For Li+ and Na+ scattering from clean and cesium-covered Cu(001) surfaces, we have measured probabilities to form different final electronic states in the scattered flux as a function of the Cs-induced work-function shift Delta phi. Specifically, positive and negative ion yields for 400 eV Li+ scattering, and the relative yields of excited neutral Li(2p) and Na(3p) for 400 and 100 eV Li+ and 1320 eV Na+ scattering were measured. As we lowered the work function from its clean (metal) surface value, we observed a monotonic decrease in the Li+ yield, a monotonic increase in the Li- yield, and a peak in the minority Li(2p) channel yield (and the Na(3p) yield). The major trends in the Li/Cu(001) data (and likewise in the Na/Cu(001) data) can be reproduced by use of a multi-state model, developed by Marston and co-workers, of resonant charge transfer. Here we present a new, straightforward explanation of these trends, based upon an examination of the many-electron states of the atom-metal system. Much of the charge transfer dynamics can be understood through the ground state of the interacting Li/Cu(001) system, since the 'atom probabilities' - the probabilities that the Li is a Li+, Li(2s), Li(2p), or Li- - tend to equilibrate towards their groundstate values throughout the atom's trajectory. In each of our experiments, the velocity is low enough that the Li/Cu(001) system electronically equilibrates close to the surface, where the atom-metal couplings are large; at small atom-metal separations z, the Li atom probabilities therefore track their ground-state values. As the atom moves along its outgoing trajectory, the couplings decrease exponentially, and eventually the atom probabilities lose track of their ground-state values. Qualitative arguments, based upon general principles of quantum mechanics, allow us to understand the dependence of the ground-state probabilities on the work function phi and z. To comprehend the origin of the Li(2p) peak we must consider both the ground-state probabilities and the conditions under which the dynamical probabilities lose track of their ground-state values. (C) 1998 Elsevier Science B.V.


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text:
New Ebola case confirmed in eastern Congo
11 Oct 2021 2:26 PM | Anonymous
GOMA, Democratic Republic of Congo, Oct 8 (Reuters) - A case of Ebola has been confirmed in eastern Democratic Republic of Congo, the health minister said on Friday, five months after the end of the most recent outbreak there.
Reuters Reports

redpajama_set_name: RedPajamaCommonCrawl


Serving those areas in Utah County outside all city boundaries.
Applications to the Utah County Planning Commission for General Plan amendments, zone text amendments, zone map changes, land subdivisions and all other land use applications.
Applications to the Utah County Board of Adjustment for variances, conditional use and alleged errors.
Applications for burn permits, LPG permits, fuel tank permits, explosive blasting permits and hazardous materials permits.
Applications for building permits and building inspection services.
Enforcement of the Utah County Land Use Ordinance and currently adopted building codes.
Enforcement of currently adopted fire codes.
The Utah County Community Development Department presents the information on this web site as a service to the public. We have tried to ensure that the information contained in these electronic documents is accurate. The Community Development Department makes no warranty or guarantee concerning the accuracy or reliability of the content at this site or at other sites to which we link. Assessing the accuracy and reliability of the information is the responsibility of the user. The Community Development Department shall not be liable for errors contained herein or for any damages in connection with the use of the information contained herein.


Hybrid chilli ;" Dandicut-2" and "Namdhali ", we sell them when are dry and meanly we grow them for our processing unit.
Dry African Bird eye chilli, we grow and export stalkless Dry African bird eye chilli with free aflotoxin and pesticides free.
Didi's Chilli oil is made with high quality of hybrid chilli and Habanero mixed with other ingredients such as Ginger, Garlic, and black pepper. We use sun seed oil and Olive oil to avoid the cholesterol.


As we've said it many times before, in the crafting world everything is achievable… the impossible is getting possible! Sometimes, even the weirdest items can be used and transformed into something amazing thanks to your DIY skills! Today, on our page we'll introduce you with 10 creative projects that are a huge hit over the Internet. Those projects we're talking about are made out of famous Washi tape! These tapes that have originated in Japan can be found in different colors and patterns almost everywhere. So, for various fabulous Washi tape crafts scroll down and see our amazing list full with surprises! Let's get crafty!
What can be better start of our countdown than with a project that will make your office a better place?! This DIY Dot Wall is made from colorful Washi tapes that will bring a big dose of positive mood in the place you work in…that's something we all need and want!
We're continuing with a craft that will give an elegant note in your home. This DIY Tumbling Blocks are created from black and white Washi tapes which are greatly incorporated into one wonderful piece of art! You can display it anywhere in your home, but the best option is your living room, of course!
Here is one more amazing project that will transform your old and boring table into a festive piece of furniture. All you have to do is to find few Washi tapes in rainbow colors and to start decorating your table which will be perfect for your backyard or for any bedroom in your home!
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Do you want to keep your little ones busy for a longer period of time? If that's your wish, then involve them in a project called DIY Washi Tape Wooden Bracelets. There will be a lot of fun and in the same finish everyone will have a handmade bracelet!
In the middle of our article, we're offering you a craft that's completely cute! The DIY Washi Tape Cupcake Art is a project that can be completed in just a couple of hours. The great thing is that you can display it wherever you want…living room, bedroom or maybe your office?!
Here is a project that can be accomplished with no effort at all. Plus by making this DIY Washi Tape Pencils and Notebooks you'll have a lot of fun! They're totally sweet!
One more project that includes furniture makeover. The DIY Washi Tape Stool has a beautiful design thanks to the blue Washi tape. It's very easy suggestion that anyone should try!
We have an easy craft on our list again, but what can we do when Washi tapes are so practical and uncomplicated to use?! This DIY Washi Tape Vases will transform your simple vases into spring-ready home decorations where you can display natural flowers from your garden or maybe Easter eggs?!
We're ending the list with a makeover that we're satisfied with! Isn't that DIY Stripe Doorway gorgeous? It absolutely is! So get crafty and start embellishing your home, because this decor will leave all of your guests speechless! Goodbye and see you soon!


Analog temperature transducer for PT-100. Current (4-20 mA).
The AT-3I transducer is designed for temperature measurement using an external PT-100 temperature sensor and transforming the measured quantity into a unified analogue current signal in the range of 4÷20 mA.
The module works with resistance-type temperature sensor PT-100 (or similar).
A dedicated temperature probe of F&F production: RT -56 probe.
The module's signal output is protected by an anti-interference filter that eliminates network disturbances that affect the accuracy of the transmitted signal. This allows the use of signal lines up to 300 m long.


In recent years, with continual technological development, even in our sector, we have witnessed the proliferation of more and more modern and sophisticated technology. This technology has allowed us to create conditions of total well-being for our animals (filters which are more and more efficient, lights which are a perfect imitation of sunlight, water which is circulated by computerized systems) and the ability to create an environment which permits reproduction, development and improved growth of many marine invertebrates, even those species which are considered difficult to breed.
Alone, however, the technology of an aquarium is not enough to guarantee success in the breeding of fussy organisms: the fact is, it's necessary to guarantee fish and invertebrates high quality water. This means using a salt with a composition which not only reproduces sea water as closely as possible (to include mineral salts present only in traces), but which give the organisms an adequate extra amount of substances which are regularly assimilated (calcium, magnesium and other mineral salts) but which decrease over the period in which the water is not changed completely.
ESSENZA REEF is a sea salt specifically developed for the growth of hard corals, with an elevated amount of Calcium, Magnesium, Strontium and other trace elements essential to ensure that the farmed organisms always provides adequate concentrations for their development. Furthermore, the presence of the buffer substances makes ESSENZA REEF perfect for the production of sea water from water distilled through osmosis without the addition of further products. In fact, the buffer substances guarantee, from the word go, a maintained pH stability.
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Density 1.024-1.026; pH 8.1-8.5; dKH: 8-11.


Tell us about a Mom who inspires you!
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text:
Ruggedly Refined Monochrome: Ha Chong-Hyun at Tina Kim
by Robert C. Morgan
Ha Chung Hyun: Conjunction at Tina Kim Gallery
May 4 to June 16, 2018
525 West 21st St, between 10th and 11th avenues
New York City, tinakimgallery.com
Installation shot of the exhibition under review, Ha Chong-Hyun at Tina Kim Gallery, 2018. Photo: Jeremy Haik
It is not uncommon among contemporary Korean artists to find the same title used repeatedly for different paintings, often over a period of several years. Although one might find a number sequence to differentiate one painting from the next, for the most part the repetition of the title is perennial.
This practice began with artists in the early 1970s associated with Dansaekhwa (monochrome). While Park Seo-Bo, Lee Ufan, Yun Hyung-Keun, and Ha Chong-Hyun never conceived themselves as a collective, each of them focused on the use of a single word-sign in their work that served as a kind of thematic structure. In Ha's case, Conjunction was the signifier of choice. For the western viewer this might suggest a conceptual underpinning to the artist's work, but, even if true, the idea of conceptually underpinning work has a Korean precedent that has nothing to do with Conceptual Art.
Ha Chong-Hyun, Conjunction 17-25, 2017. Oil on hemp cloth, 64 x 51 inches. Courtesy of the artist and Tina Kim Gallery, New York
For those familiar with East Asian brush painting, the abstract (empty) mind always plays a formative role in relation to the brush and ink. Space exists primarily as an idea sublimated at the service of both. In this context, there is no such thing as material divorced from idea. Instead, they are inextricably bound together–in contrast, for example, to western Color Field painting where the formalist dictum determines more or less what happens on the surface. In the latter case, any idea beyond the visual construct is taken (for the most part) as a literary adjunct and therefore exists outside the concerns of what a painting should be or will become. Among the Dansaekhwa painters, things are different.
Ha's recent works at Tina Kim make for a beautiful show in much the way that works by Morris Louis or Sam Gilliam might be perceived as beautiful, but the terms of their respective beauty emerge from different cultural strata, where the painterly language – whether formalist or otherwise – plays a role in ways unique to those cultures. In relation to Ha, emphasis needs to be given to an Eastern point of view that carries its own history and ideas related to color and form. For example, Ha's paintings begin as verso before they become recto. Such works as the blue Conjunction (16-322) and the red Conjunction (17- 25) go back as early as the 17th Century to the Chosun Dynasty when painters began to push their mineral pigments through the weave of hemp cloth to the frontal side, giving the color density as it so. Ha applies blackened smoke to the surface before beginning to spread his monotones in separate units that connect obliquely to one another as a loose geometry.
Ha Chong-Hyun, Conjunction 16-321, 2016. Oil on hemp cloth, 64 x 51 inches. Courtesy of the artist and Tina Kim Gallery, New York
In Conjunction 16-382, once the blackened smoke had tinted the surface, Ha began pulling white paint diagonally from the left side to the top edge and eventually from the bottom edge to the right side, completely enshrouding the surface with a dense linear construction of white lines. In contrast, Conjunction 16-321, which is black, is done by way of vertical globs of thick paint that intensity the relief quality of the surface applying forms derived from Hangul, the Korean language system that also has its roots in the Chosun era.
In his work, Ha is not merely playing with the idea of monochrome variations. Rather he is intensely searching out ways and mannerisms in which his paintings can take him to the nth degree of his Korean identity. The question that confronts Ha in each of his paintings is, essentially, Where – rather than what – is my identity? This was the tormented interior question that emerged among the Dansaekhwa painters, each according to their own means, in the 1970s. They were living through a period of military dictatorship in their country and had suddenly become strangers to themselves. Ha's ruggedly refined paintings, the reductive surface plays an indefatigable role in relation to the artist's stolen identity.
Biting a Thumb at Monochrome: Jim Lee at Nicelle Beauchene
From Stasis to Kinesis: The Woosters of Ted Stamm
What It Is: Juliet Helmke on Tom Friedman
Abstract and Concrete: The Monochromatic Paintings of Nancy Haynes
When Two Colors Meet: Ellsworth Kelly at MoMA
More articles by Robert C. Morgan
Tsibi Geva: Structure and Entropy Gerhard Richter: The Movie What "The Price of Everything" Says About The Value of Art Ghosts and Ghouls on Grand Street: Yun-Fei Ji at James Cohan
From Stasis to Kinesis: The Woosters of Ted StammBiting a Thumb at Monochrome: Jim Lee at Nicelle BeaucheneAbstract and Concrete: The Monochromatic Paintings of Nancy HaynesWhat It Is: Juliet Helmke on Tom FriedmanWhen Two Colors Meet: Ellsworth Kelly at MoMA


text:
Q: Facebooks Thid-Party-ID - How to use it For my facebook app i need to store user-records on the server side. Because the data should be anonymized i don't want to store the user-id. I found out that the third-party-id should be what i'm looking for (user can request his data but it's not possible to get the user based on the data).
But now my Questions regarding the third-party-id:

*

*The id seem to be dependend on the used access token. But when i use the user-access token (which expires) will the third-party-id change when the user gets a new token?

*Is it common to received it via an app-access-token?

*I tried it in the graph-api-explorer where I was able to find users based on the third-party-id. Why is this possible and how can I prevent it?

Thanks in advance

A: No the third party ID is not dependent to your access token. The user access token is a temporary key that allow access to permanent data, such as the name, or the third party ID.
By the way you can test it yourself by generating a third pary ID on your account for your App, record both the ID and the token used to get it, uninstall your own app via the page http://www.facebook.com/appcenter/my , and finally reinstall your App. You will see a new token ginving access to the same old ID.
I don't understand what you mean by receiving it via an app-access-token. App access tocken do not give access to users' data.
Finally, you don not have to do anything to prevent it. Facebook got you covered. While using the third party ID instead of the user ID is a good idea for extra security, the third party ID has been introduced for cases where your Facebook unique identifier is not totally invisible.
You were able to find a user based on his third party ID because you own the Facebook App that generated this ID. A user has as much third party ID that he has installed App, and they are all different and only only works with the App that generated it. So your server side user record is safe because the IDs it contains would not be of any use to something else than your app.

redpajama_set_name: RedPajamaStackExchange


text:
MAYBETOWN CENTER, R.I.P.?
Was there any one argument that tipped the balance for the Planning Commission? There were so many good ones. Call it "a death of a thousand cuts."
At the June 25th Planning Commission meeting, witness after witness stood to give a different reason why Maytown is a bad idea.
Councilwoman Megan Barry pointed out that including Maytown Center in the neighborhood plan, at the developer's behest, after a long series of open meetings spent developing a holistic, rural vision for Bell's Bend, was a violation of the community's good faith and trust and would seriously damage the Commission's credibility when it came to working up other neighborhood plans.
Councilman Frank Harrison expressed concern that the infrastructure development involved would take Metro's energy away from existing priorities at a time when money is tight.
Councilman Eric Cole cited the "great degree of risk" involved in the plan, pointing out that
"if it fails it leaves behind a string of massive infrastructure 'improvements' that benefit nobody—it will scar the landscape and we will pay the consequences for generations."
Councilman Jason Holleman echoed Eric Cole's concerns and elaborated on them, arguing that the real cost to the city had not been determined and that there were "too many unresolved puzzle pieces," such as how much road widening, how many homes and businesses would need to be taken by eminent domain? How much would all that cost? And, of course, how would the cash-strapped city pay for it, with Maytown's promised boost to the city's revenues not coming for fifteen or twenty years?
Councilman Lonnell Matthews argued ineptly for the plan, drawing laughter when he insisted, "We have to put the cart before the horse." Oops. About all he or the others who would later speak out for it could say was that it was "bold" and would "provide jobs." This seems to me to be a kind of wishful hoping for a return to the bubble economy, when we could borrow money to pay people to build things and call it economic growth. Those days are very, very over, even if a lot of people haven't realized it yet. Denial…hopefully, it's the first stage in a journey of acceptance, and not a permanent state of psychosis….but I digress.
Tony G and Melvin Johnson did a pro-Maytown presentation, waving all the tired buzzwords of jobs and growth as if it were still 2007, and then it was time for the opposition to make more points.
David Briley led off. joking that there are so many unknowns involved in the project that perhaps we should call it "Maybetown Center." He noted that there were only two corporate relocations in the whole country last year, that the developer of Cool Springs, often cited as the example Maytown is following, is in bankruptcy, and that neither the state economic development people nor the mayor had endorsed the project. "Nobody from the city is here to say 'this makes sense', " he pointed out.
Urban planner David Eisenstadt said that the "benefits" of Maytown were "highly speculative," and that the numbers presented to the planning commission in a University of Tennessee study were based on the developer's figures, not on independent numbers, and were inconsistent with the city's actual real estate market, business cycle, and population settlement patterns.
Kay Swartz identified herself as "a career aviator" and pointed out that Maytown would be directly in the approach pattern for Tune airport, which would create a hazard for approaching aircraft, noise complaints for Maytown residents, and necessitate special urban-area training for all pilots who use Tune, which is Nashville's preferred private aviation hub because it can be approached without flying over any urban areas. The image of an airplane crashing into one of the highrises was, if unmentioned, on everybody's mind. "If Maytown were already built, would you locate an airport where Tune is?" she concluded. Implication: no.
Several residents of neighborhoods on the south bank of the Cumberland talked about the negative impact the proposal would have where they live, and complained that the Planning Commission had apparently held up approval of their neighborhood plans in order to improve Maytown's chances "because if our area plans were in place, this proposal would never go through." More eroded credibility.
Robert Brant of the Metro Parks and Greenways Commission decried the proposed four-lane road through Bell's Bend Park, saying that Planning Commission head Rick Bernhardt had assured him that there would be no road through the Park…still more eroded credibility.
A realtor pointed out that the cost of doing business in Maytown was going to be high enough to make it noncompetitive–that two major projects in downtown Nashville had recently gone into receivership, and that, in spite of cutting prices from $32 to $22 per square foot, there's still a lot of empty space in the new Pinnacle Building, while the cost of office space in Maytown was projected at between $30-$40 per square foot. The high cost of the May property came back to bite them again later, when Sumter Camp addressed the fear that rejection of Maytown would lead to 500 tract homes being built instead by doing the math and pointing out that the land cost to the Mays (around $14K per acre) virtually insured that they could not build competitively priced tract homes at the tip of Bell's Bend, miles from gas stations and food stores–even if there were still a market for tract homes, which there isn't.
A number of TSU alumni had spoken in favor of the project, due to the carrot offered to the school in exchange for support, but one alum broke ranks to observe that, no matter what the developer was promising, once the zoning changes had been made, there would be no way to enforce the "agreements" that had been made.
And so, one nail after another was driven into Maytown's coffin. I left as the hour got late, but I am sure someone parsed Maytown's claim that they would "preserve" 900 acres, noting that that 900 acre figure included up to
6 "estate homes," each on 5 acres.
227 acres of corporate campuses.
103 acres of "ball fields, tennis courts or other similar recreational amenities" and "future schools, churches, fire stations and similar uses."
200 acres of floodplain for the TSU agricultural center
In addition, a certain part will be reserved for a "future marina and related development."
If you do the math, that list adds up to about 600 of those 900 "preserved" acres, and a chunk of the remaining 300 is under a power line. What was I saying about trust, credibility, and promises?
Well, the upshot of it all was that the Planning Commission voted 5-4 not to approve Maytown, "because it is not in accordance with the Area Plan," which was a diplomatic way not to call Tony G. and Jack May a couple of shameless hucksters. At Metro Council last night, it all ended "not with a bang, but a whimper," as Lonnell Matthews asked for the proposal to be "indefinitely deferred." As the economy worsens, the likelihood of resurrection diminishes. I think we can all breathe a big sigh of relief.
Well, them's the facts. Rural preservationists take on developers and send 'em packing. Hallelujah, a happy ending! But–what's my "deep green perspective" on the whole affair?
This was a classic case of the craziness that ensues from adherence to the twin legal fictions of "land ownership" and "profit." These are concepts that we take for granted, hardly realizing the depth and complexity of the problems they have engendered in our society. I think they are a form of mental illness that we need to cure ourselves of, individually and collectively–individually through personal reflection and reconditioning, and collectively by revising our laws to end these impositions on the planet and our fellow humans.
We live in a radical fundamentalist materialist society in which no thing is sacred–not the air we breathe or the water we drink, not the land we walk on or the voluptuous curves of a young woman's body or the perspective that comes with advancing age. The abstraction of financial profit is the only sacred point in our culture, and all must give way to an individual's right to financial gain. Everything must be monetized in the cultural and legal web we have woven for ourselves–land, education, food, child care, sex and any other simple pleasure you can think of, have no "value" unless they are monetized, commercialized, and turned into tawdry imitations of their true, free selves.
Thus, our culture views "undeveloped" land as a blank slate, valuable only for its ability to be turned into something else for the benefit of its human owners. In this view,he deer, foxes, bald eagles, herons, field mice, fence lizards and lillies of the field who inhabit "undeveloped" land have no legal rights, no claim of ownership, no "right to life," to steal a phrase from our so-called "fundamentalist" Christian bretheren.
And so the vote against Maytown Center was not so much a victory for those of us who fought against it (and Maytown proponents were correct in observing that most of us don't live on Bell's Bend) as it was a victory for the natural world, a victory for the right of the trees to be left alone.
I don't want to get my hopes up too far–but maybe, just maybe, Maytown Center was the Pickett's charge of radical fundamentalist materialism. Maybe, just maybe, this was a turning point. Maybe, just maybe, we have crossed the pass and are beginning our gentle descent into a saner future. May it be so.
Maybetown Center, R.I.P.–but I will keep watch on your grave to make sure you stay dead.
music: David Rovics, "The Commons"
« TURN OUT THE LIGHTS TENNESSEE FOLLIES »
Tags: Bell's Bend, Maytown Center, Nashville, Planning Commission
Categories : environmental issues, friends and family, local politics, US infrastructure
Ab (11:11:51) :
I quick look at the satellite photos on google maps shows empty lots right down the road at metrocenter, and it was started back in the late seventies. Every aspect of this development deal was completely half baked it is no wonder that it didn't go through in the end. On the other hand never underestimate the power of greed and the greed of those in power. As the 5-4 decision shows, it was far closer to passing then the evidence warranted. Keep your eyes and ears open, If the economy improves these scoundrels (or others) will be back to try again.
THAT MAYTOWN OBSESSION « DEEP GREEN PERSPECTIVE (20:56:12) :
[…] there's one problem with this idea–the May family paid $14,000 an acre for that property, and there's no legal way a farmer can make enough money to buy land at […]


text:
Exciting new season by thriving Harrogate Film Society
Growing membership and high quality programme - Members of Harrogate Film Society.
Graham Chalmers
Published: 15:05 Friday 31 August 2018
The thriving Harrogate Film Society's new season may be starting with a movie directed by a Harrogate talent but it remains that rarest of beasts these days – a true champion of world cinema.
Harrogate-born Andrew Haigh's latest film Lean on Pete, the story of a troubled teenager who sets off across America to save his past-its-prime horse from slaughter, stars Charlie Plummer, Chloe Sevigny and Steve Buscemi, received rave reviews when it was released earlier this year.
But the film society's vice chairperson Paula Stott said the screening of the film on Monday, September 10 at the society's swish home at Soothill Hall at Ashville Collegeis only the tip of the new season's iceberg.
She said: "Our key criteria is to show movies which have not had a long run at established cinema chains and to complement what the Harrogate Odeon and Everyman offer rather than compete.
"We always seek out the best in world cinema but we do not set out just to appeal to cinema buffs.
"We've increased our screenings to 16 films this season at an average cost of £2.65 per film for full members."
Last year saw audiences at Harrogate Film Society events grow significantly from 2016, making it one of the UK's most successful high brow film clubs..
HFS boasts a serious but sociable approach with a new pop-up cinema strand called Flash Film for cult films for younger viewers, Film Club discussions about movies and collaborations with the annual Harrogate Film Festival.
Chairperson Tony Thorndike said: "HFS isn't just about creating a film programme each season which appeals to many tastes, we also offer the opportunity to meet and chat at social evenings and take part in special events.
"We want to extend the community for cinema."
Now in its 63rd year, the new season runs until April 2019 with movies including British drama Lady Macbeth starring Florence Pugh, award-winning US documentary I Am Not Your Negro and French drama Happy End starring Isabelle Huppert.
Harrogate Film Society screenings are also open to pay-on-the-door.
More news you may be interested in...
Signs controversy: Firm's apology to angry Dales town


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29.01.2018 | Construction of the replacement of the Danzermühl Traun River power station in Laakirchen (A) will take more than two years. Work on the project built by a civil engineering consortium got underway in March of 2017. Additionally to the economic advantages, the new construction also has advantages for the environment. The client is heinzel energy Kraftwerk Laakirchen GmbH.
"We are bang on schedule," says Felbermayr's Area Manager Volker Brand. As a construction engineer, he is mostly responsible for the power station project's technical matters. Thus, he is proud of the fact that construction work is advancing on schedule despite geological difficulties.
Demolition work on the existing barrage has started in spring of 2017. The new weir system was built subsequently. The latter was completed as planned in late 2017. "We are currently working on the deepening of the Traun River on the power station's downstream side," says Brand. This is necessary to extend the barrage's drop height and a prerequisite for an increase in power generation. The concrete fish ladder will also be completed shortly. At the same time, sealing work for the power house's erection will commence. Steel hydraulic engineering work is carried out successively to the construction phases in concrete construction. "We plan to install the turbines at the end of the year," says Brand, stressing yet another milestone of the power station construction project. Water is supposed to flow through the inlet channel and into the turbines for the first time in spring of 2019. The station is scheduled for completion and commissioning in summer of 2019.
The decision to replace the 130-year-old power station was preceded by extensive investigations in order to ensure that it represented the current state of the art in both ecological and economic terms. To increase the drop height, for instance, the Kohlwehr barrage further downstream was demolished. This results in a 2.5-fold increase in electricity production and an extension of the Traun River's flow length. This yields significant benefits for the river which carries crystal-clear water from the mountains of the Salzkammergut region which, in turn, benefits fish and other small organisms. Furthermore, a fish ladder in vertical slot design allows the aquatic creatures to pass the Traun River power station without being harmed. Economically, the increased utilisation of the available water allows for a possible annual power generation of some 45 gigawatt hours. This roughly corresponds to the annual power demand of 10,000 households.


Too often conversations about psychology and the public presume a passive public simply receiving whatever messaging the discipline happens to disseminate. And, the public as an entity is often under-theorized in these discussions. The term is employed but never defined with respect to its parameters and characteristics, its ontology remaining un- or at least under-addressed… Exploring the nexus of the human sciences and the public implicated in much of this work is a rich and wide-ranging landscape for the historian of the human sciences.
The interview goes on to discuss the value of interdisciplinarity in the historiography of psychology, and the ways that engagement between historians and scholars in a range of allied fields (such as science and technology studies, and studies in public engagement/public understanding of science) has influenced new directions in how the spatial and temporal geographies and timelines of psychology are written.
Read the interview in full, and click here for our blog coverage of the issue, with abstracts.


What is the Purpose of the Innocent Insured Clause in a Malpractice Policy?
Home > Blog > What is the Purpose of the Innocent Insured Clause in a Malpractice Policy?
This is a common question as to what the Innocent Insured Clause does? It is easy to misunderstand the meaning and intent of this clause in a policy.
Deliberate or illegal acts are normally not insurable either by rule of law or the insurance language. But what happens to the insurance coverage when a firm member commits an act that is clearly illegal or deliberate and thereby excluded from coverage. This 'deliberate' act may cause there to be a malpractice claim that coverage is then denied. But is it fair to the rest of a firm, if they did not know or participate in the excluded act to not have attorney malpractice coverage for this incident?
The Innocent Insured Clause in a policy is intended to provide coverage for the 'innocent' parties that are members of the firm so that they are not left without insurance protection. As each malpractice insurance policy is different, this 'clause' may differ in wording and may not be called an Innocent Insured Clause, while the intent remains the same.
apply to any claim based upon or arising out of any dishonest, fraudulent, criminal, malicious or deliberately wrongful acts or omissions committed by you.
This exclusion shall not apply to a claim until and unless such conduct is evidenced by any judgment, final adjudication, alternate dispute resolution proceeding or written admission by you.
This exclusion does not apply to those of you who did not personally commit, personally participate in committing, or remain passive after learning about one or more of the acts or omissions described in this exclusion. However, our obligation to provide coverage in any such case shall be excess of the deductible and excess of the full extent of any assets in the named insured, or monetary value attributed to such assets, of anyone to whom this exclusion applies.
A further caution, while the Innocent Insured Clause is a very common clause in many professional liability insurance policies it is not found in all policies. This a policy feature that is litigated often. If you have concerns about this clause, check with an experienced professional liability insurance agent.
Note: The above is general information about a Claims Made Insurance policy concept. Different insurance policies and different situations may or may not treat these concepts in a similar manner.


text:
Q: unable to overcome the error PAC::ProgramError from my Rails application I am new to Ruby. I have written a simple code :
...
pac = PAC.load(pacfilename)
return pac.find('http://www.google.com')

...
I am using gems
gem 'win32-service', '0.8.2', :platforms => :mingw
gem 'pac', "~> 1.0.0"
gem 'therubyracer', '0.11.0beta1', :platforms => :mingw

I am getting this following error :
PAC::ProgramError in Accounts#new
Showing G:/test/app/views/accounts/new.html.erb where line #6 raised:
Cannot call method 'lastIndexOf' of null
Extracted source (around line #6):
3:  >
4:
5:
6: <%= getProxyServer %>
7:
8: <%= link_to 'Back', accounts_path %>
The relevant part of trace file
pac (1.0.0) lib/pac/runtimes/rubyracer.rb:28:in rescue in block in call'
pac (1.0.0) lib/pac/runtimes/rubyracer.rb:22:inblock in call'
pac (1.0.0) lib/pac/runtimes/rubyracer.rb:57:in block in lock'
pac (1.0.0) lib/pac/runtimes/rubyracer.rb:55:incall'
pac (1.0.0) lib/pac/runtimes/rubyracer.rb:55:in Locker'
pac (1.0.0) lib/pac/runtimes/rubyracer.rb:55:inlock'
pac (1.0.0) lib/pac/runtimes/rubyracer.rb:21:in call'
pac (1.0.0) lib/pac/file.rb:18:infind'
app/helpers/accounts_helper.rb:46:in readPACfileData'
app/helpers/accounts_helper.rb:65:inreadPACfile'
app/helpers/accounts_helper.rb:83:in `getProxyServer'
What is the problem? I want to find out the proxyserverIP, if any, programmatically from the  application and then use it for accessing websites. Any help?


Humber Liberal Arts Conference "Truth, Lies, and Manufacturing Memory"
Passes to the festival are on sale now and cost $90 for a collection of six tickets to individual events. Individual tickets to events are also available. Looking for a place to stay nearby? Our luxury hotel is a short stroll to Harbourfront Centre, the host of numerous Toronto events. Book your reservations today, and enjoy an exceptional travel experience with impeccable service, amazing accommodations, and a prime location in the heart of the city.


Salmon farms: what's happening where?
The Globe and Mail reports that scientists are having a hard time getting a complete picture of what happens when sickness breaks out in salmon farms. According to a report released by the University of Victoria, the government does not disclose the exact location of a disease breakout and the general information released is not enough to prove useful for scientists' research. The information that is released is frequently delayed. This means that scientists do not have the resources to study if and how the diseases might be transmitted to wild salmon and ultimately affecting their runs.
Which wine pairs with eel?


text:
Angoulême est Charlie; Chinese Partnership; Otomo Grand Prix
Matthias Wivel | January 30, 2015
The official memorial to the victims of the Paris killings, City Hall, Angoulême.
BIZARRO WORLD A rain-drenched Angoulême has been preparing for the annual influx of people from all over the world for weeks, scrambling to take the necessary precautions against possible terrorism. Bomb-sniffing dogs around the Noveau Monde comics tent and body searches with portable metal detectors, backing up visitors at every entrance is the new reality at Angoulême.
The Charlie Hebdo massacre looms large everywhere, even as people are trying to carry on as usual. The Lewis Trondheim-designed festival mascot appears on the cover of the official program brandishing the ubiquitous JE SUIS CHARLIE sign, while absent festival president Bill Watterson's delightful official poster, hanging in shop windows around town, reminds one of a (seemingly) more innocent time in comics.
Bill Watterson's official poster design.
There is talk of President of the Republic Francois Hollande visiting, as well as Minister of Culture Fleur Pellerin, but no official announcements are forthcoming, again surely for security reasons. A dozen or so vans of the special police force CRS are parked along the back of city hall, while a press conference on the establishment of a permanent pavilion dedicated to Chinese comics is being conducted in the great hall press area. This year, the capital city of Guandong province, Guangzhou is the official partner, and the mayor is here along with a group of his officials.
Clearly part of a wider diplomatic effort in French-Chinese relations (the French prime minister happens to be traveling in China at this very moment), this is a major development presumably undergirded by a robust infusion of Chinese cash to the festival.
From the press conference on the Chinese partnership. Festival director Franck Bondoux fifth from left, the mayor of Guandong to his immediate right.
In the midst of all this, the bizarre choice to announce the year's grand prix, and next year's festival president, Otomo Katsuhiro this morning makes for decidedly anticlimactic PR. Otomo has been in the running for the honor for years, and has been very popular in France since his masterwork Akira was published here in the nineties, so it is hardly a surprising choice, though certainly a positive one, honoring as it does a major creator while simultaneously enhancing the festival's international profile and outlook further. The later is clearly a priority for the festival, as festival director Franck Bondoux is telling the visiting Chinese officials at the moment of this writing. 'About time,' is my first thought.
The selection process for the Grand Prix has been undergoing what seems like chronic change for the past several years, with a general wish to make it more democratic, taking away some of the responsibility from the so-called academy of earlier laureates who used to decide it on their own. Only God knows how exactly Otomo was selected this year, but the early announcement suggests another round of reforms this year. I hope to find out more today.
Had time to catch the excellent exhibition of Bill Watterson's work in the basement of the Espace Franquin yesterday. It is a repurposed version of the show put on last year at the Billy Ireland Cartoon Library and Museum in Columbus OH, adulterated somewhat by a rather shabby display of photostats providing a survey of American newspaper comics, shoehorning a dubious teleological argument for Calvin and Hobbes' greatness into an otherwise focused show.
The show includes around 200 original Calvin & Hobbes strips, arranged thematically, but starting with the first three ever published and ending with the beautiful last sunday snow scene. Supplementary sections cover Watterson's early career and inspirations in strip cartooning, with originals from Charles Schulz, George Herriman, Walt Kelly, Alex Raymond, Pat Oliphant, and others establishing a much more appropriate and precise context for Watterson's work than the rather ugly historical display in the center of the room.
Watterson's originals are exhilarating to look at. The charm of his line and the texture of his marks are palpably evident, making this a show about the joy of cartooning as much as anything else. The inclusion of a couple of more recent, small landscape sketches in oil is interesting for the fans, but simultaneously evidence that skill in one area of picture making does not necessarily translate into another,
On with the day. We are all expecting chaos around the festival's many checkpoints as the crowds arrive.
From Otomo Katsuhiro's Akira
Written by Matthias Wivel
Topics Angouleme, Bill Watterson, Charlie Hebdo, Common Currency, Festival International de la Bande Dessinée 2015, Katsuhiro Otomo
Non-Event
Freezing Point


New Blu-Ray releases will be available from now at our site, without any donation goals.
If you want request older Blu-Ray release, join our IRC channel #erokuni at irc.rizon.net and send velka message.
You don't need to donate. velka already have your releases on list TO-DO ( http://ani.erokuni.net/request-releases-%e3%80%90hd%e3%80%91/ ), but estimated time is unknown.
However, you can still support us and make donation via Bitcoin. If you do so, I can make RIN × SEN + Ran → No Cross Mix Blu-ray HD release faster, even tommorow.
You can donate as much as you want. $20, $25. All these donations help us paying server cost and buying new BluRays and DVDs.
It's okay, I'm going to donate every month.


Boost the cleaning power of your regular wash with this versatile powder which contains oxygen bleach to remove stains, brighten whites and clean coloured fabrics (except silk and wool). It's excellent for pre-soaking and can be used safely around the home to remove stains on mugs and teapots and to clean surfaces and tiles.
SA8™ All Fabric Bleach contains no phosphates, chlorine, dyes, EDTA or NTA and all ingredients are biodegradable.
As a detergent booster, add 10 ml to each washing machine load. For best results, wash at 60°C or higher.
As a pre-soak, add 5 ml to 2 litres of hot water. Soak fabric for 30 minutes or longer and wash as normal.
To clean pots, fill the mug or teapot with boiling water, add 5 ml of All Fabric Bleach and allow to stand for at least an hour. Pour away solution and rinse thoroughly.
As an all-purpose cleaner, to wash counter tops, ceramic tiles and sinks, sprinkle dry powder on to surface, scrub with a damp cloth or sponge and then rinse.
DANGER. Causes serious eye damage. Causes skin irritation. May intensify fire. oxidizer. Harmful if swallowed. Wear protective gloves/ protective clothing/ eye protection/ face protection. IF IN EYES: Rinse cautiously with water for several minutes. Remove contact lenses, if present and easy to do. Continue rinsing. IF ON SKIN: Wash with plenty of soap and water. Keep away from heat/sparks/open flames/hot surfaces. - No smoking. Take any precaution to avoid mixing with combustibles. IF SWALLOWED: Call a POISON CENTRE or doctor/physician if you feel unwell. If medical advice is needed, have product container or label at hand. Keep out of each of children. Do not use on copper or aluminium.


I pre-registered but I'm not seeing my courses on Blackboard for the upcoming term.
Blackboard courses become available to Students the day the semester begins. Your professor has the option to open up a Blackboard course prior to the start of the term, but this is not very common.
I just registered for a course and I don't see it in Blackboard.
Blackboard enrollments are processed hourly. Your professor can enroll you into a course manually if there is time sensitive material that you need to access. Please contact your professor if this is the case.
I dropped a course and I'm still seeing it in Blackboard.
Dropped courses in Blackboard are processed each morning. If you dropped a course during the day, that course should disappear from Blackboard the following morning.
I can't find any material inside one of my Blackboard courses.
If you can't find any content inside a Blackboard course, the instructor of that course may not be using Blackboard. Please contact the instructor to verify.
My instructor said there was content on Blackboard but I can't find it.
Please verify with your instructor that the material has been posted. If you still can't see the material please contact the help desk at #4309 (609-652-4309).
If you are experiencing or have experienced a problem with an Exam, please contact the Stockton help desk immediately (609-652-4309) as well as your professor. Be ready to provide the course information (ex. ARTV-1120-001) along with your name and portal username and a detailed description of the problem.
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Your professor may post your textbook information within your Blackboard course, but courses typically don't become available until the start of the semester. You should visit the Stockton Bookstore, check the course registration pages, and/or contact your Professor if you have questions about textbooks.


text:
Fetishes in squeaky clean Singapore
TNP PHOTO ILLUSTRATION: ARIFFIN JAMAR
A man with a fetish for images of faeces and vomit was recently sentenced to 3 years' jail. Are fetishes outliers or are they more common than we think?
Seow Yun Rong
There are those who would pay a leather-clad dominatrix armed with a whip for a discipline session in the privacy of a hotel suite.
And there are those who would dress up in their wife's lingerie with her approval.
In squeaky clean Singapore, it may shock some to learn that people with fetishes are not as rare as some would like to think.
A fetish is a form of sexual desire in which gratification is linked to an object or part of a body, excluding sexual organs.
Because it is not mainstream, fetishes are often kept secret.
Dr Brian Yeo, 54, consultant psychiatrist at Brian Yeo Clinic Psychiatric Consultancy, says because fetishes are private affairs, it makes it incredibly hard to conduct studies and research because nobody will admit to a fetish unless they are caught.
Man seen trying on women's shoes outside house, leaving a pair of heels there
Poly student poisoned 13 boys with laxatives for sick sexual fetish
M'sia condo residents given 3 weeks to reclaim stolen underwear
He says: "A person with a fetish will come to us only if they are in trouble... This is usually when they are caught for upskirting or stealing underwear."
"Anyone can have a fetish. They get into trouble only if they start to associate it with someone without his or her consent.
Dr Lim Boon Leng, psychiatrist at Dr BL Lim Centre for Psychological Wellness, says: "The exact cause of fetishism is not known but we often postulate that psychologically, the fetish object may have been conditioned with sexual arousal.
"For example, the patient unwittingly paired the fetish object with eroticism and learnt to be sexually aroused by that object."
Like the man who gets sexually aroused by female hygiene products.
While there are many who indulge in fetishes, psychiatrists believe only a few act them out on unsuspecting victims.
Sean Chew Jun Yang, 26, was one of the people whose fetish escalated to the point that he had to associate it to the faeces of boys.
He drugged 13 boys over a span of three years on the pretext of conducting an experiment for a school project as he wanted to watch his 12- to 14-year-old victims vomiting and experiencing bouts of diarrhoea.
Dr Yeo, who has over 20 years of experience, says all of his patients with fetishes knew that having a fetish made them different.
"Most of them wouldn't even seek help because there is no need to unless there are legal obligations," he says.
He adds that the only form of restraint is to either watch videos or buy the objects of desire online.
Some of the fetishes are just too graphic to mention here.
But Dr Yeo also says that while fulfilling their sexual desires online may help, it may also encourage them to take it to the next level and associate it with a person.
Fetish #1 Female hygiene products
It was one of the most extreme cases he has handled and because he has had only one patient with that fetish, Dr Lee, a psychiatrist in private practice, says he cannot provide his full identity.
Doing so will lead to his patient being identified.
John (not his real name), the patient, is turned on by what he does with female hygiene products.
John buys them online and uses them for sexual gratification.
Dr Lee, who has over 20 years of experience, has treated only a handful of patients with fetishes - not because they are rare but because most of them are not harmful to other people.
While many would find John's behaviour strange and even disgusting, Dr Lee says: "As long as he doesn't harm a third party in the process, it is fine."
Dr Lee adds that not many people who have fetishes cross the line from fantasy to reality, but sometimes just watching pornographic material online will still not satisfy them.
While many may think John's fetish is rare, Dr Lee says the evidence online suggests otherwise. There are countless websites that sell hygiene products and used underwear.
For John, Dr Lee says it is just like how "people have preferences for different things". His just happened to be hygiene products.
Fetish #2 Cross-dressing
He used to wear his wife's lingerie and stockings for sexual gratification when she was not at home.
But one evening, his wife arrived home early and caught him checking himself out in the mirror in her underwear.
TNP FILE PHOTO
Instead of questioning him and throwing him out, she embraced his fetish and even allowed him to continue cross-dressing.
Psychiatrist Dr Lee says this couple's relationship grew stronger after the wife found out about his transvestic fetish.
Transvestic fetishism is the sexual arousal by clothing worn by the opposite sex. In most cases, this involves a male who is aroused by wearing, fondling or seeing female clothing.
Dr Lee says it is also uncommon for people to see psychiatrists because technically there is "nothing to cure".
He says: "For fetishes of this sort, wives and girlfriends usually accept it and allow them to live with it because it's not like they are cheating on them with another woman."
Fetish #3 Lingerie
TNP PHOTO ILLUSTRATION
Max (not his real name) had a fetish for lingerie. At first, he bought underwear from lingerie shops.
But then he felt he needed to associate the underwear with an actual person who wore it - he wanted used ones.
So he started stealing them from his neighbours and was eventually caught.
Max was a patient of Dr Brian Yeo. Dr Yeo says taking upskirt photos and sniffing soiled underwear remain two of the most common fetishes in Singapore.
He sees about two to three patients with fetishes yearly.
All of them were caught for either taking upskirt photos of women or stealing their underwear.
fetishlingerieUncategorisedcross-dressing
Read articles by Seow Yun Rong


text:
ABROAD WRITERS' CONFERENCE > Uncategorized > August 4th – 11th, KINSALE, IRELAND
abroadwritersconferenceJanuary 22, 2017Uncategorized
KINSALE, IRELAND
AUGUST 4TH – 11TH, 2017
It's official, we have a date, August 4th – 11th. We're going to Kinsale, Ireland.
In 2014, Kinsale was selected as the Prettiest Small Town in Ireland. Originally a medieval fishing port, historic Kinsale in County Cork, Ireland is one of the most picturesque, popular and historic towns on the south west coast of Ireland. It has been hailed as the Gourmet Capital of Ireland, with no shortage of pubs, cafes, and restaurants. Kinsale is still a fishing village. Located some 25 km (18 m) south of Cork City on the coast near the Old Head of Kinsale, it sits at the mouth of the River Bandon and has a population of more than 2000. Kinsale is a popular holiday resort for Irish and foreign tourists.
We'll be staying at that the Lovely Georgian hotel, Old Bank House. It's situated in the center of the town.
Shared twin room: $2,600 includes hotel, buffet breakfast, 5 dinners, workshops and readings. Plus, a harbor boat cruise.
Singles: $3,500 If you're interested in bringing a non-participating companion it will be $300 extra. includes hotel, buffet breakfast, 5 dinners, workshops and readings. Plus, a harbor boat cruise
I'm still waiting to hear back from several authors. We will have 3 poetry workshops, 2 Fiction/non-fictiion workshops, Historical fiction & nonfiction, Memoir workshop, Travel workshop and more.
SARAH GRISTWOOD – Historical Fiction & Non fiction
After leaving Oxford, Sarah Gristwood began work as a journalist, writing at first about the theatre as well as general features on everything from gun control to Giorgio Armani. But increasingly she found herself specialising in film interviews – Johnny Depp and Robert De Niro; Martin Scorsese and Paul McCartney. She has appeared in most of the UK's leading newspapers – The Times, the Guardian, the Telegraph (Daily and Sunday) – and magazines from Sight and Sound to The New Statesman.
Turning to history she wrote two bestselling Tudor biographies, Arbella: England's Lost Queen and Elizabeth and Leicester; and the eighteenth century story Bird of Paradise: The colourful career of the first Mrs Robinson which was selected as Radio 4 Book of the Week. She also published a book on iconic dresses, Fabulous Frocks (with Jane Eastoe); and a 50th anniversary companion to the film Breakfast at Tiffany's, as well as co-authoring The Ring and the Crown, a book on the history of royal weddings. Her most recent non-fiction books are Game of Queens: The Women Who Made Sixteenth-Century Europe (2016) Blood Sisters: the Women Behind the Wars of the Roses (2012) and The Story of Beatrix Potter (2016). She has also published a historical novel, The Girl in the Mirror.
A regular media commentator on royal and historical affairs, Sarah was one of the team providing Radio 4's live coverage of the royal wedding; and has since spoken on royal and historical stories from the royal babies to the reburial of Richard III for Sky News, Woman's Hour, BBC World, Radio 5 Live, and CBC. She has contributed to a number of television documentary series on cinema and fashion, as well as on history and the monarchy. Shortlisted for both the Marsh Biography Award and the Ben Pimlott Prize for Political Writing, she is a Fellow of the RSA, and an Honorary Patron of Historic Royal Palaces.
DEBORAH HENRY – Connecting With Your Readers
Deborah Henry attended American College in Paris and graduated cum laude from Boston University with a minor in French language and literature. She received her MFA at Fairfield University. She is an active member of The Academy of American Poets, a Board member of Cavankerry Press and a patron of the Irish Arts Center in New York.
Curious about the duality of her own Jewish/Irish heritage, Henry was inspired to examine the territory of interfaith marriage and in so doing was led to the subject of the Irish Industrial School system. She has traveled to Ireland where she has done extensive research and interviews, including those with Mary Raftery (States of Fear documentary filmmaker and co-author of Suffer the Little Children) and Mike Milotte (award-winning journalist), as well as first-hand reports from the survivors of the Magdalene Laundries, Mother Baby Homes, Orphanages and the Industrial Schools.
Her first short story was published by The Copperfield Review, was a historical fiction finalist for Solander Magazine of The Historical Novel Society and was longlisted in the 2009/10 Fish Short Story Prize.
THE WHIPPING CLUB is her first novel. She is currently at work on her next book.
JACQUELINE MITCHARD will be returning. She'll be teaching her extremely successful workshop, FULL MANUSCRIPT EDIT & CRITIQUE. This workshop fills-up rapidly since she only accepts 6 participants.
Jacqueline is a New York Times Bestselling Author, was short-listed for the Orange Prize for Fiction, winner, The Bram Stoker and Shirley Jackson Aware, nominated two times for Pulitzer Prize for Commentary, Anne Powers Award for Fiction, New York Times notable books, Banks Street Notable Books, Bluebonnet Prize
Jacqueline has published 13 Bestselling novels, 7 Young Adult books, 4 Children Books and numerous articles in journals in newspapers.
JOSIP NOVAKOVICH – Fiction
Novakovich is a recipient of the Whiting Award, a Guggenheim fellowship, two fellowships from the National Endowment of the Arts, panelist of National Endowment of the Arts, an award from the Ingram Merrill Foundation, and an American Book Award from the Before Columbus Foundation. Novakovich was a finalist for The Man Booker International Prize in 2013. He was anthologized in Best American Poetry, Pushcart Prize (three times), and O.Henry Prize Stories. Kirkus Reviews called Novakovich "the best American short stories writer of the decade".
JACOB POLLEY, 2016 T.S. ELIOT PRIZE WINNER – POETRY
Jacob is an English poet from Carlisle, Cumbria, United Kingdom.
His first four books of poems, all published by Picador, are The Brink (2003), Little Gods (2006), The Havocs (2012), and Jackself (2016). Jackself won the 2016 T. S. Eliot Prize.
He graduated with an MA in Creative Writing from Lancaster University in 1997.
Polley won an Eric Gregory Award, and the BBC Radio 4/Arts Council 'First Verse' Award, in 2002. His first book, The Brink (Picador 2003), was a Poetry Book Society Choice, and went on to be shortlisted for the T.S. Eliot Prize, the Forward Prize and the John Llewellyn Rhys prize.
Polley was selected as one of the Next Generation Poets in 2004.
His second book, Little Gods (Picador 2006), was a Poetry Book Society Recommendation.
Jacob Polley's first novel, Talk of the Town, was published in June 2009 by Picador. The book went on to win the 2010 Somerset Maugham Award and was also shortlisted for the Desmond Elliott Prize.
The Havocs (2012), his third book of poetry, was a Poetry Book Society Recommendation and won the 2012 Geoffrey Faber Memorial Prize. It was also shortlisted for the Forward Prize for Best Collection and for the T.S. Eliot Prize in 2012.
MICHELE ROBERTS, BOOKER FINALIST – Fiction
Michèle Roberts is the author of twelve highly acclaimed novels, including The Looking Glass and Daughters of the House which won the WHSmith Literary Award and was shortlisted for the Booker Prize. Her memoir Paper Houses was BBC Radio 4's Book of the Week in June 2007. She has also published poetry and short stories, most recently collected in Mud- stories of sex and love (2010). Half-English and half-French, Michèle Roberts lives in London and in the Mayenne, France. She is Emeritus Professor of Creative Writing at the University of East Anglia.
DECLAN RYAN – POETRY
Declan Ryan was born in County Mayo, Ireland. He's published four pamphlets with Faber and Faber. Declan was included in Faber's New Poets series. He is poetry editor at Ambit and teaches at King's College London. He was highly recommended by poet Ruth Patel, one of our instructors. Ruth judges the T. S. Eliot Prize.
GABRIELLE SELZ – Memoir & Biography
Gabrielle Selz is a writer and a live storyteller. Combining her dual passions for words and images, she holds a BA in art history from the University of California, Santa Cruz and an MA in writing from City College of New York. She has worked in commercial television and on the political campaigns of two Greek democratic presidential candidates: Michael Dukakis and Paul Tsongas. She is the recipient of a fellowship in Nonfiction Literature from the New York Foundation for the Arts and a Moth Story Slam winner. She has published in magazines and newspapers including, The New Yorker, The New York Times, More magazine, Los Angeles Times, Fiction, Newsday, and Art Papers. She now writes art reviews for The Huffington Post, and you can read her blog about art and life here.
Unstill Life is her first book. She is currently writing a biography on the American painter, Sam Francis.
DELTA WILLIS – Travel Writing
Delta has published more than 30 articles in Audubon, Outside, Natural History, PEOPLE,The New York Times Book Review,( SOME PRIMATES WEREN'T TO BE TRUSTED – New York Times ) The Explorer's Journal, Diversion and Omni's Exploration column. For two decades she was chief contributor to Fodor's Guide to Kenya & Tanzania. See her reports from Kenya
A member of the Explorers Club, Willis crossed the Sahara for a London Zoological Society/World Wildlife Fund expedition which led to the establishment the largest nature reserve in Africa. When China first opened to American travelers, Lindblad Travel recruited her to guide their clients for 30 day tours. She organized the first expedition to East Africa for the late Stephen Jay Gould. En route to Nairobi, the evolutionary biologist served as her guide to the home of Charles Darwin, now a museum, near London.
Interviewed on NPR's "All Things Considered," "Pulse of the Planet," and "New York & Company," Willis has lectured at The American Museum of Natural History, New York University, The Explorers Club, The 92nd Street Y, and the Fulbright Institute.
Her memoirs, "My Boat in the City," begun when her base camp was a houseboat moored on the edge of Manhattan.
Finishing Line Press Authors will also be joining us.
Addition list of authors teaching workshops will follow shortly.
WORKSHOP DESCRIPTION
We will discuss in three part sections the myriad ways we can find our niche and connect with our readers in the digital age.
Part One: Four to Six months before publication date.
Part Two: Before and After Launch Date.
Part Three: After initial launch and onward – How to build a wider audience.
Throughout the three segments, we will have Q & A which will be organic to the flow of discussion as we share the journey — including utilizing traditional and social media skills to land an agent, an editor, a publisher, blurbs and much more as well as how to build a global writing community with ever increasing innovative marketing models.
JACQUELYN MITCHARD -Full Manuscript Edit & Critique
LIMITED to six students, #1 New York Times Bestselling author Jacquelyn Mitchard will host a full-manuscript intensive critique. Each student will receive advance digital copies of the other writers' manuscripts and, at Lismore Castle, Mitchard will lead a full half-day session on each completed book of fiction or creative non-fiction. Admission to this class is based on individual manuscript potential, and application must be made well in advance of the conference in order to assure that the extra demands of a full-book seminar can be met. Mitchard also will provide a written critique with editing and revision suggestions to each participant. Contact conference organizer Nancy Gerbault for guidelines and specifics.
This is an intensive workshop. Plan on only taking this workshop along with a second workshop at the end of the week.
JOSIP NOVAKOVICH – Fiction/Nonfiction
The Art of the Microforms
A Multi-genre course, concentrating on the short forms, from a short paragraph to vignettes up to approximately 1500 words. The boundaries between narrative poems, lyrical essay, and flash fiction are frequently arbitrary, so let's not worry about the definition of what we do in the short form, and play. The definition can come later.
Course Objective: To play with words in order to come up with good moments.
Come to class with several short pieces for us to give you constructive feedback now how to revise and improve.
The class time will be divided among the following activities:
Critiquing your work constructively.
Analyzing published paradigms of short form writing.
Sketching and writing vignettes from prompts and assignments.
Even in the short form, the elements of fiction, poetry, and creative nonfiction can be at play productively, so we will concentrate on plotting stories from the basic motives. Man is his desire, sid Aristoteles. We'll sketch several stories based on primary motives, desire and fear.
Paradigms of microforms to be discussed and covered:
Examples of quick writing
Grace Paley, Robert Coover
2. Myths, Parables
Story of Jonah, Prodigal Son. Tolstoy's, Three Parables. Johann Peter Hebe, Man is a Strange Creature.
3. Fables and Fairy Tales
Aesop, Brothers Grimm
4. Short-Shorts
Franz Kafka, Kurt Vonnegut, John Cheever, Eudora Welty, Hemingway
5. Flash Fiction
Lydia Davis, Jonathan Wilson, Diane Williams, Dave Eggers
6. Absurdist and Surrealist Stories
Etgar Keret, Daniil Kharms, Dino Buzzati, Aimee Bender
7. The Lyrical Essay
Death of the Moth, Virginia Woolf
8. Very Short Essay, True Story
Mikhail Iossel, Why…, JN, "Ice"
9 Story as one scene:
The Use of Force by William Carlos William. http://www.classicshorts.com/stories/force.html
10. Prose Poems
Sandra Cisneros, Monkey Garden
Reading list:
Parables:
Prodigal Son: http://www.allaboutjesurchrist.org/parable-of-the-prodigal-son-faq.htm
Story of Jonah: http://www.mechon-mamre.org/p/pt/pt1704.htm
Johann Peter Hebel: http://www.amazon.ca/The-Treasure-Chest-Unexpected-Reunion/dp/1870352432 and http://johnshaplin.blogspot.ca/2011/07/two-stories-by-johann-peter-hebel.html
Tolstoy, Three Parables: http://www.nonresistance.org/docs_pdf/Tolstoy/Three_Prables.pdf
Aesop's Fable: http://www.gutenberg.org/files/21/21-h.htm#link2H_4_0001
Brothers Grimm, Fairy Tales: http://www.pit.edu/~dash/grimm001.html
Franz Kafka Short Shorts: http://franzkafkastories.com/shortStories.php?story_jd=kafka_passers_by
Dino Buzzati, Falling Girl: https://docs.google.com/document/edit?id=1tb7kGoJ3mhPONLIMeWj7ugYJGpJtILy3C5o2uHCQj4k
Lydia Davis: http://www.conjunctions.com/archives/c24-Id.htm
Aimee Bender: http://www.missourireview.com/anthology/we-content/uploads/2011/10/theremembererwithmaterials.pdf
JN: http://www.thebluemoon.com/4/spr99prevnovakovich.html
Mikhail Iossel: http://www.newyorker.com/books/page-turner/why-why-why and http://www.classicshorts.com/stories/mouse.html
Daniil Kharms: http://www.sevaj.dk/kharms/kharmseng.htm
John Cheever, Reunion: http://www.puffchrissy.com/wp-content/uploads/2011/03/REUNION.pdf
Ernest Hemingway, A Very Short Story: http://records.viu.ca/~lanes/english/hemingway/veryshort.htm
Robert Coover: http://www.newyorker.com/magazine/2011/03/14/going-for-a-beer
Diane Williams: http://www.brooklynrail.org/2005/11/fiction/stories
Eudora Welty: http://grammar.about.com/od/shortpassagesforanalysis/a/Weltyteacher07.htm
Virginia Woolf: http://bcs.bedfordstmartins.com/everythingsanargument4c/content/cat_020/Woolf_DeathoftheMoth.pdf
Jonathan Wilson: http://www.esquire.com/fiction/napkin-project/wilson-napkin-fiction
Etgar Keret: http://www.theguardian.com/books/interactive/2012/feb/23/unzipping-etgar-keret-short-story
Grace Paley: http://www2.southeastern.edu/Academics/Faculty/scraig/paley.html and http://biblioklept.org/2014/03/08/wants-grace-paley/ and http://radashort.blogspot.ca/2008/06/mather-by-grace-paley.html
Dave Eggers: http://www.theguardian.com/books/2005/jun/11/shortshortstories.fiction
Kurt Vonnegut: http://www.tnellen.com/cybereng/harrison.html
MICHELE ROBERTS – Fiction
One of the pieces of advice I offer in the morning workshop to students tackling writer's block is to have something delicious to eat. Another tip is to practise automatic writing. Given a phrase, you then write non-stop for three minutes, whatever comes up, without censoring. A good way to get the juices flowing is to begin with "I hate" or "I am disgusted by . . ." Hate and disgust are helpful energies and provoke original writing."
None of us gets nostalgic about school dinners, do we? From primary school, I remember fatty mutton in greasy gravy. Rice pudding, tapioca pudding, semolina pudding, macaroni in warmish sweetened milk. Slimy and disgusting. At secondary school, a convent, the nuns' speciality was carrots boiled to a pulp, tasting of soap. Slimy. Or spinach, bitter and sour and, yes, slimy. Too close in texture and appearance to spit and sick, to all those bodily wastes we shun, which the feminist author Julia Kristeva calls "the abject". Giving an abstract name to wanting to throw up helps keep it at bay. Kristeva refers somewhere to "those currents of bodily feeling we call emotion". In the writing workshop, we begin by translating abstract words like bliss and desire and contentment into sensual, physical images.
GABRIELLE SELZ – 3 Day Memoir Intensive and Biography workshop
The American essayist and poet, Kenneth Rexroth wrote, "Against the ruin of the world, there is only one defense: The creative act." Memoir is a creative act, one that marks the intersection of truth and storytelling.
Whether writing personal essay-length pieces or a book, this workshop will show you how to best tell the stories from your life.Together, we will analyze methods for creating a narrative through imaginative reconstruction. Participants will be asked to submit a 2,500-word sample—a stand-alone essay or an excerpt.
After introductions, we will begin with a series of essential questions that will guide us in clarifying and defining our projects. The answers are meant to be flexible, opening us up to an ongoing process that will help illuminate our material and choices as we progress.
Over the course of our three days together, each writer's work will be work- shopped in a safe, honest environment. The whole group will help the writer identify what is unique and exciting in their work, as well as what might be getting in their way. If you are embarking on something new, it is okay to submit a skeletal description. We will then focus on helping you sketch and fill out your memoir project.
We will emphasize issues of craft with discussions on:
 Prologue: How to hook readers, set up the stakes and foreshadow the arc of the story.
 Structure: How to shape through Conflict and Turning Points.
 Character/Dialogue: Making characters dimensional through desire and contrast.
 Desire Line: Ask yourself, "What did I want more than anything else? What is my underlying question, my underlying want?" Create a desire line. It's all about wanting.
 Writing the personal outward and within the context of history.
 Setting/Place: Creating setting, mood and emotion of place.
 Emotional authenticity
 Theme and how to weave it in so that it informs all the aspects of the story.
 Revision and its various stages.
 The Business/The Writing Life
DELTA WILLIS – Travel and Food Writing
Travel Images Expand your reach and profits by submitting sharp photos with your travel reports. Increasingly online magazines want a photo essay, spiced with a few paragraphs. Now smart phone images allow you to compete with professional photographers to illustrate your own articles. This workshop will focus on composition, editing, and social media platforms (Facebook, Instagram) that engage your readers. Three workshops will explore photo ops in the village and harbor of Kinsale; two will be indoors with laptop exercises, including capturing color, light, and sense of place with words, photographing food, when to avoid selfies, the dangers of Photoshop, copyright protection, and photographing people without permission. Minor additional expenses for excursions, workshops in cafes or pubs. Led by Delta Willis; see sample blog with images
Morning Workshops begin at 8:00 am – 12:00
Room #1 Full Manuscript Edit & Critique
Room #2 Memoir & Biography Room
Afternoon Workshop 12:30 – 4:30
Room #1 Travel Writing
Room #2 Declan Ryan/Poetry
Readings 5:00 – 7:00
Welcome Dinner Party at LEMON LEAF
Breakfast 7:00 – 10:00
Morning Workshops 8:00 – 12:00
Room #2 Memoir & Biography
Afternoon Workshops 12:30 – 4:30
Room #1 Michele Roberts/Fiction
Dinner – Free night out
Harbor Cruise 7:00 – 9:00
Buffet Dinner on Boat
Morning Workshop 8:00 – 12:00
Room #2 Connecting With Your Readers
Dinner at restaurant, Fishy Fishy
Room #1 Josip Novakovich/Fiction & Non-Fiction
Room #2 Jacob Polley/Poetry
Room #1 Historical Fiction & Non-Fiction
Dinner at Blue Haven
BBQ Fish dinner and Buffet afterwards we'll listen to music in the bar
Celebration dinner at Lemon Leaf with music
Please note that Delta Willis's Travel & Food Workshop will be in two different rooms at different times.
Shared Twin Room $2,600 – includes: Full Breakfast, 5 dinners, Workshops, Readings
Single Room $3,600 – includes: Full Breakfast, 5 dinners, Workshops, Readings. You're welcome to bring a companion for an extra fee of $300.


You can search the members directory by name, or whether the therapist works with children and/or adults. Speech and Language Therapists sometimes specialise in specific age groups, or speech and language difficulties.
If you can't find a therapist on the search listing in the area you are looking for, you can email info@isti.ie and we will send out an email query to all ISTI members.


Caterings are packaged for buffet style service.
Pricing is per person and includes meat, two sides, and a side roll.
Upgrade to sandwich buns for 50¢ more!
price does not include tax and gratuity. disposable plates, utensils, napkins, and servingware available upon request.
we have limited availability for univeristy event weekends, deliveries, and staffed catering events such as weddings.
reservations will be taken on a first come first served basis.
non-refundable deposit may be required.
bookings accepted up to 1 year prior to the event date.