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What are Welder and Arc Flash Harnesses?
A Welder or Arc Flash Harness is similar in design to a traditional fall arrest or fall prevention harness. The main difference being that most welder harnesses are made from flame retardant materials such as Kevlar; and Arc Flash Harnesses should be made from fire retardant materials that also contain some type grounding material to help protect the welder in the case of an Arc flash exposure. Grounding is paramount since an arc flash can be deadly to anyone standing nearby.
The harness must meet fall arrest requirements as part of its function is to catch a welder as well as insulating them against the blast of an Arc Flash. The positioning of the five-point strapping system allows the worker to have an unlimited range of motion while they work and is scientifically developed to assist fall arrest systems with absorbing impact shock in the case of an arc flash explosion.
The grounding capabilities are what insulate the worker from the electrical current as it passes through the employee in the event of an arc flash explosion. The added fire retardant element assures that there is not a fire reaction between the worker's clothing, safety gear, and the electrical currents that could prevent the emergency safety equipment from working correctly. Being fire retardant also protects the harness from any potential stray embers as the welder performs his duties.
Who should wear an Arc Flash Harness?
These are all positions that either deal directly with massive amounts of electricity, or in a field that generates free electricity that can back flash without notice, making grounding technology a significant aspect of any safety gear.
High-rise construction crews fall into this equipment category because of the extensive amounts of static electricity, high winds, and electrical storms that they come into contact with while working at extreme altitudes. It is imperative that the equipment used by these individuals is rated for both arc flash explosions and fall arrest regulations to provide true effectiveness in case one occurs knocking the worker off of the building. This kind of accident could leave the worker stranded for quite some time until assistance can reach them, making it even more vital that the fall arrest aspect is in top working condition.
Reflective Striping or Trim – Reflective models increase your visibility when you are working in dark areas or at night. Reflection could be critical if you need to be located after a fall or explosion.
D-Ring Pad – This is an intentionally designed extra layer of padding that reduces back pressure caused by the resistance of the D-ring. The D-ring aspect minimizes web knotting for safer and more fluid movements.
Quick Connecting Leg Strap Buckles – Fast closure buckle closures on leg straps provide quick dressing and removal of equipment.
Front Rescue Loop – For quick securing in the case of an immobile or unconscious rescue is required.
Replaceable Flame Retardant Outer Shell – The flame retardant outer shell protects the inner working elements of the harness as it protects your workers from flying embers and sparks. The replaceable aspect eliminates having to buy a new harness unless the safety features have been damaged, and allows the operator to replace the fire retardant element as needed due to normal wear and tear from the job.
Cooling and Hydration Pocket – This pocket is usually located on the back of the harness and is intended to hold cold packs or an external hydration pack against the back to provide the worker with water and assist in preventing heat-related illnesses. When combining it with the hydration system, there is a bite valve tube that would be placed over the shoulder and clipped to the front of the harness for easy drinking capabilities as the individual continues working, eliminating the need to be lowered to the ground for hydration and increasing productivity as well as health safety.
When you are about to put your life on the line in a very literal fashion, you better know where your equipment came from and how it was made. That's why Harness Land researches each manufacturer before entering into the Authorize Dealer Registration process. They ensure that each manufacturer that they represent, no matter what kind of gear you need, meets or exceeds industry safety standards.
Safety standards are only the beginning, though. These companies manufacturing processes must also meet specific standards to ensure that your equipment is not only safe; it is durable and reasonably priced for Harness Land to carry their products in their warehouse product line.


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Pearson Foundation: EDUCATION PUBLISHER'S CHARITY, ACCUSED OF SEEKING PROFITS, WILL PAY MILLIONS + smf's 2¢
By JAVIER C. HERNÁNDEZ, New York Times | http://nyti.ms/1bCJcVl
Published: December 12, 2013 :: The Pearson Foundation, the charitable arm of one of the nation's largest educational publishers, will pay $7.7 million to settle accusations that it repeatedly broke New York State law by assisting in for-profit ventures.
An inquiry by Eric T. Schneiderman, the New York State attorney general, found that the foundation had helped develop products for its corporate parent, including course materials and software. The investigation also showed that the foundation had helped woo clients to Pearson's business side by paying their way to education conferences that were attended by its employees.
Under the terms of the agreement to be announced on Friday, the money, aside from $200,000 in legal expenses, will be directed to 100Kin10, a national effort led by a foundation, the Carnegie Corporation, to train more teachers in high-demand areas, including science, technology, engineering and math.
"The fact is that Pearson is a for-profit corporation, and they are prohibited by law from using charitable funds to promote and develop for-profit products," Mr. Schneiderman said in a statement. "I'm pleased that this settlement will direct millions of dollars back to where they belong."
Officials at Pearson and the foundation defended their work.
"We have always acted with the best intentions and complied with the law," they said, in a joint statement. "However, we recognize there were times when the governance of the foundation and its relationship with Pearson could have been clearer and more transparent."
The case shed a light on the competitive world of educational testing and technology, which Pearson has come to dominate. As federal and state leaders work to overhaul struggling schools by raising academic standards, educational companies are rushing to secure lucrative contracts in testing, textbooks and software.
The inquiry by the attorney general focused on Pearson's attempts to develop a suite of products around the Common Core, a new and more rigorous set of academic standards that has been adopted by 45 states and the District of Columbia.
Around 2010, Pearson began financing an effort through its foundation to develop courses based on the Common Core. The attorney general's report said Pearson had hoped to use its charity to win endorsements and donations from a "prominent foundation." That group appears to be the Bill and Melinda Gates Foundation.
"Pearson Inc. executives believed that branding their courses by association with the prominent foundation would enhance Pearson's reputation with policy makers and the education community," a release accompanying the attorney general's report said.
Indeed, in April 2011, the Pearson Foundation and the Gates Foundation announced they would work together to create 24 new online reading and math courses aligned with the Common Core.
Pearson executives believed the courses could later be sold commercially, the report said, and predicted potential profits of tens of millions of dollars. After Mr. Schneiderman's office began its investigation, the Pearson Foundation sold the courses to Pearson for $15.1 million.
The attorney general's office also examined a series of education conferences sponsored by the Pearson Foundation, which paid for school officials to meet their foreign counterparts in places like Helsinki and Singapore.
The trips were made public after a series of columns in The New York Times, which detailed the expensive hotels and meetings with corporate executives that were staples of the experience.
Several school officials who went on the trips represented education departments that had contracts with Pearson. The investigation did not determine whether those officials had awarded any new contracts based on any improper influence. But the report found that executives from other companies were not invited to attend, giving Pearson's corporate side a clear advantage.
The attorney general portrayed a culture at Pearson in which the lines between business and charity were often blurred. Pearson remains the largest donor to the Pearson Foundation, and the staff of the foundation included several Pearson employees. The board was made up entirely of Pearson executives until 2012.
As part of the agreement, the foundation said it would alter its governing structure by appointing three board members to review any financial transactions that might benefit the business side. The foundation also pledged to bar Pearson executives, in most instances, from attending its education conferences, and said it would not feature Pearson products at such meetings.
A version of this article appears in print on December 13, 2013, on page A32 of the New York edition with the headline: Educational Publisher's Charity, Accused of Seeking Profits, Will Pay Millions.
I'm not saying anything new here, I'm just asking questions. But we need to accept that sometimes, ladies and gentlemen, a non-profit can be a revenue engine. And that sometimes being fined is the cost of doing business.
The above is about New York. What about California? Los Angeles? LAUSD?
● There are allegations here in LA of crossover between Pearson Foundation and the parent company– with senior executives and senior executives of companies acquired by Pearson moving between the parent and the foundation. Who will connect the Pearson/Pearson Foundation/America's Choice/LAUSD dots?
Judy Codding, the former President/CEO of America's Choice, moved to the Pearson Foundation when AC was acquired. (The America's Choice software product is the basis of Pearson's Common Core Curriculum). Then – when the Pearson Common Core Curriculum became the presumptive education software of (Apples') choice in LAUSD, Codding moved to Pearson Education, Inc. and to the LAUSD project. Where does Jaime Aquino (formerly of America's Choice) figure in this? Or, for that matter, John Deasy? Does the name Sherry King ring a bell?
Blurring the lines:
" New York, NY – April 27, 2011 – The Pearson Foundation today announced a partnership with the Bill & Melinda Gates Foundation to support America's teachers by creating a full series of digital instructional resources.
Pearson, the nation's leading education technology company, will offer these courses to school districts, complete with new services for in-person professional development for teacher transition to the Common Core and next-generation assessment. The Pearson Foundation will also work with other partners to explore opportunities for additional commercial development and distribution.
Judy Codding, former President and CEO of America's Choice, is leading the course development effort - http://bit.ly/1bBzSO1
Couriouser+Couriouser: Also in April of 2011 John Deasy became Superintendent of LAUSD . Prior to joining the District eight months before,Dr. Deasy served as Deputy Director of Education for the Bill & Melinda Gates Foundation.
I know that conspiracy theorists grasp at straws and perceived coincidence. But how coincidental do they have to get before the dots cry to be connected? There has rarely been more than one degree of separation between Deasy/Codding/Aquino/King et al – dating back to Deasy's tenure as superintendent of Coventry Public Schools in Rhode Island.
● How does a fine placed upon a foundation – where it has to give money to a charity it would normally support – punish the foundation? Microsoft, when caufgt breaking monopoly laws, was forced to give its software products to schools. How exactly did putting their products in the hands of children adversely impact Microsoft?
Maybe Joel Klien, the Microsoft prosecutor (before he became Bloomberg's Chancellor of New York City Schools before he became Rupert Murdoch's attorney and education software/hardware/product chieftain) can answer that question?

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text:
Daily Labor Report ®
The U.S. Labor Department building in Washington, D.C.
Pay Audits Get Closer Look From Federal Contractor Watchdog (2)
By Rebecca Rainey and Paige Smith
March 15, 2022, 9:01 AM; Updated: March 15, 2022, 7:13 PM
Agency now seeking all documents on company pay analyses
Directive 'is going to make employers rethink' previous strategies
The U.S. Department of Labor's federal contractor watchdog issued a new directive that would more closely scrutinize the pay equity audits of companies that work with the federal government.
The directive from the Labor Department's Office of Federal Contract Compliance Programs took effect Tuesday and clarifies federal contractors' mandate to ensure fair compensation practices. The agency enforces federal anti-bias laws and affirmative action obligations among contractors.
The new instructions state that federal contractors are expected to hand over all information about their internal pay analyses when being audited by the office, including documents that contain legal advice.
"Contractors cannot withhold these documents by invoking attorney-client privilege or the attorney work-product doctrine," the directive said. "OFCCP has the authority under its regulations to request the analyses the contractor has conducted to comply with OFCCP regulations."
Contractors typically conduct internal audits to correct potential violations before the government gets involved, attorneys said.
"As a general rule, employers do not want a government agency to see what goes on behind the scenes. They would rather keep that internal," said Matthew Camardella, co-lead of Jackson Lewis P.C.'s affirmative action, OFCCP, and government contract compliance practice. "So that to the extent that there's any risk or issues identified, that doesn't become a hotspot for OFCCP to investigate."
The directive also states that companies doing business with the federal government are required to conduct an in-depth analysis of their pay practices for potential gender, race, or ethnicity-based disparities, something new for OFCCP, said Leigh Nason, an Ogletree Deakins attorney and co-chair of the firm's OFCCP Compliance Practice Group.
"I think they are assuming that the regulations require a quantitative annual, 'pay equity audit,' and that's a real stretch," Nason said in an interview. "What they're saying is, look, you've got to do a pay equity audit every year quantitatively for compliance purposes, so that's never going to be privileged."
Privileged Advice
Companies typically hire firms to help prepare their records and provide legal advice on their compliance with the requirements enforced by the office.
The directive clarifies that the agency has the authority to review the pay equity reviews conducted by contractors "to understand the methodology used and verify compliance with this requirement."
The agency said that having its hands on the pay reviews that firms conduct enables OFCCP to accomplish its audits "more efficiently by understanding the contractor's analysis of its pay."
Such audits aren't considered "privileged legal advice" that a company can withhold from the agency, the directive said.
Otherwise, "contractors could frustrate OFCCP's enforcement efforts by delegating the preparation of all pay equity audit and compliance records to their attorneys," an outcome that OFCCP said "is contrary" to the executive orders and regulations it enforces.
Instead, the agency stated that contractors may "conduct a separate pay equity audit for the purpose of obtaining privileged legal advice," and not for demonstrating compliance with OFCCP regulations.
Attorneys say they expect contractors to increasingly seek separate pay audits for risk and compliance with OFCCP regulations as a result of the change, instead of a dual audit for both risk and compliance.
"For efficiency purposes, employers have really wanted to do dual-purpose analysis, as opposed to doing two different sets of analyses," explained Camardella. "This is going to make employers rethink that strategy. And in all likelihood, result in two different types of analyses that are run either annually or on some other cadence, one for regulatory compliance purposes, and one for risk mitigation purposes."
The agency is trying to ensure that when contractors are complying with the regulatory requirement to evaluate compensation, the OFCCP has a lens into what the contractor has done, said Alissa Horvitz, an attorney with Roffman Horvitz PLC who specializes in federal contractor compliance.
"And while I understand that OFCCP has a regulatory right to evaluate pay as part of a compliance review, I don't think that when an organization retains counsel for the purposes of providing legal advice on its Equal Employment Opportunity obligations and compliance posture, that the OFCCP should have a right to gain access to privileged attorney client communications," Horvitz said.
(Added additional quotes in 8th and last paragraphs.)
To contact the reporters on this story: Rebecca Rainey at rrainey@bloombergindustry.com; Paige Smith in Washington at psmith@bloomberglaw.com
To contact the editors responsible for this story: Martha Mueller Neff at mmuellerneff@bloomberglaw.com; Andrew Harris at aharris@bloomberglaw.com
Rebecca Rainey
Paige Smith
EEOC Weighs Tracking Nonbinary Worker Data at U.S. Companies
OFCCP's Final Equal Pay Report Rule Expected in May
Nov. 20, 2015, 5:00 AM
EEO enforcement


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Tim McGraw Reacting to the Backstreet Boys at the ACM Awards is All of Us
April 3, 2017 Lena Finkel 0
On Sunday night, the Backstreet Boys performed at the Academy of Country Music Awards and it's pretty much all anyone can talk about.
Forget the fact that BSB aren't technically country because the boys were officially the hit of the show. The proof? Tim McGraw literally started pointing ecstatically when the group broke out in their classic jam "Everybody."
Luckily, CBS captured the moment and turned it into a GIF to use for our viewing pleasure.
Everybody watching the Backstreet Boys and Florida Georgia Line right now. #ACMs pic.twitter.com/mb1ciQh4yz
— CBS (@CBS) April 3, 2017
The Backstreet Boys have actually been dabbling in country music recently and are set to go on tour with country group Florida Georgia Line this summer. They also made an appearance this past season on The Bachelor and Nick Viall and his dates got to perform alongside the boy band. Yup — they're just all American boys.
The Backstreet Boys found themselves in hot water recently when member Brian Littrell voiced his support for then-candidate Donald Trump, much to his fans' dismay.
Check out some of the boys' performance below.
Tags: Backstreet Boys Tim McGraw
Woman Tries to Slut-Shame Taylor Swift By Comparing Her Vagina to a Ham Sandwich
Chrissy Teigen is Tired of Being the Token Asian
Dear Matt McGorry: Stop Trying to Explain Feminism to Me
The Case for Why Julia Louis-Dreyfus is the Most Under-Appreciated Female Comedian on TV


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Google's Material Design for Android- Trends You Must Follow in 2016
Material Design is a Latest design language developed by Google. Material Design makes more liberal use of grid-based layouts, responsive animations and transitions, padding, and depth effects such as lighting and shadow.
Material Design is a Google's conceptual design philosophy that outlines how apps should look and work on mobile devices. It breaks down everything — such as animation, style, layout- and gives guidance on patterns, components and usability. According to Google: "We challenged ourselves to create a visual language for our users that synthesizes the classic principles of good design with the innovation and possibility of technology and science. This is material design."
Material starts with mobile but extends to any other device. It is rooted in a few principles:
Realistic visual cues: The design is grounded in reality and actually inspired by design with paper and ink.
Bold, graphic and intentional: Fundamental design techniques drive the visuals. Typography, grids, space, scale, color and imagery guide the entire design. Elements live in defined spaces with a clear hierarchy. Color and type choices are bold and deliberate.
Motion provides meaning: Animation is a key component of Material Design, but it can't just be there for the sake of movement. Animations need to happen in a single environment, serve to focus the design and include simple and easy transitions. Movements and actions should mirror the physical world.
Few points we need to understand about Material Design:
Understanding the "Tactile Surface"
One of the things that comes up a lot when talking about layered interfaces is the "tactile surface."
Think of this as having multiple sheets of paper that are stacked together to create a framework for how everything within the design works. These sheets are a little different from physical sheets of paper in that they can change shape and form — such as stretch or bend — but work in a way that is seemingly realistic.
As explained in Mobile Design Trends for 2015, treat the tactile surface is a container for content and information. The container is flat in design but has a faint shadow to separate it from other containers and layers. Other techniques to create separation between layers – such as textures, gradients or strokes – are unnecessary. You can see the separation in the layers for the Reddit app, above. There is an obvious top menu layer covering a greyed out main content layer. Even the main header image contains elements of layering and shading that emphasize a three-dimensional tactile surface.
As demonstrated in the Android Lollipop UI Kit, a tactile surface clearly established the relationship and function of content within a design. (Each container often has one job, such as a link or video player.) This approach also establishes depth, as elements in other containers are layered, creating a seemingly three-dimensional world.
Material is Made for Adaptive Design:
Layered interfaces are inherently made for adaptive design. All of the design guidelines actually encourage a designer to work with an adaptive layout (whether you prefer Adaptive or responsive is up for debate, however.)
When thinking about layered interfaces, it is important to consider how all the elements relate to one another.
Google recommends its standards because of a "flexible grid that ensures consistency across layouts, breakpoint details about how content reflows on different screens, and a description of how an app can scale from small to extra-large screens."
Considerations include:
Breakpoints: Widths include 480, 600, 840, 960, 1280, 1440 and 1600 pixels.
Grid: 12-column layout with margins and gutters (8, 16, 24, or 40 pixels) and a baseline grid.
Surface behaviors: UI adapts to the type of screen so that surfaces are visible or toggled to hide.
Patterns: Function is based on screen size, including reveal, transform, expand, reflow and divide.
These considerations make it easy for designers to ensure their interfaces adapt for any device in any situation. They provide a baseline to help designers as they construct layouts for desktop, tablet and smartphone.
Material and Other Mobile Design Trends:
When it comes to creating layered interfaces, other trends also come into play.
Material Design has borrowed plenty of design concepts from the flat aesthetic and other trendy techniques. In fact, some would argue that Material Design is a close cousin to Flat Design 2.0 because many of the visual treatments are quite similar.
What separate layered interfaces from totally flat design is that effects are needed to create more three-dimensional spaces and to mimic lighting. In essence, designers are bringing back some of the design tricks eliminated with flat. The difference is that they're using these tricks to improve usability rather than simply as decorative accents.
The colors most closely associated with layered interface design nearly fall within the flat aesthetic. The big difference is the vast number of color options that Google provides. Palette options are in the same vein though – bright, bold and fully-saturated hues.
While many designers opted for blues and reds when it comes to designing flat, more layered interfaces seem to feature deep purples and yellows. That's likely because each of these hues is easy to pair with contrasting white or black text.
Layered interfaces also work well in the space of minimalism, particularly when it comes to typography. Type is stacked with clear hierarchy and sans serif options are the preferred choice. Google suggests using Roboto as the dominant typeface and it comes with plenty of choices, from thin to bold to italic to condensed.
The variety helps create levels of type that guide users between elements. In the true spirit of minimalism, one font can pretty much do everything you need with proper sizing and scaling.
You'd be hard-pressed to find a website without a full-screen image these days and layered interfaces further emphasize the use of vivid, intentional imagery.
The apps make the most of a simple photo for this very purpose, showing that Material Design does not just use color, photos and effects solely for visual impact — they are an essential part of the design.
Finally, layered interfaces are perfectly made for cards, which we discussed in the previous chapter. Looking through the examples showcased, almost every design includes something with a card-like element. From smaller cards to full-screen options, these trends go hand-in-hand.
Material Design looks nice and it works well in a variety of places. Designers will want to take advantage of that and the lite version provides the perfect level of guidance. Material Design Lite is also a good tool for designers and developers that want to create a unified web-app experience, so that apps look, feel and function in the same way regardless of device. Layers are definitely going to stick around, but the overall look may be a little more "layered" and a little less material, so that the design falls somewhere between Material Lite and iOS standards. The Weather Channel iOS app is already using this approach. The app layers cards, colors and images. Where the design concepts overlap most is in the use of cards and the placement of geometric shapes. Where the design is "less Material" is in the lack of depth and shadowing so that the overall look is flatter and streamlined.
Gradients and monochromatic color layers are another way layered interfaces can continue to grow visually. Monochromatic color palettes are a classic design technique that make it easy to create sharp elements to fit almost any type of content.
The Elevate iOS app uses a gradient background with multiple levels of cards in its design. The animations and movements are very Material Design in nature but the use of a gradient is not. This simple evolution highlights how designers will start to break the visual rules of layered interfaces while continuing to leverage its more functional aspects.
Designers will continue to evolve layered interfaces and Material Design concepts with darker colors and hues. Most of the apps available right now feature light and white color schemes, but darker colors will start to emerge. Weather Timeline is a perfect example of this. The simple change to the color palette is enough to really make this app stand out from all the others available. It still uses a style that's distinctly layered, but the darker interface is simple and elegant. The colors for the entire design are less saturated and toned to match the darker aesthetic.
Today's layered interfaces are just the start. The simple visual style and high usability of this design style will continue to emerge and grow as designers — not just for Android — will latch on the concepts. What may be even more interesting is that the look of layered interfaces is really just an extension of a lot of the design techniques that have been growing in popularity for several years, including flat and minimalism.
At some point the pendulum may swing back to more "realistic-looking" interfaces, but until then this concept appears to have quite the foothold.
Mantra Labs deep dives into latest trends and innovations in the Web, Mobile, Enterprise and Internet of Things space. The insights generated from these studies helps us provide more value for our clients.
Guest written by P. Sudhakar, our ace Design Lead.


text:
Tragic: Just 3 Senate Democrats Voted Against Infanticide
by Team BonginoPosted: February 26, 2019
Only three Democrats voted against infanticide yesterday after the Senate's roll call vote on GOP Sen. Ben Sasse's (NE) Born-Alive Abortion Survivors Protection Act.
The bill would require abortion doctors to seek medical care for babies that survived abortions and would criminalize the deliberate killing of the child after delivery.
The Daily Caller reports:
Democratic Pennsylvania Sen. Bob Casey voted alongside Republican Sen. Pat Toomey, also from the Keystone State, who had co-sponsored the bill with Sasse. Democratic Alabama Sen. Doug Jones, who recently flipped his seat from Republican hands, also voted with Republicans Monday.
Democratic West Virginia Sen. Joe Manchin was the third Democrat to cross the aisle on this particular issue — a move that many likely expected after some of his more recent comments. Manchin was one of the only Democrats to stand during President Donald Trump's State of the Union address when the president called for an end to abortions after the unborn baby can feel pain.
Manchin said he supported a ban on abortions after 20 weeks because "late term abortions are just horrific…Totally just wrong."
Sasse originally sought unanimous consent for his bill, however, Democratic Senator Patty Murray objected to the bill.
During a speech on the Senate floor earlier this month in support of the bill, Sasse said, "Everyone in the Senate ought to be able to say unequivocally that killing that little baby is wrong. This doesn't take any political courage. And, if you can't say that, if there's a member of this body that can't say that, there may be lots of work you can do in the world but you shouldn't be here. You should get the heck out of any calling in public life where you pretend to care about the most vulnerable among us," he said.
The Senator continued, "There should be no politics here that are right vs. left, or Republican vs. Democrat. This is the most basic thing you could be talking about. We're talking about a little baby born alive and we have a public official in America defending the idea 'Well, you could have a debate about killing her.'"
Study: Green New Deal Would Cost up to $94 TRILLION, 600k Per Household
Socialist Sanders Refuses to Call Venezuela's Maduro a "Dictator"


text:
Q: Can't get value from multidimensional array I've been doing a lot more Python than PHP recently so perhaps I've forgotten something important, but as far as I can see, this looks like it should work. What's actually wrong with it?
$form_settings = array('typeofzone' >= array('tm', 'tp', 'tc'),
                       'chargenum' >= array('pcn'));

$form_id = 'typeofzone';

// This echoes absolutely nothing
echo $form_settings[$form_id][0];
echo $form_settings[$form_id][1];
echo $form_settings[$form_id][2];

A: Your syntax is wrong... you should use "=>" instead of ">="...

A: $form_settings = array('typeofzone' >= array('tm', 'tp', 'tc'),
                       'chargenum' >= array('pcn'));

should be:
$form_settings = array('typeofzone' => array('tm', 'tp', 'tc'),
                       'chargenum' => array('pcn'));

redpajama_set_name: RedPajamaStackExchange


text:
layout: global
title: Logging Conventions
nickname: Logging Conventions
group: Resources
---

* Table of Contents
{:toc}

This page summarizes Alluxio's logging conventions and includes tips for modifying Alluxio's log4j
properties file to best suit deployment needs.

## Logging Conventions

Alluxio utilizes log levels in the following ways:

Error Level Logging

* Error level logs indicate system level problems which cannot be recovered from.
* Error level logs are always accompanied by a stack trace.

Warn Level Logging

* Warn level logs indicate a logical mismatch between user intended behavior and Alluxio behavior.
* Warn level logs are accompanied by an exception message.
* The associated stack trace may be found in debug level logs.

Info Level Logging

* Info level logs record important system state changes.
* Exception messages and stack traces are never associated with info level logs.

Debug Level Logging

* Debug level logs include detailed information for various aspects of the Alluxio system.
* Control flow logging (Alluxio system enter and exit calls) is done in debug level logs.

Trace Level Logging

* Trace level logs are not used in Alluxio.

## Configuration

Alluxio's logging behavior can be fully configured through the `log4j.properties` file found in the
`conf` folder.

By default, Alluxio logs to files in the `logs` directory which can be modified by setting the
`alluxio.logs.dir` system property. Each Alluxio process (Master, Worker, Clients, FUSE, Proxy)
logs to a different file.

### Remote Logging

By default, Alluxio processes log to local files. In certain environments, it is more reliable to
log to a central machine. Alluxio supports using Log4J's
[SocketAppender](https://logging.apache.org/log4j/1.2/apidocs/org/apache/log4j/net/SocketAppender.html)
to achieve this.

To set up remote logging, first determine the host which you plan to aggregate the logs at. On that
host, download the [Log4J jar](https://mvnrepository.com/artifact/log4j/log4j/1.2.17) which contains
a server implementation.

The server requires a `log4j.properties` file, use the file provided in Alluxio's `conf` folder. In
the file, replace all instances of `{alluxio.*}` variables with complete values, for example,
instead of `{alluxio.logs.dir}`, use `/opt/alluxio/logs`.

Then start the server with the following command

```bash
java -cp <PATH_TO_LOG4J_JAR> org.apache.log4j.net.SimpleSocketServer <PORT> <PATH_TO_LOG4J_PROPERTIES>
```

The server is now ready to log any incoming SocketAppender traffic. You can validate this by looking
in the logs directory, the first two lines in the log files should indicate the server was started
successfully.

Since this will be a long running process, it is worth considering using a separate service to
ensure the server is up. If the server is unavailable, Alluxio processes will not be affected but
logs will be lost.

On the Alluxio process side, update `conf/log4j.properties`, for example for `MASTER_LOGGER` replace
the existing properties with:

```
log4j.appender.MASTER_LOGGER=org.apache.log4j.net.SocketAppender
log4j.appender.MASTER_LOGGER.Port=<PORT>
log4j.appender.MASTER_LOGGER.RemoteHost=<HOSTNAME_OF_LOG_SERVER>
log4j.appender.MASTER_LOGGER.ReconnectionDelay=<MILLIS_TO_WAIT_BEFORE_RECONNECTION_ATTEMPT>
log4j.appender.MASTER_LOGGER.layout=org.apache.log4j.PatternLayout
log4j.appender.MASTER_LOGGER.layout.ConversionPattern=%d{ISO8601} %-5p %c{1} - %m%n
```

Then restart your Alluxio processes to pick up the latest logging configurations. Logs should now be
redirected to the remote server instead of being logged to a local file.

Note that logging to a remote server results in logs being aggregated instead of at a per machine
level.

It is often beneficial to log to both the local and remote machines. You can achieve this by
associating multiple appenders to your logger, taking the master log as an example:

```
log4j.rootLogger=INFO, ${alluxio.logger.type}_FILE, ${alluxio.logger.type}_SOCKET

log4j.appender.MASTER_LOGGER_FILE=org.apache.log4j.RollingFileAppender
log4j.appender.MASTER_LOGGER_FILE.File=${alluxio.logs.dir}/master_file.log
log4j.appender.MASTER_LOGGER_FILE.MaxFileSize=10MB
log4j.appender.MASTER_LOGGER_FILE.MaxBackupIndex=100
log4j.appender.MASTER_LOGGER_FILE.layout=org.apache.log4j.PatternLayout
log4j.appender.MASTER_LOGGER_FILE.layout.ConversionPattern=%d{ISO8601} %-5p %c{1} - %m%n

log4j.appender.MASTER_LOGGER_SOCKET=org.apache.log4j.net.SocketAppender
log4j.appender.MASTER_LOGGER_SOCKET.Port=<PORT>
log4j.appender.MASTER_LOGGER_SOCKET.RemoteHost=<HOSTNAME_OF_LOG_SERVER>
log4j.appender.MASTER_LOGGER_SOCKET.ReconnectionDelay=<MILLIS_TO_WAIT_BEFORE_RECONNECTION_ATTEMPT>
log4j.appender.MASTER_LOGGER_SOCKET.layout=org.apache.log4j.PatternLayout
log4j.appender.MASTER_LOGGER_SOCKET.layout.ConversionPattern=%d{ISO8601} %-5p %c{1} - %m%n
```

This is an example of using remote logging with Alluxio, users are encouraged to explore the various
appenders and configuration options provided by Log4J or 3rd parties to create a logging solution
best suited for their use case.


text:
HomeGaming'Pulstar ACA NEOGEO' Review – Kiss Your Thumbs Good-Bye
'Pulstar ACA NEOGEO' Review – Kiss Your Thumbs Good-Bye
As I've said more than a few times in the past, the NEOGEO was generally known for a couple of genres more than anything else. Fighting games, of course. And thanks to Metal Slug and to a lesser extent Shock Troopers, it's also known for run-and-gun action. It's just how things shook out given the developer talent and arcade zeitgeist of the era. But since it was mainly arcade hardware, it did have its fair share of shoot-em-ups. When pressed to list the best of the bunch on the console, a few names tend to come up. Blazing Star. Aero Fighters 2. Viewpoint. Twinkle Star Sprites. And this game, Pulstar ($3.99).
Pulstar is technically the predecessor to Blazing Star, even if the naming doesn't make that connection perfectly clear. Developer Aicom changed its name and ownership between the two games, but there were several shared staff members and Blazing Star did indeed start life as a follow-up to Pulstar. Like Blazing Star, this is a side-scrolling shoot-em-up. It's a very different animal, however, and I think it's safe to say that a lot of things about that game were informed by reactions to this one. Don't assume you'll enjoy one because you like the other, in other words.
There's an elephant in this room, so let's name it first. This game is pretty obviously inspired by R-Type, and not by a little. I've heard some people whisper legends that Pulstar was developed by ex-Irem people who were dissatisfied with R-Type II's direction, but I can't find anything to support that. Aicom was kicking around at least as far back as 1987, the year R-Type released. There's no shared staff at all as far as I can tell. No, I think the simplest answer here is probably the true one: the folks at Aicom were as impressed by R-Type as the rest of us, and wanted to take a crack at making their own spin on it.
Thus, we end up with a relatively slow-paced shooter with a heavy emphasis on memorization for survival, biomechanical organisms everywhere, a chargeable shot, and a protective bit power-up that can block shots and damage enemies. Some parts of stages and bosses pay heavy homage to R-Type, too. It's also difficult in the same way as R-Type, with a checkpoint-based respawn system that means you'll have to practice, practice, and practice some more if you want to make any progress at all. The margin of error for much of the game is razor-thin, and completion is certainly not for the faint of heart. There are eight lengthy stages to play through in order to reach the ending, and I'd be awfully surprised if most people made it even halfway through.
It's probably no surprise, but I don't think Pulstar is as good as R-Type in almost any respect. I don't even think it's as good as R-Type II, though it's closer. I could try to really break it down into granular detail, but it really does come down to two main points. First, the level designs and enemy patterns are pretty obnoxious. R-Type needed a fair bit of accumulated knowledge to survive, but those with quick reflexes would spend far fewer coins to make it through than those who brute-forced it. Reflexes won't really help you much in Pulstar. It throws things at you that you can't possibly avoid without knowing about them ahead of time, and it does it a lot.
The other thing that hurts it by comparison is how its power-up bit works. Unlike in R-Type, you can't launch or move the bit. It attaches to the front of your ship and that's that. It's very useful, necessary even, for blocking enemy shots, and it makes a nice cow-catcher for weaker enemies. But a lot of the fun of the bit in R-Type came from its versatility. You could fling it and have it act as an independent unit. You could attach it to the rear of your ship to guard your backside. And yes, you could park it on the front much like how Pulstar's bit works. Without those extra actions, the bit in this game feels like a slightly glorified shield and little more.
There are a couple of abilities you have access to in Pulstar that you wouldn't see in R-Type. For the bit's part, you can launch it as a screen-clearing bomb in a pinch. It can be handy to save your skin, but your chances of surviving bit-less in the aftermath aren't great. You'll have to memorize when power-ups are coming up if you want to get the most use out of this ability. While you can charge your shot (again this is necessary for survival a lot of the time), the meter goes both ways in this game. Tap the button rapidly (or use the rapid-fire ability that comes stock in Hamster's Arcade Archives) and you'll eventually get a different sort of powered-up shot. You can also find various power-ups, but again many of them mirror the ones seen in R-Type, all the way down to the bouncy lasers.
This is all probably making me sound like I'm really down on Pulstar. I think it's pretty good, actually. I don't like it as much as R-Type or Blazing Star, but a game can fall short of those and still be really great. Pulstar has some really great qualities to it. The presentation is outstanding, among the very best on the NEOGEO hardware. It uses pre-rendered graphics, which is usually a kiss of death as far as aging well, the usage here surprisingly holds up. There are many moments in the game that really struck me with how nice they looked, and not just by the standards of 1995. The soundtrack, by the talented Harumi Fujita (Bionic Commando, Mega Man 3) and Yasuaki Fujita (Final Fight, Breath of Fire), is fantastic. A good shooter needs a great soundtrack, and Pulstar fortunately has one.
The controls are solid, and there are certainly worse games to bite from than R-Type in general. Some of the bosses are incredible to behold, with multiple stages to deal with that keep upping the ante every time you think you have things in hand. Pulstar's take on the battleship stage from R-Type is quite a behemoth to wrestle with. A fully powered-up ship feels empowering in the way you want to see in a shooter like this, and even if you die and lose all your power-ups you generally still have a chance to recover. As teeth-shatteringly hard as the game is, it never feels impossible. Often highly improbable, but it's that slim chance you can make it this time that fuels games like this.
And now we've reached the portion of the review where I repeat most of the things I've said in other ACA NEOGEO reviews. You can play with touch controls or use an external controller, and it controls well enough either way. You get the same extra modes as usual, with a Score Attack and Caravan Mode available. You can also choose between the Japanese and Overseas version of the game. There are tons of options here, and the ability to save and load your state will certainly be of use. The emulation is on-point, but you probably don't need me to tell you that. It's a good way to enjoy this game, though serious players will want to make sure they have a good controller to help them go the distance.
While I still prefer Blazing Star and Aero Fighters 2, Pulstar is probably my third-favorite conventional shoot-em-up in the NEOGEO library. It was one I was hoping would hit mobile back in the day when its follow-up made the hop, and so I am very happy to see it here now. As long as you don't mind your shooters being hard as nails, you'll likely get plenty of value out of this release.


These icebreakers are simple to use and suitablefor a wide age range. They are great with a small youth group and can be used in a small space, requiring very few props and can easily be used in a home setting.
Offers ice breaker game list in different categories and online products for parties and shower event needs.
Free fun group game ideas for all ages, sorted by age group, group size, and game theme.
Contains icebreakers and group activities, with free instructions sorted by size of group.
Presents descriptions of activities for personal development and team building.
Presents list of Icebreakers and Energizers menu for teachers.
Having literally hundreds of icebreaker games to choose from, it can be hard to pick just the right one. Provides many games that are fun and fast.
Comprehensive directory list for summer camp ice breakers, programs, and activities for team building.


Marjon Bosman and Paul Verbruggen are in Suriname to assist in the restoration of Fort New Amsterdam at the confluence of the Suriname and Commewijne rivers. During the three months that they will be working there they will keep a log for City of Paramaribo.
Please let us introduce ourselves. We (Paul and Marjon) have left the Netherlands for Suriname to help with the renovation of the Open air museum Fort New Amsterdam. We work in the Netherlands as architects. Paul has his own office (architects and building consultancy PWK) in Delft and I (Marjon) work with KOW architects in The Hague. For some time we have been thinking of living and working abroad for a while and as a result of a TV program by RTL4 about the open air museum we decided to offer them our services for a couple of months. There was quite enough to do and we were welcomed with open arms by Evert Middelbeek (director), his wife Carla and the rest of the crew.
For four weeks we have already been working on the plantation mansion which will have to serve as a conference space.
We were hardly two weeks at work when the museum was visited by the Dutch state secretary Timmermans of European Affairs and the Surinamese minister Wolf of Culture and Education. As things go here, they did not come alone. A full convoy of press, spokesmen, ambassadors and so on came along. Actually, great for the PR….
The state secretary brought along a cheque of a hundred thousand euros (!) for the renovation of the plantation mansion, which means we can really make something great out of it.
Every day we depart with the school boat from Leonsberg to the fort in the morning and take a ride back with the SAO bus in the afternoon. Youngsters from the Foundation for work mobility and development (SAO) also work on the fort. These are underprivileged kids who are taught a craft to help them integrate into society. One of the things they did was building the bridge across the ditch to "our" plantation mansion where we now keep office.
We are making good progress with our work. We have determined the dimensions and made a drawing of the whole building, made a new design and are now busy making the budget for the renovation and the new buildings. We had talks with contractors, a design engineer and an office that organizes congresses. The result can be a really wonderful, exclusive congress building, which is very much in demand here in Suriname, but the costs must be limited to a hundred thousand euro's!!! November 21 we will present the plans to the board of the museum.
Time flies! We have hardly started and we already realize that within two weeks we will fly back home! That's a pity, but fortunately we have been able to do, see and enjoy a lot of things. The project, the plantation mansion, or largest project, went very well. Against all expectations, we must admit. Many people prepared us for the worst: people would not keep their appointments, there would be many delays, scratching people's back would be the only way to accomplish something (and who did we actually know to work on). But none of that (or maybe: just a little).
We have started by determining the dimensions of the plantation mansion. It has to become a conference space where congresses can be held, as well as receptions, training sessions, wedding parties, exhibitions and the likes. It means that the building should be upgraded to meet modern standards like air-conditioning, good sanitary equipment, a good kitchen, good illumination, etc. We made a plan to tear down the ground floor except for the pillars and to renovate the rest of the building. On ground floor level we have planned a lobby in the style of a plantation mansion, a large kitchen, toilets, showers, and a beautiful open terrace. On the first floor we projected the hall with a bar and in the attic there is room for an extra meeting room, a dressing room and a storeroom.
Within two weeks we had made the drawings of these plans, a detailed 3D model and a construction budget. On six A0 panels we presented these plans to the board of the foundation that runs the museum (part Surinamese, part Dutch). The budget of the plans exceeded the one hundred thousand euro's we had received from the Foreign Department, but since it also covered the inventory, we nevertheless got the mandate to continue.
A local design engineer did a soil-drilling test together with the university and calculated the bearing capacity of the base and the pillars. Next we wrote the building specifications, made a list of material colours and drew the details, We presented all this once more to the Embassy and the Foreign Office, who were very pleased with our work.
We have invited four contractors for instructions on the work which we will give at a meeting tomorrow and then we will have to wait for their financial proposals. By that time we will be back in the Netherlands from where we can only check on their calculations, but then our work will be over. That is how fast things can go! But we did not have to take care of telephone calls and mails and socialize with dear, but diverting colleagues and that makes a difference. And we prove to be a good team. Paul does the drawing and I do the fixing and calculations. And that worked out pretty well.
We think the activities will take from six months up to a year. Everything depends on the contractor who gets the job and the number of subcontractors. But that it will be built is pretty sure!
The other plans for the open air museum are passing off quite propitiously because of the inspiring supervision of Evert and Clara Middelbeek, the director and his wife. The renovation of the white powder magazine is almost finished and before long the construction of a tinsmith's workshop will start. We will also make a drawing for the construction of a classroom behind the prison building and a design for a watch-tower. We will make different proposals and Evert and Clara may decide which one will be built; exciting it is! Thanks to them we had a marvellous time here and we are confident that the museum will be in good hands for the next two years.
So to everyone reading this: do quickly come (back) here to see and enjoy the open air museum Fort New Amsterdam.


South Dakota Stockgrowers Association Membership Committee Chairman and Vice President, Rick Fox, Hermosa, S.D., invites everyone to attend the South Dakota Stockgrowers Association upcoming Area Meeting in Kadoka, S.D.
According to Fox, the meeting will be held at 6:00 PM, January 12, 2004, at Club 27 in Kadoka.
"We welcome everyone to stop in for a free meal, followed by industry speakers," said Fox.
Fox said that he will give an update about the BSE situation, Country of Origin Labeling, and other marketing and trade issues that the South Dakota Stockgrowers Association and R-CALF are working on.
A rancher from Harding County will also speak to the crowd about Game, Fish and Parks reform.
For more information, contact Carrie Longwood at 605-342-0429 or Rick Fox at 605-255-4614.


text:
Inside the Arena Where Drones Battle a Wall of 1,300 Computer Fans
Matt Simon
In Caltech's fancy new drone arena, the machines face terrifying atmospheric disturbances, all to help shape the future of flight.
Wind is the worst. It messes up hair, it blows stuff in eyes, and most famously and rudely of all, one time it made a bridge in Washington twist and undulate until it exploded.
Alright, maybe that was the fault of the engineers, not the wind. But still, strong gusts have the potential to threaten many technologies, including a new one: drones. If you've ever taken a quadcopter out on a windy day, you know the struggle. Now consider that in the near future, our cities will be swarming with delivery drones—and if we don't want them plummeting out of the skies, they'll have to learn to survive the elements.
For that, engineers have Caltech's fancy new drone arena, where the machines face terrifying atmospheric disturbances. While your classical wind tunnel uses one or maybe a few big fans to blast air for testing aerodynamics, this system employs a 10-foot-by-10-foot wall of nearly 1,300 CPU cooling fans, each of which can vary in its speed. "That allows us to practically simulate any kind of extreme weather, from gusts to turbulence to a vortex or a sort of mini hurricane," says Caltech aerospace engineer Morteza Gharib.
So say you've got a one-fifth scale model of the drone ambulance you're developing, which of course Caltech has. The idea being to reach people in forest fires or mudslides, then transport them five or six miles away, thus keeping pilots out of harm's way.
Given the preciousness of the cargo, you're going to want a smooth ride. As with a full-size rescue helicopter, a traditional quadrotor has to tilt forward to accelerate. Not ideal for the comfort of the patient. This tilting also creates a lot of vibration. Also not ideal. So Caltech researchers are opting for a hybrid design that can lift off and land vertically like a helicopter, yet cruise nice and level like a plane, thanks to fixed wings.
Obviously engineers know how fixed-wing aircraft and helicopters work in a wind tunnel. But a hybrid design, that's more intricate. "When you put them together as a system, it has not been tried before—it's a very novel design in that respect," Gharib says. "So this wind tunnel allows us to expose this machine to extreme weather."
Oddly enough, you can find some of the most extreme weather conditions in cities. If you've ever walked among skyscrapers and thought it was needlessly gusty, you're not crazy. It's thanks to a phenomenon called the Venturi effect, in which winds that are constricted to, say, the space between buildings, end up accelerating. (Try this home with a fan and a cardboard box.)
Those atmospheric dynamics are going to run smack into future fleets of delivery drones. It'll be tough enough for engineers to figure out a system that keeps drones from a bunch of different companies like Amazon and Google from colliding. (Don't worry, NASA's working on it.) But gusts of wind will complicate that communication—what happens when an unanticipated swoosh blows a drone into a building, or another drone? That's why engineers have to use wind tunnels like Caltech's to better understand how different wind conditions affect these vehicles individually, and as a group.
And if you think that sounds tough, wait until you try flying on Mars. In addition to its terrestrial experiments, Caltech is working with NASA to test a Mars helicopter, which could accompany future rovers as a scout. The idea is to test in the drone arena, then do further testing in a vacuum chamber to simulate the thinner atmosphere of Mars. "Of course we cannot change gravity," says Gharib, "but we can test whether this machine can fly in much thinner air," he says.
The future of flight both at home and far, far abroad is taking shape in the Caltech drone arena. Take that, wind.
More drone awesomeness
Delivery drivers beware: the skies are about to be filled with package-delivering drones. But will this really be any more efficient?
What's a drone, you might ask? We've got your complete guide here.
Drones are useful for all kinds of things, really, including lifting power lines into place in Puerto Rico.
Matt Simon is a science journalist at WIRED, where he covers biology, robotics, cannabis, and the environment. He's also the author of Plight of the Living Dead: What Real-Life Zombies Reveal About Our World—And Ourselves, and The Wasp That Brainwashed the Caterpillar, which won an Alex Award.
To Make Better Robots, You Gotta Crash Tiny Drones Into People First
Welcome to the wild world of human-robot interaction, the quest to get humans and robots collaborating without hurting each other.
Topicsdronesrobotics


text:
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Enquiry from the Adrian Alan Website (REF: B73730)
I am writing to enquire about the following item which I saw on the Adrian Alan website: "A Rare & Important Set Of Twelve George I Style Carved and Part-Silvered Walnut Dining Chairs"
LENYGON & MORANT (born c.1920) Full Bio
A Rare & Important Set Of Twelve George I Style Carved and Part-Silvered Walnut Dining Chairs
REF No. B73730
England, Circa 1920
H 115 cm | 45 in
W 90 cm | 35 in
D 60 cm | 23 in
A Rare and Important Set Of Twelve George I Style Carved and Part-Silvered Walnut Dining Chairs.
This fine set of dining chairs comprises ten armchairs and two grand end chairs, or carvers, with arms.
Each chair has a shaped cresting rail above scrolled uprights and a vase shaped splat, the outward curving arms terminating in scroll ends above a drop in gros and petit-point needlework seat, above scrolling cabriole legs headed by lions masks and put down on ball and paw feet to the front and pad feet to the rear. Each chair is enriched all over with shells, fretbands and strapwork highlighted in silver.
The design for this important set of chairs is faithfully taken from a remarkable set of mid-eighteenth century giltwood and gesso seat-furniture in The Royal Collection. The set consists of 30 side chairs, now in the Queen's Audience Chamber at Windsor Castle, a further pair of settees in the Royal Collection [RCIN 33392], and a single settee in the Metropolitan Museum of Art, New York [24.136.1]. The chairs traditionally thought to have been made for Stowe House, Buckinghamshire, were traditionally attributed to James Moore (d.1726), but are now thought more likely to be by his assistant Benjamin Goodison (1700-1767). The chairs were acquired for the Royal Collection by Queen Elizabeth The Queen Mother.
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Lenygon & Morant were the leading cabinetmakers of the Edwardian age specialised in historic styles that evoked the Queen Anne, William & Mary and Georgian taste.
Francis Lenygon (1877-1943) was trained as a cabinetmaker and studied at the South Kensington Museum in London. By 1900, he found work with Art Workshops, Ltd., and soon after with Charles Duveen, son of Sir Joseph Duveen. Employed by C.J. Charles for several years, Lenygon became well-known as cabinetmaker to England's aristocracy.
He opened his own firm, Lenygon & Co., in 1904, and in 1909 merged with Morant & Co., to become Lenygon & Morant, with premises at 31 Old Burlington Street.
Lenygon published his seminal book 'Decoration and Furniture of English Mansions during the Seventeenth and Eighteenth Centuries' in 1909 and featured a series of illustrations showing several pieces acquired by the firm in situ at their Burlington Street studio.
Lenygon made a name for himself by acquiring complete period rooms, including a Dutch Painted Room from Groningen, Holland and others, which were described as 'the most interesting and important complete room[s] – both historically and artistically – which has ever been exhibited (Lenygon & Morant, Description of the Painted Room in the Collection of Messrs Lenygon & Co. Ltd, 1910).
The firm received commissions from many prominent patrons, including industrialists, aristocrats and the Royal family. The firm held royal warrants under four successive kings: Edward VII, George V, Edward VIII, and George VI.
In March 1939 they created three gilt-wood twelve-branch chandeliers based on one originally supplied to George II, at a cost of £92 each, for The Throne Room, Windsor Castle, presented to Her Majesty Queen Elizabeth by The Hon. Sir Richard Molyneux, KCVO. They remain in the Royal Collection in the Garter Throne Room at Windsor Castle.
Travelling to the United States as early as 1910, Lenygon gained several wealthy and sophisticated clients who relied on him to furnish authentic and replica interiors in period styles. The firm received numerous commissions from prominent American collectors, including Nelson Rockefeller, who hired Lenygon to consult on the reconstruction of Colonial Williamsburg and its Governor's Palace.
Lenygon was widely known for his expertise in 17th- and 18th-century British furniture and interiors and lectured widely on the subjects. He served as president of the American Institute of Decorators and the Art and Antiques Dealers League of America. He was also a Fellow of the Royal Society of Arts and the North British Academy.
Lenygon died in New York City in 1943. He was survived by his second wife, Jeanette Becker Lennygon, whom he married in 1926. Jeannette was also a well-respected interior designer, best known for her redecoration of several rooms in the White House during John F. Kennedy's presidency and for the interior redesign of Gracie Mansion for New York mayor John Lindsay. Jeannette died in Evanston, Illinois, in 1977.
The company was renowned for both their historical knowledge and the quality of their production.
The company acquired the cabinetmaking firm Howard & Sons (1820-1934) in 1934. In 1935 Howard and Sons traded from 31 Old Burlington St where they produced mainly upholstered furniture. They ceased trading in 1947 and then advertised as 'Makers of Howard Chairs and Sofas' by Lenygon and Morant when the company later moved to 48 South Audley St in 1954 just a stone's throw away from our gallery at numbers 66-67.
Adrian Alan Ltd | 66/67 South Audley Street, London W1K 2QX
t + 44 (0)20 7495 2324 | f + 44 (0)20 7495 0204 |
e enquiries@adrianalan.com
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text:
El Conjunto Arqueológico Dólmenes de Antequera (CADA) es una institución cultural española de naturaleza museística de la Consejería de Cultura y Patrimonio Histórico de la Junta de Andalucía que se encarga de la tutela de la Zona Arqueológica denominada "Dólmenes de Antequera", en la provincia de Málaga. El ámbito arqueológico de los dólmenes de Antequera está formado por los dólmenes que le dan nombre (dolmen de Menga, dolmen de Viera y tholos de El Romeral) así como por una serie de yacimientos directamente relacionados con esta necrópolis (Cerro del Marimacho o Cerro de Antequera y yacimiento de Carnicería de los Moros o Villa Romana de Antequera).

Estos bienes han sido declarados Patrimonio Mundial en el año 2016 en la figura denominada Sitio de los Dólmenes de Antequera, junto a la Peña de los Enamorados y el Paraje Natural de El Torcal de Antequera.

Esta institución forma parte de la red de Museos de Andalucía, siendo el conjunto arqueológico más antiguo de todos en la fecha de declaración de sus bienes (1886). Tiene en común con el Conjunto Arqueológico de Carmona ser pionero en España en la apertura al público desde finales del siglo XIX; y en común con Madinat-Al-Zahra que ambos funcionan como servicios administrativos con gestión diferenciada.

Zona arqueológica
El Conjunto Arqueológico Dólmenes de Antequera ejerce su tutela sobre dichos bienes en dos recintos. El recinto primero se encuentra en el borde urbano noreste de la ciudad de Antequera, abierto visualmente a la vega y ocupando un área de 7,5 Ha de suelo; comprende las zonas denominadas Campo de los Túmulos (o zona monumental donde se encuentran los dólmenes de Menga y Viera), Cerro del Marimacho y el Llano de Rojas (espacio intermedio entre ambas colinas). El recinto segundo se encuentra en la vega de Antequera, camino de la Peña de los Enamorados, a una distancia aproximada de dos kilómetros respecto al primero; en él se encuentra el tholos de El Romeral.

Esta necrópolis prehistórica ilustra:
 un período que abarca desde el Neolítico (dolmen de Menga) hasta el Calcolítico (tholos de El Romeral)
 las dos tipologías espaciales posibles de sepulcro: de corredor/rectangular (Menga y Viera) y de cámara/circular o tholos (El Romeral)
 las dos soluciones constructivas posibles: adinteladas/tradición atlántica (con grandes piedras a modo de ortostatos y cobijas) y abovedadas/tradición mediterránea (a base de mampostería aparejada por aproximación de hiladas)
 las orientaciones celestes al sol en el amanecer de los equinoccios (Viera) o al mediodía del solsticio de invierno (El Romeral)
Además incorpora las siguientes singularidades:
 Menga es en su interior el dolmen de mayor tamaño conservado en Europa, de manera que presenta una solución constructiva de pilares intermedios desconocida en otros ámbitos
 Menga presenta en el fondo de la cámara un pozo estrecho y profundo, por estudiar, del que no hay referencias conocidas en otros monumentos megalíticos
 Los túmulos de los tres dólmenes se encuentran intactos, algo infrecuente en la península ibérica, a destacar por el valor de autenticidad que implica en la percepción del bien
 Menga y El Romeral tienen una orientación terrestre hacia la Peña de los Enamorados y la sierra de El Torcal, respectivamente, sin precedentes conocidos, dando lugar a una integración singular excepcional de estos bienes culturales con su paisaje

Dolmen de Menga

Dolmen de Viera

Tholos de El Romeral

Cerro del Marimacho
También denominado Cerro de Antequera, se conoce su existencia a partir de un primer estudio publicado en 1977 por Juan Antonio Leiva Rojano y Bartolomé Ruiz González. Un estudio posterior de materiales de superficie ha permitido caracterizar el yacimiento como un pequeño poblado calcolítico ya entrado en la etapa campaniforme.

Carnicería de los Moros
También denominada Villa romana de Antequera, aún no ha sido excavada aunque algunas de sus estructuras se observan directamente, como su ninfeo.

Historia de la institución
1847. Primera monografía científica sobre el dolmen de Menga del arquitecto Rafael Mitjana y Ardison aunque existen referencias documentales de Menga desde el siglo XVI

1886. Declaración del dolmen de Menga como Monumento Nacional

1896. Primera portada en prensa

1898. Primer proyecto de museo (también llamado "casa para el guarda"), no realizado pero importante como iniciativa pionera en España de musealización in situ de un yacimiento prehistórico

1903. Descubrimiento de la Cueva Chica o dolmen de Viera por José Viera Fuentes y Antonio Viera Fuentes y creación de la Comisión de Monumentos Megalíticos de Antequera, siendo el primer organismo especialmente comprometido con la tutela de los dólmenes de Menga y Viera.

1904. Descubrimiento del sepulcro del Cerrillo Blanco o tholos de El Romeral por José Viera Fuentes y Antonio Viera Fuentes. Estos descubrimientos propician el interés por la zona de un gran número de investigadores como: Ricardo Velázquez Bosco, José Amador de los Ríos, Hugo Obermaier y Grad, Adrien Mortillet, Pierre Paris, Cayetano de Mergelina, Wilfrid James Hemp, el matrimonio Leisner y Simeón Giménez Reyna, si bien tenemos que destacar como pionera en la labor de difusión de los trabajos que a partir de ese momento se desarrollarían a este respecto la obra de Manuel Gómez-Moreno Martínez Arquitectura tartesia: la necrópoli de Antequera

1923. Declaración conjunta de los dólmenes de Menga y Viera como Monumento Nacional

1931. Declaración del tholos de El Romeral como Monumento Histórico Artístico y constitución de la Junta de Protección de Monumentos Megalíticos Antequeranos, asesorada por el profesor Hugo Obermaier y Grad

1966. Se comienza a gestionar la visita pública de manera integrada con el resto de la ciudad a través del Museo de Antequera

1973. Integración en el Patronato Nacional de Museos, quedando vinculados los dólmenes al Museo de Málaga

1984. Comienzo de la gestión autonómica con las transferencias de las competencias en materia de cultura a las comunidades autónomas asumiendo la gestión de los dólmenes la Delegación Provincial de Cultura de Málaga

1986. Constitución del Conjunto Arqueológico Dólmenes de Antequera como unidad administrativa

1999. Comienza el Proyecto General de Investigación Plan Director de los Dólmenes de Antequera

2004. Bartolomé Ruiz González se incorpora como primer director del Conjunto

2006. Celebración de las primeras Jornadas Técnicas del Conjunto

2009. Celebración del primer Curso de Otoño Antequera Milenaria, como una actividad de formación encaminada a transferir el conocimiento generado

2009. Declaración de los dólmenes de Antequera como Bien de Interés Cultural en la categoría de Zona Arqueológica

2010. Transformación en servicio administrativo con gestión diferenciada por razones de especialización funcional e identificación singular del servicio público ante la ciudadanía

2010. Celebración del primer Congreso de Prehistoria de Andalucía, como una actividad científica de frecuencia bianual que pretende crear un espacio común de reflexión sobre la Prehistoria de Andalucía, aunar propuestas de trabajo procedentes tanto de la administración cultural como de la universidad y crear una plataforma de debate

2010. Publicación del primer número de Menga. Revista de Prehistoria de Andalucía , especializada en la divulgación científica de trabajos de investigación de calidad centrados en el análisis y estudio de las sociedades prehistóricas del sur de la península ibérica

2011. Aprobación del primer documento de planificación, el Avance del Plan Director, con vigencia 2011-2018

2015. Candidatura española del Sitio de los Dólmenes de Antequera a la Lista del Patrimonio Mundial

2016. Declaración de Patrimonio Mundial del Sitio de los Dólmenes de Antequera (Antequera Dolmens Site)

Tutela del Bien de Interés Cultural
Como conjunto cultural/institución museística planifica la tutela de los bienes conforme a un Plan Director/Plan Museológico, que es la figura de gestión prevista por la Ley 14/2007 del Patrimonio Histórico de Andalucía -en su art.79- y la Ley 8/2007 de Museos y Colecciones Museográficas de Andalucía  -en su art.26- para sistematizar el programa de necesidades en materia de investigación, protección, conservación, difusión y gestión de los bienes tutelados.

Entre sus competencias se encuentra no sólo la administración y custodia de la Zona Arqueológica o la propia redacción de dicho documento de planificación sino facilitar el acceso a los visitantes e investigadores y gestionar iniciativas culturales que impulsen el conocimiento y la difusión de los dólmenes, en cooperación con instituciones afines.

Cuenta con una Comisión Técnica como órgano consultivo y de asesoramiento -de carácter interdisciplinar y paritario-, entre cuyas funciones se encuentra informar de los programas y proyectos del Plan Director y del Plan Anual de la institución, proponer medidas para la conservación de la zona arqueológica y dictaminar acerca de cuantas cuestiones le sean sometidas.

Véase también
Sitio de los Dólmenes de Antequera

Referencias

Bibliografía

Enlaces externos

 Página institucional Publicaciones disponibles en línea.
 Presentación del Conjunto Arqueológico en el Proyecto "Maravillas de Andalucía" de Google Arts&Culture: imágenes, exposiciones virtuales, visitas 360º
 Canal oficial Youtube del Conjunto Arqueológico Dólmenes de Antequera
 Junta de Andalucía. Tour virtual de los Dólmenes de Antequera
 Documental de los servicios informativos de TVE: PASTOR, Ana; CALVO, Ana (prod.); MONTERO, Matías (dir.) (2016): La mirada de los dólmenes. Programa "Crónicas", emitido el 31-03-2016
 Documental de los servicios informativos de Canal Sur TV: BARRIO, Rodrigo del (prod.), CÁTEDRA . Luis (ed.) (2016): Los pilares de la civilización. Programa "Los reporteros", emitido el 07-07-2016, a partir del minuto 25:20
 Documental "Arqueomanía"ː NAVARRO, Manuel (prod.); PIMENTEL, Manuel (dir.). "Antequera. Un imperio del neolítico" emitido en La 2 de TVE el 7 de abril de 2021

Prehistoria de España
Megalitismo
Museos arqueológicos de Andalucía
Museos de la provincia de Málaga
Museos de España inaugurados en 1986

redpajama_set_name: RedPajamaWikipedia


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text:
Q: How to iterate a Pytest test with fixture which does setup and teardown I am very new to pytest.
There is a test_conf dir which has several test config files.

*

*
test_conf

*
        test_conf1

*
        test_conf2

Here is my test function.
conf_files function gets all test_conf files from that dir and returns a list.
@pytest.mark.parametrize('test_conf', conf_files())
def test_performance_scenario_1(fixture1, test_conf):
    do_some_thing(test_conf)

The fixture1 does setup and teardown for this test.
My proposal is for each test conf file from test_conf, we run test function to do some test against it.
My question is how to pass each element of test_conf to fixture1, since I need to do some initialization in fixture1 setup step which needs the test conf file.
Any help is appreciated.

A: I think what you're looking for is parameterised fixtures. So instead of passing the conf files to your test, you pass it to the fixture, which does the setup/teardown with the particular conf file.
definition of your fixture1:
@pytest.fixture(scope="module", params=conf_files())
def fixture1(request):
    # The pytest fixture `request` gives you access to the params defined in the annotation.
    conf_file = request.param
    # setup / teardown logic
    ...

Then in your test, it suffices to only pass the fixture:
def test_performance_scenario_1(fixture1):
    # do_some_things


text:
Chatwood, Cubs sweep Brewers with 2-0 win
By JAY COHEN , AP Sports Writer, Associated Press
Chicago Cubs starting pitcher Tyler Chatwood throws against the Milwaukee Brewers during the third inning of a baseball game Sunday, April 29, 2018, i... Chicago Cubs starting pitcher Tyler Chatwood throws against the Milwaukee Brewers during the third inning of a baseball game Sunday, April 29, 2018, in Chicago. (AP Photo/Nam Y. Huh)
Milwaukee Brewers starting pitcher Zach Davies throws against the Chicago Cubs during the second inning of a baseball game Sunday, April 29, 2018, in ... Milwaukee Brewers starting pitcher Zach Davies throws against the Chicago Cubs during the second inning of a baseball game Sunday, April 29, 2018, in Chicago. (AP Photo/Nam Y. Huh)
CHICAGO (AP) — Tyler Chatwood pitched seven sparkling innings and helped himself with an RBI single, leading the Chicago Cubs to a 2-0 victory over the Milwaukee Brewers on Sunday and a sweep of the four-game series between NL Central rivals.
Chatwood (2-3) allowed two hits, struck out four and walked three in his second straight win. Carl Edwards Jr. worked the eighth and Brandon Morrow got three outs for his seventh save in seven chances, finishing Chicago's second straight shutout and its fifth just this month against Milwaukee.
The Brewers had won eight in a row before they were held to two runs and 14 hits in the sweep by the Cubs. Chicago's starting pitchers — Kyle Hendricks, Yu Darvish, Jose Quintana and Chatwood — allowed an unearned run and 11 hits in 27 innings in the series.
Addison Russell had two hits, a sacrifice fly and scored a run as the Cubs improved to 7-1 against the Brewers this year and moved a season-high five games above .500.
Zach Davies (2-3) kept Milwaukee in the game for most of the day, but Chicago got to the right-hander for a run in the fifth and sixth.
Russell led off the fifth with a triple into the right-field corner. Davies then struck out Jason Heyward, but Chatwood lined a run-scoring single back up the middle for this first hit of the season.
Davies hurt himself in the sixth, hitting Anthony Rizzo with one out after Chatwood threw one up and in on Lorenzo Cain in the top half of the inning. Rizzo lingered in the batter's box for a bit before going to first.
Willson Contreras followed with a double and Kyle Schwarber was intentionally walked to get to Russell, who drove in Rizzo with a fly ball to center for a 2-0 lead.
Wade Miley is joining Milwaukee's rotation, bumping Brent Suter to the bullpen. The 31-year-old left-hander will make his first start with the team on Wednesday in Cincinnati.
Miley struck out 11 while pitching six scoreless innings for Double-A Biloxi on Friday, and the Brewers had to decide by Sunday whether to add him to the team or allow him to become a free agent.
"We thought he threw the ball very well on Friday night in Biloxi and think he earned that opportunity," manager Craig Counsell said.
Brewers: RHP Jimmy Nelson, who is coming back from right shoulder surgery, has been throwing from 150 feet for a while, but Counsell said the team remains pleased with his progress. "He's not stuck. He's playing catch and he's got to clear hurdles to get to the next step," Counsell said. "Everything's in our eyes going really well."
Brewers: Jhoulys Chacin (2-1, 3.99 ERA) pitches Monday night in the opener of a three-game series in Cincinnati. The right-hander is 2-0 with a 1.54 ERA in his last two starts. Left-hander Brandon Finnegan (0-2, 8.03 ERA) gets the ball for the Reds.
Cubs: Jon Lester (2-1, 3.29 ERA) faces Rockies left-hander Kyle Freeland (1-3, 4.33 ERA) on Monday night in the opener of a three-game set. Chicago won two of three against Colorado last weekend at Coors Field.
Jay Cohen can be reached at http://www.twitter.com/jcohenap


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text:
Пітфей, також Піттей () — син Пелопа й Гіпподамії, брат Атрея й Тієста, батько Етри, дід Тесея, тройзенський володар.

Міф про Пітфея
Афінський цар Егей, не маючи спадкоємця-сина та переслідуваний невдачами, звертається по пораду до Дельфійського оракула. Піфія переказує йому не вживати вина до повернення в Афіни, аби одного разу не померти від горя. Повертаючись через Тройзен, Егей розповів пророкування піфії тамтешньому царю Пітфею. Останній, здогадуючись, що знаки долі віщують народження героя, відвів афінського володаря на ложе своєї дочки Етри, верховної жриці Тройзена.

Література
 Словник античної міфології. — : Наукова думка, 1985. — 236 сторінок.

Персонажі давньогрецьких міфів
Давньогрецькі правителі


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An innovative and highly functional cabin bed offering incredible versatility with three storage drawers, a cupboard, shelf and desk neatly integrated into a sharp, contemporary design. A sleek matt finish in white and charcoal grey makes the Cookson Cabin Bed the perfect combination of style and practicality for any children's or teenager's bedroom.
Allows your body to mould to the memory foam creating a natural cool surface. The mattress has a high density base support foam that will provide the correct support and posture when when you need it the most.
GREAT CHOICES HERE!! With or Without Drawers OR Underbed. Grey OR White! Call us for mattress discounts!
The Elly is a stunning All White Bunk Bed that is sure to suit any child's bedroom. Fun yet functional, the Elly can sleep up to 3 with the addition of the Elly Underbed (sold separately). Due to Bunk Bed Safety Regulations, We recommend the Premier or Platinum Mattresses are suitable for use on the upper bunk (max of 18cm Deep).


Johnny Ryan was born in Boston, MA, and lives in Los Angeles, CA. He created the obnoxious, hilarious Angry Youth Comix, the scatalogical Blecky Yuckerella, and the ultraviolent Prison Pit. He's also drawn transgressively hilarious and politically incorrect comics for Vice. In collaboration with cartoonist Dave Cooper, he created the Nickelodeon TV series Pig Boat Banana Cricket.