text:
Q: Validation of XML using XSD I am creating small application in which i am reading data from XML.
I am using XmlSearializer to read data from xml.
But before reading i am validating the xml using xsd.
So in validating xml using xsd i am having some cases which i think can not be implemented using xsd.
Some validation is based on value of other element.
So i want to make all these validation before i read data from xml.
So is there any way how can i validate xml before reading data and cases that can not be implemented using XSD?
Thanks for support.

A: I think it's not possible with XSD
See the other answers:

*

*XML Schema - child elements dependent on existence of optional attribute

*Restricting XML Elements Based on Another Element via XSD


When entering new payments and credits, you can specify how Student Billing automatically applies payments and credits. You have the option to automatically always apply, Never apply, or as defined on each record. If payments and credits should not be automatically applied, choose Never.
Navigate away from Configuration to save the settings.


Total Solution is the complete integrated system in which the three companies – Epson, For.Tex, F.lli Robustelli – have committed themselves to offering a maximum guarantee and assistance during the entire production cycle with Monna Lisa series. A single supplier for all components: printing heads, inks, products for pre- and post-treatments, and mechanical assistance. This commitment has become a reality with opening of the new R&D centres, located in the Como area - the Digital TextileValley. This region is a worldwide symbol of excellence and a reference for quality textile printing.


text:
Will every living Democrat run for president?
On the endless multiplication of 2020 Democrats
Illustrated | Tidarat Tiemjai/iStock, -slav-/iStock, Ekaterina_Vitchenko/iStock
byMatthew Walther
"So Marianne Willamson?" I say to my wife. "She's a New Age guru from California, 66 years old. Has written books on how to use magic to lose weight. Announced last year in November. Is she real?"
"You couldn't make this up, so yes."
This is a game we have started playing. One of us gives a name and a brief C.V. and says how long he or she has purportedly been seeking the Democratic presidential nomination in 2020. Sometimes the names and credentials are indeed real. Other times we make up people — e.g. "Mark Randall, former one-term governor of Pennsylvania, declared in February, says he is focused on the environment but rejects the Green New Deal as 'the wrong fit for the American people.'" My wife believed in his existence for all of five minutes this morning.
For now I have a built-in advantage as someone who is paid to know about all of these people. But for how long? If somebody had asked me last week whether "Seth Moulton, congressman from Massachusetts, a moderate New Democrat, enthusiastic about public transportation and veterans' affairs," was a real presidential candidate I would have said absolutely not. There are already four obscure white male current or former members of the House running for president. Then Moulton announced on Monday morning.
The 2020 election might end up being memorable for any number of reasons: record fundraising by the DNC, the first live on-air use of the F-word in a presidential debate, the re-election of arguably the least popular incumbent president in American history. But it is definitely going to be remembered as the time that every living American older than 34 and younger than 110 sought to be the Democratic nominee.
This is a problem. How are ordinary voters, the kind of people who take politics seriously enough to participate in primary elections but don't spend 40 hours a week reading Axios and watching MSNBC supposed to keep them all straight? Everyone knows who Bernie Sanders is. Ditto Elizabeth Warren. Otherwise, though? Amy Klobuchar is a senator from somewhere. So is Kamala Harris. At least one of them is mean, I think? Cory Booker, the Stanford tight end, is also tight with the financial services industry in his home state of New Jersey. Kirsten Gillibrand used to be a moderate on guns. Tulsi Gabbard used to be socially conservative, like Tim Ryan, and wishes we would be nicer to Bashar al-Assad. Jay Inslee is allegedly the governor of Washington state. Pete Buttigieg is the mayor of a small Midwestern city who claims to speak eight languages.
Who else? Beto O'Rourke, of course, is the guy who tried to feed his wife poop as a joke and was on magazine covers for a while. John Hickenlooper used to be governor of Colorado. Most of the people running for president weren't around to have voted for or against the war, but Mike Gravel said no — to the one in Vietnam. John Delaney is probably a minor character in season four of The Wire. Julian Castro was a mayor who was in the Obama administration. Poor Eric Swallwell was threatened over the weekend by a far-right loonie who would appear to be far more invested in the Democratic nominating process than the average American. Andrew Yang is the Netflix reboot of Ross Perot. Wayne Messam is — well, Google him, because I'm not so sure my wife didn't invent him last week.
Phew. That was harder than trying to summarize Ludwig von Pastor's History of the Popes. And those are only the current declared candidates. We are still waiting to learn whether Joe Biden is really running or not. There are thousands of living Democratic elected officials who are probably considering a bid as I write this. How about Karen Freeman-Wilson, the mayor of Gary, Indiana, or Casey Steinau, the leader of the Alaska Democratic Party who "enjoys life in Big Lake with her partner Tim Dickman and two very spoiled cats"? Chairman Steinau "has had a successful 20-year career in real estate sales and investing. She is proud of her contributions to her community as a small business owner and a long-time community volunteer for a variety of causes from garbage clean-up to the fight against homelessness." That sounds like a candidate bio to me. Let's also not discount the last-minute possibility that Hillary Clinton throws her hat into the ring.
Why are Democrats doing this? Do they need the money from campaign book deals? Or is there something secretly enjoyable about hiring consultants to purchase donor lists and booking flights to Iowa and New Hampshire in order to speak to crowds numbering in the high single digits? I had all the same questions for Republicans in 2016. Remember when Jim Gilmore was excluded from both the main-stage and kids' table GOP debates and decided to live-tweet the events instead? This is going to end up happening to at least three or four Democrats this year.
There is a good argument to be made that the endless multiplication of Democratic candidates plays into the hand of someone like Sanders, who can stand apart from the crowd. But it also undermines the seriousness of the 2020 election. If defeating Trump really is a matter of existential importance to the American people, something upon which the future of the republic itself depends, why are Democrats taking it about as seriously as an AYSO youth soccer game, where "Everyone Plays®"?
Not everyone should.
Matthew Walther
The wicked life of John McAfee
The Chauvin verdict should be celebrated
What is opinion journalism?
An eyewitness account of atrocities in Tigray
Ron DeSantis blames 'the media' for Trump feud frenzy
Trump vs DeSantis

redpajama_set_name: RedPajamaCommonCrawl


After formulating a business idea, the next most important step is deciding which business structure that you use. The entity you choose will have tax implications, as well as affect how you operate the company. To make an informed decision, you need to have all your questions answered about each type. If you are considering forming an LLC, you may be wondering how many people are required to be eligible for this setup. The simple answer is that there is no minimum number.
You can make your business an LLC with just you as the owner. However, you have to be careful in your management to ensure your company does not act as a sole proprietorship instead. Therefore, it may be beneficial to include other owners. These members do not have to be people, though. They can also be businesses, trusts, IRAs, and other legal entities.
There is no maximum number of members either, unless your LLC is taxed as an S-Corporation. In that case, only 100 shareholders are allowed, and owners cannot be certain types of businesses.
Part of LLC paperwork is determining how you want the government to tax your business. No LLC tax category exists, so choose a tax structure of one of the other types of entities based on the advantages and disadvantages of each.
If you do not decide, the government will base your tax obligations on how many owners you have. For one, taxes will be like that of a sole proprietorship. For more than one, taxes will be like that of a partnership. Both these methods do not treat the LLC as a separate entity for income tax purposes.
Part of the process of establishing your company includes getting a tax ID number for the business. You can find an online tax ID application right here at GovDocFiling. Fill out this EIN form to get started.


Abrous, Mansour, 1956- Algérie, arts plastiques: dictionnaire biographique, 1900-2010. Paris: Harmattan, 2011. 653pp. N7388.A36 2011 AFA. OCLC 703208990.
An updated and expanded biographical directory of Algerian artists, Abrous includes here 3,328 short biographies. The earlier directory, Dictionnaire des artistes algériens 1917-2006, was published in 2006. Entries in the new edition many include birth years, primary medium, solo and group exhibitions, bibliography, and infrequently, other biographical or electronic (web site) data. No illustrations.
Cherufi, Achour, 1955- Le livre des peintres algériens: dictionnaire biographie. Algiers: Éditions Anep, 2002. 249pp. Bibliog. (pp. 231-235). ND1088.C45 2004 AFA. OCLC 60552272.
Although the title indicates a biographical dictionary of Algerian painters, the book of 1,250 Algerian artists includes all media - - ceramicists, designers, photographers, sculptors. Some of the entries are very short. There are no illustrations. Appendices include a chronology (1847-2001); the Manifest du Group Aouchem and other documents and a bibliography.
Dalila, Mahammed-Orfali. Chefs-d'oeuvre du Musée national des beaux-arts d'Alger. Belgium: Lannoo imprimerie, 1999. 37 pp., approximately 50 unnumbered pages, 27 pp. illus. (color). Text in French and Arabic. N3885.A45 A53 1999 AFA. OCLC 968939570.
The Musée National des Beaux-arts d'Alger, founded in 1897, moved into its grand building in 1931. Like most national art museums, it show-cased Dutch, German, Swiss, Flemish, and Italian paintings, some of which go back to the fifteenth century. The more interesting part of the museum's collections are the works by Algerian painters who, not surprisingly, choose Algerian themes and aesthetics. After independence in 1962, the museum accelerated its activity of collecting and promoting art, building its collections of works by accomplished Algerians of a different generation. They fall into the category of 20th-century Modernism. This book features sixteen paintings by this younger generation. The conservative museum is not quite ready for 'Contemporary' art.
Elhadj-Tahar, Ali. La peinture algérienne: les fondateurs. Algers: Editions Alpha, 2015. 205 pp. illus. (color). Text in French. La peinture algérienne, volume 1. ND1088.E443 2015 AFA. OCLC 987040583.
La peinture algérienne: les fondateurs is the first volume in a planned series of six, which will thoroughly document the history of modern Algerian painting. This first volume focuses on "the founders" and features twenty-six painters. Each artist is presented with his or her aesthetic, philosophy, techniques, and themes as well as biographies. Selected paintings illustrate each artist's creativity and style. Ali Elhadji-Tahar's introductory essay gives us a pretty comprehensive history of Algerian painting of the 19th and 20th century.
Ferhat, Barahoum, "La situation des arts plastiques en algérie de 1962 à nos jours: entre esthétique universelle er contrôles politiques." Pages 323-337. In: Créations artistiques contemporaines en pays d'islam : des arts en tensions / edited by Jocelyne Dakhlia. Paris: Kimé, 2006. illus. (some color), bibliog. (p. 338). N6260.C69 2006 AFA. OCLC 71483397.
Algerian contemporary culture continues to be a scene of confrontation between Islamist tendencies emphasizing ancestral and rural traditions and a "neo-bourgeois," modernizing "technoculture." At the center of these artistic clashes is the Musée public national d'art modern et contemporain. Following independence from France in 1962, the already established Musée national des beaux-arts d'Alger acquired works of art by Algerian artists in France during the war of independence. Another concern was to preserve the existing collection and protect it legally against claims of ownership. Some of the works taken out of the country by the OAS (Organisation Armée Secrête) were returned.
Political changes in 1965 under the socialist regime of Boumediene and the rule of a single political party (FLN) pushed artistic activities toward revolutionary and nationalistic goals. The regime controlled through collectivist institutions, such as the Union Nationale des Arts Plastiques (UNAP). Sponsored by the government, artistic activities focused on monumental projects featuring the struggle for independence. In the absence of a "bourgeois" class, the state was the sole patron of the arts. The artists who benefited most are those who cooperated with the regime; they received funding and education abroad, particularly in the USSR. Artists who rejected the control of the state joined the independent movement known as Aouchem. Created in 1967, Aouchem promoted local and traditional aesthetics. Its activities were repressed. Independent artists struggled to sell their art, sometime offering in exchange for a meal or beer. One of the major cultural developments was the 1969 All-African Culture Festival in Algiers, which showcased African aspirations for freedom.
The end of the civil war signaled a revival of artistic production, assisted by the government and international funding, especially from France, Italy and Spain. New private art galleries opened. An artistic trend committed to freedom of expression, known as Essabaghine, emerged in 2000. The Musée public national d'art modern et contemporain opened in 2007, preceded by the announcement of its creation in 2004. The museum acquired works of art by the American artist, Juanita Guccioni (1904-1999), who lived and worked in Algeria in the 1930's.
Musées d'Algerie. Volume 2, L'art algérien populaire et contemporain. Alger: Ministère de l'information et de la culture: Société nationale d'édition et de diffusion, 1973. illus. (some color). Collection "Art et culture" 6. N7388.M87 AFA. OCLC 03206281.
Twenty-two early modern Algerian painters are featured in the chapter, "L'art contemporain (pages 58-91).
Perrot, Raymond, 1935- De la tache à la figure: la Guerre d'Algérie et les artistes, 1954-1962. Ailly-sur-Somme: E. C. Éditions, 2002. 119 pp. illus., bibliog. (p. 114-116). N6848.P47 2002 AFA. OCLC 288986741.
Algerian-French art critic Raymond Perrot analyzes the work of artists, both French and Algerian, presented in the exhibition L'Art et la Révolution Algérienne, Paris, 1964. He concludes that art that does not follow the rule of semiotics—which holds that meaning must be legible—is not adequate to express the moral and social misery of this or any other war, nor can it represent a political stance. Therefore, the lines, scratches, stripes, and splotches of "lyrical abstraction," well represented in the exhibition, are not equal to the task. Perrot favors using figurative art to express a "new narration" of engagement.
Appendices include a list of artists and their works presented in the exhibition, reproductions of newspaper articles reporting renewed interest in the Algerian war (2001), and an extensive reading list.
Pouillon, François. "Exotisme, modernisme, identité: la société algérienne en peinture," Annuaire de l'Afrique du Nord (Paris) 29: 209-224, 1990. + 4 plates. illus., notes, bibliog. DT181.A74X AFA.
The Algerian artist is still in search of an identity and an authentic iconography. Such a quest has been caught up in politics all along -- during the French colonial period, the war of liberation, the socialist realities of the post-war period, and the current FLN austerity confronting Islamic fundamentalism. The political culture in Algeria has been propelled by conflicting impulses. The revival of Orientalism and folkloric art after independence (especially seen in Dinet and Racim) was rejected by modernists, who favored abstract expressionism. Subsequently, art was marshalled in service of socialism, and a kind of censorship (or self-censorship) of expression was imposed. The quest continues.


Ultimate star Ajith Kumar was last seen on screen, in the 2017 action thriller vivegam directed by Siva and costarring Kajal Aggarwal, Vivek Oberoi and bankrolled by Sathya Jyothi films banner. The success of the film prompted the team to come together yet again for their next movie Viswasam.
The shooting got delayed due to the Tamil film industry strike which went on for 48 days, and Nayantara who took a break from 'Sye Raa' completed the shooting before Diwali. The movie released along with 'Petta' and has achieved a huge success.
The movie has Thala Ajith in an all-new look and will be a rural entertainer, which will have him paired with lady superstar Nayanthara after Billa, Aegan, Arrambam, and has music by D Imman. Nayantara who focuses on female-centric movies has paired with Ajith and now she's happy with the success. She also proved that she won't accept shallow roles in future.
Anurag who romances 22-Year-Old, makes a tryst with Kolly Bollywood renowned director Anurag Kashyap known for his hard-hitting movies like Black Friday, Ugly, Gangs of Wasseypur, no smoking, etc had always been known for his support to Tamil movies and Tamil film industry.


Weblogs or blogs are successors of the '90s internet homepage. They create a mix of the private (online dairy) and the public (PR management of the self). According to Blog Herald's rough estimate, there are 100 million blogs worldwide. In the first half of 2007 Technorati was indexing 70 million blogs. It is next to impossible to make general statements about the 'nature' of blogs. Instead of dividing them into proper genres, I will stick to the impossible task of formulating a 'general theory of blogging', starting with the software and menu choices that all bloggers have to deal with. The techno-determinist has to resist the academically correct move to differentiate in categories. Blogs are first and foremost a special effect of the underlying software architecture, no matter whether the chitchat is about cats, chocolate or the war in Iraq.
Instead of looking into the emancipatory potential of blogs, or emphasizing the counter-cultural folklore, I see blogs as part of an unfolding process of 'massification' of the internet after its successive academic and speculative phases. The void after the dotcom crash made way for large-scale, interlinked conversations through freely available automated software with user-friendly interfaces. The blogosphere echoes a collective spirit aimed at creating a public domain, a pre-1992 value that the internet once embodied and that was weakened by the greedy 'virtual class', which was no longer interested in the specificities of the 'media question' and was in the game only to sell out and leave the scene.
Web services like blogs cannot be separated from the output they generate. The politics and aesthetics defined by the first generations of bloggers will characterize the medium for decades to come. Blogs appeared during the late '90s, in the shadow of high-profile online services such as e-commerce and the portal.2 Blog culture was not developed enough to be dominated by mba consultants with its hysterical demo-or-die-now-or-never mentality. Blogs first appeared as casual conversations around a link that could not easily be commodified. Building a laid-back parallel world made it possible for blogs to form the crystals (a term coined by Elias Canetti) from which millions of blogs grew and, around 2003, reached critical mass.
Blogging in the post-9/11 period closed the gap between internet and society. Whereas dotcom suits dreamt of mobbing customers flooding their sites, blogs were the actual catalysts that led to the worldwide democratization of the Net. To the same degree that 'democratization' means 'engaged citizens', it also implies 'normalization' (as in setting of norms) and 'banalization'. We can't separate these elements and enjoy only the interesting bits. According to Jean Baudrillard, we're living in the 'universe of integral reality'. 'If there was in the past an upward transcendence, there is today a downward one. This is, in a sense, the second Fall of Man Heidegger speaks of: the fall into banality, but this time without any possible redemption.5 If you can't cope with high degrees of irrelevance, blogs won't be your cup of tea.
There is a presumption that blogs have a symbiotic relationship with the news industry. This thesis is not uncontested. A Pew/Internet survey of blogs clearly showed the diversity of topics bloggers are interested in. The report concluded that '37% of bloggers say that the primary topic of their blog is "my life and experiences". Other topics ran distantly behind: 11% of bloggers focus on politics and government; 7% focus on entertainment; 6% focus on sports; 5% focus on general news and current events; 5% focus on business; 4% on technology; 2% on religion, spirituality or faith and additional smaller groups who focus on a specific hobby, a health problem or illness.6 These figures clearly indicate that there is no self-evident relation between blogging and journalism. To label blogs as 'citizen journalism' is a noble act but suggests that bloggers see themselves as 'amateurs' or wannabe journalists. I would say that this is not the case. The lost discipline of hypertext, for instance, points at other motives. Hypertext scholars track blogs back to 1980s hypercards and the 1990s online literature wave, in which clicking from one document to the next is the central activity of the reader. If the act of blogging is centred on linking, they could be right. For some reason, however, the hypertext undercurrent lost out, and what remains is an almost self-evident equation between blogs and the news industry. It is not easy to say whether blogs operate inside or outside the media industry. To position the blog medium inside the news business could be seen as opportunistic, whereas others see this as a clever career move. There is also a 'tactical' aspect. The blogger-equals-journalist might get protection from such a label in case of censorship and repression. Despite countless attempts to feature blogs as alternatives to the mainstream media, they are often more precisely described as 'feedback channels'. The act of 'gatewatching' (Axel Bruns) the mainstream media outlets does not necessarily result in reasonable comments that will be taken into account. In the category 'insensitive' we have a wide range, from hilarious to mad, sad and sick. What cnn, newspapers and radio stations the world over have failed to do – namely, to integrate open, interactive messages from their constituencies – blogs do for them. To 'blog' a news report doesn't mean that the blogger sits down and thoroughly analyses the discourse and the circumstances, let alone checks the facts. To blog merely means to point quickly to a news item through a link and to write a few sentences that explain why the blogger found this or that factoid interesting, remarkable or debatable.
I would define blog entries as hastily written personal musings, sculptured around a link or event. In most cases bloggers simple do not have the time, the skills and the financial means for proper research. There are collective research blogs at work on specific topics, but these are rare. What ordinary blogs create is a dense cloud of 'impressions' around a topic. Blogs test. They allow you to see whether or not your audience is still awake and receptive. In that sense, we could also say that blogs are the outsourced, privatized test beds, or rather unit tests7 , of the big media.
Nonetheless, boundaries between the media sphere and the blogosphere are fluid. A detailed social analysis would uncover, most likely, a grey area of freelance media-makers moving back and forth. From the outset, journalists working for 'old media' ran blogs. So how do blogs relate to independent investigative journalism? At first glance, they look like oppositional or potentially supplementary practices. Whereas the investigative journalist works months, if not years, to uncover a story, bloggers look more like an army of ants contributing to the great hive called 'public opinion'. Bloggers rarely add new facts to a news story. They find bugs in products and news reports but rarely 'unmask' spin, let alone come up with well-researched reports. Cecile Landman – a Dutch investigative journalist, supporter of Iraqi bloggers and activist in the Streamtime campaign – knows both worlds. 'Journalists . .. need to make a living too. They can't put just anything on-line. Bloggers don't seem to bother too much about this, and that does create a conflict. ' According to Landman, blogging is changing the existing formats of information. People are getting bored with the given formats, which 'don't catch up with the news anymore, it no longer glues on their cervical memory stick. It is like a song that you have listened to too often, or . .. a commercial advertisement: you hear it, you can even sing the words, but they are without meaning. Mainstream media start to grasp this. They have begun to search for new formats in order to attract readers (read: advertisers)8 – and blogs are but a small chapter in this transformation.
The largest shocklogs in the Netherlands are Geenstijl, Jaggle, Retecool and Volkomenkut. Unique visitors to these sites are estimated to be 25, 000 to 38, 000 a day. Shocklogs, also called treiterlogs in Dutch, do more than post offensive content; they also draw a crowd of people often interested in expressing their frustrations. These are your average outsides who feel excluded by the progressive-liberal establishment. In many cases the delicate topics discussed on such sites reflect current sentiments in Dutch society, in particular attitudes towards Muslims and other minorities. One example is the community's response to messages posted regarding the murder of Dutch film director Theo van Gogh in November 2004. When it became clear that the suspect had a Moroccan background, and that his actions were rooted in his radical Islamic beliefs, discussions on various shocklogs got overheated. The assassination of Theo van Gogh, who had had experience in posting controversial statements on his own blog, led to numerous online debates peppered with explicit and even racist comments.
It would be ridiculous to denounce bloggers collectively as cynics or nihilists. Cynicism, in this context, is not a character trait but a techno-social condition. The argument is not that bloggers are predominantly cynics in nature or conviction, or vulgar exhibitionists who lack restraint. What is important to note is the Zeitgeist into which blogging as a mass practice emerged. Net cynicism is a cultural spin-off of blogging software, hardwired in a specific era; it is the result of procedures such as login, link, edit, create, browse, read, submit, tag and reply. Some would judge the mere use of the term 'cynicism' as blog-bashing. So be it. Again, we're not talking about an attitude here, let alone a shared lifestyle. Net cynicism no longer believes in cyberculture as an identity provider with related entrepreneurial hallucinations. It is constituted by cold enlightenment as a post-political condition and by confession as described by Michel Foucault. People are taught that being liberated requires them to 'tell the truth', to confess all to someone (priest, psychoanalyst, weblog), and that this truth-telling will somehow set them free.13 Exhibitionism equals empowerment. Saying aloud what you think or feel, in the manner of de Sade, is not only an option – in the liberal sense of 'choice' – but an obligation, an immediate impulse to respond in order to be out there, with everybody else.
There is a quest for truth in blogging. But it is truth with a question mark. Truth has become an amateur project, not an absolute value, sanctioned by higher authorities. A new interpretation of the more common definition of cynicism might call it ' the unpleasant way of performing the truth.14 The internet is not a religion or a mission in and of itself. For some, it turns into an addiction, but one that can be healed like any other medical problem. The post-dotcom/post 9-11 condition borders on 'passionate conservatism' but, in the end, rejects dotcom's petit bourgeois morals and its double standards of cheating and hiding, cooking the books and being rewarded with fat pay checks. The question is, therefore: how much truth can a medium bear? Knowledge is sorrow, and 'knowledge society' propagators have not yet taken this into account.
In the context of the internet, it is not evil – as Rüdiger Safranski suggested – that is the 'drama of freedom', but triviality. This triviality is a direct result of the abundance of resources made available to those with access to a computer and the internet. The freedom of the press in the 18th through the 20th centuries, if it existed in the first place, had to deal with a (relative) scarcity of paper, typesetting equipment, radio frequencies, and access to satellites and other distribution channels. The freedom of shocklogs, as seen from a historical perspective, remains unprecedented. But, as Baudrillard states, 'All of our values are simulated. What is freedom? We have a choice between buying one car or buying another car?15 To continue Baudrillard's line of thinking, we could say that blogs are a gift to humankind that no one needs. This is the true shock. Did anyone order the development of blogs? It is impossible to simply ignore blogs and live the comfortable lifestyle of a 20th-century 'public intellectual'. Like Michel Houellebecq, bloggers are trapped by their own inner contradictions in the Land of No Choice. The Times of London noted that Houellebecq 'writes from inside alienation. His bruised male heroes, neglected by their parents, cope by depriving themselves of loving interactions; they project their coldness and loneliness on to the world.16 Blogs are perfect projection fields for such an undertaking.
We're operating in a post-deconstructionist world in which blogs offer a never-ending stream of confessions, a cosmos of micro-opinions attempting to interpret events beyond well-known 20th-century categories. The nihilist impulse emerges as a response to the increasing levels of complexity within interconnected topics. There is little to say if all occurrences can be explained through the politically correct lenses of post-colonialism, class analysis, environmentalism and gender perspective. Blogging arises against this kind of 'correct' analysis, through which not a great deal can be said any more. As many have already noticed, blogs revolt against the nihilist manipulations of global news corporations, but that's only half the story.Blogs express personal fear, insecurity and disillusion – anxieties looking for partners-in-crime. We seldom find passion (except for the act of blogging itself). Often blogs unveil doubt and insecurity about what to feel, what to think, believe and like. Bloggers' confessions carefully compare magazines and review traffic signs, nightclubs and T-shirts. This stylized uncertainty circles around the general assumption that blogs ought to be biographical while simultaneously reporting on the world outside. Their emotional scope is much wider than that of other media, thanks to the informal atmosphere of blogs. Mixing the public with the private is constitutional here. What blogs play with is an emotional register that runs from boredom to hate to passionate engagement to sexual outrage and back again.
Blogs are witnessing and documenting the diminishing power of the mainstream media, but they have consciously not replaced its ideology with an alternative. Users are tired of top-down communication – yet they have nowhere else to go. 'There is no other world' could be read as a response to the anti-globalization slogan 'Another world is possible'. Alternative or not, there are plenty of stories, observations, pictures, remarks and notes that float around, looking a dozen or so viewers. Caught in the daily grind of blogging, one feels that the Network is the alternative. It is not correct to judge blogs merely on the basis of content. Media theory has never taken this approach and here, too, should shy away from this type of evaluation. Blogging is a nihilistic venture precisely because the ownership structure of mass media is questioned and attacked – without providing an answer to the looming crisis. Blogging is a bleed-to-death strategy (actiones in distans). Implosion is not the right word. Implosion implies a tragedy and a spectacle that fails to describe this situation. Blogging is the opposite of spectacle. It is flat (and yet meaningful). Blogging is not a digital clone of the 'letter to the editor'. Instead of complaining and arguing, the blogger assumes the perversely pleasurable position of media observer.
Commenting on mainstream culture, on its values and products, should be read as an open withdrawal of attention. The eyeballs that once patiently looked at all reports and ads have gone on strike. According to the utopian blog philosophy, mass media are doomed. Their role will be taken over by 'participatory media'. The terminal diagnosis has been made, and it states that closed top-down organizations no longer work, that knowledge cannot be 'managed', and that today's work is collaborative and networked. Despite continual warning signs, however, the system successfully continues to (dys) function. Is top-down really on its way out? Where are the origins of the Hegelian certainty that the old media paradigm will be overthrown? There is little factual evidence of its demise. It is this ongoing state of affairs that causes nihilism, and not revolutions, to occur.
Seen in the light of established structures of meaning, blogs bring on decay. Each new blog is supposed to add to the fall of the media system that once dominated the 20th century. We cannot downplay their supposed influence by saying that blogs are merely a 'secondary' public realm. What blogs, wikis and social-network sites question is the hegemony. Once hegemony is undermined, it cannot be repaired easily, and to a greater and greater degree power will have to rely on force. Mainstream media are losing their self-evidence. This process is not one marked by a sudden explosion. The erosion of mass media cannot be traced easily in figures indicating the stagnant sales and declining readership of newspapers. In many parts of the world television is still on the rise. What's declining is the Belief in the Message – this is the nihilist moment, and blogs facilitate the culture as no platform has ever done before. Sold by the positivists as 'citizen media' commentary, blogs assist users in their crossing from Truth to Nothingness.
Bloggers are nihilists because they are 'good for nothing'. Posting their messages on nirvana, they turn their futility into a productive force. They are the nothingists who celebrate the death of centralized structures of meaning and ignore accusations that they produce only noise. They are disillusionists whose conduct and opinions are regarded as worthless.17 The printed and broadcast message has lost its aura. News is consumed as a commodity with entertainment value. Instead of lamenting the ideological colour of the news, as previous generations have done, we blog as a sign of the regained power of the spirit. As a micro-heroic, Nietzschean act of the pyjama people, blogging grows out of a nihilism of strength, not out of the weakness of pessimism. Instead of presenting blog entries as self promotion, time and again, we should interpret them as decadent artefacts that remotely dismantle the mighty and seductive power of the broadcast media.
1. Geert Lovink, Zero Comments: Blogging and Critical Internet Culture (New York: Routledge, August 2007).
2. See Rebecca Blood's history of blogs, written in September 2000: http://www.rebeccablood.net/essays/weblog_history.html.
4. Taken from Wikipedia's blog definition (accessed December 21, 2005).
5. Jean Baudrillard, The Intelligence of Evil or the Lucidity Pact (Oxford/New York, 2005), 25.
6. Pew/Internet, Bloggers: A portrait of the Internet's new storytellers, posted on July 19, 2006. URL: http://www.pewinternet.org/PPF/r/186/report_display. asp.
7. Ed Phillips from San Francisco reports that 'unit testing is now de rigueur in the software world and just as it would be hard to imagine a major software effort without unit testing, it is now hard to imagine big media without the blogosphere' (email, 27 March 2006).
8. Geert Lovink, 'Interview with Cecile Landman', 17 January 2006. URL: http://www.networkcultures.org/weblog/archives/2006/01/support_iraqi_b. html.
9. Nick Gall: 'A lot of the media are thinking about blogs as a new form of publishing but it's really a new form of conversation and a new form of community. ' In: David Kline and Dan Burstein, blog! (New York: CDS Books, 2005), 150.
10. Source: Telepolis, 27 December 2005. Wolf-Dieter Roth, 'Mein blog liest ja sowieso kein Schwein'. URL: http://www.heise.de/tp/r4/artikel/21/21643/1. html.
11. Glenn Reynolds, An Army of Davids: How Markets and Technology Empower Ordinary People to Beat Big Media, Big Government, and Other Goliaths (Nashville: Nelson Current, 2006).
12. The Wikipedia entry is no longer available, but the initial content has been copied and posted on various websites and can also be found on the web archive of the nettime-l list. Early 2007 there were some discussions and postings on nettime about 'shocklogs', see for instance 17 and 22 January, 2, 8 and 9 February, and 10 March 2007.
13. Taken from the Foucault Dictionary Project: http://users.california.com/~rathbone/foucau10. htm.
15. Interview with Jean Baudrillard by Deborah Solomon, 20 November 2005, New York Times Magazine.
16. Douglas Kennedy, quoted by Maya Jaggi in The Guardian, 5 November 2005. URL: http://books.guardian.co.uk/departments/generalfiction/story/0,, 1627808, 00. html.
17. Justin Cremers, The Romanticism of Contemporary Theory (Ashgate: Hants, 2003), 77.


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Zentrum der Macht
bloggen für große
What Is The Difference Between An Executive Agreement And A Treaty
Veröffentlicht am 20. Dezember 2020 von Markus
The analysis sorts the agreements according to their lifespan and assumes that x-quantil is an exclusive executive agreement, x ∈ [0, 0.1]. For example, x -0.03 assumes that the 3% of the least durable agreements are one-off executive agreements. It then omits these agreements from the analysis, executes the preferred model (5) and counts the estimated coefficient on the contractual indicator and its standard defects. Keep in mind that the assumption that the least durable agreements are exclusive executive agreements is extremely restrictive. In fact, it is much more likely that some unique executive agreements will survive the agreements between Congress and the executive branch. This approach can therefore be expected to distort the sustainability of congressional executive agreements, making it more difficult to differentiate between tenure of contracts and executive agreements. While it can be shown that even in these restrictive assumptions, contracts are viable, this is particularly strong evidence of an increase in the lifespan of contracts. if I agree individually, t is a period, x refers to a series of covariates and h the danger rate, that is, the probability of an event occurring. A treaty therefore requires the approval of the U.S. Senate to enter into force, while an executive agreement does not. As explained in the text, as international agreements can be repealed at any time, survival periods are of an ongoing nature. However, since survival periods are measured only once a year when the TIF is published, the data can be described as continuous data grouped by year.
For truly continuous data in which an event can occur at any time, the Cox Proportion Hazard ModelFootnote 117 has emerged as a preferred choice by researchers, notes 118, as it is a semi-parametric model based on a few hypotheses. The popularity of this model is due to the fact that it can be estimated without making parametric assumptions about the base risk rate. For example, the researcher is not obliged to consider that survival decreases over time, exponentially or in other predefined ways at constant speed. However, the Cox model assumes that the data do not contain links, which means that no observations have exactly the same survival time. This is because links cannot occur when survival times are measured on a truly continuous scale. Researchers have developed several techniques that make the Cox model mobile even in the presence of links. The most accurate approach is the "precise method" developed by veal and Prentice meat. Footnote 119 Intuitively, when two subjects survive exactly at i and k n periods, the exact method considers the alternative that I survived longer than k and the alternative that has survived longer than i, and opts for the jeniser which is more likely. Footnote 120 In data sets with many themes, periods and links, the exact method is not feasible because it is very intense mathematically.
The footnote 121 of the "Efron method" brings us closer to the exact method, which does not suffer from comparable resource restrictions, but is a little less precise. While some doctrinal criticism persists about the widespread application of the congressional executive agreement in place of the treaty, footnote 34 is now the prevailing view that treaties and executive agreements in Congress legally replace the vast majority of agreements under national law. Footnote 35 This view is also reflected in Restatement (Third) of the Foreign Relations Law of the United States. Footnote 36 There, the American Law Institute notes: 82 Hathaway, supra note 1, at 1259 ("[S]eparating executive agreements that are congressionally authorized from those who are not required akribisch search for authorizing legislation.
Dieser Eintrag wurde veröffentlicht in Allgemein von Markus. Permanenter Link des Eintrags.


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Wild Blood Unreal Engine-Based Game Teased by Gameloft in New Clip (Video)
Written by alex
Gameloft previously teased the game Wild Blood with a simple image, that showed a bloody landscape, with the remains of fighters and a big old sword in the middle. Now you can watch a full blown teaser of their upcoming game Wild Blood, that's available below. There are also hints about the title on the Facebook page of the game.
This is the very first video teaser of the title, that will arrive soon to Android and iOS. It seems to be a game in the same vein as Infinity Blade II, but I hope it's more mobile, since Infinity Blade seemed static, much like Blood & Glory, if you ask me. The Unreal technology should help deliver a fantastic game and the trailer somehow makes me believe that it will have RPG elements as well.
This could be the beginning of a RPG series, a franchise maybe, so it's important to keep an eye on Wild Blood. Frankly speaking, after seeing the bloody and grim picture, I was surprised to see what the trailer was actually pretty colourful. Let's hope that the story of the game is as good as the graphics!
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Some celebrities tumble out of nowhere into fame. Others, quite literally, grow up in front of our eyes. The best example: Mary-Kate and Ashley Olsen, the adorable and adorkable twins from '90s sitcoms Full House and Two of a Kind.
Even if you never knew Michelle Tanner or the Burke sisters, and have only admired the Olsens as grown-up designers, authors, and beauty innovators — that dry shampoo-perfume hybrid is rad, just sayin' — there's a lot to love about the twins. Olsen fandom runs deep, with droves coveting designs from Elizabeth and James and The Row (or, rather, admiring the very pricey The Row and then hitting Zara for something similar) and layering on their signature scents. And remarkably, in our tell-all, share-all, Snap-all age, the talented twosome has managed to remain pretty damn famous without any social media presence. Fact: We all freaked when they posted their first selfie on Sephora's Instagram — just this year.
Because their beauty game has been pretty consistent lately (air-dried hair, beige lips, smudged brown liner), it's easy to think they've always looked this way. Oh, are you in for a treat. With a variety of hair colors and experimental makeup choices, the Olsens are the OG promoters of IDGAF beauty in its purest form.
To celebrate their 30th birthday on June 13, we're taking a stroll down memory lane to see all of their best looks. Ahead, the twins' defining beauty moments — Full House GIFs not included.


Biological Identification provides a detailed review of, and potential future developments in, the technologies available to counter the threats to life and health posed by natural pathogens, toxins, and bioterrorism agents. Biological identification systems must be fast, accurate, reliable, and easy to use. It is also important to employ the most suitable technology in dealing with any particular threat. This book covers the fundamentals of these vital systems and lays out possible advances in the technology.
Part one covers the essentials of DNA and RNA sequencing for the identification of pathogens, including next generation sequencing (NGS), polymerase chain reaction (PCR) methods, isothermal amplification, and bead array technologies. Part two addresses a variety of approaches to making identification systems portable, tackling the special requirements of smaller, mobile systems in fluid movement, power usage, and sample preparation. Part three focuses on a range of optical methods and their advantages. Finally, part four describes a unique approach to sample preparation and a promising approach to identification using mass spectroscopy.
Biological Identification is a useful resource for academics and engineers involved in the microelectronics and sensors industry, and for companies, medical organizations and military bodies looking for biodetection solutions.
Biological Identification is a useful resource for academics and engineers involved in the microelectronics and sensors industry, and for companies, medical organisations and military bodies looking for biodetection solutions.
R. Paul Schaudies is the president and chief executive officer of GenArraytion. He served as scientific advisor to the EPA during the Anthrax incident in Washington D.C. and served on a dozen National Research Council committees due to his expertise in bio- and nanotechnology. He has also held research posts in the US Army, and is an author of several papers and reports on biological identification.


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2 edition of Dump-27 Once Upon Galaxy found in the catalog.
Dump-27 Once Upon Galaxy
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[Josepha Sherman;] -- Includes fifty folktales from around the world, relating them to contemporary fantasy, science fiction, and cartoon themes. This book details, and I do mean details, the making of The Empire Strikes Back. It has everything from detailing what they ate for breakfast, to where they stayed, to conversations about major changes to the dialogue.
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News»Classes
Bonnie Wong poses in front of graffiti during a reporting field trip for professor Alan Mittelstaedt's high school journalism summer program.
USC Annenberg / Alan Mittelstaedt
High school senior Bonnie Wong reflects on summer journalism program
Yashashree Pisolkar
Updated November 3, 2015 4:27 p.m.
Bonnie Wong is a senior at Mark Keppel High School in Monterey Park, California. One of 21 students selected, Wong participated in USC Annenberg's four-week summer journalism program for high school students, taught by professor Alan Mittelstaedt.
How did you hear about the program?
I heard about the program originally through my school's guidance office. My school counselor and I communicate on a daily basis and she forwarded me an email suggesting this program because she knows that I'm highly interested in journalism and that the USC Summer Program offered the News Reporting in the Digital Age course.
Why did you decide to apply?
I first heard about USC through my father who is an alumni of the school of architecture, so USC has always been an influential name to me. Just hearing the name "USC" has always sparked an interest in my mind. However, I never had that opportunity to experience campus life and work in a real world college setting, so I jumped on the chance to do so by applying.
What was your favorite memory from the program?
At my high school, I never really got the opportunity to work with others. In my community, people generally keep to themselves and use negative setbacks to motivate them to do better. The environment was completely different here, and it shocked me tremendously. What I enjoyed most about the program was the positive learning environment. Our professor encouraged group collaboration, and we often found ourselves working in a group setting and bouncing ideas off of each other as a whole class. USC really fostered such a great place to be at. From the moment I stepped on campus, I saw myself as a part of this welcomed Trojan family. Instead of being told I couldn't do something, my professor and classmates were always encouraging me that "I could" and these seemingly limitless possibilities was where I learned and grew so much from.
What were some of the stories and projects you worked on?
As a news reporting course, we focused on current events. Every day we would collaborate as a class to discuss the top trending stories and out of them came projects we worked on. I was able to cover the tragic Charleston, South Carolina shooting that occurred in June when a gunman killed several church members. We also took a new angle of the 2016 Presidential Election by featuring some of the lesser-known candidates who are running. Each week we would visit a new location around the Los Angeles area and get a few interesting interviews on topics ranging from California's drought to the quality of life in L.A. For my project, I decided to write about high school censorship. The topic is very dear to my heart because I am Editor-in-Chief of my school's publication. What interested me in this topic was that a school in our district's rights were violated when the principal censored their newspaper for writing a story about a popular teacher's dismissal. Even though the summer program has come to a close, I still find myself referring back to it on a daily basis. For example, I recently found out that our school's online news website will no longer be able to act on it's own, rather the school district will have control over it. Through writing my article, I see that "censorship" is even more relevant to our school today too.
What were the field trips like; where did you go?
The field trips were a time where I really got to put myself out there in the world and interview strangers about their opinions. It's fascinating to see people's responses and behaviors and how that can be interwoven into a story. Our first field trip was to the Central Park across the street from the Department of Water and Power John Ferraro building. There we interviewed people about California's drought. Ironically, the park has a huge fountain where many children were playing in. The second field trip we attended was to the Arts District. It was an interesting scene because you could tell that the new buildings and progressively creeping up on the older artwork and urban gentrification threatens the preservation of the original area. Another field trip we went to was the Broadway District where tourism affects the community greatly and made for a great article. Lastly, we toured the Grand Central Market and surrounding areas where we were able to interview locals and visitors alike. The field trips were highly memorable for me because I was able to exercise what I learned in the class.
Are you interested in journalism as a possible career?
Journalism has always been my career of choice. I have such a strong desire and passion to expose the truth through writing. However, just a few weeks before the summer program, I started to become hesitant about pursuing journalism because of the many negative things I heard about the profession. In addition, in my community nearly no one majors in journalism and many people have tried to persuade me to against doing so. However, I think the point where I became 100% confident that this was something I wanted to do was because of the wonderful experience I had from the USC Program. The course really cemented my faith in the journalism world and extinguished all my prior fears.
I can honestly say that the USC Summer program provided me with the best four weeks of my life. As cliché as that may sound, I feel that I was able to accomplish so much and make an impact in the world. I was able to make friends who are as equally passionate about journalism as I am. In addition, I'm so grateful to my professor for all that he has done for me. The program was truly an experience never to be forgotten and I always joke around with others saying I'm having "USC withdrawals" because of how much I miss it.
Dean Ernest J. Wilson III headlines the 2017 Loper Lecture
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This is a collection of my artistic, romantic impressions, inspired from dialog with my female pen pal M.C. There is a broad range to these stories, including fantasy, horror, humor, science fiction and erotica. For a time, my entire perspective revolved around this singular woman. Da Vinci had his masterpiece in Mona Lisa, and in a similar vein I have mine in M.C. Rating: HIGH controversy.


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Step back into New Testament times--to Ancient Jerusalem at the time of Christ and of the historical Roman Empire, and ask: What could a cynical, non-conformist dry-goods salesman, a disgruntled blacksmith, and a musing mendicant all have in common? The answer: Down deep, they all seek something better. But will they find the true fulfillment they are seeking? The non-conformist, Manaheem, Herod's foster brother, is hired by Herod to foment an insurrection against Pontius Pilate, whom he distrusts. Manaheem recruits the blacksmith, Barabbas, to be the insurrection leader, to the dismay of Barabbas' Godly but fearful wife (when he finally tells her). The mendicant, an unfortunate but pensive young man named Timotheus, joins with an older beggar completely unsympathetic to his musings. Pontius Pilate sees himself as a weak ruler, but his wife pushes him to be stronger and to even take over Herod's territory. Manaheem re-unites with his former wife, Claressa. In need of more money, he tries to blackmail Herod over his illicit affair with Herodius, his brother's wife, but, Herod decides to marry Herodius and send his present wife back to her father. John the Baptist preaches to Herod and looses his head. Herod's palace is attacked, and suspecting Pilate, he tells Manaheem go ahead with the mission. Barabbas is successful in forming a group of insurrectionists and they rehearse for the big day.
Having left the seed of rebellious ideas in the mind of Barabbas, and having been given the official go-ahead by Herod, Manaheem returns to effectively plant the vision of leading an insurrection in the mind of the disgruntled blacksmith. He begins by discussing the evils of the government in general, and then painting Pilate as the real villain to be feared. Note his use of the word "vision."
Life is something like a trumpet. If you don't put anything in it, you don't get anything out.
IT HAD BEEN ANOTHER long, tiresome ride, and he was hot and thirsty, as were his horses. He had just drained the last of his water from its container. Thus, as he pulled his horses up to the hitching post and murky watering trough close to the blacksmith shop, he was hoping the smith would have some clear cold water. Some customers were just leaving the shop as he entered. He nodded coolly to them and they returned the gesture, some staring at his strange appearance.
"They sure don't, do they?" agreed Barabbas.
Then, in a quieter voice, directed only to Barabbas, "But, do think about what I told you. And, do be careful." In a moment he was gone.


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The Mantua Township School District is a community public school district that serves students in pre-kindergarten through sixth grade from Mantua Township, in Gloucester County, New Jersey, United States.

As of the 2020–21 school year, the district, comprised of three schools, had an enrollment of 1,200 students and 121.4 classroom teachers (on an FTE basis), for a student–teacher ratio of 9.9:1.

The district is classified by the New Jersey Department of Education as being in District Factor Group "FG", the fourth-highest of eight groupings. District Factor Groups organize districts statewide to allow comparison by common socioeconomic characteristics of the local districts. From lowest socioeconomic status to highest, the categories are A, B, CD, DE, FG, GH, I and J.

Public school students in seventh through twelfth grades attend the schools of the Clearview Regional High School District, which serves students from Harrison Township and Mantua Township. Schools in the district (with 2020–21 enrollment data from the National Center for Education Statistics) are
Clearview Regional Middle School with 788 students (grades 7 and 8) and
Clearview Regional High School with 1,485 students (grades 9-12). Seats on the high school district's nine-member board are allocated based on population, with five seats assigned to Mantua Township.

History
Students in grades 7-12 from Mantua Township had attended Pitman High School as part of a sending/receiving relationship until Clearview Regional High School opened for the 1960-61 school year.

Schools
Schools in the district (with 2020–21 enrollment data from the National Center for Education Statistics) are:
Sewell School with 282 students in pre-kindergarten through Kindergarten
Katelyn Donocoff, Principal
Centre City School with 441 students in grades 1-3
Jennifer Cavalieri, Principal
J. Mason Tomlin School with 477 students in grades 4-6
Chantelle C. Shorter, Principal

Administration
Core members of the district's administration are:
Christine R. Trampé, Superintendent
Steven Crispin, Business Administrator
Michelle Daminger, Board Secretary

Board of education
The district's board of education, comprised of nine members, sets policy and oversees the fiscal and educational operation of the district through its administration. As a Type II school district, the board's trustees are elected directly by voters to serve three-year terms of office on a staggered basis, with three seats up for election each year held (since 2012) as part of the November general election. The board appoints a superintendent to oversee the district's day-to-day operations and a business administrator to supervise the business functions of the district.

References

External links
Mantua Township School District

School Data for the Mantua Township School District, National Center for Education Statistics
Clearview Regional High School District

Mantua Township, New Jersey
New Jersey District Factor Group FG
School districts in Gloucester County, New Jersey

redpajama_set_name: RedPajamaWikipedia


This is one of the most impressive and enjoyable Carmenères I have tasted for a very long time. It's in De Martino's single vineyard series and is a great expression of this variety grown where it is happiest and produces its best results – in the warm but moderate parts of Chile's coastal range in Maipo.
The last word in my tasting note was 'intoxicating' and although this is of course true in a literal sense (14.5% alcohol), I meant it metaphorically. It's a deep dark black cherry colour and has incredibly pure dark cassis fruit aromas with the merest hint of cassis leaf and capsicum so that you can't mistake it for any other variety. It shows wonderfully ripe Carmenère character without the slightest hint of overripeness: intense and rich and concentrated. There's a surprising and attractive freshness on the finish so that even though it is a big, powerful wine it doesn't overwhelm the palate. It's pure and fine with savoury, firm but melted tannins and a long finish. As I said, intoxicating.
Marcelo Retamal, De Martino's chief viticulturist and definitely one of the best in Chile, travels over 80,000 kilometres a year to make sure he stays close to the vineyards. So far they have vinified wine from 347 different plots (hence the name of their new 347 Vineyards range). This work on the ground has allowed Marcelo to identify and fine tune variety and site matching with great precision.
The grapes that go into this wine come from the organically cultivated Alto de Piedras vineyard in the Isla de Maipo in the Maipo Valley. This 5.4 ha (13 acre) vineyard is planted on soils of alluvial origin mixed with gravel, clay, and sand with excellent drainage and low fertility that naturally controls vineyard growth. The mild-warm climate gives a long ripening period that's very important to get rid of the green notes that this variety tends towards if it is not harvested at the right moment. The grapes for the 2006 were hand picked very late in the season, in the second week in May.
De Martino have been producing Carmenère from this site since 1996 so they have had time to experiement with all aspects of viticulture and harvest dates and it really shows in this vintage. To show just how much detail is involved, I've reproduced here a diagram showing how the vineyard is divided into blocks for individualised tender loving care.
To extract plenty of colour and deep fruit flavours, the grapes are cold macerated for a week at 8°C prior to alcoholic fermentation, which takes place in stainless steel tanks, then the wine spends 18 months in French oak barrels.
I tasted a barrel sample of the 2007 vintage (cool by Chilean standards, and dry) and it was different but equally good, potentially even better – a little darker and less voluptous at this stage but with velvety depths and lots of spice, perhaps a touch more refined but not as immediately welcoming.
Total production is just over 20,000 bottles but it is distributed in quite a few different countries, as shown in the list below. For more information, contact the importer/distributor cited.
In the UK the wine is available from The Wine Society, Stevenage, Whole Food Market, Kensington High St, London, and from www.everywine.co.uk (though check which vintage they have). In the US, it's imported by Global Vineyards (see their website for a list of distributors). And there's more information on distribution of De Martino wines in general here.
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Q: make the first character lowercase in jsp I have an href tag containing particular name.That is in a specified format.(e-Split) .I want to display the string as same as I entered. That means first letter want to be show as small letter.How can I do that?Can anyone help me to find out the result?
Thank you
In jsp

e-Split

It shows the output as

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A: Try this one

e-Split

A: Text-transform is used to change the word's style.They are as follows :
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All character will be capital.
p.lowercase {
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Only first character will get capital.
But in your case, after excuting your words are getting capital so you can ignor this by using none.
text-transform:none !important

!important used to have this property if any other property is coming. Hope it will help. :)

redpajama_set_name: RedPajamaStackExchange


Liam and Markus attend a GC6 meeting at the BCS offices in London. Below are some pictures from the trip. The evening before the GC6 meeting we had lunch with Stefan Gruner of the University of Pretoria.


This unusual tulip offers the lush look of peonies in small spaces.
Want the lush look of peonies in more places? Try this unusual tulip! Fully double, deep pink blooms appear in late spring to add glamour and beauty to garden spaces where larger peonies may not fit. Flowers are edged in spring green petals and create the look of a strawberry ice cream cone. Stems are sturdy, supporting the voluptuous tulips with ease.


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New Radio Show Joins the Wave
By Jillian Mehta, Arts & Entertainment Editor
"The Shiver" is a new alternative indie radio show hosted by sophomore art education major Jane Montalto and sophomore English education major Tori Monteleone.
The co-hosts share a love for alternative music and love the chance to share it with listeners.
"We call it like a show and tell of alternative music so I pick four songs, Tori picks four songs most of the time neither of us has heard the songs the other person picks so we talk about the songs," Montalto said. "I'm obsessed with music so it's kind of a cool way to talk about music uninterrupted."
Monteleone came up with the name for the show when thinking about the university mascot.
"I thought of the shiver because shiver is the name of a group of sharks so like we're the LIU sharks shiver and our music is so cool it'll make you shiver," Monteleone said.
Montalto has a broad music taste.
"I think it's very all over the place, which is I say alternative. I like more indie rock, sometimes singer-songwriter folkie music but then I also like new wave stuff like I'm wearing my talking heads shirt today, so I like that kind of music too," Montalto said.
The pair includes a "Shiver Shout Out" to help viewers find new music during the show.
"Every week we also do the shiver shoutout so like I've been trying to find smaller artists and stuff like that to tell people about that's a cool way to find new music and I joke that it's music that like a person is gonna blow up and you can gatekeep your friends, like 'oh I heard them when they only had 800 listeners on Spotify so," Montalto said.
The co-hosts recorded their first episode recently and recounted the experience.
"It was nerve-wracking I'll say that especially because you have to record a demo first and then the radio station listens to it then you go, so when we were recording our demo they only had one headphone jack so only Jane had headphones so I was just reacting because I couldn't hear everything at once so it was more of trying to anticipate what was going on but I really think we hit our stride," Monteleone said.
Montalto shared Monteleone's nerves, but quickly got the hang of things.
"For me the first show, I do the board of stuff and the levels of audio, so it was definitely scary because like when you do the demo it was okay if I mess this up it's fine we can just start over and we can do it again but when it's a live show you're you just have to keep going. It's still a learning curve for me because even last week's episode I accidentally forgot to pause the music and turned back the computer audio and you could hear the next start for a second while Tori was talking and her face was like 'uh' no 'go go go go go' we have ten seconds. Definitely 'the show must go on' type of thing," Montalto said.
Viewers can listen to "The Shiver" every Thursday from 6 to 7 p.m. at LIUWave.org, and keep up with the show on Instagram and Twitter at @TheShiver.
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Semyon Budyonny
Page views of Semyon Budyonnies by language »
Among MILITARY PERSONNELS »
Among MILITARY PERSONNELS In Russia »
Semyon Mikhailovich Budyonny (Russian: Семён Миха́йлович Будённый, tr. Semyon Mikáylovich Budyonnyy, IPA: [sʲɪˈmʲɵn mʲɪˈxajləvʲɪdʑ bʊˈdʲɵnːɨj] (listen); 25 April [O.S. 13 April] 1883 – 26 October 1973) was a Russian cavalryman, military commander during the Russian Civil War, Polish-Soviet War and World War II, and a close political ally of Soviet leader Joseph Stalin. Born to a poor peasant family from the Don Cossack region in southern Russia, Budyonny was drafted into the Imperial Russian Army in 1903. Read more on Wikipedia
Since 2007, the English Wikipedia page of Semyon Budyonny has received more than 497,751 page views. His biography is available in 48 different languages on Wikipedia (up from 47 in 2019). Semyon Budyonny is the 150th most popular military personnel (up from 180th in 2019), the 147th most popular biography from Russia (up from 167th in 2019) and the 9th most popular Russian Military Personnel.
Semyon Budyonny was a Soviet military commander who was most famous for leading the Red Army to victory in the Russian Civil War.
Page views of Semyon Budyonnies by language
Among MILITARY PERSONNELS
Among military personnels, Semyon Budyonny ranks 150 out of 1,466. Before him are Mardonius, Hermann Fegelein, Djemal Pasha, Ernst Busch, Erwin von Witzleben, and Helmuth Weidling. After him are Franz Halder, José de San Martín, Georg von Küchler, Johannes Blaskowitz, Walther von Reichenau, and Yi Sun-sin.
Most Popular Military Personnels in Wikipedia
Hermann Fegelein
Djemal Pasha
Erwin von Witzleben
Helmuth Weidling
Franz Halder
Georg von Küchler
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Yi Sun-sin
Among people born in 1883, Semyon Budyonny ranks 22. Before him are Victor Francis Hess, Grigory Zinoviev, Clement Attlee, Pierre Laval, Otto Heinrich Warburg, and Theo van Doesburg. After him are Johannes Blaskowitz, Maurice Utrillo, Aleksey Nikolayevich Tolstoy, Andrey Vyshinsky, Lon Chaney, and Archduchess Elisabeth Marie of Austria. Among people deceased in 1973, Semyon Budyonny ranks 24. Before him are İsmet İnönü, Paavo Nurmi, John Ford, Hans Kelsen, Pablo Casals, and Ferdinand Schörner. After him are Gabriel Marcel, Anna Magnani, Víctor Jara, J. Hans D. Jensen, Jacques Maritain, and Karl Ziegler.
Victor Francis Hess
Grigory Zinoviev
Clement Attlee
Pierre Laval
Otto Heinrich Warburg
Theo van Doesburg
Maurice Utrillo
Andrey Vyshinsky
Archduchess Elisabeth Marie of Austria
İsmet İnönü
Paavo Nurmi
Ferdinand Schörner
Gabriel Marcel
Anna Magnani
Víctor Jara
J. Hans D. Jensen
Jacques Maritain
Karl Ziegler
Among people born in Russia, Semyon Budyonny ranks 147 out of 2,688. Before him are Ivan Goncharov (1812), Aleksandr Vasilevsky (1895), Sergei Yesenin (1895), Grand Duchess Anna Petrovna of Russia (1708), El Lissitzky (1890), and Walther Funk (1890). After him are Alexander Glazunov (1865), Johannes Blaskowitz (1883), Stenka Razin (1630), Joseph Brodsky (1940), Anna Pavlovna of Russia (1795), and Pavel Cherenkov (1904).
Ivan Goncharov
Aleksandr Vasilevsky
Sergei Yesenin
Grand Duchess Anna Petrovna of Russia
El Lissitzky
Alexander Glazunov
Stenka Razin
Anna Pavlovna of Russia
Among MILITARY PERSONNELS In Russia
Among military personnels born in Russia, Semyon Budyonny ranks 9. Before him are Ivan Konev (1897), Stanislav Petrov (1939), Mikhail Tukhachevsky (1893), Alexander Suvorov (1730), Vasily Chuikov (1900), and Aleksandr Vasilevsky (1895). After him are Johannes Blaskowitz (1883), Andrey Vlasov (1901), Felix Steiner (1896), Pyotr Bagration (1765), Gotthard Heinrici (1886), and Vasily Stalin (1921).
Russian born Military Personnels
Ivan Konev
Stanislav Petrov
Mikhail Tukhachevsky
Alexander Suvorov
Vasily Chuikov
Gotthard Heinrici
Vasily Stalin
1466 Individuals
Soviet Military Leader From 1918 To 1937
Lev Mekhlis
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Semyon Timoshenko
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Alexander Yegorov
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Grigory Kulik
Marshal Of The Soviet Union
Boris Shaposhnikov
Soviet-russian Military Commander
Iona Yakir
Soviet Military Commander (1896–1937)
Kliment Voroshilov
Soviet Military Officer (1881–1969)


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Comprehensive Pre-Purchase Surveys are commissioned by a potential buyer before a boat purchase. The report will also be required by the buyer's insurance company and perhaps by the buyer's finance company. The buyer makes an offer on a boat "subject to survey".
This survey is commissioned by an owner upon the request of his insurance company on renewal of his policy. Usually for boats over 20 years old.
Go to Surveys of wooden boats.
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I took an instant dislike to this woman, who, though she had attended the speed blogging session, had clearly not experienced it. Speed blogging is always one of my favorite parts of the Wine Bloggers Conference, because it's such a challenge. The seven or eight bloggers at each table are trying to get as much information out of the wine presenters as possible, while simultaneously assessing each wine and writing something intelligent about it, all within each five-minute wine speed date. Composing fluffy bottle shots with flowers and candles and such is not within the remotest realm of possibility.
And it's no picnic for the presenters, either. They're faced with a table of stressed bloggers who don't make eye contact (we're buried in our laptops and phones). We shout a barrage of questions ranging from the simple (Vintage?!) to the irritating (What's your Twitter handle? Wait — what's your Twitter handle?) to the borderline rude (Who are you? Who? Oh, the owner?). Meanwhile they're trying to pour the wine, explain the wine, pass out information sheets about the wine, and give us each a chance to photograph the wine, ideally with a nice background, of course.
In short, it's barely controlled chaos, and I absolutely love it. In order to successfully speed blog, I have to find a place of serious focus, shutting out all the noise and confusion around me in order to give each wine the attention it deserves. Learning to focus that way has helped me in all sorts of loud, overcrowded tastings (one of the most common kinds).
After having been in Lodi since Wednesday evening and trying dozens of local reds, this speed blogging event was not particularly surprising. But it was particularly delightful. The reds here tend to be richly fruity and concentrated, with enough spice, acids and tannins to balance. It can be a truly gorgeous combination.
2013 Harney Lane Old Vine Zinfandel Lizzy James Vineyard: Lizzy James really is an old-vine vineyard — it was planted in 1904, sixth-generation winery owner Kyle explained. Aged in 100% French oak, this Zin has a gorgeously rich raspberry and vanilla aroma, cool and clear fruit, with forceful white pepper and plenty of heady alcohol. Ah yes — it's 15.5% alcohol! And yet it's balanced. It's a bit of a monster, this wine, and I love it. At $36 it's not inexpensive, but now I regret not buying a bottle at the winery when I had the chance.
2014 LangeTwins Nero d'Avola: Joe Lange himself poured this Italian varietal, and it's unfortunately the second-to-last vintage. The Lange family had to rip up the vines after the 2015 harvest because of a couple of serious vineyard diseases. What a lovely dark cherry aroma, enhanced with some purple flowers. There's a nice calm characteristic to the fruit, and classy, restrained spice with enough oomph to balance. It's a steal at $20, and based on what I've tasted at the conference this week, I wouldn't hesitate to purchase any LangeTwins bottling of any of the 23 or 24 varieties they make.
2013 Michael David "Inkblot" Cabernet Franc: The first Cabernet Franc of the conference! Each vintage of Inkblot showcases a different variety that wine drinkers might not expect, such as Petit Verdot or Tannat, or in this case, Cab Franc, as the marketing manager Paul explained. It contains 10% Petit Sirah to round things out, and my goodness, it works. The aroma is heady and dark, the fruit is big and lush on the palate, and it moves to a blast of tannins followed by an elegant shaft of spice on the finish. It's certainly drinkable now, but I would love to lay a bottle down for five years to see what happens. The $35 price seems perfectly reasonable.
2013 Peirano Estate "The Other" Red Blend: A blend of 50% Cabernet Sauvignon, 40% Merlot and 10% Syrah, this wine has an unexpected aroma, with almost jammy dark fruit combined with an underripe green-pepper quality. Though now that it's been in my glass a few moments, the fruit has started to overpower the vegetable. There's plenty of rich fruit — even in a $12 wine from Lodi, there better be, followed by black pepper spice and soft tannins. It's perfectly drinkable, and not at all a bad value for $12.
2014 Klinker Brick Cabernet Sauvignon: Steve Feldman, the winery owner, shared with us Klinker Brick's first Cabernet Sauvignon vintage, which retails for $19. It has a deliciously rich aroma of dark fruit, a midsection of classy spice and firm but not aggressive tannins on the finish. This is a Cabernet I can really get behind — the first Lodi Cabernet I've really loved. It coats the mouth with ripe, chewy fruit, and it's a superlative value.
2013 Cultivar Cabernet Sauvignon: I don't usually write about Napa Cabernets, because they are exactly the opposite of unusual and obscure, so it's a nice change of pace. I like its heady dark fruit aroma and up-front fruit on the palate. It makes a quick pass through some spice in the midsection before giving me a slap of tannins, followed by some slow-developing black pepper spice. I suspect it needs another year or two to round and soften. I quite like it, but I would much rather spend $19 on the Klinker Brick than $29 on this one.
2013 Oak Ridge Winery "Moss Roxx" Ancient Vine Zinfandel: Steve, the international marketing manager, poured some the OZV red blend before this, which I unfortunately didn't have time to taste. I can barely handle one wine per speed taste in this event. Two, for me, is an impossibility. I skipped the OZV in order to move right to this Zin from vines which average 105 years in age. I love the rich red-fruit jam aroma, cool ripe fruit on the palate, classy white pepper spice and notable tannins on the finish. A delight for $22.
2013 Ehlers Estate "1886" Cabernet Sauvignon: This is the flagship Cabernet of this Napa winery, with fruit from St. Helena. It's actually 85% Cabernet with 5% Merlot, 8% Cabernet Franc and 2% Petit Verdot. I loved the perfumed dark red fruit aroma, ample but classy white pepper spice in the middle and clear but supple tannins on the finish. It's beautifully made, and if I were rich, I might even consider buying it for $110.
Read about Speed Blogging session #1 — Lodi whites, rosés and bubblies — here, or for more red wine Speed Blogging action, read last year's red report here.
These wine tastes were provided free of charge.
Impressed by your work ethic to have posts up already!