text:
title: présentation
permalink: presentation/
published: true
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#### Isabelle Levrat

## Consultante et formatrice dans la gestion de stress

*Bonjour à vous et bienvenue sur mon site.*

Je m'appelle Isabelle Levrat, et je suis formée à différentes techniques appartenant à la *psychologie énergétique*, telles que la *réflexologie*, *le brossage des méridiens*, les outils de la *PNL* ou *Programmation Neuro-Linguistique* et de *l'hypnose ericksonienne*, et à *l'EFT–TBT*. Je suis également formatrice dans la gestion du stress.

Vous pouvez découvrir mon parcours plus en détail sur [ma page de présentation](mon-parcours/).

Pour [une consultation individuelle](qu-est-ce-que-l-eft/), pour créer un groupe en EFT-TBT sur un thème précis, ou pour tout renseignement, il vous suffit de m'envoyer un message à l'adresse suivante : [eft.tbt@gmail.com](mailto:eft.tbt@gmail.com).

{: .align-right .margin-right-70 }
*Isabelle*

{: .small .margin-top-70 }
*Si vous suivez un traitement médicamenteux, seul votre médecin est compétent pour le modifier ou l'arrêter et ceci, même si vous constatez une nette amélioration de votre état.*


text:
Meagan Fitzgerald
Pride Flag Vandalized Outside SE DC Home
Published July 2, 2019 • Updated on July 2, 2019 at 8:23 pm
A man tore a pride flag off a Southeast D.C. home, broke its pole against a fence and hurled it to the ground in an incident caught on surveillance video.
The man yelled homophobic slurs throughout the crime on Independence Avenue.
One of the residents of the home, Betty Rhoades, said she and her husband flew the pride flag to show support for a community that's often faced violent discrimination, both in the D.C. area and around the world.
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"To hear him be so disgusted and to have such a violent verbal reaction to the flag … it was really discouraging," Rhoades said.
While Rhoades said she was — and is — upset by finding the broken flag pole lying on the ground outside her home when she returned Tuesday morning, she won't let the man's criminal actions stop her or her husband from showing their support.
"Absolutely, we'll fly it again," Rhoades said.
"This is just for anybody walking by to know this is a house where you are safe and supported, and we are trying to fight for you and everybody else to be equal."

redpajama_set_name: RedPajamaCommonCrawl


text:
EspyRock The best for music recommendations and rock news!
Sonisphere UK 2011 Interview: Glamour Of The Kill – Davey Richmond and Chris Gomerson
Glamour Of The Kill crashed into the York music scene in early 2007 from the wreckage of other recently disbanded local acts. Davey Richmond (lead vocal/bass), Chris Gomerson (guitar/vocals), and Mike Kingswood (lead guitar/vocals) had all been playing music together throughout their time at school and then added Ben Thomson (drums/vocals) into the mix to create the line-up you see before you today.
Touring relentlessly in support of their EPs 'Through The Dark They March' and 'Glamour Of The Kill', the band were propelled into support slots with bands such as Bullet For My Valentine, Darkest Hour and Avenged Sevenfold as well as opening the main stage at the 2008 Download Festival.
Creating a name for themselves on large UK tours as well as major festivals, the band released their debut album 'The Summoning' in January 2011 and recently at their second appearance at Sonisphere I had the chance to catch up with bassist and lead vocalist Davey Richmond and guitarist and vocalist Chris Gomerson.
Read on as the band talk about their debut album, taking part in the Sonisphere secret shows as well as performing to cancer patients at Leeds hospital. Also the band go on to talk about their brand new album which will be released next year.
Be sure to follow the band on Facebook and Twitter and listening to a select few tracks below from their ReverbNation page.
EspyRock: How are you guys?
Davey Richmond: Not bad man, just getting ready for our performance later on.
Chris Gomerson: Yeah great.
Are you looking forward to getting out there?
Davey Richmond: Can't wait. This is our second time doing the festival as we done it back in 2009 which was an amazing time.
Luckily you are in the tent as the rain is on and off.
Chris Gomerson: Yeah luckily. I'll be try so that makes me happy anyway [laughs].
Are you hoping to catch anyone while you are here?
Chris Gomerson: We're doing a lot of press today so unfortunately we'll miss Megadeth which we're really gutted about. We've saw Metallica before and it would be good to see Anthrax but I'm not a massive Slayer fan. Megadeth is the big one that I'm gutted about.
Davey Richmond: Same for me really. I am really looking forward to seeing Metallica tonight though.
You brought out your debut album ['The Summoning'] in January so how has the response been to it?
Davey Richmond: Absolutely amazing. Everywhere we go people are singing all the songs back at us and it just gives you such an amazing feeling knowing you wrote those songs.
It was through your own label Afflicted Music that you released it wasn't it?
Chris Gomerson: Yeah.
Chris Gomerson (c) Marianne Harris
What made you end up setting up the label to release it? Was it just a case of control or did you not receive the offer that you hoped for?
Chris Gomerson: In the beginning we had some label interest and the offers were coming in but nowadays because of the credit crunch and then all the shit with illegal downloading it is hard to get any money of it. The record labels really want to grind your balls against the ground so we just said 'fuck you, we don't need to sell out ourselves to grow when we know how to do it ourselves'. We had the power to do it ourselves so we just said fuck it, let's do it our way.
Now that you done it that way without the financial backing, do you think if someone came along with the right offer would you change or do you think you know the ropes just to handle it from here on out?
Chris Gomerson: The thing is that it wasn't as if it was the only way, it was just what was right for us at the time. If a label came along now and it was right and it works then we would look at it but at that specific time and place, that was what was right for us. I'm not sure what will happen in the future.
It was around three years from the EP, which I know you have mentioned that you wish it had been less, so was that down to learning the business side of the industry to help you move in the direction you wanted?
Chris Gomerson: Kind of yeah but it was also time for us make sure we toured as much as we could have so that when we released the album it wasn't just being released to a few people that had heard of us and our work wasn't just being wasted. We wanted to tour as much as possible on that EP to really get our name out there and have a platform to do it to. We felt that touring was helping us build our act into something more professional and that was more important to us than just throwing an album out there and saying three Hail Marys.
As you were building the band live was that something that you really focussed on when writing the album in terms of how the material would sound in a live environment and how people would perceive it?
Davey Richmond: Definitely. We always think about crowd participation when writing and consider parts that would really have the crowd singing along to but at the same time we write what feels best for us. We're not just going to write for someone else or to a specific environment; we'll write what comes from our hearts.
Chris Gomerson: I think the lucky thing for us is that all four of us can sing so when we write stuff we don't have to write it and think 'oh shit, there are too many harmonies at that point so we'll need to tone it down in the studio because we won't be able to do it live' because we can. Pretty much if we write it and it sounds good then it will be going on the album and if it doesn't then it won't, simple as that really.
Talking about live shows, you did have a big UK tour at the beginning of the year in support of the material so how did it feel to finally have that new material and be touring on the back of your debut album?
Davey Richmond: It was really cool. We had done a big run like that last year so we knew what to expect on that type of tour and it was really well attended, in fact I think all the dates sold out. It was just so busy and like I said before everyone was singing the words back to us. It's just nice to tour as love doing it and our music is so much better live than it is on the CD because like Chris said we can all sing, so everything that is on the record we can do live. That's why we love playing live because you see so many bands who can't take what they have done on an album live and we can do it all for our fans.
Chris Gomerson: I think one of the best things for us as well is that we have a legion of fucking really loyal fans who are just crazy and we love them to pieces because they will go to the end of the earth for you. A Glamour Of The Kill fan is so much better than any other fan because any other fan might just say 'oh Glamour Of The Kill's album is cool' but a true Glamour Of The Kill fan will want to go and tell all of their friends how good the album is and do everything they can do. The really loyal fans always go as insane as they can do and there is no pretentious fans at a Glamour Of The Kill gig, everyone just gets fucking in there, gets sweaty and gets involved. It is such an electric feeling at our shows and we want to do that as much as we can.
Plus you did go that extra little bit to thank them on that tour as you did the special acoustic shows and the signing sessions to meet them all personally so you were giving them something special.
Davey Richmond: Definitely because they were literally the gap between you and me right now so it was just really nice to be that close and personal with them. It gave fans the opportunity to see us doing something different because usually it is just loud screaming and it was nice to covert those songs from the album into acoustic songs which, I don't know, probably gave us the opportunity to show people that we can sing and that we're talented [laughs]. There are no room for mistakes when you are doing it acoustic because sometimes there are bits and bobs you get wrong at a normal show but when it's acoustic everyone can hear it. So yeah it was nice to be able to show people that here is the album but this is what we can also do and this is what we're able to do live.
There were quite a number of comments after those shows from fans wanting an acoustic EP or album.
Chris Gomerson: Oh yeah.
Davey Richmond: Yeah there quite a few.
Glamour Of The Kill
Is that something you might consider for the future then because now you know it works when you convert the songs?
Davey Richmond: It might be something we do in the future but we definitely may do something like that on an album again because there are already a few songs which we have which are more acoustic and soft. It's just nice to be able to do something like that.
Chris Gomerson: With us I think we love all the kind of aspects of music in such a way that I wouldn't ever rule anything out for us. I wouldn't, and I'm not saying it is going to be, but I wouldn't rule out the next album being a fucking acappella barber shop album [laughs]. We love what we do and we will carry on doing it for as long as we possibly can.
Could you see the next album showcasing a lot more experimentation, not to the point of barber shop acappella, but possibly crossing different genres so that the album is heavily mixed in style?
Chris Gomerson: We're always trying new ideas and trying to push the boundaries of our musical talent and musical inspiration and as long as we keep doing that then it will always keep what we do interesting for us. We'll always keep pushing it as far as we can do. You never know what the outcome will be at the end of the day and like I said, if it sounds good then it will go on the album.
As that album received such a great response and you have established the live part of your set, are you already thinking about new material to make the most of the current publicity and high the band is on?
Davey Richmond: Yeah definitely we're writing all of the time and we're going into the studio next week to record some demos of new songs because when we get together the creativity is just on another level. We're just writing songs all of the time and we have so many ideas; mine and Chris's phone are just filled with different ideas. We have a few songs that we want to record to show our new management in order to show them were we want to go with this new album and already it sounds a major step up from the vocal melodies to the guitars, really just everything. We just wait to get this touring cycle out of the way so we can get back into the studio and record album number two.
Are you focussed on getting it released next year then?
Chris Gomerson: Yeah next year.
Davey Richmond: Yeah definitely next year with that album.
That sounds great for next year then, especially if you feel it is such a step up.
Davey Richmond: It really is and these demoes will really help us work out the direction for the album.
On that note of publicity, one of the major coups for the band was being featured in 'Dirt 3' with 'Feeling Alive' which really raised your profile at the time considering it has the opportunity to go out to gamers worldwide. Is that something that excited you being picked if you are gamers or are you not hugely involved in games?
Chris Gomerson: We do like games and stuff but we don't get much time to play them because we are so busy. I think the major downtime that we have, we still have an acoustic guitar in our hands and we still try to write some music. Me and Davey are constantly ringing each other at stupid hours in the morning when we're meant to be sleeping to just say 'you know that thing we did today, what about this' and while we should try to switch off and relax a little at home we can't, we are workaholics.
Davey Richmond: I think if anyone in the band is a gamer than it is Mike [Kingswood]. He literally loves Zelda [laughs] he is playing it all the time [laughs].
Chris Gomerson: Don't let the massive muscles fool you [laughs].
Davey Richmond: He loves all the gaming stuff and is a bit of an inner geek.
Feeling Alive
Coming back to Sonisphere, you did some of the secret shows leading up to the festival. Did you at all feel nervous because fans were commenting online thinking that they might get treated to a headliner at a show with someone like Biffy Clyro or maybe someone like Slayer coming on stage?
Chris Gomerson: [Laughs] Or Metallica or something yeah [laughs].
Davey Richmond: [Laughs] It was really funny wasn't it.
Chris Gomerson: Yeah, they were really relaxed and there wasn't really any pressure because of that. No-one had a clue who it was going to be so when you looked out into the crowd you could look at people and tell 'you're not a regular Glamour Of The Kill fan' but everyone embraced it and there were no dickheads in the crowd who were wanting us to get off or anything like that, everyone was just into it. We seemed to have the legion of fans that come everywhere with us who still seem to find out that it was us playing somehow [laughs]. But yeah it was really cool and everyone was sound as fuck.
Part of that also, as it was for the Teenage Cancer Trust, you visited the Young Adult Unit in Leeds was it?
What was that like as an experience for you?
Chris Gomerson: To be honest, we were really worried at first because the instant thing that comes to your head when someone asks you to do something like that is 'yeah that would be great, we would love to do it' but then when you sit down as a band before you go in, we don't have experience of anyone in our families suffering with cancer or anything severe, we kind of looked at each other thinking 'what do we say?' What do you say to someone who has just finished a course of chemotherapy?
Davey Richmond: It was sort of crazy wasn't it.
Chris Gomerson: Yeah. When we got in and I'm not going to lie, for the first five to ten minutes when we went in there, the pressure was just crazy. There was one, well we did a few acoustic tracks for the people in there and stuff but there was this girl who was actually having a course of chemotherapy while we were playing to her.
Davey Richmond: We didn't even know.
Chris Gomerson: We had no idea because everyone was just really chilled out. All the people who work there were just such nice people and I've been to hospitals before and met a lot of nurses who are nice people but I don't know, the people on this ward just seemed to be on another level of chilled out and nice and were really fun to talk to.
It must have felt good when they wanted to perform songs with you so it didn't just feel like they were forced to sit and listen to you. They actually enjoyed the fact you came by and wanted to spend some time with them.
Davey Richmond: Yeah they already had instruments in there so they all just got in a circle and passed the guitar around and they each sang a song with us. One guy picked up an acoustic [guitar] and sang a song and oh my god, it was just amazing, literally all the hairs on the back of my neck stood up, it was incredible. Just to see these people who have had something so bad happen to them but they remain so positive and to show was what they did, it was incredible.
Davey Richmond (c) Marianne Harris
It really is moments like that you start to feel a true appreciation for were you are in life and especially for people like yourself as musicians, that is a big moment which can inspire you more than anything else in your life.
Chris Gomerson: No question about that.
Davey Richmond: Definitely.
Chris Gomerson: We take inspiration when we write for songs from everything that goes on around us whether it has been a girl we have fucked on a night out to something really bad that has happened to us. We never write along one line. I don't how bands can do a concept album and just write about one thing for a whole album.
Davey Richmond: Maybe when we're over thirty and off our heads on acid we might do a concept album [laughs] but right now we'll just sing about the first thing that comes to our heads.
The question I'm asking all of the bands across the weekend to wrap up the interviews is that if you could go in time to when you first started as a band, what one piece of advice would you give yourself?
Chris Gomerson: Don't listen to anybody in the music industry.
That was quick fire answer.
Chris Gomerson: [Laughs] Everyone speaks fucking bullshit.
Davey Richmond: I'd say take everything with a pinch of salt as you get lied to left, right and centre. I mean you have probably lied to us in this interview [laughs].
Chris Gomerson: Are you even an interviewer, who the fuck are you!? [laughs]
Davey Richmond: Just take everything with a pinch of salt. You see bands when they sell out their hometown venue then they think they are massive and they've made it but they haven't. They can sell out their hometown show but then go to London and there may only be ten people there. I think that's sort of what we were like when we first started out, you have to put in the hard work and earn it.
Hometown shows are always the easiest I suppose, you bring your whole family, they bring their friends and by the end of it you have no-one who is likely interested in what you're doing but just dragged along through a friend of a friend of a friend.
Chris Gomerson: Yeah that is what it is like with all your old friends and shit just turning up, coming to talk to you and you're like 'do I know you?' [laughs].
Davey Richmond: It is easy to fill a two hundred capped venue with four good families.
Chris Gomerson: For us, we just realised that we had to get our heads down and now here we are.
Thank you guys for your time, best of luck later tonight.
Davey Richmond: Thank you man.
Chris Gomerson: Thanks man, appreciate it.
About ??
Michael is the owner and creator of EspyRock. He is your general all round geek; sports fan; TV show fanatic. You can find him sharing his thoughts on his personal Twitter account. Contact Michael on Twitter or via Email.
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Trivium stream new album In Waves in full
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I'm thankful for each and every one of you, so here is a freebie for all of you.
They are all the same size and shape but I wanted the preview to show you how you can stretch to alter them a bit.
YEAH! Oh my goodness! I won! Thank you so much!
Argyle Christmas tree! SUPER CUTE!!!
I love these! Can't wait to use them!
Thank you for the cute trees! You are always so generous, thank you for sharing your creativity so often!
Yay! I loooove these 🙂 Can't wait to use them!


DVDs by Master Photographer Steve Bedell!
Steve has just released a new video on Window Light Photography that also includes his "Forgotten Generation" series of the elderly that has been featured in two major photo magazines! click here.
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Brand New! Natural Light Portraiture 2010!


text:
Q: Debugging React/Flask connection with SyntaxError: Unexpected token < in JSON at position 0 I'm following https://blog.miguelgrinberg.com/post/how-to-create-a-react--flask-project attempting to connect a simple Flask backend with ReactJS after using npx create-react-app and adding a single flask file.
package.json
I've set up a proxy at "proxy": "http://localhost:5000" with a new script command of yarn start-backend.
  "scripts": {
    "start": "react-scripts start",
    "start-backend": "cd app && python3 app.py",
    "build": "react-scripts build",
    "test": "react-scripts test",
    "eject": "react-scripts eject"
  },

nav.js
I've set up a Button using MaterialUI that calls a function to log a JSON response.
class Nav extends React.Component {

    clicked() {
        fetch('/').then(res => {
            console.log(res.json());
        }).then(data => {
            console.log(data);
        })
    }

    render() {
        return (
            <Box sx={{ flexGrow: 1}}>
                <AppBar position="static">
                    <Toolbar>
                        <SignUpForm onClick={() => this.clicked()} />
                    </Toolbar>
                </AppBar>
            </Box>
        )
    }
}

In the top level directory I've created a directory called app that has an app.py file with the following code.
from flask import Flask

app = Flask(__name__)

@app.route("/")
def home():
    return {"msg": "homepage from the backend."}

if __name__ == "__main__":
    app.run(port=5000, debug=True)

When I use yarn start and yarn start-backend and click the button, I get the error below
Promise {<pending>}
nav.js:14 undefined
VM1769:1 Uncaught (in promise) SyntaxError: Unexpected token < in JSON at position 0

Attempting to debug, but I'm unfortunately not getting anywhere. There's related questions but nothing seems to work. I've tried moving the flask file to the top level directory, to public, using http://localhost:5000/.

A: fetch('/', {
     headers : {
          'Content-Type': 'application/json',
          'Accept': 'application/json'
         }
}).then(res => {
            console.log(res.json());
        }).then(data => {
            console.log(data);
        })

A: Ok, so being new to JavaScript/ReactJS it seems like I was missing two things

*

*I didn't have a return for the Promise which seems odd in that I thought you didn't have to return things

and

*Changing the path from / to /api/test seems to work.

I'll have to dig further to understand but for now it resolves my issue.
Here's the code that's changed
    clicked() {
        fetch('/api/test')
            .then(res => {return res.json()} )
            .then(
                data => {
                    console.log(data)
            })
    }

and

@app.route("/api/test")
def home():
    return {"msg": "homepage from the backend."}

redpajama_set_name: RedPajamaStackExchange


text:
Galerie Colbert je pasáž v Paříži ve 2. obvodu. Vstupy do pasáže se nacházejí na ulici Rue des Petits-Champs v domě č. 6 a na Rue Vivienne č. 4. Pasáž končí jako slepá ulice.

Historie
Galerie Colbert byla vytvořena v roce 1826 jako konkurence pro sousední Galerie Vivienne, ale nikdy nezískala takový věhlas jako ona. Vznikla na místě bývalého paláce, jehož majitelem byl ministr financí Colbert, po němž také nese své jméno. Uprostřed pasáže se nachází prosklený oválný prostor o průměru 15 m nazývaný rotunda. V 70. letech 20. století musela být pasáž kvůli špatnému technickému stavu uzavřena. Dům s pasáží koupila sousedící Francouzská národní knihovna. Pasáž byla v 80. letech renovována a opět otevřena pro veřejnost. Po přesídlení knihovny do 13. obvodu budovu převzaly Institut national d'histoire de l'art (Národní ústav dějin umění) a Institut national du patrimoine (Národní ústav kulturního dědictví).

Reference

Externí odkazy

  Pasáž na stránkách města Paříže

  Záznam v evidenci historických památek

Colbert
Colbert
Historické památky v 2. obvodu (Paříž)

redpajama_set_name: RedPajamaWikipedia


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Francis Antetokounmpo is a Greek basketball player who is widely known as the eldest brother of basketball superstar Giannis Antetokounmpo, also one of the world's most popular sportsmen. He is credited for his role as the celebrity brother of NBA's Giannis Antetokounmpo. Born on 20th October 1988, he was raised in his hometown Athens, Greece. His family belongs to the Nigerian ethnicity.
From an unnoticed influencer into a budding celebrity brother, Francis has appeared with Giannis at several important matches and events. While being currently one of the world's most fleetingly followed celebrity family members, he is also a football player and part-time singer who released his first official single, "Shekosi," in 2020.
With the information collected from Wikipedia, IMDb and Forbes, you will find everything you need to know about 0, including his Biography, Wiki, Age, Siblings, Parents, Family Background, Professional Career, Income Source, Net Worth, Salary, Lifestyle, Height, Weight, Body Measurements, Spouse, Social Media (i.e Facebook, Instagram, Twitter, TikTok) & Facts.
Francis Antetokounmpo was born as the son of Nigerian dad Charles Antetokounmpo, an architect, and mom Veronica Antetokounmpo, a housewife. He is survived by his four younger brothers Thanasis Antetokounmpo, Giannis Antetokounmpo, Kostas Antetokounmpo, and Alex Antetokounmpo. Originally from Nigeria, his parents left their firstborn son Francis under the care of his grandparents. Probably, he was raised by his grandparents and personally gained confidence from them. Following the birth of his younger siblings, he reunited with the family years later.
The high school and college he attended are not known. However, his life of stardom has come with many struggles that are relatable to many teens and young adults. Throughout his career, he has had some setbacks but managed to bounce back. Since he had a strong interest in sports and also music at a young age, his passion for these two industries is what differentiates him from his other brothers, who majorly play basketball.
Regarding his family background, Francis is of Greek-Nigerian descent.
Francis always prefers to keep his personal life away from the spotlight. Fans wonder if he ever dated someone in his dating life. Even if he did, he never publicly mentioned it to his fans. However, there are indications that he might date someone sooner or later.
Who is Francis Antetokounmpo Dating Now?
Francis Antetokounmpo is currently happy living a single life and not dating anyone now.
Next Read: Meet Giannis Antetokounmpo's Girlfriend Mariah Riddlesprigger
Francis made a kickoff to his career debut as a semi-professional basketball player for Filathlitikos, a small local club based in Lagos
He also competed in the club senior men's team in Greece's semi-pro level of 3rd tier league
Besides, he also played soccer for several Greek and Nigerian clubs like AE Sparti and Aititos Spaton but left Aittitos Spaton in June 2019. He played as a midfielder in both AE Sparti and Aititos Spaton
He was also featured professionally as a midfielder for a Greek pro club in Greece's 2nd tier. He officially put an end to his sports career in late 2019
Since then, he has been enjoying his career as a musician. He released his debut single "Shekosi", which has hit millions of views on YouTube
His other singles "Jump On It," "Obago featuring Obi Iross," and "That Ting featuring King Kanja" are pretty famous in Greece and Nigeria
According to his date of birth, Francis Antetokounmpo is 33 years old. His zodiac sign is Libra.
With great body measurements, he currently weighs 76 kilograms or 168 pounds, and he stands tall at the height of approximately 6 feet and 2 inches or 196 centimeters. Since the black-haired and brown-eyed star is conscious of living a healthy lifestyle, he enjoys a strong vegan diet. He has usually been one to shy away from bold footwear moments but his shoe size is 11 (US).
With an athletic physique and style, he looks out of this world.
Since he has been recognized as one of the world's most renowned celebrity brothers, Francis has probably made millions of dollars. It is surprising to know that he earns most of his income from his sports career and music. He already boasts about all the money he's got. According to Forbes, Francis Antetokounmpo has an estimated net worth of approximately $6 million. And if that's not enough, he also lets us know about his multiple income streams. So, you can probably bet his net worth only gets higher every year.
Full Name Francis "Olowu Ofili Adetokunbo" Antetokounmpo
Date of Birth (DOB) 20th October 1988
Profession Basketball Player, Singer
Hometown Lagos, Nigeria
Nationality Nigerian
Ethnicity Greek-Nigerian
Known As Giannis Antetokounmpo's Brother
Birth Place Athens, Greece
Father Charles Antetokounmpo
Mother Veronica Antetokounmpo
Brothers Thanasis Antetokounmpo, Giannis Antetokounmpo, Kostas Antetokounmpo, Alex Antetokounmpo
Sisters None
Half-Siblings None
Income Source Sports & Music
Net Worth in 2023 To Be Estimated
Wife None
Grandchildren None
Social Media: Active
Instagram Profile Available (Click)
Celebrities • Models
Meet Heidi Klum's Daughter Helene Boshoven Samuel: Age, Net Worth, Height, Weight, Husband, Family and More


Hamlet could NEVER make his mind up about ANYTHING. And one time he actually went to school in just his pants and got sent home because he couldn't decide what to wear.
When Izzy (star of The Spy Who Loved School Dinners) is asked to tell her friends some HILARIOUS and SCARY stories she knows exactly where to look: Shakespeare, the king of SUPER dramatic stuff.
After learning about Macbeth (a STRONG solider who ate four bowls of porridge and twenty pieces of toast every morning) her friends want more. So Hamlet, A Midsummer Night's Dream, and Romeo and Juliet all get the Izzy treatment. There's blood and guts, ghosty stuff, and plenty of people wandering around in their nighties. The perfect introduction to the Bard!
Izzy's version of Macbeth originally appeared on the BBC Radio series 'Shakespeare Retold', read by actress Shirley Henderson (who played Moaning Myrtle in the Harry Potter films!).


The responsibility of the MSU Pesticide Education Program is to provide pesticide education materials and information to trainers, applicators, regulators, extension staff, and researchers.
Recognize and understand the potential impacts of pesticide use, including impacts on human health, non-target organisms, and the environment.
Pesticide Education Program develops many resources for a wide audience, including manuals, bulletins, brochures, posters, slide sets, and a bimonthly newsletter for Extension and Department of Ag staff.
Food Quality Protection Act issues and education.
Teach ENT 477, Pesticides in Management Systems.
Also serves as the Field Crops Entomologist at MSU.
Entomology, Food Quality Protection Act, Insect vectored diseases, IPM.
Oversee Pesticide Safety Educaton Program.
Develop and revise Pesticide Applicator Training manuals and maintain inventory.
Assist MDA with certification exams and programs.
Organize and assist Pesticide Education-related programs.


Are you a writer who's ready to start the writing journey to self-published author?
Do you dream of being a self-published author and long to see your titles on Amazon being purchased by people around the world?
If you're like many authors I know, there could be a myriad of reasons.
You don't think your writing is good enough.
You don't have money to start a business.
You wonder whether this is a viable career option with which to support your family and you can't afford to waste your time or fritter away your kid's college fund.
If you've had any of those feelings, you're in the right place.
I can help you! I've been there.
First of all, fear is healthy, IF you don't let it consume you (everything in moderation, you know). Fear can push you to be better as long as you always focus on your WHY. The reason you want to do this in the first place.
You CAN work through the fear and accomplish all you desire!
You ARE good enough. Only the voices in your head are telling you different. Now I want you to say that a hundred times a day until YOU believe it. Don't stand in your own way!
I can help you with the process of writing to self-publishing.
I can give you direction, tell you where to start, and keep you from making all the stupid rookie mistakes I made over the last 10 years.
You and I, we've got this covered.
When you want something bad enough, you can figure out how to make it work.
And YES. You CAN support your family with your writing. It's not easy, and you might not make millions but you can make a living.
Although, the industry has seen a slight decline in indie book sales (here is a good site to follow for this kind of information) they still make up a large share of the market. Upwards of 35%. That's nothing to sneeze at.
Amazon alone sells over a million ebook titles a day. If you believe in the law of abundance, as I do, that statistic shows there is more than enough to go around.
But self-publishing is not an easy road and the first few times down it can be daunting. Hell, I've been down the road 20 times, and it can still be nerve-racking.
That's why I've created the course The Writers Journey!
To walk you through the beginning steps of taking your book from the idea stage and getting it into readers hands so you understand the process.
To offer my support to you along this amazing journey of yours.
So you can realize your dream and live your dream life.
I am thrilled to take my background as a college professor and instructional designer and combine those skills with my experience as a self-published author and design a learning community focused on helping YOU publish your book.
The Writers Journey course covers many topics and includes video lessons, worksheets, tutorials, mastermind calls, and a private Facebook Group just to name some of the great benefits of joining.
What it takes to be an author – being in it for the long haul, the entrepreneur mindset, handling criticism.
Writing to Trend – finding out what's selling, what your audience wants, and how that fits into your desired genre.
The importance of a good cover – we've all heard the cliche, "judging a book by its cover" well people do. Purchase decisions are often made by the feelings invoked upon seeing your book cover. It's got to be good.
How to self-edit and find the right editor for your book – editing can make or break you. It's costly and time-consuming but so important.
The basics of formatting – epub, mobi, pdf, all platforms have their own guidelines. Knowing what's required and where you want to publish (hint: everywhere) is crucial to your plan and overall success.
How to create your author platform – it's not enough to write a fantastic book. You MUST market. Connect with readers, let them get to know you, build a following of people just dying for your next book to come out.
Why wait – sign up now and start your journey to making a living as an author!
So why wait to start your publishing journey? Gain an understanding of the process and plot out your writing life!


It's about time to clean our outdoor furniture! We occasionally have a day that's nice enough to sit outside, so you don't want to miss the opportunity because your furniture is too grimy to sit on. Ready?
♦ Before getting the furniture wet, thoroughly brush off dust, dirt, leaves, and cobwebs. Brush removable cushions, too, and set aside.
♦ Wicker: For natural, unpainted wicker, clean with an oil-based soap meant for wood mixed with warm water. You can also mix up your own soap: 1/4 cup ammonia, 2 tablespoons vinegar, and 1 quart warm water. Use a scrub brush like Speed Cleaning™'s Tile Brush and rinse the brush often, then hose the furniture down. When it's completely dry, you can rub the wicker down with a little olive oil on a cloth to prevent drying out and splintering.
For painted and synthetic wicker, wash down with warm water mixed with a few drops of dish soap. Use a sponge or cloth on painted wicker so you don't damage the paint. You can use a brush on synthetic wicker, which will help get into the grooves.
♦ Wood: You can use the solutions mentioned above, but be careful when scrubbing with a brush as softer woods like cedar may actually mar. Brush in the direction of the wood grain, or just use a sponge or cloth. Teak is a very dense, hard wood, so a light scrubbing should be fine.
♦ Metal: A solution of warm water and dish soap should do the trick, followed by a good rinse with the hose. Use a sturdy, smooth Speed Cleaning™ Premium Cotton Cleaning Cloth (not terry) to avoid shredding and leaving lint. Keep an eye out for rust spots, which are important to sand down and cover with paint sooner rather than later.
♦ Plastic: If warm water and dish soap don't cut through the grime, step it up with ¼ cup of dishwasher detergent (it has a little more cleaning power than dish soap) mixed in a gallon of warm water. Wash down the furniture with a soft cloth or sponge and then rinse. Another great product to use on plastic as well as fiberglass is the Speed Cleaning™ Fiberglass Cleaner. You can't use abrasives on plastics and fiberglass without dulling the shine, but this cleaner cuts through grime (and soap scum in the bathroom!) without harming the finish.
Before you know it, you'll be planting flowers, and in some parts of the country, you already are! This is a great time to give outdoor furniture a good cleaning. Hello, spring!


Canonical has announced the launch of its very first Ubuntu-based smartphone, but for those who remember the promise of the Ubuntu Edge its mid-range specifications may disappoint.
Surprising everyone with just how accurate the rumour-mill has been over the last few months, Canonical announced its partnership with Spanish mobile giant Bq to launch the Aquaris E4.5 Ubuntu Edition handset next week. Based on the existing Aquaris E4.5 Android-based hardware, the Ubuntu Edition varies little in its specifications: a MediaTek quad-core 1.3GHz processor is paired with 1GB of RAM and 8GB of storage - micro-SD expandable - behind a distinctly entry-level 540x960 qHD IPS display. Compared to the promised specifications of the Ubuntu Edge, which failed to reach its impressively sky-high crowdfunding goal last year, the Aquaris can hardly fail to disappoint.
While the hardware is nothing special, it's the software Canonical wants buyers to concentrate on. Based on its Ubuntu 15.04 Linux distribution, Ubuntu for Phones brings with it a new user experience the company claims is revolutionary: scopes. Described by the company as 'a new UI paradigm,' scopes are designed to deliver content from various applications directly to categorised home screens - meaning video content from various applications appears on the video screen, music content on the music screen, and so on, regardless of the vendors of each individual application.
Sadly, one of the biggest features of the Ubuntu Edge promise has not made it to launch. During a press briefing, Cristian admitted to us that the Bq Aquaris E4.5 Ubuntu Edition will not support connection to external displays and keyboards for use as a desktop-class device, a major selling point of the Ubuntu Edge concept, but claimed that Canonical was still very much investigating the possibility with a view to bringing such convergence to future device launches.
Bq is to launch the Aquaris E4.5 Ubuntu Edition on Monday as part of a 'flash-sale' programme which will see the handset made available in small quantities over the coming weeks as production ramps up. Pricing has yet to be formally confirmed, with Bq's Rodrigo del Prado stating that it will be within €10 of the Android version's €169.95 price SIM-free. Initially, the device will be exclusive to Europe with international launch plans yet to be announced.


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Ex Parte Communications
Author: Johannes Maule
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text:
Coenzymes, Cofactors and Catalysis
29th Steenbock Symposium - May 29, 2003 to Jun 01, 2003
Perry Frey
The symposium topic was chosen to celebrate the lifetime achievements of Professor Perry Frey. Prof. Frey currently holds the Robert H. Abeles chair in Biochemistry at the University of Wisconsin, and has been a co-director of the world renowned "Institute for Enzyme Research" over the last two decades.
In 1999, Prof. Frey's research endeavors earned him election to the National Academy of Sciences. Among his many contributions to the understanding of enzymatic reactions, Professor Frey was one of the pioneers in the field of the radical-mediated enzyme reactions. He was the first to characterize the mechanism of action of coenzyme B12 in collaboration with the late Robert Abeles, and is the current leader in the study of enzymes that use S-adenosylmethionine to carry out coenzyme B12-like catalysis. In addition to the study of many radical mediated enzyme reactions, Professor Frey has made tremendous contributions to the understanding of phosphoryl transfer reactions as well as the enzymology of carbohydrate metabolism and peptide bond hydrolysis.
29th Steenbock
29th Abstract Book [PDF]


1. The normal case of parallel electrical operation. This is achieved by means of physical separation of the two return current paths.
3. Another special case where the return current paths for both power supplies are electrically coupled together. Electrically-powered trains suitable for either system can use the track at any time.
At the time of writing, there is only one example of the last-mentioned special case, in the station at Birkenwerder near Berlin. It is planned to introduce electric operation of main-line trains here in the autumn of 1983.
In this station the tracks of the Berlin S-Bahn line to Oranienburg with 750 VDC electric power also form part of the hitherto un-electrified Birkenerder - Hohen Neuendorf West - Falkenhagen main line. Practical constraints require the stations' only platform to be used by both electrically-powered S-Bahn services and the rakes of coaches hauled by diesel locos that run as (classified as S-Bahn, too) to Falkenhagen or Albrechtshof. A glance at the timetable shows that the shuttle service to and from Falkenhagen (formerly consisting of a set of four double-deck coaches and a DR type 110 loco) runs every hour. As a rule this train arrives five minutes before the electrical S-Bahn train calls at the same platform, and leaves again four minutes after the electrical S-Bahn train has departed.
Despite the enormous effort made to achieve a low-restance path for the return current though the track network of the Berlin S-Bahn - you need only recall the copper bonds used to bridge the joints between rails - a similarly high part of the current from the DC line flows through the AC line's power circuit (running rails - motive power - cables - substation).
The basis of this coupled operation is shown in the diagram of tracks 6, 8, 16, 14 and 4 below. The power supply to the main-line track is fed through twin impedance bonds and pairs of insulating fishplates provide separation. No technical changes are made to the equipment for the DC system. The overhead catenary is fed through a 1:1 transformer rated at 1250 kVA. The transformers for this special arrangement were produced by modifying transformers originally intended for [Schuppenspannungsprülanlagen] operation. The installation has two transformers, one of which is in reserve for the other. This equipment then belonged to the future switching centre at Hohen Neuendorf. The power to the area equipped for both electrification systems was fed by an open-air line.
If the track network and overhead catenary of this area was not electrically separated from the adjacent sections of line with AC electrification, the DC return current would cause unwanted pre-magnetisation of the transformer in the AC motive power. Furthermore, it was found in practice that this phenomenon had an impact on the performance of motive powoer operating with 15 kV (16 2/3 Hz). As well as the galvanic separation of the overhead catenary and group of tracks 4,6,8, 14 and 16 from the rest of the AC electrified network by means of impedance units and insulating fishplates, a transformer is therefore needed. It connects the catenary above the tracks of this group to the rest of the network electrified with AC, and thus to the nearest feeder station, without allowing current from the DC system to pass. In other words, it acts as a barrier to DC power.
by Detlef Scheibe, taken from "Modelleisenbahner, 2/1983"


For a sad many, it seems that website design, information architecture and conversions go into this bucket – yet some of the most important elements of UX design seem to always be missing.
Ever thought about web content (copywriting + visual content + navigation / IA), SEO or social media when you think of UX?
You should … they are some of the key factors influencing your online conversion rate.
Think of your website as a hub, and your digital channels the spokes.
Each page and every channel linked to it will fail at best if the site isn't prepared for the traffic they bring to it. And to prove this is true, here's a list of 23 digital design tactics I hope your site isn't missing.
They matter A LOT. Typically, the headline gets more views on home pages than imagery (or any other page element). And you have less than 1 second to capture the user's attention with it.
So, be effective with the headline – make it count.
The anchor text and visual calls to action on your side need to stand out from the other colors in your brand identity – a color that contrasts with your site's primary colors is often choice #1 for which color to use on website buttons, anchor text, banners, etc.
Find a color that stands out completely from your base and accent colors. This is known as your website's action color.
Nearly every UX design or digital media pro that I've met will swear by this one, but here are a few ways you can optimize whitespace settings to help get the most of your site content.
These are also key aspects of a killer landing page design – if the users keep reading, be ready to convert into customers.
If you think arrows are "too pushy" for your UX or digital design efforts…so is your asking for a paycheck next week.
So use arrows, icons and other cues for a noticeable boost in your online conversions and digitally-driven revenue in 2014.
Noted in many eyetracking and other usability studies, the headline and intro paragraph are critical to bounce rate and conversion rate. So if you win the first two, how to make sure there's an easy path to the finish line?
Start off long, with short bullets in the body of the post or landing page? TEST.
Your turn…what in the above list do you think is the easiest tip to challenge, and why is that? Let us know in the comments.
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Coming from my notice, shopping for electronic products online can for sure be expensive, although there are some tricks and tips that you can use to obtain the best bargains. There are constantly ways to come across discount offers that could help to make one to ge thet best consumer electronics products at the cheapest prices. Great blog post.
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Appreciating the time and energy you put into your website and in depth information you present. It's good to come across a blog every once in a while that isn't the same out of date rehashed information. Wonderful read! I've bookmarked your site and I'm including your RSS feeds to my Google account.
good content as you did, the net might be much more helpful than ever before.
"Headlines should tempt the user to click or read more" is a great tip.It should be followed closely by, make sure you deliver on the promise of your headline. I can't tell you how crazy it makes me when a headline says one thing and I click on it only to get something completely different or little to nothing about the promised subject matter.
Thanks for commenting, Allison. The keep-your-promise rule, while often thought of as a typical PPC mistake between ad copy and landing page, very much applies to website copy as well.


This department is responsible for land use amendments, zoning, site reviews, rezoning and historic preservation for all areas of the City outside of the Downtown boundary. Visit the City of Jacksonville Planning and Development Department.
This department issues permits for all residential and commercial construction within the City of Jacksonville and code enforcement. Visit the City of Jacksonville Building Inspection Division.
The City of Jacksonville Local Business Tax is levied annually by the Tax Collector for businesses operating within the City of Jacksonville. Visit the City of Jacksonville Local Business Tax website.


If you can't afford a real fireplace at home, this virtual computer-hosted alternative may work for you.
3D Fireplace Screensaver makes use of those periods of time when you're away from the computer, displaying a warm, romantic fireplace right on your screen. The screensaver includes the typical crackling sounds of burning wood, but unfortunately they soon get too repetitive so the illusion of realism is ruined.
The screensaver includes only one type of fireplace but you can download more models from the program's website, although I personally find all of them too similar. They may change in design, that's true; but both the flames and sound effects are exactly the same.
3D Fireplace is an original screensaver but it's definitely not the same as the real thing.
Listen to the realistic sounds of a crackling fire and burning wood, and enjoy the romantic atmosphere this wonderful screensaver brings. Choose from our gallery of fireplaces and change the look of your fireplace anytime you want.
What do you think about 3D Fireplace Screensaver? Do you recommend it? Why?


Among the contentious open source projects that Oracle inherited from Sun was the Hudson continuous integration server.
The Hudson project was forked into the Jenkins CI project, which has continued to go its own path. Oracle hasn't given up on Hudson though and has moved the project to the Eclipse Foundation to keep the project, open and alive.


Note : the verses (intro+verse) are just Am for 4 beats Em for 2 beats G for 2 beats.
it's a very simple song.
they might not work with a capo.
but the to play along the recording , just jam with no capo, Have fun.
Nadir Leghrib - 3Ami Moqran :: indexed at Ultimate Guitar.
Show us your talent, perform 3Ami Moqran!
Here you can post a video of you playing the 3Ami Moqran, so your fellow guitarists will be able to see you and rate you.


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Horizon Power is using a helicopter to transport crew members to Warmun Community to assess the state of the electricity network after flooding overnight.
Horizon Power will need to wait until flood levels recede further to take any action to prepare to reconnect the electricity feeders concerned.
Horizon Power will also mobilise additional line crews and electrical contractors in order to minimise the power disruption and reconnect properties as quickly as possible.
For the safety of the community, all properties will be inspected prior to connection. Any property that is inundated with flood water or does not comply with WA Electrical Requirements cannot be reconnected until faults are rectified, the property is inspected by a qualified electrical contractor and an authorised electricity safety test sheet is issued.
Horizon Power thanks the community for its patience and understanding while it works to restore power supplies.
Please stay away from any fallen powerlines or damaged electrical infrastructure and report any power failures to Horizon Power on 13 23 51.
For further information contact Horizon Power on 1800 267 926.


Sell or Buy: What's a Midsize C-store Retailer to Do?
NATIONAL REPORT — Although the past year saw the disappearance of multiple midsize chains in the convenience store industry — think Holiday Stationstores, Western Refining, E-Z Mart, Roadrunner Markets, PDQ Food Stores and Honey Farms — many remain. As rampant consolidation in the industry continues, this beckons the question: What's a midsize retailer to do?
Step one is to have a professional assessment (network rationalization process) done on the chain and each site within the chain, including facility, financial, operational and competitive considerations, says Mark Radosevich, president of PetroActive Real Estate Services LLC. This should result in a strategic plan that illustrates various actions, such as a sale, investment or divestment.
"You need to know where you are (current state) before you know where you are going (desired state), and most small to midsize operators don't really have a clue," he said.
Petroleum Capital & Real Estate LLC Managing Director John C. Flippen Jr. agrees that operators need to take stock of their current situation. He suggests they consider the following questions: Who are my current competitors? Do I have a strategic advantage? How can I increase that advantage? What is my long-term strategy for the business? How do I increase my competitive advantage through growth?
"If your competitive advantage is eroding away, then you should look to sell," said Flippen.
Mergers and acquisitions expert Terry Monroe advises those without any succession plan to sell for the retirement cash, but he thinks those that do have a solid succession plan and an ability to keep the business growing should do so. And for those in the latter camp, he has two key pieces of advice.
"They should constantly be culling through their list of stores and selling or leasing the weak stores that do not have a lot of upside to them, and taking the money and investing it in making their good stores great," he said as his first recommendation. "Don't hang onto stores that are underperforming, but instead build on the good stores."
His second recommendation: Keep growing by building or acquiring additional stores.
"The convenience store business is a great business and is going to be around for a long time. And if you have a good location, you are going to have a profitable business for a long time, but you have to grow," Monroe said. "Too many times, I see the family getting bigger and more people trying to live out of a certain number of stores without building or acquiring additional stores. The cash flow starts to get tight and before long, they have themselves in a jam."
Van Tarver, president of the Van Tarver Group and chairman of GreenPrint Corp., advises midsize operators — and really c-store operators of all sizes — to take a hard look at what their goals are; what do they want to accomplish? Then, secondly, he says they should ask: What is the value to me of selling? What is the value to me of acquiring stores?
The industry as a whole also needs to address the problem of "secondary locations," Tarver said, which he describes as small properties that don't have the space available to make the improvements necessary to succeed in today's convenience retailing industry, where competition is getting better and the consumer is getting more and expecting more.
"There's secondary locations in the big companies, midsize companies, and small companies," he said. "You have to ask: Am I going to relocate, reposition or dispose of these sites?"
After addressing secondary locations, Tarver said another crucial piece of the puzzle is to make sure your business model is keeping pace with today's customers, and change it if it doesn't. "Build around product, programs and infrastructure based on customer data," he stated.
He foresees the following business model changes increasing in the industry: home delivery, click-and-collect, scan-bag-go programs, meal kits, and services like lockers.
"Be very disciplined about your investment of capital. Invest in programs that deliver the best returns. Don't get emotionally attached to programs that are not performing," Tarver stressed. "You need to be where the customer is going, and they're changing faster than ever. … And remember, some midsize chains have the best programs in this industry."


A contract for exclusive sale of goods with promise of best efforts with a minimum base salary and 10 percent commissions for every $100 worth of goods sold. The salesman is a minor who quits because he's homesick and broke. He returns and works a few days. Minor wants his commissions for all days leading up to the most current. Employer refuses, saying he gave up his rights to commissions by quitting. Is he entitled to his commissions for his partial performance of the contract? Or under any equitable remedies?
Hypo isn't entirely clear. Did he work before he quit?
Last edited by m311 on Tue Dec 01, 2009 12:33 am, edited 2 times in total.
m311 wrote: Hypo isn't entirely clear. Did he work before he quit?
Last edited by m311 on Tue Dec 01, 2009 2:37 am, edited 2 times in total.
m311 wrote: Employee did technically probably materially breach the overall contract if he quit before something like the halfway point.
Disregarding everything else you posted--what?
Bad grammar yes, but what do you find confusing about that?
I believe when there's only a quantity term (quality not an issue) the general rule is that material breach = not doing half.
I'm way too lazy to argue, but your analysis seems like a conclusory argument, rather than using conclusive evidence to guide your conclusion. It could just be a difference in the way we respond to exam questions--I don't think the issues you pointed to are the most relevant or dispositive to the issue(s). I know it's rude not to offer my thoughts on what I think are the most relevant, but its been a long day.
2) standing unilateral offer to pay $10, accepted each time employee sells $100 worth of goods.
Either can terminate it at their will without breaching. At-will employment contract. Employee terminates it when he quits. When he returns he implicitly offers the same deal, and employer implicitly agrees. Employer then terminates the second contract and breaches both contracts by refusing to pay the commission. Employee can sue for 10% of all his sales (rounded down to the nearest hundred), and salary for all days worked. He did not breach, so nothing is subtracted from that amount.
It was not an at-will employment contract. Default rule is that contracts for wage earners are divisible into periods determined by statute or custom unless there was an agreement between the parties otherwise.
Salary part of the contract not divisible. There, if employee materially breached (I think by not doing at least half of the time period contracted for), employer has no salary-paying duties at all under the contract. Employee can only sue under quasi-contract for restitution damages, less damages employer suffered due to employee's breach (for his first period of work). However the sales and commissions probably would be deemed divisible from the contract. The employer's value of each $100 sold does roughly correspond to $10 regardless of whether the overall contract was performed. So employee recovers his expectation interest for those.
For the second period of work, the court may find either that no time was specified, so the analysis for the at-will employment contract in my first paragraph applies, or that the date the first contract was to end was implied, in which case employer anticipatorily breached by clearly refusing to pay a basic part of the agreement. Employee must then stop working to not incur avoidable damages, and can immediately cancel the contract and sue for expectation damages.
Essentially you have a series of smaller contracts (let's say weekly). For each week employee substantially performed, employer has a duty to pay salary. When employee quit, he may or may not have materially breached that week's mini-contract, excusing employer's salary-paying duties for that week. But for each week he did substantially perform, employer has a duty to pay expected interest for salary. Commissions still divisible and always recoverable.
When employee returns and works for a few days here, he probably materially breached the second contract since a few days is less than a week (if that's the time period the court finds most appropriate).
Implies employer suffered damages if ever and whenever the employee breached, which are recoverable only as a subtraction of the damages employee tries to collect because only the employee, as an infant, can bring suit.
*We didn't cover UCC so there may be something in that contradicting me.
**Hypo pretty vague so lots of other lines of analysis you can branch off into- like whether the infant affirmatively misled employer into thinking his was at the age of majority.
Learning Hand wrote: A contract for exclusive sale of goods with promise of best efforts with a minimum base salary and 10 percent commissions for every $100 worth of goods sold. The salesman is a minor who quits because he's homesick and broke. He returns and works a few days. Minor wants his commissions for all days leading up to the most current. Employer refuses, saying he gave up his rights to commissions by quitting. Is he entitled to his commissions for his partial performance of the contract? Or under any equitable remedies?
Bored from studying and looking through past, long-dead posts to offer my pointless $.02.... but I see another issue in this frustratingly vague hypo. Even without the issue of the divisibility of the contract, the employer, in allowing the minor to come back and work, may have very much screwed himself. In allowing the minor to return to work, his acceptance of continued performance may have acted as either a) a nullification of the minor's repudiation if his quitting is construed as such or b) a promise to continue performance despite the non-occurrence of a condition on which that performance became due, or both.
If Employer is refusing to pay when that payment is due (i.e. a pay day) the minor may now have a claim for total breach. Any claim the employer had left would only be for damages in partial breach.
Therefor, eleventy-bazillion contracts are formed. It is impossible for it to be 1 bilateral K for employment with two modes of payment.


We find ourselves back in Japan after leaving one year ago. Almost like something out of the TV series LOST. A lot of unique and supernatural events have brought us back with a new perspective and purpose.
There have been some interesting revelations and a lot of challenges over the past year but we look forward with hope.
Right before coming to Japan I had an opportunity to share about this message of hope with a Japanese man.
Jesus' call to believe in Him instills a new hope in us. This is hope of a new life, hope for a future beyond death even, and for everything we need to accomplish the task He has set for us.
It is the hope for the new world that God will establish in the era to come that we fix our eyes upon. The prize of heaven as the apostle Paul called it.
And it is a prize worth seeking, it is worth the confusion and suffering that we go through. Where God is, there is LIFE and it is never ending.
Jesus came to save souls and give them life eternally. His primary objective was not to die for our sins but to give us life, abundant and everlasting. The cross of Christ and His sacrifice is the great cost. Jesus is excited about you growing in your faith through your trials. He is overjoyed at the idea of being with you in heaven, sharing His gift of everlasting life with you.
To see this man in such desperation of heart to pray without any coaching the simple sinner's prayer brought tears to my eyes.
I told him, "Today is a new day, you are reborn when you repent and turn to Him, the one who can save. Today you encountered the God of Hope"
So it is a new day for Japan and a new day for me. Everyday we need His grace, everyday sinner and saint. Though the Japanese may not bow at the name of Jesus, God is patient and long suffering wanting for many to turn and call upon Him like that man I met did.
We are back to this island because there is work to do and because God has a plan and purpose for many. And that plan is to give them new life and new hope for the age to come. Thank God who works in mysterious ways and redeems all things into His glorious plan. We look forward to many more tales to come from the land of the Rising Son.


The easy-to-use, large capacity Cuisinart Custom 14™ food processor speeds up all your cooking, from quick weeknight meals to weekend celebrations. Includes 14 cup work bowl, work bowl cover with extra large feed tube, large pusher and sleeve assembly, small feed tube and pusher, stainless steel standard slicing disc (4mm), medium shredding disc, stainless steel chopping/mixing blade and dough blade, detachable disc stem, spatula, how-to video and instruction/recipe book. Full 5-year motor warranty. Limited 3-year warranty on entire unit.
The Cuisinart® Original food processor in brushed metal is a classic! Its 7-cup capacity and versatile assortment of blades and discs make food prep tasks a snap. The xxtra large feed tube and pusher and sleeve assembly handle whole fruits and vegetables with ease. Includes 7-cup work bowl, stainless steel medium slicing disc (4 mm), stainless steel shredding disc, chopping/mixing blade, dough blade, small and large pushers, detachable disc stem, spatula, and instruction/recipe book. Full 5-year motor warranty. Limited 3-year warranty on entire unit.
From the Cuisinart® Pro Custom 11™ Food Processor's exclusive cover with large feed tube and unique compact chopping/kneading cover, to its industrial quality motor, this powerhouse is built for convenience and many years of use. Includes 11-cup work bowl, stainless steel thin slicing disc (2 mm), medium slicing disc (4 mm), stainless steel shredding disc, chopping/mixing blade, dough blade, small and large pushers, detachable disc stem, spatula, how-to video, and instruction/recipe book. Full 5-year motor warranty. Limited 3-year warranty on entire unit.
Cuisinart Food Processor has an eight cup capacity.


I cannot get enough of these talented motherfuckers!
via The Dead Weather – Blue Blood Blues Lyrics.
Everything keeps spiraling back around and connecting.
And I cannot escape Ladytron's Ghosts (Modwheelmoood Remix), nor the Ghost of the one who brought the song to me.
Made you a Prince with a Thousand Enemies.
You will be Drinking Alone.
full text PDF GET THE AUDIOBOOK.


Plants 15--25 cm tall. Bulb 2--3 cm × 5--8 mm. Basal leaves 3--9, narrowly strap-shaped, usually shorter than stem, 1.5--3 mm wide; cauline leaves several, 1--2.5 cm × 1--2 mm. Inflorescence 1--4-flowered; bracts 5--9 mm. Tepals yellow, purplish green veined, generally villous or rarely slightly hairy at or near base adaxially; outer tepals suboblong, 1.4--1.8 cm × 4--6 mm; inner ones obovate-elliptic, 1.4--1.8 cm × 6--8 mm. Stamens ca. 1/2 as long as tepals; filaments densely villous except apically. Ovary ovoid, 3--4 mm. Style 4--10 mm; stigma slightly 3-lobed. Fl. Jul--Aug.
Rocky slopes, grasslands; 2700--3900 m. Yunnan [Myanmar].


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Ongoing Groups & Ministries
Indy Vineyard Prayer
Nancy has had a heart for worship and friendship with the Father from a young age. Growing up in the Vineyard, she carries an authority that is a result of a history cultivating her life's song to the Lord. She values family and being deeply rooted above most things, and is known for her depth and joy – both on and off stage. With a degree from Anderson University in Music Business and years of experience leading worship in a wide range of environments, she is excited to partner with the Holy Spirit to help propel the church family into the next season of vibrance and life in the presence of God. Nancy and her husband, Logan have been playing music together for as long as they've known each other and are proud to have been investing in the church and worship team together for years.
Indy Vineyard Church
8383 Craig Street, Suite 185 Indianapolis, IN 46250
317.841.3510 - office@indyvineyard.org


These carrot cake muffins are a delicious treat, perfect for an Easter breakfast or anytime you have extra carrots you'd like to use up! And with the cream cheese filling, you can't go wrong.
The first time I made these muffins, we lived in North Carolina.
The morning was cold, but clear, and a friend and her two little boys came over for a playdate.
There had been some snow warnings, so after she headed out, Bart fed the girls lunch while I ran to the grocery store to do my weekly shopping.
As I was checking out, it started to snow. Hard.
We lived just a few blocks from the grocery store (like. . . two blocks), so I had no trouble getting home, but within an hour everything was coated (you can see a photo of the view from my office windows that day). By early evening, our entire street was just one blanket of white.
Duke was closed on both Thursday and Friday, and the snow just kept coming down.
People were abandoning their cars in the middle of the road (it took my friend more than two hours to get home – usually a 30 minute drive), and we ended up staying home until Saturday, when the sun came out and the snow started melting quickly.
It was Valentine's Day weekend, but since basically the whole city was shut down, we didn't even attempt to go out.
Obviously, on such a snow weekend, you bake.
And I made these carrot cake muffins I've been meaning to make for some two years, because I'm nothing if not prompt.
It was so peaceful baking during quiet time and nap time, and even all these years later, I still remember that afternoon so fondly.
And these carrot cake muffins? A highlight of that weekend.
I already enjoy carrot anything and filled with sweetened cream cheese?
Sign me up for the next snow day (except don't).
Preheat the oven to 400 degrees. Line muffin tins with paper liners or grease. Set aside.
In a small bowl, whisk together the cream cheese, granulated sugar, and vanilla extract until smooth. Set aside.
In the bowl of a stand mixer, beat the eggs, water, oil, and vanilla together until smooth. Add the flour, both sugars, baking powder, soda, spices, and salt, and stir until just barely combined. Quickly fold in the carrots and coconut.
Fill the muffin tins 1/3 full with batter, then divide the cream cheese filling between the muffins cups (try to keep it from touching the sides of the muffin tins. Then put an additional scoop of batter on top of the filling to cover the cream cheese. Tins should be about 3/4s full.
Sprinkle with coarse sugar and bake for 22-25 minutes, until the tops are browned and spring back when you press gently on the top.
Let cool for about 20 minutes before serving.
Oooohhh yummm!!!! I totally agree…when you're snowed in, you bake!
Isn't it insane how fast the snow came down?! I still can't get over it.
Whoa nelly. These look so, so good! I made (tried to make) carrot cake sandwich cookies with cream cheese filling a few weeks ago, and they were such a disappointment. So my craving for carrot cake has gone unsatisfied (travesty!!!). I might just make these today!
Thanks for sharing. I was looking for a "different flavour " cupcake recipe other than my usual vanilla or chocolate staple ones.
They look delish. Will let you know how they turn out.
Oh, these look so yummy. I've never made anything with coconut oil–just bought some, so these will be a great recipe to start with. Thanks for sharing!
This sounds so over the top wonderful !!! My question is on the amount of carrots? available in so many sizes, so using 4 could be a lot or very little Can't wait to make these!
oh good question. You're aiming for around 1 cup.
These inside out muffins look so tasty. I do love a good muffin and carrot cake is my favourite so win win. I might try them this weekend.
Made these yesterday! They were a hit with everyone at my house, thanks!
How do these freeze? Having a big party and these look yummy!!


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Q: Proof of semicontinuity Given Definition:
Function $f$ on metric space $M$ is called lower semicontinuous if, for each real $a$ the set $\{x \in M: f(x) \leq a\}$ is closed in $M$.
Question:
Prove that $f$ is lower semicontinuous if and only if $f(x)\leq \liminf\limits_{n\rightarrow \infty} f(x_n)$ whenever $x_n\to x$ in $M$.
Hint Given:
For the forward implication, suppose that $x_n\to x$ and $m = \liminf\limits_{n\rightarrow \infty} f(x_n) \lt \infty$.
Then, for every $e>0$, the set $\{t \in M: f(t) \leq m + \epsilon \}$ is closed and contains infinitely many $x_n$.

This is from a Real Analysis book I am trying to read.
I would really like to share my work on this, but I do not seem to understand how to even begin with the proof, using only the definition given.

A: Suppose that $x_n$ converges to $x$. Let $\epsilon>0$, then the set $G_\epsilon=\{y\in M:\, f(y)>f(x)-\epsilon\}$ is open in $M$. Since, $x_n$ converges to $x$ there is an $m$ such that $x_n\in G_\epsilon$ for every $n\geq m$. In other words,
$$f(x_n)>f(x)-\epsilon$$
for every $n\geq m$. This implies that $\liminf_{n}f(x_n)\geq f(x)-\epsilon$. As $\epsilon>0$ was arbitrary we have $\liminf_nf(x_n)\geq f(x)$. For the converse, suppose that whenever $x_n\to x$ we have $\liminf_{n}f(x_n)\geq f(x)$. We wish to show that the set $$F_\alpha=\{x\in M:\, f(x)\leq \alpha\}$$ is closed in $M$. We will show that the complement $$M\setminus F_\alpha=\{x\in M:\, f(x)>\alpha\}$$ is open. Pick $x\in M\setminus F_\alpha$, then $f(x)>\alpha$. If there is no $\rho>0$ such that the ball centered at $x$ with radius $\rho>0$ belongs to $M\setminus F_\alpha$ then we would be able to find a sequence $x_n\in F_\alpha$ such that $x_n\to x$. Then, since $x_n\in F_\alpha$ means that $f(x_n)\leq \alpha $ for all $n$, which implies $\liminf_n f(x_n)\leq \alpha$, contradicting our hypothesis $\liminf_n f(x_n)\geq f(x)>\alpha$. Hence, there is a $\rho>0$ such that the ball centered at $x$ with radius $\rho$ is contained on $M\setminus F_\alpha$. This means, that $M\setminus F_\alpha$ is open, hence $F_\alpha$ is closed as we wanted.


OPTIfarm uses farm data and CCTV to monitor your livestock 24/7. As well as increased farm performance – achieved by improving margins via better FCR or growth – you'll have the peace of mind that a specialist team is always looking, even when you can't.
To qualify for 7 days FREE, you must have an up-to-date control system (SCOV, Fancom, Hotraco, Big Dutchman, Roxell etc) with the relevant sensors for climate and consumption connected via a PC on site. If you don't have a PC on site, get in touch and our friendly team will see whether there's an alternative means of getting you set up.
No, this monitoring service is not limited to UK farms. We currently work with farms in Peru, Canada, Portugal, Italy, Australia and the Netherlands so wherever you are, we can help!
As a result of the 7 days, you'll have a better idea of how OPTIfarm can help support your farm and which service provides the best fit.


We don't mean it lightly when we say the F43's quality and workmanship is as good as it gets, we welcome you to compare the F43 with any of the below models, you will clearly see it is unbeatable in terms of overall features, benefits, quality and value for money.
Designed for stability, speed and unmatched wave cutting via the deep keeled bow the F43 is an exceptional trekking kayak that excels quickly in flat water. It can quickly trek to your favourite waterhole and is stable enough for stand-up fishing in shallow waters. The hull is decked out with a massive range of features to meet all the needs of a serious fisherman.
The F43 hatch is now reversible giving you double the functionality, it is attached to the deck with a heavy duty marine steel swivel hinge that will do the hard work trip after trip.
Top side: Water bottle holder and small bungee area for small tools as knife, pliers etc.
Bottom side: 3 x Rotatable rod holder fittings plus additional brass attachment points. It also features an enclosed area for a depth sounder battery pack.
The massive centre hatch is easily accessible when on deck and benefits from the reversible hinged cover that securely fits with a rubber seal.
It comes with an additional mount point inside for electronics or any other gadget you might choose to add. The hatch itself provides for ample storage space with its wide and deep sides.
One word: Innovation! The new ultra-comfortable & dry high position alloy framed seat gives you everything you love from a top of a range kayak plus the added benefit of being your trolley as well.
The wheels of the trolley come off easily and can be securely stowed in the rear bungee storage area in a dedicated area specially made for them.
Forward & aft deck lines are fitted on both sides giving you an almost 360-degree deck line surround. Enough to fit whatever you may have to make your trip better.
Each F43 comes fitted with 2 extra durable flush mounted rod holders and well as a 360-degree up and down telescopic rod holder with up to 5 different mount points on the boat.
Integrated central beverage holder to securely fit a large water bottle to keep you hydrated while out of the water.
Open hull space with large oval access both forward and aft allows for safe storage of fishing rods, camping gear, PFD's, dry bags, etc. A great way to keep your gear safe when traveling and generous volume allows you to pack enough gear for expedition paddling.
Nope you won't find any nylon on the foot rudder system, the new f40 runs with an upgraded cable driven system which is more robust and proven to stand the test of time.
There are molded-in inserts located throughout the F43 y in locations that are convenient for use and optimal for GoPro footage or fishing accessories.


When I am trying to share as Web Map after configuration the properties, the Analyze is not getting activated.
Hover over the disabled buttons and a screen tip will appear. It will indicate why the buttons are disabled.


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Q: Docker folders creation and Kubernetes Volume I have a docker image that creates few folders and extract files into it like below
RUN mkdir -p /home/myapp/myappv4 \
             /home/myapp/myappv4/files \
             /home/myapp/myappv4/files/logs \
             /home/myapp/myappv4/myappentries
WORKDIR /home/myapp
RUN chown -R myapp:myapp /home/myapp

ADD /myapp-v4-files/*.zip /home/myapp/myappv4/files/
ADD /myapp-v4-files/init.txt /home/myapp/myappv4/myappentries/
ADD /myapp-v4-files/pro.json /home/myapp/myappv4/myappentries/

These folders and files needs to be accessed by other containers in a pod in kubernetes. Should i create persistentvolume in kubernetes and have these locations in them and copy the content from this container to this volume? In that way they would not get deleted right?. Since i am new to kubernetes i am not sure on how to achieve this. Transition from docker container to kubernetes deployment seems to be a confusing part for me,any help on this would be appreciated.

A: If you want to share a set of directories between multiple containers in a single pod, using only EmptyDir volume will suffice. You don't need to use PersistentVolumes (unless you want persistence, meaning you want the data to survive pod restarts).
However note that adding a volume (a kubernetes construct) will overwrite the files already present in your container at the path where you are mounting the volume, kind of what happens with a layered filesystem that docker uses.
For your usecase, I think you can move the file fetching logic from the Dockerfile to a script that the pod will run, that will fix the above mentioned issue.
apiVersion: v1
kind: Pod
metadata:
  name: test-pd
spec:
  containers:
  - image: k8s.gcr.io/test-webserver
    name: test-container
    volumeMounts:
    - mountPath: /cache
      name: cache-volume
  - image: k8s.gcr.io/test-webserver
    name: test-container-2
    volumeMounts:
    - mountPath: /cache
      name: cache-volume
  volumes:
  - name: cache-volume
    emptyDir: {}

Read more about volumes here.


Situated 27km from Hoedspruit on the Guernsey road next to Klaserie Dam our resort is an ideal break-away for a magnificent bushveld experience. Being centrally located you are 40km from the Kruger National Park and a mere 10 minutes drive to some of the most well known big five lodges. Should you require the need for some real African game drives all will be arranged at the office for an additional charge.
We offer an experience for the whole family with specimen angling and a swimming pool. Small boats and canoes are available for hire for those of you who would like to roam the waters of the dam. Our local wildlife roams the resort so do not be surprised if you get an uninvited guest for lunch.
We supply you with the option of staying in one of our famous fully fitted tented camps or if you require the comfort of your home our chalets would be the ideal option. Camping and caravan sites along the banks of the dam are also a popular option. All camp sites are supplied with power outlets and your own personal braai with borehole water at each site.
Our chalets are fitted for your comfort with all bedding supplied. With a double bed and double bunk you can sleep four people comfortably.Kitchens are fully fitted from a fridge down to knives & forks, pots and a kettle for you to prepare your own bushveld meal. Each chalet has it's own private verandah and braai for you to relax and braai in true African style.
With your own verandah and braai area overlooking the dam this is the ideal place for a romantic sundowner. Kitchens are fully fitted for self catering needs with everything you would need to make your own african meal. Sleeping is a joy with a double bed as well as a double bunk to accommodate four people. Bathrooms are situated in close proximity for your convenience. All Safari tents are facing the dam and are the perfect choice for fishing.
Camping with your tent or caravan is a dream come true right next to the banks of the dam. With each site you have your own braai and power outlet and fresh borehole water. There are specimen angling or small boats to roam around the water in ensuring you enjoy your time with us. Bathrooms are situated in close proximity for your convenience.
All fish are CATCH & RELEASE. Carp are to be handled in the water with specimen landing net and un-hooking mat. The weighing of carp and photos will also be in the water. Specimen rigs are required for carp. A Un-hooking mat and landing net can be provided if you don't have your own.


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Q: Define error structure in a REST API What are the best practices for the structure of an error in a REST API? I know that I should use the codes in HTTP to describe it (REST API error return good practices), but a structure is always useful, and I found myself always using something like a type of error and a reason of the error (raise CanNotCreate('Because of this')).
What are the best practices to define the structure of an error message? Can you give an example of any particular API with a good error handling?

A: I usually indicate the 'type' in the Reason-Phrase of the response status (for example: 409 Cannot Create instead of the more typical 409 Conflict), because it's machine-parsable without having to parse media types like HTML, XML, or JSON. In general, the Reason-Phrase is enough for machine clients to do whatever is appropriate, particularly when a given resource might return the same code for slightly different reasons.
Then, in the response body, include more information for both programmers and end users in the same media type you use elsewhere; if the request had succeeded and returned 200 OK with JSON, for example, then return JSON with your error response. Doing otherwise really frustrates folks developing against your API.
Finally, if your media-type allows it, include hyperlinks if at all possible in the response that assist the client in navigating solutions to the problem.


Starting Thursday night, 9/8/16, BSE will be starting its first Biblical Hebrew 1 course. Sign up now!
The class will meet once a week on Thursday nights throughout the Fall.
Registration for this course is $150.
The intended follow up to this course is Biblical Hebrew 2, which we will be holding in the Spring. It too will cost $150.
After completing BH1 and BH2, students will be welcome to participate in a free weekly Hebrew reading group to keep practicing their skills.
The grammar for BH1 is can be found here.
For BH2 there will be two additional books. Students of BH1 are welcome to purchase those as soon as they like, but we won't be needing them until BH2. These include: the Brown-Driver-Briggs Hebrew English Lexicon and the Biblia Hebraica Stuttgartensia: A Reader's Edition.


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Kalamata (řecky Δήμος Καλαμάτας [2]) je okres (dim) v Řecku, v jižní části Peloponéského poloostrova na pobřeží Messénského zálivu Jónského moře. Patří do regionální jjednotky Messénie v kraji Peloponés. Podle sčítání lidu z roku 2011  v něm žije 69 849 obyvatel a má rozlohu 440,313 kilometrů čtverečních. Správním centrem je město Kalamata.

Administrativní dělení
Okres Kalamata vznikl při správní reformě v roce 2010 a je rozdělen do čtyř správních obcí:

 Aris

 Arfara
 Thouria
 Kalamata

Reference

Sídla na Peloponésu
Obce v Řecku
Peloponés (kraj)


There are few things more classic than a little black dress. Frontrow's 'Loretta' style is made in Italy and cut in an A-Line shape from a light crepe fabric with lace detailing around the top half for sheer coverage. The flouncy bell sleeves feature pearl details around the elbows. Wear with barely there heels to complete the look.


To rock, like it's your last day.
That's what the rockband from North-Holland, Moor Park, is all about. When words can't describe, the music speaks: heavy riffs, powerful melodies and solid rock.
With influences from different rock heroes like Foo Fighters, Coldplay, U2 and Imagine Dragons, Moor Park takes you on a journey with their vibrant sound. Rough, compelling, explosive but mostly pure.
The chemistry between the band members makes their shows even better.
For music. For fame. And glory.


Validated this still occurs on 1.9a trunk.
Unfortunately still an issue. Given the lack of interest over the past 5 years, I'm closing it as patchwelcome. If there's interest in revisiting this please re-open with a pull request per our contribution guidelines ( https://github.com/dojo/dojo/blob/master/CONTRIBUTING.md ).


As I've written in previous posts, my patron as a Benedictine Oblate is Mary Magdalene, chosen because of her ardent attachment to Christ. Recent problematic events in the lives of close friends move me to once again revisit and share my attraction to this saint.
The Gospel passage in John where Jesus speaks to her after the Resurrection – and she's the first to receive this favor – contain those troubling words: Don't cling to me. Magdalene's instinct to cling to Jesus always seemed to me so natural, so very intuitive! After all, she had seen him slowly die, taken down from the cross, wrapped in burial cloths, and sealed away in a tomb. And now, here he was in the flesh, moving and speaking to her – calling her by name. What else could she do but cling? Why did he tell her to let go of him?
There was something daring in her gesture: How could anyone have the nerve to touch someone they had actually seen die?
Daring and so incredibly confident, confidence born from an unswerving love. Confident, yet also fearful of having this loved one leave her once again. Clinging must prevent that.
Because it seems unkind of Jesus to tell her not to cling, I try to imagine his point of view in speaking so (apparently) harshly.
First, he had an urgent commission for her. Jesus tells her she must now Go, tell my brothers (and your brothers) that I'll meet them in Galilee.
The brothers, obviously, have not gone to check on Jesus. Instead, they've remained holed up in a safe place while Mary had boldly gone to the tomb (guarded by Roman soldiers, no less!) to tend to burial ministrations for him. Now risen, Jesus needs to give them instructions for continuing his mission, and wants to meet them at that place where he selected the first Apostles.
Second, there's no need to cling because he's not leaving – yet. I've not yet gone to the Father: I'll be around for a while.
Third and most difficult, she must learn how to love without clinging. Clinging implies a kind of desperation. Desperation indicates, very clearly, great fear and a lack of trust, an inability to allow the loved one adequate space to be who they are.
Since perfect love casts out fear, it also enables total trust.
I've found that it's much easier to trust where my own welfare is concerned, but not where the welfare of my family or friends is concerned. When they are ill or having problems, I tend to fret more readily, more deeply and longer. Why do I think I can be their savior?
For me, this is the real test of trust: they are in God's care – not mine. I don't own them; God does.
Which doesn't mean, of course, that I don't care and that I don't try to help them as best I can. But in my mind and heart, there remains a nagging sense of failure that I haven't done enough; I can't save them. Why do I think that my useless fretting is going to help them? Do I need to prove to myself (and them) that I really care?
Do what you can, Rosalie, and leave the rest to God.
Trust, let go. Scripture is full of passages about the need to put everything and everyone in the hands of God. He even knows how many hairs are on your head. God knows not only me, but those I love as well. His knowledge of us all is intimate, caring loving, and complete.
And so, I learn to surrender the loved ones to those infinitely more loving and powerful hands.
Who Will Pray for Them?
Moses' brother Aaron and his friend Hur come to the rescue. They position themselves on either side of Moses, supporting his raised arms so that they can remain steady until sunset and the successful end of the battle. . .
God has given me the equivalent of Aaron and Hur. Family on the one side, friends on the other; these keep my arms lifted up to the source of strength.
Last year, it was I who needed support from family and friends. During this past year, however, it has been my closest friends who have needed me, whether from illness or other challenging situations in their lives. The little I've been capable of doing has been not just an opportunity to return a favor (how shallow that sounds!), but a Grace to illustrate to others, to a truly minor degree, the kindness of Christ, the practicality of his teachings, the fact of God's unfailing providence.
This year, I've been blessed to be one of those arms, even weakly as I'm able, holding them up.
This last month has been fraught with hardships around the world, some of them natural disasters, but others — such as the Las Vegas massacre — man-made. We have all been urged to pray for the victims of these tragedies and we very readily comply.
But I can't help but think of the thousands or even millions of people who are considered (and surely are) our enemies. And so I anxiously wonder: if we crave peace and love, who will pray for them?
Author Rosalie P. KrajciPosted on October 8, 2017 Categories Meditations, PrayerLeave a comment on Who Will Pray for Them?