This recipe has been tailored to accompany the Edible Learning Lab Teaching Kitchen collection of lessons. The simplified instructions make it an ideal recipe for young students. It is intended to accompany the lesson, Juice It.
In a moment of desperation I replied "Of course this green juice is what makes the Incredible Hulk so strong. Just look at the color!" It's a struggle as old as time itself. Children don't want to eat their vegetables. Ever. But there are very few kids that will risk missing out on a secret power boost like spinach. Just look at what it did for Popeye!
The current generation of wee ones don't know Popeye and the Hulk of today is nothing like the one I grew up watching. But the message is still the same. Eat your veggies and you will be strong and powerful. At least, that's how I presented it to Tank and Tater, my two little ones.
So they stepped up to the counter, helped me jam spinach, kale, and chard into the chute of the centrifugal juicer and watched in utter amazement as the rainbow of colors shot out the other end of the system. It was at the very moment that I knew I had won the battle. As long as they were intrigued by the process they would drink the fruits of their labor.
Green juice is known in our house as Hulk Juice. My boys love drinking it as much as they do making it. The recipe can be modified based on what's available at your farmers' market or what is in season.
Prep the ingredients by thoroughly washing them in cold water.
Core the Granny Smith Apples by cutting around the core.
Peel the cucumber using a peeler.
Halve the lemon and lime and squeeze the juice into the collection bowl using a citrus squeezer.
Juice the remainder of the ingredients using the centrifugal or masticating juicer.
Some young children may find the juice a little more appealing with added sweetness. Simply add organic apple juice to the glass as needed.
We've been making this juice, or some version of it, for a few years now. My boys are 4 and 7 years old and they still fight over who gets the biggest glass of Hulk Juice. Of course, once they settle that issue the race is on. It's never clear who actually finishes first. I'm just glad they finish at all.


Both Chris and I growing up eating this dish. Indonesians call this: "Nasi Tim Ayam" The original process involved steaming the rice in the steamer until cook but it's too long for an impatient cook like me so I tweak the process a little bit.
Then place them inside a rice cooker. Add the broth and water then press the cook button on your rice cooker. A few minutes (depends on how long your rice cooker cooks) later it's ready to be eaten.
Eat it just as is or with soup.
Steamed Chicken Rice aka "Nasi Tim Ayam"
Heat the pan, when the pan is hot, add the oil, when the oil is hot, add butter, mushroom, and garlic.
Sauté until the mushroom is half cooked then add the chicken meats and sausage.
Once the meat is cooked, add the rice, and the rest of the sauces: soy sauce, sweet soy sauce, oyster sauce, and sesame oil.
Place them inside a rice cooker. Add chicken stock and water. Press the cooking button on your rice cooker.
Then a few minutes later, the rice is ready to be eaten.
If you prefer, you can place the cooked rice in a bowl, then flip the bowl into a plate just as if you eat the traditional steamed chicken rice.


Congress hit the exits Wednesday night, with the House and Senate passing legislation to avoid a government shutdown and lawmakers skipping town until after Election Day.
The weeks-long funding fight was resolved rapidly after a bipartisan deal was hatched by House Speaker Paul Ryan and Minority Leader Nancy Pelosi to ensure that Flint, Michigan's water crisis is addressed in the lame duck session.
The bill flew through Capitol Hill — first being passed by the Senate, 72-26, and hours later by the House, 342-85. The legislation, which had White House backing, would fund the federal government through Dec. 9, provide $1.1 billion to combat the Zika virus and send $500 million to Louisiana and other states facing natural disasters.
The push to finish everything on Wednesday picked up steam after both chambers quickly — and overwhelmingly — voted to override President Barack Obama's veto of a bill allowing families of Sept. 11 victims to sue Saudi Arabia. That left the budget measure, called a continuing resolution, or CR, as the last piece of major business.
With that package expected to land on the president's desk in short order, lawmakers will cast their next roll calls in Washington during the lame-duck session in mid-November.
The biggest hurdle to a quick getaway was Democrats' demand that money be added to the CR to help the 100,000 people in Flint who faced lead-contaminated drinking water. But Republicans wouldn't budge, and said Flint should be dealt with in a water infrastructure bill moving through Congress.
Ryan and Pelosi worked out an agreement Tuesday evening to allow a floor vote on an amendment to authorize $170 million for Flint in the water bill. The Senate has already passed a version of its bill that includes $220 million in appropriations for Flint and other cities.
While the move didn't satisfy all Democrats, who wanted the Flint money to be in the CR, most were assured that the beleaguered Michigan city would ultimately receive federal aid during post-election negotiations. The House adopted the Flint amendment and passed the bill easily Wednesday night.
Senate Minority Leader Harry Reid (D-Nev.) said earlier in the day that Senate Democrats were prepared to accept the bipartisan House deal on Flint.
Meanwhile, Pelosi issued a statement on the Flint amendment Wednesday afternoon saying the vote would "begin to narrow the gap between the House and Senate."
"I appreciate the commitment of the Senate Majority Leader Mitch McConnell and Democratic Leader Harry Reid to ensure that the Senate language will prevail in the House-Senate conference," Pelosi said.
Republican leaders likewise sounded confident they would avert a government shutdown.
Flint's congressman, Rep. Dan Kildee (D-Mich.), praised the agreement as "a step forward to ensuring that Flint families get the resources they need to recover from this crisis."
The rapid-fire developments on Wednesday seem to resolve longstanding skepticism from Senate Democrats about whether the Republican-led House would actually advance Flint aid.
Lawmakers also included money in the CR to help clean up damage done by deadly floods in Louisiana, a key priority for the GOP. Democrats initially balked at adding the money to the CR if it didn't also cover Flint.
Earlier, senior Republicans had noted that procedurally, there would have to be a roll call to strip out the flood aid — a vote that could be politically problematic. And some Democrats feared it would look bad to block a bill that would help people caught up in a natural disaster.
Others suggested the inclusion of Louisiana funds could become an issue. "Yesterday it was the CR was set in stone and we were going to do Flint in WRDA and Louisiana would find a vehicle. Now it looks like, if the rumors are true, Louisiana is back in the front seat," Rep. Steve Israel (D-N.Y.) said after a House Democratic leadership meeting Wednesday morning. "That's not going to raise the confidence levels for Democrats in the House."
Republicans pressured them to drop their concerns.
The deal between Pelosi and Ryan came after Reid and other Senate Democrats laid down a hard line on Flint spending over the last several days. In fact, Democrats had already scored several wins in the CR, including Zika funding that also allows Planned Parenthood to receive money combating the mosquito-borne virus.
McConnell, Pelosi and Ryan started working on a deal shortly after McConnell's previous proposal, which did not include Flint funding, failed to muster enough votes to advance Tuesday.
Time was running short, with leaders having just two more days to pass their deal. Government funding runs out Sept. 30. Plus, lawmakers want to return to their districts to campaign for their seats.


What securities does Cable Car trade?
At present, Cable Car can trade most exchange-listed equities and equity-like products (including common stock, preferred stock, limited partnership interests, closed-end funds, notes, and exchange traded funds), many corporate and government bonds, equity options, mutual funds, and currency conversion in over a dozen currencies. For qualified eligible persons, Cable Car can also trade a variety of futures and futures options. In the future, Cable Car may also be able to trade additional products. For clients who are accredited investors, Cable Car may also make selective investments in private companies.
← Why does Cable Car short stocks?


Mayoral and council candidates will square off in the first two planned forums next week, leading up to the Oct. 21 civic election.
Sep. 25, 2013 5:39 p.m.
On Wednesday, both council hopefuls and mayoral candidates will be on the hot seat at the Golden Circle (4620 47A Ave.) starting at 6:30 p.m.
The 30 council hopefuls are expected to answer questions until roughly 8 p.m., before the five mayoral candidates are in the spotlight. The forum runs until 9 p.m.
Starting at 7 p.m. on Thursday, Red Deerians will hear from the five mayoral candidates in a forum at the Snell Auditorium in the downtown branch of the Red Deer Public Library. The forum will include platform presentations by each mayoral candidate, followed by a question and answer period.
The forum will be streamed online at http://www.rdpl.org/programs/live. Voters can tweet questions at @rdpl for the candidates on Twitter before and during the debate.
The library will also be hosting weekly "Twitbates" until Election Day using #voteRD to tag election-related tweets.
The evening wraps up at 9 p.m.


The Institute is looking for a suitable candidate for the Consultant (Civil Engineer) position for a period of one year.
National Science Day is celebrated every year on February 28. National Science Day is celebrated to commemorate discovery of the 'RamanEffect', which led to Indian scientist Sir Chandrasekhara Venkata Raman or C V Raman winning the Noble Prize in Physics in 1930.
Dr. Mala S. Bagiya is awarded with the Young Researcher Award 2018 by Ministry of Earth Sciences. As a mark of recognizing the technical excellence in the Ministry of Earth Sciences, Young Researcher Awards are given to Scientists/Engineers who have made significant contribution in the field of Earth Sciences.
IIG announces its annual programme IMPRESS–2019 to be held at its regional centre "Equatorial Geophysical Research Laboratory (EGRL), Tirunelveli (Tamil Nadu)", during 11-14thFebruary, 2019. Nominations are invited by15thDecember 2018.
IS THERE A CONTINENT HIDDEN BELOW THE ARABIAN SEA?
Copyright © 2018 Indian Institute of Geomagnetism. All Rights with Reserved.


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World + 1 more
PAHO aims for faster diagnosis, more integration in combat against Zika, Dengue and Chikungunya viruses
Washington, D.C. 15 February, 2016 (OPS/OMS) –Strengthening surveillance for Zika virus and improving detection platforms are among the topics that experts from the Pan American Health Organization are slated to discuss in a series of meetings in Puerto Rico, as part of the organization's drive to combat zika, dengue, and chikungunya, three viral diseases affecting the Americas.
Zika is a mosquito-borne virus that is new to the Americas. Since Brazil reported the first cases of local transmission of the virus in May 2015, it has spread to 26 countries and territories of the Americas. At the same time, outbreaks of dengue and chikungunya, which are transmitted by the same Aedes mosquito as Zika, are continuing in many countries. PAHO is working on common threads to integrate the fight against all three of these arboviruses, primarily in the areas of laboratory work and mosquito control.
The challenges of setting up reliable laboratory diagnosis for dengue, chikungunya, and zika, will be the focus of a meeting with WHO Collaborating Centers from around the world, February 16-17. Experts will discuss external quality assurance for laboratories diagnosing dengue and other arboviruses, and develop new testing algorithms for dengue that also include chikungunya and zika as possible diagnoses.
PAHO has developed a strategy to help countries mitigate the impact of Zika by strengthening their abilities to detect the introduction and spread of the virus, reduce mosquito populations, ensure the necessary healthcare services, and effectively communicate with the public on risks and prevention measures.
The Zika virus has spread rapidly because the population of the Americas had not previously been exposed to it and lacks immunity, and because Aedes mosquitoes—the main vector for Zika transmission—are present in all the region's countries except Canada and continental Chile.
The current situation of Zika virus infection, its possible association with Guillain-Barré syndrome and birth defects such as microcephaly, and the next steps to improve laboratory diagnosis and find integrated alternatives to detect the virus will be outlined at the first of the scientific meetings in Puerto Rico.
The Dengue Laboratory Network in the Americas, part of the regional integrated management strategy to prevent and control dengue, will also bring in experts to discuss a new project to create a genomic map of dengue virus in the Americas. Participants from PAHO, WHO, laboratories, and academia will discuss the global impact of Arboviruses and a new testing algorithm.
To prevent or slow the spread of Zika virus, as well as dengue and chikungunya, which are also transmitted by Aedes mosquitoes, PAHO recommends the following:
Mosquito populations should be reduced and controlled by eliminating breeding sites. Containers that can hold even small amounts of water where mosquitoes can breed, such as buckets, bottle tops, flower pots or tires, should be emptied, cleaned or covered to prevent mosquitoes from breeding in them. This will help to control. Other measures include using larvicide to treat standing waters.
All people living in or visiting areas with Aedes mosquitoes should protect themselves from mosquito bites by using insect repellent; wearing clothes (preferably light-colored) that cover as much of the body as possible; using physical barriers such as screens, closed doors and windows; and sleeping under mosquito nets, especially during the day when Aedes mosquitoes are most active.
Pregnant women should be especially careful to avoid mosquito bites. Although Zika typically causes only mild symptoms, outbreaks in Brazil have coincided with a marked increase in microcephaly—or unusually small head size—in newborns. Women planning to travel to areas where Zika is circulating should consult a healthcare provider before traveling and upon return. Women who believe they have been exposed to Zika virus should consult with their healthcare provider for close monitoring of their pregnancy.
PAHO is working with its member countries to strengthen vector control, communicate the risks of Zika and promote prevention, and establish or improve surveillance of both Zika virus infections and suspected complications, such as microcephaly, Guillain-Barre syndrome, and other autoimmune and neurological disorders.
PAHO, founded in 1902, is the oldest international public health organization in the world. It works with its member countries to improve the health and the quality of life of the people of the Americas. It also serves as the Regional Office for the Americas of WHO.
Technological & Biological Hazard Preparedness - Towards 2030: 'An enhanced multi-hazard approach' (October 2020)
Manual and Guideline
Technological & Biological Hazard (CBM1) Preparedness - Background Information (October 2020)
WHO Director-General's opening remarks at the media briefing on COVID-19 – 15 January 2021
Science Succeeding But Solidarity Failing, Warns Secretary-General, Citing 'Vaccine Vacuum' in Poor Nations, as COVID-19 Death Toll Hits 2 Million

redpajama_set_name: RedPajamaCommonCrawl


My sister website at TimeVista Archaeology has been updated with the latest information about what I've been up to. It's a very busy time with the new commercial aggregates project at Black Cat Quarry, entering its third week now, and with enough archaeology to welcome two diggers (of the trowel kind) for two weeks to record the current features. There are ditches, possible pits and, other than a sprinkling of tree-throws and animal burrows, a dark deposit on the gravel terrace edge which contains decorated Anglo-Saxon pottery sherds and animal bone. We've one worked flint blade fragment too — not easy to spot since the gravel is full of it, knapped by the digger's bucket!
Post holes from the recent racing track circuit – still visible on Google Earth – are also evident, many containing 21st-century plastic bottles (still full), cola and beer cans, and modern debris. Top- and sub-soil stripping is continuing apace, constantly monitored, in what will be a 34 ha quarry extension over the next two years. We hope to sign-off the first area for gravel extraction before the Christmas break, if the county archaeologist agrees. The alarm is set for 5am and another week.
This entry was posted in British archaeology, Microburin miscellaneous, Projects and tagged Archaeology by Spencer Carter. Bookmark the permalink.


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Travel Gateway To A Hallowed Past (Jordan)
RISHAD SAAM MEHTA It was a lovely day with a perfect mild summer's morning, a bracing breeze coming off the Dead Sea and deep blue skies with puffy white clouds — the kind that are more decorative than rain-bearing. I walked down to the Dead Sea in Jordan, dressed in my swimming trunks...
Forum: Interviews
Jordan Battles To Regain 'Priceless" Christian Relics
Jordan battles to regain 'priceless' Christian relics 29 March 11 06:30 By Robert Pigott BBC News religious affairs correspondent http://www.bbc.co.uk/news/world-middle-east-12888421 They could be the earliest Christian writing in existence, surviving almost 2,000 years in a Jordanian...
Seeker9
Forum: Interfaith Dialogues
Politics Jordan's King Abdullah II Ousts Prime Minister, Cabinet In Wake Of Mass Protests
Jordan's King Abdullah II ousts prime minister, cabinet in wake of mass protests By Joel Greenberg Tuesday, February 1, 2011; 9:10 AM AMMAN, JORDAN - Jordan's King Abdullah II on Tuesday dismissed Prime Minister Samir Rifai and his cabinet after widespread protests by crowds of people...
World Warily Watching The Arab Revolt
Warily watching the Arab revolt By David Ignatius Thursday, January 27, 2011; 8:00 PM DAVOS, SWITZERLAND It's a sign of the times that some Arab journalists attending the gathering of international power brokers here were spending their free time scanning Twitter messages about...
Jordan Axes Saddam's New Novel (Reuters)
Reuters - Jordan has banned Saddam Hussein's new novel on the grounds the tale of an Arab tribesman who defeats a foreign intruder could hurt relations between the two countries, censors and the publisher said on Sunday...
Sikh News Reporter


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Gwyneth Paltrow Is Taking A Break From Acting
To build her Goop empire.
By Lily Karlin
Jonathan Leibson via Getty Images
You won't see Gwyneth Paltrow on the big screen for a while.
The star revealed on the "Today" show on Friday that she will take a break from acting to focus fully on her lifestyle company Goop.
"We took some investment last year, so as soon as we had other people's money, I realized I really better focus on this completely," Paltrow said. "I'll return to acting probably, but probably not right now."
In the March issue of Glamour, Paltrow opened up about dealing with criticisms often leveled at Goop, particularly in relation to its very expensive offerings.
"Sometimes I'll get annoyed if someone's like, 'Goop is so expensive.' I'm like, 'Have you looked at the website? Have you seen the range of price points? 'Cause we sell things that are $8 ... If you want to f**k with me, bring your A-game. At least have all your information,'" she said.
Maybe this rosewater spray has your name on it, after all.
Lily Karlin
Associate Entertainment Writer, The Huffington Post
Gwyneth Paltrow Goop Acting Acting Break
FILE - This April 18, 2013 file photo shows actress Gwyneth Paltrow at the Tiffany & Co. Blue Book Ball at Rockefeller Center in New York.


text:
Dr Gillian Young
Position: Research Fellow
Areas of expertise: Arctic and Antarctic cloud microphysics; aerosol-cloud interactions; primary and secondary ice production
Email: G.Young1@leeds.ac.uk
Website: ORCID
I joined the Institute for Climate and Atmospheric Science in March 2019 as a polar cloud modeller from the British Antarctic Survey (BAS). At BAS, I worked within the Atmosphere, Ice, and Climate science team on the Microphysics of Antarctic Clouds NERC-funded campaign. My role involved modelling Antarctic cloud physics with the Weather Research and Forecasting model, with a focus on how secondary ice production in these clouds can affect cloud radiative forcing.
Prior to BAS, I completed my PhD in Arctic cloud physics at the University of Manchester's Centre for Atmospheric Science in 2016, as part of the Aerosol-Cloud Coupling And Climate Interactions in the Arctic (ACCACIA) campaign. Using the Met Office Large Eddy Model, I conducted various high-resolution studies of how Arctic mixed-phase clouds respond to small-scale internal, and larger-scale external, changes. I also worked with aircraft measurements during ACCACIA: I developed analysis software to categorise aerosol particle composition measurements – made using Scanning Electron Microscopy coupled with Energy-Dispersive X-ray Spectroscopy – into atmospherically-relevant aerosol species, in addition to using a suite of aircraft instruments to investigate microphysical changes of low-level clouds as cold Arctic airmasses move from over the sea ice to the comparatively-warm ocean.
Now, I've switched back to the Arctic in my current role, and am modelling clouds observed aboard the Swedish icebreaker Oden during the Microbiology-Ocean-Cloud Coupling in the High Arctic (MOCCHA) campaign with the Met Office Unified Model (UM). After evaluating the model's ability to reproduce Arctic clouds, I'll move on to developing their representation in the UM using the Cloud AeroSol Interactive Microphysics (CASIM) scheme.
Outside of my official appointments, I'm active in the Arctic and Antarctic international atmospheric science communities. I'm involved with the Scientific Committee on Antarctic Research (SCAR) Antarctic Clouds and Aerosols action group and am an International Arctic Science Committee (IASC) Early Career Fellow with their Atmosphere Working Group. Through IASC I have become a member of the PACES (air Pollution in the Arctic: Climate, Environment, and Societies) steering committee and, together with IASC and PACES colleagues, we've founded a new PACES science programme focusing on Arctic aerosol-cloud interactions, called QuIESCENT Arctic (Quantifying the Indirect Effect: from Sources to Climate Effects of Natural and Transported aerosol in the Arctic). The QuIESCENT Arctic platform provides a forum to discuss advances in our knowledge of Arctic aerosol-cloud interactions from recent measurement campaigns and facilitate coordination with the modelling community to implement this new understanding in the numerical models we use to predict the effects of Arctic Amplification and climate change.
As a cloud physicist, I study the small-scale interactions in polar clouds which drive their development, evolution, and lifetime. I've used a number of numerical models, covering spatial and temporal scales from large eddy simulations to numerical weather prediction, to conduct detailed studies of the physical processes within Arctic and Antarctic clouds.
The interaction between aerosol particles and clouds is a key uncertainty in general circulation models, and I am interested in the how these interactions affect cloud microphysical properties in the unique polar environment. Polar clouds differ from their mid-latitude counterparts in a number of ways but, most importantly, they are often mixed-phase (containing both liquid cloud droplets and ice crystals), long-lived, and therefore very difficult to model. I use observations to develop the representation of present-day polar clouds in high-resolution numerical models, improving our understanding of the small-scale physical processes which occur within them and allowing us to make judgements about how they may be affected by a changing climate. A key problem with making predictions of polar clouds is their microphysical sensitivity to different particle sources and meteorological forcings, both of which large-scale models fail to capture correctly. Polar aerosol sources range from local to distant – via long-range transport pathways – thus adding further complexity into understanding aerosol-cloud interactions: if we don't know what aerosol are there, then we can't truly understand how important they are in influencing the clouds in the region.
Or, to summarise:
Polar cloud microphysics and dynamics
Aerosol-cloud-radiation interactions
Arctic and Antarctic aerosol chemistry
Machine learning/Big Data
PhD Atmospheric Physics (2016): University of Manchester
MSci Physics and Astronomy (2013): University of Glasgow
Early Career Fellow with the International Arctic Science Committee (Atmosphere Working Group)
Member of the European Geosciences Union (EGU)
Institute for Climate and Atmospheric Science


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Bullied Schoolboy Morphs into King Arthur in Modern Fantasy
MODERN DAY KING ARTHUR: Bullied British schoolboy Alex Elliot (Louis Ashbourne Serkis) finds a sword in a boulder and yanks it out to embrace his destiny and join his friends in a fight against evil in "The Kid Who Would Be King." (Photo courtesy of 20th Century Fox)
By Kam Williams
British schoolboy Alex Elliot (Louis Ashbourne Serkis) is the unlikeliest of heroes. After all, the pint-sized 12-year-old and his nerdy best friend, Bedders (Dean Chaumoo), are bullied on a daily basis at Dungate Academy.
Unfortunately, Alex doesn't have a father or a big brother to teach him how to deal with his tormentors. His dad disappeared ages ago, leaving behind a copy of King Arthur and the Knights of the Round Table inscribed with a dedication comparing his son to the classic novel's legendary title character.
Sure enough, life starts imitating art the day Alex summons up the courage to intervene when he catches a couple of cruel classmates, Kaye (Rhianna Dorris) and Lance (Tom Taylor), tormenting Bedders. Later that afternoon, Alex yanks out a sword he finds stuck in a boulder on a construction site, a feat reminiscent of how Arthur extracted Excalibur from a stone in accordance with ancient folklore.
A new transfer student, Merlin (Angus Imrie), encourages Alex to embrace his destiny as a latter-day King Arthur. Once convinced, Alex uses his sword to knight not only his buddy Bedders, but also their adversaries Kaye and Lance (aka Sir Lancelot).
With time of the essence, the four join forces with Merlin (aka Merlin the Magician), to defeat Morgana (Rebecca Ferguson), an evil sorceress bent on world domination. She comes equipped with a scary army of flaming skeletons, which the youngsters only have a few days to subdue to prevent a cataclysmic solar eclipse.
Written and directed by Joe Cornish (Attack the Block), The Kid Who Would Be King is an entertaining re-imagining of a classic epic adventure — a wholesome family treat with an inspirational message.
Excellent (4 stars). Rated PG for action, violence, scary images, mature themes, and mild epithets. Running time: 120 minutes. Production Companies: 20th Century Fox/Working Title Films/Big Talk Productions. Studio: 20th Century Fox.


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The Lion King( in 3-D) was the number one film at the box office last weekend earning ($377,938,344 Million Worldwide), and Drive came in third, starring Ryan Gosling it earned ($14,700,930Million Worldwide). There were more in wide release to open. We will review last weekend films as well as those coming out this weekend so you can decide if they are worth your money?
The Lion King (In 3-D)—G What's the Buzz? This is a re-release of the 1994 film but now visually enhanced. Elizabeth Weitzman of NY Daily News, "Given that it was made in 1994, an entire generation of kids has now grown up watching "The Lion King" from the couch. Which, as the new, 3D re-release makes immediately clear, is a real shame."[1] Consumers reviews on rottentomatoes really enjoyed the 3-D version saying it was a wonderful experience.
So is it worth the money? Yes!
rottentomatoes: 89% (certified FRESH!)
Consumers Say: Metacritic- 7.8
rottentomatoes: 89%
Drive—R What's the Buzz? Film critics and consumers agreed and had great things to say about this film. Ann Hornaday of The Washington Post stated, "Star of the moment Ryan Gosling delivers a slow, white-hot burn of a performance in "Drive," a nervy, understated ode to one of Hollywood's most cherished archetypes, the sad-eyed man of few words."[2], Consumers, agree with critics saying Drive was like something they've never seen, it was gentle, grizzly and powerful .
So is it worth the money? Big Yes!
Straw Dog's–R What's the Buzz? Critics and consumers agree on this film as well. Michael Philips of Chicago Tribune stated, "bird-brained remake of "Straw Dogs" doesn't work on its own terms, and it can't hold a candle to the unruly, unstable merits of Sam Peckinpah's 1971 original."[3] Consumers said it was slow to get started and very predictable.
So is it worth the money?Maybe (if you have some time to kill).
rottentomatoes: 37% (rotten)
I Don't Know How She Does it–PG-13 What's the Buzz? Critics and consumers agree. Amy Nicholson of Boxoffice Magazine said, "Though the flick is formulaic and at times confounding (the ultra-femme Parker's big revelation is that "trying to be a man is a waste of a woman"), I don't doubt that the pressures will ring true for its target audience, which will leave thoroughly sated by a film that caters to their hatred of perfectionist mommy bloggers who equate McDonalds with shipping your kid to a coal mine."[4] Consumers said it was awful and everyone involved should be ashamed.
So is it worth the money? NO!
What's opening in theaters this weekend? Please click on title to see trailer.
Abduction (latest review results—6% rottentomatoes)
Money Ball(latest review results—94% rottentomatoes)
Killer Elite(latest review results—26% rottentomatoes)
Dolphin Tale (latest review results—85% rottentomatoes)
[1]http://www.rottentomatoes.com/m/the_lion_king/
[2] http://www.metacritic.com/movie/drive/critic-reviews
[3]http://www.rottentomatoes.com/m/straw-dogs-2011/
[4]http://www.metacritic.com/movie/i-dont-know-how-she-does-it/critic-reviews
Tags: box office, Drive, Movie Buzz, ryan gosling, The Lion King
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Francesa September 23, 2011 at 4:53 PM #
Let's start with Abduction. I was expecting to see a Bourne type movie I guess. That was all the buzz in the theater. Instead we got bad writing, horrible dialogue. I saw the trailer once and that is the plot, to me it went no deeper than that. Nathan(Lautner) finds himself on a missing kids website which leads to CIA and guns. Really? I did not feel any chemistry between Lautner and Collins. She was almost boring and I don't think he could act his was out of a paper bag. Same expressions blah blah blah. Did he take lessons from his costar from Twilight Ms. Kristen Stewart??? One wonders.
The action was not to bad. John Singleton is not bad with that. But he is not good with the romance stuff and it showed. And from what was being said around us Taylor did most of his own stunts. Something about him being really into martial arts?? This is probably a sub par review, but there was really nothing that redeeming about it. I did not see any of the Twilight movies so I cannot compare the acting from one to the other. If he is being dubbed as the next action star, he has alot of work to do both acting and action.
Need to catch a flight will write about Moneyball soon. Have a great weekend
Open Book September 23, 2011 at 6:14 PM #
Thank u Francesa!
I'm sure our readers will benefit from this excellent review. Have a safe trip!
P.S. Can't wait to read your review on Moneyball.
comic relief September 23, 2011 at 8:08 PM #
Francesa, it never occurred to me how much hype surrounds some actors. I heard that "Abduction" was a well-reviewed black list script property; but I can see (now) how essential it is to hire people who can fortify and fulfill a potentially rich script and really make them fly.
In interviews I used to hear this principle actor say odd things like he wanted to be the next big feature film action star. I would always wonder why because these actors are rarely well-regarded (other than on box office terms). Running around dodging fake bullets and explosions doesn't seem to be the best way to dramatically hone your craft.
Responses to Abduction may clarify how studios sale individuals regardless of what they may lack in experience, talent, critical contribution to the creative process. Sorry to hear how Lautner fell so flat, but now I'm beginning to wonder whether his ambition far under estimated the work necessary to capitalize on a script requiring visibility on this level.
Your review was far more revealing than I expected. Thanks for saving me the money of buying a ticket. I wouldn't have anyway, but thanks just the same.
CR- I wonder how much the script changed for "Abduction" to accommodate it's sponsors product placement? Not to say this excuses the poor acting. However, this may explain why the film was so contrived and unreal.
Francesa- Was the product placement in "Abduction" excessive?
Francesa September 25, 2011 at 11:00 PM #
I want to apologize with my late review of Moneyball. I am back at home for a short period of time and have had family drama. Ugh!!!!
I have never read the book Moneyball by Michael Lewis, so I went into this movie without preconceived notions. I liked Brad Pitt in the role of the general manager of the A's. He seemed to embody the assured business man but also questions himself. Some of the camera angles against the right lighting he almost looked like Robert Redford in The Natural. Jonah Hill did a great job as Pitt's counterpart. I know he is known for comedy, but he delivers nicely next to Pitt and they play off each other very well. Philip Seymour Hoffman plays the manager of the team and makes an appearance, but that goes relatively unexplored. Which was kind of weird because I am sure in real life there were major fireworks with the respects to old school vs new school scouting techniques. There is not much "baseball" playing in the movie since it is told from a front office stand point. The movie in general did move kind of slow, but the dialogue is very decisive and different camera angles were used. Normal when talking with other people and more choppy and close ups when he was by himself. I think to see how at times he questions himself.
Again I am a huge huge sports fan. But I really enjoyed the movie. I did purchase the book this weekend and am very interested in how the to compare and if HW took there normal liberties.
littlebells September 26, 2011 at 12:11 AM #
great review! Thank you Francesa. i am very intetested in seeing this movie. since you saw the movie and just purchased the book, I have a question for you regarding our spinoff site. would you email me at ptss@rocketmail.com when you have a chance? 🙂
Francesa,
Impressive! Your review was very objective for a sports fan!! I would like to see this film because I love baseball but it's to bad there's not much baseball playing in it. It sounds like they could have benefited by showing some playing given it moved kinda slow. Yet, there are so many baseball playing films this might be refreshing to see a different perspective.
As for product placement in Abduction, there was quite a bit, but isn't just about every movie any more. Of course Apple and a lot of Apple products at that and BMW are the two i distinctly remember.
LOL! No your right about PP being in every film. However, I was wondering if this film (given it's teen demographic) script was re-written to specificly plug in products? I read an article how this is happening more and more regardless if it supports the overall plot. Goodness Apple is everywhere aren't they? Thanks again!


When I saw this skirt online, I couldn't wait to order it. I wore it on a little ice cream date to the cutest little spot in Scottsdale – Sugar Bowl. Since its still winter, I paired it with a long sleeve baby pink top and a red lip. I think it will look great this summer with a white tank top or an off the shoulder top as well. [skirt size 20] What would you wear it with?


Thus Shukra, being among the gods in the celestial city, forgot his former nature without passing through the pangs of death. 2 Having halted awhile by the side of Sachi's consort (i.e., Indra), he rose up to roam about the paradise, charmed with all its various beauties.
3 He looked with rapture on the beauty of his own body and longed to see the lovely beauties of heavenly beings, just as a swan is eager to meet the lotuses of the lake. 4 He saw his beloved one among them in the garden of Indra's paradise, her eyes like those of a young deer and with a stature as delicate as that of a tender amra vine. 5 She also saw the son of Bhrigu and lost her self control. Thus he observed all her indications of amorous feelings. 6 His whole body dissolved in affection for her, like a moonstone melting under moonbeams, and so did hers likewise in tenderness for him. 7 He, like the moonstone, was soothed by her cooling beauty, beaming like moonlight in the sky. She also, being seen by him, was entirely subdued by her love to him.
8 At night they bewailed like ruddy geese at their separation from one another, and at daybreak they were filled with delight on seeing each other. 9 They were both as beautiful to behold as the sun and the opening blossom of the lotus in morning. Their presence added a charm to the garden of paradise, which promised to confer their desired bliss.
10 She committed her subdued self to the mercy of Kama, the god of love, who in his turn darted his arrows relentlessly into her tender heart. 11 Her body was covered with Kama's arrows, like a lotus blossom hidden under a swarm of bees. She became as disordered as the leaves of a lotus disturbed under a shower of raindrops. 12 She fluttered at the gentle breath of playful winds, like the tender filaments of flowers. She moved as gracefully as a swan, her eyes as blue as the petals of blue lotuses. 13 She was deranged by the god of love like a bed of lotuses is disturbed by a mighty elephant. Her lover, Shukra, in his fancy, saw her in that plight.
14 At last the shade of night spread over the landscape of heavenly paradise, as if the god of destruction (Shiva) was advancing to bury the world under universal gloom. 15 A deep darkness spread over the face of the earth and covered it with thick gloom like the regions of the polar mountains where the hot, blazing sun is hidden by the dark shade of perpetual night, as if hiding his face in shame under the dark veil of gloom.
16 When the assembled crowds of the place retired in different directions to their respective homes, the loving pair met together in the midst of the grove. 17 Then the love smitten lady approached her lover with sidelong glances, like a bird of air alights from her aerial flight in the evening to meet with her mate on the earth below. 18 She advanced towards the son of Bhrigu, as a peahen comes out to meet the rising cloud. She saw a white washed building, a couch placed inside.
Saying so, the maiden fell upon his bosom with her body soft as a flower and her eyes turning like a small leaf in a gentle breeze. 30 The loving pair fell into their trance of love in that happy grove, like a couple of playful bees creep into a lotus cup under the fair filaments of the flower shaking by the gentle breeze.


Flights cannot be changed or cancelled while the traveller is checked in. If you think there is a good chance that plans will change or the traveller will miss their flight, then select the seat, but wait with check-in. Until the last possible moment online check-in is still open (2-3 hrs before departure). You can sometimes check the traveller "out" again, but the airline tech here is not 100%. So you may risk sitting on hold with the airline staff and it's not always guaranteed they can assist last minute.
They missed their flight, now what?
On many semi-flex and fully-flex tickets, you can still change or cancel the flight after departure. So even if they are checked-in and you can't change the flight in time, there's a good chance you can still change it or cancel for a refund. Even after the flight has departed. There is usually a no-show fee applied to the change or deducted from the refund.
When you book a return flight, cancelling the return leg for a refund is not always necessary, some business flights are the exception. Many times one-ways are the same price or more expensive than a return flight. In these cases, there is no refundable value on the return portion of the flight. The best would be to cancel the flight without applying for a refund, then use the return leg at a different time in the future. This works only if the flight is a flex fare.
On most fully flex tickets, not only can you change the flight time, you can also change the routing of the flight. So if you've cancelled a return leg in order to use the residual value later, check if the ticket is re-routable and then apply the value towards a different routing. With the same airline of course.
If your executive is miles conscious, its good to know that most airlines don't give full mileage points to codeshare flight segments. So if you want the full amount of miles, check the flight numbers. (Not always) but generally, 2 and 3 number flight codes are operated by the airline themselves, where 4 number codes are codeshares, operated by partner airlines.
Ahoy creates software and services for executive travel planning, booking, changing, and assisting. See how we help assistants manage heavy travel schedules.


Whether you're starting a new academic program, promoting an existing program, updating website content or planning an event, the Office of Communications and Marketing may be able to help. Here's how to get started.
Step 1: Identify your goals, develop a strategy, and determine your budget and funding source. Be ready to discuss these aspects of your project with our team when you make your request.
Step 2: Determine your timeline. Most marketing projects require at least 4-6 weeks to complete; an online update may take at least 3-5 days. Give us time to do our best work on your behalf.
New program request: Online components for a new academic program (major, concentration or stand-alone minor). Download and complete the Website Content Summary.
Website request: Update online information, add new content to an existing webpage or request the creation of a new webpage. Complete the Website Request Form.
Faculty bio request: Submit a new or updated online faculty biography. Download and complete the Faculty Bio Form or email a brief update to mackall@calu.edu.
Photo request: Ask a campus photographer to take photos of a University event to be used for an identified purpose. Send the event's time, date and location when you email a photo request to frailey@calu.edu. If this might be a news story, please copy Wendy Mackall (mackall@calu.edu) or Bruce Wald (wald@calu.edu) when you make your request.
Step 4: That's it! Expect to hear from a member of the Communications and Marketing staff within 2-3 business days regarding your request. Please understand that not all requests can be approved. You may be asked to meet with someone from our office or provide additional information before we can process your request.


text:
'use strict';

function dohover (svg) {
  $(svg + " .read").mouseover(function(){
    console.log($(this).data("readid"));
    console.log($(this).parents());
    // $(svg + " .info").text($(this).data("readid"));

    $.getJSON('/_info', {"readid":$(this).data("readid")}, function(data) {
      $(svg + " .info").html(data.result);
    });

  });
}

function update () {
  function addSVG(which){
    $.getJSON('/_disp', {"req":which}, function(data) {
      for (var i=0; i<data.results.length; i++) {
        var result = data.results[i];
        $('#' +which +'_result .' + result.name + ' .track').html(result.svg);
        // console.log("LOADING:" + result.name);
      }
      dohover('#' +which +'_result');
      $("#" + which + "_result .svg_container").SVGScroller();
      // $( ".svg_container" ).resizable();
      setupFlankingToggle();
    });
  }

  addSVG("alt");
  addSVG("ref");
  addSVG("amb");
}

function loadSVGs() {
  $.getJSON('/_disp', {"req":"progress"},
    function(data) {
      if (data.result == "done"){
        update()
      } else {
        setTimeout(loadSVGs, 100);
      }
  });
}

function setupExport() {
  $.getJSON('/_haspdfexport', function(data) {
    if (data.haspdfexport) {
      $(".requiresPDF").prop("disabled", false);
    }
  });

  $.getJSON('/_haspngexport', function(data) {
    if (data.haspngexport) {
      $(".requiresPNG").prop("disabled", false);
      $("#requiresRSVGText").hide();
    }
  });

  $("#runExport").click(function(){
    $("#exportModal").modal("hide");
  })
}

function setupFlankingToggle() {
  if ($("#alt_result .flanking").length + $("#ref_result .flanking").length < 1) {
    $("#toggleFlanking").hide()
  } else {
    var checkbox = $("#toggleFlanking :checkbox");
    $("#toggleFlanking").show()

    if (!checkbox.data("activated")){
      checkbox.data("activated", true);

      checkbox.change(function(){
        console.log("xxxxx");
        var $this = $(this);
        if ($this.is(':checked')) {
            $("#alt_result .flanking").show();
            $("#ref_result .flanking").show();
        } else {
          $("#alt_result .flanking").hide();
          $("#ref_result .flanking").hide();
        }
      });
    }
  }
}

$(function() {
  loadSVGs();
  setupExport();
});

redpajama_set_name: RedPajamaGithub


> I am afraid java.io.File#toURI() is not correctly implemented now.
Ugh. What an embarrasing bug. I checked in the original buggy code.
Classpath ChangeLog merging/importing becomes much easier.
That makes it slightly more readable.
might be lost on the general list.


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text:
Andrew James Redmayne (Gosford, 13 de enero de 1989) es un futbolista australiano que juega como portero y su equipo es el Sydney F. C. de la A-League.

Es internacional con la selección de fútbol de Australia y se hizo conocido mundialmente al atajar el penal definitivo a Perú en la repesca para el Mundial de Catar 2022.

Carrera

NSWIS y AIS
Redmayne jugó fútbol en categoría juvenil tanto con el Instituto de Deportes de Nueva Gales del Sur (NSWIS) como con el Instituto de Deportes de Australia (AIS). Como resultado de una gira de NSWIS por Inglaterra, Redmayne tuvo una breve prueba en el Arsenal F. C. A pesar de una oferta inicial de mudarse a Inglaterra, el Arsenal retiró su oferta después de fichar a Wojciech Szczęsny, de quince años. Su paso por el AIS incluyó dos temporadas en la Victorian Premier League.

Central Coast Mariners
Redmayne firmó con el club local Central Coast Mariners para la A-League 2007-08. Redmayne hizo su debut competitivo con el club en septiembre de 2008, sustituyendo temprano al lesionado Mark Bosnich en la victoria sobre Perth Glory. Redmayne hizo su debut como titular con el club una semana después en un empate 3-3 con el Adelaide United. Redmayne hizo lo que iba a ser su última aparición competitiva con los Marineros en enero de 2010, una derrota por 2-0 ante Wellington Phoenix.

Brisbane Roar
El 18 de enero de 2010 se anunció que se uniría a Brisbane Roar después de no poder encontrar tiempo de juego regular en los Marineros. Redmayne hizo su debut con el club como suplente en el minuto 80 del portero habitual Michael Theoklitos en la victoria por 4-0 en casa ante el Gold Coast United. Hizo una segunda aparición para el Roar en el último partido del equipo de la temporada regular de la A-League 2011-12, nuevamente en una victoria sobre Gold Coast United.

Melbourne City
El 21 de enero de 2012, Melbourne City anunció a Redmayne como su primer fichaje para la temporada 2012-13 de la A-League. En enero de 2013, hizo su debut en Heart en una victoria sobre Newcastle United Jets y posteriormente fue ascendido a portero de primera elección en el club.

Western Sydney Wanderers
Redmayne regresó a Nueva Gales del Sur para jugar en el Western Sydney Wanderers en 2015 y llegó a disputar dos temporadas.

Sídney F. C.
En enero de 2017, fue traspasado al Sydney F. C.

Con el portero titular Danny Vukovic ausente, ya que disputaba partidos con su selección, Redmayne hizo su primera aparición con los Sky Blues contra Perth Glory, manteniendo la portería a cero en la victoria por 3-0. Con la salida de Vukovic, Redmayne comenzó la pretemporada como titular y lo fue en todos los partidos.

Comenzó el primer juego de la temporada contra sus rivales Melbourne Victory, ayudando al equipo a ganar 1-0. Posteriormente, ganó el Campeonato de la A-League 2019 con Sydney y nuevamente coronándose bicampeón de la A-League 2020.

Selección nacional
Debutó con Australia el 7 de junio de 2019 en un amistoso contra Corea del Sur, como titular.

Redmayne salió desde el banquillo en el minuto 118 de un partido de repesca de la Copa Mundial de la FIFA contra Perú, en el que logró salvar su último tiro en la tanda de penales, y asegurar el pase de Australia para la Copa Mundial de Fútbol de 2022.

Clubes

Palmarés

Torneos nacionales

Torneos internacionales

Distinciones individuales

Referencias

Enlaces externos
 Ficha en Transfermarkt

Futbolistas de Australia
Futbolistas de la selección de fútbol de Australia en los años 2010
Futbolistas de Australia en la Copa Mundial de 2022
Futbolistas del Central Coast Mariners Football Club
Futbolistas del Brisbane Roar Football Club
Futbolistas del Melbourne City Football Club
Futbolistas del Western Sydney Wanderers FC
Futbolistas del Sydney Football Club

redpajama_set_name: RedPajamaWikipedia


text:
<?php
require_once("dbconnection.php");
require_once("editors.php");
require_once("return_package.php");

require_once("dialogs.php");
require_once("tabs.php");
require_once("tags.php");
require_once("instances.php");
require_once("factories.php");
require_once("events.php");
require_once("requirements.php");

class items extends dbconnection
{
    //Takes in item JSON, all fields optional except game_id + user_id + key
    public static function createItem($pack)
    {
        $pack->auth->game_id = $pack->game_id;
        $pack->auth->permission = "read_write";
        if(!editors::authenticateGameEditor($pack->auth)) return new return_package(6, NULL, "Failed Authentication");

        $pack->item_id = dbconnection::queryInsert(
            "INSERT INTO items (".
            "game_id,".
            (isset($pack->name)                 ? "name,"                 : "").
            (isset($pack->description)          ? "description,"          : "").
            (isset($pack->icon_media_id)        ? "icon_media_id,"        : "").
            (isset($pack->media_id)             ? "media_id,"             : "").
            (isset($pack->droppable)            ? "droppable,"            : "").
            (isset($pack->destroyable)          ? "destroyable,"          : "").
            (isset($pack->max_qty_in_inventory) ? "max_qty_in_inventory," : "").
            (isset($pack->weight)               ? "weight,"               : "").
            (isset($pack->url)                  ? "url,"                  : "").
            (isset($pack->type)                 ? "type,"                 : "").
            (isset($pack->delta_notification)   ? "delta_notification,"   : "").
            "created".
            ") VALUES (".
            "'".addslashes($pack->game_id)."',".
            (isset($pack->name)                 ? "'".addslashes($pack->name)."',"                 : "").
            (isset($pack->description)          ? "'".addslashes($pack->description)."',"          : "").
            (isset($pack->icon_media_id)        ? "'".addslashes($pack->icon_media_id)."',"        : "").
            (isset($pack->media_id)             ? "'".addslashes($pack->media_id)."',"             : "").
            (isset($pack->droppable)            ? "'".addslashes($pack->droppable)."',"            : "").
            (isset($pack->destroyable)          ? "'".addslashes($pack->destroyable)."',"          : "").
            (isset($pack->max_qty_in_inventory) ? "'".addslashes($pack->max_qty_in_inventory)."'," : "").
            (isset($pack->weight)               ? "'".addslashes($pack->weight)."',"               : "").
            (isset($pack->url)                  ? "'".addslashes($pack->url)."',"                  : "").
            (isset($pack->type)                 ? "'".addslashes($pack->type)."',"                 : "").
            (isset($pack->delta_notification)   ? "'".addslashes($pack->delta_notification)."',"   : "").
            "CURRENT_TIMESTAMP".
            ")"
        );

        return items::getItem($pack);
    }

    //Takes in game JSON, all fields optional except item_id + user_id + key
    public static function updateItem($pack)
    {
        $pack->auth->game_id = dbconnection::queryObject("SELECT * FROM items WHERE item_id = '{$pack->item_id}'")->game_id;
        $pack->auth->permission = "read_write";
        if(!editors::authenticateGameEditor($pack->auth)) return new return_package(6, NULL, "Failed Authentication");

        dbconnection::query(
            "UPDATE items SET ".
            (isset($pack->name)                 ? "name                 = '".addslashes($pack->name)."', "                 : "").
            (isset($pack->description)          ? "description          = '".addslashes($pack->description)."', "          : "").
            (isset($pack->icon_media_id)        ? "icon_media_id        = '".addslashes($pack->icon_media_id)."', "        : "").
            (isset($pack->media_id)             ? "media_id             = '".addslashes($pack->media_id)."', "             : "").
            (isset($pack->droppable)            ? "droppable            = '".addslashes($pack->droppable)."', "            : "").
            (isset($pack->destroyable)          ? "destroyable          = '".addslashes($pack->destroyable)."', "          : "").
            (isset($pack->max_qty_in_inventory) ? "max_qty_in_inventory = '".addslashes($pack->max_qty_in_inventory)."', " : "").
            (isset($pack->weight)               ? "weight               = '".addslashes($pack->weight)."', "               : "").
            (isset($pack->url)                  ? "url                  = '".addslashes($pack->url)."', "                  : "").
            (isset($pack->type)                 ? "type                 = '".addslashes($pack->type)."', "                 : "").
            (isset($pack->delta_notification)   ? "delta_notification   = '".addslashes($pack->delta_notification)."', "   : "").
            "last_active = CURRENT_TIMESTAMP ".
            "WHERE item_id = '{$pack->item_id}'"
        );

        return items::getItem($pack);
    }

    private static function itemObjectFromSQL($sql_item)
    {
        if(!$sql_item) return $sql_item;
        $item = new stdClass();
        $item->item_id              = $sql_item->item_id;
        $item->game_id              = $sql_item->game_id;
        $item->name                 = $sql_item->name;
        $item->description          = $sql_item->description;
        $item->icon_media_id        = $sql_item->icon_media_id;
        $item->media_id             = $sql_item->media_id;
        $item->droppable            = $sql_item->droppable;
        $item->destroyable          = $sql_item->destroyable;
        $item->max_qty_in_inventory = $sql_item->max_qty_in_inventory;
        $item->weight               = $sql_item->weight;
        $item->url                  = $sql_item->url;
        $item->type                 = $sql_item->type;
        $item->delta_notification   = $sql_item->delta_notification;

        return $item;
    }

    public static function getItem($pack)
    {
        $sql_item = dbconnection::queryObject("SELECT * FROM items WHERE item_id = '{$pack->item_id}' LIMIT 1");
        return new return_package(0,items::itemObjectFromSQL($sql_item));
    }

    public static function getItemsForGame($pack)
    {
        $sql_items = dbconnection::queryArray("SELECT * FROM items WHERE game_id = '{$pack->game_id}'");
        $items = array();
        for($i = 0; $i < count($sql_items); $i++)
            if($ob = items::itemObjectFromSQL($sql_items[$i])) $items[] = $ob;

        return new return_package(0,$items);
    }

    public static function deleteItem($pack)
    {
        $item = dbconnection::queryObject("SELECT * FROM items WHERE item_id = '{$pack->item_id}'");
        $pack->auth->game_id = $item->game_id;
        $pack->auth->permission = "read_write";
        if(!editors::authenticateGameEditor($pack->auth)) return new return_package(6, NULL, "Failed Authentication");

        dbconnection::query("DELETE FROM items WHERE item_id = '{$pack->item_id}' LIMIT 1");
        //cleanup
        $options = dbconnection::queryArray("SELECT * FROM dialog_options WHERE link_type = 'EXIT_TO_ITEM' AND link_id = '{$pack->item_id}'");
        for($i = 0; $i < count($options); $i++)
        {
            $pack->dialog_option_id = $options[$i]->dialog_option_id;
            dialogs::deleteDialogOption($pack);
        }

        $tabs = dbconnection::queryArray("SELECT * FROM tabs WHERE type = 'ITEM' AND content_id = '{$pack->item_id}'");
        for($i = 0; $i < count($tabs); $i++)
        {
            $pack->tab_id = $tabs[$i]->tab_id;
            tabs::deleteTab($pack);
        }

        $tags = dbconnection::queryArray("SELECT * FROM object_tags WHERE object_type = 'ITEM' AND object_id = '{$pack->item_id}'");
        for($i = 0; $i < count($tags); $i++)
        {
            $pack->object_tag_id = $tags[$i]->object_tag_id;
            tags::deleteObjectTag($pack);
        }

        $instances = dbconnection::queryArray("SELECT * FROM instances WHERE object_type = 'ITEM' AND object_id = '{$pack->item_id}'");
        for($i = 0; $i < count($instances); $i++)
        {
            $pack->instance_id = $instances[$i]->instance_id;
            instances::deleteInstance($pack);
        }

        $factories = dbconnection::queryArray("SELECT * FROM factories WHERE object_type = 'ITEM' AND object_id = '{$pack->item_id}'");
        for($i = 0; $i < count($factories); $i++)
        {
            $pack->factory_id = $factories[$i]->factory_id;
            factories::deleteFactory($pack);
        }

        $events = dbconnection::queryArray("SELECT * FROM events WHERE (event = 'GIVE_ITEM_PLAYER' OR event = 'TAKE_ITEM_PLAYER' OR event = 'GIVE_ITEM_GAME' OR event = 'TAKE_ITEM_GAME') AND content_id = '{$pack->item_id}'");
        for($i = 0; $i < count($events); $i++)
        {
            $pack->event_id = $events[$i]->event_id;
            events::deleteEvent($pack);
        }

        $reqAtoms = dbconnection::queryArray("SELECT * FROM requirement_atoms WHERE requirement = 'PLAYER_VIEWED_ITEM' AND content_id = '{$pack->item_id}'");
        for($i = 0; $i < count($reqAtoms); $i++)
        {
            $pack->requirement_atom_id = $reqAtoms[$i]->requirement_atom_id;
            requirements::deleteRequirementAtom($pack);
        }
        $reqAtoms = dbconnection::queryArray("SELECT * FROM requirement_atoms WHERE requirement = 'PLAYER_HAS_ITEM' AND content_id = '{$pack->item_id}'");
        for($i = 0; $i < count($reqAtoms); $i++)
        {
            $pack->requirement_atom_id = $reqAtoms[$i]->requirement_atom_id;
            requirements::deleteRequirementAtom($pack);
        }
        $reqAtoms = dbconnection::queryArray("SELECT * FROM requirement_atoms WHERE requirement = 'GAME_HAS_ITEM' AND content_id = '{$pack->item_id}'");
        for($i = 0; $i < count($reqAtoms); $i++)
        {
            $pack->requirement_atom_id = $reqAtoms[$i]->requirement_atom_id;
            requirements::deleteRequirementAtom($pack);
        }

        return new return_package(0);
    }
}
?>


text:
Energy Voice | i3 Energy enters exclusivity period with farm-in partner
North Sea oil firm i3 Energy said today that it had entered into a period of exclusivity with a potential venture partner for the Liberator field in the outer Moray Firth.
The company said it expected to draw up a sale and purchase agreement during the 90-day period, resulting in i3 being fully funded for both the Liberator field development and the appraisal of Liberator West.
The proposed joint venture would subsequently submit the enlarged phase one field development plan (FDP) to the Oil and Gas Authority.
Liberator and Liberator West are thought to contain 80 million barrels of oil.
I3 bought its 100% operated working interest in Liberator from Dana Petroleum in December 2016.
Liberator West will be the subject of a single well appraisal campaign in Q4 2018.
Chief executive Neill Carson said: "The entry by i3 into a period of exclusivity with a potential farm-in partner for the Liberator Licences is a key step on our path to securing the funding for the development and appraisal of the entire Liberator trend.
"The interest from a potential farm-in partner can be attributed to the quality and scale of the Liberator opportunity and the state of project readiness.
"We look forward to working with the potential farminee's management to conclude our negotiations and towards the safe and efficient delivery of the Liberator development and Liberator West appraisal programmes in due course."
Chief financial officer Graham Heath said: "Today's announcement follows a strong start to the year for i3 during which the company has completed a number of material achievements. Upon the successful negotiation of an SPA, this farm-in would be a highly satisfying solution to achieving first oil from Liberator and the appraisal of Liberator West."
The firm, founded in 2014, is named i3 because its directors were formerly involved with other North Sea companies starting with the letter "i" – Ithaca Energy and Iona Energy.


A BRITISH model who has a degree in astrophysics has won �1.1MILLION in a poker tournament.
Liv Boeree, 25, beat 1,240 contestants to scoop the PokerStars European Poker Tour top prize.
She only had a pair of fives in the final hand � but held her nerve against Swede Jakob Carlsson�s ace high and a six.
She told The Sun: �I can�t believe it, I�m still pinching myself that I�ve won a million pounds. I don�t feel like a millionaire because I�m still wearing my grubby old clothes.
Liv, dubbed the Iron Maiden for her love of heavy metal music, only began playing competitive poker four years ago.
She became the third woman to win the EPT. Liv said after the tournament in San Remo, Italy: �It took six days and by the end I was running on adrenaline.
Her win sends her total winnings to �1.8million in just three years � but she still lives with her parents in Milstead, Kent.


text:
Interview with actors Bryan Cranston, Hope Davis, Michael Stuhlbarg, Isiah Whitlock Jr., Andrene Ward-Hammond, and Rosie Perez and EP Joey Hartstone
Posted on January 15, 2023 January 15, 2023 by TvMegasite Admin
TV Interview!
Interview with actors Bryan Cranston, Hope Davis, Michael Stuhlbarg, Isiah Whitlock Jr., Andrene Ward-Hammond, and Rosie Perez and EP Joey Hartstone of "Your Honor" on Showtime by Suzanne 9/20/22
SHOWTIME FALL TCA PRESS CONFERENCE
Bryan Cranston – "Michael Desiato" (he/him)
Hope Davis – "Gina Baxter" (she/her)
Michael Stuhlbarg – "Jimmy Baxter" (he/him)
Isiah Whitlock Jr. – "Charlie" (he/him)
Andrene Ward-Hammond – "Big Mo" (she/her)
Rosie Perez – "Olivia Delmont" (she/her)
Joey Hartstone – Showrunner / Executive Producer (he/him)
Virtual via Zoom September 20, 2022
© 2022 Showtime. All Rights Reserved.
"Your Honor" picks up the saga of Bryan Cranston's Michael Desiato as he struggles to move forward after the devastating events of Season 1 all while competing forces swirl around him with even greater intensity.
This was a TCA panel, so I'm not allowed to use the transcript. Here is a summary of the questions and answers. I hope you enjoy it! The second season looks just as great as the first one.
Peter Moffat created the show, based on an Israeli TV series. He had to bow out of the second season for personal reasons. This second season, he was replaced by one of the show's writers, Joey Hartstone, as showrunner. The first journalist asked if they're using any of Moffat's ideas for the second season. Star Bryan Cranston explained about Moffat not being there, for any of us that didn't know that news. He affirmed that the show is "in good shape" with Hartstone. Moffat left behind a Season 2 outline that they were able to use. Since the first season was about "the central character [who] compromises his principles and loses himself," the second season "is about redemption" and where that fits in the world, along with "sorrow and forgiveness," and do the characters carry on. Cranston was also asked about his character's look and how that helped him make the transition for his character, Michael, to season 2. Cranston spoke at length about how his character is affected greatly by his grief, and how it affects others in his orbit. He also spoke about how Michael is affected physically, which he, as an actor, had to reflect. He maintains that Michael wouldn't care at all about how he looks, in his grief.
Another reporter references a previous drama that Cranston played in called "Faust" and asks why audiences love to watch "guys who make the wrong decision." Cranston says that it's because it happens so much, which he credits to male testosterone making men "do stupid things." Men's egos make them think they can handle any situation. He mused about Queen Elizabeth's recent passing and noted that he wished there were more women in power because he feels that the world would be in a better place without so much aggression. He believes most men are looking for a more "peaceful" and "civilized" world but don't know how to find it.
The next press person asked the cast to each tell what their character has taught them about themselves. Cranston thinks that his character's grief allowed him "to mature in understanding all of life and its ups and downs" because of the grief he goes through and how he handles things. Andrene Ward Hammond shared that she enjoyed playing such a "colorful" character as Mo, so it helped her to be more comfortable "to take up a little more space" instead of her usual position of being supporting. Hope Davis said iit was a relief to take breaks from playing Gina becaus she's so unhappy. She revealed that when she and Michael Stuhlbarg (who plays her husband) go out into the real world, people look at them as if they're "shocked and scared." Stuhlbarg agreed with a "Yes, dear," which was adorable. He went further to say that playing these people made them really appreciate their real-life families and how much they mean to them. Isiah Whitlock Jr. answered that playing Charlie taught him "a lot about friendship." Playing this role made him think about how many good friends we have and how far we would go for them. Rosie Perez, who's new to the cast, playing Olivia, feels that "patience and confidence breeds power" as it pertains to her character, who is so confident. She doesn't try to excuse her emotions, even in "a male-dominated world."
Another journalist shared that watching Cranston's character, who felt like "the walls were closing in on him," due to his bad decisions, it felt a little "claustrophobic. He asked if season 2 would have that same sort of feeling, or whether it would be transferred to one of the other characters.
Joey Hartstone replied vaguely that we may "sense that in some of the characters." He maintained that the new season is a continuation on from the first season, except that all of the characters have been affected and changed by what happened in season 1. Davis added that season 2 examines the repercussions from the events of season 1.
The next reporter pointed out that it's fun for viewers to watch Cranston "completely disembowel himself, set himself on fire, and then blow himself up in a role." She asked him when he decided that this character could come back for season 2 with more story. Cranston was curious about whether there is life after such terrible grief and after he sets morality, etc. aside. He wanted to explore that honestly to say that there can be "a reconstruction of a human being if that person follows certain kind of human protocols to get back in touch with their humanity." He added that it's all their characters; not just his. He praised Rosie and her character for adding "a slice of life" to things that is different than season 1. He pointed out that her character can be more objective and that their characters don't agree on things.
The actors were asked where they find the "light" and "humor" in a show with so much "angst" and darkness. Davis answered they often laugh while rehearsing because they're having the opposite reaction to what their characters are going through. Hartstone chimed in at her request to say that there is some sarcasm in the dialogue. He believes that even though the characters are having a lot of "trauma," there has to be "real moments," some with "dark humor" that the characters go through with each other, since they're family. Ward-Hammond praised the cast and crew, saying that they all joke around a lot. "We have to find the levity in all of our drama."
Perez related that she told Cranston and Hartstone, right after she was hired, that she knows a lot of federal prosecutors and people in law enforcement. When she watches other shows or movies, she doesn't see them acting like real people in those positions. They tend to joke around a lot and make fun because they're not the ones in trouble, "going to jail" or "being taken down." She enjoyed listening to their stories and laughed along with them. She wanted to bring that to her character. She laughed a lot playing the role and watching Cranston's reactions.
The next question was to Perez, asking about her character, Olivia, and what she does in terms of going after the Baxters and taking revenge. She wasn't sure if she could say much without giving away the story, so the reporter asked, instead, what drives her or what her motivation is to get justice. Perez answered that she cares about the victims and their children as well as the "rule of law" and "justice." These are her driving forces. She wants to convey the questions, "Does that mean that they are a degenerate that we should toss aside, you know? Or do we hold them accountable, let them pay their debt to society, and move on?"
Then Stuhlbarg was asked how he's able to get into the dark place as an actor and then shut those feelings off when he has to. Stuhlbarg shared that he does a sort of "purging" of those feelings as he acts, so he's able to leave it behind. He references the previous question about finding humor in the dark situation.
He was asked another question about whether he might be concerned that he's been cast as a bad guy so much recently. Stuhlbarge replied that he enjoys playing "well-rounded" characters and figuring out what motivates them. He went on in detail to talk about his character in this show as well as the one he played in "Dopesick." He enjoyed the challenges of the role. Ward-Hammon added that we all have "a bit of goodness" and that's what makes "the best villains." She feels that it's that goodness that stops them going any further with their evil deeds. Cranston explained that all of the characters "have multiple facets to their personalities," they're not just all good or all bad. This "complexity" makes the audience pay attention.
Davis and Stuhlbarg, who play the married couple The Baxters, were asked about what more they could want from Michael now that his son died. Davis replied that she thinks Gina wants him to suffer as much as possible, whereas Stuhlbarg's character Joey just wants "peace," so he's trying to "please his wife." The other actors joked around about how Davis phrased her answer, which was a bit funny.
A journalist asked them about how the characters handled their grief differently. Michael ignores his grief, grows a long beard, loses weight, etc. but the Baxters don't and are able to keep gong. He/she wants to know what the difference is between the parents and the father. Davis countered that Gina is in a "dark place" and is blaming her husband, so she's not dealing with the grief that well. Stuhlbarg believes that Jimmy has to keep going because he has other kids and won't allow himself to be "swallowed up by despair" the way Michael does. The reporter asked a clarification question that I didn't quite understand. I mean, they already pretty much answered it. Davis tried to convey how Gina is feeling – her sense of emptiness and hopelessness in her grief. Stuhlbarg pointed out that their children are adults, so they're just "forging forward as well as they can under these circumstances," which doesn't always work. Cranston added that there isn't just one way for a person to deal with grief.
Next, a journalist asked Cranston what the process is to create a "great drama" that is "unique and authentic." Cranston answered that it would take a longer answer, but he would start with "what is the concept" or "theme." He related that the first season was interesting because it had "universal" themes, like "what would you do to save the life of your child?" Then, "would you be willing, knowingly, become a criminal in order to do that?" Then you go through each step and build it until the answers are not so easy or "clean." That "ripple effect" is what happened to Michael. The second season explores beyond that to see how all these lives were affected by what happened the first season, and then Olivia coming in to make her own identity. He said that any good series, "has to stay malleable so that you can continue to shape it and grow." He believes that part of the actor's role is to bring in their own ideas to the show (not just go by the script and director). They all have to work as a team and then the showrunner has the final look at what they've developed. He sees it as a giant puzzle that they have to put together, without knowing what the final picture is supposed to look like. He noted, "It's a fascinating process." Then he added that it starts with the ideas and the story, and whether it's important or resonates.
Isiah Whitlock Jr. was asked the last question about what kind of effect growing up in a large family had on him…whether it made him want more attention or made him want to be an actor. He answered that it made him want to take care of himself because no one else would if he didn't do it. He added, "And that has stuck with me for my entire life. I just do things for myself. I figure things out. If somebody wants to chime in and help, it's appreciated, but I don't expect anyone to be there." He thinks that helped him a lot as an actor because he learned to trust himself.
I didn't ask a question for this one because I came in late, due to another commitment. I enjoyed listening to it, though.
SHOWTIME DEBUTS TEASER AND KEY ART FOR SEASON TWO OF YOUR HONOR
SHOWTIME® DEBUTS TEASER AND KEY ART FOR SEASON TWO OF YOUR HONOR
Series Starring Oscar® Nominee and Emmy® Winner Bryan Cranston To Return on Non-Linear Platforms on Friday, January 13 And On Air on Sunday, January 15 at 9 PM ET/PT
LOS ANGELES – November 16, 2022 – SHOWTIME has released the teaser and key art for the second season of YOUR HONOR, starring and executive produced by Oscar nominee and Emmy winner Bryan Cranston (Breaking Bad). The 10-episode season will debut on demand and on streaming Friday, January 13, 2023 and on-air on Sunday, January 15 at 9 p.m. ET/PT. The first season ofYOUR HONORranks as the top debut season ever on SHOWTIME.
To watch and share the teaser, visit: https://youtu.be/pxFNLf60tfc.
In season two, some will seek salvation in response to the tremendous loss they suffered, while others will seek revenge. Michael Desiato (Cranston) has lost the will to live and any semblance of the upstanding judge he once was before the death of his son, Adam. But his life is thrown yet again into chaos by the arrival of Olivia Delgado (Rosie Perez), a laser-focused federal prosecutor determined to bring down a major crime organization. Meanwhile, crime boss Jimmy Baxter (Michael Stuhlbarg) is looking to go legit, but a war is brewing at home with his formidable wife, Gina (Hope Davis), who has other ideas for the family business. Moreover, daughter Fia Baxter (Lilli Kay) is forced to reckon with the true nature of her family as she deals with the fallout of her boyfriend's shooting by a bullet that was intended for her brother, Carlo (Jimi Stanton), who is now more determined than ever to follow in his father's criminal footsteps. Eugene Jones (Benjamin Flores Jr.), who mistakenly shot Adam, is on the run. Big Mo (Andrene Ward-Hammond) has big plans for her empire but little faith in Little Mo's (Keith Machekanyanga) allegiance. New mayor Charlie Figaro (Isiah Whitlock Jr.) aims to keep the peace among the warring factions, but senses betrayal by an unlikely source. And Michael and his mother-in-law, Elizabeth (guest star Margo Martindale), uncover the truth about his late wife, Robin's, murder, while Detective Nancy Costello (guest star Amy Landecker) unearths some startling revelations of her own. The domino effect of Adam's death threatens everyone, and they will all be pursued by their enemies at every turn. Ultimately, the question remains: How far are you willing to go to protect what matters most to you?
YOUR HONOR is executive produced by Emmy nominees Robert and Michelle King and Liz Glotzer. Emmy-winning producer Cranston and Emmy-nominated producer James Degus (All the Way) executive produce the series for Moonshot Entertainment. Joey Hartstone is executive producer and showrunner. YOUR HONOR, produced by CBS Studios in association with King Size Productions, is based on the Israeli series Kvodo created by Ron Ninio and Shlomo Mashiach. Rob Golenberg, Alon Aranya, Ron Ninio, Shlomo Mashiach, Ram Landes, Ron Eilon and Danna Stern also serve as executive producers.
Showtime Networks Inc. (SNI), a wholly owned subsidiary of Paramount, owns and operates the premium service SHOWTIME®, which features critically acclaimed original series, provocative documentaries, box-office hit films, comedy and music specials and hard-hitting sports. SHOWTIME is available as a stand-alone streaming service across all major streaming devices and Showtime.com, as well as via cable, DBS, telco and streaming video providers. SNI also operates the premium services THE MOVIE CHANNEL™and FLIX®, as well as on demand versions of all three brands. SNI markets and distributes sports and entertainment events for exhibition to subscribers on a pay-per-view basis through SHOWTIME PPV®. For more information, go towww.SHO.com [sho.com].
Michael Desiato
Played by Bryan Cranston
BRYAN CRANSTON is an Academy Award® nominee, and Emmy®, Golden Globe®, SAG, Tony® and Olivier Award winner. Cranston was most recently seen in THE ONE AND ONLY IVAN as well as EL CAMINO: A BREAKING BAD MOVIE, and on the big screen starring opposite Kevin Hart and Nicole Kidman in THE UPSIDE. On television, Cranston is best known for his portrayal of Walter White on BREAKING BAD and as Hal in MALCOLM IN THE MIDDLE.
Cranston made his Broadway debut as President Lyndon B. Johnson in ALL THE WAY and went on to produce the film adaption of the play through his production company, Moonshot Entertainment. Cranston recently finished a Broadway run of NETWORK based on the iconic film by Paddy Chayefsky. Moonshot Entertainment has developed a multitude of television series including SNEAKY PETE, THE DANGEROUS BOOK FOR BOYS, PHILIP K. DICK'S ELECTRIC DREAMS and the animated series SUPERMANSION.
Aside from his acting career, Cranston is a New York Times bestselling author of A Life In Parts, where he revisits the many roles he's played on and off camera, but ultimately his memoir is about the transformative power of hard work.
Gina Baxter
Played by Hope Davis
Hope Davis, having extensive experience in theater, television and film, is one of the most versatile and poised actors working today. Davis recently starred in FOR THE PEOPLE. Her other TV credits include the critically acclaimed Emmy® nominated series AMERICAN CRIME as well as the hit series WAYWARD PINES. Davis also starred in the leading role of matriarch Katya O'Connor in ALLEGIANCE and had a multi-episode arc on Aaron Sorkin's THE NEWSROOM. Davis received an Emmy nomination for her work on IN TREATMENT and was also honored with both Emmy and Golden Globe® nominations for her portrayal of Hillary Clinton in the film THE SPECIAL RELATIONSHIP. She can be seen opposite Anna Kendrick in LOVE LIFE. In 2003, Davis was named Best Actress by the New York Film Critics Circle for her work in two of the year's most critically acclaimed independent features – Alan Rudolph's THE SECRET LIVES OF DENTISTS and the Oscar® nominated AMERICAN SPLENDOR, for which Davis also received a Golden Globe nomination for Best Performance by an Actress in a Supporting Role. Davis was seen on the big screen in Danny Strong's REBEL IN THE RYE, opposite Sarah Paulson, and in Marvel's CAPTAIN AMERICA: CIVIL WAR, directed by Anthony Russo and Joe Russo. Her other film credits include Simon West's WILD CARD; Anthony Fabian's LOUDER THAN WORDS opposite David Duchovny; Henry Alex Rubin's DISCONNECT; Shawn Levy's REAL STEEL; Michael Winterbottom's GENOVA; Charlie Kaufman's SYNECDOCHE, NEW YORK, opposite Philip Seymour Hoffman; THE HOAX directed by Lasse Hallström; THE NINES, with Ryan Reynolds; CHARLIE BARTLETT, with Robert Downey Jr. and Anton Yelchin; and THE FAMILY TREE, opposite Dermot Mulroney. Davis was also part of an ensemble cast in the television series SIX DEGREES and the miniseries MILDRED PIERCE directed by Todd Haynes.
In theater, Davis received a Tony nomination for Best Performance by a Leading Actress in a Play for her portrayal of Annette Raleigh in the Broadway run of God Of Carnage. Her other theater credits include Red Barn at the National's Lyttelton in the West End; Camino Real at the famed Williamstown Theatre Festival; Pterodactyls; The Food Chain; The Iceman Cometh; Ivanov and David Mamet's Speed-The-Plow.
Michael Desiato Gina Baxter
Jimmy Baxter
Played by Michael Stuhlbarg
Michael Stuhlbarg
Michael Stuhlbarg has long been a lauded actor in the New York theatre world, but it wasn't until he played Larry Gopnik, the lead role in the Coen Brothers' A SERIOUS MAN, that he earned serious recognition from the film community, including a Golden Globe® nomination for Best Actor in a Motion Picture.
His other films include Luca Guadagnino's CALL ME BY YOUR NAME; Guillermo del Toro's THE SHAPE OF WATER; MISS SLOANE with Jessica Chastain; DOCTOR STRANGE; Denis Villeneuve's ARRIVAL; STEVE JOBS, directed by Danny Boyle; TRUMBO with Bryan Cranston; MILES AHEAD with Don Cheadle; Edward Zwick's PAWN SACRIFICE; Steven Spielberg's LINCOLN; Woody Allen's BLUE JASMINE; CUT BANK; HITCHCOCK; MEN IN BLACK 3; Martin Scorsese's HUGO; Ridley Scott's BODY OF LIES; Tim Blake Nelson's THE GREY ZONE; Sophie Barthes' COLD SOULS and Martin Scorsese's short homage to Alfred Hitchcock, THE KEY TO RESERVA. He most recently appeared in the feature film SHIRLEY starring alongside Elisabeth Moss.
For television, Stuhlbarg played the role of New York City mob boss Arnold Rothstein on the award-winning series BOARDWALK EMPIRE. He has recurred on the series TRANSPARENT, season three of FARGO, THE LOOMING TOWER (for which he earned an Emmy® nomination) and TRAITORS written by Bashsheba Doran.
In 2005, Stuhlbarg was a Tony Award nominee and a Drama Desk Award winner for his performance in Martin McDonagh's The Pillowman. He has also been honored with the New Dramatists Charles Bowden Actor Award and the Elliot Norton Boston Theatre Award, the latter for his performance in Long Day's Journey Into Night. The actor's other Broadway credits include the National Actors Theatre productions of Saint Joan, Three Men On A Horse, Timon Of Athens, The Government Inspector; Ronald Harwood's Taking Sides; Sam Mendes' revival of Cabaret and Tom Stoppard's The Invention Of Love. Stuhlbarg has worked numerous times with the New York Shakespeare In The Park Festival. His critically acclaimed credits include Twelfth Night, the title roles in Richard II and Hamlet, for which he won a Drama League Award, and most recently as the title role in Tim Blake Nelson's Socrates. Other Off-Broadway credits include The Voysey Inheritance, for which he earned the Obie and Callaway Awards and a Lucille Lortel Award nomination, and Cymbeline, reprising his role in a U.K. stint of the production. Stuhlbarg received a Drama League Award for Old Wicked Songs, and a Lucille Lortel Award nomination for Measure For Pleasure. He can also be seen in The Grey Zone.
Charlie Figaro
Played by Isiah Whitlock Jr.
Isiah Whitlock Jr. is a veteran theater, film and television actor. He most recently starred as Melvin in Spike Lee's DA 5 BLOODS. His other notable film credits include BLACKKKLANSMAN, PETE'S DRAGON, CEDAR RAPIDS and the voice of River Scott in CARS 3. Additionally, he can be seen in Spike Lee's SHE'S GOTTA HAVE IT, 25TH HOUR and CHI-RAQ, as well as CHIPS directed by Dax Shepard; PERSON TO PERSON directed by Dustin Guy Defa; DETACHMENT directed by Tony Kaye and SHE HATE ME written and directed by Spike Lee. Other films in which Whitlock appears include CORPORATE ANIMALS, ALL SQUARE, LYING AND STEALING, BROOKLYN'S FINEST, TWELVE, MAIN STREET, CHOKE, 1408, ENCHANTED, PIECES OF APRIL, EVERYONE SAYS I LOVE YOU, THE SPANISH PRISONER, EDDIE and GOODFELLAS.
On television, Whitlock starred as Senator Clay Davis on the acclaimed series THE WIRE and as Detective Burl Loomis on the series THE GOOD COP opposite Josh Groban, Tony Danza and Monica Barbaro. He appeared on the series THE MIST and SURVIVOR'S REMORSE, and he also played the role of Gunnar on the pilot THIN ICE. He recurred on the Emmy® winning comedy series VEEP as Secretary of Defense General George Maddox. Whitlock was also a series regular on LUCKY 7 as Bob Harris and has appeared on numerous television series INCLUDING ELEMENTARY, ATLANTA, LUCIFER, LIMITLESS, THE CARMICHAEL SHOW, LAW & ORDER: CRIMINAL INTENT, LAW & ORDER: SVU, THE BLACKLIST, GOTHAM, LOUIE, SMASH, CHAPPELLE'S SHOW, RUBICON, MEET THE BROWNS, HUMAN GIANT, NEW AMSTERDAM, MADIGAN MEN, WONDERLAND, NEW YORK UNDERCOVER and the documentary LIBERTY!, as well as THIRD WATCH and ED.
Whitlock was nominated in 2002 for a Lucille Lortel Award as Best Featured Actor for his work in Four that enjoyed a renowned Off-Broadway run at the Manhattan Theatre Club. The Iceman Cometh, Merchant Of Venice and Mastergate are among his Broadway credits, while his Off-Broadway credits include Farragut North for the Atlantic Theatre Co. and the Geffen Playhouse, The Cherry Orchard, Everything That Rises Must Converge, Up Against The Wind, A Lesson Before Dying, High Life, Edmond, The American Clock, White Panther and The Illusion. He was also part of the national tour of the play The Piano Lesson, in the title role of Boy Willie.
Big Mo
Played by Andrene Ward Hammond
Andrene Ward Hammond
Ward-Hammond's screen credits include 61st Street, Manifest, The Righteous Gemstones, Claws, Star and the films Just Mercy, Instant Family, The Hate U Give and Loving. She is repped by Grandview, Alexander White Agency and Myman Greenspan.
SHOWTIME HIT DRAMA SERIES YOUR HONOR SECOND SEASON TO PREMIERE ON FRIDAY, JANUARY 13
** PROGRAMMING UPDATE ALERT **
SHOWTIME® HIT DRAMA SERIESYOUR HONOR SECOND SEASON TO PREMIERE ON FRIDAY, JANUARY 13
Photo credit: Andrew Cooper/SHOWTIME
LOS ANGELES – October 31, 2022 – The premiere date for the SHOWTIME® drama series YOUR HONOR has shifted. The 10-episode second season of the series starring Oscar® nominee and Emmy® winner Bryan Cranston (Breaking Bad) will debut on demand and on streaming Friday, January 13, 2023 and on-air on Sunday, January 15 at 9 p.m. ET/PT. The first season ofYOUR HONORranks as the top debut season ever on SHOWTIME.
YOUR HONOR stars Cranston as Michael Desiato, a respected New Orleans judge whose upstanding life is derailed when his teenage son's accidental hit-and-run killing of the son of notorious crime boss Jimmy Baxter (SAG Award winner Michael Stuhlbarg) led to a high-stakes game of lies, deceit and impossible choices. Emmy nominee Hope Davis (Love Life, American Crime) stars as Jimmy's wife, Gina, who is at times more dangerous and driven than her husband, and Isiah Whitlock Jr. (The Wire) stars as Charlie, a local politician and Michael's best friend. Andrene Ward Hammond stars as Big Mo, the formidable leader of the Desire Gang, with Keith Machekanyanga as Little Mo, her right-hand-man. Lilli Kay stars as Fia Baxter, Jimmy's daughter who is forced to reckon with the true nature of her family as she deals with the aftermath of her boyfriend's shooting (by a bullet that was intended for her brother). Jimi Stanton is Carlo Baxter, Jimmy's only surviving son who wants to follow in his father's criminal footsteps; and Benjamin Flores Jr. is Eugene, whose attempt to avenge his brother's death has created a new chain of events that threaten to start a war on the streets of New Orleans. Season two guest stars include Oscar and Emmy nominee Rosie Perez (The Flight Attendant),Emmy winner Margo Martindale (The Americans) and Amy Landecker (Transparent).
YOUR HONOR is executive produced by Emmy nominees Robert and Michelle King (The Good Fight, The Good Wife, Evil) and Liz Glotzer (Evil, The Good Fight), with Joey Hartstone (The Good Fight) serving as showrunner and executive producer for season two. Emmy-winning producer Cranston and Emmy-nominated producer James Degus (All the Way) executive produce the series for Moonshot Entertainment. YOUR HONOR, produced by CBS Studios in association with King Size Productions, is based on the Israeli series Kvodo created by Ron Ninio and Shlomo Mashiach. Rob Golenberg, Alon Aranya, Ninio, Mashiach, Ram Landes, Ron Eilon and Danna Stern also serve as executive producers.
SHOWTIME DEBUTS OFFICIAL TRAILER FOR SECOND SEASON OF YOUR HONOR
SHOWTIME® DEBUTS OFFICIAL TRAILER FOR SECOND SEASON OF YOUR HONOR
Series Starring Oscar® Nominee and Emmy® Winner Bryan Cranston
To Return on Non-Linear Platforms on Friday, January 13
And On Air on Sunday, January 15 at 9 PM ET/PT
LOS ANGELES – December 13, 2022 – SHOWTIME has released the official trailer for season two of YOUR HONOR, starring and executive produced by Oscar nominee and Emmy winner Bryan Cranston (Breaking Bad). The 10-episode season will debut on demand and on streaming Friday, January 13, 2023 and on-air on Sunday, January 15 at 9 p.m. ET/PT. The first season ofYOUR HONORranks as the top debut season ever on SHOWTIME. In season two, some will seek salvation in response to the tremendous loss they suffered, while others will seek revenge and they will all be pursued by their enemies at every turn. Ultimately, the question remains: How far are you willing to go to protect what matters most to you?
To watch and share the official trailer, visit: https://youtu.be/SQf1pv_yTD0.
YOUR HONOR is executive produced by Emmy nominees Robert and Michelle King (The Good Wife) and by Liz Glotzer (Evil). Emmy-winning producer Cranston (Breaking Bad) and Emmy-nominated producer James Degus (All the Way) executive produce the series for Moonshot Entertainment. Joey Hartstone (The Good Fight) is executive producer and showrunner. YOUR HONOR, produced by CBS Studios in association with King Size Productions, is based on the Israeli series Kvodo created by Ron Ninio and Shlomo Mashiach. Rob Golenberg, Alon Aranya, Ron Ninio, Shlomo Mashiach, Ram Landes, Ron Eilon and Danna Stern also serve as executive producers.
Proofread and Edited by Brenda
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Posted in Article, PrimetimeTagged drama, Showtime, TCA, TCA2022, Your Honor


text:
"""
This module contains process logic
"""

class Osis(object):
    """
    Osis class
    """

    def __init__(self):
        """
        Net should be a complete static class
        """
        raise RuntimeError('This class should not be instantiated.')

    getClient = None

from ovs.plugin.injection.injector import Injector
Osis = Injector.inject(Osis)