The Pitt State softball team played a double header against Roger State on Thursday, Feb. 14. The Gorillas lost the first game (2-8) but rebounded in the second game with a victory (9-6). They played another double header on Sunday, Feb. 17 against East Central but lost both games (3-7, 7-8).
In game one against Roger State, junior Kala Holder and freshman Keelah Griffith each made one run apiece. Senior Alicia Lowrey had two RBIs. Senior Chloe Holman and Holder each compiled a total of ten putouts. Griffith had four putouts and Lowrey had two. Lowrey had two assists and Holman had one.
In game two, Junior Kaity Kukowski scored three runs and junior Mikayla Mahlo scored two. Kukowski and Lowrey had three hits apiece. Junior Dru Collins and Mahlo each had one hit. Lowrey had three RBIs, Kukowski had two, and Mahlo had one. Junior Makenzie Goswick accumulated a total of seven putouts, junior Madison Wegner had six, Kukowski had three, and Holder had one. Holder made six assists and Kukowski made one.
In game one agaisnt East Central, Holder and Griffith each made one run apiece. Holder made two hits and Collins, Goswick, and Griffith all made one. Griffith had a total of two RBIs and Goswick had one. Goswick gathered a total of seven putouts, Holder had two, and Collins and Mahlo each had two apiece. Holder made four assists.
In game two, Holder, Griffith, and Kukowski all made one run. Holder made two hits, and Griffith, Goswick, and Kukowski all made one hit. Holder collected two RBIs. Goswick put away 12 putouts, Kukowski had three, and junior Brittanee Knepper had one. Holder made a total of six assists and Kukowski and Knepper each made three apiece.
According to Balazs, the team played well in the second match against Roger State on Thursday.
Several players did well despite losing three out of four games this past weekend, according to Balazs.
The softball team will have a busy week of practice with strikes, hitting, runners, and pitching.
Balazs hopes to see more "consistency" from the team during their next matches.
The softball team is currently ranked 4-6.
The teams next match is a double header on Saturday, Feb. 23 against Drury in Springfield, Missouri. After that, The Gorillas will travel to Oklahoma City for another double header game against Oklahoma Christian on Tuesday, Feb. 26.


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Illés Béla (1895–1974) író, újságíró
Illés Béla (1968) labdarúgó
Illés Béla (1954–) a Miskolci Egyetem Gépészmérnöki és Informatikai Karának dékánja

redpajama_set_name: RedPajamaWikipedia


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Kingston School of Art
Accreditation And Affiliation
Interior Architecture and Design
Fashion Business Management
Fees & Scholarship
Transfer to IIAD
Accommodation (For Girls)
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Industry Interactions
IIAD » Events » Orientation Day 2018
Orientation Day 2018
The Indian Institute of Art and Design conducted its fourth Orientation Day for the new batch of design students on 22nd July 2018 at the Indian Institute of Technology, New Delhi. The intention was to formally initiate the students into their undergraduate program in design and introduce them to the faculty as well as various resources present on campus that will help enhance their academic experience at IIAD.
Dr. Devdutt Pattanaik, a renowned Indian author who writes, illustrates and lectures extensively on Indian mythology, graced the occasion as the Keynote Speaker and addressed the gathering on the essence and importance of design in everyday life. He stated that, "Design is the ability to transform things into something beautiful." He drew a parallel between the connotation of beauty in Indian mythology and modern times. He was of the opinion that India has a lot of potential to rediscover its design sensibilities and be known around the world for the same.
He further added that any field of science can invent technology but cannot connect the psychology aspect with it. This is an aspect that designers are trained in. A designer has the skill-set to beautifully blend science and aesthetics to create an object closer to human need. Understanding human psychology is the key to designing products that are indispensable to humans in general.
The Founder and Director of IIAD, Dr. Jitin Chadha, addressed the crowd consisting of students and parents through a warm and reflective welcome note. He reiterated the philosophy of IIAD on which the programmes are based upon. He further emphasised on the basic principles of the institution and its vision to mould and equip these young students with abilities that make them ready for the design industry.
The orientation day also included a moving speech by the Dean, Professor Usha Nehru Patel. Prof. Patel shared her views on the essence of design education and her vision to be able to lead these young designers towards a brighter future. She encouraged the students to make use of the facilities on campus and open up to the world of design.
The event concluded with the new batch of students being introduced to the Faculty and Staff members of IIAD. The Head of Administration, Ms. Simrat Joshi, presented the students with some important pointers from the student coursebook in order to give them an overview of what is to be expected in the coming year.
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redpajama_set_name: RedPajamaCommonCrawl


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Порохівська сільська́ ра́да — колишня адміністративно-територіальна одиниця та орган місцевого самоврядування в Чортківському районі Тернопільської області. Адміністративний центр — с. Порохова.

Загальні відомості
Порохівська сільська рада утворена 22 березня 1990 року.
 Територія ради: 21,22 км²
 Населення ради: 1 167 осіб (станом на 2001 рік)
 Територією ради протікає річка Баришка

До 19 липня 2020 р. належала до Бучацького району.

11 грудня 2020 р. увійшла до складу Бучацької міської громади.

Населені пункти
Сільській раді підпорядковані населені пункти:
 с. Порохова

Склад ради
Рада складається з 20 депутатів та голови.
 Голова ради:

Керівний склад попередніх скликань

Примітка: таблиця складена за даними сайту Верховної Ради України

Депутати
За результатами місцевих виборів 2010 року депутатами ради стали:

За суб'єктами висування

За округами

Примітки та джерела

 Органи місцевого самоврядування в Тернопільській області

Адміністративний устрій Бучацького району


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'A Sort Of Collaboration'
Erased de Kooning Drawing as of 1999 at SFMOMA
When we last left Erased de Kooning Drawing, the late, great Leo Steinberg had finally told his story about getting Rauschenberg on the phone in 1957 in order to sort the damn thing out. Steinberg's conclusion was that, far from a "Neo-Dada" prank or Oedipal negation, Rauschenberg had offered de Kooning "a sort of collaboration" of erasure. The plausibility of this interpretation was inspired by the equally collaborative combine painting of the same period, Short Circuit.
Erased de Kooning Drawing, without present matboard, c. 1970, via Emile de Antonio's Painters Painting
So to recap quickly: EdKD is a collaborative work. In which erasure-as-drawing is the subject, or the strategy. Each artist with his different markmaking method. And it is inscribed, labeled, by hand, with a flatly descriptive title and claim of authorship. And though it had been unmatted at some point [above] rendering the inscription and the drawing as one collaged work, it was matted in a way that obscured this unity, and it was [eventually] presented as a framed, presented object. A conceptual work, realized. A concept of a drawing erased. Hold all that in your head. Am I missing anything?
Erased de Kooning Drawing, detail, c. 1970, via Painters Painting
Anything besides the small detail that the inscription, the text, the third instantiation of the concept, the generative inverse of the erased drawing itself, was made by Jasper Johns?
For the crucial period of EdKD's uptake into the art world's discourse, Rauschenberg had always claimed that he had written the inscription. That he'd "signed" it. That's what he told Emile de Antonio on top of that ladder. That's the only way anyone talked about it. But it is not true.
Vincent Katz has made one of the rare references to the importance of the work's collaborative creation in Tate Magazine in 2006. But others credit Calvin Tomkins with breaking the news of Johns' involvement in EdKD in his 2005 New Yorker profile of Rauschenberg:
Johns gave Rauschenberg the title for "Erased de Kooning Drawing," which came into being in 1953, when Rauschenberg persuaded de Kooning to give him a drawing which he would then erase, to see whether a work of art could be created by the technique of erasure; Johns also did the precise lettering for the title, on the framed matte below the very faint, wraithlike ghost of the erased image.
The title, of course, is not on the matte, but under it. It was originally of a piece with the drawing, until the matte separated it, demoted it, even. Which may intensify the implications of difference between pre- and post-matted drawing.
[Tomkins does not identify the source of his revelation about Johns' involvement, even though he wrote in the same piece that "Johns recently told Joachim Pissarro, a curator at MoMA, that he thought the term 'combine' had been his suggestion." The latter was a memory Rauschenberg apparently did not share.]
Tomkins may have been the first to publish it, but claim of Johns' collaboration was first made at least six years earlier, by a seemingly unlikely source: Robert Rauschenberg.
In a 1999 video interview about the newly acquired EdKD, Rauschenberg told SFMOMA curators,
So when I titled it, it was very difficult to figure out exactly how to phrase this.
And, uh, Jasper Johns was living upstairs, so I asked him to, to do, the uh, the writing.
And they say you never get to know your neighbors in New York. Sometimes you make historic works of art together with them.
Except that on Pearl Street, as Castelli famously told it, Johns was downstairs. And Rauschenberg was upstairs, in the loft vacated in the summer of 1955 by Rachel Rosenthal, who had found the building in the Spring of 1954. Rauschenberg was certainly around–and living around the corner–before then. They'd met early in the winter of 1954, began and he and Johns had already created and shown Short Circuit by then. So either Rauschenberg was referring to a time before they moved in together, Or Johns didn't add his pieces to the drawing before mid-1955. Either way, it sounds like the drawing, to use Tomkins' odd phrasing, actually "came into being" after 1953, the date Johns wrote on it.
Part 1: 'FRAME IS PART OF DRAWING'
Part 2: Erasers Erasing in Painters Painting
Part 3: Norman Mailer on Erased de Kooning and other 'hopeless' and 'diminished' art
Parts 4&5: Leo Steinberg on EdKD and how it's a collaboration
Part 6: A 3-Way Collaboration, that is, with Jasper Johns. Oh, that's this post. Just one more, I think.
Author gregPosted on June 7, 2011 September 21, 2020 Categories art, johns, rauschenberg, et al, writingTags EdeKD, short circuit
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Oversee national and international energy and petroleum research activities providing strategic planning, impact analysis, energy market development, and investment management support as requested by the ministry .
Spearhead studies examining the impact of world economic developments on Libya's oil and gas market, petroleum supply, and environmental polices.
Evaluate the effectiveness of exploration and development projects taking into consideration the uncertainty of global market conditions.
Conduct oil and gas supply and demand research to effectively analyze the structure and development of regional and global markets.
Identify and review alternative sources of energy to evaluate their impact on the oil and gas market. Examine technology developments and their impact on the petroleum upstream and downstream sectors.
Directed a qualified international research team in conducting energy related research and studies. Contributed to organizational and technical decision making involving GECF's long- and short-term strategy development and implementation.
Boosted the efficiency and effectiveness of the GECF Secretariat through the introduction of management tools knowledge.
Planned, coordinated, and optimized workflow of the Research Department.
Implemented the GECF Secretariat Programme of Work based on Ministerial and Executive Board discussions and proposals.
Followed up on the 9th GECF Ministerial (Oran, April 2010) in preparing the 10th, 11th, 12th, and 13th GECF Ministerial in Doha (December 2010), Cairo (June 2011), Doha (November 2011), and Malabo (November 2012).
Contributed to the re-development of various AGOCO mature oilfields.
Manage all project areas including mechanical engineering design, engineering, procurement, construction, commissioning, and start-up.
Improved the efficiency and effectiveness of the engineering department by initiating business process improvement and total quality management principles.
Carefully reviewed and approved engineering project documents.
Facilitated optimal technical and commercial cooperation primarily among APPA Member Countries in the hydrocarbon sector.
Supported the implementation of the fifth and sixth Association's Program of Action.
Conducted comprehensive research and compiled information on hydrocarbon development policies. Participated in and contributed to APPA Committee of Experts, APPA Permanent Marketing Committee, and APPA Sub-Technical Committees (Petroleum Committee, Gas Committee, Petrochemical Committee, Human Recourses Committee).
Managed joint technical projects among APPA member countries and organized various APPA international events.
Planned and implemented various oil field engineering projects.
Led all engineering and construction phases including design, scope of work development, technical bid creation, resource planning, and site supervision.
Coordinated successful completion of pipeline, manifold, oil storage systems, flaring systems, pumps, compressors, and fire fighting systems of various AGOCO oil fields.
Performed engineering calculations for pressure piping and vessels to ASME standard codes.
Reviewed and approved piping layouts and isometrics.
Oversaw the construction unit in completing electrical, civil, and mechanical projects.


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Travailler parmi nous
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Pourquoi travailler pour la Fédération internationale
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Newly arrived migrants to Hungary need assistance in transit centre
Publié: 16 juillet 2015 14:55 CET
Hungarian Red Cross volunteer from the Csongràd Red Cross Branch plays with migrant children at the Röszke transit centre near the Hungarian-Serbian border. Andreea Anca/IFRC
Hungarian Red Cross talks to the police captain Gàbor Eberhardt (left) about the needs of the newly arrived migrants who spend their first few hours in Hungary at the Röszke transit centre. Andreea Anca/IFRC
Hungarian Red Cross tent at the Röszke centre near the Hungarian-Serbian border. The Red Cross provides psychosocial support to migrant woman and children. Andreea Anca/IFRC
By Andreea Anca, IFRC
The 25-year-old woman from Iraq seems too tired to talk at length about the difficult journey that brought her to southern Hungary on a hot summer day in early July. She is trying in vain to comfort her six-month-old son, who is crying in her arms. The husband and two of her younger sisters are sleeping undisturbed in the army beds lined up at the identification centre in Röszke, near the border with Serbia.
A young man from Sudan sits alone, away from the rest, looking exhausted and lost in the large space of what used to be once a hangar. He is slowly taking off his shoes, bursting suddenly into tears.
A woman from Afghanistan lying in bed is in visible pain from the injuries on her knee and ankle.
Khaled, 13 and Niwar, 14, are two young boys from Syria who have made it this far accompanied by distant relatives. Their rough bare-feet testify to long-distance walks without shoes. Niwar is scratching nervously his arms dotted all over with rashes.
Near the exit, there is a long cue of migrants waiting to be boarded on the buses outside, which will take most of them to reception centres across the country.
In this space there is one lively corner, where several children are drawing and making paper planes helped by a Hungarian Red Cross volunteer from the Csongràd branch. The colouring pencils and the games seem to make them oblivious to their parents fatigue and the concerned look in their eyes.
Red Cross universally accepted
Migrants who attempt to cross the Hungarian-Serbian border are first taken to the centre in Röszke by the police, where they are registered and transferred to other migration and asylum facilities in Hungary. During these few hours people are provided food, water and can take some rest.
According to the police, most migrants come from countries of armed conflicts, deep poverty and social unrest such as Syria, Afghanistan and Iraq. The available data reveals that, on average, 80 per cent of the newly arrived at the Röszke centre claim asylum in Hungary. Approximately ten per cent are under the age of 14, one third are under 18, and there are also many pregnant women among those arriving here.
Gàbor Eberhardt, the police captain in charge of the Röszke centre appeals for civilian assistance, to help the officials bridge the communication with the migrants and by engaging with the children.
"We need help here, the police cannot deal with this situation alone," he says. "An organization such as Red Cross is universally accepted." Eberhardt says that there is an estimated 600-1,000 migrants entering Hungary on daily basis.
Currently, the Hungarian Red Cross is providing psychosocial support to children and women at the Röszke centre and has started preparations for scaling up its migrant-related operations.
"The Hungarian Red Cross is providing assistance for migrants based on the extent of vulnerabilities, taking a long-term approach to finding solutions to the people in most need," says Istvàn Kardos, the Director General of the Hungarian Red Cross. "For us no human being is illegal."
A propos de la FICR
La Fédération internationale des Sociétés de la Croix-Rouge et du Croissant-Rouge est le plus vaste réseau humanitaire au monde. En tant que membres du Mouvement international de la Croix-Rouge et du Croissant-Rouge, nous sommes guidés dans notre travail par sept Principes fondamentaux: humanité, impartialité, neutralité, indépendance, volontariat, unité et universalité.
Pour le personnel
Pour les journalistes
Salle de presse vidéo


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I recently visited the Strathisla Whisky Distillery, of Chivas Regal fame, and as well as having a thoroughly enjoyable time, I was reminded of two fundamental truths in Marketing:
- seeing, hearing, experiencing how food and drink is crafted can all add further enjoyment to the consumption of that food or drink
- knowing the story behind a product or brand can add greatly to its perceived value
These truths are known by most marketers intuitively, and we can all back up our assertions with any number of examples or personal experiences.
I was interested to find a 'literary and anthropological experiment' which has sought to value the effect of storytelling on the value of objects. The experiment was started around 10 years ago, and is called Significant Objects. The experiment - which has taken on a life beyond the initial round - was conceived by journalist and author Rob Walker and Joshua Glenn, who conclude that: Stories are such a powerful driver of emotional value that their effect on any given object's subjective value can actually be measured objectively.
What the experimenters did was to buy a load of jumble-sale bric-a-brac, then give a number of writers a piece to write a short story or flash fiction about. The objects were then put on ebay, together with the accompanying story.
You can see the objects on the website, divided into 'significant' categories - Fossils, Talismans, Idols, Totems, Evidence. There's all manner of tat, from a Charlie's Angels thermos to a lighter in the shape of a pool ball. And the stories range from 6 words to minor epics.
In the first round of the experiment, the experimenters sold items that had cost $128 for $3612.
Now, I know you can pick holes in this. The stories were fiction, and were clearly marked as such. Would true stories about the objects, well-written have had the same effect? Did the well-known status of some of the authors have an influence? Was there knowledge that the proceeds would be going to charity? Was there a word-of-mouth element amongst the experimenters' literary and journalistic friends and contacts?
Still, you have to admire a writer who can raise the value of a 'mystery object' from 99c right up to $103.50.
Labels: charity, ebay, food and drink, marketing, research
Thank you and you and you and you and you and you and you
How can a company with thousands of employees around the world recognise the work and commitment they put in? Of course, at the local level, it's up to immediate bosses and colleagues to say thank you and make gestures that acknowledge what people do.
And in these days, of course, technology allows companies to make gestures on a global level, while still recognising the contribution of each individual. I'm impressed with the 'Big Thank You' event that Delta ran over the weekend - a 50 hour Facebook Live Marathon to thank each of its 80,000 employees, whose names were read out by a cast of celebrities, along with stories and entertainment for the course of the weekend.
This is the second year that Delta has said 'Thank You' on an epic scale. Last year they got themselves into the Guinness World Records with a 50 foot tall Thank You card - see above.
I guess you could argue that the money spent on these events could go straight into the pay packets instead. But I'm not sure anyone would notice, let alone remember for years to come.
And a couple of dollars extra in the pay packet is unlikely to get you into the Fortune Top 100 Companies to work for.
Labels: airlines, employees, employer branding, Facebook, loyalty, travel
A week later, and I'm still on my soapbox about humour (or lack of) in advertising. I read a super piece by Paul Burke in Campaign entitled No laughing matter: Why Advertising isn't funny anymore. The guilty are all called out and charged, from the Client to Sir Martin Sorrell and his bean counters, from Tony Blair to the Creative Department. Well worth reading: even if advertising isn't funny anymore, this article is, particularly the paragraph with the ghastly client marketing-speak.
One potential culprit, or group of culprits not mentioned in the article, are what we used to call target audiences. The people 'out there.' With social media, the stereotype of 'Disgusted of Tunbridge Wells' (usually a retired colonel) has been replaced by a whole army of militant social justice warriors, just waiting to spring onto your ad from Twitter, Mumsnet, Facebook, you name it, and give it a good savaging. Advertisers and agencies live in fear of causing offence and outrage. 'All publicity is good publicity' has its limits. It's one thing upsetting a stuffy retired colonel, but quite another offending an entire generation.
But I question: are the new audiences lacking in humour? Do they take a masochistic delight in ads 'making them cry?' I'm not sure. There's still plenty of humour around. But I feel sometimes that it's only the medium that's changed. Youngsters used to tell jokes in the playground, that they'd heard on TV, or through word of mouth. Now they flick through 9gag. And maybe show their mate if it's particularly funny. But the jokes haven't really changed. There's stuff on there that I remember from my schooldays, and that's going back.
20 years ago, it was cool for creative people to be finding inspiration on the internet. But, as I've said before, we've gone from surfing to stumbling to being fed as far as the internet goes. I think - and hope - that there's a huge opportunity for brands and the creative people who work on them to reclaim humour. Fresh, new humour that fits to the brand and comes from observation of life out there, not rehashed old chestnuts from the internet.
I'm convinced that people are even more well-disposed towards a brand that can make them laugh as one that makes them cry.
Labels: advertising, Facebook, humour, internet, Mums, social media
When did ads get so po-faced?
I'm afraid that the words 'social experiment' in connection with advertising now have me running for the hills - or at least the fridge for a nice cool beer. Although it's not even safe there any more.
The latest ad for Heineken is over 4 minutes long, and is called 'Worlds Apart.' It takes two strangers who - unknown to them - have opposing views on political, social or environmental issues. The pair are given a task - to build some furniture together - and find out what they have in common. The big reveal then comes up and the hapless victims/actors stars then have a chance to walk away or sit down, have a beer and discuss their differences.
It would be churlish to dislike this ad. It's well-done, and it does kind of hit on a truth - sit down and put the world to rights over a pint - that's as old as those hills I was about to run to. Maybe it even draws something from Heineken campaigns of yore: Only Heineken can do this? My favourite part is at 3'40"
I guess that I'm no longer in the target audience for Heineken. When I was, back in the 80s, Heineken ads were brilliant. They were like this:
Brilliant, silly, unrealistic, and completely irresponsible (if you were to take them seriously.)
I still remember them through over thirty years' beer fuddle today.
Maybe young people these days are more serious, more responsible. Maybe the brewers have their hands tied, their mouths gagged against making outrageous claims.
But how realistic, exactly, is 'Worlds Apart?'
Would such pairs of people ever really come together, outside of a 'social experiment?' Or would they continue to rant forth to their social media followers in their echo chamber?
Would any of these people even find a pub to go and sit in and put the world to rights in the UK?
Personally, I prefer this new ad from Carlsberg. Probably.
Octogenarian Flaneuse
I do love a work of fiction about advertising and ad people, and recently enjoyed Kathleen Rooney's Lillian Boxfish takes a Walk. Before I get onto my review, the way I came upon this novel is also worth a mention. It was recommended by my long-lost pen pal from the US, who used the wonders of technology to seek me out and renew our correspondence after a gap of decades. One of the nicest surprises of the last year or so for me! Anyway, that's a whole other story.
The fictional Lillian Boxfish describes her career thus:
I wanted there to be something to do in life besides mate and reproduce and die, and advertising was that, or it was for a long while.
And here's what I thought of the story:
'Before Mad Men (and Woman), there was Lillian Boxfish, or in real life, Margaret Fishback, the 'world's highest-paid female advertising copywriter' in the 1930s. This book is somewhere between fact and fiction, taking the poetry and advertisements written by Margaret Fishback, plus some of the details of her career and private life, and weaving a fictional character, the sparky and spunky Lillian Boxfish, around them.
Being a fan of walking around cities and having worked in the advertising industry, I was charmed by the premise of this book, in which the elderly but sprightly Lillian takes a walk (in her mink coat) around New York on New Year's Eve, 1984, conversing with the various characters she meets while reflecting on her colourful life. She's a wonderful character, witty and acerbic, and it made a change to have to look up quite a few words in the dictionary while reading. Lillian remarks on how her long-copy ads, often in the form of verse, respected the intelligence of the reader, and I did wonder what she would have made of some of the dumbed-down advertising of today.
The book captures the sights, smells and sounds of Manhattan from the Jazz Age right through to the 1980s beautifully - the fire escapes, warehouses, smell of burnt toast, Italian restaurants - as well as the characters: not just the ad men and women, but taxi drivers, barmen, street gangs and shopkeepers.
*Slight spoiler alert* I was slightly disappointed with the last part of the story, which started to feel a little phoney and stretched credibility somewhat. For those who have read the book, I'm referring to what felt like a sequence out of 'Crocodile Dundee' which grated a little.
Despite that, I thoroughly enjoyed Lillian's reflections and observations on life, and the insight into advertising, writing and life.'
Labels: advertising, agencies, book, copywriters, Mad Men, nostalgia
Thank you and you and you and you and you and you ...


Collaborate with supervisor to planning and executing marketing activities for a technology startup product to the international market.
Turn research and knowledge into actionable intelligence to support marketing initiatives/identify opportunities for change.
Maintain social media activities on LinkedIn, Facebook, Twitter, Youtube, Forums etc.


Cleo Forstater's mission is to always choose Love over fear. Allowing herself to embody and embrace all aspects of her truest self is self-love, and radical self-love is revolutionary.
Removing all boxes and constructs, Cleo is a human being who by following her joy is lead to dance, sing, paint, speak, write, create poetry, music and comedy. Twerking is her happy place, and her body is a God given vessel for universal cuddles.
CleeCo is a creative agency that develops innovative and strategic projects, tailor made for their clients - artists, creatives and brands - in order to connect them to new and existing audiences in an authentic way, facilitating real human connection.
The journey of self-love is challenging, but you don't have to do it alone. Cleo wants to help you love yourself! Move past your perceived limitations and step into your power and purpose - book a one to one session now.
Get in touch if you want to book Cleo to speak or perform at your event, if you want her to run a workshop at your school or organisation, if you want to run some ideas by her, or if you just want to say hi and show some love.
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Hekmatyar opposes closure of Taliban's Qatar office
Javed Hamim Kakar
Oct 02, 2017 - 15:28
KABUL (Pajhwok): The Hezb-i-Islami Afghanistan (HIA) leader wants the government to negotiate with the Taliban , opposing the closure of the the insurgent group's political office in Qatar. A statement from HIA said Gulbuddin Hekmatyar expressed the...
Man who threw shoe at Hekmatyar released
Storai Karimi
Sep 26, 2017 - 16:11
HEART CITY (Pajhwok): Abdul Wahid Dadshani, the man who threw a shoe at Gulbuddin Hekmatyar, has been released from the National Directorate of Security ( NDS )'s detention following a protest rally seeking his release in western Herat province...
Senate condemns shoe-throwing at Hekmatyar
Khwaja Basir Fitri
KABUL (Pajhwok): The Mesharano Jirga on Sunday denounced throwing a shoe at Gulbadin Hekmatyar, the Hezb-i-Islami Afghanistan (HIA) leader, in western Herat province, terming the act "against Islamic principles and Afghan values."
US troop surge won't help end Afghan war: Hekmatyar
HERAT CITY (Pajhwok): The Hezb-i-Islami Afghanistan (HIA) leadership says it doesn't seek unhealthy competition or war with any group, asking all political parties to become united for the sake of emerging the country from crises.
Conflict in north has morphed into tribal war: Hekmatyar
KABUL (Pajhwok): The Hezb-i-Islami Afghanistan (HIA) chief says the conflict in northern parts of the country has morphed into tribal warfare. Gulbadin Hekmatyar expressed the view during a meeting with tribal elders and youth from Balkh province...
Surge in foreign troops may have dangerous consequences: Hekmatyar
Khaja Basir
KABUL (Pajhwok): Amir of the Hizb-i-Islami Afghanistan (HIA) has said increase of foreign forces in the country would have dangerous consequences and at the same time asked the neighbouring country to help the establishment of peace in Afghanistan...
Abdullah calls recent Hekmatyar remarks as 'divisive'
Azizullah Hamdard
KABUL (Pajhwok): Chief Executive Officer (CEO) Abdullah Abdullah on Monday said recent remarks by Hezb-i-Islami Afghanistan (HIA) leader Gulbuddin Hekmatyar about Ahmad Shah Massoud and Burhanuddin Rabbani were 'divisive'. Few days back, Hekmatyar,...
NATO mission like Russia a failure: Hekmatyar
KABUL (Pajhwok): Hezb-i-Islami Afghanistan leader Gulbadin Hekmatyar on Saturday called as 'unsuccessful' the US and NATO mission in Afghanistan, saying the alliance was doing what the Russians did.
Hekmatyar against sending more foreign troops to Afghanistan
Zarghona Salehi
KABUL (Pajhwok): Hezb-i-Islami Afghanistan (HIA) leader Gulbadin Hekmatyar on Saturday said Afghanistan needed a strong central government, asking the international community to stop foreigners and neighbors from interfering in the country's...
Tribal council's role vital for peace, stability: Hekmatyar
Nizamuddin Hameedi
KABUL (Pajhwok): Head of the Hizb-i-Islami Afghanistan (HIA) Gulbadin Hekmatyar has stressed social justice for durable peace and stability in the country and said efforts were underway to rehabilitate tribal councils and traditional institutions...
Ulema role vital for peace and stability in the country: Hekmatyar
KABUL (Pajhwok): Head of the Hizb-i-Islami Afghanistan (HIA) Gubadin Hekmatyar has said ulema could play an important role in ending the decades old conflict and bringing peace and stability to the country. Hekmatyar expressed the view during a...
Hekmatyar urges Ghani to do more for peace
Mohammad Asif Ahmadzai
KABUL (Pajhwok): Hezb-i-Islami Afghanistan leader Gulbadin Hekmatyar on Friday asked President Ashraf Ghani to take more effective steps for peace and choose the path of an intra-Afghan dialogue to end the conflict. In his message in connection with...
Hekmatyar warns against udermining the system
KABUL (Pajhwok): Hizb-i-Islami Afghanistan (HIA) head Gulbadin Hekmatyar said on Thursday weakening the current system was not in interest of the country and the nation. Hekmatyar expressed the views at a press conference following recent incidents...
Hekmatyar, Karzai stress intra-Afghan dialogue
KABUL (Pajhwok): Hezb-i-Islami leader Gulbuddin Hekmatyar and former president Hamid Karzai on Saturday met in Kabul and both the leaders stressed intra-Afghan dialogue to achieve peace in the country. Karzai's advisor Shahzada Massoud told Pajhwok...
Hekmatyar mourns Ustad Rabbani's death in Kabul
KABUL (Pajhwok): Hezb-i-Islami (HIA) supreme leader Gulbadin Hekmatyar on Wednesday attended a prayer service ( fateha ) for the deceased former president Ustad Burhanuddin Rabbani.
Saleh supporters rally against Hekmatyar in Kabul
Navid Ahmad Barakzai
KABUL (Pajhwok): A large number of people staged a protest demonstration in Kabul against Hezb-i-Islami Afghanistan (HIA) leader Gulbadin Hekmatyar on Friday, when the former jihadi leader addressed a huge gathering in the central capital. Hekmatyar...
HIA leader to support Afghan forces, hopes Jahid
KABUL (Pajhwok): Interior Minister Taji Mohammad Jahid on Friday said he believed Hezb-i-Islami Afghanistan (HIA) leader Gulbadin Hekmatyar would support the Afghan national forces. Addressing a huge gathering welcoming Hekmatyar at the Ghazi...
Only Afghans can bring peace with unity: Hekmatyar
KABUL (Pajhwok): Hezb-i-Islami Afghanistan (HIA) leader Gulbadin Hekmatyar on Thursday stressed the need for national unity in prevention of foreign interferences in Afghanistan and asked the Taliban to reconcile with the government.
Ghani asks Taliban to follow in HIA's footsteps
Naheed Bashardost
KABUL (Pajhwok): President Ashraf Ghani on Thursday welcomed Hezb-i-Islami Afghanistan (HIA) leader, Gulbuddin Hekmatyar, upon arriving in capital Kabul and asked the Taliban to follow into Hekmatyar's footsteps.
Hekmatyar to arrive in Kabul on Thursday
KABUL (Pajhwok): The Hezb-i-Islami Afghanistan (HIA) supreme leader, Gulbuddin Hekmatyar, would arrive in capital Kabul on Thursday and would address a gathering on Friday, an official said. Qaribur Rahman Sayed, an HIA spokesman, told Pajhwok...