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Product liability claims can enable injured consumers to pursue justice and monetary compensation for their damages after being harmed by any number of publicly available goods. These include various drugs and medications that, through the failures of manufacturers, caused consumers to suffer injuries or illnesses that could have otherwise been prevented.
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Preventable injuries / illness – Product liability claims involving dangerous drugs center on proving how a victims' injuries or illnesses more likely than not resulted from the negligence of drug manufacturers. This may be the case when medications are found to pose serious and adverse reactions in patients who take them, such as in the case of Lipitor, which was found to significantly increase risks of Type 2 Diabetes.
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Sugar milers have been asking the government to increase the import tax , which currently stands at 10%. Raising the tax would keep local sugar competitive in the domestic market and protect local farmers.
India's biggest refiner, Shree Renuka Sugars Ltd., is importing raw sugar for domestic sales by paying the import tax and also with zero tax for re-export, according to Narendra Murkumbi, Managing Director.
A lower harvest after two years of surplus may cause India, the world's second-biggest consumer to boost imports. The country has already contracted to import 920,000 tons of raw sugar since the beginning of the season in October, despite surplus stocks at home, the chief of a leading industry body said.


text:
This advanced search of The Andrew W. Mellon Foundation's grants database allows exploration of our grantmaking history since 1969.
Conservation and the Environment
Medicine and Population
Presidential Initiatives
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State (U.S.) AKALARAZCACNCOCTDCDEFLGAHawaiiHIIAIDILINKSKYLALOMAMDMEMIMNMOMSMTNCNDNENHNJNMNVNYOHOKORPAPRRISCSDTNTXUTVAVIVTWAWIWVWY
Country ArgentinaAustraliaAustriaAzerbaijanBelgiumBermudaBoliviaBrazilCameroonCanadaChileChinaColombiaCosta RicaCzech RepublicDenmarkDominican RepublicEcuadorEgyptEl SalvadorEstoniaEthiopiaFinlandFranceGeorgiaGermanyGhanaGreeceGuatemalaHungaryIcelandIrelandItalyKenyaKyrgyz RepublicKyrgyzstanLatviaLebanonLuxembourgMalaysiaMexicoNetherlandsNew ZealandNigeriaNorwayPeruPhilippinesPolandPortugalRepublic of ArmeniaRussiaSenegalSingaporeSlovakiaSouth AfricaSpainSwedenSwitzerlandTanzaniaThailandThe NetherlandsTurkeyUgandaUkraineUnited KingdomUnited StatesUruguayUzbekistanVatican CityVenezuelaWalesWest IndiesZimbabwe
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4,149 Grants awarded for $1,936,266,289
Results Per Page: 255075100
Black Women Playwrights' Group, Inc. Cyber Narrative Project 01/30/12 $50,000 Washington, DC, United States Arts and Culture
Philadelphia Museum of Art Conservation Tracker 01/28/08 $50,000 Philadelphia, PA, United States Arts and Culture
Art Services International Catalogue Program 03/22/89 $50,000 Alexandria, VA, United States Arts and Culture
Gateways Music Festival, Inc. Black Orchestral Network 08/25/21 $50,000 Rochester, NY, United States Arts and Culture
Emerson College Center for the Theater Commons Transfer 04/23/12 $50,000 Boston, MA, United States Arts and Culture
San Francisco Art Institute New Studio Building 06/15/70 $50,000 San Francisco, CA, United States Arts and Culture
New York Shakespeare Festival Free Theatre 06/20/72 $50,000 New York, NY, United States Arts and Culture
The Brooklyn Institute of Arts and Sciences Egyptian Galleries 03/22/91 $50,000 Brooklyn, NY, United States Arts and Culture
Boston Ballet, Inc. Choreographer-Composer Collaboration Project 04/04/92 $50,000 Boston, MA, United States Arts and Culture
New York Shakespeare Festival Dance-Theater Work 04/04/92 $50,000 New York, NY, United States Arts and Culture
Brooklyn Philharmonic Symphony Orchestra, Inc. Strategic Planning 05/15/00 $50,000 Brooklyn, NY, United States Arts and Culture
Musical Arts Association Artistic Exchange 04/19/04 $50,000 Cleveland, OH, United States Arts and Culture
National Gallery of Art Conservation Documentation Pilot Project [Inventory] 04/23/07 $50,000 Washington, DC, United States Arts and Culture
Wesleyan University Creative Campus Arts Components 03/16/09 $50,000 Middletown, CT, United States Arts and Culture
Creative Capital Foundation Strategic Assessment 12/19/16 $50,000 New York, NY, United States Arts and Culture
Metropolitan Opera Association, Inc. General Support 03/12/70 $50,000 New York, NY, United States Arts and Culture
North Carolina School of the Arts Foundation Renovation of Performing Arts Space 03/13/73 $50,000 Winston-Salem, NC, United States Arts and Culture
National Public Radio, Inc. Cultural Criticism 06/12/89 $50,000 Washington, DC, United States Arts and Culture
Kronos Performing Arts Association Institutional Planning 08/13/12 $50,000 San Francisco, CA, United States Arts and Culture
Sphinx Organization, Inc. Diversity and Career Advancement in Classical Music - Planning Grant 07/21/14 $50,000 Detroit, MI, United States Arts and Culture
Third Street School of Music Development Program 09/15/70 $50,000 New York, NY, United States Arts and Culture
Third Street School of Music Development Program Building and Program Fund 09/18/73 $50,000 New York, NY, United States Arts and Culture
Yellow Springs Institute for Contemporary Studies and the Arts Institutional Transition 04/25/95 $50,000 Chester Springs, PA, United States Arts and Culture
New World Symphony, Inc. Long-Range Planning 05/08/97 $50,000 Miami Beach, FL, United States Arts and Culture
American Music Center, Inc. Electronic Media Projects 05/20/98 $50,000 New York, NY, United States Arts and Culture
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text:
2011.Jan.17 Derek Jensen 6 Comments
Linda Hamilton is a diner waitress who rises to the occasion when a robot killer from the future drives his Delorean at 88 miles an hour to leap into the past in hopes of keeping his parents from meeting… or something like that. Michael Biehn is sent back to stop him and engage in some baby-makin'—and that's worth arriving naked in LA for. Arnold Schwarzenegger is a relentless robot and also happens to play a relentless robot who gets an apartment to settle down and rest and keep a kitty. And Bill Paxton and Lance Henriksen are killed by their first franchise monster, with long and illustrious careers ahead of them where they repeatedly get killed by franchise monsters.
I mistakenly say Henriksen is killed by a predator in Predator 2, but it's actually Alien vs Predator. I compare the film to Star Wars, Westworld, King Kong, Aliens, The Thing From Another World, Halloween, Back to the Future, and Harvey. I do a Jimmy Stewart impression. I bleep myself a couple of times to avoid the explicit tag. And I say that Brigitte Nielsen—who does not appear in this film—is German when she is actually Danish.
Start the movie after the original Orion logo has faded out and before the Hemdale title card has faded in.
http://media.blubrry.com/tysto/www.tysto.com/commentaries/Terminator-1--Tysto-Commentaries.mp3
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6 thoughts on "The Terminator"
myownteeth says:
2011.Jan.26 at 10:11 am
The time logic is fine in this film – a single time-line model is being used, and Kyle Reese can't alter the past, only exist within the past that always happened and create the present he came from. It's in the sequels that they muck around with this, showing that time can be changed, and therefore giving the impression that the logic of the first film wouldn't happen.
The problem I have is that it's not clear whether the Terminator sequels insist time can be rewritten (à la Marty McFly fading because his parents didn't get together), or whether new time lines are being created (à la Marty McFly being confused by his family being improved at the end of the first film). If time is being rewritten, then there are paradoxes created by the end of the second film (resolved slightly by the line in the third film that Judgement Day was inevitable). If new time lines are being created, then the Terminators wouldn't alter anything of the situation they're sending terminators back from, so what would be the point?
Webmaster says:
2011.Jan.26 at 3:58 pm
It's clear that in Terminator, Cameron is saying that the future can be changed by sending someone into the past. The the whole plan of the machines. Reese even has a little speech he's memorized about how there is no fate but what we make. But the idea that Reese is his own friend's father creates a paradox that Cameron thought was cool but is just nonsensical.
Also, I think it's a mistake to think that the creation of a "new timeline" in the past means the previous future timeline still exists. When Marty goes back to 1955, the one and only 1985 changes based on what he did there.
Likewise, if you're the SkyNet computer in the 2029, the moment you send the T-800 into the past, your reality changes to match whatever he did in the past.
It's clear that in Terminator, Cameron is saying that the future can be changed by sending someone into the past.
I disagree. I prefer to look at it that both the machines and Reese ASSUME that time can be changed. However, the film shows that it cannot, and follows a single time-line logic that contradicts the characters' assumptions, but is perfectly compatible with other science fiction models that use the same logic.
There's only a problem when, within the same fictional universe, Terminator 2 shows time can actually be changed. Until then it's all just characters assuming things, but being wrong.
I understand. However there are different fictional models for time travel, and all are perfectly valid as long as any work manages to stick to whatever rules it presents. Some fiction chooses to go by the "alternate time-line" method, so that anything characters do in the past don't actually alter the time they came from; they don't erase themselves by killing their grandfather, but they create a reality in which there won't be a version of themselves born. Others go with a single time-line: Bill and Ted always did steal the keys Bill's Dad was looking for. Both of these models, in my mind, exist precisely to prevent paradoxes like the Grandfather paradox. If there's only one time-line and time can be rewritten, we have a problem when Marty prevents his parents from getting together. Not only would he fade from existence, but he wouldn't be there to PREVENT his parents from getting together, ergo a massive paradox. The Back to the Future films are happy to use this time-travel logic, until the end of the first one when Marty himself hasn't altered to fit the "new improved parents" timeline he has created. Hence Back to the Future is confused about what it's doing with time.
But this is all irrelevant when we're talking about the Terminator. What we get with the Terminator is a single time-line logic for film one, then James Cameron changed his mind and gave us something else for film two. Thanks to Terminator 3 saying that Judgement Day still happened, there isn't a paradox created by the terminators going into the molten metal. If the machines had lost and Judgement Day had never happened, we'd be asking what the characters had been battling with in the first two films.
PS – Did you say Lance Henriksen's android was killed in Aliens? He's torn apart by the Queen, but is put into one of the cryogenic chambers at the end of that film, and he reappears in Alien 3, in a lot of pain and not for long, after Ripley boots him back up. I'd say that if she'd landed somewhere with enough technology he could have been restored more fully, so really don't consider him "killed" in Aliens at all.
If that's what you said. Sorry – it went by quite quickly and I can't remember at which point in the commentary you said it, or I'd go back and check.
You're completely right, of course. But his role in Alien 3 is so small that it hardly counts, in my mind.
What logic are we following here?? 🙂


The developer of photogrammetry software is offering the options for camera and satellite sensors.
The topic of what 3D imagery is admissible in court is especially relevant for law enforcement, insurers, large companies and others that have vested interests in finding out who was liable or responsible for a crime or tortious injury.
Version 3.9 brings increased data capabilities and efficiency to provide UltraCam users with richer data products.
TopGis has contracted to purchase an UltraCam Eagle digital aerial photogrammetric camera system with an 80mm lens from Microsoft's UltraCam business unit and subsidiary.
Don Mohr, founder of AeroMetric, passed away on Dec. 25, 2012, but his legacy lives on.


Admitted to Military Hospital, Fovant, 12 November 1916 (myalgia); discharged to duty, 18 November 1916.
Proceeded overseas to France, 5 December 1916.
Marched into 5th Australian Division Base Depot, Etaples, France, 6 December 1916.
Proceeded to join 53rd Bn, 21 December 1916; taken on strength, 53rd Bn, 23 December 1916.
Detached for duty with 5th Australian Division Base Depot, 1 May 1917; marched into 5th Australian Division Base Depot, 1 May 1917; marched into 1st Training Camp, 3 May 1917.
Found guilty, 25 May 1917, of being dirty on parade: awarded 2 days' confined to camp.
Returned to unit, 29 May 1917; rejoined unit, 29 May 1917.
On leave to England, 23 September 1917; rejoined unit, 6 October 1917.
Temporarily attached to 5th Divisional Headquarters as Batman, 7 October 1917; rejoined unit, 15 October 1917.
Detached to 14th Brigade Headquarters, 30 January 1918; rejoined unit, 22 March 1918.
Wounded in action, France, 24 April 1918; admitted to 14th Australian Field Ambulance, 24 April 1918 (shrapnel wound, back); transferred to 4th Casualty Clearing Station, 24 April 1918 (shrapnel wound chest, penetrating abdomen).
Died of wounds, 7 May 1918.


Don't send any account details or pin numbers to anyone.
Ignore the "remember my password" options on shopping and other websites.
Don't leave the PC unattended when logged in or transacting.
If you have several internet banking accounts, avoid using the same password.
For more information, please read our online security section.
Please note that MauBank will never ask your Internet Banking Credentials under any other circumstance.


text:
Q: What would be a suitable name for the game panel in tetris? I am trying to develop a Tetris clone. However, I am unsure what to name the panel where the user places the pieces.
Game panel seems too generic since the entire frame is in fact the panel of the game. Are there any other options?

A: The well? The shaft?
Edit: Wikipedia suggests the well or the matrix, but also mentions shaft:

A random sequence of tetrominoes (sometimes called "tetrads" in older versions) [...] fall down the playing field (a rectangular vertical shaft, called the "well" or "matrix").

The Tetris Wiki has this:

The playfield is the grid into which tetrominoes fall, also called the "well" (common in older games) or the "matrix" (especially in more recent Tetris brand games). The playfield is surrounded by a frame called the tetrion, which controls the overall behavior of tetrominoes.

A: Pretty much anything will work as long as you are consistent:

*

*board

*window

*screen

*play area

*area

*rectangle

*box

*home

*foundation

*zone

*world

*grid

Other than that, just copy the name from someone else:

*

*field (Wikipedia)

*well (Wikipedia)

*shaft (Wikipedia)

*matrix (Wikipedia, Tetris)

*screen (Vadim Gerasimov)

A: I always called it "the bucket".

A: Instead of 'game panel' I would call it the 'arena'.

A: What about simply 'game area'?

redpajama_set_name: RedPajamaStackExchange


Folks down Robeson County way are celebrating 30 years of the Guardian ad Litem program, and a new district administrator - Amy W. Cox. The statewide program provides an often much-needed voice of advocacy for abused and neglected children who are involved in court proceedings. Cox will oversee a staff of three and more than 75 local volunteers. And, if you would like to volunteer, give Cox a call at 671-3077.
"I hope, if you knew Bill and loved him as many did, you'll keep his memory and his love for these kids alive by buying tickets for this meal," Fairmont Mayor Charles Kemp says about the Big Bill Civitan Kids Foundation barbecue chicken fundraiser scheduled from 11 a.m. to 2 p.m. Sunday, May 26 at the Fairmont Fire Department. Tickets are $7, with proceeds benefiting the local Dixie Youth baseball program. Taylor, a longtime teacher, coach and supporter of youth athletics in Robeson County, died in 2003 at age 42. "The meal is a long-standing tradition and promotes the fundraising efforts of the Big Bill Civitan Kids Foundation started in 2003," Kemp says. Tickets may be purchased from any Dixie Youth player or coach or at the door.
When it comes to support for Autism Spectrum Disorder in children and adults, you'll find no better advocate than Anna Finch, president of the Autism Society of Cumberland County. And Finch wants us to know about the seventh annual Autism Awareness Golf Tournament, a captain's choice event scheduled for 8 a.m. on June 8 at King's Grant Golf Course. All proceeds, Finch also wants wants us to know, benefit the the society, and your participation can make a difference in many lives. Visit autismcc.org, send email inquiries to ablue_ascc@ccpfc.org, or call 826-3004 or 826-3005.
"In addition to the camp, we will be doing a canned-food and school-supply drive," Lauren Colenda, an event coordinator, says about the upcoming Cheer Limited Training Camp, which is scheduled for June 12-14 at Nimmocks Fitness Center at Methodist University. "In March at our Cheer Ltd. Nationals, we collected $810, which we donated to Second Harvest Food Bank of Southeast North Carolina. It is our hope that we will be able to make a considerable donation of canned foods and school supplies to this organization again with the help of the bright, shining faces that attend our camp." The camp is open to new, inexperienced and experienced cheerleaders between the ages of 5 and 18. Participants ages 5-10 will attend from 9 a.m to noon. For more information about the camp, send email inquiries to laurenc@cheerltd.com or loriw@cheerltd.com or call 800-477-8868.
Bill Kirby can be reached at kirbyb@fayobserver.com or 323-4848, ext. 486.


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text:
Name Index Harry BARNETT was born (date unknown).
Spouse: unknown . Unknown and Harry BARNETT were married. Children were: Pauline BARNETT, Walter O. BARNETT, Frank C. BARNETT, Fay M. BARNETT, Duane E. BARNETT, Edgar J. BARNETT, female BARNETT, female BARNETT, female BARNETT.
Henry BARNETT was born about 1810 in England. Henry and his son Thomas were farm laborers in Douglas Co., Kansas in 1860.
Spouse: Sarah TOMLIN. Sarah TOMLIN and Henry BARNETT were married. Children were: Thomas F. BARNETT.
Henry O. BARNETT was born in 1879 in Caldwell Co., Missouri. He died in 1946 at the age of 67. He was buried in Cowgill Cemetery, Caldwell, Missouri.
Spouse: Sally May JACKSON. Sally May JACKSON and Henry O. BARNETT were married. Children were: Myrtle Marie BARNETT.
Ida Myrtle BARNETT was born on 7 April 1876 in Putnam Co., Missouri. She died on 18 August 1960 at the age of 84 in Medicine Twp., Putnam, Missouri. She died at home in rural Newtown, Missouri. She was buried on 21 August 1960 in Sullivan Co., Missouri. Burial was in Center Grove Cemetery in Sullivan Co. Parents: James W. BARNETT and Sarah DENNY.
Spouse: William Madison TUCKER. Ida Myrtle BARNETT and William Madison TUCKER were married on 5 February 1896 in Sullivan Co., Missouri. Bride and groom were of Newtown, Missouri. Children were: Jerry Waldo TUCKER, James R. "Jim" TUCKER, Vera I. TUCKER, Fleeta Galena TUCKER, Nellie Mae TUCKER, Fred Andrew TUCKER, Mary Lou TUCKER, William TUCKER Jr., Ferrill TUCKER.
Ina Ethel BARNETT was born on 25 February 1880 in Tarkio, Atchison, Missouri. She died on 23 August 1955 at the age of 75 in Chillicothe Hospital, Livingston, Missouri. Her home was five miles north of Wheeling. She was buried on 26 August 1955 in Wheeling Cemetery, Livingston, Missouri. Parents: Jonas BARNETT and Eliza TROWBRIDGE.
Spouse: Henry William BUCKNER. Ina Ethel BARNETT and Henry William BUCKNER were married on 23 February 1896 in Livingston Co., Missouri. Jonas Barnett gives consent to this marriage. Children were: Hal BUCKNER, Henry C. BUCKNER, Nina Frances BUCKNER, Andrew J. BUCKNER, Catherine L. BUCKNER, Jeanette May BUCKNER, Bernie BUCKNER, Hartsel BUCKNER, William Murphy BUCKNER, Felix BUCKNER.
James Alexander BARNETT was born on 2 November 1861 in Jameson, Daviess, Missouri. He died on 12 January 1961 at the age of 99 in Jamesport, Daviess, Missouri. He was buried on 14 January 1961 in Masonic Cemetery, Jamesport, Missouri. Parents: Robert Milton BARNETT and Mary Melvina DRUMMOND.
Spouse: Rhoda Ella WORLEY. Rhoda Ella WORLEY and James Alexander BARNETT were married on 22 April 1896 in Grand River Twp., Daviess, Missouri. Bride and groom were of Grand River Twp., Daviess Co. Children were: Fallis C. BARNETT, Frances D. BARNETT.
James Franklin BARNETT was born on 7 July 1944. Parents: Frank BARNETT and Mary Jane BOTHWELL.
James W. BARNETT was born (date unknown).
Spouse: Sarah DENNY. Sarah DENNY and James W. BARNETT were married. Children were: Ida Myrtle BARNETT.
Jeanine BARNETT was born on 26 December 1941. Parents: Frank BARNETT and Mary Jane BOTHWELL.
Jeffrey BARNETT was born (date unknown). Parents: Rev. Elmer Eugene BARNETT and Margaret Ann BOOTH.
Jennifer Renee BARNETT was born (date unknown). Parents: Elmer Eugene BARNETT Jr,. and Rosa MCKAY.
Jesse BARNETT was born (date unknown).
Spouse: Frances SHOUSE. Frances SHOUSE and Jesse BARNETT were married. Children were: Florence Maude BARNETT.
Jesse M. BARNETT was born in September 1847 in Kentucky. He died on 21 September 1909 at the age of 62 in Chillicothe, Livingston, Missouri. He was buried in Edgewood Cemetery, Livingston, Missouri. He was a day laborer in Chillicothe in 1900.
Spouse: Emily F. "Emma" HARDWICK. Emily F. "Emma" HARDWICK and Jesse M. BARNETT were married about 1880. Children were: Maude BARNETT, Robert BARNETT, Arthur BARNETT, Grace Claude BARNETT.
John Riley BARNETT was born on 3 March 1836 in Illinois.
Spouse: Louisa Jane BOWERS. Louisa Jane BOWERS and John Riley BARNETT were married on 23 December 1860 in Caldwell Co., Missouri.
Jonas BARNETT was born (date unknown).
Spouse: Eliza TROWBRIDGE. Eliza TROWBRIDGE and Jonas BARNETT were married. Children were: Ina Ethel BARNETT.
Joseph BARNETT was born (date unknown).
Spouse: Miriam J. JORDAN. Miriam J. JORDAN and Joseph BARNETT were married on 24 May 1868 in Livingston Co., Missouri. Bride and groom were of Livingston County.
Lease Albert BARNETT was born on 21 January 1873 in Kirwin, Phillips, Kansas. He died on 17 March 1949 at the age of 76 in Cheyenne, Laramie, Wyoming. Parents: Thomas F. BARNETT and Orpha Ann LOUDERBACK.
Lora Mae BARNETT was born on 20 June 1972. Parents: Allen Eugene BARNETT and Wanda Mae EADS.
M. BARNETT died on 16 May 1851. He was buried in Hancock Co., Illinois. Parents: Milton BARNETT and Maria CLARK.
Margaret BARNETT was born on 7 June 1868 in Grand River Twp., Daviess, Missouri. She died on 4 July 1953 at the age of 85 in Kansas City, Jackson, Missouri. She died in a Kansas City rest home. Her previous home was in Gallatin. She was buried on 6 July 1953 in Brown Cemetery, Daviess, Missouri. Parents: Robert Milton BARNETT and Mary Melvina DRUMMOND.
Spouse: William Condit POGUE. Margaret BARNETT and William Condit POGUE were married on 30 October 1889 in Daviess Co., Missouri. Children were: Roy Grady POGUE, Robert J. POGUE, Mary Genevieve POGUE, Wiletta POGUE.
Marion L. BARNETT was born in May 1868 in Missouri. He died in 1934 at the age of 66 in Caldwell Co., Missouri. He was buried in Rose Hill Cemetery, Caldwell, Missouri. Parents: BARNETT and Rosanna "Rose" .
Spouse: Martha E. OLIVER. Martha E. OLIVER and Marion L. BARNETT were married on 30 March 1890 in Livingston Co., Missouri. Bride and groom were of Proctorville. Children were: Ervin E. BARNETT, Elsie Mae BARNETT, Oren Everett BARNETT, Emma A. BARNETT, Beulah May BARNETT.
Spouse: Sallie M. . Sallie M. and Marion L. BARNETT were married.
Martha M. BARNETT was born about 1842 in Tennessee.
Spouse: James Mitchell BOWERS. Martha M. BARNETT and James Mitchell BOWERS were married on 23 August 1858 in Jasper Co., Missouri.
Mary BARNETT was born (date unknown).
Spouse: Clark Allen WILLIAMS. Mary BARNETT and Clark Allen WILLIAMS were married. Children were: Harold T. WILLIAMS.
Mary Ann BARNETT was born on 14 July 1821 in Kentucky. She died on 10 January 1888 at the age of 66 in Mooresville Twp., Livingston, Missouri. CemPhoto reports a death date of 30 June 1887, based on their visit to the cemetery in 1999. Both Ellsberry and Stout, researching independently some years earlier, transcribed the gravestone death date as 10 Jan 1888. All agree that the deceased was aged 66 yr 5 mo 27 da. As the CemPhoto photograph shows, the stone is now badly worn and the date virtually illegible. She was buried in Mooresville Cemetery, Livingston, Missouri.
Spouse: Theophilus R. HOLDING. Mary Ann BARNETT and Theophilus R. HOLDING were married on 21 July 1849 in Scott Co., Illinois. Children were: Leroy HOLDING, Serelda M. HOLDING, Melissa Anna HOLDING, Benjamin Ora HOLDING.
Mary Gertrude BARNETT was born in 1919 in Union Twp., Daviess, Missouri. Parents: Gilmer R. BARNETT and Huella SCOTT.
Mary Virginia BARNETT was born in June 1864 in Missouri. Parents: Robert Milton BARNETT and Mary Melvina DRUMMOND.
Spouse: Clifford FISHER. Mary Virginia BARNETT and Clifford FISHER were married about 1884.
Maude BARNETT was born in September 1882 in Missouri. Parents: Jesse M. BARNETT and Emily F. "Emma" HARDWICK.
Milton BARNETT was born on 22 October 1807 in Kentucky. He died on 29 December 1887 at the age of 80 in Hancock Co., Illinois. He was buried in Hancock Co., Illinois.
Spouse: Maria CLARK. Maria CLARK and Milton BARNETT were married. Children were: M. BARNETT, Sophia BARNETT.
Myrtle Marie BARNETT was born on 19 September 1911 in Ray Co., Missouri. She died on 2 May 1948 at the age of 36 in Davis Twp., Caldwell Co., Missouri. She was buried on 5 May 1948 in Evergreen Cemetery, Caldwell, Missouri. Parents: Henry O. BARNETT and Sally May JACKSON.
Spouse: Artie V. TRUITT. Myrtle Marie BARNETT and Artie V. TRUITT were married. Children were: Margaret Ann TRUITT, Norma Jean TRUITT, Nancy Lee TRUITT.
Myrtle Maude BARNETT was born on 21 September 1882 in Rawls Co., Missouri. She died on 1 November 1956 at the age of 74 in Chillicothe, Livingston, Missouri. She was buried in Edgewood Cemetery, Livingston, Missouri. She is also identified as Florence Maude Barnett.
Spouse: Blon Dell LEMON. Myrtle Maude BARNETT and Blon Dell LEMON were married on 19 March 1902 in Gallatin, Daviess, Missouri. Bride and groom were of Chillicothe. In 1925, the family home was "just across the Airline bridge" from Chillicothe. Children were: Ruth Fern LEMON, Raymond Othal LEMON, Beulah Frances LEMON, Blon Dell "Doc" LEMON, Michael LEMON, Grace LEMON.
Natalie BARNETT was born in 1924 in Missouri. She died before 2014 at the age of 90. Parents: Gilmer R. BARNETT and Huella SCOTT.
Nathan Ross BARNETT was born on 31 May 1866 in Daviess Co., Missouri. He died on 28 January 1961 at the age of 94 in Joplin, Jasper, Missouri. He was buried in Daviess Co., Missouri. Parents: Robert Milton BARNETT and Mary Melvina DRUMMOND.
Spouse: Ora FEURT. Ora FEURT and Nathan Ross BARNETT were married on 12 November 1889 in Daviess Co., Missouri. Children were: Ethel Macy BARNETT, Corbin T. BARNETT, Gilmer R. BARNETT.
Nora BARNETT was born about 1887 in Carroll Co., Missouri. Parents: BARNETT and unknown .
Spouse: Fred M. HARRISON. Nora BARNETT and Fred M. HARRISON were married about 1905. Children were: Morris HARRISON, Althea Bernice HARRISON, Cecil Otto HARRISON, Leo HARRISON.
Ona A. BARNETT was born (date unknown). Parents: Robert Milton BARNETT and Mary Melvina DRUMMOND.
Ora Lou BARNETT was born in 1923 in Missouri. Parents: Gilmer R. BARNETT and Huella SCOTT.
Oren Everett BARNETT was born on 22 September 1896 in Missouri. He died on 25 June 1944 at the age of 47. He was buried in Rose Hill Cemetery, Caldwell, Missouri. Parents: Marion L. BARNETT and Martha E. OLIVER.
Spouse: Olive M. "Ollie" . Olive M. "Ollie" and Oren Everett BARNETT were married.
Osa Clayton BARNETT was born about 1891 in Missouri. Parents: BARNETT and unknown .
Spouse: Bulah Mae GORDON. Bulah Mae GORDON and Osa Clayton BARNETT were married. The Barnett home was near Graham's Mill, northwest of Chillicothe. Children were: Ruby J. BARNETT, Pearl BARNETT.
Patricia Mae "Patty" BARNETT was born (date unknown).
Spouse: Jerry F. "Red" TATE. Patricia Mae "Patty" BARNETT and Jerry F. "Red" TATE were married. Children were: Judith Jolene "Judy" TATE, Diane TATE, Becky TATE.
Pauline BARNETT was born on 20 February 1912 in Trenton, Grundy, Missouri. She died on 10 August 1950 at the age of 38 in Wheeling, Livingston, Missouri. She was buried in Wheeling Cemetery, Livingston, Missouri. Parents: Harry BARNETT and unknown .
Spouse: Lloyd Franklin COLEMAN. Pauline BARNETT and Lloyd Franklin COLEMAN were married on 24 October 1931 in Meadville, Linn, Missouri. Children were: Jerry COLEMAN, Janet COLEMAN.
Pearl BARNETT was born on 5 June 1916 in Livingston Co., Missouri. She died on 23 October 1918 at the age of 2 in Chillicothe Twp., Livingston, Missouri. Influenza. She was buried in Hutchison Cemetery, Livingston, Missouri. Beside Pearl, seven others of the Barnett home have the (Influenza) epidemic. Parents: Osa Clayton BARNETT and Bulah Mae GORDON.
Pearla May BARNETT was born on 4 April 1886 in Kirwin, Phillips, Kansas. She died on 6 January 1963 at the age of 76 in Phillipsburg, Phillips, Kansas. Parents: Thomas F. BARNETT and Orpha Ann LOUDERBACK.
Rebecca Ann BARNETT was born on 4 July 1849. She died on 14 October 1910 at the age of 61 in Smith Cemetery, Carroll, Missouri. She was buried in Smith Cemetery, Carroll, Missouri.
Spouse: Shadrack William WALLIS. Rebecca Ann BARNETT and Shadrack William WALLIS were married. Children were: Howard Isaac WALLIS, Lulu Ellen "Lou" WALLIS, Robert Lee WALLIS, Charles F. WALLIS, Jesia M. WALLIS, Sammie W. WALLIS, Rev. Thomas Albert WALLIS, Viola Jane "Ola" WALLACE.
Robert BARNETT was born in August 1883 in Missouri. Parents: Jesse M. BARNETT and Emily F. "Emma" HARDWICK.
Robert Milton BARNETT was born on 28 June 1836 in Minard Co., Illinois. He died on 11 February 1927 at the age of 90 in Gallatin, Daviess, Missouri. He was buried on 13 February 1927 in Brown Cemetery, Daviess, Missouri. Parents: Alexander M. BARNETT and Parthea RAYBURN.
Spouse: Mary Melvina DRUMMOND. Mary Melvina DRUMMOND and Robert Milton BARNETT were married on 6 January 1861 in Daviess Co., Missouri. Children were: Ona A. BARNETT, James Alexander BARNETT, Mary Virginia BARNETT, Nathan Ross BARNETT, Margaret BARNETT, Bert Milton BARNETT, Amos Owen BARNETT.
Roberta L. BARNETT was born about 1902 in Missouri. Parents: Bert Milton BARNETT and Florence May WYNNE.
Ruby J. BARNETT was born about 1914 in Missouri. Parents: Osa Clayton BARNETT and Bulah Mae GORDON.
Sarah "Sally" BARNETT was born on 1 December 1793 in Virginia. She died on 19 May 1877 at the age of 83 in Mooresville, Livingston, Missouri. She was buried in Mooresville Cemetery, Livingston, Missouri.
Spouse: Benjamin HOLDING. Sarah "Sally" BARNETT and Benjamin HOLDING were married. Children were: Monterville HOLDING, Theophilus R. HOLDING, James HOLDING, Serilda HOLDING, Leroy HOLDING, Telemachus HOLDING, Pamela HOLDING, Sarah C. "Sallie" HOLDING, Ann E. HOLDING.
Sarah E. BARNETT was born on 4 March 1865 in Buchanan Co., Missouri. She died on 21 March 1937 at the age of 72. Parents: Thomas F. BARNETT and Orpha Ann LOUDERBACK.
Sophia BARNETT was born on 13 March 1836 in Kentucky. She died on 11 June 1897 at the age of 61 in Sturges, Livingston, Missouri. She was buried in May Cemetery, Livingston, Missouri. Parents: Milton BARNETT and Maria CLARK.
Spouse: George Ira BURKEN. Sophia BARNETT and George Ira BURKEN were married on 28 September 1854. Children were: Anna Marie BURKEN.
Spouse: George S. HOLDEN. Sophia BARNETT and George S. HOLDEN were married on 2 June 1864 in Livingston Co., Missouri. Children were: Aaron HOLDEN, Ida HOLDEN, Dora HOLDEN, George Stotts HOLDEN, Robert Milton "Milt" HOLDEN, Betha Allana HOLDEN.
Susan BARNETT was born in 1819. She died in 1891 at the age of 72. She was buried in Lone Star, Gentry, Missouri.
Spouse: John HOOD. Susan BARNETT and John HOOD were married on 7 February 1839 in Blount Co., Tennessee. Children were: Hester Ann HOOD, Frances Jane HOOD.


text:
With a name inspired by the First Amendment, 1A explores important issues such as policy, politics, technology, and what connects us across the fissures that divide the country. The program also delves into pop culture, sports, and humor. 1A's goal is to act as a national mirror-taking time to help America look at itself and to ask what it wants to be.
Opinion Eyes on the Street
DesignPhiladelphia panel questions mega-museums
(The Architect's Newspaper hosted the panel on the city's mega-museums and their impact on smaller institutions at the Rosenbach Museum & Library.)
Philadelphia has been riding on the national bandwagon trend of tremendous cultural building and spending that boomed from roughly 1994 to 2008. With major museums and cultural institutions in place, Philadelphia, like many cities, has added several mega museums and institutions in the past couple of decades.
Thursday The Architect's Newspaper hosted a DesignPhiladelphia event at the Rosenbach Museum and Library to discuss the growth of the city's mega museums, their viability and their impact on the smaller cultural institutions.
Philadelphia certainly took part in this high level of cultural building. Since 2001, the Barnes Foundation, National Museum of Jewish American History, National Constitution Center, Please Touch Museum, Kimmel Center for the Performing Arts and the Liberty Bell Center all opened in their current, high profile locations.
Peter Frumkin, a panel member and faculty director of the Center for High Impact Philanthropy at the University of Pennsylvania, shared a study by the University of Chicago on this cultural building boom and some of the mistakes that have been seen.
Frumkin compared these cultural construction projects to the Olympic ice luge. Many, he said, set out to build massive, iconic buildings and after just two or three big, initial pushes, there is no stopping the project as it speeds down the course.
"As soon as someone gets up and says 'what if,' no one wants to be the person to say no," Frumkin said.
The study found that cultural construction projects – museums, performing arts centers, and theaters – typically take about nine years, six of which are spent in discussion and planning. The average project takes 19 years to pay off the construction and opening debts, during which time leaders often find planning and programming development was short sited and the motives and actual demand for the project are questioned.
(The Barnes Foundation is the city's most recent mega museum addition.)
"What happens over and over again," Frumkin said, "… is the operating expenses end up higher than expected and the revenue ends up lower than expected."
He noted that many of these projects are driven by board members who are powerful business titans who would never enter a business venture without carefully planning and calculating both costs and demand, but that this happens again and again in cultural building.
Inga Saffron, architecture critic for the Philadelphia Inquirer and a panel member, said these cultural construction projects do hire consultants but that "the research somehow always confirms what they want."
Many of the new museums are also built with large party spaces and boardrooms.
"We've seen a number of institutions in Philadelphia where it's almost driving the design," Saffron said and gave The National Museum of American Jewish History as an example of a museum that made a "terrible mistake" in focusing much of its design on its party space.
(The National Museum of Jewish American History is one of Philadelphia's recent cultural building projects. One that includes a large party and event space.)
Though the party spaces can be a source of revenue, they do raise the question of whether these new large museums are places for donors to socialize or if they are there to serve a purpose in the community.
"I think what we have today is a problem that institutions aren't connected to the communities," said Aaron Levy, executive director of the Slought Foundation. "It's essential and urgent that we not divorce the cultural from the civic and the social."
Vibrant communities are those that include lots of diverse voices in the dialogue, Levy said. He fears that Philadelphia's cultural community is at risk of failing to be inclusive enough.
Thursday's panel questioned if smaller institutions like the Slought Foundation and the Rosenbach will benefit from proximity to large, mega museums and cultural centers like the Barnes Foundation, National Constitution Center, Kimmel Center and the Jewish history museum.
(The panel noted that many of the city's cultural institutions – large and small – do not collaborate as much as they could.)
"I don't think the opening of the Barnes is going to have much affect on us in the long run," Rosenbach director Derick Dreher said. "I think it's a case where the rising tide will lift all boats but most of them just a little."
Dreher said the mega-museums might draw more people to the city but that the audience for those museums is different than for the Rosenbach.
Though Frumkin pointed out that the system is in some ways rigged for a large amount of money to go to a small number of institutions, Dreher said he is not too concerned about funding competition with the larger museums because those tend to be funded by a few, niche philanthropists who are not part of the Rosenbach's typical donor pool.
(One event attendee said he thinks it is a shame smaller institutions with lower admissions cost, like the Wagner Free Institute of Science of Philadelphia, barely get any mainstream attention.)
In some cases it is a liability for small institutions like the Slought Foundation to be associated with places like the Barnes Foundation, which many people view as an exclusive white organization, Levy said. He explained that while small organizations tend to take responsibility for a lot of the tensions in the city that is not the goal of the Barnes.
"All of us that live in Philadelphia know that Philly is a very segregated city, and I think we need to think of our institutions in the same way," he said.
"I think we really have to wake up to the role that culture can play."
Part of the series
Eyes on the Street
Eyes on the Street brings new ideas and fresh voices into the conversation about Philadelphia's changing cityscape.
View the series
The past, present, and future of Philadelphia parks and architecture
Guests: Kevin Dow, Inga Saffron, David Brownlee A portion of the new Reading Viaduct Rail Park opens today – it ...
Air Date: June 14, 2018 10:00 am
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After cyclist's death, Philadelphia to upgrade bike lanes on South, 27th Streets
Church In Grad Hospital hopes newly-planted Garden of Eden will turn new neighbors into new parishioners


text:
Sony 8.5GB Double Layer recordable DVD launched
Sony 8.5GB Double Layer record...
Sony has announced a DVD world-first technology - Dual Layer DVD Recordable. For the first time, consumers will be able to burn full-length DVD discs. With almost twice the capacity of existing recordable media and holding up to 8.5GB, the discs can be played in the majority of existing DVD-ROM drives and DVD video players. The new disc capacity now matches what is already available with pre-recorded ROM & movie discs. 'Sony, as a leader in Optical Technology has had many firsts. We were the first to offer Dual +/- Format compatibility and we now offer Dual Layer,' said Mr. Gordon Kerr, Sony Australia's Product Manager for Optical Storage. 'Dual Layer offers exceptional benefits for the customer. They have twice the capacity and maintain full compatibility,' said Mr. Kerr.Until now, DVD recorders have been limited to single-layer 4.7GB DVD-5. With Dual Layer they now have access to the same DVD-9 capacity found in most pre-recorded media. Users will be able to burn DVDs complete with features such as Widescreen and Surround Sound. Instead of two hours standard grade, Double Layer will support up to two hours of double bit-rate Hi-Definition video. 'Dual Layer DVD Recordable has been designed to address the huge increase in the use of digital data. Consumers need a format that has wide compatibility and a large capacity. Even more importantly, they need a format that is cost effective. The new discs are expected to retail for less than AUS $10 each and can be used for audio, video, still images and data files,' said Mr Kerr.Sony intends to incorporate the new technology into their IT and consumer product ranges progressively over the next 12 months. The first products to feature the technology will be PC drives shipping around June. Specifications for individual products including the new drives will be announced closer to the respective launch dates.What is DVD Dual Layer technology and how does it work?Essentially, DVD-Rec DL (double layer) discs are made up from a sandwich of two very thin films of organic dye separated by a transparent spacer layer. Information is recorded by permanent changes in the dye films caused when exposed to the energy from a laser in the drive's recording head. The upper layer is semi-transparent, so the laser can be focused through it onto the lower layer, allowing data to be recorded and read back from both layers in turn. What formats will Sony support under Dual Layer?Sony supports both the + and - DVD recordable formats. Initially DL technology will only be available for the + format. DVD DL+R discs will be write-once and will store up to 8.5GB. Testing indicates media will play in the majority of existing DVD-ROM drives and DVD Video players although some drives/players, particularly older models, may require a firmware upgrade.
ComputersSonyStorage
Facebook User April 8, 2010 07:41 PM
And here we are several years on and the single layer recordable still hangs on as brick and mortar stores refuse to pack their shelves with large spindles of cheap dual layer DVD media. All that\'s available for DVD R dual layer without ordering online are extremely overpriced 3 and 5 packs in jewel cases and very overpriced 15 to 25 disc spindles. DVD-R double layer (yup, they call theirs Double, DVD R uses Dual) media is nowhere to be found in a store and practically unobtainable online. Single layer burners haven\'t been sold for around five years. Time to send single layer DVD media the way of the floppy disk, GONE! If Wal-Mart ordered a billion DL discs to distribute throughout their stores, the price gouging on the media would end very quickly.
A MacBook user's review of the Dell XPS13 2-in-1 laptop/tablet
Samsung debuts blazing fast SSD with built-in fingerprint scanner
Dell demoes dual-screen, foldable and Switch-like concept devices


text:
Sonam Kapoor calls Katrina Kaif is 'Shameless'.
The 'Aisha' girl Sonam Kapoor has unleashed a kind of verbal stabbing on fellow actress Katrina Kaif. She says Katrina Kaif is 'shameless.'
In an interview with film journalist Anupama Chopra in Cannes, Sonam said that she had like to give Katrina a bouquet of flower.
When asked why, she said that "I don't know how she does it. You need a certain kind of commitment and a certain kind of shamelessness to do certain things."
Katrina had two hits preceding year with 'Zindagi Na Milegi Dobara' and 'Mere Brother Ki Dulhan'. On the other hand, Sonam's last two films were 'Players' and 'Mausam'.
June 1, 2012 by Sachika Navalkar


text:
The league table of world internet costs: Britain is one of the cheapest spots in Europe for broadband - but our low speeds mean it's still POOR value
Britain has much lower average speeds compared to much of Europe
Eritrea is world's most expensive country for broadband at £2,045.01 a month
Monthly broadband costs have fallen 19.75% globally in a year while speeds rise
By Grace Gausden For This Is Money
Britain is one of the cheapest spots for broadband in Western Europe, coming fifth out of 29 countries, but is still one of the worst in terms of value for money, new research has revealed.
Thanks to lower average speeds compared to much of Europe, Britain is just 23rd for value for money with a cost of 82p per 1Mbps of bandwidth, per month, according to data from comparison website, Cable.
This is 11 times the cost per 1Mbps per month in Sweden, for example.
The data also shows the average price of a broadband deal globally has fallen by 19.75 per cent since the end of 2018, from £44.65 to £35.73, while speeds have risen at the same time, suggesting the world continues to become more connected.
Bad value: Britain has some of the cheapest broadband deals in Europe - but low speeds mean it represents poor value compared to countries such a Sweden
Overall, Britain came out 71st cheapest in the world - from a total of 206 countries - with an average monthly package price of £27.39.
Within Western Europe, France came cheapest with an average package price of £21.33, followed by Germany at £22.04 and Andorra at £25.04.
The new app that could bring your monthly mobile bill down... These four simple energy changes could save households £100... Beware double-booking if you receive an error message... A year on from the energy price cap... are tariffs now...
Raw deal on your broadband? The best deals to get you faster speeds and smaller bills
By comparison, the East African country of Eritrea is the world's most expensive country to get a fixed-line broadband package, with an average price totally more than £2,000 a month - or nearly £25,000 per year.
Similarly, Yemen provided the most expensive connectivity in the Near East region at a huge £1,891.94 per month.
The expense comes from a combination of political climate, warfare, extremely low take-up and the fact that in most cases the price you pay will go in large part to actually building a physical line to your property since few already exist, Cable says.
It compiled the figures and converted them into US dollars. This is Money has then converted that amount into British sterling, the prices of which were correct as of 21 January 2020.
Some 3,095 fixed line broadband deals in 206 countries were recorded and compiled between 28 November 2019 and 8 January 2020.
Packages were recorded up to a maximum of 41 per country but this did vary depending on how many were available in each country.
CHEAPEST COUNTRIES FOR MONTHLY BROADBAND PACKAGES
Packages measured
Average monthly cost
1 Syria 41 £5.06
2 Ukraine 14 £5.09
3 Russian Federation 23 £5.64
4 Romania 13 £6.25
5 Belarus 14 £7.57
6 Bhutan 1 £7.99
7 Iran 35 £8.05
8 Kazakhstan 18 £8.51
9 Lithuania 18 £8.54
10 Vietnam 9 £8.61
Source: Cable
MOST EXPENSIVE COUNTRIES FOR MONTHLY BROADBAND PACKAGES
197 Mozambique 13 £132.12
198 Virgin Islands (British) 4 £137.29
199 Tanzania 20 £144.32
200 Turkmenistan 18 £172.33
201 Equatorial Guinea 5 £198.94
202 Burundi 7 £217.62
203 Turks and Caicos Islands 9 £237.83
204 Mauritania 4 £532.78
205 Yemen 21 £1,891.94
206 Eritrea 20 £2,045.01
Dan Howdle, consumer telecoms analyst at Cable, said: 'The UK, with a healthy, open marketplace offering relatively cheap broadband deals to everyone, and so-called superfast speeds available to around 96 per cent of homes, is doing rather well in absolute package cost terms.
'However, the UK is still heavily reliant on part-copper networks, coming rather late to the party when it comes to pure fibre.
'It is therefore falling far behind most of Europe in terms of the value offered.
'This comes as no surprise when you consider that, apart from Virgin Media, which owns its own network, and some very small local providers, the speeds available to UK households have not significantly changed for the majority of the UK population in the last five to six years.
'Prices, meanwhile, have risen steadily.'
The UK came 71st cheapest in the world for broadband with an average price of £27.39
Cheapest spots for broadband...
The research also showed that war-torn Syria is the cheapest country for fixed-line broadband, with an average monthly cost of just £5.06.
Making up the rest of the top five are Eastern European countries; Ukraine, Romania, Belarus and Russia.
In Russia, the average package cost of £5.64 is around one-seventh the cost of broadband in the US.
Bhutan was found to be the cheapest country in which to have broadband in Asia, as well as being sixth-cheapest globally, with an average package price of £7.99 per month but Brunei provides the most expensive package prices per month in the region at £120.43.
Meanwhile, the US is one of the most expensive Western nations at 119th place overall and an average package cost of £38.35.
Mexico remains the cheapest country to buy a broadband deal in Central America, with an average broadband package cost per month at £25.43 whilst Belize is the most expensive with an average package price of £47.97.
Sub-Saharan Africa fared worst overall with all but six of the 35 countries in the region sitting in the most expensive half of the table with 17 in the most expensive quarter.
The price of fixed-line broadband globally continues to fall, while speeds continue to rise.
Dan Howdle - Cable
Eswatini, formerly known as Swaziland, was the cheapest in the region, coming in 34th overall with an average package price of £16.67.
Despite significant year-on-year ups and downs in broadband pricing in various countries around the world, the average price of a broadband deal globally has fallen by 19.75 per cent since the end of 2018, from £44.65 to £35.73.
Howdle said: 'The price of fixed-line broadband globally continues to fall, while speeds continue to rise.
'The countries with slow, patchy broadband infrastructure that supplies only a fraction of the population tend to be the most expensive.
'Likewise, those with exceptional, often full-fibre infrastructure supplying the majority of the population tend to be the cheapest, if not in absolute terms, certainly on a cost-per-megabit basis.'
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World league table of monthly broadband costs 2020


Whether you're lounging by the pool, at a festival, or stuck next to your great aunt at a family barbecue this silly season, we have a new drink that you'll need by your side.
Called Rosé Rosé (the drink so nice they named it twice) the single-serve, lightly sparkling McLaren Vale rose is sold in an adorable pink can.
According to its creator, Rosé Rosé has notes of berry, soft florals and a pink hue. We guarantee you'll be seeing it all over Instagram.
Even better news? You can score yourself a pack of four from Dan Murphy's.


text:
Q: Is there a cross-browser way to ignore 401 errors triggered by XHRs? Attempting to keep as pure of a REST approach as possible, I decided that the application would be the API - down to the last bit.
Unfortunately, I have reached one stumbling block. After writing a Digest authentication handler in PHP, I found myself unable to make the experience as friendly for users in web browsers as an form-based authentication method would be.
The reason for this is that even though I can simulate a Digest authentication response through Javascript, using username and password from a HTML form (I can give the nonce values to the script safely, due to the way they are generated), on failure, the browser still shows the standard, ugly authentication prompt.
Is there any way around this? An earlier question references mozBackgroundRequest, but that seems hardly cross-browser.
Thanks!

A: You could make a request with AJAX first, to make sure the authentication details provided work.
If they do, do what you have been doing. If they don't, tell the user about it in your own, nicer way...
EDIT
If you control the auth routine in PHP (and if auth fails, presumably doing header('HTTP/1.1 401 Unauthorized'); etc) you can just... not do it. Instead, respond with a normal 200 OK but put a string in the body that you can look for in ajax.responseText (like 'authFailed' or something).
You can just add a header (or a cookie, or something) to the AJAX requests that are not present in normal browser requests, to allow you to distinguish between the AJAX auth checks and a normal, authenticated session.
The exact mechanics are a little fuzzy in my head at the moment (it's been a long day) but I am sure it could be done using that method.


text:
Gershwin: Concerto in F; Rhapsody No. 2; I Got Rhythm Variations
Gershwin: Concerto in F; Rhapsody No. 2; I Got Rhythm Variations (2012)
performed by Orion Weiss (piano), Buffalo Philharmonic Orchestra, JoAnn Falletta (conductor)
composed by George Gershwin
Even without the Rhapsody in Blue, and even with the comparatively rarely heard Rhapsody No. 2 for piano and orchestra, there is absolutely no shortage of recordings of the music on this Naxos release. But it merits strong consideration from Gershwin fans, and not only for its budget price. The chief attraction is the Concerto in F, which pianist Orion Weiss and conductor JoAnn Falletta approach less as a cousin to the Rhapsody in Blue than as the most elaborate development of Gershwin's purely classical side. He set out to ... Read More
Even without the Rhapsody in Blue, and even with the comparatively rarely heard Rhapsody No. 2 for piano and orchestra, there is absolutely no shortage of recordings of the music on this Naxos release. But it merits strong consideration from Gershwin fans, and not only for its budget price. The chief attraction is the Concerto in F, which pianist Orion Weiss and conductor JoAnn Falletta approach less as a cousin to the Rhapsody in Blue than as the most elaborate development of Gershwin's purely classical side. He set out to write a work in classical three-movement concerto form but actually achieved something slightly different: a group of unique ways of developing jazz- and blues-flavored material. The restrained, almost deliberate approach offered by Weiss and Falletta runs counter to type for Gershwin but brings out many small details in the concerto. It works a bit less well in the brash, cinematic Rhapsody No. 2 (the work, originally entitled "Rhapsody in Rivets," was written for a film... Read Less
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Music Details
U.K./EUR Sellers Price: Low to High Price: High to Low Condition Condition: Reverse Release Date Release Date: Rev Sellers Near Me
CD, New
2012, Naxos
Label: Naxos
George Gershwin. New.
goodsulove
LANCASTER, CA, USA
New. Good Customer Service. Good Packaging.
CD, Good
Seattle Goodwill
Good. All our items include the original disc(s) in the original case. If a disc you purchase from us does not play correctly, just let us know.
CD, Very Good
Publisher: Naxos
Very Good. 636943970522 Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc...
Classical Music Superstore
Franklin, TN, USA
New. Expedited and international shipping available.
Mi Lybro
New. 0636943970522.


can anyone please tell me from where can i find and download Naira's sad song which came when she was afraid of police and hugged kartik in yash and rose marraige.
Hi, I have uploaded lots of their scenes and some r still in process. The 1 u want is present there u can check it.


text:
Marin grand jury calls for fewer school…
Marin grand jury calls for fewer school suspensions
By Marin Independent Journal |
PUBLISHED: April 4, 2014 at 12:00 a.m. | UPDATED: July 19, 2018 at 2:43 a.m.
The Marin County Civil Grand Jury is recommending public schools revise their approach to disciplining students, saying suspending students is doing more harm than good.
The grand jury's report comes after federal officials issued guidelines earlier this year aimed at reducing suspensions, which tend to discriminate based on race.
The jury reported that while it was encouraging that the number of suspensions declined in 2012-13 from the previous year, the county's high school students still missed a significant amount of schooling.
To curb suspensions, the grand jury recommended the county's educators examine their punitive measures — especially suspensions — to figure out how to discipline students for bad behavior without making them miss school. And to take it a step further, the districts should collaborate on creating a more uniform approach to disciplining students throughout the county.
"The grand jury felt that there needs to be more cohesive workings among the different districts, so that they have a same approach," said grand jury spokeswoman Nadine Muller. "That way, wherever kids go to school in Marin, they're going to have the same discipline rules."
This is particularly important, Muller said, because it could prevent some schools with large underserved populations from overusing suspensions — and thus preventing further denial of opportunity for those underserved students.
"You want to make sure that the children that are from less means would have the opportunity to not be suspended, to not be on the streets, compared to children from wealthy homes," Muller said. "More suspensions might lead to the suspensions-to-prison (trend), which is what we want to avoid."
The reports states that students who are most often suspended tend to come from disadvantaged situations.
"The most affected (students) frequently have a history of poverty, abuse and neglect, in addition to academic struggles," the report said.
The report focused on suspensions at the county's seven largest high schools: Novato, Redwood, San Marin, San Rafael, Sir Francis Drake, Tamalpais and Terra Linda.
"Suspensions, I don't think anybody believes, are particularly effective because most kids are staying at home," said San Rafael schools Superintendent Michael Watenpaugh. "The parents are probably at work, so it's kind of a TV day."
Watenpaugh said San Rafael has implemented a restorative discipline approach for many of the incidents that may have resulted in suspensions in the past. The new approach involves peer-review panels in which other students are involved in addressing transgressions.
Watenpaugh said he met with San Rafael Police Chief Diana Bishop early in the school year to discuss working with law enforcement in situations when students should be cited, but won't necessarily be suspended.
Among the grand jury's most emphasized findings was the lack of communication between school boards and school administrators regarding a January 2013 change to the state's education code, which now requires schools to try other means of discipline before suspending students for nonviolent offenses.
The grand jury also found that the school boards that oversee the high schools in the Novato, San Rafael and Tamalpais districts are not providing proper direction regarding suspension intervention goals and policies.
The grand jury recommends that each school district create an advisory task force to study successful suspension intervention approaches, and then implement a strategy based on those findings.
The grand jury has requested responses from the school boards of Novato Unified, San Rafael City Schools and Tamalpais Union High School districts, and from county Superintendent of Schools Mary Jane Burke.
Burke said she is not sure how her office would respond to the grand jury report, but one thing is certain: "The schools of Marin County have long been absolutely clear that, in order for students to make progress, they need to be in school."
While common practices cannot be mandated across the different districts, Burke said, "a coordinated effort can be a good thing."
She said the districts regularly share approaches about best practices, and are always looking for ways to improve the quality of education.
Data provided in the grand jury report show that the county's seven largest public high schools all saw upticks in suspensions in either the 2009-10 or 2010-11 school years, and have experienced declines since then. The grand jury offered several possible reasons, but a change in disciplinary approach was not among them.
In 2011-12, 5.9 percent of students at Marin's seven biggest high schools received at least one suspension. That was slightly above the state average. The next year, the rate dropped to 4.5 percent — below the state average.
San Rafael and Terra Linda high schools saw the biggest declines in suspensions in that time.
Contact Laith Agha via email at lagha@marinij.com
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