Last night, gold traded in a range $1194.20 - $1201, largely moving against the direction of the US dollar.
During Asian hours, gold slumped to its low of $1194.30 as the DX rose to 94.37, but was supported ahead of the quadruple bottom at $1192-93 (9/12, 9/14, 9/17, and 9/21 lows).
Later during European time, gold bounced to its $1201 high, as the DX softened to 94.05.
The dollar was pressured by strength in the euro ($1.1725 - $1.1775, stronger German IFO reading) and sterling ($1.3062 - $1.3160, UK Brexit Secretary Raab was optimistic on getting a good Brexit deal).
Global equities were weaker and gold supportive as China canceled planned trade talks with the US, and the newest tariffs between the countries took effect overnight.
The NIKKEI and SCI were both closed, European markets were off from 0.2% to 0.3%, and S&P futures were -0.2%. A spike higher in oil (WTI to $72.39) as OPEC failed to boost output – despite demands from Trump – were supportive of stocks.
At 8:30 AM, a lower than expected reading on the Chicago Fed National Activity Index (0.18 vs. exp .20) pressed S&P futures further down (-7 to 2926), and took the US 10-year bond yield down from 3.08% to 3.068%.
The DX, however, bounced to 94.20, ahead of some remarks by the usually dovish Draghi. Gold was tugged down in response and dipped to $1198.
At 9AM, Draghi was surprisingly a bit hawkish (cited shortages in some sectors, pick up in wages, projects core inflation reaching 1.8% in 2020).
The euro shot to $1.1815 (3-month high), and the DX tumbled to 93.83 – finding support ahead of Friday's 93.81 low. Gold pushed higher and tripped some light buy stops beyond the overnight high to reach $1203.90.
Around 10:30 AM, reports that the embattled Deputy Attorney General Rod Rosenstein had resigned pushed US stocks further down (S&P -16 to 2913), with consumer staples, materials, and real estate sectors getting hammered.
The US 10-year yield - which had rebounded to 3.091% - sank back to 3.065%. The DX - which had recovered to 94.07 – fell back to 93.97. Gold, after dipping to $1202 rallied back to a fresh high at $1204.30.
Into the afternoon, US stocks made a modest rebound on news that Rosenstein didn't resign or was fired, but would be meeting with Trump this Thursday.
The S&P finished -10 to 2929, while the US 10-year bond yield ticked back up to the 3.08% area. The DX recovered to 94.23, and then remained fairly steady between 94.17 – 94.22.
Gold slid back to $1198.50 in response and was $1199 bid at 4PM – unchanged.
Open interest was up 1.1k contracts, showing a net of new shorts from Friday's decline. Volume expanded with 358k contracts trading.
Some bulls were a bit disappointed that despite the cancellation of US/China trade talks, and the political turmoil surrounding Rod Rosenstein that led to a significant pullback stocks, gold couldn't manage to hold onto its earlier gains.
However, other bulls point out that the uptrend from the $1160 low is still intact, and are encouraged that gold has remained over $1187 – the 50% retracement of up move from the 8/16 $1160 low to the 8/28 $1214 high.
Bulls remain steadfast in their thinking that gold bottomed at $1160 on 8/16 after a $35 2-day capitulation, and will look to either add to long positions on weakness, or on some expected ensuing upside momentum.
Bulls are looking for gold to consolidate recent gains over $1187 (50% retracement of up move from the 8/16 $1160 low to last week's $1214 high) and then challenge upside resistance levels at $1212 (down trendline from the 8/10 $1217 high), $1213-14 (triple top – 8/13, 8/28, and 9/13 highs) and then $1216-18 (5 tops, 8/6, 8/7, 8/8, 8/9 and 8/10 highs).
Beyond this, bulls are looking for a move to at least $1262 – the 50% retracement of the move down from the 4/11 $1365 high to the 8/16 $1160 low. In addition, bulls maintain that Friday's Commitment of Traders Report showing the large funds added to their net short position (turned short 4 weeks ago for the first time since 2002) and with a massive gross short position (208k contracts –short side of gold an extremely crowded trade) leaves this market set up in a highly favorable position to move up from potential heavy short covering and sidelined longs returning to the market.
Bears have been using gold's recent bounce off of $1160 to rebuild short positions scale up, and are comfortable to continue to sell into any strength. Many bears believe that gold's recovery rally ($1160 - $1214) has been completed, and point to its repeated inability to take out the $1214 double top (despite the dollar weakness), as evidence that the yellow metal will resume its decline.
This is witnessed by Friday's COT Report showing the large funds added to their net short position and have with a hefty 208k gross short position.
They feel fuel from a rebound in the dollar from its recent correction will provide downside pressure on gold, and that the dollar's ability to strengthen against other currency majors (and emerging market currencies) still has legs.
They will be gunning for stops below initial support at $1193 (triple bottom - 9/12, 9/14, and 9/17 lows, up trendline from 8/16 $1160 low) followed by $1191 (up trendline from 10/19/08 $682 low),$1187-88 (9/11 low, 50% retracement of up move from 8/16 $1160 low to 8/28 $1214 high), and $1183 - 84 (triple bottom - 8/20, 8/23, and 8/24 lows) to lead to a test of $1175 (options strike) and then $1171-73 (quadruple bottom – 8/15, 8/17, 1/6/17 and 1/9/17 lows).
All markets will continue to focus on geopolitical events (especially emerging markets), developments with the Trump Administration (especially on US-China and US-Canada trade, potential legal issues), oil prices, and will turn to reports tomorrow on the BoJ's Policy Meeting Minutes and Leading Index, German Wholesale Price Index, US House Price Index, Case-Shiller Home Price Index, Richmond Fed Manufacturing Index, Consumer Confidence, and comments from the BoJ's Kuroda and the ECB's Praet for near-term guidance.


text:
<?php

namespace AlterEgo\Tests\Bundle\DependencyInjection;

use AlterEgo\Bundle\DependencyInjection\AlterEgoExtension;
use Symfony\Component\DependencyInjection\ContainerBuilder;

class AlterEgoExtensionTest  extends \PHPUnit_Framework_TestCase
{
    /**
     * @var ContainerBuilder
     */
    private $container;

    /**
     * @var AlterEgoExtension
     */
    private $extension;

    /**
     * {@inheritDoc}
     */
    public function setUp()
    {
        $this->container = new ContainerBuilder();
        $this->extension = new AlterEgoExtension();
    }

    /**
     * {@inheritDoc}
     */
    public function tearDown()
    {
        unset($this->container, $this->extension);
    }

    /**
     * @expectedException \Symfony\Component\Config\Definition\Exception\InvalidConfigurationException
     */
    public function testLoadWithoutAppId()
    {
        $this->extension->load(array(), $this->container);
    }

    public function testLoadWithDefaults()
    {
        $this->extension->load(array(
            'alter_ego' => array(
                'app_id' => $appId = '123456',
            )
        ), $this->container);

        $this->assertParameter('https://alteregoapp.com/api', 'alter_ego.base_url');
        $this->assertParameter('http://alteregoapp.com/account/authorize-app', 'alter_ego.auth_url');
        $this->assertParameter($appId, 'alter_ego.app_id');
    }

    public function testLoadWithCustomUrls()
    {
        $this->extension->load(array(
            'alter_ego' => array(
                'base_url' => $baseUrl = 'http://example.com/api',
                'auth_url' => $authUrl = 'http://example.com/account/authorize-app',
                'app_id' => $appId = '123456',
            )
        ), $this->container);

        $this->assertParameter($baseUrl, 'alter_ego.base_url');
        $this->assertParameter($authUrl, 'alter_ego.auth_url');
        $this->assertParameter($appId, 'alter_ego.app_id');
    }

    public function testLoadServicesWithDefaults()
    {
        $this->extension->load(array(
            'alter_ego' => array(
                'app_id' => '123456',
            )
        ), $this->container);

        $this->container->set('buzz', $this->getMockBuilder('Buzz\\Browser')->disableOriginalConstructor()->getMock());
        $this->container->set('router', $this->getMock('Symfony\\Component\\Routing\\Generator\\UrlGeneratorInterface'));

        $this->assertService('AlterEgo\\Symfony\\Authorization', 'alter_ego.auth');
        $this->assertService('AlterEgo\\Client', 'alter_ego.client');
        $this->assertAlias('alter_ego.client', 'alter_ego');
    }

    /**
     * @param mixed $value The expected value
     * @param string $id The service id
     */
    private function assertService($value, $id)
    {
        $this->assertTrue($this->container->has($id), sprintf('%s service is set', $id));
        $this->assertInstanceOf($value, $this->container->get($id), sprintf('%s service is correct', $id));
    }

    /**
     * @param mixed $value The expected value
     * @param string $id The alias id
     */
    private function assertAlias($value, $id)
    {
        $this->assertTrue($this->container->hasAlias($id), sprintf('%s alias is set', $id));
        $this->assertEquals($value, (string) $this->container->getAlias($id), sprintf('%s alias is correct', $id));
    }

    /**
     * @param mixed $value The expected value
     * @param string $key The parameter key
     */
    private function assertParameter($value, $key)
    {
        $this->assertTrue($this->container->hasParameter($key), sprintf('%s parameter is set', $key));
        $this->assertEquals($value, $this->container->getParameter($key), sprintf('%s parameter is correct', $key));
    }
}

redpajama_set_name: RedPajamaGithub


Harken's 10" Aluminum Winch Handle is designed with lock-in capabilities for easy engaging and releasing through a thumb switch, suitable for cranking in a racing or cruising setting. A length of 10" is the most comfortable handle length for the majority of sailors, and published power ratios are based off of this length. Features a ball bearing grip to smoothly transfer power into the winch. This sturdy handle fits international standard winch sockets.


text:
/**
 * External dependencies
 */
import { identity, useContextSelector } from '@googleforcreators/react';

/**
 * Internal dependencies
 */
import VideoTrimContext from './videoTrimContext';

function useVideoTrim(selector) {
  return useContextSelector(VideoTrimContext, selector ?? identity);
}

export default useVideoTrim;


It's official! George Clooney, the most eligible bachelor in Hollywood, married his beloved Amal Alamuddin yesterday evening.
The couple exchanged vows of eternal love and devotion in an intimate ceremony held at the 7-star Aman Canal Grande luxury resort in Venice, Italy, as was confirmed by the actor's rep in a statement.
The much-anticipated wedding followed a series of celebratory events which started on Friday. According to Daily Mail, shortly before taking the plunge, the handsome Hollywood actor enjoyed a couple of drinks with his friends in the luxury resort, in a kind of last-minute bachelor party.
Although the photos of the bride have not been released yet, according to foreign media, the beautiful brunette lawyer opted for a satin Stella McCartney gown.
Hundreds of paparazzi were waiting yesterday around Venice canals to get a shot of the handsome groom in his wedding tuxedo and his celebrity friends on their way to the ceremony. Among the guests were Bill Murray, Cindy Crawford and her husband, Clooney's best man, Matt Damon, Bono of U2 and many other stars.


Prim Vision- These lenses act like a prism, separating light into all the colors of the rainbow, allowing you to see the world in a whole new light.
Maximum Diffraction Gratings - Created through a laser etching process, the lenses produce a prism that results in a glorious, full rainbow effect from edge to edge of the frame.
Clear Lenses - Clearest diffraction gratings lenses available.
Red Heart Style Frame - Fall in love with the Love Lens Diffraction glasses! Standard size for a universal fit that fits most.
Perfect For - Raves, music festivals, holiday lights, campfires, concerts, lasers, Halloween, light shows from LED gloves or enhancing just about any light performance!
13500 Fireworks Effect Plastic Diffraction Glasses are a great way to get your party started off!
With their unique 13500 lens diffraction effect,any light source can turn into instant entertainment!
Hony Optical Ultimate Diffraction Glasses provide 3 times the diffraction effect of competitors.
These glasses are a necessity for truly experiencing any light shows or raves.
Open your eyes to the world of Rainbow diffraction and realize how exciting your world can be.
With uses ranging from holiday lights, fireworks, school experiments, even afternoon fun, our plastic diffraction glasses are sure to bring joy and excitement to any user.
While you will love the quality and durability of our plastic glasses, what you will love most is the price! Enjoy the best prices on the market, and discounts for the more you buy.


Nov. 5, 2012 - PRLog -- As an industry leader in Japan, Toshiba has over 120 years of lighting experience and a limitless knowledge of electronics. Toshiba is uniquely qualified to create superior LED lighting products because Toshiba is not a lighting company trying to learn the electronics business or an electronics company trying to learn the lighting business. Toshiba has been doing both for over a century. Plus, Toshiba is 100% focused on LED lighting technology. So when you really think about it, you're not just buying a lamp – you're buying a brand you can trust.
At Toshiba, they are illuminating the world by introducing lighting technology that gives you everything you want and nothing you don't. That's why Toshiba likes to think of it as pure light. Toshiba LED lighting uses powerful technology born of 120 years of lighting heritage combined with limitless electronics knowledge. Toshiba is 100% focused on LED lighting and committed to making it the prominent technology in the lighting industry. Using toshiba extensive experience in both the electronics and lighting industries, they are transforming the lighting landscape in a way no one else can.
Toshiba Gives You Sustainable Lighting.
LED technology is forever changing the disposable notion of lighting. Toshiba LED lighting products last up to 40 times longer than incandescents, which reduces landfill waste. Plus Toshiba LED lights don't contain lead or mercury, are manufactured using recycled/recyclable materials and use up to 80% less energy compared to incandescents. At Toshiba, they are leaving old lighting technology behind and moving forward with high quality lighting that has less of an environmental impact.
Toshiba Gives You The Right Lighting To Meet Your Needs.
Toshiba breadth of products gives you a variety of lumen outputs, color temperatures and distributions. That way you can find the right light for the right application. Take Toshiba powerful new PAR30 for instance: it provides 800 lumens and is available in three color temperatures and three beam angles. And Toshiba LED lamps emit up to 70% less UV light than halogens, so they cause less damage to the objects they illuminate. With Toshiba innovation, Toshiba truly believe there is no limit to what LED lighting can do.
Toshiba Gives You Legendary Quality.
At Toshiba, they take great pride in their reputation for high standards and reliable, innovative products. Toshiba technology carries on that tradition by boosting the performance and efficiency of their LED lighting from the inside out. So now the same company that's known worldwide for delivering quality laptops, televisions and other electronics will be just as well known for high-quality LED lighting. Toshiba has dedicated 100% of their efforts to LED technology, and it's that commitment combined with their expertise that is changing the way everyone thinks about lighting.


PRISMACLOUD demonstrators make use of the RTD results in order to test, assess and validate the whole project outcomes. The software components developed to build the PRISMACLOUD cloud services are now integrated to be used as a proof of concept in the three demonstration applications, in two different scenarios: the European Disable Badge for public parking areas and the Surveillance Cameras in public parking and urban areas for law enforcement units.
For the evaluation and validation of the demonstrators a CIM (Criteria, Indicators and Metrics) approach has been applied, which is based in the analysis of results and measurements of different indicators. Once all the indicators are measured and the data is collected, this data will be analysed to assess and validate the test bed results in the last stage of the project.
This deliverable is focused on showing the Smart city pilot validation process and also to provide detailed information about the applications that have been developed in the upper layer of the PRISMACLOUD architecture. This is an important outcome of the project and its relevance is twofold: on the one hand, we are demonstrating how crypto-services developed in the PRISMACLOUD context can be used in a smart-city domain in which sensitive data of users is handled, being most of the times very complex systems that have many different stakeholders involved, who need a very different view on the data. On the other hand, the applications developed in this task have been tested in a very advanced prototype stage, and the successful results can lead us to envisage a quite promising perspective for the exploitability of the results and even the further effort required to reach the production phase and the inclusion of those innovative applications into the smart city portfolio of ETRA.
In this document, the different components of the smart cities applications are described, supported by technical and functional descriptions of the associated use cases. This approach allows a complete identification of actors and systems involved at any point in the process, as well as their role in the validation activities, together with the description of the expected system's behaviour when the user is performing the testing.
The validation process that has taken place in the context of the smart cities scenario has followed a two-iteration approach. In a first round internal testing has taken place while the different components were integrated in the test bed, which has allowed several refinements and improvements until the final system has been ready. In a second iteration, we decided to count with an external view and it was agreed that the partner MikroPlan, who did not participate in the task, would assume the role of internal auditor (it was also important that no end users related to the smart cities use cases were involved in the Consortium). This has enriched the process and has allowed us to detect some minor issues that did not arise when the internal testing was performed.
The results of the validation reflect a successful implementation of the smart cities use cases but also show some small room for improvement. Some requirements, which were fulfilled in the internal testing phase were not later validated during the internal audit, therefore there is need to check what failed and to fix some minor issues. This is going to be performed in the following weeks and will be reported as part of the last deliverable in this work package, "D8.5 Evaluation results of the PRISMACLOUD advancements in real environments".


text:
You Can't Keep a Good Guy Down
I dare not even attempt coyness on the subject of Child's Play. As many loyal readers already know, meeting a certain precocious plastic stabber at the ripe age of 6 changed my young life, pointing me forever down a path wherein the subject of dolls both terrified and fascinated me.
Following a year of nightmares brought on by my inappropriate viewing of Charles Lee Ray's first film outing, I went on to see every ensuing installment in the theaters. Perhaps the ushers gave my mother a questionable look when she brought her 8 and 10 year old children into a viewing of the particularly mean-spirited Child's Play 2. Maybe it was odd that my entire family attending a weeknight screening of Private Chucky (aka Child's Play 3). It was thrilling to be a teenager spending a Friday night with friends educating them on the franchise's history when viewing Bride of Chucky. Nothing, however, has quite come close to the time I attended a matinee showing of Seed of Chucky by my lonesome, free to giggle and guffaw to my solo self's content.
I adore the Child's Play series, particularly the fifth installment lovingly written and directed by series creator Don Mancini. I rarely turn down a chance to proclaim my adoration for the highly underrated Seed of Chucky, making the fact that Mancini returned to the director's chair for 2013's Curse of Chucky such good news.
Quick Plot: Nica is an agoraphobic 25 year old paralyzed below the waist and nursing a heart problem inside an almost offensively awesome gothic-yet-modern home. One day, a mysteriously unmarked package arrives for Nica's flighty mother. Guess who's inside:
Before you can say hidee ho, Nica's mom is found dead as a presumed suicide. Such news brings out Nica's older sister Barb, along with her doofy husband Ian, cute kid Alice, sexy nanny Jill, and sexier priest played by She-Devil's A. Martinez.
Not just ANY Martinez. A. Martinez.
Proceed to typical Chucky shenanigans as the foul-mouthed toy spends the evening poisoning chili, electrocuting the scantily clad, cussing a storm at a little girl, and plucking out eyeballs with giddy one-liners. The story is fairly straightforward, although the tone is decidedly different from most of the other installments. Whereas Bride and Seed were essentially all-out horror comedies (and very funny ones at that), Curse plays more like a horror film, effectively setting up its glorious home setting as a place filled with hiding spots and rickety elevators. While the franchise pretty much gave up on making Chucky a scary figure for its last two films, Mancini finds a way to stage him as a true villain.
It helps that his victims aren't exactly U.S. Army cadets or Chicago policemen. Nica, played quite well by Fiona Dourif (yes, she's Brad's daughter; yes, she looks exactly like him; and yes, she somehow manages to be an attractive woman despite looking exactly like Brad Dourif), is hampered by a heart condition and wheelchair. While the character quite wonderfully proves herself to be a worthy adversary, the fact that she has these physical limitations helps to ward off some of the obvious 'just fight back' eye rolls often thrown at killer doll films and their ilk.
As you would also expect from the man who brought us Seed of Chucky, Curse is also quite funny, just not as aggressively so as its predecessors. It's a tricky balance, but the film manages to be, for the most part, a straight horror film with just enough touches of humor to entertain on a separate level. Fans of the series will gobble up the final 20 minutes, especially since they bring back some familiar faces not to be revealed here.
The biggest complaint I've heard lodged against this franchise and really, any involving villainous shorties is that some viewers find it impossible to be scared of something they can just kick. Well haters, guess what: if you're paralyzed below the waist, YOU CAN'T JUST KICK AN EVIL SUPERSTRONG KNIFE-WIELDING DOLL. Well-played, Mr. Mancini
While I ultimately want to marry the final five minutes (especially once you add the vital post-credits sequence), I will confess to being one of the maybe many who thought ...
...that the introduction of Tiffany in the evidence depository was supposed to take place during the timeline of Bride of Chucky. Sure, it didn't line up with that part of the series, but since the scene with the police officer was almost beat-for-beat the opening of Bride, I just figured the movie was ret-conning the last two films and spinning its own tale. The Internet (including an interview with Don Mancini himself) proved me wrong: Curse is indeed a sequel that follows Seed, give or take a few years for Tiffany (now in the body of Jennifer Tilly, natch) and a messily sewn-back-together Chucky to make up. In hindsight, it makes perfect sense and is SERIOUSLY AWESOME, but I will concede that the actual execution could have been done a little cleaner so as to not confuse some viewers.
If you're confined to one secluded house that gets no cellular reception, you're probably better off just canceling your iPhone plan and saving on the unused minutes
Real hell is watching a DVR'd Real Housewives marathon while eating tuna melts
Dolls using the F-word are never not funny
Look! It's-
Some guy named Brennan Elliot playing the amusingly incompetent Ian. Why is this important, you ask? Mr. Elliot apparently had a supporting role as a henchman in what has become my favorite Lifetime movie of all my life time, Murder On the 13th Floor.
See, like any actor ever appearing on an episode of Law & Order: SVU, I have a compulsion to always mention the hilarious Murder On the 13th Floor any time I have even the vaguest excuse to do so. Hence, Murder On the 13th Floor.*
*I also have this weird fantasy that if I say the title enough times while staring in a mirror by candlelight, I will suddenly be living the life of a sharp-faced Jordan Ladd on the penthouse of a high-tech apartment building, hiring overly violent, ultimately inefficient thugs to slaughter my nanny. Let me dream...
For any fan of the Child's Play series, Curse of Chucky is a must. Aside from its full-out fan service in the final act, it manages to do some new things with the legacy and character. Brad Dourif gets a little more to do, and his eerily spitting image of a daughter holds her own as a plucky protagonist. Writer/director Don Mancini achieves quite the challenge in making a horror film that's occasionally scary, occasionally funny, and ultimately, quite a treat for those friends to the end.
Shortening Cred: It's Chucky. He's 2 feet tall and not growing. Long live the King of the Shortening!
Labels: brad dourif, bride of chucky, child's play, curse of chucky, don mancini, february shorties, fiona dourif, hearty recommendation, jennifer tilly, murder on the 13th floor, seed of chucky, sequel
Elwood Jones February 3, 2014 at 9:50 AM
I was genuinely surprised with this ones, especially after the previous two entries, which I found kind of ho-hum while his son being dropped really only added to my enjoyment here. At the same time though it was a film which seemed to correct itself everytime I found something to gripe about, with the nods to the fan being especially welcome.
The most suprising thing though is how they have managed to take Chucky from being a comedic character back to his horror roots and create a film which was a real throw back to the first. Now I just have to wonder were they plan to go next.
Did you read either the Chucky comic strip or the issues of Hack / Slash he appeared in all which followed on from Seed of Chucky aswell?
deadlydolls February 3, 2014 at 11:25 AM
Considering Chucky has had over 20 years of becoming such a cultural icon in a more comedic sense, I agree that it was quite the feat to make him scary again. I just loved the tone of this one!
I haven't read any of the Chucky fiction. Is it worth it?
Elwood Jones February 3, 2014 at 4:54 PM
I personally really liked it as it stayed true to the character and provided a nice bridge between films.
Hack / Slash is a great series especially for the amount of nods it gives to horror movies, as well as also featuring memorable appearances not only by Chucky but also Herbert "Re-animator" West.
http://en.wikipedia.org/wiki/Hack/Slash
deadlydolls February 3, 2014 at 9:12 PM
I'm intrigued! I'll put it on my radar.
Ashlee Blackwell February 3, 2014 at 10:52 AM
It brings me giddy delight when all roads point back to SVU for you...
But in news you may not know: this was such a surprisingly refreshing installment for me. I don't think I was sure what to expect but I'm glad we got the film we did. Continuity was a slight issue but it didn't take away from the enhancement of the mythology or the rad ending.
There are few roads that will ever NOT point back to SVU. If they exist, they're only a town ordinance away from being rerouted!
I'm glad you dug this one! It gives me the happies to hear I'm not alone!
Oriel February 3, 2014 at 8:42 PM
Great review - it's always interesting to see where franchises go; I didn't bother much with most of the Chucky sequels (due to really bad reviews), except Bride of Chucky, which was quite comedy!
I've always been quite freaked out by Chucky owing to one incident whilst watching the first one. Was round at my mate's (both aged about 11) to watch the video - and her mum thought it would be hilarious to sneak out into the front garden with a doll and a torch, listen through the window for a really scary bit of the film and then bang said doll against the glass whilst doing strobe effects with the torch - evil but genius!
If you liked Bride, then you really should check out Seed. It's pretty much a straight (well, not QUITE) black comedy. And it's REALLY funny!
Your mate's mum sounds fairly awesome. Or evil. Either way, very much like my older sister who chased me around the house with a one-eyed doll that I was terrified of. I'm both thankful and still bitter!
Kangas February 4, 2014 at 5:42 AM
Yep, a pleasant surprise! I haven't actually liked any of them after the first--which I loved--up until this one. But it's nice to get away from campy and go back to scary...
You didn't like Seed? It's got John Waters!
boogiepop February 10, 2014 at 12:27 PM
This was indeed suprisingly good.
Seed was just too campy for me and thankfully they went the horror route again (but still kept it tongue-in-cheek).
I loved how they toyed with the viewer expectations. Especially in that scene where it's revealed who is ACTUALLY cheating on who.
The final moments where a certain well-known character pops up out of nowhere were a nice suprise.
The post-credit scene was awesome too.
Maybe I'm crazy but is Fiona Dourif a total dead ringer for singer Shakira or what?
You get the sense that Mancini really wanted to play with audience expectation. There were, as you mentioned, quite a few 'mini-twists' that just helped to keep all the action and characters genuinely surprising.
Shakira eh? Hm. I'm just so distracted by how much she looks like her dad!
boogiepop February 11, 2014 at 4:58 AM
Obviously Shakira looks like Brad Dourif :D
You should check out pictures of Shakira where she still has her natural hair color (which is (dark) brown btw). There's a striking resemblance.
deadlydolls February 11, 2014 at 7:14 AM
I see it! The eyes aren't quite as terrifying, but there's definitely a resemblance!
The Curse of the Shortening
Drop Dead Stevie!
An Effigy In a Turtleneck
Conjure Me Some Shortening
Nibble It, Just a Little Bit
Let It Begin!

redpajama_set_name: RedPajamaCommonCrawl


Next message: [Humanist] 26.867 crufty!
Humanist Discussion Group, Vol. 26, No. 866.
With apologies for the shorter than usual notice, all are warmly invited to the following meeting of the London Digital Humanities Group where the speaker will be Mark Curran (QMUL). Dr Curran will be pre-circulating his new Historical Journal article to those attending so to confirm your place please email me at snd6 at le.ac.uk<mailto:snd6 at le.ac.uk> and a copy of the paper will be sent by return.
Look forward to seeing you there. Please circulate this notice to other mailing lists and within your departments.


Kiwi Kom Kom brand knives should be part of every good kitchen. Ideal for preparing fruits and vegetables and for all general kitchen cutting and slicing tasks, no self respecting Thai kitchen would be without at least one. They are also perfect for practicing the fine art of fruit & vegetable carving. Saveur.com has selected one of our Cleavers as one of it's top kitchenware products (the 8" Chefs Knife, #21, Kom Kom).
Imported from Thailand, this is Kom-Kom's rendition of a characteristically unique type of blade. A high quality tool that is rapidly gaining popularity in five-star establishments and high class Thai restaurants.
Imported from Thailand, the Kom-Kom Utility Knife is a high grade all-purpose kitchen knife. A considerably useful blade and a valuable tool for all kitchens.
6" Cleaver Yellow Plastic Handle (810) is well designed for chopping meat or hard food ingredients.
6" Cleaver with special blade from Kom Kom is the recommended knife using for cutting bones or chopping works.
Chinese Style Cleaver suitable for kitchen works especially for chopping or cutting hard ingredients, most recommended for your kitchen !
Professional nylon knife roll with pockets for securely and safely storing and carrying your kitchen knives and tools.
This Chinese-style cleaver is just the right size for your Thai kitchen making it perfect for chopping meat and bones.
This Kiwi brand Asian Fruit Knife is a resilient stainless steel utility knife designed for cutting fruits and vegetables. A highly recommend addition to your kitchen to make your work more efficient and time-saving.
Caveat emptor: In recent years, because of their popularity, Kiwi & Kom Kom brand knives are being illegally counterfeited in China and Pakistan. Sometimes difficult to discern from the original brand, these knock-offs are of inferior quality. Now the Kiwi Kom Kom company is proud to annouce a new line of high quality knives, their Kom Kom brand. The Kom Kom knives are of higher standard and quality and are not readily available in retail stores outside of Thailand. Temple of Thai, USA imports these knives directly from the Kiwi and Kom Kom Company to America. See details below to compare the two brands, both of which are available for sale here in our store.
The Kom-Kom brand knives are more expensive and of better quality compared to the original Kiwi brand made by the same Thai company, which is cheaper and also a good inexpensive, everyday knife. When compared side-by-side the quality of the both the wood and metal used is higher in the Kom Kom brand. Additionally in some models, the tang runs down about 80% of the handle in the Kom Kom model, compared to half tang with the Kiwi and there are more rivets in the Kom-Kom handle compared to the Kiwi brand. The Kom-Kom brand is usually slightly heavier than the Kiwi. The blade is stamped Kom Kom (as opposed to just simply Kiwi).


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Institute of Ecumenical Studies
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Students began this week with the online lecture on the Ravenna document
On March 19, Fr. Laurent Cleenewerck had an online meeting with the students. Topic of the event was dedicated to the Ravenna Declaration, one of the fruits of the Catholic-Orthodox dialogue. The Joint International Commission for the Theological Dialogue between the Roman Catholic Church and the Orthodox Church, held in Ravenna (Italy) on October 15, 2007, accepted the Joint Declaration on the nature of the Church. The document became one of the most successful steps in the Christian dialogue.
During the lecture, professor Cleenewerck presented the statement and analyzed it from the theological and ecumenical prospectives. The main points of the Ravenna documents were: unity and multiplicity, the relationship between the one Church and the many local Churches, that constitutive relationship of the Church. The issue of the relationship between the authority inherent in every ecclesial institution and the counciliarism (sobornost) which flows from the mystery of the Church as communion was enlightened in the lecture. The members of the Commission left open the question of the role of the Bishop of Rome in the communion of all the Churches for the further studies.
Students asked their questions concerning the present state of the Catholic-Orthodox dialogue. Father Roman Fihas indicated that Fr. Iwan Dacko, the president of IES, is the member of the Joint Commission and he took part in the elaboration of the Ravenna document. There was expressed a wish to have a further development of the topic.
Father Laurent Cleenewerckis is a professor of Theology and International Administration for EUCLID (PôleUniversitaireEuclide), one of world's 5 regional / international institutions of higher learning. He is also serving as an extension faculty member at Humboldt State University (Arcata, California) and as an academic advisor at the St Gregory Nazianzen Orthodox Institute (Guatemala and Puerto Rico). He is interested in multidisciplinary studies (Theology, Physics, Economics, and International Affairs) as well as the inter-religious dialogue.
He obtained his education at the University of Montpellier, Saint Sergius Institute of Paris, St Tikhon's Orthodox Theological Seminary of Pennsylvania, Ukrainian Catholic University and Universidad Rural de Guatemala. Among his publications are: His Broken Body (EUC Press, 2007), The Eastern / Greek Orthodox Bible – New Testament (2011), and articles published in the Journal of Ecumenical Studies and Journal of Health and Religion. He was ordained in 2004 by the late Archbishop Vsevolod of Scopelos (Ukrainian Orthodox Church of the USA in the Ecumenical Patriarchate of Constantinople) and currently serves as Acting Rector of St Innocent's Orthodox Church of Eureka in the Orthodox Church in America.
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Last year Billboard Magazine named Caroline Jones one of "15 Country Artists to Watch," and now we're thrilled to welcome her as a Coalition artist ambassador. She's joining a rapidly growing list of fantastic artists who support our goal of ensuring that all American young people get to make and create music in school.
Fresh off of tours with Jimmy Buffett and Zac Brown Band, Caroline joined forces with the Coalition and invited local students to be her guests at recent concerts in New York City and Boston. Students, their parents, and other friends of music education met Caroline and her band, and had great discussions during pre-concert Q&A sessions. And of course, everyone loved the shows.
Among our many guests were students from Harlem School of the Arts, the New York City schools, Boston Public Schools, and the Allston-Bright West End House Boys & Girls Club.


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Home / New York / V. C. BONERB, INC.
V. C. BONERB, INC.
New York NY-338068 Inactive
V. C. BONERB, INC. was formed on 1974-03-05 in New York. It is no longer active.
FORMATION DETAILS
Type: Corporation
Date of Formation: 1974-03-05
Stock Ownership: 200 No Par Value
Name History: SEP 05, 1980 Actual V. C. BONERB, INC.MAR 05, 1974 Actual BONERB TRAVEL BUREAU, INC.
A DOS Process Address
1776 STATLER HILTON, BUFFALO, NEW YORK, 14202
V. C. BONERB, INC. (New York)
The Tax Foundation places New York as the highest in the nation where per-capita income taxes are concerned, at $1,796.


RFD-2000X-H is a UV/IR type hydrogen Flame Detector with international certifications. Identify fire when both UV and IR sensors simultaneously detect the presence of a a hydrogen and hydrocarbon based flame. Maximum 30 meters of detection range with a 90 degree cone of vision. Permits operation at Hazardous areas. User selectable output options among Relays, 4-20㎃ stepped output, and RS-485.


Lindisfarne lies off the coast of north-east England between Bamburgh and Berwick-upon-Tweed and within an Area of Outstanding Natural Beauty. It is a tidal island, 3 miles east to west and 1.5 miles north to south, and can be accessed by a causeway at low tide. There are 160 inhabitants, but 650,000 visitors per year, attracted by the Celtic spiritual heritage of the island or the quiet beaches and unique natural history.
A monastery was established on the island in 635 AD by Aidan and fellow monks from Iona and became a centre for mission and learning. A celebrated prior and bishop was Cuthbert some years later. The Lindisfarne Gospels, an illustrated Latin copy of the gospels of Matthew, Mark, Luke and John date from the early 8th century.
For details of the Saint Cuthbert's Way, a 62 mile route from Melrose in the Scottish Borders to Lindisfarne, see http://stcuthbertsway.info. The route is clearly waymarked in both directions by the Saint Cuthbert's Cross. A certificate of completion may be obtained.


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https://orionmagazine.org:443/article/nature-writing-climate-disasters/
Orion Magazine > Articles > Ecology > Nature Writers to the Rescue!
David Gessner
Nature Writers to the Rescue!
A Traveler's Guide to the End of the World is a monthly column about the future of climate change.
I STAND ACCUSED.
I have long been called a nature writer. I never liked that much, but okay, after all these years, I'll accept it. I will admit: sometimes there are trees and bugs and squirrels in my books.
And so this question: does nature writing have anything to offer a world that is at once drowning and going up in flames?
OVER THE LAST COUPLE OF YEARS, I have witnessed a western flash flood ripping down a valley in Utah, the largest fire in the American West's worst fire season ever, and the destructive aftermath of the fifth strongest hurricane to ever make landfall in the United States. The so-called disasters came so fast and furious that there was barely time to take a breath. During my travels, I kept having the strange sense that I was living in the future, the same future that scientists predicted when I was younger, but that arrived much faster than many of us expected. Time is odd, then becomes now. After years of debating climate change, we are inside it.
DURING HURRICANE FLORENCE MY DAUGHTER Hadley's high school in North Carolina transformed into an emergency shelter for almost a month, but she has nothing on her best friend, Noel, who lives in Louisville, Colorado. They met at art camp during one of our summer visits to Boulder when they were twelve and eleven, respectively, and they have since spent time together each summer. Back at the end of December 2021, Noel visited us and, on New Year's Eve, we drove to the airport to pick them up. Noel had flown out that morning on what would turn out to be one of the last planes out of Denver that day. That was because one-hundred-mile-an-hour winds were blowing over the mountains from the west. Those winds downed power lines that were originally blamed for sparking the fire that started just south of Boulder in the town of Marshall. Whatever started it, the flames, fed by drought-cured grasses, sped toward Noel's house. Over the previous six months, Denver and the Front Range had gotten just one inch of precipitation—a record low for the second half of the year—and the area had seen the latest first snowfall in recorded history. With no snow at all and wild winds, southern Boulder County burst into flames.
By the time Hadley and I got to the airport, the fire was closing in on Noel's home. Five hundred houses had burned by then.
Noel knew about the fire, but whether they knew how close it had gotten to their house we were not sure, nor were we sure how much we should tell them.
"I don't know if we are equipped for this," my wife, Nina, said when considering the prospect of telling our daughter's friend that their house had burned down.
It seemed to me that I don't know if we are equipped for this is a pretty good mantra for our times.
Beneath the Ice: What will happen to the Earth as glaciers melt?
WE HAVE LONG WRITTEN ABOUT global warming in one way: as a warning. But maybe we should now acknowledge that it is better thought of as a warning unheeded, like Churchill's warnings about Germany before World War II. It is too late to warn about the coming war: The war has started. The bombs are dropping. We had better arm ourselves.
Speaking of Churchill, those who work in the climate-writing game might consider thinking about a sentence Edward R. Murrow wrote about him after his "We shall fight on the beaches" speech: "He mobilized the English language and sent it into battle."
Maybe that is what writers need to do when writing about climate. To send our words into battle.
BUT EVEN AS I TYPE THOSE WORDS, they seem too gung-ho, too military. There's been a lot of talk lately about weaponizing this or that. But climate change is not war, even if the results will eventually be much worse than any war. More modestly I will say this: we need a new way to tell this story.
What to make of the end of the world? That is my guiding question. It is a writer's question. Another question that I find pressing upon me is: how will people look back on the literature of our time if it does not address our major existential issue?
By literature I don't mean propaganda, nor do I mean fact-spewing book reports that read like television punditry frozen into print. We know that doom alone doesn't inspire, despite the many horrors and statistics we could list. In most of the writing about climate, the sentences are not sloppy enough, not complicated enough. They are not BIG enough. The language does not rise to the challenge.
I don't see a gang of nature writers riding to the rescue. But perhaps the modest and long-scorned genre can help. It is well suited for contemplating the world beyond the human and how we interact with that world. By having first-person encounters, not alone but with other people and animals and habitats in the climate-plagued places that increasingly make up our world, we can help make the larger story personal.
CAN NATURE WRITERS save the world?
How ridiculous, like believing that Hobbits could save Middle-earth.
— WHY WRITE SO MUCH ABOUT this stuff? an old friend says, It's so depressing. Do you really think it will help?
— I don't know, I say. Maybe. We all do what we can. Maybe it helps to all do our small parts. Lawyers legislate, activists activate, protesters protest, scientists look for new answers, maybe monkey wrenchers still monkey wrench. Writers write.
— Okay. But we all know climate change is bad. We all know we're fucked. That's obvious. What is it you are really trying to say anyway?
I think about that one for a minute.
I try to put it as concisely as I can.
— Wake up.
I FIRST MET ORRIN PILKEY, a geologist and emeritus professor from Duke, not long after I moved to the coast of North Carolina in 2003. We hit it off immediately. Over the next fifteen years we took a series of trips to the Outer Banks, the Jersey Shore and, in the wake of Hurricane Sandy, to New York City. Orrin laughed a lot, despite the whole impending doom thing. And throughout it all, he repeated the same message with the consistency and power of a battering ram. The seas are rising, you idiots. Retreat.
It would be tempting to say that Orrin's language is habitually hyperbolic, but time may make a realist of him. He laughs at all the predictions for our future that end after fifty or a hundred years. As if the world will then stop.
LANGUAGE, FOR ORRIN, IS HOW he has fought back against the idiocy. Sometimes he uses it as a bludgeon. Whatever works.
He once told me he had two basic goals as a writer: 1) fame and glory ("of course"), and 2) Kara Walker, having a cause.
I replied that I was down with the first goal, but not so much with the second. I added, perhaps a little pompously, that my goal as a writer was to present the messy complexity of what I see, not to offer answers.
Orrin didn't think of writing like that. In fact, he no longer defined himself as a scientist.
"I'm a scientific advocate," he said.
He pointed to James Hansen, who at the time was the head of NASA's Goddard Institute, as a model. Like Hansen, Orrin believed that it was now the scientist's responsibility to speak out politically. Scientists weren't "objective fact machines," nor should they be. Many scientists, out of fear and caution and of course careerism, refuse to offer their opinions about the facts they uncover. But who better to offer opinions than those who spend their lives studying a thing?
Until recently, few scientists made bold statements about the climate crisis: make a big statement and you were sure to be met with scurrilous attacks. Orrin's role, it seemed to me, was to do just that, be bold, without fear, and part of that role was acting as a sort of human shield for other coastal scientists. He didn't mind criticism. He could take it. Laugh it off. Even like it a little bit. He knew scientists were doing more relevant, and perhaps better, work at the moment. But he was a bit like the coach who deflects criticism from his players.
Scientists are vital of course, and Orrin was once a good one, but in this world where scientific truths are often ignored, someone needs to make them heard. That's Orrin's job. A kind of human bullhorn. It's a job that requires a quick tongue and thick skin. The toughness to sit in a town meeting where everyone is readying their torches, and the wit to appear on The Tonight Show if called upon.
What he could add, but didn't, is that he had also become, despite a belief in uncertainty, a professional prophet.
Orrin is comfortable with his role as doomsayer. I am not, even if, over the last few years, almost despite myself, my subject as a writer has become the end of the world. I'll admit that sometimes I find it a troubling beat. As a young man, I wanted to write novels and never imagined myself chronicling the story of rising seas or an overheating earth. Maybe we'll all eventually be forced out of our comfort zones, though many will cling to what was, an older vision.
IN THE END, I AM NOT A VERY GOOD Jeremiah. I do not have a fiery vision of the future to proclaim for you. I cannot scold you for the way you have squandered our bounty. I have squandered it too. I am very much a part of what a true Jeremiah would scorn. The oldest son of a big family of eaters, drinkers, consumers. A man who uses enough water and gasoline each day to be regarded a criminal in the future.
When the vision does start to come, cobbled together from the replies of scientists I've interviewed over the last couple of years, my imagination quails at the picture they paint. How can I really see what Hadley will see when she is my age? They say the air will not just be too hot but thick with particulate poisons. Air that will make the well sick, and cause the sick to die. The heat will be unbearable in cities and inland, where one hundred degrees will be long since left behind, then 120, 130, the numbers creeping higher and higher. Birds, my joy and respite, will fly in low numbers so that our time now will be remembered as we currently remember the great migratory flocks of passenger pigeons. The ocean, devoid of life, will no longer be able to absorb the carbon dioxide we have poured into it, and the fires in the West, fed by drought and lack of snow, will burn year-round. If the glaciers go, then all bets are off: the cautious incremental predictions of scientists past will be laughed at. The doomsayers will seem cautious. Even if they don't melt, coastal cities and towns will flood, their infrastructure rendered useless. Salt water will be everywhere, but fresh water will no longer be readily available, will no longer flow from the tap, will be something paid for by the gallon or quart. The gap between rich and poor will widen. Those who have will hoard and use. If this proves true, then can violence over water, over all the scarce resources, be avoided?
I know all this, you see, but I can't really picture it, can't really feel it, can't really imagine Hadley walking through it. I am better at describing the world as it was and is than as it will be.
Maybe the life I have lived will be looked back on as if it were a dream. It was a lucky life. I have walked into national parks and forests and really believed I had gotten away—what a concept—before the end of nature was declared, back when I not only splashed creek water on my face but sometimes drank it, and when I did, I felt exhilaration and freedom and joy. I remember seeing flocks of white pelicans flying overhead and humpbacks breach from shore and a grizzly try to rein in its frolicking young and thousands of swallows stage in a great migratory cyclone of birds, and paddling alongside a dozen dolphins and swimming, always swimming, in cold clean water. I remember doing this, in the East and West, in mountain streams and in oceans, oceans that we are told will soon be hot pools of infection but that once were our great respite, our great pleasure. I have been lucky to have these days upon days in nature without worry that the forests will be gone, burned, beetle-ridden.
And even as I type these words describing what will become of this green world, I still can't quite believe them.
Could this really happen? Could this really be?
Maybe we all remain climate skeptics of a sort. If we really can't imagine this will happen, if we really can't picture it, maybe that's what that makes us.
Because if we really did see this future for what it will be, then we would act in a way that made one thing clear: This is humanity's greatest priority. This is the most vital thing, the looming thing, the thing we are choosing not to face.
The challenge is to get beyond words. The challenge is to feel the future.
David Gessner is the author of many books, most recently All the Wild That Remains. He teaches in the Creative Writing Department at the University of North Carolina Wilmington, where he founded the journal Ecotone.


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HMS Tarantula was an  of the Royal Navy. Launched in 1915, the gunboat saw service in both the First and Second World Wars. Tarantula served with the Tigris flotilla in 1916, retaking a former British gunboat that had previously been captured by the Ottoman Empire. After the First World War, Tarantula was towed to China, joining the China Station, eventually ending up at Trincomalee, Ceylon during the Second World War. After the end of the war, the vessel was sunk as a gunnery target in the Bay of Bengal in 1946.

Operational history
In 1916 Tarantula along with three other gunboats were towed out to join the Royal Navy's Tigris flotilla and under the command of H.G. Sherbrooke successfully participated in a series of engagements en route to Baghdad. On 26 February 1917 Tarantula captured the Ottoman gunboat Suleiman Pak, which was the  , which the Ottomans had captured in December 1915 after she grounded and a shell through her boiler disabled her.

After the ending of the First World War Tarantula was towed to China and joined the China Station. Around 1940 she went from Singapore to Trincomalee, Ceylon, where as a result of disrepair she served as offices. It was in this capacity that in 1944, she served briefly as Admiral Bruce Fraser's flagship of the British Pacific Fleet. She was sunk as a gunnery target in the Bay of Bengal off Trincomalee by the destroyers  and  on 1 May 1946.

References

Publications

Insect-class gunboats
1915 ships
Maritime incidents in 1939
Maritime incidents in 1946
Shipwrecks of Sri Lanka
Shipwrecks in the Bay of Bengal
Ships sunk as targets

redpajama_set_name: RedPajamaWikipedia


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A mature campus has ongoing needs in order to maintain the high quality of facilities required for an MCC educational experience. These needs are beyond the scope of annual expenses but are not at the major level of a Capital Campaign. Current enhancement projects needing funding include pressbox/concession facilities for baseball and softball. Please contact the Development Office at (321) 727-0793 ext. 202 or email development@melbournecc.org to learn more about these projects.


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There is a lot being written about MUXE Blockchain Real Estate, bitcoin and related technologies, and for many real estate professionals, this is part of a brave, new, confusing world of technology. Like the original internet, the MUXE Blockchain Real Estate is a revolution in technology that will touch all people and all businesses. So people are paying attention, but many still don't understand what the blockchain is.
In its most simple sense, the blockchain is a series of computers (thousands to potentially millions of them) that each keep the same record of an event or transaction in a ledger that is open to the public. Each record is encrypted, and the ledger is virtually hack-proof. Since all these computers see the same thing, they offer consensus that the recorded event or transaction is valid. The most important value of the blockchain is that it allows two or more parties to interact with, say, a financial transaction, with no middleman.
Bitcoin is merely an application of the blockchain. You buy a bitcoin with cash. You transfer ownership of the bitcoin to someone else with the consensus of thousands of "witnesses," and that someone else can then sell the bitcoin for cash. It's one way to transfer money without a bank or other third party. There no physical coin, however; it's not like a subway token. It's a digital asset, assured by the blockchain.


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What is a "Score Sheet?"
Score Sheets are our way of letting you know how we came up with the scores for this review. Each of our review categories are broken down into several questions that we ask ourselves when we leave the attraction. Each question gets its own score from 1 to 10, which is then used to calculate the overall score for the category. After that, the overall "Final" score for the attraction (haunted houses only) is calculated by using a weighted average formula.
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Haunt Name: 13 Stories Haunted House
Review Team: Team NecronomaPeach
Review Date: October 5, 2019
Cast (15%)
1: Did it seem like there were enough actors? (20%) 9
2: How believable / convincing were the actors? (30%) 8
3: How interactive were the actors? (20%) 9
4: How creatively & appropriately did they use dialogue? (15%) 8
5: Was there a good variety of characters? (15%) 9
Cast Score: 8.55
Costuming (15%)
1: How complete / finished did the costumes appear to be? (15%) 9
2: How creative / detailed were the costumes? (25%) 8
3: Was their makeup creative? Detailed? Realistic? (20%) 9
4: How effectively did they use masks (if used)? (15%) 9
5: How appropriate were the costumes for their scenes & themes? (25%) 9
Costuming Score:
Customer Service (10%)
1: How easy was it to locate the attraction, park and navigate the premises? (25%) 8
2: How safe was the attraction? (30%)
3: How professional, helpful and friendly were the staff members? (25%)
4: How easy was it to find their information before you arrived? 6
Customer Service Score: 7.65
Atmosphere (10%)
1: How obvious was it that you were at a haunted house before entering? (60%) 8
2: How well did the atmosphere prepare you for what you experienced inside? (40%) 8
Atmosphere Score: 8
Special Effects (15%)
1: How effective were the sound effects? (20%) 8
2: How creative / original were the scenes & props? (20%) 9
3: How well were the scenes detailed? (20%) 9
4: How well did they achieve & maintain the suspension of disbelief? (25%) 8
5: How effective were the SFX at providing scares / entertainment? (15%) 9
Special Effects Score: 8.55
Theme (5%)
Theme Score: N/A
Scare Factor (15%)
1: How scary was it? (30%) 8
2: How well did they provide scares to the entire group? (15%) 9
3: How predictable were the scares? (25%) 8
4: How well did they provide a wide variety of scares? (15%) 8
5: How strong was the ending / finale? (15%) 8
Scare Factor Score: 8.15
Entertainment & Value (15%)
1: How satisfied are you with the entertainment received during the main attraction/s? (30%) 8
2: How satisfied are you with the entertainment that's available with the ticket price, excluding the main attraction/s? (25%) 7
3: How appropriate is/are the ticket price/s? (30%) 8
4: Have they effectively used their available space? (15%) 8
Entertainment & Value Score: 7.75
Total Time (Minutes): 21
General Admission: 25
Ticket Prices: General Admission – $25
Fast Pass – $35
VIP – $45
Minutes Per Dollar: 0.84


Baan Hat Kham in Luang Prabang is reachable via a 2.5 hour drive north of Luang Prabang and a two hour boat ride further north up the river Nam Ou. Baan Hat Kham has no paved roads, no electricity, and no indoor plumbing and is home to 54 Highland Lao Khmu families with a population of 307. In July 2010, Jai Lao won $20,000 from the Chase Community Giving Contest on Facebook with the votes from our Facebook fans. With those winnings, we paid it forward and asked our fans to identify villages in Laos in need of a school. The winning village was Banh Hat Kham. In partnership with Steve Rutledge, founder of Adopt a Village in Laos, a Canada-based non-profit organization, acting as our project manager, Jai Lao funded the building of a two-room primary school for 49 students in grades kindergarten to third grade. The school was completed in November 2011 with a cost of $12,000 including two bathrooms. In connection with the school's hand-over ceremony, Jai Lao also provided families with personal hygiene kits, blankets, clothes and winter gloves and scarves to help during the cold winter months.


text:
Q: Hibernate Set or List In Hibernate Entities, in what cases is it the better to use List, as opposed to Set?
Example of Set
public class Department {

  private Long departmentId;

  private Set<Employee> employees;

  // Getter and Setter methods
}

Example of List
public class Department {

  private Long departmentId;

  private List<Employee> employees;

  // Getter and Setter methods
}

A: It depends on your requirements - in this case I suppose Set would be more suitable because I don't think duplicated employees should exist in department.
IMHO basic rule is - if you allow duplicates use List, otherwise use Set.

A: The main difference is that a list has ordering while a set does not. see Hibernate Set Or List

redpajama_set_name: RedPajamaStackExchange


text:
Epitrichosma anisocausta är en fjärilsart som beskrevs av Turner 1916. Epitrichosma anisocausta ingår i släktet Epitrichosma och familjen vecklare. Inga underarter finns listade i Catalogue of Life.

Källor

Vecklare
anisocausta


text:
Mayor Ryan "Todd" Weihofen
The Village Code details ordinances that govern all aspects of Village operations. It includes sections that establish each of the elected offices, the managerial form of government and the Village's administrative departments. Fees for all Village licenses, services and permits are set by the Village Code.
Chapters in the Village Code establish policies for water and defines nuisances and contains provisions for pet and animal control issues. Further, it sets garbage and refuse service regulations, as well as those for establishing and maintaining food service operations in the Village.
Other components of the Village Code include establishing the numerous codes administered by the Village's Building Department. These include adopting the International Building Code, 2009 edition, as published by the International Code Council, Inc., as the Building Code for the Village.
The Village Code further defines the single family, electrical, mechanical, plumbing, housing and fire prevention codes. It also regulates commercial activities, amusements and charitable solicitations in the community. Regulations regarding potential offenses against public peace, safety and morals can also be found in the Village Code.
Zoning refers to regulations and a map that determine how land in Lakemoor may be used or developed such as the types and locations of residential, commercial, and industrial uses and buildings, off-street parking and loading, and landscaping requirements. It also regulates the density and intensity of developments. Every parcel of land in the Village is in a zoning district. Each zoning district has allowable uses that are either permitted uses or special uses.
Please call the office of Village Clerk Bonnie Sikora at (815)385-1117 with specific questions about the Village of Lakemoor Code of Ordinances. The Village Code can be reviewed at the Village Clerk's Office during normal business hours. For questions about the Zoning Code, please contact Matt Dabrowski at (815)385-1117.
Office of the Village Clerk - Bonnie Sikora
The Village of Lakemoor licenses businesses and home occupations in order to ensure a safe working and shopping environment for employees and patrons alike through tracking of businesses along with a yearly fire inspection of commercial sites. Though home occupations (except childcare), do not get an annual inspection, the community can be assured that they are registering, and have some zoning rules and guidelines that must be followed. Every business in the Village of Lakemoor requires a business license, unless the business is exempted by State law. All businesses that are not currently licensed under a State or Federal law, and are operating for-profit within the Village limits must have a current business license. Click Here to be taken the the Village of Lakemoor Business License Overview webpage.
Pursuant to 5 ILCS 120/2.02(b) Village Board of Trustees meeting schedule is available by Clicking Here
Annual Meeting Schedule
Pursuant to 5 ILCS 120/2.02(a), meeting minutes are available by Clicking Here
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Notice of Mortgage Foreclosures
The Village Clerk's Office is the official keeper of the records for the Village which includes but is not limited to intergovernmental agreements, Village project files, ordinances, resolutions, minutes of Board meetings and all other legal documentation in regards to the actions of the Village of Lakemoor. Records retention, storage and destruction are functions of the Village Clerk. The Clerk is also appointed as the Freedom of Information Act (FOIA) and Open Meetings Act (OMA) officer for the Village.
Village of Lakemoor
Village Clerk Bonnie Sikora
28581 Illinois Route 120
Lakemoor, Illinois 60051
Email: villagehall@lakemoor.net
IMRF Employee Compensation Notification
The Village of Lakemoor is committed to following the requirements of the Americans with Disabilities Act of 1990. In that regard, the Village has established the following Grievance Procedure.:
This Grievance Procedure is established to meet the requirements of the Americans with Disabilities Act of 1990 ("ADA"). It may be used by anyone who wishes to file a complaint alleging discrimination on the basis of disability in the provision of services, activities, programs, or benefits by the Village of Lakemoor. The Village of Lakemoor Personnel Policy governs employment-related complaints of disability discrimination.
Complaints must be in writing and contain information about the alleged discrimination such as name, address, phone number of complainant and locations, date, and description of the problem. Alternative means of filing complaints, such as personal interviews or a tape recording of the complaint, will be made available for persons with disabilities upon request.Click Here for the policy.
Complaints should be submitted as soon as possible, but no later than 60 calendar days after the alleged violation, to:
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Per Public Act 97-0609, effective January 1, 2012, an amendment to the Open Meetings Act requires an IMRF employer to post information regarding employee compensation.
Within six business days of approving the annual budget, an IMRF employer must post the total compensation package for each employee receiving a total compensation package that exceeds $75,000. At least six days prior to an IMRF employer approving an employee's total compensation package that is equal to or in excess of $150,000 per year, the employer must post the total compensation package for that employee. For this statute, "total compensation package" and therefore the amount listed includes: salary, employer-paid health insurance premiums, housing allowance, vehicle allowance, clothing allowance, bonuses, loans, vacation days granted, and sick days granted (Click Here for document). For the fiscal year ending April 30, 2016, the Village of Lakemoor does not have any employees with a total compensation package that is equal to or in excess of $150,000.
The Freedom of Information Act (FOIA) is a State law (5 ILCS 140/1-140/11) that provides for a method for the public to gain access to government records. Any person who wishes to inspect and/or obtain copies of public records from the Village of Lakemoor shall follow the rules in accordance with the Illinois Freedom of Information Act. Click Here to be taken the the Village of Lakemoor Freedom of Information Act webpage.
Pursuant to 735 ILCS 5/15-1503 foreclosure notices shall be sent to the following address:
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BUSINESS and Home Occupation Licensing in Lakemoor
Lakemoor IL 60051
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333 Wegner Road
publicworks@lakemoor.net
28581 Illinois Route 120 Lakemoor IL 60051
villagehall@lakemoor.net
mdabrowski@lakemoor.net


text:
Jules Munns
Jules Munns started improvising at the Guildhall School where he was a founder member of the Improsarios. After graduating, he co-founded the Nursery, where he is now Artistic Director. He performed with Music Box (5* FringeGuru and Remote Goat) and Friendly Fire before joining the Maydays in 2012. He directed the first run of Impromptu Shakespeare (5* Broadway Baby and Playstosee), which he now performs in and is one half of Ten Thousand Million Love Stories and Sitting in a Tin Can. He has performed and taught at festivals across the UK and in countries including the US, Pakistan, Canada, Germany, Ireland, Italy, Portugal and Finland. He also runs the Nursery blog and podcast and is working on a book on improvisation.
All Sessions by Jules Munns
€40,00Add to cart
The Good Behind The Bad Guys
Improvised narrative can be a very black and white world, with cackling baddies and heroic goodies that are almost too good to be true. In this workshop, you will approach this in a different way, unpacking conflicting world views and facing moral choices with consequences and stakes. You will examine the difference between what characters want and what they need in order to make your narratives surprising and fresh. After all, every baddie thinks they are a goodie and every goodie needs a flaw to overcome.
advanced (3-8 years)
The Long Dark Night
Come with us into the shadows Theatre (and improv) isn't about normal people doing normal things, it's about extraordinary people doing the strangest of things. But dipping into those areas of ourselves can be difficult. In this class, we will concentrate on the darkest and the weirdest. For each of us, there are different things which we feel uncomfortable playing, which we do not want to think about or be seen as. This class is about looking under the bed, facing our fears in performance and taking control of the material that scares us. We want to be able to play and own these scenes, examine the depths of human depravity and suffering in a safe and supportive environment without feeling out of control or exploited. In fact, we want to enjoy it! So come play scenes of people living the worst times of their lives and doing the worst things possible. Come play murderers and their victims, corrupt politicians and licentious bishops. Come be your worst self. (Somewhat obviously, this workshop comes with a warning. Much of the content may be unpleasant and even offensive, but we believe that through honesty and examination, we will journey into the underworld to bring back the treasure, and be stronger for the journey.)
Boomsspijker
I Am a Terrible Person and I Ruined Everything for Everybody
Two people step onto a stage with no plan, no script and no clue. There is no way this can work, right? There is no way a show can be created out of nothing? When you begin to improvise, failure is real and ever present, but as you get more experienced, consciously and subconsciously, you find ways to avoid failure. You play safe and although you know that failure is fine in theory, you do what you know will work and after a while everything is all a bit, well, good. And who wants to be good? In this workshop, you will play improv that is impossible to get right, improv that is rigged to definitely and constantly fail. You will fail repeatedly, terrifyingly, terribly and publicly. But you will experience the joy of knowing that when it happens, you can just get up and do it again.
all (0-8+ years)


Learning analytics, educational data mining, formative assessment, are all recent buzz words in educational research. In principle, the idea is to find theoretical frameworks, models, procedures, and smart tools to collect, aggregate, analyse, reason on and visualize large scale educational data. LEA's BOX aims at (a) making educational assessment and appraisal more goal-oriented, pro-active, and beneficial for students, and (b) at enabling formative support on the basis of a wide range of information about learners for teachers and other educational stakeholders. LEA's BOX is a learning analytics toolkit and aims at a competence-centred, multi-source learning analytics methodology based on the foundations of sound psycho-pedagogical models, intelligent model-based reasoning services, innovative visualization techniques, tailored to the very concrete demands and requirements of teachers and learners. Therefore, the project is going to build upon the significant and well acknowledged body of existing work in the field of learning analytics and aims to enrich that with two distinct advancements:- Contribute reasoning algorithms and services on the basis of valid competence-centred psycho-pedagogical frameworks (Competence-based Knowledge Space Theory and Formal Concept Analysis)- Contribute novel approaches to visualizing activity/performance/achievement data by utilizing methods such as structural Hasse diagrams. Immediate benefits for educators will be the potential to link multiple sources of educationally relevant data in a simple way, automatically aggregate and analyze the data with a focus on competencies, a gain in-depth, and a competence-oriented view of learning progress. LEA's occurs in direct cooperation with a broad basis of partner schools and teachers in the Czech Republic and in Turkey. The project starts in March 2014 and will run for 33 months. Our working group is coordinating the project, the partners are the University of Birmingham, UK, and the corporate partners Scio in the Czech Republic and Sebit in Turkey.


Best of breed customer service experience from Apple, American Express and PatientForward. As an Entrepreneur, Co-Founded ForceFinder and was an Arizona State Innovation Finalist where I double majored in Computer Information Systems and Supply Chain. The ForceFinder venture resulted in multiple Patent filings and uses cellular technology in loss prevention devices applicable to market segments such as shopping carts vehicles. As a fourth generation Eagle Scout, I am currently active in my community as a Cub Scout Leader.


In the past few months, Kansas City has landed on the boutique hotel map with major openings that are getting a lot of attention.
21c Hotels, from Louisville, KY opened their eighth museum hotel at the former Savoy Hotel at 9th and Central, featuring a world-renowned collection of art from the 21st century and the meticulous restoration of the KC classic restaurant, the Savoy.
Hotel Indigo, a boutique brand of the international IHG hotel group, opened its second location across from the Western Auto building, just north of Crown Center. Its first location in KC shares the same downtown block with Hotel Phillips on 11th street.
The Crossroads Hotel, at 21st and Central, occupies the former Pabst Brewery and has impressed guests with its wide-open bar and lounge atmosphere, not to mention a pizza oven that has become an instant hit.
The Ambassador is currently adding an additional 70 rooms to its original hotel. With ingenious help from KC construction firm, Centric, the hotel was able to add an extra floor of rooms without increasing the overall building envelope.
As an economic driver, boutique hotels offer a glimpse into a larger trend that bodes well for our city. Not just because we are adding new hotel rooms, but also because in the very real fight for retaining millennials and the elusive "hipster," younger demographics are looking for new places downtown to eat, drink and socialize.
"Of all the rooms under construction now, about a quarter are in boutique hotels, according to data from Tourism Economics, a company that forecasts travel trends.
In Kansas City, where millennials and long-time residents alike share a desire to spend time in revitalized areas and restored classic buildings, these new boutique hotels add a vibrancy and 18-hour lifestyle that drives economic vitality.


text:
Oceanhoarse is a Finnish heavy metal band started in January 2018. Their first full-length album The Damage Is Done -Live!, was released in 2020. The band's music is energetic live-oriented heavy metal with no use of backing tracks or synthesizers.

Biography
The band was founded by Ben Varon, ex-Amoral guitarist and songwriter, who after ending Amoral at the beginning of 2017, wanted to start a brand new band. Unlike Amoral, Oceanhoarse uses no backgrounds or synthesizers in their music. The emphasis is on live-oriented heavy metal.

The other members of the band are the bassist Jyri Helko (For the Imperium, Warmen), singer Tommy Tuovinen (MyGrain) and drummer Oskari Niemi.

Oceanhoarse is working on one song at a time and also releasing them one at a time. This approach makes it possible to test the songs live before recording them. The band released their debut single, "The Oceanhoarse", on Finnish Radio Rock online radio 17 January 2018, and the video the following day. Their second single, "Fading Neons", was released as a live version on 22 February 2018, on the metal music website BraveWords. The third single, "Waves", was released on 17 April and the video on 7 May. "The Oceanhoarse" and "Fading Neons" can be heard as part of the soundtrack on the Wreckfest racing video game.

By July 2018, Oceanhoarse had played 13 shows and 11 own songs: 2 anonymous songs, the three singles, "Feed The Sirens", "Death Row Center", "From Hell To Oblivion", "Intruder", "Born of Fire", and "Bark at the Moon". The shows were generally well received.

On 28 August 2018, it was announced vocalist Tommy Touvinen was forced to leave the band due to hearing loss. Joonas Kosonen was announced as his replacement on 30 October.

The fifth single, "Death Row Center", was Joonas Kosonen's debut in Oceanhoarse. It was released in February 2019.  The sixth single "Feed The Sirens" was released in June 2019.  In late 2019, the band worked on their first album. The Voluntary Bends EP was released on 15 November 2019. Before that, the band released the Slipknot cover song "Duality" from the EP. Other songs on the album include Death Row Center and Feed the Sirens, as well as new songs "Stitches" and "Maze of Death".

In 2019, Oceanhoarse performed at clubs and festivals, including the Tokyo Finland Feast in Japan and the Hyvinkää Rockfest in Finland.  The band's year culminated in its own Hoarsefest event at On The Rocks Club in Helsinki, where in addition to the performance of five metal bands, there was also other programs such as music clinics.  In February 2020, the band were on their first European tour as a warm-up for Marko Hietala, before the corona pandemic restrictions came into force. Part of the band's spring and summer 2020 performances were canceled due to restrictions, including the Tuska Open Air in Helsinki at the end of June.

The band's goal is to make catchy live music. According to the band, this way of making music also allows the songs to be tested in front of the audience before they are recorded. As a consistent continuation to this line, the band released their first full-length album as a live recording. The songs were recorded in February 2020 on the band's first European tour. The first single "The Damage (Live)" was clipped from the album in May 2020.  The Damage Is Done -Live! album was released on 5 June 2020. The album includes both songs released on the Voluntary Bends EP and previously released singles, as well as bass and guitar solos that are an essential part of live gigs. Kimmo Ahola, FOH engineer at Nightwish, is responsible for the recording and Tuomas Wäinölä for the mixing of the album.

Personnel

Current members
 Ben Varon – guitars (2018–present)
 Jyri Helko – bass (2018–present)
 Oskari Niemi – drums (2018–present)
 Joonas Kosonen – vocals (2018–present)

Former members
 Tommy Tuovinen – vocals (2018)

Discography

Albums
 Voluntary Bends EP (15 November 2019)
 The Damage is Done -Live! (5 June 2020)
 Dead Reckoning (20 August 2021)
 Heads Will Roll (17 February 2023)

Singles
 "The Oceanhoarse" (January 2018)
 "Fading Neons" (February 2018)
 "Waves" (April 2018)
 "The Intruder" (July 2018)
 "Death Row Center" (February 2019)
 "Feed the Sirens" (June 2019)
 "Duality" (November 2019 Slipknot cover)
 "Maze of Death" (December 2019)
 "The Damage (Live)" (May 2020)
 "Locks" (September 2020)
 "<<REW" (November 2020)
 "One with the Gun" (February 2021)
 "Reaching Skywards" (May 2021)
 "Only" (December 2021 Anthrax cover)
 "Fading Neons" (March 2022)
 "Heads Will Roll" (May 2022)
 "Nails" (August 2022)
 "Help Is on The Way" (October 2022)
 "Pryopen" (November 2022)
 "Carved in Stone" (December 2022)
 "Brick" (January 2023)

References

External links
 Oceanhoarse on Facebook
 Oceanhoarse on Spotify
 Oceanhoarse on Youtube
 Oceanhoarse on Instagram

Finnish heavy metal musical groups
Musical groups from Helsinki
Musical groups established in 2018
2018 establishments in Finland


I loosened the console housing to check my door lock switch. Of course when i did that I managed to have the 6 wires pull out from the sunroof switch. I see Porsche was kind enough to cut 2 short, medium and long but I don't know which side of the switch they go to and I don't want to short anything out. I can't find a diagram showing the colors, so does anyone know which colors go where? If it matters, mine is a '95.
OK I figured it out so if anyone else ever needs it here is how it's wired on a 1995 at least. First, my switch doesn't have the nice picture of the roof and car. Somewhere in my car's life someone replaced it with a switch that has what looks like he letter "V" stacked on top of them. So when I removed the switch I really messed up because the switch is symmetrical! Anyway, here's how the wiring works. There are 2 long, 2 medium and 2 short wires. The switch has 3 connectors on each side. One side gets the short black wire, the medium blue w/ black stripe wire and the long gray w/black stripe wire. The other side gets the short green w/gray stripe wire, the medium blue w/ green stripe wire and the long green w/red stripe wire.
I hope this helps someone down the road.


Click on 'Payroll' from the tab menu.
Select the 'Add a new salary' button.
Enter the details of the new salary.
Head to 'Settings' in the side nav.
Select the settings icon next to someone's name.
Create a new salary by selecting the 'Add new salary' button.
Enter the details and select 'Add Salary'.


text:
Villa Jipe - Alpes-Maritimes - Sleeps 14
Stunning 7 bedroom villa in Cap D'Antibes. Very close to beach, shops and restaurants.
Availability & Price
Magnificent villa with large pool and garden, near the beach. Sleeps 14+ comfortably.
The villa is an exceptionally well-appointed property for the ideal family holiday on the French Riviera. Just 12 miles from Nice airport, the villa is situated in the heart of the glittering Cote d'Azur. It is the perfect base from which to explore the restaurants, shops and nightlife of the nearby towns of Antibes, Juan les Pins, Cannes and Monte Carlo. The seven bedroom property is an easy walk to the local Garoupe Beach with excellent restaurants. Right next door are local shops selling fresh milk, croissants and even British newspapers! The villa has been recently renovated with 5 new bathrooms and kitchen. If offers air-con, Wifi, Sky TV, outdoor BBQ and table tennis. The pool is the main attraction and is one of the largest heated swimming pools on the Cap. The garden offers complete privacy and consists of a large, flat lawn surrounded by pines and eucalyptus trees - and features a neon-lit outdoor bar/bbq area. The upstairs terrace is ideal for breakfast and evening cocktails and offers sweeping views of the Cap towards the town of Nice.
We bought the villa when our 3 children were young and wanted somewhere that would be safe for children - and fun. Which is what it's been for the past 14 years, with many families enjoying the villa and surrounding area with us. We have attempted to drink the Cote d'Azur dry of Chateau Minuty; swam, sunbathed, played tennis, golf, skiied, waterskied, cycled, seen the sights, eaten our body weight in Moules Mariniere and had a bucketload of fun.
The villa has a fabulous large pool and expanse of lawn which is great for children. We are walking distance to the beach, shops and restaurants again. It can sleep three families without everyone getting on top of each other. There are 3 double bedrooms with ensuite bathrooms meaning none of the adults feel short-changed. There are a further 2 double rooms (one with an extra single bed in it) and there are 2 further twin bedrooms. These rooms share 2 bathrooms. and an additional 3 WCs. The pool and lawn are ideal for playing family cricket and football.
This property has been listed with Chez Nous for 2 years
Villa Jipe Property Features
Housekeeping & Services
Bed Linen Included
Fuel and Power Included
2 Twin Bedrooms
1 Triple Bedroom
Ground Floor Toilet
Ground Floor Bath
Ground Floor Shower
TV - Satellite or Cable
Leisure Equipment
Garden/Terrace/Play area
Outdoor games area
Activities within 20min drive of the property
Pub/Bar within 1 mile
Local Water Sports
Swimming (outdoor pool)
7 night(s) · 20 July 2019
Property Name Villa Jipe
Region Provence-Alpes-Côte d'Azur
Department Alpes-Maritimes
Reviews 0 Add a Review
Add to shortlist View Shortlist
Villa Jipe in Alpes-Maritimes
Nearest Town Antibes - 3 miles (approx)
Nearest Airport Nice - 12 miles (approx)
Use the zoom controls to view the map in more detail. You can also drag the map by clicking and moving your mouse at the same time.
Please phone Mrs Holly Candlish
(+44) 01932 865969 or (+44) 07968 158883
Don't forget to mention Chez Nous when you call.
Don't miss out on regular holiday offers, accommodation news and update emails from Chez Nous, Stilwell's Cottages Direct, Cottages Online and Holidaybank – just enter your email address below:
You can stop these updates at any point (see our Privacy Policy).
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The direct route to the real France
Privacy Policy | Cookie Policy | Terms of Use | About Us | Modern Slavery Statement
Chez Nous is a trading name of Vacation Rentals (UK) Ltd. Registered in England and Wales. Company Registration Number 00965389.
Registered Office, Spring Mill, Earby, Barnoldswick, Lancashire, BB94 0AA. VAT Registration Number: GB 598 22 99 77.
Villa Jipe in Alpes-Maritimes. Enjoy holiday villas in Provence-Alpes-Côte d'Azur


text:
Va Chamber of Commerce
Lobbying Client
Gift Giver
Gift Giver Committee Vendor Donor
Va Chamber of Commerce: Lobbying Client
Bills Lobbied
Entertainment Expenses
May 2018 - April 2019 May 2017 - April 2018 May 2016 - April 2017 May 2015 - April 2016 May 2014 - April 2015 May 2013 - April 2014 May 2012 - April 2013 May 2011 - April 2012 May 2010 - April 2011 May 2009 - April 2010 May 2008 - April 2009 May 2007 - April 2008 May 2006 - April 2007 May 2005 - April 2006
Matters: Matters of interest to the Virginia business community, such as taxation, transportation, education, environment, regulatory issues, healthcare, ect.
Lobbyists Employed
Bunce, Nicole
Registered: 5/3/2018
Matters: matters of interest to the Virginia business community, such as taxation, transportation, education, environment, regulatory issues, healthcare, etc.
Job title: Public Policy Coordinator and Chief Scheduler to the CEO
Dickinson, John
Job title: Manager of Government Affairs & VCPAC
Dunn, Ryan
Job title: Executive Vice President of Corporate and Government Affairs
Duval, Barry E
Matters: matters of interest to the Virginia business community, such as taxation, transportation, environment, regulatory issues, healthcare, etc.
Job title: President & CEO
Job title: Executive Vice President, Public Policy and General Counsel
McKay, Kim
Job title: Director of Public Policy
Minnich, Tyler
Registered: 11/6/2018
Job title: Manager of Legislative Affairs
Rison, Erik D
Job title: Assistant Director of Public Policy
Lobbyists Retained
Coy, Brian T
Firm: Capital Results LLC
50 Pear St
Registered: 1/28/2019
Matters: All matters pertaining to the principal.
Arrangement: Retained
2018-2019 contact information for Va Chamber of Commerce:
Barry E Duval
Information on this page comes from public documents on file with the office of the Virginia Conflict of Interest and Ethics Advisory Council.


Here is a beautiful primitive wooden mask, hand carved and hand painted, measuring 10 inches. It is colored with a vibrant green and a Hawaiian turtle has been carefully designed on top. Tiki mask comes with the hook in the back to hang it.
Details: Height: 10" Made of:High Quality Hard Wood.
This hawaiian tribal mask would be perfect as tropical wall decor for a South Seas, island style decorating theme. Create a sense of drama with this exotic piece of art!