text:
Ivan McFarlin est un joueur de basket-ball américain né le  au Texas. McFarlin joue au poste d'ailier.

McFarlin fait sa carrière universitaire dans l'équipe des Cowboys de l'université d'État de l'Oklahoma. Il joue dans le Final Four basket-ball NCAA 2004. Il joue aux Sixers de Philadelphie avant d'être échangé avec Allen Iverson en  contre André Miller et Joe Smith des Nuggets de Denver. McFarlin est rapidement licencié par les Nuggets et part jouer en Turquie. Ivan McFarlin a aussi joué à Nanterre en Pro B.

Liens externes

Joueur américain de basket-ball
Naissance en avril 1982
Naissance dans le comté de Fort Bend
Joueur de basket-ball des Cowboys d'Oklahoma State
Joueur des 76ers de Philadelphie
Joueur des Nuggets de Denver
Joueur du TED Ankara Kolejliler
Joueur de la JSF Nanterre
Joueur du Beşiktaş JK (basket-ball)
Joueur du SKK Kotwica Kołobrzeg
Joueur du BBC Nyon
Joueur du Link Tochigi Brex


Written by: Francis Manapul, Brian Buccellato; Art and cover by: Francis Manapul.
Note: This is the conclusion of a three-part story guest-starring the Flash and Swamp Thing.
Something is very wrong with Red Robin…and he's about to prove it! Can the rest of the Titans stop this tragedy? Or is it already too late?
Written by: Scott Lobdell; Art by: Eddy Barrows; Eber Ferreira; Cover by: Eddy Barrows, Eber Ferreira.
This entry was posted in Out This Week on June 26, 2013 by Kelson.
Yeah!! What's up with that, lately?!? No Flash in Justice League!??! I have pretty much stopped reading Justice League due to this!
I cannot wait for your review of Flash #21, Kelson – it's safe to say, not my favourite.
I hope Ed's review is sufficient. I haven't reviewed an issue of the series in a long time.


May 18, 2016 – ORLANDO, FL – The City is committed to providing and enhancing amenities for residents and visitors of all ages to enjoy, ensuring Orlando is a City for everyone.
Part of that effort includes providing green places and spaces for our residents to gather and interact.
Today Orlando Mayor Buddy Dyer is making two announcements that will help further those efforts.
The City of Orlando has again been named a Playful City USA community. This is the ninth year in a row Orlando has received this recognition, which is tied for the most in Florida.
The KaBOOM! Playful City USA program, sponsored by the Humana Foundation, annually honors cities and towns across the United States who are taking steps to make it easy for all kids to get the balanced and active play they need to thrive.
Fifty-two playgrounds are located at City parks and recreation centers. In the past year, the City updated playgrounds at Pleasant Valley Park, the Engelwood Neighborhood Center and Citrus Square Recreation Site. This year, playgrounds will be upgraded at Mathews Park and Malibu Groves Park.
The City's Engelwood Neighborhood Center Community Garden has been selected as the winner of the $20,000 grant from the National Recreation and Park Association, Disney | ABC Television Group and ESPN as part of its Parks Build Community campaign.
The garden was one of three City park projects eligible for the grant, and Orlando residents were able to vote daily online in April for their favorite project.
The $20,000 grant will help revamp the garden's irrigation and upgrade tools to help students who participate in City youth programs at the neighborhood center learn not only how to grow and harvest their crops, but also about healthy eating and nutrition as they prepare meals.


There are multiple asana halls and covered terraces at KaivalyaDham.
Mornings and evenings , there are various asana classes in different halls for beginners and advanced practioners.
Our yoga teachers are hand-picked and have done their diploma courses at our Yoga college.
By proper practice of Pranayama all diseases are annihilated. Improper practice of Pranayama (on the other hand) gives rise to all sorts of diseases.
Karmas (actions) of the yogi are neither white nor dark. In other persons (these are) of 3 types (namely white, dark and mixed).


text:
O Prêmio Lennart Nilsson () é concedido em reconhecimento a contribuições à ciência da fotografia. É administrado pela Fundação Lennart Nilsson e concedido anualmente pelo Instituto Karolinska. Seu valor monetário é de SEK 100.000. O prêmio foi concedido a primeira vez em 1998, em memória do professor Lennart Nilsson.

Recipientes
1998 Nils Åslund
1999 James Henderson
2000 David Malin (Anglo-Australian Observatory)
2001 David Doubilet
2002 Oliver Meckes e Nicole Ottawa
2003 David Barlow (Universidade de Southampton)
2004 Göran Scharmer (Institute for Solar Physics)
2005 Frans Lanting
2006 Satoshi Kuribayashi
2007 Felice Frankel (Universidade Harvard e Instituto de Tecnologia de Massachusetts)
2008 Anders Persson (Universidade de Linköping)
2009 Carolyn Porco (Space Science Institute) e Babak Amin Tafreshi
2010 Kenneth Libbrecht (Instituto de Tecnologia da Califórnia)
2011 Nancy Kedersha
2012 Hans Blom
2014 Timothy Behrens

Ligações externas
Lennart Nilsson Award
Past winners of the Lennart Nilsson Award

Prêmios de fotografia
Prêmios da Suécia
Instituto Karolinska

redpajama_set_name: RedPajamaWikipedia


Last revised 18 July 2012.
The purse was used primarily for stowage of the purge valves between the EVAs. During EVA preps, the astronauts installed the purge valves well after they were suited and, had they dropped one of the valves, retrieving it from the floor would have bene relatively difficult. Similarly, after each of the EVAs, they took the purge valves out of their connectors soon after re-pressurizing the cabin. With the purse attached within easy reach to the front of Panel 5 at the CDR's station, it was easy to keep the purge valves out of harm's way.
The purse was made out of Beta cloth; was 23 cm tall and 31 cm wide; had a snap closure like some styles of ladies's handbags; and two pins for fastening it to the front of Panel 5. The flown Apollo 12 purse is now in Alan Bean's collection. He and Ulli Lotzmann have produced a detailed set of photos.
For unknown reasons, the purse was named for the Apollo 9 Commander, Jim McDivitt. Because his crew was first to fly the LM, it is possible that the purse was devised for that flight.
The purse served its intended purpose well. The purse was mounted far enough left that it couldn't interfere with opening and closing the hatch. However, on a few occasions it got in the way of the Commander as he got into position to crawl backwards out the hatch, but the LMP had no trouble lifting it out of the way or directing the Commander how to move so the purse would no longer be in the way.
The Apollo 17 purse shown hanging under the CDR station in the LM.
Apollo 13 purse containing a DAC with side-mounted battery pack.
Side view of the flown Apollo 12 purse with the bottom fully open at top left.
The opening is at lower right.
Neil took his picture of Buzz with the purse during the initial LM inspection.
In order to get into position, the CDR stands facing the back, outside corner of his station on the left side of the cabin and gets himself as close to kneeling as he can. He moves his feet toward the hatch and, as he gets room, moves to his left toward the centerline of the cabin and bends his torso , eventually getting on hands and knees. Here, Buzz tells him "Your back is up against the purse. Forward and up (toward the back of the cabin and getting his back more vertical); now you are clear."
"Remove TSB (Temprary Stowage Bag) from bottom pocket ISA (Interim Stowage Assembly). position on Panel 5." Later on that same page, they "unstow CDR Lunar Boots, remove and stow purge valve in TSB". On Sur-27, they do the same for Al's boots and purge valve. The Apollo 12 stowage list confirms that the purge valves had traveled out from Earth stowed in the lunar boots. They install the purge valves starting at 114:36:01.
Al tells Pete he's bumping into the "McDivitt Purse." Pete doesn't know it by that name. The purse was a white, cloth bag that was up there under the computer DSKY that we just threw loose items in. In fact, I've still got it at home. It had a snap (closure) and you opened it up and threw stuff in and closed it. That's why we called it a purse. It was also shaped like a purse. It was made out of beta cloth. That's what Pete was hung up on, and I probably just lifted it up so that he could get out.
After doffing helmets and gloves, they remove the purge valves and stow them in the TSB.
Pete gets the purge valves out of the TSB for installation.
As per Sur-92, after they get the cabin pressurized and the suits deflated, they put the purge valves in the TSB. Al apparently tries to toss his in, but misses.
After the final jettison, as per they put the TSB in a now-empty stowage slot on Al's side of the cabin. They are taking the purge valves back to orbit in case they need to do an EVA transfer to the CM using the OPSs.
Mitchell: "You're hung up on the purse. There you go."
In preparation for suit donning "Stow PGA (Pressure Garment Assembly) Gas Conn Plugs in Purse. Empty PGA Pockets into Purse" and, a few lines later, "Purge Valve to Purse". In the righthand column, "Stow EMU Maintenance Kit is Purse." There is also an indication that the antifog treatment for the bubble helmets is in the purse, perhaps having been in a PGA pocket.
"Remove Elect Dust Cap, Stow in Purse" After the EVA, these are retrieved from the purse and re-installed.
Irwin: I took it down, Dave. I thought that was one of the things that I was hanging up on.
These are probably protective bags for the film magazines which, apparently, were stowed in the purse. They are probably the bags listed for transfer from the CM to LM on page 75 in the Apollo 15 Stowage list. They've almost certainly just fallen out when Dave retrieved the purse. Jim put it "behind" Dave, possibly on the midstep. Becasue the purge valves are quite dirty, Dave decides that they should take out of the purse any items that are currently clean and stow them somewhere where they can stay clean. Dave comments that there ought to be a purse for items that need to stay clean and one for dirty items.
During suit donning, John and Charlie stow the cuff checklists, LCG (Liquid Cooled Garment) plugs, and the PGA electrical connector caps in the purse as per page 3-8 in the LM Lunar Surface Checklist.
John needs the flashlight while trying to get his PLSS stowed on the wall behind his station. Charlie tells him it's in the purse.
Schmitt: "Push. There you go. (Pause) Keep your buttons close (to the floor). You're good. (Pause) Beautiful. Just float in. Hanging up a little on the purse, but that's all right. There you go.
Schmitt: "You need to go to your left a little to clear the purse and your (tool) harness. There we go."


text:
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$app = new Silex\Application();

require __DIR__.'/../resources/config/dev.php';

require __DIR__.'/../src/app.php';

$app['http_cache']->run();

redpajama_set_name: RedPajamaGithub


Hello friends, i want to share information about Nokia Lumia 610. Nokia Lumia 610 has a size dimension of 119 x 62 x 12 mm, with a weight of 131.5 g. Nokia Lumia 610 using a Li-Ion 1300 mAh (BP-3L) were able to make it stand-by: up to 670 hours (2G) / up to 720 hours (3G) with a length of up to 10.5 hours talk time (2G) / or 30 min (3G). Nokia Lumia 610 has a 800 MHz processor ARM Cortex-A5 and Adreno 200 GPU and chipset MSM7227A Qualcomm Snapdragon.
Nokia Lumia 610 supports 2G GSM (900/1800 MHz) and 3G HSDPA 2100. The frequency is to ensure smooth when you make a call whether it be on 2G networks and 3G.Selain, Nokia Lumia 610 is also equipped with a 5 MP, 2592х1944 pixels, which features autofocus, LED flash and video function is also equipped with 720p @ 30fps the main features geo-tagging and face detection.
Nokia Lumia 610 using a combination of metal and plastic where the edge section is covered with metal, while at the back of the new use glosi plastic that looks very elegant.
Just want to say that user experience is awesome with Nokia Lumia 610, Camera is very nice and voice commands with Microsoft, Works great. Go with this device.


text:
RR-0907: Ventilated Wall Claddings: Review, Field Performance, and Hygrothermal Modeling
John Straube
The balance between wetting, drying, and safe storage is critical to the long term performance of building enclosures. Where wetting cannot be controlled to acceptable levels, safe storage and drying become critical. The use of one-dimensional hygrothermal simulation software has been well established for a wide range of wall and roof assemblies. However the use of such software has previously had a limited ability to accurately model the physics of enclosures with ventilated claddings. The most recent version of WUFI 4.1 has added the ability to model enclosure systems that incorporate embedded sources and sinks of moisture and heat. This capability can be used to model source effects such as air and rain leakage within a wall assembly or sinks such as drainage and ventilation.
The balance between wetting, drying, and safe storage is critical to the long term performance of building enclosures. Where wetting cannot be controlled to acceptable levels, safe storage and drying become critical. Many common building materials have little safe storage capacity, that is, they cannot be exposed to high levels of moisture for long periods of time.
The sheathing is one building component often made of moisture-sensitive materials placed directly behind the cladding, separated by only a thin sheathing membrane and air gap. For some periods of time, the sheathing can be expected to be exposed to rainwater wetting from the exterior or condensation wetting (air leakage or vapour diffusion) from the interior. Protecting the sheathing from moisture is seen as important and has been the goal of many product manufacturers, builders, and practitioners over several decades. However experience has shown that accidental leaks can still occur, and hence the role of drying is very important to the moisture balance.
Moisture can be transported by airflow (convection), diffusion, or gravity into and through an enclosure wall assembly. Drainage will remove much of the bulk moisture by gravity, when a drainage path is provided, however moisture can still remain adhered or absorbed to materials within the wall assembly. The amount of moisture that can be safely absorbed or stored depends on the material properties. Drying can occur by vapour diffusion, evaporation, desorption, or by air convection (ie. ventilation). Vapour diffusion is shown to be a relatively slow process particularly when low permeance materials are used within the wall assembly. Evaporation or desorption can only occur when moisture is able to get to the surface of the material (often only at the cladding or interior surface), and be removed by the flow of air. Allowing evaporation or desorption to occur at layers within the wall assembly, particularly at the sheathing and removing the excess moisture by ventilation to the exterior provides an effective means to remove additional moisture directly from sensitive materials and improve the drying potential of some wall assemblies.
It is becoming more common in North America to construct walls with claddings separated from the framed wall by an air cavity. This is used as a rain control strategy to eliminate capillary flow between the cladding and sheathing, provide drainage of incidental moisture, and provide some venting or ventilation to remove evaporated/desorbed moisture. Practitioners and builders have sometimes found this gap to be beneficial, particularly in rainy climates such as coastal British Columbia where so-called "rainscreen" wall assemblies are now required by code for most new buildings. The separation of the cladding from the wall assembly has sparked much debate among the building science community. The functions and benefits of providing this cavity are not seen as necessary by all those parties involved, and the actual characteristics of the cavity and vent/drains has not been scientifically determined as a function of performance required. The minimum size of the air gap is also debated; however recent work has shown that walls with even very small continuous gaps (
The ability to model the impacts of ventilation within wall assemblies using hygrothermal models has so far been limited to a few research-grade two-dimensional research models. Recently IBP/ORNL enhanced their one-dimensional hygrothermal software, WUFI 4.1, which is used by many practitioners worldwide. The new enhancement can account for the two-dimensional effects of ventilation within wall assemblies, by modeling heat and moisture sources or sinks at any layer within the wall. In addition, the 1% driving rain load mentioned in the proposed ASHRAE 160P Standard can be easily simulated.
This paper discusses how source and sinks can be used in a hygrothermal model to simulate rain leaks and ventilation drying. The model results are compared to measured field data for common wall assemblies with ventilated claddings, and guidance is provided as to calculating cladding ventilation rates and performing accurate simulations.
The role of ventilation in wall performance, the fluid flow mechanics, and previous research are reviewed first to provide the foundation for the research presented here.
It is well accepted that moisture is one of the primary causes of premature building enclosure deterioration. Excess moisture content combined with above-freezing temperatures for long enough will cause rot, mold growth, corrosion, and discoloration of many building materials. The four major moisture sources and transport mechanisms that can damage a building enclosure are (Figure 1 left side):
precipitation, largely driving rain, or splash-back at grade);
water vapor in the air transported by diffusion and/or air movement through the wall (both to interior and exterior);
built-in and stored moisture, particularly for concrete or wood products;
liquid and bound groundwater, driven by capillarity and gravity.
At some time during the life of a building, wetting should be expected at least in some locations. In the case of a bulk water leak, drainage, if provided, will remove the majority of the moisture from the wall cavity. However a significant amount of water will remain absorbed by materials and adhered to surfaces. This remaining moisture can be removed (dried) from the wall by the following mechanism (Figure 1 right side):
evaporation (liquid water transported by capillarity to the inside or outside surfaces;
evaporation and vapor transport by diffusion, air leakage, or both either outward or inward;
drainage of unabsorbed liquid water, driven by gravity;
ventilation by convection through intentional (or unintentional) vented air cavities behind the cladding.
Figure 1: Wetting (Left) and Drying (Right) Mechanisms for Walls
A balance between wetting, drying, and storage is required to ensure the long term durability of the building enclosure. Some commonly used building materials are more sensitive to moisture (eg. paper faced gypsum and untreated wood based sheathings) and hence require a higher drying potential than the more durable materials they have replaced (eg. concrete, masonry, or solid sawn timber). Several wide-spread building enclosure failures in the past decade including those in Vancouver BC, Wilmington NC, Minneapolis, MN and other locations in North America have further raised the awareness and impact of moisture and its impact on building materials (Crandell & Kenney 1996, Morrison Hershfield 1996, Brown et al. 1997, Barrett 1998, RDH 2001, Brown et al. 2003).
Recent building enclosure failures have shown that the drying potential of some wall assemblies in certain climates may be insufficient when exposed to accidental wetting or leaks. As a response to these failures, drained walls have been widely recommended to deal with rainwater penetration. However, cladding ventilation may be needed or useful to increase drying for some wall assemblies in some climates. Ventilated claddings can also control wetting due to inward driven vapor from rain wetted absorbent claddings. The use of large ventilated and drained cavities has already been mandated by some building codes (NBCC 2005).
Some definitions are useful. A ventilated wall is one which has vent openings at the top and bottom of an air cavity, to promote air circulation. A vented wall has only vent openings at the bottom of the wall, usually provided for drainage (Straube & Burnett, 1999). Some exchange of air between the exterior and cavity will occur in a vented wall, however the volume will be small and the area over which it acts is limited in comparison to a ventilated wall.
In both ventilated and vented walls, the cladding is separated from the rest of the wall assembly by a gap or cavity. A WRB (water resistive barrier), which acts as a drainage plane and secondary capillary break, is usually provided to the interior of the cladding and ventilated cavity. The cladding and gap, while significantly limiting the amount of rain penetration, are not relied upon to stop all water. The WRB is also not expected to be completely water tight and may allow some small amount of liquid water penetration. The gap must be drained to the exterior using flashings at penetrations and at the base of wall.
A rainscreen wall as discussed in this paper is comprised of a cladding (stucco, vinyl, cement board, wood) over a ventilated and drained cavity, with flashed details at windows, penetrations, and other transitions.
Not all drained walls are ventilated, and simply providing a drainage cavity does not ensure ventilation will occur. Vent locations and details are important and should be understood by designers.
The principle of using drained claddings with a vented or ventilated cavity behind is not new, and has been used for several centuries. For example, brick veneer has typically been installed away from the sheathing since the late 19th century (although the cavity was often blocked with mortar droppings or filled with insulation). The benefits of providing this vented or ventilated cavity has been debated and the topic of much research in the past few decades.
Previous Research
The previous field research, ventilation mechanics and driving forces are discussed.
As early as the late 1970's and early 1980's the role of ventilation behind wood claddings was being investigated in Atlantic Canada as problems with warping and paint deterioration of wood sidings became apparent (Marshall 1983) in some climates. Wood siding manufacturers performed in-house tests and found that placing wood siding over a strapped air cavity reduced the occurrence of such moisture problems (Morrison Hershfield 1992).
Throughout the 1980's a growing number of moisture-related failures were discovered in the Canadian housing stock. Field exposure test huts were constructed in different Canadian climates to study the drying of wood-frame walls, particularly when constructed with initially saturated lumber as was common practice for parts of the country (McCuaig 1988, Forest & Walker 1990, Burnett & Reynolds 1991). These studies showed that drying built-in moisture was practical and possible, and also provided some evidence that cladding ventilation could improve drying. However, the studies were not conclusive, as test variables were insufficiently controlled to isolate the role of ventilation and its specific impact on drying.
In Europe, the Franhofer-Institut für Bauphysik (IBP) conducted field monitoring of ventilation flow and drying effectiveness for different panel claddings in several different projects. Popp et al. (1980) found that the drying rate of an initially wetted aerated concrete block work wall was significantly faster when the cladding was ventilated or even vented compared to an impermeable cladding which was adhered directly to the concrete.
Similar results of ventilation drying effectiveness were also shown by Mayer and Künzel (1983) who measured ventilation behind large cladding panels on a three-storey building in service. The two forces affecting ventilation were found to be wind induced pressure differences and solar-induced thermal buoyancy. Hourly air velocities were measured between 0.05 and 0.15 m/s when the windspeed was between 1 to 3 m/s. Wind direction influenced the ventilation air velocity more than wind-speed. From the testing they concluded that a clear cavity depth of 20 mm was generally sufficient for panel-type claddings, and although a large vent area is not absolutely necessary for acceptable wall performance, it is a practical means of removing trapped moisture. Finally it was recommended that if moisture sensitive materials are used in the backup wall, the upper and lower vent openings should be as large as possible for increased ventilation rates.
In the United States, the impacts of cladding ventilation on wood frame walls was also investigated by TenWolde and Carll (1992) and TenWolde et al (1995). These studies found that in walls with little or no air leakage (from the interior), cavity ventilation promoted drying. When air leakage was allowed it dominated the results.
In full-scale Canadian field studies, Straube and Burnett (1995) and Straube (1998) investigated the role of airspaces in ventilation drying and pressure moderation behind brick veneer and vinyl siding. The study outlined methods to calculate ventilation flow and found that cladding ventilation could be useful as a means to control inward vapor drives behind brick veneers.
Two Canadian laboratory studies investigated the role of ventilation drying of walls in Vancouver, BC in the late 1990's. The studies were directly as a result of the "leaky-condo crisis", where a large number of moisture failures were observed in the recently constructed residential housing stock in coastal British Columbia (Morrison Hershfield 1996, Barrett 1998). Both Morrison Hershfield (1999) and Forintek (2001) undertook laboratory studies to determine the impact venting or ventilation had on the performance of wood-frame wall assemblies.
In the Morrison Hershfield study (1999), full-scale insulated wall assemblies with stucco cladding were constructed and initially wetted on the interior side of the sheathing . The walls were exposed to approximately 10°C exterior conditions with no air movement or solar radiation. The major conclusions of the study were that drying was slow for all wall types and that the ventilated rainscreen wall design did not enhance drying of water that penetrates into the stud cavity. Even though the parameters were untested, the authors concluded that solar radiation and wind would have no significant effect on drying, nor would other types of cladding. Applying the physics of thermal and moisture buoyancy described in the next section, calculated natural ventilation rates and driving temperature differences are very low for these walls and in hindsight it is clear why ventilation drying would not have been effective in these test conditions.
The Forintek Envelope Drying Rate Analysis (EDRA) study (2001) was larger and studied more parameters in simulated environments. Two phases were completed, one without simulated exterior wind and solar effects and one with. Solar radiation was simulated up to a 120 W/m2 peak, equivalent to diffuse radiation on a north facing wall in Vancouver. Wind pressure differences of 1 to 5 Pa between top and bottom vents were also simulated. The walls were initially soaked to pre-wet the sheathing and studs, and hence had a relatively uniform distribution of moisture. The sample walls included both stucco and vinyl siding, vented and ventilated designs, SBPO and building paper sheathing membranes, and OSB and plywood sheathing. Some of the conclusions from the study included:
Walls with cavities (vented and ventilated) dried faster than comparable panels without cavities (face-sealed). There was a substantial range in the drying rates: as much as three times higher drying rate for comparable walls with a ventilated cavity than for those without.
Ventilation (top and bottom vents) resulted in marginally faster drying than vented (bottom vents) walls. The width of cavity was also important, and those walls with cavities of 19 mm dried faster than 10 mm.
Walls with plywood dried faster than comparable walls with OSB sheathing. OSB has a lower vapour permeance than plywood and may have restricted the drying through the sheathing to the exterior.
Solar radiation increased drying rates of the ventilated walls but had little effect on the face-sealed walls (all walls were restricted from drying to the interior by a low permeance interior vapor barrier)
Recently ASHRAE sponsored a large research and development project (ASHRAE TRP-1091) to study the mechanics of ventilation in wall systems and assess the potential for ventilation drying of common, above-grade residential wall assemblies. Three institutions were involved in this project, namely, the Pennsylvania Housing Research/Resource Center at Penn State (PHRC/PSU), the Building Engineering Group at the University of Waterloo (BEG/UW) and the Building Technology Center at Oak Ridge National Laboratory (BTC/ORNL). The project produced a total of 12 reports and numerous conference and journal papers and is summarized by Burnett et al. (2004).
A review of the literature and theory was performed, hygrothermal properties of several materials were determined, a study of ventilation flows was performed for brick veneer and vinyl siding, the impact of ventilation drying was determined, CFD simulations were performed, and the Moisture-Expert hygrothermal model was validated using the field data which allowed further parametric simulations to be performed. The following conclusions were made from the study:
Ventilation rates are dependent on the cladding and venting configuration (size and type of openings) and strongly influenced by weather events (wind and solar radiation). Brick veneer walls had lower ventilation rates than vinyl siding walls.
Solar-driven vapor diffusion can act to redistribute vapor from within the wall to the interior, where it can condense and in some cases, cause damage. Cladding ventilation reduces the magnitude of this flow as this vapor is directly removed to the exterior. . .
Download complete report here.
Info-305: Reservoir Claddings
RR-0503: Rainwater Management Performance of Newly Constructed Residential Building Enclosures
RR-1104: Hygrothermal Analysis of Exterior Rockwool Insulation
BSI-038: Mind the Gap, Eh!
RR-0905: Modeled and Measured Drainage, Storage and Drying Behind Cladding Systems
BSI-072: Coil Springs, Rubber Bands, Spaghetti and Tinkertoys (Understanding Cladding Systems and Materials)
PA-1401: Are You Doing Something Stupid?

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: How to programmatically make a field in a GridView editable along with AutoGenerateEditButton? I have a GridView that I'm updating with some SQL data programmatically, and I'd like to use the built in ASP.NET function AutoGenerateEditButton to edit a specific cell. When I populate my GridView with data, it looks like this with AutoGenerateEditButton = True. I'm a bit limited in what info I can show I'm afraid, but this should get the picture across. My current GridView.
I've got a function tied to those auto generated edit buttons that is firing correctly when clicked, represented by this function:
Protected Sub grd_ingredientview_RowEditing(sender As Object, e As EventArgs)

    Response.Write("<script language='javascript'>alert('Firing Edit');</script>")

End Sub

Now, a couple things.

*

*I don't know how to tell what row I've pressed the Edit button on, which I'm assuming matters to editing a specific cell.

*I need to turn the row's last cell into an editable text box, type in a new value, and then submit it back to my SQL table when confirmed. I can handle the SQL side of all that, but I'm not sure how to turn that cell editable.

I know that if you use all the Edit Button stuff that's built into GridView from the Design view side of things, it makes this super simple. But, I can't use the easy design view side of things to fix this, being I'm already managing so much of it dynamically.
Any help on this would be greatly appreciated!

A: You can check for edit mode in your RowDataBound event
            //edit mode
            if ((e.Row.RowState & DataControlRowState.Edit) > 0)
            {
                // edit mode code
            }

redpajama_set_name: RedPajamaStackExchange


This Halloween pumpkin enamel pin that would certainly be good for your #pingame. The pumpkin Jack-o'-lantern enamel pin has been designed with hard orange enamel and black nickel plating. The hard enamel pin has been designed in the shape of a Jack-o'-lantern pumpkin.
Each enamel pin comes on it's own backing card.
The enamel pin badge is 28mm (approx 1.1") in height.


Skateboarding is both a sport and a way of life. Creative, physical, graphic, urban and controversial, it is full of contradictions a billion-dollar global industry which still retains its vibrant, counter-cultural heart. Skateboarding and the City presents the only complete history of the sport, exploring the story of skate culture from the surf-beaches of 60s California to the latest developments in street-skating today. Written by a life-long skater who also happens to be an architectural historian, and packed through with full-colour images of skaters, boards, moves, graphics, and film-stills this passionate, readable and rigorously-researched book explores the history of skateboarding and reveals a vivid understanding of how skateboarders, through their actions, experience the city and its architecture in a unique way.


Or so it seems. The cows are calving very regularly now and it's hard not to wince at the bellow of a cow in calf as the sound carries across the yard to the house. I'm only nine months after having a baby myself so I can empathize somewhat. The husky bellow, the discomfort, the fidgeting, trying to find a comfortable position. I stand back at a distance to watch her as she finds her own pace. A blister appears that will burst and eventually you see a pair of crubbeens appearing.
You hear her breathe heavily and shift again knowing that she has to deliver this one safely and that she has been put here to do so. She might stand and then lie down again until eventually, fulfilling her purpose, pushes everything she has into her abdomen to deliver that calf. From the shadows, I will her on. You can do it. That's it. It hurts like hell but you have to. Come on. And then, greedily I wait for that rush of relief that comes when a mother pushes her young safely into the world. In a slide, so quickly, a moment never to be revisited but as a ghostly feeling in the memory of a womb. The rush into the world, parting from the one who has carried you, the mother. It is difficult to describe the relief that you feel when that rush happens, just before the cord is cut or the afterbirth arrives. It is the feeling that you have said the most important prayer of your life and it has been answered aloud.
Thank you to my mother and yours.
This entry was posted in Uncategorized and tagged calving, farming, motherhood on March 14, 2015 by annebennettbrosnan.
Happy Mothers day to you, and all the cows!
I love this. Gave birth to my son 12 wks ago. It's a primal moment!


This was very clunky so I remade it. It used to have 124 tokens but I lowered it to 43.
You can use this function as much as you want without credit.
height --how far down you want your outline to reach. 0 means the outline has the same width in all directions.
--the x and y are the coordinates of the top right corner of the inside color.


Every morning, when Bill and I are not working in the park, I take my daily walk through the park as part of my daily exercise program. Today, I also used the opportunity to get in more practice with the camera on loan to me.
This is the campground (North Fork) we work in 3 day's a week. It is a good two-mile round trip walk from where we have our motorhome parked. It usually takes me 30 minutes to walk it but now that I am involved with learning how to use a different camera…it takes me much, much, longer… but it's so much fun!
Wild flowers grow everywhere here. Even right up through rocky ground. Funny, I can't get a flower to grow in a pot for me, but they grow like crazy all over this park.
Just across the street from the entrance to the campground is a day use area where lots of people come to park their cars and launch small boats, rafts, and kayaks into the water. The fishing is great and most everyone says they catch their limits everyday. Bill and I cleared that parking lot from tumble weeds and overgrown grass just prior to the beginning of the fishing season. Just look how nice it looks now?
Bill and I also trimmed all the low hanging branches from all these trees so the maintenance crew can get under them with the lawn mowers without hitting their heads on the branches. Bill used a small chainsaw to cut down the branches, and I would drag them over to the side of the roadway and pile them up to be taken away to the burn pile. Who knew we would turn into such good landscapers!
In the far background of this next picture you can see where the horses, that come past our moterhome almost every evening, live. They are allowed to just wander all over those hills, but they always go back to their home base at night.
I love these log fences that surround the campgrounds so I thought I would take a picture of it too.
Then, it's back up the long road that leads me back to where our moterhome is parked behind the house in the distance.
When I arrived back at our little ranch…. I decided to take some more pictures of flowers that are blooming in our yard.
I don't know what kind of flowers these are but there are big yellow and black fuzzy bees all over them..
They also have cute little ladybugs on the leaves, like the one in the center of this picture.
And some are blue. I thought they were blueberries but what do I know?
Hope you enjoyed my walk in the park. Thanks for coming along. My favorite picture I took this morning is the 7th one down from the top of the log fence. Would love to know if you see one you like better than the others?
It's been a while since I've posted anything on my blog. Not because I haven't had anything I wanted to share, but a few weeks back I mentioned to my husband, Bill, that I was frustrated with the little point and shoot camera I have been using ever since I first started my blog, because it was starting to stick when I would try to capture a picture… So if I was trying to take a picture of an animal etc. by the time that camera would actually snap the picture the animal was already long gone. That camera was never even mine to begin with, my mother bought it for Bill for his birthday years ago, and I just started using it for my blog because I never had a camera of my own… I know, poor me right?
Anyway, unknown to me, Bill mentioned to my frissy, Robin, (who is a master photographer in my opinion, and who has had her photography published in NYC, you can see her work at http://www.gothamgirlchronicles.com ) that he wanted to buy me a new camera, and wanted her thoughts on a good, affordable, camera that he could buy me as a surprise… I love good surprises so that would have been the best one for me at this point in my life when I am trying to take pictures of where we are traveling, and what we are seeing..
Like this beautiful green valley with a river running through it.
Bill and I just couldn't get over how clear this river was and how secluded this little hidden treasure is from where we are located. If the locals had not shared this gem with us… we would have never know how to get here.
This is the backside of the Buffalo Bill reservoir from where we live. No matter where you look… it's all beautiful.


Pre-AP World History, Honors English, Algebra I, General Science, Spanish 3/4, P.E.
I have partaken in multiply school beautification days with my sports teams.
I have been a participant and youth leader for the La Mesa Police Department Leadership Camp (2 years).
Link Crew- Outreach program to new students at my high school.


German Chancellor Angela Merkel visited Bern. After high-level meetings, Dr. Angela Merkel received an honorary doctorate from the University of Bern. In this video you see the departure of the Luftwaffe Bombardier BD-700-1A11 Global 5000 14+01.


If you're interested in alternative art and comics, there is no better place to be than Comic Arts Brooklyn.
Hundreds of artists and publishers will gather at the annual festival, which will take place at Pratt Institute for the second year in a row (it was previously held in Williamsburg). Co-presented by Williamsburg's Desert Island store and Pratt, the event will have a sales floor, which features publishers from all around the world. There will be public sessions, panels and performances with artists.
Some of the artists making appearances include Jim Woodring, Julie Doucet, Charles Burns and Ariel Schrag.
Outside of the main festival, there will be an artist showcase on November 9 at Flowers for All Occasions, located at 1114 Dekalb Avenue, and a movie screening on November 11 at Brooklyn Fire Proof, located at 102 Ingraham Street. Admission to all events is free.
The main event is happening on Sunday, November 11. Doors open at 11 a.m. and ends at 7 p.m. For more information, click here.


For the third straight year the U.S. deficit will exceed $1 trillion, with an incredible 58 percent of federal spending going to entitlement programs in fiscal year 2010. Of that, Social Security ate up $707 billion, or 20 percent; Medicare and Medicaid took $742 billion, or 22 percent; and unemployment insurance and other entitlements finished it off at $553 billion, or 16 percent.
But with the aging population in this country having become the structural driver of the deficit crisis, it's high time we look at what the future will hold for younger generations – who will be caught between obligations toward their parents and aspirations for their own future. A recent study from Siena College Research Institute and eRollver dramatically highlights this dilemma, given the profound shifts occurring in our country, both socially and economically.
According to the Siena Survey, Generation X is not saving for retirement. This generation is financially illiterate, and they have little hope of maintaining their current lifestyle as they age. Gen-Xers grew up in an America where their elders (today's boomers) had private and public instruments for retirement. GenXers might reasonably enough have assumed that pensions, Social Security and Medicare would be there for them as they aged. But this new survey demonstrates that a new generation of adults who know they're unprepared for retirement have no idea what to do about it.
Won't this get even worse into mid-century, as we all live longer, comprising an ever greater share of the traditional work-retirement equation? As today's boomers kick in for Social Security, Medicare and other entitlements, it is Generation X that will be asked to foot the bill. The working age population must support unfunded entitlement programs; yet they'll be too preoccupied paying for the retirement of their parents' generation than saving for their own.
Unless, of course, two profound shifts begin to happen. The first would be a genuine redesign of the entitlements instruments, which were created during a different demographic reality. And second: Boomers must continue to be part of this country's economic life. Our challenge is to turn the nation's deficit wake-up call into a driver for longer term structural reforms.


For large-scale strategic change to succeed, organizations must get results through multiple changes at the grassroots level at an accelerated pace. When results are rapid, strategy evolves in shorter cycles. This approach develops change implementation capability across the organization, not just with a few reliable employees. Collaborative Action helps cross-functional and local teams launch focused projects, generate tangible results in a short period of time and teaching project leadership capability along the way. Once established, this process is ongoing, having entered the organization's DNA and transforming it into an adaptive organization.
Our approach builds the capability for multiple projects to run in parallel.
The process starts with clear strategic objectives. Often, we accomplish this during the Strategic Planning Process.
Then, at the departmental or business unit level, people in role identify projects that align with the strategy that can be accomplished in a short timeframe, often between 6 and 12 weeks. The key to this phase is identifying the project's tangible, beneficial result that can be achieved in a short time.
Fast-track project leaders and team members receive implementation support during project planning workshops and team leadership training.
At the end of the Fast-Track cycle, teams share and celebrate their collective accomplishments, and the cycle can begin again.
These new results inform the next phase of the strategic planning process.


Caleb Beaudin of LCD Construction places a can on a Mount Hood-themed structure built in collaboration with LRS Architects.
From left, Aaron Warren of Hoffman Construction and Mackenzie employees Steve Curtis and Hannah Marre work on the team's Garfield-themed display, which judges honroed with the Best Meal award.
Derek Marquis, left, of LRS Architects works with LCD Construction's Caleb Beaudin, center, and Lori Zold.
Mackenzie's Iris Wu stacks cans of chicken to make the face of cartoon cat Garfield.
Members of the Mackenzie/Hoffman Construction team work on their Garfield statue.
The Bremik Construction/Cochran, Inc./Scott | Edwards Architecture team configures the footprint of their build. Teams are given a 10-by-10-foot carpet on which to build the structures, with only five team members allowed on the carpet at a time.
Members of the Glumac/Turner Construction/YGH Architecture get started laying out the foundation of their Jurassic Park-themed display.
Members of the Glumac/Turner Construction/YGH Architecture team work on their Jurassic Park-themed build, which was awarded an honorable mention.
Turner Construction's Sara Rojas, left, and Naghmeh Kia stack cans.
Members of the SSOE Group/JE Dunn team get started on their build.
"Setting the Pace in the Race Against Hunger!," by DOWA-IBI Group and Interface Engineering.
"Unicorn Food Cart," by Colas Construction, DCI Engineers, and Works Partnership Architecture.
"The Good Dinosaur Wants Hunger to go Extinct!," by Bremik Construction, Cochran, Inc., and Scott | Edwards Architecture. Winner, Structural Integrity award.
"Jurassic PORK!," by Glumac, Turner Construction, and YGH Architecture. Honorable Mention.
"Hunger Ice-O-Lates: Together We Can Feed Everyone!," by BergerABAM and David Evans and Associates. Winner, Jurors' Favorite award.
"Together We CAN Stomp Out Hunger," by SSOE Group and JE Dunn.
"Let's Summit Hunger," by LRS Architects and LCD Construction Inc.
"Stand Tall (With Paul) Against Hunger," by Howard S. Wright, KPFF, and SERA Architects. Winner, Best Use of Labels award.


Southampton Solent students have launched an initiative to create a digital PR textbook. They are asking PR professionals to help them by contributing chapters to a book that they aim to publish early in 2017.
The class of second-year students were frustrated at the lack of any good, up-to-date books to help them, so they decided to create their own book that will give a clear explanation of the basics of digital PR and how to use social media. They hope that the book will be useful both to PR professionals and PR students.
To raise awareness about the book, the students created a website http://digitalprbook.com that gives more information about the project and provides a convenient way for PR professionals to bring their contribution to the writing process. They also plan to use the site to publicise the book and to allow readers to provide feedback.
Contributors who would like to help with the project can visit the Digital PR Book website and submit a form to express their interest. The students are looking for submissions on a range of topics, including digital PR strategy, how to write for digital PR, search engine optimisation (SEO), and chapters covering tips for better digital PR.
For more information, visit digitalprbook.com.
I think this is a fabulous idea from the 2nd year PR SSU Students – and I'm slightly jealous I left uni before the idea came about!
Like the 2nd year students, I also found a lack of resources for more 'modern' PR, like digital, so I really encourage PR pros with a digital background to get involved. The list of chapters the students are looking for can be found on their (fabulously designed) website.
Well done guys – and good luck!
< Previous THE PR Q&A: Experience over degree?


text:
Q: VMWare Workstation processor configuration I want to configure VMWare Workstation so that it is optimal and both host and guest Operating Systems run smoothly. Will anyone of you please help me in choosing right configuration. My laptop system configurations are:
Processor: Intel Core i3 (2.67Ghz)
Memory: 6GB
Graphic Card: ATI Mobility Radeon HD 5650 (1gb)
Hard Disk: 500 GB
Host OS: Windows 8.1 64bit (fully updated at the time of question)
Despite giving plenty of RAM to guest OS, Guest still runs slower. I am having problem in getting correct configuration of Processor cores also. In the following image:
Image showing VMWare Processor configuration
What does it mean by
Number of Processors

and
Number of Processor Cores

Does it mean how many processor and cores i am assigning to Virtual Machine or does it only specifies how many cores and processor i have. Like i have Core i3 which is dual core and supports two additional virtual cores also. Like each core using hyper threading technology make another virtual core. So in total it becomes 4 cores.
What should i put here?
Thanks in anticipation.

A: Number of Processors means what the name indicates. This lets you configure how many processors you want to assign to the VM. Number of Processor Cores is also clear, this it allows you to select the number of CPU cores you want to assign to a VM.
For the i3 you should assign 1 CPU and 2 cores. The Intel i3 has 2 core with 2 Hyper Threading cores. So the Host has still room to operate fine.
The different settings is available because not all Operating systems can handle many CPUs. The home Editions of Windows can use only 1 CPU but many CPU cores and only the Enterprise/Pro Version can run 2 CPUs.


text:
The Center for the Study of Religion & American Culture
Religion & American Culture: A Journal of Interpretation
Significant Sessions
Biennial Conference on Religion & American Culture
Young Scholars in American Religion
Young Scholars in American Religion Syllabi
World Religions in Greater Indianapolis Modules
K-12 Resources
submit to journal
RAAC IUPUI > Teaching > Teaching Resources
In public elementary and secondary institutions, teachers face many challenges in discussing religion in the context of American history, government, literature, and other areas. Parents with strong beliefs may object to the presentation of religious points of view they don't share. Parents who believe in secular education may object to religion being discussed at all. The objective, of course, is to teach about religion without teaching religion.
College students can also have difficulty objectively interpreting religious content. Because American religious practice has played an integral role in the development of the nation, its government, its literature, and its politics, it is vital to introduce students to this perspective. The YSAR syllabi provide cutting-edge approaches to teaching new generations of students about religion's role in North American life.
The Center is pleased to share instructional materials developed by its researchers and participating scholars for use in the classroom. From college syllabi and instructional videos to K-12 lessons plans and helpful blogs, these materials help educators incorporate religious topics in the classroom.
YSAR Syllabi
WR Modules
Class Videos
IU School of Liberal Arts at IUPUI
Copyright © 2017 The Trustees of Indiana University


Closet augers are the ideal tools for clearing clogged toilets. And General's closet augers are the most durable in the industry. Patented double layer Flexicore® cables resist kinking and breaking yet offer the right flexibility. Read on to learn more about our three foot auger 1 m or telescoping six foot auger 2 m to clear stoppages just beyond the bowl.
The tough outer steel tube is 3/4" in diameter. Inside, a galvanized steel rod turns the cable. Other features include a vinyl bowl guard, vinyl grip handle and turning handle, and a "Grip Clip" for securing the cable.
The heavy-duty six foot Teletube Closet Auger 2 m (Cat # T6FL) lets you clear stoppages just beyond the bowl. No need to lift the bowl, because the Teletube has an extra three feet 1 m telescoped inside a guide tube until you need it. After you've worked the first three feet into the bowl, you can go three feet farther simply by pressing a button and pulling the crank handle.
The outer steel tube is a big 1-1/8" in diameter. The hexagonal guide tube is even tougher than the steel rod we use in our 3FL closet augers. The Teletube weighs just a little more than a 3FL too. Other features include a vinyl bowl guard, vinyl grip handle and turning handle, and a "Grip Clip" for securing the cable.
Shows hexagonal guide tube. You just press the button, pull back on the handle and you've released more feet of cable.
Both the three foot and the 1 m Telescoping six foot 2 m closet augers feature patented Flexicore wire rope center cables. Flexicore cable is made from two layers of tempered spring wire wrapped tightly around a 49-strand wire rope center. It resists kinking and breaking yet has the right flexibility to go through low flow toilets. It's so tough, it's guaranteed for a full year.
Both augers offer the optional flexible down head to make it easier for the snake to follow bowl contours. The down head springs through sharply angled passages while protecting the inner walls from chipping and breaking.
Have you ever had to carry a messy, wet closet auger through an upscale office or hospital corridor? While a garbage bag will do, it just doesn't look professional. General's Closet Auger Bag keeps the closet auger contained and out of sight as it's carried to and from the job.
This durable bag features a wide mouth end with a heavy duty zipper so the closet auger easily slides in. Three vent holes allow the auger to dry between jobs. And a thick shoulder strap keeps your hands free to carry the rest of your tools to the job.


You've got your gown and now it's moms turn! We're so excited to be hosting our FIRST EVER Montage by Mon Cheri and Ivonne D trunk show in our Brooklyn bridal store so our moms can find their dream dress too! Mom has to look fabulous right? During this trunk show we'll be receiving the newest Spring 2019 collection of evening wear from these super talented designers! Appointments are limited so call us at 718-332-4385 or book your appointment online!


At MXNA I keep seeing posts about different AJAX frameworks. One for Coldfusion, one for ASP, one for PHP, another that has "backends" for a bunch of languages. I honestly don't get it.
Then last week I was shown SACK which was very similar to what I was doing - but honestly, it was better written, so now I'm using it. But it doesn't have any language specific backends. And for the life of me I can't understand why it would need a language specific backend.
Here is how I understand things. The xmlHttpRequest object has four states; 1 which is loading, 2 loaded, 3 interactive, and 4 completed. 3 (interactive) doesn't tell you much except that it is actually downloading data. 4, to me, is where the magic happens because I have my remote data. I can access it via the responseXML or responseText properties of my xmlHttpRequest instance.
To generate the XML on the backend I don't need some AJAX backend library bloating me down. For instance using Coldfusion my xmlHttpRequest object will post back to a different CF file that contains the logic necessary to get some data and create an XML structure.
There is nothing super fancy going on here. I just call some query that gets some data and then I output the query data into XML. Why do I need an AJAX backend?
I know some people read this blog so if you know of a reason why I would need a backend (for some other example perhaps) then please let me know. Because, honestly, all of the libraries I see popping up seem unnecessarilly complicated for a process this is generally pretty simple.
Thanks for your comment Guy. I can see your point, particularly if you are working with a development team where a consistent API could mean the difference between project success and failure.
You are looking on it from a very narrow usage. If you retrieving data from the server and that is what you need that you do not need any AJAX framework. When AJAX frameworks come handy is when you need a sophisticated and responsive UI. Web technology in general is to generic and AJAX frameworks give you bigger building blocks that are more specific for your development scenario.
I for one am an architect of an even more total framework (http://www.visualwebgui.com) that hides from you all the web plumbing and technologies and lets you develop web like you develop WinForms. It is an AJAX solution for IT applications but here you can see all the goals I talked about taken to the extreme.
To make things short there a definitely to much frameworks and here I would add "doing the same thing" but as a farmer once said it is a good time to grow tomatoes. Well it seems like a good time to grow an AJAX framework.
I think coining the term AJAX is good because it makes discussions about that technique easier.
I also think by having it known as a more mainstream technique that more cool applications of the technique will be found.
However, I don't know that ALL of the different frameworks are that necessary. In fact, many seem incredibly redundant. I use SACK mostly because, as it's name (Simple Ajax Code Kit) suggests - it's simple.
I can understand some of the bigger ones that also have a built in library of effects.
However, having a ton of simple ones, and a ton of complex ones, just seems like overkill to me.
Finally, I don't see why each server side development platform needs it's own framework for AJAX. Your server has to return structured data (xml or json most likely) so just return it. The AJAX interface to your API shouldn't need to be any different than the older legacy interface.
Yeah Bill, I have the SAME EXACT QUESTION…I am a php coder and have been building out AJAX-esque web applications for several years now. AJAX functionality is nothing new and am wondering what all the fuss is about. Additional libraries for AJAX seems completely unecessary - is the development community just trying to come up with new acronyms?
Is there a URL for SACK?
They just don't make sense to me. I'm hoping someone can tell me WHY we need all these language specific implementations - what purpose do they actually server? Why would someone want to use them over a generic solution that doesn't require a language based backend (such as SACK)?
Yep, Ive seen backbase before and it's pretty well done as far as I can tell.
However, I still dont see why these language specific packages are needed.
I know I must be missing something. But it seems to me these backend libraries are just added weight that isn't really needed.
well,I agree there are many libraries around, many of them made as yours for a certain need, other ones do some backand integration/processing before result is returned. I work at backbase, and we also made an ajax library, but, it's different than anything out there. check backbase.com site to see what I mean.


text:
Irwin County, Georgia facts for kids
Irwin County Courthouse, Ocilla
Location within the U.S. state of Georgia
Georgia's location within the U.S.
Coordinates: Lua error in Module:Coordinates at line 610: attempt to index field 'wikibase' (a nil value).
December 15, 1818; 203 years ago (1818-12-15)
Ocilla
Largest city
363 sq mi (940 km2)
8.4 sq mi (22 km2) 2.3%%
27/sq mi (10/km2)
UTC−5 (Eastern)
UTC−4 (EDT)
Irwin County is a county located in the U.S. state of Georgia. As of the 2010 census, the population was 9,538. The county seat is Ocilla. The county was created on December 15, 1818. It was named for Governor Jared Irwin.
In the last years of the American Civil War, Irwin County gained the nickname of the Republic of Irwin due to the Unionism of many of its residents. The location where Jefferson Davis was captured [1] is located in Irwin County near Irwinville.
Georgia Sweet Potato Festival
Unincorporated communities
The territories of Appling, Irwin, and Early counties were land newly ceded in 1814 and 1818. These counties were created by a legislative act on December 15, 1818. All or portions of Irwin's five adjacent counties were created from Irwin county along with all of Cook, Colquitt, Lanier, Lowndes, counties and portions of Atkinson, Brooks, Echols, Wilcox, and Worth counties. Irwin was divided into 16 districts of 20 miles and 10 chains square with lots of 70 chains square containing 490 acres according to the Act of 1818. In 1820 each lot was priced at $18, but by 1831 the price was down to $5 per lot.
At the time of the 1820 census, when it included much of central south Georgia, Irwin County had a white population of 372 whites and 39 slaves. In 1825, It Lowndes County was formed out of the 8th, 9th, 10th, 11th, 12th, 15th, and 16th land districts in what was then the southern half of the county. In 1830, the county had 1,066 whites, 109 slaves, and 5 free people of color. In 1840, Irwin Count had 1,772 whites and 266 slaves. In 1850. Irwin County had 2,874 whites, 459 slaves, and 1 free person of color. In 1853, Worth County was formed out of part of Irwin County. In 1854, Coffee County was also formed from Irwin. In 1860, Irwin County had 1,453 whites and 246 slaves. It was one of a few counties in Georgia outside of mountainous northern Georgia with slaves accounting for a small percentage of its population.
During the American Civil War, like the United States in general, Irwin County was also ideologically divided. The county was one of the poorest at the time in Georgia. It was home to a number of Southern Unionists who opposed secession and the Confederacy. The county also provided several regiments to the Confederate Army including:
Company F "Irwin Volunteers", 49th Regiment Georgia Infantry.
In May 1863, several companies of Duncan Lamont Clinch Jr's Fourth Georgia Cavalry were charged with searching Irwin County for deserters. They spent a month searching the county, but were only able to find twenty-two deserters on May 22, the day they arrived. The deserters were sent to Savannah for enlistment or prosecution.
A prominent Unionist in the county was Willis Jackson Bone. He lived west of Irwinville, near the Alapaha River. He was a miller and operated a steam powered mill on what was then Bones Pond and presently Crystal Lake. Because he was a gristmill operator, Bone was exempt from conscription. During the Civil War, he helped a number of escaped slaves.Confederate deserters, and escaped Union prisoners hide in the swamps along the river. In February 1865, Bone and a large assembly of others gathered in Irwinville. Those assembled declared Irwin County part of the Union again. A lieutenant of the local militia protested the action, but was knocked down with a musket by Bone. Three cheers for Abraham Lincoln followed. The assembly then took after the lieutenant and the enrolling officer Gideon Brown. They and other Confederate sympathizers were chased out of town and threatened with death if they should return. Willis Jackson Bone was hanged near his pond in late April 1865 after he killed a local justice of the peace named Jack Walker while Bone was bringing food to an escaped slave named Toney. Walker had tried to take Toney into custody.
A few months later, Irwinville became the site of the capture of Confederate President Jefferson Davis. Davis was on his way from the capital of the Confederacy at Richmond, Virginia to board a ship with his family and flee to safety in England, Davis stopped at a hotel in Irwinville owned by Doctor G.E. White on the evening of May 9, 1865. There he conversed and socialized with the locals and no one had suspected that they were in the presence of a man of such esteem. Davis and his family moved to an encampment beside a nearby creek bed only a couple of miles from the hotel after they were done talking with the citizens of Irwinville and sometime in the early morning of May 10, the encampment was alarmed by the sound of gunfire. Davis tried to escape towards the creek wearing an overcoat and his wife had tied her scarf around his shoulders, but members of the First Wisconsin and Fourth Michigan Cavalry Regiments captured him. He was taken to Fortress Monroe, Virginia and held for two years. The location is now the Jefferson Davis Memorial Historic Site.
Ocilla is home to the annual Georgia Sweet Potato Festival which is currently held on the last Saturday in October.
The first festival was held on November 21, 1961. The major address was by Agriculture Commissioner Phil Campbell. Ginger Gail Land was selected the first Sweet Potato Princess. One of the most popular parts of the festival was the cooking competition and display of dishes from favorite sweet potato recipes. The winning recipes were published and widely distributed.
According to the U.S. Census Bureau, the county has a total area of 363 square miles (940 km2), of which 354 square miles (920 km2) is land and 8.4 square miles (22 km2) (2.3%) is water.
The majority and entire central and western portion of Irwin County, bordered by a line running southeast from Fitzgerald, is located in the Alapaha River sub-basin of the Suwannee River basin. The eastern corner of the county is located in the Satilla River sub-basin of the St. Marys-Satilla River basin
U.S. Route 129
State Route 11
State Route 107
Ben Hill County (north) (created 1906 from Irwin and Wilcox counties)
Coffee County (east) (created in 1854 from Clinch, Irwin, Telfair, and Ware counties.)
Berrien County (south) (created in 1856 from Coffee, Irwin, and Lowdnes counties)
Tift County (southwest) (created 1905 from Berrien, Irwin, and Worth counties.)
Turner County (northwest) (created from Dooly, Irwin, Wilcox, and Worth counties)
1820 411 —
1900 13,645 116.0%
1910 10,461 −23.3%
1920 12,670 21.1%
1930 12,199 −3.7%
1940 12,936 6.0%
2018 (est.) 9,398 −1.5%
U.S. Decennial Census
As of the 2010 United States Census, there were 9,538 people, 3,495 households, and 2,475 families living in the county. The population density was 26.9 inhabitants per square mile (10.4/km2). There were 4,033 housing units at an average density of 11.4 per square mile (4.4/km2). The racial makeup of the county was 71.4% white, 25.9% black or African American, 0.6% Asian, 1.1% from other races, and 0.9% from two or more races. Those of Hispanic or Latino origin made up 2.4% of the population. In terms of ancestry, 16.4% were American, 13.1% were English, and 9.3% were Irish.
Of the 3,495 households, 35.5% had children under the age of 18 living with them, 49.0% were married couples living together, 17.0% had a female householder with no husband present, 29.2% were non-families, and 25.8% of all households were made up of individuals. The average household size was 2.54 and the average family size was 3.05. The median age was 38.8 years.
The median income for a household in the county was $38,376 and the median income for a family was $51,262. Males had a median income of $40,070 versus $23,786 for females. The per capita income for the county was $16,561. About 14.9% of families and 25.4% of the population were below the poverty line, including 34.1% of those under age 18 and 15.3% of those age 65 or over.
Irwinville
Irwin County, Georgia Facts for Kids. Kiddle Encyclopedia.
This page was last modified on 1 January 2022, at 17:52. Suggest an edit.


Beacon of Hope Project will provide children and families with health and wellness education while offering guidance and inspiration during Day of Hope activities at a safe haven.
Haven of Hope—We Survive's Corporate Headquarters located on 79 acres of gentle rolling woodland in Nelson Co., offers nurturance in nature providing supportive surroundings cultivating a safe environment for participants and the wildlife.
The Day of Hope programming can be held at Haven of Hope or at another designation location upon request.
improve understanding of what poverty and homelessness means to health by implementing more wellness awareness programs throughout communities.
Contact Sharon at sharon@wesurvive.org to find out more about sponsoring a Day of Hope.
LIGHTFEST –born from the 1996 Olympic Torch Relay held at Churchill Downs from 1997-2001 was a health and wellness event passing the Light of Hope during the Walk of Hope.
Dream Weavers—in the spring of 2007 local high school students dedicated themselves to inspiring Hopes and Dreams to children at a local homeless shelter.
Day of Hope—health and wellness activities provided at Haven of Hope in a family oriented atmosphere providing exposure to an experiential educational program with peers and role models where at-risk children and families can build trusting relationships reaching far beyond a Day of Hope.


Scenes from Fervor, clockwise from top left: cutlery chandelier, the bar, signage, red menu.
Being back in Buenos Aires is like being back home (my second home, that is) and is always a pleasure to visit even for just a week. On this trip, we had our first Sunday lunch at our all-time favorite parrilla – El Mirasol. As always, it was packed with families enjoying the grilled meat and convivial atmosphere.
On Monday evening, my Mother-in-law invited us to try Fervor, a relatively new parrilla for dinner located on Posadas street right smack in the middle of chi-chi Recoleta. Fervor is owned by the same people who run the Italian restaurant Sottovoce (another one we regularly visit and where we had dinner on Sunday evening). The restaurant is right beside a street-side flower stall which makes the entrance colorful. Interiors are bistro-like and done up in red (velvet curtains, menu covers, leather banquettes) and black (chairs and tiled floors) with an interesting tiered chandelier made up of cutlery hanging upside down (good thing there were only spoons and forks as sitting underneath knives would have been too risky). The menu is simple – charcoal grilled meat obviously but also fish and seafood which is quite unusual in meat-centric Argentina, but a nice change for non-carnivores.
The place was half-empty when we arrived at around eight. We were seated in a banquette on the lower floor (the place to be) and were in a cozy corner table which afforded us a view of the entire room and lots of people watching. After looking at the menus, my two Porteño companions (A and his mom, An) ordered lenguado (sole) and brochette de langostinos (prawns). I, on the other hand, couldn't resist another chance to eat Argentine beef and chose the 400 gram ojo de bije (rib-eye), medium rare. Two side dishes that we would share were also ordered – an arugula salad and some Provencal french fries along with a half bottle of Malbec.
Slowly, the place started to fill up with an older, international crowd, although there were also quite a few locals and for a Monday evening, it was pretty packed. By the time our dinner was served, there was hardly a table free and the atmosphere was quite lively – noisy with cutlery and glasses clinking and lots of diners tucking into large hunks of meat. A bowl of assorted bread was set down on the table along with some sauces – chimicurri and salsa criolla for the meat and a trio of sauces for the fish – tartar, lemon and a slightly reddish spicy one. The portions were good – more than a dozen grilled prawns on an oval plate, a slab of striped-from-the-grill fish with a wedge of lemon and a marbled slab of charred rib-eye. The salad was bitter and sour with the lemon dressing and the fries were a mound of hot, crunchy, garlicky goodness – the perfect accompaniment to my steak.
I thought that I would never be able to get through that piece of meat but I managed to eat it all and just give A a couple of bites to taste. For dessert, I had some homemade ice cream – dulce de leche and chocolate for me and A and the almendrado for An. The ice creams were creamy and delicious and the almendrado was a tasty discovery for me – crema americana (a typical Argentine ice cream flavor of frozen cream) studded with crushed toasted almonds. The usual espressos to end the meal and a quick walk up the street to catch a cab home. Fervor was the first new Buenos Aires restaurant we tried on this visit and the second best meal I had on this trip (the first was Michael's in Miami). I hope that on our next visit, more new restaurants like Fervor crop up on the scene, where the design and atmosphere is the same level as the food being served.


The interplay of structure and spontaneity and the delightful contrast they produce informs my current body of work. As an artist I understand that a painting needs structure created by utilizing the design elements of line, shape, color, value and texture to form the framework that supports the painting. Structure alone however, does not create the delight in the work and for that I look to spontaneity. While structure is constrained and premeditated, spontaneity is unconstrained and unpremeditated, providing the perfect contrast.


Matching Target's offer. Officeworks can deliver these (to the ATO?) whereas Target requires you to purchase in-store.
WOW, this is going to make my unpaid taxes so much cheaper!!!
Can you guys please enlighten me on what all you could buy using iTunes gift cards (other than ATO) :) ?
Anyway, I used this for app and game on App Store.
You can no longer do this now dude. Only previous Netflix subscribers using iTunes cards or iTunes credit as payment for month to month Netflix can only keep using this form of payment. Netflix only just introduced taking away the iTunes payment type a couple months back because they got sick of Apple taking their cut. Which to me is f##king stupid on Netflixs part. They'll lose heaps of customers from using this type of iTunes cards discounts method, taking a break from subscription and resubscribing couple months later only to realize they can't use that method anymore.
So a word of warning, don't cancel your Netflix subscription if you're wanting to pay with ITunes cards couple months down the track. It won't work. You'll have to re-sign on with a debit/credit card through the main site.
In-app purchases for mobile games.


text:
Military family sets sail on a new mission, employing veterans at a new winery they've planned for years
Updated: Jun. 02, 2021, 9:45 p.m. | Published: May. 07, 2021, 11:11 a.m.
The Wall of Honor at Haze Gray Vineyards in Dobson, North Carolina. The left side of the wall includes photos of family and friends and the center and right side features patrons who have served in the military. 'It is about the faces and stories,' says owner Becky Muhlenberg. 'Each person tells me a bit about the individual. We have photos across many decades.'
By Paul Vigna | pvigna@pennlive.com
Deane and Becky Muhlenberg both grew up in military families, according to the bio on their Haze Gray Vineyards website.
Because of that, they spent plenty of time traveling. Deane served in the U.S. Navy for 30 years as a flight officer, and so they moved. A lot, around the country and around the world. As their bio describes it, "their children greeted their new locations with wide eyes. The family loves to travel."


To watch Paula Creamer today is to see a poised, polished professional athlete. She sends golf balls soaring down the fairway as effortlessly as she mingles with young, pink-clad, autograph-seeking fans. Plop her into a television commercial with veteran Nick Price, and Creamer doesn't flinch; she flashes her magnetic smile and trades clever lines with Price, right down to the moment he crows about his induction into the World Golf Hall of Fame in 2003. Then she announces, with the proper dose of attitude, "In 2003, I was in high school." Oh, yeah: She's that young.
For all her accolades, five worldwide pro victories and more than $3 million in earnings, Creamer only turned 21 this August. She's not so very far removed from her days as a pesky, high-powered kid in Pleasanton, where she played hide-and-seek in the clubhouse at Castlewood Country Club and jokingly began golf lessons with head pro Larry O'Leary by asking, "You want me to warm up?" before performing a string of cartwheels.
Eleven years ago, Creamer picked up a club for the first time. Seven years ago, she convinced her parents to move across the country so she could attend a prestigious golf academy. Two years ago, she became the youngest winner of a multi-round event in the history of the Ladies Professional Golf Association (LPGA), the springboard for a memorable rookie season in which Creamer finished second on the money list, behind only Annika Sorenstam.
Now, Creamer eagerly returns to the East Bay for October's Longs Drugs Challenge in Danville, just a short drive up I-680 from her childhood home. The event does more than give her a chance to play before family and friends. It also highlights the present-day prestige of a onetime competitive dancer, who changed venues, climbed out of a crowded, hyper-motivated pack, and quickly blossomed into one of the best female golfers in the world.
Paula Creamer (pronounced "Cray-mer") grew up as the only child of athletic parents—father Paul was a swimmer at the Naval Academy before becoming a pilot for American Airlines, and mother Karen was an avid tennis player. Young Paula was exposed to a smorgasbord of sports. She played tennis, soccer, and softball, she swam, and she participated in gymnastics and acrobatic dance. But none of these challenges was quite enough to absorb her irrepressible energy. Paula and best friend Kelsy Martin, whom she met in third grade at Valley View Elementary, endlessly chased the Creamers' golden retriever in her backyard or charged around the neighborhood driving a golf cart. They weren't kids who sat around watching television.
The Creamers also happened to live alongside the No. 1 green on the Hill Course at Castlewood, where Paul played golf as often as five times a week. Though he always encouraged Paula to join him, she showed no interest until one day, at age 10, she asked to come along to the practice range. Paula quickly took to the game. Golf appealed to her on many levels. She loved being outside, and she loved the solitary challenge—being judged only by the scorecard (not those annoyingly unpredictable dance judges) and having to summon both physical and mental skills to navigate different courses in different conditions. "You can never have the same day, the same round," she says. It helped that she had success early, satisfying her competitive side.
Karen Creamer says golf helped center Paula, calm her down. Mustering the discipline to learn the game—she started with one group lesson and one private lesson each week—helped channel her abundant energy. Also working to her advantage was Castlewood's history of developing junior players. LPGA players Pat Hurst and Dana Dormann came out of the club's junior program, as did Todd Fischer and Joel Kribel, both of whom have played on the PGA Tour.
Paula's ambition became even clearer when O'Leary left Castlewood in 1997 and Paul Creamer began to interview potential replacements to teach Paula. Assistant pro Jonathan Hughes, who got the job, found an interview with the father of an 11-year-old a bit odd. But, he observed, it also was unusual for a kid that age to take meticulous notes during every lesson, as she did.
It's always wise to be wary of heavy parental involvement in youth sports, but, by all accounts, Paula developed her own version of her dad's discipline and intensity. She acknowledges she's like him in many respects—competitive, hard on herself, stubborn. She describes her mom as having a "quirky and fun" side that keeps both Paul and Paula loose.
Emboldened by rapid improvement, young Paula took a full-on dive into golf. She took more lessons, gave up dancing at 12, and regularly had nighttime chipping and putting sessions under her dad's watchful eye. If an event precluded her from practicing at Castlewood, Paul took her to Poppy Ridge in Livermore. Creamer also began traveling to tournaments, which meant sacrificing time with her friends. She accepted the trade-off. Her friends, however, didn't always understand why she couldn't join them for Friday-night sleepovers.
That dedication begins to explain Creamer's rapid rise to stardom. And her attachment to the game traces to the way she learned at Castlewood—from teachers who kept the process fun. They mixed instruction with playful motivation; O'Leary gave his student a Certs mint every time she hit a shot well during a practice session.
Paula's forays onto the course with Dana Dormann and Jean Zedlitz, another LPGA player, also helped. Dormann and Zedlitz occasionally played late-afternoon rounds at Castlewood, and they frequently found Creamer ready to tag along, peppering them with questions about life on tour. They knew she was a special talent—at 12, she once out-drove Dormann—and clearly was more serious about the game than other kids her age. But the education went beyond the game's mechanics.
Before long, Creamer's parents were spending their weekends shepherding her to junior tournaments. Hughes, the coach, started to feel convinced that Creamer had a future in the game. She would return from tournaments and nonchalantly tell him she "won by eight, won by 10." Competition motivated her. She needed challenge, and found performing in front of people exhilarating—a quality Karen Creamer credits to her daughter's dance days, when she learned not to fear but to enjoy being watched.
As Creamer grew, she did extraordinarily well, winning several tournaments in Northern California and, eventually, 11 American Junior Golf Association events. Golf took her to Texas, New York, Oregon, pretty much everywhere—including the west coast of Florida.
It was During the autumn of 1999 that Creamer first heard about the David Leadbetter Golf Academy. She and her dad poked around the Internet and became intrigued by the academy established by Leadbetter, an Australian widely recognized as one of the world's top instructors, under the auspices of the powerful International Management Group. IMG's compound in Bradenton, Florida, has served as a stage for top young athletes in several sports, including Venus and Serena Williams in tennis and Freddy Adu in soccer. Creamer and her parents visited in February 2000, expecting to learn a few things and enjoy a brief family vacation. Seven months later, when Paula was 14, they moved to Florida.
Paul could see the look in his daughter's eyes the moment they set foot inside the academy. She wanted to become the top player in the world, and this place was geared toward that dream with its accomplished coaches, state-of-the-art training facilities, and a private high school—all in one shoot-for-the-stars location.
Paul transferred his American Airlines base from San Francisco to Miami, but he and Karen anticipated staying in Florida less than a year and didn't, at first, sell their house at Castlewood, figuring that Paula would miss her friends and they would return to the Bay Area. But Paula never looked back. She told her parents, "My really good friends will stay really good friends," and quickly embraced her new life.
State-of-the-art comes at a steep cost, of course. Tuition at the Leadbetter Academy runs $36,100 for the 2007–08 school year. The Creamers could not have stayed in Florida unless the academy offered Paula a full scholarship, as it did after her first year. Paul's job with American allowed the Creamers to fly standby when they traveled to tournaments around the country.
There were still naysayers back home in Pleasanton, other parents who questioned the wisdom of uprooting a family and spending so much money with no assurance of future success. But Creamer thrived in her new environment. Her daily schedule was highly structured: conditioning in the early morning, school from 7:30 to noon, golf practice until 5:30, school again in the evening. She was always kept busy, a perfect match for her high-energy temperament.
Creamer kept doing well in junior tournaments—she was a four-time AJGA All-American and the association's player of the year in 2003—and it became obvious she would earn a college scholarship. Attending college was always the plan. Most members of Creamer's extended family had degrees, she maintained good grades through high school, and she figured playing on an elite Division I team would prepare her for the pros. Stanford, Oklahoma State, and Duke were on her short list. But after wrestling with the decision for several months, she chose to turn professional in 2005, at 18, largely because she had played well in seven LPGA appearances as an amateur the year before (including one tie for second).
Now, less than three years later, it is difficult to question the choice. Creamer made an instant splash as a pro, planting herself at the forefront of the fresh wave of young stars energizing the women's game. She won the Sybase Classic in May '05, four days before she graduated from high school. Two months later, she won the Evian Masters in France by eight shots. Off she went, zooming into another realm.
Her rookie year was a whirlwind. She won more than $1.5 million and abruptly emerged as a challenger to Sorenstam's throne, a magnet for endorsements, and a favorite of kids. The smashing debut also raised expectations. Creamer's second season, when she nursed a nagging wrist injury and went winless, left her disappointed. She appears to have bounced back this year—she won the season-opening tournament in Hawaii and had seven other top-10 finishes through August 15. Still, she yearns to conquer her tendency to fade during final rounds in major championships, as she is fully aware that golfers are ultimately judged on how they play in majors.
Fame and riches aside, there are days when Creamer wakes up and thinks she's sick of golf. Twenty minutes later, she tells herself, "Are you crazy? You can't live without it." In retrospect, Paul Creamer considers it a blessing that Paula did not start playing the game until she was 10. That counts as late in the modern sports world, but it might help in the long run.
Creamer stands 5-foot-9 with long, flowing hair and that sparkling smile, but she doesn't pose for provocative calendars (that would be Natalie Gulbis). Her three official LPGA Tour victories pale next to the active leader's (Sorenstam's) 69. She played for the United States in the Solheim Cup two years ago, but she's not the tour's shining example of national patriotism (Mexico's Lorena Ochoa).
Creamer's open fixation with pink turned into a fabulous marketing tool. Pink always was her favorite color, but it also became her identity on a crowded sports landscape, giving her a catchy, familiar nickname—Pink Panther—legitimized by her success on the course. LPGA commissioner Carolyn Bivens also finds a strong statement in Creamer's perpetually pink garb.
Bivens raves about Creamer's "substantive" impact on the tour and the way she patterns her interaction with fans after golf icons Arnold Palmer and Nancy Lopez. One recent example: At this June's U.S. Women's Open in North Carolina, five girls from Texas who were playing in a nearby junior tournament showed up at the U.S. Open course wearing pink and purple tie-dye shirts reading, "We love Paula." Creamer spotted them on the No. 2 green and walked over to introduce herself.
She clearly has a soft spot for kids, including those enrolled in the First Tee program of Sarasota/Manatee (Florida). The First Tee is a program designed to teach kids life skills through golf, and Creamer surprised program director Mary Ann Andrews last year by donating 40 one-week scholarships to the Leadbetter/IMG summer camp, plus two year-round scholarships at the golf academy. Andrews says the program's heavy female enrollment—about 40 percent, roughly double the national average—stems from Creamer's influence.


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Princeton International Children's Learning Center & Kindergarten seeks experienced ESL teachers for our EAST, OCT Campus.
PFK provides children with a comprehensive Chinese-American bilingual education, while fostering strong multicultural and global values. The Dual-Language Education model will create a playful and full immersion environment where children will discover joy in learning both Mandarin and English language. Each child is taught to value their own individuality, develop their talents, and begin their path as future world citizens.
The ESL Teacher is responsible for the education of a group of children as part of a teaching team. The teacher plans and implements the curriculum, and with active participation of other members of the teaching team, works with parents and assesses the needs of individual children.
A minimum of 1 years experience teaching in early childhood education.
Instruction is intentional and planned.
Maintain daily, weekly and monthly written plans that reflect the individual interest and abilities of the children.
Daily instruction of social-emotional skills is provided.
Whole-group Circle Time is engaging and purposed.
Small-group Teacher Table instruction is intentional and developmentally appropriate.
Interactions with children are positive and promote critical thinking.
Supporting, emerging literacy and language development in response to each individual child's interest through whole language experience.
Provide integrated English Curriculum that meets the needs of individual children.
Good working relationships with coworkers are maintained.
The job is taken seriously.
Be responsible for the appearance, decor, and learning environment of the classroom.
Treat each child, co-worker and parent with dignity and respect.
View parent-teacher relationship as a partnership.
Use and promote positive guidance techniques and a variety of creative and expressive activities.
Attend all staff meetings, parent meetings, and other mandatory or required inservice.
Maintain confidentiality regarding staff, families, and children at all times.
Plan several major celebrations each year with Music and Art teacher together: December (Winter Celebration for New Year), Family Sports Day in November, and the commencement in July.


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