text:
Q: Nested loop extracting index values into new array I am trying to extract specific index values from an array, and place them into a new array. The primary array values are as follows:
 int a[] = {7, 8, 9, 9, 8, 7};

The call I am making to the method is as follows:
print(findAll (a,7));
print(findAll (a,2));

The method I am using is as follows:
public int[] findAll(int a[], int target)
    {
       int count = 0;
       int i = 0;
       int index = 0;
       int spotIndex = 0;

       for (i = 0; i < a.length; i++)
        {
          if (a[i] == target)
            count = count + 1;
            spotIndex = i;
        }

        int result[] = new int[count];

        for (index = 0; index < count; index++)
        {
            result[index] = spotIndex;
            index++;

        }
        return result;
    }

The results should be:
{0, 5}
{}
My results are below; if I change the target argument I get the same results.
{5, 0}
{}
Thanks in advance....

A: Small advice:
for (index = 0; index < count; index++)
{
    result[index] = spotIndex;
    index++;
}

you index++ call double times. This is bad practice to use index in method scope, better is:
for (int index = 0; index < count; index++)
{
    result[index] = spotIndex;
}

Notice that you put spotIndex (the same value) in all result elements.
Why you don't use List?
public Integer[] findAll(int a[], int target) {
    List<Integer> result = new ArrayList<Integer>();
    for (int i=0; i<a.length; i++) {
        if (a[i] == target) {
            result.add(i);
        }
    }
    return result.toArray(new Integer[result.size()]);
}

A: spotIndex isn't serving the purpose you thought needed for.
for (i = 0; i < a.length; i++)
{
      if (a[i] == target)
        count = count + 1;
        spotIndex = i;     // spotIndex comes in for loop but not in if condition.
                           // and this gets modified at every step in loop.
                           // simply assigning value of i to it.
}

Instead the logic should be -
for (i = 0; i < a.length; i++)
{
      if (a[i] == target)
        count = count + 1;
}

count gives the number of times target is repeated. Now, create an array of size count to actually copy those element's index in to the array.
int result[] = new int[count];
int copyIndex = 0;
for (index = 0; index < a.length; index++)
{
     if( a[index] == target )
     {
          result[copyIndex] = index ;
          ++copyIndex;

          if( copyIndex == count )
              return result ;
     }
}

I don't see the use of this statement - spotIndex = i; in first loop.
Note: The logic assumes that search element( i.e., target ) is definitely present in the array. With slight modification though, we can return the indexes if element is present only.


Maestà di Santa Trinita, 1280–1285, Uffizi Gallery, Florence.
Cimabue (Italian pronunciation: [tʃimaˈbuːe]; Ecclesiastical Latin: [t͡ʃiˈmaː.bu.e]; c. 1240 – 1302), also known as Cenni di Pepo or Cenni di Pepi, was an Italian painter and designer of mosaics from Florence.
Although heavily influenced by Byzantine models, Cimabue is generally regarded as one of the first great Italian painters to break from the Italo-Byzantine style. While medieval art then was scenes and forms that appeared relatively flat and highly stylized, Cimabue's figures were depicted with more-advanced lifelike proportions and shading than other artists of his time. According to Italian painter and historian Giorgio Vasari, Cimabue was the teacher of Giotto, the first great artist of the Italian Proto-Renaissance. However, many scholars today tend to discount Vasari's claim by citing earlier sources that suggest otherwise.
Little is known about Cimabue's early life. One source that recounts his career is Vasari's Lives of the Most Excellent Painters, Sculptors, and Architects, but its accuracy is uncertain.
He was born in Florence and died in Pisa. Hayden Maginnis speculates he could have trained in Florence under masters who were culturally connected to Byzantine art. Many scholars now discount Vasari's claim that he later had Giotto as his pupil; they cite earlier sources that suggest otherwise.
Italian art historian Pietro Toesca attributed the Crucifixion in the church of San Domenico in Arezzo to Cimabue, dating around 1270, making it the earliest known attributed work that departs from the Byzantine style. Cimabue's Christ is bent, and the clothes have the golden striations that were introduced by Coppo di Marcovaldo.
Around 1272, Cimabue is documented as being present in Rome, and a little later he made another Crucifix for the Florentine church of Santa Croce. Now restored, having been damaged by the 1966 Arno River flood, the work was larger and more advanced than the one in Arezzo, with traces of naturalism perhaps inspired by the works of Nicola Pisano. In the same period (c. 1280), Cimabue painted the Maestà, originally displayed in the church of San Francesco at Pisa, but now at the Louvre. This work established a style that was followed subsequently by numerous artists, including Duccio di Buoninsegna in his Rucellai Madonna (in the past, wrongly attributed to Cimabue) as well as Giotto. Other works from the period, which were said to have heavily influenced Giotto, include a Flagellation (Frick Collection), mosaics for the Baptistery of Florence (now largely restored), the Maestà at the Santa Maria dei Servi in Bologna and the Madonna in the Pinacoteca of Castelfiorentino. A workshop painting, perhaps assignable to a slightly later period, is the Maestà with Saints Francis and Dominic currently housed in the Uffizi.
During the pontificate of Pope Nicholas IV, the first Franciscan pope, Cimabue worked in Assisi. At Assisi, in the transept of the Lower Basilica of San Francesco, he created a fresco named Madonna with Child Enthroned, Four Angels and St Francis. The left portion of this fresco is lost, but it may have shown St Anthony of Padua (the authorship of the painting has been recently disputed for technical and stylistic reasons). Cimabue was subsequently commissioned to decorate the apse and the transept of the Upper Basilica of Assisi, in the same period of time that Roman artists were decorating the nave. The cycle he created there comprises scenes from the Gospels, the lives of the Virgin Mary, St Peter and St Paul. The paintings are now in poor condition because of oxidation of the brighter colours that were used by the artist.
The Maestà of Santa Trinita, dated to c. 1290–1300, which was originally painted for the church of Santa Trinita in Florence, is now in the Uffizi Gallery. The softer expression of the characters suggests that it was influenced by Giotto, who was by then already active as a painter.
Cimabue spent the last period of his life, 1301 to 1302, in Pisa. There, he was commissioned to finish a mosaic of Christ Enthroned, originally begun by Maestro Francesco, in the apse of the city's cathedral. Cimabue was to create the part of the mosaic depicting St John the Evangelist, which remains the sole surviving work documented as being by the artist. Cimabue died around 1302.
His nickname, Cenni di Pepo, translates as 'bull-head' but also possibly as 'one who crushes the views of others', from the Latin word cimare, meaning top, shear, and blunt. The conclusion for the second meaning is drawn from similar commentaries on Dante, who was also known "for being contemptuous of criticism".
History has long regarded Cimabue as the last of an era that was overshadowed by the Italian Renaissance. As early as 1543, Vasari wrote of Cimabue, "Cimabue was, in one sense, the principal cause of the renewal of painting," with the qualification that, "Giotto truly eclipsed Cimabue's fame just as a great light eclipses a much smaller one."
^ Joseph F. Clarke (1977). Pseudonyms. BCA. p. 38.
^ J. A. Crowe and G. B. Calvalcaselle, A History of Painting in Italy; Umbria, Florence and Siena from the Second to the Sixteenth Century, vol. 1, AMS Press, 1975, p. 202.
^ a b Hayden B.J. Maginnis, "In Search of an Artist," in Anne Derbes and Mark Sandona, The Cambridge Companion to Giotto, Cambridge, 2004, 12-13.
^ Paoletti, John T.; Radke, Gary M. (2005). Art in Renaissance Italy. Laurence King Publishing. p. 51.
^ Van Vechten Brown, Alice; Rankin, William (1914). A Short History of Italian Painting. J.M. Dent & Sons, ltd. p. 41.
^ Brink, Joel (October 1978). "Carpentry and Symmetry in Cimabue's Santa Croce Crucifix". The Burlington Magazine. Volume 120 (No. 907).
^ Maxwell, Virginia; Leviton, Alex; Pettersen, Leif (2010). Tuscany & Umbria. Lonely Planet. p. 364.
^ Havely, Nick (2004). Dante and the Franciscans: Poverty and the Papacy in the 'Commedia'. Cambridge University Press. p. 39.
^ Brooke, Rosalind B. (2006). The Image of St. Francis: Responses to Sainthood in the Thirteenth Century. Cambridge University Press. p. 352.
^ Paoletti, John T.; Radke, Gary M. (2005). Art in Renaissance Italy. Laurence King Publishing. p. 85.
^ White, John (26 May 1993). Art and architecture in Italy 1250-1400 (3rd Revised ed.). Yale University Press. p. 175. ISBN 9707250208.
^ Kleinhenz, Christopher (2004). Medieval Italy: An Encyclopedia. Routledge. pp. 223–224.
^ a b Vasari, Giorgio (1991). Lives of the Artists, 1550. Oxford: Oxford University Press. p. 13. ISBN 0-19-281754-X.
^ Gibbs, Robert. "Cimabue". www.oxfordartonline.com. Retrieved 2017-02-11.
Rossetti, William Michael (1911). "Cimabue, Giovanni" . In Chisholm, Hugh (ed.). Encyclopædia Britannica (11th ed.). Cambridge University Press.
Wikimedia Commons has media related to Cimabue.
"Cimabue, Giovanni" . The New Student's Reference Work . 1914.


text:
Television episodes, Episode stubs, DC Comics,
DC animated universe
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The Cat and the Claw
"The Cat and the Claw"
Season 1 Number 1-8
Episode information
Kevin Altieri
Dick Sebast
September 5, 1992 (Part 1)
September 12, 1992 (Part 2)
Batman: The Animated Series Episodes
"N/A" "On Leather Wings"
"The Cat and the Claw" is the two-part series premiere of Batman: The Animated Series. Although the two parts were produced as the fifteenth and sixteenth episodes ("On Leather Wings" being the first), Part 1 was aired first on September 5, 1992 to tap into the interest in the character of Catwoman aroused by the release of the live-action film Batman Returns. Part 2 was later aired on September 12, 1992 as the eighth aired episode.
Out in uptown Gotham City, Catwoman sneaks into an expensive apartment and steals a valuable necklace using her cat, Isis to see the security lasers and slip past them. However, Batman is watching and chases after the culprit. Catwoman is intrigued but leaps from the building top and uses her whip and acrobatic abilities to flee. Batman easily manages to catch up with her and chases her over the rooftops of Gotham. The chase eventually comes to an end in an alleyway and Catwoman attacks. She manages to bury him under trashcans and runs, but Isis is almost run over in the middle of the road. Fortunately for Isis, Batman saves her. Catwoman blows a cat-whistle and calls Isis up.
Later, a charity auction for animal preserves is held for a date with the most eligible bachelors in Gotham, next on the list: Bruce Wayne. The bidding goes on for a while and finally ends when Selina Kyle, a sponsor for a mountain lion preserve, bids ten thousand dollars for him. Bruce is delighted to be her date but Selina is more interested in saving the animals. Bruce insists on dating her and she agrees to go to lunch with him.
Outside, police give chase to a military truck holding army weapons. Bruce disappears and Batman takes the scene apprehending the criminals and stopping the robbery. One of the criminals manages to escape unnoticed into the sewers but the other two are captured. Commissioner Gordon goes to talk to Batman and tells him that the leader of a terrorist group, known only as Red Claw, is in Gotham and there are no leads.
The next day, Selina and her secretary Maven, talk about the impending date but Selina is more interested in Batman. Just as Wayne comes up Selina's lawyer calls up and says that a deal has been called off. She had been looking to purchase land for a mountain lion preserve but Multigon International has taken it. Wayne offers to help and gets her a meeting with the company chairman, Stern. However, he refuses to help claiming that his company is going to build a major resort. Selina is angry claiming that the land is in the middle of nowhere. Mr. Stern claims that Multigon will "take care of the cats one way or another". Selina is outraged and threatens to have environmentalists alerted so that the company will be kept on close watch. After the meeting, however, Stern privately speaks with a fearsome woman, Red Claw herself, and voices his concerns. Red Claw orders Selina tailed, unwilling to allow their plans to be put in jeopardy.
That night Batman grills a mob boss for information on Red Claw. Meanwhile, Catwoman sneaks into Multigon and seeks information. While this goes on, Red Claw talks to her men about a train that will be transporting a viral plague that Interpol took from her organization. Just outside the room Catwoman searches through Multigon's hidden safe and takes pictures of their files. Unfortunately for her, she's being surveyed and Red Claw emerges with her men looking to kill the intruder. Catwoman manages to escape into the air vents but is pursued by thugs. Fortunately, she manages to leave cat shaped spikes all over the shaft stopping her pursuers. She then escapes up an elevator shaft but Red Claw and her thugs follow her to the roof. Catwoman jumps to a ledge on another building, but Red Claw shoots the ledge with an explosive nearly causing her to fall to her death. However, Batman saves Catwoman. Catwoman is grateful to him and tries to convince Batman to let her go but Batman refuses. Angered, Catwoman throws him from a building and runs off.
With her mission complete, Catwoman returns home. She tells Maven about what she discovered and believes that she'll save the mountain lions. Unbeknownst to her, however, one of Red Claw's thugs is watching and sees her unmask herself.
In Gotham Park, the Mob Boss Batman grilled for information arrives and tells Batman that there are rumors of a train heist but he doesn't know if Red Claw and her terrorists are in on it.
Batman goes to talk to Commissioner Gordon about it but there's nothing about it in the train schedule. However, Batman deduces that it's a military train and the information was classified. Gordon agrees and makes a call.
Elsewhere, Red Claw and her thugs attack the train and easily manage to gain access to the plague. Things are complicated, however, when Batman shows up. All the same, Red Claw makes it into the train car and obtains the canister. Batman tries to stop her but she threatens to release the plague and kill everyone within a ten-mile radius, completely aware that she will be killed as well. Batman is forced to back off while Red Claw escapes.
The next day, Selina and Bruce go out on their date, finally, but Red Claw's men start crashing their car into Bruce's trying to force him off a bridge. Bruce takes evasive driving maneuvers and finally forces the thugs off the bridge by playing chicken. Bruce takes Selina home and urges her to tell him if she's in trouble because he really cares about her, something he hasn't felt in a very long time. Selina thanks Bruce for his concern and goes back into her apartment. Upset over the attempt on her life and knowing about the bunkers underneath the resort she "dresses up" and goes out for the night.
Back in the Batcave, Batman wonders about Ms. Kyle's connection to Red Claw but has no clues. Just then, Alfred notices a cat hair on Bruce's coat. Remembering a hair left on his coat by Isis, Batman deduces Catwoman's identity.
Meanwhile, Maven is attacked by a thug in her own apartment. Just before the thug can hurt her, Batman arrives and pummels him into submission. Batman then confronts Maven on Catwoman's activities and whereabouts. Maven gives up the information and tells Batman that Catwoman is in love with him. Batman doesn't respond to this information.
Catwoman infiltrates the Multigon site. One of Red Claw's guards is patrolling the facility when he get snagged behind a bush by Catwoman. She leaves him hogtied and gagged and proceeds to enter through the ventilation system. She then takes pictures of their weapons. Unfortunately, Red Claw's thugs catch her but Batman saves her. Batman tries to get her to safety but the duo is captured and left tied up in a bunker made by the government to hide officials. Red Claw leaves the plague virus with the two explaining that the virus is too dangerous to keep. She'll release a fake plague on Gotham and by the time it's realized to be a fake, she'll already have her ten billion dollar gold bouillon ransom. She drops a bit of acid onto the canister that slowly eats through the seal and evacuates the premises.
Catwoman however, manages to cut the ropes with her claws and the pair manages to get free. Batman tells Catwoman to escape but he has to remain to destroy the plague. He uses a hose to spray gas from a tanker truck and tosses a grenade to set off the gas trail, thereby starting a conflagration that sets off the ammunition and destroys the facility including the newly released virus. Then, to escape, he drives the tanker truck through the garage door and crashes it into Red Claw's tandem rotor heavy-lift helicopter. Red Claw's stranded men including Multigon chairman Stern are all then illuminated by searchlights from hovering Gotham Police Department helicopters and arrested.
Rather than making her escape in a small helicopter, an enraged Red Claw attacks Catwoman. She proves to be too much for Catwoman but before she can kill her, a mountain lion attacks and pins her down. Catwoman then disappears into the shadows.
Returning home, Catwoman finds that Maven is gone but Batman there. As Batman finally admits his feelings for Catwoman, he reluctantly places her under arrest.
Batman: Secrets of the Caped Crusader
Batman: The Animated Series, Volume One
Batman: The Complete Animated Series
Batman Super-Villains: Catwoman
Warner Bros. Entertainment Wiki has a transcript of The Cat and the Claw.
Scenes from the first part of this episode were used in the game The Adventures of Batman and Robin, on level 4: "Tale of the Cat".
Bruce Timm said that the end sequence is geared around the explosions, but they were artistically poor, and the animation was redone two to three times. Although he felt the final product was still awful, they ran out of time and had to air it.
In order to capitalize on the success of Batman and Batman Returns, Warner Brothers insisted that Catwoman's appearance be based on that of Michelle Pfeiffer's Catwoman from Batman Returns. It was the same with the look of The Penguin.
Production inconsistencies
On the DVD Batman: The Animated Series: Secrets of the Caped Crusader, the credits of Part I are those of "On Leather Wings" rather than the actual episode. The credits of Part II are the combined credits of both parts I and II.
DC Animated Universe Wiki: The Cat and the Claw
This episode article is a stub. You can help Warner Bros. Entertainment Wiki by expanding it.
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text:
Breaking News - Judge denies Aspen restaurant group's request to stop Red-level restrictions starting Sunday
Aspen Country Day to host first regional boarding school fair
Michael McLaughlin
Emily Rominger, left, and Gretchen Cole, the director of admissions, financial aid, and outplacement at the Aspen Country Day School, share a hug in front of Taft School, a boarding school in Watertown, Connecticut.
Just one week after hosting the largest college fair on the Western Slope, Aspen will be home to the first boarding school fair ever put on in the area.
The Aspen Country Day School will host its first Boarding School Fair on Saturday from 2 to 5 p.m. at the school. The event is free and open to the public. More than 45 schools will be in attendance, representing a wide range of boarding schools from around the nation.
Gretchen Cole grew up in Aspen and went to Country Day before attending Milton Academy, a boarding school in Boston. She's now the director of admissions, financial aid and outplacement at Country Day and is the driving force behind the boarding school fair.
Cole said there will be a wide variety of schools represented at the fair, including ski academies, rigorous academic schools, support schools and schools with an emphasis on sports as well as all-girl and all-boy schools.
"This is an overwhelmingly spectacular range of schools that will be here for the fair," she said.
When Cole talked about the advantages of attending a boarding school, she brought up how Thomas Jefferson talked about supporting the idea of a college environment that was conducive toward the exchange of ideas 24/7 in a residential community.
Cole said she sees the same advantages at a boarding school.
"It's a constant opportunity for a sharing of ideas and an academic experience," she said. "You get that simultaneously with citizenship-building and accountability — all the things you would find in a college, but this is happening at a more formative time in one's life. You're in a dorm but don't have the same freedom you have in college. You're sort of required to build a family community with your fellow students and your teachers. From a character standpoint, independence is fostered, which does nothing but prepare you for college and advocating for yourself."
Cole has helped families throughout the Western Slope that haven't had access to boarding school counseling or placement representatives to find the right avenues to access information about the schools.
"Clearly there's a place for this fair to be shared as a possibility for a school choice," she said.
Emily Rominger is a senior at Taft School in Watertown, Connecticut. She grew up in Basalt and attended Country Day before enrolling at Taft as a ninth-grader.
Rominger said choosing Taft and attending a boarding school was the best decision of her life.
"I have been so happy at Taft," she said. "The school and the people here have exceeded my expectations. The learning environment is incredible. The teachers are very supportive, and they challenge us."
Rominger said she recalls being homesick when she first arrived at Taft, but the teachers and her peers understood and helped her through the first few months.
"At Taft, the teachers become your parents, and your friends become your family," Rominger said. "It really creates an inclusive atmosphere. Basalt will always be my home, but Taft feels like a second home."
According to Carolyn Hines, the director of communications and alumni relations at Country Day, this will be the first boarding school fair ever held on the Western Slope.
She said Country Day has many graduates at boarding schools and that Aspen has a higher percentage of kids at boarding schools than most areas in the United States.
"Families here in Aspen are very education-savvy," Hines said. "They're looking for the best experience for their kids and aren't willing to limit themselves geographically. They often search far and wide for the school that's the right fit."
Both Cole and Hines have children currently attending boarding schools. They said the image of a boarding school being strictly for troubled students or being totally elitist is archaic and misleading. Both said their children are having much more fun than they expected.
"That perception is easily mitigated once you walk onto the campus and really get to know the school," Hines said. "Most campuses are remarkably diverse socioeconomically, with gender balance and diversity of races."
mmclaughlin@aspentimes.com
When you work in a fly shop, the question we answer the most is "What should I look for when it comes to my first fly rod?" For the person new to this sport, the…
Judge denies Aspen restaurant group's request to stop Red-level restrictions starting Sunday
WineInk: January Dreams
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Vlad Jr. Is Here. It's About Time.
Apr. 26, 2019 , at 3:56 PM
Guerrero hits like his dad — and no other prospect in the last decade.
By Travis Sawchik
Filed under MLB
Vladimir Guerrero Jr. will become the 46th son of a former major leaguer to make a debut this decade when he takes the field Friday.
Michael Reaves / Getty Images
Widely considered the best prospect in baseball, Vladimir Guerrero Jr. — the son of Hall of Famer Vladimir Guerrero — is expected to make his debut for the Blue Jays on Friday in Toronto against Oakland. The event will, at least for the moment, end talk of the Blue Jays suppressing his service time and turn attention to the arrival of one of the most precocious hitting talents of this century. An oblique strain this spring slowed his major league debut, but it was likely to be delayed anyway, given the way MLB clubs have been controlling players' service time.1 Even after last season, when Guerrero Jr. became the first player to hit .400 or better at the Double-A or Triple-A level in more than a decade, the Blue Jays claimed this spring that he wasn't ready for the major leagues.
Guerrero's .367/.424./.700 slash line in eight games this season in Triple-A seemed to give the Blue Jays a change of a heart, along with the fact that they control his bat through the 2025 season.2 Now healthy and in the majors, the 20-year-old has superstar potential with an offensive profile that Baseball America claims is in the "mold of Manny Ramirez," and the magazine says "it's not out of the question that Guerrero could develop into an 80 hitter with 80 power." An "80" scouting grade is rare, residing at the top of the 20-to-80 scouting scale.
It's not hyperbole to suggest that Guerrero Jr. is an incredibly rare talent. Since 2010, no teenager — and few players of any age, for that matter — did what he did in the upper levels of the minor leagues last season. The slugger had one of the highest marks ever in weighted runs created plus (wRC+) — a metric that measures offensive efficiency and accounts for a league's run-scoring environment and ballparks.
In 61 games at Double-A New Hampshire last season, at age 19, Guerrero posted a 203 wRC+. Since 2010, Guerrero Jr. is one of only six minor leaguers with at least 200 plate appearances to reach a 200 wRC+ in the upper minor leagues, and he was the only player to do so as a teenager. Yankees outfielder Giancarlo Stanton posted a 204 mark in Double-A in 2010 as a 20-year-old, and Cubs third baseman Kris Bryant posted a 220 mark at age 22 in 2014 in Double-A.
What's also remarkable about Guerrero as a hitter is how much his minor-league track record resembles his father's.
Career minor league batting statistics before their major league debuts for Vladimir Guerrero Sr. and his son, Vladimir Guerrero Jr.
At-bat
Guerrero Sr. 285 1,055 .343 .404 .581 .985
Guerrero Jr. 288 1,075 .331 .413 .531 .944
Source: The Baseball CUBE
Even their swings are similar.
We wrote earlier this spring that the sons of majors leaguers have an advantage over the general population in reaching the major leagues. While some of that advantage is tied to genetic gifts and financial means, mimicking elite athletic movement patterns from a young age is also thought to be crucial.
The debut earlier this year of Fernando Tatis Jr. — son of former major leaguer Fernando Tatis — set a record for the number of sons to debut in a decade (45), according to Baseball-Reference.com data analyzed by FiveThirtyEight. Guerrero Jr. makes it 46, and his former Triple-A teammates Cavan Biggio (son of Craig) and Bo Bichette (son of Dante) could soon increase the number.
While Guerrero hits like his dad, he isn't built like his dad. Vlad Sr. debuted as a lanky and athletic wunderkind, while his son's weight is already a concern: He was measured this spring at 6-foot-1 and 250 pounds. Perhaps that will push Guerrero Jr. off of third base, but wherever he plays, the expectation is that he'll hit for years to come.
Check out our latest MLB predictions.
A player cannot become a major league free agent until he accrues six full years of service time. Counting off days and game days, there are generally 187 days on a major league calendar. A player needs to spend 172 days of those days on a major league roster to gain a year of service.
Fellow top prospect Fernando Tatis Jr., who broke camp with San Diego, is controlled through the 2024 season if he sticks in the majors.
Travis Sawchik is a sportswriter for FiveThirtyEight. @Travis_Sawchik
MLB (483 posts) Toronto Blue Jays (15) Vladimir Guerrero (1) Vladimir Guerrero Jr. (0)


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Archives by Category: College of Education
UA Faculty, Staff Help College-Prep Campers Explore Possibilities
For the UA Early College staff members tasked with planning and operating the annual Leaders Exploring Academic Possibilities camp, their first signal of success was a successful pilot 2016 and immediate addition of a...
Inspired by Community, Eager to Better Alabama
As much as Tuscaloosa has grown in recent years, it still has a "small-town feel" that continues to empower UA doctoral student Lauren Rollins as both a leader and educator.
'We're Trying to Transform Education'
University of Alabama elementary education majors recently wrapped up a month's worth of STEM activities with four different classes at Woodland Forrest Elementary School.
Better With Them
UA researchers are part of nationwide study to identify veterans struggling with suicidal thoughts.
10 UA Students, Graduates Chosen for Fulbright Awards
Ten University of Alabama students were chosen as Fulbright Student Award Winners for 2019–2020.
Autherine Lucy Foster to Receive Honorary UA Doctorate Friday
The University of Alabama will honor its first civil rights trailblazer Friday, bestowing an honorary doctoral degree upon Autherine Lucy Foster, the first African American to enroll and attend the University.
Bowen: 'No Closed Doors' at CrossingPoints
On this day, in a small gymnasium in the Tom Barnes Education Building at UA, Jessica Bowen is teaching color guard routines to a room of beginners. The positions and turns aren't perfect, but...
UA to Hold Spring Commencement Exercises May 3-5
The University of Alabama will hold its spring commencement exercises beginning Friday, May 3, at Coleman Coliseum on the UA campus.
'More Than Just a Space'
On Thursday, PRCA-UA, along with 13 other student groups, gathered for the unveiling of their new home, which will help them expand their community service work.
UA Launches New Student Community Engagement Center
Community and university engagement at The University of Alabama received a boost today with the unveiling of the UA Student Community Engagement Center.
UA to Celebrate Research, Creative Activity by UA Faculty
Members of The University of Alabama faculty will be honored for their research and creative contributions at the upcoming Faculty Research Day.
Preparing New Teachers for Ever-Evolving Classrooms
As early as freshman year, College of Education students begin working in local classrooms, learning to anticipate future challenges and maximize success with their own students.
NSF Grant, UA to Provide Boost to Tuscaloosa-Area Math Educators
The National Science Foundation has awarded The University of Alabama a $2.85 million grant to strengthen content knowledge, teaching practice and leadership among math teachers in the greater Tuscaloosa area.
UA Students Highlight Research, Creativity during Annual Conference
Nearly 500 undergraduate students at The University of Alabama are highlighting their research and creative projects during the Undergraduate Research and Creative Activity Conference March 27.
Mobley Honored for Research of LGBTQ College Students
A University of Alabama education professor continues to be recognized for his research on race and gender identities in higher education contexts.
Enrollment at The University of Alabama reached 38,392 for fall 2018. Approximately 40 percent of UA's freshman class scored 30 or higher on the ACT, and more than 36 percent were in the top 10 percent of their high school graduating class. The entering class in 2018 carries an average high school grade-point average of 3.71, with more than 34 percent having a high school GPA of 4.0 or higher. The class's average ACT is 27.


We are hosting a Town Hall for parents and families to come out to the Texas Horse Park this Thursday, May 4. This is your chance to meet with Equest leadership, tour the facility, and ask any questions you have may regarding the move.
Evening 7 p.m. to 8 p.m.


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As you download the bogus application within your PC you experience several abnormal activities taking place inside the infected computer. Your computer becomes slow with a deteriorate performance, numerous popups and ads prompts during your Internet searches, PC becomes futile and you lose access from files and applications etc. So instead of purchasing the licensed versions of the software seeks for genuine solutions to remove Win 7 Defender 2013 from compromised system.
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LeToria's Café is a hidden gem tucked away inside Lagoon View Nursery in Redland Bay, open to customers on weekends.
Down the garden path the only clue that a café is secreted behind the bushes is a small sign and crimson parasol. Through the opening, another path leads to a cute turquoise kiosk on the edge of the lagoon.
There are plenty of seating options including a shaded deck with Acapulco chairs overlooking a children's play area, and a row of pergolas all with water views, perfect for enjoying a picnic in Redland.
Coffee on pour is a boutique blend roasted locally by Grassroots Espresso. It goes down a treat with LeToria's selection of sweet and savoury eats like baked lemon tarts, mini cheesecakes and savoury muffins.
Nice to know – LeToria's is both a child-friendly cafe and a dog-friendly cafe. Make a day of it with one of Redland Bay's gorgeous waterfront walks.
Need to know – The café is only open on weekends and is cash only.


"Economics was described by the English economist Lionel Robbins in 1935 as 'the science of scarcity' but these days economics is everywhere, and it's never been more popular – as bestselling books such as Freakanomics attest. But what is economics really all about? What do the great economists think, and what can economics do for us today? David Orrell, author of Economyths, explains all in Introducing's trademark intelligent but witty stle, accompanied by brilliant illustrations from the legendary Borin van Loon.
David Orrell is a Canadian mathematician who lives in Oxford, where he also obtained his doctorate. His work in the prediction of complex systems such as the weather, genetics, and the economy has been featured in New Scientist, the Financial Times, BBC Radio and CBC TV."


Version 1.0.6 and 1.1.1 can also be downloaded from the Wayback machine archive of the author's web site.
I cannot get the free registration details above (provided by the author) to work. However, if the author is still contactable, you might be able to pay the shareware fee and get a working registration code.


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Tim Bradley uncertain about return to ring after Pacquiao fight
Tim Bradley has had a wild career, one that will problem not get it's due until his eventually hall of fame induction. The man who won a spirited and debatable decision over Manny Pacquiao spent the last few years fighting fighters others didn't want to face such as Ruslan Provodnikov,
Soto Karass-Kamegai ready to do battle in Los Angeles this Friday
In a crossroads fights between two fighters who have slightly overachieved , but are somewhat directionless at the present moment, Jesus Soto Karass (28-10-3, 18 KOs) and Yoshihiro Kamegai (26-3-1, 23 KOs) will do battle this Friday at the Belasco Theater in downtown Los Angeles. Not unlike most of the shows
Juan Manuel Marquez hopes for July return, eyes Cotto
Pound-for-pound former world champion world champion Juan Manuel Marquez believes his career is not quite over yet as he spoke with Luis Sandoval of FightHype.com. "Yeah, I start training [SIC], I'd like to fight in July and maybe in Mexico City." Marquez who last hit the ring to decisively beat
Jose Ramirez hopes to see Pacquiao-Canelo in the future
Rising boxing star Jose Ramirez who scored an exciting 10 round decision over a game Manny Perez to open the pay-per-view telecast of Manny Pacquiao-Tim Bradley III says if he had it his way, he'd like to see Manny Pacquiao vs. "Canelo" Alvarez next. "That Canelo fight isn't a bad
Shannon Briggs added to "Haye Day" undercard May 21st
After huge public demand, former two-time world heavyweight champion Shannon Briggs has been confirmed to fight at Haye Day on May 21 at The O2, with the view to a battle David Haye later in the year if they are both victorious. David Haye: "I used to find Briggs funny,
Russell Jr-Hyland fight week quotes
The boxers who will be fighting Saturday, April 16 on a SHOWTIME CHAMPIONSHIP BOXING® world title doubleheader are deep into their respective training camps as they continue preparation for their bouts at Foxwoods Resort Casino in Mashantucket, CT. In the main event, live on SHOWTIME® (11 p.m. ET/8 p.m. PT),


Mentha oil futures traded higher on MCX, fuelled by a rise in demand by the consuming industries at the domestic spot market. However, expectations of higher output this season due to favourable weather condition and higher returns over the past few years, capped some gains.
The contract for April delivery was trading at Rs 1504.10, up by 0.89% or Rs 13.30 from its previous closing of Rs 1490.80. The open interest of the contract stood at 632 lots.
The contract for May delivery was trading at Rs 1371.00, up by 1.21% or Rs 16.40 from its previous closing of Rs 1354.60. The open interest of the contract stood at 180 lots on MCX.


Fun Facts: I am an amateur photographer, I love to sing and write, and I have two furry children (cats) names St. Ray and Nixy.
dickey, l. m., & Singh, A. A. (2017). Finding a trans-affirmative provider: Challenges faced by trans and gender diverse psychologists and psychology trainees. Journal of Clinical Psychology: In Session, 73, 938-944.
dickey, l. m., & Singh, A. A. (2017). Social justice and advocacy for transgender and gender-diverse clients. Psychiatric Clinics of North America, 40, 1-13.
dickey, l. m., Singh, A. A., & Walinsky, D. (2017). Treatment of trauma and nonsuicidal self-injury in transgender adults. Psychiatric Clinics of North America, 40, 41-50.
dickey, l. m. (2017). Toward developing clinical competence: Improving health care of gender diverse people. American Journal of Public Health, 107, 222-223.
Moreno, A., Koch, J., & dickey, l. m. (2016). Lesbian, gay, bisexual, transgender, and intersex programming and the 31st International Congress of Psychology: Diversity in harmony. Psychology of Sexualities Review, 7(2), 92-98.
dickey, l. m., Reisner, S. L., & Juntunen, C. L. (2015). Non-suicidal self-injury in a large online sample of transgender adults. Professional Psychology: Research & Practice, 46(2), 3-11.
dickey, l. m., Burnes, T. R., & Singh, A. A. (2012). Sexual identity development of female-to-male transsexuals: A grounded theory. Journal of LGBT Issues in Counseling, 6, 118-138.
dickey, l. m., & Loewy, M. I. (2010). Group work with female-to-male transsexuals: A call for action. Journal for Specialists in Group Work, 35, 236-245.
dickey, l. m., & Keo-Meier, C. (2018). Transgender health. In K. B. Smalley, J. Warren, & N. Barefoot (Eds.), LGBT health: Meeting the health needs of gender and sexual minorities (pp. 247-268. New York, NY: Springer.
dickey, l. m. (2017). Gender nonconformity and transgender issues: An overview. In K. L. Nadal (Ed.), SAGE Encyclopedia of Psychology and Gender (pp. 692-697). Thousand Oaks, CA: Sage.
dickey, l. m. (2017). Gender affirming medical treatments. In In K. L. Nadal (Ed.), SAGE Encyclopedia of Psychology and Gender (pp. 612-614). Thousand Oaks, CA: Sage.
dickey, l. m. (2017). Pathologizing gender identity. In K. L. Nadal (Ed.), SAGE Encyclopedia of Psychology and Gender (pp. 1281-1282). Thousand Oaks, CA: Sage.
dickey, l. m. (2017). Transgender people and health disparities. In K. L. Nadal (Ed.), SAGE Encyclopedia of Psychology and Gender (pp. 1711-1712). Thousand Oaks, CA: Sage.
dickey, l. m., & Singh, A. A. (2017). Physical health concerns related to transgender and gender nonconforming clients. In K. A. DeBord, A. R. Fischer, K. J. Bieschke, & R. M. Perez, (Eds.), Handbook of sexual orientation and gender diversity in counseling and psychotherapy (pp. 417-438). Washington, DC: American Psychological Association.
Singh, A. A., & dickey, l. m. (2017). Affirmative counseling with transgender and gender nonconforming (TGNC) clients. In K. A. DeBord, A. R. Fischer, K. J. Bieschke, & R. M. Perez, (Eds.), Handbook of sexual orientation and gender diversity in counseling and psychotherapy (pp. 157-182). Washington, DC: American Psychological Association.
Singh, A. A., & dickey, l. m. (Eds.; 2017). Affirmative counseling and psychological practice with transgender and gender nonconforming clients. Washington, DC: American Psychological Association.
dickey, l. m., & Bower, K. (2017). Aging and TGNC identities: Working with older adults. In A. A. Singh, & l. m. dickey (Eds.), Affirmative counseling and psychological practice with transgender and gender nonconforming clients (pp. 161-174). Washington, DC: American Psychological Association.
dickey, l. m., Singh, A. A., Chang, S. C, & Rehrig, M. (2017). Advocacy and social justice: The next generation of counseling sand psychological practice with transgender and gender nonconforming clients. In A. A. Singh, & l. m. dickey (Eds.), Affirmative counseling and psychological practice with transgender and gender nonconforming clients (pp. 247-262). Washington, DC: American Psychological Association.
Sevelius, J., dickey, l. m., & Singh, A. A. (2017). Engaging in TGNC-affirmative research. In A. A. Singh, & l. m. dickey (Eds.), Affirmative counseling and psychological practice with transgender and gender nonconforming clients (pp. 231-246). Washington, DC: American Psychological Association.
Singh, A. A., & dickey, l. m. (2017). Introduction. In A. A. Singh, & l. m. dickey (Eds.), Affirmative counseling and psychological practice with transgender and gender nonconforming clients (pp. 3-18). Washington, DC: American Psychological Association.
dickey, l. m. (2016). Transgender inclusion in the LGBTQ rights movement. In A. E. Goldberg (Ed.), SAGE Encyclopedia of LGBTQ Studies. Thousand Oaks, CA: Sage.
dickey, l. m. (2016). The needs of LGBTQ campers: Camp Ten Trees. In I. E. Schneider & B. D. Kivel (Eds.), Diversity and inclusion in the recreation profession: Organizational perspectives (3rd ed.; pp. 154-157). Urbana, IL: Sagamore.
Carmel, T., Hopwood, R., & dickey, l. m. (2014). Mental health concerns. In L. Erickson-Schroth (Ed.), Trans bodies, trans selves: A resource for the transgender community (pp. 305-332). New York, NY: Oxford University.
Hopwood, R., & dickey, l. m. (2014). Mental health services. In L. Erickson-Schroth (Ed.), Trans bodies, trans selves: A resource for the transgender community (pp. 291-304). New York, NY: Oxford University.
dickey, l. m. (2014). Privilege: I seem to have it, now what? In Z. Keig & M. Kellaway (Eds.), Manning up: Transsexual men on finding brotherhood, family and themselves (pp. 203-209). Oakland, CA: Transgress.
dickey, l. m., & Loewy, M. I. (2011). Group work with female-to-male transsexuals: A call for action. In A. A. Singh & C. F. Salazar (Eds.), Social justice in group work: Practical interventions for change (pp.44-53). New York, NY: Routledge.


Cherry frame 14 is a vector of burarida author. This vector includes Seasonal feeling, antiquity, elegant, And handle, Decorative frame tags. To download vector (JPG, SVG, PNG, AI/EPS types) you need to register the account and log in.


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By Gotham FC, 11/15/22, 9:00AM EST
HARRISON, NJ: NJ/NY Gotham FC announced today that Ashlyn Harris, the legendary U.S. National Team and NWSL goalkeeper who announced her retirement as a player last night, is joining the club's front office in the newly-created position of Global Creative Advisor.
In this role, Harris will help shape the future of Gotham FC, driving collaborations with cutting-edge creatives and brands and steering the artistic direction of Gotham FC in close collaboration with the club's marketing team.
"I'm excited for this next phase of my career and to have this special opportunity to continue with Gotham FC in this role," said Harris. "There is so much we can do as a club to further solidify its presence in this market and transform expectations of what a women's soccer club can be."
Recognized across the sport of soccer and beyond for her distinctive style and creativity, Harris is a brand ambassador for Adidas, providing feedback on performance and lifestyle product and collaborating on marketing campaigns with the global brand. Represented by Wasserman, Harris has worked as a professional model with Elite Model Management and worked creatively with leading fashion and beauty brands including Tag Heuer, Bumble and Bumble and Thom Browne. She also does brand ambassador work and marketing collaboration with Fortune 500 companies such as Ally Bank, Hertz, and Procter & Gamble, to name a few.
"We are thrilled that Ashlyn will be joining us in this new role at Gotham FC," said Jonna Valente, the team's Senior Vice President of Marketing. "She brings a unique perspective that will undoubtedly have a positive impact on the club from a brand perspective. We are excited to collaborate with Ashlyn to drive Gotham FC forward."
The 37-year-old Harris announced her retirement Monday night at a U.S. Women's National Team Players Association event, bringing down the curtain on an iconic playing career. She played her final season in 2022 with Gotham FC, earning three clean sheets in 13 starts in the NWSL Challenge Cup and regular season.
Among her countless achievements in international competition, Harris was a FIFA World Cup champion in 2015 and 2019 with the U.S. National Team. In 2016, she was named Concacaf Goalkeeper of the Year and was named to the Concacaf Best XI. At age 16 and as the youngest starter on the team, Harris played every minute as the USA won the inaugural FIFA U-19 Women's World Cup.
In the professional ranks, Harris starred throughout her ten-season career in the NWSL with the Washington Spirit, Orlando Pride, and Gotham FC. In 2016, she was named NWSL Goalkeeper of the Year and to the NWSL Best XI while earning NWSL Save of the Week honors nine times. In Women's Professional Soccer (WPS) in 2011, Harris won Goalkeeper of the Year and led the Western New York Flash to the regular season title and the championship in the club's first year. Harris also enjoyed an extraordinary collegiate career as a key part of teams at the University of North Carolina that won NCAA Championships in 2006, 2008 and 2009.


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It's probably fair to say that filmmaker Daniel Cross is obsessed with the blues— in a great way. Thanks to his love of the musical genre and its strong and talented artists and rich history, the world now has a slice of the past and a greater sense of blues power and influence. Cross' documentary I Am The Blues, now available on DVD, highlights the remarkable journeys of blues musicians Bobby Rush, Barbara Lynn, Henry Gray, Carol Fran, Little Freddie King, Lazy Lester, Bilbo Walker, Jimmy "Duck" Holmes, RL Boyce, LC Ulmer, Lil' Buck Sinegal and their friends and the special legacy of their amazing music.
I caught up with Cross to find out more about I Am The Blues and his inspiration for diving into this music-driven project.
As a documentary filmmaker, you've covered many fascinating topics. Why the blues?
When I was a teenager the "World's Largest Winnebago" was bringing a caravan of blues-devils to perform at the Vancouver Folk Festival. I headed to Jericho Beach hours before the opening act and spotted blues harmonica legend Frank Frost. Dressed up in polyester showman black, he was one of the blues-devils I dreamed of meeting. I nervously said "hi." He said, "Boy! Where's the liquor store?" Off we went to the Kitsilano (a neighborhood in Vancouver, British Columbia) branch where he handed me an empty liquor box and proceeded to fill it up with 40s (bottles) of vodka. After safely delivering the case of booze, I was christened an honorary roadie and spent the week inside that Winnebago listening to the most incredible blues music and stories. At the time, I wasn't a filmmaker, but this experience motivated me to become a documentary filmmaker and taught me the beauty of first-person lived experiences, a storytelling approach that my films are renowned for.
So, today I am fulfilling a dream of mine in making this film about the last remaining blues musicians, mainly in their 80s, documenting their historic songs and fantastic stories, filming the last originals before time runs out.
Over the past three years I have filmed throughout Louisiana and Mississippi with many of the last original blues musicians, who, despite being inducted into the Blues Hall of Fame, had to give up their music careers to get a job and make a living. Prejudiced against by the color of their skin, they were relegated to the ghettoized corners of society and largely forgotten. Today these musicians are once again being rediscovered and celebrated for their immense talent. They are not only busy recording and performing in the juke joints of the Chitlin' Circuit but also as headliners at music festivals around the world. With such immense life experiences they are important characters to document and help us better understand the last 100 years of American history.
With their determination and ability to survive and flourish, their life stories are testimonials that empower all of us. The musicians recorded in I am The Blues are gifted storytellers who by singing the songs of their life are able to capture the raw imagery of humanity as only a blues song can.
They stole my heart. Let them steal yours. Now the last are in their 80s or older and I knew I better make a film in their honor or I would forever be pissed at myself, so I did and it is I Am The Blues.
Documentary filmmakers are known for digging deep, but did writing, directing and producing this film, leave you in a different place when it comes to music and the genre?
I love the blues now more than ever, having a deeper friendship with these musicians helps me to better connect and feel the "blues" when I hear the real deal music. They are very generous people. Producing this film was very straight forward. The key for me was knowing from the beginning that my objective was to work direct with the musicians and NOT with managers. Also, I wanted to film the musicians in their geographical homes/hometowns around their friends, family, their dogs, on the front porch stoop. Being involved in all three areas of the production allowed for clarity of direction and simplicity.
During the filmmaking process, what most surprised you when it came to the blues and its players?
What surprised me was their openness, honesty and acceptance towards me and the presence of the camera. I am Canadian, living in Montreal, so I came from away, yet they were polite welcoming and inclusive, allowing me open access. They are really special people— full of vim and vigor, a "joie de vivre" that is contagious. For all the racism and exclusion they went through in their lives they are very positive and profound, with big hearts and warm souls. This film is very positive and uplifting, it has real energy, audiences come out really excited, engaged and awake. What I think happens is these characters fill your soul with their spirit and it rocks you positive.
You have captured the timelessness and importance of the blues at a time when many of the influencers are gone or have more than half a century under their belts. The documentary certainly offers audiences a rich history lesson. What do you think is the most important takeaway message from I Am The Blues?
The blues will never die, it is essential in all good music. As Bobby Rush explains, the rappers have the blues, they just experience it differently because times have changed. For me, this film gives you the last chance to meet 80-something-year-old musicians who are the last musicians alive to have lived the blues and experienced sharecropping, jukes etc.— a lifestyle directly associated with the origins of the country blues. So, this film becomes a very valuable historical film, shot in the current day, without any archive, yet still documenting one of the most American of accomplishments…the blues.
I Am The Blues is now available on DVD via Amazon and iTunes.
Follow Nancy's conversations on iTunes and Facebook.


Country artist Garth Brooks is set to play Autzen Stadium on June 29, a year after Dead & Company broke the stadium's 21-year live music hiatus.
This is the first time Brooks has headlined a show in Eugene, according to a news release. Brooks just went vinyl with a new package titled "Legacy." The package smashed records with 20,000 packages and 420,000 vinyl records sold in less than 18 hours.
"To put this in context, the Beatles were the No. 1 vinyl artist in 2018 with 321,000 sales over 12 months," Forbes.com said.
In October, Brooks sold out the first-ever concert at Notre Dame Football Stadium. Video of "Garth: Live At Notre Dame!" aired Dec. 2 on CBS to nearly 10 million viewers. At the Country Music Awards in November, Brooks debuted "Stronger Than Me," a surprise serenade of his wife, Trisha Yearwood, that left many in tears.
Brooks has been awarded CMA Entertainer of the Year six times, a first for any artist. He is also the first artist in history to have seven albums with more than 10 million records sales as certified by the Recording Industry Association of American. And Brooks remains the No. 1 selling solo artist in United States history with more than 148 million RIAA-certified album sales.
Brooks also hosts "Inside Studio G," a weekly Facebook Live series airing at 7 p.m. every Monday on Brooks' Facebook page.
Brooks is scheduled to take the stage at 7 p.m. Saturday, June 29, at Autzen Stadium, 2700 Martin Luther King Blvd. Tickets $83.70, on sale 10 a.m. Friday, April 26; 877-654-2784 or www.ticketmaster.com. Learn more and listen: garthbrooks.com.


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Van Schip thrown out of Baloise Belgium Tour over aero handlebars
By Daniel Ostanek
last updated 25 June 2021
Dutch rider's Speeco Aero Breakaway bars fell foul of UCI's forearm position rules
Jan-Willem van Schip (right) in the breakaway during stage 3 (Image credit: Getty Images Sport)
Beat Cycling rider Jan-Willem van Schip has been disqualified from the Baloise Belgium Tour after using handlebar set-up in contravention of UCI technical regulations.
The Dutch rider was in the breakaway on Friday's third stage, winning the most combative rider prize, and attracted attention for his curious handlebar setup, which allowed for forearm support while riding, a position outlawed by the UCI on April 1.
The Speeco Aero Breakaway handlebars, which were designed with Van Schip and which feature a 70mm stem with a long and flat moulded bar, were cleared for use prior to the stage start by UCI commissaires, but the UCI's technical committee later decided to reverse course having seen television footage of Van Schip during the stage.
"Beat Cycling has learned with great surprise of the disqualification of Jan-Wllem van Schip in the Baloise Belgium Tour after the third stage," the team wrote in a statement on social media. "The disqualification is based on the ABB handlebar that Jan-Willem used during the stage and which, according to the UCI statement, are allowed.
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"We do not understand this decision. Since the launch of the ABB handlebar, we have been discussing this with the UCI. Never the UCI informed us that the handlebar would not be allowed. The UCI has also seen no need to accept the offer of the developer of the ABB handlebar to further investigate the admissibility.
"On the morning before the start of the third stage, we even discussed our intentions to ride with the handlebar with the UCI commissaire on site. Here we got the green light to start with the ABB. The UCI has not made any reservations about this. Beat believes that the disqualification is unjustified and that Jan-Willem van Schip is seriously affected."
Christophe Impens, managing director of the Baloise Belgium Tour's organisers Golazo Sports, told Sporza that he was sorry to see Van Schip disqualified and confirmed that the UCI commissaires had previously OK'd the bars.
"This morning before the stage, Van Schip's handlebars were still approved by a UCI commissioner," he said. "But from Aigle, the UCI has rejected that handlebar based on the TV footage.
"As an organiser, we are sorry to lose Van Schip from our race. He is a colourful figure. But if the UCI decides that his handlebars are not regulation, then we have to follow that decision."
26-year-old Van Schip, a track rider who hit the headlines in 2018 after using tiny 32cm handlebars on the road, made the break of the day on stage 3 to Scherpenheuvel-Zichem, eventually finishing in 35th place behind stage winner Caleb Ewan (Lotto Soudal). Stage 3 was the first time he had used the bars in competition.
Later in the day, Trek-Segafredo rider Ryan Mullen was among the riders to query his use of the bars. The Irishman took to Twitter to express his frustration that the bars had been approved, saying, "UCI: 'Your socks are 1cm too high'. UCI: 'If you throw away your bottle to a fan you get sentenced to death'. Also UCI: 'Yeah go ahead and use these in a 150 rider bunch...'"
Alpecin-Fenix rider Jonas Rickaert also complained, writing: "Arms on top of the handlebar, but this is okay? Please UCI Cycling do something with this..."
Riders using forearms to support themselves on the handlebars was outlawed back in April along with the much-discussed littering/bidon throwing ban and the 'super-tuck' descending position
Section 2.2.025 of the UCI regulation states that: 'Furthermore, using the forearms as a point of support on the handlebar is prohibited except in time trials'. In fact, in a recent UCI technical presentation, an image of Van Schip and the bars was used as an example of an outlawed position.
The Speeco Aero Breakaway handlebars at the Baloise Belgium Tour (Image credit: Beat Cycling)
🇬🇧 pic.twitter.com/OLEMWrtVP6June 11, 2021
Daniel Ostanek
Daniel Ostanek is production editor at Cyclingnews, having joined in 2017 as a freelance contributor and later being hired as staff writer. Prior to joining the team, he had written for most major publications in the cycling world, including CyclingWeekly, Rouleur, and CyclingTips.
Daniel has reported from the world's top races, including the Tour de France and the spring Classics, and has interviewed many of the sport's biggest stars, including Wout van Aert, Remco Evenepoel, Mark Cavendish, Demi Vollering, and Anna van der Breggen.
As well as original reporting, news and feature writing, and production work, Daniel also runs The Leadout newsletter and oversees How to Watch guides throughout the season. His favourite races are Strade Bianche and the Volta a Portugal, and he rides a Colnago C40.