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Home Game Changer Wrestling GCW Announces the Return of Backyard Wrestling
GCW Announces the Return of Backyard Wrestling
Tiffany Merryhill
GCW: 'Backyard Wrestling is BACK on July 4th'
Photo/Game Changer Wrestling
Last year's GCW Backyard Wrestling event was a wildly popular success. This show in particular served as the platform for Alex Zayne's rise in acclaim during the latter half or 2019. Zayne's 15-minute banger with Tony Deppen was a standout match that all fans should check out! With that said, it might be time for a sequel to that backyard classic. Game Changer Wrestling (GCW) announced today that Backyard Wrestling will return. Backyard Wrestling 2 airs live on FITE.tv this 4th of July! What we know so far:
– 'Backyard, USA' is once again the official announced venue.
– The event allows attendance only by invitation.
– Not all fans can attend, but the show will be available for all on FITE.tv.
GCW: More Details Soon on Match Lineup
The coverage of this show continues once the promotion announces a match lineup. As of now, this is incredibly exciting news! If you've been keeping tabs on GCW during the COVID-19 quarantine, you'll know how unlikely it seemed in March that this event would happen. With this news as well as the upcoming debut of GCW in Indianapolis, it looks as if the outlaws are well on their way back to raise hell worldwide.
The Backyard is BACK!
GCW presents
Backyard Wrestling 2
Backyard, USA
INVITE ONLY
Join us LIVE on @FiteTV for the most fucked up backyard wrestling BBQ blowout of the year!
More details coming soon! pic.twitter.com/RZSlbdf6le
— GameChangerWrestling (@GCWrestling_) June 8, 2020
The question now arises – who comes out of this event as 2020's breakout star? Judging by the amazing trajectory both Alex Zayne and Tony Deppen have taken from last summer to last winter, this show could be huge for many careers. I give high praise to GCW for using this return to live shows as a stage for brand new talent. The Indianapolis show on June 20th features the debut of up-and-coming names like Calvin Tankman and Myron Reed. I'm sure that Backyard Wrestling 2's debuts bring forth even more names on the independent scene that we'll need to know.
If you've yet to see how nuts the outlaws got at last year's Backyard Wrestling event, you absolutely need to take a look at what went down! Check out the replay on FITE.tv and get yourself well-versed to how outrageous this 4th of July will be!
Be sure to stay tuned to the Pro Wrestling Post for this and additional stories from the wrestling world. Readers can rely on Pro Wrestling Post to be their daily source for all things past and present inside the squared circle from around the globe. As a result, readers can expect daily news, history, and so much more.
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Rachel G. Hackenberg, Contributor
Letting You Leave Church
Dear Christians, both wounded and worried, leaders and laity, trend-watchers, naysayers, pastors, and all who pray for the Church's health and behavior to improve...
Departure is a sensitive and greatly feared concern in Christian congregations and denominations. Churches and pastors don't want their parishioners to leave. Denominations fret when churches threaten departure. Across the Church, we view departure as an indicator of division or a foreshadowing of demise.
Leaving the Church (capital "C" = whole Christian community, across doctrines and denominations) is getting a lot of attention these days, for a multitude of reasons and from a plethora of perspectives. There are defrocked clergy leaving the Church belatedly for crimes of abuse. There are suddenly disbelieving clergy as well as gifted but burned out clergy leaving the Church. There are Christians who have left the Church in search of spirituality over "organized religion" (in fact, a false contraposition). There are those who have left the Church in disgust, in pain, in dispute, in hunger for genuine relationships and spiritual growth. Some people part well, leaving their congregations for geographical moves or for a new path in their spiritual journeys. Too many leave with a bad taste in their spirits.
There are revolving door mega-churches, which excel in growth but struggle to sustain community. There are churches in denominations like mine (the United Church of Christ) that leave the denominational body in disagreement over the affirmation of same-gender relationships and marriages. There are churches that leave their denominations to join the United Church of Christ in order to affirm gay marriage. There are churches who go out fighting their denominations over buildings and endowments, just as there are parishioners who go out fighting their churches over buildings and endowments.
There's the departure of 20/30-somethings from the Church, a much-lamented trend into which thousands (if not millions) of dollars are poured for one-workshop solutions. And there's the departure of LGBTQIA Christians, whose experiences in churches too often range from nonacceptance to condemnation.
As statistics continue to reveal the Church's numerical decline, the impulse of congregations and denominations is to resist, to fear, to fight against membership losses. For the sake of survival, we plead: "Don't leave."
I prefer to say, "Blessings as you go!"
It's dicey to say, hard to hear and runs the risk of sounding flippant, yet I see it as a necessary act of truth-telling for the sake of the Church: "Blessings as you go." If you're not being spiritually fed within this church's walls, please, be blessed as you seek another faith community to encourage you. If you have been hurt or scorned or disenfranchised by a church leader, pastor or congregation in your life, please, leave to find the safe space needed for healing; I certainly hope that someday you will participate in a non-injuring faith community, but I affirm your need to leave the Church at this time. If your congregation can only relate to your denomination with animosity or apathy, be blessed as a faith community to spend time in discernment about your wider church affiliations.
If you struggle to relate to your faith community with grace instead of ultimatums, unable to pursue your own and the congregation's growth without also seeking power, please, for the sake of the Church's health, let me bless you as you leave. If the color of the carpet is pivotal to your experience of God (a logistical issue which, when debated ad nauseam, becomes precisely one of those reasons why people dislike organized religion), please know that I will affirm your choice to leave in protest over the carpet color.
If your congregation -- seeking to be all things to all people -- has associated itself with and over-committed itself to every other non-profit organization in the community, without investing in personal relationships or shared labor, consider the possible blessing of departing gently from those associations that lack mutual purpose and participation. Within the past year, for example, the small suburban congregation that I pastor parted ways with its sponsored Boy Scout Troop and Cub Scout Pack, due to the congregation's support of the LGBTQIA community and the BSA's continued exclusion of gay leaders. Some parishioners asked if the separation contradicted the congregation's aspiration to "welcome all," hinting again at our collective suspicion that all leaving is negative.
Yet every departure is a pruning of identity for both parties as they go their separate ways. Every moment of leaving -- each choice to cling or to cleave -- shapes and challenges us to be intentional about our affiliations. Let the Boy Scouts grapple with the implications of their organization's exclusion and with their willingness to be supported by anti-gay faith communities; and let our local congregation consider how far it is willing to go to affirm the lives of LGBTQIA persons. Let churches invest their energies in actively conversing with their denominational doctrines and positions, rather than impassively avoiding issues of contention, so that identities and theologies are honed -- not to greater truth, but to improved purpose and vigor.
Let parishioners actively choose who they will be, what they believe and how they will behave in relation to their faith communities, rather than sitting in dispirited acceptance in the pews. And if who you are and what you believe and how you behave does not find space "to be" in your faith community, for reasons healthy or ill (because not every congregation welcomes all people, and not all people know how to behave in congregational community), then be blessed as you hone and affirm your identity by departing.
Let parishioners who need space for healing leave to restore their sense of self and spirit. Let the congregations they are leaving carefully consider why and how they did not offer safe space to those parishioners. Let congregations study their lack of relevance to missing generations, not for a quick fix, but for a honing of ministry and clarification of community. If congregations are gifted in ministry to the older generations, let them not lament the absence of young families but welcome in the aging Boomer population. Let clergy who have lost faith and clergy who cannot be trusted and clergy who are tired and clergy who don't know how to leave leave, for the sake of the health of the Church.
With every leaving, let the Church reexamine its purpose and hone in its identity. As my colleague Tripp Hudgins wrote recently, "disillusionment is good for us." Clarity of purpose and intentionality in identity will shape our congregations, our denominations and the whole Church to be ultimately a healthy source of spiritual growth and community formation -- or to be an ever-widening black hole of theological distortion and self-injury. Then, at last, we will see if the Church is on the verge of dying or ready to overflow with new life.
Christianity Religion and Beliefs Spiritual But Not Religious Christianity In America Religion

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9 edition of Slaughterhouse Five found in the catalog.
Published November 4, 2003 by Caedmon .
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Slaughterhouse-Five: A Novel (Modern Library Best Novels) Paperback – Janu #N#Kurt Vonnegut (Author) › Visit Amazon's Kurt Vonnegut Page. Find all the books, read about the Slaughterhouse Five book, and more. See search results for this author. Are you an author. Learn about Author Central.
Kurt Vonnegut (Author)Cited by: Slaughterhouse-Five, Slaughterhouse Five book The Children's Crusade: A Duty-Dance with Death () is a science fiction-infused anti-war novel by Kurt Slaughterhouse Five book about the World War II experiences and journeys through time of Billy Pilgrim, from his time as an American soldier and chaplain's assistant, to postwar Slaughterhouse Five book early years/5(K).
Note: Billy Pilgrim, the novel's protagonist, has become "unstuck in time." He travels between periods of his life, unable to control which period he lands in. As a result, the narrative is not Slaughterhouse Five book or linear. Instead, it jumps back and Slaughterhouse Five book in time and place.
The novel is structured in small sections, each several paragraphs Cited by: SLAUGHTERHOUSE-FIVE. OR THE CHILDREN'S. A Duty-dance with Death.
KURT VONNEGUT, JR. Grateful acknowledgment is made for permission to reprint the following material: 'The Waking': copyright by Theodore Roethke from. THE COLLECTED POEMS OF THEODORE ROETHKE. printed by permission of Doubleday & Company, Inc.
Slaughterhouse-Five is an extremely entertaining read, and an important book for teen readers to explore more deeply in a classroom setting. It also has Slaughterhouse Five book of the all-time great opening lines in literature as it begins Slaughterhouse Five book is surely one of the strangest meditations on war: "All of this happened, more or less."5/5.
Automatic works cited and bibliography formatting for MLA, APA and Chicago/Turabian citation styles. Now supports 7th edition of MLA.
Slaughterhouse-Five is an account of Billy Pilgrim's capture and incarceration by the Germans during the last years of World War II, and scattered throughout the narrative are episodes from Billy's life both before and after the war, and from his travels to the planet Tralfamadore (Trawl-fahm-uh-door).Billy is able to move both forwards and backwards through his lifetime in an.
Slaughterhouse-Five is a novel by Kurt Vonnegut that was first published in Read a Plot Overview of the entire book or a chapter by chapter Summary and Analysis. What Does the Ending Mean. See a complete list of the characters in Slaughterhouse-Five and in-depth analyses of Billy Pilgrim and Roland Weary.
Slaughterhouse-Five, antiwar novel by Kurt Vonnegut, published in The absurdist, nonlinear work Slaughterhouse Five book science fiction with historical events, notably the Dresden firebombing of World War II. It is considered a modern-day classic. Learn more about Slaughterhouse-Five, including its summary and characters.
Slaughterhouse-Five is the story of Billy Pilgrim's life, framed around his time in the Second World War – more specifically, the terrible bombing of Dresden, of which he is, was and will be a survivor. I say is, was and will be partly because the Slaughterhouse Five book is written in snatches – small chunks of Billy's life from seemingly random points.
/5(K). I first read "Slaughterhouse-Five" inthree years after it was Slaughterhouse Five book and three years before I published my own first novel. Slaughterhouse Five book was. Slaughterhouse-Five was banned from Oakland County, Michigan public schools in It is still banned in schools today.
It is still banned in schools today. Wesley Scroggins –– assistant professor at Missouri State University –– wrote in the local paper, saying that: "This is a book that contains so much profane language, it would.
Slaughterhouse-Five Summary. It's hard to summarize the plot of Slaughterhouse-Five neatly The narrator introduces us to the two people to whom the book is dedicated: Slaughterhouse Five book O'Hare and Gerhard Müller.
For more on these two and their significance, check our "Characters" section. Slaughterhouse-Five Quotes. 22 of the best book quotes from Slaughterhouse-Five #1. It is in fact a crime for an American to be poor, even though America is a nation of poor. author. Vonnegut.
book. Slaughterhouse. character. Campbell. concepts. America being poor #2. Slaughterhouse-Five, an American classic, is one of the world's great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war.
Full text of "Slaughterhouse Five Or The Children's Crusade" See other formats. Because Slaughterhouse-Five is an anti-war book, Vonnegut sure isn't presenting us with any heroes.
And to make sure we don't wonder if the men in the novel have the self-determination or free will to make heroic choices, Slaughterhouse-Five relies a lot on absurdity.
Billy Pilgrim is described repeatedly as clownish; he looks so ridiculous that a German surgeon on the streets. Slaughterhouse-Five review – archive, 19 March Kurt Vonnegut's story of Billy Pilgrim is 'the oddest and most directly and obliquely heart-searching war book for years Author: Christopher Wordsworth.
Slaughterhouse-Five was hugely successful, brought Vonnegut an enormous audience, was a finalist for the National Book Award and a best seller, and remains four decades later as timeless and shattering a war fiction as Catch, with which it stands as the two signal novels of their riotous and furious decade.
One reads "Slaughterhouse-Five" with that question crouched on the brink of one's awareness. I'm not sure if there's an answer, but the question certainly heightens the book's effects. In conclusion, Vonnegut's Slaughterhouse 5 can be perceived in numerous ways. It can be recognized as science fiction novel, semi-autobiographical novel and unquestionably as an anti war book.
Vonnegut successfully conveys his thoughts and message to the readers by effectively deploying his techniques to convince the readers. Kurt Vonnegut's novel "Slaughterhouse Five" is one of those great books that defies easy classification.
A blend of science fiction, satire, and war fiction, it is both fun and grim. The book tells the story of Billy Pilgrim, an optometrist, World War II veteran, and apparent UFO abductee who becomes "unstuck in time."Cited by: Slaughterhouse-Five Timequake Wampeters, Foma & Granfalloons Welcome to the Monkey House For Mary O'Hare and Gerhard Mutter The cattle are lowing, The Baby awakes.
But the little Lord Jesus No crying He makes. 1 ALL THIS HAPPENED, more or less. The war parts, anyway, are pretty much s: "Slaughterhouse Five – The Children's Crusade; A Duty-Dance with Death" is a book written by author Kurt Vonnegut, published in It is the semi-autobiographical story of the Dresden firebombing during World War II.
The story begins with Kurt Vonnegut's voice and moves to the main character, Billy Pilgrim. The time-travel device in Slaughterhouse-Five — Billy Pilgrim becoming "unstuck in time" — makes the rather blunt point that massacres such as Dresden happened; they always have happened.
Slaughterhouse Five Or the Childrens Crusade a Duty Dance with Death by Kurt Vonnegut, Kurt Jr Vonnegut available in Mass Market onalso read synopsis and reviews.
Selected by the Modern Library as one of the /5(11). E-BOOK EXCERPT. Adapted for a magnificent George Roy Hill film three years later (perhaps the only film adaptation of a masterpiece which exceeds its source), Slaughterhouse-Five () is the now famous parable of Billy Pilgrim, a World War II veteran and POW, who has in the later stage of his life become "unstuck in time" and who experiences at will (or unwillingly) all known.
Slaughterhouse Five is the story of Billy Pilgrim, a decidedly non-heroic man who has become "unstuck in time."He travels back and forth in time, visiting his birth, death, all the moments in between repeatedly and out of order.
The novel is framed by Chapters One and Ten, in which Vonnegut himself talks about the difficulties of writing the novel and the effects of Dresden on. Slaughterhouse-Five is a work of literary fiction that combines historical, sociological, psychological, science-fiction, and biographical elements.
Unlike novels based on traditional forms, Vonnegut's novel does not fit a model that stresses plot, character conflict, and climax. September BBC Radio 4 broadcast a feature length radio drama based on the book which was dramatised by Dave Sheasby and which starred/read by (my favour.
Rereading Slaughterhouse-Five now that we're b I became absorbed, in a new way, by the shifting voltage of the phrase So it goes, which appears in the text (just googled this) times. Slaughterhouse-Five is part autobiographical, part science-fiction, part sarcastic master work by Kurt Vonnegut.
It is often assigned by college and high school reading and writing classes, especially when our President wants us to go out and kill somebody. Slaughterhouse-Five came out in near the height of the War in : Ishi Press. Slaughterhouse-Five is Vonnegut's tribute to the strain imposed on his conscience by the fact that he survived, and by his increasing awareness, since the war, of the scope and variety of death.
The vibrant simplicity of the book to which he finally surrendered his emotion makes his apology seem disingenuous, like Alexander the Great putting Author: Book Marks. Answer: Slaughterhouse Five is where Billy Pilgrim, Kurt Vonnegut, and about a hundred other Americans were imprisoned in Dresden, Germany toward the end of World War II.
The fire bombing of Dresden is the central and unifying event in the novel. Published inSlaughterhouse Five is a novel written in troubled times about troubled times.
As the novel was being finished inAmerica saw the assassinations of Martin Luther King, Jr. and Robert Kennedy. In the South, Blacks and their supporters were struggling to overturn centuries of racial inequality under the n: The function of Slaughterhouse-Five has long been as a teaching tool in American classrooms.
The book's protagonist, Billy Pilgrim, is based on a real American soldier who was held as a prisoner Author: Betsy Morais. Slaughterhouse-Five is a science fiction film based on Kurt Vonnegut's novel of the same name about a writer who tells a story in random order of how he was a soldier in World War II and was abducted by aliens.
The screenplay is by Stephen Geller and the film was directed by George Roy stars Michael Sacks, Ron Leibman, and Valerie Perrine, and features Music by: Glenn Gould.
Slaughterhouse-Five, an American classic, is one of the world's great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war/5(K).
Kurt Vonnegut introduces his seventh novel, "Slaughterhouse-Five" (Delacorte), apologetically, calling it a failure. Coming from most writers, an apology like that would be inadequate; a Author: Susan Lardner.
Slaughterhouse-Five, or The Children's Crusade: A Duty-Dance with Death () is a satirical novel by Kurt Vonnegut about World War II experiences and journeys through time of a chaplain's assistant named Billy is generally recognized as Vonnegut's most influential and popular work.
[1] Vonnegut's use of the firebombing of Dresden as a central event makes the novel. Pdf, whose alternative title is 'The Children's Crusade: A Duty-Dance with Death', rejects a conventional narrative, presenting its episodes in deliberately jumbled and fragmentary.
How does one even find the words to write about download pdf In the opening chapter of Slaughterhouse-Five, Kurt Vonnegut recounts his being unable to write a war book about the Dresden firebombing (February 13–15, ), which he survived: "there is nothing intelligent to tell about a massacre." That "failure" carries a weight.Slaughterhouse Five is ebook anti-war novel by ebook author Kurt Vonnegut.
His best known work, the novel represents Vonnegut's personal experiences as a prisoner of war during the fire bombing of Dresden during World War II.
The novel features the author's perspective in the first and last chapters, and briefly throughout the novel, but.
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A Quiet Begining
Dec 8, 2015 | 0
In an engaging & unique genre all its own, the Fluorescence series by author P. Anastasia, is a striking blend of audacious young love, urban fantasy and sci-fi. Each full-length novel in the series is narrated by a different character, driving the story forward in a new and exciting way. It evolves from a quiet beginning into a gritty, unabashed look at real-life limitations encountered while harboring a volatile secret.
Fluorescence: Fire Starter
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Fluorescence lives in her bloodstream. It's unpredictable and could flare up anywhere, anytime, exposing her secret to the world. Alice was a normal teenager until a dying race of aliens chose her and a handful of others to preserve endangered bioluminescent DNA known as Fluorescence. Now she and the others must hide their condition from the rest of the world, while trying to learn the truth behind the living light.
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The fire has been started and things have changed for the Fluorescent Ones. Brian is fighting to keep the seams of a once stable life from unraveling as a massive turn of events thrusts him into chaos. The Saviors had a terrible secret in store, and now he and the rest of the group must make decisions that could impact their future forever.
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Best Of Colorado Springs
Special Issues » InSider
Stage fight
With a scrappy (but still lovely) can-do spirit, performing arts groups enrich the region
by Bree Abel
Matthew Schniper TheatreWorks' Merry Wives of Windsor
There's no big opera house, or grand old theater, or, really, any landmark locally that would by itself insist that locals take heed of the performing arts. But the troupes and groups around here make sure it happens — even if it sometimes means carrying their own soapbox to the street corner.
Know your role
The Colorado Springs Fine Arts Center Theatre Company (csfineartscenter.org) is the best-equipped theater group, with its own stage at the FAC. In terms of budget and scope, it puts on the biggest productions around, relying heavily on an award-winning creative team. See the website for upcoming shows — it was staging Clare Boothe Luce's The Women as of press time — and note that during the summer, the FAC also hosts F.A.C.T.S., an integrated theater-training program for children 5 to 18.
Meanwhile, TheatreWorks (theatreworkscs.org) performs everything from classics and contemporaries to originals by artistic director Murray Ross and guests like Springs native Thaddeus Phillips. The professional ensemble, which operates out of the University of Colorado at Colorado Springs, also produces the annual Shakespeare Festival in August (recently returned to Rock Ledge Ranch), which kicks off each new season.
UCCS alums are behind Theatre 'd Art (theatredart.org), which will upgrade to a venue at the corner of Nevada Avenue and Bijou Street for its 2011-12 season with the aid of a Bee Vradenburg Foundation grant. The experimental theater company specializes in new and original plays, as well as those by contemporary playwrights. Coming in mid-2011: the annual Theatregasm festival and two originals.
The Bee Vradenburg Foundation also awarded Jim Jackson and Birgitta DePree, owners and founders of Manitou Art Theatre (themat.org), the $1,000 Bee an Arts Champion Award for "sustained, passionate and innovative leadership toward advancing the arts in the Pikes Peak region." The theater, which kept its name even after high rent chased it out of Manitou Springs a couple years ago, stages originals by the MAT crew and regular guests like Barry Smith and Bill Bowers as well as children's shows, an annual circus and workshops.
On the community theater scene, another Vradenburg grant recipient, the Springs Ensemble Theatre (springsensembletheatre.org) staged The Smell of the Kill in its new Cache la Poudre Street theater in March. And going two years strong after a year-long hiatus, the Star Bar Players (starbarplayers.org) staged Tracy Letts' challenging Bug to highlight its 2010-11 season.
Moving south to Pueblo, the recently re-vamped Damon Runyon Repertory Theater (runyontheater.org), named after the native son and Broadway playwright, leads the way. But the nearly decade-old Steel City Theatre Company (sctcpueblo.com) does more contemporary, sometimes edgier theater, and the 45-year-old Impossible Players (impossibleplayers.org) troupe stages an eclectic assortment of shows.
Cripple Creek is home to a beautiful remodeled 1890s theater, the Butte Opera House, which hosts the Western theme plays and originals by the Thin Air Theatre Company (butteoperahouse.com).
If it's an olio you crave back in the Springs, the 51-year-old Iron Springs Chateau Melodrama Dinner Theater (pikes-peak.com/attraction/15.aspx) has you covered. The outfit presents melodramas with vaudeville-inspired acts and a sing-along. Drink up and enjoy the fun, April through October.
For a family-friendly experience of yesteryear, go to the Simpich Showcase Theatre (simpich.com) where the Simpich Marionette Repertoire performs classics like the Hans Christian Andersen Storybook and originals by puppeteer David Simpich.
Other kids' stuff: The Academy of Children's Theatre (aoct.net) offers year-round classes for ages 4 to 19, with performances at the end of each session. In 2010, a 19-and-up troupe called ACT II formed and began performing with ACT for the group's feature productions, held twice per year. And 7- to 18-year-olds can attend classes and summer camps, including Broadway workshops and playwriting, at AlleyCat Theatrics (alleycattheatrics.com). The youth theater company also stages periodic plays at the City Auditorium.
Finally, for an entirely different and certainly more adult stage experience, find the guys and dolls of Peaks and Pasties (peaksandpasties.com) glittering, shimmying and shaking what the Lord done gave 'em at local nightspots and at the Colorado Burlesque Festival in Denver, July 7 through 10.
Song and dance
The biggest dance event of 2011 — in fact, one of the year's biggest artistic events, in general — was scheduled at a site not typically known for dance. To celebrate its 75th anniversary, the FAC scheduled an April 19 appearance by the Martha Graham Dance Company. The world-renowned company performed on opening night back in 1936, and scheduled some of the same numbers for reprisal this time around.
That event was sponsored in part by the Colorado Springs Dance Theatre (csdance.org), which is known not only for its own dance performances, but also for master classes, scholarship competitions and an annual student recital. Look for its 2011-12 season to start in the fall.
You won't have to wait that long to see the Ormao Dance Company (ormaodance.org), which will perform at the Colorado College Dance Festival Summer Concert in July. The nonprofit, professional-level modern dance troupe celebrated its 20th anniversary last year and also offers classes — which will take place in a new downtown-area studio, thanks to fundraising capped by a (you guessed it) Bee Vradenburg Foundation matching grant.
If you're more moved by the way voices can jump and bound, you'll want to check out the Colorado Springs Chorale (cschorale.org), where 100-plus voices sing in harmony. The group performs five concerts a season, sometimes joining with the Colorado Springs Philharmonic or, as in mid-May, with the Air Force Academy Band.
And thanks to the repeal of "Don't Ask, Don't Tell," perhaps someday the AFA Band will perform with the men's chorus Out Loud (rmarts.org/outloud.php). Self-described as "goodwill ambassadors," the 60 members present "a positive image of the GBLT community" through song. Theirs is a pretty active calendar, with appearances at welcoming churches as well as theaters; check the website for details.
When it comes to classical music, you have to start with the Colorado Springs Philharmonic (csphilharmonic.org), and not just because it's bringing famous violinist Itzhak Perlman to the Pikes Peak Center in 2012. Under the guidance of Nathan Newbrough, the collective has succeeded in making music accessible (via its Vanguard series and community outreach) and affordable (with $10 tickets to many shows). Retiring music director and conductor Lawrence Leighton Smith is tentatively scheduled to present The Farewell Concert the weekend of May 21.
Two weeks before that, the tireless and talented volunteers in the Pikes Peak Philharmonic (pikespeakphil.org) community orchestra wrap up their 2010-11 season. And one week before that brings the season finale for the Chamber Orchestra of the Springs (chamberorchestraofthesprings.org). Like the philharmonic groups whose members often play with it, the Chamber Orchestra offers low-priced tickets, and come September, it'll start up its 27th year as an orchestra with its first of five 2011-12 season concerts.
The Pueblo Symphony Orchestra (pueblosymphony.com), though 82 years old, is showing a surprisingly youthful and hip side these days. It premiered the Symphony Shuffle concert series in 2010, pairing classical music with other genres and edibles. Think: Bluegrass, Ballet and Bon Bons; Mariachis, Mozart and Macaroons; and Bel Canto, Bourbon Street and Buffalo Wings. More $10 tickets here, with a new-season lineup coming this spring.
Back in the Springs, the Colorado Springs Conservatory (coloradospringsconservatory.org) preps talented young musicians from preschool through high school for professional performance. The group performs solo and with groups like the Colorado Springs Philharmonic. On April 15 and 16, look for its fourth annual Beautiful Chaos performance, a collaboration with the Ballet Society of Colorado Springs (one of the area's many dance studios and performing ensembles) and Ormao.
Lastly, two local groups take classical music into more intimate venues. Hausmusik (coloradohausmusik.com) began hosting concerts in people's homes in 1992, allowing small audiences to gather with hors d'oeuvres, wine, music and conversation, reminiscent of hausmusik affairs in Germany. Still performing for audiences of around 70, the string quartet can be found in churches, too, and occasionally features special guests.
In 2006, UCCS music professor Abe Minzer and his wife began hosting Classically Alive (classicallyalive.com) at their home. The group performs mostly classical music and is occasionally accompanied by poets, painters and humanities scholars for salon events. They'll host a benefit salon, Opera Colorado, in May.
Joke's on ... who?
For its size, the Springs has at times hosted a disproportionate amount of improv groups; at one point, we knew of five. The RiP (theriponline.com) performs long-form, short-form and sketch comedy at the Manitou Art Theatre the first Friday and Saturday nights of each month, and the RiP and MAT will host the third annual Colorado Improv Festival from June 2 through 5.
Improv Colorado (improvcolorado.com) performances are "like a game of tag," says new artistic director Scott Nowlin. The group performs Friday nights at the Business of Art Center and hosts periodic open "improv jams" elsewhere. And the Stick Horses in Pants (thestickhorses.com), in biz since 2004, perform family-friendly improv regularly in a couple places, including The Broadmoor Hotel Theatre. According to their website, "Seniors love us because Matlock is only on three hours a day and they need some way to fill the rest of their time."
For more orderly comedy performances, Loonees Comedy Corner (loonees.com) brings local and national stand-up comedians to its 21-plus club Thursdays through Saturdays. Stargazers Theatre & Event Center (stargazerstheatre.com) hosts periodic comedy showcases of local talent. And local and national acts perform at the Pikes Peak Center (pikespeakcenter.com), Pueblo's Sangre de Cristo Arts Center (sdc-arts.org) and the Air Force Academy (usafaservices.com/academy-concerts).
— Additional reporting by Matthew Schniper
Click here for a map of Colorado Springs!
InSider Fine Arts Center Theatre Company TheatreWorks Star Bar Players Springs Ensemble Theatre Theatre 'd Art Damon Runyon Repertory Theater Steel City Theater Company Impossible Players Thin Air Theatre Company Simpich Showcase Theater Academy of Children's Theatre Alleycat Theatrics Peaks and Pasties Iron Springs Chateau Colorado Springs melodrama Colorado Springs Philharmonic Pikes Peak Philharmonic Chamber Orchestra of the Springs Pueblo Symphony Orchestra Hausmusik Classically Alive Colorado Springs Dance Theatre Ormao Dance Company Colorado Springs Chorale Bee Vradenburg Foundation Out Loud men's chorus The RiP Improv Colorado Loonees Comedy Corner Stargazers Theatre Pikes Peak Center Sangre de Cristo Arts Center Air Force Academy Colorado Springs Fine Arts Center UCCS TheatreWorks Manitou Art Theatre Damon Runyon Repertory Theatre Impossible Playhouse Butte Opera House Simpich Showcase Loonee's Comedy Corner Stargazers Theatre and Event Center UCCS' Dusty Loo Bon Vivant Theater THEATREdART Millibo Art Theatre
InSider 2011
| Apr 7, 2011
Academy of Children's Theatre
4005 Lee Vance View, #200 (Briargate)
Butte Theater
139 E. Bennett Ave. (Cripple Creek/Teller County)
Colorado Springs Fine Arts Center at Colorado College
30 W. Dale St. (Downtown)
Impossible Playhouse
1201 N. Main St. (Pueblo)
Iron Springs Chateau
444 Ruxton Ave. (Manitou Springs/Ute Pass)
Loonees Comedy Corner
1305 N. Academy Blvd. (Academy (North))
Millibo Art Theatre
1626 S. Tejon St. (Ivywild)
Ormao Dance Company
10 S. Spruce St. (West side)
190 S. Cascade Ave. (Downtown)
210 N. Santa Fe Ave. (Pueblo)
Simpich Showcase
2413 W. Colorado Ave. (Old Colorado City)
Springs Ensemble Theatre
1903 E. Cache La Poudre St. (Downtown)
10 S. Parkside Drive (Central)
THEATREdART
128 N. Nevada Ave. (Downtown)
UCCS Dusty Loo Bon Vivant Theater
3955 Regent Circle (Central)
© 2019 Colorado Springs Independent


An International Social-Marketing Strategy for a Non-Profit Organization: Determining the Path for Continued Success?
In 1979 Co-operation Ireland (COI) was founded to advocate for peace and reconciliation to be established between the Nationalist and Unionist communities in Northern Ireland. Almost 20 years later the Good Friday Peace Treaty was signed and the widespread violence in Northern Ireland started to decline. In 1998 a total of 55 security-related deaths were recorded. By 2010 that figure had dropped to 1 security recorded death. This significant decline was viewed as a sign that quieter and more peaceful times had arrived in Northern Ireland. The first objective had been accomplished, i.e. a peace treaty was signed. Now COI had to focus on an even harder task: to build a lasting reconciliation between the Nationalist and the Unionist communities and seek to restore friendship and harmony across Northern Ireland. Over the years COI had build a strong organization and presence in Ireland and had offices based in Belfast and Dublin. It also had reached out abroad and opened an office in New York in 1995.
In 2011, as the global recession extended into another year, COI faced difficult choices. The level of charitable donations collected was in decline especially from the USA, an important source of funding. International public opinion had also considered the conflict resolved, evidenced by the lack of public disorder on the streets of Belfast and Derry. The administrators of the New York office had reached a crossroads: should they continue to operate as a small nonprofit organization with staff and offices utilized on a year-to-year basis'? Or should they expand their reach and target partnerships as the way forward, leveraging their brand identity and messaging across various platforms with different non-profit organizations?
McGovern, E. (2012). An international social-marketing strategy for a non-profit organization: Determining the path for continued success?. Journal of Case Studies, 30(1), 27-43.


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Seattle luxury homes
For sale in Seattle
Historic home on Queen Anne's south slope listed for $4.3 million
This has George Kinnear's name all over it—literally
By Sarah Anne Lloyd@sarahannelloyd Apr 24, 2019, 1:08pm PDT
A dramatic exterior includes dormers, a trellised deck, and a curved staircase.
Courtesy of Windermere Real Estate
On Kinnear Place by Kinnear Park, this century-old home is built by both of their namesakes: George Kinnear, an early residential developer of Queen Anne Hill who moved to Seattle from Illinois in 1878, back when it was still called Eden Hill.
The grand homes built in the area in the late 1800s eventually earned Queen Anne its name, thanks to all the Queen Anne Victorian architecture beloved by magnates like Kinnear. This one was built in 1911, a little after that boom—it tends a little more Craftsman—but you can see how it fit in with its grandiose neighbors, with its dormers and opulent formal spaces. It also has plenty of space for more low-key relaxing, like a basement den with a separate entrance and its own fireplace and a giant bonus room in the finished attic.
343 W Kinnear Place is listed for $4.3 million through Windermere Real Estate.
An elevator adds modern convenience without distracting from the vintage decor.
The living area is anchored by a formal mantle.
The home is full of built-ins and original millwork—like this boxbeam ceiling and window bench.
A cozy breakfast nook opens to the kitchen—or not—through a sliding window.
In a more modern design choice, the kitchen is open to a dining area—although it's large enough for some formal gatherings.
As if it's not surrounded by the Kinnear name enough, one of the home's three bathrooms even has tilework that spells out "Kinnear."
Where to ski and snowboard near Seattle Looking for adventure? Here's the essential intel for skiing and snowboarding near the Emerald City.
The 25 best things to do in Seattle with kids From beaches that will make you feel like you're in California to top-notch theater productions geared towards the younger set, the Emerald City is full of things to do as a family.
The Seattle locations of 'Fifty Shades of Grey' Seductively mapped


First of all thanks to my helper auntie Donna who is from the beautiful country of the Philippines for sharing this recipe and teaching me step by step how to make it. It's very simple to follow and kids love it. Actually we all love it. It finishes in no time.
So, let's go straight to the recipe.
Actually Graham crackers taste the best and you can get them in Lucky Plaza, Orchard Road or neighborhood Filipino shops. We didn't have it at home. Marie biscuits was our alternative and it tasted delish too.
Once again you can buy it from Lucky Plaza or any other shop that sells Filipino stuff.
Milkmaid or any other sweetened condensed milk. I used Low Fat version because I already have high fat. Lol!
Of course, Fresh Mango. The name of the dessert itself suggests that you must have mango. I asked Donna whether can we add any fruits but she said that authentic preparation is only mango-based.
Mix All purpose cream and sweetened condensed milk and whip it very well to a smooth mixture.
Arrange Marie Biscuits in a dish.
Pour Graham powder on them.
Pour the mixture of All purpose cream and sweetened condensed milk on it.
Again add Graham powder followed by pouring the mixture of All purpose cream and sweetened condensed milk on the float.
You can repeat above 3 steps more number of times if you want more layers in the float.
Arrange Marie biscuits on top.
Pour the mixture of All purpose cream and sweetened condensed milk on the whole setup.
Complete the float by covering the float neatly with Graham powder.
Ta da!!! Your no-bake, no-headache Mango Float is ready…We sprinkled some grated dark chocolate on it for added indulgence…Sorry, just one piece remained somehow and thank god I could click the picture!
Mommies, we always keep scratching our heads when it comes to cooking kids' favorite food…Try this Mango Float and am sure this yummy item will find a permanent place on your recipe list.
woo… will it be very sweet as I see a lot condensed milk were used. I wanna try doing this.
So easy to do it!! I would really like to do it at home, looks so yummy and healthy snack too!
Wow! that's is quite easy to make and look delicious too. I am going to try it too.
So easy! No need to bake only refrigerate. Look like Kek Batik in here, using Milo (coco powder drink) and Marrie Biscuits but need to cook the condensed milk n coco powder. The rest step are all same instead of adding mangos! So delicious!
The recipe really suit to sweet tooth. It look fast to prepare this.
Looks good and yummy! Wanna eat it.. Great recipe..
Looks really delicious! Wanna try it out too!
Wow, did it taste very sweet? I can't imagine it. Looks awesome, though. I must make it myself.


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| Forestry gets new digs for '09
Laurelin Kruse
Forestry gets new digs for '09
Laurelin Kruse 12:00 am, Oct 27, 2008
Between Sage Hall and Osborne Memorial Laboratory, halfway up Science Hill, stands an unfinished building that is beginning to come to life. Its glass façade and timber roof combine to create a look that feels sleek and Scandinavian, modern yet pastoral. At first glance, the building appears to be far from complete. Plastic tarps edge out of gravel. Orange spray-painted plywood lines the walls. Tyvek Commercialwrap covers its frame.
But the new home of the Yale School of Forestry and Environmental Studies, Kroon Hall — a project that began in 2006 — is on schedule and expected to be open by the end of this calendar year, officials at the school say. FES, currently scattered across several buildings across Science Hill, will move into the building over the winter break and begin to host classes there in the spring semester.
When finished, Kroon Hall will include a library, an auditorium, a student learning center, classrooms and offices. The building is expected to require a quarter of the outside power used by other commercial buildings of comparable size.
Indeed, every element of style contributes to the building's sustainability. The glass lets in natural light. The barn-like roof arcs at a 45-degree angle, a shape ideal for arranging and disguising solar panels as part of the roof.
"All conventional logic of building has been tossed aside," Chris Meyer, the project supervisor overseeing Kroon Hall, said of the building's 'green' design.
Kroon's approach to sustainability is two-pronged: It both reduces its environmental footprint and aims to create a healthy environment for occupants, said Stephen Kellert, a professor of social ecology, who—along with FES Dean Gus Speth and Deputy Dean Alan Brewster—came up with the concept for Kroon.
"You put those two together and I think that's the true sustainability," he said.
The Kroon building has been built to platinum rating standards according to the Leadership in Energy and Environmental Design, a rating system of building sustainability administered by the U.S. Green Building Council. Among its cutting edge sustainable features include its use of sustainable building materials — from "thermally inactive" concrete to sustainably harvested wood — as well as its use of solar and geothermal energy and a rainwater harvesting system. This rainwater system will collect and cleanse runoff rainwater to be reused in toilets and landscape irrigation.
Meeting the strict LEED requirements has not been easy. The sandstone used in the building comes from Breyer Hill, Ohio, just under 500 miles from New Haven. This barely met LEED requirements, which specified that the sandstone used for construction couldn't be quarried from a site farther than 500 miles away, Meyer said.
But Kroon even goes beyond LEED standards—which only emphasize low environmental impact. Kroon's conception of sustainability also entails the environmental experience of the building itself. In his 2005 book, Building for Life, Kellert describes how the design of a building can impact its occupants' well-being—and hence, the quality of their work.
For instance, Kroon is designed to maintain a constant climate at all times, despite fluctuations in the outside temperature and humidity.
Inside, the heat has not yet been turned on. But even after the drop to 29 degrees Fahrenheit outside last Thursday, the building remains almost at room temperature — partially due to the concrete from which it is constructed. In the summer, the concrete absorbs heat and keeps the building cool. During the winter, it stores heat energy and releases it at night.
"It's like heating a rock in the sun," Meyer said.
Kroon is heated by delivering air up through the floor, he said. While most buildings control climate from the ceiling down, Kroon does the opposite. Meyer said that this is more efficient because the human body senses heat more quickly when it moves vertically upwards. Delivering heat through the floor is also less noisy and limits the amount of air that must be heated, because heat rises, he said.
To maximize natural air circulation and lighting, the building will monitor outside conditions to determine if it is a "green day" or an "amber day." On green days, occupants will be encouraged to open their windows. On amber days, the system will monitor itself with heat or air-conditioning.
"There is a responsibility to the occupants of the building," Meyer said.
FES officials call Kroon Hall a landmark for sustainability at Yale. But the University's work in that area will not end with this building. Brewster said Kroon Hall is envisioned as a prototype for the next generation of University buildings.
"We see this as a model for Yale," he said. "Certainly the construction folks have been trying to learn from this process so they can incorporate it in future construction plans."