It seems... God is being mistaken for someone having the form of a human being and controlling the system built by it. God Almighty is different from man gods like Mahavira, Gautama Buddha, Jesus Christ and Prophet Mohammed. How?
When God Almighty created the Cosmos with a big bang... all souls atmans in the Cosmos scattered all over. These souls atmans in order to purify themselves (of the impurities gained on cosmic travel) needed to manifest a body on a planet that was conducive for germination.
Mother Earth in the solar system is one such planet. But to manifest a body on Mother Earth matching parents are necessary. As per the doctrine of karma if matching parents are not available then this soul atman remains in hibernation either in heaven or hell!
In heaven... when it has a positive balance of karma and hell when the balance of karma is negative! All is the result of a system that cannot err. The whole process is automatic... rather computerized! God Almighty never interferes in his creation. It has always been a Dhrista (onlooker).
God Almighty... a source of pure energy is formless. Ever since the beginning of time God Almighty has always remained aloof from his creation. Whether our soul gets heaven or hell is dependent upon the karma performed by one.
our soul atman the spirit within soul atman is sandwiched between impurities. To free itself of impurities it manifests a body again and again. God Almighty does not punish anyone... we get punished for our follies... for the mistakes committed by us as a human being. our soul atman the spirit within soul atman within our heart is as pure as God Almighty.
In the domain of God if one manifests the body of a human being at number 40 and the residual balance of karma reduces to number 39 (owing to sins committed in present life)... it is likely that one manifests the body of a lower form, an animal in next life! Here also God is not at play. All is the result of the karma performed by an individual.
Every human being reaches the kingdom of God (abode of God) by gaining enlightenment and reaching the stage of salvation (aka moksha in Hinduism). This is the only connection one has with God Almighty. Ever since our soul atman started on its cosmic journey... it has to manifest a maximum of 8.4 million life cycles (an earthly abode of 96.4 million years)... a long journey indeed!
Mahavira did that and so did Gautama Buddha. Followed him Jesus Christ and Prophet Mohammed! All were enlightened souls... man gods... human gods who reached the abode of God (kingdom of God) in their lifetime.
Vijay Kumar... The Man who Realized God in 1993 on Belief in Hell. For more details on hell visit - belief in hell. Send your query - click here Ref.


Samsung XGEO GC80 | X-Ray Visions Inc.
Posted September 15, 2014 by Xray Visions & filed under .
XGEO GC80, incorporating Samsung's own know-how and technology, reduces examination time for diagnoses and upgrades your hospital.
The ultrasensitive FPD (Flat Panel Detector) with Samsung Electronics' outstanding image processing engine improves patient safety and reliability of diagnoses by acquiring high-resolution images with very small amounts of radiation. The compact, light-weighted, and portable detector will provide a better medical environment by improving user convenience and the efficiency of work.
Smart Stitching is a function that automatically puts and connects several images together to show an intact body part image that is bigger than the total area of the FPD. It quickly provides the user with one seamless image without requiring any additional work to adjust stitching lines or overlapping regions.
Thanks to Samsung's humanoid robot technologies, the user can easily adjust the THU (Tube Head Unit) using only one hand. This leads to better convenience and workflow.
Auto positioning: Auto Positioning adjusts the THU and the table or wall stand to frequently used positions by the touch of a button, allowing the user to focus on scanning images and providing care to the patient.
Auto tracking: The detector is synchronized with the movement of the THU, and the THU is synchronized with the movement of the detector. This provides convenient working environment since it prevents additional adjustments in the shooting process.
Auto sync: The THU is synchronized with the movement of the detector to provide more convenient scanning.
Auto park: When the scanner is not in use, it is automatically parked in a safe position, preventing possible damages to the equipment or patient injuries from accidental impact.
The 6-way Table's location can be adjusted in six directions, along the x, y and z axes, to accommodate the various physical attributes of patients and situations. The table is designed to move with great flexibility in any of the six directions to help patients who are immobile or who have severe injuries to position themselves easily for a scan.
The integrated UI (User Interface) used in the THU (Tube Head Unit) and simple and intuitive GUI (Graphical User Interface) makes it easier to use and understand the equipment, providing high levels of ease and convenience. Various elements of AUI (Audio User Interface), corresponding with the THU's movement, provide an intuitive user experience. In addition the XGEO GC80 is designed in a refined and elegant manner.
Remote Controller: Most functions of the equipment can be controlled by a remote control, which allows the user to work with the scanner more conveniently without going back and forth between the scanning room and the control room.
Wireless Foot Switch: The wireless foot switch prevents patients or operators from accidentally tripping over the foot switch cable and allows the operator to adjust the table position from anywhere.
The AEC (Automatic Exposure Control) function controls the X-ray dosage to prevent the patient from being exposed to unnecessary radiation. The DAP sensor of the collimator shows the X-ray dosage for the patient and the operator can manage the dosage effectively by utilizing the DAP information sent to the PACS.


REUPSpot.com's DJ Creap talks with Houston Hip Hop artist Rocko Stedy about his music, community work, and more. In short, he's a hard working artist, that's all about the music, culture, and community. So make sure you check out his work as it drops.


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Tag Archives: Irish Records
Ulster Historical Foundation Lecture Tour, 2015: Yakima, Washington
http://www.ancestryireland.com/
By Deborah Dale, student
Whether or not three brothers on my paternal side really did make the journey from Ulster to Maryland during the seventeenth century is beside the point. The point is that I recently traveled to Yakima, Washington to attend several fantastic lectures hosted by the Yakima Valley Genealogical Society and presented by Fintan Mullan and Gillian Hunt of the Ulster Historical Foundation, who were winding down their 2015 genealogy lecture tour.
I arrived just in time for the introductions of the speakers and the first lecture. After giving my name at the registration area, I picked up my conference packet, which included pages and pages in a spiral-bound book created by PRONI (the Public Record Office of Northern Ireland), which began with a section on How to Trace Your Family Tree and continued with sections on the 1901 and 1911 Irish censuses, census substitutes, wills and probate, church records, valuation records, national education records, and much more.
The room was full with only a few seats still open. I sat down at a table at the back of the room as Fintan Mullan started speaking, and as I noticed various flyers of family history resources lying on the table, which apparently complemented my conference packet and included a nice heritage map of the Ulster Plantation, large enough to hang on a wall. Also included was a flyer from the Irish Manuscripts Commission, a public body established in 1928 that promotes access to sources of Irish history and culture. At its website, one can find out of print titles and even digitized editions.
I made notes of things I hadn't known, such as the average size of a townland (about 325 acres) in Ireland and the size of the largest townland (over 7,000 acres) and the smallest (about 1 acre). I also didn't know that the reason some townlands like Lower Aghaboy in County Tyrone is actually north of or above Upper Aghaboy is because their distances were measured from Dublin, so that lower Aghaboy appeared farther away.
During a lecture by Gillian Hunt, I made notes on interesting, humorous tidbits found in Irish censuses such as the occupation of a 6-year-old as "He torments the house," or the occupation of an 8-month old as "sinner," or the reporting of a wife with a "loose tongue," or the more serious occupation of a woman as "militant suffragette."
I also took notes about the Registry of Deeds (Dublin) Indexing project that you can read about here: http://freepages.genealogy.rootsweb.ancestry.com/~registryofdeeds/, but before I knew it, the day was over all too soon and I was leaving Yakima, headed east on I-82, on a somewhat blustery, sunny afternoon.
Now as I contemplate the information I gleaned, I am thinking about other conferences I will be able to attend and their importance to my genealogical education. I end by wishing you the ability to attend as many local and national conferences that you can.
Debbie Dale
From the Virtual Meeting: Irish Resources
Cork City Gaol by artur84/Courtesy Freedigitalphotos.net
Did you attend the Irish Virtual Meeting with Brenda this month? If not, you missed some great genealogy resources.
Here's just a few she discussed:
FamilySearch – Search Historical Records by Location
GENUKI
National Library of Ireland
Irish Genealogy Toolkit
Irish Genealogy Toolkit – Family Relationship Chart
Don't miss another meeting! Mark your calendar for June 23rd at 4:00pm EDT for the next Irish Virtual Meeting.
Irish Landed Estate Records: Piepowder, Anyone?
My binder, full of material from the course, Irish: Land Administration Records felt somewhat heavy after eight weeks of studying. I carried it to my desk, to the open spot between several stacks of files, along with some just brewed coffee.
Parkes Castle Ireland. Courtesy of PDPhotos.org
At the window I paused to look at the gray sky and wondered if it resembled the color over County Waterford — on what was perhaps a cool January morning in 1851 – when my 3rd great grandfather Michael Higgins, a Roman Catholic tenant farmer, could have walked the length of the land he occupied.
I opened my binder to the module about Irish landed estate records (Module 4), which had been for me the most interesting, not only because these records include lists of tenants, but also because I had been suddenly, but enjoyably, catapulted into the history of a word I knew nothing about: piepowder.
I will explain in a few moments. First, a couple of things about landed estate records: 1) they can be used as a substitute for Ireland's nineteenth century census returns, which were mostly destroyed in the Four Courts fire of 1922, and 2) even though Module 4 gives a description of the most common estate documents, it does not fail to mention the difficulties a researcher may encounter during the search process.
The module also mentions the right of Irish landowners to hold manorial courts. In Ireland, these consisted of the court-baron, the court-leet and the court of piepowder.
Piepowder? At first reading, my eyes scrolled to the footnotes for an explanation. Who knew that a French term meaning "dusty feet" was associated with the word piepowder and the trying of cases involving travelers from out of town (mostly merchants)?
A series of questions emerged: did traveling merchants in Ireland often trespass estate boundaries? Were Irish courts of Piepowder named after English courts of piepowder? If so, how did the English courts, which had been associated with markets and fairs, become associated with Irish estates? Did Irish estates hold markets and fairs? Did my ancestor Michael Higgins attend them? These and other questions were sparked simply by reading the material from the Irish: Land Administration Records course.
Now, the morning is long over and I feel some sense of accomplishment: the assignments for this course have all been submitted and I will take the exam shortly, my first at the intermediate level in the Irish records program.
Irish Genealogy Resources
Irish Flag by Stuart Miles/Courtesy of freedigitalphotos.net
Looking for some Irish genealogy resources to break down your brick walls? Look no further than our Irish Records Virtual Meeting hosted by professional genealogist Brenda Wheeler. Each meeting Brenda shares tips and resources to help you search for your Irish ancestors.
This month, Brenda shared the following websites:
Boston College – Information Wanted (Boston Pilot newspaper advertisements)
The Irish Times – Irish Ancestors (Place and surname aid)
Library Ireland –A Topographical Dictionary of Ireland (1837)
logainm (Irish maps)
Public Record Office of Northern Ireland – Family History
Registry of Deeds Indexing Project Ireland
The National Archives of Ireland – Genealogy
GENUKI – Ireland
Origins. net – Irish Origins
Join Brenda on April 13, 2015 at 8:00pm (EST) for the next Irish Records Virtual Meeting.
Searching for Irish Ancestors on the Internet Webinar
Join us on Tuesday, February 18th at 7:00 PM EST, when Gail Wilson-Waring will be presenting Searching for Irish Ancestors on the Internet.
Gail Wilson-Waring. Used with permission.
The National Institute for Genealogical Studies course, Lecturing Skills Including Preparation, teaches the skills needed to present genealogical-related lectures. It is a "hands on" course where the student presents a lecture via our Virtual Learning Room. These are 30-minute lectures, followed by a 10-minute Question & Answer period and a short poll to provide the student with feedback on their skills.
Presenter: Gail Wilson-Waring is a genealogical consultant for the NZ TV Series Family Secret. She is a graduate of the National Institute for Genealogical Studies.
Presentation Description: A Google search of "Irish Family History" returned over 146,000,000 results. This presentation investigates some of the records available on line including Church Records, Civil Registration, Census, Census Substitutes, Wills and Emigration.
Gena Philibert-Ortega

redpajama_set_name: RedPajamaCommonCrawl


HURT Henchmen Lock, Nathan Stiers, climbs high with the assistance of Tomasz Perski & Ricardo Buritica as they work toward a 66-0 victory over Kingwood at the Regis School on Saturday.
Photos are courtesy of DM Jakob Photography.
The conditions were cold and rainy as the HURT and Henchman squads played a combined 280 minutes of rugby. HURT qualified into the Cup Division but fell to the Allen Griffins in the semi-finals. As for the Henchman, in their first ever appearance on the rugby field, captured 1st place of the Plate Division by defeating the Katy Lions.
The Henchman will look to continue their winning ways in their first cup match vs. the Lone Star Rugby Club on Saturday, November 14th. HURT's first cup-match will December 5th vs. the Katy Lions. See the Match Schedule for more details.
Henchmen captain Jay Westcot (left) and HURT President Jonathan Schnacke (right) accepting the 1st place Plate Division plaque.


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SV Yachts Presents "ALPHA" in a new life style video. The video was shot in several locations around the area of Stiltsville in Miami.
The new 38' luxury V-bottom from SV Yachts, with company owners on board. Mentioned in Speedboat Magazine May 2018.
LIVE TV Interviews of SV Yachts Co-Founder Mauricio Antonio Velez.
The team at SV YACHTS successfully presented their model "ALPHA" at this year's Miami Yacht Show on Collins Avenue.
The Miami Boat Show Poker Run gave us and "ALPHA" a great format to shine and show off those big compressor engines at full speed ahead!
In order to be outstanding as a company with the product we offer, it cannot stop at simple custom equipment. We have to go a step beyond and make these parts unique and bespoke.
In close cooperation with Doug Wright and High Tech Composites, we have created a two-step running surface specifically for "ALPHA". All of the knowledge and experience that went into this project came directly from Doug's many years of experience as one of the top names in offshore racing.
As a premier at the Fort Lauderdale International Boat Show, SV Yachts presented their flag ship: "ALPHA".
During FLIBS 2018 we had the pleasure of presenting "ALPHA" to AL KASS Sports Channels. One of the biggest Sports Channels in the Middle East and Qatar.


Forex trading is a tricky game dominated by seasoned professionals with proper knowledge of the industry. Over the years, some Forex trading strategies have been devised, tested and used by experienced professionals around the world. Although some approaches require technical use of trading charts, understanding the market, every Forex trading strategy is critical. However, creating and executing a proper trading strategy does not have to be complicated. For starters, you can profit from Forex Trading Bonus besides making your initial investment. This article discusses some of the best Forex trading strategies you can use today.
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This trading strategy will help you minimize the risk of losses. All you need to do is to execute a short and long position by utilizing a single pair.
The Forex market experiences many changes each week and you should benefit from such changes to make huge profits. Moreover, you need to focus on making a huge amount of money and keep it for a considerable amount of time. It means that you need to enter bigger positions. As always, avoid entering several small positions that force you to move in and out of the trading market on a daily basis.
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What is a good way to restore financial health?


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Q: How do I switch/select types during compile-time? Is there a standard way for me to select a type at compile-time on an unsigned index in c++11?
For example, something like:
using type_0 = static_switch<0, T, U>;  // yields type T
using type_1 = static_switch<1, T, U>;  // yields type U

If there is a variadic-template version, it would be very useful.

A: How about
 template<size_t N, typename T, typename U>
 struct static_switch {};

 template<typename T, typename U>
 struct static_switch<0, T, U>{typedef T type;};

 template<typename T, typename U>
 struct static_switch<1, T, U>{typedef U type;};

You would use it as follows:
using type_0 = static_switch<0, T, U>::type;  // yields type T
using type_1 = static_switch<1, T, U>::type;  // yields type U

This is more or less implemented for you in std::conditional.

A: This should work:
template<std::size_t N, typename... T>
using static_switch = typename std::tuple_element<N, std::tuple<T...> >::type;

Another method:
template<std::size_t N, typename T, typename... Ts>
struct static_switch {
    using type = typename static_switch<N - 1, Ts...>::type;
};
template<typename T, typename... Ts>
struct static_switch<0, T, Ts...> {
    using type = T;
};

A: With C++17 you can also go about this another way. Instead of calculating the type explicitly you can use constexpr if and do different things (including returning different types) directly:
template<size_t N>
decltype(auto) foo() {
    if constexpr(N % 2 == 0) {
        return std::string("Hello I'm even");
    } else {
        return std::pair(
             std::vector<char>{ 'O', 'd', 'd', ' ', 'v', 'a', 'l', 'u', 'e' },
             [](){ return N; });
  }
}

foo<0>()           // "Hello I'm even"
foo<21>().second() // 21

You can also use this to get just the type:
using type_0 = decltype(foo<0>());
using type_1 = decltype(foo<1>());

A: You could probably use a boost::mpl::vector to store your types and use boost::mpl::at<v, n>::type to get a type with from the index.
template<std::size_t N, typename... T>
using static_switch = typename boost::mpl::at<boost::mpl::vector<T...>, N>::type;

redpajama_set_name: RedPajamaStackExchange


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text:
Home » Publications » Recent Publications
Edmund Geste and his books
Westminster Incunabula
Thomas Bewick
Vervliet, Printing Types
Duff, Fifteenth Century
Richard Gameson, The Earliest Books of Canterbury Cathedral
Court Books of the Stationers' Company
Directory of Parochial Libraries
Eloquent Witnesses
English manuscript borders
Index to the Court Books of the Stationers' Company, 1679-1717
Compiled by Alison Shell and Alison Emblow, with an introduction by Alison Shell.
The Bibliographical Society, The British Library, Oak Knoll Press, 2007.
Non-members price: £75.00. ISBN 978 019721798 6. CD-Rom £2.00 ($4).
The Index to the Court Books can now be consulted online or downloaded on the Society's elctronic resources site at https://zenodo.org/record/3252954 (June 2019).
Members of the Society who ordered this publication in advance received it free of charge. Members may purchase a further copy for £50.00 (US$ 100) hard copy.
Court Books E, F and G cover some of the most turbulent years in the history of the Stationers' Company, as explained in Alison Shell's historical and analytical introduction to this volume. The Index includes the names of all printers, booksellers, publishers, bookbinders, and others who figure in the court minutes. It also lists the titles of the books mentioned in the minutes as well as those domestic and political events that were discussed in court, thereby giving an insight into the ways the Company, the City and the London booktrade worked. The present volume is the latest in a succession of indexes to the Court Books starting in 1576; it will be an indispensable tool, both for those using the Chadwyck-Healey microfilm of the Stationers' Company Archive and for those working on the original volumes at Stationers' Hall.


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text:
News: Events and Announcements
IMM @ APSA
APSA Short Courses
New Books Podcast
Job Page
2009 NSF Workshop
IMM Executive Committee
Frederic C. Schaffer, Chair
Frederic C. Schaffer is a Professor of Political Science, University of Massachusetts Amherst. His area of specialization is comparative politics. Substantively, he studies the meaning of democracy, the practice of voting, and the administration of elections. What sets much of his work apart from other empirical research on democracy is a methodological focus on language. By investigating carefully the differing ways in which ordinary people around the world use terms such as "democracy," "politics" or "vote buying" – or their rough equivalents in other languages – he aims to arrive at a fuller appreciation of how they understand and make use of electoral institutions. This richer appreciation, he believes, is both intrinsically interesting and crucial to tackling real-world political problems. A good deal of his research, to be more specific, has taken up three basic but understudied questions: (1) Does democracy, when translated, mean what we think it does? (2) Why do attempts to make elections less fraudulent and error-prone so often backfire? (3) What exactly is vote buying, why is it bad, and can it be reformed away?
Professor Schaffer's publications include four books, Democracy in Translation: Understanding Politics in an Unfamiliar Culture (Cornell University Press, 1998), Elections for Sale: The Causes and Consequences of Vote Buying (Lynne Rienner Publishers, 2007), The Hidden Costs of Clean Election Reform (Cornell University Press, 2008), and his most recent, Elucidating Social Science Concepts: An Interpretivist Guide (Routledge, 2016).
Nick Cheesman
Nick Cheesman is a Fellow in the Department of Political & Social Change, Australian National University, where he convenes the Interpretation, Method and Critique network with April Biccum. His research sits at the nexus between law, violence and politics, in principle and in practice. Currently, he is studying the work that torture does in mainland Southeast Asia. He is the author of Opposing the Rule of Law: How Myanmar's Courts Make Law and Order (Cambridge University Press, 2015), and joint editor of the Southeast Asia Publications Series for NUS Press. From 2019 he is hosting a new podcast series, New Books in Interpretive Social Science, on the New Books Network.
Samantha Majic
Samantha Majic is an associate professor of political science at John Jay College, City University of New York. Her research lies in the fields of gender and American politics, with specific interests in sex work, civic engagement, and celebrities and politics. She is the author of Sex Work Politics: From Protest to Service Provision (University of Pennsylvania Press, 2014), co-editor (with Carisa Showden) of Negotiating Sex Work: Unintended Consequences of Policy and Activism (University of Minnesota Press, 2014), and author (with Carisa Showden) of Youth Who Trade Sex in the US: Agency, Intersectionality, and Vulnerability (Temple University Press, 2018). Her research has also appeared in numerous political science and gender studies journals. A Fellow of the American Association of University Women, Dr. Majic is also a member of the editorial boards for Perspectives on Politics, PS: Political Science and Politics, and Critical Policy Studies.
Ido Oren
Ido Oren is an Associate Professor and past Chair of the Department of Political Science, University of Florida. Professor Oren earned a BA in Middle Eastern and African Studies from Tel-Aviv University, an MA in Political Science from New York University, and a PhD in International Relations from the University of Chicago. His intellectual and research interests range from IR theory, international security affairs, and U.S. foreign policy, through the history and politics of American political science, to interpretive methods of political research. Oren's book, Our Enemies and US: America's Rivalries and the Making of Political Science, was published by Cornell University Press and translated into Chinese and Japanese. His articles have appeared in journals such as Perspectives on Politics, International Security, the European Journal of International Relations, and Comparative Studies in Society and History.
Professor Oren is a former Vice President of the International Studies Association and former President of the Association's Southern region. In Spring 2010 he was a Fulbright lecturer at China Foreign Affairs University in Beijing. Oren has given invited lectures/presentations in Germany, Denmark, Turkey, Israel, Japan, and at various Chinese universities.
Timothy Pachirat
Timothy Pachirat works as an associate professor in the Department of Political Science at the University ofMassachusetts Amherst. He is author of Every Twelve Seconds: Industrialized Slaughter and the Politics of Sight; Among Wolves: Ethnography and the Immersive Study of Power; "The Political in Political Ethnography"; and "The Tyranny of Light"; among others.
Peregrine Schwartz-Shea
Peregrine Schwartz-Shea is a Professor in the Political Science Department, University of Utah. She published her early research using experimental methods and rational choice theory. Shifting theoretical interests led to research focusing on methodological practices in political science and interpretive methods. With Dvora Yanow, she is co-editor of the Routledge Series on Interpretive Methods. They co-authored the first volume in the series, Interpretive Research Design: Concepts and Processes. The second edition of their co-edited Interpretation and Method: Empirical Research Methods and the Interpretive Turn (ME Sharpe) appeared in 2014. Her current research examines US human subjects protection policy, building on the 2014 Betty Glad Symposium on Field Research and US Institutional Review Board Policy. Professor Schwartz-Shea is past president of the Western Political Science Association (2012-13) and recipient of a University of Utah Graduate Student Mentor Award (2012) and a National Science Foundation grant to co-organize the Workshop on Interpretive Methodologies in Political Science (2009).
Joe Soss
Joe Soss is the inaugural Cowles Chair for the Study of Public Service at the University of Minnesota, where he holds faculty positions in the Hubert H. Humphrey School of Public Affairs, the Department of Political Science, and the Department of Sociology. His research and teaching explore the interplay of democratic politics, socioeconomic inequalities, and public policy. He is particularly interested in the political sources and consequences of policies that govern social marginality and shape life conditions for socially marginal groups. Professor Soss has pursued a wide variety of methodologies and methods in his scholarship and regularly teaches graduate courses in this area.
Joe Soss is the author of Unwanted Claims: The Politics of Participation in the U.S. Welfare System (University of Michigan Press, 2000), co-editor of Race and the Politics of Welfare Reform (University of Michigan Press, 2003), co-editor of Remaking America: Democracy and Public Policy in an Age of Inequality (Russell Sage Foundation, 2007), co-author of Disciplining the Poor: Neoliberal Paternalism and the Persistent Power of Race (University of Chicago Press, 2011), and author or co-author of numerous scholarly articles. In 2010 and 2017, he received the campus-wide Outstanding Faculty Award from the University of Minnesota's Council of Graduate Students (COGS). In 2016, Professor Soss was honored with the University's campus-wide award for outstanding contributions to graduate education, named a Distinguished University Teaching Professor, and inducted into the UMN Academy of Distinguished Teachers. Outside his academic work, Soss is an active musician and recently released an album, The Sound of Sweet Ruin.
Lisa Wedeen
Lisa Wedeen is the Mary R. Morton Professor of Political Science and the College and the Co-Director of the Chicago Center for Contemporary Theory at the University of Chicago. She is also Associate Faculty in Anthropology and the Co-Editor of the University of Chicago Book Series "Studies in Practices of Meaning." Her publications include three books: Ambiguities of Domination: Politics, Rhetoric, and Symbols in Contemporary Syria (1999; with a new preface, 2015); Peripheral Visions: Publics, Power and Performance in Yemen (2008); and Authoritarian Apprehensions: Ideology, Judgment, and Mourning in Syria (2019). Among her articles are : "Conceptualizing 'Culture': Possibilities for Political Science" (2002); "Concepts and Commitments in the Study of Democracy" (2004), "Ethnography as an Interpretive Enterprise" (2009), "Reflections on Ethnographic Work in Political Science" (2010), "Ideology and Humor in Dark Times: Notes from Syria" (2013), and "Scientific Knowledge, Liberalism, and Empire: American Political Science in the Modern Middle East" (2016). She is the recipient of the David Collier Mid-Career Achievement Award and an NSF fellowship.
We remember: Lee Ann Fujii
Lee Ann Fujii, chosen to be the IMM Executive Committee Chair in the Fall 2017, died unexpectedly on March 2, 2018. She was an Associate Professor of Political Science at the University of Toronto. Her first book was Killing Neighbors: Webs of Violence in Rwanda (Cornell University Press, 2009). Her second book, Interviewing in Social Science Research: A Relational Approach (2018), was released in August 2017 as part of the Routledge Series on Interpretive Methods.
At the time of her death, she was working on a third book, entitled Show Time: The Logic and Power of Violent Display. Show Time examines the meaning-making power of "violent display" in three different sites of killing (Northwest Bosnia, Central Rwanda, and the mid-Atlantic region of the United States). She had just presented the work at Johns Hopkins University a week before her death, and it is hoped that she left a sufficiently robust manuscript draft that it can be published. Prof. Martha Finnemore, University Professor of Political Science and International Affairs at George Washington University, is working on that.
Founding Executive Committee Members (2008)
Patrick Thaddeus Jackson, American University
Cecelia Lynch, University of California, Irvine
Julie Novkov, SUNY Albany
Ido Oren, University of Florida
Timothy Pachirat, then at The New School
Peregrine Schwartz-Shea, University of Utah
Dorian Warren, then at Columbia University
Dvora Yanow, then at the Vrije Universiteit, Amsterdam
Past Executive Committee Chairs
Peregrine Schwartz-Shae and Dvora Yanow, 2008-2013
Ido Oren, 2013-2017
Lee Ann Fujii, 2017-2018
Ido Oren and Dvora Yanow (interim co-chairs), 2018-2019
Program Chair, IMM Conference Group @ APSA, 2018-2019, 2019-2020
Nicholas Rush Smith
Nicholas Rush Smith is an Assistant Professor of Political Science at the City University of New York–City College. His main research interests are the politics of crime, policing, and vigilantism in democratic states, with a particular focus on South Africa. His first book, Contradictions of Democracy: Vigilantism and Rights in Post-Apartheid South Africa, is forthcoming from Oxford University Press. Based on approximately 20 months of ethnographic and archival research, it asks why South Africa has experienced extraordinarily high rates of vigilantism despite a celebrated transition to democracy, a lauded constitution, and massive transformations of the state's legal apparatus following apartheid.
He has two additional book projects under way: one, provisionally entitled Deadly Democracy: Death and Life for Young Men in Post-Apartheid South Africa, explores the ironies of democracy by examining the exploding mortality rates young men experienced after the collapse of apartheid, a moment where they expected rapid upward mobility after having been at the forefront of the struggle against apartheid; the other, an edited volume in development with Erica S. Simmons (University of Wisconsin–Madison) provisionally entitled Rethinking Comparison in the Social Sciences based on a conference they organized, explores logics for conducting comparative research that go beyond the controlled comparisons that usually form the basis for graduate methods training in the social sciences. Nick's work has appeared in the American Journal of Sociology, Comparative Politics, African Affairs, and PS: Political Science and Politics, and he has received grant and fellowship support from the National Science Foundation, the Social Science Research Council, and Fulbright-Hays, among others.
Past Program Chairs
2009: Peri Schwartz-Shea, University of Utah, and Dvora Yanow, VU Amsterdam
2010: Kevin Bruyneel, Babson College, and Julie Novkov, SUNY Albany
2011: Ido Oren, University of Florida
2012: Ron Schmidt, California State University, Long Beach
2013: Fred Schaffer, UMass Amherst
2014: Rich Holtzmann, Bryant University
2015: Doug Dow, University of Texas, Dallas
2016: Ed Schatz, University of Toronto
2017: Lee Ann Fujii, University of Toronto
2018: Denise Walsh, University of Virginia
2019: Nicholas Rush Smith, City College of New York
Aarie Glas
Aarie Glas serves as the webmaster for the IMM group. He is an Assistant Professor in the Department of Political Science and Faculty Associate in the Center for Southeast Asian Studies at Northern Illinois University. He received his doctorate from the University of Toronto. His research makes use of interpretive methodologies and methods to examine practices of conflict management and governance within regional organizations in the Global South, with a particular focus on ASEAN. His work has been published in International Affairs, European Journal of International Relations, Journal of Global Security Studies, Qualitative & Multi-Method Research, and the Routledge Security and Governance series, and is forthcoming in PS: Political Science and Politics. You can read more about his teaching and research here.
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Thanks to help from Bill Bushnell for making today's climb possible!
Thanks to everyone for participating in the first-ever Low-Key Tour of the Los Altos Hills! Even the rain wasn't enough to keep Low-Keyers from completing Bill Bushnell's challenging route. Congrats, all!
Note LGBC's Hal Rooney rode the vast majority of the course but failed to reach all of the checkpoints.


Several things of note here: You won't go hungry in Ketchikan. Your hardware and automotive needs will be met. Should the need arise, you will be able to purchase clothing, sporting goods, and a fishing license all within the city limits!
Produce, Meats, Specialty Bakery and Deli, Espresso, Full Grocery & Full Service.
Madison Lumber & Hardware Inc.
Family owned & operated in Ketchikan since 1916. Offering a full line of groceries & fresh meat & produce. Close to downtown & boat harbor. Delivery service available. Great prices on Alaska wild canned salmon.


text:
About KalVista
Products & Pipeline
KalVista for HAE
KalVista for DME
HAE Resources
KVD900 for HAE
DME Resources
DME Information for Healthcare Professionals
What's the best way to help your patients with diabetic macular edema (DME)?
Give them the best care and treatment available.
We are KalVista Pharmaceuticals, Inc.; a research-based drug company with offices in the US and UK. We are dedicated to developing small molecular protease inhibitors that we believe can help patients with diseases like Diabetic Macular Edema (DME). Our most advanced compound for treatment of DME, KVD001, an intravitreally administered plasma kallikrein inhibitor, completed a Phase 2 clinical trial in 2019.
Understanding DME
Diabetic macular edema (DME) is a leading cause of vision loss related to diabetes. As of 2012, an estimated 9.6 million people in the United States alone had diabetic eye disease (diabetic retinopathy), with DME occurring in about 10% of patients.
Increased blood sugar levels (hyperglycemia) caused by diabetes can damage the cells in the retina. Over time, this damage can cause the small blood vessels to become leaky and allow fluid and proteins from the blood to enter the retina. DME is characterized by an accumulation of fluid in the macula of the retina. Its hallmark feature is a retinal thickening.
Management of DME
Current DME treatments include VEGF inhibitors, corticosteroids and laser therapy. VEGF inhibitors block the actions of vascular endothelial growth factor (VEGF); a signaling protein that causes the retinal vessels to become leaky. VEGF inhibitors are injected into the eye, typically on monthly intervals, and can provide significant vision improvements - but not all DME patients respond adequately to these treatments. Clinical studies have shown that up to 40% of patients failed to experience an adequate response to VEGF inhibition. However, due to a lack of alternatives, many of these patients continue to receive anti-VEGF treatments to prevent their vision from worsening further.
Steroids improve vision to a lesser degree than anti-VEGF and also increase the risk of cataracts and glaucoma. Laser therapy was the previous standard of care for DME and is now used as needed in conjunction with other treatments.
Ongoing R&D
KalVista and its founding scientists from the Joslin Diabetes Center associated with Harvard Medical School were pioneers in the discovery of a new mechanism potentially contributing to the development of DME. Plasma kallikrein - an enzyme - was found to be excessively activated in patients with DME. Our most advanced compound, an intravitreally administered plasma kallikrein inhibitor known as KVD001, has completed Phase 2 clinical trial in patients with DME.
The Phase 2 trial consisted of 129 patients who had previously been treated with anti-VEGF therapy, and still had significant edema and reduced visual acuity. The sham-controlled, double-masked clinical trial evaluated two dose levels of KVD001, 3µg and 6µg. Four intravitreal injections or sham were administered over three months with a three month follow up period. The study was conducted at 38 sites in the United States.
The KVD001 Phase 2 clinical trial study was designed to evaluate patients who were poor responders to previous treatment with anti-VEGF therapy. The primary efficacy endpoint in the trial was change in best corrected visual acuity (BCVA) at 16 weeks compared to sham. The 6µg dose showed a difference of +2.6 letters versus sham, which was not statistically significant (p=0.223), and the 3µg dose showed a difference of +1.5 letters (p=0.465). No significant differences were observed in the secondary endpoints of central subfield thickness (CST) or the diabetic retinopathy severity scale (DRSS). KVD001 was generally safe and well tolerated with no drug-related serious adverse events.
In the overall study population, KVD001 demonstrated a protection against vision loss. In the sham treated group 54.5% of patients experienced a reduction in vision compared to 32.5% in the 6µg dose (p=0.042). The study also included a pre-specified subgroup analysis investigating the impact of baseline visual acuity on response. After excluding those patients with the most severe vision loss (visual acuity of <55 letters at baseline), the remaining 70% of the total patient population showed a difference in BCVA compared to sham of 4.9 letters (p=0.056) at the 6µg dose.
In October 2017, we entered into an option agreement with Merck for KVD001 as well as future oral DME compounds based upon plasma kallikrein inhibition. We believe an orally delivered therapeutic could provide significant clinical benefit to DME patients compared to the current DME drugs delivered via injection.
We're excited by the possibility of developing a new option for DME patients and look forward to your interest as our research continues.
DME Patient or Family Caregiver Resources
+1 (857) 999 0075 info@kalvista.com
KalVista Terms


In addition, a pick has been released early, a day in advance for Sunday!
Take Dallas Mavericks +9 spread against OKC Thunder for 3% of the bankroll.
The Mavericks had all of the momentum in this series having already taken over home court advantage after defeating the Thunder 85-84 in Oklahoma City on Monday night; however they let it slip through their fingers by getting blown out on their home court 131-102 in Game 3! Game 4 tonight is actually an extremely pivotal game for the Mavs as they likely will not be able to bounce back in this series should they lose tonight. This is arguably a must-win situation for Dallas and we expect them to play like it. That being said, Dallas is a huge underdog in this matchup and even if they happen to fall short of picking up the victory, we do believe they will at least make it a competitive game.
There is no question that with Dallas having just been blown out on their own floor that the initial perception of this team has been somewhat altered. Let's not forget however that the Mavericks are a team that uses those types of losses as motivation which is evident by the fact that they are 13-5 ATS in this situation this season. They may be lacking in some areas compared to their opponents however this is still a team that has shown a lot of heart, determination and have veteran leadership in place. Those characteristics alone should allow them to be competitive in such an important situation.
As impressive as Oklahoma City's win was on Thursday night, they were in a similar bounce back situation themselves so their performance really was not that surprising. Kevin Durant was coming off his worst shooting performance of his career and was primed for a big showing in that contest. The Thunder shot over 57% from the field, which is uncharacteristic of the Mavericks defense to allow and highly unlikely to repeat! We also don't believe Oklahoma City will have as good a shooting performance in this contest. In the second half of the season the Mavericks were suffocating opposing offenses which was a big reason for them making the playoffs this season. They clawed their way into the postseason by slowing down the tempo of the game and playing solid defense, which is actually what they did to take Game 2 away from OKC. They now need to get back to that type of mentality for this game and we believe they will do just that.
Oklahoma City is unquestionably the better team in this series, there is no debate about that; however that doesn't mean every game will be a blowout! This is an inflated spread. These two teams have a long history of closely contested games in this venue over the last few years. Rick Carlisle knows how to organize and motivate his team and there is no question that the Mavericks will have a solid game plan coming into this contest. Oklahoma City may in fact come away with a victory, however given the determination of the Mavericks, we believe they are laying too many points on the road and they should come into play at the end.
Mavs are 13-5 ATS after a double-digit loss!
Thunder are just 13-20 ATS after a double-digit win.
Thunder are just 23-32 ATS after scoring 105 points or more!


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EBOSSNOW Latest All Features New Products Case Studies
New APL Product Range in Major Kāinga Ora Project
A major sustainability project by Kāinga Ora, government's public housing agency, will use a new, thermally efficient product range from APL Window Solutions.
The Glendowie project will contain 30 homes.
The APL window system offers enhanced aesthetics.
An outtake from the Kāinga Ora video of the new project.
Ngā Kāinga Anamata, 'homes of the future', is a visionary plan that will deliver 30 residential units within five, three-level apartment buildings in Auckland's Glendowie, in 2022. The project is aimed at driving carbon emission reduction in the New Zealand construction industry and was chosen as one of only 17 initiatives worldwide to be on show in the 'Build Better Now' virtual pavilion associated with the recent COP26 climate conference in Glasgow, Scotland.
The Kāinga Ora homes will use windows and doors from a specially designed, thermally broken APL suite of products that offer 'passive house' capability and which will be available to the window market midway through next year. The system also offers enhanced aesthetic appeal.
The APL system was chosen by Context Architects and Kāinga Ora as a preferred New Zealand-sourced product that eliminated the need for importation and use of Northern Hemisphere passive house-rated windows and doors.
Working collaboratively with Kāinga Ora and its project partners, Context Architects devised a programme that will see the construction of five identical apartment buildings, each with a different structural system — steel, concrete, light frame timber, mass/cross laminated timber, and a light/mass timber hybrid using modern construction methods. Each building will achieve Passive House certification and be low energy, using renewable energy sources.
The Passive House Standard originated in Germany and is recognised internationally as a best practice benchmark for low energy use, indoor environmental quality and health performance, especially when applied to social housing. New Zealand currently has approximately 61 certified Passive Houses, with more on the way.
APL's Executive Director, Sustainability, Mikayla Plaw, said that the company was excited to work with the government's social housing agency on such a cutting-edge project, especially if it served as a template for wider construction of more sustainable housing. "We see this as a good supplement to our sponsorship of the 'Sustainable Excellence' award in the House of the Year programme run by Registered Master Builders," says Mikayla. "We have been closely involved in Green Star developments around the country, especially in the commercial sector, but the Ngā Kāinga Anamata project allows us to be involved in a specialised sustainability project in the residential sector. This is a promising step as we further pave our way through the passive house movement."
A fly-through and visual overview of the Ngā Kāinga Anamata project is available to watch here.
View more information on FIRST Windows & Doors, including contact details.
December 2021 Case Studies
News from FIRST Windows & Doors
Nature and Architecture Work Together with First Windows and Doors
Open Spaces and Sliding Doors Characterise This Unique Coastal Build
October 2021 Case Studies
Popular Products from FIRST Windows & Doors
Residential Sliding Doors
Metro Series Sliding Doors
Residential Awning & Casement Windows


Hi guys! After reading The Eyre Affair by Jasper Fforde, I couldn't help but think about the idea of being able to enter a book and finding a whole new world inside them. So here's my question: If you could enter any literary work which would it be?
Hi tin, exciting question! Hm, maybe The Lord of the Rings' Middle Earth!
willy wonka and the chocolate factory!!!
ehlanadanae, I haven't had the chance to read Belgarath yet, but anything set in a world of magic would really be cool to enter.
Wanda, I also considered Middle Earth as I was thinking of my answer but I don't think I'd survive there because of lack of amenities..like plumbing and electricity.
rabbitin88 wrote: ehlanadanae, I haven't had the chance to read Belgarath yet, but anything set in a world of magic would really be cool to enter.
yeah it is..and to be in the company of the greatest sorcerer ever and the first disciple of Aldur is way too cool. there are other interesting characters also like Silk who just happens to be the greatest spy.
oh yes, harry potter is really incomparable! What else? hmmmm, what about The Time Machine by HG Wells? I would love to see what the past was really like, see real dinosaurs, and also the future!!!


hi. when i choose log out i get this screen https://drive.google.com/open?id=1vzLwRmCPcSG4M6mMH5aDW0vqaY_hrkpU. i want to get screen that i see the line of the log out more clear and bold. what i need to do to fix it?


40 Hits. By Various. Piano/Vocal/Guitar Songbook. Alternative, Rock. Softcover. 274 pages. Published by Hal Leonard (HL.130463).
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text:
How We Work, Art & Social Action
How does art create an intervention and facilitate advocacy? Can the experience and symbolic
gestures brought about by art transform the world? How might the citizen activist and citizen
artist work together to develop a set of skills and opportunities that allow us to be more effective
in the world? These questions inform the pedagogy and practice of the Public Engagement
program at Maine College of Art and guide our partnership work in the community. This fall,
students in Professor Michel Droge's Public Engagement courses Nature Lab and Field Guide to
a New World collaborated with Maine Audubon to research local conservation and environmental
issues, and study the role of the artist as cultural mirror, maker, and activist. Students produced
prints and books that use the tradition of combining fine art and scientific research. The artworks
pay homage to the legacy of John James Audubon and others such as Henry David Thoreau and
Winslow Homer in their use of illustration, field documentation and writing to capture and reflect
Through the Public Engagement Program at Maine College of Art, I strive to educate
knowledgeable citizens of the world because we are always, at all times, citizens, artists, and
designers. By extending the campus into the community, I facilitate opportunities for students to
co-create socially engaged art projects with communities. In this framework students begin to
see how the practice of artists and designers is expansive and dynamic, and how we work and
where we work is evolving. At the core of this work are community partnerships and a shared
belief in the power of civic engagement. From the beginning of MECA's partnership with Maine
Audubon, it was clear that our two organizations hold shared values, including, "forging leaders,
activists and messengers focused on addressing pressing local issues'. The "citizen activist" and
the "citizen, artist, designer " are critical to successful advocacy and education.
Working for social change and drawing out the creativity in our community platforms requires a
long-term commitment to bridge building. How do we animate our connections to each other and
sustain partnerships that enable us to build the world we want to live in? An essential place to
start is seeing each other in and of the place where we stand. If we can see each other 'in
relationship' as fellow citizens and stewards of our world, how might this guide the work we do?
Can we discover common ground, even enlarge the ground we stand on and our sense of human
responsibility? How might the citizen activist and citizen artist partner to renew the space of civic
participation and expand it to encompass nature, the landscape, and wildlife? For artist and
MECA faculty Michel Droge, "the role of the artist in this climate is many faceted. Artists are a
mirror of the world around them, but the artist's job is often to say what is not usually said by
others. By presenting this work to the world, we create a space for conversation or for thinking or
feeling the impact of what's happening. What I do with my work is shine a light on what's happening and find new ways to talk about it. Hopefully, this leads to new ideas and a stronger
community, empathy, and compassion.I think that's at the base of where any change begins.".
Contemporary artists are working in the studio, classroom, and community. Within these contexts,
artists are building platforms for public engagement, dialog and social change. Essential to this
work is building long-term relationships and connecting art practice to the larger concerns in the
world. When I consider the scale of human need and uncertainty in the current global context I
ask, What is the role of the artist and the value of creativity in the ever-changing global landscape
marked by profound human need, environmental crisis, and rapid social-political change? I
believe the answer is in the question. It is through creative action that it is possible to solve the
world's most pressing needs and to accomplish this work we need artists everywhere. For MECA
student Matanah Betko, "it is important for the artist to present an idea for moving forward. It's not
hard to make people feel bad, but is very difficult to make people move." Adding artists into this
equation opens up unseen possibilities because artists bring creative processes and new models
of thinking into problem-solving. These new models facilitate deep learning and shift perception
through active participation, social experience, and experimentation. By working collaboratively,
student artists and community partners forge the authentic relationships that are necessary for
making real, lasting social change.
Moving from an "I "to "we" paradigm prepares the ground for genuine collaboration and
co-creation. Within this framework, we can see the power of collective action and awaken our
creativity to solve real-world problems. The co-creation model guides all our work in the Public
Engagement Program. Co-creation amplifies the social aspect of socially engaged art, by making
work with, by and for others. The process is generative and facilitates opportunities for
imaginative engagement and dialog. Working collaboratively to address complex issues requires
us to take our time, be deliberate and to be reflective. These conditions support the mutual goals
of facilitating social action while also creating space for questioning and mystery inherent in both
art making and nature. For the students in Professor Michel Droge class, this space of discovery
and questioning was nurtured through active field study and research in the landscape. "Students
learn to engage with the land to understand things on a visceral level. They experience the
environment directly and feel it. It's not an abstract concept. They see how their work can aid the
institutions we work with and enhance the work they do. As a result, they see the issues and the
solutions and their impact. That's an amazing form of activism. Once they feel that, they never
lose it."
In socially engaged art the outcome is both the creative process and the resulting artwork. The
goal is to move from project to platform where the impact of the project outlasts the presentation
and establishes sustainable avenues for creative and social action. In this model, there is an
active partnership between campus and community where individuals co-labor and co-create the
world we want to inhabit. These are not a one-off, short-term solutions, but require making and
connecting over time. Maine College of Art and Maine Audubon have a shared view of Maine as
a place of natural beauty, and site of inspiration and inquiry. Our common task of expressing the
value of the local, as well as a serious commitment to repairing the world we share, brings the heart of our partnership into sharp focus: we can realize the long-term goals of conservation and
stewardship of all aspects of our community through strong partnerships. If "people are the
secret to successful advocacy" than we must establish a process that values genuine
collaboration, joint authorship, and meaningful belonging. When we are all at the table from the
beginning, we share a common language and a dynamic relationship. Strong partnerships are
similar to a thriving ecology. They require attention and care of the interrelationships within an
environment and ability to see the totality of relations, guided by reciprocity and inclusivity. As
caretakers of our environment and community, we must bring this way of seeing and being into
all aspects of our lives.
In the current climate, we will continue to grapple with problems that are increasingly complex
and hard to define. Using the immersive experiences of art making and encountering nature we
focus our attention and lessen the distance between each other and our world. For MECA
student Renee Michaud, "in these moments I can step back and see the whole picture and
recognize that I play a part. This feeling is similar to when I am making a painting and all the little
pieces of paint combine to evoke a form. We are all contributing to the palette, and together we
create a better composition." Collective action with our networks and communities is necessary
to undertake complex issues and develop strategies for purposeful innovation and social change.
There is a great need for artists and citizens who are willing to create spaces of risk where we
can reach across boundaries and build bridges to imagine our collective future. My classroom is
where I begin.


Emerald Ash Borer (EAB) has been positively identified in a residential tree in Waterloo, making this the sixth location where the invasive beetle has been found in Iowa.
The current EAB infestation was found by city employees performing routine trimming on street trees. Further investigation found additional trees infested in a 10 square block area on the northeast side of Waterloo.
A statewide quarantine will be issued on Tuesday, restricting the movement of hardwood firewood, ash logs, wood chips and ash tree nursery stock out of Iowa into non-quarantined areas of other states.
Waterloo's urban forest includes 4,364 ash trees located on public property. The three city-owned golf courses have 649 ash trees; the 52 parks contain 725 ash trees; and there are 2,990 ash trees along the street rights-of-way.
"This is a devastating blow to Waterloo's tree resources as we will be losing 17 percent of the trees on public property over the next few years. It will also be quite a challenge for the forestry staff to absorb these tree removals in their day-to-day duties and still provide a fraction of the services that Waterloo citizens are used to," said Waterloo city forester, Todd Derifield.
Previously, the Iowa Environmental Council reported advice on responding to the widening Emerald Ash Borer infestation provided by Trees Forever, a Council member organization.
This entry was posted in Community News and tagged emerald ash borer. Bookmark the permalink.


High Style without being overly complicated. This lovely Art Deco Kit includes a 12.5" x 16" canvas area on 14 mesh mono deluxe needlepoint canvas and all the Perle Cotton or Wool threads needed to complete. Please indicate your thread preference in the Notes section at Checkout. If you do not provide a preference, we will send the more popular wool threads.


See preview eye glass bold font and download this cool font for free. The font is classified as bold fonts. This font viewed 679 times and downloaded 36 times. You can also downloads other fonts: Eye Catching, Eye Glass Wide Normal, Eyechart, Broken Glass, Alien Eye, Glass Gauge for Windows and Mac at FreakFonts.com. If you like this font don't forget share them with you friends!


« Hi "fur"ever friends, So, I suppose you are like my peeps and you've been spending a lot of time getting ready for Christmas.
Hi "fur"ever friends, Somehow January just flew by.
Somehow January just flew by. It seems like I was just complaining about all the tinsel and glitter my mom had strewn about my house and here it is; February. I suppose the biggest reason time has flown by is because I have been really busy. There are lots of geese hanging around Ohio during the winter. We actually haven't even had much winter. One day it is 60 degrees and the next, a high of 30 degrees. Crazy stuff! There is a little ice on the big ponds. Enough that I can't go in yet. But my daddy has a solution for that. Besides using me to chase these annoying creatures and convincing them to leave, he also uses a laser pointer. There are special guidelines according to what state you live in.
The geese really don't like that thing. Almost as much as they don't like me. LOL Here's how it works. The laser is pointed at the goose's feathers. The green from the laser, coupled with the colors in the goose's feathers, creates an eerie color. It is very reflective. It startles not only the goose that daddy points to, but all its friends. They squawk and take off. If geese are flying over, they won't even land on the water. It really helps me until it is warm enough for me to go in the water.
Just like me, using a laser does not harm the geese at all. It's humane and all good. You know these creatures are pooping machines and what comes out of them is toxic. I am doing a good thing, even though some peeps think they are neat to have around. Well, just keep this in mind – One goose can produce 1 to 3 pounds of droppings each day. That's a lot of poo!!
When you are ready to control the geese in your neck of the woods, give me a call. Actually call my daddy, Mr. Pondwiser, cuz he doesn't share his phone with me.


text:
lpianowski@riverwalklaw.com
Phone: (574) 294-1499 ext 143
Assistant: Sue Morgan
smorgan@riverwalklaw.com
Lindsey joined Sanders Pianowski, LLP as an associate attorney in April 2011 and was promoted to Partner in January 2017. Lindsey graduated from Saint Mary's College, Notre Dame, Indiana, with a Bachelor of Science degree in Chemistry. Lindsey earned her J.D. from the University of Notre Dame Law School.
While in law school, Lindsey was the President of the Intellectual Property Law Society. She also interned at a patent boutique in Chicago, Illinois throughout her years in law school. Lindsey also externed as a Public Defender for the Saint Joseph County Juvenile Justice Center while studying at Notre Dame Law School. Following law school, Lindsey served as law clerk to the Hon. Kathleen B. Lang at the LaPorte County Superior #1 Court.
Lindsey is admitted to practice before the courts of the states of Indiana, Illinois and Michigan. She is also licensed to practice before the United States District Courts for the Northern and Southern Districts of Indiana and the Western District of Michigan. Lindsey is a Registered Patent Attorney with the United States Patent and Trademark Office. Her practice is concentrated in Estate Planning, Estate Administration, Elder Law, Business Planning, and Mergers and Acquisitions.
Lindsey was formerly on the Board of Directors for CAPS-Elkhart. She was also formerly a member of the Community Foundation of Elkhart County Scholarship Committee and was also previously a member of the Board of Directors of Loveway, Inc. Lindsey, her husband, Eric, and their children, Luke and Cora, are residents of Elkhart County.


Home Analysis Are you the problem in EOL discussions?
SETTING CARE GOALS for very ill patients can be a challenge. Those conversations can become even more difficult when patients or family members have an unrealistic view of a prognosis or a poor understanding of the downsides of life-extending treatments.
But new data looking at difficulties in end-of-life care communication find that those problems may come not exclusively from patients or family members. A study in the April issue of JAMA Internal Medicine that surveyed inpatient clinicians about the barriers they face in talking about end-of-life care found that all too often, hospitalists and residents place much of the blame for communication problems on patients and family members. But researchers also found that many physicians have received little or no formal training in talking to patients at the end of life, which may contribute to some of those barriers.
But as Dr. You points out, given physicians' lack of training in end-of-life communication, doctors may not feel comfortable initiating such discussions or even know the best questions to ask to get the conversation started.
The study, an initiative of the Canadian Researchers at the End of Life Network (CARENET), involved more than 1,200 hospital-based clinicians at 13 university-based Canadian hospitals. Researchers asked physicians, residents and nurses about the barriers they encountered during end-of-life care decision-making and their willingness to talk to patients about end-of-life issues.
When the survey asked clinicians to rank barriers to end-of-life discussions, more than 700 hospitalists and residents "as well as the more than 500 nurses who participated "identified family- and patient-related factors as the chief culprits.
Respondents said the No. 1 barrier in end-of-life communication (out of 21 identified) was the difficulty family members have accepting a poor prognosis. Other common barriers included disagreement among family members about care goals and the incapacity of patients to make decisions about their care.
Other obstacles that landed in the top half of the list included language barriers and the lack of substitute decision-makers or uncertainty about who those might be.
Researchers found, however, that nurses gave more weight to physician-specific barriers. Common problems identified by nurses included physicians' lack of time; the fact that multiple physicians were looking after one patient, leading to confusion about who should initiate a discussion; doctors' lack of communication skills; and physicians' desire to avoid conflict or strong emotions.
Most physicians said they are willing to initiate end-of-life discussions and serve as a decision coach helping patients and families make a final decision. But less than one-third (28.5%) of staff physicians reported having received any related formal training. That lack of training makes it harder for doctors to successfully navigate around "or even tackle "perceived barriers to effective communication.
Many of the physicians surveyed said they were OK with residents initiating these conversations, although fewer approved the idea of such discussions being started and led by advance-practice nurses. Physicians did note, however, that it can be helpful to have other professionals, especially social workers and nurses, directly involved in both communication around goals of care and in support roles such as decision coaches.
Dr. You was also lead author of a previous study published in the Nov. 3, 2014, issue of the Canadian Medical Association Journal (CMAJ), which found that only 22% of patients and 24% of family members reported having been asked about EOL care preferences. That's a problem, he adds, because other recent research published in March 2010 by the British Medical Journal demonstrated the benefits of having trained nonphysician advanced-care facilitators lead discussions. That study found that those discussions foster agreement between patients and surrogates about treatment and help physicians closely align patients' wishes with the care provided.
"Clearly, there is a serious need for improvement, but it's important to realize that no single intervention will fix this problem," he says. "We need strategies at multiple levels: decision-support tools for patients and families, but also tools to help clinicians improve their communication and advance-care planning skills." Those skills are particularly important for hospitalists, he adds, who often end up caring for patients at the end of life.
Based on study findings, the participating institutions are working on interventions to better support clinicians. One is a new process that Dr. You has helped develop called "Just Ask," which was described in a July 15, 2013, CMAJ article.
The process lays out a communication and decision-making framework that clinicians can follow. The process starts by identifying high-risk patients, and having physicians ask themselves if they would be surprised if the patient died within the next year. Subsequent steps in the process include tips on how to share information on prognosis, how to elicit or clarify patient values, and how to steer a conversation about life-sustaining treatments so patients and family members can understand the limitations of those interventions.
The CMAJ article also includes many examples of scripted questions that clinicians can ask throughout the process. " 'Just Ask' is a good starting point," Dr. You says, adding that the initiative also includes tips for documenting discussions in patient charts.
Regardless of how hospitalists and their organizations address EOL-discussion skills or training deficits, Dr. You says that it's important to remember that facilitating these often stressful conversations needn't be a solo act.


text:
L'asinothérapie est une thérapie comportementale avec l'aide d'un âne. Elle fait partie de la grande famille de l'équithérapie, terme générique pour désigner les thérapies assistées d'un équidé. Il s'agit d'une médecine non conventionnelle et alternative, de la grande famille des zoothérapies.

Les études scientifiques se développent, plus particulièrement au Canada, mais ses effets restent à démontrer. Elle est beaucoup pratiquée en Italie, où existe une importante population d'ânes, mais également en France et en Suisse. L'asinothérapie met en relation une personne en difficulté dans sa santé (psychique ou physique) ou sociale avec un thérapeute, issu des professions de la santé la plupart du temps (infirmière, psychologue, ergothérapeute) et une personne en demande. L'animal est intégré aux outils de la relation d'aide et des soins de la discipline du praticien santé ou social dans une optique thérapeutique. Des formations complémentaires sont nécessaires pour utiliser les qualités spécifiques des ânes avec un objectif de soins.

Notes et références

Voir aussi

Bibliographie

(ch) Véronique Julier, infirmière spécialisée en zoothérapie : Déroulement d'une séance d'asinothérapie : http://asinotherapie.ch/comment.shtml

Article connexe
 Randonnée avec un âne

Âne
Médecine non conventionnelle

redpajama_set_name: RedPajamaWikipedia


Attention Deficit Disorder (ADD) is a condition characterized by problems paying attention and difficulty controlling behavior. A large part of developing the condition is the environment a child grows up in: If the parents are stressed out or distracted and can't give the child the attention he or she needs to develop healthily, ADD can occur. What does ADD have to do with being Black? Well, Black people, on average, are over-represented in the US prison system, make a lower household income, and have much lower NET worths than other races. Factor in a culture where over 100 unarmed Black men can be killed in a year, like in 2015, and you have the kind of stressful conditions that are ripe for developmental issues in children. So... what can we be doing right now, to fix the situation? How bad is it, really? And what happens if we don't do anything?


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Music Interview: Lori Triplett – 'Slow Poison' Out Now!
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Home » Blog » Music Blog » Music Interview: Lori Triplett – 'Slow Poison' Out Now!
Lori Triplett
We were lucky enough to interview Nashville based artist, Lori Triplett following the excellent release of 'Slow Poison'. Read the full interview now!
What is your earliest music memory?
We used to have a piano out in the foyer of my childhood home…the same piano I later ended up learning how to play on.
I vividly remember when I was six years old and hadn't yet started taking piano lessons, I had figured out how to play the melody of Richard Marx's hit song at the time, "Right Here Waiting for You" on our piano.
My older sister's friends were over, and they thought it was so neat that I could play a song they recognized. I remember feeling really excited and proud of myself. I really think special little moments like that really ignited a passion for music in me from a young age.
Who influenced your latest release?
Phoebe Bridgers and her Stranger in the Alps record was a big influence on the production direction and style of Slow Poison.
My producer and I wanted to keep a singer/songwriter vibe but also not be afraid to include electronic elements to help draw out and highlight some of the emotion of the lyrics.
I've always felt that record did that so beautifully, so that was definitely an influence while we tracked this particular project.
Previously you have released two full-length albums. Is 'Slow Poison' a continuation from those, or are you taking a brand new direction?
My last full-length albums were released a number of years ago (2004 and 2009), one of them featuring songs I wrote back in high school and the other featuring songs I wrote in college.
At that time, I was still pursuing a career in the Contemporary Christian Music scene, but I found that genre to be way too restricting in what I could really say as an artist and where I could perform. Slow Poison is definitely an intentional step in a different direction, as I'm not pursuing that genre anymore.
There are still moments where you'll still hear overtones of my faith lyrically, but the songs featured on Slow Poison were written with much more artistic freedom than in my former genre.
The EP features themes of love, loss and redemption, where do you get your inspiration from?
I've always drawn inspiration from my own personal experiences when I'm writing songs. And if not there, I draw it from trying to put myself in the shoes of someone else and seeing things from their perspective.
I think it's one of the ways I've come to cope and overcome some of the bad things that life has thrown at me over the years. And I figure by being as honest and vulnerable as I can with my songwriting, someone out there somewhere may resonate deeply with it and be able to find some hope and healing in it.
What's the Nashville music scene like?
I'd say when most people think of Nashville; it's likely they only think 'country music'. And while it's definitely saturated in that genre, there are definitely other genres that are becoming pretty common here more and more.
If you want to be challenged on a daily basis to become a better singer, songwriter, and musician, come to Nashville. Everyone is working harder than the next person to 'make it', so you can't help but be constantly inspired and pushed to get better at your craft.
Who would you most like to collaborate with?
I couldn't pick just one, but I'd say a few of my songwriting heroes are Patty Griffin, Ruston Kelly, and Sean McConnell. They all have an insane gift for writing hauntingly beautiful and meaningful songs with an unapologetic honesty. That's the kind of songwriting that inspires me most.
What's your dream venue to play?
Definitely the Ryman Auditorium in Nashville. I've been in the audience there for several shows, and there's an intimacy and magic in the air there you just don't get anywhere else.
Other than music, what are you passionate about?
I really love history and antiques. Something about being able to physically touch something from the past is really cool to me.
Maybe it's because I grew up in a Victorian home that was built in 1898 or because my mom also loves antiques and has many in my childhood home. As part of this passion, I collect old books, and when quarantine started, I tracked down and acquired the entire vintage 14 book series about Oz by author L. Frank Baum.
Many people don't realize that 'The Wizard of Oz' is just the first book of the series and that there are actually many more books he wrote as part of that story. It's really fascinating to me!
What changes would you like to see in the music business?
From a woman's perspective, I think the industry as a whole needs to have a shift in their thinking about the age and look of an artist.
These days, it seems like you've probably aged out by the time you're 30 if you haven't already 'made it'. But some of the greatest of all time artists gave us their best work at a later point in their careers. I'd love to see the focus be put back solely back on what really matters: The music.
If you could choose one thing for fans to take away from your music, what would it be?
I want them to come away with the feeling that they're not alone. Other artists' music that was written from an honest and vulnerable place has always helped get me through the darkest spots of my life, so I always strive to write from that place too. I guess it's sort of a "paying it forward" way of looking at it.
We see you are releasing a new Christmas EP too, can you tell us any more?
I've always wanted to do a Christmas project, and this is my first one, so I'm really excited to share this EP with everyone for the holiday season. It's a four-song EP that includes two covers and two originals.
I've always loved sad and more reflective Christmas songs, so I used that mood as inspiration for this project. I'll be announcing the release date for it soon, so anyone interested can follow me on Instagram at @loritriplettmusic or join my mailing list on my website to stay in the loop!
FV Music Blog October 2020
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