text:
Megan Fox Pictures 2015
Description Megan Fox has among the most flexible and attractive looks of any modern celebrity. She is strikingly beautiful with long legs, big breasts, and a shapely figure. Her career has been punctuated with smaller characters in high-budget films, and big roles in small movies, also. She was also nominated for an Oscar for her role as prosthetic doll, Angelina Jolie in Invictus. She's also won four Golden Globes for her performances in American Beauty, Crazy Heart, and The Perfect Score. She has also been nominated three times for the Academy Awards, making her one of those best-represented actors and actresses in Hollywood.
Megan Fox is a petite actress with an hourglass figure, straight hair, and tan skin. She is popular among both female and male movie audiences for her appeal, sex appeal, and body. She was born in Southern California, but grew up in Canada. Megan Fox has been married to Jack Nicholson, and they have one child together, daughter Skylar, born in 1996.
Bio: Since her marriage to Nicholson, Megan Fox has established herself as one of the largest and sexiest celebrities in Hollywood. She has had a number of roles in high-budget movies, including Bruce Almighty, Edward Scissorhands, and Fantastic Four: Rise of the Silver Surfer. She has also been nominated for Academy Awards and has achieved a level of fame that some famous actors feel like they need to be in order to achieve. This is particularly true with the Golden Globe Awards she's received, where she has garnered widespread critical acclaim. Moreover, she has also established a massive fan base for herself through her Web video blog, where she provides fans with behind-the-scenes details about her and updates on the latest scoop.
Why Do You Want to Be a Megan Fox Fan? – A large part of the female population identifies with Megan Fox's image as a sexy, funny, and adorable character, and that's why she has become such a enormous fan-base during the last several decades. It is important to acknowledge that her fame is partially due to the fact that she looks hot, and that she can appeal to a significant proportion of the male population through her sexy body, dark hair, and sex appeal.
What Can I Expect to Get Out Of Megan Fox Videos and Blogs? – Her fan club is enormous, which means that you won't have a difficult time finding articles, pictures, and information about films, reviews, and new clips of her own DVD releases. If you love her in other mediums, like television or stage, you will likely feel the exact same way when you are exposed to her videos.
What Are the Key Features That Attract Other Fans to Her? – One of the most important aspects of being a fan is identifying with a specific character, whether that character is human or animal, and in this case, it is Megan Fox's enduring popularity as the star of the X-Men series. Her fans love knowing that they are in a location where they can have their beloved Fox in any scene, and this is part of what has made her such a huge success. She has a devoted fan base that wants to be able to see each and every episode of the series – or at least all of the top ones.
Do I Need to Work to Become a Megan Fox Fan? – There are actually many different ways that you become a Megan Fox fan, but the main thing is that you are going to have to find your own way of feeling attached to her characters. This is the real mark of a true fan: you identify with a character, and then you enjoy all the things that they do and want to do while also feeling a certain level of detachment from them, as if they were actual folks. This is why there are so many men and women who are attracted to the role of Meg Ryan, and why she has been a popular figure both on and off screen.
Megan Fox Podcast


Some people will use every single under-handed tactic in the book to win—and then, if they lose anyway, complain that the game was rigged.
In a New York Times op-ed yesterday, RIAA head Cary H. Sherman whines that his side lost the latest round of the copyright wars because, in his eyes, the opponents of SOPA and PIPA acted unfairly.
For those who have been following the copyright debate for longer, this claim is so laughably ironic as to need no rebuttal. That the Times ran it, however, suggests that a broader historical context is needed.
Yet in the same essay, Sherman continues the content industry's decades-long history of using every loaded and inflammatory term they can think of in describing infringement.
Sherman repeatedly eschews the more accurate term "infringement," choosing the morally loaded (and inaccurate) term "theft" instead. He compares sites accused of online infringement to "stores fencing stolen goods." He accuses SOPA opponents of "supporting foreign criminals," "misinformation," and "demagoguery." He even wonders how many of the bill's opponents may be among the members of Anonymous who engaged in retaliatory online attacks against his group.
These accusations against the moral rectitude of their opponents are a tried-and-true pattern for the content industries. Now Sherman is upset that SOPA opponents used a morally loaded term? Anybody who has paid any attention to the debate over copyright should laugh out loud.
In addition to being on the wrong end of the accusation of rhetorical hyperbole, Sherman is also on the side that has a far less sound record of making accurate factual claims and of including all relevant details.
In this very essay, Sherman plays fast and loose with the truth. He claims that the bills were "carefully devised" and were proceeding after policymakers had "studied the problem in all its dimensions, through multiple hearings." This could hardly be farther from the truth.
The bills were written in blatant disregard of a veritable library worth of skeptical input and proposed amendments from the tech sector, civil society groups, internet engineers, legal scholars, and the public. Rep. Lamar Smith, the lead sponsor and Judiciary Committee chair, was trying to ram the bill through on the House side after a single hearing in November that was so stacked in favor of the bill—five supporters to just one opponent—that the very even-handed group Open Congress described this sham of a hearing as a "lovefest".
During the markup in December, the bill's House opponents practically begged Smith to hold more hearings to hear more of the technology and civil society sectors' concerns about the bill. Smith was unmoved and tried to move forward anyway. That is hardly studying the problem "in all its dimensions," to say the least.
Next, Sherman defends the legislation's proposals to shutter accused infringers, saying it wouldn't be censorship because these sites would only be shut down after a court had undertaken "a thorough review of evidence." First, the claim that these one-sided hearings would be "thorough" is, um, generous; the operator of the accused website would not only not have any right to contest the charges in court, they would not even be notified until after it was over! In nearly all cases, the site would be shuttered before the operator knew what happened.
Further, this misleadingly implies that sites would only be affected based on a court proceeding, which is patently untrue. Under Section 103 of SOPA, a letter from a coypright holder would be sufficient to compel payment processors and advertisers to stop doing business with a site. This sets up a more extreme version of the DMCA's notice-and-takedown provisions, except rather than nudging behavior by creating a safe harbor for sites that comply (and thus creating such strong incentives to comply that a takedown notice is almost compulsory), it actually compels companies to obey these letters from the content industry that have never seen the inside of a courtroom.
Of course such a system will be subject to both human error and genuine malfeasance. We know this for a fact because of the many examples of fraudulent, mistaken, and abusive takedown notices under the DMCA.
Of course, these are just the inaccuracies in the article itself. In general, on the count of circulating misleading information, the content industry and their allies in the government are so guilty as to have few peers in DC.
Their estimates of how much infringement costs the US economy are an especially rich source of whoppers. These estimates have varied wildly, but they have consistently been so high as to be laughable. You may have heard the figures of $250 billion and 750,000 US jobs bandied about on a regular basis (though, granted, this is an estimate for all IP infringement). It turns out this figure is literally made up out of thin air, but it has been cited endlessly by IP zealots of all stripes.
Second, there has been an impression created that the DMCA disallows fair use. In fact, it allows consumers who legally acquire a copy to make a fair use copy and you have a triennial review process to provide even further assurance that fair use rights are not lost.
The DMCA only prohibits companies from selling black boxes to strip away content protection for any purpose.
Not only is this patently untrue, if Sherman was honest with himself, he knew it was untrue as he was saying it. Section 1201(a)(1) of the DMCA actively prohibits circumvention of access-controlling DRM (including, e.g., the protection on DVD discs), which makes it illegal for consumers to make fair use copies of the media they legally acquire. To say the DMCA "only" regulates devices is, ahem, incorrect.
Further, his reference to the Copyright Office-administered triennial review process is also disingenuous at best. In the 2000 and 2003 DMCA hearings, consumers and consumer advocates had twice asked for the right to make fair use personal copies of encrypted media such as DVDs, and twice the Copyright Office had told them no. As Oscar Gandy and I demonstrate, those proceedings were marked by the Copyright Office giving as few exemptions as possible under as narrow a set of terms as possible with little regard to consumer welfare. This has improved a bit in the years since, but Sherman's claim would still be false today.
I fully support a rational, fact-based discussion about the future of copyright. Unfortunately, the content industries have spent at least the last three plus decades polluting the discursive waters with loaded rhetoric. Remember which technology it was that MPAA chief Jack Valenti invoked the Boston Strangler to damn? That's right, the VCR, and he did so in 1982. They have also spent at least the last decade trafficking in skewed, inaccurate, and downright-made-up statistics to support their claim that the post-internet sky is falling.
Setting aside Sherman's radical hypocrisy on loaded and inflammatory terms and misinformation, there's a deeper critique here: For far too long, copyright law has been decided in a nearly-private discussion between the affected industries and select policymakers with little public input. Jessica Litman makes a very persuasive case that this was true throughout the 20th Century.
Since then, as I show in my forthcoming book, the EFF has gotten heavily involved in copyright advocacy, and Public Knowledge has become a respected on-the-Hill counterweight to the industry's clamoring for ever-stronger copyright enforcement. These groups have also helped persuade the tech sector to stop acquiescing to the kinds of compromises that let technology-shackling acts like the AHRA and DMCA sail through in the 1990s. Thanks to these changes, it has been much more difficult for Big Content to write new changes to the copyright statutes.
Still, until late 2011, the details of a proposed bit of copyright legislation had never really penetrated into much of the public conversation. In November, over a million citizens expressed their opposition, and even this was not enough to make an impression on Congress. The content industries have been playing the lobbying game to a masterful degree for decades, and when those kinds of relationships and campaign donations are on the line, calls from angry constituents can be ignored—at least until there are so many calls that it melts the phone lines.
Dodd, a former Senator, may actually have crossed a legal line here, making explicit the implicit exchanges that characterize the systemic corruption that Lessig describes as DC's "gift economy" of trading favors. Regardless of whether he could be prosecuted, however, is almost immaterial. Rather, it highlights the profoundly unjust and immoral way that copyright law has been made up until this point.
It was an unexpected development, to say the least, that so many of the world's leading websites chose to act together to bring greater public attention and scrutiny to this important issue. I definitely count it as a blow for democracy and against the way of lawmaking that moves along without even the fear of substantial input from the voting public.
Whenever both RedState and MoveOn think a bill is bullocks, the odds are high that the proposal is not just imprudent, but that it is being advanced in a profoundly anti-democratic way.
If Sherman wants more fairness in policymaking, he should lobby for systemic reforms instead of railing against a genuinely democratic movement.
Lawrence Lessig, who is quite nearly my idol, is trying to enlist would-be campaign donors in a strike for change. The idea is that campaign donors will go on strike; we're not to give money to candidates for federal office until and unless those politicians commit to publicly funded campaigns.
I've been thinking about this for awhile now, and I think Brian Hurt over at Enfranchised Mind provides several good arguments to rethink this strategy. Read why he's not joining Lessig's strike.
I think his counter-plan–give hugely to opponents, including primary opponents, of the worst examples of that which you oppose–is a good solution. Hurt cites Club for Growth as having particular success with this strategy.
A friend of mine who's done a lot of work on one particular issue in one state* also recommends this model. With just a few victories over particularly objectionable politicians, he's had an outsized influence in reshaping the debate around that issue.
While I'm happy to see Lessig trying to reform politics–desperately needed–my other concern is the unfortunate likelihood that this will harm Democratic candidates in the name of small-d democracy. Lessig's a Dem, I'm a Dem, and I'm concerned he'll be too persuasive in recruiting other Dems, starving our side in the zero-sum game of 2-party politics.
Empirically, the internet is a better tool for mobilizing Dems than Republicans (Hindman, 2008, pp. 22-26). Small online donations helped put Obama in the White House. The people who are most likely to hear Lessig's call helped make the 2006 and 2008 elections into big wins for Dems. I'll bet Karl Rove is happier to see Lessig taking this tack than is Howard Dean.
This is an exciting idea, but I do think Hurt's Club for Growth model would be far more effective.
*Note how I'm anonymizing my sources; this is a warm-up for my next research project, which will involve a lot of anonymous interviews of policy actors. Are you interested in sharing your experiences as a policy advocate of one sort or another? Please contact me at my gee male account, the first part of which is billdherman.
elucidating, and brilliant as always, Lessig is giving us a preview of his work on corruption. Some of his arguments relate strongly to those made by Etzioni earlier, who helped us understand that oftentimes it is dollar for dollar more efficient or profitable to invest money in lobbying than actual innovation.


Many people still believe that individual therapy and counseling is handled in a tiny room, where the patient lies on a leather couch, while the psychiatrist sits high on a chair, taking notes, asking a bunch of questions with the goal of digging up childhood issues that are the cause of the problem. Of course this is far from what most therapy or counseling sessions truly is … but these misconceptions and myths still linger.
Therapy is only for people with "serious mental issues".
People that go to therapy are crazy.
Therapy or counseling is just common sense.
Individual therapy is also referred too or known as counseling, therapy or psychotherapy. In individual therapy you meet one-on-one with a therapist/clinician. There are many different types of therapy and approaches that … and your therapist or clinician may use a single-treatment approach, or combine several different types.
Maybe you are feeling depressed or anxious, or maybe you need help dealing with a painful experience or trouble at home with a spouse or family member. Perhaps you do not necessarily have a mental health issue to deal with, but simply need assistance with self-esteem, or a personal growth issue. Individual therapy provides a one-on-one safe and supportive place for you to explore your feelings, behaviors, habits, and thoughts so you can get your life back!
When specific emotional and psychological issues begin to cause you problems and interfere with you or your loved one's normal life, the time may be right to seek therapy or counseling.
Individual therapy begins with an initial consultation, where our clinicians and therapist will talk with you or your loved one about any problem areas, such as symptoms of anxiety or depression, your family situation, your childhood history if appropriate, or any other relevant issues or problems.
In individual therapy, our therapists at MidWest Center will use a variety of approaches, including cognitive-behavior therapy, interpersonal therapy, and emotional-focused counseling … depending of course on your specific needs. Our therapist are actively involved to help you get a deeper understanding of your situation, provide emotional support, and work with you to create goals and a specific individual plan on how and when to work together.
The overall goal of individual therapy is to help you better understand your behaviors and emotions. Many people choose therapy or counseling so they can resolve a specific issue or to help them cope with major life transitions and changes. Therapy can give you the insight into why you deal with things the way you do, and help identify other areas of your life where the problem may show up. Individual therapy will give you a non-judgmental and supportive environment for you to explore your behaviors and emotions, and at the same time offer you specific actions that will help you improve your life.
Typically each session in individual therapy lasts between 45-60 minutes, depending on the your situation and the clinicians/therapist you choose.
What can individual therapy help with?
The single most important factor in a successful therapy is the relationship between the client and their therapist or clinician. At MidWest Center for Personal & Family Development we view the experience as a collaboration where the clinician and client decide together what to work on, what the goals will be, and what actions to take.
Keep in mind that each client-therapist relationship is unique, and much of the success that occurs in individual therapy is a product of this unique relationship. Therefore it is critical that you are very comfortable with your therapist or counselor.
Do you feel you could be honest and open with this therapist?
Do you feel comfortable, is this person easy to make small talk with?
Does it feel like the counselor/therapist truly cares about you?
Can the therapist or counselor clearly define how they can help you solve your problem?
Does the therapist have experience helping others with your particular issue(s)?
Do they seem like good listeners?
Do you feel like the therapist understands you?
MidWest Center for Personal and Family Development has a multidisciplinary staff made up of 43 Psychologists, Social Workers, Therapists and Counselors who are highly trained in over 143 mental health issues. You can choose from 5 different locations in the Twin Cities locations, and our main focus is to connect you with a therapist that matches you or your loved one's needs.


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Home page > Discover Europe > Florence - Zurich
Florence - Zurich
Train Florence → Zurich
About this journey The average travel time between Florence and Zurich is 7h03 minutes. The quickest route is 5h51 minutes. The first train leaving Florence is at 06:53, the last at 22:09. There is an average of 12 trains a day between Florence and Zurich, leaving approximately every 2h03 minutes.
Departure station : Firenze s m n (Piazza della Stazione, 10 50123 Florence)
Arrival station : Zuerich hb (Bahnhofplatz 7 8001 Zurich)
Where the renaissance cradles david
Florence, the capital of Tuscany region, Italy Florence (Firenze in Italian) is nestled within the Tuscan region of northern Italy and surrounded by rolling vineyards and olive groves. Visitors are just as beguiled by the beauty of the city itself as they are by the paintings and sculptures found in its many museums. The city was home to many well-known artists, writers, explorers, and scientists. Amongst its most famous residents were Leonardo da Vinci, Donatello, Raphael, Michelangelo and Galileo. Famous for its rich history and considered as the birthplace of Renaissance the city is nowadays a popular tourist destination and is ranked as a UNESCO World heritage site. Many of Florence's churches are works of art in themselves. The most famous of the city's churches is the Santa Maria del Fiore, known simply as the Duomo. Learn more about Florence
Zurich, an elegant Swiss metropolis
Zürich, the largest city of Switzerland Zürich is a major financial centre and one of the most preferred Swiss destinations. In 2012, it was voted as the best city to live in Europe. It is an elegant metropolis on the lake bearing its name, with views over the snow-covered Alps, home to over 50 museums, 100 galleries, top hotels, shops and restaurants. Obviously it has to be Zürich! With its excellent public transport connections, this prime Swiss destination is ideal for excursions to the rest of the country. 5 days there, and you will get to know all about Zürich and neighbouring towns. Learn more about Zurich
Book your journey from Florence to Zurich From €82 €82
1 FIRENZE S M N
06:53 MILANO CENTRALE
2 MILANO CENTRALE
09:10 ZUERICH HB
22:09 INNSBRUCK HBF
2 INNSBRUCK HBF
1 ZUERICH HB
11:15 FIRENZE S M N
Italian trains: Frecciabianca
Austria Intl. Night Trains
Firenze Santa Maria Novella Train Station
Zürich Hauptbahnhof Train Station
Save money and see more with a Swiss Half Fare Card Wish to explore more of Switzerland; then a rail pass may be just what you are looking for; giving you extensive travel in the country of your choice! Swiss Half Fare Card
Lugano - Florence
Florence - Spiez
Florence - Lugano

redpajama_set_name: RedPajamaCommonCrawl


text:
Will RIM struggle to woo developers next week?
RIM to discuss the application issues for their next generation of devices at the conference
Pallab Jyotee Hazarika, Published 10/19/2011
Research in Motion (RIM) has been going through a real tough time as their market share seems to be declining from what it was earlier. They were also unsuccessful with their move into the Tablet's world with the Playbook.
Starting from Tuesday, the company is holding an annual conference for software developers in San Francisco. This conference is mainly for the developers as they are mainly pursuing to build the applications for the next generation of their BlackBerrys and Playbook tablets.
RIM has developed an entirely new mobile operating system and also next generation smartphones and Tabs which are to be built with it. The company may have revealed the OS to the developers at the conference.
The new Operating System of RIM, known as the QNX (pronounced CUE-nix), is going to power the next generation of their devices. With the introduction of this OS, RIM seems to be very careful about their features and design.
In addition to that, as this OS is new, first of all they might be planning to create more applications that will run on their devices, as their earlier OS still lacks a lot of basic applications which are provided in other OS's present in the market. Android of Google and iOS of Apple already have thousands of applications for the users.
Kunal Gupta, the chief executive of Polar Mobile, commented the fresh start with QNX and the new phones might make the Blackberry attractive for the developers, who earlier seem to have avoided these devices. RIM's executive also informed in an earlier interview that their company must try to improve their relationship with the developers.
There might be some complications for the developers as well during the process of developing the applications, as the applications are needed to run on two current OS as well as the upcoming QNX system. The BlackBerry applications must also have to be for various sizes of screens and they also might need to be for touch screen display as well as conventional displays.
It is still unclear when they are actually going to release them for sales. Along with that RIM is also to reveal the new phones as well as their features as well as their capabilities. As there are not many applications for their OS deciding to go for them is definitely the best option.
http://www.nytimes.com/2011/10/17/technology/research-in-motion-pins-hopes-on-its-next-os.html?_r=1&partner=rss&emc=rss
http://blogs-images.forbes.com/stephenwunker/files/2011/10/rim-blackberry.jpg
RIM makes it easy to port Androidapps onto Playbook News @ 10/19/2011
Telus inventory hints at discontinuation of RIM PlayBook News @ 10/18/2011
RIM reaffirms full support of its PlayBook tablet News @ 10/01/2011
RIM PlayBook Android App Player will exclude certain features News @ 09/29/2011
> Notebook / Laptop Reviews and News > News > News Archive > Newsarchive 2011 10 > Will RIM struggle to woo developers next week?
Pallab Jyotee Hazarika, 2011-10-19 (Update: 2012-05-26)


I need the Stanley steel piece where the weather strip (seal) is attached on the convertible top rail there is tre pieces on each side I need the rear one on both sides.
maybe somone can have this  for sale ? I am very  grateful  if somone can help me with this ?


Another aspect of the story he couldn't shake was the double life the girl lived. That could be an important lead he was omitting. What if she and not her father had made a strong enough enemy to get her killed?
Kogberegbe double checked his house security system and drove out of his garage. His car, like his favorite jeans, was well used.
As he sped along the deserted road, he leisured in the cool breeze and absence of traffic jam. The car stereo was blaring a rock song that helped to get him in the swing of things. Anyone who saw him at this time would not have the faintest idea he was a detective. This suited Kogberegbe fine, the more his true identity remained hidden, the better his chances of penetration during tough cases.
By the time Kogberegbe got to the Okanlawons' estate, his mind was clear and set to analyze the task at hand. His first few stops were to the Okanlawons' neighbours. He needed outsiders' view of the family as there could be things Dr. Okanlawon wouldn't want Kogberegbe to know, because of his reputation. When he got to the first house, he was glad he'd decided to set out early.
Making a living in Nigeria, especially in some densely populated cities, meant leaving the house before day break, and a surety of not making it back home till very late at night. Kogberegbe watched as the mom scolded the older of their two children to move fast as they were running late. It was just 5:45am. The father gave Kogberegbe a look that said he wasn't welcome at this time at all. He shook hands with Kogberegbe reluctantly and his wife checked the time while the two children looked sleepy and cold. Kogberegbe assured the man he would only take a while.
"Sure" The neighbour, Mr. Adamson said.
"Not at all. Judging by the number of hours I put into my work, you wouldn't blame me for sleeping like a log, which is what I do. Moreover, the Okanlawon's house is two houses away. There's a low probability I hear an occurrence in my own house, much less theirs" Adamson said, smiling humorously.
"Thanks, you're been of great help" Kogberegbe lied.
"Sorry I took your time. Bye" Kogberegbe said.
Kogberegbe interviewed some more families but didn't get any new information. Everyone believed Ronke and her parents didn't keep late nights. No one thought Dr. Okanlawon could have an enemy that would hate him so much as to hurt him. This left Kogberegbe retracing his steps to his starting point- Dr. Okanlawon's gateman. Musa looked like his world had fallen apart. Kogberegbe doubted that he had his bath or even slept at all.
"I okay" Musa said unconvincingly.
"Now Musa, I want you to think deeply" Kogberegbe said.
"I not do flinty. I not even chof" Musa said miserably.
"But I want you to okay? Please" Kogberegbe stood firm and Musa kept quiet, averting his face. Kogberegbe headed for the neighbour's compound. He'd been there earlier that morning but didn't learn anything different from what others had to say. Though Kogberegbe greatly doubted that the murderer lived in the neighbourhood, it was his job to explore all possibilities. The killer might have had some help which could be anyone in the neighbourhood. Or at the least, Sabo might have been awake and witnessed something while Musa was in drunken sleep.
Sabo didn't look too pleased at the sight of Kogberegbe.
"You come bepore" Sabo said, in the same adulterated English with which Musa spoke, not masking his displeasure to see Kogberegbe.
"Never mind, I'm not here to see your boss" Kogberegbe cut in, studying Sabo's features while he spoke with him. Sabo was very dark skinned like the other gatemen in the neighbourhood, typical of northerners; but he didn't look half as fragile as the other men. Sabo was averagely built and about 5'9. He also carried a cool expression that convinced Kogberegbe that Sabo drank regularly. From his facial features, he also smoked a great deal.


Here at BU, we pride ourselves on our passion for gymnastics while also balancing the rigors of college life. We have 5 practices a week, none of which are mandatory, with times that try to work around everyone's schedule. Practices are held at BU's FitRec, with the exception of Wednesdays, in which we practice at MIT, and Thursdays, in which we travel to Woburn, MA to work out at Gym & More – a friendly local gym that is kind enough to let the team use their well-equipped facilities.
There is no skill level required to join – some members started their gymnastics career as freshmen! Others have competed throughout their entire lives, and are still wanting to compete. In the past few years the girls teams saw the addition of a small, yet highly motivated men's team. Both teams compete at roughly 5 meets a year, along with Nationals in April, which never fails to be an exciting time.
Browse our blog and contact us (terriergymnastics@gmail.com) with any questions or comments!


The BRAVO! Awards praise local businesses, organizations, and public property for their landscaping and beautification efforts.
Keep Blount Beautiful also recognizes properties that have creatively re-used/re-designed an existing building and the sustainable stewardship of properties in Blount County.
This award is given to properties for their landscaping and beautification efforts. The landscaping must be mature and add improvement to the site.
This award is for a property that has creatively reused or redesigned an existing building. The remodel must be complete.
This award is given to a business or organization that strives to incorporate sustainable business practices or policies, and/or renewable, sustainable, or energy-efficient spaces.
Private residences are not considered for this award. Nominations are due May 8th, 2019.
Keep Blount Beautiful will announce the winners of the beautification awards at the 2019 BRAVO! Awards Luncheon.
Complete the following form to nominate a property.
Please list anyone else related to the property who should receive an invitation to the BRAVO! Awards.
Please tell us why this property should receive a BRAVO! Award.


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Q: Raspbian - Apache server not accessable over the internet I want to use my raspberry pi as a webserver. I installed and configured apache and enabled port forwarding on my router, but it seems that I do something wrong. I really searched a lot before, but I can't find an appropriate answer.
Here is what I've done so far:
Apache
ports.conf:
Listen 80

<IfModule mod_ssl.c>
        Listen 443
</IfModule>

apache2.conf
I only added the line
ServerName public_ip

sites-available/default-ssl.conf
<VirtualHost *:443>
        ServerAdmin webmaster@localhost
        DocumentRoot /var/www/html
        ServerName public_ip:443
        SSLEngine on
        SSLCertificateFile /etc/apache2/ssl/apache.crt
        SSLCertificateKeyFile /etc/apache2/ssl/apache.key
        ServerSignature On
        CustomLog /var/log/apache2/access.log combined
        LogLevel warn
        ErrorLog /var/log/apache2/error.log
</VirtualHost>

I activated the site via
sudo a2enmod ssl
sudo a2ensite default-ssl

iptables
iptables -L

gives me following output:
Chain INPUT (policy ACCEPT)
target     prot opt source               destination

Chain FORWARD (policy ACCEPT)
target     prot opt source               destination

Chain OUTPUT (policy ACCEPT)
target     prot opt source               destination

Netstat
Proto Recv-Q Send-Q Local Address           Foreign Address         State
tcp        0      0 0.0.0.0:22              0.0.0.0:*               LISTEN
tcp        0     64 192.168.1.12:22         192.168.1.10:30007      ESTABLISHED
tcp6       0      0 :::80                   :::*                    LISTEN
tcp6       0      0 :::22                   :::*                    LISTEN
tcp6       0      0 :::443                  :::*                    LISTEN

Router Thomson TG782
Port forwarding

Firewall on router
Currently deactivated.
Conclusion
http and https works in the LAN. What am I missing?

A: With the help of grochmal and Julie Pelletier it works now! (see comments section of my question)
I changed:
ports.conf
Listen 8080

<IfModule mod_ssl.c>
        Listen 8443 https
</IfModule>

sites-available/default-ssl.conf
<VirtualHost *:8443>
        ServerAdmin webmaster@localhost
        DocumentRoot /var/www/html
        ServerName server_name_from_hosts_file:8443
        SSLEngine on
        SSLCertificateFile /etc/apache2/ssl/apache.crt
        SSLCertificateKeyFile /etc/apache2/ssl/apache.key
        ServerSignature On
        CustomLog /var/log/apache2/access.log combined
        LogLevel warn
        ErrorLog /var/log/apache2/error.log
</VirtualHost>

apache.conf
ServerName server_name_from_hosts_file

Port forwarding
New port forwarding rules for the Ports 8080 and 8443.
Thank you so much!

A: Don't forget to do these two commands.
sudo a2enmod ssl
sudo a2ensite default-ssl

I saw that you only did:
sudo a2ensite default-ssl

redpajama_set_name: RedPajamaStackExchange


First off, I want to applaud your intention in wanting to teach your child to read. Not many parents would task themselves with this.
Generally, most parents would leave the task of teaching the kid to read to the school teachers or to enroll the kid in an enrichment phonics class.
For me, I used to think the same way. That was until I came across a reading program that parents can use at home to teach their children to read.
There are 2 common ways to teach a child to read.
This is probably the most widely used method, a method that has been practiced for generations. Parents taking the time to read to their children each day.
Many parents choose the evening time where bedtime stories put a warm ending to the day. It's also the time where the parent and kid could spend some last bonding minutes before the kid goes to sleep.
Parents are encouraged to read to their kids but not when the child is 4 or 5 years old as you thought she might be older and have a better appreciation of what you're reading to her.
You can preferably start since birth!
Though a baby might not understand what you're reading to her, but the consistent daily reading routine would introduce her to the wonderful world of stories and books.
Later when's she a toddler, she would grasp the association of reading with printed words.
As the child's reading comprehension develops and increases over time, she would begin to appreciate your story reading much better.
When you persistently use your index finger to run under each word as you read, the child eventually will begin to see the connection between words and letter sounds.
Through countless repetitions, the child would even start to pick up the more common words and know them by heart.
This is the common way parents try to teach their kids to read.
To have a more structured reading instruction and to have your child learn more effectively with faster results, the better way would be to carefully select an effective reading program you can use at home.
There are two main methods used to teach toddlers to read.
One is the whole word method where kids would be trained to "memorize" word shapes. But there are hundreds and thousands of words for a child to remember. And if the child is to encounter a new unfamiliar word in the future, he might stumble to pronounce it.
The other method, proven by research studies to be a more effective method of teaching reading is through the phonics and phonemic awareness instruction. Phonemic awareness is to develop the skill of identifying individual letter sounds, as words are made up of the oral blending of letter sounds. Even if the child encounters an unfamiliar word, he would have the ability to decode the word and sound it out on his own in future.
I have personally used a phonics and phonemic awareness based reading program to teach my toddler son to read at home since he was 2 years and 3 months old, with great results.
If you're willing to spend time using this program with your child, it's possible to teach your child to read at home.


text:
Leprechaun 3 – Tödliches Spiel in Las Vegas ist ein US-amerikanischer Horrorfilm aus dem Jahre 1995. Die Regie führte Brian Trenchard-Smith. Die Produktion ist die zweite Fortsetzung zu Leprechaun – Der Killerkobold aus dem Jahr 1993. Regisseur Trenchard-Smith inszenierte auch den Nachfolger Space Platoon. Bei beiden handelt es sich um Direct-to-Video-Produktionen.

Inhalt
In der Nacht braucht der Mann Lucky Geld für Benzin und geht deswegen zu einem Pfandhaus, wo er dem Inder Gupta eine Statue vom Leprechaun gibt. Doch das Medaillon, das den Leprechaun im Stein hält, wird von Gupta als Halskette verwendet. Die Statue wird dadurch lebendig und der Leprechaun beißt Gupta ein Stück vom Ohr ab. Als der Leprechaun sein Gold zählt, bemerkt er, dass ein Goldstück fehlt und bringt deswegen Gupta um. Der Leprechaun möchte sein Gold wieder haben und die Spur führt ins Lucky Shamrock Casino, wo der junge Student Scott sein Geld verspielt. Das zweite Opfer ist der Casinobesitzer Mitch, der durch einen Stromschlag getötet wird, das dritte und vierte Opfer sind Art und sein Bodyguard. Das fünfte Opfer ist die Roulette-Dame Loretta, die durch eine Explosion getötet wird, das sechste Opfer ist der Leichenbeschauer. Das siebte, achte und neunte Opfer sind die Arzthelferin, der Arzt und der Pfleger. Das zehnte Opfer ist Fazio, der durch eine Kettensäge getötet wird. Daraufhin wird das Gold vom Leprechaun vernichtet und deswegen auch der Leprechaun. Am Ende sieht man, wie Scott und Tammy Freunde werden.

Kritiken
Die deutsche Filmwebsite kino.de meinte, der "ur-irische Zaubertroll Leprechaun" dürfe "im Schatten von 'Casino', 'Leaving Las Vegas' und 'Showgirls'" sein Unwesen in die Glitzermetropole von Nevada verlagern, ansonsten würde den Machern "nicht viel Neues" einfallen. Stattdessen würde "einmal mehr eine streckenweise witzige, zumeist aber vorhersehbare Verfolgungsjagd nach dem Strickmuster von Nr. 1 und 2 auf dem Programm" stehen.

Weblinks

Einzelnachweise

Filmtitel 1995
US-amerikanischer Film
Horrorfilm
Direct-to-Video-Produktion

redpajama_set_name: RedPajamaWikipedia


According to the Tampa Bay Times, the Rays' lease in their downtown Tampa merchandise store is not being renewed. Friday will be the last day the store will be open, as the landlord of the building is renovating the plaza and the store will no longer have the space to operate.
Contrary to the gloom and doom and lazy conclusions that this means the future of the franchise in Tampa Bay is in doubt, closing the Rays downtown Tampa merch store is not a bad thing. As a matter of fact, it allows for increased marketing and fanbase growth.
The Rays downtown Tampa store opened in August 2007, when the Rays were still the Devil Rays and awareness of the brand was low. The merch store was seen as a way to increase visibility across the bridge and let people in Tampa easily buy and interact with Rays products.
The team is leaving the Park Tower building with awareness at an all-time high and the team gaining momentum towards their seventh winning season in the last 10 years. People are aware of the brand and root for the brand, even if they don't see the product in person regularly.
Which is why the Rays would be best to move the store further from Tropicana Field. The Rays should bring their store to the areas of Tampa, Hillsborough County, and beyond that don't frequent Tropicana Field due to traffic and distance. There the Rays have a chance to start over with a new store connecting to fans in new ways.
The first area I would look at for a new location would be near the University of South Florida, perhaps in or near the University Mall. With redevelopment of the mall property coming soon, the Rays could get in the location early, using it to spread awareness and products to college-age fans and perhaps increasing a partnership with USF. Another benefit is a Rays store near USF could also cater to lower income parts of Tampa. These areas aren't massive ticket buyers, but may buy hats and shirts if the store was in their backyard. A third benefit would be the use of several sports bars in this area for game watching events.
The second area the Rays should consider is New Tampa. Located east of I-75 and north of USF, driving from New Tampa to Tropicana Field for a weekday evening game takes at least an hour and half. According to wikipedia, there are 22,000 people in this growing and developing area. There are also large corporate headquarters such as USAA in the area. New Tampa is middle class housing developments and big box stores. A Rays store here would increase awareness and keep the Rays in mind of fans who, despite still being in Hillsborough County, are closer to the Orlando Magic than the Tampa Bay Rays.
A third option for the Rays would be Wesley Chapel. Wesley Chapel is north of Tampa, just across the county line in Pasco County. According to wikipedia, there are 44,000 people in Wesley Chapel. According to Google Maps, they are 42 miles from Tropicana Field. Depending on traffic, leaving Wesley Chapel at 5pm may mean a 2 hour drive to St. Petersburg to see the Rays. The Rays need to tap into the estimated $75,000 per capita income of Wesley Chapel. With Tropicana Field too difficult to move, moving the Rays store to the area is the next best option.
Each of these locations could host a Rays bus for group travel to the Trop. Two hour drives go easier with occasional hosts such as Stu Sternberg or Fred McGriff doing a Q&A with bus riders. They have an opportunity to make the trip a fun experience.
In 2007, downtown Tampa was devoid of Rays fans. The Rays merch store was a way to stake a claim in a new frontier. Now, with the store being forced to move and Tampa fully ensconced in Rays fandom, the team should jump the merch store further into uncharted territory.


text:
WEST END SHOWS
WHETHER YOU'RE LOOKING FOR AWARD-WINNING MUSICALS, OR CUTTING-EDGE PLAYS – WE'VE GOT YOU COVERED.
TOTEM is the celebration of sheer human achievement and audience appreciation is simply thrilling.
CAMBRIDGE THEATRE
Enjoy this story about a young girl, neglected and misunderstood by her family, who discovers she has the power to change her destiny.
The original Broadway stars – Kelli O'Hara and Ken Watanabe – reprise their roles critically acclaimed Lincoln Center Theater's production of The King and I.
The Charles Dickens classic returns to the Old Vic with a new version by Jack Thorne - award-winning writer of the Harry Potter play.
PRINCE OF WALES THEATRE
Winner of nine Tony Awards, The Book of Mormon comes from South Park creators Trey Parker and Matt Stone.
PHOENIX THEATRE
The sexiest, sassiest, most sophisticated Broadway musical returns to the West End in 2018.
HAROLD PINTER THEATRE
Friends take opposing briefs in a contentious legal case. The key witness is a woman whose life seems a world away from theirs. At home, their own lives begin to unravel as every version of the truth is challenged.
Share the experience of the sensational Tony and Olivier Award-winning musical Dreamgirls at London's Savoy Theatre.
THE GLENN MILLER SHOW
Tommy Steele returns to London's Coliseum to salute his idol Glenn Miller in The Glenn Miller Show!
THE OTHER PALACE
Following a sell-out workshop last year, '80s cult classic Heathers the Musical returns to London this summer for a limited run.
Widely considered one of the funniest plays in English, Oscar Wilde's much-loved masterpiece throws love, logic and language into the air to make one of theatre's most dazzling firework displays.
KILLER JOE
TRAFALGAR STUDIO 1
Orlando Bloom will star as Killer Joe, a hitman in Tracy Letts' grisly play of the same name.
THE LIEUTENANT OF INISHMORE
NOEL COWARD THEATRE
Stage and screen actor Aidan Turner, who stars in the BBC series Poldark, plays Mad Padraic, a terrorist deemed too violent to be a member of the IRA, in this hilarious, acute observation of violence in contemporary culture.
Twenty years after its Parisian debut, the French musical Notre Dame de Paris is to return to London next year.
See these accident-prone thespians battle against all odds to make it through to their final curtain call, with hilarious consequences.
ARTS THEATRE
From Tudor queens to pop princesses, the six wives of Henry VIII finally take the mic to tell their tale, remixing 500 years of her-storical heartbreak into a 75-minute celebration of sisterly sass-itude.
THEATRE ROYAL HAYMARKET
French media tycoon Orgon has fallen under the seductive spell of Tartuffe, a radical American evangelist. So comprehensively has Tartuffe hoodwinked Orgon that he looks set to steal his fortune, drive away his son, seduce his wife and marry his daughter.
THUNDERBIRDS BEYOND THE HORIZON
This immersive theatre experience lands at the new purpose-built performance space The Buzz at Mercato Metropolitano this November.
FORTUNE THEATRE
Don't miss this gripping theatrical exploration of terror that's been thrilling audiences with its blend of suspense, drama and bold stagecraft!
The West End production of Andrew Lloyd Webber's iconic musical is now in its 31st year.
MOTOWN THE MUSICAL
Don't just hear it through the grapevine – experience the feel-good story of Motown Records for yourself!
The romance of rock'n'roll comes alive on stage in Jim Steinman's 'jaw-dropping spectacle' (Evening Standard) Bat Out of Hell The Musical.
An ambitious government minister, Sir Robert Chiltern's smooth ascent to the top seems assured. Until Mrs Cheveley appears in London with damning proof of his previous financial chicanery.
EMPIRE CINEMA HAYMARKET
Noël Coward's Brief Encounter is remembered as one of the most haunting love stories ever.
CRITERION THEATRE
Mischief Theatre's smash-and-grab hit The Comedy About A Bank Robbery is a fast, fabulous comedy caper and the funniest show in the West End!
Experience the magic of the West End with tickets to see Disney's Aladdin at the Prince Edward Theatre!
EUGENIUS
Back for a second time! This is a show where geeks rule, dreams do come true, and everyone finds the superhero inside themselves - now they know where to look.
GATSBY'S DRUGSTORE
Step into a heart-racing immersive adaptation of F Scott Fitzgerald's seminal Jazz Age novel which puts you in the heart of the action.
THE HEIGHT OF THE STORM
WYNDHAMS THEATRE
The Height of the Storm is a beautifully compelling family drama by Florian Zeller starring Jonathan Pryce and Dame Eileen Atkins.
THE INHERITANCE P1&2
The hit play – which examines love between gay men in contemporary New York, a generation after the AIDS epidemic – transfers to the West End.
This joyous musical celebration has won three Olivier Awards and recently marked its 1,000th show.
HIPPODROME CASINO
One year after its acclaimed launch at the Hard Rock Hotel in Las Vegas, Channing Tatum is bringing a new production of Magic Mike Live to London.
Gloria and Emilio Estefan's smash hit musical comes to London direct from Broadway for a strictly limited run.
WYNDHAM'S THEATRE
Award-winning stage and screen actor Alfred Molina reprises his critically acclaimed performance as the American abstract expressionist painter Mark Rothko.
Strictly Ballroom the Musical is now open at the Piccadilly Theatre!
THE MOUSETRAP
ST. MARTIN'S THEATRE
Since its first performance on 6 October 1952, the classic Agatha Christie thriller continues to befuddle and entertain audiences in the West End.
TINA TURNER MUSICAL
Don't miss the official stage musical of music legend Tina Turner.
Book tickets to this classic monster musical comedy by the legendary Mel Brooks.
NOVELLA THEATRE
Join the ultimate feel-good party at MAMMA MIA! – the world's sunniest and most exhilarating smash hit musical.
APOLLO VICTORIA THEATRE
The smash hit musical tells the story of an unlikely but profound friendship between two sorcery students and their adventures in Oz.
For a night full of glitz and glamour, enjoy one of Broadway's biggest shows, complete with the iconic songs 42nd Street and We're in the Money!
THEATRE ROYAL MARKET
Take That are proud to present their new musical, The Band, written by Olivier Award-winning writer Tim Firth for anyone who grew up with a boyband.
CAROLINE OR CHANGE
Winner of the Olivier Award for Best New Musical, Caroline, or Change is a playful, funny and deeply moving tale set to a score that hits new heights of emotion.
GIELGUD THEATRE
Stephen Sondheim's legendary musical Company returns to the West End next year with a unique twist.
DISNEYS THE LION KING
Escape to the wild world of the Serengeti with Disney's multi award-winning musical The Lion King.
This fearless, funny, fabulous brand new musical sensation features catchy new songs by lead singer-songwriter of The Feeling Dan Gillespie Sells and writer Tom MacRae.
VICTORIA PALACE THEATRE
See the story of America's founding father Alexander Hamilton, an immigrant from the West Indies.
The Royal Shakespeare Company's Imperium plays, based on the bestselling Cicero Trilogy by Robert Harris, transfer to London for a strictly limited season.
THE JUNGLE
Meet the hopeful, resilient residents of The Jungle – just across the Channel, right on our doorstep. This play tells their stories of loss, fear, community and hope, of the Calais camp's creation - and of its eventual destruction.
See Cameron Mackintosh's legendary musical Les Misérables this year!
THE MODERATE SOPRANO
DUKE OF YORK'S THEATRE
David Hare's play is the story of an intense love affair and the unrelenting search for artistic excellence in the face of searing scrutiny, sacrifice and the impending Second World War.
PINTER AT THE PINTER
A whole season of Harold Pinter's one-act plays comes to the theatre that bears his name in the heart of the West End
NEW LONDON THEATRE
Unleash your inner rock god in Andrew Lloyd Webber's musical where a prestigious prep school brood is transformed into guitar-shredding, head-bopping, mind-blowing rock stars.
SUMMER & SMOKE
Don't miss Tennessee Williams' intoxicating classic about love, loneliness and self-destruction which evokes the simmering passions of a sweltering summer in small-town Mississippi
Now in its record breaking 10th year, THRILLER LIVE is a spectacular concert created to celebrate the career of the world's greatest entertainer.
This landmark production of Agatha Christie's gripping story of justice, passion and betrayal is staged in the Grand Chamber at County Hall.


text:
Legal recreational marijuana sales begin in Montana
Megan Mannering/MTN News
MISSOULA — The new year in Montana brings the legalization of recreational marijuana to many counties.
Montanans passed the initiative back in November but that doesn't mean you'll be able to purchase marijuana anywhere in the state.
RELATED: Medical marijuana users concerned as recreational cannabis legalized in Montana
RELATED: Montana Department of Revenue: "We are ready" for recreational marijuana launch
Those in what are called green counties — where a majority of residents voted in favor, will be allowed to have recreational sales.
But residents of red counties — where voters opted out of legal sales — will not have recreational sales, but still have the ability to make the switch as long as they put it up to a vote.
The Montana law allows for adults over the age of 21 to purchase up to one ounce of marijuana.
There is a 20% state sales tax added to the purchase of recreational marijuana and some localities may have an additional tax.
Marijuana businesses will only be allowed to open from 9 a.m. to 8 p.m.
Additionally, Montanans will be allowed to have two mature plants and two seedlings in their home.


text:
New lawsuit filed against management group in death of SSU student
A new lawsuit was filed Wednesday in the August 2015 shooting death of Christopher Starks on the Savannah State University Campus.
Updated: 6:57 PM EDT Oct 26, 2016
Cassady Lance
A new lawsuit was filed Wednesday in the August 2015 shooting death of Christopher Starks on the Savannah State University Campus. The 22-year-old died after being shot during a fight at the Student Union August 27. The Cochran Firm of Atlanta and Tate Law Group filed a lawsuit on behalf of Starks' parents against USG Real Estate Foundation for wrongful death. The lawsuit alleges a lack of security led to Starks' death. USG Real Estate Foundation operated the student union building for the university. The family has already filed suit against the Board of Regents. The firms have also filed suit against Savannah State University foundation real estate ventures, on behalf of Christonia Woods, the 18-year-old Savannah State student who was hit by four bullets in the parking lot of University Village in September 2014. Lawyers say Woods suffered severe and permanent injuries. The murder of Christopher Starks remains unsolved.
SAVANNAH, Ga —
The 22-year-old died after being shot during a fight at the Student Union August 27.
UPDATE: Arrest made in 2015 shooting of SSU student Christopher Starks
The Cochran Firm of Atlanta and Tate Law Group filed a lawsuit on behalf of Starks' parents against USG Real Estate Foundation for wrongful death.
The lawsuit alleges a lack of security led to Starks' death.
USG Real Estate Foundation operated the student union building for the university.
The family has already filed suit against the Board of Regents.
The firms have also filed suit against Savannah State University foundation real estate ventures, on behalf of Christonia Woods, the 18-year-old Savannah State student who was hit by four bullets in the parking lot of University Village in September 2014.
Lawyers say Woods suffered severe and permanent injuries.
The murder of Christopher Starks remains unsolved.


Hermetic Library fellow T Polyphilus reviews Architecture and Nihilism: On the Philosophy of Modern Architecture by Massimo Cacciari, trans. Stephen Sartarelli.
This volume collects earlier writings by noted critical theorist Massimo Cacciari. A longish introduction by Patrizia Lombardo puts these into an intellectual and political context in the Europe of the 1970s and 1980s. What they demand from the reader, however, is an extensive familiarity with a great deal of Continental text and culture from the beginning of the 20th century. In particular, the history of Vienna and its intellectual luminaries is the basis for much of Cacciari's discussion. The German sociologist Georg Simmel is a focus of Part I ("The Dialectics of the Negative and the Metropolis"), while Parts II and III are constructed with constant reference to Austrian architect Adolf Loos.
Stephen Sartarelli's translation from the Italian only gets the anglophone reader just so far, alas. For one thing, Cacciari used prodigious amounts of German for technical purposes in reference to various German thinkers and their ideas. While these terms are usually glossed parenthetically in their first instances, there are so many of them that even I, with quite a few years of German language study to my credit, found them confusing and hard to follow after a while. They are, after all, abstruse rather than quotidian verbiage even in their own language. Beyond this difficulty, there are an assortment of neologisms and coinages that are deployed without explicit definitions. Maybe you already know what "transcrescence" means—if so, you are likely the audience for this book!
Of the three parts, I best liked Part III "Loos and His Angel," but found it the hardest to follow despite its shorter chapters and closer approach to my own interests and concerns. In Cacciari's epilogue, I found confirmation that this book did indeed belong in the universe of ideas that I often navigate, with references not just to Nietzsche, but to Derrida, Guenon (!), and Corbin (!!).
This entry was posted in Hermetic Library Reading Room, T Polyphilus: Vigorous Food & Divine Madness and tagged books, Massimo Cacciari, Reading Room, reviews, Stephen Sartarelli, T Polyphilus on August 17, 2016 by John Griogair Bell.


text:
Jane Frances de Chantal
Feast Day: August 12 (Proper Calendar in US)
Canonized: July 16, 1767
Beatified: November 21, 1751
Jane was born in Dijon, France, in 1572. When she was 20, she married into a royal family. She and her husband had six children, two of whom died at a young age. Jane was a busy wife and mother, but she still found time to welcome the poor who came to the castle door looking for food.
Jane's husband was seriously injured in a hunting accident and died after a few days. She was heartbroken. She could not forgive the man who had caused the accident. She turned away from all the people and things she loved and made a vow not to marry again. Even prayer did not help her to overcome her sadness.
During Lent, she went to church and heard a bishop give a sermon about God's love. The bishop's name was Francis de Sales. His words opened her heart again. She forgave the man who caused her husband's accident. Jane persuaded Bishop de Sales to be her spiritual advisor. The two became good friends.
Bishop de Sales told Jane about his dream to establish an order of religious sisters who would live and work among the people they served. In Jane's day, all nuns lived in their convents and did not work in the community. The sisters would follow the humble example of our Blessed Mother Mary when she visited her cousin Elizabeth. Mary spent three months caring for and helping Elizabeth.
As Bishop de Sales hoped, his dream became Jane's dream. The community she founded became known as the Congregation of the Visitation of Holy Mary, or the Visitation Order. More than 80 convents were established in Jane's lifetime. Francis de Sales was declared a saint in 1665. Jane de Chantal, who died in 1641, was canonized in 1767. She is invoked as the patron or forgotten people, widows, and parents who are separated from their children.
In "July"
Catalina de Siena (Español)
In "Español"
Elizabeth Ann Seton
In "January"
TAGS: France, Saint, Visitation Order
← Clare of Assisi
Maximilian Kolbe →


Last month I saw – at Heaven nightclub in London – what will have been one of the last ever gigs by Psychic TV . Along with her band, performance artist and lead singer Genesis P-Orridge took to the stage during a period of remission from chronic myelomonocytic leukaemia. She reckons she now has between 6-24 months before it becomes terminal.
So this gig – already postponed from a year ago, when Genesis had been too sick to travel from the US – was a poignant one. A fabulous set was marked by wonderful musicianship by the band, with songs spanning the ethereal, to rocky numbers that were reminiscent of Lou Reed. And all were set against eye-popping, psychedelic, backdrop film graphics of skulls, devils, naked bodies and Queen Elizabeth I.
Here are my photo mementoes – of the gig, of Genesis, and of Psychic TV. And if you're interested to know more, you can read about Genesis' life and work in these recent New York Times and Guardian articles.
Posted on 10 December 2018 24 December 2018 By Santé Bon ViveurPosted in England, London, Rock & Pop in Pictures, UKTagged Psychic TV.


Setra's Model 269 transducer is the highest accuracy solution for monitoring differential pressure in critical environments. Its 0.25% FS accuracy is calibrated using the "End Point Method" which improves linearity when compared to competitive transducers which use the "Best Fit Straight Line Method". The 269's calibration is tamper proof by utilizing a removable process head that eliminates inadvertent adjustments while allowing in-situ calibrations without removing the process tubing. Calibrations can be performed automatically when performed with Setra's MicroCal outfitted with an expert system. The 269 offers multiple mounting configurations, including DINrail, for quicker and easier installation.


text:
Q: Feedbacks for Multiple Parts Can't Print using Cloze in Moodle I am trying to create a 2 parts multiple choice questions. I want to give feedback for each part. But the obvious way of doing things doesn't work. See below. I am using the cloze function in moodle.
\begin{cloze}[feedback={This is a general feedback. This prints fine.}]{Problem}
\begin{multi}[vertical,feedback={Feedback for Part I can't print}]
Part I
\item* Choice 1
\item Choice 2
\end{multi}
\begin{multi}[vertical,feedback={Feedback for Part II can't print}]
Part II
\item* Choice 1
\item Choice 2
\end{multi}
\end{cloze}

As indicated, I can print only the general feedback BUT not the feedbacks for each part.
Any help is appreciated.

A: As far as I know, the cloze syntax of the Moodle LMS does not handle feedbacks at the level of embedded subquestions.
That is why, the moodle package just ignores the feedback keys set at this level.
In the documentation of the current development version of the package, this is kind of documented in Table 2: the key feedback is not mentioned as an option offered at the level of cloze subquestions.

If you think the package should raise a warning or an error when this happens, you are welcome to fill an issue in the gitlab repository.

A: This is what I obtain with the latest (well, two days ago) version of moodle.sty
\documentclass[12pt]{article}
\usepackage[]{moodle}
\usepackage{graphicx}
\usepackage{xpatch}

\begin{document}

\begin{quiz}{Quiz 1}

\begin{multi}[shuffle=true, points=1,feedback={First feedback}]{Quiz1/Test1}
    test one
    \item[feedback={wow!}]* 1
    \item[feedback={ach!}] 2
    \item 3
\end{multi}

\begin{cloze}[feedback={cloze feedback}]{Quiz1/Test3}
    This is a cloze question

    \begin{multi}[vertical]
        One sub
    \item[feedback={this no}] $\frac{1}{4} x^4+C$
    \item[feedback={this yes}]* $3x^2$
    \end{multi}

    \begin{multi}[vertical]
        Two sub
    \item* A
    \item B
    \end{multi}
\end{cloze}

\end{quiz}

\end{document}

And I obtain: (the marks on the page are mine, obviously, not from the package):

I also get this warning that I am exploring
Package moodle Warning: Cloze Multi Shuffling only supported by Moodle 3.0+ on input line 31.

Package moodle Warning: Cloze Multi Shuffling only supported by Moodle 3.0+ on input line 31.

Overfull \hbox (6.79999pt too wide) in paragraph at lines 31--32
[][]

Underfull \hbox (badness 10000) in paragraph at lines 31--32


Fringe May 10, 2010	 Leave a Comment on Anime Central!
Gozer Games will be back at Anime Central this coming weekend. We will be at booth 429 in the dealer's room, so come check us out! In addition, we're doing something unique this year. ACen is our "home base" animeContinue reading… Anime Central!


text:
Home | Careers advice | Work v. uni | Apprenticeships in Wales
Explore the options for apprenticeships in Wales and find out more about the kind of wages, training and experience you could expect.
Apprenticeships offer the chance to train while earning money at the same time – and gain valuable experience and develop job-related skills with an employer. Successful apprentices will leave with a reference, a qualification, job-related skills and experience in the industry – and some inside contacts with the employer.
Who can be an apprentice in Wales?
To take up a Welsh apprenticeship, you need to be:
not in full-time education or employment.
You will need to apply for apprenticeships, just like you would apply for regular jobs.
An apprenticeship is a job that comes with training. Your qualification will be funded by your employer and you will be given time to learn. You will receive a regular wage with paid holidays and the same benefits as other employees.
How long do apprenticeships last for?
Apprenticeships in Wales generally last between one and three years. The length of an apprenticeship should be specified when you apply.
What are employers are looking for in an apprentice?
Employers won't expect you to have a lot of experience already. However, applying for apprenticeships can be competitive so it's important to have an interest in the work and to show that you could work hard and do well.
You need to show that you have general work skills that will help you to succeed, such as being self-motivated, enthusiastic, organised and able to communicate well with people. Some employers also ask for specific qualifications, such as a particular subject at GCSE or A level.
Each apprenticeship is different, so employers look for specific qualities or aptitudes. For example, an engineering apprenticeship might require strong numeracy skills while an apprenticeship in the media may require creativity.
What types of apprenticeships are there in Wales and what qualifications would I get?
As an apprentice you're likely to work towards a widely recognised qualification such as an NVQ, HND, BTEC or even a degree.
There are four main kinds of apprenticeship in Wales. The main difference is the level of qualification you undertake, though the higher the qualification, the longer the apprenticeship is likely to last. They correspond to the different levels of the Credits and Qualifications Framework for Wales (CQFW) and are as follows:
Foundation apprenticeships (level 2). Broadly equivalent to the Welsh Bacc National or GCSEs above grade C.
Apprenticeships (also known as 'standard' apprenticeships) (level 3). Broadly equivalent to the Welsh Bacc Advanced, A levels, or Access to HE courses.
Higher apprenticeships (levels 4–7). Broadly equivalent to a wide range of higher qualifications, including HNCs, HNDs, foundation degrees, honours degrees and masters degrees.
Degree apprenticeships (levels 6–7). These are apprenticeships that lead to a degree-level qualification – usually an honours degree but occasionally a masters degree. Technically, degree apprenticeships are a type of higher apprenticeship.
The bulk of apprenticeships in Wales are at levels 2 or 3 (foundation or standard apprenticeships). Only around a quarter of all Welsh apprenticeships are higher apprenticeships (including degree apprenticeships). However, this percentage has been increasing over recent years.
Higher apprenticeships and degree apprenticeships tend to have higher entry requirements – for example, good grades at Welsh Bacc Advanced or A levels in relevant subjects.
What wages can I expect as an apprentice?
Apprentices are paid both for working hours and for the time spent in training – usually one day a week.
The salary for an apprenticeship varies depending on the employer and industry. A recent survey of apprentices carried out by the government in 2016 found that the average (median) basic hourly wage for apprentices in Wales was £6.63.
Currently, the minimum wage rate for an apprentice is £3.90 per hour. This rate applies to apprentices under 19 as well as those aged 19 or over who are in their first year – if you are an apprentice aged over 19 and have completed your first year, you are paid at least the minimum wage rate for your age – see the UK government website for the exact rates.
Some employers offer significantly higher wages than this, especially for higher or degree apprenticeships. Recent job ads for apprenticeships in Wales have featured salaries of up to £24,000 per year.
What could I do as an apprentice?
The types of apprenticeships on offer are likely reflect the local industries in your area. Around a third of apprenticeships in Wales are in health and social care, with another quarter in business and management. Other major industries offering apprenticeships in Wales include construction, engineering, retail, hospitality and leisure, and manufacturing. There are also apprenticeships in ICT, the media and other areas.
How are apprenticeships in Wales different from elsewhere?
Apprenticeships are very similar across the UK. In Wales there are some opportunities to take an apprenticeship in a Welsh-speaking workplace and to train in Welsh. A survey in 2016 showed that 3% of apprenticeships in Wales offered bilingual or Welsh-only training.
Can I apply for apprenticeships elsewhere in the UK?
Welsh residents can apply for apprenticeships elsewhere in the UK if they're happy to move. However, a few apprenticeships specify that they are for people living in a particular city, county or region.
What will my job prospects be like as an apprentice in Wales?
After successfully finishing an apprenticeship, you will have a relevant qualification, hands-on experience, a reference from your employer and contacts with the organisation that employed you. This will put you in a good position to apply for permanent roles with that organisation or others in the same industry.
When should I apply for apprenticeships in Wales?
'Start early,' recommends Jane Johns, assistant regional director for Wales at the careers guidance organisation Inspiring Futures. 'Ideally you should be making a start on identifying options before Christmas in your final year. Apprenticeships may be advertised at any time. Be persistent and carry out wide-ranging research to look for apprenticeships that may be a good fit. And don't give up when you don't find something immediately, because you never know what will come up next week.'
Where can I find apprenticeships advertised?
Like jobs, apprenticeships may be advertised anywhere – including on jobs boards and employers' websites. Good places to look include:
The TARGETcareers Futurewise job search
Careers Wales
If you are specifically interested in degree apprenticeships, these may be advertised directly on university websites.
'Remember that you don't have to wait for a job advertisement,' advises Jane. 'If you know you want to do an apprenticeship and like a particular company, then approach it and see if it is willing to take you on.'
How hard is an apprenticeship?
The Apprentice vs doing an apprenticeship


The Financial Conduct Authority has agreed to publish the full confidential report into the mistreatment of small businesses by the Royal Bank of Scotland, in a significant U-turn by the City watchdog.
How can Sir Vince Cable's party bolster its chances at the next election?
Could the UK really reverse its decision to leave?
How did these seven politicians perform in 2017? Will their successes continue in 2018?
The Liberal Democrats face being squeezed even further in 2018, with the party likely to struggle to make itself heard in the debate beyond Brexit and real fears for its future as a political force, former party staffers and academics have warned.
'Oh, Jeremy Corbyn" - how has political opinion shifted in 2017?
June's snap election changed everything. And more.


text:
Drones in Mining: Macroeconomic Trends
The cost of crystal mining
Scarlett Evans 3 December 2019	(Last Updated November 29th, 2019 10:57)
The crystal industry is growing fast, with celebrity endorsements driving up the sales of 'healing' stones such as amethyst, rose quartz and lapis lazuli. The boom has also sparked questions about sourcing, with concerns circulating around the extraction of materials from countries with histories of human rights and environmental abuses. So just how damaging is crystal mining? And who is leading the way in good practice?
Driven by celebrity endorsements, demand for crystals is surging, highlighting the costs of crystal mining. Credit: Alexander Van Driessche
Endorsed by celebrity fans ranging from Kim Kardashian to Gwyneth Paltrow, the crystal industry has seen a significant spike in recent years. 'Healing' crystals are being used to remedy a variety of ailments including stress and addiction, and some are believed to boost sensuality, creativity and concentration. A lack of legislative framework means the industry's fixed value is hard to pin down, but the fact that Google searches for 'crystal healing' have risen by 40% between 2013 and 2017, and 'crystal shops near me' queries by 35% since 2013, is testament to the growing popularity of crystals.
The sudden rise in demand has raised concern, as the pressure is on to cut prices, and it is becoming increasingly difficult for stockists to confirm the origins of their products. As Emily Atkin at The New Republic extensively reported last year, the matter has prompted calls for ethical sourcing to become a necessity, rather than an afterthought, in the crystal business. Yet there are also some in the industry who say the sector is being unfairly demonised, turning the spotlight away from far more harmful practices seen in large-scale mining operations for minerals and materials with industrial uses.
Either way a change is stirring, with consumers increasingly demanding their products are sourced ethically and sustainably. Whether or not crystals should be highlighted in this drive remains to be seen.
An unethical industry?
Concerns about crystal sourcing centre around sustainability and potentially unethical labour practices. They are concerns that are not dissimilar to those surrounding diamonds. As crystals are usually by-products from operations searching for higher-value materials such as gold or copper, the sometimes dubious environmental and labour aspect of these large-scale operations taints crystal sourcing, too.
For instance, the Guardian reported earlier this year that cobalt and copper mines in the Democratic Republic of Congo – a primary site for crystals – were found to employ children as young as seven in their operations.
Perhaps the most worrying issue for consumers is the lack of legislation. With no governing body requiring sellers to provide information on the origins of products, possible instances of exploitation can often go unchecked.
An example of this can be seen in a 2016 report from international NGO Global Witness, which detailed how in Afghanistan the Taliban earns up to $20m a year from the country's lapis lazuli mines.
"Mining is a major source of instability in Afghanistan – and a major strategic blind spot for the government and its international backers," says Stephen Carter, who authored the report. "It is the second largest source of funding for the Taliban – meanwhile lost revenues for the government are estimated (very roughly, and the figure is a little old) at around $300m a year."
"Districts have been destabilised and subsequently lost to the Taliban because of competition among illegal armed groups over mines – including Badakhshan's lapis mines," he adds. "Mining is a focus for hopes for development in Afghanistan after a peace deal, but it is more likely to be a major cause of instability and corruption."
According to Carter, an unethical supply chain being ignored, or being unknown to purchasers, is an unfortunately common element of mineral mining.
"Gold, tantalum and other minerals are illegally mined in the Democratic Republic of Congo, while jade in Myanmar provided billions to a military regime," Carter says. "This is a major international issue – or should be – and a major source of instability and corruption around the globe."
The New York Times has previously compared Myanmar jade to blood diamonds, with poor conditions around its extraction being linked to the spread of heroin use and HIV infection amongst the miners. Such examples prove worrying reminders to consumers of the dark origins of some of their gems, although these are issues affecting the the wider minerals industry, rather than specifically crystals.
As bad as it seems?
Stephen Wells from Katcha Stones, a crystal brand that prides itself on its ethical sourcing practices, likens the new emphasis on crystal mining as scolding a child for dropping a sweet wrapper when a mountain of plastic has been dumped by larger corporations.
"Many, probably the majority, of commercially available crystals are by-products of larger mining [operations], everything from construction materials to metals," he says. "Mountains are not being dynamited to get at a few quartz crystals, they are often collected from the rubble as a side-hustle."
"Phones are cased in plastic … the overwhelming majority made from crude oil. Then the metals used include copper, nickel, silver, gold, cobalt, lithium, lead, tantalum; and this isn't even comprehensive as some of the fancier screens use even more rare earth metals," he adds. "Then there's the aluminium and silicon in the glass. No one is ditching phones on environmental grounds, but let's make out the chakra healing hippies are responsible for the 'new blood diamonds' and irreversible ecological disaster."
It is certainly true that the crystal industry is not nearly as large as operations mining gold, copper and precious stones. The large-scale copper and coal mines extract roughly 500-600 million metric tons per year compared to 10,000-50,000 metric tons produced by gem mineral mines. There are also environmentally sustainable mining sites, many of which are in the US. One site, the Wegner Quartz Crystal Mines in Mount Ida, Arkansas (a region with one of the world's largest deposits of quartz), even boasts a zero carbon footprint as it plants trees to offset emissions.
Ethical mining practices clearly exist in the industry, yet the lack of structure makes it difficult to assess whether all businesses are following sustainable protocol.
An industry-wide change
Global Witness says improved legislation is a necessity across the industry if mining practices are to become more ethical. According to Carter, strong requirements for supply chain due diligence are key, alongside transparency within countries, reforming mining laws and creating structured and genuine community benefit from mining.
Alice Harle, senior campaigner at Global Witness, echoes Carter's points.
"Governments and companies across the supply chain should commit to protecting people and planet by ensuring responsible business practice is normalised and standardised," she says. "Transparency through public reporting is a cornerstone of supply chain due diligence, through which companies can share information and work hand in hand across the supply chain to respond to risks.
"Governments must ensure that companies in their jurisdictions are meeting these requirements to facilitate responsible trade and prevent negative impacts on the lives of people involved in, or affected by, mineral supply chains across the globe."
EUROGOMMA
Polyurethane Screens and Polyurethane Screen Panels
HUESKER
Geosynthetic Solutions for Faster, Safer and Sustainable Mining
Fossil-free innovations in the Swedish mining industry


Your pets are welcome in most parts of the house, but maybe there's one room or piece of furniture you'd like to keep pet-free without raising your voice or installing unsightly gates. You can effectively keep your animals off the couch, away from the trash, out of the dining room, and away off of your kitchen counters with our indoor pet containment systems.
Come. Sit. Stay Off the Chair!
Our indoor pet fences work wherever you need them, quietly, effectively, and hidden from view. A harmless, noiseless FM radio signal lets you control where your pets roam in the house. The systems work with the same DogWatch� receiver collar your pet wears outside, so it is a great way to expand the value of your Hidden Fence purchase.
Our indoor pet fence works well for both dogs and cats.
Just place the transmitter in the area you want to protect and create an instant hidden fence. Our indoor systems are the perfect solution for keeping your dog away from the cat litter box! For simple applications, try one of our 'wireless' fence units.* Just place the transmitter in the area you want to protect and create an instant hidden fence, easily adjusted by you.
If you want to keep one pet or multiple pets out of several rooms, we can install a fully wired hidden indoor fence system for you. The result will be appreciated by every pet � and person � in your home.
* 'Wireless' units do not require boundary wires; the signal radiates directly from the transmitter and the diameter of the signal can be adjusted to create the boundaries you need.
The IB-100 is a wireless Battery Operated Boundary (BOB) that you can use anywhere to create a pet-free zone. The IB-100 has a re-chargeable battery and will protect an area up to 8 feet in diameter. This is a perfect choice if you need a portable boundary that can be used without plugging it in.
The IB-200 is our most flexible solution to keep your pet safe inside. This transmitter can be used either with or without a boundary wire. You can install the IB-200 with a wire to protect a large defined indoor area or you can use it without a wire for greater flexibility to protect smaller areas up to 10 feet in diameter.
Scoot!� is an extra small transmitter that is used with a boundary wire that can be discreetly hidden under the lip of a kitchen island, around the edge of a window, around a specific piece of furniture and in many other small areas. This indoor pet fence works quietly, effectively and hidden from view making it virtually invisible.
Our patented digital SafeLink� FM signal helps to protect your pet from unintentional corrections that can happen on the AM frequency (such as garage door openers, televisions, baby monitors, etc.). FM is a safer, more secure signal, and only DogWatch has it.


text:
import Component from '@ember/component';
import FdReadonlyProjectMixin from '../../mixins/fd-readonly-project';
import FdShareFunctionMixin from '../../mixins/fd-share-function';
import { inject as service } from '@ember/service';
import { A } from '@ember/array';
import { computed, observer } from '@ember/object';
import { isNone } from '@ember/utils';
import layout from '../../templates/components/fd-sheets/fd-sheets-tool-bar';

export default Component.extend(FdReadonlyProjectMixin, FdShareFunctionMixin, {
  layout,

  /**
    Sheet component name.

    @property sheetComponentName
    @type String
    @default ''
  */
  sheetComponentName: '',

  /**
   Service that get current project contexts.

   @property currentProjectContext
   @type {Class}
   @default service()
   */
  currentProjectContext: service('fd-current-project-context'),

  /**
    Service for managing the state of the component.

    @property fdSheetService
    @type FdSheetService
  */
  fdSheetService: service(),

  /**
   Service for managing locks.

   @property fdLockService
   @type {Class}
   @default service()
   */
  fdLockService: service(),

  /**
   Service for managing dialog windows.

   @property fdDialogService
   @type {Class}
   @default service()
   */
  fdDialogService: service(),

  /**
   Service for managing objects diagram.

   @property fdDiagramService
   @type {Class}
   @default Ember.inject.service()
   */
  fdDiagramService: service('fd-diagram-service'),

  /**
    Router service of current application.
    @property router
    @type RouterService
  */
  router: service(),

  /**
    @property store
    @type Service
  */
  store: service(),

  /**
    Array button.

    @property sheetButtons
    @type Ember.A()
  */
  sheetButtons: undefined,

  /**
    Url video helper.

    @property sheetHelper
    @type String
  */
  sheetHelper: undefined,

  /**
    Object visible button.

    @property buttonArray
    @type Ember.A()
  */
  buttonVisible: computed('sheetButtons', function() {
    let sheetButtons = this.get('sheetButtons');
    let buttons = {};
    sheetButtons.forEach((button) => {
      buttons[`${button}`] = true;
    });

    return buttons;
  }),

  /**
    Flag: indicates whether to show toolbar.

    @property toolbarVisible
    @type Bool
  */
  toolbarVisible: true,

  /**
    Flag: indicates whether property is readonly.

    @property readonlyMode
    @type Boolean
    @default false
   */
  readonlyMode: false,

  /**
    Flag: indicates whether to not show button for new model.

    @property isNewModel
    @type Bool
  */
  isNewModel: false,

  /**
    Flag: indicates whether to not show gen button.

    @property GenToolbarVisible
    @type Bool
  */
  genToolbarVisible: false,

  /**
    Current sheet content value.
    @property contentSheetValue
    @type Object
  */
  contentSheetValue: undefined,

  /**
    Table headers for dependencies popup.

    @property tableViewDiagrams
    @type Array
  */
  tableViewDiagrams: computed(() => (
    A([{
      columnCaption: 'components.fd-sheets-tool-bar.dependencies-panel-title',
      columnProperty: 'name',
    }])
  )),

  /**
    Array of diagrams where current class exists.

    @property classDiagrams
    @type Array
  */
  classDiagrams: null,

  /**
    Update locks.

    @method readonlyModeObserver
  */
  readonlyModeObserver: observer('readonlyMode', function() {
    const readonlyMode = this.get('readonlyMode');
    if (!readonlyMode) {
      const _this = this;
      const lockService = this.get('fdLockService');
      const refreshLockTime = lockService.getRefreshLockTime();
      const sheetComponentName = _this.get('sheetComponentName');
      const contentSheetValue= _this.get('contentSheetValue');
      lockService.createLock(contentSheetValue, sheetComponentName);
      setTimeout(function tick() {
        if (!_this.get('readonlyMode'))  {
          lockService.createLock(contentSheetValue, sheetComponentName);
          setTimeout(tick, refreshLockTime);
        }
      }, refreshLockTime);
    }
  }),

  willDestroyElement() {
    this._super(...arguments);
    this.set('readonlyMode', true);
    const sheetComponentName = this.get('sheetComponentName');
    const contentSheetValue = this.get('contentSheetValue');
    this.get('fdLockService').deleteLock(contentSheetValue, sheetComponentName);
  },

  actions: {
    /**
      Closing sheet.

      @method actions.closeSheet
    */
    closeSheet() {
      let sheetComponentName = this.get('sheetComponentName');
      this.get('fdSheetService').closeSheet(sheetComponentName);
    },

    /**
      Expanding sheet.

      @method actions.expand
    */
    expand() {
      let sheetComponentName = this.get('sheetComponentName');
      this.get('fdSheetService').expand(sheetComponentName);
    },

    /**
      Saving changes.

      @method actions.save
    */
    save() {
      this.get('saveSheet')();
      this.set('readonlyMode', true);
      let sheetComponentName = this.get('sheetComponentName');
      this.get('fdLockService').deleteLock(this.get('contentSheetValue'), sheetComponentName);
    },

    /**
      Delete data.

      @method actions.delete
    */
    delete() {
      this.get('deleteSheet')();
    },

    /**
      Off readonlyMode.

      @method actions.edit
    */
    edit() {
      let _this = this;

      let sheetComponentName = this.get('sheetComponentName');
      this.get('fdLockService').checkLock(this.get('contentSheetValue'), sheetComponentName).then(result => {
        if (result && !result.Acquired) {
          _this.set('readonlyMode', false);
        } else {
          _this.get('fdDialogService').showErrorMessage(this.get('i18n').t('components.fd-sheets-tool-bar.object-locked').toString() + (result ? result.UseName : ''));
        }
      });
    },

    /**
      Copies the link to the clipboard.

      @method actions.share
    */
    share(event) {
      let origin = this.get('router.location.location.origin');
      let pathname = this.get('router.location.location.pathname');
      let hash = this.get('router.location.location.hash');

      let queryParamBegin = hash.indexOf('?');
      let hashWithoutQueryParams = (queryParamBegin > 0) ? hash.substring(0, queryParamBegin): hash;

      let stage = `?gotostage=${this.get('currentProjectContext').getCurrentStage()}`;
      let object = '';

      let contentSheetValue = this.get('contentSheetValue');
      if (!isNone(contentSheetValue)) {
        let gototype = contentSheetValue.get('constructor.modelName');
        if (gototype === 'fd-dev-class' || gototype === 'fd-dev-view') {
          hashWithoutQueryParams = '#/fd-application-model';
        }

        object = `&gototype=${gototype}&gotoobj=${contentSheetValue.get('id')}`;
      }

      let value =  `${origin}${pathname}${hashWithoutQueryParams}${stage}${object}`;
      this.copyInClipboardValue(value);
      this.showSharePopup(event);
    },

    /**
      Show diagramm dependencies of current class.

      @method actions.showDependencies
    */
    showDependencies(event) {
      const store = this.get('store');
      const stage = this.get('currentProjectContext').getCurrentStageModel();

      // Get current cad diagrams.
      const allCadDiagrams = store.peekAll('fd-dev-uml-cad');
      const cadDiagramsCurrentStage = allCadDiagrams.filterBy('subsystem.stage.id', stage.get('id'));
      const currentClassName = this.get('contentSheetValue.name');

      let classDiagrams = A();

      classDiagrams.pushObjects(cadDiagramsCurrentStage.filter(function (diagram) {
        if (!isNone(diagram.caseObjectsString)) {
          return diagram.caseObjectsString.includes("Class:(" + currentClassName + ")");
        }
      }));

      this.set('classDiagrams', classDiagrams);

      let diagramsPopup = this.$(event.currentTarget.nextElementSibling);
      diagramsPopup.popup({
        on: 'click',
        position: 'bottom right',
        target: event.currentTarget,
      }).popup('show');
    },

    /**
      Transition to dependent diagram.

      @method actions.openDependentDiagram
    */
    openDependentDiagram(diagram) {
      if (!isNone(diagram)) {
        const gototype = diagram.get('constructor.modelName');

        this.get('router').transitionTo('fd-diagrams', {
          queryParams: {
            gototype: gototype,
            gotoobj: diagram.get('id')
          }
        });
      }
    },

    /**
      Trigger keypress logic.

      @method actions.duplicatedHotkeys
      @param {String} eventName event name.
    */
    duplicatedHotkeys(eventName) {
      this.get('fdDiagramService').triggerKeypressLogic(eventName);
    },

    /**
      Trigger generation for selected class logic.

      @method actions.generationForSelectedClass
    */
    generationForSelectedClass() {
      this.get('fdDiagramService').triggerGenForSelectedClassLogic();
    },

    /**
      Custom button action.

      @method actions.customButtonAction
    */
    customButtonAction(action) {
      let actionType = typeof action;
      if (actionType === 'function') {
        action();
      } else if (actionType === 'string') {
        this.get(action)();
      } else {
        throw new Error('Unsupported action type for custom buttons.');
      }
    },

    /**
      Print button action.

      @method actions.print
    */
    print() {
      let model = this.get('targetObject.selectedValue.data');
      window.open(`#/fd-print-form?gotostage=${model.get('subsystem.stage.id')}&gototype=${model.get('constructor.modelName')}&gotoobj=${model.get('id')}&inframe=1` );
    },
  }
});

redpajama_set_name: RedPajamaGithub