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The New Cuisinart for illy Capsule-Based Espresso Maker: A Coffee Enthusiast's Dream Come True
The new Buona Tazza® Cuisinart for illy espresso maker may be the next best thing to having a live-in barista. This machine uses individual serving capsules made by illy to make espresso, latte, cappuccino, or traditional coffee and has...
The new Buona Tazza® Cuisinart for illy espresso maker may be the next best thing to having a live-in barista. This machine uses individual serving capsules made by illy to make espresso, latte, cappuccino, or traditional coffee and has several great features that let you have fast, premium quality individual servings that you can customize in numerous ways.
Consistently good espresso requires a machine that pays meticulous attention to detail.
Whether you prefer short or tall espresso, or enjoy latte or cappuccino or even regular coffee, this Cuisinart espresso maker gives you a unique combination of one-touch operation and a level of control that lets you create your custom beverage exactly to your specifications, and then save that particular operation as a one-touch preset.
Cuisinart Plus illy Capsules Equals Perfect Espresso Every Time
The illy capsule system is engineered to produce velvety, rich, balanced espresso, topped with a perfectly silky crema (the lighter brown top layer). This is what you expect from an experienced barista at a high-end café, but now you can have this Cuisinart espresso maker do it for you. The key is the capsule's design that "hyper-infuses" the capsules with the precise amount of illy's nine-bean Arabica coffee blend.
Removable Milk Tank Offers Convenience, Control
One of the most loved features of the Buona Tazza® by Cuisinart espresso maker is the milk tank. It's removable, so you can store it in the refrigerator when you're not using it. Also, the steam / froth wand aims directly into your cup, so when you're making a latte or cappuccino, it's hands-free. A dial control allows you to change the steam / milk proportions to your preference, and when the steam wand is through with the milk cycle, the machine automatically cleans it with a burst of steam. Additionally, the dual heating system ensures that when making café latte or cappuccino, both the espresso and the milk are heated quickly to the perfect temperature.
So How Is the Espresso?
Of course, none of this means much if the end product doesn't taste good. Reviewers have been particularly impressed with the velvety crema on the espresso, and the fact that you can store enough milk in the milk tank to make 6 cappuccinos without refilling. The frother gets good marks for making exceptional cappuccino, and for its automatic cleaning. illy coffee has a reputation for outstanding taste, and is a top selling coffee in Europe.
One key to outstanding cappuccino is frothing the milk exactly to your specifications.
The machine itself is virtually maintenance free. When you put a new illy capsule in, the old one is automatically ejected into a holding container. Once the holding container is full of used pods you simply empty it out. No grounds are left behind, so you don't have to worry about internal parts being contaminated. Although the milk steam wand self-cleans after each milk cycle, some owners occasionally fill the milk tank with water and then run a few steam cycles for more extensive cleaning.
The Only Drawback
The only real drawback to the Buona Tazza® by Cuisinart espresso maker is that it only uses the illy capsules (which come in several different roasts), so you have to be committed to using them. Most owners don't mind this, because they know that illy coffee is of outstanding quality, is grown sustainably, and is packaged to maximize freshness. But do consider the cost of the capsules (around $0.86 each on Amazon) in addition to the cost of the machine itself when making your decision.
The Buona Tazza®Cuisinart for illy Capsule-Based Espresso Maker is an espresso lover's dream machine for the home. It's easy to use, yet customizable, has an outstanding milk system, is fast, and makes high quality espresso, café latte, traditional coffee and cappuccino. With its stainless steel and black design, it's unobtrusive and professional looking, and has a cup warmer on top. The cup shelf is easily adjustable for the different size cups you use for espresso and other types of coffee, and you can even use your travel mug with it. This machine is an investment, but for the committed espresso fan, it can be a wonderfully enjoyable purchase.
If you're a coffee lover, we invite you to browse the tea and coffee section of our website for loads of information on cups, grinders, carafes, and all other coffee-related topics.
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New Syntheses of 3-Bromothiophene and 3,4-Dibromothiophene.
Long Range Coupling of Nuclear Spins in Some Olefinic and Acetylenic Compounds.
Proton Magnetic Resonance of Thiophenes. III. Splitting of Side-chain Resonance Peaks.
Gronowitz, Salo; Hoffman, Ragnar A.
On the Dithiocyanation of Pyrrole.
Proton Magnetic Resonance of Thiophenes. X. On the Mechanism of Side-chain Couplings in Methylthiophenes.
Gronowitz, Salo; Gestblom, Bo; Hoffman, Ragnar A.
On the Structure of the So-called 3,4-Thiolanedithione.
On a New Type of Rearrangement during Ring-closure.
Unsaturated gamma-Thiolactones. II. The Structures of 3- and 4-Methyl-2-thienols.
Optically Active Bithienyls. II. Synthesis and Resolution of 2,2'-Dicarboxy-4,4'-dibromo-5,5'-dimethyl-3,3'-bithienyl.
On an Isomerization in the Reaction of Aromatic Grignard Reagents with Alkyl p-Toluenesulphonates.
The Structure of Two Dimeric 2(3H)-Thiazolones.
The Structure of Dimeric 2-Aminothiazole.
Relative Signs of Proton Spin Coupling Constants by Multiple Transitory Selective Irradiation. II. The Sign of the Long-Range Aldehyde Coupling in 2-Thiophenealdehydes.
Forsén, Sture; Gestblom, Bo; Gronowitz, Salo; Hoffman, Ragnar A.
Signs of the Side-chain Spin Couplings in Furans. II. 2-Methyl- and 3-Methylfuran, 2-Furfurylidenemalononitrile, and N-(2-Furfurylidene)aniline.
Rodmar, Sören; Forsén, Sture; Gestblom, Bo; Gronowitz, Salo; Hoffman, Ragnar A.
A Facile Ring-opening in the Thiophene Series.
Gronowitz, Salo; Borgen, Gerd L.
Nuclear Magnetic Resonance Studies on 2-Phenyl-4-thiazolone and Some Related Compounds.
New Heteroaromatic Systems Derived from o-Formylthiopheneboronic Acids.
The Reaction of 5-Bromo- and 2-Bromopyrimidine with Organolithium Compounds.
On the Tautomerism of Some 3-Hydroxythiophene Aldehydes and Acids.
On the Structure of the Bromination Product of 4-Methyl-4,3-borazaroisoquinoline.
Thiophene Analogues of Indenes. I. The Synthesis of Indanone Analogues.
Thiophene Analogues of Indenes. II. The Synthesis, Tautomerism, and Metalation of the Thiophene Analogues of 2-Methylindene.
The Signs of the Methyl-Methyl Spin Couplings in 2,3-Dimethylthiophene, 2,3-Dimethylfuran, and 3-Iodo-2,5-dimethylfuran.
Proton Magnetic Resonance Spectra of Thiazoles. Chemical Shifts and Substituent Effects.
A Convenient Synthesis of Thieno[2,3-b]thiophene.
Heteroaromatic Boron Compounds. II. Synthesis, NMR-Spectra and Hydrolytic Stability of Some Borazarothienopyridines.
On the Reaction of 4-(2'-Furyl)pyrimidine with Nitric Acid in Acetic Anhydride-Acetic Acid.
On the Nitration of 2- and 3-Phenylthiophene.
Proton Magnetic Resonance of Thoiophenes. XII. Chemical Shifts and Coupling Constants of Thienyllithium Derivatives.
Nuclear Magnetic Resonance of Aromatic Heterocyclics. I. The Proton and 19F Spectra of 2- and 3-Fluorothiophene.
A Simple One-pot Procedure for the Synthesis of Certain Substituted Thiophene Aldehydes and Ketones.
Heteroaromatic Boron Compounds. IV. 3,2-Borazaropyridine. A New Aromatic System.
On the Use of the Wilkinson Rhodium Catalyst for the Homogeneous Hydrogenation of Unsaturated Thiophene Derivatives.
On the Halogen-Metal Exchange Reaction between 2-Bromo-3-iodothiophene and Ethyllithium.
On a Ring-opening Reaction in the Selenophene Series.
Thiophene Analogues of Fluorene. II. On the Reaction of Fluorenone Analogues with Dienophiles.
Heteroaromatic Boron Compounds. V. On the Synthesis of a Dithienoborepin.
Some Substitution Reactions of 3-Phenylthiophene.
On an Allylic Type Rearrangement on Treatment of alpha-Methoxy-2-benzo[b]thienylacetic Acid with Hydrogen Bromide.
Thiophene Analogues of Fluorene. III. On the Synthesis of Methylated Cyclopentadithiophenes.
Thiophene Analogues of Fluorene. IV. An Unusual Behaviour of a Cyclopentadithiophenone in the Reaction with Dienophiles.
Ring-opening Reactions of Heterocyclic Metal-organics. II. On the Ring-opening of 2,5-Dimethyl-3-thienyllithium and 2,5-Dimethyl-3-selenienyllithium.
Thiophene Analogues of Fluorene. V. Competitive Metalations of Some Tetramethylcyclopentadithiophenes, Fluorene and 3-Methylfluorene.
Heteroaromatic Boron Compounds. VII. Synthesis and Aromaticity of 3,2-Borazaropyridines.
Thienylpyrroles. I. Synthesis via Copper Intermediates.
Nuclear Magnetic Resonance of Aromatic Heterocyclics. IV. The 1H and 19F Spectra of Substituted Fluorothiophenes. An Experimental Study.
Nuclear Magnetic Resonance of Aromatic Heterocyclics. V. The 1H 19F Spectra of Substituted Fluorothiophenes. NMR Parameters and Substituent Effects.
Nuclear Magnetic Resonance of Aromatic Heterocyclics. VI. The Correlation of PMR-shifts of Monosubstituted Selenophenes with Reactivity Parameters.
Some Substitution Reactions of 2-Phenylthiophene.
Optically Active Biselenienyls. Synthesis, Resolution and Configuration of Some 4,4'-Substituted 2,2',5,5'-Tetramethyl-3,3'-biselenienyls.
On a Synthesis of Thieno-annelated Five-membered Heterocyclics.
Ring-opening Reactions of Heterocyclic Metal-organics. IV. The Synthesis of Acetylenic Mixed Ketenethioacetals and Thio-selenoacetals.
Heterocyclic Fused Tropylium Ions. IV. Stabilities and Electrophilic Deuteriation of Some Dithieno- and Furothienoannelated Tropylium Ions.
Heterocyclic Fused Tropylium Ions. V. UV Spectra of Some Dithieno- and Furothienoannelated Tropones and Tropylium Ions.
On the Reaction of Methylthio- and Methoxythiophenes with Tetracyanoethylene Oxide.
On the Reaction of 2,5-Dihalothiophenes with Tetracyanoethylene Oxide.
Heteroaromatic Boron Compounds. XI. On the Nitration of 3,2-Borazaropyridines under Non-acidic Conditions.
Heteroaromatic Boron Compounds. XII. On the Halogenation of 3,2-Borazaropyridines under Non-acidic Conditions.
On the Base-catalyzed Reaction of Some Methyl Nitrothiophenes with Aldehydes. An Unexpected Cyclobutane Formation.
Ring-opening Reactions of Heterocyclic Metalorganics. V. On the Metalation of 2,5-Dimethylthiophenes and Related Compounds with Alkyllithium-N,N,N',N'-tetramethylethylenediamine Complexes.
Heteroaromatic Boron Compounds. XIII. On the Bromination and Nitration of Some Thieno-fused 3,2-Borazaropyridines.
Heteroaromatic Boron Compounds. XIV. Halogen-Lithium Interconversion of Some Bromo- and Iodo-substituted 3,2-Borazaropyridines.
Ring-opening Reactions of Heterocyclic Organometallics. VI. The Regio- and Stereospecific Synthesis of Alkylthiovinyl Acetylenes.
Ring-opening Reactions of Heterocyclic Organometallics. VII. The Regio- and Stereospecific Synthesis of Alkylselenovinyl Acetylenes.
Ring-opening Reactions of Heterocyclic Organometallics. VIII. On the Synthesis of Macrocyclic Alkylthiovinylacetylenes.
The Synthetic Utility of Heteroaromatic Azido Compounds. III. Preparation of Some Furo-, Thieno- and Selenolo[3,2-b]pyrroles.
13C NMR Studies of Some 2-Substituted Thieno[2,3-b]thiophenes and Thieno[3,2-b]thiophenes.
On the Halogenation of Halothiophenes with N-Chloro- and N-Bromosuccinimide.
Ring-opening Reactions of Heterocyclic Organometallics. IX. The Opening of Some Chloro-, Methylthio- and Methoxy-substituted 3-Thienyl- and 3-Selenienyllithium Derivatives.
Ring-opening Reactions of Heterocyclic Organometallics. X. Phenyl- and N,N-Dimethylaminomethyl-substituted 3-Thienyllithium Derivatives.
On the Halogen---Metal Exchange Reaction between Mixed Dihalothiophenes and Alkyllithium.
Heteroaromatic Boron Compounds. XVI. Some New Heteroaromatic Borohydrides.
On the Reaction of 3,4-Dibromo-2,5-dimethylthiophene-1,1-dioxide with Piperidine. X-Ray Structure Determination of 3-Bromo-2-methyl-4-piperidino-5-piperidinomethyl-cis-4,5-dihydrothiophene-1,1-dioxide.
Cyclopropanation of Some Michael Acceptors with Thiophenium Bis(methoxycarbonyl)methylides.
Reactions with Three Hydrozirconiation Reagents.
Dimerization Reactions of Some Thiophene 1,1-Dioxides. Preparation of Benzo[b]thiophene 1,1-Dioxides.
Further Examples of Tandem Dimerization Ring-Opening of Substituted 3-Bromothiophene 1,1-Dioxides. Preparation of Trisubstituted Benzenes. X-Ray Structure Determination of 3,5-Dibromo-7,7a-dimethyl-2,4-diphenyl-cis-3a,7a-dihydrobenzo[b]thiophene 1,1-Dioxide.
Pyridine-Substituted Hydroxythiophenes. I. Preparation of o-(2-, 3- and 4-pyridyl)-3-hydroxythiophenes.
Hydrozirconation--Isomerisation. Reactions of Terminally Functionalised Olefins with Zirconocene Hydrides and General Aspects.
Pyridine-Substituted Hydroxythiophenes. III. Dimerization of 3-(2-Pyridyl)thiophen-2(5H)-one from the Demethylation Reaction of 2-Methoxy-3-(2-pyridyl)thiophene. X-Ray Structure Determination of (+-)-(3R*,4S*)-3-(2-Pyridyl)-4-[2-oxo-3-(1,2-dihydropyridin-2-ylidene)-2,3-dihydrothiophen-5-yl]-4,5-dihydrothiophen-2(3H)-one.
On the Reaction of Thieno[c][1,5]naphthyridine 5-Oxides and 9-Oxides with Thionyl Chloride and Thionyl Bromide. Some Selective Nucleophilic Reactions.
Structural Chemistry of Polycyclic Heteroaromatic Compounds. Part VII. Photoelectron Spectra and Electronic Structures of Thienonaphthyridines. Part I.
Structural Chemistry of Polycyclic Heteroaromatic Compounds. Part VIII. Photoelectron Spectra and Electronic Structures of Thienonaphthyridines. Part II.
Asymmetric Induction in the Amine-Induced Ring-Opening of 3-Bromo-5-ethyl-2-isopropylthiophene 1,1-Dioxide using L-Prolinol.
Structure of the Radicals Formed in Thermal and Photochemical Reactions of 3-Alkylthiophenes under Acidic Conditions.


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Real Kashmir FC coach Robertson has been awarded the British Empire Medal
Image courtesy: The Bridge
The British Empire Medal (BEM) has been awarded to David Alexander Robertson, coach of Kashmir's famous football club Real Kashmir FC, for his services to the community in the valley and strengthening UK-India relations, a feat he dedicated to the people of Kashmir and the team he has been working with.
According to the list given on the occasion of Queen Elizabeth II's birthday "Manager, Real Kashmir Football Club, India, receives a British Empire Medal (BEM) for contributions to the community in Kashmir and UK-India ties." To commemorate the monarch's official birthday, the British government revealed the honours on Saturday.
In the Queen's Birthday Honours List, the 52-year-old Robertson, who has been the coach of Real Kashmir Football Club, was awarded a British Empire Medal (BEM) for services to the local community.
"The award recognises Mr Robertson's outstanding contribution to the sport and the community as head coach of Real Kashmir FC since January 2017. This included guiding the football team into the I-League – the first time the team has competed at this level," the official list read.
Robertson expressed his gratitude for being recognised and honoured for his work in Kashmir, saying he is very happy and honoured. The British Empire Medal (BEM) is a British and Commonwealth honour given in honour of meritorious civil or military service. Robertson said to PTI that it had been an incredible adventure working with the people of Kashmir and the club for almost five years. It was a great experience.
Real Kashmir FC was founded in 2016, gained prominence in May 2018 after winning the second division I-league. In their first season, they finished third in the main I-league. The also well known as the 'Snow Leopards,' won the IFA Shield tournament last year, marking the club's first major triumph since its existence.
The club has gotten worldwide notice when BBC Scotland produced a documentary called "Return to Real Kashmir FC," which followed the team and their Scottish boss Robertson. The documentary won the British Academy Film and Television Arts' 'Single Documentary' category award (BAFTA).
David Alexander RobertsonfootballI-LeagueIndiaIndian footballKashmirReal Kashmir FCsportsUk
Tata PUNCH signs with FC Goa as Principal Sponsor for Hero Indian Super League…
Could FIFA 22's Inclusion of the Indian Super League help to Boost its Global Appeal?
Indian Super League 2021-22 season to begin on November 19 in Goa
AFC Women's Asian Cup 2022: Mumbai, Navi Mumbai, Pune announced as new venue

redpajama_set_name: RedPajamaCommonCrawl


Roll out the red carpet, because Green Spot is coming to town. Baked apple, spiced sultanas, lush green lawns, and ripe green fruits greet the nose. It's oily, smothering, and luxuriantly juicy, with a depth of character that tips over the back of the tongue like nectar. That mélange of light vanilla, butterscotch, and creamy rice pudding sprinkled with nutmeg is heavenly. If this doesn't persuade you to fall in love with Irish pot still whiskey, then nothing will.
From Calistoga, California to County Cork, this zinfandel-finished whiskey has bramble, damson jam, red apple, and glacé cherry, with cake mix, flaked almonds, and a steel-tipped edge of spice. Red apple, lemon peel, pithy orange, and crunchy red apple, teasing spice, with just a suggestion of mint mingled into the dry, spicy finish. First Saint-Julien, then Napa; where will Green Spot take our taste buds next?
Mitchell & Son's classic whiskey finished for 1 to 2 years in wine casks formerly used by the Barton family in the St-Julien appellation. Spiced apple, redcurrant, blushing pink young raspberries, with a deeper earthiness, like a hedgerow run wild. An autumnal character: apple, rhubarb, ginger, piquant fruits, more vanilla, then a finish of sweetened apple and peppercorns. A definite imprint from the higher-strength pot still. It feels like the wine has shaped, sculpted, and finessed the whisky beautifully. À votre santé!


DR DOPING sells medicines, vitamins, nootropics, additives, angelman syndrome minocycline results for acne and other healthy products at the international level.
DR DOPING continuously strives to improve your online shopping experience. Initially, our company promoted the benefits of doping Mildronate and cialis gas fire pit; hence the name - DR DOPING. We are confident that the DR DOPING offers the best conditions for the ordering of health products available on the market.


Much of our produce is grown with various insecticides, pesticides and herbicides that are designed to keep pests and diseases away. Many of them are oil-based, and do not come clean with water alone. Even organic produce has residue from insects, human handling, grocery store watering systems and machines. Learn more about what's on your food.
Why should I wash my fruits and vegetables?
Why isn't washing with water enough?
If I buy organic, do I still need to wash my produce?


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killyour.guru
a @patamystic blog
THAT TIME
XPT
Eric Jennings
Erwin Dink
Luc Schwob
that-time
That Time (4) Running Into Myself
by Eric Jennings
I attended an online writing class this morning (Thanks Roz) and one of the prompts resulted in this short episode. It surprised me how easily this came because I've never written about this memory before. I'm including it here because it feels like a good summary of what I'm attempting to do with these stories.
"Wow! This place is huge! This is gonna be great."
He's in a onesie. It covers his feet with soft fabric. His excitement propels him. He runs into the house, down the hall, into the kitchen. He makes a sliding stop, changes directions, runs back and to the left, into the den. Slides again. Stairs! Tries running up but it's too steep, his feet too slippery. Almost falls on his ass, laughing. Grabs the hand rail, steps up quickly but in control. As soon as he steps onto the landing he takes off again. Into and out of the four rooms. Four bedrooms! This is amazing!
Go ahead. Run. Enjoy this. You will always treasure this moment. The feeling of wonder. At the space. The expanse. The new polished floor. The lack of furniture, of anything. The number of rooms. The freedom. The escape. It won't last, of course, but for a few brief moments, you come out of your shell. You allow yourself to expand into the space of this new, gigantic house. You'll remember this feeling forever. I do.
From this moment, you will always love moving. Leaving a place. Letting go. The excitement of discovery, of potential. Leaving the past behind and entering a world of possibility. Of hope. However short-lived.
"You make it sound like it's not real. Like I'm running away. But I'm not. I know exactly what's going on here. I'm remembering that I'm still a child. I'm allowing myself to be a child. I'm allowing myself to feel safe. My hope isn't about the future. I don't care what comes next. I'm not running away. I'm running into myself."
onsie
That Time (15) You Probably Didn't Know That About Taxis
That Time (14) It Ain't Over Until It's Over
The Fall Frum Grace
Shattered and Smothered
I shoot film (120 & 35) and digital (iphone) and most of my work is manipulated to some degree or another, usually another.
Maybe not so fine but it's on Fine Art America so what the hell. A mix of scanned artwork, digital compositions and heavily manipulated photographs.
F.A.A.
Sounds & Music
A mix of poetry, spoken word, music, and audio art.
That Time (15) You Probably Didn't Know That About Taxis
We're hanging out on the golf course at midnight. We…
That Time (14) It Ain't Over Until It's Over
Writing without an editor can lead to dumb shit like,…
Writing without an editor can lead to dumb shit like, "deep writing."…
We're hanging out on the golf course at midnight. We dropped acid a couple hours ago…
Writing without an editor can lead to dumb shit like, "deep writing." That was painful to…
eagles toppling mountain goats
he came up onan eagle on a sandbarlooking over his shoulderbloody beak drippingwith dead cormorant it…
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Juvenile Law Center joined Child USA; The Institute on Violence, Abuse and Trauma; The Leadership Council on Child Abuse & Interpersonal Violence; and Dr. Murray David Schane of Malesurvivor on an amicus brief filed in the United States Supreme Court on behalf of Scotty Morrow, who was sentenced to death. Our brief urged the court to grant certiorari to address the lower court's failure to adequately consider Mr. Morrow's childhood sexual abuse as powerful mitigating evidence counseling against the imposition of the death penalty.
The U.S. Supreme Court denied Mr. Morrow's Petition for Writ of Certiorari.


Jack and the Beanstalk is a 3D animated video slot designed and developed by Net Entertainment, and based on the fairy tale of the same name. Jack and the Beanstalk can see you win up to 600,000 coins via its non-progressive jackpot, which is considerable for any NetEnt developed game. Jack and the Beanstalk offers you the chance to bet on 5 wonderfully colourful reels, and 20 fixed paylines. Players do have the liberty of adjusting their coin values from 0.01 up to up to 0.50 in total, whilst at the same time staking anything from 1 to 10 coins per line. You are looking at a minimum betting range of 0.20 per spin, up to a maximum limit of 100.00 per spin, which isn't too bad for any video slot, really.
The wild symbol in Jack and the Beanstalk is truly unique. It is known as a Walking Wild, for when it appears, it will walk its way from the rightmost reel to the left until it disappears from the screen. That's not all, though. Walking Wilds can offer free re-spins as long as they appear on the reels. All wins with wild symbols are tripled, and wilds can replace all other icons save for scatters and key icons.
Scatter icons appear as treasure chests. When 3 or more of these symbols appear anywhere on the reels, players will activate a bonus consisting of a total of 10 free games. Three or more scatters during this bonus will see you win another 5 free spins to your tally. Scatter icons do not offer cash prizes on their own in this video slot machine game.
During the bonus round of the Jack and the Beanstalk slot, it is possible to land key symbols to unlock extra special wild features. Collect 3 key symbols and the wilds will transform into stacked money bag icons, two symbols deep. Collect 6 key symbols and the wilds will turn into stacked golden hen symbols, which are three symbols deep. If you can land 9 key symbols on the reels of the bonus game, then all wilds will turn into expanding golden harp wild icons, occupying every position on the reel they appear on. It is quite difficult to land the latter two stages of the key feature, but if you do, expect huge wins, since wilds are hugely important to overall wins in this game.
Currenty there are no reviews for Jack and the Beanstalk. Be the first one who will review it.


Send really cheap international texts to Cayman Islands for just 4.8¢ per message with our Global SMS service. There are no contracts or monthly fees, you just pay for the texts you send.
Localphone also offers cheap calls to Cayman Islands from anywhere in the world.
Localphone's speed dial contacts are really good, seamless texting and calls.


Junior Mabel Cheng was chosen as Lancer of the Month for November. A successful competitor in both the Sporter and Precision Air Riflery programs, Mabel finished 7th in ILH championship and 16th overall in the state championships. Mabel does an excellent job of translating her athletic skills to the classroom. She maintains a 4.3 GPA while serving as a member of the National Honor Society and the Sacred Hearts Academy marching band. Her teachers describe her as meticulous, well-prepared, generous, loyal, and a great collaborator.


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Logging to logstash (python tech demo client). Supports logging through the TCP or UDP protocol.

Based on instructions from https://deviantony.wordpress.com/2014/12/06/an-elk-stack-powered-by-docker-and-fig/ .

# Setup

    ### Use fig to up the containers:

        $ fig up

    ### To send some data to logstash:

        $ virtualenv virtualenv
        $ source virtualenv/bin/activate
        $ pip install -r requirements.txt
        $ python logstash_all_the_things.py

    ### Check the data sended (Kibana 3):
        - http://localhost:8080/index.html#/dashboard/file/logstash.json

    ### Check the data sended (Kibana 4):
        - http://localhost:5601
        Then, click on "Discover" on the menu bar.

    ### Check if the Elasticsearch indexes where created:
        - http://localhost:9200/_aliases?pretty

# Another references:
    https://pypi.python.org/pypi/python-logstash/0.4.2

# TODO

Secure kibana 3/4 using some authentication mechanism.

redpajama_set_name: RedPajamaGithub


text:
Structure and Format of Peer-Reviewed Scientific Manuscripts
ABOS 2023 Knowledge Sources
Case Repository
Audio Monthly Podcasts
Methodology Minute
Visual Abstracts
ASSH
Information for Public & Patients
Information for Surgeons and Hand Care Professionals
Companion Journal
Journal of Hand Surgery Global Online
Editor's choice| Volume 44, ISSUE 1, P9-17, January 2019
Transferring the Motor Branch of the Opponens Pollicis to the Terminal Division of the Deep Branch of the Ulnar Nerve for Pinch Reconstruction
Jayme Augusto Bertelli, MD, PhD
Jayme Augusto Bertelli
Corresponding author: Jayme Augusto Bertelli, MD, PhD, Rua Newton Ramos 70, apto 901, Florianópolis-SC, 88015395, Brazil.
Center of Biological and Health Sciences, Department of Neurosurgery, University of the South of Santa Catarina (Unisul), Tubarão, SC, Brazil
Francisco Soldado, MD, PhD
Francisco Soldado
Pediatric Hand Surgery and Microsurgery Unit, Hospital Sant Joan de Deu, Universitat de Barcelona, Barcelona, Spain
Alfonso Rodrígues-Baeza, MD, PhD
Alfonso Rodrígues-Baeza
Human Anatomy Unit, Morphologic Sciences Department, Faculty of Medicine, Universitat Autònoma de Barcelona, Barcelona, Spain
Marcos Flávio Ghizoni, MD, MS
Marcos Flávio Ghizoni
Published:October 23, 2018DOI:https://doi.org/10.1016/j.jhsa.2018.09.010
Previous ArticleClinical Care Redesign to Improve Value in Carpal Tunnel Syndrome: A Before-and-After Implementation Study
Next ArticleExternal Fixation Versus Volar Locking Plate for Unstable Dorsally Displaced Distal Radius Fractures—A 3-Year Follow-Up of a Randomized Controlled Study
With ulnar nerve injuries, paralysis of the first dorsal interosseous (FDI) and the adductor pollicis (ADP) muscles weakens pinch. The likelihood that these muscles will be reinnervated following ulnar nerve repair around the elbow is very low. To overcome this obstacle, we propose a more distal repair: transferring the opponens pollicis motor branch (OPB) to the terminal division of the deep branch of the ulnar nerve (TDDBUN).
We dissected 10 embalmed hands to study the anatomy of the thenar branches of the median nerve and TDDBUN. We also operated on 3 patients with recent ulnar nerve injuries around the elbow, suturing the ulnar nerve and transferring the OPB to the TDDBUN. Before and after surgery, we measured grasp, key pinch, and pinch-to-zoom strength using dynamometers. Pinch-to-zoom gesture consists of moving the index finger and thumb pulp toward each other for zooming out of an image on screen. Patients were followed for at least 15 months.
The thenar branch of the median nerve innervated the abductor pollicis brevis and opponens pollicis in all specimens, but only half the superficial head of the flexor pollicis brevis. The TDDBUN gave off a single motor branch to the transverse head of the ADP, 1 or 2 branches to the oblique head, and a final branch to the FDI. The ratio of myelinated fibers between the OPB and the TDDBUN was 3:5. Relative to the normal side, pinch-to-zoom strength was mostly affected by the ulnar nerve lesion, with strength decreased by 80% to 90%. After surgery, we observed reinnervation of the FDI and an 80% to 90% improvement in pinch-to-zoom strength.
Transferring the OPB to the TDDBUN provided reinnervation of the FDI and ADP, thereby contributing to pinch strength improvement.
Type of study/level of evidence
Therapeutic V.
Nerve transfer
nerve grafting
ulnar nerve palsy
nerve repair
high ulnar nerve injury


The Adventures of Flat Debi or How I have Been Blessed by God with Special Friends!
Want a great way to make a friend feel included when they can't be with there for a special event?
Have you ever heard of Flat Stanley? IF not, you can find out all about him HERE.
Recently I was not able to attend a "Girls Weekend" my girlfriends and I had been planning for months. A family commitment had come up I needed to be home for and I was feeling low, knowing my friends would be going without me.
But wait … they weren't going to do that … unbeknownst to me my sweet friend Amy created "Flat Debi" and off we went!!
I laughed out loud when I received my first "Flat Debi" picture through a text message.
We had a weekend at Janet's house filled with shopping and sewing planned and there I was with my friend Sherrie as we began our sewing project!
It wasn't long before we got hungry and sat down for a lunch of chicken salad sandwiches. They even got me my Root Beer!
For an afternoon break, we feasted on homemade cookies and washed them down with a bit of wine!
Here I am admiring Amy's T-Shirt quilt. It looked huge next to me!
I was in bed by 9:30! It had been a long day of visiting and sewing! (And eating).
We got up bright and early the next day.
And we shopped ….and shopped …. and shopped!
Then we took a quick trip to see the world's largest Ketchup bottle! Any ideas what city we are in?
Once we got back to Janet's house that night, the excitement really began.
There was a storm and lightning struck the house. Before long the basement began to fill with smoke and the fire department was called!
Here I am helping out the firemen!
After all of the excitement, they wouldn't let us stay in the house, so we headed to the Hampton Inn. I was exhausted and quickly climbed into bed.
The next morning we got up and enjoyed a great breakfast.
We then headed out for the drive home. But … on the way we realized we had left some of our purchases in Janet's car. Janet was so sweet and met us half way at this truck stop so we could retrieve them.
Once again I was buckled in and headed for home.
We took one final stop along the way for a visit with Sherrie's precious grandchildren. I love these little people!
These photos made me laugh every time I got one! If felt so special to know they were thinking about me and took the time to include me in their fun!
Hope you enjoyed the adventures of Flat Debi!
What special things do you do to make a friend feel special?
I hope you feel as blessed with good friends as I do!
I'm beginning to think you are a figment of Sherrie and Amy's imagination!!! Certainly enjoyed having you with us!!!
Ah ha ha!! That was hilarious!!
Old Time Pottery!!?? I did not know there was one in Illinois, that's one of my favorite stores to visit in Florida when we go!
Flat Debi had almost as much fun as if Debi had really been there! The fun memory will last forever!!
How cute and thoughtful, you have great friends!
What a great and thoughtful idea to make you smile, even though you couldn't be there! Enjoyed the pictures and the story!
The world's largest ketchup bottle is in Collinsville, IL! Been there!! It's also for sale if you're interested!! LOVE LOVE LOVE your Flat Debi tale. Laura & I did this same thing a few years ago with our husbands, Flat Garry & Flat Ron.


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NFHS: Setting High School Rules For Nearly 90 Years
Rules • November 6, 2019
By Dr. Karissa Niehoff
NFHS Executive Director
INDIANAPOLIS, INDIANA (November 6, 2019) – When it comes to writing playing rules for major sports in the United States, it's all in the acronyms. In football, you have the NFL, NCAA and NFHS (National Federation of State High School Associations). In basketball, it's the NBA, NCAA and NFHS. In baseball, the rules-makers are MLB, NCAA and NFHS.
While the NFL, NBA, MLB and NCAA can be used on first reference without explanation, many people are unfamiliar with the NFHS. And yet the NFHS has been around as long – or longer – than the other four major sports organizations.
In many cases, references to NFHS rules – not only in these three major sports but the other 14 sports for which the organization writes rules – are simply noted as "high school rules." The reality, however, is the NFHS has been the national organization most directly focused on sports playing rules in the past 90 years since it published its first Football Rules Book in 1932.
With almost 8 million participants in high school sports, NFHS rules are written for more individuals than all other levels of sports combined. As a result, risk minimization and the fundamentals of good sportsmanship are paramount to the rules-writing process for the NFHS and often are the distinguishing factors from rules at the higher levels of the sport.
Perhaps football is the best example of the commitment to risk minimization. In the mid-1970s, the NFHS was at the forefront of change when it outlawed spearing in high school football. The 1976 rule revision changed the landscape of high school football from an injury standpoint – from a high of 36 direct fatalities in 1968 to an average of about two per year by 2018.
Some people have questioned why there are multiple rules codes for a sport. Very simply, NFHS rules for high school play must be different than at the college and professional levels.
As an example, while professional baseball is concerned with how fast a baseball exits the batter's box (Exit Velocity) and how far the ball travels on a home run, the NFHS has enacted bat standards during the past 20 years to reduce the speed of balls coming off aluminum bats. In wrestling, the NFHS has enacted strict weight-management plans to reduce the risk of health issues. In ice hockey, while fighting is an accepted part of the sport at the professional level, NFHS rules have strict rules prohibiting all forms of unsportsmanlike conduct. In football, NFHS rules do not permit the excessive celebration displays following touchdowns that occur during NFL games.
In addition to risk minimization and sportsmanship, the NFHS must also weigh financial implications for schools when considering equipment and uniform changes. With schools ranging in size from less than 100 to more than 5,000 students, decisions must be made for the masses and cannot put undue financial hardships on schools.
NFHS rules are also written with the understanding that appropriate behavior begins with the coach, who is responsible for ensuring that his or her team exhibits good sporting behavior. Many penalties for unsportsmanlike conduct on the team are first directed against the coach.
While the NFHS and its member state associations govern the high school place in various sports – not only with playing rules but other issues as well – we maintain relationships with the National Governing Bodies (NGBs) in these sports to assist in meeting the needs of all participants.
On November 6, the NFHS hosted a summit of various leaders of NGBs in Indianapolis. Leaders from about 15 NGBs will meet with NFHS staff to discuss various initiatives and opportunities for collaborative programs. We hope this is the first of many such meetings as it is crucial that all levels of sport work together to ensure ongoing opportunities for all sports participants.
Dr. Karissa L. Niehoff is in her second year as executive director of the National Federation of State High School Associations (NFHS) in Indianapolis, Indiana. She is the first female to head the national leadership organization for high school athletics and performing arts activities and the sixth full-time executive director of the NFHS, which celebrated its 100th year of service during the 2018-19 school year. She previously was executive director of the Connecticut Association of Schools-Connecticut Interscholastic Athletic Conference for seven years.
High School NFHS Rules


Noida-based company Lava, known for its cost-effective smartphones, has launched a new handset. Dubbed as the Z60, this phone costs Rs 6,499. This dual-SIM offers 4G VoLTE support. So that you can use it with your Jio SIM without any hassle.
The Lava Z60 sports a 5-inch FWVGA display with 854×480 resolution. The pixel density of 196 ppi is not something to brag about. The phone is powered by a 1.1 GHz quad-core processor and comes with 1 GB RAM. It has 16 GB internal storage. Plus, you can add more via a microSD card slot.
The photography needs are taken care of by the 5 MP rear camera which comes with autofocus and bokeh modes. The selfie camera also features a 5 MP module. Both the front and rear cameras are accompanied with LED flash.
It covers essential sensors such as proximity, ambient light, and gyro. The first one turns off the display when you hold it to the ear. The second one adjusts the backlight depending on surrounding lighting conditions. Lastly, the gyro sensor is needed for maps and navigation. Its connectivity features include Bluetooth v4.0, Wi-Fi, USB 2.0, GPS, FM radio, and 3.5 mm audio jack. The Lava Z60 runs Android Nougat 7.0 out-of-the-box. Lava has added gimmicky features such as Flip to Mute and Smart Gestures.


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text:
Q: Como baixar imagens sequencialmente de um site usando WGet? Preciso saber onde está o erro no comando:
 wget http://shadowera.com/cards/se{001..200}.jpg

Utilizei o site "shadowera" para teste.
Preciso saber como salvar várias imagens de uma só vez, e dessa forma não está funcionando.

A: Solução
Antes de usar este loop, digite cmd /v no console para habilitar a expansão de parâmetros:
set i=1000 && for /l %a in (1,1,200) do (
   set /a "i=!i!+1" && wget http://shadowera.com/cards/se!i:~1,3!.jpg )

A quebra de linha é para facilitar a leitura apenas.
Explicação
Como estamos usando o CMD, e não um Shell, a expansão {001..200} não funciona. A solução encontrada foi um for.
for /l %a in (1,1,200) do ( ...comandos... )

O problema inicial é que o máximo que um for normal do CMD nos daria, seria uma contagem de 1 a 200, e não de 001 a 200, que é a saída necessária para o problema, dado que os arquivos são se001.jpg a se200.jpg, e não se1.jpg em diante.
Então, a solução simples seria contar de 1001 a 1200 e aproveitar os últimos três digitos apenas. Para isso, a idéia inicial seria utilizar as substrings do CMD:
%variavel:~posicaoinicial,final%

Como nada é simples, infelizmente as substrings do CMD só funcionam pra variáveis de ambiente "convencionais", e não se aplicam à do for, %a no caso.
Para isto, utilizamos uma variável adicional, i, iniciando por 1000, e a incrementamos durante o loop. Para manter tudo em uma linha só, usamos o && (and)  para concatenar os comandos.
set i=1000 && ..for.. ( set /a "i=%i%+1 ..

Mas... Isto não funciona!
Não funciona, pois a atribuição dos sets é feita primeiro, e ele vai executar o comando seguinte com os valores errados.
A solução: iniciar um CMD com flag /V, que ativa a expansão atrasada da variável, que resolve nosso problema. Para isto usamos o formato !variavel! no lugar de %variável%
O resultado é o comando composto, do início da resposta.

redpajama_set_name: RedPajamaStackExchange


18 holes. par 70. 6,021 yards. Links.
Golspie Golf Course was founded by the Sutherland Golf Society in 1889 but was redesigned under the stewardship of the world-renowned golf course architect James Braid in 1925. Golspie Golf Course offers a magnificent links golf experience but it is not quite as traditional as the likes of Royal Dornoch or Brora and a number of holes away from the shore offer a more heathland feel.
Measuring just 6,021 yards there a number of shorter holes, including 'Sahara' – a 288 yard par 4 and 'Fleet' – a 285 yard par 4.However, the course at Golspie requires extremely good course management and strategic shot placement from all who play it. There are few courses in Scotland that are sure to provide the variety of hole layouts and challenges that Golspie Golf Course offers, which makes it one of the best golf courses in the Scottish Highlands.
Visitors to Golspie Golf Course can book trolleys, carts and caddies, although it is advised that this is done in advance.
Golspie Golf Club plays host to a driving range, practice area and putting green.


text:
Home World USA John Forbes Nash Jr., known as "a beautiful mind", was killed in...
John Forbes Nash Jr., known as "a beautiful mind", was killed in a crash
His theories are used in economics, computing, evolutionary biology, artificial intelligence, accounting, politics and military theory. His life story was the subject of the film "A Beautiful Mind", with the starring actor Russell Crowe, who played Nash. The film won four Oscars. Nash was associated with Princeton University for many years. On May 19, Nash was in Oslo where he received the Abel Prize, a prestigious international math award. Years ago, he also was awarded the John von Neumann Theory Prize and the Leroy P. Steele Prize."We are stunned and saddened by news of the untimely passing of John Nash and his wife and great champion, Alicia," Princeton University President Christopher Eisgruber said in a statement Sunday.
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"For I am ready to be offered, and the time of my departure is at hand. I have fought a good fight, I have finished my course, I have kept the faith."
Mrs. Mary Louise Baskin Daniels, passed away on Wednesday, January 30, 2019.
The Celebration of Life Service for Mrs. Mary Louise Baskin Daniels will be he on Saturday, February 9, 2019 at 2:30 PM at Ed Roberts Chapel of Remembrance, 524 Greensboro Street, Winona, Mississippi.
The Interment will be in Forrest Hill Cemetery.


Researchers and historians are still learning about jazz history; there are many and various opinions about what is important in the history of jazz. What follows is an overview of jazz history that provides a foundation for this study.
A review of New Orleans' unique history and culture, with its distinctive character rooted in the colonial period, is helpful in understanding the complex circumstances that led to the development of New Orleans jazz. The city was founded in 1718 as part of the French Louisiana colony. The Louisiana territories were ceded to Spain in 1763 but were returned to France in 1803. France almost immediately sold the colony to the United States in the Louisiana Purchase.
New Orleans differed greatly from the rest of the young United States in its Old World cultural relationships. The Creole culture was Catholic and French-speaking rather than Protestant and English-speaking. A more liberal outlook on life prevailed, with an appreciation of good food, wine, music, and dancing. Festivals were frequent, and Governor William Claiborne, the first American-appointed governor of the territory of Louisiana, reportedly commented that New Orleanians were ungovernable because of their preoccupation with dancing.
The colony's culture was enriched not only from Europe but from Africa as well. As early as 1721 enslaved West Africans totaled 30% of the population of New Orleans, and by the end of the 1700s people of varied African descent, both free and slave, made up more than half the city's population. Many arrived via the Caribbean and brought with them West Indian cultural traditions.
After the Louisiana Purchase, English-speaking Anglo- and African-Americans flooded into New Orleans. Partially because of the cultural friction, these newcomers began settling upriver from Canal Street and from the already full French Quarter (Vieux Carre). These settlements extended the city boundaries and created the "uptown" American sector as a district apart from the older Creole "downtown." The influx of black Americans, first as slaves and later as free people, into uptown neighborhoods brought the elements of the blues, spirituals, and rural dances to New Orleans' music.
Ethnic diversity increased further during the 19th century. Many German and Irish immigrants came before the Civil War, and the number of Italian immigrants increased afterward. The concentration of new European immigrants in New Orleans was unique in the South.
This rich mix of cultures in New Orleans resulted in considerable cultural exchange. An early example was the city's relatively large and free "Creole of color" community. Creoles of color were people of mixed African and European blood and were often well educated craft and trades people. Creole of color musicians were particularly known for their skill and discipline. Many were educated in France and played in the best orchestras in the city.
In the city, people of different cultures and races often lived close together (in spite of conventional prejudices), which facilitated cultural interaction. For instance, wealthier families occupied the new spacious avenues and boulevards uptown, such as St. Charles and Napoleon avenues, while poorer families of all races who served those who were better off often lived on the smaller streets in the centers of the larger blocks. New Orleans did not have mono cultural ghettos like many other cities.
New Orleans' unusual history, its unique outlook on life, its rich ethnic and cultural makeup, and the resulting cultural interaction set the stage for development and evolution of many distinctive traditions. The city is famous for its festivals, foods, and, especially, its music. Each ethnic group in New Orleans contributed to the very active musical environment in the city, and in this way to the development of early jazz.
A well-known example of early ethnic influences significant to the origins of jazz is the African dance and drumming tradition, which was documented in New Orleans. By the mid-18th century, slaves gathered socially on Sundays at a special market outside the city's rampart. Later, the area became known as Congo Square, famous for its African dances and the preservation of African musical and cultural elements.
Although dance in Congo Square ended before the Civil War, a related musical tradition surfaced in the African-American neighborhoods at least by the 1880s. The Mardi Gras Indians were black "gangs" whose members "masked" as American Indians on Mardi Gras day to honor them. Black Mardi Gras Indians felt a spiritual affinity with Native American Indians. On Mardi Gras day gang members roamed their neighborhoods looking to confront other gangs in a show of strength that sometimes turned violent. The demonstration included drumming and call-and-response chanting that was strongly reminiscent of West African and Caribbean music. Mardi Gras Indian music was part of the environment of early jazz. Several early jazz figures such as Louis Armstrong and Lee Collins described being affected by Mardi Gras Indian processions as youngsters, and Jelly Roll Morton claimed to have been a "spyboy," or scout, for an Indian gang as a teenager.
New Orleans music was also impacted by the popular musical forms that proliferated throughout the United States following the Civil War. Brass marching bands were the rage in the late 1880s, and brass bands cropped up across America. There was also a growing national interest in syncopated musical styles influenced by African-American traditions, such as cakewalks and minstrel tunes. By the 1890s syncopated piano compositions called ragtime created a popular music sensation, and brass bands began supplementing the standard march repertoire with ragtime pieces.
Brass bands had become enormously popular in New Orleans as well as the rest of the country. In the 1880s New Orleans brass bands, such as the Excelsior and Onward, typically consisted of formally trained musicians reading complex scores for concerts, parades, and dances.
The roots of jazz were largely nourished in the African-American community but became a broader phenomenon that drew from many communities and ethnic groups in New Orleans. "Papa" Jack Laine's Reliance Brass Bands, for instance, were integrated before segregation pressures increased. Laine's bands, which were active around 1890 to 1913, became the most well known of the white ragtime bands. Laine was a promoter of the first generation of white jazzmen.
A special collaborative relationship developed between brass bands in New Orleans and mutual aid and benevolent societies. Mutual aid and benevolent societies were common among many ethnic groups in urban areas in the 19th century. After the Civil War such organizations took on special meaning for emancipated African-Americans who had limited economic resources. The purposes of such societies were to "help the sick and bury the dead" - important functions because blacks were generally prohibited from getting commercial health and life insurance and other services.
While many organizations in New Orleans used brass bands in parades, concerts, political rallies, and funerals, African-American mutual aid and benevolent societies had their own expressive approach to funeral processions and parades, which continues to the present. At their events, community celebrants would join in the exuberant dancing procession. The phenomena of community participation in parades became known as "the second line," second, that is, to the official society members and their contracted band.
Other community organizations also used New Orleans-style "ragtime" brass bands. Mardi Gras walking clubs, notably the Jefferson City Buzzards and the Cornet Carnival Club (still in existence), were employers of the music.
By the turn of the century New Orleans was thriving not only as a major sea and river port but also as a major entertainment center. Legitimate theater, vaudeville, and music publishing houses and instrument stores employed musicians in the central business district. Less legitimate entertainment establishments flourished in and around the officially sanctioned red-light district near Canal and Rampart streets. Out on the shores of Lake Ponchartrain bands competed for audiences at amusement parks and resorts. Street parades were common in the neighborhood, and community social halls and corner saloons held dances almost nightly.
New Orleanians never lost their penchant for dancing, and most of the city's brass band members doubled as dance band players. The Superior Brass Band, for instance, had overlapping personnel with its sister group, The Superior Orchestra. Dance bands and orchestras softened the brass sound with stringed instruments, including violin, guitar, and string bass. At the turn of the century string dance bands were popular in more polite settings, and "dirty" music, as the more genteel dances were known, was the staple of many downtown Creole of color bands such as John Robichaux's Orchestra.
But earthier vernacular dance styles were also increasing in popularity in New Orleans. Over the last decade of the 19th century, non reading musicians playing more improvised music drew larger audiences for dances and parades. For example, between 1895 and 1900 uptown cornet player Charles "Buddy" Bolden began incorporating improvised blues and increasing the tempo of familiar dance tunes. Bolden was credited by many early jazzmen as the first musician to have a distinctive new style. The increasing popularity of this more "ratty" music brought many trained and untrained musicians into the improvising bands. Also, repressive segregation laws passed in the 1890s (as a backlash to Reconstruction) increased discrimination toward anyone with African blood and eliminated the special status previously afforded Creoles of color. These changes ultimately united black and Creole of color musicians, thus strengthening early jazz by combing the uptown improvisational style with the more disciplined Creole approach.
The instrumentation and section playing of the brass bands increasingly influenced the dance bands, which changed in orientation from string to brass instruments. What ultimately became the standard front line of a New Orleans jazz band was cornet, clarinet, and trombone. These horns collectively improvising or "faking" ragtime yielded the characteristic polyphonic sound of New Orleans jazz.
Most New Orleans events were accompanied by music, and there were many opportunities for musicians to work. In addition to parades and dances, bands played at picnics, fish fries, political rallies, store openings, lawn parties, athletic events, church festivals, weddings, and funerals. Neighborhood social halls, some operated by mutual aid and benevolent societies or other civic organizations, were frequently the sites of banquets and dances. Early jazz was found in neighborhoods all over and around New Orleans - it was a normal part of community life.
Sometime before 1900, African-American neighborhood organizations known as social aid and pleasure clubs also began to spring up in the city. Similar in their neighborhood orientation to the mutual aid and benevolent societies, the purposes of social and pleasure clubs were to provide a social outlet for its members, provide community service, and parade as an expression of community pride. This parading provided dependable work for musicians and became an important training ground for young musical talent.
New Orleans jazz began to spread to other cities as the city's musicians joined riverboat bands and vaudeville, minstrel, and other show tours. Jelly Roll Morton, an innovative piano stylist and composer, began his odyssey outside of New Orleans as early as 1907. The Original Creole Orchestra, featuring Freddie Keppard, was an important early group that left New Orleans, moving to Los Angeles in 1912 and then touring the Orpheum Theater circuit, with gigs in Chicago and New York. In fact, Chicago and New York became the main markets for New Orleans jazz. Tom Brown's Band from Dixieland left New Orleans for Chicago in 1915, and Nick LaRocca and other members of the Original Dixieland Jazz Band headed there in 1916.
In 1917 the Original Dixieland Jazz Band cut the first commercial jazz recording while playing in New York City, where they were enthusiastically received. The Victor release was an unexpected hit. Suddenly, jazz New Orleans style was a national craze.
With the new demand for jazz, employment opportunities in the north coaxed more musicians to leave New Orleans. For example, clarinetist Sidney Bechet left for Chicago in 1917, and cornetist Joe "King" Oliver followed two years later. The appeal of the New Orleans sound knew no boundaries. By 1919 the Original Dixieland Jazz Band was performing in England and Bechet was in France; their music was wholeheartedly welcomed.
King Oliver, who had led popular bands in New Orleans along with trombonist Edward "Kid" Ory, established the trend-setting Creole Jazz Band in Chicago in 1922. Also in Chicago, the New Orleans Rhythm Kings blended the Oliver and Original Dixieland Jazz Band sounds and collaborated with Jelly Roll Morton in 1923.
Perhaps the most significant departure from New Orleans was in 1922 when Louis Armstrong was summoned to Chicago by King Oliver, his mentor. Louis Armstrong swung with a great New Orleans feeling, but unlike any of his predecessors, his brilliant playing led a revolution in jazz that replaced the polyphonic ensemble style of New Orleans with development of the soloist's art. The technical improvement and popularity of phonograph records spread Armstrong's instrumental and vocal innovations and make him internationally famous. His Hot Five and Hot Seven recordings (1925-28), including his celebrated work with Earl Hines, were quite popular and are milestones in the progression of the music.
Jelly Roll Morton, another New Orleans giant, also made a series of influential recordings while based in Chicago in the 1920s. Morton's compositions added sophistication and a structure for soloists to explore, and his work set the stage for the Swing era.
New Orleans musicians and musical styles continued to influence jazz nationally as the music went through a rapid series of stylistic changes. Jazz became the unchallenged popular music of America during the Swing era of the 1930s and 1940s. Later innovations, such as bebop in the 1940s and avant-garde in the 1960s, departed further from the New Orleans tradition.
Once the small-band New Orleans style fell out of fashion, attempts were made to revive the music. In the late 1930s, recognizing that early jazz had been neglected and deserved serious study, jazz enthusiasts turned back to New Orleans. Many New Orleans musicians and others were still actively playing traditional jazz. Recordings and performances by Bunk Johnson and George Lewis stimulated a national jazz revival movement, providing opportunities for traditional jazz players that persist today.
Sidney Bechet, "Treat It Gentle"
There was this club, too, that we played at, the Twenty-Five Club. That was about 1912, 1913; and all the time we played there, people were talking about Freddie Keppard. Freddie, he had left New Orleans with his band and he was traveling all over the country playing towns on the Orpheum Circuit. At the time, you know, that was something new and Freddie kept sending back all these clippings from what all the newspapermen and the critics and all was writing up about him, about his music, about his band. And all these clippings were asking the same thing: where did it come from? It seems like everyone along the circuit was coming up to Freddie to ask about this ragtime. Especially when his show, the Original Creole Band, got to the Winter Gardens in New York...that was the time they was asking about it the most. Where did it come from? And back at the Twenty-Five these friends of Freddie's kept coming around and showing these clippings, wanting to know what it was all about. It was a new thing then.
Baby Dodds, "The Baby Dodds Story"
[Big Eye Louis Nelson] lived downtown, and I lived uptown. He was on the north side of town, and I was living on the south side. In other words, he was a Creole and lived in the French part of town. Canal Street was the dividing line and the people from the different sections didn't mix. The musicians mixed only if you were good enough. But at one time the Creole fellows thought uptown musicians weren't good enough to play with them, because most of the uptown musicians didn't read music. Everybody in the French part of town read music.
Louis Armstrong, "Satchmo: My Life in New Orleans"
The funerals in New Orleans are sad until the body is finally lowered into the grave and the reverend says, "ashes to ashes and dust to dust." After the brother was six feet under the ground the band would strike up one of those good old tunes like "Didn't He Ramble", and all the people would leave their worries behind. Particularly when King Oliver blew that last chorus in high register.
Once the band starts, everybody starts swaying from one side of the street to the other, especially those who drop in and follow the ones who have been to the funeral. These people are known as 'the second line', and the may be anyone passing along the street who wants to hear the music. The spirit hits them and they follow along to see what's happening.
Pops Foster, "Pops Foster: The Autobiography of a New Orleans Jazzman"
From about 1900 on, there were three types of bands playing in New Orleans. You had bands that played ragtime, ones that played sweet music, and the ones that played nothin' but blues. A band like John Robichaux's played nothin' but sweet music and played the dirty affairs. On a Saturday night Frankie Duson's Eagle Band would play the Masonic Hall because he played a whole lot of blues. A band like the Magnolia Band would play ragtime and work the District...All the bands around New Orleans would play quadrilles starting about midnight. When you did that nice people would know it was time to go home because things got rough after that.
You see, New Orleans was very organization-minded. I have never seen such beautiful clubs as they had there...the Broadway Swells, the High Arts, the Orleans Aides, the Bulls and Bears, the Tramps, the Iroquois, the Allegroes...that was just a few of them, and those clubs would parade at least once a week. They'd have a great big band. The grand marshal would ride in front with his aides behind him, all with expensive sashes and streamers.
"[T]he Livery Stable Blues" became a national hit. It was all over the world, even down in Honolulu and all where American forces went...we entertained over a million men... I played on the bill with Caruso. I played on the bills with Jolson. I played on the bills with Eddie Cantor.
This history was prepared by a National Park Service study team to be included in the Special Resource Study and Environmental Assessment of Suitable/Feasible Alternatives for the New Orleans Jazz National Historical Park in 1993.


It was a few years ago at Field & Supply that we first came across the work of New York-based Fiber Artist Alexandra Kohl. Kohl, an avid equestrian, combines the beauty of cotton with horsehair via a delicate dance of warp and weft. The result – hand-woven textiles which not only unite the natural qualities of plant and animal, but also emanate an intricacy that discreetly draws the viewer in for closer admiration. For anyone unfamiliar with the age-old craft of hand-weaving, it is a process equally laborious and tranquil; each individual yarn manipulated by the weaver in a deliberate act as intricate as those of an experienced surgeon. Kohl's masterful hand and eye for color marry flawlessly to preserve the longstanding tradition of hand-weaving.
In her most recent body of work, a joint venture with furniture designer J.M. Szymanski, bespoke furnishings juxtapose Kohl's soft substrates against the stature of cast iron. Named an emerging talent by Architectural Digest in 2017, Kohl's admiration for minimalism and organic architecture lends inspiration and is distinctly embodied in her textiles. What makes Kohl's work even more desirable? A unique versatility to complement a wide range of aesthetic preferences, modern to traditional.
Images courtesy of Alexandra Kohl.
There's a reason they call Maine Vacationland. No matter the length of your stay or coordinates on the map, this postcard-perfect state grabs hold of your psyche whilst everything else melts away. Truth be told, we've been going to Maine for years, and easily a tradition we'll continue for a lifetime more. An earlier Gilded Getaway found us in Portland, which in the short time since 2014 has exploded with such intensity that our travel compass is vehemently guiding us back for Getaway Guide v2.0. However, this trip had us craving a little more water, a little less land – we ventured farther up the rocky terrain, to an area the locals refer to as MidCoast.
Dotted with tiny coastal villages, each chock full of charm and character, the MidCoast region offers ocean vistas set against a backdrop of majestic mountains. Undoubtedly, one of the many reasons some of America's most notable painters flocked to the region to capture the remarkable landscape for the rest of the world to see. Our admiration lies with time spent off the land, sailing along the coast past island after island, colorful lobster buoys as far as the eye can see. The natives are a hearty group, New Englanders through and through, some more salty than others, all eager to welcome visitors to their small slice of Vacationland heaven. Take Camden's Schooner Surprise for example, setting sail in Penobscot Bay six months of the year, up to five sails per day. A crisp autumn breeze won't cause this 99-year-old vessel to drop anchor, simply layer on the blankets, pack on the puffers and away you go.
Back on solid ground and as one would expect, the local fare epitomizes the freshest catch. Naturally, there's seafood and lobsters galore, but what's more exciting to a discerning palate is the new roster of restaurants that beautifully balance the bounty of land and sea. Nina June, recently lauded by Bon Appetit as one of 2017's best new restaurants and of famed NYC restaurant lineage by way of Chef Sara Jenkins, does exactly that, all while overlooking a storybook setting below. Looking for a light lunch bite or packing for a picnic? Head to Main St. Markets in Rockland, pick up a handful of provisions and drive south to Owls Head State Park.
In these parts, we highly recommend a daily dose of Vitamin Sea, good for the soul and whatever else ails you.
If ever one could have a love affair with color, indigo would be our soul mate and Liz Robb, matchmaker extraordinaire. Interiors at the Gilded Getaway House have taken a keen liking (okay, more like a blatant schoolgirl crush) to the moody blue hue, and when we stumbled upon the work of this California based fiber artist, we immediately added another line item to our decorating wishlist. To the eye of a textile designer, the technical structure of Liz's work is beautifully simple + mindfully understated, elevated by her preference for natural fibers, which serve as the perfect canvas to highlight the hand-dyed techniques that envelop many of her pieces.
A visual journey through Liz's portfolio is easily equated to a leisurely stroll down the proverbial path of textile paradise. From where we stand, the only downfall with so much eye-candy? Selecting a favorite and speed dialing a commission, because surely, every prized piece by Sally England needs a pretty drop-dead gorgeous partner-in-crime. Summerset is, after all, only in her second season, and like any fresh, young starlet en route to making her golden debut, the layers of her wardrobe are just beginning.
Images courtesy of Liz Robb.
Our love affair with all things paper started as a wee petite, and given its unwavering fortitude well into adulthood, one might go so far as to say it's in our blood. Our grandfather worked for one of countless paper mills that hugged the waterways of western Mass., which in its heyday, was coined the 'paper capital of the world'. Fast forward two generations and our own playroom shelves were stocked with misprinted steno pads, overruns of colored sheets and reams of paper to our heart's content. The budding creative had found her treasure.
When the time arose for more serious contemplation on the subject of school supplies, the quest for the perfect sheet of loose leaf equated to an educational Mt. Everest. While some will question the mindfulness of such, others will fall in flashback step as we reminisce, (yes, we know you're out there). College-ruled, naturally, as wide-ruled was for those who had not yet tamed their flailing penmanship. Lines a soft shade of turquoise, printed crisp and light, 1 pt max should we dare to get technical. The left hand guide, a muted red dancing between Nantucket and Salmon on the Pantone spectrum. All in all, the perfect real estate for young prose and the proverbial checklist. Sadly, Mead, an old-school staple stocked in abundance come late-July, failed to deliver with blotchy printing and mis-matched hues. Instead, we headed to the illustrious bookstore of our hometown prep school, where the education was not only top-notch and befitting of future presidents, politicians and the nation's elite, but the office assortment was crême-de-la-crême in paper perfection.
Enter Allison Freeman, an MFA Yale-graduate and creative catalyst capable of bringing any paper hound straight to her knees with this unique collection. The artists' "Document" series, exhibited in 2010 at the Angell Gallery in Toronto, takes oil to canvas in her rendition of bureaucratic form through the simplistic lifecycle of receipts, to-do lists and bill of sales. Unfortunately, Ms. Freeman's personal site appears to be no more, and with a minute crumb trail left to gather the details, we're craving a taste of more. Disappointment aside, we're madly in love with these unique pieces, almost in scale to the papers they reference, yet wildy large in personality.
Images Courtesy of Angell Gallery and The Jealous Curator.
Fresh off the heels of our Providence jaunt, we migrated south to the birthplace of Betsy Ross, cheesesteaks and Brotherly Love. This Getaway Guide is our largest to date, a hearty blend of favorite standbys and new recruits. Why so abundant curious minds might inquire? Simply stated, Philadelphia was, and forever remains, a noteworthy chapter in this golden girl's story.
Having spent our collegiate years in this national treasure, it's a city marked by a personal journey (albeit cliché) of self-discovery and lifelong pursuits. A destination to transcend our New England roots, spread our creative wings and learn how to fly. Like a parched palate after a morning jog, we soaked up its offerings and yearned for more. Kelly Drive was our running path, a proverbial highway to the art at its end, where our mind danced in delight to the likes of Van Gogh, Dégas and Rodin. It was the nineties, Rendell was mayor, and 'The Vet' was still home to the city's own athletic birds-of-a-feather.
Fast forward to a new era and we're still going back. In the decade-plus since we formally packed up our bags and waved goodbye, the transformation of Philadelphia has been unabashedly awesome. New blood has moved in, walls were torn down, and things are a-changin'. And while many of our long-time loves have since shuttered their doors, the city's historic genes are far from forgotten. Modern delights are tucked between row homes and cobble-stoned streets, the quintessential tête-à-tête between past and present. Trailing our selections is a 'B' list miles long, far from second-class, and equally notable to those we've highlighted. But because our guides are perfectly pint-sized servings of that which we treasure and hold most dear, we may have no choice but to offer our readers a second helping.
There will be those who balk at our nod to a nationwide retailer, but one step through the door and we're sure you'll agree – it's okay to occasionally go for the wares, but always preferred to stand in awe of a building. In the mood for classic gems and glamorous baubles? Venture slightly off course from our favorite square, to discover a bona fide jewel box, where self-indulgence is not only recommended, but downright requisite. Looking for food to calm your cravings? Local restauranteurs have risen to the ranks of Jefferson and Franklin, their menus crafted in an act of culinary declaration.
While our guide may be biased by a local standard of sorts, it's a sheer testament to the validity of tried-and-true. So go for the history, stay for the food and fall in love with the culture.


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House of Breguet
The personalities
Unmistakable signs
Breguet records
Stolen pieces
Breguet Museums
My Breguet Sign In Register
Milestones 1747 - 1800
In 1775, the reign of Louis XVI just took place and ushers in a new wind over France. The King is favorable to the arts, and Breguet takes advantage of it to start its own business. He is successful up until the beginning of the French Revolution in 1789. The unstable climate in Paris forces him to flee his adopted country, and he returns to Switzerland. When he comes back, Abraham-Louis Breguet sets out to rebuild his business and find a new clientele.
Distinguished patrons
1775 - Paris, Quai de l'Horloge
Abraham-Louis Breguet sets up his own business on Quai de l'Horloge, Ile de la Cité in Paris in 1775.
He had just married and moved into an imposing dual-aspect building, which faced out from Quai de l'Horloge on one side and Place Dauphine on the other.
He came into its possession at the end of the Revolution and passed it on to his children. Some of them still live there today.
The House on the Quai, as it is known, is ideally placed in the district of the Ile de la Cité, where the silversmiths, dial-makers, needle and watch-case manufacturers of the time operated, taking full advantage of the Pont-Neuf, the central hub of Paris.
Its interiors feature the flaws of a house built under Henri IV. Nonetheless, it was between these walls that solutions, a style, and a vision that transformed watchmaking forever came to life.
It is said that some homes have a soul. Nothing could be more true of the House on the Quai. Three generations of Breguet watchmakers were followed by inventors fascinated by the use of electricity. The first phone call ever made in France took place between the second and fourth floor, one of many examples of the genius loci that occupies 39 Quai de l'Horloge.
Anonymous drawing. Private collection.
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This guide will show you how to switch from pre-production to production if you are using the Connector for Java library. The guide describes the changes in configuration that is necessary to make the switch.
For more information about the differences between pre-production and production, refer to Differences between pre-production and production.
The Connector for Java library includes all certificates that is necessary to connect to both the pre-production and production environment.
You must change the configuration settings to let the library know which environment you are connecting to. You must also redirect the user to the correct url at signicat.com.
If you are not using subdomains, change the url from https://preprod.signicat.com/… to https://id.signicat.com/… The path and all http parameters should be left unchanged.
If you are using Signicat Subdomains, change "preprod.signicat.com" to the subdomain you are using. The path and all http parameters should be left unchanged.
Find the location where you are specifying the name of the certificate in the configuration. The name of the configuration parameter is "asserting.party.certificate.subject.dn".


The company explained that the move to lower prices was an affirmative action designed to keep North Star in-step with a changed market.
Commenting at the time, the company's general manager, Peter Trembath, said "the changes are consistent with North Star's reputation for being a market leader and will surely make our cruises even more irresistible to the discerning adventurer!"
In addition to lower prices - North Star also announced 4 completely different options to cruise the magnificent Kimberley region.
The Kimberley Ultimate has always been North Star's flagship adventure. A two-week soiree along the Kimberley coast featuring a wild and beautiful panorama of rugged mountains, spectacular gorges and majestic waterfalls. Plus unexplained rock-art, extraordinary wildlife and monster barramundi.
Ultimate cruise. Here the landscape is dominated by the Kimberley's stunning gorge country including the Berkeley River, the King George Falls and the Mitchell River. The cruise includes helicopter/aircraft transfer to Broome.
For those pressed for time or perhaps considering the budget - the Kimberley Snapshot is the flagship Kimberley Ultimate itinerary condensed into a single week! The cruise features several Kimberley icons including the King Gorge Falls, the Hunter River, the Prince Regent River, Montgomery Reef and the Horizontal Waterfalls.
* A sundeck, forward observation lounge, ship's lounge, alfresco bar, internet cafe, plasma screens with interpretive information, lower deck dining room with large panoramic windows, and fine dining.
* All cabins feature enhanced decor, en-suite facilities, in-house entertainment and satellite telephones.


"I worked behind the till at Rough Trade in London, and now we're on stage at Rough Trade in New York City!"
I instantly fell in love with Oh Wonder upon hearing their song "Shark" on YouTube back in 2014 (video on the left). When I heard they were coming to Brooklyn, I immediately bought tickets. This was way back in March, so it was a long wait. Oh Wonder kept busy, working on their self-titled debut album, and spending a year releasing one song a month for free online. Definitely a unique way to build up an album release and grow attention. Characterized by harmonized male/female vocals and atmospheric piano and synth-led instrumentation backed by sparse electronic elements, Oh Wonder was as good live as they are on record.
The opening act was the mononymous Howard, who hit the stage with his Guild acoustic guitar and an effects board that included a looping pedal.
Oh Wonder took the stage next. Anthony West and Josephine Vander Gucht were supported by a full band, including a drummer, bassist, and even Josephine's brother on saxophone.
Josephine split her time between the synth and a Nord Electro 5 keyboard.
The backdrop of the stage were giant lights with the letters O and W, reminiscent of their debut album cover.
Probably one of my favorite shots from the Oh Wonder show. Josephine said it was their first show ever in New York, and that they would be returning in a few months.
She also told a story about how she used to work the register at the Rough Trade near Brick Lane in London (which I visited when I was over there). She was still in amazement that she was on stage at the NYC location (which she said, for the record, was much better than the London location).
Anthony took over keyboard duty on a few songs.
The two had a great time, and so did the crowd.
Since they only had one album, there was no encore but they took the time to share their gratitude for the New York crowd and said they'd be filming a music video in Brooklyn the next day.


Come baby, show me, show me you know me, tell me you're the one.
I could be dreaming but I keep believing you're the one I'm livin' for.
When I see you, it's as if I never had a thought.
But it's the only one I've got.
I could be unraveling wherever I'm traveling, even to foreign shores.


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Kerem Maharal (, lit. Maharal Vineyard) is a moshav in northern Israel. Located near Atlit, on the southern side of Mount Carmel, it falls under the jurisdiction of Hof HaCarmel Regional Council. In  it had a population of .

History
The moshav was established in 1949 by group of Jewish Holocaust survivors from Czechoslovakia, who immigrated to Israel with the help of the Aliya movement after World War II.

Kerem Maharal was named after legendary 16th century Rabbi Judah Loew ben Bezalel, also known by the Hebrew acronym "Maharal" (Moreinu HaRav Loew, translated as Our teacher, the Rabbi Loew). It was built on the site of the depopulated Palestinian Arab villages of Ijzim and Khirbat Al-Manara, which were captured by the Israel Defense Forces in Operation Shoter during the 1948 Arab–Israeli War. The residents lived in the Arab stone houses until the 1960s and some of the original structures remain today.

Notable residents
Ami Ayalon, former head of Shin Bet

References

Czechoslovak Jews
Moshavim
Populated places established in 1949
Populated places in Haifa District
1949 establishments in Israel
Czech-Jewish culture in Israel
Slovak-Jewish culture in Israel

redpajama_set_name: RedPajamaWikipedia


HARCOURT, Simon II (1653-1724), of the Middle Temple and Pendley, Herts.
a zealous professor of the religion of the Church of England as established by law and will always be a promoter of its honour and interest, and a Queen, gentlemen, who wishes from the very bottom of her heart there were no separatists from it in her dominions.
there will be no room for argument against what we resolve to carry if possible. We shall not fail to do it unless some of our Members become trimmers, which God forbid none can be such but cowardly or knavish folk, of which sort we have too many in our interest.
1. Vis. Notts. (Harl. Soc. n.s. v), 42; Carmarthen Antiq. Soc. xxiv. 56–57; Lipscomb, Bucks. iv. 591; IGI, London; Le Neve, Mems. 502; Harcourt Pprs. i. 108.
2. Add. 41804, f. 219; 70076, newsletter 20 May 1704; HMC 10th Rep. IV, 328.
3. HMC 5th Rep. 177; Notes on Notts. Churches: Rushcliffe Hundred, 170, 173; Notts. Hearth Tax 1664–74 ed. Webster (Thoroton Soc. Rec. Ser. xxxvii.), 81; Huntington Lib. Hastings mss HA4544–5, 4547–9, Harcourt to Huntingdon, 13 June 1676, 3 June 1677, 12, 18, 25 July 1695.
4. Wharton Mems. 44; Cal. Treas. Bks. viii. 1046, 1882, 1957, 2086, 2106; Recs. Bor. of Nottingham, v. 346.
5. Add. 70500, ff. 172, 177, 262–3; Luttrell, Brief Relation, ii. 409, 422, 448; iii. 239, 396; Greater London RO, Acc. 249/863, [–] to [Ralph Hawtrey*] to [–], 7 Apr. 1692 (Horwitz trans.); Centre Kentish Stud. Stanhope mss U1590/O59/2, Robert Yard* to Alexander Stanhope, 4 July 1693; CSP Dom. 1693, pp. 212, 427; 1694–5, p. 201; HMC Lords, n.s. i. 8–9; HMC Hastings, ii. 234, 321; info. from Dr P. A. Hopkins; Cheshire RO, Shakerley mss, 'evidence to discredit Lunt'; HMC Downshire, i. 447, 494; Hastings mss HA4547, Harcourt to Huntingdon, 12 July 1695.
6. Hastings mss HA30659, newsletter 14 Jan. 1696[–7]; H. Horwitz, Parl. and Pol. Wm. III, 186–7; 7th Duke of Manchester, Court and Soc. Eliz. to Anne, ii. 55; Vernon– Shrewsbury Letters, ii. 397; Luttrell, iv. 246, 578, 596; VCH Herts. ii. 285, 315; VCH Bucks. iv. 111.
7. HMC Portland, ii. 179; Nicolson Diaries ed. Jones and Holmes, 143, 144; Bucks. Q. Sess. Recs. ii. 345; CSP Dom. 1703–4, p. 277; Cal. Treas. Pprs. 1702–7, pp. 26, 122; Northants. RO, Isham mss IC 2201, John to Sir Justinian Isham, 8 July 1703.
8. Add. 70076, newsletter 20 May 1704; CSP Dom. 1703–4, pp. 30, 453; Harl. 5137, ff. 251–5; Bodl. Ballard 10, f. 118; HMC Portland, iv. 165–6.
9. Ballard 10, ff. 123–5, 151; Post Boy, 27–29 Aug. 1713; BL, Verney mss mic. 636/55, Harcourt to Fermanagh, 31 Mar., 3 June 1714; Verney Letters 18th Cent. i. 315, 317; LJ, xxii. 142–3; HMC Lords, n.s. vi. 339–40.


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Q: How to build a website with multi level data processing I want to build a site whose work is to take data from a site put it into another site and get result and then result into another site and then show that result on my site is it possible to do so ?

A: In python you can capture website data with selenium webdriver and extract html with bs4.
After extracting the information, you can create routines that send the data to other sites.


"Mitsuhashi Sunbridge", a company that doesn't hold any in-house product, but is specialized in production of machinery. We have taken part in the branding design. To aim a common recognition within the members, what their original brand would be, we spent much time for consideration with a team formed by members of each division. The keyword the team derived was "hand-skilled group". Their work is to "try every possible means","lend a hand", "welcome hospitably", which all need the use of "hand-skill". In addition, their work is created sensitively by hand craft, not by mass production. With this identity, they noticed the exclusive value of themselves as being not only a technician, but a professional, and lead to the increase of the company's morale. As for the website, we attempt to create a site that leads the viewers to want to visit the factory. We want to appeal the attraction of this company by showing the untiring efforts of the members working on the sensitive tasks, and showing the factory kept thoroughly in order to increase the operating efficiency.