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A self professed wellness devotee. Dr Dan (as she's fondly known by those around her) lives and breathes the pursuit of holistic wellness for herself, her family, her valued patients and the wider community.
Holistic therapy with Dr Dan is a journey to wellness recovery that is so comprehensive it starts before the patient sets foot inside the practice and is supported throughout the journey both in and outside of consultative sessions.
Practicing for over 16 years, wellness recovery is Dr Dan's passion.
Holistic wellness therapies include: Traditional Chinese Medicine, acupuncture, cupping, herbal preparations, massage therapy, kinesiology and naturopathy.
Qi Beauty, our signature beauty treatment, harnesses the power of Qi to achieve cosmetic enhancement. Cosmetic therapies include acupuncture and herbs dispensary.
Not sure if Zenkai can help? Have questions only a therapist can answer? Or looking to informally explore the connection? Dr Dan is happy to take micro session phone consultations.


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Pope Francis' Penitential Pilgrimage in Canada
Published on July 27, 2022, 3:39 a.m. by Aurora_Alliegro
The pontiff's "pilgrimage of penance" in Canada began on Sunday, 24 July 2022. The day after, as planned, Pope Francis first reached Maskwacìs, where he met some indigenous people, in particular the groups of First Nations, Mètis and Inuit. Pope Francis' apostolic journey will proceed until 30 July. During his stay, his Holiness will visit Edmonton, Quebec and Iqaluit.
This is the Pope's 37th international journey and Canada is the 56th country that he has visited. Pope John Paul II had already paid three visits to Canada in 1984, 1987 and 2002.
In his first public remark in Maskwacìs, where Pope Francis visited a former residential school, he stressed his apologies for the evils made by Catholics against the native communities of Canada. "It is from here, from this sadly evocative place – he said – that I would like to begin what I hold in my heart: a penitential pilgrimage". He continued asking for God's healing and atonement as well as for the residential school survivors' forgiveness, wishing that a future of justice and reconciliation could replace a past of sufferings and mistakes. Later the Pope met other indigenous people as well as members of the Parish Community of Sacred Heart in Edmonton.
The Pope's amends, despite being late, was welcomed by applause from survivors in the audience. He apologised for the Roman Catholic Church's contribution to operating up to 70% of Canadian residential schools. Those government-funded schools, existing since the 1870s, wanted to assimilate indigenous children by every means. This process of forced assimilation into European-Canadian society aimed to destroy indigenous cultures and languages through a colonising approach that the Pope strongly criticised. Equally responsible for those crimes are the Catholic, Anglican, Methodist, United, and Presbyterian churches, which all gave theological justifications for the system.
The Pope's apologies proved a meaningful self-critical attitude. It shows the will to understand the trauma the Church had caused to many people and its effect today. It is significant to note that the last of these schools closed only in 1998. In those years, the schools took from their home around 150,000 First Nations, Métis and Inuit children. The residential schools' conditions were appalling. Torn from their families and isolated from their culture, language and religion, the students were subject to abuse, illness and malnutrition. BBC News reports that the schools' victims may be more than 3,000. Recently, courts received 37,951 claims of physical and sexual abuse in the schools. Even more to the point, the consequences of the abuses and the assimilation are still ongoing, since around 80,000 survivors are alive in Canada today.
Residential schools are still regarded as an open wound in Canadian history and identity. They were called a core element of "cultural genocide" by the Chief Justice of the Supreme Court of Canada and by a Truth and Reconciliation Commission report.
However, it seems that Pope Francis' mea culpa was much appreciated as proof of common suffering. In fact, the head of the indigenous Cree, Willie Littlechild, a former student of a residential school, expressed his gratitude for the Pope's listening and sincere apologies.
After his speech, the Pope wore a traditional headdress gifted to him by the indigenous population, while a local song was sung in the background.
Tags: #popefrancis #residentialschools #popeincanada #catholiccrimes
Pope Francis Condemns Criminal Penalties for Homosexuals

redpajama_set_name: RedPajamaCommonCrawl


Carlton Schroeder is an American jazz pianist who was an accompanist to Sarah Vaughan in the 1960s and 1970s. Schroeder taught at the Musician's Institute in Los Angeles, California from the 1980s until his retirement in 2015. Schroeder has also played with the likes of Art Blakey, Roy Haynes, Joe Henderson, Michael Brecker and Chick Corea.
^ Jeff Apter (11 November 2009). A Pure Drop' The Life Of Jeff Buckley. Omnibus Press. pp. 92–. ISBN 978-0-85712-050-2.


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text:
Вземи ме с щурм () е френска комедия, режисиран и по сценарий на Дани Буун.

Сюжет
Във френските специални части няма място за чувства. Но всичко се променя, когато в редиците на елитното подразделение влиза секси момиче-ченге. Тя веднага пленява всички мъже и те веднага се влюбват в новия служител. Непреклонен е само командира на отряда: момичетата в специалните части...нямат работа! А може ли в борбата за амбиции да избухне истинска любов ?

В ролите
 Алис Пол като Йохана Паскали
 Дани Буун като Еугне Фросард
 Мишел Блан като Жак Паскуали
 Иван Атал като Виктор
 Сабин Азема като Мари-Каролин Дъбари
 Патрик Майл като Едуард Дюбари
 Франсоа Левантал като Патрик Легранд
 Флорент Пейър като Оливие Лопес
 Ане Маривин като психолог
 Ален Дюте като Бърнард Дубари
 Урбан Канселър като Президентът на Републиката
 Женшен Миросесини като Иван

Детайли

Премиера

Имена

Вижте също
 IMDb – филма

Филми от 2016 година
Филми на Уорнър Брос
Френски екшън комедии
Белгийски филми

redpajama_set_name: RedPajamaWikipedia


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Marion Bay is a small township in the Australian state of South Australia at the southern tip of the Yorke Peninsula.  At the 2016 census, Marion Bay had a population of 172. Historically, it formed part of Narungga lands.

Description
It is surrounded by beaches and is the gateway to the Dhilba Guuranda–Innes National Park. The close proximity of the beach and cliffs have popularized Marion Bay as a fishing destination, with Brown Beach in the nearby Innes National Park being particularly famous among recreational fisherman as a picturesque fishing destination.

Water supply
In 2008, a desalination plant was commissioned to meet the water demands of the summer tourist season. A 60 kL/d sea water reverse osmosis plant now supplies the local caravan park, residents and businesses. The plant was commissioned in response to declining bore water quality and associated problems of corrosion.  The plant was designed and constructed by Osmoflo.

Governance
Marion Bay is located within the federal Division of Grey, the state electoral district of Narungga and the local government area known as the Yorke Peninsula Council.

In popular culture
Marion Bay features in Tricia Stringer's 2020 novel The family inheritance.

See also
List of cities and towns in South Australia
Warrenben Conservation Park

Notes and references

External links

  Yorke Peninsula website
  Yorke Peninsula: Marion Bay

Yorke Peninsula
Coastal towns in South Australia
Bays of South Australia
1872 establishments in Australia
Investigator Strait
Beaches of South Australia


In recent times is not very fashionable make-up to the extreme, nowadays the closer you get to the most beautiful and elegant natural is a woman. In addition, it was found that the excess makeup causes the skin to age faster but also loses its freshness and vitality. Let us give some advice to help make up and look very natural.
To start, you must choose the basis that suits your skin type (normal, oily, dry, sensitive) and the skin tone. Never use a dark base, if you are white, not clear if your skin is dark, because you will find yourself using a wrong tone, since all will be different, that is, neck, arms, hands and the body in General. In addition, if you sweat, cry or for some reason splashing on you, the base can drain and give you a very artificial and cluttered.
Avoid using abundant layers of base and abundant layers of translucent powder in large quantities both eliminate the transparency and naturalness of your face. And it is important to know that during the day or in places with a lot of lighting you can see that her makeup is loaded too much.
Well, once you know these small but vital tricks on the appearance of the face Let's start make-up. Try doing that in a place with a lot of light to prevent stains and differences in color before applying any cosmetics, clean and moisturize the face, it is very important for a perfect finish.
Start by applying a correction in small "imperfections", but if you have bags under your eyes, do not apply concealer, because this will cause rather than decrease stay even more noticeable. In this case just powder, a little base, and translucent powder. After covering the blemishes, wrinkles or pimples, continue through the base, keeping in mind that should be as close to your skin tone and do not apply. Use a triangular LaTeX sponge because this material helps to spread best base without leave accumulation. Finish this step by passing the translucent powder on the base perfectly applied. Pass only a layer of dust, so you'll be completely natural.
At the time of make up the eyes, have shadows in light shades and natural colors. You can opt for shades of coffee, copper, light pink, beige or Peach. Choose colors according to your taste, but the ideal is that you always keep these colors. That way, you won't have error! Apply the lighter on the whole eyelid and another slightly darker just above the eyes, drawing a bow, that to give more depth to your look.
It is preferable to eliminate the eyeliner, but if you have the habit of using it, use an eyeliner pencil and color coffee and after applying it, esfumace it a little. Do the same with the bottom of the eye, but only from the middle to the outside. Mascara should be transparent or light brown and apply only one layer, then brush with a special brush, to make the eyelashes more separated.
The blush is not as necessary if you are looking for a completely natural appearance, but if you want to use it anyway, it should be as clear as possible, little and should be well embedded in the skin.
Finally, the lips should be the least possible artificial and dull. When applying the glitter does not need to apply the lip, only in the center of the lower lip, to create a "look" natural, sexier.
Try this form of makeup. It is very easy and you can use at any time and for any occasion.
Android App to Monitor Sleep! Sleep Better!


So what exactly does AOC's most recent Green New Deal do? Well, nothing.
Of course, there's much more that's been added to the proposal, including financial reforms focused on wealth equality (i.e. - Socialism) and regulations aimed at the 1%. But the jobs guarantee is the heart of the Green New Deal.
So, at the end of the day, you really wouldn't be too wrong in thinking that the Green New Deal is just a Jobs Guarantee wrapped in green packaging.


County Organized 1825. Charter Year 1968. Schuyler County Historical Museum. Restored Jail and Genealogical Center. Operating under Schuyler Historical & Genealogical Society. 200 South Congress. Rushville, Illinois 62681. Jail built in 1857-58 by Jeremiah Stumm. The Schuylerite. River Crossings to Trails West. Volume Twenty-One. Number Four. Winter 1992.
Full Text Search County Organized 1825. Charter Year 1968. Schuyler County Historical Museum. Restored Jail and Genealogical Center. Operating under Schuyler Historical & Genealogical Society. 200 South Congress. Rushville, Illinois 62681. Jail built in 1857-58 by Jeremiah Stumm. The Schuylerite. River Crossings to Trails West. Volume Twenty-One. Number Four. Winter 1992.


text:
Companhia Estadual de Engenharia de Transportes e Logística (CENTRAL) é uma empresa estatal brasileira fundada em maio de 2001 com objetivo de absorver as funções da extinta Companhia Fluminense de Trens Urbanos (Flumitrens), administrando o restante da malha ferroviária de transporte de passageiros não privatizada do estado do Rio de Janeiro. Com a desativação do ramal de Niterói e a passagem da operação do ramal de Guapimirim para a SuperVia, hoje ela é responsável somente pela operação do famoso Bonde de Santa Teresa.

Tabela do sistema

Frota

(*) Locomotivas • (**) Carros de Passageiros

Ver também
 Bonde de Santa Teresa
 Supervia
 Trem Metropolitano do Rio de Janeiro
 Estrada de Ferro Central do Brasil
 Estrada de Ferro Leopoldina

Ligações externas


text:
Rajasthan: India's oldest frontier
Lewis Waller explores India's desert state and finds the life and soul behind the abundance of sand and old forts that Rajasthan is built upon. Windswept, dry and lonesome: lying on the banks of the Thar Desert is the Indian state of Rajasthan, a country in its own right with historically rooted customs of...
Lewis Waller explores India's desert state and finds the life and soul behind the abundance of sand and old forts that Rajasthan is built upon.
Windswept, dry and lonesome: lying on the banks of the Thar Desert is the Indian state of Rajasthan, a country in its own right with historically rooted customs of the noble warrior Rajputs. The land of Rajasthan – literally land of the Raja's – holds a handful of India's gems. The Thar Desert is India's and Pakistan's two million square mile natural border, home to people, camels, snakes and a nuclear bomb test site, but don't let any of that put you off. Rajasthan is an idiosyncratic joy of India's north.
Want to feel like Rodger Moore in 1983? Much of Octopussy was filmed on location in Udaipur, city of lakes. The Arabian style architecture here is only matched in uniqueness by the art that fills its winding narrow streets. The sandstone buildings are tall and skinny, fighting for space and air along the edge of the lakes. Udaipur is sat on the edge of the Thar, in the rough, erratic landscape of the Avaralli Hills. It's known for two incredible buildings: The Floating Taj Palace and the City Palace, both monumental, unforgettable homes to long-dead, ancient Kings.
Jaisalmer, a night bus ride to the northeast, is one of the final towns before you reach the sands of the Thar, and Pakistan beyond. It's home to what's claimed to be the world's largest fort in terms of footprint. The fort is an almost alien town in itself, enlaced with claustrophobic alleyways that lead to hidden cafes and vantage viewpoints of the desolate desert beyond. Jaisalmer is said to be the best place to experience a camel safari. One to three nights sleeping under the piercing stars on sand dunes, waking to chai and eggs cooked on a morning fire. It doesn't get much more peaceful than that.
Rajasthan is a land littered with ancient forts perched and carved onto any vantage point ancient rulers deemed fit, and for superlative awe-inspiring magnificence, the town of Bundi beats them all. The long-abandoned Taragarh Fort stands authoritatively over the small town, leaving the locals divided; the humans have the town, but the fort has since been conquered by the monkeys. Taragarh is said to be the inspiration for Kipling's "The Jungle Book" and is a dilapidated network of buildings, walls, towers and swimming pool-sized wells, carved with symmetrical artistic steps descending into their bowels. Rows of large sticks line the wall at the bottom of the hill. "You must take one," I'm advised. "To ward off monkey!" Good advice.
Forts aside, Rajasthan is home to food and people that match the beauty of its majestic landscape. The Blue City of Jodphur shines a hypnotic hue of indigo as the sun sets over the exotic rooftops, and the view of Pushkar from its temple-topped mountain is a melancholic patchwork quilt of yellow and brown fields surrounding a lake that was said to have formed from Brahma's tears. If you want to feel like you're in an Indiana Jones film, head to Rajasthan.
London Paddington to Penzance
The Cure For Gentrification Is SMASHING!
Travel: Ipoh, Malaysia
Winter in Mumbai
A Trip to Nigeria
This is why you should brew your own beer
The feeling above the city
Taylor Wessing Photography Prize 2012: Review
What Would I Say? – Facebook Poems
An Outing to the Kachin Revolution Day Celebrations


Bill Mulvihill has been living on the Mendocino coast and working in various creative media since 1970.
The images represented here are examples of some of the work he has done in the last few years.
Although he does painting and print making, portraits and pencil drawn faces hold special appeal and challenge.


If there is no hot water in your apartment in Islington WC2R, ring us, we will find an answer to the complication for the lowest fee on the market. The shower head optimizes the stream of hot water and as a result, could save you a considerable amounts of money every year. Constant issues with hot water supply can be very unpleasant so a professional hydraulic company's service may be the solution to the predicament Sometimes the indications of a faucet for hot water and cold water are the wrong way round, and you need to call in a experienced plumbing expert to mend it.
Depending on how a multitude of gnawing people in a household hot water consumption changes so the bigger the household, the bigger the water heater should be.
There are tons of reasons behind the lack of hot water, so before a experienced plumbing technician commences the put right the source of the hiccup must be found crucial If you are experiencing water leaks from a tap or hot water headaches in your kitchen or bathroom in Islington WC2R, look no further and give us a call. For hot water to pass you will require a water heater positioned in place by a plumbing expert from Islington WC2R.
Rapid response to the phone predicament a little disconcerting of healthy advice from the technician.


During Q&A sessions after presentations ask me all the time about what the Bible has to say about same-gender loving people. There are LOADS of helpful resources on-line where others can explain it far better than I can. Today Michael over at Deep Thought Pub posted The Bible and Homosexuality, a thoughtful and reasons essay that gives a clear global view of the issue.
Thanks again for all you do, Peterson. I'll give Sarah a call in the next couple of days. I'm looking forward to meeting you!
Got a couple of new posts on my blog you might enjoy.
Hm, good stuff. We need more like him.
You know, the sad thing is that not everyone is open-minded enough to do an honest study of those fabulous 6 verses :(.
Towards the end of my time going to charismatic churches, a certain pastor had a big rant about homosexuality. It did make me really cross and afterwards I asked him why he thought what he did. He looked astonished when I said I couldn't accept the story of Sodom & Gomorrah as anti-homosexual but rather as against injustice and poverty.
When I mentioned the Greek words "Arsenokoités" and "Malakos" he told me, get this, to go read my Bible properly and stop intellectualising and twisting it to suit myself.


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What makes Kenneth Kirschner's "July 17, 2010" so significant—and, in my view, qualifies it as an 'epic'—is the fact that its 2-hour duration is not subdivided into sections, or even particularly episodic (although its timbral qualities could be said to have a periodicity of roughly 20 minutes, but that's just the way i hear it). This is what separates it from the plethora of large-scale albums that have been around for over 60 years, since the double album first came into existence. The prospect of an album lasting two hours or more is less problematic when its duration is broken down into individual songs of no more than a few minutes apiece; it's still a lot to listen to, granted, but the time is compartmentalised, which does at least make things psychologically simpler. Of course, there will always be the concept album that seeks to be homogeneous, its constituent parts seamlessly working towards the creation of a larger whole, but the qualitative shifts en route—the movement from track to track, with their own internal structures—inevitably mean that the overarching narrative is partitioned, if not entirely broken. At the end of last year, in my summary of the best albums of 2010, one of the key things that impressed me about the winner—Chubby Wolf's Ornitheology—was its large-scale epic structure; despite being merely a double album (and as such, shorter than many other such albums), it articulated itself in just two 40-minute tracks. The second 'contemporary epic' i'd like to highlight is very similar to this, and arguably more impressive.
Pat Maherr is one of the most genuinely discombobulating composers i've ever encountered, whose apparent irreverence to music-making i'll admit took some getting used to when i first encountered it. Nonetheless, under a plethora of pseudonyms, he's responsible for some of the more fascinating music i've heard in the last few years, particularly 2004's Too Mega, released as Moms Who Chop, as well as last year's Plays Wagner, under Maherr's best-known moniker, Indignant Senility. As that release writ suffocatingly large, there's a hauntological aspect to Maherr's work, while Moms Who Chop saw Maherr having a field day electronically annihilating acoustic instruments with a rawness worthy of Pierre Schaeffer himself; in yet another guise, as DJ Yo-Yo Dieting, Maherr explores his mischievous plunderphonic side, redolent of John Oswald. A few months ago saw the latest Indignant Senility album, Blemished Breasts, released on cassette, comprising two tracks each lasting a little under 50 minutes.
Plays Wagner touched on a hitherto underexplored depth and pensivity, and Blemished Breasts takes that very much further, even approaching the realm of ambient music. This is far from being hackneyed easy-listening, though; side A begins with the unsettling juxtaposition of deliciously radiant but distant music with the slowed down mutterings and laughter of a male voice. It's a trait that persists throughout the piece, the most seemingly beautiful material allowed no closer than the periphery, casting an abstract glow on the middle- and foreground. The legacy of Plays Wagner exerts an influence on this first side; while most of the album avoids delineated sections, the music suddenly lurches into a hauntological episode (~8′), echoed in a more lengthy passage that emerges later (~32′), granulated piano chords struggling to be heard through their own ongoing disintegration. But much of the music defies easy description, Maherr constructing a complex sound collage that draws on acousmatic, electroacoustic, drone and noise, never pausing long enough to become clearly defined. That suggests a constant sense of motion, but on the contrary, the overriding mood projected here is one of stillness and beauty—embedded in the heart of something dense, perhaps, but essentially calm all the same. and also quiet; there are periods (e.g. ~20′) when Maherr keeps the music courageously soft for minutes on end, encouraging keen listening. The piano is the main foil on Side A, always dessicated as already described; indeed, its final appearance (~41′) causes the entire texture instantly to crumble, dissolving into the sounds of water that return at the end.
Side B could almost be said to take place underwater; its intensely muffled quality suggests the music is submerged. Maherr takes a different approach here, establishing a delicate friction between pitched material—granite-like, moving achingly slowly—and the filtered strains of assorted creature calls. The subtlety of this friction is supremely impressive, the co-existence of elements intimate; they swell together, gently pull at each other, yet neither aspires to dominate. This leads to some magical moments (e.g. ~14′) where their alignment results in music of remarkable beauty. Maherr maintains this fragile equilibrium for half the piece, until some rumbling bass seems to clear the air, and now the twin materials start to seep into each other. Noise becomes more significant in the latter half, causing the piece sharply to evolve in new ways, as in a striking episode (~35′) that eventually introduces percussive and metallic sounds, and an assertive deep pitch that seeks to become a drone. As on Side A, the final 10 minutes are critical to the work's overall structure; here, a sudden band of high noise—the first occasion of higher frequencies in this piece—leads to an intense conclusion, featuring some of the most striking material on the album, including a wall of noise that comes to resemble a male chorus softly roaring (~44½'), followed by some amazing deep bass surges akin to whale calls.
Words don't do justice to the incredible soundworld Maherr creates in these two pieces (which are best heard back to back); it's not only gorgeous—and an infinitely more mature kind of beauty than one tends to encounter these days—but there's also a palpable logic and coherence to the twin pieces' sense of progression. Think of it as a 'sonic bath', perhaps, one that will leave you feeling transformed afterwards.
Blemished Breasts is available on cassette directly from Pat Maherr; details here. Alternatively, Maherr has generously made the album available to download free of charge via his mp3 archive website, here.


Superior materials. Master craftsmanship. Unbeatable quality. That's what you get with Amish hand crafted hardwood furniture that is built to last a lifetime...and then some.
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More than 250 job-seekers and energy sector supporters gathered at Central Piedmont Community College's Harris Campus for the second annual Energy Careers for a Bright Future event. The daylong seminar, part of the Charlotte Regional Partnership's New Energy Capital initiative, was meant to teach participants what opportunities are available and what it takes to land a job in the field. Energy company executives are looking for talented workers, creative ideas and partnerships with local officials and one another as they continue the push to make Charlotte an energy capital, they said during a career conference.


In the Amar form of Kabaddi, each team consists of 5-6 stoppers and 4-5 raiders. At one time, only 4 stoppers are allowed to play on the field. Every time a stopper stops the raider from going back to his starting point, that stoppers team gets 1 point. on the other hand, every time the raider tags one of the stoppers and returns to his starting point, his team gets one point. At one time, only one of the stoppers can try to stop the raider. If more than one touch the raider, an automatic point is awarded to the raider's team. If the stopper is pushed out by the raider or vice versa, then the team whose member is still in the field gets a point. If both the raider and the stopper go out, the result is a common point, where nobody gets a point. There is a 30 second time limit for the raider from the moment he leaves until he returns to his starting point. This rule was only recently introduced (1994) after controversy with some raiders abusing the old system where they were able to struggle through a point until they ran out of breath from repeating the word kabaddi. Some players used to continue on for more than a minute which was deemed to be unfair to other players including stoppers who were constantly tugged at for silly amounts of time.
The basic unwritten rule of kabaddi is that once you are caught and after a brief but unsuccessful attempt at breaking free, you give up and surrender the point to the stoppers team. The first point of the game is always worth 1 and a half points to avoid a tied game. This is why it is advantageous to win the toss at the start of the game. Whether it be the stopper who gets the point or the raider it is always worth that extra half a point. Usually made of 2 20 minute halves, this form of kabaddi can also be played in 10 or 15 minutes each, depending on the tournament organisers. It is played in a circle, with a line dividing the field into two halves.
This form of kabaddi is played in Punjab, Canada, England, USA, Scotland, Pakistan and Australia. The current world champions are Canada who defeated India in the final of the World Cup held in Toronto - Canada. There was an estimated 25 000 spectators packed in to the Guru Gobind Singh Stadium. In kabaddi dominated countries such as India and Canada it is played on a professional basis with top players earning up to $30000 for a 2 month season.
The player who has made most out of the game is Balwinder Phiddu, who started playing in 1975 and only recently retired after the 1997 World Cup. This large framed man considered a hero from Punjab to the rest of the world made vast amounts of money during his many travels for the sport predominantly being to England and more recently Canada. Since Phiddu, the most famous player has been Harjeet Brar from Bajjakhanna village in Faridkot, Punjab. Sadly, his life ended short when killed in a motor vehicle accident whilst travelling with three fellow players from Ludhiana to Chandigarh in February 1998. His death was a tremendous loss to the game as he reached his peak and was a virtual unstoppable raider with a number one player rating in the world.
A typical kabaddi year starts in Punjab in late November and continues on up until March at which point the season starts in Canada where the season is played until June. Then the season commences in England in July for two months and then players take a break for some time before they recommence playing in Punjab. Followers of the game can nowadays enjoy live radio commentary and Television broadcasts due to the wide-ranged sponsorship deals being offered in Canada and Britain from various companies.


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Full-color throughout, with a free full-color foldout map and a new wildlife chapter with photos. With Frommer's in hand, you'll experience the wonder of Costa Rica's amazing biodiversity, as we point out the best places to see hundreds of unique, colorful species of animals and plants. Completely updated every year , Frommer's Costa Rica features gorgeous color photos of the lush rainforest and the spectacular beaches that await you. Personally researched by a longtime resident , it's the only truly up-to-date guide that gives you such in-depth coverage of this fast-changing country, with recommended accommodations in every price category. This edition also features expanded coverage of the Central Valley, the Nicoya Peninsula, and Guanacaste. Insightful commentary and opinionated reviews . You'll visit rugged wilderness preserves and sleepy beach towns, spectacular orchid gardens and mineral hot springs at the foot of a steaming volcano. There are adventures here to suit all ages and abilities: swooping from treetop platform to treetop platform on a canopy tour, taking a dip in a jungle swimming hole, spotting playful spider monkeys as you hike through lush foliage, windsurfing on Lake Arenal, or watching endangered sea turtles nest on the beach.
Detailed, objective reviews of hotels and restaurants to suit any budget are accompanied by up-to-date coverage of sightseeing, nightlife, shopping and local activities, including trip-planning advice.
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text:
Society Vietnam probes traffic cop bribery accusations
Vietnam probes traffic cop bribery accusations
Wednesday, September 07, 2011 12:30 Email Print
The Ministry of Public Security has ordered its C44 inspectorate to investigate accusations that traffic police in several provinces have been soliciting and receiving bribes from truck drivers, Tuoi Tre reported Wednesday.
Le Dinh Nhuong, deputy chief of C44, announced the investigation after the newspaper published stories alleging that traffic police officers had asked truck drivers to pay bribes along highways in Hanoi, the central provinces of Thanh Hoa, Ha Nam, Ha Tinh, Quang Binh, and Thua Thien Hue, and the central city of Da Nang.
On Tuesday the ministry's office also sent letters to police divisions in the above-mentioned provinces and cities to inspect the accusations and handle violations in accordance with laws, it said.
The divisions' leaders were asked to report their findings and actions to the ministry and announce the results of the probe to the media next Thursday, it added.
Meanwhile, on Monday, director of Thanh Hoa province's police division suspended three officers accused of taking bribes in Tuoi Tre's reports for investigations, the news source said, adding that it was unknown how long the suspension is.
Le Ngoc Nam, deputy head of the ministry's general department of forces enforcement, told Tuoi Tre that the ministry and related agencies will handle the case strictly.
He said the practice was discovered a couple of years ago, and the ministry has since then opened training courses to raise officers' awareness.
However, while leaders noticed the improvement among forces in general, there are still some who practice bribery, Nam added.
In the reports published since Monday, Tuoi Tre said its reporters followed drivers to transport goods on long distance trips.
They found that the drivers were asked to pay between VND50,000-5 million (US$2.4-240.38) at most police posts, whenever they were found violating regulations like speeding up, and carrying more goods than their vehicles' designed weights.
The newspaper quoted the drivers as saying that it was a common practice.


text:
Home / 2007 / October / 05 / Student Voices taking action for a healthier campus community at UBC Okanagan
Student Voices taking action for a healthier campus community at UBC Okanagan
By Bud Mortenson on October 5, 2007
If you're on the UBC Okanagan campus next Tuesday, you might be asked a few questions. It's all for a good cause: creating a health-promoting campus community.
Tuesday, Oct. 9, marks the launch of a community consultation phase in Student Voices, a major research project to discover the community's vision of a healthy campus. A second phase will see the creation of change through partnerships across all campus sectors. Researchers believe a unique opportunity for "getting it right" exists at UBC Okanagan as the campus is experiencing rapid growth.
"Large numbers of young adults attend universities and colleges, making campuses ideal for research on young adult health promotion, and prevention of illness and injury," says Dr. Claire Budgen, Director of Health and Counselling and Associate Professor Emerita in Nursing at UBC Okanagan.
"The healthy campus or health-promoting university movement provides opportunities for students to collaborate with others in building knowledge and skills that help all members of the campus community manage their own health and contribute to the health of others and the environment."
Budgen is the principal investigator on the 17-month study, funded by a $49,900 grant from the B.C. Medical Services Foundation to increase understanding of healthy community development.
The study uses an ecological model that looks at people, environment and economy, and will see university students, administrators, faculty, staff and business persons voicing their health interests and questions, forming partnerships, making plans and taking action to create sustainable health-promoting change.
"On Tuesday, we'll have about 40 students out getting input from the community via walk-about surveys and information booths," says study coordinator Melissa Feddersen. "We're encouraging people to voice their opinions through surveys and forums. Multidisciplinary students and faculty are assessing the environment using mapping and Photovoice, a technique that puts cameras in the hands of students."
"Currently about 80 students are working in the study and more are expected -- some working for course credit while others are volunteers," Feddersen says. "So keep an eye out for us and help make healthy sustainable changes to improve UBC Okanagan now and for the future."
Community questionnaires will be distributed at info booths set up in the foyers of UBC Okanagan's Student Services Centre, Science, Arts and Gymnasium buildings. Student volunteers will be roaming campus with clipboards "walk-about surveys," says Feddersen.
When it's complete, the study will contribute to the literature on young adult health, student-organizational leader partnerships and student participation in healthy campus and healthy community development. The researchers anticipate that their results will be used to guide further research.


Have you seen this movie with Kevin Spacey? The theme was about doing something that really helps people. Something that they cannot do by themselves and something that you do for them that they in turn do for other people.
After crying buckets in the movie, I thought what a simple, yet amazing idea in that if someone does something for you no matter how big or small, you don't pay it back…you pay it forward.
I've been very fortunate in my life in that I have been the recipient of many pay it forwards, and life has given me so much to be grateful for. Having done some hands on voluntary work in India in December 2006, and also reading with children for the charity Voluntary Reading Help locally, I wanted to do something again. I didn't want to just give a monthly donation to a charity where the money would be swallowed up administration, I wanted to get involved.
India has always held a special place in my heart, a place where my parents are from. It's cultural diversity, the coexistence of a number of religions, the mixture of traditional and modern and a place of extreme poverty and wealth. I came across the UK based Charity Children Walking Tall, which is dedicated to helping slum and street children in India. What most impressed me about this charity was that it was a small charity, which was making a huge impact on the lives of children at grass root level, giving them a springboard out of poverty and a childhood worthwhile remembering.
I got in touch with the charity, checked their accounts and decided that this was a charity that I would like to get involved with. In February 2009, I announced to my team at Sparkle Dental Boutique that I would be away for three months. After an initial "what will we do without you", the team rallied around and have been incredibly supportive. All agreed to take their leave by September so that I could make this trip. We also took part in a team sponsored walk over the Bridges of London and raised about £1,900.00.
Sparkle Dental Boutique runs like clockwork with tried and tested systems in place..so am I nervous about leaving the practice? No, not at all. The team are fully trained and I know they will give it their all whilst I am away. It's just a little crazy that three new people are joining Sparkle the week that I leave!!!
What will I be doing? I will be based in Mapusa, North Goa. Providing an informal education for the children is part of the work, as well as producing a huge range of activities for the children. Outreach work is done in two local slums where I will be involved in providing access to education and health care and nutrition.
Festivals in India are an integral part of people's lives and whilst in India, celebrating two of the biggest festivals, Diwali and Christmas will be a real treat! I am also looking forward to time out from my daily routine.
My time away is self funded, so sorting out my mortgage payments, bills etc has been a chore. Getting jabs, visa's, suitcases, anti malaria tablets and arts and crafts for the children is what I've been doing in the run up to my departure. I've bought stencils, glitter, beads, buttons and giant jigsaw puzzles to take with me. Blue Peter eat your heart out! I am also taking toothbrushes, toothpastes and tooth related activities so that I can help motivate the children to look after their teeth.
With just a few days to go before I leave…I am feeling very excited but also a little anxious. Last night I dreamt that I had nits in my hair!!!
Having told friends, family and patients that I am going away, I have been surprised by people's generosity and support. I have also been amazed by how many people pay it forwards, quietly without any fuss, bother or thanks. They just do it! Sometimes the simplest things can make the biggest difference and I'm thankful of this opportunity to pay it forward!


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Internet connection and registration are necessary for required software activation, membership validation, and access to online services.


text:
Pinthouse Pizza plans to open fourth location, but won't serve pizza
by: KXAN/Austin Business Journal
Posted: Aug 1, 2019 / 09:17 AM CDT / Updated: Aug 1, 2019 / 09:17 AM CDT
Photo courtesy: Austin Business Journal
AUSTIN (ABJ/KXAN) — Pinthouse Pizza is planning to open a fourth location in the Austin area with one caveat— it won't be serving pizza, the Austin Business Journal reports.
The popular pizza spot and brewpub submitted plans to the Texas Department of Licensing and Regulation for a new location at 2201 E. Ben White Boulevard in south Austin. The project is estimated to cost $3 million for renovations, a covered outdoor patio and a proposed second floor.
Pinthouse Pizza principal and operator Tyler Norwood told the ABJ this location will mostly serve as "a production facility for the brewing operations." There will be snack options and beer, but no pizza.
Read the full story in the Austin Business Journal
APD asks for help finding suspect wanted in multiple robberies by assault
'Saltillo' almost complete, bringing Target, Whole Foods and more east of downtown Austin
by Alyssa Goard / Jan 17, 2020
AUSTIN (KXAN) — Two years ago, the stretch of city blocks between East 5th Street and East 4th Street just east of I-35 was filled with only the beginnings of a construction project.
Today, that same stretch is full of multi-story buildings with windows looking out at downtown, east Austin, and the adjacent MetroRail train tracks.
McCombs School of Business says Texas and Austin 'lead the country in growth' as dean is optimistic about 2020
by Todd Bailey / Jan 16, 2020
AUSTIN (KXAN) -- Business leaders, economists, investment experts and college alumni rubbed elbows and discussed their perspectives of the new year Thursday morning at the 8th Annual 2020 Business Outlook Austin.
Austin is one of four big cities in Texas where the event is held. The others include: Houston, Dallas and San Antonio.
Developer buying downtown Austin condos for high-rise redevelopment
by Erin Edgemon/Austin Business Journal / Jan 16, 2020
AUSTIN (Austin Business Journal) — Austin-based Cielo Property Group is buying Brazos Lofts, a condominium building near the Austin Convention Center, for future redevelopment. Demolition of the condos is at least a year away.
The development firm said it does not have specific plans for the property at this time but indicated it could build a tower of up to 885,200 square feet on the 0.81-acre parcel at 411 Brazos St., at the southeast corner of Brazos and Fifth streets. For perspective, the Frost Bank Tower nearby offers about 535,000 square feet.


text:
John B. Sollenberger Trophy je trofej pro nejproduktivnějšího hráče základní části sezony American Hockey League.

Trofej nese od roku 1955 jméno John B. Sollenberger.  Sollenberger byl dlouholetým funkcionářem Hershey Bears.  Původně se trofej jmenovala po hráči jménem Wally Kilrea||který byl držitelem rekordního počtu bodů za sezonu.  Hned v první sezoně 1947/48||kdy se trofej udělovala||se pojmenovala podle jiného hokejisty || Carl Liscombe byl jejím prvním držitelem a zároveň v dané sezoně překonal Kilreův rekord.

V roce 2004 trofej obdržel český útočník Pavel Rosa.

Vítězové

Carl Liscombe Trophy
 1953/54 - George Sullivan • Hershey Bears
 1952/53 - Eddie Olson • Cleveland Barons
 1951/52 - Ray Powell • Providence Reds
 1950/51 - Ab DeMarco • Buffalo Bisons
 1949/50 - Les Douglas • Cleveland Barons
 1948/49 - Sid Smith • Pittsburgh Hornets
 1947/48 - Carl Liscombe • Providence Reds

Reference

Trofeje a ocenění AHL


text:
Q: Getting error when combining AngularJS, RequireJS, and asp.NET I'm attempting to start a project using asp.NET Web API, AngularJS, and RequireJS. I was following this seed project, but it hasn't been working.
My current folder structure looks like this:
css/
   main.css
   normalize.css
img/
js/
   controllers/
      myctrl2.js
   lib/
      angular/
         angular.js
   jquery/
      jquery-1.9.1.min.js
   require/
      require.js
      text.js
   app.js
   controllers.js
   directives.js
   filters.js
   main.js
   routes.js
   services.js
partials/
   partial1.html
   partial2.html
Default.cshtml

Here's my app.js:
define([
    'angular',
    'filters',
    'services',
    'directives',
    'controllers'
], function (angular, filters, services, directives, controllers) {
    'use strict';

    return angular.module('myApp', ['myApp.controllers', 'myApp.filters', 'myApp.services', 'myApp.directives']);
});

Here's my main.js:
require.config({
    paths: {
        jquery: 'lib/jquery/jquery-1.9.1.min',
        angular: 'lib/angular/angular',
        text: 'lib/require/text'
    },
    shim: {
        'angular': { 'exports': 'angular' }
    },
    priority: [
        "angular"
    ]
});

require([
    'jquery',
    'angular',
    'app',
    'routes'
], function ($, angular, app, routes) {
    'use strict';
    $(document).ready(function () {
        var $html = $('html');
        angular.bootstrap($html, ['myApp']);
        // Because of RequireJS we need to bootstrap the app app manually
        // and Angular Scenario runner won't be able to communicate with our app
        // unless we explicitely mark the container as app holder
        // More info: https://groups.google.com/forum/#!msg/angular/yslVnZh9Yjk/MLi3VGXZLeMJ
        $html.addClass('ng-app');
    });
});

And lastly, here's my default.cshtml:
<!doctype html>

        <meta charset="utf-8">
        <meta http-equiv="X-UA-Compatible" content="IE=edge,chrome=1">
        <title>360</title>
        <meta name="description" content="">
        <meta name="viewport" content="width=device-width">

        <link rel="stylesheet" href="css/normalize.css">
        <link rel="stylesheet" href="css/main.css">

AngularJS + RequireJS

View 1

View 2

Default.cshtml loads completely, up until the

. It doesn't load anything beyond that, and the  tag is not given the attribute ng-app. I also receive the following error in the console:
Uncaught SyntaxError: Unexpected token <

Any ideas why this is happening? The only solution I've found on similar questions is creating the angular object on document.ready and then adding the ng-app attribute, which I'm already doing.
Thanks!

A: The culprit was this snippet of code, added to my Web.config previously:
<system.webServer>
   <rewrite>
      <rules>
          <rule name="Default" stopProcessing="true">
              <match url="^(?!images|content|scripts|favicon|robots).*" />
              <action type="Rewrite" url="Default.cshtml" />
          </rule>
      <rules>
   </rewrite>
</system.webServer>

This was causing require.js to be interpreted as a text/html file, and resulting in the error message.

A: What's in app.js?  Did you call it myApp?  If so I would change this line:
angular.bootstrap($html, [app['name']]);

to
angular.bootstrap($html, ['myApp']);

redpajama_set_name: RedPajamaStackExchange


text:
Grondin's College of Cosmetology
371 W. Nepessing
Lapeer, MI 48446
Connect with us to keep up with the school schedule and to stay updated about the ever-changing beauty industry.
Cosmetology Instructor
Liz Grondin's passion turns into a legacy
What started with a pair of old scissors and used clippers in the kitchen of her home in Dryden, Michigan, family matriarch, Elizabeth "Liz" Grondin, sparked her family's interest in the hair industry and led to a couple of Dryden boys hanging out in Harry Hudson's barbershop talking about haircuts and baseball. From her kitchen and that barbershop in downtown Dryden, Michigan, the passion for haircutting started with Liz's two oldest sons, Carl and Paul. In 1969, the two young men opened a barbershop in their hometown, Dryden, Michigan. Then eventually, six of her ten children and ten of the grandchildren have become licensed hairdressers. Nine of the ten children have worked at one time or another for Grondin's Hair Center. Flash forward to 2022, and the Grondin legacy continues with over 38 salons across Lower Michigan and Grondin's College of Cosmetology. Many students, including third-generation family members, have graced its doors learning the trade and helping to keep Grondin's legacy alive for generations to come.
After serving in the Air Force, Carl Grondin, the family's oldest son, was the first to attend barber school on the GI Bill. He finished in 1964 and began cutting hair in Southfield, Michigan. Paul Grondin, after serving in the US Army, decided to follow suit and completed barber school in 1969, also on the GI Bill. They opened a barbershop together in their hometown of Dryden, Michigan in the fall of 1969 and were there for a decade. Then Paul opened his first beauty salon in Imlay City, Michigan, a small town about 8 miles away. Then Carl opened a shop in Lapeer, Michigan, another small town about 15 miles away. Around the same time, their brother, Joe Grondin, opened Hairacy College of Cosmetology in Lapeer, Michigan too. In the mid-90s, Carl and Paul bought the school from their brother Joe and sister Shirley. Eventually, they moved the location of Hairacy to another location in Lapeer and changed the name to Grondin's College of Cosmetology.
After about six years in that location, Paul bought Carl's share of the school and moved it downtown to the old JCPenney building in Lapeer, Michigan. This is where they are still located today, thriving, teaching classes, and servicing men, women, and children. We hope Grondin's College of Cosmetology has the privilege of servicing Lapeer County, Michigan for many years to come, and we hope many of our students will decide to come work for Grondin's Hair Centers in the future to continue the passion and legacy that Paul and Carl started over 50 years ago in their mom's kitchen.
Grondin's College of Cosmetology is licensed by the Department of Licensing and Regulatory Affairs Board of Cosmetology
Ottawa Building
611 W. Ottawa
Privacy PolicyAll rights reserved. © 2023 Grondin's College of Cosmetology


text:
Q: Iterating over list with for loop I saw a code like this:
for i in val[0]:
    int(i)
    count += 1

where val is any defined list. What the for loop iterate over here. Let's suppose val[0] is 5, then will loop go on for 5 times?

A: if val[0] is 5 you will get an error:
>>> for i in 5:
TypeError: 'int' object is not iterable

That code is only valid if val[0] is iterable
>>> # here val[0] = [1,2,3], which is an iterable list.
>>> val = [[1, 2, 3], [4, 5], [6], 7]
>>> for i in val[0]:
>>>     print i
1
2
3

This has a good explanation about what is iterable. Essentially, you can check for iterability by checking for the  __iter__ method:
>>> hasattr([1,2,3,4], '__iter__')
True
>>> hasattr(5, '__iter__')
False

Strings can also be used in a for loop to iterate over characters, but for some reason they use __getitem__ instead of __iter__:
>>> hasattr([u"hello", '__iter__')
False
>>> hasattr([u"hello", '__getitem__')
True

A: In python (and anything else I can think of)
for i in 5:
    int(i)
    count +=1

will throw an error, specifically in Python 2.7 you get

TypeError: 'int' object is not iterable

are the entries of val iterables themselves? So that for example val[0]=[0,1,2,3,4]. In this case the above code will work (assuming that you have initialized the variable count somewhere).


Good day and welcome to the Seattle Genetics Fourth Quarter and Year 2018 Financial Results. Today's conference is being recorded. At this time, I would like to turn the conference over to Ms. Peggy Pinkston, Vice President, Investor Relations. Please go ahead ma'am.
Thank you, operator, and good afternoon everyone. I'd like to welcome all of you to Seattle Genetics fourth quarter and year 2018 conference call. With me today are Clay Siegall, President and Chief Executive Officer; Todd Simpson, Chief Financial Officer; Roger Dansey, Chief Medical Officer; and Darren Cline, Executive Vice President, Commercial.
Accompanying today's conference call are supporting slides which are available on our website in the Investors section the Events and Presentations page. Following our prepared remarks today, we'll open the line for questions. Today's conference call will include forward-looking statements regarding future events or the future financial and operating performance of the company such as those among others relating to the company's 2019 financial outlook, including anticipated 2019 ADCETRIS sales and future revenues, costs and expenses.
The company's potential and anticipated timing to achieve future clinical and regulatory milestones and published data for ADCETRIS, enfortumab vedotin, tucatinib and(ph)polatuzumab vedotin(ph)Actual results or developments may differ materially from those projected or implied in these forward-looking statements. Among the factors that may cause such a difference include the difficulty in forecasting sales, revenues and expenses and the uncertainty associated with the pharmaceutical development and regulatory approval process.
More information about the risks and uncertainties faced by Seattle Genetics is contained under the, under the caption Risk Factors included in the company's periodic reports filed with the Securities and Exchange Commission, including the company's quarterly report on Form 10-Q for the quarter ended September 30th 2018 and future periodic reports filed by the company, including the company's Annual Report on Form 10-K for the year ended December 31st 2018.
Now, I'll turn the call over to Clay.
Thanks, Peg and good afternoon, everyone. 2018 was a remarkable year highlighted by significant ADCETRIS achievements and substantial progress with our late-stage clinical portfolio bringing us closer to becoming a multi-product oncology company. In 2018, ADCETRIS was launched in two frontline indications and it's becoming the foundational therapy in CD30-expressing lymphomas. We expect to continue our momentum in 2018, including maintaining focus on ADCETRIS commercial growth. Beyond ADCETRIS our 3 late-stage programs solid tumors that are approaching near-term milestones.
Importantly in 2019, we'll report data from pivotal trials with enfortumab vedotin and tucatinib. In March, ADCETRIS in combination with chemotherapy was approved for Stage III and IV Hodgkin lymphoma based on the ECHELON-1 trial and in mid-November ADCETRIS in combination with chemotherapy was granted breakthrough therapy designation and then approved in frontline CD30-expressing peripheral T-cell lymphoma based on a positive results from the ECHELON-2 trial.


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Rise of the Guardians is a American 3D computer- animated action fantasy film based on William Joyce' s The Guardians of Childhood book series and The Man in the Moon short film by Joyce and Reel FX Creative Studios. Peter Ramsey directed the film, while Joyce and Guillermo del Toro were executive producers with voice acting by Chris Pine, Alec Baldwin, Hugh Jackman, Isla Fisher, and Jude Law. This is a list of all released and announced Blu- ray 3D titles.
This article includes only 3D films on real Blu- ray 3D discs with different video streams for the left and right eye, which excludes anaglyph releases.
The DVD and Blu- ray Store. Welcome to ' s DVD and Blu- ray store. Home to the greatest selection of films and TV in a simple to navigate store, making it easy for you to buy DVDs shopping from a great selection at Movies & TV Store. Laura Carmichael, Michelle Dockery, Maggie Smith, Jim Carter Hugh / New and Upcoming DVD & Blu- ray Schedule: Current Month | Next Month | 2 Months from Now / Upcoming Cover Art / Search This Site Click any heading to sort reviews table by that field.
For reviews of films currently in theaters, see Movie Reviews. 4k Blu- Ray Upscale Description Ratings and Reviews; 1.


text:
Prince Andrei Alexandrovich of Russia ( – 8 May 1981) was the first son and second child of Grand Duke Alexander Mikhailovich of Russia and Grand Duchess Xenia Alexandrovna of Russia. He was also the eldest nephew of Nicholas II of Russia, the last Tsar.

Born and raised in Imperial Russia during the reign of his uncle Nicholas II, his military career in the Russian navy and the Chevalier guards was cut short by the Russian Revolution. He escaped the fate of many of his relatives killed by the Bolsheviks, fleeing to his parents' estate in Crimea. For a time, he was under house arrest there with a large group of family members. He married there.

In December 1918, he left Russia with his wife and his father. They lived for a couple of years in Paris, France, which had a large population of Russian refugees. Eventually he settled in England in the household of his mother. His wife died during World War II, a victim of the London Blitz. He remarried in 1942. He moved to Provender House in Faversham, Kent, which was owned by the family of his second wife. Alexandrovich lived quietly there as an English country squire until his death. His son, Prince Andrew Andreevich, was claimant to the headship of the Romanov Family until his death in 2021.

Early life

Prince Andrei Alexandrovich was born at the Winter Palace, Saint Petersburg, the second child and first son of Grand Duke Alexander Mikhailovich and Grand Duchess Xenia Alexandrovna of Russia. Although an Imperial Romanov Family Dynast and a grandson of Emperor Alexander III through his mother, he did not receive the title Grand Duke of Russia because he was a great-grandson of Emperor Nicholas I in the male line through his father. Due to the insistence of his grandmother, the Dowager Empress Maria Feodorovna, he was honoured with a 21 gun salute at birth (which was usually reserved for Grand Dukes), although he was only a Prince of Russia (to be honoured with a 15-gun salute).

In his youth, before World War I, Prince Andrei toured Europe with his parents. At Biarritz, he joined his great uncle King Edward VII of the United Kingdom at the Palace Hotel. Prince Andrei joined the Russian navy and served under his father Grand Duke Alexander Mikhailovich of Russia. Later he became lieutenant in the Chevalier guards, whose colonel-in-chief was his uncle, Emperor Nicholas II. Just before the Russian revolution, he was the only member of his family to accompany the Empress Alexandra and her four daughters on their last visit to the churches of Novgorod. It was the last time he saw them.

Revolution

At the fall of the Russian monarchy with the February Revolution in 1917, Prince Andrei moved with his siblings and their parents to his father's property in Crimea, Ai-Todor. A large group of members of the Romanov family gathered there, trying to escape the disturbances in the rest of the country. At first they lived undisturbed while the Russian Provisional Government was in power.

It was during this turbulent period that Prince Andrei began a relationship with Elisabetta Ruffo-Sasso (1886–1940) dei duchi di Sasso-Ruffo dei principi di Sant' Antimo, a young divorcée. They had met in St Petersburg in 1916. She was a daughter of Fabrizio Ruffo, Duke of Sasso-Ruffo, and Princess Natalia Alexandrovna Mescherskaya (a descendant of a famous family of the Stroganovs), and distantly related to the Romanovs. Elisabetta had a daughter, (Elisabeth Alexandrovna Friederici), from her first marriage to Major General Alexander Alexandrovitch Friederici (1878–1916) (they had married in 1907). Elisabetta, from the noble house of Ruffo di Calabria, was a cousin of Queen Paola of Belgium.

After Elisabetta became pregnant, the couple married on 12 June 1918 in the family chapel at Ai-Todor in the presence of his family, including his grandmother the Dowager Empress. Prince Andrei was twenty-one years old and his grandmother had thought him too young for marriage, but his parents, Grand Duchess Xenia and Grand Duke Alexander, gave their permission. During this time they could not contact Prince Andrei's uncle, the last reigning Emperor, Nicholas II of Russia, who was being held in captivity in internal exile. A month later, Nicholas II was killed with his wife and children while they were held captive in Yekaterinburg on 16/17 July 1918. In later life Prince Andrei rarely spoke of them, as he found the memories too painful.

The situation of the Romanovs in Crimea deteriorated after the successful Bolshevik coup of November 1917. For a time Prince Andrei was imprisoned along with his parents, grandmother the Dowager Empress, and a large number of other Romanov relatives, at Dulber, a palace in Crimea that belonged to Grand Duke Peter Nikolaevich of Russia. In 1918 Russia and Germany were still at war. When German troops invaded the peninsula, they liberated the Romanovs in captivity. In December 1918, Prince Andrei left Russia with his wife, who was pregnant with their first child, and his father, Grand Duke Alexander Mikhailovich aboard the Royal Navy ship HMS Marlborough in order to attend the Paris Peace Conference. He and his father were seeking support in western Europe for the White Army.

Exile
Prince Andrei spent the first couple of years in exile in France. For a time he lived in the French Riviera in a property that belonged to his aunt Grand Duchess Anastasia Mikhailovna of Russia. The two eldest children of Prince Andrei and his wife, who was called Elsa within the family, were born in France and the youngest one in London:
Princess Xenia Andreevna (1919–2000) m. 1 1945 to Calhoun Ancrum (1915–1990); they divorced in 1954. m. 2 1958 Geoffrey Tooth (1908–1998). She had no children from either marriage.
Prince Michael Andreevich (1920–2008) m. 1 1953 Jill Murphy (1921–2006); they divorced in 1953. m. 2 1954 Shirley Cramond (1916–1983). m. 3 1993 Giulia Crespi (b. 1930). Michael had no children from any of his marriages.
Prince Andrew Andreevich (1923–2021) m. 1 1951 Elena Dournovo (1927—1992). They had one son before divorcing in 1959. m. 2 1961 Kathleen Norris (1935–1967). They had two children. m. 3 1987 Inez Storer (born 1933). From 31 December 2016 to 28 November 2021, most of Emperor Nicholas I's descendants recognized him as head of the Romanov Family.

Short of money and without a steady occupation, Prince Andrei eventually settled permanently in England at Frogmore, where his mother Grand Duchess Xenia had a grace-and-favour residence named Wilderness House. They later moved to Hampton Court. They were living there during World War II when Elisabetta, already near death from cancer, died following an air raid in October 1940. One bomb hit very close to their house, causing a ceiling beam to fall onto Elisabetta. She died shortly thereafter.

Two years later, while staying in Balmoral, Prince Andrei met his second wife Nadine McDougall (1908–2000). She was the eldest of three daughters of Lieutenant Colonel Herbert McDougall and his Finnish wife Sylvia Borgström. They became engaged on 18 June 1942 and married at Norton, Kent  church, near Provender on 21 September 1942. The Archbishop of Canterbury, William Temple, officiated the Anglican service. The Russian Orthodox wedding was presided by Archimandrite Nicholas who, as Sydney Gibbes, had been tutor of the children of Tsar Nicholas II.

Prince Andrei had one daughter from his second marriage:
Princess Olga Andreevna (b. 1950) m. 1975 Thomas Mathew (b. 1945). They had four children.

In 1949, Prince Andrei moved into Provender House in Faversham, Kent, which was owned by the family of his second wife. The house was noted as having been a hunting lodge of Edward, the Black Prince.
Provender was the prince's only real home in exile.

He spent his time gardening, entertaining, and cooking, which he had learnt from the French chefs in his parents' palaces. He was an artist and had several exhibitions of his works in Paris before World War II. He designed the cover of Let's Light the Candles, a memoir by his mother-in-law. Over the years he came to enjoy his role as an English country squire, opening church fetes and sporting charitable causes, particularly in the village where he lived.

He had some outside interests as well. After the death of his mother Grand Duchess Xenia, he inherited her position as President of the Legat Ballet. His nephew, the Marquess of Milford Haven, appointed him as president of the Chaine des Rotisseurs for London and the Home Counties.
Prince Andrei was the protector of the Sovereign Order of the Orthodox Knights Hospitaller of St. John of Jerusalem.

Prince Andrei Alexandrovich lived quietly until his death at home in Faversham on 8 May 1981, aged 84. He was buried in the church at Norton. His widow died in 2000.

Ancestry

Notes

References

Princess Olga Romanoff. My father and his family. Royalty Digest Quarterly. 2007 N 1.
Van Der Kiste, John & Hall, Coryne. Once a Grand Duchess: Xenia, Sister of Nicholas II. Sutton Publishing, 2002. .
Willis, Daniel. The Romanovs in the 21st Century: a genealogical Biography. VDM, 2009. .

1897 births
1981 deaths
Princes of royal blood (Russia)
People from Faversham
Royalty from Saint Petersburg
19th-century people from the Russian Empire
Emigrants from the Russian Empire to France
Emigrants from the Russian Empire to the United Kingdom
Russian anti-communists


Eligibility: Aid is available to all Colorado College students who have completed their first semester of study and who are currently on need-based financial aid at the College (FAFSA for U.S. students and CSS Profile for international students). If you have previously received a Academic Year (AY) Financial Aid Award, you are not eligible to apply again. Note that AY aid awards are separate from summer aid awards, so if you've been awarded a summer award before, you CAN apply for an AY award. Each CC student is eligible for one summer award and one AY award.
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Deposit: There is no deposit required to register for an off-campus AY course.


This form should only be completed if your appeal is denied by the instructor and department.
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If your instructor does not approve your grade appeal, you must discuss your grade appeal with the department chair.
If your request is approved by the instructor and/or department, the instructor should fill out the Change of Grade form on CatsWeb (no further action required on your part).
View a flowchart of the grade appeal process.
If you would like to appeal a grade for a non-science course, contact that department for further instructions. In accordance with Texas State's records retention policies, a student appeal for a change of grade must be filed no later than two years after the grade is issued.
Explain what your request is and supply any justification for the request.
Your grades must be posted on your transcript in order to complete this appeal. If your grade has not been posted on your transcript, you must wait until grades are posted and follow all of the steps outlined in the Grade Appeal Process (see flowchart below).
In the space provided below, provide a justification for your request and the steps you have already taken to resolve the situation.
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No, my instructor approved my grade appeal. A meeting was not necessary. ***If your instructor approved grade change, do not complete this form. Your instructor should fill out the Change of Grade form available via CatsWeb.
What is the department chair's name?
When did you talk to the department chair?
The College of Science and Engineering Advising Center acts as a facilitator for the grade appeal process and does not make any decisions regarding your grade change.


text:
Q: Rails - in `private': nil is not a symbo l (TypeError) it appears in the production server, while in local server it not appears, the issue is in the Subscribe_Controller, there I define what parameters are sent to MailChimp for the mailing list , here is the error log from $heroku run rails console.
/app/app/controllers/subscribe_controller.rb:11:in `private': nil is not a symbo
l (TypeError)
        from /app/app/controllers/subscribe_controller.rb:11:in `<class:Subscrib
eController>'
        from /app/app/controllers/subscribe_controller.rb:1:in `<top (required)>
'
        from /app/vendor/bundle/ruby/2.0.0/gems/activesupport-4.2.7.1/lib/active
_support/dependencies.rb:274:in `require'
        from /app/vendor/bundle/ruby/2.0.0/gems/activesupport-4.2.7.1/lib/active
_support/dependencies.rb:274:in `block in require'
        from /app/vendor/bundle/ruby/2.0.0/gems/activesupport-4.2.7.1/lib/active
_support/dependencies.rb:240:in `load_dependency'
        from /app/vendor/bundle/ruby/2.0.0/gems/activesupport-4.2.7.1/lib/active
_support/dependencies.rb:274:in `require'
        from /app/vendor/bundle/ruby/2.0.0/gems/activesupport-4.2.7.1/lib/active
_support/dependencies.rb:360:in `require_or_load'
        from /app/vendor/bundle/ruby/2.0.0/gems/activesupport-4.2.7.1/lib/active
_support/dependencies.rb:317:in `depend_on'
        from /app/vendor/bundle/ruby/2.0.0/gems/activesupport-4.2.7.1/lib/active
_support/dependencies.rb:233:in `require_dependency'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/engin
e.rb:472:in `block (2 levels) in eager_load!'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/engin
e.rb:471:in `each'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/engin
e.rb:471:in `block in eager_load!'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/engin
e.rb:469:in `each'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/engin
e.rb:469:in `eager_load!'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/engin
e.rb:346:in `eager_load!'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/appli
cation/finisher.rb:56:in `each'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/appli
cation/finisher.rb:56:in `block in <module:Finisher>'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/initi
alizable.rb:30:in `instance_exec'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/initi
alizable.rb:30:in `run'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/initi
alizable.rb:55:in `block in run_initializers'
        from /app/vendor/ruby-2.0.0/lib/ruby/2.0.0/tsort.rb:150:in `block in tso
rt_each'
        from /app/vendor/ruby-2.0.0/lib/ruby/2.0.0/tsort.rb:183:in `block (2 lev
els) in each_strongly_connected_component'
        from /app/vendor/ruby-2.0.0/lib/ruby/2.0.0/tsort.rb:210:in `block (2 lev
els) in each_strongly_connected_component_from'
        from /app/vendor/ruby-2.0.0/lib/ruby/2.0.0/tsort.rb:210:in `block (2 lev
els) in each_strongly_connected_component_from'
        from /app/vendor/ruby-2.0.0/lib/ruby/2.0.0/tsort.rb:210:in `block (2 lev
els) in each_strongly_connected_component_from'
        from /app/vendor/ruby-2.0.0/lib/ruby/2.0.0/tsort.rb:219:in `each_strongl
y_connected_component_from'
        from /app/vendor/ruby-2.0.0/lib/ruby/2.0.0/tsort.rb:209:in `block in eac
h_strongly_connected_component_from'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/initi
alizable.rb:44:in `each'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/initi
alizable.rb:44:in `tsort_each_child'
        from /app/vendor/ruby-2.0.0/lib/ruby/2.0.0/tsort.rb:203:in `each_strongl
y_connected_component_from'
        from /app/vendor/ruby-2.0.0/lib/ruby/2.0.0/tsort.rb:209:in `block in eac
h_strongly_connected_component_from'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/initi
alizable.rb:44:in `each'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/initi
alizable.rb:44:in `tsort_each_child'
        from /app/vendor/ruby-2.0.0/lib/ruby/2.0.0/tsort.rb:203:in `each_strongl
y_connected_component_from'
        from /app/vendor/ruby-2.0.0/lib/ruby/2.0.0/tsort.rb:209:in `block in eac
h_strongly_connected_component_from'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/initi
alizable.rb:44:in `each'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/initi
alizable.rb:44:in `tsort_each_child'
        from /app/vendor/ruby-2.0.0/lib/ruby/2.0.0/tsort.rb:203:in `each_strongl
y_connected_component_from'
        from /app/vendor/ruby-2.0.0/lib/ruby/2.0.0/tsort.rb:182:in `block in eac
h_strongly_connected_component'
        from /app/vendor/ruby-2.0.0/lib/ruby/2.0.0/tsort.rb:180:in `each'
        from /app/vendor/ruby-2.0.0/lib/ruby/2.0.0/tsort.rb:180:in `each_strongl
y_connected_component'
        from /app/vendor/ruby-2.0.0/lib/ruby/2.0.0/tsort.rb:148:in `tsort_each'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/initi
alizable.rb:54:in `run_initializers'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/appli
cation.rb:352:in `initialize!'
        from /app/config/environment.rb:5:in `<top (required)>'
        from /app/vendor/bundle/ruby/2.0.0/gems/activesupport-4.2.7.1/lib/active
_support/dependencies.rb:274:in `require'
        from /app/vendor/bundle/ruby/2.0.0/gems/activesupport-4.2.7.1/lib/active
_support/dependencies.rb:274:in `block in require'
        from /app/vendor/bundle/ruby/2.0.0/gems/activesupport-4.2.7.1/lib/active
_support/dependencies.rb:240:in `load_dependency'
        from /app/vendor/bundle/ruby/2.0.0/gems/activesupport-4.2.7.1/lib/active
_support/dependencies.rb:274:in `require'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/appli
cation.rb:328:in `require_environment!'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/comma
nds/commands_tasks.rb:142:in `require_application_and_environment!'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/comma
nds/commands_tasks.rb:67:in `console'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/comma
nds/commands_tasks.rb:39:in `run_command!'
        from /app/vendor/bundle/ruby/2.0.0/gems/railties-4.2.7.1/lib/rails/comma
nds.rb:17:in `<top (required)>'
        from /app/bin/rails:4:in `require'
        from /app/bin/rails:4:in `<main>'

here is the log from the production server:
2016-09-21T14:53:45.788249+00:00 heroku[router]: at=error code=H10 desc="App crashed" method=GET path="/" host=www.ifurniture.pe request_id=4e9cd392-23bb-4160-8f2b-e9886cf25016 fwd="190.234.106.227" dyno= connect= service= status=503 bytes=

this is the Subscribe_Controller.rb file..
class SubscribeController < ApplicationController
  def create
    logger.info "suscripcion #{params.inspect}"
    user = user_params(params)
    MailchimpWrapper.subscribe(user, params[:group_name], params[:group])
    redirect_to '/gracias'
    rescue Mailchimp::Error => e
      logger.error "ERROR mailchimp #{e.message} #{params.inspect}"
    end

  private def user_params(params)
    user = {
      email: params[:email].try(:downcase),
      first_name: params[:first_name].try(:titleize),
      last_name: params[:last_name].try(:titleize),
      city: params[:city].try(:titleize),
      phone: params[:phone],
      comment: params[:comment].try(:titleize)
    }
    user
  end
end

I define the method in a new line like this..
  private
  def user_params(params)
    user = {
      email: params[:email].try(:downcase),
      first_name: params[:first_name].try(:titleize),
      last_name: params[:last_name].try(:titleize),
      city: params[:city].try(:titleize),
      phone: params[:phone],
      comment: params[:comment].try(:titleize)
    }
    user
  end
end

and get this error in production server...
2016-09-21T15:28:29.628087+00:00 app[web.1]: Started POST "/suscribir" for 190.234.106.227 at 2016-09-21 15:28:29 +0000

2016-09-21T15:28:29.635751+00:00 app[web.1]: Processing by SubscribeController#create as HTML

2016-09-21T15:28:29.635762+00:00 app[web.1]:   Parameters: {"utf8"=>"✓", "authenticity_token"=>"5sO+oVCDUD949rHpZz4RSxnSqpfXGZ9p9XwF+NO6HOkYPpfB95v1Wrn6EgxR7N+rEpVHOHuRtEaBAhNmoWTYVA==", "group_name"=>"suscriptores", "group"=>"newsletter", "email"=>"henry07_03@hotmail.com", "commit"=>"SUSCRIBIRSE"}

2016-09-21T15:28:29.635763+00:00 app[web.1]: suscripcion {"utf8"=>"✓", "authenticity_token"=>"5sO+oVCDUD949rHpZz4RSxnSqpfXGZ9p9XwF+NO6HOkYPpfB95v1Wrn6EgxR7N+rEpVHOHuRtEaBAhNmoWTYVA==", "group_name"=>"suscriptores", "group"=>"newsletter", "email"=>"henry07_03@hotmail.com", "commit"=>"SUSCRIBIRSE", "controller"=>"subscribe", "action"=>"create"}

2016-09-21T15:28:29.638002+00:00 app[web.1]: ERROR mailchimp You must provide a MailChimp API key {"utf8"=>"✓", "authenticity_token"=>"5sO+oVCDUD949rHpZz4RSxnSqpfXGZ9p9XwF+NO6HOkYPpfB95v1Wrn6EgxR7N+rEpVHOHuRtEaBAhNmoWTYVA==", "group_name"=>"suscriptores", "group"=>"newsletter", "email"=>"henry07_03@hotmail.com", "commit"=>"SUSCRIBIRSE", "controller"=>"subscribe", "action"=>"create"}

2016-09-21T15:28:29.657213+00:00 app[web.1]:   [1m[35mRefinery::Page Load (0.8ms)[0m  SELECT  "refinery_pages".* FROM "refinery_pages" WHERE "refinery_pages"."menu_match" = $1  ORDER BY "refinery_pages"."id" ASC LIMIT 1  [["menu_match", "^/404$"]]

2016-09-21T15:28:29.661415+00:00 app[web.1]:   [1m[36mRefinery::PagePart Load (2.1ms)[0m  [1mSELECT "refinery_page_parts".* FROM "refinery_page_parts" WHERE "refinery_page_parts"."refinery_page_id" IN (2)  ORDER BY position ASC[0m

I'll be attentive to your answers.

A: I belive You need your method on a new line after you call private:
private

  def user_params(params)
    user = {
      email: params[:email].try(:downcase),
      first_name: params[:first_name].try(:titleize),
      last_name: params[:last_name].try(:titleize),
      city: params[:city].try(:titleize),
      phone: params[:phone],
      comment: params[:comment].try(:titleize)
    }
    user
  end

A: Since ruby version 2.1 (!!), method definitions return a symbol for the method name.
Hence, the following code:
def my_method
  # ...
end

private :my_method

Can be simplified, in the way you have done:
private def my_method
  # ...
end

Looking at the stack trace, it seems your production server is still running ruby version 2.0.0. On this older ruby version, method definitions return nil - so your code is invalid.
Ideally, you should just update the production ruby version. If that's not an option, either write the code as:
# Put this at the BOTTOM of the class

private

def user_params(params)
  # ...
end

Or:
# Put this anywhere in the class

def user_params(params)
  # ...
end
private :user_params


text:
Great News: Friern Barnet Library has been saved!
by clea.g Feb 4th, 2013
We've just heard that 38 Degrees members have helped save Friern Barnet Library from closure!
Last April, Barnet Council closed the library because of cuts to their budget. Barnet Council had planned to sell off the library in order to try and create funds, but because of the huge public opposition they faced that won't be happening!
After Barnet Council closed the library, Occupy London activists occupied it in early September and, with thousands of book donations, re-opened it for the community. In response to this, Barnet Council started eviction proceedings against the Occupy activists, which encouraged 38 Degrees member Rosie to start her petition on Campaigns By You to re-open Friern Barnet library.
The library has been a vital hub for the community since 1934 – providing everything from personal finance advice and pilates classes to computer access for those who can't afford their own. Offering warmth for the elderly who are struggling with heating bills and providing a safe quiet place for local children to do their homework, it was essential to try and keep the library open.
Thanks to Barnet council's own rules, they had to hold a debate on the library's future if the petition reached over 4,000 signatures, which it did!
The control of the library has now been handed over to the newly formed Friern Barnet Community Library, whose board of nine trustees comprises members of the local community who have involved with the project from the start!
38 Degrees member and petition starter Roise has this to say:
"This is a fantastic victory for the residents of Friern Barnet. They can at last be assured that the lovely Friern Barnet Community Library is saved. Local residents were very surprised by the councils u-turn from wanting to bulldoze the library into giving local residents a two-year licence.
This is also a major victory for Occupy who initially negotiated with the London Borough of Barnet to get locals a licence and who as well as campaigning to get the library re-opened were also protesting over the recent change in law that prevented people from squatting in residential buildings.
We are still hoping that the council will give enough money for a paid librarian and look forward to a grand opening when all the children from local schools will be invited to re-join the library.
Our win is not just about a local library but about the national campaign to save libraries throughout the UK. We'd like to thank 38 Degrees for their fantastic support."
This is another great example of people getting together to create positive change!
The petition that helped to keep Friern Barnet Library open was started by 38 Degrees member Rosie on the new 'Campaigns by You' part of the 38 Degrees site. 'Campaigns by You' lets anyone set up and run their own campaigns on any issue they want – big or small, local or national. Click here to find out more or start a petition: http://you.38degrees.org.uk
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