(National Sentinel) Abuse: If the results of a recent analysis by Louisiana's state auditor is any indication, states that have expanded Medicaid coverage under the auspices of Obamacare are getting ripped off royally.
Or, more appropriately, their taxpayers are getting ripped off due to fraud.
To little fanfare outside of Louisiana, state auditor Daryl G. Purpera decided to see how his state's expansion of Medicaid under Obamacare was doing so he decided to take a look.
He selected 100 people at random and what he discovered shocked him: 82 of those selected were not eligible to receive Medicaid under Obamacare guidelines because they made too much money.
A number of people getting Medicaid made six-figure salaries; two of them made more than $300,000 a year, the Washington Times reported.
It's possible that Louisiana may be an exception. The Times noted that a federal inspector general report earlier this year found 38 out of 150 people sampled in California were ineligible, meaning that statewide that figure would be around 355,000.
Another report estimated that there were 50,000 in New York.
But those reports looked at broad conditions. For his audit, Purpera obtained income data from other state agencies and compared it to the 100 individuals sampled. So it's extremely likely that were income data used by federal auditors and those in each state, the results would be just as shocking.
In his analysis, Purpera found that most who were receiving benefits should never have been approved, while others intentionally low-balled their income to get several thousands of dollars per year in Medicaid subsidies.
Meanwhile, thanks to the toxic effects of Obamacare on the free market, millions of Americans are paying out the you-know-what for lousy coverage with huge deductibles.
He's preparing legislation that would require every state Medicaid, welfare and food stamp program to use federal income data to verify eligibility, the Times reported.
"It's the most accurate income data we have out there. It would be a requirement. Right now, it's optional," he said.
Expanding Medicaid was a key component of Obamacare, but it's busting budgets in many states that elected to do so. Louisiana spent $6 billion, or 18.6 percent of the state budget, on Medicaid in 2008. It's now spending $12.4 billion on Medicaid, representing 36 percent of the budget; a quarter of its residents are on Medicaid.
Across the country, Medicaid accounts for roughly $1 of every $3 that states spend.


OnlineBankFinder.co.uk's Margate Bank page, We have listed several banks in Margate. If you know of a bank in Margate that we missed please submit it at our: Listings Page. The listings below will help you find local banks, bank phone numbers, bank fax numbers, bank maps and local banks in Margate. Online Bank Finder will help you find all banks in Margate.


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Queen of Comeback: Why Gap's Head of Accessories Calls Change Her Comfort Zone
by Giuliana Carranza
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Fashion trends change more frequently than the seasons it seems. One minute, fanny packs are everywhere, and the next minute bike shorts are a thing (really). Oddly enough, the only constant thing in this industry is change. For Gap's Director of Adult Accessories, Marisa Ripo, it's that constant change that inspires her. She's worked for some of the best fashion brands in the business (Coach, DKNY, and Club Monaco, just to name a few), but she's always loved Gap's iconic American aesthetic, and dreamed of working here.
We sat down with Marisa to find out how she's rolled with the proverbial fashion punches and what it takes to transform a brand.
Marisa studied Painting in college, and after graduating, got a temp job working at Club Monaco while she was hoping to find a job in a museum. As fate would have it, she fell in love with conceptual design and continued down the fashion path. She told us, "The VP of Design at CM let me do concepts for her and really taught me the foundation of color and concept direction."
She then made the jump to Coach for another Concept Design role and stayed there for 8 years doing Men's, Women's, Fragrance, Ready-to-Wear, and Accessories. This is where she told us her love of change and transformation was born. "There were so many transformations happening at Coach during that time. When I started, it was post-recession, so our prices instantly became too high for the customer." At that point, Coach pivoted their leather business to focus more on fabric based clothing to reduce costs. Then once the economy got better, they went back to leather. The business eventually leveled out, as did the economy, and Marisa figured it was time to move on to the next opportunity to transform.
The next stop was DKNY, working in Lingerie, Home, Sleepwear, and Watches. There she was tasked with elevating the licensing categories to make them emulate the versions on the runway. This was another opportunity for her to lean into change and learn from it. "The difference between a trend and a brand code is something that my time at DKNY really drove home. In conceptual design, there will be trends that we tap into, but it must always align back to our brand code, and our identity...who we really are. You can't stray from that."
When her time at DKNY was cut short after the brand was sold, it was onto the next transformation. She reached out to Gap, which was a company on her "short list of companies [she'd] like to work for, and the Director of Adult Accessories role had just opened. It was meant to be!"
"Gap has such an iconic, classic, American aesthetic, and I love working for those types of brands that are looking to revamp." But beyond that, Marisa is admittedly obsessed with accessories. "It's true! I will actually pick out my accessories for an outfit first and then choose the clothes from there. Some people call it dressing backwards, but that's my style." And she's certainly made her mark on Gap, designing some greatest hits like holiday gear for dogs, and her all-time favorite, the Gap logo arch belt.
But outside of her love of accessories, it's the transformation currently happening at Gap that really speaks to her. While some people resist change like the plague, Marisa runs towards it. "I'm so energized by our new Brand President, Neil Fiske, and the inspiration he's instilled in us. I know it might sound strange, but change truly inspires and fuels me. It keeps things fresh, and creates new challenges and opportunities for me to learn. Every day. Gap has an opportunity to be better than ever before, and everyone's rooting for us. It's an amazing place to be in. There is so much love for this brand; we all had a Gap piece we loved growing up or a personal relationship to the brand through a store or a commercial."
She added, "people love a good comeback and we're primed for it."
So what does it take to transform a brand? Marisa believes it all comes down to "consistent messaging. Above anything else, we need to be extremely clear to our customer about who we are and how we serve them. It's up to us to communicate to them clearly and authentically, so that they can understand us and trust us."
Marisa really exemplifies how we can be inspired by change, and that any challenge can be reframed into an opportunity for growth and progress. If you want to see Marisa's creations come to life, pop into your local Gap or check out the accessories online. Want to be a part of Gap's transformation, too? Head here for their open roles.
Read more about Janie and Jack Partners With Designer and Entrepreneur Rachel Zoe
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Женска фудбалска репрезентација Исланда () је национални фудбалски тим који представља Исланд на међународним такмичењима и под контролом је Фудбалског савеза Исланда (), владајућег тела за фудбал на Исланду.

По ранг листи ФИФА налазе се међу 17. најбољих женских репрезентација на свету од децембра 2019. године. Дана 30. октобра 2008. репрезентација се квалификовала за УЕФА женско првенство 2009, први велики фудбалски турнир на којем је Исланд икада учествовао, а претходно такмичио се на УЕФА женском првенству 1995. које је било домаће и гостујуће нокаут такмичење. На УЕФА женском првенству 2013. освојиле су свој први бод на великом првенству, након ремија против Норвешке у првој утакмици.

Током квалификација за Европско првенство за жене 2009. Тора Томасдотир и Храфнхилдур Гунарсдотир су пратиле тим и снимиле документарни филм Стелпурнар окар (у преводу: Наше девојке) који је премијерно приказан 14. августа 2009. године.

Историја
Женска фудбалска репрезентација Исланда одиграла је прву утакмицу 20. септембра 1981. против Шкотске. Бриндис Ејнарсдотир постигла је први гол за Исланда у историји и у поразу од 2 : 3, док је Аста Б. Гунлаугсдотир постигла други гол у историји Исландске репрезентације.

Достигнућа

Подебљана имена активних играчица
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Највише утакмица

Највише голова

Такмичарски рекорд

Светско првенство за жене

*Жребови укључују утакмице где је одлука пала извођењем једанаестераца.

Европско првенство у фудбалу за жене

*Жребови укључују утакмице где је одлука пала извођењем једанаестераца.

Куп Алгарве у фудбалу за жене
Куп Алгарвеа је фудбалски турнир по позиву за женске репрезентације, чији је домаћин Фудбалски савез Португалије (ФПФ). Куп се држава сваке године у региону Алгарве у Португалији и то од 1994. године, један је од најпрестижнијих и најдуговјечнијих међународних фудбалских догађаја за жене и добио је надимак "Мини ФИФА Светско првенство за жене".

Референце

Спољашње везе

Званичан веб сајт
Профил на ФИФА

И
Фудбал на Исланду
Ф

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Upcoming iOS 12 update will bring support for Crayon.
Apple is planning to bring support for Logitech Crayon with the upcoming iOS 12 update for iPad Pro. According to information obtained by The Verge, the latest iPad Pro 2018 will support the tilt-sensitive stylus after an update.
The next version of iOS, expected this month, will add support for the Logitech's accessory, but only for the latest generation of iPad Pro. Earlier models won't be supported as it seems, which means users with the 12.9 inch model from 2017 won't be able to use the Crayon after iOS 12.2.
Apple has so far refused to add support for third-party styluses, so the Logitech Crayon will be the first to work with iPad. The company has own stylus called Pencil, which in addition to tilt sensitivity, also has pressure input support – something not supported by Crayon.
Apple is expected to unleash the iOS 12.2 update this week, along with the introduction of subscription based TV and news services. Hardware-related announcements are not expected at the event.
Stay tuned for more news from the press-conference today.


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iSIGN Media Announces an Expiry Extension for Warrants
iSIGN Media Solutions Inc, Alex Romanov Chief Executive Officer
TORONTO, Oct. 27, 2016 /CNW/ - iSIGN Media Solutions Inc. ("iSIGN" or "Company") (TSX-V: ISD) (OTC: ISDSF), a leading provider of interactive proximity marketing solutions that serves advertisers, manufacturers, retailers and advertising agencies throughout North America, announced that it has applied to the TSX Venture Exchange for approval to extend the exercise date for the 9,566,094 outstanding warrants issued in November 2014 in conjunction with a private placement.
The 9,566,094 warrants due to expire on November 11, 2016 will be extended to November 11, 2018. There is no change to the original exercise price of $0.24. Of this total, 7,971,744 warrants are held by companies controlled by two individuals who are deemed to be "related parties", as such term is defined in Multilateral Instrument 61-101 Protection of Minority Security Holders in Special Transactions ("MI 61-101"), of iSIGN, holding approximately 11.4% and 6.1% of the issued and outstanding common shares of the Company. As such, the issuance of Notes is a "related party transaction" for the Company.
About iSIGN Media
iSIGN Media, based in Toronto, is a data-focused, software-as-a-service (SaaS) company that is a pioneering leader in gathering point-of-sale data and mobile shopper preferences to generate actionable data and reveal valuable consumer insights. Creators of the Smart suite of products, a patented interactive proximity marketing technology, iSIGN enables brands to deliver targeted messaging, personalized offers and loyalty perks to consumers' mobile devices in proximity and with real-time proof of redemption. iSIGN's data gathering capabilities provide analytics on price points, typical purchases, in-store dwell time and other shopper metrics that identify emerging consumer behaviors. These insights enable smarter business decisions and provide increased ROI metrics for more transparent marketing. iSIGN delivers relevant, timely messages on an opt-in basis at no charge to consumers, transmitting rich media to consumer mobile devices via Bluetooth® and WiFi connectivity in complete privacy as opposed to iBeacons, apps, downloads and required surrendering of personal information. Proven to increase brand engagement and customer loyalty, iSIGN generates preference-based, predictive "clean data" without compromising consumer privacy. Partners include: IBM, Keyser Retail Solutions, Baylor University, Verizon Wireless, TELUS and AOpen America Inc., with solution distribution by Graphic Media, Inc. www.isignmedia.com
© 2016 iSIGN Media Solutions Inc. All Rights Reserved. All other trademarks and trade names are the property of their respective owners.
Neither the TSX Venture Exchange nor Its Regulation Services Provider (as that term is defined in the policies of the TSX Venture Exchange) accepts responsibility or accuracy of this release.
SOURCE iSIGN Media Solutions Inc, Alex Romanov Chief Executive Officer
For further information: Company contact: Alex Romanov, iSIGN Media, [email protected]


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Today's fast paced and digital business environments require you to make frequent and complex changes to your production applications. How do you know which changes are likely to disrupt operations through outages? With Numerify you can track production health and business impact with management-friendly dashboards that present actionable intelligence.
Corporate priorities can change frequently due to evolving market conditions – do you have the agility to align IT resources accordingly? With Numerify, you gain the insights needed to bridge the gaps between corporate strategy, IT projects, and resource optimization.


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Indie Action Spotlight: Your Source for Short Films and Stunt/Fight Reels
The WorldFilmGeek Podcast
WorldFilmGeek
It's All About the Movies
A Tribute to Jon Polito (1950-2016)
Date: 2 Sep 2016Author: WorldFilmGeek 0 Comments
One of Hollywood's most beloved supporting characters actors passed away. You may not be familiar with his name, but chances are you know his face and tough guy like voice.
Jon Polito passed away at the age of 65, his death announced by best friend and collaborator John McNaughton. Born in Philadelphia on December 29, 1950, Polito took up acting while attending Villanova University and began work in off-Broadway productions. He made his film debut as Thomas "Three Finger Brown" Lucchese in the 1981 miniseries The Gangster Chronicles and its subsequent film adaptation Gangster Wars that same year.
Polito has appeared in many films and television series. However, he is truly known Stateside for his work with famed directors Joel and Ethan Coen. He appeared in the following Coen Brothers films: Miller's Crossing (1990), Barton Fink (1993), and The Big Lebowski (1998). He also played Michael Mancini, the lead villain of Damon Wayans' comical superhero Blankman in 1994.
Polito also had the distinction to appear in two international films. He played the New York City club owner who befriends the crazy titular Dutch family in Dick Maas' 1992 sequel Flodder in Amerika and then in 2002, played wrestling promoter King, whose wrestlers had their DNA fused with animal DNA in Tsui Hark's Black Mask II: City of Masks.
Polito is survived by his brother, animator Jack Polito, and longtime partner Darryl Armbruster.
World Film Geek sends its condolences to the family of Jon Polito. As a tribute, we present Polito in some comedic performances in a compilation video from YouTube user Johnnie1950.
Rest in Peace, Jon Polito.
Jon PolitoObituaryTribute
Published by WorldFilmGeek
Film blog since 2015, focusing on cinema from all over the world, both mainstream and independent films. View all posts by WorldFilmGeek
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"Detective Knight: Independence": An Exclusive Interview with Edward Drake
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Determinism. It's a philosophy which mankind has shown to be entirely bankrupt since the dawn of civilization. That is, the moment man created a culture and developed a writing system to record it, he once and for all proved that he did not have to be an illiterate tribal loner. Within our own lifetimes we transform from an inarticulate immobilized quadruped to a sophisticated unstoppable force. Yet, always, many humans lazily fall back on the errant belief that some external force makes change impossible. A decidedly land-dwelling mammal, the human, even after we have conquered the oceans, the atmosphere and even space, we preach our limitations where they don't exist. Let us annihilate forever those limitations.
This is not an article about telling people whether they should change or what to change. Those are other debates entirely. This is for those of you who want to change, desire it, or want to help those who seek it.
Let us begin with the known limitations of humans. Stop right there. Fooled you already. We don't really know of any absolute limits. Technology has and will continue to change what we think of as limitations. Humans can't fly, except millions do every day. Humans can't stay under the water for more than a few minutes, except that submariners live at "impossible" depths for months or even years. Humans can't communicate instantaneously with each other at distance, except billions do so every moment of every day. The concept of impossible hinges dearly upon what your own mind accepts and refuses. Begin whatever journey with the openness to unfettered possibility.
Start with systems. We can all agree that systems can and do change. Caste systems, slavery, apartheid, governments, fill-in-blank-here come and go. We can imagine their creation and their destruction or abolition. Why is the mind, the body, the brain, psychology or any of their subsets any different? They are systems too, are they not? Systems can, do, and will change. This includes the system that is your mind, your body, your psyche.
None of this is to say that change is not difficult. Difficult is not impossible. Impossible is simply a made up metaphysical concept. It's a rhetorical device which can help us figure out why turning coal into diamonds is tough. However, it doesn't do much good when trying to figure out how to rid oneself of forty pounds of bodyfat or overcome phobias.
Ask yourself what part of the system is impossible? Is it the gods? Prometheus already stole the fire from Olympus. Is it genetics?
Is it the cells in our bodies? The very composition of cell membranes throughout our bodies change throughout the day every day. Is it your psyche?
That's a simple matter of conditioning. Arguably, the vast majority of substance abuse addicts quit, even without intervention.
Everything is a system. All systems change. Change is directed by constituents. Constituents are themselves systems. All facets of the human condition are systems or their constituent systems. Which part is impossible? Even if you feel like you can list 100 impossible constituents, you are still left with a system influenced by other variable constituents which you yourself acknowledge. So, again, what system is impossible?
That's not to say we know or understand every constituent and how it works. That's precisely the point. If we can't know that every piece of a system is incontrovertibly fixed, why preach that the larger system is unchangeable? A lot of debates come down to this. Take climate change as one example. Without taking a side here, just think about the fundamental. We don't understand the sum total of the system that is "climate." But we do understand some of it. This reframes the debate. Rather than saying man is or is not responsible, we are left instead with the question, "how much?"
Thus it is with your own internal debate. Rather than saying you can or cannot change the system that is you, we are left with figuring out how much you can change, over what period of time, taken your givens, and depending on how much you want and are ready for the change. Everything is a system. If you change none of the inputs, obviously, the likelihood of system output change is low. If you change few of the constituents, then the system will be very similar. If you believe that changing the inputs and constituents will not yield a change, the likelihood of changing those inputs and constituents is low; and, surprise, your belief will be confirmed, further conditioning your mind and feelings to be the way they were: the same, unaltered, impossibly fixed.
The secret is this: anything you want to change is a system. Anything. Anything. The more you understand it, the more you know which constituents alter the system the most. No, you may never know all the factors at play; but that isn't the point. You know some. Use those. Learn more. Use those. Learn more. Use that. Systems are already changing and you play a role. That's not the debate. The question is, "how much are you going to do to get the system to work the way you want it to?"


Charlotte Flair - WWE Pop Vinyl WWE Toy Wrestling Action Figure by Funko!
The 'peacock' style is real for Charlotte Flair in this WWE Pop Vinyl by Funlo! This stylized version of Flair has pink eye shadow, a green and blue 'peacock' jacket and blue and green designed ring gear!


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Louder Together we're Louder
The 50 best albums of 2020
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The 10 best livestreams of the year
Foo Fighters: Their first five albums in their own words
By Kevin Murphy 22 March 2018
Foo Fighters mainman Dave Grohl and drummer Taylor Hawkins revisit the band's first five albums
(Image credit: Getty Images)
Grohl simply wanted to liberate songs he'd kept locked away while his life was consumed by drumming in what was then the world's most pivotal band. But Grohl has the Midas touch. Everything he handles turns to gold records, which line the walls of his studios and homes. With the band's first five records, they crafted a sound which made good on Nirvana's loud-quiet stylings while adding a raucous buoyancy to the recordings, and laid down a template that would carry through their now nine-album strong career.
Here, Grohl and drummer Taylor Hawkins revisit the turbulent early history of Foo Fighters, one record at a time.
Foo Fighters – 1995
"After Nirvana, I wasn't really sure what to do," says Grohl, who was 25 when Kurt Cobain's suicide brought that group abruptly to an end. "I was asked to join a couple of other bands as the drummer, but I just couldn't imagine doing that because it would just remind me of being in Nirvana; every time I sat down at a drum set, I would think of that. And other people would think of that as well. I thought, what do I do? Do I even play music any more? I don't know. Maybe that was it. Maybe it's time to do something else. Maybe real life starts now. Because at that point I had been touring in bands since I was 18 and I'd seen the world and got to be in this huge band."As Grohl contemplated his next move, he was well aware that anything he did was going to be overshadowed by his association with Nirvana whose influence only grows with the passing years.
"When I was young, someone played me the Klark Kent record that Stewart Copeland had done. I thought how cool that he could make a record and people can listen to it objectively because it wasn't Stewart Copeland from The Police, it was Klark Kent. That's kind of what I wanted to do. There were some songs I'd recorded in my friend's studio while Nirvana was still a band and an independent label in Detroit wanted to release something."
It wasn't the first time Grohl's compositions had been the subject of outside interest. In 1991 he'd released a 10-track cassette called Late on the Washington-based Simple Machines label. Initially contractual restrictions prevented him from releasing any more new material, but with the demise of Nirvana in April 1994, multi-instrumentalist Grohl was free to pursue a solo career.
The reaction to the tape was swift. "I'd get calls from Virgin, RCA, MCA, Columbia or Capitol or whatever." In the end Grohl signed with Capitol after being courted by President Gary Gersh who, as an A&R man with Geffen, had signed Nirvana.
Recording all the instruments in the studio was one thing, but even the talented Grohl couldn't play them all live. For that he would need a band. After securing bass player Nate Mendell and drummer William Goldsmith from the recently defunct Sunny Day Real Estate he gave a tape to guitarist Pat Smear, a man who had also played with Nirvana.
"He said, 'God, this stuff is really poppy!'" squeals Grohl in his best Smear impersonation. "I'm like: 'Really?' He goes: 'I love it.' 'Wow, thanks. We're looking for a guitar player.' He's like: 'I'll do it.' I'm like: 'You will?' No shit, because he's like the coolest fucking guy in the world. That guy was in The Germs. He was great in Nirvana, and I thought he's way out of this league; this is just a stupid demo."
With a band assembled they began rehearsing. But the role of frontman was a new and uncomfortable one for Grohl: "Standing up and singing a song with a guitar with shredding volume did not feel natural. It still doesn't."
He also found the experience of performing his own material in distinct contrast to that of playing with Nirvana: "It's a different feeling when you're singing words you've written and playing songs you've written. It's so much more personal."
When the Foo Fighters' self-titled debut album arrived on shelves in July 1995, its cover depicted the band's name above a photograph of a gun. Considering Grohl's former bandmate had shot himself to death only 15 months earlier, the choice of cover image might appear to some to be tactless. "Yeah, people kind of freaked out on that," admits Grohl, whose love of sci-fi had led him to choose the picture of the Buck Rogers toy gun. "You know, honestly, that never came to mind once. Obviously it didn't, because if I thought people would associate that with that, I would never have done it."
The cover aside, reaction to the album was positive. It reached number 23 in the Billboard chart. The Foo Fighters had arrived.
The Colour And The Shape - 1997
It was almost as if Foo Fighters had evolved accidentally but now, as a fully fledged group with a hit record and tour behind them, it was clear the approach to the second album would be different.
"Going into making The Colour And The Shape I knew it had to be good," says Grohl. "It couldn't be a basement demo. It couldn't be that second raw album that most people were doing at the time."
Grohl, though, was still uncertain about exactly what it was he'd created. "The foundation of the band was that demo tape recorded by one person and at times it could feel flimsy. It would make you question: Are we a band? Or 'How does this work?' So we immediately started writing new songs like My Hero, Enough Space and My Poor Brain. We hired Gil Norton to produce. He'd produced some of our favourite records: Pixies and Echo & The Bunnymen, stuff like that. Gil is awesome in that he fucking wrings you out. He wants every last drop of performance and song. It was intense. I learnt more from that guy than anyone."
But by the time they'd nearly completed the album, it had become obvious all was not well. "We'd finished like 12 songs," recalls Grohl. "We'd recorded Monkey Wrench, Wind Up, Doll and My Poor Brain and everyone knew that it wasn't really happening. William, our drummer, wasn't really gelling. It didn't sound powerful. It just didn't sound how I'd imagined it to sound."
The group took a Christmas break, during which Grohl went into a friend's studio and started recording new material, playing drums himself. He played the songs to Norton: "He's like: 'Those are good. I like those'. So I started recording newer songs, playing the drums, playing the guitar and William was bumming out. That turned into a breakdown and then I realised he wasn't coming back, so I recorded all the drums on the record myself. It was basically Pat, Nate and I for that album. We did it pretty quickly. We re-recorded the record in about four weeks. When we were done, I knew we had a fucking great album."
In addition to the personal differences within the group, Grohl was also in the midst of domestic upheaval. "Oh, I was getting a divorce too," he adds nonchalantly. "You know what's funny? People come up to me – it's usually men – and say: 'Man, that album, it helped me through my divorce'. I'm like: 'Really? It caused mine.'"
If contentment is artistic death, then at least Grohl's woes were having a positive influence on the music. "I was living out of my duffel bag on this cat piss-stained mattress in my friend's back room with 12 people in the house. It was fucking awful. Made for a good record though."
There Is Nothing Left To Lose – 1999
For two whole weeks Foo Fighters were a quartet again. Alanis Morissette's drummer Taylor Hawkins had joined the group but, three days before they were to head out on tour, "Pat said: 'Guys I have to quit',"recalls Grohl, the sense of shock still palpable. "I'm like, what the fuck? What next?"
"That was a splintered fucking band at that point," Hawkins reflects of his first days with the group.
"It really was," concurs Grohl. "The band was just holding on by our fingertips this whole time."
Grohl convinced Smear to stay on until he found a replacement in his old friend Franz Stahl, guitarist with hardcore band Scream who Grohl had played with prior to Nirvana.
After the tour, Grohl was finding the Los Angeles lifestyle too distracting. "We had the bachelor pad in Laurel Canyon. We would just go drag the Sunset Strip and bring it back to the house."
Returning to the more tranquil pastures of his Virginia roots, he built a studio in the basement of his house. They extricated themselves from their record contract when Gersh left Capitol, and became a three-piece again. "It didn't work out with Franz," Grohl states succinctly. The Foos brought in producer Adam Kasper and set to work.
"It was so great," smiles Grohl. "We were in a basement in Virginia with sleeping bags nailed to the wall. There's no record company, there's no suits knocking on the door, there's no one telling you what's good or bad. It was four months of the most mellow recording."
The relaxed conditions were reflected in the music which was softer than anything they'd produced to that point. "It's easy to fucking stomp on a distortion pedal and make a chorus blow up," explains Grohl. "That's easy. It's easy to turn up to 10 and scream your balls off. What's not easy is to write a song that's a mid-level linear dynamic that moves from beginning to end with melody.
"So that was the idea with a lot of that record, whether it was Learn To Fly, Ain't It The Life, Gimme Stitches or Next Year. We were more focused on melody and songwriting, and it took a lot of people off guard. A lot of people thought Foo Fighters were selling out or going soft. It was more about getting into the music and writing. That album opened up doors for us to make anything possible."
One By One - 2002
"The making of that album was a fiasco," says Grohl bluntly. "We spent four months and nearly a million bucks recording that record and we threw it away. We just fucking scrapped the whole thing. It was not good enough." There were a number of factors which contributed to them dumping an album for the second time. One was Hawkins's increasing drug use, which culminated in him overdosing during a trip to London.
"After that I started getting my shit together," says Hawkins. "I wanted to get over that hurdle and start working. I think we all wanted to start working, but in hindsight we jumped into it a little quick."
"That's exactly what happened," agrees Grohl.
When the band – which now included ex-No Use For A Name guitarist Chris Shiflett – did get to work, it was with the express desire to adopt a more meticulous approach than they'd used on the previous album. "For One By One I thought: Okay we've got to make this sound fucking perfect," says Grohl. "So we went in, and ultimately what happened was we sucked a lot of the life out of the songs. It wasn't inspired. I'd listen back to rough mixes and think this sounds like another band playing our songs. I remember looking at the calendar of the promo tour and imagining having to do interviews for an album that I wasn't 100 per cent convinced of. I thought: 'I can't do that. I cannot go out and lie. I just can't fucking do it.'"
In addition to his day job with Foo Fighters, Grohl had been moonlighting with Queens Of The Stone Age, playing drums on their Songs For Their Deaf album. Given the choice of touring with Queens or promoting an inferior Foo's album, he made a tough decision. "I just thought: 'No that can't come out. It's not good enough. We need to take a break. I'm going to go do this thing which is inspiring me'. It felt great, but within three months, I started missing the guys and the music. So I came back and we thought we'd just go back into the basement with Nick [Raskulinecz] and start demoing."
"Dave came to my house one day and we did a couple of demos," says Hawkins. "One of the songs he had written was Times Like These, which was kind of about the band breaking up and remembering why we're doing it and all that stuff. Then we did Low. It felt good. So we're like, let's just go back to your pad in DC and record those tunes."
Starting at 11 o'clock one night, Dave and Taylor rattled off three songs. For Grohl, the magic had returned. "That feeling was back. You could hear it. And that's what was missing from the first time. It was like: 'Holy shit, are we making a record right now?'" They were. And two weeks later, after Nate and Chris had added their parts, they had.
In Your Honor – 2005
The tour for One By One had elevated Foo Fighters to a new level. "We had finally established ourselves to the point where I thought we can play an hour-and-a-half set and make 50,000 people sing all the words. That's fucking cool." As proud as Grohl was, it also served to make him question the band's next move.
"We toured so much for the last record and it was such a fucking blast, but it was gruelling. I was 36 and I'd been doing it for 18 years and I thought: 'Is this what I'm supposed to do with the rest of my life? I don't know. Maybe it's time to have the band take another left turn.'"
Inspired by Tom Petty's solo work on She's The One, Grohl considered doing a soundtrack. "So I started demoing all this acoustic music with that in mind. After an hour or two of listening to it, I thought, why can't this be a Foo Fighters record? Maybe we should do this kick-ass mellow acoustic record. So I thought maybe that's what we should do. And then I thought no, I have to have loud rock music in my life somewhere."
Faced with reconciling an acoustic album with Grohl's need to have "loud rock" in his life, the Foos frontman came up with a solution. "Why not make two CDs?" he thought.
Why not indeed? Nine years and four albums had given Grohl the confidence and licence to do whatever he wanted. "I eventually want it to get to the point where when people ask me what kind of band I'm in, I say: 'I just play music'. It's not one specific genre of music, it's not one specific style. I'm just a musician. I can play all these different instruments, I can write a bossa nova, I can write a thrash tune. It's such an incredible freedom. That was the point of this album."
Nine months in creation, In Your Honor was an assured work of musical chiaroscuro and one of which Grohl was duly proud. "It's exactly what I imagined it to be and it sounds better than I hoped. It's my shining achievement of my life," he said at the time of its release.
It would have been easy for Grohl to rest on his Nirvana laurels. He could have dined out musically on that connection forever, but he chose to look ahead at Foo Fighters, who offered him a future. It's why he got the band's initials branded on the back of his neck: In Your Honor solidified that feeling. "It's the first time I'd ever imagined 10 more years of being in this band."
As he reflects on the turbulent and triumphant career of Foo Fighters' earliest days, the humble Grohl allows himself a rare moment of pride. "Going from the demo tape that took six days to record to what it became, it was like having your child grow up to be the head of the U.N. Unbelievable."
37 things you never knew about Foo Fighters
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'Tis the season to find boozy cheer happening at some of our favorite ATL restaurants and bars offering pop-up holiday-inspired cocktails.
Celebrating the holiday season comes in all forms, especially in ATL. From practicing your triple axels to soaking up colorful illumination, we're kinda partial to holiday "cheer" that comes in liquid form if you catch our drift. Toast to the season and discover the wonderment of these best bets for holiday-inspired cocktails in Atlanta.
The holiday pop-up bar that started them all is back for its third year in Midtown. Miracle on Monroe takes over Tapa Tapa. Your days will be merry and bright with the hot, rum-fueled "Bad Santa" and a host of other Kris Kringle-themed libations.
Beachy vibes take on holiday styles as Miracle's sister pop-up, Sippin' Santa, makes waves at Bon Ton. With libations from Tiki-connoisseur Jeff "Beachbum" Berry, the holidays are a hit with drinks like the Kris Kringle Colada, Hawaiian Milk Punch and more sandals-in-December inspired sips.
Like your cocktails with a side of ice skating? Well, you're in luck at The Rink at Park Tavern. Not only can you get your skate on, but revelers of age can explore the menu of PT Rink Drinks like the "Cheek Warmer" (Jack Daniel's, apple cider, cinnamon), "Rudolph's Red Nose" (Absolut Mandarin, Red Bull, cranberry juice) and other cold weather-inspired sips.
The second outpost for holiday bar OG, Miracle, pops up in Inman Park for Miracle on Highland. Located at The Brasserie and Neighborhood Café at Parish, probably the most fun cocktail to say when ordering would be the "Yippie Ki Yay Mother F****r!" with sweet potato, rum, marshmallow orgeat and lime. And yes, "Die Hard" is a Christmas movie. Fight us.
Inman Park's newest, hip-hop-inspired bar, Little Spirit, is getting in on the pop-up fun with a Little "Christmas" Spirit. Featuring a celebration of holiday flavors in their drinks including eggnog, cranberry, cinnamon and more, naughty and nice is subjective in cocktails like the "Down Through the Chimney," "Eggnostic Winter Holiday" and "Nakatomi Christmas Party." Once again, "Die Hard" is a Christmas movie.
While you might be familiar with the "12 Days of Christmas," this Downtown sports bar is putting a winter wonderland-inspired spin on things with the "12 Shots of Christmas." Park Bar [https://www.atlanta.net/partner/park-bar/801/] transforms its second floor into 321Xmas with a holiday-themed shot menu going from Dec. 10 through 22 with selects like the "Three Wisemen" featuring Jim Beam, Jack Daniels and Jose Cuervo, "The Nutcracker" with Kahlua, Bailey's and Peppermint Schnapps, and 10 other offerings sure to fill you with holiday cheer.
Another Hawaiian-influenced holiday comes to Decatur's S.O.S. Tiki Bar with Mele Kalikimaka. The second year of this holiday-themed cocktail experience adds Christmas lights to hula skirts with "Hot Coco" that includes a rum kick, a frozen play on eggnog and the "Christmas Tree Shot" tower that serves four to six of your favorite elves.
While not entirely holiday-driven, Buckhead bastion for South African small plates, Yebo Beach Haus, goes seasonal for the winter in transitioning into Yebo Ski Haus. With the change comes a menu reveling in "warming" cocktails like mulled wine served hot as well as four-person "shot ski's" at the bar. Yes, shots in a ski. Bring a friend.
Chris Watkins is an Atlanta-based writer and photographer and serves as the voice of Atlanta Convention & Visitors Bureau (@DiscoverAtlanta) on social media. You can follow him on Instagram @christopherbw.


Last Opportunity to Register for Chile!
The congress website also provides information on the programme, event logistics, hotels, market visits and social programme, as well as the city of Santiago.
The plenary sessions include discussions on: strategies for improving fresh food chain commercialization, food hygiene strategies, the importance of retail markets as a client of the wholesalers, alongside an international debate on market management models. Profiles of the moderators and speakers will be uploaded to that website shortly.


all seeking to be reckoned in their way.
looks now to bury his duplicity.
unsettled by her memories of death.
of talent, fed by focus and esteem.
insists another verse is justified.
the Unknown to be tasted, felt, and seen.
rousing the dead to play at hide and seek.
I was haunted by this quote from Chopin, and the poem came quickly. The past is never far from our dream life.
Marilyn, I want to read your poem again and savour it. You included a quote from Chopin. I'm living in Paris and have been reading a lot about him. He died here and I visited his gravesite the other day. It's much visited and people still leave flowers. I want to know more about him. Thank you for including him in your blog.
Very cool. I don't know much about him, either, but his words captivated me. Poems are meant to be read and reread — so much more comes thru on repeated readings if a poem is well-written. So keep reading!


text:
Comeback Day: Pacers rally to beat Knicks, of course
The Pacers added to their history of comeback wins over their rivals from New York last season.
By Tom Lewis@IndyCornrows Sep 26, 2012, 9:53pm EDT
Share All sharing options for: Comeback Day: Pacers rally to beat Knicks, of course
Andy Lyons - Getty Images
Comeback Day offers plenty of options when you consider the Indiana Pacers.
Whether it is the franchise literally coming back from a telethon hosted by Slick Leonard to become a stable franchise or Hall of Famer Reggie Miller digging into his bag of tricks to pull out a comeback win in thrilling fashion, the franchise knows comebacks.
With training camp about to start, I'm thinking more about the current version of the Pacers. I realized the Pacers have had monumental comebacks against the New York Knicks in the '90's, but last season's comeback win against the Knicks on April 3rd was quite meaningful for this current squad.
The Pacers appeared a lock to make the playoffs for much of the season, but the team sputtered through March with the biggests gasps for air coming in back-to-back losses to the Knicks around St. Patty's Day. Jeremy Lin was rolling and the Knicks appeared on their way to becoming a post-season problem while the Pacers appeared to be teetering on a familiar level of mediocrity.
Fast forward two weeks and the Pacers ended March with an 8-9 record, still trying to find a consistent level of play that could win games. The team played well in their last loss of the month in San Antonio, however. The Spurs matched the high level of play and then some in that game, but at least there was hope.
The Pacers then opened April with a meh home overtime win over the Houston Rockets minus Kyle Lowry and Kevin Martin. Then the Knicks returned, this time without Lin, but still with plenty of confidence the could impose their will on the Pacers, again.
The Knicks took a 17-point lead late in the third quarter and then the Pacers went on a roll that would last the remainder of the season. Danny Granger paid homage to Reggie Miller following the HoF announcement with 14 fourth-quarter points included a trio of treys which helped wipe out the deficit and give the Pacers a three-point lead.
From there, Paul George scored the Pacers next seven points, part of his 11-point quarter as the Pacers ended up running away from the staggered Knicks, outscoring the visitors 40-17 in the fourth quarter before a delirious Fieldhouse crowd.
Comeback complete with a 112-104 win, the win indicated that this was not the same Pacers team of the recent past. They were growing up and ready to make big strides forward. And that they did, finishing April with a 12-3 record which included win streaks of four and seven games.
Such a nice memory from last season which adds a little excitement to the pending "comeback" of the Pacers to the Fieldhouse to start the 2012-13 season.
We invite you to subscribe to the Indy Cornrows YouTube channel, follow Indy Cornrows on Twitter and like Indy Cornrows on Facebook.


How to Access Free eBooks (by the Millions)!
Did you know SimpleK12 has hundreds of informative videos available on our YouTube Channel?
"How to Access Free eBooks (by the Millions!)" is from one of our series of videos showing you free tech tools that you can use in your classroom.


You can stay up-to-date on progress by following the MSEdge developer blog.
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You can embed ChakraCore in your applications - see documentation and samples.
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function ax = setupYYplot(varargin)
%X Setup layour for plots that are on top of each other
%
%   sl.plot.layout.setupYYplot(position)
%
%   Copied from plotyy when all you really want is to have someone
%   set up the plots but do your own custom plotting into each separately.
%
%   **************************
%   This is a work in progress
%   **************************

in.position = [];
in = sl.in.processVarargin(in,varargin);

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    ax(1:2) = axes('Position',in.position);
else
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end

redpajama_set_name: RedPajamaGithub


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Penticton is home to several recreational opportunities which can be enjoyed year round. For instance, Apex Mountain Resort offers exciting and challenging vertical runs for snow boarders and skiers. There is the Kettle Valley Railway Trail which provides a great opportunity for biking and hiking. The Skaha Bluffs are well-known for rock climbing. All through wintertimes, Penticton Vees, the BCHL hockey team, play. The PCSL soccer team is the Penticton Pinnacles and their season is from the month of may up to the month of July. Penticton is also home to Penticton Lakers, the KIJHL team.
The South Okanagan Events Centre is amongst the newest construction additions to the city of Penticton. In the year 2006, residents voted 80.3% in favor of the building. This seventy three million dollar convention centre, sports complex and arena bring many big name concerts and entertainers such as Cirque de Soleil to the city of Penticton. It could likewise possible serve as an early fall or summer training facility for the Vancouver Canucks. It is home to the BCHL's Penticton Vees. The hockey team is named in honor of the senior hockey team which won the Ice Hockey World Championships against Russia in the year 1955. The South Okanagan Events Centre opened in September the year 2008 and has quickly become a popular stop on concert tours and different special events.
Penticton city is in the Okanagan Wine Valley and has access to 88 wineries in a one hour drive. Naramata is a city located close by that had twenty two wineries for the 2009 Fall Wine Festival.
For a historic and scenic trails, there is the Kettle Valley Railroad Trail Network, that comprises more than 160 km of flat rail-bed trails. This part is perfect for both hiking and biking adventures. This trail is part of the Trans Canada Trail and it has become a well-known summer place for day trips or longer overnight treks where individuals camp out along the way. During Spring 2011, the Penticton Aquatic Center was constructed to be able to replace the Community Center pool. This new facility provides a relaxing and refreshing ambiance for those who want to participate in aquatic classes or simply enjoy the health advantages of the sauna, swimming lanes and hot-tub.
Penticton has a Semi-arid weather with cold winters and warm summers. The average precipitation is slightly more than 330 mm annually. During the hot summertimes, the daytime temperatures usually reach thirty degrees. Since humidity is rather low, the summer evenings are fairly warm. Wintertimes within Penticton are brief. For approximately 8 weeks of the year, the mean daily temperatures average just below freezing. During the entire year, the average daily maximum temperature remains above zero.


Wondering where all the posts have been lately? Like many in Illinois, my power has been out for a couple of days. I'm back in business, trying to catch up.
We'll start with Bob Wickman. He's been designated for assignment. Sometime during the next ten days, he'll be traded or claimed off waivers. The move was brought about both by Wickman's mediocre pitching and attitude towards pitching in non-save situations. This year, his control slipped and has luck on hits allowed ran out simultaneously. The result? Too many baserunners for a late-inning reliever. My guess is that the 38 year-old will retire now or after the season.
Rafael Soriano has been decent aside from home runs allowed, and he'll have first crack at ninth inning duties until Octavio Dotel returns.


text:
<?php

namespace ZQ\SunSearchBundle\Model;

use Solarium\Core\Client\Client;
use Solarium\Core\Client\Endpoint;
use Symfony\Component\EventDispatcher\EventDispatcherInterface;
use ZQ\SunSearchBundle\Event\CoresLoadedEvent;
use ZQ\SunSearchBundle\Exception\CoreManagerException;

/**
 * Class CoreManager
 */
class CoreManager
{
    /**
     * @var Client
     */
    private $client;

    /**
     * @var EventDispatcherInterface
     */
    private $dispatcher;

    /**
     * @var Core[]
     */
    private $cores;

    /**
     * Core scoped endpoint
     *
     * @var Endpoint[]
     */
    private $endpoints = [];

    /**
     * CoreManager constructor.
     *
     * @param Client                   $client
     * @param EventDispatcherInterface $dispatcher
     * @param array                    $cores
     */
    public function __construct(
        Client $client,
        EventDispatcherInterface $dispatcher,
        array $cores = []
    ) {
        $this->client     = $client;
        $this->dispatcher = $dispatcher;
        $this->setCores($cores);
    }

    /**
     * @return Client
     */
    public function getClient()
    {
        return $this->client;
    }

    /**
     * @return Core[]
     */
    public function getCores()
    {
        return $this->cores;
    }

    /**
     * @param Core $core
     *
     * @return $this
     */
    public function setCore(Core $core)
    {
        $this->cores[$core->getName()] = $core;

        return $this;
    }

    /**
     * @param string $name
     *
     * @return Core
     *
     * @throws CoreManagerException
     */
    public function getCore($name)
    {
        if (empty($name)) {
            $keys = array_keys($this->cores);

            return $this->cores[$keys[0]];
        }

        if (!isset($this->cores[$name])) {
            throw new CoreManagerException(sprintf('Unknown core "%s".', $name));
        }

        return $this->cores[$name];
    }

    /**
     * @param string|Core $name
     *
     * @return \Solarium\Core\Client\Endpoint
     */
    public function getEndpoint($name)
    {
        $core = $name instanceof Core ? $name : $this->getCore($name);
        $name = $core->getName();

        if (!isset($this->endpoints[$name])) {
            $endpoint = clone $this->client->getEndpoint($core->getConnection());
            $endpoint->setCore($core->getCoreName());
            $this->endpoints[$name] = $endpoint;
        }

        return $this->endpoints[$name];
    }

    /**
     * @return EventDispatcherInterface
     */
    public function getDispatcher()
    {
        return $this->dispatcher;
    }

    /**
     * @param array $cores
     *
     * @return $this
     */
    private function setCores(array $cores)
    {
        foreach ($cores as $core => $options) {
            $this->setCore(new Core($core, $options));
        }

        $this->dispatcher->dispatch(CoresLoadedEvent::NAME, new CoresLoadedEvent($this->cores));

        return $this;
    }
}


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See Agra Taj Mahal :- Taj Mahal One of the seven wonders of the world Taj Mahal was built by a grief stricken Emperor Shahjahan as a memorial to his beloved wife Mumtaz Mahal. A world-renowned wonder, Taj Mahal sits pretty on the northern side of this green paradise. It looks the same from all the four sides! The Quranic inscriptions on its four entrances are carved in such subtle increase in size that may appear to be of the same size from top to bottom! Shahjahan invited master craftsmen from as far as Italy and Persia to help design his ambitious tribute to love. Taj Mahal is phenomenal not in the beauty alone that shines forth, but in the deep planning and design that went into its making, and the ethereal idea of immortalizing love.
See Agra Red Fort in Agra City :-The great Mughal Emperor Akbar commissioned the construction of the Agra Fort in 1666, A.D. although additions were made till the time of his grandson Shahjahan. The forbidding exteriors of this fort hide an inner paradise. There are a number of exquisite buildings like Moti Masjid - a white marble mosque akin to a perfect pearl; Diwan-I-Am, Diwan-I-Khaas, Musamman Burj - where Shahjahan died in 1666 A.D. Jahangir's Palace; Khaas Mahal and Shish Mahal.
See Itmad-ud-daula(Baby Taj) :- Itmad-ud-daula has a special place in the chronicles of both history as well as architecture. This is precisely because Itmad ud Daula is the very first tomb in India that is entirely made out of Marble. This is actually a mausoleum that overlooks the River Yamuna and is a tomb of Mir Ghiyas Beg, a minister in the court of Shah Jahan.
See Akbar's Tomb at Sikandra :-One of famous mugal Era building in Agra and most visit tourist place of Agra. Sikandra fort is also known as mausoleum of Akbar. Fort of sikandra has blending of Islamic, Jain, Hindu and Christian theme. Fort of Sikandra is named after ruler of Delhi Sikandar lodhi, which was the ruler of Delhi in the year 1488 to 1517. Fort of Sikandra was built by Akbar. After death of Akbar it is continued by Jahangir son of Akbar. This fort is located about at a distance of 10 kms from the city centre.
See the Fatehpur Sikri in Agra City :- the deserted red Sandstone City, Emperor Akbar built that as his capital and palace in the late 16th century is an exhilarating experience. It a veritable fairytale city and its "ruins" are in pristine condition ... it's not hard to imagine what the court life must have been like in the days of it's grandeur.
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text:
SpecBegin(NSString)

describe(@"MD5 Encryption", ^{
    it(@"Converts a string to an MD5 representation", ^{
        NSString *md5 = [@"thoughtbot" tb_MD5String];
        NSString *md5Actual = @"81caded18444fc3b60e56622f927bcce";
        expect(md5).to.equal(md5Actual);
    });
});

describe(@"SHA-1 Encryption", ^{
    it(@"Converts a string to a SHA-1 representation", ^{
        NSString *sha1 = [@"thoughtbot" tb_SHA1String];
        NSString *sha1Actual = @"d4e80756452178b68f001fce9190fb8a7cdedc26";
        expect(sha1).to.equal(sha1Actual);
    });
});

describe(@"Base64 Encryption", ^{
    it(@"Converts a string to a Base64 representation", ^{
        NSString *base64 = [@"thoughtbot" tb_base64String];
        NSString *base64Actual = @"dGhvdWdodGJvdA==";
        expect(base64).to.equal(base64Actual);
    });
});

describe(@"XOR Encryption", ^{
    it(@"Converts a string to an XOR encrypted representation", ^{
        NSString *xor = [@"thoughtbot" tb_XORStringWithSecret:@"1234567890"];
        NSString *xorActual = @"455a5c41525e435a5644";
        expect(xor).to.equal(xorActual);
    });
});

SpecEnd


text:
Music and art crossover project launched by TME
Japanese artist Hajime Sorayama and Chinese singer Liu Yuxin announced their collaboration as part of an art project launched by TME (Tencent Music Entertainment Group).
A new vinyl by Liu will be released with ten original songs as well as a charity song produced by TME. The Japanese artist will participate with his design combined with Liu's music.
Liu, 24, rose fame after winning the Chinese reality-TV show Youth with You Season 2 in early 2020 and became a member of girl group, THE9.
The crossover art project by TME is part of a series of initiatives that combine music and art.
Last year, the project unveiled a compilation, titled All Creation: Encounter with Animals, at the UCCA Center for Contemporary Art in 798 Art Zone in Beijing. Artists from China, Spain and Japan created paintings which were adapted into eight songs by singer-songwriters, such as pop duo Good Meimei, Chen Li and Jiao Maiqi. The compilation was also supported by World Wide Fund for Nature, one of the world's largest and most respected independent organizations dedicated to the conservation of nature.
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Ran qPCR with black abalone samples from the 1st and 2nd experiments to see if the Xenocal prophage portal gene is detected.
Black abalone sample 08:13-2 was run as a positive control.
Plate layout, cycling params, etc. can be seen in the qPCR Report (see Results below).
Two samples failed to produce amplification: 06:6-44 and 07:12-18. All other samples amplified. Will compile this data with WSN and RLOv DNA helicase and send along to Carolyn and Stan.
This entry was posted in Abalone Withering Syndrome, Abalone Withering Syndrome Phage ID and tagged 06:5-31, 06:5-32B, 06:5-35, 06:50-08, 06:50-10, 06:6-32, 06:6-39, 06:6-42, 06:6-44, 06:6-46, 06:6-49, 06:6-52, 06:6-54, 07:12-18, 08:13-15, 08:13-18, 08:13-19, 08:13-2, 08:13-20, 08:13-21, 08:13-22, 08:13-23, 08:13-24, 08:13-25, 08:3-05, 08:3-07, 08:3-15, 08:3-16, black abalone, CFX96, GoTaq qPCR Master Mix, Haliotis cracherodii, phage, qPCR, withering syndrome on 21 April, 2016 by kubu4.
Carolyn asked me to send her the data described above.
RLOv DNA helicase qPCR data were grabbed from the qPCR I ran on 20160106.
The summary is below. I have emailed a copy of the spreadsheet to Carolyn.
This entry was posted in Abalone Withering Syndrome and tagged 06:5-31, 06:5-32B, 06:5-35, 06:50-08, 06:50-10, 06:6-32, 06:6-39, 06:6-42, 06:6-44, 06:6-46, 06:6-49, 06:6-52, 06:6-54, 07:12-18, 08:3-05, 08:3-07, 08:3-15, 08:3-16, 08:4-10, 08:4-11, 08:4-12, 08:4-3, 08:4-4, 08:4-5, 08:4-6, 08:4-7, 08:4-8, 08:4-9, RLO, RLOv, RLOv_DNA_helicase, withering syndrome, WS on 4 April, 2016 by kubu4.


text:
Southern rainfall deficiencies ease in July
July rainfall was average to above average across most of southern Australia, according to the latest monthly drought statement released by the National Climate Centre yesterday.
Areas of southern Australia to miss out included the far west coast and east coast, with East Gippsland recording rainfall in the lowest 10pc of records for the month.
Particularly goods falls were seen in parts of Tasmania and southern parts of South Australia.
Rainfall across northern Australia was near-average for the traditional dry-season period.
Below-average rainfall along the Western Australia coast has seen short-term (3 to 6 month) rainfall deficiencies develop in some areas of that region.
Rainfall deficits for the 10-month (October 2012 to July 2013) period have seen improvement across Victoria, Tasmania and southern Queensland following recent rainfall.
Much of western Victoria and Tasmania have been lifted from severe to serious deficiencies (improving from totals in the lowest 5pc of records, to totals in the lowest 10pc of records) with deficiencies cleared from most of northeastern Tasmania and lower southeastern South Australia.
Serious to severe deficiencies remain across much of Queensland west of the coastal ranges (although the Channel Country is free of deficits) and in a small area of the Nullarbor Plain, and have emerged in a small area north of Carnarvon in Western Australia.
Rainfall percentages for the 10-month period show much of western Queensland and northeastern South Australia has received less than 60pc of the long-term average rainfall.
Longer-term rainfall deficiencies for the 16-month (April 2012 to July 2013) period have also seen improvement across the southeast mainland and Tasmania.
Serious deficiencies remain across most of northern and northwest Victoria and adjacent parts of New South Wales, in areas between northeastern South Australia and Queensland's Gulf Country (slightly expanding in the Channel Country), and between Charleville (southern Queensland) and Bourke (northern New South Wales). Deficiencies persist on the Nullarbor Plain, although the area of lowest-on-record rainfall has decreased for the 16-month period compared to the previous 15-month period.
Deficiencies also remain along the Western Australian coast south of Shark Bay, and have worsened and increased in extent compared to the previous drought period. The rainfall percentages map shows areas having received less than 60pc of long-term average rainfall for the period are focused on eastern central Australia, parts of the inland of the eastern States and the Nullarbor Plain.
Weekly soil moisture totals in the upper soil layer have generally increased across southern Queensland compared to the weekly values one month ago.
Values across southern Queensland are above average but remain below average across parts of the remainder of Queensland and the north of the Northern Territory.
Soil moisture values also increased across the southeast and are now above average in inland New South Wales, the southern half of South Australia, western Victoria, and coastal Western Australia east of Bremer Bay.
Soil moisture has risen across Tasmania and Victoria but is still below average in parts of the southeastern half of Victoria and northern and central Tasmania. A large area along the coast of Western Australia, south of the Northwest Cape, has below-average soil moisture but most of the southwest has returned to near-average.
For the deeper layer, soil moisture generally shows a similar pattern to that of last month. Values across southern South Australia have increased (majority above to very much above average); eastern Tasmania and the majority of Victoria (except in the east) remain below average, but generally less so than last month; Western Australia between Shark Bay, Kalgoorlie-Boulder and the southwest is further below average than last month.
Soil moisture across the Top End and tip of the Cape York Peninsula remains below average. Soil moisture remains above average across northwest and central Western Australia, inland New South Wales, southwestern Queensland and along the east coast between Tweed Heads and Townsville.
Source: BOM


text:
PROFESSOR OLU OBARO
Co-coordinator / MACT-BRIDGE THE GAP
REUBEN OLUWAKINMILEHIN IRUKERA OBARO, MBBS, DMRD,
FMCR, FRCR, SFNLI.
Alumni of Government Secondary School, Kano, King's College Lagos and Ahmad Bello University Nigeria.
Post Graduate training in some of the most prestigious hospitals in United Kingdom in Radiology and obtained a Fellowship to Sub specialise in Interventional Radiology in Toronto and attaining the privilege of being the first full trained black Radiologist in that field in the UK.
Consultant Radiologist and subsequently Head of Department, King George Hospital, London. Took Sabbatical leave to set up Radiology Department in a teaching Hospital in Nigeria and currently a Visiting Professor of Radiology in another Teaching Hospital. Director of a Private Healthcare provider outfit in the UK for over 30 years.
Instigated the founding of MANSAG and becoming its President to galvanise Nigeria doctors in the UK into a potent force for advocacy and welfare of Nigerians. Co-founded the BAME section of the Royal Society of Medicine. Foundation member and co-founder of Nigerian Leadership Initiative.
Secretary, Healthcare Subcommittee, NIDO at inception and subsequently, Chairman NIDOE, UK-SOUTH.
Served on several committees promoting Nigerian interest over the years including serving as the Secretary, Sight Savers International (Nigeria Fund Raising Committee) under Dr.Kolade and Sir Burton that raised $1.8 million over two years to reinforce Sight Savers International work in Northern Nigeria.
Co-coordinator of MACT-BRIDGE THE GAP, a UK registered family charity dedicated to bridging the gap in Medicine Agriculture Culture Technology between Nigeria and the West through medical missions, supply of free medical equipment, scholarships, etc. and orphanages and prison support in Nigeria.
Gratefully married with two children and two and three-quarter grandchildren.