- Changes in the Data Warehousing Workbench (TA RSA1, before known as the Admin Workbench TA RSA1OLD): InfoPackage groups, Persistant Staging Area (PSA) tree, reporting agent and so on are only supported in RSA1OLD. Forget about old RSA1OLD use new one RSA1. There can be still necessity to use told one e.g. you want to adjust some old 3.x emulated DataSource or access old PSA.
- Compounding consistency for MultiProviders: Note 920416. Use report RSCOMPCONS or RSCOMPCONS2 to find any MultiProvider that is inconsistent with regard to compounding.
- Identifying InfoObjects in MultiProviders: Note 1105187. If "Selection not allowed (technical CHASEL = 4)" is set for a characteristic of an involved provider, this is "not visible" in this involved provider (at least in its role as an InfoProvider) and therefore it is not available for the identification of the characteristics of the MultiProvider.
An assignment was possible in BW 3.x (even though it was not planned).
- Query runtime statistics: The old statistics tables (RSDDSTAT) were replaced by new tables and are no longer filled; see the relevant release note, like 934848 - Collective note: (FAQ) BI Administration Cockpit.
- Change run: The split parallel processes of the change run are always background business transaction category (BTC) processes in SAP NetWeaver 7.0. It is possible to restart change run or run several change runs. Note 915515.
- MOLAP: Microsoft Analysis Services (MS AS) is no longer supported - you can use BI accelerator as an alternative. Note 456931.
- Authorizations: A new concept for analysis authorizations is in BI 7.x, based only on authorizations as elementary objects. Old 3.x authorization concept (reporting authorizations) is replaced. Move from SAP authorization concept (like R/3 or ECC have) of authorization objects. New concept includes any authorization-relevant characteristics and treat single values, intervals and hierarchy authorizations the same. Navigation attributes can now also be flagged as authorization relevant in the attribute maintenance for characteristics and can be transferred into authorizations as characteristics. See Notes 923176 and 820183.
- Authorization check for MultiProvider: Note 927872.
- Analysis authorizations: You can no longer use customer exit variables to assign hierarchy authorizations in the new authorization concept. See Note 820183, section 3f.
- VirtualProvider with function module: If hierarchies are supported, master data IDs must also be supported. See the release notes.
- Compound objects in MultiProviders - corrected behavior with initial values: Note 1009987.
- The input help for DataStore objects can now use the setting 'Only values in InfoProvider', this can lead to performance problems: Note 984229.
- Constant with compound characteristics. Note 1035916.
- DB Connect: Note that there is a new Product Availability Matrix (PAM) for SAP NetWeaver 7.0 and certain platforms (for example Informix) are no longer supported. This also applies to the availability of the DB clients that are required for DB Connect. For more information, see the SAP Netweaver documentation. In certain cases, UD Connect may offer greater platform independence.
- You cannot selectively delete real-time InfoCubes in the planning mode due to a new caching architechture in SAP NetWeaver7.0. Note 1016181.
- Calculating before the aggregation with Content InfoProviders: Note 921325.
- Changes in the variable screen of the BEx Analyzer: see Notes 945653 and 924316.
- When you drilldown to 1CUDIM, the system displays original currency: see Note 962850.
- Most recent variables 0RS_RQTRA, 0RS_RQMRC and 0RS_RQALL converted to ACTUALDATA: Note 1007722.
- Changes to the behavior of formula variables with a replacement path before the aggregation. Note 1005772.
- The changed behavior of variables: The affects on the targeted filling of the OLAP cache: Note 1105139.
- The new BEx Analyzer only allows resulting sets up to 750,000 data cells due to changed memory processing (for additional functions and improved performance). Note 1040454.
- Table view in the query designer: Note 1002271.
This is Srini. Could you please mail me your concerns..
exactly as ti is mentioned in my post!
Yes. Intention my blog is to collect all related information and keep at one place for quick reference. If read my posts completely you can see that line at bottom of posts.
SAPPER: I already told you this.


Find Your Favorite Style of Home Decor.
One of the first steps to designing our home and the rooms within is to hone in on the styles we want the space to reflect. Most often, though, when it comes to home décor, we often are more certain of what we don't like, than what we actually do like. Often our inability to define our style can be a frustrating stumbling block in our design project, keeping us from creating a comfortable home or just a room to enjoy. Many of us like different styles, and are just not sure of which style we want to actually live with.
One way to get a better feeling for what style you might like best is to simply go "window shopping". Try going online to the many home décor website or specific manufacturers and just browse through the collections of furniture and accessories.
Another way is to go to an actual retail store and walk the showrooms and really look at what you see. Take a pad with you and even snap some photos with your smart phone or camera. You will be able to analyze these photos later at your leisure and convenience.
And on of the best way, and my favorite, is to settle in to your most comfortable chair with a pile of home décor magazines and tear, tear, tear the photo out that strike you with the thought "I really like this. I could live with this". Sometimes these photos are the best way to go, since the furniture is show in a setting which illustrate many of the other items in the room which work together to create a pleasing space.
cherry wood, brass elements. In your "Do Not Like" list, you might put items such as chorme, stainless steel, straight legs, no ornamentation, and the like. Going through this exercise is sure to give you information about your style direction in virtually black and white.
Once you get a better idea of where you are on the traditional, transitional, contemporary spectrum, I suggest using my 80/20 rule, which makes it even easier to get a project going. This simple rule is: stay within your preferred style for 80% of the elements in the room and then you go "off Broadway" for the remaining 20%. So, if you really think you like traditional styling and furniture best, then go with that…for the majority of the items in your room. That gives you the freedom and flexibility to add in a small amount of "other" styles, giving the impression that your room is not rigid and so it does not look overly "eclectic. Mixing too many styles together, on a cautionary note, may lead to a room that looks disorganized and assembled randomly with things you just fell in love with and had to have. There is nothing wrong with bringing home a great find that you just can't live with, but select these with discretion, so that your final result looks well intended. The style you emphasis in your project not only involves your furniture, but also the selections of fabrics, window treatments, and your choices for lighting and accessories, to name a few. So honing in on your basic style is most important and will definitely drive the design.
There are three basic styles in design, which many of us are already familiar with: traditional, contemporary, and transitional. Again, once you select the primary style, feel free to add in elements of the other two, so your room has interest and variety.
Traditional styling is probably the one that is the most common and which many of us grew up with. Originating in Europe, traditional furnishings come from England (think Queen Anne), Italy (think Tuscan style), and France (think French Provincial). Common elements of the traditional style are details in ornamentation, curved lines, inlays of marble and wood, the use of turned legs and carved corbels or brackets.
Contemporary and modern styles are cleaner, straighter and often incorporate glass and metal. Contemporary, less severe than modern, contains more curvilinear lines. Contemporary styling has straightened out the lines of traditional, while keeping some soft curves here and there, without going to the extreme of modern styling, which is noted by more severe straight lines and cool elements of metals and leathers.
Transitional style is the bridge between both traditional and contemporary, keeping many of the original elements of traditional, but with a more modern twist, keeping the true traditional elements to a minimum. Transitional styling can be described as "traditionalized contemporary" or "modernized traditional. If you like both traditional and contemporary styles, you might just chose the transitional style, which makes it simpler than attempting to mix traditional and contemporary pieces, which can yield a result that looks like you just didn't know which fork to take on the yellow brick road to design.


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Lakewood man charged with killing strip club…
Lakewood man charged with killing strip club dancer found dead in motel bathroom
The woman's death came to public attention after an internal Denver police investigation
By Elise Schmelzer | eschmelzer@denverpost.com | The Denver Post
Five months after a strip club dancer was found dead in a Lakewood motel bathroom, police have arrested the man they say killed her.
Matthew Williams, 27, was arrested Tuesday on suspicion of first-degree murder after a lengthy investigation into the death of 22-year-old Olivia Hector. Cleaning staff found Hector dead on Nov. 8 on the floor of a room at a Motel 6 on Wadsworth Boulevard.
Hector's death first gained public attention after a Denver police officer faced discipline for searching her name on a law enforcement database. Denver police leadership became aware of the infraction when Lakewood police interviewed the officer, Shederick Dobbin, about Hector's death. Dobbin knew Hector from her work at PT's Showclub, but he was not a suspect in her death.
National Domestic Violence Hotline: thehotline.org. Call the hotline at 1-800-799-7233 for free, 24-hour help.
Violence Free Colorado: Use this map to locate resources by county in Colorado. The website also has resources like a guide to helping someone you know who is being abused.
SafeHouse Denver: safe-house-denver.org. Reach local professionals by calling the 24-hour crisis and information line at 303-318-9989.
Investigators first considered Hector's death suspicious, but an initial autopsy couldn't determine the cause of her death. The medical examiner found faint abrasions on her neck, but couldn't confirm if she had been strangled. There were no signs of a struggle and Hector was found naked, according to the autopsy report.
Later tests confirm that she had been strangled.
Hector and Williams had an "on-again, off-again relationship," Lakewood police spokesman John Romero said.
Denver officer suspended for using police database to look up strip club dancer — later found dead — for personal reasons
Denver police officer suspended after using national database to share investigation information with a suspect's girlfriend
Lakewood police looking for man accused of attempting to entice boy with puppies
Hector checked into the motel on the night before she was found dead. She was accompanied by an unidentified man and a dog, according to the autopsy report.
Hector had paperwork in her bags at the hotel showing that she had previously been a victim of domestic violence, the autopsy report stated. The paperwork indicated she had been choked.
Prosecutors charged Williams with first-degree murder. He appeared in court Wednesday morning.
Denver Police Department
Lakewood Police Department
Elise Schmelzer
Elise Schmelzer is a breaking news reporter at The Denver Post. She previously wrote for the Casper Star-Tribune in Wyoming, the Washington Post and the Colorado Springs Gazette. When she's not writing, she disappears into the mountains to hike and fish.
Follow Elise Schmelzer	@EliseSchmelzer
More in Crime & Courts
Team of nine Broomfield residents indicted for allegedly stealing from 77 victims, 52 companies in the Denver area
A group of nine Broomfield residents face a total of 126 felony counts for stealing money, cars and identities from at least 77 people and 52 companies.
Juvenile fires gun at Deer Creek Middle School building, 3 juveniles in custody
Three juveniles were taken into custody on Monday night after a gun was fired at Deer Creek Middle School.
Longmont man accused of assaulting, running over woman near Gordon Gulch in Boulder County
A Longmont man was arrested over the weekend after reportedly assaulting a woman and then running her over with a truck in Gordon Gulch.
One injured in Westminster road rage shooting; cause of argument unknown
A man pulled a gun and shot another driver during a road rage fight Monday afternoon on a major road in Westminster.

redpajama_set_name: RedPajamaCommonCrawl


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Tag Archives: Laura Domingo
Theater Around The Bay: 16 Actors You Should Totally Cast
Stuart Bousel processes a callback that was an embarrassment of riches.
I recently had the awesome experience of sitting through the call-backs for Custom Made's 2014 production of The Crucible, which I will be directing. I say "awesome" because it's probably the first time in my career I gotten to watch 50+ actors audition their butts off for five hours and have literally all of them be really, really good. No lie: we honestly could have charged admission to the callbacks, they were that entertaining and engaging. I could have easily cast the show three times over with totally different people each time, and been perfectly happy with each version of the cast, that's how good this pool of performers was.
Alas, as is often the case, I only had 16 slots available, not even a third of the excellent actors I had to choose from. When it came to decision time, I worked really hard to balance my final choices with familiar faces and new ones, people I loved working with along with people I've been wanting to work with, while also factoring in all those different things any director factors in when casting (like if certain actors make for a believable family, etc.), and yet of course at the end of the day I still ended up with a list of un-cast actors I couldn't help but stare at and think, "Oh, but that person's fantastic!" while also recognizing there just wasn't a place for them in this show.
For me, the list of desired collaborations is always longer than the list of people I actually get to collaborate with on any given show, so, with an enormous desire to celebrate just how much talent we really have in this Bay Area theater scene of ours, here are 16 incredible folks from The Crucible callbacks that I didn't cast this time around, which again still leaves out a whole lot of other great people who I saw that day. Next time, my friends. And in the meantime, to all my fellow directors, snatch these folks up while you can. They're amongst the best of the best.
Sam Bertken. I've gotten to know Sam pretty well over the last year since I first met him at the San Francisco Fringe Festival, and he's both a delightful person and a delightful actor. His strengths lie in physical comedy and exciting, larger-than-life characters, and so he's perfect for stylized works, broad comedies and performances pieces. He played Tranio for me when I directed Taming of the Shrew this past year and he's very easy to work with, very dedicated, and he comes into the room with a lot of ideas to contribute towards building a character. He also takes direction exceptionally well, pulling back and toning down when you need him to, opening up and making a character explode on stage when you let him run loose. He almost stole the show every night of our run and yet he's undeniably a total team player. He'll be playing Peter Pan this fall at Custom Made and I kind of can't wait in an embarrassingly fanboy way.
Kat Bushnell. Kat and I have a long history of working together, ever since I cast her back in 2011 in my production of Giant Bones, the auditions for which were my first introduction to the bundle of warm support and talent that is Kat Bushnell. Funny, smart, friendly- and she can sing!- Kat Bushnell is a triple threat who pulls off one of the best British accents of any actress I've seen in the Bay and she works hard in any role you put her in, from minor character to lead: a perfect ensemble member (which was essential in Giant Bones). She's also a great cold reader- playwrights take note!- and a lot of the work I've done with her has been script in hand because Kat's good at making strong, immediate choices and she has a lovely, melodic speaking voice that makes all your lines sound good, hence making her a staple of the SF Olympians festival since year one.
Ben Calabrese. Never saw this guy before Crucible auditions, I sincerely hope to get a chance to work with him at some point in the future. An able reader and a jovial participant, I kept having him read partly because I enjoyed what he brought out in other actors and he had a really nice, open-to-anything vibe that I found myself enjoying regardless of what role I had him read for. Lots of energy and enthusiasm, my guess is he's a total team player- you'd have to be to endure five hours of callbacks and still have a smile on your face.
Ashley Cowan. Ashley has played a lead for me twice now and I have to say, she is one dedicated actor and you can be sure, if you cast her, that she will work incredibly hard. She's also a friendly, pro-team presence backstage, perpetually positive and good at rallying the troops even when you're marching through that deathly terrible dress rehearsal where nothing goes right. She turns in thoughtful, layered performances with a particular penchant for anti-ingenues, those young women roles characterized by being just outside the normal, run-of-the-mill heroine variety, smarter and quirkier than the girl next door. As Viola in my Twelfth Night she had a heart-breaking reunion scene with her Sebastian that brought tears to the audience's eyes every single time but she's probably better known throughout the Bay Area as a comic actress and for very good reasons: she's genuinely funny and has a dry, deadpan delivery that kills when aimed to do so.
Laura Domingo. A passionate, fiery performer, Laura does hysteria and agony like nobody else, but she's also got a sexy, seductive side that revealed itself during the Olympians Festival last year when she played a femme fatale in a noire style play by Colin Johnson. In reality, she's a sweet person who has been game for everything we've given her at the Olympians Festival and I love when she turns up again and again for consideration- demonstrating a positive, open attitude that characterizes the best variety of performer. One day, Laura, I just know we're going to do a kick-ass show together.
Matt Gunnison. Matt and I have done four full productions together and a play I wrote has, what I think, is the perfect leading role for him (now if only I could find a producer!). Talk about an actor with range, Matt can do funny, Matt can do scary, and Matt can do sympathetic, and in my ideal role for him he gets to do all of that and more in one night. He has an elastic body and an incredibly expressive face that evokes tremendous responses from audiences and he's both absolutely solid and reliable while also being the sort of performer who can, when asked, surprise the hell out of you. On top of that he's arguably the nicest guy in the Bay Area theater scene, soft-spoken and gently witty, astute and supportive and 100% there when you need him. He's a cornerstone actor, the kind of presence that elevates your production both backstage and onstage, and it's criminal that he's not hugely famous.
April Green. Seriously, this woman is such a powerhouse and I never saw her or knew her name before these auditions and now I want to see whatever she gets cast in next because I sense she tears it up like few others can. She brought a deeply emotional weight to everything she read for and she has a grace and a kindness to her that I found very moving, especially for a cold read. I worry she's gonna read this and think I'm a stalker. I swear, I'm not. Just a freshly converted fan to who was, for me, the best new face in this truly epic assortment of actors.
Ryan Hayes. My longest running collaborator in the Bay Area, Ryan was in the very first show I ever directed in the Bay Area (Edward II) and we've probably done ten shows together since, not to mention a ton of readings and other theatrical collaborations. An amazingly versatile and dedicated performer, Ryan is one of those people who can play a wide variety of roles, from over-the-top to incredibly subtle, and often times accessing both extremes of his range in the same evening. He loves big characters but he's excellent at solid and subtle ones too and when he's in your cast you can rely on him coming through on all fronts, being one of the first to get off book, and ready to lend a hand with any element of the production. He's a team player and a team leader, and he just gets better and easier to work with as time goes on.
Neil Higgins. Neil can do flamboyant, acidic wit like nobody else and, interestingly enough, his other forte is charmingly insecure everymen. He has exceptionally good comic timing and the unique ability to go from brittle to endearing at the drop of a hat. Backstage he's a solid addition to the mix, sure to make people laugh in the rehearsal process, always able and willing to buckle down and get work done when the time has come. During the production of Measure for Measure I cast in him (and in which he stole the show every night) he destroyed a bottle of beer mid-performance and totally made it work without missing a beat. It was pretty legendary.
Sharon Huff Robinson. I only got to know Sharon a little bit through callbacks but she made a very good impression on me, striking me as a smart woman with a great sense of humor about herself and the whole show business thing, combining that with some really truly solid acting skills. What I loved the most about her audition is that she's so obviously a strong, self-assured woman who wouldn't put up with all the crap Miller subjects his female characters to in The Crucible. Side note: she kind of looks like mid-1980s Carrie Fisher.
Heather Kellogg. Yet another smart, enthusiastic and courageous actress, Heather always makes super daring choices during auditions that are a nice contrast to her very girl-next-door look and vibe. She can do a thoroughly believable Irish accent, has a good command of stylized language and classical text, and she's at the perfect place to play a number of different ingénue roles, from flighty and delightful, to the "guarding secrets and plans" variety, to the brave and plucky kind. I kind of want to see her play Anne Shirley in a stage adaptation of Anne of Green Gables, and if you know how much I love Anne of Green Gables, you realize this is no joking matter.
Brian Martin. Of all the actors I have known over an extended period of time, Brian has evolved the most. He was always very watchable, a cute guy with a very natural acting style that makes him an excellent choice for modern theater, but in the last few years I have been using him for classical productions and he's just as competent and comfortable with verse and poetry. He works hard, he takes himself and the art very seriously, but he's never a wet blanket about anything and he has no ego at all, making him a great addition to the backstage environment of the show (seriously, is there anyone in the world who doesn't like Brian?). He's at the perfect age to play lots of male romantic leads and he's one of the most non-awkward stage kissers I've ever directed. Seriously, he's made out with somebody in every single play I've cast him in, and nobody ever complains about it.
Theresa Miller. Speaking of inarguably lovable, Theresa Miller is another person I think we can all agree is just, well… utterly likable. Blessed with an inarguably endearing smile and a penchant for feckless comedy, my favorite roles I've seen her in are the ones where someone has noticed just how terrifying Theresa is when cast as evil. Evil Theresa is truly scary, because when she says horrible things there's still an undertone of sweetness to her that somehow makes it just that much more psychotic sounding. She also nails victimized characters, at least partly because you never want to see anything bad happen to Theresa. A few years ago I produced a play she was in called Oily Replies where she played a kind of lost film noire ingénue and moments when the detective would manhandle her you really just wanted to punch him. A truly charming and dedicated actress who generates immediate emotional loyalty from audiences (when not creeping them out), I can't recommend her more.
Allison Page. This just in: if you don't know Allison Page, you need to, and now is your chance because I predict she will be beyond big time relatively soon. Everything about her is star quality. She's funny, she's smart, she's sensitive, she's articulate, she can take direction well and she likes to push herself to do new things and go places she hasn't gone before. She's a delight backstage- I thoroughly believe she has been blessed with the remarkable ability to be able to get along with virtually anybody- and audiences fall in love with her approximately 35 seconds after she first walks out on stage. Jennifer Lawrence whatever, Allison is the perfect ingénue for modern theater because she nails quirky without ever being precious or contrived and she's also got a tough core that lends her characters a nice edge and some gravitas. She's very beautiful in a throw-back to the Golden Age of Hollywood way, and her ability to knock both indie heroine roles and comedic love interest parts out of the park makes her usable in a variety of shows and contexts.
Jessica Rudholm. Ultra-professional backstage and a thoughtful, invested performer, the most unique and startling thing about Jessica is that she packs, into a small and delicate body, an unbelievable amount of power and strength. She has dancer and movement training that allows her to do physically astounding things on stage and her voice is deep, smoky and resonate. She's so striking on stage she almost demands exceptional parts of the Queen, Sorceress, God Incarnate variety, and in the past she's played unusual characters like Feste in Twelfth Night and the Moon in my play Twins because there is an ethereal, mesmerizing quality to her that allows her to pull off those kinds of roles without the tiniest bit of affectation. It's just Jessica doing what she does best, namely being the most riveting presence in the room.
Paul Stout. I kind of feel like Paul can do almost any kind of character you throw at him, and is the apex of that solid, dependable performer you can use in a wide variety of roles, always knowing that whatever he's been given he'll make it a vital part of your production with strong and compelling storytelling. I've particularly liked Paul in lovable dickhead roles, though I think my favorite performance of his is still the first one I saw him in, as a drunk, pathetic factory foreman in Audience at Theater Pub. Paul nailed that perfect balance between irritating and impossible to not feel sorry for, and he repeatedly makes difficult characters accessible, show after show.
So there you go. Sixteen actors I won't be using for my next show but you absolutely should. And you know what? I could list another 16, and still not have listed everyone at these call-backs who was worthy of note (which again, was pretty much everyone). What it really comes down to is this: there are a lot of things we can stand to improve in the Bay Area theater scene, but it's important to also remember there are a lot of things which are right, which are un-beatable, and there's nothing like five hours of watching talented, passionate performers perform to remind you that a lot of the good stuff about doing work out here starts with the people you get the chance to work with. Someone you love not on this list? Then by all means, tell us about them! Tell the world! Help open a door for them and by doing so continue to grow our scene into a better, brighter, more exciting place to be.
Stuart Bousel attends an abnormally large number of auditions over the course of any given year and does his best to pay really close attention to all of them. That said, he won't be casting any shows for quite some time in the forsee-able future. Yes, it's screwing with his brain. He hopes to one day talk a producer into funding his dream production of Clive Barker's Colossus, in which he would be able to cast literally everybody who was at the Crucible auditions, and then some. You would want to see this show. It would be amazing.
5 Comments Posted in Theater Around The Bay Tagged Allison Page, April Green, Ashley Cowan, Ben Calabrese, Brian Martin, Heather Kellogg, Jessica Rudholm, Kat Bushnell, Laura Domingo, Matt Gunnison, Neil Higgins, Paul Stout, Ryan Hayes, Sam Bertken, Sharon Huff Robinson, Stuart Bousel, Theater Around The Bay, Theresa Miller


We loved working with our client on this full remodel; seeing the design build from the wall studs to the finished product!
This project encompassed both traditional and modern elements, fusing them in a perfect blend that reflects our clients' taste and complements their lifestyle.
Modern lighting beautifully highlights the cedarwood ceiling; Hunter Douglas window treatments and a new patio door allow both light and privacy.
In the kitchen, the custom cabinetry features under-cabinet and in-cabinet lighting for ease of use and a beautiful display. The kitchen island has electrical components, but can be easily relocated — just plug it in where you need it! The appliance hardware was custom-made to match the cabinet hardware, and is the perfect accent to the granite countertops with bookmatched backsplash.


Administration Fees in the Spotlight Again!
The London Borough of Camden has become the latest London Borough to crackdown on the use of 'administration fees' as a catch-all term for fees recovering the costs of various chargeable services offered by many letting agents.
The latest in a long-running case, which began back in early 2016, has seen Camden Council succeed in its recent appeal against Foxtons Ltd for continuing to use the term 'administration fees 'in its tenant facing literature.
Trading Standards in the Borough issued four branches of the letting firm with notices in respect of failing to observe the requirements of the Consumer Rights Act 2015 – namely by failing to detail what services were being provided in return for an admin fee.
In response Foxtons amended their tariffs, but not sufficiently to satisfy the Council – leading to the issuance of four Final Penalty Charge Notices.
Subsequently the agency appealed, with the First Tier Tribunal finding that, although the use of vague terminology did represent a breach, the firm had acted appropriately in amending their literature. As a consequence the penalty charge stood, but was reduced to £3,000.
Never a Council to cut their losses, Camden took up their option to appeal to the Upper Tier Tribunal in June this year, with the tribunal finding in their favour and increasing the notices back to £4,500.
Cost of legal advice, tribunal time etc. etc. ?
In the judge's opinion the £500 reduction (from the original maximum penalty) was appropriate in recognition of Foxtons' attempt to comply with the original notice.
Foxtons was given 28 days to appeal (from 25 August 2017) which appears to have lapsed without them taking up the option. However, given the legs on this case who knows if this is really the end.
Before they are banned completely, if you are going to charge for administration tell your customers what they are getting for their money – they might even appreciate what you are doing for them a little more.
Or you could spend months in front of tribunals. Your choice.
This entry was posted in Blog, Letting agent redress, Regulation and tagged candem, Fees, london. Bookmark the permalink.


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Who's Your Daddy? Star Wars, Episode V: The Empire Strikes Back
Filed under: star wars — Tom Bondurant @ 1:36 am
There's an odd moment early in The Empire Strikes Back that encapsulates the halting pace of its opening scenes. It's the last shot of Leia in the "scruffy-looking nerf-herder" exchange, right after Han gets the last word. She really looks angry, like Han's just kicked her dog. It gives the scene a tension that probably wasn't intended, because the exchange moves just slower than it should and Leia's Look of Death is the capper. She seems madder there than she will later on when she lets Chewie strangle Lando.
The opening scenes play out mostly against blurry white backgrounds, giving them a kind of abstract unreality and not really grounding them. The exception is the sequence with Luke in the cave, which is dreamlike on purpose.
Everything kicks into high gear at the 20-minute mark, when Vader is introduced in a great little "big, bigger, biggest" progression. Vader was the henchman of evil bureaucrats in the previous movie, but Empire rightly capitalized on his popularity. His costume has been tweaked slightly and shined-up, so he appears even bigger and more imposing, and he is totally superbad. He wasn't exactly middle-management last time, but here he's the senior VP.
Han is Empire's other star. I don't know whether director Irvin Kershner made a big difference, Ford was just more accustomed to the role, or some combination thereof; but Han owns every scene he's in. He gets to do a lot, too: slapstick, seduction, swashbuckling, and points in between.
Not to say that the scenes with Luke and Yoda are somehow inferior; although prequel viewers might well think Yoda's gone off his nut when he first appears. Yoda questioning Luke's dedication also rings a bit hollow, considering that the Jedi are clearly best served training him. The Dagobah scenes build on the Wampa escape and transform Luke into the serene, somewhat scary character of Return of the Jedi. Whiny Luke was fun, but Spooky Luke seems more appropriate.
The raise-the-X-wing scene particularly illustrates why the Jedi recruited their padawans so young: kids don't know that things can't work. There are religious overtones in that too, of course, and also in the "I don't believe it"/"That is why you fail" bit that closes the scene. However, Luke's — I hesitate to call it "insecurity," but there doesn't seem to be a better word — gives him a strength of character that Anakin lacked. Anakin knew he was operating from a position of strength, and Luke's similar chosen-one status is similar, but Luke has the advantage of not knowing how powerful he can become, and not being cocky as a result. In fact, Vader gets progressively more angry as the climactic lightsaber battle goes on. At the beginning he's parrying Luke's swings one-handed, but by the end he's almost in berserker mode. Luke might be on the edge of panic, but he never gives in, and ultimately he sacrifices himself rather than join Vader.
As for Leia, aside from the aforementioned Look of Death, she has a pleasant Gillian Anderson-like quality in this movie that makes her appealing to this nerd even without the gold bikini. I keep thinking she doesn't have any chemistry with Han, but it's there; he's not the only one trying to make the relationship convincing.
The movie itself does the most with its raw footage. It's beautifully lit (by director of photography Peter Suskitzchy), with rich, warm, vibrant colors. The armor of Vader and the stormtroopers is sleek and glossy. The overall effect isn't as immersive as the previous film, although with the small spaces of the Falcon, Yoda's hut, and the carbon-freeze chamber, it's almost claustrophobic at times. Its characters and vehicles really move more too, and while that might sound hard to reconcile with the "non-immersive" and "claustrophobic" comments, that's how I see it.
For me it all comes together when Luke realizes Obi-Wan truly can't help him, and reaches out to Leia. It's the payoff for the end of Episode III, uniting both twins through the Force. It's a shame the Special Edition breaks up the flow of the sequence with its shuttle landing. The Falcon moves like a ballet dancer, rolling and juking away from TIE fighters and Star Destroyers, and you just don't interrupt that kind of thing.
But I digress. Luke spent a lot of the previous movie, and the first part of this one, being saved by other people. Although he has to call Leia to pick him off the bottom of Cloud City, he's still being proactive. He doesn't know (and apparently neither did Lucas, at this point) that Leia's potentially as strong in the Force as he is, so he has no idea whether he's broadcasting enough for her to hear. In other words, just like at the end of the last movie, he's taking a risk and trusting the Force.
I forgot to mention in my discussion of Attack of the Clones that Anakin is perfectly willing to stay on Tatooine and not try to rescue Obi-Wan. He might not be happy about it, but he's bound to follow orders. Instead, it's Padme who finds the "loophole" by "forcing" Anakin to "follow" her to Geonosis. Similarly, in Revenge of the Sith, Obi-Wan begs Yoda not to send him to kill Anakin, but Yoda rebuffs him: Sidious is too powerful for Obi-Wan. Empire offers a combination that appears to have inspired both prequel scenes: Luke chooses for himself, despite Yoda's protests about Vader's power level. For me, this raises the issue of "attachments," which I think is at the heart of the entire cycle, and about which I have already written at length. Luke's battle with Vader doesn't end well, but he's still not punished for his attachments as much as Anakin was for his. Arguably, Luke's attachments aren't as strong as Anakin's, but that may be splitting hairs.
Really, what can you say about Empire that hasn't already been said? It opened up Star Wars in new and different ways, it showed that the characters and situations could flourish outside of George Lucas' direct control, and it gave everything a new polish. Episode VI would have a lot to live up to….
Next: the big finish!


Ok, I'm obsessed. I went to the ballet again today. It was the last day of the second program and I just had to go. On the last day of a program, there is no discounting. Still, I was hoping to finagle my way into a discount by talking to the window attendant about the curtain slamming down during yesterday's performance. Apparently, the curtain dropping was part of the ballet! Some kind of creative flaw in the artistic director's mind if you ask me. The window attendant said she had the same reaction as me…and that was opening night. Phew. I thought I was getting ripped off. Anyhow, this program was even better than the first. Extraordinary! Yuan Yuan Tan, who is my favorite principal dancer, was announced as a last minute replacement for the third performance (a world premiere) and I almost peed in my pants, I was so excited. As always, her performance was amazing. The crowd roared when she came out for her final bow.
I'm not a fan of full-length ballets like Sleeping Beauty which is up next. So the next ballet for me is the mixed repertory, Program 4 which starts on March 13 for anyone who cares to join me.


When most people think of lemons, they think about cars. But there are motorcycle lemon laws in California too. Contact the Law Offices of Sotera L. Anderson today!
California is a great place to own a motorcycle. If you live in the southern part of the state, you can ride year-round, and thousands of motorcyclists enjoy traveling along our miles of coastline each year. In addition, because California law does not prohibit lane-splitting, motorcycles often get through our famously congested traffic faster than passenger vehicles. Finally, motorcycles are significantly more fuel-efficient than cars, making them cost-effective options for many commuters.
With all of these benefits, a significant number of Californians purchase motorcycles to get from one place to another. Unfortunately, a significant number of Californians end up purchasing motorcycles that can only be described as lemons. California's lemon law act may be able to help you.
If you purchased a new or used motorcycle that came with the manufacturer's warranty and have experienced significant problems with it, California's lemon law, also known as the Song-Beverly Consumer Warranty Act, may entitle you to compensation. Discuss your options with an experienced attorney who is very familiar with the working of California's lemon law.
If you have a valid claim, you may get a new bike or a refund. To schedule a free consultation with an experienced California motorcycle lemon law attorney, call California Lemon Law Attorney – the Law Offices of Sotera L. Anderson today at 1-855-96-LEMON. If you prefer to contact her online, please fill out and submit her online contact form.
What is the lemon law? In California, the lemon law applies not only to motor vehicles, but also to motorcycles (which the law refers to as "consumer goods"), though there are a few differences. Under the law that applies to motorcycles, manufacturers are allowed a reasonable number of attempts to repair a defect. If they are not able to repair it in a reasonable number of attempts, the consumer who purchased or leased the motorcycle may be entitled to relief, which may include a refund or replacement bike.
Document these issues and make note of any repair attempts that occur. Keep receipts and any other documentation you receive from the dealer—and do not expect them to keep those records for you. Finally, do not hesitate to talk to a lemon law lawyer about your situation and make use of their legal services. California's consumer-friendly laws make it possible to consult with and retain a lemon lawyer at no cost to you.
Motorcyclists are the most vulnerable motorists on the road. When motorcycle accidents occur, riders can sustain injuries that can damage them for the rest of their lives. Defects that a motorist could safely ignore for a time in a passenger vehicle like a car or truck present motorcyclists with extreme danger. Address any issues with your bike as soon as you realize they exist.
If you purchased a motorcycle with a manufacturer's warranty and experienced significant problems with it, speak to an attorney as soon as possible. California lemon law attorney Sotera L. Anderson understands the frustrations you can encounter when a motorcycle you have purchased with your hard-earned money has presented you with consistent problems that the manufacturer or dealer cannot resolve. After all, when you buy a consumer product under warranty, you are buying it with the understanding that the manufacturer will fix certain issues at no cost to you—not that the purchase will require you to spend hours upon hours taking your bike to the shop for repairs that never seem to resolve the problems you experience.
Sotera L. Anderson practices exclusively in the area of lemon law and is dedicated to helping consumers protect their legal rights. As a former attorney for vehicle and motorcycle manufacturers and dealers, Sotera understands the methods by which these parties attempt to avoid liability and knows how to speak their language, maximizing your chances of obtaining a favorable resolution. To schedule a free consultation with Ms. Anderson, call her office today at 1-855-96-LEMON or contact us online.


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U.S. cases and deaths by state
Variant tracker
Omicron variant FAQ
Mask guidance
Two years into this pandemic, the world is dangerously unprepared for the next one, report says
With its vast wealth and scientific capability, the United States held on to its top ranking among 195 countries, even as it scored lowest on public confidence in government — a factor associated with high numbers of cases and deaths
Health-care workers Noah Zinn, left, and Priscilla Carrillo embrace after working 12-hour shifts during last winter's surge at St. Mary Medical Center in Apple Valley, Calif. (Michael S. Williamson/The Washington Post)
By Lena H. Sun
December 8, 2021|Updated December 8, 2021 at 1:40 p.m. EST
Nearly two years into a coronavirus pandemic that has killed more than 5 million people, every country, including the United States, remains dangerously unprepared to respond to future epidemic and pandemic threats, according to a report released Wednesday assessing the efforts of 195 countries.
FAQ: What to know about the omicron variant of the coronavirusArrowRight
Researchers compiling the Global Health Security Index — a project of the Nuclear Threat Initiative, a D.C.-based nonprofit global security group, and the Johns Hopkins Center for Health Security at the Bloomberg School of Public Health — found insufficient capacity in every country, which they said left the world vulnerable to future health emergencies, including some that might be more devastating than covid-19.
The assessment of each country's ability to prevent, detect and respond to health emergencies in 2021 was based on public information. Researchers also weighed other factors, such as public confidence in government. The average country score for 2021 was 38.9 out of a possible 100 points, essentially unchanged from 2019. No country scored above 75.9.
The United States, with its vast wealth and scientific capability, maintained its top overall ranking — it was also No. 1 when the first index was released in 2019. But the United States also scored lowest on public confidence in government, a key factor associated with high numbers of coronavirus cases and deaths. That factor may explain why other countries that received top marks in 2019 also responded poorly during the pandemic.
Over nearly two years, the report said, U.S. politicians have questioned the motives and messages of health officials and debated the seriousness of the virus and the effectiveness and safety of vaccines. "The result: in many areas of the country, people have been unwilling to comply with public health recommendations that would slow the spread of the virus."
The other countries in the top 10: Australia, Finland, Canada, Thailand, Slovenia, the United Kingdom, Germany, South Korea and Sweden.
Several countries imposed travel restrictions to stop the spread of the omicron variant, but the WHO says the move only works "at the beginning of an outbreak. (Luis Velarde/The Washington Post)
Although the report identifies preparedness resources and capacities available in a country, it cannot predict how well they will be used in a crisis. "If you were trying to measure places that are at risk for fires, you want to know if the place has fire alarms," said Jennifer Nuzzo, a senior scholar at Hopkins. "But if you live in a country where the alarms go off and your political leaders tell you, 'Pay no attention to that alarm, don't leave the building,'" that doesn't mean that the fire alarms don't work, she said.
For instance, it found that the United States had more capacity to prevent and respond to epidemics than any other country, but it also had more reported cases and deaths than any other nation.
Some countries had a foundation for preparedness that "did not necessarily translate into successfully protecting against the consequences of the disease because they failed to also adequately address high levels of public distrust in government," the authors wrote.
Nuzzo put it more bluntly. "We started this pandemic with a leg up, and we should have done better," she said. "If you don't have public trust in government, you can have the greatest vaccines in the world but people won't take them."
Researchers gave credit to countries that demonstrated sustainable efforts that could be applied to a range of disease threats, and that were transparent about their capacities. That's where countries such as Israel and Singapore lost points, Nuzzo said.
"We don't want to give passes to certain countries that we know inherently have the capacity, because we have colleagues there," she said. "When an outbreak happens, every other country is going to be looking to them and asking if they can contain it, and some countries make it more clear what the answer is."
The 268-page report found some encouraging signs. It noted big gains in New Zealand's laboratory strength and disease detective workforce. Although Angola and Rwanda are not among the top-scoring countries, both received generally high praise for their covid-19 responses and saw improvements in their scores from 2019, Nuzzo said.
But although many countries were able to quickly ramp up new labs and create armies of contact tracers to track the spread of the coronavirus, they didn't develop strategies for creating and scaling responses to future emergencies, the report found.
Among its recommendations: Countries should allocate funds for health security in their national budgets; international organizations should identify countries most in need of additional support; the private sector should look for ways to partner with governments; and philanthropies should develop new financing mechanisms, such as a global health security matching fund, to prioritize resources.
Tom Frieden, a former director of the Centers for Disease Control and Prevention, agreed with the report's bottom line. "No country is adequately prepared and there's a need for urgent action to address that," he said.
But, he added, "we need assessments that monitor the actual performance of health systems."
Frieden, who is chief executive of Resolve to Save Lives, part of the global public health organization Vital Strategies, said his group has developed a global goal for early detection and response to health threats called 7-1-7: Countries should be able to identify a suspected threat within seven days, inform the next levels of public health authority within one day, and mount an effective response within another seven days.
Nuzzo said researchers who produced the 2021 report added measures that reflected some of the lessons learned so far from the coronavirus pandemic, including laboratory strength and quality, medical stockpiles and contact tracing capability. Experts also discussed whether some variables, such as public trust in government, should be given additional weight. But ultimately, they decided against it because it wasn't clear how much weight to give those factors for future health emergencies.
The report was developed in consultation with an international panel of 18 experts. It included year-long data collection and validation by a research group of The Economist.
Two individuals who played key roles in the first report have since joined the Biden administration. Beth Cameron, a vice president at NTI, was tapped in January to lead the Directorate of Global Health Security and Biodefense at the National Security Council (NSC). She had also been the senior director for global health security and biodefense at the NSC under President Barack Obama. Tom Inglesby, director of the Johns Hopkins Center for Health Security, is also a senior adviser for the administration's covid-19 response at the Department of Health and Human Services.


the most economical carbon zinc batteries. standard performance for basic devices (clocks, radios, low drain devices).
alkaline batteries are almost the same as zinc carbon batteries, except that the electrolyte used is potassium hydroxide (koh) rather than ammonium chloride.
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zinc carbon batteries supplier: rayovac corporation: 6d 2bf. general purpose batteries. d size also available as heavy duty rating for longer life.
· the walgreens powercells are carbon zinc. your audience can't tell but a box of carbon batteries is cheap and it's what the old fuzzes were powered with.


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Nothing Beats a Londoner
Apparel, Clothing & Footwear
Nike wanted to reaffirm its place with young Londoners. Create a deeper connection with them and talk to them authentically and meaningfully, on their level, through the power of sport.
Kids in London are faced with impossibly high pressures and expectations to succeed - to be seen as popular, stylish, "cool" (whatever that is). At a time when many brands were feeding into their insecurities, promoting style, swag and big celebrities as a way to achieve it. Nike knew they had a harder challenge, but a more rewarding one - to inspire the inner athlete within every youth through the entertaining, empowering, confidence-building ability of sport.
Build salience for Nike amongst London's youth through the power of sport.
Lead kids to play sport in London.
Make something London could be proud of (at a time when the city was hurting from terrorist attacks, political issues and tragedies)
We discovered something special in London's youth - in a city that challenges you every day, these kids don't wilt, they use those challenges to become better. They're determined to achieve the grand ambitions they've built for themselves and they do so with the same resilient mindset and swagger that you usually only find in elite athletes.
Instead of doing a big any-market campaign, focusing on star international athletes, we flipped the traditional sports ad model and made London kids the heroes. And in turn, our grand ambition turned from making elite athletes look like Gods, to making everyday London kids feel untouchable.
We went deep into London to understand what it's really like to be an athlete in this city. We found some incredible kids who don't boast about how good they have it, they boast about how hard they have it, because that's what makes them tougher.
SALIENCE
- Phenomenal response, including the Mayor of London, Drake and many other celebrities sharing organically.
- Trending #1 on YouTube.
- 9 million views of the full film on YouTube with over 18,000 comments (way above average).
- Organic Twitter moment.
- Over 171,000 click-throughs.
- 150+ pieces of media coverage, including publications like Fast Company, The Guardian, The Sun, BBC, Grime Daily, ITV etc. Many saying it was one of Nike's all time best pieces.
- Inspired numerous parodies - Nothing Beats a Birminghamer, A Manc, A Sailor, etc.
- Countless kids reviewed the ad on their YouTube channels.
- Real kids on London's streets using language from the film.
Nike created over 10,000 opportunities to play sport.
Many Inspiring success stories from these events - e.g. a 15 year old from Grenfell Tower had unbelievable natural talent for rowing - now on a scholarship training program.
These kids' world revolves around social. So we launched this 3 minute London epic through the youth, to the youth, on Instagram. On the day schools broke for half term, grime legend Skepta posted the opening scene of the film on Instagram, complaining about having to cycle somewhere. Chris - a regular kid - replied to Skepta blasting him for being lazy! This kickstarted a battle of one-downmanship across London as one kid at a time commented on the previous one's post with a film of their sporting hardship.
Once this social media battle had rolled out and kids were engaged on Instagram, the sum of the parts came together when the full film launched and hit #1 on YouTube. It was followed by influencer led 'swipe up' Instagram Stories, bespoke GIFs in Giphy and Snapchat stickers, all designed to reach and engage with the youth in London
From the bad weather, to controlling parents, to a sexist society, every kid in London has struggles. But rather than complaining about them, young Londoners use their hardships as fuel. An epic, social first, multi-platform, tale of one-downmanship, where kids outboast one another about how tough they have it, 'Nothing Beats A Londoner' aimed to capture young London authentically; real kids, real language, true stories, cult locations and a supporting cast made up of London's most influential sporting and cultural figures.
The idea was to raise up the youth of London and make them feel like the sporting heroes they idolise. A world first blend between social media and film then saw the youth launch the campaign through their own Instagram channels. It proves the power of authenticity, getting under the skin of your audience and working with them to create work they want to engage with and share organically.
Wieden+Kennedy, London, United Kingdom
Riff Raff Films
750mph, London, United Kingdom
MR PAPE
Cannes Lions International Festival of Creativity 2018
Grand Prix Social & Influencer
Multi-platform Social Campaign


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Nehemiah 2Nehemiah 4
Nehemiah 3 New International Version (NIV)
3 Eliashib the high priest and his fellow priests went to work and rebuilt the Sheep Gate. They dedicated it and set its doors in place, building as far as the Tower of the Hundred, which they dedicated, and as far as the Tower of Hananel. 2 The men of Jericho built the adjoining section, and Zakkur son of Imri built next to them.
3 The Fish Gate was rebuilt by the sons of Hassenaah. They laid its beams and put its doors and bolts and bars in place. 4 Meremoth son of Uriah, the son of Hakkoz, repaired the next section. Next to him Meshullam son of Berekiah, the son of Meshezabel, made repairs, and next to him Zadok son of Baana also made repairs. 5 The next section was repaired by the men of Tekoa, but their nobles would not put their shoulders to the work under their supervisors.[a]
6 The Jeshanah[b] Gate was repaired by Joiada son of Paseah and Meshullam son of Besodeiah. They laid its beams and put its doors with their bolts and bars in place. 7 Next to them, repairs were made by men from Gibeon and Mizpah—Melatiah of Gibeon and Jadon of Meronoth—places under the authority of the governor of Trans-Euphrates. 8 Uzziel son of Harhaiah, one of the goldsmiths, repaired the next section; and Hananiah, one of the perfume-makers, made repairs next to that. They restored Jerusalem as far as the Broad Wall. 9 Rephaiah son of Hur, ruler of a half-district of Jerusalem, repaired the next section. 10 Adjoining this, Jedaiah son of Harumaph made repairs opposite his house, and Hattush son of Hashabneiah made repairs next to him. 11 Malkijah son of Harim and Hasshub son of Pahath-Moab repaired another section and the Tower of the Ovens. 12 Shallum son of Hallohesh, ruler of a half-district of Jerusalem, repaired the next section with the help of his daughters.
13 The Valley Gate was repaired by Hanun and the residents of Zanoah. They rebuilt it and put its doors with their bolts and bars in place. They also repaired a thousand cubits[c] of the wall as far as the Dung Gate.
14 The Dung Gate was repaired by Malkijah son of Rekab, ruler of the district of Beth Hakkerem. He rebuilt it and put its doors with their bolts and bars in place.
15 The Fountain Gate was repaired by Shallun son of Kol-Hozeh, ruler of the district of Mizpah. He rebuilt it, roofing it over and putting its doors and bolts and bars in place. He also repaired the wall of the Pool of Siloam,[d] by the King's Garden, as far as the steps going down from the City of David. 16 Beyond him, Nehemiah son of Azbuk, ruler of a half-district of Beth Zur, made repairs up to a point opposite the tombs[e] of David, as far as the artificial pool and the House of the Heroes.
17 Next to him, the repairs were made by the Levites under Rehum son of Bani. Beside him, Hashabiah, ruler of half the district of Keilah, carried out repairs for his district. 18 Next to him, the repairs were made by their fellow Levites under Binnui[f] son of Henadad, ruler of the other half-district of Keilah. 19 Next to him, Ezer son of Jeshua, ruler of Mizpah, repaired another section, from a point facing the ascent to the armory as far as the angle of the wall. 20 Next to him, Baruch son of Zabbai zealously repaired another section, from the angle to the entrance of the house of Eliashib the high priest. 21 Next to him, Meremoth son of Uriah, the son of Hakkoz, repaired another section, from the entrance of Eliashib's house to the end of it.
22 The repairs next to him were made by the priests from the surrounding region. 23 Beyond them, Benjamin and Hasshub made repairs in front of their house; and next to them, Azariah son of Maaseiah, the son of Ananiah, made repairs beside his house. 24 Next to him, Binnui son of Henadad repaired another section, from Azariah's house to the angle and the corner, 25 and Palal son of Uzai worked opposite the angle and the tower projecting from the upper palace near the court of the guard. Next to him, Pedaiah son of Parosh 26 and the temple servants living on the hill of Ophel made repairs up to a point opposite the Water Gate toward the east and the projecting tower. 27 Next to them, the men of Tekoa repaired another section, from the great projecting tower to the wall of Ophel.
28 Above the Horse Gate, the priests made repairs, each in front of his own house. 29 Next to them, Zadok son of Immer made repairs opposite his house. Next to him, Shemaiah son of Shekaniah, the guard at the East Gate, made repairs. 30 Next to him, Hananiah son of Shelemiah, and Hanun, the sixth son of Zalaph, repaired another section. Next to them, Meshullam son of Berekiah made repairs opposite his living quarters. 31 Next to him, Malkijah, one of the goldsmiths, made repairs as far as the house of the temple servants and the merchants, opposite the Inspection Gate, and as far as the room above the corner; 32 and between the room above the corner and the Sheep Gate the goldsmiths and merchants made repairs.
Nehemiah 3:5 Or their Lord or the governor
Nehemiah 3:6 Or Old
Nehemiah 3:13 That is, about 1,500 feet or about 450 meters
Nehemiah 3:15 Hebrew Shelah, a variant of Shiloah, that is, Siloam
Nehemiah 3:16 Hebrew; Septuagint, some Vulgate manuscripts and Syriac tomb
Nehemiah 3:18 Two Hebrew manuscripts and Syriac (see also Septuagint and verse 24); most Hebrew manuscripts Bavvai
Nehemiah 3:1 : S Ezr 10:24
Nehemiah 3:1 : Isa 58:12
Nehemiah 3:1 : ver 32; Ne 12:39; Jn 5:2
Nehemiah 3:1 : Ne 12:39; Ps 48:12; Jer 31:38; Zec 14:10
Nehemiah 3:2 : Ne 7:36
Nehemiah 3:3 : S 2Ch 33:14
Nehemiah 3:4 : S Ezr 8:33
Nehemiah 3:5 : ver 27; S 2Sa 14:2
Nehemiah 3:6 : Ne 12:39
Nehemiah 3:7 : S Jos 9:3
Nehemiah 3:11 : Ne 12:38
Nehemiah 3:13 : S 2Ch 26:9
Nehemiah 3:13 : S Jos 15:34
Nehemiah 3:13 : S Ne 2:13
Nehemiah 3:14 : Jer 6:1
Nehemiah 3:15 : Isa 8:6; Jn 9:7
Nehemiah 3:16 : Ac 2:29
Nehemiah 3:21 : S Ezr 8:33
Nehemiah 3:25 : Jer 32:2; 37:21; 39:14
Nehemiah 3:25 : S Ezr 2:3
Nehemiah 3:26 : Ne 7:46; 11:21
Nehemiah 3:26 : S 2Ch 33:14
Nehemiah 3:26 : Ne 8:1, 3, 16; 12:37
Nehemiah 3:27 : S ver 5
Nehemiah 3:27 : Ps 48:12
Nehemiah 3:28 : S 2Ki 11:16
Nehemiah 3:32 : S ver 1; Jn 5:2


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Community Visitors
PA Net
People of Andover
Spiritual and Religious Life
Chaplaincies
Local Houses of Worship
Andover Christian Fellowship (ACF)
Student Co-Heads for 2019-20: Ignacy Jurjewicz '20, Irura Nyiha '20, Charlotte Whitehurst '22, and Hannah Zhang '21
Students from varied Christian traditions are encouraged to join ACF's weekly discussions. Through the study of scripture and comparison of religious tradition, participants seek to explore the relevance and vitality of the Christian faith.
The group meets every Monday evening for Bible study, fellowship, and prayer.
For more information about ACF, please contact Reverend Anne Gardner at 978.749.4138.
CATHOLIC STUDENT FELLOWSHIP (CSF)
Student Head for 2019-20: Zach Moynihan '21
Students in the Catholic Student Fellowship gather weekly to share a meal, build community amongst the day and boarding students of the Catholic community, and participate in informal and formal discussions led by students, faculty, or guest speakers.
Framing the discussions and activities of the CSF is an understanding of Catholicism's role in the world to serve and to better humanity and the Earth. As such, many CSF students are involved in and lead service projects on and off-campus.
The group meets every Tuesday evening for dinner and fellowship.
For more information about CSF, please contact Dr. Mary Kantor at 978.749.4137.
CULTURE, POLITICS, AND RELIGION: GIVING LIFE TO DISCUSSION (CPR)
Student Co-Heads for 2019-20: Adaeze Izuegbunam '20, Victoria Kadiri '20, Maame Quakyi '20, and Hanna Wu '20
This discussion-based collaboration is an opportunity for all students, regardless of their religious tradition (or lack thereof), to consider the ways in which religion impacts both our cultural and political worlds. The group is not beholden to a certain perspective or lens. In fact, many members of CPR consider themselves to be without faith. What this group affords is a chance to reflect on our increasingly complex world through a prism of many vantage points, without rancor or argumentation. The goal of CPR's weekly discussions is enlightenment and not persuasion.
Over the years CPR has sponsored many innovative programs including a documentary film series and the hosting of various speakers, including CNN commentator Reza Aslan in 2018. Megan Phelps-Roper, a former member of the Westboro Baptist Church, will come to campus in 2019-20 to share her story of leaving her church community. Her work now centers around promoting respectful dialogue, both inside and outside of religious circles.
In subsequent years CPR hopes to continue providing opportunities for these kinds of critical and divergent conversations.
The group meets every Monday evening for dinner and discussion.
For more information about CPR, please contact Reverend Anne Gardner at 978.749.4138.
Hindu Student Union
Student Co-Heads for 2019-20: Kohana Kapoor '21 and Avan Shah '22
Students involved in HSU, often in collaboration with the Indo-Pak club, meet to plan Hindu festivals, to discuss topics important to the region, and to mark important religious holidays.
In the fall term, HSU traditionally hosts a large-scale Indian dinner for Diwali, the culmination of which is the lighting of the columns of Samuel Phillips Hall, Andover's main academic building. When the warm weather arrives, the colors of Holi are on display during a campus-wide celebration marking this vibrant and important holiday. During the doldrums of winter, HSU gathers for fellowship, including hosting movie nights, Thai dinners, ice cream socials and the like.
For more information about HSU, please contact Reverend Anne Gardner at 978.749.4138.
Jewish Student Union (JSU)
Student Head for 2019-20: Karin Ulanovsky '20
The Jewish Student Union is open to any student interested in deepening their understanding of Judaism, both spiritually and culturally. JSU organizes a weekly Shabbat service, in addition to providing opportunities to celebrate the traditions, history, and cuisine of this rich faith tradition. These efforts include the building of the Sukkah in the main quadrangle of campus, the availability of kosher food during the holidays, and other similar offerings.
Each year, in the winter term, JSU also sponsors an on-campus Jewish Cultural Weekend. This gathering is a multi-day event during which various facets of Judaism are explored. During the 2019-20 academic year, this event will feature Jess Salomon and Eman El-Husseini, a Jewish-Palestinian comic duo.
For more information about JSU, please contact Rabbi Michael Swarttz at 978.749.4131.
Muslim Student Association (MSA)
Student Co-Heads for 2019-20: Alia Abdulla '20 and Newaz Rahman'20
Open to all Muslim students and to those who seek to learn more about Islam, this group gathers for both prayer and fellowship. In addition, Muslim students work to inform the school community of their faith through their participation in various interfaith services and discussions.
Muslim students gather each Friday for Jummah prayers, along with hosting a weekly dinner meeting.
For more information about MSA, please contact Noureddine El Alam at 978.749.4240.
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I'm really excited about working with these guys.
252 East 57th Street is a mixed-use modernist style residential skyscraper in New York City, the United States developed by the World Wide Group and Rose Associates, Inc. Construction started in 2013, 252 East 57th Street is part of a surge of the redevelopment of 57th Street into a luxury residential corridor that has been named "Billionaires' Row." The residential tower will be 712 feet tall with condominiums starting on the 36th floor. The building will also include the construction of two new schools and 78,000 square feet of retail space, in addition to a Whole Foods Market.


Add this garland to the rest of your wedding or event décor. Boxwood Garland complements all florals and adds a nice touch of greenery to indoor or outdoor events. Add it to the front of the head table at the wedding reception with white lights, place it in window sills or use it in centerpieces. This versatile wedding supply will work wherever you may need a background for your event florals. Plastic. 12 ft.


The Fence Pro crew has started a new project in Hudson, NC for LAZYBOY furniture. The project will feature commercial fencing with a cantilever gate. The gate will be equipped with an automatic gate operator.


A full service, state of the art thermal hazards laboratory continuously adds various pieces of instrumentation. As an engineering consulting firm, we are challenged, every day, with unique testing and consulting requests that makes having a variety of equipment at our disposal advantageous. Listed below, you will find descriptions of our most commonly used testing techniques to characterize thermal hazards.
Differential Scanning Calorimetry is a technique in which the difference of energy inputs (heat flow) required to keep a substance and a reference material at the same temperature is measured as a function of temperature while the sample and reference material are subjected to a controlled heating program. The DSC is a good screening tool for evaluating the thermal stability of homogeneous materials at temperatures ranging from -90°C to 500 °C. This piece of equipment evaluates milligram size samples and therefore is not always appropriate for heterogeneous mixtures as sampling can become an issue. In addition to screening tests, the DSC can be used to perform several ASTM test methods.
Traditionally, we have focused our testing efforts toward helping our customers understand how their chemical system responds to a given upset scenario – preparing for the unexpected. We added equipment that can help our customers quantify the heat released during their intended chemical reactions – preparing for the expected. Information obtained from reaction calorimetry experiments is especially crucial when scaling up from lab to plant. In our labs, we utilize two main instruments to conduct these studies: the Mettler-Toledo RC1, a heat flow calorimeter, and the Chemisens CPA 202, a heat flux calorimeter. With these two instruments we can design experiments that mimic a wide variety of plant process conditions and procedures. Additionally, we have a THT µRC which allows us to perform small scale reaction calorimetry experiments and also investigate potential chemical compatibility issues of binary systems.
We recognize that generic solutions to process safety are often not practical for our customers as they have unique systems with unique problems. Our extensive list of instruments combined with our experienced staff, enables us to provide our customers with solutions that address their specific process safety concerns. For more information, to request a quote or discuss your specific application please contact thermalhazardsgroup@fauske.com, or Ken Kurko at 630-887-5266 or kurko@fauske.com. And for more thought leadership content in the areas of process safety, industrial testing, and more, subscribe to our blog.


I took these pictures a week ago just outside my doorstep, and as it plainly shows, Fall is definitely here.
I might be more of an indoor person, but even I have to admit that the colors of leaves turning such a vibrant red/brown is breathtaking. Mother Nature way of welcoming in Father Frost.
I really should not have indulged but I had a craving this weekend and ordered Dim Sum to go. Mostly cos its weird eating Dim Sum alone in a restaurant. But I have to say that it really hit the spot.
There may just be hope for the Federation yet.
A week ago (27th Sep) the temperature was a balmy 78 degrees Fahrenheit (26 C) but on Sunday as I was at the Minneapolis airport, the temperature was 55 degrees Fahrenheit (13 C). And there's even a frost warning in the forecast for Pittsburgh tomorrow morning, temperature are expected to be about 35 degrees Fahrenheit (3 C) in the early morning but warming up to 60's as the sun warms up.
Its official, fall is here and summer is over. If you like looking at the leaves as they turn color, it will happen in the next 2-3 weeks.
On a personal note, my contract got extended till the end of the year which is excellent news for me. The worst time to be without a client is the end of the year since no one hires or starts new projects at the end of the year. Also, with the economy they way it is now, (the dow dropped below 10,000 today) the longer I can stay employed, the better.
On the gaming front, I spent the month of September leveling my final 3 characters in world of Warcraft. SO now I have 6 level 60 characters.
Now I'm spending some time playing Warhammer Online.


Kevins Papers - Kevin's Papers - Beware of the DMCA!
You have heard me preach in the past about copycat thieves that are out to make an easy buck off the backs of those that work hard to do it right. Here is my story about my close call when a DMCA take down threat was sent to me.
Being busy I floundered for more than a year to get my new website populated and finished. I had the navigation and structure setup and a ton of empty articles setup and ready for content but it was becoming a never ending challenge to find the time to set down and actually populate those pages so I could move forward and publish my new site. I was approached by a young freelance writer one day that offered to take the load off of me and set me up with all the content I needed to get my site finished. In the past I have always been put off by clients that hired a copywriter and now I found myself in their shoes, with no time and an urgent need to get this done. So I hired this kid and gave him a list of the pages I needed and he was kind enough to offer suggestions for other pages I might like to include and his ideas sounded great and content that I had not considered to write but was for services I did offer, so I engaged his ideas and gave him full control to help me put this behind me.
To make a long story short, we had a few back and forth over what he was writing but overall I was pleased with the content he had created (or so I thought). While much of the content was generally generic in terms of overall content, it all sounded good and I was relieved it had finally come to a point where I could publish my website and get back to work. Everything was going along great until a few months later I get a contact request from a gal claiming I stole all her website content. She went on about how I stated on my about me page where I claimed refreshing honesty and how I could make this claim when I stole her content word for word.
I was more than shocked when I read it but after searching through her site and making a comparison to what was published on my site it was clear that all this freelance copywriter that I hired did was go to her site and copy it word for word and those additional pages that he spoke of was not his ideas but pages he already knew he could deliver on that was the work of someone else. In due diligence I took down the offending pages and alerted the gal immediately of what had happened and made no bones about how sorry I was that this had happened. Of course that was not the end of it as one would suspect and while it leads into ranting I have to get this off my chest.
When I explained to this woman what had happened she replied in disbelief that I could hire someone to write my own content and without so much as coming right out and saying it called me a liar. I could only assume she was not going to let this go on face value and I replied explaining to her why I did it even though I should not have had to I apologies again. To no avail she replied again with even more aggressive tone and while I do not care to go into the details, suffice to say she was clearly feeling overly offended about it. After digging through the content I was left in shock that she could be so obtuse claiming loudly and threating a DMCA takedown of my website for content that was in no way some original creation or somehow special in any way. When in fact much of it was rather lame and without any real creative thought.
Regardless that the content was (for the lack of a better word) generic, the fact that it was word for word and that she could prove it had been written prior to it being published on my site. She could have without a doubt ran me over the coals for it. So head my warning and if you are at a loss for words and hire a copywriter to fill the pages of your website or article make sure you confirm the content is in fact original and not someone else's copy. There are tools on the web designed just for this purpose and I will share a few with links for anyone that might find themselves in the same position. I urge you to investigate this prior to publishing your content and if possible do so before you pay a freelance copywriter any money! Since they are so cheap that they would stoop to this sort of behavior it is highly probable that you will never see a dime and likely you will never even be able to find or get ahold of them after the fact, such as in my case.


text:
Essay on Permanent Impact of the Counter-Culture on Today's American Society
"What is not illusionary is the reality of a new culture of opposition. It grows out of the disintegration of the old forms, vinyl and aerosol institutions that carry all the inane and destructive values of privatism; competition, commercialism, profitability and elitism…It's not a "youth thing" by now but a generational event; chronological age is the only current phase". The previous quote was written by Andrew Kopkind in Rolling Stone on the Woodstock festival observing that a new culture was immersing from the roots of the adult American life (1960's 198). Words such as "counter-culture", "establishment", "non-violence", "free-love" and "Woodstock" were not even in the American vocabulary until the war against North Vietnam started in …show more content…
Drug).
Drugs and alcohol were one escape for the hippies and another was music, but definitely not an ordinary kind of music. Many hippies were mostly musicians themselves. Music was influential for them. Rock and Roll from the fifties changed a lot during the sixties. It was just 'fun music' before and during the sixties, the lyrics started to talk freely about all the things hippies wanted such as alteration in the society, or about drugs, free sex etc (Hollis). In 1969, almost 400,000 young people, many of them being hippies gathered in a small town in New York to listen to rock and blues music, sing, talk, drink, smoke marijuana and have casual sex and to show everyone that they are all together like a union. This music festival was later named Woodstock (Hollis). Rock songs' lyrics sometimes could be political as well. Rock music has developed and changed with the hippies. Rock music shows a whole generation on American culture. Many of the sixties' rock songs are still popular today. Rock music, starting from the sixties had an influential affect on American youth.
The final impact of counter-culture was the anti-war movement and politics in which the hippies were very effective. Hippies had intense feelings about the Vietnam War, Civil Rights Movements. They wanted their voices about those issues to be heard. Hence, they started sit-ins, musical shows and protests. But the American government did not really pay attention to
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Find a penny, pick it up. Then all day, you'll have good luck!
Well, if that's truly so, just imagine all the luck you'll have with one of these babies! Nearly three times the diameter of an actual penny, this sweet coin lollipop boasts the delicious flavor of root beer. Feel free to make as many wishes as you want while licking away at the famous profile of Abraham Lincoln. Unfortunately, you probably shouldn't try to use the lollipop as actual currency -- but then again, why would you want to give it away anyways?
Set contains 2 Lucky Penny Lollipops.


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2014 Chevrolet Impala Review By John Heilig
Chevrolet Specs, Prices, Reviews and Comparisons - Chevrolet Buyers Guide (1997-Present)
Find Your Perfect New Car Match
2004 Chevrolet Impala SS Review
Model: 2014 Chevrolet Impala
Engine: 3.6-liter V6
Length x Width x Height: 201.3 x 73.0 x 58.9 in.
Cargo: 18.8 cu. ft.
Economy: 19 mpg city/29 mpg highway
Fuel capacity: 18.5 gal.(oops) (regular fuel recommended)
Curb Weight: 3,800 lbs. (est.)
Sticker: $38,000 (approx.)
The Bottom Line: The all-new 2014 Chevrolet Impala has all the attributes of a flagship sedan; quietness, power, comfort and room. While it won't remind anyone of the more boat-like Impala and Caprice of the past, it will create its own legion of adherents in the future.
With a nod to the company's performance side, Chevrolet introduced its 2014 Impala to media and dealers in a presentation at Pocono Raceway during NASCAR race weekend. Unfortunately, the weather failed to cooperate, and all the product demonstrations were held in a steady downpour and hot laps with NASCAR drivers at the wheel were cancelled.
However, the dealers and selected media representatives did have the opportunity to take the Impalas on the road and drive them home. Our trip was with Scott Chevrolet General Sales Manager Kevin McDevitt in the passenger seat.
Three engine options are available in the Impala for 2014; a 2.5 and 2.4-litr inline four and a 3.6-liter V6 that powered all the dealer cars. In fact, all the cars were identical; dark blue exteriors and striking black and tan interiors that highlighted the fluidic sculpturing of the interior. While the new Impala has great exterior lines, it's the interior that the driver and passengers spend their time looking at, and it's a part of car design that is often overlooked or shuffled off to designers who find it easier to take an interior from the corporate parts bin and make it fit.
In our tester, the lower black of the dash melded well with the black seats and lower door panels. The upper portion was a light tan leather. What was striking was the way the lighter portion swept around into the rear. There isn't a straight line in the car. The tan areas are close to the windshield after sweeping off the doors, then move forward over the center of the dash. They curve horizontally and vertically. The bad news is that there's a temptation to stare at the dash and not through the windshield,
The 3.6-liter V6 under the hood proved to be powerful and quiet. On Interstate and back road traveling, the Impala is silent. Some road noise does intrude into the cabin, but it's more a function of road surface than anything else. The 20-inch wheels didn't hurt. The Impala uses the same architecture as the Cadillac STS and Buick LaCrosse, two large cars with their own reputations for quiet.
Front seats offer very good side support. This is interesting, because you don't expect near-racing style seats in a family sedan. Obviously, the same designers who made the dash so interesting also realized that an uncomfortable driver is the kind who tends to make mistakes.
Which leads us to safety. Passengers are surrounded by ten air bags, should anything untoward happen. There is also a forward collision alert, which consists of red lights and alarms setting off and brakes being applied to mitigate any forward collisions. In addition, the Impala has side warning alert to advise the driver of vehicles in the side blind spots, lane departure warning, and rear park assist with rear cross traffic alert.
Rear passengers have very good leg and knee room, even with taller people up front. While the rear seats aren't as comfortable as the fronts, that doesn't mean they are uncomfortable. Large windows and a big sunroof let a lot of light into the back to reduce any claustrophobic feelings.
Behind the rear seats is a large trunk of nearly 19 cubic feet. If you need more, the rear seat backs fold down. The opening between the trunk and the extended trunk over the rear seat backs is a good size as well.
Infotainment is handled through a Bose audio system. Our tester had AM/FM/XM and a CD player. I'm sure there was a USB connection somewhere. I liked the reasonably simple audio system controls with two knobs and six buttons. The HVAC controls were equally clear. Audio switches were located behind the steering wheel, much in Jeep/Chrysler fashion. The infotainment screen is a touch screen.
The steering wheel itself is a new design as well, and it's a good one. Like many "smart" wheels, it has audio and cruise control switches on it. But these are located more in the "horn" area and not close to the wheel itself where they can be pushed by accident. There are also wheel heating and collision alert switches on the wheel.
Hit cruise control and an alert in the information section of the instrument panel tells what speed is set. The large number disappears after a while, but there is still a numerical reminder in the lower section. This panel also tells fuel economy and other trip information.
While the 10th generation Impala is a complete redesign from what Chevy has been offering lately, it isn't going to scare anyone away. The lines are clean and the interior is a knockout. When it appears in showrooms it will go up against the Toyota Avalon, which is leading the large car segment now. It will be a good battle to see who comes out ahead.
2014 Chevrolet Impala 1LS
2014 Chevrolet Impala 1LT
2014 Chevrolet Impala 1LTZ


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Q: ng Repeat with 2 array with one relation between them calling a 2 webservice into an array, which are

*

*post webservice

*comment webservice

suppose i have 2 post and each post are having 3 and 2 comment respectively.
each comment is having post id
example:
Post Array:
[object1,object2]-- here post are coming in object which is having data in
{"_identifier":"","_entityName":"CRM_Posts","$ref":"CRM_Posts\/FE8B8DEDBC874F61BA255395C1A07BEE","id":"FE8B8DEDBC874F61BA255395C1A07BEE","liveTransfer":null,"client":"7F3CD06A9B334C5FBED095907D8837A8","client$_identifier":"Ocala\/Fasho Group","organization":"0","organization$_identifier":"*","active":true,"creationDate":"2016-09-24T15:19:37+05:30","createdBy":"436703728E15455D80ED1319C5C7BE9F","createdBy$_identifier":"Tayyab Sayyad","updated":"2016-09-24T15:19:37+05:30","updatedBy":"436703728E15455D80ED1319C5C7BE9F","updatedBy$_identifier":"Tayyab Sayyad","message":"What About This Shipment !","userContact":"9F3332D3D9AA401EACA3AC3B4C684D7F","userContact$_identifier":"Ocala","table":"147718EA960A4BCDBEE9C172E6D7048F","table$_identifier":"OCA_Shippingorder","recordID":"1B3A9D1FDAC84E169060DC2CA216BE76","recordTime":1475492220402}

similarly for comment
array0[object1,object2],
array1[object1,object2,object3]
now i need to iterate it such a way that
example:
Post2 :
     comment1
     comment2
     comment3
post1 :
     comment1
     comment2
i hope i clearly explain my objective and need an reference to implement this

A: You could nest the repeats:

{{ post.field }}

    {{ comment.field }}

Then use functions to filter what your web services return:
$scope.getComments = function(postId) {
    return $scope.posts.filter(function(x) { return x.postId == postId; });
};

redpajama_set_name: RedPajamaStackExchange


The name canadice is said to mean "long lake." This is a bit strange since the lake is only 3.2 mi./5.15 km. long, making it the smallest of the Finger Lakes. Canadice Lake covers about 850 acres. It is 1,300 ft./396 m. wide with a maximum depth is 95 ft./29 m. At 1,096 ft./334 m. above sea level, it is the highest of the Finger Lakes.
Along with Hemlock Lake, Canadice supplies water to the City of Rochester. Approximately 7,100 acres around the two lakes are owned by the State of New York with the City of Rochester operating as the lakes' steward.
The fact that the lake is a water source for the City of Rochester has meant that lakeshore development that occurs on most lakes hasn't occurred here. Instead, the steep, unbroken, wooded lakeshore provides a beauty and restfulness usually found in more remote areas. The trails are suitable for biking, hiking, skiing, and snowshoeing. The area abounds in wildlife and can be an excellent spot to watch birds, especially during migration. See more information about the trails around Canadice Lake.
The hills around the lake break the wind and provide boaters with generally calm water. But when the wind picks up, the water on this small lake can become rough. At this time, paddling becomes much more difficult. To avoid the wind, try night paddling by the light of the moon. Your trip around the lake should take about 4 hours.
East side of lake on Canadice Lake Rd. south of intersection of Burch Hill Rd. Parking for 20 vehicles. Brochure. This brochure lists all permitted and prohibited activities and provides a detailed map indicating trails, boat launch sites, roads, and restricted areas. There are no facilities around Canadice Lake; however, Hemlock Lake Park, the location of which is indicated on the map, has restrooms and a picnic area. City of Rochester employees patrol both lakes and the land around the lakes, which is posted, even on Sundays and holidays.


text:
var reverse = require('../array/virtual/reverse');
var ArrayPrototype = Array.prototype;

module.exports = function (it) {
  var own = it.reverse;
  return it === ArrayPrototype || (it instanceof Array && own === ArrayPrototype.reverse) ? reverse : own;
};

redpajama_set_name: RedPajamaGithub