text:
Q: CSS In-line menu What code do I need to change from the following css to make the menu near each other not underneath each other:
/* =Menu
----------------------------------------------- */

.main-navigation {
    clear: both;
    display: block;
    font-weight: bolder;
}
.main-navigation:after {
    clear: both;
    content: "";
    display: block;
}
.main-navigation ul {
    list-style: none;
    margin: 0;
    padding-left: 0;
}
.main-navigation li {
    margin: 0.5em 0;
    position: relative;
}
.main-navigation a {
    display: block;
    font-size: 1.4rem;
    font-weight: bold;
    margin-right: 2em;
    text-decoration: none;
}
.main-navigation ul ul {
    background: #e9e0d1;
    border: 1px solid rgba( 0, 0, 0, 0.1 );
    display: none;
    position: absolute;
        top: 1.2em;
        left: 0;
    z-index: 99999;
}
.main-navigation ul ul ul {
    left: 100%;
    top: 0;
}
.main-navigation ul ul a {
    padding: 0 1.5em;
    width: 200px;
}
.main-navigation ul ul li {
}
.main-navigation li:hover > a,
.main-navigation li.current_page_item a,
.main-navigation li.current-menu-item a,
.main-navigation ul ul a:hover {
    color: #33605a;
}
.main-navigation ul ul :hover > a {
}
.main-navigation ul li:hover > ul {
    display: block;
}

/* Small menu */
.menu-toggle {
    color: #7c948a;
    cursor: pointer;
    font-size: 20px;
    font-weight: bold;
    text-align: center;
}
.main-small-navigation .menu {
    display: none;
}

Already tried changing from displya block to inline but that just reduced the padding between the  menu items
This is just a theme taken from themeshaper. JSFiddle example includes all code.

A: You can add one of the following (I'm guessing that your main nav ul is a direct child of the .main-navigation container)
.main-navigation > ul {overflow:auto;}
.main-navigation > ul > li { float:left; }

Example 1
or
.main-navigation > ul > li {display:inline-block;}

Example 2
Edit - having seen your fiddle you need to use
.main-navigation .menu > ul > li


Don't feel under pressure to dive straight into employment after graduation – a little bit of further study can take your career a long way.
If you haven't made up your mind about what to do next, it's well worth taking the time to look at how you can broaden your long-term horizons with the help of further study. Postgraduate study will teach you additional skills, allow you to specialise or broaden your knowledge, and may even give you a head-start in a competitive job market.
Is your desire to avoid making a career decision tipping the scales in favour of further study? Postgraduate study is a time-consuming and costly business, so you need to be clear on your reasons for pursuing it.
Your degree subject can be a useful starting point in your decision-making process. Finding out what people on your course have gone on to do in the past can be a source of inspiration or give you an idea of the kind of career paths open to you. Some subjects are clearly vocational and you may have chosen your course for a reason which is still valid in your career planning. Be aware though, that around 40 per cent of graduate-level positions advertised do not specify a specific degree discipline, so your degree subject doesn't have to revolve around your future career.
Research courses carefully to make sure they deliver what you need them to, and consider where further study will take you career wise. Employers will also want to know why you chose to extend your studies and which of the skills attained are transferable to the workplace.
Remember that you can enter the realm of postgraduate study at any stage in your career. If you've found yourself in a job that isn't satisfying your career-needs, a postgraduate course could help you bounce back better qualified – with more options to choose from. Find out if your company are able to help you, financially or with time off to pursue further study. If you want the option to earn while you learn then consider going for a part-time or distance learning course.
You also have the option of working full-time and completing a course independently in your free time. Although this seems like a good way to getting the best of both worlds it will be a huge demand on your time. So only opt for this method if you are sure you can dedicate your weekends and evenings to keep up.
If all your research and soul-searching activities are pointing to a career that your graduate degree doesn't relate to, you might consider making the transition to your desired sector through a conversion course. It is possible to convert from most disciplines into law, property, science, construction and teaching. Look into how favourably your chosen course is viewed by potential employers. If it is beneficial to the company, they may even provide funding.


Beautiful vintage style Dandelion print gift wrap. Perfect for wrapping, as posters, framing, wall hanging, decoupage and many other crafts! the quality and texture of the paper is just gorgeous and the colours and prints are wonderful to display on your walls.
Each sheet measures 50 x 70cm or 20" x 28"
We have lots of different prints available and we also have the wooden hanging kits to make these into wall charts.


text:
Chinindian exhibition in Auburn (27 February "" 27 March)
If you want to see the melting and mixing of cultures then you ought to be in Auburn area where multiculturalism exists in its true form that one witnesses at the grass root level.
There is a growing community of Chinese and Indian families in the Auburn area. The Chindian of Auburn exhibition and project aims to showcase the similarities and differences between both cultures and celebrate their history and traditions.
The exhibition includes photo, video and text exhibition exploring the stories of Chinese Indian mixed marriages, celebrating a intertwining of cultures, religions and families. Chindian is relatively new term and loosely refers to families of mixed ethnicity, who trace their ancestry to both China and India. It is a term most commonly used in Malaysia and Singapore where the two communities have had the chance to coexist and mingle.
Building on The Chindian Diaries project , the artist Kevin Bathman curates a cross-cultural storytelling project on mixed heritage communities between the Chinese and Indian culture bringing the stories of both these communities in Auburn and to a wider audience. Bathman initiated the project to trace his own roots and explore his cross cultural identity from a mixed heritage – Chinese and Indian. The cross-cultural storytelling project, explores issues such as self-identity, belonging, family, cross culture and more.
The Chindians of Auburn aims to showcase the similarities between both cultures and celebrate their history and traditions. Born in Kuala Lumpur, Kevin Bathman is a social entrepreneur, designer, communications specialist, event curator, storyteller, writer and social change advocate. He is interested in using creativity to address environmental, cultural and social justice issues, and believes that the arts is an untapped avenue for catalysing change. He is a passionate diversity advocate and is interested in engaging with culturally and linguistically diverse communities. In 2013, he co-founded Carnival of the Bold, a movement of arts for social change. Since 2012, Kevin has been researching the history, connections and cross-cultural stories between the Chinese and Indian culture for his project, The Chindian Diaries.
The Chindians of Auburn also showcases two stories of Priya Gauri Anandan who shares about her mixed heritage background, and recent migration journey to Australia. Shivanjani and Shivanesh Lal, Australian Fijian Indian siblings who share their migrational story and friendship with their longtime Chinese neighbour, the Ma family in Auburn. The exhibition will also include short videos of this unique culture, exploring the stories of Chinese and Indian mixed heritage, celebrating a intertwining of cultures, religions and families.
Two short documentary will also be shown: Director Charlene Chung's Cheena Manaivi (Singapore): is about an interracial family – of an Indian and Chinese marriage, although being married for close to fifteen years now, there are still people who refuse to accept them as one, and to love them for whom they are. Cheena Manaivi shows to what extent one would compromise and give in to a different racial and religious culture as well as finding an identity within. 11mins 06 secs
The Last o fthe Chinamen (India): Thousands of Chinese people working for the East India Company settled in Mumbai's Mazgaon dock area in the 19th century. The lack of an Indian passport, a backlash from the 1962 Indo-China war and better economic opportunities elsewhere, led to a sharp decline in their numbers. Today, only a handful of the Chinese call Mazgaon home. 5 mins 21 secs
The Dancing Peacock – Dance Choreography & Performance by Aruna Gandhi with Music Composition & Rendition by Nicholas Ng – A collaborative performance featuring Indian Classical dance to a soundscape inspired by Chinese music. In conjunction with the launch of The Chindians of Auburn project on 27 February 2016 at 1.30pm. Aruna Gandhi is a performing artiste, choreographer and educator who specialises in the Indian-classical dance style of Bharatanatyam. It is a dance form that weaves together various rhythmic patterns, hand-gestures, facial expressions, movements and music to express thoughts and feelings and narrate stories.
Nicholas Ng brings together the ancient and the modern in music through the use of traditional instruments and electronic sound. His style is influenced by his roots as an Australian composer of Chinese descent and often implements old""world Asian modality in a contemporary "˜western' context towards the creation of a fresh, unique and highly energised sound.
(Venue: PEACOCK GALLERY AND AUBURN ARTS STUDIO Auburn Botanic Gardens Corner of Chiswick and Chisholm Roads, Auburn. Opening hours: Tuesdays to Sundays 11 to 4pm)
Posted by neena on Feb 24 2016. Filed under Community, Featured. You can follow any responses to this entry through the RSS 2.0. Both comments and pings are currently closed.

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: ( ! ) Parse error: syntax error, unexpected '{' in D:\Yatharth Files\wamp\www\index.php on line 121 Why does this code throw an error?
<?php
if(isset($_POST['aca'])){
    header("location:Academic");
}elseif(isset($_POST['ed'])){
    header("location:EnjoyDev");
}elseif(isset($_POST['hb'])){
    header("location:Hoverboard");
}elseif(isset($_POST['lc'])){
    header("location:LiveChat");
}elseif(isset($_POST['mp']){
    header("location:myPro");
}elseif(isset($_POST['ym'])){
    header("location:YatMath");
}
?>

LINE 121:  }elseif(isset($_POST['mp']){
I didn't miss any semicolons.

A: LINE 121:
}elseif(isset($_POST['mp']){

should be
} elseif( isset($_POST['mp']) ) {

Also, I would suggest that you make use of spaces to improve your codes' readability. You wouldn't have made this mistake then.

redpajama_set_name: RedPajamaStackExchange


When you take time to apply proper internet marketing techniques, it really does show. It shows that you care about your online presence and that you want to provide more people with your products and services. That is admirable. Like with any other skill set, you can always add and improve. Below are some tips to help.
Setup an email signature to automatically be added to every email you send. Include your name, company name, position, and contact info. This gives the client multiple ways of contacting you. They can also go to your website to get pricing, view samples of your work, or look at your product. This gives them the information they need quickly if you are not immediately available.
TIP! Use ethical marketing techniques and tactics while advertising your products and services through internet marketing. The last thing that you want is for customers to gain a lack of trust for your website, services and products through spam or deceptive internet marketing.
TIP! Join the visual world. Video marketing has been shown to increase sales, because you are giving a more personal review of the product, and sometimes even allowing your readers to see a product in use.
Create your URLs, directory paths and file names with keywords to improve you SEO. Search engines place more weight on URLs with keywords in them. Likewise, if a keyword-rich URL is not possible, use keywords to name your directory paths and file names. If your keyword is long, use hyphens between the words, not underscores. Your rankings in searches for those keywords will improve.
You want to be indexed by Google to do internet marketing the right way. Millions of people search Google every hour of every day, and you need to know when people are searching for terms related to your business. Your business will skyrocket if it is indexed by Google.
Make a video demonstration showing how to use your product and showcasing its advantages. This way the consumer will see you actually using the product. Be sure to show exactly how the product can be used. Demonstrate any assembly required and highlight all special features. YouTube or your business blog are great sites for your videos.
TIP! To get more results for every internet marketing method you use, build your authority. Work on getting well-known in your particular niche to rank higher in the search engine as well as get more traffic to your web pages.
For a small boost, put your keyword phrase inside the meta keywords tag. Meta tags have decreased in use and popularity as search engines have started to disregard them in their rankings. There are a few crawlers out there that still use them so it can't hurt to include them.
Try doing a live journal of progress being made with your product if you are selling something that improves skills or anything that can be quantified. Showing people in real time how a product is helping them reach their goals or do the job that they wanted you will create interest which will lead to sales.
You have the tools and the skill set to apply a proper marketing plan that can successfully promote your business online. The tips in this article were constructed to add to your marketing plan, as you are never done learning or improving. You may have even found a new technique to employ.


text:
Q: MVC: Displaying Roles in a list of checkboxes, then saving them I have a page where roles are displayed in a list of checkboxes, you can select which roles you want a user to have, and then you click a button to save it.
Here's my model:
public class RegisterModel
{
    [DisplayName("Roles")]
    public string[] Roles
    {
        get
        {
            return System.Web.Security.Roles.GetAllRoles();
        }
        set { }
    }
}

My view:
<%@ Page Language="C#" MasterPageFile="~/Views/Shared/Site.Master" Inherits="System.Web.Mvc.ViewPage<WebUI.Models.RegisterModel>" %>

<% using (Html.BeginForm()) { %>
    <% foreach(string role in Model.Roles) { %>
        <input type="checkbox" value="<%: role %>" /> <%: role %>
    <% } %>

        <input type="submit" value="Register" />

<% } %>

And the functions from my controller:
public ActionResult Register()
{
    return View();
}

[HttpPost]
public ActionResult Register(RegisterModel model)
{
    if (ModelState.IsValid)
    {
        //save roles
        return RedirectToAction("Index", "Home");
    }

    // If we got this far, something failed, redisplay form
    return View(model);
}

When I try to view my page, I get an "Object reference not set to an instance of an object" error on the foreach statement, signifying that Model.Roles is empty.

*

*Am I passing the Roles correctly through my model? Or should I pass the Roles as ViewData through my Controller action?

*If I pass the Roles as ViewData instead of through my model, how can I access the selected items when I submit the form so that I can call Roles.AddUsersToRoles()?

A: First off, you are not passing your model to the view when you get the page.  This is causing the null reference exception.  It should be:
[HttpGet]
public ActionResult Register() {

  //create an instance of your model however you are doing that
  var model = new RegisterModel();

  //pass your model instance to your view
  return View(model);
}

Second, you need to add a name attribute to your inputs in order for the MVC model binding to pass the data when the form is posted.
  <% foreach(string role in Model.Roles) { %>
    <input type="checkbox" name="Roles" value="<%: role %>" /> <%: role %>
  <% } %>

However, as your Roles property appears to have no setter you probably should create a view model containing the roles so your code should look like this:
View model
public class RegisterViewModel {
  public string[] Roles { get; set; }
  //...other properties
}

View
<%@ Page Language="C#" MasterPageFile="~/Views/Shared/Site.Master" Inherits="System.Web.Mvc.ViewPage<WebUI.ViewModels.RegisterViewModel>" %>

<% using (Html.BeginForm()) { %>
  <% foreach(string role in Model.Roles) { %>
    <input type="checkbox" name="Roles" value="<%: role %>" /> <%: role %>
  <% } %>

<input type="submit" value="Register" />

<% } %>

Controller
[HttpGet]
public ViewResult Index() {
  var model = new RegisterViewModel();
  model.Roles = System.Web.Security.Roles.GetAllRoles(); //or however you populate your roles
  return View(model);
}

[HttpPost]
public ActionResult Index(RegisterViewModel model) {
  string[] roles = model.Roles //the selected roles are here
  //....
}

A: You can do something like ( haven't done this in a while, all from memory ):
<% foreach(string role in Model.Roles) { %>
    <input type="checkbox" name="roles" value="<%: role %>" /> <%: role %>
<% } %>

And in your controller:
[HttpPost]
public ActionResult Register(string[] roles)
{
    if (ModelState.IsValid)
    {
        //save roles
        return RedirectToAction("Index", "Home");
    }

    // If we got this far, something failed, redisplay form
    return View(model);
}

And now for each checked checkbox you'll get a value in the array.

A: This is only a partial answer, but I can explain the null reference exception bit.
You have not created an instance of your RegisterModel class. Your view is expecting a WebUI.Models.RegisterModel, but you have not provided one in this code.
Try either:
public ActionResult Register() { return View(new RegisterModel()); }
or make your Roles property static:
public static string[] Roles
And access in your view this way:
foreach(string role in RegisterModel.Roles)

A: For testability and sanity, I would change your model to not reach out and try and grab the roles directly but rather take a list of roles in the constructor.


Seems to be made for Gladiator spec. Raw AP from the Bonus Armor and the proc (which is up 50% of the time) gives 1142 AP (depends on your total AP) for me through Mastery.
Obviously also works for tanks, but seems to be one of the best trinkets in general for Gladiator Spec.
As of patch 6.2 Blast Furnace Door is competitively better than Anzu's Cursed Plume from the new raid, Hellfire Citadel. I am assuming this is something that will be hot fixed in a future patch, due to the fact that at heroic and mythic item levels Anzu's Cursed Plume is somewhat in direct competition with a trinket from the last raid tier, Blackrock Foundry.
Please note: I undetstand that with Anzu's Cursed Plume you are getting 3.00 procs per minute, as opposed to 0.92 with Blast Furnace Door, but come one now guys... the high amount of mastery on Blast Furnace Door, procing at any given moment, and lack of bonus armor on Anzu's Cursed Plume, bonus armor being a constant stat on the trinket in this case, is still enough to compete, in my opinion.
This trinket makes a really annoying sound, Anzu's Flight, every time it procs, which is several times per minute.
You can download this 2KB file with an empty sound and put it in your WoW folder.
As of 7.0 this still is a 3ppm trinket with a 10 second duration, that now proc's on attack, not when struck. It gives between 950 and 1400 mastery per proc, so for those mastery DPS classes it seems to be the best up time and raw boost. I can't think of another trinket with a massive boost and 50% up time, yet no websites seem to be looking at this. My one procs for 1,254 mastery which is a 45% increase in mastery... this thing is amazing.
Anyone else been using this?


Welcome to Florista Flower Shop! If you visit or shop within our website, you accept these conditions. Please read them carefully.
• We accept payments via Paypal or Credit Card (Mastercard / Visa / American Express / Discover Network) and Bank Deposit(BPI and Metrobank, Account details will be sent upon order completion).
No orders will be processed if a payment is not received or payment method is declined.
For Bank deposit, please email the deposit slip to sales@florista.com.ph or florista_flowershop@yahoo.com.
• Items are entitled to be refunded or returned if the fault is on Florista's side.
• Orders made that has no SHIPPING FEE will be counted as a "pickup order" to our branches.
• Flower orders of client/s that do not pay the shipping fee upon placing an order will be considered as "pick up order".
• Shipping / Delivery fee will be paid for by the buyer in the amount agreed upon by the seller at the time of purchase or is set onto the shop.
• If the flower/s is lost during shipping, the total cost of item, including shipping, will be refunded to the buyer by the seller.
• Delivery of the ordered flowers will be made to the address you set in your order.
• When you shop at Florista Flower Shop you acknowledge that the delivery of the flowers depends on the time and date that the order is made. Rest assured that Florista will process it as soon as possible when you made an order.
• The seller is not responsible for any health or safety concerns once the buyer/recipient received flowers. If any harm is incurred from the flowers purchased by the buyer, the seller shares no responsibility.


President Obama knew it would be a jam-packed four months. "The time has come to set aside childish things," he proclaimed in his inaugural address. "For everywhere we look, there is work to be done."
From foreign summits to fiscal stimulus, check out today's TNR slideshow to see how Obama has filled his first 100 days.


The first entry in this pattern book numbered 25 is dated the 25th July 1926. Collectors should appreciate that during the period covered by this website, an increasing use was made of printed outlines which were then enamelled by hand, often not by the artist named. Women were employed as enamellers and they were not at this time permitted to sign their own work, although this practice eventually changed in the post war period. Instead generic names such as "Ellis" and "Garnett" were used, and the base of the piece was merely marked with an initial or other cipher for quality control purposes. In this section, and in the following pages, I have referred to work by the male artists Dean, Gresley, Chivers and Hague etc. but there is no guarantee that they actually decorated the object.
9646 – Dessert plate in the Talbot shape with flower centre by Cuthbert Gresley. I have also seen an example initialled R.B. (Robert Barratt) with a date code for 1927. 9647 - Similar to 9646 but with yellow ground and unsigned flower sprays. 9649 - Shape unidentified. Maroon ground with printed gold pattern. Plain centre. 9677 – Plate in the Ellesmere shape with Ellis centre. 9680 – Silver shape with unsigned flower centre. 9684 – Dragon pattern with a Hot Water jug in the Dublin shape. Cauldon also produced a version of this pattern.
9719 - My representation of this pattern which is on the Talbot shape with yellow ground and Ellis Centre. The thick gold band and diamond shape panels are acid etched. I have seen these as a set of 12 with date cipher for 1929 and marked "W H Plummer and Co. Ltd. New York". 9723 – Vase decorated by Dean. Shape number 1016. John Twitchett and Betty Bailey list the shape numbers but there are very few illustrations. 1016 is described as follows: "Vase, plain, with embossed neck and top, and two small handles L 7.25 in. S 5.75 in." 9735 – Gadroon shape with green ground to shoulder and centre signed "E. Ellis". 9736 Talbot shape teacup and saucer with maroon ground panels, ivory ground and raised gold flowers. 9738 - My representation of this pattern which is on the Talbot shape with maroon ground to rim. 974? - The last number is missing. Gadroon shape, green ground, gold printed pattern below shoulder and ellis centre. 9747 – Tray 1685 oval shape. 9756 – Ely/Chelsea shape. A version of 9781 (see below), but with pink and purple enamel. 9762 – Gadroon shape. Green enamel to embossment and band at shoulder. Bird centre. Signed "E. Ellis".
9765 - Talbot shape-plate. Blue enamel to the embossment. This version has a Dean centre. 9766 – Talbot shape plate. Green enamel to the embossment which is hand gilt with edge and two lines. Line at shoulder. 9777 – Gadroon shape with cobalt ground to rim. Gold printed pattern over ground. Dean centre (untitled). 9781 – Edinburgh shape coffee cup and saucer. A version of 9756 but predominantly blue coloured. 9795 – Gadroon shape. Yellow ground to embossment and band at shoulder. Crescent shape centre flower spray signed "E. Ellis". 9801 – Similar to 9777 but with different gold printed pattern over ground. Dean centre. The scene is untitled.
9803 – Talbot shape teacup and saucer with ivory ground all over. Similar to 9766 but with the green enamel extending over part of the rim. A plate in the red enamel version bearing the same pattern number is also included. 9810 – Square Chelsea shape cup and saucer. Cobalt ground with pattern hand gilt and enamelled in orange and light green. Thick gold edge and inner line. Traced gold handle. The gilding on this set is of an exceptional quality. 9812 – Square Chelsea shape teacup and saucer. Blue printed pattern with enamelling by hand. Gilt edge and foot line. Traced handle.
9814 - Gadroon shape with cobalt ground to rim. Unsigned but inscribed on the reverse "After Paul Sandby. The Father of British Water-Colour Art 1728-1809". 9815 – A green version of 9812. 9816 – A light blue version of 9812. 9818 – Square Chelsea shape teacup and saucer. Cobalt ground. A variation of the "Melton" pattern (Pattern number 2649) also called "Barbed Wire" because of the gilt four point "bows" which are a particular feature. Thick gold edge and heavily gilt handle, thin foot line and inner line below rim. A good range of miniatures were also produced in this pattern including a miniature tea set with teapot, milk, sugar and two teacups and saucers. 9838 – Plain shape I believe with a printed pattern hand enamelled in red and orange. Narrow bands of maroon, cobalt and orange grounds at the edge, shoulder and around the inner panel, gilt over by hand. Remarkable workmanship.
9841 "Portman Oak" – Plain shape I believe. I presume the pattern was printed, but the acorns, thick gold edge, shoulder line, and more particularly the hatched irregular band, all appear to be applied by hand. 9864 "Balmoral" – Teacup and saucer in the talbot shape. Green ground and painted flower centre. This set is unsigned.
This version of 9864 Balmoral has a centre painted with fruit by Gresley. 9874 - My representation of this pattern which appears on the Dublin shape. Thick gold edge and fine line. Handle gilt as shown in the image. 9875 Posie blue Line is the first example of the posie spray in its litho form, a pattern which remains in production today. It also appears on Caulden ware in several versions including one called "Marita" Whilst the main part of the posie pattern was applied as a litho or transfer, the roses were hand painted, making each piece slightly different. It appears here in the Square Chelsea shape. Remarkably this pattern is still in production today. 9881 - A coffee cup and saucer in the Surrey shape. Printed gold pattern. Edge gilt by hand. Solid gold handle. 9876 is a version of posie in the Talbot shape. As 9766 but with the addition of the posie sprays.
9888 – Coffee Cup and saucer in the Dover shape. Ivory ground all over with printed pattern in gold. Gold edge and traced handle. The second image shows a boxed presentation coffee set in this pattern complete with silver spoons made for Hardy Bros. Jewellers and Silversmiths Australia.
9907 – A sugar bowl in the surrey shape. Printed gold pattern similar to pattern 9881. 9917 – Square Chelsea shape teacups and saucers. This pattern appears in green, cobalt and maroon ground versions and all are marked with the same pattern number. Thick gold edge, thin foot line and traced handle.
9918 – Talbot shape plate with green ground, gold printed pattern and "Garnett" centre. Hand gilt edge, and embossment with two lines. 9925 – As 9918 but with "Ellis" centre. 9926 – As 9918 but with maroon ground. 9921 - My representation of this pattern. Talbot shape plate with green ground to rim, printed gold border below the shoulder and Ellis centre. Seen as a set of eight with factory mark for 1932. 9928 – Clarence shape plate with green ground to rim overprinted with a gold pattern which extends below the shoulder. Hand gilt edge, shoulder line and embossment. "Ellis" centre.
9943 – Old Chelsea Sweet shape dish with rural scene by Dean.
9944 – Tray shape 1803 with Dean maritime centre. Sold together with its original box. 9956 –Tray shape 1375 (Card Basket Oval on four small feet) with green ground and centre by Gresley. 9957 - Tray 1685 oval shape with green ground and Gresley centre. 9961 - A covered box (Shape number 1784) signed by Dean with a depiction of "Dorothy Vernon's Bridge" an image taken from illustrations by Ernest Haslehust within a guide book entitled "The Peak District" by R. Murray Gilchrist. 9971 – Square Chelsea shape teacup and saucer in a pattern apparently referred to as "Peacock and Worm". Pattern printed in blue and then hand enamelled in pink, green, yellow and turquoise. Gold edge and foot line. Traced handle.
9973 - Saucer in unknown shape. 9987 – Plain shape I believe. Cobalt ground border to edge overlaid with hand applied gold swirls. Printed inner border extending to shoulder in red. Gold edge. 9988 – Similar to 9987 but in the Dover shape with the pattern printed in blue and the flowers hand enamelled in red. 9990 – Unknown shape, perhaps mostyn, with green ground extending over the shoulder and litho posie centre. Gold edge and inner line. 9991 – Similar to 9990. Here in the Edinburgh shape with posie spray inside cup. Gold edge, shoulder line and foot line. Traced handle.
The following are dated from 1927 onwards but have no marked pattern number. They may be re-issues of old patterns, but further research is required.


text:
Week in Review: Liu He's Planned Visit to the US, Section 301 Tariff Exclusions, House Ways and Means Trade Subcommittee, and a Bill to Expand the President's Tariff Power
High-level bilateral talks scheduled for end of January
The Chinese government confirmed on Thursday that Vice Premier Liu He will visit the United States from January 30 to 31 to continue the bilateral trade talks that began at the vice-ministerial level from January 7 to 9. China's Ministry of Commerce Spokesman Gao Feng offered no other details on Liu He's agenda in Washington, except that both countries will try to implement the common understanding reached by...
Week in Review: Outcomes From the 3-Day Talks; US-EU-Japan Pledge to Address China's Trade Practices, and USCBC's Hill Outreach
US-China trade talks review substantive issues, but no outcomes to date
Trade negotiations between the United States and China this week covered both structural issues and the trade balance. While no agreement was reached—nor was one expected—the substantive discussions laid the groundwork for further negotiations on the most difficult bilateral trade issues.
US-China Business Council sources indicate that the talks were extended to a third day to...
US Government & Politics (2) Apply US Government & Politics filter
(-) Remove US-China Business Council filter US-China Business Council
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Sign in to check out Check out as guest. Just wanted to drop a quick note to let you know how pleased I am with the new surrounds you recently installed on the woofers for a Dahlquist DQ6ci pair that I? Email to friends Share on Facebook – opens in a new window or tab Share on Twitter – opens in a new window or tab Share on Pinterest – opens in a new window or tab. We take the time to do it right the first time, every time! Contact us right away.
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Diaphragm for Behringer BA Tweeter Titanium dome, flat ribbon copper voice-coil and gold plated connections.
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I'm an Art director. I am Certified Professional in Accessibility Core Competencies (CPACC).
I'm motivated by finding creative solutions wherein solid design choices enables an easy and elegant flow of information. For me, it's important to make a difference and it feels great to go to work every morning, knowing that my work contributes to more people getting access to information.
I have a Bachelor's degree in graphic design, communication and project management. I have also studied art at a Folk High School. I previously worked at the Swedish Migration Agency main offices, where I was tasked with everything from planning and execution of communication strategies, production of information pamphlets, web design, illustration and animation. I have also had my own marketing business.
My childhood home is Ljungby in southern Sweden, but I have moved around some and am now living with my daughter and my partner south of Stockholm. Art and design are my main passions, and I love to visit art exhibitions and museums for inspiration. When I feel the need to relax, I usually do it by weeding my garden or bringing out my knitting needles, in front of a movie, with a cup of tea.


text:
Q: OnTriggerEnter2D and OnTriggerExit2D called mutiples time I have one Player with RigidBody2D and a pillar with BoxCollider2D.
I check when OnTriggerEnter2D is called ( Player collided with the pillar ) then I try to keep Player position by change his bodyType to Static.
When OnTriggerExit2D is called, Player bodyType will be reverted to Dynamic again.
My problem is: after change player bodyType to Static , OnTriggerExit2D is called immediately. And after reverted to Dynamic, then OnTriggerEnter2D is called immediately. It goes on repeating again and again.
This is my Player and pillar

If you have any suggest please tell me.
Thank you.

A: From the RigidbodyType2D.Static docs:

Static behaviour stops the Rigidbody2D from reacting to gravity or
  applied forces including contacts with any other Rigidbody2D.
This type of Rigidbody2D should never repositioned explicitly. It is
  designed to never move.
A static Rigidbody2D will only collide with a dynamic Rigidbody2D body
  type. The exception to this is if Rigidbody2D.useFullKinematicContacts
  is set to true in which case it will also collide with any
  [[Kinematic]] body types.
When an attached Collider2D is set to trigger, it will always produce
  a trigger for any Collider2D attached to [[Dynamic]] or [[Kinematic]]
  body types.

That's why the exit is triggered again, if you want your character to sticks to the wall you should do a different approach.

A: My solution for this issue is changed to use constraints.
The way I approached it was to freeze the X and Y positions as well as the Z rotation whenever OnCollisionEnter() was triggered.
void OnCollisionEnter2D(Collision2D collison){
     if(collison.transform.tag -= "Player"){
             body.constraints = RigidbodyConstraints2D.FreezePositionY | RigidbodyConstraints2D.FreezePositionX | RigidbodyConstraints2D.FreezeRotation;
     }
}

void OnCollisionExit2D(Collision2D collision){
     if(collision.transform.tag == "Player"){
         body.constraints = RigidbodyConstraints2D.None;
     }
 }


text:
Q: Implementing Unit Of Work in WinForms I have implemented the Repository pattern in my WinForms Application:
UnitOfWork:
using RCCGSPP.Core;
using RCCGSPP.Persistence.Repositories;
using System;
using System.Collections.Generic;
using System.Linq;
using System.Text;
using System.Threading.Tasks;
using System.Data.Entity;

namespace RCCGSPP.Persistence
{
    //Implements the Logic for Methods in the IUnitOfWork Interface
    public class UnitOfWork
    {
        //Our App contextClassName
        private readonly SPPContext _context;
        private DbContext dbContext;

        //Recieves our App ContextClassName
        public UnitOfWork(SPPContext context)
        {
            //stores our App ContextName in _context
            _context = context;
            //Then uses the context to initialise both Repositories
            Persons = new PersonRepository(_context);
            SundayServices = new SundayServiceRepository(_context);
            UserPasses = new UserRepository(_context);
            NewComers = new NewComerRepository(_context);
        }

        public UnitOfWork(DbContext dbContext)
        {
            this.dbContext = dbContext;
        }

        //properties
        public PersonRepository Persons { get; private set; }
        public SundayServiceRepository SundayServices { get; private set; }
        public UserRepository UserPasses { get; private set; }
        public NewComerRepository NewComers { get; private set; }

        //Calls the SaveChanges on the Context
        public int Complete()
        {
            return _context.SaveChanges();
        }

        //Implementation of the Dispose Method to Dispose the Context
        public void Dispose()
        {
            _context.Dispose();
        }
    }
}

My Form whwere I want to use my UnitOfWork, I have declared it as a readonly property so I have included it in the contructor to initialise it but since by form is load from another at the click of a Button I get "There is no argument given that corresponds to the required formal parameter 'unitOfWork'"
Form Where To Use UNITOFWORK
    public partial class Register : MaterialForm
    {
        private readonly IUnitOfWork _unitOfWork;
        string userName;
        string psswrd;
        string Confirmpsswrd;

        public Register(IUnitOfWork unitOfWork)
        {
            InitializeComponent();
            //Set your preferred colors &theme (Material Skin)
            var materialSkinManager = MaterialSkinManager.Instance;
            materialSkinManager.AddFormToManage(this);
            materialSkinManager.Theme = MaterialSkinManager.Themes.DARK;
            materialSkinManager.ColorScheme = new ColorScheme(Primary.Blue400, Primary.Red900, Primary.Brown900, Accent.LightBlue200, TextShade.BLACK);
            //prevent Form from Resizing
            Sizable = false;

            //UnitOfWork
            _unitOfWork = unitOfWork;
        }

        private void Register_Load(object sender, EventArgs e)
        {

        }

        private void btnSubmit_Click(object sender, EventArgs e)
        {
            //Get the User email and Password to register in the DB
            userName = textEmail.Text;
            psswrd = textPassword.Text;
            Confirmpsswrd = textConfirmPassword.Text;
            //Compare the password
            bool conRes = ComparePassword(psswrd, Confirmpsswrd);
            if (conRes)
            {
                //Insert to db using the UnitOfWork
                UserPass userToDb = new UserPass
                {
                    UserName = this.userName,
                    password = this.psswrd,

                };

                _unitOfWork.UserPasses.Add(userToDb);
                //Commit calling complete()
                _unitOfWork.Complete();
                //FeedBack Registered Sucessfull
                LabelErrorPassword.Text = "Successful, Login!";
            }
            else
            {
                LabelErrorPassword.BackColor = Color.Red;
                LabelErrorPassword.Text = "The Passwords don't match!"; //show in the Label that password are not the same
            }
        }

        /**********Method to compare Password**********************/
        public bool ComparePassword(string pss1, string pss2)
        {
            if (pss1.Equals(pss2))
            {
                return true;
            }
            else return false;
        }
    }

lOADING MY fORM :
private void BtnRegister_Click(object sender, EventArgs e)
{
    //lOAD THE rEGISTER fORM,
    Register nForm = new Register();
    nForm.Show();
}

How can I make use of my UnitOfWork in my WinForm Application.

A: As @stuartd said, the parameterless contructor for a Form in WinForms is recommended. But of course you can add a constructor with arguments.
public Register()
{
    InitializeComponent();
    //Set your preferred colors &theme (Material Skin)
    var materialSkinManager = MaterialSkinManager.Instance;
    materialSkinManager.AddFormToManage(this);
    materialSkinManager.Theme = MaterialSkinManager.Themes.DARK;
    materialSkinManager.ColorScheme = new ColorScheme(Primary.Blue400, Primary.Red900, Primary.Brown900, Accent.LightBlue200, TextShade.BLACK);
    //prevent Form from Resizing
    Sizable = false;

    //UnitOfWork, not initialized here
    //_unitOfWork = unitOfWork;
}

public Register(IUnitOfWork unitOfWork) : this() // call default constructor!
{
  _unitOfWork = unitOfWork;
}

I strongly recommend to leave all the auto-generated and custom initialization code in the default (parameterless) constructor. So, the WinForms designer does not stop working.
We use this strategy in combination with DI containers in several projects  without any problem.

A: Thank You all.
I have used the Simple Ijector package to Inject the UnitOfWork into my Program.cs as Follow:
static void Main()
        {

            Application.EnableVisualStyles();
            Application.SetCompatibleTextRenderingDefault(false);
            Bootstrap();
            //Get instance of my Registered HomeForm
            Application.Run((container.GetInstance<Home>()));

        }

        private static void Bootstrap()
        {
            // Create the container as usual.
            container = new Container();

            // Register my types, for instance:
            container.Register<UnitOfWork, UnitOfWork>();
            //Register my HomeForm
            container.Register<Home>();

            // Optionally verify the container.
            //container.Verify();
        }

    }

Then in my Principal Form: I injected the registered UnitOfWork in it's constructor:
//Declare my UnitOfwORK
        private readonly UnitOfWork _unitOfWork;

        public Home(UnitOfWork unitOfWork)
        {
            InitializeComponent();

            this._unitOfWork = unitOfWork;
        }

Then I pass it to the New Register Form that will be loaded at the click of the Register Button, inside of which I will use the UnitOfWork to persist  and commit to the DB
 //lOAD THE rEGISTER fORM,
        Register nForm = new Register(this._unitOfWork);
            nForm.Show();
        }

Finally in the Register I use this UnitOfWork to perform my CRUD Operations and Commit to the DB:
public partial class Register : MaterialForm
    {
        //Declare my UnitOfwORK
        private readonly UnitOfWork _unitOfWork;

        string userName;
        string psswrd;
        string Confirmpsswrd;

        //I Inject IUnitOfOfClass with the Help of Simple Injector dependency injection library
        public Register(UnitOfWork unitOfWork)
        {
            InitializeComponent();
            //Set your preferred colors &theme (Material Skin)
            var materialSkinManager = MaterialSkinManager.Instance;
            materialSkinManager.AddFormToManage(this);
            materialSkinManager.Theme = MaterialSkinManager.Themes.DARK;
            materialSkinManager.ColorScheme = new ColorScheme(Primary.Blue400, Primary.Red900, Primary.Brown900, Accent.LightBlue200, TextShade.BLACK);
            //prevent Form from Resizing
            Sizable = false;

            _unitOfWork = unitOfWork;
        }

        private void SetUnitOfWork()
        {

        }
        private void Register_Load(object sender, EventArgs e)
        {

        }

        private void btnSubmit_Click(object sender, EventArgs e)
        {
            //Get the User email and Password to register in the DB
            userName = textEmail.Text;
            psswrd = textPassword.Text;
            Confirmpsswrd = textConfirmPassword.Text;
            //Compare the password
            bool conRes = ComparePassword(psswrd, Confirmpsswrd);
            if (conRes)
            {
                //Insert to db using the UnitOfWork
                UserPass userToDb = new UserPass
                {
                    UserName = this.userName,
                    password = this.psswrd,
                    LastAcess = DateTime.Now

                };

               _unitOfWork.UserPasses.Add(userToDb);
                //Commit calling complete()
               _unitOfWork.Complete();
                //FeedBack Registered Sucessfull
                LabelErrorPassword.Text = "Successful, Login!";
            }
            else
            {
                LabelErrorPassword.BackColor = Color.Red;
                LabelErrorPassword.Text = "The Passwords don't match!"; //show in the Label that password are not the same
            }
        }

        /**********Method to compare Password**********************/
        public bool ComparePassword(string pss1, string pss2)
        {
            if (pss1.Equals(pss2))
            {
                return true;
            }
            else return false;
        }
    }

It might not be the best way to implement it but It works absolutely fine, I have tested it and I could see the data in the database.


text:
"Halcyon" is a song written and performed by Orbital, dedicated to Paul Hartnoll's mother, who was addicted to the tranquilliser Halcion (Triazolam) for many years. It was released as Radiccio EP in the UK and Japan, and as Halcyon EP in the US.

History
The song features two samples from earlier international hit singles.  The first sample is a backmasked vocal sample by Kirsty Hawkshaw from "It's a Fine Day" by Opus III (1992). Ed Barton, the composer of "It's a Fine Day", receives a co-writing credit for the track. The second is a vocal harmonies sample in the song "Leave It" from the 1983 album 90125 by the progressive rock band Yes.  There is no co-writing credit for the Yes sample. The beats were produced by a Roland TR-909 rhythm machine.

This original form of Halcyon is relatively uncommon; it first appeared on the Radiccio EP, and was only in the U.S. release as a single under its own name. It did not appear on a full-length album until the compilation Work 1989-2002, and then only in its shorter "single edit".

On Orbital's second eponymous album the track "Halcyon + on + on" appears, a slightly more upbeat and melodic remix of the original song. In contrast to the original, the remix is far more widely known, and has been featured on several movie soundtracks (most notably Mortal Kombat (1995), Hackers, CKY2K and Mean Girls). The title of the remix is inspired by a contemporary advertising slogan used by the Ariston washing machine company ("Ariston + on + on"). "Halcyon + on + on" is somewhat shorter than the original, at 9 minutes and 27 seconds long.

A 2018 film Teen Spirit and the soundtrack album features an edited version of "Halcyon," retitled "Halcyon Teen Spirit," with added vocal samples by Elle Fanning.

Halcyon samples
"Halcyon" is one of the mainstays of Orbital's live performances, in which it is frequently remixed with clips from Belinda Carlisle's "Heaven is a Place on Earth" and Bon Jovi's "You Give Love a Bad Name". A 1999 performance containing these samples appears on the album Orbital: Live at Glastonbury 1994–2004. On occasion (notably the group's 2004 "last ever" performance broadcast on BBC Radio 1) it has also incorporated the chorus of "I Believe in a Thing Called Love" by The Darkness.

In June 2009, Orbital released a two CD greatest hits compilation Orbital 20, which included a number of new remixes, including a "remodel" of "Halcyon" by Tom Middleton.

Music video
The song's video featured Opus III singer Hawkshaw playing a typical mother who was 'under the influence' (which was shot in the Hartnolls' home), who begins her chores by washing dishes.

As she starts doing the task, it becomes evident that she starts to lose focus and start seeing things. Like pictures of the same person on a plate (when removed by plate the picture starts to get smaller), notices her two sons in unusual places (one dancing on a table; the other inside the cabinet below the sink, then in the sink), throwing items from her purse into the water and also washes them (including Barbara Cartland's novel "Shotgun Wedding"). She discovers a bald person who looks like her and tries to push them back into the sink and as she drains the water she also fights with it by using a bouquet of roses.

She then starts dancing in an erratic behaviour before she calms down, and when she turns around she sees herself coming into the kitchen. The video ends with a definition for Halcyon and Halcyon Days on the screen.

Track listing

1992, Radiccio (UK release)
 12", Radiccio 1
 Halcyon (11:07)
 The Naked And The Dub (11:51)
 12", Radiccio 2
 The Naked And The Dead (6:23)
 Sunday (7:14)
 CD, Radiccio
 Halcyon (11:07)
 The Naked And The Dead (6:23)
 Sunday (7:14)
 CD, Radiccio 2
 Halcyon Edit (3:57)
 Halcyon (11:07)
 Deeper (6:58)

1992, Halcyon (US release)
 12", Halcyon
 Halcyon (11:05)
 The Naked And The Dub (11:51)
 CD, Halcyon
 Halcyon (11:07)
 The Naked And The Dead (6:23)
 The Naked And The Dub (11:51)
 Sunday (7:10)
 Chime (Radio Edit) (3:15)

1993, Radiccio (Japan release)
 CD, Radiccio
 Halcyon Edit (3:52)
 Halcyon (11:09)
 Deeper (6:59)
 The Naked And The Dead (6:25)
 Sunday (7:13)
 The Naked And The Dub (11:53)
 Some versions of this CD repeats "The Naked And The Dead" instead of "The Naked And The Dub".

Charts

References

External links
 Official website of Orbital

1992 songs
Orbital (band) songs
Songs about drugs
FFRR Records singles
Songs written by Paul Hartnoll

redpajama_set_name: RedPajamaWikipedia


Pitch Wars mentor, Clarissa Goenawan's husband was hit by a car and is in critical condition and will need surgery. There's a GoFundMe page to help with the costs if you're able to donate. Any little bit helps! Also, Clarissa has canceled all promo events to be with him. Please consider picking up a copy of her debut novel, RAINBIRDS, and/or donating to the GoFundMe page to help them as they go through this most difficult time.
Here's the link to the GoFundMe page.
I'm almost done reading this book and it's sooo good!
So sorry to hear this. Sending prayers and healing vibes to her and her husband.


Some folks are surprised to learn that Scarlett really does cast the bullets herself. She is committed to providing an outstanding product as well as customer service that is unmatched in the industry! Who else gives a free hug with EVERY purchase - and gives a RAIN CHECK for those online purchases.
Bullets by Scarlett uses ONLY foundry lead for her hard cast lead bullets. No scrap, wheel weights, or linotype! The alloy is the "Lyman" 2/6 alloy: 2% Tin (Sn), 6% Antimony (Sb) and 92% Lead (Pb). Purchased by the ton, this alloy provides consistent quality so that customers need not worry about having to constantly adjust/test loads for accuracy. The same lead is used in the cowboy bullets as well as the bullets in the low velocity cowboy loads or cartridges.
Bullets by Scarlett is committed to SASS through the SASS Affiliated Merchant program as well as other competitive and recreational shooters! Scarlett is a sponsor, at some level, of every match that she attends ( and even some she doesn't) and goes out of her way to make her many customers feel like they are her only one.
NEW Brass with Coated Bullets COMING SOON!!
Cowboy Cartridges & Ballistol MUST ship UPS. When you check out, USPS Priority Mail will show as an option however, you MUST ship UPS... we will invoice you (or advise you prior to placing order) of the actual shipping. We charge ACTUAL shipping.
Please know that some states do NOT permit direct sales/shipment of ammunition purchased online. Some states require a Firearm Owner ID card, etc. Please be aware that Bullets by Scarlett will follow Federal and State regulations regarding the sale and shipment of ammunition. Purchaser (regardless of state of residence) must be 21 years of age to purchase cartridges.
Copyright © 2019 Bullets By Scarlett - All Rights Reserved.


Dr. Rita Schäfer is a social anthropologist and author of the many books.
She is doing research on gender, gender violence, HIV / AIDS and women's rights in Africa. Analysis of masculinity in war and post-conflict societies (including South Africa, Zimbabwe, Namibia, Sierra Leone).
Former Liberian President Taylor Convicted - Milestone against sexualised war crimes?


Safe and warm, the Näj is the best accessory for parents that want to help their kids learn to swim for the first time. The Näj, made from neoprene fabric, provides security, comfort, as well as warmth. 8 integrated and securely removable floats, make it perfect to learn how to swim safely at your kid's own pace.


text:
Rule changes put Vodafone in the black
By Nick Goodway for MailOnline
VODAFONE, the world's largest mobile phones company, will finally become profitable again thanks to international changes in accounting methods. The company, once vilified for producing the largest-ever pre-tax loss in UK corporate history, will from next year be able to show its results in a way which far more closely shows the performance of the business.
The effects are staggering. In the last full year to March 2004, Vodafone reported a pre-tax loss of £5.35bn on sales of £32.7bn. Under the new rules it would have had sales of £32.5bn but could have reported a £9.01bn profit. For the six months to September 2004 losses of £2.18bn become profits of £4.76bn.
By far the biggest change under the International Financial Reporting Standards is that there is no longer any requirement for companies to amortise (or write down over a period of time) goodwill.
In Vodafone's case this has been massive, as it had to remove the difference between the amount it paid for a swathe of takeovers and the tangible assets of businesses it acquired.
In the last financial year such amortisation amounted to £15.2bn. In future all companies will have to decide whether or not there has been any reduction in the value of the goodwill on their balance sheet and make an impairment charge accordingly. Vodafone today said it did not consider an impairment charge necessary for 2003-2004.
City analysts and investors have long ignored amortisation, and use earnings before interest, tax, depreciation and amortisation as their main measure of performance. However, this has been somewhat arbitrary.
Other changes mean Vodafone's charge for writing off the cost of mobile licences rises, with the latest six months' charge jumping from £236m to £480m. It also has to charge for the cost of share options and other equity benefits which would have cost £142m last year.
The new reporting standards will first be used by Vodafone, headed by chief executive Arun Sarin, for the year to March 2006.
Finance director Ken Hydon, who retires at the group's annual meeting in July, said: 'The most significant change is that Vodafone will no longer amortise goodwill, resulting in a clearer presentation of underlying business performance.'
However, the new International Financial Reporting Standards could bring shocks from companies as they admit the changes will damage their earnings or balance sheets.
The new rules take effect from the start of a company's' financial year during 2005. Among the major changes, companies will have to place a current value on derivatives such as foreign currency hedges. They must also reveal how much cashing in share options will cost them. Their share of foreign companies which they do not own 100% will change, too.
The result is likely to be much more volatile earnings, less use of share options to pay top managers and a rethink on mergers and acquisitions.


text:
Chemical Weapons Law Doesn't Apply To Jilted Lover, Supreme Court Rules : The Two-Way Federal laws that were meant to prevent the international use of chemical weapons can't be applied to a woman who tried to poison her husband's mistress, the Supreme Court says.
Chemical Weapons Law Doesn't Apply To Jilted Lover, Supreme Court Rules
June 2, 201410:48 AM ET
Bill Chappell
The U.S. Supreme Court has ruled that an international treaty wasn't meant to be invoked in an assault case in Pennsylvania. Jonathan Ernst/Reuters/Landov hide caption
Jonathan Ernst/Reuters/Landov
The U.S. Supreme Court has ruled that an international treaty wasn't meant to be invoked in an assault case in Pennsylvania.
Federal laws that were meant to prevent the international use of chemical weapons can't be applied to a woman who tried to poison her husband's mistress, the Supreme Court has ruled. Carol Anne Bond had smeared toxic chemicals in the hopes that the other woman would develop a rash.
The Supreme Court ruled that the federal law shouldn't have been used to prosecute Bond, as her actions were forbidden under state or local laws. The opinion was written by Chief Justice John Roberts.
"In sum, the global need to prevent chemical warfare does not require the Federal Government to reach into the kitchen cupboard, or to treat a local assault with a chemical irritant as the deployment of a chemical weapon," Roberts wrote. "There is no reason to suppose the Congress — in implementing the Convention on Chemical Weapons — thought otherwise."
The case was argued back in November. Here's our summary, from NPR's Washington Desk:
"Carol Anne Bond obtained chemicals online and from her employer that could be lethal if administered in sufficiently high doses and spread them on her rival's car door, mailbox and apartment doorknob. She was prosecuted by federal authorities for knowingly using a chemical weapon.
"The statute under which Bond was prosecuted was intended to implement the Chemical Weapons treaty, which similarly prohibits the use of chemical weapons. The principal question in this case is whether the federal statute validly implements the treaty as applied to Bond's conduct. This case could result in the most important decision on the treaty power since 1920."
The case sparked a debate over how the Constitution's Treaty Power should be interpreted, and its complexity spurred justices Thomas, Scalia and Alito to write their own concurring opinions. Here's an initial analysis of the decision by SCOTUSblog:
"The opinion makes clear that the Court does not interpret the scope of the international weapons treaty at issue. The state laws are sufficient to prosecute an assault like the one in this case. There is no indication in the federal law that Congress intended to abandon its traditional reluctance to define as a federal crime conduct controlled as criminal by the states."
The federal case began back in 2005, when, as NPR's Nina Totenberg has reported, "Carol Anne Bond was a 34-year-old Philadelphia suburbanite living with her husband of 14 years. But when she found out that her best friend was pregnant and that her own husband was the father, she became enraged and began threatening her friend, by phone and in writing."
Bond was eventually videotaped spreading chemicals on items her former friend, Myrlinda Haynes, might touch, 24 separate times. Haynes avoided injury in most of those incidents, largely because the chemicals' bright orange color tipped her off that something was up.


If you're single and looking for love this Valentine's Day – watch out for con artists.
That's the message from West Yorkshire Police amid an annual surge in fraud.
The Force says "romance fraudsters on the hunt for ill-gotten gains" are targeting people in Huddersfield and across West Yorkshire.
It says it typically sees an increase in reported romance fraud related offences in the run up to and after February 14, and is hosting a series of events to help warn people about the dangers.
Officers will be hosting awareness sessions at Kingsgate on February 13.
Cyber-enabled romance fraud is particularly on the increase with a common tactic employed by criminals to pretend to be someone else – for example a soldier needing help.
Kay Bainbridge, Victim Care and Crime Prevention Officer for West Yorkshire Police's Economic Crime Unit, said: "Romance fraudsters look to prey on people who might be looking for love or maybe just some companionship.
"They can use various means to try and trick people – usually out of money.
"One example is when a fraudster pretends to be a soldier – often with either the British or American military.
"The fraudster will, over time, befriend the victim, usually on line, claiming to be a service man or woman.
"Once they have gained their trust they will ask for money.
"They may claim to be stuck overseas, usually in a conflict zone where troops are serving, and need financial help getting home, or have medical bills to pay.
"Unfortunately it is a cruel trick to con someone out of money.
"Neither the British or American governments will ever leave a solider overseas and if they need medical assistance then they will receive it.


text:
Trogodes rotundicollis är en skalbaggsart som beskrevs av Karl Henrik Boheman 1857. Trogodes rotundicollis ingår i släktet Trogodes och familjen Cetoniidae. Inga underarter finns listade i Catalogue of Life.

Källor

Skalbaggar
rotundicollis


text:
        <?php if($this->session->userdata('logged_in')['role'] === 'admin') { ?>

Staffs

        <?php } ?>
        <li <?php if ($this->session->userdata('logged_in')['role'] !== 'admin') { ?> class="active" <?php }?>>Documents

Dispositions

        <?php if($this->session->userdata('logged_in')['role'] === 'admin') { ?>

		        	<a href="<?php echo site_url('admin/add_staff');?>" class="btn btn-primary"> Tambah Staff
		            <a href="<?php echo site_url('admin/unit_list');?>" class="btn btn-success"> Atur Satuan Kerja

				<form class="navbar-form" role="search">

				    <input type="text" class="form-control" placeholder="Search" name="srch-term" id="srch-term">

				            <button class="btn btn-default" type="submit"></button>

		        </form>

Staffs

                        Email

                        Nama Lengkap
                        Satuan Kerja
                        role
                        Action

                <?php foreach($staffs as $staff):?>

                        <?php echo $staff->email;?>
                        <?php echo $staff->staff_initial;?>
                        <?php echo $staff->staff_name;?>
                        <?php echo $staff->unit_name;?>
                        <?php echo $staff->role;?>

                                <a href="<?php echo site_url('admin/edit_staff')."/".$staff->id;?>" class="btn btn-sm btn-success">Edit
                                <button data-id="<?php echo $staff->id;?>" data-name="<?php echo $staff->staff_name;?>" class="btn btn-sm btn-danger staff_delete">Delete</button>

                <?php endforeach;?>

        <?php } ?>

        <?php if ($this->session->userdata('logged_in')['role'] !== 'admin') { ?>

        <?php } else {?>

        <?php } ?>

                    <a href="<?php echo site_url('documents/add_document');?>" class="btn btn-primary"> Tambah Dokumen
                    <a href="<?php echo site_url('documents/type_doc_list');?>" class="btn btn-success"> Atur Jenis Dokumen
                    <a href="<?php echo site_url('documents/archive');?>" class="btn btn-warning"> Atur Pengarsipan

                <form class="navbar-form" role="search">

                    <input type="text" class="form-control" placeholder="Search" name="srch-term" id="srch-term">

                            <button class="btn btn-default" type="submit"></button>

                </form>

Documents

query document list here

                    <a href="<?php echo site_url('admin/add_staff');?>" class="btn btn-primary"> Tambah Disposisi
                    <a href="<?php echo site_url('admin/unit_list');?>" class="btn btn-success"> Atur Disposisi

                <form class="navbar-form" role="search">

                    <input type="text" class="form-control" placeholder="Search" name="srch-term" id="srch-term">

                            <button class="btn btn-default" type="submit"></button>

                </form>

Dispositions

query disposition list here

redpajama_set_name: RedPajamaGithub