Cast: Kristen Wiig, Maya Rudolph, Rose Byrne, Melissa McCarthy, Chris O'Dowd, Ellie Kemper, Wendi McLendon-Covey, Jon Hamm, Matt Lucas, Rebel Wilson, Jill Clayburgh, Michael Hitchcock, Johnny Yong Bosch, Kali Hawk, Andy Buckley, Ben Falcone, Annie Mumolo.
Rated: (for strong sexuality and language).
Reviewed by Dustin Putman, April 7, 2011.
It takes a rousingly smart, thoughtful, imaginatively witty, all around fun side-splitter like "Bridesmaids" to really put into perspective just how sorely lacking the vast majority of mainstream studio comedies are in the twenty-first century. Make no mistake, this is not another screechy, shallow, smug, hair-brained—for lack of a better term—"chick flick" like 2007's insufferable "License to Wed" or 2009's equally detestable "Bride Wars," nor is it a female version of 2009's overrated, mean-spirited "The Hangover," as so many are already labeling it as. "Bridesmaids" tells a fully-formed, well-developed story, rich in astute character work and deeply-felt, legitimate themes involving the sometimes difficult struggle to get it all together—life, work, relationships, self-esteem—at an age when your friends and peers seem to be passing you by. From all of this comes a surprising emotional resonance that makes its consistent laughs and unbridled lunacy all the sweeter. Credit must be paid to director Paul Feig (2006's "Unaccompanied Minors"), best-known for creating the much-loved, short-lived television series "Freaks and Geeks," screenwriter Annie Mumolo, and co-writer/lead actor Kristen Wiig (2011's "Paul"), who has received her first solo headlining gig and not only knocks it out of the park, but out of the whole hemisphere. Let's not mince words, either; Wiig is brilliant here—hilariously uninhibited, effortlessly appealing, instantly relatable, and truly touching. She makes nearly every male comic performer working in feature films today look like an inferior slacker.
Annie (Kristen Wiig) is thirtysomething years old and stuck in a major rut. She's been working at a jewelery shop since her beloved bakery went out of business, she shares an apartment with two oddball British siblings (Matt Lucas and Rebel Wilson), and she is regularly sleeping with handsome prick Ted (Jon Hamm), who would prefer that she not spend the night. When lifelong best friend Lillian (Maya Rudolph) excitedly announces that she is getting married, Annie's insecurities about where she currently stands in her own existence are only punctuated. As Lillian's maid of honor, Annie agrees to organize all of the events leading up to the big day, subsequently meeting the rest of the bridesmaids: Rita (Wendi McLendon-Covey), a harried wife and mother looking to let loose at the eventual bachelorette party; work pal Becca (Ellie Kemper), a Disney-loving newlywed who hasn't yet discovered the realities of marriage; the groom's sister, Megan (Melissa McCarthy), a brash, straight-talking government worker; and Helen (Rose Byrne), trophy wife of Lillian's boss. Right from their passive-agressive first encounter at the engagement gathering, Annie feels threatened by Helen, who seems to have it all together and immediately begins to horn in on Annie's turf as Lillian's closest friend. As Annie gets further into all of the traditional pre-wedding planning, mini-disasters begin popping up at every turn and her sanity grows frayed. She only wants to give Lillian the best, but before she can she may have to take a long look in the mirror at herself and the hang-ups that have led her so personally astray.
"Bridesmaids" accepts and embraces its R-rated nature, not in a strenuous, all-the-cool-kids-are-doing-it kind of way, but with honesty and no compromises. Director Paul Feig and writers Kristen Wiig and Annie Mumolo treat the story and characters with the care they deserve, and in Annie is a complex protagonist whose flaws allow the viewer to love her all the more. In one facet or another, she will be identifiable to everyone in the audience, and her quick-witted, unassuming sense of humor is a trait that we should all wish we had to the degree she does. The film progresses wonderfully, carefully and naturally setting up Annie and her downtrodden current standing as a woman who sees herself as a failure—her cake business has gone belly up, the tattered exterior of the store still flaunting a painted portrait of her face above the door—and doesn't bother to try shielding her pessimism over relationships when couples drop by the jewelry shop. Otherwise, she prides herself on outwardly keeping things together—when her mom (the late Jill Clayburgh, in a nice tribute of a final role) offers to let her move back in with her, Annie lovingly yet bluntly turns her down—and it is only through her failed event-planning and wickedly amusing passive-aggressive interplay with Helen that the seams of her emotions start to show.
If a tinge of levity and poignance tends to follow some of the wholly earned big laughs, that is only in staying true with characters—not just Annie, but also Helen and Lillian—who might jump to conclusions or make mistakes, but are good people underneath who know when they've messed up. Feig, Wiig and Mumolo are too adept to even consider holding their audience in contempt with dumbed-down plotting or unbelievable actions. When characters do things, it is understandable why; they aren't just pawns pushing the narrative along or creating conflict just to create it. And, lest one start to think the movie sounds a bit too self-serious for its own good, think again. The comedy works again and again like gangbusters, often building methodically over time for maximum impact, or paying off material that is slyly set up earlier on. Indeed, there is scarcely a scene in sight that isn't genuinely funny in some way, and plenty that will leave the viewer guffawing. Broader humor, like a dress fitting coinciding with the effects of food poisoning that strike the ladies after lunch at a questionable Brazilian restaurant, intermingle with acerbic one-liners and masterful physical comedy Kristen Wiig knows exactly how to pull off (she displays just as much each week on TV's "Saturday Night Live"). When nervous flier Annie learns the hard way why pills and alcohol don't mix while on the flight to Las Vegas for Lillian's bachelorette party, her ensuing reign of terror on the airplane, played with pitch-perfect timing by Wiig, is an undoubted loopy highlight.
It's been stated many times already, but let's say it again: Kristen Wiig is outstanding in the lead role of Annie, as able to get underneath her character's skin and find the pathos as she is in locating the humor in each situation. When she gets pulled over by Officer Rhodes (Chris O'Dowd) for driving erratically and having no taillights, she turns the process of walking a straight line into a crazy dance routine to prove she's not drunk. It's easy to see why he falls for her right then and there. Another set-piece where Annie and Helen become competitive about one-upping each other in their speeches at the engagement party goes on and on, the longer it stretches out the more chortle-inducingly ridiculous (in the best way) it gets. The same could certainly be said for a late scene—and perhaps the movie's best—as Annie goes to every length possible to break driving laws in order to get the attention of Officer Rhodes, who she's been seeing and is now on the outs with. Another moment, movingly subtle, where Annie realizes how much her behavior has let Lillian down is just as memorable in its dramatically resounding simplicity. No matter what she's doing, Wiig never fails to impress.
Supporting the star attraction are a knockout ensemble of supporting performances. As she proved with her sneakily irreverent turn in 2010's "Get Him to the Greek," the usually serious Rose Byrne (2011's "Insidious") lets loose a secret gift for comic material as Helen. It would have been easy to paint this character—Annie's main adversary—as a snotty shrew, but she grows into a textured, sympathetic person. As much as she'd like people to think she's got it all figured out, she doesn't, not by a long shot. Byrne and Wiig play off each other perfectly. So, too, does Wiig and Maya Rudolph (2009's "Away We Go"), as bride-to-be Lillian, whose real-life friendship carries over with depth and ease on the screen. Melissa McCarthy (2010's "Life as We Know It"), disappearing into her part as the slightly butch, sexually voracious Megan, is ace with delivering punchlines, hitting the bullseye nearly every time. Beyond her brash nature, however, is an authentic person as well, one who hopes to help and befriend Annie if only she'll let her. As Rita and Becca, Wendi McLendon-Covey (2007's "Reno 911!: Miami") and Ellie Kemper (2010's "Somewhere") have the least to do out of all the bridesmaids, but still receive winning time in the spotlight to strut their stuff. Finally, Chris O'Dowd (2010's "Gulliver's Travels") is a charming, innately good-hearted catch as Annie's central love interest Officer Rhodes, and Jon Hamm (2011's "Sucker Punch") is at his magnetically smarmy best as the suave yet tactless Ted.
It's difficult to imagine anyone not being won over by "Bridesmaids," a destined comedy classic that knows how to be crowd-pleasing without sacrificing itself to empty-headed callousness or shoehorned distastefulness. The script evolves organically as Annie grows and starts to learn about herself through the errors of her way. There is a truth, as well as an eye-opening specificity, to her that transcends even some of the best movie heroines. Kristen Wiig is the invaluable secret ingredient. She is blessedly absent of vanity and, as an actor, never selfish, connecting with the other people sharing the screen while nimbly turning comedy into tragedy (and vice versa). A happy but not pat ending is provided to Annie, upbeat enough to satisfy but wisely and accurately signifying that she is still a work in progress. She doesn't have everything figured out and maybe never will, but she has learned to embrace herself and begun the process of letting others in. The final moments between Annie and Lillian are sublime, a glance between the two that says everything about their bond without a syllable needing to be spoken. Even the key locations—Milwaukee and Chicago—are a fresh breath from the typical NYC/LA setting, adding flavor and personality to what could have fallen victim to the same old, same old. "Bridesmaids" is like that throughout, dodging the expected for something even better. Amen.


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Q: Installation of Meteor on an OpenShift account I have tried to install meteor on my new OpenShift Package. I finally managed to get ssh-access, but the installation fails with these lines:
[nodejs-afnm.rhcloud.com 5417xxxxxxxxxxxxxxx343f]\> curl https://install.meteor.com | sh
% Total    % Received % Xferd  Average Speed   Time    Time     Time  Current
                                 Dload  Upload   Total   Spent    Left  Speed
100  4506    0  4506    0     0  12817      0 --:--:-- --:--:-- --:--:-- 97956
mkdir: cannot create directory /var/lib/openshift/5417xxxxxxxxxxxxxxx343f//.meteor-install-tmp: Permission denied
Installation failed.
[nodejs-afnm.rhcloud.com 5417xxxxxxxxxxxxxxx343f]\>
It is a free OpenShift account. Why does it say 'Permission denied' when vreating a directory? Am I in the wrong directory?

A: You can't install meteor like that, you don't have access to write to your home directory, try following this blog article about how to setup meteor on your openshift account: https://www.openshift.com/blogs/cloudy-with-a-chance-of-meteorjs

redpajama_set_name: RedPajamaStackExchange


text:
Microsoft grabs update, upgrade reins under its managed PC plan
Under its Microsoft Managed Desktop subscription service, the company will handle Semi-annual Channel Windows 10 updates for each device it oversees.
Microsoft will handle Windows 10 upkeep as part of the device-as-a-service (DaaS) Microsoft Managed Desktop (MMD) subscription, the company said at its Ignite conference.
"We will manage all the updates that happen on this device," Nathan Mercer, a senior product marketing manager, said in a 15-minute session on MMD at last week's Ignite. "We'll manage all the Windows 10 feature updates. You'll be getting Semi-annual Channel updates for this device. We'll also be managing the Office updates and the monthly quality updates that come from Windows as well."
Those twice-annual feature upgrades and monthly security updates - as well as a host of other bug fixes for Windows that shoot out the refresh pipeline - will be delivered through Windows Update for Business (WUfB), a spin-off of the better-known Windows Update service.
As part of the OS servicing end of MMD, Microsoft will also build four release "rings," those rings populated with the devices the enterprise's IT staff assign to various groups in Azure Active Directory (AAD). AAD is one of the requirements for deploying MMD.
"We will automatically set up a ring-based deployment typology behind the scenes for this, using Azure AD groups so you can roll this out on a scheduled basis for your users," Mercer said.
Those rings synced with long-time Microsoft recommendations. PCs in what the company dubbed the "Test" ring, for example, receive each feature upgrade on the first day of availability, while those in the next ring, labeled "First," take the upgrade 30 days later. The final of the four rings, tagged as "Broad," get the feature upgrade 30 days after Microsoft offers the code to all comers, businesses included. Microsoft calls this step "Semi-annual channel," while the predecessor, handed out immediately to consumers, goes by the clunkier "Semi-annual channel (targeted)" instead.
Similar, but much shorter, delays are built into the dissemination of the monthly security updates, which most customers know as "Patch Tuesday" updates but Microsoft likes to call "quality updates." The Test and First rings receive the patches on the day of release, while "Fast" - the third ring - and Broad get them one and five days later, respectively.
But Microsoft can't work magic. If the upgrade or update fails, it may ultimately pass the job on to a customer's IT and support staff.
Some problems can solve themselves given time, according to Microsoft. If an upgrade or update fails - and Microsoft knows this directly via customer-to-Redmond's-servers telemetry - then everything in that ring, and all future rings, is put on pause.
If an issue is discovered while deploying a quality update to the First ring, then First, Fast, and Broad will all be paused until the issue is resolved," Microsoft said in a support document. By default, the pause lasts 35 days, but it can be reduced or extended, the support document added, "depending on whether the issue is remediated." It was not clear whether Microsoft or the customer would release the upgrade or update from the pause.
It seems likely, though, that in-house IT would have to intervene at times: Although Microsoft includes help desk support as part of the deal - end users can launch an online chat or, in desperation, use a toll-free number if they "can't sign in to the device, or the device is broken" - the developer isn't putting boots on the ground.
"We are partnering with, not replacing, your corporate help desk," Microsoft said.
More about AADMicrosoftTest

redpajama_set_name: RedPajamaCommonCrawl


Not often found available in the heart of the Hyannis Port Civic Association, this year round home is nestled off a side street on almost an acre. It offers second floor view of the ocean and first floor amenity living. Enjoy the vaulted ceilings and an abundance of natural light without sacrificing privacy. A wrap around deck offers opportunity for outdoor relaxation and entertaining. Larger homes surround it. This home is the perfect opportunity to be a part of a historic, seaside community. Buyer(s) and or their agent(s) are welcome to verify property information.


When I was thirteen, my family moved from Southern California to the placid, sun-washed suburbs of Phoenix, Arizona. It wasn't a monumental move, just over five.
Compulsory Third Party Car Insurance Queensland At-fault Driver Cover up to $500,000 to provide market leading protection. Get cover for Compulsory Third Party (CTP) Insurance in NSW & ACT today. Nov 3, 2017. Compulsory third party insurance fee (or CTP) – covers you for any. but if you live in NSW, Queensland or ACT, it pays to shop around for the.
Freakazoid! is a parody of the Superhero show, produced by the people who brought you Batman: The Animated Series and the creators of Animaniacs, Steven.


Refund requests made more than 30 days before the event will receive a 100% refund.
Refund requests made between 30 days and 7 days will receive a 50% refund.
Refund requests made with less than 7 days will not be eligible for a refund.
Please note: Some workshops or events may have a different policy that supersedes this policy, so double-check registration information!


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ECHO BEACH (GERMANY) 105 Titles
Go to Item :
viewing 1 To 25 of 105 items Next >>
Items Per Page : 25 50 100
CPT. YOSSARIAN VS. KAPELLE SO & SO
Bob Marley In Dub
ECHO BEACH
EB 164LP
$24.00 PREORDER RELEASE DATE: 3/18/2022
FLAPAAaaam!!! the first snare roll leaves no doubt: this is a dub album, reminiscing the pioneers of the genre like King Tubby, Lee "Scratch" Perry and Scientist and of course, it's a tribute to the revolutionary music of Bob Marley and the Wailers. The original record from which these dubs derive -- Bob by Kapelle So & So featuring Cpt. Yossarian -- was recorded in 2020, the year of Bob Marley's 75th birthday. Due to the strict lockdown all the tracks were recorded separately -- which perfectly qualifies them for a dub rework. The musicians involved took great care to dig deeply into the original music, absorbing every note of the Wailers' recordings and translating it to their own instrument. But at this point they leave common paths, because what would be Aston Barrett's electric bass turns out to be a tuba and his brother Carly's distinguished bass drum sound resurges on an old leather suitcase. A traditional Bavarian folk band (trumpet, cornet, tuba, accordion, guitar, drums) playing Bob Marley's sacred music. Simultaneously seriously sticking to the original score and adding color to the music by the masterful use of their rather uncommon instruments. What sounds like an impossible -- almost blasphemous -- endeavor actually sounds pretty neat and leads to the next big venture: a dub album paying tribute to the music of Bob Marley and the Wailers. The dub versions naturally lead on the abstract that was introduced by the uncommon orchestration by muting or emphasizing single instruments and sending them into the sonic orbit. The melody itself is almost completely left out. Nevertheless, one never loses one's orientation since the defining elements of the songs alternate skillfully, vanishing in clouds of reverb, losing themselves in echo feedbacks and then popping up again, guiding us through the song. Despite being focused mainly on bass and drums, Marley's parts instantly come to mind proving the profound impact of this divine music. Bob Marley In Dub is the abstract of an abstract and still manages to transport the heart and soul inherent of the music. With all due respect to the original, Cpt. Yossarian manages to illuminate nuances of the material yet unheard and takes you on a trip through his conception of this otherwise well-known material.
BOVELL MEETS DUBBLESTANDART, DENNIS
Dennis Bovell Meets Dubblestandart @ Repulse "Reggae Classics"
LP version. Dennis Bovell, from Barbados, based in London, England, is a legend -- a bass player legend (band leader of the legendary Linton Kwesi Johnson Band) -- a producer legend (The Slits, Fela Kuti, Bananarama, Madness, Joss Stone, a.o.). He produced the soundtrack for the critically highly acclaimed movie Babylon and the hit song "Silly Games" by Janet Kay. In recent years his works regained interest, also due to the recent rerelease of the '80s movie Babylon and his participation in Steve McQueen's drama series Small Axe about the real-life experiences of London's West Indian community, set btw 1969-82. In 2019, Vienna's Dubblestandart produced a limited selection of reworks of reggae classics of Dennis Bovell's 1980's band Matumbi, Steel Pulse, Burning Spear, Twinkle Brothers, Culture a.o., focusing on works that have been pivotal for the inspiration of Dubblestandart's bandleader Paul Zasky. Nicolai Beverungen, dub reggae label headman of Echo Beach outta Hamburg/Germany, invited Dennis Bovell to "repulse" the album at Robbie Ost's GoEAST Studio. Dennis felt inspired, loved the idea, re-voiced the songs, added a couple of guitar lines and also re-dubbed the album. Repulse "Reggae Classics" features Dennis Bovell on vocals and as a dub producer in co-operation with Robbie Ost from Dubblestandart, mixing on a legendary E - 6000 solid state mixing board (taken over from Tears For Fears studio in London), using selected vintage outboard analog equipment, developing a distinctive dub reggae sound for this coming up 2021 release. What do songs like "I'm No Robot", "Babylon The Bandit", or Matumbi's "Hypocrite" have in common? All of them were written during the 1980s of the last century, but never lost their contemporary accuracy, still perfectly criticizing and analyzing the "pulse" todays political leaderships and societies controversial points of view, have, while entering the digital age. Re- Pulse 21!
DUBINATOR
Police In Helicopter
EB 170CD
Following on the heels of the single "Chase The Devil", which pays homage to Max Romeo and the late and great Lee "Scratch" Perry, the mysterious Dubinator returns with an album-length dub set, packed with timeless riddims, versions and a whole raft of surprise guests. The new release kicks off with a version of John Holt's classic song "Police In Helicopter" -- long since a metaphor for the apparatus of oppression around the world. The tune sets the tone for an album that is suffused with rebellion, anarchy, magic -- and, naturally, dub science. The mind behind the album is an entity called Dubinator aka Nick The Reverend. Guest producer on several tracks is Dubmatix, a Canadian producer with a long list of releases on Echo Beach to his name and a major figure in the Echo Beach universe. Rumor has it that Dubinator has long been in the background, pulling strings in the dub scene, a hunch that is backed up by the guest list packed with big names, including Basement Cracks from Haiti, who add a bit of the spirit of New Wave legends The B-52s to the up-tempo track "Dub Law". Seanie T (Dub Pistols), Remington Arms Lolly (a weird guy from Texas), Max Romeo ("Chase the Devil") and Dieter Meier (Yello) contributed vocals, with the latter musing about anarchy. Tack>>Head bassist Doug Wimbish plays on "Years I Dubbed", emphasizing the omnipresent influence of the low-frequency On-U Sound school.
Dennis Bovell, from Barbados, based in London, England, is a legend -- a bass player legend (band leader of the legendary Linton Kwesi Johnson Band) -- a producer legend (The Slits, Fela Kuti, Bananarama, Madness, Joss Stone, a.o.). He produced the soundtrack for the critically highly acclaimed movie Babylon and the hit song "Silly Games" by Janet Kay. In recent years his works regained interest, also due to the recent rerelease of the '80s movie Babylon and his participation in Steve McQueen's drama series Small Axe about the real-life experiences of London's West Indian community, set btw 1969-82. In 2019, Vienna's Dubblestandart produced a limited selection of reworks of reggae classics of Dennis Bovell's 1980's band Matumbi, Steel Pulse, Burning Spear, Twinkle Brothers, Culture a.o., focusing on works that have been pivotal for the inspiration of Dubblestandart's bandleader Paul Zasky. Nicolai Beverungen, dub reggae label headman of Echo Beach outta Hamburg/Germany, invited Dennis Bovell to "repulse" the album at Robbie Ost's GoEAST Studio. Dennis felt inspired, loved the idea, re-voiced the songs, added a couple of guitar lines and also re-dubbed the album. Repulse "Reggae Classics" features Dennis Bovell on vocals and as a dub producer in co-operation with Robbie Ost from Dubblestandart, mixing on a legendary E - 6000 solid state mixing board (taken over from Tears For Fears studio in London), using selected vintage outboard analog equipment, developing a distinctive dub reggae sound for this coming up 2021 release. What do songs like "I'm No Robot", "Babylon The Bandit", or Matumbi's "Hypocrite" have in common? All of them were written during the 1980s of the last century, but never lost their contemporary accuracy, still perfectly criticizing and analyzing the "pulse" todays political leaderships and societies controversial points of view, have, while entering the digital age. Re- Pulse 21!
PERRY & SUBATOMIC SOUND SYSTEM, LEE "SCRATCH"
Super Ape Returns To Conquer (Lilac Vinyl)
EB 129C-LP
$25.50 NOT IN STOCK
Sold out, repress available in Jan/2022. Lilac color vinyl. 41 years later, Lee "Scratch" Perry uses today's sound system to revisit his classic Black Ark album that defined Jamaican dub music, reincarnating the magic for the sound system generation. Big question about it: "How do you improve on a masterpiece?" Lee "Scratch" Perry defined dub music with his seminal 1976 Super Ape album, and he returns with New York City's Subatomic Sound System to conquer again, definitively reincarnating the magic of his Black Ark studio in Jamaica, heavy on Ethiopian horns and percussion, while reinvigorating it with the 21st century booming bass and beats that capture the energy of their innovative live electronic show. Largely known as the mentor to Bob Marley, Perry's influence has transcended reggae. Since 2010, he has toured with NYC's Subatomic Sound System, his go-to band for recreating his Black Ark studio sound live on stage, in new exciting ways as a one-of-a-kind hybrid of beat heavy electronics and live musicians, including original Black Ark studio percussionist Larry McDonald. Subatomic Sound System has been pushing the envelope of electronic music in combination with reggae since their inception in 1999. In dub, Lee "Scratch" Perry is a star at organizing and remixing the music with drum and bass in the forefront and tweaking knobs and faders, adding effects like a jazz improvisation. In the 1970s, the idea of a producer as a star, rather than a singer or musician, seemed crazy, but looking across the world of star DJ producers, he is rightly acknowledged as a visionary as well. There are many stories to be told, but this album follows on the mission of the tour which has the goal of reaching out to old fans and new fans. As sound system culture continues to expand globally with reggae and beyond, these are DJ-friendly heavyweight versions of Scratch material that makes sense in the 21st century. "Scratch" started his music career as a dancer so he loves to get a party started even at 81. The album shows that Scratch was 40 years ahead of his time with Super Ape, and that at 81, he's more relevant to youth culture than ever. The original "Burning Man", "Scratch" was called "the Salvador Dali of music" by Keith Richards and Bounty Killer hailed him as "the greatest Jamaican artist of all time". Features: Jahdan Blakkamoore, Screechy Dan, and Ari Up of The Slits.
ANDY, HORACE
Broken Beats 1 & 2 (Special Edition)
Horace Andy's voice is an instrument that once heard is never forgotten, regardless of whether you first hear it on one of the numerous Jamaican reggae singles that he recorded during the '70s or -- like most people -- on one of the Massive Attack albums he collaborated on as a vocalist. His falsetto and his characteristic slow-motion vibrato breathed life into tracks like "Spying Glass", "Cuss Cuss", "In The Light", "Skylarking" or "(You are My) Angel", ensuring that they still continue to resonate deeply with listeners. His vocal style influenced countless root singers and the combination of his timbre with Massive Attack's spartan hip-hop beats still inspires legions of fans and copyists all over the world. Echo Beach has now picked up on this tradition -- and the much older tradition of versioning -- by asking friends of the label to rework Horace Andy's classic tracks in their own sound outfit. But this time the label hasn't trawled old Studio One tapes for historic vocal snippets -- that were so nineties; no, Horace Andy personally put in an appearance to sing new versions of his classic tracks on top of timeless and contemporary riddims. Age may have deepened his voice, but it is by no means weaker, as can be heard on this album, on which Echo Beach welcomes old friends and new faces: there's Rob Smith (RSD), who as part of More Rockers and Smith & Mighty was just as crucial for Bristol's musical reputation as Massive Attack or DJ Krust and Roni Size. Today, he ensures continuity by working under the label and producer name. Features Million Teeth, Dub Spencer & Trance Hill Vs. Umberto Echo, Oliver Frost, Eva Be, Black Star Liner, Dreadzone, Noiseshaper, and Dubblestandart.
Broken Beats 2
Horace Andy's voice is an instrument that once heard is never forgotten, regardless of whether you first hear it on one of the numerous Jamaican reggae singles that he recorded during the '70s or on one of the Massive Attack albums he collaborated on as a vocalist. Echo Beach has now picked up on the tradition of reworking -- and the much older tradition of versioning -- by asking friends of the label to rework Horace Andy's classic tracks in their own sound outfit. But here, Horace Andy personally put in an appearance to sing new versions of his classic tracks on top of timeless and contemporary riddims. Age may have deepened his voice, but it is by no means weaker, as can be heard on this album, on which Echo Beach welcomes old friends and new faces. Rob Smith (Smith & Mighty) dubs side by side with young steppers such as Pinch and Peverelist. With "Bad Man" he has chosen a track in which Horace Andy makes clear what he thinks about stress and good-for-nothings. The Viennese musicians from Dubblestandard have in the past collaborated with Echo Beach to produce riddim versions for Ari Up, Lee Scratch Perry, and Mikey Dread; their version of "Money Money" picks up where a long list of legendary cuts of this song left off, all of which were based on "Money is the Root of All Evil" on Phil Pratt's Sun-Shot label. Noiseshaper releases their first recordings since 2009, remixing "Skylarking". Black Star Liner from Leeds and their mix of Asian style inna vibe of sitar and tabla "Tings" going on well merched with dance and dub on "Dou You Love My Music". Dub Spencer & Trance Hill get together with wily studio fox Umberto Echo and declare war on Babylon again in the shape of a dub treatment pock-holed with weird delay effects. Dreadzone from London are specialists to combine trippy notes and beats with roots. The "Money Money Remix" is an killer as well as the New Yorker set up Subatomic Sound System and their remix of "Cuss Cuss" -- but the focus -- as for all the other musicians featured here -- is always on the spiritual identity of the songs and the deep respect they have for Horace. This album will ensure that this incredible voice is never forgotten. Also features Misled Convoys, Madasky, Adubta, Adam Prescott & Booker Gee, T-Jah, Hoboken Hifi, Irie Worryah, Soul Sugar, Jah Schulz, Dubjestic, and New Bladerunner Of Dub.
Dance A Dub (Lee Groves Dubtraphobic Remixes)
Lee Groves started in 1979 -- at the age of eight -- his love affair with music by walking up to a Bontempi Electronic Organ in UK department store "Debenhams" and playing it. After being brought up in a house where his dad's eclectic taste in music shaped his life forever. Lee Groves was always writing and composing music throughout schooling and got heavily into MIDI and sequencers as soon as he could. Lee Groves is a British born, and now Brooklyn based music composer, producer and writer. In his East Williamsburg, Brooklyn, NY studio he is able to make vibe happen for production. In his career he worked with a lot artist and producers on many interesting collaborations like Marti Frederikson (Aerosmith producer), indigenous Australian "Global Groove" artist Tjupurru as well as for Gwen Stefani, Depeche Mode, Janet Jackson (he produced the music for Janet Jackson's Superbowl Halftime show...), Goldfrapp, Black Eyed Peas, Yello, Terminalhead, Ruts DC, Fatboy Slim, Norman Cook, Coldcut to name but a few... Lee Groves formed and positioned himself as an internationally highly acclaimed dance alternative electronic producer. His love breaks, break beat, dub, and eclectic merged into a lot remix work and DJ residency at John Digweed's Bedrock club at Heaven, London and also at London's now defunct Turnmills club. Lee Groves was highly interested in picking classic tunes from the Echo Beach catalog to make them Dance A Dub. A brilliant and mind setting album with highly acclaimed dub energy. Features tracks by Seanie T (Dub Pistols), Ari Up, Lee Scratch Perry, Martha And The Muffins, Horace Andy, Dubblestandart, Ken Boothe, David Lynch, Illbilly Hitec, Kinetical, Rude Boy, Kardi Tivali, Dubxanne, Earl 16, Dub Syndicate, and U Roy.
BALDINI DUBFILES MEETS DUBBLESTANDART, PAOLO
Dub Me Crazy
$15.50 LOW STOCK LEVEL
Of course, Dubblestandart have been keeping a version of the dub flame alive for the last two decades. Formed in 1988 as a reaction to the stagnant Austrian pop scene, the group was heavily inspired by the Black Ark, On-U Sound, and Jah Shaka, infusing such dub influences within their heady blend of hardcore reggae and new wave, which soon brought them into the European public's consciousness and as a kind of "European" version of the famous Dub Syndicate. Soon, they were so in demand as to be backing Lee Scratch Perry, dub poet Lilian Allen, Dillinger, Ari Up, Ken Boothe, Marcia Griffiths, Chezere, and others. Well, Austria/Vienna's finest moments in dub working and collaborating with the new technological dimension of modern dub: Paolo Baldini from Italy. Baldini's stunning excursion into deep dub, chilling dub and dubble-tough dub will reach the DubFiles into perfection @ Dub Me Crazy. Paolo Baldini's handling of this mission has been exemplary: his production and remixing skills are pleasingly individualistic, retaining plenty of originality and professionalism without seeming stoic, dull or contrived. His collaborations with Mellow Mood, Hempress Sativa, Dub Fx, and others are showing faith of what dub is living for, Since 2007 Paolo Baldini works under the top level name Alambic Conspiracy and became world class dub extraordinary performer, bass player, mixologist, producer and provocateur! Dub Me Crazy features David Lynch, Lee "Scratch" Perry, Marcia Griffiths, Ari Up, Tanice Morrison, and Anthon.
C JONES MEETS ALE X
Kalimba Is My Telephone In Dub
LP+CD
LP version. Includes CD. With this Courtney Jones, Lore Grutschnig, and Ali Tersch (drummer of the band Dubblestandart and Supermax) welcome listeners to their unique blend of steel pan and kalimba music. The first steelpans where invented in the 1930s in Trinidad, designed from the tradition of rebellion against the colonial powers in Trinidad & Tobago. More than 3000 years back dates the earliest version of the kalimba, also known as mbira/thumb piano. However, those you hear on this production where handcrafted in today's Austria. Communicating with the mighty sounds of Courtney Jones Steel Pan and the fragile sensitive layers of Lore's flute, the kalimba merges the old and new world with its distinctive sound, the environment in which these musicians live and work is Vienna, in the middle of Europe, an austere ancient city in transition. A multicultural "market place" set alive by its multi ethnical inhabitants and their wish to respect the roots of their individual culture as they are melting with the colorful life of 21st century Europe. In respect to Courtney Jones, who passed away during this production, Ali Tersch (aka Alex X) finalized the production, conscious of the responsibility to keep the vibes authentic and the music well produced, just as Courtney would have loved it. An album that fuses "authentic world music" but also modern beat, hip-hop, and dub. On this, the band's first album, the focus is firmly on an amalgamation of so-called world music, with the genre's elementary electronic facets. They grab reggae flavor by the roots in their inimitable way and build a varied cocktail of roots, soundscapes, hip-hop, and dub.
LP version. Includes CD. Of course, Dubblestandart have been keeping a version of the dub flame alive for the last two decades. Formed in 1988 as a reaction to the stagnant Austrian pop scene, the group was heavily inspired by the Black Ark, On-U Sound, and Jah Shaka, infusing such dub influences within their heady blend of hardcore reggae and new wave, which soon brought them into the European public's consciousness and as a kind of "European" version of the famous Dub Syndicate. Soon, they were so in demand as to be backing Lee Scratch Perry, dub poet Lilian Allen, Dillinger, Ari Up, Ken Boothe, Marcia Griffiths, Chezere, and others. Well, Austria/Vienna's finest moments in dub working and collaborating with the new technological dimension of modern dub: Paolo Baldini from Italy. Baldini's stunning excursion into deep dub, chilling dub and dubble-tough dub will reach the DubFiles into perfection @ Dub Me Crazy. Paolo Baldini's handling of this mission has been exemplary: his production and remixing skills are pleasingly individualistic, retaining plenty of originality and professionalism without seeming stoic, dull or contrived. His collaborations with Mellow Mood, Hempress Sativa, Dub Fx, and others are showing faith of what dub is living for, Since 2007 Paolo Baldini works under the top level name Alambic Conspiracy and became world class dub extraordinary performer, bass player, mixologist, producer and provocateur! Dub Me Crazy features David Lynch, Lee "Scratch" Perry, Marcia Griffiths, Ari Up, Tanice Morrison, and Anthon.
With this Courtney Jones, Lore Grutschnig, and Ali Tersch (drummer of the band Dubblestandart and Supermax) welcome listeners to their unique blend of steel pan and kalimba music. The first steelpans where invented in the 1930s in Trinidad, designed from the tradition of rebellion against the colonial powers in Trinidad & Tobago. More than 3000 years back dates the earliest version of the kalimba, also known as mbira/thumb piano. However, those you hear on this production where handcrafted in today's Austria. Communicating with the mighty sounds of Courtney Jones Steel Pan and the fragile sensitive layers of Lore's flute, the kalimba merges the old and new world with its distinctive sound, the environment in which these musicians live and work is Vienna, in the middle of Europe, an austere ancient city in transition. A multicultural "market place" set alive by its multi ethnical inhabitants and their wish to respect the roots of their individual culture as they are melting with the colorful life of 21st century Europe. In respect to Courtney Jones, who passed away during this production, Ali Tersch (aka Alex X) finalized the production, conscious of the responsibility to keep the vibes authentic and the music well produced, just as Courtney would have loved it. An album that fuses "authentic world music" but also modern beat, hip-hop, and dub. On this, the band's first album, the focus is firmly on an amalgamation of so-called world music, with the genre's elementary electronic facets. They grab reggae flavor by the roots in their inimitable way and build a varied cocktail of roots, soundscapes, hip-hop, and dub.
DR. ISRAEL
In Dub
Dr. Israel is a dub artist from Brooklyn/New York City. For him, dub music -- originally rooted in 1960s Jamaican reggae culture -- is the starting point to explore a universe of sounds, including hardcore punk, rock, hip-hop, ambient, electronics, reggae, drum and bass. A global melting pot of a wild variety of musical styles. Douglas Bennett, aka Dr. Israel (Jamaicans gave him his artist name when he lived for a while in a Niyabinghi community and became a Rastafari) discovered what he calls "non-traditional" reggae while playing guitar in punk rock bands in his native Philadelphia. His inspirations and influences include punk/reggae hybridists Bad Brains and ragga/hip-hop pioneer Boogie Down Productions as well as 1980s reggae stars like Sly & Robbie and Black Uhuru. In the early 1990s, he began experimenting with sampling keyboards and beats. A few years later he and others like DJ Spooky and Skiz "Spectre" Fernando earned international renown for creating "illbient", a sound that mixed jungle and hip-hop beats with otherworldly dub, ambient and avant-garde classical tones. Dr. Israel has released several projects, including Black Rose Leberation, Inna City Pressure (1998), Patterns of War (2005), Love In The Time Of Violence, and has worked with Bill Laswell (in supergroup Methods of Defiance), Lee "Scratch" Perry, The Last Poets, Rancid, Santigold, Sepultura, Laurie Anderson, Bernie Worrell, Easy Star Allstars, Alpha & Omega, and also with the rapper and Wu-Tang Clan affiliate, Killah Priest. "The one thing that I'm most thankful for is that I've been able to touch elbows with my heroes," he says. "I don't want to do traditional reggae because there are a lot of people already doing that. I don't think I could ever create a straight-ahead pop track. I'm not the kind of person who's big on writing love songs, but I am able to create a song partly based on the 1982 collaboration between punk icons the Clash and beat poet Allen Ginsberg." "I create and produce music a bit like Bruce Lee. He came from the traditional Kung Fu and merged/combined for his martial arts discipline Tae-kwon-do, and other traditional martial arts to an effective system. That's the basic idea of combining styles." Features DJ Olive remix.
B.R. STYLERS
In search of a richer dub world: B.R. Stylers are a dub conspiracy conglomerate from Pordernone from the north of Italy. They began their career in spectacular style -- with a phenomenal live set at Rototom Reggae Sunsplash in the summer of 2001. After that they played massive tours, taking in festivals and clubs in Italy, Slovenia, Croatia, Germany, France, Poland, etc. and sharing stages with artists such as Zion Train, Revolutionary Dub Warriors, Jah Free, Mad Professor, Lee "Scratch" Perry, Horace Andy, Africa Unit, Adrian Sherwood, etc. Without any doubt, the bass player and producer Paolo Baldini was and is the main man behind the set up. Paolo Baldini later joined the Milani-based band Africa Unite and invented his unique "Baldini Dub Files" alongside other projects. His incredible mixing skills, a vision of an overlooked dub escapades colored B.R. Stylers output as well as the variety of female vocalist Michela Graina. GP Ennas (drums), Filippo Buresta (keyboards), and Manuel Tomba (mixing desk) completed the outstanding project in Italy/Europe with heavy close echo and reverb, soulful, and smooth voices and the signature of powerful rhythms and bass beats. Michela Graina and GP Ennas started the very successful Wicked Dub Division in 2005. B.R. Stylers also co-operated with the London-based dub combo Alpha & Omega, with Price Allah, Vibronics, Dubital, and Jah Free. There's no filler, all killer down here... dub refigured with chemistry, connecting spiritually as roots dub gets reggae and soul...
ILLBILLY HITEC
King Size Dub Special: Illbilly Hitec
$9.00 LOW STOCK LEVEL
The Reggaetronic company operating under the project name iLLBiLLY HiTEC is poised to release King Size Dub Special. iLLBiLLY HiTEC's electronic tinkerings and styles have carved a swathe straight through the middle ground of the "sophisticated" modern reggae prevalent on the German scene and even worldwide for more than ten years. The band's strange-sounding name sparks a vision of a "what the fuck" attitude, and it manifests itself with its formidable, sweet-sounding mellifluous sounds. The mix is an intoxicating loop with sound sketches borrowed from reggae into which pseudo-spheric elements from breakbeat, hip hop and pop have been absorbed to weave masterful club dub. Now, after ten years the band will say "Good bye friends, good bye Reggaetronics" and will continue on to new projects. The last gig will happen in Berlin on the 19th of October in the legendary YAAM Club with great special guests and the final chapter will be the release of King Size Dub Special -- time to twist and shout to the glorious music of iLLBiLLY HiTEC. Overdubbed by the London-based Dub Pistols; reggae fusion culture at its best!
SENIOR ALLSTARS FEAT. AMMOYE, THE
Soul From Dubdown - Darker Than Blue
"We were inspired by that brilliant release Darker Than Blue: Soul From Jamdown (on Blood & Fire Records from Manchester in co-operation with PK in London) and felt compelled to perform this beautiful gem in a dub version..."
In spring 2014, when the Senior Allstars were asked by the Hamburg-based dub label Echo Beach to record their interpretation of an existing release (the original was released in 2001), everyone involved assumed that the results would be good. What absolutely no one expected was that the album would be so incredibly "conspirational" and simply bursting with fresh ideas. The album that Soul From Dubdown - Darker Than Blue is based on is the compilation Darker Than Blue: Soul From Jamdown, which was released in 2001 on Blood & Fire Records. More than ten years later, the mind behind the Echo Beach label, Nicolai Beverungen, had a vision of taking the next, the third step along this path. "From the beginning it was clear to me that I wanted an instrumental band to do the job, and the venerable Senior Allstars, the leading lights in their class, were my top pick", says Beverungen. The results are more than breath-taking; the songs drip from the speaker membranes like honey, bringing in the sun, warmth and happiness, very much in keeping with the original songs -- although the lyrics may have been written with other things in mind. The dub remake presented by The Senior Allstars breaks all previous dimensions and conventions set by the history and spirit of this legendary album. The quartet creates an original, collective, improvised and organic live dub that is in the tradition of the original songs and with new versions that fully deserve to be mentioned in the same breath as the originals. 2019 -- the next step to break the peak and quality of the exciting album -- was making it into a vocal album and call it Soul From Dubdown - Darker Than Blue. The former was quite easy. They hired the Juno winner (the Canadian music prize and pendant to the American Grammy) from 2017 Ammoye, with an amazing voice, who was born in Jamaica and raised in Toronto, Canada. A brilliant and crisp album."
DUBBLESTANDART
Dubblestandart & Firehouse Crew Present Reggae Classics
Dubblestandart & Firehouse Crew present -- with the deepest respect to the originators -- a limited selection of reworks of reggae classics. The album focuses on works that have been pivotal for the inspiration of Dubblestandart's bandleader Paul Zasky since day one, when forming the band. Today this music is considered classic reggae, what this little island called Jamaica has provided in content and creation, especially roots reggae of the late '60s, '70s, and '80s. This doesn't even scratch the surface of the political actuality of many of these songs, which seem to respond to today's world of unrest as if they were written yesterday, coming straight from the heart of all those much-loved and admired originators.
LP version; includes CD. Dubblestandart presents -- with the deepest respect to the originators -- & Firehouse Crew Present Reggae Classics, a limited selection of reworks of reggae classics. The album focuses on works that have been pivotal for the inspiration of Dubblestandart's bandleader Paul Zasky since day one, when forming the band. Today this music is considered classic reggae, what this little island called Jamaica has provided in content and creation, especially roots reggae of the late '60s, '70s, and '80s. This doesn't even scratch the surface of the political actuality of many of these songs, which seem to respond to today's world of unrest as if they were written yesterday, coming straight from the heart of all those much-loved and admired originators.
NOISESHAPER
King Size Dub Special
$8.00$6.80 IN STOCK
The sound company operating under the project name Noiseshaper is poised to release their new King Size Dub Special album. The band received great acclaim for their first albums, which were released on the legendary and infamous Rockers Hifi label Different Drummer. They later became celebrated for their musical contribution to the US television series CSI: Miami. The Viennese coffee table boys Axel Hirn and Florian Fleischmann achieved cult status with their 12-inch single The Only Redeemer (2002), which was later released in the US by Quango (Island Records /Palm Pictures) and fast became a permanent fixture on the playlists of the best and most popular DJs in Berlin, Vienna, Tokyo, Paris, London, and New York. The next dancefloor filler was "All A Dem A Do", sung by Juggla, which was the band's first release to get heavy rotation on many European and US radio stations. Next up were remixes by and for heavyweights such as Sly And Robbie, Outkast, Seven Dub, and Carl Douglas. Noiseshaper's defining sound has been distilled and condensed as an utterly distinctive blend of housey downbeats with a fat reggae flavor, which has brought the group international acclaim and popularity. King Size Dub Special is the essence of Noiseshaper and is another impressive display of how their musical style has progressed. This is dub as a style, with all its reference points between commerce and innovation. These are 15 pounding dub-flavored tunes, best for bringing the dancefloors of the dub universe to a boiling point -- heavy bass for heavy dancing!
MORE ROCKERS
Dub Plate Selection Vol. 1
Along with Massive Attack, nobody else than More Rockers with Smith & Mighty's Rob Smith helped define the dark creation of art -- of what came to be known as The Bristol Sound. In the late '80s, producers Rob Smith perfected the blend of rare groove, hip-hop, reggae, ganja, dread, Bacharach, bass, jungle, and drum & bass. Peter Rose, aka Peter D. the sometimes collaborator and early member of Massive Attack, hooked up with Rob Smith and they formed More Rockers. Their talent of what would become their signature blend of dub stylings with junglist tempos was amazing. It merged in the debut album Dub Plate Selection Vol. 1 in 1995 and continued this pattern with rootical jungle that could have come from some "nyabinghi" session in Kingston.That sound is simple jungle breakbeats flavored with a masterful understanding of the dub sound system roots into drum & bass. The first thing you notice is the heavy bass -- a deep round frequency that most electronic producers would die for to be able to create. It's that magical sound that feels completely natural, comforting supernaturally and powerful at the same time. It progresses into a mixed affair, blending from track to track and its quite heavily DJ-based. MCs, rappers, and female vocalists slither through for the perfect mix. Features a remix from Roni Size & DJ Krust.
In Spiritus Dub
In the resurgent Serious Classics series, Echo Beach is proud to release In Spiritus Dub, a one-of-a-kind dub creation. The name Almamegretta has its roots in an ancient dialect that represents the transition of Latin to modern colloquial Italian speech; It means "Anima migrante", which can be translated to "migrant soul" or "wandering soul". The band was founded in 1991 by Gennaro "Gennarot" Tesone, Raiz and Gianni in Neapel; one year later, Paolo Polcari and Tonino joined them. In 1993, Stefano "D.RaD" Facchielli encountered Almamegretta during the production stage of their first studio album, and contributed his skills as soundman and dub-maker. The album produced by Ben Young was awarded the "Targa Tenco" as best debut album in 1994, and the song "Sole" was declared the track in greatest demand by 105 Network. Thanks to Ben Young, they entered a collaboration with the band Massive Attack in 1995, who offered Almamegretta a remix of their track "Karmacoma", a project that resulted in the Karmacoma EP, "The Napoli Trip". Another cooperation of Ben Young and the British Dance Formation "leftfield" lead to the production of the album Rhythm And Stealth (1999). Further international collaborations arose with artists such as Pino Daniele, Bill Laswell, Count Dubulah of Trans Global Underground, Lee "Scratch" Perry, Horace Andy, Gaudi, Dennis Bovell, and others. As remixer and producer, Paolo Baldini participated in many of these projects, earning his outstanding international reputation as dub master over and over again. Featured on In Spiritus Dub: Paolo Baldini, Horace Andy, Gaudi Rootikal, Lee "Scratch" Perry, Carlo D'Angio, and Dennis Bovell.
DUB SPENCER & TRANCE HILL
Christmas In Dub
The first Christmas album of the year, Christmas In Dub, has landed, and it sounds a lot like dub. Last Christmas seems only moments away, but that hasn't stopped these four doughty Swiss musicians from decking the halls in their studio, getting the bass speakers to rumble and the loops to trill. In dulci dub jubilo! In their low-slung reindeer racing sleigh, Dub Spencer & Trance Hill glide through the night of nights with twelve box-fresh cover versions pumping through their speakers, utterly unafraid of overworking a cliché. Statistically, "love" is probably the most common subject in song lyrics, and many trite lines have been dedicated to it, closely followed by "Christmas". Now, this Zurich/Lucerne collective have lavished their charming, futuristic sound elements on the topic, pounding through this winter wonderland, hovering somewhere between pop, dub and surreal electronics, liberally spiced with retro roots rocker attitude with a lavish scattering of warm analog delay and reverb effects. This album sits skillfully right at the intersection of elevator muzak and elegant dub, and it has a very simple, unpretentious message: Without a groove there's no dub, and no Christmas either. For some of the tracks, it's only the second time round that you realize which Christmas song is being covered. The bass line is crucial, as it is usually the instrument that plays the Christmassy themes. "Never change a winning song", thought Dub Spencer & Trance Hill, instead opting to give these themes a much slacker treatment. The scent of fir branches, incense, the Northern Lights and interesting biscuits comes together with a warm Hammond organ, funky guitars, rich drum grooves and a bass that is practically subsonic to create an intelligent, mischievous and leftfield masterpiece. Following their impressive encounters with artists such as William S. Burroughs, Lee Perry, Dieter Meier, and Ken Boothe, the internationally-lauded Swiss band have now added their idiosyncratic spin on Christmas, treating Santa to a dub makeover with neo-folk collages in reindeer jumpers and minimal dub with space for recorders. Christmas simply couldn't sound any better or more flamboyant!
LP version; includes CD. The first Christmas album of the year, Christmas In Dub, has landed, and it sounds a lot like dub. Last Christmas seems only moments away, but that hasn't stopped these four doughty Swiss musicians from decking the halls in their studio, getting the bass speakers to rumble and the loops to trill. In dulci dub jubilo! In their low-slung reindeer racing sleigh, Dub Spencer & Trance Hill glide through the night of nights with twelve box-fresh cover versions pumping through their speakers, utterly unafraid of overworking a cliché. Statistically, "love" is probably the most common subject in song lyrics, and many trite lines have been dedicated to it, closely followed by "Christmas". Now, this Zurich/Lucerne collective have lavished their charming, futuristic sound elements on the topic, pounding through this winter wonderland, hovering somewhere between pop, dub and surreal electronics, liberally spiced with retro roots rocker attitude with a lavish scattering of warm analog delay and reverb effects. This album sits skillfully right at the intersection of elevator muzak and elegant dub, and it has a very simple, unpretentious message: Without a groove there's no dub, and no Christmas either. For some of the tracks, it's only the second time round that you realize which Christmas song is being covered. The bass line is crucial, as it is usually the instrument that plays the Christmassy themes. "Never change a winning song", thought Dub Spencer & Trance Hill, instead opting to give these themes a much slacker treatment. The scent of fir branches, incense, the Northern Lights and interesting biscuits comes together with a warm Hammond organ, funky guitars, rich drum grooves and a bass that is practically subsonic to create an intelligent, mischievous and leftfield masterpiece. Following their impressive encounters with artists such as William S. Burroughs, Lee Perry, Dieter Meier, and Ken Boothe, the internationally-lauded Swiss band have now added their idiosyncratic spin on Christmas, treating Santa to a dub makeover with neo-folk collages in reindeer jumpers and minimal dub with space for recorders. Christmas simply couldn't sound any better or more flamboyant!
Bought For A Dollar, Sold For A Dime
Originally released in 2008, the songs on Bought For A Dollar, Sold For A Dime are re-recordings of Little Axe's favorite songs. Featuring Doug Wimbish, Keith LeBlanc, and Bernard Fowler (long-standing The Rolling Stones background singer). 180 gram vinyl; Edition of 500.
For the first time available on vinyl, three albums by Little Axe originally released CD-only on Peter Gabriel's Realworld label. Little Axe, aka Skip McDonald, started his career in music back in the '70s as a member of the Sugarhill Gang backing band (already with longtime collaborators Doug Wimbish and Keith LeBlanc). Later on, the same musicians got involved with Adrian Sherwood and his much beloved progressive reggae/dub label On-U-Sounds. So far McDonald has released a total of eight albums of his own under the Little Axe moniker. Each of them recorded together with Adrian Sherwood, and each of them based around Little Axe's very own and contemporary version of the blues, combining blues with dub, Cajun and gospel sounds. For the first time, Echo Beach offer vinyl versions of the three albums Little Axe released on the Realworld label in the early 2000s.


If you want to know how to prepare a e real Italian pizza or pasta, this is definitely the right tour for you, open to all curious people who want to learn something about the authentic art of "made in Italy" cooking .
If you want to know how to prepare a e real Italian pizza or pasta, this is definitely the right tour for you, open to all curious people who want to learn something about the authentic art of "made in Italy" cooking . The tour will start in a historical food-market, dating back to 1928, located in Via Cola di Rienzo, right near the Vatican area. Your guide will be with you throughout this unforgettable journey, introducing the raw materials of traditional dishes and Italian specialties, aromas and flavors.
Leaving the market you will have the opportunity to continue this great experience preparing traditional Italian dishes, homemade pasta or pizza, with the help of our chef. You will enjoy mixing ingredients and flavors to create your favorite pizza or pasta, sampling different recipes and learning "secrets" of the Italian cuisine. Once completed you will finally taste what you have prepared in order to discover your abilities as an Italian "pizza" or "pasta" maker. All accompanied by a selection of the best wines from the Lazio region. A truly unique experience with the passion for the Italian cuisine.
Top 10 Things to do in Rome: Guided Segway Tours of Rome, Italy!


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Audi A1 peut désigner deux modèles automobiles :
l'Audi A1 8X (2010-2018) ;

l'Audi A1 GB (2019-).

A1

redpajama_set_name: RedPajamaWikipedia


In your notes about the CII Conference, a prominent broker is reported to have said that brokers should "make themselves stand out" and added "we can do this".
Another apparently suggested that we should acquaint ourselves with "utmost good faith". The need for a common theme, as an industry, on which to fly our flag when approaching the government, has been apparent for generations.
These three themes are not new, but so often regarded as talking points, with an absence of appropriate action.
The CII examinations - although much fragmented - do give a firm base of knowledge of the industry, but are too often thrust aside as only theoretical and sidelined by the FSA.
The government's efforts to make insurance more palatable to the general public have generally met with disdain.
Festooned as they are with reams of paper compulsorily issued by weary broker and insurance company staff, with new policies and renewals, these sheaves are unwanted and frequently cast into the waste bin unread.
The insured trusts his broker/agent and only wants to know the premium and when due.
After 50 years in the business, I find little progress - indeed, the burden of the FSA in time and cost mitigates against it. Is it one of the government's ploys to reduce unemployment?
It is timely for the FSA to start an internal review - for which, no doubt, all sides of the industry and policyholders will surely pay.


No one is above the law. Not even hip and happening film stars. Ishaan Khatter may have become the nation's heartthrob after his debut movie Dhadak with Jahnvi Kapoor but recently he was caught on the wrong foot of the law. The ever vigilant Mumbai Traffic Police seized the bike of Ishaan and it was returned to him only after he paid the required fine. Ishaan's 'crime'? He had parked illegally!
Here is the video of the bike is being towed away and then being returned to him when he paid the required fine.
So what had actually happened? Ishaan, it appears, had come to a restaurant in Bandra to meet a friend when unfortunately a traffic police drive against illegal parking was going on. Finding that his bike was parked at the wrong place, the police decided to tow it away. The police are rather strict when it comes to traffic rules given the chaotic situation on Mumbai roads.
Thankfully, the actor was nearby and he emerged immediately after he realised that his bike was being towed away. He then spoke to the police officer who urged him to pay the fine and get his mean machine back. Police sources confirmed that Ishsaan was fined only Rs. 500! However, it was a lesson well learnt.
Recently, Sara Ali Khan was fined for not wearing a helmet.
Varun Dhawan Can't Stop Picking Up Alia Bhatt!


What bank is that ?
Whatever. Should i let next time the guys on the forum click the link and pay BTC, or you rather have miss-information and still save your money?
https://www.glassdoor.co.uk/Photos/PolySign-Office-Photos-E2140671.htm The guy with the glasses?
You did not hear last sentence. Watch again.
Maybe, but then again the MOON-POINT of 2017-2018. of ALL CRYPTOS was insane, totally insane with no real crypto usability in real world. Was it not? The statement that ONE crypto will reach that pricepoint is not insane at all if you look back. So if you look back, what is more insane? History to repeat and exceed the price together with real use cases or that xrp is 1 usd ? At what point the investing in xrp becomes a speculation? First half of 2018. is speculation, End of 2018. in conformation of investment. I think conformation will bring more investitors and less speculation. Investitors tend to HODL. I love your postings @Ripple-Stiltskin , but i do think price will exceed many price-points here. Guess i am an insane-r.


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Search Travel News Asia for: Brazil
Your search for Brazil found the following documents (of 52086 documents searched):
41. Boeing and Embraer Open Joint Aviation Biofuel Research Center in Brazil
Boeing and Embraer have opened a joint sustainable aviation biofuel research center in Brazil. At the Boeing-Embraer Joint Research Center in the São José dos Campos Technology Park, the companies will coordinate and co-fund research with Brazilian universities and other institutions. The research will focus on technologies that address gaps in creating a sustainable aviation biofu
42. Hotels in Brazil Experience Declines in RevPAR
According to data from STR Global, hotels in Brazil have experienced recent declines in RevPAR. The country's performance is following a similar trend observed by other countries that have hosted the FIFA World Cup, including Germany and South Africa.
43. Brazilian Travellers Among World's Most Connected
More airline passengers in Brazil carry a smartphone than in other parts of the world. The SITA-ATW Passenger Survey reveals that 85% of passengers in Brazil carry smartphones compared to the global average of 81%. A significantly higher percentage of these passengers use apps from airlines, airports and travel agencies compared with passengers from Europe, Africa and the Middle Ea
44. Ascott Signs to Establish At Least 5,000 Citadines-Branded Units in São Paulo, Brazil
Ascott has signed franchise agreements for two serviced residences in São Paulo, Brazil. Vitacon, a leading real estate company in São Paulo, will franchise and operate the 92-unit Citadines VN Jardins São Paulo and 122-unit Citadines VN Faria Lima São Paulo.
45. Brazil welcomes First Annual Summit of the World Tourism Forum for Peace and Sustainable Develop
Brazil welcomes First Annual Summit of the World Tourism Forum for Peace and Sustainable Development.
46. Brazil to play special match at the 2005 Carlsberg Cup in Hong Kong
Brazil to play special match at the 2005 Carlsberg Cup in Hong Kong.
47. Starwood Signs Hotel de Bahia in Salvador, Brazil
Starwood has partnered with GJP Hotéis & Resorts to expand its Sheraton brand in Brazil. Sheraton da Bahia Hotel will be located in Salvador, one of the most important tourist destinations in the country. The 284-room historic Hotel da Bahia is currently undergoing an extensive renovation and will re-open to its full splendor by Q1 2013. It will be operated by local hotelier GJP Ho
48. Star Alliance opens the door to Brazil with new Airpass
Star Alliance opens the door to Brazil with new Airpass


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Austin Tighe, who represents the tribe in the tribal court proceeding, said in a statement on Monday that his client intends to move to dismiss the federal lawsuit on sovereign immunity grounds and precedent that requires BP to exhaust jurisdictional arguments in the tribal court.
"Suing the tribe is consistent with how BP has acted from the beginning," Tighe said. "They paid $19 million to the tribe's non-Indian neighbors to settle these same environmental claims, and have given the tribe nothing".


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Also here are:
Ford Anglia 105E Torino
Welcome to the Ford Anglia Torino part of the site. In this area of the site, you will find some
Adverts, Articles, Brochures, Models and Photo's associated with the Ford Anglia 105E Torino.
The Ford Anglia 105E Torino was a car derived from the Ford Anglia 105E by the Italian arm of
Ford during 1964 and 1965.
Although the Ford Anglia 105E was a good seller in Italy; it was Italy's best selling import in 1960 and 1961; the raked rear window and fins soon becaome unfashionable and demand for the car dropped alarmingly. The president of Ford Italiana was convinced that the raked rear window had to go and so a new design was requested.
The Ford Anglia 105E Torino used the chassis, doors, windscreen and all the mechanical parts of the Anglia 105E Saloon, but the outer body was of an all new design.
This new design was drawn up by Michelotti and built by Officina Stampaggi Industriala (O.S.I)
The Italian design did away with the protruding headlights, rear wings and sloping rear screen (All the attributes that made the Anglia unique and desirable) and replaced them with a more "European" influenced body.
In reality the car was made to resemble a small, rather bland boxy saloon, which was somewhat limited by the use of the narrow Ford Anglia chassis.
Torino's were sold either with the standard 997cc engine and carburettor or as the Torino S which also had the 997cc engine, but this time sporting a downdraught dual-choke Weber 28/36DCD carburettor and a four branch tubular exhaust manifold.
The Italians were hoping to sell the car around Europe as an alternative to the standard Ford Anglia 105E saloon, but their attempts to export the car to other European Countries never really got off the ground, although it was sold in Belgium, Holland and Luxembourg.
Due to this, the Italians reputation for poor build quality and other problems that plagued the car, sales were never what Ford had hoped for. Production continued until the end of 1967 with the Torino also being eventually assembed by Ford of Belgium.
The number of Torino's sold in Italy was 1965 : 2847, in 1966 : 4220, in 1967 : 2032,
in 1968 : 897 and in 1969 only 11.
The total number of Ford Anglia 105E Torino's built is unknown, but the number sold in Italy was 10,007
This makes the Ford Anglia 105E Torino quite a rare variant of the Anglia family.


A similar approach is used by social media and search advertisers. Just like GATC, Facebook has a Pixel code we can install so we know what happened during a visit to our website, which products did users visit, if they added a product to a cart and if they ended purchasing the product (or not).
Our offline conversion measurement solution allows you to track when transactions occur in your physical retail store and other offline channels (ex: orders made over the phone) after people see or engage with your Facebook ad. By matching transaction data from your customer database or point-of-sale system to ads reporting, you can better understand the effectiveness of your advertising campaigns across all objectives on Facebook, Instagram, and Audience Network.
In this case, offline conversions would work only to identify Facebook and Instagram users reached by an ad. But what then with Google, Twitter and other online platforms? And even if we don't want to talk about offline conversions, but we just want to know if a Facebook user completed certain action in our website. We will never find a Facebook user in Google Analytics, for instance, simply because what a user is in Facebook is totally different for Google. Let's see why.
Facebook users against Google users, are they the same?
Do you remember the first time you created a Facebook account? That time Facebook assigned you an ID associated to your email address and phone number. And then you created an Instagram account you connected with Facebook. That's why Instagram keeps suggesting you new people to follow, because most of them are users you've probably engaged with on Facebook in the past. Considering both Facebook and Instagram belong to Facebook Inc. the problem starts when you have a different user account at Google, probably when you created a Gmail account. An this user has access to your Google Chrome and Android settings. Said this, for one single user may exist at least two different users: one for Google and one for Facebook.
In order for Google Analytics to determine which traffic belongs to which user, a unique identifier associated with each user is sent with each hit. This identifier can be a single, first-party cookie named _ga that stores a Google Analytics client ID, or you can use the User-ID feature in conjunction with the client ID to more accurately identify users across all the devices they use to access your site or app.
So in addition of being a Facebook, Google and Twitter user, you are also a cookie. and none of them knows each other may represent the same person. The question here is why is this a problem for advertisers?
Very often, when sales are not going well, businesses will try to find out explanations on this atipical behavior, and if they have some online advertising actions running, they will try to get answers from here as well.
— Business owner: hey, sales are not going well this month.
— Marketing team: that's weird. I'am seeing we got more sales this month coming from Facebook.
— Business owner: I'm saying we don't. Actually Google Analytics is showing different numbers than yours.
This is a very common conversation when working with clients that depend on sales on a daily basis. Say retail and eCommerce. Only they will be able to know if things are going well (or not) and it doesn't matter what some vanity metrics on an analytics tool say. What actually should we be concerned is by the sale, not the number of clicks, impressions or if CTR increased, and this is a huge challenge when working with businesses that never had the chance of measuring where could be clients coming from. Imagine a car dealer or a real estate business. OK, it's great they are getting more leads at a better cost, but that won't matter if they don't convert leads into new clients, do they?
And here's where having users and cookies separated becomes a problem. I want to create Facebook Ads, but I don't know what users may be doing outside Facebook. How can I know the efectiveness of one of the channels if measurement solutions work separately to each other?
Actually, as you can see in the video above, there is a conversion attribution that means assigning credit for a conversion. Say that last click from a user that purchased our product occured in an ad in Google Search. Last interaction attribution will attribute 100% of the credit to that channel, and it will ignore social and organic channels in the contribution of this goal.
You are ignoring all the journey of that user before clicking in your ad, and probably during that journey the user interacted with your business through different devices and different channels. Just because you are not seeing conversions coming from Twitter it doesn't mean Twitter is not working. Probably this is a channel in which users discover your product, but they end up purchasing it later in the future by going directly to your website from a different device.
You can't use this model for all products. According to the Attribution modeling overview by Google Analytics Help, there are at least 7 models. How can you use the last interaction model in products whose conversions traditionally happen offline, such like retail, real estate or education? Actually, in some cases the decision of purchasing or not may take months. You don't see a Facebook ad and purchase a product the next day, do you? Probably you will be exposed to more ads, you will do some research, ask friends and you will decide after a few weeks.
Recently ROI Hunter said Google Analytics can misattribute up to 21% of Facebook Clicks. Based on an analysis on 17.000 transactions, they concluded "Google does not track across the different devices (…) even when "users often use multiple devices" before purchasing a product. In addition, they said that "different attribution models used by both make it difficult to match conversion values". For example, for Facebook "attribution window is set to 1-day view and 28-day click, which means you see actions that happened 1 day after someone viewed your ad and up to 28 days after someone clicked your ad". Based on this, we can see that for both Facebook and Google a user is a different entity, and also both use a different methodoloy to count if a conversion happened (or not).
In short, when we talk about Google and Facebook measurement solutions, we have two different universes with different rules and entities. If in one universe we can find Facebook and Instagram users, in the other we will find cookies representing unique users. Since then, any action taken by both users should be viewed with different lens. If Google Analytics can't track actions among different devices, but Facebook can, we should start by trying to understand separately how is our user behavior within each platform and analyze offline data.
If you are a real estate business and you've just sold a house, your client will be able to mention hundreds of reasons why he/she bought this house and not other one. Probably your ad made part of the decision, but also did it the price, the budget available for the purchase, the location, your brand and other reasons your analytics tool won't be able to track. Because of this, start by paying attention to your online actions and how do you decide when buying a product, and stop attributing 100% of credit to individual channels.
Next time, when going to the supermarket, think why did you choose this brand or the other. If you installed an app, consider all the actors involved before taking that action. Did your friend mentioned it or you read a blog mentioning it? By doing this, you will better understand your users and how they behave with your business through different channels. While Google and Facebook are different universes, there are more universes out there, and probably you are not aware of them.
So, did you see an ad? Try to understand why are you seeing it.


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It is a bittersweet day for me today, as I have resigned from American Express. At the ripe age of nineteen, I began working for Amex and essentially grew up in the confines of a fortune 500 Company and Corporate America. Conversely, it felt as though I was working at a family business, as Amex quickly became my home and my peers became my work family.
Through the years I have held many positions, had fantastic leaders and peers alike and learned things that could not be taught inside of classroom walls. This year, I would be coming up on my ten year anniversary with the Company. TEN YEARS; which means I have spent all of my twenties with American Express. The funny thing is, even though I was always the youngest within each specified position, I was treated with nothing but respect and age gaps proved to be irrelevant. Some of the most amazing relationships have come out of working with American Express, as well as mentorships and terrific networking across the board.
It was an extremely hard-hitting decision to make, but I realized that I have to focus on my health and myself in 2014. Presumably, if I were to ever find myself looking for another corporate job (if writing doesn't pan out), I know in my heart that Amex will always be there.
It's certainly a grim pill to swallow. If you had asked me nine months ago if I would enjoy a permanent vacation, I would have said yes without question. However, it would be based on my own volition, not the result of my health status quo.
American Express will always have a place in my heart and it is a chapter of my life that will jump off the pages for years to come. As I close this chapter, another one awaits and I can't wait to see how it all falls into place.


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Making Of Inception: Behind The Scenes
The film Inception, staring Leonardo DiCaprio, Ellen Page, Joseph Gordon-Levitt and many more was initially released back in 2010 and has since been received well by many viewers and critics, but not many people know about the sheer amount of planning and preparation that went into creating this film. Back in 2002, Christopher Nolan, the director had wrote an 80-page film treatment about "dream stealers", he presented this idea to Warner Brothers but feeling that he needed a little bit more experience in directing before taking on the challenge he retired the idea instead to work on Batman Begins. It wasn't for a few more years that Nolan's film was finally given the green light and production began. This documentary gives us a behind the scenes look into how the project was conceived and delivered to the big screen.
Batman Unmasked: The Psychology of the Dark Knight
Google – Behind the Scenes
Scenes From A Teenage Killing
Civilization: Is the West History?
Niall Ferguson asks why it was that Western civilization, from inauspicious roots in the 15th century, came to dominate the rest of the world; and if the West is about to be overtaken by the rest.
Crash: How Long Will It Last?
In the second half of this special two-part Dispatches, economist and author Will Hutton continues the definitive insider's account of how Britain's economy went from boom to bust. Hutton reveals h
Korea in 1950 under American leadership, was the first time the United Nations went to war. It was only five years since World War II ended and what began as a conflict between regimes of the North an
God Grew Tired Of Us
In 1987, Sudan's Muslim government pronounced death to all males in the Christian south: 27,000 boys fled to Ethiopia on foot. In 1991, they were forced to flee to Kenya; 12,000 survived to live in a
Located on the West Side of Chicago is a school best known for taking in the city's most at-risk teens its called the "Moses Montefiore Academy". The school itself is seen as a last resort for these y


Teens & Families | Debra Sloss, M.A.
When working with Teens & Families, I draw from an array of therapeutic tools in order to best address the challenges you're facing, and what you personally want from your therapy experience.
Teens are sometimes eager for help in sorting out the many stresses and pressures of their increasingly complicated lives. At other times, their parents or caregivers have grave concerns while the teenager is reluctant, or even resistant to seeking help. As an experienced Santa Cruz teen counselor and therapist, I work with teens in all their levels of readiness and am usually able to establish meaningful goals that engage their motivation.
Often these kids are experiencing school problems, doing risky or self-injurious behaviors, or looking sad and unengaged in their lives. First, I help them create a self-definition of their choosing that integrates their best parts. Then we work together to reclaim their lives from fear or sadness, regain control of themselves, and create new choices and possibilities for their lives. I also work with parents to facilitate effective communication with their teens and provide tools and psychological education to support them in the challenging task of parenting.
Families often need help navigating challenging stages and phases of life. The concerns families have can cover a range from sibling conflicts, to depleted parenting partnerships, to changes in work, living or family structures. In some cases, I offer parenting coaching along with developmental psychology education.
I also provide counseling and consultation for the often unexpected difficulties of step and blended families. And as experienced Santa Cruz therapist, in almost all cases, I help family members develop more successful ways of communicating and relating with each other. We work together to develop strategies that fit both your lifestyle and values and support you in living more peaceful and fulfilling lives together.


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L'Erice Grecanico è un vino DOC prodotto nell'area collinare circostante il territorio dell'agro ericino, i cui vigneti sono situati tra i 200 e i 650 metri d'altitudine, in parte dei comuni di Buseto Palizzolo, Erice, Valderice, Custonaci, Castellammare del Golfo, Trapani.
Tutti in provincia di Trapani.

Vitigni con cui è consentito produrlo
Grecanico minimo 85%
altri vitigni a bacca bianca, non aromatici, idonei alla coltivazione della Regione Siciliana, fino ad un massimo del 15%.

Caratteristiche organolettiche
colore: giallo paglierino più o meno carico con riflessi verdolini;
profumo: delicato, gradevole più o meno fruttato;
sapore: secco, pieno, tipico;

Storia

Abbinamenti consigliati

Produzione
Provincia, stagione, volume in ettolitri
 nessun dato disponibile

Note

Voci correlate
Erice (vino)

Vini DOC della provincia di Trapani
Vini DOC e DOCG prodotti con uva Grecanico Dorato


Benjamin Russell has had Olympic aspirations since growing up on Lake Banook, which has hosted multiple canoe/kayak world championships, most notably in 1997 when he was a young spectator and 2009 when he was a competitor. In 2007 he won bronze in the C-1 1000m at the Pan American Games in Rio. In 2008 he watched older brother Andrew compete with Gabriel Beauchesne-Sévigny in the C-2 events at the Olympic Games. In 2012 he challenged eventual Olympic bronze medallist Mark Oldershaw for the Canadian C-1 1000m berth in London, even sharing the podium at the first World Cup of the year before conceding the spot. Since then, he has had great success competing with Beauchesne-Sévigny in the C-2 1000m, including a World Cup gold medal in 2013 and back-to-back fourth place finishes at the ICF World Championships in 2013 and 2014. They won Pan Am Games gold together at Toronto 2015.


Will you be able to pre-download PUBG on PS4?
Yes, you will be able to pre-load PlayerUnknown's Battlegrounds on PlayStation 4 48h in advance of initial release.
Why is the PTS not playable?
Will all the maps be available on PlayStation 4 immediately?
Will players be able to play cross-platform?
Will PlayStation 4 players have PTS servers before new content is release to Live servers?
When is the release of PUBG on PS4?


Each upcoming year only changes the approach we live our lives, but it clearly opens the possibilities for marketing your business ideas with the latest trends. Latest trends are growing at a fast speed that you cannot be assured you are watching the latest trends. No matter you have practiced the cutting-edge characteristics and purposes in your mobile app, there is no guarantee that your rules will still be the latest on the date of your app launch.
In 2019, Mobile App development trends will be added organic but persistent variations are fixed. There are plenty of online developing firms that give high-end popular mobile apps. Pi-Technologies Pvt.Ltd, one of the well-known name in mobile app development, has also developed its practices in accordance with the prevailing trends. Some of the mobile app trends that will boost your business to expand and to enhance one of the front-runners in 2019.
Internet of Things (IoT) is the Future: - IoT combines several niches and gives the program to create an ecosystem that can improve our way of loving by using the whole tech world to a completely new level. Immediately, and in coming periods of 2019, somebody would be likely towards those firm tools and apps that require low power consumption. It can also be required that IoT Mobile Apps will be including a wide variety of healthcare schemes.
Secure Mobile Apps: - Digital security never runs out of the bearing. There are plenty of malicious software, which is becoming more dangerous with time. With the transient time, it would fit hard to tell the planned destruction they can make and the size of data breaches. The mobile application maintains a whole number of critical and sensitive data. If you agree your clients secure security with regard to their data, it is important to protect your mobile app from any wounds. In this year, mobile app developers are following cutting-edge methods with baited breath to secure your characteristics. It will support mobile applications to be extra secure and optimally features.
Wearable Apps: - In 2019, the applications are shifting extra towards wearable, so that you can apply them at your comfort. These wearable were very in trend in the past couple of years, yet they are feeling a large improvement. Applications for tracking, collecting, processing and giving important data will get much better too.
Chatbots: - In the mobile application world, Chatbots will take over the traditional form of communication in 2019. Lots of successful corporations are making an additional profit just because of their active consumer engagement. There is the tendency of mobile users to drop mobile apps after a while. That is why Chatbots are predicted to stop this concern. Besides, firms will be bidding to beat each other with productive Chatbots apps.
Machine Learning and Artificial Intelligence: - Artificial Intelligence and machine learning have become their roots below into mobile applications that we may have received. Artificial Intelligence executes itself visible in the form of Chatbots. Siri is one of the famous examples that why machine learning and artificial intelligence are very important part of mobile apps. Growing demand for the machine and AI learning can be noticed in the form of virtual assistance's.


We're busy crafting our new website – whilst we get those final details shaped up, here's a little snapshot of what we're all about.
Every client is different. So we build our team around your unique challenges, making sure you have the right people, at the right time, to get the results you're after.
We call this custom-made creativity.
Maybe you need to take a step back and need help re-evaluating where you're at, where you want to be and how you're going to get there. No business challenge is too big or too small for our experienced strategists.
You may need a fresh take on your visual identity or want to transform the way you present your products or services. Our designers have oodles of ideas and are chomping at the bit to bring them to life.
Our marketing experts have experience client-and agency-side so they have valuable insight when it comes to building bespoke marketing toolkits that are relevant, actionable and measurable across multiple channels.
We keep our fingers on the pulse of the ever-changing digital world (so you don't have to). This means our digital team is primed to deliver innovative and effective digital campaigns that get your messages seen and heard.
Discover custom-made creativity in action through our creative insight case studies below.
We have worked closely with the Berkeley Homes team through every stage of the Victory Pier multi-phase build and sales program.
Following a competitive pitch, Audemars Piguet appointed Completely Creative to create their corporate magazine 'happiness'.
"They quickly understood our brand and challenges, helping us design a communications tool that is compelling, engaging and already seen as industry best practice!"
Call us on 01483 238920 or email hellocc@completelycreative.co.uk to arrange a chat.