WCB Real Estate Sponsor Berkshire Hathaway HomeServices Northwest Real Estate will be holding six Open Houses this weekend!
Westview, Lot 3. 1 of 5 homes.
This newly constructed two story is on a large, level lot.
It has five bedrooms, 2.75 bathrooms and a 3-car garage, mud room and an option for another bedroom upstairs.
The main floor living space is an expansive open area that encompasses a designer kitchen, dining room, great room and outdoor living space.
The first floor features a guest room or den.
The master suite has a five piece bath and walk-in closet.
Located minutes from downtown, services and airport.
Saturday, Feb. 3: Noon – 3 p.m.
Sunday, Feb. 4: Noon – 3 p.m.
Approximate House SqFt: 3,001 s.f.
Approximate Lot SqFt: 6,728 s.f.
Walk about the shops and historic culture of Columbia City and call home Seattle's finest built townhome.
Built with detailed perfection you will find two bedrooms off the main floor with a full bath.
As you ascend to the second floor walk freely with the open spaced LDK.
Enjoy the true luxuries of urban living with Seattle skyline views from you roof top deck!
WALK SCORE 90 This is a must see home!
Saturday, Feb. 3: 12 p.m. – 2 p.m.
Sunday, Feb. 4: 12 p.m. – 3 p.m.
Approximate House SqFt: 1,735 s.f.
Approximate Lot SqFt: 1,312 s.f.
Approximate House SqFt: 1,699 s.f.
Welcome home to the Quite Falling Water Community.
This 4 bed, 2.5 bath home welcomes you w/extensive hardwood floors throughout.
Grand Open Kitchen looking into the Living rm w/large island, SS appliances, Large pantry, coffee bar, Large Dinning Rm & a Den/office w/French Doors.
Upstairs gives you a spacious Master bedroom w/French Doors a sitting area, a 5-piece bathroom w/soaking tub, separate shower, walk-in closet. 3 more good size bedrooms, Laundry Rm, Huge bonus Rm. Large 3 car garage!
Saturday, Feb. 3: 11 a.m. – 2 p.m.
Approximate House SqFt: 3,061 s.f.
Approximate Lot SqFt: 6,193 s.f.
This 5 Bed/3.5 Bath Modern Built Green Oasis features a bonus/media room & full bath off the lower floor to entertain your guests.
As you make your way to the main floor your enchanted with high ceilings centered on a full kitchen & formal living/dining room areas.
The master suite features a floor to ceiling window view crowned around the preserved old growth tree in the back yard.
Enjoy the luxuries of urban living with your own spacious roof top deck.
Minutes to Burke G. trail & PCC!
Saturday, Feb. 3: 11 a.m. – 3 p.m.
Sunday, Feb. 4: 10 a.m. – 12 p.m.
Approximate House SqFt: 3,611 s.f.
Approximate Lot SqFt: 5,000 s.f.
Step onto the beach waterfront home on Normandy Terrace.
100 (per KCR) of no bank Puget Sound waterfront footage.
Finest waterfront home opportunity in a long while in Normandy Park.
Expansive, wide views of Puget Sound, Mountains & shipping traffic.
Ideal outdoor deck and hot tub.
All located on a large, fully fenced, gated flat lot with ample parking.
Home is move-in ready w/new carpets.
Lot A Beach Rights which includes boat launch.
Easy access to downtown and airport.
Saturday, Feb. 3: 12 p.m. – 3 p.m.
Sunday, Feb. 4: 12 p.m. – 2 p.m.
WHERE: 18505 Normandy Terrace SW, Normandy Park, WA 98166 (MAP, or see below).
Approximate House SqFt: 3,210 s.f.
Approximate Lot SqFt: 28,063 s.f.


text:
<title>SWIG:Examples:go:reference</title>

<tt>SWIG/Examples/go/reference/</tt>

C++ Reference Handling

This example tests SWIG's handling of C++ references.  A reference in
C++ is much like a pointer.  Go represents C++ classes as pointers
which are stored in interface values.  Therefore, a reference to a
class in C++ simply becomes an object of the class type in Go.  For
types which are not classes, a reference in C++ is represented as a
pointer in Go.

Some examples

References are most commonly used as function parameters.  For
example, you might have a function like this:

Vector addv(const Vector &a, const Vector &b) {
   Vector result;
   result.x = a.x + b.x;
   result.y = a.y + b.y;
   result.z = a.z + b.z;
   return result;
}

In these cases, SWIG transforms everything into a pointer and creates
a wrapper that looks like this in C++.

Vector wrap_addv(Vector *a, Vector *b);

or like this in Go:

func Addv(arg1 Vector, arg2 Vector) Vector

Occasionally, a reference is used as a return value of a function
when the return result is to be used as an lvalue in an expression.
The prototypical example is an operator like this:

Vector &operator[](int index);

or a method:

Vector &get(int index);

For functions returning references, a wrapper like this is created:

Vector *wrap_Object_get(Object *self, int index) {
    Vector &result = self->get(index);
    return &result;
}

The following header file contains some class
definitions with some operators and use of references.

SWIG Interface

SWIG does NOT support overloaded operators so it can not directly
build an interface to the classes in the above file.  However, a
number of workarounds can be made.  For example, an overloaded
operator can be stuck behind a function call such as the <tt>addv</tt>
function above.  Array access can be handled with a pair of set/get
functions like this:

class VectorArray {
public:
 ...
   %addmethods {
    Vector &get(int index) {
      return (*self)[index];
    }
    void set(int index, Vector &a) {
      (*self)[index] = a;
    }
   }
   ...
}

Click here to see a SWIG interface file with
these additions.

Sample Go program

Click here to see a Go program that manipulates
some C++ references.

Notes:

C++ references primarily provide notational convenience for C++
source code.  However, Go only supports the 'x.a' notation so it
doesn't much matter.

When a program returns a reference, a pointer is returned.  Unlike
return by value, memory is not allocated to hold the return result.

SWIG has particular trouble handling various combinations of
references and pointers.  This is side effect of an old parsing scheme
and type representation that will be replaced in future versions.

redpajama_set_name: RedPajamaGithub


text:
Z94 plays the best rock music and delivers the latest local news, information and features for Lawton, Oklahoma. Live and local on-air, online and through our free mobile app.
https://z94.com
Matt Garstka
#Art#New Work#Sumerian Records#Nohbords#Red Miso 4
Animals as Leaders Release Stunning New Song, Announce First Album in Six Years
By Graham Hartmann
Animals as Leaders have returned with a fresh single, "The Problem of Other Minds," from their upcoming fifth studio album, Parrhesia. The band's first album in six years will drop March 25, 2022 via Sumerian Records. "It's been a while since we've released a body...
z94.com
Warpaint announce Radiate Like This album and drop new song "Champion"
Warpaint have confirmed details of their fourth studio album. Radiate Like This, co-produced by the band with Sam Petts-Davies, is out May 6 via Virgin with today's announcement accompanied by new song "Champion." Check that out below. "Champion" is about "being a champion to oneself and for others," the band...
ROCK MUSIC・ 2 DAYS AGO
Bogdan Raczynski Announces New Album Addle, Shares Songs: Listen
Electronic musician Bogdan Raczynski has announced the new album Addle, which gets released March 18 via Planet Mu. The record follows 2019's Rave 'Till You Cry and the 2007 studio album Alright! Below, listen to two entries from the album, "Ladde" and "Dleda.". "Calm is...
MUSIC・ 10 DAYS AGO
Camp Cope Announce New Album Running With the Hurricane, Share Song: Listen
Camp Cope have announced their new album Running With the Hurricane and shared its title track. It's the Melbourne band's third LP and it's due out March 25 via Run for Cover. Running With the Hurricane is named after the song of the same name by Australian folk group Redgum (of which singer Georgia Maq's father was a member). Check out the title track below.
loudersound.com
Roger Eno releases video for title track of new album The Turning Year
Ambient composer Roger Eno has releaaed a video for The Turning Year, which you can watch below. It's the title track from Eno's upcoming album which will be released thrpugh Deutsche Grammophon on April 15. "The Turning Year is like a collection of short stories or photographs of individual scenes,...
iheart.com
Alex Lifeson's New Band "Evny of None" Releases New Song & Debut Album Info
Rush guitarist Alex Lifeson has revealed the details of his new band Envy of None. Joining him in the group are bassist and singer Andy Curran of Coney Hatch, singer Maiah Wynne, and Alf Annibalini on guitar and keyboards. Their self-titled debut album contains 11 tracks, including one called "Western...
brooklynvegan.com
Babyface Ray releasing new album 'Face' this month, shares new song ft. Pusha T
Detroit rapper Babyface Ray, who we recently included in a list of rappers to watch, will follow 2021's Unfuckwithable with a new album, Face, on January 28. More details are coming soon, but meanwhile he just released lead single "Dancing with the Devil," which features Pusha T and Landstrip Chip. Even next to a great like Pusha T, Babyface Ray rises to the occasion. Listen and watch the Joseph-directed video below.
Loudwire
Meshuggah Announce New Album 'Immutable' + Preview Brutal Song
Meshuggah have finally announced their ninth album, Immutable. The legendary band has also shared a teaser from the new album, shining a spotlight on a beefy new riff. Immutable will be Meshuggah's first album since 2016's The Violent Sleep of Reason. Meshuggah were nominated for a 2018 Grammy for "Clockworks," though they ultimately lost out to Mastodon.
Punknews.org
PUP announce new album, share "Robot Writes A Love Song" video
Melody's Echo Chamber Announces New Album Emotional Eternal, Shares Video for New Song: Listen
Melody's Echo Chamber has announced a new album. Her latest is called Emotional Eternal, which is out April 29 via Domino. The first single "Looking Backward" arrives with a video that Melody Prochet made in collaboration with Unreal Engine specialist 3D artist Hyoyon Paik (Chlöe). Watch it below.
antiMUSIC
Agathodaimon Share Song From First New Album In 9 Years
Agathodaimon have released a music video for their new single "Ain't Death Grand", which comes from their first new album in nine years, "The Seven" (out March 18th). Sathonys had this to say about the new song and video, "'Ain't Death Grand' was the first song we've written together after our reunion, so it rightfully became the first video clip. Especially as it acts as an excellent teaser for what's still to come.
undertheradarmag.com
Hatchie Announces New Album and Tour, Shares Video for New Song "Quicksand"
Hatchie, the dream pop project of Australian musician Harriette Pilbeam, has announced a new album, Giving the World Away, and shared a new song from it, "Quicksand," via a video for the single. She's also announced some North American tour dates. Giving the World Away is due out April 22 via Secretly Canadian. Check out "Quicksand" below, followed by the album's tracklist and cover art, as well as Hatchie's upcoming tour dates.
mxdwn.com
Drop Nineteens Announce First New Album In Almost Three Decades
The Drop Nineteens were a short lived band, only lasting for a few years back in the '90s. Despite this, their debut album, Delaware, is thought of as a necessity in the shoegaze scene. Hot tracks off of the album include "Delaware," "Winona" and "Angel." Along with the debut album turning 30 this year, the band has some exciting news to share. The Drop Nineteens are getting back together and will also be dropping a new album.
Katie Dey announces new album forever music, shares new songs
Katie Dey is the Melbourne, Australia-based singer-songwriter behind 2020's mydata, an utterly individual creation of digitally-serrated bedroom electro-pop. The project was remixed into mydata with new versions of the songs from 100 gecs' Laura Les, Ada Rook and Devi McCallion of Black Dresses, Danny L Harle, default genders, and more, and the follow-up proper has been announced today: forever music out next Friday, January 28.
Tindersticks Announce Compilation Album, Share New Song "Both Sides of the Blade"
Tindersticks have announced the release of a new compilation album, Past Imperfect: The Best of Tindersticks '92-'21, which will be out on March 25 via City Slang. The band has also shared a video for a new song, "Both Sides of the Blade," which was written for the upcoming Claire Denis film Fire. Watch the video, directed by frontman Stuart A. Staples, and view the album tracklist/cover art below.
Camp Cope to release album, share new song
Camp Cope have announced that they will be releasing a new album. The album is called Running with the Hurricane and will be out March 25 via Poison City, Run For Cover Records, and Specialist Subject. The band have also released the title track. Camp Cope released How to Socialise & Make Friends in 2018. Check out the song and tracklist below.
bravewords.com
STABBING WESTWARD To Release First Album In 21 Years In March, New Single "Ghost" Streaming Now
As the anticipation grows for the brand new Stabbing Westward album Chasing Ghosts to be released – the band's first new LP in more than 20 years – the four-piece gives another taste of the new music with their latest single, "Ghost". Purchase the limited-edition...
Wolves at the Gate Announce New Album, Stream First Single
Wolves at the Gate have announced their fifth album Eulogies. It arrives on March 11 via Solid State Records. Pre-order Eulogies here. Today, the band has shared the video for the new track "Lights & Fire.". Watch the video for the dynamic track, which boasts anthemic choruses and a...
genreisdead.com
PUP Announce New Album 'THE UNRAVELING OF PUPTHEBAND,' Share New Song
Rejoice punk rock fans! PUP have announced their new album, THE UNRAVELING OF PUPTHEBAND, out April 1st via Little Dipper/Rise Records. To preview the album, the band shared new single "Robot Writes a Love Song," which is full of the biting humor and dark undertones that have become a PUP staple. Frontman Stefan Babcock sings about love that goes beyond death: "I saw your corpse rolling out the door/ But I backed up your memory before/ They came for you, your monitor was blue/ But your data's all stored/ And when they come back with your new body/ I'll load you into the new machine again/ And bring you back to me."
ROCK MUSIC・ 10 DAYS AGO
GWAR to release new album
GWAR has announced their new album. The New Dark Ages is out September 16 via the band's own Slavepit label. The album is coupled with GWAR In the Duoverse of Absurdity, which will be released by Z2 Comics on June 3rd.
103GBF
Shinedown Drop New Song 'Planet Zero' + Announce Seventh Album
Shinedown are back with a brand new song called "Planet Zero," and they've also announced their upcoming seventh studio album of the same name, which will be out this spring. Compared to the tracks on their previous album ATTENTION ATTENTION, "Planet Zero" is much more stripped down in terms of sound. It's loud and bursting with energy, but lacks the cinematic nature of the songs on the last record — which Brent Smith confirmed would be the case. The frontman had also teased that the new record will be controversial, and this song definitely touches upon some themes that are sure to get the wheels turning.

redpajama_set_name: RedPajamaCommonCrawl


The National Highway Traffic Safety Administration adopted the Society of Automotive Engineers' levels for automated driving systems, ranging from accomplish driver control to utter autonomy.
Inbetween Tesla's announcement that every car in production will now have the capability for utter autonomy by two thousand eighteen and the Obama administration's plan to invest almost $Four billion in autonomous vehicle research over the next ten years, the race to create the best driverless car has never been sexier.
The rise of driverless vehicles is going to have a major influence on businesses and professionals. Automated vehicles could substitute corporate fleets for deliveries or transporting employees, for example. And workers could build up productive hours in the day by working instead of driving during daily commutes. Innovations in this field are also poised to fully switch the car insurance industry by reducing accidents—a fresh report predicts that accidents will drop by 80% by 2040.
But, what does "autonomous driving" truly mean? In 2013, the US Department of Transportation's National Highway Traffic Safety Administration (NHTSA) defined five different levels of autonomous driving. In October 2016, the NHTSA updated their policy to reflect that they have officially adopted the levels of autonomy outlined in the SAE International's J3016 document (you can download the utter, 30-page document for free here) .
The NHTSA is "working to convert government for the 21st century, harnessing innovation and technology that will improve people's lives," according to a representative. "This is an area of rapid switch, which requires the DOT and NHTSA to remain limber and adaptable as fresh information and technologies emerge. Amid that rapid switch, the North Starlet for DOT and NHTSA remains safety."
It's significant to reminisce that the levels of autonomy describe the system, not the vehicle, said Bryant Walker Smith, professor at the University of South Carolina School of Law and School of Engineering and one of the top experts in the driverless cars world. "A Level five automated driving system could be in a vehicle with or without a steering wheel," he explained.
Here's what you need to know about levels 0-5. The thickest difference is that, embarking at Level Trio, the automated driving system becomes able to monitor the driving environment.
Level 1: This driver-assistance level means that most functions are still managed by the driver, but a specific function (like steering or accelerating) can be done automatically by the car.
Level Two: In level Two, at least one driver assistance system of "both steering and acceleration/ deceleration using information about the driving environment" is automated, like cruise control and lane-centering. It means that the "driver is disengaged from physically operating the vehicle by having his or her palms off the steering wheel AND foot off pedal at the same time," according to the SAE. The driver must still always be ready to take control of the vehicle, however.
Level Three: Drivers are still necessary in level three cars, but are able to fully shift "safety-critical functions" to the vehicle, under certain traffic or environmental conditions. It means that the driver is still present and will intervene if necessary, but is not required to monitor the situation in the same way it does for the previous levels. Jim McBride, autonomous vehicles pro at Ford, said this is "the thickest demarcation is inbetween Levels three and Four." He's focused on getting Ford straight to Level Four, since Level Trio, which involves transferring control from car to human, can often pose difficulties. "We're not going to ask the driver to instantaneously intervene—that's not a fair proposition," McBride said.
Level Four: This is what is meant by "fully autonomous." Level four vehicles are "designed to perform all safety-critical driving functions and monitor roadway conditions for an entire journey." However, it's significant to note that this is limited to the "operational design domain (ODD)" of the vehicle—meaning it does not cover every driving screenplay.
Level Five: This refers to a fully-autonomous system that expects the vehicle's spectacle to equal that of a human driver, in every driving scenario—including extreme environments like filth roads that are unlikely to be navigated by driverless vehicles in the near future.
So why are the levels significant? They serve as general guidelines for how technologically advanced a vehicle is. In terms of what consumers need to know, Thilo Koslowski, former analyst for Gartner, thinks that ultimately, there are three stages that will be relevant: "automated, autonomous, and driverless." It's significant to distinguish inbetween "autonomous" and "driverless," he said: "driverless is a more advanced stage of autonomous."
But while drivers themselves may be less worried with the distinctions, the differences could be significant when it comes to issues like car insurance, which is expected to switch radically in the era of self-driving cars.
KPMG, a consulting stiff, has issued a report on how the car insurance business will be affected, since the number of accidents are predicted to go down 80% by 2040. The different levels are significant because they "switch the risk profile of the car," according to KPMG accomplished Jerry Albright. "Insurance companies need to understand how these fresh capabilities affect driving risk." Joe Schneider, managing director at KPMG, put it this way: "It's like a baby, going from crawling to walking to running."
*This article was very first published in January, 2016, and was updated on November 1, 2016.
The National Highway Traffic Safety Administration adopted the Society of Automotive Engineers' levels for automated driving systems, ranging from finish driver control to total autonomy.
But, what does "autonomous driving" indeed mean? In 2013, the US Department of Transportation's National Highway Traffic Safety Administration (NHTSA) defined five different levels of autonomous driving. In October 2016, the NHTSA updated their policy to reflect that they have officially adopted the levels of autonomy outlined in the SAE International's J3016 document (you can download the utter, 30-page document for free here) .
The NHTSA is "working to convert government for the 21st century, harnessing innovation and technology that will improve people's lives," according to a representative. "This is an area of rapid switch, which requires the DOT and NHTSA to remain pliable and adaptable as fresh information and technologies emerge. Amid that rapid switch, the North Starlet for DOT and NHTSA remains safety."
Here's what you need to know about levels 0-5. The fattest difference is that, commencing at Level Trio, the automated driving system becomes able to monitor the driving environment.
Level Two: In level Two, at least one driver assistance system of "both steering and acceleration/ deceleration using information about the driving environment" is automated, like cruise control and lane-centering. It means that the "driver is disengaged from physically operating the vehicle by having his or her arms off the steering wheel AND foot off pedal at the same time," according to the SAE. The driver must still always be ready to take control of the vehicle, however.
Level Three: Drivers are still necessary in level three cars, but are able to downright shift "safety-critical functions" to the vehicle, under certain traffic or environmental conditions. It means that the driver is still present and will intervene if necessary, but is not required to monitor the situation in the same way it does for the previous levels. Jim McBride, autonomous vehicles experienced at Ford, said this is "the fattest demarcation is inbetween Levels three and Four." He's focused on getting Ford straight to Level Four, since Level Trio, which involves transferring control from car to human, can often pose difficulties. "We're not going to ask the driver to instantaneously intervene—that's not a fair proposition," McBride said.
Level Four: This is what is meant by "fully autonomous." Level four vehicles are "designed to perform all safety-critical driving functions and monitor roadway conditions for an entire excursion." However, it's significant to note that this is limited to the "operational design domain (ODD)" of the vehicle—meaning it does not cover every driving script.
KPMG, a consulting rock-hard, has issued a report on how the car insurance business will be affected, since the number of accidents are predicted to go down 80% by 2040. The different levels are significant because they "switch the risk profile of the car," according to KPMG experienced Jerry Albright. "Insurance companies need to understand how these fresh capabilities affect driving risk." Joe Schneider, managing director at KPMG, put it this way: "It's like a baby, going from crawling to walking to running."


text:
Home > Business > Commerce Ministry proposes cut in gold import duty in Budget
Commerce Ministry proposes cut in gold import duty in Budget
New Delhi: The commerce ministry has sought reduction in the import duty on gold in the forthcoming budget with a view to pushing exports and manufacturing of the gems and jewellery sector, a source said.
In its budget proposals, the ministry has suggested its finance counterpart to consider a significant reduction in the import duty on the yellow metal, they said.
In the last Budget, the government has increased the import duty on the yellow metal to 12.5 per cent.
The gems and jewellery export industry has sought reduction in the import duty to 4 per cent in the budget, which is scheduled to presented on February 1.
Gold imports in December declined sharply to 39 tonnes, from 152 tonnes in November.
India's gold imports, which have a bearing on the current account deficit (CAD), fell about 7 per cent to $20.57 billion during April-November period of the ongoing financial year, according to the commerce ministry data.
Imports of the yellow metal stood at $22.16 billion in the same period of 2018-19.


This new track from Pulp is genius. It's great to hear something new from the band even if it does surface as a fair well at the end of their extended reunion tour.
The track was originally a demo back in 2000 but was recently re-recorded with James Murphy on production duties and the collaboration works fantastically. Their is a stripped-back minimalism to Murphy's style that gives Pulp a suitable tautness, whilst also calling to mind a few of Murphy's earlier productions. The call-outs to Hackney and supermarkets are also pure Pulp, and I miss them.


Weapon of Choice: SF4 TE Stick. Any Japanese stick works for me.
STR: You recently posted what could possibly be the FIRST ST tournament in the world and you're the first generation of sf2 players. Do you want to share with us some of the history in that era (from where you start playing SF2)?
kuroppi: It's pretty amazing that the video could be the first ST tournament in the USA and even the world and thanks to Ganelon for doing the research on that. Since it was such a long time ago, I thought it took place a year or so after ST was released. I've gotten many messages thanking me for uploading the video and I'm glad people are enjoying it.
Anyway, wow. Where to start?
I started playing SFII at Yellow Brick Road arcade here in San Diego, with it's two head-to-head machines, just like all the Japanese arcades had. All the best players played on those machines while the beginners and those who couldn't hack it, went to go play on the standard machines.
Not too long after playing there, I met and became friends with the legendary Kuni Funada, who was attending college here at the time. And Yellow Brick Road held the famous, big SFII tournament, which was won by Tomo Ohira. I didn't enter that tournament though. I was into Street Fighter then but I didn't really start playing heavy until Champion Edition came out.
When SFII came out for the Super Nintendo, Kuni and I would spend countless nights playing until four or five in the morning. I can't even imagine how many hours that added up to be and how many classes I missed because I overslept after those marathon sessions!
I think it was during SSF2 that I started with alt.games and soon after the #capcom IRC channel. This is where I first met virtually all of the OG players that we know today, like Seth Killian, James Chen, Julien Beasley, John Choi, Apoc, omni, the Cannons and the names can go on and on.
I think it was in 1995? that we organized an a.g.sf2 ST and SFA1 tournament. It was kind of the primitive version to what would become Battle by the Bay and eventually EVO. There were a few guys (I think Joel Frank and David Boudreau) who came all the way out from the East Coast to Vegas for the tournament. I think I even surprised myself by winning the ST tournament, pulling off the upset against Watson and beating Joel in the finals.
We really didn't have any tournaments here in San Diego after ST came out, which was odd because ST was pretty popular here and we had weekly Hyper Fighting tournaments here with good turnouts. So I would frequently travel with Kuni and James Romedy up to tournaments in LA. They first introduced me to the World's Finest Comic tournaments in Pico Rivera. All the top LA players would play there. But we went to other tournaments scattered all over LA, from UCLA to Little Tokyo. Anywhere that featured ST, since we were so starved for tournaments here in San Diego.
Going a little past the ST era, after Alpha came out, the ST scene here took a big hit. A group of us still played ST but just like before, we'd have to go up to LA for any tournaments or better competition and Southern Hills Golfland would become the hottest spot in Southern California, especially with Alex Valle making his mark on the Street Fighter world. Even though Alpha and later on SF3 would become the marquee game there, there was always OG's and major competition on the ST machines there. It was so great just visiting there from time to time. It must have been heaven for the locals who lived near there and played there all the time!
5/1/1994 UCLA ST Tournament – The first ST tournament in the world.
STR: Your nickname sounds like Japanese, and you're friends with Japanese players. Do you speak Japanese? Is there anything you want to say regarding Japan, its players, etc?
kuroppi: Long story short: My nickname really has no meaning. Many moons ago when I got on alt.games.sf2 and #capcom on IRC I had to choose a handle so I just picked a name of a Japanese band I was listening to at the time called "Kuroyume", which means "black dream". I later shortened it to Kuro and then as a joke I changed it to "kuroppi", similar to the Sanrio character and it just kind of stuck.
I'm part Japanese. I'm not fluent but I can understand it pretty well. As for Japan, I was born there but moved here soon afterwards so I haven't lived there like a number of Street Fighter players have but I've visited there several times in the past decade and I've had the chance to play against some great players there including Gian, Kurahasi, Otochun to name a few.
STR: How do you practice the game before you become good? Do you leverage PC emulation or console version to practice your execution? How many years does it take to compete at high level?
kuroppi: Well, I learned back in the arcade days so you had to become good fast or else you were going to lose a lot of money! So it was trial by fire and you'd better learn quickly!
I never practice. What free time I have to play, I just like to play for fun these days.
I think it took me kind of a while before I considered myself playing at a high level. I didn't really start playing a lot until late World-Warrior/Early Champion Edition and it was during Hyper Fighter that I started beating the best players here on a more regular basis.
But there were no Honda players around where I was so I had to figure everything out on my own, without a training mode, without YouTube tutorials and matches to study or the flow of information like we have now so it was a bit difficult. I see players raise their level of play so much faster now these days. It's pretty amazing.
STR: E Honda is not a popular character. Why do you pick him as your main?
kuroppi: Originally, I started using him in Champion Edition. I was (and still am) a big sumo fan so his character intrigued me. His type of gameplay really seemed to fit my style so I stuck with him and kept working to play him at the highest level that I could.
This may surprise people who know me but my favorite character to play is actually Ryu. People think just because so many people (especially beginners) use Shotos, that they're easy to use. I think to play shotos at a very high level in ST is really underestimated because there are a number of (especially top tier) characters that give him a hard time. I actually use Ryu most of the time when I'm playing online these days. I always wanted to use him as a main or at a tournament level but I just have never been able to learn to play him at that level consistently.
STR: Do you use fierce Hundred Hand Slap? Are there any tricks to pull that off consistently?
kuroppi: These old hands can't do it very well anymore (and even back in my prime, I wasn't that good at it) so I usually stick with the small HHS. ? But there are times where the fierce HHS is better for closing distance.
So it's kind of funny when people occasionally accuse me of using turbo because I screw up HHS a lot more than I should be with all the experience I have!
STR: Is shoto the most difficult matchup for Honda? Do you have any strategy to share for this matchup?
kuroppi: Yeah, don't pick Honda!
But yes, I think shotos are Honda's toughest matchups. Along with Dee Jay and Guile.
The most important thing against shotos is you have to use his jump neutral fierce to steer over projectiles. I see so many Hondas that just try to "buttslam" through fireballs and that's just suicide. It's tough to steer over fireballs especially when your opponent is great at mixing up the speeds. You're going to get smacked with a lot of fireballs and land on a lot of fireballs but that can't deter you.
Crouching jab is his best poke against shotos and using his HHS to pressure is also very important, especially doing a quick HHS that's blocked, into a second one.
STR: Zangief seems to be a lot more popular than T Hawk. But in recent years the Japanese have been picking up on THawk. What do you like about Zangief? You mentioned that T Hawk's play is too one dimensional?
kuroppi: Yeah, what I meant with that comment was that from a game design perspective, I do not like the (though unintentional) option select loop trap that T-Hawk has because some characters really can't get out of it so the risk/reward in that situation is problematic IMO.
I like Zangief because he fits my play style of working your way in and doing big damage. Cracking the turtle's shell can be very challenging but so rewarding when you finally do!
STR: Which character has the best design and why? Should o. sagat / claw / boxer be soft banned?
kuroppi: Though he's not the best in the game, I really think Ryu has the best design in ST. Of course, we all know about his zoning abilities so he can be played as a turtle but he can be so aggressive with juice kicks, his overhead, his dashing fierce punch, crossup HK or cancelling the short HK off of a normal for throw/SRK mixups or starting a new block string. And he has a great wakeup, great mobility with either forward or backward juice kicks and his normal moves are great but they also really make sense. They just feel so right.
My theory is that O Sagat/Claw/Boxer never got a soft ban here because of the way we ran tournaments compared to Japan. Since we could change characters and "counter pick", people didn't see this as a problem in the past. I'm not sure exactly why but I've noticed that over time, the scene here seemed to mirror the Japanese scene a bit, especially as we continued to evolve the gameplay to higher and higher levels. Later on, we saw less "counter picking" and more dedication to sticking with your character. I think most of the "soft ban" complaints that have arose recently is just a product of the online mentality that a lot of new school players have today because old school players never really complained loudly about that. IMO, these types of players don't want to take their lumps and figure out how to beat the top tier characters and give up too easy and yell for a ban.
I will say this though, the game seems more fun and diverse without those three characters.
STR: What area would you recommend new / intermediate players work on to improve their game? What are some common mistakes / bad habits (can be specific to your main character or not) players should get rid off in order to become better?
kuroppi: I definitely recommend watching videos of top players on streetfighterdojo.com/YouTube/etc. or spectate matches in GGPO of good players who use your character.
STR: We know that you play both HDR & ST. What's your impression of both?
kuroppi: I know there's a lot of things that went down behind the scenes with HDR which led to a lot of the OG players not supporting it, which I think really hurt it in the long run. It's really unfortunate that this happened because HDR did have a lot of hype when it came out despite that.
I've gone on record both for and against different aspects of HDR. But I just treat it as a whole new game, which is really what it is. Despite it being so similar to ST, it isn't ST. So I never had a problem playing both games, as long as I kept that in mind.
It's strange. A lot of the changes that went into HDR made perfect sense on paper but I think it somewhat simplified the game in some areas. I think in a perfect world, we'd love a perfectly balanced game but it seems to remove some of the intrigue of a David vs Goliath type of matchup.
My mains being Honda, Zangief and T-Hawk, I liked the tweaks with Zangief and Hawk. I know Hawk isn't as good as he is in ST but I think he's a lot more fun to use because you have to really mix up your attacks and play style with him. Zangief is so much fun in HDR because of all the new "toys" he got to play with now. When HDR first came out, I was playing Zangief almost exclusively because you could tell immediately that he got so many improvements.
I have mixed feelings with Honda. I think removing his corner trap and dizzy damage on the Oicho was the right thing to do because those tactics could be a bit overpowered. But losing that dizzy damage really hurt him more than people realize because Honda needed that capability to deal all that damage when he finally got a chance to get in on his opponent. The single most scariest thing about Honda in ST was getting hit with the Oicho because you were dizzy or one wrong move away from a dizzy. And with other character's improvements like Ryu's fake fireball, despite Honda's improvements, his toughest matches didn't seem to get any better.
But I enjoy HDR overall. I especially enjoyed it in the first year or two so when the competition was really good. Those were probably the most enjoyable times I had playing Street Fighter online and it really brought me back into Street Fighter again.
STR: How much time you spend playing sf2 each week during your peak and how much time you spend playing sf2 currently?
kuroppi: I'm afraid to guess how many hours I spent on SF during my peak days. During college, I'd be at the campus arcade a few hours a day and then sometimes at our main arcade later on for a few more. And most of the day on weekends. I'd say it was like working a full time job, like 40 hours a week!
These days it's much less but depending on how busy I am, I say anywhere from 5 to 15 hours a week. I'm mostly playing ST on GGPO but I'll hop on HDR every once in a while and maybe a little MvC3 or SSFIV here and there.
Back in March, I was fortunate enough to acquire CigarBob's old Super Turbo cabinet and though I only get a chance to play it about once every other weekend for a few hours, it's been such a blast to play arcade ST again!
STR: You are one of the very few OG players from the era of Mike Watson, Jeff Schaeffer that still play this game and still ENTER tournament. What keeps you going?
kuroppi: Street Fighter is in my blood. ?
I've taken long hiatuses from the game off and on over the years and around 2004 or so, fighting games were getting really stale, arcades around here were pretty much dead and the online play was at its infancy but not very popular and not nearly as good as it is now and it was around then that I met my wife so for a few years I really didn't play much Street Fighter at all.
But then GGPO, HF and HDR became such big hits for online play, it brought me back. I do like playing games from different genres here and there for a change of pace but the bottom line is that no other game has ever captivated me like Street Fighter has. You're always learning new things and finding ways to improve your play. And while online play definitely has its problems with lag and troublemakers, overall it's incredible being able to play against anyone from all over the world. It's what we old school players used to dream about back in the day!
As for still entering tournaments, there are a couple of reasons. Unfortunately, I've only been able to enter a few tournaments in the past 4-5 years. Though, I'm not in my prime anymore and SF2 isn't a big draw anymore, tournament play is still everything. Playing online is incredibly fun but it's just that, playing online.
But the other reason is just to support the SF community as much as I can. I wish more online players could see it this way.
STR: Do you think there is a way to attract all these OG to come out and play the game in a tournament again? Maybe casually just for fun and not necessary playing to win?
kuroppi: I think that's pretty unlikely because SF2 has pretty much sailed it's course here in the US. Though I hear through the GGPO grapevine that there is something big in the works.
STR: What is your fondest moment in your SF2 career?
kuroppi: There is one moment that isn't SF2 related. One was during the SF3 era (2nd Impact). I struggled early on getting a grasp of SF3. I kind of gave up playing SF3 for the most part but I forced myself to really learn the game when 2nd Impact came out and after the game was out for a while, there was a huge buzz about this ascending player named Mike Zavar who had a killer Sean. Apoc. held a big tournament in Las Vegas that year with all the usual big names showing up. Sadly I didn't do that well in ST because I was focused on 2nd Impact. And I had to face Zavar in the tournament and I was just in the zone that day. My practice had paid off and I pulled off the upset against him and wound up placing top 5. That was a good feeling for me because I had struggled so much with SF3 in the past and my hard work paid off that day.
As for SF2/ST, there are so many great moments but I would have to say winning the SBO qualifiers here to represent the US team in Japan. Though we didn't fare well in the tournament, it was special on a personal level since it was special for me to return to Japan and see all my friends and relatives again.
STR: Who are the top 3 ST/HDR players in your opinion?
kuroppi: Everyone loves to debate about the Japanese players but I'll just stick to the US players and I'll base this on who I've played against.
Anyway, HDR: Snake Eyez, AfroLegends, DGV.
ST: John Choi (he demolishes Hondas like nothing – see Kusumondo at EVO – and I've never been able to beat him), Jason Cole , Mike Watson.
And I'm going to give a shoutout to an unknown player only any old school SD player and a few LA players would know and that's Wei Sit. He was a Ryu/Blanka player who gave me the toughest, most intense matches here in San Diego, from Champion Edition all the way to Super Turbo. Without the fierce battles against him all those years, I don't think I ever would have learned to fight against Ryu like I was able to back then. He had a Ryu with tricks and setups that was similar to Mike Watson's but with his own twist. It's a shame he never travelled to any tournaments outside of San Diego because I think he would done really well.
As for my hobbies and free time, life with a family and busy job really limits my free time so what little I do have, I pretty much devote to Street Fighter. I used to go to the gym a lot but these days I prefer to stay outdoors since the weather is always beautiful here and either go running (with or without my dog) or biking. Other than that, just spending time with my wife and new baby.
One thing that is really great to see is a lot of the old school SF2 players who are still involved in the fighting game community and doing so much in various ways and I've been meaning to try to get involved in some matter for a while now and I do have a couple of things I'm working on that can hopefully give back a little bit to the fighting game community.
STR: Thanks for taking your time to share with us!


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← In Honor of Women's History Month: My #LadiesMakingHistory
Pam Perry…#LadiesMakingHistory #WomensHistoryMonth →
Oprah…#LadiesMakingHistory #WomensHistoryMonth
OWN: Oprah Winfrey Network (Canada) (Photo credit: Wikipedia)
I'm kicking off my Women's History Month ~ Ladies Making History features with the one and only, Ms. Oprah Winfrey. I admit that in her earlier years I watched the show, but did not completely embrace her until she made the life-changing shift to more social and spiritual consciousness topics and programming. With the recent launching of her network, OWN, I became a true follower of her journey and have gained so much from her own epiphanies, spiritual guests and gurus. I was unable to interview "Ms. O." for this post, but I'm sure we can count those like Deepak Chopra, Bishop T. D. Jakes, Dr. Maya Angelou and Gail King as her inspirations. Her legacy? I would dare to say that in her capacity as one of the most wealthy women in history, she has become a vibrant life enthusiast, with a passion for helping, informing, encouraging, and making a difference in the lives of individuals globally.
Cheers to you, Lady O!
In Honor of Women's History Month: My #LadiesMakingHistory (candacereese.wordpress.com)
13 Sassy Quotes In Honor of Women's History Month (cosmopolitan.com)
About Candace Reese ~ The CEO Pundit™
With a reputation for challenging small visions and transforming them into global notoriety, Candace Reese is a nationally-recognized entrepreneur and inspirational speaker. Specializing in corporate and philanthropic strategy management, Reese has a strong track record in exceeding expectations. After several years in corporate and nonprofit public relations, marketing and advertising, Reese founded Envision Global Corporation to serve a diverse clientele list of individuals, organizations and corporate clientele by delivering leading-edge, innovative image building campaigns, with a global focus. Having an affinity for representing socially-conscious clientele, through Envision Global, Reese has managed projects and provided unlimited business and lifestyle resources to a plethora of distinguished entrepreneurs, executives and philanthropists who have been featured in national and international multi-media outlets, including online/digital media, nationally-syndicated radio and television broadcasts. To accommodate the growing needs of her global client base, Reese has launched EnviBlu Lifestyle Concierge; the travel, concierge and ground transportation vertical to Envision Global. Outside of her work with Envision Global, Reese's passion lies in her public speaking and community initiatives. As a children's advocate, she offers inspiring words to young men about etiquette and image, as well as young women on entering and maintaining healthy relationships. Reese also engages with entrepreneurs and business executives on leadership, marketing, public relations, professional etiquette, and effective, next-level business practices as an executive coach. Reese is a well-known supporter of local and national community organizations, being frequently tapped by nonprofit and religious organizations to strengthen their image and media strategies for initiatives, conferences and goal-oriented campaigns.
View all posts by Candace Reese ~ The CEO Pundit™ →
This entry was posted in Legacy Lessons from the C-Suite, The CEO Pundit™ and tagged Business, Candace Reese, CEO, Change, Chief executive officer, Deepak Chopra, Empowerment, Empowerment Speaker, Encouragement, Entrepreneur, Envision Global, Executive Coach, Global Branding, Higher consciousness, History, Inspiration, Inspirational Coaching, Ladies Making History, Law of Attraction, Leadership, Management, Maya Angelou, Motivation, Networking and Peer Support, Oprah Winfrey, Peace, People, Personal Development, Philanthropy, Professional Speaking, Purpose, Self-Improvement, T. D. Jakes, Teamwork, The CEO Pundit™, United States, Women, Women's History Month. Bookmark the permalink.
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Axis Bank has following branches in Rangareddy district. List as follows: Alwal, Chevella, Kothbaspalle, L B Nagar Andhra Pradesh, Malkajgiri, Mumbapur, Quthbullapur, Shamshabad and Uppal Kalan Andhra Pradesh. You can find bank codes using the branch links.


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Clay Adapters are only used to connect the appliance to the underside of an existing chimney stack, where no flexible stainless steel chimney liner is being used. Made from 1mm thick stainless steel.
Spun Pot Liner Adapter 9" liner (13" OD) x 5"
Spun Pot Liner Adapter 8" liner (11" OD) x 6"
Spun Pot Liner Adapter 8" liner (11" OD) x 5"


Laurie is a networker and collaborator who loves to help people achieve their goals.
Laurie's ability to organize and manage responsibilities have aided clients throughout her entire career. Understanding people' needs and creating trust are two important factors which have helped build lasting networks and bonds with colleagues, clients and friends.
Laurie's energy and focus in her spare time are dedicated to her husband and daughter as well as her love of music. Don't be surprised if you see her on stage at a local community theater or at church on any given Sunday.


Have you ever played at online casinos? If not, you should try it out or you might be one of the best winners at online casinos. Winning casino games online will need you to gamble some money.
Here are some of the biggest winners at online casinos that will motivate you to play online casino games more for fun and excitement—and of course, for the huge sum of money.
In 2015, breaking news from BBC Newsbeat announced a soldier winning £13.2 after gambling 25p online. According to the news, "He kept his winning quiet for 3 days". He used his winning to treat his father who was waiting for heart as well as lung transplant. He also spent his winning to purchase his own yellow-colored Bentley Continental GT. He promised his relatives to pay for a Mediterranean cruise. The multimillionaire said he tried not to be carried away and also don't know what else to spend with his money.
A man of middle-age from Helsinki, a place in Finland won 17.8 million euros for playing a slot machine online. According to Anders Sims, Head of Press and PR at the gaming company said the winning is the "crowning glory" of the online slots' jackpot money, and the prize sum of 17.8 euros will be tax-free and will be placed into the player's account.
On June 2016, a resident of New Zealand won NZ$10,114,395.82 from a progressive slot machine. The young Maori man said that he would spoil his family with his winning. The gaming company was happy because it was the first ever big win since they launched their website in 2015.
Online gambling can be addictive, while it can also surprisingly change your life in a second. The biggest winners at online casinos prove that you can be lucky with online slot machines and other casino games. Investing on these fun and excitement games might not be approved by everyone. Some say it will only be a waste of your hard earned money.
Playing on online casino machines can bring you entertainment especially on boring days. It can also have health benefits like stress relief from a very hectic schedule at work. Online casino is also convenient and safe. You can just play in the comfort of your home, no need for travel/transport fees or pay up for gas. It is safe because you can claim your winnings online, you won't be afraid of getting robbed in the street.
The biggest winners at online casino machines have acquired these benefits. They even got more—a huge amount of money that changed their ordinary lives into a multimillionaire one. Playing at online casinos can take a lot of patience and will before you can win a pretty large sum of cash. It can also cause a lot of money, so it is advised to spend only your extra cash.


December 3 is the deadline for applications for the President's Sabbatical Award. Applicants will need to complete form 105-100 that requires the signature of their provost. In addition, they will need to write a 1,000 word statement, including a 50 word executive summary, describing how the sabbatical will benefit their professional development and serve the College and our students. Both nine and 12-month faculty who have completed five years at the College are eligible for the award. Faculty members on the Personnel Services Committee will evaluate the proposals and forward recommendations to President Robert G. Templin, Jr. for the final decision.
This is a golden opportunity to receive a semester sabbatical with full pay and benefits. In the past, recipients have used the sabbatical to write books, compose music, develop art exhibits, and devise new and inventive teaching strategies. The sabbatical is not intended for completion of doctoral work. Thirty-one faculty members have won the award, representing a variety of disciplines including English, art, history, biology, music and physics, to name a few. Each campus has representatives on the Personnel Services Committee who can answer questions about the President's Sabbatical Award.
Please forward an electronic copy of your application by December 3 to Dr. Charles Errico, chair of the Personnel Services Committee.


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APC : http://www.altpress.org
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Staff, Board Members and Advisory Committee
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The Alternative Press Center (APC) is a non-profit collective dedicated to providing access to and increasing public awareness of the alternative press. Founded in 1969, it remains one of the oldest self-sustaining alternative media institutions in the United States. For more than a quarter of a century, the Alternative Press Index has been recognized as a leading guide to the alternative press in the United States and around the world.
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"An Unexpected Mortality Increase in the United States Follows Arrival of the Radioactive Plume From Fukushima: Is There A Correlation?" by Joseph Mangano and Janette Sherman Initial signs of the global health impact of the Fukushima disaster in the United States. <http://www.radiation.org/reading/pubs/HS42_1F.pdf> "North Korea's Justifiable Anger" by Stansfield Smith An anti-imperialist perspective on US conflict with North Korea. <http://www.counterpunch.org/2013/04/10/north-koreas-justifiable-anger/>
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Selected bibliography of articles on neoliberal capitalism found in the Alternative Press IndexMore
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Black Scholar: Journal of Black Studies and Research
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LaGuardia, Cheryl, Bill Katz and Linda Sternberg Katz. Magazines for Libraries, 12th ed. New Providence, NJ: Bowker, 2003.
Utne Reader (Sept 1991): 61.
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BSc Social Sciences
Find the right course BSc Social Sciences
UCAS code L301
Option 3 years full time
Year of entry 2020
This programme is currently under development and may be subject to change
Our School has an intellectually challenging approach to research and education. Studying Social Sciences at Royal Holloway means that you will learn from internationally renowned experts from within sociology, criminology, law, social policy and social work who will share their research and experience so that you gain invaluable skills, such as research and data analysis, which are highly sought after by employers.
The BSc Social Sciences will help you to take a broad view of current social issues, and explore them from a range of different perspectives. It will introduce you to understanding society and people in society, not only from sociological and social policy perspectives, but also from socio-legal and applied ethical viewpoints.
Our approach to social issues involves a practical approach to research which includes evaluating policy and service provision and undertaking practical research projects.
This degree course will also provide you with practical experience of working with individuals and groups in society through a credited volunteer module, and there is also an optional year in industry module.
A rigorous and critical approach to understanding people in society
Practical experience of working with individuals and groups in communities
Broad academic training including social legal perspectives and applied ethics
Practical skills in evaluation and research
Teaching & assessment
'You will complete 120 credits each year mainly made up either 15 or 30 credit units.'In the first year all units are compulsory in the second and third year there will some choice of optional units, including a 30 credit 'Year in Industry' unit.
Teaching will involve a range of methods including, lectures, seminars, individual tutorials, peer group work and practical activities (such as court visits and engagement with community groups)
Assessment will involve a range of methods including, essays, examinations and tests and practical projects.
Throughout the course a tutor will be available to you to provide advice on the choice of courses and to offer pastoral support.
In the final year of the course you will undertake a research project and you will be allocated a specialist dissertation supervisor to support you with this.
A Levels: ABB-BBB
Required subjects:
At least five GCSEs at grade A*-C or 9-4 including English and Mathematics.
Where an applicant is taking the EPQ alongside A - levels, the EPQ will be taken into consideration and result in lower A-level grades being required. Socio - economic factors which may have impacted an applicant's education will be taken into consideration and alternative offers may be made to these applicants.
Other UK and Ireland Qualifications
Select your qualification International Baccalaureate BTEC National Extended Diploma BTEC National Diploma BTEC National Extended Certificate Welsh Baccalaureate Scottish Advanced Highers Scottish Highers Irish Leaving Certificate Access to Higher Education Diploma
International & EU requirements
Select your country Armenia Australia Austria Azerbaijan Bangladesh Belgium Bosnia and Herzegovina Bulgaria Canada China Croatia Cyprus (South) (Greek-Cypriot system) Cyprus (North) Czech Republic Denmark Egypt Estonia European Baccalaureate Finland France Germany Ghana Greece Hong Kong Hungary Iceland India Indonesia Iran Iraq Israel Italy Japan Kazakhstan Kenya Kosovo Kuwait Latvia Lebanon Liechtenstein Lithuania Luxembourg Malaysia Malta Mauritius Namibia Netherlands New Zealand Nigeria The Republic of North Macedonia Norway Oman Pakistan Poland Portugal Qatar Romania Russia Serbia and Montenegro SaudiArabia Singapore Slovakia Slovenia South Africa South Korea Spain Sweden Switzerland (Federal) Switzerland (French) Switzerland (German) Switzerland (Italian) Tanzania Taiwan Thailand Turkey Uganda Ukraine United Arab Emirates USA Vietnam West Indies
All teaching at Royal Holloway is in English. You will therefore need to have good enough written and spoken English to cope with your studies right from the start. Find out what scores we require.
Country-specific requirements
For more information about country-specific entry requirements for your country please visit here.
For international students who do not meet the direct entry requirements, we offer an International Foundation Year, run by Study Group at the Royal Holloway International Study Centre. Upon successful completion, you may progress on to selected undergraduate degree programmes at Royal Holloway, University of London.
The Social Sciences degree course will provide you with critical thinking and research method skills, which are paramount in a number of careers.
The degree course has a strong vocational strand running throughout, preparing you for your future career, whether you are interested in working in human services and social enterprise or want to move into professional roles or undertaking future training at Postgraduate level in areas such as social work, nursing, law and other related areas.
Home and EU students tuition fee per year*: £9,250
International students tuition fee per year**: £17,300
Other essential costs***: There are no single associated costs greater than £50 per item on this course
How do I pay for it? Find out more about funding options, including loans, scholarships and bursaries. UK students who have already taken out a tuition fee loan for undergraduate study should check their eligibility for additional funding directly with the relevant awards body.
*The tuition fee for UK undergraduates is controlled by Government regulations. For students starting a degree in the academic year 2020/21, the fee will be £9,250 for that year. The Government has also confirmed that EU nationals starting a degree in 2020/21 will pay the same fee as UK students for the duration of their course.
**Fees for international students may increase year-on-year in line with the rate of inflation. The policy at Royal Holloway is that any increases in fees will not exceed 5% for continuing students. For further information see fees and funding and our terms and conditions.
***These estimated costs relate to studying this particular degree programme at Royal Holloway. Costs, such as accommodation, food, books and other learning materials and printing etc., have not been included.
Law, Criminology and Sociology Undergraduate Admissions
Admissions office: +44 (0)1784 414944
Department Law
Optional Placement Year
Criminology and Sociology
3 years full time
BSc LM39
LLB M100
BA L200


Rhys reached into a bag I hadn't realized he'd been carrying—no, one he'd summoned from whatever pocket between realms he used for storage. He chucked an object toward the boy, who looked no more than eight. White gleamed as it clacked on the rough stone floor. Another bone, long and sturdy—and jagged on one end.
"The calf-bone that made the final kill when Feyre slew the Middengard Wyrm," Rhys said.
My very blood stilled. There had been many bones that I'd laid in my trap—I hadn't noticed which had ended the Wyrm. Or thought anyone would.
"Come inside," was all the Bone Carver said, and there was no innocence, no kindness in that child's voice.
I took one step in and no more.
"Yes," I said. Never lie—that had been Rhys's first command.
"A question for a question," I replied, as I'd been instructed over breakfast.
I had to calm my breathing to think—to remember.
Rhys had gone rigid while he monitored the Bone Carver, as if those memories were freely flowing past the mental shields I'd made sure were intact this morning. And I wondered if he thought I'd give up then and there.
I bunched my hands into fists.
I had lived; I had gotten out. I would get out today.
The Bone Carver's violet eyes seemed to glow brighter.
"There was no other world," the Bone Carver pushed.
I almost sighed in relief.


Some people read up on parenting when they're pregnant, and other people just love a good book! It doesn't matter if you're a daily reader or an information-seeker, most people need book ideas and recommendations. Here I'm going to give you ideas that either I or other parents ave recommended. They might be pregnancy information, birthing guides, newborn survival guides or maybe just books abot life in general! If you have anything to input then don't hesitate to leave a comment or send me message, as I'm always looking for new recommendations and am keen to share your ideas too.
Welcome to the Kiddie-Stuff parents' bookclub!
I wrote a blogpost about French parenting where I talked about the differences between the way we raise children in the US compared to in France, based on my experience there. After hearing about my article someone recommended this book to me about French parenting and it sums up my whole experience in France. Pamela Druckerman is an amazing writer and I relate to everything she says about French moms and children. Her book is called Bringing up Bebe.
If you just want a light and easy read, A Year in the Merde talks about the daily struggles of an English man living in paris. This novel by Stephen Clarke is hilarious and incredibly accurate. The way the author describes the Parisian people and lifestyle is spot on, and if you've ever experienced Parisians or even the french in general you can't help but laugh out loud.
Disclaimer: I have no affiliation with any of the authors or publishing companies involved with the books mentioned in this article, I just read them, related to them and loved them.


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Vaikunthbai Mehta
Vaikunthbhai Mehta (26 October 1891 – 27 October 1964) was a pioneer leader of Indian Cooperative Movement. Vaikunthbhai was born at Bhavnagar in Gujarat. Vaikunthbhai served the Bombay State Cooperative Bank, now Maharashtra State Cooperative Bank as Chief Executive for an uninterrupted period of about 35 years. He was Minister of Finance and Cooperation of the then Bombay State and was first Chairman of Khadi and Village Industries Commission.
The contribution of Vaikunthbhai Mehta to the cause of Cooperative Education and Training was pioneering and foundational. He said, "Cooperative Training is not merely a prerequisite but a permanent condition of cooperative activities". Many leaders where influenced by his work in Cooperative sector; Leaders such as, Yashwantrao Chavan- Pioneer of Maharashtra, Dr. Verghese Kurien-Chairman of Amul India, Gulabrao Patil-Cooperative Leader of Maharashtra and many such leaders took Cooperative Movement further in India.
As a tribute to and memory of the great Cooperative leader and philosopher, the national Institute has been named after him, as Vaikunth Mehta National Institute of Cooperative Management (VAMNICOM) in Pune, Maharashtra state, India. The Vaikunth Mehta National Institute of co-operative Management (VAMNICOM) is conceived as an intellectual nerve centre for the co-operative movement and has been functioning as the apex management training institute for over 50 years, catering to the management development, training, research and consultancy needs of various co-operative organisations, government departments and other national bodies.
The National Cooperative Union of India organizes annual Vaikunthbhai Mehta Memorial Lectures in New Delhi in recognition of his services in the Indian Cooperative Movement. He had advocated the cooperative ideology throughout his life.
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October was soon coming to an end. And that meant one thing was on everyone's mind: Halloween. While I thought the concept was ludicrous—really, who would believe in ghosts and goblins, and why would anyone want to dress up in stupid costumes?—everyone else at school was excited.
Grandmother was throwing a huge Halloween party this Saturday in our garden and inviting the whole school. She was making it this weekend's special public event test, and since nobody knew I was a Lockhart, the trick was for me to keep it a secret. I couldn't reveal that I lived here, and the servants were being instructed to treat me just like everyone else.
Our school hadn't been planning any Halloween dance, but Grandmother had convinced Principal Tate to host it at our mansion. Together, they told everyone that this generosity on Grandmother's part was because she and Principal Tate were good friends, and Grandmother was one of the school district's benefactors.
But the only reason Grandmother was doing this was to spite me. She'd wanted me to attend the Homecoming game and dance, but I had luckily avoided that because it had been the same weekend that I'd played piano at the senior center. She'd wanted me to do both, but I'd argued with her that it was supposed to be only one public event per weekend. Those were the rules from the beginning, and she couldn't change them.
So she'd planned this dance instead.
It was the Tuesday before the dance, and we'd just finished our lessons for the day. The four thieves were planning on what costumes to wear. Well, at least Tony and Stan were. Heath and Marcus were probably as excited as I was. They sat there looking incredibly bored, as Tony prattled on about how he wanted for us to be a gang of pirates and one captured highbred lady, which would be me, of course, while Stan argued for a barber quartet and one diva, me again.
Grandmother promised she would hire a tailor to make any costumes we wanted, but we had to agree on one theme by tonight in order for the tailor to be able to finish the costumes by Saturday.
"If you and Marcus had some input, we'd be done by now," Tony said.
I glared at him. It was an automatic reflex now. I didn't exactly hate him though. I didn't really know how I felt about him. I'd listed the points for and against him, but they just about weighed even. Points against him were he'd forced a kiss on me in the alley, he'd tried to steal my family's roses, and he'd threatened all the students at school in order to make them stop bullying me. Points in his favor were although he'd threatened everyone at school, he'd done that for me, and he'd only forced a kiss on me because I had been kind of a brat.
In conclusion, Marcus just confused me. So I covered up this befuddlement with antagonism instead. He didn't make it hard to do at all, especially when he picked fights with me, just like now. I couldn't believe he'd just passed the ball to me. And the others were agreeing with him.
Stupid Marcus! I hated making decisions like this. If I chose something nobody else liked, they'd be angry with me.
"I don't want to decide," I said.
There, I'd said it. That was what I wanted to be, and if they didn't like it, they'd have to pick something else by themselves.
The four thieves stared at me in stony silence, and then one by one, they broke into applause, making me very confused. Did they actually like the idea of dressing as ourselves, or were they being sarcastic? I wished I was better at reading people.
"That's not true," Tony said. "Think about it Emma. We'll dress as the four thieves, just as you've dubbed us. And you'll be the rich heiress, but nobody knows you actually are a rich heiress, so it's the perfect costume. It's…ironic." He laughed manically.
For the rest of the week, all anyone could talk about was the big Halloween party. It was the only subject I heard in the hallways during passing periods, during lunch, and even behind the teachers' backs during class. Everyone was curious to meet the owner of Splash and Spray whom they'd only seen on television and in newspapers. But they were even more interested in finally catching a glimpse of Mrs. Lockhart's elusive granddaughter, rumored to either be closeted somewhere in the attic or to be haunting the mansion.
Most people believed the latter, and it made Lockhart Mansion the perfect backdrop for a spooky Halloween party.
If only they knew if they just turned around and snapped my picture, it would save them the trouble of snooping around my house. And I was far from having any kind of elegant, sparkling quality.
All the curiosity regarding Mrs. Lockhart's granddaughter was making me nervous. If Julie or someone else decided to poke their noses around my house, they might discover my identity. I knew Grandmother was taking extra precautions, making sure all our pictures were out of sight, but still…there was a chance the servants might miss something. And then everyone would find out who I really was, and I'd fail this weekend's public event test, and everyone would know the real Emmaline Lockhart didn't have that "elegant, sparkling quality" to her, as Jasmine had predicted.
I needed to calm down. I felt like throwing up, and I could feel one of my tantrums coming on. From beside me, Heath put a steadying hand on my shoulder. He was the only one who noticed my panicked state.
His words made me feel a little better, as I remembered at least the four thieves would be there to help me. But asking me to stop worrying was like asking a cat not to torment a bird. It was asking the cat and me to go against our natures.
The servants had already removed all signs of my presence in the house by the time I came home from school on Friday. My pictures had been removed from all walls and shelves and were safely stored away somewhere in the cellar, which would be locked during the party. After the four thieves and I dressed, our rooms would be locked before the party, and we wouldn't have access to them until everyone left.
In the back of my mind, I knew it would be near impossible for anyone to discover my secret simply by nosing their way through the house. Even so, I was awake the entire night, thinking about all the different ways the party could go horribly wrong. As dawn drew near, I'd thought of fifty-two worst-case scenarios before finally falling asleep for all of an hour. I was groggy and grouchy the rest of the day.
At about three o'clock, I heard the first of our guests begin to arrive. It was only the set-up crew, come to decorate the house and get the party organized. They weren't allowed anywhere near my corner of the house, but even so, I sneaked a peek from behind the banister of the stairs. There was a group of about twenty of them, all looking wide-eyed and curious as they made their way through the foyer. At the head of them was Jasmine Carwarner, looking none the less intrigued as the rest of them. If she knew I was Emmaline Lockhart, I wondered if that curiosity would be replaced with contempt. Sighing, I headed back to my room to get ready.
The costume I was wearing was made of blue silk, draped in a shimmery, silver sheen. It was strapless and flared out like flower petals to reach just past my toes but still not quite hit the ground when I walked. They hid the fact that I was wearing simple silver flats. As much as Grandmother would have liked me to wear heels, she knew I wasn't ready for them and would trip after taking one step.
I was also wearing matching elbow-length gloves and a sapphire necklace with matching sapphire earrings. They looked expensive, but hopefully none of the kids was an expert at jewelry, because if they were, they'd know I had half a million dollars draped around my neck and dangling from my ears.
Once again, I thought about what a bad idea this party was, but it was too late to do anything now.
And to make sure people knew who I was trying to be, I held a simple black clutch that was marked with the famous white rose emblem that represented Splash and Spray. Added to that, Betsy curled my hair high above my head, and added several Lockhart Mimics to decorate, just as Grandmother did whenever she went to a company party. I also wore a corsage around my wrist, which consisted of a sole gardenia of the species jasminoides, to represent Splash and Spray's other famous scent, Secret Love. Two sprays of Midnight Rose perfume, and the fragrance permeated the room.
If people couldn't figure out who I was trying to be, there was no help for them. But I just hoped they wouldn't guess I was dressing as myself.
Then again, I wasn't really dressing as myself.
I was dressed as the heiress, Miss Emmaline Lockhart, as other people expected her to be, if the rumors of her death were untrue. But she was so far from being the real Emmaline Lockhart that she felt like a different person to me.
It was a strange experience. I'd been Emmaline Lockhart all my life, but I'd never felt less like her than I did right now as I stared into the mirror. It was as though I really was a ghost haunting Lockhart Mansion, looking at an imposter pretending to be me.
"You're beautiful, Miss Emma," Betsy breathed in admiration.
But I hardly heard her. I was still having this out-of-body experience, even though I was fully conscious. I was starting to feel a little sick. People would love the Emmaline Lockhart in the mirror if she were real. It was too bad she was a fraud.
"Oh, please don't cry, Miss," Betsy exclaimed. "You'll ruin your makeup." She quickly retrieved a tissue and dabbed at the stray tear running down my cheek. I hadn't even realized I'd been crying.
Betsy hugged me from the side so she wouldn't ruin my dress. "Miss Emma, there's no reason to be nervous. You'll be fine." A knock sounded on the door. "Oh, it must be the four thieves, as you call them." She rushed to open the door.
In came four bandits, dressed in black from head to toe. Their bandanas covered the tops of their heads, exposing only the slits of their eyes. They all wore the same costumes, but I knew who was who based on height alone. But even if they were the same height, their personalities were so different that I would never mix them up. Stan and Tony came in first, followed by Heath, and Marcus remained outside the door.
"Oh, in that case, thank you." I tried to smile.
"Were you crying?" This question came from Stan. He looked worried.
Thankfully, the boys accepted this as a valid excuse and didn't try to question further. We snuck past the set-up team, too busy hanging up decorations to be aware of our presence, and went out to the front driveway, where Porter waited for us in a regular red minivan. He was going to drive us around until the first guests started to trickle in before we went into the party, just to make sure nobody saw us leave from the house and wondered about it.
About twenty minutes later, we entered through the front garden gate. I knew this place inside and out, and yet now, it was almost unrecognizable. The garden had been transformed into this gothic, enchanted forest. Chinese lanterns hung from the trees, casting an ethereal, orange light on the entire garden. Cobwebs zig-zagged through the bushes, while fake spiders and an occasional real one dangled from them.
There were also the usual Halloween decorations—fake blood and ghosts and severed hands. But the scariest decoration, in my opinion, was the most unique decoration that most Halloween parties would never have. And this decoration was real.
The refreshment table was decorated with flowers from the Chiranthodendron pentadactylon, also known as the Devil's Hand Tree, Hand Tree Flower, or Monkey Hand Tree. Native to Guatemala and southern Mexico, the tree from which the flower came was quickly becoming endangered, but we were lucky enough to have been given a tree as a present from one of Grandmother's business partners, and I made sure it was kept in the humidified temperatures under which it thrived. The blossoms were the perfect creepy Halloween decoration because each flower was shaped exactly like a red claw. An individual blossom had five red stamens that branched out like fingers, and each "finger" contained yellow pollen that looked like "knuckles." The older the bloom, the more the fingers curled like a claw.
Guests trickled in slowly, each dressed in colorful, interesting costumes. I saw everything from witches to mermaids, vampires to sushi chefs. There were even anime cosplayers, dressed as some of my favorite characters. Some girl was dressed like Mina, and I was a little disappointed I hadn't thought of it.
But the four thieves were pleased with our costumes, and all that mattered was that they were having fun.
Tony slipped away to enter the bobbing for apples contest, but not before he made us promise to watch when the time came. And Stan wandered off to the dance floor to attempt to get a girl to dance with him.
"Why bother? You know they're all scared of you," Heath commented.
Two minutes later, we saw him dancing with an angel. The girl's name was Mindy Chen, and she was president of Math Club.
"I don't think the girls are that scared of all of you," I said. "Just him." I pointed at Marcus.
"And what about you, Miss Pot?" Marcus accused me.
"Huh?" That wasn't my name. Was Marcus using a code name so nobody would overhear us? In that case, he should have said Miss Hartley, or just Emma.
"I have yet to see that miracle," he snorted.
"That's because the mere sight of you doesn't make me want to smile," I retorted.
We had a maze in the garden, just like in the old Victorian gardens. I'd gotten lost there when I was eight, but I'd managed to reason if I just kept turning right, I'd eventually get out. And ever since then, it hadn't been much of a challenge anymore. I wasn't scared of the zombies either, since I recognized all the servants.
"See? Who's the party-pooper now?" Marcus taunted.
"Do you want to try it with me?" Heath asked.
As soon as Heath disappeared, I aimed a knowing glance at Marcus.
"No," he quickly denied, but the flare of red in his cheeks betrayed him.
"I'm not scared of you," I said. "The worst you can do is kiss me again." My hands flew to my mouth. Had I actually said that out loud?
"I mean, I don't know how to do what they're doing." I nodded my head to the dance floor. "I only know ballroom dances, but that's not what they're doing." I didn't know what they were doing, but it looked like they were just jogging in place with their hands up, and to me, it looked just plain dumb. "I refuse to look like an idiot and do that." Some guy dressed as a devil danced past us, jiggling like a chicken.
"That is not normal," Marcus agreed. "Most people would also say that looks wrong. But you're right, these days, the dancing looks a lot like running on a treadmill. All right then, we don't have to dance." He looked a bit relieved.
"You're starting to be able to read people better," he commented, impressed. The fact that I'd managed to amaze him was a miracle.
"All right, first of all, I'm not scared of zombies. I just get a little edgy when people dressed as zombies jumping out at me. And second, dancing is not a fear either. I just don't like it." But he was smiling now. Another miracle.
I blinked, for a second wondering if my identity had been discovered, until I realized he was only talking about my costume.
"Oh..yes, Emmaline Lockhart, that's me," I said, trying not to sound nervous. "Even though I'm really Emma Hartley pretending to be the heiress." Oh curses, why had I said that?
"I'm not her date, Dave, or should I say, the Amazing David Copperfield, the magician, not the Charles Dickens' character," Marcus added the magician part for my benefit, I knew, even though Dave was now giving him a funny look. It was a good thing he'd mentioned it because the book character from David Copperfield was the only David Copperfield I knew. I wondered at the strange coincidence of there being a magician of the same name. His parents must have adored Charles Dickens.
"But I can't," I protested, but Dave urged me up persistently.
I looked to Marcus for help, but he was urging me away with a wave of his hand, his eyes reminding me that the whole point of this dance was to teach me to interact with people, and what better way to interact than dancing? So I took a deep breath and followed Dave.


text:
Q: Display specific no. of rows per pages? I want to display specific no. of records per page? The code below is for pagination. I am trying to display 2 records per page. It succeed on the first page to display two records. The problem start to happen on the next page.Currently I have 10 records. It will display like this
Page 1 = 2 records.
    +---+---------+------------------+-------+
    |No.| File ID | File Desc.       |Status |
    +---+---------+------------------+-------+
    |1  | 400/4   | 1 - Test 1 400/4 |       |
    +---+---------+------------------+-------+
    |2  | 400/1   | 5 - Test 5 400/1 |       |
    +---+---------+------------------+-------+

Page 2 = 4 records (2 records + 2 records from page 3)
    +---+---------+------------------+-------+
    |No.| File ID | File Desc.       |Status |
    +---+---------+------------------+-------+
    |1  | 400/3   | 2 - Test 2 400/3 |       |
    +---+---------+------------------+-------+
    |2  | 400/3   | 1 - Test 1 400/3 |       |
    +---+---------+------------------+-------+
    |3  | 400/2   | 3 - Test 3 400/2 |       |
    +---+---------+------------------+-------+
    |4  | 400/2   | 2 - Test 2 400/2 |       |
    +---+---------+------------------+-------+

Page 3 = 6 records (2 records + 2 records from page 4 + 2 records from page 5)
    +---+---------+------------------+-------+
    |No.| File ID | File Desc.       |Status |
    +---+---------+------------------+-------+
    |1  | 400/2   | 3 - Test 3 400/2 |       |
    +---+---------+------------------+-------+
    |2  | 400/2   | 2 - Test 2 400/2 |       |
    +---+---------+------------------+-------+
    |3  | 400/2   | 1 - Test 1 400/2 |       |
    +---+---------+------------------+-------+
    |4  | 400/1   | 3 - Test 3 400/1 |       |
    +---+---------+------------------+-------+
    |5  | 400/1   | 2 - Test 2 400/1 |       |
    +---+---------+------------------+-------+
    |6  | 400/1   | 1 - Test 1 400/1 |       |
    +---+---------+------------------+-------+

Page 4 = 4 records (2 records + 2 records from page 5).
    +---+---------+------------------+-------+
    |No.| File ID | File Desc.       |Status |
    +---+---------+------------------+-------+
    |1  | 400/2   | 1 - Test 1 400/2 |       |
    +---+---------+------------------+-------+
    |2  | 400/1   | 3 - Test 3 400/1 |       |
    +---+---------+------------------+-------+
    |3  | 400/1   | 2 - Test 2 400/1 |       |
    +---+---------+------------------+-------+
    |4  | 400/1   | 1 - Test 1 400/1 |       |
    +---+---------+------------------+-------+

Page 5 = 2 records.
    +---+---------+------------------+-------+
    |No.| File ID | File Desc.       |Status |
    +---+---------+------------------+-------+
    |1  | 400/1   | 2 - Test 2 400/1 |       |
    +---+---------+------------------+-------+
    |2  | 400/1   | 1 - Test 1 400/1 |       |
    +---+---------+------------------+-------+

$num_rows = mysqli_num_rows($query);

    $per_page = 2;   // Per Page
    $page  = 1;

    if(isset($_GET["Page"]))
    {
        $page = $_GET["Page"];
    }

    $prev_page = $page-1;
    $next_page = $page+1;

    $row_start = (($per_page*$page)-$per_page);
    if($num_rows<=$per_page)
    {
        $num_pages =1;
    }
    else if(($num_rows % $per_page)==0)
    {
        $num_pages =($num_rows/$per_page) ;
    }
    else
    {
        $num_pages =($num_rows/$per_page)+1;
        $num_pages = (int)$num_pages;
    }
    $row_end = $per_page * $page;
    if($row_end > $num_rows)
    {
        $row_end = $num_rows;
    }

Below is the pagination
Total <?php echo $num_rows;?> Record : <?php echo $num_pages;?> Page :
<?php
if($prev_page)
{
    echo " << Back ";

}

for($i=1; $i<=$num_pages; $i++){
    if($i != $page)
    {
        echo "[ $i ]";

    }
    else
    {
        echo " $i ";
    }
}
if($page!=$num_pages)
{
    echo " Next>> ";

}
$dbConn = null;
?>

A: The problem is that you are not updating your start or offset in your sql query.If offset is correct it would only fetch certain set of records which you require. example of sql query with offset :
The SQL query below says "return only 2 records, start on record 1 (OFFSET 0)":
$page=0;
$per_page = 2;
$offset=$page*$per_page; //0

$sql = "SELECT * FROM Orders LIMIT 2 OFFSET 0";

When you click next page the start/offset should be updated
$page=1;
$per_page = 2;
$offset=$page*$per_page; //2

$sql = "SELECT * FROM Orders LIMIT 2 OFFSET 2";

on clicking 3rd page code would be updated to
$page=2;
$per_page = 2;
$offset=$page*$per_page; //4

$sql = "SELECT * FROM Orders LIMIT 2 OFFSET 4";

and so on...
so sql statement should look like :
$sql = "SELECT * FROM Orders LIMIT $per_page OFFSET $offset";

or
You could also use a shorter syntax to achieve the same result:
$sql = "SELECT * FROM Orders LIMIT $offset, $per_page"

A: Can't you save the return from the database in session and slice out the part you need?
if(!isset($_SESSION['result'])){
    $_SESSION['result'] = // SQL query
}else{
    $page = $_GET['page'];
    $records = array_slice($_SESSION['result'], $page, 2);
 }
 //Output the records

This is the rough idea.
Use GET to pass the page number and save the results from the query in session, that way you don't call the database each time you switch page.

redpajama_set_name: RedPajamaStackExchange


To mark the 46th Anniversary of Roe v. Wade (the 1973 Supreme Court case that made abortion legal throughout the United States), Directed By Women featured a piece written by Amy, that discussed the 2016 documentary film Trapped, by Dawn Porter. This blog is part of the #Crucial21stCenturyDbW initiative that will highlight films of the 21st Century directed by women. Read the full article.
Created by Farrah Aviva in May 2018, BITE THE BULLET Stories features celebrities, social influencers, and everyday people 'biting the bullet' to come forward and share their personal experiences of hardships, triumphs and determination for change. The cast of In Her View had a photoshoot in August, 2018.
The film and stage director Amy Starkey discusses her feature film project In Her View, its themes, as well as working in the arts, with Joseph Planta on The Commentary.
The actress who plays Grace, Lauren Campbell, discusses filming In Her View with George Froehlich and her creative life.


Working in collaboration with DKO Architects, we were appointed to design & install a temporary pop up installation at the Cafe Culture + Insitu furniture showroom for Melbourne's In Design Event in August.
The theme for 2014 was 'Inception', where we employed the idea of 'deconstruction' as a pivotal element of the design process. Part of our brief was also to ensure that making the trip from the heart of the event in the CBD to Collingwood in Melbourne's inner north would be worthwhile for those in attendance. Tactile materials in our installation formed an experiential display, which provided our visitors with plenty of scope to immerse themselves in our interpretation of design inception & deconstruction.
Two Italian BoysWhat is Exhibition Space?