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How to write a perl script in linux
The new school creative writing program
Home how can creative writing help you A description of organizational behavior which can be defined as the study of how people in an organ
A description of organizational behavior which can be defined as the study of how people in an organ
The differences between contextual performance and OCB are slight and easy to miss, however, they do exist. Current state of the field[ edit ] Research in and the teaching of OB primarily takes place in university management departments in colleges of business.
Unlimited access to online content Certification developed by Industry professionals and academicians Content updated as per evolving Industry requirements Career boost for students and professionals Course Description Organizational behavior can be defined as the actions and attitudes of people in organizations, and as a field of study it is concerned with describing, understanding, predicting, and controlling human behavior in an organizational environment.
Simon was awarded the Nobel Prize in Economics for his work on organizational decision making. Another area of substantial debate is the idea that OCBs are not formally rewarded. See employee retention tips. The exam has 50 multiple choice questions 1 marks eachwith no negative marking. This again, is a construct very similar to OCB.
In some companies, managers are rewarded for minimizing the turnover within their department or branch. What is the goal of organizational behavior. Direct and indirect effects of task characteristics on organizational citizenship behavior.
That is, it interprets people-organization relationships in terms of the whole person, the whole group, the whole organization, and the whole social system. This again, is a construct very similar to OCB. All of these four types of communication are used in communication within an organization.
Civic virtue encourages a sense of community within a business setting, which has been shown to be linked to job performance and job satisfaction in employees.
This tends to have the employee lean towards dependence on the manager and obedience. Differential challenge stressor-hindrance stressor relationships with job attitudes, turnover intentions, turnover, and withdrawal behavior: Thus, someone exhibiting prosocial behavior could be helping a coworker with personal matter.
Job attitudes are also moderately related to citizenship behaviors—more so than they are to job performance. Without a defined role, it quickly becomes difficult to define what is discretionary.
Journal of Applied Psychology, 94 1Podsakoff and MacKenzieas cited in Organ et al. More recently, Podsakoff et al.
This may involve hiring contingent workers, having other employees work overtime, or scrambling to cover for an absent coworker. Podsakoff, Ahearne, and MacKenzieas cited in Organ et al. However, in a meta-analysis of the OCB literature, LePine, Erez, and Johnson found that these five dimensions are very highly correlated and to not have much differentiation among antecedentsindicating some overlap in the dimensions.
Interestingly, and against some stereotypes that increased age would bring more health problems, research shows that age is negatively related to both frequency and duration of absenteeism.
Psychological Bulletin, 97, —; Judge, T. Emotional exhaustion and conflict between home life and work are both higher for conscientious employees, and these effects are stronger amongst employees exhibiting high in-role performance Deery, Rayton, Walsh and Kinnie, The Leadership Quarterly, 1 2 Conscientiousnesscivic virtue, and sportsmanship are behaviors intended for the benefit of the organization and can subsequently be considered OCBOs.
In a high-quality relationship, we feel the obligation to reciprocate and go the extra mile to help them out. The industrial revolution led to significant social and cultural change, including new forms of organization.
Job satisfaction and organizational commitment as predictors of organizational citizenship and in-role behaviors.
Helps others who have been absent. The stress we experience on the job also determines our performance level. Organizational citizenship behavior is the technical psychological term for what can be simply defined as the compilation of individual behaviors in a group setting. Attends meetings that are not mandatory, but are considered important.
A meta-analysis of antecedents, correlates, and consequences. Path analyses based on meta-analytic findings. The good soldier syndrome. Courtesy has been defined as discretionary behaviors that aim at preventing work-related conflicts with others Law et al.
It is about group dynamics, how individuals relate to and participate in groups, how leadership is exercised, how organizations function, and how change is effected in organizational settings.
Organizational behavior (OB) is the study of the way people interact within groups. Normally this study is applied in an attempt to create more efficient business organizations.
The central idea of the study of organizational behavior is that a scientific approach can be applied to the management of workers. Organizational Citizenship Behavior (hereafter, OCB) has been studied since the late thesanfranista.com the past three decades, interest in these behaviors has increased substantially.
Organizational behavior has been linked to overall organizational effectiveness, thus these types of employee behaviors have important consequences. Five Common Types of Organizational Citizenship Behavior Dennis Organ's major study on organizational citizenship behavior defined the concept into five common behaviors.
Organ's study suggested that, when these common behaviors are exhibited in a group setting, it will lead to effectiveness. Organizational citizenship behaviors (OCB) Voluntary behaviors employees perform to help others and benefit the organization. are voluntary behaviors employees perform to help others and benefit the organization.
Helping a new coworker understand how things work in this company, volunteering to organize the company picnic, and providing suggestions to management about how to improve. Organizational Behavior can be seen as a field of study that investigates the impact that individuals, groups and structures have on behavior within an organization, to enable applying this knowledge towards improving organizational effectiveness.
Organizational behavior is the study of both group and individual performance and activity within an organization. This area of study examines human behavior in a work environment and determines its impact on job structure, performance, communication, motivation, leadership, etc.
Internal and external perspectives are two theories of how .
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Organizational Behavior (OB)


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Nedal Ahmed ('11) (Photo by Paul McGeiver)
UNT alumni Bryan Barnes and Nedal Ahmed created an ad that sparked conversation --and won an Emmy Award
Bryan Barnes ('10) and Nedal Ahmed ('11) sell everything from candy to health insurance.
But recently, the advertising executives tackled the difficult issue of race in a TV spot called "The Talk" -- and it won the Primetime Emmy Award for Best Commercial in September.
In "The Talk," a two-minute ad for Procter & Gamble, generations of black parents tell their children how they may face certain tough situations because of their race such being called "pretty for a black girl" or the importance of carrying an ID card in case a police officer stops them.
"To win an award for TV and film is so cool," says Barnes, art director for the advertising agency BBDO. "To do it for a commercial that doesn't have any products in it, just a message that helps society, is special."
Bryan Barnes ('10) (Photo by Billy Siegrist)
The path to Barnes' and Ahmed's advertising careers began at UNT. Each took classes from advertising professor Sheri Broyles, who dispensed all kinds of advice they still remember -- from not being late to speaking persuasively for their projects.
"You can't just have great ideas," says Barnes, who majored in communication design with a minor in advertising, earned top portfolio in the College of Visual Arts and Design and other awards in Broyles' class. "You have to be able to sell them."
Broyles nominated Ahmed for the American Advertising Federation's Most Promising Minority Student Program, which included a visit in New York.
"I immediately fell in love with the city," Ahmed says. "It opened my eyes to where my future could go."
After graduation, Ahmed and Barnes first met when they were both hired by the DFW-based TracyLocke agency, where worked on a campaign that rebranded the city of Dallas.
After a few years, they both wanted to work on bigger accounts. Barnes first moved to BBDO in New York City and when he didn't have a writer, he persuaded his bosses to hire Ahmed. They've created ads for M&Ms, Dunkin' Donuts and other companies.
For Humana Insurance, they created an ad that showed an older, white-haired man running a crazy path all over the city -- with the GPS map making the route in the shape of a heart.
When CVS drugstore stopped selling cigarettes in 2014, Barnes and Ahmed created a 50-foot-tall replica of a cigarette that was placed at Bryant Park in New York City to promote the change. The cigarette was robotically extinguished throughout the day.
For "The Talk," Ahmed relied on personal experience, such as worrying about her younger brother.
"We really wanted to expose that there's a whole other talk black parents have with their children that people don't know about," says Ahmed, who now works for 72andSunny Amsterdam advertising agency. "The stakes are a lot higher."
She flew to Procter & Gamble's headquarters in Cincinnati to pitch it to the company's executives. As she presented the script for the ad, she looked up to find many of them had tears in their eyes.
"The Talk" also won the Cannes Film Festival Film Lions Grand Prix award in 2018.
Ahmed and Barnes haven't forgotten their roots. They speak at UNT alumni nights when Broyles brings students to New York City for a tour of advertising agencies.
The students are impressed by the success of the two alumni, Broyles says.
"It's like, 'Wow, maybe I can do that,'" she says.
Raised in the Masonic Home and School of Texas, UNT alum Paul Underwood ('74) now gives back.
Alumna Laura Schlegel's ('07) creative skills catch the eye of The Ellen DeGeneres Show.
The owner of Houston's Gallery Furniture has made it his business to help those in need.

redpajama_set_name: RedPajamaCommonCrawl


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Millennial Migration
Moving out of the City: Why Millennials Are Escaping the Big Smoke
We often hear stories about country kids making the move to the big smoke to explore opportunities beyond the confines of their regional or rural communities - but the reality is, a lot of young people move to regional centres for a more balanced and affordable lifestyle.
In fact, in 2019, a report from the Regional Australian Institute found that more than 400,000 people moved from Australian capital cities to regional areas between 2011 and 2016 with most of these migrants aged between 20-39.
Sydney is the biggest capital city to bear the brunt of the Millennial exodus. According to 2017-2018 ABS figures, roughly 50,200 people departed Sydney for regional NSW alone.
It's difficult to pin down a single motivation for why millennials are driving this migration - millennials include people who were born between 1981 to 1996 and currently aged between 23 and 38 years old - so there are people at different life stages moving out of the city for various reasons.
Nicole Heath, for instance, who is 37, left Sydney in search of a larger and more affordable home for herself and her husband to raise their two daughters.
The high rents on small houses in the inner-city suburbs of Sydney was too much pressure for their young family.
In 2016, Nicole and her husband were paying approximately $800 a week for a three-bedroom flat in Stanmore. Staying on top of that rent and trying to break into the housing market in Sydney at the same time was simply not feasible.
In March 2016, Nicole's family moved to the suburb of Adamstown in Newcastle.
"I felt a bit sad to leave Sydney. I was really at home. It was a socially great environment to raise kids. But all the other pressures were just too much,"
Her husband, a keen surfer, relished the idea of regular, easy trips to the beach to take on the waves. Nicole was also familiar with the area, having done a year of study at the local university. But it still wasn't an easy move.
"I felt a bit sad to leave Sydney. I was really at home. It was socially a great environment to raise kids. But all the other pressures were just too much," she says.
Nicole and her husband rented a three-bedroom house on 600 square metres of land for $560, with a good size deck. Just years earlier, they got by in a tiny terrace in Redfern for the same price. The $800-a-week Stanmore apartment could not compare with the space for Nicole's children to explore and roam.
Commute times were slashed. Her husband's work at the nearby hospital and the local kindergarten were short drives away and relatively traffic-free. Time spent drowning in peak-hour traffic crossing the Sydney Harbour Bridge was now time spent relaxing with the family, soaking up the slower easy-going lifestyle that Newcastle promised.
Nicole was most concerned about job opportunities in Newcastle. Her husband had no issues landing a job as a sonographer for the health industry. The media industry yielded fewer opportunities for Nicole in the Newcastle region. She found her niche in freelance writing to get by but has considered retraining to improve her job prospects.
However, Nicole says she has no regrets about the move to Newcastle. After just two and a half years of saving they were able to buy a three bedroom house for $600,000 in Adamstown to accommodate their growing family.
"[Buying a home] probably wouldn't happen in Sydney. If we were living in Sydney, we would be living in a much smaller space and have a much smaller budget for living expenses," she says.
The house has been untouched since it was built in the 1960s. Nicole and her husband are currently renovating to make the house fit for purpose. But they can call themselves first-time homeowners, a title that eludes many of their friends in Sydney. With a firm base in Newcastle, Nicole feels more secure about growing their family with a third baby on the way.
She also knows she is not alone. A few of her daughter's classmates in kindergarten had parents who fled the city life for Newcastle. She says anyone planning to do the same should do the research on schools in the areas before making the move.
"Anyone with a young family should move up here. It worked out for us and there are lots of people doing the same thing," she says.
Rachel Oates, 26, hears similar stories working as a hairdresser in Newcastle. Many of her clients tell her about how they moved from cities such as Brisbane, Perth and Sydney.
"Some are a bit older than me. They're in their 30s and having kids. I know a few people have moved from Sydney and say that it's a lot cheaper to raise their kids and it's not a busy lifestyle."
"[Buying a home] probably wouldn't happen in Sydney. If we were living in Sydney, we would be living in a much smaller space and have a much smaller budget for living expenses"
Rachel is also a city migrant. But she made the move from Brisbane to Newcastle for a chance of adventure. She fell in love with the Newcastle region when she met her godmother and their son for a 21st birthday in nearby Maitland.
She dropped by Newcastle several times before making the move permanent 18 months ago, settling in the suburb of Waratah.
"I've always had this urge to live somewhere else for a little bit. I liked how close it was to the beach," she says.
Social media also helped with the move. She made friends with her future housemate online, followed various Facebook pages and joined Facebook groups linked to activities and events in Newcastle. More importantly, she got a job as a hairdresser down in the Newcastle area before officially committing to the move.
For Rachel, being away from her immediate family in Brisbane was the biggest challenge for making the move. However, Newcastle was only an hour away by plane, and by settling into a good job Rachel could afford the occasional flights back to Brisbane to cure any homesickness.
So what does Rachel love about Newcastle? She enjoys the slower pace of the Newcastle lifestyle. People are warmer and friendlier. That was apparent even when she met her housemate online, "getting on like a house on fire". The housemate was quick to invite her to dinner when she first moved down.
Rachel's long commute times in Brisbane burned through a couple of petrol tanks a week. Now, she can get away with one petrol tank over two weeks in Newcastle. A $3 train ride to nearby Maitland is possible. The bus isn't as good though for public transport, she says.
At the moment, Rachel pays $190 a week to share with housemates in a three-bedroom house with a garage and garden. It's about $20 more than what she paid sharing a flat in Brisbane. But the extra cost seems minimal looking at the space she now enjoys.
Life in Newcastle feels perfect, except for missing her family and the vibrant nightlife scene back in Brisbane. But Rachel still sees herself staying in Newcastle for the long-term, with a small caveat.
"I've got a boyfriend here and I don't see myself moving anytime soon. However, if I had kids, I think that might make me want to move back to Brisbane to be closer to family," she says.
For any Millennials who want to make the move, Rachel says you should line up a job first. Having some savings in the bank first can also cover initial moving costs, such as changing number plates or shifting your belongings interstate.
""I know a few people have moved from Sydney to say that it's a lot cheaper to raise their kids and it's not a busy lifestyle.""
Rachel also suggests that people should consider whether they are happy to live away from family for an extended period of time.
"I've been the kind of person to try everything once. I don't know if it's for everybody. It comes down to individual circumstances. It's good to experience and it has helped me grow as a person."
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Leeds City Council has unanimously approved the first phase of 112 new family homes and 23,000 sq ft of retail, leisure and community space set around a vibrant public square at CEG's £400 million Kirkstall Forge development.
When deciding the location of team GB's study trip we had to find a location that would encompass the range of projects currently in the team – waterside development, sports ground design, green infrastructure, heritage, urban renewal and shared streets… and preferably sunny and warm (a bit of Autumnal sun to boost mental health and vitamin D levels). So there really couldn't be anywhere else, tickets to Barcelona were booked.


In the garden growth has been phenomenal and we went from a very cold start to a warm ending of the month of May. Many of our vegetables found their way to final positions in the beds and we are looking forward to the months ahead, when we can "shop" for dinner in the garden instead of in the supermarket. One benefit of growing your own is that you can get different varieties and crops that are seldom for sale in a shop, such as runner beans, cucamelons, purple mange tout and ginger mint.
It looks like we will have lots of berries and fruit as well. Flowers are abundant and create drifts of colour throughout the land.
Everything is growing well around our main circle. Here you can see it in four directions.
Last month we helped our friend the blacksmith with adding small sections of bottle wall to his forge. You can read about it here. This past week it was time to pay him a visit and add a splash of colour to the space. We used Vitreail translucent glass paint after washing the inside ends of the bottles with methylated spirits. This removes any grease and impurities and helps the paint adhere satisfactorily.
It is getting very sun-baked in the garden now, after a week of very warm and dry weather and we will head straight out to the garden to water our small vegetable seedlings after this blog post is written and uploaded.
Our experiment with using wood chips as a mulch on top of sheep's wool is proving very successful so far and there has been very little slug damage to our young and tender plants. We can only wait and see how everything will fare later on in the season. So far it has greatly reduced the need for watering as the mulch keeps the soil underneath nice and moist for prolonged periods of time.
That is what pieris should look like. In our climate, they do not hold the color of the red new growth for long.
Yes the red is lovely on the pieris. Now it has turned yellow though. We are having a heatwave. Very unusual for us!
Red new growth is supposedly part of the allure of pieris, but in our climate, it is very brief. I just like the foliage and woodsy flowers.


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Baker remanded for alleged anal sex
By Joyce Danso, GNA Accra Sept. 10, GNA - A 34-year old baker, who allegedly had anal sex with a 13 year old girl at Madina, has been remanded into Police custody by an Accra Circuit Court. Mike Danso, charged with defilement, has pleaded not guilty. Danso is expected to reappear before the court presided over by Mrs Abena Oppong Adjin-Doku on September 24. Prosecuting Assistant Superintendent
By Joyce Danso, GNA
Accra Sept. 10, GNA - A 34-year old baker, who allegedly had anal sex with a 13 year old girl at Madina, has been remanded into Police custody by an Accra Circuit Court.
Mike Danso, charged with defilement, has pleaded not guilty.
Danso is expected to reappear before the court presided over by Mrs Abena Oppong Adjin-Doku on September 24.
Prosecuting Assistant Superintendent of Police (ASP) Agnes Boafo said the complainant is a Latex Foam agent at Madina and a neighbour to the victim's grandmother.
ASP Boafo said the victim resides with her grandmother, who is a baker at Madina.
According to prosecution, the accused person works with the victim's grandmother and usually every morning at about 0400 hours, Danso wakes up the children in the house to start their daily chores.
Prosecution said somewhere July this year, during the early hours of the day, when Danso went to wake up the children, he had sexual intercourse with the victim through her anus before waking the rest up.
The Prosecution said this act was repeated on four occasions and the victim kept her ordeal to herself until she gathered courage to narrate the torment to her 14-year old elder sister.
The information reached her grandmother and while the family was deliberating on the issue, Prosecution said the complainant, who is a neighbour heard them and lodged a complaint at the Domestic Violence and Victims' Support Unit, Madina.
Prosecution said the victim and her grandmother were invited to the Unit and issued with a medical report form for the victim to be examined by a medical officer.
ASP Boafo said the police then arrested Danso and he was charged.


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Home/Tables and Views/Views/Self-Join Views
Views typically involve multiple tables, but there are some cases when you need to join a single table to itself or have the same table repeated in a multi-table View. Using the same table more than once in a View is called a "self-join".
A common example of a self-join is an Employees table where some employees are also managers of other employees. To establish a relationship between employees and their managers within the same table, you can create a self-join to relate the Employee ID field to the corresponding Manager ID field. The View will join the data so that the managers' information is displayed on the same row of each employee's record (as shown below in this article).
To create a self-join, you start by selecting the tables to include in the View on the first screen of the View wizard. When the same table is selected multiple times, a pop-up screen prompts you to enter an alias for each new inclusion of the table.
You can edit the alias name later by selecting the alias on the left panel and clicking on the edit icon.
The alias will uniquely represent the table for the self-join relationship, and can be configured on the following screens the same way you configure multi-table Views.
In this particular example, we chose to use a left outer join to include all records regardless whether they have a corresponding manager (for example, the CEO will show in the View even though he does not have a manager).
When you are finished selecting the fields to include in your View, open the View to see how the data from the same table has been joined or filtered. The example below shows a self-join applied to the Employees table, where the corresponding manager is displayed for each employee record.
By creating the self-join to include the corresponding manager for all employees, you can now create a DataPage to group and manage this data based on the hierarchy.


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"The Saddest Music in the World"
Guy Maddin's surreal film looks good, but beneath its sizzly, sandpapery surface there's a whole lotta nothin'.
By Stephanie Zacharek
May 22, 2004 12:00AM (UTC)
All filmmakers are inspired by what came before them, which is as it should be. Although there's certainly such a thing as a blatant rip-off, most borrowed ideas hover in the much grayer area known as the "homage," and filmmakers often sharpen their own styles by using another filmmaker's technique or way of seeing things as a jumping-off point.
Guy Maddin's satirical, ghostly-giddy tone poem "The Saddest Music in the World" is filled with nonspecific visual references that are haunting whether or not you know which long-dead filmmakers, from Fritz Lang to Jean Vigo, have inspired him: It's as if Maddin has found a way to mine their subconscious rather than the material they actually put on-screen. His feverish, stylized vision of Depression-era big-city life feels siphoned from the jagged art-deco dreams (or are they nightmares?) of "Metropolis"; his romanticized visions of loved ones (including the fuzzy-edged image of a dead child reflected in a train window) stream right from the soul of "L'Atalante."
Maddin has the technique to make those references work: "The Saddest Music" is shot mostly in black-and-white (interspersed with a few jarringly garish color sequences), but we're not talking about the velvety black-and-white of crisply restored classics. "The Saddest Music" has the sizzly, sandpapery texture of old movies too forgotten and forlorn ever to have been rescued. Maddin and his cinematographer, Luc Montpellier, have put poetry in the surface of their picture -- there are no other modern movies, not even black-and-white ones, that look quite like it.
But the visual originality of "The Saddest Music" is deceiving: Narratively and spiritually, the movie is bankrupt, even though it's so packed with stuff (including a set of shapely prosthetic glass legs filled with dazzling, fizzy beer) that you can hardly bring yourself to believe that it all adds up to nothing.
And it happens to be a nothing that could give you a massive headache. The story, written by Maddin and George Toles, from a story by Kazuo Ishiguro, goes something like this: In 1933 Winnipeg, a legless beer mogul named Lady Port-Huntley (Isabella Rossellini) hosts a contest to see which nation can coax the most sorrowful music from the depths of their souls -- the prize is 25,000 "Depression-era dollars," she announces magnanimously.
As in a real '30s movie, the sort made when political correctness was just a gleam in your granddaddy's eye, mantilla'd Spaniards and grass-skirted Africans flock to the city for the Olympics-style runoff. (As Port-Huntley announces the contest, we see images of these musicians from many lands superimposed over a relief map of Winnipeg.) Three of the contestants, Canadians by birth, know each other well, although they've been estranged for years. Fyodor (David Fox) has long been in love with Port-Huntley, although he's also the cause of her biggest sorrow, having recklessly hacked off her legs with a saw after an auto accident. Still, he hangs around her like a remorseful, lovelorn pup, and now he hopes to win the contest with his strained rendition of the dirgelike weeper "Red Maple Leaves."
Fyodor's son, Chester (Mark McKinney), once vied with him for Port-Huntley's affections; now he's a Broadway producer, down on his luck and stranded in his home country, trying to hustle together a big production number that will take the prize. And a second son, the fragile, neurotic Roderick (Ross McMillan), long ago ran off to Serbia, which he considers his spiritual home. Now he's a famous cellist who never appears in public without a black-veiled get-up that looks like widow's weeds crossed with a beekeeper's bonnet (a symbol, he tells us, of the national sorrow of Serbia, seeing as it was the country responsible for starting the Great War). Roderick has suffered the death of his son and the loss of his wife, Narcissa (Maria de Madeiros), who has run away from him, quite possibly because he's an insane sad-sack. Every day, with the regularity of routine tooth brushing, he plays a mournful rendition of "The Song Is You." He hopes his performance of the tune will snare him the big money and allow him to get back at Chester, whom he hates.
Maddin -- perhaps best known for "Dracula: Pages From a Virgin's Diary," which has earned something of a cult following -- is so in love with his own kooky ideas that he hasn't bothered to comb through them for any real meaning. He takes his zany devices -- beer-filled legs! Who'da thunk of that? -- and churns them up with old-movie-melodrama tropes, and the result is not magic but a peculiar kind of experimental-movie mud. The characters utter lines that sound as if they were grabbed from old scripts and jabbed at with modern scissors ("I'm not an American, I'm a nymphomaniac"); the audience, if it's running properly on Maddin's greyhound track, snickers knowingly, congratulating itself for getting the joke. "The Saddest Music" strives for surrealism, which is how you get the exact opposite of surrealism: It's a very short hop from "I can't believe what I'm seeing!" to "I don't believe in anything that I'm seeing."
Contrast that with, say, David Lynch's "Eraserhead": Before I ever saw it, I'd heard so much about its images (the lady in the radiator, for one), that I figured it must be some brilliant, arty stunt. But somewhere along the way, I forgot how weird I'd heard it was and lost myself in its vaporous embrace. I burst into tears at the end. Its surrealism had become my reality.
"The Saddest Music in the World" grapples toward its big theme -- something about art not being able to capture the essence of human experience -- even as it fails to capture the essence of human experience itself. So what was that junk we just spent 99 minutes of our lives on? Entertainment?
Because "The Saddest Music in the World" is so jampacked with oddities -- did I tell you about Lady Port-Huntley's blindfolded cross-dressing house band? -- some viewers are likely to see it as the product of a great imagination. I think it shows not great imagination, but a lack of one, or at least an inability to self-edit: Maddin's visual gifts could be staggering if he weren't so busy shooting metaphysical Silly String at the screen just to see how much of it will stick. At one point, a character grouses, "All that Broadway sis-boom-bah! Don't you think that music should speak for itself?" It should. So should movies.
Stephanie Zacharek
Stephanie Zacharek is a senior writer for Salon Arts & Entertainment.
MORE FROM Stephanie Zacharek


The church and churchyard date from 1845. There have been over 650 burials. The commonest village surnames are Dando, Cook, Tovey, Newman & Dutfield.
St Saviour's is the ecclesiastical Parish of Coalpit Heath constituted in 1845 for the pastoral care of colliers whose lengthy working hours made it difficult for them to attend St Peter's Church situated on other side of the hill. A high proportion of Frampton Cotterell Civil Parish is encompassed within newer Coalpit Heath so look for many village ancestors here. The original Victorian graveyard was filled within 85 years, then an extension was dedicated in December 1922 where the burials have proceeded in orderly rows. The Garden of Remembrance is located just by the Lych Gate entrance. The War Memorial cross is central within the extension and is inscribed with more deaths for 2nd World War than the Great War, which is unusual. This churchyard is immaculate with its trimmed grass and maintained trees. The graveyard was surveyed having each tombstone meticulously drawn and numbered for easier location. Maureen Thompson (registrar) and Graham Hayter have compiled full records with precise dates and inscriptions for individual graves. Please note that this is simply a record of the visible graves.
We have photographed and transcribed most of the gravestones and the old registers (Baptism, Confirmation, Bann, Marriage, Burial and Service Registers). Details of the gravestone inscriptions can be found below, but if you would like to search for information in the registers or need any other assistance please contact Andy. There is a standard charge of £19 per register search.
List all 600+ entries in surname order (or simply leave the search box below blank and specify the sort order).
If this information has been of use to you, you can help to support St Saviour's Church in a variety of ways. For full details of each inscription please contact Andy.
Your search for '' found 664 records.
Graves recorded by Maureen Thompson and Graham Hayter.
Alternatively, you might be looking for information on new burials or churchyard regulations.


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Any ideas on why this is happening, and how to fix it?
<b>                           BLUE DRAFT 05/20/16                   5.
DEMONS rally to Surtur's aid.
</b>               I make grave mistakes all the time.
In the shadows, a massive FIRE DRAGON ROARS.
Odd... I tried your original code on my machine and I am unable to reproduce the spacing problems you describe. I have lxml-4.3.0, bs4 version 4.7.1, and python 3.7.1. What versions do you have?


We traveled throughout the villages and cities of Colombia and along the way we were introduced to some of the best musicians in the country. This nation with so much history and soul is represented perfectly by the music and spirit of Toto La Momposina and her band. We asked her to share a traditional Colombian song with us, and this version of "los Sabores del Porro" performed beneath an ancient tree is the result.


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Huckleberries OnlineHuckleberries Online archive for March 3, 2011
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Thu., March 3, 2011
Nonini Backed Luna Plan From Get-Go 17
House Education Chairman Bob Nonini told Sherri Wood, president of the IEA, "Although my name doesn't appear on these bills as a sponsor, I have been very supportive since the superintendent and the governor have shared these bills. … I am supportive of these bills,…
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Landers: Don't Deify McClure Just Yet 4
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BYU Boots Davies For Sex Violation 26
A BYU fan holds up a sign in support of the Cougars' forward, Brandon Davies, before an NCAA college basketball game against New Mexico in Provo, Utah, Wednesday. Davies was suspended for the reminder of the season for having premarital sex, violating the university's honor…
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D.F. Oliveria started Huckleberries Online on Feb. 16, 2004. Oliveria's Sunday print Huckleberries is a past winner of the national Herb Caen Memorial Column contest.


text:
Q: Count number of MySQL rows Im trying to count the number of rows in a MySQL database and report that number using PHP. I've read all the documentation and I think this piece of code should be working but no matter what I try, it fails.
<?php
session_start();
if ( isset($_SESSION['username']) ) {
    $username = $_SESSION['username'];
    $q = "SELECT * FROM messages WHERE recepiants='$username' AND readcheck='T'";
    $count = mysql_num_rows($q);
?>

Logged in as <?php echo $username; ?> | Add a post | View Posts | Message Center <?php echo $count; ?>  | Log Out

<?php } else {?>

The script successfully reports $username but $count doesn't return a number. Any ideas? Am I missing a bracket or semi-colon somewhere?

A: mysql_num_rows expects a query resource – you're supplying a string. You need to perform the query before you can expect to know anything about its result.
$sql = "SELECT * FROM messages WHERE recepiants='$username' AND readcheck='T'";
if(!$query = mysql_query($sql))
  trigger_error(mysql_error().' SQL: '.$sql);
$count = mysql_num_rows($query);

I suspect the above code will also generate an error based on your typo of 'recipients' in the query. Always check the return value of mysql_query.
Edit: As jeroen noted, if what you pasted is the entire code of that page then you have neglected to open a database connection. See mysql_connect and mysql_select_db.

A: The thing you're missing is running the actual query:
<?php
session_start();
if ( isset($_SESSION['username']) ) {
    $username = $_SESSION['username'];
    $q = "SELECT * FROM messages WHERE recepiants='$username' AND readcheck='T'";
    $result = mysql_query($q);
    $count = mysql_num_rows($result);
?>

Logged in as <?php echo $username; ?> | Add a post | View Posts | Message Center <?php echo $count; ?>  | Log Out

<?php } else {?>

Probably better would be to run a COUNT in the query, if that's all you need:
<?php
session_start();
if ( isset($_SESSION['username']) ) {
    $username = $_SESSION['username'];
    $q = "SELECT COUNT(*) AS Count FROM messages WHERE recepiants='$username' AND readcheck='T'";
    $result = mysql_query($q);
    $result = mysql_fetch_assoc($result)
    $count = $result['Count'];
?>

Logged in as <?php echo $username; ?> | Add a post | View Posts | Message Center <?php echo $count; ?>  | Log Out

<?php } else {?>

And, as someone else noted, you need an active database connection.
http://www.php.net/manual/en/function.mysql-fetch-assoc.php

A: You have not actually executed your query.
$q = "SELECT * FROM messages WHERE recepiants='$username' AND readcheck='T'";
$result = mysql_query($q);
if ($result) {
  $count = mysql_num_rows($result);
}

A: This is wrong (there needs to be an actual query):
$q = "SELECT * FROM messages WHERE recepiants='$username' AND readcheck='T'";
$count = mysql_num_rows($q);

it should be:
$q = "SELECT * FROM messages WHERE recepiants='$username' AND readcheck='T'";
$result = mysql_query($q, $connection);
$count = mysql_num_rows($result);

A: You are evaluating $q as a string, you're missing a mysql_query() on $q

A: You've forgot to run the query.
$res = mysql_query($q);
$count = mysql_num_rows($res);

A: A few things to check apart from running the actual query:

*

*is the column really called recepiants or is it perhaps recipients?

*have you opened a database connection?

A: The query is:
SELECT count(*) FROM table

A: Here is the simple code and I am sure it will work for many out there. Current code will check if vaule is already in the database, if it already exists will not add the record to database, if it never exists already will add the record to database.
<?php
    $chkval =52364;

    $con = mysql_connect("servername","username","password");

    if (!$con)
    {
        die('Could not connect: ' . mysql_error());
    }

    mysql_select_db("databasename", $con);

    $result = mysql_query("SELECT column_name FROM table_name where column_name = '$chkval'");

    if(mysql_num_rows($result)>0)
        {
            echo "There are records";

        }
        else
        {
            mysql_query("INSERT INTO tablename (column_name)
                VALUES ('$chkval')");

                                echo "record added";

        }
            mysql_close($con);

 ?>

redpajama_set_name: RedPajamaStackExchange


text:
layout: post
title: 'jekyll: Quick Start Jekyll static-website'
tags: jekyll
---

This post is consist of 3 steps to describe how to use jekyll to create static webisite rather quickly.

## 1. Installing some gems you will need.

Create a Gemfile:

```shell
$ vi /path/to/your/static-website/Gemfile
```

And, fill up it with the following text.

```ruby
source 'https://rubygems.org'

gem 'jekyll'
```

Run bundle install.

```ruby
$ cd /path/to/your/static-website/
$ bundle install --path vendor/bundle
```

----

## 2. Create new static-site with a built-in template

```shell
$ cd /path/to/your/static-website/
$ bundle exec jekyll new yourprojectnameishere
```

----

## 3. Run built-in server in order to check your new static site

```shell
$ cd /path/to/your/static-website/
$ bundle exec jekyll serve --port 8080
```

Finally, access to http://localhost:4040/ on your web browser.

[![IMAGE ALT TEXT HERE](/imgs/jekyll1.png)](/imgs/jekyll1.png)

----

That's all.

redpajama_set_name: RedPajamaGithub


text:
The incident on Hill 192 refers to the kidnapping, gang rape, and murder of Phan Thi Mao, a young Vietnamese woman, on November 19, 1966 by an American squad during the Vietnam War. Though news of the incident reached the U.S. shortly after the soldiers' trials, the story gained widespread notoriety through Daniel Lang's 1969 article for The New Yorker and his subsequent book. In 1970 Michael Verhoeven made the film o.k., based on the incident. In 1989 Brian De Palma directed the film Casualties of War, which was based on Lang's book.

Incident
On November 17, 1966, Sergeant David Edward Gervase (aged 20) and Private First Class Steven Cabbot Thomas (21)—both members of C Company, 2nd Battalion (Airborne), 8th Cavalry, 1st Cavalry Division—talked to three other squad members (Privates First Class Robert M. Storeby, 22; cousins Cipriano S. Garcia, 21, and Joseph C. Garcia, 20) about plans to kidnap a "pretty girl" during their reconnaissance mission planned for the next day, and "at the end of five days we would kill her." Storeby also recalled that Gervase claimed it would be "good for the morale of the squad."

At approximately 05:00 on the morning of 18 November, the squad entered the tiny village of Cat Tuong, in the Phu My District, looking for a woman. After finding Phan Thi Mao (21), they bound her wrists with rope, gagged her, and took her on the mission. Later, after setting up camp in an abandoned hooch, four of the soldiers (excluding Storeby) took turns raping Mao. The following day, in the midst of a firefight with the Viet Cong, Thomas and Gervase became worried that the woman would be seen with the squad. Thomas took Mao into a brushy area, and although he stabbed her three times with his hunting knife, he failed to kill her. When she tried to flee, three of the soldiers chased after her. Thomas caught her and shot her in the head with his M16 rifle.

Aftermath
Storeby initially reported the crime. At first, the chain of command, including the company commander, took no action. Despite threats against his life by the soldiers who took part in the rape and murder, Storeby was determined to see the soldiers punished. His persistence in reporting the crime to higher authorities eventually resulted in general courts-martial against his four fellow squad mates. It was during those proceedings that the victim was identified by her sister as Phan Thi Mao.

Thomas, Cipriano Garcia, and Joseph Garcia were each convicted of unpremeditated murder in March and April 1967. Gervase was found guilty on the count of premeditated murder. At the trial of Thomas, who committed the actual stabbing and shooting, the prosecutor asked the jury to impose a death sentence. The court, however, sentenced Thomas to life imprisonment with hard labor. This sentence was first commuted to 20 years, then reduced to eight, which made him eligible for parole after half that time. He was paroled on June 18, 1970.

Likewise, Gervase's initial sentence of ten years with hard labor was reduced to eight. He was paroled on August 9, 1969. In 1968, Joseph Garcia was acquitted on the appeal of his initial 15-year sentence and his dishonorable discharge was reversed after it was determined that his Fifth Amendment rights were violated, and his confession was ruled as inadmissible. Cipriano Garcia's 4-year sentence was shortened to 22 months. All soldiers (excluding Storeby) were dishonorably discharged from the Army.

Gervase died on March 23, 1981. He was 34 years old.

In 1992, former PFC Thomas gained further notoriety when he was charged with being an accessory after the fact in the murder trial of George Loeb, who was charged with the 17 May 1991 shooting death of an African-American USS Saratoga sailor named Harold J. Mansfield. Both Thomas and Loeb were leaders of the white supremacist World Church of the Creator. Thomas remained free on bond during the trial, and court records showed that in exchange for his testimony he would only serve one year's probation.

References

Bibliography

1966 in Vietnam
1966 murders in Asia
Gang rape in Asia
Kidnapping in Asia
Kidnappings
November 1966 events in Asia
Rape in the 1960s
United States Army in the Vietnam War
United States military scandals
Vietnam War crimes committed by the United States
Violence against women in Vietnam
Wartime sexual violence

redpajama_set_name: RedPajamaWikipedia


Expressions of Interest for SRCWA Have a Go Day 2019 a Live Lighter Event now open. - Seniors Recreation Council of WA Inc.
Expressions of Interest for Have a Go Day 2019 a Live Lighter Event are now open. Please fill and return the Expression of Interest form including Terms and Conditions (below) to be placed on our mailing list for Seniors Recreation Council of WA's "Have a Go Day 2019 a LiveLighter Event. Should you have any questions please contact the SRCWA office on 08 9492 9773.


text:
Das EFX is an American hip hop duo. It consists of emcees  Dray (also known as Krazy Drayz, born Andre Weston,  September 9, 1970) and Skoob (also known as Books and Boogie Bang, born William "Willie" Hines, November 27, 1970). They named themselves "DAS" standing for "Dray and Skoob" and "EFX" meaning "effects". They rose to popularity in the early 1990s due to the duo's stream of consciousness lyrical delivery, which became one of the most influential lyrical styles in rap music at the time; as well as their affiliation with EPMD's Hit Squad. Their style combined intricate rhymes, sometimes mixed with made up words (especially ending with "-iggedy"), delivered with a fast-paced flow and numerous pop culture and hip hop culture references.

History
Skoob hails from Brooklyn, New York City, while Dray hails from Teaneck, New Jersey. However, met at Virginia State University in 1988 and began performing together.  Das EFX caught the attention of EPMD at a local talent show where, despite losing the competition, they did well enough to convince EPMD to sign them to a recording contract. The duo gained critical and commercial fame with the release of their landmark debut album Dead Serious, which highlighted their unusual rapping style (which they nicknamed "sewage").

Dead Serious went platinum and its lead single, "They Want EFX," (which contains samples from James Brown's "Blind Man Can See It" and Malcolm McLaren's "Buffalo Gals")  reached the top ten on the U.S. Billboard R&B chart, the Top 40 on the Billboard Hot 100 and No. 1 on the Hot Rap Tracks chart. Follow-up singles "Mic Checka" and "Straight Out the Sewer" did not chart on the Hot 100, but reached No. 1 and No. 3 on the Hot Rap Tracks chart, respectively.

The duo also made a guest appearance on the remix of Ice Cube's smash hit single "Check Yo Self". The song reached No. 20 on the Hot 100 and No. 1 on the Rap Tracks chart. The track peaked at #36 on the UK Singles Chart in August 1993 and sold over one million copies in the US.

As their career progressed, Das EFX's once-distinctive and unique lyrical delivery was imitated by several other artists and became more commonplace. Derailed by the popularity of their own style, the duo slowed down their fast-paced flow, eliminated the iggedy suffix and downplayed their cartoonish content on their second album, Straight Up Sewaside.

Around the time of their third album Hold It Down (which was far less commercially successful than their debut release), Das EFX found themselves caught in the middle of EPMD's ugly breakup. They ended up siding with PMD (Parrish Smith), and it led to a three-year absence from recording. They returned in 1998 with the album Generation EFX and followed up in 2003 with the album How We Do.

After a hiatus, the group went on an international tour with DJ Rondevu in 2006. In 2007, Krazy Drayz appeared on the East Coast remix of Nas' "Where Are They Now", alongside eleven other old-school rap artists: Dres, Monie Love, Chip Fu, Positive K, EST of Three Times Dope, Father MC, DoItAll of Lords of the Underground, DJ Spinderella, Rob Base, Mike G. of the Jungle Brothers, and Redhead Kingpin.

Das EFX toured the globe again in 2010. They reissued How We Do under the alternate title Old School Throwback on Spotify and other streaming services in 2015; both versions of the album featured Sean Paul on a song "The Memories Remain" which deals with the death of Skoob's father.

Krazy Drayz released a solo album Showtime in 2012. It features Dres, Black Rob, Smif-N-Wessun, and Fredro Starr. As of 2022, Drayz's most recent releases are collaborations with Ben Shorr, Phil Da Beat, DJ Tricky, and Kool Taj The Gr8, plus a 2019 posse cut coordinated by the Snowgoons that also featured PMD, A.G., El Da Sensei, Edo G, Outloud of Blahzay Blahzay, Craig G, Smoothe Da Hustler, and Mr. Cheeks. Skoob has not performed original material on record since Marco Polo's remix of his solo song "How Can I Get Down", which appeared in 2013.

Das EFX continues to record and perform to a smaller, yet very devoted, cult following.

Influence
From the time of their debut in 1992 to 1993, several elements of their style were adopted by other hip-hop artists, including Lords of the Underground, Fu-Schnickens, Kris Kross, Common and even, to a lesser extent, Public Enemy. The 1996 BLACKstreet song "No Diggity", with "diggity" meaning "doubt", bears a title phonetically identical to the track "No Diggedy" on DAS EFX's 1995 release Hold It Down.

Chappelle's Show
Comedian Dave Chappelle has made numerous references to DAS EFX's unique style and lyrics in sketches of his popular Chappelle's Show. In one sketch, a teenage Chappelle tells his girlfriend "I riggity-realize that I liggity-love you." In another, Chappelle as President Bush announced that a country named "Riggity-Row" will join the Coalition of the willing. In yet another sketch, Chappelle as a news presenter announces the opening lyrics of "They Want EFX" as a special report.

Discography

Dead Serious (1992)
Straight Up Sewaside (1993)
Hold It Down (1995)
Generation EFX (1998)
How We Do (2003) (reissued as Old School Throwback in 2015)

References

External links
 Interview with Das EFX (2003) at allhiphop.com
 Interview with  Das EFX (2007) at hiphop-elements.com
 Krazy Drayz interview (2009) at ArtofRhyme.com
 Das EFX interview on YouTube

African-American musical groups
American hip hop groups
Musicians from New York City
Musicians from New Jersey
American musical duos
Hip hop duos
East Coast hip hop groups
East West Records artists
Atlantic Records artists
Hit Squad members
1991 establishments in Virginia


There doesn't appear to be much excitement in the cryptocurrency industry today. Top markets are still down, and most alternative markets are either at break even or note slight gains. Traders currently searching for bullish momentum will not have an easy task doing so. Surprisingly enough, the Ontology price is moving up once again, as it seeks entry into the market cap top 15.
Where is the Ontology Price Heading Next?
When it comes to looking at the overall cryptocurrency industry, there are always a fair few unknown aspects to keep in mind. Even when an altcoin is rising in value all of a sudden, one has to keep in mind there is a chance the momentum will reverse course fairly soon. In the case of Ontology, there is plenty of positive momentum right now, even though a fair few traders have taken profit already.
Over the past 24 hours, there has been a notable Ontology price increase. A fresh 15.5% gain pushes the ONT value to $1.29, or 31,783 Satoshi. Combined with $128m in overall trading volume, it seems the interest in Ontology has not subsided in the slightest. However, there doesn't appear to be any genuine reason for this latest uptrend.
When traders start to see such big profits, it is only normal they start cashing out sooner rather than later. Crypto Case Info has done exactly that when the profit was a bit higher than it is right now. As such, there may be a lot of negative pressure on this market moving forward, which can pose a whole new set of problems for this altcoin.
Even the Turkish traders, who have seemingly taken a major interest in all pumpy altcoins these days, are looking at this market with some doubt. It now seems the rising triangle has pretty much peaked and will see some pushback toward the 30,000 Satoshi level fairly soon. However, that will primarily depend on what happens to Bitcoin in the next few hours and days.
Ont hakkında 3-5 kelam edelim. Teknik dersek yükselen üçgen teyit edildi ve 3300 be 3800 hedeflerinin ilkine geldi. 3050altına inmediği sürece 3800 i hedefleyebilir. Diğer yandan 1w grafikte fiyat üst bb'ye geldi.
Coco Manji, on the other hand, is keeping somewhat of a long-term view on Ontology. By doing so, this user pocketed a potential profit of up to 25%, which is more than acceptable under the current market circumstances. Although that uptrend will not be sustained for very long, it is sometimes worthwhile to keep holding when the momentum turns bullish.
All signs seem to indicate the Ontology value has peaked already. While that doesn't necessarily warrant a massive bearish run, it is likely some sort of correction will occur prior to the weekend. How steep that dip will be, is up to anyone's guess at this time. No one should try to chase this pump by any means, albeit traders are advised to make their own decisions at all times.


Mr. President, I write today with a heavy heart after listening closely to your State of the Union speech. As a first-generation American of Arab and Muslim descent, I feel peculiarly qualified to express not just my thoughts…but my feelings about your speech.
On my office wall hangs a framed reproduction of The Declaration of Independence. In fact, every office I have ever sat in had this same framed reproduction, cut from the July 4th issue of The Chicago Tribune in 1976; the two hundredth anniversary of our nation's independence.
It has been these stirring words and ideals that have animated my heart and soul ever since I first read the words. Freedom and the inalienable rights of Man are not just words for me; they are the very reason for living.
In your speech, you spoke about war with Iraq. You spoke the words of freedom, but somehow they seemed…false. Why? Freedom is not a thing bestowed to a people as a gift from Uncle Sam. The "gift" is even more awkward when it comes wrapped with an invasion force of 250,000 US soldiers, carpet-bombing and missiles raining from the sky. You cannot give the Iraqi people their freedom at the barrel of an American gun. The Iraqi people must earn their own freedom if it is to be worth more than words.
Our freedom was not a gift from France, but earned through the toils of those early Americans, and paid for by successive generations that have ensured my right to address my President as I do now.
You say that the Iraqi people deserve freedom and who can deny any this dream? But no freedom deserved is without a price. But whose price? Is Iraqi freedom more precious than Palestinian freedom? Is Iraqi freedom more precious than those suffering from our own allies in the region?
Is the price of Iraqi freedom worth a single American parent, grieving for his or her son, sent to Baghdad to do for the Iraqi people what they do not do for themselves? The answer Mr. President is a resounding NO. I suggested that your rhetoric seemed…false. Again, you might ask; Why?
Your rhetoric of freedom rings false because you cannot speak of freedom on Tuesday, and support the brutal Occupation of Palestine on Wednesday. You cannot speak of freedom on Tuesday, and support dictatorial monarchies like Saudi Arabia and Jordan on Wednesday. And of course, you should not speak of freedom on Tuesday while giving "Most Favored Nations" trading agreements with slave labor countries like China on Wednesday. There are more examples, but the point is made.
Freedom is a principle. Selectively applied, they are no longer principles but thinly veiled rationalizations for domestic consumption. Your selective application of freedom is what makes your words hollow and ultimately devoid of the spirit to which it is aimed. You have taken the words that Thomas Jefferson dreamed so beautifully and crafted them into sound bites for news headlines. You have stripped them of their meaning…their soul…by selective application, intended to gain support for a crusade.
As an American of Arab and Muslim descent, the hollowness of those words is haunting. I know that when Saddam was a US ally in the eighties, Kurds were slaughtered without our Vice President Cheney and Secretary of Defense Rumsfeld raising their voice. Kurds were slaughtered by our ally, Turkey, as we looked away. Freedom did not ring from the Washington steps then, and freedom is not the goal of your policy now.
One million Iranians were slaughtered by Saddam Hussein, then as an American ally, utilizing American-made weapons. Our country did more than look away, but supported his military adventure. This is what I know, so your words condemning Saddam's aggression against Iran were equally false….rhetoric used for an American people who do not devote the time to sift through the fog of Middle East politics.
It is true that I follow the Middle East more closely than my neighbors in the suburbs of Chicago. But there are 1.4 billion Muslims in the world who also follow what happens in Jerusalem and the rest of the Middle East. The list of dictators in Muslim countries who get active US support in suppressing and denying freedom to its people is long indeed. Muslim people feel the shackles of CIA-trained forces helping to maintain the thrones of power. Every Muslim therefore feels the hollowness of your rhetoric.
Israel has weapons of mass destruction, but you, Mr. President, and successive presidents before you, spoke not of these weapons. Israel attacked Egypt in 1956 and again in 1967, and presently practices a form of Occupation unknown since the time of Hitler, yet your silence only underscores the hypocrisy.
Mr. President, how can I tell you the depth of distrust the chasm between your rhetoric of Tuesday night and the reality outlined above creates in the hearts of 1.4 billion Muslims? These contradictions cannot be swept away easily.
Your new crusade against Baghdad harkens back to another time, to another era. Your crusade against Iraq is felt to be exactly what the word implies. As you rally our nation to join this crusade, the heaviness of heart for what this means saddens me, because I know that the words of Jefferson may be used, but his ideals are not to be found.


text:
God of the Rodeo NPR coverage of God of the Rodeo: The Quest for Redemption in Louisiana's Angola Prison by Daniel Bergner. News, author interviews, critics' picks and more.
God of the Rodeo
The Quest for Redemption in Louisiana's Angola Prison
by Daniel Bergner
Paperback, 297 pages, Textstream, List Price: $19 |
Buy Featured Book
Daniel Bergner
Your purchase helps support NPR programming. How?
Traces a year in the lives of six convicts at Louisiana's most fearsome maximum security prison, revealing both the brutality of their lives and the human emotions that surface as they compete in the annual prison rodeo. Reprint.
Read an excerpt of this book
Also by Daniel Bergner
Sing for Your Life
NPR Reviews, Interviews and More
NPR stories about God of the Rodeo
Hidden Kitchens: The Kitchen Sisters
Broncos and Boudin: The Angola Prison Rodeo
April 17, 2008 • Hidden Kitchens travels to the Louisiana State Penitentiary and the world of unexpected, below-the-radar, down-home convict cooking at the Angola Prison Rodeo. The event, which draws thousands of spectators, features traditional dishes prepared and sold by inmates at the prison farm.
Embed <iframe src="https://www.npr.org/player/embed/89698695/89713401" width="100%" height="290" frameborder="0" scrolling="no" title="NPR embedded audio player">
Note: Book excerpts are provided by the publisher and may contain language some find offensive.
Excerpt: God Of The Rodeo
January 1, 201012:00 AM ET
When he had finished work--building fence or penning cattle or castrating bull calves with a knife supplied by his boss on the prison farm--Johnny Brooks lingered in the saddle shed. The small cinder-block building is near the heart of Angola, Louisiana's maximum-security state penitentiary. Alone there, Brooks placed his saddle on a wooden rack in the middle of the room, leapt into it, and imagined himself riding in the inmate rodeo coming up in October. He prepared himself. The afternoon he first showed me what he did, the shed's corrugated metal door was half shut. The air in the unlit room had a dusky, textured quality, almost like the weave of a fabric. He floated on it, the fabric. To vault himself into the saddle, which rested at chest height, he did not use a stirrup. Nor, it seemed, did he bend his knees. He merely flicked his ankles to rise well above the leather, and for an instant he was frozen there, suspended above it, legs spread in perfect symmetry and spine impeccably upright.
That morning, in early September, I had watched him train a colt in a tight, fenced ring. Brooks stood at the center and taught the young quarter horse to cut, to switch directions fast, on command, so that eventually it could work the cattle. "Get around there," he demanded. "Get around; get around." And warned, "Better behave yourself." The colt kept half an eye on Brooks always. Brooks's voice was quiet, but the horse had no desire to feel the whip he carried. And though floggings were a thing long past at Angola, Brooks maintained his own sidelong glance on his boss, one of the freemen who ran the range crew, leaning against the fence. The sleeves of Brooks's T-shirt looked taut as rubber bands around his muscles, which were thick as tree roots. His boss was short, heavy, more like a softening stump. "Give me handle," he said, and Brooks answered, "Yassuh," and "Yassuh" was much of what I heard him say during the first weeks I knew him, whether in response to me or to prison employees. He kept his shoulders stooped. His head hung slightly. Often his eyes were lowered. He had, at times, an unrestrained, affecting smile that included his eyes, though he was missing three bottom teeth and the upper ones didn't look so healthy. He was a caricature, an illusion from another era, humble black servant, Stepin Fetchit.
"Yassuh," he replied after finishing with the colt, when another of the freemen called, "Mr. Jimmy wants his truck washed." He jogged over, caught the keys that were tossed his way, and hustled off to soap, scrub, rinse, and dry.
But later, inside the saddle shed, his shoulders were straight and his speech gained authority. The air seemed not only textured but, like the air over all of Angola's vast grounds, laden, palpably heavier than the atmosphere outside the gates. Five thousand men were incarcerated there. Eighty-five percent had killed or raped or robbed with violence. About eight in ten were sentenced either to life without parole or to so many years they might as well have been. (Louisiana had good claim to the toughest sentencing laws in the nation. It was one of only three states where all lifers were natural lifers--the governor's clemency offered the only way out. Other states with a natural life sentence used it sparingly.) Brooks, here for beating a woman to death during a robbery twenty-two years ago, was no longer floating above his saddle. He sat on the brown leather. Yet his new posture and voice, and his eyes that were suddenly direct and animated, defied more than his submissiveness; they defied Angola's excess gravity.
In the previous year's rodeo a gold-tinted bull had knocked him unconscious. Hurtling, the 1,600 pound animal snapped Brooks's neck back then forward, slamming his head into the knobby rock of muscle between the bull's shoulders. Now Brooks envisioned drawing the same bull, reminded himself to stay out of its "territory," not to let his weight fall too far back. Or he would lose all control and the whiplashing would start.
He schooled himself, in the hush of the room, to slice the air with the elbow of his free arm, the way the pros on TV did, for balance against the bull's spin. He taught himself to spur constantly against that spin, a plea--as much as a command--for an end to centrifugal force. The bull rope would be tied around his right hand. He imagined how hard he wanted the rope pulled by the inmate helping him in the chute. "It should feel like the tire of a truck pinning me there, Mr. Dan, he said. When I get done it should feel like my hand been inside a vise."
To fix his eyes only on the bull's left shoulder, never on its head--he trained himself about that, too. The head was a temptation but would trick you; the animal always went where the shoulder did. And he tried to anticipate the sensation when the chute gate opened and the bull exploded. Fear would blacken his mind, make him deaf to every sound. There would be no conscious control from then on. There would be only the reactions he tried to drill into himself here, daydreaming.
Besides last year's injury, Brooks had, after his first ride in his first rodeo more than a decade ago, been kicked in the back by the bull that threw him. He had then watched another convict thrown immediately in front of the chute. The bull found the man on the ground and shook him between its horns, cracking his spine--the man was left a quadriplegic, living in the Department of Corrections' version of a nursing home. A few years later, Brooks had broken his arm, and the year before last the flesh just below his eye had been sliced open by a bulls horn. Rodeo anywhere is a dangerous sport, bull riding its most extreme event. The prison staff who oversaw Brooks on the range crew, and who organized Angola's rodeo, were quick to remind me of this. Brooks's medical history would be about the gentlest on the pro tour. But many pros enter two rodeos in a weekend, ride several bulls every week, hundreds in a year. Each year Brooks mounted exactly four. His odds were not gentle at all.
They were not meant to be. The inmate rodeo, a thirty-two-year-old tradition that year, 1996, was held every Sunday in October and was billed by the prison as "The Wildest Show in the South." The public was invited through Angola's gates, lured by write-ups in the fun section of the local paper promising untrained convicts "thrown every which way." The men could not practice. Many, unlike Brooks and a few others who worked with horses as part of their prison jobs, had never so much as ridden a pony at a childhood street fair. They were not given the protective vests the pros wear to save themselves from shattered ribs and punctured lungs when the bronco kicks or the bull stomps down. Broken shoulders or wrists or ribs occurred daily. One past rider, petrified on his horse in a slapstick event called "Buddy Pick-Up," had died of a heart attack. Hours before the rodeo started, to be sure of getting in, the fans would line their cars along the shoulder of the road leading to Angola; there was rarely enough room for everyone in the prisons old 5,000-seat arena. Weeks before, the convicts signed up to compete in the spectacle--and signed a release absolving the prison of all liability--then begged their way into the featured events.
And yes, Brooks knew what the public came for. "Some of them, sure," he said when I asked about rooting for broken bodies. But not all. "And if you give them something good..." He spoke more of technique, of the bull's "pivot point," of a "suicide tie" for his right hand, of locking his right elbow, of watching J. W. Hart and Tuff Hedeman and Ted Nuce on ESPN, "studying them tight, tight." Then he talked again of the spectators, who cheered loudly for the best performances. He had heard it. He knew they did. And he recalled the day a rodeo clown--hired from the pro circuit to draw the bulls away from fallen riders--hugged him, lifted him off his feet in congratulations after a beautifully executed ride. "He liked what I done," Brooks remembered, his eyes completely at odds with the understatement of his words, "and he just picked me up like this."
From the Hardcover edition.


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THE JOY OF WALKING
1 December 2011 17 May 2019 Modern AthleteFeatures
In 1991 at the age of 36, I was a mother of three young children and an occasional smoker. In July of that year, I was persuaded to join The Run/Walk for Life (RWFL) programme by a family member in order to stop smoking and it didn't take long for me to be hooked. Something about exercising outdoors, walking the beautiful streets of Johannesburg, admiring the gardens and seeing the seasons change, as well as the camaraderie of talking to fellow walkers, made this an entirely pleasant and rewarding way of spending time. Up until that point, I had always played team sport and did not consider myself very competitive, but I soon discovered my competitive spirit.
I sort of knew how to race walk, but I realised if you wanted to go fast and be competitive, mastering the proper technique really is the only way to do it. Luckily, I picked it up easily and I really embraced the rhythm of walking. I did my first 10km road race on 10 October 1991 in a time of 71 minutes and I was the second walker home. Kay Cotterell, my RWFL branch manager then encouraged me to go to a clinic organised by Norman Janet, a local race walking expert. He coached me for two years and worked a lot on perfecting my technique and encouraging me. At the end of 1993 I attended another clinic, held at the University of Johannesburg (RAU at the time). This proved to be a turning point in my walking career, because I met my second coach, Dawid van der Merwe there. 'Oom Van' had ambitious plans to make me a Springbok, and as he pointed out, I had left him very little time to do it.
CHAMPIONSHIPS, MEDALS AND RECORDS
In September of 1994, I walked for the then Transvaal team in the National Road Walking Championships in Cape Town and won the silver medal in the 20km walk, in a time of 1:57:28. In April 1995, at the age of 40, I earned my National Colours as part of the South African team at the 17th IAAF/Reebok World Race Walking Cup in Beijing, China. Even though we were completely outclassed by the amazing speed of race walkers from other countries, it was a most wonderful experience. I did my 10km race in a then personal best time of 53:35 and became totally committed to the sport of race walking, and highly motivated to discover just what my potential might be.
Since then I have walked all over my city, my country and the world, and have won 33 SA national titles, nine gold medals at senior (all ages) National Championships and 24 gold medals at SA Masters National Championships (above 35 years old). I have twice been the All Africa record holder for the 20km event after becoming the first woman in Africa to break 1:50 on a 20km in Durban in 1996, before breaking my own records when I walked a 20km in 1:43 in 1998 in Naumburg, Germany. I have also broken 18 South African national records and in 2000 I broke the World Record in the 45-49 age group when I walked a 5 000m track race in Oudtshoorn in 24:14.
As a Masters race walker, I have won 12 World Masters Championship titles in distances of 5 000m, 10km and 20km. I won my first world title in 1997 in Durban, two more in Brisbane, Australia in 2001, and a further two in Carolina, Puerto Rico in 2003. In San Sebastian, Spain in 2005, I won another title, and in Riccione, Italy in 2007, I won three more gold medals, before winning another three golds in Sacramento, California earlier this year. These accolades have been wonderful, but they are only moments in time. What is important for me is that I get out there nearly every day of the year to enjoy my walking and enhance my life.
2011 IAAF WORLD MASTERS CHAMPS
I attended my eighth World Masters Athletics Championships in Sacramento, California in the USA from 6 to 17 July. A team of 32 South Africans participated along with 4 800 athletes from more than 90 countries, in a full track and field programme as well as cross-country, road race walks and the marathon.
Sacramento was in the midst of a heat wave and we raced in temperatures of over 40 degrees. I approached my races with caution to handle the heat and make sure that my technique was acceptable. There were 27 walkers in the 5 000m race (women 55-59) and I won in a time of 27:05. The 10km road walk was around a park and was shady with lots of beautiful trees, but with quite a steep camber. I was pleased with my winning time of 54:58 against 23 other women and a new SA record for age 55-59. At the 20km walk, my legs had not fully recovered from the 10km and we were walking on the same route, so this time I really struggled with the camber, but out of 11 women in my age group, I won my third gold medal in a time of 1:56:46.
In total the South African athletes attained 21 medals (five gold, six silver and nine bronze). Our walkers acquitted themselves very well, achieving seven of the 21 medals.
WALKING TO A BETTER LIFE
I believe that the quality of my life has been greatly enhanced by exercise. Physically, my health has improved in so many areas. My asthma is under control, my lungs are better than ever, and my medical practitioners are constantly impressed by my heart rate, blood pressure, bone density and the consistency of my weight. Not to mention my dramatically improved energy levels! Mentally, it has enabled me to have a significantly improved positive outlook on life due to the sense of empowerment accomplished by achieving exercise goals on a daily basis. It has also given me a sense of being in control of my life and responsible for my choices.
I am passionate about walking and race walking, and became the coach at the Wanderers Club because I wanted to give back to the sport that has given me so much. I really enjoy seeing my walkers grow from strength to strength and achieve their potential. I advise potential race walkers to join a club that has a walking section with its own coach, because it is much easier and much more fun to learn the technique in a conducive environment. A strong self-esteem is also required, as runners are prone to pass smart comments when you pass them on the road and you are walking faster than they can run, but many more will give you a compliment and show their respect for what you are doing. Once you get the hang of the technique, you will get a great deal of enjoyment from race walking. Besides that, there are all the fantastic physical benefits, as it really does tone the whole body.
LIFE LESSONS IN WALKING
My walking career has had good times and bad, and I have learnt from both. There are days when I don't feel like going out and sometimes I don't, but often when I override the 'I don't feel like it today' feeling, I really get to enjoy the training session and feel better for the rest of the day. Experience has been a great teacher and I have grown and changed my attitude towards racing over the years, from the early days of pressure and expectation, to expecting to have fun out there when I race these days. I am excited and enthusiastic on the start line about how is it going to turn out today, and I often reflect in races that I am so blessed to be able to do what I love doing, and in such wonderful natural settings.
Being outdoors everyday and taking in the fresh air, the blue skies and the wonder of nature (even in an urban setting) has taught me so much about the human spirit. I can't help but be uplifted and energised from walking. It has allowed me to grow and to challenge myself in so many ways, and the journey of each race has been insightful and revealing. Training and racing have brought a lot of joy into my life and really added much value to my life. It has given me a positive outlook, taught me patience, discipline, humility and how to take risks, and made me realise how resilient I am. I enjoy taking myself to "my edge" and see each race as an opportunity to find out how well my training programme is working. I am committed to giving my best in training and in racing, and my ultimate goal is to pursue excellence. If I walk away from a race knowing that I could not have gone any harder, then I am satisfied, no matter what the outcome, and this is really my biggest achievement in walking.
Sport has taught me so much about life, including the ups and downs of both, and on reflection, it has been an amazing journey over the last 20 years. I am so grateful for my good health, and the wonderful support I have received from my husband, children, extended family and friends, as well as my great team of coaches, physiotherapists, massage therapist, Pilates instructor and Tai Chi teacher, who have all contributed to my success.
Barbara's PB's:
3000m 14:34 Potchefstroom 1999
5000m 23:44 Port Elizabeth 1999
10km 47:53 Port Elizabeth 1999
20km 1:43:32 Naumburg, Germany 1998


About Lonewolf: Lonewolf is a French speed / heavy metal band formed in 1991 in Claix. LONEWOLF was born near GRENOBLE (France). A first demo tape is recorded : "The Calling", with Félix (lead guitar), Jens (guitare and lead vocals), Roland (bass) and Renaud (drums), wich got very good feedbacks in the heavy-metal underground and was sold more than 450 copies. It will be re-released in 2002 under the name of  Walpurgis Night.


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Tag Archives | Tatcho Mindiola
The Tatcho Mindiola Jr. Collection
By Houston History Magazine on December 8, 2016 in Archives, Arts & Culture, Education, Houstonians, Race & Ethnicity, University of Houston
In May 2015, Houston native Dr. Tatcho Mindiola, Jr., the long time Chicano activist, sociology professor, and director for the Center for Mexican American Studies, retired from the University of Houston (UH) after forty years of service. Months later he donated his papers, over sixty boxes, to the Hispanic Collections at the University of Houston […]
14.1 Houston EMS Table of Contents
By Debbie Harwell on December 1, 2016 in Health and Medicine, Houstonians, Other
Download the full pdf. Vol. 14, No. 1 (Fall 2016) Letter from the Editor by Debbie Z. Harwell 2 Pioneering Houston EMS: Answering the Call By La'Nora Jefferson, James Thornock, and Paulina De Paz 7 Houston Setting the Standard for Emergency Care By La'Nora Jefferson, James Thornock, and Paulina De Paz 15 On Call […]
Volume 9, Number 1
By Houston History Magazine on January 1, 2012 in Arts & Culture, Communities, Food, Houstonians, Music, Past Issues, Politics, Race & Ethnicity
Houston: Nuestra Historia Vol. 9, No. 1 (Fall 2011) Download PDF Letter from Guest Editor Natalie Garza 2 La Colonia Mexicana: A History of Mexican Americans in Houston by Jesus Jesse Esparza 9 Trailblazers in Houston's East End: The Impact of Ripley House and the Settlement Association on Houston's Hispanic Population by Thomas […]
Finding A Way: Developing the Center for Mexican American Studies at UH
By Houston History Magazine on December 2, 2011 in Education, Houstonians, Politics, Race & Ethnicity, University of Houston
The impetus for the Mexican American Studies Program at the University of Houston came from the Mexican American Youth Organization (MAYO), a student group that began pressuring the University to establish Mexican American Studies in 1970. In the spring of 1971, a committee of faculty and MAYO representatives developed a proposal and the program became […]


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Early 20th century home on Colonial road, convenient to the street car, shops and schools.
Rep. Andover as a new auto suburb.
One - story Craftsman house became the most popular and fashionable smaller house in the country 1905 - 1930.
This property was once part of the old Abbot homestead at 15 Hidden Road which extended up to South Main St. to #223-225 SO. Main. A triangular lot across the street was also included in the property. In 1914 the homestead was parceled off from the rest of the estate and several house lots were created and sold separately. This lot was first sold to George B. Frost who lived at 29 Highland Road. The lot was sold to Addison R. Saunders who then sold to Frank Slater Crawford on Nov. 19, 1919. Crawford had been renting the Rose Cottage prior to moving here. The Andover Valuation 1920 Tax list, South District:Frank S. Crawford, Hidden Road; Unfinished house Hidden Road $1800, 16,771 sq. ft. land $800 = $2600 Valuation.
Frank Slater Crawford was born October 14, 1890 in South Sudbury, MA, son of George E. & Anna J. (Bellis) Crawford of Waltham, MA. Frank became a bookkeeper and accountant. He had one brother Douglas G. Crawford. In 1910 Frank S. lives with his mother Anna J. on a Poultry farm in Sudbury, From 1911-1915 they lived in Marlborough, MA where Frank worked as a bookkeeper. In 1916 he is in Lawrence, MA working for the Merrimack Paper Co. as an accountant. Frank moved to Andover in 1918 as he, mother Anna and brother Douglas are living on Elm Street.
Frank purchased the lot on Hidden Road in 1919 and the home was built in 1920. Frank married in 1926 to Persis Amanda Durling b. Feb. 25, 1897 in Haverhill, dau. of Edward J. & Bessie (Gage) Durling. In 1930 Frank's mother is living with them. Frank & Persis had three sons; Warren G. b. 1934, Robert b. 1937 and John b. 1939. Frank died on July 16, 1961. The Crawfords owned the property for 45 years then selling in 1965 to Kenneth J. & Siquid Wilson on Oct. 29, 1965.
1918 Frank S. Crawford, bus. In Lawrence h. Elm St.
Anna boards with Mrs. Frank S.


Sam Pulsifer has come to the tip of a really lengthy and strange trip. He spent ten years in legal for by accident burning down poet Emily Dickinson's condo - and unwittingly killing humans within the procedure. He emerged elderly twenty-eight and set approximately making a new lifestyles for himself. He went to school, came upon love, received married, fathered young children, and made a brand new commence - after which watched in almost-silent awe because the vengeful previous stuck up with him, correct at his personal entrance door. As, one after the other, the houses of different recognized New England writers are torched, Sam is familiar with that this time he's probably now not responsible. To end up his innocence, he units out to discover the id of this literary-minded arsonist. What he discovers, and the way he bargains with the truth of his discoveries, is either hilariously humorous and heartbreakingly unhappy. "An Arsonist's consultant to Writers' houses in New England" is a unique disguised as a memoir; a deeply affecting tale approximately fact and honesty and the wear they do.
In his first number of brief tales, Barnes explores the slim physique of water containing the substantial sea of prejudice and misapprehension which lies among England and France with acuity humor, and compassion. For no matter if Barnes's English characters come to France as conquerors or hostages, employees, athletes, or aesthetes, what they become aware of, along wealthy nutrition and barbarous sexual and non secular practices, is their very own ineradicable Englishness.
In this savage civil battle, all efforts to finish Jacen Solo's tyranny of the Galactic Alliance have failed. Now with Jacen coming near near the peak of his darkish powers, no one–not even the Solos and the Skywalkers–knows if something can cease the Sith Lord prior to his plan to save lots of the galaxy finally ends up destroying it.
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Award-winning writer Jill McCorkle takes us on a fantastic trip via time and reminiscence during this, her 10th paintings of fiction. lifestyles After existence is stuffed with a feeling of ask yourself at our potential for self-discovery at any age. And the citizens, employees, and buddies of the Pine Haven retirement middle (from twelve-year-old Abby to eighty-five-year-old Sadie) percentage a few of life's such a lot profound discoveries and are essentially the most true-to-life characters that you're ever prone to meet in fiction.


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