Veteran Four Oaks exhibitor Simon Earley of Earley Ornamentals, said that the first day of the show this year was simply the best he had ever had, and there was no doubt the mood among exhibitors and visitors was positive and optimistic. Despite worrying times for businesses of all kind, Four Oaks 2018 will remain in memory as an even better-than-expected experience, reports John Sutton.
Event director Pat Coutts wrote in her introduction to the Show guide that the ornamentals industry is 'nervous on both sides of the Channel' She continued to write that she hoped 'very much that when the post-Brexit dust settles, we will have the best products from both sides and return to a stable trading relationship.' There are certainly UK growers who stand to gain through the weakness of the pound post-referendum, because of the impact on the prices of imported plants. Some have already felt a benefit, however the current instability is unsettling.
Four Oaks has been a truly international show for many years. In 2015 well over a third of the 450-plus exhibitors came from overseas, mainly from Eurozone countries.
In 2018, two years after the referendum, the proportion has fallen to around a quarter. It is particularly Dutch companies that have been affected, with the number of exhibitors over these three years down by almost 50%. Almost certainly, the most common reason for Dutch exhibitors to have ceased coming to Four Oaks will be their sense of insecurity about the stability of exchange rates, tariffs and border arrangements. Most of these non-returners will be concentrating their export efforts elsewhere.
Some British growers will naturally not be sorry about this, but the wide-ranging plant offer at Four Oaks does help to attract visitors who are buyers. Every British grower/exhibitor – they account for about 15% of the Show total – is keen to see buyers!
The presence of British exhibitor Aerona Ltd at Four Oaks is certainly a sign of the times, appearing for the first time in 2016. The company's business is freight forwarding and customs clearing. It has expertise in customs clearances of plants, seeds and flowers imported from countries round the world. Depending on Brexit terms, it could become busier still with horticultural products.
Among this year's exhibitors the first-timers included foreign companies, just as in previous years. There were new countries represented, too: Ulinscy Nursery was the first Polish business to show at Four Oaks, and from Japan came the bonsai specialists Japan Hort Business.
TOPS, Trade Only Plant Sales, has exhibited at Four Oaks in the past, but returned this year after a lengthy absence. Established in 1985, this young plant producer specializes in supplying small to medium scale grower-retailers. The TOPS stand was well bedecked with Union Jacks, but if you need plants buying British has limitations. Cuttings of Elsner PAC pelargonium varieties from Germany and Surfinia varieties bred in Japan, both popular in the TOPS portfolio, are flown into the UK from yet other countries.
To illustrate the complexities of the modern trade in plants a little further, there was Simon Wright, the entirely British sales manager for the Dutch company Schneider Youngplants. He was drawing the attention of stand visitors to the new Schneider pansy series composed specially for the UK, with varieties from several true breeders' series, selected and thoroughly road-tested for performance under British nursery conditions.
The Four Oaks Show is a major opportunity for breeders to show off new and recently introduced varieties. Many are entered in the New Products Competition, but by no means all. Panther Pink was one example, a freely branching digitalis variety that does well as a container plant.
The Genesis Plant Marketing stand is every year a go-to destination for seekers after new varieties. Fred Yates' new nemesia range provided the most colourful spot there in 2018. There are eight different colours, and UK growers will be able to buy young plant material for four of these from BallColegrave. A new series of basket antirrhinums, also from Fred Yates, is now waiting in the wings for future introduction and is a big advance in freedom of flowering, said Nigel Judd.
The Four Oaks Show is not entirely about ornamentals. For Israeli exhibitor Hishtil, on the Botanics International stand, herbs are very important. Peter Collins reported plenty of interest among British growers in Hishtil young plants, especially for lavenders and rosemary. Israel is currently a Xylella-free country. On the stand, the new variegated thyme Sparkling Bright was among highlights.
On the Floranova stand the new dark-leaved Begonia Bossa Nova Night Fever Papaya commanded attention, and there were also new patio varieties of tomatoes and peppers. Impressively and colourfully in full bearing, examples such as the yellow sweet pepper Liberty Belle and chilli peppers Atomic and Alter Ego refreshed the offer in the Vegetalis range.
Young plant producers have to do more than list the right varieties. There is also the question of meeting customers' other needs. David Spray, on the Pentland Plants stand, foregrounded their new 2019 offer of 25-plug strips, four together that lift separately from a 13×8 plug base tray. Customers can choose separate varieties for each strip, mix & match fashion. This will offer flexibility and ease of handling, and appeal especially to grower-retailers.
The rising tide of demand for green solutions to growers' needs continues to swell. There were ten exhibitors listed in the Organics category at the back of the catalogue, nine in Bio-stimulants, and nine in Biological Control. XL Horticulture, known for its range of durable high specification polyethylene film covers, is now increasingly known also for its ProBio product range. This includes the ReviTEAlised tea compost concentrate.
FLiPPER, the new wide-spectrum contact insecticide and acaricide from Fargro, is also part of the green scene. A biopesticide derived from olive oil, it leaves no residues and there is no harvest interval. There was timely news that shortly before the Four Oaks Show, an EAMU had been granted for its use on ornamentals. Last year's EAMU for the product was for protected tomatoes, cucumbers and strawberries only.
The days of synthetic chemical compounds are far from over, though. ICL Professional Horticulture presented well-attended seminars on both days of the show, with a recently introduced chemical product as a major focus. H2Gro wetting agent, a blend of surfactants from ICL, is a powerful tool as a compost additive in its granular formulation, and in its liquid formation as an after-potting drench or as an additive to irrigation water. Reduced watering frequency, extended shelf life in the retail phase, and reduced loss of water and dissolved feed are among the benefits. On the ICL stand visitors were shown the effect on the re-wetting time for Jiffy-7 compressed peat plugs: they saw within a single minute the difference H2Gro made.
Sinclair Pro, part of the Westland Horticulture group, was showing Zinc Complex, a new product for improving yield and quality, especially of plants growing in pots or other containers. A formulation with other micronutrients, it won a High Commendation from the New Products judging panel. This was awarded on the evidence from trials showing its positive effects, which stem from the increased production of auxins by plants. Sinclair is well known as a growing media specialist, but also offers ranges of both water soluble and Sincrocell controlled release fertilizers.
Four Oaks has always been a happy hunting ground for customers for pots, packs and trays of every description. 'Recyclable' and 'biodegradable' are increasingly the watchwords for current developments in producers' ranges. On the Poppelmann Plastics stand their new blue pots were well to the fore. Launched at IPM in January, these are made from post-consumer recycled plastic and are themselves 100% recycleable.
On the stand of Modiform, a Dutch rival for Poppelmann, the recently introduced EcoExpert range was on show. Recyclable cardboard is the raw material here, and after use the pots and trays are recycled by retailers, together with other cardboard waste. EcoExpert products are also industrially compostable, and any items that escape into the environment biodegrade quite rapidly.
D-Grade containers from Desch Plantpak are also biodegradable. The D-Grade bio range is industrially compostable, but D-Grade fibre pots go one further and can be composted by the consumer.
The influence of David Attenborough's Blue Planet TV programme early this year has been profound, even making its mark on the concerns of Four Oaks exhibitors! There will surely be another chapter here to report when the 49th show is held, on Tuesday 3rd and Wednesday 4th September next year.
SunBelievable Brown Eyed Girl, a sunflower introduction already much in the news this year, was the winner of the 2018 Four Oaks award for best new bedding and pot plant. Bred by Thompson & Morgan and entered by A busy scene on the Fargro stand. Beekenkamp Plants, the variety had already been chosen as number three in the Chelsea Show RHS New Plant of the Year competition. At the National Plant Show in June it was the winning variety in its New Plants Awards category.
Salvia Rockin' Fuchsia, a new Proven Winners variety from Kernock Park Plants, earned one of two Highly Commended awards in the same category. An interspecific hybrid, it is similar in habit to varieties like Amistad. Individual flowers – of a glowing purple with darker bracts – are larger, in dense showy spikes. Garvinea Sweet Sunset, a vibrant orange bred by Florist Holland, was also Highly Commended.
In the Nursery Stock category, the fern Dryopteris wallichiana Jurassic Gold was the winner. From Genesis Plant Marketing, its unique selling point is the bright golden orange colour of the new foliage as it emerges in spring. Rudbeckia Forever Gold from Rijnbeek & Son, and Echinacea Full Salmon, from Allensmore Nurseries, were the two Highly Commended entries.
We do not yet have promotional campaigns for the herbaceous perennial of the year, but if we begin to do so soon, perhaps a start should be made with Echinacea. Allensmore Nurseries not only entered four new Echinacea varieties, but on their nursery have put down an acre to their container production this year. At Wisley a two-year trial has just come to its end, with AGMs soon to be announced.
There was an usually large number of entries in the new varieties competitions, in both the nursery stock and pot plant categories. More bench space would have been welcome! The judges had no shortage of impressive entries to consider. BeePure, a fine Monarda, and Heucherella Hopscotch may well have been in the running as the judging panel was picking nursery stock winners.
In the bedding and pot plant entries, particularly notable among the also-rans were begonia Esmée Dreams, from Beekenkamp, Thunbergia A-Peel Tangerine Slice, a Proven Winner from Kernock Park Plants, and dianthus Peach Party, bred by Selecta and entered by Pentland Plants. Then for something quite different, there was the Chick Charms collection of Sempervivum varieties, entered by Newey Young Plants.
XL Horticulture took the award for best new professional equipment, with the double-layer polythene film product XL Evo Twin Skin. It enables tunnel structures to be clad just as though conventional single film were being used. The two layers can then be separated by pumping air between them, very simply creating a highly insulated structure.
The Birchmeier motorized knapsack sprayer, entered by Agralan, won a High Commendation. Its air-supported spraying system offers users easy control over droplet size and cover. The Skelly Tray, a recyclable shuttle tray for use with biodegradable pots, was also Highly Commended. From Plantopia, this re-useable tray ensures that pots made of peat fibre, paper or cardboard can breathe, so maximising root growth within them. The INDO Element, Europe's first direct drive LED growlight, won the award for Best Professional Product. From lighting specialists INDO, this is compact, extremely simple and inexpensive to install, and almost maintenance-free. Each fitting weights little over 3.0kg. The spectral performance is claimed to be superior to competitive products.
And for the best retail product, Tyne Moulds and Machinery successfully entered its Vertical Planter, a green living wall system. It can be simply fixed to any type of wall. Ones that are not load-bearing are also suitable, using Unistrut supports and rigid steel mesh panels.
How low can we grow?


text:
Akshay Kumar, Suniel Shetty & Paresh Rawal to join forces for Hera Pheri 3
Producer Firoz Nadiadwala may either sign Priyadarshan or Anees Bazmee to helm Hera Pheri 3
By BollywoodMDB Team - April 17, 2018
In the time of sequels and remakes, the sequel that every film enthusiast is waiting to see with bated breath is Hera Pheri 3. A lot has been said and written about the sequel of late, but the project is yet to be officially confirmed by the makers. The latest update on the same is that Akshay Kumar, Suniel Shetty and Paresh Rawal might make a comeback to the blockbuster franchise to headline the third instalment.
Akshay Kumar, Suniel Shetty and Paresh Rawal
According to some industry insiders, producer Firoz Nadiadwala is yet to lock the script and the director for Hera Pheri 3. A source reveals, "Over the years, the differences between Firoz and Priyadarshan, who directed the first Hera Pheri (2000), have been resolved. So, chances are that Priyan will direct the third instalment as well."
The source goes on to say that director Anees Bazmee, who directed Welcome and Welcome Back for Firoz Nadiadwala, has also shown his interest in directing Hera Pheri 3. "At the same time, Firoz has also settled issues with Anees Bazmee, with whom he had a fallout before the release of Welcome Back. And Anees has also expressed a desire to direct Hera Pheri 3. So there is a one percent chance that he may helm it. They are also to decide which subject to make the movie on — the Hera Pheri 3 that the late writer-director Neeraj Vora was to make and which was launched in 2015 or another subject that has inspirations from Hollywood's Police Academy series."
Firoz says that he will make the official announcement in next two weeks.
Confirmed: Akshay Kumar's Toilet: Ek Prem Katha to release in China in May!
Huma Qureshi approached for Sajid Nadiadwala's Housefull 4?
Excitement Alert: Welcome 3 to go on floors from next year!
Actress Kriti Sanon is on her career's high; might bag Housefull 4 after Panipat!
Complete information of Hera Pheri
Hera Pheri Full Cast & Crew
Complete information of Welcome Back
Welcome Back Full Cast & Crew
Complete information of Welcome
Welcome Full Cast & Crew
Priyadarshan Complete Movies List
Firoz Nadiadwala Complete Movies List
Anees Bazmee Upcoming Movies
Paresh Rawal Complete Movies List
Suniel Shetty Upcoming Movies
Akshay Kumar Upcoming Movies
Complete information of Hera Pheri 3
Hera Pheri 3 Full Cast & Crew
Neeraj Vohra Complete Movies List

redpajama_set_name: RedPajamaCommonCrawl


COLORADO SPRINGS. In the Jan. 18 issue of The Colorado Catholic Herald, the first part of Father Jacques Philippe's Jan. 6 talk on personal prayer was summarized. In that portion, he focused on why prayer is essential to the life of any Christian, and he discussed some of the main fruits that a regular prayer life can produce.
COLORADO SPRINGS. Over 300 people came to Holy Apostles on a Sunday evening to benefit from Father Jacques Philippe's knowledge and wisdom on the topic of personal prayer.
COLORADO SPRINGS. Popular Catholic evangelist, speaker, and "Real Life Catholic" founder Chris Stefanick visited Colorado Springs and exhorted a sell-out crowd of 800 people at Holy Apostles to live their faith more vibrantly.
COLORADO SPRINGS. Beginning in May, a new type of prayer experience is being offered at Holy Apostles Parish. Called simply "Awaken," the event is designed to appeal to people from all walks of life who want an intimate prayer experience and an opportunity to draw closer to God.
COLORADO SPRINGS. Exactly one year after the beginning of 24/7 eucharistic adoration at Holy Apostles Parish, Bishop Michael Sheridan officially dedicated the Divine Mercy Chapel of the Blessed Sacrament following the 9 a.m. Mass on Feb. 11.
COLORADO SPRINGS. The sacrament of Penance has been widely promoted within the Church in the past few years. During the Extraordinary Jubilee Year of Mercy, from Dec. 8, 2015 through Nov. 20, 2016, Pope Francis called for extended times and opportunities for the sacrament. With this year's 100th Anniversary of the apparitions of the Blessed Mother at Fatima, Portugal, culminating on Oct. 13, 2017, the faithful were reminded of her repeated exhortations for prayer, reparation and penance.
Holy Apostles Parish to Host Eucharistic Miracles Exhibit, Looks to Offer 24-Hour Adoration Beginning in January.


Our Level Two Women's Self-Defense Class moves beyond our "Refuse To Be A Victim" Women's Self-Defense Class to more advanced skills and is approximately 2.5 - 3 hours. You must take the Level One Class prior to the Level Two Class.
Next we work on how to deal with multiple attackers, two or three coming at you -- how to move to position yourself and striking.
Then we work on additional grab attacks we didn't learn in the Level One Class. These attacks include a bear hug from the front and behind, rear and side chokes, advanced wrist grabs, and the attacker grabbing you from behind and putting his hand over your mouth and trying to drag you away. We also work on how to protect yourself from a sucker punch.
The final part of the class we work on basic knife, gun and club/bat self-defense. The gun and knife is based on the "stick-up" scenario -- where the bad guy in front of you is trying to get you to come with him by holding a knife or gun. You learn how to knock the knife away, kick the attacker and run, and you learn how to blade your body and grab the gun and fight so you can get away. With the club/bat, you learn how to "stuff" the attack and fight to get away.
Visit our Women's Self-Defense Class page for a schedule of our upcoming public classes, or call us to schedule a private class at 970-217-0501!


text:
var cmd = "docker build -t airhacks/wildfly-ha ."
var System = Java.type("java.lang.System");
$EXEC(cmd, System.in, System.out, System.err);

redpajama_set_name: RedPajamaGithub


text:
Q: Are chrome extensions saved securely? How can I encrypt them? I have been developing a chrome extension and now I want to create version 2 with database support. For this I am going to use Firebase.
I need to create a file in my extension where I add the details about the firebase connection, api key and url etc..
After reading this question: Where does Chrome store extensions?
I went to look for mine. and boom there it was. I could open the files for the extensions and see the details I added about my firebase connection.
However, I am unsure as to whether I could see it because I am the developer and its on my machine. I do not like the idea of having my access keys available nor url.
Not that I think anyone would sabotage it, but I would hate to be billed for over usage of my requests etc..

redpajama_set_name: RedPajamaStackExchange


Kawaiiiiiiiiiiiii! It looks so gorgeous. Gosh, it's so awesome.
quote music-lover! this image remember me Sakura (Tsubasa cronicle) art.. ty for sharing this wonderful image!
she looks so sad here...but all the more pretty...drawing flowers seem to be one of CLAMP's many specialties no?
I LOVE thi art! Shee looks so cute on it!


As your business evolves, you may decide to conduct all or part of its transactions online. Even if you start small, having some sort of web presence is very important in today's business environment. Perhaps you just want to give distant customers the option to order some of your products online. Here are a few tips to begin online ordering for your store.
Separate your inventories. You could continuously update sold out items or carry several of each item. For many small businesses and boutiques, this is an unrealistic option. To prevent orders on items that may have been sold in the store, set aside the inventory that is available to order online. If you carry items in low quantities, be sure that the online listing has a counter.
Don't take on more than you can handle. To help this go smoothly you'll want to take baby steps. Start with just a few items. Has you get the swing of things you can grow this aspect of your business.
Shipping is very important for online businesses. Be sure to ship items when you tell the customer they will be shipped. Take care in the packaging and presentation of the shipment. This will make happy customers and who hopefully return to shop again.


text:
Q: Exclude linting in HTML Is there any way to make the TFS linter skip specific lines in an HTML file?
I have already tried // @ts-ignore , but it works on TypeScript/ JavaScript files (but not HTML).
I'm using Visual Studio Code.


New White House communications director, Anthony Scaramucci, announces that Sarah Sanders will be the White House press secretary, taking over from Sean Spicer who resigned. Rough Cut (no reporter narration).
ROUGH CUT (NO REPORTER NARRATION) STORY: Incoming communications director, businessman Anthony Scaramucci, announced that Sarah Sanders will be the new White House spokesperson during a press briefing on Friday (July 21). The news came after U.S. President Donald Trump said in a statement that White House press secretary Sean Spicer was resigning as of August. The resignation ends a brief and turbulent tenure that made him a household name, amid further upheaval within President Donald Trump's inner circle. While not a surprise, Spicer's departure was abrupt and reflected heightened turmoil within Trump's legal and communication teams amid a widening investigation into possible ties between Trump's 2016 campaign and the Kremlin. Parodied memorably by Melissa McCarthy on the "Saturday Night Live" sketch comedy show for his combative encounters with the White House press corps, Spicer became one of the Trump administration's most recognized figures. He invited controversy from the beginning, attacking the news media in his debut appearance as press secretary for reporting what he called inaccurate crowd numbers at Trump's inauguration.


There are over two billion query results for Google "security"... it is mentioned everywhere and it has become a necessity in our lives, but do you: even realise it, know where, and when it is necessary, know where it starts and ends, and know what the hell it really is?
Security is not only the about protecting information or stopping the "bad guys" from getting in, it is, and probably more-so, about protecting you (and everything you have worked for). A rule to follow: do not confuse the following: compliance, privacy, surveillance, and security.
Understand that without you, as a collective, any great achievement on this planet will not have occurred. You have done something for someone, provided a service, directly or indirectly, and this has resulted in a positive or negative outcome for you and someone else. Consider society, where you work, the country you live, family, friends, colleagues, acquaintances, and anyone else you interact. Your government needs you, or there will be no government. Your business needs you, or there will be no business. Your family, schools, universities, transport systems, builders, super markets, and engineers, they all need you. And you, you are a consumer, a provider, a contributor. Without you, we are nothing. So it stands to reason, you are the greatest asset, and therefore you require protection, and protection is often considered the same as security.
Security, simply, comes in many forms and it absolutely depends on who or what is implementing the security. Security for you probably means installing dead bolts and secure window screens on all externally facing potential entry points and obtaining home and contents insurance, hopefully preventing theft and damage to your goods, but transferring the risk to your insurance company in case your controls at home are compromised. Security for a card processing organisation may mean that credit card data, personally identifiable information and transaction information must not be compromised in any way/shape/form. That is there must be protections against attacks on non-repudiation, authentication and authorisation, fraud, and theft.
And security for your country? Well, look at the UK... cameras all over London watching your every move all in the name of security. Alternatively, think about the defence force for your country, and more closer to home, the local police. These are all meant to provide security against threats to your livelihood. Now, that is all just common knowledge. There's nothing creepy (well, continuous monitoring is...) about the above types of security.
What you may not realise is that, on the Internet, you are being watched, and this "watching" is all in the name of security. When you purchase goods online, you are profiled to help prevent fraudulent transactions. When you check your items shipped via courier/post, you are being profiled... this profiling is essentially the gathering of metadata, data which does not detail exactly what you did, but it can generally be easily reconstructed to determine exactly what you did.
So how does metadata fit into security? A very simple example is the URL you entered to access this web-page is metadata. It does not detail exactly what you saw when you accessed the page, but that you accessed the page. Someone who had access to this metadata could use it to determine that you read an article about security... even though the content may have changed between when you accessed this site and when the "snoop" accessed the site. Security, for you, should encompass the protection of your metadata. It defines where and when you have been somewhere, who you have spoken to, but it does not detail what you saw, heard, discussed, or consumed. So now you should start realising that everything you do can be attributed back to you in some way or another.
Security in the final example above is generally not necessary. For the rest, there is a direct correlation between value, goods, and people and security should rightfully be implemented. The final example is a giant can of worms, a political hot potato, and the general thought is that metadata collection is surveillance. See https://search.wikileaks.org/?q=metadata for some interesting reading on metadata collection.
Surveillance is not necessary, and it most definitely is not security. Surveillance assists in the cases where there is a direct threat and direct knowledge of exactly who, what, where, when, and why something is being monitored. Otherwise, metadata collection is a surveillance tactic that does not assist in security for us or our country (but we may be told otherwise), and the majority of us should agree that surveillance is not nice, necessary, needed, or wanted.
Security, in short, is required to protect you, your assets, your organisation, your intellectual property, and your country. To what level is it necessary? That is entirely subjective, there is no hard and fast rule for implementing security. Judgement calls are made, information assessed and levels of security decided upon by the primary stakeholders for the assets in question.
Security starts with you, funnily enough, it ends with you. When you give up, you lose your rights to free speech and freedom. It is often stated that security awareness training in an organisation is key to ensuring the security of your organisation. Without security awareness training, your staff will not know what is acceptable and secure behaviour and will have a higher likelihood of clicking that email offering them a free iPhone. Even the best patched and secured systems can be bypassed by a person who is motivated enough to bypass the security controls because the controls are cumbersome and annoying. If you start acting insecurely, the things with which you interact will become inherently insecure.
Security, so what the hell is it?
Security is the protection of an object from harm (loss) against it. If a policy or decision is not protecting something from harm, well, you are not implementing security. To clarify, security controls, such as insurance, can be utilised to reduce the impact of harm against an object. That is, insurance transfers the risk of harm to a third party so that you do not have to spend more resources than that which your are attempting to protect. Implementing a $150,000 security system on your home to protect $100,000 worth of assets is financially absurd. There is more sense in obtaining an insurance policy to cover the replacement cost of your $100,000 worth of assets. This is security through transfer of risk to mitigate loss. Security is your seatbelt and air-bag in your car to protect you from serious harm in the event of an accident. Security is the password and authentication controls on your e-mail account to prevent anyone from reading your private conversations. To implement security effectively you must assess the threats.


Run by the Schoeman's, our Skeleton Coast safari is a real journey of discovery! The guides are top-notch experts who hop you around in a light aircraft like most use 4WDs – covering big distances to visit really diverse areas; these trips are about scenery, wildlife, geology and, above all, about real wilderness areas. These trips are described by some travellers as 'life-changing'. However, they aren't about luxurious accommodation or relaxation; so they suit more inquisitive and adventurous travellers best.
On their spectacular flights you often see shipwrecks, seal colonies and flamingos; whilst on the ground, you'll explore in modified Land Rovers and on foot. On a typical trip you'll cross enormous dunes by 4WD, track some of the areas desert adapted wildlife, slide down roaring dunes, and marvel at a landscape littered with semi-precious stones.
For more information and reviews of this unique safari experience please see our Schoeman's Skeleton Coast Safaris page.
Note that this short trip is designed as an add-on to our other trips in Namibia; it does not include any international flights.


A snap of a sailor from the Hatch.
What does stoke proclamation mean to me? It means a session of windsurfing in 30 mph average wind. Then when out of the water wanting to do it all over again.
Every year I imagine how the first day of the season might be. My mind conjures a stiff breeze (20 mph) and not-so-frigid water . But when the Gorge turns on, I will not be sitting on the sidelines.
Below is the wind graph. I was sailing at the peak of the day, something that usually only occurs in my fevered imagination.
I am thankful for such an excellent day!


text:
Heinz Zednik
Date of Birth 21-February-1940
Place of Birth Vienna
(Austria)
Nationality Austria
Also know as Zednik, Heinz
Profession Singer
Heinz Zednik is an Austrian operatic tenor, closely associated with the character tenor roles of Wagner such as Mime and Loge and David. He is also distinguished in roles such as Valzacchi, Monostatos, Pedrillo, the Scribe, the Captain in Wozzeck, and the Director. Zednik studied singing in Vienna before making his professional opera début in 1964 at Graz as Maestro Trabuco in La forza del destino. Shortly thereafter he was engaged by the Vienna State Opera where he remains a member to this day. He appeared at the Bayreuth Festival annually from 1970 through 1980, and was seen as the successor to Gerhard Stolze. During his time at the festival, he sang Loge and Mime in the Jahrhundertring in 1976, celebrating the centenary of both the festival and the first performance of the complete cycle, conducted by Pierre Boulez and staged by Patrice Chéreau, recorded and filmed in 1979 and 1980. Zednik made his debut at the Metropolitan Opera in 1981 as Mime in Das Rheingold. He returned to that house numerous times through 1998 in such roles as Don Basilio in The Marriage of Figaro, the Dancing Master in Ariadne auf Naxos, Monostatos, Pedrillo, and Prince Shuisky in Boris Godunov.
Awards by Heinz Zednik
Check all the awards nominated and won by Heinz Zednik.
Grammy Award for Best Opera Recording
Honored for : Das Rheingold (The Metropolitan Opera Orchestra feat. conductor: James Levine)
(Artist, Producer, Conductor)
Grammy Award for Best Opera Recording Das Rheingold (The Metropolitan Opera Orchestra feat. conductor: James Levine)
Honored for : Wagner: Der Ring Des Nibelungen
Grammy Award for Best Opera Recording Der Ring des Nibelungen


Classic Jazz, sometimes called Dixieland or Trad Jazz van be a path into the music. However since the 100th birthday of recorded jazz passed last month, those who stick to recreating jazz standards of earlier eras are in the position of Early Music devotes who refuse to consider anything not played on period instruments. Ironically enough some well-known Free players started out as Dixielanders, including saxophonist Steve Lacy and Toronto artist/pianist Michael Snow, but they soon switched to more challenging fare. Recently a new curiosity has emerged though. As a post-modern paradox some advanced improvisers are mixing old timey classics with free form sounds with unique results.
Take for instance the Italian octet The Freexielanders. On Looking Back, Playing Forward (Rudi Records RRJ1032) the band brings the same rollicking, texture-stretching freedom to contemporary original as they do to two-beat tunes that were even considered warhorses in the early 1950s. Yet starting with the first track which blends the hoary "St. Louis Blues" with "Gotta Get to St. Joe", the foot tapping performance is done with such finesse that it's obvious that Alberto Popolla's sparkling clarinet blowing and Giancarlo Schiaffini's gutbucket trombone slurs would impress during this pseudo-march exposition whether played in 1917 or 2017. This same sort of transubstantiation is applied to standards like "Yardbird Shuffle", borne on trumpeter Aurelio Tontini's Gabriel-like high chortles and slap bass from Gianfranco Tedeschi; or "Black Maria" that evolves into a hearty swing-shuffle dance, following a jagged split tone intro from the five horns plus vibraphone-clanking extensions from Francesco Lo Cascio that could have been part of a 1965 Free Jazz date. Like actors who are as convincing in a Shakespearean production as in an action flick, the eight perform reverse alchemy on modern tunes. "Sabor de habanera", a Schiaffini composition, moves from tango to tea dance to something more within the contrapuntal challenge between the trombonist and clarinetist and ends with a Count Basie-like repeated riff. Meanwhile "Voice del Deserto"treated as a cousin to Hoagy Carmichael's "Hong Kong Blues" features both free-form reed wiggles from Popolla and sizzling Gene Krupa-styled pumps from drummer Nicola Raffone. Relentless polyphony that characterize the recasting of Jelly Roll Morton's "Cannonball Blues" relates both to notated orchestrations with a Native Indian-like lilt that pulls it one way plus slap bass and so-called Jungle effects trumpeting pulling it in another. More distinctively Tontini's sputtering tongue stops and Schiaffini's well modulated slides not only made a perfect toping for the stacked reed trio vamps on Come Sunday but by leaving space for altissimo clarinet puffs. The piece is deconstructed to the extent that the performances – like most of the CD – become timeless.
Pianist Jelly Roll Moton's jazz funeral took place in 1939, but pianist Dave Burrell and tuba player Bob Stewart pinpoint the adaptability of Moron's arrangements to contemporary setting on The Crave (No Business Records NBLP 100), by splitting the program between three Morton compositions and three by Burrell. A commanding stylist, Burrell's performances bring an Ellington-like refinement to this bare-bones format, opened up on tracks such as his own "Pua Mae Ole". But at the same time, like a couturier who insists on classic detailing on a leading-edge garment he's crafting, the pianist doesn't mute echoes of the past, such as primitive blues on Morton's "New Orleans Blues" and ragtime reflections on Morton's "The Crave". On the second tune Stewart defines the function of a so-called brass bass, huffing a grounding ostinato alongside the pianist's jaunty interpretation that also twist tango intimations into Hot Jazz with intelligent pauses and contemporary chord augmentations not upsetting the piece's terpsichorean orientation. In contrast, the tubaist's dramatic growling coupled with the pianist's meditative pace ups the intense story telling that is Burrell's I Am His Brother. Instructively enough Burrell's savvy conversion of two other Morton tunes point out the lineage between 1920s ivory ticklers and Monk. These Monkish allusions are especially noticeable on the harder-edged "Spanish Swat", where Burrell's keyboard creeping leads to opaque, moderato and angled patterning. His narrative which slides from high-pitched glissandi to segmented bass chords, are held up like top man on a human pyramid by Stewart's puffing continuum. "New Orleans Blues" is taken at a more leisurely pace than the original, with contemporary note variations pock-marking the stone face of Morton's original. These improvisations not only stretch the theme with the looseness of a cat chasing a string, but allow the tuba player's contemporary oom pah pahs to march in rhythmic lockstep with Burrell's deeply felt and relaxed tune elaborations.
Gathering these strands together to revamp existing parts of the jazz canon is Nabatov's contribution to examining classic music from new angles. All the CDs are instances of how intermingling new ideas and older themes rejuvenates venerable material.


text:
Culture Desk
Of Meat and Men
By Dana Goodyear
Over the past fifty years, Paul Rozin, a professor of psychology at the University of Pennsylvania who coined the term "the omnivore's dilemma" to refer to the moral and emotional hazards posed by man's ability to eat anything, has made a comprehensive, Roald Dahl-esque study of food taboos, giving quantifiable dimension to a body of anthropological and ethnographic research that started with Sir James George Frazer's "The Golden Bough." His research often tests the limits of our willingness to eat, and involves experiments like presenting toddlers with Pepperidge Farm shortbread sprinkled with "grasshopper powder" (sugar, flour, green food coloring) and glasses of apple juice stirred by hair combs.
Rozin's latest paper, "Is Meat Male?," published last week in the Journal of Consumer Research, explores the metaphoric meaning of meat in Western culture. Specifically, is mammal muscle coded masculine? Are eggs, milk, and placentas thought to be feminine or feminizing foods? Is rawness more male than cookedness? (About the eggs: I thought instantly of two things. One was the trouble some friends have reported with eating eggs while pregnant. The other was the Los Angeles food truck called Egg Slut, which I last saw parked outside Lindy & Grundy, the married female butchers whose gender-role-reversing shop could be fodder for a Frazer monograph.)
As always with Rozin, you sense that he is having fun, getting undergraduates at Penn (presumably those enrolled in his Intro to Psych course, PSYC 001) to free-associate with the words "steak," "chocolate," and "beef" and questioning them about the maleness and femaleness of foods like raw beef, beef chili, broiled chicken, rabbit, sushi, and scrambled eggs. (Medium-rare steak, hamburger, well-done steak, and beef chili: most male; sushi, chocolate, chicken salad, and peach: most femme.)
Interestingly, when it came to ranking milk, eggs, and beef placenta, the research team found that "the data provided no evidence that these foods are symbolically linked to femaleness." Processing food, on the other hand, lowered the perceived maleness of food; chicken salad was considered far less male than broiled chicken. (The hypothesis being tested was whether "foods that have received more culinary treatment, that is, are more distant from raw, as a result of being traditionally processed more by females, will be more psychologically female"; I wonder how much the lady-word "salad" factored in. What if the more processed food item had been duck confit?) Feminists, the study determined, were more likely to link meat and gender. When it came to their personal preferences, undergraduate women claimed to be more into chocolate, salad, fruit, and vegetables, while the guys gave higher "like" scores to beef, meat, and—go figure—orange juice. Rozin and his co-authors saw this as evidence of "gender identity maintenance": women avoid foods associated with men in order to stay feminine. I wonder where that noxious-looking stuff Muscle Milk would fall—somewhere, maybe, on the list of substances banned to female Olympians.
Though the salad-chocolate/burger-steak divide doesn't strike me as too revelatory—I remember it well, how meat-eating tends to be something women mature into (and then out of again), like brown liquors, usually in the "Girls" years, just post-college—I was surprised that organ meat wasn't found to have much of a boy vibe. Liver, kidney, and blood scored low both for maleness and femaleness. In the restaurant world, there is an unmistakable aura of masculinity around the eating of bits—newly unhumbled cuts like heart, lungs, kidneys, tongue, and blood. Eating them is a measure of one's daring, and a mark of commitment to a certain kind of experience-driven twenty-first-century dining; cooking them usually means having tattoos of pigs' heads, knives, or foie-gras ducks on one's own muscles. And yet: Chris Cosentino, the chef who, at his restaurant Incanto, helped pioneer the new offal in this country, has just come out with his first cookbook. "Beginnings: My Way to Start a Meal," unexpectedly, is light on brains and balls—two of Cosentino's standbys—and thick with wonderful-sounding recipes built around vegetables, herbs, and eggs. There is even one for grilled peaches.
Photograph by Carl de Keyser/Magnum.
Dana Goodyear is a staff writer at The New Yorker and the host of the podcast "Lost Hills."
More:Meat
The New Yorker Recommends
What our staff is reading, watching, and listening to each week.


text:
Кредобанк (KredoBank) — український банк, заснований в 1990 році, з головним офісом у Львові. На 100 % належить найбільшому польському банку PKO Bank Polski.

Мережа обслуговування Кредобанку становить 82 відділення у 22-х областях України та у Києві. Чисті активи станом на 1 липня 2021 року становлять 27 339,6 мільйонів гривень, за їх розмірами Кредобанк входить в двадцятку найбільших банків України. Чистий прибуток на 1 липня 2021 року склав понад 423,9 мільйонів гривень, за його розмірами Кредобанк також увійшов в двадцятку найприбутковіших банків України.

Клієнтами банку є понад 56 тис. юридичних осіб та підприємців та 626 тис. фізичних осіб. Банком емітовано 383 тис. платіжних карток.

Історія
Публічне акціонерне товариство «Кредобанк» є правонаступником АТ «Кредит банк (Україна)» і АТ «Західно-Український Комерційний Банк» (ЗУКБ), яке було створено у Львові та зареєстровано як товариство з обмеженою відповідальністю в Державному банку колишнього СРСР 14 травня 1990 року (реєстраційний № 289) і перереєстровано у НБУ 14 жовтня 1991 року (реєстраційний № 24). 21 лютого 1992 року на загальних зборах акціонерів ЗУКБ перетворено в акціонерне товариство відкритого типу (Свідоцтво про реєстрацію банку № 96 від 31.03.1992 р.). Відповідно до рішення позачергових загальних зборів акціонерів банку від 17 серпня 2001 року банк змінив назву з Акціонерне товариство «Західно-Український Комерційний Банк» на Акціонерне товариство «Кредит Банк (Україна)», у зв'язку з чим позачерговими загальними зборами акціонерів банку 26 жовтня 2001 року внесено відповідні зміни в Статут банку.

У 2004 році завершився процес зміни стратегічного інвестора АТ «Кредит Банк (Україна)». У Варшаві відбувся продаж акцій (увесь пакет — 66,65 %), які належали Kredyt Bank SA (Варшава), на користь найбільшого польського банку PKO Bank Polski. У результаті 17 листопада 2005 року відбулися позачергові збори акціонерів АТ «Кредит Банк (Україна)», на яких акціонери затвердили зміну назви банку на Відкрите Акціонерне Товариство «Кредобанк». А 1 березня 2006 року банк офіційно змінив назву на ПАТ «Кредобанк».

З вересня 2013 року банк проводив ребрендинг. 5 вересня був представлений оновлений логотип банку. Новий логотип Кредобанку, виконаний в корпоративному стилі стратегічного інвестора банку — найбільшого банку Польщі PKO Bank Polski SA, символізує європейський підхід до умов і стандартів обслуговування клієнтів, а в перспективі — спрощення процесів надання банківських послуг.

21 січня 2019 року тип та найменування ПАТ «Кредобанк» змінено на АТ «Кредобанк», здійснено державну реєстрацію нової редакції Статуту банку, внесено зміни до відомостей про юридичну особу, що містяться в Єдиному державному реєстрі юридичних осіб, фізичних осіб-підприємців та громадських формувань.

Від 11 січня 2020 року клієнти Кредобанку отримали можливість користуватися новою системою онлайн-банкінгу . Нова платформа онлайн-банкінгу замінила систему «КредоДайрект».

Восени 2021 року Кредобанк представив пропозицію пакету банківських послуг з винятковими можливостями під назвою «Правильна картка ». Її суть — прозорі правила, безкоштовне обслуговування рахунків, вільний доступ до банкоматів на території України та Польщі й інструменти для заощадження коштів. За активне користування «Правильною карткою» протягом перших шести місяців клієнти отримають бонус у розмірі до 1000 гривень.

Структура

Динамічні темпи розвитку Кредобанку, вихід на нові географічні ринки, розширення спектру послуг, застосування нових банківських технологій зумовлюють необхідність постійних змін в організаційній структурі банку та побудову такої, яка б давала змогу оперативно реагувати на зміни ринкової кон'юнктури.

Станом на 1 липня 2021 року організаційну структуру АТ «Кредобанк» формують головний банк і 82 відділення.

У АТ «Кредобанк» працює близько 2000 осіб, переважно це люди з вищою та вищою фінансово-економічною освітою. При цьому домінує молодь віком до 35 років. Бізнес-тренінги персоналу здійснюються з залученням міжнародних установ: Британського фонду Ноу Хау (Know How Fund), Західно-Української ініціативи ACDI/VOCA (Agriculture Co-operative Development International). Значну допомогу у навчанні надає PKO Bank Polski SA, у якому персонал проходить стажування і знайомиться з досвідом роботи на польському фінансовому ринку.

Структура власності:
 PKO Bank Polski SA — 100 %

Керівництво
Посаду голови правління банку в різний час займали:

 Степан Кубів (2000—2008), який після очолював НБУ
 Дмитро Крепак
 Гжегож Шатковський (з 9 серпня 2016)

Нагороди

2021 рік

 2 місце в номінації «іпотечний кредит» у дослідженні «50 провідних банків України» агентства «Фінансовий клуб».
 3 місце в номінаціях «автокредит» та «лізинг» у дослідженні «50 провідних банків України» агентства «Фінансовий клуб».
 1 місце премії Prostobank Awards у трьох номінаціях «Найкращий банківський продукт»: депозити для фізичних осіб, кредити на авто та іпотека для придбання житла на вторинному ринку.
 2 місце премії Prostobank Awards у номінаціях: «Кредитні карти» з кредитною карткою Кредобра+, споживчі кредити під заставу та кредити готівкою.
 Кредобанк увійшов в ТОП-5 лідерів рейтингу надійності банків України від фінансового порталу «Мінфін» за підсумками 2020 року.
 3 місце у рейтингу надійності великих роздрібних українських банків за версією ділового видання «Фокус».
 2-ге місце у рейтингу надійності банківських депозитів за версією рейтингового агентства «Стандарт-Рейтинг».
 Кредобанк переможець рейтингу «Банки 2021 року» за версією агентства «Фінансовий клуб» у номінації «Роздрібний банк» серед великих банків іноземних банківських груп.

2020 рік

 5 місце у рейтингу надійності великих роздрібних банків України за версією журналу «Гроші»..
 2 місце у рейтингу надійності банківських депозитів за версією рейтингового агентства «Стандарт-Рейтинг».
 Перемога у номінації «Доступний кредит» VIII Всеукраїнської будівельної премії «Ibuild 2020».
 5 місце в рейтингу фінансової стійкості банків України від недержавної системи перевірки контрагентів YouControl за підсумками 9-ти місяців 2020 року.
 Перемога у номінації «Розвиток міст та громад» ХІ Всеукраїнського конкурсу кейсів з корпоративної соціальної відповідальності від Центру «Розвитку Корпоративної Соціальної Відповідальності».
 5 місце рейтингу надійності великих роздрібних банків України за версією журналу «Гроші» за підсумками 2 кварталу 2020 року.
 6 місце у рейтингу стійкості банків за підсумками 2 кварталу 2020 року за версією фінансового порталу «Мінфін».
 1 місце в номінації «Овердрафти» у щорічному рейтингу «50 провідних банків України».
 2 місце у номінації «Лізинг» у щорічному рейтингу «50 провідних банків України».
 3 місце в номінаціях «Іпотечний кредит» та «Автокредит» у щорічному рейтингу «50 провідних банків України».
 2 місце у рейтингу надійності банківських депозитів від рейтингового агентства «Стандарт-Рейтинг».
 3 місце в номінації «Вибір населення» у рейтингу «Фінансовий Оскар-2019» за версією журналу «Бізнес».
 Кредобанк визнано переможцем рейтингу «Банки 2020 року» за версією агентства «Фінансовий клуб» у номінації «Чистий банк» серед великих банків іноземних банківських груп.
 За підсумками 2019 року продукти Кредобанку увійшли до ТОП-3 в п'яти номінаціях премії Prostobank Awards: 2 місце у номінації «Автокредити» отримав автокредит «Доступний», 2 місце у номінації «Іпотека на придбання житла на вторинному ринку», у номінації «Депозити» 3 місце посів депозит «Прибутковий», серед продуктів для бізнесу 2 місце у номінації «Депозити для бізнесу» отримав депозит «Стандарт online», 2 місце у номінації «Розрахунково-касове обслуговування» отримали тарифи «Comfort».

Участь у професійних організаціях та установах
Кредобанк — член Незалежної асоціації банків України, Асоціації банків Львівщини, Європейської  Бізнес Асоціації, Професійної асоціації корпоративного управління, Асоціації платників податків України, Львівської торгово-промислової палати, Представництві «Польсько-Української Господарчої Палати», Професійної Асоціації учасників Ринків капіталу деривативів, Міжнародному товаристві польських підприємців, Асоціації «УкрСВІФТ», Асоціації «ЄМА», Асоціації «українське об'єднання лізингодавців», Конфедерації будівельників України, а також міжнародних платіжних систем Europay International і Visa International, Фонду гарантування вкладів фізичних осіб.

АТ «Кредобанк» входить до єдиної Всеукраїнської мережі банкоматів «РАДІУС» яка включає 24 банки-учасники з понад 2000 банкоматів по всій території України.

Соціальна відповідальність
Щороку Кредобанк бере участь в багатьох акціях та заходах в різних сферах суспільного життя: «Кіно в парку», «Читаємо з Кредобанк», «Музика у старому Львові», «З добрим серцем» та інші.

«Кіно в парку з KredoBank» — це показ фільмів світового кінематографу просто неба. Щорічний захід від Кредобанку, який збирає мешканців та гостей міста в Парку культури та відпочинку ім. Богдана Хмельницького у Львові.

Реалізація ініціативи «Читаємо з KredoBank» привернула увагу до читання в масштабах всієї України, заанґажувавши понад 500 працівників банку, 300 тисяч клієнтів банку та більш ніж 26 тисяч школярів з усіх куточків країни.

Соціальна ініціатива «Читаймо з KredoBank» перемогла у номінації «Розвиток міст та громад» ХІ Всеукраїнського конкурсу кейсів з корпоративної соціальної відповідальності від Центру «Розвитку Корпоративної Соціальної Відповідальності». Окрім того, Кредобанк отримав відзнаку Українського культурного фонду в спеціальній номінації цього ж конкурсу «Бізнес, що підтримує культуру».

Кредобанк періодично займається благодійною діяльністю. Так, в жовтні 2013 він виступив партнером ХІІІ Міжнародного економічного форуму у Львові. 1 листопада 2013 з нагоди Всесвітнього дня заощаджень працівники банку провели екскурсію Кредобанком львівським школярам.

Співпраця з візовими центрами Польщі
Кредобанк є одним з двох польських банків (інший — Ідея Банк) який має право приймати оплату сервісного збору за подачу документів в пунктах прийому візових анкет до Польщі.

В червні 2020 року Кредобанк впровадив онлайн оплату послуг візових центрів . Новий сервіс дозволяє сплатити збір за розгляд заяви на отримання національної візи Польщі картою будь-якого українського банку, не відвідуючи банківське відділення, а також значно скоротити час прийому платежу в касі банку.

Примітки
 При підготовці статті використано інформацію з офіційного сайту  Кредобанку

Посилання

 Офіційний вебсайт
 Онлайн-банкінг KredoBank
 Правильна картка від KredoBank
 Кредит готівкою від KredoBank
 Кредитна картка від KredoBank
 Рефінансувати кредит у KredoBank

 Відгуки про обслуговування в Кредобанку на finance.ua

Підприємства Львова
Банки України
Банки Львівської області
Банки мережі РАДІУС
Банки України іноземних банківських груп
Системно важливі банки в Україні

redpajama_set_name: RedPajamaWikipedia


The Converse shoe company started publishing their well-known advertisement with slogan "Every Artist Needs His Canvas", in a number of skate magazines, in 1988. Every person wants to feel him/herself very important, unique, and talented The company had used this feature of the human's character in the advertisement; and that proved to be a sound decision.
In the selected advertisement of the Converse brand, there are a variety of colors, style, and element of enjoyment. At the same time, this piece of advertisement covers the target audience on large scale.
By examining the image, one can notice a variety of shoes represented at the bottom, as the Converse advertisement was intended to cater various groups of audience. So, it would be not wrong to say that this advertisement shoot has targeted more than one group. Yet, on the other hand, the color, the style that each shoe represents, demonstrates the concept and character of different groups of people. The element of enjoyment in the eyes of the boy with a skate, and his pose is actually pride of high brand and sstylish shoes which he wear.
In addition, the slogan written on yellow paper, "Every artist needs his canvas", inspires the potential buyer to create and be artistic, and, on the other hand, insures that Converse is able to meet requirements of every person; Converse is highly motivated to provide the exact canvas to each and every customer.
In conclusion, demonstration is vital element in advertisement. And, if it is a printed advertisement, the appropriate themes of demonstration make it more viable. Hereinafter, it has been determined with the analysis of the selected advertisement that crafty and themed appearance of products in media denotes to appealing advertisement. And, if product's craft is being made by understanding of audience approach, it makes the product not only viable but profitable as well.


While on the phone, Shane gives Megan and Andrew a few tips on how to best manage their cattle and get the best MSA grading results.
Click the buttons to find out more. Then click Next to take a knowledge check.
MSA cattle sold through an accredited sale-yard must be slaughtered within 36 hours of leaving the property of dispatch.
Do not consign cattle of poor temperament.


I'm Serena Janine Hampton. I'm a licensed hair consultant who has been glamorizing people for over 15 years. Starting out as a teenager my dream was to style a diverse group of people, which would set me apart from any other hair artist. Originally from the Metro Detroit area, there are many talented hairstylists, so you have to be extremely talented to stand out.
I knew that in order to be the best I had to learn from the best. I sought out the best Cosmetology school I could find within Michigan. That school was Michigan College of Beauty in Troy, Michigan. MCB is a Pivot Point school. The training I received there prepared me for my career as a hairstylist.
I've been extremely fortunate to work with many people and on a variety of projects. Some of them include working with BravoTv, TLC, Essence magazine, Woman's Day magazine, Washingtonian magazine and Munaluchi bride just to name a few. The opportunities that I've had has positioned me to be able to work in diverse work environments, as well as allowed me to gain tools that I have been able to use to enhance my knowledge as a Hair Consultant.


christmas bows check out this item in my shop wwwcom listing red tree topper large bow for doors dublin.
baseball background cloud for powerpoint.
cute t shirts for tweens.
art deco frame background stock vector border design.
big little reveal shirts funny diy.
scarf pins classic alloy enamel swallow brooch metal gift banquet jewelry sets price in pakistan.
plaid fabric red natural dimensional paint.
tulle maxi skirt photo diy for adults.


text:
Dynamo Dash Academy Joins The New Girls Academy - Atascocita
Published: May 08, 2020, 2:00pm
As many of you know, the United States Soccer Federation abruptly ended the U.S. Development Academy (commonly referred to as the "DA") a few weeks ago. Since the DA's demise, Dynamo Dash Youth has been organizing plans for a new league to compete in. As per the announcement circulated yesterday, we are pleased to confirm that the Dash Academy will be joining the new Girls' Academy, an elite national league to replace the DA.
The Girls Academy (or "GA") is nationally comprised of most of the clubs from the DA and will serve as the top competition platform for our girls' program.The Dash Academy will compete in the Frontier Division along with eight other clubs, including: Colorado Rush (Denver); Lonestar (Austin); Lou Fusz Athletic (St. Louis); Oklahoma Energy FC (Oklahoma City)Rise SC (Houston); San Antonio SC (San Antonio); Sporting BV (Kansas City); Westside Alliance (Tulsa).
While there is a new league and some new opponents, you will have the same coaches, teammates, resources, environment, schedule, curriculum, standards, and professionalism. Some of the clubs you are used to seeing in the Frontier Division are no longer with us. The majority of the strongest clubs across the country, and formerly with the DA, have chosen the GA. We will compete against these clubs in national tournaments, college showcases, and special cross-conference events. A few benefits to highlight:
The GA will be organizing a series of college showcases for our participation
Substitution rules will be relaxed, allowing more playing time across the roster
Players will be allowed to also participate in high school soccer
Dynamo Dash Youth is extremely excited about joining the Girls Academy League and the opportunity it will present to the club and, more importantly, to you as a player. They look forward to returning to the field soon and preparing for the new season.
If you have any questions, please email Mark Gibbs at [email protected] or visit www.dynamodashyouth.com
Receive $100 Off Generator Installation


text:
Q: .NET Core SPNEGO Auth with HttpClient I'm currently writing up a simple .NET Core based client for interacting with Hadoop Clusters via WebHCat and I'm trying to figure out how to authenticate with the SPNEGO as you would in something like curl or Powershell Core.
Using Curl I am able to query the status endpoint of WebHCat like so:
curl "http://10.2.0.9:50111/templeton/v1/status" --negotiate -k -u :

The same request can also executed in Powershell Core:
$client = New-Object System.Net.WebClient;
$client.UseDefaultCredentials = $true;
$client.DownloadString("http://10.2.0.9:50111/templeton/v1/status");

However when it comes to running the following in a .NET Core project sitting on the same server as the cluster:
using System;
using System.Net;
using System.Net.Http;
using System.Threading;
using System.Threading.Tasks;

namespace testauth
{
    class Program
    {
        static async Task Main(string[] args)
        {
            var host = "http://10.2.0.9:50111/templeton/v1/status";
            var handler = new HttpClientHandler
            {
                UseDefaultCredentials = true,
                AllowAutoRedirect = true,
            };
            using (var client = new HttpClient(new LoggingHandler(handler)))
            {
                var res = await client.SendAsync(new HttpRequestMessage(HttpMethod.Get, host));
            }
        }
    }

}

I get the following error:
Unhandled Exception: System.ComponentModel.Win32Exception: GSSAPI operation failed with error - An invalid status code was supplied (Server not found in Kerberos database).
   at System.Net.NTAuthentication.GetOutgoingBlob(Byte[] incomingBlob, Boolean throwOnError, SecurityStatusPal& statusCode)

The client is running .NET Core 2.1 so as was mentioned in this issue I should just be able to pass default credentials into the handler and it would work as expected.
I have also tried writing the same code that I used in PowerShell Core in C# and despite the code being identical it still throws the same error?
The only other details I can give is that the Kerberos is connected to an Active Directory instance with only one user and all these requests are run after the ticket for that user have been created with kinit.

A: I managed to find a fix. With ASP.NET Core 2.1 they introduced a new SocketsHttpHandler which is used by default for requests. This means that on some platforms it may override the HttpHandler provided in my request and so to default to the sockets handler you should use:
AppContext.SetSwitch("System.Net.Http.UseSocketsHttpHandler", false);

This fixed my request.


So 30 days ago we started EA Active for the Wii on the 30 day challenge. This is a great workout. It's two days on and one day off to recover. There are three levels of intensity, "easy", "medium", and "hard". Everyday we focus on either, upper body, lower body of total body. There is always a lot of cardio.
At first I never thought I'd be able to make it through. It was HARD and I was on level, "easy". Yikes I was out of shape. After every workout I would feel like I was dying. About 5 days in, it started to get easier. And half way through I moved myself up to "medium" level. Let me tell you, it was killing me again. But I knew this time that I could do it, I just needed to keep at it. After 5 days into that I would look at the workout and change the intensity according to what I was doing. My upper body was stronger then my lower so for upper body I'd do "hard" level and for lower body I would do "medium".
So, I am done with the 30 day Challenge. I didn't lose as much weight as I wanted to but I am stronger and I can see muscles. My clothes don't even fit me anymore, they are nice and loose.
I will be starting the 6 week challenge this week with the add on cd you can buy in stores. I look forward to this. I have already previewed the workouts and they are even more intense. I hope I'll loose more weight this time.
By Spring I would like to run outside for 20 min.
Attached is a photo of what I look like at the beginning of the 30 day Challenge. I will post a photo after I finish the 6 week challenge.


text:
package org.jboss.resteasy.test.providers.jaxb.resource;

import org.jboss.resteasy.annotations.providers.jaxb.Wrapped;
import org.junit.Assert;

import javax.ws.rs.Consumes;
import javax.ws.rs.GET;
import javax.ws.rs.PUT;
import javax.ws.rs.Path;
import javax.ws.rs.Produces;
import javax.ws.rs.core.GenericEntity;
import javax.ws.rs.core.Response;
import java.util.ArrayList;
import java.util.HashSet;
import java.util.List;
import java.util.Set;

@Path("/")
public class CollectionResource {
    private static final String WRONG_REQUEST_ERROR_MSG = "Request contains wrong data";
    @GET
    @Path("array")
    @Produces("application/xml")
    @Wrapped
    public CollectionCustomer[] getCustomers() {
        CollectionCustomer[] custs = {new CollectionCustomer("bill"), new CollectionCustomer("monica")};
        return custs;
    }

    @PUT
    @Path("array")
    @Consumes("application/xml")
    public void putCustomers(@Wrapped CollectionCustomer[] customers) {
        Assert.assertEquals(WRONG_REQUEST_ERROR_MSG, "bill", customers[0].getName());
        Assert.assertEquals(WRONG_REQUEST_ERROR_MSG, "monica", customers[1].getName());
    }

    @GET
    @Path("set")
    @Produces("application/xml")
    @Wrapped
    public Set<CollectionCustomer> getCustomerSet() {
        HashSet<CollectionCustomer> set = new HashSet<CollectionCustomer>();
        set.add(new CollectionCustomer("bill"));
        set.add(new CollectionCustomer("monica"));

        return set;
    }

    @PUT
    @Path("list")
    @Consumes("application/xml")
    public void putCustomers(@Wrapped List<CollectionCustomer> customers) {
        Assert.assertEquals(WRONG_REQUEST_ERROR_MSG, "bill", customers.get(0).getName());
        Assert.assertEquals(WRONG_REQUEST_ERROR_MSG, "monica", customers.get(1).getName());
    }

    @GET
    @Path("list")
    @Produces("application/xml")
    @Wrapped
    public List<CollectionCustomer> getCustomerList() {
        ArrayList<CollectionCustomer> set = new ArrayList<CollectionCustomer>();
        set.add(new CollectionCustomer("bill"));
        set.add(new CollectionCustomer("monica"));

        return set;
    }

    @GET
    @Path("list/response")
    @Produces("application/xml")
    @Wrapped
    public Response getCustomerListResponse() {
        ArrayList<CollectionCustomer> set = new ArrayList<CollectionCustomer>();
        set.add(new CollectionCustomer("bill"));
        set.add(new CollectionCustomer("monica"));
        GenericEntity<List<CollectionCustomer>> genericEntity = new GenericEntity<List<CollectionCustomer>>(set) {
        };
        return Response.ok(genericEntity).build();
    }
}


text:
Q: QRegExp to remove the newline, and multiple white spaces Using the Qt framework's class how we can remove the new line, carriage return and multiple white spaces from a string.
Input:
A quick fox       run over
the lazy     dog

Output:
A quick fox run over the lazy dog

A: You can use regex : [\s\n\r]+
And replace it with empty string or space according to your requirement.
DEMO

A: In your regex search for \s+ and replace it with single space. \s+ means one or more white space( that includes \n, \r, \t, \f " ").
After that if you have leading or trailing space on your string, then trim it. Or using regex.
^\s+|\s+$

^\s+ means space from begin
\s+$ means space from the end.


I thought my extended Duperouzel family would be interested to know that I carried out a DNA test and submitted the kit, together with a copy of the Duperouzel family tree, to the Unrecovered War Casualties – Army, Department of Defence, in Canberra, in July 2016.
As many of you know the Battle of Pozières, just over a 100 years ago, claimed the lives of 6800 Australian troops, of whom 4000 are still 'missing' with no known grave. Uncle Jim, 4783 Private James Ross Duperouzel 51st Bn. AIF, from York, Western Australia, is one of those who is missing having been KIA at Mouquet Farm on 14/16 August 1916.
Taking your own DNA samples and the necessary form filling for this important test was indeed an emotional experience…coming so soon after our Duper family pilgrimage to the Somme last April. This test is very worthwhile to help the UMC to make a match in the event of discovering an unidentified AIF serviceman near Mouquet Farm. Should this ever happen then future generations of the Duperouzel family will eventually have a grave and headstone they can visit on the Somme and be justifiably proud of Uncle Jim knowing at last where his remains have finally been laid to rest.


text:
77 Affirmations Audio Episodes Subscribe Connect Contact
Episode 047: Inspired Launching with Kimra Luna
inspiration mindset Aug 14, 2016
In today's episode, Kimra Luna discusses her habits and mindset for success, while talking about how she uses inspiration and intuition to drive her business. She says she didn't realize how fast her business was going to grow, and originally thought it would take a few years to make 6-figures. Kimra shares that her first website was far from perfect, and she did it herself for about $100.
Perfectionism is the biggest mistake that she sees entrepreneurs making today. They often think everything has to be just right before releasing a course or product. Kimra created her first course in a weekend.
She was hesitant at first when starting her business, partly because of the way she looks.
"I'm the chick with piercings in the middle of her face and tattoos all over her. That wasn't what I was seeing (in the industry)."
To let go of this, she just went back to why she was in business, which was to help people. She adds that not thinking about the money aspect made it easy for her to do what she does.
"I think sometimes you just need to take that little jump and get in front of people. They will respond based on what you give."
The people who spend the money on their own personal development are the ones who get the best results.
Kimra created her signature program after being in business for only three months. The price was $1,200 when she first launched it, and it is now more than double that amount to purchase it.
Developing her own mindset, specifically when it comes to not complaining and changing her own thoughts, has been key. Learning to be grateful has helped her heal her life as well.
"Learn to appreciate the things around you; even if it's just the breath you have."
Kimra and her husband were on welfare for a number of years, but were able to manifest things such as a job for him, and a vehicle, by doing this practice daily for months.
She had been running Facebook groups for mothers when she decided to start a blog, which focused on things she was passionate about such as health and wellness. Kimra's YouTube channel grew to 25,000 subscribers, and she developed a following on Pinterest.
Seeing her success on Pinterest, a mentor asked Kimra to teach his audience how to use it, which lead to webinars and he getting paid for one-on-one consulting. Doing this, she started to notice issues with her clients' entire brands.
"I ended up becoming about branding. People paid me for the knowledge I had in my head."
Kimra feels that people need to reach out to others more often. Her first launch generated $65,000 in revenue, and after that she reached out to James to thank him for how much his content had helped her.
"We forget to reach out and connect to the people that are inspiring us"
She believes that sometimes things happen that are supposed to in order for us to move forward in our journey.
James adds that amazing things can happen when the feedback loop is completed.
Kimra appeared on 60 podcasts in her first year of business, but was also declined often by hosts.
"You can't get a yes if you never ask"
She only does something if it is going to feel good, and a lot of times we have to know what we don't want to discover what we do want. When she first started, Kimra did webinars almost every week because she liked doing them and wanted to master the craft.
Kimra uses crystals as a way to help her stay grounded and connected with the Earth, and she's also a reiki master. Over the years, she's developed an awareness in things that she wishes she could infuse in other people.
She believes people should explore things like manifesting, crystals and energy as a way to make them happier, not just from a monetary standpoint.
"I utilize The Law of Attraction, spirituality and my intuition to guide me every day"
Submit Your Question!
http://FreedomHackers.com
www.KimraLuna.com
"The Power of Your Subconscious Mind" by Dr. Joseph Murphy
"You Can Heal Your Life" by Louise L. Hay
If you would like to be featured on the Mind Your Business Podcast. Click the button below for a chance to have your question answered.
Episode 433: Using Human Design to Uncover What Type of Business Owner You Are Jan 11, 2021
Episode 432: How to Bounce Back After a Failed Launch Jan 04, 2021
Episode 431: A-Players will Have These 3 Things #BizTipFriday Jan 01, 2021
© 2021 Mind Your Business Podcast


text:
Q: Visual Studio Code - duplicate selection ONLY There is a solution on how to duplicate a line. But how do I duplicate the selection? Like in Notepad++.

A: This extension worked for me:
https://marketplace.visualstudio.com/items?itemName=lafe.contextualduplicate
I then opened up my Keyboard Shortcuts to assign a memorable binding. In my case, I used <SHIFT><COMMAND>-D so it behaves just like Sublime Text.

A: There is now a dedicated command, with VSCode 1.40 (Oct. 2019):

Duplicate selection
We have added a new action named Duplicate Selection.

*

*When executed, the current selection will be duplicated and the result will be selected.

*When there is no selection, the current line will be duplicated, all without writing to the system clipboard.

You can associate a keyboard shortcut to that command.