text:
JEFF LYNNE'S ELECTRIC LIGHT ORCHESTRA LIVE IN HYDE PARK, LONDON, SEPTEMBER 14, 2014
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THE ELO CONCERT, SEPTEMBER 14: WATCH THE GREAT COME BACK OF JEFF LYNNE/ELO FOLLOWING THE WISH OF THE PEOPLE 🙂
I had shivers when watching this broadcast of Jeff Lynne and his Electric Light Orchestra play live in Hyde Park, September 14, for example when they played the last number "Roll over Beethoven" and Jeff was rocking on his guitar while the 50,000 people of the crowd were dancing and Richard Tandy was hitting the notes perfectly on the piano together with a great playing band – even though I had liked to see the original line up "coming back" – and also the BBC concert orchestra, which I liked very much to see and hear (but I missed the Gareth Malone Voices Choir at the parts of the music requiring a beautiful choir to bring ALL of the original ELO experience, for example the end of Mr. Blue Sky), a beautiful LIGHT SHOW including the Spaceship of ELO (symbolising the Source), the skyline of London around Hyde Park and not least, I was happy to see Jeff's great happiness to perform and his surprise when seeing 50,000 happy people warmly welcoming and reaching out for him, and yes, I truly like Jeff's humour and kindness very much, I almost feel that I know "him" :-).
Jeff/ELO did a few shows in 2001 after the Zoom album, but else we have to go back to 1986 since he did some live concerts, and all the way back to 1982 since I saw "the good old ELO" live in Copenhagen on the Time-tour, and TIME it is for "a great comeback", my friends :-).
So this was truly a HISTORIC show when Jeff returned in brilliant style following a request from BBC and the people saying "we want you back", and he did as the people required from him, "I'm back". THANK YOU, Jeff, Richard & Co. for an almost perfect show – I love to see you in Copenhagen and follow you on your coming World Tour :-).
Later: A TRULY MARVELOUS AND STUNNING PERFORMANCE
I finished doing the last details to my website this afternoon, and watched the whole concert for the first time hereafter, and this is when I really started to appreciate it with my fullest, and yes, listen to SHOWDOWN as example as one of the highlights, and yes the BBC Orchestra is simply FANTASTIC, and together with the amazing ELO-arrangements they do the whole difference to me, live strings are simply magical, Jeff, and yes, the violin solo at the beginning of Livin' Thing is so beautiful that it can make one cry, and again also in Sweet Talking Woman as another highlight, this is what dreams are made of, this is the absolutely finest music that I know of, and yes, we know Stig, it is in a class of itself, and Stepin' out is so beautiful that it almost makes me cry (again), Jim (https://www.youtube.com/watch?v=7_lYFhFHVQM).
This is a truly MARVELOUS performance, Jeff and the band are nailing it, they bring new and FRESH life to these old songs that have never sounded better than now, and yes, the band and the songs are sounding nothing less than THE MOST WONDERFUL I have heard, I love the drummer, also the two chorus singers, and yes yes yes, all of the band for their happiness and skills when playing, and watch the Spaceship flying freely behind Jeff in Livin' Thing, isn't it just incredible, and yes, the whole thing, you know 🙂 🙂 :-).
http://stigdragholm.wordpress.com/2014/09/15/september-2014-vi-the-end-putin-was-my-new-self-we-will-now-bring-out-and-become-the-corpus-christi-as-one-which-we-could-not-do-individually/
Days later: Music is (was) my life and this concert is by far the best I have ever seen, even though I was not present and have only watched it on video, and in this sense you may say that this very concert was the greatest experience of my (old) life, and it was used to LIFT ME UP to become my new self as the Source ("the spaceship of everything" containing all life/creation including the force of the Source, which is what the ELO spaceship symbolizes) by bringing the deepest feelings inside of me when watching it, and furthermore this may be my favourite song of Jeff's and certainly it is the most symbolic to me to lift me up and "finish what I started" (my whole mission), and when writing this, I remember how my LTO friends in Kenya used to LOVE this song VERY MUCH, and when I played it to Elijah's small children, they could not help dancing and smiling all over their faces, which is really what TRUE life is all about, to bring you eternal JOY and HAPPINESS without sufferings, and this is what is coming now when I will open the eyes of my new self 🙂 🙂 :-).
"LIFT ME UP": https://www.youtube.com/watch?v=Kly8Wu-MlQc
Update October 20, 2014: I uploaded the new 720p HQ version (after a re-run on BBC that a kind man recorded and uploaded to YouTube from where I have it) and watched the concert again having tears in my eyes all the way through because, as I thought, this is how ELO was supposed to sound and look like all along as I have had in my mind since I was a boy, and I told myself that this is indeed the finest songs of all that I know of – despite of what I write about other music that I also love – and I could have included Mr. Blue Sky or another great ELO-song as "the best song ever" on my list, the ending of Mr. Blue Sky is the most incredible of all songs still giving me a VERY BIG lump in my throat with massive tears pressuring on when I am now hearing/seeing it again, but I did not, this honour goes to David Bowie with "Heroes" :-).
ELO is and has been number 1 on my Top 100 list of favourite artists since 1978 as you can see and listen to on Spotify here and "Out of the Blue" is number 1 on my Top 100 list of favourite albums, which also could have been "Time" or "Armchair Theatre", as you can see and listen to here.
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The Doors ☆ Oliver Stone ☆ (1991) V.O. & V.F.-FULL ORIGINAL MOVIE
by Oliver StonePublication date 1991Topics The Doors, Oliver Stone, Val Kilmer, Kyle MacLachlan, Kathleen Quinlan, Kevin Dillon, Meg Ryan, Classique Rock, Rock, British Invasion, Rock Movie, Rock n' Roll, Blues, Bubbles, Tities & Beers
The Doors ☆ Oliver Stone ☆ V.O. & V.F. ☆ 1991
Les Doors est un film américain réalisé par Oliver Stone, sorti en 1991. Il relate l'histoire du groupe The Doors et de leur leader Jim Morrison, de leurs débuts jusqu'à la mort de leur chanteur. Le scénario a été écrit par Oliver Stone et Randall Johnson.
Le film commence sur l'enregistrement de Morrison, An American Prayer: Jim Morrison et la trame narrative évolue rapidement vers des souvenirs d'enfance où la famille Morrison roule le long d'une autoroute en plein désert. Jim enfant voit un vieil indien en train de mourir sur le bord de la route. Puis, plus tard, on revoit Morrison en Californie et son assimilation à la culture de Venice Beach dans les années 1960. Suivent ensuite ses années d'études à l'UCLA, la rencontre avec sa petite amie Pamela Courson, sa première rencontre avec Ray Manzarek, les origines de la formation du groupe The Doors constitué de Morrison, Manzarek, Robby Krieger et John Densmore.
Morrison arrive à convaincre les membres du groupe d'aller à la Vallée de la Mort pour expérimenter les effets de drogues psychédéliques. De retour à Los Angeles, ils effectuent plusieurs spectacles dans le fameux night-club, Whisky a Go Go et se crée un fan-club fidèle. Le jeu de scène et les occasionnelles improvisations lyriques de Morrison mettent hors d'eux les propriétaires de Club. Cependant la popularité du groupe ne cesse de croître.
Le succès devient énorme et Morrison commence à avoir une fascination narcissique de sa propre image. Il se définit comme "Le Roi Lézard" (The Lizard King) et cela dégénére dans un alcoolisme et une toxicomanie chronique. En sombrant de plus en plus dans l'alcoolisme, il enchaîne les conquêtes, notamment avec Patricia Kennealy, une journaliste rock mystique impliquée dans la sorcellerie. Le reste du groupe commence à avoir de plus en plus de ressentiment vis-à-vis de Morrison à cause de ses absences aux enregistrements ou aux concerts. Le point de rupture est atteint à un concert à Miami, en Floride où il se met à insulter le public et à montrer ses parties génitales. Il en résulte une vraie tension au sein du groupe et, de plus, Morrison doit faire face à un procès pour exhibitionnisme.
En 1971, Courson trouve Jim Morrison mort dans son bain à Paris, à l'âge de 27 ans. Pamela Courson meurt de manière similaire trois ans plus tard d'une overdose, aussi à l'âge de 27 ans. La scène finale du film montre la tombe de Morrison au cimetière du Père-Lachaise pendant que se joue en arrière-plan A Feast of Friends. Juste avant le générique, un texte apparaît expliquant que « Jim Morrison est mort d'une attaque cardiaque. Il avait 27 ans. Pam le rejoignit trois ans plus tard ».
Durant le générique, le groupe est montré en train d'enregistrer la chanson L.A. Woman en studio.
Titre original: The Doors
Réalisation: Oliver Stone
Scénario: Randall Johnson, Oliver Stone
Kyle MacLachlan
Kathleen Quinlan
Kevin Dillon
The Doors is a 1991 American biographical musical film directed by Oliver Stone who also wrote with J. Randal Johnson. The film stars Val Kilmer as lead singer and songwriter Jim Morrison, Meg Ryan as Pamela Courson (Morrison's girlfriend), Kyle MacLachlan as keyboardist Ray Manzarek, Frank Whaley as lead guitarist Robby Krieger, Kevin Dillon as drummer John Densmore, Billy Idol as Cat and Kathleen Quinlan as journalist Patricia Kennealy. The film tells the story of the rock band The Doors, which emphasizes the life of its lead singer, Jim Morrison.The film portrays Morrison as a larger-than-life icon of 1960s rock and roll and counterculture, including portrayals of Morrison's recreational drug use, free love, hippie lifestyle, alcoholism, interest in hallucinogenic drugs as entheogens, and, particularly, his growing obsession with death, presented as threads which weave in and out of the film. The Doors grossed $34 million worldwide against its $32 million production budget.
In 1949, young Jim Morrison and his family are traveling on a desert highway where they encounter an auto wreck and see an elderly Native American dying by the roadside. In 1965, Jim arrives in California and is assimilated into the Venice Beach culture. During his tenure studying at UCLA, he meets his future girlfriend, Pamela Courson. He also meets Ray Manzarek for the first time, as well as Robby Krieger and John Densmore, all of whom form the Doors with Morrison.
Jim convinces his bandmates to travel to Death Valley and experience the effects of psychedelic drugs. Returning to Los Angeles, they play several shows at the famous Whisky a Go Go nightclub and develop a rabid fanbase. Jim's onstage antics and lewd performance of the group's song "The End" upset the club's owners, and the band is ejected from the venue. After the show, they are approached by producer Paul A. Rothchild and Jac Holzman of Elektra Records and are offered a deal to record their first album. The Doors are soon invited to perform on The Ed Sullivan Show, only to be told by one of the producers that they must change the lyric "girl we couldn't get much higher" in the song "Light My Fire", due to a possible reference to drugs. Despite this, Morrison performs the original lyric during the live broadcast and the band is not allowed to perform on the show again.
As the Doors' success continues, Jim becomes increasingly infatuated with his own image as "The Lizard King" and develops an addiction to alcohol and drugs. Jim meets Patricia Kennealy, a rock journalist involved in witchcraft, and participates in mystical ceremonies with her, including a handfasting ceremony. Meanwhile, an elder spirit watches these events.
The rest of the band grows weary of Jim's missed recording sessions and absences at concerts. Jim arrives late to a Miami, Florida concert, becoming increasingly confrontational towards the audience and allegedly exposing himself onstage. The incident is a low point for the band, resulting in criminal charges against Jim, cancellations of shows, breakdowns in Jim's personal relationships, and resentment from the other band members.
In 1970, following a lengthy trial, Jim is found guilty of indecent exposure and ordered to serve time in prison. However, he is allowed to remain free on bail, pending the results of an appeal. Patricia tells Jim that she is pregnant with his child, but Jim convinces her to have an abortion. Jim visits his bandmates for the final time, attending a birthday party hosted by Ray where he wishes the band luck in their future endeavors and gives each of them a copy of his poetry book An American Prayer. As Jim plays in the front garden with the children, he sees that one of them is his childhood self and comments, "This is the strangest life I've ever known" (a lyric from the Doors song "Waiting for the Sun").
In 1971, Jim and Pam move to Paris, France to escape the pressures of the L.A. lifestyle. One evening, Pam finds Jim dead in the bathtub of their apartment. The film's final scenes before the credits roll are of Jim's gravesite in Père Lachaise Cemetery in Paris, while "The Severed Garden (Adagio)" (from An American Prayer) plays in the background. Just before the closing credits, the screen whites out and text appears stating that "Jim Morrison is said to have died of heart failure. He was 27. Pam joined him three years later."
During the closing credits, the band is shown recording the song
"L.A. Woman" in the studio.
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The Beatles ☆ The Get Back Project ☆ Peter Jackson ☆ 2021
by Peter JacksonPublication date 2021Topics The Beatles, The Get Back Project, Peter Jackson, Michael Lindsay Hogg, John Lennon, Paul McCartney, Ringo Star, Georges Harrison, Rock Documentary, Rock Movie, TV Show, Rock, Classique Rock, British Invasion, Rock n' Roll, Pop, Bubbles, Tities & Beers, Let It BeLanguage English
The Beatles ☆ The Get Back Project ☆ Peter Jackson ☆ Box3CD ☆ VOstFR ☆ 2021
Vidéos List:
01 – The Get Back Project by Peter Jackson ☆ Part# 1 ☆ VOstFR ☆ 2021 – 2:36:42
04 – The Original Movie "Let It Be" by Michael Lindsay-Hogg ☆ 13.05.1970 – 1:20:34
"Part 1: Days 1–7" ~ 5/01 -> 11/01/1969
The Beatles begin rehearsing at Twickenham Studios for what is at first meant to be a television special about the recording of their next album leading up to a live show at a location to be determined. The band rehearse embryonic versions of songs that will appear on the "Let It Be" album, as well as some songs that were later recorded for solo releases by John Lennon, Paul McCartney and George Harrison. Yoko Ono appears several times with Lennon, on one occasion singing, and is also shown chatting with Linda McCartney. Harrison is accompanied by Hare Krishna friends. Music publisher Dick James appears and runs through the latest catalogue of songs he has acquired for Northern Songs. After seven days of tense rehearsals that reveal problems in the band members' motivation and collaborative process, Harrison abruptly leaves the group!!!
"Part 2: Days 8–16" ~ 12/01 -> 20/01/1969
Rehearsals briefly resume amid uncertainty over the band's future. Following a productive meeting with Harrison, the Beatles agree to abandon the idea of a live show and relocate to their Apple Corps studio to formally record the new album. Billy Preston, a musician the group met in Hamburg, joins in on the sessions on electric piano.
"Part 3: Days 17–22" ~ 21/01 -> 26/01/1969
The Beatles continue recording as the deadline for completing the project, caused by Ringo Starr's filming schedule for "The Magic Christian", approaches. McCartney continues to hope that the band will perform live for an audience and Lennon meets American businessman Allen Klein for the first time. On the penultimate day, the Beatles perform an unannounced concert on the roof of the Apple Corps building, attracting crowds of passers-by as well as the attention of the Metropolitan Police.
The Beatles: Get Back est un documentaire musical américano-britannico-néo-zélandais en trois épisodes réalisé par Peter Jackson. Diffusé en primeur entre le 25 et le 27 novembre 2021 sur la plate-forme Disney+, il est tiré de près de 60 heures d'images inédites et de plus de 150 heures audio, tournées et enregistrées en janvier 1969 par Michael Lindsay-Hogg, sur les plateaux de cinéma de Twickenham à Londres, ainsi que dans le studio de fortune de la compagnie Apple Corps, lors des séances de répétitions et d'enregistrements des Beatles, ponctuées par leur ultime concert, à peine public, sur le toit de leur immeuble.
Cette mini-série en trois parties, dont l'addition frise les huit heures, reprend le titre d'origine du projet et veut prendre le contrepied de ce que Lindsay-Hogg avait décidé d'accentuer dans le choix du montage sur un peu plus de 80 minutes : les déboires du groupe phare des années 1960 en train de se disloquer. Selon Peter Jackson, « la réalité est très différente du mythe » et l'ambiance n'était pas aussi malsaine qu'on l'a longtemps cru. De fait, le documentaire montre bien quatre musiciens qui restent très amis, collaborant pour faire évoluer chaque composition, créant leur musique dans une ambiance qui devient excellente après le départ des studios de Twickenham pour celui, plus intime, du sous-sol d'Apple Corps et l'arrivée de Billy Preston aux claviers pour les accompagner. Toutefois, jusqu'à la dernière minute, le groupe n'arrive pas à se mettre d'accord sur la finalité de son projet, ce qui occasionne d'interminables discussions, et tous les éléments qui vont mener à la séparation des Beatles plus tard dans l'année sont notables dans ce documentaire qui est présenté chronologiquement, sous forme de calendrier égrenant un jour après l'autre au début de chaque « chapitre ». Le concert de 42 minutes donné sur le toit de l'immeuble de Savile Row, le 30 janvier 1969, y est notamment montré dans son entier.
D'un point de vue musical, ces séances sont extrêmement prolifiques puisqu'on y voit le groupe créer, répéter et enregistrer en 21 jours, outre toutes les chansons de Let It Be, l'essentiel de celles qui figureront dans Abbey Road, et plusieurs morceaux qui apparaîtront sur les albums de Harrison, McCartney et Lennon après la séparation du groupe.
The Beatles: Get Back is a 2021 documentary series directed and produced by Peter Jackson. It covers the making of the Beatles's 1970 album Let It Be (which had the working title of Get Back) and draws from never-before-seen footage and audio material originally captured for the identically titled 1970 documentary of the album ( by Michael Lindsay-Hogg. Originally conceived as a feature film, the docuseries now has a total runtime of nearly eight hours, consisting of three episodes between two and three hours, each covering roughly weekly periods of 21 days of studio time. The series is presented by Walt Disney Studios in association with Apple Corps and WingNut Films.
Jackson characterized it as "a documentary about a documentary". Commentators have described it as challenging longtime beliefs that the making of the Let It Be album was marked entirely by tensions between the Beatles, instead showing a more upbeat side to its production. It premiered with three consecutive daily releases on Disney+ beginning on 25 November 2021. The miniseries was widely praised by critics, who highlighted the historical merit of the footage and its showing of the inner workings of the band, although some deemed its runtime to be excessive.
Directed by Peter Jackson
Music by The Beatles
Country of Origin: United Kingdom, New Zealand, United States
No. of episodes: 3
Executive producers: Jeff Jones, Ken Kamins
Producers: Paul McCartney, Ringo Starr, Yoko Ono Lennon, Olivia Harrison, Peter Jackson, Clare Olssen, Jonathan Clyde
Editor: Jabez Olssen
Part 1: 157 min
Total: 468 min
Genre: Music Documentary
Production Companies: Apple Corps Ltd. WingNut Films
Distributor: Disney Platform Distribution
Original Release: 25 November – 27 November 2021
Filmographie:
«Around The Beatles» documentaire musical de Rita Gillespie – 28 avril 1964
«A Hard Day's Night», film musical de Richard Lester – 6 juillet 1964.
«Help!», film musical de Richard Lester – 29 juillet 1965
«Magical Mystery Tour» film musical de Bernard Knowles et les Beatles – 26 décembre 1967 :
«Yellow Submarine», film d'animation de George Dunning – 6 juin 1968
«Let It Be», documentaire Musical de Michael Lindsay-Hogg – 20 mai 1970
Liens Annexes:
The Rolling Stones ☆ Rock And Roll Circus ☆ Dec. 11.1968 Directed by Michael Lindsay-Hogg.
See : https://en.wikipedia.org/wiki/The_Beatles:_Get_Back
Et (VF). : https://fr.wikipedia.org/wiki/The_Beatles:_Get_Back
Note: Afin que vous puissiez lui exprimer votre infinie gratitude pour ses années de bénévolat, l'archiviste musicophile Dionysus Vorax a mis à votre disposition un lien fort pratique.: Paypal ~ Donate ~ Don en €, $ ou £ …
Bernd Pulch BERND PULCH, MOVIES, MUSIC October 12, 2022 7 Minutes
MONDAY RESURRECTION WITH SCREAMING JAY HAWKINS
Let's celebrate the voodoo baritone of Screamin' Jay Hawkins (1926-2000) and his wld antics booming forth from the coffin, with his ever present flaming skull, Henry!
Enjoyness!
1 – Little Demon.
2 – I Put A Spell On You.
3 – (She Put The) Wamee (On Me).
4 – Temptation.
5 – Take Me Back to My Boots and Saddle.
6 – Orange Coloured Sky.
7 – In My Dream.
8 – I Found My Way To Wine.
9 – $10,000 Lincoln Continental.
10 – Yellow Coat.
11 – You Ain't Fooling' Me.
12 – There's Something Wrong With You.
13 – Alligator Wine.
14 – Feast Of The Mau Mau.
15 – Constipation Blues.
16 – Dig!
17 – Change Your Ways.
18 – Hong Kong.
19 – I Love Paris.
20 – Frenzy.
21 – I Wanna Know.
22 – Move Me.
23 – The Past.
24 – Person To Person.
25 -Thing Called Women.
26 – Well I Tried.
27 – You Made Me Love You (I Didn't Want to Do It).
28 – Your Kind Of Love.
29 – Take Me Back.
30 – Shattered.
31 – Alright; Ok You Win.
32 – All Night.
Bernd Pulch BERND PULCH, MOVIES, MUSIC October 10, 2022 October 10, 2022 1 Minute
Van Dyke Parks Lecture (RBMA New York 2013) | Red Bull Music Academy
In his 2013 Red Bull Music Academy, Van Dyke Parks delved into the art of arranging, the Smile sessions with the Beach Boys, his work with Skrillex, and much more. Van Dyke Parks is an arranger and composer best known for writing the lyrics to a certain lost classic by The Beach Boys – but that's not even the half of it. His first arranging job was on The Jungle Book (his addition, "The Bare Necessities," scooped an Academy Award nomination); and back in the '70s, he started the world's first record-company video department at Warner Bros. In recent years, he's woven his expressive arrangements around the music of Rufus Wainwright, St. Etienne, and Joanna Newsom, for whom he orchestrated her second album, 2006's Ys. Parks' music, by turns elegiac and psychedelic, stretches into the bygone age of a lost America and bursts into the wide-open plains of whatever he chooses to do next.
Bernd Pulch BERND PULCH, MOVIES, MUSIC October 6, 2022 1 Minute
Shock Waves and Shrunken Heads Episode 28
by Ken Gage, Ultrateckel, The Surfites, Pink Martini, The Mutants, Double Six (Kelli Ali), The Souljazz Orchestra, Pussy Riot, Messer Chups, Noisywan, Varien and morePublication date 2014-02-28Topics Svetlana Zombierella Nagaeva, Shock Waves and Shrunken Heads, Shrunken Heads, Shock Waves, Tiki, Lounge, Exotica, Electronica, Chillout, Weird, Horror, World Music, Surrealism, Ken Gage, Kokovoko, Surf, novelty, Easy Listening, Nostalgia, Retro, Bombastic, Psychedelic, Ambient, Tropical, Rapanui, Surfites, Irving Joseph, Secret Agent Super Dragon, The Mutants, Messer Chups, Bob Mersey, Double Six, Souljazz Orchestra, Pussy Riot, Creed Taylor Orchestra, Varien, Roger King Mozian, Dick Tracy, Pink Martini, Ultrateckel, Noisywan, Commander McBragg, Man From UNCLE, Danger Diabolik, CIA
Cops & Crimes, Spies, Lies, Detectives in Disguise!
RadioLux presents Shock Waves and Shrunken Heads! Amazing and weird musical diversity, direct from Kokovoko Island. If you enjoy Tiki Bars, horror movies, video games, strange music and spies, this radio show is for you!
Episode 28 features music from Ultrateckel, The Surfites, Pink Martini, The Mutants, Double Six (Kelli Ali), The Souljazz Orchestra, Pussy Riot, Messer Chups, Noisywan, Varien and more!
Shock Waves and Shrunken Heads is a weekly USA radio show hosted by musician and novelist Ken Gage. Originally created June 22, 2013 as a partnership with Radio LUX to follow in the "neo-retro radio libre" tradition, the program purports to be broadcast from Kokovoko Island in the South Pacific and offers "surreal trophies of sound gathered on safari." The hour long program is actually a variety mix of world music, lounge, exotica, chiptunes, jazz, industrial metal, obscure electronica, horror punk, vintage commercials from the 1950s to the 1990s (mostly horror film trailers), rock and roll, novelty records, bits of nostalgia and interviews with up and coming artists.
THIS IS AN EXCERPT – YOU CAN DOWNLOAD THI
https://archive.org/embed/ShockWavesandShrunkenHeads_28_201509
S INFO IN FULL LENGTH UNREDACTED, OUR FULL VIDEOS, OUR FULL DOCUMENT AND MUCH MORE FOR FREE AT OUR TELEGRAM CHANNEL
Bernd Pulch BERND PULCH, MUSIC October 2, 2022 October 2, 2022 2 Minutes
Foo Fighters – Live at Hyde Park 2006 (Full Concert)
In Your Honor – 00:00 All My Life – 04:22 Best of You – 09:27 Times Like These – 15:46 Learn to Fly – 20:17 Breakout – 24:22 Shake Your Blood (Probot cover) (with Lemmy Kilmister) – 31:11 Stacked Actors – 35:32 My Hero – 44:13 Generator – 50:11 DOA – 53:52 Monkey Wrench – 58:54 We Will Rock You (Queen cover) (with Queen) (Jam) – 01:03:53 Tie Your Mother Down (Queen cover) – 01:05:57 Everlong – 01:11:35
Bernd Pulch BERND PULCH, MOVIES, MUSIC September 30, 2022 2 Minutes
INTERMISSION:Van_Halen-Jump
Bernd Pulch BERND PULCH, MOVIES, MUSIC September 29, 2022 1 Minute
Rhino Records – Won't It Blow Your Mind
Live Aid – July 13, 1985
The old Wembley Stadium (exterior pictured) hosted the London concert
The Coldstream Guards band opened with the "Royal Salute", a brief version of the national anthem "God Save the Queen". Status Quo were the first act to appear and started their set with "Rockin' All Over the World", also playing "Caroline" and fan favourite "Don't Waste My Time".[29] "Bob told me, 'It doesn't matter a fuck what you sound like, just so long as you're there,'" recalled guitarist and singer Francis Rossi. "Thanks for the fucking honesty, Sir Bob."[30] This would be the band's last appearance with bassist and founder member Alan Lancaster and drummer Pete Kircher.[31] Princess Diana and Prince Charles were among those in attendance as the concert commenced.[11]
Bob Geldof performed with the rest of the Boomtown Rats, singing "I Don't Like Mondays". He stopped just after the line "The lesson today is how to die" to loud applause.[3][19] According to Gary Kemp, "Dare I say it, it was evangelical, that moment when Geldof stopped 'I Don't Like Mondays' and raised his fist in the air. He was a sort of statesman. A link between punk and the New Romantics and the Eighties. You would follow him. He just has a huge charisma; he'd make a frightening politician."[19] He finished the song and left the crowd to sing the final words. Elvis Costello sang a version of the Beatles' "All You Need Is Love", which he introduced by asking the audience to "help [him] sing this old northern English folk song".[32]
Queen's twenty-one minute performance, which began at 6:41 pm, was voted the greatest live performance in the history of rock in a 2005 industry poll of more than 60 artists, journalists and music industry executives.[33][34] Freddie Mercury at times led the crowd in unison refrains,[35] and his sustained note—"Aaaaaay-o"—during the a cappella section came to be known as "The Note Heard Round the World".[36][37] The band's six-song set opened with a shortened version of "Bohemian Rhapsody" and closed with "We Are the Champions".[3][38][39] Later in the evening, Mercury and band member Brian May sang the first song of the three-part Wembley event finale, "Is This the World We Created…?"[39]
Other well-received performances on the day included those by U2 and David Bowie. The Guardian cited Live Aid as the event that made stars of U2.[40] The band played a 12-minute rendition of "Bad". The length of "Bad" limited them to two songs; a third, "Pride (In the Name of Love)", had to be dropped. During "Bad", vocalist Bono jumped off the stage to join the crowd and dance with a teenage girl. In July 2005, the woman said that he had saved her life. She was being crushed by people pushing forwards; Bono saw this, and gestured frantically at the ushers to help her. They did not understand what he was saying, and so he jumped down to help her himself.[41] Describing Bowie's performance, Rolling Stone observed "as approximately two billion people sang along to "Heroes", he seemed like one of the biggest and most vital rock stars in the world."[42] Dire Straits and Phil Collins (both accompanied by Sting) also received praise for their performances at Wembley.[25][43]
"One afternoon before the concert, Bowie was up in the office and we started looking through some videos of news footage, and we watched the CBC piece [footage from the Ethiopian famine, cut to the Cars' song "Drive"]. Everyone just stopped. Bowie said, 'You've got to put that in the show, it's the most dramatic thing I've ever seen.' That was probably one of the most evocative things in the whole show and really got the money rolling in."
—Live Aid promoter Harvey Goldsmith on Bowie picking out the CBC news piece for the concert, a video Bowie introduced on the big screen at Wembley after his set.[19]
The transatlantic broadcast from Wembley suffered technical problems and failed during The Who's performance of their opening song "My Generation", immediately after Roger Daltrey sang "Why don't you all fade …" (the last word "away" was cut off when a blown fuse caused the Wembley stage TV feed to temporarily fail).[3] The broadcast returned as the last verse of "Pinball Wizard" was played. John Entwistle's bass wouldn't work at the start, causing an awkward delay of over a minute before they could start playing. The band played with Kenney Jones on drums and it was their first performance since disbanding after a 1982 'farewell' tour. The Who's performance was described as "rough but right" by Rolling Stone, but they would not perform together again for another three years.[44] At 32 minutes Elton John had the longest set on the day;[45] his setlist included the first performance of "Don't Let the Sun Go Down on Me" with George Michael.[46]
While performing "Let It Be" near the end of the Wembley show, the microphone mounted to Paul McCartney's piano failed for the first two minutes of the song, making it difficult for television viewers and the stadium audience to hear him.[3] During this performance, the TV audience were better off, audio-wise, than the stadium audience, as the TV sound was picked up from other microphones near McCartney. The stadium audience, who could obviously not hear the electronic sound feed from these mics, unless they had portable TV sets and radios, drowned out what little sound from McCartney could be heard during this part of his performance. As a result, organiser and performer Bob Geldof, accompanied by earlier performers David Bowie, Alison Moyet and Pete Townshend returned to the stage to sing with him and back him up (as did the stadium audience despite not being able to hear much), by which time McCartney's microphone had been repaired.[47]
At the conclusion of the Wembley performances, Bob Geldof was raised onto the shoulders of the Who's guitarist Pete Townshend and Paul McCartney.[48] Geldof had stated he "hasn't slept in weeks" in the lead up to the concert, and when asked what his plans were post-Live Aid, he told an interviewer, "I'm going to go home and sleep."[49]
The Wembley speaker system was provided by Hill Pro Audio. It consisted primarily of the Hill J-Series Mixing Consoles, Hill M3 Speaker System powered by the Hill 3000 amplifiers.[50] In an interview with Studio Sound in December 1985, Malcolm Hill described the concept for the system in detail.[51]
John F. Kennedy Stadium
The host of the televised portion of the concert in Philadelphia was actor Jack Nicholson. The opening artist Joan Baez announced to the crowd, "this is your Woodstock, and it's long overdue", before leading the crowd in singing "Amazing Grace" and "We Are the World".[52]
Despite the 95 °F (35 °C) ambient temperature, Madonna proclaimed "I ain't taking shit off today!" during her set, referring to the recent release of early nude photos of her in Playboy and Penthouse magazines.[53]
During his opening number, "American Girl", Tom Petty flipped the middle finger to somebody off stage about one minute into the song. Petty stated the song was a last-minute addition when the band realised that they would be the first act to play the American side of the concert after the London finale and "since this is, after all, JFK Stadium".[54]
When Bob Dylan broke a guitar string, while playing with the Rolling Stones members Keith Richards and Ronnie Wood, Wood took off his own guitar and gave it to Dylan. Wood was left standing on stage guitarless. After shrugging to the audience, he played air guitar, even mimicking the Who's Pete Townshend by swinging his arm in wide circles, until a stagehand brought him a replacement. The performance was included in the DVD, including the guitar switch and Wood talking to stage hands, but much of the footage used was close-ups of either Dylan or Richards.
During their duet on the reprise of "It's Only Rock 'n' Roll", Mick Jagger ripped away part of Tina Turner's dress, leaving her to finish the song in what was, effectively, a leotard.[55]
The JFK portion included reunions of Crosby, Stills, Nash & Young, the original Black Sabbath with Ozzy Osbourne, the Beach Boys with Brian Wilson, and surviving members of Led Zeppelin, with Phil Collins and the Power Station (and former Chic) member Tony Thompson sharing duties on drums in place of the band's late drummer John Bonham (although they were not officially announced by their group name from the stage, but were announced as Led Zeppelin on the VH1 10th Anniversary re-broadcast in 1995).[56]
Teddy Pendergrass made his first public appearance since his near-fatal car accident in 1982 which paralysed him. Pendergrass, along with Ashford & Simpson, performed "Reach Out and Touch".[57] Bryan Adams (who came on after Judas Priest), recalled "it was bedlam backstage", before performing a four-song set, including "Summer of '69".[19]
Duran Duran performed a four-song set which was the final time the five original band members would publicly perform together until 2003. Their set saw a weak, off-key falsetto note hit by frontman Simon Le Bon during "A View to a Kill". The error was dubbed "The Bum Note Heard Round the World" by various media outlets,[34][58] in contrast to Freddie Mercury's "Note Heard Round the World" at Wembley.[34] Le Bon later recalled it was the most embarrassing moment of his career.[58]
The UK TV feed from Philadelphia was dogged by an intermittent buzzing on the sound during Bryan Adams' turn on stage and continued less frequently throughout the rest of the UK reception of the American concert and both the audio and video feed failed entirely during that performance and during Simple Minds' performance.
Phil Collins, who had performed in London earlier in the day, began his solo set with the quip, "I was in England this afternoon. Funny old world, innit?" to cheers from the Philadelphia crowd.[25] Collins played drums during Eric Clapton's 17 minute set, which included well received performances of "Layla" and "White Room".[59]
DOPE 477-Movie
The Shining Miniseries
The Rhino Brothers' Greatest Flops
by Various; Alfred "Bluesboy" Wellington III; Betamax Horowitz; Big Matron Thornberg; Freehold, New Jersey; Gefilte Joe & The Fish; Perrier Waters; Red Square; Shell Shock Shannon; Suzie Seacell; Temple City Kazoo Orchestra; The Bakersfield Boogie Boys; The Bombay Beach Boys; The KGB Chicken; The Qworymen; Unknown Artist; Wild Man, Jr
Rhino Records (RNLP 70827 / 70827)Publication date 1986Topics Hip Hop, Rock, Blues, Non-Music, Pop, Stage & Screen, Rock & Roll, ParodyDigitizing sponsor Kahle-Austin FoundationContributor Internet ArchiveLanguage English
This item is available with audio samples only
1. 2001 Sprach Kazoostra – Temple City Kazoo Orchestra
2. Walk On The Kosher Side – Gefilte Joe & The Fish
3. Me And My Vibrator – Suzie Seacell
4. I Get Around – The Bakersfield Boogie Boys
5. Blacklisted (From Your Heart) – Red Square
6. Papa-Oom-Mow-Mow – Freehold, New Jersey
7. I'm The Creature From Outer Space – Wild Man, Jr
8. The Beverly Hills Blues Festival – Perrier Waters; Big Matron Thornberg; Betamax Horowitz; Alfred "Bluesboy" Wellington III
9. Pipeline – The Bombay Beach Boys
10. Beatle Rap – The Qworymen
11. Wrestlers Just Wanna Bust Heads – Shell Shock Shannon
12. Sunday Sunday – Unknown Artist
13. The International Elvis Impersonators Convention: Hound Dog; Heartbreak Hotel; Love Me Tender; All Shook Up; Jailhouse Rock; My Way
14. Do Ya Think I'm Sexy – The KGB Chicken
Taylor Hawkins Tribute Concert 2022 09 03 Wembley Stadium, London [ 1080p]
The Beatles Let It Be (Original 35mm Widescreen Theatre Print – Stereo Audio)
by MICHAEL LINDSEY HOGGPublication date 1970-05-13Usage Attribution 3.0Topics The Beatles, Let It Be, Widescreen, 35 mm, Stereo, Movie, Feature, FilmLanguage English
The Beatles – Let It Be (Original 35mm Widescreen Theatre Print – Stereo Audio)
The filmed account of the Beatles's attempt to recapture their old group spirit by making a back to basics album, which instead drove them further apart.
http://www.imdb.com/title/tt0065976/
Director: Michael Lindsay-Hogg
Stars: John Lennon, Paul McCartney, George Harrison, Ringo Starr, Billy Preston
It was 45 years ago today (May 13th, 1970), that the Beatles' final movie, Let It Be, received its U.S. premiere, in New York City theaters. The film, which was shot in January 1969, was originally intended to be a TV special called Get Back featuring the group rehearsing for their first live show in over two years. The early rehearsals captured the group, along with John Lennon's soon-to-be wife Yoko Ono, clearly bored, with only Paul McCartney showing any real enthusiasm for the new material. The first part of the film shows the strain of the early morning sessions held in a cavernous soundstage at London's Twickenham film studios.
Continue reading "The Beatles Let It Be (Original 35mm Widescreen Theatre Print – Stereo Audio)" →
Gregorian Chants 1
Bernd Pulch BERND PULCH, MUSIC September 9, 2022 1 Minute
Microcosm Meditation
by Samuel Ciccoline
30 Minute to Unblock ALL 7 CHAKRAS • Aura Cleansing • Chakra Balancing and Healing
Eminem_Not_Afraid_Video
963Hz + 432Hz 》COSMIC OASIS 》Frequency of GOD 》Thank You Universe for Everything
Angelic Choir – Healing Gregorian Chants
Gregorian Chants: Monks from Monastery of Silos – Monjes del Monasterio de Silos
Bernd Pulch BERND PULCH, MUSIC August 31, 2022 1 Minute
Miles Davis with John Coltrane- March 21, 1960 Olympia Theatre, Paris
Bernd Pulch BERND PULCH, MUSIC, VIDEO August 31, 2022 1 Minute
Gentle healing Music for health and calming the Nervous System, Deep Relaxation
Bernd Pulch BERND PULCH, MUSIC, VIDEO August 29, 2022 August 29, 2022 1 Minute
PRAISE GOD-Orthodox Music (Serbian, Greek, Russian, Arabic)
432 hz | Connecting Yourself to the Universe, Frequency of GOD Thank You Universe for Everything
Gregorian Chant with Amazing Sound
Chant of the Mystics: Divine Gregorian Chant "O filii et filiae"
Bernd Pulch BERND PULCH, COMEDY, COMMUNISTS, MUSIC, PULCH, PUTIN, RUSSIA, SATIRE, VIDEO August 25, 2022 3 Minutes
Classic Gregorian Chants CREDO Veni Creator Spiritus – Canto Gregoriano Liturgico Cattolico
The Most Relaxing Waves Ever – Ocean Sounds to Sleep, Study and Chill
A special treat today with some of the most relaxing wave sounds we have ever recorded from Playa de Piticabo in Dominican republic. Pebble beach sounds are unique in its kind, perfect for sleeping or studying, and for just about anything you may be doing. Keep this video playing to create a calming atmosphere wherever you are. Highly recommended at any office as a relaxing background or at home, in class at school, in any waiting room setting, at hospitals and dental clinics. Relax your mind and body every day and night.
Woodstock '99 (Kinks "Got to Be Free")
Fun Lovin' Criminals live at Down The Rabbit Hole 2016 – Full Concert
https://www.youtube.com/channel/UC
KPR_qNWDyJwtCK484A6A
Raise Your Energy Vibration | 528 Hz The Love Frequency | Love Vibration Meditation | Miracle Music
Bernd Pulch BERND PULCH, MUSIC August 20, 2022 August 21, 2022 1 Minute
Journey Over Hawai-Stress Relief Healing Therapy Music💖528Hz
Dominican Beach with Waves Rolling – Natural Background With Ocean Sounds
Don_Henley_All_She_Wants_To_Do_Is_Dance
John_Fogerty-Fortunate_Son
Chris_Brown_Featuring_Juelz_Santana-Run_It
Bernd Pulch COMEDY,


text:
The Moore family was a prominent political family of North and South Carolina during the 18th and 19th centuries.  They are believed to be related to or descended from Rory O'More, Lord of Laois, a leader of the Irish Rebellion of 1641.  The family is most closely associated with the Cape Fear coastal region around Wilmington.  Several members of the family held prominent political positions in colonial North and South Carolina, were officers in the Continental Army during the American Revolutionary War, or held high positions in the United States federal government during the early years of the republic. They are cousins with Rory O'More's sole male descendants and current holders of the title of Lord of Laois, the More O'Ferralls.

Governor James Moore

Governor James Moore was the patriarch of the family.  He served as the governor of the Province of Carolina from 1700-1703.  He had two prominent sons, James and Maurice.

James Moore II

James Moore II was a colonel in the colonial militia who served in the Yamassee War and would be a governor of the Province of South Carolina after North and South Carolina split. He served in that position 1719-1721.

Maurice Moore

Maurice had been a speaker of the North Carolina legislature.  As speaker the Maurice Moore had championed settlement of the Cape Fear region under Governor George Burrington and led frequent conflicts with Burrington's successor, Richard Everard.  Maurice had two sons, named James and Maurice.

Maurice Moore II

Maurice Moore II had been appointed as a Judge, but when the younger Maurice became a vocal opponent of the Stamp Act, he was removed from the bench by Governor William Tryon.  Both he and his brother James served in the colonial legislature.  He had at least one son, Alfred.

General James Moore

General James Moore served in the Continental Army, first as a colonel, and later, after he distinguished himself leading the troops at the Battle of Moore's Creek Bridge, as a Brigadier General and commander of the Southern Department, a position he would only hold for a few months before his sudden death in April, 1777.

Alfred Moore

Alfred Moore would serve as an officer in the Continental Army, and later as an Associate Justice of the United States Supreme Court.

Other people related to the Moore family

General Robert Howe was a Major General in the Continental Army and was a great-grandson of Governor James Moore.

American families of Irish ancestry
O'Moore family

redpajama_set_name: RedPajamaWikipedia


'Teen Mom 2' Star Jenelle Evans Celebrates Her Birthday With Her Kids — but Where's David?
Happy Birthday, Jenelle Evans! The Teen Mom 2 star is officially 26 years old, and she celebrated the milestone with her kids — and plenty of snow! The proud mama took to Instagram to post the fun snaps with the caption, "Best birthday present ever.. #Family and #Snow ?❄." So sweet! Watch the video below to see the pics!
Unfortunately, it doesn't look like her husband, David Eason — who she wed in September — was anywhere in sight. The newlyweds reportedly got into a fight over her recent MTV special, The Ex Files. According to Radar Online, David was upset that Jenelle had positive things to say about her former lovers on the show, which aired Monday, Dec. 11.
As previously reported, rumors of marital issues began after Jenelle removed her "married" relationship status on Facebook. She also changed her profile pic and cover photo to shots of her sons, though they had previously been images of her and David.


Disguising an iPod effectively within the Amish community?
Anyone discovered a way how Amish people can effectively disquise iPods so avoiding detection & subsequent banishment?
Who would want to be in the Amish community? I wouldn't want to be part of a community where something as silly as an ipod can get me banished. That's senseless.
walk a mile in their shoes?
The Amish have a lot working for them; don't knock them too quickly just because they don't embrace something you do.
Banishment, banishment. Why do we always work in fear of rules? What if the rules, or ways, become part of our nature, and we no longer need the pleasures others indulge in?
We live in a world that is primarily waste and want oriented and that is entirely focused on the new. Take away want and you have contentment.
Can't wait for the 6Gs to be released next year!
I have nothing against amish people, I've met some who have been nice, I'm just talking about some of the rules, that is what I find silly.
Don't start hatin' on the Amish now, mofos!
i detest all organised religions to be honest.
1. I have a lot of respect for the Amish.
2. How would an Amish person ever know about the iPod?
3. How would an Amish person post on AI?
4. It would be a lot of work owning an iPod without electricity.
I disagree. The Amish faith is a cop-out. It's an operation of succumbing to weakness, and it's distinctly at odds with every possible argument I can think of pertaining to divine purpose.
If modernity makes it harder to glorify God, try harder.
Have you met any Amish? Read about them?
Yikes - there's some real lack of tolerance here.
Being in England, most English look on the Amish fondly (a bit like protected species, unlike the crowds of ignorant techno-gizmo totting opinionated loudmouths on the forums).
The Amish have real music and instruments! Does anyone remember those? Guitars, violins, voices and drums?
Why is this even a thread?
Look, I don't know why anyone would hate them. They're just doing their peaceful thing and rejecting the world. It's not about weakness; even if it were, then it would be weakness to avoid sin. That's just crazy - temptation as a form of faith? If the goal of life is just to live a plain life and go to heaven when it happens, then this seems like the right answer. Why would you risk it? And what is the point of technology in that context?
Besides, maybe simplicity is a good thing. The Amish shun anything that is not a need, hence rural communities. However, many willingly use telephones in emergencies, as well as emergency medical equipment and rollerblades, since they are needs that don't necessarily change their simplicity. It's pretty fuzzy and varies. I'm sure it does get into odd dilemmas, but these people are happy and 80% stay in their communities, even when offered a life outside.
The avoidance of buttons is a little harder to understand.
Also, you can stuff the earbuds in your bonnet too. But even then the wires show.
Finally a good reason for Bluetooth headphones!
I think it has the potential to be a good discussion of tolerance, respect and acceptance, not to metion an inquiry into what is truly important in life.
And a chance to finally expose the hidden Amish haters in our midst... and beat them with a flounder.
You don't. Accept their rules or stay out.
1. in what sense is it a cop out... FROM WHAT?
2.how is it succuming to weakness? what weakness?
OK, that is really funny. Hope everyone got it.


Today, to become an elite athlete, you have to be willing to go beyond talent and sacrifice. Nowadays, science and technology play a very significant role in training and preparation for tournaments and events.
We are very, very, very fast approaching the superhero stage.
Much like the CES Expo held every January in Las Vegas to debate the latest gadgets and technology, the Augmented World Expo in Santa Clara, CA, allows developers of wearable gadgets to unveil the latest techware and Proto-types, while also debating the future of the superhero/bionic technology.
Zok predicts that an athletes choice in wearables will soon be as important to the elite athlete as their choice in specialty clothing and shoes.
Some specific technology that was used for training purposes by divers and gymnasts, track their performance using real time metrics, while cyclists used glasses that displayed; stride, heart rate and speed, directly into the lens of their glasses. Paralympic teams partnered up with the famous car innovator BMW, who developed a specialized wheelchair that tracks armstrokes and distance traveled.
Over the years, technology has slowly found itself being integrated into Olympic, professional and College athletic training, focusing on multiple areas including: nutrition, hydration, recovery, physiology and real-time performance mapping. Sports training is no longer limited to the field, science and engineering can now bring the athlete to a lab, decreasing time spent measuring and monitoring performance. Newer technology goes further than the field or the lab, allowing the athlete to organize and prepare in the lab setting, but easily gear-up and take their training to the more natural environment, directly to the pool, track, or even mountainside. This also allows a coach or trainer, to monitor side by side from a computer device, giving instant feedback, allowing the athlete to make immediate adjustments to their training.
Being able to monitor the athletes specific metrics, could possibly decrease the learning time, shaving valuable seconds of their time, while also increasing performance.
While Olympians have always been seen as the worlds elite athlete, wearable technology has not limited itself to just a Olympic training, now professional athletes also have found wearable technology to assist in their increased performance.
Recently, the NFL began placing sensors under the shoulder pads of football players, allowing coaches and trainers to monitor distance ran, and the intensity of plays involving a specific player. This type of monitoring can allow coaches to maximize performance, while not overworking the athlete, helping to prevent exhaustion and potential, avoidable injuries.
So what does any of this means for the weekend warrior or novice athlete? Elite athlete training allows for a very specialized testing of new technology, and with demand for new tech, the novice athlete would eventually be able to train like an Olympian.
I think it is safe to compare the elite athlete to the proverbial guinea pig. They train hard, find the sponsorships, work with developers to maximize output, while developing ways to also lower cost and increase demand. Sports are no longer just for the worlds elite athlete.
Stay connected with the latest in wearable technology were counting your steps in style with fitjewels.


We shared 2 appies starting with the Salmon Carpaccio. Dressed in a soya vinaigrette, we could not get much of the natural salmon flavour. Rather, the soy completely overwhelmed the delicate fish. The individual components were fine, it just didn't work together. Our second appy was the Steamed Mussels with a white wine and garlic broth. These were some pretty plump mussels in a well-balanced broth. It had the perfect amount of wine so that it didn't overwhelm everything else. It was quite garlicky though; but no one seemed to mind that. The fresh tomatoes and basil added some brightness to the dish.
For his main dish, Rich Guy had the Braised Veal Cheeks in a rich demi-glace. There was a pronounced red wine flavour to the sauce; yet it wasn't dominating. The cheeks themselves were so tender, they felt apart on contact. As with any cheeks, it had the desired gelatinous texture. The accompanying veggies were vibrant and still crisp. Pomegranate and I were eying the Braised Lamb Shank; but due to my "no duplicates" policy, I let him do the honours. He was a victim of a foodgasm after his first bite into the soft, moist, gelatinous flesh of the lamb shank. Of course I took a sample and indeed it was foodgasmic. The rich red wine reduction was very strong while not being too strong at the same time. The braising liquid successfully penetrated (is that an intentional Freudian slip???) the meat which helped flavour the shank evenly.
Of course no visit to Il Giardino would be complete without pasta. Thankfully, Whipping Girl fulfilled that quota by ordering the Rabbit Ragu Parppadelle. With a generous amount of meat atop perfectly al dente pasta, there was not much to complain about this dish. The Ragu was nicely balanced and rich while not heavy. I particularly liked that it was the right consistency. It flavoured the pasta without being watery. However, for some reason or another, I felt the parppadelle I had at Cioppino's had more "wow" factor. Yet, that is splitting hairs since both are superior pastas. For myself, I went for the Baked Black Cod in a beautiful lobster lemon butter reduction. As much as it is very hard to mess up black cod (aka Sablefish), it can be done. So, I can honestly say that this fish was perfectly prepared. Each flaky piece was moist and buttery. The fatty flesh was further enhanced by the aromatic lobster lemon butter. A sauce so simple had layers of flavours starting with the butter, then the zing of lemon and finishing off with a aromatic lobster flavour that cannot be mistakened. Once again, the veggies were perfect and I liked the somewhat firm white beans on top.
Although the black cod was a great dish, it was not the best dish at the table. That belonged to Vandelay and his selection of the Porcini Risotto with Roast Quail. One bite into the perfectly cooked risotto was a OMFG reaction on my part. The intense earthiness from the mushrooms exploded in my mouth and danced on my tongue. The flavour lingered and only relinquished its grasp when it felt like it. By then, I was munching on a piece of roast quail and that in itself added a certain umaminess to it. On that note, the one thing we could ascertain from this meal was that Umberto has still got it. Sure, he wasn't cooking in the kitchen. Rather, he was roaming the dining room floor. I love it when a restaurateur is actually present at his/her establishment. And that establishment is classy. Traditional classy, not the Yaletown glitzy type though. Suited us fine because the food was fantastic and the service equally so.
i love Il Giardino and yeah I don't mind that it is not considered hip enough for the youngsters to hang out there.
Thanks for this review....it's been several years since my last visit. Il Giardino is one of my most memorable experiences.....amazing date night and great food!


text:
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<header><title>AI</title></header>
<body>
<p> Hello Master Falindir </p>
</body>
</html>

redpajama_set_name: RedPajamaGithub


Gilliam fantasy with Jonathan Pryce, Robert DeNiro, Katherine Helmond, Michael Palin. Directed by: Gilliam, Terry.
Scarce Intl style for Gilliam fantasy with Jonathan Pryce, Robert DeNiro, Katherine Helmond, Michael Palin. Directed by: Gilliam, Terry.
Robert DeNiro, Chazz Palminteri, Lillo Brancato, Francis Capra, Joe Pesci. Directed by: DeNiro, Robert.
1-Sheet , 27x40 NM, unfolded., U.S.
Robert DeNiro, John Cazale, Christopher Walken, Meryl Streep, John Savage. Superior artwork Oscar style poster. Directed by: Cimino, Michael.
1-Sheet , 27x41 Oscar FINE-NM, U.S.
Robert DeNiro, John Cazale, Christopher Walken, Meryl Streep, John Savage. Directed by: Cimino, Michael.
Christopher Walken, John Cazale, Robert DeNiro, George Dzundza in Cimino Viet Nam classic. Directed by: Cimino, Michael.
Lobby Card (11x14) , (set of 4) NM, U.S.


This month we'll be exploring the basics of NodeJS. If you're not familiar, come learn something new! Already a pro? Awesome! We can use some mentors to help out with questions.
Harassment-free meetup, regardless of topic.


text:
Christmas Opening Hours 2022
Home in2tel news Christmas Opening Hours 2022
The end of the year is almost here, which means more than just presents and spending time with family and friends. For most businesses, the Christmas and New Year period includes closing or scaling back for the holidays and updating their services with holiday-specific recordings or routing rules.
In preparation for this holiday shutdown, we encourage any customers needing holiday-specific changes made to their services to email helpdesk@in2tel.ie with your requirements on, or before Wednesday 14th December 2022. Please ensure you attach the appropriate files and include clear instructions on how you want the new routing to operate, along with start and end dates and times for these changes. Please note the relevant charges.
Office shutdown: 24/12/2022 – 03/01/2023
Most of our staff will take a well-earned break from 15:00 on the 23rd of December to 09:00 on Tuesday 3rd of January 2023. We will have support staff available for critical support issues. For an immediate response, please call 0818 28 66 66 and select option 2, or if it's not an emergency, please email issue@in2tel.ie and we will deal with it as soon as we can.
To help us respond quickly, please have your account details, service number and a detailed description of the issue to hand along with some recent call samples.
Our Sales, Provisioning, and Billing teams will not be operating during this period.
Normal operations will return from Tuesday 3rd of January 2023 at 9 am.
Thank you for your support in 2022. We want to wish you a Merry Christmas and a Happy New Year. We hope you have a safe and relaxing break over the holiday period, and we look forward to continuing to work together in 2023.
Congratulations Jacinta Walsh on 10 years at in2tel

redpajama_set_name: RedPajamaCommonCrawl


It's that time of year again, holiday music is playing, turkeys are being stuffed and decorations are coming out. Nobody likes a Scrooge, but people do like saving money. So, Applewood Plumbing Heating & Electric has some tips on how to cut costs on your festivities that will be sure to keep your holidays merry and bright!
Remember when the cat nearly burned down the house in "National Lampoon's Christmas Vacation?" We all love our pets, but they can be difficult this time of year with so many wires enticing them. This can be dangerous for your pets and your wallet. To keep your pets from chewing on the wire, we recommend coating them with a bitter anti-chew cream that should keep your pets away. Also, remember to unplug your lights when you leave your house or go to bed. You may also want to avoid twinkling lights or dangling cords, which may tempt your pets.


Rubin, T.; Von Haimberger, T.; Helmke, A.; Lock, J.; Stockmann, M.; Heyne, K. Liver Status Assessment by Spectrally and Time Resolved IR Detection of Drug Induced Breath Gas Changes. Photonics 2016, 3, 31.
Rubin T, Von Haimberger T, Helmke A, Lock J, Stockmann M, Heyne K. Liver Status Assessment by Spectrally and Time Resolved IR Detection of Drug Induced Breath Gas Changes. Photonics. 2016; 3(2):31.
Rubin, Tom; Von Haimberger, Theodore; Helmke, Alexander; Lock, Johan; Stockmann, Martin; Heyne, Karsten. 2016. "Liver Status Assessment by Spectrally and Time Resolved IR Detection of Drug Induced Breath Gas Changes." Photonics 3, no. 2: 31.


text:
NativeScript Modules
===

#What are the cross-platform modules
The cross-platform modules repository contains the framework to be used for writing code that will run on any of the platforms, supported by NativeScript.

#Basics
For faster and more stable development, the modules are written in TypeScript, that gets 'transpiled' to JavaScript, which actually runs on the target device. To have that, the JavaScript code is accompanied with a set of platform-specific (native) binaries, called runtimes. These are a middle layer, running the JavaScript code on the device.

#Code organization
Each runtime provides JavaScript wrappers over the native platform classes. The classes in the cross-platform modules are common wrappers over the native wrappers, organized in a manner, allowing the straightforward development of powerful cross-platform mobile applications.
A cross-platform class would typically have different imlementations for the different platforms. The cross-platform library must have them both and decide which one to use. To avoid runtime checking, a convention is chosen that any files, named \*.[platform].ts (and, respectively, \*.[platform].js) are valid for the specific platform only. That way, common API gets only declared in a file, named `file-system-access.d.ts` while its iOS and Android implementations get coded in the `file-system-access.ios.ts` and `file-system-access.android.ts` respectively.

One would notice the `apps` folder, which does not fit the notation of a module. Normally each of the subfolders of the `apps` folder would be a separate repository or a project, with its own build and packaging. For a faster and more stable development, aided with code completion and due to limitations in Visual Studio, the current setup is chosen.

#Steps to build the CrossPlatformModules solution:

#Before start
1. Make sure you have nodejs and npm installed
2. Navigate to the CrossPlatformModules directory
3. Run `npm install -g grunt-cli` (to be able to trigger the grunt build).<br/>
**Note**: Might require sudo permissions on some *nix systems
4. Run `npm install` (will install the dependencies and devDependencies)

#Visual Studio and Project Structure
The CrossPlatformModules project calls a grunt task that transpiles the typescript code to JavaScript.

A module file that cannot have a common implementation across the platforms
would have a `modulename.d.ts` file, containing the declarations of the
module API and `modulename.[platform].ts` files, containing the actual
platform-specific implementation of the module functionality.
The `modulename.d.ts` file in that case is used by Visual Studio as an intellisense
helper, forcing the Visual Studio typescript compiler to feed its definitions
from the \*.d.ts file rather than the implementation one.

When built, the project outputs npm packages, containing the fully transpiled
code. There is a package for the modules only and packages for each subfolder
of the apps folder, each representing a standalone cross-platform NativeScript
application.

### Useful links

[VSCommands](http://vscommands.squaredinfinity.com/)

Adds the option to "Group Items" (DependentUpon tag) within the Visual Studio Solution Explorer. Select several items, right-click -> Group Items.

[A comparison of various features and APIs across mobile platforms](https://github.com/w3c-webmob/web-api-gap/blob/master/features/compass.md)

## CLI
Run `grunt` to have the the packages built and output to the `bin/dist` subfolder.


text:
Quarterback, American football player
Who is Terry Bradshaw?
Terry Paxton Bradshaw is a former American football quarterback who played for the Pittsburgh Steelers in the National Football League. Since 1994, he has been a TV analyst and co-host of Fox NFL Sunday. He played 14 seasons with Pittsburgh, won four Super Bowl titles in a six-year period, becoming the first quarterback to win three and four Super Bowls, and led the Steelers to eight AFC Central championships. He was inducted into the Pro Football Hall of Fame in 1989, his first year of eligibility.
A tough competitor, Bradshaw had a powerful – albeit at times erratic – arm and called his own plays throughout his football career. His physical skills and on-the-field leadership played a major role in Pittsburgh Steelers' history. During his career, he passed for more than 300 yards in a game only seven times, but three of those performances came in the postseason, and two of those in Super Bowls. In four career Super Bowl appearances, he passed for 932 yards and 9 touchdowns, both Super Bowl records at the time of his retirement. In 19 postseason games, he completed 261 passes for 3,833 yards.
"Terry Bradshaw." Biographies.net. STANDS4 LLC, 2021. Web. 18 Jan. 2021. <https://www.biographies.net/people/en/terry_bradshaw>.
Mr. Steel Arm
Terry Paxton Bradshaw
The Blond Bomber
Bradshaw, Terry
Bill Bradshaw
Novis Bradshaw
Craig Bradshaw
Charlotte Hopkins
Melissa Babish
(1972/02/11 - 1973)
JoJo Starbuck
Erin Bradshaw
Rachel Bradshaw
Sports analyst
Discuss this Terry Bradshaw biography with the community:
Movies starring
Robots (2005)


text:
Q: rotating objects in opengl I need to rotate the scene in an axis when I press a key. Here's how I implemented it
    int rotateFlag;

    void rotateScene(int x){
         if(x)//rotate 45 deg on x axis
             glRotatef(45,1,0,0);
         else // roatate 45 deg on y axis
             glRotatef(45,0,1,0);
    }

    //this is the function I call in  glutDisplayFunc
    void drawScene(void){
         glClear(GL_COLOR_BUFFER_BIT | GL_DEPTH_BUFFER_BIT);
         glMatrixMode(GL_MODELVIEW);
         glLoadIdentity();

         //I'm looking at the origin (center of my scene)
         gluLookAt (x, y, z, 0,0,0, 0.0, 1.0, 0.0);

         rotateScene(rotateFlag);

         drawObjects();//draw Objects in Scene

    }

I assign value to rotateFlag when i press left key or up key. It rotates the scene once only since my function rotateScene always applies glRotatef on the original arrangement of the scene which I should avoid. Does somebody knows how I can save the rotated scene so I can apply my function on it(the rotated scene) and rotate the scene everytime I press an arrow key? I hope I made myself clear.
I tried another solution by incrementing the angle in X and Y as I press the key
    If keypress left
         angleX+=45;
    else if keypress up
         angleY+=45;

and adjust my rotateScene to
    void rotateScene(){
        glRotatef(angleX,1,0,0);
        glRotatef(angleY,0,1,0);
    }

Everything is going right when i performed rotation on individual axis, however, when I do Rotate on Y first then I perform rotate on X, the rotation of the scene is incorrect. Maybe this is because opengl executed rotate on X first before rotate on Y because of the ordering in the function call. I can't use this function properly since order in rotating the scene is important in my application.

A: Use glPushMatrix() to push a matrix to the matrix-stack and glPopMatrix() to retreive it back.

redpajama_set_name: RedPajamaStackExchange


Over 850 with Pink-feet were on the grazing marsh and a Dark-bellied Brent Goose flew west. A flock of 40 Common Scoter and 6 Great Crested Grebes were on the sea, with a Spotted Redshank of note over the marsh and a Merlin seen hunting during the day. A Rock Pipit flew over calling and a Barn Owl was also of note.


There is a rising incidence of chronic kidney disease that is likely to pose major problems for both healthcare and the economy in future years. Data collated by National Kidney Foundation of India found that nearly 7.85 million Indians suffered from chronic kidney disease, but only 22.5 per cent could avail dialysis facility.
Dialysis and kidney transplantation are treatments for severe renal failure, stage 5 chronic kidney disease, and end-stage renal disease. There are two types of dialysis: haemodialysis and peritoneal dialysis. When the kidneys are no longer working effectively, waste products and fluid build up in the blood.
Dialysis takes over a portion of the function of the failing kidneys to remove the fluid and waste. Kidney transplantation can completely take over the function of the failing kidneys.
NORMALLY, THE IMMUNE SYSTEM HELPS PEOPLE STAY HEALTHY BY ATTACKING OBJECTS IN THE BODY THAT COME IN FROM THE OUTSIDE.
ANTI-REJECTION MEDICINES HELP KEEP THE BODY FROM ATTACKING THE NEW KIDNEY.
What are the choices for renal replacement therapy?
Kidney transplant -A kidney transplant is surgery in which a doctor puts a healthy kidney in a person whose kidneys are diseased. The healthy new kidney can then do the job of the diseased kidneys. (People need only one kidney to live). A new kidney can come from a living donor (usually a family member) or a dead donor. After a kidney transplant, patients need to take medicines for the rest of their life to keep their body from reacting badly to the new kidney.
Peritoneal dialysis -Peritoneal dialysis is a procedure that people do at home every day. It involves piping a special fluid into the belly. This fluid collects waste and excess salt and water from the blood.
Haemodialysis – Haemodialysis is a procedure in which a dialysis machine takes over the job of the kidneys. The machine pumps blood out of the body, filters it. and returns it to the body.
Kidney transplantation – It is considered the treatment of choice for many people with severe chronic kidney disease because quality of life and survival are often better than in people who use dialysis, especially for many people with end-stage renal disease. In addition, people who undergo kidney transplantation do not require hours of daily dialysis treatment. Normally, the infection-fighting system helps people stay healthy by attacking objects in the body that come in from the outside. Anti-rejection medicines help keep the body from attacking the new kidney.
The Department of Nephrology, along with Department of Urology, at PSRI provides kidney transplantation for patients suffering from end stage didney disease.


This weekend was so good, I don't think I could make it better if I tried. We (Jeff) finally fixed up our old bikes (!!!!!!!) which means we finally got to ride. We hung out at Starbucks a lot, because they had a buy-one-get-one-free holiday drink deal this weekend. Caramel apple spice has officially changed my life. I might have gotten it two days in a row and kept the cups for a while after so I could smell them. Go ahead and judge me.
We got mexican food and saw Harry Potter on Friday and I thought it was excellent! No one told me I looked like Hermione, but that is ok. Then we had a spontaneous Saturday night pizza date at Vinnie Van Go Go's. It felt like we went on so many dates this weekend. I loved it!! I made stew again on Sunday and I can't even remember how many bowls we ate.
*Also, I am getting too excited about stores playing Christmas music, holiday lights popping up along the streets, and Christmas commercials on tv. EEEEeeeeeee!


text:
Made in the Shade
Tucked in among the venerable old oaks that have stood for more than a century, a brand-new Shingle-style ranch gives off an always-been-there vibe.
Text by Lisa E. Harrison Photography by Michael J. Lee Produced by Kyle Hoepner
September – October 2010, Cape & Islands 2016
Landscape designer Mary LeBlanc created multiple outdoor seating areas, including this charming nook with a fire pit.
Elms opted for an all-white interior, and then added a shot of yellow with fun pillowing and a striped quilt by Denyse Schmidt.
The diminutive Shingle-style guesthouse beckons visitors with its sunny demeanor.
The master bedroom gets a dose of luxury in the form of rich, textured wallcovering, beautiful drapery, and linen-wrapped bedside tables in Nantucket red.
Visiting grandkids get their own colorful bathroom and custom bunkroom on the lower level.
Detailed design—a toe-kick in the bathroom pulls out to serve as a step, and each bunk has two USB ports so iPads stay charged—defines the spaces.
In the study shared by the husband and wife, Elms designed built-in desks and shelves painted a deep gray-blue. A textured wallcovering and leather accents, such as the rolling chairs and leather-wrapped drawer pulls, add gravitas.
A glassed-in, temperature-controlled wine cellar and a handsome, comfortable sitting area encourage relaxation.
On the screened porch, Elms started with a neutral foundation of gray-striped cushions and gray paint on the floor, then added accents of ocean-blue and orange. The many windows let nature's green act as part of the palette.
A statement-making walnut peninsula with a waterfall edge separates the kitchen from the dining room.
The dining table and buffet hail from the owners' old house; designer Dee Elms added a contemporary three-drum chandelier and wishbone chairs.
Symmetry rules in the living room, where Elms designed matching built-in bookshelves and cabinets to flank the fireplace.
A woodland landscape, anchored by beautiful oaks, provides a lush backdrop for this Shingle style Falmouth house designed by architect John Dvorsack.
The first directive: save the trees.
The homeowners had spent weekends and summer vacations in their Falmouth home for a dozen years, and while they always planned to tear down the 1950s-style ranch and start fresh, they also knew the stately, century-plus-old oaks—both black and white varieties—would have to stay. "People have told us they're the most beautiful trees on the Cape," says the wife. "It was important for us to preserve as many as possible."
She and her husband felt passionate about more than just the trees. When it came to the new house, she says, "we had a really clear vision of what we wanted."
The two recall sitting down with their interior designer, Dee Elms of Boston-based Terrat Elms Interior Design, and choosing all the tile in a mere two hours.
In terms of the big picture, the main living quarters had to be on the first floor, with enough space below to accommodate visiting grandchildren. Using space wisely was also imperative. "We always kept in mind function rather than size," the homeowner explains.
Falmouth-based architect John Dvorsack spent a lot of time walking the site before sitting down at the drawing board. His design solution translated into a traditional Shingle-style ranch with a full, walkout basement. The lines of the house are horizontal, rather than vertical, with peaks and dormers that lend interest to the roof. "It's a low-profile house that's going to settle into the neighborhood and fit in with the environment very nicely," Dvorsack says.
While the house blends so seamlessly with the surroundings that it feels as though it's been there for years, designer Elms and her clients aimed for a more contemporary look and feel inside. Having previously worked with Elms on their Boston condo, the homeowners were confident she could navigate their needs and desires. Needs included furnishings that could withstand the wear and tear of eight visiting grandchildren who, as children will, occasionally track in sand from the beach. As for desires, the homeowners wanted a decidedly grown-up aesthetic.
Elms set to work crafting an interior that's as beautiful as it is livable. In the open area that comprises the living room, dining room, and kitchen, where Dvorsack employed coffered ceilings to link the spaces together, she opted for a neutral foundation, and then incorporated color, texture, and patterns in a thoughtful way. A fireplace framed in honed gray sandstone and flanked by symmetrical built-in cabinets and shelves takes center stage in the living room. A vivid abstract painting by Stanley Whitney above the mantel and a sprinkling of toss pillows on the sofa add color, while the broadloom rug introduces pattern.
Many furnishings are new, but the couple couldn't part with their 120-year-old farm table, the centerpiece of the dining room. Elms paired it with wishbone chairs and a three-drum chandelier with a modern steel accent.
As frequent entertainers, the homeowners wanted the table aligned with the French doors that lead to the screened porch so that they could pick it up—literally—and take the party outside. Simply shift aside the teak table and rattan furniture, with its chic gray-striped cushions, and there's enough space for the table.
Entertaining goes hand in hand with cooking, so it was important to have a kitchen up to the task. Aesthetically speaking, the user-friendly space is defined by the clean lines and neutral tones of white cabinetry and a backsplash of glass tile in a soft gray hue. The star is a stunning walnut peninsula, with a waterfall edge, that seats four. The side facing the range drops down six inches, providing ample counter and prep space.
Guests occasionally retreat downstairs for dessert, where a well-stocked wine cellar beckons. Thoughtful design, including the temperature-controlled fridge, keeps the guests warm and the wine chilled. Leather chairs, a stone floor, textured wallcovering, and industrial-chic lighting conspire to give the space its luxurious club-like feel.
It's not just the over-twenty-one set that is well taken care of on the 1,500-square-foot lower level. In addition to a gym, family room, and billiard room, the homeowners carved out a special nook for their grandchildren. Dvorsack designed a custom bunkroom with eight built-in berths, each complete with a shelf for books, an individual light, and two USB ports. To ratchet up the fun factor, Elms dressed the room in bright purple-blue and orange. A matching bath sports cheerful herringbone-pattern floor tile in orange, yellow, and shades of turquoise. Proving it's all in the details, the toe-kick of the sink vanity pulls out, so little ones have a step to make hand-washing and teeth-brushing easier.
Built-ins are sprinkled liberally throughout the home. From the kids' bunks to the living room, the study to the guesthouse, the architect and designer found ways to maximize space and functionality. Builder Michael Lahart, of Pinsonneault Builders, lent his expertise to the design as well as the fabrication of all those useful touches. "Mick took advantage of every square inch of the house," says the wife. "He'd suggest bookcases wherever there were empty spaces."
Space was at a premium in the 316-square-foot guesthouse, but the pros made good use of the sweet space with a built-in bed, headboard, and bookshelf unit. Visitors have all the amenities they need—a cozy sitting area, a built-in coffee bar, and a Cape Cod must: an outdoor shower.
The homeowners had a vision for their yard, too, and landscape designer Mary LeBlanc devised a plan with four-season appeal. Preserving the old oaks was paramount, of course, and LeBlanc created a lush woodland setting that builds nicely upon them, incorporating areas for gathering, gardens that please the eye, and a circular drive to welcome family and friends. "It made my job easy to have this terrific infrastructure to work with," she says of the trees.
There's an old saying about best-laid plans, but in this case, the years the owners put into thinking about their home was time well spent. "I kept a file over those twelve years," says the wife. "Every time I saw something I liked in a magazine, I ripped it out with the hope of incorporating it."
Indoors and out, their design team granted all the couple's fondest wishes. And now they're enjoying their long-planned new home in the shade of those beautiful old oak trees. •
Architecture: John Dvorsack, John Dvorsack Architect
Interior design: Dee Elms, Terrat Elms Interior Design
Builder: Michael Lahart, Pinsonneault Builders
Landscape design: Mary LeBlanc, Mary LeBlanc Landscape Design
John Dvorsack Architect, Kyle Hoepner, Lisa E. Harrison, Mary LeBlanc Landscape Design, Michael J. Lee, Pinsonneault Builders, Terrat Elms Interior Design
@lisa_hilderbrand eschews the traditional log cabi
Youngblood Builders
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Exoteleia ithycosma is a moth of the family Gelechiidae. It is found in Guyana.

The wingspan is about 10 mm. The forewings are dark fuscous with four blue-leaden-metallic transverse streaks, the first towards the base, rather thick, the second beyond one-third, slender, white on the costa, the third beyond the middle, not reaching the costa, interrupted below the middle, the fourth submarginal, slightly sinuate inwards below the middle. There is a white dot on the costa before two-thirds, edged beneath by a leaden-metallic dot, where a fine straight pale brownish line runs to the dorsum at three-fourths. There is a slender pale brownish streak along the termen. The hindwings are dark fuscous.

References

Moths described in 1914
Exoteleia


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