With the 2019 school year end in sight, students on campus are getting excited for the new round of Student Government officials that will be elected this April. With seniors President Mike Licata, Vice President Sacha Weiss, and Spirit Captain Emma Samstein on their way out, a new wave of juniors will take up the mantle of communicating with both students and administrators and bringing positive change to the Poly community. The presidential nominees this year are longtime Student Government members Bailey Chapin, Molly O'Connor, and Nyla Welch. Newcomers Olivia Hurley, Madison Malerba, Seamus McNulty, and Alexis Peetz Alio are also vying for leadership roles as Vice President. In the running for Spirit Captain, there are two pairs, Chase Behar and Henry Ingrassia VS. Jo Kimball and Sydney Urban, competing for the right to bring the spirit back to Poly Prep. Good luck to all!
Bailey Chapin: I've been going to Poly for my whole life. It's been a big part of my life. I've seen it at its best and its worst, and I want to see it at its best.
Molly O'Connor: Because I honestly believe I am the most qualified and will be the best president. I love this place. My ideas and skills will make it genuinely better, and I can deliver accountability.
Nyla Welch: I am running because I think that I'm the best candidate to represent the study body and I believe I have the necessary expertise to be an effective leader. I'd like to display my qualities of honesty, legitimacy, charisma, my sense of community, and most importantly, I would like to be a president of the people.
How does your student government experience inform you as a Presidential candidate?
BC: I have a lot of experience at student government. I know Poly, and I care about affecting change. From my six years in student government, I have learned to be assertive and have seen what's successful and how to make an idea a reality. I've had a lot of meetings with faculty and administrators, and I know how to get things done.
MO: Essentially, my job as a member of the administrative representative community is to talk to teachers and the community and to meet with high individuals. I listen to students, and people turn to me for advice or aid. My experience, 3 years on admin experience, have allowed me to be well versed in assertiveness. I know that there are things I can do and could get done if people are more willing to push.
NW: Having been grade president for 2 years and a junior class representative for 1 year, I think I have beyond the expertise necessary to be beyond an adequate leader. Also, this year, being head of the student life committee, I think that leadership role really embodies the type of responsibility I will have as a student body president. Representing the opinions of the student body and having student life be my number one priority this year in the community are the things that I think will most inform my role as student body president.
What qualities are unique about you that makes you the best candidate?
BC: I think Molly and Nyla are amazing, but one of my strengths is that I'm an extremely organized person. Two big parts of being on student gov are to be able to delegate tasks and lead meetings in an effective way and to help others get things done. I also think I'm an approachable person and can represent them well, and people are comfortable talking to me. What sets me apart from the other two is that I'm an artist and an athlete, which represent different parts of Poly, and I can think about things creatively.
MO: My strengths will bring students' voices closer with the administration. I also have and know what's going on or try to, and I'm more than willing to listen to students. I hope my ideas resonate with the student body.
NW: I think my charisma is unparalleled, and my honesty will allow me to have a transparent relationship with both the student body and the administration. My communication skills will further deepen the connection between the students and those who are in charge.
If you could use only three words to describe yourself as a candidate, what would they be?
BC: I won't bail on you. Next year is chapin up.
NW: Vote Nyla Welch for a President of the People.
Olivia Hurley: There are a lot of problems that aren't addressed. Make the school "fun and fresh." I also want to raise Poly's moral because I feel like we have high stress levels; I want to ease it a lil bit.
Madison Malerba: I'm running because as an eight year student at Poly, I feel strongly about the student body and the issues that affect them. It would be my pleasure to work alongside the professionals of the school to make sure everyone is heard and to appease all proposals affecting school related problems.
Seamus McNulty: I want to change things. I don't like the status quo, and I want things to be better.
Alexis Peetz Alio: I personally haven't had many problems with the school, but I know many people who have complaints, and I want to make a change.
If elected, what do you hope to bring to the Poly community?
OH: It's hard to judge these things. I can't make promises because things change. I want to make the school happier. I feel like little things can happen. So I want women to feel more comfortable at Poly, and I want them to be respected more for what they're doing, get the credibility. Get more recognition for more Asians and Hispanics. I feel like there are smaller things. We could have better Chapels and better speakers; I just wanna boost the moral. I'm new to student government, so I don't know how much influence they have.
MM: I am as a person who does well in leadership roles. As the president of Concert Band, the co-founder of Wellness Club, and the leader of my subdivision of the Student Service Board, I will be a good person to ensure things get done. I hope to facilitate better communication between faculty and students, help students deal with stress, deal with logistical issues such as crowding in commons, and create a clearer way to sign up for classes to know what you're getting into.
SM: Positive change. I hope to bring someone who actually cares about Poly issues and actually executes solutions. I am not someone who says they will do things and doesn't actually do them. Vote for me because I will actually carry out the necessary change. Poly needs change, and not for people to sit around, complain, and not do anything.
APA: I want to be a good ear and an even better voice.
Why are you qualified to be Spirit Captain?
Chase Behar & Henry Ingrassia: I think we both bring a lot of spirit because we are happy-go-lucky people. We are experienced in having leadership roles: Henry is captain of the lacrosse and hockey teams, while I [Chase] am captain of the dance team and president of Anti-Animal Cruelty Club.
Jo Kimball & Sydney Urban: We are qualified because sports are a big part of both of our lives, and we both have good experience with spirit on our teams, and in turn we support other teams. I [Jo] was captain this year on my team [Varsity Girls' Tennis], and I think that shows a good sense of leadership. It taught me to be a leader and to support others, thinking about the group and the community as a whole. I think that to have a position like that, you have to step up to the plate and think of not just yourself.
How will you put the Pep back in Poly Prep?
CB & HI: We will try to start some new traditions for seniors and faculty and make chapels more hype in the morning. We will also try to bring more spirit to the daily lives of students, not just in sports.
JK & SU: We think that Poly really needs to work on spirit. More people need to attend big games. Get people excited about pep rallies. Sydney and I plan on bringing new ideas to the community, not just continuing the old traditions that don't work. We need to get everyone on board and get them hyped up. We also need more props and decorations to liven up the spirit.
CB & HI: Vote for us, we're going to be amazing!


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The All-New 2016 Lexus RX Makes Global Debut at the New York International Auto Show
5:54 PM 2016 Lexus RX, NYC Auto Show No comments
Lexus has shown that it has once again redefined the luxury sport utility segment with the unveiling of the all-new RX at the 2015 New York Auto Show today. As the best-selling model in the brand's 26-year history—with global sales of more than 2.1 million units—the RX represents three out of ten vehicles ever sold by Lexus. The 2016 RX builds on that trend with a completely new, luxurious interior to match its fresh, new, chiseled body style. The large dose of Lexus brand DNA that's been artfully incorporated into the details can not only be seen, but also felt. The new fourth-generation RX also boasts exceptional on-road performance and safety technologies that include the innovative Lexus Safety System+.
"With the new Lexus Safety System+, we offer drivers an added level of occupant safety in a conveniently bundled package that leverages some of the latest accident prevention technology. We certainly expect the proliferation of these features to continue throughout the luxury vehicle market and our Lexus lineup as the industry remains steadfast in the pursuit of enhanced vehicle safety," said Jeff Bracken, Group Vice President and General Manager Lexus Division.
Takayuki Katsuda, the Chief Engineer of the new RX said, "Our ambition has been to make a bold and completely new statement in this segment while building on and staying true to the pioneering values of previous RX generations."
A Bold Exciting New Look
The RX with all-new sheet metal makes a powerful visual statement at first glance. A completely new front end is highlighted by an emboldened spindle grille, more aggressive front bumper and available triple L-shaped LED headlamps. Together with the all-new LED fog lamps and LED daytime running lights, the RX has a more sophisticated and advanced look. Muscular front fender flares add to the vehicle's sporty attitude.
When seen from the side, the sharp character line that runs from the front fenders to the rear end, together with a flowing roofline, give the RX a dynamic profile. All of this helps make the vehicle sure-footed at high speed and reduces wind noise. A truly distinctive styling cue is the blacked-out C-pillars, which provide the illusion of a floating roofline never before seen on a Lexus product. Also, newly available 20-in. aluminum wheels with larger tires improve the vehicle stance and proportions and replace the current model's 19-in. options. These 20-inch wheels can also be customized with body color-matching inserts to emphasize the driver's individuality.
The new RX's rear appearance has been sharpened, now exuding a sense of chiseled, rock-solid stability with the design highlighted by LED L-shaped taillights that wrap around the sides of the vehicle, creating a wider, more authoritative presence when illuminated. When lit, a brilliant glow spans laterally from the body to the back door, a Lexus-first. Integrated dual exhaust pipes have been added to the gas model for a more premium appearance.
Inside, RX's new luxurious cabin with elegant, high-quality trim exudes warmth and class. Specially finished Yamaha laser-cut ornamentation is available for those who appreciate an additional dimension of interior refinement. An available color heads-up display (HUD) projects pertinent vehicle information to the driver's windshield, while the information display area, featuring an available 12.3-in. monitor with full-screen map, is situated atop the center stack. The shift lever, complete with leather boot, has been positioned away from the front of the instrument panel to optimize operability and create more space for the driver.
Rear-seat occupants are treated to more leg and knee space. The RX now offers heated outboard rear seats and a 60/40 power folding second row to enhance comfort and convenience. A newly available retractable power panorama moonroof enhances the RX cabin's spaciousness and provides occupants with a refreshing open-air experience. The available rear seat entertainment system now includes 11.6-in. dual screens affixed to the back of the front headrests.
"Even while ensuring a high level of luxury and space within the cabin, the RX's silhouette remains sleek and dynamic, while the interior has been designed for easy operation with luxurious execution," said Gen Ikeda, Lexus RX chief designer.

redpajama_set_name: RedPajamaCommonCrawl


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Potla Services goals to enable your business enhancement on your online exposure amplifies brand awareness and extract good returns on your online marketing investment, with wonderful results. Our Services have enabled many of our clients to not just high website traffic but also top search engine rankings.
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Search Engine Optimization is a process of getting your website in the first few pages of a search lists for a strategically defined set of keywords. In simple words, if your digital presence is good then you can expect more business inquiries. The only way to attain and retain search engine position for specific keywords over an extended period of time is by clearing barriers to the search engine spiders, robots and by having optimized content.


Let me share a secret! One of Val's greatest fears is to go "bald" or "panot." Though initially, I found this a bit odd. I realized that when we grow older, hair loss is a major concern whether some admit it or not. Even my bald friends say they opted to get their head shaved because they are already showing signs of thinning.
However, whether we decide to go bald or not, it is such a relief that there is a product that can help.  Mr. Pure Energy, Gary Valenciano, the image of youthful vibrance says that part of what makes him stay young looking is his head of hair. What many people don't know is that, like all other men his age, Gary once worried about hair thinning and hair loss. That's why, at the first signs of the problem, Gary sought to find ways to prevent it from becoming worse.
NOVUHAIR, Nature's Answer to Hair Loss is available in all Mercury Drug outlets,Watsons, Rose Pharmacy, South Star Drug & Manson Drug, Metro Gaisano Pharmacy, The Landmark (Makati & TriNoma), J Centre Mall (Cebu), KCC Malls (Gen. Santos City & Koronadal City), NCCC Malls (Palawan & Davao), Gaisano Malls (Davao & Gen. Santos City) and online at www.regaloservice.com and www.lazada.com.ph. For inquiries, call 413-6570 or 0922-8830575.
Restograph, a Software-as-a-Service (SaaS) platform that specializes in restaurant data analytics, will be hosting their first Restaurant Data Analytics Workshop on December 11, 2015 from 1:00 PM - 3:00 PM at A Space Manila - 110 Legaspi Street, Makati City.
In this workshop, Keynote Speaker Donald Farmer with 30 years experience in data analytics and 10 years in Microsoft, leading teams in data mining, and business intelligence will walk through and talk about the importance of Data Analytics in businesses.
They will talk about how they can help restaurant owners and managers unlock and discover the secrets of POS sales data to improve your operations.
Forecasting daily sales and inventory including checking how outside factors like rain and traffic affect sales has never been easier.
For those who want to attend the event, check this Eventbrite link https://restographdataanalyticsevent.eventbrite.com for more details.
I never knew NEO is a local brand and I am just happy to find out that we now have a local laptop provider here in the country. They are headquartered at Ortigas Center, Pasig City. NEO customizes and delivers products to satisfy a myriad of customer requirements, from home entertainment to business computing, making them one of the leading providers of notebook solutions in the Philippines.
The good news is Neo recently launched its laptop and tablet hybrid with dual platform technology for an ease in performance and productivity. With Shift N81, one can play games and work on their files as they can enjoy Android 4.4 Kitkat and Windows 10 interface in one device.
This gadget is perfect for those who are looking for a trendy yet professional looking gadget. With its 8.9" IPS Touch screen display and 16.2mm thinness, its sleek and trendy design can get you going, anywhere plus it comes with a detachable keyboard which is really convenient.
If you're looking for tech/ gadget ideas this holiday season, you might want to consider the NEO Shift N81. Now available in tech and gadget stores nationwide.


www.nancywoodsart.com is committed to ensuring that your privacy is protected. Should we ask you to provide certain information by which you can be identified when using this website, then you can be assured that it will only be used in accordance with this privacy statement.
www.nancywoodsart.com may change this policy from time to time by updating this page. You should check this page from time to time to ensure that you are happy with any changes. This policy is effective from April 1, 2014.
We require this information to understand your needs and provide you with a better service, and in particular for the following reasons:Internal record keeping. We may use the information to improve our products and services. We may use the information to customize the website according to your interests.
You may request details of personal information which we hold about you under the Data Protection Act 1998. A small fee will be payable. If you would like a copy of the information held on you please send an email to nancywoodsart@yahoo.com.


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Political Establishment on the Ropes in Europe?
Articles, Election 2020, Politics
Cognitive Decline on the Biden Campaign Trail?
Has Joe Biden's campaign taken a toll?
By: Lorraine Silvetz, MSW March 12, 2020 Articles, Election 2020, Politics
by Lorraine Silvetz, MSW
Despite the floundering of his campaign earlier this year, former Vice President Joe Biden has made an impressive comeback, defeating Senator Bernie Sanders (I-VT) in key primaries so thoroughly that it's unlikely the Sanders campaign can recover. But Biden's chances seemed bleak for a reason. Until it was clear that the socialist senator was the alternative, many Democrats seemed eager to distance themselves from the inconsistent frontrunner.
Despite all efforts, the former vice president's campaign, thus far, has not given the impression he is capable of running the country for four years – let alone eight. Could it be that Joe Biden's mind is failing him?
During a speech on Super Tuesday in Los Angeles, a protester leaped onto the stage. Mrs. Biden instinctively stepped between her husband and the lunging woman, grabbing her wrists and shoving her away. She did the right thing, of course, but it revealed Joe's strange passivity: He just stood there, not reacting, as his wife moved to protect him. When the situation resolved, he put his arm around her – but it was as if he didn't understand what had just occurred.
The truth is, it's hard to watch Joe Biden speak and not wonder about his mental health. He often appears bewildered. He can't always recall what state he's in, or what office he's running for, for that matter. He even once called Super Tuesday "Super Thursday." Outside of a presidential campaign, it's the sort of behavior that could land a person in a nursing home.
To Biden's credit, he had remained on script for his Super Tuesday speech before the odd interruption. But lately that has been the exception, not the rule. The day before, Biden got confused while trying to quote the Declaration of Independence, finally substituting "the thing" for God.
"We hold these truths to be self-evident," he began. "All men and women created by the …"He paused, then, waving his hands in obvious consternation, continued, "go, you know, you know, the thing."
It is sad to see the fear and disorientation on his face when he suffers these "senior moments."
Biden himself expressed some insight, a couple of weeks ago, when he promised not to seek a second term "if anything changed in my health, making it incapable for me to fully exert all the energy and mental acuity that was needed." Who votes for a president who knows that he might not have the energy or cognitive strength for two terms? More importantly, if there is worry about his ability to carry out a second term, what about the first?
The former vice president is being promoted as a healthy, vigorous 77-year-old, but simply saying it doesn't make it so. In light of all the obvious moments, isn't it time for a cognitive function test? Is it cruel to allow a candidate demonstrating cognitive decline to pursue the highest station and arguable the most demanding role in the world? Furthermore, the American people deserve a candidate oriented to time, place, and person. In Joe's own words, "These truths we hold self-evident …" If it were not so cruel to make light of his behavior, given the likely health reasons to blame, it would be pure comedy.
Read more from Loraine Silvetz, MSW.
Is NBA Out of Bounds in Suspending Season?
Wall Street: Bull, Bear, or Deer in the Headlights?
Lorraine Silvetz, MSW
Lorraine Silvetz, MSW is a Contributor to LibertyNation.com. She is a psychotherapist and writer specializing in the treatment of Traumatic Brain Injury (TBI) and Post-Traumatic Stress (PTS) in service members, human trafficking and domestic violence survivors. She has contributed to multiple publications and served as Mental Health Editor for Exceptional Parent Magazine, a 40-year old award winning magazine.
Tags: Biden campaignJoe Bidenpresidential elections
LATEST ARTICLES BY Lorraine Silvetz, MSW (SEE ALL)
Cognitive Decline on the Biden Campaign Trail? - March 12, 2020
Coronavirus: A Great Opportunity for Dems to Attack Trump? - February 29, 2020
Coronavirus: Around the World in 80 Days - February 28, 2020


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Love & Hip Hop Atlanta Season Three Details!
Monday, April 14th, 2014	at 3:50 pm
Mimi Faust's sex tape released today and Love & Hip Hop Atlanta's Season 3 super trailer was released yesterday and it got me looking forward to the premiere that comes on Monday, May 5, 2014 at 8pm ET/PT.
Check out the details below.
It's 'southern hospitality' VH1-style when the network's top rated "Love& Hip Hop: Atlanta" Season 3 premieres Monday, May 5 at 8 PM ET/ PT. The much buzzed-about series again delivers its signature brand of drama, music, temptation and love, with a few new faces added to the mix. Hit rappers Yung Joc and Waka Flocka Flame, along with Diddy-Dirty Money's Kalenna Harper, will join fan favorites Joseline, Stevie J., Mimi,Lil Scrappy, Erica,Karlie, Benzino,Rasheeda and Kirk for another explosive look into the world of Atlanta's entertainment elite.
Here's what's going down in the "A:"
Stevie J. and Joseline Hernandez are living in wedded bliss – a pill that many in Atlanta find hard to swallow. Though Joseline couldn't care less about the opinions of her 'haters,' will this feisty starlet be able prove naysayers wrong with an extravagant (and public) ceremony worthy of her title as the "Puerto Rican Princess?"
Mimi Faust is dealing with a scandal of her own when a sex tape "mysteriously" leaks starring her and boyfriend Nikko – a man her closest confidants don't trust. Although she stands to gain notoriety and fortune, the mother of one must determine if the reward outweighs the repercussions that could potentially destroy her friendships and family.
Over in the "palace," Lil Scrappy is dealing with life after rehab. Post-Erica, Scrappy has gotten close with rapper Bambi, but true to form, he's still out playing the field and Momma Dee has no issues playing referee.
Erica Dixon has left the drama of her on-again/off-again romance with Scrappy behind and is instead focusing on new endeavors, her up-and-coming fashion line and the possibility of finding love again.
The rollercoaster that is Kirk and Rasheeda's marriage continues to spin out of control as the family's newest addition, Karter, raises questions that threaten the peace and harmony of their household.
Meanwhile, Benzino has abandoned the hot tubs and numerous vixens now that he's found his match in fiancée Althea, a woman whose past may threaten their future together.
Karlie Redd no longer mourns her breakup with Benzino and has moved on with Yung Joc ("It's Goin' Down"), a hit maker who just might have the connections she needs to finally break into the music industry. But will jealousy between the two destroy the beautiful music they make together?
Newcomers Waka Flocka Flame ("No Hands") and fiancé Tammy Rivera have been through a series of ups and downs over the course of their three year courtship, but now the time is right for the pair to take the next step together while still pursuing their own personal endeavors.
This season will also introduce singer/songwriter Kalenna Harper, one-third of Diddy-Dirty Money, who has moved to Atlanta with husband Tony aka "T.Vick" in a last attempt to re-launch her solo career.
Now in its third season, the series continues to give fans an unfiltered look into the lives of those aspiring to make a name for themselves in ATL – whatever it takes. With new players entering the game, the stakes are higher than ever before. Who will emerge victorious? Find out Monday, May 5 at 8 PM ET/PT when "Love & Hip Hop: Atlanta" comes B-A-C-K (and in that order) to heat up the airwaves on VH1.
"Love & Hip Hop: Atlanta" is executive produced by Mona Scott-Young for Monami Entertainment and Toby Barraud and Stefan Springman for Eastern TV. Susan Levison, Nina L. Diaz, Brad Abramson, and Danielle Gelfand are executive producers for VH1. Vivian Gomez is coordinating producer for VH1.
VH1's "Love & Hip Hop: Atlanta" Returns + Nikko Tells Mimi Faust About the SEX TAPE LEAK!
Love & Hip Hop Atlanta Season 2 Preimere Party with some NO SHOWS?
WATCH : Full Episode Love & Hip Hop Atlanta Season 2 Episode 3
Photos: The Styles of Love & Hip Hop Atlanta
WATCH: Love & Hip Hop Atlanta Season 3 Super Trailer HD
VIDEO: Love and Hip Hop Atlanta Season 2 Reunion, Part 1
Tagged with: Benzino • Erica Dixon • Joseline Hernandez • Kalenna Harper • Karlie Redd • Kirk Frost • Lil Scrappy • Love & Hip Hop Atlanta Season 3 • Mimi Faust • Momma Dee • Rasheeda • Stevie J
Filed under: Reality TV • Reality TV Drama • Television
BILLIONAIREBOY says:
Mi mi you need your as* kick all down the street like old folks use to say how in the hell you allowed this to happen sleeping with fag* that gives you fake rolex and then you have the nerve to want to make a video with him ewww girl who does that… you have a little girl who will eventually see the tape and see her mom as trash….. I thought mi mi had more sense than what she show. but its clear she slow as hell lol a shame… for that dump shi* you pulled with nikko i hope stevie J fight for half or full custody that will give you a wake up call if nothing else do.


I can open and modify the existing VI using scripting, and I tried opening the VI, and then copying and pasting the source code, but it is very difficult to get everything synced up properly when what I really want is a straight overwrite. I have attached the example project I have been working with. "Generate VI from template - overwrite.vi" in the Script Project directory is what I started with. Running that vi gives the error.
It may not be possible to do what I want so I would also welcome possible alternative solutions.
Is it possible to delete the file first, then save?
Architecture is art with rules.
I tried deleting first but I still get the same error.
Is it possible to do a "save as" on the original file, save the template as the correct name, then delete the original file?
Tried both suggestions and I still get the same error.
Your problem is that you are trying to overwrite a VI that is in the class. And you can't edit anything in the class because it is open when you open the template. What you need to do is save your Generated.vi to some temporary location, close it, and then use Move File to overwrite the "old" file.
Thank you so much crossrulz. That works perfectly. I knew there should be a simple way to do this.


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Drummond is a small town in Southland, New Zealand. It is  north of Invercargill and  west of Winton.

The town has one golf course, a primary school called Drummond Primary School and a population of about 250.

The Rugby club is now the home of the team Drummond Limehills Star (DLS), which is a combination of three clubs. The club has a proud history, and even has a former All Black originating from it, Jack Hazlett - 6 tests (1966–67).

Drummond's most famous son would be George Begg, who between the years 1964 and 1976 built racing cars from his Drummond Garage, these cars included nine F5000 which raced against the best drivers and cars in the world.

References

Populated places in Southland, New Zealand

redpajama_set_name: RedPajamaWikipedia


Discovering the right way to generate leads can be a challenge at times. You may feel as if you are stuck from time to time. That is the main reason why you need to always be aware of your plan. This article can help you to develop a great plan for success.
Have you tried to work hard at this to get yourself some new leads? If you are not, you are missing out on opportunities. Use this advice and always work towards getting new leads and sales for your business.


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Home News Platzi Picks Up $62 Million Series B to Re-Skill Latin American Professionals
Platzi Picks Up $62 Million Series B to Re-Skill Latin American Professionals
When it comes to scaling online communities, Platzi CEO Freddy Vega thinks that edtech can take a few notes from the video game industry.
League of Legends, for example, doesn't require players to come to its universe art at a certain time and certain place; instead, it lets players naturally connect with others who are learning, and playing, the video game at the same time. Vega, alongside co-founder Christian Van Der Henst, is building Platzi, an online school for Latin American professionals, with a similar ethos, offering pre-recorded material, weekly live learning sessions, and the option to learn with other students who are online at the same time.
"We are creating a generation of people traumatized by online learning because they think it's Zoom and cohort-based learning, where you have to be learning at the same time and same moment," Vega said. "Cohort-based learning is based on nothing, and it's just convenient for business models."
It's a hot take, considering how cohort-based learning models seem to be taking edtech by storm. Still, Vega's vision of a more flexible, basic education has resonated with a slew of investors. Platzi announced today the closing of a $62 million Series B, led by Prosus with participation from Foundation Capital, Y Combinator, 500 Startups, FJ Labs, FundersClub, and others.
With the new capital, Platzi says it is going to invest more in fresh content and build out its enterprise offering, which helps other startups measure and analyze team members' coursework on the platform. Perhaps most importantly, it plans to expand its educational offering to help more young professionals, including high schoolers, land jobs in Latin America's most prominent tech startups.
The most popular classes on Platzi right now are web development, advertising, and marketing. The startup also created a soft skills school, and while not mandatory, over 60% of students who take a technical course will blend it with a course on how to communicate effectively or handle deep teamwork.
"The idea is that Latin America in the next 10 years will lose its main source of income, which is oil and coal," Vega said. "We have economies that are based on natural resources."
Demand within Latin America's young professional work is one reason why Vega thinks he can address some concerns about a broader changing of tides in the bootcamp world; Lambda School recently rebranded and tweaked its business model in pursuit of sustainability, while Flockjay laid off a number of staff and pivoted to a B2B SaaS model. More than 2.5 million students have used Platzi to date.
As of now, about 60% of Platzi's students spend $300 per year to access the coursework, which is the same amount of money (or less) than 50% of students make per month per graduation. While salaries will likely increase over time, the co-founder wants this metric to change.
"They had to sacrifice one month of salary to be able to afford Platzi," he said. "I know I can make it cheaper in the next two years."
News Source: TechCrunch


When we first got Noah, Jason saw a future rugby player. And since then, he has done everything he can, to make sure Noah knows and loves rugby, as much as dad does! I mean, we have a photo of Noah, at about 9/10 months old, sitting in his pram, holding a rugby ball and looking downright mean! Never mind the (then) current Sharks rugby jersey Jason insisted we by Noah for his first birthday…he had a more recent rugby jersey than his dad!
Our then-one-year-old in his brand new rugby jersey!
So when I saw The Sharks advertise a family fun day towards the end of last year, I immediately arranged with Noah's cousins and best buddy from school, for a play date. Long story short, the weather never played along, and it was postponed to this past weekend. The cousins weren't able to make it, but best buddy Bono was, so we were set for a fun Saturday morning!
I feel like now is the time to add in the part where Jason has been trying for months to pull every string he could, to set up a photo of Noah with the Beast, Tendai Mtawarira. The reason being, a lovely friend nicknamed Noah #BabyBeast when she saw that photo with the rugby ball I mentioned earlier! We saw an opportunity for a photo op, and we took it! Granted, Noah was having a bit of an off day, so when dad asked Tendai for a photo with Baby Beast, Noah was having none of it! Murphy's law I tell you! Poor Jason tried for months, finally got his photo op moment, and all Noah would do was try climb out of Dad's arms and get to mom! Nonetheless, we have the photo, it will be framed, and it will go up on a wall!
The photo of the day! See what I mean about Noah?!
That all happened within half an hour of us being there. We still had a good few hours of running, playing and fun with Bono and his lovely mom and dad. And boy did we have fun…in between helping the 2 little boys dodge Sharkie and all the other mascots that were there. They were seriously not keen on those! We even had to set up a photo bomb moment with Sharkie, just to get him in a photo with Noah!
Noah refused to smile, let alone look directly at the camera!
Noah and Bono had the best time running on the open grass, tackling Jason (literally) and "making" him fall to the ground, playing in the ball pit…all under the watchful eyes of both dad's, while us mom's relaxed on the grass! It was such a fun day, Noah was so exhausted he was asleep 2 minutes into our trip home! Thank you to The Sharks for organizing such an awesome family event. It is definitely something we will be going back to!
You can find The Sharks on Instagram, Facebook and Twitter.
Next Next post: Baker-Baker, take 2!


In this card we see the man clinging tightly to what he has. He fears that if he lets go even a little; he may lose everything. That very mindset can lead to conditions of limitation and lack. This card serves as a reminder to focus on abundance and opportunity. Time to surrender that false sense of control that comes with too much focus on the material world. Focus on gratitude and abundance, not only on an intellectual level – but partake in prayers and ritual that allow you to feel that abundance and gratitude in your heart. When you focus your whole being on abundance; you draw more of the same to you on all levels: materially, spiritually, and emotionally.
Focuses on room for growth, finding a safe space, effort, and an idea whose time has come. A tendency to fear ruin or lack or to become too attached to things/conditions of the physical realm.
You want to find happiness and be successful in all of your ventures. You are caught between the desire for change and the comfort of familiarity.
Unknowns trouble you a great deal, you tend to "what if" yourself into a frenzy. There may be a tendency to cling to the past out of fear to move forward because of this. Business discouragements may also be indicated here, and/or fears of loss in one area of your life are effecting the other aspects as well.
Sometimes we have to move into the new and unknown even when it is scary if we want to further our growth and progress. Sticking with old ways out of familiarity is stagnation. Don't be so hard on yourself over "failures" that you talk yourself out of getting up and trying again. Release the need to try to control situations out of fear.
Look at all of life's challenges as lessons that further your growth and understanding. Release your worries, and allow room for your Divine plan to take shape. Many blessings await you when you release the false sense of control that comes with trying to control outcomes in advance.


Kinellar Drive is a place in North West Glasgow and is mainly residential.
Garscadden & Speirs is a housing association providing a range of low cost social housing to people needing needing somewhere to live.
Map showing Kinellar Drive in Glasgow.


text:
by Mark Karlin
from Truthout Website
Robert Kane Pappas, director of "Orwell Rolls in His Grave."
(Photo: Sag Harbor-Basement Pictures)
In the midst of the dustup over Rupert Murdoch's News Corp phone-hacking scandal, a larger question is rarely raised in the corporate media coverage of the story.
How did it come to be that one man - through an international media corporation - has come to exert such enormous influence over the UK government, much of the elected power structure in Washington, DC, and the political hierarchy in Australia?
Watching "Orwell Rolls in His Grave," it becomes increasingly clear that we can't see the forest through the trees, because with the consolidation of for-profit corporate media, the forest of information is pretty much owned by just a few companies.
And those companies not only frequently create "facts" to enhance profits, but also create the frame through which public policy is debated to meet their business goals.
"Could a media system, controlled by a few global corporations with the ability to overwhelm all competing voices, be able to turn lies into truth?"
This is a question Robert Kane Pappas, the director and narrator of "Orwell Rolls," undertakes to answer in a documentary that is both a journey through the harm done by corporate media consolidation and a testament to how relevant George Orwell's book on totalitarianism - "1984" - is today.
"Orwell Rolls in his Grave," filmed during the Bush administration, is the Truthout Progressive Pick of the Week.
Mark Karlin: How do you feel about the power- and profit- hungry side of the corporate media industry that we are seeing unravel in Murdoch's News Corp?
Robert Kane Pappas: Through lobbyists, media companies like News Corp largely write the laws and fill in the key details of regulations. In the fall of 2002, prior to our invasion of Iraq, I was filming around the congressional office buildings.
[Independent Vermont Senator] Bernie Sanders' chief of staff assigned a friendly and competent assistant to take me around and show me where it happens, how laws are written, through the halls and committee hearing rooms - places the mainstream news organizations rarely place their cameras.
Podiums and sound bites are their methodology. It's easy and cheaper.
Here, I was introduced to something called "place-holders." Outside the hearing rooms - where lawmakers are examining, for instance, telecommunication policy - down-and-out looking people are paid to show up first thing in the morning.
They stand or sit on the floor on little round pieces of paper about 12 inches wide, saving places (places supposedly reserved for the public) for the lobbyists, who show up minutes before the hearing begins in their Brooks Brothers suits, and replace the placeholders. It's about writing the laws, the inherent promise of future jobs in the private sector (the revolving door) and campaign donations.
So, in addition to the drafting of the laws, the regulators and politicians are captured by the people they are supposed to be regulating, including corporations like News Corp.
MK: The use of quotations from Orwell's "1984" as an ongoing analogy to the modern media age is quite effective in the documentary. How did you come up with this idea and pick specific passages from "1984"?
RKP: I had been thinking independently about our ability to forget things that happened, specifically, events that clearly were wrong, that crossed the line. It seemed to me during the 2000 election recount that the media's narrative was being orchestrated. Shockingly, after the Supreme Court decision, the media simply said, "Time to move on," end of reporting: "Here's the new story." And everyone forgot.
I remembered Orwell's "1984." I picked it up, reread it, looked for relevant passages. A researcher, Tom Blackburn, combed through the text for specific quotes.
Orwell also focuses on the meaning of words, and the manipulation of them. I thought, "Let's film an Orwellian media dictionary." I made lists of words that are used and altered in the media political nexus.
MK: This film is in large part a personal reflection - interspersed with experts on media consolidation such as Bernie Sanders, Robert McChesney and Mark Crispin Miller.
How did you personally come to focus on the pernicious effects of profit-driven corporate media owned by just a few companies?
RKP: I went to the NYU Tisch graduate school of film. Many of us had this idea of doing independent film, of making personal, relevant films, as opposed to Hollywood fluff. I directed a few.
The problem for independent filmmakers is that huge companies control all the promotion, all the advertising. Hollywood films' advertising budgets are as large as their shooting budgets. We didn't understand this, at first. It doesn't matter how good your film is; if people don't know about it, they won't go and see it.
So, I understood the paradigm and could recognize it in the way stories had come to be covered. At one point while I was at NYU, the Iranian hostages had been in captivity for over 350 days, and for each of those days, The New York Post had a little hand-drawn picture of a blindfolded hostage, with the number of days accrued typed below.
I called it "the never-ending news story."
I got fed up with the ongoing soap opera, grabbed a primitive video camera from a classmate, and talked my way into a video interview with Murdoch's editor at The New York Post, who ended up telling me he was quitting in disgust.
MK: Yes, you have a great clip from more than two decades ago, with you interviewing the then-outgoing editor of The New York Post after Murdoch acquired it. It is grainy and faded and seems to be a ghost from the past that foretells so much.
What has happened in the intervening years to strengthen your conviction that the information we receive about public policy issues and the "news" is brought to us in an Orwellian frame?
RKP: Media manipulation has been going on for a long time. There are many examples. William Randolph Hearst comes to mind. The difference is in degree. In my new doc on the science of aging, "To Age or Not To Age," scientists discuss "degrees" of aging damage.
The startlingly simple idea is that the degrees, over time, change the nature of things. I think this is relevant to the pickle we are in, not only with regard to the corporate media, but also our economy, the various wars, etcetera.
As there is more and more media concentration, less reporting, more manufactured PR, the nature of the impact to our society changes, has unforeseen negative effects that become cumulative in nature.
MK: In what ways do the campaign contributions of these large "news delivery" companies influence politics in the US?
RKP: This is similar to the problem of independent films. A politician without money for advertising is out of luck. They are not taken seriously. The media companies control whether a candidate gets "coverage" - which itself is tied to the knowledge of how much he or she has raised.
The networks then know how much money the candidate is likely to spend on commercial airtime buys – so, this is a reinforcing system of legal corruption and quid pro quo news coverage.
MK: Does it surprise you at all that it appears that Murdoch pretty much "owned" the current UK prime minister and is rumored to have heavily influenced Tony Blair?
RKP: It doesn't surprise me in the least. A number of the potential GOP presidential candidates are paid commentators on Fox. Murdoch had perfected the technique, until the hacking of a British teenage girl happened.
MK: How has it come to be that Fox "News" has set the tone and framing for discussion of public policy and politics on television and even on Capitol Hill?
RKP: Fox News is able to set the range of discussion partly because of the vertical nature of Murdoch's holdings, which includes,
He is the kindling and fuel for ideas developed by people like Koch and in right-wing think tanks. This is an infrastructure that dwarfs the silly talk about so-called liberal bias in the media, which is a right-wing myth generated by the likes of Fox.
Moreover, News Corp has become so powerful that the other major media entities like NBC, etcetera, feel compelled to respond to a Fox narrative, further driving the coverage.
On Capitol Hill, the GOP is almost totally captured by special interests. The Republican leadership propels talking points, period. That is the basis of their careers and leads to regular appearances on TV. They become well known.
A great number of the Democrats are captured as well, and this adds up to a tipping point of corrupt politicians and a rigged media narrative.
MK: You discuss in the film how the majority of Americans held beliefs on certain reasons the Bush administration cited for going to war with Iraq that were simply not true.
Isn't that, in large part, because large news outlets became simply megaphones for the White House during the buildup to the Iraq War?
RKP: If you repeat a lie often enough, people will believe it. It really is public brainwashing and misinformation.
MK: We've seen a precipitous decline in investigative reporting in the corporate media. Is this because investigative reporting is not profitable or it might reveal too much about the government that the for-profit media relies upon for favorable business regulations?
RKP: I think the answer is both. In-depth reporting is expensive.
It is much cheaper to have people sit around or on remotes and talk about politics like it's baseball. But there is also a predetermined intent in terms of what is reported and how it is reported, and the degree to which a story is pushed. Both have bad effects.
I can answer this with an analogy. Scientists have had trouble conquering certain diseases precisely because there are multiple causes, redundant processes and feedback loops.
Dr. Guarente at MIT explained that in aging, so many things are going wrong that it was thought impossible to fix enough of them at once in order to intervene, to slow aging down. Then scientists accidentally stumbled on certain nexus genes, which operate high in the pyramid of cause and effect to influence many downstream effects.
Likewise, the problem of media/politics is multifold. Many things are out of whack. How can we get around the snafu? Well, Rupert Murdoch is a nexus point; this may be an opportune moment.
MK: Murdoch's News Corp is grievously wounded - perhaps critically in the UK - and time will tell if this is the case in the US and Australia.
How did Murdoch come to be a shadow powerbroker with such enormous political influence and clout in the US, UK and Australia? In the UK, and certainly in the Republican Party in the US, the connection between Murdoch and the government is almost seamless.
RKP: Murdoch's empire is several decades in the making. He is absolutely hands-on. I interviewed his former private chef and housekeeper.
The first thing his chef said was,
"When I get a call, it is Rupert Murdoch on the phone, not an assistant."
They also told me that Rupert, at that time, couldn't operate a VCR or a computer, but that he had a Rolodex that contained the personal phone numbers of heads of state, top financiers, even Princess Diana.
He makes and breaks political careers and has been doing business in a certain way for a long time.
Orwell Rolls in His Grave
by WarCrime911
from YouTube Website
Director Robert Kane Pappas' ORWELL ROLLS OVER IN HIS GRAVE is the consummate critical examination of the Fourth Estate, once the bastion of American democracy.
Asking whether America has entered an Orwellian world of doublespeak where outright lies can pass for the truth, Pappas explores what the media doesn't like to talk about: itself.
Meticulously tracing the process by which media has distorted and often dismissed actual news events, Pappas presents a riveting and eloquent mix of media professionals and leading intellectual voices on the media.
Among the cast of characters in ORWELL ROLLS OVER IN HIS GRAVE are:
Charles Lewis, director of the Center for Public Integrity
Vincent Bugliosi, former L.A. prosecutor and legal scholar
film director and author Michael Moore
Rep. Bernie Sanders
Danny Schecter, author and former producer for ABC and CNN
Tony Benn, former member of the British Parliament
ORWELL ROLLS OVER IN HIS GRAVE provides a vital forum for ideas that will never be heard in mainstream media.
From Globalvision's Danny Schecter:
"We falsely think of our country as a democracy when it has evolved into a mediacracy - where a media that is supposed to check political abuse is part of the political abuse."
New York University media professor Mark Crispin Miller says,
"These commercial entities now vie with the government for control over our lives. They are not a healthy counterweight to government. Goebbels said that what you want in a media system - he meant the Nazi media system - is to present the ostensible diversity that conceals an actual uniformity."
From the very size of the media monopolies and how they got that way to who decides what gets on the air and what doesn't, ORWELL ROLLS OVER IN HIS GRAVE moves through a troubling list of questions and news stories that go unanswered and unreported in the mainstream media.
Are Americans being given the information a democracy needs to survive or have they been electronically lobotomized?
Has the frenzy for media consolidation led to a dangerous irony where in an era of more news sources the majority of the population has actually become less informed?
ORWELL ROLLS OVER IN HIS GRAVE reminds us that 1984 is no longer a date in the future
The book "1984," written in 1949 by English writer George Orwell, was a book of a future in which the future was run by a dictatorship which successfully controlled the minds of its population.
This must see film explains the umbrella of all problems in the United States; the self-censorship of media.
It also explains why there is a need for websites like ours.
Off The Record - What Media Corporations Don't Tell You About Their Legislative Agendas
The Carlyle Group
Return to The Global Elite - The Transnational Capitalist Class
Return to The Global Media Control
Return to The New World Order


He has two children from his marriage with Kerry Katona: Molly Marie McFadden and Lilly-Sue McFadden.
Brian McFadden was born on 2 April 1980 in Dublin, Ireland.
Brian's sister is Susan McFadden, the winner of ITV's Grease Is The Word.
Brian McFadden broke into the music scene when IOU, managed by Louis Walsh, auditioned for new members. The band became Westlife, with McFadden on board, and they ended up with twelve No.1 singles in four years.
When Brian McFadden was in Westlife he changed his first name to Bryan and reverted back to Brian when he left.
He married Kerry Katona of Atomic Kitten in January 2002. They had two daughters, Molly and Lilly-Sue. However, Brian McFadden split from Kerry Katona and later got together with Delta Goodrem. Brian McFadden later married and divorced Vogue Williams.
In March 2004 Brian McFadden announced he was leaving Westlife. It was around this time, that he acknowledges he was at a low. He told The Guardian: "Westlife was collapsing, my marriage with Kerry was on the rocks, and then I went out and smashed my car into the wall. That afternoon I wrote a song called Walking Disaster, and I can safely say that it will never get any lower than that. But everything happens for a reason."
Brian McFadden's first solo single, Real To Me got to No. 1 in the British singles chart. According to the BBC, McFadden said: "I feel like Coventry City have won the FA Cup."
McFadden's debut album was Irish Son.
From the aforementioned Guardian article, Leaving the West Behind, there are some Brian McFadden facts: First record bought was I Should Be So Lucky by Kylie Minogue; Favourite film is Tin Cup; Album to grab in an emergency is Pet Sounds by the Beach Boys; Inspiration is Brian Wilson and Recent discovery was Grace by Jeff Buckley.
In 2010 Brian McFadden became a judge on Australia's Got Talent alongside Kyle Sandilands and Dannii Minogue.
In 2013, Brian McFadden and his wife Vogue Williams appeared on ITV's dance reality TV show, Stepping Out.
In 2015, they divorced but remained close.
In 2016, McFadden became one of the celebrities on Channel Four's the Jump.
"I can ski at a very beginner level; I've been a couple of times. What I learnt though I learnt very fast so I'm a quick learner when it comes to skiing."
McFadden ended up being the fourth celebrity to be eliminated from The Jump.
He was lined up to be one of the celebrities on Dancing on Ice in 2019. He was partnered with Alex Murphy.


text:
Dry Cleaning - Stumpwork
Orders will receive a bonus signed print, while stocks last
Stumpwork, the follow-up to 2021's New Long Leg will be released on 21 October 2022. The South London-based group's first studio album, recorded in just two weeks with producer John Parish at the iconic Rockfield Studios, became a huge critical and commercial success reaching #4 in the UK Album Charts and featuring in best-of-2021 polls across the board. Buoyed by its success, Nick Buxton (drums), Tom Dowse (guitar), Lewis Maynard (bass) and Florence Shaw (vocals) returned to rural Wales in late 2021, partnering once more with Parish and engineer Joe Jones. Working from a position of trust in the same studio and with the same team, imposter syndrome and anxiety was replaced by a fresh freedom and openness to explore beyond an already rangy sonic palette, a newfound confidence in their creative vision. A longer period in the studio afforded the time to experiment, improvise, play, sharpen their table tennis skills.
Stumpwork was inspired by a plethora of events, concepts, and political debacles, be they represented in the icy mess of ambient elements reflecting a certain existential despair, or the surprising warmth in celebrating the lives of loved ones lost through the previous year. Surrealist lyrics are as ever at the forefront – but there is a sensitivity now to the themes of family, money, politics, self-deprecation, and sensuality. Furious alt-rock anthems combine across the record with jangle pop and ambient noise, demonstrating the wealth of influences the band feed off and their deep musicality. With the pressure of their debut album behind them, Dry Cleaning have crafted an ambitious and deeply rewarding new work that marks them out as one of the most intelligent and exciting acts to come out of the UK.
The album and single artwork were conceived and created by multi-disciplinary artists Rottingdean Bazaar and photographer Annie Collinge. James Theseus Buck and Luke Brooks of Rottingdean Bazaar first worked with Dry Cleaning directing the official video for 'Scratchcard Lanyard' and as their creative partnership with the band continues to flourish, they have fashioned a brilliantly unique visual identity for Stumpwork.
1. Anna Calls From The Arctic
2. Kwenchy Kups
3. Gary Ashby
4. Driver's Story
5. Hot Penny Day
6. Stumpwork
7. No Decent Shoes For Rain
8. Don't Press Me
9. Conservative Hell
10. Liberty Log
11. Icebergs
Artist: Dry Cleaning
Label: 4AD
Genre: Indie & Alternative
Cat Number: 4AD0504LPE
Released: 21st October 2022
Indies Exclusive Recycled Black Vinyl
White Vinyl LP
Indies Exclusive Recycled Black Vinyl - Sold Out White Vinyl LP - Sold Out
Click here to be notified by email when Dry Cleaning - Stumpwork becomes available.


Organized clients' tax records for accountants on yearly basis to facilitate accurate and complete tax return filing, including verification of contribution receipts and legitimate business expenses.
Prepared tax information for pending IRS tax audit for client's personal and business returns.
Worked with clients' accountants to locate and verify any missing tax information.


You may sometimes have wondered who Saint George was, and how long he has been the patron saint of Catalonia, or where the tradition of giving books and roses came from. And why his feast day is 23rd April. What do we know about any of this?
Saint George was a Roman soldier, born in Palestine in the late third century AD, who converted to Christianity and was one of the martyrs of the Emperor Diocletian's persecutions of the Christians. According to the legend, as the officer of a Roman legion he had to free a city from a dragon that the inhabitants had to feed every day. To begin with they gave it two sheep each day, but when there were no more sheep left, they gave it two young maidens from the city, chosen by drawing lots. One day misfortune befell the princess, but she was saved from the dragon by the Roman soldier, who killed it with his spear. The Golden Legend, a collection of saints' lives from around 1260, tells us that the saint did not kill the dragon and that from that time onwards the princess kept the dragon on a lead, as if it were a dog. This legend, like so many others, is based on the Greek myth of Perseus and Andromeda. The Greek hero, in turn, is a variation of the Egyptian god Horus, who ran a crocodile through with a spear. Saint George would be the Christian version of the god that triumphs over evil, and some interpretations even identify the princess with the Christian Church saved from the jaws of paganism.
The cult of Saint George came from the East, passed to Constantinople, and by the eleventh century he was being venerated in the West. Gradually, and associated with the Crusades, Saint George acquired the typical virtues of the chivalrous ideal. He is therefore depicted as a beardless young man, on foot or riding a white horse, dressed in a knight's armour and armed with spear, sword and shield, holding aloft a flag with a red cross on a silver field. At his feet lies the dragon. On other occasions, and also according to the Golden Legend, representations are added of the different episodes of his martyrdom, not as widely known as the legend.
One of the most beautiful works of Catalan Gothic dedicated to Saint George, displayed almost complete at the Museu Nacional in the exhibition Catalonia 1400. The International Gothic style, is the altarpiece by Bernat Martorell, shared between the Art Institute of Chicago and the Musée du Louvre. Bernat Martorell apparently did this altarpiece for the Diputació del General, now the Palau de la Generalitat. It is one of the artist's most famous works: the central panel shows the saint's legend and on the other panels we see his martyrdom. Although Saint George has officially been the patron saint of Catalonia since 1456, this altarpiece, a few decades older, shows us that the deputies of the General (Generalitat de Catalunya) had already chosen him as their patron saint a few years before that date.
In our new Pinterest board you can see other depictions of Saint George in the museum's collection.
Over the years, Saint George's Day has become a traditional festival in which the streets of Catalonia are filled with roses and books.
And why do we give a rose with an ear of wheat to the one we love, and not another flower? This custom, which dates from the fifteenth century, symbolizes the fact that, according to popular legend, from the blood shed by the dragon a rosebush grew that flowered every April. At the same time, the rose is the symbol of love; a single rose means that the love is unique, personal, and the ear of wheat symbolizes fertility. In the fifteenth century a rose fair was held in the Palau de la Generalitat to mark Saint George's feast day, a fair that could be the origin of this enduring tradition.
Since the 1930s, the custom of giving a book as a gift has been added to this tradition. It was proposed by Vicent Clavel Andrés, a publisher and writer from Valencia living in Barcelona, to commemorate the death of Miguel de Cervantes, on 23rd April 1547. In 1995, UNESCO declared 23rd April, the date of the death of William Shakespeare, World Book Day.
Among the many initiatives associated with the world of books, the museum's Library participates in Bookcrossing: we hide some books in different parts of the museum so that the visitors can take them, and once they have read them they "liberate" them again for other readers.
If you want to see how the book has evolved in art since the Romanesque period, when it was the container of the sacred scriptures, the Renaissance and the Baroque period, when the book became a symbol of social status, to reading as a source of pleasure in modern times, you may like this itinerary based on a work by writer Narcís Comadira, or to view some of the books that appear in artworks of our collection.


It wasn't long ago that studies showed 90 percent of the consumers purchasing pet foods were unable to tell the difference between the best and worst foods on the market and didn't consider stool or coat quality or a pet's length of life, said Robert L. Downey, president of Annamaet Petfoods in Telford, Pa.
"Now studies have shown that over 65 percent of dog owners and 50 percent of cat owners consider their pet to be an essential member of the family," Downey said.
This humanization of pets is growing worldwide, forcing owners to question everything from ingredients to specific formulas to manufacturing facilities, Downey added.
Manufacturers are responding to the heightened nutritional awareness of pet owners.
Bravo Pet Foods recently entered the canned food market with Canine Café.
"Our approach to the Café line closely mirrors our raw diet products in that they are made with quality muscle meats and poultry and contain no grain, fillers, preservatives, artificial flavors, or meat and poultry meal," said Bette Schubert, co-founder and senior vice president of sales, new product development and education for Bravo Pet Foods in Manchester, Conn.
In support of a more sustainable future for the pet industry, Annamaet Petfoods has teamed up with Integrative Veterinary Innovations to create Annamaet Sustain. The grain-free food is formulated using certified sustainable line-caught Alaskan cod, and it contains turkey and sweet potatoes, along with microalgae, a sustainable and stable source of omega- 3 fatty acids, said Robert L. Downey, president of Annamaet Petfoods in Telford, Pa.
"Sustainability is becoming a major concern for people worldwide, with a record high 71 percent of Americans considering the environment when they shop," Downey said.
Offering "home cooking for your pet," Market Fresh Pet Foods recently relaunched its line of dog food, said Joe Perotti, president and owner of the Arlington Heights, Ill., company.
roast, wild Alaskan salmon and turkey, Perotti said.
Treat maker Family Owned Spot Farms recently entered the food category with its human-grade, dehydrated dog food, which is available in five recipes, said Ryan Perdue, founder and general manager of Kings Mountain, N.C.-based Family Owned Spot Farms.
"Human-grade dehydrated means better nutrition for your dog," Perdue said.
marketing for Whitebridge Pet Brands, maker of Cloud Star, in St. Louis.
The grain-free, minimally processed recipes include a baked kibble, wet complete meals, and vegetable and meat mixes to appeal to the most involved pet owner, Hudson said.
A well-trained, ready-to-help staff that seeks out customers with a "question on their face" is a remarkably powerful tool for merchandising premium foods, said Bette Schubert, co-founder and senior vice president of sales, new product development and education for Bravo Pet Foods in Manchester, Conn.
Technology and social media also play a big role in promoting premium foods.
"Online and social media posts about premium products are a great way to generate excitement and educate customers," said Adrian Pettyan, CEO and founder of Caru Pet Food in Vero Beach, Fla.
Shelf-stable products such as freeze-dried and canned foods provide retailers with flexible options for creativity, Schubert noted.
"We believe the best approach is to use tried-and-true merchandising practices, including good, informative signage, endcaps and freestanding displays, free samples and product glorifiers at checkout," Schubert added.
Displaying premium, shelf-stable products prominently near the front of the store will draw consumer attention, as will creating a special section for foods addressing specific benefits, such as eye or joint health, Pettyan said.


text:
· Posted on Jan 14, 2017
Stop What You're Doing And Check Out These Cool Things
What to read, watch, play, eat, and more.
by Chelsey Pippin
Commissioning Editor
Sian Butcher / BuzzFeed
1. Watch Jane the Virgin.
If you haven't started Jane the Virgin yet, make it your new year's resolution to do so. The show is now in its third season, with the first available on Netflix in the UK, and it is SUCH A TREAT. Bingeable AF, fun, and self aware, it's the perfect compromise for when you feel like watching something that feels trashy but is secretly super smart. Plus Britney is one of many very important cameos.
Watch it on Netflix.
And don't miss Netflix's drop of A Series of Unfortunate Events, the weekend either!
2. Read Patrick Marber's adaptation of Hedda Gabler
Henrik Ibsen's classic existential play about an unhappy woman who finds her options in life narrowing at an accelerated speed has been rewritten for the National Theatre by award-winning contemporary playwright Patrick Marber (Closer). Currently playing to sold out audiences in London, the revival of the play is smart, deeply and darkly funny, and brilliantly updated for its time. Though Ruth Wilson's performance definitely cinched the play as an utterly captivating, the script is well worth the read for anyone who didn't get a ticket in time.
Buy a copy here.
Or go for one of 2017's most exciting here.
3. Listen to this ~positive vibes~ January playlist.
Disney, LÉON, soundcloud.com
Emma says: "New shoes, New Year and a track to jive dance to whenever you feel down. The ultimate 2017 starter pack."
Also, I dunno if you heard, but Ed Sheeran's got some new music out.
4. Play Super Mario Run.
Hilary says: "I'm painfully addicted to Mario Run. It ticks all of the nostalgic Mario platformer boxes for me, plus it's perfectly designed for phone gaming, you can even play it with one hand while holding onto one of those dangly handles on a packed bus. Once you complete the main game you can still race against other players in a feature called Mario Rally, which is great fun, and it has tons of other cute features too. It's not super cheap at £7.99, but it's endlessly playable."
Get it for iOS and Android.
Or try the simple and addicting Unfold.
5. Try having an IRL game night.
Alice Mongkongllite / BuzzFeed
I love, love a good night in with a some friends, some booze, and a good game – I may or may not have participated in several multi-day rounds of Risk over Christmas. What's great is that it's good, causal, memory making fun and involves sitting on comfy couches and blocking out the world without having to turn on a screen.
Here's some excellent games to get started.
If you're not into board-games, or just a sore loser, how about using up some energy with these home workouts?
6. Cook this blueberry oven pancake.
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Brunch goals x 10000... this sweet and simple breakfast/dessert is just dying to be in your belly.
Get the recipe here.
Alternatively, or also... potatoes.
7. Follow @treatyoshelf on Instagram.
Maggie's feed is full of stunning snaps of the books she's reading – here she features a shot made up entirely of books by writers of colour. Offering loads of variety and top notch shelfies, her Instagram is bound to brighten your day and broaden your reading list.
Or add these fashion bloggers worth following to your feed.
This is a weekly series! Leave your suggestions in the comments or @ me for a chance to be featured in future posts.
Jan. 14, 2017, at 15:01 PM
Jane the Virgin is currently in its third season. A previous version of this article stated the show was in its second season.


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Mario Diaz-Balart & Steve Cohen
Compare the voting records of Mario Diaz-Balart and Steve Cohen in 2017-18.
Mario Diaz-Balart
Represented Florida's 25th Congressional District. This was his 8th term in the House.
Represented Tennessee's 9th Congressional District. This was his 6th term in the House.
Mario Diaz-Balart and Steve Cohen are from different parties and disagreed on 64 percent of votes in the 115th Congress (2017-18).
June 7, 2018 — Spending Cuts to Expired and Unnecessary Programs Act
Dec. 21, 2018 — National Flood Insurance Program Competition and Extension Act of 2018
Dec. 19, 2018 — Traumatic Brain Injury Program Reauthorization Act
Dec. 19, 2018 — Congenital Heart Futures Reauthorization Act of 2017
Nov. 27, 2018 — Democratic Republic of the Congo Democracy and Accountability Act of 2018
Nov. 27, 2018 — Global Fragility and Violence Reduction Act of 2018
Sept. 26, 2018 — Recognizing that allowing illegal immigrants the right to vote devalues the franchise and diminishes the voting power of the United States citizens
July 18, 2018 — Biggs of Arizona Amendment No. 1
April 26, 2018 — DeFazio of Oregon Part A Amendment No. 42
April 11, 2018 — Stress Test Improvement Act
March 21, 2018 — Trickett Wendler, Frank Mongiello, Jordan McLinn, and Matthew Bellina Right to Try Act of 2018
Feb. 15, 2018 — ADA Education and Reform Act of 2017
Jan. 22, 2018 — Federal Register Printing Savings Act
Nov. 30, 2017 — Minnesota's Economic Rights in the Superior National Forest Act
Oct. 24, 2017 — Cicilline of Rhode Island Part B Amendment No. 5
Sept. 6, 2017 — Babin of Texas Part B Amendment No. 58
July 26, 2017 — Jackson Lee of Texas Amendment No. 56
July 19, 2017 — Engel of New York Part B Amendment No. 1
July 13, 2017 — Nadler of New York Part B Amendment No. 6
June 29, 2017 — No Sanctuary for Criminals Act
June 28, 2017 — Hudson of North Carolina Amendment No. 4
June 13, 2017 — Verify First Act
May 25, 2017 — Protecting Against Child Exploitation Act of 2017
April 3, 2017 — North Korea State Sponsor of Terrorism Designation Act of 2017
April 3, 2017 — Condemning North Korea's development of multiple intercontinental ballistic missiles, and for other purposes
March 9, 2017 — Innocent Party Protection Act
March 9, 2017 — Espaillat of New York Part B Amendment No. 8
Jan. 13, 2017 — To provide for an exception to a limitation against appointment of persons as Secretary of Defense within seven years of relief from active duty as a regular commissioned officer of the Armed Forces


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Marian Filipiuk (* 2. Februar 1941 in Radzyń Podlaski) ist ein ehemaliger polnischer Sprinter, der sich auf den 400-Meter-Lauf spezialisiert hatte.

Bei den Olympischen Spielen 1964 in Tokio wurde er Sechster in der 4-mal-400-Meter-Staffel.

Seine persönliche Bestzeit von 47,1 s stellte er 1964 auf.

Weblinks

4-mal-400-Meter-Staffel-Läufer (Polen)
Olympiateilnehmer (Polen)
Teilnehmer der Olympischen Sommerspiele 1964
Pole
Geboren 1941
Mann


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Judith Miller: Duped?
Did the New York Times swallow Saddam's disinformation?
By Jack Shafer
Aug 29, 20035:38 PM
No reporter was more go-go on the prospect of finding caches of unconventional weapons in Iraq than New York Times correspondent Judith Miller, who published numerous stories during the 18 months leading up to the war that supported allegations that Saddam Hussein was illegally developing, building, and storing chemical, biological, and nuclear weapons. Miller's stories relied in great part on the testimony of Iraqi defectors, some of whom were provided to her by Iraqi National Congress leader Amad Chalabi and government officials such as Deputy Secretary of Defense Paul D. Wolfowitz and Secretary of State Colin L. Powell, who believed their claims.
The coalition's spectacular failure to capture unconventional weapons in the five months since the invasion poses this pressing question: Whaaa? What convinced the New York Times and the U.S. government that Saddam was up to his mustache in bio-chem-nuke weaponry? Writing in the Los Angeles Times yesterday, reporter Bob Drogin surmises that the bogus notion came from Saddam Hussein himself (see "U.S. Suspects It Received False Iraq Arms Tips").
According to Drogin, U.S. and allied intelligence agencies are reviewing the information provided to them by Iraqi defectors to, as a senior U.S. intelligence official put it, "see if false information was put out there and got into legitimate channels and we were totally duped on it." Drogin writes:
[O]fficials say former Iraqi operatives have confirmed since the war that Hussein's regime sent "double agents" disguised as defectors to the West to plant fabricated intelligence. In other cases, Baghdad apparently tricked legitimate defectors into funneling phony tips about weapons production and storage sites.
One U.S. intelligence official said analysts may have been too eager to find evidence to support the White House's claims. As a result, he said, defectors "were just telling us what we wanted to hear."
Why would Saddam peddle such dangerous disinformation to the West, knowing that it could prompt an invasion? Michael Schrage answered this question long before the WMD trail went cold in a prescient piece titled, "No Weapons, No Matter. We Called Saddam's Bluff," and published three and a half months ago, in the Washington Post "Outlook" section. Schrage theorized that Saddam kept his nearby adversaries—the Kurds, Iranians, and Saudis—respectful of his "imperial ambitions" by signaling that he could and would strike them with VX or anthrax if they menaced him. At the same time, Saddam had to be careful not to oversignal unconventional warfare capabilities, lest he invite invasion by the United States, Israel, and Europe. This explains why his regime promised its foes a "sea of fire" and horrific defeat at the same time as it claimed to have shuttered its unconventional weapons programs. "To the very end of his brutal regime, Saddam Hussein behaved as if preserving WMD ambiguity and preserving his power were one and the same," Schrage writes.
What destroyed Saddam's policy of "strategic ambiguity" was 9/11. Inside the new context of jihadists flying jets into skyscrapers, the Bush administration could no longer tolerate Iraqi ambiguity. If Saddam really had such weapons, he could sell them to al-Qaida, who would have no compunctions about using them. Instead of erasing WMD ambiguity when pressured by the United States, Iraq dug in, hoping to bluff its way out of trouble at the 11th hour. The rest is military history.
No mainstream journalist bit harder on the Iraqi defectors' claims than Judith Miller. In the 18-month run-up to the war, Miller relied on their testimony again and again, as this earlier "Press Box" column documents. If the Iraqi defectors were indeed trafficking disinformation, they found a willing propagator of it in Miller and the New York Times. Although Miller salted her stories with disclaimers that the CIA and State Department tended to doubt many of the defectors, she and her editors continued to give prominence to their claims. Her closeness to Chalabi cannot be denied. As reported by the Washington Post's Howard Kurtz, Miller e-mailed New York Times Baghdad bureau chief John Burns on May 1 stating, "I've been covering Chalabi for about 10 years, and have done most of the stories about him for our paper. … He has provided most of the front page exclusives on WMD to our paper."
Did Miller's extreme closeness to her sources blind her? A brief review of the defectors' yet-to-be-proved claims in Miller's stories:
Adnan Ihsan Saeed al-Haideri, an Iraqi civil engineer, told Miller that he'd done repair work on nuclear, chemical, and biological weapons facilities (Dec. 20, 2001). With Times colleague Michael R. Gordon, Miller reported the pseudonymous Ahmed al-Shemri's allegations about Saddam's ongoing chemical weapons program (Sept. 8, 2002). Nuclear weapons maker Khidhir Hamza told Miller Iraq was two to three years from producing the centrifuges needed to enrich uranium into weapons-grade quality (Sept. 18, 2002). Miller gave sympathetic treatment to complaints by Pentagon adviser Richard N. Perle and Ahmad Chalabi that the CIA and State Department were unnecessarily hostile to the Iraqi National Congress and Iraqidefectors (Oct. 2, 2002). Citing numerous anonymous U.S. officials, Miller aired the allegations of an "unnamed informant" who said a deceased Russian scientist by the name of Nelja N. Maltseva might have given Iraq a virulent strain of smallpox (Dec. 3, 2002). Miller reported Wolfowitz's ongoing enthusiasm for the Iraqidefectors (Jan. 24, 2003).
The detailed WMD information provided by Miller's defectors proved ultimately worthless. The Los Angeles Times does not name any discredited Iraqi defectors but discounts the bona fides of three: Drogin notes that U.S. intelligence has dismissed one defector as a fraud, and the information offered by two others bore no fruit. Let's hope Drogin files a follow-up soon.
Just because no unconventional weapons have been found in Iraq doesn't mean that Iraq didn't have a WMD program or stockpiles of gases and germs. Likewise, the fact that Iraqi defectors might have been hawking disinformation to the U.S. government and media doesn't in any way disprove Iraqi aims or capabilities on the WMD front. Indeed, if there was a disinformation campaign, a thorough investigation of it may produce clues pointing to Iraqi's hidden program.
If U.S. intelligence agencies fear that Saddam duped them with Iraqi defectors and have commenced a complete review of the defectors and their claims, what's keeping the New York Times from doing the same? Remember, Times reporting gave credence to the defectors' allegations and helped build the case for war. If the defectors' revelations were news when Miller reported them, surely they qualify as news if the government now believes they were disinformation. How about putting Times national security reporter James Risen on the story?
Disinformation only to pressbox@hotmail.com: Your name and comments may be used in future columns unless you stipulate otherwise.


We try to keep learning going strong over our summers here in our little corner of the world. Both of our girls love to explore places they have yet to visit--and learn more about traditions and local cultures. We recently had the opportunity to read and review the children's book, Queen Vernita Visits Gator Country by Dawn Menge. Since the girls have not yet visited Louisiana and "Gator Country"--we thought it would be a fun review. Our youngest daughter, Madelyn, will be sharing her thoughts of Queen Vernita Visits Gator Country in this review as well today.
We received a complimentary copy of this book for use in our review. All opinions are our own.
Summary of Queen Vernita Visits Gator Country by Dawn Menge. Queen Vernita Visits Gator Country, the latest installment of Dawn Menge's award-winning adventure book series, finds the title character on the road once again – this time in the Deep South--where she learns about the area's storied past, jazz trditions, plantations and the bayou. Vernita has many friends, not only in her kingdom, but all over the world. In Queen Vernita Visits Gator Country, these friends invite her on a year-long journey through the American South. She spends a month with each friend, and each teaches her something about the rich culture, music, food and history of this part of our country. Beginning on the first of January, Vernita arrives in Gator Country, where her friend Neomi introduces her to the world of jazz. She marvels at this vibrant blend of African and European music. Then she sails down the Mississippi (and learns how to spell Mississippi!) and spends February on a paddleboat with her dear friend Sidney. From Joaquim, Vernita learns of the many forms of life inhabiting the bayou – from plants to crawfish to catfish. The adventure takes Vernita to the domain of the gators– and she even holds a baby gator in her hands.
A Mom's Review of Queen Vernita Visits Gator Country by Dawn Menge. This book is loaded with facts and details about the area's culture. As Queen Vernita explores Bayou Country with her friends, readers receive a lot of information about the culture of "Gator Country". While Vernita visits each area for a month, the text of the book details only seven days of each visit. I found myself caught up in that little detail during every section; but, my daughters didn't seem to notice or mind the timeframe details. The author provides a lot of facts, figures and information about the areas the Queen tours--so it is a very educational look at the region. It certainly offers a great starting point for more exploration of the region--or as a quick look for the kids before a family trip.
What did Madelyn (our youngest) think of Queen Vernit Visits Gator Country by Dawn Menge? Queen Vernita Visits Gator Country is a book about a queen who takes a lot of adventures. In this book, Queen Vernita visits her friends who have different cultures. This story is fiction, but it has a lot of historical facts in it. The facts are the reasons I like the book. I rate this book pre-school (if read with a parent or teacher) to fourth grade, but if you are over fourth grade I bet you would like it if you love historical facts. It was a good book to learn from, but I got a little bored in some sections because there was a lot of information.
Would we recommend Queen Vernita Visits Gator Country by Dawn Menge? Madelyn and I agreed that some children may find the book a little too fact-filled--and more of a book geared toward learning than toward entertaining. While Madelyn (who just finished second grade) felt that younger children would like it--I think it's certainly best suited toward older elementary/early middle school ages. We think Queen Vernita Visits Gator Country by Dawn Menge does a wonderful job informing readers about the region--and would certainly help families prepare and excite the kids for a visit to "Gator Country". I would recommend it as an educational book or as an aid for students studying or preparing to visit the area. Madelyn and I both agree that kids who love history and geography--or love to travel--may find the book more entertaining than those who do not. We did enjoy this book from the series--and would certainly read Queen Vernita's other adventures.
About the Author: Dawn Menge is the author of the Queen Vernita educational series. Her series has won 19 literary awards. Queen Vernita's adventures include: Queen Vernita's Visitors, Queen Vernita Visits the Blue Ice Mountains, Queen Vernita Meets Sir HeathyBean, and Queen Vernita Explores the Oceaneer's Coastline.


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Q: Module cannot be found when using "pythonw" (instead of "python") to run an application I tried this minimal example:
from flask import Flask
app = Flask(__name__)

@app.route('/')
def hello_world():
    return 'Hello World!'

if __name__ == '__main__':
    app.run(debug = True)

When I try python hello.py, everything goes well. However, when I try to run it from Textmate (Shift + Cmd + R) an error is thrown:
Traceback (most recent call last):
  File "/Users/user/EventFeed/hello.py", line 1, in <module>
    from flask import Flask
ImportError: No module named flask

Textmate calls pythonw instead of python. When I try pythonw myself the same error is thrown.
The man pythonw states that As of Python 2.5, python and pythonw are interchangeable though they appear not to be in this case.
Would you have an idea of what happens?
(Question Code that works with python and not with pythonw does not answer the question despite its similar title.)

A: The problem is that your pythonw and your python are not pointing at the same Python installations.
Why?
Most likely because you've installed a second Python 2.7 that doesn't include the obsolete pythonw, but Apple's pre-installed Python 2.7 definitely does include it.
The quickest way to check this is the which command. For example, on one of my machines:
$ which python
/usr/local/bin/python
$ which pythonw
/usr/bin/pythonw

That first one is a symlink to a Homebrew install of Python 2.7, while the second is Apple's Python 2.7. Your exact details may differ; the first one may be a symlink to /Library/Frameworks/Python.framework/Versions/2.7/bin/python, or a wrapper executable that actually lives in /usr/local/bin, or it may be in /opt/local, etc. The point is that they're not in the same directories.
At any rate, your two separate installations of Python don't share the same site-packages (and they shouldn't), so the fact that you've installed Flask for the second one doesn't help the Apple one. You can verify this by running them and printing out sys.path:
$ python
>>> import sys
>>> sys.path
['', '/usr/local/lib/python2.7/site-packages', …]
>>> ^D
$ pythonw
>>> import sys
>>> sys.path
['', '/Library/Python/2.7/site-packages', …]
>>> ^D

Anyway, the simplest solution is to configure your editor to run python instead of pythonw—or, better, give it an absolute path to a Python interpreter like /usr/local/bin/python2.7 to make absolutely sure you know what you're running.
(I don't know TextMate very well, but from this source it looks like it has a setting named TM_PYTHON that should control this…)

redpajama_set_name: RedPajamaStackExchange


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How To Write A Stand
OrenLiles87504559492 조회 수:241
Stand-up comedy is one of the most popular forms of live theater in existence. As a bonus, I'm going to share with you the Secrets of Promotion, which I learned through my years in advertising, following my stand-up career. It's hard Get paid to laugh gauge the length of your set because you don't know how much people are going to laugh. This concept applies to comedians who are employing old school joke writing techniques as well as those using the more powerful topic driven stand-up strategies.
Frank Fay gained acclaim as a " master of ceremonies " at New York's Palace Theater Vaudevillian Charlie Case (also spelled Charley Case) is often credited with the first form of stand-up comedy, performing humorous monologues without props or costumes.
As such, with your unique, comical attitude, any setup is funny simply by virtue of being in your repertoire. Even the heckles are scripted: Good comedians make you feel like they're effortlessly ad-libbing. The fourth of our stand up comedy tips to improve your performance is to be more emotional.
While I'm not a comedian myself, I've been a fan of comedians and their process for a long time, and I think there are three lessons that anyone can learn from them about public speaking. I ask students to study the work of the comedians they adore, because people have different tastes.
Comedians often use callbacks to generate humor. For many stand-up comedians, their stage time is limited. The majority of the work happens behind the scenes, where comedians sweat and struggle over the task of actually generating, refining, and polishing their material.
When I got off stage after reading my truly horrifying entries, I felt exhilarated, and the producer asked if I'd ever done stand-up comedy. Figure out what is funny and write about it. Everyone in the world has a story, the only problem is, most people fail to translate their story into a masterpiece.
Instead, veteran comedians endure a heckler's interruptions until it is clear that the audience is also annoyed, at which point the comedian shuts down the heckler with the audience's implicit approval. If you're a comic and you're not following @GaryGulman on here, you're missing out on invaluable comedy tips.
Get paid to laugh, funny videos American, 이 게시물을
3 How To Break Into Stand Up Comedy Marlene24H28752394 2020.07.09
» How To Write A Stand OrenLiles87504559492 2020.07.09
1 One Year Of Stand Up Comedy KarlMadgwick25417223 2020.07.09