text:
require_relative 'Common'
require 'set'

#----------------------------------------------------------------------------------------------

module ClearCASE

#----------------------------------------------------------------------------------------------

class Element
	attr_reader :name

	def initialize(name)
		@name = Element.fix_name(name)
	end

	#------------------------------------------------------------------------------------------

	def to_s
		@name
	end

	def fullpath?
		Element.fullpath?(@name)
	end

	def fullpath
		Element.fullpath(@name)
	end

	# element path, without view name, but with an initial /
	def epath
		Element.epath(@name)
	end

	def view
		Element.view(@name)
	end

	def vob
		Element.vob(@name)
	end

	def in_vob?(vob)
		Element.in_vob(@name, vob)
	end

	def directory_closure
		Element.directory_closure(@name)
	end

	def under?(roots)
		Element.under?(@name, roots)
	end

	#------------------------------------------------------------------------------------------

	def Element.fix_name(name)
		name = name.chomp
		name.gsub!(/\\/, '/')
		name.gsub!(/\/+/, '/')
		# name = name[0..-3] if name.end_with?('/.')
		# the following are invalid: M: or M:/ or M:/view or M:/view/ or : not followed by /
		raise "invalid element name: #{name}" if name =~ /:[^\/]/ || name =~ /^[Mm]:[\/]?[^\/]*\/?$/
		name = $1 if name =~ /^(.+)\/.?$/
		name
	end

	# view, vob, epath
	# .vob(s) are special because they are considered a part of the view, thus elements of .vob(s) come
	#   in the form /view/.vob/vob/path

	def Element.parse(name)
		name = Element.fix_name(name)
		return [$1, $2, "/#{$2}#{$3}"] if name =~ /^[Mm]:[\/]([^\/]*[\/]\.[^\/]*)[\/]([^\/]*)([\/].*)/
																						   # M:/view/.vob/vob/path
		return [$1, $2, "/#{$2}"]      if name =~ /^[Mm]:[\/]([^\/]*[\/]\.[^\/]*)[\/]([^\/]*)$/
																						   # M:/view/.vob/vob
		return Element._std_parse(name)
	end

	def Element.std_parse(name)
		return Element._std_parse(Element.fix_name(name))
	end

	def Element._std_parse(name)
		return [$1, $2, "/#{$2}#{$3}"] if name =~ /^[Mm]:[\/]([^\/]*)[\/]([^\/]*)([\/].*)/ # M:/view/vob/path
		return [$1, $2, "/#{$2}"]      if name =~ /^[Mm]:[\/]([^\/]*)[\/]([^\/]*)$/        # M:/view/vob
		return ["", $1, "/#{$1}#{$2}"] if name =~      /^[\/]([^\/]*)([\/].*)/             # /vob/path
		return ["", $1, "/#{$1}"]      if name =~      /^[\/]([^\/]*)$/                    # /vob
		return ["", "", name]
	end

	def Element.fullpath?(name)
		(name =~ /^[Mm:]/) != nil
	end

	def Element.fullpath(name)
		return name if Element.fullpath?(name)
		d = Dir.pwd
		raise "cannot determine fullpath for #{name} (no view context)" if (d =~ /^[Mm]:/) == nil
		"#{d}/#{name}"
	end

	def Element.epath(name)
		view, vob, epath = Element.parse(name)
		epath
	end

	def Element.view(name)
		view, vob, epath = Element.parse(name)
		raise "cannot determine view for #{name} (no view context)" if view.empty?
		ClearCASE.View(view)
	end

	def Element.vob(name)
		view, vob, epath = Element.parse(name)
		raise "cannot determine VOB for #{name}" if vob.empty?
		ClearCASE.VOB(vob)
	end

	def Element.in_vob?(name, vob)
		vob_name = vob.is_a?(ClearCASE::VOB) ? vob.name : ClearCASE.VOB(vob).name
		Element.vob(name).name == vob_name
	end

	def Element.under?(name, roots)
		roots = [roots] if roots.is_a?(String)
		view, vob, epath = Element.parse(name)
		roots.each do |root|
			return true if epath.start_with?(root)
		end
		return false
	end

	# Calculates the directory closure of this element - all the directories that compose its
	# partial paths, up to but excluding the root.
	# for example, the closure for the element "/mcu/EC/Snmp/ecSnmpIvr.cpp" is:
	# /mcu
	# /mcu/EC
	# /mcu/EC/Snmp

	def Element.directory_closure(name)
		view, vob, p = Element.parse(name)
		closure = []
		loop do
			p, f = File.split(p)
			break if p == f
			closure << p if p != '/'
		end

		closure.map! { |name| "#{ClearCASE.View(view).path}#{name}"} if  view != ""

		return Elements.new(closure)
	end

	#------------------------------------------------------------------------------------------

	def checkout
		# puts "Checking-out file: #{@name}..." if Bento::UserCommand::$verbose
		co = System.command("cleartool checkout -nc -ptime #{@name}")
		raise "cannot checkout #{name}" if co.failed?
	end

	#------------------------------------------------------------------------------------------

	def checkin
		# puts "Checking-in file: #{@name}..." unless !$VerboseMode
		ci = System.command("cleartool ci -nc -ptime #{@name}")
		return if ci.ok?

		if ci.status == 1 && ci.err0 == "cleartool: Error: By default, won't create version with data identical to predecessor."
			# puts "\tIdentical to predecessor: Undoing check-out on #{@name}" unless !$VerboseMode
			unco = System.command("cleartool unco -rm #{@name}")
		else
			raise "checkin failed for #{name}"
		end
	end

	#------------------------------------------------------------------------------------------

	def uncheckout
		unco = System.command("cleartool unco -rm #{@name}")
		raise "cannot uncheckout #{name}" if unco.failed?
	end

	#------------------------------------------------------------------------------------------

	# flags: :recursive, :replace
	#   :checkin, :keepco

	def label!(label_name, *flags)
		nocreate = flags.include?(:nocreate)
		recursive = flags.include?(:recursive)
		replace = flags.include?(:replace)

		ClearCASE::LabelType.create(label_name) if !nocreate
		mklabel = System.command("cleartool mklabel -nc #{recursive ? "-r" : ""} #{replace ? "-rep" : ""} #{label_name} #{@name}")
		raise "failed to apply label #{label_name} on element #{@name}" if mklabel.failed?
	end

	#------------------------------------------------------------------------------------------

	def checkedout?
		lsco = System.command("cleartool lsco -short #{@name}")
		return lsco.out0 == file
	end

	def changed?
		diff = System.command("cleartool diff -pred #{@name}")
		return diff.status == 0
	end

	#------------------------------------------------------------------------------------------

	# Attaches the attribute with the given name and value to this element.
	# note that the attribute is assumed to exist in the relevant VOB

	def [](attr)
		desc = System.command("cleartool describe -short -aattr #{attr} #{@name}@@")
		raise "error reading attribute #{attr} for element #{@name}" if desc.failed?
		s = desc.out0
		s = s[1..-2] if s[0] == '"' && s[-1] == '"'
		return s
	end

	#------------------------------------------------------------------------------------------

	def []=(attr, value)
		v = case
			when value.is_a?(Integer); value.to_s
			else; "\\\"#{value.to_s}\\\""
		end
		mkattr = System.command("cleartool mkattr -replace #{attr} #{v} #{@name}@@")
		raise "error setting attribute #{attr} to \"#{value}\" for element #{@name}" if mkattr.failed?
	end

end # Element

#----------------------------------------------------------------------------------------------

class Elements
	include Enumerable

	attr_reader :names

	def initialize(names)
		@names = names.map { |name| Element.fix_name(name) }
		# @names = names
	end

	def each
		@names.each { |fname| yield ClearCASE.Element(fname) }
	end

	#------------------------------------------------------------------------------------------

	def empty?
		@names.empty?
	end

	def in_vob(vob)
		# in_vobs([vob])
		Elements.new(@names.reject { |name| ! ClearCASE::Element.in_vob?(name, vob) })
	end

	def in_vobs(vobs)
		e = []
		vobs.each { |vob| e.concat(@names.select { |name| ClearCASE::Element.in_vob?(name, vob) }) }
		Elements.new(e)
	end

	def under(roots)
		Elements.new(@names.reject { |name| ! ClearCASE::Element.under?(name, roots) })
	end

	#------------------------------------------------------------------------------------------

	def directory_closure
		closure = Set.new
		@names.each do |name|
			 closure.merge(Element.directory_closure(name).names)
		end
		Elements.new(closure.to_a)
	end

	def absolute_paths
		Elements.new(@names.map { |f| File.absolute_path(f) }.uniq.sort)
	end

	#------------------------------------------------------------------------------------------

	def checkin
		each { |e| e.checkin }
	end

	def checkout
		each { |e| e.checkout }
	end

	# flags:
	#   :recursive, :replace, :checkin, :keepco

	def label!(name, *flags)
		return if @names.empty?
		e1 = @names.first
		view, vob, epath = Element.parse(e1)
		root_vob = ClearCASE.View(view).root_vob

		nocreate = flags.include?(:nocreate)

		if !nocreate
			lbtype_args = {name: name}
			lbtype_args[:root_vob] = @root if @root
			ClearCASE::LabelType.create(lbtype_args)
		end

		label_flags = []
		label_flags << :recursive if flags.include?(:recursive)
		label_flags << :replace if flags.include?(:replace)
		label_flags << :checkin if flags.include?(:checkin)
		label_flags << :keepco if flags.include?(:keepco)

		label_args = {name: name}
		label_args[:root_vob] = root_vob.name if root_vob
		each { |e| e.label!(label_args, *label_flags) }

		closure = directory_closure
		closure.each { |e| e.label!(label_args, *label_flags) }

		Element.new(view.path).label!(label_args, *label_flags) if @root
	end

	# args: name, root_vob (see ClearCASE::LabelType.create)
#	def label!(args, *flags)
#		nocreate = flags.include?(:nocreate)
#		ClearCASE::LabelType.create(args) if !nocreate
#		name = args[:name]
#		each { |e| e.label!(name, flags + [:nocreate]) }
#	end

	def []=(attr, value)
		each { |e| e[name] = value }
	end

	#------------------------------------------------------------------------------------------

	def Elements.create(glob)
		add = System.command("ct1 add #{glob}")
		raise "error adding elements: #{glob}" if add.failed?
	end

end # class Elements

#----------------------------------------------------------------------------------------------

class CheckedoutFiles

	def initialize(view = nil)
		if view
			@view = view
		else
			wd = System.commandx("cleartool pwv").out0
			raise "Cannot determine view" if wd == "** NONE **"
			@view = wd
		end

		view_root = System.commandx("cleartool pwv -root").out0;
		puts "view root: #{view_root}"
	end

end

#----------------------------------------------------------------------------------------------

# Returns true iff the file was actually checked in.
def checkin_file(file, keep_co)
	ci = System.command("cleartool ci -nc -ptime #{file}")

	if (ci.status == 0)
		if keep_co
			#checkout the file
		end

		return true
	end

	if ci.status == 1 && ci.err0.chomp == "cleartool: Error: By default, won't create version with data identical to predecessor."
		if !keep_co
			puts "\tFile is identical to predecessor. Undoing check-out on #{file} ..."
			unco = System.command("cleartool unco -rm #{file}")
		else
			#keepco, do nothing
			puts "\t file is checked-out and identical. skipping checkin due to keepco" unless !$VerboseMode
		end
	else
		raise "Checkin failed for #{file}"
	end

	return false
end

module_function :checkin_file

#----------------------------------------------------------------------------------------------

end # module ClearCASE

redpajama_set_name: RedPajamaGithub


text:
S&T researcher writes of white southern identity at turn of 20th century
Southerners are storytellers, and many of the stories told during the volatile years at the turn of the 20th century reflected a conviction that all southern whites, regardless of their religion, class and ethnicity, were bound by a love of family, home and community, and an uncompromising belief in white supremacy. Dr. Trent Watts examines his theory in his new book One Homogeneous People: Narratives of White Southern Identity, 1890-1920.
Watts, a member of the English and technical communication department at Missouri University of Science and Technology, explores how these white southerners explained their region and its people to themselves and other Americans through narratives found in a variety of forms and contexts, including political oratory, fiction, journalism and correspondence.
"I grew up in Mississippi and have always been fascinated with the long shadow that the post-Reconstruction years cast on the South," says Watts. "The perceived threat of black aspirations to civil rights resulted in the creation and widespread acceptance of the ideal I call 'pan-whiteness,' that all white southerners are one community, a notion that proved persuasive and tenacious for generations."
The book, which is published by The University of Tennessee Press, includes three extended essays on related themes of race and power and illustrates how similar the idea of pan-whiteness is across different classes and generations. The final essay focuses on Mississippi's Neshoba County Fair, an institution that was established in 1889.
"The fairgrounds include more than 600 cabins, all owned by white families. In a county almost one-third black, the fair is the embodiment of the largely unspoken power of whiteness and racial exclusion." Watts continues, "Neshoba County became notorious in 1964 when three civil rights workers were murdered there. The fair is a nostalgic celebration of community and a mandatory visit for would-be state office holders. Given the county's past, such a combination seems problematic."
Watts joined Missouri S&T's faculty in 2003 and was named associate professor in 2010. He holds a Ph.D. in history from the University of Chicago. Before coming to S&T, he taught American history at James Madison University. At S&T, Watts teaches courses on American literature, southern culture, and representations of the American South in film, among others.
In addition to writing One Homogeneous People, Watts edited White Masculinity in the Recent South, a collection of essays by 13 scholars that examines southern male stereotypes. His work has appeared in Southern Cultures and The New Encyclopedia of Southern Culture. He is currently working on a history of sex and sexuality in the recent South and a book of photographs taken by civil rights activist Rev. Ed King.
On December 9, 2010. Posted in News, Top Headlines

redpajama_set_name: RedPajamaCommonCrawl


TheVeganDietitian.com does not disclose, give or sell any personal information to third parties.
Personal information will not be shared with other health professionals without the express, written permission of the client.
We have taken steps to ensure that all information received from our online visitors is as secure as possible against unauthorized access and use.


Selling security cameras has increased 40% equivalent to previous years, people start to care more about personal security and of the entire family, and with that began to acquire products that help maintain the tranquility and security.
With this expansion in the CCTV market, were several changes of increasingly advanced technologies, allowing you to feel protected during your day to day with these new technologies that have emerged in the market you can monitor your home, your car, helping to decrease the costs and ensure the safety of all your personal assets.
The CCTV market has options for every budget, from cheaper alternatives were created the most expensive. In Clear, you find CCTV products with most affordable prices that will meet the needs of your project.
We work with equipment for basic designs to robust projects that require cameras with very high technology.
Among the equipment you can find in analogue line cameras with good price that will meet low-budget projects, yet ensuring your safety.
On line AHD, you find products for projects that require a high quality and sharpness in the images, with the best price on the market.
And on line IP we have high-resolution cameras that can be used in small, medium and large companies, since residential installations to monitoring projects that require the technology of our IP cameras.
Contact our commercial and see the prices and the cameras that will attend to your project.
How Much Would You Pay for a Kids' Playhouse?
How Much Would You Spend to Optimize Your Health?
How Much Do You Spend For Your Clothes?
Retirement Calculators: To Trust or Not to Trust?


Streamline your invoicing and payments by connecting Xero with Studio Ninja, the world's most user-friendly CRM software designed for photographers.
Studio Ninja is the world's most user-friendly client management software and business app for photographers. We help photographers save time and increase bookings with customisable workflows, automated emails and easy payment plans. From lead enquiry through to job completion, Studio Ninja helps you convert leads and get paid faster with customisable quotes, electronic contracts, credit card payments and automatic payment reminders.
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#317 Mary Hines entered 50 acres Land Grant located on Persimmon Branch of Flag Creek including Nicholas Wallace's improvement.
Mary Hines received a 50 acre Land Grant located on Persimmon Branch of Flag Creek including Nicholas Wallace's improvement. Michael Bryant and James Hines were chain carriers. Entered 25 Apr 1792 and surveyed 23 May 1792.
Charles Sowell received a 100 acre Land Grant located on Flag Creek adjoining Mary Hines and his own line. Thomas Williams and Leonard Furr Jr. were chain carriers.


Board Certification in Therapeutic Massage and Bodywork is the highest voluntary credential a massage therapist can obtain within the profession—it is above and beyond entry level state licensure. By becoming Board Certified, I represent a community of therapists who have gone above standard educational and work experience requirements with a dedicated and life long commitment to continuing education. Furthermore, I live up to higher standards and ethics in alignment with The National Certification Board for Therapeutic Massage and Bodywork (NCBTMB).
To achieve my Board Certification, I provided proof of my education and of my professional hands-on work experience. I also passed a criminal background check, agreed to uphold NCBTMB's Standards of Practice and Code of Ethics, and passed the Board Certification Exam. By passing the BCETMB and meeting all requirements, I demonstrate advanced assessment and critical thinking skills, as well as a commitment to excellence. I wear the credentials BCTMB with pride for myself, my profession, and, most importantly, my clients.
I am a Kripalu Yoga Teacher and the originator of Yogong. A synergy of mindful yoga, qigong and self shiatsu for optimum health and healing.
National Institute for the Clinical Application of Behavior Medicine (NICABM) Training in wellness/ life coaching, spiritual journeying, energy psychology, (NLP, TAT, NLP) therapeutic dialoguing and utilizing medical intuition.


The winter sun has been out, at least intermittently, and has brought with it pods of humpback whales. This week they surfaced along the Surf Coast, from 13th Beach to Wye River.
They have been sighted breaching from the water at Port Phillip Heads and touring bayside suburbs.
Worldwide, humpbacks are the most popular cetaceans with whalewatchers. They are favoured because of both their acrobatics and inspiring songs, and their inquisitive nature - they will often approach a boat.
Humpback populations off Australia are increasing at around 10 per cent annually as they continue to recover from 20th-century whaling.
Michael Noad, of the University of Queensland, said about 19,000 will migrate from the Antarctic to the east coast of Australia this winter.
''Certainly Victorians can expect to see more humpbacks over time … as the boom goes on,'' Dr Noad said.


text:
Q: Universal Image Loader lags when scrolling ListView I have a listView which has image items. I'm using UniversalImageLoader to get image from url and set it on an ImageView.
I tried to write the code inside another thread but since the imageView was built in the main thread, My app crashed.
the problem is When I scroll the listView, loading images slows the scrolling and makes it laggy. this is my getView():
@Override
public View getView(final int position, View convertView, ViewGroup parent) {

    final viewHolder holder;
    if (convertView == null) {
        LayoutInflater mInflater = (LayoutInflater) context.getSystemService(Activity.LAYOUT_INFLATER_SERVICE);
        if (isGrid)
            convertView = mInflater.inflate(R.layout.main_grid_item, null);
        else
            convertView = mInflater.inflate(R.layout.main_list_item, null);
        holder = new viewHolder();

        holder.ivImage = (ImageView) convertView.findViewById(R.id.ivImage);

        RelativeLayout.LayoutParams ivLPI;
        if (isGrid) {
            ivLPI = new RelativeLayout.LayoutParams(imageSize, imageSize);
            ivLPI.addRule(RelativeLayout.ALIGN_PARENT_TOP, 1);
            ivLPI.addRule(RelativeLayout.ALIGN_PARENT_RIGHT, 1);
            ivLPI.addRule(RelativeLayout.ALIGN_PARENT_LEFT, 1);
        } else {
            ivLPI = new RelativeLayout.LayoutParams(Utils.convertDpToPx(context, 120), Utils.convertDpToPx(context, 120));
            ivLPI.addRule(RelativeLayout.ALIGN_PARENT_TOP, 1);
            ivLPI.addRule(RelativeLayout.ALIGN_PARENT_RIGHT, 1);
        }
        holder.ivImage.setLayoutParams(ivLPI);

        convertView.setTag(holder);

    } else {
        holder = (viewHolder) convertView.getTag();
    }

    DisplayImageOptions defaultOptions = new DisplayImageOptions.Builder()
            .delayBeforeLoading(0)
            .resetViewBeforeLoading(true)
            .cacheInMemory(true)
            .cacheOnDisk(true)
            .bitmapConfig(Bitmap.Config.RGB_565)
            .imageScaleType(ImageScaleType.EXACTLY)
            .build();

    ImageLoaderConfiguration config = new ImageLoaderConfiguration.Builder(context)
            .denyCacheImageMultipleSizesInMemory()
            .defaultDisplayImageOptions(defaultOptions)
            .diskCacheExtraOptions(480, 320, null)
            .threadPoolSize(10)
            .build();

    ImageLoader.getInstance().init(config);

    final ProgressBar spinner = (ProgressBar) convertView.findViewById(R.id.spinner);

    ImageLoader imageLoader = ImageLoader.getInstance();
    imageLoader.displayImage(data.get(position).getThumbURL(), holder.ivImage, new ImageLoadingListener() {

        @Override
        public void onLoadingStarted(String s, View view) {
            spinner.setVisibility(View.VISIBLE);
        }

        @Override
        public void onLoadingFailed(String s, View view, FailReason failReason) {
            spinner.setVisibility(View.GONE);
        }

        @Override
        public void onLoadingComplete(String s, View view, Bitmap bitmap) {
            spinner.setVisibility(View.GONE);
        }

        @Override
        public void onLoadingCancelled(String s, View view) {

            spinner.setVisibility(View.GONE);
        }
    });
    return convertView;
}

A: From your code i see that your DisplayImageOptions and ImageLoaderConfiguration is not changing at all than why you creating it every time.
so put that two object and ImageLoader imageLoader = ImageLoader.getInstance(); in onCreate(). It will solve your problem.

redpajama_set_name: RedPajamaStackExchange


DIVINITY COMPROMISED: Progressive power metal from Chicago. Unfortunately, I arrived too late to catch them, but the word is that they sounded great. I noticed several fans carrying around new copies of their 2013 debut CD A World Torn – it's definitely worth a listen.
VINDICATOR: Four-piece modern retro-thrash band from Cleveland. This was their last night on the tour, and they played an energetic set of songs in what I describe as a hybrid METALLICA/MEGADETH style with a technical edge. Check out these "Bastards of Noise and Aggression" on their latest release, United We Fall (2012).
SEVEN WITCHES: Solid performance from the respected New Jersey power/classic metal veterans, featuring bandleader and guitarist Jack Frost. Michael LePond of SYMPHONY X was in the bass slotand reported that he was helping out for the first ten dates until bassist Ronnie Parkes could join the tour. New vocalist Johnny Kelly is a good fit, and their set featured several tunes from their 2013 CD, Rebirth, including "Claustrophobic". The anthemic "Metal Tyrant" was a definite highlight.
VICIOUS RUMORS: The American power metal legends were in fine form, and blazed through an excellent cross-section of their classic tracks, focusing heavily on the first four discs. The set list included opener "Digital Dictators", along with "Soldiers of the Night", "Lady Took a Chance", and "Don't Wait for Me". VR also touched upon their last two releases featuring vocalist Brian Allen with renditions of "Murderball" and "I Am the Gun".
Check out a video clip of "Digital Dictators"
The entire band was rock solid, but the stars of the show were drummer Larry Howe (incredible groove, taste and chops) and 21-year-old Dutch vocalist Nick Holleman. For most VR fans, Carl Albert was their definitive frontman, and is arguably one of the greatest American power metal vocalists. Carl had an amazing range, with a voice tonally reminiscent of both Geoff Tate and Ronnie James Dio. This probably sounds like an odd combination, but he had the balls and power of RJD, with the ever-so-slightlyhigher upper range of Tate. Keep in mind that this is all academic, because no matter how you describe him, he was a monster.
Nick covered the all of the material amazingly well – particularly the Carl Albert era – and nailed the melodies with all of the energy and abandon that you could imagine from a young metal singer trying to make his mark. His tone tended more towards the Tate/Midnight (CRIMSON GLORY) end of the spectrum, but I don't think you could have asked for anyone to step in and do a better job.
Unfortunately, this gig is also the one that made Brian Allen aware of the U.S. tour and replacement singer. No matter how things eventually play out, I feel that he helped put VICIOUS RUMORS on the upswing and to add two worthy CDs to their catalog.
Finally, hats off to Tim "Ripper" Owens and his partner for putting together an upscale sports bar/concert venue. They are still working out some of the kinks, but it's in a nice location right off the highway and is perfect for local and smaller national shows. Also, the food was great – try the sauerkraut balls and K.K. Downing cheesesteak!


"Goodbye, Perfect" is the third stand-alone novel from Sara Barnard. Her two previous novels have been very popular in the blogging world, and I have heard plenty of praise for her style of writing. I happened to see a copy of her latest offering in my local library, and even though I have a huge stack of books at home to read, I just couldn't resist picking it up. If I'm totally honest, I mostly picked it up because of the beautiful cover, I didn't actually know anything about the book before I started reading it, but as soon as I finished it I quickly purchased another book by Sara straight away. I think this gives a little bit of an insight into what I thought of "Goodbye, Perfect" and I am hoping to love her other novels as much as I loved this one.
Please note that this is a spoiler free review, where I don't reveal key twists in the plot, but I do discuss individual characters and their subplots. I try not to reveal anything that I would want to discover myself on the first read, and that isn't found on the back cover.
"When I was wild, you were steady . . . Now you are wild - what am I?"
As someone who mostly reads Science Fiction/Fantasy, Thriller and Non-Fiction titles, I like to mix it up sometimes with something a little bit lighter. If I'm in a reading slump, I like to reach for a romance or contemporary book that is easier to read, and doesn't have a whole new world to learn about. Sometimes having made up character names and worlds can be just a bit too much for me, and in order to get back into reading, I want a book that doesn't take too long to read, and isn't very complicated.
"Goodbye, Perfect" was exactly what I needed. A nice light read that was easy to follow and wasn't too fast paced.
The plot of "Goodbye, Perfect" was very easy to follow, and with only a handful of main characters in the book, it was easy to remember who was who. The two main characters have been best friends since they were eight years old, and although they are both very different people, Eden and Bonnie have built a friendship based on trust and loyalty. At first glance, you would expect Eden to be the one to run just before her exams. Eden isn't very good at the academic stuff and prefers to spend her time working on her section of her family's garden. However, it is Bonnie, the A grade, flute playing student, who runs off with a boyfriend that no-one knew existed.
The book is written from Eden's point of view after Bonnie leaves, and is really Eden's story as opposed to Bonnie's.
The two main characters in this novel are Eden and Bonnie. The focus is never really on Bonnie's boyfriend, it is more about the relationship between the two friends. I found that I could relate to Eden, even though she doesn't seem like a likeable character. I could see how she wanted to stay loyal to Bonnie and not tell on her. She has always thought that Bonnie is the one person who truly understands her, and she doesn't want that relationship to break down. Eden has a difficult time building relationships, so protecting her friendship with Bonnie is one of the most important things to her.
The novel also features two other main characters, Connor and Valerie. Connor is Eden's boyfriend and is one of the nicest and most genuine characters I have come across in a novel. You can tell how much Eden means to him, and that he will do anything to protect her. He is selfless and family is very important to him. He may not understand Eden's choices, but he will stand by her no matter what.
My favourite character in terms of development is Valerie. Valerie is Eden's older sister, but they have never really built a solid relationship. Valerie is more like Bonnie in the sense that she is very academic, and appears to be perfect. We find out towards the end of the novel that she isn't as perfect as Eden believes her to be. Eden pushes Valerie away throughout the book, but she continues to try and build a relationship with her. Seeing how loyal she is to Eden is heart warming, and shows how Bonnie isn't as loyal to Eden as she would like to think. I love how in the end Valerie becomes someone that Eden can talk to about things she hasn't even talked to Bonnie or Connor about. It's a truly beautiful transformation.
"Goodbye, Perfect" is a nice light read with a medium pace. Although it is not packed full of action, the subplots keeps the story flowing. The focus on family dynamics and how they change during stressful situations is done extremely well, and it was great to see such a range of family backgrounds. The use of text messaging and newspaper articles helped me to feel like I was more involved with the storyline, and was seeing events unfold in real time.
"Goodbye, Perfect" was the perfect first novel for me to read from Sara Barnard and I'm excited to read more from her. I enjoyed the character building within this book, and feel that the little insights into each character made this book more personal. I do think that relating to Eden depends on your own situation and background, so I can understand why some people may think it is too slow, or that Eden is wrong for not telling on Bonnie straight away. For me personally, I felt like every character was believable and I thought that the fact that the book was written from Eden's perspective made this book stand out from other contemporary books I have read in the past.
Great book review. Sounds like just the book I'm looking to read at the moment. Thank you.
Sounds great. I prefer non-fiction, but when it comes to fiction, I'm all for light novels like this one.


text:
Józef Władysław Krogulski (4 October 1815, in Tarnów, Poland – 9 January 1842, in Warsaw, Poland), was a Polish pianist, conductor, teacher, and composer. He first studied with his father,  (1789–1859), and later studied with Józef Elsner and Karol Kurpiński at the Warsaw Conservatory. His half brother had the same name (sometimes  instead) and lived from 1843 to 1934.

Selected works

Orchestral
 Overture in D minor (1831)
 Piano Concerto in E major (1830)
 Piano Concerto in B minor (1832)

Chamber
 Octet in D minor, Op. 6, for piano, two violins, viola, flute, clarinet, cello and double bass (circa 1832)
 Piano Quartet, Op. 2 (1835)
 String Quartet

Piano
 Piano Sonata (1829)
 La Bella Cracoviena
 Mazurka in D major
 Mazurka in E minor (a la Chopin)

Song
 Last Goodbye
 Let us praise the Lord
 Mazur of the recent past
 Lullaby for eternal sleep
 Elegy Spirit
 Coquette
 God, how stupid it is

Choral
 Requiem
 There are ten Polish masses for two to four voices
 Caravan in the Arabian Desert cantata for choir and orchestra
 Miserere cantata for soloists, choir and orchestra
 Passion oratorio for Good Friday
 Angus Dei for three bass voices
 Carol for male choir and organ

Opera
 Oh, my little wife

References

External links

 Scores by Józef Władysław Krogulski in digital library Polona

1815 births
1842 deaths
Male classical pianists
People from Tarnów
Polish classical composers
Polish classical pianists
Polish male classical composers
19th-century male musicians

redpajama_set_name: RedPajamaWikipedia


text:
Stephen Moylan
An American patriot and merchant, born in Ireland in 1734; died at Philadelphia, 11 April, 1811. He received his education in Ireland, but resided for some time in England, and seems to have travelled considerably on the Continent before emigrating to the American Colonies where he settled in the city of Philadelphia. He gave his hearty support to the patriot cause on the eve of the Revolution, and, when war was finally declared, hurried to join the Continental Army before Boston in 1775. The readiness of his patriotic zeal, coupled with a belief in his business acumen, won him the recognition of John Dickinson, upon whose recommendation he was placed in the commissariat department. Attracted by his unusual dignity of bearing and military manner, Washington, in March, 1776, appointed him one of his aides-de-camp. Restless to exploit his energies in a field of wider activity, he was chosen by Congress, upon Washington's recommendation, in June of the same year to be Commissary General of the Continental Army. Restless again, seemingly, for a more direct participation in the conflict, he resigned this position in the following October, raising at once a troop of light dragoons, the First Pennsylvania regiment of cavalry, of which he was colonel. With this troop he served at Valley Forge, through the dismal winter of 1777-8, at the battle of Germantown, on the Hudson River, and in Connecticut, with Wayne in Pennsylvania, and rounded out the full measure of his service with General Greene in his southern campaign at the close of the war. In acknowledgment of his indefatigable energy and bravery, before the war closed, in 1782, he was brevetted brigadier-general. After the successful termination of the war he quietly resumed his mercantile pursuits in Philadelphia. In 1792 he was Register and Recorder of Chester County, Penn., and was Commissioner of Loans of Pennsylvania for a few years before his death. Duly allowing for the over excitability of the times, the eulogy of a fellow patriot quoted by Irving (Life of Washington, 111, ch. 30) remains a no uncertain estimate of esteem: "'There is not in the whole range of my friends, acquaintance, and I might add, in the universe ', exclaims Wilkinson, 'a man of more sublimated sentiment, or who combined with sound discretion a more punctilious sense of honour, than Colonel Moylan'." General Moylan was one of the organizers of the Friendly Sons of St. Patrick in Philadelphia in 1771, and was its first president. One of his brothers became Bishop of Cork, Ireland (see FRANCIS MOYLAN ), and another, John, acted during the war as United States Clothier General.
14 Karat Gold Filled 4mm Topaz Swarovski Rosary Bracelet
Round Lapis Sterling Silver Rosary
Israelites (Ancient History) Classes
St. Catherine of Alexandria Classes


text:
Faces Drawn Onto Maps by Ed Fairburn
Ed Fairburn is a self-described painter, scribbler, maker and thinker. The artist says most of his work is figurative and can be found on a variety of surfaces and contexts. In the series below, the Sifter explores Fairburn's map portraits where faces are drawn onto actual maps as they emerge from the chaotic lines of roads and paths.
Fairborn's work has been exhibited internationally and he holds a collection of original works and prints that are available for purchase. He can also be contacted for commissioned pieces. For more, visit him on his official site or check him out on Facebook.
[via Colossal]
Artwork by Ed Fairburn
Ed Fairburn: Official Site | Facebook
Haunting 3D Images Projected Onto Trees
Awesome Splatter Portraits by Hua Tunan
Shadowy Faces Made from Strainers
art · drawing · portraits


This property is a unique land ownership opportunity. Whether you are an investor, developer, or someone looking to build their own home. This property is 2.27 acres of residentially zoned land near a nice development and a large solar farm. There are also nice mountain views from the property. For More Information Please Contact The Seller At 949-424-9068.


Thousands of protesters gathered at the tree-lighting ceremony at Boston Common on Thursday before fanning out across the city, assembling amid the festivities to register their outrage over a New York grand jury's decision not to indict a white police officer in the choking death of an unarmed black man.
Protesters blocked traffic in several locations across the city and disrupted MBTA service, but the demonstrations remained largely peaceful. At least 10 protesters were arrested by State Police and Boston police, spokesmen said.
The demonstration came a week after 1,400 protested in Boston following a similarly controversial grand jury decision in Missouri, where a white police officer was not charged in the shooting death of an unarmed black teenager.
Protests took shape Thursday afternoon, and grew as the city's holiday kick-off event continued at Boston Common — an unusual juxtaposition with the normally cheery annual celebration.
Thousands protested the chokehold death of Eric Garner at Boston's annual tree lighting ceremony.
The protesters were largely ignored by the spectators, as well as by Canadian dignitaries who were escorts for the huge tree that graces the Common every year. Addressing the crowd during the tree-lighting ceremony, the mayor of Halifax, Mike Savage, shouted over protesters chanting "Hands up! Don't shoot," which has become an anthem in the wake of the unrest in Ferguson, Mo., that followed the shooting death of 18-year-old Michel Brown.
By the time the tree's lights went on shortly before 8 p.m., hundreds of protesters were marching toward the State House, where three were arrested as a crowd surged into a State Police line. Boston Mayor Martin J. Walsh made no mention of the protest just up the hill.
"Thank you to everyone who came out to celebrate tonight," said Walsh, as the crowd roared with delight.
During the course of the next few hours, overlapping chants cascaded through streets from Beacon Hill to the Bulfinch Triangle, along the North End's edge and into Charlestown and Cambridge. Marchers periodically stopped to sit or lie down in the street — "die-ins," mimicking deaths like Garner's — then rose with their hands in the air.
Some groups diverged from the main march only to rejoin a few blocks later. One group, thousands strong, attempted to get on Interstate 93 near the Leonard P. Zakim Bunker Hill Memorial Bridge but was thwarted by police. Protesters paused near Leverett Circle, staged a die-in near the Zakim Bridge, and marched into Charlestown and Cambridge, closing off traffic at several points.
Wherever they went, police in bright yellow jackets lined the route. Confrontations between protesters and police were few, as some marchers held their signs up to officers' faces, and another group carried mirrors — "for the cops, so they can see what they look like on the wrong side," said Becca Chapman.
None of the officers said anything to her, Chapman said; they mostly adjusted their hats.
As the protests gained steam Thursday, Boston Police Superintendent in Chief William Gross said officers planned to handle the latest round of unrest with the same "soft approach" with which police engaged demonstrators last week.
Gross said he had spoken with some of the protesters, and understood their frustration with the failure to indict in the New York case on Wednesday. He said he supported their right to protest and was glad to see that so far it had been peaceful.
Shortly after 9 p.m., more than 200 demonstrators rushed onto the highway off-ramp located near the intersection of Kneeland Street and Atlantic Avenue, stopping traffic on Interstate 90 for several minutes.
Virtually all of the demonstrators voluntarily walked back off the ramp, and were followed down by State Police, who reported one arrest there for disorderly conduct.
Colonel Timothy P. Alben, commander of the State Police, credited the protesters and troopers in a statement.
Among the early demonstrators on the Common was Peggy Murphy, 63, of Brockton, who wore a pin with a picture of her grandson, D.J. Henry, a black college football player from Easton who was fatally shot by a white police officer in New York state in 2010.
She noted that the officer who shot her grandson was named officer of the year by his union after the killing. A grand jury in New York declined to bring charges, but a federal inquiry is ongoing.
"We pray every day that everyone might come to see the truth," Murphy said.
The New York and Ferguson cases — and a litany of cases from Henry's back through decades before — have fueled a heated debate about policing in minority communities.
Garner's death in Staten Island in July was captured on video, and the decision not to indict Daniel Pantaleo, the officer seen administering the fatal chokehold, reignited demonstrations in several still-seething cities such as New York, Chicago, and Washington, D.C.
To many, the decision not to indict Pantaleo mirrored a St. Louis County grand jury's decision — barely a week before — not to indict Darren Wilson, the officer who fatally shot Brown.
Pina said that when he heard the news that the officer who choked Garner was not indicted, "I felt sick to my stomach.
Martin Finucane of the Globe staff and Globe correspondent Kiera Blessing contributed to this report. Nestor Ramos can be reached at Nestor.Ramos@globe.com. Travis Andersen can be reached at travis.andersen@globe.com, Evan Allen can be reached at evan.allen@globe.com, and Jeremy C. Fox can be reached atjeremy.fox@globe.com.


text:
Applause! Applause! Review of Ben Rimalower's Bad With Money at The Duplex Cabaret Theatre by Dr. Thomas Robert Stevens
This review of Ben Rimalower's Bad With Money at The Duplex Cabaret Theatre was written by Dr. Thomas Robert Stevens and published in Volume X, Issue 5 (2015) of the online edition of Applause! Applause!
Bad With Money
Written & Performed by Ben Rimalower
Directed by Aaron Mark
The Duplex Cabaret Theatre
61 Christopher Street
Ben Rimalower opened the show singing that little ditty, "I'd Like To Hate Myself In The Morning," first performed by Judy Garland in the final stretch of her life. John Meyer wrote a memoir called Heartbreaker about his relationship with Garland, how when he met her, she was homeless, couch-surfing, desperate for the 200 bucks he could get her to sing at a piano bar, dependent on the kindness of strangers just for a glass of gin to calm the DTs (i.e. the shakes). Ben said, "I've always related to Judy Garland as a fellow alcoholic. Even before I acknowledged my own problem, before I came out - if you will - I identified with a sort of glamorized Rat Pack image of Judy throwing back a highball. I've been a Garland fan all my life, but what I learned reading Heartbreaker was that another enormous problem Judy faced was colossal, crippling debt. There is nothing glamorous about Judy's debilitating financial problems. I never wanted to identify with that aspect of Judy Garland. And yet here we are."
During this one-hour, one-man show, Ben candidly reveals his addiction to spending beyond his means and how that led him to betray friends, embezzle money, steal items from places where he worked, engage in prostitution, and eventually to committing grand larceny by charging over $10,000 on his boss's credit card. As he accurately described the pleasure-pain ratio associated with the addiction, he makes one "questionable decision at the cash register" but even though he doesn't have the money to pay the credit card bill, he still gets to keep the stuff he bought. Similarly, he might get a call from the salon when his check bounces, but his "hair is still cut." Instant gratification without consequences, thanks to those who have enabled his addiction over the years. First on the list of enablers are his parents who continued to bail him out, and second are his boss and business partners who didn't press charges against him. He also got lucky by not getting arrested as a prostitute or for smoking and possessing crystal meth. The result has been that Ben Rimalower is still struggling with his addiction. As he says near the end of his monologue, "I'm just vomiting up war stories. I'm standing here telling you this story but I'm still stuck in it."
More tragedy than comedy, Ben reveals that as kid, his grandparents learned they could keep him quiet by simply buying him things. When he spent the $300.00 his friends gave him for the rental of the limousine for their prom, his parents bailed him out. They suggested he get a job, which he did, at a record company, but when his employer mentioned he could take a CD or two gratis, he ended up filling his car multiple times over with CDs he stole from the company's storage room. He recognized his family was not poor but "even though they were able to squeak through the gates, they couldn't keep up." He "never had enough money" to spend the way his friends did at the mall. He attended the University of California at Berkeley in 1994 and accepted a credit card with an $800.00 limit so he "could build his credit score." His plan was to buy a $37.00 dinner to celebrate getting the card plus a $13.00 CD and to then pay it off by the end of the billing cycle. Within months, he maxed out the card and when they raised his credit limit to $1,000.00, he used that too. When his parents found out, they paid that bill as well. In Junior year, he found out that his friend Tim's parents would pay for a trip to Europe for him and his boyfriend, so he proceeded to climb on top of Tim to bring their friendship to the next level. The audience laughed and Ben said that Tim "thought it was funny too." Ben always is keeping an eye out for "a good story" he can "one day include in his one woman show."
Without money, Ben next considered prostitution. He called an Escort Agency and wanted to make sure they were not legitimate, so he asked whether they would expect him to sleep with the clients. They responded, "prostitution is illegal in the state of California but if our clients want to walk around the block, we expect our employees to walk them around the block." However, when he went in for an interview, they told him they wanted more of a "frat boy" look than a "drama major" look so he decided to go out on the street and simply be a prostitute without going through an escort service. He went out to Polk Street in San Francisco but soon realized he had overestimated the price he could get for what he was willing to give. He expected to be paid $100.00 for a hand job while johns were willing to pay him $40.00 for anal sex. He met an eclectic mix of people during his time as a hustler. A rich guy gave him $300.00 plus $50,00 for transportation just to help him out. Another gave him $40.00 for oral sex and two Japanese dudes invited him to participate in a party that lasted almost two days. Ben told everyone he was a prostitute but even when doing so, he always felt he still had a secret, namely, that it was true since many would have questioned whether he had the build or looks to be an effective and successful rent-boy.
After the two-day sex and drug party, Ben Rimalower decided to go straight and become a nice Jewish boy again but he still had no money so he decided to cash in the IBM stock he got as gifts at his bris. It came to $10,000.00, which he deposited into a fund with Charles Schwab. Within a short time, he not only used the entire $10,000.00 but somehow ended up owing Charles Schwab an additional $1,200.00. After graduation, he finally got a job paying $650.00 a week but after using the money to pay back debts, get hundred dollar haircuts, buy Broadway theater tickets and dinners, he always ended up with no money by the end of each week. His boss had given him a credit card to buy items he was instructed to purchase but he started using it for dinner, Kiss Me, Kate tickets and splurges at Banana Republic. He rationalized it at first by saying that he could explain away the first wrong charge by saying that both his credit card and employer's card were blue and that he made a mistake, but that excuse was completely blown away after Ben charged over $10,000.00 on the card. When caught, the boss didn't press charges and simply fired him.
When Ben and two friends produced Joy at the Actor's Playhouse, he started embezzling small amounts of money from the fund of investors returning some of it but ultimately taking $1,500.00. This destroyed the trust of his friends and hurt their chances of attracting other investors. His friends interpreted his actions as his giving them "a big fuck you" which made them "sad rather than angry." It didn't stop there. He bounced a check when producing his own cabaret show and in 2010, he got a $5,000.00 bonus only to find that weeks later he had minus $600.00 in his checking account and he still hadn't paid his rent or his monthly bills. Recognizing nothing would get better until he was sober, he contacted his parents about entering rehab at Hazelton. Insurance brought the $28,000.00 bill down to $17,000.00, which his parents paid. They addressed his alcohol and drug addictions but not his problems with spending money. He eventually realized that even rehab was just another scheme, wherein he hoped to reinvent himself, which is not possible since there is no getting away from money. Alcohol and drugs are easy to stop in comparison but the underlying needs and addictions to "stuff" is something you can't abandon cold turkey. Even therapy hasn't helped him.
Ben eventually reveals he is not drinking anymore and that he is not stealing anymore. However, he put this show together in the hope of putting it all behind him but none of his big schemes to solve everything has worked. His whole life is still unmanageable and he recognizes that even if he won one hundred million dollars in a lottery, he'd spend it in a year and, if he started drinking again, it would be gone in six months. He finally confesses he "always saw himself as an emerging talent," but that what he really is "is a criminal lucky to have lived such a privileged life." He ends the show as if he is introducing himself at a Debtors Anonymous meeting, saying, "My name is Ben and I'm Bad With Money."
Bad With Money opened at The Duplex Cabaret Theatre on September 4, 2014. It was developed within the Theaterists Group for Writers at The Public Theater and was named The Advocate's #1 Solo Show of 2014. Ben Rimalower continues to perform this play around the world. It is not a particularly funny show because Ben has chosen to reveal some of the darkest and most embarrassing aspects of his private life. There is nothing funny about stealing, embezzling and betraying those who love and have trusted you. He shares his struggles with addiction in all its forms and doesn't hold back from telling the audience exactly how it was and how it is. But Ben never gives us any indication he is taking the steps necessary to deal with his problem. Has he destroyed all his credit cards? Has he told his friends and parents not to lend him any money, even if he asks? Has he cut his ATM cards in half so he has to withdraw money physically from his checking account? Has he limited the amount of money he withdraws? Is he keeping track of all his income and expenditures, placing himself on a short leash? We never hear any of those steps so we are left without an indication as to how his story will end. Will he one day get arrested for writing bad checks or for embezzling money in the future or will he finally get his act together? We just don't know but we do leave the show feeling he should have accepted responsibility for his actions many years ago. Ben Rimalower is just terrific in Bad With Money. He shares his soul with the audience and holds nothing back.
You can learn more about Ben Rimalower on his website at www.BenRimalower.com or by following him @benrimalower on Twitter. He is also on Facebook, Instragram, and YouTube.
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There've been rumblings in the last couple months that James Cameron would come back to The Terminator, the series he launched in 1984, and participate in a new sequel (the fifth to date) some time in the near future. Then it was confirmed that Cameron and Deadpool director Tim Miller were collaborating on this Terminator 6, and that both Arnold Schwarzenegger and Linda Hamilton would both return to appear in the film and pass off the baton to a new generation of stars.
[Miller and Cameron] assembled a writers room with scribes David Goyer, Charles Eglee, Josh Friedman and Justin Rhodes as well as [producer David] Ellison, a lifelong Terminator fan (Cameron himself shows up once a week), and have crafted what they want to be a trilogy with Schwarzenegger, 70, and original star Linda Hamilton, 62, passing the torch to a young female lead.
Which is what Terminator Genisys did, and that worked out perfectly well! Genisys was also supposed to be the first movie of a trilogy. Not so much. But if Terminator has taught us anything, it's that history repeats itself over and over until the machines rise and destroy us all.


text:
Powerful Principles In Personal Growth
Rabbi Eliyahu Dworetzky
Power Points! is more than a book — it's a program.
It's a step-by-step path toward personal growth.
It makes you think and provides paradigm shifts.
It relays interesting stories that demonstrate its principles.
It's written in a "talking to you" style.
It's fresh, real, and relevant.
It's engaging and interesting.
It's broken into small pieces to make it an easy read.
Who says you can't grow and enjoy it at the same time?
"Rabbi Eliyahu Dworetsky's fresh and engaging book presents principles of personal growth that are relatable to people of all backgrounds and interests. I believe that this volume will be a tremendous tool for integrating Torah hashkafah into practical, everyday living."
Rabbi Yaakov Bender
Rabbi Eliyahu Dworetsky is a well-known mechanech whose fresh perspectives on personal growth and empowerment have been implemented by people of all backgrounds and interests. Rabbi Dworetsky's energetic and engaging speaking style has inspired his audiences to actualize themselves and integrate Torah principles into their daily living.
Rabbi Dworetsky can be reached at RabbiDworetsky@gmail.com.
Mosaica Press
1.250000 lbs.


One factor that each house owner should know somewhat bit about is roofing. The actual fact of the matter is, your roof plays a vital function within the wellbeing of your complete residence. Not solely does it defend you and your loved ones from the weather, it additionally helps defend the remainder of your own home as nicely. Under are some vital suggestions as regards to roofing. Read on and study.
Ask your roofer about putting in architectural shingles on your own home or carport. Whereas this type of shingle prices greater than conventional shingles, they are more engaging. Architectural shingles have the identical sturdiness and high quality as common shingles, however are additionally obtainable in additional colours, textures and thicknesses. They aren't a must-have, but the distinction is noticeable.
When you are a homeowner, it is in your fingers to handle your home. Whether or not it comes to preventative maintenance or insuring that your own home is protected, you have to make one of the best choices for you and your loved ones. Keep in mind the tips within the following article in terms of all aspects of your own home. For those who decide to hire contractors to install your roof, just remember to stay protected. Maintain young kids and pets inside so that they can't be injured by falling particles. Mark the sprinklers and take away any furnishings or garden ornaments to avoid injury. Also, warn your neighbors about the noise from the set up beforehand.
Ask your folks for advice concerning your roof.
You should take the time to consider how your garden's landscape affects the integrity of your roof. The largest subject for roofs tends to be massive timber. Previous timber can have very old and brittle branches that may lead to a substantial amount of injury once they come down. To stop this it's best to be sure you hold an excellent eye on the growth of any bushes surrounding your property.
Be sure to set up a ridge vent into your roof so as to prevent dry rot from occurring. Opposite to in style perception, dry rot shouldn't be attributable to water harm, however reasonably a scarcity of air flow. Putting in a ridge vent will ensure that your roof is correctly ventilated throughout the year. Earlier than putting in your new shingles, examine them thoroughly for any damage or defects. Quite a lot of leaks come from just putting in the roof because shingles are cracked or nails aren't the proper size. It is advisable make sure that your shingles are good and powerful and with out cracks, and be sure you are utilizing the suitable nails.
If a roofer is making your really feel uncomfortable with a gross sales pitch, politely decline. A few of them will do no matter it takes to get your signature on a contract. This is by no means a great sign for the buyer, so cease them long earlier than you get to that point. When hiring a roofer, don't let cost be your only consideration. When you want to avoid paying an excessive amount of, you additionally need to make sure that you do not skimp on other things that are as important. Ensure you get estimates from just a few completely different contractors and know what's included in each quote.
When you have paid to have new shingles installed on your roof, just remember to get what you've got contracted for. There are a lot of unscrupulous roofers that may attempt to place older materials in your roof in order to have a bit of extra cash of their pockets in the long run. Roofing supplies are available in many engaging colours. In case you are considering a brand new roof to your residence however aren't positive which color to decide on, ask the salesman for recommendation. Dark colors will appeal to heat, and that may very well be a problem if you dwell in a warm climate. Impartial colors are often a better option.
Clay does not do effectively in moist climates and might harm a roof pretty rapidly. As all the time, in the event you aren't sure, then it is best to ask.


text:
Cinosura (en grec antic Κυνόσουρα cua de gos), va ser segons la mitologia grega una nimfa de l'illa de Creta.

Hi ha tradicions que diuen que aquesta nimfa va criar Zeus acabat de néixer, juntament amb la nimfa Hèlice, a l'illa de Creta. Cronos les va perseguir a totes dues i Zeus, per salvar-les, les va transformar en dues constel·lacions, l'Ossa Major i l'Ossa Menor, i Zeus va adoptar la forma de la constel·lació del Dragó.

Cinosura va deixar el seu nom a un lloc de Creta proper a la ciutat d'Histiea.

Referències

Nimfes de la mitologia grega


text:
Hotels near City Hall
The Beekman, a Thompson Hotel
123 Nassau Street, 10038 New York, United States
New York, 180 m from City Hall 123 Nassau Street See on map
With a stay at The Beekman, A Thompson Hotel, you'll be centrally located in Manhattan, steps from Pace University and minutes from...
Churchill Suites Downtown
15 Park Row,, 10038 New York, United States
New York, 230 m from City Hall 15 Park Row, See on map
Located near Chinatown, South Street Seaport, Wall Street and the New York Stock Exchange, and the World Financial Center. City Hall Park...
Four Seasons Hotel New York Downtown
27 Barclay Street, NY 10007 New York, United States
New York, 261 m from City Hall 27 Barclay Street See on map
One of NYC's tallest residential towers, the Hotel soars above a neighbourhood that's rewriting itself daily. Diverse. Inspiring....
Aloft Manhattan Downtown
Ann Street 49-53, 10038 New York, United States
New York, 287 m from City Hall Ann Street 49-53 See on map
With a stay at Aloft Manhattan Downtown - Financial District, you'll be centrally located in New York, steps from Pace University and St....
Duane Street
Duane Street, 130, 10013 New York, United States
New York, 385 m from City Hall Duane Street, 130 See on map
Breakfast is available at this property. This is a traditional building. The hotel has a small lobby. At the Duane Street Hotel iPads...
The Frederick Hotel
95, West Broadway, Tribeca, 10007 New York, United States
New York, 400 m from City Hall 95, West Broadway, Tribeca See on map
Affordable, charming with plenty of amenities, the Cosmopolitan Hotel is sure to make you feel right at home
Millennium Hilton New York Downtown
55 Church Street, 10007 New York, United States
New York, 405 m from City Hall 55 Church Street See on map
The Millenium Hilton New York Downtown, located in lower Manhattan, features a business and fitness center. It is within 492 feet of the...
Holiday Inn Wall Street
51 Nassau Street, 10038 New York, United States
New York, 473 m from City Hall 51 Nassau Street See on map
This New York City hotel is a 2-minute walk from Wall Street Subway Station and 1148 feet from New York Stock Exchange on Wall Street....
Residence Inn New York Manhattan World Trade Center Area
170 Broadway, Wall Street, 10007 New York, United States
New York, 485 m from City Hall 170 Broadway, Wall Street See on map
With a stay at Residence Inn Marriott New York Downtown Manhattan/WTC Area, you'll be centrally located in New York, steps from Federal...
Hampton Inn Manhattan Seaport Financial District
320 Pearl Street, 10038 New York, United States
New York, 545 m from City Hall 320 Pearl Street See on map
Be impressed with dynamic service and local major attractions as a guest of Hampton Inn
Aka Wall Street
William Street, 84, 10038 New York, United States
New York, 550 m from City Hall William Street, 84 See on map
With a stay at AKA Wall Street in Manhattan, you'll be minutes from Federal Reserve Bank of New York and New York Stock Exchange....
Gild Hall
15 Gold Street, 10038 New York, United States
New York, 552 m from City Hall 15 Gold Street See on map
Located on historic Gold Street in Manhattan's Financial District, this hotel is 2 blocks from the Fulton Street Subway Station. It...
Four Points by Sheraton New York Downtown
6 Platt Street, Wall Street, Distrito financiero, 10038 New York, United States
New York, 606 m from City Hall 6 Platt Street, Wall Street, Distrito financiero See on map
Four Points by Sheraton New York Downtown is located in the heart of Manhattan's Financial District, near the Federal Reserve Bank of New...
Hotel Mulberry
52 Mulberry Street, 10013 New York, United States
New York, 614 m from City Hall 52 Mulberry Street See on map
Property Location With a stay at Hotel Mulberry, you'll be centrally located in New York, steps from Museum of Chinese in Americas and...
Hotel Mr. C Seaport
Peck Slip, 33, NY 10038 New York, United States
New York, 661 m from City Hall Peck Slip, 33 See on map
The well-appointed rooms at this New York City hotel offer a 32-inch flat screen TV, cable or satellite television, in-room movies,...
Radisson Hotel New York Wall Street
52 William Street, 10005 New York, United States
New York, 705 m from City Hall 52 William Street See on map
With a stay at Club Quarters Hotel, Wall Street, you'll be centrally located in New York, steps from Museum of American Finance and...
Lyric at 70 Pine
Pine Street 70, 10005 New York, United States
New York, 711 m from City Hall Pine Street 70 See on map
With a stay at Q & A Residential Hotel in Manhattan (Financial District), you'll be minutes from Federal Reserve Bank of New York and New...
World Center Hotel
144 Washington St, 10006 New York, United States
New York, 718 m from City Hall 144 Washington St See on map
With a stay at World Center Hotel in New York (Wall Street - Financial District), you'll be minutes from The National September 11...
Club Quarters World Trade Center
With a stay at Club Quarters World Trade Center, you'll be centrally located in New York, steps from The National September 11 Memorial...
The Roxy Hotel Tribeca
2 Avenue of the Americas, 10013 New York, United States
New York, 744 m from City Hall 2 Avenue of the Americas See on map
This Tribeca hotel welcomes you with a complimentary glass of champagne on the weekends and offers free WiFi. Canal Street underground...
New York (1.3 km)
Chinatown (1.1 km)
Gramercy Park (3.3 km)
Greenwich Village (2.2 km)
Little Italy (1.4 km)
Destinia.com offers you the best rates at all hotels near City Hall. Click on any of the hotels on the left to reserve your stay


A video clip highlight reel from a San Antonio wedding. UIW Wedding video.
Here is a new clip of a quinceanera we produced in October of 2008. We shot this at the Corpus Christi Cathedral. This clip was edited and then shown at the recption held at the Omni that very same night.


text:
Silversea Luxury Cruises To JEDDAH
The principal gateway to Mecca, Jeddah's spiritual roots are very deep. Eve, the mother of mankind, is said to be buried in the city centre (although sceptics claim there is no actual proof), while archeological excavations in the old city suggest evidence of pre-Islam (700 BC) activity. Regrettably only scant vestiges of historical Jeddah remain, a reason why UNESCO deemed the city a World Heritage Site in 2014. View more
An interesting by product of Jeddah's location as major port on the Red Sea and proximity to Mecca (around 100 kms) is that Muslims from all over the world flock to the city. This has given Jeddah a very cosmopolitan feel, unlike other parts of Saudi Arabia. The 19th century Red Sea architecture is unique in its kind. Beach side, the city offers much. Jeddha's dive sites are among the best in the world while the laid-back approach is appealing to westerners. However, while the city might well be more open than other ports in the Kingdom, it is still Saudi Arabia and when in doubt, visitors – especially women – should err on the side of modesty when it comes to beach wear. Traditionally, the city is rich. The souk in the heart of the old town is, of course, a must see during your visit, offering everything from amazing architecture to bargains galore. The area is also home to the oldest mosque in Jeddah, built in the 17th century (but renovated in 2012). Local delicacies range from fabulously fresh seafood to the ubiquitous kebab, so foodies will have much to tease their palettes with.
An Introduction to Silversea Cruises
The romance of the seas, small ship sizes and intimate atmosphere, Silversea has long been a leader in the ultra-luxury market. Travelling to both iconic and secluded ports, Silversea's award-winning itineraries inspire wanderlust and exploration. With over 900 destinations, longer port stays and more late-night departures than ever before, even the savviest traveler will find something new. A butler for every suite, a complimentary in-suite bar stocked with your preferences, all-inclusive exquisite dining, award-winning onboard entertainment and an unparalleled space to guest ratio all contribute to the Silversea experience. Not forgetting our famed Italian hospitality, where new faces become old friends. Bienvenuti a bordo.
cruises visiting JEDDAH
ATHENS (Piraeus) To DUBAI
ATHENS (Piraeus) DAY AT SEA ALEXANDRIA DAY AT SEA SUEZ CANAL TRANSIT SAFAGA (Luxor) SAFAGA (Luxor) AQABA (Petra) DAY AT SEA JEDDAH JEDDAH DAY AT SEA DAY AT SEA DAY AT SEA DAY AT SEA MUSCAT DAY AT SEA DUBAI
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From US$ 7,560
MUMBAI To ATHENS (Piraeus)
MUMBAI DAY AT SEA DAY AT SEA MUSCAT DAY AT SEA DAY AT SEA DAY AT SEA DAY AT SEA JEDDAH DAY AT SEA Dhiba port AQABA (Petra) SAFAGA (Luxor) DAY AT SEA SUEZ CANAL TRANSIT ALEXANDRIA DAY AT SEA ATHENS (Piraeus)
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Excursions in JEDDAH
Al-Taif, a Glimpse of Saudi Country Side
This excursion will take you to Ta'if, city, Western Saudi Arabia. Lying at an elevation of 6,165 feet (1,879 metres) on a tableland southeast of Mecca, it is the country's principal summer resort.
Aerial Tramway, Ta'if City
A 30 minute drive from the pier will take you to the Aerial Tramway for the scenic ride to the Ramada Hotel for a refreshment break in Ta'if. The city owes its popularity to its many mountain resorts and moderate climate even during the harsh summers of Arabia. The origins of the name Ta'if are unclear, however, it is known that in the pre-Islamic Arabian age, Ta'if housed an idol of the goddess Lat, and was frequented by pilgrims, which could explain the name. Enjoy a stroll through the Old Town and market with your guide.
Rose Farm and Lunch
A stop is made at the Rose Farm. It takes approximately 15,000 rose heads to make one small bottle of rose oil. The rose oil at Ta'if is thought to be one of the best in the world. There are more than 900 rose farms in Ta'if which produce more than 300 million flowers every spring. The harvest is taken to factories across town and distilled into some of the world's most expensive rose oil and rose water. It is mixed into the perfumes of some of the luxury brands. Lunch will also be provided.
Al- Hada Mountain/Wadi
Identifying the mountain range leading to Mecca and the mountains of where Muslim believe that Adam met Eva (Mountain of Arafa) your guide will point out range but no visit is made to the holy site. Observe the wild Monkeys. There will be a photo stop at the Wadi, over -looking the Arafa Mountain with potential views to the peak of Mecca Tower.
Art & About with High Tea Experience at the Ritz Hotel
This excursion in Jeddah is a trip to the Art Galleries of Old Town Jeddah. A simple stroll around the streets of Jeddah in Saudi Arabia is enough to discover hundreds of art wonders in this open-air art gallery of a city. But, of course, the indoor galleries are on the rise too. The multicultural city of Jeddah is known for being the 'Art Capital of Saudi Arabia'. This urban post is a vantage point for the burgeoning creativity and traditional artistry that have not just endured but flourished. Jeddah on its own is an open-air gallery, with sculptures lining the corniche and the iconic roundabouts.
Rochan Gallery
Founded over 30 years ago, Rochan Fine Arts Gallery has built a reputation as a premier art space in the nation-featuring the work of contemporary artists from around the country. Tucked between high-end boutiques on Tahlia Street, Rochan Gallery shares its location with the nearby Athr Gallery, Jeddah Atelier, and The Saudi Center for Fine Arts. Some art spaces have permanent exhibitions that don't or only rarely change and others are conceived with the notion of a quick turnover and rapid exchanges with the public. Whatever your pace and style, there's something here for absolutely everyone.
Old Town - Hisham Binjabi Gallery
An Old house in the Old town converted to a Art Gallery studio, The culture of Saudi Arabia is shaped by its Islamic heritage, its historical role as an ancient trade center, and its Bedouin traditions. The Saudi society has experienced tremendous development over the past several decades and so has its art. A decade ago, the country had almost no galleries; now, Jeddah has several, each representing a coterie of artists. In his elegant manner, Hisham Binjabi portrays art as a mixture of depths and celestial elements that take the artist far from his present reality, into the world of pure expression. His stunning paintings have become the choice of Kings and his art and experience contributed to the art movement in the Kingdom.
Karamel Lounge
The elegant ambience and exquisite décor add to the lavish setting of the Karamel Lounge where you can relax and indulge in an appetizing array of crafted sandwiches, scones and pastries. Complimented with a unique tea & coffee experience.
Cultural Highlights of Jeddah
Exploring the Historical and majestic city of Jeddah with an expert during this full day Panoramic Sightseeing excursion.
Downtown Jeddah
Depart the pier to downtown Jeddah a short 30 minute drive. It is a unique tourist, residential and commercial destination on Jeddah's waterfront corniche. On arrival proceed to the Market for a guided and interactive stroll along the architecture and Project from the heart of Red Sea "Jeddah Downtown". The complete downtown area is a diverse location with Beach & Marina facilities, Business, Commercial and a shopping area, Cultural Social activities all of which are spread across 5 sq km.
Nassif House
After exploring the downtown area visit the Nassif House Museum which is a historical structure. The construction of Nassif House on old Jeddah's main street, Souq al-Alawi, began in 1872 and it was finished by 1881 for Omar Nasseef Efendi, a member of a wealthy merchant family and, governor of Jeddah at the time. When Abdulaziz Ibn Saud entered the city in December 1925, after the siege of Jeddah, he stayed in the Bayt Nasseef. During his early stays in the city he used it as his Royal residence and received guests there.
Jeddah Museum (Fine Arts Academy)
Next experience the historic Jeddah Museum (Fine Arts Academy) to retrace the steps of traders and pilgrims, who for centuries thronged the streets of this thriving city, infusing it with a vibrancy and immediacy that still endures today known as 'the Bride of the Red Sea'.
Floating Mosque
Al-Rahma mosque is a symbol on the architecture of the Islamic arts that intertwines between the modern touch and the past-it was the first of its kind in the whole world to be built over the surface of the sea more than three decades ago, and it still has its attractive circular shape and its outer domes which are a landmark lying on the Red Sea Coast. The mosque was built in 1985 on an area of about 2,400 square meters and can accommodate 2300 people of both sexes. It was designed and constructed with the use of the latest technologies, machinery, and equipment. Advanced sound and lighting systems were used with high technology. A photo stop is made and afterwards re-board the coach and commence the approximately 30-minute drive back to the Jeddah Port.
Exploring Jeddah, the Bride of the Dead Sea
Your full-day exploration of Jeddah begins with a stop at the lively Al-Alawi Souq, where you will be able to peruse the unusual wares offered for sale. The unique museum, a historic estate which dates to the 1850's. Passing Jeddah's other historical houses, you will arrive at the Fish Market for another glimpse into Authentic Saudi life. Exploring the Historical and antique museums of Jeddah.
Souq Al Alawi
Visiting this Souq is all about strolling through the narrow ways of Souq Al Alawi, getting lost in the vivid colours of the traditional garments and textiles and the enticing scents of the spices and herbs. Browse the countless stalls at the largest Souq in the country and go home with a real find in the form of jewellery or art. The atmosphere is especially cosmopolitan during the hajj season. Bargaining with merchants is encouraged, so never settle for the price listed on the tag. The market stalls cut into the heart of the old city and buzz with the activity of traders and pilgrims. Search long enough and you'll find genuine Arabian jewellery, Islamic art and traditional dress. After this we visit the Old City, will take you along all the lesser known must-see local spots. Historical houses provide a rare opportunity for you to experience the blend of traditional architecture with Old Market hidden gems, Old Jeddah with hidden galleries and local Jeddah food shops only for locals.
Jeddah Fish Market
Visit the fish market and whilst the smell is powerful, the insight into local culture is worth the stop. The market looks more like a warehouse area and is open after (early morning prayer) which is around 5 am. After the visit to fish market, we then travel to the Jeddah Corniche. Jeddah's waterfront has always been the city's biggest draw, but never more so than now, following a major revamp of the city's corniche and beaches. Rebranded as Jeddah Waterfront after a major redevelopment in 2017, Jeddah's vast Corniche now spans a 4.5-kilometre (2.8-mile) stretch of coastline on the Red Sea and covers a total area of 73 hectares (180 acres). After travelling along Jeddah's famous Corniche, you will arrive at the Floating Mosque before enjoying lunch at a local restaurant.
Al Rahma Mosque- Al Rahma mosque beckons gently from the northern tip of Jeddah's waterfront, a turquoise-domed structure built out across the Red Sea and anchored to the shore by a low-walled walkway. A local landmark, the structure is affectionately known as the 'floating mosque' for the white stilts that suspend it above the water's edge. At high tide, the mosque appears to hover serenely over the waves below. Visitors come to wander the mosque's open courtyard, and admire its marbled elegance. Over the years it has proved especially popular among Hajj and Umrah pilgrims, for whom Jeddah remains the gateway to the holy cities of Makkah and Medina. The final stop of the day will be at Al Tayebat International City. Built in the architectural style of old Jeddah, in the traditional Hijazi style, the beautiful building on its own is worth a visit. Inside the numerous buildings, visitors will find an extraordinary collection of exhibits ranging from Islamic manuscripts, tribal costumes and old coins to furniture, ancient pottery and much more. You will view their extensive collection before returning to Jeddah Seaport.
Jeddah Evening Desert Safari
This excursion in Jeddah is a trip to the Desert Safari, where you will be able to relax and enjoy an authentic experience. The evening desert safari, encompasses many activities including dune bashing, camel riding, sheesha. sand boarding and a Belly Dance show. with a BBQ Buffet Dinner.
Arabian Treks Desert Safari and BBQ Dinner
The 'Evening Desert Safari' is the ideal way to enjoy the desert. This includes entertainment with a BBQ buffet dinner. 4x4 Dune Drive, Sand Boarding, Camel Ride, Henna Tattoo, and a live show. A traditional range of activities inside a Bedouin style camp. After the activities and fun day at the desert ride back to port. A wonderful opportunity to enjoy "local activities" in a Bedouin Camp.
Jeddah Museums
Exploring the Historical museums of Jeddah features unique designs of architecture with an expert during this full day excursion.
Museum of Home Arts
As you arrive to start your journey to explore the City of Jeddah, you first stop is Home Arts Museum. The Museum of Arts Home is located in Al Hamra District, Jeddah. The Museum of Home Art is a major cultural landmark in the city of Jeddah, where the museum includes the heritage and traditions of Jeddah region, clothing, furniture and the environment of this ancient region. It is a museum full of antiques and murals of international artists. Museum of Arts Home is a private museum from one of the late Abdul Raouf Khalil Museums. The museum consists of two floors. The first floor contains sculptures that show the famous landmarks of the Kingdom of Saudi Arabia, and the two Holy Mosques and many other areas within the Kingdom. It also includes a piece of the first garment of the Kaaba that was manufactured in Saudi Arabia. After this, we proceed to the famous Abdul Raouf Khalil Museum.
Abdul Raouf Khalil Museum & Al Tayebat International City
The museum is within the Al Tayebat International City complex and is well worth visiting. Its' is an absolute Aladdin's cave of things to see and experience, from Islamic beliefs and art through to all manner of historic and cultural items. Spread over hundreds of rooms and with 60000 exhibits you cannot possibly see it all so ask for advice on which bits you are interested in. The Abdul Raouf Khalil Museum is one of the most famous museums in Jeddah, its location in the heart of the city, which is a cultural, cultural, religious, as well as social and heritage center. Among the museums of Jeddah is one of the most impressive buildings in the city, as it features unique designs of architecture, making it the most attractive tourist attraction for visitors, and includes in its aspects many features of Saudi culture and civilization, in addition to some traditional crafts.
Rochan Art Gallery
After your visit enjoy lunch at a local restaurant, before proceeding to the Rochan Fine Arts Gallery which is a premier art space in the nation featuring the work of contemporary artists from around the country. As part of the waterfront development at the central Jeddah Corniche, there is the virtual sculpture park. The sculptures include works by Henry Moore (U.K.) Victor Vazarelly and Cesar Baldicini (France) the Joan Miro (Spain) Alexander Calder (U.S.A.) amongst others.
Open Sculpture Park
Located near the Jeddah Corniche, this open-air museum is truly a unique cultural offering, housing 20 of the city's acclaimed outdoor sculptures. The pieces, which include those by the likes of Joan Miró and Henry Moore, date back to the 1970s when Jeddah poured investment into the art world and developed an intriguing collection of open-air art across the city. The sculptures, which range from abstract bronze shapes to a depiction of a giant flame, were gathered into an outdoor museum in 2013 to promote and preserve them. Each sculpture represents something specific about Jeddah's heritage and culture, such as Maha Malluh's sculpture Abraj, made of re-creations of aluminium pots that came from various flea markets around Saudi Arabia.
Jeddah Sights & Fakieh Aquarium
Exploring the historical city of Jeddah with your guide during this half day Panoramic Sightseeing excursion and visit to the Fakieh Aquarium.
Fakieh Aquarium
Fakieh Aquarium is the only aquarium for the public in Saudi Arabia and offers education and entertainment by presenting the wonders of the underwater environment of the Red Sea and marvels brought from other seas and oceans around the world. With more than 200 species including Sharks, Groupies, String Rays, Napoleon Wrasse, Sea Horses, Murrays amongst others, the Fakieh Aquarium aim to continue expanding the sea world life with the introduction of the unique Sea Dragon.
Local Culinary Experience
This excursion in Jeddah is a trip to explore the local cuisine and culinary delights of Jeddah. The busy port city of Jeddah, Saudi Arabia, is known for its coastal position on the Red Sea, which makes it a prime location for eating fresh seafood, a main ingredient in many traditional dishes. Saudi cuisine also is famous for dishes containing lamb, which are often served with yogurt and dates. Join in devouring traditional dishes like Matazeez and Kabsa, considered the national dish of Saudi Arabia.
W/A Hotel - Culinary Experience
This unique culinary session is designed to familiarize you with the diverse foods, while experiencing what it feels like to create and taste scrumptious recipes themselves! Creativity and a life-long skill are important ingredients to the programs. Regional specialties vary according to flavors and available ingredients, but travelers to Saudi Arabia will find a flavorful assortment of Jeddah food prepared with wheat, chicken, potatoes and an array of vegetables.
Date Market
After your culinary experience and lunch a15 minute drive will take you to the Date Market where you will spend 45 minutes.The Date markets in Jeddah are flooded with various varieties of fresh dates from Madinah and Qassim regions, "Sukkari" is the most sought after variety, closely followed by another variety called "Rotana". Other varieties in the market include "Helawa," "Beid," "Amber," "Safwai" and "Sagafi." Both these varieties, which are from Qassim region, are hot favorites among the Saudis. After exploring the date market a 30 minute drive will return you to the pier.
Markets of Jeddah
The first of Jeddah's markets, the Jeddah Fish Market will give you the insight into local culture. Then take in the sights at the always chaotic Souq Al Alawi a true slice of local commerce on this half day excursion.
Visit the fish market and whilst the smell is powerful, the insight into local culture is worth the stop. The market looks more like a warehouse area and is open after (early morning prayer) which is around 5 am. The first of Jeddah's markets you visit on this tour will be the fish market. After the visit continue on to the Souq Al Alawi.
Visiting this Souq is all about strolling through the narrow alleyways of Souq Al Alawi, getting lost in the vivid colours of the traditional garments and textiles and the enticing scents of the spices and herbs. Browse the countless stalls at the largest Souq in the country and go home with a real find in the form of jewellery or art. The atmosphere is especially cosmopolitan during the hajj season. Bargaining with merchants is encouraged, so never settle for the price listed on the tag. The market stalls cut into the heart of the old city and buzz with the activity of traders and pilgrims. Search long enough and you'll find genuine Arabian jewellery, Islamic art and traditional dress. With the completion of tour, enjoy the return drive back to the pier.
Moon Mountain & Jeddah Sightseeing
Moon Mountain and lunch
After visiting Jeddah Downtown, arrive at Moon Mountain. An hour's drive north of Jeddah and aptly named because of a landscape that would be familiar to Apollo astronauts. Moon Mountain is a popular hideaway for locals looking to escape the urban bustle in favor of weekend hikes and camping under the stars. You'll find your moon landing by first taking the Asfan Road route 285 out of the city towards the University of Jeddah, and onto the small village of Asfan. While there, take the opportunity to stretch your legs with a gentle climb up to the 18th century Asfan Fort. Constructed entirely from the basalt rock found in the valley, this hilltop outpost served as a rest stop for pilgrims on the well-traveled route between Makkah and Medina.
Reboard your coach for the return drive to the pier.
Royal Greens Golf & Country Club
This excursion in Jeddah is a trip to the premier Golf course and Country Club "Royal Greens", where you will be able to relax and enjoy premium golfing experience, one of the finest sports and leisure destinations within the region. With its world-class golf course design and luxurious 'award winning' Clubhouse experience, Royal Greens sets new standards in luxury golfing within Saudi and the Middle East.
Royal Greens Golf & Country Club is an exclusive, first-class golfing experience that offers a new standard of prestige and exclusive lifestyle set within King Abdullah Economic City, Saudi Arabia. The 18-hole championship golf course nestled in a lush oasis designed by European Golf Design, attracts both amateur and professional golfers from all over the world. The exquisite Clubhouse provides you with an unparalleled golfing experience, state of the art academy, array of dining concepts, golf-view ballroom and a private "Oryx Club" with a cigar lounge and billiard room.
The highest level of coaching is provided to a wide range of levels and abilities. A fully equipped driving range, swing studios, and putting greens, available for a golfer to improve their play and technical skills with teaching and practice facilities.
The award-winning clubhouse, set as one of the region's finest sports and leisure destinations renowned at breaking boundaries in sport by the continuous hosting of the European Tour (Saudi International) for three consecutive years and the Ladies European Tour (Saudi Ladies International) event in 2020.
Silver Shore Privato: Private Car & Guide (Full Day)
Explore Jeddah at your leisure during your full-day (8-Hour) sightseeing tour via private car. Customise your own itinerary or choose to see an overview of the area's highlights.
Depart the pier with your English-speaking guide in an air-conditioned car and discover the city and surrounding areas at your own pace. Your exclusive tour concludes back at the pier.
Silver Shore Privato: Private Car & Guide (Half Day)
Explore Jeddah at your leisure during your half-day (4-Hour) sightseeing tour via private car. Customise your own itinerary or choose to see an overview of the area's highlights.
Silver Shore Privato: Private Van & Guide (Full Day)
Explore Jeddah at your leisure during your full-day (8-Hour) sightseeing tour via private van. Customise your own itinerary or choose to see an overview of the area's highlights.
Depart the pier with your English-speaking guide in an air-conditioned van and discover the city and surrounding areas at your own pace. Your exclusive tour concludes back at the pier.
Silver Shore Privato: Private Van & Guide (Half Day)
Explore Jeddah at your leisure during your half-day (4-Hour) sightseeing tour via private van. Customise your own itinerary or choose to see an overview of the area's highlights.
World Cruise Collection: A Night in the Museum with Gala Dinner
This excursion in Jeddah is a trip to Explore the Historical museums of Jeddah features unique architecture. The Tayebat City Museum is a part of the International Tayebat City of Science and Knowledge and is a must-visit museum when in Jeddah. The museum is truly a city itself. Experience the Gala dinner at the night in the museum.
Madinat Al Tayebat
Built in the architectural style of old Jeddah, in the traditional Hijazi style, the beautiful building on its own is worth a visit. Inside the numerous buildings, visitors will find an extraordinary collection of exhibits ranging from Islamic manuscripts, tribal costumes and old coins to furniture, ancient pottery and much more. The museum is within the Al Tayebat International City complex and is well worth visiting. Its' an absolute Aladdin's cave of things to see and experience, from Islamic beliefs and art through to all manner of historic and cultural items. Spread over hundreds of rooms and with 60000 exhibits you cannot possibly see it all so ask for advice on which exhibits you are interested in. The Abdul Raouf Khalil Museum is one of the most famous museums in Jeddah, its location in the heart of the city, which is a cultural, religious, as well as a social and heritage center. Among the museums of Jeddah it is one of the most impressive buildings in the city, as it features unique designs of architecture, and includes many aspects of Saudi culture and civilization, in addition to some traditional crafts. Enjoy a Gala Dinner before your return to the ship.
Show All Excursions
AQABA (Petra)
ATHENS (Piraeus)
Dhiba port
SAFAGA (Luxor)
SUEZ CANAL TRANSIT


text:
Shaka [izg. Šaka] (v nekaterih pisnih virih tudi Shaka Zulu), vojskovodja in vladar Zulujev * 1781, † 22. september 1828.

Shaka je splošno priznan kot odločilni dejavnik razširitve plemena Zulujev iz manjšega klana v narod, ki je bil naseljen med rekama Phongolo in Mzimkhulu v Južni Afriki. Bil je zaslužen za številne vojaške reforme in izboljšave, ki so omogočile širjenje Zulujev in je bil začetnik Zulujske kraljevine.

Življenjepis
Shaka je bil eden od sinov plemenskega poglavarja Zulujev. V času mladosti je služil kot bojevnik pri poglavarju sosednjega plemena, ki mu je pozneje pripomogel k nasledstvu Zulujev. Kot poglavar je Shaka ubil svojega polbrata, da bi si zavaroval prestol.

Po širitvi je spletel močan vazalski imperij, s pomočjo umorov in zavezništev. Njegov način vladanja ni bil dobro sprejet, na koncu sta Shako umorila njegova lastna polbrata. Njegove zadnje besede naj bi napovedale konec zulujskega imperija, v povezavi na zasedbo belcev, ki se je v resnici zgodila čez sedemdeset let.

Taktika bojevanja
Shaka je spremenil dotlej splošno uporabljani, skoraj ritualni način bojevanja Zulujev v skupini, ki je trajal, dokler se ena od strani ni umaknila, in ga nadomestil z neposrednim bojem moža na moža. Splošno uporabljana kopja, namenjena metanju, je zamenjal s krajšimi sulicami, namenjenimi zabadanju. Bojevnike je opremil z večjimi in težjimi ščiti, ter jih razporedil v posebno, široko formacijo, tako da je središče napadlo sovražnika, obe krili pa sta napadli boke.

Sklici

Glej tudi
 Zulujska kraljevina

Zulujski kralji
Ljudje, po katerih so poimenovali asteroid