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It's still early, but so far Big Ten teams sticking to running and shying away from passing
COLUMBUS, Ohio – Indiana coach Kevin Wilson knows stats can be misleading.
So when he's told that his is the only Big Ten team that ranks inside the top 50 in the nation in passing — and that three conference teams rank in the bottom 25 — he isn't ready to declare Air Wilson has turned the Hoosiers into contenders.
"Right now it's just our style, what we want to do," he said of his team, which stands 12th in the nation in passing through its first three games while playing three different quarterbacks. "The other teams? I haven't watched those other teams, but it's not passing offense (that matters) — it's total offense and it's points scored."
Funny, but this was supposed to be the year the Big Ten went airborne.
Seven of the top 10 quarterbacks in passing yardage from 2011 were back, as were nine of the 12 primary starters under center.
Yet the latest NCAA statistics look like a flashback to when Bo Schembechler and Woody Hayes were fighting it out between the tackles with stout running games. The next Big Ten team in the passing stats is Michigan State at 50th. In the Bowl Subdivision, which has 120 teams, the Big Ten is competing for spots in the basement — Illinois is 98th, Iowa 100th, Wisconsin 114th.
Blame it on injuries, on graduation losses, on hybrid signal-callers or parity. But even the coaches who have thrown the ball well so far seem to be almost embarrassed by it.
Minnesota is an admirable seventh in the country in passing efficiency, a contrived bit of math which offers a glimpse of how well a team moves the ball through the air without making mistakes.
"It's early yet, so you get into too many stats early you're not sure on anything right now," coach Jerry Kill said.
The two biggest reasons the Big Ten has been more grounded than a road grader is injuries to veteran quarterbacks and a bunch of versatile athletes at the position.
Indiana's Tre Roberson (broken leg) and Purdue's Robert Marve (ACL) could miss the rest of the season, while Illinois' Nathan Scheelhaase (sprained ankle) and Minnesota's MarQueis Gray (high ankle sprain) are currently hobbled.
The Illini plugged Reilly O'Toole in for Scheelhaase, who had started every game the last two seasons, and have done well. O'Toole, a sophomore, stands eighth in the nation in passing efficiency despite fronting an attack that was without its starting quarterback, center, tailback and a top wide receiver last week.
"It's been limited on offense just due to the fact that we've had some players dinged up and we have to get them back healthy so we can move forward," first-year coach Tim Beckman said.
Perhaps the biggest factor in the decline of passing so far in the conference has been the popularity of hybrids — sort of like sprinters who can throw the ball — at quarterback.
The Big Ten, once the dominion of snarling linebackers and huge blockers, has become dominated by track stars in pads.
Michigan's Denard Robinson has scampered all over the field for more than three seasons while turning around the Wolverines' fortunes. Nebraska's Taylor Martinez burst onto the public consciousness by rushing for more than 100 yards in his first three collegiate games two years ago. And new Ohio State coach Urban Meyer has hitched his uptempo offense to Braxton Miller, whom he has called the most dynamic college player he has ever seen.
"He delivers punishment, he goes hard, he's a hell of a football player," Meyer said after Miller rushed for 141 yards and passed for 155, running for three scores and passing for another in a Week Two win over Central Florida. "He's better than even everybody in this country thinks right now."
Nebraska's Bo Pelini said it's great to have a quarterback who can throw, but It's even better to have one who can also avoid getting hit.
"You've got to make sure in this day and age that you have versatility on the offensive side of the football and that you have an offense that you're not trying to pound a square peg into a round hole," he said.
The conference doesn't officially open its 117th season until a week from Saturday. Many have already questioned the Big Ten, which doesn't have a team ranked among the top 15 in the Associated Press rankings.
The only two teams still unbeaten who are eligible for the postseason are Minnesota and Northwestern.
Sure, the passing hasn't been there so far. Maybe it won't ever arrive. But the season is still young and Iowa coach Kirk Ferentz counsels everyone to just enjoy the ride.
"Everybody wants to know how things are going to turn out, who's going to win the Heisman, who's going to be the NFL MVP, all that stuff," he said. "But the fun of it is playing the season and seeing how things do unravel."
Follow Rusty Miller on Twitter: http://www.twitter.com/rustymillerap


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FacultySarah Ahmadi2020-10-20T19:01:05-07:00
The Pro Arté Faculty
Pro Arte Centre is pleased to have a team of world-class, certified teachers with a vast array of experience and expertise. Being guided by best practices and ensuring the health and safety of our community, we are ensuring social distancing and self isolation. We place these operating mandates as priority and, as such, Pro Arte is currently operating with a small group of our faculty. However, we acknowledge that the wealth of offerings is enriched by the contributions of teachers that are not onsite during this COVID-19 pandemic.
Ms Sarah Ahmadi
Ms. Ahmadi is a seasoned professional in organizational development and administration. With over three decades of experience in fund advancement and marketing, systems and planning she brings both knowledge and familiarity with administrative structures, development and marketing as well as team-building skills. Her experience includes working with international funding organizations, not-for-profit management, marketing, fundraising and publications and working through challenges facing organizations that seek to embody and encourage positive change in the world.
Giving back to the community and investing in the lives of the next generation has been a particular focus and passion for Ms. Ahmadi. She has held, and continues to hold, leadership positions in not-for-profit organizations that address the educational and training needs of young men and women in both high performance and recreational activities. It is her privilege and pleasure to be able to apply her experience and expertise within the environment of Pro Arte Centre to encourage a new emerging generation of leaders in the fields associated with performing arts.
A few thoughts from Ms. Ahmadi's blog:
It matters not what you are thought to be, but what you are. Maxim 785. Publius Syrus. (42 B.C.)
I end all of my email communication with this quote. It reminds me that each of us must live our lives with authenticity, true to the values that we hold dear — disregarding the expectations of others — even those who are dear to us.
At the risk of sounding clichéd, life is short and each moment is to be treasured. Every experience is one that should be affirming, building and nurturing both ourselves and others. One is not capable of achieving this end if one spends one's time second-guessing the thoughts and opinions of others. This quote resonates strongly as it underscores that we — or I — must be more concerned with pursuing our goals with passion, striving for excellence. Our values and our purpose that we hold paramount must remain fully in sight, and our daily work – our engagement with others – must build and support achieving these ends.
Mr Ben Cooper
General Manager & Director of VISCERA
Mr. Ben began his ballet training at the age of nine with Jean Butterworth School of Dance, in the United Kingdom. Mr. Ben trained with The Royal Ballet School under the teachings of Kathryn Wade, Richard Ramsay, Neil Westmoreland, Steven McRae, Ed Watson, and Hope Keelan. Upon graduation, Mr. Ben attended Trinity Laban CAT Scheme under the direction of Martin Collins. Mr. Ben studied under many amazing teachers such as Lee Smikle (Rambert, Matthew Bourne) and Stephano Roasato (Merce Cunningham Company). During Mr. Ben's time at Laban, he was fortunate enough to dance with various choreographers including Akram Khan, Wayne Mcgregor, Darren Ellis, and Matthew Bourne. Mr. Ben also had the opportunity to perform in "The Fairy Queen"- a 1590 British Opera. In 2013, Mr. Ben continued his training at Rambert School of Ballet and Contemporary Dance. Mr. Ben's main area of study was Graham under the direction of Dr. Ross Mckim (National Ballet of Canada). While at Rambert, Mr. Ben learned the art of sound and lighting for dance performance. Mr. Ben found this highly rewarding as he had the opportunity to light a piece on Sky Arts under the direction of Sir Robert Cohen. In September 2019, Mr. Ben returned to education to complete his Master in Practice of Manual Osteopathic Science, with an emphasis on helping dancers through injury and rehabilitation. Mr. Ben has taught ballet, contemporary, pointe, pas de deux through advanced levels at a variety of studios in England as well as in Calgary as well as now at Pro Arte. Mr. Ben is very excited to be at Pro Arte to be the Director of VISCERA and over see dancer wellness.
Ms Anneliese Rios
Anneliese Rios is a professional ballet dancer born and raised in Caracas, Venezuela. She began her ballet studies at the age of four on a combination of the Checcheti and Russian techniques and under the tutelage of Nina Novak, Ruta Butviliene and Rumen Ivanov Rashev. At the age of sixteen, Anneliese graduated from Nina Novak's Classical Ballet Academy as a Professional Ballet dancer and joined her hometown ballet company Teresa Carreño Ballet. During her professional career she had the opportunity to perform nationally and internationally and dance as Corps de ballet and soloist in ballets as: The Nutcracker, Giselle, Paquita, The Swan Lake, Don Quixote, Les Sylphides, and many other contemporary and modern choreographies. In 2013 Anneliese began to combine her dancing with ballet teaching at her academy of origin. In mid 2014 she moved to BC, Canada where she has been maintaining her training as a dancer while continuing in search of new opportunities to grow as an independent artist, to share her passion for dance, and to improve her skills as a dance teacher. In Canada she has had the opportunity to work with children, teens and adults and share her passion for the dance arts. Anneliese's teaching is characterized by her emphasis in proper classical technique, musicality and artistic expression. Anneliese has work and been an invited teacher in various schools and dance centres throughout the Greater Vancouver area such as The Boswell Academy of Dance, Harbour Dance Centre, Nanaimo Contemporary Ballet, RNB Dance, among others. Anneliese also worked for three consecutive years at the Anna Wyman School of Dance Arts as the head of the ballet section of their Professional Training Program. Also, and since September of 2018, Anneliese became part of the Shadbolt Centre for the Arts dance teacher's team.
Ms Bev Bagg
Ballet Mistress
Ms. Bev began her training in both RAD and Cechetti in Johannesburg, South Africa, and has transitioned from a dancer into a master teacher. She was accepted at the Royal Ballet School in London, England, and danced soloist and principal roles with the PACT Ballet Company in South Africa for 15 years. Among the roles she performed were Bluebird and Princess Aurora from The Sleeping Beauty, Odette/Odile from Swan Lake, the Sugar Plum Fairy in The Nutcracker, Swanhilda in Coppélia, Juliet in Romeo and Juliet, Giselle in Giselle, Kitri in Nureyev's production of Don Quixote, and the lead in Balanchine's Theme and Variations. She has also performed works by renowned choreographers such as Jiří Kylián, John Cranko, Goh Choo San, André Prokovsky, and Sir Frederick Ashton. Ms. Bagg has a diploma in biomechanics and physiology from the University of the Witwatersrand and integrates this knowledge into her teaching. Since immigrating to Canada, Ms. Bagg has been invited as a guest teacher to various companies and schools in the USA and Canada. She was Ballet Mistress of Ballet BC and Alberta Ballet and has been instrumental in staging Swan Lake and Giselle for South African Ballet Theatre and Washington Ballet. Spanning over 40 years of a passionate and very successful career as a professional dancer, teacher and coach, Ms. Bagg is able to draw on this experience and offer a rich and insightful approach to teaching and coaching. She establishes an environment of positive energy and demands excellence in a nurturing and inspiring manner.
Ms Sophia Curalli
Dance Educator
Ms. Sophia began her training in ISTD Ballet and Modern at Pro Arte at age seven. She went on to complete RAD Advanced 2 Ballet, ISTD Advanced 2 Ballet and ISTD Advanced 2 Modern as well as her Licentiate Teachers qualification in Ballet and her Associate Teachers qualification in Modern. Students training with Ms. Sophia have consistently attained the highest marks in ballet and modern examinations. She holds a Bachelor's degree in Business Administration with a concentration in accounting from Simon Fraser University. She was a member of Pro Arte's CatchingART Aspirant Company in 2013 and 2014. Music is a passion for Ms. Sophia. She uses her voice as a solo vocalist at her church and also appears singing jazz standards in restaurants around Vancouver. Piano is her instrument of choice and she has completed her grade 10 RCM piano examination. She appeared in Theatre Under the Star's "Hairspray" (2015), "Mary Poppins" (2017) and Cinderella (2018). Ms. Sophia is also an award-winning choreographer with credits including local high school musicals, 'Cabaret for a Cure', and numerous pieces presented in competitions and showcases. Being a teacher is something that Ms. Sophia has aspired to ever since she was a young girl and she is thrilled to be given the opportunity to work with dancers of all ages as they discover the beauty of dance!
Ms Alisha Ahmadi
Born and raised in Vancouver, Canada, Alisha trained with the Professional Training Program at Pro Arte Centre and graduated as a member of the CatchingART Contemporary Ballet Theatre Company with Artistic Director, Astrid Sherman. In 2013, she moved to London, England and graduated with a BA (Hons) at the Rambert School of Ballet and Contemporary Dance. While in England, she danced with Rambert Dance Company in their productions of Itzik Galili's "A Linha Curva," and "The Creation" by Mark Baldwin. She was also privileged to work with a wide variety of teachers and choreographers such as Darren Ellis, Antonia Francheschi, Kerry Nicholls, Arielle Smith, Jason Mabana, Charlotte Edmonds and Chris Thomas.
In December 2016, Alisha moved back to Vancouver as a freelance dancer and has worked and performed with various artists, some of which include Amber Funk Barton, Heather Laura Grey, Peter Bingham, Jennifer Mascall, and Judith Marcuse. During this time back home, Alisha found a passion for exploring her own compositions. She has choreographed various group and solo works for local studio, competition and charity showings as well as her own professional solo and duo works and collaborations with Ben Cooper and Christian Lagasse which have toured the Island, Lower Mainland, and United States.
In 2019, Alisha moved to Calgary, AB to join Decidedly Jazz Danceworks as their Apprentice. You can find her in their upcoming work through the 2020/21 season.
While Alisha has featured in music videos and film works and while her dance career is very important to her she is also passionate for teaching the next generation. She is an associate teacher with AFSA in Acrobatics as well as achieving her ISTD Associate Diploma in Ballet and Modern. She has dabbled in modeling throughout the years. First modeling at a Breast Cancer Awareness event called "Boobalicious" as well as the 2010 Vancouver Olympics. While in the UK, she used London Modeling Academy to update her portfolio and has used dance to her advantage to perform in body paint at an intimate concert with live music.
Ms Frankie Warren
Frankie Warren is a dance alumni at the University of Calgary. Completing her Bachelor of Fine Arts degree in four years, she is eager to seek professional opportunity. Specializing in contemporary, hip-hop, and jazz with a background in gymnastics has enabled her to progress in the modern and commercial dance world. Frankie is very passionate, social, athletic and utilizes creativity as a ritual in everything she does. Throughout her experience performing andchoreographing within the university setting; Warren's major achievements have been performing for Cirque Du Soleil in the opening ceremonies for the 2014 Pan Am Games, and working for Gros Morne Summer Music in two accredited productions over the past three years. Warren also choreographed and performed on the Sage Theatre in the IGNITE Festival for emerging artists. The Convoluted, choreographed by herself showcased how the advancement of technology and the human minds are correlated; yet withholds our ability to integrate within society. Warren is now living permanently in downtown Vancouver. Since her move, Warren has joined the KTL hip-hop company and was given the position as the lead dancers for the EP "IOU2", released by the LA artist Lido. While Warren progresses in her practice, she will continue to pursue professional work fulltime
Ms Samantha Ryan
Samantha Ryan is a natural performer and engaging teacher who embraces all dance has to offer. A former gymnast turned dance entertainer, Samantha hails from Windsor, but not before stops in LA, Michigan, NYC and Toronto in an effort to discover, shape and develop a career in dance and entertainment.
Samantha Ryan completed the Broadway Dance Centre – International Student Visa Professional Program in NYC before she made her decision to move to Toronto and explore opportunities as a dance instructor and aspiring professional. She has gained certification as a dance instructor in Acrobatic Arts and Cecchetti ballet and as an adjudicator with the Professional Adjudicators Alliance (PAA) and Acrobatic Dance Adjudicators (ADA). Samantha is also on faculty with Dance Attack, a leader in Canadian dance workshops.
In addition to teaching in the heart of trendy Queen West at City Dance Corp, Toronto's leading centre for dance and artistic movement, Samantha Ryan has had the pleasure of being invited by studio owners from multiple studios from Windsor to Sudbury to lead workshops, contribute to intensives and create choreography for competitive soloists, teams and school play ensembles.
Samantha is a member of ACTRA and the Canadian Alliance of Dance Artists. In addition to honing her skills under the direction of some of Toronto and New York's most proficient entertainers, Samantha has mentored under Toronto's talented and beloved Allison Bradley and been guided professionally by the incredibly accomplished Amy Allen, one of Los Angeles' most sought-after choreographers. Samantha's experiences have allowed her to transition from dance entertainment to musical theatre and in front of the camera, having recently appeared in the movie Work It, a coming of age dance comedy produced by Alicia Keys for Netflix.
When not teaching, training or under contract, you can often find Samantha Ryan on stage performing in Town as a lead and accompanying dancer by invitation with some of Toronto's most revered artists at the industry's most celebrated events including Toronto's Choreographers Ball and Fever After Dark.
Ms Alexandra Clancy
Alexandra Clancy is a performing artist with a love of dance and a passion for tap. Growing up in Vancouver, she trained at Danzmode and with Vancouver Tap Dance Society's youth company – Tap Co, developing her skills in all genres of dance. She is also a proud alumna of the School at Jacobs Pillow. As a teacher and choreographer Alexandra has taught internationally, adjudicated dance competitions, and was faculty at the Vancouver Tap Dance Festival. Alexandra was a member of Tapestry Dance Company's 25th season located in Austin, TX. She has worked for many other great dancers, performing in shows such as Lisa La Touche's 'Hold On', Travis Knight's 'The Cholly Project', Matt Shields' 'A Chronological Life Story of a Few Tap Dancers' and most recently Danny Nielsen's 'On Foot'. She has also performed at the Kennedy Centre in DC and at the Vancouver Tap Dance Festival in a show mentored by Heather Cornell. With a unique voice blending tap and contemporary dance, Alexandra has performed her work at the Feats Festival of Dance and the Vancouver Playhouse, and her film 'Sedated'
was presented at the Cascadia Dance Film Festival. Alexandra was an artist in residence with Dances for a Small Stage creating, learning and performing in Vancouver for the past few years. Her work with musicians was presented at Dancing on the Edge festival as well as Small Stage's Summer Series. Last summer she performed on the Inside/Out stage at Jacob's Pillow with her company Soleful Dance presenting 'Mood Swing'. This past year, she attended the professional
training program at Decidedly Jazz Dance in Calgary. Alexandra is excited to be back in Vancouver continuing to perform, choreograph and teach both locally and internationally.
Ms Sorami Moriyama
Sorami has a strong background in classical ballet, pointe work, contemporary, neo classical and character dance. Born in Nagoya, Japan, she began her ballet training at age 3 at Yukiko Torii Ballet School, and immediately fell in love with the art form. In 2008, she moved to Canada where she continued training at Goh Ballet Academy, Vancouver. Over the course of her training, Sorami has worked with world renowned ballet masters and choreographers, performed various ballets and contemporary works and toured through city's within Canada as well as abroad in Japan and China. As a ballet teacher, Sorami has been teaching ballet to students in the lower mainland as well as back home in Japan. Her favorite part of being a teacher is when she get to witness students conquer and overcome challenges they previously struggled with. While she is passionate about teaching, she also enjoys performing and expressing herself through movements.
Mr Tyler Carver
Tyler has spent many years dancing professionally all over the world on many different stages in China, Europe, as well as many places in both Canada and the USA performing multiple soloist and principle roles. He has trained at many prestigious schools such as San Francisco Ballet School, Pacific Northwest Ballet School, American Ballet Theater, Houston Ballet, and Goh Ballet Academy. He then joined the Royal Winnipeg Ballet where he danced with the company for 5 years. After his short but fulfilling career with the Royal Winnipeg Ballet he decided to move back home to Vancouver to share his experiences and knowledge of company life and a professional dance career with the next generation.
Ms Haley Allen
Haley has been dancing in her hometown of Smithers, BC, from a very young age, in many styles including jazz, modern, acro, lyrical, ballet, and tap. She was also a competitive gymnast, track athlete, and musician, and then went on to study Musical Theatre at Capilano University. She has taught acro, musical theatre, social "distdancing" classes, dance camps, her own creative works, and has performed in multiple theatre productions around Vancouver. Recent works include Alice and Wonderland the Panto, (Metro Theatre) and Newsies, (Theatre Under The Stars) from which she received the Ovation Award for Outstanding Newcomer, and the Aida Broadbent award for Professional Conduct and Performance. Through performing and choreography experiences, Haley has established her love for creativity and her enthusiasm for dance. Teaching has always been a passion for her, and she wants to continue to inspire future performers to reach for their goals and try new skills. Haley is thrilled to be joining the Pro Arte team and looks forward to bringing her own flair and energy to class.
We are Hiring:
Submit your resume here!
Info@proarte.ca

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Samuel Sueiro, cmf: "I live my mission reasoning the faith, thinking the way to propose it to the world"
Jul 7, 2021 | ECLA, Noticeboard, Santiago
Madrid, Spain. The missionary Samuel Sueiro seeks, wherever he goes, "to do something as Claretian as adding and doing with others". Whether in different environments and institutions of the Church or in direct contact with the youth, the one that comes loaded with questions. He, recently doctorate in Theology by the Institut Catholique de Paris (France) and the Katholieke Universiteit Leuven (Belgium), tries to respond, from his honesty, with his science and teaching. The same that has led him to publish his thesis, 'La fecundidad del Cristocentrismo' (Ed. Encuentro, 2021) and to direct a collection that will bring the reader closer to some of the most important works of the French Jesuit, Henri de Lubac. "With this project we hope that both Spain and America will be able to receive in a more adequate, more accessible way the theological thought of this great author."
In your Claretian mission today, what do you dedicate yourself to?
I have recently finished my doctoral thesis in Theology, which I have been able to elaborate these last years in Paris, while I have been working in the Catholic Mission of Spanish Language of that city. I am currently a professor of theology at the Pontifical University of Comillas, at the Theological Institute of Religious Life (ITVR), at the John Paul II Pontifical Institute for the Sciences of Marriage and the Family. I am also going to direct a collection in Encuentro editions translating some of the most important works of the 20th century theologian Henri de Lubac.
Why is this collection that you are going to direct important?
Encuentro editions is a very important publishing house in the Catholic world. Since its inception it has made the effort to make available to the Spanish-speaking reader great readings of Christian thought, of theology, and now it is going to make the effort to translate the critical edition of the complete works of Henri de Lubac, a thinker who has been gaining more and more importance – for example, a significant fact – in the pontifical magisterium of both John Paul II and Benedict XVI and now also of Pope Francis. A great thinker, a great teacher capable of offering the decantation of a whole theological tradition on topics such as belief in God or atheism. Also, on the Church and on other religions, such as Buddhism. Or on the contemporary world and the question of Grace and how God acts in us. A far-reaching and immensely fruitful author. With this project we hope that both Spain and America can receive in a more adequate and accessible way the theological thought of this great author.
For this, Encuentro has a scientific committee that endorses the collection and at the same time works on this Spanish edition of the works, composed of theologians of race, so to speak, such as Card. Luis Ladaria, Card. Ricardo Blázquez, Olegario González de Cardedal, Santiago del Cura Elena, Salvador Pié-Ninot, Jesús Santiago Madrigal and Ángel Cordovilla. All of them, who represent a mosaic of several generations and several places where faith has been thought and theology has been exercised, have enthusiastically and generously embraced this project, and will help us to make it possible among us.
How do you think this can help you in your mission?
My work in this sense is twofold. On the one hand, to dedicate myself to theology, that is, to be able to think about faith in different environments. To present that faith that seeks understanding and to show that reason that wants to believe. In environments such as the Pontifical University of Comillas, the ITVR, the San Dámaso Ecclesiastical University and the Pontifical John Paul II Institute for the Sciences of Marriage and the Family. They are Church environments, but very different. Therefore, it is a matter of thinking about the faith in different environments and with others, with other people. Concretely, to think every day with those who are preparing for the world of Law and Business, for example, at the University of Comillas. Or to think with those students who are doing their specialization in Theology of Consecrated Life, in the ITVR or those who are specializing in Dogmatic and Fundamental Theology in San Dámaso. Or all this reality of how to think about the family and marriage in Christianity today in the John Paul II Institute.
On the one hand, I was saying, this task is to help to think and look at new ways, going to the fundamentals, nourishing the believing dimension with intellectual height, and framed in the times we live in. On the other hand, my work leads me to face a great challenge every day, that of being in front of different young people every day and asking them questions that would otherwise be impossible for me to imagine; and to be able to think with them. Questions that have to do with faith, with Jesus Christ, with the Church, with our mission and with our times.
And how can your mission help the Church?
I believe that it is an eminently ecclesial task, it is a task that the Church has always done, 'ad intra' and 'ad extra'. That is, evangelization and formation. Collaborating in proclaiming the faith and proposing it, and helping to found, support, strengthen, think, and form ourselves together in the different vocations, be it the laity, the consecrated life, the priesthood, or marriage. Besides, it is something as Claretian as adding, as doing with others.
I have always been struck by those words that Claret rereads in Scripture, and that he explains in the 'Autobiography', at the beginning of the second part, when he speaks of the missions, where he feels the same as the prophet. He feels the thirst of the people and says: "the needy seek water and do not find it". And Claret does not know what to do to be able to help others to quench that thirst. A thirst that is fundamentally of the Spirit, of humanity, of God.
What does it mean for you to live the mission in this way?
On the one hand, to live and reason the faith. On the other hand, to think about how to propose it to the world, and especially to many young people today. And finally, to collaborate with the institutions of the Church, and to continue the Claretian tradition of being inserted in the world in which we live.
In definitive, it would be something like what our Constitutions express when they speak of the mission of the Claretian, when they emphasize that our mission is to collaborate with all those who seek to transform the world according to God's plan, according to God's heart.
Taken from © Misioneros Claretianos Provincia de Santiago
New Leadership in the ECLA Conference
Dec 27, 2022 | ECLA
The members of ECLA, which consists of the Major Superiors of five Claretian Organisms of Europe, the provinces of Germany, Poland, Sanctus Paulus, Fatima and Santiago, met in the provincial curia of Germany, in Wurzburg, a city of Bavaria, 120 kilometres from...
Episcopal Ordination and Installation of Msgr. Fernando Prado, Cmf as Bishop of San Sebastian
Dec 19, 2022 | ECLA, Santiago
On 17 December 2022, Fr. Fernando Prado was consecrated to the Order of the Episcopate by His Eminence Cardinal Bocos Merino at the Good Shepherd Cathedral in San Sebastian, Spain. The solemn celebration began with the still bishop-elect had been received at the...


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Added selector parameter for XML.Import.Todo and JSON.Import.Todo.
Fixed parameter passing for FM.InsertRecordQuery.
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Local youth named a national 'ambassador'
Posted by North Central News | Sep 1, 2015 | Community
North Central teen Josh Kaplan has been selected to serve as a National Child Awareness Month Youth Ambassador. As one of 51 Youth Ambassadors selected from a nationwide pool, Josh will receive funding and training to lead an initiative to create the first soccer program in the greater Phoenix area for youth with and without intellectual disabilities.
Josh Kaplan, a North Central resident, has been selected to serve as a National Child Awareness Month Youth Ambassador (submitted photo).
Josh's work begins in September—National Child Awareness Month—when he travels to Washington, D.C., for leadership training and meetings with members of the state's congressional delegation. He then returns home to launch a campaign to overcome the stigma of children with intellectual disabilities through his soccer program.
Josh's program, entitled GOALS (Giving Opportunities to All who Love Soccer), involves youth ages 8 to 14, where each athlete is partnered with a buddy, who play together as a unit. This program creates positive peer-to-peer interaction while spreading the value of sports in everyday life.
Josh, 16, was selected through a competitive application process, and chosen based on the quality of his project proposal and its potential to create substantive, large-scale change on behalf of young people in Arizona.
Now in its eighth year, National Child Awareness Month is a program spearheaded by Festival of Children Foundation, in collaboration with YSA (Youth Service America), to raise awareness about issues affecting children. The 51 Youth Ambassadors will work in their communities, and form a collective network to raise awareness around issues important to young people. Youth Ambassadors receive a national-level platform for their cause; a $1,000 grant to develop a service project in his or her home state; ongoing training and project guidance; and networking opportunities with other Youth Ambassadors across the country.
Josh is a junior at Rancho Solano Preparatory School and has been an avid soccer player since he first joined a team at age 7. He has been playing club soccer ever since. Last year, he created GOALS after his younger brother's teammate, who had Down Syndrome, was unable to play on a regular soccer team.
GOALS is a Unified soccer program in Phoenix that partners youth with and without intellectual disabilities for small field scrimmages, and is set to launch in the upcoming months. For this program, Josh recently attended the Special Olympics Social Impact Summit, a week-long training program in Los Angeles, where he joined 100 other youth from 30 different countries, all of whom have projects than generate inclusion for children with intellectual disabilities.
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I was lucky enough to be invited to the Harvey Nichols Spring Summer 2013 fashion show last night, which was also my first ever blogger event! The show was in the Bristol Museum & Art Gallery which was a stunning venue and beautifully transformed in to a catwalk with dramatic lighting and rows of persepex chairs. The show was split into five key trends and started with the models descending the striking staircase displaying the 'White Out' trend. This was followed by 'Colour Pop', 'Metallic', 'Monochrome', 'Mixed Prints' and finally a collection of 'Fantasy Frocks'.
My favourite collection was the Metallics and especially an amazing gold sleeved Burberry trench coat. I was also surprisingly keen on the use of Neon throughout the 'Colour Pop' and 'Mixed Print' collections as it isn't something that has really appealed to me before. It was all the other little details that really caught my eye though. For example the hair by Sean Hanna consisted of messy fishtail plaits and braided up-dos and was super relaxed but chic... the make-up was by Shu Uemura and was very simple apart from bright colour-pop pink lips! I think they're definitely something I will be trying this season... I loved how surprisingly well they traversed from trend to trend. The music was also amazing and really added to the atmosphere, some crazy remix of Alt-J's 'Something Good' appeared in the middle and a kind of reggae Adele song (!?) finished the show off.
To see some slightly better pictures of the show you can visit the Harvey Nichols blog or alternatively This is Bristol. You can also see a picture of me posing very awkwardly and what all the other bloggers wore on the South West Bloggers facebook page.
After the show I went for a quick drink at The Woods with my new blogging buddies Milly and Gemma! My next blogging event will be next Friday's Bristol Fashion Week event, will I see any of you there?
This looks like so much fun. Congrats on your first event!
I just found your blog link off of the BFW fb page, I'm going to be at the show tomorrow. I dont really know any of the other bloggers yet since I am new to the area, would love to meet up.
Plenty of useful information here.
I am sending it to several friends also sharing in delicious.
exploring the Street Art on nelson street.


text:
Local minor hockey to get its 'Day'
CBC's "Hockey Day in Canada" will be in Fort Frances in January to film segments of Saturday afternoon minor hockey games.
The three-and-a-half hour show will air live across the country beginning at noon (EST) on Jan. 5, with shots of games here being shown periodically throughout the broadcast.
Dave Egan, a director with the Fort Frances Minor Hockey Association, said they agreed to be a part of the show Tuesday after being approached by Hockey Night in Canada producer Paul McDougall last week.
"It was a pleasant surprise. It gives us a chance to show our new facility ['Ice for Kids' Arena] and that we have a strong minor hockey program," he said.
"It's good for our community."
While minor hockey games run regularly Saturday afternoons, Egan said the board will hold a meeting to discuss the possibilities of holding a "jamboree" on that day so teams in every division will get a chance to be featured.
"This is a very big day for CBC. This program sends Hockey Night in Canada into the communities where the game is so important," Nancy Lee, executive director of CBC Sports, said in a press release.
"We are very excited to hear Canadians tell their hockey stories."
When asked by CBC on what Fort Frances-related projects to work on, Egan proposed a feature story about the 1952 Fort Frances Canadians senior hockey team, which will celebrate the 50th anniversary of winning the Allan Cup next spring.
"I think there'll be an opportunity there," enthused Egan, who also is head coach of the local 'AA' Taggs Bantam team.
Hockey Day in Canada, airing for its third year, gives viewers a cross-country perspective on what hockey means in smaller communities.
Features and panels throughout the afternoon will be capped off by a triple-header of NHL games featuring the six Canadian-based teams. Ottawa will visit Toronto, Montreal will play Calgary, and Vancouver will host Edmonton.
In sum, 13 hours of hockey coverage will be aired that.
Other scheduled live remotes which the CBC will be switching to during the day include St. John's, Nfld., Montreal, P.Q., Kingston, Ont., The Pas, Man., Saskatoon, Sask., Lac la Biche, Alta., Whitehorse, Yukon, and Kamloops, B.C.
Posted in Local Sports


text:
A story for a verse - Rāmabhadrāmba
Shatavadhani Dr. R. Ganesh
कलारत्नं गीतं गगनतलरत्नं दिनमणिः
सभारत्नं विद्वान् श्रवणपुटरत्नं हरिकथा |
निशारत्नं चन्द्रः शयनतलरत्नं शशिमुखी
महीरत्नं श्रीमान् जयति रघुनाथो नृपवरः ||
Rāmabhadrāmba, the wife of Raghunātha-nāyaka, king of Tanjavur, was an expert in writing poems, just like her husband. Her companion Madhuravāṇi composed the 'Rāmāyaṇa-tilaka', an epic-poem in Sanskrit, based on her husband Raghunātha-nāyaka's Telugu work 'Rāmābhyudaya'. However, like Gaṅgādevi of the Vijayanagar empire, Rāmabhadrāmba made her husband Raghunātha-nāyaka the hero of her epic-poem 'Raghunāthābhyudaya'. She was a student of the Telugu poet Kāḻayya and has written poems in Telugu too. Rāmabhadrāmba was a poetess in eight languages, a śatāvadhānini and excelled in the genre of poetry called the 'citra-garbha-bandha-āśu' (also called 'mṛdu-lalita-vistara-āśu'). The uniqueness of her poetry lies in that it revolves around her husband's activities of a particular day.
Once, in court, she was faced with the challenge of composing a verse uber-extempore. The verse had to be set to the 'śikariṇī' meter, the word 'ratna' (gem) had to be used seven times in the verse and each line was constrained to have four pauses. Even before the person who asked the question finished speaking, Rāmabhadrāmba recited this verse:
"Music is the gem among all arts. The Sun is the gem of the sky. A scholar is like a gem in a court. The story of Hari is a gem to the ears. The moon is the gem of the night. A beautiful girl is a gem in bed. Raghunātha-nāyaka is a gem on the earth"
It is not at all surprising that Rāmabhadrāmba, who could compose such verses so skillfully, could compose a hundred verses within just twenty-four minutes!
Adapted from Kannada by Arjun Bharadwaj
(The original article is from the anthology Kavitegondu Kathe.)
raghunatha nayaka
ramabhadramba
shatavadhanini
Dr. Ganesh is a 'shatavadhani' and one of India's foremost Sanskrit poets and scholars. He writes and lectures extensively on various subjects pertaining to India and Indian cultural heritage. He is a master of the ancient art of avadhana and is credited with reviving the art in Kannada. He is a recipient of the Badarayana-Vyasa Puraskar from the President of India for his contribution to the Sanskrit language.


text:
import {Component} from 'angular2/core';

@Component({
  selector: 'gt-services',
  templateUrl: 'app/+services/components/services.component.html',
  styleUrls: ['app/+services/components/services.component.less']
})
export class ServicesComponent {}

redpajama_set_name: RedPajamaGithub


text:
War of the Rebellion: Serial 024 Page 0569 Chapter XXIX. FORREST' S EXPEDITION INTO W. TENN.
tion of Humboldt. After an hour's halt we continued the march until about 19 miles distant from Jackson, where we bivouacked for the night.
The next morning at 6 o'clock we returned over the same road, my command, which was in advance, reaching Jackson between l and 2 p. m.
On the 27th we went by cars to Trenton, where the Sixty-third Ohio rejoined us. I reported, in accordance with General Sullivan's order, to General Haynie, but General Sullivan arrived the same evening and assumed command.
About 5 a. m., December 28, we marched toward Huntington and bivouacked near Shady Grove. The next morning, marching through McLemoresville, we reached Huntington about 4 p. m.
On the 31st I marched at 5 a. m. on the road toward Lexington, leaving behind seven companies on guard duty, which General Sullivan said would march when he was ready to start, and would form a rear guard. Between 10 and 11 a. m., while my column was halting near Clarksburg, Generals Sullivan and Haynie, with their respective staffs and a small escort of cavalry, overtook us. General Sullivan ordered me to halt for an hour or an hour and a half till the rear guard could rejoin me, and then passed on toward Clarksburg. Within ten minutes afterward an orderly rode back at a gallop, saying that the enemy's cavalry had got between my command and Generals Sullivan and Haynie, and that these officers with their escort had ridden on through Clarksburg followed by the enemy.
I moved forward, on a double-quick, instantly, and upon reaching Clarksburg learned from an officer of the Thirty-ninth Iowa (who had been accidentally left on picket duty where Colonel Dunham's column had bivouacked the previous night) that the enemy's force consisted of about 50 cavalry. This officer's post was to the east of Clarksburg. The enemy had approached from the west and took the road leading south, passing before this officer had an opportunity to fire on them. I learned also that Generals Sullivan and Haynie left the road directly after passing Clarksburg, taking an easterly direction. The enemy upon reaching the same point probably saw my advance, as they filed out of the road rapidly through the wood to the west.
After a half of about ten minutes, learning nothing more, we continued our march. Soon the sound of artillery in our front advised us that Colonel Dunham's brigade was engaging the enemy, and we began to march in earnest. The firing was first heard to the right of the point where the road from McLemorsville crosses that leading from Huntington to Lexington; in half an hour it was directly in our front; half an hour later it was all to the left of the crossing, thereby rendering it certain that the enemy, who approached from McLemoresville, was rapidly driving Colonel Dunham's brigade before him. Very soon thereafter the rattle of musketry was distinct, and thinking the hour a critical one for the small force, who were evidently fighting against odds, I urged my men to their utmost speed. When within about 2 miles of Parker's house an orderly galloped to the head of the column, saying, "General Sullivan, who is coming up with the rear guard about 3 miles behind, orders you to halt until he comes up." I directed Captain Dustan, assistant adjutant-general of this brigade, to ride back to the general as fast as possible, to explain the situation, and to ask that the order to halt be countermanded. Immediately after Captain Dustan started upon this errand one of my orderlies, who had been sent to the front to communicate with Colonel Dunham, returned. He was
‹ Serial 024 Page 0568 WEST TENN. AND NORTHERN MISS. Chapter XXIX. up Serial 024 Page 0570 WEST TENN. AND NORTHERN MISS. Chapter XXIX. ›


PONTOON BEACH, IL (KTVI) - On Tuesday dozens of people from Pontoon Beach met at the village hall to discuss how they plan to move forward after they say a retention pond built and ran by Granite City created overflow from recent flooding that damaged nearby homes. Some say the issue is the design of a new emergency access road built near Breckenridge and Lake Drive. Homeowner Steven Bailey says they need a new flood plan, it's an issue that`s been knocking at his front door. Village engineers say a nearby lake known as Long Lake could not take in record flood waters and simply backed up.
FOX 2 spoke Granite City officials who say the 7 acre 8 foot deep retention pond did its job in holding the water, but the excessive rains were too much to handle. The village is working with engineers to find a solution but say it will take more time and planning before any changes can be made.


text:
Q: Im trying to do a reaction role bot on discord client.on('messageReactionAdd', async (reaction, user) => {
if(reaction.message.id === "731619243249893417"){
   const guildMember = reaction.message.guild.members.cache.get(user.id)
   if(!guildMember.roles.cache.get("692177977705889845")){
       guildMember.roles.add("692177977705889845");

Im using this code, but when i react to the message it
don't give me the role, im a starter needing help, thanks u all, and sorry for my english

A: Bots only listen for new messages. You have to tell them to listen for an old message explicitly to get a reaction from them. Try using this code. It fetches the message when a reaction is added to that message.

redpajama_set_name: RedPajamaStackExchange


text:
Meteor expects League of Legends-like success for Hawken, receives $18 million in funding
By Omri Petitte 2012-10-29T23:04:02.302Z
Hawken publisher Meteor Entertainment definitely recognizes the appeal of smashing bipedal robots together, which is why CEO Mark Long told GeekWire he hopes the upcoming multiplayer mech-mania will supersede reigning crowd-pleaser League of Legends in both popularity and revenue, boldly predicting a profit pull of $100 million and a nearly 10 million-strong community by next year.
Meteor recently received $18 million of funding from a few venture capital firms looking for long-term hauls from Hawken's microtransaction system. The involved companies include Benchmark Capital and FirstMark Capital, two organizations that poured cash into developer Riot Games for the proliferation of League of Legends. Long wants that same dollar-bill-shaped lightning bolt to hit Hawken.
Amazon Prime Day gaming deals: see all the best Australian offers right here!
"You can play the entire game for free and unlock every single thing in the game," Long said. "But, if you are like me, and you don't have a lot of time and want to play over the weekend and have a good time, you might spend some money on a robot so that you don't have to grind away for a month to unlock that."
Long also highlighted Meteor's dynamic server scalability and virtual data housing to meet the precise demands of Hawken's player count, saying, "We can dynamically provision servers as we need them, and even as the sun goes around the Earth, we can shut down the servers we don't need. That gives us fantastic efficiency and really infinite scalability that really wasn't possible even a few years ago."
Check out GeekWire's report for more of Long's comments on Hawken.
Adhesive Games
Meteor Entertainment


text:
Alfred Nomblot est un pépiniériste et un homme politique français né le  au Creusot (Saône-et-Loire) et mort le  à Bourg-la-Reine (Hauts-de-Seine).

Biographie
Alfred Nomblot est fils d'un marchand, puis garde particulier à Étang-sur-Arroux (Saône-et-Loire): Antoine Nomblot (1832-1893) et de son épouse Anne Duverne (1848-1903). Il a une sœur et trois frères: Léonie (1865), épouse Pioche; Charles (1875); Joseph (1877) adjoint aux pépinières Nomblot-Bruneau, et Louis (1879).

Ingénieur horticole, il est sorti major de l'École nationale supérieure d'horticulture de Versailles, épouse Henriette Bruneau le , et devient le collaborateur de son beau-père, Désiré Bruneau, pépiniériste. En 1912, il est élu conseiller municipal. Mobilisé en 1914 comme capitaine, il finira la Première Guerre mondiale avec le grade de lieutenant-colonel.

Député de la Seine de 1928 à 1932, inscrit au groupe des Républicains de gauche, il fait voter et obtient les crédits pour la réalisation du boulevard du Maréchal-Joffre à Bourg-la-Reine, lors d'une session de nuit avec une présence peu nombreuse de parlementaire.

Il est membre, puis président de l'Académie d'agriculture de France en 1939. Maire de Bourg-la-Reine, de 1920 à 1940, il devient secrétaire général, puis premier président de la Société nationale d'horticulture de France.

Il est l'oncle d'Alfred Nomblot, pépiniériste, maire de Bourg-la-Reine de 1977 à 1991, conseiller général, avec lequel il ne doit pas être confondu.

Hommage
Son nom est donné à une rue de Bourg-la-Reine.

Notes et références

Annexes

Bibliographie
 .

Liens externes

Député de la Seine (Troisième République)
Député de la quatorzième législature de la Troisième République
Maire de la Seine
Horticulteur français
Commandeur de la Légion d'honneur
Commandeur de l'ordre d'Orange-Nassau
Naissance en janvier 1868
Naissance au Creusot
Décès en mars 1948
Décès à Bourg-la-Reine
Décès dans le département de la Seine
Décès à 80 ans

redpajama_set_name: RedPajamaWikipedia


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Saturno RA - round table table (diam. 460mm), chrome-plated central leg, adjustable height (90-110cm).
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Suitable for bar, pizzeria, hotel, pub, restaurant at the best value for money.


text:
Introduction to JUST
Maps & Direction
Sights & Views
Disciplines and Majors
Cooperation in Education
Cooperation in Research
Programs Open to Application
Library & Museum
School of Mathematics and Physics
The School of Mathematics and Physics of JUST, formerly known as the Department of Basic Courses at Shanghai Shipbuilding Industry School, was renamed the "Basic Courses Department" in 1978. In 2001, the name was changed into the "Department of Mathematics and Physics" and finally the name "School of Mathematics and Physics" was adopted in 2005. The School consists of 5 departments and 1 center, namely, the Information and Computer Science Department, Applied Statistics Department, Applied Physics Department, Undergraduate General Mathematics Department, Undergraduate General Physics Department and Experimental Center. The School has 88 faculty members, including 6 professors, 22 associate professors and 1 senior experimentalist. The School has 5 master supervisors and master's or doctor's degree holders among the full-time teachers reach 85%.
The School of Mathematics and Physics attaches great importance to the construction of infrastructure and labs. The Physics Laboratory is a provincial-level experimental teaching demonstration center. With a total area of 3,910 square meters, the lab's total asset is worth up to 12 million Yuan. The number of expensive articles, each of which is more than 200,000 Yuan, is 11. Besides, the School also has the College Physics Lab, Applied Physics Lab and Mathematics Lab, which not only undertake the task of experiment teaching and graduation design for students in the physics major, but also provide a platform for teachers' academic research and students' science and technology practice.
Our School owns 1 master degree program named Physical Electronics and 3 undergraduate degree programs: Information and Computer Science, Applied Physics and Applied Statistics. There are 652 enrolled undergraduates and 9 postgraduates at the School.
Based on the educational view of training practical talents for the society and according to the features of science students, the School carries out a variety of the extra-curricular activities to promote the all-round development of students, organizes them to participate in the National Mathematics Contest for Undergraduates, Mathematical Modeling Contest, Advanced Mathematics Contest for Non-major Undergraduates of Jiangsu Province, Physical Innovation Competition of Jiangsu Province and Extracurricular Science and Technology Works Competition and so on in order to cultivate students' scientific research and practical ability.
Copyright 2014 by Jiangsu University of Science and Technology. All rights reserved.


For the past 8 years, A Novel Idea has helped over 500 young people tell their stories, make an incredible new group of friends, and watch their writing skills soar! In fact, our students "graduate" our program not only with exceptional writing and time-management skills, but they develop a genuine capacity to organize, plan, and see a big project through; their ability in nearly every subject is impacted in a positive way! We do that by walking our students through the writing process, step-by-step, providing one-on-one sessions, small-group cohort workshops and individualized writing goals. As a result, our students develop authentic passion as writers and become eager to accept guidance, write with abandon, and WRITE A NOVEL (complete with their very own ISBN registered with the Library of Congress!).


If you've been paying attention to details about the current state of the housing market, you're probably wondering what's next like everyone else. While some property inspectors are content with knowing their job will most likely be in demand regardless of the overall outcome, it's important to not fall into a state of complacency which can hinder your progress as a small business owner. There's several ways to ensure continual progress and advancement in the field in the face of the real estate industry's attempt to overcome adversity. Check out these steps that can assist you with remaining at the top of your profession.
Trending is a reality in various aspects of life. Whether it's communication styles or business practices, there's always going to be a better and more popular way of doing things. The only way to flourish as an entrepreneur in property inspection is to recognize and incorporate the trends that primarily impact the industry. This ultimately re-establishes your appeal and helps prospects grasp what differentiates your business style from competitors. The use of top notch property inspection software, for instance, is one of the main ways to improve your journey because it attracts customers who can appreciate the benefits of modern technology.
Networking with other professionals in property inspection also helps you stay informed about the housing market's condition. If you haven't joined a professional organization in the field, it's a good idea to consider how it brings value to your career. Attending relevant events, workshops, and seminars also encourage you to sharpen your tools. The more support you have from likeminded individuals, the better off you'll be when it comes to expanding your enterprise.
In property inspection, you can never know enough. The industry is always evolving which calls for you to mature with it. That said, there's a wealth of instructional opportunities, such as certification renewal, that are available for individuals who have a fierce love for learning. Higher education in your practice inevitably presents more lucrative endeavors and promotes knowledge of behind-the-scenes operations that require exemplary business management skills.
The new age of social media and online communications goes a long way for those in property inspection. If you're not taking advantage of these technological practices, you're missing out on tapping into a whole new realm of success. The progression of your small business heavily depends on how much attention you can bring to your company. One of the top ways to raise eyebrows and turn heads these days is to engage in online marketing techniques that advertise the benefits of your service. Your expertise in community engagement is just as important as your knowledge of how to administer a thorough home assessment. Once you strike an effective balance between the two responsibilities, there's no limit to what you can do as a leading service provider.


text:
/*----------------------------------------------------------------------*/
/* Name                                                                 */
/*  g_sys_i.sql - create indexes for standard system tables schema      */
/*                                                                      */
/* Description                                                          */
/*      Command file to create indexes for standard schema and system   */
/*      tables in a newly granted database.                             */
/*                                                                      */
/* Remarks                                                              */
/*      This file is executed by a call to adb_exec_file().  Portions   */
/*      of this script are enabled or disabled via #ifdef variables.    */
/*      In particular defining VISION_noschema disables the creation of */
/*      the so called schema table indexes.                             */
/*                                                                      */
/*----------------------------------------------------------------------*/

#ifndef VISION_noschema

create unique index f_schemainfo_idx on f_schemainfo(schemaname)
#ifdef Oracle
    pctfree 5
    storage (initial     4K
             next        4K
             minextents  1
             maxextents  9999
             pctincrease 5)
#endif
;

create unique index f_dbopen_usrnum_idx on f_dbopen(usernum)
#ifdef Oracle
    pctfree 5
    storage (initial     4K
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;

#ifdef    FDO_FEATURE
#ifdef   FDO_VERSIONS
create unique index f_feature_pk_idx on f_feature(featid, ltid)
    pctfree 5
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create index f_feature_class_idx on f_feature(featid, classid)
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create index f_feature_lt_idx on f_feature(ltid, nextltid)
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create unique index f_geometry_0_pk_idx on f_geometry_0(featid, scid, seq, ltid)
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create index f_geometry_0_lt_idx on f_geometry_0(ltid, nextltid)
    pctfree 5
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             pctincrease 5);
#endif
#endif

create unique index f_classdef_pk_idx on f_classdefinition(classid)
#ifdef Oracle
    pctfree 5
    storage (initial     4K
             next        4K
             minextents  1
             maxextents  9999
             pctincrease 5)
#endif
;

#ifdef MySQL
#ifdef Char3Byte
create unique index f_classdef_schnm_idx on f_classdefinition(classname(150), schemaname(150))
#else
create unique index f_classdef_schnm_idx on f_classdefinition(classname, schemaname)
#endif
#else
create unique index f_classdef_schnm_idx on f_classdefinition(classname, schemaname)
#endif
#ifdef Oracle
    pctfree 5
    storage (initial     4K
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;

create unique index f_attributedef_pk_idx on f_attributedefinition(tablename, classid, columnname)
#ifdef Oracle
    pctfree 5
    storage (initial     4K
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;

create unique index f_attributedep_pk_idx on f_attributedependencies(pktablename, fktablename)
#ifdef Oracle
    pctfree 5
    storage (initial     4K
             next        4K
             minextents  1
             maxextents  9999
             pctincrease 5)
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;

create unique index f_association_pk_idx on f_associationdefinition(pseudocolname, pktablename, fktablename)
#ifdef Oracle
    pctfree 5
    storage (initial     4K
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             minextents  1
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             pctincrease 5)
#endif
;

#ifdef MySQL
#ifdef Char1Byte
create unique index f_sad_pk_idx on f_sad(ownername, elementname, elementtype, name)
#endif
#ifdef Char2Byte
create unique index f_sad_pk_idx on f_sad(ownername(150), elementname(150), elementtype, name(150))
#endif
#ifdef Char3Byte
create unique index f_sad_pk_idx on f_sad(ownername(100), elementname(100), elementtype, name(100))
#endif
#else
create unique index f_sad_pk_idx on f_sad(ownername, elementname, elementtype, name)
#endif
#ifdef Oracle
    pctfree 5
    storage (initial     4K
             next        4K
             minextents  1
             maxextents  9999
             pctincrease 5)
#endif
;

#ifdef MySQL
#ifdef Char1Byte
create unique index f_schemaoptions_pk_idx on f_schemaoptions(ownername, elementname, elementtype, name)
#endif
#ifdef Char2Byte
create unique index f_schemaoptions_pk_idx on f_schemaoptions(ownername(150), elementname(150), elementtype, name(150))
#endif
#ifdef Char3Byte
create unique index f_schemaoptions_pk_idx on f_schemaoptions(ownername(100), elementname(100), elementtype, name(100))
#endif
#else
create unique index f_schemaoptions_pk_idx on f_schemaoptions(ownername, elementname, elementtype, name)
#endif
#ifdef Oracle
    pctfree 5
    storage (initial     4K
             next        4K
             minextents  1
             maxextents  9999
             pctincrease 5)
#endif
;

/* F_SEQUNCE table primary key */
#ifdef Oracle
create unique index f_sequence_seq_id on f_sequence(seqid)
    pctfree 5
    storage (initial     4K
             next        4K
             minextents  1
             maxextents  9999
             pctincrease 5);
#endif

/*  Create the G_PLAN table indexes.                                */

/* Primary Key */
create unique index f_spatialcontext_scid_pk_idx on f_spatialcontext(scid)
#ifdef Oracle
    pctfree 5
    storage (initial     4K
             next        4K
             minextents  1
             maxextents  9999
             pctincrease 5)
#endif
;

create unique index f_spatialcontext_name_pk_idx on f_spatialcontext(scname)
#ifdef Oracle
    pctfree 5
    storage (initial     4K
             next        4K
             minextents  1
             maxextents  9999
             pctincrease 5)
#endif
;

/*  Create the G_PLAN_GROUPS index              */
create unique index f_spatialcontextgroup_pk_idx on f_spatialcontextgroup(scgid)
#ifdef Oracle
    pctfree 5
    storage (initial     4K
             next        4K
             minextents  1
             maxextents  9999
             pctincrease 5)
#endif
;

/*#endif VISION_sdo */

/* create the f_spatialcontextgeom index */
create unique index f_spatialcontextgeom_pk_idx on f_spatialcontextgeom(scid, geomtablename, geomcolumnname)
#ifdef Oracle
    pctfree 5
    storage (initial     4K
             next        4K
             minextents  1
             maxextents  9999
             pctincrease 5)
#endif
;

#endif

/* End */


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Aso Villa Reads for 12/3/18
Every day, we bring you the best stories the media is reporting about the Government of Nigeria.
According to a report by This Day, "President Muhammadu Buhari has approved an amendment to the excise duty on alcoholic beverages and tobacco with effect from June 4, 2018. In a statement issued in Abuja yesterday, the Minister of Finance, Kemi Adeosun, said the new excise duty rates were spread over a three-year period from 2018 to 2020 in order to moderate the impact on prices of the products. According to her, the upward review of the excise duty rates for alcoholic beverages and tobacco was to achieve a dual benefit of raising the government's fiscal revenues and reducing the health hazards associated with tobacco-related diseases and alcohol abuse."
"The Nigerian Maritime University, Okerenkoko, Delta State, is set to commence the admission of students into the university for the 2017/2018 academic year. This was one of the highlights of the meeting of the Niger Delta Inter-Ministerial Committee on Friday, which was called to assess progress on the implementation of the Buhari administration's New Vision for Niger Delta. A statement by Laolu Akande, spokesman to Vice President Yemi Osinbajo, said a total of 196 students have so far been accepted into the university to commence their academic programmes, while 76 applications are still pending. Lectures are expected to fully commence later in April. President Muhammadu Buhari has also approved an increase in the take-off grant allocated to the university from the N2bn earlier announced to N5bn." Daily Post reported.
"The Central Bank of Nigeria (CBN) on Sunday disclosed that the nation's external reserves currently stand at $46 billion, saying the figures are steadily heading towards the $50 billion mark." According to Daily Sun, "figures obtained from the Central Bank of Nigeria (CBN) at the weekend indicate that the reserves grew by about $3.2 billion between February and March 2018. The reserves at the beginning of 2018 stood at $39.3 billion, then rose to $42.8 in February before hitting the new high of $46 billion as at the close of work on Friday, March 9, 2018."
According to Business Day Newspaper (Monday 12th March 2018, Page 8), "the Federal Ministry of Power, Works and Housing says it has achieved 100 per cent compliance in the implementation of local content policy of the Federal Government of Nigeria in the housing sector. Daminabo Emmanuel Oko-Jaja, the Zonal Director, South-South, National Housing Programme, made the disclosure during a guided tour of 24 housing units of 12 blocks of two and three bedroom flats under the National Housing Programme located at Idumwuehigie, Uhunmwode Local Government Area of Edo State. Oko-Jaja stated that the programme is a Federal Government initiative, and the idea is geared towards the achievement of 100 per cent local content policy of the Federal Government, which means the design is done in-house by the Federal Ministry of Power, Works and Housing staff."
"The Federal Government has commenced a nationwide rehabilitation of hydrological platforms in order to ensure effective disaster risk reduction as part of flood management once the raining season sets in. According to the Nigeria Hydrological Services Agency, the government is also rehabilitating existing and newly installed gauge stations across the country. NIHSA disclosed this in a document detailing its activities in preparation for the 2018 raining season. It stated that the government, through the hydrological agency, had embarked on the discharge measurements of the country's trans-boundary waters in Rivers Niger and Benue." Punch reported.
According to Business Day Newspaper (Monday 12th March 2018, Page 43), "the Consumer Protection Department of the Central Bank of Nigeria (CBN) in collaboration with the Life Skill Experts are educating school children on financial literacy. Omagbitse Barrow, Project Director, Life Skill Experts at the process briefing held in Abuja recently, emphasised the need for children to receive financial education as early as possible as it is important to their survival in the real world. Francis Okafor, Assistant Director, Investment Education Division of Nigeria Stock Exchange (NSE), explained that the program aims at tackling financial illiteracy from childhood, to further increase and appreciate the value of money."
"In a bid to win the war against insurgency in the North-East and other security challenges across the country, the Nigeria Air Force (NAF) has solicited for the support of the media. The Director Public Relations and Information (DOPRI), Air Vice Marshal Olatokunbo Adesanya, gave the charge during an enlightenment workshop organised for Defence Correspondents in Abuja. He stated that the military and the media can be described as two sides of the same coin as he argued that proper information management was needed to enhance national security, troops' moral, as well as build public confidence." So writes Business Day Newspaper (Monday 12th March 2018, Page 43).
Dawn of the new oil era, Venezuela's hyperinflation and the 'holy Trinity'
How Foundations in New Year Can Bring Relief and Empowerment to Countries in Need
COMMENTARY: Canada at 150 — what we are, what we can become?
Afghan "guests" to stay longer in the country.
Estonian President Kaljulaid at the UNGA75
Emphasises importance of transparency, inclusion in digital transformation and need to rethink global (free) labour market
Express Entry: 1,002 PNP candidates invited in new draw | Esse India
A policy case study: The Troubled Families Programme
FALSE: This photo does not show President Uhuru Kenyatta's motorcade in Kisumu
A gift for Muhammadu Buhari
It was President Muhammadu Buhari's 79th birthday the other day. As the day approached, I feared being left out as the only person, out of…
Address By President Buhari At #UNGA76 [Full Speech]
Kids Watching Squid Game isn't as bad as you think
Yeah, there was a bomb blast in my home. In that bomb blast, my mom deceased and after that, I was in a very deep sleep for 2 years.


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SRHR
Failure of NSW Abortion Bill Exposes an Ugly Truth
Calling Time on the 'Pub Test' and Subtle Sexism in Politics
The Pussy Grab Gone Global
The Impact Of Social Media On Your Happiness
Why Did I Join The Sex Industry? It's Simple, Social Entrepreneurship
Fear should not to be ridiculed by others
Parties must define what they stand for, not against
Australian Women's Voting Rights
The beauty of society
written by Jacqueline Haines
Seven of Eight's letter published in the previous Portside, raises a complex issue, how the concept of democracy should be understood within our Australian political system. Our political system is…
What's a plebiscite?
The plebiscite has become an interesting public topic since the federal government announced its intention to hold one on the issue of marriage equality. We have only held three national…
Media buzzed recently, with former Liberal Prime Minister Tony Abbott's intention to address an American group opposed to abortion and same sex marriage. While the former federal Labor leader Mark…
Australia Day, hit it out of the park.
According to the official Australia Day website, Australia Day is a celebration of 'what's great about Australia and being Australian'. It's the day Arthur Phillip camped at Cadi (1788) and…
BusinessPolitics
Everybody needs a life about more than toil
PENALTY rates are set to be the big issue at the next federal election, with Prime Minister Malcolm Turnbull taking workplace relations reform to it for a mandate. This approach…
Hometown (5)
SRHR (5)
Jak's Instagram Feed
Warning: Illegal string offset 'jr_insta_square' in /home/vavven81/public_html/jacquelinehaines.com/wp-content/plugins/instagram-slider-widget/instaram_slider.php on line 624
Jacqueline Haines (c) Copyright 2017


Can Trump change once he is the President?
Carol politics can trump change his ways when he becomes president?
Every day I listen to National Public Radio. Sometimes I tune in to Fox News channel on my XM radio. Sometimes I listen to CNN on my radio. I do my best to get news from different perspectives. I am in my car a lot driving and so I have time to sit and listen to the news.
First things first. I was very worried when Trump won. Although I listened to a very close friend who told me not to worry because he was smart enough to "surround himself with smart people even though he is an idiot", and worried just a little less. Because I value her opinion, and she is older and usually wiser than me I have tried to pay attention to the confirmation hearings so far. So what I have found is that I am even more confused than I was before.
The one thing I can be sure of (based upon actions so far) is the President-elect Trump will always stay true to the from of what we have always seen and heard from him. From his days of bashing Rosie O'Donnell, to saying he doesn't want a "Mexican judge" on his lawsuit, to the man I always believed to be an egomaniac, and quite frankly not very nice. I used to watch "The Apprentice", and I was always amused by his way of talking to people and thought his ego was a little too big even then. (and when I say I watched it, I mean I watched it back in the beginning, in 2004 when the not so nice Omarosa was on and subsequently fired). Interestingly, apparently Omarosa has a job in the White House after Trump takes office.
I just feel that he is who he is. The mean tweets, the outbursts, the inability to listen well, the ego. I am not sure he will be able to take his personality down a notch or two after he takes office. I mean he is no spring chicken…. he is 70 years old………I find it unlikely that a person of that age will change who he is at his core and be able to behave differently than what we have witnessed over the many years he has been in the spotlight….
So I am worried. I just don't believe he will act one way on January 19 and then a different way on January 21st. The situation with Russia worries me, his way of speaking to people worries me especially when it comes to foreign relations. And I am concerned about the repeal of the ACA without something better to replace it with. I am always hopeful that things will work out okay, but to be honest, I am having a hard time being hopeful. So many people in this country are scared and don't know how to feel about what may come.
So for now, I will just wait and see before I make any judgements and I pray that I am absolutely wrong and once he becomes our 45th President he will change and things will not get worse in this country. I never bought into the "make America Great AGAIN" slogan because I think there is so much about America that is already great and has always been great. I have traveled to other countries, and while ours has its faults, it is definitely one of the best places to live in this world!
Crossing my fingers and ever hopeful that Trump can change his ways when he becomes President!


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8 Best Netflix Animated Shows For Adults
BoJack Horseman used to be the most beloved sitcom horse of the 90s. However, 20 years later the hit TV show "Horsin' Around," Horseman is more of a washed-up star living in Hollywood. Most of his day he spends drinking, complaining about everything, and wearing colorful sweaters.
Find Similar Movies>>
You can call it sick, twisted, politically incorrect, or even freakin' sweet, but this animated series featuring the adventures of the dysfunctional Griffin family has a fan following of its own. With bumbling Peter, long-suffering Lois, Stewie (a brilliant but sadistic baby who wants to over the world), oldest and unpopular girl Meg and movie-loving, middle-kid Chris is a brilliant visual treat with the final member of the family, Brian, the talking dog.
Animated movies on Netflix are not just eye-candy. They are always setting the bar higher. This NSFW anthology of animated stories presented by Tim Miller and David Fincher is nothing short of that. Filled with terrifying creatures, wicked surprises, and dark comedy, you definitely don't want to miss this one for sure.
Disenchantment takes a trip back in time to the ruined medieval city called Dreamland. The plot of the series revolves around the grubby adventures of a hard-drinking princess. Accompanying her, is her feisty elf companion and her personal demon.
This edgy comedy from real-life pals Nick Kroll and Andrew Goldberg show no inhibition in exploring the teenage lives of a group of friends who find themselves upended by the wonders and horrors of puberty.
Netflix really pushes it with this trippy animation series. The plot is about a space caster named Clancy who transverse through trippy worlds inside his universe simulator. If you are ready to explore and seek answers for some existential questions about life, death, and everything in between, this one is the perfect pick for you.
Hilda is a fearless, free-spirited girl who is our to finds new friends, adventure, and magical creatures. When she forced to leave her enchanted forest home and move to the city, she thought that her magical adventures were over. however, it was only the beginning.
This famous anime is about a Saitama, a superhero who only became one for fun. With three years of "special" training he has become so strong that even his most powerful opponents are taken out with a single punch. With so many powers, he soon becomes bored by being a superhero. How much longer will he keep it going?
hollywood movieslists


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Liberty Links: Rihanna is basically the only good thing about the NBA Finals
Tell 'em, Rihanna.
By Kyle Neubeck@KyleNeubeck Jun 2, 2017, 7:30am EDT
Share All sharing options for: Liberty Links: Rihanna is basically the only good thing about the NBA Finals
Kyle Terada-USA TODAY Sports
Quite an exciting Game One of the NBA Finals last night, huh guys? Let's all hope the series gets a little better from here, because if this is what we've been reduced to in the league's championship—particularly after a fairly dull run in the conference playoffs—it's not going to be much fun to talk about the league.
Some links for your viewing/reading pleasure:
The best of both worlds—Jackie MacMullan, ESPN
"Two or three years ago, that stuff would have bothered me," Durant says. "Not anymore. I'm having fun and enjoying my life. I know they want me to be miserable, but I'm not. Sorry." Win or lose, the plan is now the same at the house in the hills. Kevin Durant will play the game he loves, then come home, crank up the classic vinyl Marvin Gaye record his father bought him for Christmas and watch the sun set on the Bay, the bridge, his new city, his new home.
Since last night's Game 1 was a complete snoozefest, read Jackie Mac's story on Durant, who totally didn't make these playoffs less exciting by joining a 73-win team, of course.
All aboard the Jonathan Isaac bandwagon
If you asked me 10 years from now who will be the best player other than the guards in this draft, I'd say Jonathan Isaac - @BobbyMarks42
— 975TheFanatic (@975TheFanatic) June 1, 2017
I don't even know if I would go this far on this claim, but hey, dare to dream! Using this as a springboard, Jonathan Wasserman wrote a piece for Bleacher Report this week that discussed Isaac vs. Jayson Tatum, and he leaned slightly toward the FSU product:
They'll each make for fine picks in the draft, regardless of where they're taken. But Isaac has the chance to be unique at both ends, and he's given scouts enough reasons to buy into his development over the next few years.
Him checking more boxes across the board—namely defense, rebounding, tools, efficiency and fit—only acts as additional cushion.
I found an executive who should be fired
From an NBA exec: "I think T.J. Leaf's game translates better than Lonzo's. He does so many things. ... Lonzo's learning curve scares me."
— Jordan Schultz (@Schultz_Report) June 1, 2017
There are legitimate concerns Lonzo Ball will have to overcome if he's going to be a lead guard at the next level. But man, this take exists in an alternate universe. Ball should be a very good passer and a player who raises his team's offensive level, regardless of whether or not he overcomes some of his limitations. There are guys who might be better upside plays, but come on, T.J. Leaf?
The Immortal Life of John Tesh's NBA Anthem "Roundball Rock"—David Roth, Vice
And yet, because it never left, NBA fans still hear it all the time. There are no plans on the part of any of the NBA's current broadcast partners to bring it back, and Tesh is busy enough that he has not pushed for a reunion. "I don't really wake up every morning thinking about it," Tesh told me. "But what I'd really like to do is maybe at the Finals, one time, if they asked me, I would love to come, just right at midcourt, maybe with an eight-piece string section or something like that, and just play the theme right after the national anthem. That would be a fun thing for me."
Maybe you, as I did, found that very easy to imagine. Maybe you, as I did, realized that you had, in some way, already been imagining it.
LeBron James won't last forever—Seerat Sohi, Fansided/The Step Back
But then he followed up a 11-point dud in Game 3 of the Eastern Conference Finals with a lackluster first half in Game 4, and topped it off by missing an open dunk; more aberration than bad omen, maybe, but it is hard not to be spooked by a statistical rarity when it finally strikes the person it used to skip over. All of which is to say, as much as I am floored by the fact that he is still so dominant, plays like that serve as a reminder that one day, he won't be.
We need a Rihanna-Embiid relationship for the culture
Rihanna bows to LeBron then hits a dab and small waves a Warriors fan telling her to sit down.
pic.twitter.com/q0IyIPIbGK
— Rob Perez (@World_Wide_Wob) June 2, 2017
Listen: Rihanna yells "BRIIIIIICK!!!" at Durant during free throw, he stares her down twice (h/t @tshent) pic.twitter.com/XYdFOv9mc3
Rihanna: "The King is still King, b----!" via @rachelnmarcus pic.twitter.com/woA5DDP87y
— Arash Markazi (@ArashMarkazi) June 2, 2017
Nothing would be better than Joel Embiid grabbing the torch from LeBron James, storming through the NBA Finals, and clowning on this Warriors team with Rihanna by his side.


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Q: Error: Can't resolve 'constants' in constants-fs I installed a js package fs-constants that uses  the next line in its browser.js file.
module.exports = require('constants')

I get this error on compiling
ERROR in ./node_modules/fs-constants/browser.js
Module not found: Error: Can't resolve 'constants' in '/mnt/c/Users/jbermudez/workspace/HMI_WEB_CONVERTIDORES/front/node_modules/fs-constants'

I checked that i have a package installed called constants-browserify but it seem not resolve the issue

A: Well, the fs-constants module is relying on another module called constants, which is now depreceated, as the npm site of the module itself states. This is now called using require("fs").constants, however this is node-only. Which Node version are you on? As of v12.18, the constants module still exists and is callable for me.


text:
In a Sprawling Collaboration, an Artist and Her Subject Craft His Identity
by Sarah Rose Sharp February 23, 2016 February 25, 2016
Liz Cohen, 'Him,' installation view (all photos by the author for Hyperallergic)
BLOOMFIELD HILLS, Mich. — We live in a time that challenges easy distinctions on the subject of identity. Gender has become fluid as never before in Western society, and art-makers find themselves remarkably unconfined by medium in an era that values ideas articulated by the most effective means possible rather than with a more traditionally rigid separation between disciplines. This freedom to maneuver is fully evident in Him, a project Liz Cohen developed over the past year as artist-in-residence and head of the photography department at Cranbrook Academy of Art (a position she has held since 2008).
Cohen worked intensively with her subject, Eric Crosley, a male-presenting, self-described eunuch who has engaged in radical physical transformations in his search for a body that he feels appropriately reflects his identity — a topic he captures movingly in his own poetry. Cohen, who considers herself a documentary artist, uses her photographic eye to govern a practice that is hands-on and far-ranging, in terms of adopting skill-sets far outside photography.
Cohen, Untitled collage [6 of 15] (2015), found fabric, 12.25 x 15.25 in (framed)
In the case of Him, Cohen first translated aspects of Eric's poetry into a visual motif of minimalist representations in bright primary colors — a nod to the influence that the last seven years at Cranbrook has had on her aesthetics. These images underwent a second layer of abstraction as Cohen translated them to weaving, a craft she picked up specifically for the purposes of this project (and one to which Cranbrook is particularly well suited, having developed its own model of commercial loom). The weavings, which reflect Cohen's willingness to embrace new media in the pursuit of dynamic expression, reverse the source image and dilute the intensity of the color, holding the brighter, primary-toned strands in a wheaty linen matrix. The frilled borders of the smaller weavings seem to suggest the torn edges of spiral-bound notebook pages, though curator Laura Mott likens these constructions and their larger counterparts to domestic objects like napkins and tablecloths.
Cohen, Untitled mask #4 (2015), found fabric, 11 x 24 in (click to enlarge)
Mott and Cohen worked rigorously on the project, meeting weekly in support of the process, a schedule to which Cohen attributes her ability to turn out such a large and complete body of work in a single year. Mott, for her part, credits Cohen's work ethic; the artist staunchly refused to outsource the weaving, and Mott recounts bearing witness to Cohen's efforts at the loom. Cohen's process seems to include physical sympathy, by way of backbreaking labor, with the necessity of constructing (rather than accepting as given) a corporeal identity, step by painstaking step. Next, these symbol sets were translated into 3D fiber masks — essentially, bags for the head presenting rough features, indistinctly ethnic in their aesthetics. Finally, Crosley reincorporated these abstracted narratives, donning the masks for a photo shoot. The end results is a series of large-scale, exquisite black-and-white portraits that fuse Cohen's vision with Crosley's physical presentation.
Next, these symbol sets were translated into 3D fiber masks — essentially, bags for the head presenting rough features, indistinctly ethnic in their aesthetics. Finally, Crosley reincorporated these abstracted narratives, donning the masks for a photo shoot. The end results is a series of large-scale, exquisite black-and-white portraits that fuse Cohen's vision with Crosley's physical presentation.
Cohen, "Him" (2015), archival pigment print, edition of 5, 42 x 56 in
These works — the sewn symbols, the weavings, the masks, the portraits — are framed in bright primary colors and presented on easel-like wooden structures, which Mott characterizes as indicating the skeleton upon which all other physical identity is built. The arrangement, which is modular and could be repositioned in any number of ways for future exhibition, creates an outward-facing view throughout the room, with each wall punctuated by just a few framed images, including a sole portrait that reveals Crosley's trunk and legs.Cohen received a lot of attention for her past project,
Cohen received a lot of attention for her past project, Bodywork, wherein she apprenticed herself to custom auto-body shops around Detroit, eventually melding an East German Trabant with a Chevrolet El Camino. She mirrored this feat of bodywork on herself by simultaneously transforming into a bikini model, then posing for a provocative series of pictures on and around the car she reformed. Though it deals with a wildly different subject and set of learned skills, Him nonetheless reveals the consistency of Cohen's interest in identity, auto-determination, and the lengths to which one must go to find the truest expression of self.
Liz Cohen, 'Him,' installation view
Him continues at Cranbrook Art Museum (39221 Woodward Ave, Bloomfield Hills, MI) through March 6.
Correction: This piece originally described Cohen's subject and collaborator, Eric Crosley, as male-identified rather than male-presenting. We regret the error, and it has been fixed.
Join a Community of Radical Thinkers and Makers at Cranbrook Academy of Art
Cranbrook Academy of Art Opens Fall 2021 Applications
500+ US Museums Will Be Free on September 17
A posthumous show of Price's work is curated by James Hart of Phil Space, the self-proclaimed "gallerst of death."
Tagged: Cranbrook Academy of Art, Laura Mott, Reviews
Sarah Rose Sharp
Sarah Rose Sharp is a Detroit-based writer, activist, and multimedia artist. She has shown work in New York, Seattle, Columbus and Toledo, OH, and Detroit —... More by Sarah Rose Sharp
One reply on "In a Sprawling Collaboration, an Artist and Her Subject Craft His Identity"
C Kaufman says:
Without titles on the artwork (Example: " Untitled collage [6 of 15] (2015)") doesn't that defeat or negate the purpose of crafting an identity?


If your fascination is an experience to play Blackjack in the authentic set up of a Las Vegas casino but hesitant due to the high travel and accommodation charges, then the Vegas strip Blackjack game at Top Slot Site is just what you need. This game works pretty much like the regular Blackjack with just a few more rules added into the mix.
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They are played with 4 deck cards and the dealer always stand at soft 17.
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When starting a game of Vegas strip Blackjack at Top Slot Site, players should ensure that they are at a table with a minimum bet that you can afford. Post bets being placed, the dealer deals out two cards for every player and two cards for the dealer itself. Post this, the player decides if they would like to stand, hit, double down, split or simply surrender. This is where the dealer reveals their cards and if the worth is 17 or more than dealer wins the hand, if not the player wins the hand and paid out.
Players need to make sure that before embarking on the Vegas strip Blackjack game, they need to go over the game rules first if the game shows 6:5 payout instead of 2:1, then an ideal thing is not to play that table. An ideal table would be when the player beats the dealer at a one to one ratio i.e. player bets £10 and wins £10 although highly lucrative the occurrence of Blackjack is very rare.