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GitHub - beeware/toga: A Python native, OS native GUI toolkit.
Want to be notified of new releases in beeware/toga?
Toga requires Python 3. Python 2 is not supported.
If you're on macOS, you need to be on 10.7 (Lion) or newer.
If you're on Linux, you need to have GTK+ 3.10 or later. This is the version that ships starting with Ubuntu 14.04 and Fedora 20. You also need to install the Python 3 bindings and development files for GTK+.
We're working on Windows support, but not all features and widgets are supported. At a minimum, you'll need Python 3 and .NET Framework 4. This has been tested on Windows 10, but should work on 7 and 8. Pull requests, help and corrections are most welcome.
This will pop up a GUI window with some sample widgets.
Documentation for Toga can be found on Read The Docs.
If you'd like to contribute to Toga development, our guide for first time contributors will help you get started.
If you experience problems with Toga, log them on GitHub. If you want to contribute code, please fork the code and submit a pull request.


With Veterans Day around the corner, I wanted to share details about the Basecamp(R) line of products. This line includes a variety of products from drinkware pieces to outdoorsy gifts, to messenger and laptop bags. With each Basecamp order, a portion of the proceeds support the Warrior Spirit Retreat.
Whether it's warriors you want to give back to, or any other cause – be sure to share these goals with me and my team. We are here to find the right product, that might do more than just solve a promotional need.
Can't see the pictures or video? Click HERE. Questions, feedback, or opportunities? Email me at nmcnamee@boundlessnetwork.com.
This month we had the pleasure of visiting one of our top supplier partners at their factory in Tampa, FL. This factory has a whopping 750,000 square feet of space that houses $100M of domestic inventory. While there is certainly plenty of machinery involved with the logo development of your promo, most people are surprised at the amount of manual labor required to set-up the product for the machine. There are 3,500 employees at this one factory alone!
Can't see the videos? Click HERE.
I just returned from San Antonio, Texas where we attended our Boundless National Sales Meeting (Founders). We met with our top supplier partners to discover new product and lifestyle trends, brainstorm client opportunities, and learn more about the regulations that impact our industry. There are so many fun, new products … click on the video below to see just a few of my faves!
Can't see the video? Click HERE. Questions? Email me at nmcnamee@boundlessnetwork.com, be sure to follow #thepromodiaries on instagram and subscribe for the latest updates!
The ASI show is always so much fun – seeing old supplier friends and making new ones. Our day two video showcases two of our newest industry finds, bags made from sails and unique Italian goodies. Questions or quotes, email me at nmcnamee@boundlessnetwork.com.
What a whirlwind the ASI show was this year in Orlando! Two days on the show floor and one thing is clear – promotional product spend is still an effective advertising medium, and not going anywhere anytime soon! Check out the trends we're seeing on the horizon for 2017 below. Questions or request for additional info? Please email me at nmcnamee@boundlessnetwork.com.
Another year, another round of new products, new twists and new applications of the old. Thanks to iMovie, I compiled a quick video of my favorite pics from our recent trip to the ASI show in Orlando. Stay tuned for additional footage and interviews of our favorite finds in the next video. Questions? Email nmcnamee@boundlessnetwork.com for additional info.
Will the world know your (brand) name?
Fun times in my hometown of Memphis, TN visiting with my fave suppliers at a recent show. There are bunch of new things for the fall and holiday gifting season – learn more at the video below! For additional details email me nmcnamee@boundlessnetwork.com.
Can't see the video feed? Click HERE.
Great visit with Sweda, a top supplier partner, talking about some of our favorite brands! At Boundless we have access to over 1 million promotional products at every price point – but the brand names are what people remember. Special thanks to the cameo by Sweda and my videographer, Hunter Janda. Happy Social Media Day! For additional details email me nmcnamee@boundlessnetwork.com.


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Hot R&B/Hip-Hop Airplay – współtworząca notowanie Hot R&B/Hip-Hop Songs lista przebojów, mierząca częstotliwość nadawania poszczególnych piosenek na antenach stacji radiowych. Do historii zestawienia przeszła Janet Jackson, której piosenka "That's the Way Love Goes", jako pierwsza i jedyna jak dotąd, zadebiutowała na szczycie Hot R&B/Hip-Hop Airplay.

Notowania Billboardu

redpajama_set_name: RedPajamaWikipedia


1970 Topper Johnny Lightning L. 500 Track Set MIB NOS Never Used 2 Cars Mint. This Topper Johnny Lightning set is mint old stock, it has never been used.
The two cars are still in there original bag. Sticker on box states Custom Turbine and that is what is here, two Custom Turbines, one in purple and the other in orange.
Even the box on this is beautiful. Please look at all the pictures. Please Read This In It's Entirety. I have been collecting toys, advertising, general antiques and collectibles for 37 years, and I have decided to part with a portion of my collection, so others can enjoy the items as I have over the years. I will be trying to list a reasonable amount of items each week, that is with time permitting me to do so. If I have a item listed with a price or make an offer, then I might be willing to take less for it, but if it does not have the make an offer option, please. Ask me if I can take less. DO NOT DUPLICATE OR COPY! The item "1970 Topper Johnny Lightning L. 500 Track Set MIB NOS Never Used 2 Cars Mint" is in sale since Thursday, January 24, 2019. This item is in the category "Toys & Hobbies\Vintage & Antique Toys\Other Vintage & Antique Toys". The seller is "timelinecollectibles" and is located in Caledonia, Wisconsin.


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Art & Culture / Photography / A photographer shares his visual love letter to New York
A photographer shares his visual love letter to New York
Posted Monday 21st May 2018 /
Text By Briony Cartmell
Photography © Bill Hayes
After the death of his partner, Bill Hayes found comfort in the streets of his hometown. 'If I feel lonely or I miss him, I tell myself: 'Get up, take a walk, take your camera, take pictures – the city is there to keep you company.''
"First, it lets you fall in love with it. And lets you think it loves you back."
The opening words of Bill Hayes' new photobook How New York Breaks Your Heart will ring true for anyone who has fallen under the spell of the city.
Having arrived in New York in 2009, Hayes felt an instant kinship for his new home. "When I first moved here, I had the feeling that the city was opening its arms and saying welcome," he says.
Hayes, a writer and photographer, produced Insomniac City in 2017, a memoir of romance and joy underscored by grief, that serves as a love letter to New York and his late partner, the fêted neurologist Oliver Sacks.
"After Oliver died, I was suddenly devastated and alone, and the city saved me, picked me up and lifted my spirits," Hayes explains. "If I feel lonely or I miss him, I tell myself: 'Get up, take a walk, take your camera, take pictures – the city is there to keep you company.'"
The connective tissue within Insomniac City are the accounts of fleeting interactions with strangers – a fisherman on the subway; a young man succumbing to addiction. With a camera as his companion, Hayes is now making those transient moments permanent, collecting portraits of the faces that make up New York.
"I spot someone and approach them directly and take a picture – it's a kind of impulsiveness combined with fearlessness combined with self-confidence."
But unlike other street photographers who shoot voyeuristically, Hayes always asks permission: "Part of my whole approach is to connect with the person, and because they know I'm taking their picture, it presents a different creative challenge in keeping it from becoming posed and cheesy which can easily happen."
Respect for people and delight at his environment mean that the book is like a meditation on mindfulness. "You have to keep your eyes open and your ears open and be interested in paying attention," he says. "I couldn't imagine burying my head in a book or listening to music and not watching the show."
This attitude brought about one of the most affecting shots in the body of work; the only image to exclude people and which carries the title of the book.
"I was just walking back from the camera store on a sunny day and I glanced up and see this pink ball gown hanging from a fire escape," he recalls. "I was seized by the moment. It's infused with an ambiguity, there's both a feeling of romance and poignancy in that picture; both life and an absence of life. It captures that feeling in a city where you can be walking along thinking nothing special, and round the corner and see something completely unexpected and beautiful."
"It's like this city is winking back to me – reaching out a hand and saying hello."
How New York Breaks Your Heart is available now on Bloomsbury.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
Posted Monday 21st May, 2018
Art & Culture > Photography
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Travel > Travel Diaries
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The Travel Diary
Celebrating the world's most groundbreaking photography
News & Politics > Activism
What would the world look like if ecocide was law?
Season of disruption
By prosecuting those who harm the planet, individuals would finally be held to account – a victory that would change everything.
News & Politics > Reportage
A week on the streets with XR's Red Rebel Brigade
Writer and photographer Peter Brooks braves the heckles with the most enigmatic faction of the Extinction Rebellion uprisings.
Chile has woken: everything you need to know
This week, protestors have been taking a stand against inequality, corruption and soaring living costs. We join them on the streets as they fight for a fairer future.
News & Politics > Opinion
Private women's clubs are a crass capitalist con
What The Wing gets wrong
The Wing is an exclusive members club that promises to help women 'thrive' and 'connect' with each other. It seems like they're wildly missing the point.
Mica Levi's wild soundscapes are reshaping film scores
Chopped and screwed
With a haunting new composition for a feverish new film, the British disruptor is back doing what she does best – smashing boundaries, breaking new ground.
Outdoor > Surf
Lee-Ann Curren on the magic of music and surf
In partnership with LSFF
The French surfer and musician talks about her latest role as jury president for this year's London Surf Film Festival.

redpajama_set_name: RedPajamaCommonCrawl


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Spain's The Holeum reveals new song from debut album
The first glimpses of autumn are to be seen, time to get in the right mood with brand new The Holeum song 'Vertical Parallel Infinites' off the band's forthcoming album "Negative Abyss" - out September 23!
WATCH THE FULL TRACK TEASER FOR 'VERTICAL PARALLEL INFINITES' HERE
Having the title "Negative Abyss", the debut album of Spanish band The Holeum has to sound destructive, and hopeless. Founded in the second half of 2014, former musicians of bands like NahemaH, Demised, quantumXperience, Hela, Neptunian Sun, and Priest of Dawn started this new outlet to stretch the boundaries and to reinforce the emotional impression of what dark and weirdly music can be and achieve.
"Negative Abyss" consists of eight tracks expressing inner conflicts and the never ending search for meaning in life. The Holeum's first album debouches in between post metal and dark ambient – always being full of atmosphere, and subtleness. Being in preoccupation with its multi-layered heavy tunes, the Spanish four-piece undergoes a "Negative Abyss" to find relief and peace of mind in the end. The path is arduous as songs titles like 'Cosmic Horror', 'Dystopia', 'Nuclear Mysticism', or 'Pictures of the Uncanny' suggest. But The Holeum face up to their inner demons.
"NEGATIVE ABYSS" AVAILABLE ON CD AND DIGITAL - SEPTEMBER 23
Visit and "like" the band's Facebook page and stay tuned about latest news and live shows.
Iceland's Kontinuum sign to Season of Mist
Season Of Mist are proud to announce the signing of Kontinuum. The Icelandic-wave influenced ambient rockers will release their next full-length on this label.
Regarding their signing, Kontinuum confessed that they: "are very pleased to announce our signing with Season of Mist. To us it is important to work with people that we connect with. People that relate to our creative output and vision. This is why we look forward to our future cooperation with Season of Mist."
Kontinuum were conceived with the aim to create hypnotic and spiritual musical noise in Reykjavik, Iceland in the year 2010.
After sending demo tracks of their debut album 'Earth Blood Magic' to a few labels, a first deal was quickly struck. Kontinuum wasted no time and entered Sigur Rós' Sundlaugin Studio in the Icelandic town Mosfellsbær in order to begin record their first full length, which was released in 2012.
'Earth Blood Magic' received rave reviews across the board and was voted rock album of the year in Morgunblaðið, Iceland.
The band played numerous shows in 2013 and established a reputation as a powerful live band.
Kontinuum started working on their sophomore album in 2014. A first single titled "I Huldusal" was released the same year and received substantial radio play in Iceland, while even topping the charts of the island's largest alternative rock radio station.
'Kyrr' hit the stores in April 2015 alongside the brand new single "Breathe". Following the release of their second album, Kontinuum embarked on two tours in Germany and performed at several festivals including the prestigious Roadburn Festival (Netherlands), Eurosonic Festival (Netherlands), Icelandic Airwaves and Eistnaflug Festival at home, and Lithuania's Devilstone Festival.
www.facebook.com/KontinuumICE
www.instagram.com/KontinuumCult
www.twitter.com/Kontinuum_ICE
Germany's I Am Noah reveal artwork and track list for "The Verdict"
"The Verdict" will be released May 13 via Bastardized Recordings.
1. Defendant
2. Rise Of Mankind
3. Embrace The End
4. The Verdict
5. If Life Could Be The Answer
6. Unlearned
7. Deafblind
8. What Is Dead May Never Die feat. Dennis Fries
9. Drowned
10. One Man Wolfpack
11. Hourglass
12. Conquer The Thrones
German metal unit I Am Noah has revealed the cover art and track list for its debut album, "The Verdict".
Produced by Aljoscha Sieg at Pitchback Studio, the album questions the long-existing, yet unchallenged barriers of the mind that humanity has grown to accept. In 12 songs, unapologetic intensity meets empathy, devotion and structure.
Sonically rooted in ambient metalcore, the album is defined by its progressive riffing and percussive assault. The lyrics are written from the perspective of the album's fictional anti-hero, Noah.
"I Am Noah and I'm tired. I'm tired of people who distinguish themselves with their income, uniform, skin colour, religion, gender or nationality to affect everything and everyone. I'm tired of being closely watched. I'm tired of living in a society, which dictates who to be or not. I'm tired of facing people's failure in their attempt of making life better, whilst being deported and called illegal or haunted just because of their religion. I'm tired.. I'm done. I just want to abscond from this routine. Who's in? I Am Noah. Who are you?"
www.facebook.com/iamnoahofficial


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Customer's displays are intended to indicate the value of goods, checking the total amount, names of goods, as well as announcements and advertisements in banks and cash payment systems.
- Various communication protocols without having to switch jumpers.


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Lovingly maintained rambler in southern schools. 3 bedrooms, 2 full baths, 1 car attached garage,... Read More
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None Available is a subdivision within the city of Glen Rock, Pennsylvania. There are currently 5 Homes for Sale within None Available, with asking prices ranging from $124,900 to $1,500,000. The average list price per square foot of the available inventory in None Available is $234, which is above the Glen Rock average of $6. The Average Sales price of all sold real estate in this subdivision for the past year is $231,105. Recent comparable homes have been selling for 92.20% of their asking price. Waterfront homes represent 0.00% of the available None Available inventory. The population of None Available, according to the 2010 Census, is 2,025. The total number of households in the zip code of None Available is 2,971, with an average household size for of 2.54 people. The total number of renter households within the zip code of is 645, which means that 78.29% of households in this zipcode are owner occupant households.
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For book lovers, bookmobiles are oddly romantic. They seem like dream-machines, very real automobiles rolling through our lives in an almost impossible fashion.
The first American bookmobile was actually a wagon. Mary Titcomb, a Maryland librarian, recgonized that having books was only one part of the library's job: the other part was making the books accessible. The Washington County Library Wagon took books around the county, making scheduled stops in addition to impromptu dispersals.
This first "bookmobile" served until 1910, when it was hit by a train (no one was injured, though the fate of the books it was carrying is unknown).
The idea of bringing books to patrons caught on in the U.S., spurred by a widely distributed population and the desire for civic improvement. The Everett County Public Library has what is believed to be the oldest operating bookmobile, manufactured in 1924, and since fully restored.
An influx in public funds from the WPA during the Great Depression, especially in the South, led to a surge in library initiatives, bookmobiles included. This bookmobile from Chester County, South Carolina is a good example.
Post-war prosperity, a booming automobile industry, and increasing suburbanization continued the expansion of bookmobile service. The below picture of a Brooklyn library bookmobile doesn't really capture all of the trends of the time, but look at the kids!
As libraries have become the community's digital gathering place, bookmobiles have also been transformed into movable internet hubs. El Paso County's bookmobile was one of the early examples of this shift, with onboard workstations and satellite internet service.
I'm not sure if Memphis' bookmobile is the most advanced bookmobile in the country, but it sure is impressive. It brings the full array of modern library services out on the road: digital collections, seminars, career education, and more. I think I want to live in it.


I had a book advance, now I received a bill, what happened?
Anticipated awards are used to provide you an advance to purchase books. If your tuition, fees and the amount you used to purchase your books exceed your award amount based on your current enrollment level, you are responsible for paying the difference.
Any outstanding obligations should be met before enrolling for future terms.


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Tag Archives: cello metal
Metal Chick of the Month – Bruna Wanderley
Posted on April 1, 2022 by Gustavo Scuderi
Beauty in desolation, or else…
Born and raised in the city of Brasília, inaugurated as Brazil's capital in 1960, but currently residing in the charming city of Montreal, in the province of Quebec, in Canada, our metal lady of the month of April is here on The Headbanging Moose to embellish the airwaves with her distinguished music, bringing us the joy of the spring that has just started while still sounding as metal as she can be. If you're a fan of progressiveness, groove and experimentations in Rock N' Roll and Heavy Metal, get ready to be stunned by the multi-talented Bruna Wanderley, a songwriter, vocalist and cellist who's taking the world of heavy music by storm with her brand new project, entitled Kapitur. You'll certainly fall in love for the thunderous sound of her cello, placing her among the most interesting new names of the independent scene in Canada. Having said that, are you ready to rock together with Bruna and her incendiary cello?
Drawing from a young life in Brazil, living in an environment of violence, fear and contrasting beauty, artist and multi-instrumentalist Bruna Wanderley grew up in a conservative Evangelical milieu, which has led her to tease her family's most beloved boundaries and, since her solo arrival to infamously libertine Montreal in 2015, she has actively performed and recorded as a cellist in a wide array of contexts. For instance, until the beginning of 2019 she was part of an Art Punk Rock band from Montreal named Spectroom, before the band called it quits in February that year. Bruna played cello with Spectroom together with vocalist and bassist Angelo Carocci, guitarists Branco De Souza and Raya Traboulsi, and drummers Matisse Chan and Emixam Maxime Gaboriault, having recorded with them the 2018 five-song EP Kissing Garbage, available for a full listen on Spotify. Although not being metal at all, the music by Spectroom can indeed provide you with very nice and relaxing moments while listening to it, and of course you can enjoy each note played by Bruna on her stylish cello.
Apart from her time with Spectroom, Bruna can be seen playing live with Canadian Death Metal band Infección as their bassist (not cellist) together with vocalist and guitarist Diego, drummer Andrés, and also guest guitarist Jean Bélanger, since 2021. She might not have recorded anything yet with the band, but if you want to have a taste of their fury and aggressiveness you can enjoy their debut demo on their BandCamp page. Furthermore, Bruna was also a guest vocalist for Canadian Progressive Death Metal band Messora on their 2019 album The Door, recording additional vocals for the songs The Veil and The Tide. And if you want to see Bruna Wanderley "multiplied" by four, you can enjoy Bruna's cover video of Making a Murderer's full theme by composer Gustavo Santaolalla, who's largely known for his original score for The Last of Us, with all effects on the electric cello achieved with Line 6's Helix LT.
Before we talk about Bruna's brand new endeavor Kapitur, it's important to mention that, besides her career in the Arts and Culture industry working mainly as a cello instructor and performer in Montreal, where she currently resides as already mentioned, she also studied Sociology and Anthropology at UnB – Universidade de Brasília in Brazil from 2010 to 2015, Music at Escola de Música de Brasília from 2007 to 2013, and Music at Vanier College in Canada from 2016 to 2018, and has not only obtained several certifications in web programming and development such as Programming in HTML5 with JavaScript and CSS3, Regex and jQuery, but she also has experience working to some companies in Montreal in that segment, as well as volunteering experience as a barista and also running art workshops for Coop Le Milieu, also in Montreal.
However, as this is an underground metal webzine let's focus on what really matters, and that's the fusion of extreme music with the whimsical, thunderous sound of her cello in her new project, entitled Kapitur, formed in 2020. Under the up-and-coming Montreal, Canada-based Kapitur she composes, sings, performs guttural vocals and plays the cello, while Sam Neumann's unyielding drumming presents a strong contrast with the her unbound vocal and cello lines, also supported by guitarist Zach Dean and bassist Bruno Coe. The music is filled with soundscapes and hammering repetitions with bleak cacophony followed by heavenly melodies, being therefore highly recommended for fans of the music by Opeth, modern Swans, Godspeed You! Black Emperor, Saltland, and Tina Guo, among others. Bruna and her Kapitur will release an EP of original songs in the upcoming months, and while we wait for such distinguished experiment let's stay in touch with the band on Facebook, on Instagram, on BandCamp, and on Spotify, where by the way you can find her first-ever releases, those being the demo song Decay, and the cover version for Sepultura's all-time classic Roots Bloody Roots (or click HERE for all locations where you can buy or stream the song).
"Twenty-six years ago, Roots Bloody Roots pleaded for the preservation of Brazilian cultural diversity. Today, Kapitur's distinctive revisit of the song revolves around the historical alienation of common people regarded as different, the Bloody Roots of us outsiders. It grips on the struggle of finding oneself estranged from one's original and adoptive cultures, to the ongoing murder and colonization suffered by many people in a land that was theirs for centuries; from immigrant, racial, religious intolerance to the global, modern alien anxiety suffered by African descendants and their relationship to an inaccessible homeland. Roots Bloody Roots is about you, or someone you know and care for," commented Bruna about her newborn beast. Recorded and mixed by Jonathan Lefrançois Leduc, Kapitur's rendition for such undisputed metal classic will surely put a huge smile on the faces of Max and Igor Cavalera, Andreas Kisser and Paulo Jr., not just because of its rawness and aggressiveness, but also because Bruna is proudly carrying the flag of Brazilian metal to the four corners of the earth with her talent and hard work.
There are a few fun facts about Kapitur and the recording of Roots Bloody Roots that are definitely worth sharing with everyone reading this tribute to Bruna. First of all, when Kapitur's music video for the song was still unpublished, someone Bruna knows sent a private link to it to Sepultura, and they loved it so much that Derrick Green himself contacted her to say it's very creative, that it sounds incredible and that he looked forward to meeting her in person, which happened during their concert in Montreal on March 17 this year. In addition, Bruna mentioned that shooting the music video for the song was one of the most demanding and fun experiences the band has had so far. "It was a very cold Fall day, we set up a tent on the sandpits and unexpectedly spent 13 hours outdoors on the first day. As soon as we got there, one of the cars got stuck in the mud, and only after greatly shoving, did a guy on a tractor appear to tow the car in a few seconds. The photographer was buried naked in the sand at 5°C – he did say he liked it. For the entire time, I was cold from shooting in a thin dress and being barefoot on the sand. At night, we had to beware of the coyote sounds coming our way – it was so reassuring to have combustible material available, just in case. Finally, all the team left the site at 3 a.m., with our gear frosted by the dew and fake blood stains on our clothes and shoes. That whole night felt really special though. Will do it again next year, once we get rid of all the sand stuck in our stuff," said our skillful cellist.
In summary, the multi-talented Bruna Wanderley can sing, play cello and bass, compose, write lyrics, act, and so on, which proves how focused and talented she is and, at the same time, showcases all her passion for music in general. I won't be surprised if in a not-so-distant future we start seeing partnerships between Bruna and both underground and mainstream rock and metal bands, and I would love to see what she could do together with renowned bands the likes of Cradle of Filth, Triptykon and Tristania, adding her own touch of darkness, doom and heaviness to their already venomous music. Having said all that, let's raise our horns to the "Cello Metal" blasted by Bruna Wanderley, resting assured she'll always remain loyal to heavy music and to her roots, bloody roots.
Bruna Wanderley's Official Facebook page
Kapitur's Official Facebook page
Kapitur's Official Instagram
Kapitur's Official YouTube channel
Kapitur's Official BandCamp page
"It's uncommon to hear a classical instrument like the cello in heavy music that isn't Melodic or Symphonic Metal. My intent is to explore creative ways of using my instrument in heavier contexts." – Bruna Wanderley
Posted in Metal Chick of the Month | Tagged andrés, andreas kisser, angelo carocci, anthropology, art punk rock, arts, branco de souza, brasília, brazil, bruna wanderley, bruno coe, canada, cello metal, coop le milieu, culture, death metal, decay, derrick green, diego, emixam maxime gaboriault, escola de música de brasília, heavy metal, igor cavalera, infección, jonathan lefrançois leduc, kapitur, kissing garbage ep, making a murderer, matisse chan, max cavalera, messora, montreal, paulo jr., progressive death metal, quebec, raya traboulsi, rock n' roll, roots bloody roots, sam neumann, sepultura, sociology, spectroom, the door, the tide, the veil, unb, unb - universidade de brasília, universidade de brasília, vanier college, zach dean | Leave a reply
Metal Chick of the Month – Tina Guo
Posted on March 2, 2018 by Gustavo Scuderi
A true metal cello Wonder Woman!
She might not be a pure Heavy Metal woman, but her superior skills and her passion for music truly make her unique. Armed with her flammable cello or with her whimsical erhu (the same two-stringed bowed musical instrument used by Taiwanese metallers Chthonic), she has been embellishing stages, movies, television and video game scores with her refined technique and stunning looks since around 1994, when her unparalleled career kicked off. Born on October 28, 1985 in Shanghai, China's biggest city, a global financial centre and transport hub and one of the most populous cities in the world with a population of more than 24 million as of 2017, but currently residing in Los Angeles, California, United States, here comes the internationally acclaimed and Grammy-nominated Chinese-American cellist, erhuist, recording artist and composer Tina Guo (or 郭婷娜 in Chinese), a woman with a multi-faceted career and mastery in a wide range of genres, showcasing a deep and strong passion for musical exploration, artistic expression and technology. And of course, among all that, there's still time for her to demonstrate her appreciation for our good old heavy music.
Tina Guo was born in Shanghai to father Lu-Yan Guo, a concert cellist, and mother Fei-Fei Soong, a concert violinist, both artistic directors of the California International Music and Art Festival, an annual event held in San Diego, California. She began playing piano at the age of 3 in China, but once she moved to America at the age of 5 with her family, she began violin lessons with her mother. At the age of 7, she began studying the cello under the instruction of her father, with both her parents forcing her to practice 6 to 8 hours a day. She then continued her professional cello studies with Slovenian cellist Eleonore Schoenfeld (1925–2007), one of the most influential cellists of the 20th century (who also taught Guo's father), at the University of Southern California's Thornton School of Music on full scholarship.
During her freshman year, Guo started dating a guitar player of an 80's-style classic Heavy Metal band, and after attending one of their shows one night at The Whiskey in Hollywood, she started to think about how she could incorporate the cello into the metal style, experimenting with pedals and different techniques while trying to figure out how to play the cello and sound like a guitar player. While the fingering for both instruments were virtually the same, it took her three years and many YouTube videos to figure out what she was doing. She eventually left USC in her junior year, despite having a full scholarship to attend, after she found it increasingly difficult to balance performing and going to classes. Her parents were very angry and didn't understand her decision at the time, getting used to the idea after a while. As a matter of fact, she claims to hold a Bachelors in Metaphysical Theology with a focus on Eastern Philosphy from the International College of Metaphysical Theology, but this is an unaccredited distance learning degree mill.
Her career has reached such a complex and diverse level I'm pretty sure you've listened to the cello by our Asian virtuoso at least once in your lifetime in a movie score, in a video game, or in a multitude of other media platforms. Known for her distinct videos showcasing her talent against theatrical backdrops and elaborate costumes, she has already appeared in her career as a soloist with the San Diego Symphony, the National Symphony Orchestra in Mexico, the Thessaloniki State Symphony in Greece, the Petrobras Symphony in Brazil, and the Vancouver Island Symphony in British Columbia, not to mention her participation in the Civic Youth Orchestra at the age of 10, her performance with violinist Midori Goto in Dvorak's American String Quartet at Walt Disney Concert Hall in Los Angeles, and her four national tours of Mexico and Italy performing the Shostakovich, Dvorak, Haydn, and Saint-Saëns Cello Concertos. Tina endorses Larsen Strings, Yamaha, Line 6, Sennheiser, Focusrite, ENGL Amps, Voodoo Lab Pedals, Coffin Case, Samson, Reunion Blues, Analysis Plus Cables and Apogee Electronics.
Among her countless other projects and appearances as a special guest musician, some of the most interesting ones are her performance with the Tenerife Symphony and Choir in the Canary Islands performing Batman: The Dark Knight; her 2017 Australian tour with an all-girl crossover band named Metaphor; her 2008 Grammy Awards performance with the Foo Fighters; her 2011-2013 tour as the featured electric cellist with Cirque du Soleil's Michael Jackson: The Immortal World Tour; her performance for the League of Legends World Championship to a sold out arena at Staples Center in Los Angeles and an audience of 33 million streaming online; playing the electric cello in a super-band with The Crystal Method, Wes Borland (Limp Bizkit), Danny Lohner (NIN), Joe Letz (Combichrist) and the Hollywood Scoring Orchestra; playing with Brazilian guitarist Victor Biglione in a Jimi Hendrix Tribute Concert at the Copacabana Palace in Rio de Janeiro; performing as soloist on music from Vikings, Dexter, Game of Thrones, and Chicago Fire with the Krakow Symphony and Polish Radio Choir at the Krakow Film Music Festival; and completing an acoustic tour and two sold-out performances at Carnegie Hall in 2016 with Blues Legend Joe Bonamassa, as you can see in the song Black Lung Heartache.
Furthermore, Tina has already shared the stage in her career with The Tenors, Stevie Wonder, Peter Gabriel, Josh Groban, John Legend, LeAnn Rimes, Chris Isaak, Il Divo, Ariana Grande, Lupe Fiasco, and Michael McDonald, among others, and has been featured as a soloist on the scores of several movies such as Wonder Woman, Dunkirk, Inception, Clash of the Titans, Olympus Has Fallen, Escape Plan, Sleepy Hollow, Hancock, Battle: Los Angeles, Predators and X-Men: First Class, as well as TV shows like The Mentalist, Family Guy, American Dad, King of the Hill, commercials for Apple, Under Armour, and countless video games. As a solo artist, Tina has already released 8 albums, those being Autumn Winds and The Journey (both in 2011), Eternity (2013), Ray of Light and A Cello Christmas (both in 2014), Inner Passion (with Peter Kater) and Cello Metal (both in 2015), and more recently Game On! (2017). Furthermore, you can enjoy some very interesting videos on YouTube where Tina shows all her skills with her erhu, such as "Tina Guo plays music from Uncharted 2 on the Erhu with the GSPO", and "Tina Guo and Michael Barry Random Jam: Danny Boy on Erhu and Piano", or simply enjoy some of her official videos and songs like World of Warcraft, Dragonborn, Forrest Gump: Feather Theme and Genesis Rising.
In regards to Tina's contributions to the metal scene, she has been featured as a guest cellist in numerous distinguished bands and projects since 2009. For instance, in 2009 she played the cello in the songs The Lone Spaniard and So Far Gone, from the album Molecular Heinosity by American Progressive Metal/Rock keyboardist Derek Sherinian; in the song I Am the Nothing, from the 2014 album The Beauty of Destruction by American Metalcore act Devil You Know (now called Light The Torch); in the 2017 album Störtebeker, by German Heavy/Power/Progressive Metal band FB1964; in the single Let Down, from the 2011 album Secret Passion by Dutch Symphonic Gothic Metal group Imperia; in the song Duet for Electric Guitar and Electric Cello in A Minor, from the 2010 album Speed Force by American shredder Maxxxwell Carlisle; and in the 2015 album The Life I Remember, by American Groove Metal act Once Human.
Among her main influences in music, we'll find the most diverse range of bands and artist like Rammstein, Jacqueline du Pre, System of a Down, Hans Zimmer, Ennio Morricone, Lady Gaga, Apocalyptica, Metallica, Sevendust, Marilyn Manson and Nine Inch Nails, just to give you an idea of how eclectic our stunning cellist is. Moreover, when asked about what music means for her, Tina said that playing music requires an intense emotional connection, and that she didn't always have such level of creative freedom in her life due to her strict childhood with her parents, who lived through the Chinese Cultural Revolution and who consequently didn't allow her to listen to any other types of music at home besides classical music. However, it was through a critically acclaimed album by one of the aforementioned influences, the classic Antichrist Superstar by the iconic American rockstar Marilyn Manson, that she got her first taste of Industrial Metal and heavy music in general, getting to know the rebellious music by bands like Daft Punk and Guns N' Roses from then on.
The indomitable Tina Guo is not our metal chick of the month in vain, having released in 2015 a majestic album of heavy music titled CELLO METAL, with Tina obviously on the electric cello and featuring Wes Borland and John Huldt on the guitars, Marty O'Brien (We Are The Fallen) on bass, and Glen Sobel (Alice Cooper, Alcatrazz) on drums, as well as guitarists Al Di Meola, John 5 (Marilyn Manson) and Nita Strauss (The Iron Maidens). Tina and her henchmen delivered ass-kicking cello-infused cover songs for some of the biggest metal classics with this album, which by the way took around three years to be ready, those being Iron Maiden's The Trooper, Slayer's Raining Blood, Black Sabbath's Iron Man, Pantera's Cowboys From Hell, and Metallica's Sanitarium, together with five original songs (Child of Genesis, The God Particle, Eternal Night, Forbidden City and Queen Bee). By the way, Tina spent her entire life savings (a little under US$ 6,000) on the official video for Queen Bee, a metal-inspired take on the orchestral interlude "Flight of the Bumblebee" by Russian composer Nikolai Rimsky-Korsakov, and that risk paid off as what's probably her "most extreme" music video to date (it got an 18+ restriction on YouTube) caught the attention of Hans Zimmer, who at that time was searching for a cellist to play on the score of Sherlock Holmes. "I wasn't trying to get into the soundtrack world. Actually, I was hoping that Rammstein would see the video and invite me to play with them", said our skillful cellist in one of her interviews. Anyway, you can have a very detailed listen at Cello Metal on Spotify, and see why this Asian bombshell is respected and admired by the entire world of music, including the always-demanding metal scene.
And Tina is not only an accomplished cellist, but she's also a writer, a philanthropist and a very successful businesswoman. As a writer, her first published work was called "Event Horizons of Yin and Yang", a collection of philosophical prose and poetry. As a philanthropist, Guo is a passionate supporter of the Academy of Music for the Blind, Partners in Health, Animal Welfare Institute, Homes for our Troops and Child Find of America. For instance, in 2015, she released a Charity album with 13 composer friends called Tina Guo & Composers for Charity, with 100% of the proceeds from the album going directly to Mr. Holland's Opus Foundation in support of music education. And last but not least, as a businesswoman, she runs a Los Angeles-based venture named Tina Guo Contracting, which provides exclusive musicians and entertainment for live performances, recording and corporate events; she has a sample library that composers and producers can purchase and use; and above all that, she started her own music instrument line, named Tina Guo Strings, selling custom acoustic cellos, carbon fiber cases, and colourful "unicorn hair" bows for the violin, viola, and cello, with her first products available being the Tina Guo Model 300 cello, the Tina Guo Elite Master Art Model 600 cello, and a full line of custom Tina Guo bows. As a matter of fact, she has been self-managing her career since the beginning, having only signed an exclusive recording contact with Sony Music in 2016, as she thinks it's very important to understand the business aspect and see everything that's going on, especially because managers are always going to have other clients they're dealing with.
However, despite being a successful musician and entrepreneur, she hasn't been immune to sexism yet, noting that image sells in the performing world, and as a young Asian-American woman she's more than familiar with the challenges that come with working in these two very white male-dominated spheres. "As a performing artist, we don't only listen with our ears", she said in one of her interviews. "If I look different or wasn't as young, I might have a very different experience." You can get a sense of all the awesomeness surrounding Tina as a musician and as a woman by watching several videos on YouTube where she's either playing her cello or talking about her career and skills, such as "Tina Guo and her troublesome cello", an interview with Tina Guo on classical and electric cello, or a mini-tutorial on playing fast, proving she's more-than-ready to conquer the entire world of music and arts no matter how sexist that world might be.
Gand & Bernardel Cello (Paris, France, 1878)
Custom Tina Guo Model Yamaha SVC-210
Erhu (Shangai, China)
Tina Guo's Official Facebook page
Tina Guo's Official Twitter
Tina Guo's Official Instagram
Tina Guo's Official YouTube channel
"When I make music, I am completely pure, naked, and open. I long for the moments when my outer shell no longer matters. I hunger for every genuine tear of sorrow, joy, or understanding shared. When you can hear me for who I am, and see me in a way that doesn't involve looking at me, but rather looking through me, only then can I be satisfied." – Tina Guo
Posted in Metal Chick of the Month | Tagged al di meola, black lung heartache, california, cello, cello metal, china, cowboys from hell, custom tina guo model yamaha svc-210, derek sherinian, devil you know, dragonborn, duet for electric guitar and electric cello in a minor, eleonore schoenfeld, erhu, 郭婷娜, flight of the bumblebee, forbidden city, forrest gump: feather theme, game of thrones, gand & bernardel cello, genesis rising, glen sobel, hans zimmer, heavy metal, i am the nothing, imperia, international college of metaphysical theology, iron man, joe bonamassa, john 5, john huldt, let down, los angeles, marty o'brien, maxxxwell carlisle, mr. holland's opus foundation, nikolai rimsky-korsakov, nita strauss, once human, queen bee, raining blood, sanitarium, shangai, so far gone, the lone spaniard, the tina guo elite master art model 600, the trooper, tina guo, tina guo & composers for charity, tina guo model 300, tina guo strings, united states, university of southern california's thornton school of music, wes borland, wonder woman, world of warcraft, yamaha | Leave a reply
Metal Chick of the Month – Jayn Maiven


text:
"My individual role is to take the innings as deep as I can and perform in a way that benefits the team most."
Quote #6890
wearing of hijab Azam Khan (disambiguation), several people Azam Khodayari, Iranian athlete who competed at the 2004 Summer Paralympics Azam Radzhabov (born...
Name Babar Azam
Profession Athlete
Nationality Pakistani
Total 49 Quotes
I expected to be doing basement theater in the suburbs of Stockholm.
Gustaf Skarsgard, Actor
More Quotes by Gustaf Skarsgard
"I have heard good things about Somerset from Azhar Ali, and I want to play a part in the Club winning matches."
"I'm looking forward to the new challenge that playing T20 cricket in England will bring."
"My aim is to be the best in the world and perform in each of Pakistan's wins."
"I keep learning from my mistakes, and I take advice from my seniors, and the aim is to be the best in the world across all formats."
"I try to learn with experience. This is my process of learning, so I try my 100 per cent."
"I try to play like Kohli and compete with him."
"If I can be number one in the world without power hitting, then I don't need power hitting. But when I need to, I utilise it well."
"Runs are runs, even if they are coming off playing cut shots or in front, but it's not like T20 can only be played with big shots."
"It is not my role to go out and do the power hitting. My job is to play my natural game."
"There is always a plan, and that is very simple - to lead the game till the end - and my role is to play the anchor while the team plays around me."
"I do not pay any heed to the negative thoughts, I just go with the plan my team gives me."
"I'd be lying if I say that not scoring a Test century was a burden on me."
"In the U.A.E., the wickets are on the slower side. You can't play through the line; you need to take your time and be patient."
"I don't just play along the ground. I practice hitting the ball big, and when needed, I use it."
"My role is to play out the full overs."
"Of course, every batsman gets out. I know that. It is almost inevitable that no matter what you do, you will get out at some point or the other."
"The World Cup is a very big event. Every player dreams of playing in one, and it was my dream, too."
"Even when I played in club matches, I would take it to heart that I had got out early."
"When I get out, I get annoyed with myself."
"When you continue to perform, your confidence level increases dramatically."
"If I'm going for a shot, then I've just resolved to go for it and not think too much about it."
"Early on in my career, I used to get out in the 30s, 40s, fifties, and 60s. So I really appreciated reaching my first hundred."
"I am trying to take my ODI confidence to Test cricket."
"My mindset is always focused, which goes up on match days."
>>Next
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Is Herbal Medicine Right for Me?
The NHS claim that as many as 30% of the population have a blood pressure reading above what is currently considered normal. This reading reflects the level of pressure blood vessel walls are subjected to; the theory being the higher the level the more demand is put on ones heart and circulatory system.
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Branden Criss, the 24-year-old CEO of Great Catch Marketing Solutions. Branden's passion for marketing and technology led him to start a firm that specializes in mobile marketing.
He is the 2014 Cincinnati Herald Award recipient and his company also created the mobile app for the Ohio Hip Hop Awards.
He also held the 2017 Industry Plugg event in Atlanta that set artists drive on fire. He along with his partner Craig King plugged aspiring talent in with a panel of industry professionals including managers, A&R's, Producers and much more!
His goal is to take his business national and provide innovative market place solutions for business owner and entrepreneurs all over.
If you want to be successful you must be able to sale your business in 30 seconds.
Know the color of your brand and why? Colors have meaning It's important to use the right colors to showcase what your brand attributes.
You must know the Problem your brand solves. The best brand to have is one that solves a problem.
Before you can be successful with your own business, you must do your research.
Branden gave examples of 3 brands that failed and talked about why they weren't successful.
You should be able to name 5 brands that are successful especially within your industry.
You have to understand what a brand strategy is and how to use it. "Mobile marketing is the new trend for successful businesses." Branden advised.
He is well on his way to becoming a mogul like Dj Khaled!
If you need a App designed , website designed, business plan, Consultation or want to learn more about B. Criss Contact him by email at @bcriss09@gmail.com!


Working with large bakeries WMH has designed and built many spiral freezer and chiller loading and unloading systems to handle many formats of product from chilling of freshly baked goods to freezing of ice cream.
WMH freezer loading systems integrate with your assembly lines or ovens and will gently collate or lane products across the belt to ensure your line runs efficiently with optimum product loading to achieve the maximum throughput for your production line.
WMH chiller and freezer unloading systems ensure a smooth transition of product through your line. High level outfeeds are designed to minimise the risk to products by bringing products down to low level as soon as possible, but also maintaining shallow decline angles to ensure products are handled in a controlled manner.
WMH works closely with the supplier of your freezer or chiller to develop a solution that best suits your product and production requirements.


text:
Q: Approximate excel spreadsheet I am trying to approximate the following table below.

After a lot of work I was able to produce the following table using the tabu package

In the MWE I included the showframe option, just to see where the figure spills into the margins. While close there are a few problems I have not been able to figure out

*

*Why is there a gap between the B and C column. Is it because of the multicolumn title?

*I used \tabu package along with the X column delimiters, despite this the table still runs into the right hand side margins. Why?

*I tested with a few different PDF'viewers and it seems there are a lot of inconsistensies in the horizontal and vertical rules. Is this possible to fix?

*While the result is close, the code is a complete dumpster fire. Could we
obtain a similar table using a simpler code?
MWE
\documentclass[tikz, border=1mm]{article}
\usepackage[utf8]{inputenc}

\usepackage[showframe]{geometry}

\usepackage{tabu}
\usepackage{multicol, multirow}
\usepackage[table]{xcolor}

\definecolor{maincolorLight}{HTML}{838fbc}
\definecolor{darkGray}{HTML}{e6e6e6}
\definecolor{lightGray}{HTML}{f2f2f2}

\usepackage{siunitx}

\newcolumntype{Y}{>{\columncolor{lightGray}}X}
\newcolumntype{g}{>{\columncolor{darkGray!80!black}}X[r]}

\newcommand{\tC}[1]{\multicolumn{1}{|c|}{\gK\textbf{#1}}}
\newcommand{\tR}[1]{\multicolumn{1}{|r|}{\gK\textbf{#1}}}
\newcommand{\tL}[1]{\multicolumn{1}{|l|}{\gK\textbf{#1}}}

\newcommand{\tD}[1]{\multicolumn{2}{|l}{\gK\textbf{#1}}}

\newcommand{\tM}[1]{\multicolumn{1}{|c|}{\gK$\num{#1}$}}
\newcommand{\tP}[1]{\multicolumn{1}{|c|}{\gK$\SI{#1}{\percent}$}}

\newcommand{\gK}{\cellcolor{darkGray}}
\newcommand{\cK}{\cellcolor{maincolorLight!50!}}

\newcommand{\tCc}[1]{\multicolumn{1}{|c|}{\cK #1}}
\newcommand{\tCw}[1]{\multicolumn{1}{|c|}{\cellcolor{white} #1}}

\newcommand{\Cline}[1]{\cline{1-1}\cline{#1}}

\newcommand{\tableTitle}{\multicolumn{5}{l}{\cellcolor{lightGray} \multirow{-2}{*}{\large \textbf{Skateberegning for personer med personinntekt over} $\num{565 400}$}}}

\begin{document}

\begin{table}[]
    \centering
    \begin{tabu} to \textwidth{g | Y *{5}{Y[5]}} \rowcolor{darkGray!80!black}
            &A& B              & C              & D              & E                & F                   \\ \hline
            & &                &                  &                &                &                     \\
          1 & & \tableTitle                                                                               \\ \cline{1-1}
          2 & &                &                  &                &                &                     \\ \Cline{3-5}
          3 & & \tD{Personinntekt}                & \tCw{}         &                &                     \\ \Cline{3-5}
          4 & & \tD{Samlet fradrag:}              & \tCw{}         &                &                     \\ \Cline{3-5}
          5 & & \tD{Alminnelig Inntekt:}          & \tCc{}         &                &                     \\ \Cline{3-5}
          6 & &                &                  &                &                &                     \\ \Cline{1-1}
          7 & &                &                  &                &                &                     \\ \Cline{3-6}
          8 & &  \tD{}                            &\tC{Prosentsats}& \tC{Beløp}     &                     \\ \Cline{3-6}
          9 & &  \tD{Skatt av alminnelig inntekt:}& \tP{25}        & \tCc{}         &                     \\ \Cline{3-6}
         10 & &  \tD{Trygdeavgift:}               & \tP{8.5}       & \tCc{}         &                     \\ \Cline{3-6}
         11 & &                &                  &                &                &                     \\ \cline{1-1}
         12 & & \textbf{Trinnskatt} &             &                &                &                     \\ \Cline{3-7}
         13 & &  \tR{}         & \tC{Prosentsats} & \tC{Fra}       & \tC{Til}       & \tC{Skatt på trinn} \\ \Cline{3-7}
         14 & &  \tL{Trinn 1:} & \tP{0.44}        & \tM{159800.00} & \tM{224900.00} & \tCc{286.44}        \\ \Cline{3-7}
         15 & &  \tL{Trinn 2:} & \tP{1.7}         &\tM{224900.00}  & \tM{565400.00 }& \tCc{5788.50}       \\ \Cline{3-7}
         16 & &  \tL{Trinn 3:} & \tP{10.7}        & \tM{565400.00} & \tM{909500.00} & \tCc{}              \\ \Cline{3-7}
         17 & &  \tL{Trinn 4:} & \tP{13.7}        & \tM{909500.00} & \tL{}          & \tCc{}              \\ \Cline{3-7}
         18 & &  \tL{Totalt:}  & \tL{}            & \tL{}          & \tL{}          & \tCc{}              \\ \Cline{3-7}
         19 & &                &                  &                &                &                     \\ \Cline{3-4}
         20 & & \tR{Samlet skatt:} & \tCc{}       &                &                &                     \\ \Cline{3-4}
         21 & &                &                  &                &                &                     \\
    \end{tabu}
    \caption{Caption}
    \label{tab:my_label}
\end{table}
\end{document}

A: Worth to mention that the package pas-tableur was made specifically to create a spreadsheet layouts, although probably not those with rich cell formattings (different grid thickness/backgrounds, etc.) as showed in the question (or maybe is perfect for this purpose, really I never used it).

\documentclass{article}
\usepackage{pas-tableur}
\begin{document}

\begin{tikzpicture}
\tableur[8]{A,B,C,D,E}
\celtxt[color=red]{D}{1}{=B3}
\celtxt*[r]{A}{3}{$\pi =$}
\celtxt*{B}{3}{3.14}
\selecCell{C}{5}
\celtxt[l]{C}{5}{28/12/2017}
\multiSelec{A-1}{C-2}
\celtxt[c]{B}{7}{Very long text that take more than one cell}
\end{tikzpicture}

\end{document}

A: NB! Do not use tabu. It is an outdated and depreciated package.
Using cals
Here is a possible solution using cals. In this second version, I have updated the code with lighter rules (0.4pt). The colours are set according to your MWE. I removed the background page colour and colourised the tabular light gray:
\documentclass[11pt, a4paper, twoside]{report} % If you use standard margins, you need
                                               % footnotesize for table and enlarge the page with two
                                               % baselineskips to have room for the table
\usepackage[utf8]{inputenc}
\usepackage[norsk]{babel}
\usepackage{xcolor, cals}

\renewcommand{\sfdefault}{uop}                % Optima as sans serif font
\renewcommand{\rmdefault}{\sfdefault}         % Whole document in sans serif

\usepackage{pdflscape}                        % It is necessary to set the table in landscape
                                              % An alternative is to rotate the table

\let\nc=\nullcell                             % Shortcuts
\let\sc=\spancontent

\definecolor{maincolorLight}{HTML}{838fbc}
\definecolor{darkGray}{HTML}{e6e6e6}
\definecolor{lightGray}{HTML}{f2f2f2}

\begin{document}

%\pagecolor{gray!10}                        % Set page background light gray
\begin{landscape}
\footnotesize                               % If not, the tabular is to wide for the standard margins

\enlargethispage{3\baselineskip}            % If not, the tabular is to high for the standard margins

\noindent\begin{calstable}

% Defining 9 column relative to each other and relative to the margins
\colwidths{{\dimexpr(\columnwidth/90 *3)\relax}
            {\dimexpr(\columnwidth/90 *3)\relax}
            {\dimexpr(\columnwidth/90 *13)\relax}
            {\dimexpr(\columnwidth/90 *13)\relax}
            {\dimexpr(\columnwidth/90 *13)\relax}
            {\dimexpr(\columnwidth/90 *13)\relax}
            {\dimexpr(\columnwidth/90 *12)\relax}
            {\dimexpr(\columnwidth/90 *10)\relax}
            {\dimexpr(\columnwidth/90 *10)\relax}
            }
% The 9 columns have to sum up to 90 to fill the text area

% Set up the tabular
\makeatletter
\def\cals@framers@width{0.4pt}   % Outside frame rules, decrease if you find the rule too heavy
\def\cals@framecs@width{0.4pt}
\def\cals@cs@width{0.4pt}        % Inside rules, decrease if you find the rule too heavy
\def\cals@rs@width{0.4pt}
\def\cals@bodyrs@width{0.4pt}    % The rule between title and body
\cals@setpadding{Ag}             % Default value
\cals@setcellprevdepth{Al}       % Default value
\def\cals@bgcolor{}              % Initiate cals@bgcolor to empty

\def\dgray{\ifx\cals@bgcolor\empty         % Colour switch (on-off)
    \def\cals@bgcolor{darkGray!80!black}
\else \def\cals@bgcolor{} \fi}

\def\gray{\ifx\cals@bgcolor\empty          % Colour switch (on-off)
    \def\cals@bgcolor{darkGray}
\else \def\cals@bgcolor{} \fi}

\def\lgray{\ifx\cals@bgcolor\empty         % Colour switch (on-off)
    \def\cals@bgcolor{lightGray}
\else \def\cals@bgcolor{} \fi}

\def\white{\ifx\cals@bgcolor\empty         % Colour switch (on-off)
    \def\cals@bgcolor{white}
\else \def\cals@bgcolor{} \fi}

\def\blue{\ifx\cals@bgcolor\empty          % Colour switch (on-off)
    \def\cals@bgcolor{maincolorLight!50}
\else \def\cals@bgcolor{} \fi}

\def\bb{\ifx\cals@borderB\relax            % Bottom border switch (off-on)
    \def\cals@borderB{0pt}
\else \let\cals@borderB\relax\fi}

\def\lb{\ifx\cals@borderL\relax            % Left border switch (off-on)
    \def\cals@borderL{0pt}
\else \let\cals@borderL\relax\fi}

\def\rb{\ifx\cals@borderR\relax            % Right border switch (off-on)
    \def\cals@borderR{0pt}
\else \let\cals@borderR\relax\fi}

\def\rp{\ifdim\cals@paddingR=0.0pt\relax   % Left padding switch (off-on)
    \cals@setpadding{Ag}
\else \setlength{\cals@paddingR}{0pt}\fi}

% R1 Heading
\thead{
\brow
    \dgray\alignC\cell{}    % Switched on dark gray. Works until it is turned off.
    \cell{A}
    \cell{B}
    \cell{C}
    \cell{D}
    \cell{E}
    \cell{F}
    \cell{G}
    \cell{H}\dgray        % Switch off dark gray at the end of the row.
\erow
}
% R2 Body
\brow
    \dgray\cell{\vfill1}\dgray
    \lgray\bb\nc{ltb}
    \nc{tb}
    \nc{tb}
    \nc{tb}
    \nc{tb}
    \nc{tb}
    \nc{tb}
    \nc{rtb}\sc{\rule{2pt}{0pt}\vfil\Large\bfseries Skatteberegning for personer med personinntekt over kr 565\,400}\bb\rb\lgray
\erow

% R3 Body
\brow
    \rb\dgray\cell{2}\dgray\rb
    \lgray\bb\cell{}
    \bb\cell{}
    \cell{}\bb
    \cell{}
    \cell{}
    \cell{}
    \cell{}
    \rb\cell{}\lgray
\erow
% R4 Body
\brow
    \bb\dgray\cell{3}\dgray\bb
    \lgray\cell{}\lgray
    \gray\bb\alignL\cell{\bfseries Personinntekt}\gray
    \white\cell{}\white\rb\bb
    \lgray\cell{}
    \cell{}
    \cell{}
    \cell{}
    \rb\cell{}\lgray
\erow
% R5 Body
\brow
    \bb\dgray\alignC\cell{4}\dgray\bb
    \lgray\cell{}\rb\lgray
    \gray\bb\rb\alignL\cell{\bfseries Samlet fradrag:}\gray
    \white\cell{}\white\rb\bb
    \lgray\cell{}
    \cell{}
    \cell{}
    \cell{}
    \rb\cell{}\lgray
\erow
% R6 Body
\brow
    \bb\dgray\alignC\cell{5}\dgray\bb
    \lgray\cell{}\lgray
    \gray\bb\alignL\cell{\bfseries Alminnelig inntekt:}\gray
    \blue\cell{}\blue\bb\rb
    \lgray\cell{}
    \cell{}
    \cell{}
    \cell{}
    \rb\cell{}\lgray
\erow
% R7 Body
\brow
    \bb\dgray\alignC\cell{6}\dgray\rb\bb
    \lgray\cell{}
    \cell{}
    \cell{}
    \cell{}
    \cell{}
    \cell{}
    \cell{}
    \rb\cell{}\lgray
\erow
% R8 Body
\brow
    \bb\dgray\cell{7}\dgray\bb
    \lgray\rb\cell{}
    \bb\cell{}
    \cell{}
    \cell{}
    \cell{}\bb
    \cell{}
    \cell{}
    \rb\cell{}\lgray
\erow
% R9 Body
\brow
    \bb\dgray\cell{8}\dgray\bb
    \lgray\cell{}\lgray
    \gray\bb\nc{ltb}
    \nc{rtb}\alignL\sc{}
    \alignC\cell{\bfseries Prosentsats}
    \cell{\bfseries Beløp}\rb\bb\gray
    \lgray\cell{}
    \cell{}
    \rb\cell{}\lgray
\erow
% R10 Body
\brow
    \bb\dgray\alignC\cell{9}\dgray\bb
    \lgray\cell{}\lgray
    \gray\bb\nc{ltb}
    \nc{rtb}\alignL\sc{\bfseries Skatt av alminnelig inntekt:}
    \alignC\cell{\bfseries 25 \%}\gray
    \blue\cell{}\blue\bb\rb
    \lgray\cell{}
    \cell{}
    \rb\cell{}\lgray
\erow
% R11 Body
\brow
    \bb\dgray\cell{10}\dgray\bb
    \lgray\cell{}\lgray
    \gray\bb\nc{ltb}
    \nc{rtb}\alignL\sc{\bfseries Trygdeavgift:}
    \alignC\cell{\bfseries 8,2 \%}\gray
    \blue\cell{}\blue\bb\rb
    \lgray\cell{}
    \cell{}
    \rb\cell{}\lgray
\erow
% R12 Body
\brow
    \bb\dgray\cell{11}\dgray\bb
    \lgray\rb\cell{}
    \cell{}
    \cell{}
    \cell{}
    \cell{}
    \cell{}
    \cell{}
    \rb\cell{}\lgray
\erow
% R13 Body
\brow
    \bb\dgray\cell{12}\dgray\bb
    \lgray\rb\cell{}
    \bb\alignL\cell{\bfseries Trinnskatt}
    \cell{}
    \cell{}
    \cell{}
    \cell{}\bb
    \cell{}
    \rb\cell{}\lgray
\erow
% R5 Body
\brow
    \bb\dgray\alignC\cell{13}\dgray\bb
    \lgray\cell{}\lgray
    \gray\bb\cell{}
    \alignC\cell{\bfseries Prosentsats}
    \cell{\bfseries Fra}
    \cell{\bfseries Til}
    \cell{\bfseries Skatt på trinn}\bb\rb\gray
    \lgray\cell{}
    \rb\cell{}\lgray
\erow
% R5 Body
\brow
    \bb\dgray\alignC\cell{14}\dgray\bb
    \lgray\cell{}\lgray
    \gray\bb\alignL\cell{\bfseries Trinn 1:}
    \alignC\cell{0,44 \%}
    \alignL\cell{kr \hfill 159\,800,00}
    \alignL\cell{kr \hfill 224\,900,00}\gray
    \blue\cell{kr \hfill 286,44}\blue\bb\rb
    \lgray\cell{}
    \rb\cell{}\lgray
\erow
% R16 Body
\brow
    \bb\dgray\alignC\cell{15}\dgray\bb
    \lgray\cell{}\lgray
    \gray\bb\alignL\cell{\bfseries Trinn 2:}
    \alignC\cell{1,4 \%}
    \alignL\cell{kr \hfill 224\,900,00}
    \alignL\cell{kr \hfill 565\,400,00}\gray
    \blue\cell{kr \hfill 5\,758,50}\blue\bb\rb
    \lgray\cell{}
    \rb\cell{}\lgray
\erow
% R17 Body
\brow
    \bb\dgray\alignC\cell{16}\dgray\bb
    \lgray\cell{}\lgray
    \gray\bb\alignL\cell{\bfseries Trinn 3:}
    \alignC\cell{10,7 \%}
    \alignL\cell{kr \hfill 565\,400,00}
    \alignL\cell{kr \hfill 909\,500,00}\gray
    \blue\cell{}\blue\bb\rb
    \lgray\cell{}
    \rb\cell{}\lgray
\erow
% R18 Body
\brow
    \bb\dgray\alignC\cell{17}\dgray\bb
    \lgray\cell{}\lgray
    \gray\bb\alignL\cell{\bfseries Trinn 4:}
    \alignC\cell{13,7 \%}
    \alignL\cell{kr \hfill 909\,500,00}
    \alignL\cell{}\gray
    \blue\cell{}\blue\bb\rb
    \lgray\cell{}
    \rb\cell{}\lgray
\erow
% R19 Body
\brow
    \bb\dgray\alignC\cell{17}\dgray\bb
    \lgray\cell{}\lgray
    \gray\bb\alignL\cell{\bfseries Totalt:}
    \alignC\cell{}
    \alignL\cell{}
    \alignL\cell{}\gray
    \blue\cell{}\blue\bb\rb
    \lgray\cell{}
    \rb\cell{}\lgray
\erow
% R20 Body
\brow
    \bb\dgray\cell{19}\dgray\bb
    \lgray\rb\cell{}
    \bb\cell{}
    \cell{}\bb
    \cell{}
    \cell{}
    \cell{}
    \cell{}
    \rb\cell{}\lgray
\erow
% R21 Body
\brow
    \bb\dgray\cell{20}\dgray\bb
    \lgray\cell{}\lgray
    \gray\bb\alignL\cell{\bfseries Samlet skatt:}\gray
    \blue\cell{}\bb\blue\rb
    \lgray\cell{}
    \cell{}
    \cell{}
    \cell{}
    \rb\cell{}\lgray
\erow
% R22 Body
\brow
    \bb\dgray\cell{21}\dgray
    \lgray\rb\cell{}
    \cell{}
    \cell{}
    \cell{}
    \cell{}
    \cell{}
    \cell{}
    \rb\cell{}\lgray
\erow
\makeatletter
\end{calstable}\par % \par needed to align the tabular
\end{landscape}
\end{document}

Using tabular and friends
After several trials, I managed to build your tabular using standard tabular, colortbl and hhline. Building the tabular is easy, but when you start colourising, the problems begin. When using colours in tables, clines and other rules are overwritten by the colour. This is documented in the colortbl-manual. You have to build the rules line by line, using hhline's syntax. When you remove part of a rule (to mimic cline), hhline leaves thin white stripes instead (f.ex. the ligth gray background). This answer gives a solution by changing arraycolor to the background colour. The syntax is bulky, in particular in complex tabular where you have to switch on and off arraycolour multiple times.
I defined some shorthands to reduce clutter, but if you find cals' syntax verbose, it is nothing compared to this. In my opinion, cals is better suited for this types of tabulars; well worth learning.
Below is the new MWE and the resulting tabular:
\documentclass[a4paper]{article}
\usepackage[utf8]{inputenc}
\usepackage[margin=1cm]{geometry}
\usepackage{multicol, array, hhline}
\usepackage[table]{xcolor}

\definecolor{maincolorLight}{HTML}{838fbc}
\definecolor{darkGray}{HTML}{e6e6e6}
\definecolor{lightGray}{HTML}{f2f2f2}

\renewcommand{\arraystretch}{1.3}
\setlength{\extrarowheight}{1pt}

\newcommand{\tableTitle}{\multicolumn{5}{l|}{\cellcolor{lightGray}\large\bfseries Skatteberegning for personer med personinntekt over kr~565\,400\rule{0pt}{4ex}}}
\newcommand{\blvi}[1]{\multicolumn{6}{l|}{\cellcolor{lightGray}#1}}
\newcommand{\blv}[1]{\multicolumn{5}{l|}{\cellcolor{lightGray}#1}}
\newcommand{\bliii}{\multicolumn{3}{l|}{\cellcolor{lightGray}}}
\newcommand{\blii}{\multicolumn{2}{l|}{\cellcolor{lightGray}}}
\newcommand{\mig}[1]{\multicolumn{1}{l}{\cellcolor{lightGray}\textbf{#1}}}
\newcommand{\mcdg}[1]{\multicolumn{1}{c|}{\cellcolor{darkGray}#1}}
\newcommand{\midg}[1]{\multicolumn{1}{|c|}{\cellcolor{darkGray}#1}}
\newcommand{\dgr}{\cellcolor{darkGray}}
\newcommand{\lgr}{\cellcolor{lightGray}}

\begin{document}

\begin{table}[tbh]
\centering\small
\begin{tabular}{|l|l|l|l|r|r|r|}

\hhline{*{7}{-}}
    \dgr{}
    &\mcdg{A}
    & \mcdg{B}
    &\mcdg{C}
    &\mcdg{D}
    &\mcdg{E}
    &\mcdg{F}
\\
\hhline{*{7}{-}}
    \midg{1}
    &\mig{}
    &\tableTitle
\\
\hhline{|-|*{6}{>{\arrayrulecolor{lightGray}}-}|}\arrayrulecolor{black}
    \midg{2}
    &\blvi{}
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}--|>{\arrayrulecolor{lightGray}}---|}
\arrayrulecolor{black}
    \midg{3}
    &\lgr
    &\dgr\textbf{Personinntekt:}
    &% white cell
    &\bliii
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}--|>{\arrayrulecolor{lightGray}}---|}
\arrayrulecolor{black}
    \midg{4}
    &\lgr
    &\dgr\textbf{Samlet fradrag:}
    &% white cell
    &\bliii
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}--|>{\arrayrulecolor{lightGray}}---|}
\arrayrulecolor{black}
    \midg{5}
    &\lgr
    &\dgr\textbf{Alminnelig inntekt:}
    &\cellcolor{maincolorLight}
    &\bliii
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}--|>{\arrayrulecolor{lightGray}}---|}
\arrayrulecolor{black}
    \midg{6}
    &\blvi{}
\\
\hhline{|-|*{6}{>{\arrayrulecolor{lightGray}}-}|}
\arrayrulecolor{black}
    \midg{7}
    &\blvi{}
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}---|>{\arrayrulecolor{lightGray}}--|}
\arrayrulecolor{black}
    \midg{8}
    &\lgr
    &\dgr
    &\dgr\textbf{Prosentsats}
    &\dgr\textbf{Beløp}
    &\blii
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}---|>{\arrayrulecolor{lightGray}}--|}
\arrayrulecolor{black}
    \midg{9}
    &\lgr
    &\dgr\textbf{Skatt av alminnelig inntekt:}
    &\mcdg{25\,\%}
    &\cellcolor{maincolorLight}
    &\blii
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}---|>{\arrayrulecolor{lightGray}}--|}
\arrayrulecolor{black}
    \midg{10}
    &\lgr
    &\dgr\textbf{Trygdeavgift:}
    &\mcdg{8,5\,\%}
    &\cellcolor{maincolorLight}
    &\blii
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}---|>{\arrayrulecolor{lightGray}}--|}
\arrayrulecolor{black}
    \midg{11}
    &\blvi{}
\\
\hhline{|-|*{6}{>{\arrayrulecolor{lightGray}}-}|}
\arrayrulecolor{black}
    \midg{12}
    &\mig{}
    &\blv{\textbf{Trinnskatt}}
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}-----|}
    \midg{13}
    &\lgr
    &\dgr
    &\dgr{\textbf{Prosentsats}}
    &\mcdg{\textbf{Fra}}
    &\mcdg{\textbf{Til}}
    &\dgr{\textbf{Skatt på trinn}}
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}-----|}
    \midg{14}
    &\lgr
    &\dgr\textbf{Trinn 1:}
    &\mcdg{0,44\,\%}
    &\dgr{159\,800,00}
    &\dgr{224\,900,00}
    &\cellcolor{maincolorLight}\textbf{286,44}
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}-----|}
    \midg{15}
    &\lgr
    &\dgr\textbf{Trinn 2:}
    &\mcdg{1,7\,\%}
    &\dgr{224\,900,00}
    &\dgr{565\,400,00}
    &\cellcolor{maincolorLight}\textbf{5788,50}
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}-----|}
    \midg{16}
    &\lgr
    &\dgr\textbf{Trinn 3:}
    &\mcdg{10,7\,\%}
    &\dgr{565\,400,00}
    &\dgr{909\,500,00}
    &\cellcolor{maincolorLight}
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}-----|}
    \midg{17}
    &\lgr
    &\dgr\textbf{Trinn 4:}
    &\mcdg{13,7\,\%}
    &\dgr{909\,500,00}
    &\dgr
    &\cellcolor{maincolorLight}
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}-----|}
    \midg{18}
    &\lgr
    &\dgr\textbf{Totalt:}
    &\dgr
    &\dgr
    &\dgr
    &\cellcolor{maincolorLight}
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}-----|}
    \midg{19}
    &\blvi{}
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}--|>{\arrayrulecolor{lightGray}}---|}
\arrayrulecolor{black}
    \midg{20}
    &\lgr
    &\dgr\textbf{Samlet skatt:}
    &\cellcolor{maincolorLight}
    &\bliii
\\
\hhline{|-|>{\arrayrulecolor{lightGray}}->{\arrayrulecolor{black}}--|>{\arrayrulecolor{lightGray}}---|}
\arrayrulecolor{black}
    \midg{21}
    &\blvi{}
\\
\lasthline
    \end{tabular}
    \caption{Caption}
    \label{tab:my_label}
\end{table}
\end{document}

A: Here is what you can do with {NiceTabular} of nicematrix.
\documentclass{article}
\usepackage{xcolor,nicematrix,tikz}

\begin{document}

\definecolor{verylightgray}{gray}{0.95}
\NewDocumentCommand{\Price}{m}{\Block[l]{}{kr}\Block[r]{}{#1}}

\setlength{\tabcolsep}{2pt}
\sffamily
\begin{NiceTabular}{cc>{\bfseries}lw{c}{25mm}w{c}{25mm}w{c}{25mm}ccc}[colortbl-like]
\CodeBefore
  \tikz \fill [verylightgray] (1-|1) rectangle (last-|last) ;
\Body
  \Block[hvlines,fill=[gray]{0.9}]{*-1}{}
     & \Block[hvlines,fill=[gray]{0.9}]{1-*}{}
       A & \Block[c]{}{\normalfont\sffamily B} & C & D & E & \Block[c]{}{F} & G & H \\
  1  & & \RowStyle[cell-space-top-limit=5pt]{}
         \Block[l]{1-*}{\large \bfseries Skatteberegning for personer med personinntekt over 565 400 kroner} \\
  2  \\
  3  & & \Block[hvlines]{3-2}{}
         Personinntekt & \cellcolor{white} \\
  4  & & Samlet fradrag & \cellcolor{white} \\
  5  & & Alminnelig inntekt & \cellcolor{red!15} \\
  6  \\
  7  \\
  8  & & \RowStyle{\bfseries}
         \Block[hvlines]{3-4}{}\Block{1-2}{}         && Prosensats & Beløp \\
  9  & & \Block[l]{1-2}{Skatt av alminnelig inntekt} && 25 \%  & \cellcolor{red!15} \\
  10 & & \Block[l]{1-2}{Trygdeavgift}                && 8.2 \% & \cellcolor{red!15} \\
  11 \\
  12 & & \bfseries Trinnskatt \\
  13 & & \RowStyle{\bfseries}
         \Block[hvlines]{6-5}{} & Prosentats & Fra        & Til & Skatt på trinn\\
  14 & & Trinn 1:               & 0.44 \%    & \Price{159 800.00} & \Price{224 900.00} & \cellcolor{red!15} \Price{286.44} \\
  15 & & Trinn 2:               & 1.7 \%     & \Price{224 900.00} & \Price{565 400.00} & \cellcolor{red!15} \Price{5788.50} \\
  16 & & Trinn 3:               & 10.7 \%    & \Price{565 400.00} & \Price{909 500.00} & \cellcolor{red!15} \\
  17 & & Trinn 4:               & 13.7 \%    & \Price{909 500.00} &                    & \cellcolor{red!15} \\
  18 & & Totalt:                &            &                    &                    & \cellcolor{red!15} \\
  19 \\
  20 & & \Block[hvlines]{1-2}{} Samlet skatt: & \cellcolor{red!15} \\
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\end{NiceTabular}

\end{document}

You need several compilations (because nicematrix uses PGF/Tikz nodes under the hood).

redpajama_set_name: RedPajamaStackExchange


text:
Home » Lifestyle » 'Responsible for logistics': Minister says health department in charge of hotel quarantine infection control
'Responsible for logistics': Minister says health department in charge of hotel quarantine infection control
Victorian Jobs Minister Martin Pakula has offered the Andrews government's first detailed explanation of how the hotel quarantine system was run, using his questioning at a parliamentary committee to distance himself from the apparent mistakes of cabinet colleague Jenny Mikakos' health department.
Not once during his evidence did Mr Pakula cite the hotel quarantine inquiry to avoid questions, but instead spelled out that his department was responsible for "things like logistics", while the Department of Health and Human Services was in charge of infection control.
Jobs Minister Martin Pakula answered questions on his department's involvement in quarantine hotels on Wednesday.
Any lapses in that area, including training security guards in how to avoid catching COVID-19, were the DHHS' responsibility, he said.
Mr Pakula also said staff from his department had asked for police to be brought in to monitor hotels 24 hours a day, as had been done in New South Wales, but the request was rebuffed or ignored.
In the early days of the outbreak, DHHS insisted that infection control training was provided to all hotel staff, including security guards. But Elite Protection security guard Andrew Buntine, who was a supervisor at Rydges on Swanston in the weeks before the outbreak there, said DHHS officers had told guards to ration personal protective equipment to ensure there was enough for nurses and other essential staff when supplies were dwindling.
"The [department] officers really struggled to know what was going on and they were out of their depth," he said in June.
Security guards and other hotel quarantine workers who spoke to The Age and The Sydney Morning Herald said DHHS did not provide them with infection control training before the coronavirus outbreaks at Rydges on Swanston and the Stamford Hotel.
Lapses at the Rydges and Stamford Plaza are considered responsible for most or all of Victoria's second wave outbreak.
Ms Mikakos was not asked about infection control measures when she fronted the parliamentary inquiry on Tuesday but said the hotels program was a "multi-agency effort".
"I'm responsible for my own department, but I am not responsible for every single department across the government," she said.
Mr Pakula told the public accounts and estimates committee hearing that his team was in charge of "the booking of rooms, the organising of meals and laundry and things of that nature. They were responsible for logistics, the provision of meals."
Victorian Premier Daniel Andrews and Health Minister Jenny Mikakos. Credit:Joe Armao
Mr Pakula defended public servants from Global Victoria, an international trade department, who appeared in a leaked video this week boasting of their success in establishing the program.
"If your point is that it would not be sensible for people from Global Victoria to be responsible for things like infection control, I would agree. And they were not," Mr Pakula told the inquiry. "The responsibility for infection control and health matters was the DHHS, as you would expect."
Mr Pakula insisted he was not pointing the finger at Ms Mikakos or the DHHS and refused to answer a question from Liberal MP Bridget Vallence asking which minister was ultimately responsible for the program.
"I'm not going to engage with you on what can only be described as a gotcha-type question," Mr Pakula said.
Premier Daniel Andrews and Ms Mikakos have in recent weeks refused to answer questions on the quarantine hotels program before the inquiry being led by retired judge Jennifer Coate.
However, over two hours of questioning from the 10 MPs on the parliamentary public accounts and estimates committee, Mr Pakula and his most senior public servants painted the clearest picture yet of how Victoria's quarantine hotels program was hatched.
They said that at 4.30pm on March 27, hours after National Cabinet agreed each state should establish a hotel quarantine system, Emergency Management Commissioner Andrew Crisp chaired a meeting at Victoria's State Control Centre with representatives from various government agencies and police. Senior ministers, including Mr Andrews and Mr Pakula, did not attend.
The secretary of the Department of Jobs, Precincts and Regions, Simon Phemister, said his department was given 36 hours to hire private security companies. It has since been revealed that the contracting arrangements allowed companies to use subcontracting to pay guards as little as $18 an hour and hire them via WhatsApp messages.
Mr Pakula confirmed reports in The Age and Herald last month that, within days of setting up the arrangement, his department had become worried about the security guards.
"There were on a couple of occasions, early in the program, entreaties from officers of my department, where it was our view that police should be on-site at hotels," Mr Pakula said.
Mr Phemister said those concerns were directed to Craig Eagle, a senior officer with Forest Fire Management Victoria who was put in day-to-day control of the hotels operation after the March 27 meeting.
"The deputy state controller [Mr Eagle] acknowledged and heard at all times any concerns that were raised," Mr Phemister said. "What he did with our concerns, I'm unsure."
Victoria Police was not involved in quarantine hotels until July. In NSW, private security companies were overseen by police, and Border Force officials worked with security guards in each hotel.
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text:
1671 (MDCLXXI) a fost un an obișnuit al calendarului gregorian, care a început într-o zi de marți.

Evenimente
Descoperirea lunii Iapetus, luna a lui Saturn.

Arte, Știință, Literatură și Filozofie

Nașteri
 20 martie: Christine Louise de Oettingen-Oettingen, bunica maternă a împărătesei Maria Tereza a Austriei (d. 1747)
 21 aprilie: John Law, economist scoțian (d. 1729)
 24 mai: Gian Gastone de' Medici, Mare Duce de Toscana (d. 1737)
 8 iunie: Tomaso Albinoni, compozitor și violonist italian (d. 1751)
 14 iulie: Jacques d'Allonville, astronom și matematician francez (d. 1732)
 22 iulie: Ludwig Rudolf, Duce de Brunswick-Lüneburg, bunicul împărătesei Maria Tereza a Austriei (d. 1735)
 11 octombrie: Frederick al IV-lea, rege al Danemarcei și al Norvegiei (d. 1730)
 18 octombrie: Frederic al IV-lea de Holstein-Gottorp (d. 1702)
 19 decembrie: Christiane Eberhardine de Brandenburg-Bayreuth, regină a Poloniei (d. 1727)

Decese

Vezi și
 Listă de conducători de stat din 1671

1671


Produced through Renzi's production company, North of Now (he is repped for spots by ContagiousLA), "Memories" opens with "home movie" footage of a young couple's day at the beach in the 1960s. Flash forward to the 1970s and the birth of their baby girl, Kai, the light of their lives. Subsequent moments range from the memorable (a birthday party in 1981 where Kai feeds cake to a golden retriever) to the momentous (she opens a college acceptance letter). Before we know it, Kai's own young son is making home movies. As the spot comes to a close, Kai's boy, now a young man, preserves his family's memories on Google Drive.
"We have continued to document our own lives in much the same ways, even as formats and aesthetics have changed," said Renzi. "So, with this short piece, I wanted to use that simple and familiar visual language to tell a multi-generational story, and show how easy it is, thanks to cloud storage, to keep and share our memories with our loved ones." Regarding the casting, the director pointed out, "I have a friend whose family is racially mixed in exactly this way, and I always thought this would be an interesting way for the youngest generation to explore their ethnic lineage."
Currently, Renzi and company are in Washington, DC, shooting "They Fight," a documentary feature about two young boxers' journey to the National Championships and their trainer, Walter Manigan, on the road back from prison, having reformed his own life in hopes of providing a better one for these kids.
On the heels of completing his first narrative feature ("The Benefactor," starring Richard Gere, Dakota Fanning and Theo James, released by Samuel Goldwyn Co.), Renzi made his spot debut last year with a City of Hope project created via IW Group and produced by ContagiousLA. In addition to helming "Above and Beyond," done in Mandarin with English subtitles, Renzi directed "Half Man, Half Baby," an English-language spot conceived by the filmmaker and executed with the support of agency and client.
In 2015, Renzi founded North of Now, a multi-platform media company that specializes in the production of long form and short form content. N•N has produced branded projects for Converse, Volvo, Oura Ring, Puma, Gap, Google, YouTube, and many others. The company has produced music videos for a wide range of artists, accumulated more than 200 million views on YouTube alone. More recently, N•N has begun focusing on the development of film/tv, and is in production on the boxing doc "They Fight," and in post-production on a documentary in Bolivia, "A Taste of Sky," with director Michael Lei and the producers of "Jiro Dreams of Sushi."
Prior to North of Now, Renzi's short films "The Fort" and "Karaoke!" premiered at the 2012 and 2013 Sundance Film Festivals, respectively. "Karaoke!" was the recipient of the Panavision Future Filmmaker Award presented by CO3 and won the 2013 year's Audience Award on Short of the Week. In 2014, Renzi directed two feature films, the Western American Art documentary "Fishtail," and "The Benefactor," a drama starring Richard Gere, Theo James, and Dakota Fanning. Renzi recently co-wrote the Janis Joplin biopic, "Janis," with director Sean Durkin, which will shoot in 2017 and star Michelle Williams. In addition to his writing and directing, Renzi has worked in various producing capacities on the films "Sympathy for Delicious" by director Mark Ruffalo (Sundance '10), "Afterschool" by director Antonio Campos (Cannes '08), and "Two Gates of Sleep" by director Alistair Griffin (Cannes '10).