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At Large January 4, 2023 Rebecca Schiffman
The Museum of Fine Arts, Houston
Judith and Holofernes by Artemisia Gentileschi (left) and Kehinde Wiley (right)
Portrait of Courage: Gentileschi, Wiley, and the Story of Judith
The Museum of Fine Arts, Houston, January 25–April 16, 2023
Continuing its national tour this month at the Museum of Fine Arts, Houston, is Portrait of Courage: Gentileschi, Wiley, and the Story of Judith, which places two paintings of Judith and Holofernes in dialogue with one another. Though created by two vastly different artists spread across time and culture, the comparison reveals shared narratives and ideas. Over the centuries, the story of Judith and Holofernes has remained an influence to artists who have interpreted Judith as a virtuous young woman, a seductive femme fatale, and a brave heroine. This exhibition addresses all of these tropes along with timeless issues of gender, race, violence, oppression, and social power.
Courtesy the artist and Gladstone Gallery. © Wangechi Mutu
Wangechi Mutu, In Two Canoe, 2022. Bronze, 180 × 68 × 72 in (457.2 × 172.7 × 182.9 cm).
Wangechi Mutu: Intertwined
New Museum, New York, March 2–June 4, 2023
Kenyan-born American artist, Wangechi Mutu will open a solo exhibition at the New Museum in March. Mutu's work is continually surprising and otherworldly in the way it deals with the female body. Her creations of paintings, drawings, and sculptures are bodies that are part human, part plant, and part animal. Mutu samples from a variety of sources – from fashion magazines, medical diagrams and traditional African arts to form new ideas of feminism, Afrofuturism, and interspecies symbiosis.
Link to exhibition
Courtesy MFA Boston
Left: John Cederquist, How to Wrap Five Waves (detail), 1994–95. Right: Katsushika Hokusai, Under the Wave off Kanagawa (Kanagawa-oki nami-ura), about 1830–31 Woodblock print (nishiki-e); ink and color on paper. William Sturgis Bigelow Collection.
Hokusai: Inspiration and Influence
The Museum of Fine Arts, Boston, March 26-July 16, 2023
Katsushika Hokusai (1760-1849), Japanese ukiyo-e artist is known for his painting and printmaking practice. He is best known for the woodblock series, Thirty-Six Views of Mount Fuji, which includes the iconic print seen far and wide, The Great Wave off Kanagawa. This exhibition takes a new approach to his work, exploring in detail in impact on other artists–both during his lifetime and to the present. The exhibition at MFA Boston, Hokusai: Inspiration and Influence, brings together over ninety works by Hokusai along with 200 works by his teachers, students, rivals and admirers.
Courtesy the artist, Matthew Marks Gallery, and ICA Boston. Photo: Timothy Schenck.
Simone Leigh, Jug, 2022. Glazed stoneware.
Simone Leigh
ICA Boston, April 6-September 4, 2023
After Simone Leigh's massively successful pavilion at the Venice Biennale and Golden Lion win, she heads to Boston to debut her first comprehensive survey exhibition. This survey show will open at the ICA Boston and travel to the Hirshhorn Museum in DC, LACMA in Los Angeles, and end in 2025 at the California African American Museum in Los Angeles. The exhibition will show twenty years of Leigh's practice in ceramic, bronze, video, and installation. For those who were unable to attend the Biennale, fear not – this exhibition will feature works from the Venice presentation. We love Leigh's work for its focus on situating question of Black femme subjectivity at the center of contemporary art discourse and cannot wait to see what this exhibition holds.
© Hayv Kahraman, photo © Museum Associates/LACMA
Hayv Kahraman, Search, 2016, Los Angeles County Museum of Art
Women Defining Women in Contemporary Art of the Middle East and Beyond
LACMA, Los Angeles, April 23–September 24, 2023
Women artists are the subject of a powerful spring exhibition in Los Angeles that will show seventy-five artworks by women artists who were born or live in Islamic societies. The works show that these artists are not as voiceless or invisible as society makes them out to be. In fact, these women artists share important narratives of rapidly shifting political developments and social transformations taking place in the lands they live in - Africa, Western and Central Asia, and in diasporic communities around the world. Embedded in their art is a common sense of identity – not exclusively "Middle Eastern," but certainly female.
Courtesy Cleveland Museum of Art
Die Büglerin, c. 1869. Edgar Degas (French, 1834–1917). Oil on canvas; 92.5 x 73.5 cm. Neue Pinakothek München, Bayerische Staatsgemäldesammlungen, 14310
Degas and the Laundress: Women, Work, and Impressionism in Late Nineteenth Century Paris
Cleveland Museum of Art, October 8, 2023 - January 14, 2024
Famed Impressionist painter, Edgar Degas is known for his portraits of Parisian life - from scenes at the ballet, to cafes, to the streets of Paris. But for the first time ever, the Cleveland Museum of Art will put together a collection of Degas's representations of Parisian laundresses. These working class-women were a visible presence in the city, doing the physical labor of washing, ironing, and carrying heavy baskets of clothing. These portrayals of laundresses are contemporary and revolutionary in their emphasis on women's work and the strenuousness of the social class they were a part of. In addition to the thirty depictions of laundresses, united for the first time in this exhibition, the show will also include similar works by the artist's contemporaries.
Rebecca Schiffman
Cleveland Museum of Art
MFA Boston
ICA Boston


Blair Roberts tries to shed a tackle in Duquesne's 35-31 victory over Bryant.
The Duquesne Dukes outlasted the Bryant Bulldogs 35-31 at Rooney Field on Saturday to get back into the NEC championship hunt.
The Dukes fell behind early after giving up a touchdown on the Bulldogs opening drive that started at their own three yard line. The drive lasted nearly five minutes as Bryant drove down the field and was capped of by Dalton Easton connecting with Keenan Thompson on a 32-yard pass.
The Dukes matched with a touchdown drive of their own as senior Dillon Buechel hooked up with graduate transfer Blair Roberts on a 13-yard strike in the endzone.
On the following possession the Bulldogs stormed right back down the field, and with the help of two third down conversions took a 10-7 lead on a Ricky Perez 26 yard field goal.
Bryant added to their lead halfway through the second quarter after linebacker Thomas Costigan strip-sacked Buechel and recovered the football on the Duquesne five yard line. On the following play Easton once again connected with Thompson to extend the Bryant lead to 14 points.
This wasn't the end of the action for Costigan either. On the following Duquesne possession the sophomore made a leaping grab to intercept Buechel. The interception once again led to points as Easton connected with Thompson on the very next play for a 22-yard touchdown pass to give the Bulldogs a commanding 24-7 lead.
The Dukes managed to put seven more points on the board before the half ended as Buechel and freshman running back A.J. Hines drove the Dukes down the field. The drive was capped off by Buechel hitting Roberts on a slant with 1:58 remaining in the half.
The Dukes drew first blood in the second half when Hines found the endzone on a one yard run to cut the deficit to three. The run was set up by a third down reception by senior receiver Wayne Capers that went for 50 yards, down to the Bulldogs four yard line.
After forcing a fumble on the ensuing kickoff the Dukes were unable to come away with points as kicker Austin Crimmins missed a 28 yard field goal wide left.
The Dukes were able to take their first lead of the game on their next possession though as Buechel found Roberts on an out and up route for a 43 yard touchdown reception. The touchdown gave the Dukes a 28-24 lead with 2 minutes remaining in the third quarter.
The Bulldogs would not go down easy though. Easton connected with Thompson for the fourth time on the day for a 14 yard catch and run to give the Bulldogs a three point lead early on in the fourth quarter.
The Dukes wasted no time and retook the lead on Blair Roberts fourth touchdown reception of the game.
The Dukes were able to hold onto their 35-31 lead for the remainder of the game, large in part to a methodical 12 play, seven minute drive late in the fourth quarter.
Bryant had one last shot when they got the ball back on their own 16 with 42 seconds left, but they were unable to do anything with it.
Roberts finished with an impressive stat line of eight catches, 153 yards and four touchdowns.
"The coaches put in a couple of plays that worked against the defense and we just ran them to perfection," Roberts said.
A.J. Hines put together another great game as he rushed for 161 yards on 30 carries and added a touchdown.
Hines talked about his success throughout the season.
"The coaches help me succeed and the offensive line does their job, which lets me do mine," Hines said.
After falling behind by 17 points the Dukes woke up late in the second quarter and turned it on for good in the third.
"We are always going to keep playing, we just challenged the players a little bit to get focused," head coach Jerry Schmitt said.
Schmitt credits his team for executing in the second half and not giving up on the game.
The Dukes look to keep things going in NEC play when they travel to Wagner next weekend. Duquesne returns to the Bluff on November 12 for senior day against Sacred Heart University.


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Modesty Blaise The Gabriel Set-Up
Peter O'Donnell ,
Jim Holdaway
Modesty Blaise, cult creation of best-selling author Peter O'Donnell, is back! The adventures of this all-round bad gir…
Modesty Blaise, cult creation of best-selling author Peter O'Donnell, is back! The adventures of this all-round bad girl and spy are now collected in the first volume of a luscious Collectors' Edition paperback library! Thrown into searing hotbeds of intrigue, and up against impossible odds, Modesty Blaise proves once and for all that the female of the species is deadlier than the male. With her trusted right-hand man, Willie Garvin, and the underworld resources of 'The Network' on tap, no job is too big, no threat too great!
This volume is packed with special features created exclusively for this book, including a look at the Modesty Blaise phenomenon and an all-new story introductions by Peter O'Donnell.
1 April 2004 (US)
26 March 2004 (UK)
12.00" x 9.00" (US)
Peter O'Donnell
Modesty Blaise: 50th Anniversary 50th Anniversary of Modesty Blaise Published on 16 May, 2013 authored by Titan Books
Copyright © 2023 Modesty Blaise is © 2004 Associated Newspapers/Atlantic Syndication

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Donkey Kong Jungle Beat
You help Donkey Kong, the world's best known ape and one of Nintendo's most famous characters, swing and pounce his way through the jungle in this larger-than-life adventure, but this is no ordinary platform game
Preowned versions may not include additional content.
Prices in GAME Stores may differ.
You help Donkey Kong, the world's best known ape and one of Nintendo's most famous characters, swing and pounce his way through the jungle in this larger-than-life adventure, but this is no ordinary platform game. The goal isn't just to get to the end of the level, but to gather as many banana points as possible, performing combos to maximise your score.
The movements of Donkey Kong are controlled through the motion-sensing capabilities of the Wii Remote and Nunchuk controllers – swing them in to unleash attacks on and direct soundwaves at your enemies!
Two brand new stages have been added, making this game a must-buy for fans of the original, as well as gamers who have yet to experience the excitement of this unique game.
In addition, new enemies such as the stomping Thumpskull and the electric shock-producing Buzzball, as well as new bonuses to collect and new weapons to use, make the NEW PLAY CONTROL! version of Donkey Kong Jungle Beat a challenging and fun new experience.
Suitable for people aged 7 and over.
Earn up to £0.02 in reward points


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NCAA UPDATE: Back on Track!
The Club's very own US Division 1 Student-Athlete, Damian O Boyle, returned to the track, Friday January 26, at home in Lake Charles, LA with the second McNeese Indoor Meet of the season.
This was Damian's first competitive racing action in just over 9 months, after an extended absence, unfortunately caused by a series of niggling tendonitis injuries, which saw the athlete miss out on last years Southland Conference Outdoor Championship Meet. He also missed the entire Summer season here at home, and was left watching from the sidelines as he attempted to return to fitness, rather than featuring for the Cowboys, during the recently concluded 2017 Cross Country Season. The team notably made an impressive push for the title falling short only to a count back decision as the meet was tied 42-42 with Fierce Rivals Lamar University of Texas, at the end of the a very tough 8k race.
Damian competed in the 3000m at the meet, tacking himself onto the incredibly quick early pace of 8:25 being set by the old guard of McNeese Seniors (Enrique, Fisher and Oliver). Fortune wasn't to favour the brave on this occasion though as the pace became evidently too much for Damian as the Cowboy brigade thundered toward the 2 kilometre mark. The extended absence and hiccup over the winter rearing their heads (hopefully for the last time!), as he began to labour heavily over the last 800m to finish in a time of 8:59.97. Officially converted by the NCAA for an unbanked (flat) track to 8:53.76, still someway off his Personal Best for the distance set almost two years ago in Santry (8:44), as complications in the early part of last years seaon meant that a new mark was left unrecorded.
The coming weeks will see Damian travel to Birmingham, Alabama to compete in the Mile event (1609m) at the Samford Open, before hopefully making the trip back to Alabama for the Southland Indoor Conference Meet which takes place February 21-22. This should be a precursor for the McNeese Men's team as they gear up to make a big push in attempting to secure the Outdoor Conference Team Title at this years Championships in May.
We wish both Damian and the Team the very best of luck in the coming months!


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Publisher: Nordex SE
The Nordex Group receives order for 33 turbines for a 156 MW wind farm in Chile
Hamburg (renewablepress) - The Nordex Group has received a large order for building a wind farm with turbines from the Delta4000 generation in Chile. The 156 MW wind farm will comprise 33 N149/4.0-4.5 turbines. In addition to this, the customer has opted for the Premium Service for a period of 15 years.
The wind farm is located 30 kilometres to the north of the Puerto Varas city in the Los Lagos region. The turbines will be installed on 145 meter tubular steel towers in order to take maximum advantage of the wind conditions prevailing there. After its completion 2021 the wind farm will be able to supply 180,000 households with clean electricity.
The Nordex Group - a profile
The Group has installed more than 27 GW of wind energy capacity in over 40 markets and in 2018 generated revenues of around EUR 2.5 billion. The company currently has more than 6,500 employees. The joint manufacturing capacity includes factories in Germany, Spain, Brazil, the United States, India, Argentina and Mexico. The product portfolio is focused on onshore turbines in the 2.4 to 5.X MW class, which are tailor-made for the market requirements of countries with limited space and regions with limited grid capacity.
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Hamburg, 25 February 2020
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Nordex Group achieves order intake of 7.95 GW in fiscal year 2021
Nordex Group receives 72 MW order from Enefit Green in Finland
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The development, manufacture, project management and servicing of wind turbines in the onshore segment has been the core competence and passion of the Nordex Group and its more than 7,900 employees worldwide since 1985. As one of the world's largest wind turbine manufacturers, the Nordex Group offers high-yield, cost-efficient wind turbines under the Acciona Windpower and Nordex brands that enable long-term and economical power generation from wind energy in all geographical and climatic conditions.
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What happened on june 22nd 1941 willys
Author MutaxePosted on 12.02.2019 12.02.2019
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Brandt, WillyIn West German Chancellor Willy Brandt traveled to Poland, where he May 26, - June 4, June 22, What Happened in Important News and Events, Key Technology and Popular Culture Hitler orders the invasion of the Soviet Union on June 22nd in what was known as "Operation Willy's Jeep Introduced for use by the US Army. At first, during June-July , the SS members themselves were not On a single day, September 22, , the Einsatzgruppen chambers beginning in mid, where the killing took place on an overwhelming scale until late Martin Dandberger, Willy Seibert, Eugen Steimle, Ernst Bilberstein.
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Q: Microsoft Sharepoint Foundation - revision control for documents For what kind of file types does MSF support revision control ? Can I put for example Rar, Zip or Images files under revision control in MSF?

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Whether you want to or not is another question. Depending on the size of the files/etc. it may be "cheaper" to find another solution.
See this article for some general storage recommendations. It was targeted at WSS (SharePoint 2007) but I think it still applies in 2010.

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Voyager 1 obtained this mosaic of a southern oval about 12 hours before closest approach. In addition, two color frames obtained almost one hour earlier were used for the rightmost part of the image to get complete coverage of the easternmost part of the reddish oval that is conspicuous in this mosaic. The oval is located near latitude 60°S and is about 5000 km across. Like the Great Red Spot. it is anticyclonic.
Farther south, the south polar hood/haze is obvious. Its northern edge is usually near 66°S. It is bluish in the enhanced image here, both due to the stronger blue color (relative to red/green) in the polar hood and also because of Rayleigh scattering near the limb. Observations have shown that the top of the main cloud layer is lower in the polar regions than elsewhere.
When Voyager 1 obtained these images it was less than 1 degree south of Jupiter's equatorial plane, while the oval is located near latitude 60°S. This makes the oval highly foreshortened; in reality it is much closer to a circular shape than the images above suggest. These images were acquired at a distance of ~930,000 kilometers from Jupiter's center at a resolution of ~9 km/pixel. Color, contrast, and sharpness have been enhanced to better show various details.


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CULTA Announces Move to New Bethesda Office to Support Continuing Growth
The new headquarters will allow CULTA to add employees as it scales its business.
Posted by Melissa Schiller
Grower/Agriculture News State by State: Maryland
BETHESDA, Md., Jan. 12, 2021 /PRNewswire/ -- PRESS RELEASE -- CULTA, a Maryland-based producer of craft cannabis and extracts, has announced a move to a larger workplace in Bethesda as part of its expansion. The new headquarters will allow CULTA to add employees as it scales its business.
The two-floor office space is nearly 150% larger than CULTA's previous office in Silver Spring. The new facility will provide CULTA with much-needed space to accommodate additional administrative headcount. "The decision to relocate to our new, larger office in Bethesda was a logical next step in our long-term growth strategy," said CULTA Chief Financial Officer Jonathan Clark.
This relocation comes less than a year after CULTA expanded the footprint of their outdoor grow facility in Cambridge to three acres, and only months after hiring Jonathan Lassiter as the vice president of retail sales. Most recently, CULTA announced plans to enter the edibles category with a new brand launching in Q1 of 2021.
"The new office is a physical example of our evolution," said CULTA President and Co-Founder Mackie Barch. "I'm incredibly proud of what my team achieved in 2020. I want to continue to provide the team with the tools and human resources needed to hit goals in 2021."
This year, CULTA plans to add 100 more employees across its farm in Cambridge, retail dispensary in Baltimore, and headquarters in Bethesda. Those interested in joining the CULTA team can view open positions here. At this time, CULTA plans on recruiting all new employees in-house.
Maryland Medical Cannabis
What's Happening in the 'Canopy Growth v. GW Pharmaceuticals' Lawsuit?
A new federal lawsuit highlights a patent that protects a THC and CBD extraction method.
Eric Sandy
Distribution Infused Products International News
Canopy Growth Corp., one of the largest cannabis producers in the world, filed a federal lawsuit in late 2020 against GW Pharmaceuticals, the UK-based cannabis business behind the FDA-approved Epidiolex. At issue is an extraction method that Canopy asserts is newly protected by patent.
Read the full complaint below.
Canopy Growth alleges that GW Pharmaceuticals produces Epidiolex via the protected CO2 extraction method. Since its 2018 approval from the FDA, GW then distributes Epidiolex across the U.S. and elsewhere at $1,235 per 100mL bottle. "GW reported approximately $366 million in net product sales of Epidiolex in the United States in the first nine months of 2020," according to the lawsuit.
Although the patent protection on this extraction method is a new issue for Canopy Growth, an earlier iteration of the patent in question was published in 2000. Its contents were acquired by Canopy Growth Corp. amid an acquisition of Germany's C3 Cannabinoid Compound Company (founded by Bionorica SE), a company with which GW allegedly considered partnering in 2016 for its cannabinoid processing work.
Canopy Growth specifically points to two claims in its patent, asserting that GW Pharmaceuticals performs the described actions in its manufacture of Epidiolex.
For example, in Claim 1 of the patent, Canopy Growth writes:
A process for producing an extract containing Tetrahydrocannabinol (THC) and/or cannabidiol (CBD), and optionally the carboxylic acid thereof, from a cannabis plant material or a primary extract thereof, said processing comprising:
(1) Subjecting the cannabis plant material or primary extract thereof to CO2 in liquefied form under subcritical pressure and temperature conditions to extract cannabinoid components; and
(2) reducing the pressure and/or temperature to separate tetrahydrocannabinol and/or cannabidiol, and optionally the carboxylic acids thereof, from the CO2.
This lawsuit is the first action Canopy has taken to argue its patent. Marijuana Moment first reported on the contents of this lawsuit in December.
The case echoes the UCANN v. Pure Hemp lawsuit that we covered in 2019. UCANN went after Pure Hemp for cannabis tincture formulation that fell under a patent for "liquid cannabinoid formulations wherein at least 95% of the total cannabinoids" is THCa THC, a combination of THCa and CBDa, and a combination of THC and CBD. In other words, the patent covered a broad swath of the cannabis concentrate market segment.
In April 2020, UCANN filed for Chapter 11 bankruptcy, and the federal lawsuit was administratively closed by the court.
Canopy Growth Corp. vs. GW Pharmaceuticals by sandydocs on Scribd
Canopy Growth Canadian LP
CBD GW Pharma
Epidiolex GW Pharma
Cannabis Extraction Facility
Courtesy of Common Citizen
Former Bell's Brewery Marketing Manager Takes Leadership Role at Common Citizen
Allison Hornev brings a deep level of experience to her new role in the cannabis space, where storytelling is pivotal for emerging brands.
Dispensary News News State by State: Michigan
Common Citizen, a vertically integrated business in Michigan's medical and adult-use cannabis markets, brought on Allison Hornev as the company's chief marketing officer. Hornev arrives from Bell's Brewery Inc., another stalwart of the Michigan landscape.
The move is a good example of that bridge between the breweries and cannabis cultivation facilities. Each market tends to connoisseurs and new customers alike, making the story behind a brand incredibly important. Before Bell's, Hornev worked as Kellogg's.
"Through Allison's marketing expertise, she will help our continued efforts to identify and serve the unique needs of every patient and adult-use customer at all Common Citizen retail and wholesale locations as we continue expanding our footprint here in Michigan and beyond," CEO Mike Elias said.
We spoke with Hornev about her plans for Common Citizen and the cannabis business in general.
Eric Sandy: What brought about your interest in the cannabis space and in Common Citizen?
Hornev
Allison Hornev: It's funny: I wasn't interested in the cannabis industry. I was very happy working for Bell's. It's an amazing company with an amazing culture. But then I met one of the founders [of Common Citizen], and we just started having conversations and started talking about the opportunity. And at that point, I got to know the brand more and know the founders and understand what they're wanting to do with cannabis and in this very busy market that we're in. That's really what turned me on to it: that great opportunity that Common Citizen has to not just sell cannabis but make a difference. You see that coming through our commitment to safety and safe products and the idea of cannabis for humanity: How do we debunk the stigma so people feel comfortable using it to help them, or using it however they choose. That, to me, is really what made the difference. It just stood for more in my eyes.
ES: Common Citizen has some interesting terminology that customers can use, whether it's "chapters," "citizen advisers" and, of course, all the in-store categories for different cannabis products. Could you talk a bit about why that is important?
AH: From a business standpoint, it allows you to stand apart in a very crowded market. But, honestly, it's going to get more crowded before it consolidates, right? So, it allows you to stand apart, but it also allows you to talk to the people, to the consumers and to our patients from a different voice. And to me, that voice is a more caring voice. That voice is a more passionate voice and a more approachable voice. And I think that is really powerful.
ES: We featured Common Citizen in a piece about the design of their Flint store. Could you talk a bit about how things like interior design can help shape the story of a company?
AH: I think oftentimes it's overlooked, right? "We're just going to put up a store and sell some cannabis." Again, as a lot of things with Common Citizen, it's more than that. It's creating an environment that is welcoming, that is very concierge-based and it's helping the patient or the consumer through that journey and spending time with them. You look at that Flint store and it's got that area off to the side with the couches, where we can sit down and have a conversation about what it is you're looking for or what it is you need or what your desires and hopes and dreams are. That's where we can really get to know you and provide you something that will be beneficial and provide you an experience that you then enjoy—or one that helps you. Then you do feel more comfortable every time you come back. And I think the interior design just builds and allows for that to happen
ES: And certainly a lot of those same ideas are at play over at Bell's. Is there a helpful sense of marketing crossover that might be a play between craft beer and cannabis?
AH: Yeah, it's fascinating. On the surface right there, you've got the 21-and-plus audience. If you look at craft beer and beer in general and adult beverages—and it is incredibly saturated, there's a lot of players—and you look at how Larry [Bell] has built this business to stand apart and stand for things for the 35 years he's been in business. He has built what Bell's stands for now and its quality and its consistency and its great branding, and it's continuing to provide new and different things. And then when you come to the cannabis industry, again, it's so oversaturated and there's so much out there and it can be, to a consumer, to somebody that's new into it, overwhelming just like beer. So, how do I take what I learned through my years at Bell's—and even before that at Kellogg's—and apply that here to help those consumers in that space and stand for those key things that are so important right now?
For us at Common Citizen, it's safety. And that leads to quality and that leads to approachable brands that aren't intimidating—brands for that common citizen, you know? That's what we're built off of. Just in talking to you in this conversation, it gives me goosebumps. It makes me smile. But this is something we're out to do. We're out to help people and help them feel comfortable with that decision.
ES: I did want to touch on Michigan in particular. What does it mean to have Michigan as a backdrop for Common Citizen?
AH: It provides just tons of opportunities. When you look at Michigan, you see, just in a short time, where we've come with cannabis. From medical and then phasing into rec, the future is so incredibly bright for Michigan in this space. Leaning into our roots and being true to where we've come from, that's important. The founders are all boys that grew up in Detroit. There's such heart there. And it's such a great story for us as a brand.
I think Michigan is going to be a state to look at in this industry, and it's going to be sought after. People are going to learn a lot, and other states are going to learn a lot from what we're able to do here at Michigan.
And I think that's why it's so important that we are leading by example and that we are building a GMP facility, even though it's not necessary to do so in the regulations. We feel that that's the right thing to do to ensure that safety. If we can lead by example here in Michigan and get some friends to come along and do that with us, I think that will help other states learn from us. That will help other brands learn from us. You look at beer 100 years ago, and they were just coming back online from Prohibition and there was a lot of work to do. I don't think we're 100 years back, but there's a lot ahead of us.
ES: With the new year upon us, what are some of your short-term goals at Common Citizen?
AH: Honestly, I'm still getting my feet wet. Short-term, I've got to just be a sponge. It is absolutely my goal to talk to everybody here, from the greenhouse to the executive team, to the investors—talk to our retail locations and our budtenders and talk to our wholesalers and spend time with them understanding the market in general and what the needs are. I believe that there are needs currently unmet, so how can we do that? How can we stand apart? It is absolutely my goal to be the leader in Michigan, and to do that in a couple of different ways. Not just through volume and sales, but through advocacy and through safety and through being that shining star in this very crazy industry right now. That is both long-term and short-term, and I think the team here has already set us up for great success there. Now, it is my job and responsibility to continue to carry us there.
Marketing Your Cannabis Business
Michigan Medical Cannabis Licensing
Michigan Adult-Use Cannabis Regulations
Michigan Cannabis Businesses
Michigan Dispensary News
New York Medical Cannabis Industry Association Announces New Executive Board
NYMCIA has elected new leaders in advance of the 2021 legislative session.
News State by State: New York
New York, January 8, 2021 – PRESS RELEASE – In anticipation of a busy and productive state legislative session in Albany, the New York Medical Cannabis Industry Association (NYMCIA) is announcing new members of its leadership team who will play key roles in the upcoming cannabis legalization debate.
Aquila Powell, Senior Director of Government Affairs for Acreage Holdings; Marcia Maxwell, Eastern Regional Director of Government Affiars for Cresco Labs; Dina Rollman, SVP, Government & Regulatory Affairs at Green Thumb Industries; and Jeremy Unruh, SVP for Public and Regulatory Affairs at Pharmacann are part of NYMCIA's expanded executive board, which now includes the following:
President, Ngiste Abebe, Director of Public Policy at Columbia Care
Chair, Marcia Maxwell, Eastern Regional Director of Government Affairs at Cresco Labs
Vice Chair, Matt Harrell, Vice President of Government Affairs for Curaleaf
Vice President, Aquila Powell, Senior Director of Government Affairs for Acreage Holdings
Vice President, Dina Rollman, Senior Vice President of Government and Regulatory Affairs at Green Thumb Industries
Treasurer, Barrington Rutherford, Senior Vice President of Real Estate and Community Integration for Cresco Labs
Secretary, Jeremy Unruh, Senior Vice President for Public and Regulatory Affairs at Pharmacann
The association was created in 2016 to protect the interests of patients and advocate for easier and more affordable access to medical cannabis across New York, which has one of the most restrictive programs of its kind in the nation.
NYMCIA has also long championed a fair, equitable and accessible adult-use cannabis program that addresses the longstanding and disproportionate harm inflicted on minority and low-income communities by the failed war on drugs.
The association's newly formed executive board stands ready to participate in a robust debate in the coming months aiming to establish a safe and well-regulated adult-use program that creates jobs and generates much-needed revenue for New York as it recovers from the pandemic-induced economic downturn.
"The Association is confident that by the close of this session, New York will join neighboring states by passing a comprehensive adult-use bill that solidifies its role as a national progressive leader," said Abebe. "The medical cannabis industry has already demonstrated across the U.S. that it can help seed equity efforts while quickly ramping up an adult-use program, and we are prepared to do the same in New York – if given the chance."
"It is well past time for New York to harness the untapped potential of the cannabis industry to create good-paying jobs and new revenue in the face of significant financial challenges," added Maxwell. "This is the year we must put our differences aside and create a robust, inclusive adult-use program that prioritizes economic growth, social equity, public safety, and reinvestment into disadvantaged communities that have long suffered from the War of Drugs."
The governor has repeatedly indicated that adult-use legalization will be among his top priorities this year. NYMCIA believes New York should follow the lead of states around the nation and allow both medical and adult-use cannabis to merge under one roof, as well as the sale of full flower to assure a strong and successful program.
To learn more visit https://www.protectnymedmar.com/.
New York State Medical Cannabis
New York State Adult-Use Cannabis Legalization Bill
Cannabis Licensing Authorities Consolidation Part of California Governor's Proposed State Budget
Gov. Gavin Newsom's fiscal year 2021-2022 budget proposal includes a proposal to consolidate the three state licensing authorities into a single Department of Cannabis Control.
Legislation and regulation News State by State: California
SACRAMENTO – PRESS RELEASE – Gov. Gavin Newsom's fiscal year 2021-2022 budget proposal released Jan. 8 includes a proposal to consolidate the three state licensing authorities into a single Department of Cannabis Control. This proposal was first announced in January 2020 but was delayed due to the impacts of the COVID-19 pandemic. If approved by the legislature, the new department will be created on July 1, 2021.
In an effort to improve access to licensing and simplify and centralize regulatory oversight of commercial cannabis activity, the governor's budget proposes to consolidate licensing and associated regulatory functions into a single state department. This proposal seeks to better serve stakeholders including cannabis businesses, local governments and members of the public by acting as a single point of contact as well as leverage existing funding in a more efficient way by reducing redundancies. Further, it seeks to establish uniform operations and procedures that will streamline processes for applicants and licensees and offer better service and coordination.
The three state licensing authorities have begun to prepare and plan for the consolidation and, most importantly, to ensure continuity of operations. They are committed to making this transition in a manner that reduces unnecessary disruption to the marketplace and California businesses. Their team members will remain available to applicants and licensees as they continue their routine business activities.
Highlights of Budget Change Proposal
The budget change proposal establishes the Department of Cannabis Control (DCC) within the Business, Consumer Services and Housing Agency. This proposal creates the infrastructure for the new department by moving existing positions and funding currently supporting the three state cannabis licensing authorities under DCC. The budget change proposal requests $153,834,000 in funding for fiscal year 2021-2022 and 621 positions.
Key objectives of the proposal include:
Retention of existing expertise through the transfer of existing positions from the three state cannabis authorities to the new department.
Encouraging continuity and stability during the transition through continued use of the licensing systems and California Cannabis Track-and-Trace System and through interagency agreements with existing departments for services while the department is further developed.
Continued development of an industry and outreach campaign to educate and encourage licensure and increase consumer awareness.
Under the proposal, the California Department of Food and Agriculture (CDFA) will retain the Cannabis Appellations Program. The OCal Programs, which will establish standards for cannabis comparable to the National Organic Program, will also be retained within CDFA and the California Department of Public Health (CDPH) and will continue to benefit from their existing expertise.
Additional information about the budget can be found on the Department of Finance's California Budget webpage.
California Cannabis Licensing


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text:
Four-Ball: Who should take the blame for U.S. loss?
Why things don't look good for Tiger and other big Open questions
2dESPN.com
Rory or the field? Our experts make their picks for The Open
Sources: Thunder's attempts to move Paul stall
8hAdrian Wojnarowski
6hGerry Hamilton
Bama LB: Tide's best still better than Clemson's
7hAlex Scarborough
Falcons, LB Jones reach $57M deal through '23
8hVaughn McClure
Baker Mayfield isn't afraid of the hype
19hMina Kimes
ACC Atlantic preview: Welcome to Clemson's world
18hBill Connelly
How Dos Anjos' volume could be the difference against Edwards
1dRichard Mann
The legend of Pacquiao continues against a dangerous, younger Thurman
6dNigel Collins
Breaking down Manny Pacquiao vs. Keith Thurman: Who has the edge?
4dNick Parkinson
Djokovic rules, Serena falls short: What we learned at Wimbledon
17hPeter Bodo
Who should take blame for U.S. loss?
The Americans led the Ryder Cup by four points heading into Sunday's 12 singles matches. The margin was insurmountable, right? Only once in history had a side ever come from that far back to win.
Yet that's exactly what the European squad pulled off in their 14½-13½ victory in the 39th staging of the Ryder Cup at Medinah Country Club.
So who were the MVPs of both squads? And should anyone feel the blame for the American defeat?
Our experts tackle those topics and more in our latest edition of Ryder Cup Four-Ball.
1. Who shoulders the most blame for the Americans?
Michael Collins, ESPN.com senior golf analyst: The captain always gets the blame. He made the four captain's picks, and other than Dustin Johnson -- who went undefeated at 3-0-0 -- Brandt Snedeker, Jim Furyk and Steve Stricker went a combined 2-8-1. That's how you get the greatest collapse in Ryder Cup history and why you get the blame.
Farrell Evans, ESPN.com senior golf writer: Steve Stricker, Jim Furyk and Tiger Woods. With a combined record of 1-9-1, those veteran players simply didn't get it done this week.
Bob Harig, ESPN.com senior golf writer: It is hard to pin this on any player, because we're talking about one match going the other way to change the outcome. But Jim Furyk and Steve Stricker will shoulder most of the blame. Furyk lost the last two holes with bogeys after being 1 up. Stricker was tied with two holes to go and lost. Had both players just forged a tie, the U.S. has the Cup.
Gene Wojciechowski, ESPN.com senior national columnist: It's a shared blame. Jim Furyk and Steve Stricker will take the most heat, but this truly was a team semi-collapse.
2. What grade would you give captains Davis Love III and Jose Maria Olazabal?
Michael Collins: Even with the amazing collapse by the U.S. team, I still would give Davis Love III a C+. His only mistakes were in his captain's picks and the way he put his lineup out Sunday for the singles matches. Jose Maria Olazabal earns a B+. His lineup on Sunday and his benching of Kaymer for the day on Saturday was brilliant. If it hadn't have worked, he'd get a D, but it did.
Farrell Evans: Both captains earned an A for their leadership and sportsmanship. These matches came down to the players. That's the way it's supposed to happen.
Bob Harig: An A for both. They don't hit the shots. You can quibble about pairings and order, but in the end, it is the players that matter.
Gene Wojciechowski: I'm a hard grader. An A-plus for Olazabal, an F for Love. This is a zero-sum event.
3. Who are the MVPs for both teams?
Michael Collins: Ian Poulter won this Ryder Cup for Europe. He goes 4-0 and just refused to lose. His energy and fight are something that would happily be accepted by the U.S. team. For the Americans side, even though he lost his singles match, Keegan Bradley is the MVP. He went 3-1-0. His intensity and energy could be compared only to Poulter's. Bradley got more from Phil Mickelson than anyone else ever could have.
Farrell Evans: Ian Poulter (4-0-0) for the Europeans and Keegan Bradley (3-1-0) for the Americans. These players were the emotional leaders of their teams. And they were able to harness all that energy and charisma for some really good golf.
Bob Harig: Ian Poulter for Europe, Keegan Bradley for the United States. Poulter is simply amazing in the Ryder Cup, as he went 4-0 at Medinah and kept his team believing on Saturday when things looked bleak. Bradley went 3-1 as a rookie and brought a fire to the U.S. squad.
Gene Wojciechowski: Well, Ian Poulter is a no-brainer for the Europeans. And Keegan Bradley or maybe Dustin Johnson for Team USA.
4. What surprised you the most about Sunday's drama?
Michael Collins: I was most surprised with was the fact that the only half point earned this entire Ryder Cup was in the very last singles match Sunday and it was over when it happened. Tiger's only points earned was a half after he missed a 3-foot par putt on 18 that actually gave the European Team the win instead of the tie. One-half point for three days of competition? Unheard of in today's golf world.
Farrell Evans: I didn't expect the Americans to lose the first five matches. I thought they would win at least two of the first three. From the first match between Bubba Watson and Luke Donald, things seemed to favor the Europeans on Sunday.
Bob Harig: That it wasn't allowed to play out. The ending was bizarre. The U.S. had a chance to tie, but it was as if the last match between Tiger Woods and Francesco Molinari didn't matter. Why not? A 14-14 tie is different than losing, even if the U.S. wouldn't get the Ryder Cup.
Gene Wojciechowski: I never thought the 11th match would matter. But it did, of course. I'm stunned by the outcome, but never by Team Europe's effort.


text:
from __future__ import unicode_literals

from django.db import migrations
import django_extensions.db.fields

class Migration(migrations.Migration):

    dependencies = [
        ('organizations', '0003_auto_20150420_1425'),
    ]

    operations = [
        migrations.AlterField(
            model_name='organization',
            name='created',
            field=django_extensions.db.fields.CreationDateTimeField(auto_now_add=True, verbose_name='created'),
        ),
        migrations.AlterField(
            model_name='organization',
            name='modified',
            field=django_extensions.db.fields.ModificationDateTimeField(auto_now=True, verbose_name='modified'),
        ),
        migrations.AlterField(
            model_name='organization',
            name='slug',
            field=django_extensions.db.fields.AutoSlugField(blank=True, editable=False, help_text='The name in all lowercase, suitable for URL identification', max_length=200, populate_from='name', unique=True),
        ),
        migrations.AlterField(
            model_name='organizationowner',
            name='created',
            field=django_extensions.db.fields.CreationDateTimeField(auto_now_add=True, verbose_name='created'),
        ),
        migrations.AlterField(
            model_name='organizationowner',
            name='modified',
            field=django_extensions.db.fields.ModificationDateTimeField(auto_now=True, verbose_name='modified'),
        ),
        migrations.AlterField(
            model_name='organizationuser',
            name='created',
            field=django_extensions.db.fields.CreationDateTimeField(auto_now_add=True, verbose_name='created'),
        ),
        migrations.AlterField(
            model_name='organizationuser',
            name='modified',
            field=django_extensions.db.fields.ModificationDateTimeField(auto_now=True, verbose_name='modified'),
        ),
    ]

redpajama_set_name: RedPajamaGithub


Ideas on the back of a receipt - Adding chaos to the world, one thought at a time.
I'm cleaning my desk instead of editing and found this on the back of a receipt. It's a rejected idea for this year's NaNo.
"You're going to help us find the cure for AIDS"
I think I rejected this idea because it would require too much research in such a short period.
Also, the snow has almost melted. Boo. And thanks for your birthday wishes!


text:
« Jack Nicholson – one of the greatest actors
Jiang Qing – girl from the village »
Mel Galley – British guitarist
Mel Galley was a British guitarist and songwriter. He was a member of the groups Whitesnake, Trapeze, Finders Keepers and Phenomena.
Melville Galley was born on March 8, 1948 in Cannock, Staffordshire.
Galley's name first came to the fore in the 1960s when he played with Glenn Hughes (later of Deep Purple and Black Sabbath) and drummer Dave Holland (later of Judas Priest) in Finders Keepers. They formed the nucleus of Trapeze and recorded albums Medusa (1969) and You Are the Music … We're Just the Band (1970). Galley was the only constant member of Trapeze.
Galley provided vocals for Whitesnake's 1982 album Saints an' Sinners and thus became a full-time member of the band. He co-wrote all the songs on their next record, Slide It In (1984), with front man David Coverdale. Unfortunately, he injured his arm and couldn't play the guitar. So, he had to leave the band. Later he overcame his disability with the application of a wire arm attachment that enabled him to play guitar again. This earned him the nickname The Claw.
Together with his brother Tom Galley and Wilfried Rimensberger, he was a founding member of Phenomena and his songwriting and guitar playing skills had a major impact on its success. Their three albums sold steadily and even scored a number-one single in South America with Did It All For Love (1987). Their fourth album was released nearly twenty years later in 2006.
On February 7, 2008 Galley said that he was suffering from cancer and had only a short time to live. He spent his last months seeking out old friends and saying his goodbyes. Mel Galley died on July 1, 2008 in England at the age of sixty.
Famous Mel Galley
Known Mel Galley
British guitarist and songwriter
Prominent Mel Galley
Renowned Mel Galley
Respected Mel Galley
Talented Mel Galley
Trap, 1971
Dan Peek – pioneer of Christian rock music
Ozzy Osbourne – Godfather of heavy metal
Bill Haley – great uncle of Rock and roll
Carl Wilson – American musician
Grant McLennan – Australian musician
Ike Turner – musician and producer


Paul R. Williams Apartments will provide 41 units of affordable housing for families. The development includes the adaptive reuse of a property on the National Register of Historic Places which was designed by renowned architect, Paul R. Williams, as well as a newly constructed component designed by M2A Architects. The general contractor, Dreyfuss Construction, will complete the building in February 2019 and residents will start moving-in as soon as possible.


Ready made items purchased from the store can be returned for a full refund (you pay shipping).
We graciously accept custom orders. Custom orders take a minium of 3- 6 weeks to fill. We will make every attempt to fill orders in a timely fashion. A deptosit is required on all custom orders. Cost of materials or Half of sale price will be requred prior to item being made. We are easy to work with and will ask many questions regarding your custom order. Please answer questions fully and in a timely manner. No refunds on custom orders. Please contact us immediately if you are unhappy with your order. Every effort will be made to rectify issues.
We try and keep our shipping costs as low as possible and will ship through USPS and UPS.


text:
Q: Detect Swipe Direction in cocos2d-x Detect Swipe in Cocos2d-x.
How can we find the direction of swipe using CCSwipeGestureRegognizer.
Find whether we swipe left or right direction on the screen.

A: Taken from its documentation ( link ) :
In your callback method you should receive a CCObject* parameter, which should be cast to CCSwipe* which has a public memeber CCSwipeGestureRecognizerDirection direction; which I believe is what you need.
Let me know if anything is not clear.

A: If you have used CCSwipeGestureRecognizer then you have added some target method
for example if your target method is Swipe_Action then you will get direction using following code
definition of your method should be
void yourclassname::Swipe_Action(CCObject *object)
{

          //get swipe type
if(((CCSwipe*)object)->direction==kSwipeGestureRecognizerDirectionRight)
{
//your code here
}
}

you can put condition for different swipe type for different result.. hope this helps
Let me know if this dont work.


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Next Tuesday, December 12, you will receive your PSAT score report [follow the instructions in your email you get from College Board or log in here: http://psat.org/scorereport]. I know the score report may be difficult to understand, so I have compiled some resources to help you interpret the results (and access them).
I will meet with all sophomores and juniors in the auditorium on Tuesday evening at 7:00pm to review your test scores, help you interpret them and give you access to Family Connection, the web site Northwood School uses to help students with the college search and application process.
If you can not access your scores online, that's okay. I will have a copy of your score report at the meeting.
Currently, Northwood's college counselors are focusing their attention on the senior class, helping them complete and submit their college applications to meet their January deadlines. When you return from break, college counselors will begin a comprehensive college counseling program for juniors as well as several events for sophomores.
I will see you on Tuesday at 7pm in the auditorium.
Understanding Scores: Find out how your PSAT/NMSQT scores are calculated and what those scores mean.
Sample Score Report: this explains the sections of the score report.
Juniors Who Missed the PSAT/NMSQT in October: If you missed the PSAT/NMSQT in October of your junior year, you can still take advantage of a rich set of SAT study tools, and sign up to hear from colleges.
Very nice post. I just stumbled upon your log and wanted to say that I've really enjoyed surfig around your blog posts.


AS: In a nutshell, what is Bauhaus?
LB: A modernist art school founded in 1919 by Walter Gropius in Weimar, Germany, after World War I. It moved to Dessau in 1925, to Berlin in 1932, and closed in 1933.
Gropius's idea was to integrate art into all aspects of life. There was no hierarchy in the arts, he proclaimed, so there was no difference between fine art, craft, applied art, design, and commercial art. They were all considered equal.
There were really important principles that included functionality, practicality, and lack of ornamentation. The trends in the art world at the time were really gilded and baroque. The Bauhaus idea was to remove all that ornamentation and make art more functional and less frivolous.
One of the things that people associate most with the Bauhaus is architecture, but there wasn't actually an architecture school at it until 1927.
The Bauhaus was known for a sense of play, too, wasn't it?
Is there a more recent art movement with which people might be familiar that the Bauhaus compares to?
No. And that brings a larger question: Why did the Bauhaus have this impact? There were tons of art schools that had been very impactful, but one of the reasons the Bauhaus was so impactful was because it had such a short tenure. The Nazis shut it down because it was considered too Communist, too radical. And because so many of the artists were persecuted, most of the masters and teachers emigrated to different parts of the world. Because of that emigration, it was dispersed.
What about the Bauhaus appeals to you the most?
This idea of the integration of art into all aspects of life, that it shouldn't be siloed. And I love the accessibility. I was in St. Petersburg recently, and everything is so inaccessible because it's so overly decorated, so ornate. The Bauhaus is much more about getting your message across, with easily readable fonts or buildings that are focused on the internal space rather than the exterior design.
I also love the Bauhaus idea of not just replicating the past. This really informs what [Bauhaus member] Herbert Bayer did in Aspen. He was very insistent about not making Aspen a Swiss village. He didn't want it to be a replication of something else.
Lissa Ballinger and Ann Mullins in front of Bayer's Kaleidoscreen at the Aspen Institute.
Tell us about the art tours that you lead at the Aspen Institute?
I do them monthly in winter and every other week in summer. It's really about trying to invite people to the Institute. A lot of people who've lived here for years have never set foot on campus. One of the things is just to make them realize that although this is private property, it's open to the public and it's one of the most beautiful places in Aspen.My tour does a brief intro to Bayer and to the Bauhaus, then we visit the Resnick Gallery and walk around campus. I show how the Institute and Bayer are linked into the history of Aspen.
One of the things that I love talking about is the way that Bayer designed the campus. He wanted the administrative offices on one side so you would do your work and then you'd have to walk through Anderson Park and be refreshed as you go to the side of campus where you sleep, eat, and recreate. I also love the idea of having nature be part of everything. It's so much of what Bayer and [modern Aspen founder] Walter Paepcke believed in, and this is also consistent with the Bauhaus. Everything is in reference and in deference to the natural environment.
Why is it important that Aspen celebrate the Bauhaus 100?
What I love about what we've created—our tagline is "our legacy, our future"—is the recognition that it's not just the history that we're celebrating but how much this school still influences contemporary architects, landscape designers, artists, and thinkers, and not just in Aspen. It comes out of this vision by Walter Paepcke and his selection of Herbert Bayer to move here in 1946. Aspen didn't just evolve as a ski town; it primarily evolved as a cultural center. This is such an interesting part of our history that undeniably differentiates us from any other ski area or mountain town in the world.
The Bauhaus was an egalitarian movement, right?
It attempted to be. More than egalitarian it was accessible. "Egalitarian" sort of scares me as a word, because then it really does become political. That's how the Bauhaus got pigeonholed as Communist. The second director after Gropius, Hannes Meyer, was then removed because he was considered too Communist. That's when [Ludwig] Mies van der Rohe was put in, in 1930, as the third director. He realized that if he wanted to keep the school running, he had to make it completely apolitical.
I think Bauhaus members would have had some very pointed thoughts on the economic disparity in Aspen today.
Definitely. The other thing that's interesting is that the Bauhaus was half women. In 1919, if you think about it, this was pretty phenomenal. It went along with the constitution of the Weimar Republic, which included equality for women. However, Gropius was very clear about keeping the women in certain roles.
I've been told that people who are familiar with the Bauhaus may have a limited view of it.
When most people think about the Bauhaus, they think of a Bauhaus style, which the school would have revolted against. They wouldn't have wanted to be considered a style that everyone copied. They wanted to be constantly creating new things.
After the centennial, how can visitors still engage with the Bauhaus legacy in Aspen?
Our website is going to be the primary legacy. All of the events that happened will be documented and all of the research will be kept on there.
Bayer and Fritz Benedict designed the guest rooms at the Aspen Meadows.


Yesterday I attended Innovation Powered by Technology sponsored by the Rhode Island department of Education. It was a productive day of learning, making connections and inspiration. Check out the action on Twitter at #RIDEpowered2013.
One exceptional aspect of my day was the chance to meet and interact with a group of entrepreneurs involved in the creation of numerous start up companies based on educational purposes. In the next few days I will be featuring some of the many new start ups that I met here on my Blog.
One exceptional start up, 30hands is a superb free storytelling App to be used on tablets and mobile devices. The App encompasses drawing, images and voice to create masterful shared stories. I love the drawing aspect of this App, the text applications, and the ability to upload my own images. I can totally visualize using 30hands in any IPad art classroom! It's simple to use and quite enjoyable.
Beyond the storytelling aspect of the 30hands App, which is so much fun to use, is 30handslearning's Best Creation. It's an incredible Teacher Education portal and Community at 30handslearning that is FREE for teachers. Wow! It's amazing to use.


text:
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Posted 10 Jan 2020, 11:00
Balfour Beatty finishes on top for contractor table in December
The latest Top 50 Contractor League Table for December has just been published by Barbour ABI, as Balfour Beatty climbs to the top with £297m worth of contracts
The latest edition of the Top 50 Contractor League Table highlights the number and value of construction contracts awarded during December 2019. It shows that the combined value of contracts awarded to the Top 50 was £2.0bn with a total of 104 projects.
Balfour Beatty took the top spot of the Contractor League Table in December with three contract awards totalling £297m. The award of the Midland Metropolitan Hospital in Smethwick, a project that was originally contracted to Carillion, contributed £267m to their total.
Kier Construction and John Graham Construction were in second and third place for December 2019, with a total contract award value of £149m and £117m respectively.
This month the top three contractors have been awarded a combined 17 projects at a total value of £563m. But, in November the top three were awarded a total of 15 projects valued at £781bn.
Balfour pips Galliford to the post
Balfour Beatty just pipped Galliford Try to the post for the top contractor in 2019 following a lucrative December.
Balfour Beatty finished the year on a total of 47 projects with a combined value of £1.75bn, while Galliford Try completed the year on 82 project awards at a total value of £1.7bn.
Tom Hall, chief economist at Barbour ABI & AMA Research, said: "Interestingly this month, the top contract award for December was a project that had initially been awarded to Carillion back in December 2015.
"Activity numbers in both value and quantity were low in December, perhaps this is to be expected due to companies awaiting the outcome of the General Election, uncertainty of the Brexit outcome, and seasonal effect."
Q4 of 2019
Quarterly figures indicate that construction activity in the final quarter of 2019 was down compared to the previous quarter.
October-December 2019 saw a total contract award value of £9.2bn to the top 50. This is a decrease of 9.8% compared with July-September 2019. There was also a decrease of 8.9% on the number of projects awarded in Q4 compared to Q3.
Read the full article on: https://www.pbctoday.co.uk/news/planning-construction-news/contractor-league-table-december/69866/
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Eighteen schools in Northern Ireland are to proceed with building projects after an investment of £45 million was ann...
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Ireland is to strengthen the oversight of public transport projects as the country embarks on several multi-billion-e...
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Speed restrictions on the new three-lane carriageway on the M7 motorway in Co Kildare will be lifted in mid-February,...
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Choosing a Kitchen or Bath Style That's Right For you!
understand your vision so the best solutions for your project are obtained. So please take the time to make an appointment with a Lavish staff member today!


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