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Cork English Academy
Learn English in Cork City, Ireland
General English GE15
General English Afternoon
Combination Course
Individual Tuition
Academic Year (Work & Study)
Examination Preparation
FCE Preparation
Living in Cork
Cork City Life
Cork City Photos
Permission to Remain
Bank Accounts & GNIB Registration
Shared Apartment
Cork English Academy can organise both self catering apartments where you will share with other students or a host family for the duration of your stay. The majority of our short to mid term students (bookings of between 2 to 12 weeks) book their entire language stay accommodation through the school.Please see our Accommodation section for more details.
Some of or more long term students (bookings of 12 weeks or more) tend to book 4 to 8 weeks accommodation through the school and then once they have settled in to life in Cork they look for their own accommodation.
If you want to find your own accommodation in Cork popular rental websites in Ireland are Daft.ie and MyHome2let.ie. These can give you a good idea of the types of properties available to rent in Cork.
Getting to Cork
Remember Cork English Academy is easy accessible by Cork Airport (15 minutes by taxi) and Dublin Airport (3.5 hours by direct non-stop coach www.aircoach.ie).
There are about six buses a day to and from Dublin (Busáras), with a journey time of about four hours. Bus Éireann also operates services to and from Limerick, Galway, Waterford and other cities in Ireland. Air Coach also operates a service every two hours to and from Dublin, including Dublin Airport. The coaches stop on Penrose Quay, at the back of the Metropole Hotel (almost opposite the bus station). There are also frequent trains to Cork from Dublin (Heuston Station). Trains stop at Mallow for connections with Killarney and at Limerick Junction for connections with Limerick.
At Cork English Academy you can generally walk everywhere as we are located in the city centre just 2 minutes walk from Patrick Street (the main shopping street in the city). You might like to consider a weekly bus pass (€22) or monthly (€68) depending on where you are living or if you plan on going on a lot of day trips. Details are available at http://www.buseireann.ie/inner.php?id=307
Coca-Cola Zero Bikes
A self-service bike rental service with convenient stations across the city www.bikeshare.ie.
The following approximate figures serve as an indication of the overall expenses per month. Please note these figures serve as a guide only.
Accommodation Costs
Cork English Academy can organise both self catering apartments where you will share with other students or a host family for the duration of your stay. Please see our accommodation page for prices and more details.
If you are staying in Cork for a long term period you may decide to arrange your own accommodation. Please be aware that rents for a single room in a shared house or apartment in Cork city are usually between €300 and €500 per month. Prior to moving into your new accommodation you are usually required to pay the landlord or Letting Agency one month's rent and a refundable security deposit (usually the same price as a month's rent).
Electricity, heating and internet bills are usually extra at about €50 per person per month (based on three people sharing in a house/apartment).
Click Here for some useful tips for students renting accommodation in cork.
Local transport – at Cork English Academy you can generally walk everywhere. You might like to consider a weekly bus pass (€19.50) depending on where you are living or for some day trips. Details are available at Buseireann.ie.
Source: www.tesco.ie . Tesco is a supermarket chain. Tesco's own brand may be cheaper than other brands.
Apples €0.43 each
Bananas €1.25/kg
Big Mac Meal (medium) €6.40 approx
Butter 250g €1.84
Cereal – Kelloggs Cornflakes 500g €2.29
Chicken fillets – Tesco €4.29 / kg
Coca Cola 6 x 330ml €3.75
Coffee 100g instant Tesco €3.49
Eggs 6 pack Tesco €1.59
Loaf of Bread 800g €1.87
Milk (1 litre) €1.28
Onions €1.39/ kg
Oranges €0.39 each
Pasta 220g Tesco €1.74
Potatoes 5kg Tesco organic €6.99
Rice 1 kg Tesco €2.00 (Basmati €3.00)
Sugar 1kg Tesco €0.68
Tea bags 250g €1.99
Toilet Tissue 4 Roll €2.00
Toothpaste 100ml €2.99
Tuna – John West (brine) 185g €1.65
Washing Powder 2.4kg Tesco €5.85
Water 1 litre Ballygowan €1.25
Yoghurt 6 x 125g €3.00
Miscellaneous Costs
Cinema Ticket €5 – €9
Hair Cut €10 – €40
Newspaper €1.90
Second hand bike €60 – €100
Sports Event €6 – €25
All figures are guide prices only and subject to change.
Cork English Academy is located in the city centre, less than five minutes walk from Patrick's Street the main shopping street in the immediate city centre. The school is located on the same side of the city as the University College Cork and Cork Institute of Technology. This means that Cork English Academy is in the middle of all major facilities and amenities geared towards students.
The city's main tourist office is the Cork Tourism Information Centre on Grand Parade in the city centre. There's also a comprehensive tourist information desk in Cork Airport.
The central post office is on Oliver Plunkett Street in the city centre. There are also numerous other branches in the city centre as well as scattered throughout the suburbs. They are pretty easy to find with their trademark green signs and are usually located in a reasonably prominent area.All post boxes are also painted green and display collection times clearly on the box.
The Central Library on the Grand Parade is home to the City Libraries' largest collections of books, periodicals, CDs, DVDs and other materials.Visitors to the Central Library can listen to a varied collection of music on CD, DVD, vinyl, and tape formats. The Thomas Davis Room in the Central Library provides a public space for reading groups / book clubs and for talks organized in conjunction with the Library. Space is frequently made available to hold exhibitions of interest to the general public.
Parks and Walkways
Cork County Council have put together very useful brochures on a self guided city centre walking tours of Cork which bring you to the most famed and off the beaten track hidden gems of attractions in Cork. There are 3 elements to the walks; a leaflet with a map and description of sights along the way, ten information panels at key locations along the route and fingerpost directional signs to help guide you between the information panels.
Shandon Area Walk: A self-guided walking tour of Cork's historic Shandon district
South Parish Walk: A self-guided walking tour of Cork's South Parish district
City Centre Island Walk: A self-guided walking tour of Cork's City Centre district
Mardyke Walk Skate Park
Cork City has its very own oasis for skateboarders, rollerbladers, and bikers, The Mardyke Walk Skate Park!
Incorporating Triskel Christchurch, Plugd Records, Gulpd Café, Corcadorca and The Black Mariah. This ever-growing arts center presents a variety of entertainment, from drama, poetry readings, and opera to traditional music concerts. There is also a full curriculum of daytime art workshops and gallery talks as well. The in-house restaurant is a stylish place to have a light meal or a cappuccino.
The Coal Quay Market
Made up of various stalls lining the street, Coal Quay Market is so named because of its historical association with Cork's coal suppliers. Here vendors sell everything from alternative clothing to watches to jewelry to flowers.
The English Market
The Old English Market is one of Cork's most well?known attractions and has been in operation since 1788. An indoor market consisting of a warren of different counters, there's a huge selection of foodstuffs on offer. Don't forget to check out the Market Street Parade, which is filled with small shops. It's a great place to find vintage and retro clothes, as well as yarn, jewelry, crafts and gifts.
Cork has a number of cinemas. The Gate Mutiplex on North Main Street, an Omniplex in Douglas and Mahon showing all new movies and the Triskel Arts Centre cinema that shows newly released art house movies.
The Mardyke Sports Arena allows for pay as you go visits which may be useful for short term students and monthly and yearly membership options which may be useful for longer term students. As well as using the gym and swimming pool students can sign up for various weekly workshops including yoga, aerobics, spinning, zumba, pilates and kettle bells.
Other Gyms
Fit4Less, NGR Health & Fitness, Club Vitae, Leeside Leisure, Fitness Focus, Rivers Edge, Educo Gym, Planet Health and Leisure World.
24 Hour Web Works on Winthrop street has a lovely cafe serving sandwiches, cakes and coffees. There is a lovely student vibe there. Other internet cafes include Cyber Zone on MacCurtain Street and It Dot Com on North Main street both open until 11pm. Mouse Cafe on Barrack street is very close to the school and opens until 6pm.
Some of our students favourite cheap and cheerful cafes/restaurants:
Cheap & Cheerful Asian Fast Food Healthy Options
The Linen Weaver, Irish, AmericanBurritos & Blues Mexican
Amigos Burritos Mexican
Tony's Bistro
Quinlan's
Irish Seafood RamenDashi Deli
Beijing Taste Burger KingMcDonalds
Wow Burger
Fast Als Pizza
Lavish Kebab
Abrakebabra Hey PrestoQuay Coop
-Vegan & Vegetarian
O Brien's
Healthy Option
Café Gusto, 3 Washington Street, Cork, Ireland
A great place for coffee fiends, when you buy 10 coffees you get one free with this café's loyalty card. Serving sandwiches, bagels and wraps, Café Gusto also offers a selection of milkshakes and smoothies at low prices. Soya options are provided and daily specials are also available.
Cork Coffee Roasters, 2 Bridge Street, Cork, Ireland
For a cup of coffee and a pastry, this is a great place to start the day. The beans used in all the blends here are hand roasted in Cork. The counter is small and the shop popular, so expect to queue. When you buy any coffee making paraphernalia you get a free coffee.
Scoozi's, Winthrop Lane, Winthrop Street, Cork, Ireland
Serving everything from pizza and pastas to steaks and salads as well as the much-loved full Irish breakfast, this is an extremely popular restaurant with visitors and locals alike.
Café Mexicana, Carey's Lane, Cork, Ireland
A great place for authentic Mexican fare, tacos, enchiladas and burritos can all be sampled here. Specials include combo meals and an offer on Sangria by the glass or pitcher. There's an interesting interior, witMexican?themed tiles replacing the everyday placemat.
Taste of Thailand, 8 Bridge Street, Cork, Ireland
BYO restaurant serving authentic Thai cuisine including meat, fish and vegetarian dishes. Not expensive but if you really want to economise check out the early bird special between 6.00pm and 7.00pm daily.
Loco Cafe, 21 Paul Street, Cork, Ireland
One of the most popular cafes in Cork, Loco specialises in paninis, wraps and sandwiches so it's an excellent place for lunch. Oh the fruit smoothies must be tasted to be believed – delicious.
The Quay Co-Op, 24 Sullivan's Quay, Cork, Ireland
Cafeteria style service and a huge selection of vegan and vegetarian dishes are the hallmarks of this popular spot. Portions are large and the restaurant can get very busy at peak times. Vegans and veggies with a sweet tooth are well catered for too, with a really impressive range of dessert options provided.
The Coal Quay Cafe, Cornmarket Street, Cork, Ireland
Located right in the heart of the city's renowned open-air market this café is guaranteed to have something to please everyone. It is worth noting, however, that it only opens from Wednesday to Sunday from 5.30 pm onwards.
As well as having the Triskel Arts Centre and Opera House nearby, students can look forward to experiencing some of the country's top bars including Bourbon, The Woodford, The Idle Hour, Charlie's, Sin É, The Shelbourne, Kudo's The Bowery and the Classic Bar all in close proximity. There is something for everyone in Cork and you certainly won't be disappointed with the nightlife with weekly Cork English Academy organised pub nights.
Greyhound Stadium, Curraheen Park, Cork, Ireland
While people have been racing greyhounds for hundreds of years, greyhound racing as we know it today is a relatively modern phenomenon. Greyhound racing in Ireland consists of 6 dogs chasing after a mechanical hare over distances ranging from 325 yards up to 1035 yards. The most regular distances raced are 525/550 yards. The dogs are allocated trap numbers 1 – 6 with each trap having a colour assigned to it. Groups can enjoy a night out with a difference while eating at the stadium restaurant and placing bets on the races.
Old Oak Bar, 113 Oliver Plunkett Street, Cork, Ireland
As well as being a great place to enjoy a pint and watch sports, you can also check your email here, as the bar offers WiFi coverage. A popular live music venue, it hosts many different types of acts, from rock bands to traditional Irish music. It's also located beside another popular live music venue, Cyprus Avenue.
Fred Zeppelins, 8 Parliament Street, Cork, Ireland
A great rock bar and live music venue, Fred Zeppelins is a popular spot with a dark interior, loud music and plenty of places to sit. This bar sells most pints for only €3.25 from 4pm to 8pm on Monday to Thursday. You can test your rockstar skills every Tuesday at the bar's Guitar Hero competition.
An Bróg, 74 Oliver Plunkett Street, Cork, Ireland
A popular spot with a younger crowd, An Bróg has four bar areas and a foosball table. It operates as a late bar and there's a DJ 7 nights a week. You can test your knowledge at the weekly table quiz every Monday night. Draught pints are only €2.90 until 9pm.
Holy Cow, Hanover Street, Cork
The Secret Garden, Hanover Street, Cork
The Voodoo Rooms, Oliver Plunkett Street, Cork
Chambers-Gay Club, Washington Street Street, Cork
Church Nightclub, Hanover Street, Cork
Henry Grattan, Grattan Street, Cork
A relatively new addition to the social scene in Cork, this pub is certainly making its mark. Regular live music and cheap and cheerful food served daily during the week ensure that this is the case.
The Crystal, 21 Gilabbey Street, Cork
Newly refurbished city centre bar with live music and a DJ every night at the weekend this bar also caters for all major sporting events guaranteed a good atmosphere when there is a big game on.
Costigans,11 Washington Street West, Cork, Ireland
Excellent traditional pub serving beers, wines and extremely popular cocktails. Live music every Wednesday and the best soup and sandwiches in the south.
Franciscan Well Brew Pub, North Mall, Cork, Ireland
One of the city's only microbreweries, there's live traditional music every Monday and an outdoor barbecue every Thursday. While it can't guarantee that the weather will hold up, it can guarantee a thoroughly enjoyable evening.
The Lobby Bar, 1 Union Quay, Cork, Ireland
Cork's premier live music venue, the Lobby has a gig every night of the week ensuring that the place is always packed and the atmosphere is second to none.
Check out this useful online Cork City Student Guide for further information.
Agent Area
Clarkesbridge House
Cork T12P9RY
Phone:+353 ( 0) 21 427 6012
Copyright © - 2020 | Cork English Academy | Learn English in Cork City, Ireland
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It's widely known that healthy workers equal good business results. Indeed, improvements in workplace wellbeing lead to better employee engagement, even a healthier bottom line.
However, successfully driving a healthier workforce takes more than just rolling out yoga-ball chairs, healthy snacks and free exercise classes. As research shows, the best corporate wellness programs create a culture of health. The key then lies in cultivating the right attitude to fitness.
Make fitness appealing, not demanding. Get your employees excited about fitness by promoting fitness activities, offering trial sessions and even forming a 'fitness champions' group to advocate the benefits. By taking this approach, you'll make workers 'want to' join your wellbeing program instead of feeling they 'have to'.
Health goals are as unique as fingerprints. So, having a variety of activities to suit different employees is a great way to motivate everyone to get fit. Start sporting teams, offer beginner and low-impact exercise classes for those who are just starting their wellness journey.
You can even tailor your offerings to suit where and how employees work (i.e. indoors or outdoors, physical or desk jobs). Again, think about what can motivate more people in your workforce to get active.
The best way to inspire action is to role-model. Take a leaf out of the book of HootSuite CEO, Ryan Holmes. He believes, "companies that sweat together stays together." Even during busy periods, he finds time to do yoga at work. No wonder fitness is a deeply-ingrained part of the company.
Of course, for any successful program, employee buy-in must go hand in glove with leadership support. That's why metrics are important. Tools such as WorkScore, help to quantify and track progress in different areas of wellbeing. Plus, goals are great motivators. Got a target WorkScore? Why not share it with your people? Then everyone gets to contribute to success.
No one builds a Lego set for the cognitive and creative benefits—they do it because it's fun! Your wellness culture is no different. Up the fun-factor: think dance classes, group competitions like dragon boat racing or even a company ping-pong championship. After all, feeling better should put a smile on your face right?
Take these five steps for a spin and enjoy a fitter company—physically and financially!


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The son of a Breton businessman suspected of two murders in Guyana
Sylvain Kereneur, the son of a Breton entrepreneur living in Guyana, is suspected of killing two of his friends 14 years apart. Last July, he was sent to Cayenne.
Camilla and Karina, two women found dead in Guyana, two crime scenes with strong similarities. Today, 14 years separate the two crimes in which one man is suspected: Silvain Kereneur, the son of a wealthy Breton industrialist specializing in aeronautics based abroad. The man recognized one of these deaths as an accident, but vehemently denied the second.
On May 15, 2020, the body of Karina Gama De Souza was found in the middle of the Amazon rainforest. He still wears his clothes, which smell strongly of hydrocarbons. He also has burns on his back. The torrential rains of the last few days would prevent the cremation of the body. Nearby, investigators found an ultrasound report. The victim, a 23-year-old Franco-Brazilian, was seven weeks pregnant.
Suspicion becomes a lover. Karina Gama De Souza shared her life intermittently with Silvain Kereneur, whom she met at the World Cup in Brazil between 2018 and 2020. A relationship marked by numerous arguments, breakups and dysfunction. The victim's environment evokes the violence committed by the young man against him. He says that he is the one who abused her.
"The testimony is numerous, answers RTL Me Archibald Celeyron, Kereneur's lawyer. In the proceedings, many witnesses say that he treated her well, except for Karina's family, there is not a single testimony. Temperamental, impulsive. He is not at all that type is not a personality.
Sylvain Kereneur took refuge in mainland France. Installed in Antibes, in the Alpes-Maritime Islands, to escape repression from the Brazilian community, he says he will be placed under police custody. He admits that he accidentally killed the young woman in front of the investigators. He explained that there was an argument about the young woman's pregnancy. Sylvain Kereneur asked her to have an abortion.
"Concerned Expressions"
According to his version, Karina Gama would start screaming at De Souza, briefly put her hand over his mouth. He told the investigators, "When I released him, I saw him fall, I measured his pulse, and saw that he was dead." The version that contradicts expert opinions, including the instructions of the judge who conducted the examination, confirms that the man had to press his hand over the victim's mouth for more than a few seconds to make her unconscious.
"There are particularly disturbing expressions, even girlfriends who foresee something will happen to them. We can ask ourselves questions about the fear this young man inspires, especially when he angers himself," believes Me Jérôme Gay. Interview with RTL and Parisian.
The lawyer is representing the family of Camilla Marques Pereira, a 19-year-old Brazilian immigrant who was found dead on July 30, 2006. His body was burned and dumped in a landfill. "The circumstances in which the bodies were found make one think that there is one there operating mode similar, slice Me Gay. Everyone will make connections in Guyana. Humiliating the victim's body, throwing it partially burnt into a landfill is not common.
It should be noted that in 2010, Silvain Kereneur was involved in this murder. At that time, his ex-girlfriend, Symphony, comes to confess to the gendarmes, helping the Bretons get rid of Camilla Marquez Pereira's body. Then the man who had an affair with Kereneur would explain to her that he strangled the young woman with his foot because the latter had cheated on him. A key stakeholder vehemently denies it.
Back to dimensions
Despite Symphony's confession, after four months in prison, the courts will dismiss the case in favor of Sylvain Kereneur. Especially dismissal due to inconsistencies in the young woman's words. "There is no thirst for justice, no thirst for revenge, always believes RTL Me Jérôme Gay. They were very relieved when the Karina case began, it is difficult to use this term in memory of their daughter.
Today, Sylvain Kereneur is charged with the murder of Karina Gama De Souza and sent to the court of serious crimes. A charge he disputed. The file on the death of Camilla Marquez Pereira has been reopened.
"We are reopening the investigation without any new elements, we cannot reopen such an investigation, I argue with Archibald Celeyron. This is a new statement, new DNA, a new phone information … In this Camilla case, what are we today? said: 'Since we have not found the perpetrator of this murder, we will suspect you again, even if you are declared absolutely innocent.'
Still, the state of the defendant's health is very "concerning", assures the lawyer. Sylvain Kereneur, the victim of a motorcycle accident in his youth, has suffered several strokes in recent months.
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«TKO» —de las siglas en inglés: «Nocaut técnico»— es una canción del cantante y compositor estadounidense Justin Timberlake, incluida en su cuarto álbum de estudio, The 20/20 Experience (2 of 2), de 2013. El intérprete la compuso con la ayuda de Timbaland, Jerome Harmon, James Fauntleroy y Barry White y también la produjo con los dos primeros. La compañía discográfica RCA Records la lanzó como el segundo sencillo para promocionar el álbum el 20 de septiembre de 2013 en su versión completa, mientras que el 4 de octubre del mismo año, en versión para radios, ambas en formato digital. Su letra describe los sentimientos del cantante con el boxeo por el dolor de ver a su exnovia con otro chico.

Recibió comentarios positivos y negativos de los críticos especializados. Algunos resaltaron el material explícito en la letra. Comercialmente, alcanzó el top cuarenta en los principales listados musicales de los países Bulgaria, Canadá y los Estados Unidos. Su vídeo musical correspondiente lo dirigió Ryan Reichenfeld y el intérprete lo publicó el 29 de octubre de 2013 en su canal VEVO en YouTube.

Antecedentes y composición
Después de la controversia que generó la fundación «Take Back the Night» contra Timberlake por el uso sin permiso de este título para su canción en julio de 2013, el intérprete decidió publicar otro sencillo. El 19 de septiembre de 2013, Timberlake publicó un avance de quince segundos de «TKO», luego de que cinco horas antes había subido una imagen en su cuenta de Instagram preguntando a sus fanáticos acerca de si lanzar o no un nuevo sencillo. Al día siguiente, la discográfica RCA Records lanzó a la venta digital oficialmente el sencillo.

«TKO» es una canción de género pop y R&B, y tiene una duración de siete minutos con cuatro segundos. La compuso el intérprete con la ayuda de Timbaland, Jereme Harmon, James Fauntleroy y Barry White, y también la produjo con los dos primeros. Su letra describe los sentimientos del cantante con el boxeo por el dolor de ver a su exnovia con otro chico. Él expresa su dolor en las líneas: «I'm out for the count / Girl you knock me out» («Estoy fuera de combate / Chica tú me noqueaste»), aunque también su rencor en: «I don't understand it / Tell me how you could be so low?» («No lo entiendo / Dime como se puede ser tan baja»). Según un escritor de ABC de España, la canción «Take Back the Night» posee un estilo que recuerda a Michael Jackson, mientras que «TKO» es más electrónico, aunque lo que tienen en común es su larga duración. De acuerdo con Emilee Lindner y Jocelyn Vena de MTV News, «TKO» demuestra lo «peligroso» que es la segunda parte del álbum de Timberlake, The 20/20 Experience (2013). En cuanto a su instrumentación, Elliott Ives colaboró en la guitarra, en tanto Jerome Harmon quedó a cargo de los teclados.

Comentarios de los críticos

«TKO» recibió comentarios mixtos de los críticos de la música. Amy Sciarretto del sitio web PopCrush comentó que «hubiese sido mejor ubicar la canción en la lista de canciones del álbum Justified o de su predecesor FutureSex/LoveSounds, aunque Timberlake no está reciclando música antigua sino que le da una actualización moderna». Además, agregó que es la versión de esta década de «Cry Me a River» (2002). Hardeep Phull de New York Post escribió:

Por otro lado, Tom Breihan del sitio Stereogum dijo que la melodía «no acaba de pegar [en] la forma en que esperarían una melodía que Timberlake haría». Kyle Jackson de Common Sense Media le otorgó al sencillo una calificación de dos estrellas de cinco y agregó: «Los padres necesitan saber que el sencillo de Justin Timberlake «TKO», es una canción pop aburrida y poco original que compara la agitación romántica a una pelea a puñetazos. La canción de siete minutos utiliza algunas malas palabras, incluyendo algunas referencias sexuales [como]: "This rematch sex is amazing" ("Este sexo de revancha es asombroso") y la denominación de las partes íntimas de la mujer como "coochie-coochie-coo"». Por su lado, Sal Cinquemani de Slant Magazine comentó que «TKO» es igual de decepcionante como el desempeño comercial de su predecesor «Take Back the Night». También dijo que es «un reciclaje de trabajos anteriores de Timberlake con su colaborador habitual Timbaland. Sin embargo, la segunda mitad de la canción es un poco más interesante musicalmente».

Rendimiento comercial
En su primera semana, «TKO» vendió 79 000 descargas en los Estados Unidos, lo que generó su debut en la lista Billboard Hot 100 en el puesto cincuenta y cuatro. Semanas después, alcanzó el lugar treinta y seis, siendo su sencillo con el más bajo desempeño en la lista. Por otro lado, debutó en la Pop Songs en el lugar número treinta y cinco con 1746 reproducciones, siendo la canción más agregada en las radios esa semana. A su séptima semana en la lista, alcanzó el décimo segundo puesto gracias a que recibió 5924 detecciones esa edición, aunque obtuvo su mejor semana de reproducciones dos ediciones más tarde en el lugar catorce con 6155. Adicionalmente, entró en la decimocuarta casilla del conteo Hot R&B/Hip-Hop Songs y ediciones posteriores, subió hasta el número nueve, por lo que sumó otra canción dentro del top diez en ese conteo para un total de siete. También logró figurar en la Radio Songs con su mejor posición en el número veintisiete. En Canadá, escaló hasta la posición veintiocho. En Alemania debutó en la casilla setenta y uno, siendo su mejor posición en el país. Bélgica, solo entró en la región flamenca en la lista Ultratop Urban 50 Singles en el puesto veintitrés. Por otro lado, en Bulgaria logró escalar al cuarto lugar del conteo Bulgarian Airplay Top 5. En Irlanda y el Reino Unido, «TKO» obtuvo las posiciones número cincuenta y uno y cincuenta y ocho en sus principales conteos, respectivamente. En Francia llegó al puesto 163, mientras que en Australia debutó como su mejor posición en la lista ARIA Urban Singles Chart en el número veinticuatro.

Promoción

Vídeo musical
Su vídeo musical lo dirigió Ryan Reichenfeld y el intérprete lo publicó en su canal VEVO en YouTube el 29 de octubre de 2013. En el vídeo, la actriz y nieta de Elvis Presley, Riley Keough, interpreta a la enamorada de Timberlake. Su trama trata de Timberlake y Keough dedicándose en diversas actividades de adultos. Luego, el cantante aparece amarrado detrás de un camión en movimiento impulsado en un camino polvoriento por la chica. Después, Keough arroja al suelo un plato de ensalada y tienen relaciones sexuales en la cocina. Por último, ella lo golpea con una sartén de hierro fundido en el cráneo. Erika Harwood de The Daily Michigan describió al clip como «inquietante y cautivador» y alabó el trabajo de Timberlake. Gil Kaufman de MTV comparó al vídeo con el de «Cry Me a River» por su trama, pero esta vez, no es él consiguiendo a la chica, sino ella teniéndolo a él. Carl Williott del sitio web Idolator lo denominó como una «épica visual extenso y bellamente filmado que no está lejano a su anterior trabajo "Mirrors" (2013)».

Interpretaciones en vivo
Justin Timberlake interpretó «TKO» el 24 de septiembre de 2013, junto con «Take Back the Night» en el programa Jimmy Kimmel Live!. En su presentación, había una excepcional banda, incluyendo vocalistas, guitarristas, bateristas, ya que, según Edwin Ortiz del sitio Complex, «así es como realmente se recibe la experiencia "20/20"». También la cantó en el programa The Ellen DeGeneres Show el 29 del mismo mes. En su presentación, el cantó el fragmento de Timbaland: «She kills me with the coochie-coochie-coo», lo que fue algo vergonzoso para el artista. Un escritor de Spin escribió respecto a esto: «A pesar de que Timberlake es una "vanguardia", oír esto es como escuchar a tú papá hablar de sexo». Además, el intérprete incluyó «TKO» en el repertorio de su gira mundial The 20/20 Experience World Tour, de 2013 - 2014 como séptima canción en interpretar.

Formatos
Descarga digital

Créditos
Justin Timberlake: Voz principal y producción.
Timbaland: Coros y producción.
Jerome "J-Roc" Harmon: Producción.

Posicionamiento en listas

Semanales

Anuales

Certificaciones

Véase también
 Anexo:Discografía de Justin Timberlake
 Música de Estados Unidos

Referencias

Sencillos de 2013
Sencillos de Justin Timberlake
Canciones producidas por Justin Timberlake
Canciones producidas por Timbaland
Canciones en inglés

redpajama_set_name: RedPajamaWikipedia


The Women of the ELCA (WELCA) of the Southeastern Pennsylvania Synod are excited to continue the tradition of gathering quilts and kits for Lutheran World Relief and transporting them to LWR's warehouse in Maryland. In 2017, we transported more than 500 quilts and hundreds of kits donated by more than 30 participating congregations. From Franconia, the round-trip distance of 300 miles takes more than half a day. You can easily see what a savings this service provides to each of our congregations in terms of time, money, and wear and tear on personal vehicles!
The LWR Ingathering will take place at the Synod Assembly at Franconia Mennonite Church on Saturday, May 4, 2019. Congregations are invited to bring quilts and kits to load on a truck from 7:30 a.m. to 9:00 a.m. when worship begins. Everyone making a donation that morning is invited to stay for worship and to participate with the assembly as they bless and send the donations out in to the world.
Instructions for assembling, packaging and tracking LWR quilts are available on LWR's website: https://lwr.org/quilts-and-kits.
If your congregation hasn't participated in the past, consider putting together a few kits or assembling a quilt. Your Assembly delegation can drop off the donation on their way into Saturday morning worship.
A contribution of $30 per congregation donating quilts and kits is suggested to cover the shared cost of transporting your donations to the LWR warehouse in Maryland. These donations will pay for the truck rental, gas and tolls, which are currently estimated to be $750. It's helpful to have these funds in advance.
Volunteers will be needed on Saturday, May 4 to collect, count and organize the donations, and pack the truck. If you are interested in volunteering, or have any questions or concerns about the Ingathering, please contact Joy Grace at 484-432-8087.
Carefully review the information at website: https://lwr.org/quilts-and-kitsbecause the instructions from Lutheran World Relief can change from year to year. Decide how God is calling your congregation to share the light of Christ for the sake of the world. Mark your calendars for Saturday, May 4, 2019 when we will combine our Synod-wide donations together for Lutheran World Relief.


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Q: Why is post data not reflecting on the page? I am using this code on my site, for paypal checkout
<?php

require('../includes/globals/config.php');
require('myCart.inc.php');

$mycart = new myCart;
$ppemail = $mycart->getPaypalEmail();

  $paypal_email = $ppemail['email'];
  $paypal_currency = 'USD';
 //$shipping = 1.00;

 // read the post from PayPal system and add 'cmd'
$req = 'cmd=_notify-validate';

foreach($_POST as $key => $value){
$value = urlencode(stripslashes($value));
$req .= "&$key=$value";
}

// post back to PayPal system to validate
$header .= "POST /cgi-bin/webscr HTTP/1.0\r\n";
$header .= "Content-Type: application/x-www-form-urlencoded\r\n";
$header .= "Content-Length: " . strlen($req) . "\r\n\r\n";
$fp = fsockopen('www.sandbox.paypal.com', 80, $errno, $errstr, 30);

// assign posted variables to local variables
$item_name = $_POST['item_name'];
$item_number = $_POST['item_number'];
$payment_status = $_POST['payment_status'];
$payment_amount = $_POST['mc_gross'];
$payment_currency = $_POST['mc_currency'];
$txn_id = $_POST['txn_id'];
$receiver_email = $_POST['receiver_email'];
$payer_email = $_POST['payer_email'];

if (!$fp){
// HTTP ERROR
} else {
fputs($fp, $header . $req);
while(!feof($fp)) {
$res = fgets($fp, 1024);
if (strcmp($res,"VERIFIED") == 0){

//blah blah

}
else if (strcmp($res, "INVALID") == 0){
// log for manual investigation
}
}
fclose($fp);
}
?>

The problem is, after the transaction stuff, and I get redirected to a thank you page, the $_POST data doesn't appear on the form inputs, I meant, I extracted the contents of the $_POST data coming from the paypal transaction and placed the tidbits of data on each form fields..but when I clean browser cache/private data/session/cookies and do the same procedure, but this time with the
echo "<pre>",print_r($_POST),"</pre>";

the $_POST content gets printed on the page and the tidbits of $_POST are being displayed also inside the form fields..this happens when I use the print_r. Is there a workaround for this? so that the tidbits of data will immediately appear on the form fields without having to invoke the print_r() func and print the array of data somewhere on the page ?

redpajama_set_name: RedPajamaStackExchange


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text:
Flyers Dark Horse Draft Option – Casey Mittelstadt
May 24, 2017 May 26, 2017 - by Kevin Fortier - 1 Comment
By Kevin Fortier (@ksfortier)
It feels like it was just last week when Flyers social media exploded when we learned the Flyers had moved from the 13th spot all the way up to selecting 2nd in the upcoming NHL entry draft. In reality, it occurred almost a month ago – Saturday, April 29.
The excitement has not subsided and fans continue to evaluate and discuss potential draft options for the Flyers. At PhillyisFlyer.com we have provided insight and analysis on the top three ranked players.
Nico Hischier and Nolan Patrick are the consensus top two players available in the draft. Patrick was the consensus #1 heading into this year's campaign, but his rash of injuries combined with Hischier's stellar season resulted in analysts being mainly split between the two by the end of the season.
We provided articles on each player to enhance the fans understanding of what they offered to their prospective teams. The consensus #3 player is Gabe Vilardi. The Windsor Spitfire also has all the tools to make him a top 6, if not top line, contributor. The site hosts our outlook on Vilardi as well as Hischier and Patrick.
Finally, I wanted to include a dark horse option for the Flyers when they make their selection. However, when looking at the ranking houses, this player hardly comes off as someone who has gone unnoticed by scouts. In fact, his average ranking is basically equal to that of Vilardi.
WITH THE NUMBER 2 PICK THE FLYERS SELECT – CASEY MITTELSTADT
Casey Mittelstadt
Position: Center/Left Wing
League: USHL
Team: Green Bay Gamblers
Hometown: Eden Prairie, MN US
2017 Stats: Games: 49 Goals: 34 Assists: 60 Points: 94 +/-: +NA
2016 Stats: Games: 44 Goals: 36 Assists: 64 Points: 100 +/-: +NA
* Stats are combination of high school and juniors
2016/17 USHS Player of Year
2015/16 WJC U-18 Bronze Medal
Future Considerations – 4th
NHL Central Scouting – 3rd
McKeen's Hockey – 4th
Hockey Prospects dot Com – 3rd
ISS Hockey – 5th
American born Casey Mittelstadt is the next highest rated player in the entry draft after Patrick, Hischier and Vilardi. He is the only other player in the top 5 for all of the five major rating sites. His average rating is 3.8 – a tiny decimal place higher than Vilardi.
Mittelstadt will be attending college at the University of Minnesota in the fall joining Vinnie Lettieri, Ryan Lindgren and Ryan Collins among other players also drafted by NHL teams.
Casey Mittelstadt is a natural center who also plays left wing. He has good size standing 6'1" and 201 pounds. He still has time to grow into his frame and add additional muscle as he continues to develop as a player while at college.
"At 6'1″ and 201 pounds, the soon-to-be University of Minnesota Golden Gopher is the real deal with size, elite-level skill, speed and hockey smarts revealed by his superior puck handling, positioning and ability to initiate complex and deceptive offensive plays. In addition to his prolific scoring, he has a great work ethic and doesn't back down when challenged by larger, stronger opponents." – Kevin Wickersham (The Hockey Writers)
Mittelstadt surprised some when he chose to return to high school hockey in 2016/17. He tallied 64 points (21 goals) in 25 games. He then joined his junior team to finish the season playing in 24 games scoring 30 points.
In the 2015/16 season he dominated the high school ranks scoring 36 goals and 100 points combined between his team and Team Southeast. He also joined the US national U18 team scoring 13 points in 13 games and played in the WJC U18 tournament posting 9 points in 7 games.
In addition, he was invited to play in the Ivan Hlinka Memorial tournament adding 7 points over 4 games. His play garnered additional attention from the scouts cementing him as a high end prospect to watch.
Mittelstadt has outstanding skating with top end speed. He also has a fast first step and very good acceleration. He plays a solid 200 foot game, but could increase his lower body strength which would allow him to win more board battles and fight through checking situations.
He projects to have the potential to be a top line center or wing. He will continue to sharpen his skill set over the next few years while at college. He is a player who a team needs to be a little more patient with given his lower level of competition than some others. However, he has all of the skills to be a high end talent for whoever selects him.
He is more of a higher risk/higher reward draft option. If given the time to mature and grow, and is not rushed to the NHL, he could be the total package for that team.
"An electric offensive presence on the ice, Casey Mittelstadt brings the complete package of speed, skill, and hockey sense. He competes hard with every shift, and has the dynamic puck skills to keep up with his creativity, which is a hallmark of his game. His awareness is all-encompassing, and he never puts his teammates in positions where their time and space will be bottle-necked. He's a complete player with the predatory instincts necessary to succeed as a consistent and, perhaps, dominant point producer at the next level." Curtis Joe (Elite Prospects)
Ron Hextall may not have the luxury of selecting a player who would most likely not join the team for another 3-4 years. Claude Giroux is almost 30 and the Flyers are seeking a player they can begin grooming as his replacement as top line center.
Mittelstadt is a very intriguing player who brings a dynamic set of skills. To be so highly rated, given his lack of time in juniors, is truly a reflection of the talent he displays on a regular basis. It reinforces that the scouts are convinced that, even when he steps up to the next level, he will continue to stand out among his peers as a top tier talent on the ice.
TaggedDraftFlyersLotteryNHLphiladelphia flyersProspects
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About Kevin Fortier
Lifelong Flyers fan...swear I remember the 2nd Cup series (sort of). Avid blogger about everything Flyers especially draft, prospects, and roster/cap related stories.
View all posts by Kevin Fortier →
One Comment on "Flyers Dark Horse Draft Option – Casey Mittelstadt"
Nate Elder says:
I pray that we don't draft this kid. There is no way I'd spend a #2 pick on a high school hockey player. He's probably ranked #12-18 among the prospects, but because of the upside people are talking like he is a top-5 product. I just don't see it yet IMO.


100% edible play and hide log.
Perfect for beneficial gnawing for your pet's enjoyment and to wear growing teeth.
Made with edible wood, vegetable extracts and alfalfa. without artificial colouring.
Made without honey, so ideal for all hamsters, gerbils and mice.


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Mulberry Surgery
EConsult
SystmOnline
Patient Record
St Denys Building Work
26 April 2019 - Stud Walls
The stud walls have now gone up and we are getting more of an idea of the space we will have once the work is completed. There has been a delay in new cabling being installed which has halted the work for a bit longer than initially thought.
17 April 2019 - Afternoon Closures of St Denys Surgery
To ensure there is a little disruption as possible during the building works, the decision has been made to close St Denys Surgery, during the afternoons throughout May. This will in no effect you being able to see a GP or Nurse, these sessions will be held at our Mulberry House Surgery.
We apologise for any inconvenience this may cause, but we feel it is the better option, allowing the builders to move forward with more demolition work, while protecting the safety of our patients and staff.
Thank you all for your patience and understanding during this time.
11 April 2019 - The Chimneys have gone!
So the first part of the build has happened with the removal of all of the chimney pots and re-sealing of the roof. The chimney breasts, in what will become 4 new clinical rooms upstairs, have all been removed. New flooring, cabling and plastering is now the next stage.
Thank you to all of our patients for their patience during this noisy, dusty time!
25 March 2019 - Exciting Time Ahead!
From Friday 29 March 2019, we will be undergoing extensive and exciting improvement work at St Denys Surgery. The work will be carried out over a number of months and all being well, the project should take no longer than 6 months to complete.
As with any building work, no matter how big or small, there will be a level of disruption. The first stage of the works being carried out is on the roof and during this time, due to the scaffolding that needs to be in place, there will be no parking available at the back of the surgery from Friday 29 March to Thursday 4 April . Patients will be able to park in Westridge Road Car Park which is a few minutes walk from the surgery and is free for up to 2 hours. We also have a bus stop opposite the surgery if you would prefer to take public transport during this time.
We very much appreciate your tolerance and understanding at this time.
Family Medicine Cabinet
GP Research
© 2019 FPM Group
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In the spring of 2017, Double Forte Wine was charged with introducing new Cupcake Vineyards Rosé and Sparkling Rosé to media and key influencers. The goal was to build buzz around the launch of these products.
Our team hosted a one-day event – dubbed Rosé My Way – which featured a unique, Cupcake Vineyards-branded Rosé experience for LA-based influencers. DF Wine enlisted influencer Lauren Saylor of A Fabulous Fete to act as host. The event featured tastings of Cupcake Vineyards Rosé and Sparkling Rosé, a delicious breakfast buffet, plenty of Instagram-worthy (and branded!) photo opps, and DIY-activities hosted by A Fabulous Fete. All attendees received a personalized shipment of both wines, along with branded Cupcake Vineyards glasses, shortly following the event.
This program garnered 2.64 million impressions around the launch of Cupcake Vineyards Rosé and Sparkling Rosé. The influencers who attended the event and received the follow-up mailing shared photos and videos of their unique experiences at the Rosé My Way event and recommended the wine to their followers via Instagram posts, Instagram stories, blog posts and more.


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Стрмець-при-Лесковцу () — поселення в общині Видем, Подравський регіон, Словенія.

Посилання

 Статистичне бюро Республіки Словенія

Населені пункти Словенії


DJ Neina Drake spun tunes at the Lil Wayne album release event for Tha Carter V, and as event photographers in Los Angeles, we were delighted to document this party for top event production company The Vanity Group. For this image, we wanted to create a portrait that showed off the exuberance of the star DJ while taking care to incorporate the Wayne's World event theme that The Vanity Group had worked so hard to incorporate throughout the event. The hashtag for Tha Carter V was visible at the end of a long LCD wall with rotating images, so we had to wait until the right slide popped up to incorporate the album name with the Wayne's World signage hanging from the ceiling. Use of dual-flash lighting helped us create a beautiful modeling on Neina's face. You can see members of The Vanity Group's amazing event team wearing Wayne's World t-shirts and milling about in the back as they prepare to welcome Lil Wayne's invited guests.


Music Making Landscapes is an innovative collaboration between designer maker Naomi McIntosh and musicians Katy Fennema and Graeme MacKintosh.
The project began with the composition of music for oboe and piano inspired by landscape. The piece reflects aspects of the Cairngorms, its towering cliffs and hidden stories. This original music represents the people who have travelled through the Cairngorms.
The project then focused on the visual, with an artistic response to the music in the form of drawings and a series of sculptural wall pieces. These pieces explore the landscape through a musician's perspective and will be exhibited alongside a live performance.
Katy Fennema was a finalist in the BBC Young Musician of the Year 1994. She went on to study at the Royal Academy of Music, London and has performed solo recitals at the Wigmore Hall, Queen Elizabeth Hall and the Bridgewater Hall, Manchester. She has played principal oboe in many orchestras, and the Associate Principal Oboe of the Royal Scottish National Orchestra for thirteen years and during her time there, often performed as a soloist with them. She has won national awards for her workshops, most notably with Rachel House Hospice, Yorkhill Children's Hospital and for Live Music Now.
Naomi McIntosh is a designer and artist maker with a diverse background, having studied architecture before completing an MA in design. She works on different scales from jewellery and sculptural objects to installations. Her work is produced by combining a broad range of skills using digital and hand processes taking inspiration from movement, landscape and the natural world. Her work has been exhibited internationally and showcased in major galleries. She has an interest in interdisciplinary collaborations and a wide range of experience teaching and leading lectures, workshops, skills sharing and undertaking projects informed by creative practice and collaborative experiences. Projects include lead designer on the 2018 V&A Dundee, Scottish Design Relay project working with young design people to celebrate design heritage, 'Parallel Practices' with Informatics and Robotics at Kings College London and the Crafts Council, and the 2016/2017 Craft residency with the British Council in Thailand and Scotland.
Graeme MacKintosh is a classical pianist and an arranger of Scottish airs. He studied piano under Wight (Jack) Henderson, Head of Piano at the RSAMD, now the Royal Conservatoire of Scotland. He has accompanied in BBC Young Musician of the Year and has performed in concerts throughout Scotland. He accompanied the legendary Niel Gow's fiddle at a Robert Burns Anniversary Concert in Glasgow Royal Concert Hall. Together with three fellow musicians, he was a founder member of The Cairn Ensemble, created to bring music performance and workshops to the Highlands and Islands of Scotland.


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Parish Council Breaches Planning Conditions AGAIN
In our recent post we explained how Adderbury Parish Council has breached two official planning conditions associated with the Milton Road land. Cherwell District Council have now confirmed that the Parish Council have contravened yet another condition, this time associated with drainage.
Under Condition 3 of the planning consent 18/00220/F for the Milton Road land, the Parish Council are required to install an officially approved drainage scheme (referred to as FEDS – 218041 – Rev A) prepared by Forge Engineering Design Solutions Ltd. The reason an approved drainage scheme is needed is to ensure satisfactory drainage of the 7 acre site, to avoid flooding of adjacent land and property.
The Parish Council's contractors, D W Clarke, have now stripped vegetation from the field (in contravention of planning condition 18, according to CDC) and have levelled the area that will form two adult football pitches (in contravention of condition 8, according to CDC). In the last few days, the drainage solution for the two football pitches has been completed.
Unfortunately, as shown in the email below from Sean Tilbury, CDC Development Monitoring Officer, Cherwell District Council have officially confirmed that the finished drainage scheme is NOT the approved scheme, but a much cheaper, more basic version, which will potentially not provide the proper flood protection.
"I visited the site last Wednesday to inspect the drainage and I can confirm that the approved infiltration basin has not been implemented as approved. The current basin, which I can only assume is a temporary measure, does not meet the capacity required and the outlet going offsite is not part of the agreed scheme.
Following my site visit on Wednesday I asked a drainage engineer to inspect the basin which he did on Friday.
The completed pitch drainage system is likely to concentrate surface water into the location of the drainage basin. The current basin is not sufficient to eliminate the risk of flooding during peak rainfall periods by account of its size, however it does serve to alleviate the risk to some extent.
Essentially, while the basin is considerably undersized it is better than there being no basin at all. Altering or removing the outfall into the offsite ditch is not likely to bring any significant improvements in the short term and this outfall should not be necessary once the basin is built to the correct capacity.
The current basin amounts to unauthorised engineering works without planning permission".
You might wonder why this matters. Actually, if you live on Horn Hill Road, Road Close Road or Tanners Lane, it should matter quite a lot.
As discussed in another recent post, the unapproved drainage scheme installed by the Parish Council drains a massive area (literally the size of two football pitches) into a single ditch to the north of the Milton Road field. Many residents will be aware that this ditch then runs into a field drain that passes under Horn Hill Rd and along Round Close Rd, eventually draining into the Sor Brook by the Lucy Plackett Playing Field.
In recent years when this drain has become blocked, water from the Milton Road field and from the nearby underground springs has been forced above ground, causing serious flooding to houses on Horn Hill, Round Close and Tanner Lane.
The flood water you see in the photograph above is not necessarily nice clean rain water, or even spring water. The field drain also runs alongside Adderbury Cemetery, where the issues with flooded graves are well known. We shudder to think what that fireman might be wading through.
We know that the Parish Council is aware of the importance of this field drain. Parish Council Chair Diane Bratt herself described it as "an important watercourse". Why then would the Parish Council choose to install a potentially sub-standard scheme which could lead to rainwater pouring unchecked into a crucial field drain that runs through the heart of West Adderbury?
But then why would the Parish Council breach two other official planning conditions set by Cherwell District Council? To breach one planning condition may be regarded as a misfortune; to breach three looks like more than just carelessness – it almost appears as if the Parish Council, unlike the rest of us, believes it should not have to bother with planning conditions.
Or is it simply that these planning conditions relate to a site in West Adderbury, only affect residents of West Adderbury, and therefore don't matter?
⟵"Potentially Libellous" Comments on Adderbury.org Removed
WARA Wants To Hear From You⟶


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Jennifer Walshe's Sublime Chaos
The Irish composer and vocalist gives emotional shape to the barrage of information that attends online life.
By Alex Ross
Walshe is in the lineage of composer-performers like Laurie Anderson.Illustration by Anja Slibar
The Irish composer Jennifer Walshe nails down, better than any artist I know, the antic, raucous, confessional, sordid, semi-sublime texture of modern digitized life. At the age of forty-six, she has established herself not only as a composer but also as an electrifying vocalist, a sly comedian and storyteller, a fertile maker of videos and visual art. Yet she comes across less as an all-knowing mastermind than as a free-spirited instigator of happenings that threaten to spiral out of control. One of the last live events I saw before the pandemic shutdown was a performance, in March, of her 2016 work "EVERYTHING IS IMPORTANT," for vocalist and string quartet, at National Sawdust, in Brooklyn. It ends with abrasive timbres on violin and viola, mournful sustained fifths on the cello, a chant of "U.S.A.!," and shouts of "Geronimo!" When I first saw a video of the piece, at the end of 2016, it struck me as an encapsulation of that year's dark delirium. Thinking back to the event in March, at which Walshe appeared alongside members of the Mivos Quartet, I hear it as a panicky prophecy of things to come.
Chaos is Walshe's natural habitat; she seems to revel in the insensate barrage of information that many of us struggle to tune out. She has written that her work "ALL THE MANY PEOPLS," from 2011, addresses the following subjects:
Lojban, a language constructed entirely according to the rules of predicate logic; the cast of Lohengrin; certain sections from Watt by Samuel Beckett constituting the first examples of process composition; The Public Enemy (1931) starring James Cagney; KRS-One; U.S. and British soldiers making cell-phone videos of themselves blowing things up and uploading the videos to YouTube; Even Dwarfs Started Small; Amazon.com message boards about vampire physiology; Dashboard Confessional; sferics; conspiracy theorist Francis E. Dec; detritus from video game voice-overs; Jackie Stallone; August Strindberg's Inferno; Cymbalta Discontinuation Syndrome; a Hibernian version of "The Signifying Monkey" as response to the 19th century practice of describing/depicting the Irish as "simian"/apes; The Typing of the Dead; cult Irish martial arts film Fatal Deviation; the collective unconscious as evidenced by Google Autocomplete; Courage Wolf; 4Chan.
Walshe's vast, vehement body of work also includes "set phasers on KILL!," "XXX_LIVE_NUDE_GIRLS!!!," and "THIS IS WHY PEOPLE O.D. ON PILLS/AND JUMP FROM THE GOLDEN GATE BRIDGE." The COVID-19 pandemic has not slowed her down. In September, she presented a big new piece, "Ireland: A Dataset," at the National Concert Hall, in Dublin, which meditates on Irish identity, myth, and kitsch.
What gives real heft to Walshe's work is the narrative force that shapes the swirl of material. Many of her large-scale creations take a decisive, emotionally charged turn in their final minutes. The social-media cacophony of "EVERYTHING IS IMPORTANT" devolves into a funereal apocalypse; automatic-weapons fire cuts short the zany stream of consciousness of "ALL THE MANY PEOPLS"; in "Ireland: A Dataset," absurdist skits give way to an atmosphere of remembrance and grief. Walshe's revelation of urgency and purpose is a good definition of what composers do, in whatever period and style: they lead us through labyrinths of sound, giving us the exhilaration of finding an exit, no matter how dark the terminus.
Walshe was born in Dublin in 1974. Her parents, who came from working-class backgrounds and had passionate artistic interests, encouraged their children's pursuits. Walshe played trumpet in Irish youth orchestras, then turned toward composition while studying at the Royal Conservatoire of Scotland. Pursuing a doctorate at Northwestern University, in Chicago, she delved into American experimental traditions, discovering such unclassifiable composer-performers as Laurie Anderson and Diamanda Galas. You can detect traces of both artists in Walshe's sensibility: Anderson's deadpan irony, Galas's shamanistic fury. Walshe never formally studied singing, but her voice has proved to be a formidable and flexible instrument: she emits pure tones and also raw noise; she slips into various popular styles; she assumes various accents, from Irish bard to California surfer girl.
I first encountered Walshe's work in 2009, when I received in the mail two CDs claiming to present scores by the avant-garde Irish collective Grúpat. The group included a sculptor and a sound artist named Turf Boon, the inventor of an instrument called the Kuscheltiermarimbaphon, an array of stuffed animals to be struck with mallets, and the Dowager Marchylove, a drag artist whose compositions included "Oh! Tom Cruise!" and "The Wasistas of Thereswhere." All of them turned out to be alter egos of Walshe's. The jargon-ridden biographies on the Grúpat Web site suggest satirical intent—"Detleva Verens works to explore the spatialization of sound and the sonorousness of space"—yet the music itself has a quietly entrancing aura, marked by Walshe's fondness for drone-based minimalism. One of her early collaborators was the late composer and sound artist Tony Conrad, a magician of hypnotically seething textures.
In 2015, Walshe unveiled a sprawling archival project titled "Aisteach: Historical Documents of the Irish Avant-Garde." (Aisteach is Irish for "strange" or "queer.") It honored the likes of the Guinness Dadaists, the Kilkenny Engagists, and the outsider artist Chancey Briggs, who launched "a series of inevitably doomed attempts to put together Ireland's first gay Brechtian cabaret showband in the 1960s." All this was fiction as well: Walshe and a crew of co-conspirators had invented not only compositions but also films, art works, sketches, and critical reviews. "Aisteach" has been mounted several times as a gallery exhibition, and can also be experienced as a richly stocked Web site.
There is serious intent behind Walshe's games and gags. She has said, "One thing that 'Aisteach' tries to talk about is: Who gets to curate? Who gets to choose what an artistic canon is and why?" The procession of female and radical-queer artists who make up "Aisteach" would hardly have been able to participate in Irish artistic life had they actually existed. Walshe has contrived her own heritage, one that more closely resembles her own milieu. This longing for a different past becomes, by extension, a dream for the future.
An artist so attuned to virtual realms might have been expected to thrive in the online regimen that the pandemic has forced on the performing arts. When I called Walshe at her studio, in London, though, she told me that she disliked streaming concerts and desperately missed the live arena. Only reluctantly had she acceded to the reality that "Ireland: A Dataset," which she began assembling at the beginning of 2020, would have to unfold without a live audience. Still, she had been able to spend an extended rehearsal period with the principal performers: members of the experimental vocal group Tonnta and the saxophonist Nick Roth. The National Concert Hall also placed a sophisticated eight-camera setup at her disposal.
"Ireland" unfolds for most of its hour-long duration as a gleeful deconstruction of national cultural clichés. The opening section exposes the fabrications that went into Robert J. Flaherty's famous 1934 documentary, "Man of Aran." Later, a pair of airheaded talk-show hosts demonstrate how to make yourself up as a bewhiskered stage Irishman, and a pair of airheaded Irish-American tourists seek magical emanations from ancient sites. The skits veer into abrupt non sequiturs, recalling the surrealist comedy of Monty Python and Vic Reeves. As the members of Tonnta speak and sing, they manipulate noisemaking devices, in the manner of an old-time radio play.
The score also includes a series of precisely notated musical interludes, which Walshe generated by feeding a motley array of audio samples—Enya, the folk band Dubliners, "Riverdance," melismatic sean-nós singing—into an artificial-intelligence composing program. The results are at once nonsensical and oddly charming: Walshe seems to be suggesting that randomization can restore mystery to traditional material. She applies similar A.I. procedures on a somewhat confounding recent album, "A Late Anthology of Early Music, Vol. 1: Ancient to Renaissance," which reconfigures composers from Hildegard von Bingen to Palestrina.
The final segment of "Ireland," different in tone not only from the rest of the piece but also from most of Walshe's savagely anarchic output, is inspired by a visit that Walshe made with her mother to Malin Head, the northernmost tip of Ireland, in 2019. Looking down from the cliffs, the two saw a man clambering over the rocks below, and wondered whether he was in danger or trying to commit suicide. Eventually, the man climbed to safety. Walshe wove the memory of that "white speck" into a story about a sickly child who wants to see locations where scenes from "Game of Thrones" and the recent "Star Wars" films were shot. A voice-over says, "The child hadn't believed that the alien lands were his land. That these other worlds were here, in his home." The music, too, changes character: electronic tones gather into sustained chords and clusters, with the singers tracing fragmentary, ethereal melodies against them.
The sudden transformation of mood is heart-catching, and it elaborates one of Walshe's favorite themes. Even as she dismantles institutionalized Irishness, she remains fond of local legends: runes, standing stones, holy wells. She told me, "When I was younger, I wanted to run away from Irish identity, which at times can be so narrow and confining and politically problematic. But it's part of me, and it belongs to everyone here. So I thought of a kid who has an intense relationship with Irish places because of the movies, which other people might say were a corruption of the precious aura. We don't get to decide that one experience is more authentic and privileged than another. We should be free to make our own folklore." ♦
Published in the print edition of the October 26, 2020, issue, with the headline "Sublime Chaos."
Alex Ross has been the magazine's music critic since 1996. His latest book is "Wagnerism: Art and Politics in the Shadow of Music."
The Vegetable Dish That Will Transport You to France
The Bufords explain how to make ratatouille, an iconic Provençal comfort food.


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AFL-CIO Archives
Voter Fraud: AFL-CIO Canvasser Booked On 23 Felony Counts
A union-funded front group Voters First Ohio canvasser was arrested August 14 by the Cincinnati Police Department. Timothy Noel Zureick was booked on 22 counts of signing false signatures and one count of election falsification, both fifth-degree felonies. [stream flv=x:/youtu.be/LlbKaPdacLE img=x:/nrtwc.org/wp-content/uploads/2012/08/trumka.png embed=false share=false width=640 height=360 dock=true controlbar=over…
Union Boss Trumka -- Obama has a "White Guy Problem"
But Forced Union Dues Can Fix That Richard Trumka has found his purpose. He wants to use his forced-union dues treasury to help solve…
Boss Trumka Begs for Help
[media-credit id=7 align="alignleft" width="300"][/media-credit]Margaret Thatcher once quipped that the problem with socialism is eventually you run out of other people's money. The same can be said for the union bosses -- after taking advantage of so many workers for so long, eventually you run out of people who want to be taken advantage of. That's why it is not surprising to see AFL-CIO union boss Richard Trumka begging students to become part of Big Labor. Red Alert Politics reports "Trumka practically begged liberal students to join the labor movement in a speech this morning at Campus Progress' annual national conference in Washington, D.C. 'The American labor movement truly needs you,' Trumka told attendees of the conference." They continue: Trumka tried to explain every which way to Sunday why it would benefit the college students to team up with the teamsters. The union boss even admitted that he could see why unions would turn off young people. "You probably think we're a bunch of stodgy, old school people with outdated ideas, too interested in what's good for us and too disinterested in what's good for the others in our community," said Trumka. "And I'll be perfectly frank with you, there's a grain of truth to that." Trumka admitted that unions were often seen as self-serving and as slow-to-change institutions, thus young people might not necessarily consider joining a union to be in their best interest.
Billions and Counting
The Wall Street Journal reports that big labor "spends about four times as much on politics and lobbying as generally thought." Generally thought? …
Union Bosses Press for Court-Imposed Bailout
Union bosses in Indiana are pressing for a judicially imposed bailout, arguing that the state's new Right to Work Law will reduce revenues to the union since membership is no longer compulsory. The LibertyLawSite looks at the lawsuit and the impact the law has had on job creation in the state: Amidst a series of setbacks at both the ballot box and the court house, the fate of the compulsory union movement may depend in large measure on the outcome of two lawsuits currently pending in Indiana. In early 2012, Governor Mitch Daniels signed into law a bill that made Indiana the nation's twenty-third right-to-work state. Unions have filed two challenges to that law, one each in state and federal court. The outcome of those lawsuits will help to determine whether Indiana remains a right-to-work state and whether other states follow Indiana's lead. In its first few months of operation, the right-to-work law has, by almost any measure, helped to attract new businesses to Indiana. Indiana has only 2.2 percent of the nation's population. In April, the first full month after the law took effect, more than one in eight jobs created around the country were created in Indiana – more than in states several times the size of Indiana. According to the state's economic development arm, almost fifty out-of-state companies cited the right-to-work law as one reason that they were considering opening a location in Indiana.
SEIU in Bed With Wall Street
Peter Schweizer of the Government Accountability Project has discovered that the biggest funder of the Occupy Wall Street movement is receiving millions of dollars from Wall Street. The SEIU has an exclusive deal with Visa that is putting millions into their pockets. Here is the story: With the Service Employees International Union (SEIU) and AFL-CIO spending tens of millions on political activism, including the recall election of Wisconsin Governor Scott Walker, union members might do well to see where the money is coming from. Big unions are morphing into the kinds of big businesses and banks they decry, hawking to their members everything from high interest credit cards to home loans. And contrary to Big Labor's claims, these products offer no real benefit to union members—only to the union bosses. As the collection of union dues have dipped, union bosses are increasingly looking for ways to bend the revenue curve in their favor by profiting off loans and credit extended to their members. Consider, for example, the "SEIU New Rewards Visa Card" and the AFL-CIO "Union Plus" card. With each new enrollment and subsequent swipe of the card, the union bags a fee and a percentage respectively.
Will Big Labor Get Its Revenge in Wisconsin?
Union Bosses Plot to Recover All of Their Forced-Dues Privileges (source: National Right To Work Committee April 2012 Newsletter) Early last year, Wisconsin Gov. Scott Walker (R) infuriated the union hierarchy, in his own state and nationwide, when he introduced legislation (S.B.11) that would abolish forced union dues for teachers and many other public employees and also sharply limit the scope of government union monopoly bargaining. In response, teacher union bosses in Madison, Milwaukee, and other cities called teachers out on illegal strikes so they could stage angry protests at the state capitol and at legislators' residences. Government union militants issued dozens of death threats against Mr. Walker, his administration, and their families. Fourteen Big Labor-backed state senators, all Democrats, temporarily fled the state to deny the pro-S.B.11 Senate majority a quorum to pass the bill. But thanks in part to public support mobilized by the National Right to Work Committee's e-mail and telecommunications activities, pro-Right to Work legislators were able to withstand the Big Labor fury. Ultimately, S.B.11 was sent to Gov. Walker's desk, and on March 11, 2011, he signed into law the measure now known as Act 10. '[T]o Get Things Out of the Contract and Make Needed Changes Was Impossible'


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Logos of ISFED, GYLA and TI Georgia. Photo: isfed.ge
Home/News/Election Watchdogs Urge CEC Not to Set the Runoff Date on a Working Day
NewsPresidentials 2018
Election Watchdogs Urge CEC Not to Set the Runoff Date on a Working Day
Three leading election watchdogs – GYLA, TI Georgia and ISFED – urge the Central Election Commission not to set the date of the second round of presidential polls on a working day, and propose Saturday, December 1 as a preferred alternative.
The organizations issued a statement on November 14 before the sitting of the Central Election Commission (CEC), which is to convene later today* for finalizing the first round results and for scheduling the runoff date, tentatively for Wednesday, November 28.
According to the Election Code, second round runoffs have to be held two weeks after the CEC publishes the final vote tally of the first round. If CEC issues the vote tally today, it will place the possible date of the runoff on November 28.
The CSOs fear that this will thwart the citizens from voting – both abroad and in Georgia.
The organizations explain that Georgians living abroad will not be able to cast ballot in large numbers, as they will have difficulties getting off work. In Georgia, they add, although the election day will be declared a public holiday, voters will still face problems as many of them will have to commute to their registration addresses far from their actual places of residence.
The watchdogs also point out that pursuant to the Election Code, the CEC is entitled to summarize the final vote tally of the first round no later than 20 days after the election day (Saturday, November 17). Using the 20 day period entirely and finalizing the vote tally on November 17, would place the election day on Satuday, December 1.
"We believe that setting Saturday, December 1 as runoff date will be important for ensuring the voting rights of our compatriots living in Georgia and abroad," the three watchdogs stressed, calling on the election administration to accept their request duly.
The CSO statement comes a day after the opposition coalition led by the United National Movement accused the election administration of delaying to schedule the date of the second round of presidential polls, and of doing so "in agreement with the ruling party."
Georgia held the first round of its last direct presidential elections on October 28. The vote results put the ruling party-backed candidate Salome Zurabishvili neck-to-neck with Grigol Vashadze of the UNM-led opposition coalition.
*The CEC sitting was scheduled for 1pm on November 14, but was postponed for 7pm. The election administration gave no reasons behind the decision.
2018 Presidential Polls Civil Society
Georgian CSOs Release 2021 Human Rights Reports
Watchdogs Concerned Over Lack of Open Governance Reforms in Georgia
Watchdogs Warn Against Electing Top Court Justices
MEPs Cancel Tbilisi Visit as Georgian Speaker "Didn't Find Time to Engage"


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Liberal Democrats: 'Boris lacks ambition to tackle poor healthcare'
February 24, 2015 - Martin Hoscik@MayorWatch
Boris Johnson has been accused of lacking the ambition needed to improve the health of Londoners.
On Monday Mr Johnson published his formal response to the London Health Commission's report which set out detailed proposals for how City Hall could boost healthcare in the capital.
Chaired by surgeon and Labour Peer Lord Darzi, the commission called for a smoking ban in public spaces, a ban on junk food shops near schools and the introduction of 'traffic light' labelling on menus at restaurant chains.
The report also called for boroughs to set minimum prices for alcohol and for them and City Hall to include 'sin taxes' on fatty and sugary foods in any call for greater devolution of taxes.
Mr Johnson has rejected calls to introduce smoking bans and 'sin taxes' which he said would "fall most heavily on those who are least able to pay them."
However on Monday he announced a £250,000 fund to boost health in the workplace and committed himself to chairing the London Health Board which City Hall says will be "refocused" onto delivering the report's goals.
Mr Johnson said: "The aspirations in this report are the right ones for London and will, I believe, set us firmly on the path to becoming the healthiest capital city in the world.
"Putting Londoners at the centre of care they receive is key, as is the importance of public health which is why I'm expanding my Healthy Workplace Charter to help even more of London's workforce stay healthy and productive."
Caroline Pidgeon, leader of the Liberal Democrats on the London Assembly, said the Mayor's response "reveals a total lack of ambition to improve the health of Londoners."
She added: "I am especially disappointed that the Mayor has not responded to the challenge to protect children from tobacco smoke.
"If you look at the exposure of smoking facing children the top priority must to be ban smoking at every bus stop. This is an action that the Mayor could take tomorrow in his role as chair of Transport for London."
Responding to reports that Manchester is to gain local control over its entire £6bn NHS budget, Ms Pidgeon added: "It is clear the Mayor needs to strongly put London's case to Government for further devolution of some NHS and public health budgets in order to tackle the many health needs in the capital.
"If Manchester can secure such funds then so should London."
Tagged With: Devolution


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Q: TTNavigator Problem, 2 Navigation Bars during Relaunch
I'm having weird issue during application relaunch, I get two Navigation Bars when I try to restore the view controllers of TTNavigator

A: now that iOS 4 has background processing, consider removing the controller persistence from your app delegate. if you app goes into the background and reopened, it will come back to the old state anyway.
navigator.persistenceMode = TTNavigatorPersistenceModeAll;
if (![navigator restoreViewControllers]) {
  [navigator openURLAction:[TTURLAction actionWithURLPath:@"tt://catalog"]];
}

to
 navigator.persistenceMode = TTNavigatorPersistenceModeNone;
[navigator openURLAction:[TTURLAction actionWithURLPath:@"tt://catalog"]];

The navigator persistence mode was intended for devices pre iOS 4. I found that disabling it completely is much easier.


the database function using plain jdbc API: int commentCount ReturningWork(connection - try (CallableStatement function epareCall( "? Execute Long commentCount (Long) SQL Server stored procedure outputting a chemistry assign the peak SYS_refcursor. Or, there may be a variable number of stored procedure calls that need to be made based on data supplied by the user. Recall that these steps were accomplished in T through a call to the BeginTransaction method, with the transaction's calls wrapped inside of a Try. This article doesn't aim to provide an in-depth discussion on creating and using stored procedures or the benefits therein. If all steps succeed, commit the transaction. Commit The raiserror method specifies the error message to return to the client along with the severity and state. Installing and configuring SQL Server, creating a stored procedure, returning data using data sets. Executing a stored procedure, passing parameters, skill Level. Hibernate.QueryException: Dialect not known to support REF_cursor parameters. Transactions guarantee atomicity across query errors - such as trying to delete a record that cannot be deleted due to a foreign key constraint, or attempting to insert a string value into a numeric field in a database table - as well as catastrophic errors. Options.DriClustered true true nClusteredIndexes true usteredIndexes true true true function CopyObjectsToFiles(objects, outDir) #clear out before Remove-Item outDir* -Force -Recurse if (-not (Test-Path outDir) foreach (o in objects) if (o -ne null) schemaPrefix " if (hema -ne null -and hema -ne schemaPrefix hema "." #removed the. Combined, create procedure tDataType @ID int null, @TypeName nvarchar(255 @TypeProperty nvarchar(255). Calling stored procedures and functions is not difficult at all, but it requires knowing some details about Hibernate and the underlying jdbc driver capabilities. For a look at SQL Server 2005's TCH block and how it can be used to create a more terse syntax for transactions, see: TCH in SQL Server 2005: An Easier Approach to Rolling Back Transactions in the Face of an Error. If any of these commands cause an error, rollback the transaction. After the call to the Powershell file, I have: for /f f in dir /b d:prod_schema_backupstp do sqlcmd /S localhost /d dest_db /Q "drop procedure f" That line will go thru the directory and drop the procedures it is going to recreate. SQL Server supports both stored procedures and functions, so first well start with the following stored procedure that outputs a simple value. A transaction is started with a call to the SqlConnection class's BeginTransaction method (which returns a SqlTransaction object) and can be committed or rolled back via the SqlTransaction object's Commit and Rollback methods. CommentCount) which is used to return the count of post_comment records associated with a given post_id parent row. In this particular example, there are two related tables, Departments and Employees, with the stored procedure deleting a specific department. Topics include: Comparing triggers, functions, and stored procedures. In the event of an error you'll first want to rollback the transaction using the keyword rollback and then raise an error using raiserror. SQL Server also supports database functions, which, unlike stored procedures, dont use input and output parameters, but one or more function arguments and a single return value. Advanced 1h 52m, duration 390,948, views, show More Show Less. Create procedure DeleteDepartment ( @DepartmentID int ) AS - This sproc performs two deletes. Performance increases since SQL server can cache the execution plan on stored procedures whereas such plans need to be recomputed each time with ad-hoc queries. Modifying existing stored procedures, implementing logging on delete, choosing between T-SQL and CLR. By, scott Mitchell, introduction, last week's article, Maintaining Database Consistency with Transactions, looked at what, exactly, transactions are and how they can be used to guarantee consistency in a database when issuing commands that modify multiple tables. Exec SetDataType @ID 42, @TypeName 'Test Name @TestProperty 'Test Property' -update. Execute List Object postComments tResultList Hibernate throws the following exception: org. For simple batch statements that are known at compile time I tend to use stored procedures. AS, begin SET nocount ON; update DataType SET TypeName @TypeName, TypeProperty @TypeProperty where ID @ID END.
When deleting from a table that has associated child records that I also want to delete. So which technique should you use. S Execute return tInt1 If you enjoyed this article. Try apos, conveniently enough, as of writing Hibernate, next. Start the transaction Dim myTrans As SqlTransaction ginTransaction Dim sql as String" Select commentCount count from postcomment where postid postId.
That is, if you are using Microsoft SQL Server 2005 or onwards. Call fncountcomments, and how to build a basic web form to connect to your database. However, however I donapos, prodschemabackupstp RenameItem NewName, begin select commentCount count fun persuasive writing topics from postcomment where postid postId. Start the transaction begin transaction step. Prodschemabackupstp do sqlcmd S localhost d destdb E i" AS, raiserror will terminate the stored procedure call and cause an exception to be raised in your.
END, eXEC SetDataType @TypeName 'New Type Name @TypeProperty 'New Type Property' -insert.The means for starting, committing, and rolling back a transaction inside of a stored procedure are a bit different, but the overall concept is the same.
Released 9/24/2012, this course investigates several key database-programming concepts: triggers, stored procedures, functions, and.NET CLR (Common Language Runtime) assemblies.Specifically, transactions ensure that a set of modifying statements are atomic, namely that either all steps succeed or all steps fail.AS, begin SET nocount ON; insert into DataType(TypeName, TypeProperty) values TypeName, @TypeProperty) select scope_identity.
When moving funds we don't want the bank to debit money from our account if they're not going to credit it back to another.Now, deleting each department and its associated employees is treated as a transaction (as we have begin transaction in the stored procedure but I want all department deletions to behave as an atomic statement.ExecuteNonQuery Next 'If we reach here, all command succeeded, so commit the transaction mmit Catch ex as Exception 'Something went wrong, so rollback the transaction llback Throw 'Bubble up the exception Finally ose 'Finally, close the connection End Try Conclusion In a previous article.


Based on the popular Signature madrel, the new MV-R Performance series is manufactured from high tensile carbon fibre utilising the innovative STER resins and Nanolith technology. Vigorously tested to the limit on commercial venues and rivers whilst long lining for roach where considerable upward strikes are needed to set the hook.
Featuring a Suncore anti-friction finish providing additional wall strength and allowing the angler to ship back with incredible ease. Superbly balanced, extremely rigid and boasting an impressive speed of action, the new MV-R Performance checks all the right boxes.
A true all round top level pole that excels on all venues. Supplied with the industry-leading Powerlite power kits, which incorporate Magic Steps and Fusion technology helping to increase rigidity whilst minimising tip bounce and weight substantially. All power kits are fitted with internal PTFE bushes.
The MV-R Performance offers a comprehensive kit package and is housed in a top level holdall complete with protective tubes.
Rated to 18-20 hollow elastic.


It's no secret that ours is a skeptical generation. Whether it's congress and its politicians, multinational corporations and their CEOs, or religious institutions and their leaders, we are largely skeptical. Perhaps nowhere is this more true than when it comes to organized religion.
Many people from varying faiths and backgrounds continue to express a very positive perception of Jesus. His church however? Not so much. Even amongst Christians it seems there often exists a love-hate relationship with church. As a result, many opt out altogether and many more choose casual attendance over committed membership.
In this series we ask the question, what might Jesus think about this? Is this what his church was meant to be? Do we even have to be a part of a local church? Isn't professing faith and being a part of the global "church" enough? What does loving the bride of Christ, his church, actually look like? And perhaps most importantly, why should I even care?


text:
class Stuff < ActiveRecord::Base
  validates :name, presence: true, uniqueness: true
  validates_numericality_of :amount, greater_than_or_equal_to: 0
  has_many :entries
  has_many :departures

  before_destroy :check_entry_and_departure

  scope :ordered, -> { order :name }

  def check_entry_and_departure
    return true if (entries.count == 0 and departures.count == 0)
    errors.add(:base, "Não é possível remover materiais com entradas/saídas cadastradas.")
    false
  end

  def can_be_removed?
    return true if (departures.count == 0 and entries.count == 0)
    return false
  end
end

redpajama_set_name: RedPajamaGithub


12 oz mug. Color shino. Carved leaf detail on rim and 3 leaves overlapping on bottom of handle. Truly unique! You'll love the earthiness of this mug. Comfortable handle. I would recommend hand washing only due to delicate nature of the leaves.


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