text:
SBU News > Academics > School of Communication and Journalism > Entrepreneur Titans Peer Into the Future of News and Communication
AcademicsEventsOn CampusSchool of Communication and Journalism
Entrepreneur Titans Peer Into the Future of News and Communication
One guest is a "serial entrepreneur" with a background and pedigree in traditional journalism; the other is an award-winning marketing guru who has spearheaded some of the industry's largest global marketing campaigns across digital, mobile, television, print, and experiential platforms. That includes some of the first marketing campaigns to leverage Facebook, Twitter and YouTube.
On February 13, the Stony Brook School of Journalism and College of Business brought the two startup giants together in the Charles B. Wang Center Theatre for a remarkable look at the future of journalism and communication.
Michael Loeb, left, and Bonin Bough
Despite their disparate communication backgrounds, there's one thing they readily agreed on: there's a new model in journalism.
"Today messaging is somewhere between a digital ad and an email," said Michael Loeb, the above-mentioned "serial entrepreneur" and CEO of venture investment company Loeb Enterprises. "Nobody opens email anymore, but everyone reads texts."
Added digital guru Bonin Bough: "If you understand search engine optimization (SEO), you'll never be wanting for a job. The new job is an amalgam of 'what is great writing' and 'what is important.' And science is part of the equation now."
You might say that journalism is embedded in Loeb's genes. His father Marshall Loeb was an influential editor, columnist and TV commentator, and is widely recognized as the father of modern business journalism.
"Editorial and business used to be church and state and never the 'twain shall meet," said Loeb. "Now it's a romantic notion but back then it was very deliberately done."
After cutting his teeth at Time Inc., where his dad worked, and then spending an ill-fated stint at a startup magazine called Entertainment Weekly, Loeb went out on his own, launching a company called Synapse. That company would go on to become the largest subscription magazine firm in the world in just a few short years.
Loeb sold Synapse to Time in 2006 and founded Loeb Enterprises, a self-funded ideas-to-execution 'start-up factory' now building over a dozen companies in New York and other regions around the country. But even though his second career has taken him away from traditional journalism, that discipline is still very much in his blood.
"Journalism has fundamentally changed," Loeb emphatically told the audience. "Back when my dad was at Time, journalists had a monopoly on news. Fact checkers would check every single word, every single quote. Journalism has utterly changed. It used to be imperious, but it's totally been democratized. There was no false news. Now anything goes."
Loeb used an example of modern politics to illustrate his point.
"If you look at the way people vote, it used to overlap," he said. "Now it's completely polarized. It used to be statesmanship, now it's 'win or lose.' The first debate between Donald Trump and Hillary Clinton was noted for its anger. I went back and looked at an old debate between Ronald Reagan and Walter Mondale and it was subdued, polite, respectful. We've lost that and now it's a free-for-all. The only thing that gets heard is the fringe stuff."
How it happens is especially troubling; "Policy by tweet defies everything we thought about being thoughtful," said Loeb.
While Loeb's journalism background might be considered "classic," Bough is very much a graduate of communications' "new school." As one of the youngest C-suite executives at a Fortune 50 Company, he worked for billion-dollar consumer brand companies including Mondelez and PepsiCo before starting Bonin Ventures – a growth accelerator that helps businesses of all shapes and sizes achieve revenue growth faster than they ever believed possible. He also hosts CNBC's Cleveland Hustles, and is the author of Txt Me (646) 759-1837, a book that explores the impact and future implications of mobile devices and digital communication on individuals, companies and society.
"I was in a meeting with a major U.S. newspaper when some breaking news from President Obama came out and the newsroom just emptied," recalled Bough. "They got a text and that was it. I thought that if I could do that with a brand, that would be a powerful thing. It became my model for real-time communication."
Loeb takes a question as Bough looks on.
As journalism moves further into the 21st century, new skills will be required for those that want to be communicators. Loeb and Bonin agree that the next valuable "skill" will be the balance between speed and quality.
"The filter used to be the publisher and editors," said Loeb. "Now you are the only filter. The question becomes: How do you educate people about what is real and what is fake?' How do you become your own editor and critic?"
"You'll have to write fast and well, and be accurate," said Bough. "So much of journalism and communication has shifted to the "right now." As for today's social media giants, Loeb describes what Facebook and Google have done to publishing as a "travesty."
"Traditional agencies can't compete with the speed that's required today," he said. "We're going right from contact to commerce. Yet, having said that, it would be hard to make a case that the world isn't better off for Google. This is the new reality and it's not going back."
To honor Marshall Loeb's legacy, Michael Loeb and his sister Margaret announced in October 2018 that they would fund the Marshall R. Loeb Visiting Professorship in Digital News and Audience Engagement at the Stony Brook University School of Journalism. The Loeb Professorship will be awarded to an outstanding journalist and will engage students and faculty in the practice and power of digital journalism.
"I'm impressed by a couple of things about Stony Brook," said Loeb. "Stony Brook is the only university with an accredited journalism school. Also, upward mobility is very important. Both those things would have really resonated with my dad. He would have really appreciated this place."
— Robert Emproto
Stony Brook Achieves Highest-Ever U.S. News Ranking
Stepping Into the Future
Professor Pittinsky Asks 'Can We Love Our Enemies?' in Daily News Op-Ed
journalism Social Media
Arts & EntertainmentEventsOn CampusUniversity
Lil Buck Brings 'Memphis Jookin' Dance Show to Staller Center
Memphis dance legend Charles "Lil Buck" Riley will perform with his company at the Staller Center for the Arts on February 4
AcademicsArts & EntertainmentAwards and HonorsCommencementGraduate SchoolStony Brook MattersUniversity
Filmmaker Todd Haynes to Receive Honorary Degree at May 20 Commencement
Haynes is receiving the degree for all he has done for the arts, the LGBTQ community and Stony Brook University students.
Alumni Chapters & GroupsCommunityEventsMain UniversityOn CampusStony Brook MattersUniversity
The Tradition Continues: Roth Regatta Makes Triumphant Return
The beloved and uniquely Stony Brook campus tradition was held in person for the first time since 2019, and the celebratory vibe was evident from the start.
Takeuchi Team Earns Secretary of Energy Achievement Award
Presidential Lecture Explores Social Media Transparency, Accountability
SUNY Chancellor King Announces $12M to Increase SBU Hiring of Research Faculty
Seventh Annual Hack@CEWIT to Resume Live March 3-5
Mónica Bugallo Named to IEEE Society Board of Governors
Black History Month Program Begins with Alumni Keynote Stephanie Brumsey '09
Enjoy Stony Brook University Lunar New Year Celebrations
RSVP for the Jan. 25 Presidential Lecture with Frances Haugen
AGT Finalist Mike E. Winfield Coming to Staller Center March 30
Center for Italian Studies Announces Date for 17th Annual Concorso d'Eleganza Car Show
Al-Gharbi to Join SoCJ as Assistant Professor of Communication and Journalism
Ivet Bahar Named Director of Laufer Center for Physical and Quantitative Biology


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David Hawthorne (born May 14, 1985) is a former American football linebacker. He was signed by the Seattle Seahawks as an undrafted free agent in 2008. He played college football at TCU.

Professional career

Seattle Seahawks
Hawthorne received his first start ever in Week 3 of the 2009 season in place of the injured Lofa Tatupu.  Hawthorne recorded a combined 16 tackles and 1 interception. Tatupu then returned from injury but was shortly fallen again, this time being sidelined for the season. Hawthorne started from Week 8 for the rest of the 2009 season and recorded 117 tackles, 4 sacks, 2 forced fumbles and 3 interceptions.

On December 1, 2011, he returned an interception 77 yards against the Philadelphia Eagles in the 4th quarter.

New Orleans Saints
Hawthorne signed a five-year $19 Million contract with the New Orleans Saints on April 3, 2012. He was released on February 8, 2016.

Buffalo Bills
On August 7, 2016, Hawthorne signed with the Buffalo Bills. On August 30, 2016, he was waived by the Bills.

References

External links

Seattle Seahawks bio

1985 births
Living people
People from Corsicana, Texas
American football linebackers
TCU Horned Frogs football players
Seattle Seahawks players
New Orleans Saints players
Buffalo Bills players

redpajama_set_name: RedPajamaWikipedia


Built by the water, the renovated Villa Amalia, a complex of three apartments, is situated on the quiet, remote Halki island, one of the smallest inhabited of the Dodekanese islands in Greece.
A newly renovated apartment, Amalia Harbor built in the main village overlooking the harbor.
Built by the water, the renovated Villa Amalia , a complex of three apartments, is situated on the quiet , remote Halki island, one of the smallest inhabited of the Dodekanese.
The sea is extremely accessible. You can walk down to it through the stone staircase or you can even dive directly from the veranda. You can either simply swim or explore the extraordinary sea bottom or just sunbath at the specially designed spaces of the apartments. All of the above can be enjoyed at the privacy of your own apartment.
Halki is part of the complex of 12 islands located on the South part of the Aegean Sea. Picturesque Halki looks like a stage set of a theater. The neoclassic houses are built amphitheatrically around the port of Nimporios that is the only part of the island, which is still inhabited.
Built in the main settlement, the renovated Amalia Harbor is situated on the quiet, remote Halki island, one of the smallest inhabited of the Dodekanese. It is self catered and airconditioned with a seating and dining area and a well-equipped kitchen. Amalia Harbor is just next το traditional taverns, barσ and shops. The Amalia Harbor offers pet friendly accommodation in Halki. Free Wi-Fi. The accommodation has a kitchenette with stove, refrigerator and cooking hobs. The private bathroom is stocked with free toiletries and a hairdryer.
The newly renovated Villa Amalia built on rocks by the water is part of the main village. Three independent apartments with all the comforts and the verandas overlooking the Aegean.


A collection of photographs ranging from 2010 until present day, all shot in and around northern Norway. A great deal of the photographs were taken while I was exploring the landscape, either by ski, splitboard, bicycle or foot. The wildly vivid landscapes are an endless source of inspiration and amazement for me as a photographer.
Working as the Creative Lead for this Norwegian biotechnology firm has me wearing many hats. I manage, coordinate and work on all print and digital projects related to Biotec Pharmacon and it's subsidiaries.
Responsive website design and development, promotional material design and mascot design for Woulgan Bioactive Beta-Glucan, an active wound healing product containing soluble beta-glucan. The team at Woulgan were very hands-on, providing me with constant feedback, which made working with them a very collaborative experience.
I'm done with the self masturbatory of social media, with the likes of Facebook, the loves of Instagram and the rest of that ilk. It's a massive distraction of FOMO, popularity contests and ego stroking. These platforms actively encourage such behaviour in order to keep users within their sites and apps for longer to increase advertising revenues and extract more data out of each individual.
I can't wait until winter again here in Norway, I'll be able to get more shots of these cute little guys.


text:
Q: Server Side Broadcast Update PHP I want to build an application which will automatically broadcast notification(s) to a user when data on server is changed. So far, I just know one method of doing this i.e. using JQuery setInterval. Using this function, every client requests data through ajax to server, asking if something changed.
The weakness of this method is every client must send a packet every specific time interval, so my server receives huge data packet. It's so frustrating to manage the server. Are there any alternatives for this besides Jquery setInterval?

A: If Websockets is not an option for you, you could use one ajax request to the server. Than server side go into a infinite loop. Use the sleep function to not overload the memory. Than check each time if there is something changed. If so, break out the loop and return the data. On the client side send immediately the next request.
After a bit of research it's called "Ajax long-polling requests".
Here is a explanation.
The PHP code would look something like this:
$prevHash = $_GET['hash'];

while(true){
   $currHash = GetHashFromTable('myTable');
   if ($prevHash != $currRowCount) break;
   sleep(3);
}

$response[0] = GetDataFromTable('myTable');
$response[1] = GetHashFromTable('myTable');

echo json_encode($response);

Update
Long polling is not the best option. Better to use web-sockets.
If you want to compare the differences, see this answer: https://stackoverflow.com/a/10029326/3269816

redpajama_set_name: RedPajamaStackExchange


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На літніх Олімпійських іграх 1932 року Велику Британію представляли 108 спортсменів (90 чоловіків та 18 жінок). Вони завоювали 4 золотих, 7 срібних та 5 бронзових медалей, що вивело збірну на 8-е місце у неофіційному командному заліку.

Медалісти

Посилання
 Official Olympic Reports
 Committee results database
 Sports-Reference.com

1932
Країни на літніх Олімпійських іграх 1932


Recordings: The original Decca Broadway recording with Newley as Littlechap is the best. The Sammy Davis Jr. version is also excellent, 1978.
Film: 1966, interesting and instructive, with Tony Tanner, too stationary, doesn't use the medium well. 1996, with Peter Scolari, good luck finding some way to see either of these. Sammy David, Jr. did a film after doing the show live, and some of it is available on you tube.
I could see this show being done very well by High Schools with drama departments that take their work seriously. It is well within the ability range of most colleges to produce an excellent production, Little Theater Groups, stock companies (a very good choice, I would think, given its minimal technical demands and easy turnaround), and pro companies. It's too sophisticated for younger actors.
I'm surprised that Stop The World hasn't had much more of a life. It absolutely should. Done well, I can't see how an audience (and your group) won't fall in love with it.
Stop The World would come under the heading of an "experimental show." It is not a standard Musical Comedy. It is very presentational. The 4th wall is violated endlessly. The actors dress as mimes. All the action takes place in a circus ring, surrounded by visible, theatrical lighting. There is no attempt to hide the fact that this is a show. It is almost "Brechtian." There is only one man in the show, the star, and he needs to be an amazing talent. One woman plays all the women in his life. (There's a little boy, as well, with no lines and nothing more, really, than an entrance.) The show uses many theatrical experiments coming out of the 1950s in Europe, and is somewhat expressionistic. If you're not knowledgeable in such theatrical schools of thought (Brecht, Expressionism), or if you're not prepared to take some theatrical risks and to do a play that rarely feels "realistic," then this one is a pass.
Also, the show is built entirely around two performances, the man who will play Littlechap, and the woman playing the women in his life. These roles are extremely demanding vocally and in terms of comic and dramatic acting. Few shows offer two larger or more dynamic and rewarding roles. This is truly a star vehicle, a show built to showcase these two actors. If you haven't the right performers for these two roles, this will not work AT ALL.
Littlechap launches a political career, and does the political double-talk thing very well. ("MUMBO JUMBO) He joins Parliament – and then has a heart attack.. Now Evie must care for him as he retires. ("WELCOME TO SUNVALE") he realizes at last that he has loved Evie all along. ("SOMEONE NICE LIKE YOU") But in truth, Littlechap has had only one great love throughout his life, one he faces to his sorrow as Evie dies. ("WHAT KIND OF FOOL AM I?") As he is dying, he does see his grandson born, providing some hope for the future.
As always, feel free to ignore my opinion and rating, as you see fit. Just remember that if the world does stop suddenly, according to science, everyone dies and the planet incinerates. There might see some things worth knowing about all that before starting.
I can't think of many shows that would be more fun to do, by the way. So long as your leads are not of the Prima Donna variety, this can be a wonderful experience. This show calls for fantastic inventiveness and creativity from the leads and director. And that is great fun.
Important – Stop The World is a show that has underperformed through the years. It should have had, it should have now, an active and beloved life. Many of the one-star shows in this book fall into this category, which is why they are in this book. With such shows, as I discuss approaches and designs, I'll try to provide creative ideas to "modernize" and make relevant these shows. The idea – well, I want these shows produced often, seen by many audiences. They are worthy, and have something to offer today that will help vitalize an ailing Musical Theater.
The action all takes place in a circus ring. The actors are supposed to be dressed as mimes. I really don't believe this works. Mimes do not perform in most circuses. And mimes are silent, whereas these characters never shut up. (A good thing, that.) And they sing. You might consider dressing them as clowns rather than mimes. Or even dressing them in modern day everyday clothing and presenting them as everyday people, perhaps with a touch of clown make-up on each character, implying we are ALL clowns in some divine circus. Anyway, I'd look for an approach along these lines to unite the piece thematically and aesthetically.
The music is catchy and relatively simple. It's bouncy, alive, vital, memorable. A decent pianist/MD (musical director) should not struggle much either playing it or teaching it. There is a limited amount of harmony and counterpoint, but really limited. One of the easiest scores to work with. By the way, use the overture, especially if you have any kind of orchestra. It's a vital, memorable overture that presents several hit songs the audience will know, and will help them dive in.
Littlechap must really, really sing. A tenor with a big theatrical voice and range is required, and he must be able to express both broad humor and powerful anger and grief in his delivery of a song. The show is a tour-de-force for this actor, it is entirely a star vehicle. He's a tenor with an explosive top range, ringing high notes in the classic Broadway tradition, a very large voice that expresses great emotion. He must also be able to handle patter-type lyrics, quick, repetitive, tough on the tongue. Get this one right!
Evie (and other women) is an alto capable of vocal gymnastics, and a British, American, German and Russian accent (convincing and comic). She must sing quite well, a good range, strong voice.
The ensemble women should sing well enough and harmonize decently. They are window-dressing, in terms of the vocals.
This show doesn't call for a lot of real dance. The numbers are intended to be staged rather than choreographed. A talented director with a good sense of composition, rhythm and movement should be able to generally handle the choreographic requirements. Just beware of monotony. Littlechap rarely leaves the stage, and he does many numbers alone. If you have him do the same sort of thing redundantly (run across the stage while singing so he can now sing to stage right audience, that sort of stuff), you are not serving the actor or the play well. Focus on the lyrics when planning the movement, and make your planned moves work easily and unobtrusively to the music. Allow your two actors to place their energy and attention on their signing, they'll need to. Too much movement will bury them with complexity this show actually does not support.
This is a small cast, and they sing a lot. That said, even the Broadway production seemed unconcerned with the quality of the ensemble singer's voices. They must carry a tune, harmonize decently, but that's about it. They will all be women, so get a good mix of soprano and alto in casting these roles. Casting for this show can be any ethnicity or race, but they must "play" at British, low and high.
Littlechap must be a mature (say 30s-40s), all-around singing actor of great ability and charisma. (Or a star in the making, as Newley was when he wrote, directed and starred in this show's original production.) He must move well, possibly do mime, sing very well and with an interesting voice, and have profound acting chops at his disposal. He will go through many of the obvious and trying vicissitudes of marriage, ending with a nearly dry-as-dust form of contentment where they are satisfied to be married to "someone nice.". He will age from birth to old age and death during the show, without benefit of make-up or costume changes. The role is about as demanding as any in Musical Comedy. Any ethnicity is fine.
Evie is Littlechap's female counterpart. She plays four roles, four nationalities, each stereotyped. The actress must be able to really run with this sort of thing. She must have a strong, reliable, and hopefully somewhat appealing voice. (I think Anna Quayle in the original fell short in that department.) She will age just as Littlechap does, and go through the marriage with him. Evie is another tour de force. When he's not in the spotlight, she is. 30s-40s, like him. Any ethnicity is fine.
The ensemble should be cast better than any of the productions I've seen or studied. Newley seemed to avoid interesting background performers, demanding the spotlight as he did. But the ensemble has a lot of gags to play out and a lot of time on stage, and you should cast women who can move well, sing well, and who specialize in comedy. (And just to mention it, I don't see any reason why all of the ensemble need to be women. I think you'd get a better sound out of your cast, and be able to play more interesting gags and moments, mixing it up. But do remember that two of the actresses are to play their two daughters.) Also, if you're going to experiment with the circus aspect of the show (and I believe you should, as I describe below in Sets), you might want to cast ensemble that can juggle, do the high wire, swallow fire, and do other circus-like acts. This will add to your creative options as a director as you explore Littlechap's life through the prism of a circus theme.
The little boy (Littlechap's grandson) is a walk on. Get a cute kid.
There's only a single set, the center ring of a circus, with a tunnel at the back representing both birth and death. In reality, unless everyone will be on stage all the time (they won't), you'll want to create some sort of secondary exits to backstage.
The set for this show often looks monochromatic, and for the life of me, I don't know why. A circus tent can be filled with flags and other objects of great appeal and color, and I think this one should be. The circus represents life, and life is complex. I think the ring should invite us in, appeal to us, make us believe that something very interesting is going to take place here. The backdrop can be the circus tent, but make it an interesting one.
And while we're at it, it's a circus. So why can't Littlechap and Evie appear on the high wire for a scene, or atop an elephant, or in a clown car? No production has explored the circus option well that I've seen, and I think that's missing something very appealing and obvious. A director and designer could really have fun with that sort of approach, and so might the actors and the audience. It would also effectively "change the look" from an empty ring for over two hours, to a place where strange and bright and wonderful things happen. This is an area that a good director should coordinate on with a good designer. There's a lot of new and untried ground available with Stop The World. Your production could be the one that makes this show really live and earn the attention it merits.
Well, as you can see, I vote for clowns over mimes, and I do not consider them to be interchangeable as the original production apparently did. Clowns could be fun. The opportunity for individualizing each character is interesting, so long as the make-up doesn't become thick and obtrusive. We need to see the actor's work, not just a made-up face. This is especially true of the two leads.
I also am not opposed to plain, contemporary clothing as a possible approach, for what it will bring to the piece. (Perhaps with minimal clown make-up.) Either approach has it's own unique interest and appeal, and depending on your director, could be really interesting to work with.
Plain modern dress does not have to be flat, monochromatic or unflattering. Individualized flairs in the clothing (a scarf, a hat, stripped stockings, pink shoes) can help get some color onto the stage and make the characters memorable.
Dance isn't much of an issue, so you don't have to sweat it much. But your leads sing a LOT, and must be able to breathe.
The show does have props, but the number and complexity of the props will be determined by the approach your director takes, and will accordingly vary. It is unlikely, however, that this will be a terribly tough show for props. There may be expendables like party poppers and the like.
Very important! The set is simple, the costumes are simple. So what is there to look at? And this show goes through major mood swings. The show is essentially very dramatic, almost melodramatic at times, though it is more than saved by it's comic take on melodramatic events. (And listen, a man at the end of his life bemoaning all the missed and lost opportunities could be melodramatic treacle. "What Kind Of Fool Am I" is, instead, masterful.) There are many, many solo moments for the two leads, and just slapping a spot or follow spot on each one will become a snooze. What's more, a well-directed production will make sure to have the leads interact with each other and with the ensemble as often as makes sense, to change to look and move the show away from feeling like a parade of solos and duets, so use of a spot would throw out that opportunity. Your lighting will need to be creative. Your uses of color will be as important as your use of light in general to focus the audience's attention. This is a show that can feel long and bland when handled badly.
The original Broadway production had the same person, Sean Kenny, do sets and lights. (He also did Oliver!, The Roar Of The Greasepaint, and other shows.) His mark was to build sets and lighting so integral to a show that they took on the stature of another character in the piece. I do believe versatile and creative lighting is essential to Stop The World. I think, like Mr. Kenny,you'll need to coordinate closely with the director and other designers to bring the show fully to life.
My favorite lighting effect can be used in "What Kind On Fool Am I." (Or not.) The stage is lit, and Littlechap is in follow spot, opened up to cover his full body. As he sings, slowly fade out all the lighting except the follow spot, and then SLOWLY tighten that to cover just his face and upper torso. Get as tight as you realistically can. The actor must know this is coming and be relatively still, of course. As he completes singing the final, climactic note, cut to black. In this case, you'll need to fade up the lights, even get a laugh, as the character's not dead yet, to paraphrase Monty Python.
This will be determined by the approach your director chooses to take. Mimes? White face is so easy, we won't discuss it. Clowns? Now you can get creative. Modern dress with clown features – interesting again, but why? Are we saying that all modern men are clowns? (Are we? How about making everyone up like sharks? In Los Angeles, where I live, that seems like a metaphor closer to the truth. Kidding…sort of.) Anyway, once an approach is determined, the cast is small, and the need for a lot of design is likely to be negligible.
Littlechap, Evie, Director, Choreographer, Lighting Designer, possibly Set Designer.
I want to propose another approach, or rather, take one suggested above and stretch it, I hope, intriguingly. This is an extension of the idea of placing the actors in modern dress. I think Stop The World can and should be done on a single unit set. But why a circus set? Littlechap longs for wealth and power, that's the arena he plays out his life in, not a circus. (I get the "life is a circus" thing, but really, that was trite when they wrote the show in the early 60s.) So, how about instead of a circus ring, the ring that surrounds him throughout his life is made of images from big business, politics, the world at large. Parliament, big corporations, corporate symbols (slightly altered to avoid lawsuits), that sort of thing…designed in the identifiable shape of a circus ring. This will make the set less cliché, and more in touch with modern life, as well as support a modern dress approach. Dress Littlechap in drawers and a baby blanket at first (and have all the women coo and ahh at his entrance, as they would a new-born baby in a hospital. Then, schoolboy clothes, graduating to a very expensive (and easily sung-in) suit toward the end to demonstrate his wealth and success.
One other thought. Newley was intoxicated by Charlie Chaplin, and later, wrote a musical about Chaplin's life which he starred in and directed. Chaplin's character was known as the "Little Tramp." Little Chap(lin)? Chaplin, like Littlechap, climbed up the world from a position of Dickensian poverty. Chaplin, like Littlechap, was known for his relationships with various women. Nothing I'd ponder on too deeply, I guess, just thought it might be useful information for a director.


text:
package org.apache.hyracks.dataflow.std.join;

import java.nio.ByteBuffer;

import org.apache.hyracks.api.comm.IFrame;
import org.apache.hyracks.api.comm.VSizeFrame;
import org.apache.hyracks.api.context.IHyracksTaskContext;
import org.apache.hyracks.api.dataflow.value.IBinaryComparator;
import org.apache.hyracks.api.dataflow.value.IBinaryComparatorFactory;
import org.apache.hyracks.api.dataflow.value.IBinaryHashFunctionFactory;
import org.apache.hyracks.api.dataflow.value.INullWriter;
import org.apache.hyracks.api.dataflow.value.INullWriterFactory;
import org.apache.hyracks.api.dataflow.value.IPredicateEvaluator;
import org.apache.hyracks.api.dataflow.value.ITuplePartitionComputer;
import org.apache.hyracks.api.dataflow.value.RecordDescriptor;
import org.apache.hyracks.api.exceptions.HyracksDataException;
import org.apache.hyracks.dataflow.common.comm.io.FrameTupleAccessor;
import org.apache.hyracks.dataflow.common.comm.io.FrameTuplePairComparator;
import org.apache.hyracks.dataflow.common.comm.util.FrameUtils;
import org.apache.hyracks.dataflow.common.data.partition.FieldHashPartitionComputerFactory;
import org.apache.hyracks.dataflow.common.data.partition.RepartitionComputerFactory;
import org.apache.hyracks.dataflow.common.io.RunFileReader;
import org.apache.hyracks.dataflow.common.io.RunFileWriter;
import org.apache.hyracks.dataflow.std.base.AbstractUnaryOutputSourceOperatorNodePushable;
import org.apache.hyracks.dataflow.std.structures.ISerializableTable;
import org.apache.hyracks.dataflow.std.structures.SerializableHashTable;

class GraceHashJoinOperatorNodePushable extends AbstractUnaryOutputSourceOperatorNodePushable {
    private final IHyracksTaskContext ctx;
    private final Object state0Id;
    private final Object state1Id;
    private final int[] keys0;
    private final int[] keys1;
    private final IBinaryHashFunctionFactory[] hashFunctionFactories;
    private final IBinaryComparatorFactory[] comparatorFactories;
    private final INullWriterFactory[] nullWriterFactories;
    private final RecordDescriptor rd0;
    private final RecordDescriptor rd1;
    private final int recordsPerFrame;
    private final double factor;
    private final int numPartitions;
    private final boolean isLeftOuter;
    private final IPredicateEvaluator predEvaluator;

    GraceHashJoinOperatorNodePushable(IHyracksTaskContext ctx, Object state0Id, Object state1Id, int recordsPerFrame,
            double factor, int[] keys0, int[] keys1, IBinaryHashFunctionFactory[] hashFunctionFactories,
            IBinaryComparatorFactory[] comparatorFactories, INullWriterFactory[] nullWriterFactories,
            RecordDescriptor rd1, RecordDescriptor rd0, RecordDescriptor outRecordDescriptor, int numPartitions,
            IPredicateEvaluator predEval, boolean isLeftOuter) {
        this.ctx = ctx;
        this.state0Id = state0Id;
        this.state1Id = state1Id;
        this.keys0 = keys0;
        this.keys1 = keys1;
        this.hashFunctionFactories = hashFunctionFactories;
        this.comparatorFactories = comparatorFactories;
        this.nullWriterFactories = nullWriterFactories;
        this.rd0 = rd0;
        this.rd1 = rd1;
        this.numPartitions = numPartitions;
        this.recordsPerFrame = recordsPerFrame;
        this.factor = factor;
        this.predEvaluator = predEval;
        this.isLeftOuter = isLeftOuter;
    }

    @Override
    public void initialize() throws HyracksDataException {
        GraceHashJoinPartitionState rState = (GraceHashJoinPartitionState) ctx.getStateObject(state0Id);
        GraceHashJoinPartitionState sState = (GraceHashJoinPartitionState) ctx.getStateObject(state1Id);
        RunFileWriter[] buildWriters = sState.getRunWriters();
        RunFileWriter[] probeWriters = rState.getRunWriters();

        IBinaryComparator[] comparators = new IBinaryComparator[comparatorFactories.length];
        for (int i = 0; i < comparatorFactories.length; ++i) {
            comparators[i] = comparatorFactories[i].createBinaryComparator();
        }
        ITuplePartitionComputer hpcRep0 = new RepartitionComputerFactory(numPartitions,
                new FieldHashPartitionComputerFactory(keys0, hashFunctionFactories)).createPartitioner();
        ITuplePartitionComputer hpcRep1 = new RepartitionComputerFactory(numPartitions,
                new FieldHashPartitionComputerFactory(keys1, hashFunctionFactories)).createPartitioner();

        final INullWriter[] nullWriters1 = isLeftOuter ? new INullWriter[nullWriterFactories.length] : null;
        if (isLeftOuter) {
            for (int i = 0; i < nullWriterFactories.length; i++) {
                nullWriters1[i] = nullWriterFactories[i].createNullWriter();
            }
        }

        writer.open();// open for probe

        try {

            IFrame buffer = new VSizeFrame(ctx);
            // buffer
            int tableSize = (int) (numPartitions * recordsPerFrame * factor);
            ISerializableTable table = new SerializableHashTable(tableSize, ctx);

            for (int partitionid = 0; partitionid < numPartitions; partitionid++) {
                RunFileWriter buildWriter = buildWriters[partitionid];
                RunFileWriter probeWriter = probeWriters[partitionid];
                if ((buildWriter == null && !isLeftOuter) || probeWriter == null) {
                    continue;
                }
                table.reset();
                InMemoryHashJoin joiner = new InMemoryHashJoin(ctx, tableSize, new FrameTupleAccessor(rd0), hpcRep0,
                        new FrameTupleAccessor(rd1), hpcRep1, new FrameTuplePairComparator(keys0, keys1, comparators),
                        isLeftOuter, nullWriters1, table, predEvaluator);

                // build
                if (buildWriter != null) {
                    RunFileReader buildReader = buildWriter.createReader();
                    buildReader.open();
                    while (buildReader.nextFrame(buffer)) {
                        ByteBuffer copyBuffer = ctx.allocateFrame(buffer.getFrameSize());
                        FrameUtils.copyAndFlip(buffer.getBuffer(), copyBuffer);
                        joiner.build(copyBuffer);
                        buffer.reset();
                    }
                    buildReader.close();
                }

                // probe
                RunFileReader probeReader = probeWriter.createReader();
                probeReader.open();
                while (probeReader.nextFrame(buffer)) {
                    joiner.join(buffer.getBuffer(), writer);
                    buffer.reset();
                }
                probeReader.close();
                joiner.closeJoin(writer);
            }
        } catch (Exception e) {
            writer.fail();
            throw new HyracksDataException(e);
        } finally {
            writer.close();
        }
    }
}

redpajama_set_name: RedPajamaGithub


For the first time in history, a man of faith and a man of science are teaming up to search for Jesus' DNA. Using the latest advances in DNA technology an Oxford University geneticist and a biblical scholar are investigating the world's most famous holy relics including the Shroud of Turin, The Sudarium of Oviedo and the newly discovered bones of Jesus' cousin, John the Baptist. By extracting and analyzing samples of each of these holy relics they hope to retrieve a sample of DNA that possibly belongs to Jesus or a member of his family.
Right now, experts are trying to 'extract' the genetic code of the family of Jesus Christ. Numerous strange claims have been made by different individuals who said to have been on the verge of cloning Jesus Christ. However, we still have not managed to clone a human being, let a lone the Son of God.
But what if we could track down the DNA of the Messiah?
Now, a History Channel documentary called 'The Jesus Strand', which premieres on April 16 looks into the matter.
History Channel's "The Jesus Strand" is a journey where, for the first time in history, a man of faith and a man of science are teaming up to search for Jesus' DNA. Using the latest advances in DNA technology Oxford University geneticist George Busby and biblical scholar Pastor Joe Basile are investigating the world's most famous holy relics including the Shroud of Turin, The Sudarium of Oviedo and the newly discovered bones of Jesus' cousin, John the Baptist. Their journey takes them to holy sites around the world from Spain and Italy to Israel and the shores of the Black Sea.
However, Busby indicates that it is still not clear whether or not that DNA is from the REAL John the Baptist. Nevertheless, he has spoken with scientists who participated in the extraction of numoerus DNA samples from the Turin Shroud.
The Shroud of Turin is believed to be by many as the burial cloth of Jesus, and the center of a debate between skeptics, historians, and archeologists. The cloth of approximately 4.5 meters in length was the alleged shroud placed over the body of Jesus Christ at the time of his burial. It has remained as an object of fascination for both the Christian faith and science. Its origin is controversial, while some place the shroud of Turin more than 2,000 years ago to adjust the story to a supernatural origin, others believe it dates between the 13th and 14th century, based on a radiocarbon dating carried out on the linen in 1988. In addition, despite thorough scientific analysis, so far no one knows for sure how the image of a crucifixion victim is shown on the shroud although many say it is the work of Leonardo da Vinci.
Interestingly, researchers are working on extracting the DNA from the so-called James Ossuary—a first century chalk box which supposedly may have help the bones of Jesus' brother.


In New York, anyone that is suspected of operating a motor vehicle while intoxicated is charged under NYS Violation VTL 1192. Under this law, you cn be charged with Driving With Ability Impaired (DWAI), Driving Under the Influence (DUI), or Driving While Intoxicated (DWI). Additionally, other charges can be levied against you depending on what led to the arrest, including vehicular manslaughter if an accident occurs while you are suspected of one of these violations and a death is the result.
Of the three offenses, this is the lowest charge. This charge generally applies when the blood alcohol content (BAC) o an individual is between .05 and .079. This charge usually is considered a violation and not an actual crime. Penalties for this offense will generally be a fine between $300 and 500. In some instances, a 15 day jail sentence may apply. Repeat offenders may be required to serve jail time and pay the fine as well as lose their driving privileges for a specific period of time.
This is the most common form of intoxicated driving charge. Individuals with a blood alcohol level of .08 and above will be considered DUI. If it is a first time offense, the charge will be treated as a misdemeanor. Penalties include fines of up to $1,000, up to one year in jail or both. Repeat offenders may be required to pay fines and serve jail time on a mandatory basis. Driver's licenses are generally suspended for repeat offenders.
This is the most serious offense. BAC must be a minimum of .18 percent to qualify for a DWI. Penalties for this offense can include a fine of up to $2,500, one year in jail, and three years of probation or a combination of all three. Driving privileges are revoked when convicted of this charge.
Anyone facing a DUI or DWI charge should also take into account that they are also facing many personal financial burdens in addition to any court imposed fines or fees. Car insurance premiums will double or triple for anyone convicted of these offenses. A conviction may also impact your job or chosen profession, as well as impact our ability to get promoted.
When you are facing this type of charge, it is always in your best interest to seek the services of a DUI / DWI attorney. While it is possible to self-represent in these cases, you will most likely see a better outcome with legal representation.
An attorney can use heir knowledge of the law and their experience with the court system to your advantage. While they cannot guarantee that you will not be convicted, they can increase the chances of avoiding conviction or facing a lesser charge. Being convicted of a DUI or DWI can have a significant impact n your life, and not in a very pleasant way. It is always better to face this situation with a knowledgeable attorney at your side.
Contact DUI / DWI attorney Anthony Sharnov for a free and confidential consultation concerning your case. Call now at 718-521-4909 or make contact with us online.


text:
Home › News › Adding a Bipod to Your Rifle is a Combat Informed Tactical Win
November 11, 2022 Tactical & Evolution Bipod Updates: 2022
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Adding a Bipod to Your Rifle is a Combat Informed Tactical Win
Posted by Harry Palmer · August 26, 2020
Author: Jeff Edwards
Welcome to the first part of a two-part series designed to discuss the modern adaptation of the tactical bipod on rifles.
Why a two-part series? Well, a bipod has two legs and it seemed somewhat on brand.
Not to mention that there is a lot to say about this topic as I understand that we are combatting decades and a generation of training that says bipods are only for larger crew served weapons.
Yet, peruse any modern photography coming from the front lines of the wars in Iraq or Afghanistan and you'll notice the bipod has become more common than many of us older veterans would have thought.
Personally, I am a United States Marine Veteran who served in Iraq and apart from the M249 SAW or 240G, I never saw a bipod on a weapon the entire time that I was in country.
Granted, that was 2003 Iraq and shame on us if we have not learned a tactical lesson or two after the past two decades of combat.
So with your permission, I would like to invite you to join me on the evolution of the modern tactical bipod.
Using a Tactical Bipod is not Cheating
Perhaps the first clue that the tactical bipod brings genuine value is the jealousy many of us older veterans feel when we see them on modern rifles. It just seems like cheating.
At least that is the first emotion that popped into my mind when I began to notice them while perusing images of the war I long left behind. I confess that much of that is a bit of "old corps" nonsense that takes place from generation to generation. Yet, upon further analysis it is quite revealing.
Why should the modern generation of Marines get a stable platform from which to shoot when I had to balance it on my skinny elbow?
If you wanted to cheat, after all, that's what resting the rifle on the magazine is supposed to achieve. Though we are trained to never rest the rifle on the magazine. At some point, we have to admit that criticism of the tactical bipod is nothing more than tactical envy.
I think back to every instance in which I laid in the gritty dirt or set up a position in the rubble of an urban environment, and it seems that I would have wanted a bipod 9 times out of 10. I'm jealous, you may be too, and it's best we go ahead and admit that so we can have an honest conversation about the bipod.
When I was younger, I used to think the use of the modern RV when camping was cheating.
Fast forward to my mid 40's and the early arthritis the Marine Corps has gifted me in my back and an RV seems much less like cheating.
Moreover as the famous maxim goes, if you find yourself in a fair fight then your tactics suck. Or as it's been said, the most important rule in a gunfight is always win and cheat if necessary.
Using a rifle bipod is not cheating my friends and if it was, then who cares.
The Technical Benefits of the Tactical Bipod
Fortunately, the modern adoption of the rifle mounted bipod is backed by more than opinion and envy. What we perceive as common sense is actually backed by a great deal of ballistic evidence.
Granted, the bipod doesn't do anything to affect the bullet itself. Nor does it change the ballistic information of the rifle.
With a bipod or without, the rifle and ammunition will perform in the exact same manner. Rather, what the bipod does is bring consistency and predictability to the biggest variable of all during the shooting process. Namely, that would be the shooter.
Accuracy is by far the primary benefit of using a bipod.
I can remember training with my M16 at Marine Corps Recruit Depot in San Diego. We'd spend countless hours learning the rifle and becoming familiar with it.
After all, this is my rifle, there are many like it, but this one is mine as the Rifleman's Creed goes.
During the final month of recruit training, we head north to Camp Pendleton where we finally get to fire the rifle. Yet, before we did we were forced to spend an entire week aiming in on silhouettes.
The whole goal was to help us feel comfortable in the various shooting positions, so as to create a stable platform.
Finally, when it came time to shoot and qualify, we were taught how to take our rifle sling and essentially turn it into a tourniquet that tightened up our shooting stance even more. At the time, it seemed silly as there was certainly no chance that we'd have time to do as much in combat.
Yet, it was remarkably effective and your average Marine recruit was hitting a man-sized target from 500 yards out while shooting from the prone position.
All that work and now, they are issuing bipods to nearly every Marine. You see why I'm a little jealous?
The bipod accomplished a stable shooting platform that increases the accuracy of the shooter. That's why you see them in long-range precision shooting competitions and that's why you see them in combat.
Combat Informed and Ready for Action
Finally, and perhaps the strongest endorsement, the adoption of the modern tactical bipod came not from laboratory or war college, but from the gritty streets of Iraq and the mountains of Afghanistan.
As I mentioned earlier, my experience was from the early days of the GWOT wars and a significant amount of my training in the late 90's was still littered with the remnants of lessons learned in Vietnam.
Apart from the brief fighting during the original Gulf War, there was just not much other opportunity to apply hard earned combat lessons.
My experience in Iraq taught me that a stable shooting platform was difficult to come by. That was partly due to the terrain, but also due to the fatigue that long foot patrols would place upon us. That fatigue made it difficult, apart from the rush of adrenaline, to maintain a stable platform.
Meanwhile, I look over at the Marine carrying the M249 SAW next to me and he is resting comfortably with his bipods deployed.
Whether you are setting up on a rocky berm in the valleys of Afghanistan or setting up in the window of a rubble littered house, a bipod gives you both a stable platform and the endurance to sit at the ready for extended periods of time.
The military has adopted the wide deployment of bipods because decades of combat experience has told them that it works. If that were not the case, you wouldn't see them. It is little different than the wide adaptation of optics on your standard infantry rifle.
This too was a rarity in 2003, but today, you see optics on nearly every rifle. Combat does not lie and it is the 2nd place finisher in a gunfight that knows this all too well.
A Summary Endorsement of the Tactical Bipod
The objective consensus is that bipods increase accuracy. The combat informed lesson is that tactical bipods greatly assist your ability to gift a final dirt nap to the bad guys.
Personally, bipods have my endorsement because I figure if you can't beat the cheaters, then join them.
They work, because they just do. Now the quality of the bipod does matter and as such, you'll find only the finest engineered products here at Tier One.
We use space age materials including very high quality carbon fiber and 7075T6 aluminum. Not a single piece of the manufacturing process is outsourced to the cheapest third world producers. This is engineering without compromise at a level so high, we even provide the British Special Forces with some of our products. They choose Tier One because combat has informed them that our products work.
That's it for the first piece in this series and we'll pick up the next segment by highlighting the tactical and practical benefits of a bipod in more detail. Don't miss it and remember to peruse the rest of our offerings here at Tier One.
Jeff Edwards is a United States Marine veteran of Iraq who served as an infantryman during the early days of Operation Iraqi Freedom in 2003. In addition to being a lover of the 2nd Amendment he runs the blog UnprecedentedMediocrity.com and regularly contributes the written word as a freelance writer and blogger.

redpajama_set_name: RedPajamaCommonCrawl


text:
Cagliari Turismo, the tourist portal of the City of Cagliari
Info and history
Get to Cagliari
Enjoy Cagliari
Enter the Reserved Area Sign up
Search in the site:
Home > Places > Places of faith > Convents and monasteries > Convent of Saint Ignazio
Convent of Saint Ignazio
Address: Viale S. Ignazio da Laconi, 94
This element belongs to the categories: Convents and monasteries
The main monastery of sardinian capuchins, place of residence of the provincial father, is built up on an ancient pagan site on the Buoncammino hill. Built in 1592, is today known as "Saint Ignazio Church".
The main convent of the Sardinian Capuchin friars, the place of residence of the Provincial Father, is built on an ancient pagan site on the hill of Buoncammino. Under the convent there are the famous Punic caves transformed by the Romans into stone quarries to build the amphitheatre, to which they are connected by an underground tunnel. Recent findings have highlighted a graffiti of exceptional importance for the presence of Christian martyrs in the caves and for the dating of the evangelization of Sardinia. In the sec. XVII the Capuchin friars had used the convent as a hospital and buried the victims of the plague in the caves. The convent was therefore founded on the place of sacrifice of the first Christian martyrs and on the places of heroic charity of the first Capuchin friars. The convent, also called the Convento Maggiore, was built on 11 October 1591. A small group of the Capuchin reform in 1525 arrived in Sardinia, headed by p. Zefferino from Bergamo, sent to found the Capuchin Province of Sardinia. The convent and the church are dedicated to S. Antonio of Padua. Today's appellation of "Church of S. Ignazio" is quite recent, due to the permanence and death of Fra 'Ignazio da Laconi (1701 - 1781) in this convent; but it is mainly following the Beatification (1940) and the Sanctification (1951) of St. Ignatius that the convent is so familiarly called by the people. The convent was born as a place of prayer and penance, a place of evangelization, with popular preachers, and of welcoming the poor: the Capuchin friars served a hot dish, "the soup of the poor", every day, to all those who came to the convent door.
The place is located here
Capuchin Church of St. Anthony of Padua
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This issue is resolved in KB4345425.
Restarting the SQL Service may fail occasionally with the error, "Tcp port is already in use". This issue is resolved in KB4345425.
When an administrator tries to stop the World Wide Web Publishing Service (W3SVC), the W3SVC remains in a "stopping" state, but cannot fully stop or be restarted. This issue is resolved in KB4345425.
For a list of the files that are provided in this update, download the file information for update 4338820.


text:
A New Open Source Approach to Weakness - August 01, 2006
Prepare Ye to Pay For MS Office Beta - July 31, 2006
Wind River Having a Real Time With Linux - July 31, 2006
Microsoft, IBM Inject Life Into IT Management - July 31, 2006
Google, The Open Source Projects Host - July 28, 2006
HP Not Happy About Patents in GPL 3 - July 28, 2006
GPL 3: Making Room on Patents, DRM - July 27, 2006
Will All Software Go Open Source? - July 27, 2006
Sugar 4.5 Gets 'AJAXed' - July 26, 2006
DragonFly BSD 1.6 Cuts the Cord - July 25, 2006
Vyatta Pushes Open Source Routing - July 25, 2006
Firefox 2.0: Mozilla's Tabs Overfloweth - July 21, 2006
Scott Dietzen, President, CTO, Zimbra - July 21, 2006
Microsoft Reaches Gesture-Based Licensing Agreement - July 20, 2006
Microsoft Snaps Up Winternals - July 19, 2006
SCO Appeals Decision to Limit Claims Against IBM - July 18, 2006
Red Hat Pushes Linux Into Telecom - July 18, 2006
HP Has Got Novell's Back - July 18, 2006
Microsoft Partners With The Xen of Linux - July 18, 2006
Novell's New SUSE Linux Enterprise Hits Market - July 17, 2006
'Bon Echo' Becomes Firefox Beta 1 - July 12, 2006
PostgreSQL: 10 Years And Counting - July 10, 2006
Open Docs Faithful Tell Microsoft to Cut The FUD - July 07, 2006
Is Java EE's Complexity Its Worst Enemy? - July 06, 2006
Microsoft Backs Open Document Format - July 06, 2006


text:
Q: this mount point is invalid. The /root directory must be on / file system I'm preparing CentOS 6.5 x86_64 system with following mount points
/usr/local – 10 GB or more ***
/var       – 10 GB or more ***
/root      – 200 MB or more ***
/tmp       – 200 MB or more ***

The mount points are created successfully but the system does not allow me to complete installation and issues an error:
this mount point is invalid. The /root directory must be on / file system

A: The current version of the Anaconda installer in the Centos 6.5 repository is 13.21.215-1.
By checking out that source code, we can see that the installer has sanity checks for the storage configuration (starting at 1008 of storage/__init__.py).
Part of those sanity checks assert that the following directories must be on the root filesystem and thus cannot be on separate mountpoints
mustbeonroot = ['/bin','/dev','/sbin','/etc','/lib','/root', '/mnt', 'lost+found', '/proc']

If you remove the separate mount you have created for /root (perhaps allocate the space to your / pointpoint if possible), the installer will likely allow you to continue.

A: please create a partition as / .
/ partition should be minimum 4.5 Gb in size.
Under / all directory will be created.


text:
"Jekyll and Hyde" explores good and evil at Weathervane
Anna Jeffries
Weathervane Playhouse kicks off its summer season with the musical "Jekyll and Hyde."
The story focuses on one man's desire to separate good and evil.
NEWARK– This summer's season at Weathervane Playhouse will be filled with funny shows and humorous moments.
But don't expect their first show, "Jekyll and Hyde" to be that way.
The musical is dark and dramatic— focused on a scientific experiment gone wrong and the murders and violence that follow.
But the musical, which first appeared on Broadway in 1997, has an important message, said Adam Karsten, Weathervane's managing artistic director.
"Jekyll is trying to understand the duality of mankind — can good and evil be separated?" he said. "We ask the larger question — how do we interpret that as a society."
Based on "The Strange Case of Dr. Jekyll and Mr. Hyde" by Robert Louis Stevenson, the show kicks off Thursday and continues until June 11. The musical tells the story of Dr. Henry Jekyll, a man determined to study human nature and separate good from evil.
He creates a potion that transforms him into the violent Mr. Edward Hyde. Over time, Hyde's evil consumes him.
Although the show is set in the 1800s, it is relevant to problems society struggles with today, Karsten said.
"We want to challenge the audience, they can reflect the experience in very different ways," he said.
Although the musical is focused on the concepts of good and evil, the characters' motivations aren't black and white, said Connor Allston who plays both Dr. Jekyll and Mr. Hyde.
The musical examines the complexity of situations as well as the effect social norms have on peoples actions, he said.
"This show makes you dig deeper," he said. "It makes you think and ask questions."
For Granville resident Seth Chin-Parker, acting in the show has been incredibly thought provoking.
As associate professor of neuroscience and psychology at Denison University, Chin-Parker understands the desire to rationalize why people commit crimes and hurt others.
"The story of Jekyll and Hyde is fascinating when you consider what it's about in terms of human nature and how we represent ourselves," he said. "It's a deep story and the music...it's really quite powerful."
With a soundtrack by Frank Wildhorn, the show is driven by vocals and cast members have been working hard to get the music exactly right, Chin-Parker said.
"It's a powerful experience. If you are looking for beautiful music and performances, you will definitely get it here," he said. "But it's also a challenging show that forces you to think about yourself and other people."
ajeffries@newarkadvocate.com
Twitter: @amsjeffries
What: "Jekyll and Hyde"
When: 8 p.m. Thursday, Friday, Saturday, June 7-June 11 and 2 p.m. Saturday
Where: Weathervane Playhouse, 100 Price Road, Newark
Cost: $35 for adults, $33 for seniors, $24 for students, $15 for children 12 or younger. Weathervane also offers special two-for-Tuesday tickets at $18 each.
More info: Call 740-366-4616 or go to weathervaneplayhouse.org/jekyll-hyde.


Located in the Eastern region of Kowloon City, the 4 star Regal Oriental offers Hip Oriental design, comfortable accommodation and typical asian hospitality. Within walking distance of the Walled City Park and with Kowloon Tong MTR a short bus ride away, the hotel has excellent links to all of Hong Kong's major tourist attractions, shopping and entertainment areas. If not enjoying traditional Chinese and Thai cuisine in the local area, guests can enjoy Western and Chinese delights in the hotel's 5 restaurants and bars. For a memorable experience be sure not to miss drinks with fantastic views over Hong Kong from the stylish Sky Lounge. all 439 air-conditioned rooms and suites are stylishly furnished and offer all modern amenities including satellite TV with pay movies, Internet access, minibar, safe, tea/coffee making facilities and hairdryer.


We are delighted to be supporting the Autism Society of Kenya!
With new funding from ACACIA UK they will be working over the coming year with children and their families affected by autism in Kiambu County. Together they will ensure that state schools in six sub counties offer children with a range of developmental disabilities access to appropriate education alongside their peers.
Wishing you every good luck Felicity and the team in Kenya!


Broward Table Tennis Club is located in Dania Beach, Florida, one of the oldest cities in South Florida.
We are nestled between Fort Lauderdale and Hollywood and 20 minutes from Miami, which means we are close to everything you would ever want when visiting.
Our address is 11 SW 12th Ave, Dania Beach, Florida 33004.
We have been in existence for 15 years and we are a National Club of Excellence.
We have 18 tables and 2 robot tables.
Our lounge overlooks the courts which are each barriered off and our courts have red flooring and excellent lighting.
Visitors are welcome and the cost is $10 per day with monthly membership $70.
We have 150 club members and an average of about 40 players per night.
We have all levels of players from beginners to world class and very friendly!!!
There are monthly tournaments with 2 International tournaments per year.
We have 4 top level coaches for private lessons along with Saturday clinics.


Build a custom basement your friends and neighbors will envy.
Breathe new life into your worn-out bathroom.
Cook up a new kitchen design.
Looking for an experienced remodeling contractor in Bailey, CO to complete your residential project? You've come to the right place. With more than 20 years of experience in the Denver and Foothills areas, the crew at RJG Construction Services has what it takes to handle your home remodeling project.
Whether you want to redo a single room or remodel your house, you can trust us to help. We'll turn your current house into your dream home.
Call us at 303-550-1812 now for a free estimate from our remodeling contractor.
Want to discuss the specifics of your project with a basement finishing contractor in Bailey, CO? Contact RJG Construction Services today.
The remodeling contractor at RJG Construction Services in Bailey, CO is known throughout the area for top-notch customer service and high-end craftsmanship. We don't cut corners when it comes to transforming your rooms.
If you're looking for a kitchen, bathroom or basement finishing contractor, RJG Construction Services is the company to call. We'll do the job right the first time and won't be finished until you're 100% satisfied with the service we've provided.


1. Exceptionally Low pressure Drop & High Dirt Holding Capacity.
2. Proprietary Manufacturing Process w/ High Performance Carbon.
4. Effective For Removing Unwanted Bad Taste & Odor.
5. Effective For Removing Unwanted Chlorine & Odors Produced By Chlorine From Potable Water.
7. No Electricity Or Backwashing With No Media To Remove.
8. No Tools Required Home Owner Can Maintain.
9. Filter Life 250,000 Gallons @ 15 GPM @ 2 PPM Chlorine.
10. System Can Be Re-Configured To meet Individual Needs.


text:
Merritt RCMP Newsroom
The latest news releases issued by the RCMP in British Columbia.
Search B.C. RCMP
Under the Official Languages Act, this office provides services to the public in English only. You will find general information in both official languages at bc.rcmp.ca and www.rcmp.ca
Aux termes de la Loi sur les langues officielles, ce bureau n'offre des services au public qu'en anglais. Vous trouverez des renseignements généraux dans les deux langues officielles au cb.grc.ca et www.grc.ca.
16:45 PST (Sunday, Dec 25, 2022) - B.C., Merritt, BC Highway Patrol
Update: Major Incident Fatal Bus Crash on Hwy 97c
12:56 PST (Monday, Dec 19, 2022) - Merritt
Merritt RCMP searching for vehicle after shots fired at RCMP member
Theft of auto from elementary school
Hit and run - Do you have dash camera footage?
08:16 PST (Thursday, Nov 24, 2022) - Merritt, BC Highway Patrol, Combined Forces Special Enforcement Unit
Merritt RCMP provide update on highway closure, police investigation
18:27 PST (Wednesday, Nov 23, 2022) - Merritt, Hope, BC Highway Patrol
Coquihalla BC Highway #5 re-opens as police incident concludes
Coquihalla BC Highway #5 closed due to active and unfolding police incident
06:36 PST (Wednesday, Nov 23, 2022) - Merritt
Wanted Merritt man arrested
13:18 PST (Saturday, Nov 19, 2022) - Merritt
Three suspects charged after a kidnapping in Merritt
09:57 PST (Friday, Nov 18, 2022) - Merritt
Merritt RCMP asking for public assistance after another early morning shooting
07:38 PDT (Thursday, May 26, 2022) - Merritt
Merritt man pleaded guilty to multiple offences
Merritt woman charged after home invasion
10:13 PST (Tuesday, Nov 23, 2021) - Merritt, B.C. Southeast District, This Is What We Do
Cst. Feller, RCMP Pet Detective
10:27 PST (Sunday, Nov 21, 2021) - Merritt
Missing man located through the public's assistance
09:23 PST (Thursday, Nov 18, 2021) - Merritt
A Message to Merrittonians
10:36 PST (Monday, Nov 8, 2021) - Merritt
Merritt RCMP Detachment Weekly Media Report
08:02 PDT (Monday, Nov 1, 2021) - Merritt
No zoomy zoom on the slicky slick or you'll go boom boom
15:11 PDT (Friday, Oct 29, 2021) - Merritt
Serious collision on highway 5 leaves two people in critical condition
13:58 PDT (Tuesday, Oct 26, 2021) - Merritt
Local tow yard employees catch thief in the act
09:46 PDT (Wednesday, Sep 29, 2021) - Merritt
Missing Hunter Located
12:24 PDT (Tuesday, Sep 28, 2021) - Merritt
Merritt RCMP Detachment - Weekly Media Report
10:36 PDT (Friday, Sep 24, 2021) - Merritt
Merritt officers called to shelter safe use site for unruly patron
10:31 PDT (Thursday, Sep 16, 2021) - Merritt, Major Crimes Unit
Southeast District Major Crime Unit name victim in Merritt homicide
Merritt residents targeted by scammers pretending to be police
Merritt RCMP and Southeast District Major Crime investigating a suspicious death
16:55 PDT (Monday, Sep 13, 2021) - Merritt
11:29 PDT (Tuesday, Sep 7, 2021) - Merritt
RCMP seeking the public's help to identify a fraud suspect
09:35 PDT (Tuesday, Aug 31, 2021) - Merritt
Merritt's new recruit nabs thief in a foot chase
13:36 PDT (Monday, Aug 30, 2021) - Merritt
Merritt man facing CSO breach allegations
11:04 PDT (Wednesday, Aug 25, 2021) - Merritt
16:22 PDT (Wednesday, Aug 18, 2021)
14:20 PDT (Monday, Jul 26, 2021) - Merritt
Police investigate multiple fires along Highway 8
14:48 PDT (Wednesday, Jul 14, 2021) - Merritt
14:46 PDT (Wednesday, Jul 7, 2021) - Merritt
14:39 PDT (Monday, Jun 21, 2021) - Merritt
Rollover collision near Kane Lake claims man's life
09:37 PDT (Thursday, Jun 17, 2021) - Merritt, BC Highway Patrol
A collision between two semi-tractor trailer units results in tragedy
14:28 PDT (Wednesday, Jun 16, 2021) - Merritt
15:23 PDT (Tuesday, Jun 8, 2021) - Merritt
Man charged in Merritt police involved shooting
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1. How can I find the price and availability of an item?
Enter what you know of the item's part number into the Search box at the top of the screen and click 'The Magnifying Glass'. A list of all the possible matches will be produced. From this list select the item you are looking for, then enter a quantity into the 'Quantity' box, and click the 'Add to Basket' button. You will then be directed to the Basket.
2. How do I proceed if I have a large list of items to check?
First, you will need to have your data in a spreadsheet. Then "click" on 'Quick Basket', located underneath the 'Search' box on the Home page, and simply copy and paste the part numbers from your spreadsheet. "Click" 'Next', then follow the simple instructions on the screen.
3. How do I order the goods and have the order added to my account?
From the website as a 'logged in' customer, you can proceed to the checkout stage and have the order added to your credit account. Once your order is placed you will receive a comprehensive Order Acknowledgement stating all prices and expected delivery dates.
4. How long will delivery take for an item shown 'in stock'?
If you order items that are shown as 'in stock' and your order is submitted before 4pm Mon-Fri (excluding Bank Holidays) then your order can be delivered the next working day. (Subject to availability).
5. How long will delivery take for an item shown 'not in stock'?
If you order an item with a zero stock value, then delivery will be dependent on the lead-time from the manufacturer. We will, however acknowledge receipt of your order and, at this time indicate the approximate delivery date.
6. If I pay by credit card, when will my card be debited?
Your credit card will be debited immediately, even if your goods are not in stock. On receipt of your order we will send you, within one working day, an acknowledgement stating the approximate delivery date of your order.
7. How do I buy goods if I do not have a UK address?
Some non UK customers can order online, if you are not able to checkout on the website, then you will need to contact us to obtain a delivery cost. The price of the goods will not be affected (with the exception of VAT, which would not be included).
8. How do I obtain a user ID and password?
If you currently have a credit account, then you can register online, go to the login page and follow the instructions. If you don't currently have a credit account, you can also create an account by completing the new account application found in the 'login/signup' section.
9. What happens if I don't remove items from my basket before I log out?
On completion of checkout your basket will be emptied; alternatively, if you log out before checking out, your basket will save its contents for the next time you log in.
10. The 'Buy Now' link in my email has added carriage, why?
As an incentive for customers to place their orders using our website we are, for a limited time, offering one free standard carriage per day on UK orders placed entirely through the website*. When a customer requests a quote through the website, our quotes staff step in to provide all the necessary details, once they have been able to do this they can provide you with a 'Buy Now' link. This means that the order has not actually been created on the website and so does not qualify for the 'One Free delivery per day on all UK online orders' offer.
This also means that any 'Price on Request' items which require a quote to be completed before purchase will not qualify for the free UK delivery.
Whilst we apologise for any confusion this may have caused it is a necessary step due to the extra work involved when creating a quote.
*Please note that the free carriage relates to one despatch per order only and where the exVat value of the order is at least £20.
11. How do I qualify for the 'One Free UK delivery per day'?
To qualify for the 'One Free UK Delivery Per Day' offer you need to place your order entirely through our website, and have an exVat value of at least £20. For example, if you had not yet used the 'One Free UK Delivery Per Day' and were to search for the item 'C10G10', added a single fuse to your basket and then click the 'checkout' upon entering your basket; you would not qualify for the free UK delivery. If you then increased the quantity of the 'C10G10' until the exVat value was at least the amount the displayed on every product page, you would qualify.
If you were to click 'Request Quote' upon entering the basket and/or use the 'Buy Now' link sent to you by a member of staff, you would not qualify for the free UK delivery.
Similarly if you placed the order by phone, fax or email, you would also not qualify for the free UK delivery.
Please note that the free carriage relates to one despatch per order only.
The One free UK delivery per day is only available for one order per day, if you place multiple orders during the day, you will have to choose which order you wish to apply this to, as you may qualify for free delivery on a standard service and may not want to waste this free option.
12. How does pricing work when multiples are involved?
Some items at Kempston Controls must be purchased in multiples. This means you are purchasing a 'pack' of the item. If you must order an item in multiples of 10, each pack will contain 10 of the item.
The pricing however relates to each individual item within the pack.
For example: Item number C10G12I comes in packs of 10, and is therefore sold in multiples of 10. The price of £0.67 (At the time of writing this FAQ) is for 1 individual fuse in the pack of 10. So 1 pack of 10 fuses will cost £6.70.
The prices are shown this way as we sometimes have 'split packs' where a pack has been opened. When this happens you may place an order at any quantity until the open pack is gone.
13. What is a lead time?
The 'estimated lead time' messages accompanying some items on the website refer to the average amount of time between purchase and receipt of the item at Kempston Controls. It does not refer to how long it should take the item to reach the customer.
This is however an average lead time and so should not been seen as 100% accurate or a guarantee. All orders are subject to the manufacturers lead time if not currently in stock.
Please call and check with our sales staff if the lead time is critical, we can then provide you with a more accurate lead time.
14. What does DAP mean?
Kempston Controls pays for carriage to the named place, except for costs related to import clearance, and assumes all risks prior to the point that the goods are ready for unloading by the buyer. Import clearance = import duty and VAT.
15. Do you offer Part Delivery/Shipment?
It is currently company policy that orders placed will not be part shipped. If you wish to have your order part-shipped you would need to discuss this with our sales staff and not place your order online. Extra charges may be involved.


Return on net assets (RONA) is a popular enterprise valuation metric. It simply divides net income by "assets" (fixed assets and working capital). For procurement organizations, improving RONA is obviously a more balanced scorecard than just cost reduction because it also includes top line improvements, capital expenditures and working capital. Heck, it even includes interest expense and taxes. This may be a bridge too far for most procurement groups to impact — and in this case you can use RONABIT (removes interest expense and tax expense). This is also true when using return on capital employed (ROCE), which also measures the right hand side of the balance sheet.
The composite metric to be broken down into lower-level composite metrics. For example, ROCE can be broken down into gross profit as a percentage of revenue and also expenses as a percentage of revenue. The latter is a great one for procurement to "plug into" via supplier spending as a percent of revenue.
So, use an enterprise metric wherever you can to get broader explicit alignment to those in the business, especially during planning and budgeting, when you can bring more techniques and tools, pull more levers and add more proven value.
But there is more to this story than just using an enterprise valuation metric. Like the title suggests, we need to rethink it and not just adopt it. More specifically, we need to broaden the definition of "assets" and how we manage those assets within the supply chain and in the "sharing economy." Stay tuned for part two of this series.


We will provide regular opportunities for our current and prospective members to connect and learn, and to conduct chapter business by holding 8 meetings or tours each year.
The programs committee needs your help! We need to know what topics are the most important to help make our meetings as useful to you as possible. This could include speakers you've benefited from hearing, or topics that you would like to learn more about. Also, we love touring interesting and new facilities. If you have a suggestion or opportunity, please contact the committee co-chairs.
As our industry continues to evolve with the increasing prevalence of IT, we are integrating more technology into our facilities and processes than ever before. While simultaneously managing the heightened expectations of employees as technology users. In light of the IT+facilities fusion, it is critical to foster newfound friendships with HR and IT: HR can help facilities plan for the changes that employees want and expect in order to retain talent; IT can help facilities plan and execute new technologies to make their jobs easier and more efficient.
Join us for good conversation with viewpoints from an FM, IT and HR perspective as we discuss how to thrive in this new wave of facilities management. …Maybe even invite an IT or HR co-worker along!
After serving in the military as a sniper, Chris Jones moved on to finish his degree in psychology. He's worked as a research assistant studying decision making and game theory, and in a hospital setting working in a clinical intensive care unit. While working in the hospital, Chris saw the importance of IT infrastructure and its power to make an impact in patient care by providing critical patient data in an efficient manner. This moved him to start work at HealthPartners as an application analyst and developer. Chris now works for a team that develops and maintains applications that are used in everything from Neurology to facility maintenance.
Mr. Rossman is Hennepin County's Chief Human Resources Officer and sits on the executive team for the organization. He has been with Hennepin County for over 27 years serving in many capacities, most notably in his current Human Resources leadership role as well as the previous administrator for the nationally recognized regional medical examiner's office owned and operated by Hennepin County. His success in the organization is a story that started from the ground up, beginning his career as a clerk typist in the Community Corrections Department. Through a strong desire to serve the public and the support of managers who understood the value of mentoring, he progressively worked his way up into supervisory and senior leadership positions across the organization. Michael's philosophy is that if you support innovation, empower employees to take risks and find ways to spark curiosity by giving employees exposure to all parts of the business, you can build capable, dedicated leaders that support the county's mission & vision. With this drive for excellence, Mr. Rossman is leading change at Hennepin County to build a talented, diverse and sustainable workforce of the future.
Rhonda's favorite thing about architecture and interior design is the space. It's why she's built a career in facility information management within RSP's i_SPACE team. Rhonda not only consults on facility management, she also is a facility manager within RSP Architects' historic Grain Belt Brew House. This dual-hat experience provides her a keen insight into what her clients are going through, enabling her to better understand the obstacles that may stand in their way.
Because she understands both sides of the industry – consulting and facility management – Rhonda is an expert problem solver for clients such as HealthPartners and Hennepin County. A self-professed "geek" with an outgoing, sparkling personality, Rhonda makes facility information accessible, understandable and fun.
Our MC/DJ – Mike Petrusky – aka DJ Mike P.
Mike Petrusky is host of the "Workplace Innovator Podcast" and Director of Events & Growth Marketing at iOFFICE. He joined iOFFICE in March of 2018 with a mission to energize the company's live events. He is a dynamic speaker, podcaster, and seasoned marketer who has a passion for sharing iOFFICE's unique brand of thought leadership to CRE & FM leaders in the digital workplace. Mike has inspired industry professionals with his focus on shared human experiences and workplace connections at IFMA, CoreNet, and other industry gatherings.
Registration: Click here to get registered today!
Danielle Goss is the owner of Driven Wellness LLC, a workplace wellness consulting, education and coaching company.
A motivated entrepreneur, Danielle is a Registered and Licensed Dietitian who carries her experiences from Mayo Clinic-Rochester, Life Time Fitness and Blue Cross Blue Shield into her practice as a Workplace Wellness Consultant.
Primarily partnering with organizations in Minnesota and Wisconsin, Danielle has gained insight from these experiences and aims to help you identify what next steps may be necessary for your wellness program to continue to grow and meet the needs of your unique employee population. As the industry of workplace wellness continues to evolve, there are important changes you should be making to infuse wellness into your organization's culture for long-lasting success.
The healthcare connection! Why it matters to create an environment where healthy behaviors are encouraged and supported.


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Register at: https://secure.quia.com/nceeorder
Registration Window: September 1 - October 28
Exam Window: November 2 - December 11
National Classical Etymology Exam | NCEE
What is the National Classical Etymology Exam?
The National Classical Etymology Exam (NCEE) is designed to test a student's ability to handle both Latin and Greek derivatives and their usage in the English language.
A NEW NCEE practice exam is available. The upcoming exam will be very similar to the practice exam.
This test is based on English vocabulary words that are derived from Latin and Greek, with emphasis on academic and SAT vocabulary words.
Approximately 37 Latin derivative and 13 Greek derivative questions
20 Easy; 20 Medium; 10 Difficult
Greek: common prefixes and suffixes; numbers; basic verbs
No knowledge of the Greek alphabet is necessary.
Latin: common prefixes and suffixes; numbers; body parts; basic verbs
This exam is generally meant for grades 6-12, but students of any grade level are allowed to participate.
NEW -- Awards will be divided into two divisions of three levels each. Students will first be divided into two divisions, those who have taken Latin or Greek in school and those who have not. Each of these divisions will then be separated into Novice (all grades through 8), Intermediate (9 & 10) and Advanced (11 & 12).
Quia.com will e-mail proctor information containing exam instructions, usernames, and passwords on October 30.
The exam must be administered on Quia.com during the period of November 1 - December 13
All students from a school should take the exam at the same time (unless prior approval is given).
Results and awards will be distributed later in the school year.
N.B. Items listed as TMRC are available from the Teaching Materials and Resource Center of The American Classical League, Oxford, OH 45056 (www.aclclassics.org).
Dictionary of Latin & Greek Origins (TMRC-B0113)
Greek-English Derivative Dictionary (TMRC-B0103)
Latin-English/English-Latin Derivative Dictionary (FREE PDF) (FREE WORD)
Greek-English/English-Greek Derivative Dictionary (FREE PDF) (FREE WORD)
Latin and Greek in Current Use (ISBN 0135249910)
Webster's Online Dictionary
2019-2020 National Classical Etymology Exam cut off scores are available.
Downloadable NCEE certificates


To be successful at elk hunting, you almost have to be physically fit. I ask the people I'll be hunting with during elk season to get physicals from their doctors. To get ready for elk season, I like to ride my bicycle – generally about 5 miles every day – and then build-up to being able to ride 9 miles just before elk season begins. I like varying terrain and ride my bike up mountains as well as on flats. One of the main reasons I ride a bike to prepare for elk season is to get my cardio system as healthy and strong as possible. I also do some lightweight lifting, to get strong and limber and add another degree of conditioning that you need for hunting elk.
Also in the early summer, I start fine tuning all my elk calls. I rely heavily on my different elk calls to force bulls to bugle, and I carry a wide range of elk calls. The technique I use is what I call excessive cow and bull calling, and I'm also a strong believer in rattling. My rattling antlers are two 5×5 sheds that I oil down each year with linseed oil to help them sound like real bull elk antlers clashing together rather than sounding like dropped antlers. Rattling, a relatively new technique for the elk hunter, is something I've been playing around with for about 10 years now. In the last 5 years, I feel like I've really learned how to use rattling antlers much more successfully for calling in bull elk. I crash the antlers together, and I rake them up and down trees. I now use antlers for elk hunting from September 1 all the way into the late season in mid-October. The peak rut in New Mexico is usually right around the end of September, and the rut starts going downhill about the middle of October. Rattling works all the way through the season. I also have fresh reeds in all my calls, because when I put a call in my mouth, I want to know I can produce the sound exactly the way I want it to be.
Muffling my bugle tubes is another technique I'm using. I put soft foam inside my bugle tubes and tie a string onto the end of the foam. Then I can pull the foam out to whatever length I want it to be and get a different sound out of my bugle. The chamber where the sound resonates doesn't make the call sound like it's coming from a plastic call when there's foam in it. Plus, with that foam in my bugle, my bugle sounds completely different from everyone else's. I feel like I get a more-nasal sound by having that foam in my bugle tubes. When I've been hunting on public land and heard a bugle, I can tell the difference in an elk bugle and a manufactured call. I almost can tell you what manufacturer has produced that bugle, since different calls made by various call companies produce specific sounds. That's why I started experimenting with foam to change the sounds of my calls. My calls don't sound as tinny (plastic) or in a higher register as other hunters' calls do. The foam also muffles the chuckles and grunts to make them much deeper and guttural sounding.
When I'm using my rattling antlers – raking them against trees or hitting them together – I like to have my bugle tube in my mouth and give a numbers of groans, chuckles and moans. This practice gives a more-realistic sound. If I can get a bull to start chuckling back to my calls, he'll usually bugle back to me – even in the early season. Once a bull bugles back to me, I get aggressive with raking trees with the antlers and clashing them together. I want to make that bull so curious that he has to come in and see what's happening. During the early season, I really get aggressive with my calling to stimulate the bull more than calling occasionally will. Even when I'm walking a ridge, I'll call a little bit just to see if I can get a bull to answer me. But if I find a saddle in a mountain with a lot of droppings and elk tracks, this is where I'll set-up and go through a longer calling sequence. I'll rattle and call for 15 to 20 minutes and then move to another setup site.
I have a Facebook page titled Ramos Hunts and Video Productions www.facebook.com/pages/Ramos-Hunts-Video-Productions/387405144655063?fref=ts. Go there and see some of my videos and photos of the elk we harvest every year. You can contact me at 575-642-3219, and I'll make recommendations about where you can put in to possibly get tags.


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Service Works
Loose Furniture
Aertsen Diary
Modern Living Meets Contemporary Design
Keeping in accordance with the modern theme, the home takes liberties with natural material palette, simple clean lines and simplistic furniture.
Ms. Madhavi
3-BHK apartment
34 lakhs
In the pursuit of a sleek and uncluttered interior for her new home, Mrs. Madhavi bumped into Aertsen. Perhaps it was fate or just chance, but she found exactly what she was looking for. Upon first glance, the 2,600 sq. ft. house in Guntur had walls, floors, and ceilings, but it still wasn't a home that she wanted. Hence, a modern design story was pitched to her with modular aspects that complement the style.
Keeping in accordance with the modern theme, the home takes liberties with natural material palette, simple clean lines, and simplistic furniture. Similarly, the walls follow neutral colours and textures that won't jump out at you instantly but stand out when put together with the other aspects of the home. To put it simply, the home emanates elegance while bordering on austerity.
The marble tile cladding, along with golden T-trims, makes the entryway seem no less than an entrance to a 5 star hotel. The astonishment doesn't stop there! Entering the apartment, you are greeted with a golden Buddha statue on a console table with an accent wall behind it. It's also a part of the drawing room, furnished with dichromatic sofas and monochromatic walls, except for the accent wall behind the TV unit, which is covered with tile cladding and fluted MDF CNC rafters.
The drawing room then opens up to the living room, housing another TV unit, a seating area, and a study unit. Following a similar colour and material palette, the room's seating area is equipped with a sectional sofa, an idiosyncratic coffee table, and two low-hanging pendant lights. However, the accent wall behind the sofa unit steals the show. The dichromatic accent wall has MDF beading in the middle and lacquered glass on either side. Next to the accent wall, the doorway to the pooja room is situated. The pooja room itself is decorated with textured painted walls and an L-shaped counter with a marble counter top.
Furthermore, the home has four bedrooms, with the master bedroom being the biggest of them all. Unlike the rest of the home, the bedrooms are designed as per the personal preferences of the family members and are drastically different in design. However, all of them have exquisite designs that define them the best. Moreover, apart from the guest bedroom, the other 3 rooms have their own balcony and are very spacious.
Amplifying the modern theme, the kitchen is fully modular and follows an L-shaped design with an island counter. The marble dado in the middle especially stands out because of the integrated lighting under the top cabinetry.
The chances of creating a similar masterpiece are slim to none, which is why this project remains one of the best works by the designers at Aertsen.
Tanmayi Gonthukupudi
Sriram Nukala
Bharkas Ganesh
3D Visualiser
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