The Stags' 12th away game of this Blue Square Premier campaign saw them travel to the West Midlands tonight, to meet high flying Kidderminster Harriers at the Aggborough Stadium. Mansfield were to come away empty handed as they put in yet another lacklustre performance, created very little throughout and gave away two goals in the last 17 minutes of the match. Harriers started the night as clear favourites having lost once at home all season. In contrast, the struggling Stags started the night with only one scalp to their credit whilst on their travels this season. The final result would send Harriers up to third with the Stags slipping to 20th and only one point from the drop zone.
Mansfield made two changes from the 11 who put in another disappointing performance during Thursday's home loss to Oxford, continuing with a 4-3-3 formation. Gavin Hurren came into replace Matt Somner in midfield to play against his former club, and emergency loanee Jamie Annerson from Sheffield United came in to replace Paddy Gamble in goal who was not available for selection. Annerson's start was his 2nd for the Stags – he played in the preseason 0-3 away loss to Boston United.
The match started even and bright. Kidderminster's Richards had two early efforts on the Mansfield goal; firstly blazing wildly wide, and secondly the big forward headed wide from a Baker cross. On 22 minutes, the Stags were forced to lose their captain with Adie Moses having to go off due to an injury he picked up whilst making a decent challenge on the lively Richards moments before. Moses was replaced by Matt Somner, with Gavin Hurren moving to the centre back position and Alan O'Hare taking the captain's armband. Kidderminster marginally had the better of the 1st half, looking more dangerous in and around the Stags' 18 yard box without creating too much. For what midfield possession Mansfield did have, the ball was too easily squandered and the Stags struggled to get any sort of grip on the game, despite lively play from Ahmed and Nathan Arnold in midfield. The best chance of the game came on 33 minutes when Russell Penn was allowed to burst through the Stags' defence and have a clear sight on goal from the D area of the box. Thankfully his powerful effort sailed well over Annerson's bar. Eight minutes later saw arguably Mansfield's best move of the game – D'Laryea burst quickly from defence spreading a good ball out wide on the left to Jeannin, and the Frenchman put in a decent cross for the run of Ahmed, who was adjudged to have handled when he took control of the ball in the Harriers' box.
Stags looked like they were still enjoying the half time warmth of the dressing room when Kidderminster had the best clear cut chance to take the lead on 46 minutes. A headed error by Stags' stand-in captain Alan O'Hare allowed Richards to go through one on one with Jamie Annerson to the right of goal. Richards let fly with a powerful effort which beat Annerson, only to see his effort heroically cleared off the line by the Stags defence. That incident clearly woke Mansfield up and the Stags had good moments of possession over the next 5 minutes. Kidderminster pressed the Mansfield goal again on 51 minutes, this time Penn saw his low drive fly wide of the Mansfield goal. Kidderminster continued their pressure, with Mansfield offering little in reply, and Richards was nearly let in again from an O'Hare error at the back. The second half settled and again Mansfield let go of possession too easily, with Kidderminster having the better of the attacking play. Mansfield's only real effort on goal came on 64 minutes when a long punt downfield from Annerson was flicked left by Jason Lee into the path of Adnan Ahmed. Ahmed took the chance first time on the half volley from the edge of the box and was unlucky to see his well crafted left-footed effort tipped over the bar by the fingertips of the Harriers' keeper. A minute later Mansfield made their second change of the evening, Arnold was replaced by O'Connor in a like for like swap. The change was greeted by jeering from the army of 78 travelling Stags fans as Arnold had quite clearly been one of the better performers for the Stags on the night. Kidderminster's pursuit of the opening goal continued and on 72 minutes a decent cross from the right was met firmly by the head of Barnes-Homer on the 6 yard line. Annerson produced a superb diving save to parry the ball out for a corner. However from the resulting corner kick the Stags would fall behind. A high, deep corner from the right to the far post was met by right back Keith Lowe, who out-jumped everyone to head home from close range. The goal was probably a fair reward for the Harriers' superior attacking play during the game. Mansfield replied by moving the ball forward with O'Connor from the kick-off but his good cross could only be headed over by Matt Somner in the six yard box. Harriers nearly made it two on 77 minutes, defender Creighton seeing his drive cleared off the goal line by Ahmed. The first yellow card of the match came two minutes later when the Mansfield left back Alex Jeannin put in a poor late challenge on Brittain. Kidderminster made a change on 84 minutes with former Stags player Chris Beardsley coming on to replace the impressive Barnes-Homer. A minute later, Kidderminster did double their lead and put the match firmly out of Mansfield's reach. Ferrell made a good run from the right into the Mansfield box, got to the touch-line and then pulled the ball back for Richards to get a deserved goal by driving low through the Mansfield defence and under Annerson, from just inside the box. Towards the end Kidderminster could have further extended their lead as the ball was cleared off the line for the third time of the night, and another Richards effort was blocked by O'Hare and forced out of play for a corner.
The game finished 2-0 and Mansfield fell to their eighth away loss and are now very much in a relegation battle. Mansfield never really created anything of significance and despite having some midfield possession, there was neither the creativity or the support in the final third that would allow Mansfield to surmount any sort of attack. Another poor display from Mansfield. Something clearly has to change.
Annerson – 6. Took a few high balls well and commanded the back line well. Could have made more of a presence on the cross for the first goal but may well have been unsighted for the 2nd goal. Saved well just before the Harriers' first goal.
Silk – 7. Did another solid job making some good tackles and kept the lively Smikle at bay.
O'Hare – 5. Made some silly errors which nearly led to goals.
Moses – 6. Made a few decent challenges in the 20 minutes he played, especially the one that caused his injury and substitution.
Jeannin – 4. Average first half but made too many wrong decisions in the 2nd half and deserved his booking. Most of Harriers' attacking play came down Jeannin's side of the pitch.
D'Laryea – 4. Never got hold of the ball and looked off the pace.
Hurren – 6. Did well when asked to move to centre back, and made some good challenges when in midfield.
Ahmed – 6. Lively and looked to create when he was on the ball. Sadly never got the support he needed. Had Stags' best effort on goal.
Sinclair – 4. Looked disinterested and when on the ball, he seemed to constantly run into trouble.
Lee – 4. Nothing doing all night for the big forward.
Arnold – 6. Lively first half but playing up front in a 4-3-3 made him isolated. Unlucky to come off.
Somner (for Moses, 23) – 5. Little impact.
O'Connor (for Arnold, 66) – 5. Did very little apart from one decent cross for Somner.
Subs Not Used: Kay, Wood, McGhee.
Bartlett, Lowe, Reilly, Creighton, Baker, Brittain, Penn, Bennett (Ferrell 44), Smikle (McDermott 67), Barnes-Homer (Beardsley 84), Richards. Subs Not Used: Moore, Jones.
R Merchant (Staffordshire) 6 – Didn't have much to do, quite rightly booked Jeannin.


A usually reliable source that wishes not to be identified tells Crotonblog that on Monday, July 17, 2006, during an executive session, in a 3-2 vote, the village board authorized special counsel Michael Gerrard to prepare a first-draft counter to a recent offer made by representatives from Regus Industries LLC, its affiliates and Greentree Realty LLC during a recent "listening session" that he attended with Village Manager Rick Herbek.
Exact details of the counter-offer have made not yet been made public. However, Crotonblog has learned that Mr. Gerrard has not been authorized by the the village board to extend the deadlines of any pending litigation.
The above mentioned political divide in this village can all be attributed to the Newt Gingrich "freshman Republican" idea that came out of Washington in his(newts) time. The "whatever, however, no matter how brutal we must win idea" that the nut instilled and succesfully utilized to win the house and change politics as we know them today. Her heighness Deb McCarthy, and John Sarcone were products of this idea. They pounded and pointed fingers at their oponents and scared the hell out of the constituency until they swayed opinion. If they lost they continued to pound and "lie" and mis inform until thye achieved they're goal of win win win …..I think our current commander in chief in DC has utilized the same idea but it may be starting to backfire because he has gotten greedy and the results are starting to show. I'm looking forward to getting back to small town, politcally motivated debate and when the election is over get down to business for the better of the village. The problem now is the first meeting after the elections the "moles" are already preparing for the following years elections taking up the boards time with finger pointing and crap for the advancement of their agenda. Personally I think the board should vote to limit time to speak to 3-5 min. If someone really has some good positive information they need the board to hear I am sure they would, and should sit, outside the meeting and listen. Not allow the long winded camera mongers to take up everyones time. Let the village board do the job they were elected to do.
Scott, it's called small town politics with big town problems. The former transfer station became a political battlefield. Your comment that most residents don't care about a transfer station are probably correct. I had to giggle when you said you didn't know where Metro Enviro (ME) was; I bet that's true for many residents. Exaggerated threats of deadly diseases, stinking garbage, and life threatening air particles became the call of the insane. I hate to reduce this problem to partisan politics but there was such a chasm between the democratic board majority looking for workable solutions to ME and the republicans misinformation and innuendo. Any mention of fact finding or meeting with ME became the republicans battle cry. Our village is now stuck in an awful mess with no end in sight. You're right, Scott, that an insane amount of time and money has been wasted and it's frightening to think how much more will be spent before this is over.
Why are people so concerned about the former metro enviro site? I've lived in the Village for eighteen years and it has never bothered me. I wasn't even sure where it was untill someone brought it to my attention.
I haven't paid as close attention as many of the people who comment here, but it seems to me that a small group of determined people are hell bent on ensuring that there will be no waste transfer site in Croton, even if such a site is not in a residential area.
An insane ammount of time and resources have been expended in the fight to keep this kind of buisness out of Croton, and I can't imagine that most residents really care either way. Please correct me if I am wrong.
I couldn't agree with you more, Mr. Red. You raise some real food for thought. It is indeed troubling - to say nothing about pitting neighbor against neighbor. I've long been a "political junkie". I love politics and the opportunity for sound and reasoned honest disagreements.
As a democrat I've served and worked with the finest republicans around - Stan Kellerhose, Bill Ryder, Guy Adami, Roland Bogardus and many others. We've fought and argued and even screamed and yelled on occasion, but there was never the animosity and strict adherence to party lines as there is today.
Contradiction for contradiction's sake had no place in these arguments. We were always able to give and take and recognized and engaged in healthy debate over all angles of an issue.
In the end we recognized that we were Crotonites first and republican or democrats second.
I agree with you Georgianna. I think that it is prudent of the Board to explore all avenues that may prevent us from spiraling into fiscal ruin (eminent domain proceedings, etc). However, what I find troubling is the apparent Democrat/Republican split to the vote. Of course, I am assuming this to be the case but a pattern has been seen like this for many years. My only wish is that we had a board that agreed more often rather than be contradictory for contradiction's sake.
My thanks to the members of the Village Board that voted to continue discussions with the principals of a potential operation at 1A Croton Point Avenue. There is nothing to be lost by doing so and, if anything, only good can come from it, even an end to the all consuming litigations.
This is a clear demonstration of their commitment to seek the very best results for the village. Clearly there are diverse opinions about what should and should not have been in the past and what should or should not be in the present and in the future. There is no way to satisfy every individual. It's been said that the best result of negotiation and arbitration is that both sides walk away a little bit satisfied.
This willingness to pursue all avenues of available options is the responsible and courageous position for the board to pursue. Our quality of life is at stake and I and many, many Croton residents applaud the board for taking this approach.


text:
Progress on informal e-commerce talks
By Tpci | January 27, 2020 | 0 Comment
Trade ministers from 83 countries, that are in negotiations for framing rules on e-commerce, have agreed to develop a consolidated negotiating text by June, in time for the WTO's 12th ministerial conference. The ministers also stated that they were committed to achieve a high standard outcome, which will involve as many WTO members as possible. In a joint statement after an informal meeting of ministers on WTO electronic commerce negotiations held in Davos, Switzerland, hosts Australia, Japan and Singapore said that the ministers "welcomed the good progress achieved over the first year of negotiations, and underscored the importance of the initiative both commercially and systemically for the WTO".
Communications and Information Minister S. Iswaran, who is also Minister-in-charge of Trade Relations, said, "Singapore is committed to leading negotiations on electronic commerce – alongside Japan and Australia – which is the future of global trade. It will modernise the WTO rule book to address new issues and needs in the rapidly evolving digital landscape. This will benefit large and small players alike."
Enquiry for Progress on informal e-commerce talks

redpajama_set_name: RedPajamaCommonCrawl


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Converse All Star Hi | Men's & Women's Trainers | size?
Debuting in 1917, the Converse All Star High made history by being the first trainer to be endorsed by a sporting star when world-renowned player Charles 'Chuck' Taylor sponsored the silhouette in 1932. Since that point, the All Star has gone on to become the best selling sports shoe of all time.


well, today for the first time I thought I would tackle the problem we have in managing the settings of our .NET applications. It's friday so I thought I'd celebrate with this.
Most of our applications are ASP.NET 2.0 web apps, and therefore we had previously stored our settings data inside web.config under the node.
Then last year we need to split out the settings on a per-configuration / environment basis, so we created a /_config/ directory in the root of our web app.
The file attribute will mean the contents of the specified file will override and merge with nodes directly underneith the inline node. This is cool. Because you can specify environment-agnostic settings inside the inline section of web.config, and then they will either be overriden by nodes with the same name inside the dev\appSettings.config file.
But the problem is, we actually don't want to maintain settings that are shared amongst different applications inside web.config. This is because if one setting needs to change, you need to specify the change throughout all web.configs of all applications.
We can't "share" the web.config amongst all applications, as each app needs different web.config sections / settings for other stuff. Also, we can't share a section of web.config.
Store and share settings that are agnostic to the application, the environment in which the application is deployed and are essentially global to a company's apps.
And also, specify settings that are the opposite: i.e. settings that are specific to the app and the environment.
I had tried using a heirarchy of file attributed nodes, i.e. in web.config specify a file containing the agnostic app settings and the specify a file inside that for app/env-specific settings... but .NET doesn't support merging down more than 1 level.
In our source control management system (VSS), we then share GenericAppSettings.config, amonst all of our apps and now we can rest assured that nothing will be left as obselete or broken. i.e. Generic settings can now be updated once for the whole enterprise.
so there you go another great solution for configuration management!
Me, the shazmeister, and my best buddy.


When your license expired after 21 days, install carbide c++ on another machine. Copy the license file at eg. C:\Program Files\Nokia\Carbide.c++ v1.2\Carbide.c++ Licenses to your original machine. Start and it shall work for another 21 days!
Note: Hacking is strongly not encouraged.


Ok, it's time to pick up the tennis balls.
The tennis ball just barely caught the line.
Tennis balls are a unique piece of equipment developed exclusively for the sport and are necessary to play tennis.
Most cans come with three tennis balls. This number permits the server to carry at least two for their first and second serve. A total of three allows players to rotate them throughout the match.
Having extra balls during a match also helps keep play moving because you don't have to chase them down as much but the more balls you use, the more expensive it gets.
Unfortunately, once opened, tennis balls begin to lose their pressure. As a result, unless you play multiple times per week, where you'd get good use out of more than three tennis balls, you may want to consider only opening one can at a time to save yourself money.
Tennis balls come in a variety of colors. However, the most common type of tennis ball is yellow or more specifically fluorescent yellow.
Originally, tennis balls were typically white or black depending on the color of the court to help increase visibility. However, in 1972 the ITF introduced yellow tennis balls because they were significantly more easy to see on TV. In fact, Wimbledon didn't adopt yellow balls all the way up until 1986.
How big is a tennis ball? Or more specifically, what size is the diameter or dimension of a tennis ball?
The most common types of tennis balls used in recreational and professional play will have a diameter that ranges from 6.54-6.86 cm (2.57-2.70 in).
Type 3 and type 4 tennis balls are only allowed for use on tennis courts 1,219 m (4,000 feet) above sea level.
The standard weight of all professional and recreational tennis balls is 56.0-59.4 grams (0.123-0.131 lbs) or 1.975-2.095 ounces.
Tennis balls consist of a two-piece rubber shell that is molded together to form a hollow core, injected with pressurized gas to give the ball its bounce, and wrapped with a synthetic felt that glues to the surface for durability.
Durability: the fuzzy felt material that wraps the outer rubber core of a tennis ball helps increase the lifetime of a tennis ball.
Control: the fuzz also helps players control the tennis ball improving the spin potential through the Magnus Force where the fuzz catches air as it rotates and causes the ball to drop with topspin or float upward with backspin.
Speed: at the same time, the fuzz on a tennis ball increases the drag on the ball as it moves through the air which reduces the speed at which the ball travels.
Bounce: last but not least, the fuzzy felt material gives the ball a unique bounce that's not too high or too low.
Underneath the outer layer of felt, the inside of a tennis ball contains a hollow rubber core. The core is pressurized with air or nitrogen which helps gives the ball its bounce.
What is the tennis ball smell?
The smell of a freshly opened can of tennis balls is the result of a mixture of the materials used to create a tennis ball, which primarily consists of a rubber core, glue, and felt outer covering.
How or why does tennis ball bounce?
A tennis ball bounces due to its spherical shape, hollow rubber inner core, and most importantly the fact that they are pressurized.
Why do tennis balls come in cans?
The most common type of tennis ball is pressurized to help give the ball its bounce. As such, cans are pressurized during the packaging of tennis balls to ensure the balls maintain their pressure up until the point a consumer receives and plays with them.
Why do tennis balls have numbers on them?
The numbers on tennis balls help players keep track of their tennis balls while playing next to other courts. Tennis balls typically come in cans of three balls all with the same number for this purpose.
Will a tennis ball sink or float?
A tennis ball will float because buoyant rubber material forms the core of the ball. Additionally, tennis balls are hollow and filled with air.
Will a tennis ball explode in a fire?
A tennis ball will not explode in a fire. Nitrogen, which is used often used to pressurize some tennis balls, is not flammable.
Will a tennis ball dent a car?
Absolutely. If hit hard and directly at a car, a tennis ball can easily dent a vehicle. However, any ball hit out of a court that strikes a car in a parking lot is very unlikely to make a dent.
What kind of gas is a tennis ball filled with?
Pressurized air or a mixture of air and nitrogen is the gas used to pressurize a tennis ball.
What kind of tennis balls do the four majors (Wimbledon, the US Open, the French Open, and the Austrailian Open) use?
Wimbledon: Slazenger has been the official tennis ball of Wimbledon since 1902.
US Open: Wilson provides the official tennis ball for the US Open.
French Open: up until 2011 the French Open was using Dunlop tennis balls. However, Babolat introduced their first tennis ball in 2001 and the French Open switch to their brand in 2011.
Australian Open: Wilson provides the official tennis ball for the US Open.
How many tennis balls does each of the four majors (Wimbledon, the US Open, the French Open, and the Austrailian Open) use per year?


117.183.236.95.in-addr.arpa domain name pointer host117-183-dynamic.236-95-r.retail.telecomitalia.it.
This Internet Protocol Address tracking information is computer produced for 95.236.183.117. The host has the IP (Internet protocol) 95.236.183.117.This IP (hardware Internet protocol) complies to valid specifications of an IPv4 IP (a.k.a. Internet protocol), which has a compressed value of 1609348981.
The reverse DNS for the analyticly validated host is telecomitalia.it. A domain pointer appears to be host117-183-dynamic.236-95-r.retail.telecomitalia.it.A full callback for the analyzed reverse DNS query was captured as host117-183-dynamic.236-95-r.retail.telecomitalia.it at the time of the request.
An organization that acquired 95.236.183.117 is Telecom Italia. An Internet Service Provider (also known as ISP) that hosts the hardware implementation to maintain the query identity is Telecom Italia.
The data for this tracing info indicates that the connection to this host has an assigned address in Padova, Veneto, Italy. The timezone of the physical address of this host is Europe/Rome.The last user of this computer IP address that connected to the website was using a computer system running Android 6.0.1 with Chrome 72.0.3626.121 browser.


text:
Q: Use Javascript to Fetch a Variable from a Separate PHP File I've seen many posts related to what I'm asking, but I can't seem to find an appropriate answer, and I'll admit I'm a n000b to both Javascript and PHP. I've followed some tutorials, but I can't seem to do what I want:
I have a HTML document that is subscribing to a SSE like so:
var eventSource = new EventSource("http://thewebsite.com/events/?access_token=" + accessToken);
I don't want to put the accessToken in the HTML page because it's insecure, so I'd like to hide the access token in a separate PHP file in the same directory, something like this:
code.php
<?php
     $accessToken = "12345ABCDE";
?>

I can't figure out how to write the javascript to ask code.php for the accessToken.

A: echo should do the trick:
fetch.php
<?PHP
    echo "12345ABCDE";
?>

but you need to use ajax to call the php:
$.post("fetch.php",function(data){access(data);},"text");

or
$.ajax({
    type: "POST",
    url: "fetch.php",
    success: function(data){access(data);},
    dataType: "text"
});

using token:
function access(incoming){
    var eventSource = new EventSource("http://thewebsite.com/events/?access_token=" + incoming);
}

how safe it is to output your token from PHP is another story, but at least that's how it can be done.

redpajama_set_name: RedPajamaStackExchange


If you are living with hearing loss, you have a higher chance of staying independent if you wear hearing aids.
People with untreated hearing loss are at a higher risk of being dependent on help from other people in their daily lives. That is the stark warning of a new study on hearing loss, presented to European Union (EU) lawmakers on March 6, 2018.
More than 466 million people worldwide live with disabling hearing loss, according to the World Health Organization. But only around one in three people living in the EU, for example, who could benefit from hearing aids decide to wear them. And the number of people with hearing loss will increase, not only because we are living longer than previous generations but also because many of us are exposed to noise in our daily lives. Untreated hearing loss carries increased health risks related to hearing loss itself as well as associated medical conditions such as depression and cognitive decline.
People living with hearing loss improve their health and increase their quality of life simply by wearing hearing aids. Thankfully, modern hearing aids are not the cumbersome medical devices that some people still believe them to be. They range from ultra-tiny hearing aids hidden inside your ear where no one notices them to sleek and elegant devices hidden behind your ear that also double-up as clever wireless headphones to stream phone calls, music and TV sound directly into your ears.
Now you can improve your hearing to a remarkable new level and preserve the familiar sound of your natural own voice – thanks to the new range of Signia hearing aids with Own Voice Processing (OVP™). These state-of-the-art hearing solutions replicate the natural experience of hearing everything in harmony.
Our latest innovation, Signia Pure Charge&Go hearing aids, provides a natural sounding own voice with convenient rechargeability and direct streaming via Bluetooth. True to its name, Pure Charge&Go can be charged up while you sleep so that it is always ready to go when you are. The hearing aids come with a small, highly reliable portable charger instead of conventional batteries. Simply place the hearing aids into the charger and they start filling up with power automatically. When you take them out, they turn on automatically so you can wear them straight away. Plus our myControl App provides discreet remote control on your smartphone, while our myHearing App serves as the hearing care professional in your pocket to help you get used to your hearing aids in no time at all.
In an effort to combat the epidemic of untreated hearing loss, Signia provides a wide range of hearing solutions to suit your personal hearing needs and help you maintain your independence. For more information, please visit our website. There you will also find our quick and easy hearing test and our store locator to find a hearing care professional near you.


text:
Dungeon Synth & Dark Ambient Reviews!!
To Reach The Dungeon Cosmonaut:
Featured Dark Ambient Artist: Scott Lawlor
Featured Dungeon Synth Artist: Akerius
Category: Neo-Medieval
Gladden Fields Deliver The Sounds Of Forlorn With 'Menace Of Despair'
I'm sure that if you're reading this review – and being a fan of Dungeon Synth – you must be familiar with the Battle Of The Gladden Fields in the third age of the Lord Of The Rings universe. This was a very prominent battle, as Isildur and his escorts were ambushed by a group of Orcs and the Ring of Power was subsequently lost in the river Anduin. Gladden Fields is also the name of a UK-based Dungeon Synth artists that paints a harrowing picture of this great battle with his eerily composed music. The five tracks offered up on his latest effort, 'Menace Of Despair' uncannily resembles what the scene must have been like just minutes before that viscous attack by the Orcs, as the calm and soothing arrangements are topped with apprehensive orchestrations and somber melodies. Like the silent attack of the Orcs, these tunes are a mere decoy of an evil presence lurking behind the unknown.
Right from the opening looming soundscapes, the lead off the track, "Menace Of Despair" sets the stage for enemies lurking in vast terrain, as the tranquilizing synths crescendo ever so slightly while crossing into enemy territory is eminent. The slight use of percussion adds a frightening aspect as well. "Winter Sun" has a melancholic tone played throughout, with spots of despondent yet harmonic keys to add the slightest twist of darkness to the mix. "Through Poisoned Waters" has a deep, manic sound and shows restraint in its delivery. As the superbly timed percussive elements play in the background, I imagine an aphotic scene, just before the chaos occurs. The orchestrations in this track are simple, yet written amazingly well. "Helcaraxë" has a very old school, organic dungeon synth feel to it. The key arrangements are layered well and continue to build as the song progresses to the end. The albums final track, "Wall Of Night" begins with a very impending, dark ambient vibe and adds malevolent soundscapes throughout as this is the finale leading to up to the attack of the Orcs. This track represents full-on chaotic darkness with no chance of turning back.
Gladden Field is an extremely impressive Dungeon Synth artist that meticulously tells a story with his music. Although named after one of the great battles in one of the best and most famous stories ever written, Gladden Fields does the name justice by creating a soundtrack-like atmosphere with 'Menace Of Despair'. If this album doesn't put you in the mood for a great middle earth adventure, then I don't know what will. Please support this fascinating artist and downing 'Menace Of Despair' from the link below.
Please Like/Follow my blog so that you'll get first hand updates every time I post a review. Thanks for visiting the Dungeon!!
https://gladdenfields.bandcamp.com/album/menace-of-despair
GrimGaijin	Dungeon Synth, Medieval, Music Reviews, Neo-Medieval	Leave a comment March 16, 2020 2 Minutes
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You are listening to "Take A Penny, Leave A Penny", taken from the new album 'Autumn Assortment' by Friendly Donut Shop.
https://thedungeonindeepspace.files.wordpress.com/2020/12/05-take-a-penny-leave-a-penny.mp3


text:
HomePage Artists
(1887 - 1968), France
Marcel Duchamp was born in Blainville-Crevon (Seine-Maritime) in 1887 into a family of artists.
In dialogue with the practice of his siblings, he started painting in the footsteps of Cubism before turning to the decomposition of movement, closer to Italian Futurism. From 1915 onwards, he divided his time between the United States and France, and participates in making the Parisian avant-garde familiar to the American public. At that time, he developed his most famous works, such as The Bride Stripped Bare by the Bachelors, Even (The Large Glass)_ or Fountain, but focused progressively on chess, which would become, in the mid 1920s, his main occupation.
His collaboration on numerous exhibitions with André Breton, the frontrunner of the Surrealist movement, made him increasingly famous. In the 1950s, a new generation of American artists such as Jasper Johns and Robert Rauschenberg, recognised him as a precursor. The 1964 edition of his first readymade objects contributed to disseminate his work worldwide and thereby established him as a groundbreaking artist. Marcel Duchamp died in Neuilly-sur-Seine in 1968.
The work of Duchamp radically changed the art of the 20th century. With Bottle Rack, he invented the concept of the readymade in 1914 and thus opened the way to all movements that would use objects from everyday life. Surrealism, Pop Art, New Realism and Fluxus, are indebted to him for breaking the academic standards. Duchamp is the modern artist who most directly questioned the notion of art. His work raises aesthetic issues, notably on the concepts of authenticity and originality, which are still developed by the proponents of conceptual art.
23 May–27 July 2019 Group Exhibition The Sylvio Perlstein Collection A Luta Continua Hauser & Wirth, Hong Kong
Marcel DuchampL.H.O.O.Q, 1919–1964 Rectified readymade, chromolithograph with inscriptions and pencil drawing
30 x 21 cm Hauser & Wirth Enquire about this work
Marcel DuchampCoeurs Volants, 1936 Silkscreen in 2 colours on Old Mill paper
67 x 47 cm Cahiers d'Art Enquire about this work
Current & Recent Exhibitions
21 November 2018–31 March 2019 Marcel Duchamp, Roberto Matta MATTA | DUCHAMP Galerie Gmurzynska, Talstrasse 37
12 September–27 October 2018 Group Exhibition Endless Enigma: Eight Centuries of Fantastic Art David Zwirner, 20th Street, New York
Marcel Duchamp In Video & Audio
Related Video & Audio A Luta Continua. The Sylvio Perlstein Collection Hauser & Wirth : 8 May 2018
Unfolding across all three floors of Hauser & Wirth New York, 22nd Street, A Luta Continua is the first United States presentation of the Sylvio Perlstein Collection. Curated by David Rosenberg, the exhibition presents more than 360 works by some 250 artists. Among these are Josef Albers, Carl Andre, Diane Arbus, Hans Bellmer, André Breton,...
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ASIA/IRAQ - In Mosul, the US finances the restoration of the church of Mar Korkis, devastated by jihadists
Thursday, 11 November 2021 middle east oriental churches local churches jihadists geopolitics
Iraq Heritage Stabilization Program
Chaldean Patriarch Sako: the unity of the Churches is not a "gesture of courtesy", but a secret of the Christian presence in the Middle East
"Our Lady of the Hour": Church bells will be heard again in Mosul
Chaldean Patriarchate: three days of "special fast" before Christmas, to ask for the gift of peace
The former seminary will welcome Christian refugees "evicted" from the "refugee camp of the Virgin Mary"
Christian-Shiite dialogue Conference scheduled for March 2023, two years after the Pope's visit
Walking together in the faith of the Apostles. Interview with Mar Awa III, Patriarch of the Assyrian Church of the East
Mosul (Agenzia Fides) - The reopening ceremony of the main church of the monastery of Mar Korkis, in the Iraqi city of Mosul, seriously damaged by the militiamen of the self-proclaimed Islamic State (Daesh) during the time of the jihadist occupation, is scheduled by the end of November. In recent days, the completion of the restoration works carried out in the framework of the stabilization program of the Iraqi heritage was announced, in collaboration with the Antonian monastic order of Saint Ormisda of the Chaldeans and thanks to the financial support guaranteed by the State Department of the States United States of America to the reconstruction projects of churches and monuments carried out in North Iraq by the Department of Heritage and Civilization of the University of Pennsylvania (see Fides, 2/8/2019). Mar Korkis Monastery is located on the right side of the Tigris River, just off the road from Mosul to Dohuk 10km from the city center. The first foundation of the monastery is traced back from historical sources to before the 10th century after Christ.
In March 2015, the jihadists of the Islamic State severely devastated the church, without however razing it to the ground (see Fides, 12/3/2015). The rumors raised by various media that in those days had credited the rumors about a total demolition of the Christian place of worship by explosives were denied. The destructive fury of the jihadists was concentrated on the dome and on the facade of the church, characterized by a particular architectural configuration, with bricks and openings arranged so as to draw a large cross. The crosses that stood out on the dome and roof of the monastery had been uprooted by the jihadists as early as December 2014. Photos and documents published at that time confirmed that the devastation was mainly the cemetery adjacent to the church, where the bodies of many Iraqi Christians soldiers also rested, who died during the Iraq-Iran conflict.
During the time of the jihadist occupation, the monastery of St. George was also used as a place of detention. In December 2014, at least 150 blindfolded and handcuffed prisoners had been transferred there, including some Sunni tribal chiefs opponents of the Islamic State and former members of the security apparatus, previously detained at Badush prison (evacuated in anticipation of a possible attack by the anti-Caliphate coalition).
The restoration works involved engineers, architects and local workers. The interior walls of the place of worship were covered with marble from Mosul. (GV) (Agenzia Fides, 11/11/2021)
ASIA/JORDAN - A Christmas without celebrations or convivial events, after the bereaved events that affected the police
ASIA/LEBANON - Unprecedented summit between the Patriarchs of the Churches of Syriac tradition
oriental churches
AFRICA/DR CONGO - What is the "Kimbanguist Church"
AMERICA/BRAZIL - Work never becomes an opportunity to violate the dignity of the person
AFRICA/DR CONGO - Islamist attack on church in Kasindi: "Act of revenge for losses suffered"
AFRICA/NIGERIA - The serious insecurity in the region has contributed to aggravating the consequences of the fire at the Kateri Seminary
ASIA/SYRIA - Armenian Catholic Patriarchate: let us pray for the end of Turkish military operations in north-east Syria
ASIA/BAHRAIN - Pope Francis: may humanity be saved from the tragic infantilism of those who play with bombs


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INBETWEEN by Choreograph
The idea of being left to our own devices is something that we've all had to embrace over the past year, and people have dealt with it in very different ways. There was a lot of time to fill and, while some of us caught up with the mountain of Blu-rays that had magically appeared, many perfumers knuckled down and used the opportunity to concentrate on long anticipated projects. Hitting the pause button changed the schedules and space appeared in the diary. Choreograph is one such example, and Adey Zookrow's fusion of experimental fragrance with original music has come at just the right moment.
The idea of pairing perfume with melody is nothing new, many companies have done it before, but the difference with Choreograph is that the music is created to accompany the scent. In the past brands have taken existing songs or classical pieces, and it often doesn't quite fit together. I'm saying this from the personal experience of seeing a fragrance from conception, through to creation, and unfortunately to cancellation. The advantage that Choreograph has is that the perfumer, Adey Zookrow, is also a composer. This means that the same inspiration has been used for both the scent and the song.
Adey has composed original music for over 25 years, and so the idea of notes making up a chord fed perfectly into his fascination with fragrance. As a self-taught perfumer, he methodically worked his way through ingredients to discover how they blended together and also, on occasion, how they clashed fantastically. Perfume, like music, needs dissonance within it to fully appreciate the beauty when it reaches its conclusion. That is often the hardest part to learn as a perfumer, we always want everything to smell 'nice', but Adey has grasped this concept perfectly in his debut fragrance.
Inbetween is built around an aquatic magnolia, and that's pretty much all we're told. In a time of note pyramids and ingredient lists, Adey Zookrow has instead taken the decision to leave it up to the wearer to trust their instincts. Whatever you can smell is all that's important. The song that accompanies the fragrance is available by scanning the QR code on the box, or via the website link, and is sung by Eddie Pile. It sets the scene for the fragrance and, for me, took me straight back to Nice. Soft jazz being played at a beach gig outside the Radisson Blu hotel as the sun sets. So, apprehensively, it's time to share what I think I smelled.
Inbetween is the first in a planned series of eight fragrances and opens with a fantastic rush of pear eau de vie, which is a colourless fruit brandy, before being quickly joined by the waxy scent of magnolia. This is the star ingredient but is by no means the end of the story. An oceanic aquatic quality then comes into play, the scent you get from being on a beach, and is closely followed by a green mimosa pairing that displays that dissonance I mentioned earlier. There's possibly a touch of jasmine and sweat pea in here, but it's very subtle, and this is where the fragrance seems to momentarily pause.
The second half of the scent goes in a different direction, and has a whisper of Je Reviens about it. There's a nod to the famous jonquil and narcissus pairing, with its orange blossom, violet and lilac nuances, and the appearance of a dry vetiver really anchors this memory. A final touch of whisky-like ambrette continues that eau de vie brightness, before a skin-sweet tonka bean signals that the sun has unfortunately set. I can't wait to see what follows Inbetween, but remember I'm guessing at the ingredients. The question is, will you agree?
Inbetween is a limited edition and comes with a cover illustration by Freya Douglas-Morris. It's available in two sizes from the Choreograph website at ChoreographPerfume.co.uk priced at £20 for 7.5ml and £100 for 50ml. [Sample provided by Adey Zookrow]
Labels: Adey Zookrow, Choreograph, Eddie Pile, Freya Douglas-Morris, House Of Worth, Inbetween, Independent, Je Reviens, Music, Niche
BERGAMOT by Kitty's Herbery
STEPHAN'S SIX - REBECCA HARRISON
GREEN VELVET by Ilya Parfums
CITRUS VERVE by Botani Perfumery


Thank you for your report, to enable us to log the fault to the correct unit (we are unable to locate unit 23 in the area you have located on the map) can you please advise using the attached map the street light number you are referring to. If the unit is not on the map this would not be owned/maintained by Oxfordshire County Council and would need to be reported to the developer/landowner direct. Unfortunately we do not keep records of private lights.
Ref: 346315 Thank you for your report; we have logged this as a fault on our management system. Our current policy is for our contractor to attend electrical & structural emergencies as a priority; these will be attended within a 24hr period. All other faults are logged on our management system, for efficiency, these are grouped by area and the date they were reported, and the contractor attends against a programmed of works based on this approach.
This lamp is stiil not working and clearly marked 23. This is at a well used point for pedestrians to cross the A361. This now a very dark spot and is clearly a danger to pedestrians during hours of darkness.


Distributions (or generalized functions) generalize the classical view of functions in mathematical investigation. Distributions allow it to be possible to differentiate functions whose derivatives do not exist in the ancient sense. Distributions are popular in the theory of partial differential equations, where it can be proper established alternatives might not exist, or less difficult to confirm the presence of distributional options than established alternatives. Distributions are also significant in physics and engineering where many issues naturally cause differential equations whose answers or first states are distributions, such as the Dirac delta function.
the 1830's by using Green functions to solve ordinary differential equations. However, it was not formalized until much later. Garding (1997) remarks that although the thoughts in the transformative novel by Schwartz (1951) were not totally new, but it was Schwartz's wide-ranging approach and conviction that distributions would be useful everywhere in evaluation that made the difference.
The fundamental notion in distribution theory would be to reinterpret functions as linear functional. There are various possible options for the area of test functions, resulting in various areas of distributions. The fundamental area of evaluation function includes smooth functions with compact support, resulting in normal distributions. Use of the area of simple, fast falling evaluation functions gives the tempered distributions, which are significant since they have a well defined distributional Fourier transform. On the other hand, using areas of evaluation functions are analytic that leads to the theory of hyper functions of Sato.
In economics, distribution theory is the orderly effort of capital, labor, and land. Traditionally, economists have analyzed how the size of their yield as well as the expenses of these variables such as wages, rent, and profits is fixed.
The theory of distribution includes three distinguishable sets of questions; first is the national income spread among men. The example can include how many men make less than $10,000 or $20000, between $10,000 and $20,000, and how many men make $30,000 etc. Are there regularities in these numbers? Might it be feasible to generalize about them? This is the issue of private distribution. What establishes the costs of the factors of production? Which are the influences regulating the wage rate for a particular type of labor? Is the general wage degree of a state not lower or higher than that? What establishes the interest rate? What establishes rents and gains? These questions must do with practical distribution. Third is the national income distributed which is one of the factors of production? This is actually the dilemma of distributive shares. They should not be confounded with one another, even though the three sets of issues are clearly interrelated. The theoretical strategies to every one of them require distinct concerns.
Private distribution is mostly a question of the decisions as well as data that may be drawn from them. The resulting frequency distribution is quite startling when incomes are charted in line with the amount of men and women in every size class. The inequality decreases the course of financial development and appears to be largest in poor nations.
The fundamental notion in neoclassical distribution theory is the value of the productive variable represents its contribution to the complete merchandise and the fact that incomes are brought in the production of goods and services. They all are essential for the final result without capital whole end product and without labor there will be no merchandise whatsoever. The mechanism tending to create this optimum starts with the profit maximizing businessman, who will hire more labor when the wage rate is less compared to the marginal product of further workers when the interest rate is lower than the marginal product of capital, and who will use more capital. In this perspective, the value of the finished product is split by the marginal products, which can be interpreted as the productive contributions of the many input signals. On the other hand, the demand for a variable comes from the demand of the final good and the costs of the factors of production are established by supply and demand.
For a very long time, economists were negative regarding the possibility of any significant progress at the foundation of the income distribution. They claimed that the tendency of people as well as the lack of fertile land in order to increase faster in relation to the method of subsistence enforced limits on distributive justice. Karl Marx proposed that these states would result in the downfall of capitalism and made hopeless and the workers would be increasingly used. For some time, economists considered the share of labor which was more or less frequent; however investigations demonstrate that an increasing share of labor accompanies economic development.
Modern approaches regarding income distribution are changed. Some are associated with the study of the entire modern macroeconomics and investment which are highly subjective. The share of labor is frequent, if these two variables move in a parallel manner. The share of labor goes up, if the actual wage rate increases quicker than the quantity of labor productivity. Similar reasoning applies to the shares of property and capital. This easy arithmetic is useful for a comprehension of what the results are in real life, however a more profound investigation must turn to the theory of practical distribution.


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Home » Copper I Chemistry of Phosphines Functionalized Phosphines and Phosphorus Heterocycles
Copper I Chemistry of Phosphines Functionalized Phosphines and Phosphorus Heterocycles
Written by Maravanji S. Balakrishna
Author : Maravanji S. Balakrishna
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Download or Read online Copper I Chemistry of Phosphines Functionalized Phosphines and Phosphorus Heterocycles full in PDF, ePub and kindle. this book written by Maravanji S. Balakrishna and published by Elsevier which was released on 25 April 2019 with total page 442 pages. We cannot guarantee that Copper I Chemistry of Phosphines Functionalized Phosphines and Phosphorus Heterocycles book is available in the library, click Get Book button and read full online book in your kindle, tablet, IPAD, PC or mobile whenever and wherever You Like. Copper(I) Complexes of Phosphines, Functionalized Phosphines and Phosphorus Heterocycles is a comprehensive guide to one of the most widely used and extensively studied metals: copper. The numerous practical applications of copper compounds are discussed, including homogeneous and heterogeneous catalysis and their use as fungicides, pesticides, pigments for paints, resins and glasses, and in high-temperature superconductors. The remarkable structural flexibility of simple copper(I) complexes, such as cuprous halides is covered, including numerous structural motifs that, when combined with different ligand systems, exhibit linear, trigonal planar or tetrahedral geometries. This work is an essential reference for inorganic and coordination chemists, as well as researchers working on catalysis, anticancer reagents, luminescence, fluorescence and photophysical aspects. Discusses the properties of copper and similarities to noble metals, such as their corrosion resistance, high thermal and electrical conductivity and rich coordination chemistry Includes the copper(I) coordination chemistry of tertiary phosphines, bisphosphines and phosphines containing other donor atoms and their potential application in catalysis, biosystems and photochemical areas Features a discussion of the rich photochemistry exhibited by some mixed-ligand copper(I) complexes (phosphines with heteroaromatic ligands) which can exhibit coprophilic interactions, photoluminescence and thermochromic properties
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Copper(I) Complexes of Phosphines, Functionalized Phosphines and Phosphorus Heterocycles is a comprehensive guide to one of the most widely used and extensively studied metals: copper. The numerous practical applications of copper compounds are discussed, including homogeneous and heterogeneous catalysis and their use as fungicides, pesticides, pigments for paints, resins and glasses, and in high-temperature superconductors. The remarkable structural flexibility of simple copper(I) complexes, such as cuprous halides is covered, including numerous structural motifs that, when combined with different
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I recently spoke at the Storymakers conference in Utah, and while I was there, I attended a class on theme. Theme is kind of an ethereal topic, difficult to grasp and even harder to apply. But I was blown away by Amanda Rawson Hill's breakdown—so much so that I contacted her and asked if she'd write a post about it. Thank goodness, she agreed. Hopefully her words will provide the same clarity for you as they did for me :).
Theme is one of the fundamental building blocks of literature. Yet it is something too few writers think about. Part of the reason for this is a strict, purely educational understanding of what theme is. But if we want to fully incorporate theme into our novel, we need to change the way we think about it.
Most of us recognize the theme of a novel as something that can be summed up in a sentence. It is often referred to as the lesson or message of the story—or *shudder* the moral. For our purposes here, I want you to think of this kind of theme as the THEME STATEMENT— the truth the main character realizes during or just before the emotional climax. The best ones are clear and concise—a full sentence containing a noun and a verb.
In The Greatest Showman, there are some very strong sub-themes about acceptance and tolerance. And if the bearded lady was the main character, the theme statement would have more to do with that. But because the main character is P.T. Barnum, the theme statement has to be HIS truth.
However, while the bearded lady is interacting with the theme in her own way, it's just a little bit different than they way Phineas is dealing with it. This is where we think about the theme as a topic. I call it—and I know this is really clever—the THEME TOPIC.
Now, you might be wondering why this matters. While the THEME STATEMENT is most important for the main character and their arc, the THEME TOPIC is important for helping us create side characters and subplots.
Every meaningful character in your story should be struggling or interacting with the theme topic in some way. It will not, and should not, be in the same way the main character is interacting with the theme. This will add depth and layers to your story. It will provide a starting point for tension. And it will allow us to think about the theme from more than one angle.
Let's look at Hamilton as an example of how the supporting cast interacts with the theme topic (legacy) in different ways.
Alexander Hamilton is determined to build and control his legacy by not throwing away his shot.
Aaron Burr was left with a legacy to protect and will wait for the right moment to do anything.
George Washington feels weighed down by the burden of knowing history has its eyes on him and everything he does sets a precedent.
Lafayette, Laurens, and Hercules Mulligan all sing about when their children will tell their story.
Eliza first begs Alexander to let her be a part of the narrative of the story they will write about him someday. But after he betrays her, she removes herself from the narrative. Then at the end, she puts herself back in. She is struggling with whether or not she gets to, or even wants to, be associated with his legacy.
Angelica has a story with Alexander that nobody but her will ever know. Her story will remain unknown and untold.
Now because each character has wildly different views or experiences around the idea of legacy, we are all set up for a lot of tension. The first and most obvious tension is between Alexander Hamilton and Aaron Burr. Their ideas about legacy are almost complete opposites. And because of those opposing world views, we have, really, the main conflict of the story. Yes, Thomas Jefferson and James Madison are also antagonists, but Aaron Burr is the main antagonist. And while it seems to be outward actions that create this antagonistic relationship that concludes with their tragic and historic duel, all of these actions grow out of the clashing worldviews. Their ideas around legacy are at the root of all their tension.
This is how it should be in almost all storytelling. There may be outward things like wars and battles and curses or what-have-you that pit the antagonist and protagonist against each other. But in the end, all of their tension-creating actions should be born of the underlying tension between their two worldviews, or theme views.
Of course, knowing how each of your characters interacts or struggles with the theme allows many other avenues for tension in your story. Look at the problems that spring up between Eliza and Alexander, between Alexander and Angelica, between Hamilton and Washington even. They all have, at their center, the tension and hurt caused because of their struggle with the theme topic.
In your story, think of what the characters' views on the theme topic will cause them to do in certain situations. How will it make them react? What problems might this cause? When you start considering these questions, you'll find yourself with the beginnings of subplots that are organic to the story and fit well with the main character's own growth and arc.
If you start thinking of your novel in this way, with a statement and a topic, you'll create something much more meaningful and powerful.
Amanda Rawson Hill grew up in Southwestern Wyoming with a library right out her back gate. (Which accounts a lot for how she turned out.) After graduating from Brigham young University with a degree in chemistry, she lived all over the country, finally settling in Atwater, California with her husband and three children. Amanda writes heartfelt middle grade. Her debut, THE THREE RULES OF EVERYDAY MAGIC, releases September 25, 2018 from Boyds Mills Press.
This entry was posted in Plotting, Tension, Theme, Uncategorized. Bookmark the permalink.
This was a very timely post as I am drafting the plot of my second book right now based on the theme. Yeah! When I wrote my first book (in a series) I was learning by the seat of my pants and did not know theme was a thing. Luckily, I discovered that I had actually captured a theme that worked with the plot and subplots. After reading this post, I'd call my first theme topic, locus of control. The tentative theme topic in my current WIP is bullying. Thanks for this helpful guide.
Amanda! I finally read this per Sarah G.'s suggestion, as we go through revisions for my second manuscript. This is so so helpful, and I can't wait to think more about it. Thanks for your wisdom!
Oh good! You can always message me with questions!
Now I can see not seeing Hamilton can be a disadvantage, but I think I got enough from your description. Thanks!
I'm with Angela, Amanda. I've never read or seen Hamilton, but remember the duel from History class. Never thought about the theme at that young age.
I'm a reader and a writer, but reading is my addiction. Before I wrote I didn't think about theme just the HEA. (Now you know I write romance.) Your easy-to-grasp post will certainly make me look deeper into what I read and write.
p.s. My daughter encouraged/forced me to watch SIGNS. It left me shaken, but I will watch it a second time to watch for the theme/s.
I never thought of building the entire story around the theme before. You gave me a lot of food for thought. Thank you!
It really helps me when I start with it. Of course sometimes I have to write the first draft to get a good handle on it. But that's ok.
Thanks for the invitation to guest post!
I know Signs got a bad rap, but I actually really like that movie. There's a lot of resonant stuff in there.
I really love this, Amanda. Getting started on a new project and I'll be thinking about this as I go!
Great post! You've given me a lot to think about.
Thanks, Deb! I hope it's helpful!


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Tellmann ist der Familienname folgender Personen:

 Johann Herrmann Tellmann (1793–1851), deutscher Postbeamter sowie Bürgermeister von Bosau
 Otto Tellmann (1927–2013), rumänischer Handballspieler und -trainer
 Tessie Tellmann (* 1948), Schweizer Schauspielerin
 Ute Tellmann (* 1971), deutsche Soziologin und Hochschullehrerin

Siehe auch:
 Thellmann
 Telmann
 Dellmann

redpajama_set_name: RedPajamaWikipedia


The kindness of strangers and a clear determination to get his mural finished meant after more than a day and night with no sleep Tyler Kennedy Stent was close to finishing his mural yesterday.
The street artist chosen to create a homage to Dunedin artist Ralph Hotere even made it through a period of the Dunedin rain he was dreading on Wednesday night.
Using water-based paints meant rain could have made things go horribly wrong, but Kennedy Stent said he managed to get through the short shower.
He was painting the eyes at the time.
"They did run, but I kept touching them up."
His work on the Dunedin Street Art Trust initiative in Carroll St had been helped by passers-by, including a woman who worked in a nearby cafe who brought him coffee and even breakfast.
He had also met a woman who had protested against the Aramoana Smelter planned for Dunedin, the subject of some of Hotere's work.
"It was such an honour to speak to someone who was there."
Yesterday afternoon he was close to finishing, with just a few details to be done, and he planned to finish before day's end, come what may.
"I'll go till I collapse," he said.


Is it time to sell your business? Curious what your company's net worth is? Keen to bring investors on board? Regardless of your motivation, it's important that the valuation your business receives is an accurate one.
Different businesses require different valuation methods. As such, there are several common methods valuers use to make their decisions.
Every business has assets and liabilities.
Assets come in two forms, tangible and intangible. Cash, equipment, and property are all considered to be tangible. Whereas assets that generate revenue but are non-physical, like intellectual property, brand recognition, location, customer relations or staff quality represent intangible assets.
The sum of a business' non-physical (intangible) assets is often referred to as their 'goodwill'.
A company's liabilities are things such as debt or outstanding payments.
An asset-based valuation totals a business' assets and subtracts the liabilities. That may sound simple enough. But it's actually a complicated process.
Which is why it's important to work with a valuer that has experience working with businesses inside your industry.
Because it can be easy to overvalue your business assets which can have an adverse effect on a company's pending sale.
If you're looking to sell because your business has been underperforming or struggling and goodwill is low, an asset-based valuation is likely for you.
It's also a great option for newer businesses or businesses where the sale of the actual assets would mean more than the sale of the business itself.
For businesses that are performing well, and expected to grow, there's more to consider than current assets. Buyers are concerned with future profits the business could potentially generate, so valuers keep this under consideration when preparing an earnings-based valuation.
An earnings-based valuation considers a company's capitalised future earnings. What a buyer can expect to make from the business after buying it and its return on investment (ROI), is every bit as important as a business' physical and non-physical assets.
There's also the role earnings before interest and tax (EBIT) has to play in determining the value of a business. It's a process by which annual earnings before interest and tax are multiplied by a number based on projected growth and profitability.
The more consistently a business has performed will determine the multiple. The better the performance, the higher the number.
Market-based valuations are thought by some to be the most accurate of these commonly used methods.
Relying heavily on the recent sales of similar businesses in your area, valuers analyse the specifics of those sales, and compare them to your business to determine the profit multiplier to be used.
Due to the confidential nature of some business sales, this information is not always easy to come by. But when it is available, it can help to paint the clearest picture of what your company is worth.
Business is about relationships. Forming them. Maintaining them.
Depending on the type of business, who's behind running it can have a serious effect on its value. So the change of ownership also becomes a part of the equation.
If ownership of a favourite, local restaurant with a beloved owner changes hands, and that owner is no longer a presence, it will likely have a negative effect on business. At least initially.
On the other hand, if a new owner purchases a McDonald's at the end of the street, it's likely to have little to no impact on the restaurant's capacity to profit.
Disruptive innovation is another factor that will be on the mind of both the valuer and potential buyer. In some industries, it's simply a matter of updates and keeping systems and processes current.
For other businesses, the market can be disrupted or even displaced by technology in the way that Uber has affected the taxicab industry.
Similarly, valuers will take into consideration whether or not the target market for your business is increasing or decreasing. If the market for your particular type of business is secure, it's likely to receive a better profit multiplier and be valued higher than a business who may be generating an impressive annual net profit, but has a target market that his shrinking.
Profit and cash flow are not the same things.
No matter what your finances look like on paper, if cash isn't steadily flowing into the business (i.e. your customers are slow at paying their bills) this will impact upon the valuation.
Regardless of which type valuation you ultimately decide to go with, the first thing you'll want to do is collect and prepare as much information about your business that you can.
With an asset-based valuation, that means you'll need to conduct a full audit of all your tangible and intangible assets.
You'll also need a complete list of any business liabilities. This would include any contingent legal proceedings, taxation obligations or debts that would subtract from the company's overall value.
Earnings-based valuations require detailed financial information going back at least 3-5 years. Profit and loss statements, cash flow statements, and any outstanding debt will need to be brought to the valuer's attention.
But it's not just the business' past that will be of interest to both the valuer and the buyer. They'll have a serious interest in the potential your business has to make them money moving forward.
Marketing plans, competitor analyses, customer profiles, sales reports and forecasts will all help to make the valuation and sales processes as transparent as possible.
A valuation is as much an art as it is a science. Chances are, a good valuer will use elements of all three of these common methods to arrive at the opinion of what your business is worth on the open market.
At the end of the day, a business is much like anything else you might be trying to sell. Ultimately, it's only worth what somebody else is willing to pay for it.


text:
using System;
using System.Collections;
using System.Reflection;
using System.Runtime.Serialization;
using System.Diagnostics.Contracts;

namespace System.Collections.Specialized
{
  // Summary:
  //     Provides the abstract base class for a collection of associated System.String
  //     keys and System.Object values that can be accessed either with the key or
  //     with the index.
  public abstract class NameObjectCollectionBase : ICollection //, IEnumerable, ISerializable, IDeserializationCallback
  {
    // Summary:
    //     Initializes a new instance of the System.Collections.Specialized.NameObjectCollectionBase
    //     class that is empty.
    extern protected NameObjectCollectionBase();
    //
    // Summary:
    //     Initializes a new instance of the System.Collections.Specialized.NameObjectCollectionBase
    //     class that is empty, has the default initial capacity, and uses the specified
    //     System.Collections.IEqualityComparer object.
    //
    // Parameters:
    //   equalityComparer:
    //     The System.Collections.IEqualityComparer object to use to determine whether
    //     two keys are equal and to generate hash codes for the keys in the collection.
    extern protected NameObjectCollectionBase(IEqualityComparer equalityComparer);
    //
    // Summary:
    //     Initializes a new instance of the System.Collections.Specialized.NameObjectCollectionBase
    //     class that is empty, has the specified initial capacity, and uses the default
    //     hash code provider and the default comparer.
    //
    // Parameters:
    //   capacity:
    //     The approximate number of entries that the System.Collections.Specialized.NameObjectCollectionBase
    //     instance can initially contain.
    //
    // Exceptions:
    //   System.ArgumentOutOfRangeException:
    //     capacity is less than zero.
    protected NameObjectCollectionBase(int capacity)
    {
      Contract.Requires(capacity >= 0);
    }
    //
    // Summary:
    //     Initializes a new instance of the System.Collections.Specialized.NameObjectCollectionBase
    //     class that is empty, has the specified initial capacity, and uses the specified
    //     System.Collections.IEqualityComparer object.
    //
    // Parameters:
    //   capacity:
    //     The approximate number of entries that the System.Collections.Specialized.NameObjectCollectionBase
    //     object can initially contain.
    //
    //   equalityComparer:
    //     The System.Collections.IEqualityComparer object to use to determine whether
    //     two keys are equal and to generate hash codes for the keys in the collection.
    //
    // Exceptions:
    //   System.ArgumentOutOfRangeException:
    //     capacity is less than zero.
    protected NameObjectCollectionBase(int capacity, IEqualityComparer equalityComparer)
    {
      Contract.Requires(capacity >= 0);
    }
    //
    // Summary:
    //     Initializes a new instance of the System.Collections.Specialized.NameObjectCollectionBase
    //     class that is serializable and uses the specified System.Runtime.Serialization.SerializationInfo
    //     and System.Runtime.Serialization.StreamingContext.
    //
    // Parameters:
    //   info:
    //     A System.Runtime.Serialization.SerializationInfo object that contains the
    //     information required to serialize the new System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    //
    //   context:
    //     A System.Runtime.Serialization.StreamingContext object that contains the
    //     source and destination of the serialized stream associated with the new System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    extern protected NameObjectCollectionBase(SerializationInfo info, StreamingContext context);

    // Summary:
    //     Gets the number of key/value pairs contained in the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    //
    // Returns:
    //     The number of key/value pairs contained in the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    extern public virtual int Count { get; } // implements ICollection.Count
    //
    // Summary:
    //     Gets or sets a value indicating whether the System.Collections.Specialized.NameObjectCollectionBase
    //     instance is read-only.
    //
    // Returns:
    //     true if the System.Collections.Specialized.NameObjectCollectionBase instance
    //     is read-only; otherwise, false.
    extern protected bool IsReadOnly { get; set; }
    //
    // Summary:
    //     Gets a System.Collections.Specialized.NameObjectCollectionBase.KeysCollection
    //     instance that contains all the keys in the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    //
    // Returns:
    //     A System.Collections.Specialized.NameObjectCollectionBase.KeysCollection
    //     instance that contains all the keys in the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    public virtual KeysCollection Keys
    {
      get
      {
        Contract.Ensures(Contract.Result<KeysCollection>() != null);
        return default(KeysCollection);
      }
    }

    // Summary:
    //     Adds an entry with the specified key and value into the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    //
    // Parameters:
    //   name:
    //     The System.String key of the entry to add. The key can be null.
    //
    //   value:
    //     The System.Object value of the entry to add. The value can be null.
    //
    // Exceptions:
    //   System.NotSupportedException:
    //     The collection is read-only.
    extern protected void BaseAdd(string name, object value);
    //
    // Summary:
    //     Removes all entries from the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    //
    // Exceptions:
    //   System.NotSupportedException:
    //     The collection is read-only.
    extern protected void BaseClear();
    //
    // Summary:
    //     Gets the value of the entry at the specified index of the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    //
    // Parameters:
    //   index:
    //     The zero-based index of the value to get.
    //
    // Returns:
    //     An System.Object that represents the value of the entry at the specified
    //     index.
    //
    // Exceptions:
    //   System.ArgumentOutOfRangeException:
    //     index is outside the valid range of indexes for the collection.
    [Pure]
    protected object BaseGet(int index)
    {
      Contract.Requires(index >= 0);
      Contract.Requires(index < Count);
      return default(object);
    }
    //
    // Summary:
    //     Gets the value of the first entry with the specified key from the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    //
    // Parameters:
    //   name:
    //     The System.String key of the entry to get. The key can be null.
    //
    // Returns:
    //     An System.Object that represents the value of the first entry with the specified
    //     key, if found; otherwise, null.
    [Pure]
    extern protected object BaseGet(string name);
    //
    // Summary:
    //     Returns a System.String array that contains all the keys in the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    //
    // Returns:
    //     A System.String array that contains all the keys in the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    [Pure]
    protected string[] BaseGetAllKeys()
    {
      Contract.Ensures(Contract.Result<string[]>() != null);
      return default(string[]);
    }
    //
    // Summary:
    //     Returns an System.Object array that contains all the values in the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    //
    // Returns:
    //     An System.Object array that contains all the values in the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    [Pure]
    protected object[] BaseGetAllValues()
    {
      Contract.Ensures(Contract.Result<object[]>() != null);
      return default(object[]);
    }
    //
    // Summary:
    //     Returns an array of the specified type that contains all the values in the
    //     System.Collections.Specialized.NameObjectCollectionBase instance.
    //
    // Parameters:
    //   type:
    //     A System.Type that represents the type of array to return.
    //
    // Returns:
    //     An array of the specified type that contains all the values in the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    //
    // Exceptions:
    //   System.ArgumentNullException:
    //     type is null.
    //
    //   System.ArgumentException:
    //     type is not a valid System.Type.
    [Pure]
    protected object[] BaseGetAllValues(Type type)
    {
      Contract.Ensures(Contract.Result<object[]>() != null);
      return default(object[]);
    }
    //
    // Summary:
    //     Gets the key of the entry at the specified index of the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    //
    // Parameters:
    //   index:
    //     The zero-based index of the key to get.
    //
    // Returns:
    //     A System.String that represents the key of the entry at the specified index.
    //
    // Exceptions:
    //   System.ArgumentOutOfRangeException:
    //     index is outside the valid range of indexes for the collection.
    [Pure]
    protected string BaseGetKey(int index)
    {
      Contract.Requires(index >= 0);
      Contract.Requires(index < Count);
      return default(string);
    }
    //
    // Summary:
    //     Gets a value indicating whether the System.Collections.Specialized.NameObjectCollectionBase
    //     instance contains entries whose keys are not null.
    //
    // Returns:
    //     true if the System.Collections.Specialized.NameObjectCollectionBase instance
    //     contains entries whose keys are not null; otherwise, false.
    [Pure]
    extern protected bool BaseHasKeys();
    //
    // Summary:
    //     Removes the entries with the specified key from the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    //
    // Parameters:
    //   name:
    //     The System.String key of the entries to remove. The key can be null.
    //
    // Exceptions:
    //   System.NotSupportedException:
    //     The collection is read-only.
    extern protected void BaseRemove(string name);
    //
    // Summary:
    //     Removes the entry at the specified index of the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    //
    // Parameters:
    //   index:
    //     The zero-based index of the entry to remove.
    //
    // Exceptions:
    //   System.ArgumentOutOfRangeException:
    //     index is outside the valid range of indexes for the collection.
    //
    //   System.NotSupportedException:
    //     The collection is read-only.
    protected void BaseRemoveAt(int index)
    {
      Contract.Requires(index >= 0);
      Contract.Requires(index < Count);
    }
    //
    // Summary:
    //     Sets the value of the entry at the specified index of the System.Collections.Specialized.NameObjectCollectionBase
    //     instance.
    //
    // Parameters:
    //   index:
    //     The zero-based index of the entry to set.
    //
    //   value:
    //     The System.Object that represents the new value of the entry to set. The
    //     value can be null.
    //
    // Exceptions:
    //   System.NotSupportedException:
    //     The collection is read-only.
    //
    //   System.ArgumentOutOfRangeException:
    //     index is outside the valid range of indexes for the collection.
    protected void BaseSet(int index, object value)
    {
      Contract.Requires(index >= 0);
      Contract.Requires(index < Count);
    }
    //
    // Summary:
    //     Sets the value of the first entry with the specified key in the System.Collections.Specialized.NameObjectCollectionBase
    //     instance, if found; otherwise, adds an entry with the specified key and value
    //     into the System.Collections.Specialized.NameObjectCollectionBase instance.
    //
    // Parameters:
    //   name:
    //     The System.String key of the entry to set. The key can be null.
    //
    //   value:
    //     The System.Object that represents the new value of the entry to set. The
    //     value can be null.
    //
    // Exceptions:
    //   System.NotSupportedException:
    //     The collection is read-only.
    extern protected void BaseSet(string name, object value);

    // Summary:
    //     Represents a collection of the System.String keys of a collection.
    public class KeysCollection
    {
    }

    #region ICollection Members

    void ICollection.CopyTo(Array array, int index)
    {
      throw new NotImplementedException();
    }

    bool ICollection.IsSynchronized
    {
      get { throw new NotImplementedException(); }
    }

    object ICollection.SyncRoot
    {
      get { throw new NotImplementedException(); }
    }

    #endregion

    #region IEnumerable Members

    public virtual IEnumerator GetEnumerator()
    {
      throw new NotImplementedException();
    }

    #endregion
  }
}

#endif

redpajama_set_name: RedPajamaGithub


"Telling Truths" is the title of Susanne Bacon's third Wycliff romance, and readings will start on October 2 at 6 pm for five consecutive Tuesdays. Everybody, whether knitter or not, is welcome to join in the event, listen, and discuss the novel at the colorful, cozy yarn store on Motor Avenue.
The tale that Lakewood resident Susanne Bacon is going to unravel is located in a fictitious small-town somewhere on South Puget Sound. Listeners will recognize one or the other real place or person amongst the otherwise fictitious creations. This time, environmental issues threaten to destroy not just the Victorian flair of Wycliff, but also the reputation of a Wycliff business and some tender bonds between friends who find themselves to hold opposite opinions. Signed copies are available at The Sock Peddlers, LLC as long as stocks last.
As audience numbers are limited to 20 persons, reservations are requested (phone 253-267-0148). The suggested donation per night (October 2,9,16,23, and 30) is $ 5.-. Bring your own knitting and crocheting or just sit and listen to the yarn at The Sock Peddlers, 6122 Motor Ave. in Lakewood.


text:
Q: Create a deployment nuget package with `dotnetcore pack` Using dotcore pack with msbuild, is there a Property that can instruct packaging logic to include ALL files in the output folder?
The below documentation does not readily suggest what I'm looking for:
https://learn.microsoft.com/en-us/nuget/reference/msbuild-targets
Is there another msbuild property that I can specify?
Something like IncludeAllFilesFromBuildOutputInPackage
That could be declared in the property group like below:
 <Project Sdk="Microsoft.NET.Sdk">
  ...
  <PropertyGroup>
    <IncludeAllFilesFromBuildOutputInPackage>true</IncludeAllFilesFromBuildOutputInPackage>
  </PropertyGroup>
  ...
</Project>

A: In theory, there is is the <PackAsTool>true</…> property that will instruct it to pack executables as tool executables to be installed via dotnet tool install. These packages contain all dependencies inside a tool folder in the NuGet package.
There are also web deployment publish profiles that can instruct tooling to generate a zip file, but those are specific to web applications.
Note that NuGet is not a really deployment tool, but a dependency management system. Using it for deployment scenarios isn't supported out of the box, which is why you don't find such features readily available.


Set amidst the bustling city centre of Jyoti Chowk, Days Hotel Jalandhar is the preferred business hotel for Business and Leisure travellers in Jalandhar. Conveniently located near the Central Business District (CBD) and popular local Business, Meeting, Shopping, Entertainment and Leisure Venues, you are always minutes away from where you want to go.
Days Hotel Jalandhar offers a range of high quality dining options designed to cater both for the guest who wishes to be surrounded in fine dining options from world cuisines ( Parikrama - Jalandhar's Revolving Restaurant) or treat themselves to quick business lunches over corporate meetups ( Clouds - the 24-hour Coffee-shop ) . And there is always Whisky 21 - The Bar if you are in the mood to sink into a seat and drink in the scene.