These times, tough competition exists in the job market; and careers depend on the strength of their resumes. Hence, potential employers are on the lookout for the best resume. They use it to decide whether to schedule an interview or not. With this, you as the job applicant should provide convincing reasons why they should give you a call.
Each time employers receive resumes that bear the same things, they just skim them. This is because; recruiters look for the one resume that stands out from everyone. How will you turn yours to be the best resume? You need to highlight your potentials and be ahead of your competitors.
Make sure that your copy communicates who you are. Define the values you can bring to your prospective employer.
Let the recruiter know about your specific work, industry experience, and position you earlier held. They will be the bases of your skill. This is also the reason why your resume should have a professional summary. It will allow your hirer to glimpse on your experience and highlight the extents of your practice. Put it on top of your resume so hirers can see it right away.
MRI Network released a study stating that for every three interviews given, just one applicant is hired. The same study reveals that hirers give offers only after 3-6 weeks. Given this, it is important that your resume interest the hirers when they see your credentials. Let your skills and professional experiences occupy the main features. Make sure to reveal your potentials in a short yet concise manner.
Remember to focus your targets on the employer requirements. For this reason, you need to know the needs of the company or the group you hope to join. Present yourself as the potential partner for the company in achieving success. This will give you an edge over the other candidates. Keep in mind that employers usually look for a candidate who describes his great abilities and personal strong points that are relevant to the position.
Furthermore, always remember that your best resume should be thoroughly edited to ensure it.
Source: Management Recruiters International, Inc.


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Canadiens Re-Sign Defenseman
Michael DeRosa Monday, July 11, 2022 Montreal Canadiens
The Canadiens have signed Corey Schueneman to a one-year, two-way contract extension. At the NHL level, he will carry a $750,000 cap hit.
Schueneman proved to be a solid depth defenseman for the Canadiens this campaign, so it isn't too surprising to see that he has earned this new contract. In 24 games with Montreal, he scored two goals and recorded six points. He primarily spent this campaign with the Laval Rocket, however. In 32 games as their alternate captain, he scored four goals and had 11 points.
Overall, this is a good little signing for the Canadiens. It will be intriguing to see how often Montreal utilizes him from here.
Photo Credit: © Jean-Yves Ahern-USA TODAY Sports

redpajama_set_name: RedPajamaCommonCrawl


A. C. Grayling CBE is the Master of the New College of the Humanities, London, and its Professor of Philosophy. He is also a Supernumerary Fellow of St Anne's College, Oxford. He is the author of over thirty books including The Good Book and The God Argument: The Case against Religion and for Humanism. He was for a number of years a columnist on the Guardian, the Times, and Prospect magazine. He has contributed to many leading newspapers in the UK, US and Australia, and to BBC radios 4, 3 and the World Service, for which he did the annual 'Exchanges at the Frontier' series; and he has often appeared on television. He has twice been a judge on the Booker Prize, in 2014 serving as the Chair of the judging panel.
Rebecca Stott is a writer and professor of literature and creative writing at the University of East Anglia. Her memoir In The Days of Rain, is an account of her childhood growing up in the Exclusive Brethren, for this she won the 2017 Costa Book Award in the Biography category. The Exclusive Brethern seek to live separately from the rest of the world because they believe that it is ruled by Satan. During the 60s, when Stott was growing up, the cult banned newspapers, television, cinema, radio, pets, universities, wristwatches, cameras and holidays, required women to be entirely subject to their husbands and controlled every aspect of members' lives. Stott's family left the sect in the 1970s after a sexual scandal involving the world leader, the Man of God, split the movement and when her family broke away to join a new splinter group. They left the Brethren altogether in 1972.
Mike Haines OBE is a campaigner challenging extremism and intolerance in society. In 2013 his brother David was working for a Humanitarian aid charity in Syria when he was kidnapped by ISIS. In 2014 David was executed by his captors who published video footage of his murder online. Since his brothers death Mike has set up Global Acts of Unity which seeks to promote unity, tolerance and understanding in schools across the UK. Mike believes it is important to tackle the fear, misunderstanding and anger that terrorists and extremists use to turn people against each other.


Jackie Shroff turns 62 this Friday 1 February and he hasn't looked better! The actor has spent almost 40 years in the film industry and acted in over 220 films. After making his debut in 1982 with Swami Dada, Jackie tasted blockbuster success in 1983's Hero. Apna Bhidu immediately became a household name for his inimitable swagger.
Jackie remained one of the coolest heroes of Bollywood throughout the 80s and 90s, before settling into selective and memorable supporting turns in the 2000s. While son Tiger Shroff has become a star in his own right, Jackie has major films like Bharat, Romeo Akbar Walter and Saaho lined up.
The one thing that has remained constant is Jackie's off-screen style, which has evolved and aged along with the actor like fine wine. No matter where he is, Jackie makes a statement with his unique fashion sense.
So let's take a glance at some of Jackie's recent appearances, and take notes on how to rock that timeless Bhidu look.
Follow our Photos section for more stories.


text:
Q: Creating check boxes for each markers generated by xml GOOGLE MAPS I already have a working map where it generates a valid xml and can generate a marker on my map. Now what I want to do is to upon generating of maps for each loop in the xml I can create asynchronously a check box for each name. here is the code that generates the xml
function searchNearLocations(radius){
clearLocations();

 var searchUrl = './designIncludes/phpLogicIncludes/searchMarkers.php?lat=' + userLat +'&lng=' + userLng + '&radius=' + radius;
 downloadUrl(searchUrl, function(data) {
   var xml = parseXml(data);
   var markerNodes = xml.documentElement.getElementsByTagName("marker");
   var bounds = new google.maps.LatLngBounds();
   for (var i = 0; i < markerNodes.length; i++) {
     var name = markerNodes[i].getAttribute("name");
     var address = markerNodes[i].getAttribute("address");
     var info = markerNodes[i].getAttribute("info");
     var tts = markerNodes[i].getAttribute("tts");
     var latlng = new google.maps.LatLng(
          parseFloat(markerNodes[i].getAttribute("lat")),
          parseFloat(markerNodes[i].getAttribute("lng")));

     createMarker(latlng, name, address,info,tts);
     createCheckboxes(name);
     bounds.extend(latlng);
   }
   map.fitBounds(bounds);
  });
}

My createMarker()
function createMarker(latlng, name, address,info,tts) {
  var html = "" + name + "
" + address + "
" + info + "
" + "Time allowance to spend: " + tts;
  var marker = new google.maps.Marker({
    map: map,
    position: latlng
  });
  google.maps.event.addListener(marker, 'click', function() {
    infoWindow.setContent(html);
    infoWindow.open(map, marker);
  });
  markers.push(marker);
}

I'm not that good in javascript but I have a marker=[] array global variable. Can I use that variable to generate a checkbox with it?by the way I also have a pre made marker before invoking the searchNearLocations function and I want to add it on the latlng bounds. Is it possible to insert it on the loop?

A: Okay
Everything not having to do with the checkboxes, I ignored.  You'll have to put it back in your code.
I wrote a functioning example, you can copy/paste this as is.

Can you manage to include this in your code?

EDIT:
Here is an example of locations in a DB; I bypass xml and communicate through JSON.
It gives you (kind of) a combination of your questions;
I have a different table on my DB, but that shouldn't be a problem.
I add jQuery, just for ajax.
CREATE TABLE IF NOT EXISTS stations (
  id bigint(15) NOT NULL AUTO_INCREMENT,
  lat decimal(12,10) DEFAULT NULL,
  lng decimal(12,10) DEFAULT NULL,
  name varchar(255) CHARACTER SET utf8 COLLATE utf8_unicode_ci NOT NULL,
  PRIMARY KEY (id)
) ENGINE=InnoDB  DEFAULT CHARSET=latin1 COLLATE=latin1_general_ci;
INSERT INTO stations (id, lat, lng, name) VALUES
(1, '50.8456035000', '4.3568658000', 'Brussel-Centraal'),
(2, '50.8413140000', '4.3490830000', 'Brussel-Kapellekerk'),
(3, '50.8517507000', '4.3623635000', 'Brussel-Congres'),
(4, '50.8604931000', '4.3607035000', 'Brussel-Noord'),
(5, '50.8348278000', '4.3365303000', 'Brussel-Zuid');

index.php

ajax.php
<?php
$link = mysqli_connect('localhost', 'root', '', 'stackoverflow');  /* put your settings back */
if(!$link) {
  die ('unable to connect to the database' . mysqli_connect_error());
}
//Get parameters from URL
$myLat = (isset ($_GET['lat']) ? $_GET['lat'] : 0.0);  // give it some default
$myLng = (isset ($_GET['lng']) ? $_GET['lng'] : 0.0);
$calcDistance = (isset ($_GET['radius']) ? $_GET['radius'] : 1.0);
//Search the rows in the markers table

/* I have a slightly different table; I'll continue with mine; it's easy to put everything back */
// $query = sprintf("SELECT siteName,address,lat,lng,info,tts, (6371 * acos(cos(radians('%s')) * cos(radians(lat)) * cos(radians(lng) - radians ('%s')) + sin(radians('%s')) * sin(radians(lat))))AS distance FROM mapTable HAVING distance < '%s' ORDER BY distance LIMIT 0, 50",
$query = sprintf("SELECT id, lat, lng, name, (6371 * acos(cos(radians('%s')) * cos(radians(lat)) * cos(radians(lng) - radians ('%s')) + sin(radians('%s')) * sin(radians(lat)))) AS distance FROM stations HAVING distance < '%s' ORDER BY distance LIMIT 0, 50",
mysqli_real_escape_string($link, $myLat),
mysqli_real_escape_string($link, $myLng),
mysqli_real_escape_string($link,$myLat),
mysqli_real_escape_string($link, $calcDistance));
$result = mysqli_query($link, $query);
$row_cnt = mysqli_num_rows($result);
if(!$result) {
  die("Invalid query: " . mysqli_error());
}
header("content-type: application/json; charset=utf-8");
$items = array();
//iterate through the rows,
while($row = mysqli_fetch_assoc($result)) {
  $items[] = $row;
}
echo json_encode($items);  // this can immediatly be read by javascript
exit;
?>

You can add links/buttons, whith something like

click: 20 km radius from (50.80, 4.35)

To add the position of the client, check out my answer here
google getLocation function not work in my script

redpajama_set_name: RedPajamaStackExchange


I Haven't Heard a Single Word From My Baby digital sheet music. Contains printable sheet music plus an interactive, downloadable digital sheet music file.
Nothin' to do but wonder, nothin' to do but sigh.
The Arrangement Details Tab gives you detailed information about this particular arrangement of I Haven't Heard a Single Word From My Baby - not necessarily the song.
There are no reviews written for I Haven't Heard a Single Word From My Baby.


Daisy Girl's Guide to Girl Scouting Welcome to the Daisy Flower Garden. In this journey for kindergarteners and first-graders, a favorite pastime-gardening-meets the Girl Scout Law. The result is a storybook world of flowers and little girls who, together, do great things. Girl Scout Daisies will especially enjoy meeting the colorful, global characters who teach them to live the Girl Scout Law. Journey Book has 88 pages. In this journey for kindergarteners and first graders, Girl Scout Daisies join their flower friends for an exciting road trip in a flower-powered car. As they travel the country living the values of the Girl Scout Law, girls and their flower friends enjoy what's local and learn why that's important. They experience what is great about what grows near them, and they learn how their own special skills make the world a better place.
In this journey, Girl Scout Daisies enjoy a fictional story about their flower friends. They learn just how much they can care for animals and for themselves and how confident that makes them feel. Imported. How To Guide - Journey Book Sets The companion How To Guide for adult volunteers offers key information about the journey, its awards and its leadership benefits, and step-by-step sample plans for how journey sessions can unfold as girls meet. The adult guides also feature sections on Girl Scout history as well as understanding girls at each grade level. Each "How To Guide" / Journey Book Set has everything adult volunteers need to enjoy this amazing journey. Just bring your enthusiasm and sense of adventure. How To Guide and Welcome to the Daisy Flower Garden Girl's Book. How-To-Guide Journey Book Set. Each companion guide for adult volunteers offers key information about the journey, its awards, and its leadership benefits, along with step-by-step sample plans for sessions with the girls. The adult guides also feature Girl Scout history, tips for getting out in the great outdoors, details about how to add your own "bells and whistles" to the journeys in partnership with girls, and unique activity sheets. Imported.


In early 2018, Facebook's AI researchers unveiled a deep-learning system that can transform 2D photo and video images of people into 3D mesh models of those human bodies in motion. Last month, Facebook publicly shared the code for its "DensePose" technology, which could be used by Hollywood filmmakers and augmented reality game developers—but maybe also by those seeking to build a surveillance state.
DensePose goes beyond basic object recognition. Besides detecting humans in pictures, it can also make 3D models of their bodies by estimating the positions of their torsos and limbs. Those models can then enable the technology to create real-time 3D re-creations of human movement in 2D videos. For example, it could produce videos that show models of several people kicking soccer balls or a single individual riding on a motorcycle.
This work could prove useful for "graphics, augmented reality, or human-computer interaction, and could also be a stepping-stone towards general 3D-based object understanding," according to the Facebook AI Research (FAIR) paper published in January 2018.
But there is a "troubling implication of this research" that could enable "real-time surveillance," said Jack Clark, strategy and communications director at OpenAI, a nonprofit AI research company, in his popular newsletter, called Import AI. Clark first discussed the implications of Facebook's DensePose paper in the February issue of his newsletter, and followed up in June after Facebook released the DensePose code on the software development platform GitHub.
"The same system has wide utility within surveillance architectures, potentially letting operators analyze large groups of people to work out if their movements are problematic or not—for instance, such a system could be used to signal to another system if a certain combination of movements are automatically labelled as portending a protest or a riot," Clark wrote in his newsletter.
As always, the deep-learning algorithms behind DensePose needed some help from humans in the beginning. Facebook researchers first enlisted human annotators to create a training data set by manually labeling certain points on 50,000 images of human bodies. To make that job easier for the annotators and try to improve their accuracy, the researchers broke the task of labeling down into body segments such as head, torso, limbs, hands, and feet. They also "unfolded" each body part to present multiple viewpoints without requiring the annotators to manually rotate the image to get a better view.
Still, the annotators were only asked to label 100 to 150 points per image. To complete the training data, Facebook researchers used an algorithm to estimate and fill in the rest of the points that corresponded between the 2D images and the 3D mesh models.
The result is a system that can perform the 2D to 3D conversion at a rate of "20-26 frames per second for a 240 × 320 image or 4-5 frames per second for a 800 × 1100 image," Facebook researchers wrote in their paper. In other words, it's generally capable of creating 3D models of humans in a 2D video in real time.
Facebook's researchers do not specifically mention surveillance as a possible application of DensePose alongside the many they do list in their paper. But because Facebook has put its technology out there, someone could adapt DensePose for surveillance or law enforcement, if they so desired.
In fact, other research groups have been working on similar systems to estimate human body poses for security applications: a group of U.K. and Indian researchers have been developing a drone-mounted system aimed at detecting violence within crowds of people. And there are clearly law enforcement agencies and governments around the world interested in potentially harnessing such technology, for good or for ill.
Clark described his hope of seeing the FAIR group—and AI researchers in general—publicly discuss the implications of their work. He wondered if Facebook's researchers considered the surveillance possibility and whether or not Facebook has an internal process for weighing the risks of publicly releasing such technology. In the case of DensePose, it's a question that only Facebook can answer. The company did not respond to a request for comment.
"As a community we—including organizations like OpenAI—need to be better about dealing publicly with the information hazards of releasing increasingly capable systems, lest we enable things in the world that we'd rather not be responsible for," Clark said.


From books and poems to television and movies, there's simply something magical about tree houses. Today, some of the finest resorts and lodges now offer guests the opportunity to stay in a real tree house complete with electricity and other modern amenities.
If you've ever dreamed of staying in a luxury tree house, the Belize Tree Houses at Ian Anderson's Caves Branch Jungle Lodge offer stunning views of the surrounding jungle. Built entirely by hand so as not to disturb the sanctity and vitality of the jungle, these tree houses come with everything you need, including hot and cold running water, electricity, and tasteful furnishings made by local artisans from native materials.
For more than 25 years, travelers have been enjoying the hospitality of Caves Branch Jungle Lodge and its amazing tree house lodges in Belize. Each tree house is situated to command an outstanding view of the nearby river valley and surrounding lush jungle, allowing guests to be completely integrated with the environment. Each tree house also has a special screened-in porch to safely admire the diverse wildlife and exotic birds that call the jungle home.
Few experiences can compare to a Belize tree house vacation. Safely ensconced high up in the canopy, you can relax and enjoy the solitude and seclusion of being surrounded by pristine nature. These "castles in the sky" make for a wonderful Belize tree house hotel, allowing children and adults to experience nature in all of its glory. Truly, there are no words to describe the magic of waking up at sunrise to watch the birds and animals of the jungle come to life.
As a full-service jungle tree house lodge, Caves Branch is located just a few miles outside of the capital Belmopan in one of the most scenic and untouched areas of the country. Popular nearby attractions include touring ancient Maya cities, bird watching, nature hikes, zip lining, rappelling, rock climbing, and the uniquely Belizean sport of cave tubing that involves using an inner tube to float down vast underground rivers.
Caves Branch Lodge is a jungle lodge offering luxury accommodations, delicious food and drinks, and adventure tours and activities in the rainforest and across the country. Tree houses can comfortably sleep up to six people, and some tree houses include their own soaker tub where you can relax in splendor underneath the stars.
If you've ever dreamed of a Belize tree house vacation, book your stay with Ian Anderson's Cave Branch Lodge today.


text:
High Peak Green Party
General election candidate
Press, Media & Contact
Electoral alliance: working together to make hope possible
A well organised Green Party of England and Wales Spring Conference took an important step forward for the party, and the wider left, last weekend. Meeting in Liverpool, together with the largest ever gathering of Global Greens, Conference endorsed the initiative of the party leadership to try and build alliances with other parties in advance of the next general election, with the aim of removing the current government and replacing it with a coalition with a primary commitment to introducing proportional representation.
At a packed fringe meeting ahead of the vote, with the title Progressive Alliances in the UK Caroline Lucas predicted that unless Greens united with others to achieve electoral reform we faced the prospect of at least 20 years of majority Tory governments. If such alliances, agreed and organised at local level, wanted to also campaign together on other issues, for example, in defence of local services, then so much the better.
Jonathan Porritt reminded us that as well as talking with other politicians and activists we also needed to reach out to people who had not previously been involved in party politics. We needed progressive alliances to allow the Green Party to come out of the political wilderness. Realistically, in the here and now, they were the only mechanism by which we can fight the rule of the elite. The Green Party needed to show the extraordinary leadership needed to step up in favour of electoral alliances.
Andrea Frieze had been the prospective Green Party candidate in the recent Richmond Park by-election. She was anxious to stress that she hadn't stepped down in that election by not getting herself on the ballot paper. Rather she had stepped up in favour of an electoral alliance. It had achieved its objective of getting rid of a Tory MP, and would continue at the local elections in 2018, with the aim of getting rid of the Tory majority on the council and getting more Greens elected. Although ' Targeting to Win' was a tried and tested strategy we cannot wait for it to succeed across the country she said. The situation is dire and we need to cooperate with others in order to achieve power. At the next General Election we might end up standing in only a handful of seats, where we could have a chance of being elected.
Tommy Shepherd MP was the first SNP member to speak at a Green Party Conference. The SNP remained committed to PR even though the vagaries of the first past the post system had worked to their advantage at the last general election. The 2014 independence referendum was the greatest modern example of a Progressive Alliance. Supporters of the Yes campaign worked together without even knowing which party, if any, activists belonged to or supported.
Neal Lawson from Compass said he was a green, liberal socialist who wanted to work with greens, liberals and socialists to achieve a better society. He thought the Labour Party's attitude to PR was changing and that the attitude of the Green Party towards the Labour Party can help change it further and faster.
All of us in every progressive movement had to unite to defeat the Evil Empire and to change our political society. Progressive Alliances were meeting points for those who believe the best in others. We needed to make hope possible rather than despair convincing.
The motion debated at conference (moved by High Peak member Mike Shipley) referred to electoral alliances rather than progressive ones. It had been carefully worded, after extensive discussions between the co-leaders and the two national governance committees, the executive ( GPEX) and the regional council ( GPRC). There was a recognition of the fact that many Green Party members would find it difficult to recognise the Liberal Democrats and/or Labour as progressive, and that the primary aim was to achieve electoral reform. The motion stressed that the initiative for forming alliances rested with local parties. The national party would advise but not instruct. Local parties should only contemplate making alliances with those with whom they shared values in common, ruling out any alliance with UKIP for example, despite their interest in electoral reform.
The motion was overwhelmingly carried with probably between 5 and 10% of the several hundred members in the hall voting against.
The A-Level Fiasco - One More Symptom of a Broken System
Fossil Fuels: Divestment, Engagement and Derbyshire
Persecution of wildlife in the Peak District National Park
Promoted and published by High Peak Green Party, 16 Davenham Avenue, Buxton, SK 17 6LS
High Peak Green Party is part of the Green Party of England and Wales
Want to make a difference?


Our classic stair lights and step lights with LED faceplates are available in convenient 4-packs. Use outdoors in steps and stairs for decks, patios, and docks. Embed in wood, composite materials, concrete, pavers, and more. Use indoors for lighting stairways, closets, and cabinet interiors. Use under railings and handrails for a unique look.
Our classic stair lights/step lights with LED faceplates are available in convenient 4-packs. Use outdoors in steps and stairs for decks, patios, docks. Embed in wood, composite materials, concrete, pavers, and more. Use indoors for lighting stairways, closets, and inside cabinets. Use under railings and handrail for a unique look. Our low voltage lights are easy to install, virtually flush with the surface, and hardly visible. And with our 8 new LED faceplate styles, you can create a custom stair lighting experience that adds creativity and sophistication to your home.
LED green technology. Our stair lights will save energy and money over the lifetime of the product as LEDs require up to 80% less energy than traditional light sources. NexGen LED option not available with faceplates.
1) First the lights arrived on time and absolutely looked beautiful. A great product!
2) Secondly, the fit and ease of plug and play was excellent. The install was easy and efficient.
3) The design and color scheme were exactly what we were looking for at our home, totally satisfied with product appearance.
4) Now the big event was lighting up at night. WOW! These lights gave us the improved lighting we were looking for and they are absolutely spectacular at night. We love them!
1) Your availability and expertise on the application and what we were looking for.
2) Your cordial and engaging communications over the phone were refreshing. I manage a Billion Dollar business and the art of customer service is often disappointing. Normally you get an automated system, once you get a service rep you find they do not value the customer relationship/they are not knowledge/ and do not answer your specific questions. KAYLA, YOU WERE OUTSTANDING. You gave me a personal contact number, they was always an answer, every question I had, had a real time answer (Even to reaching out to the production floor on my order status within one minute!), after the call you gave me daily email updates and finally your friendly engaging style was superior. From my interaction with you, I have one thing to say… you are the BEST!
I wish you the best and will strongly recommend your company to other potential customers if they ask about our deck light system.
Maybe your management team should consider having you lead a customer service training sessions for their business. You truly value the customer experience.
Ez install – plug and play setup. Lights are bright.


This report provides an overview of Tate's Social Media Communication Strategy, outlining the key objectives for each of its social media platforms.
Tate Online aims to help fulfil Tate's mission to increase public understanding and enjoyment of British and modern international art. Given the rapidly developing scope and potential of digital communications, Tate Online is uniquely placed to reach new audiences and engage them in new ways.
We also want to sustain, build and broaden the range of audiences who experience Tate. We want to develop our current audiences and build new audiences for the future – in particular by focusing on a more diverse range of young people.
In recent years the web has undergone a significant transformation, characterised by the emergence of self-publishing platforms (e.g. Blogger, Flickr, YouTube), social networking (e.g. Facebook, Twitter) and other technologies broadly grouped under the term web 2.0 (e.g. RSS, content syndication, Wikipedia). These new web platforms and technologies have led to greater user interaction with the web, with audiences now expecting content to be presented in a variety of digital and social media. The social web in particular offers significant opportunities for cultural institutions to open themselves up to diverse audiences by initiating conversations about art in order to increase engagement and understanding of it around the world.
Acting upon its mission statement, Tate has responded to web users' demands for accessibility and person-to-person online contact by taking content to its audiences, where they are already congregating, and by providing spaces for people to discuss, debate and engage with art.
the development of a strategy for mobile technology, including mobile applications (apps), the mobile web, in-gallery commenting systems and social features within gallery tours.
Tate is considered to be one of the leaders of the use of social media in the cultural sector. However, there is much that can be learnt from commercial businesses and other cultural institutions.
cross-pollinate awareness of Tate's other social media platforms more effectively.
In the autumn of 2010 curators were trialled as new voices on social platforms and this proved successful. We understand that those who have the most individual and compelling content are within departments throughout the organisation, rather than within the Communications and Marketing Departments. We aim to activate numerous individual accounts across Tate, with departments having their own social platforms so that they can communicate directly with their own audiences. The Social Media Working Group will monitor all accounts and devise guidelines for appropriate use to be upheld by Tate employees.
agree copyright approval from lenders to exhibitions for content to be distributed on social media.
Tests conducted over the last six months have proved that social platforms such as Facebook are key traffic drivers to Tate Online. Facebook has become the second highest traffic driver to the website. With this in mind, fans and followers will be encouraged to click to Tate's website with 'teasing' content. The top sources of Tate web traffic (excluding search) should consistently include social platforms.
'tweet' UK-focused messages in the morning, while US audiences are asleep.
Tate's social networks are predominantly viewed as platforms for promoting the Tate brand and for raising awareness of exhibitions. However, as Tate's number of fans increases, they aim to promote 'fan-only' offers, such as discounted tickets, to reward fans for contributing to Tate's global appeal. Tate will also aim to establish and develop social networks particular to e-commerce, including increasing the following of the Online Shop social sites, and driving product sales at key moments in the year, such as Christmas.
identify fans who are likely to donate or become Patrons or Members.
work more closely with the Learning teams across Tate to promote learning resources and opportunities.
act as a touchstone for a much wider group of spokespeople and social media platforms.
develop its relationships with Tate partners, such as those within Plus Tate and the Great British Art Debate.
Facebook, Twitter and YouTube are Tate's main social media platforms. Facebook and Twitter, being the most prolific in terms of activity, lend themselves to timely content posted by Tate. Audience responses vary in quality from heavily engaged comments to quick remarks. Content is evenly spread between 'light' posts and richer material, and adapted to the specific social platform.
There are five main Tate Facebook pages: London, Liverpool, St Ives, Tate Shop and Tate Members.
The total number of fans grew from 14,000 in January 2010 to 130,000 in September 2010, an increase of 829% over eight months as a result of more regular posting, unique content and timely advertising. The most recent figure is 205,000 fans (May 2011).
Tate 'posts' three times a day.
Tate advertises its exhibitions and events on other Facebook pages using behavioural targeting. The single most successful result from this type of advertising was an increase of 16,000 new fans over one week.
All content is discussion based, offering something that fans can respond to or interact with. Regular features include the 'Tate Weather Forecast', which uses a work from the Tate collection to illustrate the forthcoming weekend weather, the 'Tate Debate' and 'Tate's Work of the Week'.
Facebook consistently provides a rich source of feedback about audience experiences, visits to exhibitions, events and memories of Tate.
Tate receives approximately one hundred comments a day, exceeding other international museum and gallery Facebook pages.
to engage with fans, monitor discussions and value and respond to comments.
Twitter has 190 million users, and there are currently 343,000 followers of Tate. Messages, or 'tweets', communicate with audiences on a personal level, so followers can experience a 'one-to-one' connection with a Tate voice. Twitter is a better place for receiving information rather than a one-to-one connection. A high percentage of Twitter followers access their accounts from mobiles or desktop software rather than through the Twitter website, making measurement difficult.
Twitter is considered to be a 'true' social network, in that 'tweets' can be sent to people that you do not know personally. It is also a platform that the public can search to find 'real-time' information about news and events. In short, Twitter serves as an aggregator of interesting feeds and content, so much so that Google has now included Twitter in their search listings.
There are six main Tate Twitter sites: London, Liverpool, St. Ives, Tate Shop, Tate Etc and Tate Kids.
The total number of followers grew from 24,000 in January 2010 to 200,000 by July 2010, an increase of 733% over six months as a result of consistent tweeting and regular interactions as well as taking part in community projects such as #askacurator.
Tate writes timely tweets, up to six times a day, from 'behind the scenes' content such as the installation of an exhibition, to event notifications and weekly features such as the 'Tate Weather Forecast'.
To activate multiple Tate Twitter accounts, for departmental use and for individual employees.
To give followers of Tate the opportunity to follow exhibiting artists, curators and specific divisions within Tate. This will make 'tweets' more relevant, conclusively maximising audience interaction.
To make being a 'Tate voice' on Twitter part of the job descriptions of specific Tate employees, including and especially curators. The Social Media Steering Group will authorise all new accounts, manage beginner tutorials and ensure that the 'Tate Social Media Code of Engagement' is upheld.
To provide employees with the 'Tate Social Media Code of Engagement' and other guidelines on managing, listening to, interacting with, and understanding followers.
To involve the Visitor Experience team in deciding how to moderate and respond to public queries on Tate's main Twitter account.
To improve partnerships with other cultural institutions by setting up lists and working to identify tags and topics that will be of interest to mutual followers.
To make use of new and engaging Twitter features.
YouTube is website that allows anyone to upload, share, and view videos. It is currently the second biggest search engine behind Google, with two billion views a day, and serves as a quality source of website traffic for Tate. Tate has 3,000 subscribers and its videos have been played 701,000 times.
Flickr is a website that allows anyone to upload, share and view photographs and other images. It currently hosts over four billion images and is widely used by bloggers who use the website to host images that they embed in blogs and other social platforms. There are currently 1,000 subscribers to Tate's Flickr page.
Daily management and uploading of videos on the Tate YouTube channel is done by the Media Production team, and the uploading of images on Flickr by Tate Online.
Subscriber growth and viewing statistics have reached a plateau over the last year; there currently is no interaction with our subscribers on YouTube. Flickr interaction is targeted to specific audiences relating to specific events.
Flickr has been a useful platform for Tate to engage with a niche audience of photographers over recent years. Partnership projects with Flickr have resulted in a large body of images taken by gallery visitors which have been included in exhibitions and published in books and on posters.
to continue to devise specific audience engagement projects for these platforms.
The Tate MySpace page has been left untouched since 2007. Tate aims to re-develop the page to support its future marketing partnerships for 2011 and onwards.
It is very important for Tate to listen to and participate in online conversations about its exhibitions and displays. Tate aims to distribute content relating to its programming where audiences are active online. It aims to reach out to new online communities and influential bloggers where discussion around the visual arts is apparent or where there are audience development opportunities (see Goal 4, above).
Raise the profile of social media activities through the integration of online and offline marketing campaigns.
Distribute ownership of social media platforms across teams and departments within Tate (with clear boundaries, guidelines and objectives) and create new skills within the organisation to support this.
Engage in dialogue with its online communities (as opposed to merely broadcasting), ensuring that the owners of social media platforms within Tate have the time and skills to undertake this.
Develop a small number of initiatives tied to the themes of the programme that invite deep engagement and user-generated content, ensuring that these projects have the resources that they need to succeed.
Embed social media in the re-launched Tate website, including the ability to easily share web content, and integrate Tate content into online discussion platforms such as Twitter and Facebook.
Increase the number of people engaging with Tate's social media.
Increase referral traffic to Tate's website from social media websites.
Increase the number of people visiting galleries and events as a result of social media.
Measure audience advocacy (i.e. the number of people 're-tweeting', 'liking' or 'sharing' content).
Increase usage of social media across teams and departments at Tate.
Analyse the demographics of social media users wherever possible.
Measure the effectiveness of different types of content.
administering guidelines to all users of Tate social media platforms.
sourcing, collating and confirming Tate content for its social media platforms.
maintaining and updating the Tate Social Media Planner every fortnight.
Tate has created these guidelines both to support new Tate voices on third-party social media websites (Twitter, Facebook etc.) and introduce guidelines on how to maintain and interact with its online audiences. At the heart of these guidelines is a common sense approach. Users are to reflect the best interests and reputation of Tate at all times.
All social media platforms established in Tate's name, or to promote Tate need to be authorised by Tate's Social Media Steering Group. The Digital Communications Manager should be contacted so that the proposal can be added to the agenda of the next meeting. In some cases, it may be more appropriate to add the intended project to an existing Tate community or channel rather than establishing a new one. The steering group needs to be informed of all Tate's social media activity so it can incorporate everything into the overarching social media communication strategy.
It is important to regularly update your account, and to listen and respond to as much as possible in order to get the most from it. Be conversational, friendly and informative. By actively responding to questions or comments from fans, you will build greater trust and increase your following. It is critical that you establish a two-way dialogue with your audience because new followers will be put off by an inactive or monotonous account.
Be personal: say who you are, what you do and what your expertise is.
Be conversational: create starting points for conversations and participation, rather than merely broadcasting messages.
Be open: be prepared to respond to any questions or comments for as long as there are comments coming in.
Bring Tate or its work into disrepute.
Announce anything about working with an artist or a forthcoming exhibition that remains under press embargo (if you need clarification on what is in the public domain, and what is not, the Press Office can advise). Be aware of/cautious of major political events (again, check with the Press Office if unsure).
Write about your colleagues without their permission.
Comment on internal institutional processes.
Jesse Ringham1, 'Tate Social Media Communication Strategy 2011–12', in Tate Papers, no.15, Spring 2011, https://www.tate.org.uk/research/publications/tate-papers/15/tate-social-media-communication-strategy-2011-12, accessed 24 April 2019.


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Paul Cezanne is "to a greater extent than anyone else in the history of art, a painter's painter." So write two of the contributors to the book-catalog "Czanne" (edited by Franoise Cachin et al., Harry N. Abrams, 600 pp., $75) to accompany (and outlive) the international Czanne show at the Philadelphia Museum of Art.
Cezanne himself once wrote that "Art never addresses itself to more than an extremely small number of individuals." But the popularity of this exhibition of a highly elitist artist goes way beyond the interest of artists only. Immense crowds have been drawn to it wherever it's been - in Paris, London, and now Philadelphia (until Sept. 1). Is there, after all, a popular thirst for high and exclusive art?
The exhibition's appeal cannot be solely the consequence of hype. The artist's undiminishing "importance," according to art-world consensus, would not itself persuade the largely philistine media to give this show the extensive coverage it has received. What has aroused such eager curiosity and adulation? Can it be that Czanne is not a difficult artist at all?
Interestingly, the sold-out show does not claim to be exhaustive, definitive, or a blockbuster. Its attempt is to represent "the painter's development." It is a serious show in spite of all the nonsense of museum-shop bric-a-brac with "Cezanne apples" reproduced on them. It looks at the whole artist - unusual for Czanne exhibitions in recent years - rather than parts of him (his watercolors, his early works, or his debt to Poussin, for example). It does not bring together every last Cezanne masterpiece in a show to end all shows. Yet the record crowds have come.
Ms. Cachin and Joseph Rishel emphasize in their introduction to the catalog that the master from Aix-en-Provence remains, for all the scholarly theses, richly enigmatic. For example, the catalog note for "Bather with Outstretched Arms" (below, left) begins: "This picture [is] ... among the most discussed and least explained of all Cezanne's works." Yet one Czanne specialist has called it particularly "revealing," and others have found it compelling and (although its date is uncertain) even a pivotal moment in the artist's development.
THE question of whether a given work is finished - as with the later picture "The Garden at Les Lauves" (reproduced above) - also asks for fascinating speculations. Yet again, this matter of "unfinish" tells us much about Cezanne's ambitions and frustrations.
His art is one more of question than answer, of quest than arrival, of a need for difficulties to obviate facile solutions. It's an art of exploration rather than formula.
Cezanne evidently wanted to be an enigma. He voiced a fear that people would "get their hooks into him." Art theorists too often believe it their ingenious duty to pin down with analysis an artist's motives, style, achievements, and influences as if he were a rare butterfly in need of labeling and glass-casing. Worst of all are the expertly confident "explanations." Cezanne has been thoroughly subjected to these, even to the point of diagrams imposed on his paintings.
But the many-leveled, elusive artist has proved himself well ahead of such practices. Happily, some of this book's authorities admit willing defeat: Cezanne is all the better for being as inexplicable today as ever.
At London's Tate Gallery, the show seemed to me full of vigorously opinionated visitors discussing individual works. This is not always so; some exhibitions invite simpler enjoyment. Others seem educative. And there are those that demand reaction, but of feeling rather than debate.
Aspects of Cezanne work on these levels, too. But his consistency and unpredictability, his monumental uncertainty and raw confidence, his clumsiness and his sophistication all add up to extreme degrees of self-contradiction and paradox.
So do his almost Baroque buildup of compositions to a climax on one hand and his dry, methodical organization on the other. His classicism and his romanticism. His slow deliberation and his stabbing intuitions. His formalism and his deeply personal vision. Stillness contrasts with restless movement, space with solid, air with structure, the intangible play of light and shadow with sculptural mass and form, and astonishingly resonant color with a concentration on constructed tones.
And if in one way he seems dedicated to the realism of tree or apple or mountain, in another his interest seems to be an independent abstraction of mark, patch, stroke, and direction, much more to do with the painting itself than its subject.
The most inexplicable thing of all is that, for all his apparent self-contradictions, Cezanne's mature work is permeated with a serene balance. The equipoise, certainty, and utter consistency within the boundary edges of each work forcefully suggest that even if he is a fascinating mystery to his growing legion of admirers, Cezanne understood himself perfectly.


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Jeffrey Jacob Abrams (), cunoscut și ca J.J. Abrams,  un regizor, scenarist, actor, compozitor și producǎtor american de filme și seriale. Cel mai mare succes al sǎu a fost reprezentat de serialele Alias și Lost, create de el.

J.J. Abrams s-a nǎscut la New York și a fost crescut la Los Angeles. A terminat Colegiul Sarah Lawrence din Bronxville, New York. Tatǎl sǎu este producǎtorul de televiziune Gerald W. Abrams.

La data de 14 iulie 2006 Abrams a semnat un contract de cinci ani cu Paramount Pictures și un contract de șase ani cu Warner Bros., care valoreazǎ mai mult de 55 milioane de dolari.

Filmografie

Filme artistice

Televiziune

Premii și nominalizări

Note

Legături externe

Regizori americani
Producători americani
Americani în viață
Actori americani din secolul al XX-lea
Scenariști americani
Actori americani din secolul al XXI-lea
Actori din statul New York

redpajama_set_name: RedPajamaWikipedia


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"Pusher Love Girl" este un cântec înregistrat de compozitorul și cântărețul american Justin Timberlake pentru al treilea lui album de studio, The 20/20 Experience (2013). Timberlake a scris și produs cântecul împreună cu Timothy "Timbaland" Mosley și Jerome "J-Roc Harmon", cu ajutorul lui James Fauntleroy. Cântecul este o odă pentru efectele sufocante a dragostei și a sexului. Pusher Love Girl este un cântec R&B slow-tempo care trece prin mai multe stiluri muzicale în timpul celor nouă minute ale melodiei. Cântecul este deschis de o orchestră înainte de a intra în partea funky și se încheie cu un outro în care Timberlake face rap comparând narcoticele cu jumătatea lui.

"Pusher Love Girl" a primit în general păreri pozitive din partea criticilor muzicali, majoritatea dintre ei considerând-o cea mai buna piesă de pe The 20/20 Experience. Câțiva critici nu au fost prea încântați de versuri și lungimea cântecului. După lansarea The 20/20 Experience, datorită descărcărilor digitale numeroase, a ajuns pe locul al 15-lea în topul din Coreea de Sud, locul 64 în Billboard Hot 100 și locul 122 în UK Singles Chart.

Timberlake a interpretat pentru prima dată "Pusher Love Girl" în timpului concertului lui de pe Direct TV Super Night în februarie 2013, unde și-a anunțat întoarcerea. A interpretat cântecul și la a 55-a ediție a Premiilor Grammy și la Late Night with Jimmy Fallon. Timberlake a interpretat cântecul și în timpul turneelor Legends of the Summer Tour (2013) și The 20/20 Experience World Tour (2013-2014). La a 56-a ediție a Premiilor Grammy (2014), "Pusher Love Girl" a câștigat premiul pentru Cel mai bun cântec R&B.

Topuri

Premii

Referințe

Legături externe


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Robert Scheer: This is Fascism
Robert Scheer, the eminent left-liberal journalist, professor of communications at the University of Southern California, and supporter of Barack Obama's presidential campaign, made a surprising comparison last Friday on the NPR show "Left, Right, and Center." Tony Blankley, who represents the "right" on the show, responded with a question that many should be answering these days.
Robert Scheer: I don't think the idea of nationalizing, as it's now being called--which means bailing out these banks, setting them straight, then letting them go private again, which is the model that everybody is using, and the people who get screwed are the people whose retirement funds had common or preferred shares and they get wiped out, and these bankers come out richer than ever at the other end--that's not a leftist idea and it's not socialism. This is what we used to, in Comparative Economic Systems, call fascism. It's putting government at the service of the big financial interests. That's what happened in Italy, that's what happened in Germany, that's what happened in Japan. . . .
Tony Blankley: What I don't understand is how my colleagues on this show, who I believe were for Obama, are now saying he's leading a fascist regime. Did he mislead them a few weeks ago when he was still running? . . .
Robert Scheer: To answer your question, I am disappointed in Barack Obama and I'm not quite sure what he's doing.
posted by Thaddeus Russell at 4:04 PM
1) Cutting and pasting a story from elsewhere might open us up to copyright issues. I am not sure, but since this isn't imbedded in material by one of us, but it simply posted here, there might be an issue. It isn't posted in its entirety, so it might be okay, but I am not sure.
2) This would be a fantastic opportunity to _comment_ and _analyze_ the issue. My recommendation would be to link to this story and then use the blog here to comment on it. Is the bailout analogous to European fascism of the 1920s-1940s? What do our professional, activist historians think? How well does the analogy hold up?
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Jamie Lynn Spears Teases 'Zoey 101′ Reunion
Jessica Norton
Jessica Norton Published: October 19, 2020
Jamie Lynn Spears and the cast of Zoey 101 are officially reuniting!
On Monday (October 19), the 29-year-old actress, who played Zoey Brooks on the hit Nickelodeon series, teased the reunion on Twitter.
"THE LEGACY CONTINUES: the Follow Me (Zoey 101) See It First Experience!10/25," she wrote.
On October 22, Spears will also release a brand-new single, "Follow Me (Zoey 101)," with producer and DJ Chantel Jeffries. The new single re-imagines the original theme song, co-written with her older sister Britney Spears back in 2004. The new version will include updated lyrics to represent the character of Zoey in 2020.
A global live stream pop culture event, See it First: The Follow Me (Zoey 101) Experience, will take place on Sunday, October 25 with Spears reuniting with the original cast—plus appearances from JoJo Siwa, Dixie D'Amelio, Loren Gray and more.
"I just wanted to put something out there that's happy," Spears told NYLON. "This is reminiscent of that time, but also the modern Zoey. Who would Zoey be today? What would she sound like? This hits it right on the head, especially for where I'm going with everything. And not just for Zoey, but for me, too."
The last time the cast reunited was for an All That sketch this past summer, but they are currently in talks about an actual show reboot.
"All That was kind of just to test the waters, and then it was like, OK. It has to happen. This just has to happen, that's when the conversations got serious," Spears said.
"Obviously we want to meet her as an adult now, and I do think it should be a show for young adults," she continued. "We want to do it justice for the fans that were 10 and 12 when it first aired, while also bringing in the new generation of fans. Finding that balance will be really important because we want to connect with where people are today. The conversations that we're having right now are creative. 'What is that story? What is the best way to meet Zoey today?' We don't want to just do it to do it. We want it to be good."
Nickelodeon Stars Then & Now
Source: Jamie Lynn Spears Teases 'Zoey 101′ Reunion
Filed Under: Britney Spears, Chantel Jeffries, Jamie Lynn Spears, Jojo Siwa, Zoey 101
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JoJo Siwa Slams Candace Cameron Bure for 'Hurtful' LGBTQ+ Exclusion With New 'Faith'-Based Channel
Britney Spears Details 'Scary' Permanent Nerve Damage, Says Pain Goes Away When She Dances
Man Spends Over $120K on Over 100 Cosmetic Procedures to Look Like Britney Spears – PHOTO
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Britney Spears Says Son Jayden, 15, Is Working to 'Undermine' Her Like Her 'Whole Family Always Has'
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Britney Spears and Elton John's 'Hold Me Closer' Marks Pop Princess' First New Music in Six Years: LISTEN


Fixed migration problem from previous versions.
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NBANBA
NBA DraftNBA Draft
World of WojWorld of Woj
SalariesSalaries
NBA FinalsNBA Finals
Daily LinesDaily Lines
NBA.COM ticketsNBA.COM tickets
NBA Power Rankings: First-place Rockets, rolling Raps and all that Jazz
512dKevin Arnovitz
Clarke stakes Grizzlies to summer league crown
Agent: Simmons, 76ers have 5-year, $170M deal
Russ-CP3 fallout and everything the NBA is buzzing about at summer league
5-on-5: What the massive Westbrook-CP3 trade means
Lowe: Are the Rockets better? Pressure's on Russ and Harden now
4dZach Lowe
The rise and fall of OKC, the NBA's small-market miracle
4dRoyce Young
Best league ever? NBA players react to Westbrook-CP3 trade
NBA Power Rankings: Where do all 30 teams stand at the break?
Kevin ArnovitzESPN Staff Writer
NBA writer for ESPN.com since 2008
Former contributor and editor at NPR
The 2017-18 season might be more than two-thirds over, but there's a lot we don't know coming out of the All-Star break, especially in the Eastern Conference.
How do we begin to appraise the Cleveland Cavaliers, a team with an entirely new backcourt and supporting cast? Can we call the Toronto Raptors a favorite in the East, given the sheer dominance of their play over the past several weeks? Are the Boston Celtics slumping, or is this who they are -- a league-average offense that struggles for long stretches?
And what about an increasingly interesting, super-fun upper-middle class in the East with the likes of the Milwaukee Bucks and Philadelphia 76ers, among others?
In the West, it's the (first-place) Houston Rockets, it's the Golden State Warriors, then a morass of teams separated by the thinnest of margins, many of which are either missing important pieces, composed of new ones, or are still unproven.
For many a forlorn NBA fan, the real intrigue is down in the 20s, with a scrum of teams jockeying for better odds in the May lottery to find a franchise savior. Because in the NBA, you're just one player away!
Every week throughout the regular season, our panel (ESPN's Kevin Arnovitz, Amin Elhassan and Ramona Shelburne, The Undefeated's Marc J. Spears and FiveThirtyEight's Chris Herring) will rank the league's 30 teams from top to bottom.
Prev.: Week 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 9 | 8 | 7 | 6 | 5 | 4 | 3 | 2 | 1
1. Houston Rockets
2017-18 record: 44-13
PREV. RANK
1 2-0 MIN, @DEN
The Rockets are well on their way to becoming the first NBA team to attempt more 3-pointers than 2-pointers in a season, with more than 53.3 percent of their shots originating from beyond the arc. Put another way, the Rockets have heaved more 3-point attempts in the first seven seconds of the shot clock this season (632, according to Second Spectrum) than every NBA team other than the Celtics attempted for the entire 1987-88 NBA season.
2. Golden State Warriors
2 1-1 LAC, OKC
The Dubs' offensive attack is as lethal as ever, running up a gaudy 113.7 points per 100 possessions -- an NBA record. If you're looking for a vulnerability, it's on the other end of the court, where they stand fifth in defensive efficiency at 103.7, their least impressive ranking and total during their four-year run. The Lineup of Death, with Andre Iguodala in place of Zaza Pachulia, leaks like a sieve -- 111.6 points per 100 possessions. That would factor as the worst defense in the NBA, behind even Phoenix.
3. Toronto Raptors
3 2-0 MIL
With the exception of a 3-point win over Miami last Tuesday -- a game Toronto led by 16 inside of five minutes -- the closest margin of victory on the Raptors' current seven-game winning streak is 15. The starters clock in with a net rating of 12.0, and the bench unit is swamping the league to the tune of a plus-31.1 in its 172 minutes together. When trying to glean whether a team's regular-season dominance is real, these are the kinds of numbers to make note of.
4. Cleveland Cavaliers
6 1-0 WAS, @MEM, SA
LeBron James' prestige television drama fired half its writers room at the deadline, and the new scripts are scintillating. We'll likely have to wait for the postseason to discern whether the new additions give Cleveland the defensive personnel it needs to compete with elite playoff opponents, but absent another chaos-induced swoon, the Cavs look like a stable team with a two-month training camp ahead of them.
5. Boston Celtics
4 0-1 @DET, @NY
A team with a dynamo scoring point guard and an elite playmaking big man finds itself 21st in the league in offensive efficiency. Since Jan. 1, the Celtics rank 26th in shot quality, per Second Spectrum, and only Phoenix has compiled a worse true shooting percentage. To compound their problems, the league's top-ranked defense surrendered a combined 250 points to Cleveland and the LA Clippers in their final two games before All-Stars Kyrie Irving and Al Horford boarded their flights to Los Angeles.
6. San Antonio Spurs
5 0-2 @DEN, @CLE
The Spurs are 10-12 since New Year's Day, with road dates at Cleveland, Golden State, Oklahoma City and Houston scheduled over a 16-day stretch starting Sunday. The Spurs rank only 20th in true shooting percentage, after never ranking outside the top five between the 2010-11 and 2015-16 seasons. One factor? Only Minnesota and New York have attempted more 2-point shots outside the paint this season.
7. Milwaukee Bucks
8 1-1 @TOR, NO
Even with the ghastly 134-point hemorrhaging to Denver last Thursday, the Bucks have been the league's second-stingiest defense since firing Jason Kidd (after clocking in at 25th the morning of the coaching change). Jabari Parker is still working back into shape with the second unit, but in the process has logged an encouraging true shooting percentage of 56.7, which would be a career high.
8. Minnesota Timberwolves
7 1-1 @HOU, CHI
The Wolves feature four of the league's top 10 players in minutes played, with Andrew Wiggins and Karl-Anthony Towns in the first and second slots. In news that might or might not be unrelated, the Wolves also rank as the NBA's worst fourth-quarter defense by a full three points per 100 possessions. Taj Gibson has tapped the fountain of youth in his finest season as a pro as one of those heavy-minutes contributors, topping his previous career-high true shooting percentage of 55.6 with an eye-popping 61.0 as the Wolves' elder statesman.
9. Washington Wizards
10 1-0 @CLE, CHA, PHI
For all the chatter and drama, the Wizards rank fourth in the Eastern Conference standings -- where many projected them. The scheduling gods welcome the Wiz back from the All-Star break with five games in seven days bookended by the Cavs and Warriors. How about that recent emergency "point-less" starting lineup with Tomas Satoransky? In 175 minutes, that unit is a plus-21.2 per 100 possessions.
10. Utah Jazz
15 2-0 POR, DAL
The reverberations inside the concrete bunker on South Temple are feverish again, as the Jazz have ripped off 11 consecutive wins. On the eve of the streak, Utah ranked 18th in offensive efficiency and 14th in defensive efficiency. Now, it's 13th and sixth, respectively. Four Utah starters have compiled a true shooting percentage better than 60 during the streak. The one who hasn't? Donovan Mitchell, who's doing just fine, thank you.
11. Portland Trail Blazers
11 1-0 @UTAH, @PHX
As anticipated, both the Blazers' surprising early season stalwart defense and sluggish offense have reverted to the mean, as Portland now ranks near the upper-middle of the pack in both events. As a team, the Blazers rank a distant 30th in assist percentage; there's a greater distance between them and No. 29 [Lakers], than No. 29 and No. 19. Cause for concern, or just the nature of the beast in Portland?
12. Indiana Pacers
13 1-0 ATL
Relative to shot difficulty, only the Warriors and Timberwolves have overachieved more this season from the field than the Pacers, who won nine of 12 heading into the All-Star break. Curiously, the Pacers have been the fourth-slowest team during that stretch, as they've gradually settled where most Nate McMillan teams have traditionally resided -- bottom 10 in pace.
13. Oklahoma City Thunder
9 1-1 @SAC, @GS
Coming out of the break, the Thunder are now one of four teams (Golden State, Houston, Toronto) that rank in the top 10 in both offensive and defensive efficiency ... yet OKC still hasn't found a cruising altitude. Here's an encouraging signal: After ranking 18th in shot quality on New Year's Day, the Thunder have compiled the sixth-best rating since, as they've refined their offense.
14. Philadelphia 76ers
14 2-0 @CHI, ORL, @WAS
The Marco Belinelli signing might not have seemed like an iconic Philadelphia sports moment, but for the Sixers it meant the world that a buyout candidate with midseason options would choose them. The Sixers set as an aspirational goal a sweep of their five-game homestand just before the break -- and pulled it off. They have the league's best defense in 2018, and now the prospect of hosting a Game 1 for the first time in 15 years seems plausible.
15. Denver Nuggets
12 2-0 SA, HOU
The Nugs have quietly assembled a nice little 6-1 February with wins over Golden State, San Antonio, Oklahoma City and at Milwaukee. Even more impressive? They did it while logging the league's third-worst defense over that period, and remain the NBA's worst pick-and-roll coverage, according to Second Spectrum. But when your three highest-volume producers all post true shooting percentages better than 58, there's some wiggle room.
16. Detroit Pistons
17 1-1 BOS, @CHA
In their eight games with Blake Griffin against sub-elite opponents -- seven of the eight at home -- the Pistons have assembled the profile of a slightly above-average, albeit faster and more pass-happy, team. A playoff berth is within reach -- Detroit is one game behind Miami in the loss column for the No. 8 seed -- but with a high degree of difficulty. The Pistons will play 11 of their next 15 games outside of Wayne County, including a 5-in-7 with two road back-to-backs, and a six-game Western swing.
17. LA Clippers
18 2-0 @GS, @PHX
What to make of these newly assembled Clips? Are they the versatile unit with the necessary firepower from the wings and length up front that whooped up on the Celtics in Boston just before the break? Or is this a transient team just biding its time until it reconstitutes itself yet again in early summer? After a road date on Thursday to tip off the home stretch, they have a gentle schedule that could vault them back into the West's playoff field.
18. New Orleans Pelicans
19 2-0 MIA, @MIL
The Pels, 4-5 since they lost DeMarcus Cousins for the season, are clinging to the No. 8 seed with the Jazz and Clippers in hot pursuit. Since the injury, Anthony Davis has filled the vacuum with high-grade inside-out production, averaging 31.3 points, 12.2 rebounds and 2.1 blocks and shooting 42.4 percent from beyond the arc.
19. Miami Heat
16 0-2 @NO, MEM
The Heat are reeling, losers of seven of eight, and had their hearts ripped out in the final game before the break, coughing up a 24-point lead at Philadelphia. Dwyane Wade's reintegration has been bumpy. In three games, he's 9-for-28 from the field, with a 35.8 true shooting percentage, and more turnovers (12) than assists (10).
20. Charlotte Hornets
21 1-0 BKN, @WAS, DET
The Bees aren't good enough to contend, nor bad enough to tank. Kemba Walker has distinguished himself as an All-Star, but what do you say about a team whose starting unit averages almost 29 years of age with a salary of $16.8 million, yet stands nine games under .500? Reloading won't be easy, as the Hornets are well over the cap into next season.
21. Los Angeles Lakers
20 0-2 DAL, @SAC
It has been a tough 2018 for Kyle Kuzma, whose 48.0 true shooting percentage is the lowest among Lakers regulars. The highest? Fellow rookie Josh Hart, whose 64.0 clip ranks him 20th in the league since New Year's Day among players averaging 20 minutes per game. The Lakers have been a net-positive team when he's on the floor with Kentavious Caldwell-Pope, Brandon Ingram, Julius Randle and Brook Lopez.
22. Chicago Bulls
22 1-1 PHI, @MIN
Zach LaVine's first month as a Bull was a mixed bag but promising overall, given the extent of the injury he returned from. He shot at a respectable 37.1 percent from the 3-point line, but his shot selection (measured by Second Spectrum's quantified Shot Quality metric) is the worst on his team -- not a desirable quality as the Bulls' highest-volume shooter.
23. Brooklyn Nets
23 0-2 @CHA
Energy and grit have their virtue, but the talent deficit has finally caught up with the Nets. They've lost seven in a row and 11 of 12. Only the Rockets take a greater share of their shots from beyond the arc, but only the Lakers and Suns hit their 3-pointers at a lower clip. And nobody is happier about the Nets' shooting woes than Cleveland, which owns Brooklyn's first-round pick this June.
24. New York Knicks
24 0-2 @ORL, BOS
Life without Kristaps Porzingis leaves much to be desired for the Knicks, who have lost four straight since the big guy went down and eight consecutive games overall. That's trouble, since Porzingis is the only Knicks regular with a positive net rating. They've lingered well above the dregs of the East for most of the season, but with this misfortune, New York could free fall. The Knicks return from the break with five of seven games on the road -- the only home dates against Boston and Golden State.
25. Orlando Magic
26 0-2 NY, @PHI
After a promising but unsustainable spurt to start the season, the Magic reverted to the mean and will draft in the lottery for the sixth straight June. Crazy as it sounds, the Magic are a more efficient offensive squad than the Celtics, and they should be more productive once they get Aaron Gordon back from a hip injury.
26. Dallas Mavericks
28 0-1 @LAL, @UTAH
What's more astounding -- that Dirk Nowitzki topped 50,000 career minutes this month or that he's converting 42.9 percent his 3-point attempts, which would be a career best in his 20th NBA season? Alas, by trading his teammate Devin Harris, the Mavericks broke up one of the most productive lineups in the NBA this season, composed of Dirk, Harris, Yogi Ferrell, J.J. Barea and Dwight Powell, who were a plus-19.4 per 100 possession in a not-insignificant 231 minutes.
27. Sacramento Kings
29 1-1 OKC, LAL
The Kings are on target to pick in the top 10 in this year's draft for the 10th consecutive season (their 2011 pick was traded to Charlotte). Buddy Hield hasn't been exceptional in many regards, but he has posted a lights-out 74.3 effective field goal percentage on catch-and-shoot jumpers this season -- best in the NBA.
28. Atlanta Hawks
25 0-2 @IND
Less than three years after winning 60 games with an overachieving, veteran-laden roster, Atlanta is tied for the league's worst record at the break -- but it's not all bad news. The Hawks will pick near the top of the board for the first time since they nabbed Al Horford with the third pick in 2007 (and have two additional first-rounders). Rookie John Collins is establishing himself as a heady big man with some serious game, and he leads all rookies in player efficiency rating (19.84).
29. Memphis Grizzlies
27 0-1 CLE, @MIA
Losers of seven straight, the Grizzlies haven't won a road game in 2018. It's exceedingly difficult to struggle as badly as Memphis has and feature a heavy-usage player who rates as statistical net positive, but yes, the Grizzlies are outscoring opponents this season when Tyreke Evans is on the floor.
30. Phoenix Suns
30 0-2 LAC, POR
The Suns, who have lost 15 of 17, have assembled the NBA's least efficient defense since the 2008-09 season, yet oddly they rank 10th in quality of shots surrendered, according to Second Spectrum. Phoenix isn't without some positive trends: Dragan Bender's true shooting percentage since Jan. 1 is 56.4, and Josh Jackson's is over 50 percent after a bumpy start in his rookie season.


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Using Instagram on public Wi-Fi poses risk of an account hijack, researcher says
Instagram is moving to full https encryption but isn't there just yet
Jeremy Kirk (IDG News Service) 29 July, 2014 15:47
A configuration problem in Facebook's popular Instagram application for Apple devices could allow a hacker to hijack a person's account if they're both on the same public Wi-Fi network.
Stevie Graham, who describes himself as a "hacker at large" based in London, wrote on Twitter that Facebook won't pay him a reward for reporting the flaw, which he said he found years ago.
Graham wrote he hopes to draw more attention to the issue by writing a tool that could quickly compromise many Instagram accounts. He cheekily calls the tool "Instasheep," a play on Firesheep, a Firefox extension that can compromise online accounts in certain circumstances.
"I think this attack is extremely severe because it allows full session hijack and is easily automated," according to Graham's technical writeup. "I could go to the Apple Store tomorrow and reap thousands of accounts in one day, and then use them to post spam."
Graham's finding is a long-known configuration problem that has prompted many Web companies to fully encrypt all connections made with their servers. The transition to full encryption, signified by "https" in a browser URL bar and by the padlock symbol, can be technically challenging.
Instagram's API (application programming interface) makes unencrypted requests to some parts of its network, Graham wrote. That poses an opportunity for a hacker who is on the same Wi-Fi network that doesn't use encryption or uses the outdated WEP encryption, which can be easily cracked.
Some of those Instagram API calls transmit an unencrypted session cookie, or a data file that lets Instagram know a user is still logged in. By collecting the network traffic, known as a man-in-the-middle attack, the session cookie can be stolen and used by an attacker to gain control of the victim's account.
Facebook officials didn't have an immediate comment, but Instagram's co-founder, Mike Krieger, wrote on Ycombinator's Hacker News feed that Instagram has been "steadily increasing" use of full encryption.
Its "Instagram Direct" service, which allows photos to be shared with only small groups of people, is fully encrypted, he wrote. For more latency-sensitive endpoints, such as Instagram's main feed, the service is trying to make sure the transition to https doesn't affect performance, he wrote.
"This is a project we're hoping to complete soon, and we'll share our experiences in our [engineering] blog so other companies can learn from it as well," Krieger wrote.
Google offered full encryption as an option for Gmail in 2008, but two years later made it the default. Facebook switched it on by default in January 2011
Send news tips and comments to jeremy_kirk@idg.com. Follow me on Twitter: @jeremy_kirk
Tags internetFacebookInternet-based applications and servicesExploits / vulnerabilitiesInstagram
More about AppleAustralian Pharmaceutical IndustriesFacebookGoogle


Currently we receive a lot of messages on our smartphone coming from the different applications we have installed. Each one sends their own notifications and currently there isn't any easy way yet to handle all this information in an efficient and unified framework.
Snowball is an application that was supported by Google Ventures, and aims to bring together all these messages under the same app. With this application, we can receive notifications, from the main messaging apps used worldwide.
Once installed on the phone, the app appears as a small snowball. Whenever we receive a new message, we can access it as it will appear even if we are using any other app on our smartphone at the time. Tapping on the snowball, we can directly access the app, where we can see the notifications we have just received.
The only downside to this app is that it is one-way. That is, although we can read all kind of messages from several applications, we have to access the corresponding app to respond to them, so we cannot avoid to have them installed on the phone.
Snowball shows us the messages we receive and simply by tapping on them we can access to the corresponding app to reply. Currently, the app is available in its beta version on the Play Store, and is completely free.
Up to now, Snowball is compatible with Facebook Messenger, WhatsApp, Snapchat, SMS, Hangouts, Twitter, Line, WeChat and Slack. The developers claim that here will be more applications compatible soon.
If you're looking for something that can organize a little your notifications, it's worth a try. It's still missing some features and there are some details to polish, but being a beta is not bad at all. As it is completely free, you aren't going to lose anything to give it a try, and it can be easily downloaded from the Google Play.


There has been a steady decline in number of health care infrastructure crucial for first level of intervention, according to the Economic Survey of Delhi 2017-18. For example, maternity homes and sub-centres saw a dip from 284 to 193 between 2007 and 2016. Number of primary health centres has remained stagnant at 8. This is despite the fact that the State's population has been increasing at the rate of 10 per cent every five years. Even more surprising is the fact that the number of dispensaries in the state has reduced by 17 per cent in just one year: from 1507 in 2015 to 1240 in 2016.
It is worth noting that although the number of nursing homes has almost doubled from 607 to 1057 between 2007 and 2016, number of hospitals dwindled from 94 in 2012 to 83 in 2016. The reasons, according to the survey document, are non-availability of land, shortage of manpower and multiplicity of agencies. The immediate fallout of this is that the hospitals in Delhi are facing heavy patient load.
According to the recommendations of the World Health Organization (WHO), bed to population ratio should be five per thousand people. However, the bed to population ratio in Delhi till 2015-16 has remained at 2.86—almost half the prescribed level.
At the end of year 2016-17, total bed capacity in Delhi was 53,329. The survey suggests that out of the total beds available in medical institutions across the city state, private nursing homes, private hospitals and voluntary organisations contribute 50.28 per cent. On the other hand, medical institutions operated by government of India, Delhi government and local bodies offer 20.90 per cent, 20.45 per cent and 8.1 per cent of total beds respectively. "Delhi has also showed the highest private sector participation in health sector," observes the Economic Survey.
The government investment in health sector increased significantly from Rs 861.66 crore in 2007-08 to Rs 2,095.36 crore in 2016-17. The per capita expenditure by the Delhi government increased by 44 per cent—from Rs 1,547.55 to Rs 2,232.82—between 2011-12 and 2015-16.
While the survey expresses concern over loss of productive days due to cases of dengue, malaria and chikungunya in the national capital, it stated that "adequate publicity, safeguards for preventing growth of mosquitoes are carried out by DHS and local bodies" to counter the menace of dengue, malaria and Chikungunya. Despite that, according to the data from National Vector-borne Disease Control Programme, Delhi witnessed 9,232 dengue cases in 2017—the highest in the last seven years.
In a positive development, the state has been able to bring down the death rate due to tuberculosis at the lowest level—3 per cent as opposed to 4 per cent nationally for new infected patients. Moreover, infant mortality rate and under-five mortality rate are at 18 and 22 per thousand, as opposed to the national level of 34 and 39 per thousand.


Glengala Primary School has a designated staff member in the role of Student Welfare Officer with responsibility for supporting the school and students to create a safe and engaging school environment. The Student Welfare Officer will ensure that all children know who to talk to if they are worried or are feeling unsafe, and make sure that they are comfortable to do so. Children will be encouraged and supported in their efforts to protect themselves and others. Glengala Primary School will proactively engage with children in an age-appropriate manner about abuse, to create a safe environment for them.
At Glengala Primary School the safety of the child and the risk of harm are the primary considerations, with due regard for confidentiality and fairness to the person against whom the allegation is made. While the standards apply specifically to child abuse, our school strongly promotes children's health, mental health and wellbeing in a broader sense. For Glengala Primary School's community to comprehend the purpose of the Child Safe Standards, it is pertinent that we understand the forms of child abuse.
At Glengala Primary School we feel it is very important to validate a child's disclosure. This means listening to the child, taking them seriously, and responding and acting on the disclosure by implementing our school's reporting procedures. (Please see Glengala Primary School's internal reporting process on the last page of this document, and refer to Glengala Primary School's Child Safety Policy (2016) and the Department of Education 'Identifying and Responding to All Forms of Abuse in Victorian Schools' Guidelines').
At Glengala Primary School we record any child safety complaints, disclosures or breaches of the Code of Conduct and store the records in accordance with security and privacy requirements. Glengala Primary School keeps a record of action taken, any internal investigations and any reports made to statutory authorities or professional bodies.
What concerns should be reported?
If a child is in imminent or immediate danger, 000 is called immediately.
Reports to Child Protection should be made if the School believes, on reasonable grounds, that a child is in need of protection. Child Protection is part of the Victorian Department of Health and Human Services. It provides child-centred, family-focused services to protect children and young people from significant harm caused by abuse or neglect within the family. It also aims to ensure that children and young people receive services to deal with the impact of abuse and neglect on their wellbeing and development. It is the Child Protection practitioner's job to investigate significant harm.
Reports of child abuse should be made directly to the regional Child Protection Office as soon as possible. The phone number is 1300 664 977 or 13 12 78 for after-hours notifications.
Legal responsibilities to report child abuse.
While the child safe standards focus on organisations such as our school, every adult who reasonably believes that a child has been abused, whether in their school or not, has an obligation to report that belief to authorities. While failure to disclose only covers child sexual abuse, all adults should report other forms of child abuse to authorities. Failure to disclose does not change mandatory reporting responsibilities.
Doctors, nurses, midwives, teachers and school principals, police, youth workers, social workers and psychologists are mandatory reporters under the Children, Youth and Families Act 2005. If they believe on reasonable grounds that a child is in need of protection from physical injury or sexual abuse they must report to Child Protection. As long as a report is made in good faith, the report is not unprofessional conduct or a breach of professional ethics and the reporter cannot be held legally liable. The Children, Youth and Families Act 2005 provides confidentiality for reporters, and prevents the disclosure of the name or any information likely to lead to the identification of a person who has made a report in accordance with the legislation, except in very specific circumstances.


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A Spirituality Of Fundraising (Workbook Edition)
SKU: 720193 Categories: Christian Living, Collected Prayers, Finance, Healthy Living, Inspiration & Motivation, Ministry, Missions, Personal Finance, Sermons, Stewardship & Giving
: Workbook Edition
by: Henri Nouwen
For years, fundraisers for faith-based nonprofits have been inspired by Henri Nouwen''s words: ""Fundraising is, first and foremost, a ministry. "" In the brief but impactful sermon-turned-book A Spirituality of Fundraising, Nouwen asserts that fundraising is more than an effort to support a common goal; it involves the calling and prayer for a common mission. While serving alongside the famous priest and author in a L''Arche community for disabled persons, Nathan Ball learned firsthand from... Show More
For years, fundraisers for faith-based nonprofits have been inspired by Henri Nouwen''s words: ""Fundraising is, first and foremost, a ministry. "" In the brief but impactful sermon-turned-book A Spirituality of Fundraising, Nouwen asserts that fundraising is more than an effort to support a common goal; it involves the calling and prayer for a common mission. While serving alongside the famous priest and author in a L''Arche community for disabled persons, Nathan Ball learned firsthand from Nouwen. In A Spirituality of Fundraising Workbook Edition, Ball provides a how-to guide to accompany Nouwen's teachings. This new release from Upper Room Books combines the work of Nouwen and Ball to provide inspiration as well as practical tools for fundraisers—both professional and volunteer—whose ministries rely on donations. This workbook edition includes questions for reflection, discussion prompts for volunteer groups, suggestions for putting theory into practice, and the complete text of its bestselling predecessor, A Spirituality of Fundraising. Show Less
Date Published Jul. 19th, 2019
Publisher Upper Room Books
About Henri Nouwen
HENRI NOUWEN was a Dutch-born Catholic priest, professor, and pastor who gained international renown as the author of more than 30 books on the spiritual life, including such classics as The Wounded Healer, The Inner Voice of Love, and The Return of the Prodigal Son. Nouwen's books have been translated into several languages and have sold millions of copies worldwide. Since his death in 1996, Nouwen has had an ever-increasing number of readers, writers, teachers,... Show More
HENRI NOUWEN was a Dutch-born Catholic priest, professor, and pastor who gained international renown as the author of more than 30 books on the spiritual life, including such classics as The Wounded Healer, The Inner Voice of Love, and The Return of the Prodigal Son. Nouwen's books have been translated into several languages and have sold millions of copies worldwide. Since his death in 1996, Nouwen has had an ever-increasing number of readers, writers, teachers, and seekers who have been guided by his literary legacy. Author Residence: Author deceased. Henri Nouwen Estate is in Toronto, Canada Show Less
Other Books By Henri Nouwen
by Henri Nouwen
Communion-Fellowship Cup Prefilled Juice/Wafer (Box Of 250)
How To Prepare Sermons
by William Evans
Praying For The Impossible
by Buddy Harrison
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Q: after Ubuntu Studio update jelly fish cannot open the contents of my usb phone Can someone please help.. After installing update to ubuntu studio jelly fish cannot open files on my samsung phone using usb everything was fine before update.Thank you
this is the error message.... Malformed URL udi=/org/kde/solid/udev/sys/devices/pci0000:00/0000:00:1d.0/usb2/2-1/2-1.3/.


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Q: AngularJS and jquery-ui I have tried to compbine angularJS and jquery-ui the last hours but with no success. I have created the real simple example at fiddle:
My Fiddle example
var myApp = angular.module('myApp', ['ui']);

The problem is the 'ui' dependency injection but I don't know how to solve this issue. I would need jquery-ui necessarily  because of reordering table rows.
Thanks a lot for help!

A: jQuery UI is not an Angular module/dependancy. Therefore, trying to inject it through DI is not going to work. However the inclusion of the script tag for the jQuery UI does include it into your global scope to use.
Your syntax, however, is correct if you are going to use ui-router or ngAnimate.
If you are looking for a sortable table solution for angular you can look into a few resources all which can be injected via the aforementioned syntax:

*

*ui-sortable

*ng-sortable


Completion of design (year): 1968.
Beginning of serial production (year): 1969.
Number of produced computers: 1 (one) piece.
URAL-16 was the senior model of the URAL computers line. Its specially designed arithmetic device U-330 performed arithmetic, logic and transfer operations with binary numbers and the words of variable length (form 1 to 48 bit). Arithmetic operations were performed with both fixed- and floating-point numbers. Also a number of special additional operations were introduced to increase the computer's performance at solving information problems.
The structure of URAL-16 central unit comprised arithmetic device U-330 and separate special control device U-331. U-331 provided interaction of all computer devices during simultaneous solving of several problems: parallel execution of up to five instructions in central devices, information exchange between magnetic tape and/or drum storages and ferrite storage and operation of several input/output devices.
U-331 performed immediate addressing of the words, with length varying from 1 up to 48 bit, and arrays of words from48 up to 98 000 bit in RAM with capacity up to 25 000 000 bit.
Hardwired program protection system protected some programs from possible errors of other simultaneously running programs. The base displacement addressing system provided program independence from concrete location in memory. Special instructions for maintaining a "dialog" between up to 8 computers on their central processors' level were incorporated among the total of 300 instructions performed by the device.
URAL-16 was completed with URAL-standard two-input magnetic drums, magnetic tape storages, punched-tape and punched-card devices and alphanumeric printer.
Computers URAL-11 – URAL-16 were based on unified complex of logic elements URAL-10. An element consisted of a set of semiconductor circuitry modules. There were 5 types of basic general-purpose modules and 10 special ones (for storages and peripheral devices). 90% of URAL-14 electron circuitry consisted of diode-transistor modules of two types, which were able to operate in temperature range: –10 C to +70 C. The modules were placed on the cells with soldered plug-socket connection.
Dispatcher program was the basic software to organise computer operation. It provided input/output of information, organised operation in multi-program mode, protected RAM zones, supported dynamic allocation of RAM resources and also external memory on magnetic drums and tapes.
The computer was also provided with special automatic code ARMU (Russ. abbr. for Automatic-code of Row (line) of Machines URAL (URAL computers)). That was a unified auto-code for all URAL computers line. It was composed upon consideration of their specific features and fully maintained compatibility of junior models to senior ones. However, each model of URAL had its own translator from ARMU language to its internal machine language, therefore the compatibility of URAL computers remained limited and existed only on the ARMU auto-code level.
URAL-16 was the senior model of the URAL computer line. Same as the other computers of the family URAL-16 was produced on unified component and technology basis of URAL-10. That was the USSR first experience in designing of not a single computer but an extended line of compatible computing machines and appliances. Their technical unity was the focus of designers' attention. Most of their technical, structural and designing solutions were undoubtedly progressive and promising ones. However, only one piece of URAL-16 computer was produced and put into operation. No reason or analysis of that can be found in printed sources.


Established in 1970, the International Association of Business Communicators (IABC) is a global network of over 15,000 communication professionals in more than 70 countries. The Boston chapter of IABC offers regular professional development programs, networking events, and volunteer opportunities to help members connect with other local communicators and advance their careers. Our 200 members (approximately) hail from Massachusetts, Rhode Island, New Hampshire, Vermont, and Maine, forming a diverse network of people with ideas and experience to share. For more information, visit boston.iabc.com/membership.
Why the brand strategy is your new best friend. There are many reasons why integrating the brand into your Internal Comms strategy makes irrefutable sense. We'll cover them all so you can get to work and wow your management team in the process.
Where your work with the brand strategy will have the greatest impact. From improving talent management metrics to the less obvious impact on product quality, we will look at all the positive change you can affect when you put the brand strategy to work.
How you make it all happen. Finally, we'll outline all the brand strategy-related steps you can take to increase the impact your Internal Comms work has on the bottom line.
Panelists will keep things hot by sharing templates, tips, and lessons learned from their most intense projects.


52505 is a HDPE copolymer which is manufactured in gas phase process. This grade is an injection molding grade for applications requiring a good physical property even at low temperatures, like pails, containers and technical moldings.
Good physical property even at low temperatures.