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Home bio Top 10 Hottest Female Golfers in the World 2015
Top 10 Hottest Female Golfers in the World 2015
Golf is one of the popular and highest paying sports in the world of sports. The famous golfers like Tiger Woods and Phil Mickelson have secured their places among the richest and highest paid golfers in the world. Reputed golfers earn a huge amount of money from their tour winnings and also from their own sets of endorsements from several eminent brands. The golfers are also featured in the cover of well-known magazines besides their appearances in various ad campaigns. The female golfers also have their own sets of Golf tournaments to shine in and they are among the highest earners too.
Hottest female golfers possess well-shaped bodies with sexy looks besides their huge cash on the bank account in order to prove themselves the most desirable athletes in the world.
List of top 10 hottest female golfers:
Sporty Ghost have taken a task to enlist the hottest female golfers in 2015. Just have a look on this list and sit tight to find who the sexiest female golfer among all is. So, let's start with No. 10.
10. Michelle Wie:
Michelle Wie ; image credit www.golfdigest.com
Michelle Sung Wie was born on 11 October, 1989 in Honolulu, Hawaii, USA. She has been a professional female golfer since 2005. She is currently representing the national team of USA and an important part of LPGA Tour which she joined in 2009. Wie has obtained several awards during the course of her professional golf career.
In 2014, she finished second in ANA Inspiration. She also won the 2014 U.S Women's Open. At 2013 Evian Championship she stood at T37 and T3 at 2005 Women's British Open. She also secured her second place in 2005 LPGA Championship. With a attractive height of 1.85 meter, Michelle Wie is one of the hottest women golfers in the world.
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9. Melissa Reid
Melissa Reid ; image credit www.emirates247.com
English born Melissa Reid's birthday is on 19 September 1987 being Derby, England her homeland. Since 2007, Reid is presenting England national team as a professional female golfer and currently she is playing her part in LET Tour which she joined in 2008. The 27-year-old, Melissa Reid has 4 professional wins under her belt. During her career as a successful golfer, she achieved so many honorable prizes.
At ANA Inspiration 2011, she finished in T33. She also finished at T64 in 2013 LPGA Championship, T50 in 2012 U.S Women's open, T16 in 2007 Women's British Open and made CUT at Evian Championship in 2013. Her height is estimated 1.70 meters and she is at No. 9 spot in our list of top 10 hottest female golfers in 2015.
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8. Cristie Kerr
Cristie Kerr ; image credit espn.go.com
She was born on 12 October 1977 and her place of birth was Miami, Florida, USA. Cristie Kerr has made herself a professional golf player since 1996. Currently she is representing America's national team and playing her role being a part of the LPGA Tour which she joined in 1997. The 37-year-old lady is a resident of Arizona, USA. She has gathered a total 23 professional wins so for throughout her long golf career.
Kerr was able to finish second in ANA Inspiration 2009, won LPGA Championship in 2010, also won U.S Women's Championship in 2007, finished at T2 in 2006 Women's British Open. At Evian Championship last year, she secured T67. The beautiful lady is heighted at 1.60 meter. We have managed No. 8 place for Cristie Kerr in our list of top 10 hottest female golfers 2015.
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7. Paula Creamer
Paula Creamer ; image credit www.usatoday.com
Paula Creamer was born on 5 August 1986 and her full name is Paula Caroline Creamer. She is US citizen by birth. Creamer has been a professional female golfer in 2004 and representing the national team of USA. Currently, she is a part of LPGA tour and she joined here in 2005. This charming 28 year-old female golfer has 12 professional wins so far in her pocket. As a professional golfer, she has attained several other accolades. Among them, the 2013 ANA Inspiration where she finished T13.
She also stood at T3 in 2005 LPGA tournament, first place in 2010 U.S Women's Open, T3 in 2012 Women's British Open and seventh in 2014 Evian Championship. The cream girl Paula stands 1.75 meters high and she makes herself one of the stunning golf girl in our list of top 10 hottest female golfers 2015.
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6. Christel Boeljon
Christel Boeljon ; image credit www.zimbio.com
Her full name is Christel Wilhelmina Boeljon and the attractive female golfer was born on 30 July 1987 in Beverwijk, Netherlands. Since 2009, she has been a professional golf player who is representing the national team of Netherlands and since 2011 she has been taking part in LPGA tour. The Dutch lady has picked up 3 professional wins so far and as a professional golfer she won many more others.
She stood T15 in 2011 ANA Inspiration, T47 in 2013 Women's British Open, T23 in 2012 LPGA tournament, made CUT in both 2014 U.S Women's Open and Evian Championship. With her 1.65 meter height and an attractive figure, she is undoubtedly one of the most desirable women in golf. She has taken the No 6 spot in our list of top 10 hottest female golfers in 2015.
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5. Jessica Korda
Jessica Korda ; image credit www.golfdigest.com
Born on 17 February 1993 in Florida, USA, she is now a 21-year-old bombshell in the golf course. Jessica has been a professional golf player since 2010. Following next year, she stepped into LPGA tour and currently representing the national team of America. She has attained 3 professional wins into her purse. Other than that, she also obtained victory in other tournaments. Likewise, she finished T24 in 2014 ANA Inspiration, T40 at the same year in LPGA Championship, T7 in 2013 U.S Women's Open, T5 in 2014 Women's British Open and finished T37 at Evian Championship in 2013.
She appears to be a promising star in the women's golf. She is considered as one of the gorgeous female golfers and it will be very injustice to her keeping her away from the list of top 10 hottest female golfers in 2015.
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4. Natalie Gulbis
Natalie Gulbis ; image credit commons.wikimedia.org
Natalie Anne Gulbis was born on 7 January 1983 in Sacramento, California, USA. It has been almost 14 years since she is playing professional golf. In 2002, she joined as a part of the LPGA tour to represent US national women's golf team. She currently resides in Las Vegas, Nevada, USA. With 4 professional titles, she is one of the prolific female golfers in recent era. She has earned so many victories throughout her golf career. In 2006 ANA Inspiration, she finished T3.
She also finished T5 in 2005 LPGA tour, T4 in 2005 U.S Women's Open, T8 in British Women's Open and T53 in 2013 Evian Golf Championship. She is one of the sexiest female golfers and in our list of top 10 hottest female golfers, she secured No. 4 position.
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3. Sydnee Michaels
Sydnee Michaels ; image credit www.zimbio.com
Sydnee Michaels, another hot American golfer in our list was born on 15 July 1988 in Upland, California. Since 2010, she has been playing golf and making her one of the professionals. Two years later in 2012, she appeared in the LPGA tour, representing the US team. The 26-years old, has 2 professional wins so far.
Sydnee finished T68 in 2006 ANA Inspiration, T22 in last LPGA tour, T64 in 2008 U.S Women's Open, T37 in 2013 Evian Championship, and secured T52 in 2013 British Women's Open. At the height of 1.70 meter, she is one of the hottest women golfers in the world. We put her at No. 3 in our list of top 10 hottest female golfers in 2015.
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2. Lexi Thompson
Lexi Thompson ; image credit golfpunk.com.sg
Alexis Thompson as her full name, the gorgeous golf girl was born on 10 February 1995 in Coral Springs, USA. She has been playing golf professionally since 2010 and currently representing the national team of America. Lexi Thompson joined LPGA tour in 2012. The 19-year-old young heart-throb hottie has won as many as 6 professional golf titles in her short career.
In 2014 ANA Inspiration, she finished first, while in LPGA championship she made it at T17. She also finished T7 in 2014 US Women's Open, T17 in 2012 Women's British Open and 3rd in 2013 Evian golf Championship. Lexi stood second position in our list of top 10 hottest female golfers in 2015.
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1. Sandra Gal
Sandra Gal ; image credit www.golfdigest.com
The table topper in our hottest female golfers list is Sandra Gal, with her Goddess like body configuration and her strong personality. She was born on 9 May 1985 in Düsseldorf, Germany. She started her career as a professional golfer since 2007. Now she is a representer of German national team. Like other female golfers, she also marked her name in LPGA tour which she joined in 2008. She currently stays in Florida, USA. The 29-year-old has achieved 1 professional win so far in her golf career.
Beside this, she finished T15 in 2011 ANA Inspiration, T3 in 2012 US Women's Open, T12 in 2012 LPGA Championship, T25 in 2013 Women's Open in England, and T19 in 2013 Evian Championship. She also graced so many covers of so many adoring magazines and calendars. Sandra Gal is our girl at No 1 in our list of top 10 hottest female golfers in 2015.
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The super-hot female golfers like Sharmila Nicollet and Belen Mozo also deserve their places as the hottest female golfers. The Indian princess Sharmila Nicollet has achieved the 22nd place in the Hero Honda Women's India Open and also qualified for 2012 Ladies European tour. Belen Mozo, another hottie, has won both the Women's British Amateur and British Girls Amateur Tournaments as a potential young golfer.
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Fernando December 28, 2015 at 4:57 pm
Wow they are all fine.! Tough to categorize them ladies of the club.! There is room at the top for all of them.! Keep swinging.!
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TRANSPORTATIONEco-Cars
Toyota Prius to Become More Eco-Friendly: Go All-Plug-In for 2014
Toyota is planning on electrifying its Prius hybrid further in the coming years. After the plug-in hybrid version goes on sale next year, the Japanese manufacturer plans to make the plug-in powertrain setup standard on the Prius in 2014, according to a Reuters report.
The PHEV Prius uses a lithium-ion battery pack, and will be able to cruise on electric-only power for approximately 13 miles before the 1.8-liter inline-four cylinder gas engine kicks in. Toyota claims that it can be fully charged in 90 minutes on a 240-volt plug, or three hours on a 120-volt outlet.
Toyota is not the only automaker investing in plug-in electric vehicles. According to CNET, Volkswagen is also working on a line of PHEVs. VW CEO Martin Wintekorn made the announcement at the Vienna Motor Symposium this week that the German carmaker will begin rolling out a range of PHEVs starting in 2013, although he declined to specify exactly which models would get the new powertrain setup. Our bet is that it will begin with the limited-run XL1, which begins production that year, to be the first plug-in hybrid from VW. The XL1 concept car we drove earlier this year was powered by a 48-hp turbodiesel, two-cylinder engine mated to a 27-hp electric motor.
Source: Reuters, CNET
Article Courtesy of: http://rumors.automobilemag.com
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Measurements of the spin-transfer parameter K(LL) for H-2(p, n)2p at 0-degrees to calibrate the neutron-beam polarization clarify a normalization discrepancy affecting np data at LAMPF. The new data are in good agreement with theoretical predictions.
M. W. McNaughton, K. Koch, I. Supek, N. Tanaka, DA Ambrose, P. Coffey, K. Johnston, K. H. McNaughton, P. J. Riley, G. Glass, John C. Hiebert, L. C. Northcliffe, A. J. Simon, D. J. Mercer, D. L. Adams, H. Spinka, R. H. Jeppersen, G. E. Tripard and H. Woolverton. Phys.Rev.C 45 2564-2569 1992. "Copyright (1992) by the American Physical Society."


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AIR LIQUIDE Deutschland GmbH (ALD) wished to carry out in-line inspection (ILI) of 8" and 12" oxygen pipeline sections within a 21-day shutdown period. Both sections had never been previously inspected with ILI tools and ALD was willing to conduct the inspection in water or nitrogen. The scope was metal loss inspection, specifically for pinhole defects, along with geometry and mapping.
There were several challenges to overcome with the project. Firstly, there are technical and legal requirements for all equipment used in or near oxygen pipelines, while the Federal Institute for Materials Research and Testing (BAM) Berlin has to approve the compatibility of all non-metallic materials touching the pipe wall. The turnkey project involved four separate companies, so a greater than usual level of project co-ordination was required.
For Baker Hughes, a GE company (BHGE) an inspection in water was ruled out as the extensive drying requirements would not be possible within the given timeframe. Inspection in gaseous nitrogen was considered the only option, although ALD had an unsatisfying experience with an inspection of an oxygen pipeline using nitrogen as propelling medium in 2014. BHGE has nitrogen pumping equipment and experience so both these and the ILI services were available inhouse. BHGE successfully ran its latest generation MagneScan™ ILI tool with the highest level of detection and sizing.
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West Coast Sea Glass
Highest Quality Sea Glass Jewelry & Bulk Seaglass
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New York Times "From Junk to Collectible, Shaped by Time and Tide"
October 17, 2010 - http://www.nytimes.com/2010/10/19/science/19glass.html?pagewanted=all&_r=0
HYANNIS, Mass. — Laura McHenry started walking Cape Cod beaches searching for sea glass a few years ago, when her marriage was breaking up and she was looking for something she and her daughter Katie, could do together for fun. "Sometimes we'll just sit on the rocks and just comb through," said Ms. McHenry, who lives in Centerville, Mass., as Katie, 10, displayed her finds nearby. "It's a great place to talk."
History draws Rachel Mack, of Grandview-on-Hudson, N.Y. "These could have come from the Half Moon" she said, pointing to white clay pipe stems, each an inch or two long and perhaps half an inch in diameter. She finds these artifacts when she kayaks along the shore of the river Henry Hudson sailed 400 years ago.
Richard LaMotte's wife got him into it. She is a jeweler who works with sea glass, and he went with her on expeditions to Chesapeake Bay beaches near their home in Chestertown, Md. Mr. LaMotte, who works for a water analysis equipment company, got interested in how water acidity affected the glass, and how the chemicals used to make glass changed its color over the decades. Soon he was consulting archaeologists and studying the history of American glass manufacturing. Now his book, "Pure Sea Glass" (Sea Glass Publishing, 2004), is a bible for collectors.
They and hundreds of other enthusiasts gathered here this month for the annual meeting of the North American Sea Glass Association, to celebrate a hobby that seems an odd mix of amateur archaeology, environmental monitoring and antique collecting, with a little chemistry thrown in.
At the meeting they trade shards of glass and porcelain, buy and sell sea glass jewelry and crafts, seek expert help identifying their finds and hear presentations on shipwrecks, the glass industry and other topics.
Membership is growing and enthusiastic, Mary Beth Beuke of Sequim, Wash., the group's president, said in an interview that sales of sea glass and its crafts are booming, even though the glass itself "is getting harder to find."
Though sea glass collectors talk about bottles, porcelain and other cargo lost in shipwrecks, most sea glass originated far more prosaically, in garbage dumped into the ocean or piled in coastal landfills. A blue shard may be the remains of a Noxzema jar or a bottle of Bromo-Seltzer; old Coke and beer bottles produce pale-green and dark-brown shards. Now this kind of dumping is mostly a thing of the past; bottles are made of thinner glass, and plastic has replaced glass in many products.
Still, collectors and volunteers at the meeting say there is plenty to find if you know where and when to look, and what to look for. According to Mr. LaMotte, orange shards often come from glass items manufactured in the Art Deco period or from tableware manufactured in the early 1900s. Red shards are rare — old Schlitz beer bottles are one source. Some yellow shards are from glass made with uranium dioxide. These shards glow when exposed to an ultraviolet or "black" light.
But sea glass hunters do not necessarily limit themselves to glass. Some look for crockery shards, bottle stoppers, fragments of old toys, marbles — virtually anything that left human hands to be tumbled by the sea.
Devoted collectors find themselves studying glass in antique shops, at shows for bottle collectors and in museums. Eventually, some become adept at identifying even tiny finds.
At her display, Ms. Mack picked up something that looked like a dark gray stone. Small chips revealed its shiny black interior — "glass from the 1700s," she said. "It probably held beer."
The meeting also offered plenty of advice on finding good hunting spots. Seek out shorelines where there was manufacturing or shipping at least 50 or 100 years ago, accomplished collectors advise. For example, Ms. Mack said she has good hunting at the sites of former cross-Hudson ferry routes, where she finds the remains of bottles thrown overboard a century or more ago.
Sites with prevalent onshore winds are best, Mr. LaMotte advises in his book, and the best time to look is the first low tide after a big storm.
"It's frustrating, but it's fun," said Vickie Carter of Newark, Del., a volunteer at the meeting. She collected sea glass as a child in Montauk, on Long Island, but when she took her husband there more recently, the pickings were slim. Today they hunt Woodland Beach, Del., in search of what she calls "the perfect piece — the perfect blue, the perfect red, the perfect orange."
A perfect piece, she said, is smooth and totally frosted. When they find one, she said, "it goes into a jar and we continue to look."
Carole Lambert, whose "Sea Glass Hunter's Handbook" is her third on the subject, confesses that her interest feels, at times, "a bit loopy — picking up garbage from the beach."
Ms. Lambert, a writer and editor who now lives in Islesboro, Me., searched for years in Rockport, Mass., where she accumulated large quantities of tiny porcelain body parts — arms, legs, noses, faces, "an ear as big as my thumb." Eventually, she said, she learned they were the remains of tiny dolls given away in the 19th century with purchases of flour and other staples.
Why were there so many? Ms. Lambert found the answer at the Peabody Essex Museum in Salem, Mass., in the form of a bill of lading from a ship that foundered, spilling crates of tiny dolls.
As sea glass grows harder to find, people who want to work with it are creating their own, tumbling pieces of glass in sand-filled machines or treating them with muriatic acid or other corrosive substances.
"That's one of the reasons we started the association," Ms. Beuke said. "We started running into people who say 'sea glass' and they mean something that is artificially conditioned." The real thing, she said, "has been conditioned only by the ocean and its elements. It has been on a journey and has a history to it."
Mr. LaMotte, whose book display was thronged by collectors, said many had asked him to identify shards he could tell "immediately" were not the real thing. "You get this very satiny sheen, almost like a filmy sheen," he said.
On the other hand, occasionally a collector will hit a shoreline jackpot. One is Jean Hood of Buffalo, who brought a small satchel filled with shards she had found on the shore of Lake Erie and hoped Ms. Lambert could identify. The two puzzled over a piece of red glass, roughly two inches square, with a grid of regular bumps — a lens from a boat's running light, Ms. Lambert concluded.
As they chatted, Ms. Hood remarked that she sorts her finds by color, "all the reds, all the oranges."
"All the oranges?" A jeweler from a nearby booth pricked up her ears.
"The rarest color," Ms. Lambert murmured. Pieces of orange sea glass can sell for hundreds of dollars.
If the association is firm against manufacturing sea glass, there is less agreement on "seeding" beaches with glass. Though some collectors already engage in the practice, Mr. LaMotte sees obvious safety and environmental problems with putting broken glass on the beach. Anyway, Ms. Lambert said, it might take 50 or 100 years for a piece of broken glass seeded on a beach to achieve the patina of sea glass. "Until then, it's just trash."
By Cornelia Dean.
A version of this article appeared in print on October 19, 2010, on page D4 of the New York edition.
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Q: iPhone encrypt function that would be decrypt on php server I want to write encrypt function in iPhone application that would be decrypt on server in php,
Decrypt function in php is this
function decrypt($input_text)
{
    $iv_size = mcrypt_get_iv_size(MCRYPT_RIJNDAEL_256, MCRYPT_MODE_ECB);
    $iv = mcrypt_create_iv($iv_size, MCRYPT_RAND);
    $enc_key = "0e9d083f3514a69243bb8f1395d332c1";
    $out = mcrypt_decrypt(MCRYPT_RIJNDAEL_256, $enc_key, $input_text, MCRYPT_MODE_ECB, $iv);
    return $out;

}

I'm using following encryption code in iPhone
+(NSString*) encrypt:(NSString*) str key:(NSString*) key
{
    NSString *key =key;
    char keyPtr[kCCKeySizeAES256+1]; // room for terminator (unused)
    bzero( keyPtr, sizeof(keyPtr) ); // fill with zeroes (for padding)

        // fetch key data
    [key getCString:keyPtr maxLength:sizeof(keyPtr) encoding:NSUTF8StringEncoding];
    char *dataIn = [str UTF8String];
    char dataOut[500];// set it acc ur data
    bzero(dataOut, sizeof(dataOut));
    size_t numBytesEncrypted = 0;
    CCCryptorStatus result = CCCrypt(kCCEncrypt, kCCAlgorithmAES128,kCCOptionPKCS7Padding|kCCOptionECBMode,  keyPtr,kCCKeySizeAES128, NULL, dataIn, strlen(dataIn), dataOut, sizeof(dataOut), &numBytesEncrypted);

    NSString* strResult = [[[NSString alloc] initWithCString:dataOut] autorelease];
    return [strResult copy];
}

but didn't get the original result.
Please anybody can correct me where i'm wrong

A: Try:

*

*As said, use the same key length in both cases.

*In the CCCrypt call you don't store the iv that was generated, instead you pass NULL. You should store this and somehow transport it along the message to your PHP code. There, instead of generating a new, random iv you would reuse the existing one generated by the iPhone.

*On top of that, mcrypt does not support PKCS7Padding (also often referred to as PKCS5Padding), so unfortunately you need to implement it yourself. In your case, you first decrypt the iPhone's input and then apply the pkcs5_unpad function described in that article afterwards.

A: You are using AES with 256-bit key in the decryption and with 128-bit key in the encryption.  These are entirely different algorithms.

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Woman Accuses Rich The Kid of Not Paying Her for Her Services
By Loud Radio On Dec 17, 2020 0
A woman is putting Rich The Kid on blast for failing to pay her after she claims the rapper hired her to create artwork for one of his songs.
On Wednesday (Dec. 16), a visual artist named Emonee LaRussa posted about the situation on her Instagram Story and her TikTok page.
"So, I've never posted a video like this because this has never happened to me in my entire career," she begins before sharing a series of emails and DMs between herself and Rich. "This is Rich The Kid. He hired me to do a cover art and now he refuses to pay me," she continues with Rich's Instagram page in the background of her TikTok video.
She then says, "At the start of the project, I asked if he had any direction. He wanted to give me complete freedom. This is our messages." An email thread between LaRussa and "Rich Forever," which is the name of Rich The Kid's label, can be seen at this point in the video.
"I went ahead and created four different variations of graphics for him," LaRussa continues. She also notes that she "paid additional artists to give him more options."
"After days he finally gets back to me," the graphic artist says. "Tells me he wants to change it, but doesn't tell me what he wants to change it to. Instead of giving me art direction, he just tells me to listen to the song again."
She shows another email exchange, which reads, "Just double checking if you would like to send over some revision notes before I send over the invoice. I know you previously spoke about a light deadline so the sooner I can get revision notes the sooner I can get you a finalized cover you like."
The email shows a response from "Rich Forever" that advises her to listen to the song. The note adds, "I want a vibe that all the ladies will like."
LaRussa continues, "So, instead of going in this blind again, I send him references and he tells me to just do the cover." Here, a DM exchange is shown. While the name of the IG users aren't seen, Rich The Kid's Instagram avatar is visible. In response to the references LaRussa sent, the response says, "Yo Just do the cover and send me You don't have to send me the [concept]."
"So, I go ahead and create three more graphics. He likes it and now he refuses to pay me," she tells. At this point, the visual artist is showing that Rich physically liked the graphics for the cover art by "hearting them." The cover art is for a song called "Nasty" that appears to feature Mulatto, Rubi Rose and Flo Milli.
LaRussa shows a series of unanswered DMs, which appears to include a PayPal invoice, as well as messages from Nov. 19, Dec. 3 and Dec. 10—all inquiring about payment. There's also a fourth message, but it's difficult to decipher the date it was sent. These messages were "liked" as well.
LaRussa says she even reached out to Rich The Kid's label to ask about payment for her services. The initial DM is dated for Oct. 12. However, in a message dated for Dec. 2, the DM says that they no longer represent Rich.
She concluded the video by saying, "During this entire process, I was extremely professional and patient with him. He hired me to do a service and I did my part. It's like if I hired someone to paint my house, told them to pick any color they want, they paint it and then I'm like, 'Oh, I don't like that color. I'm not going to pay you.' It's just not how you do business."
It appears that after Emonee LaRussa shared the video on her Instagram Story, Rich The Kid deleted all of the uploads from his IG page.
XXL has reached out to Emonee LaRussa and reps for Rich The Kid for a statement on this matter.
See the visual artist's video calling out Rich The Kid below.
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Most pastors lead congregations that are made up of three types of people: people who love them no matter what they do, people who hate them no matter what they do, and people who are somewhere in between.
SBC entity presidents are in similar situations. They have people who love them no matter what they do, hate them no matter what they do, and many in the middle. With around 50,000 churches in the SBC family, annual public deliberations, and the internet, the ongoing ways in which each president has to deal with this difficult reality is hard to describe. You better believe there's always someone complaining about, celebrating, and ignoring the important work of our entity presidents. Conflict isn't rare, it's an ongoing part of the job.
And yet, there are times when conflicts rise above the "normal" levels every entity faces, becoming almost non-ignorable. It feels like we're in that kind of moment now with Dr. Paige Patterson and SWBTS. Like many of you, B21 has received an overwhelming amount of communication about Dr. Patterson's comments. Most of the questions and concerns have come from folks that we'd consider in the "middle" group that celebrates what's worth celebrating and challenges what's worth challenging, regardless of who it is.
Although we've explained the role of trustees in SBC life to many of them, invited them to work "offline" as much as possible, and asked them to pray, we thought we'd offer those we haven't been able to communicate directly with, a few ways that they can join us in praying for this situation.
We Are Praying That We Come Through This Conflict With Our Concerns Clarified. Regardless of where all of this leads for Dr. Patterson and SWBTS, there's no denying that we need to be crystal clear to the watching world that we have a "zero tolerance" approach to abuse. Can an abusive person become a Christian in a situation where he didn't get the punishment he deserved? Sure. But he can become a Christian in jail, just the same. Regardless of the outcome, it's important to remember that Southern Baptists don't have consequentialist ethic—the rightness or wrongness of something isn't determined by the outcome. So if a woman is "kind of" abused, the right thing to do is call the cops, and, if he's a church member, he should be put under church discipline. Whether there are more statements, resolutions at the SBC, or something else, I'm praying that Southern Baptists clarify for the watching world what we believe abuse is always evil.
We Are Praying That We Come Through This Conflict With Deeper Unity. Anyone aware of the different streams present in SBC life over the years, easily discerns the typical "hater" and "homer" type voices speaking out. There have, surprisingly, also been an unusual amount of "middle of the road" Southern Baptists speaking out too. While the trustees, Dr. Patterson, and SWBTS, figure out the next steps, we know that there will likely be a great deal of anger and resentment from some towards others. It'll take a miracle for us to be more united, not less, as this moves forward. Thankfully, the Miracle-worker is available to us. That's why I'm asking God to bring about what we've shown we're unable to do on our own, unite deeply.
We Are Praying That We Come Through This Conflict More Focused On Christ's Mission. People are headed towards one of two eternal places: Heaven or Hell. While this truth doesn't mean we avoid these types of problems, it means that as we deal with them we don't let them distract us from Christ's Great Commission. It means that we do our best to deal with them in ways that helps us avoid letting Christ's mission get lost in our mess. We often feel more equipped to fight against flesh and blood, but that's not our mission (Eph 6:12). I'm praying that God helps us stumble forward together through all of this, more effectively than when we stumbled into it. I'm praying that God would enable us to focus more on fighting the Enemy who has come to "destroy" all those made in his image, not join his efforts. Anyone aware of how these situations play out—both in public or behind the scenes—knows we'll need God's gracious help.
In Paul Miller's A Praying Life, he writes, "We pray not out of discipline, but out of desperation." Jesus says, "Come to me all you who are weary," not all you who have it together (Matt. 11:28). That's good news for folks like you and me. And that's good news for Southern Baptists these days. Let's pray our problems as we pursue his glory, clarifying what we all know is right, united, and on mission.
Dr. Jedidiah Coppenger is the lead pastor of Redemption City Church, a church plant in Franklin, TN.


The record levels of poverty among Ghanaians is as a result of the poor governance offered the nation by President John Dramani Mahama, Member of Parliament (MP) for Mampong Francis Addai Nimo has alleged.
For him, the previous leaders who have served the country under the Provisional National Defence Council (PNDC) and subsequently the National Democratic Congress (NDC) have not done any better, leaving the country in a worse state.
The Mampong MP insisted that the country could develop and fulfil its true potential of being the Black Star of Africa only under a Nana Akufo-Addo-led New Patriotic Party (NPP) government.
"Ghana's development rests with the NPP. Ghana has enjoyed 59 years of independence. 27 years of our independent life has been under PNDC/NDC. Let us ask ourselves: 'What has this tradition done for Ghana?' We in the NPP have only been at the helm of power for 10 years and 3 months, and our record has been sterling," he said.
Mr Nimo, who is part of Nana Akufo-Addo's entourage on tour of the Upper East region, made this known when he addressed a rally at Bolgatanga, on Sunday, August 28, 2016, at the Bolgatanga Jubilee Park.
The Mampong MP revealed that "it was under the 2-year and 3-month old government of the late Dr K.A. Busia that the vast majority of teak used for the electrification programme in Ghana were planted, which ensured that electricity was extended to every part of the country".
He, therefore, urged Ghanaians to give the NPP and Nana Akufo-Addo "the opportunity to serve this nation, to transform this nation, and improve on the quality of life of every Ghanaian".
On the same platform, the NPP Campaign Sector Committee Chairperson on Trade and Industry, Alan Kwadwo Kyerematen, indicated that the most important things required of any government were the development of the nation, as well as the improvement in the living standards of Ghanaians.
"In spite of the NDC's singular message of infrastructural development, Ghanaians are saying that their living conditions are worse off. Ghanaians are saying they cannot make ends meet; they cannot afford to live in these hard times. This is, clearly, a sign that the NDC has failed. Ghanaians are saying they want Nana Akufo-Addo and the NPP," he noted.
He further assured that groundnut farmers in the region would also be beneficiaries of the setting up of a groundnut processing plant, when the NPP assumes office in January 2017.


text:
The HUB Performance and Exhibition Center in Shanghai by Neri&Hu
On Note: Miniature Illustrations on Sheet Music by Lena Erlich
Panos Tsagaris: From Something Less to Something More
Let The Sun Protest exhibition view at MLF I Marie-Laure Fleisch Gallery, Rome. Courtesy of the artist, MLF I Marie-Laure Fleisch, (Rome-Brussels) Kalfayan Galleries, (Athens-Thessaloniki). Photo by Giorgio Benni.
Eric David
Let the Sun Protest
28 November 2016 to 28 January 2017
Gallery Marie-Laure Fleisch
Via di Pallacorda 15
Title Let the Sun Protest Posted In Exhibition Duration 28 November 2016 to 28 January 2017
Venue Gallery Marie-Laure Fleisch Location
New York based, Greek artist Panos Tsagaris burst onto the art scene in 2005 with his first solo exhibition "Theanthropic" and has since embarked, both artistically and personally—as these are undeniably intertwined, at least in Tsagaris' case—on a journey of continual transformation towards a higher state, a "state of Catharsis" in the artist's own words.
Drawing on the fields of spiritualism, esotericism and the Occult among others, his artistic process can be compared to that of an alchemist, as curator at large at MADRE Museum Eugenio Viola has poignantly observed, combining disparate elements, from contemporary life to quantum physics to mystical traditions, in order to achieve a masterfully calibrated equilibrium. This artistic-cum-alchemist transformational process aims at "capturing and expressing the restlessness and magic that exists in the soul of all of us" as the artist explains, in order to "elevate our 'impure' self to the level where it can reunite with our 'Divine' essence".
Panos Tsagaris, September 12 2001,
gold leaf on archival inkjet print, 150 x 90 cm, 2016. Courtesy of the artist and Kalfayan Galleries, Athens-Thessaloniki.
Panos Tsagaris, Apotheosis (diptych), gold leaf, acrylic paint and silkscreen on canvas, 110x80 cm each painting, 2016. Courtesy of the artist and Kalfayan Galleries, Athens-Thessaloniki.
Tsagaris' earlier works, inspired by the idea of purification, include a series of photographs and performances ("Initiations" in collaboration with creative & art director Kimberley Norcott) where mystical symbols were projected onto his own body, as well as a series of drawings made out of the artist's own blood as a reflection of the self-sacrificial aspect of his work.
"Golden Newspapers"—a series Tsagaris has been developing over the past few years and whose most recent pieces are part of his solo exhibition now running at Galleria Marie-Laure Fleisch (MLF) in Rome—engages more directly with contemporary socio-political issues by creating large scale reproductions of international newspaper covers, principally his hometown paper The New York Times, by covering all the columns of text and titles, except the paper's name and lead story photograph, with gold leaf. Gold is a recurring element in the artist's work as it signifies both the Divine, exemplified by its extensive use in religious iconography as the colour of transcendence and purity, and the artist-cum-alchemist's ultimate goal, that of transforming humbler ingredients into something precious. In this sense, the topics they depict, be that the Greek recession or the refugee crisis, are elevated from disposable news items for instant consumption to sources for contemplation, thus transforming the covers into religious icons of sorts.
Gold signifies the artist-cum-alchemist's ultimate goal of transforming humbler ingredients into something precious.
Panos Tsagaris, Untitled, gold leaf, acrylic paint, spray paint and silkscreen on canvas, 180 x 130 cm, 2016. Courtesy of the artist, MLF I Marie-Laure Fleisch, (Rome-Brussels) Kalfayan Galleries, (Athens-Thessaloniki).
Panos Tsagaris, Untitled,
gld leaf, acrylic paint, spray paint and silkscreen on canvas, 180 x 130 cm, 2016. Courtesy of the artist, MLF I Marie-Laure Fleisch, (Rome-Brussels) Kalfayan Galleries, (Athens-Thessaloniki).
The process of transformation is also catalytic for Tsagaris' latest series of large canvases ("Untitled"), developed during a residency at Hoopers Projects in L.A., several pieces of which are also exhibited at Galleria Marie-Laure Fleisch as well as the Kalfayan Gallery in Athens, where his solo show "TIME" ended a few days ago. For these works, transformation is both conceptual and painstakingly physical. Based on a series of installations of mirrors assembled in his studio, Tsagaris first takes pictures with his iPhone, prints them in large scale black and white copies, adds more mirrors on top and then re-photographs them. It is only when the mirrors lose their reflective properties that he then manually silkscreens the images on the canvas a number of times in order to create new forms and shapes. Certain parts are then finally painted over with acrylic paint, with more screen printing on top, whereas others are highlighted with 23k gold leaf. As Tsagaris explains, "the elimination of the reflective qualities of the mirrors symbolizes [as identified in many mythologies, Neoplatonism and early Christianity] the abandonment of materiality and ego (lower consciousness) while the golden details signify the birth of the divine essence (higher consciousness)".
Panos Tsagaris, Untitled, gold leaf, acrylic paint and silkscreen on canvas, 180 x 130 cm, 2016. Courtesy of the artist, MLF I Marie-Laure Fleisch, (Rome-Brussels) Kalfayan Galleries, (Athens-Thessaloniki).
Tsagaris' paintings are the result of an elaborate process that includes photography, silk-printing and painting with acrylics on the canvas.
Panos Tsagaris, TIME (Somewhere between God and Naught), 12 archival digital prints, 76 x 56 cm each, 2016. Courtesy of the artist and Kalfayan Galleries, Athens-Thessaloniki.
Back in his studio, Tsagaris is currently starting work on some new pieces for several upcoming shows and fairs, such as the Art fair in Brussels in April (with the MLF Gallery), the Armory show in New York in March (with the Kalfayan Galleries) and the Milano Art Fair in April (with the MLF Gallery). These new compositions (mostly works on canvas) are a continuation/evolution of his "Untitled" series of multi-media paintings based on the artist's core manifesto of continual transformation "from something less to something more, to a fuller, richer existence in a personal as well as in a collective level", perfectly exemplifying Tsagaris' ethos both as an artist and as a citizen of the world.
Panos Tsagaris, Your soul is the link between the mortal life and the divine spark, gold leaf, acrylic paint and silkscreen on canvas, 200x150 cm, 2016. Courtesy of the artist and Kalfayan Galleries, Athens-Thessaloniki.
Panos Tsagaris, Let us be One until we are none, gold leaf, acrylic paint, spray paint and silkscreen on canvas, 200x150 cm, 2016. Courtesy of the artist and Kalfayan Galleries, Athens-Thessaloniki.
Panos Tsagaris, There is no word or action that does not have its echo in eternity, gold leaf, acrylic paint, spray paint and silkscreen on canvas, 200x150 cm, 2016. Courtesy of the artist and Kalfayan Galleries, Athens-Thessaloniki.
Panos Tsagaris, From the unreal, lead me to the real, from darkness, lead me to light, acrylic paint, spray paint and silkscreen on canvas, 200x150 cm, 2016. Courtesy of the artist and Kalfayan Galleries, Athens-Thessaloniki.
Panos Tsagaris, A passing breath
gold leaf, acrylic paint and silkscreen on canvas, 150x100 cm, 2016. Courtesy of the artist and Kalfayan Galleries, Athens-Thessaloniki.
Panos Tsagaris, The Soul of the Sun,
gold leaf, acrylic paint, spray paint and silkscreen on canvas, 180x130 cm, 2016.
Courtesy of the artist and Kalfayan Galleries, Athens-Thessaloniki.
Panos Tsagaris, A short space of perfect silence, gold leaf, acrylic paint and silkscreen on canvas. 110x80 cm
2016. Courtesy of the artist and Kalfayan Galleries, Athens-Thessaloniki.
Panos Tsagaris, All over the sky a sacred voice is calling your name, gold leaf, acrylic paint and silkscreen on canvas, 150x100 cm, 2016. Courtesy of the artist and Kalfayan Galleries, Athens-Thessaloniki.
Panos Tsagaris, Under the shadow of any empty thought gold leaf, acrylic paint and silkscreen on canvas, 86x56 cm, 2016. Courtesy of the artist and Kalfayan Galleries, Athens-Thessaloniki.
Panos Tsagaris, Let the Sun Protest
gold leaf, acrylic paint and silkscreen on canvas, 86x56 cm, 2016. Courtesy of the artist and Kalfayan Galleries, Athens-Thessaloniki.


This June, A Plus is celebrating Father's Day and the release of the film One Last Thing, a one-night-only Chicken Soup for the Soul event, with a cavalcade of dad stories, videos and — of course — jokes. The film is playing nationwide on June 13.
There's no doubt about it: we're in the midst of summer blockbuster season. We've got superhero-fueled fun (like Avengers: Infinity War), heist extravaganzas (like Ocean's 8) and action-packed adventures (like Solo: A Star Wars Story) — but it's important we not forget the indie films. Even though they have smaller budgets, they can mean so much to us personally. In my opinion, One Last Thing is just that type of movie.
The film, written and directed by first-time filmmaker Tim Rouhana, follows Dylan Derringer (Wendell Pierce), a lonely dentist in Florida who is confronted by a figure from his past bringing news that sends him on an eventful and ultimately life-altering journey of discovery. Jurnee Smollett-Bell and Joanne Froggatt also star. There are many twists and turns along the way — which I won't spoil for you — but the overall theme is celebrating the idea of family, in whatever form that takes.
Without giving too much away, One Last Thing goes way beyond the straightforward "parent meets child" story. This, coming from a cinema buff, was quite refreshing. And, essentially, the film gives us a coming-of-age story for characters who discovered their true, deeper selves later than what is usually depicted in movies. Normally that takes place around the age of 18, usually set in high school or the beginning of college, but here we have the central character, a middle-aged man, look inwards to find a missing piece of himself.
Not only is the story captivating, but watching it pays off in terms of seeing things you don't get to witness in that many Hollywood films. This movie is quite diverse and intersectional by giving us characters of various races, characters who identify with different sexual orientations, and characters who have disabilities. Not only that but — with the character of Dylan — we see a male character display a different spectrum of male emotion that men all around the world should take to heart. Dylan doesn't play into stereotypes — except that he's a dentist who golfs — and it's refreshing.
One Last Thing helped drive home the idea that family is more than who you're related to, it's about who shows up and is there for you. I'm pretty blessed to have parents who have always been there for me, but others aren't so lucky. Family is about who we choose to surround ourselves with, not just who raises you. And the best thing? You can find your family at any time of your life.
I'm not a father — I don't know if I ever will be — but I have a dad and I, like many others, have father-like role models to look up to. Any of these traits will help you relate to One Last Thing. You don't need to be a dad to like it, you just need to be open to the concept of fatherhood and all of the challenges and rewards that come with that journey.
Editor's note: A Plus and the distributor of One Last Thing share a parent company, Chicken Soup for the Soul LLC.


"Occupy" demonstrators marching in anger over arrests made earlier, met with flash grenades and tear gas in US city.
Police in riot gear have used non-lethal weapons on a crowd of more than 1,000 people attempting to march on to Oakland's city hall to condemn arrests made at an "Occupy Wall Street" camp.
Police dispersed the crowd with what appeared to be stun grenades and set off tear gas to drive the demonstrators away from a plaza in Oakland's business district that had been at the centre of Tuesday's conflict.
Ali Winston, a journalist at the scene, described to Al Jazeera the police's tactics.
"There have been two incidents of tear gas, flash-bang grenades and less-than-lethal projectiles beanbags being fired at the crowd," he said.
"In one instance, they used CS gas - which is a stronger version of tear gas that affects your respiratory system as well as your eyes, as well as burning your skin. So that's happened twice since then."
While police accuse protesters of throwing large fire crackers at officers, Winston said that had only occurred earlier in the day when police raided and dismantled the protesters' encampment.
"That refers to an incident earlier this morning when the initial camp, when the initial occupation camp, was dismantled by police. Two fire works were set off. I was down there. They were M1000, M80 calibre fireworks.
"Since then, there have been flash-bang grenades lobbed from behind police lines at demonstrators ... anything that's been lobbed after 5:00 am has been a police flash-bang grenade. It happened at least four times."
Witnesses reported seeing several people taken into custody, but an Oakland police spokeswoman said the department would not confirm any arrests until Wednesday.
"It's really, really tense and I think the cops are trying to walk a fine line, but I don't think they are going to back down and neither are the demonstrators," said Cat Brooks, an organiser.
Protest leaders said their march was aimed at reclaiming Frank Ogawa Plaza, which had served as a camp location for two weeks of protests against economic inequality in the city until police cleared it by firing beanbags and tear gas at camp residents.
Demonstrators living in the camp claim to be the Oakland version of the Occupy Wall Street movement launched more than a month ago in New York.
Oakland police arrested 85 "occupy" protesters sleeping in the Frank Ogawa Plaza encampment on Tuesday morning.
Most of the people arrested were taken into custody on suspicion of illegal lodging, a misdemeanour.
Karen Boyd, the Oakland police spokesperson, told Reuters news agency that "those arrested now face charges for camping or assembling without a permit".
Boyd said the Oakland police began to clear the plaza before dawn and had "contained" the area within an hour.
About 350 people were in the plaza when police began to clear the area by deploying beanbags and spraying tear gas at the protesters.
Boyd said that there were no reports of injuries. However, protesters and witnesses claim otherwise.
A female demonstrator described her version of the police clearing to a local news agency.
"They were like you, we have a few minutes and then even before the minutes passed they started shooting off. And then, even the fact that everybody left, they kept shooting," the unidentified woman said.
Jean Quan, the mayor of Oakland, said in a statement that she told protesters to cease overnight camping and cooking at the plaza.
"Over the last week it was apparent that neither the demonstrators nor the city could maintain safe or sanitary conditions, or control the ongoing vandalism," Quan said.
fire and medical care reporting they were denied access to the plaza to respond to service calls.
Officials also said that the plaza was damaged by graffiti, litter and vandalism.