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GIANTS Giants play a central role in Norse mythology, mainly as the enemy of the gods but also as the race from which the gods most likely were off-spring. The different roles that giants play in the sur-viving stories are so confusing that some experts suggest that in Norse religious beliefs, the giants were gods themselves or perhaps the gods were giants. The giant ymir was the first being in the cosmos, according to 13th-century writer snorri sturlu-son's version of the Norse creation myth. Details from Snorri's prose edda tell how Ymir evolved from the heat and cold in the beginning times, and from the parts of his body were born the jotun giants and the hrimthurssar frost giants. At the same time that Ymir came into being, the first cow, audhumla, formed out of the chaos. She licked at a salt block and uncovered buri, whose son bor mated with bestla, one of the first giantesses. From these latter two, one a giant, came the first gods odin, vili, and ve. This shared ancestry of gods and giants has caused much curiosity among modern scholars, though no answers to the puzzle exist in surviving records. Most commonly, the giants are interpreted as representing the wild forces of nature that threat-ened people living in northern climates more so than those in southern lands. The giants lived in moun-tains and often hurled huge boulders at one another. They loved darkness and often confronted the gods at night. See also jotun.
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GIANTS in Norse Mythology. The..GIANTS Giants play a central role in Norse mythology, mainly as the enemy of the gods but also as the race from which the gods most likely were off-spring... However, the Ibn Fadlan account is actually a burial ritual. Current understanding of Norse mythology suggests an ulterior motive to the slave-girl's 'sacrifice'. It is believed that in Norse mythology a woman who joined the corpse of a man on the funeral pyre would be that man's wife in the next world. For a slave girl to become the wife of a lord was an obvious increase in status. Although both religions are of the Indo-European tradition, the sacrifice described in the Ibn Fadlan account is not to be confused with the practice of Sati. Aesir,mythology gods,norse myth


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Recommended Music websites
List of available website categories
Entertainment and Fun | Music | Programming | Software & Downloading
List of available software categories
Music and Audio Editing | File Management | Graphics | Internet | Multimedia | Productivity and Office | SoundFont utilities | System | Video Editing
WEBSITES CORRESPONDING TO THE CATEGORY
The Mod Archive
The Mod Archive is a website offering modules. These are music files mixing the features of a MIDI and a WAVE file, hence giving files with a reasonable size (sometimes comparable to a MIDI file) but with a quality similar to a WAVE file. These modules come in several different formats (MOD, XM, S3M and IT for the most well-known).
The Mod Archive is, as its name suggests, a very big archive (maybe the biggest from the internet) having tens of thousands of modules from many authors and many genres. There is a search engine to find the music you want, an alphabetical index, a page for each artist, a list of the newly uploaded files, and many other things. It's certainly the best module download site of the web, in terms of quantity, variety, and so, maybe the most famous.
My IT music files are also present on The Mod Archive. Don't hesitate to check for my Artist page!
Language: - http://www.modarchive.org

redpajama_set_name: RedPajamaCommonCrawl


If in doubt, the floor markings tell you where you are.
After successfully navigating Australian customs and immigration - which involved head Brewer Justin explaining to the customs beagle what 50 kg of hops was and for... Melbourne airport was a disappointing array of cold beers, which was saved when Danial from Coburg Brewing provided a cold Coburg Lager, pre flight.
Qantas, departed on time, however, the beers available, were not worth mentioning, so an aperitif of a bloody mary, was the call for the morning. A cheeky little Annies Lane Shiraz was matched by the on board sommelier, well perhaps not a sommelier, just the poor hosty who had to deal with rows 70 through 85. The Shiraz certainly matched well with the previously unnamed cut of beef in a succulent and tasty tomato sauce.
American airlines hit new levels in the skill involved in fitting a lot of large people into a small space! A biscuit and a coffee was all that was on offer too and only got to watch Star Wars twice this leg.
The view from the hotel is cool though.
Boston itself is such a pretty town, Mik looked and looked but couldn't see Ally McBeal's office anywhere..
Justin, the American on the trip, was the obvious choice to drive a backwards car on the wrong side of the road an he did decide that the windscreen wipers at every turn, were all the signalling required. After their hotel check in, a 3 minute walk for Justin and an 11 minute shuffle/limp/stagger for Mik and his broken back, the two arrived at Stoddard's, one of the leading bars in Boston.
A light dinner of Pretzels with Ale Gouda Fondue and a bowl of chicken wings, washed down with a couple of local beers, and everyone was ready to end their 32 hour day.


Falling ill. Struggling to make ends meet. Having enough money in old age.
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The OECD Risks That Matter survey polled a representative sample of 22 000 adults in 21 OECD countries in 2018. It examines people's perceptions of the social and economic risks they face and assesses how well people feel government reacts to their concerns.
Do you want to collaborate with our team? Do you want to apply for the anonymised micro-data when it's available? Or do you have comments on the survey? Email us at rtm@oecd.org.


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Malaysian Struggling With Anxiety Finds Solace In Helping Others
Way to go, Francis!
Main image via Francis Poh [FMT]
"When someone helps you and they're struggling too, that's not help. That's love."
We've seen this quote on social media one too many times but recently, we've been able to relate to it so much more especially when seeing Malaysians helping one another out there during this difficult period. Francis Poh is one such Malaysian.
MIX had the opportunity to speak to Francis, who formerly worked in an entertainment industry but lost his job due to the pandemic. The 39 year-old shared his inspiring story of how he started to help the less fortunate by donating food.
Francis, who is also an animal rescuer for about eight years, has been offering pet-taxi services.
He is known for being a very dedicated and an honest person among his friends. The world came crashing down for him when his wheelchair-bound grandma passed away in March 2020, amid the pandemic. All of a sudden, he felt as though his life went from a happening, exciting, and a happy journey to complete silence… and being home. Dwelling in the silence didn't help him feel any better.
After many months of battling anxiety, Francis decided to get up and going. After a little motivation from his friend who said he should do something that would make him feel better, the rescuer asked for donations and headed out distributing food to the less fortunate, one day at a time.
The good deed he started on 26th June, has caught the attention and praise of many. With the help-one-another volunteer, Francis goes out to buy food from the struggling stall and restaurant owners.
The smile on their faces really makes his day. The depression survivor plans everything a day in advance and has a list of restaurants and stalls to buy the food from. He would then inform the seller so that the food will be ready for collection in time.
At the moment, he distributes food to the people living in a flat in Kota Kemuning and intends to do so for a month. However, with the overwhelming response and donations he's been getting from the public, Francis is doing as much as he can to serve the people.
When asked what keeps him going, he said:
"I don't want anyone to go through what I went through. I'm sure my small deed will give them a little hope to go on, one more day".... And then they go from there.
We're glad that Francis is now dealing with his anxiety a lot better by keeping himself busy. Sometimes, it really doesn't matter how much we can help. What matters the most is how much our little help means to someone.
By: Piravina Ragunathan
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MainOpEdsTo be or not to be Hollywood Jewish
To be or not to be Hollywood Jewish
We know Richard, the Israelis can be such a nuisance when once in a while they've had enough and go about defending themselves.
Jack Engelhard, 04/07/19 16:24 | updated: 16:14
Jack Engelhard
צילום: מתוך האתר האישי
Jack Engelhard's classic international bestselling novel Indecent Proposal, which later became a worldwide hit movie, has been republished to meet readers' demands. His other major works include Compulsive: A Novel, his award-winning post-Holocaust Montreal memoir Escape from Mount Moriah, plus Slot Attendant: A Novel About A Novelist. His website: www.jackengelhard.com
Another expert heard from, and this time it's Richard Dreyfuss, the Hollywood actor who tells us to worry less about ourselves and more about the Palestinian Arabs.
According to the dispatch, "Dreyfuss told the Hollywood Reporter ahead of the release of his new movie, 'Astronaut', that Jews 'sound very much like our own worst enemies in trying to protect Zionism and protect our own reputations. We really do need to explore what it means to be Jewish and not let it go away.''
Global Anti-Semitism, he says, ought to be a secondary concern. He wants more compassion and less "oppression" of the Palestinian Arabs.
That sounds awfully sweet. Apparently, word has not yet reached Sunset Boulevard that Jews are being attacked in Europe every day, and that in Germany Jews are advised never to walk the streets wearing a yarmulke. It's gotten like that hereabouts as well. Jews are getting harassed and beaten even in mostly Jewish Brooklyn.
Too true, sorry to say – what happens in Germany, does not stay in Germany.
In this novel, yes, "Indecent Proposal," since this is about Hollywood, she says to her husband, "The whole world isn't Auschwitz." He says, "Neither is it Beverly Hills."
So far, so good, it seems, in Beverly Hills, so if you are Richard Dreyfuss, or any of the other self-styled elites – no worries. You can feel safe and comfortable enough to give the Israelis so much helpful advice, always appreciated, to be sure…except! Except that the Israelis are too busy ducking rocks, knives and bullets, and flaming terrorist balloons.
I know how it is. The Israelis can be such a nuisance when once in a while they've had enough and go about defending themselves.
Then, when someone gets retaliated for tossing a fireball kite into Jewish territory, experts like Dreyfuss need to explain to the rest of Hollywood, and the world, how the Israelis are simply not behaving properly, and there, over French dining at, say, Petit Trois, everyone can agree that the Israelis shouldn't…as Dreyfuss says…
"We don't need anti-Semites. We've got plenty coming from our own families and homes."
shouldn't be so worried about themselves. Save that for the Palestinian Arabs.
Perhaps, we may suggest…it's the wine talking?
Or maybe the news is slow coming to Rodeo Drive that right now, even as we speak, every Israeli walks around with a price on his head.
News like that does not make a splash in the trades, Variety or the Hollywood Reporter, and that is how it should be. Nobody wants to spoil a good dinner.
But it is a fact that the Palestinian Authority pays its people to murder Israelis. It's been going on for some time, many have gotten rich, and it is called "Pay to Slay."
There is more to it than that, but it is the general idea.
You can read all about it from PMW, Palestinian Media Watch. The Spoiler Alert here is that it may spoil your appetite.
Plus, this, from "The Bathsheba Deadline" about the making of "Munich," in which we were taught that terrorists also have feelings: "This man Spielberg and that man (Tony) Kushner who wrote part of the screenplay, listen: they are okay with a Jewish State as long as it is not Jewish and not a state."
Then: "We don't need anti-Semites. We've got plenty coming from our own families and homes."
New York-based bestselling American novelist Jack Engelhard writes regularly for Arutz Sheva.
He is the author of the international book-to-movie bestseller "Indecent Proposal." His Holocaust to Montreal memoir "Escape from Mount Moriah" has been honored from page to screen at CANNES. His Inside Journalism thriller, "The Bathsheba Deadline," is being prepared for the movies. Contemporaries have hailed him "The last Hemingway, a writer without peer, and the conscience of us all." Website: www.jackengelhard.com
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Biodiesel Market & RFS
Minority Status
Eco-Fuels™ corridors
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Natural Chem's management is a team of industry veterans that has experience developing, operating and managing industrial plants, including biofuels plants, refineries and specialty chemical plants. They have developed innovative concepts to improve operations and profitability of biofuels plants.
Robert J. Salazar, Esq. CEO|President
Stanford Law School, J.D.
Colorado College, B.A.
Mr. Salazar is Natural Chem's founder and CEO|President. He is a 1976 graduate of Stanford Law School, Juris Doctor degree, and a 1973 honors graduate of Colorado College with a B.A., Political Science (Summa Cum Laude, Phi Beta Kappa.) He has over 30 years experience in the business, technical, legal and regulatory aspects of the ethanol, biodiesel, biogas, chemical and feed industries. Prior to founding Natural Chem, Mr. Salazar was a practicing attorney in Denver with an emphasis on renewable fuels and economic development. He also was a founder, Board Member and General Counsel (pro bono) of the Denver Hispanic Chamber of Commerce and represented many community based organizations promoting economic development.
Carter B. Conlin, P.E.
Executive Vice President|Technology & Plant Operations
University of Southern California, B.E., MS.Ch.E.
Mr. Conlin, a retired Naval captain, was employed by Texaco for more than 34 years. While with Texaco, among his various duties, he supervised the production and maintenance operations at a refinery having more than 1,000 employees. Mr. Conlin has more than 47 years experience in
Jerry L. Roberts
Natural Chem Pacific Northwest Operations
Senior V.P.|Supply Chain
Mr. Roberts provides Natural Chem with more than 30 years experience in the feed & grain industries. He attended the University of Kansas and is a former president of the Board of Trade in Salina, Kansas. He serves as President of Natural Chem's work in the Pacific Northwest region and directs the firm's overall supply chain activities.
James E. Naeger, P.E.
Sr. V.P.|Engineering & Construction
University of Missouri, B.S.
A former staff member of Stone & Webster and Texaco, Mr. Naeger provides Natural Chem with expertise in the development of major industrial plants. He holds a degree in Mechanical Engineering.
Carlos R. Castro, Esq.
Senior V.P.|General Counsel
Yale University, B.A.
Mr. Castro provides expertise in legal, regulatory and business matters. He is a 1978 graduate of Stanford Law School, Juris Doctor degree, and holds a B.A. in Political Science, 1975, from Yale University. He has represented community organizations focused on economic development.
Kenneth Cahall – in Memoriam
Senior V.P.
Oleochemical Operations
Mr. Cahall has more than 30 years glycerine production experience through his tenure with Procter & Gamble. He is one of the world's leading glycerine refining experts. P&G is the largest producer of natural glycerine in the US. He also has expertise in methyl esters (biodiesel) production.
Fred L. Chitty
National Manager
Mr. Chitty has more than 30 year's experience in maintenance and construction in the petrochemical industry. His career was spent at Celanese Chemicals Clear Lake Plant and with Old World Industries Clear Lake Plant in maintenance supervision/management.
Frank E. Bustamante
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University of Colorado, B.A.
Mr. Bustamante has worked in the chemical, refining and power industries with Dow Chemical, Tosco (oil shale), AMAX (oil extraction) and Public Service Co. (Colo.). He has laboratory and analytical expertise as well as extensive experience with project development and management.
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Vice President|Administration
University of Denver Law School
(Attended 2 Years of J.D. Program)
Mr. Salazar Jr. provides the Company with expertise in the management and administration of its business affairs having worked in the food distribution industry for several years. Mr. Salazar holds a B.A., Political Science, from Colorado College and attended St. Edwards University and the University of Denver College of Law.
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Joyce stood in the door of the little adobe house, and looked out across the desert with tears in her eyes. If this was to be their home through all the dreary years that stretched ahead of them, it hardly seemed worth while to go on living.
Jack, in the bare unfurnished room behind her, was noisily wielding a hatchet, opening the boxes and barrels of household goods which had followed them by freight. He did not know which one held his gun, but he was determined to find it before the sun went down.
For nearly three weeks they had been at Lee's Ranch, half a mile farther down the road, waiting for the goods to come, and to find a place where they could set up a home of their own. Boarding for a family of six was far too expensive to be afforded long. Now the boxes had arrived, and they had found a place, the only one for rent anywhere near the ranch. Joyce felt sick at heart as she looked around her.
"Here it is at last," called Jack, triumphantly, dropping the hatchet and throwing pillows and bedding out of the box in reckless haste to reach his most cherished possession, the fine hammerless shotgun which Mr. Link had given him Christmas.He Had intended to carry it with him on the journey, in its carved leather case, but in the confusion of the hurried packing, some well-meaning neighbour had nailed it up in one of the boxes while he was absent, and there had been no time to rescue it. He had worried about it ever since.
"Oh, you beauty!" he exclaimed, rubbing his hand along the polished stock as he drew it from the case. Sitting on the floor tailor-fashion, he began whistling cheerfully as he fitted the parts together.
"I don't know," answered Joyce, in such a hopeless tone that Jack lowered his gun-barrels and stared at her in astonishment. Her back was toward him, but her voice certainly sounded choked with tears. It was so unusual for Joyce to cry that he felt that something very serious must be the cause.


I am a visitor in your life. You can choose if I will be a nice one, or a bad one. I can help you and give you advice, or make you want to end your life. It's up to you, because I'm your visitor.
Visiting is something I've always enjoyed, but as of late I find it troublesome. These places I find myself trespassing upon are so similar to my own home that it breaks my heart a little every time I see a grandfather offer some dessert to a grandson or a mother walk into her house in her recently used gym clothes. Visiting is intriguing and adventurous, but it is also excruciating for it reminds me of my want for the familiar and comfort of my own native land.
It was very cold when she arrived, all the snow in her hair. The visitor. The tirade of sorrow and nostalgic pain. He accepted her in from the cold, and she gave him the smile he hadn't expected to see for years to come, if ever again.
The visitor seemed to enjoy the chai that was so fussily set out before him.
He lingered, and reclined, and made small conversation, but never seemed to want leave.
A guest. One that does not dwell permantly. A traveller, always on the move. Without home, and yet, always at home. But where does he actually belong?
i lay there look at the crazed look in it's eye. it stared back to me, smoke emerging from a hole in it's throat. it coughed and the steamy smoke billowed larger.
Sometimes he comes in for a long visit, sometimes it only lasts a few minutes. I always welcome him with open arms and excited gushing. When he stays, it's glorious. We bask in each other's warmth and for a little while, it doesn't feel like a visit. It feels like the way it should be. It feels like home.
One night, about 3 years ago, I was sleeping when I felt my hairbeing pulled. I wokeup to see my grandmother there. I was scared because my grandmother died before I was born. She visited me from beyond the grave.
The visitor to the town had never quite seen one like it before. Being in this alien environment he decided to do something else that was beyond his comfort zone so he looked around him and decided the first place he would go into was a coffee shop that looked a little worn around the edges, not like his usual swanky commercialized place he usually went to get a cup of mediocre coffee.
I heard a knock on the door, and sat quietly for a moment, waiting to hear it again. Did I just imagine it, or did it really happen? My hands poised above the keyboard, music paused, head cocked, listening.
It was a foggy morning. I had just come back in from a run when all of a sudden a knock erupted from my front door. I went to open it and dropped everything I had in my hands. i couldn't believe it. "Dad?!" I screamed as I jump hugged the man in uniform standing before me.
"I'm home sweety, I'm home." He replied with a smile kissing my forehead.
A person who cares about other people. A person who is in need of help. A person who seeks something. A person who we like. A person who is our acquaintance. An individual that exists and we meet.
Well, I never thought I'd have to kick someone out of my own house. You're always told to be accepting of others, to invite them into your home when you can. Leave an extra plate at the table for the unexpected visitor on Christmas Eve. Yeah, I do that. I am accepting. But not when you want to eat the plate I left for you.
I don't have any reason to write right now because i don't ever want to write. We are forced to write about random words in 60 seconds, and if you don't type fast. Oh well your screwed because this is all about how fast you type and not about how ell you type but how fast.
a visitor once came to my place, he was extremely wonderful. also he was quite a bit dazed with what was going on at the house. He came and asked me, who is this young woman, i replied that she is my wife. Her name is sara rehman gora.
He took the clipboard in his hand and read the names before him, never to have been heard from again.
The knocks continued unabated, but still there didn't seem to be anyone at the door. She tried her best to ignore it, but eventually could not hold back anymore. Rushing to the door, she pulled it open only to find open space, the only greeting she got coming from right behind her.


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text:
Q: bash: fdisk: command not found I have installed Debian 10 remotely on a server from a live netinstal iso USB over KVM, but then I encounter this strange problem:
# fdisk -l
bash: fdisk: command not found

However if I use /sbin/fdisk -l , the command executes with no issues.
I'm wondering what has caused this and how can I fix it?

A: You have to add /sbin to your PATH:
vagrant@stretch:~$ PATH="/sbin:$PATH"
vagrant@stretch:~$ command -v fdisk
/sbin/fdisk

And use fdisk with sudo:
vagrant@stretch:~$ sudo fdisk  -l
Disk /dev/sda: 19.8 GiB, 21265121280 bytes, 41533440 sectors
Units: sectors of 1 * 512 = 512 bytes
Sector size (logical/physical): 512 bytes / 512 bytes
I/O size (minimum/optimal): 512 bytes / 512 bytes
Disklabel type: dos
Disk identifier: 0xa0fd0b1a

Device     Boot    Start      End  Sectors  Size Id Type
/dev/sda1  *        2048 39438335 39436288 18.8G 83 Linux
/dev/sda2       39440382 41531391  2091010 1021M  5 Extended
/dev/sda5       39440384 41531391  2091008 1021M 82 Linux swap / Solaris

A: Is /sbin in your path? Run echo $PATH to check. Often /sbin is a symlink to /usr/bin so check if that is also in the path.
See this question for how to modify the path.

redpajama_set_name: RedPajamaStackExchange


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text:
import unittest
import os.path

if __name__ == '__main__':
    print("Running")
    suite = unittest.TestLoader().discover(
        start_dir = os.path.dirname(os.path.abspath(__file__)),
        pattern = "test_*.py",
        top_level_dir = os.path.dirname(os.path.dirname(os.path.abspath(__file__))),
    )
    unittest.TextTestRunner().run(suite)

redpajama_set_name: RedPajamaGithub


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text:
Q: Different Breaking in Textarea vs. Inline? I am working on an extended Textarea like http://podio.github.com/jquery-mentions-input/
There you can see a transparent Textarea with an element in background simulating the highlighting.
You can see the problem there also: type some long text like "iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii " (attention to space at the end)
and then type "@ke" and choose first contact.
You will see that the background breaks different than the text in the textarea.
I figured out that this is not because different sizes!
Any ideas how to avoid that?
P.S.: I dont want to you contentediable.
For testing i used chrome (test with points!) and firefox.
I think this technic is also used often for auto-calculating a textarea-hight and they must have the same problems?!

A: I found a different solution myself: count line-breaks manually.
I modified and improved the line-break-adder from this thread: finding "line-breaks" in textarea that is word-wrapping ARABIC text
The big difference: this function only retrieves the breaked value without applying the breaks cause it used a temporary element copy.
I think it could help someone else!
function getApplyLineBreaks(strTextAreaId)
{
    var strRawValue = $('#' + strTextAreaId).val();
    var measureClone = $('#' + strTextAreaId).clone();
    measureClone.attr('id', 'value_break_mess_clone');
    measureClone.val('');
    measureClone.css('overflow', 'hidden');
    measureClone.removeAttr('onchange').removeAttr('onclick').removeAttr('onkeydown').removeAttr('onkeyup').removeAttr('onblur').removeAttr('onfocus');
    measureClone.height(10);
    measureClone.insertAfter('#' + strTextAreaId);

    var lastScrollWidth = measureClone[0].scrollWidth;
    var lastScrollHeight = measureClone[0].scrollHeight;
    var lastWrappingIndex = -1;
    var tolerancePixels = 5; //sollte kleiner als font-size
    var addedSpace = false;
    var debug_c = 0;

    for (var i = 0; i < strRawValue.length; i++)
    {
        var curChar = strRawValue.charAt(i);
        if (curChar == ' ' || curChar == '-' || curChar == '+')
            lastWrappingIndex = i;
        measureClone.val(measureClone.val() + curChar);
        addedSpace = false;
        if (i != strRawValue.length - 1 && strRawValue.charAt(i + 1) != "\n")
        {
            measureClone.val(measureClone.val() + ' '); //this is only 90% zero-width breaker unnoticed
            addedSpace = true;
        }

        if (((measureClone[0].scrollWidth - tolerancePixels) > lastScrollWidth) || ((measureClone[0].scrollHeight - tolerancePixels) > lastScrollHeight))
        {
            if (addedSpace)
                measureClone.val(measureClone.val().substr(0, measureClone.val().length - 1));
            var buffer = "";
            if (lastWrappingIndex >= 0)
            {
                for (var j = lastWrappingIndex + 1; j < i; j++)
                    buffer += strRawValue.charAt(j);
                lastWrappingIndex = -1;
            }
            buffer += curChar;
            measureClone.val(measureClone.val().substr(0, measureClone.val().length - buffer.length));

            if (curChar == "\n")
            {
                if (i == strRawValue.length - 1)
                    measureClone.val(measureClone.val() + buffer + "\n");
                else
                    measureClone.val(measureClone.val() + buffer);
            }
            else
            {
                measureClone.val(measureClone.val() + "\n" + buffer);
            }
            lastScrollHeight = measureClone[0].scrollHeight;
        }
        else if (addedSpace)
        {
            measureClone.val(measureClone.val().substr(0, measureClone.val().length - 1));
        }
    }

    var returnText = measureClone.val();
    measureClone.remove();
    return returnText;
}

Only thing: its slow on long texts. Ideas for optimization are welcome.


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text:
Q: Is High Maturity and Proficiency in Calculus and Linear algebra necessary for successful research? Is it the case that most successful mathematicians have very high Maturity and Proficiency(do it without thinking) in Calculus and Linear algebra, both calculation part(double/line integrals, eigenvalues etc...) and theory part (reconstruction of important theorems with proofs without referring to books) ?
In other words, is these maturities and proficiency very important for doing further research ?
If not, are there well-known mathematicians in the history who somehow not very proficiently perform the elementary calculus and linear algebra etc.. both in calculation and theorems
(e.g. multiple/line integrals, tangent plane, eigenvalues, quadratic forms,  solve ODE....)
but still very successful in research ?


text:
Alabama Nonprofit Empowers Women To Escape Domestic Violence
The Alabama nonprofit Women of Refined Gold is empowering women to escape domestic violence.
by Brandee Sanders
Officers Release Statement On Stacey Dash's Race
Stacey Dash's arrest report had her listed as white.
Stacey Dash Is White, According To Her Mugshot
Well, that explains it...
Black Women Have Highest Domestic Violence Death Rate
Black women have the highest death rate from domestic violence incidents.
by Nigel Roberts
Fabolous Indicted For Brutally Assaulting His Girlfriend
His is facing 20 years in prison.
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Donna Alexander was a mother of two in Dallas, Texas.
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The rapper turned himself in to police on Wednesday.
Jennifer Hudson's Ex Cleared Of Domestic Battery
Jennifer Hudson's ex, David Otunga has been cleared in an investigation into an alleged domestic violence incident between the former…
Tiffany Haddish's Ex Speaks Out On Alleged Lies…
This has been the year of Tiffany Haddish. From Girls Trip to her memoir The Last Black Unicorn, the comedian…
John Conyers III Has A Blemished Record In…
John Conyers III was arrested in February 2017 for alleged domestic violence.
High School Football Player Won't Face Trial In…
An 18-year-old New York City high school football player was not indicted for manslaughter in the death of his mother's…
Terry Crews Is The Worst Kind Of Black Man
Vanessa Bryant Makes Her Social Media Private After Husband's Tragic Death
Van Lathan Breaks His Silence After TMZ Fires Him For Argument With Conservative Staffer
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text:
Title: Industrial development in south Leeds, 1790-1914
Author: Connell, E. J.
Awarding Body: University of Leeds
Current Institution: University of Leeds
https://etheses.whiterose.ac.uk/1062/
The industrial development of South Leeds in the nineteenth century was mainly due to the introduction of factory-based production. From villages dominated by clothiers producing woollen cloth under the 'domestic system', Hunslet and Holbeck grew into suburbs of the City of Leeds, distinguished by the dominance of factories of all kinds intermixed with acres of "working men's cottages" - back-to-back housing mainly. New industries replaced older established trades and new methods were constantly introduced which fostered the further development of industry and a concomitant growth in the work force and its supporting services. At the end of the eighteenth century there were already several recently opened cotton mills south of the river, but it was as a centre of flax-spinning that the area developed during the first half of the nineteenth century. As flax-spinning passed its peak the engineering industry was expanding until by 1914 it was the major employer of male labour in the district, with an international market, for its products. There were other important trades which developed during the century, chemicals, glass bottle making, chromo-lithographic printing and brewing, but the area had become peripheral as far as cloth-finishing, dyeing and textile manufacture were concerned. The pottery industry was dead and the expansion of tanning, with its associated boot and shoe-making, was chiefly to the north of the river. Industrial development was primarily based on the steam engine. In this respect Hunslet and Holbeck were most favourably located, with ample supplies of cheap coal and boiler water, as well as engineering works producing steam engines and boilers. These positive factors were further reinforced by the availability of transport facilities of all kinds and extensive areas of flat land which were essential for the development of heavy engineering works. There was a significant relationship between the different trades which encouraged complementary development. Initially the access to supplies of raw materials and coal, as well as to markets both near and far, was important in attracting industry to the area. Within the area there were few specific factors affecting location except the paths of the water courses and access to the existing transport network. Industrial development in the out-townships did not follow that of Leeds itself in detail, both Hunslet and Holbeck had a character of their own derived from their evolution as manufacturing areas with associated housing. By means of a gazetteer of industrial sites, outlining their history and development during the period under review, the impact of the individual entrepreneur is recognised and the varying fortunes of the different businesses is charted as they moved from one site to another according to their prosperity.


I'm excited to be going to Microsoft's Ignite conference in Chicago next week. If it bears any resemblance to the SharePoint conferences I have attended, this is going to be an awesome experience.
I've decided to try an experiment at Ignite.
I'm offering free SharePoint Governance counseling to anyone who asks.
This is brief therapy – we'll discuss your issue and I'll try to help you brainstorm solutions and offer you advice based on my experience.
Feel free to reach out to me at my email address (you can find that on my LinkedIn profile and on my résumé), or you can contact me on Twitter (I use @SPointTherapist for governance issues, but I'll happily reply at my more unfocused general account @dlairman as well) so we can schedule a time.
I say "free", but there is one thing that I will require. I will be using the issues brought to me on this blog (with names changed to protect the innocent and guilty alike). If you're open for that, I'll be glad to help!
One thing that I can see that Tiffany didn't mention in favor of her approach, is that when you give the compliant children the cool new toys, and keep them out of the hands of the resistant ones, eventually the resistant ones will want to play with th cool new toys too, because they keep hearing from everyone else how they are missing out.
Tiffany and I do recognize that we may not be talking about the same people. Is it possible that there are different sorts of squeaky wheels? Ones that are laggards, who are forever asking "Who moved my cheese?", and others that have legitimate issues that need to be addressed?
It is your turn to weigh in on the debate.
What is your experience? Am I off the mark? Is my example an edge case? Is Tiffany's point of view more valid in your experience? Or should you indeed keep your "enemies" closer? Are there different kinds of squeaky wheels? If so, how can you tell them apart?
Are we both missing the point?
I had a great time in Jim Adcock's SharePoint Group Therapy governance session at SharePoint Saturday Houston. He tells a story about how he embraced a squeaky wheel and turned her into one of the biggest fans of the project. On an Enterprise scale, I disagree with this approach.
Some of the advice you are offering would likely work best for a large organization. What about a small one with less than 4 IT/IM staff, less than 200 SharePoint users and no legal department? – T.
In a small organization, it may seem like you don't need as much governance. You surely don't need all of the sample governance plan by Joel Oleson, as it lays out a potential plan for a multi-national organization with multiple SharePoint administration roles, and a team of developers.
But, on a smaller scale at least, the same considerations need to be addressed. Who is responsible for what? If you don't have a separate Database Administrator (for example), then it is possible that the SharePoint Administrator would be responsible for backing up the database, and restoring it in the event of a system failure. Or maybe it is the Network Administrator, depending on how roles are divided. In any case, formalizing the roles of who is responsible for what is one of the basic tasks of defining your governance plan, regardless of the size of the organization.
I got a call from a friend who was working with a client.
The client wanted him to set up SharePoint. Unfortunately, they didn't have anything more specific than that as a requirement. He got the impression from the client that they expected SharePoint to just work, to do things just by virtue of having been installed, with little thought to the fact that configuration would be required for SharePoint to actually do much of anything, and that there would be ongoing need for administration. They had so far been dismissive of his attempts to convince them that "Just set it up" wasn't an adequate strategy for deploying SharePoint successfully.
How can I help them understand that what they are asking for is likely to end in failure, if they don't take configuration and ongoing administration into consideration?
What Counts As SharePoint Development?
At the recent SharePoint Saturday Austin, I spoke with a peer who was working with a client that didn't have a development environment, only a production environment.
A very common way to design a SharePoint ecosystem that protects end users from harmful alterations or interruptions to access to their data is to have three SharePoint farms – Development, Staging and Production. Changes are made to the development environment, moved into the staging for validation to make sure it won't cause problems before ever being allowed into the production environment. Another common configuration has only two farms, with both development and testing in one farm, and production in another. This requires less maintenance and hardware, but can result in a testing environment that may be a poor match for the production environment (though it beats not having a production environment!).
But the nature of SharePoint is a collaboration platform. This means that changes are being made to production environment by end users. End users often have the rights to change page layouts, add and remove web parts, and do many other things that make alterations to the production environment. While there are built-in features to provide data stability, such as document versioning, approval workflows, and publishing processes, it does point up the slippery slope of what counts as "development" and what doesn't.
Here is one of the approaches I have used to keep some control of the kinds of changes that can be made directly in production without prior validation, and what needs to go through a defined testing and promotion process.
Do You Really Need That Site?
During a recent SharePoint governance discussion, we talked about the process for responding to requests for new sites.
One thing I brought with me from my last job was an understanding of just how bad site sprawl can get. I knew going into the meeting that management only had a vague idea about sites, the reasons for creating them, and the reasons for NOT creating them.
So I came prepared with a handout with a few brief sentences that management could understand and buy into. With this plus a description of the out-of-control scenario of site sprawl, I got my buy-in.
A site is a collection of lists, libraries and pages with similar ownership, access rights, and intent.
When should a site be created?
When should you consider other options?
Sites should have clear ownership (both a sponsor and a content manager).


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Books | May 29, 2019 8:32 am
The First Look at the Film Adaptation of Donna Tartt's "The Goldfinch"
John Crowley is directing the movie version of the Pulitzer Prize winning novel
By Jason Diamond @imjasondiamond
If you made it through the nearly 800 pages it takes to finish off Donna Tartt's 2014 Pulitzer Prize winning novel, The Goldfinch, you probably thought either
1. That was great.
2. The middle part of that book was a bit of a slog, but I still enjoyed it overall.
3. I'd like to see that turned into a movie, but I'd really love to see Tartt's first book, The Secret History, get the long-overdue film treatment first.
So the bad news is that the third one probably isn't happening anytime soon. The good news is that the adaptation of The Goldfinch is out this September, and it's directed by John Crowley, who has had a few successes with literary adaptations in his career. Also, with a cast including Nicole Kidman, Sarah Paulson, Luke Wilson, Ansel Elgort and Jeffrey Wright, it's fair to say there's some serious weight behind making the movie version as successful as the book it's based off of. So how do they plan to pull it off? Offering up a first look at the film over at Yahoo, Crowley says, "The initial decision to not follow the linear structure of the book, rather to intercut a little more cinematically, a little more impressionistically, that was the thing that liberated us and allowed us to deal with time passing and leave out chunks of the book which though beautiful and wonderful in their intentional setting were perhaps less dramatic."
Yahoo! also offered up a first look at the film with a picture of Kidman and Elgort holding hands in a living room. It isn't much to go on, but the best nugget is when asked if Tartt offered up any advice on how the film should look, Crowley admitted that he only met the author once, and that she never made it to the set during filming.
"She was busy," Crowley said of the reclusive Tartt.
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U.S. Worker Coops and Employee Ownership Information By Region
Screening Schedule
Screening Resources
SHIFT CHANGE is a documentary film by veteran award-winning filmmakers Melissa Young and Mark Dworkin. It tells the little known stories of employee owned businesses that compete successfully in today's economy while providing secure, dignified jobs in democratic workplaces.
Equal Exchange workers discuss risk and innovation.
With the long decline in US manufacturing and today's economic crisis, millions have been thrown out of work, and many are losing their homes. The usual economic solutions are not working, so some citizens and public officials are ready to think outside of the box, to reinvent our failing economy in order to restore long term community stability and a more egalitarian way of life.
There is growing interest in firms that are owned and managed by their workers. Such firms tend to be more profitable and innovative, and more committed to the communities where they are based. Yet the public has little knowledge of their success, and the promise they offer for a better life.
SHIFT CHANGE encourages support for employee ownership, and provides on-the-ground experience from a variety of enterprises and locations. Screenings have already occurred, and more are being planned, in cities around the world. The film is also expected to be presented on television, as well as in academic, public planning, business and community settings. View our screening schedule >
Meet the Filmmakers >
SHIFT CHANGE brings you behind the scenes at some of the most exciting cooperative successes in Europe and the United States. This is a movement that's creating jobs, strengthening communities, and showing that another economy is possible. It's a movement that's taking off — and SHIFT CHANGE is the way to understand what's happening. Sarah Van Gelder, YES! Magazine
The North American worker cooperatives and the Mondragón cooperatives in SHIFT CHANGE tell a compelling story of real possibilities at a time when many think there are no solutions to this current difficult economic situation. Paul Hazen
This is a very important film on a very important topic that is almost completely neglected by business schools. As our current economic structures veer ever closer to collapse, the cooperative alternative has become more and more attractive. Seeing the sophistication of these businesses and listening to these co-op member/owners talk about their work is totally inspiring. Another world IS possible – and it looks like this! Jill Bamburg, Bainbridge Graduate Institute
Place-based cooperative ownership is a vital dimension of the diverse, regenerative economy emerging right under our noses. Smell the roses! John FullertonPresidentCapital Institute
The U.S. Federation of Worker Cooperatives strongly supports SHIFT CHANGE. This film on worker cooperatives is a thorough, well-researched and inspiring work. Melissa Hoover
One of the barriers to fostering cooperative values and businesses in North America is the lack of awareness of the benefits that well organized cooperatives with good business practices can offer to workers and communities. Educating the public to the cooperative approach to business is an important contribution which SHIFT CHANGE can make." Ted Howard
The purpose of SHIFT CHANGE is to encourage the development of work cooperatives in North America as one solution to our severe economic problems as well as a means for a regional economy to compete successfully in the global economy. We at the CMRC will use the documentary in many ways. Dan Swinney
Rodney North on New! PBS Broadcast Schedule – Summer and Fall 2014
Dan Auerbach on Help Get SHIFT CHANGE on PBS Stations Around the Nation!
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A couple of years ago, I noticed the work of Chris Hilgert on Google+. At the time – he's since moved on to other things – he was using a post-processing technique which I really enjoyed. The basic idea was to simplify the image to push noisy details out of the image while retaining fine details in the areas of primary interest in the image.
I decided to try experimenting again with variations on this technique – applying the technique to some of my images from Havana shot in 2013. The Flickr album that resulted is here.


Imagine a world where Black businesses are in abundance—thriving, striving, and bettering our world. In this world, the businesses that we patronize always respect us, enhance our community, and eagerly employ African American workers. This world can become a reality if we "plant our seeds and watch them grow" and allow every dollar we spend to sprout opportunity and triumph within our community.
Originally, the "double duty dollar" concept was used in the early 1900's. Our forefathers and foremothers laid the foundation, and we must build upon it and make our money work for us! When Black consumers buy goods and services from black-owned businesses, the dollars spent have a doubling effect; they allow us to build a business sector that can serve the larger marketplace and ourselves.
This "doubling" effect creates additional capital within a community and provides new opportunities, jobs, and local businesses. If you spend at a local business, you are supporting that business owner's family and employees. If this business owner spends at another local business and that owner does the same, the members of this community can keep up the cycle of doubling until the impact of the dollar has reached tenfold its value by the time leaves the community. Implementing this concept would be a significant catalyst to improve the quality of life, employment, and economic welfare in Black communities throughout the United States.
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Horror 365 Movie(ish) 339: Top 10 Tuesday, Top 10 Episodes Of Alfred Hitchcock Presents
I am a longtime devotee of Alfred Hitchcock. He's possibly my favorite director. Ironically, an extremely close 2nd isn't even a horror director, and is in fact Wes Anderson. I saw The French Dispatch this past Sunday and will most likely go back today. But that's another post. I love Hitchcock's macabre sense of humor, the type that also drew me at a young age to the likes of Charles Addams, Roald Dahl, and Edward Gorey as well.
One of the best places to find Hitchcock's brand of the tense and macabre is Alfred Hitchcock Presents which ran from 1955-1965 (becoming The Alfred Hitchcock Hour near the end). And so, as a die hard fan, here are my Top 10 Episodes Of Alfred Hitchcock Presents. It's worth noting that lotsa these are from the first season which is partly because it's my favorite season which in turn is partly because it's arguably the best season.
#10 The Cheney Vase (S1 E13 dir. Robert Stevens, story by Robert Blees)
Okay this one's not particularly spooky or suspenseful, but the ending is just so gleefully vicious. A ne-er-do-well nephew (the ever entertaining Darren McGavin) curries the favor of his invalid scupltor aunt (Patricia Collinge) in order to get his hands on a valuable piece he's created. Like I said, gleefully vicious. Blees, incidentally, would go on to write/co-write the the camp spectacular Dr. Phibes Rises Again, the nature's revenge silliness of Frogs, and the fairy tale-like Whoever Slew Auntie Roo?
#9 The Glass Eye (S3 E1 dir. Robert Stevens, story by John Keir Cross)
Jim Whitely (William Shatner back when he could kind of act) relates a tale of a distant cousin Julia (Jessica Tandy) who fell in love with ventriloquist Max Collodi. She follows him all over the country to catch his act until. As you may well imagine, it just gets weirder from there.
#8 Breakdown (S1 E7 dir. Alfred Hitchcock, story/teleplay by Louis Pollock)
Joseph Cotten plays a movie producer paralyzed in a car accident and can't communicate to anyone that he is actually alive. With one exception coming up in just a bit, this is about as tense as Hitchcock gets.
#7 Our Cook's A Treasure (S1 E8 dir. Robert Stevens, story by Dorothy L. Sayers)
If Sayers sounds familiar, that's because she wrote the Lord Peter Wimsey stories. This story, though, involves a serial poisoner posing as a maid. Ralph (Everett Sloane) suspects his own maid Mrs. Sutton (Beulah Bondi). Misdirection ensues, and the whole thing has very Roald Dahl overtones. And speaking of Roald Dahl…
#6 Dip In The Pool (S3 E35 dir. Alfred Hitchcock, story by Roald Dahl)
I've mentioned this story before, and it's the first of several Roald Dahl episodes on this list as he and Hitchcock seem to have been made for each other. Nobody adapted Dahl's stories to the screen like Hitchcock did, and this one in particular captures that kind of macabre irony I love so much about them both. Mr. Botibol bets on the ship's pool then devises a plan to slow the ship down in order to win said pool. It's got one of the best "pull the rug out from under you" endings ever.
#5 The Man From The South (S5 E15 dir. Norman Lloyd, story by Roald Dahl)
I love this story and mentioned it back in the same post as "Dip In The Pool." A young man bets he can light his lighter 10 times in a row. The stakes? The little finger of his left hand against and expensive car. Like "The Cheney Vase," it's got a nasty little comeuppance at the end, only this one has much darker implications.
#4 The Older Sister (S1 E17 dir. Robert Stevens, story by Lillian De Torre)
A year after Lizzie Borden's acquittal, an irritating and aggressively nosy reporter shows up. She's convinced Lizzie is really guilty and tries to strong-arm her into an exclusive.
#3 Revenge (S1 E1 dir. Alfred Hitchcock, story by Samuel Blas)
This was a short story adapted for the show and boy howdy does it pack a helluva wallop. If you don't know, stop what you're doing, and go watch it. Incidentally, before Hitchcock got a hold of it, Revenge showed up in Issue #21 of a Tales From The Crypt type comic called Witches Tales.
#2 Bang! You're Dead (S7 E2 dir. Alfred Hitchcock, story by Margery Vosper)
This one definitely sits squarely in the suspense realm, but god damn that suspense is tough to sit through. Thinking he's found a present his dear Uncle Rick has brought him, six-year-old Jackie Chester takes the gun and bullets from said uncle's suitcase and goes wandering around the neighborhood unaware that he's carrying an actual loaded pistol. It's a tough, tough watch, and arguably the most terrifying thing Hitchcock ever created.
#1 Lamb To The Slaughter (S3 E28 dir. Alfred Hitchcock, story by Roald Dahl)
Was there any doubt this triple threat was gonna be #1? My favorite Alfred Hitchcock Presents episode just so happens to be my favorite adaptation of my favorite Roald Dahl story. Mary Maloney (Barbara Bel Geddes) is A) pregnant and B) about to be left by her husband for another woman. As with Revenge, if you somehow haven't seen this, drop everything and avail yourself. Then go read the story. In that order. Trust me. You'll thank me later.
And there's my list. I'd love to see what your faves are down in the Comments, and I'm already gearing up for a similar Twilight Zone post.
Horror 365 Movie 338: Savageland
Horror 365 Movie 340: The Pit
3 thoughts on "Horror 365 Movie(ish) 339: Top 10 Tuesday, Top 10 Episodes Of Alfred Hitchcock Presents"
Stephen J Frankenberry says:
Ooooooh, a Twilight Zone list. Cool, I'll definitely look forward to that. As to Hitchcock Presents I'll have to search some of these out, especially the Roald Dahls, as I never really watched the show.
You missin out my friend
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May/June 2019 David Levy
Q: What is the sin leading to death?
The apostle John told Christians, "If anyone sees his brother sinning a sin which does not lead to death, he will ask, and He will give him life for those who commit sin not leading to death. There is sin leading to death. I do not say that he should pray about that. All unrighteousness is sin, and there is sin not leading to death" (1 Jn. 5:16–17).
The word if refers to a hypothetical situation. John revealed nothing about the one praying, the sinner, or the sin. However, he did emphasize the importance and obligation of praying for a Christian who sins.
The apostle told us the result of such prayer: "He [the Lord] will give him life for those who commit sin not leading to death" (v. 16). The one interceding for the sinning believer should pray that the sinner sees the error of his way and confesses his sin. God will respond by providing life.
The word life does not refer to being regenerated but, rather, to spiritual restoration and revival, resulting in the wayward Christian's renewed commitment to live for the Savior.
Three times John mentioned a sin that does not lead "to death" (vv. 16–17) and once, a "sin leading to death" (v. 16). Scripture does not identify the sin leading to death, but commentators have presented various views. Some teach it is a sin that will receive the immediate punishment of physical death. Examples include the swift deaths of Ananias and Sapphira (Acts 5:1–10) and the deaths of those who profaned the Lord's Supper (1 Cor. 11:30).
Others believe the sin refers to the practice of false teachers who separated from the church and rejected Jesus Christ as the incarnate Son of God. They would be cut off from forgiveness and, subsequently, from salvation. Still others believe the sin may be one particular sin or a state of sin that an individual has no intention of leaving. Thus, the sin "leading to death" is a willful, ongoing practice of a particular sin for which the individual never repents. Finally, some believe it is a sin someone continually commits that will culminate in his death.
John never identified the sin. What we do know is that God alone chooses or determines when an unrepentant sinner should die. He tells us, "I do not say that he should pray about that" (1 Jn. 5:16), meaning, there is no directive to pray for someone in such a situation.
A Look at Life in Israel
The Battle for Biblical Truth
Israel's Broken Political System
Helping Israel's Lone Soldiers
Watching the Rapid Decline
Proposed Pipeline Would Bring Israeli Gas to Europe
The Great Deception
An Appeal for Spontaneity
Jewish World Update May/Jun 2019
Helping Israel's Lone Soldiers
Israel's Broken Political System
"When that plane touches down at Ben Gurion Airport in Tel Aviv," someone told me recently, "I know I'm in a country that's a miracle...
For centuries, Jewish people have been asking themselves, "Who is a Jew?" Today a new wrinkle has developed, and it involves Christians...
Many of our readers have asked us what life is like in Israel, especially for Jewish believers in Jesus. So we asked Meno Kalisher to answer a few questions for us...
Meno Kalisher
Modern Israel is a miracle. When Mark Twain visited there in the 1800s, he left thinking it was the most miserable place on the face of the earth...
Jim Showers
Many Americans scratch their heads trying to figure out Israel's political system. Here's an overview of it from someone who truly understands it...
Elliot Jager
What do you do when you have no place to go for Shabbat? That's when the Lone Soldier Center in Memory of Michael Levin becomes a lifesaver—in more ways than one...


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To Do Today: Witold Rybczynski, In School Suspension, and Hockey Dad
Discuss the meaning of chairs at a reading or celebrate the first day of school with stories about junior high rivalries.
by Caroline Jones August 29th, 2016 August 29th, 2020
Thanks for being a member of City Paper!
"A chair can be a living link to the past," Witold Rybczynski writes in Now I Sit Me Down. In his book, the architect and design writer turns the most quotidian of household objects into his subject. Viewing the chair through his unwavering artist's gaze, he traces its history. We find classical period pieces persisting in the face of modern innovations, contemporary chairs like folding and swinging seats with surprising early origins existing beside modern ergonomic and reclining chairs, which developed from careful scrutiny of human physiology. The most intriguing question Rybczynski asks is why humans sit in chairs at all. By sketching the progression of the chair he outlines the evolution of human behavior. Read more >>> Witold Rybczynski reads at 7 p.m. at Politics & Prose, 5015 Connecticut Ave. NW. Free. (202) 364-1919. politics-prose.com. (Victoria Gaffney)
Following the devastating earthquake in Italy, three Mindful Restaurant Group restaurants (Ghibellina, Sotto, and Acqua al 2) are serving a special dish beginning this week and continuing through the end of September. Fifty percent of sales from the Bucatini Amatriciana ($18) will go to the Italian Red Cross to aid in relief efforts. It's a signature dish of the city of Amatrice, which was impacted by the earthquake. The dish will be available for lunch and dinner at Ghibellina and Aqcua al 2 and for dinner at Sotto. (Laura Hayes)
OH AND ALSO
Songbyrd Music House hosts a live recording of the "In School Suspension" podcast, in which storytellers share tales from their middle and high school years. Tonight's theme, presented to coincide with the first days of school, deals with friendships, frenemies, and rivalries. 7:30 p.m. at 2477 18th St. NW. $7.
Experimental rock ensemble The Escape Artist plays the Black Cat Backstage with Boston-based avant-garde band Bent Knee and local math rock group Cartoon Weapons. 7:30 p.m. at 1811 14th St. NW. $10–$12.
Head to DC9 for a set from world travelers Hockey Dad, a rock duo from a small town in coastal Australia. Georgia-based ambient music act Muuy Biien opens the show. 9 p.m. at 1940 9th St. NW. $10–$12.
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Our Story | iSPARK Consulting Inc.
WELCOME TO iSPARK. NICE TO MEET YOU!
"Our first office was in an unfinished basement with a cheap IKEA desk and a baby blue office chair with an ink stain on it. The phone had a cord. A CORD!!"
Our first office was in an unfinished basement with a cheap IKEA desk and a baby blue office chair with an ink stain on it. The phone had a cord. A CORD!! This was August of 2000 - about one month before the Sydney Olympic Games. Company founder, Krista Benoit, had just quit her job as Director of Marketing and Events for a national sport organization in Ottawa to start her own firm. The company had no name, but it did have two clients (and a fax machine). Sounds crazy, right? Not really. Krista has entrepreneurship in her DNA. She is a Sports Administration (SPAD) grad from Laurentian University who enthusiastically began her career on the bottom rung of the pro sport ladder in 1993.
A few years later (and a few business cards later), Krista was determined to infuse her unapologetic energy and drive into new adventures. Her newfound status as a 'solopreneur' (only seven years after graduation) came as no surprise. Fast forward several years …. the company got a name, Krista got a second degree (a BA in French), the office set-up got a little more stylish, technology improved, and the firm swiftly grew into a successful boutique events and marketing agency with a bubbly personality and a reputation for getting sh*t done.
Krista manages a lively gang of like-minded event and marketing professionals known as the 'A' team who work tirelessly to deliver exceptional results (and have lots of fun doing it).