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In Case You Missed it – Recap of Ysolda's March Visit to the Guild
Recap of Ysolda Teague's Presentation to the Guild.
Continuing with the Guild's international speakers tour, on March 2nd, we were treated to a visit by Ysolda Teague from Edinburgh, Scotland, via Zoom.
Ysolda is a designer of garments, accessories, children's wear and toys. She comes from a long line of knitters in Scotland, including her own grandfather. At a young age, Ysolda didn't really like knitting, mainly because she wanted to knit lace but was told that it was too difficult for a 6-year-old. As a teenager, she loved vintage clothing and found her granny's stash in the attic. Among her finds were old knitting books filled with different stitch patterns and ideas that she would soon master as she started designing her own garments.
In 2005, Ysolda discovered Knitty, a grassroots web magazine that welcomed submissions from readers who wanted to publish their own patterns. Much to Ysolda's surprise, her design was placed on the cover of the magazine. Today, Ysolda has over 190 patterns on Ravelry and her website and has published over 10 knitting books.
Noticing that published garment designs usually only came in three sizes and that the models were usually of a "perfect" size, Ysolda persuaded her friend Amy Singer, editor and founder of Knitty, to model her Liesl sweater pattern. The knitting world loved this.
In her thoughtful, inclusive design process, Ysolda considers all aspects. Patterns are sized from XS to 6XL, and the models used in photo shoots include diverse body types, people of color, gender neutrality, all of which are considerations she includes in her designs. She encourages us to look at other inclusive designers such as Jacqueline Cieslak, Bayron Handmade and Renee Van Hoy. More about Ysolda can be found on her website, ysolda.com.
– Mary Woo, Programs
Screen Shots from the Meeting.
Nancy Lerer Introduces Ysolda
March Speaker Ysolda Teague
Sheila Kirschenbaum wore her version of Ysolda's Liesl Sweater
Debbe Deverill discussed stash donations.
Event Guild Meeting, News
« March 2, 2021 General Meeting Minutes
April 2021 Brief Announcements and Events »


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Q: Android webView Whatsapp Web loads mobile site I am trying to display the desktop version of Whatsapp Web https://web.whatsapp.com in my Android app. To make it look like a desktop computer opens the website, I do the following:
        webView.setWebViewClient(new WebViewClient());

        webView.getSettings().setJavaScriptEnabled(true);
        webView.getSettings().setDomStorageEnabled(true);
        webView.getSettings().setUserAgentString("Mozilla/5.0 (X11; U; Linux i686; en-US) AppleWebKit/537.36 (KHTML, like Gecko) Chrome/43.0.2357.121 Safari/537.36");

This used to work but doesn't work anymore. What else can I add to make it look like a desktop accesses the website so I get the desktop website instead of the mobile website?

redpajama_set_name: RedPajamaStackExchange


Engineering timelines are longer than those of media scandals, which has supreme honda fourtrax wheels a predicament in the same way as diesel engine. The companys decision to manufacture a next-generation ultra-clean turbo-diesel was made with ease past Volkswagen was caught getting its cheat on, but the finished 1.6-liter inline-four reviewed here in the honda fourtrax wheels is reaching its aspire push in Europe just as demand slumps for compression-ignition engines, thanks in large allowance to the Dieselgate scandal.
There is tiny inadvertent that honda fourtrax wheels will sell its additional engine anywhere external of Europe; company executives assume that it likely will be the last diesel it will develop. Diesels nevertheless made happening 45 percent of European passenger-car sales last year, but that percentage is falling hastily and is disproportionately made taking place of cars improved than the honda fourtrax wheels. Within a technology generation, the proceedings for spending the allowance vital to produce different all-new diesel for a minority performer as soon as the honda fourtrax wheels will re agreed be gone. But it is fitting for such an engineering-led company that, despite its modest output, this tiny diesel should be remembered as one of the pinnacles of its genre.


The packaging of YSL products are always luxurious and sleek – this foundation definitely is nothing short of that. The foundation comes in a square shaped glass bottle paired with a plastic but gold covered top. Aesthetically it is beautiful, clean, and simple. Functionality wise it has a plastic stick that is attached to the inner cap with a raindrop shape which works as the applicator. Personally, for a product that is priced at $64 I would prefer if there was a better way to access the product because this is not the most sanitary. For example a dropper or something similar would maybe be a little more sanitary and hygienic. Overall, the packaging is great, though it is a glass it does not feel fragile and I have thrown it into my makeup bag and travelled with it and have had no problems (leakage or breakage).
Briefly put the foundation is a liquid formula that dries matte and carries a low to medium coverage. It is extremely light weight and I recommend this foundation or similar kinds for those who do not like the feel of liquid foundation on their face. For application the product applies and blends smoothly and seamlessly. It sets into a matte finish quickly and feel weightless on the skin. I have tested the application with a beauty blender, brush, and my fingers and found that all had great results but would say a brush or beauty blender would be the best way to go. I personally like that the product is so thin therefore not a lot of product is needed to cover the whole face and one bottle has lasted me quite long. For the wear of the product I have found that it looks natural and light (great for a 'no makeup' – makeup look). It also does not settle into lines even without the addition of powder. HOWEVER I found that it did not live up to its claims of lasting up to 24 hours as I found that around certain area on my face the foundation would start to fade near the end of my day (without any touch-ups). Also because it has a light to medium coverage (which is build-able) it is not the best for photo shoot style pictures – but if it is just a casual selfie then it helps to make your skin look naturally and effortlessly flawless. Overall, this foundation has definitely become a staple in my everyday makeup routine because of its natural look and weightless feel. It is extremely comfortable to wear all day long and has a light to medium coverage that is buildable. However it does fade a little in my nose area near the end of my day and is not made for photo shoot style photography – but above all is an amazing day to day foundation.
Shade wise I found that for light to medium tones there were a lot to choose from and a great selection (for light to medium toned skin) including different undertones therefore BD 40 was great for my yellow under toned skin. Unfortunately there is not much availability for darker skin tones as the darkest shade available is BD 65 Golden beige – I do hope they expand their line soon as this is an amazing product. SIDE NOTE: the shades do run a little lighter than what you see in the bottle so I would recommend swatching or testing the shade on your neck before purchasing.


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KU Falters Against Michigan State
Posted on November 20, 2015 November 20, 2015 by John Holihan
After controlling the first 30 minutes of the game against Michigan State, Tuesday, No. 4 Kansas faltered down the stretch on both ends of the court, surrendering an 11 point lead and the game to the Spartans at the United Center in Chicago, Ill., in the night cap of the 2015 Champions Classic.
KU now falls to 1-4 all-time in the tournament, which consists of Kansas, Duke, Kentucky, and Michigan State.
The Jayhawks, which on paper appear to the be the better team, and throughout the majority of the game proved to be the better team, couldn't make shots down the stretch, while also failing to stop MSU from scoring, particularly Denzel Valentine, who ended the night with a triple double.
The loss itself isn't a big deal for the Jayhawks, as it's only the second regular season game of the season, but the way in which KU gave the game away is an unfortunate trend which has been on-going for the last 3-4 seasons.
Any Kansas fan which has watched the group of players knows what that means; A lack of toughness down the stretch, the inability to close teams out, and losing games in which they were in full control of for nearly the entire 40 minutes.
Another concerning aspect to the loss is the continued frustration of Self seemingly struggling to find a consistent rotation with this group, as well as taking advantage of the depth everyone claims Kansas has, but when you look at the box score, only 7, maybe 8 players are seeing significant playing time.
The biggest beef fans have had following the loss is the lack of playing time for Kansas' two best outside shooters–Brannen Greene and Svi Mykhailiuk–when the Jayhawks' offense slumped and shots weren't falling. On top of that, freshman power forward Cartlon Bragg, Jr., who has made an instant impact for Kansas, as well as Hunter Mickelson, a player which Self has said has been the most improved since the end of the last season, sat on the bench behind the likes of Landen Lucas.
The best way to describe the decision to sit those players in favor of a mediocre Lucas, and Wayne Selden, Jr., (who is overall one of KU's better players, but an average to below average jump-shooter) is at best, perplexing.
Self obviously knows his team better than any fan or media member, but with the talk of so much depth, and a guy like Greene, who is coming off an 18-point performance against Northern Colorado in which he went 5-for-5 from three point range, sitting on the bench down the stretch when KU needs points simply doesn't make sense.
It's almost as if Self has his favorites, but if one thing has been proven, his favorites aren't always the players which can go win you a game, and ultimately that's the goal each time KU takes the court.
Prior to the game against Michigan State, Self said his team is probably a month ahead of where they normally would be, thanks to their trip to South Korea for the World University Games, but if that's the case, a loss like Tuesday's should have never happened.
Still, it's the second game of the season, which means there is plenty of time to improve upon things, but if you are a KU fan watching this group which, for the most part has been together for three seasons, continue to slip up in big games that they have no business losing, you have to be somewhat concerned.
Next up for the Jayhawks is a chance to get back on track against Chaminade, the host team of the 2015 Maui Jim Maui Invitational, located at the Lahaina Civic Center.
KU has played in the Maui multiple times, its last coming in 2012 when it lost to Duke in the championship game. Kansas would eventually go on to make a National Championship game appearance in which it lost to Anthony Davis and the Kentucky Wildcats. The game is scheduled for an 8:00 tip on ESPNU.
Kansas handles N. Colorado
The regular season has finally started and No. 4 Kansas opened things up by dominating Northern Colorado in Allen Fieldhouse, 109-72.
Off the bench, Brannen Greene led all Kansas scorers with 18 points, hitting all 5 of his three-point attempts.
As a team, the Jayhawks hit 15 three's and put on an offensive display not seen in quite some time. While Northern Colorado wasn't the best competition the Jayhawks will face this season, to come out game 1 and put up 109 on 55% shooting is a major plus for a team expecting to reach the Final Four.
Four of the five starters for Kansas reached double-digits in scoring (Jamari Traylor had 8 points), and Frank Mason III was one assist shy of a double-double, scoring 11 points and recording 9 assists to just 2 turnovers.
As Bill Self said after the game, this may potentially be the deepest team he's had at Kansas, and because of the World University Games over the summer, his Jayhawks are probably a month ahead of where his teams usually are to start the season.
Winning the gold and going undefeated in South Korea was rewarding, but having freshman learn plays and grasp Self's system early on to gain readiness for the 2015-16 season may have been the ultimate reward.
In most cases, Self's teams usually begin to clock following Christmas break when they've played a dozen games and have unlimited practice time over the holidays.
Now, the Jayhawks have the benefit of being prepared for the season at the outset, much like Kentucky was last season after playing in Puerto Rico over the summer.
For Greene, a streaky player that has had an up and down career at Kansas, exploding for 18 points off the bench and post-hip surgery which kept him from playing following the end of last season is a bonus for Kansas in terms of its offense.
Greene has proven to be Kansas' best three-point marksman, but disciplinary issues and frequent visits to Self's doghouse have kept him from fully blossoming in Lawrence.
Defensively, Kansas held the Bears to 39% shooting from the floor, and just 33% from behind the arc.
With new rules in place, making it tougher for players on the defensive side of the ball to be physical with on-ball defense, coaches have been worried about foul trouble, particularly early on in the season while everyone adjusts.
KU recorded just 24 personal fouls for the game, and with its depth, only saw one player–Landen Lucas–have more than 3 fouls on the night.
On the flip side, the Bears ended up with 35 personal fouls and had three players foul out of the game, including two starters.
Next up is a date with Michigan State as apart of the Champions Classic, this time in Chicago. The tournament, which enters its fourth year, features Kansas, Kentucky, Duke, and Michigan State. This year is a reboot from the first edition, with Kentucky taking on Duke in the first sessions, followed by the night capper between the Jayhawks and Spartans.
Kansas' next home game at Allen Fieldhouse will be December 1 against Loyola (MD).
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No. 4 Kansas Wins Exhibition Opener
Posted on November 6, 2015 November 6, 2015 by John Holihan
Wednesday night marked the beginning of a new season of Kansas Basketball, as the No. 4 Jayhawks opened their 2-game exhibition play against Pittsburg State with an 89-66 win.
Bill Self, for the first time in many years, has a team loaded with experienced players. Perry Ellis, Wayne Selden, Jr., Jamari Traylor, Frank Mason III, and Landen Lucas, have all been in the program for multiple seasons.
When speaking to the media earlier this week, Self spoke about his team potentially practicing poorly of late due to boredom and needing to face someone other than themselves on the hardwood.
Whether it was starting off a little too amped and fired up, or just the rust of having not played in an actual game, the Jayhawks struggled in the early going against a Gorillas team which always comes to Allen Fieldhouse with a nothing-to-lose mentality.
Shooting, in particular, was atrocious for both team throughout the first half. Despite the poor shooting, however, Kansas' defense wasn't where it needed to be in terms of intensity, and with 8 minutes to go before the break, KU was clinging to a meager 19-16 lead.
Self, after calling several timeouts and letting his players know about their lackluster play, watched his team go on a spurt over the course of the final three minutes, turning a once close game into a laugher.
Perry Ellis led Kansas with 22 points, and looked to be in great form with his play. While it was a good sign to see KU's top player performing at a high level, the surprise of the night went to freshman forward Carlton Bragg, who scored 14 points to go along with 6 rebounds, 2 assists, and 2 blocks in 21 minutes of action.
Bragg played so well that Self gave him the nod to start the second half in place of Landen Lucas.
Arkansas transfer Hunter Mickelson also displayed his improvement over the summer by providing Kansas with great energy on both ends of the floor and showing that he knows how to get himself around the ball.
Mickelson, who Self said would likely be considered the obvious most improved player in the eyes of the fans, put in a highlight-reel dunk after a Bragg miss, jumping over the top of a defender and flushing the ball home with one hand.
If one thing is certain, it's that Bill Self has plenty of depth at his disposal. Prior to halftime, Self had played 11 players in total. While he would like to see his rotation stay around 8-9, knowing you have additional depth beyond that will create plenty of competitiveness in practice and will keep players hungry to earn playing time, particularly on the perimeter where Mason, Devonte Graham, and Wayne Selden, Jr., are likely to the majority of the minutes.
Two players Kansas needs to see major improvement from in order to have the type of success expected this season, are Brannen Greene and Sviatoslav Mykhailiuk.
Greene is a deadly outside shooter and can change the course of a game quickly with his ability to knock down shots, and Mykhailiuk, also a sharp-shooter, is projected to eventually be a top 10 draft pick.
If Self can get production out of those two, both of which posses plenty of size and athleticism on the perimeter, Kansas will remain one of the title favorites throughout the year.
Next up for Kansas is a Nov. 10 (Tuesday) exhibition game against Fort Hays State before opening up the regular season versus Northern Colorado on Friday, Nov. 13.
Looking for tickets to the next Kansas home game? Tickets For Less has incredible tickets on sale now for all upcoming KU games at Allen Fieldhouse, the cathedral of college hoops. With zero hidden service fees, what you see is what you get on all ticket purchases. Head to Tickets For Less, today, and Go Jayhawks!
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redpajama_set_name: RedPajamaCommonCrawl


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José Armando Tavares de Morais e Castro com o nome artístico Morais e Castro (Lisboa, 30 de Setembro de 1939 - Lisboa, 22 de Agosto de 2009) foi um actor, encenador, político e advogado português.

Família
Filho de Mário da Costa Carvalho Gonçalves de Morais e Castro (Lisboa, 19 de Março de 1914 - ?) e de sua mulher Maria Cesarina Martins Tavares (9 de Junho de 1912 - 1995), oriundo da Nobreza fundiária de Trás-os-Montes e Alto Douro.

Biografia
Actor experimental do Grupo Cénico do Centro 25 da Mocidade Portuguesa, enquanto estudante liceal. Estréia-se profissionalmente no Teatro do Gerifalto, dirigido por António Manuel Couto Viana na peça A Ilha do Tesouro (1956). Em 1958 estreia-se na televisão em O Rei Veado de Carlo Gozzi, realizado por Artur Ramos. Ainda no Teatro do Gerifalto, integrou o elenco de variadas peças, como O Fidalgo Aprendiz de Francisco Manuel de Melo ou Os Velhos Não Devem Namorar de Afonso Castellau. Em 1960 trabalha junto de Laura Alves. Em 1961 estreia-se na encenação, dirigindo no Cénico de Direito, O Borrão de Augusto Sobral, premiado no Festival de Teatro de Lyon desse ano. Estréia-se no cinema, com Pássaros de Asas Cortadas de Artur Ramos (1962).

Integrou o Teatro Moderno de Lisboa, de 1961 a 1965, participando em O Tinteiro de Carlos Muñiz ou Humilhados e Ofendidos de Dostoievski onde obtém grande sucesso. Neste período contracenou com actores como Armando Cortez, Fernando Gusmão, Carmen Dolores ou Ruy de Carvalho. Em 1968 é co-fundador do Grupo 4 no Teatro Aberto, juntamente com Irene Cruz e João Lourenço e aí representou autores como Peter Weiss, Bertolt Brecht, Max Frisch, Peter Handke ou Boris Vian. Aí encenou também É preciso continuar de Luiz Francisco Rebello. Em 1985 em faz a comédia Pouco Barulho, com Nicolau Breyner, passando depois pela Companhia Teatral do Chiado, onde ao lado de Mário Viegas participou em À Espera de Godot de Samuel Beckett. Em 2004 a sua interpretação em O Fazedor de Teatro de Thomas Bernard com Joaquim Benite na Companhia de Teatro de Almada valeu-lhe a Menção Honrosa da Crítica. Foi ainda presença regular em novelas e séries, durante a 80 e 90. Popularizou-se como professor na série As Lições do Tonecas (1996/1998). Em 2000 voltou a trabalhar com o ator Luís Aleluia numa série detetives chamada Patilhas e Ventoinha. Em 2005 fez o papel de diretor de escola na série O Clube das Chaves da TVI.

Outros Cursos
Morais e Castro era Licenciado em Direito pela Faculdade de Direito da Universidade de Lisboa (1964), exercendo também a advocacia. Foi ainda dirigente do Partido Comunista Português.

Morte
Morais e Castro faleceu a 22 de Agosto de 2009 no IPO de Lisboa vítima de cancro.

Casamentos e descendência
Casou primeira vez a 4 de Abril de 1961 com Marília Vitória Martins Gomes Leão (21 de Agosto de 1938), de quem teve um filho e uma filha:
 João Paulo Gomes Leão de Morais e Castro (8 de Janeiro de 1962), casado primeira vez a 1 de Agosto de 1989 com Isabel Maria Gomes Blanco Nobre (17 de Janeiro de 1962), com uma filha Constança Blanco Nobre de Morais e Castro (14 de Fevereiro de 1994), e casado segunda vez a 24 de Janeiro de 2006 com Isabel Maria Figueiredo Paula (23 de Dezembro de 1967), sem geração
 Alexandra Maria Gomes Leão de Morais e Castro (19 de Maio de 1965), casada primeira vez a 14 de Agosto de 1987 com Luís Filipe Ferreira Rodrigues (25 de Julho de 1959), com dois filhos Gonçalo e Gustavo Morais e Castro Rodrigues (26 de Maio de 1989 e 8 de Junho de 1992), e casada segunda vez a 3 de Maio de 2003 com Luís Filipe de Figueiredo Morais da Silva Pinto (3 de Maio de 1961), com uma filha Mariana de Morais e Castro da Silva Pinto (6 de Junho de 2004)

Casou segunda vez com a actriz Linda Silva, sem geração.

Filmografia
 Pássaros de Asas Cortadas (1963)

Ligações externas

Naturais de Lisboa
Atores do distrito de Lisboa
Encenadores de Portugal
Advogados de Portugal
Políticos do Partido Comunista Português

redpajama_set_name: RedPajamaWikipedia


The weather stayed hot and sunny this weekend with a lovely cooling breeze. As a result, the action continued unabated in the garden.
By mid-morning on Friday, both male and female broad-bodied chasers were zooming all around the pond, frequently pausing to perch on the stems of the flowering rush and yellow flag iris.
Lots of damselflies were on the wing too, flying in tandom, and laying eggs around the edges of the pool and amongst the emergant stems and flowers of the water crowfoot.
That evening, Suesie and I decided to stay out late in the garden enjoying the slowly fading light. Although the damselflies had vanished the pond was still a hive of activity. Frogs occasionally poked their noses up to say hello, and we spotted a little black diving beetle, (another new-comer,) which repeatedly rose to the surface for a gulp of air before plunging back down into the hidden depths. And joy upon joy, we suddenly had a brief glimpse of our first newt! What a wonderful day. For a while longer we lingered, and were treated to the sight of a couple of bats as they fluttered silently overhead, no doubt gourging on the midges which had risen from the pond.
Early Sunday morning, we awoke to discover another dragonfly larvae had crawled out over night, up onto the stems of the bankside sedge. Spellbound, Suesie watched as it split from it's casing and emerged into another beautiful broad-bodied chaser; a female this time. A little later in the morning she was seen once more in the meadow strip, still drying her glistening wings.
By 10.30am it had already become hot and we were treated to the wonderful sight of another female chaser laying eggs in the margins. Rhythmically, she dipped her tail just below the surface. Damselflies; mostly blue now, continued to lay all over the pond and at one time I saw eight pairs all at once!
By mid-day, one of our foxgloves was in bloom and just a hint of yellow could be seen at the top of one of the yellow flag irises. What a wonderful weekend!
Today dawned cloudless and still, and by mid-day it had become hot. What a differance it made to the garden. Suddenly, the californian poppies, wild clary and foxgloves were all starting to bloom, whilst in the meadow strip lots of germander speedwell was beginning to give a beautiful show of blue beneath the hedge.
But the pond! I couldn't believe the change! Suddenly, everything erupted into life with damselflies fluttering around the grassy margins and over the water crowfoot in tandom, dipping their delicate tails in the water to lay eggs. As you can see, most of these were large red damselflies. The first photo is of a pair in a "copulation wheel" where the male passes sperm to it's mate.
Later on in the day, a stunning pair of broad-bodied chasers flew over and we managed to photograph the female as she rested on the washing line.
But the excitment was only beginning. All day we'd noticed that some of the dragonfly larvae had been particularly active, crawling all around the edges of the pond. At 5.30am the next morning, Suesie woke me to say she'd found that two larvae had crawled from the pond onto the sedges and grasses on the bank. Alas, I had to leave for work soon after, but Suesie was able to watch entranced, as two beautiful female chasers emerged and took their first flight.
What a change to the weather we saw this weekend! Sheltered from the breeze it even felt hot at times, and bathed in the warm sunshine the garden quickly came alive with the sound of buzzing insects. The comfrey is still a big hit with bumble bees but lots of other insects were on the wing including orange tip and common blue butterflies, and damselflies too. The one below left is a female large red. On the right can be seen a St. Mark's fly which alighted for a while on the tall grasses around the willow pod.
Now that the dandelions are slowing down the meadow strip has returned to a lush, green hue though a few primroses still bloom, and amongst the grasses it's amazing to see the variety of plants that are beginning to thrive. It's a rich community of plants including; herb robert, black medick, wood avens, ox-eye daisy and the gorgeous germander speedwell seen below.
Elsewhere, the long peroid of recent rain has meant the plants have rocketed up and the foxgloves, ox-eye daisies and wild poppies are all developing healthy flower buds. Forget-me-nots still give a lovely band of blue at the front of the border but much of the garden yet remains green. Certainly, one of the plans for next year will be to add more early flowering nector plants. For now though, it's lovely to feel immersed in so much verdancy, and there's a sence of gathering energy; the pause before everything bursts into bloom. With the evocotive sounds of blackbird song nearby and the distant calls of a green woodpecker, the garden feels so peaceful right now.
In the pond the tadpoles are beginning to finally reappear much, much bigger than when we last saw them. Every now and then, one will pop up for a gulp of air before plunging back into the depths, and I guess this shows they're beginning to move away from a life dependant on gills. Two more newly hatched damselflies were found resting on the grasses at the pond's edge and the baby water boatmen have grown to about four millimeters across!
Lastly, given clear night skies take a look at the heavens sometime. Saturn can now be seen shining due south-eastwards and can easily be seen with the naked eye. Remember, unlike stars planets tend not to twinkle but shine with an unwavering light. Even in binoculars Saturn appears to have something odd about it, but in a small telescope it's beauty is revealed. With it's amazing ring structure it seems almost unreal; like a tiny model hanging by a thread at the end of your telescope. If you've never seen it, then I defy you to take a look and not be awestruck.


A high luminance of 1,500 cd/m2 enables the PN-V602A to perform superbly in brightly lit indoor locations, even those awash in sunlight. And thanks to the monitor's high contrast, onscreen images are clearly visible from a distance. This means the PN-V602A can be installed in places where it is well out of reach, but not out of sight. Indoor sports facilities, transport hubs, shopping centres, and event venues are just some of the many settings where the PN-V602A can give vivid display to high-quality images.
The PN-V602A incorporates Sharp's original UV2A* technology, which prevents light leakage and ensures highly efficient use of light from the backlight. Thanks to this technology, the monitor achieves truly bright whites, amazingly vivid colours, and extremely deep blacks. Furthermore, a full-array LED backlight ensures uniform brightness across the entire monitor.
* UV2A stands for Ultraviolet-induced Multi-domain Vertical Alignment, a photo-alignmenttechnology that ensures uniform alignment of liquid crystal molecules.
Multiple PN-V602A monitors can be joined together to create video walls configured to a variety of purposes and settings. Easy to assemble and easily controlled via the RS-232C interface or via a network*, video walls composed of Sharp PN-V602A monitors bring dynamic, high-impact exposure to commercial display content.
* The PN-ZB02 Interface Expansion Board is required for control via a network.
The PN-V602A owes much of its outstanding black levels, amazing contrast, and superb energy efficiency to local dimming of the LED backlight. Local dimming allows specific groups of LEDs to be independently dimmed or brightened for greater control of the darkness and brightness in different areas of the monitor, resulting in considerably reduced power consumption. That's why the PN-V602A can deliver significantly better contrast and brightness than conventional LCD monitors while using remarkably less power.
* Results of Sharp measurements when displaying broadcast content (sub-clause 11.6) stipulated under IEC 62087 Ed. 2.0 and with brightness set to maximum. Note that the power consumption reduction will vary depending on the images displayed.
Sharp Digital Signage Software is versatile management software that provides total support for the creation, scheduling, distribution, and display of a wide range of content for Sharp LCD monitors. Whether distributing scheduled programs over a large network or via a USB flash drive, users can select the software version that matches their needs, their business environment, and their existing systems.
The Brightness Sensor* function ensures clear visibility by automatically adjusting backlight brightness to complement surrounding brightness levels. In dark surroundings, backlight brightness automatically lowers, providing optimal viewing and energy savings as well.
With Mirror Display mode*, the same image can be displayed on a daisy chain of PN-V602A monitor for the powerful impact of visual repetition.
* Up to five monitors (using DVI daisy-chain connection).
* Requires optional Interface Expansion Board.
The PN-V602A conforms to the RoHS Directive restricting the use of hazardous substances.
The PN-V602A offers a choice of landscape or portrait installation, allowing customers to select the mode that best suits their display content and application.
VESA-compliant mounts provide right/left pivot and swivel, ensuring a high level of safety when the PN-V602A is mounted on a wall or suspended from a ceiling.
To ensure safe handling, the PN-V602A comes with heavy-duty carrying handles*.
* Pre-assembled with main unit.
The PN-V602A is rugged enough for continuous 24/7 operation in the most demanding professional applications.
The Power on Delay function allows a time delay between the startup of each monitor in video walls or multi-monitor installations. This reduces the load placed on the power supply when a number of monitors are turned on at the same time.
Should the temperature inside a monitor rise, a built-in sensor will detect it, and the backlight system will automatically adjust to keep the temperature within operational level*.
* The monitor automatically goes to standby mode when the internal temperature remains consistently above operational level.
Thanks to its RS-232C interface, the PN-V602A can be easily controlled and monitored from a central location via a PC. Each monitor can be assigned an individual ID code to specify when remotely turning that monitor on or off, changing its input, or making various screen adjustments and settings.
For total ease of operation, the Schedule function allows up to eight settings to be pre-programmed for automatic monitor turn on/off at precise times on a daily, weekly, or one-time basis.
To boost the troubleshooting efficiency of service technicians, operating logs, signal changes, information on operating irregularities, and other such data can be saved and tracked.
The Hardware Diagnostics function detects any irregularities in power supply voltage and indicates it on the monitor.
With the E-Mail Notification* function, display status updates will be sent periodically to a specified e-mail address. A notice will also be sent if a malfunction occurs.
The PN-V602A can be easily operated through a Web browser and monitor control software*.
Display status, continuous operating time, and other parameters can be monitored over a local area network using Simple Network Management Protocol (SNMP)*.
With an analogue PC connection, when a change occurs to the input signal timing, the clock phase will automatically adjust accordingly.


Crack6 - New Release Announced | VKH Press – J-Rock & Visual Kei Coverage Worldwide!
Crack6, solo project of Chisato from PENICILLIN, has recently announced a new CD! The title and tracklist is still unknown, but it is known to b released on June 3rd. You can pre-order now on CDJapan for ¥2,000.


The truth of life, the ultimate, transcendental reality, has been experienced by the wise throughout the ages - and mankind has been uplifted and enriched through their experience.
This delightful 28-page booklet beautifully records some of their descriptions of this eternal reality and underscores another reality - that experiencing the Transcendent is no longer the domain of a fortunate few. It pays tribute to Maharishi Mahesh Yogi, who introduced the Transcendental Meditation technique to the world, thereby giving anyone the opportunity to experience the Self, Transcendental Consciousness and have that become a living reality for all who desire it.
Beautifully presented on a heavy, fine linen paper stock that will resist curling and bending, the booklet was inspired by the popular Great Sayings displays in the new Argiro Student Center on the campus of Maharishi University of Management. Every page is like a work of art.
An ideal gift for lovers of truth everywhere.


Rustic Wedding Hall in Oakland Mi.
The Myth Rustic Wedding Hall lets you customize your menu and leaves you the choice to upgrade at a later date when you know what your real numbers are. Knowing the count of wedding guests in advance that are coming to the party can be a challenge. Myth Wedding hall starts you with the $52 special buffet that includes (2) Main Dishes, (1) Pasta Dish, (1) Potato, (1) Vegetable, (1) Salad, rolls, and a (6) hour beer, wine, and mixed drink bar. After that, you can add other options to your wedding reception such as an appetizer, a family style or plated package upgrade, or any other options you desire as late as two weeks prior to the wedding reception.
The other "popular upgrade" decisions will be put on your quote, but wedding terms are done based only on the required $52 special minimums. Saturday wedding receptions require a minimum of 150 adult guests. Friday & Sunday weddings require an adult minimum count of 100 guests. Tax, 18% gratuity and a 6 hour minimum $900 room fee are additional.


Our 8th Issue will be launched in Bristol on 27th April in association with Fifty Fifty at Bristol Beer Factory Taproom.
Dean Lane Jam with Fifty Fifty Store from 2pm – 5pm with prizes from Fifty Fifty, Keen Dist, Out Of Step + Northern Monk.
Mark Pritchard Art Exhibition + Issue 8 launch at Bristol Beer Factory Taproom from 5pm – Late.
Vague x Fifty Fifty x Mark Pritchard Collab release.
After party with The 30 Stax DJ set.
Locations @ Dean Lane Skatepark 2pm – 5pm + Bristol Beer Factory Taproom, 291 North Street, BS3 1JP 5pm – late.


One night when Farmer Jones has gone to bed drunk, all the animals of Manor Farm assemble in the barn for a meeting. Old Major, the prize pig, wants to tell them about a strange dream he had. First, he tells them in clear, powerful language "the nature of life" as he has come to understand it. Animals toil, suffer, get barely enough to eat; as soon as they are no longer useful, they are slaughtered. And why? Because animals are enslaved by Man, "the only creature that consumes without producing." There is only one solution: Man must be removed. And animals must be perfectly united for their common goal: Rebellion.
After a brief interruption caused by the dogs chasing after some rats and a vote proposed by Major to decide if rats are comrades (they are), Major sums up: All animals are friends, Man is the enemy. Animals must avoid Man's habits: no houses, beds, clothes, alcohol, money, trade. Above all, "we are brothers. No animal must ever kill any other animal. All animals are equal."
He cannot describe his dream to them, "a dream of the earth as it will be when Man has vanished." But he does teach them an old animal song, "Beasts of England," which came back to him in his dream. The repeated singing of this revolutionary song throws the animals into a frenzy.
Major dies soon after, but the animals feel they should prepare for the Rebellion he preached. The work of teaching and organizing the others falls on the pigs, thought to be the cleverest animals. Snowball and Napoleon are "pre-eminent among the pigs"; and then there is Squealer, "a brilliant talker."
Mr. Jones drinks and neglects his farm more and more. One evening, when he has forgotten to feed them for over a day, the animals break into the store-shed and begin helping themselves. Jones and his men charge in, lashing with their whips. This is more than the hungry animals can bear. They all fling themselves on their tormentors. The surprised and frightened men are driven from the farm. Unexpectedly, the Rebellion has been accomplished. Jones is expelled; Manor Farm belongs to the animals.
Now the cows must be milked. The pigs manage to do this. "What is going to happen to all that milk?" says someone. "Never mind the milk, comrade," cries Napoleon. "The main thing is to get the harvest in." When they come back from the fields, the milk has disappeared.
Despite the newness of running the farm by themselves, the animals succeed in doing all tasks in record time. The pigs' cleverness, everyone's enthusiasm, and hard work- especially the work of Boxer, the huge cart-horse- pull them through.
On Sundays there are ceremonies to celebrate the Rebellion, and meetings to plan work. (Here, Snowball and Napoleon never seem to agree.) The animals are taught to read, but the dumber ones can't even learn the Seven Commandments, so Snowball reduces them all to one maxim: FOUR LEGS GOOD, TWO LEGS BAD. The sheep like to bleat it for hours on end. Snowball also organizes Committees, but Napoleon is not interested; he's concerned with the education of the young, and takes two litters of puppies away as soon as they're weaned, saying he'll educate them. As for the missing milk, it goes to the pigs, as do the new apples. Squealer explains that this is absolutely necessary for all the brainwork the pigs do; otherwise Jones might come back, and nobody wants that to happen.
Jones and his men do try to retake the farm. But Snowball has prepared the animals, and thanks to his cleverness and courage- and Boxer's great strength- they fight off the invaders.
There is growing conflict between Snowball and Napoleon. Snowball comes up with the idea of a grand project: building a windmill; Napoleon says it will come to nothing. Snowball says they should stir animals to rebel on other farms; Napoleon says they should get guns for their own. Finally, when Snowball concludes an eloquent speech about labor-saving electricity to be produced by the windmill, Napoleon gives a signal. Then nine huge dogs- the pups he had raised- bound in and charge at Snowball, who barely escapes from the farm with his life.
Napoleon, surrounded by his fierce dogs, announces that there will be no more time-wasting debates: a special Committee of pigs, chaired by himself, will simply give the animals their work orders each week. Four young pigs begin to protest, but growls from the dogs silence them, and the sheep bleat FOUR LEGS GOOD, TWO LEGS BAD over and over, preventing discussion.
Surprisingly, a few days later Napoleon announces that the windmill will be built after all. The animals slave and sacrifice for the project. Some of their food has to be sold to buy building materials. The pigs, however, have moved into the farmhouse, where they sleep in beds. This is absolutely necessary, says Squealer. But isn't it contrary to the Fourth Commandment? The animals check: "No animal shall sleep in a bed with sheets," it says. Meanwhile a storm topples the half-built windmill. Napoleon blames the destruction on Snowball.
In fact, although Boxer refuses to believe Snowball was a traitor from the start, there seem to be signs of Snowball's sabotage all over when things go wrong. One day, Napoleon orders all animals to assemble in the yard. The dogs rush forward and grab four young pigs by the ear and drag them before Napoleon. (They also rush at Boxer, but he simply pins one to the ground and lets him go.) The terrified pigs confess they were in league with Snowball to destroy the windmill and hand the Farm over to Man. After they confess, the dogs tear their throats out. The same thing happens to three hens, a goose, etc. The confessions pile up and so do the corpses. The depressed, frightened animals creep away when the executions are over.
Some of the animals think they remember that these killings violate the Sixth Commandment. But on the barn wall they read: "No animal shall kill any other animal without cause." Later, still more animals are executed for conspiring to kill Napoleon. He is now constantly surrounded by dogs, and showered with honors: for example, a poem to his glory is inscribed on the barn wall.
Animal Farm is attacked by its neighbor, Mr. Frederick, and his armed men; the men take possession of the whole pasture, and blow up the windmill. But after a bitter fight, the animals repel the invaders, though some animals are killed and almost all are wounded. The pigs celebrate with a drinking party.
Soon after, there's a mysterious crash one night. Squealer is found on the ground next to a ladder at the barn wall, with a pot of paint near him. A few days later, the animals notice there's another commandment they had remembered wrong: it reads "No animal shall drink alcohol to excess."
Times are hard, rations short for everyone (except for the pigs, who need their food), the windmill must be rebuilt, and a schoolhouse built for the young pigs. Boxer works tirelessly, although he is getting old. He wants to lay up a good store of building stone before he retires. One day as he's pulling a cartload, he collapses. Squealer announces that Comrade Napoleon is making special arrangements to have Boxer treated at a nearby hospital. When the van comes to take him away, however, his friend Benjamin the donkey reads the sign on its side: in fact, he discovers, they're taking Boxer to the horse slaughterer. But it's too late; the van drives away. Three days later, Squealer paints a moving picture of Boxer's death in the hospital. The pigs will hold a banquet in his honor, he says. There is raucous singing in the farmhouse that night; somewhere the pigs have acquired the money to buy another case of whiskey.
Years pass. The animals work hard and often go hungry. There are many new buildings and machines on the farm, and also many new dogs and pigs. Maybe this is why the animals have no more to eat than before. But at least it's their farm.
From then on, the pigs all carry whips; they buy a radio, dress in Jones' clothes. Soon they receive a visit from neighboring farmers. Loud voices and song are heard coming from the farmhouse that night. Despite their fear, the animals are curious; they creep up to the windows to watch. Men and pigs are sitting around the table, drinking and speech-making. When a farmer toasts the success of Animal Farm- its discipline and enforced work leave nothing to be desired by any standard- Napoleon replies that he will take some more measures to cement normal business relations with their neighbors: the custom of animals addressing one another as "comrade" will be abolished, for example (singing "Beasts of England" had been forbidden long ago) and the farm will go back to its original name: Manor Farm. But the party soon degenerates into a quarrel. When the animals peek in again, they find that as they look from pig to man, from man to pig, it is impossible to say which is which.
In Animal Farm Orwell is more concerned with political psychology than with individual characters. Remember, this is a fable, not a novel. The animals are meant to represent certain types of human beings, not complex individuals. Some of them are even group characters, without any individual name: "the sheep," "the hens." The "main character" of Animal Farm is actually all of the animals taken together as a group. It's what happens to the group as a whole- whether their Rebellion succeeds or fails, and why- that really matters. Still, it is important to notice the distinctions between certain types and individuals.
They lead the Rebellion from the start and progressively take on the same power and characteristics as the human masters they helped overthrow. They represent corrupted human leaders, in particular, the Bolsheviks, who led the overthrow of the capitalist Russian government, only to become new masters in their turn.
Old Major is the wise old pig whose stirring speech to the animals helps set the Rebellion in motion- though he dies before it actually begins. His role compares with that of Karl Marx, whose ideas set the Communist Revolution in motion.
Napoleon and Snowball struggle for leadership of the Farm after Major's death. Snowball is an energetic, brilliant leader. He's the one who successfully organizes the defense of the Farm (like Trotsky with the Red Army). He's an eloquent speaker with original- although not necessarily beneficial- ideas (the windmill). Napoleon is a "large, rather fierce-looking Berkshire boar, not much of a talker, but with a reputation for getting his own way." And so he does. Instead of debating with Snowball, he sets his dogs on him and continues to increase his personal power and privileges from that time on. What counts for him is power, not ideas. Note his name: think of the other Napoleon (Bonaparte) who took over the French Revolution and turned it into a personal Empire. Napoleon's character also suggests that of Stalin and other dictators as well.
Squealer is short, fat, twinkle-eyed and nimble, "a brilliant talker." He has a way of skipping from side to side and whisking his tail that is somehow very persuasive. They say he can turn black into white! That's just what he does, again and again: every time the pigs take more wealth and power, Squealer persuades the animals that this is absolutely necessary for the well-being of all. When things are scarce, he proves that production has increased- with figures. He is also the one who makes all the changes in the Seven Commandments. In human terms he is the propaganda apparatus that spreads the "big lie" and makes people believe in it.
Boxer and Clover represent the long-suffering workers and peasants of the world. Orwell presents them as being big, strong, patient, and decent- but not too bright. Boxer believes in the Rebellion and in its Leader. His two favorite sayings are "Napoleon is always right" and "I will work harder." His huge size and strength and his untiring labor save the Farm again and again. He finally collapses from age and overwork, and is sold for glue. Clover the mare is a motherly, protective figure. She survives to experience, dimly and wordlessly, all the sadness of the failed Revolution.
Mollie, the frivolous, luxury-loving mare, contrasts with Clover. She deserts Animal Farm for sugar and ribbons at a human inn. Orwell may have been thinking of certain Russian nobles who left after the Revolution, or of a general human type.
The dogs represent the means used by a totalitarian state to terrorize its own people. Think of them as Napoleon's secret police.
The stupid sheep keep bleating away any slogan the pigs teach them. You can guess who they are.
Muriel the goat reads better than Clover and often reads things (such as Commandments) out loud to her.
Gloomy Benjamin, the donkey, may remind you of Eeyore in Winnie-the-Pooh, except that unlike Eeyore he never complains about his own personal problems. He is a skeptic and a pessimist- we'd almost say a cynic, if it weren't for his loyal devotion to Boxer. Like his friend, he doesn't talk much and patiently does his work, although- unlike Boxer- no more than is required. He's also unlike Boxer in that he does not believe in the Revolution, nor in anything else, except that life is hard. Whatever political question he is asked, he replies only that "Donkeys live a long time" and "None of you has ever seen a dead donkey." He survives.
The pigeons spread the word of Rebellion beyond the farm, as many Communists spread the doctrine of the revolution beyond the boundaries of the Soviet Union.
Moses the Raven, who does no work, but tells comforting tales of the wonderful Sugarcandy Mountain where you go when you die, is a satire of organized religion. (Marx called religion, in a famous phrase, "the opiate of the people.") In terms of Russia, Moses represents the Orthodox Church. Watch what happens to him in the story.
In the narrowest sense the drunken, negligent Farmer Jones represents the Czar. He also stands for any government that declines through its own corruption and mismanagement.
Pilkington, who likes hunting and fishing more than farming, represents Orwell's view of the decadent British gentleman in particular- and of the Allied nations in general, especially Britain and France.
The cruel Frederick represents Germany.
Whymper is a commercial go-between for animals and humans- just as certain capitalists have always transacted business with Communist nations.
As its title implies, Animal Farm is set on a farm. But Orwell uses the farm to represent a universe in miniature. It sometimes seems idyllic, peaceful, fresh, spring-like. Usually moments when it is perceived in this way contrast ironically with the real situation of the animals. The setting suggests an attitude: "this could be utopia, but..." It does not really interest Orwell in itself. Sometimes he sketches a wintry, bleak, cold decor, a perfect backdrop for hard times. Here you could think of the setting as a metaphor- a way of representing hard times.
Animal Farm concerns one of the central political experiences of our time: revolution.
On those relatively rare occasions when men and women have decided to change radically the system of government they were born under, there has been revolution. It has been on the rise in the last three hundred years of human history. If we want to understand the world we live in, we must try to understand the phenomenon of revolution- the how, the why, the what-happens-then. One way of doing so is to see how an imaginative writer deals with it. You can think of this as an important benefit of reading Animal Farm.
Animal Farm is also about another crucial political phenomenon of our time, one which is perhaps unique to the 20th century: the rise of the totalitarian state. Even though he's less concerned with totalitarianism in Animal Farm than in his novel 1984, Orwell does give us an imaginative analysis of totalitarian dictatorship in Animal Farm. So another thing we can get from this book is a feel for how a modern dictatorship works.
The story of Animal Farm is told in a simple, straightforward style. The sentences are often short and spare, with a simple subject-verb-object structure: "Old Major cleared his throat and began to sing." "It was a bitter winter."
The story follows a single line of action, calmly told, with no digressions. Orwell's style, said one critic, has "relentless simplicity" and "pathetic doggedness" of the animals themselves. There is a kind of tension in Animal Farm between the sad story the author has to tell and the lucid, almost light way he tells it.
Orwell uses point of view in Animal Farm to create irony. Irony is a contrast or contradiction, such as between what a statement seems to say and what it really means- or between what characters expect to happen and what really happens. The story is told from the naive point of view of the lower animals, not from that of the clever pigs or an all-seeing narrator. Thus, when there's a crash one night and Squealer is found in the barn sprawled on the ground beside a broken ladder, a brush, and a pot of paint, it is "a strange incident which hardly anyone was able to understand." A few days later the animals find that the Fifth Commandment painted on the barn wall is not exactly as they remembered it; in fact there are, they can now see, two words at the end that "they had forgotten." No comment from the narrator.
This simple irony is sometimes charged with great intensity in Animal Farm. For example, when Boxer, who has literally worked himself to death for the Farm, is carted off in a van to the "hospital," and Benjamin reads out "Horse Slaughterer" on the side of the van (too late), we know- and for once at least some of the animals know- what has really happened: the sick horse has been sold for glue. No irony. But when Squealer gives his fake explanation about the vet who didn't have time to paint over the slaughterer's old sign, we are gravely informed that "The animals were enormously relieved to hear this." And two paragraphs later, at the end of the chapter, when there is a banquet- for the pigs- in Boxer's honor, we hear the sound of singing coming from the farmhouse, and the last sentence tells us that the word went round that from somewhere or other the pigs had acquired the money to buy themselves another case of whisky." Most of the animals don't make the connection between Boxer's being taken away and the pigs suddenly having more money- and the narrator doesn't seem to make the connection either. But Orwell makes sure we, the readers, don't miss it. The irony- the contrast between what the animals believe, what the narrator actually tells us, and what we know to be the truth- fills us with more anger than an open denunciation could have done.
Animal Farm successfully combines the characteristics of three literary forms- the fable, the satire, and the allegory.
Animal Farm is a fable- a story usually having a moral, in which beasts talk and act like men and women. Orwell's animal characters are both animal and human. The pigs, for example, eat mash- real pig food- but with milk in it that they have grabbed and persuaded the other animals to let them keep (a human action). The dogs growl and bite the way real dogs do- but to support Napoleon's drive for political power. Orwell never forgets this delicate balance between how real animals actually behave and what human qualities his animals are supposed to represent.
The aspect of human life that most interested Orwell was not psychological; it was political: how people act as a group, how societies are formed and function. Clearly, Animal Farm is a story about a revolution for an ideal, and about how that ideal is increasingly betrayed until it disappears altogether from the new society after the revolution. Since Orwell attacks that new society, and since, despite the grim, bitter picture he paints of it, he attacks it with humor (the humor of the beast fable), we can also call Animal Farm a satire.
The immediate object of attack in Orwell's political satire is the society that was created in Russia after the Bolshevik Revolution of 1917. The events narrated in Animal Farm obviously and continuously refer to events in another story, the history of the Russian Revolution. In other words, Animal Farm is not only a charming fable ("A Fairy Story," as Orwell playfully subtitles it) and a bitter political satire; it is also an allegory.
You can enjoy Animal Farm without knowing this, of course, just as you can enjoy Swift's Gulliver's Travels without realizing that it, too, is a bitter satire and in places a political allegory. But to understand the book as fully as possible, we'll want to pay attention to the historical allegory as we go along.


text:
Брусни́чка:

 Брусничка — упразднённая деревня, часть посёлка Починок Ларионовского сельского поселения в Приозерском районе Ленинградской области.
 Брусничка — название посёлка Брусничное, ныне вошедшего в черту Выборга, в 1947—1948 годах.


April 7, 2017—Fix Auto World recently agreed to purchase the assets of 11 glass and automotive aftermarket companies, which had been owned by the Skidmore Group.
The acquisition leaves Fix Auto World with the assets of Novus Glass, Novus Franchising, Speedy Auto Glass USA, TCGI Australia, TCGI (Jersey), Novus Inc., Windshields.com, Transamerica Glass, Splashes Auto Spa, Shat R. Proof Corp., and Windshield Doctor Canada.
The deal is expected to close on April 28. Novus Glass locations in British Columbia are exempt from the transaction.


text:
<?php

namespace Bugbyte\DeployerBundle;

use Symfony\Component\HttpKernel\Bundle\Bundle;

class BugbyteDeployerBundle extends Bundle
{
}

redpajama_set_name: RedPajamaGithub


In accordance with the RESTORE Act and its implementing regulations, the Mississippi Department of Environmental Quality (MDEQ) is seeking public review and comment on Mississippi's amended Multiyear Implementation Plan (MIP).
The RESTORE Act provides that 80% of the civil penalties recovered as a result of the Deepwater Horizon oil spill be directed to the Gulf Coast Restoration Trust Fund (Trust Fund) to be used by the five Gulf Coast states to restore and protect the environment and economy in the Gulf Coast region. Monies in the Trust Fund are distributed to five different components, one of which is the Direct Component, also referred to as Bucket 1. This component requires Mississippi, through MDEQ, to prepare a MIP describing each activity, project or program for which Mississippi seeks funding under Bucket 1 and accounts for 35% of the funds directed to the Trust Fund. Mississippi, as determined by the RESTORE Act, will receive 7% of the 35% allocation in Bucket 1.
Mississippi's MIP Amendment #3 is now available for public review and comment.
Please click here to download a copy of the MIP Amendment #3.
A copy of the MIP Amendment #3 may also be obtained directly from MDEQ by contacting Melanie Green at mgreen@mdeq.ms.gov or by calling 601-961-5270.
Comments on the MIP Amendment #3 may be submitted electronically or by mail. The public review and comment period will close at 5:00pm Central Standard Time on Friday, January 18, 2019.
To submit comments on the MIP Amendment #3 electronically, please use the form below.
Comments may also be mailed directly to MDEQ at the address below.
*Funding for all projects included on the amended MIP is subject to approval by the U.S. Department of the Treasury. Inclusion of a project in the amended MIP does not guarantee funding.


text:
Q: float value gives random value #include <stdio.h>

float average(float arr[], int n)
{
  float sum ;
  for (int i = 0; i<n; i++){
    sum = sum+arr[i];

    printf("%p\n", arr+i);
    printf("%f\n", arr[i]);
    printf("%f\n",sum );
  }
  return sum/n;

}

int main() {

    float arr1[5] = {1,2,3,4,5};
    printf("%f is the average.\n",average(arr1, 5));

    return 0;
}

Hello, I am learning c in school, and I encountered this weird situation.
I want to write a function that gets an array of floats of length n and outputs the average of the numbers.
and I am testing with two different text editors, one is VSC and repl.it online.
I get
0x7ffe72970cc0
1.000000
1.000000
0x7ffe72970cc4
2.000000
3.000000
0x7ffe72970cc8
3.000000
6.000000
0x7ffe72970ccc
4.000000
10.000000
0x7ffe72970cd0
5.000000
15.000000
3.000000 is the average.

with repl.it, but when I use VSC,
I get
0x7ffeeab1b770
1.000000
-107423728669532035777298432.000000
0x7ffeeab1b774
2.000000
-107423728669532035777298432.000000
0x7ffeeab1b778
3.000000
-107423728669532035777298432.000000
0x7ffeeab1b77c
4.000000
-107423728669532035777298432.000000
0x7ffeeab1b780
5.000000
-107423728669532035777298432.000000
-21484745272737805312720896.000000 is the average.

this.
is there any wrong point in my code? why is it different between these two?
I appreciate any feedback, thank you !

A: You need to initialize the sum variable to zero when you declare it, like this:
float sum = 0;

A few more things:
You do not need array size if you are initializing it with values:
float arr1[5] = {1,2,3,4,5};

is equivalent to:
float arr1[] = {1, 2, 3, 4, 5};

And also, instead of passing 5 as array size, you can pass:
sizeof(arr1)/sizeof(float)

which will always be the correct size regardless of number of elements.

A: In most C compilers, an uninitialized variable's value is garbage. When you say
int x;, what it actually does it locate memory at some address. It does not do any kind of initializiation of the value of x, so x now contains some value that was there before (garbage).
It seems like repl.it is doing default initialization to 0; I don't recommend using this kind of compiler, because it prevents you from actually understanding how C works.


text:
The New Avengers: Soon Featuring Squirrel Girl.
Those are the New Avengers, and you can probably recognize most of them. Marvel Comics busted their myth wide open this weekend at the New York Comic Con by announcing the addition of Squirrel Girl to the title. Yes, Doreen Green has been selected as the nanny for Danielle, the daughter of Luke Cage and Jessica Jones. We can hardly believe it, but it is true.
Soon Squirrel Girl will be found in a mainstream Marvel title.
Aside from the fact that our bushy-tailed fave will now be rubbing magicks with Doctor Strange, perhaps the most thrilling aspect of this is simple.
Stuart Immonen will be drawing Squirrel Girl. 'Nuff said.
Tagged as Comic Books, Entertainment, marvel comics, new avengers, Squirrel Girl, Stuart Immonen
The Squirrel Girl Snowball Effect.
That is the prize possession of my card collection. George "Geo" Davis created it as a commission and it was approved by Marvel Comics as an official entry into the magnificent mythos of Squirrel Girl. She is quickly becoming much more than just a cult hero on the interwebs.
Squirrel Girl is snowballing.
Yes, she was cosplayed at the San Diego Comic Con.
No, you cannot buy an official action figure yet. That does not, however, stop fans from making the dream a reality.
That is Peter Parker with his new girlfriend Chat. She appears in the Spider-Man Marvel Adventures comic book series and she talks to animals of all types, including a bunch of furry little tree rodents. She has a mystery sister that will be revealed in issue #8, and Squirrel Girl was mentioned by name in the Marvel Adventures Universe just this week. Stay tuned, it looks like the webhead will soon be seen with Doreen Green.
The Chibi crew can claim the most meaty and serious layer of the Squirrel Girl snowball, since Super Hero Squad featured a rumored romance between War Machine and our nutty hero on an actual television show. Add the fact that the designers of the Super Hero Squad Online video game have promised to include Squirrel Girl in the line-up, and you have bouncing baby bliss of the biggest kind.
We will leave you today with that most beautiful portrait, by the incomparable Emily. Squirrel Girl's fame is growing as she rolls deeper and deeper into the pop history books of official Marvel Comics canon. Jump on quick, this is going to be nuts.
Tagged as Comic Books, Entertainment, marvel comics, Squirrel Girl
Big News About Marvel vs. Capcom 3.
As always, I am using trading cards to illustrate my bliss. Today the joy is spinning like a Playstation disc inside my brain. We are a bit closer to the confirmation of Squirrel Girl in Marvel vs. Capcom 3, and rumor has Mysterio swimming into the line-up alongside her.
There is a "leaked list" of the characters that will be included in the game. If this were accurate, all our dreams would come true simultaneously. Here is the Marvel roster that has been mentioned:
Silver Samurai
Like all things that seem too good, this one began to taste bad right away. As soon as we started to celebrate, our hopes were slightly dashed. In Tokyo this morning, Capcom revealed two intense official truths. First, we will be fighting with X-23 as a playable character. Second, there will be a simple mode for noobish button smashers everywhere.
The sigh of relief we felt in knowing that the special moves will be easy to bust was instantly tempered by the fact that X-23 is not on the "leaked list". Does that mean Squirrel Girl and Mysterio are out? Of course not. It could still be possible. The waiting continues, but at least we have leather jeans and female claws to groove on while we wait.
Filed under Video Games
Tagged as Entertainment, Marvel vs Capcom 3, MvC3, Mysterio, Squirrel Girl, Video Games, X-23
Something Fishy: Aquaman RULES.
And now for something completely fishy. We put our dollar into the machine. Our aim was true. We grabbed the spotlight at the Aquaman Shrine!
Just in case you have never been there, you must visit Rob Kelly's Aquaman Shrine. Do it now.
While we wait for you to return, IF you ever return, here is the full glory of Craig Hamilton's painting from the Vs. System Sea Creatures card, which is now swimming blissfully in Rob's collection. I remember the day they showed it to me before anyone else had ever seen it.
That day has never ended.
Tagged as Aquaman, Comic Books, dc comics, Entertainment


text:
No celebrations here: why the White House public access policy is bad for open access
I am taking a lot of flak from my friends in the open access community about my sour response to the White House's statement on public access to papers arising from federally-funded scientific research.
While virtually everyone in the open access movement is calling for "celebration" of this "landmark" event, I see a huge missed opportunity that will ultimately be viewed as a major setback for open access. Since I seem to be the only person with this point of view, I feel I should explain why.
The statement was nominally triggered by a petition posted on the White House's "We the People" page last May calling for greater access to the results of federally funded research, pointing to the successful NIH public access policy as a model for other agencies.
Under this new White House directive, all federal agencies with R&D budgets in excess of $100,000,000 will have to develop their own public access policies that will "ensure the public can read, download, and analyze in digital form" published works arising from federally-funded research within 12 months of publication.
There is no doubt this is a good thing. Once the new policies are implemented everyone will have access to the full range outputs of federally funded research. That is better than what is available today. So why aren't I dancing in the streets?
When the NIH announced its public access policy in 2008, this truly was a landmark event. The biggest funder of non-classified scientific research in the world (The NIH research budget is around $30b/year) was acting to ensure public access to the entire body of its funded works. The policy was imperfect – it allowed a 12 months embargo, and had no provisions for reuse of the works. But this was big news – the instantiation of a new right – the right of the public to access the results of taxpayer funded research.
And the NIH policy has been very successful. The research community has accepted the mandate with nary a hitch – over 80% of NIH funded works end up in PubMed Central, the NIH's open archive of scientific journal articles – and the database is heavily accessed by both researchers and the public.
It should have been a complete no brainer for other federal agencies to follow the NIH's pioneering actions. But sadly, none did. And given the remarkable progress in open access that has happened in the intervening five years, for the White House to merely extend the NIH policy to other agencies is lame, retrograde action.
And it's even worse than that. When the NIH policy was announced, people like me who believe that publicly funded works should be immediately freely available looked at the 12 month embargo period as a kind of opening bid – a concession to publishers that was necessary to get the policy off the ground, but which would ultimately disappear.
But now the White House has taken the 12 months embargo period and reified it.Year long delays are no longer an experiment by one agency. They are, in effect, the law of the land.
And why, after so clearly articulating the importance of public access in the begininning of their policy announcement, did the White House ultimately sell out the public? Here is what they say:
The Administration also recognizes that publishers provide valuable services, including the coordination of peer review, that are essential for ensuring the high quality and integrity of many scholarly publications. It is critical that these services continue to be made available.
The administration fell hook line and sinker for the ridiculous argument put forth by publishers that the only way for researchers and the public to get the servies they provide is to give them monopoly control over the articles for a year – the year when they are of greatest potential use.
Think about how absurd this is. Publishers, whose role should be to disseminate information as widely as possible, are now the only reason why the public will continue to not have access to research results their tax dollars paid for.
The White House chose this path even though there is now ample evidence that this concession is unnecessary. PLoS, BioMed Central and many other open access publishers have proven that publishers can create healthy businesses that provide all the services people value without ever restricting access to the papers they publish.
That the White House chose to ignore the rise of open access publishing and allow 12 month embargoes to persist shows that they care more about industries with well payed lobbyists than they do about the public good. And if you have any doubt that the publishers got what they wanted out of this policy, you only have to read the response of the Association of American Publishers – an industry group that has long opposed any moves towards public access and has backed repeated efforts to repeal the NIH policy:
The Association of American Publishers supports the Policy on Access to Research Outputs, released today by the White House Office of Science and Technology Policy (OSTP), which outlines a reasonable, balanced resolution of issues around public access to research funded by federal agencies.
Clearly the publishers got what they wanted out of the White House. And do you really think it's going to stop there? They have established their ability to corrupt policy making, and will continue to exploit it. I predict that as these policies are implemented in different agencies, that they will be heavily tilted towards what the publishers want. There will be no central archives – just links out to publishers websites. And there will be pressure to increase – not decrease – embargo periods. The publishers are already laying the groundwork for this in their statement:
The key to the success of the policy, however, depends on how the agencies use their flexibility to avoid negative impacts to the successful system of scholarly communication that advances science, technology and innovation.
It's sad. Had the White House actually looked at the landscape of scientific publishing with an eye towards maximizing public access, they would have realized that embargoes are completely unnecessary. They could easily have come out with a policy that said:
From this point onward, the federal government will operate with a simple principle. Whenever the taxpayers of the United States sponsor scientific research, the results of this research will be immediately available to everyone.
Instead, once again, our government let us down, allowing a dying, useless industry to dictate policy that serves to line their pockets at the expense of the public good. And so I ask my friends in the open access movement, and everyone who cares about ensuring that the scientific research is as accessible and useful as it can be, is this really something you want to be celebrating?
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A Decade of Design at Architects + Artisans
General / People / Places / January 6, 2020
Exactly 10 years ago today, Architects + Artisans launched its first post, about a modern shed for a potter's kiln in Boone, N.C. Since then, A+A has offered its readers all manner of ideas about architecture, art and design. It's a sweet gig for this writer, enabling interviews with some of the leading professionals practicing around the world. And they seem to appreciate it:
"Architects + Artisans cuts a broad swath – it gets down in the trenches and then takes us back up to the sky, in both critical and insightful ways. I love that cross-section. It's a very thoughtful curation of architecture, materials and design – and incredibly well done."
— Marlon Blackwell, FAIA, Principal, Marlon Blackwell Architects, Fayetteville, Ark., Recipient of the 2020 AIA Gold Medal Award
"The breadth and depth of the topics that Mike Welton covers on Architects + Artisans are essential reading for anyone interested in architecture and design. Created to interest and educate, its impact is undeniable."
— Suchi Reddy, AIA, Founder & Principal, R E D D Y M A D E, New York, N.Y.
"As an architect with very little spare time, I continue to be grateful for Mike's ability to curate and illuminate the spirit of design in our time, as well as the particulars – the people, places and products. What elevates Architects + Artisans above so many other digital design sites, in my opinion, is Mike's clear and compelling prose that I look forward to reading for another 10 years!"
— Arielle Condoret Schechter, AIA, Chapel Hill, N.C.
"What differentiates Architects + Artisans is its independent spirit that allows it to go out, free of agenda or marketers' influence, and seek content that is different, interesting, noteworthy, and relevant."
—Amy Meier, Principal, Amy Meier Design, Rancho Santa Fe, Calif.
"I met Mike via Skype first and later in person. My artwork had been part of the award-winning interior design for a new hotel, and he was introduced to it by the consulting architect on the project. He made me a Reggae mix tape, and I gave him a piece of art, and we chatted about art and architecture. I read Architects + Artisans because it's like that – it has the same vibe as hanging out with Mike and talking about architecture, art and design."
— Shane Aquart, Digital Artist, Grand Cayman Island
"For 10 years, Architects + Artisans has been an important resource for anyone with an interest in the craft of architecture and design. Mike has a keen sense of the elements that make a project meaningful, presented in a way that's respectful to the spirit of the source."
— Tom Kundig, FAIA, RIBA, Principal/Owner, Olson Kundig Architects, Seattle, Wash.
Tags: AIA, AIA Gold Medal Award, Amy Meier, Amy Meier Design, Architects + Artisans, architecture, Arielle Schechter, Arkansas, art, Boone, California, Chapel Hill, Curation, Design, Digital Artist, FAIA, Fayetteville, featured, Grand Cayman, kiln, Kiln Shed, Marlon Blackwell, Marlon Blackwell Architects, New York, New York City, North Carolina, Olson Kundig, Rancho Santa Fe, REDDYMADE, Reggae, RIBA, Seattle, Shane Aquart, Skype, Suchi Reddy, Tom Kundig, Washington
Handmade Ornaments for the Holidays
A Website Dedicated to the Douglas House
A. PEYTON
Congratulations, Mike.
Here's to another ten.
-ap
Think of them as original works of art, rather than ornaments. Because they are. Made by hand, one at a time, these miniature...


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May 29 2015 May 29, 2015 May 29, 2015 NoComment by Administrator
Sri Lanka's opposition to protest for removal of government
Sri Lanka's main opposition the United People's Freedom Alliance (UPFA) said on Thursday that it will be launching protests after June 9 to gather support for the removal of the current government.
UPFA legislator and former sports minister Mahindananda Aluthgamage said that the government has failed to achieve its goals within the 100 days since it took office.
"This government has no right to continue. They were given only 100 days. We gave them bonus days as well but still they have failed," he said.
Aluthgamage said that on June 9, after handing over a no-confidence motion against Prime Minister Ranil Wickremesinghe to parliament, the opposition would gather public support to remove the government by holding protests around the country, Xinhua news agency reported.
According to him, public support will be gathered to make former president Mahinda Rajapaksa the next prime minister with incumbent President Maithripala Sirisena maintaining his post.
UPFA will also organise a rally in the southern town of Matara on June 12, as part of a series of rallies in support of Rajapaksa and 75 members of parliament have confirmed their participation.
The next rally will be held in the north central town of Anuradhapura where 100 parliamentarians are expected to attend, he added.
Home » Sri Lanka's opposition to protest for removal of government


(SACRAMENTO, CA) – Today, the Assembly passed Assembly Bill (AB) 47, the Preschool for Act (Kevin McCarty, D-Sacramento) with strong bi-partisan support 67 to 1. It now moves to the Governor for his consideration. This measure establishes a framework to provide all eligible low income 4-year olds with access to the state preschool program contingent upon funding in the Budget Act.
In this year's budget, the importance of quality early childhood was prioritized in the budget, including 9,500 new preschool slots. Unfortunately despite this increase, an estimated 35,000 four-year-olds do not have access to Transitional Kindergarten, Head Start, or State Preschool. This measure furthers last year's commitment from the Governor and Legislature to expand the state preschool program for all low income families who do not have access to one year of state preschool or transitional kindergarten. The Governor has until October 11th to sign or veto the bill.


Untreated hearing impairment can result in disability and handicap, which ultimately reduces a patient's quality of life. Some patients have conductive pattern hearing loss and are unable to wear conventional hearing aids due to chronic ear diseases.
Bone conduction implants (BCIs) are a type of implantable hearing aid that have opened up new horizons for hearing rehabilitation options in these patients. Another group of patients who can benefit from BCIs are those with unilateral hearing loss.
Much of our day-to-day communication is verbal. Communication is dependent on our ability to verbalise and understand spoken language. Both of these functions are actually dependent on our ability to hear with our ears. Development of our speech and language was possible because of our ability to hear, listen and understand in early childhood.
Hearing impairment, if left untreated, will result in communication difficulty. This disability can lead to decreased participation and opportunities in life, for example, in education and employment, with a consequent reduction in quality of life. Most patients with hearing impairment can benefit from the use of conventional hearing aids. Conventional hearing aids work by amplifying sounds before they get to our cochlear or inner ear.
Sound travels as a form of kinetic energy through the air. Our cochlear is actually a fluid-containing organ.
Sound is captured and amplified by our ear drum and ossicular chain and sound kinetic energy in the air is converted into sound kinetic energy in the fluid of the cochlear. Within the cochlear, sound kinetic energy is converted into electrical signals that our brains can decipher.
There are two main types of hearing impairment, sensorineural and conductive. Sensorineural hearing impairment is the most common type and a manifestation of any decline in the function of our cochlear or its nerve supply. This can occur due to ageing, ototoxicity, excessive noise exposure, infection, inflammation or trauma.
Conductive hearing impairment occurs when there is compromised transfer of sound energy from air to the fluid of the cochlear. Conductive hearing loss can be caused by problems with the external ear canal, ear drum and/or ossicular chain. Ear canal problems include narrowing or atresia of the ear canal, which can be either congenital or acquired. Ear drum problems include perforation, retraction, fluid accumulation, abnormal thickening or scarring. Ossicular chain problems include ossicular chain discontinuity or stiffening secondary to infection, inflammation or trauma.
Some patients may experience a combination of sensorineural and conductive hearing impairment.
Conventional hearing aids tend to work well for patients with pure sensorineural hearing impairment, but less so for patients with conductive or mixed pattern hearing impairment. The ear abnormalities responsible for the conductive hearing loss actually act as physical barriers for the efficient transfer of sound kinetic energy in the air to the fluid within the cochlear.
Bone conduction implants (BCIs) are implantable hearing aids that work by transferring sound air kinetic energy into sound kinetic energy within the bone. We are familiar with the concept of the bone being an excellent sound conductor during tuning fork tests.
This bone kinetic energy is then converted into fluid kinetic energy within the cochlear, with subsequent conversion into electrical signals. Hence, BCIs work by bypassing the ear canal, ear drum and ossicular chain.
Some patients are unable to wear conventional hearing aids due to recurrent ear infections and they too can benefit from BCIs. BCIs can also help patients who have deafness in one ear only, that is, unilateral hearing loss. BCIs can route the sound from the deaf side to the working cochlear in the contralateral ear, hence enabling patients to regain some hearing in their deaf side.
There are two main types of BCIs in Singapore.
The Bone Anchored Hearing Aid (BAHA) utilises osseointegration and was invented by the same person who invented dental implants.
Osseointegration refers to the biological fusion of titanium implants with patients' bone to form a very stable and secure fixation. This facilitates the efficient transfer of amplified sound from the air to bone via a tiny implant footprint. The second device is called the Bonebridge, which is more aesthetically pleasing as it utilises a transcutaneous coupling system. The traditional BAHA has a percutaneous coupling system but the latest generation offers a transcutaneous option.
Every patient needs to be carefully assessed to ensure they meet the anatomical and audiological criteria for either device.
Both BAHA and Bonebridge require an operation for implant placement. The operations are relatively straightforward, with very low rates of complication.
In Tan Tock Seng Hospital, we initiated the multidisciplinary Combined Hearing Clinic two years ago, to assess patients with complex hearing difficulties who may benefit from various new hearing technologies. Since then, we have implanted more than a dozen BCIs. Many of these patients have struggled with their hearing impairment for a long time.
BCIs are more expensive than conventional hearing aids. We work closely with our Medical Social Workers to ensure that financial limitations do not limit patients' access to these devices.
BCIs have opened up new hearing rehabilitation options for patients whose conventional hearing aids had not been helpful previously.
Dr Ho Eu Chin is a Consultant in the Department of Otorhinolaryngology (ENT) in Tan Tock Seng Hospital. He completed his postgraduate ENT training in England. Dr Ho runs the Combined Hearing Clinic and Multidisciplinary Balance Clinic and has interests in providing holistic and individualised care to patients with complex hearing and balance problems. He devotes his time to teaching and research, and collaborates closely with colleagues from Nanyang Technological University, Singapore.


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Most played PC games
Spotify's premium subscribers 2015-2020
Number of World of Warcraft subscribers
Best-selling Call of Duty Games 2019
Advertising spending in the U.S. 2015-2022
Video Game Industry - Statistics & Facts
Film Industry - statistics & facts
Media›
TV, Video & Film
Gross box office receipts in the United Kingdom (UK) 2003-2013
This statistic illustrates the gross box office receipts in the United Kingdom from 2003 to 2013. In 2013, gross cinema box office generated revenues of 1.08 billion British pounds, a decrease compared to the previous year at 1.1 billion British pounds.
Gross box office receipts in the United Kingdom (UK) from 2003 to 2013* (in million British pounds)
Gross box office receipts in million British pounds
* Excludes alternative content screenings such as live theater, sports events etc.
Number of movie theaters in the largest movie theater chains in China 2019
Number of movie screens in the largest movie theater chains in China 2019
Leading movie theater chains in China 2019, by box office revenue
Leading box office markets worldwide in 2019, by revenue
Julia Stoll
Research expert covering media & advertising
Statistics on "Film industry in China"
Box office revenue in China 2012-2020
Number of movie tickets sold in China 2010-2020
Cinema market share of domestically made and foreign movies in China 2016-2019
Box office revenue of the most successful movies in China 2019
Number of cinemas in China 2010-2019
Number of movie theaters in China 2012-2019
Number of cinema screens in China 2009-2020
Share of box office revenue in China 2007-2020, by region of movie origin
Box office revenue of Chinese movies in China 2015-2020
Box office revenue of imported movies in China 2015-2020
Most successful movies produced in China 2019, by box office revenue
China: box office revenue of the most successful imported movies 2019
Distribution of box office revenue in China 2019, by city-tier
Movie production in China 2014-2020
Number of films produced in China in 2019, by genre
Number of feature films produced in China 2007-2020
Number of movie released in China 2012-2019
Box office revenues of major film distributors in China 2019
Box office revenue of UK films in European countries 2019
Highest grossing films of all time in Australia 2020
UK film share of theatrical markets worldwide 2019, by country
Global theatrical market share of UK films 2002-2019
Global theatrical market share of UK films 2002-2019, by production type
Top grossing UK films at the box office worldwide 2019
Top grossing independent UK films at the box office worldwide 2019
Box office revenue of UK films in the Americas 2019, by country
Box office revenue of UK films in Asia and Oceania 2019
Number of highest-grossing animated movies U.S. 2017
Box office gross of rom-coms in North America 1995-2019
Box office gross of documentary films in the UK and Ireland 2001-2019
Market share of cinema box office revenue in Sweden 2016, by origin
Box office of the leading 18-rated films of all time in the United Kingdom (UK) 2019
Most successful PG-13 movies in North America 2019, by tickets sold
Most successful true crime movies in North America 1980-2018
Top-grossing PG-13 movies in North America 2019
Top-grossing kids movies in North America 2019
Film industry in anglophone West-Africa Film Industry in India Key indicators of Nigeria's economy Education in Nigeria
Nordicity, & Olsberg SPI. (February 1, 2015). Gross box office receipts in the United Kingdom (UK) from 2003 to 2013* (in million British pounds) [Graph]. In Statista. Retrieved January 19, 2021, from https://www.statista.com/statistics/573079/gross-box-office-receipts-in-the-uk/
Nordicity, und Olsberg SPI. "Gross box office receipts in the United Kingdom (UK) from 2003 to 2013* (in million British pounds)." Chart. February 1, 2015. Statista. Accessed January 19, 2021. https://www.statista.com/statistics/573079/gross-box-office-receipts-in-the-uk/
Nordicity, Olsberg SPI. (2015). Gross box office receipts in the United Kingdom (UK) from 2003 to 2013* (in million British pounds). Statista. Statista Inc.. Accessed: January 19, 2021. https://www.statista.com/statistics/573079/gross-box-office-receipts-in-the-uk/
Nordicity, and Olsberg SPI. "Gross Box Office Receipts in The United Kingdom (Uk) from 2003 to 2013* (in Million British Pounds)." Statista, Statista Inc., 1 Feb 2015, https://www.statista.com/statistics/573079/gross-box-office-receipts-in-the-uk/
Nordicity & Olsberg SPI, Gross box office receipts in the United Kingdom (UK) from 2003 to 2013* (in million British pounds) Statista, https://www.statista.com/statistics/573079/gross-box-office-receipts-in-the-uk/ (last visited January 19, 2021)


"A suburb in the city"
West Smith Street is a great depiction of Queen Anne. I love the suburban feel of well manicured lawns and tree lined sidewalks that you find in the city! You don't have to live way out of the city to enjoy a nice little yard, trees, flowers, and scenic walks down the sidewalk. A little hilly, but great exercise for you and the dog. This area is full of greenery from trees to shrubs and a person can get really lost in their own little world when strolling up and down the sidewalks. It's not too far to the grocer or markets and coffee shops. This area really has a park like feel while smack dab in the middle of a large city.
My favorite detail about the Queen Anne Hill neighborhood located in Seattle, Washington is the greenery. The streets have so many trees lined up and down the driveways and side walks. Its really pretty and soothing. Its a nice place to take a safe walk by your self or with your kids or dogs. Most of the neighbors treat their lawns like a work of art so there are beautyful perinials and annuals blooming in summer and spring. There is also a small old town grocery store that is the cutest and has all the supplies you need so you don't have to drive out of your way to Safeway everytime you need sugar or coffee. If you want to live in a welcoming communitty that cares for their lawns, homes, and neighbors you should move into the QueenAnne Hill neighborhood.
Travelling to West Smith St?


Getting divorced does not mean that you have to go to court. There is no one size fits all approach to divorce. The best approach for you to resolve your concerns will depend on your own circumstances. We will discuss your aims and objectives with you so that we understand what it is you want to achieve.


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