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The First Tee of Greater New Orleans
Gia Maione Prima Foundation proudly announces a multi-year partnership with First Tee of Greater New Orleans. The First Tee curriculum is based on the Nine Core Values which are essential to young people to make positive choices and overcome challenges while learning the lifelong sport of golf. The grant will support the transportation needs of students from diverse ethnic backgrounds and the expansion of the summer camp programs. The partnership will have a profound impact to reach low-income, underserved youth by building a bridge for these youth to attend programming that they would not otherwise have the opportunity to experience.
Click here to read Press Release regarding the partnership
ASCAP Foundation Louis Prima Award
In 2011, The ASCAP Foundation Louis Prima Award was established by Gia, wife of Louis and her friend and long-time counsel, Anthony J. Sylvester of Sherman Wells Sylvester and Stamelman LLP to honor the legendary musician Louis Prima. Each December, The ASCAP Foundation hosts an invitation-only, VIP Awards ceremony in New York City hosted by ASCAP President and Chair, Paul Williams. The annual Award is given out to a graduating senior from NOCCA preferably in the jazz or big band genre. Each winner receives a scholarship to defer college expenses.
The previous winners of The ASCAP Foundation Louis Prima Award are as follows:
2019 Recipient Psalm Fitch (click here to read Psalm's Biography)
2018 Recipient Diji Diallo (click here to read Diji's Biography)
2017 Recipient Saida Joshua Smith (click here to read Saida's biography)
2016 Recipient Brian Richburg, Jr. (click here to read Brian's biography)
2015 Recipient Madison Kerth (click here to read Madison's biography)
2014 Recipient John Michael Bradford (click here to read John's biography)
2013 Recipient Jeffery Miller (click here to read Jeffery's biography)
2012 Recipient Miles Berry (click here to read Miles' biography)
2011 Recipient Glenn Hall III (click here to read Glenn's biography)
2018 Recipient Diji Diallo
Anthony Sylvester, Diji Diallo, Louis Prima Jr., Paul Williams
2011 Recipient Glenn Hall III
Will Friedwald, Glenn Hall III
2019 Recipient Psalm Fitch
Psalm Fitch, Anthony Sylvester
Tunes for Toys
The GMPF has agreed to sponsor the 2019 "Tunes for Toys" Concert. The sponsorship supports the fundraiser produced by Trombone Shorty Foundation. The Trombone Shorty Foundation provides music education, mentoring and new instruments of young New Orleans musicians. The holiday charity concert will take place on December 19 at Tipitina's. Trombone Shorty will perform and the price of admission is a new toy which will later be donated to the children of New Orleans.
Click here to learn more about the 2019 "Tunes for Toys" Concert
Trombone Shorty & Anthony Sylvester
State Theatre New Jersey
Gia Maione Prima Foundation is proudly sponsoring the Blue Note Records 80th Anniversary Tour at the State Theatre New Jersey. Blue Note Records is widely considered to be one of the most important jazz record labels in the world. The tour is scheduled for November 6, 2019 and will celebrate Blue Note Records 80th Anniversary. The show will present three diverse artists, pianist James Francies, saxophonist James Carter with his Organ Trio and vocalist Kandace Springs as well as a special performance by Jeffery Miller, scholarship winner of the 2013 ASCAP Foundation Louis Prima Award.
Click here to read more about Blue Records 80th Birthday Celebration
Click here to read more about the Blue Records 80th Birthday Celebration
NJCU Alumni Jazz Big Band
Gia Maione Prima Foundation is sponsoring the 7th Annual NJCU Alumni Jazz Big Band Concert on Friday, September 6 at 6:00 p.m. on the J. Owen Grundy Pier, Exchange Place, in Jersey City. The free concert will be conducted by Professor Emeritus Richard Lowenthal and it will salute the 100th birthdays for Nat King Cole and Art Blakey, and will feature trumpeter Wynton Marsalis and vocalists Allan Harris and Antoinette Montague. The all-star big band includes drummer Rick DeRosa, sax players Mark Friedman, Bob Magnusson, Dave Noland, Dustyn Richardson, and John DiSanto; trumpeters Alex Norris, Nate Eklund and Vinnie Cutro; trombonists Rob Edwards, Mike Modero, and Conrad Zulauf; and faculty member Garry Dial on piano. The big band will also feature three students: bassist John Benitez, trombonist Juanga Lakunza, and trumpeter Alejandro Pizarro-Leon.
Click here to learn more about the NJCU Alumni Jazz Big Band Concert
Click here to read the press release regarding the 7th Annual NJCU Alumni Jazz Big Band Concert
Jazz House Kids
The GMPF renewed its partnership with Jazz House Kids. The renewed pledge will continue to support the Louis Prima and Gia Maione Prima Scholars Fund. The multi-year grant will provide tuition assistance to children from low-income families across New Jersey in jazz education and performance programs and its nationally recognized Jazz House Summer Workshop. The Scholars Fund was established to honor the life and legacy of Louis Prima and Gia Maione Prima and their commitment to music education. Jazz House Kids has gained a national reputation by helping students gain an "artistic edge" through music, mentoring, education and apprenticeship. Special programming is planned to celebrate Louis Prima's 110th birthday at the 2020 Montclair Jazz Festival.
Click Here to learn more about Jazz House Kids
Click Here to learn more about the Montclair Jazz Festival
Summer Jazz Concerts at the College of Saint Elizabeth
Gia Maione Prima Foundation is sponsoring the Summer Jazz Concerts at the College of Saint Elizabeth located in Morristown, New Jersey. The concert series will be held on Wednesdays during the month of July 2019 and will include performances by Louis Prima, Jr. and the Witnesses, Nicki Parrott Trio with Rossano Sportiello and Harry Allen, Danny Bacher and His All-Stars and The Bishop and His Abbotts featuring Rio Clemente, Flip Peters, Gene Perla and Bill Goodwin.
Click here to read about the Summer Concert Series
Count Basie Center for the Arts
Gia Maione Prima Foundation entered in an agreement with the Count Basie Center for the Arts. The agreement will benefit the $27 million expansion of the Count Basie Center to create a world-class creative campus for art education, culture and the performing arts. The endowment will also support Louis Prima Summer Jazz Camp and Louis Prima Concert series. In recognition of the partnership, the Second Space Lobby located in the Grunin Arts and Education Building will be named the "Prima Lobby" and will highlight the GMPF's importance of American Jazz, American popular music, jazz performance and the fine arts.
Louisiana Museum Foundation/New Orleans Jazz Museum
Gia Maione Prima Foundation has entered in an agreement with the Louisiana Museum Foundation for the New Orleans Jazz Museum to sponsor an exhibition, "The Wildest: Louis Prima Comes Home." The exhibition celebrating the life and legacy of Louis Prima will open on May 1, 2019 at the New Orleans Jazz Museum. Artifacts highlighted in the exhibition include Louis Prima 1958 Grammy Award for Best Performance by a Vocal Group or Chorus for "That Old Black Magic." Other items on display consist of instruments, stage wear, videos, music, photographs and Gold Records for the Jungle Book and Capitol Records Collectors Series. The free exhibit is open to the public and will run through May 15, 2020.
Click here to read about the exhibition at the New Orleans Jazz Museum
Click here for information about the opening of the exhibition,
The Wildest: Louis Prima Comes Home
Click here to read news about the opening of the exhibition,
The Wildest: Louis Prima Comes Home on bizneworleans.com
The Wildest: Louis Prima Comes Home on theadvocate.com
The Wildest: Louis Prima Comes Home on wwltv.com
Click here to see WGNO's interview with Lena Prima re the exhibition,
The Wildest: Louis Prima Comes Home on wgno.com
Louisiana Philharmonic Orchestra
Gia Maione Prima Foundation has agreed to entered in a multi-year sponsorship with the Louisiana Philharmonic Orchestra (LPO) to support Music For Life Program. Music for Life Program offers instrumental music education to low income students in underserved segment of the New Orleans population. The Program provides mentoring from orchestra musicians to develop life skills, musicianship and offers relationships with positive role models. All instruments and program costs are free to participating students.
Click here to read the press release announcing the sponsorship
Click here to read news about the sponsorship supporting Music for Life program
Horns to Havana
Gia Maione Prima Foundation proudly announces a multi-year partnership with New York City-based Horns to Havana with support from New Orleans-based Trombone Shorty Foundation. The collaboration kicked-off when Trombone Shorty Foundation's Executive Director Bill Taylor traveled to Cuba with the Horns to Havana team to participate in an instrument donation program that sent eight new horns to music students in one of the partner schools of Horns to Havana, Conservatorio Amadeo Roldán, a leading music school in Cuba that is based in Havana, the country's capital. The mission of this partnership is to support music education, curriculum development, jazz teaching and instrument donation program to underserved students.
Click here to read the press release
Click here to read more about Horns for Havana on Nola.com
Click here to read the May/June 2019 newsletter
Click here to read the March/April 2019 newsletter
Click here to read news article in Jersey Jazz
Louisiana SPCA
In 2018, GMPF proudly announced a sponsorship with Louisiana SPCA which supports animal welfare in New Orleans. On November 7, 2018, trustee Kathryn Knight attended the Louisiana SPCA's Dorothy Dorsett Brown Humanitarian Award Presentation.
Army Distaff Foundation, Inc.
GMPF and the Army Distaff Foundation, Inc. has entered into a partnership to assist veterans of World War II, Korean War and Vietnam War in financial hardship as well as well as supporting the Gift of Music Programming.
Positive Vibrations Foundation - Send Me A Friend
GMPF has partnered with Send Me A Friend (SMAF), a project of Positive Vibrations Foundation located in New Orleans. The program is designed for "creatives" seeking recovery from substance misuse. Their mission is to support newly-sober musicians and music industry professionals who are in early recovery. SMAF has developed a national network of over 1,500 volunteer "Friends" who are on-call and offer a helping hand and source of support by attending recovering musicians' gigs. SMAF's newest initiative is a series of monthly "lifeshops" designed to educate, support and serve musicians. The program was launched by New Orleans' musician Anders Osborne and Bill Taylor to help musicians in work environments.
Click Here to learn more about Send Me A Friend
Click Here to read the March 2019 Newsletter
Jay and Linda Grunin Center for the Arts at Ocean County College
GMPF entered in a multi-year partnership with the Ocean County College Foundation, Ocean County College and Ocean County Vocation Technical School Performing Arts Academy. The partnership will benefit the expansion of the Jay and Linda Grunin Center for the Arts which is located on the OCC main campus in Toms River. The endowment will support programming and celebrate the works of the Louis Prima and Gia Maione Prima. In recognition of the partnership, the new theater will be named the Gia Maione Prima Foundation Studio Theatre.
Click here to learn more about the partnership with Ocean County College, OCC Foundation and OCVTS Performing Arts Academy
Pictured left to right:
Ken Malagiere (Executive Director of Ocean County College Foundation)
Carl Van Thulin (Chair of the Ocean County College Board of Trustees)
Heidi Sheridan (Dean of Arts & Humanities)
Mark Wilson (Director of Cultural Affairs, Director of The Jay and Linda Grunin Center for the Arts)
Anthony J. Sylvester (GMPF Trustee)
Jon H. Larson, Ph.D. (President of Ocean County College)
Jeremy Grunin (President of The Jay and Linda Grunin Foundation)
Asbury Music Foundation
GMPF is proudly sponsoring the Asbury Park Music Foundation Youth Music Program. The program "Music Mondays" offers free concerts throughout the summer. The series of concerts offer diverse styles of music . The series is part of Asbury Park Music Foundation's goal to unite the community, support local musicians and inspire under-served youth with life changing music education. In conjunction with the sponsorship, Louis Prima, Jr. and the Witnesses will be performing on Monday August 13, 2018.
Click here to see the full schedule of "Music Mondays" concerts for this summer
New Orleans Center for Creative Arts (NOCCA)
On May 21, 2018, Trustee, Kathryn Knight attended the Scholarship Awards Ceremony at NOCCA. NOCCA is a regional, pre-professional arts training center that offers students intensive instruction in culinary arts, dance, media arts: filmmaking & audio production, music (classical, jazz, vocal), theatre arts, visual arts and creative writing. She presented the inaugural Gia Maione Prima Foundation Scholarship to two outstanding students, Madeleine Bourgeous and Trevon Sullen-Trotter. Both students have impressive academic records and are artistically talented students. Madeleine plans to continue her studies in Musical Theatre at Texas State University and Trevon will attend the Boston Conservatory at Berklee.
Click here to learn more about NOCCA Institute and Madeleine Bourgeois and Trevon Sullen-Trotter
2018 GRAMMY Camp
In December, 2017, the GMPF and the GRAMMY Foundation renewed their partnership to support the 2018 GRAMMY Camp – Jazz Session which takes place in New York City during GRAMMY week of January 23 through January 29, 2018. GRAMMY Band brings together the top high school jazz musicians in America to perform and record in a professional settings. The program goals are to encourage young people to pursue jazz as a discipline, provide students with the opportunity to learn from seasoned jazz musicians that include GRAMMY winners and nominees and prepare participants for a professional career in music. The selected students will be performing at premiere jazz venues and at official GRAMMY week functions alongside GRAMMY nominees, winners and other music professionals. They will also attend the GRAMMY Awards on January 28, 2018. MY Awards.
Click here to read the press release announcing the 2018 GRAMMY Camp
Click Here to learn more about the 2017 Grammy Jazz Tour
Click Here to learn more about GRAMMY In The Schools – GRAMMY Camp Jazz Session
Click Here to read about GRAMMY In The Schools on Broadwayworld.com
Northshore Community Foundation
GMPF has partnered with the Northshore Community Foundation in supporting the Dick Knight Award. The spirit of the award is to recognize and reward a Northshore nonprofit staff for their diligence, commitment, resiliency, vision and excellence to the Louisiana region. On November 14, 2017, Dianne Baham, Executive Director of STARC of Louisiana was awarded the 2017 recipient of the Dick Knight Award.
School Groove
The GMPF Foundation has agreed to sponsor WWOZ Program entitled School Groove (formerly known as "Cuttin Class"). Since 2013, WWOZ 90.7FM has produced a half-hour live radio program spotlighting Greater New Orleans' school bands. School Grove serves as a platform to demonstrate the critical role of music education. Band directors explain how music education enables students to learn discipline, commitment and focus which strengthens a student's overall academic performance.
May 2018 performance by Young Audiences Charter School in Gretna
Warren Easton Charter High School Foundation
April 2017 – The GMPF entered into a multi-year Agreement with Warren Easton Charter High School Foundation. Warren Easton Charter High School has been a leader in the field of music education. Some legends who attended Warren Easton included Louis Prima, Pete Foundation and Troy Andrews (Trombone Shorty). The sponsorship will benefit the Warren Easton Summer Music Camp. The camp offers summer music instruction, jazz, marching, choreography, concert band and percussion. Specialized instruction will include a NOCCA/Prima Foundation Scholar.
Click Here to learn more Warren Easton Charter School
Click Here to learn more about Warren Easton's Summer Enrichment Camps
Click here to read the Press Release regarding The Warren Easton Gia Maione Prima Foundation Summer Camp
Anthony J. Sylvester, Trustee presents check for sponsorship of the Warren Easton Summer Music Camp
New Jersey Performing Arts Center – Sounds of the City
The GMPF has agreed to sponsor New Jersey Performing Arts Center's (NJPAC) free outdoor summer concert series, Sounds of the City. On August 10, 2017, GMPF will bring Louis Prima, Jr. and the Witnesses to NJPAC. The Horizon Foundation Sounds of the City has become the most recognizable entertainment brand among a diverse demographic. The concert series which brings the very best local, national and international performing artists kicks off on July 6th through August 31, 2017. Performances are consecutive Thursday evenings and are held in the Arts Center's Chambers Plaza from 5:00 to 9:00 p.m.
Click Here to learn more about NJPAC, Sounds of the City
Saint Vincent Academy
On October 24, 2016, Linda Consolazio presented the Gia Maione Prima Foundation Scholarship to Seniar Raines, student of St. Vincent Academy. Ms. Raines is an artistically talented student whose aspiration is to become a world class musician. She is a self-taught bassist and pianist and has attended the Rutgers Youth Jazz Ensemble at the Mason Gross School of Performing Arts at Rutgers University, New Brunswick, New Jersey. This past summer she studied and performed with the NJPAC All Female Jazz Residence Ensemble in Newark, New Jersey.
Click Here to read the biography of Seniar Raines
Click Here to learn more about Saint Vincent Academy
Morristown Jazz & Blues Festival
GMPF is sponsoring the Morristown Jazz & Blues Festival to be held on Saturday, August 20, 2016 on the Green located in the center of Morristown, New Jersey. This year's festival will include performances by Louis Prima, Jr. and the Witnesses, George Gee Swing Orchestra, The Bucky Pizzarelli Quartet, Quinn Sullivan and Robert Randolph and the Family Band.
Click Here to learn more about Morristown Jazz & Blues Festival
Morris Museum
GMPF is sponsoring the Morris Museum's Arts Education programs for children. Morris Museum's mission is to celebrate art, science and history by providing engaging exhibitions and education programs, all of which are designed to promote cultural interests. The Morris Museum serves nearly 400,000 individuals annually, over half of which are children. The Museum offers education programs for children that include guided gallery tours of exhibitions, hands-on workshops, summer enrichment programs, studio art classes and festivals and has developed pioneering programs to enrich the lives of children in underserved communities, as well as those with disabilities. In conjunction with the sponsorship of GMPF, Louis Prima, Jr. and the Witnesses will be performing on Thursday, August 18, 2016.
Click Here to learn more about the Morris Museum
On January 21, 2016, the GMPF and the Louisiana Philharmonic Orchestra (LPO) entered into a Sponsorship Agreement to support Band Together: Tribute to Louis Prima and the LPO Opus Ball. The ambition of the Band Together program is to deepen New Orleans high school students' understanding of their cultural heritage by fusing traditional orchestral elements with New Orleans musical history. Band Together will be held November 29, 2017. The Opus Ball is scheduled for March 18, 2017.
Click Here to learn more about the Louisiana Philharmonic Orchestra
Count Basie Theatre
The GMPF entered into a four year Agreement to support the Count Basie Theatre's Bus-in program commencing 2016 through 2019. The Bus-in program targets and sponsors the attendance of students from Monmouth and Ocean Counties. The Theatre has a strong commitment to education and outreach initiatives as well as operating the Performing Arts Academy. The first year of the program will include a performance of Louis Prima Jr. and The Witnesses on May 18 and May 19, 2016 with a pre-show reception on May 19 to celebrate what would have been 75th birthday of Gia Prima.
Click Here to read an article from the Asbury Park Press
Hogan Jazz Archive of Tulane University
On September 10, 2015, the GMPF and Tulane University entered into an Agreement whereby Tulane University will maintain and preserve the Archives of Louis Prima. This collaboration was essentially designed to continue the legacy of Louis Prima and support and encourage an appreciation for American Jazz, American Popular Music and jazz performers. The University will permanently display significant items from the Archives in a room entitled the Louis Prima Room dedicated to Hogan Jazz Archive (a department of the Special Collections Division of the Howard-Tilton Memorial Library) located in Jones Hall. Furthermore, the Agreement allows for a Louis and Gia Maione Prima Music Fellow to be selected annually and Tulane University will host every two years a Louis Prima Memorial Concert, recital, conference, lecture or other musical event.
Click here to read the press release on the Tulane University website
Click here to learn more about the Hogan Jazz Archive
Gia Prima Trust entered into a Loan Agreement with the Louisiana State Museum where items from the Louis Prima archives were on display at the Old US Mint in an exhibit entitled "Keeping Time: Extraordinary Images from Louisiana Musical Past" in connection with SATCHMO Feast. The exhibit took place from July 30, 2014 through July 30, 2015.
Archives on display included Louis Prima's trumpet. Gia Prima proudly displayed this beloved trumpet of her husband in her home during the decades following his death in 1978. Other archive items included sheet music of "Oh Marie" and photograph of Louis Prima.
Click Here to learn more about the Louisiana State Museum
Louis Prima's Trumpet
On June 2, 2016, Anthony J. Sylvester attended the Scholarship Awards Ceremony at Toms River High School South, alma mater of Gia Maione Prima. He presented the inaugural Gia Maione Prima Foundation Scholarship to two outstanding students. The Gia Maione Prima Scholarship will be awarded annually through the Toms River South Alumni Association.
Click Here if you would like to read the Toms River South Alumni Association media advisory
Jazz on the Bayou
In 2015, GMPF became a corporate sponsor of Jazz on the Bayou. This annual event benefits the Louisiana Easter Seals and STARC. The two day event is a fundraiser and backyard festival which features signature dishes from local restaurants, live and silent auctions and performances by the internationally acclaimed Ronnie Kole.
Click here to learn more about the Jazz on the Bayou event
New Orleans Academy of Fine Arts
Gia Maione Prima was a singer and an artist who was devotee to the fine arts. The GMPF supports the advancement of cultural growth in the New Orleans community. In June 2015, the Gia Maione Prima Foundation supported the 2015 annual student exhibition scholarship/award of The New Orleans Academy of Fine Arts. The Award was given to an outstanding student who had shown outstanding accomplishment and dedication to fine arts.
The New Orleans Jazz & Heritage Festival and Foundation, Inc.
GMPF entered into a Gift Agreement with the New Orleans Jazz & Heritage Festival Foundation, Inc. to support a state-of the-art education and community center called the George and Joyce Wein Jazz & Heritage Center. The 12,500-square-foot Center has seven classrooms dedicated to individual elements of music: piano, strings, bass percussion, brass, vocals and reeds along with a 200-seat performance hall. The Center will go a long way to preserve and protect the musical legacy of New Orleans in the Treme neighborhood, which has become the place most closely associated with New Orleans music and culture.
On July 31, 2014, the Jazz & Heritage Foundation announced that it will recognize the Prima Foundation's donation by naming a room, the Louis Prima and Gia Maione Prima Foundation, Inc. Brass Instrument Room. Louis Prima, one of New Orleans' most renowned and beloved jazz musicians has always believed in helping young people learn the joy of making music and in supporting his fellow musicians. This partnership with the New Orleans Jazz & Heritage Foundation will have a lasting impact on music education in New Orleans.
Click here to learn more about the George and Joyce Wein Jazz & Heritage Center on Nola.com
Friends of the Dew Drop / JazzKids Music
In August 2015, the GMPF sponsored JazzKids Music Education Program. The program is being piloted at the historical Dew Drop Jazz Hall in Mandeville. The all-volunteer non-profit organization provides free education music programs for multiple St. Tammany Parish schools. The program includes field trips, assembly programs and masterclasses for local school classes and student civic groups. It enlists the services of some of the most critically admired jazz musicians in the New Orleans area.
Click here to read about the JazzKids Music Education Program on Nola.com
Click here to read about the JazzKids Music Education Program in the New Orleans Advocate
Click here to view a video of some Jazz Kids events held by the Dew Drop Hall
© 2020 GiaMaionePrimaFoundation.com


This comprehensive retrospective exhibition of the works of Abed Abdi is the third of its kind to be held at the Umm el-Fahm Art Gallery since its establishment, following the exhibitions of the works of the late Assam Abu-Shaqra and those of Sharif Waqed. This curational activity expresses the commitment, responsibility and privilege that the Gallery sees in research work on the activity and development of Palestinian art.
In this comprehensive exhibition, curator Tal Ben Zvi, who over the last two years has studied the artist's career and spheres of activity which gained him the Minister of Science, Culture and Sport Prize, seeks to present the results of her research, conversations and joint thinking, and publish a comprehensive catalogue that will shed light on Abed Abdi's work and career since 1962.
Abed Abdi's retrospective at the gallery of Umm al - Fahm shows his important contribution to the visual culture of the Palestinians in Israel.
Abed Abdi's Solo exhibition at the gallery of Umm al - Fahm is a comprehensive retrospective of the artist who for decades was well known to non - Jews in Israel, but almost never exhibited in the mainstream Israeli art scene. In recent years he was exhibited in several exhibitions curated by the curator of the current exhibition, Tal Ben Zvi (including the exhibition "Men in the Sun" at the Herzliya Museum last year).
Since then, thirty-three years have passed and our vision of erecting a monument for the future generations that found it hard to believe that 'it really happened', has been shattered.
Extract from the book "Abed Abdi, 50 years of Creativity"
Palestinian art created within Israel's 1948 borders possesses unique characteristics deriving from its being part of the visual culture of the Palestinian minority in Israel. In this artistic-national construct, the artist, graphic designer and printmaker Abed Abdi played a leading role as a consequence of his work over the decade between 1972 and 1982 as graphics editor of the publications of the Communist and Democratic Front for Peace and Equality parties, the Arabic language journal Al-Ittihad and the Al-Jadid literary journal. Additionally, many of his works were also published in the Communist Party's Hebrew language paper, Zu Haderekh (This Is the Way) and in a variety of election and other posters for the Communist Party and the Democratic Front. The fact that Abdi often reused images he created in various contexts also reinforced the iconic status of many of his works.


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Game Recaps	 January 11, 2017 January 11, 2017
Dwindling; Admirals Fall 2-1 in Chicago
(Photo Credit: Ross Dettman)
The Milwaukee Admirals lost 2-1 on the road against the Chicago Wolves Wednesday night at the Allstate Arena.
This game may have hurt even more than last night's effort. The Admirals defense was well up to the challenge of stopping a high octane offense the likes of which the Wolves have. The offense just didn't have a lethal strike in them until it was way too late.
The night got off in the right direction for the Admirals. They had opened up the first few minutes of the contest by outshooting the Wolves 7-1. Then came a tripping call against Jimmy Oligny. Then came a power-play goal for the Wolves after a bomb of a slap shot from Vince Dunn off the left point beat Marek Mazanec to his stick-side for his seventh tally of the season.
In the second period the Admirals managed to shut down the Wolves offense. The Wolves were limited to just two shots on goal for the entire period which set a season best for the Admirals in limiting shots on goal for the course of a period.
Unfortunately, the Admirals found themselves unrewarded in that second period despite being up 9-2 in shots that period and having three power-play chances.
The Wolves would add another goal in the third period to make it a 2-0 advantage. Magnus Pääjärvi pushed a puck over to the path of Morgan Ellis as he bolted down the right wing. The shot from Ellis was taken just above the right wing face-off circle and it flew past Mazanec high-glove for the defenseman's third goal of the season.
That shot for the Wolves was just one of five total shots on goal in the third period – three of which came in rapid succession in the opening minutes of the frame. The Admirals rallied hard and put up sixteen shots on goal in the third period and finally saw a jam play by Justin Florek get past Pheonix Copley while the net was emptied and the extra attacker was on to deny the shutout and make it a 2-1 game from Florek's sixth goal of the season.
Yet, it was way too little and far too late. The Admirals scored their first goal of the night with thirty-five seconds remaining in regulation. Their final chance that came with an extra attacker ended with a puck cleared the length of the ice with icing waved off. And the Admirals found themselves bitten by an absence of offensive production tonight.
Mazanec takes the loss in net tonight after making fourteen saves from sixteen shots on goal. Copley was nearly heading for his first shutout over the Admirals but ends up allowing a single tally out of thirty-six shots on goal.
At the end of November the Admirals had a record of 12-2-2-1. From the start of December to now they are 8-9-0-1. They have scored just two goals from their last 189:43 of ice time.
Next on tap for the Admirals are the Central Division leading Grand Rapids Griffins. That game takes place Friday night at the UW-Milwaukee Panther Arena. That will be the last home game before a four-game road trip begins starting next week with the Charlotte Checkers on Tuesday and Wednesday.
Ramblings: Prior to tonight's game the Nashville Predators reassigned forward Frédérick Gaudreau to the Milwaukee Admirals. The Predators also acquired forward Derek Grant on waivers from the Buffalo Sabres. Tonight's line combinations for the Admirals were: White-Kamenev-Payerl, Kirkland-Smith-Gaudreau, Florek-Army-Görtz, Liambas-Girard-O'Donnell, Pardy-Carrier, Oligny-Granberg, Murphy-Dougherty. Tonight's scratches included: Cody Bass (lower-body injury), Jonathan Diaby (healthy), Garrett Meurs (healthy), and Rick Pinkston (healthy).
Where did the swagger and confidence of the Milwaukee Admirals go? Have all the fluctuations in the lineup stunted defensive and offensive productivity? How do the Admirals right the ship with the Grand Rapids Griffins coming in on Friday or is that just the sort of high level challenge that the team needs to rise to the occasion?
Gaudreau Reassigned to Milwaukee
Alex Carrier Recalled to Nashville
One thought on "Dwindling; Admirals Fall 2-1 in Chicago"
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redpajama_set_name: RedPajamaCommonCrawl


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Les Âmes grises is a novel by the French author Philippe Claudel. It is a first person narrative which revolves around the murder of a young girl in a small provincial French town near the Western Front in 1917. The book was published in France in 2005 and won the Prix Renaudot. It was also shortlisted for the Prix Goncourt and the Prix Femina.

Les Âmes grises has been translated into 28 languages. The British edition, translated by Adriana Hunter, has been released under the title Grey Souls, while the American translation by Hoyt Rogers is called By a Slow River.

The book was also turned into a movie of the same name by director Yves Angelo.

External links
 Complete Review page

2005 French novels
Novels by Philippe Claudel
French historical novels
Novels set during World War I
Novels set in France
Fiction set in 1917
French novels adapted into films

redpajama_set_name: RedPajamaWikipedia


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Nature and Weather in SE England
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Return to October nature
It is not unusual for there to be a sunny day or two right at the end of October when you are sat in shirtsleeves wondering if November can be just days away.
But despite this, the weather is also a lot less reliable than it is in September. Typically it is changeable - a succession of Atlantic lows with brisk winds, scudding clouds and mild Gulf Stream air. While in September rain never seems to take hold for long, in October it is the sunshine that always seems to be fleeting. In this respect, October is a sister to turbulent March, though with 50 percent more rain on average. It is in fact the month with the highest average rainfall in the south east (followed by November, December and January).
Brooding clouds and storms
When clouds come, they are often not the fluffy white spring or September kind, but big and brooding. October can also be downright stormy. 16 October 1987 saw a storm that caused major disruption in the south east and flattened whole woods to the south of London (for example around Sevenoaks).
Lesser storms - but still quite disruptive - occurred on 27 October 2002 and 28 October 2013. 16 October 2017 saw Hurricane Ophelia bringing strong winds to Ireland but only a strange yellow sky (apparently due to dust picked up by the storm in the Sahara) in London. 2020 saw Storm Alex on the 2nd and 3rd, and Storm Aidan on the 31st. 21 October 2017 was Storm Brian over the UK, but in the south east it was not even particularly windy. In 2004 a threatened storm towards the end of the month stayed over the West Country and then retreated: but the month was still particularly windy and wet in the south east. On 12 October 2018 Storm Callum produced only a fine breezy day in the south east.
The official average maximum temperature in October is 15 degrees, but if the wind is coming from the south or south west, daytime temperatures can still reach into the upper teens or low twenties. From 8-12 October 2008, for example, temperatures rose as high as 23 degrees, while on 10 October 2010 they reached 22 degrees. Mid month in 2017 temperatures also got up to 20 degrees on two days and 22 degrees the day of Hurricane Ophelia. In 2018 temperatures got to 25 degrees on the 10th, 24 degrees on the 13th and 23 degrees on the 5th.
It is not unusual for there to be a burst of such warmth quite late in the month – as in 2009, when low pressure brought winds from Spain from the 23rd to the end of the month producing highs of 19 degrees - or 2014 when temperatures in the second half were also regularly in the mid to high teens, and reached 20 degrees as late as the 27th and 28th, and up to 24 degrees on the 31st. October 2005 and 2006 also ended with temperatures still regularly up to 20 degrees, while 31 October 2016 also saw a freak day of 20 degree sunshine which felt like summer. From 19 to 24 October 2018 there was a run of four sunny days followed by three largely sunny ones, with temperatures regularly getting up to 18 degrees.
The sunny days late in 2018 were the result of high pressure being in charge from the 18th onwards, following on from westerly lows from the 3rd to the 17th. It was a fairly sunny October with full sun on 12 days and part sunshine on 13 others. In the last five days cold northerly winds brought temperatures down to 8-10 degrees, however.
High pressure also dominated for much of October 2015 and 2016. In 2015 there were three such interludes and in all the month produced eight sunny days, eight with part sunshine, and eight days with some rain. In the last ten days of the month a continental high brought southerly winds and a series of gloriously sunny days with temperatures in the high teens, including the last Sunday and Saturday or the month.
In 2016 highs dominated for all but 14-16 October. Easterly and later north westerly winds kept maximum temperatures in the mid teens, apart from the freakishly warm 31st mentioned above. There were seven sunny days, ten with rain (very light and short-lived on three of these), and eleven of part sunshine.
2011 was also largely dry, with good amounts of sun and temperatures rising regularly into the high teens. It is most notable for its start, however, which saw temperatures as high as 29 degrees. This was a continuation of a freak heatwave that had started in late September, and was caused by a continental high bring air up from the Mediterranean. Beaches were packed, the sea full of swimmers, and for a brief moment south east England felt like Greece. What made these temperatures even more unexpected was that they followed a consistently changeable summer when the mercury had rarely risen past the low twenties. The heatwave only lasted three days into October, however, and temperatures had halved to 15 degrees by the 6th.
2005 was settled and sunny until the 18th, when more normal westerly weather set in. In 2003, high pressure reigned throughout the month and there were only two days of rain. In 2010 the last three weekends of the month were sunny, the exception being Sunday 31st.
After a burst of cold north westerly winds in the first five days, 2017 was dominated by mild westerly lows, but it was a relatively dry month, with at least some sunshine on 19 days, though generally fairly cloudy. The month ended with four days of high pressure bringing sunshine and sharply cold nights.
In contrast to the above, 2019 was a wet month, with rain on 16 days, despite high pressure taking over on 19 October. The month had started with westerly lows, which had been in charge since 22 September, bringing typically fast-changing weather of showers, sun, cloud and longer spells of rain. From the 19th onwards there were highs either to the north or the south, but these brought only three sunny days (adding to two earlier in the month) and two partly sunny ones, with lots of cloud on other days and rain from 24 to 26 October.
October 2020 was a classic October, with lows in charge for all but five days mid month. Twelve of the first fifteen days had rain and so did eight of the last ten days, with 22 days in seeing some rain. There was also some sunshine on nineteen days, but never for more than an hour or two at a time. Temperatures were in the mid teens all month.
In 2021 a high sat over the south west and then south of the UK from 11 to 15 October, and there were a couple of brief high ridges, but otherwise lows dominated, mostly westerly, but with one slow moving one moving north to south over the country in the last week of the month. Throughout, the weather was changeable, with fairly average temperatures, some heavy rain, but also reasonable amounts of sunshine - four days when it was mainly sunny and some sun on a further twenty days.
The first cold nights
If skies are cloudy, nights can be surprisingly mild in October, with temperatures of 9-11 degrees fairly typical and the thermometer sometimes nudging higher. Notable in this respect were 2005 and 2006, when night time temperatures were 15 or 16 degrees even at the end of the month.
Equally, this is the first month when really cold nights are also possible, with temperatures down to the low single figures. This is usually associated with high pressure bringing winds from the north, as in 2010 when high pressure to the south west brought north westerly winds from the 14th to the 22nd, and then a high over the UK produced north easterly air flows from 23 to 26 October. On several days from 17 October onwards this produced an overnight temperature of just 3 degrees, with the temperature dipping as low as one degree on 21 and 25 October.
In 2018 high pressure and north west winds also brought night time temperatures sharply down from the 19th onwards, with the mercury at 3-6 degrees for the next nine days, and then down as low as 1.5 degrees in the last four days of the month as winds turned northerly. In 2019 there was a frost in Oxfordshire on the 3rd (2 degrees elsewhere), but nights were then mild until the last eleven days of the month when north westerly winds brought night time temperatures down to 2 degrees on the 23rd and 24th, 3 degrees on the 27th, minus one degree on the 28th, and 6-7 degrees on other days.
In 2008 high pressure produced cold nights as early as 2 and 5 October, setting the leaves turning early, and after the brief warm period mentioned above, the second half of the month was dominated by a high pressure zone to the south west or west which repeatedly brought northerly winds that pushed temperatures down to freezing overnight. On 28 October, 4cm of snow fell (and settled for over 24 hours) in Hertfordshire and the outskirts of north London, while in central London there was sleet.
2015 saw nights as cold as 3-4 degrees rurally right from the start of the month and from 9 to 14 October due to a Scandinavian (and later UK) high producing easterly and then north easterly winds. In 2016 there were nights below 6 degrees on 1-2, 10-11, 22-23 and 30-31 October, with 7-8 degrees from 12-15, 21and 25-26 October.
Despite having westerly lows almost the whole month, 2020 also produced cold nights from the 10th to the 13th and the 24th to the 29th, producing full tint on many trees by the last week of the month. After the freakishly hot start to October 2011 mentioned above, north west winds also brought night time temperatures low as 3 degrees from the 14th to the 22nd, though this time it was a low pressure system to the north sucking in the cold air. Night time temperatures then returned to the low teens for the rest of the month.
Low pressure to the north also produced a couple of cold nights right at the start of October 2017, but it was then mild all month until the 26th, when high pressure set in. This produced a run of nights with temperatures as low as 2 degrees.
A gloomy half light
When the sky is grey in October, it seems very gloomy indeed. Mid month sees the start of that winter half-light that has you putting the lights on in the middle of the day, and makes you feel melancholy and disinclined to venture out.
On the plus side, when the sun breaks through, it is low enough to produce lovely golden light when it is shining – or less usefully to shine directly into your eyes. By the end of the month, sunlight is taking on that mysterious low winter feel, but it still packs enough warmth for it to be nice to sit out in it. The sky is a deep blue, with the haziness of summer long gone. Visibility is excellent – a perfect time to see distant views.
The central heating often goes on at some point in the month, though only really early in the morning is it vital. However, in 2004, 2005, 2006, 2014 and 2015 it was not necessary even at the end of the month.
Even if the weather is not that cold, it definitely feels autumnal. Summer seems an immeasurable distance away. Thicker jackets and woolly hats come out of the cupboard, but are not always needed and sometimes positively superfluous. This is one of those times when you always seem to be bringing too much clothing or too little.
Sunset rushes back from 6.30pm to little after 5.30 pm during October, but for once barely notices: the days are not long, but they seem of reasonable length until the clocks go back. The lateness of dawn is more noticeable – by the time the clocks go back it is not getting light until 7.50 am.
However one tries to prepare, the clocks going back on the last weekend of the month always come as a horrible shock. It will now be dark little after 4pm for the next three months, and it will not be light as late as it was on the last Saturday of British Summer Time for four months.
Winter blues can start. Scientists reckon that from late October to March, the sun in the UK is too low to provide us with vitamin D. This might explain why rich foods suddenly start to see more attractive in October. Colds seem to circle around you, or always be lurking in the back of your throat.
Once the heavy rain starts, mud reappears on paths, though initially it is slippery surface mud rather than the deep gloopy stuff, and even then is somewhat counteracted by falling leaves. Grass and station benches are drenched in dew in the mornings, and one stops feeling one can sit on the grass – though there are exceptions after a couple of dry days when one gingerly sits on a bag or coat. Even late in the month a dry period is still enough to harden country paths somewhat, however, and in 2016 and 2017 there was so little rain that there was very little mud at all - and in 2018 none whatsoever.
© Peter Conway 2006-2021 • All Rights Reserved
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Commercial and Public Sector customers have no automatic right of return without cause (e.g. later than estimated delivery, changing purchase plans or finding a cheaper alternative).
In line with Silver Mobile Car Valeting standard Commercial Terms of Sale, customers will of course be able to return any product/service which is missing, wrong or sub standard following delivery and customers should notify Silver Mobile Car Valeting as soon as possible in these circumstances, following which Silver Mobile Car Valeting will arrange re-service or replacement of the relevant product/service.


The main process of ultrasonic cleaning is around a lot of bubbles. Don't get confused! Let me explain. These bubbles are created using ultrasonic sound waves which is used to clean the medical equipment.In other terms it is known as cavitation. (If you want to see cavitation in action, just turn the boat propeller in water and see the foam in water left behind).
During ultrasonic cleaning, you have to submerge the material to be cleaned into water, and high intensity, high-frequency waves are produced in water which then makes the submerged equipment get cleaned and let out all infection causing microorganism.
Ultrasonic cleaning started to come into use since the 1950s. Watch companies and dentists were the first to start using this technology in the 1970s.
The hospitals use this technique more so because it brings into use physical ways of cleaning, and there is minimum use for chemicals in this process which is hard to fathom, and therefore, the technology is costly. There are many kinds of ultrasonic cleaning machines and the one used for bacteria treatment works on transducer packs and a 40 kHz frequency.
Since ultrasonic cleaning is relatively newer in hospitals on a large scale, therefore, tests are going on about how equipment cleaned as such looks before and after the cleaning. The tests are done to figure out if ultrasonic cleaning works on bacteria as much as it works on dirt, grease, and grime.
It was seen that ultrasonic cleaning led to bacteria reduction of approximately 100%, and the exact bacterial reduction was up to 99.86% or up to 99.98% in two different tests. This was research done on equipment that had a colony of 1 million bacteria. This also led to cleaned bacteria which were immune to antibiotic medicines, hospital clothes can also be washed using ultrasonic cleaning, and a more than 99% cleaning was seen even when the most robust colonies of bacterial contamination were tested upon.
Starting from the ultrasonic dental cleaner, it is slowly emerged into the whole hospital today. Now ultrasonic carburetor cleaner, ultrasonic glasses cleaner are available in the hospitals.
One should know that ultrasonic cleaning is to be done in addition to regular brushing and not as an only means of purification. However, regular cleaning perhaps cannot reach threads, screws, and other smaller winding areas.
How clean the building materials, furnishings and the healthcare equipment are maintained should be taken care in mind when judging the quality of a hospital.
When one is getting the treatment done, it is a high possibility that the patient may catch acquired infections from the hospital. This directly relates to how hospitals would afford cleaning such that patients do not find infections, and patient's health and even life does not directly get affected.
The patients are faced with the question of how to afford super specialty hospitals with cleaner environments and where doctors and paramedics both do their job well and care about the cleaning of medical equipment so that the patient's life is not threatened. This is because many a patient come from the hospital with infections which they did not have when they went to the hospital. Between thousands and lakh patients complain of the same. Hope now you know how does an ultrasonic cleaner work and its essentials too.
This has another angle. Health professionals are also at grave risk from these hard microbes, and it could help the health professionals in a significant way if ultrasonic cleaning started happening in hospitals.
However, how effective is the ultrasonic cleaning depends as microbes, and microorganisms could be posing a threat of becoming immune to this cleaning as well, and that is a dead end because the costs are already very high. The microbes are killed in this cleaning physically and not chemically if someone were to ask the question.
Positive thing to note here is that when hospital authorities and health professionals were asked to rate this cleaning method and were asked if they would recommend this method of cleaning of the equipment, then a 100% positive response was seen.
Now, the same health officials, hospital owners, and health professionals also gave a list of what could be cleaned with the help of ultrasonic cleaning then it was found that the list has electric fans, commodes, chairs, tables, wheelchairs, trolleys, toys and sac bins on the list.
Surprisingly, it was found on that much more extensive equipment, and machinery can also be cleaned with ultrasonic cleaning.
Overall, it can be said that ultra sonic cleaning can have many uses in the medical, medicine and hospital industry. It reduces deaths caused by infections, personal suffering and financial loss that come from diseases that can be prevented.
If immediate rinsing does not take place, it becomes essential to make sure that cleaning solutions do not deposit residues on equipment that needs to be cleaned.
Make sure that rust, oxidation does not take place. Tarnish should not happen when the surface is not protected.
When the equipment is clean after the ultrasonic cleaning, then it should be protected from dust as well.
Oil should also not be allowed to form on the surface, and measures are to be taken to make sure that oil is not deposited or even created on the surface of the equipment.
From the medical equipment cleaning to commercial processes, ultrasonic cleaning is used extensively. It takes care of the killing microorganism and protect the medical equipment safely.


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20. Export Restrictions. Client acknowledges that the merchandise covered by this contract is subject to the export control laws of the country from which shipment is made, as well as possibly those of the United States. Client further acknowledges that, depending on the product, its country of destination, its end use, and the identity of the parties to the transaction, such laws may require Client, either for the further transfer of the product being exported to it by Epigentek, or for the transfer of any item into which Client may incorporate such product, to seek and obtain export licenses/authorizations issued pursuant to those laws. Where Client reexports the merchandise in question, it is the legally responsible party for determining its correct export classification, and for obtaining any necessary export licenses/authorizations, as a courtesy, to aid Client in ascertaining the export classification and the potential applicability of U.S. export control laws, on its invoice, Epigentek shall provide Client (i) with what it believes is the correct classification, under local and U.S. laws, of the product being shipped and (ii) a statement as to the country of origin of the product. Client agrees to hold Epigentek harmless from any and all liabilities or costs incurred by Epigentek or its affiliates for any reason arising from or in connection with any export, import, regulatory, governmental or treaty violations in any jurisdiction, incurred intentionally or unintentionally.
21. Force Majeure. Neither party hereto shall be in default in the performance of its obligations hereunder (other than its obligation to make any payment of money hereunder), or be liable in damages or otherwise for any failure or delay in performance which is due to causes beyond its reasonable control. Either party affected by such an event shall promptly give notice to the other, stating the nature of the event, its anticipated duration and action being taken to avoid or minimize its effect. Neither party hereto shall be required to grant any demand or request to bring to an end any strike or other concerted act of workmen. If, at Client's request or for any reason for which Client is responsible, the production or shipment of products is delayed, Epigentek may immediately invoice Client for the products produced, and costs and expenses incurred up to the time of the delay.
22. Publicity. Any marketing, promotion or other publicity material, whether written or in electronic form, that refers to Epigentek, its affiliates, their products, or to these Terms and Conditions of Sale must be approved by Epigentek prior to its use or release.
23. Proprietary Rights. Epigentek, or its affiliates, is the owners of certain proprietary brand names, trademarks, trade names, logos and other intellectual property. Except as otherwise expressly permitted by Epigentek, no use of Epigentek's or its affiliates' brand names, trademarks, trade names, logos or other intellectual property is permitted, nor the adoption, use or registration of any words, phrases or symbols so nearly resembling any of Epigentek's or its affiliates' brand names, trademarks, trade names, logos or other intellectual property as to be likely to lead to confusion or uncertainty, or to impair or infringe the same in any manner, or to imply any endorsement by Epigentek of another entity's products or services.
24. Severability. If any provision of these terms and conditions is held illegal, invalid, inapplicable or unenforceable, such provision shall be deemed severed from these terms and conditions, the remainder of which shall remain in full force and effect.
25. Entire Agreement. These Terms and Conditions of Sale shall constitute the final, complete, and exclusive statement of the terms of the agreement between the parties pertaining to the sale of Epigentek products and the provision of Epigentek services and supersedes all prior and contemporaneous understandings or agreements of the parties.


You chose the *Basic version of the Metric Material Needed Calculator.
If you have a job to do and only know the height, length and depth using the metric system, you can still figure out how much material you need to do the job right! What better knowledge would you have than being able to know this before the job even begins? You can also check out the Imperial Material Needed calculator.
Sure, it's easy if you have a room that is 2 meters x 2 meters and you want carpeting that is 25 cm deep, but what if the calculations aren't that easy? Houses, rooms, apartments/flats, dens and even game rooms have unusual dimensions, and you want to be sure you have it right for carpeting that 2.5 m x 2.3m room with 34cm of carpet.
Yeah, you could carry a calculator in your pocket but if you're starting a job, do you really want to have it hanging in your pocket where it could fall out and break? Probably not. And paper and pens can rip the paper or even worse, lead to mistakes in carrying or in miscalculations.
Miscalculation Problems: If you order too much material, what will you do with the overage? Or worse, if you are short, you don't want to look foolish and your best calculations lead to needing to make an emergency call for a few more cubic meters of the same material. With this, all the guesswork is taken out and you have the right amount every time.
The answer will appear for you in a flash. Do keep in mind that the number will be rounded to two decimal places, so it will always be an estimate. Usually if your items are in meters and have one decimal place, the correct answer will be three decimal places.
Remember, most carpeting is not going to be over a meter thick, so divide by 100 the number of centimeters you will need (35 cm = 0.35 meters). Don't forget that. Also think to yourself "Does the number make sense?". The answer will be given to you in cubic meters. If you have an answer of say, 512 cubic meters, and none of your sides is at least 8 meters, you probably have made a mistake somewhere. Similarly, if a 0.00 comes up, you may have left one column blank. Always check those tricky decimal points.
Be sure to let all your friends know this by downloading a free widget or posting it on your Facebook, Twitter, Digg or other social media website, and your friends can do the same calculations in no time. Also, you can put it on your own web site so people who visit can also calculate how much material they will need. Why not use our free online calculator today? Check out @CalculatorPro for all of your calculator needs!
Let's be honest - sometimes the best metric material needed calculator is the one that is easy to use and doesn't require us to even know what the metric material needed formula is in the first place! But if you want to know the exact formula for calculating metric material needed then please check out the "Formula" box above.
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You can get a free online metric material needed calculator for your website and you don't even have to download the metric material needed calculator - you can just copy and paste! The metric material needed calculator exactly as you see it above is 100% free for you to use. If you want to customize the colors, size, and more to better fit your site, then pricing starts at just $29.99 for a one time purchase. Click the "Customize" button above to learn more!


text:
HomeFight Racism
How Can The World Unite To Fight Racism?
A belief of superiority of a race over the other is known as racism. Racism can become a cause of prejudice or discrimination in society. According to the ideology of racism, humans are divided into two major groups. In these two groups, one group is superior and the other group is inferior. The racism ideology can manifest many aspects of a human's life. Some essential aspects which can become a cause of racism are aversive racism, colour blindness, cultural racism, economic and institutional racism. Here, experts of dissertation proposal writing services will discuss how the world can unite to fight racism.
Recognize the racism and understand the privilege: To learn and recognize the racial discrimination is the first step to eradicate racism from society. The world should make teams to get an idea about the social, political and cultural factors which are giving rise to racism. After getting an idea about these impacts, the world should use its privilege to eradicate racism. There are some factors which can affect the level of privilege. In these factors, there come religion and sexuality. We can easily get rid of these factors by acknowledging their implications.
Examine the biases and origins of racism: No doubt, our biases can originate racism in society. Therefore, before fighting with racism at the lower level, we should try to get rid of racism at the international level. At the international level, all the countries should try to treat well with other countries. There should be no superiority of one country over the other country on the basis of their resources and nuclear power. After setting these kinds of models, we should try to encourage our societies to eradicate racism. In order to motivate people to fight against racism, we should encourage them to get an overview of the PBS documentary. The PBS documentary was initially used to tackle racism in the United States.
Validate the experiences and feelings of people of colour: We have seen that the black colour people are given preference over the white colour people. This concept can become a cause of racism in society. All the nations of the world should take some bold steps and enforce a law that all the people are equal in a state and there is no superiority of the white people over the other. All the nations should devise the same laws for all people.
Expand the opportunities for the people of colour in the schools and companies: There are several schools and companies that give preference to the white colour students and workers over black colour students and workers. Moreover, there is only a limited number of seats for the black colour people in these institutions. The world should realize this kind of racism and all the nations should enforce similar laws in order to eradicate this kind of racism from their institutions.
There are also some racist jokes and statements in society. The world organizations should also encourage the people that these kinds of racist jokes and statements should be prohibited.
Tags Fight Racism United to Fight Racism


Microscopes are the most important devices of the laboratories. The microscopes are very much helpful in the fields of the research laboratories as well as the scientific laboratories. There are various kinds of the complicated devices that are used in the laboratories but the use of the microscopes makes the work very easy. There are also the various kinds of the microscopes like the simple and the compound microscope.
The microscopes are available in the market in various designs. Some of the microscopes are for pathological purpose and for the educational purpose as well. There are also some of the important points that should be considered while buying the microscopes. The quality of the microscope should be tested firstly. The magnification and the clarity should be very much considered.
The invention of the microscope is said to be done by Han Janssen and Zacharias Janssen according to the Dutch envoy. Galileo Galilee developed the compound microscope with the use of the convex and the concave lenses. The stereo technology started with the movie industry. It was in the sixty's that the use of the 3D stereo technology started and with that the stereo microscope also came into being. stereo produces the 3D image of the object. It has two independent light paths and two eyepieces that help in forming the 3D image.
The stereo microscope eliminates the disadvantage of any other microscope. There was a disadvantage in the other microscope that people were having problem in keeping one eye closed. Therefore such a problem was effectively eliminated by the stereo microscope that did not allow one eye to be closed as it had two eyepieces.
Having two eye pieces the stereo microscope is always over the conventional microscope. Many of the stereo microscopes also have the rubber eye guards and it also has the zoom lens feature that makes it a distinct microscope. One of the other most important feature of the stereo microscope is it has a dual illuminator system.
The use of the digital microscope is also increasing over the last few years. There is also one type of the digital microscope that is plugged in the projectors as well as the television. The digital microscope is very much important in the fields of education and science.
We are a renowned online store where you can buy many different types of microscopes like those for led, laboratory, research, biological, dental, fluorescence, digital, Stereo Biological etc.
Looking for Microscopes ?, I am Author of Microscopes Systems Limited, We offer Digital Microscopes, and various range of Stereo Microscope of best quality.
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Large selection of beer brands, including microbrews! Count on fast, friendly service when you visit Brewers' Outlet, open 7 days a week and conveniently located just off of Oregon Pike on Butler Ave. in Lancaster, PA. We make it easy to get the beer, party supplies and tobacco products you need when you need them most.
MON-THURS: 9:00 a.m. - 9:00 p.m.
FRI - SAT: 9:00 a.m. - 10:00 p.m.
SUN: 12:00 - 5:00 p.m.


The insurance coverage provided by this insurance policy is limited to your liability arising out of your occupation as a firearms instructor (including defense related training, education, instruction and coaching) The policy is not intended for any instructor that owns/operates a gun range or pro shop.
If you answer "YES" to this question you are ineligible for this program and you need to speak with our office. This policy is for single or individual instructors with no employees or subcontractors. If there are more than one instructor they cannot be insured on one policy in this program. If you are an LLC or a Corp, and have subs or employees you can purchase coverage but you must complete a different application.
If the Applicant provides the ammunition and/or firearms, please indicate the types of firearms and ammunitions.
This policy includes naming one range and/or one classroom facility as an additional insured for claims arising out of the applicant's instruction at that range or classroom. There is no additional charge for naming another range or classroom.
Click the 'Add Entry' button to add Additional Insured.


One career that some English and language majors might consider pursuing is an editor. Editors revise, plan and review content across various forms of publication. It seems to be a great career choice for someone who is grammatically sharp and has an eye for good content. Due to the increased reliance on the internet, however, many traditional editor jobs at newspapers and magazines are diminishing. While many editor jobs still exist within the online medium, you must adapt your aspirations if you were considering becoming an editor for a magazine/newspaper.
One job that is fairly well known is reporters and correspondents who work for local and national news stations. Reporters work on live TV, delivering news stories that watchers tune in to see. Many aspiring young people look to a communications degree as a way to help achieve this goal. In recent years, however, it's become clear that job openings for reporters and correspondents are in sharp decline. While the older generation still looks to television to receive their news, the internet is capturing the attention of the younger generation. If you have aspirations to be on television, perhaps news reporter or correspondent shouldn't be the path you take.
While it doesn't require a long and tiresome degree journey, one career that many people consider is travel agent. When it comes to travelling, people used to rely on this specialized position to get them the travel information they required. However, thanks again to the internet, this position is becoming less and less important. Whether it's websites that allow you to compare hotel options or word-of-mouth from a Facebook status, the need for a travel agent is becoming less apparent. Although the commitment isn't huge to become a travel agent, we feel it would be better if you spent that effort elsewhere.
One popular position that many students get excited about is fashion designer. If you stay up-to-date on the fashion world and have an eye for creativity, it is a position that makes sense. Be wary, however. Much of the apparel we wear today is being produced internationally. This is causing the employment of fashion designers to decline. If you have a strong portfolio, great determination and a little bit of luck, however, you can still find success as a fashion designer.
That's it folks! This is just a heads-up on some careers you may want to consider avoiding when plotting out your potential degree path. This is Online Ed signing off.


text:
Q: mi base de datos registra datos pero lo hace en blanco. PHP POO hola alguien que me pueda ayudar con una consulta ya que no encuentro solucion por ningun lado...  mi base de datos no registra a los clientes.. bueno de hecho si registra pero lo hace en blanco... y cuando refresco la pagina también hace un registro en blanco... (los dos primeros registros ya estaban, fue de una base de datos que copie) alguien que me pueda ayudar ya llevo dos semanas y no encuentro el error.. al parecer mi codigo es correcto, con metodos get y set. porque segui un tutorial de programacion orientado a objetos, pero el del tutorial nunca me contesto mi consulta...  de hecho todos los errores que he tenido los he corregido solo con ayuda del archivo ERROR_LOG .. y bueno ya el ultimo error que me imprime es este:
Warning: Cannot modify header information - headers already sent by (output started at /home/lunapict/public_html/Vistas/Registro.php:6) in /home/lunapict/public_html/Vistas/Registro.php on line 192
saludos a todos.

ESTE es mi codigo  ARCHIVO registro.php
 `

        <?php
        include '../DAO/MetodosDAO.php';
        ?>

Registro de usuarios

         <form  method="POST" id="registroclientes">

              Nombre
              <input name="txtNom" type="text" class="form-control" placeholder="Nombre" id="name"   required  >

              Correo
              <input name="txtCor" type="text" class="form-control" placeholder="correo" id="email"  required >

              Password
              <input name="txtPas"  type="text" class="form-control" placeholder="Password"  id="password" required >

           <button type="submit" value="GuardarDatos" class="btn btn-primary"  name="btnEnviar" id="btnRegistro">Guardar datos</button>

         </form>

    <?php
    if (isset($_REQUEST ['btnEnviar'])) {
        $nom=$_REQUEST['txtNom'];
        $cor=$_REQUEST['txtCor'];
        $pas=$_REQUEST['txtPas'];

        $objCli=new Cliente (0, $nom, $cor, $pas);

        $metodos=new MetodosDAO();
        $i=$metodos->RegistrarCliente ($objCli);

        if ($i==1)
        header ("location: Cesta.php");

        else
        header ("location: Catalogo.php?error=no se inserto el registro");
        }

    ?>

`
y luego ARCHIVO metodosDAO.php
include '../Utils/ConexionDB.php';
require '../BEANS/Cliente.php';
include '../BEANS/Pedido.php';
include '../BEANS/DetallePedido.php';

 public function RegistrarCliente (Cliente $cli) {
         $cnx=new ConexionDB ();
         $cn=$cnx->getConexion ();
         $res = $cn->prepare ("insert into clientes values (0, '$cli->nomCli ', '$cli->correo ', '$cli->pas ')" );
         $i=$res->execute ();
         $cn=null;
         return $i;
    }

y luego la Cliente.php
  <?php

class Cliente

{

    public $codCli;
    public $nomCli;
    public $correo;
    public $pas;

function _construct ($codCli, $nomCli, $correo, $pas) {

     $this->codCli = $codCli ;
     $this->nomCli = $nomCli ;
     $this->correo = $correo ;
     $this->pas = $pas ;

}

public function _setCodCli($codCli){
  $this->codCli = $codCli;
 }

public function _setNomCli($nomCli){
  $this->nomCli = $nomCli;
 }

public function _setCorreo($correo){
  $this->correo = $correo;
 }

 public function _setPas($pas){
  $this->pas = $pas;
 }

public function getCodCli() {
    return $this->codCli;
 }

public function getNomCli() {
    return $this->nomCli;
 }

public function getCorreo() {
    return $this->correo;
 }

public function getPas() {
    return $this->pas;
 }

}

?>

no encuentro el error. me habian dicho que no seteaba bien los datos a mi tabla, ya lo ultimo que logre fue que me imprimiera esto.  pero ya estoy deseperado porque he intentado todo y buscado la informacion, con los que saben y no saben.. :( si alguien pudiera asesorarme. igual podriamos ponernos de acuerdo $ saludos.

redpajama_set_name: RedPajamaStackExchange


text:
From Wikipedia Commons
Act 2 & 3: Political Tragedy at Biak-na-Bato with the Death of the Supremo
A closer look at a key moment in Philippine history brings to light details of how the first Philippine 'Republic' came to being 117 years ago.	By Joel C. Paredes	3 min read
Continued from Act 1
Act 2: Countering the act of repression
The effect of this repressive decree, according to Agoncillo, proved the "unwisdom of Primo de Rivera's step, which was, indeed, a fatal one."
As he put it, "Filipinos who were somewhat disposed toward the Spanish government turned against it and joined the rebels, for the decree had a loophole which gave the government's venal subordinates ample opportunity to exact unwarranted fees from the people."
The decree actually unified the Filipinos and under Aguinaldo's banner. From his hideout, the revolutionary general Aguinaldo issued his own proclamation in July 1897 entitled "To the Brave Sons of the Philippines" expressing the demands of the revolutionist at a time when the situation in the field "had all the earmarks of a stalemate."
Aguinaldo even organized an assembly in Biak-na-Bato, having established republican government in the mountain hideout on May 31, 1897.
From being virtual unknowns to becoming "leading revolutionaries," Felix Ferrer and Isabelo Artacho, were tasked to prepare a provisional constitution.
It turned out that the first provisional constitution of the "Republic of the Philippines" known as the Constitution of the Biak-na-Bato , were merely lifted by Artacho and Ferrer from the different Cuban constitutions, which the revolutionists prepared. Yet they passed them off as their brainwork.
Epifanio delos Santos later described their works as "characterized by an atmosphere distinctly Cuban, transplanted from its native forest-habitat to the barren spot of Biak-na-Bato."
Act 3: The opportunity and the opportunists
Miguel Primo de Rivera y Orbaneja. Junior officer during the Philippine colonial war which later became the Prime Minister of Spain from 1923 to 1930.
Eager to finally end the revolution, Primo de Rivera found an opportunity when toward the end of July 1897, Pedro Paterno, a Filipino lawyer he had known in Spain, approached him to offer his services as a mediator between the rebels and the Spanish colonial government.
On August 9, Paterno presented himself to Aguinaldo , with a note that he had "explicit promise" of Primo de Rivera to pardon those who had taken up arms against Spain. He also assured them that an amount might be given to the rebels on which to live.
Aguinaldo, at first, declined the offer. The general declared that they would continue the struggle against Spain, with peace to be discussed only if Philippine independence was recognized.
The general, however, later told Paterno that he would confer with his men on the proposal. This time, it was Paterno's opportunity to ask Aguinaldo for proper credentials so he can also represent the rebels in his negotiation with the governor general.
In Paterno's credentials , which Aguinaldo issued on August 9, the latter said that since Spain might grant reforms demanded by the rebels, particularly the civil and religious reforms and that the leaders would be pardoned, and given money as prerequisites to their surrender, he was appointing Paterno to represent him in the negotiations.
On Paterno's assurance that the rebels' demands would not be mentioned in writing, Primo de Rivera agreed with the negotiations. His minimum requirements were pardon for all and security in the departure of the rebel chiefs to either China or Japan, in exchange for their surrender and the laying down of their arms.
The Spanish governor-general hinted that his government could offer P1,700,000 to be paid in three installments.
Read Act 4 & 5
 Archived in History. Bookmark the permalink.
Joel C. Paredes
Joel briefly served government as director-general of the Philippine Information Agency (PIA), although he has been a practicing journalist and writer for nearly 37 years. He led a team organized by the University of the Philippines Los Banos (UPLB) and the Department of Environment and Natural Resources (DENR) that worked on the book entitled "Protecting our Natural Wealth, Enhancing our Natural Pride."
Act 4 & 5: Political Tragedy at Biak-na-Bato with the Death of the Supremo By Joel C. Paredes	3 min read
The many charms of Mount Marami By Angie Chui	9 min read