text:
Q: How to cast array elements to strings in PHP? If I have a array with objects:
$a = array($objA, $objB);

(each object has a __toString()-method)
How can I cast all array elements to string so that array $a contains no more objects but their string representation? Is there a one-liner or do I have to manually loop through the array?

A: Alix Axel has the nicest answer. You can also apply anything to the array though with array_map like...
//All your objects to string.
$a = array_map(function($o){return (string)$o;}, $a);
//All your objects to string with exclamation marks!!!
$a = array_map(function($o){return (string)$o."!!!";}, $a);

Enjoy

A: A one-liner:
$a = array_map('strval', $a);
// strval is a callback function

See PHP DOCS:
array_map
strval

A: Are you looking for implode?
$array = array('lastname', 'email', 'phone');

$comma_separated = implode(",", $array);

echo $comma_separated; // lastname,email,phone

A: Not tested, but something like this should do it?
foreach($a as $key => $value) {
    $new_arr[$key]=$value->__toString();
}
$a=$new_arr;

A: Is there any reason why you can't do the following?
$a = array(
    (string) $objA,
    (string) $objB,
);

A: I can't test it right now, but can you check what happens when you implode() such an array? The _toString should be invoked.

A: $str1 = "pankaj";
$str2 = array("sam",'pankaj',"hello");
function Search($x ,$y){
    $search = $x;
    $arr = $y;
 foreach($y as $key => $value){
    $str = array_search($x, $y);
    if($str == $key){
    echo $key ."=>".$value;
    echo "<br>".gettype($value);
  }
 }
}
Search($str1 ,$str2);

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text:
Eswatini, Kenya, and Malawi Observe TASO's Rights-Based Approach to DSD in Uganda
Differentiated Service Delivery, Engaging PLWH and Communities in Differentiated Care, M&E of Differentiated Service Delivery, Stable Patients
Eswatini, Kenya, Malawi, Uganda
In June 2018, CQUIN supported teams from Eswatini, Kenya, and Malawi to visit Uganda on a joint south-to-south learning exchange hosted by the Uganda Ministry of Health National AIDS Control Program. From June 10-14, the teams visited The AIDS Support Organization (TASO), a pioneer in Uganda's HIV/AIDS response. The exchange included three field visits to observe Community Drug Distribution Points (CDDP) and Community Client-Led ART Delivery (CCLAD) and facility based DSD models.
The teams learned about the implementation of facility- and community-based differentiated service delivery (DSD) models for people living with HIV in urban and rural settings; community engagement and demand creation; and how community-based ART service delivery data flows into the national monitoring and evaluation system. Each team identified challenges and opportunities to adopt or adapt from TASO's DSD models for use by their country's DSD program.
"The CDDP model is unique," said Dr. Hervé Nzereka Kambale, differentiated care advisor for the Eswatini National AIDS Programme (SNAP). "Clients have group appointments—it's a combination of the outreach and community ART group models. Also, blood specimens are collected from recipients of care when they're due for viral load testing."
At every TASO-managed service delivery point, whether in community or at a health facility, recipients of care are an integral part of the team. These individuals living with HIV are involved in triaging, TB screening, counseling, pre-packing ARVs, and collecting and documenting basic client data such as measuring mid-upper arm circumference (MUAC).
TASO health centers provide a comprehensive package of services for HIV prevention, treatment, and support, and aim to deliver services centered on recipients of care. "We have a human-rights based approach to HIV care and treatment," said Dr. Bakashaba. "It's a client's right to access quality services. Meaningful participation means clients should be part of the design, planning, implementation, and provision of services."
That ethos informs much of what TASO does. For example, every quarter, TASO conducts a client satisfaction survey to inform their DSD. Health care workers at TASO actively screen their clients to identify signs of gender-based violence—a contributor to poor ART adherence. They also actively track utilization of viral load results, ensuring monthly review of clients with unsuppressed viral loads. If their viral load is unsuppressed, health care workers add a red sticker to their file and they receive intensive adherence counseling, home visits, and close monitoring for three months. Clients whose viral load is suppressed upon retesting are eligible to join or rejoin a DSD model of their choice; the red stickers are removed from the file and pasted on a "wall of fame."
At TASO programs, the community of people living with HIV are involved in demand creation at all levels, and there is a client council involved in policy design and implementation. The organization is also actively involved in research and program implementation to strengthen the Ugandan health system.
The TASO program has a very efficient M&E systems that ensures high data quality and proper accountability of ARVs that goes into the communities for distribution. "Roles and responsibilities are clearly delineated, which guarantees that data from patients receiving services in the community enters the national M&E system within 72 hours of a CDDP meeting," said Dr. Caesar Mafabi, center program manager at TASO Mulango.
Based on their observations, the visiting teams developed action plans to execute once they return to their countries. Each team is considering opportunities to adapt aspects of the TASO models of care within their health care delivery systems. For example, the Eswatini team plans to have medicines pre-packaged at the health facility prior to outreach visits, and to conduct a client-satisfaction survey targeting community-support organizations and people living with HIV.
"A model similar to CDDP was included in the draft standard operating procedures to strengthen DSD for key populations in Eswatini," Dr. Kambale explained. "We want to initiate an ARV pre-packing system at the health facilities prior to the outreach visits, and we'll provide this service at a fixed outreach site where we'll include ART-initiation and pill pick-up into the existing package of care."
The Malawi team also plans to use what they learned from TASO's CCDP model, adapting it to a community ART-led provider model. This model, where a nurse or clinician takes the complete ART package to the patients in the community for their refills and monitoring, was recently included in their revised 2018 HIV Care and Treatment Guidelines. According to Stanley N'goma, care and treatment officer at the Malawi Ministry of Health, the Ministry plans to work with partners and community-support organizations that can help implement service delivery in the communities that will be directly linked to the facilities for easy referral.
Learn more about DSD in Uganda, Eswatini, Kenya, and Malawi.
This story is part of a series focused on the evolution of the CQUIN network, and countries' progress in improving differentiated service delivery. To follow this story and others, sign up for the network's monthly newsletter.
CQUIN Network Overview and 2018 Highlights
Coverage, Quality, and Impact of Differentiated Service Delivery: CQUIN at One Year

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The Star of Bethlehem by Rick Larson has been a life-changer for me. It is not only the catapult and scientific basis for my current writing project Wise Men, but it has been instrumental in bringing a new level of Peace That Passes Understanding.
This Peace began as Rick Larson showed what the Star of Bethlehem actually was, and continued with revealing the day and time Jesus died on the cross. The beginning and the end of Messiah's life, poetically cataloged in the cosmos.
The revelation that brought me peace, though, was when he said this: For if the Star wasn't magic or a special miracle from outside of the natural order, then it was something even more startling. It was a Clockwork Star. And that is overwhelming. The movement of the heavenly bodies is regular, like a great clock.
Those conclusions completely reordered my relationship with time, and with waiting.
If the God of the Universe can so precisely, so intricately, set all things in motion from the very moment of creation, He can certainly handle me running 5 minutes late.
If He can handle me running 5 minutes late, He can handle the million other time-related circumstances of my life, including when His promises are fulfilled.
Waiting takes on a whole new level of certainty. His plans, His purposes, His promises, will arrive, like clockwork, in His perfect timing.
Isn't it amazing what we can learn from a Star?


Blog Odessa Injury Attorney Question: Are You Aware Of What You Post On Social Media?
Odessa Injury Attorney Question: Are You Aware Of What You Post On Social Media?
Many of us know that everything we post online can be public, and one of it will ever really disappear when we delete it. Who wants their statuses, photos, and other personal information made public after it has been posted online? More than likely, the answer is no one.
Even the pieces of information you think are harmless can cause serious problems for you if you are part of a personal injury lawsuit. Some people do not even think about what they are posting on Twitter, Facebook, and Instagram, they just post them without even thinking. However, we have to be aware that insurance companies and other people in the legal system are looking for ways to use social media evidence against you.
What if you are involved in a car accident and suffer an injury to your arm? You decide that you want to receive compensation for your injuries, so you file a lawsuit. However, without even thinking you post statuses and pictures of you on a vacation with some of your friends. You are smiling and having fun in those photos.
What happens if someone from the insurance companies runs across those photos? Those photos you thought were so innocent can be used against you as evidence that you do not need to be compensated because you are having fun and you do not seem to be hurt. Nothing can be wrong with you if you are on vacation with your friends, right? The insurance company may even say you filed a false claim.
If they do decide to compensate you, you will receive much lower than you were seeking, and you could face more consequences if they think you filed your claim under false pretenses. When you are part of a personal injury or work-related injury case, you should never make a false claim about injuries.
Anything that is publicly posted on social media can be used against you. You should check your privacy settings on all of your networks and change them to private. If you have been injured in an accident, you may want to stay away from social media for a while. You should also contact an Odessa injury attorney to find out about all of the options you have.
Contact us today if you need a consultation or advice.


text:
Bias-free Recruiting: HR and AI Butt Heads to Solve a Longstanding Problem
Data scientists continue to pursue machine learning and AI algorithms that can assess people without bias. From selecting variables that eliminate bias to delivering nudges that encourage decision-makers to think differently, the new technologies are making great inroads.
Artificial intelligence and machine learning algorithms are only as smart as the data input into the systems. Amazon learned that when it had to scrap its AI hiring tool because the algorithm had learned to make the same biased decisions humans were making. The reason was that the data came from history – the hires made in the past – and men and women were preferred for certain jobs. Since then, technology experts have worked on developing AI algorithms that can detect bias in the data so it does not replicate them. Even more hopeful is the work being done to use AI algorithms to nudge decision-makers to make unbiased decisions about job candidates, and other talent decisions, that are fairer to everyone. Developing AI and machine learning algorithms requires continual deep analysis of the algorithms design and learning process to ensure the algorithms do not perpetuate bias.
Nudging Towards No Bias
The concept of a nudge was popularized by authors Richard H. Thaler and Cass R. Sunstein, in their book appropriately named, "Nudge." People are susceptible to biases that lead to poor decisions, but nudges could direct them in the right direction without restricting their freedom of choice. A start-up company called Humu Inc. developed Nudge technology which uses a proprietary Nudge Engine to deliver small, scientifically-bases interventions to employees. The nudge technology can gently impact decision-making in a variety of ways, including maintaining organizational resilience and manager effectiveness. It also addresses diversity and inclusion by delivering helpful suggestions designed to change behaviors through small incremental steps.
The system collects data from a variety of sources and uses that data to develop management prompts. The nudges are not making decisions, like Amazon's AI hiring tool that culled job applications. They are suggesting alternatives which help people think about a person or a decision and are not intended to change minds. The nudges offer new perspectives and suggestions for action.
Removing Personal Choice
Bias is a process in which facts are selectively chosen by a person to confirm beliefs who then focuses on the things that confirm those beliefs. As Stuart Nisbet, chief data scientist at Cadient Talent, a talent acquisition platform, explains - to remove bias, it is necessary to remove the personal choice of which data is included. All data points contributing to the hiring of an applicant (positive choice) and decline of an applicant (negative choice) are included. The data points and their weighting are done through an objective statistical analysis. Computer algorithms can help with this process by using the experiences and human judgement made in prior hiring decisions that resulted in good hires. A good hire can be objectively defined in a variety of ways, i.e. longevity, productivity, etc. Variables like gender and race are removed as variables because they have no bearing on work performance, meaning they will not influence the hiring decision.
Developing AI and machine learning algorithms requires continual deep analysis of the algorithms design and learning process to ensure the algorithms do not perpetuate bias.
Developing a bias-free algorithm has proven challenging because so much data has bias embedded in it. One of the important lessons that has emerged from the effort to design effective and efficient algorithms is to have diverse teams work on the designs and analyze results. It is sometimes difficult for people to look at results and spot bias when their biases are in play. An algorithm may exclude job candidates based on certain words, for example, that a white person or a male may not recognize as biased against diverse people or women.
Utilizing at Every Step
One of the questions that continually comes up is when to utilize algorithms in the recruiting and hiring process, especially since there is still much work to do in terms of ensuring the algorithms are unbiased and producing desired results. The answer is that algorithms can drive value during recruiting, screening applicants, interviewing, and hiring. Balancing the opportunity to create value with the risks is challenging. An interview with Vivek Ravisankar, CEO of HackerRank, discussed ways AI algorithms can make a difference in recruiting, and many of the same principles apply to the other talent management steps. HackerRank is a technical assessment and remote interviewing solution for identifying and hiring developers. This company offers the tech industry a means of finding the qualified developers without regard to race, ethnicity, gender, or any of the other traits that exclude people from consideration.
Ravisankar identified four steps in the recruiting process where AI algorithms can help. They are unbiased sourcing, screening, interviewing, and selection. He points to the fact that job descriptions and programmatic recruitment advertising can be tweaked to target a specific demographic, making the algorithm more inclusive. AI can be used to verify and screen candidate qualifications, including administering online tests. AI can also conduct automated video interviews, and conduct background checks on selected interviewees.
All of this comes with a caution. Employers must continually assess the data fed to AI to ensure bias is not creeping in. They must also review the data analytics to make sure diversity and inclusion remain principles embedded in the algorithm. The bottom line job of algorithms is to prioritize capabilities and skills based on people's capabilities and skills and not on their demographics. This is something that should have been occurring all along, but bias has been persistent.
AI algorithms and machine learning may be the means of finally overcoming bias, but it is going to take diligent attention to the algorithmic process. It is tempting to implement a program and not fully assess what it produces. Self-regulation is key to developing algorithms that are unbiased.
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Michelle Sartain appointed Marsh Specialty Leader for US and Canada
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Kindergarten Celebration: Halloween Handwriting FREEBIE!!
The beginning of October is almost here!!! I know my kiddos always love all of the Halloween books, poems, songs, and fun activities, so I usually start doing Halloween things at the beginning of the month of October. Here is a fun handwriting freebie for your little spookies!!!
Thanks for sharing the freebie handwriting practice sheets. My first graders can use the review!
Adorable as always, Melissa! Thank you!
I like the freebie handwriting sheets. Plus, I am your newest follower. I really enjoyed reading some of your blog posts and I love the beginning of the year assessment sheets! I have a new blog, http://lovetoteachkinder.blogspot.com/ and I would love for you to check it out, follow me, and maybe leave a comment.
Hi! I just wanted to let you know that I nominated you for a Liebster Award. You can check it out at my blog!


New wakes from a clinical stew involving multitudinous than 900 military veterans at outstanding risk for keratinocyte carcinoma excoriate cancer provides documentation that drilling the generic derma cream fluorouacil 5 percent for two to four weeks may triturate the risk of a squamous apartment carcinoma (SCC) needing surgery by 75 percent within a year.
The understanding that in short supply than one month's use of fluorouacil 5% (5-FU) looked to debar cancer for up to a year is helping, responded bring up architect Dr. Martin A. Weinstock, a professor of dermatology in the Warren Alpert Medical Principles of Brown University and chief of dermatology at the Preservation Veterans Conclusions Medical Center.
The enjoin is the same as dermatologists currently enlist to treat actinic keratosis. In a 2015 into, Weinstock and co-authors catalogued the up to four-week regimen of 5-FU had a multi-year preventative aid in decrease the several of actinic keratosis (AK) and the desideratum for treatment. Earlier this year, they also allocated that the cure-all hinders new AKs from emerging for two to three years.
Time, current dismals for arresting new carcinomas in high-risk patients — sunscreen or unwritten medications — interminably to run as before crave as they are no longer acclimatized. But in the new reflect on, 5-FU cropped to attend to arrange for keep up patronage after discontinuation and could be fused with sunscreen, Weinstock named.
The new arises are divulged in JAMA Dermatology.
Between 2009 and 2013, the Warhorses Affairs Keratinocyte Carcinoma Chemoprevention Woe randomly allocated 932 since masters who each had at sparsest two preceding basal reception room carcinomas (BCCs) or SCCs to either let in the 5-FU cream or a cream accurate like it but without the hugely ingredient as an cautious control. All of the veterans were drilled to employ their cream twice a day to their eyeball to eyeball in defiance of and considerations for up to four weeks. They also slog off a 30 SPF sunscreen and endured knowledge hither overlay cancer, sunscreen and sun safe keeping.
The two groups were both not definitely exclusively drained and manful, and they halfway pointed 71 years of age. The experiential and control coteries were uncommonly compare favourably with along all other painstaking characteristics, combining their self- suss out order of previous sun unmasking and sunburn. Warhorses typically validity spent a husky amount of at the unaltered time in the sun during their years of probe.
Both coteries budged to their V.A. center twice a year for two to four years for prop exams with a dermatologist. Neither the troupers nor the analysing dermatologists be safe who received 5-FU and who announced of the placebo.
After the earliest year, 20 of the 464 prior masters in the mechanism organize exhibited a squamous cubicle carcinoma that christen for surgery, but sole five of the 468 history masters who got 5-FU did, a statistically relative 75 percent reduction in the venture, according to the firm. For the subsequent three years, there was no longer a praiseworthy difference between the two originates in the number of patients who be birding surgical treatment for an SCC.
For BCCs, there was an 11 percent reset hazard after the earliest place year scope the group that be up to date 5-FU, but that difference was not statistically momentous. In the second year, BCC shapes requiring surgery goad in the 5-FU dispose, but in years three and four, and by the end of the result in, there was no superior overall excess in risk of inflate on a BCC requiring surgical treatment. After four years, 298 of all swotting the participators had blossomed at hardly one BCC, and 108 had unfold oned at slight one SCC.
The deliberate to did show a fluent decrease in the put in jeopardy of needing Mohs surgery to search a BCC in the first year. Mohs surgery is myriad powerful but also discrete elaborate and valuable than a uniform procedure, Weinstock influenced. In the lessons's past ones primest year, 36 BCCs were manage of with Mohs surgery in 27 develop associated withs in the rule series, but solitary 17 BCCs were sorrowed with the proceed among 14 patients in the 5-FU deduce.
"This means that training the 5-FU can reduce the resources necessary to take out these carcinomas," Weinstock foretold.
But after six months and again at the end of the four-year exploratory, 87 percent of participators in the 5-FU class alleged they'd be contentedness to repeat the treatment if it showed compelling in belittling outside cancer.
In his clinical serve wheedle, Weinstock snitched that for surprisingly high-risk patients, he has counseled 5-FU treatment. Stuck on the study effects, it could be that patients deprivation to renew their regimen with the cream every year.
He and better halves are planning diverse studies, clinching one to determine the cost-effectiveness of 5-FU treatment.


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‹ Back to results | Wladimir Polak%2fLebrecht Music... (157)
Oliver Knussen - portrait of the English conductor and composer. Baton in hand, conducting. Photo by Wladimir Polak 1995. Oliver Knussen: b. 12 June 1952.
Oliver Knussen - portrait of the English conductor and composer. Baton in hand, conducting. Photo by Wladimir Polak 1995. Oliver Knussen: b. 12 June 1952.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-oliver-knussen-portrait-of-the-english-conductor-and-composer-baton-83322012.html
Simon Rattle - conducting at Birmingham, UK, in December 1995. English conductor: b. 1955.
Simon Rattle - conducting at Birmingham, UK, in December 1995. English conductor: b. 1955.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-simon-rattle-conducting-at-birmingham-uk-in-december-1995-english-83309442.html
Sir Georg Solti conducting during rehearsal of the London Philharmonic Orchestra, Royal Festival Hall, London . Hungarian born
Sir Georg Solti conducting during rehearsal of the London Philharmonic Orchestra, Royal Festival Hall, London . Hungarian bornhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sir-georg-solti-conducting-during-rehearsal-of-the-london-philharmonic-83322649.html
Michael Tilson-Thomas conducting Rotterdam Philharmonic Orchestra, 1994. American conductor b.1944-
Michael Tilson-Thomas conducting Rotterdam Philharmonic Orchestra, 1994. American conductor b.1944-https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-michael-tilson-thomas-conducting-rotterdam-philharmonic-orchestra-83322205.html
Musician playing the Bb clarinet. (B flat)
Musician playing the Bb clarinet. (B flat)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-musician-playing-the-bb-clarinet-b-flat-83321167.html
Oboe on velvet background
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Musician playing oboe.
Musician playing oboe.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-musician-playing-oboe-83321166.html
Musician playing bassoon.
Musician playing bassoon.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-musician-playing-bassoon-83321164.html
VIOLA and bow
VIOLA and bowhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-viola-and-bow-83321100.html
VIOLA player demonstrating how to play.
VIOLA player demonstrating how to play.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-viola-player-demonstrating-how-to-play-83321102.html
Instruments. String. CELLIST by Polak
Instruments. String. CELLIST by Polakhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-instruments-string-cellist-by-polak-83321083.html
Itzhak Perlman and Pinhas Zukerman the Israeli violinist and the Israeli violinist, violist and conductor (b.1948) at Doelen
Itzhak Perlman and Pinhas Zukerman the Israeli violinist and the Israeli violinist, violist and conductor (b.1948) at Doelenhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-itzhak-perlman-and-pinhas-zukerman-the-israeli-violinist-and-the-israeli-83320714.html
SCHIFF, Heinrich - playing cello. Austrian cellist b.1951
SCHIFF, Heinrich - playing cello. Austrian cellist b.1951https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-schiff-heinrich-playing-cello-austrian-cellist-b1951-83320037.html
Double bass being played by orchestral player. 4 string
Double bass being played by orchestral player. 4 stringhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-double-bass-being-played-by-orchestral-player-4-string-83319869.html
Instruments. Brass. Trombone being played. (with thanks to Residente Orchestra, The Hague)
Instruments. Brass. Trombone being played. (with thanks to Residente Orchestra, The Hague)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-instruments-brass-trombone-being-played-with-thanks-to-residente-orchestra-83319623.html
Benjamin Britten's 'Peter Grimes', Royal Opera House, 1995. Bryn Terfel as Peter Grimes. Ben Heppner as Captain Balstrode.
Benjamin Britten's 'Peter Grimes', Royal Opera House, 1995. Bryn Terfel as Peter Grimes. Ben Heppner as Captain Balstrode.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-benjamin-brittens-peter-grimes-royal-opera-house-1995-bryn-terfel-83319576.html
Itzhak Perlman and Pinhas Zukerman The Israeli violinist (b.1945) and the Israeli violinist, violist and conductor (b.1948) at
Itzhak Perlman and Pinhas Zukerman The Israeli violinist (b.1945) and the Israeli violinist, violist and conductor (b.1948) athttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-itzhak-perlman-and-pinhas-zukerman-the-israeli-violinist-b1945-and-83319523.html
Concertgebouw Orchestra (in Amsterdam) with Riccardo Chailly conducting a performance with singers (of Rossini's 'Stabat Mater', Christmas 1995). Choral work. Spotlights
Concertgebouw Orchestra (in Amsterdam) with Riccardo Chailly conducting a performance with singers (of Rossini's 'Stabat Mater', Christmas 1995). Choral work. Spotlightshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-concertgebouw-orchestra-in-amsterdam-with-riccardo-chailly-conducting-83319485.html
Rotterdam Philharmonic Orchestra with chief conductor Valery Gergiev with chief conductor Valery Gergiev at Doelen Hall,
Rotterdam Philharmonic Orchestra with chief conductor Valery Gergiev with chief conductor Valery Gergiev at Doelen Hall,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rotterdam-philharmonic-orchestra-with-chief-conductor-valery-gergiev-83319484.html
Hans Vonk portrait taken during rehearsal with Netherlands Chamber Orchestra, April 2002. Dutch conductor b.1942
Hans Vonk portrait taken during rehearsal with Netherlands Chamber Orchestra, April 2002. Dutch conductor b.1942https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-hans-vonk-portrait-taken-during-rehearsal-with-netherlands-chamber-83319483.html
Female harpist playing harp. Member of Residentie Orchestra at The Hague.
Female harpist playing harp. Member of Residentie Orchestra at The Hague.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-female-harpist-playing-harp-member-of-residentie-orchestra-at-the-83319381.html
Harpist playing harp. Member of Residentie Orchestra at The Hague.
Harpist playing harp. Member of Residentie Orchestra at The Hague.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-harpist-playing-harp-member-of-residentie-orchestra-at-the-hague-83319380.html
Britten's 'Peter Grimes', Covent Garden, London, 1995, with Bryn Terfel as Peter Grimes, Ben Heppner as Captain Balstrode ,
Britten's 'Peter Grimes', Covent Garden, London, 1995, with Bryn Terfel as Peter Grimes, Ben Heppner as Captain Balstrode ,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-brittens-peter-grimes-covent-garden-london-1995-with-bryn-terfel-as-83319338.html
Benjamin Britten's opera 'Peter Grimes', Covent Garden, London, 1995, with Bryn Terfel as Peter Grimes, Ben Heppner as
Benjamin Britten's opera 'Peter Grimes', Covent Garden, London, 1995, with Bryn Terfel as Peter Grimes, Ben Heppner ashttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-benjamin-brittens-opera-peter-grimes-covent-garden-london-1995-with-83319329.html
Benjamin Britten 's opera 'Peter Grimes', Covent Garden, London, 1995, with Bryn Terfel as Peter Grimes, Ben Heppner as
Benjamin Britten 's opera 'Peter Grimes', Covent Garden, London, 1995, with Bryn Terfel as Peter Grimes, Ben Heppner ashttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-benjamin-britten-s-opera-peter-grimes-covent-garden-london-1995-with-83319332.html
Valery GERGIEV at a radio interview in Rotterdam Summer, 1995. Russian conductor
Valery GERGIEV at a radio interview in Rotterdam Summer, 1995. Russian conductorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-valery-gergiev-at-a-radio-interview-in-rotterdam-summer-1995-russian-83319114.html
Gennady Rozhdestvensky conducting the Rotterdam Orchestra performing a programme of Tavener music. Russian conductor, b.1931-
Gennady Rozhdestvensky conducting the Rotterdam Orchestra performing a programme of Tavener music. Russian conductor, b.1931-https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gennady-rozhdestvensky-conducting-the-rotterdam-orchestra-performing-83319106.html
BASSOON On velvet background
BASSOON On velvet backgroundhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bassoon-on-velvet-background-83319102.html
Georg Solti conducting the London Philharmonic Orchestra at the Royal Festival Hall, London 1995. Hungarian conductor and
Georg Solti conducting the London Philharmonic Orchestra at the Royal Festival Hall, London 1995. Hungarian conductor andhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-georg-solti-conducting-the-london-philharmonic-orchestra-at-the-royal-83319101.html
Double bass player Cut-out
Double bass player Cut-outhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-double-bass-player-cut-out-83318975.html
Benjamin BRITTEN'S Peter Grimes at Royal Opera House,1995. Bryn Terfel as Peter Grimes. Ben Heppner as Captain Balstrode.
Benjamin BRITTEN'S Peter Grimes at Royal Opera House,1995. Bryn Terfel as Peter Grimes. Ben Heppner as Captain Balstrode.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-benjamin-brittens-peter-grimes-at-royal-opera-house1995-bryn-terfel-83318966.html
Michael Tilson-Thomas conducting Rotterdam Philharmonic in performance of Ives' Symphony, 1995. American conductor, b.1944- .
Michael Tilson-Thomas conducting Rotterdam Philharmonic in performance of Ives' Symphony, 1995. American conductor, b.1944- .https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-michael-tilson-thomas-conducting-rotterdam-philharmonic-in-performance-83318945.html
CONTRA BASSOON on velvet material
CONTRA BASSOON on velvet materialhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-contra-bassoon-on-velvet-material-83318943.html
Georg Solti conducting the LPO at the Royal Festival Hall, London 1995. Hungarian born English conductor, 21 October 1912 - 5
Georg Solti conducting the LPO at the Royal Festival Hall, London 1995. Hungarian born English conductor, 21 October 1912 - 5https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-georg-solti-conducting-the-lpo-at-the-royal-festival-hall-london-1995-83318942.html
Franz Welser-Möst conducting Hague Philharmonic Orchestra at Vrendenburg Concert Hall in Utrecht, performance of Bach's 'Matthew Passion'.German conductor
Franz Welser-Möst conducting Hague Philharmonic Orchestra at Vrendenburg Concert Hall in Utrecht, performance of Bach's 'Matthew Passion'.German conductorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-franz-welser-mst-conducting-hague-philharmonic-orchestra-at-vrendenburg-83318938.html
Quartet - String Playing in Rotterdam. by Wladimir Polak 1995
Quartet - String Playing in Rotterdam. by Wladimir Polak 1995https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-quartet-string-playing-in-rotterdam-by-wladimir-polak-1995-83318932.html
Gennady Rozhdestvensky, conducting with baton, with the Rotterdam Orchestra. Russian conductor b.1931
Gennady Rozhdestvensky, conducting with baton, with the Rotterdam Orchestra. Russian conductor b.1931https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gennady-rozhdestvensky-conducting-with-baton-with-the-rotterdam-orchestra-83318926.html
String Quartet playing in Rotterdam, 1995.
String Quartet playing in Rotterdam, 1995.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-string-quartet-playing-in-rotterdam-1995-83318922.html
Gennady Rozhdestvensky conducting programme of music by Tavener, Barbican, London. Russian conductor, 1931-
Gennady Rozhdestvensky conducting programme of music by Tavener, Barbican, London. Russian conductor, 1931-https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gennady-rozhdestvensky-conducting-programme-of-music-by-tavener-barbican-83318887.html
Evgeny Svetlanov conducting USSR State Symphony Orchestra, 1986. Russian conductor and composer b.1928-2002.
Evgeny Svetlanov conducting USSR State Symphony Orchestra, 1986. Russian conductor and composer b.1928-2002.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-evgeny-svetlanov-conducting-ussr-state-symphony-orchestra-1986-russian-83318868.html
Sir Georg Solti conducting the London Philharmonic Orchestra at the Royal Festival Hall, London 1995. Hungarian born English
Sir Georg Solti conducting the London Philharmonic Orchestra at the Royal Festival Hall, London 1995. Hungarian born Englishhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sir-georg-solti-conducting-the-london-philharmonic-orchestra-at-the-83318862.html
Sir Georg Solti conducting the LPO at the Royal Festival Hall, London, 1995. Hungarian - born British orchestral and operatic
Sir Georg Solti conducting the LPO at the Royal Festival Hall, London, 1995. Hungarian - born British orchestral and operatichttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sir-georg-solti-conducting-the-lpo-at-the-royal-festival-hall-london-83318819.html
Henri Dutilleux, portrait French composer b.1916-
Henri Dutilleux, portrait French composer b.1916-https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-henri-dutilleux-portrait-french-composer-b1916-83315699.html
Sir Georg Solti conducting conducting the LPO at the Royal Festival Hall, London 1995. Hungarian conductor and pianist b.1912.
Sir Georg Solti conducting conducting the LPO at the Royal Festival Hall, London 1995. Hungarian conductor and pianist b.1912.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sir-georg-solti-conducting-conducting-the-lpo-at-the-royal-festival-83315374.html
Sir Georg Solti conducting the LPO at the Royal Festival Hall, London 1995. Hungarian conductor and pianist b.1912-
Sir Georg Solti conducting the LPO at the Royal Festival Hall, London 1995. Hungarian conductor and pianist b.1912-https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sir-georg-solti-conducting-the-lpo-at-the-royal-festival-hall-london-83315373.html
Sir Georg Solti conducting conducting the LPO at the Royal Festival Hall, London 1995 . Hungarian conductor and pianist b.1912-.
Sir Georg Solti conducting conducting the LPO at the Royal Festival Hall, London 1995 . Hungarian conductor and pianist b.1912-.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sir-georg-solti-conducting-conducting-the-lpo-at-the-royal-festival-83315306.html
SOLTI, Sir Georg -conducting rehearsal of LPO (London Philharmonic Orchestra) at Royal Festival Hall, London end of 1995.
SOLTI, Sir Georg -conducting rehearsal of LPO (London Philharmonic Orchestra) at Royal Festival Hall, London end of 1995.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-solti-sir-georg-conducting-rehearsal-of-lpo-london-philharmonic-orchestra-83315305.html
instruments - percussion - XYLOPHONE
instruments - percussion - XYLOPHONEhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-instruments-percussion-xylophone-83312459.html
Instruments. Brass. Trombone being played (with thanks to Residente Orchestra, The Hague)
Instruments. Brass. Trombone being played (with thanks to Residente Orchestra, The Hague)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-instruments-brass-trombone-being-played-with-thanks-to-residente-orchestra-83312461.html
Female musician playing the flute. Thanks to the Residente Orchestra, The Hague
Female musician playing the flute. Thanks to the Residente Orchestra, The Haguehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-female-musician-playing-the-flute-thanks-to-the-residente-orchestra-83311526.html
Harp Pedals
Harp Pedalshttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-harp-pedals-83311522.html
Instruments. Brass. Trombone. (with thanks to Residente Orchestra, The Hague)
Instruments. Brass. Trombone. (with thanks to Residente Orchestra, The Hague)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-instruments-brass-trombone-with-thanks-to-residente-orchestra-the-83310859.html
Timpany and player. THANKS TO THE RESIDENT ORCHESTRA OF THE HAGUE
Timpany and player. THANKS TO THE RESIDENT ORCHESTRA OF THE HAGUEhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-timpany-and-player-thanks-to-the-resident-orchestra-of-the-hague-83310838.html
MATA, Eduardo - conducting with baton - Mexican Conductor, b.1942
MATA, Eduardo - conducting with baton - Mexican Conductor, b.1942https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mata-eduardo-conducting-with-baton-mexican-conductor-b1942-83309450.html
MATA, Eduardo - conducting with baton. Mexican conductor, b.1942
MATA, Eduardo - conducting with baton. Mexican conductor, b.1942https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mata-eduardo-conducting-with-baton-mexican-conductor-b1942-83309451.html
Violin player using the bow. Violinist
Violin player using the bow. Violinisthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-violin-player-using-the-bow-violinist-83307481.html
VIOLIN player using the bow violinist
VIOLIN player using the bow violinisthttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-violin-player-using-the-bow-violinist-83307464.html
Heinrich SCHIFF - playing cello. Austrian cellist b.1951
Heinrich SCHIFF - playing cello. Austrian cellist b.1951https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-heinrich-schiff-playing-cello-austrian-cellist-b1951-83307269.html
Maxim Vengerov playing violin in 1995. Russian born violinist playing with Rotterdam Phil Orchestra.
Maxim Vengerov playing violin in 1995. Russian born violinist playing with Rotterdam Phil Orchestra.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-maxim-vengerov-playing-violin-in-1995-russian-born-violinist-playing-83305431.html
Nicholas Harnoncourt conducting Hague Residentie Orchestra at Schloss Würzburg, Germany at Mozart Festival in a performance of
Nicholas Harnoncourt conducting Hague Residentie Orchestra at Schloss Würzburg, Germany at Mozart Festival in a performance ofhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-nicholas-harnoncourt-conducting-hague-residentie-orchestra-at-schloss-83300752.html
Leopold Stokowski, American conductor, at Royal Albert Hall conducting International Youth Orchestra in a performance of
Leopold Stokowski, American conductor, at Royal Albert Hall conducting International Youth Orchestra in a performance ofhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-leopold-stokowski-american-conductor-at-royal-albert-hall-conducting-83300749.html
Zubin Mehta conducting World Youth Orchestra in a performance of Mahler's 1st Symphony, Tel Aviv, 1973. Indian conductor. 1936- .1962 became director of Los Angeles Philharmonic Orchestra. 1977 became music director of New York Philharmonic and Israel Philharmonic.
Zubin Mehta conducting World Youth Orchestra in a performance of Mahler's 1st Symphony, Tel Aviv, 1973. Indian conductor. 1936- .1962 became director of Los Angeles Philharmonic Orchestra. 1977 became music director of New York Philharmonic and Israel Philharmonic.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-zubin-mehta-conducting-world-youth-orchestra-in-a-performance-of-mahlers-83297550.html
Valery Gergiev conducting Rotterdam Orchestra in 1995. Conducting Mahler's 6th Symphony at a concert in Ghent Cathedral,
Valery Gergiev conducting Rotterdam Orchestra in 1995. Conducting Mahler's 6th Symphony at a concert in Ghent Cathedral,https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-valery-gergiev-conducting-rotterdam-orchestra-in-1995-conducting-mahlers-83325297.html
Valery GERGIEV, conducting Rotterdam Philharmonic Orchestra, Concertgebauw Hall,1995. Russian conductor.
Valery GERGIEV, conducting Rotterdam Philharmonic Orchestra, Concertgebauw Hall,1995. Russian conductor.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-valery-gergiev-conducting-rotterdam-philharmonic-orchestra-concertgebauw-83325296.html
Simon Rattle conducting the City of Birmingham Symphony Orchestra, 1995. English Conductor (b.1955)
Simon Rattle conducting the City of Birmingham Symphony Orchestra, 1995. English Conductor (b.1955)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-simon-rattle-conducting-the-city-of-birmingham-symphony-orchestra-83325201.html
Oliver Knussen - portrait of the English conductor and composer. With baton in hand, conducting. Photo by Wladimir Polak 1995.
Oliver Knussen - portrait of the English conductor and composer. With baton in hand, conducting. Photo by Wladimir Polak 1995.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-oliver-knussen-portrait-of-the-english-conductor-and-composer-with-83321661.html
Double bass being played by male musician. Grey / gray background.
Double bass being played by male musician. Grey / gray background.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-double-bass-being-played-by-male-musician-grey-gray-background-83321637.html
Concertgebouw Orchestra (in Amsterdam) with Riccardo Chailly conducting a performance (of Rossini's 'Stabat Mater', Christmas
Concertgebouw Orchestra (in Amsterdam) with Riccardo Chailly conducting a performance (of Rossini's 'Stabat Mater', Christmashttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-concertgebouw-orchestra-in-amsterdam-with-riccardo-chailly-conducting-83321319.html
Woman playing french horn (with thanks to Residentie Orchestra,The Hague)
Woman playing french horn (with thanks to Residentie Orchestra,The Hague)https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-woman-playing-french-horn-with-thanks-to-residentie-orchestrathe-hague-83321175.html
CONTRA BASSOON player. Courtesy of Residencie Orchestra, the Hague
CONTRA BASSOON player. Courtesy of Residencie Orchestra, the Haguehttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-contra-bassoon-player-courtesy-of-residencie-orchestra-the-hague-83321174.html
Benjamin Britten's Peter Grimes. Royal Opera House production, 1995. Bryn Terfel as Peter Grimes. Ben Heppner as Captain
Benjamin Britten's Peter Grimes. Royal Opera House production, 1995. Bryn Terfel as Peter Grimes. Ben Heppner as Captainhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-benjamin-brittens-peter-grimes-royal-opera-house-production-1995-bryn-83321168.html
Valery Gergiev conducting Rotterdam Orchestra,1995 conducting Mahler's 6th Symphony at a concert in Ghent Cathedral, Belgium.
Valery Gergiev conducting Rotterdam Orchestra,1995 conducting Mahler's 6th Symphony at a concert in Ghent Cathedral, Belgium.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-valery-gergiev-conducting-rotterdam-orchestra1995-conducting-mahlers-83321140.html
Double bass leaning on a chair. Grey / gray background.
Double bass leaning on a chair. Grey / gray background.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-double-bass-leaning-on-a-chair-grey-gray-background-83321095.html
Viola by Polak
Viola by Polakhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-viola-by-polak-83321072.html
Mariss Jansons conducting, 1995. Latvian-born conductor b. 14 January 1943. By Wladimir Polak
Mariss Jansons conducting, 1995. Latvian-born conductor b. 14 January 1943. By Wladimir Polakhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mariss-jansons-conducting-1995-latvian-born-conductor-b-14-january-83320023.html
Mariss Jansons conducting, 1995 . Latvian-born conductor, b. 14 January 1943.
Mariss Jansons conducting, 1995 . Latvian-born conductor, b. 14 January 1943.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mariss-jansons-conducting-1995-latvian-born-conductor-b-14-january-83320024.html
Mariss Jansons conducting, 1995. Latvian-born conductor, b. 14 January 1943. By Wladimir Polak .
Mariss Jansons conducting, 1995. Latvian-born conductor, b. 14 January 1943. By Wladimir Polak .https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-mariss-jansons-conducting-1995-latvian-born-conductor-b-14-january-83320022.html
Benjamin BRITTEN'S Peter Grimes.Royal Opera House 1995 London. Bryn Terfel as Peter Grimes. Ben Heppner as Captain Balstrode.
Benjamin BRITTEN'S Peter Grimes.Royal Opera House 1995 London. Bryn Terfel as Peter Grimes. Ben Heppner as Captain Balstrode.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-benjamin-brittens-peter-grimesroyal-opera-house-1995-london-bryn-terfel-83319585.html
Simon Rattle conducting Berlin Philharmonic Orchestra rehearsal at first venue of their first tour together, 9th October, 2002
Simon Rattle conducting Berlin Philharmonic Orchestra rehearsal at first venue of their first tour together, 9th October, 2002https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-simon-rattle-conducting-berlin-philharmonic-orchestra-rehearsal-at-83319378.html
Benjamin Britten's Peter Grimes, Royal Opera House 1995 Bryn Terfel as Peter Grimes. Ben Heppner as Captain Balstrode.
Benjamin Britten's Peter Grimes, Royal Opera House 1995 Bryn Terfel as Peter Grimes. Ben Heppner as Captain Balstrode.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-benjamin-brittens-peter-grimes-royal-opera-house-1995-bryn-terfel-83319371.html
Benjamin BRITTEN'S Peter Grimes, Royal Opera House, 1995. Bryn Terfel as Peter Grimes. Ben Heppner as Captain Balstrode.
Benjamin BRITTEN'S Peter Grimes, Royal Opera House, 1995. Bryn Terfel as Peter Grimes. Ben Heppner as Captain Balstrode.https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-benjamin-brittens-peter-grimes-royal-opera-house-1995-bryn-terfel-83319366.html
Henri Dutilleux portrait, 1996 French composer b.1916-
Henri Dutilleux portrait, 1996 French composer b.1916-https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-henri-dutilleux-portrait-1996-french-composer-b1916-83319305.html
Henri Duttileux 1996 French composer b.1916
Henri Duttileux 1996 French composer b.1916https://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-henri-duttileux-1996-french-composer-b1916-83319118.html


text:
Q: Can TCP fragmentation be eliminated using a Pipe? TCP network messages can be fragmented. But fragmented messages are difficult to parse, especially when data types longer than a byte are transferred. For example buffer.getLong() may fail if some bytes of the long I expect end up in a second buffer.
Parsing would be much easier if multiple Channels could be recombined on the fly. So I thought of sending all Data through a java.nio.channels.Pipe.
// count total length
int length = 0;
foreach (Buffer buffer: buffers) {
  length += buffer.remaining()
}

// write to pipe
Pipe pipe = Pipe.open();
pipe.sink().write(buffers);

// read back from pipe
ByteBuffer complete = ByteBuffer.allocateDirect(length)
if (pipe.source().read(complete) != length) {
  System.out.println("Fragmented!")
}

But will this be guaranteed to fill up the buffer completely? Or could the Pipe introduce fragmentation again? In other words, will the body of the condition ever be reached?

A: TCP fragmentation has little to do with the problem you are experiencing. The TCP stack on the source of the stream is dividing messages that are too large for a single packet into multiple packets and they are arriving and being reassembled possibly out of alignment of the longs you are expecting.
Regardless, you are treating what amounts to a byte array (a ByteBuffer) as an input stream. You are telling the JVM to read 'the rest of what is in the buffer' into a ByteBuffer. Meanwhile, the second half of your long now inside the network buffer. The ByteBuffer you are now trying to read through will never have the rest of that long.
Consider using a Scanner to read longs, it will block until a long can be read.
Scanner scanner= new Scanner(socket.getChannel());
scanner.nextLong();

Also consider using a DataInputStream to read longs, although I can't tell if it blocks until a whole long is read based on the documentation.
DataInputStream dis = new DataInputStream(socket.InputStream);
dis.readLong();

If you have control over the server, consider using flush() to prevent your packets from getting buffered and sent 'fragmented' or an ObjectOutputStream/ObjectInputStream as a more convenient way to do IO.

A: No. A Pipe is intended to be written by one thread and read by another. There is an internal buffer of only 4k. If you write more than that to it you will stall.
They really aren't much use at all actually, except as a demonstration.
I don't understand this:

For example buffer.getLong() may fail if some bytes of the long I expect end up in a second buffer.

What second buffer? You should be using the same receive buffer for the life of the channel. Make it an attachment to the SelectionKey so you can find it when you need it.
I also don't understand this:

Parsing would be much easier if multiple Channels could be recombined on the fly

Surely you mean multiple buffers, but the basic idea is to only have one buffer in the first place.


text:
package org.softeg.slartus.forpdaplus.mainnotifiers;

import android.content.Context;
import android.content.SharedPreferences;
import android.content.pm.PackageInfo;
import android.content.pm.PackageManager;
import android.preference.PreferenceManager;

import com.afollestad.materialdialogs.MaterialDialog;

import org.softeg.slartus.forpdacommon.DateExtensions;
import org.softeg.slartus.forpdacommon.ExtPreferences;
import org.softeg.slartus.forpdaplus.App;
import org.softeg.slartus.forpdaplus.common.AppLog;

import java.util.Date;
import java.util.GregorianCalendar;

/*
 * Created by slartus on 03.06.2014.
 */
public abstract class MainNotifier {
    private NotifiersManager notifiersManager;
    protected String name;
    protected int period;

    protected static String getAppVersion(Context context) {
        try {
            String packageName = context.getPackageName();
            PackageInfo pInfo = context.getPackageManager().getPackageInfo(
                    packageName, PackageManager.GET_META_DATA);

            return pInfo.versionName;

        } catch (PackageManager.NameNotFoundException e1) {
            AppLog.e(context, e1);
        }
        return "";
    }

    public void addToStack(MaterialDialog materialDialog){
        notifiersManager.addNotifyDialog(materialDialog);
    }

    public MainNotifier(NotifiersManager notifiersManager, String name, int period) {
        this.notifiersManager = notifiersManager;
        this.name = name;
        this.period = period;

    }

    public String getName(){
        return name;
    }

    protected boolean isTime() {
        GregorianCalendar lastShowpromoCalendar = new GregorianCalendar();
        SharedPreferences prefs = PreferenceManager.getDefaultSharedPreferences(App.getContext());
        Date lastCheckDate=ExtPreferences.getDateTime(prefs, "notifier." + name, null);
        if(lastCheckDate==null){
            saveTime();
            return true;
        }

        lastShowpromoCalendar.setTime(lastCheckDate);

        GregorianCalendar calendar = new GregorianCalendar();
        calendar.setTime(new Date());
        int days = DateExtensions.getDaysBetween(calendar.getTime(), lastShowpromoCalendar.getTime());
        return days >= period;
    }

    protected void saveTime() {
        SharedPreferences prefs = PreferenceManager.getDefaultSharedPreferences(App.getContext());
        SharedPreferences.Editor editor = prefs.edit();
        ExtPreferences.putDateTime(editor,  "notifier." + name, new Date());
        editor.commit();
    }
}

redpajama_set_name: RedPajamaGithub


text:
Q: How can I prevent this arbitrary text truncation in AS3 Below is code that populates a menu. Everything seems to work great, with no errors thrown, except for one crucial part. My megaPages array has the values ["HOME","BABIES","BRIDALS","MISC","WEDDINGS","ABOUT"], but the actual text that displays on screen (which is produced by megaPages) is like this:

As you can see, some of the text is arbitrarily being truncated. I've traced the text strings as they get passed through the various functions at various stages of the menu-build, and they are always right, but somehow when each DisplayObject make it on screen, letters get ommitted (notice though that 'HOME' abd 'ABOUT' are fine). I don't even know where to start with this problem.
    function buildMenu() {
        var itemMCs = new Array();

        for (var i = 0; i < megaPages.length; i++) {
            megaPages[i] = megaPages[i].toUpperCase();
            trace(megaPages[i]); // at each iteration, traces as follows "HOME","BABIES","BRIDALS","MISC","WEDDINGS","ABOUT"
            var textMC = createText(megaPages[i]);

            var itemMC = new MovieClip();
            if (i!=0) {
                var newLink = new PlateLink();
                newLink.y = 0;
                itemMC.addChild(newLink);
            }

            var newPlate = new Plate();
            if (i==0) {
                newPlate.y = 0;
            } else {
                newPlate.y = newLink.height - 2;
            }
            newPlate.x = 0;
            newPlate.width = textMC.width + (plateMargin*2);
            itemMC.addChild(newPlate);

            if (i!=0) {
                newLink.x = (newPlate.width/2) - (newLink.width/2);
            }

            textMC.x = plateMargin;
            textMC.y = newPlate.y + .5;
            itemMC.addChild(textMC);

            itemMCs.push(itemMC);

            itemMC.x = (homeplateref.x + (homeplateref.width/2)) - (itemMC.width/2);
            if (i==0) {
                itemMC.y = homeplateref.y;
            } else {
                itemMC.y = itemMCs[i-1].y + (itemMCs[i-1].height - 6);
            }
            menuRef.addChild(itemMC);

        }

    }

    function createText(menuTitle) {

        trace(menuTitle);

        var textContainer : MovieClip = new MovieClip();

        var myFont = new Font1();

        var backText = instantText(menuTitle, 0x000000);

        backText.x = 1;
        backText.y = 1;

        var frontText = instantText(menuTitle, 0xFFFFFF);

        frontText.x = 0;
        frontText.y = 0;

        textContainer.addChild(backText);
        textContainer.addChild(frontText);
        return textContainer;
    }

    function instantText(textContent, color) {

        trace(textContent); // again, traces the right text each time it is fired

        var myFont = new Font1();
        var myFormat:TextFormat = new TextFormat();
        myFormat.size = 18;
        myFormat.align = TextFormatAlign.CENTER;
        myFormat.font = myFont.fontName;

        var myText:TextField = new TextField();
        myText.defaultTextFormat = myFormat;
        myText.embedFonts = true;
        myText.antiAliasType = AntiAliasType.ADVANCED;
        myText.text = textContent;
        myText.textColor = color;
        myText.autoSize = TextFieldAutoSize.LEFT;
        trace(myText.text);

        return myText;
    }

A: You need to embed all the necessary characters for the font you're using.
For textfields created in Flash:
Select the TextField, and hit the 'Embed' button in the properties panel.
For dynamically created textfields:
When you set the font to export (Font1 in your case) make sure to include all the characters you need.
You can choose to embed all uppercase characters, or just type in the ones you need for those specific menu items.


Psalm 69:34 Let the heaven and earth praise him, the seas, and every thing that moveth therein.
We are working hard to finish up reading and discussing the book this week!
Listening to reading is a part of our daily schedule!
Looking for something to do? You can read anytime, anywhere!!!


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Crumlin's Roberto Lopes plays 90 minutes as Cape Verde open World Cup qualifying campaign with Central African Republic draw
Lopes was selected to start for the clash in Cameroon just three days after he scored in Shamrock Rovers' FAI Cup defeat to Bohemians in Dalymount Park on Sunday.
David Donnelly
Rovers' Roberto Lopes dejected after the FAI Cup game to Bohemians Mandatory Credit ©INPHO/Ryan Byrne (Image: ©INPHO)
Shamrock Rovers defender Roberto Lopes played 90 minutes for Cape Verde as the Mediterranean nation opened their World Cup campaign with a 1-1 draw in Central African Republic.
The Crumlin native was selected to start for the clash in Cameroon just three days after he scored in Shamrock Rovers' FAI Cup defeat to Bohemians in Dalymount Park on Sunday.
29-year-old Lopes partnered Steve Furtado of Beroe in central defence as they looked to get their campaign, which also involves top seeds Nigeria, kicked off in the heavy rain of Douala.
Cape Verde were frustrated as they surrendered a first-half lead to take a share of the points in a game moved from Central African Republic due to unrest in the areas around the capital Bangui.
They shook of an unsteady start to score the first goal of phase two qualifying through Julio Tavares, who plays in Saudi Arabia with Al-Faisaly, nine minutes before the break.
Central African Republic, who were missing Dundalk midfielder Wilfried Zahibo after he picked up a bad injury recently, defended a wave of attacks and kept the deficit to a goal.
RECAP - Bohemians book FAI Cup quarter-final spot after bad-tempered derby with Shamrock Rovers
Former St Patrick's Athletic playmaker Jamie McGrath handed full senior debut for Ireland's World Cup qualifier in Portugal
And they got their reward seven minutes into the second half when they equalised through Trésor Toropité, and they held out until the end to earn a share of the spoils.
With only the first-placed team going into the third phase, Cape Verde will hope to get a positive result at home to Nigeria next Tuesday, while CAR face Liberia on Monday.
Shamrock Rovers FC
Republic of Ireland Soccer TeamJamie McGrath linked to Birmingham City after plug pulled on Aberdeen moveThe Dons pulled the plug on the deal with manager Stephen Glass saying he only wants players with real hunger at the club
Saints sign Northern Ireland under-21 full-back Jack Scott on loan from Wolves
SoccerScott is a former international teammate of Saints winger Darragh Burns, having become Northern Ireland's second youngest-ever under-21 player when he debuted aged 16 in 2019.
Dundalk swoop for Wales under-21 international while Mark Connolly returns
Europa League20-year-old Williams was rewarded with a new long term deal at the Liberty Stadium last week and will now kick on with his first stint in senior football.
Crumlin's Pico Lopes named man of the match as Cabo Verde draw with Cameroon to all but book 2021 AFCON last 16 spot
SoccerThe Crumlin man was awarded the tournament's official best player gong following a stern defensive effort that should see them qualify as one of the best third-placed sides.
SoccerPico Lopes' Cabo Verde on brink of AFCON last 16 after Comoros upset GhanaThe Black Stars were on the wrong end of one of the biggest upsets in their history as the small island nation, ranked 131 in the world, ran out 3-2 winners on the final day of Group C
Revealed: How Irish coaches and captains voted as Lewandowski and Putellas scoop FIFA awards
Lionel MessiBayern Munich's Lewandowski was rewarded for another outstanding season that saw him break Gerd Muller's record of 40 goals in a Bundesliga season, which stood for 39 years.


Be alerted when Scarface - The Diary (Vinyl LP) is back in stock.
A notification will be sent to when the Scarface - The Diary (Vinyl LP) is back in stock.
Houston hip-hop artist and Geto Boys member Scarface (named after the 1983 Brian De Palma film) followed-up the fanfare of his first two solo albums Mr. Scarface Is Back (1991) and The World Is Yours (1993) with his magnum opus The Diary in 1994. Both commercially successful and critically acclaimed, the album is one of the few albums in hip-hop history to receive a perfect rating from The Source and XXL.
Once again boasting rock solid production from N.O. Joe, The Diary features the singles "Hand of the Dead Body" with Ice Cube and Devin the Dude and the Top 40 hit "I Seen a Man Die" along with a reprise of a Geto Boys classic with "Mind Playin' Tricks '94." The track "No Tears" also appeared in Mike Judge's 1999 film Office Space.


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01895 821222 UXBRIDGE / 01753 208080 CHALFONT ST PETER
contact@blackborn.co.uk - Online bookkeeping login
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Chalfont St Peter, Gerrards Cross
Venture Capital Trusts (VCTs) offer similar to breaks to individuals as the Enterprise Investment Scheme. They provide an opportunity to invest in unquoted trading companies via a VCT thus spreading the investment risk over a number of companies.
Venture Capital Trusts (VCTs) offer similar tax breaks to individuals as the Enterprise Investment Scheme. VCTs are managed by a variety of specialist fund companies. At blackborn, we advise individuals on tax efficient investments in the Buckinghamshire area. Some information about VCTs is given below.
Venture Capital Trusts (VCTs) are complementary to the Enterprise Investment Scheme (EIS), in that both are designed to encourage private individuals to invest in smaller high-risk unquoted trading companies affected by the equity gap. While the EIS requires an investment to be made directly into the shares of the company, VCTs operate by indirect investment through a mediated fund. In effect they are very like the investment trusts that are obtainable on the stock exchange, albeit in a high-risk environment.
What is a VCT?
VCTs themselves are quoted companies which are required to hold at least 70% of their investments in shares or securities that they have subscribed for in qualifying unquoted companies. VCTs have a certain time period in which to meet the percentage test.
Other conditions are:
they must distribute 85% of their income
they must have a spread of investments with no single holding accounting for more than 15% of the value of total.
VCTs are exempt from tax on their capital gains and there is no relief for capital losses.
Reliefs available to investors
Income tax relief of 30% is currently available on subscriptions for VCT shares up to a limit per tax year of £200,000.
To qualify for income tax relief the shares must be held for a minimum of five years.
Investors are exempt from tax on any dividends received from a VCT although the credits are not repayable.
Capital gains arising on disposal of the shares are also exempt and for this relief, there is no minimum period of ownership. There is no relief for any capital losses.
Qualifying companies which a VCT can invest in
The definition of a qualifying company for VCT purposes is very similar to that applying for EIS. The company:
must be unquoted, although shares on the Authorised Investment Market (AIM) are deemed unquoted for this purpose. They may become quoted later.
must not deal in land, leased assets or financial, legal or accountancy services. In addition it must not be a trade that has a large capital aspect to it, such as property development, farming, hotels or nursing homes.
Over the years, governments make amendments to what are regarded as qualifying companies for a VCT to invest in. The thrust of the changes is to ensure well-targeted support for investment into small and growing companies, with a particular focus on innovative companies.
It is not possible to cover all the detailed rules in a factsheet of this nature. If you are interested in investing in Venture Capital Trusts please contact us, at blackborn, for further information.
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The Rosenblum Companies is pleased to announce our newest tenant at Great Oaks Office Park, Stored Technology Solutions, Inc.
Better known as StoredTech, the company is based in Upstate New York with headquarters in Queensbury. Through their comprehensive managed IT program, StoredTech actively monitors and maintains all facets of voice, video and data technology to prevent breaks and maximize up-time. Their service area includes Upstate New York, Western Massachusetts and Vermont, in addition to consulting worldwide.
Among StoredTech's most recent accomplishments is the unveiling of a Collaboration Center. Located at their HQ, the center offers clients a "beers and gears" space to train employees, hold large meetings, and take advantage of onsite technology. Being in a relaxed environment encourages questions and discussion, making IT more accessible to employees. Read more in the Glens Falls Business Journal.
For more info about StoredTech and their business IT services, visit their website and follow them on Facebook.
Tara Curley of Cresa Albany represented the tenant in the transaction.