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The Identification of Liz Stride
by Dave Yost with Stewart P. Evans
One of the more difficult aspects the contemporary authorities had to deal with during the Berner Street case was the proper identification of the victim. Numerous people viewed the body, but some only saw her that night, never knowing who she was; some only knew her as "Long Liz"; one identified her from a photo; and, another person claimed she was her sister. Each of these people (and others) knew, or thought they knew, the victim in one capacity or another. The identification of Elizabeth Stride was not an easy task for the coroner's court, and it will be interesting to see the progression of how she was eventually and properly identified, and who might have been the first to correctly do so.
Several people viewed the body on 30 September, which was reported the next day in the newspaper:
'The latest victims...have not as yet been identified with certainty'. 'During the day several women of the unfortunate class saw the body, but failed to identify it'. 'At a late hour last night...A female known as "One-armed Liz"...is said to have accompanied Sergeant Thick to St. George's Mortuary, and recognised the body as that of Annie Morris'. 'Another account says: "The woman murdered in Berner-street has been identified as Elizabeth Stride...She was identified by a sister living in Holborn."' (1)
As will be seen later, the 'sister' referred to in the latter part of this news item is Mrs. Mary Malcolm; albeit, she never associated the name, Stride, with the body. Ostensibly, this report combines the identifications from two different people. So we can easily see that someone had viewed and correctly identified the body before the start of the inquest. (2) During the following day, the newspapers continued to name the Berner Street victim as Elizabeth Stride, but they did qualify this:
'Sept. 30. - A woman, supposed to be Elizabeth Stride, but not yet identified, discovered with her throat cut, in Berner-street, Whitechapel.' 'nor has either of the corpses been conclusively identified.' 'The thoroughfares are as crowded as ever, even up to a late hour, and the same class of people as Annie Chapman and Elizabeth Stride can be seen flitting about the dark and ill-lighted alleys which abound in the district. As to the last-named person - who was found at Berner-street - there is some doubt as to her identification. It is believed that she is the woman known as Elizabeth Stride, or more familiarly as "Long Liz," but this identity is not definitely established. The people who saw her in the lodging-house in Flower and Dean-street, Commercial-road, say there is no doubt she is Elizabeth, but relatives have not been found to identify her.' (3)
The singular items of interest here is that others from the lodging house identified the body as merely Elizabeth, and that no relative had been found who could identify her. Doubts have already been cast on Malcolm's identification. And as we will see from the first day of the inquest, the identification from the other lodgers was not satisfactory either:
'Yesterday [1 Oct], at the Vestry Hall in Cable-street, St. George-in-the-East, Mr. Wynne E. Baxter, coroner for East Middlesex, opened an inquest on the body of the woman who was found dead, with her throat cut, at one o'clock on Sunday morning, in Berner-street, Commercial-road East. At the outset of the inquiry the deceased was described as Elizabeth Stride, but it subsequently transpired that she had not yet been really identified. A jury of twenty-four having been empanelled, they proceeded to view the body at the St. George's Mortuary.'
'The Coroner: The body has not yet been identified? - Not yet. The Foreman: I do not quite understand that. I thought the inquest had been opened on the body of one Elizabeth Stride. The Coroner: That was a mistake. Something is known of the deceased, but she has not been fully identified. It would be better at present to describe her as a woman unknown. She has been partially identified. It is known where she lived. It was thought at the beginning of the inquest that she had been identified by a relative, but that turns out to have been a mistake.' (4)
Coroner Baxter adds to the doubts regarding Malcolm's identification before she even testified despite claims of being a sister of the victim. With 110 years of 20-20 hindsight regarding Elizabeth's real name, it might be difficult for us to understand why Malcolm was still permitted to offer her evidence at the inquest. To explain this, I defer to Stewart Evans. "At a Coroner's inquest proper identification of the deceased is only recognized when it is a proper LEGAL Identification of the body, by someone who was related in some way to the person TO the Coroner's officer and a written statement is taken to that effect." Hence, at this early stage in the case, since Malcolm claimed a blood relation to the victim, the court was compelled to hear her testimony. It should also be pointed out that Michael Kidney was only Stride's lover (and did not testify till 3 October). Hence, Malcolm's identification took precedence (till disproved) and was given on 2 October, which is presented here in full. (5)
Mary Malcolm was the next witness, and she was deeply affected while giving her evidence. In answer to the coroner she said: I live at No. 50, Eagle-street, Red Lion-square, Holborn, and am married. My husband, Andrew Malcolm, is a tailor. I have seen the body at the mortuary. I saw it once on Sunday and twice yesterday. Who is it? - It is the body of my sister, Elizabeth Watts. You have no doubt about that? - Not the slightest. You did have some doubts about it at one time? - I had at first. When did you last see your sister alive? - Last Thursday, about a quarter to seven in the evening. Where? - She came to see me at No. 59, Red Lion-street, where I work as a trousermaker. What did she come to you for? - To ask me for a little assistance. I have been in the habit of assisting her for five years. Did you give her anything? - I gave her a shilling and a short jacket - not the jacket which is now on the body. How long was she with you? - Only a few moments. Did she say where she was going? - No. Where was she living? - I do not know. I know it was somewhere in the neighbourhood of the tailoring Jews - Commercial-road or Commercial-street, or somewhere at the East-end. Did you understand that she was living in lodging-houses? - Yes. Did you know what she was doing for a livelihood? - I had my doubts. Was she the worse for drink when she came to you on Thursday? - No, sober. But she was sometimes the worse for drink, was she not? - That was, unfortunately, a failing with her. She was thirty-seven years of age last March. Had she ever been married? - Yes. Is her husband alive? - Yes, so far as I know. She married the son of Mr. Watts, wine and spirit merchant, of Walcot-street, Bath. I think her husband's Christian name was Edward. I believe he is now in America. Did he get into trouble? - No. Why did he go away? - Because my sister brought trouble upon him. When did she leave him? - About eight years ago, but I cannot be quite certain as to the time. She had two children. Her husband caught her with a porter, and there was a quarrel. Did the husband turn her out of doors? - No, he sent her to my poor mother, with the two children. Where does your mother live? - She is dead. She died in the year 1883. Where are the children now? - The girl is dead, but the boy is at a boarding school kept by his aunt. Was the deceased subject to epileptic fits? - Witness (sobbing bitterly): No, she only had drunken fits. Was she ever before the Thames police magistrate? - I believe so. Charged with drunkenness? - Yes. Are you aware that she has been let off on the supposition that she was subject to epileptic fits? - I believe that is so, but she was not subject to epileptic fits. Has she ever told you of troubles she was in with any man? - Oh yes; she lived with a man. Do you know his name? - I do not remember now, but I shall be able to tell you to-morrow. I believe she lived with a man who kept a coffee-house at Poplar. Inspector Reid: Was his name Stride? - No; I think it was Dent, but I can find out for certain by to-morrow. The Coroner: How long had she ceased to live with that man? - Oh, some time. He went away to sea, and was wrecked on the Isle of St. Paul, I believe. How long ago should you think that was? - It must be three years and a half; but I could tell you all about it by to-morrow, even the name of the vessel that was wrecked. Had the deceased lived with any man since then? - Not to my knowledge, but there is some man who says that he has lived with her. Have you ever heard of her getting into trouble with this man? - No, but at times she got locked up for drunkenness. She always brought her trouble to me. You never heard of any one threatening her? - No; she was too good for that. Did you ever hear her say that she was afraid of any one? - No. Did you know of no man with whom she had relations? - No. Inspector Reid: Did you ever visit her in Flower and Dean-street? - No. Did you ever hear her called "Long Liz"? - That was generally her nickname, I believe. Have you ever heard of the name of Stride? - She never mentioned such a name to me. I think that if she had lived with any one of that name she would have told me. I have heard what the man Stride has said, but I think he is mistaken. The Coroner: How often did your sister come to you? - Every Saturday, and I always gave her 2s. That was for her lodgings. Did she come to you at all last Saturday? - No, I did not see her on that day. The Thursday visit was an unusual one, I suppose? - Yes. Did you think it strange that she did not come on the Saturday? - I did. Had she ever missed a Saturday before? - Not for nearly three years. What time in the day did she usually come to you? - At four o'clock in the afternoon. Where? - At the corner of Chancery-lane. I was there last Saturday afternoon from half-past three till five, but she did not turn up. Did you think there was something the matter with her? - On the Sunday morning when I read the accounts in the newspapers I thought it might be my sister who had been murdered. I had a presentiment that that was so. I came down to Whitechapel and was directed to the mortuary; but when I saw the body I did not recognise it as that of my sister. How was that? Why did you not recognise it in the first instance? - I do not know, except that I saw it in the gaslight, between nine and ten at night. But I recognised her the next day. Did you not have some special presentiment that this was your sister? - Yes. Tell the jury what it was? - I was in bed, and about twenty minutes past one on Sunday morning I felt a pressure on my breast and heard three distinct kisses. It was that which made me afterwards suspect that the woman who had been murdered was my sister. The Coroner (to the jury): The only reason why I allow this evidence is that the witness has been doubtful about her identification. (To witness) Did your sister ever break a limb? - No. Never? - Not to my knowledge. The Foreman: Had she any special marks upon her? - Yes, on her right leg there was a small black mark. The Coroner: Have you seen that mark on the deceased? - Yes. When did you see it? - Yesterday morning. But when, before death, did you see it on your sister? - Oh not for years. It was the size of a pea. I have not seen it for 20 years. Did you mention the mark before you saw the body? - I said that I could recognise my sister by this particular mark. What was the mark? - It was from the bite of an adder. One day, when children, we were rolling down a hill together, and we came across an adder. The thing bit me first and my sister afterwards. I have still the mark of the bite on my left hand. The Coroner (examining the mark): Oh, that is only a scar. Are you sure that your sister, in her youth, never broke a limb? - Not to my knowledge. Has your husband seen your sister? - Yes. Has he been to the mortuary? - No; he will not go. Have you any brothers and sisters alive? - Yes, a brother and a sister, but they have not seen her for years. My brother might recognise her. He lives near Bath. My sister resides at Folkestone. My sister (the deceased) had a hollowness in her right foot, caused by some sort of accident. It was the absence of this hollowness that made me doubt whether the deceased was really my sister. Perhaps it passed away in death. But the adder mark removed all doubt. Did you recognise the clothes of the deceased at all? - No. (Bursting into tears). Indeed, I have had trouble with her. On one occasion she left a naked baby outside my door. One of her babies? - One of her own. One of the two children by her husband? - No, another one; one she had by a policeman, I believe. She left it with me, and I had to keep it until she fetched it away. Inspector Reid: Is that child alive, do you know? - I believe it died in Bath. The Coroner: It is important that the evidence of identification should be unmistakable, and I think that the witness should go to the same spot in Chancery-lane on Saturday next, in order to see if her sister comes. Witness: I have no doubt. The Coroner: Still, it is better that the matter should be tested. Witness (in reply to the jury): I did not think it strange that my sister came to me last Thursday instead of the Saturday, because she has done it before. But on previous occasions she has come on the Saturday as well. When she came last Thursday she asked me for money, stating that she had not enough to pay for her lodgings, and I said, "Elizabeth, you are a pest to me." The Coroner: Has your sister been in prison? - Witness: Yes. Has she never been in prison on a Saturday? - No; she has only been locked up for the night. Never more? - No; she has been fined. A Juror: You say that before when she has come on the Thursday she has also come on the Saturday as well? - Always. The Coroner: So that the Thursday was an extra. You are quite confident now about the identity? - I have not a shadow of doubt. (6)
It is not difficult to see why there are doubts about Malcolm's testimony. She had to view the body three times. And, she eventually identified the body from a mark on the leg, instead of facial features, despite her claims that she saw her 'Last Thursday, about a quarter to seven in the evening,' or that they met every week for 'nearly three years'. Plus, she seemed to be guessing at quite a bit and despite offers to obtain further information, this was, at least, not publicly given in court if at all, adding to the idea that the court did not "trust" her testimony, but was merely compelled to hear it. It is also easy to see why there was confusion between the victim and Malcolm's real sister given Malcolm's answers to Coroner Baxter's questions: Husband and two children, living with a man (not her husband) for about the past three years, nickname of 'Long Liz'. And of course the first name, Elizabeth. All very similar to Elizabeth Stride, as will be seen later in Coroner Baxter's summation on 23 October.
From the inquest of 3 October, we learn the following:
Elizabeth Tanner: 'I am deputy of the common lodging-house, No. 32, Flower and Dean-street, and am a widow. I have seen the body of the deceased at St. George's Mortuary, and recognise it as that of a woman who has lodged in our house, on and off, for the last six years.' 'She was known by the nick-name of "Long Liz."' 'Do you know her right name? - No.' 'Did you see her again? - No, until I saw the body in the mortuary to-day.' 'By the jury: I do not know of any one else of the name of Long Liz. I never heard of her sister allowing her any money, nor have I heard the name of Stride mentioned in connection with her.'
Catherine Lane: 'I live in Flower and Dean-street, and am a charwoman and married. My husband is a dock labourer, and is living with me at the lodging house of which the last witness is deputy. I have been there since last February. I have seen the body of the deceased at the mortuary.' 'The Coroner: Did you recognise it? - Yes, as the body of Long Liz, who lived occasionally in the lodging-house.' 'I first saw the body in the mortuary on Sunday afternoon, and I recognised it then.' 'I am satisfied the deceased is the same woman.'
Charles Preston: 'I live at No. 32, Flower and Dean-street, and I am a barber. I have been lodging at my present address for eighteen months, and have seen the deceased there. I saw the body on Sunday last, and am quite sure it is that of Long Liz.' 'She always gave me to understand that her name was Elizabeth Stride.'
Michael Kidney: 'I have seen the body of the deceased at the mortuary.' 'The Coroner: Is it the woman you have been living with? - Yes.' 'You have no doubt about it? - No doubt whatever.' 'What was her name? - Elizabeth Stride.' 'How long have you known her? - About three years.' 'How long has she been living with you? - Nearly all that time.' 'A Juror: Do you know of any sister who gave money to the deceased? - No. On Monday I saw Mrs. Malcolm, who said the deceased was her sister. She is very like the deceased.'
Mr. George Baxter Phillips: 'On Oct. 1, at three p.m., at St. George's Mortuary, present Dr. Blackwell and for part of the time Dr. Reigate and Dr. Blackwell's assistant' 'By a Juror: I did notice a black mark on one of the legs of the deceased, but could not say that it was due to an adder bite.' (7)
Even though some people who testified associated the name Elizabeth Stride with the victim, including Michael Kidney, this was still unsatisfactory for the coroner's court, as pointed out by Stewart Evans. Despite the very doubtful testimony given by Malcolm, her evidence and relationship with the victim had yet to be disproved.
On 4 October, Mathew Packer claimed to have identified the body as a woman to whom he might have sold grapes at midnight that morning, but he was unaware of any name associated with the victim except perhaps from what he might have read in the papers. (8)
When the inquest resumed on 5 October, we see further glimpses as to who the deceased might have been, but we really learn a great deal about Elizabeth from Mr. Ollsen whose testimony is given here in full.
Mr. Sven Ollsen: 'I live at No. 23, Prince's-square, St. George's-in-the-East, and am clerk of the Swedish Church there. I have examined the body of the deceased at the mortuary. I have seen her before.' The Coroner: Often? - Yes. For how many years? - Seventeen. Was she a Swede? - Yes. What was her name? - Her name was Elizabeth Stride, and she was the wife of John Thomas Stride, carpenter. Her maiden name was Elizabeth Gustafdotter. She was born at Torlands, near Gothenburg, on Nov. 27, 1843. How do you get these facts? - From the register at our church. Do you keep a register of all the members of your church? - Of course. We register those who come into this country bringing a certificate and desiring to be registered. When was she registered? - Her registry is dated July 10, 1866, and she was then registered as an unmarried woman. Was she married at your church? - No. Then how do you know she was the wife of John Thomas Stride? - In the registry I find a memorandum, undated, in the handwriting of the Rev. Mr, Palmayer, in Swedish, that she was married to an Englishman named John Thos. Stride. This registry is a new one, and copied from an older book. I have seen the original, and it was written by Mr. Frost, our pastor, until two years ago. I know the Swedish hymn book produced, dated 1821. I gave it to the deceased. When? - Last winter, I think. Do you know when she was married to Stride? - I think it was in 1869. Do you know when he died? - No. She told me about the time the Princess Alice went down that her husband was drowned in that vessel. Was she in good circumstances then? - She was very poor. Then she would have been glad of any assistance? - Yes. Did you give her some? - I did about that time. Do you remember that there was a subscription raised for the relatives of the sufferers by the Princess Alice? - No. I can tell you that there was, and I can tell you another thing - that no person of the name of Stride made any application. If her story had been true, don't you think she would have applied? - I do not know. Have you any schools connected with the Swedish Church? - No, not in London. Did not ever hear that this woman had any children? - I do not remember. Did you ever see her husband? - No. Did your church ever assist her before her husband died? - Yes, I think so; just before he died. Where has she been living lately? - I have nothing to show. Two years ago she gave her address as Devonshire-street, Commercial-road. Did she then explain what she was doing? - She stated that she was doing a little work in sewing. Could she speak English well? - Pretty well. Do you know when she came to England? - I believe a little before the register was made, in 1866.
William Marshall: 'I reside at No. 64, Berner-street, and am a labourer at an indigo warehouse. I have seen the body at the mortuary. I saw the deceased on Saturday night last.' 'Where? - In our street, three doors from my house, about a quarter to twelve o'clock. She was on the pavement, opposite No. 58, between Fairclough-street and Boyd-street.' 'How do you know this was the same woman? - I recognise her both by her face and dress. She did not then have a flower in her breast.'
James Brown: 'I live in Fairclough-street, and am a dock labourer. I have seen the body in the mortuary. I did not know deceased, but I saw her about a quarter to one on Sunday morning last.' 'The Coroner: Where were you? - I was going from my house to the chandler's shop at the corner of the Berner-street and Fairclough-street, to get some supper. I stayed there three or four minutes, and then went back home, when I saw a man and woman standing at the corner of the Board School. I was in the road just by the kerb, and they were near the wall.' 'Did you see enough to make you certain that the deceased was the woman? - I am almost certain.'
William Smith, 452 H Division: 'On Saturday last I went on duty at ten p.m. My beat was past Berner-street, and would take me twenty-five minutes or half an hour to go round. I was in Berner-street about half-past twelve or twenty-five minutes to one o'clock, and having gone round my beat, was at the Commercial-road corner of Berner-street again at one o'clock.' 'The Coroner: Had you noticed any man or woman in Berner-street when you were there before? - Yes, talking together.' 'Was the woman anything like the deceased? - Yes. I saw her face, and I think the body at the mortuary is that of the same woman.' 'Are you certain? - I feel certain. She stood on the pavement a few yards from where the body was found, but on the opposite side of the street.' (9)
From this day of this inquest, we learn a great deal about Elizabeth Stride and her life. Though only one person gave evidence as to her real name, this alone would be sufficient to corroborate the previous identifications. And while all involved most likely and readily accepted this evidence, Malcolm's information still had to be refuted outright.
It should also be mentioned that Dr. Thomas Barnardo claimed to have seen Elizabeth the Wednesday (26 Sep) before her death in the lodging house kitchen, later identifying her as one of the women he saw. He had written a letter (dated 6 Oct) to the Times (posted 9 Oct) regarding this. From what information we have, it seems that Elizabeth did not merely hand out her full name any time the subject came up, so it is very doubtful that Barnardo would have known it. And currently, there seems to be no indication as to when he viewed the body in the mortuary, but it would had to have been prior 6 October, which was when Elizabeth was buried at East London Cemetery Co. Ltd., Plaistow, London, E13. Grave 15509, square 37. (10)
When the inquest resumed for the last time on 23 October, we are provided with one more testimony identifying the victim as Elizabeth Stride, but more importantly, we are given sufficient evidence to properly refute Malcom's information:
PC Stride: Identified the body from mortuary photographs on 1 October as the woman who married his uncle, John Thomas Stride, in 1872 or 1873. His uncle was a carpenter, and the last time witness saw him he was living in the East India Dock-road, Poplar.
Elizabeth Stokes: 5, Charles-street, Tottenham, said, - My husband's name is Joseph Stokes, and he is a brickmaker. My first husband's name was Watts, a wine merchant of Bath. Mrs. Mary Malcolm, of 15, Eagle-street, Red Lion-square, Holborn, is my sister. I have received an anonymous letter from Shepton Mallet, saying my first husband is alive. I want to clear my character. My sister I have not seen for years. She has given me a dreadful character. Her evidence is all false. I have five brothers and sisters. A juryman. - Perhaps she refers to another sister. Inspector Reid. - She identified the deceased person as her sister, and said she had a crippled foot. This witness has a crippled foot. Witness. - This has put me to a dreadful trouble and trial. I have only a poor crippled husband, who is now outside. It is a shame my sister should say what she has said about me, and that the innocent should suffer for the guilty. The Coroner. - Is Mrs. Malcolm here? Inspector Reid. - No, Sir. (11)
At this point, there was no doubt as to the falsehood of Malcolm's testimony. The victim was not her sister. Hence, Maolcolm's claims, no matter how sincere she may have been in making them, were useless to the court in identifying the victim since she was not a blood relation; and, there was more than sufficient information showing differently. The court then turned to the other evidence offered which provided the complete name, and Coroner Baxter's summation of the case puts into perspective the difficulties and confusions that were created:
'The first difficulty which presented itself was the identification of the deceased. That was not an unimportant matter. Their trouble was principally occasioned by Mrs Malcolm, who after some hesitation, and after having had two further opportunities of viewing again the body, positively swore that the deceased was her sister - Mrs Elizabeth Watts of Bath. It had since been clearly proved that she was mistaken, notwithstanding the visions which were simultaneously vouchsafed at the hour of the death to her and her husband. If her evidence was correct, there were points of resemblance between the deceased and Elizabeth Watts which almost reminded one of the Comedy of Errors. Both had been courted by policemen; they both bore the same Christian name, and were of the same age; both lived with sailors; both at one time kept coffee-houses at Poplar; both were nick-named "Long Liz"; both were said to have had children in charge of the husbands' friends; both were given to drink; both had been charged at the Thames Police-court; both had escaped punishment on the ground that they were subject to epileptic fits, although the friends of both were certain that this was a fraud; both had lost their front teeth, and both had been leading very questionable lives...' " (12)
It is interesting to point out Coroner Baxter's remarks regarding the difficulties in properly identifying the Berner Street victim with respect to some other views on the matter:
"Her inquest was inevitably protracted, as satisfactory evidence as to her identity was delayed by the need to investigate her own extraordinary lies about her past (see under Princess Alice vessel) and Mrs Malcolm's erroneous identification of her with Mrs Elizabeth Stokes. The matter was only satisfactorily settled by the appearance of Mrs Stokes herself, and the further identification made by Police Constable Walter Stride." (13)
Based on the foregoing examination, it would seem that Elizabeth's lies about her family's involvement in the Princess Alice Disaster had little bearing on her proper identification. Even though the appearance of Mrs. Stokes did rightfully refute Malcolm's information, freeing the court to legally pursue the other identification of the body (i.e. Elizabeth Stride), the inquest was not necessarily delayed because of this. Additionally, PC Stride's testimony on the last day of the inquest merely corroborated what several other witnesses had stated. And it should be pointed out that his relationship to the deceased was by a marriage that had broke down six years earlier, and he himself had not seen Elizabeth for approximately fifteen years.
Of all those who viewed the body, we have only a few who seemed to have truly known the deceased: Charles Preston viewed the body that Sunday, identifying her as Elizabeth Stride. (Interestingly enough, he seemed to be the only lodger, who knew Elizabeth by her full and correct name, yet he wouldn't let her borrow a clothes brush.) PC Stride (via a photograph) identified the body as that of the woman who married his uncle. Mr. Ollsen corroborated this marriage, also naming the deceased Elizabeth Stride, but he did not view the body till the Tuesday morning (2 Oct). We also heard from Michael Kidney who lived with the deceased for the previous three years, also stating she was named Elizabeth Stride. From these four people the court knew who the Berner Street victim was, especially since Mrs. Malcolm's evidence was suspect from the start and refuted when her actual sister appeared at the inquest.
Yet, it still remains to be seen who first identified the body as Elizabeth Stride. Per Donald Rumbelow, 'He [Kidney] didn't see her [Elizabeth] again until he identified her body in the mortuary. Afterwards he had gone away and got drunk. Later that night he had staggered into Leman Street police station...' Kidney was at the Leman Street Police Station on Monday, 1 October. While Rumbelow does not provide a source for Kidney viewing the body, it does mean that Kidney learned of Elizabeth's death from the papers that had already been calling the Berner Street victim, Elizabeth Stride. Hence, Michael Kidney did not learn who the Berner Street victim was till he read it in the paper, or heard the name on the street. The papers had correctly named the victim as Elizabeth Stride as early as their 1 October printings, but they had confused and/or combined two sets of viewing: Preston's and Malcolm's. So it would seem from what we currently know that Charles Preston was the first to correctly identify the Berner Street victim as Elizabeth Stride. (14)
(1) Daily Telegraph, Mon 1 Oct, p5
(2) Daily Telegraph, Wed 3 Oct, p3
(3) Daily Telegraph, Tue 2 Oct, p3
(4) ibid
(5) Daily Telegraph, Thurs 4 Oct, p5
(8) MEPO 3/140, f213
(9) Daily Telegraph, Sat 6 Oct, p3
(10) Ripperana, #14, p16; The Jack the Ripper A to Z, 3rd ed, p34; The Complete History of Jack the Ripper, p197
(11) The Times, 24 Oct 88, p3
(12) Ibid
(13) The Jack the Ripper A to Z, 3rd ed, p436
(14) Jack the Ripper: The Complete Casebook, pbk, US/Berkley ed., 1998, p 78; Stewart P. Evans
Dave Yost
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Elizabeth Stride
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Official Documents: Elizabeth Stride's Inquest
Press Reports: Alderley and Wilmslow Advertiser - 26 October 1888
Press Reports: Atchison Daily Globe - 3 October 1888
Press Reports: British Daily Whig - 1 October 1888
Press Reports: Daily News - 1 October 1888
Press Reports: Daily News - 24 October 1888
Press Reports: Daily Telegraph - 2 October 1888
Press Reports: Daily Telegraph - 24 October 1888
Press Reports: East London Advertiser - 13 October 1888
Press Reports: East London Advertiser - 6 October 1888
Press Reports: East London Observer - 6 October 1888
Press Reports: Eastern Post - 27 October 1888
Press Reports: Echo - 1 October 1888
Press Reports: Echo - 23 October 1888
Press Reports: Evening News - 1 October 1888
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Press Reports: Lloyds Weekly News - 30 September 1888
Press Reports: London Evening News - 1 October 1888
Press Reports: Macclesfield Courier and Herald - 27 October 1888
Press Reports: Macclesfield Courier and Herald - 6 October 1888
Press Reports: Manchester Guardian - 6 October 1888
Press Reports: Manitoba Daily Free Press - 1 October 1888
Press Reports: Montreal Daily Star - 1 October 1888
Press Reports: Morning Advertiser - 1 October 1888
Press Reports: Morning Advertiser - 10 October 1888
Press Reports: Munster News - 3 October 1888
Press Reports: New York Times - 1 October 1888
Press Reports: New York Tribune - 03 October 1888
Press Reports: North Eastern Daily Gazette - 1 October 1888
Press Reports: Pall Mall Gazette - 01 October 1888
Press Reports: Penny Illustrated Paper - 27 October 1888
Press Reports: Penny Illustrated Paper - 6 October 1888
Press Reports: People - 14 October 1888
Press Reports: People - 7 October 1888
Press Reports: Police Gazette - 19 October 1888
Press Reports: St. James Gazette - 1 October 1888
Press Reports: Star - 1 October 1888
Press Reports: Times [London] - 1 October 1888
Press Reports: Times [London] - 24 October 1888
Press Reports: Weekly Herald - 5 October 1888
Press Reports: Woodford Times - 5 October 1888
Ripper Media: Jack the Rippers Tredje Offer
Victims: Elizabeth Stride
Victorian London: Berner Street
Witnesses: Dr. Frederick William Blackwell
Witnesses: J. Best and John Gardner
Witnesses: James Brown
Witnesses: Thomas Bates
Stewart Evans
Authors: A Talk With Stewart Evans, Parts I & II
Authors: An Interview with Stewart Evans
Authors: Melvin Harris (1930-2004)
Dissertations: A Reply to Kosminski and the Seaside Home
Dissertations: A Slouch Hatted Yank: A Few Thoughts on the Newly Found I...
Dissertations: Arthur Griffiths, Robert Anderson, & Jack the Ripper
Dissertations: Ex-Detective Inspector Edmund Reid And Jack the Ripper
Dissertations: Kosminski and the Seaside Home
Dissertations: On the Origins of the Royal Conspiracy Theory
Dissertations: Reader Reactions
Dissertations: Suspect and Witness - The Police Viewpoint
Dissertations: The Kelly Crime Scene Photographs
Dissertations: Walking the Beat
Official Documents: The Littlechild Letter
Ripper Media: Jack the Ripper and the Whitechapel Murders
Ripper Media: Jack the Ripper: First American Serial Killer
Ripper Media: Jack the Ripper: Letters From Hell
Ripper Media: Jack the Ripper: Scotland Yard Investigates
Ripper Media: The Man Who Hunted Jack the Ripper
Ripper Media: The Ultimate Jack the Ripper Sourcebook
Victorian London: A Visit to Whitechapel


A couple with a newborn child arrives at a big old house, the ideal place to start a real family life. Before going to bed, the couple checks the operation of the listening device installed in their baby's room, whom they can listen to and watch. They soon discover that there is someone else in the house who sits next to the baby's crib every night.
The Baby's Room when it opens | The Baby's Room full movie in Latin Spanish | The Baby's Room movie online | The Baby's Room online | The Baby's Room online sub eng | The Baby's Room full movie in Spanish Latin online | The Baby's Room premiere | The Baby's Room premiere argentina | The Baby's Room premiere date | The Baby's Room premiere in us | The Baby's Room download | The Baby's Room premiere in Europe | Direct download The Baby's Room | Where can I watch The Baby's Room online? | Where to watch full movie streaming?


text:
Innocent of Komel
Our father among the saints Innocent of Komel is one of a number of saints of the fifteenth century whose life and works was centered around the Vologotsk region of Russia. He was a disciple and companion of St. Nilus of Sora and an ascetic who lived in the wilderness of the River Nurma. His feast is celebrated on March 19.
The date and place of his birth as well as the early life of St. Innocent are unknown. He is believed to have come from the Okhlyabin boyar family. He became a monk in the Monastery of St. Cyril of the White Lake and was placed under the spiritual guidance of St. Nilus of Sora, an ascetic. Of like minds, St Innocent endeavored to imitate his teacher and the two became friends. Together the two monks set out from St. Cyril Monastery on a pilgrimage to the holy places in the eastern Mediterranean Sea area. During their pilgrimage they visited Palestine and stayed for a number of years on Mount Athos as well as in Constantinople. Through their travels they learned about the differences in life at the many monasteries that they visited. Particularly at Mount Athos the two pilgrims spent much of their time studying the writings of the Holy Fathers.
The two returned to Russia, and to the monastery from which they started, inspired by the asceticism of the monks who dwelled in the deserts and were enriched with the spiritual wisdom from their experiences. In the time that they were away, St. Cyril Monastery had grown in numbers of monks and on return Ss. Innocent and Nilus chose then to settle in secluded cells outside the monastery walls.
Soon, the ascetics decided to move to the virgin forests. They chose a secluded area in the marshy lands on the River Sora where they erected a cross and built two cells. Here they continued to study the Holy Scriptures and the writing of the Holy Fathers. Other monks looking for seclusion began to join Ss. Innocent and Nilus. With the increase in the number of monks the saints formed a new cloister that consisted of a hieromonk, hierodeacon and twelve elders, each working and praying in his own cell, but joining together on Sundays and feast days for services in the little church they built.
St. Innocent zealously following the precepts of his saintly teacher and reached in time a level of spiritual maturity that, according to St. Nilus' will, he had to become a teacher for the others. St. Nilus approached his disciple and after blessing him directed that he "Go to the river Nurma: God will glorify you there and your monastery will be a community". St. Innocent having never supposed that some day he would leave the Sora hermitage humbly followed his teacher's direction, with Nilus' instructions to follow the Lord's Commandments, pray tirelessly, imitate the lives of the saints, keep their traditions and pass these teachings to the brethren.
About 1491, Innocent journeyed to the southern part of the Vologodsk region which was covered with impenetrable forests. This was an area where already Russian ascetics had settled since the fourteenth century. There, following in the path of such saints as Dimitry of Prilutsk, Sylvester of Obnorsk, Sergius of Nuromsk, and Paul of Obnorsk, Innocent established his new home in the swampy area among the rivers Komela, Nurma, and Eda. Innocent built his secluded cell on the River Eda at a place that was about seventy miles from Vologda and ten miles from the River Nurma.
Soon, people seeking their salvation began to come to St. Innocent seeking his counsel. These people he received with great love and compassion.
Initially, St. Innocent used the same monastic rules as those used at Nilus' monastery. As the number of ascetics increased Innocent introduced a very strict coenobitic rule for his community. With an increasing number of monks, the brethren built a church, under Innocent's guidance, dedicated to St. John the Baptist. Following in the steps of his teacher, Innocent edified the monks of the community with words from the writings of the Holy Fathers, especially the Ss. John Chrysostom, Simeon the New Theologian, and Anthony the Great.
St. Innocent remained the superior of the monastery for thirty years. When he felt his death approaching, St. Innocent wrote his spiritual will to serve as the guide for the brethren of his hermitage after his death. "It is I, poor monk Innocent, who has written this precept, to whomever God commands to live in our hermitage. First of all I pray you for God's sake to mention me, a sinner, in your holy prayers. I bow to you greatly, our fathers and brothers. I leave this, that there should not be any discord between you, but love in Christ and spiritual peace among you. And for prayer to be in our hermitage forever and how to eat and when it becomes everyone to go to labor in blessed time and about other things, all the essence is in the writings of my teacher, Father Nilus, and in this book. For this sake I came soon and so you will find there everything that is pleasing to God".
The year that Innocent of Komel reposed is not known. While there is some agreement of the day he died, March 19, sources differ greatly concerning the year of his death, some proposing a year as late as 1522, while many consider 1511 as the most probable year.
In 1538, the hermitage was overrun by Tatars who burned the church and cells and killed the monastics. The monastery was rebuilt and continued to exist until the eighteenth century after which the monastery church was turned into a parish church.
Nilus Sora
OCA: Innocent of Komel
Retrieved from "https://orthodoxwiki.org/index.php?title=Innocent_of_Komel&oldid=112053"
16th-century saints
Categories > Church History
Categories > Liturgics > Feasts
Categories > People > Saints
Categories > People > Saints > Russian Saints
Categories > People > Saints > Saints by century > 16th-century saints

redpajama_set_name: RedPajamaCommonCrawl


text:
package org.apache.jena.riot;

import java.util.ArrayList ;
import java.util.List ;

import org.apache.jena.riot.system.ErrorHandler ;

/** Error handler to convert anything to an exception */
public class ErrorHandlerTestLib
{
    public static class ExFatal extends RuntimeException { ExFatal(String msg) { super(msg) ; } }

    public static class ExError extends RuntimeException { ExError(String msg) { super(msg) ; } }

    public static class ExWarning extends RuntimeException { ExWarning(String msg) { super(msg) ; } }

    public static class ErrorHandlerEx implements ErrorHandler
    {
        public ErrorHandlerEx() {}

        @Override
        public void warning(String message, long line, long col)
        { throw new ExWarning(message) ; }

        @Override
        public void error(String message, long line, long col)
        { throw new ExError(message) ; }

        @Override
        public void fatal(String message, long line, long col)
        { throw new ExFatal(message) ; }
    }

    // Error handler that records messages
    public static class ErrorHandlerMsg implements ErrorHandler
    {
        public List<String> msgs = new ArrayList<>() ;

        @Override
        public void warning(String message, long line, long col)
        { msgs.add(message) ; }

        @Override
        public void error(String message, long line, long col)
        { msgs.add(message) ; }

        @Override
        public void fatal(String message, long line, long col)
        { msgs.add(message) ; throw new ExFatal(message) ; }
    }

}

redpajama_set_name: RedPajamaGithub


text:
Q: Locate Blow-up in NDSolve with Whenevent At some point I get this error:
Warning: scaled local spatial error estimate of 32773.0090044258` at
t = 987.7919550194803` in the direction of independent variable x is much greater than the
prescribed error tolerance. Grid spacing with 1001 points may be too large to achieve the
desired accuracy or precision.

(etc.)
How do I track this time with WhenEvent? How is this scaled local spatial error kept in NDSolve?

redpajama_set_name: RedPajamaStackExchange


text:
var NewsFlashApp = angular.module("NewsFlashApp", ["NewsService", "CommentService"]);

var NFCtrl = function ($scope, $http, $httpParamSerializerJQLike, NewsSvc, CommentSvc) {
    $scope.title = "";
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    $scope.comment = "Wow";
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            $scope.newsItem = news;
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NewsFlashApp.controller("NFCtrl", ["$scope", "$http", "$httpParamSerializerJQLike", "NewsSvc", "CommentSvc", NFCtrl]);


text:
Flemington Homework Club
JVEN Employment Program
Published by africausedeveloper on March 5, 2020
In 2016 the Premier of Victoria, Danial Andrews announced a plan to hire an additional 3,000 police. Given the lack of African Australian representation among Victoria Police ranks Africause saw this as an opportunity to do something proactive to address this imbalance and to, at the same time create some positive flow on effects through the community in general.
The starting point for addressing the issue was to engage with Victoria Police and, with them, uncover why this under-representation occurs and to build a pathway that would enable members of the African Australian community to successfully navigate the (very challenging) process of joining Victoria Police. We have throughout this journey been overcome with how open and committed to this cause the Victoria Police have been and special mention needs to be made for the efforts in the initial stages of this process by then Deputy Commissioner Andrew Crisp and our own board member Superintendent Adrian Healy.
This program is one that has required the input of a large array of skillsets and as a result Africause approached and then brought into the working group the combined talents of;
Victoria University who have constructed and run a new course specifically designed with the needs of the African applicant in mind. We need to say a big thankyou to Kerry O'Neil, Jennifer Lees & Karen Fitzimmons for their ongoing efforts here as we now have commenced our 3rd course and started recruiting for our fourth.
Jesuit Social Services have acted as the lead applicant and managing organisation (thanks to Stephen Ward, Kate Wadsworth, Bianca Barbarisi & Luciana Signorette for keeping the program on track)
Matchworks (Isabel Pavez who has provided us with the job active expertise we needed),
AMES who have kindly provided their boardroom for all monthly Steering Committee meetings as well as contributing their expertise in refugee and migrant experience to these meetings and of course
Victoria Police who have pro-actively contributed to all aspects of the program, including the recruitment process, providing speakers for the course and individual mentors for each of the participants as well as the ongoing design and improvement of the program as a whole. There have been too many police officers who have contributed to name them all however of special note we do need to recognise the ongoing efforts of Stephen Mutton (who continues to contribute even while on long service leave), Fiona Bocksette, Karen House and Mark Porter
I also need to highlight the efforts of our Chairperson, Mr Phil Brooker provided leadership with Dr. Berhan Ahmed, who did the vast majority of the original legwork to get all these people and organisations in the same room and on the same page. He has continued, on behalf of Africause, to work tirelessly with the various African communities to promote the program and to identify those who have successfully applied to join the program.
Good Friday Appeal 2021
Temporary Jobs Opportunities


text:
Communicating science in the courtroom
You are here: Home / Repository documents1 / Communicating science in the courtroom
2021 PCST Conference (virtual) Doran H
Author: Heather Doran – Leverhulme Research Centre for Forensic Science, University of Dundee, United Kingdom
Rachel Briscoe – Fast Familiar, United Kingdom
Niamh Nic Daeid – Leverhulme Research Centre for Forensic Science, University of Dundee, United Kingdom
Members of the public, in the role of jurors, are expected to listen, understand and make judgements in regards to the scientific (and non scientific) evidence presented during a court case and then come to conclusions, beyond reasonable doubt, in regards to the guilt or innocence of an accused person.
Are there ways we could ensure that juries correctly understand the information presented to them? As scientific techniques and their applications become more complex how can we support members of the public to make evidence based decisions? How can we ensure that they understand the limitations of scientific evidence?
The Leverhulme Research Centre for Forensic Science (LRCFS), in collaboration with ex-theatre company, Fast Familiar has explored a world leading public experiment using comics as a 'scientific primer' in a piece of particapatpry theatre. Members of the public 'act' as a jury in a mock-trial evaluating the potential to use alternative and creative means to communicate science to enable them in decision making.
In this session we will share what we have created and the interpretations of the research work we have carried out.
LRCFS is a £10 million, 10 year award-winning disruptive research centre with the aim of increasing the robustness of scientific evidence used within the justice system and ensuring that forensic science is communicated correctly and appropriately. The comics have been created with the University of Dundee Scottish Centre for Comics Studies based on interpretations of scientific evidence techniques from judges, researchers and forensic scientists.
https://www.pcst.network/wp-content/uploads/2021/11/pcst_logo_trans.png 0 0 vene https://www.pcst.network/wp-content/uploads/2021/11/pcst_logo_trans.png vene2021-05-28 13:11:192022-02-08 13:11:27Communicating science in the courtroom
A balancing act: Transforming science communication through research-practitioner...Between science engagement and co-construction: The pros and cons of a natural...


text:
Illnesses Remedies
Illnesses & Conditions
Home Remedies & Cures
Help: To find Illnesses or Conditions associated with a Herbal Remedy. Select a letter from A - Z of Herbal Remedies. Or Scroll lists. Or Use Search.
Holy Basil - Herbal Research
A WHO Organizational resource: Holy Basil - FULL REPORT
Medicinal uses supported by clinical data
None. Although there are some preliminary clinical data supporting the use of Folium Ocimi Sancti for the treatment of diabetes, further trials are needed to substantiate the data.
Uses described in pharmacopoeias and in traditional systems of medicine
Treatment of arthritis, asthma, bronchitis, common cold, diabetes, fever, influenza, peptic ulcer and rheumatism (1, 8, 20).
Uses described in folk medicine, not supported by experimental or clinical data
Treatment of earache, epilepsy, heart disease, malaria, sinusitis, snake bites, stomach ache and vomiting. Also as an anthelminthic, to stimulate lactation, to prevent hair loss, and as a tonic (7).
1. Materia medika Indonesia, Jilid VI. Jakarta, Departemen Kesehatan, Republik Indonesia, 1995.
7. Farnsworth NR, ed. Napralert database. Chicago, University of Illinois at Chicago, IL, January 28, 1998 production (an online database available directly through the University of Illinois at Chicago or through the Scientific and Technical Network [STN] of Chemical Abstracts Services).
8. Medicinal plants in Viet Nam. Manila, WHO Regional Office for the Western Pacific, 1990 (WHO Regional Publications, Western Pacific Series, No. 3).
20. Agrawal P, Rai V, Singh RB. Randomized, placebo-controlled, single-blind trial of holy basil leaves in patients with noninsulin-dependent diabetes mellitus. International Journal of Clinical Pharmacology and Therapeutics, 1996, 34:406-409.
Effects of Maca on Male Reproduction
Maca (Lepidum meyenii, Brassicaceae), a root vegetable grown in the Andean region of Peru, is widely used for its nutritional and therapeutic properties. Maca is said to improve male and female reproductive activity in diverse ways, from increasing arousal and reducing symptoms of menopause to boosting sperm quality,
"THERE IS A FUNDAMENTAL AND OFTEN-OVERLOOKED CONNECTION BETWEEN PANDEMICS SUCH AS THE CURRENT COVID-19 CRISIS AND OUR ANIMAL-BASED FOOD SYSTEM," CLAIMS A NEW REPORT PUBLISHED TODAY.
The Food & Pandemics Report, produced by plant-based advocacy group ProVeg International, identifies the eating and farming of animals as "the single most risky human behaviour in relation to pandemics", and calls for urgent changes to the global food system in order to prevent future outbreaks. The report has drawn support from inside the UN Environment Programme (UNEP).
Açaí palm (Euterpe oleracea) can reduce malaria parasites
An international team of researchers from Brazil, the United States and Sweden has found that polyphenols found in berries of the açaí palm (Euterpe oleracea)
Herbal Terminology
Herbal Preparations
Herbal and Natural Shop
Devinia Sookia
Copyright © 2021 Natural Remedies and Cures. All rights reserved.
DCP : Website Design


text:
Q: NotFoundHttpException in Laravel 5.1
my html link code

Details

my route code

Route::get('blog', array('as' => 'blog', 'uses' => function(){
  return view('blog');
}));

error log

in RouteCollection.php line 161
    at RouteCollection->match(object(Request)) in Router.php line 750
    at Router->findRoute(object(Request)) in Router.php line 659
    at Router->dispatchToRoute(object(Request)) in Router.php line 635
    at Router->dispatch(object(Request)) in Kernel.php line 236
    at Kernel->Illuminate\Foundation\Http\{closure}(object(Request))
    at call_user_func(object(Closure), object(Request)) in Pipeline.php line 139
    at Pipeline->Illuminate\Pipeline\{closure}(object(Request)) in

please help me to find this error.Thanks in advance

A: Try using:
Details
instead of the current: Details

A: Try clearing the route cache by running the
php artisan route:clear command and see if the route actually exists with php artisan route:list
Also, the "uses" keyword is not necessary in this example
Route::get('blog', array('as' => 'blog', function(){
    return view('blog');
}));

If that doesn't help, then we're going to need the full routes file, because everything seems to be ok here.

A: It looks like your view file is not being parsed as blade template file. The braces only work in blade files so try using just PHP...
<a href="<?php echo route('blog'); ?>">Details


Welcome to August in the Peak District and at last we have a summer we can actually be proud of! With so much going on it is difficult to know where to start... Carsington Water has an array of watersports you can take part in and is conveniently located just across the road from our Knockerdown Cottage site. There is also lots on at Chatsworth Estate over the Summer months and if you are trying to keep the cost down why not just enjoy the weather on a local walk. We have some special discounts for last minute bookings during the school holidays so call us now to see if we can squeeze you in and make the most of the lovely weather. If you are planning a wedding soon have a look at our Local Business this month where they have recently "trashed the dress" at Knockerdown! We also have some new arrivals at Egginton Hall, if you ask nicely they might even to join you on your big day!
Local Business of Interest - Field Photographic "Trash The Dress"


Sponsoring one of our panels our showcases is a great way to build your brand to a captive audience of our professionals, small business owners and influencers.
Purchasing this package will land you a brief presentation/speaking opportunity that will be built in to the agenda of the agreed upon event. Additional marketing/branding will be executed through our website, newsletter and applicable print material.


Carnival traditions in Crete have deep roots in antiquity and are associated with myths and folk stories, ancient customs of fertility, the "awakening" of nature, the intoxicating effect of spring and -of course- wine that pours generously in all carnival events on the island, to honor the legacy of god Dionysus! The carnival season is three weeks of frenzy partying, meat-eating, and interesting carnival events all around the island. Carnival festivities climax on the last Sunday before the official start of Lent and continue until the next day, Clean Monday. Some customs, such as the abduction of the bride, the camel and face-painting are taking place in many different places, and there is a carnival event in every Cretan city and village. Here we present some of the most representative ones that offer the best carnival experiences, lots of food, wine, and fun!
Clean Monday marks the beginning of the Lent and the last carnival festivities. One of the places to be on this day, is the village of Gergeri, at the southern foot of Mt. Idi. Carnival festivities in Gergeri attract hundreds of visitors every year who come to participate in a large "folk" street party with many 'happenings', parades, dances, music and presentation of local customs. One of most representative local customs is the "unfit wedding ceremony", a parody of a bizarre couple that spreads laughter and fun!
"Bride kidnapping" is a common theme and one of the many wedding parodies that take place during the carnival, a custom with a long history. The ancient roots of the custom start with the 'wedding of Dionysus' and the celebrations in his honor (anthesteria). Later, in the Ottoman period, the custom was adjusted to tell the story of a bride abducted by the Turks! The best place to witness this custom is in the village of Melidoni (Rethymnon) on Clean Monday, where a big street feast is organized around this custom, with live music, lots of food and wine.
An old custom that reflects the curiosity and admiration of Cretans when they first saw a camel, probably brought to the island by Arab conquerors and pirates. The "camel" is two people covered with ornaments and coverings in the shape of a camel. A camel man tries to command the camel, but the animal is disobedient and creates comical scenes in the village streets. The camel is a funny and interesting custom that takes place in the villages of Meronas and Gerani in Rethymnon.
The oldest and most popular carnival parade in Crete takes place on the last Carnival Sunday (a day before Clean Monday), attracting thousands of participants who come to experience carnival madness! Endless partying, happenings, concerts, Cretan music serenades and a variety of cultural events make the Carnival in Rethymnon a unique must-see festivity!


text:
O algoritmo de análise gramatical Earley é um tipo de programa que subdivide uma entrada (input) para que um outro possa atuar sobre ela mais comumente usado em linguística computacional, nomeado após seu inventor, Jay Earley. O algoritmo faz uso de programação dinâmica.J. Aycock and R.N. Horspool. Practical Earley Parsing. The Computer Journal, 45:6:620-630, 2002.

Os analisadores gramaticais Earley são interessantes porque podem analisar todas as linguagens livre de contexto. O algoritmo Earley tem tempo de execução O(n³) (onde n é o comprimento da cadeia de caracteres analisada), no caso geral, tempo quadrático (O(n²)) para gramáticas não ambígua, e tempo linear para quase toda as gramáticas LR(k)?. Seu desempenho é relativamente bom quando as regras são escritas de forma recursiva.

Exemplos

Considerar a seguinte gramática simples para expressões aritméticas:

  P → S      # the start rule
  S → S + M
     | M
  M → M * T
     | T
  T → number

Com as entradas:

  2 + 3 * 4

Esta é a seqüência do estado conjuntos:

  (state no.) Production          (Origin) # Comment
  ---------------------------------

S(0): • 2 + 3 * 4
  (1)  P → • S         (0)    # start rule
  (2)  S → • S + M     (0)    # predict from (1)
  (3)  S → • M         (0)    # predict from (1)
  (4)  M → • M * T     (0)    # predict from (3)
  (5)  M → • T         (0)    # predict from (3)
  (6)  T → • number    (0)    # predict from (5)

S(1): 2 • + 3 * 4
  (1)  T → number •    (0)    # scan from S(0)(6)
  (2)  M → T •         (0)    # complete from S(0)(5)
  (3)  M → M • * T     (0)    # complete from S(0)(4)
  (4)  S → M •         (0)    # complete from S(0)(3)
  (5)  S → S • + M     (0)    # complete from S(0)(2)
  (6)  P → S •         (0)    # complete from S(0)(1)

S(2): 2 + • 3 * 4
  (1)  S → S + • M     (0)    # scan from S(1)(5)
  (2)  M → • M * T     (2)    # predict from (1)
  (3)  M → • T         (2)    # predict from (1)
  (4)  T → • number    (2)    # predict from (3)

S(3): 2 + 3 • * 4
  (1)  T → number •    (2)    # scan from S(2)(4)
  (2)  M → T •         (2)    # complete from S(2)(3)
  (3)  M → M • * T     (2)    # complete from S(2)(2)
  (4)  S → S + M •     (0)    # complete from S(2)(1)
  (5)  S → S • + M     (0)    # complete from S(0)(2)
  (6)  P → S •         (0)    # complete from S(0)(1)

S(4): 2 + 3 * • 4
  (1)  M → M * • T     (2)    # scan from S(3)(3)
  (2)  T → • number    (4)    # predict from (1)

S(5): 2 + 3 * 4 •
  (1)  T → number •    (4)    # scan from S(4)(2)
  (2)  M → M * T •     (2)    # complete from S(4)(1)
  (3)  M → M • * T     (2)    # complete from S(2)(2)
  (4)  S → S + M •     (0)    # complete from S(2)(1)
  (5)  S → S • + M     (0)    # complete from S(0)(2)
  (6)  P → S •         (0)    # complete from S(0)(1)

O estado (P → S •, 0) representa um parse concluído. Este estado também aparece em S (3) e S (1), que são frases completas.

Etapa 1: construção de D0: primeiro conjunto de produções
 produções que partem de S (1)
 produções que podem ser aplicadas (2)
 em sucessivas derivações mais à esquerda (a partir de S)

  D0 = ∅
  para toda S → α ∈ P (1)
  faça D0 = D0 ∪ { S → •α/0 }
  repita para toda A → •Bβ/0 ∈ D0 (2)
  faça para toda B → φ ∈ P
  faça D0 = D0 ∪ { B → •φ/0 }
  até que o cardinal de D0 não aumente

Etapa 2: construção dos demais conjuntos de produção
 n = w conjuntos de produção a partir de D0
 ao gerar ar, constrói Dr: produções que podem gerar ar+1

  para r variando de 1 até n (1)
  faça Dr = ∅;
  para toda A → α•arβ/s ∈ Dr-1 (2)
  faça Dr = Dr ∪ { A → αar•β/s };
  repita
  para toda A → α•Bβ/s ∈ Dr (3)
  faça para toda B → φ ∈ P
  faça Dr = Dr ∪ { B → •φ/r }
  para toda A → α•/s de Dr (4)
  faça para toda B → β•Aφ/k ∈ Ds
  faça Dr = Dr ∪ { B → βA•φ/k }
  atéque o cardinal de Dr não aumente

 cada ciclo gera um conjunto de produções Dr
 gera o símbolo ar
 produções que podem derivar o próximo símbolo
 uma subpalavra de w foi reduzida à variável A
 inclui em Dr todas as produções de Ds que referenciaram •A;

Etapa 3: condição de aceitação da entrada.
 uma produção da forma S → α•/0 pertence a Dn
 w foi aceita
 S → α•/0 é uma produção que
 parte do símbolo inicial S
 foi incluída em D0 ("/0")
 todo o lado direito da produção foi analisado com sucesso
 ("•" está no final de α)

 Otimização do Algoritmo de Early
 ciclos repita-até
 podem ser restritos exclusivamente às produções recentemente incluídas em Dr ou em D0 ainda não-analisadas.

Algoritmos

redpajama_set_name: RedPajamaWikipedia


Jones sets the bar high in our ongoing commitment to quality and the environment. Over the years, we have consistently achieved and exceeded important industry and international standards and best practices to solidify our status as a world-class operation. And, as an industry leader, we not only set these high standards for ourselves to uphold, but also for others to follow.
The Sustainable Forestry Initiative (SFI) is a voluntary third-party forest certification which began in the 1990s in response to market concerns about forest management and illegal logging, primarily in developing countries. Today, SFI is an independent, non-profit organization responsible for maintaining, overseeing and improving a sustainable forestry certification program that is internationally recognized and is the largest single forest standard in the world.
Jones folding carton production capabilities are fully certified by Graphic Measures International (GMI) Ltd. GMI's certification approach aligns people, process and technology by implementing procedures and determining adherence to five criteria in the manufacturing process: process control and documentation, equipment maintenance, training procedures, operator capability and equipment performance. GMI also performs regular production run sample measurements to ensure we continuously perform to customer standards, while also assessing cartons at the retail level.
Jones Contract Packaging Services is fully certified by the Hazard Analysis and Critical Control Point (HACCP) management system. HACCP addresses food safety through the analysis and control of biological, chemical, and physical hazards from raw material production, procurement and handling, to manufacturing, distribution and consumption of the finished product. HACCP is as a preventative system that puts measures into place in food production chain from growing, harvesting, processing, manufacturing, distributing, and merchandising to preparing food for consumption to prevent, reduce, eliminate, or control hazards that could harm your consumer before they occur.
Jones is authorized to supply UL labels under the UL Authorized Label Supplier Program (file number LP5519). UL provides expertise to promote safe living and working environments around the world. UL labels represent their work to help companies demonstrate safety, confirm compliance, enhance sustainability and deliver quality and performance.
Jones is fully certified by the Safe Quality Food (SQF) Program. The SQF Program is a rigorous and credible food safety and quality program recognized by retailers, brand owners and food service providers worldwide. Recognized by the Global Food Safety Initiative, the SQF family of food safety and quality codes is designed to meet industry, customer and regulatory requirements for all sectors of the food supply chain.
While previously registered to the environmental management system, ISO 14001, and the health and safety management system, OHSAS 18001 for several years, we currently exercise the "self-declaration" option outlined by these standards.


Summercamp Project Project is an artist run space founded by Elonda Billera, Janice Gomez and Fatima Hoang. The space is actually a house it the hills of El Sereno, Los Angeles.
From the press release: "Summercamp's Project Project presents Slick, an outdoor group exhibition, to engage, reinforce and deny the definitions of finish fetish, too cool for school and the sly trickster."
While upstate at the Millay Colony, a fellow resident and I made our way to Mass MOCA, home to, among other things, Sol Lewitt: A Wall Drawing Retrospective, which covers almost 40 years of the artist's signature works. I don't know how to describe the size of this exhibition without sounding like I'm exaggerating but I'll try: Imagine emptying 3 floors of the Whitney and filling them with a maze of walls covered with squares, straight and squiggly lines, splotches, loops, etc.
Making your way to Western Mass for this show is like taking a pilgrimage to the church of Sol Lewitt. The difference between this church, and the churches of the old pilgrimages, is that in place of a few unverified fragments of bone and splinters of wood, Building 7, where the retrospective is housed, has something like 100 manifestations of the artist's drawing instructions. These relics of Saint Sol can be authenticated via the artist's official certificates, one of which is one display.
The retrospective is up for 25 years, so I figure I can make a few more pilgrimages before 2033.
Backyard @ Sam Lee Gallery. A group show featuring: Justin Allen, Joe Biel, Frick Byers, Margarita Cabrera, Carleton Christy, Rebecca Clark, Brian Cooper, Waylon Dobson, Nathan Hayden, Darren Hostetter, Joshua Levine, Luke Matjas, Pipo Nguyen-duy, Mary O'Malley, Jon Rappleye, Shizu Saldamando, Macha Suzuki, Devon Tsuno, Erica Lee Wheelock and Carrie Yury.
Tribeca July 2009 Daily Operation: "Sick Shape"


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Beaulieu è un paese di 829 abitanti dell'Hampshire, in Inghilterra.

Altri progetti

Parrocchie civili dell'Hampshire


Don't be afraid of fat!
As you transition to lower carb, you'll naturally increase your fat intake. This is a good thing! Fat has gotten a bad rap in our society due to the fact that it has more calories than carbs and protein (9 calories per gram versus 4 per gram). Fat is highly satiating, however, and has a minimal effect on blood sugar levels (in fact, it can even help blunt the insulin response to store fat).


text:
The Power of the Dog (Movie)
Here's How Each Best-Picture Nominee Could Win an Oscar
But significant year-end support from critics' groups helped "Drive My Car" crash the Oscar race, where it claimed nominations for picture, director, adapted screenplay and international feature. Hollywood doesn't know Hamaguchi as well as it got to know the "Parasite" auteur Bong Joon Ho during that film's prepandemic Oscar season, so multiple wins may be […]
Who Will Be Nominated for the Oscars? Here Are Our Projections.
Ask me about the best-actress race in an hour, and I might have an entirely different lineup for you. I feel fairly bullish on Kidman, Colman and Gaga, but there are so many feasible contenders vying for those last two spots that I keep tearing up my projections and starting anew. Hudson and Jessica Chastain […]
Producers Guild Nominations Keep 'Dune' in Play
Is this a best-picture preview? The Producers Guild of America announced its 10 nominees for best feature film on Thursday, and the group is considered one of the strongest signs of where the Oscar wind is blowing: Over the last three years, only one eventual best-picture nominee ("The Father") made it into the best-picture lineup […]
Watch a Seductive Moment in 'The Power of the Dog'
Hello. I'm Jane Campion. I'm the screenwriter and director of 'The Power of the Dog.' This is the scene I call the love scene. It's a scene that happens in the barn at night with Phil, played by Benedict Cumberbatch, and Peter, played by Kodi Smit-McPhee. It's really a scene I love very much, because […]
SAG Award Nominations 2022: The Complete List, Snubs and Surprises
Will Smith, "King Richard" Denzel Washington, "The Tragedy of Macbeth" Cumberbatch, Garfield, Smith and Washington are all widely expected to repeat at the Oscars, setting up a real clash of the titans for the win. But it's a big shocker to see Javier Bardem here for his spirited performance as Desi Arnaz in "Being the […]
Golden Globes 2022: Complete List of Winners
What do the Golden Globes do after a year of scandals so severe that NBC dropped the broadcast? They tweet through it. On Sunday night, members of the embattled Hollywood Foreign Press Association announced the winners of this year's Golden Globes, but they read those names to a ballroom at the Beverly Hilton devoid of […]
Also … "Annette" (Leos Carax), "The Disciple" (Chaitanya Tamhane), "Flee" (Jonas Poher Rasmussen), "The Green Knight" (David Lowery), "The Hand of God" (Paolo Sorrentino), "King Richard" (Reinaldo Marcus Green), "Mogul Mowgli" (Bassam Tariq), "Parallel Mothers" (Pedro Almodóvar), "Passing" (Rebecca Hall), "El Planeta" (Amalia Ulman), "The Souvenir Part II" (Joanna Hogg), "Spencer" (Pablo Larraín), "The Tragedy […]
'The Power of the Dog': About That Ending
This article contains spoilers for the Netflix feature "The Power of the Dog." The acclaim for Jane Campion's "The Power of the Dog" has been loud and clear, from its Venice premiere to its release in theaters and on Netflix. But the ending of Campion's simmering Western drama has been anything but loud or clear. […]
Inside Jane Campion's Cinema of Tenderness and Brutality
They lived with the nanny for another five or so years, until she died. Anna and Jane refused to go to her funeral. Over the years, they tried to convince their parents what it had been like for them, and they were never quite believed. Campion describes her parents as loving but fundamentally absent during […]


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Libros descargables gratis para nook color. The Forest of Enchantments 9789353025984 (Literatura española) de Chitra Banerjee Divakaruni
The Forest of Enchantments de Chitra Banerjee Divakaruni
The Forest of Enchantments
Formatos: Pdf, ePub, Moby, Fb2
Editorial: HarperCollins Publishers India
The Ramayana, one of the world's greatest epics, is also a tragic love story. In this brilliant retelling, Chitra Banerjee Divakaruni places Sita at the centre of the novel: this is Sita's version. The Forest of Enchantments is also a very human story of some of the other women in the epic, often misunderstood and relegated to the margins: Kaikeyi, Surpanakha, Mandodari. A powerful comment on duty, betrayal, infidelity and honour, it is also about women's struggle to retain autonomy in a world that privileges men, as Chitra transforms an ancient story into a gripping, contemporary battle of wills. While the Ramayana resonates even today, she makes it more relevant than ever, in the underlying questions in the novel: How should women be treated by their loved ones? What are their rights in a relationship? When does a woman need to stand up and say, 'Enough!'
The Forest of Enchantments Quotes by Chitra Banerjee Divakaruni
55 quotes from The Forest of Enchantments: 'You aren't some weak-willed wench . You can control your emotions. Remember all that you've survived. Behave l. New Release: The Forest Of Enchantments by Chitra Banerjee
The Forest of Enchantments is also a very human story of some of the other women in the epic, often misunderstood and relegated to the Book Review: The Forest of Enchantments | The Reading Owl
The Forest of Enchantments is a retelling of the epic Ramayana but from Sita's perspective. One can call it Sitayan, that brings forth the Enchantment Permit Area Rules and Regulations - USDA Forest
Violation of permit terms or other Forest Service regulations may also invalidate an issued Thank you for helping to keep the Enchantment Permit Area wild. Through Sita's eyes - The Hindu
Mythology revisted: Chitra Banerjee Divakaruni; (below) The Forest of The Forest of Enchantments will be launched on January 16, The Forest of Enchantments: Sita's Ramayana is sure to cast a spell
Sita in The Forest of Enchantments quietly shatters all glorified notions of what a king's dharma ought to be. The Forest of Enchantments - Chitra Banerjee Divakaruni - Hardcover
The Ramayana, one of the world's greatest epics, is also a tragic love story. In this brilliant retelling, Chitra Banerjee Divakaruni places Sita at the cen Extract: The Forest of Enchantments by Chitra Banerjee Divakaruni
This is an excerpt from The Forest of Enchantments published by HarperCollins India. I had come to Valmiki's hermitage having lost everything The Forest of Enchantments by Chitra Banerjee - Goodreads
Start by marking "The Forest of Enchantments" as Want to Read: In this brilliant retelling, Chitra Banerjee Divakaruni places Sita at the centre of the novel: this is Sita's version. The Forest of Enchantments is also a very human story of some of the other women in the epic, often The Forest of Enchantments — Chitra Divakaruni
THE FOREST OF ENCHANTMENTS, BASED ON THE RAMAYANA. IN THIS BOOK, SITA, THE MAIN FEMALE CHARACTER IN THE EPIC, TELLS HER STORY IN HER OWN VOICE. HER JOYS AND SORROWS. The Forest of Enchantments: When an achingly lonely Sita
In Chitra Divakaruni Banerjee's latest novel, The Forest of Enchantments, Sita tells the story of the Ramayana, one which we all know, but from
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The Unicorn in Captivity (from the Unicorn Tapestries)
Unknown1495-1505
The Cloisters Museum and Gardens
The seven individual hangings known as "The Unicorn Tapestries," are among the most beautiful and complex works of art from the late Middle Ages that survive. Luxuriously woven in fine wool and silk with silver and gilded threads, the tapestries vividly depict scenes associated with a hunt for the elusive, magical unicorn. "The Unicorn in Captivity" may have been created as a single image rather than part of a series. In this instance, the unicorn probably represents the beloved tamed. He is tethered to a tree and constrained by a fence, but the chain is not secure and the fence is low enough to leap over: The unicorn could escape if he wished. Clearly, however, his confinement is a happy one, to which the ripe, seed-laden pomegranates in the tree—a medieval symbol of fertility and marriage—testify. The red stains on his flank do not appear to be blood, as there are no visible wounds like those in the hunting series; rather, they represent juice dripping from bursting pomegranates above. Many of the other plants represented here, such as wild orchid, bistort, and thistle, echo this theme of marriage and procreation: they were acclaimed in the Middle Ages as fertility aids for both men and women. Even the little frog, nestled among the violets at the lower right, was cited by medieval writers for its noisy mating.
Title: The Unicorn in Captivity (from the Unicorn Tapestries)
Date Created: 1495-1505
Provenance: comtes de La Rochefoucauld , France ; François VI de La Rochefoucauld , Paris (in 1680) ; François VIII de La Rochefoucauld , château de Verteuil, Charente (in 1728) ; Château de Verteuil, Charente (said to have been looted in 1793) ; comtes de La Rochefoucauld , château de Verteuil, Charente (in 1856) ; Comte Aimery de La Rochefoucauld , château de Verteuil, Charente (until 1923) ; Mr. and Mrs. John D. Rockefeller Jr. (in 1923 through Edouard Larcade–until 1937)
Physical Dimensions: w2515 x h3680 cm
Inscription: (center and three corners): AE
Culture: South Netherlandish
Credit Line: Gift of John D. Rockefeller Jr., 1937
Type: Textiles-Tapestries
Medium: Wool warp with wool, silk, silver, and gilt wefts
Annunciation Triptych (Merode Altarpiece)
The Belles Heures of Jean de France, Duc de Berry
The Cloisters Cross
Depicts same object
Bust of the Virgin


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Indianapolis mayor, police chief introduce gun program after deadly weekend
by: Richard Essex
Posted: Apr 8, 2019 / 08:09 PM UTC / Updated: Apr 9, 2019 / 09:36 AM UTC
INDIANAPOLIS (WISH) — After 24 hours of police running from one violent crime scene to another, authorities on Monday presented what they hope will help address gun violence in Indianapolis.
Six people died at five shootings over the weekend, starting around 9:30 p.m. Saturday and continuing until the same time Sunday, with most of that violence centered in the east side.
At every crime scene, the evidence is collected by the Marion County Forensic Services Agency, and shell casings are some of the most important pieces of evidence.
All shell casings from all crime scenes are collected and entered into a database that's part of the Crime Gun Intelligence Center introduced by IMPD Chief Bryan Roach and Indianapolis Mayor Joe Hogsett on Monday. Their hope is they'll be able to connect the gun data with the person that pulled the trigger.
"We talked about the violence this past weekend. In the past we would not be able to apply this tool in the manner we will able it and are already applying it to the violence that occured this weekend," said Roach.
Hogsett said Indianapolis experienced a few weeks without a homicide this winter, but he also said the homicide rate has been slowly increasing in the city for years.
"Over the last three or four years, unfortunately, our city has continued to experience an incremental increase in the number of homicides. Three years ago, it was approxamately 4%. Last year, it was 2.2%," said Hogsett.
With much of the violence concentrated in certain parts of the city, police are looking at ways to work with other departments.
"Everybody that lives in this community has a part in it. Our judges have a part, our prosecutor has a part. Everyone plays a role in reducing crime in the city. It is not just the police department," said IMPD Deputy Chief Christopher Bailey.
IMPD and the mayor's office said the Crime Gun Intelligence Center has helped with arrests and convictions, but the program is only a few years along. Funding for the program comes from federal, state and local sources.
by Staff Reports / Jul 18, 2019
INDIANAPOLIS (WISH) - The truck driver charged in Sunday's deadly crash on I-465 was to face a judge Thursday.
The crash killed Alanna Koons and her twin, 18-month-old daughters, June and Ruby. The crash also sent seven other people to the hospital with injuries.
Pet Pals TV: Canine Parvovirus
INDIANAPOLIS (WISH) - Each and every week Patty Spitler shares a story about our four-legged and furry friend population.
This time the host of Pet Pals TV stopped by Midday with her guest Dr. Mark Petersman with Noah's Animal Hospital.
INDIANAPOLIS (AP) — Indiana's attorney general has reversed himself and decided against appealing a federal judge's decision to block a state law that would ban a second-trimester abortion procedure.
Local / 1 min ago
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Stacy London's New Look: CEO
The high-profile stylist is now head of a company that makes products for those grappling with menopause.
By Candice Helfand-Rogers
Longtime professional stylist and media personality Stacy London says she's acquired State of Menopause, which sells products for people experiencing symptoms of menopause. (Credit: Stacy London, Steve (Flickr), Wikimedia Commons)
Stacy London is trying the role of CEO on for size.
In a recent Instagram announcement, the longtime professional stylist and media personality — perhaps best known as the co-host of TLC's "What Not to Wear" — announced that she has acquired State of Menopause, which develops and sells products for people experiencing symptoms of menopause.
London explained that this "big career pivot" of hers was not just a business decision. When she began to experience perimenopause several years ago, "there was no one around to tell me what to expect. I didn't know how I would change, how I would look, or what I would feel."
[Related: Finally, a Company Cares About Menopausal Women. No Surprise Its CEO Is a Woman]
The company initially approached her for beta testing purposes around that time — she says she "jumped at the chance, because I felt like somebody was finally listening to me."
The opportunity to up her involvement in State of Menopause arose about 7 months ago, London added in her announcement. Once again, she acted quickly, because "this is not the kind of company we leave behind."
[Related: Fearless #Over50 — These Bold Entrepreneurs Will Inspire You to Start Up, at Any Age]
London hopes to make menopause a more widely discussed topic through her work — a drum she's been beating for awhile now — to reduce the shame and stigma that surround it, and to give people "having agency over what's happening to you."
She adds, "I know that menopause is hard, but it isn't hopeless."
[Related: How Celebrity Women Are Lifting Up The Sisterhood]


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Dirty Dollhouse | photo by Kristina Beese | courtesy of the artist
Go behind the scenes in Dirty Dollhouse's "You Don't Even Know Me" video
By Emily Reiling
Chelsea Mitchell categorically reinvented her project Dirty Dollhouse for the April 2017 release of the debut LP Vinyl Child, moving from a country-folk acoustic sound to a more complex, expansive and varied exploration of the creative freedom that the "singer-songwriter" title affords.
The Philly artist premiered a new music video last week via Our Culture Mag for Vinyl Child's "You Don't Even Know Me," a quiet, haunting track with Mitchell's clear voice and weaving harmonies slightly alleviating the pained melancholy of the lyrics.
The video, directed by Bob Sweeney, features scenes of Mitchell in moments leading up to the creation of Vinyl Child and the track. Watch the video below.
Dirty Dollhouse will be performing at the Wissahickon Brewing Company on July 28th with Nikki Lane as part of the BANDADE Brewery Tour (click here for more information) and as part of The Key's Philly Music Showcase on September 27th at Milkboy. For more information, visit the XPN Concert Calendar.


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Q: ASP.NET WebMethod reading file error Have a simple WebMethod that reads a text file (500000 lines) into a string array.
The ajax calling the method has success and error calls.
Problem:
I can debug on backend code and see that everything is as expected. All values are read as intended and code proceeds to the end correctly.
HOWEVER, when the code proceeds beyond the ReadAllLines() line, it tiggers an error on the front end.
What exactly happens:

*

*I put a breakpoint on 1st line of c# code where I read the text file.

*When I go to next line during debugging, the mywords array has all the words that are read from the file. There is no error. However, the webpage (frontend) triggers alert(error).

Cannot figure out what is wrong.
C# WebMethod:
[System.Web.Services.WebMethod]
[ScriptMethod(ResponseFormat = ResponseFormat.Json)]
public static string[] Test(string Test)
{
    string[] mywords = File.ReadAllLines(Server.MapPath("~/Sample/sample.txt"));
    return mywords;
}

AJAX call:
$.ajax({
    type: "POST",
    url: "test.aspx/Test",
    data: JSON.stringify({ Test: Test }),
    contentType: "application/json; charset=utf-8",
    dataType: "json",
    success: function (msg) {
        alert("success");
    },
    error: function (xhr, status, error) {
        alert("error");
    }
});

UPDATE: When I change the input file to another one that contain fewer lines like 10,000 lines. It works without errors.

A: There's a default maximum length of JSON string of 2097152 characters (4 MB). It's defined in the MaxJsonLength property in the Web.config.
You probably need to define a higher value in your config. Here is the maximum value you can set for the MaxJsonLength:
<system.web.extensions>
    <scripting>
        <webServices>
            <jsonSerialization maxJsonLength="2147483647"></jsonSerialization>
        </webServices>
    </scripting>
</system.web.extensions>


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Metamorphosis III is a woodcut print by the Dutch artist M. C. Escher created during 1967 and 1968. Measuring , this is Escher's largest print. It was printed on thirty-three blocks on six combined sheets and mounted on canvas. This print was partly coloured by hand.

It begins identically to Metamorphosis II, with the word metamorphose (the Dutch form of the word metamorphosis) forming a grid pattern and then becoming a black-and-white checkered pattern. Then the first set of new imagery begins. The angles of the checkered pattern change to elongated diamond shapes. These then become an image of flowers with bees. This image then returns to the diamond pattern and back into the checkered pattern.

It then resumes with the Metamorphosis II imagery until the bird pattern. The birds then become sailing boats. From the sailing boats the image changes to a second fish pattern. Then from the fish to horses. The horses then become a second bird pattern. The second bird pattern then becomes black-and-white triangles, which then become envelopes with wings. These winged envelopes then return to the black-and-white triangles and then to the original bird pattern. It then resumes with the Metamorphosis II print until its conclusion.

See also
Metamorphosis I
Metamorphosis II
Atrani, Coast of Amalfi
Regular Division of the Plane
Tessellation

Sources
Locher, J. L. (2000). The Magic of M. C. Escher. Harry N. Abrams, Inc. .

External links
Images of Metamorphosis I, II and III and other well-known works at mcescher.com

Works by M. C. Escher
1968 paintings
Woodcuts
Birds in art
Horses in art
Insects in art
Fish in art


It may be basic, but our critic's love for eggs Benedict runs deep. A quick hit from JLB in 420 characters (three old-fashioned tweets) or fewer.
I feel so basic loving eggs Benedict as much as I do. But does brunch get any better? The salt of the ham, the chew of the English muffin, the buttery joy that is good Hollandaise. It's a masterpiece. And it's endlessly alterable. Sub a biscuit for the base, or some lobster for the ham, or some gravy for the Hollandaise and you have something altogether different but no less wonderful. Basic? Maybe. But also — good.


In the world of production-based race cars, it's hard to find creations any crazier than those that compete in hillclimb racing. Just take a look at this truly mind-blowing Honda Civic, for example.
The hometown of feudal era ninja in central Japan says it is not recruiting new ninja performers, as was implied by a foreign program posted on the Internet.
The city office of Iga, in Mie Prefecture, says it and the tourist association have received 115 inquiries from people in 14 countries, including the United States and Spain, about job openings for ninja performers.
Whether it's busy chauffeuring T'Challa around or simply trying to win over the hearts of luxury saloon buyers around the world, Lexus' all-new LS flagship is without a doubt a very attractive car.
Would You Be Willing To Pay $80,000 For This 1994 Toyota Supra?
There's a new Toyota Supra in the pipeline that's supposed to come out sooner rather than later. While some enthusiasts are patiently waiting for the new car, others have turned to finding pristine examples to stow away for rainy days in case the new sports car doesn't live up to the hype.
The 2018 New York Auto Show is in full swing and there's a clear body style that's shining through – SUVs – and both Toyota and Subaru had something brand new to bring to the market.
How Much Would You Pay For The Fastest Thing Toyota's Ever Made?
Toyota is one of the biggest automakers in the world. But unlike its rivals at GM with their Corvettes and Volkswagen with their Lamborghinis and Bugattis, the Japanese giant doesn't have much of a history making supercars.


Remote start, 36 hour rally, with electronic pre-scoring, ending in Shreveport, LA.
Remote start, 12 hour rally, with electronic pre-scoring, ending in Shreveport, LA.
Date to be announced: The Texas Defects are at it again at Rays BBQ. Come join the fun and see who get inducted into the DFW Defective Gene Pool Hall of Fame this year. Lots of fun, friends, and food.
Date to be announced! Once again the NIITWIts will be filing into Celina Texas for some great food at Lucy's on the Square.


Frederick Van Cortlandt's Yonkers estate served as the first military encampment of the Revolutionary War and as headquarters for British General Sir William Howe. The first municipal golf course in America was constructed on Van Cortlandt's property. Frederick Van Cortlandt autographs represent early American history. This reproduction would look great in an album or display.


Our Classic Display Cakes come in a variety of flavors, designs, and feed approximately 8 - 16. We offer our display size cakes WHOLE or BY THE SLICE. We also create these cake in larger sizes. Flavors rotate daily, so call ahead or stop by and see what we've baked up.
CINNAMON SPICE (seasonal) Cinnamon Cake, Cream Cheese Filling, Cinnamon Sugar Buttercream, Garnished in Fall Sprinkles, Edible Pine Cones, and Sugar Leaves.
PUMPKIN: (seasonal) Pumpkin Spice Cake, Pumpkin Mousse Filling, Cinnamon Sugar Buttercream, Garnished with Sanding Sugar, and a Pumpkin Sugar Candy.
CARAMEL APPLE: Caramel Cake, Apple Pie Filling, Caramel Buttercream, Garnished with a Candy Sugar Apple and Caramel Drizzle.
CHAI TEA LATTE: Chai Spice Cake iced in Chai Buttercream, Garnished with a Sugar Flower and a White Chocolate Wisp.
CANNOLI: Vanilla Cake, Cannoli Cream Filling, Vanilla Buttercream, Garnished in Mini Chocolate Chips, Powdered Sugar, and a Cannoli Crisp.
GUAVA: Guava Cake, Guava Filling, Iced in Vanilla Buttercream, Topped with More Guava Filling, and Garnished with White Chocolate Quills.
SNICKER'S BAR: Chocolate Cake, Peanut Butter Mousse Filling, Iced in Caramel Buttercream, Garnished with Chocolate Curls, Peanuts, Candy Bar Bites and a Caramel Drizzle.
UNICORN: Vanilla Swirl Cake and Iced in Vanilla Buttercream, Garnished with Confetti Candy, and Decorated with Paper Toppers.
MOCHA: Chocolate Cake, Mocha Mousse Filling, Iced in Mocha Buttercream, Dusted with Cocoa Powder, and Topped with Chocolate Covered Espresso Beans. Try a Slice Pared with Our Nepresso Brand Cappuccino.
MANGO PASSION FRUIT: Mango Cake, Mango Passion Fruit Mousse Filling, Iced in Vanilla Buttercream, Garnished with Sugar Flowers, and Topped with a Mango Passion Fruit Drizzle.
HUMMINGBIRD: Hummingbird Cake, Cream Cheese Filling, Iced in Vanilla Buttercream, Garnished with Crushed Pecans, and Topped with Flaked Coconut.
CANDY LAND: Vanilla Funfetti Cake, Iced in Vanilla Buttercream, Garnished with Sanding Sugar and Childhood Candy Favorites.
ALMOND JOY: Almond Cake, Coconut Cream Filling, Iced in Vanilla Buttercream, Topped with Chocolate Ganache, and Garnished with Sliced Almonds and Flaked Coconut.
LIMONCELLO: Lemon Cake infused with Authentic Limoncello Liqueur, Mascarpone Cream Cheese Filling, Iced in Vanilla Buttercream, Garnished with White Chocolate Curls, and Topped with Lemon Candy Slices.
CHERRY ALMOND: Almond Cake, Chocolate Ganache and Cherry Buttercream Filling, Iced in Cherry Buttercream, Garnished with Sliced Almonds, and Topped with Maraschino Cherries.
CLASSIC CARROT: Carrot Cake, Cream Cheese Filling, Iced in Vanilla Buttercream, Garnished with Crushed Pecans, and Topped with Sugar Candy Carrots.
DREAMSICLE: Orange Cake, Cream Cheese Filling, Iced in Orange Buttercream, and Topped with Orange Candy Slices.
LAVENDER HONEY: Lavender Cake, Filled and Iced in Honey Buttercream, Garnished with Sugar Bees, Flowers, and Lavender Seeds, and Topped with a Drizzle of Honey.
BOSTON CREAM: Vanilla Cake, Custard Filling, Iced in Vanilla Buttercream, and Covered in Chocolate Ganache.
PLAYFUL PIRATE: Red Velvet Cake, Cream Cheese Filling, Iced in Vanilla Buttercream, and Topped with a Variety of Pirate Treasure!
WATERMELON: Watermelon Cake, Iced with Vanilla Buttercream. and Garnished with Mini Chocolate Chips.
PINK CHAMPAGNE: Pink Champagne Cake, Raspberry Mousse Filling, Iced in Pink Champagne Buttercream, Garnished with Gold Sanding Sugar, and Topped with White Chocolate Gold Leaves.
BLACK FOREST: Chocolate Cake, Whipped Topping Filling, Garnished with Dark Chocolate Shards, Topped with Cherry Pie Filling and Chocolate Dipped Maraschino Cherries.
MAGIC MERMAID: Vanilla Swirl Cake, Iced in Vanilla Buttercream. and Decorated with Candy Seashells and Glitter Paper Mermaids.
BANANA CREAM PIE: Banana Cake, Banana Pudding Filling, Iced in Vanilla Buttercream, Garnished with Cookie Crumbs, and Topped with Vanilla Wafers and Banana Chips.
CHERRY CHOCOLATE CHIP: Vanilla Cake Baked with Cherry and Chocolate Bits, Filled with Chocolate Ganache, Iced and Filled with Cherry Buttercream, Garnished with Dark Chocolate Curls, and Topped with Chocolate Dipped Maraschino Cherries.
KEY LIME: Key Lime Cake, Key Lime Mousse Filling, Iced in Whipped Topping, and Garnished with Wafer Crumbs and Key Lime Slice.
LEMON BLUEBERRY: Lemon Cake, Blueberry Pie Filling, Iced in Vanilla Buttercream, Garnished with Fresh Blueberries, and Topped with Sanding Sugar and a White Chocolate Drizzle.
ROSE: Rose Cake, Filled and Iced in Rosewater Buttercream, and Garnished with Candy Sugar Roses.
MOON PIE: Vanilla Cake, Holland Cream Filling, Iced in Vanilla Buttercream, Covered in Chocolate Ganache, and Topped with Mini Moon Pies. Have a Slice Along with a Glass of Soda Made Right From Our Original 1950's Soda Fountain.
STRAWBERRY BANANA: Banana Cake, Strawberry Cake, Strawberry Filling, Iced in Banana Buttercream, and Topped with Candy Strawberry Slices and Bananas.


text:
Q: How to faster `visit` in Capybara? I interacted with a website using Capybara, the driver i chose is capybara-webkit ,but the problem is that the code was stuck at visit and cost  about 5 minutes or more to load the page.
It was a terrible thing for me.
And my code is the following:
   def crawl(city_en)
     #Global Setting
      Capybara.current_driver = :webkit
      Capybara.default_selector = :xpath
      Capybara.app_host = 'http://hotel.qunar.com'
      # Set user agent
      page.driver.header 'User-Agent',"Mozilla/5.0 (Macintosh; Intel Mac OS X)"
      @city = city_en
      @uri = "/city/#{@city}"
      puts 'Visiting...'
      page.visit @uri
      @page = Nokogiri::HTML page.driver.browser.body
    end

I am not sure if there something wrong with my code, if not ,are there some tricks to faster webkit? Thanks.

A: Capybara is acceptance test framework. For automating interaction with websites you can use mechanize. Mechanize automatically stores and sends cookies, follows redirects, and can follow links and submit forms.