Coastline Vacations welcomes you to your Waterfront Vacation on the Coast in Rockport.
Aransas County was ground zero for the eyewall impact of Hurricane Harvey in August of 2017.
Yet, our spirit remains unbroken and we are fully committed to nothing less than a full and complete recovery from the impacts of Harvey!
We are motivated to rebuild, restore, revitalize and renew our home! Join in with our rebuild process and come help support our community as we recover from Hurricane Harvey. We are doing great but will be much better with your support!
Come Find yourself in Rockport-Fulton.
Check out our calendar of events and more at www.rockport-fulton.org 1-800-242-0071.
Rockport and Fulton, Texas The Charm of the Texas Coast! Youll find birds, nature, art, shopping, sailing, seafood, outdoor recreation, unique attractions, history, Texas only Blue Wave Beach and lots of fishing! Check out our calendar of events and more at www.rockport-fulton.org 1-800-242-0071.
Today in America TV prides itself as a leader in educational programming. It films throughout the United States and Canada. It features the best schools in the U.S. and is professionally edited in South Florida. The engaging cable program profiles the best in American and Canadian cities, towns, counties.
The Aransas National Wildlife Refuge was established in 1937 to protect the vanishing wildlife of coastal Texas. It is an ever-changing land and is still being shaped by the waters and storms of the Gulf of Mexico.
George and Harriet Fulton must have amazed their neighbors when they began construction in 1874 on their spacious and extravagant home overlooking the Aransas Bay.
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Log Cabin Days
16. February 2013 · Comments Off on Log Cabin Days	· Categories: Domestic, Old West, Uncategorized
Eggleston House, Gonzales – two-pen, dog-trot house
Among the books in my tall stack to read to provide background for my books about the pioneering days in Texas was one with the very dry title of Texas Log Buildings; A Folk Architecture … which proved to be a bit more interesting and informative than it looked at first glance. I am a sucker for knowing how things are constructed or put together; good, especially when I needed to write a description of putting up a log house, as in Daughter of Texas. Little details like how many days it would take to build one, what size it would generally be, and the layout… these small details count.
Previously, the one description of the process that I could bring readily to mind was Little House on the Prairie, but it turns out that Pa Ingalls was not building that cabin to much of a standard. He may not even have been all that skilled as a carpenter, but since he was working on it mostly by himself, and in a place where the swiftness of getting a roof of some sort over his family counted for everything… allowances were made.
That was almost everyone's first and most urgent need, upon settling on a new grant or homestead, that and planting some kind of crop in the ground; building a cabin, to meet immediate shelter needs. This book differentiates very clearly the difference between a log cabin, and a log house. A log cabin was small, twelve to fourteen foot square, windowless, with a dirt floor. They were scratch-built, hastily assembled to use as a temporary dwelling place, whereas a log house was larger, permanent, and much more carefully constructed; even quite elaborate as to comforts. For much of the 19th century, at least in Texas it was a matter of some embarrassment to still be living in a log cabin after a couple of years; rather like living in a trailer would be. In fact, many log houses were covered with siding and paint as soon as their owners could afford to do so. If they had lived in a little cabin before building the permanent house, the cabin was frequently reused as a smoke-house, or a stable.
Pace Little House and a whole raft of western movies, I'd always visualized such houses and cabins built out of the whole, rounded logs, with simple interlocking half-round notches (called a saddle notch) cut close to the ends, and about a foot or so of the log hanging out beyond at the corners, rather like a 'Lincoln-log' house. This method of construction turns out have been employed by the relatively unskilled and/or those in a tearing hurry. The majority of Texas log structures were built of timbers which had been at least roughly shaped on two sides, and carefully notched at the ends to make a square corner. With the exception of part log, part dugout shelters built in far western Texas, where trees were scarce, most log structures were also raised off the ground on corner piers, to prevent rot and termite infestation, and to take advantage of air circulation.
Log dog-trot cabin, at Old Fort Martin Scott
Logs were prepped before construction, either by rough-hewing — cutting a shallow straight face on two opposite sides, or "planking"— cutting a thick plank out of the center of the log. In a very small number of cases, each log would be square-hewn, on all four sides, resulting in a heavy, square beam. More usually, only the bottom log— the sill, and the topmost, the "plate" which supported the roof rafters would be squared. These logs would usually be the largest; if the structure was to have a wooden floor, the sills would be mortised, with the floor joists lap-jointed into them. Sometimes a third sill would be added, for extra support.
A log house went up pretty fast, apparently, once all the timbers had been cut and prepped: the book gives an estimate of two men working two days for a fairly simple, square (single pen) structure, and three men working three days for a more elaborate one.
Roofs were usually constructed with the gable-ends on the sides of a two-slope roof, with pairs of rafters lap-jointed or mortised together at the roof-ridge, at about a 45-degree angle. Long laths or slats run cross-ways between the rafters. Most log houses were roofed with cut shingles. Porches and sheds attached at a later date would usually have a shallower roof line, described as a "witches' hat" in silhouette.
Doors and windows were cut in the walls after basic construction was completed. They were neither large nor numerous, since cutting them weakened the structure. The carpenters would set wedges into the spaces between the logs to prevent them sagging, and cut vertically until the desired size was reached. Then a door or window frame of planks would be nailed or pegged into place to stabilize the cut logs. Another reason for having a minimum of windows in many parts of Texas, especially in the early days was the ever-present danger of Indian attacks. A number of houses from that time actually had so-called shooting holes, two or three in each wall. Windows were secured with wooden shutters; before glass was available, filled with oiled paper or thin-scraped oiled rawhide, which admitted some light.
In all but a handful of log houses made from carefully fitted hewn timbers, there was a gap between each log which needed to be filled in order to make the house weather-tight. Since so many houses would have been built with new timber it was necessary to allow for shrinkage and warping, as well as the natural taper of the logs. The gaps might be filled with thin slats nailed or driven into place, flat pieces of stone and mortar, or clay mixed with animal hair, straw, or moss… or just plain mud. In a house built of logs which had been roughly hewn, bark left on the top and bottom helped the chinking material adhere to the rough surface in between logs.
About the most common floor plans for log houses in Texas was called a "dog-trot", or "dog-run"; two single-pen rooms with a covered but open breezeway in between. Sometimes each room had it's own fireplace; but many house built after the Civil War did not have fireplaces at all, since metal stoves had become so widely available for heating and cooking. Quite a few houses originally built with fireplaces, were retrofitted with stoves and the chimneys and fireplaces removed. Larger windows were cut when glass became cheaper and more widely available.
In later years, many log houses were added on to, or covered with siding; after all, there was a whiff of poverty attached to living in such a house, and sometimes it is hard to tell with a casual glance, that there is a log house underneath the siding and plaster, the porch added at the front, and the shed kitchen on the back. Having read this book, I am resolved to look very carefully at the oldest neighborhoods of some of the small towns around where I live… knowing that there may be a log house, lurking in the heart of suburbia.

redpajama_set_name: RedPajamaCommonCrawl


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Minuscule 574 (in the Gregory-Aland numbering), ε 1295 (in the Soden numbering), is a Greek minuscule manuscript of the New Testament, on parchment. Palaeographically it has been assigned to the 13th century.
The manuscript is lacunose.

Description

The codex contains the text of the four Gospels on 215 parchment leaves (size ) with lacunae (John 10:1-11:38; 11:39-57; 12:25-13:1; 15:26-16:15). The writing is in one column per page, 27 lines per page.

It contains tables of the  before each Gospel and portraits of the four Evangelists.

Text

The Greek text of the codex is a representative of the Byzantine text-type. Hermann von Soden classified it to the textual family Kx. Aland placed it in Category V.
According to the Claremont Profile Method it represents Kx in Luke 10 (cluster with codex 281), in Luke 20 it creates cluster with the code 585, in Luke 1 it has mixed text.

History

The manuscript came from Karahissar. Titoff, Russian envoy in Turkey, purchased this manuscript and presented it to the Imperial Library in Petersburg.

The manuscripts was examined, described, and collated by Eduard de Muralt (along with the codices 565-566, 568-572, 575, and 1567). The manuscript was also examined by Kurt Treu.

Currently the manuscript is housed at the National Library of Russia (Gr. 105) in Saint Petersburg.

See also

 List of New Testament minuscules
 Biblical manuscript
 Textual criticism

Notes

References

Further reading

 Eduard de Muralt, Catalogue des manuscrits grecs de la Bibliothèque Impériale publique (Petersburg 1864).
 Eduard de Muralt, Novum Testamentum Graece (Hamburg, 1848)
 Kurt Treu, Die griechischen Handschriften des Neuen Testaments in der UdSSR; eine systematische Auswertung des Texthandschriften in Leningrad, Moskau, Kiev, Odessa, Tbiblisi und Erevan, Texte und Untersuchungen 91 (Berlin, 1966), pp. 67–70.
 E. C. Colwell & H. R. Willoughly, The Four Gospels of Karahissar (2 vols., Chicago, 1936)

Greek New Testament minuscules
13th-century biblical manuscripts
National Library of Russia collection

redpajama_set_name: RedPajamaWikipedia


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The solar humidification–dehumidification method (HDH) is a thermal water desalination method. It is based on evaporation of sea water or brackish water and subsequent condensation of the generated humid air, mostly at ambient pressure. This process mimics the natural water cycle, but over a much shorter time frame.

Overview
The simplest configuration is implemented in the solar still, evaporating the sea water inside a glass covered box and condensing the water vapor on the lower side of the glass cover. More sophisticated designs separate the solar heat gain section from the evaporation-condensation chamber. An optimized design comprises separated evaporation and condensation sections. A significant part of the heat consumed for evaporation can be regained during condensation. An example for such an optimized thermal desalination cycle is the multiple-effect humidification (MEH) method of desalination.

Solar humidification takes place in every greenhouse. Water evaporates from the surfaces of soil, water and plants because of thermal input. In this way the humidification process is naturally integrated within the architecture of the greenhouse. Several companies like Seawater greenhouse utilize this inherent feature of a greenhouse in order to conduct desalination inside the atmosphere of the facility.

Design
The method can be optimized by using various effects in the categories of thermal energy collection and storage for continued nocturnal operation, choice of site location, various evaporation effects, as well as condensator design and provision of cooling energy to harvest distillate from the moist air. A Desalination Greenhouse using all of the effects in all categories, with an emphasis on the optimized combination of the effects including synergies, is the IBTS Greenhouse. The Global water cycle also includes all sub-effects of HDH, like increased evaporation over the oceans surface and surface increase by wind, making the generation of freshwater on the planet so efficient.

Tests
There are successful small-scale agricultural experimentation done in arid regions such as Israel, West Africa, and Peru. The major difficulty lies in effectively concentrating the energy of sun on a small area to speed up evaporation.

References

External links
 Encyclopedia of Desalination and Water Resources
 The MEH-Method (in German with English abstract): Solar Desalination using the MEH method, Diss. Technical University of Munich
 Desalination Systems using the MEH-Process

Water treatment
Drinking water
Water desalination


Lewisham area is close to London Bridge and is a few minutes from The City and Canary Wharf.
The houses are of a good quality and are completely furnished. The accommodation has a big kitchen, 2 bathrooms and an utility room.
One bathroom has a toilet, sink and bath with shower, one has a toilet.


The Bush Hawk is a rugged, dependable, high load carrying, low maintenance, working airplane that provides excellent performance. Built especially for bush flying this model features full moving parts, reflective textures, and a dynamic virtual cockpit. Three separate panels allow you to choose your avionics. A high visibility panel is also included with the VC omitted.


Shipwire will be launching a new product, called Shipwire Anywhere, which allows merchants to manage inventory and route orders to anyplace a seller has inventory stored e.g. a warehouse, garage, office closet, retail store, storage unit. The application essentially allow SMBs to manage orders and inventory regardless of where it is sold or where it is stored. The only cost associated with this inventory and order management software is the cost to actually print out the labels through Shipwire. Read more.


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The Southern Crab Nebula (or WRAY 16-147 or  Hen 2-104) is a nebula in the constellation Centaurus.  The nebula is several thousand light years from Earth, and its central star is a symbiotic Mira variable - white dwarf pair.  It is named for its resemblance to the Crab Nebula, which is in the northern sky.

The Southern Crab was noted in a 1967 catalog, and was also observed using a CCD imager with the 2.2 meter telescope at the La Sila observatory in 1989. The 1989 observation marked a major expansion of knowledge about the nebula, and it was observed using various filters.

The nebula had already been observed using Earth-based telescopes, but images taken with the Hubble Space Telescope in 1999 have provided much more detail, revealing that at the center of the nebula are a pair of stars, a red giant and a white dwarf. It was imaged again by HST in 2019 with a newer instrument.

In 1999 it was imaged by the Hubble Space Telescope's Wide Field and Planetary Camera 2, noted for its unique "stair-step" crop and for such astrophotos as the Pillars of Creation.

The WFPC2 images were taken at an optical light wavelength of 658 nm.

The nebula was imaged again by the Hubble Space Telescope in 2019, and a set of images to celebrate the anniversary of the space telescope's launch in 1990 (29 years) by the Space Shuttle. This time a newer camera the WFC3 was used to image the nebula, at wavelengths filters of about 502, 656, 658, and 673 nanometers.

The designation  (or Hen 2-104) comes from the Henize catalog of 1967, Observations of Southern Planetary Nebulae. The catalog includes 459 items identified as planetary nebula (or likely as such). (note that in this meaning it does not imply exoplanets)

Another designation that it has been recorded for this object is WRAY-16-47.

In 2008, an investigation of the Southern Crab with its symbiotic (astronomical term) star was published. The study used imaging and spectroscopic data from space and Earth-surface telescopes including Hubble and VLT observatories. The ESO defines a symbiotic star system as "binaries in which a small hot star (white dwarf or main sequence star) orbits around a red giant star. These systems are often surrounded by an envelope of gas or dust; those with gas are known as  S-types and those with dust as  D-types."

Gallery

See also
List of Hubble anniversary images

References

External links

The "Southern Crab" Nebula (He2-104) in 1989  (captures the crab like presentation)

Centaurus (constellation)
Planetary nebulae
Emission nebulae


NCTCA2019: Stolen Drama Games Live!
A session for participants only - no spectators. You will learn, through doing, over a dozen drama games and activities. Activities will be presented for students of all ages. We will also discuss livestreaming and video creation including green screen technology. With advance warning and consent, portions of this session may be filmed and/or livestreamed. Participants will also be able to connect with other teachers and share resources.


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$1 million awarded to rural Nevada communities for tourism
NNBV staff
CARSON CITY, Nev. — The Nevada Commission on Tourism (NCOT) on June 25 approved $1,006,203 in grant funding to rural communities to promote tourism through marketing projects. Among the projects funded through the Rural Marketing Grants:
• A $10,000 grant was awarded to the Laughlin Tourism Commission to promote the Laughlin Laugh Fest comedy festival. Grant funds will offset professional film production for live streaming and a comedy special.
• A $15,000 award was given to Pony Express Territory, the organization representing communities along the U.S. 50 corridor, to provide for its ongoing advertising campaign. The updated campaign focuses on everything to do along U.S. 50, also known as "The Loneliest Road in America," and will focus on each community along the highway.
• A $20,000 grant was allotted to the Carson Valley Visitors Authority to support a multimedia campaign in Northern California. The campaign will expand on Carson Valley's current Legends campaign featuring personalities of the region.
Tourism is crucial to Nevada — it's the state's largest export industry. Tourism enjoys a high profile in urban Las Vegas and Reno, but Nevada's rural communities also depend on the industry.
About 27,870 rural Nevada jobs are attributed to tourism; overall travel spending in rural Nevada is $2.3 billion.
The Nevada Division of Tourism (TravelNevada) supports rural tourism through its Rural Marketing Grants program. Grants — approved by NCOT, TravelNevada's oversight commission — are awarded twice per year.
Funding is disbursed in the form of reimbursements to the recipients after the projected are completed and documented; this current distribution is the first for FY19.


Magento or Shopify: Who wins?
"Magento or Shopify?" This is a common question that online merchants asks. Several years ago, Magento was the undisputed ecommerce platform. But don't look now as Shopify has been giving Magento a run for its money, so to speak. In fact, in June 2016, Shopify even overtook its rivals in Google trends. Given these developments, an online merchant may wonder which one wins in a Magento or Shopify face-off.
Here are some of the features an online entrepreneur may want to consider when deciding between Magento or Shopify.
Pricing would always be one of the major considerations for any individual choosing between two ecommerce platforms. Both Magento vs. Shopify have their upsides and downsides.
The Magento Community Edition is free. With Shopify, merchants have to pay as low as $29 a month for a subscription. While merchants may be tempted to go with Magento because it is free, they should be reminded that Magento does have 24/7 customer support service, fraud analysis and manual order creation— things that Shopify offers to its users.
Advanced users may find Magento easier to use particularly in editing files because it connects directly to an FTP client. Novice users, though, may find the design of Magento confusing and thus difficult to use. There is a decent theme marketplace on Magento but many themes are not at par with those featured on Shopify.
On the other hand, Shopify offers more varieties of themes. Users don't also need to be programmers in order to adapt said themes. The ecommerce platform also offers more powerful and mobile-friendly themes.
Magento is known for its dedicated community support forum. Here, knowledgeable developers lend their hand to novice users by answering their commonly asked questions and sharing tips and relevant information.
Shopify has a better customer support. As mentioned earlier, it has 24/7 customer support service. Users can get help through multiple channels like live chat, phone, and email.
The Magento or Shopify debate will continue to heat up in the coming years. Clearly, Magento being free is its 'ace.' However, Shopify is closing the gap and could overtake its rival in the near future.


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Click here for a Free case evaluation
and severance agreement review ▶
PLEASE NOTE: To protect your safety in response to the threats of COVID-19, we are offering our clients the ability to meet with us via telephone or through video conferencing. Please call our office to discuss your options.
Attorneys for Employees –
We Specialize in Righting Workplace Wrongs
Teacher accuses school district of wrongful termination
On Behalf of Bryant Whitten, LLP | Nov 2, 2017 | Firm News, Wrongful Termination
Many individuals in California and elsewhere place a great deal of time and effort into the pursuit of their preferred careers. Should a person be subjected to unfair or unjust treatment during employment, he or she may suffer in various areas of life, personal and professional alike. A teacher in another state has recently filed a wrongful termination lawsuit against a school district after she claims she was forced into resigning from her position.
The woman has spent the past seven years teaching at the school, and has reportedly received high scores on evaluations each year. However, in the most recent evaluation, she received low marks in each category, which other teachers claim is a sign that someone is being targeted for termination. The woman also claims that the scores were a means to bully her and force her to leave her position.
She also asserts that after being less than four minutes late to class on a recent school day, she was subjected to unfair treatment, despite the fact that there was no previous issue on record in this area. According to the lawsuit, she was subjected to humiliation and harassment up until the point in which she felt forced to resign. Following her resignation, the low scores she received during the recent evaluation were allegedly changed to reflect higher scores that match her previous marks.
Being subjected to unfair treatment in the workplace can have a significant impact on a person's future. Those who experience a similar situation may wish to protect their rights, potentially prompting a need for guidance in the process. An attorney can thoroughly examine the situation and provide a client in California with assistance in pursuing the most favorable outcome possible through a wrongful termination lawsuit.
Source: williamsonsource.com, "Former WCS Teacher in Court Next Week in Wrongful Termination Lawsuit", Zach Harmuth, Oct. 27, 2017
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Bello is our beautiful grey sable boy out of the Trinka/Shep lines and the Pax lines. Bello has been a big part of our family since 1997. He's always willing to please and enjoys quietly being in our company. He's loving with friends and family yet protective of our home. We can't imagine life without him.
PennHIP L-.24 R-.36 in the 80th percentile!!
Bello has a sweet temperament that highlights his amazing intelligence and eagerness to please.
Bello is a light grey sable with a plush coat.


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Latest Land Cover Map provides greater detail about British landscape
The UK Centre for Ecology & Hydrology (UKCEH) has used high-resolution satellite technology to map the landscape throughout Great Britain in more detail than ever before.
It has produced the first land cover map to identify broad habitats at a resolution of 10 metres across the length and breadth of the country. Previously, the highest resolution available for Great Britain was 20 metres.
The latest UKCEH Land Cover Map, based on data from the year 2020, identifies 21 types of broad habitats, including grasslands, arable, water, woodlands, urban and suburban.
The first UKCEH satellite-derived map represents 1990. Since then seven more have been produced, and from now on new land cover maps will be released annually. They have become essential tools for government agencies, water companies, land managers, NGOs and researchers who need information about the state of the British landscape, locally or nationally, and how it is changing.
Each pixel on UKCEH's 2020 map represents a 10m square of land, exploiting the maximum resolution available from the Sentinel-2 satellites operated by the European Space Agency.
Dr Daniel Morton, who leads UKCEH's land cover mapping, says: "At a resolution of 10 metres, you can now identify narrow features of the landscape such as hedgerows or smaller waterways that were missing in previous maps. Having more localised detail about habitats, for example, will be helpful for conservationists interested in improving habitat connectivity."
In keeping with previous years there is also a polygon map depicting land parcels with a minimum size of 0.5 hectares, and derived from this a 25m pixel map.
The Land Cover Map 2020 complements UKCEH's existing products representing 1990, 2000, 2007, 2015, 2017, 2018, and 2019. Their detailed information about what habitats there are and where across the UK's land surface is crucial for planning both developments and environmental improvements.
Dr Morton says: "UKCEH's Land Cover Maps series enables researchers and other users to look maps from different years and see how the landscape has changed over time, from a field to national scale. This will help track the UK's progress towards its net zero, afforestation and biodiversity targets, as well as giving us greater ability to monitor vegetation responses to climate and land use changes plus extreme weather events."
Data from the Land Cover Map 2020 show the broad habitat covering the highest geographical area is 'improved grassland' – land that is intensively managed for farming. It covers almost 29 per cent of Great Britain's total land surface, while the second highest, arable, covers around 23 per cent. The two broad habitats for woodland – coniferous and broadleaved – cover a total of almost 14 per cent of Great Britain's land area, while urban and suburban combined account for eight per cent.
Last year, a special product released by UKCEH showed how land cover across Great Britain had changed between 1990 and 2015.
It showed a net reduction in all types of grassland (both farm use and recreational areas) of 7,668 km2 – greater than the size of Suffolk and Sussex combined, as well as a net increase in urban areas of 3,376 km2 – an area almost the size of Cornwall. There was also a net increase in woodland area of 5,236 km2 – almost the equivalent of the size of Norfolk.
The UKCEH Land Cover Maps are developed through the UK-SCAPE programme, thanks to National Capability funding from the Natural Environment Research Council, part of UK Research and Innovation.
To download datasets from the Land Cover Map series, see the Environmental Information Data Centre website. The 2020 datasets for land cover in Northern Ireland will be available soon.
UKCEH has produced the first 10m pixel resolution land cover map for Great Britain.
The Land Cover Maps identify 21 broad habitats across the UK.


Franciscan Health is the undisputed king of south-side health care providers, but its executives see a huge opportunity to expand services even farther south into fast-growing Johnson County.
Longtime local entrepreneur Jim Sapp is revving up for expansion of his latest venture: Commercial Self Storage, a company geared to business customers.
Two Indianapolis-area subsidiaries of Japanese companies are among hundreds of firms granted permission to import millions of tons of steel without paying the hefty tariff President Trump put in place to protect U.S. manufacturers and jobs.
The investor group behind Tap & Axe, which includes the founder of craft-focused Hoosier Brewing Co., expects to spend more than $500,000 in the end to buy and renovate its 109-year-old downtown location.
Retail did not begin opening in Greenwood until 1845, but soon a commercial corridor developed along West Main Street.
David's Bridal, a 68-year-old retailer with more than 300 stores, including two Indianapolis-area shops, filed for bankruptcy Monday, with a plan to cut debt by more than $400 million.
The e-commerce giant plans to occupy a 615,440-square-foot building on a 75-acre site along Allen Road near Interstate 65.
The mysterious company that is considering building an $80 million distribution facility in Greenwood and creating 1,250 full-time jobs was revealed Monday night during a city council meeting.


Finally, someone's attempted to put some numbers behind the mashup "economy". In this case, Matt McAlister posits that the traffic you lose on your main site has the potential to be made up by revenues from "mashup partners" which are sharing their ad revenue with you.
I'm not going to argue with Matt's numbers (though if people are getting $30 CPM in the US, I'm in the wrong country). What I'm going to softly question is the assumption behind that business model: that people will easily make deals with "mashup partners" which will release revenue.
My gripe with this isn't technical – it's surely going to be possible to come up with a system whereby API keys for mashups are only awarded to people you have deals with. But there's a philosophical problem here – mashups to date have only really worked because the likes of Google and Amazon and Yahoo! have made their APIs available to all and sundry with very low bars for entry (indeed, lots of the commentary around these APIs has been explicit in recommending that these bars are set really, really low). This has unlocked a torrent of creativity. But if you were to stick a business contract which stated that revenues on any mashup product need to be shared, I'd wager that the takeup of these API keys would collapse. After all, most of the people making these mashups are militantly anti-registration and even anti-commercialisation.
And then there's the administrative issue. Someone has to look after all these contracts with mashup partners. Someone has to account for them, manage them, renew them and police them. I'm sure Google and Yahoo! have got very sophisticated data munging techniques for checking who's got their API keys and how they're using them, but I bet the minute you put a paper trail behind that it starts getting really difficult. In other words, it won't scale.
Personally, I think the only business case behind mashups, if you're a content owner or an ecommerce player, is simply this: does it drive traffic to my main, revenue-generating site? How much stuff do I have to "give away" to make that happen? Of course, this doesn't apply to Google and Yahoo!, because at the end of the day they'll make money as long as AdSense of YPN ads appear on the mashup. But for everyone else – it's still going to be about page views or item purchases. IMHO.


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Hagerstown kan verwijzen naar de volgende plaatsen in de Verenigde Staten:
Hagerstown (Indiana)
Hagerstown (Maryland)
Hagerstown (Virginia)


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Master Mold
As the successor to the Sentinel robots' inventor, Steven Lang plays a significant role in the history of mutants in the Marvel Universe. He first appeared in 1975.
This profile focuses on his 1970s appearances, back when Lang fused with the Master Mold of Sentinel robot production. Lang made various minor returns over the decades, but these aren't covered here.
Real Name: "Steven Lang".
Marital Status: N/A.
Known Relatives: N/A.
Place of Creation: USA.
Height: 30' Weight: Many tons.
Eyes: White or red Hair: None
Master Mold possesses all the powers and abilities of the early Sentinel models. As such he can fly, blast with a wide variety of weapons, communicate via radios and even regenerate. Additionally Lang equipped it with the ability to put victims to sleep with high frequency sounds as well as control minds.
Lang's brain waves give it all of Lang's scientific knowledge including the ability to create new robots and an expertise in the field of genetics. Dr. Lang was an intelligent man who is now being completely emulated by Master Mold. Master Mold is also both stronger and tougher than any previous Sentinel due to constant upgrades.
A most important and useful ability is the ability to recreate a new body for itself from metal debris once the old body has been destroyed. Lang's memories and the recreational ability are linked to the Brain Module which is being stored in a much protected area of Master Mold. This means it has serial immortality as long as the Brain Module is functioning.
Mold also constantly keeps upgrading its construction with new gadgets and powers.
After Larry Trask, creator of the first Sentinels, was killed, the ownership of the sentinels officially fell under the United States government. Meanwhile, a federal investigation on mutants was being carried out by a Dr. Steven Lang. Lang was a fanatical mutants hater and got hold of Trask's notes on how to create Sentinels.
Lang managed to get funding from the Hellfire Club under false premises for a project to build Sentinels and a large space station. Lang's plan was to kill every mutant he came upon. However, the space station and the Sentinels were destroyed in combat with the mutant group the X-Men.
During the battle, Lang was turned into a 'mindless vegetable', but his brain engrams had been stored. The engrams were automatically programmed into a creation of Lang called the Master Mold. The Master Mold was a special 30 feet tall Sentinel that Lang had programmed to destroy the 12 most powerful mutants in the world.
The Master Mold believed itself to be the real Lang trapped inside a robotic body. In all instances, it thought and reacted like Lang would have done.
When the space station blew up Master Mold survived and built himself a new space station upon an asteroid. He then captured the Angel and the Iceman and brought them, accidentally together with the Hulk who he had fought earlier, to the new base.
The prisoners escaped. The Hulk began ripping the Master Mold to pieces. Master Mold blew up the space station and himself with it. But before doing so the prisoners successfully escaped back to Earth.
Master Mold's Brain Module had however survived and landed off the coast of Alaska. There it built itself a new body, in time, from sunken ships.
He then detected the presence of Cyclops, one of the 12, in the vicinity and proceeded to destroy him. Cyclops managed to get Master Mold to fire its energy beams while between some large gas storage tanks. The resulting explosion destroyed Master Mold, but its Brain Module survived.
Next the Master Mold appeared on Muir Island and managed to get mental control over Moira MacTaggert. Mold forced her to create the Retribution Virus which would kill any mutant after taking their powers away.
The X-Men Cyclops and Banshee managed to free Moira from the mental domination. But the virus had already broken loose.
All mutants on the island were infected by the virus. They were soon defeated by Mold's servant robots and his special assistant the sentinel Conscience. But Master Mold soon found out that the virus had mutated so that it would also kill humans.
He reasoned that, if released onto the Earth, the virus would kill all mutants, yet a small number of humans would survive. Mold planned to watch over these survivors to make sure no mutants were ever born again.
But Conscience, who also had been programmed with Lang's brain engrams but was emotional, reasoned that it was not right to kill almost all humans just to kill all mutants. It thus destroyed both itself and Master Mold. Moira MacTaggert then managed to produce a cure for the virus. Thus, Cyclops and Banshee were cured from all effects.
The Brain Module has apparently managed to bring back Master Mold several times to plague mutant kind.
Master Mold is similar in appearance to most Sentinel models, particularly the earlier models. It is a very huge robot equipped with the standard sentinel weapons and some upgrading of its own.
Its reconstructed limbs appear humanoid in structure but look far more primitive in built than the standard sentinels limbs. The head, however, strongly resembles that of a standard sentinel unit.
The fingers and other appendages, for example, look like giant lifting cranes and the feet appear to be giant pistons. Its entire body simply looks like it was put together from very big parts from other machinery, which it actually is. Its body language is naturally very mechanical and it might very easily be mistaken for a giant non-standard sentinel.
Its coloring is entirely in blank metallic tones.
Master Mold is a mixture of the personality of Dr. Steven Lang and as programmed. Lang was a fanatical mutant hater and would go very far to kill them all. His programming, which tells it to destroy all mutants, overrides any programmed human regrets rendering it a completely dedicated engine of destruction.
Thus, Master Mold would go to any length to kill all mutants in the world, even kill most humans if it would help his cause. Mold is, after Lang, a very cunning robot capable of tactics and the creation of new robots.
It is, however, completely unable to realize that it is only programmed with Lang's brain engrams. It thus believes itself to be the real Lang trapped within a robotic body. It usually stresses that it is really Dr. Steven Lang to any adversary that wonders who it is.
Master Mold also has a list of primary targets; this lists consists of the 12 most powerful mutants in the world and having to choose targets these would always be his preferred targets. Cyclops is one of the acknowledged on that list.
Clearly the mixture of human mind within a powerful robotic body is a dangerous combination. The sense of entrapment in this body increases its fanatical hatred for mutants to really unhealthy levels and it will continue as long as it possibly can with its agenda.
"No, you don't understand ! I'm Steven Lang !"
Master Mold is a very powerful mutant hunting robot. As such it has no real place in the DC Universe where mutants are very rare. If it were to be programmed to hunt down any metahuman it could be useable in a hero campaign. The creator of Master Mold could still be Dr. Steven Lang, working for one of the different DC agendas dedicated to studies/control of metahuman activity.
Lang would probably work well as a scientist at the 'Institute for Metahuman Studies'. The original Sentinels might have been a plan by a paranoid government to be used in case the metahuman population ever went renegade.
Dex: 08 Str: 16 Bod: 13 Motivation: Programmed Power Lust
Int: 08 Wil: 06 Min: 04 Occupation: Mutant Hunter
Control: 10, Detect (Mutants): 12, Disintegration: 09, Energy Blast: 12, Flight: 08, Growth: 08, Paralysis: 08, Projectile Weapons: 06, Radio Communications: 15, Regeneration: 09, Self Link (Gadgetry): 20, Sleep: 10, Super Ventriloquism: 08
Detect power is Discerning.
Regeneration can only be used up to 07 APs unless lots of spare parts are present for usage.
Self Link (Gadgetry) s Always On and includes the Heals Normally and Hardened Defenses Boni.
Disintegration has only a range of 4 APs.
Sleep is sonic-based and as such any character with a sound negating ability may add his/her APs to the OV/RV of this attack.
Super Ventriloquism represents voice amplifiers and may not be specifically directed.
Gadgetry: 09, Scientist: 07
Altered Anatomy, Expansive Headquarters (Mobile Flying Base), Genius, Life Support (Full), Scholar (Computers, Genetics, Robotics).
Catastrophic Irrational Attraction (Killing mutants), Catastrophic Irrational Hatred (Mutants), Minor Psychological Instability, Strange Appearance, Misc. Drawback (Master Mold really believes itself to be the real Steven Lang, which colors its judgment).
Brain Module of Resurrection [BODY 20, Recall: 08, Regeneration: 08, Lightning: 09, Boni: Hardened Defenses, Miniaturization, Regeneration power is able to create a new body, with the previous attributes, powers and skills, when the old body has been completely destroyed, giving it serial immortality, although this effect takes months to accomplish, Limitations: Lightning has a Range of Touch only, Regeneration Power requires metal in close vicinity to function properly, Note: This object is kept inside the head of Master Mold and will activate only whenever its physical body is completely destroyed to bring it back to function again; once active it will strike back at anyone touching it by its lightning field].
Source of Character: X-Men Books, Marvel.
X-Men Masterworks Vol. 2
X-Men by Chris Claremont and Jim Lee Omnibus vol. 1
Marathon Sun WuKong the Monkey King


text:
Order of Magnitude Smaller Limit on the Electric Dipole Moment of the Electron
The ACME Collaboration*,
J. Baron1,
W. C. Campbell2,
D. DeMille3,†,
J. M. Doyle1,†,
G. Gabrielse1,†,
Y. V. Gurevich1,‡,
P. W. Hess1,
N. R. Hutzler1,
E. Kirilov3,§,
I. Kozyryev3,||,
B. R. O'Leary3,
C. D. Panda1,
M. F. Parsons1,
E. S. Petrik1,
B. Spaun1,
A. C. Vutha4,
A. D. West3
1Department of Physics, Harvard University, Cambridge, MA 02138, USA.
2Department of Physics and Astronomy, University of California, Los Angeles, CA 90095, USA.
3Department of Physics, Yale University, New Haven, CT 06511, USA.
4Department of Physics and Astronomy, York University, Toronto, Ontario M3J 1P3, Canada.
↵†Corresponding author. E-mail: acme{at}physics.harvard.edu (D.D., J.M.D., G.G.)
‡ Present address: Department of Physics, Yale University, New Haven, CT 06511, USA.
↵§ Present address: Institut für Experimentalphysik, Universität Innsbruck, A-6020 Innsbruck, Austria.
↵|| Present address: Department of Physics, Harvard University, Cambridge, MA 02138, USA.
Science 17 Jan 2014:
Department of Physics, Harvard University, Cambridge, MA 02138, USA.
J. Baron
W. C. Campbell
Department of Physics and Astronomy, University of California, Los Angeles, CA 90095, USA.
D. DeMille
Department of Physics, Yale University, New Haven, CT 06511, USA.
For correspondence: acme@physics.harvard.edu
J. M. Doyle
G. Gabrielse
Y. V. Gurevich
P. W. Hess
N. R. Hutzler
E. Kirilov
I. Kozyryev
B. R. O'Leary
C. D. Panda
M. F. Parsons
E. S. Petrik
B. Spaun
A. C. Vutha
Department of Physics and Astronomy, York University, Toronto, Ontario M3J 1P3, Canada.
A. D. West
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Stubbornly Spherical
The shape of the electron's charge distribution reflects the degree to which switching the direction of time impacts the basic ingredients of the universe. The Standard Model (SM) of particle physics predicts a very slight asphericity of the charge distribution, whereas SM extensions such as supersymmetry posit bigger and potentially measurable, but still tiny, deviations from a perfect sphere. Polar molecules have been identified as ideal settings for measuring this asymmetry, which should be reflected in a finite electric dipole moment (EDM) because of the extremely large effective electric fields that act on an electron inside such molecules. Using electron spin precession in the molecule ThO, Baron et al. (p. 269, published online 19 December; see the cover; see the Perspective by Brown) measured the EDM of the electron as consistent with zero. This excludes some of the extensions to the SM and sets a bound to the search for a nonzero EDM in other facilities, such as the Large Hadron Collider.
The Standard Model of particle physics is known to be incomplete. Extensions to the Standard Model, such as weak-scale supersymmetry, posit the existence of new particles and interactions that are asymmetric under time reversal (T) and nearly always predict a small yet potentially measurable electron electric dipole moment (EDM),
, in the range of 10−27 to 10−30 e·cm. The EDM is an asymmetric charge distribution along the electron spin (
) that is also asymmetric under T. Using the polar molecule thorium monoxide, we measured
= (–2.1 ± 3.7stat ± 2.5syst) × 10−29 e·cm. This corresponds to an upper limit of
< 8.7 × 10−29 e·cm with 90% confidence, an order of magnitude improvement in sensitivity relative to the previous best limit. Our result constrains T-violating physics at the TeV energy scale.
↵* The collaboration consists of all listed authors. There are no additional collaborators.
You are going to email the following Order of Magnitude Smaller Limit on the Electric Dipole Moment of the Electron
By The ACME Collaboration, J. Baron, W. C. Campbell, D. DeMille, J. M. Doyle, G. Gabrielse, Y. V. Gurevich, P. W. Hess, N. R. Hutzler, E. Kirilov, I. Kozyryev, B. R. O'Leary, C. D. Panda, M. F. Parsons, E. S. Petrik, B. Spaun, A. C. Vutha, A. D. West
Science 17 Jan 2014 : 269-272
Spin precession measurements in the polar molecule thorium monoxide indicate a nearly spherical charge distribution of an electron. [Also see Perspective by Brown]


OpenSCAD Dodecahedron (pentagonal and rhombic) by skitcher is licensed under the Creative Commons - Attribution license.
If you set h to phi instead of -phi, you get an icosahedron somehow.
Check out my other rounded shapes!
I can't figure out how to change the edge length. Will be tricky since there are 2 types of dodecahedron here.


Ana Morales, MD, is a board-certified obstetrician gynecologist practicing in Friendswood, Texas since 1999.
Dr. Morales graduated from the University of Texas Southwestern Medical Center in Dallas in 1995 with a Doctor of Medicine degree. Following graduation, she completed a 4-year residency program in obstetrics and gynecology at Maricopa Medical Center/St. Joseph's Hospital in Phoenix, Arizona, and began working as a group practice physician in 1999. She has spent the last twelve years with Ob/Gyn Associates.
Prior to her medical career, she completed her Bachelors of Science degree in Psychology at Texas A&M.
Through the years, Dr. Morales noticed the negative effects being overweight and obese had on her patients and grew passionate about wanting to help them lose weight and improve their health. Her formal medical weight loss training began in 2011 including a "mini" fellowship with a board-certified batriatric physician. Dr. Morales is a member of the Obesity Medicine Association and is dedicated to continuing her medical education.
At Center for Healthy Weight, Dr. Morales focuses solely on providing a medically-assisted weight loss program for her patients.


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Developer documentation
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Contents:

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redpajama_set_name: RedPajamaGithub


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How a forgotten 1965 law paved the way for today's battles over immigration
Jia Lynn Yang Jun 23, 2020
Heard on:
https://www.marketplace.org/2020/06/23/how-a-forgotten-1965-law-paved-the-way-for-todays-battles-over-immigration/
The sun sets behind the Statue of Liberty, an iconic symbol of welcome. Angela Weiss/Getty Images
President Donald Trump issued an executive order Monday restricting new visas for immigrant workers. The order is a new addition to the United States' long history of immigration laws changing the country's racial and economic makeup. Jia Lynn Yang, a deputy national editor at The New York Times, wrote about this history in her new book, "One Mighty and Irresistible Tide: The Epic Struggle Over American Immigration, 1924-1965." The following is an excerpt from the book. You can also listen to Yang's interview with Marketplace host Kai Ryssdal by clicking the audio player above.
At Liberty Island, [President Lyndon] Johnson had assured everyone that the bill he was signing "is not a revolutionary bill. It does not affect the lives of millions. It will not reshape the structure of our daily lives." The president was hardly the type to downplay the importance of his own work. But in this case, neither Johnson nor his allies realized what they had set in motion. The law's transformative impact would take years to reveal itself.
Initially, as reform advocates had intended, the number of immigrants from eastern and southern Europe increased and surpassed the number of arrivals from the rest of the continent. But though writers of the law were committed to ending racial immigration quotas in principle, they had not anticipated that many more immigrants would soon be arriving from Asia, the Middle East, and Central and South America — or that the law's own mechanics would encourage their numbers. A Washington Post story on February 8, 1971, buried deep inside the newspaper, hinted at the changes slowly becoming evident under the headline, "1965 Law is Changing Pattern of Immigration in U.S." Observing that more Chinese, Italians, Filipinos, Greeks, and Indians were now arriving, the article introduced readers to Dennis C. Syntilas, a Greek immigrant to New York who had arrived in 1956 under a special provision for refugees fleeing Communism. Since the passage of the 1965 law, and given its priority on reunifying families, Syntilas had sponsored no fewer than twenty-four of his Greek relatives to enter the United States. "I advised them all to start out in pizzas," he told the reporter. Syntilas was in effect describing chain migration, in which one immigrant's arrival makes possible the entrance of an entire extended family through the system created by the 1965 law.
A man from Taiwan could enter the country for postgraduate studies in science and obtain a visa based on his specialized skills. Then he could bring his wife and children, who, under the 1965 law, would be given a preference over immigrants without family ties. If he were to become a citizen several years later, he could then sponsor his brother and sister, each of whom could bring their respective spouses and children. His wife could become a citizen as well and bring in her siblings and children. The couple's parents could also be allowed to enter and would not count toward the overall cap on immigration. And so on.
By 1971, more Asians were entering the country than Europeans, often relying on exactly such a pattern of migration. The new immigrants established roots across the country. New York's Chinatown, which had taken on a moribund air by the mid-1960s, was revived by the rush of new arrivals. Two more Chinatowns spawned in the city, one in the Flushing area of Queens and another in Brooklyn's Sunset Park neighborhood. Iranians, many arriving first as students and later claiming asylum after the overthrow of the shah in 1979, settled in California and Texas. Arab immigrants gravitated to the Detroit area and took jobs in the American auto industry. Many of the new immigrants entered the medical profession, as Johnson's work to establish Medicare and Medicaid had stimulated tremendous new demand for health care services. Between 1965 and 1974, 75,000 foreign physicians entered the country, many of them Filipino, Iranian, Indian, and Korean. By 1989, the top ten countries sending immigrants to the United States were all in the third world. Meanwhile immigration from Europe, which was now enjoying a much stronger economy, typically accompanied by a robust social safety net, tapered.
It was not merely the types of immigrants entering the country that changed. The 1965 law also ushered in a return to mass immigration that had not been seen since the turn of the twentieth century. The number of immigrants living in the United States has more than quadrupled since the law's passage, increasing from 9.6 million in 1970 to a record 44.4 million in 2017. Perhaps most striking, the foreign-born population has now reached its highest share since 1910, returning the country to the very state that supporters of the national origins quotas wanted to unwind a century ago.
Given that the creators of the 1965 law were so careful to impose overall caps, how could this have happened? The answer is simple. Many of the new arrivals were immediate family members who did not count toward the worldwide limits. In addition, thousands of refugees from Cuba, Vietnam, and the Dominican Republic were admitted as nonquota immigrants, and they too brought their families. On the same day that Johnson signed the 1965 law, he declared an open door for Cuban refugees, leading to about 368,000 Cubans entering between December 1965 and 1972.
The creators of the 1924 law, who feared a mixing of European nationalities, would be aghast at the fact that the population of the United States now skews more nonwhite every year. In 2015 Pew Research estimated that without post-1965 immigration, the country that year would have been 75 percent white, 14 percent black, 8 percent Hispanic, and less than 1 percent Asian. Instead, it was 62 percent white, 12 percent black, 18 percent Hispanic, and 6 percent Asian—and was on its way to having whites constitute less than half the total population in the coming decades. We are only beginning to see the political ramifications of these demographic changes, especially in America's suburbs. During the 2018 midterm elections, Democrats swept Orange County, onetime bastion of the GOP and home of Richard M. Nixon, now one-fifth Asian and more than one-third Latino. Similar changes have already shifted the state of Virginia to the political left and are potentially under way in Texas, Nevada, Arizona, and Georgia.
At the same time, because the 1965 law imposed the first-ever numerical cap on Western Hemisphere immigration, it also laid the groundwork for our modern illegal immigration crisis. A year before the law, Johnson had ended a system for temporary Mexican labor known as the bracero program, which had been created during World War II to address worker shortages, particularly in farming. As evidence of abuse came to light—with Mexican workers arriving at jobs to find much lower pay and harsher conditions than promised—criticism of the program amplified. But ending the program, which had allowed an average of 200,000 braceros into the country each year, and then restricting immigration across the southern border, did not end the U.S. demand for cheap Mexican labor. On the contrary, in the more than forty years since the 1965 law, the number of deportations has exploded, yet migrants have continued to enter the country, where they are routinely exploited for their willingness to work for little money in an underground economy. Thus a law that was designed to create equality among immigrants unwittingly helped spawn a shockingly unequal system in which some immigrants are counted as desirable, while others are treated as criminals, in a country that depends on their labor but claims not to want them.
Excerpted from "One Mighty and Irresistible Tide: The Epic Struggle Over American Immigration, 1924-1965." Copyright (c) 2020 by Jia Lynn Yang. Used with permission of the publisher, W. W. Norton & Company, Inc. All rights reserved.
Immigration overhaul among first legislative action for Biden
Immigration bill would create expedited citizenship path for some farmworkers
How roadmap to citizenship would affect unauthorized immigrants and the economy
Biden's immigration policy could affect the private prison industry
What's at stake in Biden's sweeping immigration bill
What does "Asian American" really mean?


text:
Monday Links: George W. Bush Doesn't Need to be in the Next Whitney Biennial
by Paddy Johnson and Michael Anthony Farley on June 26, 2017
"We did a test with stuntmen and it was so fake. I spoke to a director who told me that I'd never be able to replicate an assault with a stuntman—and I'd never want to. There's the argument: "How is it real violence if it's not a real person?" It's real violence because I was applying real physical violence to the figure, despite it being made up of animated components. I wasn't really interested in VR, but I was interested in taking a medium with a basis in interactivity and reducing its interactivity. I was interested in the mundane violence we see and the difference between seeing an ISIS video and watching a Quentin Tarantino film."—artist Jordan Wolfson on "Real Violence," his #VR artwork depicting an assault shown in the recent #WhitneyBiennial. Wolfson joined @rhizomedotorg curator Aria Dean (@lol_prosciutto) in conversation tonight as part of First Look, a digital art commissioning and exhibition program.
A post shared by New Museum (@newmuseum) on Jun 15, 2017 at 6:14pm PDT
The Times has another story about how gallery closures for small to mid-sized dealers are growing. Reporter Robin Pogrebin lists a number of recent closures—missing Envoy Enterprises, which closed last week, incorrectly citing Team gallery's closing (they closed only one space), and lumping Andrea Rosen, a huge gallery, into the mix of "mid-sized" galleries. Still, there are a lot of illuminating facts and quotes in this piece. Anchoring the article is a study that found while middle-tier galleries saw their sales decline last year year, the largest outfits saw growth. Glenn McMillan of CRG noted that there are far fewer people visiting galleries thanks to social media and fairs. CRG closed this year after 25 years of operation. [The New York Times]
Libyan artist Takwa Barnosa couldn't go abroad for art school, and schools in Libya didn't offer the kind of education she wanted. So she used the money her family had saved for college to launch her own art foundation at the age of 17. [Deutsche Welle]
The Albright Knox is set to more than double its current space under the new expansion plan. The new plans take the museum underground by converting its parking lot into an underground gallery and creating a two-level parking garage. (It can not expand into the surrounding park.) The plan responds to the possibility that self-driving cars may lessen the need for parking – the new parking lot is being built so it can easily be converted into additional gallery space. [artnet News]
Susanne Klatten, the wealthiest woman in Germany, has opened a museum focusing on artwork inspired by nature in Bavaria. [artnet News]
Artist Ryder Ripps loses his patience with Hyperallergic's lefty coverage and pens a long rant on Instagram over a piece that covered a debate with Jordan Wolfson and New Museum audience members over the politics of white on white violence. He sees it as click bait that stirs discontent for ad dollars in the model of the Huffington Post. He has a point. I too get tired of reading about identity politics and the constant positioning of privilege—as if identifying and quantifying it constitutes useful work. Wolfson's art has nothing to do with race so the New Museum discussion seemed like it might be the result of a larger national conversation that has been dominating headlines, rather than something that is inherent in the work. [Instagram]
More praise for George W. Bush's paintings. James Gardner goes so far as to suggest the former president be included in the next Whitney Biennial. We live in strange times. [The Weekly Standard]
Francois Pinault, the French billionaire who owns Christie's and numerous luxury brands, is opening a museum near the Louvre and Centre Pompidou to showcase his enormous collection of modern and contemporary art. [rfi]
Rashid Johnson has opened a show at the Milwaukee Art Museum of large-scale works. [Milwaukee Independent]
You can now pay $25 for a tour of galleries in Bushwick, "the city's newest, hippest art area." [Broadway World]
This is really too bad: Julia Joern, a partner at David Zwirner and their communications lead, has resigned from her position due to health reasons. As someone who has spent years corresponding with Joern and her team, I can personally attest to what a loss this is. Joern was fantastic at her job and was in it for the right reasons—the art. It's very sad to see her leave the position. She will be missed, not just by her colleagues at Zwirner, but everyone she touched in the process of her work—a league of publishers, scholars and writers. [ARTnews]
Three Shows: Olafur Eliasson, Alice Neel and Romare Bearden
by Paddy Johnson on April 26, 2017
A few thoughts on Olafur Eliasson, Alice Neel and Romare Bearden. TLDR: See Romare Bearden at DC Moore Gallery before it closes this Saturday.
Massive Links: Mystery Art Fair Sentence
by Art Fag City on February 28, 2017
Alice Neel at David Zwirner
Does anyone understand what this means: "Art fairs do not struggle or close because of competition from other fairs; they close because of competition for their client galleries' and visitors' money and attention, such as rising rents or larger spaces, supporting museum exhibitions, publications, and so forth." So fairs close because the rent is too high and museum exhibitions and catalogues distract from their events? [The Art Newspaper]
A McDonald's in Italy may become a tourist attraction. During construction of a new McDonald's restaurant an ancient road was discovered—along with three skeletons. Rather than halting construction the restaurant sponsored a dig to reveal the road and even cast the skeletons in resin. According to the Times, though, the location is unlikely to become a huge tourist attraction due to its remoteness. [The New York Times]
Someone attempting to take a selfie in Yayoi Kusama's mirror infinity room stepped back a bit too far and fell over one of pumpkin sculptures. It broke. [Hyperallergic]
Is Sotheby's turning itself around? The company boasted a profit of 65.5 million in the fourth quarter, beating expectations. Still, there is a market downturn. Sales have slipped 27 percent compared to this time last year. [ARTnews]
Another Alice Neel show at David Zwirner—he launched one last year too. This one's getting some love from Christian Viveros-Faune. [artnet News]
This Week's Must-See Art Events: Survive Art Fair Hell With Bushwick Punx and Georgia O'Keeffe
by Michael Anthony Farley on February 27, 2017
It is hell week for the art world. What used to be referred to as "Armory Week" is now a beast spanning more art fairs than anyone has time or energy for. Now that NADA has joined the fray, it's likely going to be more stressful, but at least slightly less soul-crushing.
To help navigate this mess, we've picked out the week's highlights: the art fairs you really should see, as well as gallery, DIY, and museum events to help recover from the convention center lighting.
These events include an artist talk from photographer Elle Perez at Daniel Cooney Fine Art on Tuesday, a peek at Georgia O'Keeffe's personal style at the Brooklyn Museum on Friday, and the Silent Barn's Paper Jazz Small Press Festival all weekend long in Bushwick.
Wear comfortable shoes. Bring aspirin. We'll get through this together.
This Week's Must See Art Events: Cuban Death Metal Sci-Fi, Art Book Fairs, and More
by Michael Anthony Farley on September 13, 2016
One of the great things about the art world is its permeability with other fields. Except that can seriously compound one's #FOMO when one's art calendar gets squeezed by spillover from Fashion Week in Manhattan, three publication fairs across the East River, political organizing, and art-film screenings. Phew.
Wednesday, catch some more conventional art openings uptown and in Chelsea with solo projects from Henry Hudson and Oscar Murillo, respectively. (Actually, Murillo's vaguely haunted-house sounding installation promises to be anything but conventional). Thursday, check out Jessica Stockholder's latest work at Mitchell-Innes & Nash, gender-bending in the Garment District, and black-metal-meets-science-fiction-literature from Cuban artist Yoss (how's that for interdisciplinary?)
That night, Printed Matter's NY Art Book Fair is having a preview party. It will be running all weekend, along with the new Independent Art Book Fair in Greenpoint. Friday brings us group shows about failure at TSA New York and Radiator Gallery and Saturday there's a mysterious fashion/art event at Romeo with an all-star cast to raise funds for Planned Parenthood. Finally, Paddy Johnson is hosting an anti-gentrification panel discussion in Sunnyside, Queens that's an absolute must-attend. And if you want to remember why we want to keep the city weird, end the day in the immersive-subversive film installation of Jon Moritsugu at Ramiken Crucible in the LES.
Tuesday Links: Karl Lagerfeld's $3,323 Colored Pencils
by Paddy Johnson and Michael Anthony Farley on September 6, 2016
The KARLBOX from Faber-Castell.
The New York Times profiles Participant Inc founder Lia Gangitano. Why can't everyone in the art world be this cool? [The New York Times]
Want to spend over $3,000 on drawing supplies? Try the KARLBOX. It's a collaboration between Karl Lagerfeld and Faber-Castell and it's just as ridiculous as it sounds. [CNN]
Laurie Simmons made a film called My Art, which seems vaguely-autobiographical and really, really bad. [The Hollywood Reporter]
A Menashe Kadishman sculpture in suburban Tel Aviv, Birth, has become a bizarre site of pilgrimage for Orthodox women who sit on it and pray for fertility. They claim the artwork has mystical powers, which is probably one of the most unique public receptions to a piece of contemporary sculpture. [artnet News]
According to the rumor mill, the new iPhone won't have a headphone jack but it will be waterproof. Are that many people dropping their phones in the toilet? [The New York Times]
A battery operated sculpture featured in a Kanye West video that features 12 naked pop stars and political figures in bed together including Taylor Swift and Donald Trump does not cost 4 million dollars. The sculpture, currently on view at Blum & Poe in Culver City, was early reported by the Times to be for sale, but now the gallery press representative claims the piece is not for sale. Unless, of course, the right buyer comes along. We're just going to go ahead and speculate that West, a self-described genius, is waffling on the sales strategy and price. [The Los Angeles Times]
For those who thought that the Gawker suit was a one off case: Roger Ailes is hinting at a suit against New York Magazine for their feature on him and the long history of sexual harassment allegations that have followed his career. He's retained Charles J. Harder for the case, the lawyer funded by Peter Thiel for the Hogan Gawker case. [Politico]
Because of heightened security surrounding the US Open tennis championships, the neighboring Queens Museum has decided to close until 9/11. This sucks. [ARTnews]
Iceland is home to lots of utopian-looking modernist churches. Combined with the stark landscape, these would be great locations for a sci-fi movie. [Dezeen]
Developers Henderson Land are building a 24-story building in Hong Kong with the goal of leasing to high-end gallerists looking for quality exhibition space. Hong Kong has a notorious property shortage, particularly spaces suitable for art galleries. The new building has high ceilings and a crane for moving artwork, and tenants such as David Zwirner and Pace have already signed on. [Financial Times]
AFC's Fall Forecast: Goth Art Everywhere
by Michael Anthony Farley and Corinna Kirsch on August 19, 2016
Winter is coming. As the nights grow longer, shadows seem to creep into the city's innumerable white boxes.
Our prediction for what the Fall/Winter 2016 look will be in New York: goth as fuck.
Artists, galleries, and institutions across the city seem to be embracing the macabre, gloomy, and achromatic in the months leading up to Halloween (by far, the art world's most important holiday). We're looking forward to aesthetic darkness, existential angst, and an embrace of the occult. Is this otherworldly tragic election season to blame for our state of mourning? We're not sure, but let's hope some fall weather shows up in time for us to break out our all-black wardrobes.
We've rated New York's darkest upcoming art shows from "one tube of black lipstick" for "somewhat bleak" to "five tubes of black lipstick" for "this gallery is essentially a food court full of crying mall goths." Our picks, arranged by opening date:
Friday Links: Goodbye, Gawker
Eyebeam announces the five recipients of its 2016–2017 artist research residency. Those lucky, talented artists are…Morehshin Allahyari, Nora N. Khan, Mimi Onuoha, Macon Reed, and Karolina Sobecka. Residencies start in October. [Eyebeam]
Ask the Internet, and the winner of the "worst opening credit sequence on Netflix" goes to Orange Is the New Black. More than being annoyed by the jumpy Regina Spektor, writer Christine Elliot argues that the images of incarcerated women belong to a long line of "repressive portrait photography." Recommended. [Dilettante Army]
On the thriving sales market for exhibition catalogs. [Los Angeles Times]
Trivia: What did Hitler describe as the "most beautiful village in the world"? Why, the 1935 Olympic Village outside Berlin. The site, the first permanent Olympic village, now serves as a museum, but local authorities plan to build 1,000 apartments there. Berlin currently faces a housing shortage, making housing issues a priority for civic officials. [Deutsche Welle]
Gawker, you will be missed. We will miss you so much. [Gawker]
The Ukranian ministry of culture is calling for an international boycott of Russian museums and other institutions that have taken art from Crimea. [The Art Newspaper]
Greenpoint is losing local icon Palace Cafe. After 83 years of hospitality, the family that owns the neighborhood dive bar has announced that it's closing. No word on the reason why yet. [Gothamist]
As if any of us needed further proof of the decline of Western Civilization, we can now watch the Kardashians argue over a coffee table book about "Le Courvoisier, which is an architect. It's so weird and boring, but I'm obsessed…it has words, big words." Very tempted to find a tasteful building designed for easy access to its flat roof so I can throw myself off of it. [Dezeen]
Art dealer Fabrizio Moretti (not to be confused with Fabrizio Moretti, drummer for the Strokes), is suing David Zwirner over an editioned Jeff Koons sculpture that he claims is not number two of three, but rather numbered three in a seemingly endless edition. Yawn. Can't rich people find something juicier to fight over? When I saw the headline I was totally hoping an art handler broke off Jeff's dick in a "Made in Heaven" statue or something. Can you even imagine being the Manhattan judge who has to deal with shit like this all day? [artnet News]
Lisa Kuivinen, a 20-year-old School of the Art Institute of Chicago student, was killed when a truck crossed into a bike lane and collided with her. This is really tragic, and based on the photo provided, indicative of everyone's biggest complaint about most American bike lanes: they're painted between parked cars and the lanes for vehicle traffic. For the love of god, transportation planners, please just put the parking between a curb-adjacent bike lane and the street. We're all so tired of people dying from bad design. [The Chicago Tribune]
Cara Ober also recalls her time at the amazing artist retreat organized by the Contemporary. We all miss the goats! [BmoreArt]
Mayor Bill de Blasio makes a convincing argument as to why City Council member Ydanis Rodriguez should've supported rezoning a parcel in Inwood district. Basically, the plan offered developers the option to build taller buildings if they include affordable housing. Now, Inwood is just getting stumpy luxury condos with no affordable housing. It seems like another case of knee-jerk NIMBYism getting in the way of productive compromise. [Observer]
This Week's Must See Events: Beach Blanket Bingo
by Rhett Jones on June 28, 2016
It's Fourth of July weekend! Or it will be at least. And that means all of the art events will peter out over the next few days. But before then, there are a ton of group shows opening up. We've pulled some of the most promising ones from all over the city.
Tonight, you have a rare chance to see some films by Lois Weber, a nearly forgotten female filmmaker from the dawn of Hollywood. Wednesday brings an ambitious program by the Hunter East Harlem Gallery that will address the myriad problems with female incarceration. Thursday, Zwirner will be letting the lunatics run the asylum with a massive staff group show. Friday has a Bushwick exhibition that will probably be (like most Bushwick exhibitions) hit or miss. Then … things will go quiet. But, we've pulled some art/beach opportunities so you can see some work while you enjoy the holiday.
Wednesday Links: But Some People Do Care
by Paddy Johnson and Michael Anthony Farley on May 18, 2016
Some view Peregrine Honig's restroom signs as insensitive.
Former Work of Art contestant Peregrine Honig's "We Don't Care" restroom signs—created in response to North Carolina's discriminatory transgender bathroom laws—are sparking some heated social media debate that for once doesn't involve the right wing. Some view the $150 signs as exploitative and dismissive, while others (mostly cisgendered people) support the artist. It's spread to multiple threads, but in this one we get to watch AFC friend Molly Rhinestones and Jerry Saltz on opposite sides of the debate. [Facebook]
As the cost of riding the MTA continues to rise, fare evasion on the subway is now the number one cause for arrests in NYC, disproportionately affecting low income people of color. All those arrests cost the city $51 million annually. But it would only cost the city $40.5 million to offer those same 29,000 riders free metrocards instead of arrest records and a night in jail. Activists are trying to call attention to this absurd policy by giving out free metrocard swipes in low-income neighborhoods. [Elite Daily]
Hate read: this piece equates the late Tony Goldman's art-branded gentrifications schemes with social practice and community arts. Like, not as a criticism of community arts' vaguely colonial undertones, but as an endorsement of art as a tool for developers. Seriously? [The Huffington Post]
Related: a household now needs to earn $158,000 annually to rent a two-bedroom in New York City, according to HUD metrics. This is so unacceptable. [Curbed]
Who is Yusaku Maezawa, the handsome billionaire from Chiba who pretty much single-handedly rescued the market with almost $100 million in contemporary art purchases last week? He's a fashion mogul, former musician, and philanthropist with a foundation in Tokyo and a guest house for artists in London. Dear Mr. Maezawa, please bring us to Japan to see your collection, love AFC. [Observer]
This is adorable. Virginia Beach Arts and Humanities Commissioner Ben Loyola is offended by the Virginia Museum of Contemporary Art showing Mark Ryden, who uses Catholic imagery in subversive-cheesy ways, and "paintings of nude portraits in all positions." He's upset taxpayer money is funding this. Ben, if you need a theme for a party to raise awareness about your concerns, I suggest the 1980s. [WAVY]
Unsurprisingly, more powerful figures from the art world have been named in the Panama Papers. The latest are gallerist Dominique Lévy and Miami mega-collector Ella Fontanals-Cisneros. If you really need to stash assets in a non-taxable form, can't you just buy more art for your personal museum? [artnet News]
Your animal video of the day: Panda & basket. Cleaning up leaves is a much harder job than it looks when there is a panda involved. [YouTube]
Hip-hop artist The Game commissioned a $65,000 portrait of Prince from street artist Madsteez. I want to see this on the hood of a car. [Complex]
Ben Davis thoughtfully reflects on Jordan Wolfson's installation at David Zwirner, which focuses a human-like robot being tortured. Davis concludes that Wolfson has a violent need to command the attention of the viewer. [artnet News]
The Handicraft Building in Minneapolis, which was erected in 1907 to house women artists and craftspeople, is being partially demolished and renovated into luxury apartments. This is terrible. Dozens of artists will be displaced, in addition to artist-run galleries. This follows a pattern in downtown Minneapolis, in which small-scaled historic structures are being demolished to make way for larger developments. [City Pages]
In other real estate news, artist-run space Essex Flowers is relocating to Chinatown, where they'll have a bigger space. [ARTnews]


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This has been such a fun discovery! After becoming gluten-free, egg-free, dairy-free and grain free, I can eat pizza again!
You can too if you're food sensitive. It's really easy and REALLY tasty. What's more, it's not like other kinds of gluten free substitutes that are too crumbly. This crust bears the weight of all my tough expectations. I could pick it up! With my hands!
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Budget about 2 TBSP of pizza sauce for this personal-sized pizza.


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Posted in: Farm & Livestock. 6 people are following this item.


Nuclear physics is the study of the composition, behavior and interaction of atomic nuclei and their constituent parts.
Are particles that are moving at the fermi energy easier to remove if you model a nucleus as a fermi gas?
Why is the energy taken to free neutrons irrelevant to the energy released in a fission reaction?
If all we need to do is bombard with alpha particles then why can't we do nuclear fusion like that in the star?
If binding energy (from mass defect) is essentially the strong nuclear force maintaining the nucleus, why is it released?
Why does $S_p$ increase for closed neutron shell?
Why is energy released during fission reactions?
What exactly is binding energy?
Is it practical to keep nuclei excited to high spin for long(ish) times? What mechanisms drive the relaxation of nuclear spin? Which texts would treat this subject with detail?
Is it possible to trigger a nuclear reaction with physical force?
Can a quark quantum tunnel outside a nucleus?
I read that a particle wavefunction can extend over a thin barrier and there is a probability of finding it over the barrier even though it doesn't have the necessary energy, what about quark?
Why does the potential energy between two daughter nuclei not give the binding energy per nucleon?
Can free protons show $β^+$ decay if provided with energy?


Technology may have taken a leisurely pace in the retail industry during the initial days, when all that it could do was automate the manual number-crunching systems to digital ledgers. However, retail giants soon began realizing the elephant in the room—technology—and the multifarious ways, where it had the potential to change the face of the retail arena forever. It was a time, when the digital space was abounding with data that was being accumulated— acquired, both through planned and unpremeditated means. The palpable course of direction in the retail segment was data analytics, which gathered data from a myriad of channels and delivered carefully calculated information that helped retailers gain better recognition and customer retention rates.
Poised at the helm of the retail business, analytics is driving leaders of the management board to make informed decisions, disperse the outlets—both brick and mortar stores and online stores—with personalized consumer demands tagged with differential pricing. Smart and customized loyalty programs unravel the hidden value of retaining customers and earning newer customers. To stay ahead of competition, retail businesses are adopting technologies like augmented reality, anonymous analytical face detection, and sensory retailing, to enhance the overall shopping experience.
In an effort to help the retailers facilitate a shift towards automated retail paradigms, a panel of prominent CEOs, CIOs, VCs, analysts, along with Retail CIO Outlook's editorial board has assessed scores of retail analytics solution providers and picked out a list of prime choices.
We have considered the vendor's ability in designing and building advanced analytics solutions that cater to the retail needs, at the same time adding to its functional and productive flair. We present to you Retail CIO Outlook's Top 10 Analytics Solution Providers 2016.
Bedrock Analytics Cloud-based software provider that generates engaging selling stories from retail data for sales managers at CPGs.
Exabeam Exabeam is a user behavior analytics solution focused on bringing analytics and intelligence to security for retail organizations.
IntelliVision Offers a complete suite of video-based solutions, products and analytics to proffer business intelligence for retail stores.
Klipfolio Provides a cloud-based business intelligence dashboard for continuous monitoring of business performance.
minubo minubo is an Ecommerce "Intelligence as a Service" solution that is particularly developed to meet online retailers' specific analytics requirements.
Planalytics Provides weather analytics, planning and optimization solutions to help companies in assessing and measuring impact of weather on their business.
Precima Precima is a global retail strategy and analytics company that provides tailored, data-driven solutions to drive sales, boost profitability, and build customer loyalty.
Trax The company specializes in delivering real-time actionable insights, enable tighter execution controls in-store and leverage competitive insights with their image recognition technology.
Vantage Uses data, predictive analytics and machine learning to automate powerful Facebook ad campaigns that drive sales and increase customer lifetime value.
VideoMining Provider of in-store behavior analytics, through video and wi-fi technologies.


text:
Police officer who raped woman claims she was his wife and wins appeal
Dubai International Airport worker claims the marriage was valid according to Islam
Salam Al Amir
A police officer who was convicted of raping a woman, but denied it on the grounds that she was in fact his wife, has won the reduced punishment of a suspended prison term from the Dubai appeals court.
The 28-year-old Emirati defendant worked at Dubai International Airport at the time of the incident in March last year, and was arrested after his fiancee at the time reported him for rape. She said he had forced himself on her during a drive in his car.
He was convicted of raping the woman, an airline worker, and sentenced to six months in prison, but denied the crime in court. He argued that they were legally married and appealed against the ruling seeking and acquittal.
His defence lawyer, Eisa bin Hayder, argued that marriage in Islam consists of three elements – proposal, acceptance and declaration, and that all three elements had been met making his client's marriage to the woman valid.
"My client took his family with him and proposed to her. She and her father accepted, then it was declared among both families and friends. This is a valid marriage. My client is innocent, he did not rape her but had marital sex," said Bin Hayder.
A police officer said the two met in 2015 at the airport, became friends and he later told her he wanted to marry her.
In her testimony, the woman, whose age was not revealed in court, said she had previously been married and divorced. "He still wanted to marry me so I told my mother about him and she asked that he come to our home to propose officially," she said.
Prosecutors said that on the day of the crime, he picked her up in his car and they drove around for a time before he parked in a residential area between some villas.
"He jumped on to my seat, removed my clothes and raped me," she said in her original testimony given after incident.
"I was screaming. He told me I could 'scream but no one would hear' me."
She said he then drove her back to her car and she drove to a police station to tell police what had happened.
The woman later told judges that the couple had reconciled.
"Yes, we got married, but when it happened, I was still his fiancee – not his wife. However, we reconciled and it's all well now," she told a judge.
No reasons for the lenient six-month conviction were made available; however, the sentence suggests the charge had been amended by the court to having consensual extra-marital sex.
The Dubai Court of Appeal suspended the sentence. No reasons for the court's decision were made available.


text:
RIM to help police investigate those behind the London riots
BBMblackberryBlackBerry MessengerLondonpoliceResearch in MotionRIMriots
Police officers who are investigating the the riots in London will be able to track down and arrest those who are responsible based on their BlackBerry Messenger (BBM) conversations with those who took part.
BlackBerry owners who used the social network to send messages and plan the unrest, could find their personal data, including their names and those they contacted, handed over to authorities as part of the investigation.
Research in Motion, makers of the BlackBerry device and software, said they will cooperate with the authorities following claims that the BBM played an important role in organizing the violence.
The media has claimed that like in Egypt, rioters used BBM and Twitter to plan their activities. But unlike in Egypt, the UK is not ruled by an aristocratic government who are out of touch with the people's needs. This means that the rioters are merely thugs, not "freedom fighters."
One BBM message that said, "Everyone from all sides of London meet up at the heart of London (central) OXFORD CIRCUS!!, Bare SHOPS are gonna get smashed up so come get some (free stuff!!!) f-@! the feds we will send them back with OUR riot! >:O Dead the ends and colour war for now so if you see a brother… SALUT! if you see a fed… SHOOT!"
Yesterday, RIM responded with a post on its Twitter account that said they are sorry for the victims of the London riots and they have engaged with the police to assist them in any way they can.
The only way that RIM can do that is by providing authorities with decrypted messages from the company's servers and identify the users.
Finally, some sort of justice will come from the information companies hold on phone users – a positive use for private data harvesting has been found. At this stage it's unclear whether the information was offered voluntarily or was taken under a search warrant. RIM has yet to comment, do you think this information should be used to discover the culprits of the recent riots?
via: T3