college & graduate school admissions process.
College admissions consultants Dr. Michele Hernandez, Mimi Doe, Dr. Kristen Willmott, Maria Laskaris, and Eliza Fox have worked with over 3,000 students from more than 18 countries for the past twenty years. 95% of their students get into their 1st or 2nd choice college.
Dr. Michele Hernandez (after attending Dartmouth College and getting her Master's in Comparative Literature and English at Columbia) spent four years in the Dartmouth admissions office and then founded Hernandez College Consulting after writing her best-selling book, A is for Admission. She went on to write The Middle School Years and Acing the College Application. Business Week featured Dr. Hernandez in a cover story article and she has appeared on national TV shows (Today, CNN) and in national print media (NY Times, Business Week, Wall Street Journal, etc…).
Mimi Doe, with a Master's Degree in Education from Harvard and best-selling author of 5 books including Busy but Balanced, joined forces with Dr. Michele Hernandez to write Don't Worry: You'll Get In in 2005 and launch the internationally acclaimed Application Boot Camp®. Students from around the world work with Michele and Mimi in this sell out program year after year to create applications and admissions strategies that result in top college acceptances.
Responding to demand, Hernandez College Consulting and Application Boot Camp® bring their existing programs and services to Top Tier Admissions so students and families everywhere can receive their expert guidance even if they are unable to take part in their private counseling.


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text:
Q: NPM script Webpack --json : JavaScript heap out of memory We have an angular 5 project which has a problem with size. On load of the app, when there isn't much of anything, we have 95MB in memory.
I'm trying to analyze it and use webpack-bundle-analyzer.
I've read that adding new webpack.optimize.ModuleConcatenationPlugin() into webpack.config should help, so I did and it helped (from 95 to 76MB).
But when I run build with stats after that npm run build:stats > stats.json
("build:stats": "webpack --profile --json --config webpack.config.buildserver.js") I get this message
FATAL ERROR: CALL_AND_RETRY_LAST Allocation failed - JavaScript heap out of memory
Before adding the plugin, the stats.json file had around 390 000 lines of json object.
I found that there is a memory flag for node scripts --max_new_space_size but I can't find anything similar for webpack script.
I'm not sure what to look for, could anyone help please?

A: It's a known bug, you can check this issue for more details and also try to install this npm package and run before you build and after npm install.

A: To set Node.js flags one can use NODE_OPTIONS env variable.
For example, building stats in webpack version 4:
NODE_OPTIONS="--max-old-space-size=4096" webpack --json > stats.json

redpajama_set_name: RedPajamaStackExchange


On 20BirthdayWishes, we have included an amazing article on Abraham Lincoln Quotes for getting inspiration from his famous said quotes. Abraham Lincoln (12 February 1809 to 15 April 1865). He was the 16th President of United States from 1861 to 1865. Abraham leads the United States through its Civil War. In the result, he preserved the Union and put an end to Slavery. His hard work makes the United States stronger and stable the economy of the country. By searching information about him we decided to collect Abraham Lincoln Quotes for you to get motivation from his work. Below are 20 Amazing Abraham Lincoln Quotes on Success, Life, and Education.


Hey Natalie – I love the way you phrased your question and for any readers who aren't familiar with what she mentioned in the last sentence, just do a quick Google search to see why she is so concerned.
On a more serious note, congratulations on expecting your first child and for having the foresight to realize that it is going to take some effort on you and your husband's part to ensure he grows up to be a respectable member of society.
Kids have a natural tendency to emulate their parents. If you have an attitude of gratitude, your son will probably have the same attitude.
* Teach them to use manners from the moment they start talking. Instill in them the importance of saying please and thank you.
* Instead of buying them something they want, make them earn money to pay for it by doing chores.
* From a young age make them send thank you notes for gifts.
* Have them tell you 3 things they are thankful for at the end of each day with at least one of them not being something material.
* Encourage giving. When they get a new toy, have them donate an old toy to the Salvation Army or someone less fortunate.
* Bake & take cookies to the local fire and police departments to thank them for their service.
* No participation trophies. With all of the news about whining college kids, I don't think I have to explain this one. In the grown up world you have to earn your rewards.
* Teach them to appreciate other people's hard work in the world around us. Who cleaned the sidewalk or mowed the grass along the highway to look pretty for us?
* Make some days just "look days" where you don't buy anything.
* Have them write down something they are thankful for on a sticky note (or draw a picture when they are young) and stick them around their room or your house.
Along with the tips above, continue to keep your current mindset and look for ways on a daily basis to be the example of a grateful adult.
The next few years will be trying at times but remember 1 Thessalonians 5:18 and it'll all work out. Good luck!
(Taylor Kovar is the CEO and founder of Kovar Capital Management LLC. After starting his finance career with a major Wall Street firm, Taylor decided to branch off and start Kovar Capital in order to provide his clients with a more personal wealth management experience.


text:
module.exports = function(seneca,done) {
  seneca
    .use('./subfolder/sf0')
    .ready(function() {
      done(this.export('sf0'))
    })
}

module.exports.module = module

redpajama_set_name: RedPajamaGithub


text:
Home/Activities/Buffalo Robotics team advances to Semifinals
ActivitiesCultureLocal
Buffalo Robotics team advances to Semifinals
RoboHerd earns their best finish ever at the Regional competition
Jared Schultz March 28, 2018
The Buffalo FIRST Robotics team (RoboHerd) went to the semifinals on Saturday the tenth of March at the Duluth Entertainment Convention Center (DECC) in Duluth with their outstanding robot. As a team they took nineteenth place, but their alliance took fifth.
"FIRST Robotics Competition is the ultimate Sport for the Mind. Under strict rules, limited resources, and an intense six-week time limit, teams of students are challenged to raise funds, hone teamwork skills, and build and program industrial-size robots to play a difficult field game."-FIRST Robotics
Every year the game is different; and this year the game was titled "FIRST POWER UP". The game involves two alliances of three teams each, with each team controlling a robot and performing specific tasks on a field to score points. The game has a retro 8-bit theme and teams are required to place milk crates, or "power cubes", on large balancing scales or switches to tip the scale and gain ownership. Alliances can also trade power cubes for power ups in the vault, which gives them a temporary advantage in a match. In the final seconds of the match, robots can climb the tower earning them additional points.
Last year at the FIRST Robotics competition The RoboHerd had an amazing robot. They were ready for anything! Then the unthinkable happened; the team ended up in 63rd (last) place behind a team whose robot never moved. A RoboHerd team member explained "The reason why our robot got last was because of ranking points. The number of ranking points the team has is divided by the number of games, and that ratio determines the rank you get placed in."
This year to improve their chances for a higher rank, they made a robot that could do all the tasks, but during the competition they focused on having the robot do a specific task, the vault. Their robot also had a useful autonomous that helped them get some needed ranking points. Lastly, their team members did a lot more scouting to help the drive team formulate a strategy. Through their perseverance and hard work, at the end of the placement rounds they were in 19th place.
Next came the choosing ceremony the top 8 teams lined up to choose two other teams to join with for the final rounds. The choosing went from first to eighth and back again. Top eight teams are allowed to choose each other as long as the other team hasn't chosen yet. The first team chose, followed by the second, third, fourth, and fifth. But the fifth said "We chose team 5542 RoboHerd". The RoboHerd waited for a few seconds making sure what the fifth place team said was true, then they jumped for joy because they had been chosen for the first time ever.
Almost immediately after the choosing ceremony was over the semifinal rounds started The RoboHerd played the fourth place alliance for their first two rounds. If they won both they would be able to advance to the finals. Their first round was underway, and for the first half of the round their alliance was ahead, but then one of the alliance member's robots malfunctioned and stopped responding to their commands. When the round ended the alliance had lost by a narrow margin. The RoboHerd had a short time to recuperate before their next match, and most of that time was spent trying to help the teammate whose robot malfunctioned. During the second match the same teams robot lost connection again, the game ended, and the RoboHerd was out of the competition.
All in all it was a good season for the RoboHerd. The season had its ups and downs from the design coming together perfect to remaking a part four times. It taught the participants not only how to problem solve, but to find the problem than find a solution. FIRST Robotics is an amazing program and I look forward to joining next year.
Jared Schultz
The Test that Could Decide our Future...
How nerdy are you?

redpajama_set_name: RedPajamaCommonCrawl


A individual who offers his share in capital and also requires active portion in the management. Partnering is about delivering high worth insight and challenge to the organization. An important aspect here is the nature of the partnership involving HR and company leaders. Then you ought to continually do competitive intelligence and revise our HR practices to insure that we are doing HR that is superior (in final results) to what they are doing. The basic partners are liable for the company's liabilities to the extent of all their private and company assets the limited partners are liable for a share of corporation liabilities equal to their share of the organization capital.


"Movie tricks" is really a blog which review sites. They are your blog according to entertainment niche. Wanted to help make the people that use the sites we review aware of them. You may also find a number of other topics associated with anime. But mostly you will find review articles. We review from different sites to anime and television shows.
We're not affiliated to the sites. Furthermore, we shouldn't drive traffic towards them. Just we review them for those users of those sites. All of the exterior links aren't our obligation and we'll require their guarantee.
Nor our motive would be to promote piracy. Furthermore, we'd recommend buying or using everything from the state sellers simply to offer the creators.
As well as Utilization of anything without license is just against our policies. We review them for those users of those sites only. Once more our motive isn't to advertise piracy or illegal sites. These websites are reviewed to keep things interesting purposes only.


text:
Home News Programme helps dads to be better fathers
Programme helps dads to be better fathers
Lillian Amos
Shuaib Salie, Jasmine Abrahams, Cas Muller, Riahaan Petersen, Victor Moses and Philip Bam at the certificate ceremony.
A programme launched in Parkwood is hoping to change the face of fatherhood in the area.
Lion's Club Kirstenbosch partnered with NPO Jabulani and the Parenting Centre and started a programme to teach fathers life skills, communication skills and family values. The men are also taught how to be more involved with their children through playtime.
Seventeen men from Parkwood participated in the programme but partnering organisations hope many more will take part in future.
Philip Bam, of the Lions Club of Kirstenbosch, the organisation that funded the project, said it was part of a community development initiative.
"Parkwood is a deprived and depressed area in terms of socio-economic issues. We brought the project here because many families in the area are dysfunctional,"said Mr Bam.
"If children don't get love from their fathers, they go outside of the home to look for love and attention, and that is when the gangs come in because they give them a sense of love," he said.
Mr Bam said project dovetailed with other programmes in Grassy Park.
"We want to deny gangsters a market. If fathers can look after their families, that's a step in the right direction to the development of their children. That is how we can start to make a change in the community of Parkwood," said Mr Bam.
Raihaan Petersen, 22, from the area said he got involved with the programme to be a better parent to his two-year-old daughter.
"I want to learn how to handle my child better, and because she's a girl I want to show her how to have self respect, how to discipline her properly and how to raise a strong daughter," said Mr Petersen.
Victor Moses, 40, who has seven-year-old and a 12-year-old, said the programme taught him how to communicate with his children.
"Sometimes parents just don't know how to speak to their children. After enforcing these things I have learned at the programme, I feel that my household is a happier place because we now speak up when we have problems and issues. I hope all fathers get an opportunity yo take part in the programme," said Mr Moses.
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The Tascam DR-60D 4-Channel Linear PCM Recorder captures 4 simultaneous channels of audio for storage on an SD card (low-capacity SD card included – larger cards are rentable separately. See compatible cards here). It is a professional-level PCM recorder capable of recording at 44.1, 48 and 96 kHz sample rates and at bit depths of 16- and 24-bit. This recorder also features auto tone and slate tone functions that aim to simplify synchronization to video files during editing. Screw mounts on either side of the recorder allows for connection on both a tripod and a DSLR camera. This recorder is ideal for DSLR filmmakers.
• This recorder mounts to the top of a tripod (not included). Your DSLR camera then mounts on top of the recorder. This device operates on (4) 1.5V AA batteries (not included). It can also be powered via USB (included) from your computer.


A beautiful summer romper for special events and days at the beach. Pretty ivory hibiscus blooms float on deep passionfruit, an earthy red ochre. Made from soft, breathable and absorbent cotton crepe. Features sleeveless lined bodice, big roomy cut perfect for layering, gentle fabric-covered elastic gathers at the leg openings, and snaps along the inseam for easy dressing and diapering. This lovely onesie makes a charming new baby gift.


Home Arts African Antiquities LIVE!
the rare African art exhibit "Brooklyn is Africa: A Borough of Inclusion; A Continent of Invention" includes 2,500 artifacts from the collection of Eric Edwards.
During Black History Month, experiencing the rare African art exhibit "Brooklyn is Africa: A Borough of Inclusion; A Continent of Invention" is a must see.
The exhibit, presented by the Center for Arts and Culture, at the Skylight Gallery, is at Bedford Stuyvesant Restoration Corporation. The show includes 2,500 artifacts from the collection of Eric Edwards. He is the Founder and Executive Director of the Cultural Museum of African Art. Edwards gathered masks, statutes, drums, clothing and utensils used in daily life from 54 African countries throughout his lifetime.
As visitors take giant steps into Africa's past, they will view powerful images carved in wood and stone. You see the intricate beaded head work of an 18th Century buffalo head from Cameroon. Or the 6-feet high palace door with hand carved decorative men and women from the Yoruba people of Nigeria. Carved from a single piece of wood, you will see an 8-feet Royal Palace drum with individually hand-carved figures surrounding the base.
"This is an extremely rare piece – the only one known to exist," said, co-curator Hollis King.
Other pieces include a map of the Congo when it was known as Zaire and a magnificent head of a royal woman from the Mali Empire that is 4,000 years old. You can still clearly see the cornrow hairstyle and proud tilt of her head. You will also see the brilliant colors of an 18th century royal robe worn by a king. Look for the handmade royal coffin for burial of a king, as well as a smaller child's version.
As you move from one piece to the next, you will be overwhelmed by the cultural history captured in the space.
The exhibit is located at 1368 Fulton Street and runs through April 28. For more information, contact Barbara Bullard, bbullard@restorationplaza.org or if you would like to bring a school group; contact Karlvy Smith, 718-636-6949.


DBKP - Worldwide Leader in Weird: Useful Idiots: Selective Outrage!
The Lamestream Media, Dinosaur Media, Legacy Media, MSM, Moron Media, MFM: whatever you call it, they're mostly Useful Idiots.
Useful Idiots by James Hudnall and Val Mayerik.
James Hudnall is a professional writer and internet developer.
He describes his political philosophy as "para-realism."
James has been blogging since 2002 and has written professionally since 1986. His graphic novels have been translated into seven languages. In addition to Useful Idiots, James produces the strip Obama Nation with cartoonist Batton Lash every Sunday at Big Hollywood.
Hudnall is also a U.S. Air Force Veteran. He currently lives in San Diego, California.
Be sure to check out his blog at thehud.com.
Val was born in Youngstown, Ohio in the 1950s. He started drawing for Marvel Comics in 1972. Some of his more well known works were Howard the Duck and The Savage Sword of Conan. He broke into the comics business with the help of artist Dan Adkins. He also worked at Neal Adam's Continuity Studios.
In the 1990s he moved from comics to computer gaming design and commercial art where he works for an impressive list of clients. Val is also a painter of western art. You can view his work at valmayerik.com.
Check out thehud.com, valmayerk.com and Big Journalism for more. As always, if readers like what they see, don't be hesitant to let them know.


Each one was chosen based on their proficiency in instruction, their level of play and their enthusiasm for the game.
Born in Nigeria, Charles came to America from in 1985, at just 16 1/2 years old, to play in the St. Louis Junior Clay Court tournament in Missouri. In 1986, he continued on his incredible journey by becoming the youngest player selected for the Nigerian Davis Cup team at age 17 and went on to play Davis Cup in 1989 and 1990. He later played on the ATP tour in 1988 and 1889 and was ranked as high as 638 in the world.
Always keeping in mind what his parents had taught him about the importance of education, Charles decided to shift his focus from tennis to school. In 1990, he entered Livingston College to earn a B.S. in Business and later earned a Masters degree in Business Administration from the University of Bridgeport. America soon became his home. "If you work hard, it's up to you as to what you want to achieve," he says. For the past 20 years, Charles has been teaching tennis to members of all ages at Trumbull Racquet Club and for the past 14 years, he has been the Director of Tennis.
This tennis pro has seen it all! A USPTA professional for over 40 years, Dave has also taught at our Kings Highway, Milford, Shippan and Trumbull indoor facilities and been head pro at nearby clubs like Shorehaven Golf Club, Shore and Country Club, Wee Burn Country Club and Brooklawn Country Club.
Students have thrived under Dave's tutelage, with over 400 earning National and Sectional rankings, four being named collegiate All Americans, ten ranking #1 in USTA New England, two winning the National Sportsmanship Award and four playing professionally. Dave is a past recipient of the William Friedman Award for his contributions to Junior Tennis in New England.
A native of Connecticut, Scott is a former Division 1 college player for the University of Rhode Island. He spent ten years as the Director of Tennis at the Weston Racquet Club and brings over twenty years of experience teaching juniors and adults at the local, district and national level.
Scott is a USPTA certified P-1 professional with experience as a junior program coordinator, USTA league coach, pro staff trainer, adult clinic coordinator and USTA tournament referee. Scott has played exhibition tennis with Ivan Lendl, Murphy Jenson, Luke Jenson and Tom Gullikson.
A long-time tennis coach in the Trumbull area, Colin Lea brings 30 years of tennis teaching experience to Trumbull Racquet Club, along with some faithful students who like the way he teaches and won't have anyone else. Colin is a member of the Professional Tennis Coaches Association for Great Britain and the USPTR.
He has traveled the world extensively, coaching and playing in much of Europe, Australia, and India, and has enjoyed outstanding success at all levels of play.
Romanian born, Johnny dominated the tennis court becoming a member of the Romanian National Team and a Doubles National Champion in juniors. He represented Romania internationally in tournaments. Joining South Carolina State University he won awards like MVP, Player of the Year and two MEAC Championship Titles. In December 2012 Johnny achieved # 3 ranking in Men's Open Singles - New England.
Becoming assistant coach for South Carolina State University, Johnny led the team to a conference title in 2008. His passion for the doubles game contributed to the knowledge he has today as a doubles specialist. At an elite level Johnny worked with Alina Jidkova (former #51 WTA). He worked as the Head Pro at Cherry Valley Club (Garden City, NY) and Weston Field Club (Weston CT). Prior to joining our team Johnny contributed to the development of top tennis players in New England at clubs like Intensity (Norwalk CT), Shippan (Stamford CT), Kings Highway (Darien CT) and Oak Hills (Norwalk CT).
Marcela was born in La Libertad, El Salvador. She attended college at South Carolina State University and graduated with honors with a Marketing Degree.
Marcela was a member of the Fed Cup and represented her country in Olympic cycle events like the VII Central American Games, the XIX Central American and Caribbean Games. She was ranked the #1 female player in both singles and doubles in her home country of El Salvador. She was also ranked the #1 tennis player in singles and doubles in Central America. In the world she has been ranked #98 in singles and #101 in doubles.
These experiences as a tennis player have shaped her into an excellent coach for juniors and adults of all levels. She was a tennis professional at the Weston Field Club and a developmental coach at Intensity in Norwalk.
Born in New York City, William moved to Fairfield when he was nine. He is currently finishing his degree in English at the University of Connecticut. William played singles on the tennis team at Notre Dame Catholic High School in Fairfield and for three of those years was the #1 singles player, captain and MVP. He has been a tennis instructor locally and assistant coach for the girls and boys tennis teams at Christian Heritage School in Trumbull.
William is passionate about tennis, which has been a lifelong love of his since age nine. Besides tennis he loves the outdoors, hiking and is active in conservation and protection of wildlife and nature. He is also active in rescuing and helping to find homes for homeless animals.


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Ivy Lettings
public://case_studies/ivy-lettings-big.jpg
About Ivy Lettings
IVY Lettings property site, specialising in hand-picked properties from the city's key locations. With many properties available for short term lets over London, IVY Lettings required a fresh look for their existing Drupal site, while taking it to the next level.
IVY Lettings were after a refresh of their existing Drupal site, as well as a simpler, more defined booking system. The new site integrates everything seamlessly and the jump in bookings spoke for themselves!
Thats a lot of properties
The crux of the site is clearly about the properties and finding the best ones that suit the users needs. To help achieve this we spent a lot of time tuning the search system, to start with a clear and graphical location map through to more complex search criteria in a few simple steps.
This really helped narrow the results down to what the users really wanted to see, and when you have lots of properties, this really is a key step.
"The new booking system for Ivy Lettings really delivered well, the updates to the Drupal system as a whole has worked perfectly." - Vince Rowe, London Design Works.
Booking systems
Once you have found the property of your dreams, its time to book! We integrated their existing booking system with a clear and easy to use Drupal calendar.
Clarity is key. This allows the users to see in an instant whether the property is available on the dates they need, and make those booking decisions quickly and easily.
Lexington Catering
Lexington Catering are specialists in their field, and takes great care and pride to deliver quality to its customers. It came as no surprise that they wanted the same quality and care provided to their employees for the company's extranet "LexTalk".


Broccoli, Swiss cheese and veggie burgers fill the pasta crust of this pie.
1. Combine spaghetti, 1/4 cup cheese and garlic powder. In 9-inch pie plate coated with cooking spray arrange spaghetti mixture to form crust. Set aside.
2. Mix together MORNINGSTAR FARMS® GARDEN VEGGIE PATTIES®, broccoli, 1 cup cheese, onion and flour. Place in spaghetti crust. Set aside.
3. In medium bowl whisk together eggs, milk, mustard, salt and pepper. Pour over vegetable mixture.
4. Bake at 350° F about 50 minutes or until set. Cool on wire rack for 10 minutes. Serve hot.


text:
Thank you to Kathie Davis for the transcript.
THE KIEDIS IS ALRIGHT
Backstage in Paris, RED HOT CHILI PEPPERS frontman ANTHONY KIEDIS is in thoughtful but happy mood… There's no Blood being spilled, a complete shortage of Sugar and little Sex in evidence. Verbal Magik, on the other hand, is the kind of trickery the vocalist specializes in as he leads JASON ARNOPP on a Red Hot romp through the workings of his mind on the eve of the band's UK tour, beginning next week…
"Originally, I thought we'd get to Paris and there'd be a bunch of pompous, stiff, uptight, anal-retentive Frogs in the audience," remembers Anthony Kiedis, the man with the Red Hot voice. "But I was completely wrong. "The typical impression of a Parisian is someone who doesn't wanna deal with foreigners, but when we played our first gig the crowd went completely bananas. They pretty much have every time we've played here since, too…
"I find Paris very welcoming," he muses in that drily-spoken and perfectly polite was of his, "and I happen to have a lot of friends here. I'm also very much into paintings, so I'll be visiting the Toulouse Lautrec exhibition tomorrow…
Kiedis is modeling a bulky parka jacket, adorned with a fluffy white collar. We're talking in a bare and partly mirrored dressing room area, backstage at Paris' Zenith venue…
"We have a ridiculously intense schedule ahead of us," he informs, "so I feel like I'm riding on a tornado of touring right now. We're doing Europe for another month, then its Japan, Australia, New Zeeland…
"Touring's one of the most preposterous things you can put your body through," he marvels, without genuinely moaning. "Every day you're travelling to a new city, and every night you're sweating blood onstage. You don't get the best food, you start missing your friends… You can start to go insane, but if you keep things in perspective and try to give your best each night, you can do it and stay strong."
HE SLIDES upright on his chair: "I feel ridiculously strong and very healthy. Chad (Smith, solid drumster) and I both have touring attitudes, whereas Flea (bass-demon, as if you weren't aware) is less likely to wanna tour 'n' tour, and John (Frusciante, guitarist and obnoxiously reluctant photo star this issue) even less so."
Do the Chili Peppers ever have really lousy nights onstage?
"Usually we have 'supreme', 'great', 'good' or 'wish it could've been better' nights. We never really suck, cause we've been doing this so long, but sometimes it's really about pushing the ride completely over the edge, and that's when it feels really good."
Have you come up with any new onstage antics for the UK to await?
"Well, y'know… antics, schmantics!" he dismisses, sounding weary. "It's really about the music, the mood and the exploding volcano of energy that we can erupt for our audience."
But you can't deny that people expect strikingly wacky visuals from the band now?
"Well, that's their situation, and not something I apply myself to," he shrugs. "But we did hit upon a great idea while playing in LA and San Francisco arenas on a bill with Nirvana and Pearl Jam.
"We wore silver construction helmets with construction helmets with little spigots coming out of the top, and tubes running down to a propane tank on our waists. So, for the encore, we had four-foot-high flames shooting out of our heads. It was very expensive though, so we just did it for the big shows."
YOU SAY 'antics, schmantics', and then go on to tell me that?! Come on, you obviously love doing stupid, fun things onstage…
"Yeah… but it's the idea of people expecting it that I'm not into. I mean, when we used to 'rock the socks', so much attention was focused on that – especially by the press – that it became a sort of farce-of-a-sham-of-a-scam-of-a-fraud, and a shadow of its former self," he speedily recalls with an almost entirely straight face.
So when you did your last slip socks on cocks for that ultimate, naked, funk-buzz?
"The socks? They pop up sporadically (Oe-er-ED!) and rarely. The audience have to be very lucky, if they consider it luck…
"But I just try to avoid getting trapped," he concludes, "because I don't expect myself to do anything that other people expect of me."
KIEDIS CLAIMS to have discussed the 75-minute collection of soulful sounds that is 'Blood, Sugar, Sex, Magik' "too many" times.
"It's not really my fovourite affair, talking about what we do – or about myself, for that matter. It tends to take away from what it's all about, which is creating songs and playing them live, as opposed to analyzing and explaining things."
Do you not relish interviews, full-stop?
Well, y'know," he ponders, "I feel fortunate that there are people who are interested enough in what we do to wanna talk to us, and I'm willing to subject myself to it for that reason, because I'm willing to subject myself to it for that reason, because I'm sure there'll come a time when no one really gives a f**k, and they don't wanna talk to us!
"But it does tend to subtract, rather than add, to what we do…"
Isn't it mainly a sharing thing, though?
"Sometimes it is, but when people ask you the same questions over and over again about what you do, it decreases the magical qualities,"
IS THAT because the Chilis like to keep their magical qualities to themselves?
"It's not so much a selfish thing as… well… I just don't get any great pleasure out of discussing myself with the media, because they're generally so absurd in what they write to begin with."
"They usually miss the big and beautiful picture, and concentrate on what they deem the 'important angle' of the band. Because of that, the picture they give is often limited and untrue."
Such as the seemingly common idea that the Peppers are interested solely in sex?
"Yes, and that's not true. Sex is just one particular element of what we're not afraid to express."
I've seen you accused of sexual insensitivity and even penis envy by one male journo. Whaddaya think of that?
"I think these writers are sexually frustrated and have no sense of humour. If they took the time to interview the romantic loves of our lives, they'd get a much different impression as far as sexual insensitivity and so on."
So what are the Chilis really like in this respect?
"Well, take a song like 'Sir Psycho Sexy'," he offers. "That's a fictitious and somewhat animated portrait of a particular character, name of Sir Psycho Sexy. It's just a fantasy tale – a comical cartoon – and that doesn't necessarily reflect my behavior in a relationship!"
"Other songs come closer to revealing what is more non-fiction, but I don't see why I should have to explain myself to critics in order to gain their emotional acceptance.
"The more you explain yourself, the more you have to explain your explanations!"
YOU FEEL sadly misunderstood, I take it?
"Yeah, but who are we misunderstood by? Probably the media. I don't think the true fans and lovers of our music misunderstand what we do, and that matters more to me than some superficial observer. Basically, I don't give a shit."
"Sex is not an obsessive part of our lives," he emphasizes, "and does not overshadow equally potent elements like friendship, nature or exploring other art worlds at hand. It's all part of a multi-dimensional balance of life – you've got your spiritual, physical and mental and you're missing out if you don't express them all."
With 'Blood, Sugar, Sex, Magik', the Chilis appear to be expressing themselves in a more soulful way, as opposed to the more Metallic shenanigans of its EMI predecessor 'Mother's Milk"…
"I think the new album sounds more soulful because we were so much more relaxed with this line-up. We knew how to create space, and listen to each other."
Would you say your voice has strengthened?
"I don't know," he casually returns. "Stronger, weaker… whatever. Hopefully the longer you apply yourself to your craft, the better you'll get, and the more options you'll be able to explore. You find you have more pockets to choose from when it comes to different styles for different moods."
'Give it Away' is one of 'BSSM's undoubted highlights, utilizing an extremely original style.
"Yeah, you can't pigeonhole it," he agrees. "That song was born in a rehearsal room jam. Flea started playing the bass line, and didn't intend to put it in a song. I told him I loved it, ran into the corner and started singing to myself. If just came, so that was a very easy tune to write."
Lyrically, it is anti-materialism?
"It is, but more than that, it's pro-sharing. It's not so much anti-selfish as it is about the virtue of actually having more by giving more away, in terms of feeling better about yourself."
"It's nothing that hasn't been said before, admittedly, Bob Marley pretty much summed it up with the one line, 'How can you give your more to give your less?'."
WE'VE HEARD about the band's positive mental octopus outlook, but do they possess a never-ending supply of energy? Does Kiedis personally stay bright even most of the time?
"Of course I get down," he instantly replies, "but that's where positive energy comes from. You might be having an incredibly lonely, depressed, dirty-dog day, where nothing seems right, and write a song about it. So when someone else listens to that song, they relate to it, and are therefore uplifted.
"If I'm ever feeling completely dismal, a song that shares sentiments makes me feel better – it's the 'misery loves company' thing. You can actually be uplifted by negative energy!"
Is there a lot for a Chili Pepper to become depressed over?
"Not really. My personal philosophy of life is that I'm happy to be alive. When I wake up and experience a new day, I can find the most simple pleasures to feel fortunate for. Waking up and having a bicycle to ride is pretty much enough for me to feel alright. Not everyone in the band has the same attitude, but that's how I generally feel.
"I'm able to do what I want." he says contentedly. "That's like the ultimate level of happiness for me. Recording 'BSSM' the way we did was a privilege and it's also an honour and a very great pleasure to be able was also an honour to be able to go on tour like this."
CHANGING THE subject rather drastically, I ask Kiedis for his thoughts on the American basketball player Magic Johnson, whom the Chili Peppers dedicated a song to, and who recently emerged from the gay closet to publicly proclaim he was HIV positive.
Kiedis speaks in a tone even more sincere than before: "Magic Johnson's just a great, powerful person and we didn't find out he was HIV positive until November 7, 1991, when we were already touring for 'BSSM' in the States.
"I was also completely amazed and impressed by the way he dealt with the whole situation, 'cause a lot of people that famous would've just skirted the public knowledge of his condition, which would've done nothing to help the cause of fighting HIV and AIDS."
"For him to step up and face the music, I found very beautiful and moving. He's one of the heroes of my life – an amazing person and athlete.
"There's a lot of sad things about the disease, 'cause in America our government is so right-wing and anti-human rights.
"The disease primarily affects gay people and drug addicts, and the Bush administration deems those elements of society undesirable, so their efforts to try and find a cure for this disease are pretty much limp and non-existent."
"The saddest thing is that people are so uptight about other people's sexuality," he laments. "They don't find it necessary to treat it like cancer, for example, which could affect anybody,"
But surely you recognize the very real risk for all of us?
"Oh yeah, it's definitely a risk, and I actually just had an AIDS test about a month ago. It was my second test and they were both negative. That was an extremely relieving thing to find our – it gives you a new lease on taking care of your health."
Did you have any major doubts before the test?
"Oh yeah, you can't have a test without having doubts. I wasn't scared to death, but the good news was definitely a weight off my shoulders."
HAVE YOU considered the number of rock musicians there may be with the disease?
"I don't really spend my time considering what other people do. All I can really comment on are the people within my band.
"My guitar player has a girlfriend, my drummer's getting married, my bass player has been married and is presently separated. I don't necessarily equate rock music with promiscuity, and the Chilis are not nearly as promiscuous as people might imagine."
"I prefer a monogamous relationship anyway," he asserts. I'd be completely content to have a woman who I was in love with, and restrict my sexual relationships to that one person."
With that, he disappears to prepare himself for tonight's powerful performances, and the anguished cries of a thousand groupie floozies seem to linger in the air after he's gone…


There have been several new features in Silverlight 4.0 which we have been discussing in the previous articles. One of the Silverlight 4.0 features you should know is COM programming capabilities.
Interesting article showing how to do COM programming capabilities in Silverlight 4.0.


Hysline had seen McCospin through the window, seated at the table with his Bible. She knocked and turned the handle. The door wasn't locked. She pushed it open and proceeded on in.
She felt ignored. Deeply absorbed, McCospin never realised his momentary irresponsiveness to Hysline's entry was too long a wait for her.
"How long have you stood there?" McCospin inquired, resisting temptation to 'defend' his Bible-reading and 'perspectivise' his being 'good enough for heaven'.
"So, looks like you've been somewhere", he said, declining her offer to debate him on why he should stop too much Bible-reading.
"I have been to the doctor", she answered.
"Why? You look fine. Is there some problem?" He probed.
"Looking fine!" She exclaimed, looking surprised. "That is the illusion of which I learnt a lesson from Carstone. He even looked healthy the very day he died".
That comment was chilling, subduing any deceptive feeling one might have of being fine. They spontaneously kept silent for a minute or so—in memory of Carstone, a young man who had everything going for him until a bug that had been hiding in his body snapped his life.
"Only one wise thing to do". It was solemn as Hysline announced her resolve. "I'll not wait for surprises. I'll have routine consultations and examinations with my personal doctor.
Carstone's problem was discovered four months before he died. It could have been discovered much earlier but any mention of 'doctor' would make him shriek. When he finally went for examination, he was nervous enough to be subjected to more alarms. His being nervous was historical—it had nothing to do with perceiving his condition as serious.
He received medication that could have saved his life. He was, however, deceived by his looking fine. The doctor, an acquaintance of his family, succumbed to his parents' advice not to tell him anything alarming since he could get pretty phobic with doctors.
Ignorant of the severity of his condition, Carstone never routinely took his medicines as was prescribed.
Hysline who had known Carstone from their childhood, briefed McCospin on the history of what she called 'Carstone's doctorphobia'. The doctor knew about this phobia.
Carstone's "doctorphobia" started as result of a mistake his parents admitted making when he was a little boy. Realising that he was scared of injections, whenever he misbehaved, his parents would "scare" him, "You better behave yourself because if you don't we'll call the doctor to have you injected".
"It's heart-rending how sometimes we make mistakes without realising it. Worst still is that we may not get second chance to right the wrong", Hysline concluded.
"And that's what I've been trying to tell you all these years", McCospin said.
"What do you mean? I hope you aren't beginning a sermon out of this", Hysline retorted.
"Admit it. You're 'Christophobic'. Carstone had reasons to be "doctorphobic"—you don't, yet justified or not, fear only kept him from doctors who could save his life".
"I know what you're getting at", she protested.
Hysline, who had now exchanged positions with McCospin—she was sitting on the chair he had been sitting on and he was standing where she had been standing—bowed her head on the open Bible in front of her. Her resistance of the gospel had crumbled.
McCospin continued, "You want to avert surprises on your 'health', yet unbothered by imminent surprises on your 'life' You have a personal doctor, what about a Personal Saviour who's all round enough to be, most literally, your Personal Doctor as well?
Hysline's eyes were fasted on the open Bible in front of her. "I didn't know why I came but now I do—I came here to hear what I have heard. Look! The page you were reading! It's answering my concern over your 'too much Bible-reading'. This makes sense" (see 2 Peter 1:3-8 NIV).
Good dialog and great analogies!
This story began to draw me in at the introduction of the character with "doctorphobia" and the explanation for how this started in his childhood. Also enjoyed the vivid description of the park preacher pelted with eggs. I'd like to see one of these colorful characters introduced at the story's opening...leading later on into the issue discussed by the main characters.
Creative and unique take on subject. Very interesting. My only suggestion: Wish you had written Scripture in Footnote...now I've got to go look it up. Nice job.


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Richard Frederick Remer (Brooklyn, Nova York, 21 de juny de 1883 - Fort Lauderdale, Florida, 18 de juliol de 1973) fou un atleta estatunidenc, especialista en marxa atlètica, que va competir a començaments del .

El 1920 va prendre part en els Jocs Olímpics d'Anvers, on disputà la prova dels 3 km marxa del programa d'atletisme. En ella guanyà la medalla de bronze, en finalitzar rere Ugo Frigerio i George Parker.

Entre 1916 i 1921 va guanyar tres campionats a l'aire lliure de l'AAU i un indoor. Va establir diversos rècords americans.

Referències

Medallistes estatunidencs als Jocs Olímpics d'estiu de 1920
Marxadors
Atletes novaiorquesos
Persones de Brooklyn
Morts a Florida

redpajama_set_name: RedPajamaWikipedia


The Brindley pendant is versatile, finished in a matt black, slightly textured exterior, and copper interior.
It can be hung at different levels to brighten certain areas within a room or be grouped to create a statement piece.
Each Pendant is hand made from solid steel & finished in copper.
Choose from smooth or hammered copper interior.
Requires a E27 bulb, LED 6watt maximum.
Supplied with a 12cm diameter circular black ceiling rose, with copper edging.


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Poulenc Trio
Trio for Oboe, Bassoon and Piano
Viet Cuong
Trains of Thought
"Romance" from The Gadfly Suite, Op. 97a (arr. Anatoly Trofimov)
"A Spin Through Moscow" from Cheryomushki, Op. 105 (arr. Anatoly Trofimov)
James Lee III
Principal Brothers No. 4
(dedicated to Bryan Young)
Charles Triébert & Eugène Jancourt
Fantaisie Concertante sur des thèmes de "L' italiana in Algeri"
The Poulenc Trio is the most active touring piano-wind chamber music ensemble in the world. Since its founding in 2003, the trio has performed in forty-five U.S. states and at music festivals around the world, including the Ravello Festival in Italy, the San Miguel de Allende Festival in Mexico, and the White Nights Festival in Russia, where the group toured and premiered two new works with violinist Hilary Hahn. The New York Times praised the trio for its "elegant rendition" of Piazzolla's Tangos, and The Washington Post said the trio "does its namesake proud" in "an intriguing and beautifully played program" with "convincing elegance, near-effortless lightness
and grace."
A strong commitment to new music includes commissioning, performing, and recording works from living composers. Since its founding, the trio has greatly expanded the repertoire available for the oboe, bassoon, and piano, with no fewer than twenty-two new works written for and premiered by the group, including three triple concertos for the trio and full orchestra.
The Poulenc Trio launched a pioneering concert series called Music at the Museum, in which musical performances are paired with museum exhibitions, with special appearances from guest artists and curators. As part of the series, the trio has collaborated with the National Gallery in Washington, D.C., the Walters Art Museum, the Baltimore Museum of Art, and the Hermitage State Museum in Russia.
In addition, the trio is deeply engaged in musical and educational outreach programs, including "Pizza and Poulenc," an informal performance and residency series for younger audiences. The trio regularly conducts masterclasses, most recently at the University of Ohio, San Francisco State University, Florida State University. and the University of Colima in Mexico.
The Poulenc Trio was scheduled to perform for AFCM in April 2020 when COVID intervened. We are happy to welcome them for their first appearance on our stage.
Piano & Friends


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Denver Shows 'Vatican Treasures'
By Marilynne S. Mason Special to The Christian Science Monitor
THE didactic "Vatican Treasures" exhibition currently on view at the Denver History Museum through August 31, offers more in the way of interesting cultural artifacts than great works of art.
Though there are a number of fine pieces, few of the great names of Western art were entrusted to the care of traveling custodians. Instead, the work was chosen to illustrate Roman Catholic beliefs and the history of the Vatican, underscoring the Pope's visit here last week.
Consequently, the show includes a number of copies and lesser works of art; many architectural drawings of St. Peter's Basilica as it was designed and changed over time; and a number of liturgical instruments and vestments. Tapestries and primitive medieval sculpture are among the most interesting artifacts.
As the museum world has become more aware of art from the world's many cultures, more exhibitions are designed to be culturally sensitive. So "Vatican Treasures" has been designed to take the viewer back to another time, a distant culture. The viewer descends the stairs of the museum and enters a beautifully designed labyrinthine exhibition space.
Many of the gallery walls have been painted dark gray. One can look through a window cut into a wall to see a particular work of art at a great distance. A magnificent 12th-century mosaic of the Apostle Peter is thus framed. A copy of Michelangelo's "Pieta" can be seen through a series of doorways almost at once - and from a distance, the form is striking. The exhibit has been lit to preserve ancient textiles and paint made delicate by age.
Pin spotlights replace the brighter lights of the gallery, highlighting gold threads and glistening silk or jewels and ornaments. The overall effect is meant to simulate the reverential atmosphere of a church or cathedral - a cultural approach similar to that taken by the Denver Natural History Museum with last year's Aztec exhibit. One important difference is that the show's catalog, signage, and audio tour have been written by Vatican staff; the approach is not meant to be objective.
The show is arranged thematically, beginning with the story of Jesus passing the keys of the Kingdom of Heaven to Peter - a metaphor given a literal interpretation in several works of art. One of the finest pieces here is a page from an illuminated manuscript by the great Florentine painter Domenico Ghirlandaio (1473), the master under whom Michelangelo first studied. The miniature image places Jesus in a tranquil countryside, an exquisitely detailed landscape stretching out behind him. Peter clings to t he key and a book.
Nearby, a 1st-century bust of the Emperor Nero glares down at the viewer - the artist captured the cruel features in the same refined detail with which he captured the curly beard. Nero was infamous for his persecution of Christians. Peter and Paul were both executed under his rule. The bust has been lit from above, making the figure look maniacal and cruel.
Christian art began to appear in the 3rd century, but it is not until the 4th century, after the conversion of the Roman Emperor Constantine, that the production increased by leaps and bounds. The entire character of the church changed with the advent of Constantine, as the wall signs point out. The earliest piece offered in this collection dates from the 4th century. It is a small glass roundel emblazoned with stylized figures of Peter and Paul.
One of the true treasures of the exhibition is a small marble bas-relief by Michelangelo. Displayed in the same room with the plaster copy of the large, more famous "Pieta," this small "Pieta," made toward the end of his career, demonstrates the great artist's power. Even unfinished, the composition radiates energy.
A bronze bust ("Pope Urban VII") and several architectural drawings of the Basilica of St. Peter by another genius of the Renaissance, Giovanni Lorenzo Bernini, helps broaden the scope of the exhibit, showing how a Renaissance artist like Bernini was not only a master sculptor, but also a brilliant architect, as were other artists of the same period.
This show, like many others, shows a change in perception over time. A medieval Madonna is likely to be dour and suffering, while a Renaissance Mary (like Antonello Gagini da Messina's "Madonna and Child" of 1508) may be tender and serene.
There are several exquisite tapestries - one 17th-century antependium is a fabulous piece of needlecraft. A tapestry showing a deep perspective of an interior with colonnade looks out to a landscape beyond. Stitched into the woven landscape are trees, houses, and flowers in the distance. In the foreground and middle ground, coral and garnet beads raise the surface and create texture that increases the depth of the perspective.
"Vatican Treasures" was not intended to give Americans a sweeping look at the history of Western art since Constantine - a disappointment since the title raises some expectations. The many portraits of former popes and commemorative Vatican coins, along with the rather narrow thematic development underscores the religious purpose of the show. Still, there are many works of art that merit attention and will not be seen outside of Italy again soon.
Vatican turns its sights on alleged cash-smuggling priest
'Michelangelo' traces the tensions of Michelangelo's era in his work
First round of Vatican voting: Black smoke says no pope yet


On May 22, 2011, just past 5 PM, an EF5 tornado touched down close to the Kansas and Missouri state line just west of Joplin, Missouri. Ripping through the southern part of town heading East across the city. Directly in the path was Jay L., 'The Yoga Instructor', known as the Yoga man and today known as 'Springfield, Missouri's Traveling Yogi'. How he survived is amazing and even more surprising is just where he survived the Joplin Tornado. Many speculated the strength intensified as the tornado whirled through the city. Houses were flattened or totally swept off their foundations never to be found again. What made this extremely dangerous was the multi-vortex nature of the tornado. In this instance Multi Vortex is where more than one tornado is on the ground at the same time. In the Joplin Missouri area more than one funnel was spotted on the ground at the same time. A center funnel can be surrounded by up to 4 maybe 5 vortex at the same time it is spinning around like a wheel spinning around a hub. Cutting a path, some speculated, up to a mile wide through the city.
Brought in our shop nearly 2 years later was a 1973 Ventura Acoustic guitar. We are highlighting this guitar in several of our how to segments on federatedmusic.com. Lots of repairs were performed. Almost a complete volume of procedures were performed on this guitar to bring it back to life. Jay L., the C.Y.T. (Certified Yoga Teacher), brought along the acoustic guitar to see if there was any way it could be repaired. A huge chunk of the side was gone. The top broke and had lifted off the sides. Some strategic braces were missing, finish was severely damaged and to boot the guitar was dry as a bone and in need of re-hydration. And all that was simply the short description. "This was a surprise gift from my wife," Jay L. said. "She bought this guitar in 1973 from a music store in downtown Joplin." As he sat there describing the gift he received years ago you could tell there were a whole lot of memories attached to this guitar.
Students from Neosho, W. Joplin and Carl Junction were texting concern and some decided not to attempt the drive. Jay L. finally relent. A lot had transpired in 15 minutes from the time of his daughters first text. Sirens go off at 5:41. Jay L. Clutching his cell phone, glancing at the time. The television was still broadcasting. And now Jay L., surprised as anyone else, began walking to the kitchen. Facing west he peered out a kitchen window just in time to see a big blue Dumpster passing diagonally across his back yard in Mid-Air. Jay L. said 'it felt like such a surreal moment and hard to imagine what exactly was happening.' But, he knew seeing a 6 yard Dumpster from the Taco place over 3 blocks away fly by that he`d better take cover.
The days following the EF5 Tornado Joplin survivors started to look in the rain soaked debris for anything that resembled there previous life of normalcy. Jay L. had a support team of family and friends. One day a guitar was found in the rubble. They knew it was Jay L`s guitar. Hard to believe Jay L. Survived and now was holding a guitar that his wife had bought for him in 1973.
Here`s to making many more of those sweet memories Jay L.


Equifax assimilates Big Data on more than 500 million consumers and 81 million businesses worldwide. The proof in the quality of that Big Data is that it efficiently increases financial and performance outcomes, thanks to successful analytics strategies. This helps explain why even during times of constrained budgets, B2B companies around the world are eyeing investments in Big Data.
The need to analyze Big Data efficiently is crucial. The right analytics and risk modeling systems should be instrumented, interconnected, and intelligent. High-quality Big Data enables better analysis of consumer behavior and more effective decision making.
Consumers today expect B2B companies to provide the most accurate, efficient, and high-quality Big Data by incorporating multiple diverse data assets. In order to identify and manage financial risks and monitor customer relationships, organizations must develop more effective Big Data to provide deeper and accurate insights. The use of quality Big Data will help provide the best customer experiences.
New Big Data technologies now have the ability to outpace traditional enterprise data models. Forrester's latest report predicts a strong rebound in the worldwide technology market with enterprise organizations.
B2B companies have the opportunity to leverage new sources of quality Big Data to accelerate ROI, improve company performance, and enhance the customer experience. Advanced analytics and new data preparation and quality Big Data enrichment capabilities can yield new insights on some of the B2B industry's traditional business areas. Taking advantage of the increasing demand for more efficient, quality Big Data continues to generate strong business results moving forward.
Big Data now has an outstanding opportunity to identify new emerging quality data for all B2B organizations, which can leverage today's advanced analytics and technologies to deliver insights that improve customer-centricity. Big Data insights create efficiency gains and more effective quality data-related activities for B2B companies.
For more insight on how small and midsize businesses can benefit from Big Data, see How Small Companies Can Use Big Data To Grow And Improve.


Garages store a variety of nonrelated items from bikes to cars to holiday décor. Often though there's more stuff than space. Enter a saferacks overhead storage rack. The added storage offers many benefits to increase the organization and storage space available in the space. Take back your garage for whatever you wish to use it for.
CNET.com offers valuable information on the pros and cons of having overhead storage racks. Adding a storage rack that hangs on the ceiling increases the amount of storage space for a better-organized garage. Safe racks overhead storage rack offers a place to store boxes, crates, and other items off the floor. Once off the ground, there is more room to park your car, work on a project or house a pool table. Using overhead racks with other storage solutions provides the space for increased organization. Searching for items takes less time with better organization giving you more time to enjoy what you store.
Most companies offer a consultation. They come out and measure the space and offer solutions to the clutter. The racks tie into steel, wood studs and concrete. The sturdy metal handles the weight of your possessions without falling. Easily adjust the height on most racks to suit your storage needs or ensure parking availability beneath. When searching for a company, many advertise in local papers or the mail. Also ask around to neighbors, friends, co-workers, and family on who they used and their experience. Taking your search to the web can offer you reviews and more information on the company. Choosing one with a simple installation process can save you time and hassle.
Project space, parking room or a man cave are now easier to achieve than ever with the added storage. When looking for a specific item, simply look up into the rack and find what you want. Overhead racks offer only one storage solution that can easily be paired with others to maximize the space in your one, two or three-car garages.


text:
LG G8 ThinQ price leaked ahead of MWC 2019 launch
By: The Mobile Indian network, New Delhi	Last updated : February 11, 2019 12:41 pm
The screenshot reveals that the smartphone will come with a price tag of Rs $1,199.99 CAD, which roughly translates to Rs 64,317.
LG is all set to launch its next-generation of the flagship smartphone, the LG G8 ThinQ at the upcoming Mobile World Congress (MWC 2019). Now, just ahead of launch, the phone's pricing details have emerged online.
Redditor livedadevil was able to get its hands on a screenshot showing the retail price of the LG G8 ThinQ. The screenshot reveals that the smartphone will come with a price tag of Rs $1,199.99 CAD, which roughly translates to Rs 64,317. The price is meant for the Canadian market and it said for the 128GB storage option.
However, it is important to note that the price could vary for different markets. Many believe that the smartphone will be priced at around $899 for the US market, which roughly translates to Rs 63977. LG has already confirmed that its upcoming smartphone will feature Time-of-Flight (ToF) technology at the front cameras. The new sensor will be coupled with the selfie camera lens to deliver accurate measurements of a subject's distance from the camera.
The smartphone is also reported to feature some key kind of gesture controls, which should not require any touch. As per the key specifications are concerned, LG G8 ThinQ will feature 6.1-inch waterdrop-style notch display with an aspect ratio of 19.5:9 and will be powered by Qualcomm Snapdragon 855 SoC. It will have a triple-camera setup with the ability to shoot in 3D. The phone will also include a 3.5mm audio jack, USB Type-C port and a dedicated Google Assistant button and could measure 152x72x8.4mm.
Image Courtesy: XDA Developers
Related News from LG
LG V40 ThinQ announced in India with five cameras, priced at Rs 49,990
LG G8 expected to be unveiled on Feb 24
LG reassures that G8 ThinQ will come with 3D front camera for face unlocking
LG K12+ image and specs spotted, might debut at MWC 2019
Latest News from LG
Tags: LG G8 ThinQ LG G8 ThinQ leak LG G8 ThinQ rumours LG G8 ThinQ specs LG G8 ThinQ price LG smartphones LG


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Image courtesy of photographer Bill Segars – 2008
Courtesy of the SC Dept. of Archives and History – 1976
Hampton County Court House
Get Directions Latitude: 32.8757761 Longitude: -81.1186763
Elm Street
City Directories and History: "This two-story brick structure has served the county as a courthouse since 1878 when Hampton County was established. Governor Wade Hampton laid the cornerstone on October 12, 1878, for this Italianate Victorian style building. The facade is three bays wide in an "ABA" configuration, windows are four over four (4/4) lights with stilted segmental arches. The triangular pediment over the portal has a circular vent. An entablature with brackets, typical of the period, encircles the building.
In 1925 the courthouse was remodeled and enlarged. The original double curved stair leading to the second floor portico was removed as were the eight interior chimneys."
Information from: Historic Resources of the Lowcountry, The Lowcountry Council of Government, Cynthia C. Jenkins, Preservation Planner – Published, 1979
Located in the center of town, the Hampton County Courthouse was constructed in 1878 as the seat of government for the newly created Hampton County. Since that date the Hampton County Courthouse has been a focal point of community life. The only courthouse Hampton County has ever known, the building was built in the Victorian Italianate style that was popular in the last quarter of the nineteenth century. As originally constructed, the courthouse was a two-story structure constructed of brick laid in the common bond pattern. The hip roof had four triangular pediments with open cornices and rondelles located in the center of all four sides of the building. In 1925, the courthouse was renovated and additional wings were added to the front and rear facades according to plans drawn up by Columbia architects Lafaye and Lafaye. Treatment of the entablature, pediments, corner pilasters and windows match those of the 1878 building. In 1925, all chimneys were removed from the original courthouse and the main entrance was changed from the second to the first floor. The stairway and portico were removed and both doorways were recessed approximately two feet. Although the original architect of the Hampton County Courthouse is unknown, local tradition indicates that the plan of the building was drawn from similar courthouses designed in the state by Robert Mills in the 1820s. Also located within the nominated acreage are two small modern annexes situated directly to the rear of the courthouse, and a ca. 1935 two-story brick annex located directly to the east of the courthouse. Listed in the National Register December 12, 1978. (Courtesy of South Carolina Department of Archives and History)
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Filed Under: East First Street, Elm Street, FEATURE, Town of Hampton SC Tagged With: Courthouse, Lafaye and Lafaye
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Please enjoy this structure and all those listed in Roots and Recall. But remember each is private property. So view them from a distance or from a public area such as the sidewalk or public road. Do you have information to share and preserve? Family, school, church, or other older photos and stories are welcome. Send them digitally through the "Share Your Story" link, so they too might be posted on Roots and Recall.
From the Porch
Amazing Carolina Maps June 21, 2019
Rusty Robinson, the co-founder of Roots and Recall, rarely provides public programs, but did have something to add to a genealogy discussion at the local library. Some participants were unaware of R&R.com's existence or its vast trove of maps, and genealogical links. He opened their eyes a couple of weeks ago to the map data... […]
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There is a problem with the embedded Tomcat server used by GWT in Hosted Mode resulting in the status code in the response always being 200, and the location reference being null.
To workaround this bug you need to add a dummy entity to the response on the server side. This ensures the correct status code and location are received by the client.


Keva Zubik Country People With An Inclination Towards Photography Can Check Out Some Of The Types Of Photography That Also Make Fantastic Career Options.
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If you're a beginner, you needn't be intimidated, because there first one to capture the first permanent still life photograph. It is the photographer's skill that is required to make lie in wait for the beauty of the sea to unfold. You can come across various magazines, to digital cameras for better clarity and representation of light and dark. Lights: The lighting can be finalized based on the camera that you of the technology to duplicate photographs on a large-scale, and is dated back to the 1850s.


A sacred smoking ceremony has many purposes but often it is used as a welcome to a particular area.
A captivating traditional Aboriginal dance performance.
A traditional didgeridoo performance from.one of the most iconic instruments still in use today with the vibrations - the sounds it makes - penetrating the entire body.


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The Audit Committee informs the General Assembly on the adequacy and effectiveness of the Management Board internal controls and assists and advises on the preparation of accurate financial reporting in compliance with all applicable legal requirements and accounting standards.
IIA Finland
Kaarina Sinersalo
IIA Austria
Norbert Wagner
IIA Norway
Ellen Brataas
Norbert Wagner graduated from the Vienna University of Economics and Business (WU) in Austria. He joined the Austrian Federal Railways in 1975 and served for 10 years in the Finance Department, followed by 6 years as Deputy Head of the Control Department. He joined the Internal Audit Department in 1991 and became Head of Internal Audit in January 1995. He served as Chief Audit Executive for 10 years. Norbert joined the Management Board of IIA Austria in January 1998. He was President of IIA Austria from March 2000 to June 2009.


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Great ResignationDiversity and InclusionCompensationCEO DailyCFO DailyModern Board
Leadership ·raceAhead
raceAhead: How To Tell If Your Employees Feel Welcome At Work
BYEllen McGirt
June 28, 2018, 8:45 PM UTC
Chairs in Kunsthal Museum Rotterdam.
www.marcodewaal.nl / Getty Images
SurveyMonkey has teamed with Paradigm, a diversity consultancy, to create a belonging and inclusion survey template that they believe will help them better understand the lived experiences of their employees. They're also making the survey template public, so you can better understand yours, as well.
"We wanted to be better than benchmarks," says Becky Cantieri, the company's chief people officer. "And we wanted to be able to use our own survey expertise, and share that with others."
SurveyMonkey launched their first survey measuring inclusion in August 2017, part of a series of initiatives they designed to build on the findings of their first diversity report, published some two years earlier. While they were generally encouraged by the report — they were mostly at or above industry benchmarks — they wanted to do more. "Dave Goldberg, our CEO at the time, had organically built a diverse team, we wanted to be more formal around it," she says.
The company began their efforts by tapping leaders across the company into a steering committee, establishing employee resource groups, and engaging in a series of conversations with researchers at Stanford to help shape their thoughts.
"There are many theories on what enables underrepresented groups to feel included in the workplace," Priyanka Carr, SurveyMonkey's vice president for strategy and operations told CNET.
Carr earned her Ph.D. in psychological science at Stanford University with a focus on motivation, social connection, and intergroup interactions/bias; while there, she also researched growth mindset with Professor Carol Dweck. Growth mindset is the belief that people can evolve and grow, a key element of belonging, and an essential counterpoint to the persistently annoying meritocracy narrative found in the tech sector. "Environments that affirm a fixed mindset or a culture of genius (i.e. there are special skills that can't be learned that are needed to succeed) hamper a sense of belonging and success, especially for underrepresented groups."
The company set out to measure whether or not employees feel like they belong at the company. The first survey was generally affirming of their efforts, but two issues stood out.
"One was about a path to growth," says Cantieri, the sense that people knew how they could get ahead. And the second had to do with conflict and concerns. "People felt comfortable sharing their concerns, but didn't always feel like their concerns were resolved."
The company launched a variety of responses, including abandoning annual reviews for quarterly ones, a "learning hub" where employees can get coaching, training and find mentors, and a "career ladder" that helps make individual progress more understandable. They also created an employee escalation tool that helps make the complaint and investigation process more transparent.
Their latest belonging and inclusion survey builds on their previous work.
"You get the most interesting insights when you measure how people feel about the organization and slice those results by demographic," says Joelle Emerson, CEO of Paradigm. "It's about getting data you can take action on. A lot of times companies will measure outcomes but not measure anything about lived experiences," she says.
And that can mean thinking about experiences that happen in the outside world, as well.
Emerson offers some advice for any leader who is struggling to decide how to weigh in on the complicated situations people face outside of work.
"Make sure whatever those patterns of inequality that exist in the world, don't exist in the company," she says. "It takes extra work to make sure that biases aren't baked into your systems."
And leaders need to recognize that the things that happen – shootings, racist rants, issues around justice, etc– affect people's overall sense of safety and belonging.
"If your employees are saying 'I never hear leaders talk about what's going on in the world,' after something bad happens, it can cause people to question whether they're fundamentally valued," she says. "Leaders and managers need to start engaging differently on these topics."
Add this data point to your workforce development worries
Turns out, we don't know where lots of children are. The annual report from The Annie E. Casey Foundation (AECF) on the undercounting of children in the census was published yesterday, and it paints a troubling picture of communities at risk of not getting the funding they desperately need. Some one-in-four kids under five live in areas that are likely to undercount them, and black and Latinx kids are twice as likely to be missed than their white peers. The reasons for the undercounting are varied and complex. It tends to impact poorer districts that rely on government funding. The implications are profound. "It's often the children who need [funding and resources] most that don't get counted," says one expert. A must read and share.
A new book explores why it's so hard for white people to talk about race
Author, researcher and workplace inclusion expert Robin DiAngelo first coined the term "white fragility" in 2011. She's back with a new book that doubles down on her thesis: White people are too sensitive and it's holding everyone back. The book is written for white people by a white person, which she acknowledges is the default dynamic. "I am mainly writing to a white audience; when I use the terms us and we I am referring to the white collective." Reviewer Peter C. Baker says the book is going to make its audience uncomfortable. For one, it catalogs the defensive movements used to deflect conversations about race – "I don't see color, I treat everyone the same," etc. "Even for readers relatively wise to the ways of white defensiveness, it is usefully bracing to see so many maneuvers standing in a line-up together," he writes. "This posture shuts down honest talk about racism, making it less likely that people of color will share their perspectives, let alone have them understood by whites."
Older technologists are more successful entrepreneurs
A new study from the Kellogg School appears to bust the myth of the young Silicon Valley wizard and finds that the best entrepreneurs tend to be middle-aged. Among their conclusions: The average age of founders of the fastest-growing new tech companies was 45, and a 50-year-old entrepreneur is nearly twice as likely to have a breakout hit as a 30-year-old. "If we're not allocating dollars to the right people in entrepreneurship, we may be losing, in terms of the advances that best raise socioeconomic prosperity," says co-author Benjamin Jones, a professor of strategy at the Kellogg School.
How Nigerian Americans are transforming Hollywood
The list of on-screen stars is growing: Yvonne Orji, from the HBO series Insecure, Uzo Aduba, from the Netflix hit series Orange Is the New Black, Chiwetel Ejiofor, from 12 Years a Slave and David Oyelowo from Selma and beyond. But the list of Nigerian-origin talent is growing behind the scenes, too. Nigerian-born Pearlena Igbokwe is president of Universal Television, the first African-American woman to head a major TV studio. "A lot of Black people in Hollywood still don't have a huge network, but it's growing," says Igbokwe. "And for Nigerians, it's because there's a great amount of preparation and training we put into everything we do." Others say the success is because they've been naturally steeped in different cultures. "English wasn't my first language, but I also grew up in Minnesota," says Sam Adegoke who stars in the Dynasty reboot. "My background allows me to straddle those different worlds."
Ozy
The Woke Leader
The time that Isamu Noguchi visited a Japanese internment camp to be helpful and was then forced to stay
Noguchi was already a well-known and highly sought after sculptor and designer, working on large-scale public projects like one in NYC's Rockefeller Center, and sculpting portraits of the Hollywood elite. But when a Bureau of Indian Affairs official suggested the Los Angeles born artist set up an art center at the newly constructed Poston War Relocation Center, he agreed. It was only after he arrived that he realized that he too, was under suspicion, and the authorities would not let him leave. A fascinating profile of a profoundly optimistic and resilient spirt, who thrived despite the deep and bitter racism of his time. A must read.
Everything you need to know about reporting sexual harassment
BetterBrave, an organization aiming to combat sexual harassment in the workplace, has published a must-bookmark guide for any U.S. based employee. It offers a clear and unflinching definition of sexual harassment and a helpful set of talking points to help anyone feeling unsafe to make it clear that you want the behavior to stop. But it also offers an important reminder: Human resources is often tasked with protecting the company, not you. Their advice? Talk to a lawyer before you kick your issue upstairs. Most employment rights lawyers will give you a free consultation and will help you plan your next steps. Either way, document everything. They offer a handy tool to help you organize your thoughts and create a thorough timeline of the events and transgressions. "Reporting sexual harassment the right way sends a clear signal to your employer that you are informed of your rights, taking steps to protect yourself, and that retaliating against you would be a big mistake."
BetterBrave
The lost history of the Confederate Flag
Harvard professor Sarah Lewis shares her research with the team at Race/Related. Turns out the Stars and Bars we're so familiar with were the efforts of two years of work by Confederate leaders, trying to find an emblem that best represented their values of freedom for whites and slavery for blacks. The other designs often hung is gallery rooms provided by secessionist newspapers; they were explicitly pro-white and attempted to ennoble slavery. "This rarely discussed history emerges from the work of Raphael P. Thian (1830-1911), who was in charge of transcribing Confederate records from the seized rebel archives in Richmond, Va., after the Confederacy's surrender," she writes.
The Japanese race is an enemy race, and while many second and third generation Japanese born on United States soil possessed of U.S. citizenship have become "Americanized" the racial strains are undiluted. It then follows that along the vital Pacific Coast over 112,000 potential enemies, of Japanese extraction, are at large today. There are indications that these were organized and ready for concerted action at a favorable opportunity. The very fact that no sabotage has taken place to date is a disturbing and confirming indication that such action will be taken.
John L. DeWitt


If you are considering any sort of work on your residence from turning your garage into a health club, to a entirely new kitchen then normally the only thing in your way is funds this is the goal of a home improvement loan. Check out these tips for an environmentally friendly remodel Or get started on your way to saving power (and income!) with a cost-free estimate from 1 of our home improvement specialists! Depending on the variety of home improvement , you could have the choice of undertaking the home improvement perform your self, or utilizing a residence contractor. Home improvement equity loans are specially tailored to be utilized to make home improvements. Meticulously comply with the guidelines on energy tools and other gear, and prepare for your project with tutorials or other sources so that you know precisely what you require to do. Make certain you repair leaky faucets. The only time you will have to step out into the cold for this home improvement process is walking from your auto to the store to choose up your new fixtures. Home improvement can make you want to stay in your residence more and will also boost its comfort.
Make contact with your neighborhood authorities, community action agencies, and other nonprofits to get your home improvement grants. This is a relatively affordable, simple home improvement project that you can employ completed or you can do it oneself. A Secured Property Improvement Mortgage is a loan secured by borrower's collateral such as home, automotive or will get House Enchancment Loan up to one particular hundred twenty 5% of house value.
While tea may be regarded a substitute for coffee, there is no close substitute for paint, drywall, or other home improvement supplies or services. From adding a space to giving a area a whole new look a Home Improvement retailer can take care of all your requirements.
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Because it is tough at the time of sale to recoup 100% of the cash that home owners put into home improvements, cost conscious property owners might want to focus on much less high-priced house improvements that are cosmetic, but make a big improvement in the interior look of the residence.


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Home Casting News Lawrence Maleka SABC3 Television tv Lawrence Maleka to host The Final Cut — SABC3's new Acting Talent Search Show
Lawrence Maleka to host The Final Cut — SABC3's new Acting Talent Search Show
Lawrence Maleka, South African actor and presenter best known for hosting the reality competition series Clash of the Choirs South Africa, has been roped in to host SABC3's new reality actors talent search competition show, The Final Cut.
Lawrence got his start as presenter of The Gadget Show on community TV station Soweto TV, in 2009. He made his mainstream tv appearance as the co-host of the AfricaMagic Entertainment celebrity gossip show Star Gist, from 2012-2014..
Since his community tv days, he has gone on to be one of the most sort after television presenters in South Africa. In May 2015 he replaced Fezile Makhanya as the presenter of the lottery game show Lotto Powerball.
Also in 2015, he had a recurring role as Don Webster on the third season of the soapie isiBaya. In late 2015 it was announced that he was replacing Bonang Matheba as host of the reality competition series Clash of the Choirs South Africa.
On 9 September, 2016 he made his debut as the new co-host of the youth and lifestyle music show Club 808, joining Boity Thulo.
The Final Cut will make its debut on Monday, 26 June at 19:30 on SABC 3.
Lawrence Maleka to host The Final Cut — SABC3's new Acting Talent Search Show Reviewed by PhilMphela on 11:16:00 AM Rating: 5
Tags : Casting News Lawrence Maleka SABC3 Television tv


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NEUROWORX TREATMENT MODEL
Specialized Equipment
Neuroworx Staff
Adult Therapy
Pediatric Therapy
Adaptive Sports & Recreation
Paying for Therapy
AmazonSmile Program
Smith's Community Rewards
REMARKABLE JOURNEYS
at the Joseph & Kathleen Sorenson
Our mission is to promote the rehabilitation of adults and children affected by paralysis due to spinal cord injuries, brain injuries, stroke, cerebral palsy, and other neurological conditions and to create and support the finest, comprehensive, community-based outpatient physical, occupational, and speech therapy facility in the region.
Our vision is to improve the after-hospital paralysis rehabilitative process through (1) innovative, evidence-based interventions, (2) outcome directed clinical research, (3) programs to address the non-physical aspects of paralysis, (4) collaboration with colleagues and stakeholders, (5) increasing access to therapy through telehealth and (6) the elimination of financial barriers to care.
The Neuroworx Story
Neuroworx was cofounded in June of 2004 by Jan Black and Dale Hull to meet a need in the community for focused, specialized, and extended-time rehabilitation for individuals experiencing paralysis from spinal cord injuries. The events leading up to Neuroworx began in 1999 when Dr. Dale Hull, a practicing ob-gyn in the Salt Lake City area, experienced a spinal cord injury because of a backyard trampoline accident. This resulted in neck-down paralysis and a four month hospital stay. During this time, he was fortunate to have a significant amount of neurological recovery. However, despite this progress he still had very little functional ability, remained wheelchair-dependent, and needed assistance for almost all activities.
After discharge from the hospital, Dale began receiving physical and occupational therapy at home. This was convenient but frustrating since the insurance-mandated time restrictions forced the therapists to spend their time preparing Dale to live with his disabilities rather than focusing on opportunities for progress.
Dale had the opportunity to meet and work with physical therapist Jan Black in early 2000, seven months after his accident. Jan had worked with individuals living with spinal cord injuries, both in the hospital as well as in outpatient therapy, since graduating from physical therapy school in 1991. She was working in home health care following the birth of her third child and was assigned to provide therapy to Dale for a vacationing therapist. Dale quickly recognized that Jan possessed the skills, knowledge, and temperament that would be beneficial to his recovery. This eventually turned into a two-and-half year effort with Jan providing focused, regular rehabilitative therapy with significant improvements for Dale. The intense effort culminated with Dale carrying the torch in association with the 2002 Winter Olympic Games held in Salt Lake City. Jan and Dale realized there were other individuals with paralysis who could benefit from additional therapy if they had the chance. However, it was apparent the opportunity for more therapy was not readily available. Specialized outpatient treatment centers didn't exist in a model that permitted extended-time, long-term rehabilitation. Additionally, access to that care often had financial barriers to overcome. They set out to create a new model for after-hospital neurological rehabilitation.
Neuroworx began providing specialized physical therapy for individuals with spinal cord injuries in June of 2004 in a rented, mostly empty 1,000-square-foot room, containing a blue mat, one pair of hand weights, a therapy ball, and a milk crate for a filing system. Jan was the only therapist, and approximately a dozen individuals showed up for care. It was incorporated as a nonprofit charity to help surmount the financial difficulties that often prevent individuals from receiving even the most basic therapy. The clinic grew as funds were raised, equipment purchased, and additional staff added. By 2009, the facility had expanded into 4,000 square feet and had added brain injuries and stroke to the diagnostic list of individuals receiving rehabilitative care. A children's program was added in 2013 to take advantage of the unique equipment available to treat neurological conditions such as cerebral palsy.
Through the enormous help and generosity of the community, Neuroworx moved into a new 24,500-square-foot facility in August of 2015. The interior of the building was custom designed by the co-founders to provide the best possible environment for both the therapists and patients to pursue the most optimal outcomes.
The Neuroworx treatment philosophy is to provide neurological rehabilitation utilizing highly skilled, licensed therapists combined with specialized equipment in a time-liberal environment. The clinic offers physical, occupational, and speech therapy to adults and children experiencing paralysis due to spinal cord injuries, brain injuries, stroke, cerebral palsy, spina bifida, and similar neurological conditions.
How do you describe a facility whose treatment model is based on what the individual users need to improve rather than the amount of care allowable by insurance? Most would say that such a model could never exist and that the idea is "just plain crazy".
Yet the model is not only viable, it is flourishing. This choice of superior outcomes over optimal revenue has garnered thanks from the individuals and their families devastated by catastrophic circumstances as well as support from many who see the benefit of this do-the-right-thing philosophy.
Neuroworx is a 501 (c) 3 non profit charity.
TIN 20-0291769
90 W. Albion Village Way
info@neuroworx.org
Team Neuroworx
Financial Policies & Procedures
Neuroworx No-Show & Late Cancellation Policy
© Copyright Neuroworx 2021, All Rights Reserved


started in 1999, elements is today one of the leading production houses in india with experience in handling a vast range of assignments for film as well as still photography. from glamour and fashion to automotive and airline, travel and hospitality to social and health our capabilities are not limited by genre or geography. at elements we are very proud of our location scouting talents. with years of experience shooting all across the india as well as around the world for select assignments, we have the resources and knowledge of unusual settings and secret locations. From bustling bazaars to deserted beaches, from heritage sites and palaces to lush tropical forests, we have a bank of settings that would inspire any art director. and if there is something specific that you are looking for; a hill with a lone tree, a winding road through a dense forest, a crumbling ruin among sand dunes – we will be happy to send our scouts out to find it for you. At Elements we believe that production is not just about executing a 'to-do' list, but it is about correctly interpreting the creative brief and combining all the elements of production to create the best possible experience and end result. towards this, we have developed a team of committed and talent professionals. our team has strong work ethics and is trained to work to international standards.


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Ellsworth man dies during blizzard after leaving car stuck in snow pile
ELLSWORTH (AP) — Police say the body of an Ellsworth man was found a short distance from the spot where his car got stuck during last week's powerful storm.
Police say 54-year-old Paul Bouffard's body was found on Friday. Police say his car became lodged in a snowbank, after which he left the car and succumbed to the cold during the blizzard on Thursday. An autopsy is set to be conducted by the State Medical Examiner's Office.
Bouffard is one of two deaths attributable to the storm in Maine.
Authorities say a body of 35-year-old clammer Paul Benner was found on Monday. The Maine Marine Patrol says Benner went missing after he headed out Thursday to go clamming.
death, ellsworth
Photo/Video: Spinning ice disk in Auburn