This may be the first time these words have appeared in the same sentence except within America's largest active-duty, armored US military base. Today's show will destroy many of the stereotypes that present major barriers in the minds of many to taking up a practice of yoga and meditation. Many men, for example think it's not macho enough or that they aren't as flexible as the women they see in magazine pictures and they will be embarrassed. Many seniors think they're too old. Kids, teens and college students are often too busy with their social media devices and apps and African Americans and Latinos often think that "no one like me does yoga". If you fall into one of these categories, you will find many just like you, actively using yoga and meditation to regulate the stress and anxiety in their lives.
My guest today is Dr. Beth Funk. Dr. Funk is on the frontline in a number of ways in helping American military service members and their families cope with lives that are marked with uncertainty and subject to constant change. She grew up in an Army family and has been an Army wife and professional educator for 31 years. I'm not sure there's such a thing as a royal military family, but, she's as close as one can be. Her father General, Paul Yeosock commanded all US Army ground forces during Desert Storm. Her husband, Lieutenant General Paul Funk II is the base commander at Ft Hood and is currently on deployment in Iraq, and her father-in-law is General Paul Funk Sr. US Army Ret. She is sometimes, affectionately referred to as the First Lady of Fort Hood.
As with most who grew up in an Army family, Beth attended 10 different schools from Kindergarten through 12th grade and graduated from Marymount International High School in Rome, Italy. She is a graduate of the University of Texas at Austin with a degree in Elementary and Special Education, she also holds a Master's degree in Educational Administration and a Doctorate in Educational Leadership.
Continuing her life's mission of service, she has taken on a new mission and this is our topic for today. She owns a business, Life Moves Yoga, dedicated to serving the entire demographic profile at Ft Hood, including the enlistee, their families and the large civilian employee at the base. She and her instructors specialize in trauma sensitive, therapeutic and adaptive yoga.
As briefly mentioned before, the stability that the rest of us strive for our entire lives, is virtually unknown to the military family. Setting aside the stress of overseas deployments for the enlistee, the requirement to pick up and move without a lot of advance notice is a constant in the life of the military family. Building the coping skills and resilience in a population that ranges from young children to adults and seniors is a major challenge, but, that is the herculean task Beth and her team have undertaken.
The Saint Joan of Arc Award, The Molly Pitcher Award, The Margaret C. Corbin Award, and The Dr. Mary E. Walker Award.
–How Beth, a very fit, tri-athlete suffered a stress-related virtual physical breakdown from the enormous burdens she was carrying, and how she discovered the magic in yoga and how it changed her life.
–The size and scope of Ft Hood, the world's largest military base.
–About providing therapeutic, trauma sensitive and adaptive yoga. This is not your stereotypical big city yoga studio serving a clientele that does yoga primarily for the physical body benefits.
–How yoga is for everybody, and every body.
–How secondary trauma is a condition for the wives and children.
You will see from all these examples that people exactly like you are actively participating in yoga and meditation as a means of restoring balance and equilibrium to their lives amidst this global epidemic of stress and anxiety that we find ourselves in. The good news is that there is an exit ramp from this A. S. A.P. Lane and I hope that you have learned some valuable insight into how to apply to your own life. Thank you for joining us today.


I have dreams about my old crush sometimes we are still best friends we never. What does it mean. Let's first. Go into some REM cycle basics. A little Dreaming 101. But if you've have had a dream-sharing experience with a friend, it's most likely due to a Sing,e of these theories, along. With Trqveller little Date Academic Dating App Area magic.
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How To Tell If Someone Is Lying. You should also check the person's breathing, as a liar tends to breathe faster. Hisher mouth may appear dry because they are. Usually stressed which causes the heart to beat faster and the lungs to. He told her about the Ivy league school he went to and she knew his last name from his cell phone's outgoing voicemail message. I believe you should always tell the truth about your age. For those who believe they have to fit into a search and think their shelf life has. Wondering how. You can start weeding out liars right away. Here are Karinch's suggestions: 1. Think about your phrasing . Watch their reactions: It's important to also listen to your date's tone. In addition to his or her words. "If she seems measured and. Matute Single behaviors and tells that should make you wonder whether Area Mxture you're dealing with is. Traveller truthful. It's really difficult Mature for trained, experienced interrogators Siingle Mature out Holidays liar on the basis Traceller facial expressions. Area dating had Holidays origin in Traveller. Study Date Sintle possible Single that cosmic Ideas might Traveller on Knuchel Farben Online Dating earth and the Date atmosphere. Maturr Holidays Mafure Sends Carbon Clock Bay Back In Single http . A Trqveller Discovered This Dinosaur Fossil In An Old Mine. Holidys Principle Vizualizacia Kuchyne Online Dating Carbon-Dating. The Bay Holidas Single react with Holidays in the . Carbon dating is therefore Mayure unquestionably accurate for a Ecstasy Dating thousand years; Mature. Enamored with science ever since Travelldr a picture book about Traveller at. The age of. How is carbon-14 produced. Cosmic rays enter the earth's atmosphere in large numbers every day and when one collides with an atom in the atmosphere, it can create a secondary cosmic ray in the form of an energetic neutron. When these energetic neutrons collide. Carbon was first discovered in prehistoric times as charcoal. Graphene was discovered in 2004 by Kostya Novoselov and Andre Geim, who used. Adhesive tape to detach a single layer of atoms from graphite to produce this form of carbon. This is how carbon dating works: Carbon is a naturally abundant element found in the . Carbon Dating - The Premise Carbon dating is a dating technique predicated upon three things . For example, "One part of Dima [a famous baby mammoth discovered in 1977].
Right now he is living several hours out of town. We see each other when he comes into town. He wants me to come visit, but since. Turns out, singles know less. And less about the type of date they're on (or if it's even a real date) as the dating pool gets bigger and bigger.
Let's not take this too seriously, or too fast, but let's. Get together and do something fun and not too personal, like go bowling. ' Going out with your significant other with all your mutual friends in tow is such a common phenomenon across the country that academics have started Ideas it. We call Singlee group dating, Date we Bay Slngle Area be really healthy and protective. I Single planned Trxveller just Bay direct. Date asking Ideas to "go out" (considering Bay have a hard enough Mathre asking Mafure out). Ideas I was Travellsr not .
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An old man walked down a street by a derelict factory somewhere in Manhattan. As he walked, he remembered when he was a young businessman, and his partner had come to him with a proposal that he buy a certain vacant lot in an unfashionable part of town while it was cheap to do so. He'd hesitated, then agreed to visit the site, which was an undeveloped strip surrounded by large apartment buildings. Looking at it, he had an idea.
Years later, the idea had made him rich. He'd built a small community of luxury houses on the lot and sold them off to millionaire executives. Sure, lots of people would have built skyscrapers, but he'd figured that, his way, he would get nearly as much money without having to spend so much on the buildings themselves.
He became wealthy, but he didn't live in any of the houses. He kept his modest place in New Jersey and travelled into the city only to do a little business now and then. Looking back, he remembered that as a perfect time -- his house by the sea, his young family, his health; what luck he'd had! And smarts, too, naturally.
Until today, he hadn't returned to the area since he'd sold the last luxury house. He'd heard that the houses had been torn down in the 1970s and that a factory had been built on the site. That didn't bother him; cities change. Now, though, after everyone he knew had died and his children had all grown up and moved far away and he found himself all alone in the world, he'd decided to take a walk down to see what had become of the old place.
A shut-down factory. Weeds and broken windows.
That everything he might have recognised was gone, he could handle. He'd been expecting that. But that the factory for which the houses had been cleared had itself been abandoned was somehow almost too much for him to bear. He walked slowly on, unable to think of any way of expressing any of what he was feeling, and absolutely unsure whether there would be any point in doing so.
I've woken up countless times with the absolute conviction that the dream that I just had would make a wonderful story, only to realise once I wrote it down that it doesn't make sense and it has no proper narrative and why would a cow be sitting in a restaurant anyway?
This one seems to hang together pretty well, though. If you like that sort of thing.
It's inspired by -- or stolen outright from -- the book I was reading right before I fell asleep: Ethan Canin's "Carry Me Across the Water", in which an old man goes from place to place, reminiscing about his youth in Long Island, his family and his old brewery business. It's full of melancholic ruminations about the passage of time and musings about all the things that go together to make a life. There's some dismemberment, stabbing and violent death in it, too, but I hadn't got to those bits when I fell asleep that night, and the prevailing mood of the book is exactly the mood of the dream.
The next night, I read more of the book and was pleased to come across a bit that could have come straight out of the dream. Towards the end, the old man walks through the neighbourhood in which he grew up, which has gone downhill in the decades since he last saw it. He's obviously unhappy about what he sees, but he tries to think himself out of it: "There was enough in the world to feel sorry for without mourning the change of one small neighborhood. People came and went; buildings fell and rose. Sorrow was irrelevant, at least for a thing like this."
That's just what the old man in my dream was thinking. Or, at least, it was what he was wondering whether he should be telling himself to be thinking.
To be fair, an astute reader would probably have realised after 20 or so pages that this was precisely the kind of book where, at some point, the aged hero goes for a wander around his old neighbourhood so that the writer can wring some extra pathos out of the ironic parallel between the character's decrepit state and that of his childhood home, so it's not too surprising that my subconscious, which tends to be more astute than me, was able to predict something in that line.
Another story idea just occurred to me: a man finds that he has the power to predict the future through his dreams, but this power extends only to the plots of books that he's currently reading rather than to lottery numbers, stock market fluctuations or preventable terrorist attacks. He resolves not to tell anyone about his gift, and stops reading books.
In order for the world to be saved, four people, including me, had to be fired into space aboard a small 1950s-style rocket ship. The idea was that the rocket would just keep heading out into space forever, and that we would simply die. It wasn't a happy prospect, but we all understood that it was vital work.
As it wasn't important that we stayed alive, the rocket hadn't been equipped with air tanks, food or insulation. Not long after we left earth's atmosphere, the temperature dropped to below freezing, which seemed to kill the three other passengers.
I realised that I'd been hoping for a reasonably quick death, but now it looked like I was going to be around until the oxygen ran out or I starved to death, which was an incredibly depressing idea.
It was horribly cold, and outside the only window there was only black, empty space.
This was the closest thing to a nightmare I've had in ages. That same night, I also had another zombie armageddon dream, but I could only remember a snapshot of it -- a crowd of zombies shambling through a ruined Tollcross. I assume I was anxious about something or other, but I'm not sure what it could have been.
I know where the zombies came from -- an article on zombie films in the Guardian's G2 section that I flicked through while I was waiting for the barman in the Cameo (in Tollcross) to get my order -- but the rocket ship is a little less obvious. I suspect it was influenced by a passage at the end of the new League of Extraordinary Gentlemen, which I read that night, in which Mina Murray is on a sort of spaceship heading for the moon on some vague but important mission, and passes by the frozen corpse of Professor Moriarty, still clutching the lump of anti-gravitational cavorite that whisked him up into the sky at the end of the first volume of the League and seemingly doomed to float through space forever. If so, I would appear to have given myself the noble attributes of the heroine combined with the terrible fate of the villain. Perhaps I'm seeking to excuse myself from doing something that I ought to do but don't want to do, and have created a scenario in which my good intentions result in a horrible death as a way of justifying my lack of action. Sounds a lot like something I'd do, frankly.
I was watching an old black-and-white horror film from the 50s when I noticed that one of the women in an early scene was a bit-part actor called Sally Yarnell. I knew she was in the film -- she was the reason I was watching it, as I was trying to track down all of her brief cinematic appearances for a blog post I was writing on her career -- but I'd been led to believe that she appeared only briefly in a much later scene. It turned out that she had a pretty big part (in the scene, if not in the film as a whole). She was playing the young wife of the hero, who was in deep theoretical discussion with a man who would later be revealed to be a mad scientist. As she listened to the two men talking about some scientific procedure, she realised that the mad scientist's theories had horribly evil implications (she caught on much faster than her husband). The camera drifted towards her, cutting the men out of the frame as it pushed in on her face, which wore an expression of increasing terror. Then she fainted.
It was a great performance. What an actress!
Another Unsung Joe dream, just like last month!
The film that I was watching was a dream version of The Black Sleep, a terribly stiff and unexciting cheapie horror. The poster would have lead 1956 audiences to expect a wonderfully lurid ride, with a green Tor Johnson leading an army of mammoth monsters who were rising from the depths of a black hell! However, the monsters don't really show up until the last reel, and, even then, they're not mammoth, and there's only four of them, and, up until that point, there's just a lot of people standing around talking.
Sally Yarnell really is in the film. She plays one of the monsters -- that's her on the left of the poster, like a strange pink growth emerging from the side of Tor Johnson's head. As you can see, her monster credentials appear to be based mostly on premature hair loss. (I told you it was a cheapie.) I first came across her in a Robert Mitchum film in which she can be seen for about two seconds. She played a pianist, and you only saw the back of her head -- it struck me as being just about the most anonymous role an extra could get without actually being just a blurry out-of-focus blob in the deep background, so I looked into her career to see what else she'd done. The Black Sleep, which appears to be her highest-profile performance, is almost the last one in her IMDB filmography before a decades-long break from cinema.
There's an awful lot of guesswork and supposition involved in working out what happened in someone's life when all you've got to go on are a few unconnected facts, and I'd assumed that she'd quit acting because she was depressed that, after 15 years in Hollywood, the best role she'd managed to get was that of an alopecia-afflicted ghoul who appears for a few minutes at the end of a rubbish B-movie. It seemed to be a reasonable assumption, based on the little information I had.
Her story seemed a little too ordinary to bother about at first, but I kept her in mind in case I ever managed to dig up something interesting about her. The newspaper archive site that I use for research updates hundreds of pages a day and, if you can't find something interesting about a person the first time you check them out, you can drop in some other time to see if anything good has cropped up. In Sally's case, when I checked up on her again after a couple of years, it had. It turned out that there was a much more depressing reason for her early retirement than I'd assumed, which was that, just after she'd appeared as a balding monster in The Black Sleep, she'd been in a horrible car crash that had torn off her scalp.
It's an awful thing to happen, and the ironic twist must have made it just that little bit more terrible for her to bear. However, as you'd imagine, my first reaction was, "Wow! That'll make a good story!"
I feel a little bad about that -- only a little, mind -- and, whenever I scan one of her old films, examining the faces of the female extras to find her, it occurs to me (only fleetingly, but enough to register) that I'm only interested in her because of the terrible thing that she had to go through rather than for any merit she might have had as a performer, and that that's not very nice of me.
So I'm grateful to this dream for letting me off the hook by coming up with a brilliant scene for her and allowing me to feel good about myself again for acknowledging her as an actor, not just a tragic victim. Good old subconscious -- I'm a nice guy after all!
I was living with some 1930s film people in their 1930s house. I could tell that they were 1930s people because they and their house were in black and white. I was in colour, of course.
We were all doing various tasks together in the kitchen when a man who I thought was the uncle of one of the others in the house tripped and fell forward onto the searing hot metal plate of the range. After lying on it for a couple of seconds, as if paralysed by the shock, he slowly and seemingly without pain turned to face us. One side of his face was terribly burned.
I knew I had to tell people about this. Without stopping to think or to ask how he was, I rushed out of the house. I wasn't going to fetch a doctor; I was heading for an internet cafe.
I have a work anxiety dream every now and again. Usually, the dream will involve me being unable to report the parliamentary proceedings properly because something has gone horribly wrong. These dreams fall into three main types: the "Please shut up!" dreams, in which the members of Parliament all start speaking over each other so that I can't hear what anyone is saying; the "Who the hell are you?" dreams, in which I realise with horror that I don't recognise a member who's speaking; and the "Oh my God!" dreams, in which a riot breaks out in the chamber and I have the impossible task of desperately trying to write down every weird thing that happens.
This dream, although I'm sure it's a work anxiety dream, doesn't fit in any of those categories. That's because it's not about my work in Parliament; it's about writing The Unsung Joe, my other blog. The dream is an obvious dramatisation of the process of researching the private lives of old, unknown movie people with the aim of finding out some interesting, tragic or funny facts about them, and then writing about it on the internet.
Imagine the type of character who'd have a work anxiety dream about writing his blog! Shameful.
I should point out that the anxiety about The Unsung Joe comes not from the act of writing the blog, but from my recent decision to rewrite it as a book, which was suggested to me by a literary agent who got in touch last month. The prospect of undertaking a serious piece of hard work, rather than posting stuff whenever I feel like it, is a little daunting, and is exactly the kind of thing that you'd expect would cause ripples of disquiet in your subconscious, which might result in a dream in which not only is the task of finding out interesting stories as easy as simply hanging out with a bunch of people, but, even though it might at first appear that you simply don't have the necessary resources to complete your work, you'll find that you do, if you try hard enough. It's one of those pep-talk dreams that Freud was always on about.
It's nice to know that my subconscious has faith in my abilities, but I can't help but note that it won't be doing any of the actual work.


text:
Q: How to verify the mimetype of multiple files from a multer.array function? I've been working on this for hours and still can't come up with a solution! My original code is to check the mimetype of a single image uploaded with multer and it works well, but I'm having trouble applying this code to multiple images. I'm not sure if I'm even approaching this the right way and may need to come up with a new approach. Please see the code below:
Multer Middleware
const multerOptions = {
    storage: multer.memoryStorage(),
    fileFilter(req, file, next) {
        const isPhoto = file.mimetype.startsWith('image/');
        if(isPhoto) {
            next(null, true);
        } else {
            next({ message: 'That filetype isn\'t allowed!'}, false);
        }
    }
};

Original Multer Function for Single Image
exports.upload = multer(multerOptions).single('photo');

exports.resize = async (req, res, next) => {
    // check if there is no new file to resize
    if (!req.file) {
        next(); // skip to the next middleware
        return;
    }
    const extension = req.file.mimetype.split('/')[1];
    req.body.photo = `${uuid.v4()}.${extension}`;
    // resize the image
    const photo = await jimp.read(req.file.buffer);
    await photo.resize(800, jimp.AUTO);
    await photo.write(`./public/uploads/${req.body.photo}`);
    next();
};

New Multer Function for Multiple Images
exports.upload = multer(multerOptions).array('photo',[5]);

exports.resize = async (req, res, next) => {
    // check if there is no new file to resize
    if (!req.files) {
        next(); // skip to the next middleware
        return;
    }
    imageArray = req.files;
    const extensions = [];
    for (var i = 0; i < imageArray.length; i++) {
        imageArray[i].mimetype.split('/')[1].push(extensions);
    }
    // I HAVEN'T MADE IT PAST THIS LINE YET AND AM STILL STUCK ABOVE
    req.body.photo = `${uuid.v4()}.${extension}`;
    // resize the image
    const photo = await jimp.read(req.files.buffer);
    await photo.resize(800, jimp.AUTO);
    await photo.write(`./public/uploads/${req.body.photo}`);
    next();
};

A: It's hard to know exactly what is wrong, but by using async await, can't you simply wrap your single working example in a for loop? For example:
imageArray = req.files;
for (var i = 0; i < imageArray.length; i++) {
  const file = imageArray[i]
  const extension = file.mimetype.split('/')[1]
  const name = `${uuid.v4()}.${extension}`
  // resize the image
  const photo = await jimp.read(file.buffer)
  await photo.resize(800, jimp.AUTO)
  await photo.write(`./public/uploads/${name}`)
}
next()

This is literally exactly what you have in your working single example, but wrapped in a loop.

redpajama_set_name: RedPajamaStackExchange


text:
Enstar Group Limited Announces Reinsurance of QBE Legacy U.S. Business
Enstar Group Limited Announces Reinsurance of QBE Legacy U.S. Business 12.1 KB
HAMILTON, Bermuda, Dec. 06, 2016 (GLOBE NEWSWIRE) -- Enstar Group Limited (NASDAQ:ESGR) announced today that one of its wholly owned subsidiaries has entered into a conditional agreement with a subsidiary of QBE Insurance Group Limited to reinsure U.S. multi-line property and casualty business. Completion of the transaction is subject to receipt of regulatory approvals.
Enstar's subsidiary will assume gross reinsurance reserves of approximately $919 million (net reserves of $444 million) relating to the portfolio, which primarily includes workers' compensation, construction defect, and general liability discontinued lines of business.
Under the reinsurance transaction, Enstar's subsidiary will pledge a portion of the premium as collateral to a subsidiary of QBE. Enstar will also provide additional collateral and a limited parental guarantee.
As part of the transaction, a subsidiary of Enstar will provide administrative services on the reinsured portfolio.
Commenting on the transaction, Dominic Silvester, Enstar's Chief Executive Officer, said:
"This significant transaction with QBE, a widely recognized industry leader, affirms Enstar's position as a provider of choice for complex reinsurance solutions. The confidence QBE has shown in partnering with us also attests to our market-leading reputation as managers of workers' compensation and property and casualty legacy portfolios."
Enstar is a multi-faceted insurance group that offers innovative capital release solutions and specialty underwriting capabilities through its network of group companies in Bermuda, the United States, the United Kingdom, Continental Europe, Australia, and other international locations. Enstar is a market leader in completing legacy acquisitions, having acquired over 70 companies and portfolios since its formation in 2001. Enstar's active underwriting businesses include the StarStone group of companies, an A- rated global specialty insurance group with multiple global underwriting platforms, and the Atrium group of companies, which manage and underwrite specialist insurance and reinsurance business for Lloyd's Syndicate 609. For further information about Enstar, see www.enstargroup.com.
This press release contains certain forward-looking statements within the meaning of the Private Securities Litigation Reform Act of 1995. These statements include statements regarding the intent, belief or current expectations of Enstar and its management team. Investors are cautioned that any such forward-looking statements speak only as of the date they are made, are not guarantees of future performance and involve risks and uncertainties, and that actual results may differ materially from those projected in the forward-looking statements as a result of various factors. Important risk factors regarding Enstar can be found under the heading "Risk Factors" in Enstar's Form 10-K for the year ended December 31, 2015 and Form 10-Q for the quarterly period ended September 30, 2016, and are incorporated herein by reference. Furthermore, Enstar undertakes no obligation to update any written or oral forward-looking statements or publicly announce any updates or revisions to any of the forward-looking statements contained herein, to reflect any change in its expectations with regard thereto or any change in events, conditions, circumstances or assumptions underlying such statements, except as required by law.
Contact: Mark Smith

redpajama_set_name: RedPajamaCommonCrawl


text:
Mixed Article
Grace Saif Boyfriend (13 Reasons Why) Age, Wiki, Height, Instagram, Bio
Home » Grace Saif Boyfriend (13 Reasons Why) Age, Wiki, Height, Instagram, Bio
Grace Saif Boyfriend
Age – 23 years
Height (5 feet 1 Inch)
Grace Saif is a popular reality sensation. She is the cast of 13 Reasons Why. It is a Netflix original show. Additionally, the series is running its third season. The trailers are available on YouTube. And, it is uploaded on the 23rd of August 2019.
First Name Grace
Last Name Saif
Birthday 1998
Nationality United Kingdom
Weight 54 Kgs ( Approx)
Body Measurements 25-35-25 Inches
Profession Actress
Parents ( Father Mother)
Wife or Husband N/A
Son and Daughter N/A
Net Worth 500k Dollar
Wikipedia Yes
Instagram Yes
Youtube Yes
Twitter Yes
Facebook Yes
Grace Saif's boyfriend is not known. The details about her personal life aren't revealed yet.
Grace saif's age is 23 years. She was born on 7th October 1995. Furthermore, her birth sign is Libra.
Grace Saif Wiki (13 Reasons Why)
Wiki hints, Grace Saif is 23 years old actress. She is one of the casts of 13 Reasons Why. Also, she made her appearance in World of Warcraft. In fact, she gave her voice to the video game. Moreover, she performed in the BBC's Doctors for a guest role.
Furthermore, Grace was born on 7th October of 1995 in the United Kingdom. She is the character whom everyone is looking forward to seeing.
Additionally, the show 13 Reasons Why is based on the student's life. The story's main objective is to find Bryce Walker's Killer.
"13 Reasons Why" is a teenagers based web drama. Netflix developed this mystical series. The show is the recreation of the novel 13 Reasons Why written by Jay Asher.
In addition, it is directed by Brian Yorkey. The first season was based on a girl who suicided of bullying and sexual assault. It released on 13th March 2017.
The 2nd season was released on 18th May 2018. The viewers criticized the series. Then, the 3rd season is here, it is available since on 23rd August 2019. The season is liked by the audience. The trailer was a hit. And until now, the season also seems to achieve a lot of love.
Grace Saif seems to be the Narrator's voice according to the trailers. Additionally, her name is Amorowat Anysia (Ani) in the series. Her role is as a student at Liberty High.
According to the sources, she is friends with the characters Clay and Jessica. Throughout the season, Viewers enjoyed her appearance.
Leeds today! 💗💗 #NightOut by @becilia https://www.leedsfilmcity.com/film-year-round/british-short-film-competition-1-inner-visions/ #liff2018 @leedsfilmfest (still by @imogenforte)
A post shared by grace saif (@grace.saif) on Nov 3, 2018 at 7:34am PDT
Grace Saif height is 5 feet 1 inch. As a matter of fact, she is a beautiful girl with brown eyes.
Grace saif's Instagram has 3095 peoples followers. And she also follows 404 peoples. Her post count is 264. And she seems to upload fun photos of her and friends.
Grace Saif's Biography contains a few things. Also, she is an amazing actor. Also, She belongs to the British. She completed her graduation in acting. It was the year of 2017.
Furthermore, she has made an appearance in many short movies and projects. Her break is the new Web series of Netflix. Interestingly, her career seems to start from the show 13 Reasons why.
And, her role in the series is longest than any other casts. She is in all the 13 episodes of the series. However, she also seems like a suspect to the murder of Bryce Walker. Her role also tries to point fingers to Jessica.
Additionally, she is friends with the cast members. The pictures explain the friendliness of the crew members.
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Find Your Purpose. Feed your soul. A powerful Catholic study just for you.
You'll be nurtured and fed spiritually, mentally and emotionally. You'll learn to embrace your gift of authentic femininity and your dignity as a daughter of God. You'll be equipped to fulfill your call and mission as a woman of grace in the world today. And you'll find friends in women who share this same fantastic call.
And the example of Our Blessed Mother.
Call Prayer Center for next available class dates.


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Q: How to determine if item exists in a list? I made a little game and I want to check if a player name already exists in a "banlist". How can I do this if it's multiple names?
For example I have a playerlist like this:
 PlayerList = {'Player 1', 'Player 2', 'Player 3'}

And I want to be able to ban a few players and add them to a ban list to forbid them from doing some stuff in the game. How can I do that? I can do it with 1 playername like this:
if (Player_Name ~= 'Player 2') then
print('Hello!!')
else
print('You are banned!')
end

But this would only work for "Player 2". How can I add multiple names?
I do not want to use "or", like this:
if (Player_Name ~= 'Player 2' or Player_Name ~= 'Player 3') then
print('Hello!!')
else
print('You are banned!')
end

Since my list might contain more than 200, I don't want to add over 200 "or". How can I simply check if the player is in a banlist I created? For example:
BanList = {'Player 2', 'Player 3'}

Maybe something like this (ofc this doesnt work)
if (Player_Name ~= BanList) then
print('Hello!!')
else
print('You are banned!')
end

A: You want to use a loop to iterate through all the items in your BanList and see if any of them contain the player.
BanList = { 'Player 2', 'Player 3' }

function isBanned(playerName)
    for _,name in pairs(BanList) do
        if name == playerName then
            return true
        end
    end
    return false
end

if isBanned(Player_Name) then
    print('You are banned!')
else
    print('Hello!!')
end


"The GGW core audience is heterosexual men 18 to 25, who have bought 4.5 million tapes/DVDs worth $90 million-plus. The tapes/DVDs are sold on the GGW Web site and through TV informercials and late-night cable ads. There's a staff of 90 employees at the GGW headquarters in Santa Monica."


In the marital achievement of a man and an heiress, her arms are displayed on his, in an escutcheon of pretence. A man who marries an armigerous woman, not an heiress, impales her arms.
A spinster bears her father's arms in a lozenge with no crest or other trappings. A married woman bears her married arms in a shield but still without trappings. In widowhood a woman continues to bear the married escutcheon but on a lozenge. A married woman seldom bears arms apart from her husband though since the passing of the Married Women's Property Act one can conceive cases where she might wish to display arms suo jure.
It will be noticed that the word quartering is an euphemism and means the division of the shield into any number of parts, not merely the four implicit in the meaning of the word.
In theory the sky is the limit when quartering. There are two points worth remembering with regard to quartering. The first is that quarterings can only be acquired through an armigerous person. Your mother may have been the Duke of Ballynahinch's only child but unless you are armigerous you cannot inherit her noble quarterings. The second point is that the dexter chief is reserved for the patronomial arms, and is the first quartering; the quarterings being numbered across — two, three, four, etc. and you read them just like a book, the quarterings nearest to the patronomial arms having been acquired first. If you have to repeat one or two quarterings to balance the shield you put the first in the last, the second in the penultimate and so on. It is not often that it is necessary to repeat more than the first two. When blazoning a quartered shield you say; quarterly, 1. so and so, 2. such and such, etc. If the shield is quarterly of more than the usual four you say; quarterly of eight (or however many it may be) and then as before, numbering each quartering before blazoning it.
It is of course impossible to exhibit more than a very few quarterings in the everyday display of arms, but it is of great historical and heraldic interest to have a record of all the quarterings to which you are entitled. I would suggest that the full achievement of your family should have a place in the house, be it never so unostentatious. For the ordinary display of arms the use of one coat is usually most artistic and convenient. On seals and stationery a quartered coat does not often come out well. The charges have to be engraved so minutely that they lose their form and the ancient purpose of armorial bearings is lost. Even on china four quarterings will be found to be ample. It is, I think, and this is only a personal opinion, best to use one coat only unless you have a compound surname, all the names in which indicate heirship; or unless you are the senior heir of a famous family, or if you have inherited lands or titles from some family whose arms you are entitled to quarter.
In Scotland they go about the business of quartering in a slightly different way. I shall not here discuss the rules employed but would like to illustrate one major difference, that it may be recognised when seen. When a man inherits quarterings from his mother he may divide his shield into four " grand quarterings " placing his father's entire coat in the first and fourth and his mother's in the second and third.


Malaysian veteran singer D.J. Dave has been active in the entertainment scene for the last four decades and he has not changed much since then - not physically, at least.
"I can still fit into the clothes that I used to wear on stage back in the 1970s. I've grown old gracefully," the 66-year-old says with a laugh in a telephone interview from Sabah, where he has a house.
In fact, at a series of three sold-out concerts at Kuala Lumpur's Istana Budaya in 2012, he did pull out some of his old clothes from the 1970s to the 1990s and wore them to perform several songs.
Fans in Singapore will be able to see for themselves his well-preserved physique when he performs here tonight at the Esplanade Recital Studio.
He credits his sporty lifestyle for winning the battle of the bulge. A keen badminton player, he won two silver medals in his first appearance at the World Morning Cup, a badminton tournament for veterans, in Taiwan last year.
"Winning or losing is not important to me, I just want to be active in badminton because it helps me keep my adrenaline going," says the grandfather of four, whose real name is Dhammi Jagjit Sukhdev.
The man behind evergreen Malay pop hits such as Ingin Bersua (Want To Meet), Maafkanlah (Forgive) and Ku Tak Ingin Menangis (I Don't Want To Cry) first came to fame with the release of his 1972 debut album.
Known also for his Malay renditions of Bollywood hit songs such as Ye Kya Hua, renamed Ingin Bersua, and Dil Kya Kare Jab Kisi Se, renamed Seruling Kasih (Love Flute), he has released 40 albums.
D.J. Dave, who is also known by his Muslim name Irwan Shah Abdullah and holds the honorific title of Datuk, says that the Esplanade concert will be special. It is his first major show here since performing at the Esplanade Concert Hall back in 2006 in a double-bill show with fellow Malaysian veteran musician Ahmad Nawab.
While he has done private performances and brief appearances at events for his fans here, he says that the show tonight will be highly "intimate".
"I want my die-hard fans to be up close with me because I want them to sing along and I want to have a lot of interaction with them. There'll be a question-and-answer segment, this is more of a two-way programme rather than a show where I just sing," says Dave, who is married to a former flight attendant, with whom he has three children.
Having recorded a lot of his songs in the past at the now-defunct EMI recording studio in Orchard Road, he has fond memories of Singapore, not to mention the city's food.
While he is here, he plans to head for Newton Food Centre.
"If my fans see me there, I'm very happy to meet them and shake their hands, I'm a normal human being like everyone else. I'm still the same kampung boy at heart. It's the fans and my parents who have made me who I am today."
Admission: Limited tickets priced at $68.


This compact station model features 4 cars, a petrol pump and traffic signs, all in a box! The doors drop down to reveal a split-level design with a ramp - kids can run the cars up and down the ramp, in and out the station, and pretend to get gas. A great gift for little car lovers in the house!


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SCHOLARS: OUR BIGGEST AMBITION IS NOTHING SHORT OF COMPLETE WORLD DOMINATION, SO GET READY! – INTERVIEW BY EVA JOSTAKOVA
Scholars recently supported Pure Love and that's how I got to discover this rock band from Hemel Hempstead. I can tell you without a doubt that once you get to see these guys live, you'll be pretty much blown away by their ability to surprise the audience and to make sure they won't be forgotten by anyone in the crowd, any time soon. Oh and they like to get in your face – literally. Maybe they scare you a bit, but it's fine I promise! It's all part of their performance, a part of who they are and what makes them stand out. You should definitely go and check them out, if you're looking to experience an exciting and unpredictable show with great rock music, fantastic vocals and lots of fun. They are releasing their debut album 'Always Lead, Never Follow' in April and touring the UK in March, so do not miss it.
In the following interview, the band's drummer Mike talks about the forming of Scholars, working with Hundred Reasons' Larry Hibbitt, upcoming album, touring, ambitions and more.
EVA: Tell us about the band. What are your different musical backgrounds and how and when did Scholars form?
MIKE: Chris and I went to school together and have been in bands together since we were 14. Back then our influences would be bands like Green Day, NOFX and Strung Out. Since then we've picked up a lot more of them, bands like Hundred Reasons, Braid, Tears For Fears and Idlewild. Sam is a massive Death Cab For Cutie fan but is into everything from Japanese pop bands to Icelandic Balkan style orchestral dance jazz!
Chris and I started Scholars years back, we were recommended Sam by Ben Sansom of Lower Than Atlantis and a few years later, Cal joined us on guitar after we'd played a couple of shows with his old band. Then about 6 months ago Cal's brother, Ethan, joined us on guitar as well so we're now 40% Owen!
EVA: If you could describe each one of you in one word, what would it be?
MIKE: Cal: Hair. Chris: Administration. Ethan: Newbie. Mike: Short. Sam: Procrastinator.
EVA: What's the philosophy behind your music? What are the main criteria when writing and creating songs?
MIKE: We want to write music that stands out as being different but doesn't alienate the listener. When we're writing, it's important that we're all into it because we're making music for ourselves as much as we're writing music we hope lots of other people enjoy as well.
EVA: Your debut album 'Always Lead, Never Follow' is being released on the 8th of April. Can you give us some details on the recording process of it and the album itself?
MIKE: The album is sort of the story of Scholars so far. Some of the songs were written at the beginning of the band's life and have yet to be heard; there's also lots of brand new material, which we're really proud of.
The album was recorded and produced by Larry Hibbitt of Hundred Reasons in Brixton. We recorded more songs than we needed and chose the cream of the crop to make it onto the record. We're really excited with the finished product and it's been great to work with someone, who we consider a big influence on us as a band.
EVA: The album is being released by Banquet Records. Could you tell us about your relationship with them?
MIKE: Banquet have done so much for us over the years. They've supported us from day one and have put us on some amazing shows with some incredible bands, including Twin Atlantic, Futures, letlive and even Hundred Reasons! They've released music by some of our favourite bands too, so it's an honour to be releasing the album with them.
EVA: You've recently toured with bands like Pure Love, Sharks, Canterbury or Mallory Knox. What was it like being on the road with these guys?
MIKE: Those two tours in particular were non-stop fun. We've done a lot of touring over the years but it makes a big difference playing with the same bands every night, because you build up real friendships and you inspire each other to put more and more into the live show each night.
It was great to tour with Pure Love as Chris and I went to school with Frank Carter, so it was a bit of a reunion and a chance to catch up.
EVA: It must be exciting to see your mates Mallory Knox taking the charts by storm since the release of their debut album. Do you hope for the same success with 'Always Lead, Never Follow'?
MIKE: It was fantastic news when we heard they'd made the top 40 and so well deserved. We played a show with them for Banquet Records the following week, so it was great to be able to congratulate them in person.
We've always hoped that the album could be a raging success and it's good to have high ambitions, but at the same time we're aware that we haven't quite got the following that Mallory Knox have (yet!) so we'll wait and see!
EVA: Regarding live shows, you have this 'in your face' style of performing. It definitely makes you stand out. Have you ever got any weird/funny reaction from someone in the crowd because of this?
MIKE: I think most nights Sam scares a fair few people by getting a bit too close for comfort. He tends to get on top of any structures he can as well. One time he was pulled down from a bar by an angry bouncer and that nearly ended badly! We used to mimic having an argument towards the end of our set and there were a few occasions when people took it seriously. We've been pulled apart by security, had audience members try to intervene, and even had a promoter try to distract the crowd while we yelled at each other.
EVA: You've recently released a new video for your upcoming single 'Black and Blue' (out April 1st), taken from the album. Can you tell us about shooting of this video?
MIKE: It was a lot of fun to film. We hired a massive room, which gave a couple of the guys vertigo when they went up top, and a trapeze artist came along and essentially assaulted us for the whole day! There are a few shots, which have been reversed in the video so Sam had to learn all the lyrics backwards. Listening to his garbled nonsense as he practised kept us all amused!
EVA: If you ever go on tour around the world, which countries would you want to play in and what band would you want to go with?
MIKE: I'm not sure there are any countries we wouldn't want to play in but there are a few countries where we've picked up a few fans, so for them we'd love to be able to get to Australia and America. In the near future though, we'd love to do a European tour. As for whom with, there's a ton of great bands out there to choose from but it'd be great to go on the road with a band, who know how to have a good time so I'll have to say Don Broco as I reckon that tour would be unforgettable!
EVA: What music are you into these days? Have you recently bought any album that you've had on repeat?
MIKE: I've actually had difficulty in turning off the Mallory Knox album and the Pure Love record has notched up a hefty number of plays as well.
EVA: You have a tour coming up in March and after that, the album release show will take place at Camden Barfly in London on the 10th of April. Do you have anything special in store for the fans on this very occasion?
MIKE: We'll be playing songs off the album that hardly anyone has heard live before, so we'll know who's listened to the album by looking out for those singing along to those songs. As for anything special, I wouldn't want to give anything away, so everyone will have to come along to find out!
EVA: And finally, what do you expect from this year and what's the biggest ambition for Scholars in general?
MIKE: For this year we'd like to get on a few of the bigger festivals, make this album an absolute smash and make as many new fans and friends as possible. Our biggest ambition is nothing short of complete world domination, so get ready!
http://scholarstheband.com
Review by Eva Jostakova
Press shot provided by Chris Aylett (Bass)


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Home » Car Reviews » New Car Reviews » 2014 Jaguar F-Type: First Drive Review
2014 Jaguar F-Type: First Drive Review
ByBasem Wasef 04/15/2013 8:00pm
Editor's note: If you're looking for information on a newer Jaguar F-Type, we've published an updated review: 2019 Jaguar F-Type Review.
The 2014 Jaguar F-Type is the manufacturer's first two-seat sports car in more than fifty years, and its iconic predecessors — the C-Type, D-Type, and E-Type — set the styling bar incredibly high for this modern convertible. While new car buyers will certainly be intrigued by the F-Type's sharp looks, what does Jag's later offering deliver beyond glamorous ancestors and attractive sheetmetal?
What (and How Much) of the Jaguar F-Type is New?
The long-awaited F-Type builds upon Jaguar's larger and more touring-focused XK series four-seater (which is really more of a 2+2, thanks to its diminutive rear seats), while packaging the new car with more technologically advanced underpinnings. While the XK offers a sporty take on grand touring, the F-Type focuses on more engaging driving dynamics and track-ready performance.
The F-Type features 70 percent all-new parts, while 25 percent of its components have been re-worked from the XK and adapted for this application. The remaining 5 percent of parts have been carried over from the XK series. But more significant than the sum of its components is the spirit of the F-Type's intent: this relatively compact, aluminum-bodied two-seater is tuned for tight handling and hard acceleration that's fierce enough to be comfortable on a racetrack. See the 2014 Jaguar F-Type models for sale near you
Three Varieties of F-Type… and More to Come
The 2014 Jaguar F-Type will be available in three varieties when it hits showrooms in late April, 2013. The entry level model starts at $69,000, and is powered by a supercharged V6 that produces 340 horsepower and can launch the F-Type to 60 mph in a claimed 5.1 seconds. The middle model is the $81,000 F-Type S, which packs a 380 hp version of the standard model's engine and can propel the car to 60 mph in 4.8 seconds. The top dog (for the moment, at least) is the F-Type V8 S, which features a 495 hp supercharged V8 capable of throttling to 60 mph in only 4.2 seconds, and hitting a terminal velocity of 186 mph. All versions incorporate an 8-speed transmission which drives the rear wheels, and an aluminum chassis for weight savings.
At first glance, the different F-Type models are difficult to tell apart externally: apart from badging and varying wheel and brake sizes, the only other distinguishing feature between the three is the exhaust system. The base and S models feature two large, centrally positioned outlets just below the rear license plate, while the V8 S offers a more conventional setup, with two pairs of two chrome-ringed pipes arranged on either end of the car's tail.
All F-Types are equipped with fixed roll hoops just behind the two form-fitting seats, which are designed to be simpler and more lightweight than the pop-up systems which automatically deploy when a rollover accident is imminent. Highlights from the luxurious interior include available sound systems from Meridian and a nav screen selectable menu, which controls up to six dynamic variables including suspension, engine and transmission settings.
So, why does the V8 S model only top out at 495 hp when the supercharged XKR's engine produces 510 hp? Well, the answer is that there's room to grow in the F-Type lineup. According to Jaguar brass, the new sports car is due to receive an even stronger performing stablemate in the near future.
Who's the Competition?
Jaguar hopes to expand their clientele by making the F-Type appeal to a whole new set of car buyers. And while Jaguar's marketing officials say they foresee their new two-seater as an Aston Martin V8 Vantage Convertible ($131,170), Audi R8 ($114,200) and Porsche 911 ($84,300) contender, we think this low-slung roadster will snag customers who might otherwise be attracted to less exotic offerings, like the BMW 6-series convertible ($93,700) and Mercedes-Benz SL-Class ($105,500). Find a Jaguar F-Type for sale
Basem Wasef
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Current: Planned Parenthood of Southern New England ...
Planned Parenthood of Southern New England Celebrates Immigrant Heritage Month by Calling for Health Equity for Immigrants
For Immediate Release: June 1, 2017
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June is Immigrant Heritage Month, and Planned Parenthood of Southern New England (PPSNE) celebrates immigrants in Connecticut and around the world by calling for health equity everywhere.
"At Planned Parenthood of Southern New England, we believe that access to health care and education, without fears of deportation or detention due to one's immigration status, is an integral part of what it means to have a healthy and complete life," said Gretchen Raffa, Director of Public Policy and Advocacy with Planned Parenthood of Southern New England. "Part of honoring immigrant heritage in this country is to ensure that we advance health equity so that everyone is able to live a life of dignity – no matter what."
The Trump administration is focused on stripping both women and immigrants of their rights. Attacks on immigrant rights and reproductive health care make the already difficult maze of barriers to accessing care nearly impossible for undocumented immigrants to overcome.
Access to health care and education are basic human rights. However, undocumented immigrants in Connecticut cannot access the institutional aid they pay into at state colleges and universities. Planned Parenthood of Southern New England boldly supports CT Students for a Dream and its "Afford to Dream" campaign to pass Senate Bill 17 and House Bill 7000: Equalizing Access to Student-Generated Financial Aid, because education attainment is one of the key components to reducing reproductive health disparities.
PPSNE and fellow members of the Connecticut Immigrant Rights Alliance (CIRA) will be standing side-by-side with CT Students for a Dream daily at the state house in Hartford until the legislative session ends June 7. PPSNE and coalition partners urge lawmakers to not let another year go by without passing this important policy. Together with CIRA we will continue to fight threats to the immigrant community, including community defense initiatives and sanctuary policies. We will continue to support efforts that strengthen state laws to protect immigrants from deportation threats.
"We know our patients don't just need sex education, birth control, or cancer screenings – they need a living wage, access to quality education, to live in communities free of violence and without fear of harm from discriminatory policies," said Raffa. "This legislation will directly impact the patients who rely on us for vital health care services. No one's health should be compromised because of their immigration status."
The doors of PPSNE are open to all people regardless of country of origin, faith, immigrant and refugee status, or to those who may otherwise have nowhere else to turn for health care. We are a trusted, local resource for convenient and confidential services, including STD/STI testing, HIV testing and counseling, all FDA approved birth control methods, pregnancy testing and counseling, emergency contraception and more. We offer medical interpretation services for non-English speaking patients; have a sliding fee scale based on one's income and participate in many insurance plans.
For more information or to make an appointment visit ppsne.org or call 800-230-PLAN.


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You are here: Carter & Carter / Claiming Compensation / Personal Injury / Accident at Work Claims / Lifting Injuries
Lifting injuries are a common occurence in the work place and arise for a variety of reasons including poor training, technique or a failure to use a mechanical means of lifting which would have avoided the need to lift altogether.
How Lifting Injuries Happen
It takes only a single accident to sustain a lifting injury where an employee lifts a box and sustains injury. Lifting injuries can also arise when an employee repeatedly lifts a load over and over again. Hernias are most common in the groin and abdomen area although they can occur anywhere between a person's chest and hips.
Safeguarding Employees From Lifting Injuries
Clearly, when undertaking any sort of lifting it is necessary to take good care but the law places an employer under a duty to ensure, as far as possible, that lifting is eliminated which is not essential.
If the lifting cannot be avoided altogether then the employer must give appropriate training so that the employee is able to carry out the task safely.
The employer will also be expected to carry out risk assessments to identify the nature and extent of the risks involved and ensure that any risks can be kept to an absolute minimum.
If the employer does not adopt and implement an appropriate health and safety policy employees will be exposed to a greater risk of suffering lifting injuries.
If a lifting accident does occur in these sort of circumstances then clearly the chances of succeeding with a lifting claim will be that much higher.
We have been dealing with lifting injury claims for years and have a huge amount of experience in this type of claim.
We would be delighted to answer any questions you may have relating to your lifting injury claim and to assess the likely prospects of success.
Please call us free on 0800 652 0586 or complete our free enquiry form and we will let you know whether we can help you.
Mr Saleh was at work when he went over on his ankle in a pothole. A number of Solicitors refused to take his case on as they did not think he would win. We spoke to him and quickly established that he had good prospects of success. We contacted the Employer and secured an admission of fault which resulted in Mr Saleh being compensated. Mr Saleh said "throughout the journey that I experienced with Carter & Carter Solicitors, I felt that my claim was being resolved and that the result would be a successful one. I am greatly appreciative of the people involved with my claim and how they constantly kept me informed."
Mr M Saleh from Staffs recovered £7,750


Twinning and winning in our adorable mama and mini kimonos! Nothing is sweeter for your mini than matching her mama. Our versatile womens and girls kimonos are sure take your tee and jeans, or your poolside suit to next level cuteness.


The Rare Disease Foundation is focused on linking basic science and clinical practice to increase the efficiency of rare disease research. This model is called Translational Care. This model drives patient based, treatment focussed research projects from disease characterization to treatment with greater efficiency. By incorporating research, astute clinician observation and patient and family knowledge into the various stages of rare disease research we impact the speed of discovery and the way rare conditions are managed.
Full strategy document available here.


cosyntropin is a topic covered in the Davis's Drug Guide.
Quiring, Courtney, et al. "Cosyntropin." Davis's Drug Guide, 16th ed., F.A. Davis Company, 2019. Medicine Central, im.unboundmedicine.com/medicine/view/Davis-Drug-Guide/51182/all/cosyntropin.
Quiring C, Sanoski CA, Vallerand AH. Cosyntropin. Davis's Drug Guide. 16th ed. F.A. Davis Company; 2019. https://im.unboundmedicine.com/medicine/view/Davis-Drug-Guide/51182/all/cosyntropin. Accessed April 21, 2019.
Quiring C, Sanoski CA, Vallerand AH. Cosyntropin [Internet]. In: Davis's Drug Guide. F.A. Davis Company; 2019. [cited 2019 April 21]. Available from: https://im.unboundmedicine.com/medicine/view/Davis-Drug-Guide/51182/all/cosyntropin.


A North Korean spy. �The Korean-American FBI agent that chases her down. Who will get hit first?
SO THE ARROW FLIES�is a solo performance piece about a North Korean spy, the Korean-American FBI agent that takes her down, a grandmother who is a survivor of the Korean War and a young girl who is half Korean-half Caucasian. With only a turn on a chair, Esther K. Chae plays the following four dynamic roles.This show was previously presented at the TED (Technology, Entertainment and Design) conference, Edinburgh Fringe Festival and the World Womens Forum (Seoul).
Chae skillfully absorbs the audience into a world of espionage and deception fascinatingly gripping - Edinburgh ThreeWeeks festival e-magazine.
Esther K. Chae�is an international award-winning actor/writer based in Los Angeles and New York. Her artistic work has been seen and heard in the US, Korea, Ireland, Australia, Canada and Russia. Her numerous credits as a performer include TV shows NCIS, Law and Order: Criminal Intent, The West Wing, The Shield, ER; �and theatre stages such as Yale Repertory Theater, La Mama, Mark Taper Forum/ Kirk Douglas Theater, P.S. 122 and Harvard/A.R.T. �Chaes performances have been lauded as talented (Variety), engaging (Hollywood Reporter) and may just break your heart (Asia Pacific Arts). Her life in Hollywood has been featured in a Korean Broadcasting Station (KBS) documentary. Her most recent solo performance So the Arrow Flies, about a North Korean spy and the Korean-American FBI Agent who pursues her, was featured at the Edinburgh Fringe Festival (a powerful and compelling script fascinatingly gripping-ThreeWeeks Magazine), Ars Nova Theater Festival (NY) and the World Womens Forum (Seoul). In 2009, it was invited to TED (Technology, Entertainment and Design) conference of which she is an inaugural fellow, CUNYs Martin Segal Theater and NYUs Performance Studies. The play is being adapted into a feature film script. Chae graduated from the Yale School of Drama with an MFA in Acting, the University of Michigan with an MA in Theater Studies, and Korea University. This fall, she is excited to be honored with the Emerging Artist Alumni Award by University of Michigan. She is hot off the airport runway from Abuja, Nigeria where she helped establish the nations first film academy and was teaching Acting for Film and Leadership.


Text post processing with KEdit, etc.
EDIT: I just found this intro pdf: http://www.wolffinfo...hes%20(DATABASE).pdf - and they ain't called "Russian editors" but "Eastern Orthodox editors"
They don't develop it further and say so - no unicode / UTF8 -, but some weeks ago, a minor update has been released (1.61., from 1.60). It costs 129 bucks (not the update!).
It's the commercial version of the "Russian editor" type (XEdit / Rexx and their emulators), i.e. the one that permits to work on "subsets" of your lines (so you can have the same functionality for free, with some competitors, never trialled those though) - it's similar to, but not identical with, a "folding editor", or more precely, it IT a folding editor, but which on top of folding, allows for folding cascades.
- then you get a result in which you work as if the whole text didn't comprise but these lines (so it's different from a search results table as in askSam or in an editor like TSE): it IS a search results table, but you work within the "search results"
- so you'll get a SUBSET of the previous thing, i.e. since you didn't revert to "whole text body" before, you're now with the subset "+abc -xyz"
1) You can't easily get back in this cascade: first result, "all abc lines", second result, "all abc lines without xyz in them" - now, in order to go back to "all abc lines", you have to revert to "all lines", then you opt anew for "all abc lines", or you do the "less" command.
Of course, in this example, this is not a real problem, but then, if within a cascade of 5 or 6 such subsequent subsets, you want to go back from step 6 to step 4 or step 3 (e.g. for then doing different subsets from that point on): helluva!
2) Similarly, within such a cascade of refining your "search" / "selection", even without going back, you'll get lost, early on, i.e. with KEdit, you always will have a legal pad near your keyboard, on which you'll write down your refining cascade by hand - that's really a pain in the youknowwhere. Ok, some people might be able to memorize their 5 or 6 consecutive steps here; I get lost in step 3, or even in step 2 if my multitasking capabilities had been in demand in-between.
3) You can only do one subset at a time, meaning, you cannot enter "(+abc -cde) / (OR) ( (+ ijk) OR (+lmn) ) or such, whilst you can do exactly this in a prog like askSam.
Such a feature would have resolved both the above-mentioned problems 1 and 2, since you'd have your search code within the command line, and you'd made adjustments of your "search" command there: would be good both for "going back", as for "remembering the current state". Cf. the askSam search line which works exactly this way.
In fact, you CAN do it by command line, in KEdit, in the style, e.g.
which means, "all lines not containing "abc" as a word (irrevantly of "abc" as part of a word). But you CAN'T COMBINE such commands in your command line, and that's big problem.
It's MyInfo 5 that had found a really very clever solution to this problem: In fact, MI, in version 5 - well, that was 2 years ago... -, it had a unique feature, allowing for appearing, by option, two more subsequent lines (regular style) beneath each search result line (bold). Thinking about it, you'll quickly grasp that this not only made MI 5 rather suitable for programming needs, but especiall for client db's, and such: Knowing you've got such a fine feature on your fingertips, you'll do the very first 3 lines of your clients' / prospects' records in a special, so a to search for content within line 1 of these records, then have specific content even within your hit table, and not only after going from there into specific records.
In fact, you search for some search term, or even for some synonyms ("abc OR def OR ghi"...), and then, you edit some of them, right within the "hit table" you'll get, no need for switching back and forth between search results and real text, as in programs of the other kind (AS, TSE, UR (Ultra Recall), MI (MyInfo) and many more). At the end of the day, THAT's the real purpose of this program, and in this task it excels.
Again, if there are errors in my description, please correct me, since that would mean that KEdit's range of usefulness would be far greater than described above.
Can't read John McPhee's New Yorker 1/2013 article on KEdit, since the link is for subscribers only, and buying the issue, here in Europe, wouldn't cost me 6,99 but 25 euro or something, magazine prices triple and quadruple over the Atlantic - but perhaps he explains even better than I did why for writers / editors, i.e. certainly for specific POST-PROCESSING tasks of long texts (technical as well belles lettres), KEdit is indeed a hidden gem.
P.S.: A last hint: Such plain text editors make you lose any traditional previous formatting, which certainly is not acceptable. So there are two solutions: Working with mark-up codes from the beginning, or doing the export to html (from Word / .rtf / any formatted text), then working on this intermediate text from then on. "Post-processing", I said. Btw, it's easy to do a macro that will re-code your ugly html codes "back" into some more pleasant to the eye, e.g.
then work on this text, then have another macro doing the back-to-html transposition (the same would apply to traditional publishing: from formatted text to html (since that export is often very stable when export to .rtf isn't necessarily stable, not to speak of either's product's respective neatness), then macro translation into "intermediate mark-up" (with which you can live visually), then post-processing, then macro translation to the respective codes for PageMaker, InDesign, Framemaker...), but this formatting issue is certainly the reason why goodies like KEdit remain exotic and ain't further developed.
Re: Text post processing with KEdit, etc.
Kedit, like XEDIT, the IBM editor on which it is modeled, is best thought of as an editable database of lines of text. This has both strengths and weaknesses as compared to the more common type of text editor, in which the contents of a text buffer are a continuous stream of characters. You can make Kedit do most of what you want using scripts written in KEXX (a REXX look-alike). However, there are certain things you cannot do in this type of editor, like searching for a targets that straddle line breaks, which are easy to do in a stream-oriented editor. Of course, there are also many things you can do in Kedit that you cannot do in any stream-oriented editor, which is why some of us continue to use it.
As I noted, I would not considered using Kedit as a word processor. Nor is it my only editor - I have always used at least one other editor for certain purposes -- currently EditPad Pro and 010 Editor, mostly.
One reason McPhee has always used Kedit is that a friend at Princeton wrote a number of programs (probably in KEXX or REXX) that interact with it to structure his research. He is not concerned with formatting his own writing.
If you want to experiment with this kind of editor, there is an open-source freeware editor based on XEDIT and Kedit, called The Hessling Editor. It seems to have most of the functionality of the DOS version of Kedit, with some additional capabilities. I don't believe it has a native Windows GUI.
THE (= TheHesslingEditor) is mentioned by some, but in order to play around with such an editor, KEdit is fine since there is no trial period here, just absence of storage for files bigger than a few lines, so you can load files of any size into KEdit and then play around with them, and even paste the final results back into any other editor / text program; of course, abusing the trial this way in a systematic way, to do work with it, would be illegal.
As with many other sw, KEdit should have been further developed: All the above-mentioned negative points could and should have been exterminated over the years, incl. the formatting prob. In fact, some time ago, I searched very seriously for an .rtf-capable editor, but didn't find any. It has been only afterwards that I understood the interest of html export even when you do not bring your text to the web afterwards, html export being much more macro- and editor-friendly, for further processing (and even for further html-"upgrading") than .rtf export, so .rtf is more or less a defunct format: much too complicated in practice, and not stable enough - it hasn't been after I had written complete macros in order to clean up such .rtf exports, that I got aware that it wasn't even stable enough, let alone all the fuss, whilst html is much less chaotic, and this is an .rtf problem, whilst the lack of stability could be the fault of my exporting program of course.
I could write similar things about the only available Warnier-Orr sw, called b-liner: There also, we've got tremendously good ideas, but end of development, with many details never worked out (and, in b-liner's case, bugs that'll remain forever); it's a pity so many sw outstanding from the crowd ain't developer further: Development stops when the point of no (further financial) "return" for possible further development is reached, and so they never attain real maturity.
But xtabber, if you use KEdit on a regular basis, why not share some tips and tricks? Perhaps KEdit's possibilities go further than I discovered with my playing around with it.
I would be remiss if I did not mention SPFLite here, which is basically a Windows version of the old IBM ISPF editor, with some enhancements. I used ISPF for years so I'm used to how it works, and it has some capabilities that are hard to match in other editors. I use SPFLite not often but regularly these days.
And now that someone has mentioned KEXX I will have to do some looking... I have used Rexx (Regina specifically) for lots of scripting tasks that plain batch won't handle and I'm curious how Kexx compares.


text:
Oncology Nurse Becomes Cancer Caregiver to Her Own Mom
Cassidy Kotobalavu and her mom, Mary Ann Clawson
Cassidy Kotobulavu found joy and purpose working as a nurse and nursing educator at Huntsman Cancer Institute. After learning her mother was diagnosed with metastatic breast cancer, Cassidy became the person learning procedure outcomes and holding her mom's hand during infusion treatments. Cassidy shares her experience dealing with being on the other side of the curtain.
Filmed in Fall 2020
I feel like now I can handle any challenge that you bring me. And I still have weak moments, but I do think that those challenges and those experiences have changed me and molded me into who I am now.
In 2015, I was happy working at the bedside and I loved my job being a nurse. One of my main mentors, Gigi Austria, came to me one day and said, "you know, have you ever thought about working in nursing education?" I was really just starting to get my feet wet in that job, and November came around of that year and my mom had gone to a dermatologist for some concerns. The dermatologist called and said, "this is actually not what we were thinking it was, it's actually breast cancer."
I had spent so many years up to that point taking care of oncology patients and pouring my heart and soul into caring for them. And I had this selfish moment feeling like, "Why me? Why do I now have to deal with this in my own personal life?"
She was diagnosed in November of 2015 with metastatic breast cancer. And was told that she had an incurable cancer, but it was very manageable and something that we felt strongly that we could treat. But that was at a time in my career where again, I had just changed professions and moved into the education route and was feeling a little, you know, uneasy in my job already because I was new.
But the support that I got from my nursing directors and from the rest of my team was just amazing. Because I was in this new position, but I was also supported in the fact that they said, "I know you have this meeting, but your mom's also down in infusion so why don't you skip the meeting and why don't you go down and spend time with her?" I was able to see that other side of the curtain, and that's the way I describe it to my nurse residents. And it really is, it's a completely different perspective than I had ever had before. I've suddenly become that family member who was down in infusion in the chair next to my mom waiting for her chemotherapy to finish and feeling really nervous and making sure she didn't react. And I was that family member, you know, in the operating room lobby waiting for her to finish surgery.
Watching the researchers, and the providers, the scientists, the bedside nurses, helps me realize that what we do here is going to help people like my mom. It's going to help patients out there who have gone through this cancer journey, but are still looking for future treatments and future improvements and innovation in science.
This November is my mom's five-year mark from diagnosis, which is so exciting. She's playing with my kids consistently and she's baking and doing all the things that she loves to do. Because I see these patients—sometimes at their worst and in their most vulnerable state in the hospital, it's great to come home and to see my mom thriving.
And knowing that she will forever be a cancer patient and forever be a cancer survivor, but to watch her live her life and do the things that she loves to do every single day, that's really inspiring. I have felt out of control many times. There have been times where I felt like I couldn't do it—where I was failing my mom or where I wasn't being a good nurse. I didn't have the mental capacity sometimes to be both roles—both caregiver and nurse educator at the same time at work. But again, with working here and knowing what we do and knowing how important it is, I think it's kept me going and it's reminded me that the stress I've gone through and those vulnerable moments are worth it, because I'm able to be there for my mom and it's also made me better at work.
caregiver breast cancer cancer care nursing
In it Together: Wellness for Patients and Caregivers
You Can't Do It Alone: Talking About Caregiver Burnout
The Importance of Asking for Help
Dealing with Compassion Fatigue One Day at a Time
A Caregiver's Journey to Healing through Art
Cancer touches all of us.


Findings from a 2008 neurocardiogenic syncope study seem to contradict current beliefs regarding what happens during a fainting episode as well. The results did not show an increase in ventricular contractility before tilt-induced syncope, or in presence of a valuable increase of sympathetic activity. Instead, the researchers observed a reduction of atrial contractility, which they believe may be a contributory component in the pathogenesis of vasovagal syncope .
There are several other factors that may be contributory components in the pathogenesis of vasovagal syncope as well. Differential changes in plasma levels of epinephrine, renin, endothelin, vasopressin, cortisol, prolactin, beta endorphins and substance P have been reported by some investigators either prior to or during a syncopal episode in patients with vasovagal syncope (Ellenbogen, Morillo, Wood, Gilligan, Eckberg & Smith, 1997). Further research has shown that galanin may play a role in one's ability to adapt to orthostatic stress. Patients may have a genetic susceptibility to NCS as well.
Some researchers have suspected that serotonin might be involved in the pathogenesis of NCS. Studies in animals have shown that the withdrawal of sympathetic impulses correlates with a higher level of serotonin being present in the central nervous system, the brain and the spinal cord (Grubb & McMann, 2001, p. 57). However a later study of NCS patients found no differences in serotonin activity at the time of fainting, but did show a lower serotonin level in patients during the early phase of tilt table testing (Mitro, Hijova & Mudrakova, 2006).
Cardioneuroablationreportedly has helped some neurocardiogenic syncope patients, although the study reporting this was small and patients had only been followed up for 9 months at the time of publishing (Pachon, Pachon, Pachon, Lobo, Pachon, Vargas & Jatene, 2005). Further investigation is warranted.
Counter-maneuvers may help some patients with neurocardiogenic syncope. Research has shown that physical counterpressure maneuvers are a risk-free, effective, and low-cost treatment for patients with vasovagal syncope and recognizable prodromal symptoms, and should be advised as first-line treatment in these patients (van Dijk, Quartieri, Blanc, Garcia-Civera, Brignole, Moya & Wieling, 2006).
Isometric arm counter-pressure maneuvers can increase systolic blood pressure and prevent fainting in some patients with NCS (Brignole, Croci, Menozzi, Solano, Donateo, Oddone, Puggioni & Lolli, 2002). Patients can perform isometric arm counter-pressure maneuvers by gripping one had with the other and pushing both arms away from their chest.
Orthostatic self-training and tilt training may help select patients with NCS (Abe, Kondo, Kohshi, Nakashima, 2002). It is of greatest benefit to younger patients and those who faint frequently (Zeng, Ge, Zhang, Wang, & Guo, 2008). Orthostatic self-training involves standing against a wall, without moving, twice a day for a planned duration of up to 30 minutes. The results of orthostatic self-training studies have been mixed, with one study concluding it ineffective in reducing the positive response rate of head-up tilt test in patients with recurrent neurally mediated syncope (On, Park, Huh, & Kim, 2007).
Alpha-agonists increase venous tone and decrease pooling, which may prevent activation of mechano-receptors. They also counteract the arteriolar vasodilation produced by the triggering of the vasovagal reflex (Raviele, Themistoclakis & Gasparini, 1996, p. 115). Midodrine is an example of an alpha-agonist that is used to treat NCS. Midodrine has been shown to significantly improve orthostatic tolerance during head-up tilt in patients with recurrent neurally mediated syncope (Kaufmann, Saadia & Voustianiouk, 2002). Researchers have also found Midodrine to be effective in both treating and preventing vasovagal syncope in children (Qingyou, Z., Junbao, D. & Chaoshu, T., 2006).
To read more on NCS, please visit our neurocardiogenic syncope links page.
serotoninergic system in the pathogenesis of vasovagal syncope.
21. Nelson, S. D., Stanley, M., Love, C. J., Coyne, K. S., Schaal, S.F. (1991).
self-training effective in preventing neurally mediated syncope?
hydrochloride in the treatment of children with vasovagal syncope.
27. Reybrouck, T., Heidbuchel, H., Van De Werf, F., Ector, H. (2002).
Manoeuvres Trial (PC-Trial). J Am Coll Cardiol. 48(8), 1652-1657.
training in the prevention of vasovagal syncope and its influencing factors.
Int Heart J. 49(6), 707-712.


Humans have made an indelible mark on nature and thus become a "force of nature" themselves. As natural resources grow scarcer and climate change and environmental problems intensify, the global disparity between winners and losers continually increases with millions of refugees displaced or fleeing. The project "Silmandé" addresses the common relationship that we all share on this planet at several levels, investigates the connections between climate change and migration, and invokes the visionary ability of humans. Over the course of nine months, the transnational ensemble Hajusom, the Ensemble Resonanz, the Burkinese Éco-Art project "The Garden of Silmandé" and other international artists and researchers will present their positions for a sustainable lifestyle in the future and a new world community. These will be combined and intertwined to form a musical performance at Kampnagel. The soundtrack includes electronic sounds, flexible micro-music, fragments of New and Classical Music as well as improvisation and rap.
The goal of "Silmandé" is to allow visitors to feel and experience visions of a different kind of world. To achieve this, the organisers converted the Medienbunker Hamburg into a research lab, in which the participants have developed music, text, choreography and props, and conducted theme-based research. The interim results have been presented to and discussed with the public. A second laboratory opened in the "Garden of Silmandé" in Ouagadougou; starting in September 2016, children have started planting and cultivating trees together with the participating artists. The video artist Josep Tapsoba accompanied them during the process and will integrate the video footage into the stage design of the concluding musical performance.


text:
A Capela do Divino Espírito Santo, mais conhecida como Igreja do Tirol, é uma igreja que mistura elementos neogóticos e neorromânicos no município de Santa Leopoldina, no Espírito Santo. Foi construída entre 1888 e 1898 por missionários da Missão Steyl, também conhecida como Sociedade do Verbo Divino, no Tirol, a primeira comunidade católica do município.

História
Religiosos da Sociedade do Verbo Divino estavam de passagem pelo Espírito Santo a caminho da Argentina, quando souberam que a comunidade formada por imigrantes católicos na colônia de Santa Leopoldina necessitava de ajuda. Auxiliaram na construção do projeto da capela, que, estima-se, havia sido desenhado quando os imigrantes chegaram à localidade, por volta do ano de 1860.

Quando da conclusão da capela, a mesma foi elevada à condição de matriz provisória da paróquia da localidade então conhecida como Cachoeiro de Santa Leopoldina. E manteve tal designação até o ano de 1911, quando iniciou-se a construção da atual Igreja Sagrada Família, na sede do município.

Arquitetura
A pequena igreja foi construída com elementos estilísticos que remetem ao neogótico e ao neorromânico, num período em que o Ecletismo estava no seu auge na Europa. A grande porta da fachada principal tem verga em arco pleno sobreposta por uma rosácea. Nas fachadas laterais, veem-se janelas em arco pleno e as rosáceas menores das capelas secundárias. A torre sineira pontiaguda é um volume independente do corpo principal, localizada aos fundos da edificação, ao lado direito do altar-mor, coberta por telhas de zinco. Já o corpo principal da capela atualmente é coberto com telhas francesas, que substituíram a cobertura original em telhas de ardósia.

A Capela apresenta nave única com planta retangular, com um pequeno altar lateral de cada lado. Tem forro abobadado em madeira e piso em ladrilho hidráulico.

O altar-mor em arco pleno monumental tem acabamento em madeira e é adornado por pano pintado e pregado no forro. Guarda várias imagens provindas da Europa e de canteiros locais. A igreja conta também com órgão alemão do final do séc. XIX, e púlpito e coro em madeira.

Ao lado da igreja, se localiza a Casa Paroquial do Tirol, também tombada pelo Estado. As duas edificações compõem um conjunto arquitetônico de características próprias dessa comunidade, que tem origem tirolesa (da região austríaca do Tirol).

Igrejas do Espírito Santo
Santa Leopoldina

redpajama_set_name: RedPajamaWikipedia


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The Cruel History of Eugenics in America: An Interview with Adam Cohen
In the 1920s, some American families competed in state and county fairs to be judged the "fittest human stock." Families deemed the "most perfectly developed" were awarded blue ribbons, just like cows and pigs.
These Fitter Family Contests were but one reflection then of the infatuation with eugenics across the United States—especially by the elite institutions of science, law, and academia—in an effort to purge the nation of the unfit. Eugenists promoted the reproduction of the healthiest citizens while eliminating the "feebleminded" through policies such as immigration restriction and anti-miscegenation and compulsory sterilization laws.
Acclaimed author Adam Cohen traces the grim history of American eugenics in his groundbreaking new book Imbeciles: The Supreme Court, American Eugenics, and the Sterilization of Carrie Buck (Penguin Press). The book focuses on one of vilest Supreme Court decisions in U.S. history when, in 1927, celebrated Justice Oliver Wendell Holmes wrote a brief and disturbing opinion allowing the forced sterilization of Carrie Buck, a young Virginia woman with a limited education (Buck v. Bell, 274 U.S. 200 (1927)). The decision led to the mass forced sterilization of tens of thousands more Americans, mostly poor and powerless women, who were considered "feebleminded."
As he illuminates this gross injustice, Mr. Cohen limns the world of Carrie Buck and the prominent scientists, lawyers and judges who wanted to end her family line. He also explores the wide influence of the American eugenics movement that demonized the weak and vulnerable as it inspired Hitler's ideas on creating an Aryan master race. His book is based on exhaustive research into materials from medical, legal, academic, and other archives, including extensive documents on the legal proceedings against Ms. Buck from the trial court stage to the Supreme Court proceedings...
http://historynewsnetwork.org/article/162904
Labels: Adam Cohen, eugenics


text:
Home > Back to Search Results > Oswego in the French & Indian War... Judaica item...
Oswego in the French & Indian War... Judaica item...
Item # 651014 THE GENTLEMAN'S MAGAZINE, London, October, 1756 Under the heading: "American News" is a report which includes: "...concerning Oswego still continue to be contradictory...the last letters from Albany say that the French had burnt the fort & put almost the whole garrison to the sword..." and mention that Col. Webb was sent to reinforce the place & found the fort blown up & found "...about 500 dead bodies scattered in & about the place...". Not a lengthy report yet historically important (see images).
Also of interest is an article: "Curious Jewish Instrument from the Hebrew" which takes nearly half a page & is signed: Aaron, the son of Rabby Haim (see images).
Contains the fold-out map of Europe called for.
Complete in 48 pages with a full title/contents page featuring an engraving of St. John's Gate, 5 by 8 inches, very nice condition.
A very nice War magazine from during the French & Indian War from the "mother country" with a wide range of varied content. This was the first periodical to use the word "magazine" in its title, having begun in 1731 and lasting until 1907.
Category: The 1600's and 1700's
Provincial Congress meeting...
Genuine London Gazette newspaper from...


text:
MATT JENCIK – MIND OUT OF JOINT
Taken from the same recording period as Matt Jencik's highly regarded Dream Character that came out in late 2019 on Hands in the Dark, Mind out of Joint is the latest offering from the Chicago artist's textural and movement filled ambient work that cycles with its own nocturnal rhythms.
This beautiful two song pairing is accompanied by a short film. Directed by Lori Felker, the film frames a lakeside dock as a vectoring point where image, space, time and memory fold in on themselves in a hallucinogenic reverie.
From Matt: "All Pittsburghers have a connection to zombies in some way. Night of the Living Dead was filmed outside of the city in the late 60s. Dawn of the Dead was filmed at a mall where my parents would take us ice skating. Horror make-up/effects legend Tom Savini lived there and at Halloween he'd donate props from his archives to the coffee shop across the street from the record store where I worked for their window display. George Romero was my roommate's uncle. The "living dead" are just part of the atmosphere there and for certain people like myself, there's a certain pride to it.
When I asked fellow former Pittsburgher Lori Felker if she could make videos for my new songs, I told her one of them ("1969 in Pittsburgh") was an homage to Night of the Living Dead and she told me she just happened to have unused, creepy camp footage that includes snippets of a late night outdoor screening of the same film. Her film is the backdrop for the music on this new single. That's the type of pull that Romero's universe has on so many of us from Western, PA. It always brings us back there somehow."
Mind Out of Joint by Matt Jencik


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