Is Originality Dead In The Age Of The Internet?
MUCH Is Originality Dead In The Age Of The Internet?
As millennials, we view ourselves as creatives. We praise each other for thinking with the right sides of our brains and strive on making a career out of doing what we love. We are musicians, we are writers, we are actors—we are everything that the generation before us was told they couldn't make a living out of.
Originality is our currency to success. Being different is what we aim for, but when looking at pop culture trends and the millennials who have already made their mark on society, we ask ourselves, are we really an original generation?
Nowadays, everyone wants to be a carbon copy of '90s Drew Barrymore and Will Smith. We want the chokers, high-waisted jeans, colourful prints and flat tops. We want Instagram likes for outfits many before us have already worn.
When we look at popular movies and the television shows, there's a trend that's undeniable: Reboots. Think Ghostbusters, 90210, Teen Wolf, Spider-Man…the list goes on and on. Scripts are filled with clichés, imagery and intertextuality from previously successful pop culture classics.
And the music industry is no different. From Chance The Rapper's Coloring Book to Drake's Views, the music that we love is made up of samples from the music that our parents used to hear on the radio.
There's no such thing as an original idea anymore. Our form of being different is borrowing from the past and marketing the finished product as one that's completely millennial. When we look at fashion, television, film and music, there's no denying that.
Originality is dwindling and fickleness is to blame. As 21-century consumers, our attention spans are short and we are driven to want everything we see. We like what we like—but we only like it for so long. Then we get bored and go searching for the next best thing.
There isn't time for original, creative thought because we're all racing to be a pioneer of the next viral trend. The cycle of what's viral moves so quickly that we can't afford the time it takes to produce original content. Instead of risking time and money on something completely new, we'd rather stick to what we know.
Consider that guy from the Why You Always Lyin meme. All the then-21-year-old Nicholas Fraser had to do was change the lyrics to Next's "Too Close", do a funny dance and he had the Internet hit of 2015 in his hands. Easy peasy.
We could also blame the decline of originality on oversaturation. The Internet is a beautiful thing, but everyone can access its ideas, information and technology. Maybe, dare I say it, there are too many DIY YouTubers, too many writers and too many musicians. Because there's no real distinction between professionals and users, it's difficult for someone to create something revolutionary.
Or, maybe, the answer could simply be that humanity has existed for so long that we've simply created everything we were meant to create. Instead of originality, we could be the generation meant to tackle the art of remixing. Does remixing count as originality?
Gone are the days of Shakespeare, Thomas Edison and Leonardo Da Vinci. They, and all of the other great innovators in human history have passed on and left original legacies in their wake. We, as millennials living in a digital age, will never be as original as past creatives. We have the Internet at our fingertips, providing us the with the answer to everything. Having the answers to everything leaves little room for mystery. Without mysteries, there's nothing to solve. And ultimately, nothing original left to create.


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Keep your squad alive and don't run out of ammo.
Based on the Warcraft 3 custom map, Night of the Dead, The Red Solstice is a fast-paced, tactical squad game where you'll find yourself saying multiple times to team members, "Game over man!". I'm an big fan of games involving guns, explosions and lots of fire power; which The Red Solstice nailed.
Developed by Ironward and published by Nikidu Games Inc., The Red Solstice is a must for anyone who likes to kill lots of evil creatures with their friends. With an 8 player co-op, you can die right along-side each other! An interesting story line also makes the single player a very enjoyable experience and keeps you in the action. The game starts with you, a marine, that has been deployed to Mars to determine the fate of the human colonies during a storm called The Red Solstice. The gameplay is riddled with gore and violent situations requiring tactical strategy, so let's talk about those first!
I personally found an interesting and fun aspect of The Red Solstice is the tactical and strategic gameplay. You can't just run into situations with guns blazing or you'll get you whole team killed (and trust me, I've tried it). The game offers a tactical mode that occurs during live gameplay, meaning you have to figure out what your strategy is in the middle of the fray. Ordering team members to specific positions helps keep the hordes of monsters, zombies and all sorts of creepy creatures at bay. Also, completing specific objectives requires your team covering your back. Utilizing the tactical mode is a must if you want to keep everyone on your team alive; without it you'll end up with lots of corpses. I've also realized that if you want to increase your survival probability, take time to plan and coordinate your moves. There isn't any clock counting down how long you are taking to complete the mission, so you're not in a rush!
Red Solstice offers an auto aim mode that can be enabled or disabled anytime in single or multiplayer. Simply hit the 'e' button and suddenly you don't have to worry about your mouse pointer anymore. However, from playing the game with auto aim on and off, you realize very quickly that your marine wastes ammo horribly with auto aim. I have a hunch that the developers included auto aim for beginners to get a feel of the game, but didn't want anyone to completely rely on auto aim. With auto aim on, once a target is detected your marine will shoot at it even if you are too far away or can't get a clear shot, thus wasting your precious ammo. It is better to abandoned auto aim after the tutorial because ammo supplies become limited and you need to conserve it as much as possible. Keeping auto aim off and shooting in short bursts once targets are in clear view and in range will help keep your marine alive.
Despite the awesome single player, a large draw of The Red Solstice is the multiplayer co-op. The learning curve to playing the game is rather steep, however don't let that prevent you from trying the game because the community is great. The game's community is currently rather small, but very active if you know where to look. I've jumped online to play multiplayer a few times but only see 1 to 2 hosted games available. However, you can create your own game and to get something going simply chat with other players on the steam forums or in the dedicated Red Solstice teamspeak server (join.ts4gamer.com). This is how I got all of my multiplayer games going, and everyone is very nice. The multiplayer game averages one hour, so don't jump in unless you can devote that full hour to the game: no one likes a player who disconnects on purpose! The game is even sweeter if you have friends who own it and at $19.99 it is affordable (unless you have cheap friends!). The game is actually designed around co-op, and it features dynamic difficulty scaling, so the more friends you have the more blood, killing, and monsters there are! There is a cap though, for incentivizing large parties: at 5 players the scaling stops, meaning that with 6+ players you get more firepower and no extra baddies. Also, player experience (the kind you get from killing monsters) dictates the gameplay; with more experienced groups getting harder bosses and the like. Finding experienced players as a beginner is also a nice way to cheat the learning curve and level your character quickly. Listen and learn from them if you want to play multiplayer regularly and survive it. Don't pull a Leeroy Jenkins your first time in or you'll find it difficult to find others to play with.
I really enjoy the single player campaign in The Red Solstice. As an introvert, playing with others isn't usually my cup of tea (except on the FoH live stream!). But I sure enjoying killing lots of stuff offline. The single player campaign is easy to understand and starts out in a tutorial, but you're still progressing the story line, which is a nice touch. The tutorial is easy and helpful, however, it doesn't stay that way. After the tutorial section ends, you are thrown into the thick of it, and the 'thick of it' involves lots of dying. I've died more times than I can count, and I still haven't gotten through the second mission! Even given the difficulty and the lots of dying, I'm still enjoying the game (which is saying something: dying makes me stompy!). It's partly the 'killing hordes of creatures' that keeps me coming back for more, and part of it is the story. I've always been a fan of dark, gritty storylines and games with epic gore and blood, both of which are done to my satisfaction in The Red Solstice. If you like to be the one calling the shots solo, creating your own strategy and/or just doing your own thing, the single player experience in Red Solstice is just about perfect.
With an 8 player co-op, you can die right alongside each other!
With the fast paced storyline and lots of monsters, zombies, and terrifying creatures you'll start playing The Red Solstice and won't want to stop. However, because the game is pretty tough at first, you'll want a helping hand. There are a few great guides on getting started on The Red Solstice steam community forums (this is the one I used) which help with that learning curve. The developers, Ironward, are very passionate about the game thus any bugs or gameplay issues that may arise are being addressed and rectified. Overall, I appreciate the simplicity of the gameplay: go to this point, survive, go to next point. I've never liked games that take a simple concept (like shooting stuff) and turn it into a complicated game. If you're like me and find just shooting stuff very enjoyable and love dark story lines, then I can't recommend The Red Solstice enough!


The cost for registration for all courses is $375.
Our courses are free if you are a teacher in the Santa Fe Public School District. For SFPS teachers, registration is free, but spots are limited to two for each course, awarded to the first two registrants in each course. As such, we ask for a $50 payment to register, and that amount will then be refunded to you after course completion. The easiest way to do this is with the Paypal link below.
The above-described fees include tuition for the course you take as well as lunches and breakfast. What doesn't it include?
For dinner or lunches out, you're on your own. Although, you'll probably make some friends here, and maybe they'll treat you!
Courses are subject to availability and will be filled on a first-come, first-serve basis. Courses will have a maximum of 14 participants. In the event that a particular course does not meet a minimum number of participants, that course will be cancelled. At that time, you will be entitled to either a full refund, or entrance into an alternate course. Our suggestion is that you don't make travel reservations until courses and attendance are finalized, which should be by May 15th. In addition, if you are interested in a certain course, call some of your friends to get them on board too!


Birmingham Theatre School in Association with Joseph Chamberlain College,will be hosting an Open day Workshop and Performance Day of 'Macbeth' by William Shakespeare on Friday 27th March 2015 at The Old Fire Station, 285-287 Moseley Road at 11am, and you are formally invited to attend.
This is an open day for anybody from the age of 15 upwards who are looking for information on BTEC courses in Performing Arts and the other courses that we run for September 2015.
The open day and workshop is a free event which then entitles you to a special offer ticket of just £3 for the performance later in the afternoon.
The day consists of a morning of practical workshops with our current students followed by the BTEC production of Macbeth.
This day has been specifically designed for people wishing to gain an insight into life at the theatre school, obtain further information from staff and students, and to work practically alongside our current students to give an idea of the type of work our students do.
Experience for yourself the excitement and enthusiasm shared by all involved in this year's BTEC production. With a company of over 20 actors, it's an experience not to be missed.


With the winter weather starting to bite, more and more of us are turning to mobile casinos to help keep us warm and entertained as the nights draw in. All this raises the question: what should you be playing and where? With mobile phone bill deposits remaining the quickest and most convenient deposit method for mobile players, it stands to reason you'll be looking for games at casinos which offer it. With this in mind, we've dug out four of the hottest pay by mobile slots which will warm you up this chilly season.
What better way to keep warm than with some winter sun down Mexico way? The newly added pay by mobile slot at mFortune casino transports you south of the boarder for a 'taste of Tijuana' as you enjoy five reels and 15 paylines of Latino money mayhem. The base game of Mucho Money is typical for an mFortune slot, with vibrant colours and cartoon symbols which all convey the theme wonderfully, but the real fun happens when you hit the bonus mini game.
The 'Adios Amigos' mini game hilariously makes light of the plight of Mexican migrants trying to escape to the US in search of a better life by asking players to help cartoon characters make it across the boarder. The further you get towards American soil, the bigger your prize for the round. If you've ever played an mFortune game before, you'll know how much of an improvement these mini games make to the already very decent slot overall. You can enjoy this pay by mobile slot from as little as 2p, so it's prefect for those on a smaller budget.
Next on our list of hot pay by phone slot and another whose theme conjures an instant feeling of desert heat is Wild Wishes — we strongly recommend you try out at Casino.com this winter. The game is a new addition to the Casino.com roster, but its theme is a pretty well-worn trope of the mobile casino industry. Don't let this description put you off though – Wild Wishes takes a fresh, inventive, and innovative approach to the genie in a lamp theme, and crafts a beautiful and enchanting slot game along the way.
Consecutive wins provide you with lamps which add up to give you a chance to play free games on the slot. When the free game round is activated, you'll be able to play with 25 more paylines than usual, effectively increasing your chances of winning from the extra spins by a considerable amount. Not only this, but you also have the chance to play with a huge number of wilds in these free games, as smoke from a magic lamp transforms all symbols which land in it into wilds. Enjoy Wild Wishes pay by mobile slot at Casino.com today!
It seems that every casinos these days has to have a shining gem themed slot similar in appearance to the perennially popular Starburst from NetEnt. In fact, Kerching Casino has two of these games – Winstar, which was actually added pretty recently itself, and now Epic Gems from Gamevy. This latest pay by mobile slot plays on the matching gems trope which has become so popular both in casino and free to play games, and replaces your standard reels with a grid of coloured gems which match up to give you winning lines.
Matching three or more gems will give you wins, while finding a row of seven gems after a spin will in fact double your money! Seeing as you can bet with anything from £1 to £100, this game is both great for players on a budget, as well as those who want to turn their wagers into some serious money quickly. Be sure to look out for the mines hidden in the reels though, as hitting one of these will cause an explosion and cost you points!
While the first two slots in this post were set to warm you up with trips to temperate and foreign lands, Come Win With Me at PocketWin throws you into the heat of the kitchen to get you toasty. As you can probably well surmise from the title of the game, this pay by phone slot is themed around the daytime TV show Come Dine With Me – popular with students and the unemployed up and down the country. The conceit of the slot is an imagined dinner party, where food and guests make up the symbols, and the spin button is – hilariously – a loaf of bread.
This 5 reel, 20 payline slot is set within a cartoon kitchen and dining room, and has not just one, but two mini games for you to get your teeth into. The dinner spinner is effectively a wheel of fortune which will decide a multiplier for the win on the reel spin that triggered the mini game. The What's the Score mini game is a pick-a-prize game where your guests hold up hidden numbers, and you have to pick who you think has the highest value to win big. All this combined with a gamble feature mean Come Win With Me is sure to entertain through these long winter nights.


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Home Feature "Long Day's Journey Into Night" shines with Jeremy Irons and Lesley Manville at The Wallis
"Long Day's Journey Into Night" shines with Jeremy Irons and Lesley Manville at The Wallis
MARGIE BARRON Jun 13th, 2018 0 Comment
The Wallis Presents LONG DAY'S JOURNEY INTO NIGHT starring Jeremy Irons (Photo Credit: Lawrence K. Ho)
Brilliant actors need brilliantly written roles to shine in the spotlight. Thus seeing Academy Award-winner Jeremy Irons (Reversal of Fortune) and Olivier Award-winner Lesley Manville (Phantom Thread) in Eugene O'Neil's "Long Day's Journey Into Night" is an excellent example of how great performances can elevate great literature and leave audiences basking in the afterglow.
O'Neill's Pulitzer prize-winning masterpiece is at The Wallis Annenberg Center for the Performing Arts, in Beverly Hills, California, from June 8 through Sunday, July 1. It is director Sir Richard Eyre's acclaimed Bristol Old Vic production, and also features exceptional performances by Matthew Beard, Rory Keenan and Jessica Regan.
They all join together to journey through one long and fateful summer's day in the life of the Tyrone family—James and Mary (Jeremy Irons and Lesley Manville), and their two sons. The one who is the greatest disappointment to his father is James Tyrone, Jr. (Rory Keenan). Edmund (Matthew Beard), the sickly son, is a young man who is his mother's favorite. They all love one another in their own peculiar way—but resent each other as well. And each is haunted by the past and scared to face the truth about their own inner demons which cause their lives to unravel.
There are humorous moments throughout, the most giggles come thanks to the brief but sparkling performance by Jessica Regan as the Irish maid Cathleen. But make no mistake that this is a fierce drama set in the early 1900s and it takes on the personal pain of family dysfunction, alcoholism, and drug addiction. The latter having a very relevant parallel to today's opioid crisis. Another contemporary theme is that both sons have come back home and are living off of their father and mother, which becomes fuel for everyone's frustrations.
The Bristol Old Vic's award-winning production of Eugene O'Neill's Pulitzer prize-winning masterpiece, LONG DAY'S JOURNEY INTO NIGHT led by director Sir Richard Eyre and starring Jeremy Irons and Lesley Manville. (Photo Credit: Lawrence K. Ho)
A lifetime of emotions explodes through Irons impeccable performance. Equal to the task of playing opposite such a leading man is Manville who mesmerizes with her sweetness and sadness as she goes through all her wild mood swings. Both make The Wallis' presentation of "Long Day's Journey Into Night" the finest productions of what has been called one of the greatest American plays of the 20th century. It would make playwright Eugene O'Neill raise a glass of whiskey and smile approvingly.
The Wallis Annenberg Center for the Performing Arts is located at 9390 N. Santa Monica Blvd. in Beverly Hills. Go to www.TheWallis.org.
The Wallis also has a great lineup for the summer season, continuing Artistic Director Paul Crewes' mission to bring great art and artists to the wonderful Beverly Hills theater. For an up-to-date schedule of upcoming shows and events visit www.TheWallis.org.
Tags: Eugene O'Neill, Jeremy Irons, Lesley Manville, Long Day's Journey Into Night, Paul Crewes, The Wallis, The Wallis Annenberg Center for the Performing Arts
LA Theater reviews & previews, from the opulent Phantom of the Opera, to the optimistic HERLAND Mon. Jun 10th, 2019
LA Theater Scene June shows, from the superb Hershey Felder, to the smash Bronco Billy–the Musical Sun. Jun 2nd, 2019
LA Theater Scene April shows & reviews Sat. Apr 20th, 2019

redpajama_set_name: RedPajamaCommonCrawl


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Villefranche - Sete
Villefranche vs Sete Summary
Villefranche 2 33 16 20 8 555% 444% 637% 00% 1100%
Sete 11 20 16 20 21 466% 233% 212% 337% 562%
Villefranche vs Sete Head 2 Head
Villefranche
26 Mar 17:00 17:00, 26 Mar fin
23 Oct 18:00 18:00, 23 Oct post
National League table 2021/2022
1 Concarneau 9 7 1 1 15 6 22 7 3 3 1 9 6 12 16 10 4 2 24 12 34 12 1.50
2 Villefranche 7 5 2 0 11 2 17 9 4 4 1 9 6 16 16 9 6 1 20 8 33 12 1.30
3 Annecy 7 5 2 0 15 1 17 9 4 3 2 10 9 15 16 9 5 2 25 10 32 15 1.60
4 Bourg-En-Bresse 01 9 4 3 2 12 6 15 7 5 1 1 21 9 16 16 9 4 3 33 15 31 18 2.10
5 Laval 9 4 1 4 11 10 13 7 5 1 1 8 4 16 16 9 2 5 19 14 29 5 1.20
6 Chateauroux 9 5 3 1 12 6 18 7 2 3 2 7 7 9 16 7 6 3 19 13 27 6 1.20
7 Sedan 9 4 3 2 8 6 15 7 1 5 1 7 6 8 16 5 8 3 15 12 23 3 0.90
8 Cholet 7 4 2 1 17 10 14 8 2 1 5 9 19 7 15 6 3 6 26 29 21 -3 1.70
9 Avranches 7 4 0 3 9 13 12 9 2 3 4 9 14 9 16 6 3 7 18 27 21 -9 1.10
10 Le Mans 8 4 2 2 9 6 14 7 1 3 3 6 8 6 15 5 5 5 15 14 20 1 1.00
11 Sete 9 4 2 3 14 10 14 7 2 0 5 6 11 6 16 6 2 8 20 21 20 -1 1.30
12 Red Star FC 93 7 3 0 4 9 11 9 9 3 1 5 15 17 10 16 6 1 9 24 28 19 -4 1.50
13 Orleans 7 2 3 2 8 5 9 9 2 2 5 7 13 8 16 4 5 7 15 18 17 -3 0.90
14 Stade Briochin 8 4 2 2 11 7 14 8 0 3 5 1 10 3 16 4 5 7 12 17 17 -5 0.80
15 Chambly Oise 7 2 2 3 14 13 8 9 2 1 6 6 15 7 16 4 3 9 20 28 15 -8 1.30
16 Creteil 9 3 3 3 9 11 12 7 0 1 6 3 13 1 16 3 4 9 12 24 13 -12 0.80
17 Boulogne 8 0 4 4 7 11 4 8 2 1 5 8 12 7 16 2 5 9 15 23 11 -8 0.90
18 Bastia-Borgo 7 1 3 3 9 13 6 9 0 2 7 6 21 2 16 1 5 10 15 34 8 -19 0.90
Villefranche Last Games
0 + + 0 + 0 + + + + + + - - 0 + 0 0 + + + + - 0 0 + + + - + + 0
Avranches 1
30 Oct 14:00 14:00, 30 Oct fin
Es Saint Mamet
Villefranche 1
Bastia-Borgo 1
Sete Last Games
+ - 0 ? 0 + 0 - 0 0 - + + + 0 - - + - - - + - 0 - - - - + + + + 0
Orleans 1
Red Star FC 93
Chambly Oise
Villefranche Results
Sete Results
Villefranche Goals
Sete Goals
Villefranche Strength
Sete Strength
Villefranche Goals (Last 30 games)
Sete Goals (Last 30 games)
Villefranche Scorers (Last 15 games)
Simon Elisor 1 0 1 0 0 0 0 0 1 0 0 0 0 0 0 3
Adrian Dabasse 0 0 1 0 1 0 0 0 0 0 0 0 0 1 0 3
Guillaume Khous 0 0 0 1 0 0 0 0 2 0 0 0 0 0 0 3
Jimmy Nirlo 0 1 0 0 0 0 0 0 0 0 0 0 1 0 0 2
Remi Bonenfant 0 0 0 0 0 0 0 1 0 0 1 0 0 0 0 2
Quentin Martin 0 0 1 0 0 0 0 0 0 0 0 0 0 0 0 1
Kamil Manseri 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 1
Harold Voyer 0 0 0 0 0 0 0 0 0 0 1 0 0 0 0 1
Datingplon Injai 0 0 0 0 0 0 0 0 0 0 1 0 0 0 0 1
Remi Sergio 0 0 0 0 0 0 0 0 0 0 0 0 1 0 0 1
Sete Scorers (Last 15 games)
Enzo Celestine 0 0 0 0 0 0 0 0 0 0 2 1 0 1 0 4
Walid Jarmouni 0 1 0 0 0 0 1 0 0 0 0 0 1 0 0 3
Elyes Hakkar 0 0 0 1 0 0 0 0 0 0 1 0 0 0 0 2
Alan Dzabana 0 0 0 1 0 0 0 0 0 0 0 1 0 0 0 2
Amine Sbai 0 0 0 0 0 0 0 0 0 0 1 0 1 0 0 2
Faissal Mannai 0 0 0 0 0 0 0 0 0 0 0 2 0 0 0 2
Mehmet Arslan 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1
Alexandre Phliponeau 0 0 0 1 0 0 0 0 0 0 0 0 0 0 0 1
Christian Koffi 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 1
Villefranche Bad Boys (Last 30 games)
Jeremy Romany 22.10.2021
Kevin Renaut 24.09.2021
Remi Bonenfant 06.08.2021
Jean-Chris Bouet 30.03.2021
Sete Bad Boys (Last 30 games)
Rafik Bouderbal 15.05.2021
Oualid Orinel 13.04.2021
Alexis Mane 19.03.2021
Villefranche 1.00 0.83 1.00 0.97 1.13
Sete 1.00 0.17 0.87 0.09 0.50
Villefranche vs Sete
The match17th between Villefranche и Sete took place at Stade Armand Chouffet on 7 January 2022, Friday.
The last meeting of these teams took place more than a month ago (26 March 2021) and ended with the victory of Villefranche with a score 0-2.
Villefranche is in the TOP-4 with 33 points. This is the 16th of 34 team game in the tournament.
The difference with the nearest team on top is 1 point (Villefranche can score 54 points). In addition, the distance from the first place is 1 point (54 points are possible). The nearest pursuer is 1 point lower and has the opportunity to score 54 points additionally. The goal difference is 20:8. Villefranche has the best defensive record in the league.
Sete takes the 11th position in the league table with 20 points. This is the 16th of 34 team game in the tournament.
Sete has the same number of points with the nearest team on top and can score 54. The distance from the bottom league record is 12 points. The nearest pursuer is 1 point lower and has the opportunity to score 54 points additionally. The goal difference is 20:21.
Villefranche Stats
The team scored 26 points оn its own field in 10 last matches, with the following results 8 wins, 2 draws and zero losses. The difference between scored and conceded goals is 21-5. The average number of goals is 2.1. The average number of cards in 10 last matches is 0.2.
Leading players in the last 15 matches in all tournaments: (7), Simon Elisor (3), Adrian Dabasse (3), Guillaume Khous (3), Jimmy Nirlo (2), Remi Bonenfant (2), Quentin Martin (1).
Sete Stats
Sete has not lost in any of the last 5 matches, with 4 wins and 1 draw.
The team scored 10 points when playing away in 10 last matches, with the following results 3 wins, 1 draw и 6 losses. The difference between scored and conceded goals is 11-16. The average number of goals is 1.1. The average number of cards in 10 last matches is 0.1.
Leading players in the last 15 matches in all tournaments: Enzo Celestine (4), Walid Jarmouni (3), Elyes Hakkar (2), Alan Dzabana (2), Amine Sbai (2), Faissal Mannai (2), Mehmet Arslan (1).


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SF mayor defends partying maskless in violation of own COVID orders, decries 'fun police'
Caught violating her own mask mandate, Mayor London Breed said 'we don't need the fun police to come in and try and micromanage and tell us what we should or shouldn't be doing.'
San Francisco Mayor London BreedShutterstock
Ashley Sadler
Tue Sep 21, 2021 - 7:05 am EDT Tue Sep 21, 2021 - 7:25 am EDT
SAN FRANCISCO, CA, (LifeSiteNews) — The mayor of San Francisco has drawn sharp criticism for violating her own strict COVID-19 protocols after she was spotted partying without wearing a mask at an indoor nightclub.
San Francisco's Democrat mayor London Breed was seen enjoying the nightlife at the California city's Black Cat nightclub on Wednesday, where she joined Black Lives Matter co-founder Alicia Garza along with singer Raphael Saadiq and fellow bandmates from R&B group "Tony! Toni! Toné!" in a maskless soiree.
San Francisco Mayor @LondonBreed partied maskless indoors with Black Lives Matter activists.
Do any Democrats actually obey their own mask mandates?https://t.co/4kDMIa6l6C pic.twitter.com/lqsWiVvZjA
— Matthew Foldi (@MatthewFoldi) September 17, 2021
Breed defended her decision to leave her table, dance, and pose maskless with members of the band, telling reporters Friday, "I don't know about you, but if you know who they ["Tony! Toni! Toné!"] are, I don't care where you're sitting, you're gonna get up and start dancing."
The starstruck mayor said she "was feeling the spirit" and "wasn't thinking about a mask."
I chose to go to @sfblackcat last night for my first indoor concert since the pandemic … and this happened 🤩🙌🏽🎶 pic.twitter.com/x68lRya0Wh
— Mariecar Mendoza (@SFMarMendoza) September 16, 2021
The "City by the Bay" has some of the nation's strictest COVID-19 protocols, with residents and visitors now required to show proof of full vaccination to enter most indoor public establishments.
Mayor Breed reimposed an indoor mask mandate in the city in August in response to surging case numbers attributed to the Delta variant.
According to San Francisco's health orders, all people, including toddlers aged two and up, regardless of vaccination status, are required "to wear a well-fitted mask in indoor public spaces" unless actively eating or drinking.
When interviewed by ABC7 reporter Kate Larsen, Breed contended that she was eating and drinking when she was spotted maskless away from her table, arguing, "So when you go to a restaurant, do you sip and put your mask on, sip and put your mask on?"
Replacing a mask frequently while eating has been explicitly encouraged and is sometimes required.
Last year, California Gov. Gavin Newsom's office sent out a tweet urging Californians to replace their face mask between bites and sips. For air travelers, doing so is currently required by the TSA (Transportation Security Administration).
In a Monday tweet, author and journalist Glenn Greenwald shared the California governor's advice to mask up between bites in response to Mayor Breed's actions and comments, expressing "anger" at the mayor's "authoritarian" attitude in shirking the mandates she has imposed upon others.
"I can't fathom let alone express in words how authoritarian a mindset someone must be plagued with to believe that it's fine for political, cultural and financial elites to exempt themselves from the rules they demand everyone else obey," Greenwald wrote.
"Anger at that is practically instinctive."
I can't fathom let alone express in words how authoritarian a mindset someone must be plagued with to believe that it's fine for political, cultural and financial elites to exempt themselves from the rules they demand everyone else obey.
— Glenn Greenwald (@ggreenwald) September 20, 2021
Breed's reinstated health order, effective August 2, states that patrons may only take off their "Well-Fitted Mask while actively eating or drinking," and that "[p]eople are urged to be seated at a table or positioned at a stationary counter or place while eating or drinking."
In photos that were shared on Twitter, Breed is seen away from her table, singing and dancing in the crowded venue. None of the other guests appear to be wearing masks.
"MASK MANDATORY in San Francisco, yet mayor @LondonBreed ignores the science," wrote political commentator and former mayoral candidate Ritchie Greenberg.
"The hypocrisy can't go unpunished, not this time."
MASK MANDATORY in San Francisco, yet mayor @LondonBreed ignores the science. The hypocrisy can't go unpunished, not this time. pic.twitter.com/yrOkFE27Lu
— Richie Greenberg (@richieSF2016) September 17, 2021
Defending her decision to buck her own mandate, Breed told reporters it was "just not realistic" to put her mask back on," and argued the appearance of the original bandmates of "Tony! Toni! Toné!" was a "monumental" occurrence.
The mayor went on to bemoan the fact that the band's appearance was being ignored while focus was instead placed on the fact that she failed to abide by the same mandates she has imposed upon the residents of her city.
Breed said the message she wants to send to San Francisco residents is: "Support our nightlife venues. Support our restaurants. Go out and enjoy yourself. Make sure you are vaccinated because of the requirements. But don't feel as though you have to be micromanaged about mask-wearing."
Saying "we know what we need to do to try and protect ourselves," Breed argued "we don't need the 'fun police' to come in and try and micromanage and tell us what we should or shouldn't be doing."
San Francisco Mayor @LondonBreed defends violating her indoor mask mandate while partying at a club:
"I was feeling the spirit and I wasn't thinking about a mask."pic.twitter.com/lFTFCgzihZ
— Daily Caller (@DailyCaller) September 20, 2021
As observed by the Daily Wire, Breed's justification comes after she told residents of the city in July, just before reimposing the citywide mask mandate, "I know people are tired of being told what to do, but the fact is this is where [we] are."
Breed's current health orders force young children to wear masks throughout entire school days and require patrons of most indoor public venues to show proof of vaccination to gain entry.
People who live in or visit the city must also mask up on "trains, subways, buses, taxis, ride-shares, maritime transportation, street cars, cable cars, and school buses."
The controversy sparked by the mayor's actions came just ahead of images from the Emmys showing award-winning celebrities partying maskless despite widespread mask mandates.
The celebrities were slammed by critics who pointed out that the rules appear to differ for the rich and powerful rather than ordinary citizens.
Twitter lashes out over celebrities at 2021 Emmys going maskless https://t.co/G3vZHWBwpJ pic.twitter.com/OkMQZSZ9X9
— New York Post (@nypost) September 20, 2021
Fox News' Janice Dean commented, "I think after seeing all the celebs without masks or social distancing in a packed tent at @TheEmmys we should pretty much move on with our lives."
I think after seeing all the celebs without masks or social distancing in a packed tent at @TheEmmys we should pretty much move on with our lives.
— Janice Dean (@JaniceDean) September 20, 2021
Likewise, political commentator Clay Travis asked, "Why did none of the celebrities at the Emmys have to wear masks indoors, but all kids ages two and older have to wear them in preschool and school in Los Angeles?"
London Breed
Mask Mandates


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You are here: Home › General › Muslims to Christians: "They're infidels and they've built their church without permission"
Muslims to Christians: "They're infidels and they've built their church without permission"
By Ted on August 13, 2013 in General
From Archbishop Cranmer of Virtue Online:
In April 1996, Pope John Paul II attacked the intransigence of 'followers of other religions' who were persecuting Christians. He didn't specify Islam, but everyone know who he meant.
In his Easter message Urbi et Orbi, he said Christians in Africa, Latin America, Asia and Europe had "legitimate aspirations" to jobs, housing, social justice and religious freedom which were "hindered" by other faiths. The Times continued: 'The Pope recently condemned Islamic persecution of Christians in Sudan and will travel to Tunisia next weekend to plead for Islamic tolerance and Islamic-Christian dialogue.'
Nothing has really changed in almost 20 years. Indeed, the situation for Christians in these regions has actually become an awful lot worse.
The head of the Coptic Orthodox Church, for example, Pope Tawadros II, has had to cancel many public events at St Mark's Cathedral in Cairo, fearing attacks from Brotherhood supporters who blame the Copts for the fall of Morsi. Indeed, the Copts in Egypt, who make up around 10 per cent of the population, have it an awful lot worse than gays in Russia. But there is no rolling coverage of their plight by the BBC: their persecution and murder is only mentioned in passing. No marches are staged in London; there is no damning comment by David Cameron or President Obama, and the world is largely silent as their churches are torched and congregations slaughtered.
Pope Tawadros was not the only religious leader who demanded change in Egypt, but his church is bearing the brunt. The Copts are increasingly fearful of meeting to worship: one of their number was recently kidnapped and beheaded in the Sinai.
And in Syria, Christians are being executed in their homes or subject to the judgments of sharia courts established to pass sentences upon those who violate precepts of Wahhabi Islam. As the Sunni 'rebels' struggle for 'freedom', the country's 2.5 million Christians pray for the restoration of Alawite President Assad, their guardian and protector. Under him they had freedom to assemble, worship and speak. Indeed, Syria was for many the country of choice for Assyrian Christians fleeing the post-Saddam persecution. Their community is 2000 years old: today, they are verging on extinction.
But it is in Nigeria where the Islamist jihad rages most fiercely: according to a report on the Middle East Forum, 70 per cent of Christians killed around the world in 2012 were killed in the African nation. They list the most recent church Attacks: Egypt: According to El Watan News, three Christian brothers were shot dead at their home by automatic weapons a few weeks before two were set to have their weddings. The victims' family was earlier accused of trying to build a church on land they owned because they purchased building material to build a house on that land. The rumors about the building of a church spread during the Friday sermon at the mosque, following which 2,000 Muslims stormed the land and tried to destroy the house, car and tractor, resulting in the murder of the three Christian brothers.
Indonesia: Authorities demolished a church building with a bulldozer in West Java, even as Muslim bystanders cheered and denounced Christians as "infidels." According to Pastor Leonard Nababan, the government is "criminalising our religion." The congregation had gathered around the church in an effort to save it; so did Muslims, shouting, "They're infidels and they've built their church without permission," "Knock the church down now" and "Allahu Akbar."
Iraq: According to Fox News, before the U.S. invasion of Iraq, there were more than 300 Christian churches. Today, a decade after the jihad was unleashed on Christians and their churches, only 57 Christian churches remain in the nation. And "The churches that remain are frequent targets of Islamic extremists, who have driven nearly a million Christians out of the land…" An Iraqi-based human rights organization said that "The last 10 years have been the worst for Iraqi Christians because they bore witness to the biggest exodus and migration in the history of Iraq…. More than two-thirds [of Christians] have emigrated." One of the most dramatic cases of Christian persecution came in late October of 2010, when Al Qaeda members laid siege to Our Lady of Deliverance Church in Baghdad, killing 58 and wounding 78. According to an AP report "Iraq's Catholic Christians flocked to churches to celebrate Easter Sunday [in March], praying, singing and rejoicing in the resurrection of Christ behind high blast walls and tight security cordons… [emphasis added]."
Libya: A Coptic Christian church located in Benghazi was attacked by armed Muslims. The jihadis severely beat and shaved the beard and mustache of Father Paul, the priest of the church, as a sign of humiliation. They also beat the deacon and nine attendees. Meanwhile, because Egypt's Muslim Brotherhood-led government had done little regarding the systematic abuse of Egyptian citizens in Libya, including the murder of one under torture, Copts demonstrated in front of the Libyan embassy in Cairo-prompting yet another attack on the Benghazi church, which was set on fire.
Pakistan: In response to one Christian man accused of blaspheming Islam's prophet thousands of Muslims attacked the Christian Joseph Colony of Lahore, burning two churches, one Catholic, the other a Seventh Day Adventist, as often happens in Pakistan in the context of collectively punishing Christians.
Sudan: According to Morning Star News, Khartoum's jihad continues to "rid the area of non-Arabs and Christianity": the Evangelical Church in the Nuba was "reduced … to ashes" after an aerial bombardment. Days later, another bombing campaign left two dead and twelve injured, in the Christian-majority region. "These bombardments are major sources of fear among the people in South Kordofan," said a church leader.
Turkey: The 5th century Studios Monastery, dedicated to St. John the Baptist, is set to go from being a branch of the Hagia Sophia-Christianity's grandest cathedral, which was transformed into a mosque, after the Islamic conquest and is currently a museum-to being an active mosque. Many Turkish Muslims continue calling for the return of the Hagia Sophia itself to a mosque. Where is their Stephen Fry? Who will be their celebrity champion with millions of Twitter followers, to whom the mainstream media will fawn and David Cameron and Barack Obama instantly respond?
Donate Now To Save Christian Lives
Posted by Theodore Shoebat
911 al-qaeda arab Barack Obama Benghazi Boston marathon cair christianity cnn conflict congress east egypt election foundation hamas hate hillary clinton huma abedin iran islam israel jews jihad Liber
Lars Larson interviews Walid on Egypt's Benghazi Link
10,000 Muslims March In Coptic Area Screaming: "Islamic, Islamic, despite the Christians."


Wedged between Guatemala and Honduras, and bordering the Pacific coast, El Salvador is the smallest country in Central America. It's also the most densely populated and considered to be the most beautiful. From everything I've seen, its roads are the best in Central America and the gas stations are new, large, clean, and offer something called 'service' to the pumps: window cleaning, tire checking, and a smile.
To make things even easier, all prices are in U.S. dollars. No liters, just gallons. El Salvador may be the easiest country in Central America for a visitor from the U.S. to find his bearings. The rental of a two-bedroom apartment in the better sections of San Salvador range from US$500 to US$800 a month, furnished. Meanwhile, new three-bedroom/two-bath apartments are offered for $115,800 with financing.


My name is Aram; I am 36 years old and I live in Germany.
I am a musician, but my pastime with aquariums has become a passion for me.
When did you first start with aquascaping?
I used to have an aquarium when I was a child, but stopped the hobby as a teenager. After several years, at the age of 30, I reactivated my love for aquariums.
However, aquascaping, Nano aquariums, and the keeping of dwarf shrimp were completely new to me.
Of course, after I discovered the works of Takashi Amano, I became infatuated with this hobby.
I like the perspective style aquascapes the most since they are truly underwater landscapes with a great sense of depth and beauty. The realism they depict fascinate me.
Of course I draw infinite inspiration from the works of other scapers and Mr. Amano, but the most important inspiration is nature itself.
Inspiration can be drawn when you go for a walk through the woods or climbing a mountain.
My favorite plants are all types of mosses. Mainly, I use small mosses like fissidens or riccardia in my aquascapes.
Regarding fish, I often choose smaller fish with a pleasant schooling effect.
I always have different setups running at the same time. Mainly, I choose setups with a low maintenance requirement meaning low light, easy maintenance plants, and not many water changes.
Of course, I utilize CO2 and some fertilizer for good plant health.
In Germany, aquascaping is still a trend, not mainstream.
Most people are only interested in suitable and swift plant growth rather than in creating landscapes under water.
Nevertheless, we do have a small scene of wonderful people with a good network of aquascaping knowledge.
Of course, the quantity could be bigger, but we are a work in progress and have innumerable potential.
Take pictures and share them in aquascaping communities to get some advice and feedback.
Aquascaping is not a hobby that can be haphazardly undertaken; it is an investment and takes time, care, and passion.
Please share with us your website.


text:
Unterseeboot 212 foi um submarino alemão do Tipo VIIC, pertencente a Kriegsmarine que atuou durante a Segunda Guerra Mundial.

Comandantes

Subordinação
Durante o seu tempo de serviço, esteve subordinado às seguintes flotilhas:

Operações conjuntas de ataque
O U-212 participou das seguinte operações de ataque combinado durante a sua carreira:

 Rudeltaktik Boreas (22 de novembro de 1942 - 9 de dezembro de 1942)
 Rudeltaktik Eisbär (27 de março de 1943 - 5 de abril de 1943)
 Rudeltaktik Siegfried (25 de outubro de 1943 - 27 de outubro de 1943)
 Rudeltaktik Siegfried 1 (27 de outubro de 1943 - 30 de outubro de 1943)
 Rudeltaktik Körner (30 de outubro de 1943 - 2 de novembro de 1943)
 Rudeltaktik Tirpitz 1 (2 de novembro de 1943 - 8 de novembro de 1943)
 Rudeltaktik Eisenhart 4 (9 de novembro de 1943 - 15 de novembro de 1943)
 Rudeltaktik Schill 3 (18 de novembro de 1943 - 22 de novembro de 1943)
 Rudeltaktik Rügen (15 de janeiro de 1944 - 26 de janeiro de 1944)
 Rudeltaktik Hinein (26 de janeiro de 1944 - 3 de fevereiro de 1944)
 Rudeltaktik Igel 1 (3 de fevereiro de 1944 - 17 de fevereiro de 1944)
 Rudeltaktik Hai 1 (17 de fevereiro de 1944 - 22 de fevereiro de 1944)
 Rudeltaktik Preussen (22 de fevereiro de 1944 - 4 de março de 1944)

Ver também
 U-boot
 Submarinos da Marinha da Alemanha.
 Submarinos de maior sucesso da Kriegsmarine na Segunda Guerra Mundial.

Bibliografia

Ligações externas

Submarinos da Alemanha na Segunda Guerra Mundial
Submarinos alemães Tipo VIIC
U-Boots comissionados em 1942
Navios construídos em Kiel
U-Boots afundados em 1944
U-Boots afundados por navios de guerra britânicos
Naufrágios no oceano Atlântico na Segunda Guerra Mundial
Navios de 1942
Navios perdidos com todos os tripulantes e passageiros

redpajama_set_name: RedPajamaWikipedia


Might I begin by commending the Legislative Council for establishing this Select Committee. I take as my starting point that all decent Australians regard as abhorrent human trafficking, slavery and slavery-like practices such as forced labour or forced marriage, domestic, sexual, or other servitude – all of which I will refer to hereafter under the label 'human trafficking'; that we would all wish to know the extent to which such practices are occurring in our state of New South Wales and to see them eradicated here; and that we would want to ensure that no activity within our state contributes to human trafficking in other places.
Most people continue to think human trafficking a thing of the past, yet the very existence of this Committee is testament to the ongoing problem. The United Nations has recognised that this repugnant activity continues in our world and the members have unanimously called for its eradication, immediately if possible and certainly by no later than 2030. Pope Francis has called it an 'open wound on modern society' and a 'crime against humanity'. And in December 2014 leaders of many of the world's faith communities called upon their members to work together to eradicate these vile scourges by 2020 and for all time. Religious and civic leaders concur, therefore, in their aspiration and determination that this will be the last generation to know the phenomenon of slavery.
This is not a new resolve. From the earliest times many Christians campaigned to abolish the slave trade, to stamp out the kidnapping, trafficking, ownership and exploitation of human beings as if they were chattels, and to liberate and assist those already caught in that terrible web. Regrettably, other Christians and believers profited from or at least acquiesced in this practice. The modern campaign against slavery in the Anglosphere was largely associated with evangelicals such as the English poet, John Newton (1725–1807), a convert from slave-trader to Anglican minister, who wrote the popular Christian hymn, Amazing Grace (1779). In 1788, as the first fleet was arriving in Sydney, Newton was publishing his blazing tract, Thoughts upon the Slave Trade, which described the horrific conditions on the slave ships. "It will always be a subject of humiliating reflection to me," he said, "that I was once an active instrument in a business at which my heart now shudders." The pamphlet was distributed to all MPs and helped the campaign of his spiritual protégé, William Wilberforce, to outlaw the slave trade in the British Empire. Newton lived just long enough to see Wilberforce's bill become law in 1807, only days before he died.
Much has been achieved. But fifty years ago the Second Vatican Council (1962-1965) recognised that it was not yet time for the antislavery movement to pack its bags. It declared certain sins especially "infamous" on three counts: "they poison human society, damage the perpetrators even more than the victims, and supremely dishonour the Creator". Amongst these infamies the Council included direct attacks on human life (such as genocide, murder, abortion and euthanasia), direct attacks upon human integrity (such as mutilation, torture and coercion) and direct attacks upon human dignity (such as arbitrary imprisonment or deportation, slavery and prostitution, trafficking in women and children, and otherwise treating human beings as mere tools for others' profit). The Council rather presciently listed slavery amongst the worst evils yet to be effectively abolished from human society and the willingness to enslave others amongst the worst evils yet to be eradicated from the human heart.
Half a century later Pope Francis has been a tireless champion of this cause and the Catholic Church, along with other churches and faiths, is playing an ever-growing role in the international effort to stamp out human trafficking, even as we recognise the proper responsibility of international, national and state authorities in these matters.
It is my firm hope that this Select Committee will recommend and that the Parliament of New South Wales will enact further measures to identify and liberate anyone suffering from human trafficking in our state, to prevent this recurring, and to discourage this in other parts of the world. As the single largest procurer of goods and services in the state of New South Wales – to the tune of nearly $14 billion p.a. – the New South Wales government has very considerable financial muscle in this area. It also has the authority to appoint an Anti-Slavery Commissioner mandated to identify any continuing human trafficking, domestic, sexual or other servitude, or other instances of modern slavery in our state, to oversee the government's slavery-proofing of its supply lines, to report on activities by non-government agencies in NSW, and to promote public awareness and good practice in these matters. NSW might also urge the Federal Government to legislate along the lines of the recent British Anti-Slavery Act.
But it is not enough for groups such as churches to lecture or exhort the rest of the community in such matters: we must demonstrate our own willingness to act where we can.
The Vatican has already committed itself to slavery-proofing all its procurement practices and supply lines. It is no small task to ensure that everything we use has been obtained ethically; that everything we obtain has itself been produced and supplied ethically and sustainably; and that those upon whom we rely or with whom we are affiliated are like-minded. It is no small task but we must try: as Pope Francis has pointed out, buying goods is not just a commercial matter, it has ethical and moral dimensions.
1. We will review and revise all relevant contractual and business practice documentation, including the Archdiocese's Guide for Business Practice, to highlight the Church's commitment to eradicating human trafficking.
2. We will as far as possible only purchase slavery-proofed products and services, and as far as possible only contract with firms who certify that their goods are not tainted by human trafficking.
3. We will maintain a register of suppliers who have given the requested certification about their goods and services and ensure that all Archdiocesan chancery, parishes, schools, agencies and affiliates, as well as our major suppliers, are fully aware of this procurement policy and understand the principles and practices set out in the revised Archdiocesan Guide.
4. We will establish an Archdiocesan Anti-slavery Taskforce with a specific mandate: (1) to promote this new ethical procurement policy throughout the Archdiocese; (2) to prepare resources and conduct programmes for the Catholic faithful and other people of good will about eradicating human trafficking; (3) to devote some part of the energies of the Archdiocesan Office of Justice and Peace, parishes, schools and other agencies to educating about and campaigning to end human trafficking; (4) to partner with and support the work of Australian Catholic Religious Against Human Trafficking and other organisations, particularly in their mission to assist victims of human trafficking.
5. As Metropolitan Archbishop I will seek: to work with the other bishops of my own province of New South Wales, as a member of the Permanent Committee of the Australian Catholic Bishops' Conference to work with other bishops in Australia, and as a religious leader to work with major superiors and leaders of Catholic education, health and aged care and welfare services, to establish regional policies and other efforts to eradicate human trafficking.
6. I will also seek through contacts with the Holy Father and the Vatican departments to strengthen and expand international initiatives by the Church to campaign to eradicate human trafficking.
7. As Archbishop of Sydney I will also work with the leaders of other churches and faith communities, members of the Catholic Business Network, as well as other organisations, about ways they too might contribute to the eradication of human trafficking.
8. I will also ask my priests to preach and faithful to pray, do penance, educate themselves and their peers, and lobby and vote for justice in this domain.
9. I also undertake to cooperate with our civic leaders to assist in every way we can to address this major social justice issue.
Regarding contemporary slavery, Pope Francis has asked if our generation is simply going to look away? There he echoed William Wilberforce who said to civic and church leaders: "You may do nothing about it, but at least now you can't say you didn't know". I have great confidence we will do far more than nothing about this great evil. I thank honourable members for your time today and I look forward to working with you in the future.
Hyperlinks added by The Catholic Weekly and do not necessarily reflect the opinion or position of Archbishop Anthony Fisher OP.
 United Nations Sustainable Development Goals, Goal 8.
 Pope Francis, Urbi et Orbi Message, 25 December 2013; Address to Participants in the International Conference on Combat Human Trafficking, 10 April 2014.
 On the history of Christian opposition to slavery see: see the section on the history of the antislavery movement in my "Catholic Moral Tradition," keynote address to the "Tradition Conference" of the University of Notre Dame Australia, Sydney, 3 July 2013.
 Vatican II, Gaudium et spes: Constitution on the Church in the Modern World, 27.
 Pope Francis, Address to Participants in the International Conference on Combat Human Trafficking, 10 April 2014; Address to the Delegates of the International Association of Penal Law, 23 October 2014; Message for World Day of Peace 2015: No Longer Slaves but Brothers and Sisters, 1 January 2015; Message for the International Day of Prayer and Awareness against Human Trafficking, 8 February 2015; Message for the Lenten Brotherhood Campaign in Brazil, 25 February 2015; Final Report of the XIV Ordinary General Assembly: The Vocation and Mission of the Family Today, June 2015; Message for the Month of Ramadan, June 2016; Preparatory Document of the XV Ordinary General Assembly: Young People, The Faith and Vocation Discernment, January 2017.
 Vatican Radio, "Cardinal Pell: Vatican will 'slave-proof' supply chain", 19 January 2016, https://en.radiovaticana.va/news/2016/01/19/cardinal_pell_vatican_will_ slave-proof_supply_chain/1202111.
 Pope Benedict XVI, Caritas in Veritate, 66.
 Pope Francis, Way of the Cross, 25 March 2016, 6th Station.


Earrings are probably the most collected and worn of all of the jewelry types. Ours are all Native American USA made – no imports here! These are created in many forms and styles, including all silver, set with one to multiple stones, created as posts, post dangles, French wires, and clips. All of the major jewelry making tribes create all of these styles. We will clarify these earring classifications.
Post earrings have the silver post soldered onto the silver plate that is the front body of the earring. The post is secured to the ear using an item called the 'clutch' that slides onto the post. The front might be a small silver half bead or can be as elaborate as a larger stone or stones enhanced with fancier silver side work. Any type of stone or stones might be used according to the eye of the artist. The form can be anything from a flat plate against the ear to a hoop that can be a quarter, a half, three quarters or even a full sized hoop.
Post dangle earrings will have a soldered post that connects to the ear with or without a stone as above, but then will have an additional element of another one to several drops connected to the post, generally by sterling connecting loops. These may again be all silver to various stones or combination of stones. The length of the earring can be from a short dangle to a very long set of dangles. These longer dangle earrings may have several recurring bars that might be set with stones in a cascading arrangement. This type of earring is called a chandelier style.
French wires look something like a question mark that connects to the earring body. These wires are not typically soldered, but the stiff small loop is connected to the earring body, which is free to move. The form of the earring might be all silver or made with a variety of semi-precious stones. The earring might be a simpler one piece to a larger and or longer multiple layer chandelier style. All will connect to the ear by the wire, not a post.
All of the above styles of earrings can have a clip soldered to the back of the earring body, or might be of the clip dangle style. These clips allow a person to wear an earring that does not have ear piercings, and can be made in any style.
All of the tribes do make all of these styles; however some tribes are most noted for particular styles. Navajos are the major producer of cabochon earrings. Zuni Pueblo Indians are the major producer of the inlay, needlepoint and petit point earrings.
Cabochons are more naturally shaped stones that have silver work to enhance the stone. Needlepoint stones are cut to have sharp points on each end, like a needle, and are placed in a designed shape or shapes of silver. Petit point stones are cut and are smaller round, oval, rectangle, triangle, and pear shaped or even small squares called chicklets, placed in a designed shape or shapes of bezels. Channel inlay has dividers between the stones of thin slivers of sterling silver. Stone on stone inlay has no silver dividers between the stones of thin slivers of sterling silver. These stones might be turquoise, or other semi-precious stones, or mixtures of these stones. All of these stone styles are commonly made in posts, post dangles, French wires and clips.


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