text:
Hollywood Monday
Inspirational Tuesday
Wildin Out Wednesday
Shall We Dance Friday
Its Saturday
Saturday Morning Concert
Gospel Sunday
The Morning Funnies
12 Days Of Nutcracker
African Dance
Bonebreaking/Flexin
Dance Of The Village Elders
Food and Event Planning
Grilling For The Weekend
Walestylez
WaleStylez's Hip Hop Wednesday
Back To Africa With WaleStylez
Category Archives: Automobile
5/6/19 O&A NYC WITH WaleStylez AUTOMOBILE MEET ART: Million Dollar Hot Wheels Collection
By OutandAboutnycmag May 6, 2019 May 6, 2019 Art, Automobile, Out and About NYC Magazine, WaleStylez
By Adewale Adekanbi Jr
A toy cars enthusiast has amassed the world's most valuable Hot Wheels collection – worth over $1million. Extreme collector Bruce Pascal received his first Hot Wheels car at the age of seven and have been collecting ever since. Continue reading
Tagged Adewale Adekanbi Jr., Art, automobile, Barcroft, Daye Pascal, Hot Wheels, Million Dollar Hot Wheels Collection, Out and About NYC Magazine, Volkswagen Beach Bomb Rear Loader, WaleStylez
3/9/19 O&A NYC WITH WaleStylez AUTOMOBILE: Ferrari F8 Tributo – Supercar in Motion
By OutandAboutnycmag March 9, 2019 March 9, 2019 Automobile, Out and About NYC Magazine, Video, WaleStylez
The Ferrari F8 Tributo is the new mid-rear-engined sports car that represents the highest expression of the Prancing Horse's classic two seater berlinetta. It is a car with unique characteristics and, as its name implies, is an homage to the most powerful V8 in Ferrari history. Continue reading
Tagged Adewale Adekanbi Jr., automobile, Ferrari F8 Tributo, Luxury Sportscar, Out and About NYC Magazine, Supercar, WaleStylez
1/23/19 O&A NYC WITH WaleStylez FASHION MEETS AUTOMOBILE: Aston Martin Does A TAG Heur Edition of The DBS Superleggera
By OutandAboutnycmag January 23, 2019 January 23, 2019 Automobile, Fashion, Out and About NYC Magazine, WaleStylez
Aston Martin and TAG Heuer have put together a special edition DBS Superleggera along with an accompanying watch.Limited to 50 units, the TAG Heuer Edition DBS Superleggera features a Monaco Black paint job and carbon fiber aero parts. Continue reading
Tagged Adewale Adekanbi Jr., Aston Martin, automobile, Collaboration, DBS Superleggera, Fashion, Luxury Sportscar, Out and About NYC Magazine, TAG Heuer, TAG Heuer Edition, Timepiece, WaleStylez
1/15/19 O&A NYC WITH WaleStylez AUTOMOBILE: Powerful Street-Legal Mustang Shelby GT500
By OutandAboutnycmag January 15, 2019 January 15, 2019 Automobile, Out and About NYC Magazine, WaleStylez
Ford just unveiled its most powerful street- legal Mustang at a North American International Auto Show in Detroit. The 2020 Ford Shelby GT500 receives a supercharged 5.2-litre V8 motor that is matched with Ford's newly developed dual clutch, seven-speed transmission equating to 700 horsepower.
There are no images in this gallery.
Tagged 2020 Ford Shelby GT500, Adewale Adekanbi Jr., automobile, Automobile Preview, Ford, North American International Auto Show, Out and About NYC Magazine, Sportscar, WaleStylez
1/10/19 O&A NYC WITH WaleStylez AUTOMOBILE: 2020 Porsche 911 Carrera Cabriolet
By OutandAboutnycmag January 10, 2019 January 10, 2019 Automobile, Out and About NYC Magazine, Video, WaleStylez
Porsche has just unveiled its latest edition of the heralded sportback convertible: the 911 Carrera Cabriolet.Pricing begins at $127,350 for the Carrera S model, and begin at $134,650 for the 4S. Continue reading
Tagged Adewale Adekanbi Jr., automobile, Luxury Sport Car, Out and About NYC Magazine, Porsche 911 Carrera Cabriolet, WaleStylez
12/13/18 O&A NYC WITH WaleStylez AUTOMOBILE: 2019 Bentley Continental GT Convertible – The Very Essence Of Luxury
By OutandAboutnycmag December 13, 2018 December 13, 2018 Automobile, Out and About NYC Magazine, Video, WaleStylez
Bentley has now unveiled a drop-top counterpart the 2019 Continental GT Convertible.Take a look at the Bentley 2019 Continental GT Convertible above and stay tuned for pricing and availability details. Continue reading
Tagged Adewale Adekanbi Jr., automobile, Bentley, Bentley 2019 Continental GT Convertible, Out and About NYC Magazine, WaleStylez
12/12/18 O&A NYC WITH WaleStylez AUTOMOBILE: BSTN Teams Up With Jordan Brand to Produce Ducati 916 "Concord"
By OutandAboutnycmag December 12, 2018 December 12, 2018 Art, Automobile, Lifestyle, Out and About NYC Magazine, Video, WaleStylez
BSTN has teamed up with Jordan Brand and customization workshop IMPULS to produce a one a kind Ducati 916 motorcycle. Continue reading
Tagged Adewale Adekanbi Jr., BSTN, Ducati 916 XI Concord 2019, IMPULS, Jordan Brand, Mich Motorcycle, Motorcycle, Out and About NYC Magazine, WaleStylez
11/30/18 O&A NYC AUTOMOBILE: Audi Press Trailer – The Audi e-tron GT concept
By OutandAboutnycmag November 30, 2018 November 30, 2018 Automobile, Listen Up, Out and About NYC Magazine, Video
Audi e-tron, the third: The brand with the four rings is presenting one of the stars of the 2018 Auto Show in the movie capital Los Angeles. With the electric powered Audi e-tron GT concept a four-door coupe is making its debut as a show car. Continue reading
Tagged Audi e-tron GT concept, Audi Press Trailer, automobile, Out and About NYC Magazine, Sportcar, Video
11/13/18 O&A NYC AUTOMOBILES: Best 10 Upcoming Supercars 2019 & 2020
By OutandAboutnycmag November 13, 2018 November 13, 2018 Automobile, Lifestyle, Out and About NYC Magazine, Video
If you have a few million laying around here are a few supercars to add to your holiday list. Continue reading
Tagged Automobiles, Best 10 Upcoming Supercars 2019 & 2020, Lifestyle, Out and About NYC Magazine, Video
10/20/18 O&A NYC ITS SATURDAY ANYTHING GOES- AUTOMOBILE: Porsche 911 GT2 RS: The Ultimate Road Review
By OutandAboutnycmag October 20, 2018 October 20, 2018 Automobile, Out and About NYC Magazine, Video
The 2018 911 GT2 RS, with its street legal 700 horsepower from a 3.8-liter flat-six, is a $348,730 automotive bargain. Continue reading
Tagged 2018 911 GT2 RS, automobile, Out and About NYC Magazine, Sports Car, Video
O&A NYC What Time Is It?
1Alicja Kwade, at The Metropolitan Museum of Art all day
Leonard Cohen: A Crack in Everything: The Jewish Museum all day
Drag Brunch & the Queen from 10:00 am to 10:00 pm
Toni Morrison: The Pieces I Am from 10:00 am to 10:00 pm
NUREYEV from 10:00 am to 10:00 pm
Jennie Livingston's Paris Is Burning (1991) from 10:00 am to 8:00 pm
Pavarotti from 10:00 am to 10:00 pm
Mary T. Smith- I We Our at the Shrine from 10:00 am to 6:00 pm
Implicit Tensions: Robert Mapplethorpe Now from 10:00 am to 6:00 pm
The KGB Espionage Museum from 10:00 am to 8:00 pm
In the Dugout with Jackie Robinson from 10:00 am to 6:00 pm
Soto: Vibrations, 1950–1960 At Hauser & Wirth from 10:00 am to 6:00 pm
Savion Glover at the Joyce from 7:30 pm to 9:30 pm
Jazzmobile, Inc- Residency at Minton's Playhouse from 12:00 am to 8:30 pm
Nathan's Famous Hot Dog Eating Contest 2019 from 10:00 am to 1:00 pm
International African Arts Festival from 3:00 pm to 9:00 pm
Stardust VII : Vado Mori from 4:00 pm to 4:00 am
July 4th NYC Boat Macy's Fireworks Cruise Independence Day from 6:00 pm to 11:00 pm
The 5th Annual Freedom Fest at Pier 15 East River Esplanade from 6:45 pm to 11:00 pm
Burlesque Night Out's Big July 4th Celebration from 7:00 pm to 9:00 pm
Macy's 4th of July Fireworks from 9:00 pm to 11:00 pm
Jazzmobile, Inc to Launch Residency at Minton's Playhouse from 9:30 pm to 10:30 pm
5Leonard Cohen: A Crack in Everything: The Jewish Museum all day
Alicja Kwade, at The Metropolitan Museum of Art all day
Coney Island Friday Night Fireworks from 12:00 am to 10:00 pm
Anna Jays Seafood Boil Festival, from 2:00 pm to 10:00 pm
Chris Kaz: The Parlor Session at the Langston Hughes House from 8:00 pm to 9:30 pm
Savion Glover at the Joyce Theater from 8:00 pm to 10:00 pm
Brownstone Jazz Festival and Fish Fry Concert Series from 9:00 pm to 12:30 am
FrankieFridays at The Happiness Lounge from 10:00 pm to 4:00 am
Big Bronx Festival, Saturday from 11:00 am to 7:00 pm
10 Hairy Legs at New York Live Arts from 2:00 pm to 4:00 pm
Brooklyn Museum First Saturday- Visualizing Independence from 5:00 pm to 10:00 pm
Bollywood Beats @ Stage48 NYC from 10:00 pm to 4:00 am
Minton's Sunday Jazz Brunch from 12:00 am to 3:00 pm
Everybody Loves The 90's Brunch and Day Party at MIST Harle from 12:00 am to 7:00 pm
SUMMER THUNDER! with JOE BATAAN from 2:00 pm to 8:00 pm
Mister Sunday at Nowaday, at 3:00 pm
Summerstage 2019- Abou Combo/ Lakou Mizik/ DJ Sabine Blaizin from 6:00 pm to 9:00 pm
Summerstage 2019- Mr Eazi/ Efya/ Blinky Bill/ DJ Mohgany from 6:00 pm to 9:00 pm
10Alicja Kwade, at The Metropolitan Museum of Art all day
28Leonard Cohen: A Crack in Everything: The Jewish Museum all day
Alicja Kwade, at The Metropolitan Museum of ArtAlicja Kwade, at The Metropolitan Museum of Art Alicja Kwade, at The Metropolitan Museum of Art through October 27, a Polish artist who lives and works in Berlin is this year's recipient of The Met's annual commission to create an installation for the museum's roof garden. These projects are perennial crowd-pleasers, as they add a touch of artistic enhancement to the rooftop's spectacular views of Central Park and the Midtown skyline. Kwade's approach seems tailor-made for the site, as it usually entails minimalist sculptural ensembles made of glass, stone and metal—materials that give her efforts a luxurious gloss. Kwade often plays perceptual tricks on the viewer as part of her overall interest in deconstructing the philosophical and scientific teachings we rely on to make sense of the world. At The Met, she reaches for the cosmos with a pair of pieces that evoke the Solar System.
Leonard Cohen: A Crack in Everything: The Jewish MuseumLeonard Cohen: A Crack in Everything: The Jewish Museum Leonard Cohen: A Crack in Everything: The Jewish Museum (1109 5th Ave at 92nd St New York) April 12 - September 8, 2019. A world-renowned novelist, poet, and singer/songwriter who inspired generations of writers, musicians, and artists, Leonard Cohen (1934-2016) was an extraordinary poet of the imperfection of the human condition, giving voice to what it means to be fully alert to the complexities and desires of both body and soul. Featuring 12 artists and 18 musicians from 10 countries, this exhibition offers a deep and rich exploration of the beloved global icon through the lens of contemporary art.
Mary T. Smith- I We Our at the Shrine Mary T. Smith- I We Our at the Shrine Time: 10:00 am - 6:00 pm
Mary T. Smith- I We Our at the Shrine 179 E Broadway, New York City through Sunday July 28. Vibrant paintings are on offer in this exhibit devoted to the work of Mary T. Smith (1904–1995), a self-taught artist from Mississippi who first made her work during the 1970s after she retired from her job as a domestic servant and cook. Painting on plywood and corrugated metal, Smith created portraits and Biblical scenes, installing them outdoors in "yard shows" typical of African-American outsider artists in the Deep South. Smith favored bold colors, limning animals and figurative subjects with broad brushstrokes that she also used to spell out religious messages and other texts. The result was a kind of vernacular Expressionism that appears strikingly contemporary.
Soto: Vibrations, 1950–1960 At Hauser & Wirth Soto: Vibrations, 1950–1960 At Hauser & Wirth Time: 10:00 am - 6:00 pm
Soto: Vibrations, 1950–1960 At Hauser & Wirth 32 E 69th St New York through July 26 Known simply as Soto, Jesús Rafael Soto (1923–2005) was a Venezuela sculptor and painter who settled in Paris in 1951 and became a leading figure in the postwar revival of geometric abstraction on the Continent. He also played a seminal role in the subsequent development of Op and Kinetic art. Soto's early work built upon the style of Mondrian, but he eventually became interested in artistic experiments with transparent materials—such as Marcel Duchamp's motorized sculpture, Rotary Glass Plates—and began to paint stripes and other shapes on stacked sections of Plexiglas for varying optical effects. Examples of both approaches—as well as others are included in the pocket survey spanning Soto's first decade in Europe.
Implicit Tensions: Robert Mapplethorpe NowImplicit Tensions: Robert Mapplethorpe NowTime: 10:00 am - 6:00 pm
"Implicit Tensions: Robert Mapplethorpe Now", Guggenheim Museum, Fifth Ave. at 89th St. The photographer Robert Mapplethorpe, who died in 1989, at the age of forty-two, cast a classicizing eye on subjects both conventional (calla lilies) and controversial (the underground S & M scene). As his muse and friend Patti Smith has written, "He will be condemned and adored. His excesses damned or romanticized. In the end, truth will be found in his work, the corporeal body of the artist." On Jan. 25, the Guggenheim opens its yearlong two-part exhibition "Implicit Tensions: Robert Mapplethorpe Now."
In the Dugout with Jackie RobinsonIn the Dugout with Jackie RobinsonTime: 10:00 am - 6:00 pm
In the Dugout with Jackie Robinson: An Intimate Portrait of a Baseball Legend -at the Museum of the City of New York 1220 Fifth Avenue at 103 Street open daily 10am-6pm. In 1947 Jackie Robinson made history when he joined the Brooklyn Dodgers and became the first African American in Major League Baseball. In honor of the centennial of Robinson's birth, In the Dugout with Jackie Robinson features some 30 images of Robinson and the Dodgers taken for Look magazine. Along with these stunning black-and-white images from the Museum's collection, many never before seen, the exhibition features memorabilia and rare footage of the Robinson family, as well as the published magazines, which provide a window into the media's portrayal of this groundbreaking figure through the lens of the day's popular picture press.
The KGB Espionage MuseumThe KGB Espionage MuseumTime: 10:00 am - 8:00 pm
The KGB Espionage Museum, located at 245 West 14th Street, is a modern, unique museum, where games and stories are just as important as educational experiences. Touching and trying the exhibits helps people learn and remember. At the KGB Espionage Museum, you can explore the life of a KGB espionage agent through interacting with the artifacts on display
Brownstone Jazz Festival and Fish Fry Concert SeriesBrownstone Jazz Festival and Fish Fry Concert SeriesTime: 9:00 pm - 12:30 am
Brownstone Jazz Festival and Fish Fry Concert Series 107 Macon St, Brooklyn. Step back in time to the golden age of Bed-Stuy jazz with an intimate 4-hour concert and fish fry at a restored 19th-century brownstone in a historic neighborhood. Enjoy jazz without amplifiers and noisy clubs, and experience the unmediated music up-close and personal. Watch a remarkable performance, tuck into a generous buffet of southern-style fried fish, then sing, play or just listen during a fun open mic session. Take New York jazz back to its roots and experience an unforgettable evening in the city.
FrankieFridays at The Happiness LoungeFrankieFridays at The Happiness LoungeTime: 10:00 pm - 4:00 am
FrankieFridays at The Happiness Lounge, 1458 St. Johns Place (bet. Utica Avenue and Rochester Avenue, Brooklyn), presents legendary DJ Frankie Paradise spinning House Soulful Classic every Friday.
O&A Recent Posts
7/19/19 O&A NYC DIVA ALERT!!!!!: Beyoncé – Spirit from Disney's The Lion King
7/19/19 O&A NYC GRILLING FOR THE WEEKEND: Asian BBQ Salmon
7/19/19 O&A NYC SHALL WE DANCE FRIDAY: Kyle Abraham- City Hall (5/15/18)
7/18/19 O&A NYC THROWBACK THURSDAY: Issac Hayes- Theme from Shaft (Live at the Oscars, 1972)
7/17/19 O&A NYC SONG OF THE DAY: Whitney Houston- I Have Nothing
O&A Reader Comments
OutandAboutnycmag on About Us
ASR on About Us
Trek on 9/15/14 Reflections on Katherine Dunham and Lavinia Williams (part one)
NIki Denison on About Us
7/19/19 O&A NYC DIVA ALERT!!!!!: Beyoncé – Spirit from Disney's The Lion King July 19, 2019
7/19/19 O&A NYC GRILLING FOR THE WEEKEND: Asian BBQ Salmon July 19, 2019
7/19/19 O&A NYC SHALL WE DANCE FRIDAY: Kyle Abraham- City Hall (5/15/18) July 19, 2019
7/18/19 O&A NYC THROWBACK THURSDAY: Issac Hayes- Theme from Shaft (Live at the Oscars, 1972) July 18, 2019
7/17/19 O&A NYC SONG OF THE DAY: Whitney Houston- I Have Nothing July 17, 2019
Subscribe to O&A NYC


Very good. No dust jacket. 292 p. Audience: General/trade. Uncorrected proof. Trade paperback. Light rubbing on the bottom right front corner, otherwise mint. Issued before the first edition. Ships quickly!
Fair. 0679435522 Please allow 4-14 business days for Standard shipping, within the US. Thank you for supporting our small, family-owned business!
Fine. 0679435522 Please allow 4-14 business days for Standard shipping, within the US. Thank you for supporting our small, family-owned business!
New. 0679435522 Please allow 4-14 business days for Standard shipping, within the US. Thank you for supporting our small, family-owned business!
Poor. "Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service! "
Very good in very good dust jacket. Signed by author. Sewn binding. Cloth over boards. 290 p. Audience: General/trade. First edition, first printing of Anthony Bourdain's first book, a cooking related mystery novel. Signed and inscribed by Bourdain "Happy Birthday xxxxx Anthony Bourdain" on the half title page, no other markings. A clean tight copy in original unclipped dust jacket with some flattened creases to front flap, some staining to verso of jacket, minor edgewear. Quite likely the most uncommon of Bourdain's books as this novel was released in 1995, five years before his breakout book Kitchen Confidential and a few years before he began at Les Halles. An uncommon first edition in it's own right, scarce signed.


Did John Denver ever sing about east virginia?
Not in Uncle Duke's backyard, he didn't.
There's nothing wrong with Virginia that moving Washington DC to North Dakota wouldn't fix.
We have all these come-here Yankee folks coming in because their own states are hellholes. They'd be more welcome if they didn't bring their voting patterns with them. Somehow, they have failed to make that connection.
While we're at it, West By God Virginia has its own little slice of swamp up in the panhandle. Martinsburg, home of the IRS.
In the swamp, they cake on foundation and powder. In VA, they wear blackface. In WV, it's coal dust after an honest day's digging.
Some place north of Fargo would be a good location.
West Virginia, South Virginia and the People's Republic of North Virginia.
See? Ya learn sumthin' new ev'ry day. Yestidee I was a'wonderen why Mr S said "Best' not 'Better' as I din't realize there were actually three Virginias. Now that's cleared up. Thank ya Kindly, Unknown.
Hey now! Why would you want to punish the good folks of Grand Forks like that?


In June 2017 the UK enacted the Money Laundering (Information on the Payer) Regulations 2017 to implement the European 4th Anti-Money Laundering Directive.
The Regulations, among other matters, creates a national register of trusts which covers not only trusts that are tax resident in the UK, but also those trusts resident outside the UK that have a connection with the UK whether a settlor or beneficiary who is resident or domiciled in the UK or assets in the UK. The Regulations require the trustees to register and to continue to update the required details on the HMRC Trust Registration Service (TRS) website.
The Regulation applies not only to trusts, but also foundations and any other legal arrangements that are similar to trusts.
The Regulation applies to 'Relevant Trusts' which are defined as either (A) UK express trusts, or (B) non-UK express trusts.
- At least one trustee is UK resident and the settlor was UK resident or domiciled either when the trust was established or when further funds were added to the trust.
Most trusts falling under this head as UK resident for UK income tax and CGT will fall into this category. This will be the case even if the trust is considered to be resident outside the UK under the terms of a tax treaty between the UK and the other jurisdiction.
(B.) Non-UK express trusts are trusts that receive UK source income or have UK based assets.
The trustees of Relevant Trusts are required to maintain enhanced records under the Regulation and, if the trust is chargeable to UK tax, the trust must be registered.
The first registrations must be completed by 31 January 2018, but no penalty will be imposed if this deadline is missed, providing registration is made no later than 5 March 2018. There are a number of factors that must be taken into consideration to determine when the registration must be completed and reference needs to be made to the Regulation and other relevant legislation. Care needs to be taken to ensure the correct deadline is met.
Information is required on the trust's name, date of creation, where it is tax resident and administered, plus details of the assets which extends to non-UK assets.
Individuals who fall within the definition include the settlor, beneficiaries or a class of persons in which the individual beneficiaries have yet to be identified, anyone who exercises 'control' over the trust and the trustees. A person exercising 'control' will include a protector. In situations when there is a class of beneficiaries who have yet to be determined the trustees are required to provide a description of that class of beneficiaries.
For those who fall within the scope the trustees must provide details of their full name, date of birth, tax reference number or UK National Insurance Number and details of their connection or role in the trust. Individuals outside of the UK will be required to provide their passport or ID card details. If a beneficial owner is a company details must be provided of that company.
This applies to relevant transactions or business relationships entered into by a trustee with a relevant person, that is an entity that is required to obtain due diligence on its client ie bankers, accountants, lawyers and other professional advisors. The trustee is required to disclose that they are acting as a trustee and provide details of the beneficial owners, if requested.
In such circumstances, the trustees are required to register and provide details of the relevant person or entity.
The trustees having provided the required information have a continuing obligation to maintain the information is up to date or confirm that there has been no change. There is also a further obligation on professional trustees to retain the records for five years after the final distribution from the trust, before deleting the information at the end of the period.
The Register is not open to public inspection. Government departments will have access, including HMRC and UK law enforcement authorities to combat money laundering, terrorism and threats to the financial system.
Both criminal and civil penalties can be pursued.


A National Citizen Service (NCS) group of 15-16 year olds, The Incredibles, is volunteering for 720 hours over the next fortnight to raise funds for the Dragonflies Bereavement Service, based locally in St Leonards.
In order to raise both money and awareness for this service, tailored to 5-18 year olds who have suffered from a loss, The Incredibles will be organising a fundraising day at Egerton Park in Bexhill on Tuesday 8th August, from 11.30 AM until 4 PM. There will be a multitude of activities taking place, such as face painting, sponge throwing and a bake sale. All of the funds raised will go towards the charity.
The Incredibles have chosen the Dragonflies because it is close to their hearts and has supported them in times of need.
Any donations would be greatly appreciated, as well as following the Facebook page: NCS Dragonflies Social Project.


text:
layout: default
title: Tutorial
section: tutorial/building
---

# Building Existing Modules
This tutorial will guide you through the process of building software that uses
yotta. You might also want to check out the tutorial to writing your [own
software](../tutorial/tutorial.html) with yotta, or the [build system reference](/reference/buildsystem.html).

## Check your installation
First check that yotta is correctly installed. You should be able to open a
terminal window and run

```
yotta --version
```

without any errors. If this doesn't
work, check the [installation guide](../).

## Download the Module
First download the module that you want to build. For example, to download the
helloyotta example program, either clone or download the source tarball from
its [github page](https://github.com/armmbed/helloyotta).

All software that builds with yotta has a `module.json` file that describes it:

```sh
> cd path/to/downloaded/helloyotta
> ls -l
-rw-r--r--   1 jamcro01  staff   8.9K  9 Dec 11:59 LICENSE
drwxr-xr-x   2 jamcro01  staff    68B 18 Sep 17:07 helloyotta
-rw-r--r--   1 jamcro01  staff   621B  9 Dec 12:02 module.json
-rw-r--r--   1 jamcro01  staff   220B  9 Dec 11:53 readme.md
drwxr-xr-x   3 jamcro01  staff   102B 18 Sep 18:37 source
```

## Build!

To build the module, all we need to do is run `yotta build`. yotta will read
the module.json file, which describes what this module depends on, download its
dependencies into a directory called `yotta_modules`, then generate build files
and build.

yotta has a registry of publicly available modules. In the future it will be
possible to search this registry to find open-source components to re-use, or,
to build non-open-source software you can also depend on modules from private
Github repositories, or from authenticated hg and git repositories, for more
information about specifying the source of dependencies see the [module.json
reference](../reference/module.html#dependencies).

```sh
> cd path/to/downloaded/helloyotta
> yotta build
info: get versions for x86-osx-native
info: get versions for simplelog
info: download simplelog
info: generate for target: x86-osx-native 0.0.3 at /Volumes/Work/synced/Dev/IoT/helloyotta/yotta_targets/x86-osx-native
...
[100%] Built target helloyotta
```

The built executable will be created at
`./build/<targetname>/source/helloyotta`, where <targetname> is the yotta
compilation target that was set. For example, the default on OS X is to build
natively using the x86-osx-native target:

```
> ./build/x86-osx-native/source/helloyotta
[info] Hello yotta!
```

redpajama_set_name: RedPajamaGithub


text:
2023: As women unite to win elective positions…
January 21, 2022 Blueprint Women 0
In order to increase the number of women for political offices Nigerian women converged in Abuja to make demands as the election year is around the corner. ENE OSHABA reports.
Tagged the 'Progressive Women Conference 2022,' its organisers said it was aimed at bringing women together to dialogue and come up with solutions on issues affecting women and to strengthen the positioning of women in matters of national importance, party progress and economic growth.
Delegates were drawn from across the 36 states and FCT, including women groups, collectives, civil society organisations, entrepreneurs, professionals, social media influencers, and the labour work force, among others.
The national women conference brought together progressive women from all over the country who are current and aspiring members of the APC interested in uniting for progress.
The convener and member, Caretaker/Extra-ordinary Convention Planning Committee (CECPC), Stella Erhuvwu Okotete, said theme of the conference 'One Voice, Women Uniting For Progress' was adopted to create awareness on the need for women to unite in order to win more elective positions.
She stressed the need for closing existing gaps hindering women's progress, more inclusiveness in the polity, assuring that the digital women academy would serve as a veritable platform to empower them economically and politically.
She also urged the party and all stakeholders to keep supporting and empowering women in order to enable them have their pride of place, noting that President Muhammadu Buhari and Aisha Buhari have prioritised concerns of women making them ready for the general election next year.
"The Progressive Women Academy, the first ever Official Digital Learning Platform for the Nigerian Woman to acquire skills and knowledge they need to transform their lives, improve businesses and prepare for future leadership positions. This Digital Academy will train over 20 million women, directly and indirectly, in the next two years," she said.
Okotete said further that the Progressive Women Conference was the gathering of women from across the 36 states in Nigeria and the Federal Capital Territory to discuss the role of Women in matters of national importance, party progress and economic growth.
"The Conference offered an opportunity to bring women together for visibility, leadership development, and strategic positioning for future political office, with party leaders, as well as speakers from across the broad spectrum of life focusing on positioning women for greater achievements within and outside the party."
Aisha Buhari tasks leaders
The wife of the president while speaking during the conference in Abuja said women had been denied positions of leadership for so long expressing disappointment that contributions of women were not considered in terms of leadership roles especially in the government.
She said governors would be held responsible if women did not get the 35 percent affirmative action in political appointments and administration come 2023 elections.
"This is the first time the national women conference of the APC is being held to establish our commitment to setting the position of women in matters of national importance, especially in increasing the visibility of women, positioning women for future political offices, and encouraging them to aspire more towards the progress of our great party.
"Since 2015, I've had the privilege of engaging Nigerian women across the entire country; my conviction is that Nigeria's future is entirely dependent on actually using the potential of our women. It is no mere coincidence that parties that have grown strong, prosperous and influential have prioritised women's participation in national building. I, therefore, wish to call upon the APC to double its efforts in promoting women. This, I believe, will serve as one of the objectives of this conference.
"As Nigeria races towards another election, we must go beyond paying lip service to putting women in vital offices within our party and the government. We must put in place workable strategies to ensure that this actually happens; charity begins at home."
Mrs. Buhari also called on Nigerian women to continue the struggle by showing greater influence, commitment and unity in the decision-making process of the country, adding that "our vintage pride lies in our shared numerical strength."
To prevent repeating the same mistakes of the past, the conference brought on the stage leading women politicians to share their experiences as a means of teaching current aspirants and candidates of various positions ahead of the elections.
The first and only female member of the Niger state House of Assembly, Binta Maman, recalled how she got the position, saying that her constituency nominated her father and he gave her the slot knowing her capabilities.
She, however, expressed displeasure at the challenges she passed through as she sought to return for the second tenure as most of the other members do, saying that though her constituency wanted her as she had performed well, some persons didn't want her to be in that position any more.
"When I assumed office I worked so hard that my people were satisfied and wanted me back for a second tenure, but some people didn't like my face and felt I shouldn't be in that position.
"I was not discouraged, I went to the state courts and also proceeded to the high court, I didn't allow myself to be intimidated out of my position and that is one quality I want all of us to have," she said.
Similarly, the director-general of the National Centre of Women Development (NCWD), Asabe Vilita, acknowledged that women face lots of challenges in politics. According to her, just because of the gender the men see politics as exclusive to them and so when you contest as a woman you get discriminatory actions against you.
"I started contesting elections in 1997 and I have contested different positions most of which I lost and won some. Women face all kinds of discrimination just to win elections, but I have never been discouraged not to continue.
"If women don't speak with one voice they cannot penetrate the political system which is dominated by men; we must also build our capacities in order to be able to compete with the men favourably. If we have legal backing we will win more elective positions," she said.
Re-defining political space
Senator Grace Bent in her remarks during the panel discussion on the topic, "One voice: redefining the role of women in political space," harped on the need for women to be given principal positions from the ward levels to the highest hierarchy of political parties, assuring that there were capable women for every position.
She encouraged women to be focused on their goals, and know that politics does not start from the top.
"No more ex-officio positions we want principal positions in the party, but we should all know that politics does not start from the top; it is grassroots based; what roles are you playing in the grassroots and how well are you known ?"
On her part, Senator Ita Giwa said to redefine the political space older and more experienced female politicians have a responsibility to encourage the next female generation, show them the way so the achievements so far would not be lost.
She said, "There is a need for continuity and the best way to achieve this is by encouraging and mentoring younger women into politics.
"Those that God has given the opportunity of leading in government should be mentors. Younger women should also see the need to take the bull by the horn by contesting for elections and also desist from clapping hands and singing at political rallies."
Amplifying women's voices
A second panel discussion involving all the state first ladies held on the topic, "How to use your voice: Giving voice to women's visibility."
Leading the discussion, the chairperson of Governors Wives Forum, Erelu Bisi Fayemi, noted that giving voice to women's visibility means being their advocate in enabling opportunities that will better women's lives.
She said it was important for advocates to look for legal and policy frameworks to demand for opportunities, just as she stressed for the first ladies to always be available for women in their states.
"My advocacy has brought five laws to Ekiti state for women, we currently have the Gender and Equal Opportunities (GEO Bill) in my state and we also ensure that in terms of leadership those who cannot benefit from positions are empowered with other opportunities," she said.
Meanwhile, the Imo state first lady, Barrister Chioma Uzodima, said the current administration in the state is gender-friendly with the appointment of many female commissioners and Senior Special Assistants (SSAs).
According to her, "There are lots of female representatives and we are working on more positions for women."
Delegates' take-home
Delegates were drawn from all the wards across the states to ensure that they all get the messages and take them back to their communities to work with.
Victoria Iyawo Ekwo, a delegate from Otukpo/Ohimini constituency, lauded the idea of a national conference, saying there was the need for women to unite in one voice in order to achieve their demands.
She said, "It doesn't end in the kitchen for women, we are to be recognised and we need our freedom as human beings. Benue state politics is Inclusive of women, but more is needed to enable more women win elections, especially in 2023.
"We will go back home and enlighten more women on active participation in politics because we are dominant in population and we can do a lot with our numerical strength.
"We thank this administration for giving us the freedom to talk, we are happy with the achievements of women in politics so far and we hope for more to come."
Another delegate, the assistant treasurer of APC in Bayelsa state, Pamela Douglas, said the importance of unity cannot be overemphasised, stressing that Bayelsa women were active politicians and would henceforth work in unity towards a common goal "which is to enable more women to win positions."
"We are ready to take over in 2023. We have come here to learn more and see benefits of unity, this is my take home and we will drive the message down to the nook and cranny," she said.
Though the communiqué is yet to be made available, issues that dominated the discussion included the call for Nigeria to domesticate the 35% Affirmative Action for women.
The national conference also harped on the need for a monetary fund to be established to support women aspirants, just as the women sent strong signals of their disapproval of continuously placing them in stereotype positions.
Another strong demand is the need for a legal backing that will enable women to win more elective positions, though there is a National Gender Policy (NGP) for political parties; it is yet to achieve the aim of which it was established.
Leaders and all stakeholders were also stressed the need for empowerment of women to lift them out of poverty, in addition to stopping the discrimination and intimidation of women.
Related content you may like
NNPP Chairman, Odeyemi emerges IPAC scribe in Osun
Citizens' concerns over rising expenditure, falling revenue
Buni approves new leadership for Yobe Desert Stars January 29, 2023
Security agents killing: Southeast governors don't want to secure zone – HURIWA January 29, 2023
Naira notes: NUMW chair cries out over stranded mine workers in Nasarawa January 29, 2023
PEPFAR: US invests over $100bn in fight against HIV/AIDS in 20 years January 29, 2023
Gunmen kill 2 soldiers, 6 policemen in Enugu, Ebonyi attacks January 29, 2023
Heavyweight bout: Beterbiev stops Yarde in the 8th round January 29, 2023
Chelsea sign Gusto from Lyon in £31m deal January 29, 2023
FA Cup: How Brighton nailed holders Liverpool January 29, 2023
Serving referee bags club appointment as Buni approves new management committee for Yobe Desert Stars January 29, 2023
Russian club unveil Nigeria's Quadri Aruna January 29, 2023
NPFL: Akwa pip Plateau Utd in Eket, Enyimba thrash Kwara, Wikki Tourists, Kwara United slump, get ultimatum January 29, 2023
NASENI developed 150 innovative products – EVC January 29, 2023
PDP speaks on 'suspended' governorship candidate January 29, 2023
Humanitarian affairs ministry loses director January 29, 2023
At last, Ortom opens up on Nasarawa killing January 29, 2023
Polls: How PDP, APC, SDP 'll fair in Kwara - Report
PDP's Isa Ashiru continues to gather momentum in Kaduna

redpajama_set_name: RedPajamaCommonCrawl


text:
Транссибі́рська залізнична магістраль (Трансси́б), Великий Сибірський шлях (історична назва) — залізниця через Євразійський континент, що сполучає Європейську частину Росії, її найбільші промислові райони і Москву з її серединними (Сибір) і східними (Далекий Схід) районами. Транссиб є  найдовшою залізницею в світі (завдовжки 9 288,2 км). Найвища точка шляху — Яблоновий хребет (1 019 м над рівнем моря). У 2002 році завершена повна електрифікація залізниці.

Власне Транссибом може називатися лише східна частина магістралі, від Челябінська (Південний Урал) до Владивостока. Її довжина — близько 7 тис. км. Саме ця ділянка була побудована у 1891—1916 роках.

Транссиб сполучає центр (Москву), міста Уралу, Сибіру й Тихий океан (Владивосток), а кажучи ширше — західні і південні порти (Санкт-Петербург, Калінінград, Новоросійськ) і столицю Росії, а також залізничні виходи до Європи, з одного боку, з портами і залізничними виходами в Азію (Владивосток, Находка, Ваніно, Забайкальськ) з іншого боку.

Основні віхи будівництва

Офіційне будівництво розпочалося 19 (31 травня) 1891 року в районі поблизу Владивостока (Куперовська западина), на закладці був присутній цесаревич Микола Олександрович, майбутній імператор Микола ІІ. Фактично ж будівництво почалося раніше, на початку березня 1891 року, коли почалося будівництво дільниці Міас — Челябінськ. З'єднання рейок на всій протяжності Великого Сибірського шляху відбулося 21 жовтня (3 листопада) 1901 року, коли будівельники Китайсько-Східної залізниці, що прокладали залізницю із заходу та сходу, зустрілися один з одним, проте регулярного руху поїздів на всій протяжності магістралі на той час не існувало.

Постійний регулярний рух поїздів між столицею імперії — Санкт-Петербургом і тихоокеанськими портами Росії — Владивостоком й Дальнім залізницею було встановлено у липні 1903 року, коли Китайсько-Східна залізниця, що пролягає через Маньчжурію, була прийнята в  експлуатацію. Дата 1 (14 липня) 1903 року ознаменувала собою також становлення Великого Сибірського шляху до ладу на всій його протяжності, хоча на шляху був проміжок: через озеро Байкал доводилося переправляти поїзди на спеціальному залізничному поромі.

Безпересадкове сполучення між Санкт-Петербургом і Владивостоком відкрито після початку робочого руху по Навколобайкальській залізниці 18 вересня (1 жовтня) 1904 року, а за рік, 16 (29 жовтня) 1905 року, Навколобайкальська залізниця, як частина Великого Сибірського шляху, була прийнята в постійну експлуатацію, то ж регулярні пасажирські поїзди вперше в історії мали можливість прямувати лише по рейках, без використання поромних переправ, від берегів Атлантичного океану (із Західної Європи) до берегів Тихого океану (до Владивостока). Кінець будівництва на території російської імперії відбулося 5 (18 жовтня) 1916 року, із введенням в експлуатацію залізничного мосту через річку Амур поблизу Хабаровська і початком руху поїздів цим мостом.

Вартість будівництва Транссибу із 1891 по 1913 роки склала 1 455 413 тисяч карбованців.

Напрямки Транссибу
Північний
 Москва — Ярославль — Кіров — Перм — Єкатеринбург — Тюмень — Омськ — Владивосток.
Новий
 Москва — Нижній Новгород — Кіров — Перм — Єкатеринбург — Тюмень — Омськ — Владивосток.
Південний
 Москва — Муром — Арзамас — Канаш — Казань — Єкатеринбург — Омськ — Владивосток.
Історичний
 Москва — Рязань — Рузаєвка — Самара — Уфа — Челябінськ — Омськ — Владивосток.

Межі із залізницями

Територією Північного Казахстану проходить Середньосибірська залізниця. Кемеровську область з Алтайським краєм сполучає Західно-Сибірська залізниця, а з Барнаула на південь до Середньої Азії веде Півдсиб, далі переходить у Турксиб. Наприкінці XX століття на Далекому Сході північніше Транссибу прокладена Байкало-Амурська магістраль.

Цікаві факти
 Хоча Владивосток є кінцевою станцією Транссибу, на гілці на Находку є найвіддаленіші від Москви станції — мис Астаф'єва й Східний порт.
 Транссибом до 2010 року курсував найдовшим у світі маршрутом поїзд № 53/54 сполученням Харків — Владивосток, що долав відстань 9 714 км за 174 години 10 хвилин. З 15 травня 2010 року поїзду скорочено маршрут руху до Уфи, проте зберігалося до 2011 року курсування вагонів безпересадкового сполучення. Найвіддаленішим у світі вагоном безпересадкового сполучення був купейний вагон Київ — Владивосток, відстань 10 259 км, час в дорозі складав 187 годин (або 7 діб 19 годин 50 хвилин). У 2010 році цей безпересадковий вагон був також скасовано, у 2011 році також було припинено курсування поїзду № 53/54 Харків — Уфа та вагонів безпересадкового сполучення Харків — Владивосток. В результаті нині  найдовший маршрут у світі належить поїзду Москва — Владивосток, протяжність рейсу 9 288 км.
 «Найшвидший» поїзд Транссибу № 1/2 «Росія» сполученням Москва — Владивосток. Він проходить Транссибом за 6 діб 2 години. Швидкий поїзд № 99/100 сполученням Москва — Владивосток долає цю ж відстань за 6 діб 19 годин.
 На Ярославському вокзалі Москви, а також у Владивостоці встановлені спеціальні кілометрові стовпи із зазначенням протяжності магістралі — «0 км» на одній грані та «9298 км» на іншій (причому у Владивостоці на знаку написано «9288», ця цифра є вірною).

Галерея

Примітки

Джерела
 Виртуальное путешествие из Москвы во Владивосток
 Транссибірська магістраль — Вебенциклопедія
 Транссибирская магистраль до 1917 г. Библиографический указатель / Составитель С. К. Канн
 Путеводитель по Великой сибирской железной дороге. С-Петербург, 1900 год. Издание Министерства путей сообщения
 В. Распутин. Транссиб (из книги «Сибирь, Сибирь…»)
 Транссибирская магистраль в Живом Журнале
 Trans-Siberian Railroad (railway, Russia)  // Encyclopædia Britannica

Російські залізниці
Мегапроєкти

redpajama_set_name: RedPajamaWikipedia


text:
Commission Decision of 16 September 2005 amending Decision 2004/459/EC adopting a transitional measure in favour of certain establishments in the milk sector in Hungary (notified under document number C(2005) 3455) (Text with EEA relevance) (2005/662/EC)
Changes over time for: Commission Decision of 16 September 2005 amending Decision 2004/459/EC adopting a transitional measure in favour of certain establishments in the milk sector in Hungary (notified under document number C(2005) 3455) (Text with EEA relevance) (2005/662/EC)
There are currently no known outstanding effects for the Commission Decision of 16 September 2005 amending Decision 2004/459/EC adopting a transitional measure in favour of certain establishments in the milk sector in Hungary (notified under document number C(2005) 3455) (Text with EEA relevance) (2005/662/EC).
amending Decision 2004/459/EC adopting a transitional measure in favour of certain establishments in the milk sector in Hungary
Having regard to the Act of Accession of the Czech Republic, Estonia, Cyprus, Latvia, Lithuania, Hungary, Malta, Poland, Slovenia and Slovakia(1), and in particular Article 42 thereto,
(1) Hungary has been granted transitional periods for certain milk establishments listed in the Annex to Commission Decision 2004/459/EC of 29 April 2004 adopting a transitional measure in favour of certain establishments in the milk sector in Hungary(2).
(2) According to an official declaration from the Hungarian competent authority certain establishments have completed their upgrading process and are now in full compliance with Community legislation. Furthermore, certain establishments have ceased their activities.
(3) A limited number of establishments have made considerable efforts to comply with structural requirements laid down by Community legislation. However these establishments are not in a position to finish their upgrading process by the prescribed deadline due to exceptional technical constraints. Therefore it is justified to allow them further time to complete the upgrading process.
(4) The Annex to Decision 2004/459/EC should therefore be amended accordingly. For the sake of clarity, it should be replaced.
(5) The measures provided for in this Decision are in accordance with the opinion of the Standing Committee on the Food Chain and Animal Health,
The Annex to Decision 2004/459/EC is replaced by the Annex to this Decision.
Article2U.K.
Milk establishments in transition
Sector milkActivity of the establishmentsMilk and milk based products
02502 Cosinus Gamma Kft. Sajtüzem, Kunszentmiklós, Bács × 31.12.2005
13513 Drávatej Kft., Barcs, Somogy × 31.12.2005
16518 Dámtej Kft., Tamási, Tolna × 31.12.2005
18520 Gici sajt Kft., Gic, Veszprém × 31.12.2005
OJ L 156, 30.4.2004, p. 68, corrected version in OJ L 202, 7.6.2004, p. 55.


If you wish to comment on new smilies to be added / smilies to be removed, please see The Smilie Suggestion Topic.
Here is a zip pack containing all the Old smilies and the complete Center set.
If there is any on there you want added / re-instated, please say so at The Smilie Suggestion Topic.
If you have any comments, please give them. Sorry for the new Topic, but I felt it deserved a fresh start now that I have completed this Project.
Grand, if you still insist on wanting PACKs, then PM me and we will discuss this next week.
Thanks. See you all on Tuesday.


Medium: Earthenware, glazed and painted with overglaze polychrome enamels raised paste decoration Edward Lycett (American, born England, 1833-1910) Faience Manufacturing Co. (1881-1892). "Vase," 1886-90.
Despite the great beauty of FMCo.'s wares, especially during Lycett's tenure, the company's sole focus on art pottery proved to be its downfall. Producing ornamental wares without a commercial line of goods to offset the expense forced them to cease pottery production in 1890 and reorganize as agents for a French porcelain manufacturer.


Portable Carrying Type Airless Sprayer Electric Airless Paint Sprayer , Find Complete Details about Portable Carrying Type Airless Sprayer Electric Airless Paint Sprayer,Electric Airless Paint Sprayer,Air-powered Airless Paint Sprayers,Spx300 Diaphragm Pump Airless Paint Sp from Spray Gun Supplier or Manufacturer-Yongkang Bright China Imp.& Exp. Co., Ltd.
Iso9001/ce 3gallon Pump Battery Power Sprayer , Find Complete Details about Iso9001/ce 3gallon Pump Battery Power Sprayer,3gallon Pump Battery Sprayer,Battery Sprayer,Battery Power Sprayer from Sprayers Supplier or Manufacturer-Zhejiang Menghua Sprayer Co., Ltd.
Diaphragm 12V. pump have improved with a excellent quality, even the powerd jump in, the sprayer still working well without stopped, because the pump can take out the powerd by itself.
How a Diaphragm Pump Works The pump is driven by an AC or DC motor. In front of the motor is a valve assembly containing two to five valve pump chambers.
(iso9001/ce) Kobold 20l Electric Knapsack Sprayer On Wheels , Find Complete Details about (iso9001/ce) Kobold 20l Electric Knapsack Sprayer On Wheels,Electric Knapsack Sprayer,Electric Knapsack Sprayer,Electric Sprayer On Wheels from Sprayers Supplier or Manufacturer-Zhejiang Menghua Sprayer Co., Ltd.
Trailer Sprayer/water Sprayer/tractor Boom Sprayer With Ce , Find Complete Details about Trailer Sprayer/water Sprayer/tractor Boom Sprayer With Ce,Tractor Boom Sprayer,Tractor Boom Sprayer,Tractor Boom Sprayer from Garden Water Guns Supplier or Manufacturer-Henan Brimful Shine Commerce And Trade Co., Ltd.
SAILFLO 2 Chamber DC Diaphragm Pump FLO Series This series pump can be used for general water transfer, agricultual sprayer pumps, small rain system, or other industry usage.it can use with fresh or salt water or other liquid with weak acid&alkaline is ok.
The liquid pump is diaphragm pump with high pressure and steady runoff,can be operated without water and have long using life span. This sprayer is fitted with tractor 4wd and with rear PTO and perform farm crop's spraying.
All of sprayer machines have SAA, CE, EMC certificates. They are competitive price and quality. Our extension poles 15cm, 25cm, 30cm, 50cm, 60cm, 75cm, 100cm, 180cm, 200cm are also special competitive price and good quality.
Airless paint spray pump products are most popular in Western Europe, North America, and Eastern Europe. You can ensure product safety by selecting from certified suppliers, including 1,132 with ISO9001, 228 with Other, and 28 with ISO14001 certification.
(iso9001/ce)brass Wand 8l Battery Sprayer On Wheels , Find Complete Details about (iso9001/ce)brass Wand 8l Battery Sprayer On Wheels,Battery Sprayer On Wheels,8l Battery Sprayer,Battery Power Sprayer With Wheels from Sprayers Supplier or Manufacturer-Zhejiang Menghua Sprayer Co., Ltd.
A wide variety of tractor sprayers pump options are available to you, such as pump, knapsack, and trigger. You can also choose from free samples, paid samples. There are 3,700 tractor sprayers pump suppliers, mainly located in Asia.
Pump Engine Sprayer, Wholesale Various High Quality Pump Engine Sprayer Products from Global Pump Engine Sprayer Suppliers and Pump Engine Sprayer Factory,Importer,Exporter at .
offers 2,595 iso diaphragm pump products. About 71% of these are pumps, 1% are other machinery & industry equipment, and 1% are aquariums & accessories. A wide variety of iso diaphragm pump options are available to you, such as vacuum pump, axial flow pump, and centrifugal pump.
sprayer, boom sprayer nozzles, garden sprayer, hydraulic boom sprayers, pump sprayer, amphibious boom sprayer, tractor boom sprayer, agricultural boom sprayer, power sprayer More... Favorites Compare Taizhou Guangfeng Plastic Co., Ltd.
A wide variety of air pump paint sprayer options are available to you, such as airless spray gun, hvlp, and high pressure gun. You can also choose from paint spray gun, garden gun, and washing gun. As well as from free samples, paid samples.
Electric airless sprayer products are most popular in Western Europe, South America, and North America. You can ensure product safety by selecting from certified suppliers, including 753 with ISO9001, 147 with ISO14001, and 132 with OHSAS18001 certification.


The altitude profiles of ozone concentration are retrieved from measurements of the volume emission rate in the 1.27 μm oxygen band in the TIMED-SABER experiment. In this study we compare the methods of retrieval of daytime [O3] altitude profile in the framework of two models: electronic-vibrational kinetics and a purely electronic kinetics of excited products of ozone and oxygen photolysis. In order to retrieve the [O3] altitude profile from the measurements of the intensity of the O2 band in the region of 1.27 μm correctly, it is necessary to use the photochemical model of the electronic-vibrational kinetics of excited products of ozone and oxygen photolysis in the mesosphere and lower thermosphere.


2-room apartment "VERDE", for 4 people, 40 m2, on the ground floor, simple and comfortable furnishings. Living/dining room with satellite TV and dining-table. Smoking not allowed. Internet (Wireless LAN [WLAN]). 1 double sofa bed. Sleeping room with 1 double bed. Kitchen-/living room with 2 hot plates, dining table and fridge. Bath/WC. Terrace, terrace furniture. Other equipment.
Simple detached house "CASA DI REKA", built in 2005 from the 21st century. House Equipment: air conditioning. Access & Parking: parking by the house. All-season motor access to the house. Situation: on the outskirts of Ližnjan, sunny position in a residential area. View from the apartment of the garden. Surroundings of the house: grounds (shared use, 420 m2, fenced), garden (shared use), lawn (shared use), barbecue (shared use). Facilities and distances: shop 250 m, grocers 250 m, supermarket 250 m, restaurant 350 m, shingle beach 1.5 km, bathing bay 1.5 km, sandy beach 1.5 km, pebble beach 1.5 km, rocky beach 2.5 km, riding stables 1.4 km, bus stop 290 m. Please note, nearby is a main road in 1 km, railway line in 12 km and ein airport/airfield in 8 km.


Gosh my roots have grown out so much that I may have to start pulling off an ombre look (a very badly done one to say the least). I've been trying to get rid of this blue without using any bleach but it's being pretty stubborn. This is probably the extent I can fade it out so I'm going to just have to try and dye my next colour over it and pray it doesn't turn out a funky shade. Has anyone had any experience dying a warm shade like red or pink over a cool colour like blue or green? I'm no expert to the colour wheel when it comes to hair dyes. Anyway, hair woes aside, I've been digging this style of tie-front top. I'm not sure which brand pioneered the design but ASOS stock this style in a myriad of different prints and colours now (I'll link them all below). It's so great to throw over high-waisted jeans, especially if you're pear-shaped like me, the slightly cropped length is super flattering and it's a tad longer at the back to hide the dreaded jeans gape. Despite how it may appear, you can wear pretty much wear any type of bra with it too as the bow ties hide everything. So yes, I'm officially declaring this the "summer top of 2017"... for what may be left of summer anyway. I've had this Zara bag for over a year now (they came out with it just after Prada launched their blingy straps, kudos Zara) but have hardly worn it because it's so tiny... now that I own an iPhone 7 plus, I can barely fit that in! It's like a freaking game of tetris every single time I need to fish something in or out of the bag... and since I've exhausted every single topic about every single item of this outfit, let's talk about these gorgeous earrings. I wasn't aware of jewellery brand Kestan until I heard one of my favourite youtubers Mei, was doing a collab with them and I proceeded to order a couple of items from their collection including these silver earrings and two other chokers that I'm absolutely smitten with. I love everything about Mei's aesthetic and though I could never dream of being as cool as her, I'm super impressed with this collection and have been eyeing up some other Kestan pieces, very pleased to have been introduced to this brand in general.


The AFL is considering changes to the draft age and cutting the number of players and coaches at clubs as part of an overhaul of football departments.
The number of coaches at clubs or the number permitted to work at games on match day could also be cut as part of the changes being discussed.
The option to increase the draft age by six months and to trim the number of players on club lists to a number yet to be determined are among options being canvassed by the AFL as a way of overhauling club lists.
One of the spin-off effects is hoped to be an increase in the quality and standard of the second-tier feeder competitions. More investment and infrastructure would be required for these state league competitions.
The soft cap on football departments will not have a CPI increase next year and there is a view to go further in years beyond that and reduce the size of the soft cap.
The argument for cutting lists sizes isthat with fewer players on a list you require fewer coaches at clubs and that it is the least talented players that take up most of the time of development coaches at AFL level.
This idea of reducing the number of coaches at clubs fits the AFL atttitude that the game as it is played at the top level is too highly coached.
The first approach by the AFL is likely to be try to cut the football soft cap to put pressure on clubs to reduce the number of coaches.
Another option being considered by the AFL is to reduce the number of assistant coaches who can work on match day.
These options are discussion points at the moment and the issues of game rule changes are a more immediate concern and taking a higher priority at the moment, with the Competition Committee meeting on Wednesday.
The idea of trying to reduce the number of coaches in football departments and or the number allowed to work at games on match day fits the overarching attitude of AFL football operations manager Steve Hocking who said recently that the game had become a highly-coached and regulated contest between two "systems" and it was not a contest of players that decided the result but a contest of coaching panels.


Having followed brother Herman J. Mankiewicz's footsteps into motion pictures, Joseph L. Mankiewicz went from prominent writer to prolific producer to esteemed director over the course of his long career. Along the way, he won a total of four Academy Awards - two for writing and two for directing. Mankiewicz entered the business as a writer, working for Paramount Pictures and later MGM, where he segued into producing. He was finally given a shot at directing after 20 years in Hollywood, and almost immediately earned a reputation as a literate director with films like "The Ghost and Mrs. Muir" (1947) and "A Letter to Three Wives" (1948). He hit directorial peak with "All About Eve" (1950), a showbiz slice-of-life that earned a record 14 Academy Award nominations and won six. From there, he directed the excellent, but little-known spy movie "5 Fingers" (1952) and steered Marlon Brando toward a third Oscar nomination for his performance in "Julius Caesar" (1953). After helming "The Barefoot Contessa" (1954), he helmed the musical "Guys and Dolls" (1955) and personal favorite "The Quiet American" (1958). He later suffered a career setback due to "Cleopatra" (1963), a massively over-budget epic that nearly bankrupted 20th Century Fox. Though he would only direct one more feature, Mankiewicz sealed his legend as an esteemed member of a prominent Hollywood clan.
Born on Feb. 11, 1909 in Wilkes-Barre, PA, Mankiewicz was raised by his father, Franz, a German immigrant who became a teacher, and his mother, Johanna, a dressmaker. At four years old, his family moved to New York City, where Mankiewicz attended PS 64 and Stuyvesant High School. After earning his bachelor's degree from Columbia University in 1928, he worked as a foreign correspondent for the Chicago Tribune in Berlin before moving to Hollywood, where brother Herman J. Mankiewicz had already become one of motion pictures' highest-paid screenwriters. In fact, his brother was head of the scenario department at Paramount Pictures and gave Mankiewicz a $60-a-week writing contract. He actually began his career with a bit part as a reporter in William Wellman's crime drama, "Woman Trap" (1929), before he wrote the intertitles on Victor Fleming's first sound film "The Virginian" (1929), starring Gary Cooper and Walter Huston. Mankiewicz soon wrote scripts for a pair of comedies, "Fast Company" (1930) and "Slightly Scarlet" (1930), before penning the all-star review "Paramount on Parade" (1930), which featured the likes of Jean Arthur, Clara Bow, Gary Cooper, Fredric March and William Powell.
Having found consistent work as a screenwriter, Mankiewicz co-wrote his first big success, "Skippy" (1931), which starred youngest-ever Oscar nominee Jackie Cooper as an enterprising lad who helps his poor best friend (Robert Coogan) raise money for a dog license, only to suffer a shocking tragedy at the hands of a mean dogcatcher. While Cooper made history with his performance, Mankiewicz faired pretty well himself with an Oscar nomination for Best Adapted Screenplay. After co-writing the lesser-known sequel, "Sooky" (1931), he penned the scripts for "Newly Rick" (1931), "This Reckless Age" (1932) and "Sky Bride" (1932), before working with his brother, who served as a producer on the W.C. Fields comedy "Million Dollar Legs" (1932). Following the Paramount anthology "If I Had a Million" (1932), he wrote the black-and-white Bing Crosby musical "Too Much Harmony" (1933), the adaptation of Lewis Carroll's "Alice in Wonderland" (1933) starring W.C. Fields, the crime-themed "Manhattan Melodrama" (1934) with William Powell, Clark Gable and Myrna Loy, and the romantic comedy-drama "Forsaking All Others" (1934), starring Gable, Joan Crawford and Robert Montgomery.
By this point in his career, Mankiewicz had moved away from Paramount in favor of MGM, where he began producing motion pictures like Crawford's "The Gorgeous Hussy" (1936), Fritz Lang's classic courtroom drama "Fury" (1936) and the Crawford comedy "The Bride Wore Red" (1937). He went on to produce Frank Borzage's "Three Comrades" (1938), "The Shopworn Angel" (1938) with James Stewart and Margaret Sullivan, "The Adventures of Huckleberry Finn" (1939) starring Mickey Rooney, and George Cukor's all-time classic "The Philadelphia Story" (1940), with Cary Grant, James Stewart and Katharine Hepburn. Two years later, he produced another Hollywood classic, "Woman of the Year" (1942), a romantic comedy starring Hepburn as a hotshot newspaper reporter who falls in love with and marries a lowly sports writer (Spencer Tracy). It was the legendary screen team's first of many films together. At this point, however, Mankiewicz wanted to move into directing, but had to leave MGM and switch over to 20th Century Fox to do so. After writing and producing "The Keys of the Kingdom" (1944) for Fox, Mankiewicz made his directing debut with "Dragonwyck" (1946), a gothic period drama about the wealthy heir of a feudal dynasty (Vincent Price) who slips into insanity after poisoning his wife in order to marry a distant relative (Gene Tierney).
Now moved fully into directing, Mankiewicz entered the prime of his career, helming a number of classic movies while amassing several Academy Award nominations and a pair of Best Director statuettes by the time he was finished. He directed Gene Tierney and Rex Harrison in "The Ghost and Mrs. Muir" (1947), an adaptation of Josephine Leslie's romantic fantasy novel about a young widow (Tierney) who moves to a seaside cottage where she encounters the ghost of a roguish sea captain (Harrison) and falls in love with him. After directing Harrison in the World War II thriller "Escape" (1948), Mankiewicz began cementing his reputation as one of Hollywood's more literary directors with "A Letter to Three Wives" (1948), a witty comedy about three women (Linda Darnell, Jeanne Crain and Ann Sothern) who are about to embark on a boat trip, only to receive a letter from a mysterious lady informing them that she is about to run off with one of their husbands. The author declines to name which husband she will be joining, leaving all three to examine through flashbacks what exactly went wrong in their marriages. Nominated for three Oscars, including Best Picture, Mankiewicz won two for Best Original Screenplay and Best Director.
Mankiewicz went on to direct the psychological drama "House of Strangers" (1949) starring Edward G. Robinson, and the race-themed drama "No Way Out" (1950), which featured Sidney Poitier in his feature debut. He next helmed his greatest accomplishment, "All About Eve" (1950), a witty showbiz dramedy about an aging Broadway star, Margo Channing (Bette Davis) who takes on a seemingly naïve fan, Eve Harrington (Anne Baxter) as her personal assistant, only to learn that the Eve is using her and everyone else to advance her own theatrical career. Once again, Mankiewicz directed from his own script which featured many unforgettable lines - none better or more famous than Davis warning partygoers to "Fasten your seatbelts. It's going to be a bumpy night." Nominated for an astounding 14 Academy Awards, "All About Eve" took home six Oscars, including Best Screenplay, Best Director and Best Picture. Mankiewicz followed up with the politically themed comedy "People Will Talk" (1951) starring Cary Grant and Jeanne Crain, and the true-to-life spy drama, "5 Fingers" (1952), which earned him his third Oscar nomination for Best Director.
Working with famed producer and actor John Houseman, Mankiewicz directed his first Shakespeare film with "Julius Caesar" (1953), a surprisingly visual adaptation of the historical play that starred James Mason as the reluctant traitor Brutus, John Gielgud as Cassius, and Marlon Brando as the loyal Marc Antony. He next directed Humphrey Bogart in "The Barefoot Contessa" (1954), a biting if rather derivative showbiz drama that depicted Bogie as a down-and-out director who launches a comeback by turning a nightclub dancer (Ava Gardner) into a star. Supporting actor Edmund O'Brien, who played a sweaty publicist, won an Oscar for his performance, while Mankiewicz earned another nomination for Best Screenplay. He went on to direct the musical "Guys and Dolls" (1955), starring Brando, Frank Sinatra and Jean Simmons, and changed the core conceit of Graham Greene's "The Quiet American" (1958), which was originally a polemic against American involvement in Southeast Asia, giving the film a pro-interventionist stance instead.
Up to this point, Mankiewicz had enjoyed a great deal of critical and commercial success, but the first signs of trouble came with "Suddenly, Last Summer" (1959), an adaptation of Tennessee Williams' one-act play about a wealthy Southern woman (Katharine Hepburn) who tries to convince a noted surgeon (Montgomery Clift) to lobotomize her debutante niece (Elizabeth Taylor), who has suffered from serious mental issues ever since the tragic death of her cousin. Williams reportedly despised the script, while Mankiewicz blamed the playwright for mediocre source material. Meanwhile, Clift was suffering from the ill effects of a 1956 car crash that had disfigured his once handsome face, and was increasingly dependent on drugs and alcohol, making him unable to do long takes or even work a full day. Mankiewicz's treatment of Clift was so poor that Hepburn reportedly spat in his face after her last day on set. Despite the innumerable problems behind the scenes, "Suddenly, Las Summer" was a box-office hit, earning Academy Award nominations for both Hepburn and Taylor.
In 1960, Mankiewicz made the career-destroying mistake of taking over production of "Cleopatra" (1963) from initial director, Rouben Mamoulian, who resigned in the early stages of filming. Mankiewicz had jumped onboard a movie that was already several million dollars over budget with no useable footage, since several key actors left for other work. Making matters worse, titular star Elizabeth Taylor fell seriously ill and required an emergency tracheotomy, which shut down the movie. Later production had to be moved from London to Rome in order to facilitate her recovery. Meanwhile, her and co-star Richard Burton engaged in a scandalous affair - both were married at the time - which caused negative headlines worldwide and damaged goodwill further. Mankiewicz was subsequently fired after production, but rehired since nobody could cobble together the footage for a usable cut. He eventually turned in a film clocking six hours, which the studios whittled down to just three over Mankiewicz's vehement objections. When all was said and done, "Cleopatra" - a rather impressive film centered around the love affair between the Egyptian queen and Marc Antony (Burton) - was major box-office flop that almost bankrupted 20th Century Fox. Ironically, the film was the highest-grossing movie of 1963, the only such film to be the biggest money maker of the year to still lose money.
The fallout from "Cleopatra" on Mankiewicz's career was lasting. In fact, he would make only one more studio film, "There Was a Crooked Man." (1970). Meanwhile, he turned to television to direct "Carol for Another Christmas" (ABC, 1964), a modernization of Charles Dickens' A Christmas Carol starring Peter Sellers, Sterling Hayden and Eva Marie Saint. After the low-budget crime comedy "The Honey Pot" (1967) with Rex Harrison, Cliff Robertson and Maggie Smith, Mankiewicz directed "There Was a Crooked Man." before completing his final film. "Sleuth" (1972), a sophisticated double-cross murder yarn starring Michael Caine and Laurence Olivier that earned Mankiewicz his final Academy Award nomination for Best Director. While not comparable to the director's best work of the 1940s and 1950s, the independently produced film was a spectacular showcase for the two actors, who were the only characters in the film. Following "Sleuth," Mankiewicz retired and left the family business to his sons, writer-director Tom Mankiewicz - who would achieve fame as the uncredited but later acknowledged screenwriter of "Superman: The Movie" (1978) - and producer Christopher Mankiewicz. He eventually passed away on Feb. 5, 1993 in Bedford, NY. He was 83 years old.


Located in Venice (Castello), this apartment is within a 15-minute walk of St. Mark's Basilica and Bridge of Sighs. This apartment is 0.5 mi (0.9 km) from Doge's Palace and 0.6 mi (1 km) from St. Mark's Square.
Make yourself comfortable in this individually furnished apartment, featuring a kitchenette with a refrigerator and a stovetop. There's a private furnished balcony. Conveniences include a microwave and an iron/ironing board, and you can also request a crib/infant bed (surcharge).


You earn a one-time referral fee so long as your referral stays with us for 60 days and when the accumulated commission exceeds $75. Commissions are calculated on or around the first of every month and paid out by the 10th of each month via PayPal. Please allow 3-5 additional working days for PayPal processing. E.g., www.yourclient.com signed up via your link on March 20th and has stayed with Superb for 60 days, until May 19th. Your commission will be sent out on June 10th and deposited into your PayPal account by June 15th.
How long do I get monthly recurring payouts for each customer I bring in?
You will receive monthly recurring payouts for the lifetime of the customer's account. In other words, as long as the customer remains with Superb, you will continue to receive your ongoing payouts.
Will my recurring payout change when a customer upgrades their account?
Yes. Since your recurring payout is based on the MRR of the customer, your monthly payout will adjust based on the new MRR of the customer. This means that your monthly payout will increase if the customer's MRR increases (i.e. upgrades their account or orders additional servers in the future).
Do I have any other payment options other than PayPal?
myCP® is a control panel that you can monitor click-throughs to the Superb sites, new sign-ups, and your commissions. It is easy to use and accessible 24 hours from anywhere in the world. Remember the email and the password you provide when you sign up. These are your ID and password when you log into your myCP®.
What is a Tier 1 and a Tier 2 commission?
Tier 1 is a referral commission when a new sign up occurs through you. Tier 2 is a bonus. If any of your click-through visitors also sign up as an affiliate and earn commissions, YOU will receive a one time payment of 15% from their commissions.
I forgot my ID and password for myCP®. What should I do?
Please email us at affiliates@superb.net and give us your name, affiliate number, and paypal account email. If you forgot your affiliate number, go to the ads you placed on your site, blog, or email and check out the link URL that is attached to the ads. You will see a 1 to 4 digit number at the end of the link URL. That is your affiliate number.
I happened to sign up twice. How can I cancel one of the accounts?
Please email us at affiliates@superb.net and give us your name, affiliate number, and paypal account email and tell us which account you like to keep. It is okay to have two or more accounts, but it is easier for you to manage one. Also, the accumulated commission should be over $50.00 to be paid out. So it is better have all commissions in one account than to have small commissions spread out in various accounts.
Choose our popular one-time payout option and earn up to 120% in commissions.
Join our affiliate program directly and earn up to 15% recurring commission of the customer's monthly payment for the lifetime of the account. Best of all, if customers upgrade and grow their accounts with us, your monthly recurring payouts will also increase.


text:
Friedman, J., Brown, S., & Finkbeiner, M. (2013). Linking cognitive and reaching trajectories via intermittent movement control. Journal of Mathematical Psychology, 57(3-4), 140–151.
Abstract: Theories of decision-making have traditionally been constrained by reaction time data. A limitation of reaction time data, particularly for studying the temporal dynamics of cognitive processing, is that they index only the endpoint of the decision making process. Recently, physical reaching trajectories have been used as proxies for underlying mental trajectories through decision space. We suggest that this approach has been oversimplified: while it is possible for the motor control system to access the current state of the evidence accumulation process, this access is intermittent. Instead, we demonstrate how a model of arm movements that assumes intermittent, not continuous, access to the decision process is sufficient to describe the effects of stimulus quality and viewing time in curved reaching movements.
Keywords: Decision making; Diffusion model; Reaction times; Arm movements; Submovements
https://refbase.nfshost.com/show.php?record=70
Zopf, R., Truong, S., Finkbeiner, M., Friedman, J., & Williams, M. A. (2011). Viewing and feeling touch modulates hand position for reaching. Neuropsychologia, 49(5), 1287–1293.
Abstract: Action requires knowledge of our body location in space. Here we asked if interactions with the external world prior to a reaching action influence how visual location information is used. We investigated if the temporal synchrony between viewing and feeling touch modulates the integration of visual and proprioceptive body location information for action. We manipulated the synchrony between viewing and feeling touch in the Rubber Hand Illusion paradigm prior to participants performing a ballistic reaching task to a visually specified target. When synchronous touch was given, reaching trajectories were significantly shifted compared to asynchronous touch. The direction of this shift suggests that touch influences the encoding of hand position for action. On the basis of this data and previous findings, we propose that the brain uses correlated cues from passive touch and vision to update its own position for action and experience of self-location.
Finkbeiner, M., & Friedman, J. (2011). The flexibility of nonconsciously deployed cognitive processes: Evidence from masked congruence priming. PLoS ONE, 6(2), e17095.
Abstract: Background
It is well accepted in the subliminal priming literature that task-level properties modulate nonconscious processes. For example, in tasks with a limited number of targets, subliminal priming effects are limited to primes that are physically similar to the targets. In contrast, when a large number of targets are used, subliminal priming effects are observed for primes that share a semantic (but not necessarily physical) relationship with the target. Findings such as these have led researchers to conclude that task-level properties can direct nonconscious processes to be deployed exclusively over central (semantic) or peripheral (physically specified) representations.
Principal Findings
We find distinct patterns of masked priming for "novel" and "repeated" primes within a single task context. Novel primes never appear as targets and thus are not seen consciously in the experiment. Repeated primes do appear as targets, thereby lending themselves to the establishment of peripheral stimulus-response mappings. If the source of the masked priming effect were exclusively central or
peripheral, then both novel and repeated primes should yield similar patterns of priming. In contrast, we find that both novel and repeated primes produce robust, yet distinct, patterns of priming.
Our findings indicate that nonconsciously elicited cognitive processes can be flexibly deployed over both central and peripheral representations within a single task context. While we agree that task level properties can influence nonconscious processes, our findings sharply constrain the extent of this influence. Specifically, our findings are inconsistent with extant accounts which hold that the influence of task-level properties is strong enough to restrict the deployment of nonconsciously elicited cognitive processes to a single type of representation (i.e. central or peripheral).


Server sent passive reply with unroutable address <INTERNAL IP ADDRESS>, using host address instead.
I'm not too sure what is causing this because if I switch to just FTP with no encryption the connection works without issue, any ideas?
You may want to also read the whole articles linked above, not just the respective sections.
Under FTP Firewall Support in IIS data channel port range is set to 5000-5100 and has the companies public IP address of their firewall.
I have restarted the Microsoft FTP service and it won't connect from an external location with the same error message.
If you connect from a computer internally it works fine.


Four were killed when a speeding van crashed into the back of a lorry at Kokavil in Kilinochchi yesterday. The driver of the van had lost control of the vehicle due to speeding, police said.
The deceased were Navaratnam Arun (24) of Alvai, Chandrasekaran Jeyachandran (36), Sinnamutturai Krishnarupan (19) of Jaffna and Sivasubramaniam Sindrajan (19) of the Jaffna junction.
Another victim Thavarangan (19) is being treated at the Jaffna hospital.
The bodies of four victims were handed over to their relatives following the post mortem.
The police said the van had been travelling at an excessive speed and the driver had failed to control it.


Q. Nick, how much thought did you give to who would get the Cup, when did you start thinking about it, and why Dallas Drake?
NICKLAS LIDSTROM: I started thinking about it actually in the first round. I didn't tell anyone about it. But I started thinking about if we were to go the whole way, who should be the guy I gave it to first.
And looking at all the players on our team, Dallas is one of the first ones I played with. He came in the year after I did. He's been in the League for 16 years.
He had a long, good career. And he had never been to the Finals before. So it felt natural to me to give it to him for all the effort and hours and everything he's put into the game, and not having a chance to hoist a Cup yet.
Q. What does this mean to you? Is it any different being the captain of the team that wins Is there any different significance to this, how that felt being the first guy to get the Cup?
NICKLAS LIDSTROM: It felt great being the first guy to touch the Cup on our team. Otherwise it felt the same as winning the previous ones, where you're so happy with the end result. You start training camp with a goal, and that is to win the Stanley Cup.
You talk about it throughout the season and the way you have to play to be able to be successful in the playoffs. And we had a good regular season, and we were able to carry that into the playoffs, too, and so that's something I'm more proud the way the team played in the playoffs, too.
It was a tough loss last year against Anaheim in the conference finals, but most of the guys were on that team last year. And this time around, I thought the team really responded well to some of the adversity we faced throughout the run.
Q. I know you didn't want to talk about it too much until you got it, but now that you are the first European born captain to lift this trophy, what does that mean to you?
NICKLAS LIDSTROM: It's something I'm very proud of. I've been over here for a long time. And I watched Steve Yzerman hoist it for three times in the past, and I'm very proud of being the first European. I'm very proud of being a captain of the Red Wings. So much history with the team and great tradition and we see some of the older players coming through, so I'm very proud to be the captain. And I'm very proud to finally be able to win the Stanley Cup, too.
Q. Can you just talk about the effort the Penguins gave you guys tonight and throughout the series?
NICKLAS LIDSTROM: They earned the spot to be in the Stanley Cup Finals. We watched them throughout the playoffs. They've been playing real well. And one of the things we said going into facing them, that we have to shut down their offense. Try to eliminate their scoring chances, and cut down on their scoring chances, especially the top two lines that they've had. They've been so good offensively, that if we can play tight defensively, we have to get our chances on the offense end. Tonight I thought was a great example of playing real strong defensively, but we took the play to them, too. We tried to be on the offense more than sitting back and playing defense. And tonight I thought it worked well for us.
Q. What does it say that this team in the last 11 seasons under two completely different economic systems has won four Stanley Cups?
NICKLAS LIDSTROM: We've proven that under the new system where it's more of an even playing field, that the team has really responded well. We've had the same core group of guys, four, five, six guys for a lot of years. And I think that's been very helpful to keep that core group and add a few players every year.
But it shows that we're still able to play well with the new system. And people probably thought we were going to drop off a little bit going into that first season after the lockout, and the team didn't lose a beat. I thought we played well in the first year after that. And I think we've just been getting better and better under Mike Babcock.
Our system has been working real well for us. But I think as a team we've really beared down and are playing in the system well.
Q. What was it about this team that enabled you to bounce back after losing such a crushing game in Game 5? You had done it in the previous series as well, what was the quality of this team that allowed you to do that?
NICKLAS LIDSTROM: I think experience has a lot to do with that. We have some young players, but when you have some players that have been through it before, they know what to expect. And I think that gives the whole team some calmness, too, that we're not going to panic. We're going to go out there and try to play our system and play, stick to our game plan. But the main thing is that we didn't get rattled. I thought we looked a little tentative in Game 5, in that first period in Game 5. You talk about not thinking ahead and kind of put all the distractions away, but it's in the back of your mind, they're still there a little bit.
I think that showed in Game 5, in the first period. Once we got going, we played a lot better in that game. But losing that in triple overtime, I thought the team did a good job of putting that behind us. Coming here yesterday on the plane everybody was relaxed. We felt confident as a group. And I felt like that showed in that first period, too, the way we played in the first period tonight.


Technical Digest will be down loaded from AM8:00 of Dec. 11th.
ID and Password will be provided at the conference.
Copyright ©2017 Institute for Photonics-Electronics Convergence System Technology. All Rights Reserved.


We are looking for excellent makers, unique designers and new trends, successful craft and interiors bloggers and recognised brands.
We are interested in all areas of 'lifestyle' publishing, but bear in mind that illustrated books require huge home sales figures or large international market in order to justify the high production costs.
We are delighted to be extending our representation towards a select few artists and illustrators, as the upsurge in interest in creativity and analogue activities is encouraging more people to take up pen, pencil and paintbrush.


Hospital had already invested in creating a partially functioning disaster recovery infrastructure, however two attempts to test DR center had failed miserably in the past, resulting into complicating the relationship between management and vendors. Valency Networks was approached for consultancy in this matter to repair or improve DR site operations.
A map diagram in terms of network and data point connectivity was created.
Another dummy test was asked for, and performed without making any change to production and DR site. As expected, the test failed and multiple logs were captured.
Captured logs were studied to reveal incorrect storage configurations, incorrect network design, and missing application tune-ups which were supposed to be vital for the DR test to succeed.
A two plan was created to fix the findings. The first step was to fix problems and make DR test a success.
The second plan was to improve DR Failover and failback performance.
. Both test results were successful and recorded. Hospital asked for design changes to accommodate their internal web server and file servers.
DR design was updated, implemented and failover tested.
A training session was performed for hospital's IT staff to impart them with DR knowledge and best practices.
Hospital's IT management could free up manned resources looking after DR situations and use those in other productive areas.
Assurance of data availability for critical medical equipments and for doctor's reference, was achieved.


text:
Election 2020PoliticsEducationHousingImmigrationCriminal JusticeSilicon ValleyCaliforniamore
CoronavirusClimateEarthquakesDeep Look Videosmore
Critics' PicksAffordabilityCultural CommentaryFood & DrinkArts Videomore
SOLD OUTTruth Be ToldBay CuriousPolitical BreakdownRightnowishConsider Thismore
TV Daily ScheduleTV Weekly ScheduleTV Monthly ScheduleOn KQED TV GuideFilm School ShortsCheck, Please! Bay AreaTruly CAKQED Newsroommore
Support KQED
Campaign 21MembershipGift PlanningCar DonationDonor PortalVolunteer
How to Use YouTube Video Essays in the Classroom
Tanner Higgin, Common Sense Education
( YouTube/Vox)
Like many of you, I've been thinking a lot lately about how we can better prepare students to be thoughtful, responsible, and critical consumers and creators. While I don't have all the answers, I've come to one conclusion: Media-literacy education must deal with YouTube. Ninety-one percent of teens use YouTube. That's 30 percent more than use Snapchat (61 percent), the next closest social media competitor, and even more than use tech we think of as ubiquitous, like Gmail (79 percent).
What's more, YouTube is a unique beast and can't just be tacked on. It has its own celebrities, culture, norms, and memes and has even given rise to the dreaded "YouTube voice." But what I find particularly fascinating is that YouTube has its own genres and types of videos. One of these -- the video essay -- is something I think can be a great tool for media-literacy education. Here's why.
What Are YouTube Video Essays?
YouTube video essays are long-form (relative to many other internet videos) critical videos that make arguments about media and culture. They're usually meticulously narrated and edited, juxtaposing video footage, images, audio, and text to make an argument much like a writer would do in a traditional essay. As former YouTube talent scout Jeremy Kaye puts it, video essays "take a structured, in-depth, analytical, and sometimes persuasive approach, as opposed to the quick 'explainer' video style."
Why Are They Great for Learning?
It's easy to dismiss a lot of what circulates on YouTube as frivolous, silly, or even obnoxious, but video essays are the opposite. They demand students' attention but not through cartoonish gesturing, ultra-fast editing, and shock value (which even some of the more popular educational YouTubers fall prey to) -- there's room to breathe in these essays. To capture attention, video essays use a time-tested trick: being flat-out interesting. They present compelling questions or topics and then dig into them using media as evidence and explication. This makes them a great match for lessons on persuasive and argumentative writing.
But what I really love most about video essays is that they have something at stake; they ground their arguments in important cultural or political topics, exposing the ways media represents gender or race, for instance, or how media evolves over time and interacts with the world at large. Most importantly, video essays model for students how YouTube can be a platform for critical communication.
How Can They Be Used in Classrooms?
First, a caveat: Most of the channels below offer content that'll work best in an upper-middle or high school classroom. Some videos can also be explicit, so you'll want to do some browsing.
Conversation starter or lesson hook: Many of these videos serve as great two- to 10-minute introductions to topics relevant to classrooms across the curriculum.
Active viewing opportunity: Since video essays present often complex arguments, invite students to watch and rewatch videos and outline their theses, key points, and conclusions.
Research project: Have students find more examples that support, or argue against, a video's argument. Students could also write a response to a video essay.
Copyright lesson: Video essays are a great example of fair use. Show students that by adding their own commentary, they can use copyrighted material responsibly.
Assessment: Have students create their own video essays to demonstrate learning or media-creation skills like editing.
Channels and Videos to Check Out
Nerdwriter
This is an eclectic channel that's hard to pin down; basically, the video topics focus on whatever intrigues the channel's creator, Evan Puschak. There's everything from analysis of painting, to MLK's "I Have a Dream" speech to the history of the fidget spinner.
Vox runs the gamut of issues in politics, culture, and pop culture. Their explainer-style videos can serve as conversation starters, and since they published multiple videos a week there's no shortage of choices. Also, make sure to check out their playlists offering essays on everything from music to climate change.
Noisy Images
This channel does a masterful job of uncovering the layered meaning -- social, political, and cultural -- in music and hip-hop. While most of these videos are mature, and only suitable in very particular high school contexts, there's brilliant work on everything from the poetic rhythms of the hip-hop group Migos to Kanye West's stagecraft to music video minimalism. Any one of these videos could inspire a great lesson or unit.
Lindsay Ellis
Video essays are just one thing Lindsay does on her channel, and she's really good at them. Her videos often deal with heady topics like "the other" but boils them down in accessible ways. She also isn't afraid of throwing in a few jokes to keep things interesting.
There's tons here focused on music with a specific emphasis on hip hop lyrics. One of my favorite series is called Deconstructed. While Deconstructed videos aren't typical video essays, they present color-coded breakdowns of the rhyme schemes in hip-hop tracks. Students could apply this technique to their favorite songs or poems.
Every Frame A Painting
This now defunct channel has 30 videos with some of the best film analysis on YouTube. If you're looking to help students analyze the language of film, this is the channel to check out. One of my personal favorites focuses on the work of a film editor.
Kaptain Kristian
Kristian focuses a lot on cartoons and comics which is a nice entry point for younger kids. His videos each touch on big ideas in storytelling. For instance, his examination of Pixar movies delves into their rich themes that break the often rote themes of other animated movies. This video would pair well with creative writing or literary analysis lessons.
CGP Grey
One of the more long-running essayists on YouTube, CGP Grey has a fast-talking style with a lot of animation, but does a good job of answering head-scratching questions like, "What if the electoral college is tied?" or explaining complex issues like copyright in a digestible way.
Lessons from the Screenplay
While this channel focuses on how screenwriting underpins film, the lessons offered in each of this channel's video essays are broadly applicable to the craft of writing in general.
Kogonada
I saved this one for last because it's the least traditional. Kogonada is a former academic turned filmmaker who gained popularity through his Vimeo video essays that, for the most part, elegantly edit together film clips without any narration. These videos are great if you're teaching video and film editing class or film appreciation/criticism. Creating a narration-less video would be an excellent final project for students.
https://vimeo.com/kogonada
Tanner Higgin is Director of Education Editorial Strategy at Common Sense Education, which helps educators find the best ed-tech tools, learn best practices for teaching with tech, and equip students with the skills they need to use technology safely and responsibly. Go to Common Sense Education for free resources, including full reviews of digital tools.
Subscribe to receive weekly updates of MindShift stories every Sunday. You'll also receive a carefully curated list of content from teacher-trusted sources.
Thanks for signing up for the newsletter.