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During an hour-long Q&A session, which the CEO of Facebook hosted on the social network, Mark Zuckerberg gave an interesting view on where the social media, as well as sharing information online in general, is heading.
According to Zuckerberg, we will be, at some point, capable of send messages and posts telepathically.
"One day, I believe we'll be able to send full rich thoughts to each other directly using technology. You'll just be able to think of something and your friends will immediately be able to experience it too, if you'd like. This would be the ultimate communication technology," he said.
He goes on explaining his ideas in further detail, saying how at first we were simply sharing text, but today images are the most popular form of sharing. Video is slowly breaking into the norm, and very soon it will become the main type of communication.
"Second, people are gaining the power to communicate more frequently. We used to have to be with someone in person. Then we had these bulky computers at our desks or that we could carry around. Now we have these incredible devices in our pockets all the time, but we only use them periodically throughout the day. In the future, we'll have augmented reality and other devices that we can wear almost all the time to improve our experience and communication.
"Our lives improve as our communication tools get better in many ways. We can build richer relationships with the people we love and care about. We know about what's going on in the world and can make better decisions in our jobs and lives. We are also more informed and can make better decisions collectively as a society. This increase in the power people have to share is one of the major forces driving the world today."


text:
Construction Management (At Risk)
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A School Like No Other — Pine Crest Elementary School
In: What's New
On Sept. 12, Wharton-Smith team members joined with representatives from the Seminole County School Board, community leaders, and students and staff from Pine Crest Elementary School to celebrate the construction of a new school. See more pictures.
"This will be a school that families from all over the County are going to seek out because of the opportunities in creativity and innovation," Dr. Griffin, Superintendent of Seminole County Schools, said. "Our business community has given us input and certainly the top architects in the country have worked with us. This is going to be a school like no other in Seminole County," he added.
The new 110,754-square-foot structure will feature 53 classrooms along with labs, administration area, dining, media center, and other support spaces to accommodate 930 student stations. The $24 million project also includes new car and bus circulations, parking, retention areas, and site amenities such as covered walkways, playground areas, playfield, play structures, and phased demolition of all buildings with the exception of two structures that will be renovated.
"This is truly a one-of-a-kind facility. In a world where prototypes have become the norm, we applaud this school district for its commitment to innovation in its school construction program," Paul Fulks, Project Executive, said. "We are honored that Seminole County Public Schools has put their trust in us to deliver this challenging project to the Pine Crest community."
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redpajama_set_name: RedPajamaCommonCrawl


Looking for Drug Rehab and treatment centers in Inez, Kentucky?
There are several alcohol and drug treatment programs solutions to folks residing in the Inez region. You should understand each of the varieties of treatment possibilities that exist in Inez, AB., in order to pick the suitable treatment option for yourself or a loved one. Selecting the proper alcohol and drug rehabilitation center in Inez is an essential factor in the treatment of substance abuse, drug addiction and alcoholism. This information will help you understand your various rehabilitation options allowing an individual to have the maximum potential for an effective end result.
Let's examine the many drug rehabilitation programs in Inez, Kentucky options that coincide with the condition of the person searching for treatment.
Inpatient alcohol and drug treatment in Inez, AB. is often a rehabilitation choice best for those who will need health-related treatment for the duration of rehabilitation or individuals with substantial substance abuse histories. Women and men will experience mental and physical dependence to drugs and alcohol even after a brief amount of time, so inpatient drug and alcohol rehab in Inez is regarded as the best treatment possibility in nearly all cases. As a result of substance abuse and addiction, people will most likely not be able to recover with the minimal services available from outpatient treatment facilities in Inez, Kentucky where drugs are still easily obtainable when they leave the outpatient center. In addition, individuals in rehabilitation who receive outpatient rehab as opposed to inpatient alcohol and drug rehabilitation in Inez remain susceptible to damaging relationships and situations which may cut across their process of recovery. If someone lives with an abusive companion or maintains relationships which involve drug use, any treatment endeavours in outpatient treatment will be in vain. For this reason in-patient drug and alcohol treatment in Inez, AB. will result in more beneficial outcomes that may prove lasting as opposed to an outpatient drug rehab program where advantages are often very minimal and acute.
In Inez there's both short-term and long-term inpatient drug rehabilitation. Short-term is a 30-day center, while long-term inpatient drug rehab in Inez, Kentucky is much more prolonged and treatment can last 90-120 days generally speaking. It is really an ideal environment for clients because it is a secure drug-free setting where they can heal both physically and mentally without distraction. Ideally, women and men proceed within a long-term in-patient drug rehabilitation program in Inez for the maximum period of time allowed, to be able to deal with anything that might cut across their sobriety once they leave treatment. Due to the fact detoxing and becoming physically stabilized can take 2-3 weeks alone, the three to six months in long-term in-patient drug and alcohol rehabilitation in Inez is going to be time well spent and a lot more efficient than short-term facilities.
The key factor of all if you or someone you love is struggling with a drug abuse or addiction concern is to get it resolved right away, call someone and seek advice from experienced addiction professionals and get an evaluation and treatment possibilities to ensure the greatest potential for a recovery.


Torment: Tides of Numenera is the thematic sequel to Planescape: Torment. With such critically acclaimed roots, this game has a lot to live up to. In this game, you will have to explore the narrative-driven story in a beautiful isometric world of Numenera. Together with your companions, you will travel through the Ninth World and meet increasingly deadlier enemies.


Lola A. Coke, PhD, APRN-BC, CNS, FAHA, FPCNA, President of the Preventive Cardiovascular Nurses Association Board of Directors, issued the following statement today in response to the U.S. Supreme Court's ruling upholding the Affordable Care Act.
"Today's U.S. Supreme Court ruling upholding the Affordable Care Act validates America's value of preventive health care services – particularly for two of the leading killers of both men and women in America – heart disease and stroke.
Health care providers with a passion for prevention will absolutely embrace the opportunity to provide improved screening for, and management, of risk factors for cardiovascular disease. The new ruling, which was designed to extend health coverage and access to care for over 30 million uninsured Americans, will address important disparities in the application of evidence-based strategies for management of high blood pressure, cholesterol disorders, and diabetes.


Why have I not received my membership card?
All cards are sent out on receipt of membership fees. Please check that your membership fee is up to date.
At what level of membership can I join?
Can I change my branch?
Yes this can be done under the 'My Account' section once you are logged in.
Can I renew my membership online by card?
Yes, you pay by credit card via the "My Account" section on the website.
No. You will need to e-mail the office info@the-eps.org to cancel the membership and then join as a new member online.
How can I provide feedback on the new website?
You will need to go to website www.the-eps.org login, then change details under 'My Account'.
How do I upgrade to member?
Once you are an associate member you can download the upgrade form from the resources section.


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Jennifer Lawrence to Play Mystique in 'X-Men: First Class'
Kevin Bacon has reportedly finalized a deal to play an unknown villain in Matthew Vaughn's prequel
Jeff Sneider | July 15, 2010 @ 2:44 PM
"Winter's Bone" star Jennifer Lawrence has been garnering rave reviews for her fearless performance in Debra Granik's Sundance-winning drama, and evidently Hollywood has been paying attention.
The striking young actress is in final negotiations to play the mutant Mystique in Matthew Vaughn's "X-Men: First Class," Lawrence's publicist has confirmed to TheWrap.
Mystique is a shapeshifter who can imitate other people, although she can't replicate their superpowers. Rebecca Romijn played the blue-hued character in the original trilogy.
Additionally, Variety reports that Kevin Bacon is now officially set to play an unknown villain in the 20th Century Fox prequel, and notes that speculation within the fanboy community has Bacon playing Mister Sinister, a character I'm not familiar with.
Last week, TheWrap reported that Bacon was in talks for the role, and while Variety claims the deal is done, Deal Central must stress that it still hasn't received confirmation from Bacon's representatives or the studio that he has officially joined the cast.
Bacon and Lawrence join James McAvoy (Professor X), Michael Fassbender (Magneto), Alice Eve (Emma Frost), Nicholas Hoult (Beast) and Caleb Landry Jones (Banshee) in the film.
Original "X-Men" director Bryan Singer conceived the origin story, and Jane Goldman ("Kick-Ass") wrote the script, which follows Charles Xavier and Erik Lensherr as young men discovering their powers for the first time.
Singer, Lauren Shuler Donner and Simon Kinberg are producing "First Class," which is set to open June 3, 2011.
Lawrence next stars opposite Hollywood bad boy Mel Gibson in "The Beaver." She films the thriller "The House at the End of the Street" in Ottawa in August before heading overseas to London for "X-Men," which will be her first studio feature.
Bacon next appears in James Gunn's wanna-be superhero comedy "Super," as well as the Warner Bros. comedy "Crazy, Stupid Love," which stars Steve Carell and Ryan Gosling. He also plays the lead in Prachya Pinkaew's action movie "Elephant White" opposite Djimon Hounsou.
Lawrence is represented by CAA, while WME represents Bacon.
Report: Bacon in Talks to Play Villain in 'X-Men: First Class'
By Jeff Sneider | July 9, 2010 @ 2:50 PM
James McAvoy Cast as Young Professor X in 'X-Men: First Class'
By Jeff Sneider | May 27, 2010 @ 5:35 PM
Deal Central gives you the latest on Hollywood casting, script buys, greenlights and negotiations in the entertainment industry.


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Book Jessi
Jessi Cruickshank became a household name as the face of MTV Canada and the host of MTV's international smash hit The Hills After Show. The Hills After Show became a cult phenomenon, nominated for two Gemini Awards, syndicated in over 10 countries and generating record-breaking ratings in Canada and the US.
With the success of The Hills After Show, Jessi went on to co-host, produce and write the spin-off prime time pop culture series The After Show, where she provided her quick-witted commentary and refreshing perspective on the day's entertainment news. Jessi's selfdeprecating humour, irreverent interview style and eclectic flair for fashion quickly made her a fan-favorite on MTV and garnered the attention of top producers in the U.S. Jessi has recently re-located to Los Angeles to develop The Untitled Jessi Cruickshank Project with Ellen Rakieten, Executive Producer of The Oprah Winfrey Show.
Born in an A&W restaurant, Jessi grew up in Vancouver, B.C, honing her comedic skills as the only girl on an all-male improv troupe alongside Seth Rogen. She then went on to study theatre in London, England and graduated at the top of her class with a degree in Drama and English from the University of Toronto. Soon after, Jessi was discovered in MTV's nation-wide search, landing her a position that allowed her to interview the likes of Tom Cruise, Zac Efron, Sarah Jessica Parker, the cast of Twilight, Chris Brown, Will Ferrell, Drake, Rhianna and Bill Gates, to name a few.
Often pushing the boundaries, Jessi's daring and hilarious interviews with Taylor Lautner, Adam Lambert, Heidi and Spencer, and her "date" with Bradley Cooper quickly became online sensations, garnering over a million views worldwide.When not hosting her live daily talk-show for MTV, Jessi has been a celebrity guest on E!'s The Soup, co-hosted the 2009 MTV Movie Awards Pre-Show, acted as a judge on Canada's Next Top Model and made guest appearances on E! True Hollywood Story, Fashion Television, Degrassi, Canada AM and NBC News. Most recently she was hand picked from journalists across the country to cover the Vancouver 2010 Olympic Games as a co-host of Olympic Morning on CTV.
Jessi's ability to connect to her audience has also allowed her to tackle global issues in a refreshingly relatable way. As the ambassador for charity organization Free the Children, Jessi traveled to India in 2008 for the critically acclaimed documentary MTV Presents: Jessi in India, where she encountered child labor, hunger and poverty first hand. In 2009, she produced the much-anticipated follow-up MTV Presents: Jessi in Kenya that documented her experiences living in a mud hut for ten days with a traditional Massai family. Jessi's social activism has made her a renowned keynote speaker, appearing at national conferences alongside The Dalai Lama, Jane Goodall and Mia Farrow. Last year she teamed up with the cast of The Hills to auction off her designer dresses, raising over $30,000 for charity.
Known for her unique and eclectic sense of style, Jessi has been named TV Guide's Best Dressed Host, and she has appeared in top fashion publications Elle, Flare, Fashion and Verve Girl magazines. In 2008, Jessi launched her own line of eco-friendly T-Shirts for "Me to We Style" that sold out across the country; her second collection, released this summer, was the fastest selling T-Shirt line in Me to We history. Currently, Jessi can be seen as the L.A correspondent for Canada's number one Entertainment show, Etalk.
Follow Jessi on Twitter
Born in an A&W
Jessi Cruickshank was born in an A&W restaurant in Calgary, Alberta. She is now developing her own show with the Executive Producers of The Oprah Winfrey Show in Los Angeles. How on earth did she get there? In her candid, interactive and raucously funny speech, Jessi will talk about all of the choices she has made (the good ones and the not so good ones…) that got her to that place. The secrets of success are the same no matter what field you are in. Jessi's story of going from a fast food restaurant in Calgary, to being the only girl on an all-male improv team with Seth Rogen in Vancouver, to breaking up fights between Lauren and Heidi in LA, will not only have the audience in stitches, but motivate them to make the choices that will allow them to live their dreams and achieve their goals.
The Power to Create Change
As long time Canadian ambassador for non-profit organization Free the Children, Jessi speaks about her eye opening experiences leaving the comfort of her MTV studio and travelling to rural India and Kenya. From carrying poop in India to drinking Goats blood in Kenya, Jessi's often hilarious and always powerful stories about her travels allow her to tackle serious global issues in a refreshingly relatable way. She talks about the pop-culture bubble so many young people in North America get trapped in today and challenges them to pop it, to see beyond the MTV world and discover the power they hold to create positive change in their colleges, communities and in the world.
Finding Happiness in a Material World
In North America, we spend more money on the diet industry than the government spends on health, education and welfare combined. Last year more people voted for American Idol than for any president in US history and 1 in 4 Canadian teens say they would rather be famous than work to make a difference in the world. As the face of MTV and the LA correspondent for Etalk, Jessi talks candidly about navigating a material and pop-culture obsessed world. She opens up about her own experiences working in an industry where quite often how you look is more important than how you think, where your net worth is more relevant than your self-worth, and where success is measured by what you have not what you have to give. Revealing a new side of herself, Jessi will empower her young audience to discover that happiness is not about what
you have in your life, but what you choose to do with it.
Making the Most of Your College Life
Jessi attended the University of Toronto on a full scholarship and graduated with honours, but the things she cherishes the most about her university education were the things that had nothing to do with her formal "education." Jessi will speak about how she got involved in university by starting a special needs drama program at a local high school, joining the student council, playing intramural sports and getting involved with Free the Children, and why students should strive to find a similar balance. Telling a series of wildly funny, honest and relatable anecdotes, Jessi's uncanny ability to relate to young audiences will leave them motivated to create opportunities and make the most of their college experience.
Host and MC
As the host of a live daily talk show on MTV, broadcast to over 90 million homes across North America, Jessi knows how to work a room. With her signature warmth and wit, Jessi has MC'd and hosted charity fundraisers, private parties, red carpets, award shows, store openings and corporate events all across Canada and the US. Her sharp wit and charm allow her to relate to any crowd and make any event a truly memorable one.


Our client are a well established and successful ecommerce business.
They now require a Web Designer to join the team.
The successful candidatewill have experience of working in a design role within an ecommerce / digital team and will have excellent Photoshop and Illustrator software knowledge.
They will have some experience of personalisation and testing software and will be up to date with the latest web design trends.


Christmas Toy Shop Advent Calendar with Solid Milk Chocolate Presents hiding behind doors and windows this Victorian Village Toy Shop are 24 solid milk chocolate presents. Each Milk Chocolate Present foil wrapped beautiful present foils. Christmas Advent Calendar great way start the season early and makes counting down Christmas delicious fun!


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Body of Japanese man found in eastern Taiwan
TAIPEI – The body of a Japanese man has been found in a valley of a national park in Hualien in eastern Taiwan, according to local police.
The dead man has been identified as Masao Inaba, 62, the local police said.
The police said they have asked the Interchange Association, Japan's de facto embassy in Taiwan, to notify Inaba's family who are expected to arrive in Hsincheng in Hualien County on Monday.
A coroner will then determine the cause of death with the consent of his family, the police said.
The Hsincheng Police Department said it received a telephone call Saturday morning informing police of a man lying at the bottom of a valley in the Taroko Gorge National Park.
The police suspect the man may have fallen into the 100-meter deep valley while taking pictures from a cliff top.


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Август Вильгельм:

 Август Вильгельм, герцог Брауншвейг-Бевернский (1715—1781) — прусский генерал, кавалер ордена Чёрного орла, губернатор Штеттина, участник Семилетней войны.

redpajama_set_name: RedPajamaWikipedia


1 What are cookies and other similar technologies?
The objective of this Policy is to provide you, as a user of Spotify's services, with clear and accessible information about the cookies that Spotify uses, the role they play in helping us provide the best possible experience to you and the choices you have when it comes to your cookie settings.
1. What are cookies and other similar technologies?
Cookies are text files which are downloaded to your device when you visit a website. They are useful because they allow a website to recognise a user's device. You can find more information about cookies at: www.allaboutcookies.org or www.youronlinechoices.eu.
web storage used in desktop software or mobile devices.
We'll use the term cookie throughout this Policy to cover all of these technologies, but we'll make sure we provide you with clear details about them all so that you can make informed choices about your cookie settings.
Cookies do lots of different jobs, like letting you navigate between pages efficiently, remembering your preferences, and generally improving your user experience. They can also help to ensure that ads you see online are more relevant to you and your interests.
Persistent Cookies - these are cookies which stay on your device for a set period of time or until you delete them.
Third-party cookies - these are cookies that are set by a party other than that of the website you are visiting. If you visit the Spotify website or use the Spotify Service and another party sets a cookie through that website this would be a third-party cookie.
Strictly Necessary Cookies These cookies are essential in order to enable you to use the features of our services, such as maintaining your playlist. Without these cookies, services you have asked for e.g., e-billing, cannot be provided.
In summary, these cookies enable services you have specifically asked for and make using our services possible.
Performance Cookies These cookies collect information about how visitors use our services, for instance which pages visitors go to most often, and if they get error messages from web pages. These cookies collect anonymous information on the pages visited. All information these cookies collect is aggregated and therefore anonymous. It is only used to improve how our services perform.
Functionality Cookies These cookies allow the website to remember choices you make (such as your user name, language or the region you are in) and provide enhanced, more personal features. These cookies can also be used to remember changes you have made to text size, fonts and other parts of web pages that you can customise. The information these cookies collect may be anonymised and they cannot track your browsing activity on other websites.
If the same cookie is used for re-targeting they must be included in the 'Targeting or advertising cookies' category as well. It might also include cookies that are used to deliver a specific function, but where that function includes cookies used for behavioural/targeted advertising networks they must be included in the 'Targeting or advertising cookies' category as well as this category.
Targeting or advertising Cookies These cookies are used to deliver advertisements more relevant to you and your interests. They are also used to limit the number of times you see an advertisement as well as help measure the effectiveness of the advertising campaigns. They are usually placed by advertising networks with the website operator's permission. They remember that you have visited a website and this information is shared with other organisations such as advertisers. Quite often targeting or advertising cookies will be linked to site functionality provided by the other organisations.
Strictly Necessary These cookies are necessary to allow us to operate the Spotify Service as you have requested. For example, they let us recognise what type of subscriber you are and then provide you with services accordingly.
Functional These cookies let us operate the Spotify Service according to your preferences. For example, when you continue to use or come back to the Spotify Service, we can provide you with our services based on information you provide to us, such as remembering your username, how you have customised our services, and reminding you of content you have enjoyed or listened to on the service previously.
Targeted Advertising We use these cookies and other similar technologies to serve you with advertisements that may be relevant to you and your interests, including interest-based advertising. The information may also be used to record how many times you've been served a particular advertisement and to ensure we do not display the same advertisement to you repeatedly, and to otherwise help us measure their effectiveness.
Spotify Ads We work with website publishers, application developers, advertising networks, and service providers to deliver advertisements and other content promoting Spotify on other web sites and services. Cookies and other similar technologies may be used to serve you with advertisements that may be relevant to you and your interests on other websites, applications, and devices, and to regulate the advertisements you receive and measure their effectiveness.
On your mobile device, your operating system may provide you with additional options to opt out of interest based advertising or to otherwise reset your mobile identifiers. For example, you may use the "Limit Ad Tracking" setting (on iOS devices) or a setting to "Opt out of Interest-Based Ads" (on Android) which allows you to limit the use of information about your use of apps for purposes of serving ads targeted to your interests.
Please note that if you set the Spotify desktop application to block cookies, then your Spotify experience may be affected.
Certain targeted advertisements that we (or a service provider acting on our behalf) display to you based on information about your online activities across websites and other interactive properties operated by third parties may include the "Ad Choices" icon or another mechanism to opt out of receiving interest-based advertisements. You may click on the AdChoices icon or visit www.aboutads.info to receive more information about the collection and use of information about your online activities for interest based advertising or to learn how to opt out of having your data used for interest based advertising by Digital Advertising Alliance (DAA) participating companies.
Canadian users can also visit www.youradchoices.ca.
European users can also visit www.youronlinechoices.com to learn how to opt out of having their data used for interest-based advertising by European Interactive Digital Advertising Alliance (EDAA) member companies.
The Network Advertising Initiative's (NAI) Opt-Out Tool at www.networkadvertising.org/choices allows you to opt out from the use of information about your online activities for interest based advertising by NAI member companies.
Please note that even if you opt out using the mechanisms above, you may still receive advertisements when using the Spotify Service.
When we make material changes to this Policy, we'll provide you with prominent notice e.g., by displaying a prominent notice within the Spotify Service or by sending you an email. We may notify you in advance.
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Q: Git в Visual Studio Code показывает 10000 изменений. Как их удалить? Я новичок в Visual Studio Code и мне в Git высвечивается 10000 изменений. Нажимая на кнопку Discard All Changes, мне высвечивается только такое уведомление. Что мне делать?

A: Discard All Changes означает Удалить все новые файлы — этого точно не надо делать.
Проверьте в каком каталоге вы инициализировали репозиторий.
И создайте файл .gitignore, в котором опишите все папки которые вам не надо добавлять в репозиторий. Тогда не будете видеть ненужные изменения.

redpajama_set_name: RedPajamaStackExchange


Casa Erizo is self catering accommodation in rural Andalucia with 360 degree stunning views of mountains, set in olive and almond groves.
Sleeping 2/3 comfortably, our rural casa is ideal for walkers, artists, nature lovers and romantics... and those seeking the perfect place to just relax and unwind.
Browse the photo gallery of Casa Erizo, El Barranco de Quiles and the surrounding area.


OrangePixel's original Groundskeeper was more of an experiment than a full game, an endless survivor-shooter in the company's typical old-school 2D style. The sequel retains the look and feel, but everything has been expanded: there's now a full story behind the tiny compartmentalized levels, you have access to a staggering amount of weapons, and the graphics and on-screen action have been given a considerable boost.
The game features the developer's usual calling cards: retro basics dialed up to 11. At the core it's a Contra-style shooter, but the sheer chaos of dozens of enemies and attacks on screen at once combined with impressive speed means it also has a bit of "bullet hell" DNA as well. Granted, most of those bullets are yours: your character zips around the small stage shooting everything that moves with a variety of crazy guns, lasers, rocket launchers, air bombs (where's she hiding them?), and other assorted tools of localized destruction. You will die eventually, but how far you get and how many enemies determines how well-equipped you are in the next round. Just think of it as a "roguelike" with lots and lots of explosions.
Groundskeeper 2 includes support for SHIELD, MOGA, Xperia Play, and Green Throttle controllers, and considering the amount of action on-screen at once, dedicated gamers will probably be happy for the inclusion. In typical OrangePixel fashion, the $2 game has no in-app purchases.
Update: There's also a free version of Groundskeeper 2 with advertising. No in-app purchases in this version, either.


How prone to anger are you, and how well do you handle it? Violence is a natural, healthy emotion. But, when we can't control it, it becomes destructive and causes problems. Unmanaged anger can affect your health, relationships, and job. People around you become at risk from your erratic behavior and unpredictable outbursts. If you have anger issues, it is essential that you get necessary help on how to deal with anger management from relevant support systems.
Anger is a natural way to respond to threats. Although a certain amount of violence is necessary to our survival, we all have a responsibility to control it. This article is meant to help you understand and successfully control anger you may want to visit http://healingminds.com/ to learn more about managing your anger and they can offer professional services too.
Why Are Some People prone to anger than others?
Psychologists say people who are prone to anger have a low tolerance to frustrations. They always feel that they should not be subjected to any kind of inconvenience, annoyance, or failure. Such people get easily infuriated; the slightest attempt to correct them on something can lead to an outburst. Other causes of anger stem from physiological, genetic, sociocultural, or even the family background of an individual.
Apply these relaxation techniques to calm down your temper any time you notice signs of an outburst.
Breathe in and out deeply, from your diaphragm. You will not relax when breathing from your chest.
Slowly recite a phrase or a neutral word such as "take it cool." Repeat this to yourself while breathing deeply.
Use your imagination; visualize an excellent relaxing experience.
Indulge yourself in non-strenuous, moderate exercises like yoga. They will relax your muscles, and you will feel calmer.
Angry people tend to act on impulse and respond aggressively. They are fond of making inaccurate conclusions. When you are in a heated discussion, first slow down and think carefully before answering. Practice good listening skills. It can help improve your communication and build trust feelings between people. Listen carefully to what the other people/person is saying.
Another good strategy on how to deal with anger management here is; Pause and listen to yourself, look to what is underlying the anger feeling. It is natural to get defensive but does not attack. It takes patience, but with time, you will be able to get things in control.
To tell the truth, not all anger bursts are misplaced. At times, it is a genuine reaction to a real problem. Some problems do not have solutions. When we fixate our minds to finding a solution to such issues, frustration builds up and explodes. Instead of always focusing on finding solutions, it is healthy to learn how to face problems. Be patient at dealing with issues, make a plan, and give it your best.
Humor helps to diffuse rage fits in some ways. For instance, when you get angry and call your colleague a name like "amoeba." Stop and imagine how that can look like in real life -"Working with a walking amoeba." Most of the time you will laugh at that thought and calm down.
Sometimes our environment causes us to get irritable. Take a break. Schedule some personal time where you are stressed up. After a brief quiet time, you will feel better and ready to handle issues more calmly.
In case you feel that the above strategies don't work and you need professional help. Be open to take anger management courses or visit a counselor for assistance. Several therapists can help with anger issues. Schedule an appointment with one, but make sure they are registered with a professional organization.
In conclusion, though you can't cure anger, you can well manage its intensity and effect it has on you. Take up existing therapeutic strategies on how to deal with anger management. Develop more patience in the face of people and problems, and you will overcome it.


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Dilatative Kardiomyopathie 1A
Die dilatative Kardiomyopathie 1A ist die häufigste Form der hereditären Kardiomyopathie. Die Vererbung ist autosomal dominant und Mutationen im LMNA-Gen sind ursächlich. Neben der Herzmuskelschwäche, die häufig nur mit Transplantation zu behandeln ist, finden sich auch Reizleitungsstörungen.
Hereditäre Kardiomyopathie
LMNA
Malouf-Syndrom
SCHRADER WH et al. (1961) Familial idiopathic cardiomegaly.
O'Connell JB et al. (1984) Clinical and pathologic findings of myocarditis in two families with dilated cardiomyopathy.
Csanády M et al. (1995) Familial dilated cardiomyopathy: a worse prognosis compared with sporadic forms.
Kass S et al. (1994) A gene defect that causes conduction system disease and dilated cardiomyopathy maps to chromosome 1p1-1q1.
Michels VV et al. (1993) Dystrophin analysis in idiopathic dilated cardiomyopathy.
Olson TM et al. (1996) Mapping a cardiomyopathy locus to chromosome 3p22-p25.
Olson TM et al. (1995) Exclusion of a primary gene defect at the HLA locus in familial idiopathic dilated cardiomyopathy.
McKenna CJ et al. (1997) Idiopathic dilated cardiomyopathy: familial prevalence and HLA distribution.
Graham RM et al. (1999) Pathogenesis of inherited forms of dilated cardiomyopathy.
Seidman JG et al. (2001) The genetic basis for cardiomyopathy: from mutation identification to mechanistic paradigms.
BATTERSBY EJ et al. (1961) Familial cardiomyopathy.
Brodsky GL et al. (2000) Lamin A/C gene mutation associated with dilated cardiomyopathy with variable skeletal muscle involvement.
None (1961) Familial cardiomyopathy.
BARRY M et al. (1962) Familial cardiomyopathy.
BISHOP JM et al. (1962) Cardiomyopathy in four members of a family.
BIOERCK G et al. (1964) FAMILIAL CARDIOMYOPATHIES.
BOYD DL et al. (1965) THREE FAMILIES WITH FAMILIAL CARDIOMYOPATHY.
Elliott JF et al. (2003) Autoimmune cardiomyopathy and heart block develop spontaneously in HLA-DQ8 transgenic IAbeta knockout NOD mice.
None (1949) Familial cardiomegaly.
Gupta P et al. (2010) Genetic and ultrastructural studies in dilated cardiomyopathy patients: a large deletion in the lamin A/C gene is associated with cardiomyocyte nuclear envelope disruption.
Levitas A et al. (2010) Familial neonatal isolated cardiomyopathy caused by a mutation in the flavoprotein subunit of succinate dehydrogenase.
None (2011) Contribution of acquired factors to the pathogenesis of dilated cardiomyopathy. -The cause of dilated cardiomyopathy: genetic or acquired? (Acquired-Side)-.
Kariv I et al. (1966) A family with cardiomyopathy.
Fatkin D et al. (1999) Missense mutations in the rod domain of the lamin A/C gene as causes of dilated cardiomyopathy and conduction-system disease.
Taylor MR et al. (2003) Natural history of dilated cardiomyopathy due to lamin A/C gene mutations.
Charniot JC et al. (2003) Functional consequences of an LMNA mutation associated with a new cardiac and non-cardiac phenotype.
Sébillon P et al. (2003) Expanding the phenotype of LMNA mutations in dilated cardiomyopathy and functional consequences of these mutations.
Mounkes LC et al. (2005) Expression of an LMNA-N195K variant of A-type lamins results in cardiac conduction defects and death in mice.
Meune C et al. (2006) Primary prevention of sudden death in patients with lamin A/C gene mutations.
Møller P et al. (1979) Familial cardiomyopathy. Autosomally, dominantly inherited congestive cardiomyopathy with two cases of septal hypertrophy in one family.
Michels VV et al. (1992) The frequency of familial dilated cardiomyopathy in a series of patients with idiopathic dilated cardiomyopathy.
Coughlin SS et al. (1990) The epidemiology of idiopathic dilated cardiomyopathy in a biracial community.
Schmidt MA et al. (1988) Familial dilated cardiomyopathy.
Vincenzo Fragola P et al. (1988) Familial idiopathic dilated cardiomyopathy.
Koike S et al. (1987) Familial dilated cardiomyopathy and human leucocyte antigen. A report of two family cases.
Gardner RJ et al. (1987) Dominantly inherited dilated cardiomyopathy.
MacLennan BA et al. (1987) Familial idiopathic congestive cardiomyopathy in three generations: a family study with eight affected members.
Graber HL et al. (1986) Evolution of a hereditary cardiac conduction and muscle disorder: a study involving a family with six generations affected.
Emanuel R et al. (1971) Dominant and recessive modes of inheritance in idiopathic cardiomyopathy.
None (1970) Congestive and hypertrophic cardiomyopathies. A decade of study.
Machida K et al. (1971) Familial cardiomyopathy: immunological studies and review of literatures on autopsied cases in Japan.
Rywlin AM et al. (1969) Idiopathic familial cardiopathy. A study of two families.
Ozick H et al. (1984) Dilated cardiomyopathy in identical twins.


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Zeitgeist through Graphic Design
Graphic Design Talk
An Arranged Marriage Between Art and Technology- The Vison of György Kepes
Photo by: Ivan Massar, from Black Star (courtesy of György Kepes Foundation, Eger, Hungary)
Source: Erste Foundation
…a scientists brain, a poet's heart and a painter's eyes.
(excerpt from 1981 Hall of fame Art Directors Club about G. Kepes)
The legacy of the Bahaus came to the US with the many immigrants leaving Europe during and after World War II and the Nazi persecution of Jews and socialist. An artist briefly named on our text, (p. 329) was György Kepes (1906-2002) an assistant of Laszlo Moholy- Nagy. This week entry would focus on Kepes' career.
György Kepes was born in Selyp, Hungary and then moved to the capital where he was trained as impressionist painter at the Royal Academy of Fine Arts in Budapest. Influenced by the socialist avant-garde, Kepes abandoned painting and started searching for a medium that served more the community, and in his own words, "the alleviation of social injustice, and the inhumane conditions of the Hungarian peasantry." During this period he turned to filmmaking.
In 1930, he moved to Berlin and worked as stage, publication and exhibition designer, and also started working for Moholy-Nagy in his Berlin studio, relocating to London when Moholy-Nagy moved his studio to England in 1936. In London he met and married the artist Judy Appleby and in 1937, when Moholy-Nagy was offered to found the New Bahaus in Chicago, he moved to Chicago, to become part of the faculty. Kepes continued exploring his theories of design and the "education of vision" and in 1943 he went to work for the Brooklyn College. In 1944 he published the famous "Language of Vision," a book based on the Gestalt psychology and strongly influenced by the Bauhaus philosophy. A detail on the life of Kepes and Moholy-Nagy, is that in 1942 they contributed with the US Army as advisors on military and urban camouflage.
The Massachusetts Institute of Technology, MIT, School of Architecture and Planning , offered him a teaching position in 1947. Kepes continued teaching at MIT until his retirement in 1974. During his career, he collaborated with many architects, engineers and scientists with the ultimate goal in his mind of creating a visual design program for the institution. This came true in 1967 with the Center for Advanced Visual Studies, CAVS. Together with his work in academy, designed for Fortune Magazine, The Container Corporation of America, The Atlantic Monthly and Little Brown Book Publishing.
CAVS at MIT was conceived as a fellowship place for artists, where they could go to achieve their individual creative pursuits. People there worked in collaborations. The vision of Kepes was to absorb new technologies as an artistic medium, facilitating the collaborations among artists, scientist, engineers and industry. Initially, CAVS invited only established artists. Among the first fellows were Otto Piene, Vassilakis Takis, and Harold Tovish. Soon they were joined by Jack Burnham, Ted Kraynik, Wen-Ying Tsai, and Stan VanDerBeek. Later, the center opened its doors to artists at various points of their careers and a partial list of this fellows includes Maryanne Amacher, Joan Brigham, Lowry Burgess, Peter Campus, Harriet Casdin-Silver, and Muriel Cooper. Researchers at CAVS have pioneered the use of technologies such as lasers, plasma sculptures, sky art and holography as tools of expression in public and environmental art.
Throughout his career, Kepes continued working as a designer, producing both small and large-scale works. The First and Second Church in Boston commissioned him to make stained glass windows. His paintings are included in various collections including the Brooklyn Museum, the Corcoran Gallery of Art in Washington and the Whitney Museum. In 1995 the Hungarian government endowed a museum in Eger, Hungary, devoted to Kepes' paintings, drawings and photographs and his archives and a permanent collection of his photographs is in Hungary's National Photography Museum. His large scale work was considered "Environmental". Examples of this work are Neon relief lights for Radio Shack, acoustic tiles for U.S. Gypsum , a programmed light mural for KLM, 5th Ave. office in New York and a Light Corridor for the Milan Triennale. (5)
Examples of Kepes Dimensional Art
Source: ArtNet.com
Keeps died at 95 in Cambridge, MA. The Kepes Prize is presented annually at MIT.
It is overwhelming the vast scale of work of Kepes, varying from small book designs to the Sylvania light environment project, the Boston Harbor Project and many other urban projects for cities. To me, he was a visionary, a Renaissance man, with an ample vision of the world and a strong belief on social justice. Kepes influence is reflected on the work of people who were fellows at the center while Kepes was there, such as Joan Brighmam and the first fellow Otto Pienne. The influence of the avant-garde, Bauhaus School and the WWII, came to the US with him and bloomed and continue to grow with the cutting edge, state of the art sanctuary for artists, scientist and engineers at the CAVS. When in the great Boston area, take some time to visit the CAVS as well as the MIT museum. I was there last year and it was worth the whole afternoon.
I'll finish with the following link, a moving review of this artist, written by his student and friend Otto Piene. Leonardo on Line.
Archives of American Art. Oral history interview with Giorgy Kepes, 1968, Aug. 18 http://www.aaa.si.edu/collections/interviews/oral-history-interview-gyorgy-kepes-11952
Art Directors Club http://www.adcglobal.org/archive/hof/1981/?id=258
Armadillo Central http://www.armadillocentral.com/other-shows/gyorgy-kepes-shining-light-at-the-birth-of-media-art
Art Net.com
Cambridge Forum Speakers http://www.harvardsquarelibrary.org/cfs2/gyorgy_kepes.php
Dr. Leslie Room http://www.drleslie.com/Contributors/kepes.shtml
Images of Otto Pienne https://www.google.com/search?q=otto+piene&hl=en&tbo=u&tbm=isch&source=univ&sa=X&ei=d_SfUP_3N420igK85YGwBg&ved=0CD0QsAQ&biw=1309&bih=766
Joan Brigham http://joanbrigham.com/portfolios/installations/
Kepes, G. "The Language of Vision"http://books.google.com/books?id=zDWhvpEekFAC&printsec=frontcover&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false
Lowry Burges, Space Related Art http://vimeo.com/23912760
Maryanne Amacher (1938-2009) http://maryanneamacher.org/memorial/Maryanne_Amacher/Amacher_Archive_Project/Amacher_Archive_Project.html
Massachussets Institute of Technology, MIT, Center for Advanced Visual Studies CAVS, Brief History. http://cavs.mit.edu/MEDIA/CenterHistory.pdf
Meggs, P, Purvis W, Alston. Megg's History of Graphic Design, Fifth Ed. , John Wiley and Sons, 2012
György Kepes http://en.wikipedia.org/wiki/Gy%C3%B6rgy_Kepes
Pienne, Otto http://en.wikipedia.org/wiki/Otto_Piene
Wechsler, Judith. Gyorgy Kepes http://judithwechsler.com/sites/default/files/publications/gyorgykepes.pdf
History of Graphic Design
April Greiman- Does it Make Sense?
Viet Nam War Era-Iraq War Era
Cipe Pineles-Visual Reflexion
Tethering among Futurist Visual Poems, Dadaist Visual Poems and Concrete Poetry
Thèophile-Alexandre Steinlen (1859-1923) Art Nouveau with a Social Realism Touch
Ink and printing-basic ingredients for food menus
Reflections on Typography
The Bible of San Isidoro de León, 920
Links to Collections of Illuminated Manuscripts
Initial thoughts about the book "Megg's History of Graphic Design"
Áncora, La Nación, Costa Rica, 18 de Junio, 2017
http://www.nacion.com/vivir/patrimonio/fotos-tata-memoria-pais_0_1640635955.html
Package's Design: The Dieline
http://www.thedieline.com/blog/category/industry-bath-beauty-health
Women Graphic Designers by Ellen Lupton
A survey of woman designers of books, magazines, activist campaigns, identities etc. across the 20th century. http://www.typotheque.com/articles/women_graphic_designers
!Women Art Revolution -Trailer
http://womenartrevolution.com/index.php
Theseus' Paradox: A Visual Investigation of Image Differentiation
http://visualthinking.studiojunglecat.com/2011/07/03/theseus-paradox/
Alejandra Chaverri
Alejandra Chaverri Graphic Design
Alejandra Chaverri Photography
Categories Select Category Art Exhibitions (2) Logos and Advertising (3) Movie Reviews (1) Packages (2) Regulations (2) Typography (1) Uncategorized (6) Women in Visual Communication (1) Worth to see or read (17)
Archives Select Month June 2017 (1) December 2012 (3) November 2012 (13) October 2012 (6) September 2012 (1)


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