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Creator Interview: Cullen Bunn on Folklore and Harrow County
Article and interview by Kelly Gaines
It could be said that I have a morbid fascination with witches, ghosts, and old fashioned American folk tales, so when Tony Farina graciously asked me if I would like to appear on his Indie Comics Spotlight podcast and what series I wanted to cover, I practically screamed "HARROW COUNTY" at my computer, and then promptly composed myself and typed a more professional response. Harrow County- the comic that follows two young witches, Emmy and Bernice, on a journey of choice and consequence while beautifully navigating the fault lines that divide who they are and who they are expected to be. Toss in a cast of terrifying and lovable haints (a southern-American folk term for ghosts), and you get the series that kept me awake multiple nights with an equal rush of anticipation and terror.
Written by Cullen Bunn and drawn by Tyler Crook, the series' deliciously layered elements of horror and personal exploration were far too multi-faceted to cover in one episode. Naturally, we planned a follow-up episode to cover the final four volumes. It was this second episode that caused a genuine scream of excitement when I was told that Tony had booked Mr. Cullen Bunn himself to talk with us. I spent the better part of two weeks coming up with questions, far too many to fit into an hour and a half time slot. Fortunately for us, Cullen Bunn is as nice as he is brilliant and agreed to let me send him all of the questions I didn't have time to ask. ALL of them. It is with still reverberating excitement that I share Mr. Bunn's thoughtful answers (and please be advised, there are spoilers ahead).
Kelly Gaines: What kind of story is most fulfilling for you as a writer?
Cullen Bunn: Definitely stories featuring my own characters, ideas, and worlds. Those will always be more rewarding. And the stories that touch on some emotional point—that make me happy or sad or inspired—as I'm writing them. I like to think that if they make me feel that way, they'll make the reader feel the same. When a reader tells me they love something I wrote, that it meant something to them... there are few better feelings.
KG: You worked a day job for a long time before becoming a full-time writer. What kept you motivated in that period of your life? Do you have any advice for writers who might be in a similar situation?
CB: There were days when it was really, really tough. I kind of lost the plot a few times. I forgot the end goal. But I always came back to writing. There were many, many days that I doubted I'd ever make a living as a writer. Hell, there still are. I remember being at a book signing with my frequent collaborator Brian Hurtt and the revelation that I'd never be able to be a full-time writer slammed into me. I looked at him and said, "There's just no way. I'll never be able to make that work." Two weeks later, I quit my job and started writing full time. So, I guess my advice would be—don't let doubt crush you, because there will always be doubt.
KG: The Skinless Boy is one of my favorite characters. Did you always know the backstory that Levi pulls for him, or was it something that developed in your mind throughout the writing process?
CB: I knew bits and pieces of his backstory, but I didn't have all the details until I wrote that issue. I like to leave room in my planning to surprise myself.
KG: Bernice is really one of the only people in Harrow who tried to give Emmy a chance [[when she was first accused of being the reincarnation of executed witch, Hester Beck]], even when her own father turned on her. That makes Bernice's decision on how to deal with Emmy so much more emotional. I read it as both of these young women being told that they have to grow up fast and start making big adult decisions when both of them would rather be children singing and carrying on in the woods. What was the driving force behind their friendship and the way their paths develop?
CB: You sum it up very well in the question. Bernice and Emmy would much rather just be kids. They would love to spend their time having fun and enjoying each other's company. But the worries of the world weighed on them so heavily. I thought about Bernice and Emmy's friendship a lot. Harrow County is kind of a fairy tale, so some elements had this kind of magical, unrealistic approach. That was the idea of childhood, I guess. But I knew that the real world would have torn those two apart in terrible ways, and that was represented by the magical and supernatural influences that set them down different paths.
KG: There is such rich folklore in this series. Did your incorporation of different ghosts, ghouls, and methods of witchcraft come more from research, or perhaps from urban legends or stories you grew up with?
CB: The folklore of Harrow is sort of a combination of stories and legends I've heard over the years and weird ghoulish tales I just made up myself. Even the older ghost stories I heard or researched were twisted a bit to make them feel a little different.
KG: Snakes play such a big role in Harrow. What inspired you to use them? Do they carry any deeper significance in a mythological sense, or is it more of just an "ick" factor?
CB: Snakes were always around when I was growing up. "Snake doctors" [[Dragonflies]] were always flying here and there. My dad told me a story about how he was a boy swimming near the roots of an uprooted tree. Those roots were crawling with Water Moccasins. That ended up in the book to some degree. I used to pick blackberries with my family. Invariably, I would find a Copperhead curled up under the vines and bushes. It became so common, they didn't even bother me. That ended up in the book to some degree. I was once walking down the road with my brother, and we saw a snake crawling across the road. ACROSS the road! Its head was in the grass on one side. Its tail was in the grass on the other. It was stretched all the way across a two-lane road and still going! My dad did fundraising for churches and fire departments and the like, and one night I accompanied him on a pitch at a church... where they passed poisonous snakes around. And there are so many other stories! So, yeah, snakes were a big part of my life during those days. That helped cement Harrow County in my mind.
KG: Were there any ghosts/ haints or folklore that you really wanted to include but didn't have room for?
CB: None that I can think of at the moment. At least, none that were going to play a huge role. I'm sure that every now and then I stumbled across some horrible monster to throw in that I didn't for one reason or another, but all of the major elements I wanted to use ended up in the book.
KG: We see this recurring theme of supernatural characters being bound by food throughout the story- Kammi tries to tempt the Abandoned with food, Odessa mentions that the family cannot eat human food because it binds them, and later, the consumption of another member's flesh binds Emmy to a difficult fate. Once you're fed, you're bound. (I'm even thinking in the broader sense of Persephone and Hades or Irish fairy stories), was that theme something you wanted to include in Harrow County from the beginning or did it come up as the story developed?
CB: That wasn't a theme I set out to explore, but it came up again and again during the writing, so I just went with it. Food surfaces again and again in folk magic and in superstition and in fairy tales, which is where this came from.
KG: We see a lot of fun little folk-magic charms in Mason Hollow. Did you make them up, or were they inspired by something you've heard about or researched?
CB: I did quite a bit of research on the Mason Hollow folk magic. I tried to use as much "real world" information as I could find, but I did take quite a few liberties and I invented plenty of charms to suit the purposes of the story.
KG: Luke and Emmy's little flirtation is adorable for exactly one second, and then it gets dark. Meeting boys is one of the earliest musings we see Emmy brush off when she turns 18 at the beginning of the story. Would you say there was any symbolism in the fact that she finally does talk to a boy just as she's about to go down a dark path of her own making? It feels almost like a quick glimpse at the normal girl she could have been.
CB: I don't know that I wrote those scenes with symbolism in mind. At least not consciously. But it's there for sure. I wanted to show that Emmy might have had a normal life. At the time of writing it, that's all I had in mind.
KG: Characters like Emmy, Bernice, and even Oddessa, seem forced to make impossible decisions for the good of all that require them to sacrifice their personal feelings, and yet the decisions feel so different coming from Bernice and Emmy when compared to Oddessa. Do you see Oddessa as sympathetic, or just well-disguised evil?
CB: Odessa is such a weird character. She's a villain, but I always wanted her to be the most (and, really, only) sympathetic member of the Family.
KG: What was that scriptwriting process like for you? By the end of Harrow County, did the writing feel different from a few issues in?
CB: My script format and style changes from issue to issue, but the process I go through is pretty set in stone these days. Typically, I do a high-level outline of the issue, planning out the big beats of the book and how many pages each scene will take. Then, I do another outline where I break down every panel on every page. Then, I write the script. It's the process that is most comfortable to me.
KG: The Christmas celebration surrounding Old Buck is so spooky. Were there specific old-time holiday traditions you were drawing on there?
CB: Those are real traditions! Maybe I made them a little dark for the sake of the story, but "Old Christmas" and Old Buck are real celebrations. My dad used to give the kids gifts on Old Christmas, saying they were left by Old Buck. The celebrations I mention take place around the Outer Banks of North Carolina. Old Christmas is on January 6th.
KG: Malachi is such a complicated character. Did you approach him with the thought that he would be a sympathetic character, or ultimately too flawed to be redeemable?
CB: For me, Malachi was always meant to be sympathetic, though not necessarily redeemable. He went through horrible changes. He paid a heavy price for his sins. But he was not redeemed. That's what makes him sympathetic, I think. He knows he'll never be redeemed, but he keeps on trying.
KG: Emmy finds out that she's not Hester, but Amaryllis. The revelation changes the whole tone of Emmy's role in the story- right up until she does the thing that makes Kammi a part of her. Did you always know that, in the end, Emmy would end up taking on qualities of Hester, or were these qualities inevitable simply because she has so much magical ability and power corrupts?
CB: I always wanted to dance along the edge of "will she/won't she" when it came to becoming Hester. I hint at it in the first story arc and then really lean into it as the story goes along. My hope was that some readers might actually believe that Emmy would become evil by the end of the story.
KG: Does the family know that Emmy is really Amaryllis, or does that fact not matter to them?
CB: While I'm not sure I was thinking too much about it while writing the series, my gut tells me that they knew, which is why they treated Emmy so different than, say, Kammi.
KG: The family is very clear that Kammi is not one of them. Can you elaborate more on why that is and what makes her different from Emmy in their eyes?
CB: To the family, Kammi represents everything they hate. She was out there in the world. She was part of it. She embraced it. She loved it. And the family always felt like they were apart from it all. To them, Kammi represented Hester, who they exiled, and Emmy represented Amaryllis, who they lost.
KG: This story talks a lot about power- fighting for it, keeping it, and giving it up- how does power play into the narrative of a young female witch for you?
CB: For me, it was never really about witchcraft as power. It was about the power of taking one's fate into their own hands. Everyone had a vision for what they wanted (or expected) Emmy to be. A daughter. A witch. Good. Evil. Even Emmy herself had all these weird expectations. And she had to make her own way despite all those ideas.
KG: Even though we can't hear Harrow County, we can hear it. You play with sound, or lack thereof, flawlessly throughout the series. In some scenes, like when Emmy crosses over the bridge into the woods, the sound effects feel like an indication of a transition between the world of the humans and the world of the haints. Was that an intentional decision on your part to play with the silence of a rural setting?
CB: Absolutely. I often struggle with sound effects and silent panels in comics. I never want to use effects just to use them. I want them to be a big part of the story. Every book I work on, I take a different approach to effects, silence, captions, dialogue. I felt like I got it right with Harrow.
KG: When Emmy is confronted by the ghosts [[of her dead loved ones]], it's such a heartbreaking scene. At that moment, I almost thought it was a trick by Hester to distract her. Do you think that her Pa and friends were approaching her with love, or was it more of a big "YOU MESSED UP" moment? It's so jarring that it's the first time we see Pa and Emmy interact after his death.
CB: In a lot of ways, it was an intervention, I guess. It was done out of love, but it wasn't an easy conversation. Emmy had always been so casual when it came to ghosts and such. I wanted this to feel unsettling to her, but for reasons other than what you might think.
KG: Do you have a favorite old southern ghost story or haint?
CB: Stories of the Devil's Tramping Ground and the Maco Light are my favorites from when I was a kid. Of course, the tales my dad used to tell me, some of which I recounted in the back matter of Harrow County, rank pretty high for me.
KG: Were there any characters you specifically liked writing more or less than the others?
CB: I don't know that there were characters I disliked writing. I have favorites. Emmy, Bernice, the Skinless Boy, the Abandoned, Lovey, but I really enjoyed all the characters for different reasons.
KG: What sort of setting did you work in when writing Harrow County? Were there any habits you picked up to keep the inspiration flowing?
CB: Almost every page was written in my office. Typically, I outline sitting in a comfy chair (or at a bar) but the actual scripting took place at my desk. I don't know that I had any rituals or habits for this book. Sometimes, I would listen the ambient music while writing. The score to Pumpkinhead or Tyler Crook's own score played quite a bit.
KG: If you could spend a week in Harrow County, would you?
CB: You bet I would! In the fall! Those haints would love me!
If you haven't had a chance to read Harrow County yet, this Halloween season is the perfect time. I promise you'll never find a skinless haint quite so charming. Be sure to check out the first half of our Harrow County discussion on Indie Comics Spotlight, and keep an eye out for part two on October 30th.

redpajama_set_name: RedPajamaCommonCrawl


White-painted Federal Fanlight, America, late 18th/early 19th century, demilune wooden frame ornamented with lead spreadwing eagle, rosettes, trefoils, and leafy swags, ht. 16 1/2, wd. 44 1/8 in.
Provenance: Sandra Cutcher, Dover, New Hampshire; Skinner, The Collection of Meryl & Jay Weiss, February 18, 2007, Lot 90.


CARLTON WINES & SPIRITS (AUST.) PTY. LTD.
This is a brand page for the KIX MIX DRINX trademark by CARLTON WINES & SPIRITS (AUST.) PTY. LTD. in CARLTON, VICTORIA, , 3053.
Write a review about a product or service associated with this KIX MIX DRINX trademark. Or, contact the owner CARLTON WINES & SPIRITS (AUST.) PTY. LTD. of the KIX MIX DRINX trademark by filing a request to communicate with the Legal Correspondent for licensing, use, and/or questions related to the KIX MIX DRINX trademark.
On Thursday, May 5, 1988, a U.S. federal trademark registration was filed for KIX MIX DRINX. The USPTO has given the KIX MIX DRINX trademark serial number of 73726596. The current federal status of this trademark filing is ABANDONED - EXPRESS. The correspondent listed for KIX MIX DRINX is JEFFREY G. SHELDON of SHELDON & MAK, 201 SOUTH LAKE AVENUE, SUITE 800 PASADENA, CA 91101 . The KIX MIX DRINX trademark is filed in the category of Wines and Spirits Products . The description provided to the USPTO for KIX MIX DRINX is ALCOHOLIC BEVERAGES.
Last Applicant/Owner: CARLTON WINES & SPIRITS (AUST.) PTY. LTD.
Trademarkia-Network law firms can help you incorporate a business around your KIX MIX DRINX trademark in less than 5 minutes. Trademarkia makes the process easy and convenient, so start now!
JEFFREY G. SHELDON is a correspondent of KIX MIX DRINX trademark.
KIX MIX DRINX is providing ALCOHOLIC BEVERAGES.


Feeling uninspired or stuck when it comes to your professional writing? In this workshop, you will learn creativity coaching techniques to help you overcome your creative blocks, procrastination, self-doubt, and anxieties.
This workshop is targeted to individuals who are struggling with procrastination, excessive criticism, perfectionism, distractions, self-sabotage, or endlessly delaying their writing. Likely workshop participants might include professors who struggle to write academic journal articles.
Did you know that if you wrote just 30 minutes a day, every day, within one year you could have written 10 articles or a book (McIntosh, 2009)? As academics, we are expected to publish prolifically and to help our students to do the same. Yet few of us have ever been taught how to establish and maintain the "write" habit. How can we help ourselves to become less stressed, more productive, and better writers? Which instructional strategies can help us to improve our writing?
In this workshop, participants will become familiar with strategies for helping themselves establish a regular and productive writing habit. This interactive session is designed to inspire, motivate, and provide techniques that can be applied immediately to one's academic writing life.
Presenter: Dominique T. Chlup is a tenured University Associate Professor turned Creativity & Writing Coach. She is President and Chief Creative Officer of Inspiring the Creative Within, LLC (http://www.inspiringthecreativewithin.com). What she does best is take you from blocked to breakthrough, teaching you the art of stress-free creating. She has 5 degrees behind her name, including two from Harvard University. She is author of $6.7 million in funded grant projects and over 200 publications and presentations written one word at a time.


This is an unbelievable program for moving students forward in their mathematical thinking. It is self-motivating, parents love it, teachers love it, and the data speaks for itself. When used on a regular basis, students progress more quickly through the grade-level curriculum and move on to more advanced concepts beyond what is being taught in the classroom. The program keeps the students at a certain level until all concepts have been mastered, and then alerts the teacher that a course has been completed. The teacher, if they agree, has the ability to move the students to a new course. We have had so much success this year that we will be purchasing more licenses next year.
We had two groups of students we purchased licenses for this past year. The first group of students was very advanced in their skills and was performing above grade level. For this group, ALEKS gave them access to higher course curriculum where they could explore and master new skills beyond what the teacher was teaching during daily classroom lessons. The second group of students was non-proficient; ALEKS helped these students master skills which then brought them up to grade level, often closing gaps in their learning so they could be more successful.
The teacher chooses where they want the students to start. Some start below grade level with the purpose of closing gaps, while advanced students may begin course level work one to four levels above grade level. We had a third grade student this year that we started in Pre-Algebra and is now in Algebra!
Students must spend a minimum of 30 minutes per night on ALEKS.
Parents give us the money to purchase the licenses, so they are invested. The school purchases licenses for students who need it but can't afford it.
For some students, ALEKS is their homework.
We don't use ALEKS as part of our grading system.
No, students work at their own pace.
Test scores for students using ALEKS consistently have risen more sharply than for students not using the program. Since ALEKS is self-motivating, students feel successful and are more motivated to work on mathematical concepts that are difficult for them. The students feel very proud when they graduate from a course.
As the principal, this was my first year using the program. I tracked student progress, studied the data, and talked to the students, teachers, and parents. I'm convinced that the time and money spent was well worth it. As I previously stated, we are hoping to expand our participation and will continue to learn how best to use the program.


text:
« Introducing Dr. Mai-Phương T. Nguyễn and Karuna Healthcare Consultants, Inc aka KHC
Dr. Jacob Huỳnh personifies "Karuna" »
Meet Dr. Tony Thụy V. Nguyễn, PharmD
March 8, 2016 by ocvietammd
Meet the third and vital member of Karuna Healthcare Consultants, Inc. (aka #TeamKHC): DR. TONY THỤY V. NGUYỄN, PharmD.
Dr. Tony-Thụy is an extraordinarily dedicated, meticulous pharmacist who owns and operates one of the best-run private compound pharmacies in Irvine, California called VALUE RX PHARMACY.
Previously in January, I detailed his incredible journey to America. Growing up in Communist Vietnam, Thụy and his younger brother were forbidden from formal public or private schooling because they were caught in 3rd grade trying unsuccessfully to flee a repressive Vietnam. Being a convicted "Boat Person" was considered a treasonous act. As a result. they were punished and banished from formal education. Instead, they were home-schooled by their mother, a teacher.
Coming to California later in life, as a junior in high school, he wasted no time to master the English language. He hit the ground running and within 2 years, was admitted to UC-Irvine and graduated promptly in 4 years.
He then managed to get accepted to the prestigious University of California, San Francisco (UCSF) School of Pharmacy. After becoming a licensed pharmacist, he went onto manage several commercial pharmacies including Walgreen's and Target, meanwhile working the night shifts at inpatient pharmacies for several hospitals in Orange and Los Angeles Counties.
Within a short time, he was able to open his own private Value Rx Pharmacy in Irvine. In just a few years, he transformed his family business into a state-of-the-art operation, capable of delivering any e-prescription within 3 hours of receiving the eRx to patients' preferred homes and/or workplaces throughout Orange County and parts of Los Angeles and the Inland Empire!
Dr. Tony Thụy Nguyễn is able to compete with all the other mega-chain pharmacies because he puts "Value" into everything he does, paying astute attention to the devilish details and providing personalized care. He has devised an efficacious way to bubble pack medication regimens, especially designed for the vulnerable, complicated senior with poly-pharmacy regimens to improve their compliance and care, meanwhile decreasing medication errors.
Look up his Yelp reviews: they are impeccable:http://www.yelp.com/biz/value-rx-pharmacy-irvine.
More amazing is his servant's heart. Aside from serving a high-end and/or high-maintenance clientele, for over 6 years, he also served on the Board for the non-profit Nhân Hòa Community Health Center. Nhân Hòa is a Federally Qualified Health Center (FQHC) that attends to under-served, immigrant (predominantly Asian Pacific Islander new American) communities, based in Garden Grove, California.
His other passions include basketball and raising his two young sons. Despite his intensely busy work schedule, he always carves out time for his sons' basketball practices and games. Additionally, he plays intramural basketball weekly with his company's team!
Dr. Tony-Thụy lives with and attends to his elderly mother, now a widower who is a devout Buddhist and vegan.
#TeamKHC is so honored and proud to have Dr. Tony Thụy Nguyên as an integral part of our innovative healthcare team. Together, we are transforming how medicine will be personalized, while delivering the 5 Cs: "Compassionate, Conscientious, and Culturally-Competent Care."
You can reach Dr. Tony Thụy at his Value Rx Pharmacy in Irvine at 22 Odyssey, Suite 135, Telephone: (949) 387-1133.
Beginning on 3/15/16, you can "see" Dr. Tony-Thụy Nguyễn virtually on KHC's new website when we debut: www.Karuna-Healthcare.com!
Photos courtesy of Tanya Nga Trương (aka T.N.T. Photography).


text:
Die Nachrichtenforschung beschäftigt sich mit Nachrichten in Massenmedien und ist Teil der Medien- und Kommunikationswissenschaft. Sie behandelt vor allem Auswahl, Gestaltung und Themen von Nachrichten, also das Produkt.

Die Nachrichtenforschung geht bis in die 1920er-Jahre zurück, als sich der amerikanische Kommunikationswissenschaftler Walter Lippmann mit Nachrichtenentstehung, Nachrichtenfluss und Nachrichtenwert beschäftigte. Seither wurden in der Nachrichtenforschung zahlreiche Modelle entwickelt, die auch unter dem Begriff "Nachrichtentheorie" zusammengefasst werden. Dieser Begriff ist jedoch missverständlich, weil es sich nicht um eine Theorie im strengen Sinn handelt, sondern eher um einen Sammelbegriff.

Modelle zur Auswahl von Nachrichten
 Arbeiten zu Nachrichtenentstehung und Nachrichtenfluss (englisch: news flow) versuchen zu erklären, wie Informationen über Ereignisse zu Nachrichten in den Massenmedien werden. Wichtige Veröffentlichungen von Fishman, Kepplinger, Lippmann, Weischenberg.
 Modelle von Nachrichtenfaktoren (auch: Nachrichtenwert) befassen sich mit der Frage, nach welchen Merkmalen bestimmte Ereignisse für die Berichterstattung ausgewählt werden. Wichtige Veröffentlichungen von Galtung / Ruge, Östgaard, Staab.
 Untersuchungen zu Nachrichtenschleusen (englisch: gatekeeper) beschäftigen sich damit, welche Eigenschaften der Journalisten die Nachrichtenauswahl beeinflussen. Wichtige Veröffentlichungen von Robinson, Snider, White.

Modelle zur Gestaltung von Nachrichten
 Forschungen zu Nachrichtenregeln beschreiben die Grundsätze, nach denen Journalisten ihre Nachrichten formulieren. Wichtige Veröffentlichungen von Tuchman.
 Arbeiten zu Nachrichtenroutinen versuchen zu erklären, mit welchen Methoden die Journalisten bei der Formulierung von Nachrichten die Nachrichtenregeln anwenden. Wichtige Veröffentlichungen von van Dijk.

Modelle zu den Themen von Nachrichten
 Untersuchungen zur Nachrichtenthemensetzung (englisch: agenda setting) befassen sich damit, warum und wie bestimmte Themen in Nachrichten behandelt werden. Wichtige Veröffentlichungen von Cohen, Lang / Lang, McCombs / Shaw.
 Forschungen zu Nachrichtentendenzen (englisch: news bias) versuchen die Ursachen von Einseitigkeiten in der Berichterstattung zu ermitteln. Wichtige Veröffentlichungen von Klein / Maccobby.

Literatur
 Ines Bose, Dietz Schwiesau (Hrsg.): Nachrichten schreiben, sprechen, hören. Forschungen zur Hörverständlichkeit von Radionachrichten. Berlin 2011, ISBN 978-3-86596-990-3.
 Bernard Cecil Cohen: The press and foreign policy. Princeton (N.J.) 1963.
 Teun van Dijk: News as discourse. Hillsdale (N.J.) 1988.
 Mark Fishman: Manufacturing the news. Austin (Tex.) 1980.
 Johan Galtung, Mari Holmboe Ruge: The structure of foreign news. In: Journal of Peace Research. 2. Jg., Heft 1/1965, Oslo 1965, S. 64 ff.
 Hans Mathias Kepplinger: Ereignismanagement. Wirklichkeit und Massenmedien. Zürich 1992.
 Malcolm W. Klein, Nathan Maccobby: Newspaper objectivity in the 1952 campaign. In: Journalism Quarterly. 31. Jg., Heft 2/1954, Minneapolis (Minn.) / Iowa City (Iowa) 1954, S. 285 ff.
 Kurt Lang, Gladys Lang: The unique perspective of television and its effect. A pilot study. In: American Sociological Review. 18. Jg., Heft 1/1953, Albany (N.Y.), S. 2 ff.
 Walter Lippmann: Die öffentliche Meinung. Reprint des Publizistik-Klassikers. Bochum 1990. (erstmals New York (N.Y.) 1922)
 Maxwell E. McCombs, Donald L. Shaw: The agenda-setting function of mass media. In: The Public Opinion Quarterly. 36. Jg., Heft 2/1972, New York (N.Y.), S. 176 ff.
 Einar Östgaard: Factors influencing the flow of news. In: Journal of Peace Research. 2. Jg., Heft 1/1965, Oslo 1965, S. 39 ff.
 Gertrude Joch Robinson: Fünfundzwanzig Jahre "Gatekeeper"-Forschung. Eine kritische Rückschau und Bewertung. In: Jörg Aufermann, Hans Bohrmann, Rolf Sülzer (Hrsg.): Gesellschaftliche Kommunikation und Information. Forschungsrichtungen und Problemstellungen. 2 Bände, Band 1, Frankfurt am Main 1973, S. 344 ff.
 Dietz Schwiesau, Josef Ohler: Die Nachricht in Presse, Radio, Fernsehen, Nachrichtenagentur und Internet. München 2003.
 Dietz Schwiesau, Josef Ohler: Nachrichten – klassisch und multimedial.  Ein Handbuch für Ausbildung und Praxis. Springer VS. Wiesbaden 2016
 Paul Snider: "Mr. Gates" revisited. A 1966 version of the 1949 case study. In: Journalism Quarterly. 44. Jg., Heft 3/1967, Minneapolis (Minn.) / Iowa City (Iowa) 1967, S. 419 ff.
 Joachim Friedrich Staab: Nachrichtenwert-Theorie. Formale Struktur und empirischer Gehalt. Freiburg/ München 1990.
 Gaye Tuchman: Making news. A study in the construction of reality. New York (N.Y.) 1978.
 David Manning White: The "Gate Keeper". A case study in the selection of news. In: Journalism Quarterly. 27. Jg., Heft 3/1950, Minneapolis (Minn.) / Iowa City (Iowa) 1950, S. 383 ff.
 Siegfried Weischenberg: Journalistik. Theorie und Praxis aktueller Medienkommunikation. 2 Bände, Wiesbaden 2004. (bietet zugleich einen Gesamtüberblick über die zahlreichen Modelle zur Nachrichtenforschung)
 Bernward Wember: Wie informiert das Fernsehen? List, München 1976, ISBN 3-471-79120-5.

Siehe auch
 Informationstheorie
 Journalismustheorie
 Massenkommunikation
 Massenmedien
 Nachrichten

Weblinks
 verständliche Einführung ins Thema von einem Fachjournalisten
 http://www.gelbe-reihe.de/nachricht/beruf/verstaendlichkeitsprojekt/
 http://www.nachrichtenzukunft.de/nachrichten-sprechen/

Journalismus
Medienwissenschaft

redpajama_set_name: RedPajamaWikipedia


Cattle consignments at Dubbo decreased 72% this week, to 748 head. Despite wet weather leading to lower numbers, quality remained good. There were plenty of mixed quality cows with limited numbers of grown steers. The dearer market limited the numbers of buyers that operated.
Cattle numbers at Bairnsdale declined 14%, to 723 head. Quality was good with the usual buyers competing in a dearer market upon the return of a domestic supermarket order.


The entrance to ARC is level with the street and there is level access throughout the ground floor: between the entrance, the box office, No 60 café, the ground level toilets and the lift. The ground floor has a marble tiled surface.
There is both public and service lift access to all floors in the building which range from basement to third floor. Each floor has level access to all areas. There is a mix of carpeted, wooden and tiled floor areas throughout the building.
No 60 is a spacious café and bar with square tables and chairs, which can be arranged to suit the event or occasion. When busy, staff offer accessible table service for disabled guests.
ARC has three performance spaces, all of which have seating access for wheelchair users. The Studio Theatre has level access on the third floor, and can be accessed by lift or by stairs, for people who do not use lifts. The Point is a large flexible space on the first floor, which has ramped access in one of the main entrances to the space, with steps at the other. There are also wheelchair accessible boxes on the second floor. The Theatre space has level access on the ground floor. There is raked seating but the wheelchair accessible seats are on level access. We advise that tickets are booked in advance with notice of any access requirements, as seating arrangements can often change with each event, depending on the nature of the performance. Photographs are available on the website to view each space or we can provide further information should you require it.
We have a number of accessible spaces available for workshops, meetings which can be hired, but are also used for our creative participatory programmes. The Workshop and Dance Studio are in the basement and are flexible accessible spaces. Photographs are available on the website to view each space or we can provide further information should you require it.
Box Office is on the ground floor close to the entrance. There are wheelchair accessible toilets on each of the five floors of ARC. Each set of general toilets have accessible toilets for people with mobility requirements. No 60 Café Bar operates over the ground and first floors depending on how busy it is, with main service on the ground floor. Orders are generally made at the bar with food and drink brought to your table. Accessible arrangements can be made with the bar during busy events.
All of our theatre spaces and foyer areas are fitting with up to date hearing loop systems. Signs are displayed around the building with instructions for customers wishing to use these, and staff will be able to answer any questions you may have. Inside our performance spaces there may be areas where this system works better than others. For best results, in our Theatre and The Point, the stalls are the best place to sit to watch a performance. In our Cinema the back two rows will pick up a stronger signal.
Many of our cinema screenings have an audio description facility. Please let us know when booking your tickets.
A number of our theatre productions are BSL interpreted and we are increasingly asking artists to factor this in when planning their work. Please check our What's On sections. If you could let us know your requirements when booking tickets, we can ensure that suitable sets are reserved to meet your requirements such as taking into consideration BSL sightlines, and lip reading.
We can provide a quiet space for some of our events, in case you need to take a break so please do let us know when you're booking your ticket that you might need to use it.
Assistance dogs are welcome. Please let us know when booking what facilities you require.
We can provide our brochure, production programmes and information leaflets in a range of accessible formats. Please do let us know your requirements and we can arrange to send them to you, or have them ready for you to collect from Box Office. Some patrons have preferred A3 enlargements of existing print whilst others require plain text large print - please just let us know.
If you would like further information or help in planning your visit, please email us at box.office@arconline.co.uk or telephone 01642 525199.
A number of our theatre productions are BSL interpreted and we are increasingly asking artists to factor this in when planning their work. If you could let us know your requirements when booking tickets, we can ensure that suitable sets are reserved to meet your requirements, eg BSL sightlines, lip reading etc. We regularly screen subtitled films as part of our cinema programme. These may be foreign language films or subtitled films for people with hearing loss. Find out more here, and take a look at upcoming BSL performances and Captioned screenings.


I have absolutely no clue what this is. Or what it's for.
But it's Australia and there's a kangaroo. Boxing. A boxing kangaroo. With a can of Swan Lager.
This entry was posted in Fremantle and tagged Boxing Kangaroo, Fremantle, Kangaroo, Old Sign, Roo, Swan Lager. Bookmark the permalink.


"Canadian courts were reluctant to acknowledge a common law right to privacy until January, 2012, when the Ontario Court of Appeal recognized the right in a new tort called 'inclusion upon seclusion' (Jones v. Tsige  O.J. No. 148)," writes MacLeod.
"To obtain damages for this tort, a person must prove: (i) the actions were intentional; (ii) the person/entity must have invaded, without lawful justification, the plaintiff's private affairs or concerns; and (iii) a reasonable person would regard the invasion as highly offensive causing distress, humiliation or anguish."
The second case from last year came in October, when the Supreme Court of Canada in R. v. Cole  S.C.J. No. 53 considered an employee's privacy rights under the Charter of Rights and Freedoms, the article continues.
The case recognized that Canadians may reasonably expect privacy in the information contained on workplace computers where personal use is permitted or reasonably expected, and while workplace policies and practices may diminish an individual's expectation of privacy in a work computer, these sorts of operational realities do not in themselves remove the expectation entirely, writes MacLeod.
"If an employer plans to monitor email or Internet use, ideally the employee's written consent should be obtained in advance via a computer-use policy," the article says. "Such a policy tells the employee that the employer will be monitoring emails and Internet use, and that the employee should have no expectation of privacy if they use the company network to send or receive personal emails or use the Internet for personal purposes."
The employer can require all new employees to sign a computer-use policy that obtains the written consent as a condition of employment, adds MacLeod.


text:
Klaus Thraede (* 6. März 1930 in Lüneburg; † 25. Januar 2013 in Bonn) war ein deutscher Klassischer Philologe.

Leben
Klaus Thraede besuchte von 1940 bis 1949 das Gymnasium Johanneum Lüneburg. Neben dem Abitur absolvierte er von 1947 bis 1949 eine Ausbildung zum Kirchenmusiker, die er mit landeskirchlichen Kirchenmusikerexamen (C-Prüfung) abschloss. Anschließend absolvierte er ein Praktikum als Organist und ging an die Universität Göttingen, wo er Klassische Philologie, Evangelische Theologie und Soziologie studierte. Das Sommersemester 1952 verbrachte er in Innsbruck, das Wintersemester 1952/1953 in Zürich und Basel (bei Karl Barth). Das Staatsexamen in Philologie legte er 1955 in Göttingen ab, 1956 folgte das Erste Theologische Examen bei der Evangelischen Landeskirche Hannover. Parallel zu seinem Referendariat betrieb er in Göttingen seine Promotion in Klassischer Philologie bei Albrecht Dihle, die er 1958 mit der Dissertation Beiträge zur Datierung Commodians erreichte.

Von Herbst 1958 bis Frühjahr 1960 arbeitete Thraede als Studienassessor am Gymnasium Johanneum und an der Wilhelm-Raabe-Schule in Lüneburg. Am 1. April 1960 ging er als Wissenschaftlicher Mitarbeiter an das Franz Joseph Dölger-Institut in Bonn. Zusätzlich gab er Lehrveranstaltungen an der Universität zu Köln; seine Forschungen reichte er 1962 unter dem Titel Studien zu Sprache und Stil des Prudentius als Habilitationsschrift ein (gedruckt 1965, Hypomnemata 13). Die Verbindung theologischer und philologischer Inhalte in seinen Forschungen brachte ihn zu seiner zusätzlichen Promotion im Fach Evangelische Theologie. Seine Dissertation Einheit, Gegenwart, Gespräch: Zur Christianisierung antiker Brieftopoi verfasste er von 1964 bis 1966. Sie wurde 1967 in Bonn gedruckt.

Am 11. Mai 1968 folgte Thraede dem Ruf der neugegründeten Universität Regensburg auf den Lehrstuhl für Latinistik, den er bis zu seiner Emeritierung am 31. März 1998 im Alter von 68 Jahren innehatte. Sein langjähriger Kollege war der Gräzist Ernst Heitsch, der gemeinsam mit Thraede in Göttingen studiert hatte. Ab Herbst 1999 lebte Thraede in Bonn, wo er als Gastwissenschaftler an der Abteilung für Alte Kirchengeschichte und Patrologie wirkte.

Thraede ist Autor zahlreicher Monografien und Aufsätze zur christlichen lateinischen Literatur. Er war Mitherausgeber des Jahrbuchs für Antike und Christentum (seit 1968) und des  Reallexikons für Antike und Christentum (seit 1984).

Schriften (Auswahl)
Beiträge zur Datierung Commodians, Göttingen 1957
Studien zu Sprache und Stil des Prudentius, Göttingen 1965
Einheit, Gegenwart, Gespräch: Zur Christianisierung antiker Brieftopoi, Bonn 1967
Grundzüge griechisch-römischer Brieftopik, München 1970
Der Hexameter in Rom: Verstheorie und Statistik, München 1978

Literatur
Manfred Wacht (Hrsg.): Panchaia: Festschrift für Klaus Thraede, Münster 1995

Weblinks

opac.regesta-imperii.de

Altphilologe (20. Jahrhundert)
Altphilologe (21. Jahrhundert)
Patristiker
Hochschullehrer (Universität Regensburg)
Deutscher
Geboren 1930
Gestorben 2013
Mann


Whether it's kōyō in Japan or leaf peeping in Wisconsin, we all know the pleasure of watching autumn leaves turn red.
For taiko enthusiasts, we also know the universal joy of hearing the drums, and knowing that each drum beat brings us together across a global taiko community, a community that grows closer each time we play.
This year, we invite you to Autumn Hues, a joint concert featuring Shogo Yoshii, Shoji Kameda, and Ho Etsu Taiko. Uniting musical inspiration from Tokyo, Los Angeles, and Chicago, Autumn Hues creates connections through creativity and celebrates the turning of another cycle.
Born in Yokohama, Japan, Shogo Yoshii began his taiko and shinobue training at the age of 14, and kokyu (Japanese string instrument) at the age of 19. Before joining KODO in 2003, he traveled the Japanese countryside to study folk music and tribal music of Japan. On stage in KODO, Shogo was featured on taiko, metallic percussion, shinobue, kokyu and in dance pieces. In 2010, he joined the musical ensemble of "Babel (words)" choreographed by Sidi Larbi Cherkaoui and Damien Jalet, followed by a music director and performer role in Arte y Solera's flamenco piece, "Dojoji." Prior to his departure from KODO, Shogo produced the Earth Celebration 2012.
Since debuting as a solo artist in 2013, Shogo has produced musical components and performed at various dance productions in Japan and worldwide. He has also been involved with Barcelona's "Matsuri Japan" in recent years as a music director, composer and choreographer. He currently tours with a dance production "FractusV" by Sidi Larbi Cherkaoui.
Find more information at shogoyoshii.com.
Shoji is a Grammy nominated musician, composer and producer. He started playing taiko at the age of 8 and has played continuously since. He was selected through a highly competitive process as an Asian Pacific Performance Exchange fellow, collaborating with master artists from the Philippines, India, Indonesia, Malaysia, Thailand and the USA. He was also selected as an Indonesian Arts Exchange fellow which sent him and three other master arts to central Java for three weeks to teach and perform. Collaborations with international artists have taken Shoji to Malaysia, French Guiana, Mongolia and Bali.
He composed an original score for Abduction: The Megumi Yokota Story, Audience Award winner for Best Documentary at the Slamdance Film Festival. He was featured in the music of the hit NBC TV show "Heroes" performed with Stevie Wonder at the 2008 Democratic National Convention and received a Grammy nomination with jazz fusion band Hiroshima for his work on their album Legacy. As a founding member of On Ensemble and the group's primary creative force he produced On Ensemble's critically acclaimed albums Dust and Sand, Ume in the Middle and Bizarre Heroes. In 2013 On Ensemble was invited to perform at the National Theater of Japan for their prestigious "Nihon no Taiko" series. Shoji is sought after by groups throughout the taiko world for workshops, masterclasses and compositions. His compositions for taiko are performed around the world and recently Shoji has partnered with Miyamoto Unosuke Shoten to create "kaDON" a new online venture that will provide high quality instruction and repertoire for taiko and fue.


The Mapusa Urban Co-Operative Bank Of Goa Ltd has around 0 branches and 0 ATMs in India. Below here is the list of states in India where The Mapusa Urban Co-Operative Bank Of Goa Ltd has its branches and ATMs. You can click on below states to find out list of The Mapusa Urban Co-Operative Bank Of Goa Ltd branches in that state. You can also find bank branches, branch location, bank contact info, ATMs locations, IFSC codes, MICR codes, Swift codes of The Mapusa Urban Co-Operative Bank Of Goa Ltd.
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Changes to Medicare reimbursements are forcing hospitals to create lab-focused joint ventures and partner in various ways with other organizations to stay financially viable.
The test screens for 90 mutations across 29 oncogenes and analyzes eight exons of three genes to help clinicians select treatments.
NEW YORK (GenomeWeb News) – Ariosa Diagnostics today said that it has inked a deal with a subsidiary of Sonic Healthcare to offer the firm's Harmony Prenatal Test in Germany.
NEW YORK (GenomeWeb News) – Genetic Technologies today announced it has settled with a group of companies associated with Sonic Healthcare over a patent infringement lawsuit.


Welcome to Winning Choice Store! Set of 24 - 24" BAR CLAMP 2.5" Throat Depth Heavy Duty Woodworking Carpenter Tool.
BRAND NEW - 24" Inch BAR CLAMP 2.5" Throat Depth Heavy Duty Wood Handle Woodworking Carpenter Tools - Set of 24 Clamps Total - 24 Clamping Capacity - 2.5 Throat Depth - Cast Iron, Powder Coated, Sliding Jaws - Hardwood Handle - 2-piece Clutch Plates for Easy Positioning. Thank you for checking our listings! Postive Feedback is very important to us. We try our very best to make sure every customer is completely satisfied. If there's a problem, message us!
We're happy to help. Communication is very important when we are doing business. The item "Set of 24- 24 BAR CLAMP 2.5 Throat Depth Heavy Duty Woodworking Carpenter Tool" is in sale since Monday, April 23, 2018. This item is in the category "Home & Garden\Tools\Hand Tools\Clamps & Vises". The seller is "winning_choice" and is located in Fort Wayne, Indiana. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, South africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi arabia, Ukraine, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Brazil, Chile, Colombia, Costa rica, Dominican republic, Panama, Trinidad and tobago, Guatemala, El salvador, Honduras, Jamaica, Antigua and barbuda, Aruba, Belize, Dominica, Grenada, Saint kitts and nevis, Saint lucia, Montserrat, Turks and caicos islands, Barbados, Bangladesh, Bermuda, Brunei darussalam, Bolivia, Ecuador, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman islands, Liechtenstein, Sri lanka, Luxembourg, Monaco, Macao, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion.


Last month I mocked an article that suggested Christian couples were sharing social networking passwords as a pro-active defense against Internet Induced Infidelity.
Consider this suggestion. Strike an agreement with your current partner that you will each disclose any Facebook friends you have slept with. WTF? Did a divorce attorney write this article? Anyway, it's not the exes that she slept with that you should be worried about. It's that guy that was her best friend. He's been regretting not making his move in high school for 20 years. He might not waste his 2nd chance.
Of course, they suggest sharing passwords. Again, there is nothing particularly wrong with this if it's done out of convenience. Michelle knows my passwords. But doing it because you don't trust yourself or your partner is just a symptom of much bigger problems in your relationship. You should probably be talking to each other more and poking each other on Facebook less. Or maybe talking less online and poking more in real life, or something.
All these articles are totally overlooking the positive benefits of friending your exes. You may get complete and total validation of your choice to dump her the morning after prom if it turns out she is a 42 year old chain smoking casino dealer with 3 kids by 3 different guys, none of whom she married. And you might look a lot better to your wife tonight after she discovers that her high school sweetheart still hasn't cut off the mullet.


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text:
.class public final enum Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;
.super Ljava/lang/Enum;
.source "UpsightBillboard.java"

# annotations
.annotation system Ldalvik/annotation/EnclosingClass;
    value = Lcom/upsight/android/marketing/UpsightBillboard$Dimensions;
.end annotation

.annotation system Ldalvik/annotation/InnerClass;
    accessFlags = 0x4019
    name = "LayoutOrientation"
.end annotation

.annotation system Ldalvik/annotation/Signature;
    value = {
        "Ljava/lang/Enum",
        "<",
        "Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;",
        ">;"
    }
.end annotation

# static fields
.field private static final synthetic $VALUES:[Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;

.field public static final enum Landscape:Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;

.field public static final enum Portrait:Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;

# direct methods
.method static constructor <clinit>()V
    .registers 4

    .prologue
    const/4 v3, 0x1

    const/4 v2, 0x0

    .line 168
    new-instance v0, Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;

    const-string v1, "Portrait"

    invoke-direct {v0, v1, v2}, Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;-><init>(Ljava/lang/String;I)V

    sput-object v0, Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;->Portrait:Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;

    .line 169
    new-instance v0, Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;

    const-string v1, "Landscape"

    invoke-direct {v0, v1, v3}, Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;-><init>(Ljava/lang/String;I)V

    sput-object v0, Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;->Landscape:Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;

    .line 167
    const/4 v0, 0x2

    new-array v0, v0, [Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;

    sget-object v1, Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;->Portrait:Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;

    aput-object v1, v0, v2

    sget-object v1, Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;->Landscape:Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;

    aput-object v1, v0, v3

    sput-object v0, Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;->$VALUES:[Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;

    return-void
.end method

.method private constructor <init>(Ljava/lang/String;I)V
    .registers 3
    .annotation system Ldalvik/annotation/Signature;
        value = {
            "()V"
        }
    .end annotation

    .prologue
    .line 167
    invoke-direct {p0, p1, p2}, Ljava/lang/Enum;-><init>(Ljava/lang/String;I)V

    return-void
.end method

.method public static valueOf(Ljava/lang/String;)Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;
    .registers 2
    .param p0, "name"    # Ljava/lang/String;

    .prologue
    .line 167
    const-class v0, Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;

    invoke-static {v0, p0}, Ljava/lang/Enum;->valueOf(Ljava/lang/Class;Ljava/lang/String;)Ljava/lang/Enum;

    move-result-object v0

    check-cast v0, Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;

    return-object v0
.end method

.method public static values()[Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;
    .registers 1

    .prologue
    .line 167
    sget-object v0, Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;->$VALUES:[Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;

    invoke-virtual {v0}, [Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;->clone()Ljava/lang/Object;

    move-result-object v0

    check-cast v0, [Lcom/upsight/android/marketing/UpsightBillboard$Dimensions$LayoutOrientation;

    return-object v0
.end method

redpajama_set_name: RedPajamaGithub


Posed or unposed this time of life must be documented. I am a lover of photography and documenting life…. and this is my space to post things as I see them. Far too often mothers are left out. We do so much and yet we melt away into the background. This time is short, hectic and messy… but it deserves documenting because it flies by and is gone and off to school before we can really comprehend what has happened.
Make it your goal to document your beautiful life this year. Do it for you. You, who works so hard to take care of their every need. You deserve to be in photographs with your children. Make it happen. I would love to be the lucky photographer to capture those laughs, smiles and tears. I promise to put my heart into documenting the beauty in your life as it is…. amazingly beautiful.


show, Men In The Cities, is currently running at the Traverse Theatre.
having, and which aren't doing them any favours.
Fringe should and could be and at the Royal Court.
Featherstone's view, Men in the Cities is crucial in this respect.
Men in the Cities, Traverse Theatre until August 24, various times.


text:
ATP Houston: Lleyton Hewitt and Jordan Thompson edged out by No. 2 seeds
by DZEVAD MESIC | VIEW 2899
On the ATP results with
Australia's Lleyton Hewitt and Jordan Thompson have fallen just short of making a big surprise in their Houston opener. No. 2 seeds Austin Krajicek and Artem Sitak managed to survive a tricky opener as they edged out the Australian wildcard duo 6-2 4-6 10-8.
Krajicek and Sitak saved two break points in the opening game of the match before they failed to convert a break point in the following game. However, Krajicek and Sitak still got the first break of the match as they broke the Australian duo in the fourth game.
Krajicek and Sitak saved a break point in the seventh game to go 5-2 up before they broke Hewitt and Thompson in the following game to claim the opener. Despite failing to convert their chances at the beginning of the match and losing the first set, Hewitt and Thompson kept their focus as they won the second set to force a decider.
The Australians broke the second seeds in the third game of the second set and then won the second after not facing a single break point opportunity in the set. Hewitt and Thompson led 8-7 after the opening 15 points of the match tie-break but then lost the following three points as No.
2 seeds Krajicek and Sitak avoided a surprise early round exit. Krajicek and Sitak converted 2-of-5 of their break point chances and saved 3-of-4 of Hewitt and Thompson's break point chances in an hour and 17 minutes of play.
They play next against Ryan Harrison and Mackenzie McDonald or Marcelo Arevalo and James Cerretani. Hewitt and Thompson were hoping to achieve another great doubles result together this year. The Australians had a promising run in front of their home fans in Sydney at the beginning of the season.
Back then, Hewitt and Thompson made the semi-final before losing to 2018 Australian Open runners-up Juan Sebastian Cabal and Robert Farah.


Produktinformationen "Manchester United Season 2016 / 2017 2 DVDs"
Die DVD fasst die komplette Saison 2016 - 2017 von Manchester United inklusive dem Euro-League-Titelgewinn zusammen mit Kommentaren von Spielern, Trainern und Co.
Die zweite DVD enthält das komplette EFL-Finale zwischen Manchester United und Southampton .
The arrival of Zlatan Ibrahimovic and the return of Paul Pogba grabbed the headlines as the season approached. Ten months later, on an emotional night in Stockholm, the unity created between players and supporters was never more evident as the Reds won the Europa League to complete the clean sweep of all major trophies.
They also captured the Community Shield and the EFL Cup in a pulsating final at Wembley. Wayne Rooney surpassed Sir Bobby's goalscoring record, while the spirit of Sir Matt lived on as yet more talented youngsters made their assured bow on the first team stage.
Weiterführende Links zu "Manchester United Season 2016 / 2017 2 DVDs"
Kundenbewertungen für "Manchester United Season 2016 / 2017 2 DVDs"


With Griffin in Japan, we've generated yet another Best of collection for you, our beloved family. Also: New live show announcement!
56:45 — Could I Take Tyra Banks?
1:00:17 — Can A Yeti Accept Jesus?
It's a Max Fun Week special as we welcome John Hodgman to the program. He does an admirable, charitable job of pretending he knows who we are.
Suggested Talking Points: A Fate Worse than Public Defication, Papa John Refuses to Grow, A Day Without Doxxing, Bowser Went to Juliard.
The skills you learn in today's episode may very well save your life. Sorry, not "skills" - "skill," singular. That skill is, of course, urban contact juggling.
Nothing is sacred, nothing is safe. Farm animals: You're done. Goldblum: So sorry. Kenny Loggins' most sensitive works: Toast. We're sorry for us.


text:
1 September, 2018 00:00 00 AM
Bimstec potentials still remain unrealised
At the Bimstec's Nepal summit, Bangladesh PM Sheikh Hasina's proposal for categorising 14 sectors into several clusters to make them more synergized in helping achieve an early dividend from this forum is worth taking into serious account by the other states. She suggested that these clusters could be three such as sustainable development, security and stability, and people-to-people contact. This clustering would make easier handling of the sectors.
Against the backdrop of a rather inactive Saarc, Bimstec should act robustly for the development of this region. In the 21 years of its existence, this regional forum comprising Bangladesh, Bhutan, India, Myanmar, Nepal, Sri Lanka and Thailand has made only some modest gains. It should be noted here that the history of regional cooperation in this part of the world is not very colourful like that of the European Union in Europe. Economically speaking, nothing significant could be achieved by the countries of South Asia and South East Asia.
When Saarc was founded in 1985, it raised great hope among the member states that this would usher in a new era of mutual support. But the rivalry between the two nuclear-armed nations, India and Pakistan, has failed the Saarc to deliver on that promise. Now through Bimstec (the Bay of Bengal Initiative for Multi Sectoral Technical and Economic Cooperation), its member states could go a long way to help each other particularly in the economic sphere as there is no chance of such rivalry.
Not only in trade and investment, Bimstec members, as Bangladesh prime minister has pointed out in Nepal, can face together such problem as terrorism, transnational crime and climate change. In technological field also, the member states can help each other. In fact, at the present summit of Bimstec in Nepal, she very positively focused on these issues through her clustering proposal. Cooperation among the member countries can be expanded through creation of Free Trade Area, investment and energy cooperation, enhancing people-to-people contact and funding mechanism. A Bimstec Electricity Grid, as Sheikh Hasina has pointed out, could go a long way to improve the power condition among the member countries.
Her speech at the Nepal summit once again proves that Bangladesh is very serious about the potentials of Bimstec as a regional organisation. Bimstec has achieved nothing significant as yet on the possibility of free trade and investment. Since Asian Development Bank is Bimstec's development partner, the regional organisation can harness its potentials of economic cooperation if the member states genuinely want to do so. It is time for action now.
At the Bimstecs Nepal summit, Bangladesh PM Sheikh Hasinas proposal for categorising 14 sectors into several clusters to make them more synergized in helping achieve an early dividend from this forum is worth taking into serious account by the other states. She suggested that these clusters could be three such as sustainable development, security and stability, and people-to-people contact. This clustering would make easier handling of the sectors. Against the backdrop of a rather inactive Saarc, Bimstec should act robustly for the development of this region. In the 21 years of its existence, this regional forum comprising Bangladesh, Bhutan, India, Myanmar, Nepal, Sri Lanka and Thailand has made only some modest gains. It should be noted here that the history of regional cooperation in this part of the world is not very colourful like that of the European Union in Europe. Economically speaking, nothing significant could be achieved by the countries of South Asia and South East Asia. When Saarc was founded in 1985, it raised great hope among the member states that this would usher in a new era of mutual support. But the rivalry between the two nuclear-armed nations, India and Pakistan, has failed the Saarc to deliver on that promise. Now through Bimstec (the Bay of Bengal Initiative for Multi Sectoral Technical and Economic Cooperation), its member states could go a long way to help each other particularly in the economic sphere as there is no chance of such rivalry. Not only in trade and investment, Bimstec members, as Bangladesh prime minister has pointed out in Nepal, can face together such problem as terrorism, transnational crime and climate change. In technological field also, the member states can help each other. In fact, at the present summit of Bimstec in Nepal, she very positively focused on these issues through her clustering proposal. Cooperation among the member countries can be expanded through creation of Free Trade Area, investment and energy cooperation, enhancing people-to-people contact and funding mechanism. A Bimstec Electricity Grid, as Sheikh Hasina has pointed out, could go a long way to improve the power condition among the member countries. Her speech at the Nepal summit once again proves that Bangladesh is very serious about the potentials of Bimstec as a regional organisation. Bimstec has achieved nothing significant as yet on the possibility of free trade and investment. Since Asian Development Bank is Bimstecs development partner, the regional organisation can harness its potentials of economic cooperation if the member states genuinely want to do so. It is time for action now.
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Editor : M. Shamsur Rahman
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