text:
Red Dead 2 Guide: Essential Tips For First-Time Players
By Tamoor Hussain on November 4, 2019 at 4:33PM PST
Red Dead Redemption 2 has been out for over a year, but PC players will be jumping into it for the first time. If you're a brand new player ready to start your adventure with the Van der Linde gang, you've come to the right place. While Red Dead 2 does explain the majority of its gameplay systems over time, it's still a massive game, which means some of the information can be doled out over the course of multiple hours. This is a smart decision that means players aren't overwhelmed from the outset, but you may find yourself asking questions that the game isn't ready to answer yet or that you simply missed.
Just as you'd expect, the open-world game is overflowing with things you can do, as you can read about in our Red Dead 2 review. Should you choose, you can sink a huge number of hours into exploring the vast American wilderness and enjoying the beautiful environments it presents, hunting animals to provide for your friends and family, or robbing trains to--well, provide for your friends and family in a less wholesome way.
To help you hit the ground running we've put together a number of tips that that'll help you get along better earlier in the game. These should serve as a primer to jumping into the world of Red Dead Redemption 2, so we've included a bunch of some of smaller things that, once we realised them, made for smoother play sessions. Alongside those, there's information that the game tells you, but perhaps doesn't stress upon as much as it should. Crucially, this is all spoiler free, so you're in no danger of hearing about that moment where [REDACTED].
For more Red Dead Redemption 2 tips we've got spoiler-free guides on how the morality and honor systems work, the best way to make money, and some information on how weapon customization functions. If you're planning to spend a bunch of time fishing, we've got a guide for that too. If cowboy fashion is what you care about, we have you covered with our guide on where to find all the clothes in Red Dead Redemption 2.
You can also go back and listen to Quickdraw, our weekly Red Dead Redemption 2 video series from 2018. In the first episode we looked at previous Rockstar games that have influenced RDR2. The second episode, meanwhile, is a story recap of the original Red Dead Redemption.
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Fit As A Fiddle
Red Dead Redemption 2 gets surprisingly in-depth with information on the health and well being of its main character, Arthur Morgan. And to really make the most of these you should head into the "Player" menu in the pause screen and select "Arthur." You'll be presented with information cards that clue you into the state of your Health, Stamina, and Dead Eye cores, which dictate how quickly each of these attributes regenerates. To guarantee you're operating at peak performance you need to maintain your Cores by eating, resting, and generally keeping Arthur in good shape. You'll also get information on the actual numerical percentage of how much core you have remaining.
Temperature and weight impact stats for health and stamina respectively, so if you're layering up in the heat or walking around in the chillier parts of the world as if it's a warm summer's day, you'll see Arthur's health drain faster. Similarly, if your Arthur is thick with two Cs, stamina will take a hit but your health will be boosted slightly. However, if he's on the thinner side, health will be impacted negatively, but your stamina will improve a bit. All outlaws are beautiful in our eyes, but if you have a specific playstyle in mind it's important to watch your weight and manage it to suit you.
Mapped Shortcut
This is a very small quality of life improvement that has a big impact. You'll spend a whole lot of time going into and out of the map in Red Dead Redemption 2. Its world is vast and although there are key locations that you'll travel to, along with waypoints to guide you there, the game also cultivates a wanderlust. Sometimes, this may mean going out into the wild west to hunt, and if you're looking for a specific animals you'll need to head to particular spots. Other times you may just want to trot around to see what strange situations and scenarios present themselves to you. Initially, getting the map up can seem like a two-step process: pressing the start button to bring up the pause menu, then selecting the map option. However, you can expedite this by instead holding the start button down, which will take you straight to the map. This is a common thing in modern open-world games but it isn't explicitly mentioned so it can be an easy to miss detail.
Hunting is a crucial part of Red Dead Redemption 2. It brings in resources for you and the rest of your gang to survive off, but also lets you build a deeper connection with the world around you through study and observation.
When you come across an animal to hunt, don't just go all Yosemite Sam on it. Instead, be more Elmer Fudd and take it slow. Be sure to use the study prompt as you'll get an entry in the "Animals" section of the Compendium that tells you a little more about it. This includes details on how they behave, the best weapons to use to bring them down cleanly (and thus increase their value), and what they can be used for.
Early in Red Dead Redemption 2 you're taken out on a hunt and given a runthrough of how it works. It's all fairly simple, but there are two main tricks that help considerably. The first is masking your own scent. Press in the analogue sticks to activate Eagle Eye and you'll see an aura emanating off you--that's your own body funk, don't be ashamed, you're a rough and ready outlaw living off the land and farting into the winds whenever it suits you--this is the good life.
You'll need to make sure those wisps of B.O. aren't being carried towards the animal, as they're super judgemental about odors and will bolt. If you're out on a tricky hunt we recommend heading to a vendor first, as they'll usually sell you an item to mask your smell, or you can craft one. Also hit the baths regularly; there's a limit to how much you can smell like sun baked horse poop.
The other tip is to attract the attention of an animal locking on to them and then pressing square (on PS4) or X (on Xbox One). This causes the animal to raise its head and leaves it in the perfect position to be brought down cleanly. We recommend trying to use a bow as often as possible when hunting, as it's quieter and better for getting clean kills. Don't forget to give your pelts to Pearson back at the camp, or one of the Trappers that appears. They will hold on to them them for you to come back and use for crafting later.
Hop The Fence
At a certain point in the game you'll complete a mission and meet a Fence. No, we're not talking about a wooden partition typically used to enclose outside areas and made of posts connected by either boards, rails, or wires, we're talking about the criminal variety of Fence. These folk will buy stolen goods from you, which is handy if you've just five-finger discounted a carriage or horses. However, they'll also more than happily take small ticket items off your hands, so if you're the robbing and heisting type, Fences will be your best buddies. However, if you're fresh off committing a crime and have a bounty on you, you'll need to first pay off this off at the Post Office, as Fences won't chat to you otherwise.
Pistols At Dawn
The basics of shooting in Red Dead Redemption 2 are familiar, simple, and intuitive. However, your gun has more uses than filling folks with lead. In fact, it can also be used to get what you want out of a person without killing them. The thundering clap of gunfire has a way of persuading people to be more compliant, so if you take out your gun, hold the aim button, and then press up on the directional pad, Arthur will point his gun into the air. When you fire, you may find people a little more deterred from acting out.
While many will usually comply for fear of losing their lives, others may ignore you. You can usually tell whether it's going to work based on the other person's demeanour. The cowardly types tend to stop dead in their tracks, but if you're robbing someone and they have a defiant attitude, you may be out of luck. Nevertheless, it's worth a shot into the sky.
For those after a gun-focused tip that's useful in combat, hit the square or X button while aiming to execute a dolphin dive. The game has a cover system to keep you safe when the bullets are flying, but the dive is a handy way of minimizing risk when moving point to point.
Wicky Wicky Wild Wild West
For those who enjoy exploring the nooks and crannies of far-off virtual lands, Red Dead Redemption 2 provides plenty to uncover. One of the most immersive ways to experience it all is to turn off the in-game map and rely on your own sense of direction and navigational skills to get around. If you hold down on the directional pad and opt for turning off the minimap, characters that you ride with will be more forthcoming with directions, which makes for a more natural--and authentic--form of discovery. If you find yourself struggling, however, you can always just tap down again to briefly bring up the map to get your bearings.
While you're out and about, keep your eyes peeled for smoke in the sky; where there's smoke, there's usually a (camp)fire, and this more often than not will either lead to a side-mission or a memorable random encounter. Similarly, listen for things happening in your environment, as you may hear someone shouting for help or beckoning you to come over as you pass by.
Sometimes it's easier to just use public transport to get where you need to, and to make use of fast travel you can hop on a taxi coach or a train. These are usually only available in towns, but if you upgrade Dutch's quarters in the camp, you can then also purchase a map for Arthur that allows him to return to certain previously visited locations.
Gimmie The Loot, Gimmie The Loot
Money makes the world go round, and you'll need to keep a constant influx of cash to get by. While exploring the world and doing missions, it's common to come upon abandoned camps with lots of items up for picking. Sometimes you'll have to walk up to individual items and snatch them up, but you may also stumble upon a bunch of goodies in close proximity to each other. In these situations, simply hold down the loot button and Arthur will pocket the valuables as smoothly as one of Fagin's boys.
One of the most consistent sources of cash and goods is the bodies of your fallen enemies. Naturally, you'll be taking out a whole lot of people, and you should make it a point of stripping them of their valuables while you're at it. As with the previous game, enemies you've killed are marked on the map with a small 'x', so once battles have subsided, ensure you head over to all the corpses and recover your spoils.
Horseplay
As the saying that we just made up this second goes, "A cowboy is only as good as the horse he or she rides in on," so you'll want to spend time strengthening your bond with your noble steed. The easiest way to deepen your bond with your horse is through positive reinforcement. When you're moving at a *checks Google* "two-beat trot," press in the left analogue stick and Arthur will tell his horse how much he values it and how it's the bestest and bravest. From our experience, the cooldown on this is around 14 seconds, so you could min-max wholesome horse compliments to build your bond quicker.
As your bond grows, your horse's health and stamina will improve, you'll be able to whistle for it from further away, and it'll come to you even if you're in combat. It'll also cross deeper water and rougher terrain, and if someone tries to steal it, they'll have a much harder time. Other abilities such as rearing, skid turning or stopping, and even dressage also become available.
There's also some tricks to riding a horse properly, as well as best practices. If you tap the X or A buttons in time with your horse's gallops you'll reduce the rate at which it uses stamina, which means you can run faster for longer. Make sure to also give it regular breaks and feed it often. As the other saying we just made up goes, "A healthy horse is the wind beneath a gunslinger's feet."
When you're riding long distances you also have the option to use the cinematic camera. If you set a waypoint on the map and there's a direct line along a defined route there, then switch to the cinematic camera, your horse will stay true and all you've got to do is hold the run button down.
The Right To Bear Arms
Red Dead Redemption 2 has a diverse range of weaponry available for you to implement in your cowboying ways. For quite a few hours you'll find yourself limited to the basics: six-shooters, rifles, and shotguns--and the more basic versions of them at that. If you're the kind of person who finds themselves frequently staring down the barrel of a gun with another poor soul in your crosshairs, you may be tempted to save up some cash to try and get new, more powerful weapons. If that's what you want to do, go ahead; it's the wild west and you're an outlaw so be the master of your own destiny and all that.
However, if you want to save yourself a bit of cash and get your hands on some powerful weaponry, spend time focusing on doing the main story missions. Unsurprisingly, the game is very generous in giving you useful rewards when completing these missions, so if you follow the critical path you'll get showered with new guns, items, and equipment. Resisting the urge to ride out into the wild lands of America with nothing but a gun and your horse to make a name for yourself may be difficult, but stick with the gang for a bit in the early game and it'll be worth your while in the long run.
Finally, here's a quick tip that will keep FOMO at bay. Make sure to do the missions that appear as white icons around your camp. These are usually activities that you undertake alongside other members of the Van der Linde gang, and provide some nice characterization moments. These will disappear after a while, either because they're time sensitive or because narrative advancements wipe them away. If one of these pops up, make sure to prioritize them over the yellow, core missions. Those will always be there, waiting for you.


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Franz Karl Ginzkey (Pseudonym Daniel Allerheim, * 8. September 1871 in Pola, Küstenland, Österreich-Ungarn, heute Pula, Kroatien; † 11. April 1963 in Wien) war ein österreichischer Dichter und Schriftsteller, Offizier der österreichisch-ungarischen Armee und Propagandist der NSDAP. Sein bekanntestes Buch Hatschi Bratschis Luftballon war viele Generationen lang ein erfolgreiches Kinderbuch.

Leben

Franz Karl Ginzkey, Sohn eines sudetendeutschen Beamten der österreichischen Kriegsmarine, lebte aufgrund seines Gesundheitszustandes bis zu seinem
fünften Lebensjahr in Graz. Seine restliche Kindheit verbrachte er bei seinem Vater in Pola, wo er die Marine-Realschule besuchte. Nach dem Besuch der Marine-Akademie in Fiume, von der er wegen mangelnder Subordination abzugehen hatte, kam er an die Infanterie-Kadettenschule in Triest, die er mit dem Dienstgrad "Fähnrich" abschloss.

Ginzkey war bis 1897 Infanterieoffizier in der k. u. k. Armee in Triest und Pola sowie zunächst auch provisorischer Kommandant der als Kaserne (Rainer-Infanterieregiment) genutzten Festung Hohensalzburg. Von 1897 bis 1914 arbeitete er mit dem Titel eines technischen Oberrats als Kartograph am Militärgeographischen Institut in Wien, danach als Archivrat im Kriegsarchiv. In dieser Zeit war er auch zeitweise als Kriegsberichterstatter an der italienischen Front tätig. In Wien war er Anfang des 20. Jahrhunderts als freier Mitarbeiter für die Wiener Zeitung tätig.

Seit 1920 war er als Heeresangehöriger pensioniert und danach als freier Schriftsteller tätig. Er lebte in Wien und ab 1921 in Salzburg, wo er an der Gründung der Salzburger Festspiele beteiligt war, deren Kuratorium er jahrzehntelang angehörte. Freundschaften verbanden ihn mit Max Mell und Stefan Zweig, aber auch mit Anton Faistauer und Carl Zuckmayer. Er gehörte von 1919 bis 1931 der Freimaurerloge "Zukunft" an. 1933 verließ Ginzkey den P.E.N.-Club, nachdem dieser sich gegen die Bücherverbrennungen im Deutschen Reich ausgesprochen hatte.

In der Zeit des Ständestaates war er von 1934 bis 1938 Mitglied des Staatsrats. 1936 wurde er Mitglied des Bundes deutscher Schriftsteller Österreichs, der für den Anschluss Österreichs an das Deutsche Reich eintrat. Ginzkey verfasste auch einen Beitrag in dessen Bekenntnisbuch österreichischer Schriftsteller nach erfolgtem Anschluss 1938. Er beantragte am 18. März 1941 die Aufnahme in die NSDAP und wurde zum 1. Januar 1942 gnadenhalber durch Adolf Hitler aufgenommen, (Mitgliedsnummer 8.751.771), da Ginzkey als ehemaliger Freimaurer auf Misstrauen der Nationalsozialisten stieß. Ginzkey verfasste in dieser Zeit auch Propagandalyrik, so zum Beispiel das 1943 in der Zeitschrift "Oberdonau" erschienene Gedicht "Heimkehr des Panzerschützen", in dem es heißt: "Treu der Pflicht das Äußerste zu wagen; Hieß er Schweigen seines Herzens Not; Tod zu säen war ihm aufgetragen; und er säte unerbittlich Tod".

Ab 1944 lebte er in Seewalchen am Attersee und in Wien. Zwar wurde nach Kriegsende Ginzkeys Die Front in Tirol (Fischer, Berlin 1916) in der Sowjetischen Besatzungszone auf die Liste der auszusondernden Literatur gesetzt, und er war auch Autor zahlreicher Beiträge in dem der Neuen Rechten zuzuordnenden Eckartbote. Dennoch wurde der nun schon über Siebzigjährige in der Zweiten Republik wieder verstärkt aufgelegt und als Repräsentant altösterreichischer Dichtung vielfach geehrt. Seit 1956 wohnte Ginzkey in dem nach ihm benannten Ginzkeyhof, einem Gemeindebau der Stadt Wien in der Johannesgasse 9–13.

Ginzkey war seit 1910 mit Stefanie Stoiser verheiratet. Er starb im hohen Alter von 92 Jahren und ruht in einem Ehrengrab auf dem Wiener Zentralfriedhof (Gruppe 32 C, Nummer 25), das 2015 in ein "Historisches Grab auf Friedhofsdauer mit Obhut" umgewidmet wurde.

Seit 1965 ist sein Lied Oh Heimat, dich zu lieben zu einer Melodie von Ludwig van Beethoven die Niederösterreichische Landeshymne.

Leistungen

Franz Karl Ginzkey war ein prominenter Vertreter der Neuromantik in Österreich, der von zahlreichen Künstlerkollegen geschätzt wurde. Peter Rosegger vermittelte ihn 1906 an den Staackmann Verlag, der den Großteil der Werke Ginzkeys verlegte. Dies bedeutete den literarischen Durchbruch.

Der seinerzeit gern gelesene Autor galt zunächst vor allem als Lyriker. Daneben trat er auch als Erzähler mit Novellen und etlichen Romanen hervor, deren Thema rätselhafte menschliche Verstrickungen sind.

Der Ton von Ginzkeys Werken ist eher leise, die Sprache gefühlvoll und voll leiser Melancholie. Nach dem Krieg galt Ginzkey als Repräsentant einer altösterreichischen Tradition, der in seinen Werken sehr oft heimatliche Orte schilderte. Neben Novellen und Balladen, die Wien zum Schauplatz haben (wie die Ballade "Der liebe Augustin" oder die Novelle Der Zahnweh-Herrgott), zeigen viele seiner Werke auch große Verbundenheit mit Salzburg. Die Welt der k.u.k. Armee wird ebenfalls öfters thematisiert. Einige Werke aus dem Ersten und Zweiten Weltkrieg zeugen von starkem Patriotismus und Nationalismus ("Den Herren Feinden", "Die Front in Tirol", "Heimkehr des Panzerschützen").

Am bekanntesten wurde Ginzkey einer breiten Öffentlichkeit durch seine Kinderbücher, die jedoch teilweise rassistische Stereotype aufweisen. Diese Umstände sowie Ginzkeys politische Aktivitäten während der Zeit des Nationalsozialismus, der seit den 1980er Jahren zunehmend thematisiert wurde, trugen dazu bei, dass manche der Werke des Schriftstellers heute kaum noch verlegt werden. Im Falle von Ginzkeys bekanntestem Kinderbuch, Hatschi Bratschis Luftballon, wurden im Einvernehmen mit den Erben einige rassistische Ausdrücke entfernt. Im Jahr 2019 wurde die Erstausgabe des Buchs aus dem Jahr 1904 ohne nachträgliche Abänderungen, jedoch mit einem Beilagenheft zur Kontextualisierung, im Ibera Verlag neu aufgelegt. Auch Ginzkeys beliebtes Kinderbuch "Florians wundersame Reise über die Tapete" ist weiterhin in verschiedenen Verlagen erhältlich.

Werke (Auswahl)
 Hatschi Bratschis Luftballon. Eine Dichtung für Kinder, Berlin 1904 (Faksimile der Erstausgabe im Ibera Verlag, Wien 2019)
 Jakobus und die Frauen. Eine Jugend. L. Staackmann, Leipzig 1908.
 Geschichte einer stillen Frau. Roman. L. Staackmann, Leipzig 1909.
 Der von der Vogelweide. Roman. L. Staackmann, Leipzig 1912.
 Der Wiesenzaun. Erzählung. L. Staackmann, Leipzig 1913.
 Aus der Werkstatt des Lyrikers. Vortrag. Heller, Wien 1913.
 Den Herren Feinden! Ein Trutz- und Mahnlied. Hugo Heller, Wien 1914.
 Die Front in Tirol. S. Fischer, Berlin 1916.
 Der Gaukler von Bologna. Novelle. L. Staackmann, Leipzig 1916.
 Lieder. Reuß & Itta, Konstanz 1916.
 Befreite Stunde. Neue Gedichte. L. Staackmann, Leipzig 1917.
 Die einzige Sünde. L. Staackmann, Leipzig 1920.
 Der Doppelspiegel. Betrachtungen und Erzählungen. Wiener Literarische Anstalt, Wien 1920.
 Rositta. L. Staackmann, Leipzig 1921.
 Der Prinz von Capestrano. Novelle. Wiener Literarische Anstalt, Wien 1929.
 Von wunderlichen Wegen. 7 Erzählungen. L. Staackmann, Leipzig 1922.
 Balladen aus dem alten Wien. Wila, Wien 1923.
 Brigitte und Regine. Novelle. L. Staackmann, Leipzig 1923.
 Die Reise nach Komakuku. Geschichten aus seltsamer Jugend. Rikola-Verlag, Wien 1923.
 Der Weg zu Oswalda. Erzählung. L. Staackmann, Leipzig 1924.
 Der seltsame Soldat. L. Staackmann, Leipzig 1925.
 Der Kater Ypsilon. Novellen. L. Staackmann, Leipzig 1926.
 Der Gott und die Schauspielerin. Roman. L. Staackmann, Leipzig 1928.
 Drei Frauen. Rosita – Agnete – Oswalda. Verlag Das Bergland-Buch, Salzburg 1931.
 Gespenster auf Hirschberg. Aus der hinterlassenen Handschrift des Majors von Baltram. Roman. L. Staackmann, Leipzig 1931.
 Das verlorene Herz. Ein Märchenspiel. Freie Nachdichtung nach dem norwegischen Spiel von Barbra Ring. L. Staackmann, Leipzig 1931.
 Florians wundersame Reise über die Tapete. 1931.
 Magie des Schicksals. Novelle. L. Staackmann, Leipzig 1932.
 Das Antlitz Salzburgs. Pustet, Salzburg 1933.
 Salzburg und das Salzkammergut. Monographien zur Erdkunde 48. Velhagen & Klasing 1934.
 Salzburg, sein Volk und seine Trachten. Verlag Österreichische Kunst, Wien 1934.
 Altsalzburger Bilder nach 10 Federzeichnungen nach Ulf Seidl. Würthle, Wien o. J.
 Prinz Tunora. Roman. L. Staackmann, Leipzig 1934.
 Liselotte und ihr Ritter oder Warum nicht Romantik? Roman. Paul Zsolnay Verlag, Wien 1936.
 Sternengast. Neue Gedichte. Paul Zsolnay Verlag, Wien 1937.
 Der selige Brunnen. Eine Raphael Donner-Novelle. Paul Zsolnay Verlag, Wien 1940.
 Meistererzählungen. Paul Zsolnay Verlag, Wien 1940.
 Erschaffung der Eva. Ein epischer Gesang. Paul Zsolnay Verlag, Wien 1941.
 Zeit und Menschen meiner Jugend. Wiener Verlags-Gesellschaft, Wien 1942.
 Heimkehr des Panzerschützen. in Oberdonau 3/1943.
 Taniwani. Ein fröhliches Fischbuch. Amandus Edition, Wien 1947.
 Der Heimatsucher. Ein Leben und eine Sehnsucht. Stocker, Graz 1948.
 Genius Mozart. Gallus-Verlag, Wien 1949.
 Der Träumerhansl. Bilderbuch. Verlag Jungbrunnen, Wien 1952.
 Der Tanz auf einem Bein. Ein Seitensprung ins Wunderliche. Wancura, Wien 1956.
 Ausgewählte Werke in vier Bänden. Kremayr & Scheriau, Wien 1960.
 Ballade vom Lieben Augustin. Schallplatte, gesprochen von Albin Skoda. Amadeo 1961.

Auszeichnungen und Ehrungen
 Kriegskreuz Zweiter Klasse für Zivilverdienste
 Ritterkreuz des Franz-Joseph-Ordens
 Offizierkreuz des Österreichischen Verdienstordens
 1921 Adolf-Mejstrik-Ehrengabe für Lyrik der Deutschen Schillerstiftung
 1932 Dr. h.c. der Universität Wien
 1941 Ehrenring der Stadt Wien
 1954 Literaturpreis der Stadt Wien
 1957 Großer Österreichischer Staatspreis für Literatur, gemeinsam mit Heimito von Doderer
 1957 Österreichisches Ehrenzeichen für Wissenschaft und Kunst
 1963 Liebieg-Medaille des Heimatkreises Reichenberg in Augsburg
 Träger des Wappenringes der Stadt Salzburg

1960 stiftete der Schutzverband der österreichischen Schriftsteller den Ginzkey-Ring, mit dem er Verdienste im Sinne Ginzkeys auszeichnet.

1968 wurde ihm zu Ehren im Salzburger Stadtteil Salzburg-Süd (Alpensiedlung) der Platz zwischen Alpenstraße und Adolf-Schemel-Straße in Ginzkeyplatz benannt. Zu seinem 100. Geburtstag 1971 wurde in Seewalchen am Attersee ein Franz-Karl-Ginzkey-Denkmal errichtet.

In Wien erinnert eine Gedenktafel am ehemaligen Militärgeographischen Institut an seine Tätigkeit hier. Die städtische Wohnhausanlage in der Johannesgasse 9–13 wurde nach dem Dichter "Ginzkeyhof" benannt. 2015 wurde durch den Wiener Bürgermeister in ein "Historisches Grab auf Friedhofsdauer mit Obhut" umgewidmet.

Eine 1988 in Seewalchen geplante Benennung eines Schulzentrums nach Ginzkey scheiterte an dessen politischer Vergangenheit.

Ginzkey wurde 1922 durch ein Porträt von Anton Faistauer und 1959 durch eine Bronzebüste von Gustinus Ambrosi künstlerisch dargestellt.

Literatur

 Gertrude Enderle-Burcel: Mandatare im Ständestaat 1934–1938. Christlich-Ständisch-Autoritär. Biographisches Handbuch der Mitglieder des Staatsrates, Bundeskulturrates, Bundeswirtschaftsrates und Länderrates sowie des Bundestages. Unter Mitarbeit von Johannes Kraus. Wien 1991.
 Reinhold Hangler (Mitarb.): Der Fall Franz Karl Ginzkey und Seewalchen. Eine Dokumentation. Mauthausen-Aktiv-Vöcklabruck, Vöcklabruck 1989.
 Kaus Heydemann: Literatur und Markt. Werdegang und Durchsetzung eines kleinmeisterlichen Autors in Österreich. Der Fall Ginzkey 1891–1938. 2 Bde. Univ. Habilitations-Schr., Wien 1985.
 Helene Hofmann: Franz Karl Ginzkey. Des Dichters Leben und Schaffen. Univ. Diss., Wien 1923.
 Robert Hohlbaum: Franz Karl Ginzkey. Sein Leben und Schaffen.Staackmann, Leipzig  1921.
 Herta Mitteregger: Franz Karl Ginzkey. Sein lyrisches Schaffen. Univ. Diss., Innsbruck 1952.
 Sigrid Ochsenhofer: Kinder- und Jugendliteratur zu Beginn des 20. Jahrhunderts am Beispiel von Franz Karl Ginzkey. Univ. Dipl.-Arb., Wien 1993.
 Heinz Wittmann: Begegnungen mit Dichtern. (Franz Karl Ginzkey, Maria Grengg …). Österreich. Verlagsanstalt, Wien 1971.
 Franz Karl Ginzkey: Zeit und Menschen meiner Jugend. Wiener Verlagsgesellschaft, Wien 1943.

Weblinks

 Kurzbiografie zu Franz Karl Ginzkey
 Österreichischer Kunstsenat
 Stifterhaus
 Munzinger-Archiv
 Colette M. Schmidt: Niederösterreichs Landeshymnendichter mit NS-Vergangenheit Der Standard, 27. Jänner 2023.

Einzelnachweise

Autor
Literatur (20. Jahrhundert)
Literatur (Deutsch)
Literatur (Österreich)
Herausgeber
Person (Wiener Zeitung)
Lyrik
Erzählung
Roman, Epik
Drama
Essay
Kinder- und Jugendliteratur
Mitglied des Staatsrates (Österreich)
NSDAP-Mitglied
VF-Mitglied
Militärperson (Österreich-Ungarn)
Träger des Franz-Joseph-Ordens (Ritter)
Mitglied der Reichsschrifttumskammer
Mitglied des Österreichischen P.E.N.-Clubs
Mitglied des Österreichischen Schriftsteller/innenverbandes
Träger des Offizierskreuzes des österreichischen Verdienstordens (1934)
Träger des Großen Österreichischen Staatspreises für Literatur
Träger des österreichischen Ehrenzeichens für Wissenschaft und Kunst
Ehrenringträger der Stadt Wien
Ehrendoktor der Universität Wien
Innviertler Künstlergilde
Freimaurer (20. Jahrhundert)
Schriftsteller (Wien)
Österreicher
Geboren 1871
Gestorben 1963
Mann

redpajama_set_name: RedPajamaWikipedia


text:
Mississippi State offense heats up in Governor's Cup win over Ole Miss
After a rough week offensively against Arkansas, Mississippi State got it going against its rival in Pearl on Tuesday.
Mississippi State offense heats up in Governor's Cup win over Ole Miss After a rough week offensively against Arkansas, Mississippi State got it going against its rival in Pearl on Tuesday. Check out this story on clarionledger.com: https://www.clarionledger.com/story/sports/college/mississippi-state/2019/04/23/mississippi-state-offense-heats-up-governors-cup-win-over-ole-miss-ncaa-college-baseball-rankings/3558043002/
Tyler Horka, Mississippi Clarion Ledger Published 9:43 p.m. CT April 23, 2019 | Updated 10:19 p.m. CT April 23, 2019
The Mississippi State Bulldogs won the Governor's Cup for the fourth-straight season with an 8-1 win over the Rebels at Trustmark Park on Tuesday night. (Photo: Nati Harnik, AP)
PEARL – For over an hour at Trustmark Park on Tuesday night, it felt like the same old story for Mississippi State baseball. The Bulldogs couldn't buy a hit, let alone a run.
Sophomore left fielder Rowdey Jordan changed that by smashing a solo home run into the Ole Miss bullpen in the fifth inning, but that song has been sung recently as well. Jordan hit a homer against Arkansas last week, and it proved to be one of just three MSU runs scored in that series opening loss.
Jordan's homer Tuesday night in the Governor's Cup was the Bulldogs first hit of the game. It tied the score at one apiece. At the time, it appeared to be a monumental swing of the bat. Who knew how many more runs the struggling Mississippi State offense had in it?
The answer: A lot.
The No. 8 Bulldogs beat the No. 19 Rebels, 8-1, in a game the team badly needed to win to rid the taste of three losses to Arkansas last week, the latter two of which were blowouts.
"I thought we strung together some really good at-bats," MSU head coach Chris Lemonis said. "That's what we've been missing lately. Not the home run or the doubles, but just good AB's."
Mississippi State didn't hit well in last week's defeats. The same was true in front of a record crowd of 8,638 for half of Tuesday's game. The Dogs went down in order in the second and fourth innings. Sophomore shortstop Jordan Westburg worked a walk in the first, and Mangum was hit by a pitch in the fourth. Those were the only base runners State had in the first four frames.
Even in the fifth, when Jordan hit his home run, the next three Bulldog batters – junior catcher Dustin Skelton, freshman right fielder Brad Cumbest and senior third baseman Marshall Gilbert – were retired in succession.
Mississippi State gave no signs it would sustain game-changing rallies in the latter half of the game, but that's exactly what happened. The Bulldogs scored three runs in the sixth and seventh innings.
Jordan had the biggest hit of the game for less than half an hour. Sophomore second baseman Justin Foscue changed that with a bases-loaded double to right field in the sixth. He brought two runners home to break the tie. State tacked on one more in the frame on a sacrifice fly from Skelton.
Oddly enough, Foscue said he didn't hit his double well. It didn't matter; he got the job done, which he and his teammates were unable to do against Arkansas.
"I think (the right fielder) was shaded toward right center, and I'm just lucky that it got down," Foscue said. "I hit it in the right spot."
The Bulldogs were efficient in reaching their run total. They only needed seven hits. The Rebels' defense aided in that with a failed fielder's choice and an error that led to two runs in the seventh. Sophomore first baseman Tanner Allen brought the middle run in that frame home with a single up the middle. Mangum added the eighth run on a sacrifice fly in the eighth.
The offensive outburst not only led the Bulldogs to their fourth-straight Governor's Cup victory, but it gives them confidence heading into this weekend's three-game series against No. 5 Georgia (33-8, 13-5 SEC). The Bulldogs from Athens have the best team ERA in the SEC at 2.57. Mississippi State can't afford to go cold like it did against Arkansas against Georgia at Dudy Noble Field.
"To get eight runs, it shows that we're a good offense and we can still do this whenever we can," Foscue said.
Contact Tyler Horka at thorka@gannett.com. Follow @tbhorka on Twitter.
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Ranking job security among all 14 SEC coaches
Explaining the targeting rule change, OT adjustment
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What Joe Moorhead learned in first season at MSU

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Comparative texts about Pharisees & Sadducees from Josephus, Tosefta, Mishnah & Babylonian Talmud. At (Rutgers University Dept of Religion) Mahlon H. Smith's Into His Own: Perspective on the World of Jesus companion to the historical study of Christian texts.
XXXIV.1-3, 5-7; Tatian's Diatessaron (c. 150-160).
Chapter XIV, The Martyrdom of Polycarp (ca. 156).
II.23, Ecclesiastical History, Eusebius of Caesarea, (c. 320).
Twenty-Third Sunday after Trinity, Matthew 22:15-22, Martin Luther, c. 1521.
"Render to Caesar," Martin Luther, c. 1522.
"The penny was paid to the Romans for tribute, according to the proportion they were rated at, and the drachma was payed by everyone to the Temple, which also the Romans took to themselves when they had subdued India."
"Christ did not interpose as a judge in matters of this nature, for his kingdom is not of this world, but he enjoins peaceable subjection to the powers that be."
"The current coin of every nation shows who is the supreme governor of it. Render therefore, ye Pharisees, to Cesar the things which ye yourselves acknowledge to be Cesar's: and, ye Herodians, while ye are zealous for Cesar, see that ye render to God the things that are God's."
"...and to God the things that are God's--How much is there in this profound but to them startling addition to the maxim, and how incomparable is the whole for fulness, brevity, clearness, weight!"
Commentary, Matthew 22:15-22, Erick J. Thompson, Preaching This Week, WorkingPreacher.org, 2017.
""It's a trap!" This famous line from the third Star Wars movie has become one of my favorite memes, particularly as I live and work in the church."
"Loyalties," Karoline Lewis, Dear Working Preacher, 2017.
"Ploys to persuade us of power without empathy are everywhere. Cons to convince us that control without compassion are just an encounter away."
"Image, Likeness, and Identity," David Lose, in the meantime, 2017.
"We were made in the image and likeness of God, and because we bear God's likeness we are to act like God. Not mind you, like gods, those who lord their authority over others for self-gain, but rather like God – the One who creates and sustains and nurtures and redeems and saves…no matter what the cost."
Lectionary Greek, Rob Myallis, 2017.
"The Image is Everything," "Changing Closed Questions into Open Questions," Todd Weir, With All My Soul, 2017.
"Sometimes these days Christians seem a little, well, thin-skinned."
"Giving to God the Things That Are (Already) God's," Nancy Rockwell, Dancing with the Word, 2017.
"How does how we spend our money, our time, our energy, our resources, our gifts reflect the truth that all of it and all of us have been imprinted with the very image of God?"
"Wily Tricks and Tricky Questions," Nancy Rockwell, The Bite in the Apple, 2017.
"Since God is honored by many postures: kneeling, sitting, standing, genuflecting, lying prostrate on the floor, and even dancing in the Spirit; it seems odd to say that postures other than standing that honor God insult the flag."
"But Everything Belongs to God," Andrew Prior, 2017.
"How can I give Caesar what is Caesar's when everything is God's?"
"Show Me the Coin," Oscar A. Rozo, Modern Metanoia, 2017.
"In the same way that we are to pay our taxes to Caesar, we are also to pay God by loving our neighbor, by respecting each other, and by forgiving and asking for forgiveness."
"Who You Look Like," Lynn Miller, Art & Faith Matters, celebrating our creative and living God by generating art and architecture resources for congregations and individuals. Art and Faith Matters facebook page contains additional resources.
"If the coin looks like the emperor, then it belongs to the emperor."
A Provocation, Richard Swanson, provokingthegospel, 2017.
"So, IS IT allowable to pay tribute, or is it not?"
"The Politics of Takiing a Knee," Fritz Wendt, Political Theology Today, 2017.
"We will give Caesar what is his, but nothing more; we will give God what is God's, and that's everything."
"Hypocrisy Exposed," Glenn Monson, Law & Gospel Everywhere, 2017.
" As always we must identify with the ones whom the Word addresses. This means that here we must identify with these self-serving hypocrites."
Living by the Word, Debie Thomas, The Christian Century, 2017.
"When I read the Gospels, I don't see a Jesus who ever cares more about the end than the means."
Commentary, Matthew 22:15-22, Lance Pepe, Preaching This Week, WorkingPreacher.org, 2014.
"Politically, just about the only thing Pharisees and Herodians have in common is that they don't like Jesus."
"Whose Image Is Stamped on Your Heart?" Doug Mendenhall, ON Scripture, Odyssey Networks. Video: ON the Street: ON Giving. 2014.
"Having Hope," Karoline Lewis, Dear Working Preacher, 2014.
"This might be the week to unpack hope for all it's worth."
"Money, Politics, & Religion (Oh My!)" David Lose, Dear Partner in Preaching, in the meantime, 2014.
"...our deepest self is God's..."
"Clique Clank?" Thomas Beam, 2014.
"Knowing that everything belongs to God, we begin rightly."
"The Structure of Entrapment," D. Mark Davis, Left Behind and Loving It, 2014.
"This question, then, is not unrelated to questions regarding King David and the expectation of a messiah from David's lineage – the topic of Jesus' question to the religious leaders at the end of this chapter."
"God and Caesar," Nancy Rockwell, The Bite in the Apple, 2014.
"To whom does the common welfare belong?"
"Give to God What Is God's," Peter Lockhart, A Different Heresy, 2014.
"The first thing we have to understand about this story is that these two groups were not natural allies. The Herodians supported the rule of Herod who cooperated with the Roman rulers and was given authority by them. The Pharisees on the other hand were the legalists among the Jewish leaders who believed that their interpretation of the Law was the one to be obeyed. When they spoke of the law they specifically meant Genesis, Exodus, Leviticus, Numbers and Deuteronomy."
Caesar's Due, Bob Cornwall, Ponderings on a Faith Journey, 2014.
"In Whose Image?" Christopher Burkett, Preacher Rhetorica, 2014.
"Argue Like Jesus," Andrew Prior, 2014.
"It All Belongs to God...ALL of It," Janet H. Hunt, Dancing with the Word, 2014.
"So what is it that you pray for? Why? Is there anything you think it is inappropriate to pray for? Why or why not?"
Jesus' summary of the Torah that we love of God and neighbor is an important part of director Tate Taylor's film adaptation of the popular novel The Help. Ed McNulty, Visual Parables.
"God, Caesar, and the Power of a Good Question," David Lose, Dear Working Preacher, 2011.
"...what if, this Sunday, we reversed that trend and impression by asking people to wrestle with what Jesus says by asking, 'What do you think Jesus means? What things are Caesar's and what are God's? How does our faith shape our economic decisions -- our buying, saving, giving, and the rest?'"
Commentary, Matthew 22:15-22, Clayton Schmidt, Preaching This Week, WorkingPreacher.org, 2011.
"It is God who claims us, who made us in his own image. We do not belong to anything or to anyone else."
"The Heavy Cost of Paying 'The Emperor,'" Matt Skinner, ON Scripture, 2011.
"In our increasingly complex existence, Jesus' statement about attending to "the things that are God's" prompts us to recognize how all-encompassing that category is. It overshadows the rights and allegiances any empire might demand for itself."
Question about Paying Taxes, audio telling, story in episodes, graphic, audio and written commentaries. Go Tell Communications, Biblical Storytelling for the Global Village, 2011.
"The Things That Are God's," Fr. Rick Morley, a garden path, 2011.
"If we gave to Zeus the things that belonged to Zeus, and to God the things that are God's…what would WE end up giving to Zeus?"
Holy Textures, Understanding the Bible in its own time and in ours, Matthew 22:15-22, David Ewart, 2011.
"How can a Jew be faithful and observant and also stay alive under Roman rule? Yikes. But it is precisely this position of being caught in a bind of irreconcilable, conflicting obligations and duties that make real life so interesting. The desire to make the tension go away, to solve it, is the enemy of true faithfulness. "
Taxes and God, Bob Stuhlmann, Stories from a Priestly Life, 2014.
"The Empire Cannot Love You," Russell Rathbun, The Hardest Question, 2011.
Comentario del Evangelio por Andrés Albertsen, San Mateo 22:15-22, Working Preacher, 2011.
Commentary, Matthew 22:15-22, Jeannine K. Brown, Preaching This Week, WorkingPreacher.org, 2008.
"Paying Taxes to Caesar," Gospel Analysis, Sermons from Seattle, Pastor Edward F. Markquart, Grace Lutheran Church, Seattle, Washington. Detailed background and exegesis.
"A denarius was part of the Roman monetary system. Many scholars believe that the Roman coins with their images of the emperor on them were not permitted to be used in the Jerusalem temple for offerings."
Exegetical Notes by Brian P. Stoffregen at CrossMarks.
"We cannot say that "this part belongs to God, so I will give it to God." Everything we are and everything we have belongs to God. Everything we are and everything we have we are to give (back) to God. We are but mere managers or stewards of these gifts God has given to us."
"First Thoughts on Year A Gospel Passages in the Lectionary," Pentecost 19, William Loader, Murdoch University, Uniting Church in Australia.
"With this passage we must expose the fallacy of dividing reality into God's area and other areas."
Commentary, Matthew 22:15-22, Frederick Douglass Haynes, III, The African American Lectionary, 2008.
"This text challenges us to engage the political process, remembering that our ultimate allegiance belongs to God."
"Show Me The Money: Unconditional Allegiance to the Unconditioned God," The Journey with Jesus: Notes to Myself, Daniel B. Clendenin, Journey with Jesus Foundation, 2005.
"As a friend of mine once observed, civilization is expensive, and taxes pay the tab. But absolute allegiance to an ultimate God, rendering our entire selves to Him without preconditions or limits, without hedging our bets, demands a higher order of magnitude. That takes a lifetime."
Dylan's Lectionary Blog, Proper 24. Biblical Scholar Sarah Dylan Breuer looks at readings for the coming Sunday in the lectionary of the Episcopal Church, 2005.
"...when Jesus asks the Pharisees and Herodians who are questioning him to produce a denarius in that setting, they do so immediately. In other words, THESE GUYS CARRIED AN IMAGE OF CAESAR INTO GOD'S TEMPLE! And these are the people who were going to teach Jesus a lesson about devotion to God rather than selling out to Caesar if Jesus failed to condemn paying taxes to Rome?"
Sermon Preparation Thoughts and Questions by Wesley White, 2005.
"May we astonish ourselves in thundering forth, 'Hypocrite!' and be willing to be astonished at the truth when finding it thundered back at ourselves. We need to model both corrective words and corrective actions that build community."
"The Question about Paying Taxes," Rev. Bryan Findlayson, Lectionary Bible Studies and Sermons, Pumpkin Cottage Ministry Resources. Includes detailed textual notes.
"Conflicting Priorities," Larry Broding's Word-Sunday.Com: A Catholic Resource for This Sunday's Gospel. Adult Study, Children's Story, Family Activity, Support Materials.
"Have you ever been trapped by conflicting priorities?"
Wellspring of the Gospel, Ordinary 29A, Catherine McElhinney and Kathryn Turner, Weekly Wellsprings.
"What Belongs to God?" Marcus Borg, at Beliefnet.
"The people identified as Jesus' opponents were not questioning taxes in general. Their question was more specific: 'Is it lawful to pay taxes to Caesar?'"
Christian Anarchy: Jesus' Primacy Over the Powers, by Vernard Eller. Full text of book at House Church Central.
Donnelly, Doris, "Divine Folly: Being Religious and the Exercise of Humor," Theology Today, 1991.
Geisler, Norman L., "A Premillenial View of Law and Government," Bibliotheca Sacra, 1985.
Giblin, Charles Homes, "'The Things of God' in the Question concerning Tribute to Caesar (Lk 20:25; Mk 12:17; Mt 22:21)," The Catholic Biblical Quarterly, 1971.
Johnson-Siebold, Judith, "Balance Sheet," The Christian Century, 2005.
Jones, Susan Pendleton, "Pledging Allegiance," The Christian Century, 1999.
"You're Gonna Have to Serve Somebody," Eric Shafter, Day 1, 2017.
"Whose Coin Is It?" the Rev. Dr. Ruth Hamilton, Day 1, 2014.
"'What God Has Put Asunder, Let No Man Join Together!" The Rev. Dr. William L. Self, Day 1, 2006.
"God and Caesar, Then and Now," Dr. N.T. Wright, Lecture - Jubilee Reflections at Westminster Abbey.
"Who Gets What!" 22 Pentecost - 16 October 2005, Walter W. Harms, Göttinger Predigten im Internet: Every Sunday Sermons based on the RCL by a team of Lutheran theologians/ pastors.
"Paying Taxes to Caesar," Sermons from Seattle, Pastor Edward F. Markquart, Grace Lutheran Church, Seattle, Washington.
"Nansemond Shepherd's Rebellion," the Rev. Alex Joiner, Day 1, 1996.
"Storypath Lectionary Links: Connecting Children's Literature with our Faith Story," October 19, 2014, Union Presbyterian Seminary. Connections: Exodus 33:12-33 and Images of God For Young Children by Marie-Helene Delval, 1 Thessalonians 1:1-10 and Corduroy Writes a Letter by Alison Inches, Matthew 22:15-22 and Church Harvest Mess-tival by MikeThaler. 2011.
Worshiping with Children, Proper 24, Including children in the congregation's worship, using the Revised Common Lectionary, Carolyn C. Brown, 2011.
"Kids Pay Taxes, Too!" Charles Kirkpatrick, Sermons4kids.com.
"Jesus & the IRS," Jim Kerlin, childrensermons.com.
"The People Pay Taxes to Caesar," Sunday School Lessons: Family Bible Study, art projects, music, stories, etc.
Mustard Seeds, Proper 24, 2008. A lectionary-based ideas resource for leaders of contemporary worship, Ann Scull, Gippsland, Australia.
"For God or For Caesar," from A Certain Jesus by Jose Ignacio and Maria Lopez Vigil. Ideal for catechetical and liturgical dramatization of today's gospel. Claretian Publications.
Clip Art Images: Matthew 22:15-21, Misioneros Del Sagrado Corazón en el Perú.
Matthew 22:14-21, at Cerezo Barredo's weekly gospel illustration. Liberation emphasis.
Is It Lawful to Pay Taxes? is an original hymn by Carolyn Winfrey Gillette on Jesus' teaching of rendering to Caesar and to God (Matthew 22:15-22). Tune: BEACH SPRING 8.7.8.7 D ("God Whose Giving Knows No Ending").
"A Wealth of Words," Brenton Prigge, NewHymn, new, relevant hymn set to traditional tunes.


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text:
Plight of Junior Doctors
I found this to be a compelling read this morning, and one hope that steps are taken to change it.
I REFER to the letter "Act fast so our doctors can do their job" (The Star,April 17) and wish to make a slight correction.
The Public Services Commission (PSC) conducts special interviews for new doctors, dentists and pharmacists three to four times monthly, and not twice weekly as stated by the writer.
Nevertheless, I agree that the interview process does not pose any delay in the recruitment exercise as the candidates can apply online and book their prefered interview appointments well in advance and the procedures is explicitly displayed on the PSC's website:www.spa.gov.my. And, true enough, appointment letters are issued to the candidates on the same day after the interview.
The plight and frustrations of the housemen and doctors in the government service have been highlighted several times in the media and yet scant attention has been given to ease their sufferings. They are also paid a pittance in salaries and allowances.
Your news report entitled "RM6,000 a month for docs after two-year housemanship" by Izatun Shari (The Star, March 6, 2008) and comment "Good way to keep government docs and housemen happy" by V.K. Chin (The Star, March 18, 2008) were happy news, but sadly, it has not been put in place until today and remains a dream. Would the Health Ministry and Public Services Department care to clarify?
Housemen and doctors in the government service have been suffering in silence for years without proper and adequate remuneration and allowances. The conditions they work in, especially in remote locations, are pathetic and deplorable. They deserve better.
Often enough, at least two to three times per week, they are required to work on a 36-hour on-call schedule on each occasion, and they are required to get back to work again the next day after merely 12 to 16 hours' rest.
Incredible and unbelievable work pattern that contravenes international labour standards/practices and our own Employment Act 1955 that stipulates that "no employees shall be required to work for more than eight hours per day and if overtime work is required, it shall not exceed four hours per day."
Currently, all medical graduates must undergo the compulsory two-year housemanship and a further three years of mandatory government service before they are accorded full registration by the Malaysian Medical Council.
Although on completion of four of the five-year compulsory service, the doctors are permitted to apply to do their masters/specialisations, it must be noted that they do not get any paid study leave nor fully paid sabbatical leave to pursue their masters, which is accorded to their counterparts in the government service. Instead, they are required to continue to go to work and be on long and protracted call duties.
It must also be understood that unlike other graduates who take three to four years to complete their undergraduate studies, medical studies take between five and a half years in Malaysia, the UK, India, Australia, etc, and six-and-a-half years in Indonesia, Russia, USA, etc to compelete.
The PSC and PSD have failed to acknowledge and recognise the difference between medical graduates and other graduates. And this is the very reason that the doctors are just lumped into the general 41 salary scale together with other graduates who are spared the mandatory five-year service and their undergraduate studies take a shorter period to complete.
It is high time that the Government established a Medical Services Commission to address the various issues, grouses and unhappiness of doctors.
FRUSTRATED & BURNT-OUT DOCTOR,
Penang.
Current AffairsHaris Abdul Rahman April 21, 2009 Frustrated Doctor, Houseman, Medical career, Medical training2 Comments
Current AffairsHaris Abdul Rahman April 22, 2009 Earth Day, IKANO, KL Freeze
The Great Stephen Hawking Taken Ill in Hospital
Current AffairsHaris Abdul Rahman April 21, 2009 Stephen Hawkings


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According to information provided by the CDC and reported by Trust for America's Health in 2013, Florida has had significant problems with drug abuse and deaths related to drug overdose—16.4 deaths for every 100,000 residents. In order to keep yourself from becoming just another tragic statistic, you should consider getting immediate help from a reputable drug rehab center in Jacksonville FL such as Beaches Recovery.
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Synthetic Impressionism is style of painting that combines the carefully observed color and expressive paint handling of impressionist painters with the abstraction of space and multiple exaggerated viewpoints of cubist painters. The forerunners of this style include Van Gogh, Cézanne, and Chaim Soutine.
Contemporary proponents of this style include the American artists James Michalopoulos and Charles Tersolo.
Natural Science, Night (Boston), by Charles Tersolo, 24x30, 2006, Private Collection.
^ "Futurist Photodynamism". Italianfuturism.org. Jessica Palmieri. July 17, 2009. Retrieved 24 July 2009.
^ Fletcher, John Gould (1921). Paul Gaugin: His Life and Art. Harvard University: Nicholas L. Brown. p. 88.
This art movement-related article is a stub. You can help Wikipedia by expanding it.
This page was last edited on 16 April 2013, at 08:39 (UTC).


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text:
Q: Problem reading FullHttpRequest request content with Proxy I'm trying to develop code that can filter requests, modify them, etc. The Proxy intercepts requests correctly and is able to display the correct Uri for example. However, I cannot read the contents of the http package. In fact, the request.content (). ReadableBytes () function returns 0.
below the code:
HttpProxyServer server =
        DefaultHttpProxyServer.bootstrap()
                .withAddress(new InetSocketAddress("localhost", 8080))
                .withTransparent(true)
                .withFiltersSource(new HttpFiltersSourceAdapter() {
                    @Override
                    public int getMaximumRequestBufferSizeInBytes() {
                        return 512 * 1024;
                    }
                    @Override
                    public int getMaximumResponseBufferSizeInBytes() {
                        return 50 * 1024 * 1024;
                    }
                    public HttpFilters filterRequest(HttpRequest originalRequest, ChannelHandlerContext ctx) {
                        return new HttpFiltersAdapter(originalRequest) {
                            @Override
                            public HttpResponse clientToProxyRequest(HttpObject httpObject) {
                                FullHttpRequest request = (FullHttpRequest) httpObject;
                                CompositeByteBuf contentBuf = (CompositeByteBuf) request.content();
                                System.out.println(request.getUri());
                                System.out.println(request.content().readableBytes());

So the question is: why i can't read the body of the request?

redpajama_set_name: RedPajamaStackExchange


text:
ACCEPTED

#### According to
Index Fungorum

#### Published in
Atti Ist. bot. Univ. Lab. crittog. Pavia, Sér. 5 19: 135 (1961)

#### Original name
Sphaerella andirae Gonz. Frag. & Cif.

### Remarks
null

redpajama_set_name: RedPajamaGithub


text:
Big Ben and the Marco Polo brigade by Frank Kusy
Sumatra, 1989
It was while sampling a delicious martabak sayur (vegetable spring roll) from a street cart warung in Bukittingi that I bumped into my old friend Steve from the Trailfinders tour.
'You look shattered, Frank,' he said with his familiar grin. 'Are you still burning the candle at both ends, "going off the beaten track"?'
'No, mate,' I said. 'I just got no sleep last night owing to an insomniac next door and a guy building a house right outside my window at 2am. What are you doing here, anyway?'
'Oh, I always come to Bukittingi between tours,' said the twinkle-eyed tour leader. 'It's got the cool hill-station air, it's got fantastic food like you're having right now, and it's got this ace clock tower in the square that looks just like Big Ben. It reminds me of home.'
I gave a wry smile. Yes, I had seen that clock tower earlier. It had reminded me of Nicky…and of how much I was missing her.
'Bukittingi also has lots of interesting little cafes which only close at midnight,' continued Steve. 'Look, there's one in particular that you got to put in your book – it's called The Coffee House, and it's a real one-upmanship place, full of "real travellers" going on about who's done the most daring trip recently. Unless you've just crawled off a 60-hour horror bus from Yogya, you're ashamed to even sit down!'
'Oh, you mean the Marco Polo brigade,' I laughed. 'Yeah, I came across a lot of them in India. Their gig is to cover as much distance as possible in the shortest possible amount of time. A 40-hour journey across China, sleeping in a luggage rack, is bread and butter to them.'
'You should write a book about real travellers,' said Steve, flicking a stray mosquito from his close-cropped brown hair. 'I could give you lots of stories.'
But I didn't need Steve's stories. I found enough of my own in The Coffee House.
'How's it going?' I asked the waif-like young German girl sitting by the window. She was nursing a banana lassi. It looked like she'd been nursing it for hours.
'I am living on five dollars a day in Indonesia,' she intoned slowly.
Wow, that was impressive. I was having trouble getting by on ten. How was she doing it?
'Oh, I am eating at warungs all the time. I stay in the cheapest room in town, and I am not seeing very much.'
'Erm…why did you come here in the first place?' I asked, puzzled at her obvious lack of enjoyment.
'Oh, that is easy,' she said. 'I vont to say that I've come to Indonesia!'
Over in a corner, I saw two travellers in kaftans and funny ethnic hats having a heated debate as to who had had the most extreme travel experience.
'I've got malaria,' said the first guy. 'Look at the scabs on my arms and legs.'
'I've got guardia,' countered the second. 'I've been farting and shitting so long, I can't feel my arsehole no more.'
That annoyed the first guy, who now had to go one better.
'I got amoebic dysentery on a 36-hour bus journey to Kathmandu,' he said with a controlled hiss.
'That's nothing,' grinned the second guy. 'I had a six-month bout of hepatitis in the Himalayas.'
There followed a hilarious exchange which reminded me of the Four Yorkshire Men sketch from Monty Python.
'I spent a year in a Buddhist retreat in Manali, living on a bowl of rice a day.'
'I spent two years meditating in the Kashmiri mountains. Three grains of rice a day, that's all they gave me.'
'A rat ate my underpants in Pokhara.'
'An iguana bit me on the bum in Penang.'
'Right,' said the first guy, drawing himself up in his chair to put paid to the matter. 'I was swimming off the coast of Goa one day and a shark came along and bit off my leg. I had it sewn back on by a witch doctor, but he put these tiny little crabs in my ear that ate half my brain. Then, to top it all off, a bear bit off the back of my head in Dharamsala.'
There was a moment's pause as the other guy digested this information.
'Yeah, I know that bear, man,' he said at last. 'It ate my girlfriend back in '83.''
Excerpt from Off the Beaten Track: My Crazy Year in Asia by Frank Kusy. Universal Amazon link: authl.it/21z


This mugshot of Dwan Parnell is from a 2018 arrest in Harrison County.
GULFPORT, MS (WLOX) - A Gulfport man is facing multiple charges after a drug raid at his home Monday led investigators to find cocaine, meth, and multiple guns.
Dwan Durrell Parnell, 32, was arrested and is now facing numerous charges. Police said the raid stemmed from a narcotics investigation that resulted in a warrant to search Parnell's home on East Railroad Street.
According to police, Gulfport Narcotics Unit and the Gulfport Special Weapons and Tactical Unit seized three handguns, an AK47 rifle, methamphetamine, and cocaine powder from the home. Numerous drug paraphernalia indicating that the drugs were being distributed was also seized, said authorities.
Parnell is a repeat offender having previously been convicted of possession of a controlled substance. Police said he was also a wanted fugitive through Mississippi Department of Corrections.
Parnell was charged with four counts of possession of a firearm after a felony conviction, trafficking methamphetamine, and possession of cocaine base with intent to distribute. He was taken to Harrison County Jail where a $90,000 bond was set by Justice Court Judge Brandon Ladner.


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text:
World Cup scores, updates: Netherlands ends U.S. hopes with 3-1 win
Yahoo Sports Staff
December 3, 2022, 12:10 PM ·1 min read
Soccer Football - FIFA World Cup Qatar 2022 - Round of 16 - Netherlands v United States - Khalifa International Stadium, Doha, Qatar - December 3, 2022 Netherlands' Denzel Dumfries celebrates scoring their third goal with Teun Koopmeiners REUTERS/John Sibley
The United States' run at the World Cup came to an end on Saturday as the Netherlands earned an early goal and outlasted the Americans for a 3-1 win.
The Dutch will move on to face the winner of Argentina and Australia.
The devastating blow that knocked the U.S. out of the 2022 World Cup was a 21-pass Dutch masterpiece. It crushed American optimism that had swelled throughout two weeks in Qatar, and eventually sent the American team trudging toward their traditional exit....READ THE FULL RECAP HERE


text:
Oxytropis bobrovii är en ärtväxtart som beskrevs av Boris Alexjewitsch Alexeevich Fedtschenko. Oxytropis bobrovii ingår i släktet klovedlar, och familjen ärtväxter. Inga underarter finns listade i Catalogue of Life.

Källor

Klovedlar
bobrovii


Mastermind groups are powerful small coaching groups. Meeting regularly they hold everyone accountable so they achieve more.
If you give advice in your business – Mastermind groups are a great fit to increase profit, free up your time and wow your clients. Plus they're ridiculously good fun to run.


text:
Project scaffolding, including:

## Requirements

- Install Node
	- on OSX install [home brew](http://brew.sh/) and type `brew install node`
	- on Windows install [chocolatey](https://chocolatey.org/)
    - Read here for some [tips on Windows](http://jpapa.me/winnode)
    - open command prompt as administrator
        - `choco install nodejs`
        - `choco install nodejs.install`
- Don't use sudo!!! (http://jpapa.me/nomoresudo).
- Open CTL (I use iTerm)
- `npm install -g node-inspector bower gulp`

## Quick Start
```bash
$ npm install
$ bower install
$ npm start
```

## Project Manifest
- dependencies
    - needed by project at runtime
        - express, angular, jquery, foundation, compass, modernizr

- devDependencies
    - needed for development
<<<<<<< HEAD
        - jshint, JSCS, uglify, compass,

## Project Tools
    - check javascript: `gulp vetting`
    - check javascript & list files being tracked: `gulp vetting --verbose`
=======
        - jshint, JSCS, uglify, compass,
>>>>>>> c319414d20207b3d133e41f4a95c90f5908ef660


text:
alternatively Crotchet Dietrich BUXTEHUDE (c.1637-1707)
Complete Works for Organ - Volume 6
Præludium in F, BuxWV145 [7:02]
Nimm von uns, Herr, du treuer Gott, BuxWV207 [8:04]
Fuga in B, BuxWV176 [4:23]
Toccata in G, BuxWV165 [5:44]
Canzona in C, BuxWV166 [4:46]
Fuga in G, BuxWV175 [3:36]
Canzona in G, BuxWV170 [3:41]
Fuga in C, BuxWV174 [3:00]
Præludium in e minor, BuxWV143 [5:51]
Canzonetta in e minor, BuxWV169 [2:56]
Funeral Music for Johannes Buxtehude, BuxWV176: Contrapunctus I – Evolutio – Contrapunctus II – Evolutio – Klaglied (1647) [8:06]
Præludium in E, BuxWV141 [6:47]
Bine Bryndorf (Stellwagen and Positive Organs, St Jakobi, Lübeck)
Rec in St Jakobi, Lübeck, 20th-21st June, 2007. ddd
Booklet with notes in English, German and Danish
Dacapo 6.220530 [70:16]
This recording completes Bine Bryndorf's series of Buxtehude's organ music for Dacapo, part of the Naxos stable's considerable contribution to the tercentenary year. Alongside these Dacapo Bryndorf recordings on historic North German and Scandinavian organs, a parallel series has been in progress on Naxos on modern instruments, Volume 6 of which I recently reviewed. The Naxos series has been shared amongst several organists, though the latest volumes have all been played by Julia Brown, latterly on the remarkable Pasi organ of Omaha Cathedral. Concurrent with this review is one of Volume 7 of the Naxos series, also featuring Julia Brown on the Pasi organ (see review).
Whereas the Dacapo series is complete on six CDs, the Naxos has already run to seven volumes and the seventh is not stated to be the final one. Both series have featured well-filled discs, with typically 70+ minutes. One reason for the difference may lie in the fact that the Naxos series contains some works equally suited to harpsichord performance: the courant zimble on Volume 7, for example, has been recorded by other performers on the harpsichord, including by Mortensen on Dacapo's 3-CD set of Buxtehude's harpsichord music.
Coincidentally, four of the items on Naxos Vol.6 are also included on the present recording. In all three works Bryndorf gains over Brown with nimbler playing. Though timings are far from the be-all and end-all, the differences are noticeable: in BuxWV166, Brown takes 6:00 against Bryndorf's 4:46, in BuxWV 145, 7:53 against 7:02, in BuxWV162 6:47 against 5:56 and in BuxWV165 7:04 against 5:44. I liked Brown's recording and I am not now going to retract what I said then – but I like Bryndorf better.
The same is true of the one work in common between this sixth Dacapo CD and CD7 of the Naxos set, the Canzona in G, BuxWV170, where Bryndorf takes 3:41 against Brown's 4:28. I listened first to Brown's version of this work, to judge it on its own terms, before turning to Bryndorf's account. I found Brown's playing and chosen registration light and airy, bringing out the lyrical qualities of the piece so well that I found it hard to imagine that any performance could do greater justice to these qualities. If Bryndorf does, perhaps, find just that extra degree of magic in the piece, there is not a great deal in it – and I actually found myself preferring Brown's registration in the opening bars. With equally helpful ambience and equally good recordings, in tennis terms I suppose the score is 'deuce'.
These timings are consistent with my general feeling that Bryndorf is the more agile, the lighter-fingered performer. Where Bryndorf emphasises the dance-like elements in the music, Brown is more meditative and reminds us more of Bach's debt to Buxtehude. This should not be taken to mean that Bryndorf skates over the music oblivious to its deeper qualities or that Brown is slow and stodgy: both are thoroughly convincing in their own terms. Neither player seems to feel that Buxtehude's famous Stylus Phantasticus – the phrase prominently displayed on the front of the Dacapo CD – means pulling the music about to make it artificially 'exciting'.
In general, where Bryndorf emphasises the lightness and dance-like qualities of Buxtehude's music, Brown points the way to Bach. Many will prefer Brown's approach and, of course, there is room for both.
Though Bryndorf's organ may at first glance appear more authentic than Brown's, the issue is somewhat complex: the older instrument has been much changed whereas the newer instrument has been built with early music in mind. Part of the Hauptwerk of the main Stellwagen organ at Lübeck dates in part as far back as 1467-1515; its principal build by Friedrich Stellwagen in 1636-7 would be ideal for the music of Buxtehude were it not for the many 18th, 19th and 20th-century restorations, culminating in a major restoration in 1977-8 and cleaning and retuning in 2006. Successive restorations have left the pitch too high, a'=490Hz instead of the original pitch of around 465 Hz, as the notes in the booklet admit. This instrument is tuned to modified Werkmeister III, an 18th-Century precursor of modern equal temperament. All but tracks 5-8 are played on this main instrument.
Nothing survives of the Lübeck positive organ except the casing. The present instrument was newly built in 2003, albeit based on another organ by the same builder at Stokloster, Sweden. The pitch of this instrument, 470 Hz, is much closer to the norm of Buxtehude's time. It is tuned in meantone with compromise d-sharp/e-flat. Tracks 5-8 are played on this instrument.
The Omaha organ, on the other hand, is an instrument for all seasons. The specification in the Naxos booklet indicates that most of the stops on the Great Organ and Pedals, plus all those on the Positive Organ, are capable of being played in both well-tempered tuning and ¼ comma mean-tone, thus making it suitable for music of Buxtehude's time and earlier.
Reviews of earlier volumes in this Dacapo series have been generally very positive. Gary Higginson found Volume 1 good enough to encourage him to continue to listen to the rest of the series, though he wondered even then (July 2004) whether we needed yet another complete series of Buxtehude organ music. Don Satz was also generally complimentary, though with reservations about Bryndorf's comparative lack of reverence in the Chorales. Chris Bragg felt much the same in respect of Volume 2, finding the ornamentation too fast and nervous and lacking in tranquility. He made much the same point concerning Volume 3 and Volume 5, which he recommended, though preferring a generally weightier approach.
These reservations can be put to the test on track 2, Nimm von uns, Herr, du treuer Gott, BuxWV207. It just so happens that Radio 3's Early Music Programme recently broadcast a recording of a concert from the 2007 Stockholm Early Music Festival in which Gøteborg Baroque performed the choral original of this very piece, as measured, affective and reverent a performance as one might wish, though suitably begeistert where appropriate. There is, of course, a great deal of difference between a choral original and a set of organ variations: the latter is expected to be freer and more showy, the very essence of Stylus Phantasticus, so it is only to be expected that the organ realisation will sound different – as, indeed, proves to be the case. Bryndorf's performance is nimble and entertaining. I fully admit DS's and CB's reservations, namely that she emphasises the liveliness and the grandeur of such music at the expense of the veneration, but it did not spoil my enjoyment of her performance of this piece.
Track 12, the Funeral Music for Buxtehude's father, offers a potentially more testing case. Here the Lutheran chorale Mit Fried und Freud ich fahr dahin – in peace and joy I depart – is used as the starting point for a contrapuntal exercise. Bryndorf brings out the academic nature and essential dignity of the music in her playing but never loses sight of the affective nature of the work, especially in the closing Klaglied or song of lamentation, where Buxtehude sets a poem of his own. The balance between the Fried und Freud on the one hand and the Klage on the other is well maintained.
The Præludium in E, BuxWV141, which follows on the final track rather shatters the mood, though this work is not without its own gravity, especially in the opening prelude section, but also in the ensuing fugue, an effect which Bryndorf emphasises with use of 16' pedal tone where appropriate. She makes what might have seemed an irrelevance after the Funeral Music into a fitting conclusion to the recording.
The ambience is just right, the recording is excellent, never interfering with enjoyment of the music, and the informative booklet gives full details of the specifications of both Lübeck organs and of the registration employed for each individual piece. The short musical examples in the booklet are very welcome.
Overall I am very happy to recommend this recording, siding more with Don Satz's high commendation of Volume 2 than with his earlier reservations.
I concluded my review of Volume 7 of the Naxos series by predicting a very close contest between Julia Brown and Bine Bryndorf, with the latter winning narrowly – and so it transpires. This Dacapo CD costs more than twice as much as the Naxos but is worth the extra. You could buy both and have only one short item of overlap between the two.


Every day is a gift. You truly have no idea how long you will be on the planet.
Be sure to entertain the spiritual qualities that transcend the human: joy, goodness, hope, trust, acceptance, and patience. Expressing these spiritual qualities takes you farther down the path to peace and love which also transcend time and space. By choosing to embody qualities that are eternal, you express yourself in a timeless, far-reaching manner that cannot be measured.
These qualities heal man at all levels because they resonate with The Realm of Love bringing it into your experience. Some call this Heaven on earth.


We have many of Bradford Washburn's mountain negatives from which our photography lab will produce quality digital prints.
The University does not hold all of Washburn's negatives. Thumbnail images of negatives found in archives located at this url: http://photolab.elmer.uaf.edu/gallery/photogallery.html.
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I started the day with huevos a la mexicana. These are scrambled eggs with tomato (jitomate in Mexican Spanish), onion and chopped chiles. We also had fruit again, toast and coffee. I just can't get enough of the papaya and mango. It is out of this world!
For lunch, I had a packed lunch of a banana, an apple and a ham and cheese sandwich. Nothing to write home about there!
The best part of the day was an unplanned stop at Restaurante Fonda Güera where I finally got to have my mole poblano again! It was in Cuernavaca in 1991 when I first tasted mole poblano and I have been on a mission to get back here again to the same spot (different restaurant) to experience it once again. It DID NOT DISAPPOINT! The closest thing to mole that I can think of is Skyline chili without the meat and with a bit of added sweetness. It contains chocolate, peanuts, raisins, sesame seeds, chiles and cinnamon. It is smooth gravy-like texture and is served with a protein like chicken. Usually it is served with fresh tortillas and rice. It was worth the wait! There is nothing like it in Cincinnati. Cazadores does serve mole poblano and it is good, but this was outstanding today. A full plate of mole with a beer was about $13.00 USD (tip included). Not too bad.
I stopped at the grocery on my walk home and picked up a bottle of water, a bottle of soda and a pastry. The total cost was MXN $18 or a little more than $1.00. That might not mean much to anyone, but since my husband regularly purchases 20 oz bottles of soda for at least $1.59 per bottle, the fact that I could get two bottles and a pastry for about a buck was pretty cool!


text:
UPDATE: Stabbing Victim's Girlfriend Charged with Murder
Tri-C student Anthony Martemus, 28, died from a stab wound to his heart after an altercation with his 22-year-old girlfriend, Tiaunna Hall Feb. 6. This photo was on his Facebook page.
Victim Died from Stab Wound to Torso and Heart
By Bronson Peshlakai
Metro Editor-in-Chief
A woman charged in connection to the stabbing death of Tri-C student Anthony Martemus remains in jail under a $200,000 bond.
Tiaunna Hall, 21, did not enter a plea and denied a preliminary hearing on charges that she murdered her live-in boyfriend at an initial appearance in Cleveland Municipal Court.
Court documents indicate there was enough probable cause to charge Hall with murder and allowed the case to go to the Cuyahoga County grand jury.
The Cuyahoga County Medical Examiner released its final report calling Martemus's death a suspected homicide.
The summary said his cause of death was a "stab wound of torso with injury to heart."
On Feb. 6, Police responded to the 600 block of East 123rd Street on a domestic fight call at 10:59 p.m. and found the victim inside a residence with a stab wound to the chest. Martemus was transported to MetroHealth Medical Center where he was treated, then later pronounced dead at 11:40 p.m., a spokesperson for Cleveland Police said in a press release.
Hall was arrested on the scene. News reports indicate Martemus was a live-in boyfriend since November. Persons who knew him on the Tri-C Metro Campus have said he was having trouble with his relationship to Hall in the past few weeks.
The police report said Hall and Martemus were involved in an altercation when he suffered a stab wound to the chest.
"The manner in which the victim received the wound is under investigation," the release said.
Martemus was seen regularly working out at the Metro Recreation and Wellness Center.
Anyone with information regarding this incident is asked to contact homicide investigators at 216-623-5464; anonymous information can be given through Crimestoppers.
The Voice will continue to receive updates surrounding new details related to this homicide and will post the latest information online at CCCVOICE.com.
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