Tag Archive | "Bill Of Rights"
SACRAMENTO — Attorney General Kamala D. Harris today announced the appointment of Professor Katherine Porter of the University of California, Irvine School of Law as the California monitor of the commitment by the nation's five largest banks to perform as much as $18 billion worth of homeowner and borrower benefits in the state. Attorney General Harris' decision to appoint a California monitor was made independent of the national settlement, and Professor Porter's role is focused exclusively on ensuring compliance in California.
This California commitment is part of a national federal-state mortgage settlement penalizing robo-signing and other servicing and foreclosure misconduct that is currently pending approval in a federal court in Washington, D.C. Upon approval of the settlement, California's monitor will assist the Attorney General's office in holding the banks accountable for their commitments to the state and ensuring that the promised benefits are delivered to homeowners in full and on time.
"Hundreds of thousands of California homeowners will benefit from the commitments of up to $18 billion extracted from mortgage lenders. We must enforce full and timely compliance with these commitments, and the appointment of Professor Porter as our California monitor is central to that enforcement," said Attorney General Harris. "Professor Porter's wealth of experience and knowledge will protect the interests of homeowners and ensure the settling banks deliver on their promises," Attorney General Harris continued.
Katherine Porter is a Professor at University of California, Irvine School of Law. She specializes in commercial and consumer law, including mortgage foreclosures and bankruptcy, and just released a book, Broke: How Debt Bankrupts the Middle Class. In 2007, Porter authored an empirical study that offered some of the first systemic evidence of the problems in mortgage servicing that harmed homeowners. She has worked with other government entities, including the Federal Trade Commission and the Consumer Financial Protection Bureau, on issues relating to mortgage servicing.
Upon approval of the settlement, Professor Porter will verify the extent and timeliness of lenders meeting their obligations to California homeowners. Using information obtained by the national monitor of the mortgage settlement, former North Carolina Commissioner of Banks Joseph Smith, Professor Porter will review lender filings, homeowner reports and complaints, and other compliance documents to ensure that benefits committed by the banks are performed and result in meaningful relief to California borrowers. She will regularly report the results of her findings to the Attorney General's Office.
The appointment of Professor Porter as the state's monitor is one of a series of enforcement mechanisms to ensure transparent compliance with the national settlement and the separate California agreement. Bank of America, Wells Fargo, and JP Morgan Chase will face significant financial penalties if they do not meet their guarantee of a minimum of $12 billion in principal reductions and short sales for homeowners within the state. Unlike the larger national agreement, which is only enforceable in a federal court in Washington, D.C., the agreement reached with California empowers Attorney General Harris to enforce the penalty provisions in California state court.
California secured the estimated $18 billion in borrower benefits and relief as part of a national multistate settlement to penalize robo-signing and other bank servicing and foreclosure misconduct. The agreement comes after California departed from the multistate negotiations last September when the relief to California was estimated at $4 billion. Attorney General Harris insisted on more relief for the most distressed homeowners, on stronger enforcement provisions, and that California and other states preserve key investigations into mortgage misconduct.
California's separate commitment also creates important incentives to ensure that banks will reduce the principal mortgage balance of underwater homeowners in California's hardest-hit counties and that the principal reductions in these and other California communities will occur within the first year of the settlement. Professor Porter will ensure that both the California-specific and national settlements are properly implemented in the state.
Attorney General Harris earlier this month joined Assembly Speaker John A. Pérez, Senate President pro Tem Darrell Steinberg and other state legislators to unveil the California Homeowner Bill of Rights, designed to protect homeowners from unfair practices by banks and mortgage companies and to help consumers and communities cope with the state's urgent mortgage and foreclosure crisis. The legislation would make permanent and available to everyone the interim reforms agreed to as part of the California commitment, including a single point of contact for mortgage-holders and restrict the unfair and inherently deceptive system of dual-track foreclosures. State legislators authoring key components of the Homeowner Bill of Rights include Assemblymembers Wilmer Carter, Mike Davis, Mike Eng, Mike Feuer, Holly Mitchell, Nancy Skinner, Senate President pro Tem Darrell Steinberg, and Senators Mark DeSaulnier, Loni Hancock, Mark Leno, and Fran Pavley.
Attorney General Harris also continues her work to have the Federal Housing Finance Agency authorize Fannie Mae and Freddie Mac – holders or guarantors of over 60 per cent of California mortgages – to participate in targeted programs of principal reduction that will benefit struggling homeowners, stabilize the country's housing market, and benefit taxpayers.
The state's Mortgage Fraud Strike Force continues its work to crack down on all forms of mortgage misconduct. Earlier this month, three prominent attorneys were arrested and are accused of running a loan modification scam.


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Pogue: Northwest Arkansas Needs Innovation Push
by Marty Cook
Wednesday, Nov. 6, 2019 11:34 am 2 min read
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Greg Pogue, deputy executive director for the IC2 Institute of Austin, Texas. (Marty Cook)
Northwest Arkansas has an enviable history of entrepreneurial success, but the region will have to embrace changes for continued long-term growth.
Greg Pogue gave a presentation at the State of the Northwest Arkansas Region luncheon on Tuesday. Pogue is the deputy executive director for the IC2 Institute in Austin, Texas, a think tank that researches economic development, innovation and entrepreneurship.
Over the past year, Pogue and his team visited northwest Arkansas numerous times and conducted interviews with leaders and residents. The Economic Development: Generating Entrepreneurs (EDGE) study was funded by the Walton Family Foundation.
"In this region, you start with an extraordinary strong foundation," Pogue said.
The success of Walmart Inc. of Bentonville, Tyson Foods Inc. of Springdale and J.B. Hunt Transport Services Inc. of Lowell are well known, and the University of Arkansas in Fayetteville adds a Tier 1 research university to the area's strengths. But those aren't enough, Pogue said, because the comfort and stability brought by past successes can prevent an ambitious, risky future.
Pogue said northwest Arkansas leaders should coordinate a region-wide strategy of "Innovate Again, Innovate Here."
"You are going to have to disrupt because ultimately entrepreneurship is chaotic, it's risky and it's unpredictable," Pogue said. "That is not the same as a corporate environment."
Pogue said the study found that the area has become siloed — many residents don't want to go more than seven minutes away from home — and that prevents regional collaboration. Complacency and comfort are not the allies of innovation.
"This region has improved but continues to struggles with innovation," Pogue said. "Companies don't invent here; they invent at other places at innovation centers. The University of Arkansas has a modest history of innovation in terms of patents. There has also been a decline in startup activity as well as a decline in funding."
Pogue said he was encouraged that Tyson and J.B. Hunt are focusing on innovation centers in northwest Arkansas and the University of Arkansas will launch a Data Science degree next year. The area has great assets and could make strong moves in industries such as retail and logistics and food and technology.
"In our opinion, you need to focus on things you can win at," Pogue said. "One thing that has not been solved in America is dinner. One thing you can win that Amazon can't win is brick and mortar for locality and freshness."
Pogue said northwest Arkansas could link its food industry with the university's science and agriculture schools to make real inroads in the sector. The key is to have all the players work together, creating density.
University of Arkansas, Tyson Foods Inc., J.B. Hunt Transport Services Inc., Walmart Inc., Greg Pogue
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Q: How to increase the limit size of body's message PHP Stomp My question is in the title...
It work's well when I send a message, but when I read this message with stomp->readFrame() , Stomp return me false.
Thank you.

A: after creating connection you have to subscribe the queue also.
and for send the message you can connect and sent message.
follow thees step for read frame:
$link = stomp_connect('ssl://localhost:61612');
 stomp_subscribe($link, '/queue/foo');
 $frame = stomp_read_frame($link);
 stomp_close($link);

I think it may help you.

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Part of my dissertation project is compiling a database of extant copies of Ibāḍī siyar from North Africa. One element of the database is cataloging the paper upon which these copies were written. Since these copies are often undated, an examination of the watermarks usually proves helpful when attempting to assign an approximate date of transcription. Most recently, I had the opportunity to examine a handful of these manuscripts at the Barouni family library in Djerba (Tunisia).
As was the case with the manuscripts I examined last year at the Bibliothèque Nationale de Tunisie, the majority of these copies are written on paper of Italian provenance. There, the dates of the paper ranged from the early 17th century to the 20th century. In the case of the Barouni library, a surprisingly early copy of al-Darjīnī's Kitāb al-ṭabaqāt was written on a paper bearing a "Bull's Head" watermark (Bārūnī MS 81, see photo). While precise dating will be tricky, this mark disappeared after the 16th century. (1) Thus far, this is the earliest copy of this work I have encountered.
The other manuscripts in the collection included an additional copy of al-Darjīnī's Ṭabaqāt, 3 copies of al-Barrādī's Kitāb al-jawāhir, one copy of Siyar al-Wisyānī, and one copy of al-Shammākhī's Kitāb al-siyar. While later research will help me pin down the provenance of the paper in each case, it is remarkable that watermarks on all of them (including "Anchor," "Crown, Star, Crescent," "Tre Lune") suggest not simply Italian but more specifically Venetian provenance. (2) Much of the collection of the Barouni family library came to Djerba from Egypt via Jabal Nafusa in the early 19th century. (3) In other cases, however, books were added to collection after being purchased in Tunis or the Jabal Nafusa. In many ways, this confirms what T. Walz has demonstrated regarding Italian dominance in paper trade with Egypt (4). In the specific case of the Ibāḍīs of North Africa, however, it raises questions as to how this paper came to places like Tunis, Jabal Nafusa, and Djerba itself when not purchased in Egypt. Was the paper imported to Egypt and then transferred to North Africa, as was in the case of West Africa? Or was there direct purchase of paper from Venetians in port cities along the North African littoral?
يشتمل مشروع الأطروحة جمع بيانات حول النسخ الموجودة من بعض كتب السير عند الإباضية. بما أنّ المخطوطات لا تحمل تاريخا محددا في الكثير من الأحيان فأنّ العلامات المائية قد تساعد في بعض الأحيان في تحديد تاريخ النسخ. في الأسبوع الماضي، كانت لديّ الفرصة أن أحلل بعض المخطوطات في المكتبة البارونية في جربة (تونس). كما كانت معظم المخطوطات التي حلّلتها في المكتبة الوطنية التونسية، ترجع أغلبية الأوراق التي كُتبت عليها هذه النصوص إلى مصانع إيطالية (من القرن ١٧ إلى القرن ٢٠ الميلادي). ولكن في ما يتعلّق بالمكتبة البارونية، فوجئت من نسخة مبكرة نسبيا من "كتاب الطبقات" للدرجيني تحمل العلامة المائية المسمية بـ"رأي الثور" (انظر الصورة) التي لم تُستعمل بعد القرن ١٦ الميلادي (1). هذه النسخة هي أقدم نسخة من الطبقات التي رأيتها شخصيا حتى الآن.
بالإضافة إلى ذلك، أكثرية العلامات في المخطوطات الأخرى ترجع ليست إلى إيطالية فحسب بل وإنّما إلى مدينة فينيسيا (البندقية) تحديدا(2). أغلبية المخطوطات في المكتبة وصلت إلى جربة من مصر في بداية القرن التاسع عشر(3). يشجّع هذا كله ما قاله الدكتور تارنز والز في مقاله حول هيمنة الإيطاليين في تاريخ تجارة الورق في مصر(4). هذه المعلومة تثير أسئلة كثيرة حول كيفية وصول الأوراق هذه إلى المغرب العربي. في بعض الحالات، المخطوطات جاءت من مصر ولكن في بعض الحالات الأخرى نعرف أنّ المخطوطات نُسخت في تونس أو جبل نفوسة.
(1) C. Briquet, "II. Tête de boeuf à yeux" in Les Filigranes (V.4), 730-2.
(2) E. Heawood, Watermarks: Mainly of the 17th and 18th Centuries, 22-24.
(4) Walz, "The Paper Trade of Egypt and the Sudan in the Eighteenth and Nineteenth centuries and its Re-Export to the Bilād al-Sūdān," in Krätli and Lydon, (eds.), The Trans-Saharan Book Trade, (Brill 2011), 73-108.


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The American Civil War---in 1790?
The American Civil War broke out in 1861. As early as 1790 it was already a concern. The Revolutionary War against the British had been won. By 1787 the Constitution of the United States had been signed and Congress had approved it. Slavery had been kept alive legally by the new nation's constitution and everyone could move on, right?
The answer to that question was no. The issue of slavery had been so huge that the people who met to put our country together couldn't. They couldn't until they agreed to keep it. After that they couldn't agree to stay together until they agreed many more times to keep it. One of those times came in 1790. The northern states wanted a strong central government and the southern states did not. The northern states wanted the nation's new capital city to be in the north. The southern states wanted it in the south.
This conflict led to the Compromise of 1790. President Thomas Jefferson invited Alexander Hamilton and James Madison to his house in New York City. Each man got what he wanted for his side. Hamilton got a strong central government that would pay back the money the states had borrowed to fight the Revolutionary War. Madison got the right to choose where the new capital city would be located. That was important because it allowed the capital to be located right in the middle of slave country. That fact alone meant that it would be very hard for those in the north who were against slavery to do anything about it -- like stopping it.
So how would it work? The states of Maryland and Virginia would give up a part of their land for the new capital city. Since they were across the Potomac River from each other that was easy to do. Maryland and Virginia were also the states that had the most slaves. Together more than half of all the slaves in the new country lived in Maryland and Virginia. That would mean that if war broke out between the northern and the southern states the capital would be right in middle of slave country.
Of course we know that it didn't work. Many other compromises would be tried to keep it all together but war would come. Slavery was too big an issue. It had to be fixed or there must be war. They knew it in 1790 when the country was just a few years old.
The Compromise of 1790 was so important that the Broadway play Hamilton includes a song about it. The name of the song is "The Room Where it Happens."
Civil WarClifton Berry May 26, 2016 black history, civil war, Hamilton, James Madison, politics, The American Civil War, The Compromise of 1790, Thomas Jefferson
Roots, Roots 2016, and Memorial Day
Black HistoryClifton Berry May 27, 2016 Abraham Lincoln, black history, civil war, George Washington, Memorial Day, Roots
Georgetown University, 272 Slaves Sold, and the Making of a Nation
Black HistoryClifton Berry May 20, 2016 Adam Roth, black history, Georgetown University, Rachell L- Swarns, Richard J- Cellini


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Sneetches are Sneetches. Star-Belly Sneetches are no better or worse than Plain-Belly Sneetches, even though they might think so. Sylvester McMonkey McBean's mechanical machine helps prove this point. In true Seussian aplomb, this film shows that people —and Sneetches— shouldn't be judged by external characteristics.


text:
Die Bressay Kirk ist ein Kirchengebäude der presbyterianischen Church of Scotland auf der schottischen Shetlandinsel Bressay. Es liegt an der Westküste der Insel nahe dem Bressay-Sund. 1977 wurde die Bressay Kirk in die schottischen Denkmallisten in der Kategorie B aufgenommen. Die Kirche ist heute noch als solche in Verwendung.

Geschichte
In früheren Jahrhunderten existierten drei Kapellen auf Bressay. Diese wurden 1722 durch eine Kirche am Standort des heutigen Gebäudes ersetzt. Die heutige Bressay Kirk wurde zwischen 1809 und 1814 erbaut. Sie zählt damit zu den frühesten Kirchenbauten aus dem 19. Jahrhundert auf den Shetlandinseln.

Beschreibung
Die Bressay Kirk ist schlicht gehalten und weist einen länglichen Grundriss auf. Die zweiflüglige, hölzerne Eingangstür befindet sich straßenseitig in westlicher Richtung. Sie ist von der Fassadenmitte nach rechts versetzt. Beiderseits der Türe sind marmorne Gedenktafel für Kriegsopfer vertieft eingelassen. Darüber sind zwei einfach Fenster verbaut, die wie alle Fenster am Gebäude von Faschen aus Sandstein eingerahmt sind. Auf dem Giebel sitzt ein kleiner, offener Glockenturm auf. An der Südseite befinden sich zwei einfache Rundbogenfenster. An der Nordseite ist links der Mitte eine Eingangstüre zu finden; darüber zwei Fenster. An der Nordseite schließt ein kleiner Andachtsraum an. Alle Fassaden sind traditionell mit Harl verputzt.

Einzelnachweise

Weblinks

Bressay
Kategorie-B-Bauwerk auf den Shetlandinseln
Erbaut in den 1810er Jahren
Bressay
Bressay
Presbyterianisches Kirchengebäude in Schottland

redpajama_set_name: RedPajamaWikipedia


text:
The 12 Best Hulu Original Movies Of The Year, Ranked
By Scott Thomas/Dec. 13, 2021 2:50 pm EST
Last year, three months into life in lockdown, Hulu released the perfect lockdown movie. Max Barbakow's "Palm Springs" was more than pleasing cinema — it was the film of its moment, albeit a moment that no one could've or wanted to imagine. A comforting comedy that doubled as a funhouse mirror for the frightening doldrums of pandemic life, "Palm Springs" was a smash, and one that cemented Hulu as an original content force with guts and money to spare. The sky, not COVID, was the limit.
Here's a thing about the sky, though: In 2021, it always felt close to falling. This was true for the film industry, where uncertainty became the new normal, as well as for most of us, who were stuck in a seemingly endless pandemic. So it makes sense that, one month away from 2022, Hulu's track record as a film-producing studio is as chaotic as the fallout from 2020 was, no sharper than the lightning in a bottle it captured through "Palm Springs" last July.
But even if Hulu Originals' slate was sort of a mess in 2021, that mess was not without its redeeming moments. The docket of projects Hulu released from January to December reached for greatness across a range of genres, often achieving electric highs. Were they perfect? No. Thrilling? Absolutely. Here, then, are the 12 best messy and thrilling Hulu Original movies of 2021, ranked.
12) Into The Dark: Tentacles
I want the "Into The Dark" movies to work more often than they do. It pains me to write that sentence, because an anthology series that provides creative freedom, capital, and exposure to indie horror filmmakers is all I want in the world.
And while "Into The Dark" has produced great films over the last few years (Gigi Saul Guerrero's "Culture Shock," for instance, is as socially critical as early Romero and as scary as Nacho Vigalondo's "Pooka" films are iconically batty and comical), this year's offerings don't quite reach those same heights.
Take "Tentacles," the conceptually rich entry from director Clara Aranovich. For most of its first hour, the film is rich with psychosexual dread. It's not clear where the horror will come from, beyond the encroaching sense that the lovestruck protagonists are toxically connected. And, honestly, that's enough! Aranovich is well-attuned to the ways human minds sprint laps to make the impulses of hearts make sense. Turning that into a genre exercise turns out to be a well-founded idea right up until the moment it's not. After a strong start, "Tentacles" descends into unintelligible CGI and jump scares that betray its crafted mood.
11) Into The Dark: Blood Moon
On paper, "Into The Dark: Blood Moon" would seem to be a slam dunk. It's the latest from Emma Tammi, who not only helmed the excellent horror-western "The Wind," but also gave us "Into The Dark: Delivered," a Mother's Day-set chiller that is one of the series' best efforts. That success, however, only seems to have set her up for comparative failure.
Tammi expands the emotional palate of both "Into The Dark" and her own filmography with "Blood Moon," delivering a supernaturally-tinged drama about Esme (Megalyn Echikunwoke) and her moon-weary son, Luna (Yonas Kibreab). It's a story that dips its toe into the horror genre's waters without working up the nerve to dive right into them.
That's a noble aim, to be sure, but Tammi's film fails to place higher on this list because it ultimately misses both its target and the ones closest to it. There's a version of "Blood Moon" that achieves cinematic weight through brevity; there's probably another that becomes a full-throated lycanthrope picture (that's the one I want to see). Unfortunately, "Blood Moon" plays like a two-part pilot, offering up ideas that crackle and simmer under a lethargically-paced and bloated plot. "Into The Dark" has its place, but if "Tentacles" and "Blood Moon" are any indication, there's still room for improvement in 2022.
10) Vacation Friends
John Cena is not compelling when he's a titan of muscle. Despite being built like an adamantium brick, the former WWE mainstay is at his most interesting when he's one of the weaker people in the room. "F9" hinged on this notion. So did the elastic comedy "Blockers." Even John Cena's recent return to wrestling (against Bray Wyatt's The Fiend) was built around Cena's mind unraveling when faced with confronting his flaws. Cena's strength is his fragility.
And so, I'm thrilled to report that Cena's turn as Ron — a wild card of a human chaotic enough to give Charlie Kelly pause — finds the actor compensating for a lot. Ron's attempts to make quick friends with Marcus and Emily (Lil Rel Howery, Yvonne Orji), another couple on vacation in most scenic Mexico, are clearly compensation for his loneliness. The frequent insanity he and his partner Kyla (a scene-stealing Meredith Hagner) incite at Marcus and Emily's wedding months later is compensation for insecurity. If you're going to slot Cena into an '80s-indebted sophomoric comedy, this is the way.
To be fair, Clay Tarver's movie doesn't have quite the breadth of gags to sustain the manic energy of his very game four leads. It dives into the deep end of gross-out humor and threatens to drown therein, often treading water whenever it isn't struggling. Compared to "Palm Springs," "Vacation Friends" suffers mightily. As a jewel in Cena's cinematic crown, however, it shines just brightly enough to belong on this list.
9) The Ultimate Playlist of Noise
Speaking of John Cena, let's define what a "mark" is. In the world of professional wrestling, a "mark" is a person who loses sight of the fact that wrestling's staged while they watch it. They don't fervently believe it's real so much as they get so swept up in the parade of promos, pinfalls, and superkicks that the question of "reality" leaves their mind entirely. A mark gets played.
I mention all of this because I, a film writer, am an absolute mark for "The Ultimate Playlist of Noise." I'm a cancer survivor. I'm a guy who grew up making mixtapes on the daily. Show me a movie about a high school senior (Keenan Johnson) who learns he has to undergo brain surgery that could render him deaf and chooses to fight against his destiny by making a playlist, my critical faculties do a heel turn and quickly vanish. "The Ultimate Playlist of Noise" has its flaws. It has many, many flaws. But its story, however obviously manipulative and calibrated to play heartstrings like an e-bow, just works.
In some ways, this is the exact kind of movie Hulu should be cranking out with regularity — one that would underwhelm in a movie theater but work in a living room, a second screen treat until the moment it grabs your attention like a long-forgotten guitar riff. It doesn't hurt that Johnson and the always incredible Madeline Brewer give it their all throughout, either. Find out if you're a mark for this one, too.
8) The United States Vs. Billie Holliday
Pop music wouldn't exist without Billie Holliday. Her singular interpolations opened the door for decades' worth of idiosyncratic performers, from Nina Simone to Whitney Houston. But her vocal riffs and stellar instrumentations were also weapons for change, ones which dragged our country's sordid history of violence against slaves back into the light on "Strange Fruit." There should be a movie about Billie Holliday, and ideally, it should be a great one.
The good news about "The United States Versus Billie Holliday" is that everything you've heard about Andrea Day's performance holds water. It's lucid, transformative work that's simultaneously three-dimensional and mythic. It isn't the responsibility of an actor to play a real person both as they likely were and as we, the audience, imagine them, but somehow Day takes that task on and makes it look as easy as breathing. She's remarkable.
The movie itself is a slightly different story. Director Lee Daniels ("Precious", "The Paperboy") has never lacked for ambition, but his decision to tell the story of "Lady Day" in hurried scenes that almost trip over themselves in their rush to become as kaleidoscopic as the singer's music is a questionable one, a creative call that may have been made to cover up for an underwritten script. It's ironic that Day's singular spin on Holliday, much like Holliday's take on standards, is what makes "The United States Versus Billie Holliday" so notable in the end. The movie practically wouldn't exist without her.
7) False Positive
The largest complaint one could lodge against "False Positive" is its lack of subtlety; to say the film uses a Donkey Kong-sized hammer when a hand would do is putting it mildly. From its opening, blood-soaked shots of Lucy (Illana Glazer) in a sullied hospital gown to Yair Elazar Glotman and Lucy Ralton's deliberately queasy score, John Lee's movie all but underlines the horror of how terrifying it is to place a woman's future in the hands of men.
To be clear, though: that is objectively terrifying, and the war being waged against women in this country even as I write this is anything but understated. "False Positive" is in conversation with the dread that's become a daily undercurrent for so many. In this way, it succeeds. As a horror film, though? It's a mixed bag.
As "False Positive" grows increasingly menacing and its excellent Dig Inn jokes fade into the background, it becomes less of an effective horror movie and more of a fine genre pastiche. That's a territory previous A24 releases have occupied ("Slice" comes to mind), but it's unclear whether "False Positive" means to settle into that same territory. That said, the film is never less than haunting, and confirms that the tonal elasticity Glazer displayed on "Broad City" isn't limited to sketch-centric comedy. Something doesn't need to be subtle in order to linger in the mind of audiences, and "False Positive" more than proves it.
6) Boss Level
A handful of directors dropped multiple films this year, including Edgar Wright, Doug Liman, and press tour champion Ridley Scott. But the double feature that surprised me the most came courtesy of director Joe Carnahan, who released not one but two crude, sweet spot-smacking action pictures. "Boss Level" is the weaker of the two, admittedly, but it's still a brightly shot, explosion-packed time-loop film that doubles as a treatise on video game cinema while yielding myriad pleasures (not the least of which is Mel Gibson getting sucker-punched).
The concept of "Boss Level" is simple: What if "Groundhog Day" had fight scenes? It follows Roy Pulver (Frank Grillo), a retired Delta Force soldier who winds up living the same day over and over again, one which finds a horde of assassins on his tail. The why involves as much technology and silly mythos as you'd expect, but the detours into existentialist angst are more in line with Carnahan's "The Grey" than "Smoking Aces."
In fact, the best thing about "Boss Level" is how much its sum total feels like Carnahan's entire filmography in one vicious package: It has the eclectic oddballs of "Aces" and the excellent needle drops of "The A-Team." Sure, its action set pieces never strike the highs of, say, "Narc" or the previously-mentioned "Copshop," but let me again remind you that it does feature Mel Gibson getting punched in the face.
5) kid90
In 2021, Hulu's non-fiction offerings were head and shoulders above (most) of their features, beginning with Soleil Moon Frye's deliberately juvenile "kid90." Comprised from hundreds of hours of footage Frye shot across nearly three decades, the film chronicles the director's life as a child starlet in the 1990s (she was "Punky Brewster"), which means appearances from Leo DiCaprio, David Arquette, Stephen Dorff, and countless others who loom in the corners of 30-somethings' memories. It also means the film is half diary, half documentary and the former grants the film an almost transgressive intimacy. "kid90" is built from the sort of photos and clips that tabloids and TMZs repurpose, and seeing them laid bare creates a confrontation with all the ways we've digested them up until now, even unknowingly.
This allows the film's documentary half to serve as a sort of cautionary tale, one removed from the ribaldries of E!'s "True Hollywood Stories." Frye is interested in the intersection between the pop-culture tornado she chronicled and the self-destruction which followed for her and so many others involved ("SeaQuest DSV" star Jonathan Brandis plays an appropriately tragic role here). That "kid90" arrives at no easy answers is simultaneously the most frustrating and moving part of the film, because I — not a child star sucked into a world bigger and richer than myself — don't always have answers for my own life. I don't expect Frye to have them, either; I expect only that she be honest, and "kid90" is nothing if not that.
4) Plan B
In her epic and heart-shredding memoir "In The Dream House," Carmen Maria Machado offers a knockout blow to anyone who rejects diverse representation in storytelling: "[Minorities]...do not deserve representation, protection, and rights because they are morally pure or upright as a people. They deserve those things because they are human beings and that is enough."
Machado is writing about queer villainy in the excerpt above, but no queer villains appear in Natalie Morales' exceptional comedy "Plan B." Queer characters do, however, as do women of Indian and Hispanic descent — and they are given full license to act as raunchy, make just as many screwups, and be as hilariously ribald as their cis male counterparts have for decades. It would be easy to assume that "Plan B," which follows two teens' road trip to acquire a morning-after pill, is fresh because it features diverse representation. It is more accurate to realize that "Plan B" isn't so fresh as it is vital, a story bursting to be told by a cast and creatives who haven't been given the chance to have their say yet.
And do they ever: "Plan B" belongs on any Best Comedies of 2021 list as it delivers memorable line after line after character and moment (you'll never look at piercings the same way again). It also delivers progress. Gloriously, the two aren't mutually exclusive.
3) Jacinta
During the worst of last year's lockdown, I found myself flinching every time I saw someone describe lockdown as "being like prison." We were not trapped inside our homes. We were volunteering confinement. The choice to remain inside, mask up, or distort our everyday lives in the hopes of quelling COVID-19 had as much to do with saving others we could not see as ourselves. We locked down so we could break free.
Jacinta, the titular character of Hulu's recent but already classic documentary, and her mother Rosemary are caught in prisons of their own making. Set over three years inside and out of Maine's Correctional Centers, the movie follows two women a generation apart yet bonded by blood, addiction, and a battle against their shared history. If that sounds difficult to watch, then good — I've described it accurately. A portrait of inherited trauma that scathingly indicts classism amidst the opioid crisis shouldn't be breezy viewing, and (as realized by director Jessica Earnshaw) it's not.
What "Jacinta" is, ultimately, rests in the heart of the viewer. Have they shown endless patience in the face of a loved one's struggle? This film will smack them sideways. Is lockdown the worst thing to ever happen to them? That will strike them all too differently. The shared experience is that "Jacinda" is an artful, devastating body blow that puts faces, names, and hearts to a crisis too often overlooked. It is a clarion call to our humanity.
1) Summer of Soul (tie)
There's no misprint: the top two films on this list are tied for first, in a dead heat for the year's best Hulu release. In many ways, they're inextricable from each other.
First up is "Summer of Soul (...or, When the Revolution Could Not Be Televised)," the Sundance smash that Hulu snatched up and released this July. A spiritual yet more urgent successor to "The Last Waltz" and "Woodstock," Amir "Questlove" Thompson's film presents the 1969 Harlem Cultural Festival in archival concert form. But "archival" feels like an understatement. The restored footage is as bracing and immediate as anything in Peter Jackson's "Get Back," but in this case "Summer Of Soul" breathes life into a musical experience mainstream America just wasn't ready to digest at the time. It is, simply put, as much fun as a movie's been this year. Every performance is a Molotov cocktail of artistic skill, righteous anger, and glorious song, and the frequency with which the film dispatches them creates a fire even injustice cannot quell.
Most movies become cinematic history — "Summer Of Soul" already is, and it makes history gloriously present.
1) Derek DelGaudio's In And Of Itself (tie)
Derek DelGaudio is interested in an artist's relationship to themselves. Are artists, like humans, doomed to a certain fate? Must they live out one story and one story alone? And if that's the case, can magic exist in the world?
It's heady stuff, and as captured by director Frank Oz, "In And Of Itself" makes existentialism both weighty and fizzy. Ostensibly, the movie is, like "Summer of Soul," a concert film. But what it truly captures is DelGaudio in concert with his audience, conducting the symphony of their emotions across ninety-plus performances and creating connections between disparate people that feel guaranteed to last a lifetime.
To say more would spoil the many surprises "In And Of Itself" tosses out like miraculous flashbangs, but I'll offer that no film on this list (or any film released this year) made me more cognizant of how precious human communication is or can be. In that sense, "In And Of Itself" is this year's "Palm Springs" — a movie that sings our current moment and the body electric while cementing Hulu as a producing force for years to come. It's a relationship I'm happy to be in.


As Deputy Director, Dan Smith plays an essential role in leading the National Park Service employees who protect, preserve, and share America's 419 national parks with the American people and who manage the NPS programs that help communities across the nation preserve local history and create close-to-home recreational opportunities.
Smith served as superintendent of Colonial National Historical Park from 2004 to 2015, where he managed a 23-mile parkway and three historic sites, including the first permanent British colony in America at Jamestown and the site of the 1781 Revolutionary War victory of General George Washington over British General Lord Cornwallis at Yorktown. During his tenure at the park, Smith oversaw the completion of a new visitor center and a new research center at Jamestown in preparation for the 400th anniversary commemoration of the Jamestown settlement in 2007.
Smith also served previously as Special Assistant to the National Park Service Director and Assistant Director of Legislative and Congressional Affairs. He also served as Deputy Assistant Secretary for Fish and Wildlife and Parks at the Department of the Interior and was responsible for oversight of the multi-billion dollar budgets and programs of the National Park Service and U.S. Fish and Wildlife Service. Smith also worked at the General Services Administration for ten years.
In addition to Mr. Smith's Executive Branch service, he has extensive experience in the Legislative Branch as a staff member for a U.S. senator, a congressman, and two congressional committees.
Smith was born in Maine. A Vietnam War veteran, Smith served in the U.S. Army's 4th Infantry. He received his Bachelor of Arts in Political Science and Master of Science in Recreation Administration from the University of North Carolina, Chapel Hill. He is also an Eagle Scout.


Solid Grinding Stone. From Wowpedia. Jump to: navigation, search. 200. 47. Content is available under CC BY-SA 3.0 unless otherwise noted.
Attention music fans. Microsoft Store will stop selling music on Dec. 31. Download your tracks and read our FAQ for more info.
Shop for grinding stone art and designs from the world's greatest living artists. All grinding stone art ships within 48 hours and includes a 30-day money-back guarantee.
Stens Grinding Stone / 7/32 Size 705-048 from Stens Parts Warehouse, where we offer OEM quality parts at discount prices every day.


Our NDD Module; one of our many modules manufactured by Meler Gluing Solutions.
This module uses an air open/air close mechanism.
Its primary uses are in high-frequency packaging, graphic arts and any application that requires a perfect cut for the adhesive and absence of adhesive strips.
When it comes to hot melt equipment we look to supply only the best, so that's why we only supply genuine Meler products.
Manufactured in Europe with quality at the core of their design and build, our parts and machinery are produced and then tested to the highest standards and specifications.
At ADSOL we provide a number of quality products, if you cannot find what you want on these pages please call and speak to one of the ADSOL team.
If you have not purchased from us before, give us a call for a no obligation price comparison.
ADSOL are available 24/7, and have UK based stock holding.


Was the bus properly maintained and were all of its service records in order?
Was the bus operator properly trained?
Was the bus operator properly supervised?
What steps did the bus company take to prevent tired drivers from driving?
Was a bus operator distracted because they were using a cell phone, texting or because they were too tired to focus on the roadway?
Did poor company policy and supervision increase the likelihood that distracted driving would lead to a crash?
Did the bus operator exceed federal law by driving too many hours in a given time period?
Did poor company policy and supervision lead to excessive hours for the bus operator in violation of federal law?
Did the bus operator have a poor driving record and as a result, were they unfit to drive a bus load of passengers?
Was a bus driver abusing drugs or alcohol and as a result, were they unfit to drive a bus load of passengers?
Was the bus driver given enough time to complete his route, or was he forced to rush and speed in order to keep up with his schedule?


HARP Phase II Keeps You in Your Home!
January 14th, 2016 | HARP Program!
there is help for homeowners that are underwater on their mortgage!
If so, we may have the answer that you've been looking for.
The Making Home Affordable Refinance Program (HARP Phase II) is a government-backed mortgage program that allows most borrowers with existing Fannie Mae and Freddie Mac loans to refinance their homes even if they owe more than their home is worth, have an adjustable rate mortgage, have been turned down for a refinance loan or loan modification in the past, or just can't afford their mortgage payment anymore.
If it is, we will then show you the savings that you can realize by refinancing your home through the Harp Program.
If your loan is not eligible, we will let you know.


text:
The IPG win Business of The Year 2018 - Arun Partnership Awards
Monday 3rd of December 2018
Littlehampton-based The IPG is proud to have been recognised by Arun District Council as 2018's Business of the Year (10 or more employees).
The 21st Arun Business Partnership Awards ceremony took place on the 15th November and saw several local businesses compete across the various categories. All awards were hotly contested this year, as the Partnership has over 2,000-member companies who generate business and employment in and around Bognor Regis, Littlehampton, Arundel and the wider Arun area. However, it was The IPG who came out on top for the Business of the Year category.
One of the reasons behind the company's win was the success it has enjoyed since its formation in 2013. Its membership of independent plumbing, heating and bathroom specialists recently celebrated a double-digit year-on-year growth since June 2017. Over the past five years the company has grown to over 200-member locations nationwide, with an impressive list of 90+ suppliers.
The IPG was also praised for the time and effort it has put towards giving back to local communities across the country, most notably its recent partnership with Missing People, which see IPG members joining the ongoing battle locating missing children across the UK.
The judges were particularly impressed at the reputation The IPG had built. Stating that they are an excellent example of a local "Home Grown" business and workforce who represent the Arun District so well on the national stage.
The membership group was also recognised for the work it does for its members' customers. Most recently, it undertook a study looking into the long-term physical effects that plumbing can have on plumber's knees. They found that 75% of plumbers were at risk of losing out on work due to knee problems, yet only 41% have discussed their issues with GP. The IPG is currently imploring plumbers and installers of all ages to wear the correct protective gear and to always consult a doctor if they feel something might be wrong.
Upon receiving the award, Marketing Manager Nike Lovell said; "We are delighted that the work The IPG has done for local independent companies across the country has been recognised by this award.
"However, we believe we are only as strong as our members, so this award is as much for those independent merchants as it is for us and we hope they are as proud of this win as we are."
Kitchens & Bathrooms News
Builders Merchants Journal
Professional Builders Merchant
Are you an existing IPG supplier, or a company with a product you want to get in front of our members?
Merchants & Showrooms
Are you an existing IPG member, or an independent in the plumbing, heating and bathroom sector who could benefit from enhanced buying power alongside marketing, business and website support?
Plumbers, Installers & DIY
Are you a plumber, installer or enthusiastic DIY'er who could benefit from buying the best brands locally at great prices?


text:
Q: What is a Locale String? I've been looking through A re-introduction to javascript and came across the array method toLocaleString().
I did some googling (something to do with localization?) but am having difficulty figuring it out.
What is a locale?
What's the difference between toString() and toLocaleString() in javascript?

A: toString() this will just convert the string format without any conversion at all (unless you try to overwrite it).
toLocaleString() will convert to string format and apply a conversion base on Locale. Example: if your Locale is set to US (U.S. English locale)
var number = 3500
console.log(number.toLocaleString());

This will print (in the console): "3,500". But if you were using only toString() you would get "3500" (without the comma for the thousands).
It works for currencies, dates, times, etc...
More information here: https://developer.mozilla.org/en-US/docs/Web/JavaScript/Reference/Global_Objects/Number/toLocaleString


This post is part of our ongoing series on running MySQL on Kubernetes. We've published a number of articles about running MySQL on Kubernetes for specific platforms and for specific use cases. If you are looking for a specific Kubernetes platform, check out these related articles.
Today's post will look at how to run a HA MySQL database on Azure Kubernetes Service (AKS), a managed Kubernetes offering from Microsoft, which makes it easy to create, configure, and manage a cluster of virtual machines that are preconfigured to run containerized applications.
Portworx cluster needs to be up and running on AKS before proceeding to the next step. The kube-system namespace should have the Portoworx pods in running state.
Once the AKS cluster is up and running, and Portworx is installed and configured, we will deploy a highly available MySQL database.
Finally, let's create a MySQL instance as a Kubernetes deployment object. For simplicity's sake, we will just be deploying a single MySQL pod. Because Portworx provides synchronous replication for High Availability, a single MySQL instance might be the best deployment option for your MySQL database. Portworx can also provide backing volumes for multi-node MySQL cluster. The choice is yours.
We will first find the pod that's running MySQL to access the shell.
Now that we are inside the shell, we can populate create a sample database and table.
Let's run a few queries on the table.
Find all the offices in USA.
Exit from the MySQL shell to return to the host.
Now, let's simulate the node failure by cordoning off the node on which MySQL is running.
Now, let's go ahead and delete the MySQL pod.
As soon as the pod is deleted, it is relocated to the node with the replicated data. STorage ORchestrator for Kubernetes (STORK), a Portworx-contributed open source storage scheduler, ensures that the pod is co-located on the exact node where the data is stored. It ensures that an appropriate node is selected for scheduling the pod.
Let's find the pod name and run the 'exec' command, and then access the MySQL shell.
We will query the database to verify that the data is intact.
Observe that the database table is still there and all the content is intact! Exit from the client shell to return to the host.
After testing end-to-end failover of the database, let's perform StorageOps on our AKS cluster.
Let's create a snapshot for the PVC we created for MySQL.
Since snapshots are just like volumes, we can use it to start a new instance of MySQL. Let's create a new instance of MySQL by restoring the snapshot data.
From the new PVC, we will create a MySQL pod.
Notice that the collection is still there with the data intact. We can also push the snapshot to an object storage location if we want to create a Disaster Recovery backup in another region. Portworx snapshots also work with any S3 compatible object storage, so the backup can go to a different cloud or even an on-premises data center.


text:
Q: IQueryable Count method takes longer to execute With a WCF built on top of a DB containing around 200 tables and Entity Framework, it takes lot of time (around 2 mins) to perform login the first time after building the WCF.
Stepping into the code revealed the IQueryable.Count method to be the culprit.
This happens only the first time after building the WCF code. Consecutive execution of the Count method is fast as expected.
What could be the reason? Is entities doing some kind of a background caching of sort after rebuilding the code?
Please share your thoughts!
UPDATED:
@Craig: Thanks for the Pre-Generation of views link
Also, this link has lot of performance improvement suggestions for EF
Also, check out Lazy Loading for EF library.

A: This is a known problem that will be resolved with .NET 4.0.
When you first run a web based application, the code must be cached.  From then on, it runs at full speed.  The article shows current methods of avoiding this initial slowdown by pre-running the code before your first user hits the service.

A: The Lame Duck's answer is helpful (up-voted), but it does not tell the full story. The first time you execute an Entity Framework query, several things happen. One is view generation, where SQL is compiled for common queries, like loading entity sets and loading individual entities. But view generation can also be done at compile time, which saves the first, unlucky, person to run a query the performance overhead of this step. This step is repeated whenever a new ObjectContext is initialized, so the small overhead of doing view generation at compile time pays off in a big way at runtime. The second is compilation of an IQueryable into a canonical command tree, which can be optimized with CompiledQuery. You may be facing one or both of these issues, so before you write this off as a .NET 3.5 SP 1 problem, it is worth checking them out.


text:
This title is included in Audible Escape
The Passage of Hellsfire, Book 1
By: Marc Johnson
Narrated by: Bryan Zee
Series: Passage of Hellsfire, Book 1
4 out of 5 stars 4.0 (63 ratings)
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For centuries, the kingdom of Alexandria has protected Northern Shala from the monstrous creatures lurking in the Wastelands. Now, a dark force threatens that fragile peace.
Far from home, Alexandria's princess is abducted. When a young villager named Hellsfire stumbles upon her and her captors, he rushes in to rescue her, alone and unarmed. His fear and fury unleash an uncontrollable magical force that grants him the power to save the princess - and change the world.
Hellsfire has never craved nor dreamed of power. But such magic as he now possesses has not been seen in Northern Shala for a thousand years, since the devastation of the War of the Wizards and the creation of the Wastelands.
Now Hellsfire must leave all he's ever known and make a dangerous journey to learn to master this wild, ferocious power - power he knows he is not ready to wield. More difficult still, he needs to master his emotions. If he can't, the power will consume him, Alexandria will fall, and darkness will eclipse the land, destroying everyone he loves.
In the dead of cold, the spark shall burn....
©2013 Marc Johnson (P)2016 Marc Johnson
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DabOfDarkness
Ojo Caliente, NM, United States
Hellsfire - a unique name for a hero!
Northern Shala is kept save from the monsters of the Wastelands by the Kingdom of Alexandria. But that kingdom may be in trouble. Hellsfire, a young lad in a small village, rescues Crystal, the princess of Alexandria, and earns a reward. However, he also gained the knowledge that he must now leave his sleepy little village and find a way to master his wild magic.
Hellsfire is the chosen one, but the details are all fuzzy to start with. Years ago, a mysterious man arrived in a winter storm just as Hellsfire's mother was giving birth to him. This mysterious man is responsible for Hellsfire's unusual name. Part of me likes the name but part of me wonders why his mom didn't give him a nickname or even a common middle name that he could choose to go by. He's teased and bullied constantly in the village and his odd name is just one more thing to draw unwanted attention to him.
One day, Hellsfire sees a young woman (which turns out to be Crystal) being chased by 3 armed men in the woods and he interferes. Fire launches from Hellsfire and takes out the men, which surprises everyone, especially Hellsfire. Crystal rewards him with a bag of coin. He tells his mom who takes it as a sign that he is ready to head out to the mountain where it is always winter. So, Hellsfire goes, facing down the lead bully one last time on the road out of town (hooray!). Eventually, he has to eat his horse, it's so cold (so sad).
He finds a cave near the top of the mountain where there's a dragon who takes great glee in chasing him about. Eventually Hellsfire runs into Stratis (an aged wizard), who is friends with the dragon. Stratis sees the potential in the lad and offers to train him. Of course, those with knowledge have to be all mystical and mysterious about it all, never telling Hellsfire why he shouldn't do this or that and that leads to dangerous situations. Not my favorite plot device at all. On the other hand, this is where we start to get the scope of the land. Stratis gives Hellsfire a well-rounded education – potions, fire magic, hunt and seek with the dragon, book learning, languages, physical training, herbology, etc. While the info dump on how magic works is a bit tedious (Hellsfire is not a swift learner), we also get some history (which I quite enjoyed). There was a big epic wizard war perhaps a thousand years ago which did quite a bit of damage and that is why there are few wizards now and also why many people and cultures look on wizardry with suspicion.
After a significant amount of time has passed, Hellsfire must leave and he feels he must assist the Alexandrian princess. Elves and Dwarves get pulled into play, along with another wizard and at least 1 ogre. There's some political maneuvering, daring rescues, and a worthy battle at the end.
There are few female characters until the last quarter of the book where the Dwarves come into play. Apparently the Dwarves are a bit ahead of the times and have female leaders and women guards and such. Hooray! Crystal is OK as the main female character/love interest. She does get to show off her sword skills a little in the final big battle, but she also gets knocked unconscious more than once and has to be rescued. Still, it's mostly a boy's tale about a boy saving the kingdom.
For a standard fantasy tale, it was still pretty entertaining. I enjoyed Hellsfire and all his anger management issues. He's a good lad at heart and that wins over the audience no matter how many mistakes he makes. This story leaves the door open for a sequel and I expect the next book will up the epic level.
I received a copy of this audiobook at no cost from the author in exchange for an honest review (thanks!).
Narration: Bryan Zee was only OK. He didn't have many distinct character voices; at first you can tell he's trying but by the middle, it just all sounds like the same voice. Plus he has this nasal quality to several words in his native accent that bleeds through into every character voice. Towards the end, there were some mouth noises as well (not many) where there weren't any for the majority of the book. Zee did do a great job of getting the character's emotions across to the listener.
ORLAND PARK, IL, United States
Would you listen to Catalyst again? Why?
Yes, this was a great book. Its only detracting factor is it's narrator. The ending was great. The final battle lasted over an hour and was awesome.
Who was your favorite character and why?
HELLSFIRE! He really matured throughout the book and grew into ..... a wizard.
How could the performance have been better?
The narrator was very monotone, but I was still able to enjoy it.
Was this a book you wanted to listen to all in one sitting?
This audiobook was provided by the author, narrator, or publisher at no cost in exchange for an unbiased review courtesy of AudiobookBoom dot com.
Rail man
predictable
predictable elves, dwarfs, goblin and trools. throw in a princess and a dragon. the story uses characters time history and age to add depth.. the main character develops all thru this story and almost appears dim unless with the princess
david a. pollard
narrator is to bland
somewhat interesting storyline but the narrator is killing it. there's no emotion no involvement on his part. sad too, might have been better with a different narrator.
me1me
I wish there was a better reader
I both love this book and it was a struggle to finish the story was good and the writing was well done but I just couldn't get into it because the narrator was kind of monotone and he kind of ruin the book for me which was sad because he has a really good voice for reading but it just took something away from the book
Daniel Laux
Don't waste your time.
I wanted to like this book and indeed some parts had me rooting for the lead character. However the too many short comings let me not even wanting finish the book. I have no interest in subsequent books in this series.
Contrived plot that is easy to predict. Poor writing. An author who indulged his own ego to read his own book rather then let a professional bring it to life.
All this and so much more lends me to caution you against wasting a credit.
Cayce B
Common storyline with great twists, characters
I have to say I was surprised when I heard Bryan Zee. The accent and general tone of his voice seemed so much more innocent and . . . young? . . . than I expected Hellsfire to be. It gave me an image of someone resembling Eragon's little brother, if he'd had one.
His voice was clear and easy to listen to, and after a while, I got used to Bryan as Hellsfire. When Hellsfire's wizard side of it all started to surface, and he became the student later seeking to save the world, I found myself content that Bryan was that voice to help me create the image of Hellsfire. It was an interesting match, and it took me a while to get used to it, but I did, and I think Marc Johnson chose well.
Bryan Zee didn't change his dialect or inflection or anything when other characters were speaking, but that didn't hurt the story. Sometimes, it made the switching dialogue difficult to discern between speakers, but it was fine overall.
Catalyst makes the hero story an adventure that can easily be appreciated. While it offers unique elements such as a historical war that creates monsters of once-before allies, it brings together elves, dwarves, dragons, and humans with a wizard whose powers are well past his ability to control. But, he has to do it because the villain isn't waiting for him to finish learning, and he has a prophecy to fulfill.
The great thing about this story, aside from Hellsfire, is the prophecy. Most classic hero books reveal the prophecy toward the beginning or at least make it something that is within reach. While Hellsfire does address the idea of the prophecy, it's not that important to him. Just like it is for the readers, the prophecy is a question lingering in the back of his mind, but it's not his goal to discover what it is and why he's part of it. The prophecy will be fulfilled, and the readers will find out what it is, but what's more important is the ride Hellsfire is taking us on because his character drives it forward.
As I listened, I kept hearing the same word really close together. A few phrases were repetitive, too, such as "It ached to be released." That one, in particular, caught my attention, as often as I heard it. There were many times throughout the read that I found myself getting distracted and trying to think of better ways to rephrase something or different words to use so the sentences didn't sound the same.
This was a minor problem, but it was a bit distracting, and it made the narrative a little duller than it might have been. Even for a main character's voice, it didn't fit. It wasn't something that seemed intentional, so I can only assume the repetitive words were simply overlooked.
OVERALL LIKES
I enjoyed the steady flow of the story. Hellsfire saves the princess from a small matter, and it's such a minor moment (though huge at the time) despite the fact that she's a princess. I found the twist in significance to be refreshing, and I found it more refreshing when she wasn't useless. More than that, she was ridiculously dedicated to her kingdom, revealing her own strong character.
OVERALL DISLIKES
I wasn't a fan of the villain mostly because I don't understand him. He seems to be a convenient villain, one who is hungry for power just for the sake of it, and I'm hoping that he becomes more understandable later.
I didn't enjoy how "easy" it was for Hellsfire to win. While the battle itself was fantastic, it still didn't make sense that someone with his lack of experience could beat a wizard of that magnitude, even if he had help and he didn't truly beat him. I think, depending on how things go in the future, this will be addressed. It helps that the villain wasn't truly beaten.
Go Hellsfire!
Hellsfire is a 14 year old boy who has been brought up by a loving mother to always do the right thing. It doesn't matter if the right thing is saving a younger boy from getting beat up by the town bullies only to get beat up himself or going up against ruffians who are chasing a young girl through the forest. Once Hellsfire meets Princess Crystal, his whole life changes. He discovers a gift he didn't know he possessed and sets out to learn how to use it by leaving his mother's small farm house and traveling to the top of a brutal mountain through sheer determination. But he doesn't forget the Princess.
When Hellsfire has a vision about Princess Crystal and the city of Alexandria, which are the only things standing between Shala and the wastelands, he leaves his training sanctuary against his master's wishes to help her. Is his vision true? Can he get to the Princess in time? Is there anything he can do to help Crystal and Alexandria? He doesn't know, but he WILL help the Princess who has captured his heart.
I liked this story. It is not that original and there aren't a lot of twists and turns in this first book in the Hellsfire series but something about it caught my attention almost at once and I found myself eager to continue to listen each day. It is well written and Hellsfire is a compelling character. He does the right thing and helps whenever and wherever he can. Doing the right thing is sometimes painful and takes him places he really doesn't want to go but he does it anyway. The Princess calls him 'Hero' and he is, at that. I look forward to the next installment in the series.
To be frank, my heart sank when I was 5 minutes into this book and heard the narration by Bryan Zee. I thought it was going to be a chore to get through this listen. However, I was quickly drawn into the story and began to enjoy the cadence of his reading (for reading it was) and the lilt of his accent. He has a pleasant tone to his voice and I ended the story enjoying his narration very much and hope that Marc Johnson sticks with him for the series.
I received this audiobook for free through Audiobook Boom! in exchange for an honest review.
Kindle Customer
A Young Man's Quest
Would you recommend this audiobook to a friend? If so, why?
YES, Very much so
HELLSFIRE! He really matured throughout the book and grew into ..... a wizard
What does Bryan Zee bring to the story that you wouldn't experience if you just read the book?
The narrator was terrific, did not read the book
This audiobook was provided by the author, narrator, or publisher at no cost in exchange for an unbiased review courtesy of AudiobookBoom dot com
I must admit that if I had read the book, I would have rated it higher. The narrator was very flat. He really took me out of the story. I received this audiobook for free through Audiobook Boom for my unbiased review.
Tony Bough
An interesting new series
What did you like best about Catalyst? What did you like least?
I liked the main character. You see his journey to fulfil the prospect of what he will become. He's a good main character. Occasionally, especially at first, a littl too cocky.
What was one of the most memorable moments of Catalyst?
The start goes well. Hellfire's discovery of why he's different.
Would you listen to another book narrated by Bryan Zee?
Yes. I enjoyed the narration.
Do you think Catalyst needs a follow-up book? Why or why not?
Yes. I want to see where we are going with Hellfire.


Modern outboard engines seemingly have it all. They're quiet, efficient, reliable, clean-burning and pack a heck of a wallop in the performance department. Boatbuilders are taking advantage of these… ahem… advantages by powering an ever-broadening range of boat models with outboards.
Whether you're looking for a crossover-style dayboat or a luxurious bowrider, one of the eight boats in this video slideshow should tickle your fancy.
Curious to see more? Check out our recent review of the outboard-powered Ranger Tug's R-27. Also, keep an eye out for our Miami International Boat Show preview in the February issue of Soundings. It's loaded with recently introduced and debuting outboard-powered boats you can see at the show.
Rimas Meleshyus was rescued in October after 137 days adrift in the Pacific Ocean. It wasn't the first time he's been rescued. This video has more. WATCH.


text:
Muncie rental assistance programs emerge as need increases due to pandemic
These nine girls from Indiana are McDonald's All American nominees
Matthew VanTryon
Indianapolis Star
Nominees for the 2020 McDonald's All American Games were announced Tuesday morning. Nine girls from Indiana were nominated. The final roster of 24 players will be selected by a committee later this month. The McDonald's All American Game will take place April 1 in Houston.
Here are the players from Indiana that are nominees:
Kendall Bostic, Northwestern: The Michigan State commit is averaging 21.5 points, 10.3 rebounds, 3.2 assists, 2.8 steals and 1.8 blocks per game. She is shooting 75% from the floor.
Nan Garcia, Jeffersonville: The Penn State commit averaged 18.8 points and 10 rebounds per game through 14 games before her season ended due to an ACL tear.
Ra'Shaya Kyle, Marion: The Purdue commit is averaging 26.7 points, 13.5 rebounds and 2.2 blocks per game through 17 games, shooting 57%.
Madison Layden, Northwestern: Layden, a Purdue commit, is averaging 26.8 points, 6 assists, 5.4 steals and 4.2 rebounds per game. She is 52% from the floor, 43% from behind the arc and 91% at the free-throw line.
► More:Madison Layden won't say it, but the numbers scream: She's the best player in the state
Jasmine McWilliams, North Central: The Northwestern commit is averaging 12.3 points and 5.7 rebounds per game.
Sydney Parrish, Hamilton Southeastern: The Oregon commit is averaging 26.7 points, 7.4 rebounds, 2.6 steals and 2.2 assists per game. She is shooting 50%.
Ayanna Patterson, Homestead: The sophomore is averaging 13 points and 8.8 rebounds per game.
Keegan Sullivan, St. Joseph's: The Rockhurst commit is averaging 17.1 points and 9.9 rebounds through 15 games.
Sara Zabrecky, Munster: The St. John's commit is averaging 17.4 points and 4.7 rebounds per game.
Fourteen players from Indiana have been named McDonald's All Americans:
Shanna Zolman (2002)
Katie Gearlds (2003)
Amber Harris (2006)
Dela Quese Jernigan (2006)
Ta'Shia Phillips (2007)
Skylar Diggins (2009)
Kelly Farris (2009)
Bria Goss (2011)
Stephanie Mavunga (2013)
Taya Reimer (2013)
Ali Patberg (2015)
Lindsey Corsaro (2016)
Dana Evans (2017)
Katlyn Gilbert (2018)
Follow IndyStar girls basketball insider Matthew VanTryon on Twitter @MVanTryon and email him story ideas at matthew.vantryon@indystar.com.


text:
El Instituto de Diversidad y Ecología Animal (IDEA) es un centro argentino de investigación y desarrollo dedicado a la ecología y biología de animales. Su filiación es de doble dependencia entre la Universidad Nacional de Córdoba y CONICET.

Historia
El Instituto se fundó en 2011, con la unión de diversos grupos de investigación de la Facultad de Ciencias Exactas de la Universidad Nacional de Córdoba que trabajaban con especies de animales. La Dra. Noemí Gardenal fue elegida como la primera directora del IDEA ese mismo año, mientras que la Dra. Mónica Martella asumió como vicedirectora.

En septiembre de 2017 se inauguró la Estación Biológica de Mar Chiquita en la ciudad de Miramar, una residencia equipada para realizar actividades de investigación, docencia y extensión. En 2018 asume el Dr. Joaquín Navarro como director del Instituto, a quien secunda el Dr. Gerardo Leynaud.

Objetivos
Los objetivos del Instituto según su sitio web sonː

 Abordar la sistemática, la biogeografía, la genética, la ecofisiología, el comportamiento, la conservación, la ecología y la evolución de especies animales en diferentes niveles.
 Formar recursos humanos en investigación con aptitudes para desempeñarse en forma competitiva a nivel internacional en las diferentes subdisciplinas.
 Facilitar la transferencia científico-tecnológica a la sociedad
 Proponer la realización de convenios con instituciones nacionales o internacionales, para el desarrollo de proyectos de investigación conjuntos

Líneas de Investigación
Las investigaciones del instituto se encuentran enmarcadas en las siguientes temáticasː
 Estudio de artrópodos
 Ecotoxicología
 Ecología y conservación de fauna silvestre
 Herpetología
Nematología
 Genética de poblaciones y Filogenia
 Biología Marina

Laboratorios

 Grupo de Biología de Ambientes Acuáticos (Dir: Marcos Tatián)
 Laboratorio de Biología del Comportamiento (Dir: Margarita Chiaraviglio)
 Laboratorio de Biología Reproductiva y Evolución (Dir: Alfredo Peretti)
 Grupo de Ecología y Ecofisiología de Aves (Dir: Susana Peluc)
 Ecosistemas Marinos Polares (Dir: Ricardo Sahade)
 Grupo de Ecología y Conservación de Vida Silvestre (Dir: Fernando Barri)
 Grupo de Ecología y Conservación de la Herpetofauna (Dir: Nicolás Pelegrin)
 Grupo de Ecología y Conservación de Humedales Argentinos (Dir: Enrique Bucher)
 Grupo de Ecología y Conservación de Mamíferos (Dir: Verónica Quiroga)
 Laboratorio de Biogeografía Aplicada (Dir: Ricardo Torres)
 Laboratorio de Estudios Ecotoxicológicos y Ambientales en Animales (Dir: María de los Ángeles Bistoni y Andrea Hued)
 Laboratorio de Genética de Poblaciones y Evolución (Dir: Marina Chiappero y Raúl González Ittig)
 Herpdiversitas (Dir: Mario Cabrera)
 Laboratorio de Herpetología (Dir: Gerardo Leynaud)
 Grupo Opiliones (Dir: Luis Acosta)
 Laboratorio de Nematología (Dir: Marcelo Doucet y Paola Lax)
 Proyecto Ñandúes (Dir: Joaquín Navarro)
 Grupo de Ecología y Control de Insectos (Dir: David Gorla)

Referencias

Enlaces externos
 Sitio oficial del IDEA

Diversidad y Ecología Animal
Diversidad y Ecología
Diversidad y Ecología


text:
Let's Build Something to Break is the debut full-length album by American rock band, After Midnight Project. It was released on August 11, 2009 through Universal Motown.  The album was produced by renowned producer and Goldfinger frontman, John Feldmann.

"Take Me Home" is the first single off the album.  That track, along with "The Real Thing" and "The Becoming", were previously released on their EP The Becoming. "Take Me Home" was also featured during the end credits of the 2006 video game Prey.

Track listing
All tracks written by Jason Evigan except where noted
"Backlit Medley" – 3:43
"The Becoming" – 3:32
"Scream For You" – 3:07
"Take Me Home" – 3:45
"More to Live For" – 3:49
"Gone Too Long" – 4:15
"Hollywood" – 3:02
"The Real Thing" – 3:50 (Jason Evigan and John Feldmann)
"Come On Come On" – 2:57 (Jason Evigan and Spencer Bastian)
"Fighting My Way Back" – 4:09 (Jason Evigan and Zac Maloy)
"The Criminal" – 5:11 (Jason Evigan and John Feldmann)

Personnel
 Jason Evigan - vocals, piano, guitar, bouzouki
 Spencer Bastian - guitar
 Danny Morris - drums
 TJ Armstrong - bass, vocals
 Christian Meadows - guitar

Additional musicians
 John Feldmann – percussion
 Matt Appleton – guitar ("Gone Too Long"); trumpet, trombone, baritone sax, ukulele ("The Criminal")
 Kyle Moorman – guitar ("The Real Thing", "Backlit Medley")
 Jon Nicholson – big drums ("The Real Thing", "Take Me Home")
 Justin Rubinstein – accordion ("The Criminal")
 John Feldmann, Matt Appleton, Spencer Bastian, Andrew Clore, Amy Feldmann, Victoria Janzen, Christian Paul Meadows, Danny Morris, Jess Neilson - additional vocals

References

2009 albums
After Midnight Project albums
Albums produced by John Feldmann