IT SEEMS THAT THE FOLLOWING MAY BE DIFFICULT TO READ OR SEE ON THE SCREEN, PLEASE FOR OWN READING ONLY, BE FREE TO COPY ALL INTO A DOCUMENT. POSTERS ARE TO BIG, AT LEAST FOR MOST SCREENS, EVEN THOUG THEY MAYBE STUDIED PART BY PART. WE ARE PREPARING A EASIER AVAILABLE HOMEPAGE, WE HAVE MANY ANDNOT TIME TO PRESENT THE MOST IMPORTANT NEWS, OFTEN.
Registered email and signature by the person witnessing this.
Preliminary voting by mail copying this txt only by subject of the mail; global voting, may be sent Anand by 1008anand108@gmail.com, however personal registration by one witnessing is important as we expect all to register 4 others voting by 4-16-64..., if all finds 4 within a week, only a half year before the people of the world ensure control of global non political democracy.
VOTING IS AN OPPORTUNITY TO ACHIEVE RESPECT FOR THE CURRENCY, ANOTHER IS CONNECTION TO STOCKS AND BONDS OF THE CLIMATEFUND, AND RECENTLY AN EXITING OPPORTUNITY IS FOUND FOR THOSE WITH A SENSE OF ADVENTURE, MAKING GOLD COINS WITH THE VALUE IN PURE GOLD. Fund raisers of Harvard university was those earning most, a book tells. Finding enough gold for the purpose and to those enjoy a gold profit potential by voluntary free work bu the gold coordinating unit. A combination of several of our originally developed technologies, may be used to find gold. A theme of 1008 gold coordinators at least a few with expert knowledge of the most important needed scientific knowledge, would be nice. We shall be grateful to receive your application to become member of gold coordinating unit 1008 and for those not achieving, we hope for more than 108 000 application, those appling may join a gold climateship project, coordinating unit, or several if that many joins ijn.
I know Magnus, he is playing chess. The challenge of time by climate change is almost check mate. Tactics and strategies of chess is less complicated than that of the challenge of the imbalance of the world. A computer may win against the world champion, but even the biggest computer programs by scientists, is more like knowing how the pawn is moving, integrated growth of wholeness, is much more complicated. The know how is specialisation, knowing more and more about less and less. Tactics, strategies, almost chess mate, what to do? First focus on the main imbalance and risk is Auyr Vedic, here the heating of the ocean, promoting melting, further heating, high temperature and extreme weather, gas release catastrophe and so fort. Then one need to organise the biggest operation ever as by our one and only common world, knowledge, climate and health defence. Experts talks abut 2 degrees, but know evidence is there, in fact it is most likely that we have passed, it takes some time to heat the deep ocean, but the heating is already established, suddenly we may pas 5 degrees, in weeks, sea level rise 20m in 5 weeks, loss of golf stream etc. The risk is real, how big or likely we do not know, the real risk no matter how small is totally unacceptable to take, taking the risk is what scientists and UN meetings is an excuse for and it do something with all who do so, terrorism against humanity may be the word, but not being a friend of people, the world, even own family, is real bad mentality, a health problem itself, as the most important aspect of the problem the world is facing. The biggest operation ever is planned, most exciting and fascinating meeting the challenge of time with a combination which may work. That is, if it is not too late. But we have a hope for balancing the heating by producing more energy than the world need, using it to produce and transport extreme amounts of water produced by 108 000 climate ships in order to produce food, forests and water supply for the world, seems like a good combination. But that is not enough, the combination also makes the world cooler at the same time, by using the heating of the sun to produce updraft tower energy, perhaps 0,3 degrees Celsius, and by moving hot air from sea level many km up, balancing the heating of the ocean, too, and is needed we can produce clouds at the right height for cooling the ocean, too. The operation is planned as the most profitable business possible to imagine, combining also producing helicopter transport flying car to everyone and compensating stopping using valuable oil by spoiling it, burning it. Every ship is planned as a floating city with 1008 stock companies, a 100 million stock companies and here we welcome all to join in, say 2 hours a day for a Marshal law period and 50% of the profit, by Scandinavian Climate Fund of Integrated Growth by Universitas Enterprise founded by Rajananand Dhananjaya in 1980, then and up to 2004 known as Stein Roar Andersen. The fund should enjoy 50% of the stocks, verifying the high standard of integrated growth by the codes of honour of integrity.
IT IS A GREAT JOY TO INTRODUCE THE GREEN TRANSFORMATION OF THE WORLD BY NOT ONLY PRODUCE BOTH ENERGY AND NEW WAYS OF USING PURE ENERGY AS BY WORLDS BEST TRANSPORTATION, TO PRODUCE IT BOTH MORE INEXPENSIVE AND MUCH BETTER BY MASSPRODUCTION AND MARSHAL LAW WORLD STANDING TOGETHER ABOUT THE EXTRAORDINARY FAST CHANGE NEEDED TO AVOID THE RISKS MAKING IMPORTANT AND VALUABLE PEOPLE TO TERRORIST ACCEPTING OTHERWISE. NOT ONLY THAT WHEN WE PRODUCE THE ENERGY MUCH MORE THAN USED TODAY WE PRODUCE PURE WATER AND IMPORTANT WE REDUCE THE HEATING OF GLOBAL WARMING BALANCING THE RISK FACTOR UNTO BALANCE GRADULY IS DEVELOPED AND WE USES WATER TO PRODUCE HEALTHY FOOD. LOOK INTO SOME OF THE SOLUTIONS FOUND TO ENJOY THE VISION OF THE WORLD TRANSFORMATION, NOT ONLY A OPPORTUNITY AND REALISTIC BY THAT, BUT A MUST, THEREFOR REALISTIC, TOO. IT IS DIFFICULT TO UPHOLD THE BIG LINES, THE BIGGST OPPERATION IN THE WORLD IS NEEDED, ONE AND ALL IS NEEDED AND WE WELCOME YOU TO JOIN IN OUR COMMON WORLD, CLIMATE, KNOWLEDGE AND HEALT DEFENSE OR TO JOIN IN WORLD PEACE CAMPAIGN OF GLOBAL INTEGRITY..
presents the updraft tower idea by us combined with climateships, flying cubes and or zeppeliner cubes forming huge solar updraft towers and collection of solar heat may be on top owing to the huge balloone cube on top and where heating is stronger and by vacuum insulated glass, perhaps 12 cm low greenhouse room. Using of black smokers and other combinations for adding steam is also planned and together with wind energy by some of the cubes of the tower.
minimum collective health, a safety net[af2] for one and all.
our global integrity logo gives the united world experience as the global flag.
global integrity by our common world, health, climate, and library defence, Universitas enterprise.
world situation, needs some voting as to promote governments cooperation, too.
expectation for just pure food, nothing else and no false Frankenstein food.
from time to time, and results in a period without the protection from space.
The magnetic north pole value creates our atmosphere keeping radiation out.
well, but we do not know if this is a real story, but many things fits.
of Science ENCYCLOPEDIA OF THE UNITY OF SCIENCE Together for Peace"
bookshops in Norway in the eighties for 125 NOK, as 10 000 copies was printed.
the best of present situation. The "standard network newsletter fee"
congresses, as well as festivals, health promotion and perhaps circus, too.
your city or to join in a established competition.
act now by our common world, health, climate and Library integration defense.
fee" to Rajananand Dhananjaya, P.
fee 125 NOK paid with name and references.
INTEGRITY IS OUR ROYAL PRINCIPLE OF WORLD PEACE.
MAY BE A PIONEER OF GLOBAL BANK.
ADJUSTED FOR THE SHIP AS WELL..
Celsius pluss all zear in general. It effected zetstreams thez tell, experts.
the logo and so forth.
1008-108.webs.com another page same focus.
The terrible risk of the collapse of the world as we know it, collapse of world economy would just be a start by smaller changes comming to effect on society, probably, that is if people do not join our common world and climate defense.
The damage of the world by systematic pollution of CO2 decades after decades, must be met by most people to what ougth to be done, but it is not enough if one and all do a little here and there, even a lot, systematic global cooperation by the largest operation ever by our defense may give balance to effect first and slowly create balances we can live with so to say. Heating of the ocean and co2 damage of the ocean seems the most imidiate problem to balance as this is the known effect taking the imbalances further as releasing other greenhousgasses, melting ice on the south pole, in few weeks sea level may rise many meters is a known and real risk, how likely next year no one knows, but probably not is the Russian roulette. Golf stream may disapear owing to bad circle between the stream and Greenland ice making it ligther by melted ice, water reducing salt concentration. These factors resulting in collapse is increased by the heating, so balancing heating and reducing temperature is important, and our defense have the one and only strategy and by realizing universal cooperation not representing any nations or persons interests, outside those common universal interests of establishing a safetynet for one and all and a infrastructure of global integrity allowing people to live and workd without damaging the world further! Rajananand says focus on this by massproduction may balance the factors making the situation worse. Unfortunatedly, the situation for world society may be said to be like Titanic after having hit the iceberg, but before sinking, and reducing temperature, balancing heating would be like removing as much water as is comming into the ships rooms not filled with water yet! The defense organises also a minimum safety net for one and all. Combinations of extreme weather changes may accelerate the process corresponding to data telling by present balances sea level should have been many meter higer, allready, but of course it takes time heating the deep ocean, melting ice etc.
GOLD PYRAMID VEGI1008 AS (STOCK COMPANY) BY WORLD PEACE FUND TRØNDELAG, A WORLD CONSTITUTION FUND INDEPENDENT FOUNDATION ETSTABLISHED IN NORWAY LAST MILLENIUM, AS ONE OF 1008 FOUNDATIONS, IS THE LOCAL PRACTICAL FOCUS OF DHANANJAYA, PLANNING TO GIVE MONTHLY 6000 NOK OR MORE TO THE FOUNDATION AND VEGI 1008 PRODUCTION, TRANSSPORT, PACKING AND SELLIMG OF PURE FOOD EVERYWHERE.
DHANANJAYA EXPECT TO ACHIVE TAXFREEDOM BY THE REDUCTION OF REGISTERED INCOME BOTH BY GIVING A DONATION TO A HUMANITÆRIAN ORGANISATION AS WELL AS IN SUCH A WAY THAT THE MONEY IS DISPOSED ALLOWING DHANANJAYA TO ACHIVE INCOME AS LEADER OF THE STOCK COMPANY. DHANANJAYA HAVE FOR DEVADES COVERED MOST OF THE EXPENSES FOR THIS HOBBY AND MAIN INTEREST OF HIM, AND MAKE THIS CONCRETE FOR TAX REDUCTION. THE RULE OF DONANITION IN THIS WAY, IS BASED ON NO DIRECT BENEFIT FOR HIM, AND THIS IS RESPECTED, EVEN THOUGH A PORTABLE PC MAY BE DISPOSAL, BUT NO SALERY DIRECTLY FROM THE DONATION, JUST EXTRA DUTY OF FREE VOLUNTARY WORK AND INVESTMENT BY WORK TOO, IN THE STOCK COMPANY, WHICH IS THE ONLY STOCKS HE ACHIEVES, NON FROM THE DONATION.
TRANSFORMER CUBE BY OUR LOGO REPRESENTS A NEW MATERIAL, TOO, THE 2% FRACTAL CUBE MATERIAL, AS IF THE CUBE IS 100M TALL AND WIDE BY DIAMETER OF RINGS 108M, THEN THE PILLARS OF THE CUBE IS 2%, THAT IS 2MX2M CONSISTING OF CUBES PUT TOGETER AS A PILLARER, ABOUT 2088 OF THEM IN THE ENTIRE CUBIC FORM WITHOUT RINGS, SMALLER FRAMES OF BALLAS AND 9 PYRAMID TRIANGEL CONSTRUCTION SUPPORTING THE 3D VERSION OF THE FRAME. WE GUESS THAT THIS MAY MAKE A STRONGER MATERIAL THAN IF THE CUBE WAS MASSIV MATERIAL. 2% FRACTAL MEANS THAT THE 2MX2MX2M CUBIV FRAME, BY 2088 OF THEM FORMING THE CUBE, HAS THE SAME FORM AS THE LARGER CUBE OF OUR LOGO AND EXCEPT PILLARS STRENGTHENED ALSO BY WALLS IN THE CUBE, PERHAPS A MATERIAL AROUND THE CUBIC FRAME AND WITH TUBES GOING INTO THE CENTRE OF THE NEXT IN THE LINE FORMING A PILLAR, AS BY DIAMETER 108M PERHAPS A 2M DIAMETER TUBE INTO A LARGER TUBE 6M IN DIAMETER. THERE ARE SEVERAL WAYS OF PUTTING THEM TOGETHER AS SEVERAL LAYERS, MASSIV CONSTRUCTION, CARBON NANO TUBE CUBE ON NANO LEVEL, PERHAPS WITH OTHER MATERIALS AROUND AS TITAN OR STEEL. STRUCTURE IS MOST ESSENTIAL AND THIS MAY GO AS A NEW MATEERIAL, BUT PUTTING THEM TOGETHER, CUBES AS FORMING A WALL, MAY BE DONE BY ADDING A 8 SIDE CONSTRUCTION TO PUT THEN TOGETHER AS A FOTBALL IS OFTEN WITH 5 SIDES, HERE 8 SIDES ALS GIVING A SQUARE OPENING IN BETWEEN FOR LAYER ABOVE AND BELOW AND THE 8 SIDES MAY GO INTO A VACUUM FIELLED BOV AND LATERS KEPT APART FOR PERFECT INSULATION BY THIS TRANSFORMER CUBE. HAVE YOU SEEN THE MOVE ABOUT ANCIENT TRANSFORMAERS COMMING TO EARTGH TO FIND THEIR ORIGIONAL CUBE. HOW CUBES PUT TOGETHER MAY ALLOW CHANGING STRUCTURE AND BUILDING UP WALLS OR PARTS OF CLOTHING, A BALL AND SO FORTS, AND ENGINES AND ROBOTARMS AND SOLUTION MAY ORGANISE THIS AS A TRANSFORMER, ALSO IN POSITION TO BUILD A HOUSE WITH VACUUM INSULATION IN NO TIME AND TALE IT DOWN INTO BRICJS OR CUBES AGAIN, IN NO TIME!
A PERFECT CONTRIBUTION TO THE WORLD FROM DHANAJAYA DISPOSED BY SCANDIANAVIAN CLIMATE FUND OF INTEGRATED GROWTH AND WORLD PEACE FUND TRONDELAG BY VEGI 1008 FOR BUILDING HOUSES BY HEALTHGY CLIMATE AND VEGI STANDARD OPPORTUNITIES. PERHAPS NEW CIRIES SHOULD BE BUILT EWVERY WHERE NOT ONLY BY 108 000 CLIMATE SHIPS AND FLOATING ISLANDS AND CITIES.
The climate detective Anand, a modern Sherlock Holmes, have been leading for years coming to climate logic, lading up to statistic proving that it is 12 degrees Celsius hotter these days owing to greenhouse gasses thermostat, but the ocean, 79% of worlds surface is 3000m deep about, it takes time heat the deep sea, regulating air temperature around the world. In Scandinavia middle temperature all year around is 12 degrees higher owing to hot water of the Gulf stream. In December in the mountains of mid Norway there is a mixture of hot and cold air above the mountains, cold sinking, so it is colder in valleys. Experienced people say and this changes in January, with more even temperature in valleys and on top of mountains. Hot air from the Gold stream is not influencing the weather, and for more than one decade there have been little snow in the mountains and fore some years the temperature have been about 10 degrees hotter than earlier Januaries, experienced people say, bus drivers. This is the real difference of before 30 degrees minus often, now below 20 and without sea influence in January the real difference of temperature, the real climate change is experienced. Seems logical, the deduction need to be proven and we welcome a brainstorm of experiences, arguments and meteorological facts. If true it is terrible, but as Anand have pointed out it is likely so and phase transition may happens fast, all logic of scientists as by UN Climate panel is then totally wrong! Anand is the founder of our common world and climate defense and the biggest operation ever is needed and your participation, say 2 hours a day for a long Marshal law period is needed! Please, join in now, it is most urgent and the network building of our common defense is one of the first challenges, inform as many as you can. One said he could remember exceptions that the todays normal 12 degrees change happened before, it is difficult to see the extreme change, it is terrible, the Paris meeting and the defense existing is based on such a extreme miscalculation, seeking more normal values, seems natural. But he did agree that for more than a decade there have been little snow, as myself can see this by places as Åre and Oppdal, skiing downhill places known for the guaranteed snow enough tourism attraction, often have too little snow in the season for downhill skiing. Dovre, where the climate change eureka experience is found is about 700m above sea level in the middle of the country with a lot of mountains around up to about 2000m high. -newspapers tell that cold weather from the east in January, now January 2016 Dombås, often for periods have a wall against the influence from the Atlantic sea, Golf stream or ocean. It is complicated, the Gulfstream seems to become weaker and influences Greenland says surprised experts according to newspapers for a few years time, general global warming, general patterns of changed weather, unknown effects and many things makes it complicated too say: er have isolated the effect of global warming, the 800 000 years study of change of CO2 concentration and temperature indicating clearly a 12 degrees rise of temperature 12 degrees Celsius, and that it what it seems like, when the global warming effect is isolated, if at all possible to say so. We seeks a brainstorming especially of people with good experience and common sense. It is like 3 chess mate in 4 moves, we are chess mate, the world have already collapsed, it just take some time for the seawater to heat. We have passed already the 2 degrees Celsius scientist and governments of the world say we must not pass, with 10 degrees, 6 times that bad already, The estimated 100 000 climate ships needed as a minimum to balance the heating, is too little, but still enough just to balance the heating, if it goes with a 100 000 updraft towers some km tall each. Balancing the effect promoting further heating of the sea, and the chess combination of actually using the extra heating of the world to produce energy, vacuum insulated glass and aluminum, transport of water, 100 000 new cities travelling around the world, education by Univesitas Academy, festivals etc. may be th combination of defense against total destruction of the world, world society as we know it. hat is if it is not too late, the world may collapse next week. The urgent biggest operation f all times, one and all together for peace and global integrity, to balance the heating and use it, needs one and all to take action now, immediate action by the one pointed and correlated common effort known as our common world and climate defense. The risk if no one can prove that the world is absolutely safe from this identified risk, we are not allowed to take, taking it is to be an enemy of the world, join in Friends of the World, now, inspires as many to do the same as fast as you can. anand@hotmail.no, R.D. P. O. Box 22, 7400 Trondheim is brainstorming addresses to Anand.
IT IS A GREAT JOY TO INTRODUCE GLOBAL BANK WITH ITS NEW ACHIEVEMENT, THE CO2 CURRENCY TO BALANCE ALL NEW DAMAGE OF THE VITAL CO2 BALANCE OF THE GREENHOUSEGAS CONCENTRATION IN THE ATMOSPHERE AND IN THE OCEAN. IF YOU DRIVE A CAR YOU POLLUTE WITH CO2, THEN YOU BAY THE NEW CURRENCY FOR A SUM, THE SUM IT TAKES TO REMOVE 120% OF THE CO2 YOU ADD TO THE IMBALANCE. STOCK COMPANIES IS PLANNED ESTABLISHED TO "EAT" CO2 AS BY MAKING SAHARA AND MOUNTAINS IN NORWAY GREEN, FERTILIZER AS IRON TO EAT CO2 IN THE OCEAN. THE MONEY OF THE CURRENCY AS BONDS MAY BE USED OR TRANSFORMED INTO STOCKS IN SUCH COMPANIES , TO BAY STOCKS OR STOCK COMPANIES OWNING APPARTMENTS AND TIMESHARE OF PALACES, OFFICES AND LIBRARIES AND MUCH MORE ON CLIMATESHIPS AND NEW CITIES TO PRODUCE FOOD, BAMBOO PERHAPS AS MATERIAL FOR FLYING MACHINES ETC. COMBINATIONS MAY DO IT A GOOD INVESTMENT SAVING MONEY, BUT BTH CRATIVITY AND LUCK IS NEEDED TO ACHIEVE A GOOD PROFIT POTENTIAL. COMBINATIONS MAKES IT OSSIBLE, HOWEVER, ESPECIALLY IF ALL GOVERNMENTS AND ALL CITIES OF TE WORLD JOINS IN, ALLOWING THE ORGANISATION BY TAX AND WITHOUT TAXES AT THE SAME TIME. IF MOST PEOPLE JOINS IN THE NEW ACTIVITIES AS WELL, IT WILL BE MOST PROBABLY THE BEST INVESTMENT POSIIBLE FROM A ECONOMIC POINT OF VIEW ALONE. CONBINED WITH THE COMPLETE STRATEGY OF OUR COMMON WORLD AND CLIMATE DEFENCE IT IS A OPPORTUNITY FOR THE WORLD AND WE SEEK ENVIRONMENTAL ORGANISATIONS AND FRIENDS OR GOOD WILLING CITIZENS TO JOIN IN DEVELOPING THE ORGANISATION. WE SHALL BE GRATEFUL TO HEAR FROM EVEYONE ACCORDINGLY AND PERHAPS BY A SUBSCRIBTION OF NEWSLETTER, TO COME IN POSITION TO BE REGISTERED FOR A FREE MEMBERSHIP.
These days it is possible to compete with prices of "unnatural " energy sources damaging mother nature by CO2.
I just mentioned for the government f Norway that we have found what is natural for Statoil with about 250 000 employees in Norway by their north sea production.
Climate ships represents a combination of wind, solar, wave and updraft tower energy production.
We suggested for the government and parliament, head of Statoil company too, that they cooperate with the climate fund, producing 300 000 jobs for Statoil, to start producing natural energy environmentally friendly and life supporting. With a profit potential, by investing large sums into new climate fund companies all the time with less than 10 years of good limited profit potential by new climate ships, it probably is possible to earn more on climate ships, too. Then climate ships have the opportunity of paying for the costs of balancing the negative effect of the Co2 the oil produced represents, before the oil is sold and damaging the world, twice, so oil production may be said to be carbon damage reducing instead of terrorism. 50% of all shares by the climate fund or people of the world and you invest 1 billion dollar, you may negotiate and achieve a profit potential 2-5 times that in few years. Going into the ship ensuring the return with the profit of the investment in short time, investing half of the profit, into new ships, may give more income than by the gold mine oil have been associated with. India and Norway may start by investing an island, not even a big one, some pure global land, and some by 1 or more new nations of global integrity, by 1 or more climate ships.
We shall be grateful to hear from Indian and Norway by this our invitation to cooperation by the standardized program of Scandinavian Climate Fund of Integrated Growth.
also president of the fund.


After my parents left Akron Bible Church with a group of other parishioners disgusted by an adulterous pastor, we worshiped in a closed theater in Barberton with red carpet and plastic seats leading down to a small stage where a pastor stood before a movie screen. For some time, our church met in a closed diner with a checkerboard floor where my feet dangled from a red booth while Bibles laid wide out on the counter. I was programmed to believe without doubt that God was all around us. He was not only in the sanctuaries shrouded in red and gold and glittering under chandeliers, or in the leather-bound bibles highlighted and underlined, or in the crackers and the wine. He went with us to see Muppets from Space in '99 and joined us for dinner at Taco Bell in 2000 when they gave away Digimon metal trading cards. My baby sister and I could not take a bite from our dinner plate before our father said grace, beginning, eyes closed and head bowed, each day: "Dear heavenly Father, praise be to you, father…" And after homework was done and baths were taken, we were tucked into bed with a bedtime prayer led by our mother, which consisted of a grocery list of people with problems needing attention from Him. He was always there, and certainly as real as you and me.
A New England minister named Jonathan Edwards wrote a sermon called "Sinners in the Hands of an Angry God" in 1741, and in 2007, Miss Ritch made it assigned reading for my high school English class. "The God that holds you over the pit of hell," Edwards began, "much as one holds a spider or some loathsome insect over the fire, abhors you, and is dreadfully provoked." He goes on to explain how God's wrath burns like a flame, and not only are each us worthy of nothing more than to be cast into his fire pit, but many of us shall be burning sooner than we could guess.
This piece of writing found me at the perfect moment so as to plant a seed in me that would grow into psychosis as I was an unmedicated depressive adolescent with severe body issues, sexual confusion, a recent trauma, and another one approaching. I worried, already, that I would burn in Hell someday because I was a filthy sinner—homosexuality was most assuredly a severe offense. At one point, I recall carving a pentagram into my hip with a pencil until it raised the white skin, red and stinging, and I went to church wondering if He might expel me from his house. I was sick, in need of therapy and medication, but when I asked for these things, my mother insisted that the only way I would get counseled was at church. She made this choice, she told me years later, because she was worried I was losing my faith, acting out of hate and rebellion, not sickness. She didn't know how bad things were, and I should be able to move on, but I have still never forgiven her. The trouble is, things only got worse.
On December 19, 2007, as I hit the button to publish a comment on my step-brother's Myspace page asking him to contact me because our family was worried, my mother rushed into the house. Rory's mother had died recently, so we were concerned he might be depressed or on a bender since he hadn't been in touch. She was frantic as she told me that we needed to leave right then to drive to Medina where we would find my brother dead. I looked into his gray face 40 minutes later. His eyes were shut, his jaw slack, and his body was laid on a slab in an emergency room where, outside, Amish women waited with glass jars of water for refreshment and a man held a handkerchief containing the tip of his nose, bloody and real as you and me.
I was not allowed to play the song Armor For Sleep's song "The Truth About Heaven" at his funeral because, my mother said, "no one wants to hear that 'it rains in heaven all day long.'" They played Pink Floyd's "Wish You Were Here" instead. I only cried at the funeral when I saw my father cry. As it were, my father blamed himself for my brother's suicide because he had tried to kill himself a number of times in the 1970s. He quoted William Shakespeare's "The Merchant of Venice" when he said, "The sins of the father are to be laid upon the children," but he attributed it to the Holy Bible. I did not think to Google the quote at the time, but as it turns out, scripture says: "Everyone shall die for his own sin. Each man who eats sour grapes, his teeth shall be set on edge…" (Jeremiah 31:30), and "The soul who sins shall die. The son shall not suffer for the iniquity of the father, nor the father suffer for the iniquity of the son. …" (Ezekiel 18:20). Knowing that then probably would not have made any difference, though.
I was shaken like a human beehive on the edge of eruption, worried about what my father might do to himself and what affect that would have on my mother, who can not work, and my sister, who was just 12-years-old at the time. Then came the spring morning in 2008 when a neurotransmitter went haywire or a dam of dopamine broke in my mind—something went wrong. I had a nervous breakdown that left me shattered on the linoleum floor at the back of my high school Spanish classroom. I was suddenly and surely convinced that God was to burn my house down and kill my family to punish me for my sins. It came all at once, and I couldn't shake it. I burst into tears, left school and told my mother what I believed to be true. She laughed.
My overwhelming fear of flames consuming everything in my life caused obsessive behaviors I was unable to control, like checking two, three, or four times to see whether phone chargers and hair dryers were unplugged before sleeping or leaving the house. It left me unable to spend the night at friends' houses or let them sleep at mine. At just sixteen years old, I became a recluse, trapped in a pink bedroom where I surrounded myself with piles of magazines and journals, afraid to lose anything at all.
Fortunately, I was able to seek therapy when I turned 18 and started college at Kent State University. For $5 each session, a graduate student, under the supervision of a licensed therapist, would talk to you about your problems and offer a possible diagnosis. I was told I had generalized anxiety disorder and major depressive disorder with obsessive-compulsive tendencies. Most of the behaviors that came as symptoms of my teenage trauma have come to an end with the help of cognitive-behavioral therapy and medication, but I still have compulsive behaviors that affect me daily. My anxiety isn't like a physical ailment—I'll never be in remission. I'll always be fighting it, with positive affirmations, medication, exercise, or something.
I will say that I agree with that minister, Edwards, about one thing: "How dreadful is the state of those that are daily and hourly in danger of this great wrath and infinite misery!" He meant those faced with an eternity in Hell, but it is dreadful for many of us to believe in an angry god, in sin, and, yes, in hell. It is infinite misery to be depressed while indoctrinated with the belief that someone is watching over you. I know, I often wondered how any god could love me when I hated myself so much. I have had intrusive suicidal thoughts ravage my tender mind for years. The truth is, Hell hath no fury like one's own self-loathing.
Today, I am a recovering hoarder, prescribed to Venlafaxine and Aripiprazole and visiting a psychiatrist's office in Fairlawn once-a-month. I do not pray before bed—hell, I do well to brush my teeth before I pass out. I do not believe in a higher power with omniscience, mercy, or wrath. I no longer believe in any god because my balloon-mind must be tied down by a string of logic or it might get carried away by the slightest breeze. I denied God for my mental health, and I have never felt so secure.
Angel Cezanne is a queer feminist poet and essayist and the creator of Eleanor: A Zine. She graduated from Kent State University, which means she has bad credit but good vibes.


Watching the skies is much more than a hobby with the Marshall Center's Bill Cooke, lead of the Meteoroid Environment office — it's an obsession.
Each morning when Cooke logs on to his computer, he quickly checks email for the daily update from the fireball camera network. Groups of smart cameras in Cooke's new Fireball network triangulate the fireballs' paths, and generate the report that appears in his email each morning.
Cooke's network of cameras is currently made up of three cameras; however he is looking to add 12 additional cameras, and he's actively seeking schools, science centers and planetariums to host his cameras. The cameras will need to be deployed in clusters of five. One group will be spread over the southeast United States; another in the Ohio and Kentucky area; and another along the Atlantic coast in the northeast. The hope is that at least one of the three regions will have clear skies at any given time.
Stay tuned for details on what the fireball network reports!
I love the work you do, make approximately one month in the skies of Barcelona, about 13:00 I saw a flash in the sky falling, and as taxes on the road breaking desaaparecer hata.
I wish I could help find the cause of space equipment breaking down, and I think that in Spain you have any kind of telescope to monitor this.
If I can help here to make it possible to place these telescopes too, have my help.
Regards, and enhorabuen for your work.
Would appreciate reading more about the fireball network…software, cameras, possible growth into the western USA, etc.
3201 Teakwood Drive, Coopersburg, PA 18036.
I am a realtor and have access to 28 counties of public records in PA,NJ and Maryland.
Mike Hankey has used my access to public records to send out post cards to try and get the public involved to help find the Mason Dixon Meteorite. I have a 2 story home with 9ft ceilings and steep peeks. I can send you photos of my house location and willing to upgrade my internet speed if necessary.
Let me know if you have any need/interest. I was going to hook up a mini network with Mike using UFO capture program but was waiting to see if his setup is working 1st. I own a dozen or so meteorites (bought not found) and have been searching in Lancaster for the Mason Dixon fall. I want to get more involved.


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Who says love has an age limit? When you're in love, nothing stops you, especially not a simple age difference! That's what some of our favorite Hollywood stars think.
Who says love has an age limit? When you're in love, nothing stops you, especially not a simple age difference! That's what some of our favorite Hollywood stars think. From Beyoncé and Jay Z to Johnny Depp and Amber Heard, here are some A-list celebrities with a big age gap, some might even surprise you.
Jay Z and Queen Bey are 12 years apart! The age difference didn't seem to be a problem for those two, but there's a recent rumor circulating the web about Jay Z's infidelity… Well, that adds one more problem to the 99!
They met on the set of Mr and Mrs Smith and caught each other's eye right away. Their 12 year age difference never seemed to be an issue for them.
The very controversial white house candidate is 24 years older than his wife Melania.
The amazing actor and his lovely girlfriend Amber Heard have a 23 year age gap! Talking about unexpected!


The date of Memorial Day in 2016 is on Monday, May 30th.
Memorial Day 2016 also signals the start of the summer season while Labor Day, a holiday that celebrates the American workforce, signals the end of summer.
19 What Do You Think About Memorial Day 2016?


Pack created on: Oct. 15, 2005, 8:57 p.m.
Various lines of accelerating and decelerating noise elements differentiated by various filters.
Tone-noise glissando followed by a short sequence of irregularly repeated dark noise sounds.
Transition from glissando starting register to a repetition in middle register.
Same as 180104E.mp3, but starting with higher density that is reduced to one sound in the end.
Accelerating and decelerating repeating elements of noise sounds, variated by filters while causing special sound accents.
Accelerating and decelerating repeating elements of a dark pulse sound with short reverb effect.
Wide spread spectra of synchronously accelerating and decelerating repeating elements of noise sounds, causing special sound accents.
Wide spread spectra of synchronously accelerating and decelerating repeating elements of digital oscillator sounds while variating pitch and spectra.


For the past fifty years, agriculture has relied on the monoculture of selected plant varieties and the large-scale use of fertilizers and pesticides to increase yields. The side effects of intensive agriculture are now plain to see: soil degradation, water pollution, diminishing biodiversity, farmers made vulnerable to climate change, and increasingly dependent on suppliers of agricultural technology.
The Livelihoods funds promote farming practices that can increase food production while preserving our natural resources.
We are convinced that the best farming techniques are those that are inspired by the workings of nature itself. Trees, plants and animals grow together as they depend on one another for their subsistence. Agroforestry, for instance, aims to replicate this natural collaboration by combining the planting of trees and of diversified crops. Plant and animal biomass are efficient means to enhance soil fertility, reducing the need for chemical products while sequestering carbon and retaining water.
70% of the world's poor live in rural areas, where agriculture is the main source of income and employment. These rural communities are the most vulnerable to climate change and environmental degradation. Smallholder farmers face a vicious circle: inefficient agricultural practices lead to low yields and degraded ecosystems, which keeps them in poverty.
On the other side, businesses require sustainable supply chains to secure their long-term activities, as well as high social value carbon credits to offset their unavoidable emissions.
The Livelihoods funds propose innovative investment models to simultaneously address environmental degradation, climate change and rural poverty, while helping businesses become more sustainable.
We partner with public institutions looking for efficient solutions to achieve sustainable development goals (SGDs) in developing countries. We work with best-in-class NGOs to design and scale up impactful pilot-projects. We cooperate with experts on the continuous improvement of our projects. We empower rural communities with additional knowledge and technology, as they are the real actors of change.
By bringing all parties together, we create shared value.
The Livelihoods investment funds have been established by private companies to create social, environmental and economic value by activating a variety of levers.
We develop projects in Africa, Asia and Latin America to improve the livelihoods of rural communities.
Our projects improve the livelihoods of rural communities, focusing on access to essential goods (education, water, health…), the condition and social status of women, youth, and communities' social and cultural cohesion.
We strive to find the best balance between increased food production and preserving ecosystems (soil and water conservation, CO2 sequestration…).
We implement projects at the landscape level to maximize impact.
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text:
HomeMedia CentreSunderland Suffers Mesothelioma Black Spot Status
Sunderland Suffers Mesothelioma Black Spot Status
According to news reports, Sunderland is the UK's number one area for high mesothelioma mortality rates.
The statistics appear in the local paper, the Sunderland Echo, where it is revealed that mesothelioma death rates are double that of the national UK average.
People from Sunderland and in particular, the Washington area, are desperately in need of compensation as the deaths have left families of victims in a financially vulnerable position.
Government's Mesothelioma Compensation Bill
The Government has recently acknowledged the difficulties experienced by victims who are trying to get compensation by introducing the Mesothelioma Bill. The legislation aims to help compensate victims who cannot trace former companies.
However, the families from Sunderland believe that more needs to be done in light of the alarming figures. Between 2008 and 2012 there were 105 mesothelioma-related deaths around Sunderland.
Former Worker Says More Mesothelioma Cases Will Arise
A former Shipyard Worker from Washington, John Birkett believes that because of the ability of the illness to lay dormant in the body for so many years, there will be many more mesothelioma cases that will come to the fore.
Mr. Birkett worked as an apprentice from the age of 15 and was exposed to asbestos. He received a diagnosis nearly two years ago and is currently having treatment for his condition. He says: "This is a condition which lies dormant in the body for years for me it was 45 years. So we will hear about more and more people contracting it."
His former colleague, David Craig, died of the illness only 6 months after his diagnosis. His wife, Anne was left devastated by her husband's untimely passing. She said when her husband died there was no support for people like her. Since his death, she has set up a self-help group for Mesothelioma victims in Washington.
Mrs. Craig added: "There is a lot of work being done now to support those most in need but there is still a long way to go.
Claiming Compensation For Mesothelioma
If you or a family member has suffered or is suffering from mesothelioma as a result of asbestos exposure in the workplace then it is possible you could have a compensation claim.
Jefferies Solicitors work with victims and their families to seek mesothelioma compensation. Our no win no fee solicitors will diligently and professionally seek compensation your behalf and ensure you get the amount you are entitled to. Please call our team on 0800 342 3206 for more information.
Make A Personal Injury Claim
If you have suffered as a result of an accident that wasn't your fault, you could be entitled to make a personal injury claim for compensation.
Contact Jefferies' no win, no fee solicitors on our national accident helpline above or complete our quick online enquiry form. One of our team of experienced specialists will get in touch to discuss your prospect of claiming for an accident or injury, in confidence.

redpajama_set_name: RedPajamaCommonCrawl


When something like this comes flying through the ether to your inbox, in my case via the weekly email of the very talented William Gallagher, at a time when you most need it, it's time to pay attention.
When two pieces of radio catch and hold your mind in a meaningful way, it's time to listen: Desert Island Discs -always a classic- featuring Bill Gates, and Book of The Week featuring Dame Joan Bakewell's, Stop The Clocks.
And so I did and each in their own way has helped me find my way back to the blog and so, here I am with no apologies for the long absence, in any event you've heard it all before, suffice to say depression is a bit of a sod, it robs us of creativity, direction, commitment, focus and energy. It robs some of the will to live and even others of their lives. I suffer mildly and can function through its grip albeit at the loss of any form of creative output, I am lucky.
Anyhoo, I'm not sure whether I am emerging from its shadow or have finally pulled myself together enough to tell it to piss off, even though the havoc it wreaks with brain chemistry isn't something you can have much effect on without chemical assistance and that I am trying to avoid.


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begin page 50 | ↑ back to top
3. Mothers and Methodology (continued from Newsletter 6)
John E. Grant
In an earlier statement I argued that the only possible principle for the interpreter of Blake is that every version of Blake's illuminated pages has independent authority.3↤ 3 See John E. Grant, "Tense and the Sense of Blake's 'The Tyger'" (A Controversy), PMLA LXXXI (1966), Section 111, p. 601. That is, if a figure appears to be thus and so in one copy and something else in another we are not justified in adding them up, dividing by two, and then telling the world that the golden mean is what Blake really intended. Blake himself was out of all patience with devotees of the general idea and alternately begged and commanded the reader to attend to "minute particulars." For the man with a different creed, Blake's dictum that only through the minute particulars can virtue or beauty be approached has no authority. Even if, it can be argued, Blake himself tried to live up to his principles, the critic has merely to invoke the Intentional Fallacy in order to obtain a license to take whatever pleases him from what Blake has left us.
It may seem unlikely that anyone would wish to take such an extreme position in public but this is essentially what Professor W. K. Wimsatt said in the Forum II conference, entitled Literature and the Visual Arts: The Problem of Critical Terms, at the 1967 MLA Annual Meeting. In a paper entitled "Laokoön Revisited" he declared that the pictures for "The Tyger" and "London" were obviously failures and irrelevant besides. Curiously enough, one of the discussants, Professor Jean Hagstrum, remonstrated with Wimsatt because of his principled indifference to Blake's union of the arts, but Hagstrum was unwilling to challenge Wimsatt's inaccurate description of Blake's picture of the Tyger. To be sure it was not easy for Hagstrum to do so because Wimsatt quoted Hagstrum's book which declares that "the magnificent verbal 'Tyger' is unworthily illustrated by a simpering animal" (p. 86). I found Hagstrum's refusal distressing because in my review of his book I had particularly commented on this point reminding him that the allegation is false—at least as a generalization—and pointing out that it also plays into the hands of dogmatic divorcers of the arts such as Warren and Wellek.4↤ 4 In JAAC xxiv, No. 1, Pt. 1 (1965), 127. Now that Copy U, which contains the most formidable Tyger I have seen, is publicly more accessible, in the Firestone Library at Princeton (see Newsletter 3, pp. 6-7), the existence of an heroic Tyger should be easier to prove. Yet if one tacitly admits such allegations against Blake's design he cannot hope to prevail in arguments on this subject.
While he did not condescend to mention the names of the offending scholars, Wimsatt was very polemical in insisting that attempts to establish contrapuntal relationships between Blake's poems and designs must be ruled out of court. He was willing to tolerate some cases like "Infant Joy" (evidently because of the slightness of the poem) where poem and design are obviously antithetical, but he had no mercy on "London," which seemed to him downright incoherent when judged as a marriage of graphics and poetry. Because of the intransigence with which Wimsatt resists recognizing unequal unions of the arts, it would probably have been impossible to persuade him that the concurrence of poetry and picture in "London" is not fortuitous or inartistic. And in this case, as opposed to "The Tyger," no thorough attempt has been made in print to justify this design. If one chose he could begin such an apologia by combining brief comments in Hirsch's book and in one of my reviews,5↤ 5 Innocence and Experience: An Introduction to Blake, (New Haven, 1964), p. 265 and Grant, "The Colors of Prophecy," The Nation, CC (January 25, 1965), p. 92. but this task remains unattempted. Clearly, however, and this is the immediate point of relationship between the begin page 51 | ↑ back to top interpretational problem in "London" and LBI and F, the designs for Songs usually contain one or more pictorial elements that have no verbal correlatives in the poems. In a strict sense of the word Blake so rarely attempted literally to illustrate the Songs, that is, depict only objects mentioned in the poems without making suggestive additions, that scholars should be vigilant for significant differences even when there is a fairly close correspondence. Until more of these crucial problems in Blakean iconography have been studied, however, anti-Blakean opinions about Blake will doubtless remain current.
Let us consider again the fact, first remarked by Connolly and Levine, that the guide in LBF is often effeminate-looking and sometimes distinctly busty. When it is admitted that the figure in the margin undoubtedly is the mother described in the poem, the adult guide, who is always clothed in white, can be none other than "God ever nigh" who "appeard like his father in white." The interpretational problem, as posed by Connolly and Levine in their original article, was put backward and thus became the source of much confusion; it is not a question of why the mother looks like Christ but why God sometimes looks maternal. That is; what point is made when God is depicted as having feminine attributes, especially when the poem says that he appears as a father? Connolly and Levine can apparently think of nothing more reputable than "vaudeville" where matters of role playing are involved, but all Blake's theology is radically based on the relativity of perception, e.g., "The Vision of Christ that thou dost see / Is my Vision's Greatest Enemy. . . ." Certainly an essential part of Blake's interpretation of the Book of Job is that God looks like Job. It is not culpable pride but the beginning of wisdom to recognize that God "becomes as we are, that we may become as he is."
I do not believe that the further suggestions I shall make here constitute a significant change from what I have written before, but the depiction of God with female attributes does entail more explanation. In my piece, "Recognizing Fathers," I argued essentially that, from the Little Boy's point of view, the father imago presented in every version of the design must be sufficiently credible, just as the poem says it is. But in those copies of the design where the guide is busty, there is undeniably something more to explain. Elsewhere in Songs of Innocence God does appear as a paternal shepherd, or as a child, or as a lamb, but God the mother (as distinguished from the Mother of God) is a conception that would not have made Blake's contemporaries feel easy. And of course Blake himself had a profound mistrust of the Female Will, which is expressed over and over in the prophecies and is summed up in the tyranny of Mary, which is depicted in plate 99 of the illustrations to the Divine Comedy. Nevertheless Blake would have strenuously resisted the kind of presumptuous superstition which pretends to know that God "is really" either a male or a female.
Keynes puts the matter succinctly in his commentary for the photographic edition of the Songs when he declares that "probably [the rescuer] is one of Blake's not infrequent androgynous figures, having both mother and father attributes."6↤ 6 Mr. Tolley reminds me that the clearest example of androgyny in Songs is the main figure in the tailpiece design, Pl. a, which is reproduced in Wicksteed. In spite of the impropriety Connolly and Levine warned me would be involved in doing so, I thought it would not be indecent if I troubled to examine the breasts of God, as Blake chose to represent God. After all, Connolly and Levine wouldn't admit the authority of Schiavonetti's busty rendering of Blake's Jesus to which I had referred them. I must report that a quick survey through William Blake's Illustrations to the Bible revealed no pictures of either the Father or the Son that are as pendulous as some versions of the guide in LBF. Only in six pictures, nos. 76, Christ Girding Himself (see the reproduction in The Blake Collection of W. Graham Robertson, pl. 38); 110, The Third Temptation; begin page 52 | ↑ back to top 119, The Transfiguration; 122, Christ Blessing the Little Children; 125, The Raising of Lazarus; and 171, Christ the Mediator, does He seem notably effeminate and in all these pictures of His maturity Christ wears a beard. This lack of confirmation does not, however, subvert the specific evidence in LBF. Indeed, though it would be dangerous to attempt this form of argument if there were no other evidence, Blake often tried his daring ideas only once or rarely; precisely because he establishes iconographic norms, striking departures from them are strong evidence of allegorical meaning. Just as it can have been no accident that Blake once painted the "Sick Rose" white rather than Red, so he had a point to make when he painted a Black Madonna (no. 98)7↤ 7 I have heard it alleged that the negroid coloration in this picture is the accidental result of the deterioration of the tempera. After having studied it quite closely twice I doubt that the allegation is correct. But if there is any evidence of accident having produced design this should be presented where all can read it. near the end of his life. It is quite probable that he also chose to produce a single indubitably busty guide in LBF because (so to speak) the Diana of Ephesus had been lost sight of at the time.
If we make a serious attempt to interpret LBF as a design in context, both of the Songs and of Blake's work as a whole a number of factors not previously considered must be born in mind. Several critics have observed that distinctly paternal roles are disfavored in Songs of Innocence, but the designs are not anti-paternal more than twice. So far as pictures are concerned, the masculine leadership role seems to be enacted in Innocence in the following plates: 7, 10, 12, 14, 18, 19, 26. To this one might add: 5, 8, 23, and possibly 54, "The Voice of the Ancient Bard," which was at first included in Innocence. In plates 12 and 19 the male guide is less authoritative or less human than he seems, but he is a benign presence elsewhere. In pl. 7, the second of "The Ecchoing Green," the guide is not really in charge because the gift of the grapes of pleasure behind his back unmistakably reveals him to be Mr. Parental Spoilsport, rather than a good guide. In 10 the Good Shepherd or Jesus (who is sometimes depicted as being almost without beard) suffers little children to come unto him—beside the waters (of Life), which are uniquely depicted on the original plate of this design.8↤ 8 In contrast with places 4, 7, 8, 20, and 21 where a small strip was added to the plate and the area was painted as water. In later copies of plates 12 and 23 indications of water are added in paint but the plates themselves were not similarly enlarged. In 12 the "Angel with a bright key" has, in late versions, a halo, but no wings. Comparison with the water color drawing "The Woman Taken In Adultery" will show that the liberating "Angel" is almost identical, though reversed, with Jesus in the drawing. The Innocent but benighted Chimney Sweeper did not recognize Jesus when he saw Him, but the reader of Blake will recall the first picture of Blair's Grave, entitled "Christ Descending Into the Grave," because there the Savior carries a key in each hand. I referred to this design for Blair in my earlier article on "Recognizing Fathers" (pp. 8-9) because the posture of Christ is very similar to that of the boy's savior in LBF. I shall also mention some other designs related to pl. 14 but must first consider the other three designs in Innocence that depict masculine authority. In 18, "The Divine Image," at the bottom, Jesus, who is duly haloed in late copies, evidently raises Adam (who is shown under the flames of wrath in the general title page of the combined anthology, pl. 1) in a gesture that recalls Michelangelo's version of his Creation and anticipates Blake's own later depiction of Jesus in "The Creation of Eve" in the designs for Paradise Lost. The same motif occurs, with greater modification, in the second of the two versions of the Genesis frontispiece in the Huntington Library. The beadles regimenting the boys and girls in 19, "Holy Thursday," are, of course, trying to contain the work of Christ the Liberator. Finally, in 26, "A Dream," the glow-worm who impersonates the watchman of the night, is shown in his human form as he redirects the errant mother Emmet.
In Blake's work as a whole it is not inappropriate to ask what happens to the Little Boy who was Found and returned to his Mother by an androgyne who resembles Christ and the Boy's father as he imagined him.9↤ 9 In Blake's cosmic myth we can also ask how it is that one can get lost in spite of essential innocence. Here the final design of the Paradise Lost series, "The Expulsion," is particularly apposite, since the angel Michael is depicted as an androgynous guide who grasps the hands of those adult children, Adam and Eve, and leads them down from freedom. The nadir of human fortunes is represented, it may be added, in the great picture "Pestilence: Death of the First Born," which is also in the Boston Museum of Fine Arts. There Michael's Satanic aspect is inflated, as it were, by the four wild horsemen in the background of the "Expulsion" until he has become a giant reptile sowing the tares of disease. Conversely his polite but firm policeman's role in the "Expulsion" is represented by the diminished angel, seen between the Satanic legs, who modestly guards the way out as the Covering Cherub. The sequel to this, in turn, is shown in another great picture, "The Angel Binding the Dragon," which is in the Fogg Museum. The action here occurs in the time of the end when the alliance between Michael and Satan has been broken as a result of the further degeneration of Satan from a smiter with disease into a dragon old. This consolidation of error, brought about by the redemptive action of Christ in history, which I trace in the conclusion of this piece, is nevertheless not sufficient for Michael to free himself entirely by belated positive action. As some critics have previously noted, one coil of the chain is looping Michael's shoulder, presumably because his ages of complicity have taught him some bad habits. We can say that the begin page 53 | ↑ back to top Boy, together with his archetypal sister who is not mentioned in this pair of poems, may be observed in such a tempera painting as "Bathsheba at the Bath" (Tate #22) in company with his mother. But insofar as the Boy and girl are always small they remain in the keeping of the Good Father, as shown in the tempera painting "Christ Blessing Little Children" (Tate #23) where Jesus sits under the same kind of tree depicted in Innocence 6, the first plate of "The Ecchoing Green," and in the background of 8, "The Lamb." In this tempera one should notice the river in the background and also observe the motif of the intertwined trees in the left background.10↤ 10 This key symbol in Songs also appears on pls. 2, 7, 28 (in some copies), and 36, and in more attenuated forms on pls. 3, 4, and 53 as well as in pls. 5, 8, 9, 18, 20, 24, 27, 28, 34, 36, 38, (41), (43), 51, and 53, where the motif becomes a tree and clinging vine.
This sweet company is delivered to its ultimate destiny in "The River of Life" (Tate #37), a painting which integrates most of the motifs that have been employed in the pictures we have chiefly been concerned with. Here Christ turns his back to us, taking the little boy and the girl by the hand as he swims up the river whose lower reaches were depicted in the other paintings. He has left the keys in the Grave into which he had descended facing the reader (as well as the Mother in LBF) and is departing with the regained children to the source of Life. The mother, who was about to accept the Little Boy Found and who submitted her children for Christ's blessing, here is shown cutting the line that connects them to this world. St. John, who flies out of the sun, points downward, in a posture comparable to that of Jesus in "The Woman Taken in Adultery" and the "Angel" in "The Chimney Sweeper," though adapted to this more complex design. One may also observe, on the right bank of the river, the standing mother holding a child, who also appears in "Christ Blessing" and the second plate of "The Ecchoing Green," and the girl reaching up for the fruit of the Tree of Life, which also supports bunches of grapes such as were handed down by a boy to a girl at the end of the procession in the latter design. She has at last reached the condition unencumbered by prohibitions. Potential naysayers are now on the other side of the River and in any case, they are now studying the Book of Life rather than the holy book of cursing. Music is provided by the Piper depicted in Innocence pls. 2, 3, and 27, accompanied by a flutist who is a wingless counterpart of the angel evidently required to "Sound the Flute" in pl. 22 of Innocence. The eternal counterpart of this music of "Spring" is provided by the chorus of angels standing on the Sun, having evidently foresworn the happy pipe. Between them putti enact ecstatic reunions such as appear on the title page of The Marriage of Heaven and Hell. The joy here, as it were, on the top of Day, is to be contrasted with the sorrow depicted in the lower borders of LBI where (in later copies) the 4 angels stand despondently against the background of a starry night while the wingless creatures trailing ribbons separate from one another. The Little Boy will be Found in the next plate, and perhaps also Saved, but the pictures of Innocence contain only a few emblems of such blessedness and ecstasy. The strenuous future is only adumbrated in the world more attractive called the contrary state of Innocence.
Department of English, University of California
Martin Butlin
G.E. Bentley, Jr.
Frederic Cummings
David V. Erdman
Michael J. Tolley


text:
Neuron-independent Ca2+ signaling in glial cells of snail's brain
S. Kojima, H. Ogawa, T. Kouuchi, T. Nidaira, T. Hosono, E. Ito*
To directly monitor the glial activity in the CNS of the pond snail, Lymnaea stagnalis, we optically measured the electrical responses in the cerebral ganglion and median lip nerve to electrical stimulation of the distal end of the median lip nerve. Using a voltage-sensitive dye, RH155, we detected a composite depolarizing response in the cerebral ganglion, which consisted of a fast transient depolarizing response corresponding to a compound action potential and a slow depolarizing response. The slow depolarizing response was observed more clearly in an isolated median lip nerve and also detected by extracellular recording. In the median lip nerve preparation, the slow depolarizing response was suppressed by an L-type Ca2+ channel blocker, nifedipine, and was resistant to tetrodotoxin and Na+-free conditions. Together with the fact that a delay from the compound action potential to the slow depolarizing response was not constant, these results suggested that the slow depolarizing response was not a postsynaptic response. Because the signals of the action potentials appeared on the saturated slow depolarizing responses during repetitive stimulation, the slow depolarizing response was suggested to originate from glial cells. The contribution of the L-type Ca2+ current to the slow depolarizing response was confirmed by optical recording in the presence of Ba2+ and also supported by intracellular Ca2+ measurement.Our results suggested that electrical stimulation directly triggers glial Ca2+ entry through L-type Ca2+ channels, providing evidence for the generation of glial depolarization independent of neuronal activity in invertebrates. Copyright (C) 2000 IBRO.
Published - 2000 10 11
神経科学(全般)
「Neuron-independent Ca2+ signaling in glial cells of snail's brain」の研究トピックを掘り下げます。これらがまとまってユニークなフィンガープリントを構成します。
Snails Medicine & Life Sciences 100%
Median Nerve Medicine & Life Sciences 93%
Lip Medicine & Life Sciences 81%
Neuroglia Medicine & Life Sciences 71%
Action Potentials Medicine & Life Sciences 55%
Neurons Medicine & Life Sciences 50%
Ganglia Medicine & Life Sciences 39%
Kojima, S., Ogawa, H., Kouuchi, T., Nidaira, T., Hosono, T., & Ito, E. (2000). Neuron-independent Ca2+ signaling in glial cells of snail's brain. Neuroscience, 100(4), 893-900. https://doi.org/10.1016/S0306-4522(00)00338-9
Neuron-independent Ca2+ signaling in glial cells of snail's brain. / Kojima, S.; Ogawa, H.; Kouuchi, T.; Nidaira, T.; Hosono, T.; Ito, E.
In: Neuroscience, Vol. 100, No. 4, 11.10.2000, p. 893-900.
Kojima, S, Ogawa, H, Kouuchi, T, Nidaira, T, Hosono, T & Ito, E 2000, 'Neuron-independent Ca2+ signaling in glial cells of snail's brain', Neuroscience, vol. 100, no. 4, pp. 893-900. https://doi.org/10.1016/S0306-4522(00)00338-9
Kojima S, Ogawa H, Kouuchi T, Nidaira T, Hosono T, Ito E. Neuron-independent Ca2+ signaling in glial cells of snail's brain. Neuroscience. 2000 10 11;100(4):893-900. https://doi.org/10.1016/S0306-4522(00)00338-9
Kojima, S. ; Ogawa, H. ; Kouuchi, T. ; Nidaira, T. ; Hosono, T. ; Ito, E. / Neuron-independent Ca2+ signaling in glial cells of snail's brain. In: Neuroscience. 2000 ; Vol. 100, No. 4. pp. 893-900.
@article{0b7371ba12b04f8e9f32246ebbe99008,
title = "Neuron-independent Ca2+ signaling in glial cells of snail's brain",
abstract = "To directly monitor the glial activity in the CNS of the pond snail, Lymnaea stagnalis, we optically measured the electrical responses in the cerebral ganglion and median lip nerve to electrical stimulation of the distal end of the median lip nerve. Using a voltage-sensitive dye, RH155, we detected a composite depolarizing response in the cerebral ganglion, which consisted of a fast transient depolarizing response corresponding to a compound action potential and a slow depolarizing response. The slow depolarizing response was observed more clearly in an isolated median lip nerve and also detected by extracellular recording. In the median lip nerve preparation, the slow depolarizing response was suppressed by an L-type Ca2+ channel blocker, nifedipine, and was resistant to tetrodotoxin and Na+-free conditions. Together with the fact that a delay from the compound action potential to the slow depolarizing response was not constant, these results suggested that the slow depolarizing response was not a postsynaptic response. Because the signals of the action potentials appeared on the saturated slow depolarizing responses during repetitive stimulation, the slow depolarizing response was suggested to originate from glial cells. The contribution of the L-type Ca2+ current to the slow depolarizing response was confirmed by optical recording in the presence of Ba2+ and also supported by intracellular Ca2+ measurement.Our results suggested that electrical stimulation directly triggers glial Ca2+ entry through L-type Ca2+ channels, providing evidence for the generation of glial depolarization independent of neuronal activity in invertebrates. Copyright (C) 2000 IBRO.",
keywords = "Gastropod mollusc, Glial cell, L-type Ca channel, Optical recording, Slow depolarizing response, Voltage-sensitive dye",
author = "S. Kojima and H. Ogawa and T. Kouuchi and T. Nidaira and T. Hosono and E. Ito",
note = "Funding Information: We thank Prof. Kohtaro Kamino at Tokyo Medical and Dental University School of Medicine, Japan, for his critical comments. This work was partly supported by a Research Fellowship of the Japan Society for the Promotion of Science for Young Scientists to S.K. and a Grant-in-Aid (No. 10102001) from the Ministry of Education, Science, Sports and Culture of Japan to E.I.",
journal = "Neuroscience",
T1 - Neuron-independent Ca2+ signaling in glial cells of snail's brain
AU - Kojima, S.
AU - Ogawa, H.
AU - Kouuchi, T.
AU - Nidaira, T.
AU - Hosono, T.
AU - Ito, E.
N1 - Funding Information: We thank Prof. Kohtaro Kamino at Tokyo Medical and Dental University School of Medicine, Japan, for his critical comments. This work was partly supported by a Research Fellowship of the Japan Society for the Promotion of Science for Young Scientists to S.K. and a Grant-in-Aid (No. 10102001) from the Ministry of Education, Science, Sports and Culture of Japan to E.I.
N2 - To directly monitor the glial activity in the CNS of the pond snail, Lymnaea stagnalis, we optically measured the electrical responses in the cerebral ganglion and median lip nerve to electrical stimulation of the distal end of the median lip nerve. Using a voltage-sensitive dye, RH155, we detected a composite depolarizing response in the cerebral ganglion, which consisted of a fast transient depolarizing response corresponding to a compound action potential and a slow depolarizing response. The slow depolarizing response was observed more clearly in an isolated median lip nerve and also detected by extracellular recording. In the median lip nerve preparation, the slow depolarizing response was suppressed by an L-type Ca2+ channel blocker, nifedipine, and was resistant to tetrodotoxin and Na+-free conditions. Together with the fact that a delay from the compound action potential to the slow depolarizing response was not constant, these results suggested that the slow depolarizing response was not a postsynaptic response. Because the signals of the action potentials appeared on the saturated slow depolarizing responses during repetitive stimulation, the slow depolarizing response was suggested to originate from glial cells. The contribution of the L-type Ca2+ current to the slow depolarizing response was confirmed by optical recording in the presence of Ba2+ and also supported by intracellular Ca2+ measurement.Our results suggested that electrical stimulation directly triggers glial Ca2+ entry through L-type Ca2+ channels, providing evidence for the generation of glial depolarization independent of neuronal activity in invertebrates. Copyright (C) 2000 IBRO.
AB - To directly monitor the glial activity in the CNS of the pond snail, Lymnaea stagnalis, we optically measured the electrical responses in the cerebral ganglion and median lip nerve to electrical stimulation of the distal end of the median lip nerve. Using a voltage-sensitive dye, RH155, we detected a composite depolarizing response in the cerebral ganglion, which consisted of a fast transient depolarizing response corresponding to a compound action potential and a slow depolarizing response. The slow depolarizing response was observed more clearly in an isolated median lip nerve and also detected by extracellular recording. In the median lip nerve preparation, the slow depolarizing response was suppressed by an L-type Ca2+ channel blocker, nifedipine, and was resistant to tetrodotoxin and Na+-free conditions. Together with the fact that a delay from the compound action potential to the slow depolarizing response was not constant, these results suggested that the slow depolarizing response was not a postsynaptic response. Because the signals of the action potentials appeared on the saturated slow depolarizing responses during repetitive stimulation, the slow depolarizing response was suggested to originate from glial cells. The contribution of the L-type Ca2+ current to the slow depolarizing response was confirmed by optical recording in the presence of Ba2+ and also supported by intracellular Ca2+ measurement.Our results suggested that electrical stimulation directly triggers glial Ca2+ entry through L-type Ca2+ channels, providing evidence for the generation of glial depolarization independent of neuronal activity in invertebrates. Copyright (C) 2000 IBRO.
KW - Gastropod mollusc
KW - Glial cell
KW - L-type Ca channel
KW - Optical recording
KW - Slow depolarizing response
KW - Voltage-sensitive dye
JO - Neuroscience
JF - Neuroscience


Under the camouflage of the current generation Volvo XC70 company from Goteborg (Gothenburg) Sweden is testing a new base for XC90 2014-2015 model year, as evidenced by the very large base and the huge wheels of the test sample.
new car will use a platform SPA, which, in the future, will be shared for models S80 and S70 of the next generation.
In XC90 engine list will be new four-cylinder diesel and petrol units, for a total offer a wide range of 4 and 6-cylinder engines from 120 to 280 hp, but with the top V8 company seems won't be use anymore, offering a hybrid powertrain.


The following article is written by Mothership,sg, in partnership with Changi Airport.
Once, a friend visiting Singapore told me something peculiar. She was flying in a day earlier just to sleep over at Changi Airport.
Sure, Changi's the best airport in the world. But we certainly don't think of sleeping in the airport for the sake of it.
Unlike other airports worldwide, Changi is often a destination itself. Families gather to dine or just to watch planes take off; as a student, I travelled to the airport to study -- because free Wi-Fi, 24/7 air-conditioning and it's clean and comfy.
That's all great, but I found that Changi's appeal, to me, lay in the little, meticulous details found everywhere.
It's easy to overlook, but if you delve deeper you'll find many weird and wonderful reasons that keep you coming back to the airport.
Long before I even heard of the term "scent marketing", I realised that Changi Airport has quite a distinct smell.
Is it the scent of adventure? Or just the chemicals used by the cleaning staff? Either way, I soon came to associate this clean, distinct scent with the excitement of travel, the familiarity of home, and the anticipation of seeing a loved one.
Yes, the airport scent will always trigger memories in my heart.
And amazingly, it's a scent that's consistent throughout all the terminals.
It's not just one of the classiest toilets I've had the opportunity to do "business" in. There's something charming about that oh-so-convenient stand to place your phone, passport and boarding pass on.
Nobody likes having to fumble with their things in the toilet. And for a clumsy person like me (tendency to drop various things, including my phone, in the toilet bowl ugh), it's small details that make all the difference.
They didn't have to build shelves there, but they did.
Singaporeans are a shy bunch -- we hesitate to dish compliments, not because we're mean, but because paiseh lah.
Which is why Changi Airport's touchscreen toilet rating system is perfect, because we get to express customer satisfaction (not happy also can anonymously give feedback) and don't even have to spend time doing it -- I can literally click on it while running out of the washroom. Tried and tested.
Yes, the toilet is super clean, I love it!
When the country you live in is tiny, open spaces have an indefinite appeal. Not only does it feel more luxurious, it also makes me feel at ease -- away from packed train rides and crowded malls on the weekend.
Not to mention the secluded corners that allow for quiet conversations and moments of peace.
Changi airport always felt luxurious to me, but I could never really put a finger on it -- until I realised that it's (partly) because of the carpeting.
Parts of the airport is carpeted, especially the transit areas. This ups the luxury factor and also serves a practical purpose -- the carpeting absorbs sounds, so it has the effect of making you feel more relaxed.
More relaxed = happier traveller = better experience.
Don't believe me? The next time you visit an airport that feels strangely barebones, see if you notice the lack of carpets.
Not to mention, he informs you if it's a more expensive cab ("Ah girl, this silver one more expensive than the blue one!") and helps you to check if they accept card.
Uncle, don't make break us with your kindness, please.
Unlike the airport scent which I noticed when I was much younger, this was actually a recent discovery.
Maybe it's because Singaporeans live amongst shades of green, it escapes our consciousness -- as if it were an embodiment of the Garden City it resides in, the airport is filled with plants and trees. 99% of which are real.
Yes, Changi is planets apart when compared to other airports that look stark and unwelcoming.
Now, this could purely be a speculation on my part, but have you ever noticed that there are almost no white lights in Changi airport?
Light colour affects your mood, and white lights can create a harsh and even depressing atmosphere; the lack of white lights in turn creates a welcoming ambience, which makes us feel more at home than anything.
And that's why you always feel good at the airport.
Nothing to feel ashamed of if you never realised these little things that make our airport great. If you just had an "oh, ya hor!" moment, yes! You've uncovered (some) weird reasons why you love going back there.
So many things about our airport to feel proud of, and these are just eight.
Article written by Tsiuwen Yeo, in a collaboration with Mothership.sg.


text:
Q: `hibernate.hbm2ddl.import_files` property stops working if I switch the datasource from `H2` to `postgresql` This is the config of my spring boot app:
@Configuration
@EnableJpaAuditing
public class Cfg {

    @Bean(destroyMethod = "close")
    public DataSource myDataSource() {
        org.apache.tomcat.jdbc.pool.DataSource o = new org.apache.tomcat.jdbc.pool.DataSource();
        o.setDriverClassName("org.h2.Driver");
        o.setUrl("jdbc:h2:mem:test");
        return o;
    }

    @Bean("entityManagerFactory")
    public LocalSessionFactoryBean sessionFactory(DataSource myDataSource) {
        LocalSessionFactoryBean o = new LocalSessionFactoryBean();
        o.setDataSource(myDataSource);
        o.setPackagesToScan("fctorial.crossover.entities");
        Properties props = new Properties();
        props.setProperty("hibernate.dialect", "org.hibernate.dialect.H2Dialect");
        props.setProperty("hibernate.show_sql", "true");
        props.setProperty("hibernate.format_sql", "true");
        props.setProperty("hibernate.hbm2ddl.auto", "none");
        props.setProperty("hibernate.hbm2ddl.import_files", "classpath:/schema.sql,classpath:/data.sql");
        o.setHibernateProperties(props);
        return o;
    }
}

And it works as expected, but for some reason, if I change the database to postgresql (via the following patch), the import_files aren't executed anymore.
@@ -17,8 +17,10 @@
     @Bean(destroyMethod = "close")
     public DataSource myDataSource() {
         org.apache.tomcat.jdbc.pool.DataSource o = new org.apache.tomcat.jdbc.pool.DataSource();
-        o.setDriverClassName("org.h2.Driver");
-        o.setUrl("jdbc:h2:mem:test");
+        o.setDriverClassName("org.postgresql.Driver");
+        o.setUsername("saga");
+        o.setPassword("");
+        o.setUrl("jdbc:postgresql://localhost:5432/postgres");
         return o;
     }

@@ -28,7 +30,7 @@
         o.setDataSource(myDataSource);
         o.setPackagesToScan("fctorial.crossover.entities");
         Properties props = new Properties();
-        props.setProperty("hibernate.dialect", "org.hibernate.dialect.H2Dialect");
+        props.setProperty("hibernate.dialect", "org.hibernate.dialect.PostgreSQLDialect");
         props.setProperty("hibernate.show_sql", "true");
         props.setProperty("hibernate.format_sql", "true");
         props.setProperty("hibernate.hbm2ddl.auto", "none");

I have this at the top of schema.sql:
NOT A VALID SQL STATEMENT;

The h2 version of app throws an error at startup but the postgresql version starts without an error and malfunctions at runtime because the database isn't initialized correctly.
Note: This codebase is a a full example demonstrating this issue: https://github.com/fctorial/crud

A: Maybe this answer can help you hibernate.hbm2ddl.import_files: Path to the files
The files are used only when creating schema

redpajama_set_name: RedPajamaStackExchange


Terrors of London is a 2-player deck-builder with a difference. Playing the role of an Overlord, with your own special ability and two unique influence cards in your hand, you'll add Beasts, Mortals, Spirits and Undead factions to your deck. During the game, you'll be forming different hordes to create powerful card combinations and help you claim a terrifying victory.
Terrors of London is this clever deck-builder, drenched in this fascinating theme that shines through in every single card. The overlords are scary, the monsters are terrifying and the artwork is to die for.
The cleverly constructed really make this game stand out, being a deck-builder, you would hope so but they can be lethal. They have so many uses and can be rather powerful, you can use them for points, to create special combos using the Hoarde mechanism as well as having special abilities. Throw in some spooky characters and you've got yourself some well-rounded, genius cards to play with.
Here's an overview of gameplay just so you get an idea of how the game works.
On your turn, you'll complete three phases. There's the Action Phase where you will play cards, use your Overlord abilities, form Hoardes, activate relics, and deal damage. There is then the Clean-Up Phase where you will clean up all of the cards you played during the action phase and then you'll draw a new hand of cards and end your turn in the The Draw Phase. Taking turns is pretty simple, it's what you do with the cards that makes this game tense and frightening.
The actions you can do during the Action Phase vary.
You can play a card from you hard which is known as the Play Action.
When you play cards, you add a card to you play area from your hand. You don't have to pay for the card when playing a card from your hand as a Play action however, when you play a card using the Play action, those cards are added to your play area.
You can buy a card which is known as the Buy Action.
When buying cards, you must be able to pay the cost of the card from the coins available in your Resource pool. Once you have purchased your Monster, you put it in your discard pile like you usually would in a deck-builder.
Performing an Overlord Action lets you activate the ability on your Overlord.
You can use the Attack Action and deal damage to your opponent.
Attacking your opponent is easy, you use the power from your Resource pool to damage your opponent's evil Overlord. For each point of power you spend during the action, you can assign one point of damage to your opponents Overlord.
You can form or expand a horde using the Horde Action. This is one of the mechanisms that really makes the game special and a little bit different.
You can group monsters to form Hordes that allow you to activate different Horde abilities during the game. You can form new Hordes as well as expanding existing ones to create powerful combinations. This adds a lot of flavour and another layer of skill to the game.
The Relic Action lets you activate a Relic, where you get to use the effect described in the text straight away.
Then you can end your turn using the Pass Action and your opponent can now take their turn.
Take note, you can only pass if you have one or less cards in your hand. If you have one card left in your hand when you pass. that card is placed facedown on top of your deck of cards.
It's tense, it's quick and it's easy to learn and frankly, gorgeous to look at. They have created a game that will stand the test of time, I know this one will get a lot of play because it's just so addictive and so satisfying. Designers Brad Pye and equally talented Artist, Ryan Pye should be proud of what they have achieved here.
To check out the Kickstarter campaign, just click HERE!


Senior Choir contracts must be returned to Mrs Lewis by Friday 9th March. Students must return their contracts to Mrs Lewis (not the class teacher), signed by a parent by this date to be included in the senior choir for Semester One. The choir numbers will be finalised after this date and positions set for the remainder of the term. No late contracts will be accepted unless a child is absent in week 6.
Parents wishing to purchase a Ukulele for their child's own personal use and practice at home, please avoid purchasing an instrument with plastic mechanisms as these are primarily toys and are very difficult for the children to tune. Should you wish to purchase an instrument, Music Force Mandurah are offering student entry level Mahalo Ukuleles (the same model used in class) at a discounted price of $36. Please note, this is NOT a requirement as we have a class set of Ukuleles at school.