sharapova opened her French Open title defense with a routine victory over Hsieh Su-Wei. The first-round match on Court Suzanne Lenglen was over in just 54 minutes with the score 6-2 6-1 and Sharapova...
Ivanovic survives Petrova fightback, injury gives another win to Medina Garrigues
Marija - November 5, 2011 1
Ana Ivanovic has a chance to celebrate her 24th birthday by defending her Bali title, having advanced to the final by defeating Nadia Petrova despite a set point against her in the second set....
Injured Bartoli retires in quarterfinals + earthquake shakes Bali
Top seed Marion Bartoli retired with an ankle injury soon after the start of the third set of her opening match against Anabel Medina Garrigues at the Commonweath Bank Tournament of Champions in Bali....
Wait, season is not over yet, Bali's coming
Marija - October 31, 2011 7
Now that the WTA Championships in Istanbul have come to a close, let's shift our attention to the Commonwealth Bank Tournament of Champions which is about to start on November 3 in Bali. The...
Anabel Medina Garrigues wins Palermo, leads in the number of clay titles
Marija - July 17, 2011 0
For the fifth time in her career Anabel Medina Garrigues won the title at the XXIV SNAI Open - Internazionali Femminili di Tennis di Palermo, thus bringing her number of clay-court titles to ten!...
Defending champion Medina Garrigues and top seed Suarez Navarro out of Fes in the second round
Marija - April 28, 2010 2
The second round of the GP de SAR La Princesse Lalla Meryem was the last one for both defending champion Anabel Medina Garrigues and top seed Carla Suarez Navarro this year. The third-seeded Medina Garrigues...
Anabel Medina Garrigues, Virginia Ruano Pascual defend their Roland Garros doubles title
Marija - June 5, 2009 0
Spain's No.3 seeds Anabel Medina Garrigues and Virginia Ruano Pascual have won their second consecutive French Open doubles title by beating 12th seeds Belorussian Victoria Azarenka and Russian Elena Vesnina 6-1 6-1. Here's what the...
Anabel Medina Garrigues claims Fes title in an hour
Marija - May 2, 2009 2
Top seed Anabel Medina Garrigues of Spain won her ninth career title after just one hour of play in the Grand Prix de SAR La Princesse Lalla Meryem final, beating sixth-seeded Ekaterina Makarova of...
Anabel Medina Garrigues wins Internationaux de Strasbourg
Spain's Anabel Medina Garrigues won her third title at the Internationaux de Strasbourg beating Slovenia's Katarina Srebotnik 4-6 7-6 (4) 6-0. Sixth-seeded Medina Garrigues faced eight break points in the first set, and fifth-seeded Srebotnik...