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Anthony Davis Is About To Do What Every Lakers Fan Expects
by Bob Garcia IV on October 15, 2020
Since the LA Lakers acquired Anthony Davis, the focus around him has been on his pending contract situation. Davis has an opportunity to test the free-agent market in the upcoming offseason, which has created some uncertainty. However, the star forward appears to have already made his decision regarding the impending free agency situation.
Anthony Davis' impressive first year with the Lakers
RELATED: LeBron James Just Cemented His Legacy as An All-Time Lakers Great
In Anthony Davis' first year with the Lakers, it went as well as it could be expected with the franchise.
Davis put forth one of his best campaigns as he earned an All-NBA First Team selection along with finishing second for the Defensive Player of the Year award. He was a tremendous factor on both ends of the floor while leading the team in scoring with 26.1 points per contest in the regular season.
The star forward stepped it up in the postseason as his play was pivotal to the Lakers securing their 17th NBA title. In 21 playoff games, Davis averaged 27.7 points, 9.7 rebounds, and 1.4 blocks on 57.1% shooting from the floor and 38.3% from 3-point range.
With the impressive playoff run to an NBA title behind him and the Lakers, the 27-year-old looks to have already made up his mind on his free agency decision.
Anthony Davis finally decides on free agency
Sources: Anthony Davis plans to opt out of contract and re-sign with the Lakers.
Inside Pass on Davis, Lakers/Heat offseasons and more across league at @TheAthleticNBA: https://t.co/P5YRf3Fbzb
— Shams Charania (@ShamsCharania) October 15, 2020
RELATED: Anthony Davis May Have Just Accidentally Leaked Out His Free Agency Plans
Throughout the season, the focus around the Lakers centered on Anthony Davis' contract situation.
Davis helped guide LA to an NBA title, which has ramped up the chatter around him remaining with the franchise. According to Sham Charania of The Athletic, the 27-year-old is expected to opt-out of his $28.7 million player option for next season and re-sign with the Lakers.
That shouldn't come as much of a surprise as the team positioned themselves well by presenting a convincing case to keep Davis in the fold. The only question that remains concerns the length of the deal as he will have many options. It's likely that he takes a shorter contract that lines up with the remaining two years remaining on LeBron James' deal with the Lakers.
It would mean Davis inks a two-year deal with the second year being a player option like James' contract. However, he could also go the route of taking a three-year contract with the last year being the player option. It would put him at a 10-year mark before the 2022 free agency, making him eligible to sign a five-year deal worth more than $250 million.
Davis will have plenty of options available to him; it's just a matter of choosing the scenario that he believes is best for his NBA future.
Lakers' other major offseason decisions
RELATED: Lakers' Biggest Decisions After Winning An NBA Title
The Lakers can now move forward with their offseason plans with Anthony Davis expected to re-sign with the team.
It allows them to shift their attention to their other prominent roster decisions. Among those is Dwight Howard, who outperformed his one-year, $2.7 million deal and will be a free agent. The early reports suggest that the Golden State Warriors could vie for his services, but the Lakers may have the upper hand given he has defined his role and coming off winning an NBA title with the team.
Rajon Rondo is expected to decline his contract's second year but has a significant interest in returning to LA. Meanwhile, Kentavious Caldwell-Pope is also likely not to pick up the $8.5 million player option for next year, which could put him in a spot to cash in free agency with LA or another team.
The Lakers will likely make a strong push to secure his services, especially with his impressive showing in the playoffs. Other role players such as Avery Bradley ($5 million) and JaVale McGee ($4.2 million) have important decisions to make with their player options for next season.
The route that things head with each of these crucial role players will significantly shape their roster next season.
Tags: Anthony Davis Los Angeles Lakers


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Wall Township, New Jersey
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redpajama_set_name: RedPajamaCommonCrawl


Portland, OR – December 9, 2016 – IKEA Portland transformed the Family & Youth Services Room at the new Oak Grove Boys & Girls Club with a makeover for the more than 250 kids who will enjoy the space along with their parents, teachers and staff.
The new Oak Grove Club opened this fall in a school that was built in the 1930s. The building is now on the campus of New Urban High School in the North Clackamas School District. The space was a blank slate, but lacked warmth and comfort.
The 100 members of the club will use the multifunctional space, along with about 150 students from New Urban High School. There are two large conference tables and a lot of stackable chairs that are a part of the IKEA professional range of furnishings – so they'll be able to hold up to heavy, every day use at the Club. Additionally, there are two cozy leather soft seating areas that can be used for family meetings or just reading a good book. The staff also asked for storage and organization solutions including rolling cubbies for children's backpacks and racks for donated clothing. Now the room can be combined in a number of ways to meet the Club's programing needs.


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Home - Press Releases - Implementation in the sixth year: Shadow Report on the main progress, constraints and priorities in the implementation of the Association Agreement between the European Union and the Republic of Moldova
Implementation in the sixth year: Shadow Report on the main progress, constraints and priorities in the implementation of the Association Agreement between the European Union and the Republic of Moldova
During the sixth year of implementation of the Association Agreement (1 September 2019 – 1 September 2020), while summarising the results and constraints identified in the current Shadow Report, there is progress in those areas and sectors of the EU-Moldova Association Agreement, which have been conditioned by the budget support and macro-financial assistance programmes offered by the EU. The EU remains the most important economic partner of the Republic of Moldova, with over 63% of Moldovan exports oriented to the European market and almost 50% of imports that are of EU origin. No tangible progress was attained in the implementation of the values part of the Association Agreement.
These are the main findings of the Shadow Report: Six year of implementation of the EU-Moldova Association Agreement, presented today by the experts of the Institute for European Policies and Reforms (IPRE), in partnership with the National Platform of the Eastern Partnership Civil Society Forum and with the support of the Konrad Adenauer Foundation in the Republic of Moldova.
IPRE experts have found EU has diversified the support framework for various actors of change, strengthening dialogue and cooperation with civil society, local authorities, SMEs and local communities. The EU's image among citizens continued to improve. Thus, over 63% of Moldovans say they trust the European Union, according to a recent survey conducted in the Republic of Moldova and other Eastern Partnership countries.
The process of implementation of the Association Agreement has been hampered by the lack of a new national planning document for the year 2020. For the most part, national authorities have focused their efforts on gaining on the 2017-2019 NAPIAA arrears and the priority actions provided for in the 2017 Memorandum of Understanding on EU Macro-Financial Assistance, as well as the eight additional general requirements set by the EU in February 2020. Priorities relevant to the commitments in the Association Agreement were reflected in the Government Action Plan. The COVID-19 pandemic affected the efficiency of the coordination and enforcement process of legislative and implementing measures planned for 2020. At the same time, on 1 July 2020, the Governmental Commission for European Integration approved the Calendar on monitoring the implementation of the backlogs of the 2017-2019 NAPIAA for the period 2020-2023, a Government internal planning document that has not been made public.
The EU-Moldova political dialogue was influenced by internal political developments, the level of achievement of the key reforms' agenda, related to the functioning of democratic institutions, justice and respect for human rights, but also by the COVID-19 pandemic crisis. The negotiation of a new Association Agenda, development of a new Action Plan to implement the Association Agreement and inputs to finalise the new deliverables of the Eastern Partnership post-2020 are the key priorities of the political dialogue, which could also provide opportunities to reset Moldova's European agenda.
Democratic institutions remain fragile and continue to be affected by narrow political and economic interests. We are witnessing insufficient progress in the area of justice, freedom and security. The regulatory framework in the field of foreigners and their integration has been completed. The controversial regulations on so-called 'investment citizenship' have been repealed by Parliament. Six years after visa liberalization, 2.3 million citizens travelled to the EU using biometric passports. In the latest report on the application of the visa suspension mechanism, the European Commission considered Chisinau's actions generally positive, but drew attention to the need to reduce unfounded asylum applications from Moldovan citizens.
As in previous years, we are witnessing moderate progress in the field of EU-Moldova sectoral cooperation. Although progress has been made in the analysed areas, in some sectors initiatives have been partially implemented or their level of implementation was not as planned.
There are some developments in the implementation of the Deep and Comprehensive Free Trade Area with the EU (DCFTA). During 2020, Annex no. XV-C of the Association Agreement was updated, thus increasing the tariff quotas for some products (table grapes, plums and fresh cherries). The effects of the pandemic generated by COVID-19, as well as the severe drought faced in 2020 by the Republic of Moldova are key factors that will affect the level of trade with the EU, especially in the case of agricultural products included in the list of goods exposed to the circumvention mechanism. The negotiation, signing and implementation of the Agreement on Conformity Assessment and Acceptance of Industrial Products (ACAA) remains yet to be finalised.
Cooperation in the field of financial assistance, anti-fraud and control (Title VI) attests to some developments, but also important constraints. The EU remains the main development partner of the Republic of Moldova. Financial assistance was resumed in the second half of 2019, with the EU providing over EUR 53 million in direct budget support and EUR 60 million in macro-financial assistance, consistently applying the principle of strict conditionality. However, the Republic of Moldova missed the last tranche, of EUR 40 million, of the macro-financial assistance due to the non-fulfilment of the outstanding conditions on time. In response to the COVID-19 crisis, the European Commission initiated a reorientation of more than EUR 87 million to address the socio-economic consequences of the pandemic.
The Report may be consulted in Romanian and in English.
For more details, the video recording of the event is available here.
The IPRE Report was developed within the IPRE Project "Monitoring the implementation of the Association Agreement between the Republic of Moldova and the European Union", carried out with the support of the Konrad Adenauer Foundation (KAS).


All eyes on Chanda Kochhar: will ex ICICI Bank chief fight back?
The heavy penalties slapped by ICICI Bank on Chanda Kochhar, including the claw-back of more than Rs 300 crore as bonus and stock options, have led to questions over whether the lender's former MD & CEO will take a legal remedy.
On Wednesday, the board of directors of ICICI Bank decided to treat the separation of Chanda Kochhar (who had resigned in October last year) as a "termination for cause" under its internal policies, schemes and the code of conduct. The bank had said that this would come with all the attendant consequences.
Accordingly, it decided to revoke all her existing and future entitlements that include unpaid amounts, unpaid bonuses or increments, stock options that cover unexercised or vested stock options, apart from medical benefits. She will also have to return all bonuses paid from April 2009 to March 2018.
Soon after the decision, Kochhar said she was disappointed, hurt and shocked even as she went on to add that credit decisions at the bank were not taken unilaterally and that the bank had established processes and systems which involved a committee-based collective decision making. It is estimated that Kochhar will have to pay Rs 9 crore in performance bonus alone.
Kochhar had become the CEO and managing director of the private sector lender in May 2009. According to the various annual reports of the bank, she may have received more than Rs 300 crore (based on the closing price of the ICICI Bank stock on Wednesday) through employee stock options. However, it is not clear as how she had exercised these stock options .
Given the penalties imposed by the bank, observers did not rule out the possibility of Kochhar seeking legal remedy. This, however, could not be confirmed.
ICICI Bank's action came after a panel headed by retired Supreme Court Judge B N Srikrishna said in its enquiry report on the loans given by the bank to the Videocon group, that Kochhar had violated the bank's code of conduct and its framework for dealing with conflict of interest and fiduciary duties.


HomeBlogPokemon BlogRyan Reynolds' 'Detective Pikachu' Moves From Universal to Warner Bros.
The Burbank studio is taking over distribution duties on Legendary's upcoming Pokemon movie and the two entities are in talks for a larger distribution deal.
The Burbank studio is taking over distribution duties on Legendary's upcoming Pokemon movie Detective Pikachu from Universal. In addition, Warners is taking a stake in the film that features Ryan Reynolds as the titular character.
Sources say the move is a precursor to Legendary's moving its distribution deal back to Warners. For months, speculation has swirled around the fate of the four-year-old Universal-Legendary deal that expires Dec. 31, with the expectation that Universal would not renew the partnership. Universal declined to comment.
Since former lawyer Josh Grode took the reins at Legendary in March, he has put his stamp on the studio and last month inked a $1 billion senior secured revolving credit facility led by J.P. Morgan. And one of the first orders of business was locking down a distribution partner. Though other studios are said to be in the hunt, Warners would be something of a natural fit. Legendary and Warner Bros. called it quits after an eight-year marriage in which the company founded by Thomas Tull backed such Warners films as Christopher Nolan's Dark Knight trilogy and Man of Steel.
Warners' previous arrangement with Legendary allowed it to cherry-pick the movies it financed. As Grode continues talks with Warner Bros. for a deal that would extend beyond Pokemon Movie Detective Pikachu, it is unclear whether it would resemble the previous Legendary-Warners arrangement.
For its part, Legendary is ramping up under Mary Parent on the film side and Nick Pepper on the TV side and focusing its attention on the studio's Chinese partners like Wanda to maximize distribution opportunities and profitability in the growing Asian market. Though Skyscraper was not embraced domestically, it has earned $49 million so far in China.


Fellowship Reviews: For What It's Worth: All Hail the "King!"
For What It's Worth: All Hail the "King!"
Today would have been Jack "King" Kirby's 94th birthday. He left us back on February 6, 1994. Despite what some people say, he is the co-father of Marvel Comics. He help create the following: the original X-Men, the Fantastic Four (based off of his Challengers of the Unknown for DC), the Avengers (and the founding members), among others. He co-created Captain America back in 1941 with Joe Simon. For DC, he created the Fourth World saga (the New Gods, Mister Miracle, etc.), the Demon, Kamandi, OMAC, and the Kobra organization (not to be confused with G.I. Joe's COBRA).
While we've had some incredible writers, artists, and creators come into the comics industry, no one has matched Kirby. More than likely no one will. He is missed.


I was experiencing numbness and tingling in my hands when I woke up each morning, sometimes redness and swelling as well. Bowen Therapy feels great at the touch point, but you can also feel sensations in other parts of your body as well. My numbness and tingling were reduced in the mornings, and disappeared all together for days after the treatment. After each treatment the positive effects lasted longer. I would recommend Bowen as a helpful alternative treatment that people can try. It helps reduce pain and fix problems, with the added benefit of a relaxing treatment, that is quite different from something like massage. Bernadette made the experience very positive, her natural, open, friendly and calm nature really left a positive image of Bowen Therapy along with the excellent treatment she provided.
I'm always open to trying new things. I regularly would see a massage therapist which would help for my lower back problems. The thing I didn't like about massage was the pain I would feel for 3 days after my appointment. I have also been to chiro which I would benefit from but the pain of getting adjusted wasn't for me. I was introduced to Bowen Therapy and was intrigued so I decided to give it a try. The first session was very different than anything I was used to. It seems almost too gentle to have any type of affect but I decided to try a second appointment. I noticed a difference in my lower back after just 2 appointments. I followed up with 2 more appointments and after the fourth we both agreed that I was feeling good enough that I didn't need to come back. I would absolutely recommend others to try Bowen. The benefit that you receive from the treatments with no pain is worth trying something new.
After 2 years of chronic knee pain and trying everything from different forms of therapy to prescribed insoles nothing seemed to help. It would work for a little bit then the pain would be back. I heard about Bowen Therapy through family and decided to give it a try. At the first session I was a little confused because Bernadette was doing these light touches then would leave the room for a few minutes. I thought how is this even going to help me, she was in the room for such a short time. But by the end of the session my body had a sensation that I hadn't felt before and I felt great. After a few sessions I wasn't wearing my insoles anymore and to this day the knee pain is gone. Thank You Bernadette!!
Thanks Bernadette for the professional and personal experience!


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Q: MYSQL ASSERTION on same last name and dob I have to make an assertion on this:
No patients should have the same last name and date of birth and are treated by the name same doctor.
CREATE TABLE Patient(
    SSN                 varchar(11) primary key,
    First_name          varchar(255),
    Last_name           varchar(255),
    Birthday            Date,
    Doctor              varchar(11),
    FOREIGN KEY (Doctor) REFERENCES Doctor(SSN),

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redpajama_set_name: RedPajamaStackExchange


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US Laws
US Jurisprudence
UNITED STATES SUPREME COURT DECISIONS ON-LINE
US Supreme Court Decisions On-Line> Volume 123 > SMITH V. CRAFT, 123 U. S. 436 (1887)
SMITH V. CRAFT, 123 U. S. 436 (1887)
Subscribe to Cases that cite 123 U. S. 436
Smith v. Craft, 123 U.S. 436 (1887)
Smith v. Craft
Argued November 4, 1887
Decided December 5, 1887
APPEAL FROM THE CIRCUIT COURT OF THE UNITED
STATES FOR THE DISTRICT OF INDIANA
Whether an agreement to prefer a bona fide creditor is so fraudulent against other creditors, as to avoid a subsequent preference of the former, involves a question of fact, depending upon all the circumstances, and cannot be referred to this Court by certificate of division of opinion.
A bill of sale of a stock of goods in a shop, by way of preference of a bona fide creditor, is not rendered conclusively fraudulent, as matter of law, against other creditors by containing a stipulation that the purchaser shall employ the debtor at a reasonable salary to wind up the business.
Jewell v. Knight, ante, 123 U. S. 426, followed.
Bill in equity by general creditors of Craft against him, Fletcher and Churchman. After a hearing upon pleadings and proofs before the circuit judge and the district judge, the bill was dismissed, and they signed a certificate of division of opinion, the formal parts of which were like those of the certificate in Newell v. Knight, ante, 123 U. S. 426, and the rest of which was as follows:
"On April 5, 1879, William H. Craft, one of the defendants, was indebted to Fletcher and Churchman, under the firm name of S. A. Fletcher & Co., known as Fletcher's Bank, in about the sum of $33,000. He was also indebted to William Smith and others, the complainants, and other eastern creditors, in about the sum of $16,000. Craft had been for many years a dealer in watches and jewelry in the City of Indianapolis, and had enjoyed good credit, both at Indianapolis and in the eastern cities, among manufacturers and wholesale dealers. By an
Page 123 U. S. 437
invoice taken about the date above named, it became known to him that his entire assets amounted to about $33,000. The indebtedness to the bank of S. A. Fletcher & Co. was evidenced by two promissory notes of $12,500 each, dated December 27, 1878, and due in thirty and sixty days respectively, and one note of $7313.19, dated August 17, 18T7, which, with accrued interest, amounted to $8,085.35, payable to F. M. Churchman. The notes for $12,500 each were for money borrowed of the bank as follows, to-wit: in November, 1876, $7,000; in February, 1877, $6,000; in August, 1877, $2,500; in October, 1877, $6,500, and other sums, making the total amount due in December, 1878, $25,000. The loans were made upon 90 days' time, and ten percent annual interest deducted in advance at the time of the loan and of each renewal, the renewals having been regularly and promptly made every 90 days until December 28, 1878 at which time some of the notes were overdue. No further renewals were made. The note for $7,313.19 was executed August 17, 1877, the money having been used by Craft in making the last payment on a stock of jewelry purchased by Craft at the date of the execution of said note."
"The debts owed by Craft to his eastern creditors were for stock purchased from time to time for the purpose of replenishing his store, and his eastern debts were about fifty thousand dollars in 1876, when he began to borrow money from the Fletcher Bank."
"At the time the notes for $12,500 each were given, it was understood between Craft and the bank that Craft should not buy so heavily as he had been doing theretofore, and carry a less stock and apply his sales (as far as practicable) in reducing the debt to the bank. At that time, Craft represented his stock as being worth $60,000."
"On the said 5th day of April, after completing his inventory and finding from it his inability to pay all his debts, he went to the office of Ritter & Ritter, attorneys, they being his legal advisers, to counsel with them in regard to his affairs, and thence sent for F. M. Churchman, the business manager of Fletcher's Bank, and made known to Churchman his financial
condition, intimating at the same time an intention to make an assignment for the benefit of his creditors. This was the first information that Churchman or the bank had of the insolvency of Craft."
"Churchman reminded Craft of the many conversations they had had together, and that Craft had always said he would protect the bank if anything ever occurred by which he was not able to pay his debts; if he met with any losses or anything of the kind, he would secure the bank, if the bank would loan him the money from time to time. Craft said he had made these promises, and believed he was solvent all the time and able to pay the bank, and intended to pay it and wanted to secure the bank debt. Churchman then told him he did not know of but one way to do it, and that was for the bank to buy the stock. This Craft finally agreed to, and the following bill of sale was drawn up and signed by Craft"
" Whereas William H. Craft, of the City of Indianapolis, Marion County, Indiana, is indebted to Francis M. Churchman, of said city, in about the sum of thirty-one thousand dollars, evidenced by three certain promissory notes; dated respectively each December 27, 1878, two for the sum of $12,500 each and the other for the sum of $7,363, due respectively in thirty and two in sixty days after date, and signed by W. H. Craft, now, in consideration of the full payment, satisfaction and surrender of said indebtedness and notes, said Craft does hereby bargain, sell and deliver to said Churchman all his stock of watches, diamonds, jewelry, silverware, fixtures and property of every kind, now owned and used by said Craft in his business at No. 24 East Washington Street in said city; also all the interest of said Craft in the lease held by him to said premises, and the further consideration that said Churchman shall employ said Craft in said business at the rate of one hundred and fifty dollars per month so long as said Churchman shall carry on or continue said business. In witness whereof, I have hereunto set my hand and seal this fifth day of April, 1879."
"WILLIAM H. CRAFT"
chanrobles.com-red
"The complainants are merchants and manufacturers in Eastern cities, who had for many years dealt with the defendant Craft, selling him goods on credit, and knew nothing of his indebtedness to the bank or of his promise to protect the bank in the manner above found by the court, and continued to sell him goods on credit while he was so borrowing money."
The certificate then stated in detail the names of the plaintiffs, the amounts of their debts (each being for less than $3,000) for goods sold at various times before March 26, 1879, and the judgments recovered thereon by them in the Superior Court of Marion County at different dates from September 18, 1879, to June 9, 1881; that executions were issued upon those judgments, and returned nulla bona, and that all of those judgments are in full force, unpaid and unsatisfied, and continued as follows:
"Upon the execution and delivery of the said bill of sale, which was for the use and benefit of the bank, the three notes above mentioned held by the bank were delivered up to the said Craft as paid and satisfied, and Churchman, for the bank, took possession of the property, stock of jewelry, and lease mentioned in the bill of sale, and, with Craft as manager, carried on the said business, reducing the stock as rapidly as possible, with a view to closing it out, for about six months, when the balance of the stock was sold out at auction. The bank realized for the entire stock $20,000. Craft received, during the time he was so employed as manager, the sum of $150 per month, as stipulated in the said bill of sale, and had no interest, either directly or indirectly, except as appears by said bill of sale, in the stock of jewelry or the lease or in the proceeds of either after the date of said sale."
The certificate then stated that upon the hearing of the said cause, the following questions arose, upon each and all of which the opinions of said judges were opposed, to-wit:
"First. Whether the understanding between the said Churchman, representing the said bank, and the said Craft that if the said bank would loan the said Craft money from time to time, and that if anything should occur by which he, the said Craft, was not able to pay his debts, he would secure
the bank, constituted a fraud upon the said Smith & Co. and other creditors named in the said bill of complaint, so as to invalidate and render void the said sale of the said stock of jewelry and the assignment of the lease so afterwards made to the said Churchman for the use of the said bank."
"Second. Whether the 'further consideration,' mentioned in said bill of sale, by which the said Craft was employed in said business for a compensation at the rate of $150 per month so long as the said Churchman for the said bank should continue or carry on said business, was fraudulent as to the said Smith & Co. and the other creditors of the said Craft, and whether said stipulation vitiated and rendered void said sale made to the said Churchman for the said bank, as to the said other creditors of the said Craft."
"Third. Whether, as a conclusion of law from the above facts which are found by the court, the said sale by the said Craft to the said Churchman for the use of the said bank was and is fraudulent and void, and made to Churchman for the bank with the intent to hinder or delay the said Smith & Co. and the other complaining creditors of the said Craft."
MR. JUSTICE GRAY delivered the opinion of the Court.
This case also comes before the Court upon a certificate of division of opinion, and resembles in many respects that of Jewell v. Knight, ante, 123 U. S. 426, argued with it and just decided. It is a bill in equity by several creditors, each of whose claims is for less than $5,000, to set aside as fraudulent a sale made by their debtor, Craft, a dealer in watches and jewelry, of his whole stock in trade to Fletcher & Churchman, a banking partnership known as Fletcher's Bank.
The first question certified is whether the understanding chanrobles.com-red
between the bank and Craft that if the bank would lend him money from time to time, and that if anything should occur by which he was not able to pay his debts, he would secure the bank, constituted a fraud upon his other creditors, so as to invalidate the subsequent sale of his stock.
What the understanding here referred to was, or how long it had existed, can only be gathered from the statement of a different understanding at the time of the giving of the latest notes by Craft to the bank, from the recital of a conversation between Craft and Churchman, on the very day when the bank was first informed of Craft's insolvency and when the bill of sale was executed, and from the other circumstances set forth in the certificate of division.
As the debtor might lawfully prefer one of his creditors if there was no actual fraud, it cannot, in the absence of any finding upon that point, be said, as matter of law either that the previous agreement to prefer was fraudulent or that it was not; but the question of fraud or no fraud involved a question of fact, which, if this case had been on the common law side of the court, and either party had desired it, must have been submitted to a jury. Bank of Leavenworth v. Hunt, 11 Wall. 391; Bank v. Whitmore, 104 N.Y. 297.
The second question certified is whether the bill of sale was rendered void as to other creditors by containing a stipulation that the bank should "employ said Craft in said business at the rate of $150 per month so long as" the bank should "carry on or continue said business."
But whether such a stipulation is valid or invalid depends upon its intention. If its object appeared on its face to have been to secure a benefit to the debtor or his family, it would be fraudulent in law. Lukins v. Aird, 6 Wall. 78; McClurg v. Lecky, 3 Penrose & Watts 83; Harris v. Sumner, 2 Pick. 129. But if its sole purpose was to obtain services necessary to wind up the business and turn the goods into money as promptly and economically as possible for the benefit of the other party, it is valid. Wilcoxon v. Annesley, 23 Ind. 285; Baxter v. Wheeler, 9 Pick. 21; Strong v. Carrier, 17 chanrobles.com-red
Conn. 319. As was well said by the Supreme Court of Indiana in Wilcoxon v. Annesley:
"Where, as in this case, the purchase was of a stock of goods in a store, and an established trade existing, it seems but reasonable that at a fair salary, the grantor might be employed, for a time at least, to continue in charge of the business, and that circumstance will not, in itself, prove the transaction fraudulent."
23 Ind. 295.
The only facts stated in the certificate (other than the bill of sale itself), directly bearing upon the validity of the stipulation, are that the bank, with Craft as manager, carried on the business, reducing the stock as rapidly as possible, "with a view to closing it out," for about six months, when the stock remaining was sold by auction; that the bank realized for the entire stock $20,000, and Craft received the sum of $150 a month, or about $900 in all, and, since the bill of sale, had no other interest, direct or indirect, in the stock of goods or its proceeds. It cannot be concluded as matter of law, either on the face of the bill of sale or with the aid of this evidence of what was done under its provisions, that the compensation was unreasonable or that the stipulation in question was fraudulent. Whether, taken in connection with all the previous transactions between the parties, it was fraudulent in fact was a question to be decided by the circuit court.
The third question certified is clearly irregular, as avowedly referring the whole case to the decision of this Court.
For these reasons, and upon the authorities collected in Jewell v. Knight, ante, 123 U. S. 432-433, this Court has no authority to answer any of the questions certified, and the entry must be
Appeal dismissed.
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It was the BOMB! Worth the money to see these top international artists in one stage!
You can also watch the video in HD if your bandwidth is fast enough 🙂 ENJOY!
Lucky Cheryl ^_^ Jared waved at her!
Me and Dani with All-4-1 !!!
I've been to one Baby Bash gig before with the Boys of Boys Night Out at Alchemy!
He was one hell of a performer and made me go – JUMP! – JUMP! – JUMP! – JUMP!
Me at the bottom of the stage area… Good thing there were no pyro thingies… Or else, we would not be allowed in this area.
but he smelled so SWEET!
and of course… the very friendly hotties of VFactory!!!
People in the Philippines might not know them yet, but I bet they gained more fans after they performed and opened the concert!
You have seen some of them in Glee, High School Musical and Fame!
I interviewed them twice… the first one is up on the playlist… the second one is here.
She signed all the autographs and had that nice smile.
I bet she wanted to stay a little bit more in the Philippines for a while.
PM Dawn played one of my favorite songs back in the 90s!
He is very very friendly and event went to the VIP area to check out the crowd.
lol, IKR… shyeet sayang ala kayo… oikzz excited na ako sa Sunday!


Just this past April I was in Minneapolis for a workshop for the new ACT Aspire test. We finished up early on Friday, so I decided to go check out the Mall of America since I had never seen it. I took the Metro system to the mall that was only a couple of blocks away from where we were staying. The workshop had been a bit of a mental grind, but the rooms were fantastic and the food was to die for. The ACT crew paid for it all, including the transportation, and even put some extra cash in our pockets for all the hard work we had done. I was able to catch my first NBA game live, and I got to see the ballpark that the Twins play in. I even sent my students a picture of how tough I had it while they worked on the assignments I had left for them.
Okay, okay, so I didn't have it that rough. In fact, there was a moment on that train I took to the Mall I still think about often. I haven't told anybody about it until now. A young lady and her friend hopped on the train shortly after I got on. I watched as one of them made phone call after phone call. Something began to tug at my heart as I couldn't help but hear the terror in her voice. She was asking for money. And I have always struggled with this whole idea of giving people money sitting on their you-know-what with a sign or needing cash due to mistakes they made in their own lives. I always figured any change or dollars I give them would go towards their next high or drunk or enable them to continue to make the same mistakes again and again. But I could hear a voice, this time, nudging me to hand over the ten dollar bill I had in my pocket. Her child needed diapers; she needed to get to work. After the third phone call, she covered up by pulling the hoodie over her head and wept. Even her friend was at a loss for words or actions. Still, that voice was in my head urging me to take action. To comfort another human being. To go against everything I had done in the past when faced with this situation.
What would Jesus do? the voice asked.
I could only guess, but I know what I did… nothing. I sat there. I did not allow that nudge, that voice, that urging to take over. Instead, I practice my will, not His. The few minutes I had to act seemed to last a lifetime. I knew what the right action was but still did nothing. The usual cynic that comforted me in these situations did not appear once she exited the train. Instead, I felt empty. A missed opportunity. I knew the money I was asked by Jesus to give her would have made the world a better place. That small ripple in the lake that would have created rings reaching far beyond me, a young woman, and her child. I thought of how she would have been able to provide, even for just that one day, for her child, and how that child would have felt the love of her mother minus that day's worries and fears and isolation.
And then I hung my head down and asked God to forgive me. I promised right then and there never to neglect that feeling I had that day. It was all I could do. When I got home, the next day I went out and bought a large box of diapers and donated it to Catholic Social Services. I couldn't find the size I figured was most needed, but since I wanted to make sure I did something right away I picked up what the store had at the time. Come to find out the size I brought in was exactly what they had been needing. God is good.
It was what I came up with on the plane ride home. I knew I needed to make some gesture for ignoring the will of God. I prayed that God would put someone in that young ladies life that would do what I failed to do.
And then, I swore on my knees, that if ever I felt as I did that day on the train, I would act on it. I moved forward knowing that if I stayed stuck in what I didn't do, that I would miss the next chance in life to do what I needed or I was asked to do.
This past Wednesday I had my interview with the Tribunal office for my annulment. The last piece, or so I thought, to clean up so I can enter the church. I left early hoping to get some chapel time at Terra Sancta where the diocese is located. I wanted some alone time to ask Jesus to guide me to just tell my story and leave out any motive to try and tweak it in a way that I think the Catholic Church wants me to say it… so I can get what I want. Yes, I have a tendency to try and please others, and in my past, it was ALL for my own gain. I flew off the exit and saw a man sitting on the side of the road with a sign asking for help. He was a Vietnam Veteran. The feeling I had on the train came rushing back. I hadn't even thought about that day in months. The cynic went to work with questions like: Why doesn't he just get a job? Or Is he really a veteran, or is he just looking for a free ride?
But the feeling was there. Would I ignore it this time?
I passed him telling myself I needed to get to the Tribunal office. But you have time! the voice reminded me. I started to think about all the veterans out there that are incapable of working because of what they endured so I could go about my life free to choose my own path. The number twenty-two came to mind. That's how many veterans kill themselves each day. This time, I acted. By the time I was finished I had just enough time to make it for my appointment.
I rushed into my interview with a clean feeling inside.
It did not go as planned. I walked out heartbroken with a burning desire to rip the Go Bold, Go Catholic bumper sticker off my truck. I was so angry I planned on quitting my job since I work for those Catholics. Feelings stirred up in me I thought I had dealt with many years ago. You see, I was told that a priest would not baptize me when I was an infant because my father was divorced. I carried that anger for those evil Catholics for years. And I told everyone how bad they are and said some things I have spent the past decade or so trying to reconcile. There were no plans to join; that is just God having a sense of humor. Or better yet, calling me home as I saw it. And still do. But having another priest block my way into the church brought back all those resentments and pain and fear and negative thoughts.
He was sharing with me the truth, perhaps void of any compassion or love, but it was the truth nevertheless. I met with my priest who did the most important thing; he apologized for the step that was missed. It didn't make everything perfect, but it did mean so much to me. I was also able to see it from the perspective of the Tribunal priests.
But I was heartbroken. I could have used a bit of a pep talk at the time that I did not get from the priest sitting in front of me. I felt as if I had entered a church purgatory. You see, I can't go back to a Protestant church after all I have learned. And I was being told I cannot be a Catholic based on the information given to me at the time. Purgatory, plain and simple. The Eucharist I was yearning for was now out of reach.
Needless to say, it was a rough day. I have walked through it because of people in my life. I made a phone call and was able to talk with a friend. I talked with many others that helped me through it as well.
So my journey continues: I am just a little bit better at listening to the voice of God, a little stronger in my resolve to join the church, and much better at not overreacting. Yes, the bumper sticker is still there.
So, until next time… when I will finally discuss some of what I found during RCIA... God Bless… and be good to each other!


It's like having the ultimate handbag for your golf gear! Callaway's extra spacious Ladies Euro Stand Bag can accommodate a wealth of clubs, accessories and valuables in its spacious array of pockets and is comfortable to carry too! The Callaway Golf Ladies Euro Stand Bag is available in champagne or pink.
For quick and easy club management, the Ladies Euro Stand Bag features an eight way divider top with three full length dividers. The top is coated in extra soft padded mesh rim to protect your clubheads and the kick points of their shafts. The Ladies Euro Stand Bag is also very comfortable to lift and carry thanks to upper and lower grab handles, as well as a heavily padded cross strap that evenly distributes the overall weight across your shoulders.
This is the Callaway Golf Stand Bag that has a place for everything. Special features even include a pocket for your sunglasses!
It's essential for all of your extra items to be accessible. Callaway has kept ladies in mind when designing their Euro Stand Bag and have provided six multi-function zippered pockets which include an insulated cooler pocket, along with a Velcro closed side mesh pocket and glasses pocket with Velcro flap closure. To take care of your valuables, there is a detachable valuables pouch which securely clips onto a side ring. This has been velour lined for extra protection and has a small zipped pocket within for rings and other important jewellery.


When traveling on the north west coast we needed to stop at Crescent City not because of its beauty but due to the necessity to rest. There are few accommodation possibilities for demanding travellers and so we settled for possibly the best hotel on site, the Ocean View Inn & Suites.
As its name implies, the Ocean can be seen from there but the hotel is situated quite a distance away from the sea. It's probably one of the newer hotels in town. The reception area and the adjoining public space are rather specially furnished but there is no accounting for taste. The first room they gave us, a Family Suite with 1 King & 2 Queens, was just by the reception facing the driveway. After we had rejected this room, we were offered without a lot of fuss one of the same category on the second floor facing the bay. You could see the Ocean but only behind electrical wire, grass and trees. Never mind! The Family Suite is spacious and adequately equipped but is far from being de luxe. From my point of view, the furnishings are mismatched but that's – as already mentioned – is a question of taste. Anyway, we felt comfortable enough. The staff was helpful and friendly. We didn't have the free continental breakfast as we wanted to have a full one.
All in all, the Ocean View Inn is most likely the first choice in town when heading from one sight to the other on the north west coast.


text:
Alberta rancher named to McDonald's global breeders and model farmers program
An Alberta rancher has been chosen as McDonald's Canada first-ever Canadian representative of its global breeders and model farmers program.
Stephen Hughes of Chinook Ranch, will join 33 other producers, breeders, farmers, and growers from 17 different countries as part of the company's global program. According to a news release, the members represent eight different types of products and commodities, such as beef and potatoes.
The program's objective is to identify model beef producers in each of the top 10 countries that supply McDonald's beef, including Canada, which is the third largest supplier of beef to the McDonald's system worldwide. Other countries included are: the United States, Australia, Brazil, France, New Zealand, Germany, Ireland, Poland, and the United Kingdom.
"I am touched to have been chosen as the first McDonald's model breeder in Canada," Hughes says. "I am happy to be an example of all the good work that is done in my industry, and I salute McDonald's commitment to Canadian breeders."
Hughes was selected based on his long-standing commitment to innovative farming practices, including year-round rotational grazing techniques. Appointed McDonald's breeder of Canada, his duties will include: inspiring fellow pastoralists and farmers, sharing his experiences with them, showcasing Canadian beef producers' best practices, and engaging stakeholders on the impact he has made at his ranch.
"The establishment of the model breeders and farmers program in Canada is a logical continuation of our journey to beef sustainability and helps us meet the growing demand from consumers for beef from responsible sources," says John Betts, president and CEO of McDonald's Canada. "By collaborating on projects like this, everyone wins: our company, our suppliers and our customers."
Since 2003, McDonald's Canada has been sourcing its entire beef lineup directly from Canada.
Categories: Advocacy / Cattle / Food / Livestock / News
Tags: John Betts / McDonald's Canada / Stephen Hughes
New Ontario Program Allows for More Quota-Free Chicken Production Under "Artisan" Banner
General Mills Rolls out GMO-Free Cheerios
Toromont Scoops Up Two Manitoba Equipment Dealerships
CFA to Host National Agriculture Leaders Debate


text:
No. 1 Kentucky moves to 34-0, now six wins away from history
While there have been teams that have won a national title and gone undefeated in doing so, with Indiana being the last way back in 1976, none have ever managed to go 40-0. That mark is what lies ahead of the top-ranked Kentucky Wildcats, who moved to 34-0 on the season with a 78-63 win over No. 21 Arkansas in the SEC title game.
The title is Kentucky's 28th SEC tournament title in program history, and one year after Florida managed to go 21-0 against SEC competition John Calipari's team managed to duplicate that feat. And while the Razorbacks fought to become the first team to defeat Kentucky this season, like many teams before them Mike Anderson's bunch found that resistance was futile against the Wildcats.
Kentucky never trailed on Sunday and they led by as many as 21 points, as they paired efficient offense with a level of play on the defensive end that made it difficult for Arkansas to establish much of anything themselves. Kentucky shot 51.0 percent from the field and 7-for-12 from beyond the arc, and 16 of the Wildcats' 25 made field goals were assisted.
Aaron Harrison and Tyler Ulis tallied six assists apiece, and they were responsible for just two turnovers against the Arkansas pressure. Add in 15 points apiece from Willie Cauley-Stein (who also did a good job defensively on Arkansas' Bobby Portis) and Andrew Harrison, and Kentucky finding a way to rebound more than half of its misses, and Arkansas was unable to pull off the upset despite outscoring Kentucky 34-32 in the paint.
Kentucky's path to a possible ninth national title was known before the SEC tournament even tipped off on Wednesday from a geography standpoint, as they'll start off in Louisville and then advance to Cleveland provided they win their first two games. But the ability to win championships, be it national or tournament, isn't something to be taken lightly.
Faced with an opponent that beat them a season ago, Kentucky had all the motivation they needed to win yet another SEC title. As a result, the Wildcats are six wins away from achieving a feat that has never been seen in men's Division I college basketball.


text:
Dance/Mix Show Airplay
Title: Dance/Mix Show Airplay
Subject: Billboard charts, Sun Is Up, List of artists who reached number one on the U.S. dance airplay chart, List of Billboard number-one dance airplay hits, Dance Club Songs
Collection: Billboard Charts, Electronic Dance Music
Dance/Mix Show Airplay (formerly Hot Dance Airplay) is a monitored electronic dance music radio chart that is featured weekly in Billboard magazine. The chart came about as a result of the small but influential impact of electronic dance music on the radio in the United States and the stations that program it. The chart was openly available through Billboard, Billboard Radio Monitor and R&R from its 2003 inception to 2008, when it became exclusive-only to Billboard, up until the chart was renamed in 2011, when it made its playlist available for viewing on BDS Radio's website. A modified version was added to Billboard's website in January 2013, featuring 15 songs.
Chart criteria 2
Chart statistics and other facts 3
Artists with the most number-one hits 3.1
Artists with the most accumulated Dance/Mix Show Airplay singles 3.2
Other Statistics 3.3
Dance/Mix Show Airplay radio panel 4
Exclusive Full Time Dance Airplay Reporters 4.1
The chart made its debut on October 17, 2003, with "Just the Way You Are" by Milky being the first number-one song, even though it had been number one for three weeks, having topped it the week ending September 28.[1] The reason for this is because the chart was unpublished for the first ten weeks of its existence, which means that its official issue start date was August 17, when the actual first number-one was "Never (Past Tense)" by Roc Project featuring Tina Arena.[2]
In the issue dated November 19, 2011, the chart's name and methodology was changed. Director of charts Keith Caulfield explained in his "Over the Counter" column: "Effective this week, Billboard's Dance Airplay chart is renamed Dance/Mix Show Airplay, as its source of data is widely expanded. Formerly a ranking based on airplay at six dance-formatted reporters (four terrestrial radio stations, plus SiriusXM's BPM channel and Music Choice's Dance/Electronica channel) the plays-based list expands to include mixshow plays on mainstream top 40 and select rhythmic stations that have submitted their hours of mixshow programming, as monitored by Nielsen BDS, to Billboard."[3]
On November 26, 2014, the chart expanded from 25 to 40 positions (effective with the December 6, 2014 issue), allowing more Dance singles to chart while at the same time make the chart less Pop-oriented.
In comparison to other Dance charts, It's a valid observation to note that American commercial radio's definition of dance music is marginal and this is reflected in the chart's content. Since the 2011 adjustment, the chart was composed largely of remixed pop and urban songs and less Dance tracks, eschewing material that is dance music and/or by dance artists in its original form, moving away from its original mission to feature true Dance hits. However, by 2012, the influx of EDM songs in the mix shows and the addition of 2 more Dance outlets on the panel has once again increased the Dance content on the chart with less remixed Pop and R&B tracks being played.
The current number one for the issue dated December 13, 2014, is "Blame" by Calvin Harris featuring John Newman.
Chart criteria
There are 40 positions on this chart and it is solely based on radio airplay. 91 radio stations (7 of which are all exclusive) are electronically monitored 24 hours a day, seven days a week by Nielsen Broadcast Data Systems. Songs are ranked by a calculation of the total number of spins per week with its "audience impression", which is based upon exact times of airplay and each station's Arbitron listener data. The chart also include 83 selected Mainstream and Rhythmic Top 40 reporters that features mix shows as part of their programming. Dance/Mix Show Airplay makes up part of the newly added Dance/Electronic Songs chart, which was launched with January 26, 2013 issue.
Songs receiving the greatest growth will receive a "bullet", although there are tracks that will also get bullets if the loss in detections doesn't exceed the percentage of downtime from a monitored station. "Airpower" awards are issued to songs that appear on the top 20 of both the airplay and audience chart for the first time, while the "greatest gainer" award is given to song with the largest increase in detections. A song with six or more spins in its first week is awarded an "airplay add". If a song is tied for the most spins in the same week, the one with the biggest increase that previous week will rank higher, but if both songs show the same amount of spins regardless of detection the song that is being played at more stations is ranked higher. Songs that fall below the top 15 and have been on the chart after 26 weeks are removed and go to recurrent status.
Chart statistics and other facts
Artists with the most number-one hits
1. Rihanna – 11
2. Madonna – 7 (tie)
2. David Guetta – 7 (tie)
2. Calvin Harris - 7 (tie)
3. Katy Perry - 5
4. Pink - 4 (tie)
4. Justin Timberlake – 4 (tie)
4. Britney Spears - 4 (tie)
Artists with the most accumulated Dance/Mix Show Airplay singles
This list include artists who had reach the top ten, even if they did not reach number one, since the chart's 2003 launch[4]
1. David Guetta - 20
2. Rihanna - 19
3. Britney Spears - 14
4. Kaskade - 13
5. Lady Gaga - 12
Rihanna has accumulated the most chart-toppers, with eleven number-ones. She was also the youngest artist on this chart to reach number one with "Pon de Replay" in 2005, when she was 16.
Madonna is the only artist on this chart to see her first seven singles all reached number one consecutively, making her the only artist on this chart to accomplish this feat. Madonna also has the most number-ones from one album, all four singles from Confessions on a Dance Floor topped the chart (Although she is now tied with Katy Perry, as her four singles from Teenage Dream have reached the top spot). In addition, Madonna was also named the number-one Dance Airplay artist for the decade (2003–2009) in Billboard's decade-end recap in 2009.
David Guetta and Calvin Harris are both tied for the most number-ones on this chart among male artists, with seven apiece.
David Guetta, in part due to being a producer and DJ/remixer, has the most number ones (7) and singles (20 overall, topping Rihanna's 19) that feature guest vocalists that perform on his songs.
David Guetta featuring Akon's "Sexy Chick" was the first number one single to return to the top spot three times in its chart run in 2009. That record would be broken by "Take Over Control" by Afrojack featuring Eva Simons on January 22, 2011, when that song took the number one position four times in its run.
Cascada and AnnaGrace are tied with having the most number-ones among duos or groups on this chart, with 3. However, AnnaGrace are the only duo or group to score consecutive number ones on this chart.
"Poker Face" by Lady Gaga holds the record for the most consecutive weeks at number one (fifteen weeks, as of the May 16, 2009 issue).
Lady Gaga's first single "Just Dance" holds the record for the longest run on the chart without reaching number one, 44 weeks, as of March 21, 2009. The single peaked at number two in August 2008.
"Bad Romance" by Lady Gaga endured the biggest drop from number one, when it fell to number 13 in the March 6, 2010 issue.
"Only Girl (In the World)" by Rihanna endured the biggest drop from the top 10, going from 4 to 21 in the December 25, 2010 issue.
"Let Me Think About It", by Ida Corr vs. Fedde Le Grand has the longest chart run, spending 52 weeks on the chart, as of November 8, 2008. It also became the first imported single to reach number one, also in 2008. In 2009, the track was named the number one single of the decade in Billboard's decade-end recap of the top 50 Dance Airplay songs from 2003 to 2009.
As of the May 2, 2009 issue, "Every Word" by Ercola featuring Daniela spent most of 46 week run in the top 10 without dropping below number 10.
Despina Vandi's 2004 hit "Gia" was the chart's first foreign-language recording to reach number one.
Kelly Osbourne's single "One Word" holds the distinction of being the first song to claim the number one spot on the Dance/Mix Show Airplay, Hot Dance Club Play and Hot Dance Single Sales charts in the same week. The feat was accomplished on June 18, 2005.
In 2007 Eric Prydz vs. Pink Floyd's "Proper Education (The Wall)" became the first number-one single on this chart to feature a remixed recording of an original song, as the track was based on Pink Floyd's "Another Brick in the Wall Part 2."
Natasja Saad was the first artist to reach the top spot posthumously, as her collaboration with Enur, "Calabria", reached number one on January 22, 2008.
Filo & Peri featuring Eric Lumiere's "Anthem" was the first trance recording by an American act in this genre, to reach the number one position on February 16, 2008..
Beyoncé, Michelle Williams and Kelly Rowland are the only artists on this chart to reach number one as members of a group (Destiny's Child) and as solo artists.
Kim Sozzi's 2008 number-one single "Feel Your Love" was the first single on this chart to be named the top song of the year before the year had started, as it was named the number one single of 2009. The track reached number one in December 2008 but continued its 45-week chart run in 2009. Because of Billboard's requirements for songs that had charted from December of the previous year to November of the following year, "Feel Your Love" became eligible in this case.
In 2010, both Inna and Kesha became the first artists on this chart to swap each other's number-one chart positions with debut singles, with Inna's "Hot" succeeding Kesha's "Tik Tok" and then having the latter returned the favor to the former.
In 2010, Deadmau5 featuring Rob Swire's "Ghosts N Stuff" became the first song on this chart to make the slowest climb to number one, 24 weeks. In addition, both "Ghosts N Stuff" and AnnaGrace's "Love Keeps Calling" share the distinction of having dropped off the chart, then returning and climbing to the top spot.
In 2010, "Stereo Love" by Edward Maya featuring Vika Jigulina became the first number one song in Billboard's year-end Dance Airplay chart to have reached number one three times in its chart run.
Kylie Minogue holds the record for having one song re-enter the chart six times with "Get Outta My Way." The single debuted at number 17 in its October 30, 2010 issue, then dropped out a week later, only to return in the November 13, 2010 (Two weeks), December 11, 2010 (Two weeks), December 25, 2010 (One week), January 15, 2011 (two weeks) and March 19, 2011 (one week) issues.
"Blame" by Calvin Harris featuring John Newman has the distinction of being the last number-one single during the Dance/Mix Show Airplay's original charted 25 song title position methodology in its November 29, 2014 issue, and the first number-one single under the chart's expansion to 40 positions in its December 6, 2014 issue.
Dance/Mix Show Airplay radio panel
There are 91 reporters who make up this panel (as of June 13, 2014), according to Nielsen Broadcast Data Systems, all of them part of the Top 40 panel:[1]
Exclusive Full Time Dance Airplay Reporters
WCPT-FM (during Dance Factory hours)/Chicago
WPTY/Long Island, New York
KNHC (FM)/Seattle
KYLI/Las Vegas, Nevada
WXJZ/Gainesville, Florida
Music Choice/Dance Channel/Music Choice
BPM/Sirius XM Radio
Hot Dance Club Songs
List of number one dance airplay hits (United States)
List of artists who reached number one on the U.S. dance airplay chart
^ a b Caulfield, Keith (2003-10-17). "Billboard Bits: Jack Black, Dub Narcotic, Milky".
^ Chart history for "Never (Past Tense)" from Billboard.com
^ Caulfield, Keith (2011). "Over the Counter". Billboard (Nielsen Business Media) (2011-11-19): page 53.
^ Garrix Zooms; Icona Pop, Avicii and Kaskade Climb The Dance Chart from Billboard (August 5, 2013)
BDS Dance/Mix Show Airplay chart (Updated weekly)
U.S. Billboard Dance/Mix Show Airplay number-ones
Top Catalog Albums
Billboard Comprehensive Albums (defunct)
Top R&B/Hip-Hop Albums
Rap Albums
Rock Albums
Alternative Albums
Hard Rock Albums
Folk Albums
Top Country Albums
Regional Mexican Albums
Latin Rhythm Albums
Christian Albums
Tastemaker Albums
Dance/Electronic Albums
Independent Albums
Reggae Albums
Comedy Albums
Kid Albums
Canadian Albums
European Albums (defunct)
Singles and tracks
Digital Songs
Digital Tracks
Hot Singles Sales
Streaming Songs
On-Demand Songs
Bubbling Under Hot 100 Singles
Pop 100 (defunct)
Hot Dance/Electronic Songs
Dance/Electronic Singles Sales
Dance/Electronic Digital Songs
Hot R&B/Hip-Hop Songs
R&B/Hip-Hop Airplay
Bubbling Under R&B/Hip-Hop Singles
Hot R&B Songs
Hot Rock Songs
Mainstream Rock
Country Airplay
Regional Mexican Airplay
Smooth Jazz Songs
Brasil Hot 100 Airplay
Canadian Hot 100
Euro Digital Songs
Japan Hot 100
Korea K-Pop Hot 100 (defunct)
European Hot 100 (defunct)
Türkiye Top 20 (defunct)
Lists of number-one
albums and singles
Alternative Songs
Lists of artists who
reached number one
Hot 100 50th Anniversary Charts
Billboard Radio Monitor (defunct)
List of Billboard Hot 100 chart achievements and milestones
Hot Country Songs achievements
R&R (defunct)
Billboard Greece
Billboard Türkiye
Billboard Brasil
Billboard K-Town
Billboard Twitter Real-Time
Joel Whitburn
Rihanna, Kylie Minogue, Michael Jackson, Ne-Yo, Tiësto
Eminem, Jay-Z, Kanye West, Beyoncé, Roc Nation
Rock music, Michael Jackson, Russell Brand, Pop music, California
Christina Aguilera, Elton John, Tony Bennett, Led Zeppelin, Britney Spears
Madonna (entertainer)
Michael Jackson, The Beatles, Abba, Kabbalah, U2
YouTube, Country music, Alternative rock, Jazz, Electronic music
Christina Aguilera, Justin Bieber, Mariah Carey, Kelly Clarkson, Lady Gaga
List of Billboard number-one dance airplay hits
United States, Billboard (magazine), Dance/Mix Show Airplay, List of number-one dance airplay hits of 2010 (U.S.), List of number-one dance airplay hits of 2011 (U.S.)
Katy Perry, Lady Gaga, Donna Summer, Jennifer Lopez, Miami


Below is a list of the various activities, program and services that the Home and School sponsors financially and/or with volunteers. Please give your support by choosing to volunteer for/or participate in the following.
For more information about an E.M.C. Home & School committee, please e-mail EMCHomeSchool@soudertonsd.org .
Fundraising is the backbone of the Home and School as it provides the greatest amount of funds towards our budget. Usually a Fall and a Spring fundraiser are necessary with perhaps one or two others between. However, we are very excited to announce the E.M.C. Panther's Run as our major spring fundraising event, so please keep a look out for the flyers. Home and School has a budget goal of around $30,000.
The E.M.C. Panther's Run, 5k and 1 Mile Fun Run was started in 2014. This event is a great way to get the community involvement at E.M.C. Many volunteers from the faculty, staff, and parents are needed to help make this event a success. This is our largest fundraising event.
Clip the logo from the package to earn cash for our school. Each Box Top is worth 10 cents for our school. You can find Box Tops logos on Pillsbury, Betty Crocker, Yoplait and most General Mill Products. You may place these labels in the box provided in the school cafeteria.
The Coke Rewards for Schools program refreshes this longstanding commitment by enabling our community to support all the ways kids play and make great things happen for our school. These rewards will help us get things like, athletic equipment, classroom supplies, learning aids and more.
T-shirts and sweatshirts are available with the E.M.C. logo on them. They make great gifts and the students enjoy wearing them when there are designated school spirit days.
Family and friend can join us twice a year at Jumping Jacks Indoor Inflatable Playground twice a year and help us raise money for our school.
Is an opportunity for students to show off their accomplishment, hobbies, collections & artistic talents.
This event is held at the Indian Valley Boys & Girls Club.
Night to Shine is a fun night where our students get to shine while they show off their talents.
Volunteers take and collect photos of school and classroom events, help with picture choices, and design the layout of a yearbook for the students. Photographers are needed throughout the year to take photos of school events. No experience is necessary.
The E.M.C. Reporter is put out at various times through the year with all Home & School information, and interviews and pictures from various school activities.
E.M.C. continues its commitment to reading by holding Book Fairs twice a year. Our Librarian, Mrs. Plummer hosts these fairs in the library and is always very happy to have parent volunteers to assist her. A percentage of the sales comes right back to our school.
The school store is set up in the lobby during lunchtime one Friday a month. The students may purchase small things such as pens, pencils, rulers, erasers, pencil sharpeners, bracelets, jump ropes, bouncy balls, etc. during their lunch period.
Sundae bar takes place several times during the school year. These dates will be posted on the E.M.C. monthly calendar. This is included in your child's purchased lunch, or if they pack their lunch that day they can purchase a sundae extra for $1.50. Sundaes come with a choice of toppings which are at a separate table where parent volunteers help the students.


Choline, especially in lecithin form, is a basic dietary component found in the phospholipids of protein-containing foods such as eggs, meats, soybeans, or peanuts.
Anyone looking to promote healthy brain function such as focus, memory, and performance should look into using choline as a dietary supplement. Your brain runs the show when you are working, training, and resting, so make sure your brain is firing on all cylinders!
Most choline products recommend 1 gram of choline per day for proper supplementation. Always follow package directions, however, because choline products commonly have different serving recommendations and design.
Take care of things upstairs with choline!


text:
After rocky 2020, Island startups set to rock in 2021
The more things change: New year, new thinking, same innovative spirit, says Long Island innovation guru David Hamilton.
By DAVID HAMILTON //
What a challenging and tumultuous year! If you'd told the December 2019 me what was going to transpire, I'd have called you crazy – and suggested you'd read one too many sci-fi novels by our favorite Innovate LI editor.
There was no way to see this coming: a never-ending pandemic, an unprecedented economic collapse, social upheaval on a national scale, political turmoil unlike anything we've ever seen, endless Zoom calls, three dishwasher cycles a day … and every week, something new.
Despite all the challenges, our Long Island startup community carried on. The companies in Stony Brook University's Clean Energy Business Incubator Program and our Advanced Energy Research and Technology Center pushed forward despite the shutdowns, remote-working conditions and inability to get face-to-face with customers.
During these trying times, our companies achieved more milestones and advanced closer to commercialization than they have, collectively, in any year prior. Driven leadership was on full display. It was inspiring to watch these extremely talented and dedicated teams excel, despite everything the world was throwing at them.
Our companies were unable to run real-world pilot programs, meet potential customers, attend critical trade shows or properly network – and yet, the successes within CEBIP alone this year were staggering.
ThermoLift graduated in September, having made more progress and raised more money than any client in CEBIP history; the company is now ready to engage critical on-site demonstration programs across the United States and Canada.
Re-Nuble was next to graduate, in November, ready to start production of its food waste-to-fertilizer products and fill sales orders from a new manufacturing facility in Rochester. Meanwhile, UES opened its own manufacturing facilities on Long Island, and is even considering larger-scale facilities to meet growing customer demand for its electric-vehicle technology.
David Hamilton: Optimistic innovator.
All of these progressive companies are set to soar in 2021, ready to make their mark on a world in desperate need of new energy and sustainability solutions.
Not to be overlooked was the ability of SBU's Office of Economic Development to offer remote services and mentoring. The Economic Development team developed out-of-the-box solutions to help these companies when all other avenues appeared to be closed – critical to ensuring our early-stage companies survived and succeeded.
Our innovation ecosystem came together during these difficult times. The companies worked harder. The support systems stepped up. And in the end, most of our companies are enjoying a new confidence – if they can move forward during the trials and tribulations of 2020, they can dominate in 2021.
What will 2021 bring? Based on the past year, I hesitate to guess. Hopefully, the vaccines and continued vigilance will help us through the pandemic and the new administration will provide the stability and leadership needed for the nation to recover and grow.
What I do know for certain is that our innovation community is ready for whatever comes at us. Our support systems have shown they can support our companies just as well remotely as they did in traditional settings, and they will keep it up in the coming year.
More importantly, our companies have shown a fortitude I'm not sure even they knew they had. So many innovators succeeding when complacency – and failure – were expected. The New Year may throw them some more Dwight Gooden-esque curveballs, but it will also provide new opportunities to overcome change, while changing the world for the better.
Goodbye and good riddance, 2020, and hello 2021. Let's do this.
David Hamilton is chief operating officer of the Advanced Energy Research and Technology Center and executive director of the Clean Energy Business Incubator Program.
TOPICS:AERTCCEBIPcoronavirusCOVID-19David HamiltonnewsopinionRe-NubleSBU Office of Economic DevelopmentStony Brook UniversityThermoLiftUnique Electric Solutions
Sticking it to the Man
Buffalo biz plan contest attracts thousands
NYU Winthrop's blood-loss program a gain for civilians
No. 490: Fine points, Maiman methods and homebound haircuts – plus, Albany tips the scales


Brandon Bennett is a handsome southern boy from the city of Ponchatoula, Louisiana. Not only does he look like Elvis, but his entertaining ability only reinforces the illusion. Brandon shows include performances from the 50's, 60's and the 70's. He has appeared at many venues including festivals, corporate events and commercials around the USA and Canada and Casinos from Louisiana to Las Vegas with his band "The Heart Break Orchestra". He has been employed by Boyd Gaming of Las Vegas, NV. for the past two and a half years doing his tribute show. He preformed his tribute show at the "Legendary Stardust Casino" in Las Vegas. He appeared in the reenactment of the "50th Anniversary of Elvis' Return Home as a Star in 1956" at the Tupelo Festival in 2006. He traveled with the Memphis CVB to Hawaii to represent Memphis and Elvis at the convention being held there. He has appeared on the NBC Nightly news, performed at the Louisiana Hayride with the Louisiana Cavalcade , performed to a sold out audience with the legendary Jordanairs, won the "King of Kings" contest on the Ricki Lake Show and was the winner of the "2002 International Images of the King Contest" held in Memphis, TN. He has opened for performers like Diamond Rio, Ronnie Milsap, Neal McCoy, Chuck Berry, and Joe Stampley. He appeared at the launching of the new Elvis Presley Peanut Butter and Banana Creme Reese cup and the unveiling of a 1957 pink Cadillac built by Boyd Coddington. Brandon is also a paid Fireman in his home town. Brandon considers himself truly blessed to be doing something he loves. He enjoys sharing Elvis' music with others and keeping his memory alive.


Explore the heart, history and oven-blistered perfection of 27 Midwest pizzerias. Then dig in.
Classic pepperoni pizza at Venturi.
Manager Alec Henrickson stretches mozzarella at Pompeii Pizzeria.
It's hip to be square at Buddy's Pizzeria.
Flippin' Sweet's top-seller is the all-American (and oh-so-yummy) chicken bacon ranch pizza.
Great Plains Sauce and Dough Company.
Photo by Kendra L. Williams.
Photo of Gino's by Kate Silver.
For a glimpse into your favorite frozen food, head just east of the Milwaukee Brewers ballpark. "First villa on the left," says Palermo's Pizza marketing director Chris Dresselhuys by way of directions.
Italian runs deep at Palermo's, owned by a family that immigrated in the 1950s and later modeled their factory after a 16th-century Tuscan villa, complete with fountain.
"The Midwest is the epicenter of frozen pizza," Chris says, looking at a production line that uses 1.63 million pounds of mozzarella a month and a conveyor-belt oven outfitted with slabs of Italian marble. On the tour, visitors watch towers of pepperoni fall in slices and smell the yeasty aroma of crusts rising on spiraling conveyors where they cool as they travel.
Ian's mac and cheese pizza. Photo by Maggie Ginsberg-Schutz.
Split the pizza to save room for these extras.
In the mood to make your own pizza? Click in the Related Links box for some of our best pizza recipes, including Pizza Margherita, BBQ Chicken Grilled Pizza, Chicago-Style Deep-Dish Pizza and Fresh Veggie Pizza.
Reheating 101: Whether you bought or made your pizza, say good-bye to soggy microwaved leftovers. For a crispy crust, let pizza come to room temperature. Warm slices in a covered, heavy-bottomed skillet over medium-low heat. (Lower the temperature if the crust crisps before toppings are hot.) To reheat more than a couple of slices, use the oven.


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Marais dans la forêt. Automne (en ) est un tableau paysager du peintre russe Fiodor Vassiliev (1850-1873), réalisé en 1872 (ou 1873). Il est conservé au Musée russe à Saint-Pétersbourg (sous  Ж-4103 de l'inventaire). Les dimensions du tableau sont de (selon d'autres données, ). Le tableau est désigné par d'autres noms tels que Automne dans le marais, Automne dans la forêt et Paysage d'automne. La toile représente des arbres près d'un marais forestier, recouverts de leur feuillage d'automne, dont la couleur dorée s'éclaire sur un fond de ciel bleu foncé.

Vassiliev commence à travailler sur la toile Marais dans la forêt. Automne en 1872, en Crimée où il suit un traitement contre la tuberculose. Apparemment, dans le sujet de sa composition, il réunit ses souvenirs nostalgiques sur les marais du Nord, ses impressions sur les forêts dans le gouvernement de Kharkov, et aussi des vues d'automne en Crimée. Le tableau n'a pas été achevé en raison de la mort du peintre survenue le  à Yalta, à l'âge de 23 ans.

Selon le critique d'art Dmitri Sarabianov, Marais dans la forêt. Automne est le produit d'une riche inspiration et peut être considéré comme l'un des chefs-d'œuvre de l'artiste. L'historien d'art Nikolaï Novouspenski considère que, dans ce tableau, Vassiliev se montre « courageux et novateur, cherchant activement de nouveaux moyens, de nouvelles possibilités en peinture, regardant loin devant lui et anticipant la direction vers laquelle l'art va progresser ». Selon la critique d'art Faïna Maltseva, « le tableau est resté inachevé et laisse une trace visible de l'énergie incessante et passionnée dont l'artiste faisait preuve, qui n'a été interrompue que lorsque se sont effondrés les derniers espoirs de guérison ».

Histoire
Durant les années 1863 à 1867, Fiodor Vassiliev suit les cours du soir de la classe de dessin de la Société impériale d'encouragement des beaux-arts. À la fin de sa formation, son principal centre d'intérêt devient la peinture de paysage. En 1867, avec le peintre Ivan Chichkine, Vassiliev se rend sur l'Île de Valaam, où il travaille beaucoup sur le motif. Vassiliev passe l'été de l'année 1868 dans le village de Constantinov près de Saint-Pétersbourg, et c'est cette même année qu'il reçoit le premier prix de société de promotion des artistes pour son tableau Retour du troupeau (aujourd'hui à la Galerie Tretiakov). Durant l'été 1870, il voyage sur la Volga, ensemble avec les peintres Ilia Répine et Ievgueni Makarov, et crée en souvenir de ce voyage la toile Vue de la Volga. Barques (aujourd'hui au Musée russe) ainsi qu'une série d'autres tableaux.

Au début de l'année 1871, Vassiliev réalise son tableau Le Dégel (aujourd'hui à la Galerie Tretiakov), qui obtient le premier prix de la Société de promotion des artistes. Une copie réalisée par l'auteur lui-même est envoyée en 1872 à l'exposition internationale à Londres, où elle est très appréciée par la critique. En travaillant sur Le Dégel, Vassiliev s'enrhume sérieusement. La maladie se prolonge et provoque une recrudescence de tuberculose, maladie pour laquelle il avait une prédisposition génétique.

Il lui est recommandé, vu son état de santé, de séjourner sous un climat plus propice, et, sur invitation du comte , Vassiliev se rend dans son domaine situé dans le gouvernement de Kharkov à Khoten, au mois de . Il y reste jusqu'en juillet, puis poursuit ensuite son voyage jusqu'en Crimée et s'installe à Yalta. Sa vie en Crimée s'accompagne de graves difficultés et, dans une lettre adressée à Pavel Tretiakov, envoyée peu après son arrivée à Yalta, Vassiliev écrit : « Ma situation est vraiment pénible et sans issue, je suis seul dans une ville étrangère, sans argent et malade ».

Pendant son séjour dans le sud, les paysages du nord lui manquaient et, dans une lettre au peintre Ivan Kramskoï, il écrit : « Les marais, les marais ! Si vous saviez à quel point mon cœur se serre douloureusement ! Et même sans pouvoir respirer librement, je pense à cette force vivifiante, à ces exhalaisons qui se répandent au-dessus de l'eau le matin. » En utilisant le souvenir de ses impressions anciennes et ses études et croquis personnels, en Crimée, Vassiliev continue à travailler à des tableaux sur la nature de la Russie centrale. Peut-être l'un de ceux-ci était-il le croquis La Forêt en automne (1869—1871, toile, huile, , Galerie Tretiakov).

Il semble que Vassiliev ait commencé à travailler sur sa toile Marais dans la forêt. Automne en 1872. Dans les lettres du peintre, les éléments du tableau ne sont pas décrits et il est seulement fait mention du début de son travail sur celui-ci. Il parle seulement d'une toile Grand Marais et de La Prairie humide (aujourd'hui à la Galerie Tretiakov). Vassiliev crée sa toile Marais dans la forêt. Automne en même temps que Le Moulin abandonné (1871-1873, toile, huile, , Galerie Tretiakov). Aucun de ces deux tableaux n'a été achevé du fait de la mort de l'artiste mort à Yalta à l'âge de 23 ans, le .

Après sa mort, on retrouve sa toile Marais dans la forêt. Automne dans la collection d'un marchand de la première guilde du nom de Mikhaïl Grenstrand (1856-1937), qui vit à Saint-Pétersbourg. En 1920, la collection de ce marchand est transférée au Comité pour le contrôle de l'État sur l'utilisation et la protection des monuments historiques et artistiques anciens. La même année, ce tableau Marais dans la forêt. Automne entre au Musée russe.

Actuellement la toile Marais dans la forêt. Automne est exposée dans la salle  du Palais Mikhaïlovski, où sont rassemblées d'autres toiles de Vassiliev, parmi lesquelles : Village, Vue sur la Volga. Barques, Dans l'enceinte de l'église à Valaam ainsi qu'une copie de la main de l'artiste intitulée Le Dégel.

Description
La forêt s'étend au fond de la toile sur toute sa largeur, du bord gauche au bord droit. Les arbres, parmi lesquels on reconnaît des bouleaux et des trembles, sont recouverts de leur feuillage d'automne, en partie fortement jauni, en partie déjà de couleur rouille. Au premier plan, un marais envahi de carex, sur les mottes duquel se tiennent des hérons. Au centre, un petit étang peint dans des tons bleu verdâtre est cerné de rives parsemées de feuilles mortes aux couleurs rose-ocre. Cette image du marais fait écho aux motifs de la toile peinte précédemment intitulée La Prairie humide.

Au centre droit de la composition, se détache un groupe d'arbres (probablement des chênes), qui forment une tache de couleur, éclairée sur un fond de ciel aux nuages sombres. Pour réaliser le ciel, l'artiste utilise une technique sophistiquée de coups de pinceaux rapides avec une large gamme de nuances de tonalités. Cela lui permet d'obtenir un jeu de lumière un peu fantasque. L'impression qui en ressort est qu'il s'agit d'un soleil du soir qui vient révéler une dernière fois la diversité éblouissante des couleurs d'automne de la forêt. C'est une beauté éphémère et les nuages et la nuit finiront par cacher le soleil. En même temps disparaîtra ce déploiement de richesse des tons de la nature. Le caractère décoratif du feuillage d'automne flamboyant sur un fond de ciel bleu foncé annonce les expériences et découvertes ultérieures des peintres russes Arkhip Kouïndji et Isaac Levitan.

Dans son travail sur le tableau Marais dans la forêt. Automne sont réunis les souvenirs nostalgiques des marais du Nord russe, des bois du gouvernement de Kharkov, des paysages d'automne de Crimée. Ce sont les tons orange cuivre des sous-bois de chênes et les couleurs dorées des hêtres qui poussent sur les flancs des coteaux. Le fait que la mort ait empêché le peintre de terminer sa toile donne à celle-ci une écriture de style impressionniste. Et certains critiques n'hésitent pas à appeler Vassiliev l'ancêtre (ou au moins un des précurseurs) de l'. L'intensité et la saturation de la couleur de cette toile à dominante orangée témoigne des qualités exceptionnelles de coloriste de Vassiliev.

Critiques

À propos de l'effet de l'éclairage rendu dans la toile Marais dans la forêt. Automne, l'historien d'art Alekseï Fiodorov-Davydov le compare à celui de la toile plus ancienne de Vassiliev Avant la pluie (1870-1871, Galerie Tretiakov) et remarque que dans les deux tableaux le fond est sombre, couvert de nuages gris foncé, ce qui permet de souligner par leur éclat intense les autres éléments du tableau. Le caractère inachevé de Marais dans la forêt. Automne renforce cet effet selon Fiodorov-Davydov.

Selon le critique d'art Dmitri Sarabianov, les tableaux inachevés Marais dans la forêt. Automne et Le Moulin abandonné peuvent être considérés comme les chefs-d'œuvre de Vassiliev. La toile Marais dans la forêt est plus particulièrement associée à des toiles d'Isaac Levitan de la « période de maturité », telles que Automne doré (1895, Galerie Tretiakov) par exemple. Selon Sarabianov, la composition picturale de Marais se construit principalement à partir de la couleur et cette technique y est encore plus accentuée que dans la toile Avant la pluie.

Nikolaï Novouspenski, critique d'art, note la multiplicité du contenu poétique dans l'image du Marais dans la forêt. C'est un véritable « hymne à la beauté de la nature automnale, dans lequel se mêle à un enthousiasme joyeux, un sentiment de tristesse ». Pour ce critique, « par la perfection et la force de la peinture », ce paysage de Vassiliev n'a guère été dépassé que par Automne doré, le tableau d'Isaac Levitan réalisé en 1895. Remarquant la musicalité exceptionnelle de Vassiliev, il estime que sa peinture provoque des rapprochements avec des œuvres musicales, et en particulier Marais dans la forêt qui « peut être comparé à un chant choral polyphonique pour une fête solennelle ». Dans ce tableau, Vassiliev se montre « un innovateur audacieux cherchant activement de nouveaux moyens et de nouvelles méthodes en peinture, regardant loin devant lui et pressentant la direction dans laquelle les beaux-arts allaient se développer ».

L'historienne d'art Faïna Maltseva écrit que Marais dans la forêt. Automne, Le Matin et Le Moulin abandonné témoignent de l'apparition d'une nouvelle étape dans l'œuvre du peintre et donnent « une idée claire du nombre de recherches exaltantes que Vassiliev a effectuées pour renouveler ses thèmes, qui se manifestent non seulement dans la variété des sujets, mais aussi dans la recherche de nouvelles solutions techniques ». En même temps, Maltseva note que Marais dans la forêt. Automne se distingue parmi les derniers paysages de Vassiliev tant pas son motif que par sa composition pittoresque, qui étonne par « cet embrasement de couleurs presque pures ». Ce qui reste de Marais dans la forêt c'est, selon Maltseva, « une trace vivante de l'énergie passionnée et irrésistible de l'esprit créatif de l'artiste, qui ne sera interrompue que lorsque l'espoir de guérison s'est effondré ».

Articles connexes

 Musée de l'impressionnisme russe
 Automne doré, tableau de Vassili Polenov réalisé en 1893.
 Automne doré, tableau d'Isaac Levitan réalisé en 1895.
 Le Dégel de Vassiliev Fiodor

Références

Références

Bibliographie

Liens externes

Tableau de Fiodor Vassiliev
Tableau réalisé en 1872
Paysage dans la peinture
Forêt dans la peinture
Automne dans la culture
Œuvre conservée au Musée russe

redpajama_set_name: RedPajamaWikipedia


Where do I enter my 1098 mortgage interest statement?
How do I deduct mortgage interest if I co-owned the home?
What if I don't have a 1098 mortgage interest statement?
Can I import my 1098 (Mortgage Interest Statement)?


What do you think? I will reveal the final and full details on where to get the plans when it's ready. Best news is... the plans are free! Oh, and did I mention that this table is estimated at $1000+ in stores and was built for just over $70. At first we thought it was $100 but then the hubby realized he had bought some extra wood. WooHoo!
Anyways, because I may not be around until after Christmas? I want to wish everyone a very Merry Christmas, Happy Holidays and All the Best for 2013! From our family to yours (including Hank & Bailey).


text:
Q: Dynamic content resizing and scrolling with bootstrap I have a website I'm trying to design and I have a general layout page where everything will be placed i.e content from other pages I've made, I ran into a problem where my content overflowed and no scrollbar appeared; I looked around and tried a couple of ways to resize my content but none of them worked out so I settled for a temporary fix and made the window size static, can anyone help me with resizing my page based on the screen it's running on. I'm using webmatrix and there will be some C# code in these pages so the extension is cshtml. I am also very new to web development so sorry if my code is messy.
<!DOCTYPE html>

<title>My Page</title>

<link rel="stylesheet" type="text/css" href="/Shared/css/bootstrap.css" />

<link rel="stylesheet" type="text/css" href="/Shared/css/bootstrap-responsive.css"/>

                <form class="navbar-form pull-right">

 Login
                         /
                        Register

            </form>

       <button type="button" class="btn btn-navbar" data-toggle="collapse">

          </button>

          Some Information

More Information

                  Dropdown

Action

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Something else here

Nav header

Separated link

One more separated link

Traveling

Moving

Sports

                @RenderBody()

A: There are a few things you can try layout-wise, before you go down the road of screen measurement in script:
First, be sure to use the viewport meta tag (https://developer.mozilla.org/en-US/docs/Mozilla/Mobile/Viewport_meta_tag):
<meta name="viewport" content="width=device-width, initial-scale=1, maximum-scale=1">

Next, wrap RenderBody with the bootstrap container class:

    @RenderSection("featured", required: false)

        @RenderBody()

Also, if you're not already familiar with it, you may want to read up on the fluid grid system in bootstrap (http://twitter.github.io/bootstrap/scaffolding.html#fluidGridSystem)
Lastly, if all else fails, you can use the overflow CSS property on your content container:
.renderBody {
    overflow-x: scroll;
}


text:
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2019 January Girls Like That
by Evan Placey
16th – 19th January 2019
Directed by Jane Douglas
'The problem with girls like that is they ruin it for everyone.
The problem with girls like that is they give all girls a bad name.'
When a photograph of schoolgirl Scarlett goes viral, rumours spread across smartphones like wildfire and her reputation is poisoned, threatening to shatter the fragile bonds of friendship between a group of girls who have grown up together. But how long can Scarlett remain silent? And why isn't it the same for boys?
This hard-hitting, topical play explores the relentless pressure exerted on young people by advancing technology. Specially commissioned by Birmingham Repertory Theatre, Theatre Royal Plymouth and West Yorkshire Playhouse, Girls Like That was developed through work with young people in 2013. Our production of this play is the first one undertaken by older members of Theatre Royal Youth.
'Deserves to be widely seen by teenage audiences. And by their parents too, who will probably flinch…' Guardian
'A well-written, immaculately crafted and brave piece of energetic theatre.' A Younger Theatre
Warning: Contains strong language and some adult content.
A Theatre Royal Youth Production
Times and Star Preview
The dangers of technology and social media will be highlighted in a new play by Workington's Theatre Royal Youth (TRY).
Girls Like That, by Evan Placey, was specially commissioned by Birmingham Repertory Theatre, Theatre Royal Plymouth and West Yorkshire Playhouse after working with young people in 2013.
When a photograph of schoolgirl Scarlett goes viral, rumours spread across smartphones like wildfire and her reputation is poisoned, threatening to shatter the fragile bonds of friendship between a group of girls who have grown up together.
This production marks a number of firsts. As well as being Jane Douglas's debut as director, it is the first production to be specifically taken on by TRY's older members, aged 16 to 18.
Jane said: "I'm really pleased I'm not a teenager growing up today with all the technology and social media pressures. I was concerned at first about some of the content in the play, but am very proud of how well the girls have dealt with it – I'm not sure I would have done so well at their age!"
Both entertaining and thought provoking the play presents a considerable challenge to the young actors and will raise awareness to the audience of some of the harsh realities of teenage life today.
Girls Like That is on at the Theatre Royal, Washington Street, Workington, from January 16 to January 19 at 7pm. Tickets are available from the Theatre Royal website http://www.theatre-royal-workington.co.uk or the box office every Monday and Wednesday from 6.45pm to 7.30pm at £7 and £5 concessions. Tickets will also be available on the door.
Preview from Times & Star
Times and Star Review
Girls Like That review – Theatre Royal Youth
Girls Like That, by Evan Placey, highlights the dangers of social media and long held prejudices about women and girls.
In this technological age that we now live in, a naked photograph of a schoolgirl is quickly circulated amongst her peer group. Assumptions about the girl's reputation are voiced, even from people that she has known all her school life.
This thought provoking play shows that prejudices aimed at women over the years are just as prevalent now as they ever were.
Jane Douglas makes her directorial debut in this production. She said: "It has been really good, they are lovely girls. It was written for up to 24 female parts, but we had to allocate the parts between the eight girls. They did it as a team."
The play came with little stage direction, so the cast and Jane worked together to create this.
Cast member Georgia Douglas-Brown co-ordinated the choreography in the play, which works really well and was clearly enjoyed by the actors.
At 16 to 18 the cast are of school age which makes the gritty play even more realistic.
It also provides a great opportunity for the young actors to showcase their talent and after this show I'm sure they will be considered for roles in future Playgoers' productions.
Georgia said: "It's been nice to do a play that's a bit juicy. We decided to split the youth group so the younger ones can still do their fairy tales etc and we've found it really good for the older ones to get more links with Playgoers."
Parts of the play are chilling and literally made me shiver, but I am assured by my 15 year old daughter that the content is topical, accurate and could be happening in a school near you.
Girls Like That is on at the Theatre Royal, Washington Street, Workington, until January 19 at 7pm. Tickets are £7 and £5 concessions and are available from the Theatre Royal website, the box office, or on the door.
Photographs taken by Chris Lewis
Performance: 7.00pm
Running Time: 1.5 hours
Date: Wed 16th – Sat 19th Jan 2019
Adults £7
Concessions £5
2010 April The Vagina Monologues
by Eve Ensler 25th April 2010 Director Pat Brinicombe A Workington Playgoers Production
2015 October Hansel and Gretel
By The Brothers Grim - adapted by Millie Hardy Sims 12th & 13th October 2015…
2015 July Bouncers
By John Godber 27th - 31st July 2015 Directed by Gwyneth Savage A Workington Playgoers…
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