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Fundraisers, community volunteer days, holiday events, etc., opportunities where volunteers can sign up and assist your organization without a recurring commitment. What would your organization do if you had two extra hands in the office? Let us know what tasks a volunteer could help with on a weekly or monthly basis, and we will try to find the right fit. If your nonprofit has facilities needs, organizational tasks, or other work that could get done on a flexibly-scheduled basis by a group, contact our team so we can include them in proposals.
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I have shared a list in excel format which you can download it as a pdf or xls/excel sheet by clicking the link. Its a free download and open link for all. You don't need to request permission from me. The quantity I have given would come for 1-2 months for a pucca South Indian family of 2 adults, 2 kids. North Indians, please adjust the quantity of rice and atta as per your need. Bachelors, do reduce the quantity by half. Do follow this list for the first month and based on your need & usage, you can alter it. I have also shared some images for the list separately. U can save it in your mobile and cross check the ingredients while you purchase. I hope this list would be useful to you all. Do leave a message if u feel i had left anything important. I will include it. Also leave your feedback in the comment section if this list helps you. I would be more happy to know it.Thanks. Please click on the image below to view the excel sheet. Please click the text below for dowloadable PDF.
Indian,Monthly A-Z grocery list for 2 persons..
My mom always starts the list with turmeric powder,sugar & jaggery sentimentally. So I too follow the same.
I have shared separate images for groceries, pooja items, toiletries and miscellaneous items. Right click and save the respective images. Here I have given the quantity of rice more than wheat as I had focussed south indians. North Indians, please exchange the quantities of rice and wheat as per your requirement.
Please give credit for this blog if you are using these images elsewhere. Thanks for understanding.Click this link to download the grocery list in Excel format or PDF. You don't have to get access permission from me.
Check out my Kitchen Utensils & tools list and Kitchen appliances list for setting up a new kitchen.
Hope you find this post useful. Please leave a message in the comment box if I have left anything important in the list. Thanks !
Oh my dear CHithra, You are awesome, you saved my stress and time. These grocery list are extremely helpful. Thanks a ton.
and money it will save for all of us. Once again thanks for ur time and hardwork.
Thanks a lot for sharing this post Chitra. This list would be a saviour for many of us.
Yes Its missing in the list. I will update it.
Thank you so much. You made my day. :) New to US and i didn't know what to shop for in the grocery store. Now I have it. Tada!
Sorry, budget cannot be given as the rates keep changing.


text:
Vicki Ray
Described as "phenomenal and fearless," Grammy nominated pianist Vicki Ray is a leading interpreter of contemporary piano music. Known for thoughtful and innovative programming which seeks to redefine the piano recital in the 21st century, Vicki's concerts often include electronics, video, recitation and improvisation. As noted by Alan Rich, "Vicki plans programs with a knack for marvelous freeform artistry…what she draws from her piano always relates in wondrous ways to the senses." As a founding member of Piano Spheres, an acclaimed series dedicated to exploring the less familiar realms of the solo piano repertoire, her playing has been hailed by the Los Angeles Times for "displaying that kind of musical thoroughness and technical panache that puts a composer's thoughts directly before the listener."
As a pianist who excels in a wide range of styles Vicki Ray's numerous recordings cover everything from the premiere release of the Reich You Are Variations to the semi-improvised structures of Wadada Leo Smith, from the elegant serialism of Mel Powell to the austere beauty of Morton Feldman's Crippled Symmetries. Recent releases include David Rosenboom's Twilight Language on Tzadik Records and Feldman's Piano and String Quartet with the Eclipse Quartet on Bridge Records. Her 2013 recording of Cage's The Ten Thousand Things on the Microfest label was nominated for a Grammy.
Ms. Ray's work as a collaborative artist has been extremely diverse and colorful. She was the keyboardist in the California E.A.R. Unit and Xtet. Her chamber music contributions to the vibrant musical life in greater Los Angeles include frequent performances on the Dilijan, Jacaranda and Green Umbrella Series. She performs regularly on the venerable Monday Evening Concert series and was featured in Grisey's Vortex Temporum on the 2006 celebration of the re-birth of the series. Vicki has been heard in major solo roles with the Los Angeles Philharmonic, the Los Angeles Master Chorale, the San Francisco Contemporary Music Players, the German ensemble Compania, and the Blue Rider Ensemble of Toronto, with whom she made the first Canadian recording of Pierrot Lunaire.
She is currently head of the piano department at the California Institute of the Arts, where she has been on the faculty since 1991. In 2010 she was awarded the first Hal Blaine Chair in Music Performance. For the past eight years she has served on the faculty at the Bang on a Can summer festival at the Massachusetts Museum of Contemporary Art.
For current information on upcoming concerts please go to vickiray.net/concerts
Vicki Ray is a Steinway Artist

redpajama_set_name: RedPajamaCommonCrawl


text:
Woman slashes 10-year-old boy after he answers the door: cops
Tina Moore,
Social Links for Tina Moore
C.J. Sullivan and
Social Links for C.J. Sullivan
Jesse O'Neill
Social Links for Jesse O'Neill
November 29, 2020 11:55am
More On: slashings
Man, 28, randomly slashes teen with scissors in Penn Station: cops
Vagrant masturbates near woman outside Penn Station, slashes her husband: cops
NYPD hunts man caught on camera slashing woman in NYC apartment building
Unhinged teen robs child at knifepoint in Queens middle school, attacks man
The woman who slashed a 10-year-old Manhattan boy in his own apartment was looking for the child's father, police sources said Sunday.
Police have identified the suspect as a 46-year-old woman who had a relationship with the victim's father, sources say.
She remains on the loose after slashing the boy after he opened the door to his Upper West Side apartment in the Frederick Douglass Houses on West 104th Street on Saturday afternoon.
The young victim was taken to Mt. Sinai Hospital.
Investigators say he answered a knock on the door yesterday around 2:30 p.m. and told the suspect his father was not home.
"He says no and she grabs him and cuts his face with a razor," police told The Post.
The boy is seen bandaged up after the slashing.Robert Miller
Neighbors in the building were tight-lipped Sunday afternoon, but seemed to be familiar with the attacker.
"No one's gonna talk to you until she's arrested, she's crazy," one neighbor said.
Police say they hope to track down the slashing suspect and make an arrest soon.
slashings
Read Next Stewardess allegedly offers 'adult entertainment' during f...


Almost a million people have already cast their vote ahead of this Saturday's state election.
But if you are still unsure of who gets yours- play our blind policy game.
We break down policies in eight key portfolios — health, education, transport, law and order, development, sport, energy and the arts.
NSW Electoral Commissioner John Schmidt said he expects early voting likely to peak on Friday, with early voting centres open until 6pm.
"To date, a total of 845,779 people have taken up early voting," Mr Schmidt said.
"This includes 670,998 people who have voted in person at 194 early voting centres around the State.
Voting centres on election day are open from 8am — 6pm, with 2,207 voting centres around NSW.
Originally published as Play our election game: Who gets your vote?


text:
Q: Parsing date in Mon, DD, YYYY format using RegEx in R I am attempting to parse a date from a string of text. I'm assuming the best way to do this is regex, but I haven't quite found a solution that works.
First, I used a CSS selector to grab a date from a website.
date <-html_nodes(x=doc, css=".middleheadline+ .topnewsbar b") %>% html_text()

This produces:
[1] "\r\n        Washington,\r\n        Jan 5, 2011"

I want to extract the date itself (here, Jan 5, 2011) from this string. NOTE: the month can be any month, the date can be any date, and the year can be anything from 2011-2015, so I'm trying to find an expression that can generally parse a date in the Mon D[D], YYYY format.
Here's one attempt:
date <-str_extract_all(string=date, pattern='[A-Z][a-z]{3,4} ([0-9]{1,2}), [0-9]{4}')

This produces character(0)
And another:
grep("[A-Z][a-z]{3,4} ([0-9]{1,2}), [0-9]{4}", date, value=TRUE)

which also produces character(0)
Any tips?

A: You may also try strsplit().  Sometimes I prefer it over a mind-numbing regular expression.
test <- c("\r\n        Washington,\r\n        Jan 5, 2011",
    "\r\n        Boston,\r\n        Mar 15, 2015")

vapply(strsplit(test, ".*\n\\s+"), "[", "", 2)
# [1] "Jan 5, 2011"  "Mar 15, 2015"

as.Date(vapply(strsplit(test, ".*\n\\s+"), "[", "", 2), "%b %d, %Y")
# [1] "2011-01-05" "2015-03-15"

A: You could try this:
date <-str_extract_all(string=date, pattern='\\w+\\s\\d+(st)?(nd)?(rd)?(th)?,\\s+\\d+')

HERE test link.

A: A function to convert the dates:
make_dates <- function(x, date_format=TRUE, split="\n") {
  dates <- lapply(strsplit(x, split), function(x) {
    grep("\\w+ \\d+, \\d+", x, value=T)})

  if(date_format) {
    strptime(gsub("\\s", "", dates), format="%b%d,%Y")
  } else { gsub(".*?(\\w.*)", "\\1", dates)}
}

test <- c("\r\n        Washington,\r\n        Jan 5, 2011",
       "\r\n        Boston,\r\n        Mar 15, 2015")

make_dates(test)
#[1] "2011-01-05 EST" "2015-03-15 EDT"
make_dates(test, FALSE)
#[1] "Jan 5, 2011"  "Mar 15, 2015"

A: Here is a regex that will return a date in a string in a variety of MDY formats, with a variety of separators.  Be sure to set the case insensitve option in your procedure.
It does some rudimentary error checking, but it will allow two digit years; and would also allow a date such as Feb 31, 2015
\b((?:jan|feb|mar|apr|may|jun|jul|aug|sep|oct|nov|dec)[a-z]*|(?:0?[1-9]|1[0-2]))(?:\s*([- /.])\s*)(?:(0?[1-9]|[12]\d|3[01])(?:st|nd|rd|th)?),?\2((?:19|2\d)?\d{2})\b

A: I think this would suffice:
[A-Z][a-z]{2} \d{1,2}, 201[1-4]

Demo: https://regex101.com/r/eW3jV6/1
What month's abbreviation is 5 or 4 characters long? Your regex is failing because you have [A-Z][a-z]{3,4} which says an uppercase alpha character followed by three or four lowercase alpha characters. I'm unfamiliar with a month that has a 5 character abbreviation.
Your string Jan is 3 characters long but only 2 of those characters are lowercase.
Demo of your current regex: https://regex101.com/r/bJ6gT3/1
If there is a possibility of multiple spaces between the month and day and/or year add in \h+; or if there can be no spaces make it \h*.

redpajama_set_name: RedPajamaStackExchange


text:
class CreateProseAssets < ActiveRecord::Migration
  def change
    create_table :prose_assets do |t|
      t.string :name
      t.text :content

      t.timestamps null: false
    end
  end
end

redpajama_set_name: RedPajamaGithub


Hena Daniels is a well-known journalist working as a National Correspondent for CBS News based in New York. Daniels is a former employee of WFSB-TV media service where she worked for the Eyewitness News team as a general assignment reporter.
As a famed journalist, Daniels is surely earning a relishing amount as her net worth through her career. Besides, her professional expedition, she is living a blissful married life with her husband Andrew Doba. Scroll down to know more regarding her bio, career, salary and so on.
Being a renowned journalist, Hena Daniels is reportedly accumulating a considerable amount of net worth from her career in media. As of 2019, the estimated net worth of Daniels' is reportedly around $2.5 million. She has worked in several media channels receiving a decent amount as her salary.
The average salary that a reporter and an anchor obtain from CBS News is ranged between $68,113-$74,218 annually excluding incentives and bonuses. Daniels spent her two years at CBS Atlanta, where she worked as a reporter and a deputized anchor. She has supposedly earned an appreciable salary for occupying years in the network alike Alicia Roberts.
A perfect match is made in heaven. It's a quite acceptable proverb which suits and carries more sensation while looking at Hena Daniels' relationship with her husband Andrew Doba.
Hena is married to Andrew Doba since 2016. Andrew is a specialized person in media strategy and crisis communications who served at Stu Loeser, a strategic communication firm in Manhattan.
Daniels and Andrew first met in December 2013 on a political show at WFSB hosted by Hena where Andrew appeared as a guest. Subsequently, they were enchanted by one another and started a romantic journey.
After dating for a couple of years, the romantic couple exchanged their wedding vows on 23rd January 2016. The ceremony took place at the Society Room of Hartford, an event space in Hartford.
Prior to that, Hena and Andrew both have experienced failure in their first marriage which means they are divorced. However, the details about their previous spouse are kept secret but Andrew has a child, a son, Henry from his past marriage.
Nevertheless, their second marriage is running smoothly without any news and affairs of separation.
Despite having a caring husband, Daniels is also close to Ray Villeda, a reporter of NBC New York with whom she quite shares fellow feelings. Daniels also considers him as a great supportive friend.
Hena Daniels was born on 4th December 1977, in Queens, New York to mother, Tahmina Faraz, and father, Agha M. Zulfiquar. As per her nationality, she is American and belongs to Mixed ethnicity. Further, her star sign is Sagittarius.
There is no information on her early childhood and siblings but, the picture of the father was posted on Instagram by her on a special day of Father's day.
Talking about her educational background, after completing her high school, Daniels attended the University of Buffalo, where she earned a bachelor degree in English and Psychology.
Hena began her journalism career joining WWTI-TV in Watertown, New York as a one-person band reporter. Later on, she moved to WTOC-TV working as a regular reporter in Savannah, Georgia.
Afterward, Hena worked as a general assignment reporter for WFSB-TV broadcast, Eyewitness News in October 2005. Eventually, after three years she was promoted to weekend anchor for the channel.
Glancing her broadcasting career growth, Hena joined WFSB in Hartford, Connecticut where she covered 11 pm news telecast and transferred to CBS network covering many stories. She covered President Trump, addresses the General Assembly at the United Nations on 26th September 2018.
As an influential journalist from Pakistan, at the ages of 32 and 33, she was awarded the Hartford Magazine's Best Reporter for two times.


While I have been grateful for my Civil Service employment at City Hall for the past twenty-three years, I am also looking forward to my retirement in May of 2011. Could I be coaxed back to City Hall to work in an appointed position by a mayor I support? Perhaps. However, my plans right now are to get back to my many creative pursuits, which have been somewhat on hold during the stressful four-year period of my present position at City Hall.
Now that it is perfectly clear that I am not running for Mayor of the City of Rochester, this is not to say that I don't have ideas for the City's future. I will briefly outline these ideas, based partly on the fact that I am both a fiscal conservative and a social liberal. Therefore, if I were a candidate for Mayor, I would be pushing for drastic cuts in wasteful spending, while at the same time, preserving vital services that are expected from taxpayers.
In the context of my twenty-three years at City Hall, I have seen from the ground up how money is spent. Especially over the course of the past four years, my present position as the City's Accounts Payable Supervisor has allowed me to view documents that have been the springboard for multi-million-dollar expenditures.
I have openly questioned (often to deaf ears) why the City of Rochester is spending literally millions of dollars each year on consultant fees. After all, isn't there enough talent within the ranks of City employees to make decisions that are often a matter of common sense? Do we need to pay a consultant $10,000.00 to determine whether or not a proposal is a good idea? Do we need to pay a consultant to determine whether or not departmental consolidations make sense? Do we need to pay a consultant to determine whether or not a youth intervention program makes sense? In short, one consultant fee after another has cost taxpayers countless millions.
In conjunction with consultant fees, I oversee much of the paperwork associated with the City's professional service agreements. It is fair to say that the City engages in professional service agreements with just about every outside entity imaginable, again costing taxpayers countless millions. While it is certainly important to provide City business to private vendors whenever possible, the City must also continue to look within, to see how much in taxpayer revenue can be saved by allowing City employees to perform functions that are solicited elsewhere at great cost.
I have long questioned the manner in which public works projects are put out for bid. If all legal requirements are met, it is quite common to award contracts to the lowest bidders on such projects. However, the lowest bid quickly escalates to huge dollars after 'change orders' are submitted by contractors awarded the contracts. Fortunately, my complaints on this matter have received an ear and perhaps methodologies will change.
When I ran for public office in 1983, I supported a proposal to merge the City of Rochester's Police Department with the Monroe County Sheriff's Department, which would have created a metro police force. There was widespread support for this proposal, resulting in a voter referendum. Unfortunately, the proposal was rejected. (City residents overwhelmingly supported it; County residents rejected it by a narrow majority.) I think that given the current tight budget that exists at both the City and County levels, it is perhaps time again to consider a police consolidation plan.
As with any government entity, schools swallow up a huge chunk of budget allocations. In Monroe County alone, we have multiple school districts, inclusive of the Rochester City School District. I therefore have to pose a simple question: Does a metro school system make sense, given today's financial realities? It is certainly an idea worthy of some dialogue.
On a weekly basis, I see hundreds of taxpayers standing in line at City Hall to either pay bills or fees. The same scenario plays out on a weekly basis at the Monroe County Office Building. A simple question: Why not consolidate the City and County clerk's offices? It would amount to one-stop shopping and paying for taxpayers.
Downtown Rochester is in the process of undergoing major structural change. I would certainly like to see the downtown district return to the glory of yesteryear. The New York City Times Square district is a perfect example of what can be accomplished with proper planning, combined with enhanced public safety considerations. For example, during a recent visit to the heart of New York City, I never felt endangered, due in large part to the large presence of police officers at every intersection. This will be key to the success of downtown Rochester. People want to feel that it is safe to venture downtown in the evening. Therefore, as plans continue to enhance entertainment and business venues, public safety must be a primary factor if downtown is to come alive with prosperity.
As with any major municipality, most violent crimes occur at the hands of youth and young adults. I fully support any programs that deter such violent activity. However, any initiatives must begin at home. Therefore, any taxpayer funds spent on deterring crime must also be targeted toward parenting skills that will help our youth grow to become responsible adults. I have no magic solution on this topic. The City of Rochester has made great strides toward combating crime and addresses root causes. However, more must be done, whereby the dialogue must continue between youth, parents, schools, police, professional counselors, religious communities and advocacy networks.
I have provided what amounts to a very brief blueprint for the City of Rochester. I want to wish Mayor Robert Duffy well as begins his new post as Lieutenant Governor of the State of New York in January. He has done a superb job as Mayor and his shoes will be hard to fill. He has selected Tom Richards as Rochester's new Deputy Mayor, and the expectation is that Tom will take over as interim Mayor at the appointed time. Tom will do a great job, and whether or not he decides to actually run for the office at the time of the next election is an open question. In the meantime, I hope that Democratic committees will consider Molly Clifford as well. She has enormous talent and should be given every consideration.
As I go about the business of planning for my retirement from my long-time position at City Hall, I will pray that the City of Rochester continues to thrive as one of America's finest cities.
Molly Clifford announced today that she will not be a candidate in the special mayoral election in March. I was prepared to support her candidacy and then perhaps seek a position in her administration. However, I have no doubt that Tom Richards will do a spectacular job after winning the special election (victory is assured). My hope is that he will appoint Molly Clifford as Deputy Mayor. They would be a dynamic team.


text:
const NSErrorDomain SampleGraphErrorDomain = (NSErrorDomain)(@"SampleGraphErrorDomain");

@implementation SampleGraphRequest
{
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}

+ (NSURL *)graphURLWithPath:(NSString *)path
{
    NSString *urlString = [NSString stringWithFormat:@"https://graph.microsoft.com/beta/%@", path];
    return [NSURL URLWithString:urlString];
}

+ (instancetype)requestWithToken:(NSString *)token
{
    SampleGraphRequest *req = [self new];
    req->_token = token;
    return req;
}

- (void)getData:(NSString *)path completionHandler:(void (^)(NSData *, NSError *))completionBlock
{
    NSMutableURLRequest *urlRequest = [NSMutableURLRequest new];
    urlRequest.URL = [SampleGraphRequest graphURLWithPath:path];
    urlRequest.HTTPMethod = @"GET";
    urlRequest.allHTTPHeaderFields = @{ @"Authorization" : [NSString stringWithFormat:@"Bearer %@", _token] };

    NSURLSession *session = [NSURLSession sharedSession];

    NSURLSessionDataTask *task =
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DENVER -- The Colorado House Health and Insurance Committee voted in favor early Tuesday morning on a bill that aims at increasing vaccination rates in Colorado.
The 7-4 vote happened after 14 hours of testimony at the Colorado State Capitol.
HB19-1312 would create a standardized exemption form and require parents to make an in-person visit to their local health department to get a signature on a waiver form.
Supporters hope to make it easier to get a vaccine than to get an exemption.
People against it say the bill is too vague and takes away a parent's right to decide what is best for their kids.
"What this bill does is it is trying to make the decision making process out of the hands or parents and doctors and into the hands of the state," said Phil Silberman, the president of the Colorado Health Choice Alliance Board. "I find that really problematic."
Currently, Colorado has one of the lowest vaccination rates in the country.
According to the CDC, less than 89 percent of kindergarten-aged children in Colorado have received vaccines for diseases like measles, mumps and rubella. Colorado ranks last in country in this category.


text:
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Home https://server7.kproxy.com/servlet/redirect.srv/sruj/smyrwpoii/p2/ Entertainment https://server7.kproxy.com/servlet/redirect.srv/sruj/smyrwpoii/p2/ Netflix 'The Crown' should be labeled as 'fiction', says British Culture Minister
Netflix 'The Crown' should be labeled as 'fiction', says British Culture Minister
Entertainment 1 Views
Season 4 of ̵
6;The Crown' has sparked the most debate and headlines. (Netflix)
Britain's Culture Minister is convinced that the royal drama "The Crown" is a fiction.
Cultural Secretary Oliver Dowden told the newspaper Mail on Sunday that the hit series on Netflix should include a disclaimer amid criticism of the historic liberties taken about the real British royal family.
"It's a beautifully produced fiction," he explained to the outlet. "As with other TV productions, Netflix needs to be very clear in the beginning, that's exactly it. Without this, I am afraid that a generation of viewers who have not reviewed these events may fail fiction for fact.
Dowden is expected to write to Netflix this week to express his views. The streaming service did not immediately respond to a request for comment from the Associated Press. However, a spokesman pointed out to The Hollywood Reporter that it had already been reported that "The Crown" is a drama based on actual events.
THE WIDOW 'HORRIBLE' THAT 'THE CROWN' WORKS Her husband's death in season 4
Josh O'Connor and Emma Corrin play as Prince Charles and Princess Diana in 'The Crown'.
(Netflix)
The show, which premiered in 2016, tracks Queen Elizabeth II, 94, which began in 1952. While "The Crown" has been dissected over the years for its dramatic interpretations of the royal family, season 4 has sparked most debates and headlines. so far.
The current season, which takes place in the 80s, focuses on the widely publicized marriage between Prince Charles and Princess Diana as well as the Conservative Prime Minister Margaret Thatcher's 11-year term, which transformed and divided Britain.
Diana died in 1997 at the age of 36 due to injuries she sustained in a car accident in Paris. Thatcher died in 2013 at the age of 87.
The troubled relationship between Charles and Diana, played by Josh O'Connor and Emma Corrin, is a big story in the series. Former Royal Press Secretary Dickie Arbiter has called "The Crown" a "hatchet job" on Charles, 72, who is heir to the British throne as well as Diana.
QUEEN ELIZABETH II, PRINCE PHILIP ERRORS 73rd ANNIVERSARY WITH SPECIAL CARD FROM BIG BANDS
Gillian Anderson plays Conservative Prime Minister Margaret Thatcher in 'The Crown'.
Arbiter has also accused the series of "extending dramatic licenses to the extreme," the Hollywood Reporter shared.
Charles and Diana divorced in 1996, a year before her death. The Prince remarried in 2005 to Camilla Parker Bowles, now the Duchess of Cornwall. Arbiter told the BBC that "The Crown" has portrayed Charles and Camilla, 73, as "villains".
Diana's brother, Charles Spencer, has also said the show should have a message that "this is not true, but it is based on some real events."
"I'm worried that people think this is the gospel and it's unfair," the 56-year-old TV station told ITV.
MICHAEL J. FOX REFLECTS SITTING AT PRINCESS DIANA AT 'BACK TO THE FUTURE' PREMIERE
Emerald Fennell plays Camilla Parker Bowles in 'The Crown'.
Some conservatives have also criticized the program's portrayal of Thatcher, played by Gillian Anderson. Britain's first female prime minister is portrayed as a clash with Olivia Colman's Elizabeth to an extent that some say is exaggerated.
The creator of "The Crown" Peter Morgan, whose work also includes recent dramas "The Queen" and "Frost / Nixon", has defended his work, saying it is thoroughly researched and true in spirit.
In a 2017 discussion of "The Crown," Morgan said, "sometimes you have to give up accuracy, but you never have to give up the truth."
Steven Fielding, a professor of political history at the University of Nottingham, said the proposal that "The Crown" bears a disclaimer was "reasonable and yet meaningless."
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1. Power cycle the Sensibo Sky device.
2. While the Sensibo device is connected to the power, reset it by inserting a paperclip into the little hole on the device's side.
3. Open the WiFi settings and search for a network named 'SENSIBO-I-XXXXX' where the X is some number.
4. Connect to the SENSIBO-I-XXXXX network.
**Please note that if you do not see the screen below, skip to step 9.
6. Click on the 'Configure WiFi' button.
- SSID - your wifi network or choose from the list.
- password - enter the oassword for your wifi network.
The SSID (wifi network name) and Security Key (wifi network password) are case sensitive.
There is a 32 character limit to the password.
The wifi network password cannot contain special characters.
13. Remove the Sensibo device from the power for 30 seconds and plug it back in.
14. The device will start a blinking pattern until it stops.
When the Sensibo device is dark, the LED light is not blinking, it has connected to your wifi network successfully.
Your Sensibo device is now connected to your wifi network.
15. You can alway reset the profiles by clicking the device button on the left side (inside the small hole).


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Laura Parr
Athletic Training & Occupational Therapy
What Are Athletic Training and Exercise Science?
Careers Related to Athletic Training
What Are the Treatments for a Torn Groin Muscle?
Exercise with a Sports Hernia
Job Description for a Sports Physician
Sports physicians are concerned with promoting health in athletes, whether professional or amateur. In the professional field, a sports physician works alongside a multi-disciplinary team that includes sports psychologists, nurses, nutritionists and physical therapists, according to Degree Directory. The doctor may be in family practice or an orthopedic surgeon, depending on the specialty. Sports physicians work long, hard hours, but the job can be extremely rewarding, both financially and mentally.
When working with professional athletes, a sports physician's first consideration is to prevent injuries. He examines the athletes before they perform, establishing their fitness level and determining whether they have any predispositions to injuries. A sports physician collaborates with sports medicine organizations and keeps up-to-date with recent studies, to offer evidence-based practice at all times.
When an athlete injures herself, the sports physician treats the initial injury, orders diagnostic procedures such as x-rays, MRIs and CT scans when necessary and diagnoses the problem. If the athlete can't return to her sport, it is also the physician's role to liaise with psychologists, physical therapists, trainers and other team members to help her in her recovery and rehabilitation.
The sports physician also plays an integral role in treating injuries when they occur on the field or in the gym. He works closely with physiotherapists and nurses to ensure that the athletes receive the best treatment available for their injuries, so they can return to their sport fully recovered from their injuries. The physician may also run clinics on injury prevention and treatment, and give advice on the current recommended physiotherapeutic techniques for specific injuries.
Sports medicine requires complete commitment to the job, as it usually involves long hours in different settings, including hospitals, clinics and sports arenas. A sports physician may specialize in a specific sport, focusing on swimming, running or football, or take a more general approach to individual and team sports, working with several athletes or teams.
Orthopedic surgeons are often classed as sports physicians, as they treat musculoskeletal conditions related to sports injuries. It takes time and commitment to become a surgeon. After qualifying as a medical doctor, you should do a one to two year surgical sports medicine fellowship to further your experience. This fellowship may be generalized, or focus on a specific area of the body, such as the shoulder or knee.
As of June 2009, a sports physician in the United States can expect an annual salary between $117,587 and $369,955, according to DegreeDirectory.org. The average salary lies between $171,470 and $305,910. Orthopedic surgeons usually earn more, with the middle 50 percent earning between $308,139 and $494,162.
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DegreeDirectory.org: What Is the Average Salary for a Sports Medicine Physician?
American Osteopathic Academy of Sports Medicine: The Sports Medicine FAQ
Degree Directory: What Does a Sports Medicine Doctor Do?
QSportsMedicine: QSportsMedicine Practitioners
Laura Parr began her professional writing career in 2008 contributing to websites such as Travelbox, 1stop and Traveldojo. She now writes health and fitness-related articles. Parr earned a diploma of adult nursing from the University of Brighton, followed by a postgraduate certificate in public health from the University of Manchester.


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Updates » Updates » New strawberry season, old problems
New strawberry season, old problems
hanging method of strawberry in a greenhouse in Gaza. Photo by Gisha
December 9, 2018. It is strawberry season again in Gaza. The first shipment left Gaza for the West Bank on November 25. According to the Gaza Ministry of Agriculture, this year about 1,200 dunams (roughly 297 acres) were used for growing strawberries, which is 250 dunams (some 62 acres) more than last year. Farmers employ a hanging method in greenhouses for the equivalent of about 12.5 dunams (about 3 acres) of the total area used for growing strawberries. One dunam (about a quarter acre) of hanging strawberries produces between eight and ten tons of strawberries, compared to about three tons per quarter acre grown on land.
The increase in land use for strawberry farming is largely attributed to the success of last year's season, during which farmers sold about 1,300 tons of strawberries, the vast majority of which were marketed to the West Bank. The UN Food and Agriculture Organization estimates that Gaza strawberries sold outside the Strip brought in 2.5 million US dollars last season.
Gaza's strawberries have a reputation for their sweetness and good quality. The sale of produce outside the Strip, and in particular strawberries, accounts for a significant portion of the Strip's meager but vital economic activity. In order to turn a profit, farmers require access to the larger, more active markets of the West Bank and Israel. Farmers estimate each quarter-acre of strawberries supplies two to three jobs over the season, meaning farmers are expected to employ 2,500 to 3,000 people this year. More strawberries grown and sold means more jobs in the Strip.
Last week on its Facebook page, the Coordination of Government Activities in the Territories (COGAT) celebrated the start of the season, however, in a recent meeting with Israeli officials at Erez Crossing, Gaza growers and suppliers raised three major issues that have been holding back Gaza's farming industry in general and the strawberry sector in particular, for years.
The first issue is a severe shortage in soil disinfectants and fertilizers, which Israel bans from entering Gaza. Disinfecting the soil prior to planting and using the appropriate fertilizers have a tremendous impact on crop yield and quality. According to farmers, insufficient potassium decreases the already short shelf life of the strawberries. Back in July, farmers put in a request to the Gaza CLA, via the Palestinian Civil Affairs Committee, to bring in fertilizers and other essential items, but received no answer.
The second impediment is the lack of travel permits for farmers and suppliers, some of whom are blocked due to alleged "security reasons" (an attribution that is unfortunately liberally made). Travel permits are critical in the fruit business. They are needed in order to supervise how the fruit is shipped, to collect payments, and make contacts with distributors and retailers.
The third issue concerns storage conditions at Kerem Shalom Crossing. Strawberries are one of the most weather sensitive crops. When kept for long stretches of time at the crossing with no cover from the sun or rain, this damages the fruit, further decreasing its shelf life. Suppliers have reported serious losses due to weather damage to fruit and packaging.
In the meetings with the CLA, suppliers once again requested permission to sell strawberries in Israel, emphasizing the disparity between how much Israeli produce is sold in Gaza versus how little Gaza produce is sold in Israel. The suppliers affirmed that they were prepared to meet any requirements and conditions in order to be granted the chance to market produce in Israel.
If COGAT wants to boast online about the opening of the strawberry season maybe it should respond positively to the legitimate demands of growers and suppliers in Gaza.
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Ross, Stepien & Kadey, Inc.
The Insurance Shop – Auto, Home, Business & Life Insurance – Liverpool, NY
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How are insurance rates set?
By The Insurance Shop in Auto Insurance, Car Insurance, General Insurance
How does insurance work?
People buy insurance coverage to protect themselves from potential future loss. In exchange for payment of a known fee—the insurance premium—the policyholder is able to transfer his or her potential risk to an insurance company, which agrees to pay in the event of such a loss.
Insurance works because it allows the cost of large, often catastrophic losses to be spread among many individuals. Insurance companies collect premiums from many individual policyholders, and then pay for the losses incurred from the money collected. Insurance companies operate successfully because it is unlikely everyone who pays an insurance premium will suffer a claim—at least not in any given year. In a nutshell, insurance permits the losses of a few to be paid by the insurance premiums of many.
How are insurance rates determined?
It's a complex process. Insurance can't be priced like most products, because the money people pay for it is intended to help cover the cost of unforeseen future happenings—for example, a fire, a burglary or an auto accident.
While many factors are considered in rate making, rates basically are dependent on two primary factors: the frequency of claims and the severity (as measured by cost) of each claim—known as the company's loss experience. The companies use their loss experience, supplemented by factors reflecting economic trends, as a guide to the amount they will be required to pay for future claims and meet the costs of doing business.
Once the company determines its estimated future costs, its rates are set based on a variety of individual factors. In the case of auto insurance, drivers are categorized into several different rating classifications, based on similar expectations of having a loss. For example, young drivers and drivers in certain geographies are classified as potentially higher risks because of the loss experience of similar drivers.
What types of rating classifications apply to auto insurance?
Auto insurance rates are based on a number of factors, including where the car is customarily kept, the age and driving record of the driver, and the type and use of the car.
Rating territory: The state is divided into rating territories, whose boundaries are determined by such considerations as population density, traffic congestion and other factors which affect exposure to accidents. The premium charged to an individual car owner is affected directly by the number and cost of accidents caused by drivers who live in his or her rating territory, and by the number of thefts in that territory.
Driver classification: Well-documented studies make it clear some groups of drivers have more frequent and often more costly accidents than others. Age, gender and marital status are recognized as reliable rate-making criteria. The highest rates usually are assigned to youthful drivers who, as a group, have a worse record than older drivers.
Driving record: Statistics indicate that people who have been responsible for accidents or have been convicted of serious driving violations are more likely to have accidents in the future than are drivers with clean driving records. Drivers with bad records generally are charged more because they are expected to have more claims than the average driver.
Use of car: Cars that are driven to and from the job usually are more vulnerable to accidents than cars used only for pleasure purposes, because they regularly are exposed to heavy traffic conditions. The same is true for cars used for business purposes throughout the day. Premium charges are related to the total number of miles a car is driven each year, on the grounds the car that is driven more miles is more exposed to accident conditions.
Type of car: Certain types of cars cost more to repair or to replace, based on a variety of factors, including ease of repair and the original cost of the car. These factors are taken into consideration when determining auto insurance premiums. New cars, for example, are more costly to repair and to replace than are older, less expensive vehicles.
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Thanks for the story on the sorry state of our salmon ("Salmon run in big trouble," Jan. 30, Page A-1). The old- timers say some years a man could skip across any Central Valley river over the backs of these amazing fish without touching water. I want my son to see those days again and wondered how the stocks could virtually collapse in a year without explanation, given the millions in license money we fishermen pay. Where did all that money go?
So curious was I, an average fisherman and lover of the river that runs through my town, that I went to a meeting of the Stanislaus River Fish Group.
This august gathering of biologists, fisheries experts and wildlife managers was obviously under strain. The meeting was punctuated by loud and passionate arguments concerning the Stanislaus River Restoration Plan, some five years in the making and months overdue. Their contentious topic? The table of contents.
I was stunned. These fools were quibbling over semantics and incomplete research while my river dies. Classic paralysis by analysis.


In line with our vision of nurturing animation talents from young, Animagine courseware follows a progressive roadmap which most can start on with ease, from the S.A.T. Workshop to the Omega Program. Though it's useful, you won't need prior education in art to start. There are also one-off and stand-alone workshops for all ages and for a wide variety of purposes.


Winter panorama with ski lifts and snow covered mountains on a sunny day. Mountains ski elevator in action.
AERIAL: Flying towards the high summit of a snow covered mountain in the Alps.
Flight along a mountain ridge during sunset.
Slow motion of long haired man jumping from rock into river in Soca valley, Slovenia.


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Leadership · 3 min read
Top 13 Inspirational Quotes from Wrike Collaborate 2018
By Brianna Hansen, October 8, 2018
We had the privilege of hosting our very first user conference, Wrike Collaborate, October 1-2 in San Francisco. Thanks to all our attendees, sponsors, and speakers, the event was a tremendous success!
There were more than 300 customers in attendance, and our speakers included industry luminaries such as Jacob Jaber, CEO of Philz Coffee; Oded Gal, Head of Product Management at Zoom; and Charlene Li, Principal Analyst, Altimeter.
The goal of this user conference was to bring together Wrike-minded "superheroes" who are always looking for new ways to collaborate and innovate. We set out to build a collaboration nation that inspires creativity, curiosity, and confidence in the workplace.
Thanks to all the productivity proponents, we received a ton of inspiring soundbites that we'd like to share. Here's a list of 13 empowering quotes from Collaborate:
"Most people think about strategy and the future by what's happened in the past. This is like driving using just the rearview mirror; rather than looking at the road ahead of you." -- Charlene Li, Principal Analyst, Altimeter
"Matching the internal teams strengths with the needs of the customer is the most exciting part of digital disruption." -- Claire Haidar, CEO and Founder, WNDYR
"As a CEO, nobody wants to tell you the truth, they want to please you. So having truth tellers on the team is really the key to success." -- Jacob Jaber, CEO, Philz Coffee
"Great talent is optimized through really great tools." -- Denise Teti, Director of Marketing and Sales Promotion, Speedo USA
"Disruption isn't about making big leaps. It's about making small leaps, constantly." -- Charlene Li, Principal Analyst, Altimeter
Charlene Li, Principal Analyst, Altimeter
"Automation is about identifying where value is added and building systems around that." -- Don Harris, Head of Support, PLURALSIGHT
"Efficiency is about focusing on something you use a lot internally (email, IM, spreadsheets) and using it as an opportunity to embrace automation." -- Bryan Helmig, CTO and Co-founder, Zapier
"There's this mix between being very pragmatic and opportunistic about picking the right solution. You can get a massive performance change if you're using the right tool for the right job." -- Marc Boscher, Founder and CEO, Unito
"Even though we sell coffee, it's not the most important piece. It's just one of the key mediums to stop and have a connection. We're not serving coffee, we're serving people."-- Jacob Jaber, CEO, Philz Coffee
Jacob Jaber, CEO, Philz Coffee
"It's not disruption that creates growth. Growth creates disruption." -- Charlene Li, Principal Analyst, Altimeter
"Good ideas are only good if they make a difference." -- Denise Teti, Director of Marketing and Sales Promotion, Speedo USA
"We're obsessed with mechanisms. Things that are scalable but help nudge behaviors in a way that's aligned with values. If you have the right nudges, you can encourage the right behavior." -- Jacob Jaber, CEO, Philz Coffee
"The hardest thing for a company to decide on is one future for everyone to chase after." -- Charlene Li, Principal Analyst, Altimeter
What was your favorite quote from Collaborate?
Please share your thoughts in the comments.
events leadership conference quotes inspiration Wrike Collaborate
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latoya-tonodeo
LaToya Tonodeo
Sun Sep 13 2020
By Ruku
Birth Date April 23
Full Name LaToya Tonodeo
Birth Name LaToya Tonodeo
Birth City Los Angeles, California
Horoscope Taurus
Religion Christianity
LaToya Tonodeo is an American entertainment personality. The rising actress LaToya has starred in the movies and TV series such as Power Book II: Ghost, The Fosters, The Perfect Match, The Head Thieves, and others.
The beautiful and rising actress Tonodeo celebrates her birthday on April 23 of every year. She was born in Los Angeles, California, USA. Besides, nothing much is known about her early life, parents, siblings', and academic details.
Who Is LaToya Tonodeo Dating?
The Power Book II: Ghost cast LaToya is in a romantic relationship with Arlen Escarpeta. Tonodeo's boyfriend Arlen is a Belizean/American actor famously identified for his role in films such as Into the Storm, Final Destination 5, Whitney, etc.
Image: The Power Book II: Ghost cast LaToya Tonodeo is dating the Final Destination 5 actor Arlen Escarpeta since 2014.
Source: Instagram @toyofficial
Arlen and LaToya are dating since 2014. Since then they are sharing a healthy bond as a perfect love partner. The couple has also appeared together in the series The Oath. In the 2018 crime drama, web series Tonodeo has played a role as Tara Byrd and he has performed as Damond Boyd.
The love bird attends many award functions, public shows together. Back on January 24, 2019, LaToya and Arlen attended the premiere of TNT's series I Am The Night at Harmony Gold in Los Angeles.
Picture: LaToya Tonodeo and Arlen Escarpeta attended the premiere of I Am the Night back on January 24, 2019.
LaToya and her beloved boyfriend also never misses a chance to flaunt a romantic picture on their respective official social networking accounts.
Ex-Love Partner
Tonodeo has not revealed whether she previously dated anyone or not. The information regarding her former love affairs is unclear. It seems like, Arlen is her only boyfriend with whom she has already celebrated her five valentines.
But, in the case of Escarpeta, he was a married man before he shared his love life with LaToya. The actor Arlen who is of Afro-Belizean descent was in a marital relationship with an actress Benita Nall.
Snap: The actor Arlen Escarpeta was married to an actress Benita Nall from May 2011 to January 2012.
Benita who has performed in the films 13 Going on 30, Minority Report, and Miss Dial married an actor Arlen back on May 21, 2011. The formerly married pair were sharing a good bond. But they divorced on January 6, 2012.
Like early life details, LaToya has also not revealed the exact net worth she enjoys. However, as per an estimation, she owns a fortune of around $200 thousand. For the information, another The Fosters actor Gianni Paolo has an approximate net value of $500,000.
The 5-feet-4-inch (162 cm) LaToya is struggling hard to pursue a better career in the entertainment sector. Tonodeo a rising actress has starred in very few movies and TV shows. From there she might have earned a good sum of wealth.
Image: The actress LaToya Tonodeo has an estimated net worth of around $200 thousand.
2016 romantic comedy film The Perfect Match was able to collect $10.4 million in its box-office collection under the production budget of $5 million, where an actress LaToya has played a small role as bridesmaid.
Furthermore, LaToya prefers traveling who has shared several traveling photos, videos, on her Instagram account followed by 20 thousand people. On the other hand, as per celebrity net worth, Arlen Escarpeta has a net worth of $300 thousand.
Keep Loving Married Celeb
American Actress Celebrity Dating


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Posts Tagged 'Bill Monroe'
Anger, Phelps & Gilchrist Up Close
Fiddler Darol Anger and singer-songwriter Emy Phelps have been playing a bunch of shows on both coasts over the past six months. These performances have featured an assortment of talented friends, but one of Anger and Phelps' more constant fellow-travelers has been the mandolinist Sharon Gilchrist. Anger, Gilchrist and Phelps played an entirely acoustic house concert in Boston last April— no amplification whatsoever. As the sun set on a gentle spring day, the trio offered up this rendition of the haunting instrumental, "Evening Prayer Blues:"
As Anger noted in introducing this piece, "Evening Prayer Blues" started out life as a signature tune of harmonica virtuoso DeFord Bailey. Bailey, who has the distinction of being the first African-American member of the Grand Ole Opry, has resurfaced in the vast, bubbling cauldron of folk culture of late. Some months back, we shared a clip of Tony Trischka, another string innovator in the Anger vein, playing a "foxchase" that he had penned after listening to a recording of Bailey playing a similar tune.
But Bailey's influence on folks in bluegrass and traditional string music is by no means a recent phenomenon. At some point Bill Monroe, Father of Bluegrass and fellow Opry member, picked up "Evening Prayer Blues," and he recorded it late in his career. Bailey's original sounded rather like a field holler translated to the harmonica. In Monroe's hands, however, the piece was refashioned into one of those spooky fiddle tunes that marked his last years. Anger mentioned learning a variant of Monroe's version from guitar ace David Grier. If you want to create a neat chain of influence from Bailey to Anger, it's worth remembering that Grier's dad was a Bluegrass Boy, touring with Monroe back in the 1960's.
In their version, Anger, Phelps and Gilchrist let the fiddle and mandolin engage in a dialogue. Anger is of course one of the guiding lights in contemporary fiddling, while Gilchrist has built an impressive resumé in recent years by playing with bluegrass greats like Tony Rice and Peter Rowan. As they navigate their way through this tune, both Anger and Gilchrist acknowledge its antecedents while also bringing to it a deft and stylish touch that is their own.
notloB Music
Obviously, Anger, Phelps and Gilchrist deserve most of the credit for the spell cast by their version of "Evening Prayer Blues," but the location doesn't hurt. This concert took place in the intimate confines of the colonial-era Loring-Greenough House in the Jamaica Plain neighborhood. It was part of notloB Music, an ongoing series organized by Jeff Boudreau. I love house concerts, and the Loring-Greenough House is a particularly inviting space. Sitting in such proximity to great musicians as they perform always gives me a profound case of the Warm and Fuzzies. As I offer up my own evening prayer of thanks for being allowed to commune so closely with the muses, I'm also reminded that, for tens of thousands of years, this was the only way that music was consumed. No wonder it feels so right. Boudreau recently announced the line-up for the fall notloB series. If you are in the Boston area, you should check it out.
Look Up, Look Down
Phelp and Anger's tour coincides with the release of their new CD project, Look Up, Look Down. The album is a collection of Phelps' compositions that Anger produced. We'll be exploring a lot more stuff from the Anger, Phelps and Gilchrist show in the coming weeks. Along the way, we'll be able dig into some of that new material. Stay tuned…
P.S. Big thanks to Paul Villanova (camera) and Lauren Scully (camera) for their help with this series of videos.
Posted in Performances | Tagged Bill Monroe, bluegrass, Darol Anger, David Grier, DeFord Bailey, Emy Phelps, Evening Prayer Blues, fiddle, Jeff Boudreau, Loring-Greenough, mandolin, Notlob, Second Cousin Curly, Sharon Gilchrist | 6 Comments »
Yer Second Cousin Curly is based in that seat of bluegrass scholarship, Cambridge, Massachusetts. Tonight, in the town across the river, the multitalented singer, songwriter and mandolinist Sierra Hull will be kicking off the inaugural Boston Summer Arts Weekend with a free concert in the heart of the city. In honor of her visit, here's a final installment of our interview with her, which includes some fiery picking from this winter's Joe Val Bluegrass Festival:
The comparisons Hull makes about various players' techniques (including her own) might be too arcane for those who don't play the mandolin, but to those of us enslaved to the eight-stringed midget, her observations are manna from heaven. The issue of whether or not to plant your pinky when you're picking may not seem like a big deal, but it's a subject of endless debate among mando players, and Hull's down-the-middle approach is interesting in this regard.
Another insight Hull shares is the fact that she doesn't use the classic closed chord pattern that Bill Monroe used as the foundation for his sound, favoring more open chords or simply using partial chords. At the outset of the video, you can see Hull tearing into Monroe's "Old Dangerfield" on the octave mandolin. As that clip illustrates, Hull can more than hold her own on traditional bluegrass numbers, but her choice of chords gives her take on these tunes a distinctive flavor.
A native Tennessean through and through, we can't exactly claim Hull as a hometown hero, but Boston was a home away from home while she recently studied at Berklee College of Music. Hull's phenomenal technique and impeccable tone were already firmly in place before she came to Beantown. More than anything, studying with the late, great John McGann and others at Berklee seems to have given Hull the validation she needed to keep on doing what she's doing.
The video clip also features some of Hull's original instrumentals. She has penned some contemporary fiddle tunes that haven't gotten half the attention they deserve. I hope that, as she keeps doing what she's doing, Hull keeps doing plenty of those numbers.
P.S.— Tip of the hat to Paul Villanova for his outstanding editing on the whole Sierra Hull series.
Posted in Workshops | Tagged Adam Steffey, Berklee, Bill Monroe, bluegrass, Chris Thile, Highway 111, Joe Val Bluegrass Festival, John McGann, mandolin, music workshop, Second Cousin Curly, Sierra Hull | Leave a Comment »
I've been thinking about the centennial of Bill Monroe's birth for over a year, and now that the date— September 13, 2011— is upon us, I find myself undone by the challenge of summarizing Monroe's significance. It occurred to me that I should let the music do the talking, so I dug back through my cache of videos. I found several recent performances of Monroe tunes— or tunes associated with Monroe— both by up-and-coming and established musicians that I had yet to share, but none of the clips could encompass the breadth of the Father of Bluegrass's achievement. If I picked an instrumental, I overlooked the high and lonesome harmonies; if I picked an original composition, I overlooked the old mountain tunes that Monroe revived. In the end, I felt it best not to offer the work of musical acolytes and offspring and instead to go back to the source…
The compositions that Monroe called "true songs" are among my favorites. They manage to sound as old as the hills, even as they tell tales drawn directly from Big Mon's outsized biography. The number featured here, "My Little Georgia Rose," is said to be one of these "true songs," and now is perhaps not the occasion to spell out its presumed meaning in full. Let's just say that a painful revelation may lie beneath its cheerful veneer. By most accounts, Monroe was complex and often difficult, yet however we may judge him as a man, surely a large part of his genius as an artist was his fearlessness in putting the whole sprawling mess of his life out there in his music.
Over the past few weeks, I've been trying to work my way through all the Monroe tunes I have in my collection. I've been struck both by how many of the tunes that he wrote or popularized have become standards, and how many more are still lying fallow, waiting to be rediscovered by another generation of pickers. Finally, I've been amazed all over again at how he used the vehicle of bluegrass to synthesize, adapt and reinvent the sounds of everything from the delta blues to the traditional music of the British Isles. He was a geyser of musical ideas, and we continue to be washed in that fountain a hundred years after his birth.
P.S. A quick note on the Bluegrass Boys featured in the clip above: The banjo player is a very young Bobby Hicks, who is taking a break from his usual fiddling duties and playing Monroe's own Vega banjo. Jackie Phelps— normally the banjo player at the time— is on guitar, and Ernie Newton is playing bass with a "brush bass" attachment that he invented. For the truly obsessive viewers who are dying to know, the announcer at the beginning is Faron Young.
Posted in Uncategorized | Tagged Bill Monroe, bluegrass, Bobby Hicks, Ernie Newton, Faron Young, Jackie Phelps, mandolin, My Little Georgia Rose | Leave a Comment »
The great fiddler Kenny Baker died on July 8th. Exactly one week later, the ad hoc Kenny Baker Memorial Orchestra assembled on the main stage at the Grey Fox Bluegrass Festival to "play homage" to this titan of American musican. The "orchestra" was the brainchild of Matt Glaser, himself a renowned fiddler and a guiding light of the American Roots Music Program at Berklee College of Music.
Since the Grey Fox program was already in place long before Baker passed, there wasn't a block of time available for a full-blown tribute. Glaser and company therefore had to make the most of a brief interlude on Friday afternoon between sets by Michael Cleveland and Tim O'Brien.
The assembled multitude managed to pack four tunes into ten minutes. In my view, the heart of the medley was the second tune, "Cross-eyed Fiddler," a Baker original, appropriately enough. Have a look and a listen…
Now, without clicking "replay," how many of the performers can you name? If you're from New England, chances are you recognize a face or two, as many are based in the region. With the likes of Baker and Hazel Dickens leaving the stage, and with players like O'Brien, Cleveland and Glaser well established in their careers, it's time for a new generation of players to make their marks. Most of the performers in the "orchestra" are in their twenties; many are in highly regarded bands such as The Deadly Gentlemen, Della Mae or the Red Stick Ramblers. For those of you who haven't updated your Who's Who in Bluegrass lately, I'm providing, free of charge, the following video guide. This clip shows the entire Baker tribute medley, with the bonus feature that all players are identified. See how many pickers you can I.D. before their names show up on screen. Extra points if you can pick out the musician who is also an MD specializing in Emergency Medicine.
Only a stone could resist being moved by that last image of the players filing out to "The Dead March," finally leaving just Cleveland on stage, like a solitary candle. Wish I could tell you more about "The Dead March." It's a late Monroe composition, a tune Glaser said that the Father of Bluegrass "remembered," but I haven't been able to dig up much beyond that. I suspect that as many people know the tune from a celebrated television performance by the meteoric supergroup Muleskinner as from any of Monroe's recordings.
"The Dead March" is a keeper, but in the end, it's "Cross-Eyed Fiddler" that really sticks with me. This seems a hugely underappreciated fiddle tune. It's not an old composition and it's under copyright, but those conditions haven't kept other tunes ("Rebecca," "Ashokan Farewell," "Josephine's Waltz") from entering the fiddling canon. Perhaps it's the title that holds it back— "Cross-Eyed Fiddler" doesn't seem to fit its jaunty tone.
In any event, I love how the players at Grey Fox really get into the swing of the tune. You can see them all, little by little, put their bodies into it, swaying and bouncing to the melody. One of the things that made Baker a great musician— perhaps the thing— was that there was at once a looseness and formality to both his playing and his compositions. If you've ever seen a photograph or a video of Baker, there's a kind of severity to the way he carried himself. He had this ramrod-straight posture, and no one— not even Bill Monroe— looked meaner in a perfectly blocked cowboy hat. His playing had a definite precision, too, but look closer and you can see how relaxed his technique remained, even when playing at speed. Like so many master musicians, he made it look easy.
Many people feel that to say that he "co-wrote" the classic tune "Jerusalem Ridge" with Monroe is to give Baker too little credit. Whatever the case, if you compare how he plays the tune to the whole host of subsequent renditions, what stands out is how spare and clean his version is. Every motion of the bow is like a punctuation mark. At the same time, however, was there ever a more baroque and passionate fiddle tune than this? There it is: the marriage of contradictions so often found in great art. For the philosophers following along at home, you could say that while there was much that was Apollonian in Baker's demeanor and bearing, a Dionysian side always came out in his music. Whatever wonders future generations of musicians have to offer us, we will miss Kenny Baker.
A Word or Two More On Grey Fox
The biggest no-show at Grey Fox this year was not Peter Rowan, who managed to make it, albeit a little later than expected. No, the big no-show was the colossal, end-of-time rain storm that shows up like clockwork— except when it doesn't. Even the storm's usual sidekick, Insufferable Heat, barely stopped by. This, combined with the usual strong line-up and the off-the-hook campsite jams, made for a glorious festival. But don't take my word for it: in a bid to put me out of business, Grey Fox has really ramped up its online media. Check out the festival blog for boatloads of videos. I'm particularly impressed by— and partial to— the several videos that capture the campsite jams. As we all know, some of the best playing goes on in these informal gatherings, and the experience is even more ephemeral than a live concert. After all, Del McCoury and his boys will play together another day, but most jams are fleeting hook-ups, so to speak. Those of us who care about this stuff need to do a better job of documenting these magical moments. Hats off to the media crew at Grey Fox for its progress on that front.
P.S. The Emergency Medicine specialist is Kalev Freeman, one of the fiddlers lurking in the rear on the right side of the stage.
P.P.S. Thanks to Nick DiSebastian, Ben Pearce, Fred Robbins, Mary Burdette and Matt Glaser for their scholarly assistance.
Posted in Festivals, Performances | Tagged Andy Reiner, Ben Pearce, Berklee, Bill Monroe, bluegrass, Brian Wicklund, Courtney Hartman, Cross-Eyed Fiddler, Dave Hollender, Eric Frey, Etienne Cremieux, fiddle, Fred Robbins, Gabe Hirshfeld, Grey Fox, Jack Devereaux, Kalev Freeman, Kenny Baker, Kenny Baker Memorial Orchestra, Kentucky Waltz, Kimber Ludiker, mandolin, Mary Burdette, Matt Glaser, Michael Cleveland, Mike Reese, Nick Barr, Nick DiSebastian, Second Cousin Curly, Stash Wyslouch, Stoney Lonesome, The Dead March, Tim O'Brien | Leave a Comment »
Once upon a time, yer Cousin Curly set out to make a website that would be the Playboy Magazine of Bluegrass— you read it for the pictures.* On more than one occasion, however, I have lost sight of this goal and waxed on too fulsomely, creating something closer to The Times Bluegrass Supplement or The New York Review of Bluegrass.
Enough!
In an effort to wean myself of my prolixity, I hereby offer a veritable torrent of clips from a recent show at Boston's Brighton Music Hall by Chris Thile and Michael Daves. For starters, we're gonna jump right into the deep end with the longest video of the bunch. Stay with this fine medley of fiddle tune requests, though, and you'll get a good feel for the show:
As noted in a previous post, it's touching to hear a couple of virtuoso performers at the peak of their powers going back to the well of traditional material. The fiddle tunes liberally scattered through the duo's two sets underscore the back-to-basics concept. The vocal tunes were also largely drawn from the bedrock of the bluegrass canon:
There were classic breakdowns and reels—
But there were also gorgeous slower tunes like Frank Rodgers' "Ookpik Waltz"
The tune is sometimes called "Utpick Waltz." While the spelling varies, everybody seems to agree that the title refers to an arctic owl.
Okay, before you drift off into some snowy dream, check out this take on "Loneliness & Desperation:"
That song was written by Michael Garris but I believe it's most closely associated with Del McCoury, who recorded it in the 1980's. Thile & Daves' version does justice to Daves' stated aim of using bluegrass to explore "basic, raw stuff." This is also one of the strongest tracks on the duo's fine new album, Sleep With One Eye Open.
In crafting the second fiddle tune medley based on audience requests, Thile & Daves decided to play with fire. They started with "Arkansas Traveler" in A, switched to Frank Wakefield's "New Camp Town Races" in B flat and then finished up with Herschel Sizemore's "Rebecca" in B. Don't try this at home…
Very nice indeed, but as Thile put it himself, he failed to "stick the landing" into B on "Rebecca." Undaunted, the duo attempted the transition one more time…
* Not to be confused with The Sporting News, which you read for the pitchers.
Posted in Performances | Tagged Arkansas Traveler, Bill Monroe, Black Mountain Rag, bluegrass, Brighton Music Hall, Brown County Breakdown, Bury Me Beneath the Willow, Chris Thile, Del McCoury, fiddle tunes, flatpicking, Frank Rodgers, Frank Wakefield, guitar, Herschel Sizemore, June Apple, Loneliness and Desperation, mandolin, Michael Daves, New Camp Town Races, Nonesuch, Ookpik Waltz, Rebecca, Second Cousin Curly, Sleep With One Eye Open, Temperance Reel | Leave a Comment »
Before I get all distracted, let me show you this edition's video, which comes from my travels to Nashville last spring…
From a certain point of view, the Ryman Auditorium could be seen as a microcosm of Nashville. Like the Music City as a whole, the Ryman is a really nice place that seems to hide its deep connection to bluegrass. While the back of the building is lined with display cases, you have to go to the third floor to find any significant bluegrass-related material. In some respects this isn't a surprise, in that the Ryman hosts all manner of performances today, from Aretha Franklin to ZZ Top. But while I'm sure that ticket sales for bluegrass acts aren't keeping the auditorium's pews polished to a fare thee well, I reckon that the streams of pilgrims who are paying close to twenty bucks for the backstage tour are primarily drawn by the venue's storied past. No doubt many grew up listening to the Grand Ole Opry, which called the Ryman home for several decades. If I'm correct about all that, it would follow that a good number of these are folks interested in an era when bluegrass was an integral part of the operation. So what gives?
But as I say, I found Nashville puzzling in the same way. A quick rundown of musicians based in Nashville reads like a directory of present-day bluegrass:
Alison Brown, Roland White, Bryan Sutton, Jerry Douglas, Jim Buchanan, Josh Williams, Valerie Smith, The Steeldrivers, Ron Block, Blake Williams, Ricky Skaggs, Mark Schatz, Jerry Salley, Keith Tew, Gail Davies, The Infamous String Dusters, Melonie Canon, Casey Driessen, Sam Bush, Gillian Welch, Daily & Vincent, John Weisberger, Dierks Bentley, Kathy Chiavola, Mike Bub, Larry Sparks, Tim Carter, Paul Brewster, Ronnie Reno, Tim O'Brien, Billy & Terry Smith, Fred Carpenter, Doug Dillard, Tim May, Wayne Southards, Brad Davis, Barry & Holly Tashian, David Crow, Kevin Williamson, John Cowan, Mike Compton, Tim Hensley, Larry Cordle, Marty Raybon, Sharon Cort, Keith Sewell, The Chigger Hill Boys, Stuart Duncan, David Talbot, Ed Dye, The Grascals, Pat Enright, Scott Vestal, Donna Ulisse, The Farewell Drifters, Marty Stuart, Rickie Simpkins, Pat Flynn, Kim Fox, Pam Gadd, J.T. Gray, Tom T. Hall, Aubrey Haynie, Casey Henry, Tom Saffell, Randy Howard, Jim Hurst, Rob Ickes, Eddie Stubbs, Vic Jordan, Cody Kilby, Randy Kohrs, Alison Krauss, Jim Lauderdale, David Grier, Keith Little, Ned Luberecki, Del McCoury, James & Angela McKinney, Larry McNeely, Luke McNight, Ken Mellons, Patty Mitchell, Alan O'Bryant, Bobby Osborne, Heartstrings, The Overall Brothers, Continental Divide, David Peterson, Missy Raines, Lee & Elaine Roy, Carl Jackson, Darrell Scott, Jimmy Campbell, Ronnie McCoury, Larry Perkins, Larry Stephenson, Jim Van Cleve, Terry Eldridge, Andrea Zonn.
Whew. That's just a start; I'll bet there are literally hundreds more worth noting. Even so, the music itself doesn't even register as background noise. During my visit, I would regularly spin the radio dial from one end to the other. I never heard so much as a note that sounded like bluegrass. I know there is a vibrant house party scene in the Nashville bluegrass community, but that doesn't explain why bluegrass isn't a more visible— or, more the point, audible— part of the landscape.
But don't get me wrong: I really like Nashville. As long as the Cumberland River behaves itself, it's an elegant metropolis that also manages to be comfortable and friendly. Can't wait for my next visit, by which time I hope I will have been granted the secret password and welcomed into Nashville's occult (in every sense of the word) bluegrass scene.
Posted in Uncategorized | Tagged Alan O'Bryant, Alison Brown, Alison Krauss, Andrea Zonn, Andy Falco, Aubrey Haynie, Barry & Holly Tashian, Best Ever Chicken, Bill Monroe, Billy & Terry Smith, Blackberry Blossom, Blake Williams, bluegrass, Bobby Osborne, Brad Davis, Bryan Sutton, Carl Jackson, Casey Driessen, Casey Henry, Cody Kilby, Continental Divide, country music, Daily & Vincent, Darrell Scott, David Crow, David Grier, David Peterson, David Talbot, Del McCoury, Dierks Bentley, Donna Ulisse, Doug Dillard, Ed Dye, Eddie Stubbs, Fred Carpenter, Gail Davies, Gillian Welch, Grand Ole Opry, Heartstrings, J.T. Gray, James & Angela McKinney, Jerry Douglas, Jerry Salley, Jim Buchanan, Jim Hurst, Jim Lauderdale, Jim Van Cleve, Jimmy Campbell, John Cowan, John Weisberger, Josh Williams, Kathy Chiavola, Keith Little, Keith Sewell, Keith Tew, Ken Mellons, Kevin Williamson, Kim Fox, Larry Cordle, Larry McNeely, Larry Perkins, Larry Sparks, Larry Stephenson, Lee & Elaine Roy, Luke McNight, Mark Schatz, Marty Raybon, Marty Stuart, Melonie Canon, Mike Bub, Mike Compton, Missy Raines, Nashville, Ned Luberecki, Pam Gadd, Pat Enright, Pat Flynn, Patty Mitchell, Paul Brewster, Randy Howard, Randy Kohrs, Rickie Simpkins, Ricky Skaggs, Rob Ickes, Roland White, Ron Block, Ronnie McCoury, Ronnie Reno, Ryman Auditorium, Sam Bush, Sam P. Jones, Scott Vestal, Second Cousin Curly, Sharon Cort, Stuart Duncan, Terry Eldridge, The Chigger Hill Boys, The Farewell Drifters, The Grascals, The Infamous String Dusters, The Overall Brothers, The Steeldrivers, Tim Carter, Tim Hensley, Tim May, Tim O'Brien, Tom Saffell, Tom T. Hall, Valerie Smith, Vic Jordan, Wayne Southards | 2 Comments »
A sizable chunk of the nation may be preoccupied with ice dams and rock salt, but that doesn't mean that the Bluegrass Faithful have stowed their banjos and basses in the garage. It might be counterintuitive, but the biggest bluegrass festival in frosty Boston takes place annually in the dead of winter. Yes sir, like a freightliner that's blown out its air brakes, the Joe Val Bluegrass Festival, is bearing down on us. February 18th, 19th and 20th, few shall sleep in the mock Tudor splendor of the Framingham Sheraton. Get on board or jump out of the way!
I've already held forth here on the weird and wonderful mix of performances and jams that define the Joe Val Fest. As, uh, exhaustive as my previous portrait was, I don't think I gave enough emphasis to the Joe Val Fest's major asset, which are its workshops.
Of course, many bluegrass festivals host workshops. Often there's a tent devoted to such sessions where you can mingle with your heroes. What makes Joe Val's workshops special? Simple: they're indoors. It will probably always feel a bit odd to play "Foggy Mountain Top" while standing in a carpeted corridor, and the words, "the banjo licks workshop is about to begin in Conference Room C" may never sound quite right, but staging the festival in a large hotel has its consolations. Chief among these is the fact that, when you go to a workshop you can hear and be heard with a clarity that's just not possible outdoors.
Check out this performance by Skip Gorman and Richard Starkey (a duo that sometimes performs under the name Rabbit in a Log) from a workshop at last year's Joe Val Fest. The tune is Bill Monroe's "Kentucky Mandolin."
Nice, no? You can hear every note of those brushed chords that Gorman plays towards the end. That's how it is a Joe Val: you can sit inches away from legends like Bobby Osborne or Frank Wakefield as they tell tales from their early years, or you can discuss the arcana of microphone and plectrums with hotshots like Mike Guggino or Jesse Brock (can you tell I play mandolin?). In these sessions, more than just about anywhere on the circuit, you feel the intimate bond between performer and audience that's such a key part of bluegrass culture.
"Kentucky Mandolin" has become a standard (at least among mando players) even though in human terms it's still only middle-aged. According to the discography compiled by Neil Rosenberg, inveterate chronicler of Monrovia, this instrumental was written by Bill Monroe for a recording date on November 9th, 1967. To my ears, the minor key makes it of a piece with a number of plaintive tunes from the latter part of Monroe's career, such as "Crossing the Cumberlands" and "My Last Days on Earth."
To hear more from Gorman and Starkey's workshop, click here. To check out a couple more Joe Val workshop sessions (these featuring Joe Walsh and friends), click here and here.
Finally, to learn more about the 2011 festival line-up, check out Ted Lehmann's Bluegrass Blog or tune into Jeff Boudreau's radio show, "In the Tradition," on WCUW in Worcester, MA on the next two Tuesdays (February 8th and 15th) from 7:00 to 8:00 PM. Jeff will be interviewing a number of the performers who will be playing at this year's festival. The line-up is a strong one, featuring representatives of the old guard like J.D. Crowe, Robin & Linda Williams and The Whites, newer acts like Frank Solivan and Dirty Kitchen, and interesting New England groups like Hot Mustard and Della Mae. Cool, you say? Are you kidding? Freezing!
Thanks to Gerry Katz and Evan Reilly for their guidance on this post.
Posted in Festivals, Workshops | Tagged Bill Monroe, bluegrass, Della Mae, Evan Reilly, fiddle tune, Frank Solivan and Dirty Kitchen, Gerry Katz, Hot Mustard, In the Tradition, J.D. Crowe, Jeff Boudreau, Joe Val Bluegrass Festival, Kentucky Mandolin, Mike Guggino, Neil Rosenberg, old time music, Richard Starkey, Robin and Linda Williams, Second Cousin Curly, Skip Gorman, Steep Canyon Rangers, Ted Lehmann, The Whites, WCUW | 2 Comments »


text:
Dobročovice (Duits: Dobrotschowitz) is een Tsjechische gemeente in de regio Midden-Bohemen, en maakt deel uit van het district Praha-východ.
Dobročovice telt 141 inwoners.

Gemeente in Praha-východ

redpajama_set_name: RedPajamaWikipedia


Onaway is a city in Michigan. So far we have accumulated 245 streets in Onaway and on these streets we have added 204,906 real estate properties.
Onaway is a city in Latah County, Idaho, United States. The population was 187 at the 2010 census, down from 230 in 2000. The name sources from the mill works at nearby Potlatch to the west, as workers would frequent the bars after work. When a wife called and asked where her husband was she would be told he was "Onaway" home. Onaway is located between Potlatch and Princeton on State Highway 6.


Check out 3 Events that will help you through the end of Spring!
1. Attendance check is limited to once per account.
2. Event rewards may be untradeable depending on the item category.
3. Event rewards can be collected by the accumulated number of attendance.
Enjoy extra entry chance for Exploration Dungeons and Labyrinths.
1. Players have extra Exploration Dungeons and Labyrinth entry chances according to the date.
2. Exploration Dungeon Extra Entry Ticket also applies with the buff for more entry.
2. Event details could be changed due to internal affairs. Any changes made will be notified in a separate announcement.
Visit Shrines in Lodoss and receive a buff for more firepower.
1. Hero's Light is applieds to each character.
2. During event period, players can receive "Hero's Light" buff that lasts for 2 hours at Shrines.


Managing focal vitreomacular traction with pneumatic vitreolysis, an emerging surgical technique. Invest. Ophthalmol. Vis. Sci. 2018;59(9):5268.
Purpose : To assess the benefits and risk of pneumatic vitreolysis (PVL) for treating vitreomacular traction (VMT) with or without stage-2 macular holes (MH).
Methods : We performed a retrospective study on patients with focal VMT who underwent PVL in 2 centers from 2010 to 2017. All patients were required to avoid supine position after receiving 0.3 mL C3F8 gas injection until gas resolution. Patients with MH were asked to maintain face-down for at least 4 days. Best-spectacle corrected visual acuity (BSCVA) was performed at baseline and at each follow-up visit.