In our opinion, having an understanding of safety retirement is important for a workers' compensation attorney. Many workers' compensation attorneys do not understand how CalPERS retirement is impacted by workers' compensation injuries. We are not retirement benefit attorneys, however, we feel it's important for your workers' compensation attorney to understand how safety retirement "fits" with workers' compensation especially when you are in need of and eligible for Industrial Disability Retirement (IDR).
The primary benefit of IDR is that the first 50% of monthly gross earnings is non-taxable; in another words, the first 50% of your retirement is non-taxable. If you are have one or more work injuries that causes you to be unable to perform your essential job functions, then IDR is a consideration.
Industrial Disability Retirement is available to most safety workers who sustain one or more work injuries which render the employee "substantially incapacitated from performing the usual duties of his or her position."
The primary benefit of IDR is the first 50% of monthly gross earnings is non-taxable; in another words, the first 50% of your retirement is non-taxable. If you are have one or more work injuries that causes you to be unable to perform your essential job functions, then IDR is a consideration. CalPERS has a worksheet that you can fill out and request an estimation of what you your retirement would be for Service Retirement, Disability Retirement, and Industrial Disability Retirement.
If you have a disability that keeps you from performing your essential job functions and that disability is not caused by a work injury, you have been employed at least 5 years, and that disability is NOT caused by a work injury, then you might be eligible for Disability Retirement (DR). Disability retirement is taxable. This is an important distinction in understanding PERS options for disability retirement.
Important Point #1: A disability not caused by work means a disability that was caused by something away from work. If you are deemed eligible for Disability Retirement for a disability that you feel was caused by work, and you were approved for Disability Retirement but denied IDR, then read the section below: "Disability Retirement Approved; IDR Denied"
Important Point #2: Don't assume your disability isn't work-related. If it's due to a heart condition, you now know your heart condition is presumed work-related. If it's an orthopedic condition, i.e. back, your back problem could be due to your work activities. Ask an attorney about whether your disabling condition could be due to your work.
Assuming you have reached the minimum age for your position, and you have the required number of years of service (normally five years), you may apply for Service Retirement. Service retirement is available to all who have the required time; obviously, the amount of time put in increases your monthly retirement benefit.
CalPERS has an option to those who are applying for IDR and who are separately eligible for Service Retirement.
The advantage of applying for Service Retirement Pending IDR is that Service Retirement can be approved in a very short time (usually a few weeks). This is important because an IDR application can take six (6) to twelve (12) months depending on the work load of the CalPERS department that handles IDR. So, you can collect Service Retirement while you are awaiting for the IDR application process. Assuming IDR is approved, your IDR benefits are retroactive back to when you applied for IDR.
The disadvantage of applying for Service Retirement Pending IDR is that normally when you request Service Retirement, you are giving up your job for retirement. If you aren't approved for IDR, then you cannot automatically return to your job; reinstatement is required, and this does not happen in every situation. Service Retirement Pending IDR can be ideal for people who know they are not returning to their jobs, however, a disability retirement attorney may recommend you file Service Retirement Pending IDR.
At the end of the day, you may want to speak with a disability retirement attorney; we are only workers' compensation attorneys, however we can make some recommendations on attorneys who handle those kinds of cases.
If a CalPERS letter or any other communication determines that you are substantially incapacitated from performing your usual dutiesand finds you are eligible for Disability Retirement, denies IDR or will not make a determination for IDR, if the disability you have in your mind is caused by work, then you should take legal action immediately.
If you get a letter stating that your Disability Retirement is approved, then contact an attorney immediately. Approval of Disability Retirement can be deceiving especially if your disability is caused by work. Many people don't realize work caused all or part of their disability. For example, if you are a safety employee and you have heart trouble, don't assume work didn't have anything to do with it.
If you get a letter stating that your Disability Retirement is approved and work caused all or part of the disability, then it's likely your workers' compensation claim is denied or you might have a workers' compensation case that you are not aware of. Our recommendation is that you should contact an attorney immediately. Failure to take action could bar your rights forever.


Big Brother 2015 Live Recap: Episode 12 – Where's The BB Takeover?
While we found out the new HoHs for Week 4 on Big Brother 17 on Thursday night's show, we did not find out details for the BB Takeover for Week 4 on Big Brother 2015. Will CBS tell us tonight or have they given up on the twisty twists already??? Find out during our Big Brother 2015 Live Recap tonight and see who won Battle of the Block on Big Brother 2015 tonight!
I will admit that I was not excited for Week 4 on Big Brother 17, as Shelli and Liz won HoHs on Thursday's show and I thought we would be in for another week of hell on Big Brother 2015. Needless to say, I was a little wrong and things have been interesting this weekend and we should see some of that tonight on Big Brother 17. Check out a sneak peek at Episode 12 below in my Big Brother 2015 spoilers!
For a week that I was not excited about at all, it looks like Big Brother 2015 has been exciting today as the new HoHs for Week 4 on Big Brother 17 have no clue what they are doing. No one wants to tick anyone else off, so maybe we won't have an eviction this week??? We will and the Battle of the Block just wrapped up, so find out the details below in my Big Brother 2015 spoilers!
Things have been a little wild in the Big Brother 2015 house this morning, as the anticipation of nominations on Big Brother 17 may have sent Shelli over the edge! Too bad she had her big, bad lover Clay to help her out. So, who got put on the block for Week 4? Find out the details below in my Big Brother 2015 spoilers!
It is that time of week again on Big Brother 2015, as the new Heads of Household on Big Brother 17 were decided last night and now we see where this new week is going to take us. After some conversations last night and today, the Nomination Ceremony has taken place and we know who is on the block for Week 3. Find out the details below in my Big Brother 2015 spoilers!
For the first time on Big Brother 2015, we don't have a ton of ground to catch up on, as we have the Nominations Ceremony and Battle of the Block on Big Brother 17 tonight and this all happened on Thursday night/Friday morning after the live eviction show Thursday night! Yes, so we will have a lot of action, but not a week or two of action to cover in one hour. Check it out with us during my Big Brother 2015 Live Recap and see who won Battle of the Block on Big Brother 2015 tonight!
This was a critical one for Week 2 on Big Brother 2015, as the Power of Veto would give us a better understanding of where things might go for the live vote on Big Brother 17 next week. Everything happened so fast today thanks to the holiday week, but we now know the winner of the PoV for Week 2, so get the results below in my Big Brother 2015 spoilers!
Like I told you, we have a lot of Big Brother 2015 spoilers coming your way today after the Live Feeds began last night! Up next are the results from the Battle of the Block for Week 1 on Big Brother 17, as the HGs have not just been sitting around the Big Brother 2015 house doing nothing since they moved in last week! Find out the final HoH for Week 1 and nominees below in my Big Brother 2015 spoilers!


"I have been using Lexia in my room for several years at Lyman School District. This program has not only helped some of my struggling students push to learn skills that they need to make up the gap, but also to advance students to skills that are higher and they are ready for."
Read the 2017–2018 school year results for over 2,000 K–5 students who used Lexia in 29 schools across the state of South Dakota.


We Help Keep Florida Moving Each and Every Day.
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If you were born on 24th June 1908., your age is One Hundred and Ten years and Three Hundred and One days. 40478 days passed since day of Your birth (or 5782.6 weeks). But you are not alone with this! In world 228000 babies was born on that day.
Why not celebrate every 100-th day of your life? Next one will be in Twenty-Two days (Monday, 13th May 2019.), when you will be 40500 days old.
Every 1000-th day sounds better? OK, next one will be in Five Hundred and Twenty-Two days ( Thursday, 24th September 2020.), your age will be 41000. days.
If your hair were never cut since b-day, today, it would be 14.17 meters long.
Heart beats since your birth: 4080.2 millions.
Since your birth, in Danube (at Bp.), 8218.7 billion m3 water flowed.
We found 4 event that happened on 24. June 1908.
Click here, if you want to see what happened more on 24. June date (Not only in 1908. year).
Biorhythm for visitors born on 24. June 1908.
If Your birthday is on 24. June 1908, check below your Physical, Emotional and Intellectual biorhythm calculator for next 20 days. What is biorhythm? Read more on FAQ page.


text:
package com.android.webview.chromium;

import org.chromium.content.browser.NavigationHistory;

import android.webkit.WebBackForwardList;
import android.webkit.WebHistoryItem;

import java.util.ArrayList;
import java.util.List;

/**
 * WebView Chromium implementation of WebBackForwardList. Simple immutable
 * wrapper around NavigationHistory.
 */
public class WebBackForwardListChromium extends WebBackForwardList {
    private final List<WebHistoryItemChromium> mHistroryItemList;
    private final int mCurrentIndex;

    /* package */ WebBackForwardListChromium(NavigationHistory nav_history) {
        mCurrentIndex = nav_history.getCurrentEntryIndex();
        mHistroryItemList = new ArrayList<WebHistoryItemChromium>(nav_history.getEntryCount());
        for (int i = 0; i < nav_history.getEntryCount(); ++i) {
            mHistroryItemList.add(
                    new WebHistoryItemChromium(nav_history.getEntryAtIndex(i)));
        }
    }

    /**
     * See {@link android.webkit.WebBackForwardList#getCurrentItem}.
     */
    @Override
    public synchronized WebHistoryItem getCurrentItem() {
        if (getSize() == 0) {
            return null;
        } else {
            return getItemAtIndex(getCurrentIndex());
        }
    }

    /**
     * See {@link android.webkit.WebBackForwardList#getCurrentIndex}.
     */
    @Override
    public synchronized int getCurrentIndex() {
        return mCurrentIndex;
    }

    /**
     * See {@link android.webkit.WebBackForwardList#getItemAtIndex}.
     */
    @Override
    public synchronized WebHistoryItem getItemAtIndex(int index) {
        if (index < 0 || index >= getSize()) {
            return null;
        } else {
            return mHistroryItemList.get(index);
        }
    }

    /**
     * See {@link android.webkit.WebBackForwardList#getSize}.
     */
    @Override
    public synchronized int getSize() {
        return mHistroryItemList.size();
    }

    // Clone constructor.
    private WebBackForwardListChromium(List<WebHistoryItemChromium> list,
                                       int currentIndex) {
        mHistroryItemList = list;
        mCurrentIndex = currentIndex;
    }

    /**
     * See {@link android.webkit.WebBackForwardList#clone}.
     */
    @Override
    protected synchronized WebBackForwardListChromium clone() {
        List<WebHistoryItemChromium> list =
                new ArrayList<WebHistoryItemChromium>(getSize());
        for (int i = 0; i < getSize(); ++i) {
            list.add(mHistroryItemList.get(i).clone());
        }
        return new WebBackForwardListChromium(list, mCurrentIndex);
    }
}

redpajama_set_name: RedPajamaGithub


There have been people working in Krillbite living in Oslo for years, but recently that number has grown, so we decided the time was right to get a small office there as well.
We moved into an office at Filmens Hus, "The House of Movies" in English. So as you can guess there are mostly companies working in the film industry, but lately several video game companies have moved in. Companies like Snowcastle (Earthlock), Fifth Season (AD 2460) and Megapop (Trolls vs. Vikings 2) are in the same building as we are. Soon the building will be renamed The House of Video Games! Kidding (not really).
Our new office! Can't wait to decorate it!
We still have our main office in Hamar which will continue to be our main base of operations. One of the reasons is that we are happy and proud members of Hamar Game Collective. As Oslo is the capital of Norway there are a lot of business opportunities here, as well as partners, friends, collaborators and other creative companies that we know and love. We think it is important to spread out cultural, technical, and other special skill sets and jobs throughout the country, so we want to be a part of a smaller community while still having the opportunities the big city offers. Creating jobs in rural areas are important on many levels and we want to be part of that too.
The new office is a little spartan at the moment, but we are planning to decorate it with concept art, posters, and other stuff we find inspirational and cool. We would love to see pictures of your offices as inspiration! Feel free to share with us on Twitter @krillbite, or in the comments here!
On a rainy day, this is our view. It's good inspiration for our coming game Mosaic if not much else.


The MSc by Research programme can be tailored to your individual research needs.
You will first take an induction course leading to the production of a learning contract with a research supervisor and subsequently develop a research proposal that forms the basis of the rest of your study.
You will then progress to a period of independent research project-work and complete a project dissertation. Upon successful completion of the MSc, you will have clearly demonstrated your ability to meet the required high levels of technical professionalism.


The second tool is Kiwi, the one that generates the patch script which Karazeh consumes.
Both tools are hosted on github, completely free, licensed under the MIT, and Karazeh was built in a way that (as much as was humanly possible) didn't get in the way of your toolset/environment. For example, if you're using boost already, it can make use of boost threads. If you're using Qt, it can use Qt threads. If you're using neither, you can write your own thread wrapper, or run it in "threadless" mode!
The same goes for the "Renderers", by default I shipped 3 renderers: a vanilla/CLI one that's not really helpful, an Ogre SdkTrays-powered one, and a full-fledged Qt one which is good because you can easily customize/skin it... I might create a CEGUI renderer soon since I'm using it for my next game.
Anyway, I'd love to hear your input on this. I was amazed not to find such a tool already existing for, well, something less than thousands of USD !!
They are trying to do something similar, so sharing should improve all potential solutions.
I'm currently trying to compile it but I can't figure out how to compile log4cpp with VS2010. Its the last dependency I need.
Are there any precompiled binaries for download availeable?
Hi guys thanks for the kind words I'm glad it's useful.
I have downloaded the dep. package, but not matter which brwoser or mirror I choose for download the package always ends up corrupted. 7Zip can't open the file.
1>MSVCRT.lib(crtexe.obj) : error LNK2001: Nicht aufgelöstes externes Symbol "_main".
1>D:\Dev\Stuff\amireh-Karazeh-8643f14\bin\Release\Karazeh.exe : fatal error LNK1120: 1 nicht aufgelöste externe Verweise.
I had to change the linker subsystem setting from "/SUBSYSTEM:CONSOLE" to "/SUBSYSTEM:WINDOWS" for linking without an error.
That should force creating the VS project as a Win32 app not a console one. I'm curious, were you building with the Vanilla renderer or did you choose an Ogre/Qt one ?
Oops sorry, neither Qt nor Ogre I have deleted the CmakeCache and forgot to tick the Qt renderer again.
I have found one typo in the Kiwi CMakeLists.txt.
I'm far from an expert in licensing, but by including login.h and login.cpp wich is GPL doesn't this make the complete project basically GPL licensed instead of MIT?
Thank you, fill commit this!
Hmm, frankly I'm not sure. It seems to be LGPL licensed, which is not as free as the MIT one but it does not get in your way of incorporating the code within a commercial product. I have to ask about this, thanks for the notice.
It would be welcome if any licensing expert could shed some light on this.
I just came across a bug in Kiwi under Windows 7 that effectively breaks it, it happens when u set a root for the repository. I'm fixing this now. I'll update this post when it's committed so u can update.
Sounds interesting but could you clarify why a patching tool needs an Ogre front-end? Is it supposed to run inside my game to do auto-updating, or does it run like a separate tool to update the files before I run my game?
It's supposed to work in both modes: stand-alone (as a separate launcher/patcher) or in embedded mode, running as part of your application (sort of how Heroes of Newerth's patcher works like). However, I didn't get to implement the embedded-mode yet, so right now it only works as a separate application (launcher).
I should mention that I've been working locally for some time on the patcher and a major release is due hopefully in February, where it'll hit the v1.0 milestone, which will mark it as production-ready!


text:
"I Never Met the Dead Man" is the second episode of the first season of the animated comedy series Family Guy. It originally aired on Fox in the United States on April 11, 1999, stating in a promo that it is the official series premiere of the show. The episode follows Peter Griffin as he teaches his daughter Meg how to drive. Due to his terrible advice they crash into a satellite dish, breaking out the city's cable. Peter begins to suffer from television withdrawal but finds new life in outdoor activities, driving his family to exhaustion. Meanwhile, Stewie plots to destroy the world's supply of broccoli with a weather control device so Lois cannot force him to eat the vegetable.

"I Never Met the Dead Man" was written by Chris Sheridan and directed by Michael Dante DiMartino, both firsts in the Family Guy series. Much of the episode's humor, in standard Family Guy usage, is structured around cutaway sequences that parody pop culture, including those focused on Looney Tunes, Star Trek, Wizard of Oz, ALF, Gilligan's Island, Bewitched, and Beverly Hills, 90210. The title "I Never Met the Dead Man" was derived from 1930s and 1940s radio programs, particularly the radio thriller anthology Suspense, which featured several elements pertaining to death and murder. The episode featured guest performances by Erik Estrada, Butch Hartman, Aaron Lustig and Joey Slotnick, along with several recurring voice actors for the series.

Critical responses to the episode were favorable; several television critics singled it out as among the "most memorable" episodes in the series.

Plot
In a cold open, Stewie plays with his Sesame Street telephone. As the phone says to count to three, Stewie uses his laser gun to destroy the phone three times.

Annoyed that Peter spends more time watching television than with his own family, Lois suggests he teach Meg how to drive. Peter reluctantly agrees, and unwittingly gives Meg a list of lousy driving tips, including instructing her to "rev" her engine twice at traffic lights and challenge other drivers to a race, which causes her to eventually fail her driving test. As Peter drives them home from the DMV, he notices that a show he wanted to watch is on television in a nearby house. Distracted by the show, he crashes the car into the main cable television transmitter, breaking out reception for the entire town of Quahog. As Peter and Meg realize this, angry citizens of Quahog approach. In response, Peter promises Meg that if she takes the blame for breaking the cable transmitter, she would get a new convertible when she finally gets her license. Once they arrive home with the transmitter still attached to the car, Lois becomes furious with Peter for placing the blame on his daughter. Meg, of course, is blamed and is about to admit the truth, but then decides to keep quiet, reflecting with an inner voice, a reference to The Wonder Years, at school. Meanwhile, Stewie, (seeing the opportunity of the dish attached to the car), steals the satellite dish in a plan to create a weather control device capable of destroying the world's supply of broccoli, since Lois had forced him to eat the vegetable earlier that day.

Suffering withdrawal syndrome from the lack of cable, Peter straps a television-sized cardboard cutout to himself, making it appear as though his entire world is a television program. When Meg cannot deal with the public scorn, she reveals that her father is truly responsible for Quahog's loss of television, causing the town to turn against him. To save Peter from further scorn and verbal attacks, Lois gives a heartfelt speech to the community about how television has kept them all from enjoying one another. Inspired by the speech, Peter drags the family to one outdoor activity after another, which quickly exhausts them. Once the family cannot keep up with him, Peter decides to go off with William Shatner, who has appeared on the Griffin family's doorstep after experiencing a flat tire, to a nearby festival. Meanwhile, Stewie's weather machine creates a huge storm. The storm's lightning strike destroys Stewie's weather machine and blows Stewie off the roof and onto the ground. While Meg is practicing driving with Lois, the storm causes her to accidentally hit Shatner and Peter, killing Shatner and hospitalizing Peter. As her father recovers, in a full-body cast, he is forced to watch television, causing him to become addicted once again, much to his family's relief.

During the credits, Stewie tries (and fails) to imagine he is eating his broccoli by pouring it onto Brian's plate.

Production

"I Never Met the Dead Man" was the first episode of Family Guy for both writer Chris Sheridan and director Michael Dante DiMartino. For the first months of production, the writers shared one office lent to them by the King of the Hill production crew. As with the remaining first four episodes of the season, the title of the episode was derived from 1930s and 1940s radio programs, particularly the radio thriller anthology "Suspense", which featured several elements pertaining to death and murder. This convention was later dropped following the fourth episode of the season. In addition to the regular cast, actor Erik Estrada, writer and animator Butch Hartman, actor Aaron Lustig, actor Joey Slotnick and voice actor Frank Welker guest starred in the episode. Recurring guest voice actress Lori Alan also made minor appearances. The episode originally aired on April 11, 1999, nearly three months after the series premiere.

Cultural references

When Meg asks her mother to help teach her how to drive, Lois suggests Peter take her driving instead. With Peter refusing in order to continue watching an episode of Star Trek, actor William Shatner, as portrayed by series creator Seth MacFarlane, then appears on the screen.

Going on to suggest her father is not the best driver, Brian recalls a previous driving incident Peter had with Wile E. Coyote, in which he accidentally ran over the Road Runner in the middle of the desert. When Peter becomes concerned about the "ostrich" he just hit, Wile E. tells him to keep going.

In school, when Meg is about to confess that her father was actually the one who crashed the car, she reflects with an inner voice, a reference to the 1990s hit TV show The Wonder Years.

Continuing to suffer a withdrawal from not being able to watch television, Peter has a Wizard of Oz-inspired nightmare featuring Alf from the 1986 NBC sitcom ALF, Gilligan from the 1964 CBS series Gilligan's Island, The Robot from Lost in Space, and Jeannie from I Dream of Jeannie, who promptly transforms into Samantha from the 1964 ABC series Bewitched.

After creating a cardboard cutout in the shape of a television, Peter walks around town with the contraption strapped to his waist, perceiving the actions around him as television. Two women talking over lunch suggests that he is watching the television station Lifetime, two elderly people out walking reminds him of CBS, a group of Black people playing basketball suggests UPN, and James Woods High School reminds him of Beverly Hills, 90210.

After TV service is restored and most of the Griffin family is watching Star Trek, James T. Kirk tells his crew that there is a dangerous mission in that someone will surely be killed. He explains the landing party will consist of himself, Mr. Spock, Dr. McCoy, and Ensign Ricky (a redshirt), who, upon being called, cynically says "Oh crap!", due to the television trope of oft-related instances of redshirt ensigns being killed on the show. At the end of the episode, after Meg accidentally hits and kills Shatner with the Griffin family car, the group of people looking over includes the actor who played Ensign Ricky stating "Wow, I did not see that one coming."

Reception
Reviews for the episode were generally favorable. A 2008 review of the episode by Ahsan Haque of IGN was positive, calling the storyline involving Stewie "elaborate  creative." He gave the episode a perfect score of ten, calling it one of the most "memorable" episodes in the entire series. Haque went on to note that "the tightly woven and hilarious storyline, combined with a constant barrage of cleverly inserted random jokes, and some truly unique imagery help make this episode one of the finest in the series. This is Family Guy at its best, and definitely sets a very high bar for animated comedy." Robin Pierson of The TV Critic rated the episode a 70 out of 100, making it the highest-rated episode of Family Guy on the site. Pierson described the episode as "A really fun twenty two minutes of television. There are so many jokes to enjoy and they are more focussed than the pilot," in particular praising the Fast Animals, Slow Children sequence.

In 2008, Haque later listed Stewie's plan to freeze broccoli crops as number one on his list of "Stewie's Top 10 Most Diabolical Evil Plans" and placed Peter's idea to pretend the world is a television program by attaching a cardboard cutout of a television set around his waist in sixth place on his list of "Peter Griffin's Top 10 Craziest Ideas".

References

External links

Family Guy (season 1) episodes
1999 American television episodes
Cultural depictions of Charles Manson
Television episodes about television

redpajama_set_name: RedPajamaWikipedia


text:
Anne Finch (geboren Kingsmill), Gravin van Winchilsea (Sydmonton, Hampshire, april 1661 - Westminster, Middlesex, 5 augustus 1720) was een Engels dichteres, en een van de eerste vrouwelijke dichters van wie het werk in druk verscheen.

Anne Kingsmill was een dochter uit een welgestelde familie uit Hampshire. In 1683 werd zij hofdame bij Maria d'Este, hertogin van York, de echtgenote van de latere koning
Jacobus II. Daar ontmoette zij de hoveling Heneage Finch, met wie zij trouwde. Haar echtgenoot werd in 1684 de 6e graaf van Winchilsea. Het was een gelukkig huwelijk, getuige enige liefdesgedichten die zij aan hem wijdde.
Haar eerste gedichten verschenen in 1701. Een bundel met de titel Miscellany Poems, met gedichten in verschillende versvormen, verscheen in 1713.

Na haar dood raakte haar werk in de vergetelheid, tot een eeuw later een herwaardering volgde: de befaamde dichter William Wordsworth prees haar natuurpoëzie, met name het gedicht Nocturnal Reverie, in een essay opgenomen in een editie van zijn Lyrical Ballads in 1801.
Invloeden van haar werk zouden volgens critici ook herkenbaar zijn in Alexander Popes 'Essay on Man' en Shelleys 'Epipsychidion'.

Anne Finch overleed in Westminster en werd begraven in haar woonplaats Eastwell in Kent.

Externe link
 Leven en werk van Anne Finch, gravin van Winchilsea

Engels dichter


The Mesa senior is the the No. 2 seed in his 138-pound weight class at the state wrestling championship on Saturday.
Wrestling is not just a sport for Mesa senior Steve Jarman.
It's a family tradition that has continued for almost 30 years.
"My brothers did it and I wanted to be like my brothers," Jarman said. "I continue doing it because it's a gift for me."
Jarman, a force in the 138-pound weight class, will compete in the state tournament Saturday at the Findlay Toyota Center in Prescott Valley. Jarman has a 52-1 record, 30 pins and three technical falls this season. He won the Division I Section 4 title for his weight class with one pin in his two victories at the state sectionals.
Jarman and Mesa senior Ali Hansen, who won the 152-pound title, contributed almost 50 percent to the team's total of 118.5 at the sectionals, in which the Jackrabbits (28-9 duel record) finished fourth.
"We get 5 points more than the other guy if it's a technical fall," Jarman said. "So I was trying to tech and pin everybody for the most part."
"It's not just the win but the way they win, getting the quality points there," head coach David DiDomenico said. "That's huge when you advance two, you pin and get another two points.
Jarman has a sinewy 5-foot-9 frame. His only loss this season was Jan. 18 in semifinals at the Doc Wright Invitational at Winslow against Chandler Basha senior Dylan Quinn (34-11), who won the Division 1 Section 1 138-class at the sectionals.
"There were two people in my weight class who I had closes matches with this year," Jarman said. "I had Adam Booth from (Mesa) Mountain View and Cody Foote (of Mesa Red Mountain). I had a two-point match and I scored right at the end of the period but I lost a duel meet with him. And Booth I beat by six points. The guy who beat me is ranked No. 1 and he's only wrestled me."
Jarman and Quinn are the respective No. 2 and No. 1 seeds in the state championship's 138-pound weight bracket. The third and fourth seeds are Queen Creek sophomore and Section 3 titleholder Seth Fernandez (27-3) and Liberty senior Edgar Delgado, the Section 2 winner.
Last season, Jarman finished in second place in 132 at the 2018 state championship to azcentral sports Wrestler of the Year Roman Bravo-Young.
Winning a state title would add to the Jarman family legacy in Arizona high school wrestling.
"Making it to state is a big deal," Jarman said. "It's a big accomplishment."
Jarmanhas 12 older siblings, seven brothers and five sisters. All of the boys have gone far in the state tournament. DiDomenico, who began coaching wrestling during the late 1980s, witnessed the Jarman brothers wrestle throughout the span of coaching stints at Gilbert Highland, Tucson Amphitheather, Red Mountain and Mesa.
"My brother Eddie got third in 1993; my brother Will got second in 1996; and my next brother Mike got third. My brother Robert got second, my brother David won state and got second, and Tim got fifth in state in 2006," Jarman said.
He has three nephews who are close to his age to continue the family's legacy in the sport.
"We all practice together a lot. We do fireman's carries, short firemans and lots of different moves," Jarman said. "Lots of times their dad is there and we go over what they did wrong in the last match and try to figure out how to fix that.
"We both do chicken wings, which is a tightened waist, grab their elbow and put them on their back, and just run them over and pin them with it. We ride legs a lot. That's a family tradition actually. Our biggest move is the guillotine... It's one of the most painful moves."
Jarman is focused on technique more than ever.. His favorite move is a two-on-one tilt, which has helped him get 30 pins this season.
Besides the physical aspects of wrestling, DiDomenico finds that his best wrestler has the fortitude and analytical skills to beat anyone he faces.
"The mental game of how to approach the situation," DiDomenico said. "How to approach practice and recover from matches, the game within the game if you're going to be able to destroy someone... train yourself so you can prepare for the next match.
"I think that's been his biggest coachability point these past two years and that's really elevated his level."


Wow, two weeks off from this little space felt like an eternity. It was however much needed time off considering the number of things I was juggling but I am back and so so happy and to be bringing you one of my favourite posts to write, a Glossybox* review! I try to make these as a light read as possible and I hope you too enjoy reading them. Now, September is one of those gloomy months where we go back to school, uni or work after an amazing summer away and Glossybox, anticipating this, has put together a curated edit to help us get prepped and organised, and I am all for that. Let's see how they did, shall we?
Let's start with the weirdest product, a scalp detox that promotes hair growth by removing impurities from your roots. Said to be used once or twice a week before washing, this is the first I hear about such product and believe you me, I have tried my fair share of wacky hair goodies. I am curious about trying this out and will report back if anybody is interested to see if I experience any hair growth following use. I do expect it to work better with prolonged use but we will see how far this mini takes me. The brand is also vegan-friendly and cruelty-free, which is always a bonus in my books.
At first, I thought this was one of those little makeup remover towels but it's actually a scrubber made from soy and a natural cotton base layer which creates a rich lather to remove dirt and built up grease from your skin. Not sure if too gimmicky, but it is said to be ideal for sensitive skin (which I've recently found out I have) so I will be putting this to the test. Also cruelty-free and from a brand across the pond.
It is almost as if Glossybox read my mind because my ABH brow pomade it's nearing its end and I definitely needed a replacement as cream eyebrow products have become a staple for me. This is very similar to the ABH shade I have, and I am very excited to give it a try and see if this too gives me powerful defined HD brows. It comes with a brush which I probably won't use as it is tiny but I am very happy to see a product like this is in this month's box. Sadly, not everyone will feel the same way as this product only comes in 3 shades and that doesn't even begin to cover the variety of brow colours we have out there. Time to add a few more eh Bang Beauty?!
Speaking of makeup goodies, this soft wax lip pencil is the 4th product of the box. Now, if you've seen past boxes you will know they have included this brand quite a bit recently and despite the liner being a really nice shade, I can't help but think Glossybox either got a really good deal with the brand or the collection flopped and now they're just adding it to monthly boxes. Either way, this lip pencil is nice but nothing extraordinary.
Another detox product but this time a sheet mask because we know how popular those are at the minute. This aims to detox the skin, whilst refining the pores and reducing oil thanks to activated charcoal (said to be a miracle worker for blemish prone skin) and extracts of pretty much every fruit under the sun (lemon, lime, apple, orange and grapefruit). My skin has recently been "diagnosed" as dry skin which is surprising considering I've always had combo skin (I blame the pill) so I am not sure this is the best mask for my complexion. Nonetheless, I will try given I have issues with blackheads and compensate with a very thick moisturiser afterwards. Let's hope my skin doesn't become overly dehydrated.
This is going to sound absurdly OCD but this is quite possibly my favourite item of the box. I LOVE products that claim to kill 99.9% of bacteria and this little guy is so handy to have in my bag for whichever occasion I find myself in. These are said to be gentle, pH balanced and dermatologically tested, and I will surely purchase some more when this one runs out!
All in all, I don't feel like the box contents help me "prep and get organised" but I do genuinely think there a few gems in there which do make up for a worthy box purchase. I have a feeling some of these will become little staples of mine and if anything has also caught your eye, check the box out HERE for only £10 (plus P&P - worth over £65!).
What do you think of this box? I'd love to hear more you so do make sure to say hello below!
As always, thank you for reading beauties and I will see you on the next one!
Davam jeito essas coisinhas por aqui.
It is a pretty colour but 25 quid for a lip liner? PASS!
I love how they've included wet wipes in this box and I'd be interested to see how the brow pomade holds up against ABH!
I can't wait to try the pomade! Fingers crossed!
the box looks awesome! Awesome contents!
Oooh, looks good! The eyebrow cream looks amazing!
I really like these products.
No idea how that will work but excited to give it a try!
Scalp detox sounds really interesting. I'd love to check that out. Thanks for sharing dear!
Wow! Thank you for posting such a great article! I found your website perfect for my needs.


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As a fan of Twin Peaks, and specifically the music the show has produced over the years, Season 3 had me wondering, like many fans, about some of the musical acts that were featured at the Bang Bang Bar (commonly referred to as the Roadhouse). Many of these performers were indie acts, with a few exceptions.
The full list of musical performers who performed at the Bang Bang Bar during Season 3 include: Chromatics, The Cactus Blossoms, Au Revoir Simone, Trouble, Sharon Van Etten, Nine Inch Nails, Hudson Mohawke, Rebekah del Rio, Moby, Lissie, The Veils, Eddie Vedder, and Julee Cruise.
The Twin Peaks Season 3 Soundtrack expands on the above list with many other tracks from the show, with the overall musical effect of the entire track list being that of a tour de force.
The music of Twin Peaks has always been exceptional, with the main theme song written by Angelo Badalamenti even winning a Grammy for Best Pop Instrumental Performance back in 1991.
The music of Twin Peaks remains unique. In this article, I had the chance to interview one of the members of Au Revoir Simone, Heather D'Angelo, now a Bang Bang Bar band alum, and ask her about her own personal Twin Peaks experience. (skip to the interview)
But first, a bit of context…
About The Bang Bang Bar (The Roadhouse)
In Twin Peaks Seasons 1 and 2, the Roadhouse was established as a location on the show that fit into the nuanced plot written by David Lynch and Mark Frost, and would tie into the overall arc of the show sporadically, with drama between the shows' characters playing out there from time to time.
The concept of the "Bang Bang Bar", as it was referred to as more so in Season 3, was also the show's musical center in seasons 1 and 2. However, Julee Cruise and her band were the only act we see play there during the first two seasons.
As viewers, we can only assume that Julee Cruise was only one act of many to pass through there, but we never get to see any other acts play. Perhaps this is something Lynch sought to correct in this latest season of Twin Peaks.
During the first two seasons, Julee appears there several times throughout the entire run of the show (including the movie prequel, "Fire Walk With Me"), playing her soft, angelic music juxtaposed against some dark, depraved drama taking place in the plot, creating a juxtaposition of both tranquility mixed with violence – an unsettling combination to be sure.
With the Roadhouse being such a seedy juncture in the Twin Peaks world, the idea of such a pure and unfettered sound of one such as Julee Cruise performing in such a dark place was and still is an unlikely proposition.
Fast forward 25 years…
Enter: Twin Peaks, Season 3
Enter Twin Peaks: Season 3 (The Return), aired in 2017. The plot picks up almost literally 25 years after the finale of Season 2, where Cooper becomes possessed by Bob and delivers his famous line: "How's Annie?"
This final episode (called "Beyond Life and Death") to a beloved TV series was not the ending many fans were hoping for, but that's the way director David Lynch chose to end the show, when this final episode of Season 2 first aired on June 10, 1991.
The reasons for this ending to Season 2 were perplexing to fans, but no less perplexing than the entire run of the show itself up until that point, really.
Still, while hardcore Lynch fans always appreciate a good Lynch-ian twist, more casual (and probably less fanatical for absurdist cinema) fans of the show were left with mild cases of PTSD from watching their beloved Cooper become possessed by the ultimate evil, and then: roll credits.
Perhaps it had something to do with David Lynch not directing the majority of Season 2, and walking away from the show until the final episode, where he comes back with the express purpose to, in his own special way, put an end to the show he started.
As has been reported by various sources (ie. Vanity Fair), David Lynch hates Season 2 more than anyone else could, with the tousle-haired cinematic maverick having been quoted publicly as saying it flat out "sucked".
Fans would have to wait until 2017 when Season 3 of Twin Peaks finally reached airwaves to see how things would get resolved, and many were likely hopeful that such a gut-wrenching finale would indeed see some sort of satisfying resolution, once Season 3 finally concluded.
Fans of Twin Peaks might have thought a positive outcome to be particularly imminent, considering this was David's chance to right any directorial and plot-related wrongs done to the show throughout Season 2.
Well, did he? To answer this question would take us well beyond the scope of this article, and so at this time, let's now return to the topic of…The Bang Bang Bar, and the music we hear there throughout Season 3.
Back To The Bang Bang
One thing that seemingly had not changed much in the world of Twin Peaks was the Bang Bang Bar.
In the world of Twin Peaks: Season 3, it was still the place in Twin Peaks where various seedy drama and nefarious subplots play out. But this time around, we're treated to a variety of diverse musical acts.
It was as if the Bang Bang Bar was perhaps doing better business these days, busily booking more bands, and becoming an increasingly hipper place to be, which we, the viewers, we privy to seeing who would turn up week to week. For nostalgic fans, Julee Cruise and James Hurley both come back to the Bang Bang Bar to perform.
Otherwise, we were treated to some fresh faces at the good old Twin Peaks Roadhouse.
Cue: Au Revoir Simone, playing their tune, "A Violent Yet Flammable World", from Season 3: Episode 9.
Some of the choices for bands who performed at the Bang Bang Bar during the run of Season 3 seemed to be more in line with the world of Twin Peaks that fans know, while other performers were more unexpected.
Au Revoir Simone, who perform on two episodes of the entire Season 3 run of the show , were at once a fitting, and yet somewhat unusual, choice.
Why fitting? Well, here we have, not 1, but 3 silky-voiced chanteuses playing ethereal, melancholic music in a slow, pulsating manner. This is enough, perhaps, to qualify them as a good fit for the rather happening, and yet fictional, venue.
Why unusual? It seems that in the intervening years between Seasons 2 and 3 of Twin Peaks, the always and forever-to-be stuck-in-the-past environs of the show have been forced to admit that yes, even in a seemingly timeless setting, time is passing.
Hence, Au Revoir Simone have their synths in tow, and there is no particular attention drawn to their synthpop nature. Perhaps now Twin Peaks is a world that has caught up to as far as the 1980's, rather than being a throwback to the '50's or '60's.
(The interview begins…)
Interview with Heather D'Angelo of Au Revoir Simone
It seems that curiosity got the better of me. I felt the need to reach out to the bands who played at the Bang Bang Bar during the run of Twin Peaks: Season 3, in order to satisfy my fan-boyish urge to know more about these bands, and how they managed to appear on the show.
And so, here is my conversation with Heather D'Angelo, who is one third of Au Revoir Simone, discussing the bands' appearance on the show and how it all came to pass. Enjoy!
When did you start writing music?
Au Revoir Simone started out as a cover band, actually, working on covers of 80's and 90's songs from different genres. We were just doing this for fun, as friends getting together and seeing how it went.
Back in the early 2000's, we (Annie Hart, Erika Forster, and I) used to jam together, when we were all living in Brooklyn, and decided to form an all-girl keyboard band, since all of us played keyboards and we thought that all of us playing synths would be pretty entertaining. Eventually, each of us was armed with multiple synths – sometimes we'd have 9 going at once!
As far as our covers went, it turned out that our covers were too idiosyncratic to be just covers – they had their own sound – so that gave us the notion to start doing our own songs. And it all began there!
Eventually, we got enough material together for a little EP called Verses of Comfort, Assurance & Salvation.
Weirdly enough, a Japanese label and a British label picked up the EP, but we didn't get any attention in the US – no one cared.
Funny thing was that the Japanese label had an english name – Rallye, and the English label had a Japanese-sounding name – Moshi Moshi.
Moshi Moshi already were a well known indie label in England at this point, with bands like Hot Chip on their roster. They were the ones that kind of operate on a new level, by saying "Ok, you guys are going to work with this PR company, etc.", giving us tips on how to be a bit more professional.
So how did these labels come across your music, which then lead to your encounter with David Lynch?
They became aware of us through an indie music blog from the early days of the internet.
My good friend, Matthew Perpetua, is like the godfather of the music blogs. I think he actually had the very first music blog out there on the web in the late 90's, called Fluxblog. There may have been one other one at the time, as these things tend to pop up in the zeitgeist at around the same time, but he was definitely one of the first.
Fluxblog was very popular for indie music and Moshi Moshi used to read his blog. Matthew used to write about our band when we first started, as he was a big fan of synthpop, and indie acts, and so Moshi Moshi read one of his features on us.
Steven Bass and Michael McClatchey then got a hold of our EP, which, at the time, was something we were screen printing ourselves in Annie's bedroom and trying to distribute ourselves.
By the time we got to our first actual mature album, The Bird of Music, that was put out by both Rallye and Moshi Moshi, which had proper artwork and distribution.
Listen to The Bird of Music on Spotify
The Bird of Music is what eventually ended up in the hands of David Lynch in 2007.
How did that come about?
There was a really cool event going on at Barnes & Noble in New York for some time, where they'd promote an author and then pair that author up with a band.
A music supervisor for Barnes & Noble would seek out a band that they felt would match the author, and the author would do a reading from their new book, and a band would play during the reading, or between chapters. It was pretty cool.
The music supervisor at Barnes & Nobles was trying to get us to do one of these events for some time, but it wasn't working out, as we were always on tour, or the timing just wasn't right.
But one day the music supervisor called and told us that David Lynch was promoting a new book, at the time, called Catching the Big Fish, and she thought that our music would pair really well with his work.
The book was about meditation, and she thought we could play some of our more dreamy material.
So we said "yeah", because this time it worked with our schedules, and plus, it sounded really cool, so we did it!
But it wouldn't have been possible if it weren't for David's sound supervisor, Dean Hurley, hadn't heard our music, liked it, and passed it on to David, who also liked it.
So, we then met David at the actual Barnes and Noble event, where we played, and he read from his book.
(cue: a short clip from that show in 2007)
This was the beginning of your collaboration…which would have been about 10 years before Twin Peaks: Season 3 aired.
Yes. Back in 2007.
That's pretty cool that you encountered him that way. His output is very varied, so to connect with him on a book reading is very cool. Were you aware of all of these things that he does at the time? For example, the books, the albums, the artwork, and so forth.
We were aware of him, generally speaking, but we didn't know just how many things he was involved with.
The event at Barnes & Noble was amazing. That particular location of Barnes & Noble was something else – it was huge, like 4 or 5 storeys, and jam packed with people. Just a massive, massive, MASSIVE building.
And when he was there, it was unbelievable – every floor, just shoulder to shoulder people, all trying to catch a glimpse of him.
For those who weren't on the top floor, there was kind of a play-by-play being piped through their sound system, like one big listening party, and everyone was there just soaking it up. It was then that we clued in to just how huge his fanbase actually is.
Were you into his stuff prior to this show?
Yeah, I really liked Blue Velvet, and his movies in general, but I wasn't really a fanatic. Same with Annie and Erika – we just knew of him, as most people do. I had not watched Twin Peaks, though. It just never crossed my radar. I guess I was just too young.
I didn't catch the show when it came out either, but a friend of mine recommended I watch Twin Peaks when I was in high school, so around '95, as he thought it would be up my alley, and it was. Had you seen any of his other movies?
Some of them. I saw Mulholland Drive, which I enjoyed, and I was going to watch Inland Empire, but a friend of mine saw it and he was so traumatized by it, I didn't really feel like watching it.
Yeah, Lynch seems to be very good at making very unsettling films that confuse and disturb people, as well as anticipating peoples' expectations (especially fans) and then defying them. I couldn't make it through Inland Empire either! That's why I was wondering how Season 3 of Twin Peaks was going to turn out, considering his work seemed to be getting progressively more abstract.
Well, we have had the opportunity to collaborate with David several times over the years, since 2007, and so we were getting comfortable trusting his creative and aesthetic choices. For instance, we worked with him on a retrospective he did for his work in Paris at the Foundation Cartier.
(cue: video clip from that exhibition)
(interview…continued) He had rebuilt a setting from Eraserhead at the gallery, and we were to perform in this setting. So, he managed to incorporate our music into this production, and we were like, "Hell yeah!" and so we did it, and it was great!
Another time he invited us to play at Silencio, his private club in Paris. Again, this is a beautiful club with a red-draped stage, and he was gracious enough to invite us into his world, which we have always been more than happy to do.
(cue: Llorando scene, from Mullholand Drive, filmed at Silencio)
(back to the interview…)
Over the years, we've remained friends, and would visit him in L.A., checking in from time to time. He's been very encouraging, incredibly sweet, and a great mentor to us.
Prior to the return of Twin Peaks, he was mentioning it would be good to work on something together, and we thought that would be great, although we weren't counting on it.
We knew that historically, David has worked with Julee Cruise, Angelo Badalamenti, and so we weren't really expecting to work on any major projects with him, per se. He seemed to have his inner circle of collaborators, and so we thought it was nice of him to suggest a collaboration, but, again, we weren't expecting anything.
But then, we got the call from Dean Hurley, David's longtime musical collaborator, who informed us that David was going to re-launch Twin Peaks, and was seeking out bands to be part of the show, and he was hoping we'd take part. Before we knew it, we'd said "yes" and we were part of the production.
We'd never really worked with David before in terms of being part of one of his movies, and so we didn't really know what we were in for.
None of Au Revoir Simone were actors, but we flew to L.A., and we arrived at this house, that looked like a community center from the outside, and we found that they had recreated, in minute detail, the Bang Bang Bar. It was like, "Oh my god, I'm in the Roadhouse!" Even though, outside it was hot and sweaty, this set made you believe you were in the Pacific north west, like Washington state. It was insane!
There were extras everywhere, and everyone was dressed up like it was the '90's. There were a few other bands there, like the Chromatics, and the Cactus Blossoms, who were playing that day.
We had no idea what was going on. We didn't know who was playing, or when, or how to dress. We had no guidance of what to wear, which was particularly odd because the fashion of Twin Peaks is so particular. We didn't know which decade we were supposed to appear to be from. '80's? '90's? Now? Rock stars, or not? We didn't know. We decided to just go with a "classic" look.
We knew he was going to ask us to do two of our songs, which we did. It was lip synched. This wasn't like Saturday Night Live. We performed our songs, it didn't take too long, and then we left. Time passed, we didn't hear anything at first. Eventually, we heard from David, and he said "Great job!", so we thought "Great!"
We were still very confused as to how this would all play out. We still didn't know if he was going to be using the footage of us playing, or just use our recordings on the soundtrack. Would it be both songs, one song? Just a snippet?
We didn't see how any of it turned out until the show aired. Eventually, we were told to keep our eyes open for Episodes 4 and 9. We saw it on TV like everyone else.
(cue: band playing their song, "Lark", from their album, "The Bird of Music", during Season 3: Episode 4 of Twin Peaks.
For both episodes, I had Twin Peaks' parties in San Francisco, but I told my friends that if I didn't show up on screen, not to be surprised. We weren't promised anything, so then when we did appear, and we had a fair bit of screen time, I was shocked!
Both songs were edited, but that made sense, for the purpose of the episode sequencing. Still, it was entirely a surprise that we even made it on the show at all!
I guess you didn't get to sit down and watch the "dailies", huh?
No, we are not from the film industry, so that didn't even occur to us. There wasn't even hair and make-up, so how we presented ourselves was completely up to us. Had there been a hair dangling in the wrong spot, I don't know if David would have brought it up or not. It all happened so fast.
We had been on photo shoots before, where people fussed over our appearance a lot more than this instance. So that's surprising, that we were now committed to tape for an iconic show like Twin Peaks, which will be seen by our children and children's children, and we weren't really prepped in any way for this. I just knew that we were performing, and David was there, behind the camera, capturing every bead of sweat.
Was the lip synching difficult? What kind of direction did he give you?
We weren't given any direction, so we just tried to channel our best collective Julee Cruise vibe. We had basic instructions as to when to start lip synching, and that was about it.
You were saying there were other bands there at that point?
We saw some of the other bands, but we didn't really see too many other bands. For the most part, we were just in and out. We heard there was a shoot for the other bands on another day, but we weren't there for that.
Are any of you particularly influenced by Julee Cruise, what with the hushed, angelic vocals, and all that? Were you told to emulate her in any way for the show?
No, not at all. We are fans of hers, for sure – especially Erika – but there was no mention of us sounding like her, or us trying to sound like her.
Our influences are Stereolab, Bjork, Pavement, Air…Broadcast is a huge influence. I personally am very into Air and Stereolab.
Pavement, really?
Definitely, I love Pavement.
Are you guys formally trained musically in any way?
No, we're all self-taught.
How do you come up with your songs, as a band?
We all have input in each others songs, although usually, someone writes a song, initially, and brings it in. That's when we begin to shape the songs to fit Au Revoir Simone. Nothing is really off limits for discussion, and it ends up being an equal process in the end. No one has more representation in the band – it's equal parts all three of us.
No creative differences? Wow, nice.
There are differences, but as a trio, there can always be a critical voice if someone is strongly against something, and we like it that way. We can push and pull the songs until we are all happy with the result, but it's not always easy to come to a consensus. For instance, if someone doesn't like a bassline, or some other musical element, we talk about it, until we can all agree on something.
How do you feel now that you are on the Lynch fan radar? Do you consider yourself to be on that radar?
Yes, we are aware that his fans are now paying more attention to us, with many of them being very passionate. It's cool.
And how has that balanced out with your entire fanbase overall?
Well, our old school fans are the best! Like, if ever there's any sort of hardcore Twin Peaks fans who don't approve of us for some reason, our old school fans will jump to our defence. It doesn't happen much, and besides, that's just how it is on Youtube. People debate all the time. For instance, why did we get picked for the soundtrack and not some other "dreamy" sounding pop band? Maybe someone more like Julee Cruise should have been picked, some might say. All in all, everyone has their own opinion. We encourage discussion, and we appreciate different views.
Fair enough. Did you bump into any other cast members at all while you were there filming? I happened to watch some interview with Kyle MacLachlan, where he said that he didn't even see any of the show until it was on the air, or really knew what was going to happen overall? Kind of amazing, since he was basically the show's star.
It doesn't surprise me. There's an element of secrecy to all of this. Plus, I think that everything was shot individually. We didn't really interact with the cast very much.
Did you talk to Mark Frost (Twin Peaks co-creator) at all?
No, I didn't.
So you never read any of this Twin Peaks books – The Final Dossier or The Secret History of Twin Peaks?
No, I've just heard of them. Haven't read them yet.
They're interesting, if you are into the sort of "bigger picture" of Twin Peaks, and the mythology and sort of subterfuge that goes into the show. They act as companion pieces, and they're really cool if a fan wants to dive deeper into that world, as they let you in on some of the more secretive elements. For any fans out there, I'd totally recommend them! But anyway, what happened after Season 3 wrapped up. What changed for Au Revoir Simone?
I have seen David twice since the show aired. One at the Festival of Disruption in Brooklyn, and another time back in L.A., after Season 3 had aired. When I saw him last, I had just watched all of the episodes of Season 3 and I had a million questions that I wanted to ask him. So it was hard to not geek out on Twin Peaks and ask him lots of questions. I did get a few things out of him, but generally, we didn't talk about that much.
I did, however, mention to him how much I loved Episode 8, as it was so groundbreaking and probably the best thing to be aired on television ever. I had a chance to dork out with Dean Hurley, but he really doesn't have the inside scoop on Twin Peaks either. No one but David and Mark know the whole story. It's always fun to speculate, though.
How did you feel about the ending of Season 3?
I liked it. I am a fan of cliffhangers, though. Besides, if you expect anything by David to wrap up with a neat little bow, you'll probably be disappointed. So I didn't expect the show to end in any neat and tidy way. Which it didn't.
(interview end…)
Check out Heather's new fragrance line – Carta
Check out a list of all the music used in Twin Peaks: Season 3
Categories Electronic Music, Interviews, Synthpop, Synths Leave a comment

redpajama_set_name: RedPajamaCommonCrawl


text:
Journalist Says He Was Body-slammed by Montana GOP Congressional Candidate
A GOP congressional candidate in Montana allegedly "body-slammed" a reporter for the Guardian Wednesday, shouting "Get the hell out of here" and breaking the journalist's glasses in the process.The incident, at a campaign "meet and greet" in Bozeman, happened the day before the state's special election to fill Ryan Zinke's seat. Reporter Ben Jacobs asked tech mogul Greg Gianforte, who is making a bid for the congressional seat, about the Republican healthcare plan when the alleged attack took place, the Guardian reported."He took me to the ground," Jacobs told his newspaper by phone from an ambulance before reporting the incident to police. "This is the strangest thing that has ever happened to me in reporting on politics."  Continue reading...
Copyright The Dallas Morning News


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A Child is Missing by David Stout
A newspaper editor in upstate New York is drawn into a deadly web of hatred and suspicion when he joins the hunt for a kidnapped little boy in this gritty and evocative thriller from an Edgar Award–winning author
Long Creek in New York's Hill County is an angry place—depressed, suspicious, and unforgiving. In the aftermath of a late-November snowstorm, one of the town's youngest citizens, five-year-old Jamie Brokow, the son of wealthy divorced parents, is abducted. His family pays the kidnappers their ransom, but the boy is never returned—and soon afterward, Fran Spicer, the local reporter covering the case, dies as the result of a mysterious car crash that the police are all too eager to attribute to alcohol.
Will Schafer edits a newspaper in a neighboring county, and he's less willing to dismiss the death of his friend Spicer so easily. Schafer won't find much local support for his investigation, however—strangers like him are not welcome in Long Creek. Still, he is determined to uncover the truth and see that justice is served, for Fran and for little Jamie. But the hunt could have powerful, unanticipated consequences for everyone involved: Schafer, the townspeople, the police, the devastated family . . . and an odd, disfigured hermit, drawn from his solitude in the forest by the frightened cries of a small child in the night.
"Crack crime fiction . . . Stout's forte is gentle understatement and the ability to merge site and characters in seamless scenes of quiet terror." —Publishers Weekly
"Thrilling . . . By going for the stark effects that a clean and direct style can produce, Mr. Stout achieves precisely those vivid scenes of suspense he's after." —The New York Times Book Review
Stout's novel The Dog Hermit was turned into a 1995 TV movie under the title A Child Is Missing. Directed by the TV movie and series director John Power, the cast included Henry Winkler, Roma Downey, and Dale Midkiff. Find more information at IMDB.


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The liberators
The Texas Holocaust and Genocide Commission has been working diligently to put together a unique set of resources for educators classroom use. Included are poems, essays, short stories, film clips, and excerpts from novels and memoirs. Many of these sources have strong Texas connections. Educators can gain access to this free password-protected resource library by attending one of the THGC workshops. For more information, please visit: http://thgc.texas.gov/resources-for-education/resource/online-digital-library.
Memoirs and Diaries
All But My Life. Gerda Weissman Klein.
At the Mind's Limits: Contemplations by a Survivor on Auschwitz and its Realities. Jean Améry.
Auschwitz and After. Charlotte Delbo.
Auschwitz: True Tales from a Grotesque Land. Sara Nomberg-Przytyk.
Dry Tears: Memories of a Lost Childhood. Nechama Tec.
Eyewitness Auschwitz: Three Years in the Gas Chambers. Filip Müller.
Five Chimneys. Olga Lengyel.
Fragments of Isabella. Isabella Leitner.
I Was a Doctor in Auschwitz. Gisella Perl.
Night. Elie Wiesel.
Playing for Time. Fania Fénelon.
Shivitti: A Vision. Ka-Tzetnik 135633.
Survival in Auschwitz. Primo Levi.
The Drowned and the Saved. Primo Levi.
The Periodic Table. Primo Levi.
The Reawakening. Primo Levi.
Upon the Head of the Goat: A Childhood in Hungary, 1939-1944. Aranka Siegal.
When the Danube Ran Red. Zsuzsanna Ozsvath.
Histories, Area Studies, and Biographies
A History of the Holocaust. Yehuda Bauer.
Atlas of the Holocaust. Martin Gilbert.
Auschwitz, 1270 to the Present. Debóra Dwork and Robert Jan van Pelt.
Hitler in History. Eberhard Jäckel.
Kristallnacht: Prelude to Destruction. Martin Gilbert.
Nazi Empire Building and the Holocaust in the Ukraine. Wendy Lower.
Neighbors: The Destruction of the Jewish Community in Jedwabne, Poland. Jan Gross.
Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland. Christopher Browning.
The Destruction of the European Jews. Raul Hilberg.
The Holocaust in Historical Context. Steven Katz.
The Origins of the Final Solution: The Evolution of Nazi Jewish Policy, September 1939-March 1942. Christopher Browning.
The War Against the Jews. Lucy Dawidowicz.
The Years of Extermination: Nazi Germany and the Jews, 1939-1945. Saul Friedländer.
Under His Very Windows: The Vatican and the Holocaust in Italy. Susan Zuccotti.
Books on Antisemitism
A Genealogy of Evil: Anti-Semitism from Nazism to Islamic Jihad. David Patterson.
Anti-Semitism and its Metaphysical Origins. David Patterson.
If I Am Not for Myself: The Liberal Betrayal of the Jews. Ruth Wisse.
The Anguish of the Jews. Edward H. Flannery.
The Crucifixion of the Jews: The Failure of Christians to Understand the Jewish Experience. Franklin H. Littell.
The Devil and the Jews: The Medieval Conception of the Jew and Its Relation to Modern Anti-Semitism. Joshua Trachtenberg.
The History of Anti-Semitism. Léon Poliakov.
The Jew's Body. Sander Gilman.
The Satanizing of the Jews: Origin and Development of Mystical Anti-Semitism. Joel Carmichael.
Why the Jews? The Reason for Antisemitism, the Most Accurate Predictor of Human Evil.
Dennis Prager and Joseph Telushkin.
Essays and Essay Collections
A Double Dying: Reflections on Holocaust Literature. Alvin Rosenfeld.
Art Out of Agony: The Holocaust Theme in Literature, Sculpture, and Film. Stephen Lewis.
Indelible Shadows: Film and the Holocaust. Annette Insdorf.
Man's Search for Meaning. Victor E. Frankl.
One Generation After. Elie Wiesel.
Preempting the Holocaust. Lawrence Langer.
Sun Turned to Darkness: Memory and Recovery in the Holocaust Memoir. David Patterson.
The End of the Holocaust. Alvin Rosenfeld.
The Sunflower. Simon Wiesenthal.
Using and Abusing the Holocaust. Lawrence Langer.
Versions of Survival. Lawrence Langer.
"Who Owns Anne Frank?" Cynthia Ozick.
Friedrich. Hans Peter Richter.
Jakob the Liar. Jurek Becker.
Mendelssohn is on the Roof. Jiri Weil.
The Last of the Just. André Schwartz-Bart.
"A Scrap of Time." Ida Fink.
"Badenheim 1939." Aharon Appelfeld.
"The Shawl." Cynthia Ozick.
"The Supper." Tadeusz Borowski.
"This Way for the Gas, Ladies and Gentlemen." Tadeusz Borowski.
Incident at Vichy. Arthur Miller.
Playing for Time. Arthur Miller.
The Deputy. Rolf Hochhuth.
The Trial of God. Elie Wiesel.
Graphic Novels and Picture Books
Maus I: A Survivor's Tale, My Father Bleeds History. Art Spiegelman.
Maus II: A Survivor's Tale, And Here My Troubles Began. Art Spiegelman.
Terrible Things. Eve Bunting.
The Secret of Priest's Grotto. Peter Lane Taylor.
X-Men: God Loves, Man Kills. Chris Claremont.
Charlotte Delbo
Dan Pagis
Miklós Radnóti
Nelly Sacks
Hannah Senesz
Recommended Films
Au revoir les enfants [Goodbye, Children] (1987) – Jewish boys live in hiding at a school during the Holocaust.
Conspiracy (2001) – Nazi leaders meet at the Wansee Conference to plan the Final Solution.
Europa, Europa – A Jewish teenager assumes various false identities to survive the Holocaust.
Jakob der Lügner [Jacob the Liar] (1974) – A Jewish man tries to foster hope in a ghetto.
Jeux interdits [Forbidden Games] (1952) – In occupied, rural France, a young Jewish girl and her Christian friend do their best to make sense of brutality.
Korczak (1990) – The famous educator cares for 200 orphans in the Warsaw Ghetto.
Obchod na korze [The Shop on Main Street] (1965) – An elderly Jewish woman in Czechoslovakia is confused when antisemitic policies take away her business.
Playing for Time (1980) – A woman wrestles with ethical dilemmas when she is chosen to be lead vocalist for the women's orchestra at Auschwitz.
Saul fia [Son of Saul] (2015) – A Jewish man works as a member of the Sonderkommando at Auschwitz.
Schindler's List (1993) – A member of the Nazi Party secretly attempts to protect some of Kraków's Jews during the Holocaust.
Sorstalanság [Fateless] (2005) – A Jewish teenager from Hungary is sent to Nazi camps.
The Pianist (2002) – A Jewish pianist in Poland struggles to survive in hiding.
Bogdan's Journey (2016) – A firestorm erupts when a non-Jew seeks to commemorate the notorious Kielce Pogrom of 1946.
Caring Corrupted (2017) – Interviews explore the involvement of nurses in the Nazis' murderous T4 program; former commissioner on the THGC, Dr. Anna Steinberger, is featured.
I Have Never Forgotten You: the Life and Legacy of Simon Wiesenthal (2007) – A Jewish man lives to see liberation from Nazi camps and goes on to author books and hunt Nazis.
Imaginary Witness (2004) – Hollywood grapples with issues of artistic license, commercialism, and ethics as it looks for ways to portray the Holocaust on the screen.
Miejsce urodzenia [Birthplace] (1992) – Decades after his father and baby brother went missing during the Holocaust, a Jewish man returns to Poland to solve the mysteries.
Nuit et brouillard [Night and Fog] (1956) – Archival footage and contemporary filming examine Auschwitz and Majdanek.
No Place on Earth (2012) – Decades after surviving the Holocaust, a Jewish family returns to visit the caverns where they hid in Ukraine.
One Survivor Remembers (1995) – A Jewish woman recounts her experiences in concentration camps and on a death march.
Shoah (1985) – Numerous interviews feature Holocaust survivors, bystanders, and perpetrators.
Sister Rose's Passion (2004) – An American nun successfully crusades to change the Catholic Church's longstanding Teaching of Contempt for Jews and Judaism.
Watchers of the Sky (2014) – Holocaust refugee, Rafael Lemkin, coins and defines genocide, and then campaigns for the United Nations to outlaw it.


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Disney channel star Cameron Boyce dies at 20
Sunday July 7, 2019
Actor Cameron Boyce, who starred in the Disney Channel's television shows and series, has died at age 20.
Boyce is best known for playing Luke Ross on the Disney Channel series, "Jessie," and also as the voice of Jake on the popular Disney Junior animated show, "Jake and the Neverland Pirates."
His death was confirmed on the evening of Saturday 6 July and linked to "an ongoing medical condition".
"It is with a profoundly heavy heart that we report that this morning we lost Cameron," a spokesperson on behalf of the Boyce family said in a statement to HollywoodLife.
"He passed away in his sleep due to a seizure which was a result of an ongoing medical condition for which he was being treated. The world is now undoubtedly without one of its brightest lights, but his spirit will live on through the kindness and compassion of all who knew and loved him."
It's unclear what type of illness the star was battling, but his death has taken everyone by complete surprise.
Boyce posted a photo of himself just one day ago, and fans are now commenting on the post, praying and hoping that the announcement is not real.
Cameron was set to appear in the upcoming HBO series Mrs Fletcher and upcoming series Paradise City.


This series of games is intended for mature audiences. It is a work of satire and does not reflect the authors' actual views! Neither Alleged Entertainment nor the authors of the 10 Bad LARPs series endorse racism, sexism, violence, terrorism, the Holocaust, or any of the other horrible things we depict in these games.


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Principles for Governance and Leadership
School entities that have adopted the Principles for Governance and Leadership
PSBA Past Presidents
Thomas Kerek
Maj. Thomas C. Kerek (Ret.) serves as a school director in the Kane Area SD (McKean Co.) where he is the advocacy liaison and also the Intermediate Unit 9 representative for the district. Kerek has 22 years of service with the Pennsylvania National Guard and 28 years in the federal government. He is passionate about community involvement, especially in the area of education and nonprofit fundraising. He also served 10 years as the secretary/treasurer for the Allegheny Highlands Friends of NRA (National Rifle Association) to promote the scholastic shooting sports within the country. Kerek holds a bachelor's degree in history from Indiana University of Pennsylvania. He also matriculated in secondary education at Mansfield University prior to receiving a position with the United States government. He is currently serving on PSBA's Governing Council as sectional advisor co-leader. He served on the Leadership Development, Bylaws, Legislative and PSBA EdPAC committees. Kerek also was involved with the re-development of the Principles for Governance and Leadership for school boards throughout Pennsylvania. He and his wife, Linda, are actively involved in community activities to develop Rails-to-Trails and other community revitalization efforts. His hobbies include model trains, airplanes and rocketry. He also enjoys woodworking, backpacking, muzzle-loading hunting, genealogical research and antiquing.


When I went to Google and searched New Age, 5 million sites opened up.
When I typed Pagan and searched, out came one million pagan sites!
ushered by Free Masonry & other Western mystic schools of thought.
It is closely related to the Vedic !


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Your source for the latest news on Rutgers football, basketball, and other sports
Video: Vallone proving to be 'iron man' for Rutgers
Keith Sargeant • October 11, 2012
For the cover of Friday's Home News Tribune and Courier News newspapers, I featured Scott Vallone, Rutgers' fifth-year senior nose tackle who is in line to extend to 44 his string of games started Saturday when the No. 19-ranked Scarlet Knights play host to Big East-rival Syracuse for a noon kickoff at High Point Solutions Stadium.
Click HERE to read it.
One quote I wasn't able to fit into the story came from Eric LeGrand, Vallone's former defensive line-mate. When I asked LeGrand to put in perspective his good friend's career, he offered: "Oh man, I think he's going to go down as one of the best defensive tackles that ever played at Rutgers. He's built a legacy because of the way he's led by example, getting beat up on every single play and doing anything the coaches have asked. He's switched positions — you have to do that sometimes for what's best for the team — and he knows how to play the three-tech and nose (defensive tackle) positions really well. He leads by example, and that's what it is about — building a program and leading a legacy to the younger players. You see that with Darius Hamilton. Scott's helped him in ways no one really knows — just helping him watch film because Scott's really big into film. Scott knows if he can teach other players to follow in his footsteps, that's what it's all about."
Hamilton, who has shown flashes of his all-world potential as Vallone's understudy this season, rooms with Vallone on the road.
"It's been great to play behind him," Hamilton said. "Scott's great. He's a great leader as well as a motivator. He's a five-year kid. He's been through it. He knows the ropes. He understands what the cornerback is supposed to be doing on certain plays, he knows the linebacker's responsibility, he knows what the quarterback is looking at in order for their play to work. He knows the whole scheme, and he's really a student of a game. He plays his heart out, and it's been great to watch. With the way he approaches every game, every play in the playbook, it's amazing."
Here is what Kyle Flood had to say about Vallone when I asked the Rutgers coach to put in perspective Vallone's consecutive-games started streak following practice Thursday afternoon:
Posted in Uncategorized on October 11, 2012 by Keith Sargeant.
Men's hoops: Mike Rice Q&A
Jerry Carino • October 11, 2012
MidKnight Madness is just one day away, and here are Mike Rice's thoughts on a wide range of topics heading into his third season at the helm: With depth and experience, a focus on the big picture
Posted in Uncategorized on October 11, 2012 by Jerry Carino.
Leonard offers unique perspective on end of Rutgers-Syracuse rivalry • 126 Comments
Brian Leonard, who starred for Rutgers from 2003-06, is currently in his sixth NFL season as a member of the Cincinnati Bengals. (MyCentralJersey.com file photo)
Brian Leonard felt no need to wax poetic about the end of the Rutgers-Syracuse rivalry.
"I think it's just the nature of college football nowadays," Leonard, the former Rutgers star running back who now plays for the Cincinnati Bengals, said by phone this week.
Having grown up about an hour, 40 minutes outside of Syracuse and having been a major part of the transformation of the Rutgers football team, Leonard offers a unique perspective on the rivalry that dates back to 1914.
When Rutgers (5-0) plays host to Syracuse (2-3) on Saturday, noon, at High Point Solutions Stadium, it will mark the 43rd and last time the Northeast rivals will meet on the gridiron.
What Flood said (10/11)
If the Rutgers football team was in need of any inspiration on Thursday morning, it got some in the form of a recently-graduated player who makes his living on the pro level.
But no, it wasn't one of the two dozen NFL players Rutgers has produced recently. It was Patrick Kivlehan, who returned from his stint playing in the Seattle Mariners' minor-league system to speak with his former teammates after practice.
Kivlehan, of course, spent the past four seasons contributing to Rutgers' secondary and speciality units before starring this past spring for the Scarlet Knights baseball team. The third baseman became the first player in Big East history to win the league's triple crown with a .410 batting average, 10 homers and 36 RBI in 27 conference games, and was named conference Player of the Year before getting selected by Seattle in the fourth round last June.
"He's back from his minor-league assignment and we're really proud of him as a Rutgers football player even though he's moved on to his baseball career," Rutgers coach Kyle Flood said. "We're excited that he came back and talked to the guys on the team, some of the younger guys that he didn't know. He said he's going to be here Saturday for the game, so that'll be neat to have him around."
Asked whether Kivlehan has any eligibility remaining to play when the No. 19-ranked Scarlet Knights (5-0) play host to Syracuse (2-3) on Saturday (noon, SNY-TV), Flood quipped, "Pat doesn't. We may have tried him out at kicker tomorrow but we'll see how it goes."
And that brings us to the question that has lingered throughout the week around Rutgers football practice — the still-undetermined status of placekicker Kyle Federico. The freshman, who remains questionable after injuring his hip in last Saturday's win against Connecticut, would likely be replaced by either Nick Borgese, Nick DeLouisa or newly-arrived walk-on Joe Behnke if he can't go.
Here is what Flood said about the placekicking situation, as well as other items of interest following practice Thursday:
"Really no change (on the kicking situation) from yesterday. We don't kick field goals on Thursdays. We're going to take Kyle out there tomorrow. We usually wouldn't do it but because he hasn't kicked all week we'll test him out a little bit tomorrow to see where he's at and then set the depth chart tomorrow night when we get to the hotel. I'm confident that whoever we have in there we're going to ask him to do what they'll be capable of doing. So I think we'll have success when we use them."
On his biggest concern with Syracuse's offense:
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TBT team "Playing For Jimmy V" looking to win for a great cause
Photo by Rey Del Rio/Getty Images The squad features some Rutgers alums, as well as several other former successful college basketball players. It may be July, but in just over a week, Rutgers basketball fans will have a team with familiar players on it to root for in game action. The hugely popular, The Basketball […]
2019 Big Ten Football Media Days Preview
Patrick Gorski-USA TODAY Sports TV & streaming coverage, full press conference schedule, and five topics to watch for this week Training camp for Rutgers football begins in two weeks, but the first true event of the 2019 season takes place this week with Big Ten Media Days. Here is a full preview that includes how […]
SNY Rutgers
Art Forst Audio Betim Bujari Brandon Bing C. Vivian Stringer Charlie Noonan Chas Dodd Dan Donigan David Rowe De'Antwan Williams defense Desmond Stapleton Edmond Laryea Eric LeGrand Gary Nova Greg Schiano Howard Barbieri J.T. Tartacoff Jawan Jamison Jeremy Deering Joe Lefeged Joe Martinek Jordan Thomas Khaseem Greene Kordell Young Kyle Flood Mark Harrison Mason Robinson Mike Rice Mohamed Sanu offense receiver running back Rutgers San San Te Savon Huggins Scarlet Knights Scott Goodale Scott Vallone Steve Beauharnais Temple Tim Wright Tom Savage Top 25 Video


The group shall be called the "Staffordshire Audio/Visual Group" and membership will be open to any interested persons living in Staffordshire and the surrounding districts.
To provide a forum for the discussion of all matters relating to audio visual photography, sound recording and the production of audio visual sequences.
To encourage newcomers to AV, no matter how inexperienced, to develop their interest and enjoyment of the hobby to the limits of their ability or ambitions.
To provide an opportunity for members to show their work for constructive comment and also provide opportunities for competition among members.
To encourage more experienced members to show their work and to share their knowledge by the provision of question and answer sessions and workshops.
By the provision of a comprehensive programme, to allow members to develop their potential and give help and guidance to those wishing to progress to Distinctions and National and International competition level.
To involve members as far as practicable in the running of various aspects of the club, by providing a forum for the expression of personal views and suggestions for the improvement of the group in the interest of the general membership.
The committee shall meet as required to ensure the smooth running of the group.


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