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Fun foods at new IU Danny Boy Draft Works
PBJ on a Panini, mini corn dog starters and a Pop Tart ice cream sandwich? Those are just a few of the quirky items to be found on a student-friendly menu at the new Danny Boy Draft Works IU in Bloomington, location just a block off the Indiana University campus.
The new pub and eatery, featuring the craft beers made by its parent company, Danny Boy Beer Works in Carmel, opened this month with a priestly blessing, bagpipe serenade and more than 300 diners. Mary Louise Dominick is general manager and Chef David Nardi mans the kitchen.
"After our successful opening in South Bend, near the campus of Notre Dame, we are thrilled to be open in Bloomington," said Kevin Paul, owner of Danny Boy. "We wanted this place to be fun for students of all ages and for parents from Carmel and central Indiana who are visiting their kids."
The new pub is located at 208 South Dunn Street and features seating for 50 people upstairs and an additional 40 on the lower level, which is also available to rent for private parties. While there is no private parking lot, there is street parking and nearby lots easily accessible to drivers.
Father Thomas Kovatch from St. Charles Borromeo Catholic Church in Bloomington was on hand to give a special blessing during the grand opening weekend and local bag-piper Angus Martin performed for an hour – kicking off a tradition of having a piper perform every Friday evening in front of the pub at 6 p.m., a Danny Boy tradition throughout all locations.
The pub features a dozen TVs between both floors, a regularly scheduled live DJ, "Pub Quiz" Trivia every Monday night from 9-11 and daily beer specials.
The menu features a variety of sandwiches, salads and starters.
But everyone is talking about the Pop Tarts, which can be enjoyed plain or transformed into an ice cream sandwich with local favorite Chocolate Moose ice cream for $5.
"Oh the pop tarts!" said Dominick. "That actually started as a joke between myself and my cousin (the owner, Kevin Paul). After discussing and laughing about the different possibilities I decided it would be a fun, whimsical treat to offer our guests. Our menu is a collaboration from ownership, myself and our talented creative local Chef, David Nardi. Our goal is to have fresh, simple, affordable tasty selections."
Chef Nardi came up with the idea to feature them as an ice cream sandwich with local ice cream from The Chocolate Moose.
"We try not to take ourselves too seriously. The idea of this business is to have fun and offer happiness to our guests."
Check out the menu here.


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Tag: Roscoe Lee Browne
The Comedians (1967) ***
Over-long, over-hyped and over-cast. Pretty much an early example of virtue-signalling, exposing corruption in a dictatorship (Haiti), but offering more through the singular self-deception of the main characters. An element of sleight-of-hand is also practiced on an audience enticed by four big stars "above the title" comprising three Oscar winners and one multiple nominee. Luckily, the ironic in-joke of naming characters with traditional English names – Smith, Jones and Brown – would probably pass most people by.
Brown (Richard Burton), a hotelier, is present throughout but Major Jones (Alec Guinness) appears only briefly at the beginning then disappears until late on to spike the plot. Martha (Elizabeth Taylor), the adulterous love interest, pops up sporadically as does her husband Ambassador Pineda (Peter Ustinov). There's not much of a story, Brown, cynical about the dictatorship, is friendly with a rebel leader, Jones is an ineffectual arms dealer, and missionary couple the Smiths (Paul Ford and Lillian Gish) offer comic relief until barbarity rears its head.
Great play is made of naivete but the film suffers from the Hollywood curse of only being able to examine foreign politics through the prism of a (white) American or Englishman. At the time it might have been shocking to see brutality so convincingly dispensed, and there is, also, in Mondo Cane fashion, too much time spent on strange ritual, but at the same time, of course, the U.S. was inflicting its own barbarities on the Vietnamese.
On the other hand, Brown is exactly the kind of foreigner who believes things must improve because, damn it all, he's British and bad things can't happen to a Brit in a strange land. He is convinced he will be able to sell a hotel located in a war-torn country, persists in believing Martha will abandon husband and son, and convinces himself he is the very man the rebels have been looking for.
Jones mistakenly believes everyone is taken in by his hail-fellow-well-met routine and his tales of heroism in World War Two jungles, thinks he is in with a chance with Martha and that his gun-running activities will avoid detection. The ambassador thinks his wife will not leave him as long as he turns a blind eye to her affairs. And Martha, probably wondering why she married such a buffoon, can't work out to dump him. Everyone who has much to lose appears to be continually on a precipice and it's hard to see what they could gain from their actions.
They are all misfits, "comedians," stuck in the rut of their own destiny, unable to change.
Nobody is more gullible than those who dupe themselves and the film comes into its own when it sets personal delusion against political naivete. In narrative terms Jones is the most obviously unmasked but the others are no less shown to be foolhardy in their expectations.
This had all the hallmarks of a prestige picture, initially planned as a roadshow, around $2 million spent on the above-the-line cast, another chunk on buying the rights to the Graham Greene bestseller and assigning the author the screenplay, location shooting in Dahomey.
Don't expect oratorical fury from Richard Burton (The Bramble Bush, 1960) nor outbursts of angst from Elizabeth Taylor (Secret Ceremony, 1969). There's something almost comically homely in their deception and in the outwardly confident Brown perceiving Jones as a love rival. Alec Guinness (The Quiller Memorandum, 1966) is the big treat, an upmarket con man, his boisterous voice and mannerisms far removed from his more usual introspective performances. Peter Ustinov (Topkapi, 1964), a bit too fidgety for my liking, nonetheless attracts sympathy as the man who is batting above his weight in snaring a trophy wife he knows he cannot hold onto.
Burton was the odd one out in the Oscar rankings. Despite five nominations by this stage, he had never taken home the statuette. Elizabeth Taylor, by contrast, had won twice, for Butterfield 8 (1960) and Who's Afraid of Virginia Woolf (1966), Guinness once for Bridge on the River Kwai (1957) and Ustinov also twice Spartacus (1961) and Topkapi.
However, in some senses if you remove the star turns, you are left with a rawer picture, and director Peter Glenville (Becket, 1964) captures much of the personal intensity of the novel. Taylor, in particular, misses the mark. Although playing a German, she never once bothers attempting an accent. Had Burton been the sole star, the movie would have worked much better since his low-key playing would not have been so much at odds with other actors.
There's a host of striking turns from supporting stars, ranging from silent film star Lillian Gish (The Unforgiven, 1960) to Roscoe Lee Brown (Topaz, 1969), James Earl Jones (The Great White Hope, 1970), Raymond St Jacques (Uptight, 1968) and Cicely Tyson (Sounder, 1972).
Author Brian HannanPosted on December 21, 2022 December 19, 2022 Categories DramaTags 1960s film, adaptation of bestseller, Alec Guinness, Cicely Tyson, Elizabeth Taylor, Graham Greene, Haiti, James Earl Jones, Lillian Gish, movie review, Peter Ustinov, Raymond St Jacques, Richard Burton, Roscoe Lee Browne4 Comments on The Comedians (1967) ***
Uptight (1968) ****
While a misplaced attempt to relocate John Ford's Oscar-winning The Informer (1935) to Cleveland, Ohio, after the funeral of Martin Luther King, director Jules Dassin more than makes up for it with his exploration of black militancy and racial conflict. The basic story of unemployed alcoholic Tank (Julian Mayfield) trying to regain the favor of local activist committee led by B.G. (Raymond St Jacques) is less interesting than the revolutionary backdrop.
Dassin was suited to uncovering the seamy side of life having helmed film noirs Brute Force (1947) and The Naked City (1948) and while in the 1960s concentrating on dramas he remained best-known for heist pictures Rififi (1955) and Topkapi (1964) so it was almost a given that this movie would feature a robbery. Tank was supposed to be part of a team, led by Johnny Wells (Max Julien), hijacking guns, but he's too drunk to help, and during the robbery after a guard is killed the finger points at Johnny.
Above: American poster. Below: the French version.
Assailed for his lack of maintenance by Laurie (Ruby Dee), mother of his kids, who subsists on welfare and prostitution, Tank considers informing on Johnny and picking up the $1,000 reward. So the story becomes a question of whether he will succumb to temptation.
But that's really just a MacGuffin for an insight into the problems facing the poverty-stricken black population and the armed response many feel is the only way to resolve such issues. Several outstanding scenes depict the raw emotions of people trapped in this lifestyle. The opening scene, showing the funeral of Martin Luther King, became a clarion call for violence. Laurie is humiliated by a welfare officer. Police attempting to arrest Johnny are met with a fusillade of bottles.
The case for armed insurrection is made abundantly clear. The black population is continually oppressed, not just by police violence, but being told they lack the skills for a rewarding job. "When you're born black, you're born dead." B.G. rejects the offer of assistance of white civil rights activists. Not all the locals are underdogs. Clarence (Roscoe Lee Brown), with an apartment lined with bookshelves and wearing fine clothes, does very well out of his arrangements with the police and the black welfare officer clearly gets a kick out of his power to possibly disbar Laurie from receiving financial assistance. While it might have proved more incendiary at the time, it's impossible to miss the injustice portrayed. It was almost a wake-up call for the ruling authorities that there existed a growing underground force determined to achieve equality through violence if necessary. The idea of an organised group, rather than a shambolic mob, is the other clear message.
Any actor would baulk at the prospect of matching the Oscar-winning performance of Victor McLaglen in the Ford original and surely no director would entrust the task to an inexperienced actor like Julian Mayfield whose only previous screen credit was a decade before in Virgin Island (1958). Mayfield finds it impossible to conjure up the pathos required and mostly appears as a bumbling fool.
This is despite the movie going out of its way to make Tank appear more sympathetic. He could easily claim he was blackmailed into informing by wealthy stool pigeon Clarence who holds compromising photographs. But, equally, the brotherhood, should it become aware of Clarence's activities, would surely come down on him hard. Johnny absolves Tank of responsibility for not participating in the robbery, recognizing that while the man's bulk was useful in the past, he lacks the mind-set for robbery. And he must stay away from Laurie otherwise she will lose her welfare.
But the rest of the cast is outstanding. Raymond St Jacques (If He Hollers, Let Him Go, 1968) stands supreme as an imposing Malcolm X figure. Roscoe Lee Brown (Topaz, 1969) is persuasive as a confident gay informer. Activist Ruby Dee (The Incident, 1967) is good, too. And there is strong support from Frank Silvera (Guns of The Magnificent Seven, 1969), Max Julien, best known later for The Mack (1973), and in her movie debut Janet MacLachlan giving a hint of the acting skills that would win her an Oscar nomination for Maurie (1973)
Perhaps the most important element of the picture was the screenplay, a collaboration between Julian Mayfield, Ruby Dee and Jules Dassin, the involvement of the first two ensuring that the main targets were well and truly hit. Dassin ensures that the movie never loses its way, tension kept high by the hunt for Johnny, the personal dilemma of Tank and the various confrontations with B.G. Great contemporary score by Booker T.
This is a movie that still stands up, not just because of its fearless delineating of the times, but from the suspicion that not enough has changed in the abject poverty to which so many are condemned.
There's a very decent print available on Youtube.
Author Brian HannanPosted on November 5, 2021 October 27, 2021 Categories Crime/Thriller, DramaTags 1960s film, Frank Silvera, Janet MacLachlan, Jules Dassin, Julian Mayfield, Max Julien, movie review, Raymond St Jacques, Roscoe Lee Browne, Ruby Dee2 Comments on Uptight (1968) ****
Topaz (1969) ****
Authentic, atypical, engrossing, this grittier Hitchcock mixes the realism of Psycho (1960) and Marnie (1964) with the nihilism of The Birds (1963), a major departure for a canon that previously mostly spun on innocents or the falsely accused encountering peril. The hunt for a Russian spy ring by way of the Cuban missile crisis forms the story core but the director is more interested in personal consequence and even the villain suffers heart-rending loss. Betrayal is the other key theme – defection and infidelity go hand in hand.
The tradecraft of espionage is detailed – dead letter drops, film hidden in typewriting spools, an accidental collision that is actually a sweet handover. In a transcontinental tale that shifts from Copenhagen to New York to Cuba to Paris, there is still room for classic sequences of suspense – the theft of secret documents in a hotel the pick – and Hitchcock at times simply keeps the audience at bay by employing dumbshow at key moments.
In some respects the director was at the mercy of his material. In the documentary-style Leon Uris bestseller (almost a procedural spy novel), the main character is neither the trigger for the plot nor often its chief participant and is foreign to boot. So you could see the sense of employing a cast of relative unknowns, otherwise an audience would soon grow restless at long absences from the screen of a Hollywood star of the caliber of a Cary Grant or Paul Newman. It is a florist (Roscoe Lee Browne) who carries out the hotel theft, a small resistance cell the spying on Russian missiles in Cuba, a French journalist who beards one of the main suspects, not the ostensible main character, French agent Andre Devereux (Frederick Stafford), not his U.S. counterpart C.I.A. operative Michael Nordstrum (John Forsythe) nor Cuban villain Rico Parra (John Vernon).
Unusual, too, is the uber-realism. The main characters are fully aware of the dangers they face and of its impact on domestic life and accept such consequence as collateral damage. It is ironic that the Russian defector is far more interested in safeguarding his family than Devereux. Devereux's wife (Dany Robin), Cuban lover Juanita (Karin Dor) and son-in-law (Michel Subor) all suffer as a result of his commitment to his country. And that Juanita (Karin Dor), leader of the Cuban resistance cell, is more of a patriot than the Russian, refusing to defect when offered the opportunity. Hitchcock even acknowledges genuine politics: the reason a Frenchman is involved is because following the Bay of Pigs debacle in 1961 American diplomats were not welcome in Cuba.
In terms of bravura Hitchcock, the pick of the scenes are the hotel theft and the death of one of the principals, filmed from above.
I have steered clear of this film for over half a century. I saw it on initial release long before the name Hitchcock meant anything to me. But once it did I soon realized this film did not easily fit into the classic Hitchcock and the critics on whom I relied had always represented it as shoddy goods. So I came to it with some trepidation and was surprised to find it so engrossing.
Frederick Stafford (O.S.S. 117: Mission for a Killer, 1965) was excellent with an insouciance reminiscent of Cary Grant and a raised eyebrow to match that star's wryness. John Vernon, who I mostly knew as an over-the-top villain in pictures such as Fear Is the Key (1972), was surprisingly touching as the Cuban bad-guy who realizes his lover is a traitor. And there is a host of top French talent in Michel Piccoli (Belle de Jour, 1967), Philippe Noiret (Justine, 1969) Dany Robin (The Best House in London, 1969) and Karin Dor (You Only Live Twice, 1967).
As you are possibly aware, three endings were shot for this picture and I can't tell you which I saw without spoiling the plot. If you want to know, read tomorrow's Blog.
In any case, this is worth seeing more than just to complete a trawl through the entire Hitchcock oeuvre, a very mature and interesting work.
Author Brian HannanPosted on July 18, 2021 July 17, 2021 Categories Crime/Thriller, SpyTags 1960s film, adaptation of bestseller, Alfred Hitchcock, cold War, Cuba, Dany Robin, France, Frederick Stafford, John Forsythe, John Vernon, Karin Dor, Leon Uris, Paris, Roscoe Lee Browne2 Comments on Topaz (1969) ****

redpajama_set_name: RedPajamaCommonCrawl


So here's the deal.. I used to have a bunch of "strategic words" here but it sounded like I was trying to impress some girl to take to prom. The real deal is I started off my career poor as a skunk and alternated working a semester at NASA as an intern and going to school to get my engineering degree. I've lived in 3 trailers and owned 3 Chevettes before the age of 25. I finally moved out of the trailer park and bought a real car and worked at NASA 14 years. Almost ended up back in a trailer after I started a company with a team of people. We built a very successful company. I ended up selling it to a big public company and worked there overseeing a lot of different good and bad things. I've now been CEO several times, worked for the government, managed venture-backed and public companies, had lots of success and some failure.
Now I'm working with a gifted group of people in the medical field on a series of products that fill a huge unmet need. I can't wait to get up in the morning and get to work and the company is infectious (no pun intended). This is how life should be. And I may end up back in a trailer someday but I'll advance an area of medicine. .
There… No prom date for me.
Specialties: Medical devices, wireless, Internet security, mergers and acquisitions, strategic planning.


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TM/02/03/: Correspondence with Sir George Leman Tuthill 1772–1835
Home » Archive » Thomas Manning Archive » TM/02/ : Correspondence with Early Friends » TM/02/03/: Correspondence with Sir George Leman Tuthill 1772–1835
The Correspondence between Manning and Tuthill mainly dates from the time when they were both resident in Europe (1798-1806). There is also one earlier letter and a letter from Manning whilst he was in Bengal 1811.
There is further correspondence regarding Manning being executor of Tuthill's will which includes letters between Manning and Tuthill's daughter, Laura (1835-1836)
TM/2/3/1-Letter from George Leman Tuthill, 13 June [1797]
Letter from George Tuthill to Thomas Manning from 3 Chapel Court, London. Tuthill writes about Manning's plans for the future…
TM/2/3/10-Letter from Thomas Manning to Laura Tuthill, 24 April 1835
Draft letter from Thomas Manning to Laura Tuthill concerning the executors of her father's will. Dated 24th April, 1835. Handwritten,…
TM/2/3/11-Correspondence from Laura Tuthill, 1835-1836
Letters from Laura Tuthill to Thomas Manning concerning the sale of her house and other matters following her father's death….
TM/2/3/11-Letters from Laura Tuthill to Thomas Manning
TM/2/3/12-Letter to Thomas Manning regarding Laura Tuthill, 19 July 1836
TM/2/3/13-Letters from Laura Tuthill to Thomas Manning 3
TM/2/3/2-Letter from George Leman Tuthilll, 6 October 1798
Letter from George Tuthill to Thomas Manning from "Freiberg in Upper Saxony". He writes that he is sorry not to…
TM/2/3/3-Letter from George Leman Tuthill, 6 April 1799
Letter from George Tuthill to Thomas Manning from Dresden. Tuthill chides Manning for not writing and then puts forward his…
TM/2/3/4-Letter from George Leman Tuthill, 31 August 1799
Letter from George Tuthill to Thomas Manning from Jena (Germany). Tuthill wants to hear more of Manning's state of mind…
TM/2/3/5-Letter from George Leman Tuthill, 3 December 1803
Letter from George Tuthill to Thomas Manning from St Germain, France. Tuthill writes to Manning, who is staying with the…
TM/2/3/6-Letter from George Leman Tuthill, 10 January 1806
Letter from George Tuthill to Thomas Manning from St Germain, France. Tuthill writes that he was preparing an application to…
TM/2/3/7-Letter from Thomas Manning, 27 August 1811
Letter from Thomas Manning to George Tuthill from Runjpore, Bengal. Manning has his passport from the Rajah of Bootan to…
TM/2/3/8-Copy of the Last Will and Testament of George Leman Tuthill, 1835
Copy of the Last Will and Testament of George Leman Tuthill who leaves his inheritance to Basil Montagu and Thomas…
TM/2/3/9-Notes relating to the Will of George Leman Tuthill
Sheet of paper with Thomas Manning's address at Orange Row, Dartford, with some calculation notes. On reverse is written "Will…


Let's be honest, there are a lot of things we'd rather spend our hard earned cash on than a membership to the gym. Nobody likes going to the gym, so its easy to resent having to pay a monthly fee just to keep yourself healthy — especially if you don't have any budget gyms nearby. But what if I told you there are ways to get your exercise without having to worry about making the most of your monthly fee? You don't have to force yourself into what can seem like a large room full of intimidating equipment and judgemental eyes. Here are a few things you can to make sure you do it properly.
It's probably the most obvious sans-gym exercise you can do, and it's also the one that doesn't really require any extra equipment to partake in. The problem with running is that it isn't easy to do over long periods, and people do have a tendency to push themselves too much when they first start out. Unlike running on a treadmill, running in the real world has no system to keep you running at a steady pace — meaning it's up to you to do that instead. Finding the right pace and sticking to it can be tricky, and it might take you a while to figure it out. But there are plenty of apps that can monitor your pace, so if you need help you can always turn to them.
If you're starting out from scratch remember to take it slow. Pick a short route to run to start with to get a sense of how you can manage it. If you end up finding that too easy, slowly increase it until you find something that you feel is suitably challenging. Most importantly, whatever you do, don't burn through all your energy at the start of your run. Start off slow, and if you find you still have plenty of energy when you get to the final stretch then that's the time to pick up the pace and sprint to the end.
The final point to make about running is don't be afraid to slow down if it's getting a bit much. Walk if you have to. Whatever you do, don't stop and have a rest because that won't help in the long term. If you stop, all you're doing is telling your body that exercise time is over and that'll make it even harder to start back up again. It may seem counter productive to walk, but at least you're still moving and keeping your body working.
If running isn't really your thing, then you might want to give cycling a try. In a general sense it's not too dissimilar to running, you just happen to be working at different parts of your body. That means when you start out don't push yourself too hard, plan your route out ahead of time, and build yourself up to something that challenges you. Something that makes you work hard without dampening your spirits.
The great thing about cycling is that it doesn't necessarily have to be about exercise, instead it can be used to get yourself around without having to drive or use public transport. While you could quite easily just buy a bike to exercise with, that wouldn't be using it to its full potential. Using your bike to do little bits here and there means you'll be able to get a little bit of exercise without putting that much effort in (or so it feels). It is a leg powered-mode of transport after all. So instead of taking the car to the supermarket, if it's close enough you should consider taking the bike instead. If there's somewhere nearby that you often walk to, take the bike. You'll get there faster and it'll help you burn off a little bit more energy.
That's not to say you shouldn't take your bike out with the sole purpose of exercising. Do a mix of both, and you'll be better off for it.
Contrary to popular belief, weights training isn't just about bulking up and trying to make yourself look like a slightly-less-green version of The Hulk. It's about working the parts of your body that don't get attention during cardio. It's true that weight training isn't as intensive, but studies have shown that they do keep your metabolism raised for longer.
The gym does have the advantage of housing numerous machines that can work different muscles, but those machines are impractical for a home workout due to their cost and size. There's a common held belief that free weights are better for you that machines, and whether that's true or not they are ideal for using at home. That's because of their small size, low cost, and the countless number of exercises that exist. If you're a beginner you're probably best off buying a set of dumbbells with adjustable weight since they can be used to work your arms, chest, back, and stomach. If you're not sure how to get started, you can find plenty of video guides online to help you decide what exercises are right for you. Just make sure you're doing it correctly and don't injure yourself by over doing it.
Pretty much any type of physical activity is suitable for exercise, and there are plenty of different things you can try out at home. A great way to work out is relatively simple, run up and down the stairs. It's effectively incline running, but in the comfort and safety of your own home.
Never forget you also have the internet at your disposal, and sites like YouTube have all but killed off the humble exercise tape. That means you have a limitless number of different aerobic workouts and routines to keep yourself in shape without having to pay a penny. Plus the sheer amount of stuff on the web means you should be able to find something to suit your needs.
If none of that is to your liking, there's still the playground classic that is the skipping rope. It might seem like a child's toy, but the skipping rope is actually a great way to stay in shape and is used by athletes all over the world as part of their training regiments. It doesn't require much room, and the equipment is incredibly cheap, making it perfect for home use.
This goes for any form of exercise, but if you're not paying for a gym membership you don't have that little voice at the back of your head telling you that not going is effectively a waste of money. If you want to keep at exercise long term then you need to force it into your daily or weekly routine. That can be done in any number of ways, but I've found that the best way to do it is to sandwich it between two different things. I work from home, so my daily routine involves working in the morning, followed by a break for lunch, and then back to work in the afternoon. So I fit a short run in after my morning work load is over, but before I eat. Because I'm in that routine I have no issues motivating myself, and I know I have a reward in the form of lunch waiting for me at the end of it.
My routine isn't ideal for everyone, so it's important to find one that suits you. Maybe get off the bus/tube/tram a couple of stops early after work and run the rest of the way home? Or maybe after you get home you prep dinner, then go for a cycle before you get to eat it? Heck you might just want to stand in front of the TV and lift some weights while watching Eastenders. At first it doesn't matter what you end up doing, or how long you do it for, just as long as you get it done. You can always build up to more over time, and as Tesco always says, every little helps.
Have you ever noticed how all gyms have multiple televisions and background music playing? That's because those things take your mind off the torture of exercise, which means you're less likely to hate every second. Just because you're not in the gym doesn't mean you should ditch that, so you should make sure there's something there to distract you from fatigue.
Music is the obvious one to choose, and sticking in a pair of headphones is an incredibly simple way to take your mind off things. While I wouldn't recommend cycling with headphones on (focus on the traffic instead), everything else is fair game. The important thing is to make sure that whatever device you're using to play music won't get damaged, so sticking it in your pocket isn't good enough. Either invest in a small MP3 player that can clip onto your clothes (like an iPod Shuffle), or get yourself an armband/Bluetooth receiver that is compatible with a device you already have.
If you're staying in the house your options are a bit more varied. You can stick with playing music while you work out, or you can stick on some sort of video. It may seem strange to watch something while you exercise, but in my experience the times when I loaded up Netflix was the easiest exercise has ever been.
The one huge advantage the gym has over exercising at home is that the machines all have huge displays that let you keep tabs on how you're doing. Things like total distance, average pace, current speed, and a very rough idea of how many calories you're burning. All that information is invaluable when it comes to keeping yourself fit, especially if you have targets that you're working towards. It is possible to keep track of all that away from the gym, but it means you're going to need some extra equipment.
If you're running or cycling then there are countless apps available on all three major mobile systems that will keep track of a lot of this stuff for you. Using GPS it can see how far you've come, how fast you're going, and through a set of headphones it can tell you that without you having to stop and look at the screen. For everything else fitness trackers can do the same, as well as being able to estimate how hard you're working and how many calories you're burning off each time you go out.
None of this is essential, but if you can keep track of how well you're doing then you can see how much you're improving and whether you need to add a bit more work to your workout.


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To the latter category belong the so-called idiosyncrasies, by which are meant peculiar corporeal constitutions which, although otherwise healthy, possess a disposition to be brought into a more or less morbid state by certain things which seem to produce no impression and no change in many other individuals.1 But this inability to make an impression on every one is only apparent. For as two things are required for the production of these as well as all other morbid alterations in the health of man – to wit., the inherent power of the influencing substance, and the capability of the vital force that animates the organism to be influenced by it – the obvious derangements of health in the so-called idiosyncrasies cannot be laid to the account of these peculiar constitutions alone, but they must also be ascribed to these things that produce them, in which must lie the power of making the same impressions on all human bodies, yet in such a manner that but a small number of healthy constitutions have a tendency to allow themselves to be brought into such an obvious morbid condition by them. That these agents do actually make this impression on every healthy body is shown by this, that when employed as remedies they render effectual homoeopathic service2 to all sick persons for morbid symptoms similar to those they seem to be only capable of producing in so-called idiosyncratic individuals.
1 Some few persons are apt to faint from the smell of roses and to fall into many other morbid, and sometimes dangerous states from partaking of mussels, crabs or the roe of the barbel, from touching the leaves of some kinds of sumach, etc.
2 Thus the Princess Maria Porphyroghnita restored her brother, the Emperor Alexius, who suffered from faintings, by sprinkling him with rose water in the presence of his aunt Eudoxia (Hist. byz. Alexias, lib. xv, p. 503, ed. Posser); and Horstius (Oper., iii, p.59) saw great benefit from rose vinegar in cases of syncope.
Categories Aphorisms in Organon Tags Health, Restore, Sick, Vital force


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Invictus Global Management and Corvid Peak Capital Management Send Letter to Delta Airlines and Apollo Global Management Regarding the Need for Constructive Leadership in Aeroméxico's Restructuring
30 November 2021, 11:15 am ·4-min read
AUSTIN, Texas, November 30, 2021--(BUSINESS WIRE)--Invictus Global Management, LLC and Corvid Peak Capital Management, sizable creditors in the bankruptcy of Grupo Aeroméxico, S.A.B. de C.V., today sent the below letter to the boards of directors of Delta Air Lines, Inc. and Apollo Global Management, Inc. regarding the ongoing restructuring process.
Department 981, P.O. Box 20574
Atlanta, Georgia, 30320
Attn: The Board of Directors
Apollo Global Management, Inc.
9 West 57th Street, 43rd Floor
Invictus Global Management, LLC (collectively with its affiliates, "Invictus") and Corvid Peak Capital Management ("Corvid" and collectively with Invictus, "we") are minority and woman-owned investment firms founded by restructuring and distressed investing veterans. We have successfully participated in many of the largest bankruptcies in U.S. history. We focus on maximizing value in restructurings and similar special situations by providing equitable capital solutions and advocating for corporate governance practices that benefit all stakeholders. We are currently sizable holders of general unsecured claims of various debtor entities (collectively, the "Debtors" or "Aeromexico") in the bankruptcy cases of In re Grupo Aeroméxico, S.A.B. de C.V., et al. (Jointly Administered Case No. 20-11563), which are pending in the Bankruptcy Court for the Southern District of New York. In addition to being significant creditors, Invictus and Corvid were commitment parties for each of the exit financing proposals previously submitted to the Debtors. We have been working tirelessly to build consensus around a fair and viable exit plan for the benefit of the Debtors and stakeholders like you.
Delta Air Lines, Inc ("Delta") and Apollo Global Management, Inc. (collectively with its affiliates, "Apollo") are the largest stakeholders in the Aeromexico restructuring. Delta is Aeromexico's largest equity holder today at almost 50% and Ed Bastian, its Chief Executive Officer, sits on Aeromexico's Board of Directors. Apollo provided the $1 billion debtor-in-possession financing (of which the $800 million tranche provides Apollo with significant case control through its unprecedented equity conversion option). Thanks to the unique exit financing terms you have collectively aligned on, you are both positioned to receive exceptional recoveries and retain substantial equity in the reorganized company. You also stand to receive representation on the Board of Directors of the reorganized Debtors and maintain continued influence. We are asking that your interests and influence in these cases now be applied to ensuring that there is a fair and consensual path forward for all stakeholders – rather than one marred by conflicts of interest and opacity.
You should know these cases are now nearing a pivotal crossroads, where your collective leadership is critical to preserving a fair and consensual deal. This restructuring could be on the verge of devolving into protracted litigation because value is not currently being distributed in a lawful manner consistent with decades of well-established bankruptcy precedent. In particular, we believe the value going to unimpaired claimants and third-party investors is excessive and undermines a consensual exit.
On November 21, 2021, we (along with other fulcrum claims holders) presented your organizations with a compelling exit financing proposal that provides Delta and Apollo with identical or improved treatment, while ensuring a consensual framework for a near-term emergence by affording fulcrum (and severely impaired) general unsecured creditors meaningful participation and reasonable recoveries in the reorganized company. Our proposal re-allocates disproportionate value going to unimpaired claimants, such as Silver Point Capital, and other third-party investors without any claims, such as The Baupost Group and Oaktree Capital Management, to the fulcrum operating company creditors in accordance with bankruptcy precedent. Our proposal does not seek any special treatment for general unsecured creditors. To the contrary, we simply want decades of precedent to be respected and for reasonable recoveries to be obtained by fulcrum operating company creditors. We believe your leadership can help facilitate this type of outcome and mitigate costly, distracting and unnecessary litigation.
To that end, we hope you will collaborate with us on a solution and welcome the opportunity to work with you on a plan that will maximize value for all key stakeholders and set Aeromexico up for a successful reorganization. We look forward to hearing from you.
Cindy Chen Delano
Co-Founder and Partner
Invictus Global Management, LLC
Mark Black
Founder and Chief Investment Officer
Corvid Peak Capital Management
Greg Marose / Ashley Areopagita, 646-386-0091
gmarose@mkacomms.com / aareopagita@mkacomms.com
Buy now, pay later schemes are catching the eye of consumers, and of federal regulators
Industry says no-interest BNPL loans are more equitable than credit cards but consumers say they can be a spending trap


text:
Bronisław Knaster ( à Varsovie –  à Wrocław) est un mathématicien polonais, spécialiste de topologie et de théorie des ensembles et membre de l'école mathématique de Varsovie.

Biographie

Knaster obtient sa thèse en 1922 à l'université de Varsovie sous la direction de Stefan Mazurkiewicz et passe son habilitation en 1925. Après quelques années en Italie, il retourne à Varsovie. Il enseigne dès 1939 à l'université de Lwów, puis à partir de 1945 à celle de Wrocław.

De 1937 à 1946, il est secrétaire de la Société mathématique de Pologne. En 1963, il reçoit la Nagroda państwowa (haute distinction nationale).

Parmi ses étudiants de thèse figurent ,  et .

Son nombre d'Erdős est 2.

Notes et références

Articles connexes
, qui implique la condition de chaîne dénombrable
Continu indécomposable
Lemme de Knaster-Kuratowski-Mazurkiewicz
Partage équitable
Théorème de Knaster-Tarski
Tipi de Cantor, aussi appelé « éventail de Knaster-Kuratowski », un exemple d'espace totalement discontinu

Liens externes

Naissance en mai 1893
Naissance à Varsovie
Décès en novembre 1980
Mathématicien polonais du XXe siècle
Universitaire polonais du XXe siècle
Topologue
Étudiant de l'université de Varsovie
Professeur à l'université de Wrocław
Décès à Wrocław
Décès à 87 ans

redpajama_set_name: RedPajamaWikipedia


text:
Peter Varnai
Kantoren: Verenigd Koninkrijk
E-mail: peter.varnai@technopolis-group.com
Dr Peter Varnai is Partner at Technopolis Group and responsible for the Group's Health Business Unit. Peter has over 20 years of experience in research, education and consulting, including programme evaluations, review and impact assessment of legislations, and strategic work for national and international clients, including the European Commission. Peter has a broad interest in linking research and innovation programmes to policy and business applications. He is expert in designing programme logic frames, developing indicators and implementing those to track programme performance. Peter applies methods ranging from quantitative modelling to qualitative techniques including interviews and case studies.
Peter has led or contributed to a number of high-profile studies relevant to more efficient and effective R&D programmes and legislations for health, including pharmaceutical innovation, epidemic preparedness, research and healthcare infrastructure, healthy aging, digital health services, and cross-border healthcare. He was responsible for the evaluation of the EU Paediatric Regulation and conducted the impact assessment of the Innovative Health Initiative. More recently, he led an EU foresight study to develop scenarios for the scientific, technological and societal conditions for the end of the COVID-19 crisis. He also led a number of process and impact evaluations where research programmes were co-funded by UKRI (MRC, ESRC), government agencies (FCDO, NIHR) and the third sector (Wellcome, CRUK). Peter is currently involved in the evaluation of the UK ISCF Medicines Manufacturing Challenge and the EU study on medicines shortages, and leading a study supporting the evaluation and impact assessment of the general pharmaceutical legislation.
Prior to joining Technopolis, Peter led a research group in drug discovery at the University of Sussex; conducted research as Wellcome Trust International Prize fellow at the University of Cambridge and at the CNRS in France. He is a Fellow of the Royal Society of Chemistry (UK) and has published widely in leading scientific journals. Peter trained originally as a pharmaceutical engineer and obtained MEng degree from the Budapest University of Technology and Economics. Peter also holds a DPhil from the University of Oxford and an MBA from Imperial College Business School. Peter works in English and French.
Peter Varnais artikels
From a green and fair future to civil unrest – future scenarios with COVID-19
Lessons learnt from the IAMHRF Global Study on Mental Health Research Funding
Developing medicines for children: 10 years of the EU Paediatric Regulation
Peter Varnais rapporten
Review of the Health Systems Research Initiative
MRC Review of the MRC-DFID Concordat
Mid-term Review of the Norwegian Programme for Capacity Development in Higher Education and Research for Development (NORHED)
Norwegian participation in Horizon 2020 in health, ICT and industry
Independent evaluation of the Access to Medicine Index (summary)
Mid-term evaluation of the second Programme for Global Health and Vaccination Research (GLOBVAC2)
Evaluative study on the Cross-Border Healthcare Directive
A Mapping of Smart Ageing Activity in Ireland and An Assessment of the Potential Smart Ageing Opportunity Areas
Assessing the research potential of access to clinical trial data
Evaluation of the Developing Operational Research Capacity in the Health Sector Project


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text:
MAF plane still not found
By davidvranishOctober 22, 2008
Australia (MNN) — A Mission Aviation Fellowship plane failed to return to its base on Thursday, October 16. A plane wheel and some cargo have been found, but the pilot and the rest of the plane remain missing.
23-year-old Hadleigh Smith was flying the GA8 aircraft to several Australian Aboriginal communities and was scheduled to return back to Elcho Island that day. It is unlikely that Hadleigh reached his original destination, and debris has been found on the shoreline at Buckingham Bay.
Due to this small amount of evidence, it is hard to say how the plane went down. Since no mayday call was received, it seems as though the crash was either a result of a sudden malfunction in the plane or a medical emergency.
The search for Hadleigh has been joined by Australia Search and Rescue, the Australian Transport Safety Bureau, as well as several MAF search crews. The search has been ongoing since Thursday October 16, and boats and helicopters continue to scour the estimated site of the accident. Unfortunately, high tides and strong currents have made the water search difficult. As of Tuesday October 21, no more debris had been located.
Hadleigh's family is realizing more each day that there is little chance of him returning to them. Please pray for them as the impact of this increases.
Pray for God's transcending peace to envelope Hadleigh's family and co-workers. Pray also that the waters would calm and that God's hand would guide rescuers. MAF asks above all that we "praise God for His sovereignty in all things."
For updates on the situation, visit www.maf.org.au.
accidentBuckingham BayGA8plane crash
Help us get the word out:
Audio Broadcast
4-5min
Primary Language: English
Evangelical: 14.4%
More News About Australia
Info About Australia
Data from the Joshua Project
Mission Aviation Fellowship
Alt Phone: (208) 498-0800
Other Stories On This Day
Pastor Bike's son faces persecution
The Taliban's grip on Afghanistan threatens ministries
Seedbed prepared for future outreach in Ghana
Virtual Prayer walkers gear up for Europe


text:
package org.github.antennae.cfs.microsoft;

import com.fasterxml.jackson.annotation.JsonIgnoreProperties;

/**
 * Created by nsankaran on 6/30/17.
 */
@JsonIgnoreProperties(ignoreUnknown = true)
public class Event {
    private String id;
    private String subject;
    private Recipient organizer;
    private DateTimeTimeZone start;
    private DateTimeTimeZone end;

    public String getId() {
        return id;
    }
    public void setId(String id) {
        this.id = id;
    }
    public String getSubject() {
        return subject;
    }
    public void setSubject(String subject) {
        this.subject = subject;
    }
    public Recipient getOrganizer() {
        return organizer;
    }
    public void setOrganizer(Recipient organizer) {
        this.organizer = organizer;
    }
    public DateTimeTimeZone getStart() {
        return start;
    }
    public void setStart(DateTimeTimeZone start) {
        this.start = start;
    }
    public DateTimeTimeZone getEnd() {
        return end;
    }
    public void setEnd(DateTimeTimeZone end) {
        this.end = end;
    }
}

redpajama_set_name: RedPajamaGithub


English: Welcome to the Commons, Moebiusuibeom-en!
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Que pena, es la única que tengo sobre ese tema. Me asombró, efectivamente, el uso de la bicicleta en San Rafael. Recuerdo que al pasar frente al Casino por la noche la vereda estaba inundada de ellas.
A San Rafael no creo que vuelva en breve. pero si te parece que vale la pena puedo sacar alguna sobre el tema en Buenos Aires, cuando salgo con mi cámara.
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You can use this tool for your flickr uploads. It makes the hole procedure much easier and faster for you!
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Lamentablemente a mí también me han borrado una foto (una escultura de Hipatía) por el mismo motivo. Todas las fotos de la Floralis que estaban en Wikipedia ya se borraron.
Estrictamente tienen razón. Por eso, por intermedio de Wikimedia Argentina, vamos a intentar que algún legislador saque la ley necesaria, que hasta ya la redactamos para acortarle el camino. El problemas es que el Congreso está "de vacaciones", en este momento. Por ahora hemos difundido la noticia: acá algunos lugares donde ya salió la noticia, y donde de paso me lees dando mi opinión: ,  etc.
Mientras tanto, cruzo los dedos.
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hola, he leido que eres de argentina y entiendes español e ingles, queria agradecerte tu trabajo con los diagramas de configuraciones de automoviles (posicion del motor + tipo de traccion), los he usado en unos articulos en mi pagina web pero aun no los publico.
queria preguntar si tienes algun diagrama con la configuracion de motor central (atras) y la traccion integral 4x4 (como usan los lamborghinis actuales), es que no encontre un diagrama con esa configuracion.
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Image is taken from Car & Driver Magazine according to the flickr source. It is not own work by the flickr account owner.
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PS: Dou you know the exact meaning of the letters A to D in the french marking? Could you find it out? I heard about that it ciphered the tyre height, see: French Cycling Federation. They writing C means 39mm high but there are tires like 700×18C which could have never a height of 39mm. Thanks a lot!!!
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We are specialized in documenting weddings and events across the globe for a high-end international clientele. That´s why we like to have a familiar and intimate approach to our clients. We always try to understand our clients needs and expectations, treating the venue and people involved with the utmost respect. This is our guarantee of a high standard style for the wedding video. We believe that our main duty is to capture beauty and magic authentically and honestly, while still being professional and discreet on your wedding day, but at the very top of our creativity. With this being our purpose, we cannot accept any kind of request. We need to get to know our couple and their wishes for the wedding day where and how it will be organized. Through images is how we capture a couple's most important day.
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I previously inquired about Pulse Management, and after researching Pulse Management as much as I possibly could, and with the information provided by your investigation, I declined the management's offer of signing with them.
Although they may be a good management and not a scam, I found their way of doing things confusing, and I was not comfortable in dishing out the money they suggested.
In reading what the Head of Model Development wrote to your site, concerning the money requested, she may be correct; however, I was told by several agencies that amount is outrageous.
Regardless, if the management is in fact honest in their doings and has sincere intentions, best of luck to them and any model who chooses to work with them. I just believe they were not for me.
P.S. Also, on Pulse's site it says "A Division of Pa'Ma Ha'ku Corp." Out of curiosity, are you aware of what that is, or the connection it has to Pulse Management? Perhaps information concerning this will be of benefit to others researching Pulse in the future.
No idea what "Pa'Ma Ha'ku Corp" is. Nothing came up in a search engine. Where is their website? PamaHaku.com is not registered; nor is PamaHakuCorp.com. It sounds Hawaiian. Is it even listed at the BBB? They make it sound like it is a business. In what state is Pa'Ma Ha'ku Corp registered?
I came across your site and read about Pulse Management.
I came across the fact that one of Pulse's managers used to work for or used to own the Eastman Agency in Utah. I'm almost positive Eastman Agency went bankrupt while in Utah.
I don't know too much about the modeling world; however, it may be of interest to those who want to know more about the background of individuals who work for Pulse Management.
Also, in reading the letters concering Pulse Management, I read Shayna Edwards is head of model development and Stacey Eastman is the manager who used to own Eastman Agency.
But who is the owner of Pulse Management? Or are they connected to another, larger corporation, management, or agency, and if so how can an aspiring modeling find this information?
When or where did you hear Eastman Agency went bankrupt? What is your source?
The BBB record for the Eastman Agency in Utah said it was closed, but it did not say it closed because the company went bankrupt.
On 04/27/00, the Eastman Agency informed the Bureau that they were closing. The company discontinued operation [in] May 2000.
More important than the success of Eastman Agency is the success of Pulse Management. How many models do they represent? How many models whom they represent have got work through Pulse? How many earned more than they paid ($1,700)?
Your insinuation that our company is listed with the BBB in order to "look legitimate" is ridiculous. On the BBB site, it states "the Bureau must have a clear understanding of the company's business and no concerns about its industry." A company and it's website are thoroughly checked out before being listed.
We are listed because we are legitimate. We have numerous track records with the top agencies around the globe, including Wilhelmina Models. I have attached their letter of recommendation, one from many companies across the globe. It does reference Stacey Eastman as his name has come up in your postings.
You asked why we do not specifically say that we are not a talent agency on our website or the BBB record. When they designed it, they obviously did not feel it necessary as it states we manage talent... not that we book talent. As far as how our site pulls up on search engines, I honestly don't know how that works. I assume it was our programmers doing and I will have to research and correct that. Thank you for bring that to my attention.
You are not making sense. You said: "A company and its website are thoroughly checked out before being listed." Then you said: "As far as how our site pulls up on search engines, I honestly don't know how that works. I assume it was our programmers doing, and I will have to research and correct that."
If the BBB had thoroughly checked your website, as you claim they do, why didn't they notice the website description, which is on the home page meta tags and a description that shows up in search engines says you are a "booking agency": "Pulse Management is a booking agency." That was the first thing people can see in Google.com; it was not the result of thorough research.
I am not saying or insinuating you are illegitimate; I was challenging your advertising, which you have acknowledged may need to be corrected.
The letter regarding the credentials of Mr. Eastman has been added for everyone to read.
You referred to the BBB and suggested they did not feel it was necessary to explain the difference between talent management and talent agency: "When they designed it, they obviously did not feel it necessary as it states we manage talent."
Firstly, there have been two aspiring models who have written and said they were confused about your company, and at least one of them did not know if you were a talent agency, and wondered if you were trying to look like a talent agency.
Secondly, the BBB does not always have a handle on these issues. I've seen incorrect classifications at different BBB chapters, and changes made to their classifications.
Thirdly, there are specific laws in the state of California regarding talent agencies, which are more important than the BBB, although the BBB should refer to them, especially since there are "agencies" which pretend to be talent agencies even though they do not have a talent agency license.
Beyond that, in the larger context, now there is a class action lawsuit by three law firms against the modeling agencies like the one you mentioned in New York, significantly because they allegedly tried to rename themselves as model/talent management instead of model/talent agency to bypass the laws of the state of New York, which limits the income of modeling agencies, because they are employment agencies, to a maximum of 10% commission.
This week my niece was approached by a woman who said she was with Wilhelmina. She gave a phone number to my niece to call Pulse Management.
My niece is excited and wants to believe every word. I am trying to find out if this is a legitimate company.
Mr. Eastman told her she should figure on updating her portfolio which would cost approximately $1,900.
She just had photos taken within the past couple months, but he said they are not good enough. He said she could get the shots taken anywhere, but if the photos are not good, she will be out the money and need to retake them.
However, if she goes through their recommendation, he will make sure the photos are good, and if they have to be retaken, there will not be an additional cost to her.
Also, they would need the contract signed and returned within 3 days.
1. Does the photo conversation sound legitimate?
2. Is three days to return a contract reasonable?
3. Is Shayna Edwards, Head of Model Development for Pulse Management, the same person as Ms. Shayna Eastman who is listed with the Better Business Bureau as President of Pulse Management?
There was a Shayna who wrote the site (surname Edwards). There is a Shayna who is listed at the BBB (surname Eastman). And there was a Shayna listed at the BBB for the company under its previous name (surname Leah). It is not a very common name, but you'll have to ask her to determine if they are one and the same person.
You said: "This week my niece was approached by a woman who said she was with Wilhelmina. She gave a phone number to my niece to call Pulse Management."
A previous email from Shayna included a letter from Wilhelmina with respect to Mr. Eastman. However, for anyone representing Pulse Management to represent they are "with Wilhelmina" seems to be a bit of a stretch.
Was your niece under the impression the scout is an employee of Wilhelmina? Is that not the impression anyone would get if they were told someone is "with" Wilhelmina?
In any case, the company represents to or through the BBB they are "Talent Consultants." At the time of writing this is the business classification on their BBB record, but their business model is not clear.
How are they making their money, is the question. You'll have to look into that. If they are not a talent agency, it is presumably not commissions.
The BBB description of the nature of their business was: "This company offers placement of artists with major talent and/or modeling agencies."
That makes them look like scouts. Since they appear to scout for a major modeling agency called Wilhelmina, or said they were "with Wilhelmina," you should contact Wilhelmina directly, and find out their policy in identifying new models and talent. Do you require $1,900 in a portfolios before they decide to represent new models?
Make no reference initially to Pulse, just ask how they operate. The thing that seems odd is top agencies in New York like Ford and Next do not ask aspiring models for portfolios or professional pictures to determine if they want to represent them. The Next president even said if they'll toss out professional pics to get Polaroids.
A previous comment from an aspiring model was: "I was told by several agencies that amount is outrageous." That was when it cost $1,700.
In a previous letter, Pulse Management said: "Indeed, we are not a Talent Agency as defined by the law. We do not book directly with the client."


Today I'd like to discuss one of the more common oral afflictions, and a fairly new, somewhat controversial way to treat it.
The affliction I am talking about is Temporomandibular Joint Syndrome, more commonly known as TMJ. TMJ is when the temporomandibular joint, which connects the mandible to the skull, becomes inflamed. TMJ has a variety of causes, from grinding ones teeth (Bruxism) to trauma to the jaw, to arthritis to several others. It can be acute or chronic, and can vary from nothing more than minor discomfort to life-altering pain (and everything in between).
Symptoms of TMJ range widely, and include, but are not limited to: biting, chewing difficulty/discomfort, facial/jaw pain, earache/headaches (typically occurring in the morning), a clicking or "popping" sound in the jaw, hearing loss, reduced mouth opening, migraines, and even neck and shoulder pain. So as you can see, this is a serious issue for those who have it. Who wants to go through life with constant headaches?
There are a variety of treatments available for TMJ -- some cases can be remedied by a simple mouth guard one wears at night, others may need some dental work, jaw surgery, or some people may need a variety of approaches until relief can be found. To be honest, TMJ is one of those afflictions that can be maddening, as it's oftentimes not obvious as to the cause (and therefore, the cure).
As a NYC Cosmetic Dentist, I certainly see my share of TMJ patients. Generally, my ability to address this concern is dental in nature. If I feel your dental work (or lack of), or your bite in general, is causing your TMJ, we'll go in that direction. I don't specialize in TMJ, so I am not up on every available treatment. But in reading about TMJ recently, one somewhat newer treatment caught my eye, and it interested me enough to mention it here. That "new" treatment is Botox®.
I know ... Botox? Really? Yes, really.
For those who don't know, Botox is a brand name for Botulinum toxin. Botulinum toxin is a protein that is produced from a particular bacterium, which causes muscle paralysis. This is how it is used for cosmetic procedures -- by paralyzing certain facial muscles, it can prevent wrinkles and the visual effects of aging. But the paralysis is temporary (generally 4-6 months), so further injections are needed several times a year to continue the effect. This is why people who get Botox treatments are always going back for more -- it's a never-ending process.
In recent times, however, Botox has been used to treat other medical afflictions, like Cervical dystonia (a neuromuscular disorder involving the head and neck), Blepharospasm (excessive blinking), Achalasia (failure of the lower oesophageal sphincter to relax) and others. So it definitely does have its uses.
Because of these other afflictions that Botox can be used for, it's only natural that it be looked at for other uses. And one of them is TMJ.
Because of the muscle-paralyzing properties of Botox, it is thought by some that it can be used for certain types of TMJ disorders (those that are more muscular in nature). By causing the affected muscles to relax, Botox can help relieve the clenching and stress put on the mandible by these muscles, bringing about relief.
Now, as I've mentioned above, Botox is temporary, so if one was going to look into Botox as a TMJ treatment, they must be prepared for a return visit, perhaps on a permanent basis. Also, Botox for TMJ treatment is an "off-label" treatment, meaning it is not FDA approved yet. This does not mean it doesn't work, but it does mean that more information will be needed before the FDA gives it a seal of approval. This also means it's likely not covered under your insurance.
So does it work? Can Botox treat TMJ? My personal answer is "I don't know for sure, but it looks promising." From everything I have read, it would appear that yes, Botox can be a viable treatment component for TMJ. There are enough success stories to convince me that at least there's some merit to the claims.
That said, I do not believe that Botox can ever be the only treatment used to help TMJ, but rather it be used as an adjunct with more traditional and proven methods. Remember what I mentioned earlier: Botox is a temporary solution and does not address the causes of TMJ. So it will always be a secondary method of treatment, but for a lot of people it can provide relief while the root cause is diagnosed.
However, I would be remiss if I did not mention the other side. There are possible side effects to Botox. They are generally minor, and include headache, droopy eyelids, nausea, and others - if you wish, you can check out the Botox side effects yourself here. The other interesting fact is these side effects seem to be more pronounced when Botox is used for medical purposes (as opposed to cosmetic purposes). Lastly, and this is rare, but there have been cases where a Botox injection has affected muscles other than the ones intended, and has produced botulism-type symptoms.
The above is primarily why Botox can be somewhat controversial. I want to present both sides and let you make up your own mind.
So where does that leave us? Well, the same place it does with any "new" treatment for an old affliction. There's plenty of information out there both pro and con, and I encourage you to look it up. Again, the jury is still out, but I do have to say, it looks promising.


With the release of the Microsoft security bulletins for December 2012, Company flag total 7 updates for Windows users, where one is rated as critical that could lead to remote code execution, where as other two are rated as important which fix flaws that could result in the operating system's security features being bypassed.
All of the IE fixes involve use-after-free memory vulnerabilities. Where as kernel level exploits bundled into mass-exploitation kits is like Blackhole.
Also Fonts can also be used as a potential attack vector, as this Patch Tuesday reveals. A pair of critical font parsing vulnerabilities are being patched this month, one for OpenType and the other for TrueType fonts.
MS12-077 – All versions of Internet Explorer are affected. This security update resolves three privately reported vulnerabilities in Internet Explorer. The most severe vulnerabilities could allow remote code execution if a user views a specially crafted webpage using Internet Explorer. An attacker who successfully exploited these vulnerabilities could gain the same user rights as the current user. Users whose accounts are configured to have fewer user rights on the system could be less impacted than users who operate with administrative user rights.
MS12-078 - Vulnerabilities in Windows Kernel-Mode Drivers Could Allow Remote Code Execution. This security update resolves one publicly disclosed vulnerability and one privately reported vulnerability in Microsoft Windows. The more severe of these vulnerabilities could allow remote code execution if a user opens a specially crafted document or visits a malicious webpage that embeds TrueType or OpenType font files. An attacker would have to convince users to visit the website, typically by getting them to click a link in an email message that takes them to the attacker's website.
MS12-079 - Vulnerability in Microsoft Word Could Allow Remote Code Execution. This security update resolves a privately reported vulnerability in Microsoft Office. The vulnerability could allow remote code execution if a user opens a specially crafted RTF file using an affected version of Microsoft Office software, or previews or opens a specially crafted RTF email message in Outlook while using Microsoft Word as the email viewer. An attacker who successfully exploited the vulnerability could gain the same user rights as the current user. Users whose accounts are configured to have fewer user rights on the system could be less impacted than users who operate with administrative user rights.
MS12-080 - Vulnerabilities in Microsoft Exchange Server Could Allow Remote Code Execution. This security update resolves publicly disclosed vulnerabilities and one privately reported vulnerability in Microsoft Exchange Server. The most severe vulnerabilities are in Microsoft Exchange Server WebReady Document Viewing and could allow remote code execution in the security context of the transcoding service on the Exchange server if a user previews a specially crafted file using Outlook Web App (OWA). The transcoding service in Exchange that is used for WebReady Document Viewing is running in the LocalService account. The LocalService account has minimum privileges on the local computer and presents anonymous credentials on the network.
MS12-081 - Vulnerability in Windows File Handling Component Could Allow Remote Code Execution. This security update resolves a privately reported vulnerability in Microsoft Windows. The vulnerability could allow remote code execution if a user browses to a folder that contains a file or subfolder with a specially crafted name. An attacker who successfully exploited this vulnerability could gain the same user rights as the current user. Users whose accounts are configured to have fewer user rights on the system could be less impacted than users who operate with administrative user rights.
MS12-082 - Vulnerability in DirectPlay Could Allow Remote Code Execution. This security update resolves a privately reported vulnerability in Microsoft Windows. The vulnerability could allow remote code execution if an attacker convinces a user to view a specially crafted Office document with embedded content. An attacker who successfully exploits this vulnerability could gain the same user rights as the current user. Users whose accounts are configured to have fewer user rights on the system could be less impacted than users who operate with administrative user rights.
MS12-083 Vulnerability in IP-HTTPS Component Could Allow Security Feature Bypass. This security update resolves a privately reported vulnerability in Microsoft Windows. The vulnerability could allow security feature bypass if an attacker presents a revoked certificate to an IP-HTTPS server commonly used in Microsoft DirectAccess deployments. To exploit the vulnerability, an attacker must use a certificate issued from the domain for IP-HTTPS server authentication. Logging on to a system inside the organization would still require system or domain credentials.


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Q: Cannot init constructor in xamarin bindings I'm trying to create an object of the class i mapped.
  [BaseType(typeof(NSObject))]
  interface LibClass
  {
    // @property (readonly) NSString * key;
    [Export("key")]
    string Key { get; }

    // @property (readonly) NSArray * blockNames;
    [Export("blockNames")]
    //[Verify (StronglyTypedNSArray)] //TODO: Verify
    NSObject[] BlockNames { get; }
  }

But code new LibClass(); throws exception: NSInternalInconsistencyException Reason: -init is not a valid initializer for the class LibClass.
This is code of generated constructor
 [CompilerGenerated]
 [EditorBrowsable (EditorBrowsableState.Advanced)]
 [Export ("init")]
 public LibClass () : base (NSObjectFlag.Empty)
 {
   IsDirectBinding = GetType ().Assembly == global::ApiDefinition.Messaging.this_assembly;
   if (IsDirectBinding) {
     InitializeHandle (global::ApiDefinition.Messaging.IntPtr_objc_msgSend (this.Handle, global::ObjCRuntime.Selector.GetHandle ("init")), "init");
   } else {
     InitializeHandle (global::ApiDefinition.Messaging.IntPtr_objc_msgSendSuper (this.SuperHandle, global::ObjCRuntime.Selector.GetHandle ("init")), "init");
   }
 }

redpajama_set_name: RedPajamaStackExchange


Paru le 7 décembre 2018 chez Cash Money Records Inc.
Miguel Scott, Mixer, Recording Engineer, StudioPersonnel - Jacquees, MainArtist - Dej Loaf, MainArtist - Rodriquez Broadnax, ComposerLyricist - W$Kharri, Producer - Deja Monet Tremble, ComposerLyricist - Kharri Eugene Hunter, ComposerLyricist Copyright : ℗ 2018 Cash Money Records Inc.
Bryan Williams, ComposerLyricist - Fatboi, Producer, Mixer, StudioPersonnel - Birdman, MainArtist - Ladamon Douglas, ComposerLyricist - YoungBoy Never Broke Again, FeaturedArtist - Kentrell DeSean Gaulden, ComposerLyricist Copyright : ℗ 2018 Cash Money Records Inc.
Young Thug, MainArtist - TM88, Producer - Jeffery Williams, ComposerLyricist - Sean Buchanan, Asst. Recording Engineer, StudioPersonnel - Wesley Glass, ComposerLyricist - Wheezy, Producer - Scott Crawford Jr., Assistant Mixer, StudioPersonnel - Bryan Lamar Simmons, ComposerLyricist - Fareed "Rip" Salamah, Mixer, Recording Engineer, StudioPersonnel Copyright : ℗ 2018 Cash Money Records Inc.
Bryan Williams, ComposerLyricist - Lukasz Gottwald, ComposerLyricist - Detail, Producer, Mixer, StudioPersonnel - Noel Fisher, ComposerLyricist - Birdman, MainArtist - Kodak Black, FeaturedArtist - Brandon Hamlin, Producer, ComposerLyricist - Dieuson Octave, ComposerLyricist Copyright : ℗ 2018 Cash Money Records Inc.
Buddah Bless, Producer - Migos, MainArtist - Quavious Marshall, ComposerLyricist - Kiari Cephus, ComposerLyricist - Kirshnik Ball, ComposerLyricist - Jamal Berry, Assistant Mixer, StudioPersonnel - Fareed "Rip" Salamah, Mixer, StudioPersonnel Copyright : ℗ 2018 Cash Money Records Inc.
Jacquees, MainArtist - Rodriquez Broadnax, ComposerLyricist - Daniel Lebrun, Composer - YoungBoy Never Broke Again, MainArtist - Fareed "Rip" Salamah, Mixer, Recording Engineer, StudioPersonnel - DRoc, Producer - Super Earz, Producer - Damas Petit, Composer - 17ondatrack, Producer - Sven Rafael Steenbergen, Composer Copyright : ℗ 2018 Cash Money Records Inc.
Bryan Williams, ComposerLyricist - Byron Thomas, ComposerLyricist - Mannie Fresh, Producer, MainArtist - Birdman, MainArtist - Fabian Marasciullo, Mixer, StudioPersonnel Copyright : ℗ 2018 Cash Money Records Inc.
amp, MainArtist - Jamal Berry, Assistant Mixer, StudioPersonnel - Fareed "Rip" Salamah, Mixer, StudioPersonnel - Ice Starr Beats, Producer - Dwayne Davis, ComposerLyricist - Joshua Bauman, ComposerLyricist Copyright : ℗ 2018 Cash Money Records Inc.
Young Greatness, MainArtist - Theodore Jones, ComposerLyricist - Hershey Blakk, Mixer, StudioPersonnel - Daniel Lebrun, ComposerLyricist - DRoc, Producer - Super Earz, Producer - Damas Petit, ComposerLyricist - Josh Harbin, Recording Engineer, StudioPersonnel Copyright : ℗ 2018 Cash Money Records Inc.
Gucci Mane, MainArtist, ComposerLyricist - Zaytoven, Producer - Scott Crawford Jr., Assistant Mixer, StudioPersonnel - Sean Paine, Recording Engineer, StudioPersonnel - Xavier L. Dotson, ComposerLyricist - Fareed "Rip" Salamah, Mixer, StudioPersonnel Copyright : ℗ 2018 Cash Money Records Inc.
Mike, Recording Engineer, StudioPersonnel - Mr Smith, Producer - Christopher Jones, ComposerLyricist - Rodriquez Broadnax, ComposerLyricist - Fareed "Rip" Salamah, Mixer, StudioPersonnel - FYB, MainArtist - Aderemi Quincy Osinowo, ComposerLyricist - King Issa, ComposerLyricist - Durante Cosby, ComposerLyricist Copyright : ℗ 2018 Cash Money Records Inc.
Derez Lenard, ComposerLyricist - London Holmes, ComposerLyricist - Jacquees, MainArtist - London On Da Track, Producer - Rodriquez Broadnax, ComposerLyricist - Derez Deshon, MainArtist Copyright : ℗ 2018 Cash Money Records Inc.
Calvin Broadus, ComposerLyricist - Bryan Williams, ComposerLyricist - Snoop Dogg, MainArtist - Birdman, MainArtist - Jacquees, MainArtist - Sean Buchanan, Asst. Recording Engineer, StudioPersonnel - Kyrill Bozhko, Recording Engineer, StudioPersonnel - Scott Crawford Jr., Assistant Mixer, StudioPersonnel - Rodriquez Broadnax, ComposerLyricist - The Olympicks, Producer, ComposerLyricist - Fareed "Rip" Salamah, Mixer, Recording Engineer, StudioPersonnel Copyright : ℗ 2018 Cash Money Records Inc.
Daniel Lebrun, Composer - Neno Calvin, MainArtist - Jamal Berry, Assistant Mixer, StudioPersonnel - Fareed "Rip" Salamah, Mixer, StudioPersonnel - DRoc, Producer - Super Earz, Producer - Naquan Reese, Recording Engineer, StudioPersonnel - Emanuel Calvin, ComposerLyricist Copyright : ℗ 2018 Cash Money Records Inc.
Turk, MainArtist - Daniel Lebrun, Composer - Jamal Berry, Assistant Mixer, StudioPersonnel - DRoc, Producer - Super Earz, Producer - Damas Petit, Composer - 17ondatrack, Producer - Tab Virgil Jr., ComposerLyricist Copyright : ℗ 2018 Cash Money Records Inc.
Ralo, MainArtist - Kyrill Bozhko, Mixer, StudioPersonnel - Terrell Davis, ComposerLyricist - Deundraeus Portis, Producer, ComposerLyricist Copyright : ℗ 2018 Cash Money Records Inc.
Richie Souf, Producer - Kyrill Bozhko, Recording Engineer, StudioPersonnel - Scott Crawford Jr., Assistant Mixer, StudioPersonnel - Mandell Strawter, ComposerLyricist - Robb Banks, MainArtist - Fareed "Rip" Salamah, Mixer, StudioPersonnel - Richard Burell, ComposerLyricist Copyright : ℗ 2018 Cash Money Records Inc.
Label : Cash Money Records Inc.
© © 2018 Cash Money Records Inc.
℗ 2018 Cash Money Records Inc.