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Phyllo (or fillo) dough is one of those recipe items that you either love to work with or hate to even think about it. The dough itself is very temperamental because of its fragile nature. The golden rule to phyllo dough is to not let it dry out. Make sure you don't get the dough wet either or it will become useless to work with. Also make sure you let it thaw out properly as directed on the package. With that being said, phyllo dough's crispy golden texture makes for excellent spanakopita and baklava that will send you over the edge. We've wrapped Palmetto Cheese up with the phyllo dough in the recipe below. What can we say about it….one bite and you get the light crispy crunch of the phyllo blended with the smooth melted goodness of Palmetto Cheese. It makes for a perfect combination.
Ok so maybe the recipe below isn't your thing. You can still enjoy the combination together because at most supermarkets they sell phyllo dough shells. It's a no muss, no fuss workaround.
Whatever way you decide to go we hope you enjoy!!
On a clean countertop layout one sheet of phyllo dough. You'll need a pastry brush at this point. Brush the one side of the dough edge to edge with a thin coating of olive oil or melted butter. Place a second sheet on top of this first layer. Brush with oil or butter. Add your third and final layer of dough. Brush a light layer of butter over the top layer.
With a sharp paring knife divide the dough into four sections. Place 1 Tbsp of Palmetto Cheese on each section as shown. Every 3 sheet layer will yield 4 triangles. If you add an additional topping, like chopped bacon, use a little less pimento cheese.
Bring the top right corner of each section over top of the cheese. Your piece should look like the picture shown above. Make sure you press along the edges to seal the cheese in or it will run out when baked. Also make sure you don't have any dry pieces of dough. Dry dough will not seal properly.
Bring the far right corner overtop of your first fold. The bottom edges should stay parallel to each other. You'll have a little flap of dough left, fold that overtop and seal. Again, making sure all dough has oil or butter on it so it seals. Continue with the rest of the dough until you run out of Palmetto Cheese. We put approximately 24 because you never know when a craving is going to hit and you need to "test" out the Palmetto Cheese. Freeze the remaining dough. If unwrapped, make sure you wrap tight before freezing. Dough has a tendency to dry out quickly. Keep a damp, not soaking wet hand towel or paper towel over the dough while you're folding. This will keep it from drying out if folding isn't your strong suit.
Bake at 375 until golden brown. Serve with pepper relish or jelly.


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TAB108: The Audiobook Production Process with Martha Carr and Jill Smith
by Jen McDonnell | Mar 13, 2017 | Audiobooks, Cover Design, Experiments | 0 comments
http://media.blubrry.com/theauthorbiz/p/theauthorbiz.s3.amazonaws.com/TAB108.mp3
Subscribe Apple Podcasts | Android | RSS
We've got an interesting combo episode today. The first ⅓ of the show is the wrap-up episode of the Martha Carr Launch Strategy Case Study, where we've followed Martha as she went through the process of launching six books in 91 days. In today's episode, we'll get the final details on how things went and what she'd do differently if she were to do this again.
This entire process has been fascinating to me, and I think to a lot of you and I'm sorry to see this come to an end. I'll be actively looking around for a next case study when time permits.
Martha sticks around for the second part of the show and we bring in Jill Smith, the narrator for Martha's Wallis Jones series. The first of the audiobooks was just released and the two of them discuss the way they've worked together on the series. For those authors who haven't tried audio yet, you may learn a thing or two about how the process works for both the narrator and the author.
Martha's Highlights
Finishing Wallis Jones series
Released The Butterfly Effect, the 6th book of Wallis Jones series on 2/22
Released six books in 91 days (rapid launch process)
Launched using the process of Michael Anderle's breakout series
Cover designed by Victoria Cooper
https://www.facebook.com/VictoriaCooperArt/
Makes an average of $17/day from this book alone
Hit the $45/day mark
Books #5 and #6 of Wallis Jones are in the top 100 of Financial Thriller New Releases
Cut off the first three chapters of The List Conspiracy (Wallis Jones #1) from KU
Received better reviews
Reopened possibility of initiating a TV series based on the books
Some critics think this is sacrificing her original vision – she disagrees
Currently mapping out a new book series
Participating in a thriller anthology Close to the Bones (with Steve), due out later this year
Steve will be crafting his story in real-time on the Taylor Stevens show, starting in two weeks
Contributing to an anthology like this will help boost sales
Martha's Lowlights
Sales have slowed down to ~$10/day
She says this doesn't really feel like a lowlight, just an indicator to move on
Martha's Advice for a Stronger Launch
Start building email list and art group as soon as possible
Start with Instafreebie and promo to build an email or newsletter list
Ask for followers to be in the art group and leave reviews
Everything you are learning while branching out into self-publishing is worthwhile
Keep asking questions, working with other authors, and promoting when you can
HAVE FUN; celebrate everything!
Don't wrap up your self-worth in how much money you're making
"The rock is always rolling in the right direction."
Jill Smith
Can be reached for projects through ACX
https://www.acx.com/narrator?p=A3CVIW7VY4LWX1
Narrator for Wallis Jones series on audiobook
Was chosen from three auditions
She followed Martha's notes:
Richmond accent
Wallis Jones as a strong, confident woman who gets answers
She was the only candidate that read Wallis Jones as if she wasn't a woman waiting to be rescued
The audiobook is available through Audible on Amazon
Favorite projects to narrate:
Looks for characters that come across clearly on the page, that she can get to know in a short period of time
Short audition times contribute to this as a priority
Looks for exciting and interesting material
Listeners will be able to hear if the narrator is not invested in what they're reading
Rates are per finished hour
Audiobook Creation
It is the job of the narrator to paint a picture of the book for the listener
There is a relationship between the narrator and the characters
Typically 5 – 8 minutes of reading
May only consist of one or two lines from each speaking character
The author may or may not provide guidance on voices (accents, emotional state, etc)
Normally, the narrator records the first 10-15 minutes, gets an authorization, and reads the rest of the book
The process for Wallis Jones was different, more collaborative
There was feedback, and some tweaking to be done
It helps to edit in chunks to catch any discrepancies in mic placement, body position, etc
Advice for authors for the process
Have a clear idea of who the main character is, so you know when you hear it in a potential narrator
This helps to give the narrator instructions, as well
Approach the process with a collaborative mindset
You chose this person for the project, so work with them, and work through the kinks
Give key highlights to the narrator about your vision
Keep it short and concise, and be willing to see where the rest takes you
Martha's website www.marthacarr.com
Jill Smith Narrator – ACX Profile
Buy The List Conspiracy Audiobook
Martha's Amazon author page
Martha's Facebook Page www.facebook.com/WallisJonesSeries
Martha's Cover Designer, Victoria Cooper
Thanks so much for joining us again this week.
If you enjoyed this episode, please share it using the social media buttons you see on the left of the post.
Also, please leave an honest review for The Author Biz Podcast on iTunes!
Ratings and reviews are extremely helpful and mean a great deal to me. They matter in the rankings of the show, and I read every one of them. If you're not sure how to leave an iTunes review, you can follow the step-by-step instructions here.
And finally, don't forget to subscribe to the show on iTunes or Stitcher to get automatic updates.
Please note: Amazon links in this post are affiliate links. You'll pay no more for buying through these links but the show will earn a small commission.
How to Launch a Self-Published Book: 10+ Real Strategies and Results | Startup Indie Author - […] TAB108: The Audiobook Production Process with Martha Carr and Jill Smith […]

redpajama_set_name: RedPajamaCommonCrawl


text:
Companies Tap Celebrity Power For Extreme Vegetable Makeover
Published March 14, 2014 at 8:31 PM PDT
Crispin Porter Bogusky via AP
Bolthouse Farms helped pave the way for using Mountain Dew-style tactics to sell healthy foods, like this ad for baby carrots. It was a wake-up call for the rest of the food industry.
Marketing to kids may have gotten a bad rap in the past. Especially since children have been the target of so much junk food advertising.
But it's a new day.
Increasingly, companies are seeing profits pushing ultra-healthy stuff. And they're not using a finger-wagging, guilt-ridden, eat-your-veggies-because-they're-good-for-youmessaging.
Birds Eye is taking a page from the playbook of other companies that have had success leveraging the power of teen pop stars: The frozen food giant is turning to Disney.
"We sat in a room, and we said, if we want to get kids to like vegetables, we've got to take a different approach," Mark Schiller, division president of Birds Eye (which is owned by Pinnacle Foods Group) said at this week's Partnership for a Healthier America conference in D.C.
Birds Eye has already experimented with the teen idol approach to marketing. In 2012 it teamed up with Nickelodeon and Jennette McCurdy, star of the network's popular show iCarly, to jazz up the image of vegetables.
Now, Birds Eye has inked a deal with Disney. The collaboration will begin this summer, and execs says they'll turn to top-ranked kid and tween targeted shows and multimedia sites to help give veggies an image makeover. They also plan a healthy living TRYathalon Road Tour, where they're hoping to inspire kids around the country to sample, or TRY, new combinations of vegetables.
Schiller says Birds Eye started marketing its frozen fruits and vegetables to kids a few years back. As a result, he says, "we've seen our business grow." He says this past year, when the company stepped up its advertising to kids, sales jumped 8 percent, "which is phenomenal in an industry with very little growth."
And Birds Eye is not alone. Bolthouse Farms has shown that if you use Mountain Dew-style tactics in your advertising, even carrots can be cool. In fact, they've had great success with their extreme baby carrot campaign.
It's not just those who are targeting kids who are having fun with food. Earlier this week we introduced you to the Food Porn Index (not as risque as it sounds, though we know some of you bemoan the name), which is also the brain child of the folks at Bolthouse Farms.
The food porn index tracks which foods are trending in social media and presents the data in a swirl of food images.
I found it pretty mesmerizing, and I couldn't stop playing with it. The "play factor" is huge, Jeff Dunn, CEO of Bolthouse Farms, told me as he demonstrated it for me.
Increasingly, companies are finding that it's easier to sell healthy food.
"There is definitely momentum," says Larry Soler, president of the Partnership for A Healthier America, which for several years has been nudging food companies to commit to more healthful approaches. And there was lots of evidence of this momentum on display at this week's conference.
"Healthy habits are becoming the new norm," Sam Kass, the executive director of first lady Michelle Obama's Let's Move campaign, told me as we toured the booths of vendors hawking health foods at the conference.
He pointed not only to all of the food on display, but also to companies such as Knowledge Universe, owner of Kinder Care daycare centers, which is now serving ultra-healthy family-style meals. As we've reported, this style of eating nudges kids to experiment with new foods and right-size portions.
"We're making progress," Kass says.


CHICAGO – March 1, 2017 – Victory Park Capital (VPC), an investment firm focused on private middle market debt and equity investments, announced today the promotion of Tom Welch to Partner. Mr. Welch joined VPC in 2009 and has more than 10 years of alternative investment experience. He will continue to primarily be responsible for sourcing, analyzing, executing and managing direct private debt and equity investments in middle market companies within the financial services sector.
Derrick Cruz joins VPC as Vice President in the Los Angeles office. Mr. Cruz is responsible for origination, fundamental analysis, transaction execution and management of direct private debt and equity investments into small cap and lower middle market companies. Mr. Cruz also actively works on value creation initiatives and strategic alternatives for VPC's investments. Previously, Mr. Cruz was a vice president at Tricadia Capital. He was also an investment professional at KKR & Co. L.P. and General Atlantic. Mr. Cruz started his career at Goldman Sachs in its Investment Banking division.
Vartan Pogharian joins as Vice President in the New York office. Mr. Pogharian is based in VPC's New York office and is responsible for origination, analysis, execution and management of VPC's private equity and credit investments across multiple industries, including specialty finance. Previously, Mr. Pogharian was a vice president in Strategy & Corporate Development at Springleaf/OneMain. His prior experience includes working in the private equity group of HBK Capital Management and G3 Capital. Mr. Pogharian started his career at J.P. Morgan in the Global Mergers & Acquisitions Group.
John Holman, Senior Associate – Based in the Los Angeles office, Mr. Holman is a former associate in Houlihan Lokey's financial restructuring group. Prior to Houlihan, Mr. Holman practiced law at Latham & Watkins in New York.
Chris Spanel, Associate – Based in the Chicago office, Mr. Spanel is a former investment banking analyst at Credit Suisse.


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Renee Carter Hall writes fantasy and science fiction for adults who never quite grew up, with occasional excursions into dark fantasy, poetry, and stories for children and teens. Talking animals slip into her stories whenever they get a chance, and her work has been influenced by storytellers from a range of media, including Steven Spielberg, Ray Bradbury, and Jim Henson. Her most recent book, the anthropomorphic fantasy Huntress, received the 2014 Cóyotl Award for Best Novella. Renee lives in West Virginia with her husband, their cat, and more books than she will ever have time to read.
Buttersweet and her two friends are ready for initiation, to have a chance at becoming true unicorns instead of pastel ponies. But can she pass the test, and live with what she learns?
The doe Faeldra merely desires a mate, but she has a much greater role to play in the forest as one season becomes another.
A boy abandoned in the jungle. A pack of wolves who live by the jungle's Law. A fierce tiger, a cunning panther, and a deadly python. You know these characters... or do you? This re-envisioning of Kipling's Mowgli stories begins with a simple question: What if Mowgli hadn't been raised by the wolves?
When Santa finds himself one reindeer short for the Christmas run, the frost-elf Boreas enchants a replacement. But there's more than elf-magic being worked, and when an ancient foe threatens them all, the gingerbread reindeer finds he's made of more than just flour and sugar.
Amid a plague-ravaged world, time stands still at Tidwell Manor for Miss Emma and her canid caretaker, Mattie.
Frog loves nothing more than to sing, and his friends love nothing more than to listen. But when he accidentally swallows the moon, Frog must make a choice: Should he let the night skies remain unlit or give up his beautiful voice forever?


"I'm acting out of character? I'm acting out of character? WHOS ACTING OUT OF CHARACTER HERE, PEOPLE? THIS PATHETIC EXCUSE FOR A DWARF, OR ME?" "I'd expect this sort of insanity from him! He's been cursed by a mage for REAL!" the dwarf growled. "You see, people? Is that out of character or what?" the human asked. "Get back in character, Ralph. You are Granite the human fighter, remember?" Aera reminded him. "Yeah, yeah. I just get excited sometimes... Okay, back in character... back in character..." "Well, that's a relief," Stumpy the dwarf sighed. "Okay," Aera told the sky, "Our party will walk north into the woods." The party began to walk north into the woods. Trees loomed menacingly over them, and eerie howls echoed from the darkness. A thin layer of mist covered the earth, and an unearthly chill settled into the air. Aera, dressed the way she was, grew especially cold. "I will withdraw my sphere of warmth," Mana the mage announced. Mana the mage withdrew his sphere of warmth. It began to glow, pulsating, and the air warmed considerably. Aera was relieved. Suddenly an arrow streaked past Stumpy and slammed into a tree. "Smells like goblins!" Granite cried, just as six of them leaped onto the path in front of them. "I roll a six for initiative!" Aera cried. "A one!" Granite yelled triumphantly. "I have a ten," Mana murmured. "Seventy-two," Stumpy scowled, "with all my penalties..." "I will charge into the fray," Granite told the sky. "Me too," Aera chimed. "I'll cast magic missile on the second goblin!" Mana cried. "I will sit around and wait for it to be my turn to fight," Stumpy muttered. The goblins stood ready, waiting patiently for Granite to make his move. Granite walked up, and stuck his sword through the first goblin. It died. The other five goblins waited. Aera moved up, slashed the air above ones head with her blade, and cursed at her bad luck. "Can I roll again?" she asked the sky. Then the goblins attacked, and they chopped Granite to pieces. Aera was shocked. And then the goblins stopped, and waited patiently for the others to finish their turns. Merth struck down a second and a third even with a few magic missiles, and then Stumpy attacked, taking the rest out in a berserker rage. "Thank you," he said, bowing. "How much experience do we get?" Mana asked. "I will bury Granite," Aera said. "Wait! If we find a cleric, we can get them to resurrect him!" Stumpy suggested. "Good idea!" The group began to walk along the road. Before long, they met a cleric. "Hello, cleric!" Stumpy said. "Can you resurrect people?" "No," the cleric responded, "But I can reincarnate them... for a price. Five hundred gold." Aera gave him the money. "Now, reincarnate him." The cleric muttered something. Then he muttered something again. Then he waved his hands in odd ways. And then he began to cast the spell. And then the pieces of Granite pieced themselves together to form Granite the goat. "Maaa." "Err...This will take a bit of adjustment," Aera decided. "Maaa." The cleric beamed. "Wow! It worked better than last time. Much better!" "Better?" Stumpy asked, rubbing some blood off his armor. He nodded enthusiastically. "Last time, the victim- err, subject was turned into a mushroom." "What happened?" Mana asked, eyes wide. "We ate it." "Maaa." Granite began to munch on Mana's boots. The mage gave the goat a kick. "MaaAAAaaa..." "It could have been worse," the cleric assured them. Aera nodded in acknowledgement. "Could have been better," Stumpy muttered. "Well, I must be on my way. Good bye!" "Good bye, cleric!" Aera waved. "Good riddance," Stumpy murmured under his breath. Mana nodded. "Maaa." "Okay," Aera told the cloudy sky above, "We will keep moving north." The party continued north, walking solemnly through the woods, with Granite the goat following closely behind. Thunder rumbled ominously on the horizon where a tall peak loomed. Atop the peak was a black fortress, with towers which were aflame with green fire. The heroes eventually reached the bottom, and they climbed up the side of the peak. It was hard going, but eventually they reached the castle. "Wow," Aera said, "They still haven't put out that fire." The two towers were now only ashes and burned stones, which provided an easy way to enter the castle. As well, the walls were flaming with green, and thousands of zombies and skeletons were sluggishly pouring water on the ground beneath the wall. They were not being extremely effective. "Shall we enter?" Mana asked. "We shall," Aera grinned. "Maaa," the goat maa-ed. "Okay, we will enter the fortress via the burnt tower," Aera announced loudly, glancing upwards. They walked (or jumped, rather) through the still hot tower and made their way into the central courtyard. A big ogre stood there, holding his club. He grinned, a toothy smile which inspired fear in all who beheld it. The heroes began to cry. And then the ogre did something unexpected. He started crying as well. "It's so sad! Whenever I *sniff* smile at someone, they *sniffle sniff sniff* start crying. I'm just trying to be friendly, make friends, and..." he sobbed, trailing off. Aera stepped up and patted him on the shoulder. "And what?" she inquired. Quickly, the ogre stopped crying, grabbed Aera, and said, "and eat adventurers stupid enough to fall for this dumb act!" With that, he fell back and laughed so hard that he let go of Aera. "I will run for the door at the base of the big tower," Aera yelled to the sky. "Me too," Stumpy called. "I will kill the ogre," Mana yelled. Aera and Stumpy disappeared through the door as Mana began to do battle with the ogre. "That was a relief," Aera sighed. "Yeah," Stumpy laughed. "You fell for that act?" Aera glared, and began to climb the stairs. The staircase spiraled up around the inside of the tower, rising way to the top where purple light from outside flooded in through the windows. "I wouldn't go up there," Stumpy warned. "Why not? What's wrong wi- OUCH!" Aera cried as she smacked her head on the ceiling that was painted to look like the inside of a tower. The tower shuddered with the impact. The ceiling of the room began to crack. The walls began to crack as well. "Err...how hard did you hit that?" Stumpy exclaimed. "I'm glad you asked! I love physics!" Aera smiled, as sense fled from her head. "Since I hit the roof when I was accelerating, this will take some calculation. Let's see...Initial velocity is equal to 0, whereas the final velocity is somewhere around 2 meters per second. And it took me one second to climb this high, therefore my acceleration would be..." Several chunks of the ceiling fell. "Isn't it time to get out of here?" Stumpy shouted. "Yes! The acceleration would be 2 meters per second squared!" she yelled, leaping for joy. "But that force is not able to crack the tower. This ceiling has a coefficient of friction of.... 3, yes 0.3 mu. That would require a force of 788 Newtons to crack, let alone break. Therefore..." The roof began to lean precariously inwards at the middle. Stumpy ran outside to where Mana the mage was still battling the ogre. And he also found the cause of the tower's collapse. Granite the goat was ramming the side of the tower with his horns. The tower collapsed in a heap of stone and dust and a deafening crash. "Bad goat!!!" Stumpy scolded. "Maaa?" A somewhat battered Aera crawled out of the wreckage, gave the goat a glare, and said, "...there would have to be some other cause of the tower's collapse." "Look on the bright side," Stumpy said. "The evil mage we were supposed to kill is dead!" The ogre collapsed as Mana smacked it with his staff. "How much experience?" he called, running over to Aera and Stumpy. He nodded suddenly, seemingly at no one. "Sorry guys," Stumpy said, "I gotta go. My mom said to be home at six, and it's six thirty." "Alright," Aera replied. "It's been fun playing. Continue next weekend?" Stumpy nodded, and they all promptly disappeared.
Thanks to Jason J. Romein for this contribution!


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back to about page
Dunchideock is a small, rural parish situated in the Kenn Valley Ward of Teignbridge District. The parish covers 392 hectares and is the fourth smallest (0.6% of the total area) in Teignbridge. The Cornish sounding name reflects its early existence as a Celtic settlement, the origins of which go back before the 7th century Saxon invasion of Devon.
The Registrar General's mid year 2010 estimated population is 299, up from the population at the 2001 census which was 262. There were 92 households in 1991 and to date this the number is now 106. The number of rateable properties is about 123. We have 19 grade II, one grade I and one grade II* listed buildings in the parish.
Dunchideock is 8 km (5 miles) from the county town of Exeter and 9 km (5.6 miles) from the next nearest large settlement of Chudleigh. The parish is scattered with small settlements in several places rather than concentrated in a single area of housing.


text:
layout: product
title: Snake Earrings
meta: These are snake earrings.
type: earring
image: earrings/snakeearrings.jpg
quantity: 4
stock: IN STOCK
price: $12.99
---

redpajama_set_name: RedPajamaGithub


The Energy Hub opened in early 2017 as a specialist energy efficiency, renewables and sustainability consultancy. Our showroom, situated in Gateshead, is a flagship space which allows clients to interact with the services and products which we offer.
By being transparent and open with those investing in our services, our aim is to provide clients with the confidence and know-how to streamline energy costs, generate new revenue streams, and become more environmentally conscious. It is our belief that the best way to understand a technology is to see it in practice, and our showroom concept provides this.
Our team features a wide array of expertise including, renewable and mechanical engineering, environmental/energy policy, technical report writing and social engagement. Our multi-disciplined team allows us to offer a wide range of environmental services including feasibility studies ISO4001, ISO5001 and ESOS compliance. As well as providing energy saving solutions for clients, our showroom also acts as an innovative community hub and educational tool, slowing members of the wider community to visit in order to gain a greater understanding of energy efficiency and renewable energy.


Rosalie has over 10 years experience in various customer service roles including Property, Strata Management and Administration. She is an organised professional who prides herself on building relationships with her clients and attention to detail. Rosalie has experience managing Residential and Commercial properties, Neighborhood Associations, BMC's and Company Title buildings.


shelookRED is an exclusive trademark of PT. Inti Kapuas International. shelookREDword (she looks red) which literally translates as: She (the woman) look red, are meant to describe the beauty of Super Red Arowana like a beautiful girl with a red hue.
The word of shelook is a rewrite of silukword that in the interior of Kalimantan native language community means arowana. Arowana shelookRED is the result of a rigorous selection process in maintaining genetic quality and optimal anatomical shape of arowana fish. All shelookRED fish has cultivated and maintained in a controlled environment and are closely monitored by Arowana specialists.
PT Inti Kapuas International as shelookRED trademark holders are Indonesia's largest breeding and distribution company of Super Red Arowana. Currently PT Inti Kapuas International operates five farms in various locations and six Proshops throughout Indonesia.
As a major player in the industry Ornamental Fish Arowana, PT Inti Kapuas International recognizes the importance of the role of the company in conservation programs and initiatives to cling to the International standards in trade activity. Therefore, IIKP only sells Super Red Arowana breeding results, not the wild catch.
PT Inti Kapuas International commitment in the conservation program has been officially confirmed by the registration of registration number CITES A-ID-519 for shelookRED brands and A-ID-528 for brand of TreasuREDragon. Specifically, each Arowana Fish for sale was registered and given a microchip, accompanied by an official certificate in accordance with applicable regulations.
Is a campaign which was carried by shelookRED about super red Arowana fish as one of the treasures of Indonesia. Super Red Arowana fish is indeed an 'icon' arowana that we must preserve. Total population in Sentarum Lake began to decrease, although there is still reportedly arowana fish that live in the Meliau Lake, one of the lakes in the cluster of Sentarum. Fortunately, many people are finally aware to protect nature including DayakIban community as a local resident. As one of the rare fish in the world, is worth all the parties involved to preserve these animals full of charm.
shelookRED is one form of real concern of PT Inti Kapuas International in preserving the Super Red Arowana population, which bred in captivity and certified official. shelookRED also authorized to cooperate with the "big family" Sea World Ancol, so the general public can enjoy and learn more about this Indonesian "national treasure".


On the file select screen, hold Up on the D-pad and press Start to access the QR reader. You'll need to have at least one save file created first. QR codes are region-specific in Mario Tennis Open, so if one doesn't work, make sure you are trying to read the right code for your region.


Designed to increase horsepower & torque for the 1965 Cadillac Calais with the 429 engine.
K&N performance air filters for 1965 Cadillac Calais models are reusable and can be used over and over again. Adding performance is easy with K&N Cadillac air filters.
Your 1965 Cadillac Calais deserves a K&N! Select the Product Info button below to see everything the air filter fits.


Hello! I am a digital-native manager and producer of visual content — video and photography — for some of the industry's most prominent and influential publications, both print and online, and am also an independent filmmaker.
Currently a contributing picture editor at The New York Times, I've been the Director of Photography at Bloomberg Business, and Associate Director of Photography at People Magazine. I was Vogue magazine's first online Art Director, overseeing the visual redesign of Vogue.com as well as coordinating and editing photographic and video coverage of New York, London, Milan, and Paris fashion weeks, and the Met Gala and Fashion's Night Out for both the web site and the magazine. At Condé Nast Portfolio (the short-lived "'Vanity Fair' of Business Magazines"), I was a Senior Photo & Video Editor. At The New York Times, I began as a web designer and became a Senior Photo Producer, where I produced photo essays and multimedia features.
I have conceived and produced original and online-exclusive features and investigative visual pieces, collaborating with Christopher Morris, Ron Haviv, Lynsey Addario, Joachim Ladefoged, Bruce Gilden, Ellen von Unwerth, Ed Kashi, Ben Baker, Amy Arbus, and more.
I have expert-level experience with the Adobe creative suite, including Premiere and Photoshop, as well as extensive experience producing photo and video shoots, location scouting, hiring crew for both video and photo, directing and making editing decisions on set, and trafficking and managing assets post-shoot for publication across various platforms.
My own photographs have been published in The New York Times, Vanity Fair, Vogue, Art Forum, Bloomberg Businessweek, Der Spiegel, Zeit Magazine, Condé Nast Portfolio, O, Viking Books, and Random House Books.


text:
'Eurograbber' online banking scam netted $47 million
Ellen Messmer (Network World) 05 December, 2012 05:56
Exclusive Networks
Orca Tech
Over the past year, about 30,000 European banking customers were robbed of about 36 million euros -- that's about $47 million -- in an online banking scam that worked by exploiting mobile devices, according to security firms that stumbled into the operation.
The scam has been dubbed Eurograbber by Check Point Software Technologies and Versafe, which say they found out about the operation through financial institutions they know after their online banking customers were hit. Eurograbber typically worked by tricking victims into downloading a customized variant of the Zeus Trojan, which then took control of their computers and intercepted online banking sessions. Getting infected with the Eurograbber Trojan could occur during Internet browsing or falling for a phishing email, said Darrell Burkey, director of IPS products at Check Point Software Technologies, which worked with Israeli-based Versafe to help investigate Eurograbber.
TECH ARGUMENT: Apple iOS vs. Google Android
"It's basically a man-in-the-middle attack against a bank site," said Burkey, adding that the scam is believed to be a crime operation out of the Ukraine, whose command-and-control servers were recently disrupted by European law enforcement with ISP cooperation.
Eurograbber was first detected in Italy, then spread in Germany, Holland and Spain, and hit both commercial accounts as well as those of individual consumers at about 30 banks, according to Check Point and Versafe, which today published a report about how Eurograbber worked.
Eurograbber was able to illegally transfer funds out of customers' accounts in amounts that ranged from 500 to 250,000 euros. And though there has been much bank-related fraud in the past few years, Eurograbber struck the security firms as notable in how it overcame bank security measures based on sending a so-called transaction authentication number (TAN) via SMS to the customer's mobile device. The TAN is a security measure via SMS intended to allow the bank customer to verify the online banking transaction is one they indeed have authorized -- but Eurograbber compromises that, too.
During the customer's first banking session after their computer is infected, the Eurograbber malware injects instructions into the session that prompts the customer to enter their mobile phone number. At that point, the victim is told to complete a fake "banking software security upgrade" by following instructions sent to their mobile device via SMS. The attacker's SMS instructions tell the victim to click on a link to complete a "security upgrade" on their mobile phone. However, "clicking on the link actually downloads a variant of 'ZeuS in the mobile" (ZITMO ) Trojan," the report says. "The ZITMO variant is specifically designed to intercept the bank's SMS containing the all-important 'transaction authorization number.'"
This TAM is the key element in the bank's two-factor authorization process for an online banking transaction and once the Eurograbber Trojan on the victim's mobile device intercepts it, it works silently in the background to complete the transaction under control of the crime organization to silently transfer money out of the victim's bank account to where the criminals want.
Burkey said Eurograbber mobile Trojans for the mobile devices Android, BlackBerry and Symbian were identified, as well as for jailbroken iPhones in which the Apple iOS security controls have been disabled. Although so far Eurograbber appears not to have been used as an online banking attack outside of Europe, "there's no reason it couldn't happen here," said Burkey.
Ellen Messmer is senior editor at Network World, an IDG publication and website, where she covers news and technology trends related to information security. Twitter: @MessmerE. Email: emessmer@nww.com.
Read more about wide area network in Network World's Wide Area Network section.
SonicWall Answers the Call with New NGFWs
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Tags smartphonescybercrimeGoogleAppleAndroidlegalconsumer electronicscheck pointCheck Point Software TechnologiesApple iOSbanking TrojanEurograbber


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Habitat for Humanity digs into first project in three years
Habitat for Humanity's newest project in Grand County is currently underway in Hot Sulphur Springs. The local chapter hopes to compelte work on the project by January 2019.
Bryce Martin / bmartin@skyhinews.com
Grand County's chapter of Habitat for Humanity has been busy over the past several months digging into and building up their newest project in Middle Park, a single family home in Hot Sulphur Springs.
Habitat for Humanity is an international nonprofit organization that helps low income families secure housing, typically through the construction of new homes. The organization is famous for its reliance on volunteer labor during the construction process including numerous public figures such as former President Jimmy Carter. Grand County's chapter of Habitat for Humanity has been building homes in Grand County for close to two decades though according to Board President Steve Morrison their current project in Hot Sulphur is the first house Habitat has tackled in the last three years.
NEVAVA
Their current project has been underway since early August and is being built on Nevava Street just west of U.S. Highway 40. The house is being built for Maria Archuleta and her family. The home is two stories, roughly 1,000 square feet and includes three bedrooms and two bathrooms with an unfinished basement. Morrison said Habitat hopes to complete the project by January 2019.
The current home construction is part of a larger effort Grand County's Habitat chapter is making over the next few years. Several years ago the local chapter purchased seven lots all in the area around their current project in Hot Sulphur. Morrison said Habitat plans to build at least four homes on the land and possibly as many as six, including their current project. The local chapter's goal is to construct one house per year.
Construction of the each home is completed through a combination of volunteer labor and contractor work. Contractors often provide their work at significantly discounted prices for Habitat. The total project is overseen by an industry professional, in the case of the current Habitat home George Davis of Maple Street Builders is serving as construction manager for the project.
While volunteers are able, with a little expert guidance, to handle significant portions of the work some projects, such as excavation, concrete work, plumbing and electrical, must be completed by qualified professionals. Volunteers work on the home on designated days each week, Wednesdays and Saturdays. Morrison said Habitat homes must be built to all normal construction standards. While Habitat commits to building complete homes, minus furniture and similar home furnishings, the nonprofit does not construct garages for their future homeowners.
OWNER SELECTION
The selection process to find families who will purchase the Habitat homes is set by Habitat for Humanity International and is, according to Morrison, "strictly defined".
The selection process begins in January, typically ends in June, and follows standard federal regulations. The local chapter will put notification flyers out around Grand County after the first of the year. Prospective applicants pick up applications from Habitat's local office. After the applications are completed and returned a selection is made based on Habitat's selection criteria.
According to Morrison the local chapter usually sends out somewhere between 20 and 40 applications a year and normally receives back about half that number. A number of applicants are typically removed because they do not qualify under Habitat's income level requirements. Morrison said the final selection is made from a short list of candidates, usually around half a dozen.
The homes built by Habitat are not given to the selected candidates. Instead, Habitat sells the homes to the selected family, albeit at a significantly discounted price. Habitat does not require a down payment though every adult who will become a new homeowner through a Habitat project must provide at least 200 hours of her own labor on the project. This "sweat equity" functions as the future homeowner's down payment. Habitat holds the mortgages on the homes, which are provided to the selected families at no interest.
The cost of a given project can vary greatly depending upon the amount of discounted or volunteer labor Habitat receives. According to Morrison the homes built by Habitat in Grand County have historically appraised for around $200,000. Habitat covers the cost of each project through a combination of donated funds and grants. This does not include the value of donated or volunteer labor.
Habitat also receives significant discounts through a variety of forms from discounted labor costs from contractors to discounted materials. Morrison noted that the trusses used by Habitat are made by prisoners at prisons in Colorado and sold to Habitat for Humanity Colorado at a significantly discounted price.
The Town of Granby
Accounting Technician & Administrative Assistant at The Town of Granby in GRANBY
POSITIONS AVAILABLE: ACCOUNTING TECHNICIAN AND ADMINISTRATIVE ASSISTANT For job application and information go to www.townofgranby.com or packets may be obtained…


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New York is the Latest State to Approve Retirement Savings Program
By Beth Finkel, April 12, 2018 12:03 PM
More working New Yorkers will have an easy and effective way to save for their future thanks to the state's newly-enacted Secure Choice Savings Plan.
Family Caregiving: A Great Labor of Love
By Elaine Ryan, August 29, 2016 10:41 AM
I want to take a minute to recognize the 40 million Americans who perform a great labor of love every day: family caregivers. Thanks to their tireless efforts, parents, spouses, and other loved ones are able to remain at home — where they want to be. Day after day, these unsung heroes take on huge responsibilities that can be overwhelming, stressful and exhausting.
Nearly 1 Million More Workers Can Save for Retirement … Millions More to Go!
By Elaine Ryan, May 16, 2016 11:36 AM
May is proving to be a historic month for both workers and employers across the country! Since I last wrote on this topic in February, we at AARP have continued to fight hard to establish Work and Save plans in the states, a convenient way for millions of workers to save for retirement through an easy payroll deduction. And we have great news to report!
The Boomer–Millennial Connection for Increased Savings
By Elaine Ryan, February 22, 2016 02:54 PM
En español | What do boomers and millennials have in common? As it turns out, much more than you'd think. Last week, millennials from coast to coast were discussing state options to give 55 million workers a simple way to save. Our AARP California office hosted a "Work and Save" Summit at East L.A. College, in partnership with the Young Invincibles, a national nonprofit, nonpartisan organization that advocates on behalf of 18-34-year-olds. In New York City, AARP teamed up for a shared discussion on financial security and workplace savings.
Caring for Mom Shouldn't Mean Losing Your Job
By Elaine Ryan, February 01, 2016 10:00 AM
The phone rang one day when I was at work. It was my mom. "Come right away, Elaine, we need you," she said. Mom had just driven Pop to the emergency room. I knew Pop must have been very sick, because Mom hadn't driven a car in years.
'There Will Be No Retirement for Me.'
By Elaine Ryan, January 19, 2016 11:22 AM
Meet Jeff and Capi Saxton. Jeff is a bookbinder and Capi manages a small fabric and sewing supply store. Now in their 50s, they've found it hard to save for retirement. "There will be no retirement for me," Jeff says. "I'll always have to work."
The Three R's: Reading, 'Riting, and…Retirement?
By Elaine Ryan, October 19, 2015 10:21 AM
Crisp autumn air reminds me of my elementary school days in Upstate NY – and of my Mom's hard work and dedication. My Mom worked the "vampire shift" at Tommy Tucker bakery – injecting doughnuts with jelly from 9 at night to 5 in the morning. She'd arrive back at home in time to wake my brother, sister and me, cook a hot breakfast and send us off to school. And, every Friday on her pay day, she'd take us to the bank to cash her check and set aside a small portion of pay in a Christmas club savings account. No matter how small the check, she always saved something for the St. Patrick's Church collection basket and something for the future.
Teenage Caregiver Helped Father as He Battled Cancer
By Elaine Ryan, September 14, 2015 09:40 AM
This year I had the honor of meeting Kyllian, a young New Jerseyan who, as a teenager, was a caregiver for her father. Throughout his battle with cancer, she would come home after high school every day to care for him.
Rising Utility Rates Put Seniors at Risk
By Elaine Ryan, July 27, 2015 11:26 AM
As we enter the heart of summer, the temperature isn't the only thing on the rise — utility bills are increasing, too. For seniors especially, keeping cool in these hot summer months isn't just a luxury, it's a necessity for health and safety — one that can be hard to afford for some. As my colleague Joan McCarty of AARP New York simplifies it, "every extra dollar that goes to a utility bill is a dollar less for food and medicine."
Pop's Critical Role as Caregiver During Mom's Brain Surgery
By Elaine Ryan, June 22, 2015 10:29 AM
This weekend we all had the opportunity to celebrate our fathers. As I remembered my Pop — a funny, hardworking, unselfish man — I thought about his devotion to my mom, especially during their later lives when he was her primary caregiver. He shouldered huge responsibilities that I think weighed heavily on his mind.


Southampton district energy scheme is one of the largest commercially developed community heating and cooling networks in the UK. In the early 1980's, as part of the city's plan to become self-sustaining in energy, the council (led by Alan Whitehead, now the MP for Southampton Test) took advantage of a geothermal borehole commissioned by the Department of Energy, to examine the potential of geothermal heating in the UK. Due to insufficient resources in the geothermal aquifer, the Department of Energy decided not to proceed but Southampton took the decision to pioneer district heating, and carried on after entering into a ground breaking co-operation arrangement with Utilicom Ltd.
The scheme, which started with a single customer (the Civic Centre) now has thousands of customers. It provides heating and cooling to over a thousand residential properties, several large office buildings, a hospital, a health clinic, a university, a large shopping centre, a supermarket, several hotels, BBC television studios, one of Europe's largest shopping complexes, and a swimming and diving complex, among others.
The constantly growing scheme is in the process of commissioning a new large CHP plant to replace a smaller unit and will be adding a biomass boiler early in 2008.
A 725kWe CHP engine has recently been installed at the Royal South Hampshire Hospital as part of the scheme, which will guarantee the secure operation of the hospital supplying its heat and electricity. Any extra requirement for steam is provided by the district energy network and any excess is fed back into the network, to supply other properties.
The Holyrood scheme, installed in 1996, is a small, standalone community heating scheme, covering 300 council owned flats in the centre of Southampton.
When the old heating system was found to be inadequate, a community heating scheme using CHP was decided as the best option for providing warmth for the tenants. Because the initiative has proved so reliable, it's also reduced the amount of maintenance needed on the tenants' heating systems, saving the council money and the need to access tenants homes.
As the larger Southampton city centre scheme expands, it will link up the Holyrood CHP unit with the city-wide network.
The city council and Utilicom, working with the South East England Development Agency and its development partners, are also planning to develop a district energy scheme on the eastern side of the River Itchen, over 15 hectares of the former Vosper Thorneycroft shipyard. It will be a mixed development and the intention is that its heating, electricity and chilling needs will all be provided on site from a large CHP scheme.
The scheme will deliver 115 residential flats, and will provide 65% affordable housing for the City, making a valuable contribution to the Southampton Affordable Housing Partnership's target of 2000 affordable homes by 2012, and is being undertaken by Atlantic Housing (a member of the First Wessex Group), working in partnership with Southampton City Council (SCC). The development is due to be completed in early in 2012.
Southampton City Council is committed to decentralised energy. It plans to expand on its vision for district energy across the entire city and substantially reduce its greenhouse gas emissions by 2010.
Working in close co-operation with its private sector partner, Cofely District Energy, it also plans to create a ring main around the city centre and will link up the city centre scheme with the Holyrood scheme. Eventually, it plans to introduce alternative technologies such as fuel cells and biogas from householders' kitchen waste, to heat and power the city. Ice storage, to help meet peak cooling needs, is also on the agenda.
Southampton city council now has a total of 47 years of commitment to decentralised energy.


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Infowar can refer to the following:

 Cyberwarfare
 Info Wars (film), a 2004 online activist documentary
 Infowar Productions, Greek media company founded by Aris Chatzistefanou
 InfoWars, conspiracy website founded by Alex Jones
 Information warfare, the use and management of information technology in pursuit of a competitive advantage over an opponent
 Psychological warfare

redpajama_set_name: RedPajamaWikipedia


West Michigan Family Stores/Grand Rapids ARC - Jeff T.
I was drinking and smoking crack on a daily bases. My life was a mess and dangerously on the edge of death. After a three day binge, I was too tired to continue. Broken and beat up, I knew things had to change. I have been to The Salvation Army ARC before and knew that I needed to go back, if I wanted to get better.
I have been working the trash compactor on docks here at the Adult Rehabilitation Center and have the opportunity to work with a great crew and supervisor. I know that, if I were still in my addiction, I would be dead right now, but through Jesus Christ, The Salvation Army has truly saved my life. As of right now, I have four and half months clean and Jesus is now in control of my life.
Upon graduating the program, I know I have the tools to succeed, and plan to take Jesus with me to guide my life and keep me on the right path. I know that I can make better decision, and with Jesus' help my additive life is behind me and heaven is in front of me.


Hello, I am a 19 year old college student. My whole life I have always been very socially behind, very few friends and never really good with girls or dating.... Unfortunately, the majority of the time with depression comes anxiety. It is very important to get your daughter's depression under control.
My 21 yo daughter was diagnosed with depression a year ago. She is in her 3rd year of uni. She has been going to a GP and Psychologist for help.... Unfortunately, the majority of the time with depression comes anxiety. It is very important to get your daughter's depression under control.
I've had experience on the daughter side, so this will help you see it from her eyes. If she is a teenager, you will probably want to keep your distance, even though it may hurt.... Home / Advice / My daughter or daughter-in-law has postnatal depression Becoming a grandparent is a wonderful experience – you too will have had nine months of expectancy. Nine months to prepare and build your hopes and aspirations for your new role; for the family you will become and a new life that will be so precious to you.
I told my daughters that I was ill and needed the rest and needed their help, and they helped. They saw me in bed and asked me if I needed anything and kept themselves busy with their homework and... Home / Advice / My daughter or daughter-in-law has postnatal depression Becoming a grandparent is a wonderful experience – you too will have had nine months of expectancy. Nine months to prepare and build your hopes and aspirations for your new role; for the family you will become and a new life that will be so precious to you.
How do you help my daughter with depression?
Official Website for Information About NeuroStar TMS Therapy. My daughter or daughter-in-law has postnatal depression. Home / Advice / My daughter or daughter-in-law has postnatal depression.


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Author Sylvia Egebo Stettnichs's New Book, 'The Ugly Bug Ball', is an Adorable Tale About How Kindness and Acceptance Bring the Bugs Together in Bugville
Recent release "The Ugly Bug Ball" from Covenant Books author Sylvia Egebo Stettnichs is a delightful tale about a town of bugs that host a ball for the most beautiful bugs in the land, leaving out the less desirable looking bugs. When the "ugly" bugs all band together to host a ball of their own, they include everyone and change the town forever.
LARCHWOOD, Iowa - August 23, 2022 - (Newswire.com)
Sylvia Egebo Stettnichs, a retired elementary school teacher with a love for children's books, has released her new book titled "The Ugly Bug Ball"; an endearing tale with a message of inclusion, because everyone is beautiful in their own way.
Stettnichs shares, "It is written in a unique style where the words of the book seem to dance off the pages of this whimsical, enchanting story of kindness, diversity and inclusiveness as told by the bugs of Bugville. The reader will also be thrilled by the illustrations of the many different, unique-looking bugs that fill the pages of this book. The beautiful scene of the Bugville Ball on the eye-catching pink cover is one that will appeal to children of all ages. It is a book that children will read over and over, and still want to read again.
Published by Covenant Books of Murrells Inlet, South Carolina, Sylvia Egebo Stettnichs's new book shares the story of the bugs in Bugville who host a ball each year for only the best and most beautiful bugs in the land. The uninvited bugs feel sad and left out. When one old grasshopper decides to throw a party for all the bugs that were not bidden to come to the ball, they invite all of the bugs to join together and change the town for good.
Readers can purchase "The Ugly Bug Ball" at bookstores everywhere, or online at the Apple iTunes store, Amazon or Barnes & Noble.
Covenant Books is an international Christian owned and operated publishing house based in Murrells Inlet, South Carolina. Covenant Books specializes in all genres of work which appeal to the Christian market. For additional information or media inquiries, contact Covenant Books at 843-507-8373.
Original Source: Author Sylvia Egebo Stettnichs's New Book, 'The Ugly Bug Ball', is an Adorable Tale About How Kindness and Acceptance Bring the Bugs Together in Bugville
'Dear Black Nursing Student' From Latonja C. Davis Tells the Story of a Single Parent Becoming a Registered Nurse and the Struggles She Went Through Along the Way
Author Madison Esther Panti's New Book, 'The Unmerciful Pain', is a Captivating Tale of a Woman Whose Perfect Life is Changed Forever by the Arrival of Chronic Spine Pain


If you have a question, a request, a comment, or a new idea.
Joseph Schroer received his Ph.D. in Educational Studies from the University of Cincinnati. He is an Ohio licensed PreK-12 French teacher who taught for 7 years in Ohio public schools and abroad in France. He is currently an Associate Clinical Professor at Miami University Ohio where he teaches Theories of Human Learning, Assessment in Early Childhood Education, and Research and Writing. He founded GS as an extension of his work with schools and Early Childhood Education students.


The Foreign Languages department seeks to stimulate students' curiosity and interest in language learning which lasts a lifetime. It aims to enable all students across the ability range to realise their potential and develop competence in one or more foreign languages. Our students are taught the importance of giving their personal best in a learning environment which is both challenging and very rewarding.
In addition to acquiring language for the purposes of practical communication, pupils are also taught the importance of grammatical knowledge to allow them to manipulate language and communicate with an increasing degree of accuracy and sophistication. Wider qualities such as politeness, perseverance, initiative and independence are also fostered through the study of foreign languages.
In addition, pupils are given an invaluable insight into the countries whose languages are being studied, thereby developing positive attitudes to foreign cultures and societies.


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Cannibal Corpse Vocalist George "Corpsegrinder" Fisher to debut solo album Feb. 4th 2022.
Forum Index » Music Talk » Metal Discussion
Ace_Rimmer
Joined: Wed Jun 14, 2017 11:30 am
Posted: Tue Nov 30, 2021 11:35 am
HeavenDuff wrote:
Ace_Rimmer wrote:
George has bills to pay. I don't blame him.
A man's gotta eat...especially at his size.
Does't mean the project is not shit though.
I have a hard time knowing if it sucks without hearing more music.
GratefulDeadInside
Metal newbie
Joined: Mon Nov 29, 2021 9:22 am
narsilianshard wrote:
According to Wikipedia he hasn't even written a single Cannibal Corpse lyric since 1998?? That's probably common knowledge but I honestly thought he contributed... like, anything to the band other than his performance and presence.
That's my main gripe with CC. Barnes was great because
1. He could actually growl in the early 90s
2. He wrote really disgusting lyrics
I feel like if George tried, he could write some damn gruesome lyrics. I get it, he doesn't know how to play instruments or write music, I bet alot of vocalists can't play guitar or whatever, but he could at least write a few damn lines for a song.
Concerts I've Been To
Posted: Tue Nov 30, 2021 1:36 pm
GratefulDeadInside wrote:
Again, would they be better than what the rest of them come up with? Apparently he doesn't think so and the band doesn't have a problem with it.
And we don't have to hear Squeals the vocalist in CC. Barnes had a few year run where his vocals weren't blown out. Even by TB he was showing major wear.
Did Joey Belladonna write anything for Anthrax?
He hasn't tried since 1998. Personally I really like his lyrics on "Vile", he just needs to try and if he doesn't try, we'll never know if they're better or on the same level.
interstellar_medium
thrashinbatman wrote:
i guess because Snider isn't currently in another really popular band and is known for being a bit more loose and free with his projects, it feels less inauthentic?
"Snider" and "authentic" aren't two words I'd use in the same sentence. Snider, JLT, Eric Martin... guys of that sort are great singers, but their artistic integrity is very flimsy, if anything.
Didn't Dee write pretty much all of TS stuff after he came on?
entzauberung
Think I read an interview with him saying he couldn't write modern metal, and didn't want to do TS type material out of respect to that band (for what it's worth). Dunno why he can't write his own lyrics anymore, though.
draconiondevil
Posted: Wed Dec 01, 2021 9:46 am
Why does it even matter if he writes lyrics for CC or not? Every band has a way that they like to work and for CC their method is for basically everyone to write their songs individually with Alex or Paul writing the lyrics. It works for them and the albums are good so what's the issue?
Joined: Fri Aug 14, 2009 12:22 pm
Location: PDX
Because extreme music has a very DIY ethos. Being in a band and not contributing any music or lyrics is something that may be common in other genres, but not in metal. It doesn't make me like Cannibal Corpse any less, it's just interesting and different/weird. It's also a very valid thing to discuss in a thread about that person's "solo" album.
Posted: Wed Dec 01, 2021 3:13 pm
draconiondevil wrote:
Yeah, all I care about is the end product and I like the end product of Cannibal Corpse with Corpsegrinder on record and live.
As for this, I doubt I'll be buying it but who knows.
It's not that uncommon. LG Petrov never wrote any lyrics in Entombed, and neither does Tomi Joutsen in Amorphis to name a couple of big names.
Okay, so that's three examples. Unless you can name a few hundred more I'd say that still meets the definition of uncommon. But that's not the point. The point is that it's weird it for a metal artist to be promoting a solo record when they typically aren't involved in any aspect of music other than performance.
Bingewolf
Man, some of you guys love to get bent out of shape over nothing.
As was mentioned, Corpsegrinder doesn't write anything for CC either. He's just got a vocal style that people love. We all know that Jasta loves death metal, so it's not surprising to me that Jasta thought "I want to write a death metal album and the perfect person to do vocals would be Corpsegrinder."
Honestly, I don't look at this as a cash-in, I look at this as a passion project... Jasta loves music and has been very consistently experimenting with different styles for probably over a decade now. Jasta has put out a ton of non-Hatebreed projects... I don't typically care for them but it just seems like he's got an inspiration to experiment that falls totally in line with this album.
The song itself isn't offensive either, I'd just say it's "standard" so it's hilarious that people are saying "mallcore" -- I didn't see him wearing eyeliner or skinny jeans, didn't hear any cleans either... If you don't want to listen to it, you don't have to. Some may listen and like it. I just don't understand when the board goes nuts with such vitriol over something that just isn't offensive.
Oh yeah for this album it's totally relevant that he didn't actually write all of it, as it's supposed to be a 'solo' album and all but for CC? How is band members writing the songs for their albums not DIY? It's literally them writing their own songs.
Bingewolf wrote:
Agreed, came here to say something on the lines of this. Guess people are just looking for reasons to me mad at on the internet.
Who cares about writing lyrics, songwriting isn't the only element of a solo project. Whether it's Corpsegrinder or Petula Clark or Christina Aguilera, they're all musicians and if they don't want to or if they suck a writing lyrics, then, someone will do that for them. Quickly reminder that some of these two latest artists' hits weren't written by them, but by other people.
And I don't really understand all this witch-hunting about musicians wanting to capitalize their music. Yes, they also need to eat and pay the bills, big surprise. If it wasn't for Spotify, Youtube or the band's labels' avarice, then, the musicians wouldn't probably need to engage in extra endeavours in order to profit off from their music. It's, like, their work. A severely underpaid work. If that's wrong, then, be fair to y'all principles and stop going to live shows - wouldn't these greedy ass, money famished musicians try to cash off from it.
Also, remember the lockdowns?
HeavenDuff
Location: Montreal, Quebec, Canada
You addressed none of the valid points brought up in this thread.
MDL wrote:
Did you just aks "Who cares about writing lyrics" in a thread full of people who said they considered it an important part of the role of a metal vocalist? And what the hell does pop vocalist like Christina Aguilera have to do with solo projects in metal? Pop and death metal are at polar opposites in terms of culture, and one of the main expectations that fans of metal bands, especially extreme metal bands have, is that the musicians do their own thing and actually write the music they perform. Like others pointed out before, underground metal has a DIY culture, and it feels very weird to have some producer guy do absolutely everything, from songwriting, to musician recruiting, to promotion, to basically everything, and then chose to stamp the name of some guy who is basically a session musician on top of it for marketing purposes. Nothing about this project "feels" like Corpsegrinder. Maybe death metal fans can look over the fact that he is not contributing any lyrics or songwriting credits to Cannibal Corpse because CC is a band, and the other guys who, you know, formed the band, chose the aesthetics, chose the themes, lyrics, wrote the songs and arrangements are part of the band.
Music being writen, marketed and sold by producers who use a charismatic figure might work for pop (even though I'd argue it's one of the reasons why metal fans usually tend to dislike a lot of pop) but it doesn't work for extreme metal.
I don't know why you guys are getting so butthurt defensive about us having reservations about this project. We're just talking here. I'm not saying you have to agree with us, but damn, you guys sure have a shitty way of expressing your views.
Okay, so that's three examples. Unless you can name a few hundred more I'd say that still meets the definition of uncommon. .
HUNDREDS? Jesus Christ. The band apparently feels others are better at writing lyrics than him. Like, that's it.
Well If this album does well I guess it DOES sometimes work for death metal .
entzauberung wrote:
I'm not saying it's impossible, mind you. The little we've heard from this actually sound decent, but nothing too fancy. I'm expecting it to be decent, but forgettable, but I'm ready to get proven wrong. I just think it's not really likely. I personnally can't really get into most "solo" metal projects, especially those of vocalists, even if I like the vocalists involved. And that's usually because their solo project has music that is written to serve their lyrics, rather then having their vocals serve the music. The most obvious example of this for me is Russell Allen whom we are more familiar with as the vocalist of Symphony X. His solo project and collaborations with other vocalists have some good moments, but I'd take any album from 1995-2007 era Symphony X over his entire body of work without them.
I like Corpsegrinder, don't get me wrong. The guy is a very charismatic frontman, and his vocals have a lot of depth and power. But I need the rest too: Webster's bass, Mazurkiewicz's drums, Barrett and Rutan's guitars. This new project actually features Rutan on guitars, so that's something. But I don't know. I love that metal is a "bands" genre, and that the formula with a producer hiring people to do stuff is less common in the genre.
So yeah, I hope it's good, but I'm not expecting much.
Curious_dead
Clearly it's weird that he doesn't contribute to music in a so-called "solo" album, but I don't see a problem with him not contributing to CC's lyrics or music. I mean other band members write the music and lyrics, I don't expect every members of a band to be great at songwriting or to be a talented lyricist. It's not an unrelated third party, which would be weird in metal.
But aside from the fact that they present it as a solo album, this collaboration doesn't bother me per se, I'll just wait and see if the music is worthwhile.
They are valid to YOU. Not me. I came here to express my opinion on the matter. Again, like what you like... I just think there's an overreacting response to this topic - and I laid out why I think that's the case.
I actually respect what Jasta is doing here even though, as I said, I haven't cared for much of these projects musically. But I do think it's a case of him being inspired to try and create music based around artists he really likes - not a cash grab. Believe me, I doubt there's much money in something like this. That's why I called it a passion project.
Posted: Thu Dec 02, 2021 2:46 am
Jasta is a smart businessman. A few years ago he said he could retire.
jose_G
bahhhhhh
Posted: Thu Dec 02, 2021 12:25 pm
Curious_dead wrote:
Literally no one said it's a problem, all I said is that it's uncommon and surprising. Which, again, it is, because the vast majority of metal vocalists write their own lyrics. Try to think of this for any other member of the band. If Paul came out and said "I don't know how to write good drum parts, every single beat and fill I play is exactly what George told me to do." we'd also be commenting on how that's unusual.
Vadara
Joined: Wed Mar 16, 2016 11:14 pm
PrinceRhaegar wrote:
It feels so weird to hear Corpsegrinder's vocals outside of Cannibal Corpse, but the little bit that I heard sounds interesting. Will definitely be giving this a spin when it comes out.
He recently did a guest feature on a metalcore album that released two months ago; I thought he sounded pretty good on it, so I'm interested in seeing what this pans out to be, especially since I actually like the riff in the preview. Honestly has a bit of -core vibes (which makes sense given Jasta is working on it), so that's a plus for me ^^
Posted: Fri Dec 03, 2021 12:15 am
And since we also mentionned Dee Snider and how Jasta produces his solo material, I think it's time to bring up this track from Dee Snider's most recent album Leave a Scar, that also has Corpsegrinder featuring on the track Time to Choose
I tried to imagine how Corpsegrinder's vocals would sound on non-extreme metal, and I couldn't really figure it out, but it actually works quite well.
joppek
Location: Suomi Finland Perkele
Posted: Fri Dec 03, 2021 8:42 am
you're right, that was surprisingly good for a clean+harsh vocal mix, and a decent track overall. that last half a minute was fucking awful though
All the best bands are affiliated with Satan. -Bart Simpson
Posted: Fri Dec 03, 2021 5:17 pm
joppek wrote:
There is an hardcore quality to Corpsegrinder's vocals that fits here. For his own "solo" project, this may prove to be an asset as it seems to be a death metal/hardcore hybrid. I don't know how well it will fare, but I think Corpsegrinder's style would fit with some beatdown hardcore style, à la Circle of Death for instance.
Jasta did 2 pretty good Kingdom Of Sorrow albums with Kirk from Crowbar. Both of his solo albums have lots of guests doing the vocals. "They Want Your Soul" from his last solo album has Corpsegrinder on vocals.
markhebb
First single- pretty cool with some thrash elements
Song is cool. Nothing mind-blowing but great musicianship and Corpsegrinder's massive vocal. It's good. Especially in the face of how much this sub bitched about it like Corpsegrinder was the new frontman for Black Veil Brides or something.
Black Veil Brides featuring corpsegrinder. I must admit that particular pairing had never crossed my mind. Now I'm wondering what it would sound like….
ModusOperandi
This is just a guess, but maybe George wanted to be part of something that was a bit catchier than what Cannibal Corpse has been doing for a while. Not that the band can't or won't still write those kinds of songs because they're obviously there, but they've put such a sharp focus on pushing their musicianship for the better part of the last 25 years that perhaps it's an element he's been missing out on and can showcase another side (or maybe as a reminder) of why he's one of the best in the genre.
blackcandle wrote:
AT FIRST, I'M NOT AN IDIOT, MORE RESPECT.
Slater922
Posted: Fri Dec 24, 2021 12:33 pm
Loving this track! Even though it's not on-par with CC, I'm interested to see how the rest of the album plays out.
Under a serpent sun... we shall all live as one! - "Under a Serpent Sun" by At The Gates
Check out my reviews
Metal_Jaw
I had no doubts about this being good. Fairly basic and nothing crazy complex or mind-blowing but definetely pretty good.
Also I kinda love that cover art.
markhebb wrote:
Pretty generic for a death metal track, but it isn't terrible. If the rest of the album is like this I might consider picking it up. Cover art kinda sucks though.
Posted: Tue Jan 04, 2022 8:30 pm
Vadara wrote:
Wow, metalcore has surely fallen to have something this awful labelled as "metalcore". Absolute crap!
The debut solo album statement is such a "false advertising". But I get it, they need money.
DanielG06
If it's anything like the last CC record, it's gonna kick ass.
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text:
Q: How to call function from another class Laravel I have payroll PayrollProcessController and PayrollHelper class in my Helpers folder.
here's my PayrollProcessController code :
<?php

namespace App\Http\Controllers;

use App\Http\Controllers\Base\MasterController;
use App\Http\Requests;
use App\Models\PayrollPeriod;
use App\Helpers\PayrollHelper;
use Illuminate\Http\Request;
use Illuminate\View\View;
use Yajra\Datatables\Datatables;

class PayrollProcessController extends MasterController
{
protected $indexView = 'payroll_process.index';
protected $detailView = 'payroll_process.detail';
protected $routeBindModel = 'payroll_process';
protected $redirectPageWhenFormSuccess = 'payroll_process.index'; //Route Name
protected $title = 'Payroll Process';

public function render(View $view, $route = null, $obj = null, $method = 'POST')
{
    $payrollPeriodName = PayrollPeriod::pluck('name','id');
    $view->with(compact('payrollPeriodName'));
    return parent::render($view, $route, $obj, $method);
}
}

and here's my PayrollHelper Code :
<?php

namespace App\Helpers;

use App\Helpers\Exceptions\ValidationException;
use App\Helpers\GeneralHelper;
use App\Models\Config;
use App\Models\Driver;
use App\Models\DriverPayable;
use App\Models\PayrollPeriod;
use Carbon\Carbon;
use Exception;
use Illuminate\Support\Facades\Log;

final class PayrollHelper {
public static function processPayroll(PayrollPeriod $payrollPeriod)
{
    try {
        $drivers = Driver::where('active', true)->get();
        foreach ($drivers as $driver) {
            $payable = new DriverPayable;
            $payable->payrollPeriod()->associate($payrollPeriod);
            $payable->driver()->associate($driver);
            if (!$payable->save()) {
                throw new ValidationException($payable->errors());
            }
        }
    } catch (Exception $e) {
        Log::error($e);
        SessionHelper::setMessage('Unable to process payroll, Please contact system Administrator');
    } catch (ValidationException $e) {
        Log::info($e->errors);
        SessionHelper::setMessage($e->errors);
    }
}
}
?>

how to  call the processPayroll function ?
Any help will be appreciated

A: Try this..
Use helper in your controller
use App\Helpers\PayrollHelper;

This is your controller constructor
public function __construct(PayrollHelper $payroll_helper)
{
  parent::__construct();
  $this->payroll_helper = $payroll_helper;
}

Call method like this
$this->payroll_helper->processPayroll();

Updated
Your controller look like this
<?php

namespace App\Http\Controllers;

use App\Http\Controllers\Base\MasterController;
use App\Http\Requests;
use App\Models\PayrollPeriod;
use App\Helpers\PayrollHelper;
use Illuminate\Http\Request;
use Illuminate\View\View;
use Yajra\Datatables\Datatables;

class PayrollProcessController extends MasterController
{
  protected $indexView = 'payroll_process.index';
  protected $detailView = 'payroll_process.detail';
  protected $routeBindModel = 'payroll_process';
  protected $redirectPageWhenFormSuccess = 'payroll_process.index'; //Route Name
  protected $title = 'Payroll Process';

  public function __construct(PayrollHelper $payroll_helper)
  {
    parent::__construct();
    $this->payroll_helper = $payroll_helper;
  }

  public function render(View $view, $route = null, $obj = null, $method = 'POST')
  {
    $payrollPeriodName = PayrollPeriod::pluck('name','id');
    $view->with(compact('payrollPeriodName'));

    //Use where you want
    $this->payroll_helper->processPayroll();

    return parent::render($view, $route, $obj, $method);
  }
}

A: I just want to share what I have done,
Don't know yet the side effects of this but we'll,
Use helper in your controller
use App\Helpers\PayrollHelper;

And inside the function that is good to consume one of the functions inside Payroll helper, do
$payrollhelper = new PayrollHelper();

Then call any function within the helper doing
$payrollhelper->funtion_name()...

This worked for me

A: Here is the example how you can apply your class in that way

*

*Import the controller class

use App\Http\Controllers\CategoryController;

*Create an instance of this class

$category_instance = new CategoryController();

*Call the method

$category_instance->convert_json_serial_numbers_to_arrays($serial_number);

redpajama_set_name: RedPajamaStackExchange


text:
Missing Links
Gertrude Contemporary
Gertrude Glasshouse
Gertrude Edition
Emerging Writers
MARK FEARY, ARTISTIC DIRECTOR
Mark Feary has worked within the visual art sector for fifteen years in a range of contemporary art centres, universities, museumsand artist-led initiatives, with an emphasis on contemporary art and almost exclusively within the not-for-profit sector.
Mark Feary has worked in curatorial and programming roles at Australian Centre for Photography, Sydney; Artspace, Sydney; Tokyo Metropolitan Museum of Photography; Centre for Contemporary Photography, Melbourne; and West Space, Melbourne.
TRACY BURGESS, EXECUTIVE DIRECTOR
Tracy Burgess is a passionate advocate for the visual arts and has extensive experience working in the not for profit sector, and in particular, in environments that supports both the production and presentation of art. With an in-depth knowledge of the contemporary art sector and strong national networks, Tracy brings to this role a commitment to supporting artists and connecting their work with public audiences, as well as strategic business and operational management skills garnered through the commercial sector. Previous roles have included General Manager of Wholefoods House, Sydney; Acting General Manager and Studio and Public Programs Coordinator at Artspace, Sydney; and Exhibition Assistant at the Biennale of Sydney. Born and raised in California, Tracy relocated to Australia in 2005. She has a Master's Degree in Museum Studies from the University of Sydney and Bachelor Degree in Art History, Criticism and Theory from the University of California, San Diego.
SIOBHAN SLOPER, GALLERY COORDINATOR
Siobhan is an arts administrator and independent curator. She has a Masters of Art Curatorship from the University of Melbourne and a Bachelor of Arts/Visual Arts from Monash University. Siobhan has worked with a number of visual art organisations both commercial and not-for-profit including Bus Projects, Spring 1883, Sutton Gallery and Melbourne Art Fair. In 2017 and 2018 She was Contemporary Art Curator at Loop Project Space and Bar. In 2020 she was the Gertrude Contemporary Emerging Curator. She is a current Board Member at BLINDSIDE.
TIM RILEY WALSH, CURATOR IN RESIDENCE
Tim Riley Walsh is a curator and art historian. Tim has previously worked in gallery management, communications, and programming roles at Milani Gallery, Brisbane; Camden Arts Centre, London; and the Queensland Art Gallery | Gallery of Modern Art, Brisbane. Recent projects include the exhibition and publication On Fire: Climate and Crisis (2021, Institute of Modern Art) and edited volume Gordon Bennett: Selected Writings (2020, Power Publications and Griffith University Art Museum). Tim is also the Australia Desk Editor for ArtAsiaPacific, Hong Kong, and a previous contributor to Frieze, Art Monthly Australasia, Art + Australia, Eyeline, Apollo, OSMOS, Runway, and Artlink.
KATHY PAPPAS, GALLERY AND ADMINISTRATION ASSISTANT
Kathy is an arts administrator, and is passionate about fostering diversity and inclusivity in the arts. She has a Master of Art Curatorship from the University of Melbourne, and a Bachelor of Arts/Visual Art, majoring in Film and Television Studies, from Monash University. Kathy has previously worked and volunteered for a number of organisations, including West Space, Spring 1883, and 4A Centre for Contemporary Asian Art for the NGV Art Book Fair.
KYP BOSCI, CHAIR OF THE BOARD
Kyp Bosci is managing director of Kalex, a Melbourne based property company specialising in design-led residential and commercial projects. In collaboration with Melbourne's best creative talent, tradespeople and craftsmen, Kalex design for those who appreciate detail. Kyp is also a passionate collector of contemporary art.
JANE HAYMAN, DEPUTY CHAIR OF THE BOARD
Jane Hayman is a passionate supporter of the arts and a keen collector of contemporary art. With a background in events management Jane has worked with many organisations, including the Biennale of Sydney Events Committee and the MCRI Art for Science Committee, to broaden their support networks. Jane currently supports Biennale of Sydney, ACCA, NGV, and Gertrude Contemporary. Jane is currently a Director of both Hayman Design and STATION Gallery, Melbourne.
GORDON THOMSON, TREASURER/SECRETARY OF THE BOARD
Gordon is a partner in PwC's Accounting Advisory Group, and is also a member of PwC's Global accounting technical team. He has over 20 years' experience in accounting and finance and specializes in a range of industries with a particular focus on the Government and Not for Profit sectors. Gordon is passionate about the arts, with a particular interest in the visual arts.
YHONNIE SCARCE, BOARD MEMBER
Yhonnie Scarce belongs to the Kokatha and Nukunu peoples, South Australia.
Yhonnie's interdisciplinary practice explores the political nature and aesthetic qualities of glass and photography. Her work often references the on-going effects of colonisation on Aboriginal people. Recent exhibitions include, 2020 Adelaide Biennial, South Australia, Paris Photo, Paris, France, Pavilion of Contemporary Art, Milan, Italy, Museum of London, Ontario, Canada. Previous international shows include the National Gallery of Modern Art, New Delhi, India, 2018, 55th Venice Biennale collateral exhibition Personal Structures 2013, Venice, Galway Art Centre, Ireland 2016, Harvard Art Museum, Massachusetts 2016, Kluge-Ruhe Aboriginal Art Museum, Virginia, USA 2012.
BEN HART, BOARD MEMBER
Ben has over 20 years experience working across media, communications and politics. Over that time he has led the communications functions at national government agencies such as headspace and the Australian Renewable Energy Agency and developed narratives for organisations in the energy, transport, not-for-profit and sports sectors. He has advised leaders across all three tiers of government, having previously been the Chief of Staff to former State Government Minister Gavin Jennings (with responsibility for creative industries) and, more recently, Chief of Staff to Melbourne Lord Mayor Sally Capp. In 2018 he founded leading storytelling and content agency Fireside.
JON CAMPBELL, BOARD MEMBER
Jon Campbell graduated with a Bachelor of Fine Arts (Painting), RMIT, 1980-82 and a Graduate Diploma, VCA, 1984-85. He was a Gertrude studio artist, 1986-87 and held his first solo exhibition there in 1986. He has exhibited extensively both nationally and internationally over the past 30 years. Recently Jon made a solo presentation at Art Basel Hong Kong, 2015 with Darren Knight Gallery and undertook the Australia Council Greene Street Studio residency, NYC 2015. He won the Basil Sellers Art Prize, 2012 and released his debut solo Vinyl LP in 2016. He has been teaching in art schools since 1987 and is currently a lecturer in the Painting Department, VCA, University of Melbourne. Jon is represented by Darren Knight Gallery, Sydney.
KAY ABUDE, BOARD MEMBER, STUDIO ARTIST REPRESENTATIVE
Kay Abude is an artist living and working in Melbourne, Australia. Her creative practice engages many different forms of making, including sculpture, large-scale installation, performance, photography and silk-screen printing. Abude is fascinated with the nature of labour, with its economic, repetitive and somatic properties, and how work connects and separates us, taking so much of our time that it comes to define our lives.
Recent exhibitions include the Megalo International Print Prize, Canberra, 2019; Castlemaine State Festival, Victoria, 2019; National Anthem, Buxton Contemporary, Melbourne, 2019; Wangaratta Contemporary Textiles Award, Victoria, 2019; For Love or Money, Town Hall Gallery, Hawthorn Arts Centre, Hawthorn, 2019; Sunbury Cultural Commissions, Sunbury Art Gallery, Victoria, 2019; Projects at the Auckland Art Fair, New Zealand, 2018; and State of the Union, Ian Potter Museum of Art, The University of Melbourne, Parkville, 2018. Abude is currently a Teaching Associate in Fine Art at MADA - the Faculty of Art Design and Architecture, Monash University.
JAMES NGUYEN, BOARD MEMBER, STUDIO ARTIST REPRESENTATIVE
James Nguyen is a Melbourne-based artist working with aninterdisciplinary practice. His output ranges from drawing, installation, video and performance. Often collaborating with family and friends, together they create work that examines the politics of art, self-representation and how these decolonising strategies can contribute to diasporic dialogues.


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text:
In Captivity
Dolphinariums and Aquariums
The Solomon Islands Dolphins Drama
Boycott Dolphinariums
Orca Whales
Beluga Whales
Another Captive Dies
Bjossa the Orca is Dead
Behind the Captive Smile
Chlorinated Prisons
The Dolphin Show
Of Dolphins and Decency
Dolphins with Jobs
Don't Swim With the Dolphins
Dolphin Grieves for Dead Baby
Thoughts About Dolphinariums...
Fishing and Whaling
The Normafa Statement
Blood and Games
The Dolphin Show or Send in the Clowns
The dolphin show does represent a form of education but it's a form of bad education in that it teaches millions of people that human supremacy over nature is a good thing.
In order to justify the capture and confinement of dolphins, the billion-dollar captivity industry, which is supported in the USA by the National Marine Fisheries Service of the Department of Commerce, presents the dolphins as "ambassadors" of their own species and maintains that dolphin shows serve the purpose of being educational. So when the disco-music is blasting away and the performing dolphins walk on their tails, play basketball, and take their trainers for rides around the tank, the audience is supposed to become acquainted with the true nature of dolphins and, based on that, grow motivated to contribute to the protection of dolphins in nature.
But how can the spectators learn anything about the true nature of dolphins when the captive dolphins are trained in unnatural behaviors, mere circus tricks that these once-wild, opportunistic foragers of the oceans are performing for food rewards of dead fish? And how are the spectators supposed to become aware of the importance of preserving dolphins in nature when the dolphins they are watching have been either stolen from nature, kicking and screaming, or were born in captivity and have never seen the ocean?
Any intelligent person watching dolphins perform circus tricks must conclude that this is about one thing only: amusement.
During the dolphin show one might hear the announcer tell the audience that "this is the dolphin's dorsal fin," and when the dolphin trainer gives the dolphin the hand signal to wave his pectoral fin, the announcer will say "and this is the pectoral fin." These superficial descriptions of the dolphins' physiology are nothing but a token gesture, serving the purpose of being able to call the dolphin spectacle educational.
There is not a word about how the dolphins were captured and separated from their family pods, nor is there an in-depth description of the dolphins' social nature, their organized pod structure, and highly developed sensory sense that's rendered useless in a concrete tank. This information is withheld from the audience because it gives all the reasons why dolphins do not belong in captivity, thus undermining the captivity industry's foremost errand, which is to make as huge a profit from the performing dolphins as possible.
While the captivity industry's strongest justification to training dolphins to perform shows is the alleged wish to educate the public about the importance of preserving dolphins in nature, the same industry refers to the fact that bottlenose dolphins are not threatened by extinction to defend the position that it is okay to capture them. It is precisely this utilitarian view of nature and its inhabitants that has destroyed wildlife everywhere on the planet, and the theatrical content of the captive dolphin spectacle works against the spirit of wildlife conservation in that it cherishes human dominance over nature.
It's interesting to note that the fact that the bottlenose dolphin is not threatened by extinction is also used by the captivity industry to argue that there is no reason to release captive dolphins back into their natural habitat. It is then always added that besides, captive dolphins are better off remaining in captivity for the rest of their lives, as they have lost their natural survival skills and no longer know how to live in the oceans. This claim is made with no evidence to substantiate it and presents yet another of the captivity industry's double standards: Even though captivity has permanently destroyed the dolphins' abilities to survive in nature and made them helplessly dependent on people for their survival, they are wild enough to educate the public about the true nature of dolphins.
Since the world's first formal dolphin show opened in St. Augustine, Florida, in 1938, hundreds of dolphins have been captured from the wild and trained to perform silly circus tricks. When the dolphins died, the captivity industry simply captured more. These are disposable dolphins for our disposable society, and to call them ambassadors is simply an obviously desperate attempt at sanitizing the exploitation of these animals.
By Helene O'Barry
What is Terrorism; an Inter-species Perspective
Whaling and Welfare
Dolphin Kills in Japan
Rocky Way to Success for Dolphin and Whale Watching...
The London Whale
Sean McBride's Poem
The Rose-Tinted Menagerie
Against the Construction of the Dolphinarium in Vodnjan
Lori Marino's Open Letter
A Public Commendation to Vodnjan
Behind the Dolphin Smile
To Free a Dolphin
Changes to the Animal Protection Act 2012
Ban on Dolphin Captivity
03/14/19 Bear Cub Matija Does Not Belong in a Zoo
07/15/10 "The Cove" at Biograd na Moru
06/30/09 Freedom Instead of Captivity
08/16/07 Croatia - Dolphin Friendly Country
05/10/07 Vodnjan Rejects Dolphinarium
04/12/07 Ban the Dolphinaria
03/21/07 Flipper's Trainer in Croatia!
03/05/07 Aquapark Yes, Dolphinarium No!
05/11/06 The Whale That Begs for the Rescue of His Fellows
04/27/06 Goran Visnjic Against Whaling!
01/24/06 Thames Whale Highlights World Plight
10/08/05 Freedom and Life to Dolphins
06/08/05 World Ocean Day
12/10/03 International Day of Protest Against the Japanese Dolphin Slaughter
04/11/07 On the Prohibition of Captivating Dolphins in Croatia
The Dolphin Project