Bancroft (Ontario), December 1, 2013 - The Canadian Rally Championship presented by Subaru and supported by Yokohama wrapped up this weekend with the final race of the season, the Rally of the Tall Pines in Bancroft, Ontario. Run under extremely slippery early winter conditions, the contest for the win on the event and the overall Championship was extremely tense.
At the finish, Ontario driver Chris Martin and American co-driver Brian Johnson were the surprise winners and Antoine L'Estage finished second overall to take his sixth Canadian Driver's title.
The Rally of the Tall Pines has a reputation as one of the trickiest rallies of the season, with "winter roads and summer ditches." The 2013 edition did not disappoint, with very slippery roads and no snowbanks to help keep cars on the road. Hidden rocks under a light layer of snow led to many tire punctures. Of 33 starters, fully 20 failed to finish, the victims of mechanical failures and off-road excursions.
For much of the event, it looked as though the victory would go to "Crazy Leo" Urlichich of Toronto. He and co-driver Patrick Walsh, in a Subaru prepared by Can-Jam Motorsports, were leading with only three stages left when their engine failed, denying them a second victory at the Tall Pines.
Starting 19th and having never won a national-level rally, Ontario driver Chris Martin and co-driver Brian Johnson in their Old School Motorsports Subaru took over the lead after Crazy Leo's retirement. The team was clearly at ease in the icy conditions, with driver Martin having won multiple ice-racing championships in Ontario. The team didn't stumble under pressure and took a well-deserved first national event win.
Quebec driver Antoine L'Estage and co-driver Craig Parry finished second, one minute and 51 seconds behind the winners. Having fallen to fourteenth place early in the rally thanks to an electrical problem, the team fought back mightily to gain the points needed to defend L'Estage's national Driver's Championship, his sixth.
The only driver who could have mathematically beaten L'Estage for the Driver's title was Patrick Richard of British Columbia, who was reunited with his sister Nathalie as co-driver for this event for the first time since 2006. The Subaru Team Canada duo were in second place behind Crazy Leo and were in a good position to secure the championship after L'Estage's early trouble, but multiple flat tires and a subsequent driveline seizure forced them to retire.
Third place overall went to Maxime Rochefort-Laframboise and Jérôme Milette in a Subaru Impreza WRX, a terrific result for the Quebec team. Despite having not competed for over a year, they resisted the pressure from Steeve Hobbs and Jean-Mathieu Tremblay to take the podium. Simon Losier with co-driver Brian Maxwell completed the top five, in front of Production Four-Wheel Drive victors Alexandre Ouellette and David Lamarre in their Subaru.
In the two-wheel-drive battle, the fast Ontario team of Martin Walter and Ferdinand Trauttmansdorff in their Nissan won the class and finished a terrific seventh overall. Second place went to the father-daughter team of Jeffrey and Emily Dowell in their Mitsubishi, who also won the Production Two-Wheel-Drive class. Éric Deschênes and Catherine Asselin completed the podium and took second in Production in their Toyota.
Walter and Trauttmansdorff's victory was not enough to secure the national Two-Wheel Drive title, which went to Paul Hartl and Chuck Storry in their Volkswagen. They finished fifth in class on the event.
In the national Driver's Championship, Antoine L'Estage won the season with 107 points to Pat Richard's 75. Third went to Max Riddle with 46 points, despite failing to finish the Tall Pines Rally thanks to several punctures. Steeve Hobbs (42 points) and Simon Losier (35 points) rounded out the top five. Rob Fagg, Subaru Rally Team Canada's co-driver for most of the season, won the co-driver's championship, and Mitsubishi won the Manufacturer's title. Jeremy Norris won the Rookie of the Year honours and Emily Dowell took the Ladies' Cup.
The 2014 Canadian Rally Championship will kick off on February 8, 2014 at the classic Rallye Perce-Neige in Maniwaki, Quebec.
1) Chris Martin - Brian Johnson (Subaru Impreza WRX) - 2h17'21,0"
2) Antoine L'Estage - Craig Parry (Mitsubishi Lancer Évo.10) - 2h19'12,3"
3) Maxime Rochefort-Laframboise - Jérôme Milette (Subaru Impreza WRX) - 2h20'12,7"
4) Steeve Hobbs - Jean-Mathieu Tremblay (Subaru Impreza WRX) - 2h20'51,0"
5) Simon Losier - Brian Maxwell (Mitsubishi Lancer Évo.8) - 2h30'58,0"
8) Nick Mathew - Kelly Mathew (Subaru Impreza WRX) - 2h35'18,1"


text:
MP speaks out on climate change
by Contributor on Thursday Oct 22 2009
Ed Note: the following is a press release issue by Alex Atamanenko (pictured left).
Balloon not culprit after all in US boy's disappearance
by Anonymous on Thursday Oct 22 2009
Falcon Heene, a six-year-old boy from Fort Collins in the U.S. state of Colorado, has been found safe and unharmed after earlier reports said he boarded an experimental balloon the family was building and then floated away. The Larimer County sheriff announced during a press conference at 6:11 p.m. that Heene was found hiding inside a box in the family's attic above the garage.
Chinese court sentences six to death for Xinjiang riots
by Anonymous on Tuesday Oct 13 2009
A Chinese court has handed down death sentences to six men for their involvement in a riot in the far northwestern region of Xinjiang, in the first cases directly related to the deadly July riots in Xinjiang. Violence sparked by the rioting left nearly 200 people dead and more than 1,600 others injured. The six men had been charged for murder and other crimes.
He sold WHAT on e-Bay?
by Anonymous on Sunday Oct 11 2009
After auctioning off his entire life on eBay for $399,300 US (€244 912.148), Ian Usher says he is "a little bit disappointed" at the final selling price.
Second circle found near Stonehenge
by Anonymous on Monday Oct 05 2009
Archaeologists have revealed that evidence of a second stone circle has been found near the site of Stonehenge in the United Kingdom. It is thought the smaller circle was built around the same time, making it 5,000 years old.
Chinese Samaritan not so "good"
by Anonymous on Wednesday Sep 30 2009
A passerby pushed a man, who was threatening to commit suicide, off Haizhu Bridge in Guangzhou, China.
The 66-year-old passerby, Lai Jiansheng, told China Daily that "I pushed him off because jumpers... are very selfish. Their action violates a lot of public interests."
International 'Talk Like a Pirate' day
International Talk Like a Pirate Day was celebrated last week, as it has every September 19 for the last decade.
Freemasons arrested for sorcery
Be careful how you celebrate Hallowe'en this year, particularly if you're spending the holiday in Fiji.
Former BC Gov was warned about criminal activity in casinos
MVI near Hope Tuesday claims one life
Op/Ed: What's next on corporate crime and remediation agreements?
Op/Ed: New Year's resolutions for the start of a new decade — sort of

redpajama_set_name: RedPajamaCommonCrawl


This is the same model, done during the same session as this post. You will notice that the robe she is lying on has no red in it. The red has been placed around her. Each painting presents its own needs and that includes the placement of color. In this instance, since this is a reclining pose, the robe is not as prominently displayed and take up much less space in relation to the figure. It does not cry out for red in the same way as other post. Once I had introduced the green of the back ground the red became much more important as a foil to the green.
Color scares a lot of artists or they are just not interested in color or color effect. But all the elements of good color usage are present even with an extremely reduced color intensity. Some traces of hue and temperature remain, even when it is a whisper. Those whispers of color can be played against each to beautiful effect.
Post by My Ways of Seeing.
While I was out of town I spent some time with my friend making art. We'd go to drop in studio sessions, set up our stuff, and paint. I did this still life at one of those sessions. Once again pattern and color possessed me. When the summer landscape opportunities have been ended by bad weather, I will concentrate on still life.
Models will not be regularly available to me unless I begin my own figure painting and drawing sessions. I want to schedule long poses so a finished work can be produced. I really miss such sessions. It's just too costly to hire a model just for me. Besides there is a social aspect that is just as important. I can spend hours alone in a studio. Eventually, i need some social contact. It just gets too lonely. By starting regular sessions of my own, I can have the best of both situations.
The still life paintings I am thinking of will be a little more bizarre. I am going to include items not usually included among still life items. I have already done a few of these. Now I will concentrate my focus. The more I work the more ideas I will get. Working always generates more ideas than I could ever execute.
As a painter i consider myself to be a colorist. I have worked very hard to learn about how to make color work for me. The only way to learn about color is to paint. All artists learn with each piece made. My most recent work is the culmination of the experience of all the work that came before. All the failures, partial failures, half successes and successes were the learning experiences for the piece I make today and all the 'todays' which follow. So, dear reader, when you ask and artist how long it took to make a piece, you are asking the wrong question. Ask an artist how long the artist has been working with a medium.
This little watercolor took me 30 minutes plus 30 years to make. This is the same model from this post. She has taken the same beautiful gesture with her hand on her shoulder. I added the red to the fabric she is sitting on. It carries the redness of the flesh into it to unify it with the whole and to contrast with the green on the upper left. The cobalt turquoise on the right also is a contrast to the color of the flesh. These are all very conscious decisions though, at times, it seems I'm on auto-pilot. I just do it. Thirty years of painting makes it as natural as breathing. But nothing is by accident. It's all very deliberate. Even the abstract expressionists left nothing to chance. Yes there is serendipity but they chose what serendipitous passages to keep or obliterate. The more you look, the more you'll see it.
I have just returned from visiting friends in Florida. We have regularly visited in March or May to accommodate my teaching schedule. I am now retired and could have visited anytime but it turns we visited in May anyway. I don't think Florida has the most interesting landscape but the salt marshes are beautiful especially after some rain. The marsh grasses turn green, yellow green, and then golden. The cloud formations are dramatic as they form from the water just dropped and then evaporated to continue the water vapor cycle.
We had taken a boat tour through the marshes captained by some one very familiar with all the channels and little seen areas. It was delightful. This painting was done from memory of a place seen along the way. I prefer to do these from memory rather than from a photo because it prevents fussiness. One can become slavish to a photo. Photos are inadequate in capturing color and are usually too tiny to really serve as a complete reference. One needs a study for color and composition in addition to the photo.
What I remembered was the color and a generalized memory of the scene. I did do a small sketch just to know what the placement of the elements should be. Then of course that changed again in the execution. I remembered the green gold against a gray blue violet of the water and how striking the color contrast was. That was what I wanted. Without a photo to interfere, I was free to invent and exaggerate what had been stamped on my memory, however vague.


text:
Review: CHVRCHES – Get Out
Posted on February 1, 2018 February 1, 2018 by hotonehundo
Sometimes a band doesn't need to change their formula to make things sound fresh.
Now beginning their third album cycle in just under five years, the Glasgowian three piece CHVRCHES has continued to impress with their unique, consistent brand of melodic, synth pop. Fronted by the angelic, piercing voice of Lauren Mayberry, CHVRCHES haven't changed much since their first single "The Mother We Share" became an alternative hit back in 2013 simply because they haven't needed to. The old adage goes that you shouldn't fix what isn't broken, and that seems to fit well for CHVRCHES. After all, they have already delivered two consistently great albums: the single driven The Bones of What We Believe, and the more cohesive full album effort Every Open Eye, so why try to change things?
According to the band themselves, their third album, Love is Dead (release TBD) is "the most pop stuff we've done and also the most aggressive and vulnerable at the same time," and the first single from the album "Get Out" would appear to fit that bill pretty well. Its repetitive, uber poppy chorus is the center attraction here, with Mayberry's vocal track once again front and center in front of synthesized hand claps and bubbling, joyous synth lines. The lyrics could be considered a little more biting than previous work, reminding me of a more synthetic and less punk version of Paramore, with Mayberry singing that "good intentions never good enough," but that's a line that's hard to really feel given the downright joyous atmosphere of the rapturous instrumental track and CHVRCHES trademark shimmering pop sheen. Perhaps "Get Out" is just a preview of some of the deeper personal themes that could run through Love is Dead – only time will tell how much these "vulnerable" themes will actually pervade through their third LP.
Not only does the artwork for "Get Out" feature a large X through a black heart, the video for the song shows a phone number to call where Lauren Mayberry recites the following poem: "I've got no more time to hear what you think about me/Because all your words are so cold, so callous, so clean/I've got no more time to hear who you think we should blame/Because all your words are so vial, so vicious, so vain."
"Get Out" is the product of the band's collaboration with producer Greg Kurstin who has picked up the Grammy for Producer of the Year two years in a row. Kurstin is known for playing well with pop artists like Adele, Sia, and Kelly Clarkson, so him working with CHVRCHES would seem to be a great match, though you have to wonder if the band are sacrificing some of their lyrical strength to be slightly more radio friendly. For now, the song is another great addition to the band's already impressive lineup of singles, and gives us hope that their third album will be just as great as their first two.
Tags: chvrches, get out, new music, song reviewCategories: Song Reviews
PreviousReaction to the 60th Grammy Awards
NextAlbum Review: Sheer Heart Attack


When it's time to share your outlines with the world—or bring other writing in from the cold—OmniOutliner has you covered with a set of flexible import formats, export options, and a highly customizable printing template.
.ooutline—Files created with OmniOutliner 5.
.otemplate—Template files created with OmniOutliner 5.
.oo3—Files created with OmniOutliner 3 or 4.
.oo3template—Template files created with OmniOutliner 3 or 4.
.txt—Plain text and tab-delimited files.
.rtf—All text styles and colors are preserved when importing an RTF file.
.rtfd—As with RTF files, all text styles and colors are preserved, and any images are also brought along for the ride.
OmniOutliner cannot open files created or exported as .csv (Comma-Separated Values). Instead, use a tab-delimited file and save it with a .txt file extension.
When exporting a multi-column outline as CSV, OmniOutliner saves the .csv file using standard comma-separated values (CSV) conventions (i.e., each column is separated by a comma, and text with spaces is placed within quotations).
Creates a .xlsx spreadsheet document capable of being read in Microsoft Excel 2010 (and other versions of Excel that support the format). This export option maps most closely to multi-column data outside OmniOutliner, and does its best to replicate styles between the two (within the limits of Excel).
Microsoft Excel allows hyperlinks to be set on a cell. OmniOutliner export supports this: when an OmniOutliner cell contains nothing but a single hyperlink, it exports as a link on the Excel cell.
Having multiple links in an OmniOutliner cell will result in none of them being set, and unlinked text plus a link results in the link not being set.
That said, any hyperlink present is still converted to text in the destination cell, so no content is lost. Link text exported in this way can be converted back to hyperlinks within Excel itself.
Creates a like-named folder that contains an index.html file along with the necessary images and attachments that make up your OmniOutliner file. All of the styles you've used in OmniOutliner are converted to CSS and included in the index.html file.
Creates a .docx file that opens in the default page layout view and retains the outline structure via indentation. This export option only includes the topic column, and is primarily useful for transitioning from an outline to a word processor (rather than duplicating OmniOutliner's functionality in Word). Row level styles are converted to heading styles, and other styles are flattened and applied directly to text (Microsoft Word does not support OmniOutliner's style model).
Creates a .docx file that opens by default in Microsoft Word's Outline view. Choose this option to export an outline that can be readily expanded upon in Word. This export option only includes the topic column.
Exports a .ooutline file, the current default OmniOutliner file format (for OmniOutliner 5 and later).
Exports a .otemplate file which can be used as the base theme for other OmniOutliner outlines. This template format is not compatible with versions earlier than OmniOutliner 5.
Exports a .oo3 file which can be opened in either OmniOutliner 3 or 4 for Mac, and in OmniOutliner 1 for iPad and OmniOutliner 2 for iOS. These files are not compatible with OmniOutliner 2 for Mac and earlier. They can be opened in OmniOutliner 5, but must be updated to the newer .ooutline format before all editing features are available.
Exports a .oo3template file which can be opened in either OmniOutliner 3 or 4. These files are not compatible with OmniOutliner 2 or earlier. They can be opened in OmniOutliner 5, but must be updated to the newer .otemplate format before they can be edited.
Exports a .opml file, which retains the hierarchical structure of your outline. However, OPML files do not retain any of the styles or attachments you may have applied in OmniOutliner.
Exports a raw .txt file without any styles. Child rows and columns are aligned using tabs rather than spaces, making this type of export useful for importing into spreadsheet apps such as Numbers or Excel.
OmniOutliner exports the contents of your outline in an XML format that PowerPoint 2012 can interpret and render. After exporting your outline as .pptx, you can then import the PowerPoint file into Apple's Keynote app.
Each Level 1 row becomes a separate slide in the PowerPoint presentation, with its children listed on that slide, and notes become presenter notes. Very little styling is carried over from OmniOutliner (styles don't match well between the two formats, so we err on the side of removing them).
Image attachments are placed on slides corresponding to their level in the hierarchy, but must be manually repositioned to the desired location on the slide.
Exports a .rtf file, which retains all of the styles you've applied in OmniOutliner. RTF is a standard document format that most word processors, such as Word and macOS's TextEdit app can open. Export to RTF if your Outliner document contains only text and numbers.
Exports a .rtfd file, which retains all of the styles you've applied in OmniOutliner. What sets RTFD apart from RTF is that an RTFD file can contain attachments, such as any images, audio clips, or anything else you attach to your OmniOutliner file. Most word processors, such as Word, Pages, and macOS's TextEdit can open .rtfd files.
The popular PDF file format is not included as an export option because OmniOutliner supports the macOS standard Save as PDF option available from the print panel. See Printing in OmniOutliner for details on configuring the appearance of your document for both print and PDF export.
If you use OmniGraffle (the Omni Group's powerful design application), you can share OmniOutliner files with it and create visual representations of your outline hierarchy from your original styled text layout.
Open OmniGraffle and choose File ▸ Open.
In the Open dialog, choose any file whose extension is .ooutline.
OmniGraffle presents you with the Import Outline dialog. At the top, be sure to select one of the themed templates, such as Circles or Lines.
You can use OmniGraffle's Outline Editor (in OmniGraffle, choose View ▸ Show Contents ▸ Outline) to add depth to the diagram you've created.
Choose File ▸ Print (Command-P) to print your OmniOutliner document.
You can stick with the default printing options, which deliver a page that's close to what you see on screen. Or you can click Show Details on the print panel to set up a custom presentation for your printed outline.
With details shown, a customized version of the print panel appears with a bunch of options specific to OmniOutliner.
On the left side of the print panel you'll see a preview of your OmniOutliner document that shows how it will look when printed. You can use the arrow buttons beneath the preview to page through your document so you can verify that everything is in order.
To print your outline to a PDF file rather than a physical printer, choose Save as PDF from the dropdown PDF menu in the lower left of the print panel.
On the right, a popup menu appears with several sets of printing options. The area below the menu changes based on the option you have selected.
By default, this menu is set to Content, which contains document-specific printing options (Headers & Footers and Margins options are also available, described below). As you toggle the various options on or off, the print preview changes accordingly.
OmniOutliner Content print options include the following.
Print selected rows only—Only the rows currently selected in the outline are included in the print output.
Filter rows by status checkbox—Print only rows with their status checkbox checked (or unchecked).
Expand to show all descendants—Automatically expand all collapsed rows so that their children are visible for printing.
Flatten indentation—Print the outline without visual indication of hierarchy (all rows are depicted with the same starting alignment).
Include notes—As shown in document includes notes that are visible at the time of printing. Expanded automatically opens all notes at print time so they are included in the print output.
Scale to fit page width—If the outline's column(s) exceed the width of the printed page, scale the document to fit the entire width onto a page. Uncheck this if you want the print output to strictly mirror the document's scale in OmniOutliner.
If Scale to fit page width is unchecked, outlines with multiple columns must have their column widths manually adjusted to control what page they appear on.
When resizing a column by dragging on its right edge, the column will snap to the width of a printed page when it nears the vertical dashed line that appears.
Print column titles—If the document has visible column titles, include them when printing.
Print row handles—If the document is styled to display row handles, set their print visibility here (an outline with row handles hidden will not include them when printed regardless of this setting).
Print alternate row colors—If your document style includes alternating row colors, they will be visible in the print output.
Print other background colors—Other background colors, such as those applied by the Highlight styles, will be preserved for print.
The Headers & Footers print settings gives you the ability to add details about your OmniOutliner document to the top and bottom of the printed page. The six boxes (three each for Headers and Footers) represent the left, center, and right positions on the page. Use the popup just above the Headers section to apply the headers and footers to the Master Page, First Page, Odd Pages, or Even Pages.
Page Number—the current page of the document.
Section Title—either the document name (if no section is focused), or the contents of the row at the highest level of focus hierarchy (if printing a focused selection of the outline).
Last Modification Time—the date and time the document was last updated.
Page Count—the total number of pages in the document.
Document Name—the name assigned to the file when it is first saved (or subsequently changed), and that appears in the center of the document Toolbar.
Document Title—by default, the same as the document name.
Print Time—the date and time the document is printed.
Just click inside one of the six boxes and choose the option from the Insert menu.
If you would like to style the text of headers and footers independently of the outline's document style, the recommended method is to open the Font and Color windows (Format ▸ Font ▸ Show Fonts and Format ▸ Font ▸ Show Colors respectively) before opening the print screen. Using these tools (instead of the Selection Style Inspectors) avoids accidentally re-styling the document itself.
Use the Margins print options to control how the contents of your document appears within the bounds of a printed page. The Top and Bottom controls let you set the distance from the edge of the page to any Headers or Footers you've applied, and from the Headers and Footers to the actual content. To adjust any of the margin values, you can either click in the box and enter something different, or use the little arrows off to the right to increase or decrease the value.


text:
LA Theatre Review
Stoneface: The Rise and Fall and Rise of Buster Keaton at Sacred Fools Theater
Reviews May 30, 2012 (0)Comments
Every now and then you come across a show that so thoroughly woos the audience right from the start that they can't hold their applause until the end but clap right the way through. Stoneface is such…
The Turn of the Screw at The Underground Theater
by Brian Sonia-Wallace~ Horror, by nature, is a theatrical genre because to be effective it must acknowledge its audience and enter a relationship with them. This relationship is frequently missing from LA theatre, and its presence is…
Lights Off, Eyes Closed at T.U. Studios
Reviews April 4, 2012 (0)Comments
by Brian Sonia-Wallace~ Let me be blunt: I liked this play. You should go see this play. It is very good. I didn't think I would like it. I admit that from the advertising I…
Spring Awakening at Egyptian Arena Stage
Reviews March 22, 2012 (0)Comments
by Joel Elkins~ Broadway musicals tend to be lavish, professionally produced and out of many people's price range. Enjoying such an experience in LA will typically set back the average theatergoer $80 or more for…
Bridge at the Complex
Reviews December 16, 2011 (0)Comments
by Tracey Paleo ~ Tsunami Relief and All That Jazz A moonlight serenade turns into a visitation from the angel of death, times three. It's not often that a play creates a kind of intimacy…
Blink and You Might Miss Me at Asylum Lab
Reviews January 14, 2011 (0)Comments
by Joel Elkins~ I hate getting sick. When I'm sick, much of what I like to do is out of the question and the rest is rendered severely less enjoyable. It was in this mood…
David Henry Hwang Theatre, East West Players
Reviews September 24, 2010 (0)Comments
by Sylvia Blush ~ In an instant this seemingly quirky tale about a young man who believes he was abducted by aliens is turned by the obvious revelation that his recurring dreams are not what…
[title of show] at the Celebration Theatre
Reviews July 22, 2010 (0)Comments
What started as a competitive entrée in the New York Musical Theatre Festival and ended with successful runs both on and off-Broadway and a Tony nomination for Best Book in 2009, [title of show] has finally arrived…
Fabric at the Company of Angels in the Alexandria Hotel
1995. Toy Story is number one at the box office, the Dow hits a record 5000 and in the little town of El Monte, 20 miles southeast of the Hollywood sign, on August 2, a…
Kharmful Charms of Daniil Kharms at Art/Works
When you walk into a theatre and the first question they ask is, "Would you like vodka? Or better vodka?" you know either way you're a winner. If the play is a mess, at the…
Archives Select Month May 2012 April 2012 March 2012 December 2011 June 2011 January 2011 September 2010 July 2010 June 2010 March 2010 February 2010 January 2010
Categories Select Category Hollywood Fringe Reviews
Art/Works ARTEL Asylum Lab Blank Theatre Celebration Company of Angels Egyptian Arena Stage Knightsbridge Sacred Fools Theater SkyPilot Theatre Stella Adler Theatre T.U. Studios


In the cycling world you have normal flats and then you have the ride ending massive blowout. Small pieces of glass or metal found on the road often create a small puncture in the tire. Most of the time you can just put a new tube in, air it up and get back on your way. The puncture below came from a creek crossing that is pretty much a sidewalk with about ten rocks the size of small white powder donuts. Well, there was one really sharp guy in there I guess. This is something that tubeless sealant won't fix. My tire went completely flat in two seconds. At this point most would be having a fun nature walk back to the car. I chose to use my Park tire boot along with a tube and ride the rest of the day. Pick one of these up next time you're at the shop along with a spare derailleur cable and never walk to you car again!


hardinge koppers ball mill, 11' x 14', no motor. includes mill shell, bull gear, feed and discharge heads with trunnion liners, shell liners, gear covers. trunnion journals measure 48" diameter x 15" wide.
hardinge 9 ft x 11 ft ball mill equipment. hardinge pebble/ball mill. 9 ft. dia. x 11 ft. long free quote. used hardinge equipment used hardinge equipment for sale from one of the nations top providers of used machinery and equipment. free quote.
used conical ball mill, 9' x 11'. 300 h equipment buys, sells, and trades used conical ball mill, 9' x 11'. 300 h. buying & selling used equipment for over 80 years.


Sobha Square Pre-launch on Kogilu Cross, Yelahanka is the new upcoming project near Jakkur Road. Sobha Square is developed by Sobha Developers the most prominent and growing real estate company in the state with low cost and affordable housing. Sobha Square pre launch is spread across 4.5 acres of land with 288 units in north Bangalore. It offers 3BHK luxury homes with excellent amenities at attractive price range. Sobha Square location – near maruthinagar bus stop is situated in the prime location in north Bangalore, just 10 mins from hebbal flyover and 500 meters from kogilu cross on jakkur road. This place is the fastest growing location in terms of real estate with international airport on the same express way. This location in yelahanka has seen over 50% of appreciation in the last 3 years with the airport and other huge builders developing condominium complex in north Bangalore.
Shoba Square on Kogilu cross in yelahanka is a brand new project from the renowned real estate developer, Sobha Developers. Another huge project by Sobha developers is Sobha Dream Acres on Panathur road with 1, 2 and 3 BHK apartments. Sobha Developers are the pioneers of real estate building in the whole of south India with affordable housings.The latest architectonics and the best of technologies available in the field are being implemented in the construction of this project. The technique and the precision with which the Sobha Square project is built has made it one of the most sought after residential destination in the North Bangalore. Sobha Square on jakkur road allows you to lead life more auspiciously in these luxurious 3BHK apartments in the most comfortable manner. Whilst, witnessing the classy international level amenities and facilities that allow you to feel altered from the blissful living.


34 // for functions in the Egm2008FullGrid class.
84 // default Egm2008FullGrid constructor.
89 // initialized most data members.
123 // non-default Egm2008FullGrid constructor.
130 // path specified by environment variable MSPCCS_DATA.
135 // initialized most data members.
171 // Egm2008FullGrid copy constructor.
178 // oldGrid: The Egm2008FullGrid object being copied.
217 // the Egm2008FullGrid destructor.
234 // Egm2008FullGrid assignment operator.
238 // oldGrid: The Egm2008FullGrid object being assigned.
244 // the Egm2008FullGrid assignment operator.
299 // version of NGA's worldwide geoid-height grid.
301 // but it uses bilinear interpolation for small windows.
305 // gHeight: Interpolated geoid height (meters).
307 // which geoid height is to be interpolated.
309 // which geoid height is to be interpolated.
318 // EGM 2008 interpolations normally use wSize = 6.
320 // i: Grid's latitude index.
321 // j: Grid's longitude index.
332 // examples of grids with oddSize = false.
339 // interest lies in the grid's central cell.
341 // obtain a numerically-most-trustworthy solution.
498 // this occurs even when exceptions are thrown.
527 // bilinear interpolation to find geoid heights.
531 // gHeight: Interpolated geoid height (meters).
533 // geoid height is to be computed (radians).
535 // geoid height is to be computed (radians).
538 // normally wSize = 6 for EGM 2008 interpolations.
542 // thread locks, if any, reside in the bicubic spline's geoidHeight function.
633 // 0 <= x <= 1; 0 <= y <= 1.
664 // of NGA's EGM 2008 worldwide geoid-height grid.
668 // geoid heights arranged west-to-east within each row.
672 // the thread locks reside in the constructor.


text:
Mayim Bialik Posts Picture At Airport, Fans Instantly Go Nuts…
BREAKING: This Is The Iran BOMBSHELL Obama Doesn't Want You To Know About…
Mayim Bialik and Ryan McPartlin
photo by kveller.com
Mayim Bialik posted a sweet photo of herself and former costar Ryan McPartlin at the airport. We just can't get enough of how cute this guy is. So how do these two know each other? TBBT fans may have forgotten that they worked on a project for Lifetime together in the summer of 2015.
Mayim Bialik spoke openly in 2015 about filming her first movie. Previously she had only been involved in television projects. Mayim lost her father in the same summer that she began filming with Ryan, and she told Kveller that she had to figure out how to balance excitement with mourning.
She explained that she started filming the project with prayer, because, "Judaism believes in tempering the ecstatic with the grounded, and being happy for my movie needs to, in my sensibility, be tempered with the reality that I am a mourner. Balance. Tension. More than one emotion at once."
1On Working With Ryan
photo by hollywoodnewssource.com
About her time on set with Ryan McPartlin, Mayim has said, "I did a movie for "Lifetime" co-starring Ryan McPartlin, who is mostly known for being super handsome, but is also really funny and goofy and a terrific actor and person."
Ryan began his career as an Abercrombie and Fitch model. This is really unsurprising considering his chiseled jaw, washboard abs, and sparkling blue eyes. He got his first acting gig on The Nanny, and worked his way up from there. He also happens to be a certified personal trainer.
photo by toutletele.com
The movie that Mayim and Ryan filmed together is shockingly a Christmas movie. It's shocking because Mayim is very outspoken about her Jewish faith and does not celebrate Christmas.
However, of celebrating both holidays the star said, "Being in a Christmas movie was a little bit strange for me. I've never celebrated Christmas myself; I come from a traditional Jewish home where we did not celebrate Christmas. I have celebrated Christmas with my sons' grandparents who are not Jewish."
We want to see Mayim Bialik and Ryan McPartlin do more films together. Did you see Mayim Bialik's Lifetime movie?
Hershel Greene Actor Approves Daryl-Beth Romance
Walking Dead Fans Want To Talk Beth Dixon The Walking Dead |…
Now You Can Watch Negan Kill Glenn & Abraham in Lego Form
Has anything so graphic and violent as Glenn & Abraham's deaths on The Walking Dead ever been recreated in Lego before? Probably not.
'The Walking Dead' Showcases Gruesome Makeup and Halloween Zombie Tutorials
The justification of the gruesome Season 7 opening is still up for…
6 Things a Duck Dynasty Wedding Always Has!
With Reed Robertson and Brighton Thompson's wedding recently taking place, we thought…


Roaring Dan's Rum is distilled from fermented grade "A" sugar cane molasses. Before a second distillation, pure Wisconsin maple syrup is added. The rum is then aged in a combination of new charred American white oak barrels and used bourbon barrels. The hint of maple we add gives Roaring Dan's Rum a buttery sweetness on palate entry followed by a dry finish. Try it straight up or in the best Rum & Coke you will ever have. But don't stop there, try it in Cream Soda (Sprecher) or with a Dr. Pepper. ALL AMAZING. Be sure to check our cocktail database for all our great rum cocktails.
Who is this Roaring Dan?
What is a rum without a pirate? Well - our pirate is truly one of a kind Roaring Dan Seavey. Unlike some of those other rum pirates, Dan didn't wear feathers and knee britches. He didn't have a boat load of thugs to do his dirty work and he sure doesn't have an expensive marketing company plastering his face in every bar and liquor store in the free world. No Madison Avenue types have ever even heard of Dan, but you can be sure Dan was all pirate.
Dan didn't ply the Caribbean, his home was on the Great Lakes. Although the facts and fiction of Dan's life have become twisted over the years, we do know Dan was the only man ever arrested for piracy on the Great Lakes.
Dan owned a saloon and brothel in Milwaukee and left to join the Alaskan gold rush only to return to the Great Lakes broke.
In 1908 Dan stole a ship - the Nellie Johnson - by getting the captain and crew drunk.
The Tuscarrora, a government Revenue Cutter based in Milwaukee was sent to pursue Dan and eventually captured him after firing a warning shot from their cannon.
After being taken to Chicago to face charges, Dan was released and later charges were mysteriously dropped.
Classic Wisconsin has a great article on Dan Seavey.
Roaring Dan's Rum is flavored with 100% pure maple syrup from Anderson's Maple Syrup in Cumberland WI.
Contains 45% Alcohol By Volume (90 Proof).


If your son or daughter has been permanently injured due to a birthing complication, we want to help. We empathize with your pain and suffering, and would be honored to work on your behalf to protect your legal rights and ensure that the parties liable for your child's injuries are held accountable. When we seek medical care, we expect that we will be attended to by professionals who adhere to the highest standard of care. Unfortunately, some medical professionals fail to abide by a reasonable standard and as a result cause needless injury and suffering.
A birth injury lawyer at our Utah firm can provide you with sound legal counsel should your child have suffered a birth injury, so that you can make informed decisions regarding a course of action. To arrange a consultation with our personal injury attorneys, led by Mr. Norm Younker, please feel free to contact Younker Hyde Macfarlane online or call us today at (801) 335-7025.
Birth injury cases often result in tragic results for a baby and his or her mother. Norman Younker handles medical malpractice cases involving children injured at birth. Clients can file a claim for birth injury often up until the child is 20 years of age, because the statute of limitations does not begin until age 18 in most cases.
The birthing process is not without risk. However, the risk factor can be made greater if a doctor, nurse, or midwife is unqualified, inexperienced, negligent, or woefully reckless. A number of severe and permanent birth injuries can occur.
Negligence during delivery can have devastating lifelong consequences.
Permanent loss of use of the affected limb.
The impact of such an injury lasts a lifetime and can cause severe physical, emotional, and financial hardship.
If the baby's shoulders are unable to pass through the birth canal, it can result in shoulder dystocia. A doctor should be able to anticipate whether or not a baby will be able to pass through the birth canal through ultrasound imaging and medical examinations of the mother. If he or she feels there is any risk due to the size of the fetus or birth canal, it may indicate the need for a Caesarian section birth. Shoulder dystocia can cause severe brain injury and even death, due to a lack of oxygen stemming from umbilical cord compression. For this reason, medical professionals must take every measure possible to ensure this does not occur.
To accurately gauge your financial needs, we will consult with economists so that damages are appropriate and sufficient.
The physical and emotional impact of cerebral palsy is life changing.
A number of other birth injuries can occur in addition to those outlined above, both to the child and the mother. These include uterine rupture and placental tear, which can harm mother and child, as well as umbilical strangulation.
Often, a birth injury results in the victim requiring a lifetime of care and extensive medical needs. This can place a severe financial and emotional burden on the parents. Though no amount of financial compensation is sufficient to undo the damage that has been done, it can help ease or eliminate financial hardship and provide the resources you need to care for your son or daughter for a lifetime.
Establish if a party has acted negligently or not.
The importance of this step cannot be overstated: without establishing liability beyond doubt, there can be no successful resolution to your case.
If your son or daughter has suffered a birth injury, you likely have many questions. During a consultation at our Salt Lake City office, our team of birth injury lawyers can provide you with the counsel you need to make informed decisions. Protect your legal rights - take action today and contact our team online using the form below or call us at (801) 335-7025.


text:
Walt & El Grupo
This is an in-depth look at a fascinating moment in studio history.
Genre(s): Documentary
Director: Theodore Thomas
Actors: Flávio Barroso, Lee Blair, Mary Blair
If you've ever seen the classic Disney films The Three Caballeros or Saludos Amigos, you undoubtedly recognize them as a marked departure from typical Disney fare. Out of context, they seem like a random foray to South America with Donald Duck acting as a tour guide, but in fact they represented a U.S. Government sponsored goodwill mission which called upon Walt Disney to act as a cultural ambassador to South America. Working with a group of handpicked artists (a.k.a. El Grupo), Disney embarked upon a personal and professional journey that resulted in two classic animated films and something far more important: goodwill in the midst of World War II.
Packed with footage from the 1940s and featuring interviews with El Grupo insiders and Disney family members, Walt & El Grupo is an in-depth look at a fascinating moment in studio history. The documentary serves as a historical slice of life, giving us a glimpse of South America in the 1940s as well as plenty of behind-the-scenes insight into this flurry of creativity and cultural education. It's interesting fare for what it is, but be forewarned that the content might not be entirely universal. If you have no memory of that time period and little interest in the inner workings of Walt Disney Studios, this may not be the documentary for you.
DVD NOTES
Extra features include audio commentary with director Theodore Thomas and historian J.B. Kaufman, home movies shot by El Grupo, the original theatrical trailers for Saludos Amigos and Tres Caballeros (as well as Saludos Amigos itself), and the featurettes "Photos in Motion", "My Father's Generation", and "Artists and Politicians".


This week Fred flies solo again and he's celebrating his favorite songs from video game soundtracks. The entire history of games is reflected from 8-bit and 16-bit to the glory of CDs and red book audio. Kick back with a good time wasting game and enjoy a journey through gaming's musical past.


The city is using our tax dollars on corporate welfare. Let's stop them.
We don't need big government telling us what to do about straws, Mike.
Philip Beall, Sr. was a white supremacist. His name doesn't belong on a bridge.
It's time to replace everyone on the Downtown Improvement Board.


text:
Les vergers Boiron, Châteauneuf-sur-Isère, France
Together, let's share fruit at its best!
About Les vergers Boiron
Since the beginning of Les vergers Boiron, there was a passion for fruit.
The Boiron family, originally from the Ardèche region of France, started a fruit trading company in 1942. A few years later, business took off and the Boiron Frères company rapidly developed. It followed the move from Les Halles in Paris to the Rungis market in 1969. Pierre Boiron, the founder's son, then launched a major innovation. Dessert and pastry chefs were looking for practical and consistent use of products all-year-round. The CEO of Les vergers Boiron then created a fruit processing activity - heat-treated specifically to each fruit, then deep-frozen - which is the best technique still today to keep the flavor, texture, and freshness of the fruit intact. Professionals enthusiastically welcomed these ready-to-use fruit purees.
In 2005, Alain Boiron, Pierre's son, took over at Les vergers Boiron and in 2010, all the activities moved to an ultra-modern site in Valence, Drôme. Today, there are over 50 flavors of frozen fruit purées available all of which are 100% all-natural, GMO-free, and have no preservatives, additives, or thickening agents. The Les vergers Boiron experts select only the finest varieties of fruit from the best regions worldwide. Then these fruits, harvested at maturity, undergo a unique blending technique which guarantees product consistency from season to season, year to year.
"As the inventors of frozen fruit puree, we have continued to innovate by developing our range to support artisans of taste from all over the world daily with excellent fruit solutions."
Alain Boiron, Owner
Châteauneuf-sur-Isère, France Get Directions


Geeksnerds NTFS Recovery software is equipped with the latest advanced algorithms of data recovery to retrieve lost, corrupted, inaccessible, formatted and deleted data from partitions with NTFS file systems. Geeksnerds NTFS data recovery software has two scanning modes: Main memory and Virtual RAM. Virtual RAM helps in performing recovery operations on large hard disk drive partitions containing voluminous data. Geeksnerds NTFS data recovery software supports NTFS 3.0 and NTFS 5.0 file system partitions. NTFS data recovery software is compatible with Windows NT, Windows XP, Windows Server 2000, Windows Server 2003, Windows Server 2008, Windows Vista and Windows 7.
NTFS data recovery software has four types of scans for recovering of lost or corrupt, formatted, deleted data. Normal, Advanced, Formatted and Deleted scans. Normal scan is for minor corruption cases. Advanced scan is recommended for data that is damaged due to missing MBR, Boot record, File system Meta corruption, partition locked by utility or its Meta is missing. Formatted scan recovers data from formatted disks and optical media. Deleted scan recovers deleted and Shift + Del files and folders.
Geeksnerds NTFS data recovery software also has Raw Files Recovery scan that recovers data without considering the file system type. Raw files recovery can be paired with advanced scan for efficient retrieval of data. Geeksnerds NTFS data recovery software can be downloaded for free and it is available with all the functionalities except the cloning and saving of data functionality.


Looking for ideal OBA Manufacturer & supplier ? We have a wide selection at great prices to help you get creative. All the Optical Brightener are quality guaranteed. We are China Origin Factory of Whitener. If you have any question, please feel free to contact us.


text:
Douglas Kearney
http://douglaskearney.com/
Douglas Kearney has published six books, most recently, Buck Studies (Fence Books, 2016), winner of the Theodore Roethke Memorial Poetry Prize, the CLMP Firecracker Award for Poetry, and silver medalist for the California Book Award (Poetry). BOMB says: "[Buck Studies] remaps the 20th century in a project that is both lyrical and epic, personal and historical." Kearney's collection of writing on poetics and performativity, Mess and Mess and (Noemi Press, 2015), was a Small Press Distribution Handpicked Selection that Publisher's Weekly called "an extraordinary book." Raised in Altadena, CA, he now lives with his family west of Minneapolis where he is Assistant Professor in the Creative Writing program in the College of Liberal Arts at the University of Minnesota–Twin Cities.
Sharpened Visions: A Poetry Workshop


text:
Chester Racecourse lodges plans for city centre bar and restaurant
Chester Racecourse has lodged plans for a new bar and restaurant, along with residential accommodation, at 22 Bridge Street.
CHESTER Racecourse has lodged plans for a new bar and restaurant in the city centre.
The proposed development at 22 Bridge Street also includes residential accommodation.
It relates to the vacant property formerly occupied by the Steamer Trading Cookshop and later ProCook.
Chester Race Company, who have owned the building since March this year, have submitted both full planning and listed building consent applications to Cheshire West and Chester Council.
The premises is part of a 17th Century group of three properties – including 24 and 26 Bridge Street – known as The Dutch House.
The application states: "The proposals involve alterations to the ground, first, second, third and fourth floor. This includes the insertion of new partitions and services, and the removal of modern finishes and partitions to convert the retail and associated office space of 22 Bridge Street to a bar/restaurant space on the ground, first and second floor, and residential accommodation on the second, third and fourth floor."
Two apartments each providing two bedrooms would be created as part of the plans.
New bridal business set to open at former Chester wine bar and restaurant
Donald Insall Associates Ltd, acting on behalf of Chester Race Company, state in the design and access statement: "The final design was chosen to best serve the current market for city centre flats and to minimise any harm to the most significant parts of the listed building.
"It is proposed that areas and features of the building of high significance, including the historic front parlours overlooking Bridge Street, surviving historic joinery such as the small number of doors, frames and architraves, skirtings, picture rails, steps, handrails, fireplaces and plasterwork are retained.
"Unsympathetic later insertions and poor quality finishes will be removed and replaced with an efficient two-bedroom apartment on the second floor and a two-bedroom duplex on the third and fourth floor.
"Historic windows will be repaired where necessary using minimal intervention.
"The new mixed use is economically viable and brings a welcome addition to the city centre residential and commerce communities."
The neighbour consultation period ends on December 15.


The caravan was made up of 2,500 waggons and 3,500 camels. The sections of the schooner Konstantin were being transported on conveyances. The manpower consisted of some 200 infantry, 600 Bashkir horsemen, and a detachment of cavalry, all under the command of General Schreiber. In that conglomeration, Shevchenko was treated not as a common soldier, but as a member of the expedition, and as such enjoyed special privileges from the commanders; among other alleviations, he was not required to wear a uniform. The first day of the journey proved unbearable, and Shevchenko who could not endure the insufferable heat, and was in addition highly excited by the sudden change, experienced a fainting spell. The terrain through which they moved was a monotonous wilderness, a boundless plain wild with the steppe-grass but with no other growth or sign of life. On the way Shevchenko sketched a few landscape scenes, several Russian military forts, and burial mounds. Then followed seven days of tormenting journey across the horrible desert of Karakum with its extremes of temperature — cold, windy elevations and hot valleys full of black sand on which, as Shevchenko noted both in his Diary (Shchodennik) and in the novel The Twins (Bliznetsi) an egg could be fried in five minutes. The thirst suffered by man and beast was intense, and when finally they reached the desert wells the water in them was so bitter, salty, acid, and full of minute creatures that it was tolerable to drink only after it had been sieved and boiled. Shevchenko was fortunate in having a few lemons with which to flavour his tea and so subdue his thirst. However, the worst was yet to come. Their further journey lay across a pale roseate plain which was the bottom of a dried up lake and, in the intense sunlight, was so dazzling that one could proceed only with eyes closed. Shevchenko, hke his companions, was temporarily blinded by it. Finally, the shores of the Aral Sea were reached, and the air became fresher. But there still remained some fifty miles to the Rayim Fort, their destination іn the Syr-Daria River. This part of the journey was possible only by night, for the temperature during the day was almost a steady 115° F. On June 19, after thirty-nine days of forging ahead, they arrived at that Fort which stood solitary amid the utterly gloomy Kirghiz steppe-land.
In that god-forsaken spot, while he waited thirty days for the schooner Konstantin to be assembled, Shevchenko sketched and painted the mournful scenes around him, oppressed by unrelenting heat and troubled sorely by scorpions and tarantulas. Then, on July 25, when all was in readiness, the Konstantin, in the company of its mate the Nikolai, sailed from the Rayim Fort down the Syr-Daria River towards the Aral Sea. Shevchenko was aboard the former together with the commander Butakov and twenty-five others, all in very restricted quarters. It took them about a week to reach the Sea, at the entrance to which the schooners separated, each to investigate different parts of it. Up till September 26 the explorations continued under the most horrible conditions: lack of fresh food, scorching heat, storms, and often hurricanes, the more dangerous because the soundings of the depths had not yet been established and the vessel often ran into shallows and struck against hidden rocks. The topographical measurements and the exploration of the unmapped islands were completed in thirty-eight days, following which the expedition headed towards the island of Kos-Aral where they cast anchor and prepared to pass the winter after two months of almost continuous seafaring.
Taras Shevchenko, "Shevchenko draws a friend"
The winter with its storms began early, on October 22, and in that snow-bound locality Shevchenko spent some four months during which he continued to draw and paint, but mostly to write, in order to obliterate as best he could the monotony and boredom. Vermin, however, with which all the members of the expedition were infested, became an insoluble problem. Mail reached that forlorn spot only twice a year, but Shevchenko failed to receive any communication whatever from the outside world. All seemed to have forgotten him, and this troubled him painfully. Scrofula attacked him, and his physical deterioration continued. It was not relieved even when, at the end of January 1849, he returned for a two-month's stay to the Rayim Fort where two physicians attended him. His appearance also changed. He had now a fully bearded face, his hair began to thin out visibly, and his former sturdy physique became lean. He was aging fast. At times, under the influence of rum, his melancholy would leave him, but a relapse would always follow and he would again grow reticent with his friends or vocal in cursing his evil fate. At least twice he took part in tiger hunts, and on one of them sketched a dead tiger. Occasionally, when the snow-storms subsided, he and others would visit the local Kirghiz beys. But all those diversions could not in the end alleviate his deep-rooted grief and mental torment.
Willingly would he have exchanged this state for the former at Orsk, but Butakov insisted that he remain with him till the end of the expedition. And so, on May 5, Shevchenko again found himself on board the Konstantin as it started on its second voyage of exploration which this time was to last four months. The investigation was begun from the western precipitous shores which made it virtually impossible for the crew to disembark. The squalls continued to plague them, and once the hurricane was so strong that the vessel had to be made fast by three anchors. Although Butakov made certain that this time the provisions were fresher and less perishable, the sea water which they drank during a storm that lasted two weeks made the men so sick at their stomachs that they were incapacitated for any kind of work and brought Shevchenko to such a pass that he cared little whether he lived or died. Once when they went ashore, he felt so desperate that he deliberately separated himself from his companions and would not answer their call when the time for reembarking came; when he was found, it was with difficulty that he was persuaded to return on board.
Taras Shevchenko. "Fort Kara Butak."
The expedition completed its work by September 22. In two excursions, lasting about seven months, the Aral's surface was measured, its depths sounded, and its coast line mapped and studied. Shevchenko's contribution was over two hundred sketches and drawings which enhanced the immense research in both practical and artistic respects. However, it could not be publicly acknowledged, because it was only at Butakov's instance and on the Orenburg military officialdom's sufferance that he did that kind of work; the formal confirmation of his release from the interdict was still lacking. Personally, he profited from the research by often working with the naturalist Werner, thus acquiring considerable knowledge of botany and geology.
The party returned to Kos-Aral and from there to the Rayim Fort, back to vermin, scorpions, and blowing, blinding sands. Shevchenko Was pain-stricken that in the mail awaiting them there he received not single letter. Did his friends forget him altogether? How could they be so ungrateful to him for what he had done to further their national cause at the price of his freedom? Of course, he had no way of knowlng that all his mail had been stopped at Orenburg. Even so, the correspondence he later received was from precious few of his friends (including Princess Repnin); many others in Ukraine who had promised to write him failed to communicate.
On October 10, for the second time, Shevchenko had to cross the dreaded desert on his way to Orenburg, part of the 1,000 kilometers on foot in order to lessen the horses' fatigue as they trudged uphill. Thus, after two and a half years of most bitter experiences since he left the town for Orsk, he reached Orenburg on November 1.
Since his imprisonment at Orsk, his "bootleg" collection had increased by some seventy items, large and small, most of them written on Kos-Aral. A greater part of them was lyrical, subjective, and autobiographical poems into which he poured his distress as he described the wretchedness of his life. Their Dantesque refrain could be reduced to the outcry: "Nessun maggior dolore/Che ricordarsi del tempo felice / Ne la miseria," which Shevchenko paraphrased in one of his lyrics. Besides several longer narrative poems, he wrote ballads and a considerable number of songs with folklorist content. As always, many of his poems of that period derive from his lasting interest in the Cossack age and reveal the manners and customs of those bold and happy-go-lucky warriors in both their exuberant and their subdued moods. The general tenor of his creativeness, however, is grief for his lost youth and sorrow at being forgotten by his countrymen.
Source: The Poetical Works of Taras Shevchenko. The Kobzar. Translated from the Ukrainian by С.H. Andrusyshen and Watson Kirkconnell. Published for the Ukrainian Canadian Committee by University of Toronto Press, 1964. Toronto and Buffalo. Printed in Canada, Reprinted, 1977, p. 28 - 32.


text:
Dervish – The London Palladium ****
By Hannah Compton on September 23, 2019 • ( Leave a comment )
There was a triumphant atmosphere as Irish folk superstars Dervish took the stage for their 30th birthday celebration concert at the London Palladium.
"It's taken us a long time to get here. If this gig is half as good as the rehearsal it's going to be a great night" triumphed singer Cathy Jordan, revelling in her opulent surroundings.
The six-piece Irish folk outfit was joined by keyboardist Graham Henderson, producer of the band's latest album The Great Irish Songbook and five guest singers; Imelda May, David Gray, Cara Dillon, Brian Kennedy and Kate Rusby.
During band introductions singer Cathy Jordan introduced all Ireland Fiddle champion Tom Morrow as "the newest member of the band. He joined 21 years ago."
Magical sets of Irish reels, with extraordinary musicianship and amazing transitions, were interspersed with lovestruck ballads by the guest vocalists. Close your eyes and you were transported from this world-famous venue in London's West End to Dolan's bar in Limerick.
Highlights included Molly Malone and The Fields of Athenry with Imelda May and Cara Dillon respectively, both songs featuring delicious harmonies from Jordan, very much the vocal lifeblood of the group.
Fittingly the encore was The Parting Glass, with the lyric "Good Night and joy be with you all." It was and it is. As Jordan had predicted, it was a great night.
Words and Live Photo by Chaz Brooks
Categories: Latest, Live Reviews
On International Country Music Day, Gloucester announces Country Music Festival Taster Event
Emily Mae Winters – High Romance – Album Review