Paul on a windy day.
Rich Siegel runs Cleaversoft and is the lead developer on EarthNight. He's an entrepreneur and video game junkie. After finding success with his first business he decided to follow his real passion and start making video games. He founded Cleaversoft in 2008 in an apartment right outside of Philadelphia. In Feb. 2012, he assembled this awesome team and began the journey that would become EarthNight.
Paul Weinstein is hailed as one of the best chiptune artists in the world, creating music on his original Nintendo Game Boy (along with guitars, a few lo-fi synths and some other instruments). He is writing an original soundtrack for EarthNight that will blow your mind. You can hear some tracks off it at his website. His newest album, "Wordplay," is now available on Bandcamp and on Vinyl in amazing transparent purple and black splatter!
Adam Nash is a game designer, programmer, composer, writer and teacher living in Philadelphia. He's designed, coded, composed music, or written for more than 30 games, working with studios such as This is Pop, Starlight Runner Entertainment and Gigantic Mechanic. When not making games, Nash plays keys in The Space Cats and teaches at Philly-area universities.
Zach Cohen is an extremely talented animator who is lending his skills to the team to help bring Mattahan's art to life, as well as making some of his own creations. His unique style is reminiscent of Ren & Stimpy but has a fun twist of its own.
Mark Bradshaw has been developing games since he taught himself how to program on his Bally when he was 12. (If you don't know what that is then you get a sense of how old this dude really is.) He is focused on making the gameplay super fun and ensuring the game's physics feel perfect. Mark has worked for companies such as Sega, Microprose and Hasbro and has shipped more than 40 titles in his career.
Jason Griffith has been working in Unity for over five years and shipped multiple titles. He loves Rick & Morty, video games and glass art.
Alberto Tirado has joined the team as our 3D artist to make 3D overhead dragons and meshes for various pieces of the game. He has really hit the ground running and done a great job bringing our first 3D assets to life.
Kevin VanOrd spent nine years writing about games for Gamespot before he decided it was time for a change of pace. As a narrative editor and game designer at Trion Worlds he helped shape Devilian and Atlas Reactor. (You should totally play them!) Now, he helps shape EarthNight when he isn't busy cuddling Ollie, his chubby white cat. You should follow him on Twitter: @fiddlecub. He's mouthy.
Dave Yaron has been a spiritual guide for the project since we started. He was there with Rich and Paul at the original inception of the idea and was the first person to say the word "EarthNight." He is also the voice of the ship's appraiser and actually appraises all the scraps.
Spencer Miller co-founded Cleaversoft with Rich in 2008 but then left for a job at Dreamworks. Now he has left Dreamworks and works at Riot! He still helps here and there, and Rich hopes when EarthNight blows up, he'll come back.
Jessica Hayley is the team's resident code de-spaghettifier and feature implementer. She's worn many hats across the game development, VR and software industries, and is bringing that experience to help the team make the game as great as possible.


Dr. Pritchard and the team at Pritchard Orthodontics offer their patients the latest and most advanced treatments available today, including clear braces in the Vancouver, WA area. Patients considering different treatment approaches to their orthodontic needs can choose traditional braces, clear braces, lingual braces, or clear thermoplastic aligners. But what are clear braces? Are they better than metal ones?
Effective. Braces are effective in treating the most severe of orthodontic issues. Newer alternatives to braces are available, but the technology has not advanced so that tray aligners can treat every case. Patients looking for options in orthodontic treatment are confident that clear braces treat the issue while being discreet and unobtrusive.
Comfortable. The metal parts associated with traditional braces can poke, scrape, and irritate the soft tissues of the mouth. Clear braces involve a lot less hardware, so there is less of a chance for irritation to occur.
While traditional braces are a proven and effective treatment option, there are other approaches like these that can be inconspicuous and comfortable.
Dr. Pritchard and the Pritchard Orthodontics staff have the knowledge and experience to help their patients in the Vancouver, WA area choose the most effective and appropriate orthodontic treatment for them. For more information or to schedule an appointment, don't hesitate to contact Pritchard Orthodontics today!


text:
Multi manager IMS moves into Europe with S&P hire
6 September 2002By Helen Avery
UK- Multi-manager outfit, Investment Manager Selection (IMS), has marked its expansion into Europe with the appointment of David Furlong as its sales and client servicing director. Furlong becomes the latest in a line of people to join IMS from S&P Fund Research (now Standard & Poor's Fund Services).
Five of IMS's investment professionals were previously at S&P Fund Research. Richard Timberlake and Nigel Slade, two of IMS's three heads were senior executives at the Standard & Poor's subsidiary, and only last month Neil Clare joined the IMS research team from S&P.
IMS has won three European mandates this year, and managing director Nigel Slade believes Europe will see continued growth in the multi-management market.
Furlong explains why Europe has seen more interest in this area: "the number of funds are increasing, and the selecting and monitoring process is becoming more difficult. People are realising that this process is worthy of full-time dedication."
'Furthermore, do-it-yourself funds have led to disappointments – even by some of the well-known asset managers."
Says Furlong: "multi-management offered investors the opportunity to diversify the number of managers exposed and to create style diversification."
IMS was launched in 1999, and now manages and advises on over £1.4bn of assets on behalf of life companies, banks, wealth management companies, and asset management companies.

redpajama_set_name: RedPajamaCommonCrawl


Finland, Turkey and Bulgaria are the countries responsible for the work in progress.
Activity 4: Think a number…algebraic language and calculation through problem solving.
France, Latvia and The Netherlands are the countries responsible for the work in progress. All countries will present an activity connected with the 2 key competences.
Portugal, Poland and The Netherlands are the countries responsible for the work in progress.


My parents are staying with us this weekend - it's always great to have them visit. They wanted to attend the Minnesota State Fair with our family this year. The girls and I went on Thursday, opening day. And we're heading back today, all of us!
Are you going to the Minnesota State Fair? If so, be sure to check out my post featuring our favorite MN State Fair eats and drinks!
My Favorite Things... It's tomato season. And I hope you've been able to enjoy some of its sweetness! One of my favorite things this time of year is this tomato knife (link HERE). It has a thin serrated edge that slices through tomato skin likes it's butter, without crushing the tomato flesh. And it has a forked tip that makes it easy to grab up thin, delicate slices of tomatoes and move them from the cutting board to a platter. I could also call it my corn knife, because it's my favorite knife for cutting sweet corn kernels off the cob!
This recipe for Farmers Market Grilled Flatbread Pizza tops ready-made flatbread crusts with pesto, melty mozzarella cheese, and fresh goodness from the garden and farmers market. We've been making this weekly this summer!
This moist and flavorful peach bread is full of ripe, juicy peaches and salty roasted pecans. Our girls prefer it without nuts, so I usually divide the batter in half - one pan with nuts and one pan without!
This was our Sunday supper last weekend. Grilled pork chops with a grilled romaine salad topped with sweet corn and tomatoes. The dressing is a homemade buttermilk ranch - one of the dressings we make the most. Everyone in our family loves it!
Get the dressing recipe here.
This Fluffy Whipped Blueberry Butter is light in texture, slightly sweet, and bursting with fresh blueberry goodness. It's so lovely spread on toast, breads, or muffins!
Carnitas is one of our family's favorite taco meals. The pork is ultra tender, flavorful, and super simple to make. It's a recipe that our friends and family turn to over and over again.
Use whatever veggies you fancy for these quick and easy Pickled Vegetables. They're crunchy and tangy and completely irresistible!
This Bacon Cheeseburger Tater Tot Hotdish slides in with a fun twist on an old favorite. It's a hot skillet of fun comfort food!
These Lemon Heaven Bars are dense and soft and chewy. Loaded with fresh lemon flavor and covered with a thin, sweet glaze, they are completely irresistible!


text:
Q: Outlook 2016 VBA to save attachments from folder to specific loction I have found this code online and trying to change it to fit my purpose. All I need is to save attachments that go from test@noreplay.com to my Test folder (it is sub folder to Inbox). I do not know how to change it and need your help!
Public Sub saveAttachtoDisk(itm As Outlook.MailItem)
Dim objAtt As Outlook.Attachment
Dim saveFolder As String
saveFolder = "C:\Attachments"
    For Each objAtt In itm.Attachments
        objAtt.SaveAsFile saveFolder & "\" & objAtt.DisplayName
        Set objAtt = Nothing
    Next
End Sub

My VBA look like that (hope it helps).

Again, trying to save attachments from Outlook to a particular folder, from specific sender under the same name (so the new attachment will overwrite the existing one).

A: I have given you a lot to read and do.  Work through it all slowly and come back with questions if necessary.
Your comments suggest you have very limited knowledge of Outlook VBA so I am going to start with a brief introduction.  I apologise if your knowledge is better than I suspect but I would rather insult your knowledge that leave you utterly confused by my code.
Brief introduction to Outlook VBA
Native VBA is a fairly limited language. It comes with a number of statements and some standard functions but most of its power comes from libraries.  Open a VBA Editor, click Tools and then References and you will be shown a long list of libraries.  Some at the top of the list will already be ticked.  You can scroll down the list and tick others if you need the functionality they provide.  It is the "Microsoft Outlook nn.n Object Library" that tells the compiler about folders, mail items and tasks.  It is the "Microsoft Excel nn.n Object Library" that tells the compiler about workbooks, worksheets and ranges.  (Note, nn.n depends on the version of Office you are using.)  So, to program in Outlook VBA, you need to know VBA (which will be the same for Excel, Word and PowerPoint) and the Outlook Object Model.
Outlook holds all your emails, calendar items, tasks and so on in files it calls stores.  You may see these files referred to as "PST files" because most have an extension of "PST".  However, an Outlook file with an extension of "OST" is also a store.  You may see them referred to as "Accounts" because, by default, Outlook have one store per email account.  However, you can have stores that are not linked to an account; for example, my installation has a store named "Archive" and another named "Outlook Data File" neither of which are accounts.
If you look at your folder pane, which is probably down the left side of your Outlook window, you might see something like:
DoeJA@Gmail.com
   :    :    :    :
   Inbox
   :    :    :    :
  Sent Items
   :    :    :    :
JohnDoe@HotMail.com
   :    :    :    :
   Inbox
   :    :    :    :
  Sent Items
   :    :    :    :
Outlook Data File
   :    :    :    :
   Inbox
   :    :    :    :
  Sent Items
   :    :    :    :

"DoeJA@Gmail.com", "JohnDoe@HotMail.com" and "Outlook Data File" are the names of stores.  The file names are probably "DoeJA@Gmail.com.OST", "JohnDoe@HotMail.com.PST" and "Outlook Data File.PST".  However, a VBA programmer is not interested in the filenames; the names that appear in the folder pane are the names that matters.
An irritating feature of VBA is that there is usually more than one way of achieving the same effect.  Consider:
Option Explicit
Sub DsplSingleEmail1()

  Dim NS As NameSpace
  Dim FldrSrc As Folder

  Set NS = Application.GetNamespace("MAPI")
  Set FldrSrc = NS.Folders("DoeJA@Gmail.com").Folders("Inbox")

  With FldrSrc.Items(1)
    Debug.Print .ReceivedTime & " " & .Subject
  End With

End Sub
Sub DsplSingleEmail 2()

  Dim FldrSrc As Folder

  Set FldrSrc = Session.Folders("DoeJA@Gmail.com").Folders("Inbox")

  With FldrSrc.Items(1)
    Debug.Print .ReceivedTime & " " & .Subject
  End With

End Sub
Sub DsplSingleEmail 3()

  Dim FldrSrc As Folder

  Set FldrSrc = CreateObject("Outlook.Application"). _
                        GetNamespace("MAPI").GetDefaultFolder(olFolderInbox)

  With FldrSrc.Items(1)
    Debug.Print .ReceivedTime & " " & .Subject
  End With

End Sub

All three macros, output the date and time received and the subject of what is almost certainly the oldest email in Inbox.  If you want to try them on your system, you will have to replace "DoeJA@Gmail.com" with the name of a store on your system that has an active Inbox.
In macro DsplSingleEmail1, I have used method GetNamespace.  In macro DsplSingleEmail2, I have used method Session.  The documentation says these two approaches are equivalent but I have not found an explanation of why there are two equivalent methods. This does not matter if you write your own code; pick whichever approach you prefer. But if you intend to look for snippets of code online, you must be prepared for programmer A using one approach and programmer B using another.  When you merge snippets that use different approaches you will have to understand all the approaches well enough to adjust the code to use your favourite.
Both GetNamespace and Session are methods of Application.  In one macro, I have told the compiler this while in the other I have left the compiler to work this out for itself.
In macro DsplSingleEmail3, I have used method Namespace but have started my statement with CreateObject("Outlook.Application").  This would have been necessary if I was running this code from Excel but is not necessary here because I am already within Outlook.  I have also used method GetDefaultFolder with parameter olFolderInbox.  Outlook defaults to having all its standard folders within store "Outlook Data File".  But, on my system, the installation wizard has arranged for my emails to be imported to two other stores.  No doubt somewhere there is the functionality to change the defaults but I have never bothered to look because I do not know which store's Inbox I would make the default.  The only reason, DsplSingleEmail3 works on my system is because I have copied some junk emails to the Inbox within "Outlook Data File".  I include Debug.Print FldrSrc.Parent.Name because it outputs the name of the store containing the default Inbox.
The purpose of the above is to demonstrate some of the problems with looking for code snippets without have the background to understand the context.  It appears the author of the snippet you found assumed readers would understand how to use it.  I learnt Excel VBA from a book.  I visited a large library and borrowed all their Excel VBA primers.  At home I tried them all and then bought the one that matched my learning style.  I learnt Outlook VBA by experimentation since I was unable to find a good primer for Outlook VBA.  I doubt it is possible to learn either Excel or Outlook VBA by looking for useful bits of code online.  If you want to write macros to help your employer, you must arrange some relief from your normal workload so you have the uninterrupted time to learn VBA and the Outlook Object model.  This relief will quickly repay your employer because you will be able to write macros that save hours of effort by your colleagues and yourself.
Addressing your requirement
I find that writing macros to process emails divide into two parts.  Part 1 is deciding how best to select the emails to be processed.  Part 2 is deciding how to achieve whatever effect you wish to achieve by processing the selected emails.  I will describe four distinct methods of selecting emails and show how to use each of those methods.  However, I will provide only one macro for processing selected emails.  Each of the four selection methods will call the same processing macro.  This demonstrates there really are two parts and will show you how the different selection methods work and decide which is the most appropriate for your current and future requirements.
My processing macro is a little more complicated than yours.  Your macro is designed specifically to work with a rule.  My macro will work with user selection, scanning a folder, a new item event and a rule.
My understanding of your requirement is:  Emails from "test@noreplay.com" have attachments.  The attachments are to be saved to "C:\Attachments" overwriting any previous attachments with the same DisplayName. Processed emails are to be moved to folder "Test" under the Inbox which received the email.  You have used a rule to move the emails but do not know how to save the attachments using a rule.
The first part of my processing macro is similar to yours although I have made a few changes.  Since an Outlook macro must work with Outlook folders, I reserve the word "folder" for Outlook.  I use "path" when I need to refer to disc folders. I do not write Outlook.MailItem or Outlook.Attachment when MailItem or Attachment will do.  You would need the prefix "Outlook" if the compiler did not know which library defines MailItem and Attachment; which does not apply here.  I do not know what store contains the Inbox you wish to examine so have called it "DoeJA@Gmail.com".  Replace this name with the name of your store.  I am a keen user of the With statement and have included two.
Be warned that there are different types of attachment.  I have never seen some types so do not know if they have a DisplayName but it is likely that your emails only have the most common type of attachment.  If you have a problem saving attachments, describe the problem and I will suggest how to avoid that problem.  SaveAsFile overwrites any existing file with the same name without warning.  This is not a problem since this matches your requirement.
You use a rule to move the email to the required folder but only one of my selection macros uses a rule so the processing macro must move the email if necessary.  If the email is already in folder "Test" within folder "Inbox" then it does not need to be moved.
All mail items have the folder that contains them as a parent.  A folder is either within another folder or it is within a store. The containing folder or store is the folder's parent.  A store does not have a parent.  Within my processing macro, you will find:
With ItemCrnt
  If .Parent.Name = "Test" And .Parent.Parent.Name = "Inbox" Then
    ' MailItem is already in destination folder
  Else
    .Move FldrDest
  End If
End With

ItemCrnt.Parent.Name is the name of the folder containing the mail item.  If the mail item is in the required folder, this name will be "Test".  ItemCrnt.Parent.Parent.Name is the name of the folder containing the folder containing the mail item.  If the mail item is in the required folder, this name will be "Inbox".  So this code will move the mail item to the destination folder if it is not already in the destination folder.  Notice how I can string properties together with dots.  Be careful with this feature.  A store does not have a parent so if ItemCrnt is in folder "Test", ItemCrnt.Parent.Parent.Parent.Name will give an error.
The first selection macro, SelectEmailsUser, requires the user select one or more emails before running the processing macro.  I have never used this approach in a live installation but find it invaluable during development.  With this approach, I can start with one email that is easy to process.  As I test the processing macro, I can slowly introduce more and more complicated emails and several emails in a single run.  No other approach offers the same control over the sequence in which emails are presented to the macro.
The second selection macro, SelectEmailsScan, uses the approach I use most often. With this approach, I read up or down a folder examining the properties of each email and deciding which I wish to process.
You wish to move the processed emails which introduces a complication if you use a simple For-Loop.  A folder is an example of a collection. With a collection, you normally access its members by position: 1, 2, 3, 4 and so on.  If you move mail item 5 to another folder, you are deleting that mail item from this folder and adding it to the other.  When you delete mail item 5, mail item 6 becomes mail item 5, mail item 7 becomes mail item 6 and so on.  If your For-Loop now examines mail item 6, you are examining the old mail item 7 and are ignoring the old mail item 6.  There are a number of work-arounds but the easiest is to examine the emails in reverse order: 1000, 999, 998, and so on.  Now if you delete email 998, you do not mind that emails 1000 and 999 change position because you have already examined them.
The third selection macro, InboxItems_ItemAdd uses a new item event.  You can ask Outlook to run a macro every time something happens.  My code asks Outlook to run a macro when a new email is added to folder Inbox.  This macro calls my processing macro if the email was sent by a particular sender.  This matches your rule except that my macro both moves the email to folder "Test" and saves the attachments.
The fourth selection method involves linking a "script" to a rule.  This rule must select emails sent by "test@noreplay.com".  Optionally, this rule can move selected emails to folder "Test".  If it does not, my processing macro will move it.  The rule option is "Run a script" which is confusing.  There are several scripting languages including VBscript.  The "script" cannot use any of these scripting languages; it must be an Outlook VBA macro.
The rule option "Run a script" is also confusing because of the conflicting information.  Some sites say Microsoft have disabled it and provide complicated instructions on how to un-disable it.  Other sites do not mention any such problem.  Rule option "Run a script" works on my system so I can only hope it works on yours.  If it does not work, you will have to choose one of the other approaches.
Installation and Testing
I have simulated your system as far as I can.  I have two email addresses which I will call Address1 and Address2.  Address1 is my main address which is known to my family, friends and chosen suppliers.  Address2 is the one which I publish openly and which I will discard if it is picked up by too many scammers.
I have created an Outlook folder "Test" under Address1's "Inbox".  I have created a disc folder "C:\Attachments".  I monitor for emails arriving at Address1 from Address2.  You will have to change my store names but otherwise my macros should work unchanged on your system.
Please delete your existing rule.  I need you to delete your rule because (1) it will interfere with selection methods 1 to 3 and (2) I cannot discover how to add a script to an existing rule.  Please delete your existing code which you will not need.
Your image shows that you have placed your code in Module1.  As you start new projects, you may add Module2, Module3 and so on.  It soon becomes a pain to find the module containing the code you want to look at today.  You have the Properties window open. (F4 opens the Property window if it is now closed.)  The only property of a module is its name which you can change from the default ModuleNN.  I suggest you rename "Module1" as "ModXxxxx" where "Xxxxx" is a name that means something to you.  The "Mod" is not essential but I find it helpful.  If you have macro "Xxxxx" in module "Xxxxx" you cannot access that macro.  By naming all my modules with a prefix of "Mod", I avoid this problem.
Have Option Explicit at the top of every module.  Look up this statement to learn about the benefits it offers.  Look up any statement in my code you do not recognise.  Come back with questions if necessary but the more you can research for yourself, the faster you will develop.
If you want to try macros DsplSingleEmail1 to DsplSingleEmail3, you can copy and paste from this answer to your module.  You may need to copy some junk emails to store "Outlook Data File" if you want to try Experiment3.
Selection Method 1
Copy the following code to your module:
Public Sub SaveAttachAndMoveEmail(ByRef ItemCrnt As MailItem)

  Dim Attach As Attachment
  Dim FldrDest As Folder
  Dim PathSave As String

  PathSave = "C:\Attachments"
  Set FldrDest = Session.Folders("Address1").Folders("Inbox").Folders("Test")

  With ItemCrnt
    For Each Attach In .Attachments
      With Attach
        .SaveAsFile PathSave & "\" & .DisplayName
      End With
    Next

    If .Parent.Name = "Test" And .Parent.Parent.Name = "Inbox" Then
      ' MailItem is already in destination folder
    Else
      .Move FldrDest
    End If

  End With

End Sub
Sub SelectEmailsUser()

  Dim Exp As Explorer
  Dim ItemCrnt As MailItem

  Set Exp = Outlook.Application.ActiveExplorer

  If Exp.Selection.Count = 0 Then
    Call MsgBox("Pleaase select one or more emails then try again", vbOKOnly)
    Exit Sub
  Else
    For Each ItemCrnt In Exp.Selection
      With ItemCrnt
        Debug.Print .ReceivedTime & "|" & .Subject & "|" & .SenderEmailAddress
      End With
      Call SaveAttachAndMoveEmail(ItemCrnt)
    Next
  End If

End Sub

Macro SaveAttachAndMoveEmail is my processing macro which I have explained above.  Replace "Address1" with the name of the store containing the Inbox you wish to monitor.   Macro SelectEmailsUser uses ActiveExplorer to access emails selected by the user.  The macro outputs a few properties of each email to the Immediate Window.  To test the macro, I selected a number of emails with and without attachments and within and outside folder "Test".  I assume your emails are all in "Test".  Why not move some back to Inbox, select then and run macro SelectEmailsUser.
Selection Method 2
Add the following code to your module:
Sub SelectEmailsScan()

  Dim FldrSrc As Folder
  Dim InxItemCrnt As Long

  Set FldrSrc = Session.Folders("myemail@gmail.com").Folders("Inbox")

  For InxItemCrnt = FldrSrc.Items.Count To 1 Step -1
    With FldrSrc.Items.Item(InxItemCrnt)
      If .Class = olMail Then
        If .SenderEmailAddress = "myemail@gmail.com" Then
          Call SaveAttachAndMoveEmail(FldrSrc.Items.Item(InxItemCrnt))
        End If
      End If
    End With
  Next

End Sub

Replace "Address1" with the name of the store containing the Inbox you wish to monitor.
I tested this code (and later code) by sending emails from my second account to my first.  You could test this code by moving previous emails sent by "test@noreplay.com" from folder "Test" to folder "Inbox".  As I have said, this is the approach I use the most.  Having Outlook monitor for interesting emails seems easier but I find the control of being able to run a macro when I wish more in tune with how I run my life.
Selection Method 3
Within the VBA Editor, the Project Explorer window is normally down the left hand side.  The top line is "Microsoft Outlook Objects".  If there is a "+" against this line, please click the "+" to expand "Microsoft Outlook Objects".  The next line down is "ThisOutlookSession".  Click "ThisOutlookSession" to select it.  The code area becomes blank.  Previously you were seeing the code within your module. "ThisOutlookSession" is another area in which you can place code.  You can place any code here but I reserve it for code that MUST be placed here.  Copy the following code into "ThisOutlookSession":
Option Explicit
Private WithEvents InboxItems As Items
Private Sub Application_Startup()
  Set InboxItems = Session.Folders("Address1").Folders("Inbox").Items
End Sub
Private Sub InboxItems_ItemAdd(ByVal ItemCrnt As Object)
  With ItemCrnt
    If .Class = olMail Then
      If .SenderEmailAddress = "test@noreplay.com" Then
        Call SaveAttachAndMoveEmail(ItemCrnt)
      End If
    End If
  End With
End Sub

Private WithEvents InboxItems As Items defines the object InboxItems.
Private Sub Application_Startup() … End Sub specifies a subroutine that is to be run when Outlook is started.  Having such a subroutine means that Outlook will immediately ask if you want macros enabled.  You must answer "Yes" if you want events monitored.
Set InboxItems = Session.Folders("Address1").Folders("Inbox").Items identifies which folder you want monitored.  When an item is added to this folder, the subroutine Xxxxx_ItemAdd is executed.  Xxxxx is the name of the object you defined Private WithEvents ….  You can monitor as many folders as you wish providing you specify a separate WithEvents object for each folder.
The code within macro InboxItems_ItemAdd checks the item is a mail item and was sent by "test@noreplay.com".  If these are true, it calls my processing macro.  You will need to exit Outlook (not forgetting to save "VbaProject.OTM") and then restart it to activate the monitoring of Inbox.
If you are watching Inbox when a mail item arrives from "test@noreplay.com", you can see it appear briefly and then disappear as it is moved to folder "Test".  I tested event monitoring by sending emails from my second email address.  You will have to wait for emails to come from test@noreplay.com.
Selection Method 4
Before setting up method 4, you need to disable method 3.  You can delete the code from "ThisOutlookSession" but I place quotes down the left edge to turn all the statements into comments so they are there for reference next time I need to monitor an event.  Having disabled method 3, close Outlook and reopen it.
You will need to create a new rule to replace the one I got you to delete.  The rule I created to test this approach selected emails from my Address2.  It did not move these emails to "Test" because it my processing macro does that. My rule included running a script which yours did not.  My steps in creating this rule were:

*

*Move one of the target emails from "Test" to "Inbox".

*Select that target email.

*On Home tab, click "Rules".

*Click "Create Rule". A "Create Rule" window appears.

*Tick "From test@noreplay.com".

*Check nothing else is ticked.

*Click "Advanced". A "Rule Wizard" window appears.

*Check "From test@noreplay.com" is ticked but nothing else is ticked.

*Click "Next". Another "Rule Wizard" window appears.

*Click "Run a script" which is near the bottom of the list.

*Check nothing else is ticked.

*Click "a script" in the Step 2 box at the bottom.  If you have not done so before in this run of Outlook, you will be asked to enable macros. A "Select script" window appears.

*Select "Project1.SaveAttachAndMoveEmail" and click "OK".  Note 1: the macro name will probably be truncated.  Note 2: This choice is probably already selected and is your only choice.

*Click "Next". Another "Rule Wizard" window appears.

*Check nothing is ticked.

*Click "Next". The final "Rule Wizard" window appears.

*Enter a different name for the rule if you do not like Outlook's default name.

*You may wish to tick "Run this rule now on messages already in Inbox" to remove the email you moved from "Test".

*Click "Finish". If you ticked "Run this rule now on messages already in Inbox" you will see a progress window while the rule is run.

I cannot find any good documentation on the "Run a script" option. My experimentation suggests a macro listed on the "Select script" window must be Public and must have a parameter list that conforms to the rules for such macros.  I have read that such macros can have four parameters. The first parameter is compulsory but the others can be omitted.  The first parameter must be "ByRef itm As MailItem" or some reasonable variation.

redpajama_set_name: RedPajamaStackExchange


P. Di Natale was thrilled to partner with icon interiors to deliver their new offices in the original Footscray building - purchased by the founder Paul DiNatale in 1956 – who is still alive, & still contributing & guiding at the offices daily!
The front of house features a travertine & ceaser stone reception, with a blue stone floor & timber ceiling feature.
The natural finishes selected to dignify the longevity of the founder and the man made materials to point to the new direction of the next generation led by the next generation John DiNatale and key team leaders Taleah Beasley Jodi Licastro.
The icon team redesigned the space from scratch, stripped out the ancient fitout opening up the old structural elements to create a blank canvas to re interpret the space entirely. The brief needed to underline the trusted longevity in recognition of the 60 years of service to the area, and allow growth for the new direction for today's employees and clients.
Complete new acoustic ceilings were installed with targeted LED lighting, new carpets and tiling to create the open plan workstation areas, and flexible folding walls in the meeting rooms to allow a boardroom/team space in a very compact fitout.
Office strip out, Office fit out visioning, strategy & space planning, Interior architecture/ interior design & finishes specification. Services design – electrical, data, air-conditioning, lighting, plumbing, project & construction management.


Elevate 2018 continues and you didn't;'t disappoint in Round 2!
There was a great set of routes for Round 2 for the in-house crew Dan 'DC' Clayton & Luke 'Lanksalot' Chandler creating a mixture of challenges that baffled even our seasoned competitors!
For anyone who still isn't quite sure what Elevate is; here's a list of Rules & Info. These will also be printed on the reverse of scorecards from now for anyone who forgets!
Here's a full run down of the Results so far plus the individual R2 Results!
Don't forget about R3 starting on the 9th January!


Want to join Team Frontier? At Frontier, Flight attendants are key to how business is done. As dedicated professionals, they place the safety of our passengers and their co-workers first and exhibit exemplary dependability, striving always to ensure that all of our passengers reach their destinations safely and on-time.
Current bases include: Orlando, FL, Chicago, IL, Trenton, NJ and Denver, CO. Currently hiring for every base! Applicants must be flexible as domiciles for newly hired Flight Attendants are not guaranteed and subject to change.


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Tag: dungeon command
Dungeon Command: Blood of Gruumsh & Series Overview
April 12, 2013 August 7, 2020 Matt Thrower Leave a comment
Inconveniently Wizards of the Coast decided to release five sets for their modular miniatures game Dungeon Command, and I covered the first four in batches of two. So now we're left with an odd one. However, the good people at WotC informed me this is the last release currently planned, so it seemed a good idea to cap the whole thing off with a series overview.
But first, the new set. It's called Blood of Gruumsh which, for anyone passingly familiar with the Dungeons & Dragons multiverse in which the games belong, will signal orcs. For some reason the orcs in this box are a peculiar shade of blue-gray rather than the green which is universally assumed in other fantasy settings. But aside from that oddity they're the best figures in any of the Dungeon Command sets: solid, detailed sculpts with pretty reasonable paint jobs.
Can I assume you're familiar with the rules? Take a look at my coverage of the first two sets if you're not, and not up to reading the rules online. In fact you might want to take a look anyway because sadly, after the notable improvements in the previous two releases, Blood of Gruumsh is a step backward, with the same issues as the first releases.
That's not to say it's bad. The orcs do what you'd expect: they hit things, and hit them hard. So hard in fact that a lot of the other factions have the potential to struggle in the face of the orcish onslaught. It's possible that there may be a bit of power creep with this set, which is unfortunate but I guess that if we were being charitable we could say that it's pretty impressive that they've managed to avoid that so far.
But the problem is that this is another combat-heavy set, much like the first two sets. And as I discussed there, combat cards are pretty much the least interesting thing about the game. So the orcs have much the same issue with piling on the cards until they run out, and then having to stick to the slightly dull predictive combat mechanic. Same goes with the variant cards for the adventure system games: the combat focus fails to sufficiently differentiate these new monsters from the existing ones.
What this does have over those initial sets though, is the benefit of another two sets in between. Which is to say that with all the models, cards and effects now already in the mix the designers have been able to include a lot more cards with the potential for interesting combinations when combined with those from other sets.
Which brings us nicely on to looking at the series as a whole. From the start it's been pretty clear that this system was design and sold as a "miniature builder" where you could snaffle up all five sets and use the contents to make your own. It has an awful lot of potential when viewed through that lens: not only does it vastly increase the replayability of the game, but the ability to recombine anything at all – cards, figures, commanders, even board tiles – is actually pretty innovative.
So why on earth aren't people doing it?
Of course that's a generalisation. Some people are certainly doing it. But if you poke around the self-selecting slice of gaming represented by the internet it seems clear that people are mostly sticking to the sets as they stand. There's certainly very little of the sort of feverish arms-races you see in other modular games as players struggle to keep one tactical step ahead of the pack.
I think there are two reasons for this. The first is that mixing it up simply feels wrong. The system is too steeped in the D&D official material, where you see orcs and goblins working together, but not Dark Elves or undead all tangled up with other factions. You'll certainly never see the heroes of Cormyr fighting alongside wicked demi-humans in the free and easy manner that the system allows.
The second, and somewhat more daming reason is that the game isn't quite exciting enough to encourage the depth of devotion required to sift through multitudes of effects and combinations to find synergies and build on them. It's a lot of effort. And I get the feeling that most of the people who really love Dungeon Command are role-playing game devotees, who'd still rather spend their energies with their favoured hobby if they got the chance.
So where does that leave Dungeon Command? Well, it's clear that while the system supports multiple players, it's focussed on two. And it just so happens that I think two of the sets stand above the others in terms of fun and quality. Those are the wave 2 releases, Tyranny of Goblins and Curse of Undeath. I reckon the best way to experience Dungeon Command is to grab those two, forget the rest, and play it as a 2-player game.
And that's a wrap for me. At least it is for now. Because although Wizards told me they had no more releases planned, they also told me the situation was fluid, and that that might change. And I hope it does – those two top-quality sets demonstrated there was, and is, potential in this system as long as there's clever design to tease it out. And if they can encourage players to overcome the hurdles involved in creating their own warbands, the explosion is there, waiting to happen.
Dungeon Command Wave 2 Review
January 18, 2013 August 7, 2020 Matt Thrower 2 Comments
You may remember that I wasn't hugely impressed with the initial releases in the new mix-and-match miniatures skirmish line Dungeon Command from Wizards of the Coast. The absorbing tactics of the maneuver phase had to be counterbalanced against a dull and predictable combat mechanic. But there was potential there, the maddening hint of unfulfilled promise.
Stand-alone games don't get a second bite at the cherry. But this isn't a stand-alone game, it's a series of modular packs meant to combine together and increase your options. And so I thought I'd put the second set of releases, Tyranny of Goblins and Curse of Undeath through their paces to see if they pushed the envelope, did something more impressive with the creative ideas that underpinned the concept.
In short, they do. And it isn't an incremental leap either: almost everything I found wanting about those initial releases has been remedied to some extent in their newer siblings. To explain why, I need to break it down in more detail and that's the focus of the review. So if you want a higher level overview of how the game plays, you might want to check out my previous Dungeon Command review first.
The biggest single point change is the variety of order cards on offer. In the previous offerings most of these effects were combat-related, leading to tit-for-tat offensive and defensive play and a fast burn rate of cards. Here the potential effects are much wider, encompassing the management of existing cards in play, positioning and most importantly, movement, bolstering the most interesting part of the game with further variety.
Now when you attack you have no idea whether your opponent is sitting on a handful of defensive cards, or a bunch of effects he's hoarding for later use. The uncertainty adds a level of tension that was lacking in the base game, and sorely missed.
These new sets also feel a lot more cohesive and thematic. Goblins are supposed to be fast-moving, and flexible, making up for individual weakness with strength of numbers and that's just how they feel. There's even a "grovel" card. The whole thing just made me want to make mean, screechy goblin noises to accompany the actions of my little army of cringing servants. It's not such a strong effect with the Undead set but there's still a palpable sense that these are creatures that are summoned rather than merely deployed.
The improvements even extend to simple things. Presentation, for instance. Wizard of the Coast's infamous fast-warping cards are still in evidence, but the figures in these boxes are better-painted and more varied than their predecessors. They also make better expansions for the Adventure System games, with Curse of Undeath propping up Castle Ravenloft particularly well.
However, the real meat of the changes comes not from these sets as individual items but from the suddenly much extended range of combinations that can be obtained by mixing them with each other and the original modules. When there were just two sets, the mixing and matching of monsters and items seemed more like a theoretical possibility rather than a reality. Now it's very much worth the time and effort, with plenty of cards and monsters that synergise with those from previous sets. Occasionally the results can be distractingly daft, and the sets are more thematically cohesive left as they are.
With four different boxes to choose from you can now also choose to check out the multiplayer rules that were included from the first releases but unusable without access to duplicate sets. It works well with more than two, subject to all the usual provisos of multi-player like king-making and bash the leader which will either delight you or send you running back to take cover behind your stacks of worker placement clones. Four player perhaps runs a little long for what it is though.
Of these two new releases, I prefer Tyranny of Goblins. It's just got more interesting cards and characters as well as playing just like a scrawny bunch of mewling weaklings ought to. It also offers clearer and more obviously powerful effects around which you might want to group cards from other sets and build your own custom warband. Plus it's nice to be able to add some classic goblin fodder to my adventure system games.
One early review of these games I read suggested that if you didn't like the original sets, there was nothing here to change your mind. I heartily disagree. These feel like a big step up from the previous releases, and make Dungeon Command a more rounded, more exciting and more interesting game than it originally was.
Given the value inherent simply in having more cards and figures to mix, and playing multi-player, it seems bizarre Wizards didn't release all four together. But now they're all here, and while it doesn't suddenly catapult Dungeon Command into my top five from last year, I suddenly find myself awaiting the next series release, Blood of Gruumsh, with more than a trace of anticipation.
Dungeon Command Review
September 21, 2012 August 7, 2020 Matt Thrower 9 Comments
I've made no secret of my basically limitless adoration for the new range of Dungeons & Dragons board games from Wizards of the Coast. It's great that there's another big beast on the publishing block, better that they're putting out superbly designed and innovative games. So I was obviously keen to take their newest offering, the modular tactical miniatures game Dungeon Command for a spin.
Each box of Dungeon Command comes with a set of pre-painted miniatures, some double-sided jigsaw board pieces and two decks of cards, one that has the stats for the creatures in the set and another with orders to make them do neat stuff. You need access to at least two boxes to play a proper game, and if you have more then you can have three or four player set-ups. Everything in each box is interchangeable so the potentially bottomless nature of recombining these things should be obvious. And online retailers are offering sets at prices that make owning several of them entirely feasible.
It's a bold and interesting business model, doing for miniatures games what the "living card game" concept did for collectible card games. But there's more: these sets aren't just interchangeable with each other, but also with the superb Adventure System board games. Map tiles from the two types of games will interlock, and each Dungeon Command game has a set of creature cards that allows use of the miniatures in Adventure System games. If it all works, it has the potential to become a massive sub-hobby in its own right.
To answer the question of whether it works we have to play the game. Play in Dungeon Command reminds me very much of lightweight tactical war games, no bad thing in and of itself. Figures move across the board but have to stop when they move adjacent to an enemy. There are ranged attacks and line of sight rules, simple terrain effects and lots of constricting corridors and corners. Clearly, tactical maneuver and positioning is very important in the game and offers the players a lot to chew over as they move pieces around the board.
More controversial is the fact that this is an entirely dice-less game. When figures attack they hit by default and do a set amount of damage. But the picture is muddied by the fact that each player has a hand of order cards which can extend movement, boost damage or provide a basic defence by reducing or eliminating attacks made against them. The result is not unlike play with a combat resolution table: you can be fairly sure that when you attack, the possible result will fall within a narrow range but never entirely certain.
The mix is boosted with variable powers and statistics for many of the creatures in play, different commanders for each side again with special powers and levels of creatures at their disposal and the requirement to match levels and stats on order cards with the creatures you want to use them on. And it first it all works brilliantly, challenging you on multiple levels to maneuver and position your creatures properly to make best effect of their special powers and the order cards you hold.
But order cards are only regained at the rate of one per turn. And since you can potentially play several on each creature you command each and every turn your starting allowance tends to run out extremely quickly. And then the limitations of this dice-less system become clear: without order cards you can tell exactly what each creature is capable of doing each turn. And with that knowledge you can predict what your opponent is going to do in advance.
Theoretically this should mean it becomes a game of deep positional tactics. In reality by the time the order cards run out you've done most of your positional tactics and you're slogging it out with enemy creatures so the game turns into a repetition of "that does X damage, this does Y damage" until someone wins. There is still some unpredictability because you get one new order each turn. But you'll start to notice that a lack of variety in the cards means that their play follows a fixed pattern: attack orders do more damage than standard attacks, so you soak up the standard attacks and save your defensive orders to counter attack orders. That's the mold: play an attack order and see if the defender has a defence order.
It's a shame that combat become so repetitive because the movement and maneuver aspect of the game is really good. Getting your forces where you want them is hard work, and a variety of movement-based orders in deck, many of which allow you to bypass normal movement restrictions like stopping adjacent to the enemy or paying double to move over difficult terrain, allow plenty of scope for creative strategy. The early parts of the game when maneuver is still important and you've got plenty of cards in your hand is fun and engaging. But it makes you pine all the more for what could have been when the paralysis sets in.
The rules do have one more trick to keep things interesting once the slogging starts and that's the option to "cower" instead of taking damage. You win games of Dungeon Command by forcing your opponent down to zero morale. Most of the time you reduce your morale when a creature dies by an amount equal to its level. But if you so choose you can have a creature "cower" when something hits it, in which case all the damage is taken by your morale total rather than by the creature. This is by no means a simple choice because creatures generally have higher hit point totals than they do level, so cowering ultimately means you take more morale damage. But sometimes keeping a creature alive can be the difference between landing a killer blow or ultimate defeat. When to cower therefore becomes a key decision in combat. Unfortunately it's not quite enough to add the tension and excitement that the late game stages lack.
So the base game itself is a mixed bag. What to make of its integration into the wider world of Wizards of the Coast products? I have two sets to review: the wicked dark elves of Sting of Lolth and the noble heroes of Heart of Cormyr. Do I really need to point out that although you can, mechanically, mix the cards from these two sets together, doing so is going to create a thematic mismatch of truly titanic dimensions? That, of course, may well change when newer sets come out but for the time being it looks like a bad idea. Integrating with the Adventure System games presents a similar problem. The drow figures from Sting of Lolth go down very well with the Legend of Drizzt game, but not so much with the other Adventure System titles. Heart of Cormyr is full of heroes and so doesn't present its figures as new monsters. Rather they behave like non-player characters which can appear in the game with a new event card. It's a good idea in theory. In practice it's a couple of new events amongst a big deck and happens so rarely as to be barely worth the effort.
These initial Dungeon Command titles are mediocre games that start out well but go downhill toward a dull endgame. However they're built on top of a clever premise that's ripe with possibilities for the future. With some added variety in order effects and creature powers, more than two players in the mix and properly thematic combinations between sets it has the promise to develop into something awesome. Whether that will be fulfilled whilst avoiding power creep and complexity gradients is in the hands of the designers. Antecedents are not good, but if anyone can pull it off then the talented design team at WotC get my backing for being the ones to do it.


Following sell-out shows last year, The Cube Wodonga once again hosts our boutique end of year circus festival, with three events also being presented at our HQ in Albury.
Circus Allsorts features original acts performed by our young artists and created by our Artistic Director Anni Davey with trainers and guest artists.
The Grad Show is a one-off original created and performed by our 2018 graduating students in their last show together as Fruit Flies, with a little help from their friends.
The Last Hoorah! brings together local talent and visiting circus and cabaret artists in one unpredictable evening of circus and comedy to close out our year.
In Albury we will also present performances from the Circus Arts kids (all 200 of them) across one day in December.
We have invited two groups of independent circus artists to present their new works. We'll welcome back BOSS Squad – five fearless females smashing stereotypes while they smash out tricks.
Byron Hutton and Richard Sullivan will present their work Jugg Life, an explosion of juggling and live percussion that will take your breath away!
Join us for the party – performances sold out well in advance last year so don't miss out, tickets are now on sale!
Borderville is supported by AlburyCity and The Cube Wodonga.


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Tags : New Zealand
Japan Ordered to Stop Its 'Research' Expeditions
Japan will not hunt any more whales in the South seas and in the Antarctic, thanks to a decision of the International Court of Justice (ICJ) which yesterday saw that the Japanese did not have any justification to continue this activity. Every year, Japanese vessels kill nearly 1,000 whales in these waters to feed a […]Load more...
Australian Authorities Suspend Search For the Day Of MH370
The search for debris in the Indian Ocean of defunct Malaysia Airlines aircraft was suspended on Thursday. The authority of Australian Maritime Safety (AMSA) said that operations will continue on Friday morning. Australian authorities had seen via satellite two objects that could belong to the plane, which disappeared on March 8 with 239 people on […]Load more...


Not all of them are required to have a solution to the problems that are afflicting the victims or the weak in the causes that they are advocating.
Brilliantly and lovingly expressed, Mary (as always).
Sometimes all we can do in response to such injustice is to be a witness (whenever possible, as vocally as possible). To be sure, there are instances of what I call "compassion fatigue" whereby immersing yourself in the pursuit of the minimizing of the misery of others can be emotionally draining, but the rational option is to allow yourself time to "convalesce." As I have heard it said, we need to develop a leathery exterior, not a hard shell like a clam to shut out the rest of the world.
thanks so much Lance. the fence sitters irritate me, those who justify it or repeat the Assad propaganda as if it were "objective and correct" sicken me.
we will fight till the last drop of our blood .tens are being killed everyday so what.at last bashar is going we will stay but could the humanity live with this heavy burden of abandoning the victims and biasing tawrds crulity .i thiknk it can. Assad the father did it befor killd thousands of people in Hama and years passed as if nothing happened.so why now humanity should care after all they are human they dont want to have a headache .stay relaxed man let the others being slayed and you just relax.


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Anti-Semitic Man Attacked Neighbor While Yelling Homophobic Slurs: Report
December 28, 2021 at 08:55 AM ET
Brad Reed – Raw Story
A man who allegedly attacked his neighbor while yelling homophobic slurs is the same man who also allegedly hung an anti-Semitic banner over a San Diego freeway.
10 News reports that 40-year-old Robert Frank Wilson is being accused by prosecutors of blocking his neighbor's driveway, hurling homophobic slurs at him, and then reaching into his car and striking him in the face.
In an apparently unrelated incident, prosecutors also accuse Wilson of hanging "a large anti-Semitic poster on the fence of an Interstate 805 overpass" earlier this month, which 10 News writes is "in violation of the San Diego City Municipal Code."
"This case and these events demonstrate that those who are motivated by prejudice often spread their hate around to various groups, attacking our neighbors on the basis of race, religion, sexual orientation or other grounds," San Diego County District Attorney Summer Stephan told 10 News.
Wilson faces a felony count of battery, as well as a hate crime charges. He has pleaded not guilty to all charges.
Related Topics:anti-SemitichomophobiaHomophobicNewsPolice Report
Control of the Senate in 2022 Hinges on These 10 Races
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Thousands of LGBTQ+ Israelis Received Text Messages to 'Repent' or Face 'Death'
17 Republicans vote against bill condemning violent and homophobic QAnon conspiracy movement
Trump Used Homophobic Slur to Describe Gay, Black Harvard Grad on 'The Apprentice' Says Cohen
Tucker Carlson's Lead Writer Has a History of Racist, Homophobic, Misogynist Social Media Posts
Press Secretary Kayleigh McEnany Says Prayer Put Trump in the White House and 'Ultimately' She's Working For God
Limbaugh: 'Nice Guy' Trump Called and Told Me to Not Apologize for My Anti-Gay Comments About Pete Buttigieg
Watch: Fox News' Peter Doocy Admits There Are Republicans 'That Don't Agree With Voting Rights'
White House Press Secretary Jen Psaki ended the week with yet another smack down of Peter Doocy, as the Fox News reporter admitted there are Republicans who "don't agree with voting rights."
"As you talked about a year ago and working with Republicans, now [President Biden] is talking about Republicans that don't agree with voting rights," Doocy complained, "he's describing them as George Wallace, Bull Connor, and Jefferson Davis. What happened to the guy who, when he was elected said: 'To make progress me must stop treating our opponents as our enemy'?"
Doocy was referring to President Joe Biden's widely praised speech in support of voting rights earlier this week, referencing civil rights icons and their infamous white supremacist and segregationist opponents.
"Do you want to be on the side of Dr. King or George Wallace?" Biden asked, to the anger of many conservatives. "Do you want to be on the side of John Lewis or Bull Connor? Do you want to be on the side of Abraham Lincoln or Jefferson Davis? This is the moment to decide to defend our elections, to defend our democracy."
Psaki as usual was prepared to respond – suggesting Doocy was not "speaking on the level."
"I think everybody listening to that speech, who's speaking on the level, as my mother would say, would note that he was not comparing them as humans. He was comparing the choice to those figures in history and where they're going to position themselves, if they as it – as they determine whether they're going to support the fundamental right to vote or not."
Fox News' Peter Doocy admits there are "Republicans that don't agree with voting rights."pic.twitter.com/Bmhr5zZvuh
— David Badash (@davidbadash) January 14, 2022
'This Is Insane': Republican Blasts RNC for Saying GOP Candidates Must Agree to Ban on Presidential Debates
For nearly four decades the Commission on Presidential Debates has managed and organized every presidential debate, but the Republican National Committee has just announced it will ban any GOP candidate from participating in any debate the Commission holds.
The New York Times reports the RNC is preparing to require any GOP candidate seeking that party's nomination for President to "sign a pledge to not participate in any debates sponsored by the Commission."
Republican U.S. Rep. Adam Kinzinger of Illinois weighed in Thursday afternoon.
"This is insane," he said on Twitter. "Why," he asked.
The Commission on Presidential Debates is a bipartisan nonprofit created jointly by the chairs of both the Democratic Party and the Republican Party in 1987, and has run every debate held since.
But first candidate and then President Donald Trump has railed against the Commission, refusing to participate during the second presidential debate because it was going to be held virtually, because of the coronavirus pandemic. He and his officials have also accused the Commission of being unfair and biased against him.
The RNC appears to be preparing for another Trump run. It is still engaged in a multi-million dollar fundraising agreement with the former President, including paying some of his legal bills.
Kayleigh McEnany Meets With January 6 Committee: CNN
Former Trump White House and campaign press secretary Kayleigh McEnany has appeared before the House Select Committee on the January 6 Attack.
CNN reports the meeting took place virtually.
McEnany, now a Fox News contributor, was one of ten former Trump officials "with close ties to the former president" subpoenaed by the Committee two months ago, on November 9.
According to a press release from the Committee, McEnany "made multiple public statements from the White House and elsewhere about purported fraud in the November 2020 election. For example, in the first White House press conference after the election, Ms. McEnany claimed that there were 'very real claims' of fraud that the former President's reelection campaign was pursuing, and said that mail-in voting was something that 'we have identified as being particularly prone to fraud.' At another press conference, Ms. McEnany accused Democrats of 'welcoming fraud' and 'welcoming illegal voting.' In addition, Ms. McEnany was reportedly present at times with the former President as he watched the January 6th attack."
This is a breaking news and developing story.
RIGHT WING EXTREMISM23 hours ago
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Former Federal Prosecutor: DOJ Believes It Can Prove Insurrection Was 'Armed Effort to Overthrow Our Government'


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redpajama_set_name: RedPajamaGithub


2 piece hard snap on protective case for Samsung Galaxy S III. Various designs to fit the style of your phone. Protect your phone from scratches to preserve your phone�s look. Easy access to all phone features.


A third-party vendor, DiplomaSender, now has access to all Massachusetts GED© and HiSET ® records back to 1968 and issues all High School Equivalency credentials, transcripts, and other verification documents for the Commonwealth. The High School Equivalency Team no longer issues any of these documents. All contact with DiplomaSender should be through their website. For specific details, see below.
If you have recently passed the GED© test or the HiSET ® and are wondering where your diploma and transcripts are: As soon as you pass the tests, you must go onto the DiplomaSender website, create an account using your email address and a password, and verify your address. Once this is done, your credential and official score report will be mailed to you. Duplicate credentials will not be issued, additional score reports are available for a fee. Your account will then be available should you need future verification documents for school or work. Your credential and first official score report are free of charge.
If you have previously received a GED© or HiSET ® credential from Massachusetts but need official verification of that or a transcript of your scores: Go onto the DiplomaSender website, and create an account using your email address and a password (or access your previously-created account). Follow the simple instructions to have either a Letter of Verification (a substitute for your diploma) and/or an official transcript of your scores mailed anywhere you would like. You can also arrange for the document(s) to be emailed or faxed to your chosen destination. Each document costs $15, payable by credit card or debit card. There is a live chat box on almost every page of this site. The chat box is the best way to contact Diploma Sender if you run into trouble or have any questions.
If you are a school, college, employer, or other third-party entity seeking to verify that an individual previously received a GED© or HiSET ® credential from Massachusetts: Go onto the DiplomaSender website, and follow the instructions under "Employers, Schools, and Everyone Else."
If you cannot access the Internet to go onto the DiplomaSender website, you may call them at 855-313-5799. This phone line is attended only sporadically, and documents ordered this way may be subject to a surcharge.
To contact a member of the HSE Office staff, go to Contact US.


Hand-made sunglasses from Berlin from a skateboarder, for skateboarders.
The acronym R.T. CO stands for Rollo T-Shirt Company; the word Rollo is a coinage derived from "to roll," which, in R.T.CO's case, means rolling on a skateboard. Originally designing T-shirts (hence the name, duh), the company has since moved from torso to the facial region by producing top-notch sunglasses. Naturally, this radical change of business didn't occur out of the literal blue sky. Founded by Tobias Bergmann in Berlin in 2010, you'd think there are sunnier places than Germany's rainy capital to craft and sell sunglasses. However, as Bergmann stated in an interview with Freunde von Freunden, when there's sun in Berlin, you can't get enough of it, giving sunglasses a distinctly positive connotation. Also, skateboarders are constantly up for a challenge. Coming from a skateboarding background, Bergmann sought to create the best sunglasses at affordable pricing. R.T.CO eyewear is made traditionally of acetate, which in turn is almost completely composed of cotton, making the glasses lightweight yet durable. Using only Carl Zeiss Vision Sunlens technology, R.T.CO is able to cover 100% of UV protection (so you won't be blinded by the bright grey that is the Berlin sky). Also, if you're a skateboarder, you'll love to hear that the lenses are also made of anti-scratch polymere. Should you – God forbid – knock your glasses off your head by slamming, then at least your shades won't break. Additionally, R.T.CO goes the extra mile by hand-polishing every individual part before the glasses are assembled in Italy. Bergmann initially knew nothing about the fine art of making glasses, but being a real go-getter, he rolled up his sleeves and visited as many factories in Italy as he could, learning everything there is to know about how to craft the perfect shades; as a result, you'll notice the love and effort in every piece of R.T.CO. The design is contemporary yet timeless, ranging from thickly framed cat-eye glasses with a colorful twist to more toned-down, sartorially mature models with thin framing and classic horn patterns. You can buy R.T.CO both in-store and online.


Find condos, lofts & luxury condominiums for sale in Lauderdale-by-the-Sea, FL. Tour the newest condos & make offers with the help of local Redfin real estate agents. Condos in Lauderdale-by-the-Sea. Listings. Market Insights.


I am so excited for you guys to read this book, that I MUST remind you about it's release!!! It is a YA book, yes, but it is wonderful! So much fun. The kindle version has been available for a few days, but the Paperback is here, as of TODAY!!
#1 New Release!!! woot woot!!


The Electrovert® OmniES™ series reflow soldering system is designed to deliver excellent thermal performance combined with process capability and control. The OmniES platform offers a combination of industry-proven technologies in an easy to use, reliable and efficient reflow system for high-volume production requirements and value. From lead-free to hybrid processing, the OmniES 10-zone oven delivers high performance thermal processing. The OmniES sets the standard in innovative technologies that save on the lowest power and nitrogen consumption rates.
The patented IsoThermal™ chamber technology is what differentiates Electrovert ovens from others. In a reflow oven, consistent thermal capability and control within the heated length is what matters most, rather than the number of zones. The OmniES 10 uses a single IsoThermal chamber design producing a hybrid approach to consistent thermal capability and control that outperforms competitive low cost alternatives. The OmniES produces ΔT's less than ±3°C. The OmniES is proven to consume significantly less power than other ovens on the market.
The OmniMax and OmniES incorporate the patented IsoThermal™ Chamber Technology (ICT). This is an advanced, efficient heating chamber design that provides maximum thermal performance. Electrovert's innovative approach delivers highly efficient heat transfer throughout the entire process and product. Consistent thermal performance of the ICT promotes excellent zone separation, minimizes cross board ΔT's and allows for better control of time above liquidus.
The patented cooling module in OmniMax/ES series is designed to provide process flexibility, meet cooling slope requirements on thermally-challenging board assemblies, and reduce the opportunity for flux dripping in the process area. The air flow dynamics within the cooling zones are efficiently controlled for a balanced environment that can reduce nitrogen consumption up to 20-25%. The design includes a patented dripless cooling module that significantly reduces the potential for flux dripping in the cooling area. Strict separation between the heating and cooling areas produces a tight control of time-above-liquidus.
Dual Track conveyor (with/without center board support) for additional throughput capability (optional).
At the end of the final assembly process, each OmniMax and OmniES system undergoes vigorous tests designed to ensure that each system is lead-free validated and optimized. Each system has multiple thermal profiles that are recorded utilizing a calibrated test vehicle. The test vehicle simulates actual component temperatures and precisely verifies cross-board uniformity. Cpk data is collected to verify machine performance and repeatability. If the system is ordered with a nitrogen inerted chamber, dynamic testing is performed to ensure that the chamber inerts to a low ppm atmosphere (tests are conducted in a simulated production environment). The Electrovert promise is that each OmniMax/ES system is lead-free validated and optimized. In addition, the quality assurance data and reports are included in the machine documentation package that is provided with each machine.


text:
Douro (Duero) basin
The Douro river (Duero in spanish) is 475 mi (765 km) long. It is rising in the Sierra de Urbión, N central Spain. It flows W across N Spain, then southwest to form part of the Spanish-Portuguese border before flowing W across N Portugal to the Atlantic Ocean at Pôrto.
One of the longest rivers of the Iberian Peninsula, it drains most of the northern portion of the central plateau; the Tormes, Esla, and Pisuerga rivers are its chief tributaries.
Silting, rapids, and deep gorges combine to make the Douro unnavigable. The middle Douro is extensively used for irrigation. Several hydroelectric power plants are along the river, and through an international agreement the power is used for irrigation and development. Grapes are the chief crop of the Douro valley, and the Douro estuary is the center of Portuguese wine trade.
- Informations on dam projects in the basin (ext. Coagret Website)
- Informations on the National Hydrological Plan
- News ( go to iberian river pages)
Rivernet Homepage
Iberian basins
Back to other basins


text:
Sargun Mehta's Punjabi film Jindua gets leaked online
Actress Sargun Mehta has worked in a Punjabi film named Jindua which was released across India this weekend. Sargun was praised for her performance in the film and things were going great until last night.
A copy of her latest film has been leaked on Youtube within 24 hours of its release. It was when people took to Twitter to talk about the leak. Her loyal fans instantly informed her about the leaks via twitter. Her husband Ravi thanked his fans and is currently working on taking the film down.
Jindua has become immensely popular and the audience is loving the film. The film has high ratings and is said to be a fine movie. The film being leaked may affect box office collections.
 Shaleen Bhanot: Feel like a newcomer everyday on sets
Nach Baliye 8: Ranbir Kapoor to debut as host of the show's launch episode?


text:
Die China Petrochemical Corporation (chinesisch: 中国石油化工集团公司) oder Sinopec Group ist das größte Ölraffinerie-, Gas- und Petrochemie-Konglomerat der Welt, das von SASAC für den Staatsrat der Volksrepublik China verwaltet wird. Der Hauptsitz befindet sich in Chaoyangmenwai in Peking, gegenüber dem Hauptsitz des ebenfalls staatlichen Ölkonzerns und Konkurrenten CNOOC Group. Die Sinopec Group belegte im Jahr 2020 den 2. Platz in der Fortune Global 500 Liste mit einem Umsatz von über 407 Milliarden US-Dollar. Gemessen am Umsatz ist es das zweitgrößte Unternehmen der Welt, nur hinter der amerikanischen Einzelhandelskette Walmart.

Tochtergesellschaften
Die größte Tochtergesellschaft, die China Petroleum and Chemical Corporation Limited, gemeinhin als Sinopec Limited bezeichnet, ist an der Börse in Hongkong und an der Börse Shanghai notiert. In der Forbes Global 2000 Liste 2020 wurde Sinopec als 60. größtes öffentliches Unternehmen der Welt eingestuft.

Sinopec Ltd. ist an der Produktion verschiedener Erdölprodukte beteiligt, darunter Benzin, Diesel, Kerosin, Ethylen, synthetische Fasern, synthetischer Kautschuk, Kunstharze und chemische Düngemittel, zusätzlich zur Exploration von Erdöl und Erdgas innerhalb Chinas. Das Unternehmen produziert auch verschiedene Biokraftstoffe wie Biodiesel und grünen Düsentreibstoff aus Abfallpflanzenöl sowie Ethanol.

Einzelnachweise

Mineralölunternehmen (Volksrepublik China)
Unternehmen (Peking)
Gegründet 1998

redpajama_set_name: RedPajamaWikipedia


text:
ANZAMEMS Inc
Australian and New Zealand Association for Medieval and Early Modern Studies (Incorporated)
ABOUT ANZAMEMS
Policy and Advocacy Work
PRIZES AND BURSARIES
Parergon
FAQ: Open Access for ANZAMEMS Members
Conference Presentation Tips
Live Tweeting Guide
The MADDERN-CRAWFORD NETWORK (MCN)
New member publication: New Saints in Late-Mediaeval Venice
Congratulations to ANZAMEMS member Karen McCluskey on the publication of her new book, New Saints in Late-Mediaeval Venice, 1200–1500: a typological study (Routledge, 2019).
This book focuses on the comparatively unknown cults of new saints in late-mediaeval Venice. These new saints were near-contemporary citizens who were venerated by their compatriots without official sanction from the papacy. In doing so, the book uncovers a sub-culture of religious expression that has been overlooked in previous scholarship.
The study highlights a myriad of hagiographical materials, both visual and textual, created to honour these new saints by members of four different Venetian communities: The Republican government; the monastic orders, mostly Benedictine; the mendicant orders; and local parishes. By scrutinising the hagiographic portraits described in painted vita panels, written vitae, passiones, votive images, sermons and sepulchre monuments, as well as archival and historical resources, the book identifies a specifically Venetian typology of sanctity tied to the idiosyncrasies of the city's site and history.
By focusing explicitly on local typological traits, the book produces an intimate and complex portrait of Venetian society and offers a framework for exploring the lived religious experience of late-mediaeval societies beyond the lagoon. As a result, it will be of keen interest to scholars of Venice, lived religion, hagiography, mediaeval history and visual culture.
For more information including table of contents please see https://www.routledge.com/New-Saints-in-Late-Mediaeval-Venice-12001500-A-Typological-Study/McCluskey/p/book/9781138478008
ANZAMEMS members wishing to promote their research through the ANZAMEMS newsletter are invited to email the editor, Lisa Rolston.
This entry was posted in member news, publication on 20 November 2019 by ANZAMEMSComms.
CFP Annual Medieval and Renaissance Forum
41st Annual Medieval and Renaissance Forum:
Scent and Fragrance in the Middle Ages and the Renaissance
Keene, NH, USA
Friday and Saturday April 17-18, 2020
Call for Papers and Sessions
We are delighted to announce that the 41st Medieval and Renaissance Forum: Scent and Fragrance in the Middle Ages and the Renaissance will take place on Friday, April 17 and Saturday April 18, 2020 at Keene State College in Keene, New Hampshire.
We welcome abstracts (one page or less) or panel proposals that discuss smell and fragrance in the Middle Ages and the Renaissance.
Papers and sessions, however, need not be confined to this theme but may cover other aspects of medieval and Renaissance life, literature, languages, art, philosophy, theology, history, and music.
This year's keynote speaker is Deirdre Larkin, Managing Horticulturist at The Cloisters Museum and Gardens from 2007 to 2013, who will speak on "Every Fragrant Herb: The Medieval Garden and the Gardens of The Cloisters."
Deirdre Larkin is a horticulturist and historian of plants and gardens. She holds an MA in the history of religions from Princeton University and received her horticultural training at the New York Botanical Garden. She was associated with the Gardens of The Cloisters for more than twenty years and was responsible for all aspects of their development, design, and interpretation. Ms. Larkin was the originator of and principal contributor to the Medieval Garden Enclosed blog, published on the MMA website from 2008 through 2013. Ms. Larkin lectures frequently for museums, historical societies, and horticultural organizations. In 2017, she was a Mellon Visiting Scholar at the Humanities Institute of the New York Botanical Garden, where she researched the fortunes and reputations of medieval European plants now naturalized in North America. Her gardens in upstate New York serve as a laboratory for further investigations in the field.
Students, faculty, and independent scholars are welcome. Please indicate your status (undergraduate, graduate, or faculty), affiliation (if relevant), and full contact information (including email address) on your proposal.
We welcome undergraduate sessions, but ask that students obtain a faculty member's approval and sponsorship.
Please submit abstracts, audio/visual needs, and full contact information to Dr. Robert G. Sullivan, Assistant Forum Director at sullivan@german.umass.edu.
Abstract deadline: January 15, 2020
Presenters and early registration: March 15, 2020
As always, we look forward to greeting returning and first-time participants to Keene in April!
This entry was posted in cfp, conference on 12 November 2019 by ANZAMEMSComms.
Western Civilisation in the Twenty-First Century
Registration is now open for 'Western Civilisation in the Twenty-First Century', to be held on 20-21 February 2020 at the University of Adelaide.
This symposium provides a moment to reflect on the concept of Western Civilisation today, not just as a topic of historical interest but an idea that continues to hold a significant political function. What role do the histories that we write and teach play in the production of discourses of 'western civilisation' or resistance to it? What role do historians have in shaping ideas about the past in the present? And what responsibility do we have towards 'western civilisation' as a discourse? What is the future of 'Western Civilisation', both as taught in universities and in the public sphere?
This event is being supported by ANZAMEMS. Registration is free and ANZAMEMS is funding travel bursaries to facilitate attendance for postgraduates, early career scholars and those without institutional support.
To register, please follow the registration link from the conference homepage: https://westernciv2020.wordpress.com/
For further information on bursaries and to apply, see https://westernciv2020.wordpress.com/bursaries/
For information on the conference venue and nearby accommodation, see https://westernciv2020.wordpress.com/location/
This entry was posted in ANZAMEMS, conference on 12 November 2019 by ANZAMEMSComms.
CFP Viator: Looking Ahead: Global Encounters in the North Atlantic, ca. 350–1300
A special dossier in Viator
Co-edited by Nahir Otaño Gracia, Nicole Lopez-Jantzen, and Erica Weaver
In the last few years, several urgent interventions have begun to reshape medieval studies as a more capacious and inclusive field. Scholars such as Geraldine Heng, Monica Green, and Michael Gomez have expanded our understanding of the multifaceted interactions between and among Africa, Asia, Europe, and elsewhere, while Adam Miyashiro and Mary Rambaran-Olm have urged us to reassess the North Atlantic in particular. Traditionally, scholars have tended to work within national borders or to focus on how North Atlantic cultures changed the rest of the globe rather than how they were themselves changed by global interactions, with drastic consequences for our field––especially for our earliest periods.
In order to continue these important conversations and to expand what our scholarship can look like going forward, this special essay cluster seeks to provide a platform for early-career scholars to propose new critical directions for the study of the early medieval North Atlantic, broadly encompassing ca. 350–1300. We thus invite short, rigorous interventions (2000–3500 words each), in the model of the popular conference genre of "lightning talks." In particular, we seek imaginative new work that expands the contours of early medieval studies and challenges, or transgresses, its standard disciplinary, temporal, and linguistic boundaries. Following the example set by the IONA: Islands of the North Atlantic conferences, we reject the unproductive disciplinary divides that have separated the study of England, Wales, Ireland, Francia, Scandinavia, the Iberian Peninsula, Africa, and even the Mediterranean both from each other and from points further afield along the Atlantic rim and beyond. We also aim to break down the divisions that have artificially separated Late Antiquity and the early and high Middle Ages. We are intentionally leaving this call for papers very broad, because we come from the perspective that the global does not exclude the local, and vice-versa. Moreover, the insular can be archipelagic. We welcome essays that bring together North Atlantic and Mediterranean Studies, or that read what has been seen as national literature from a transnational perspective.
In the spirit of emerging from our own linguistic silos and in Viator's usual practice, we thus welcome work from scholars writing in English, Spanish, and French. Additionally, we particularly invite work from graduate students, postdocs, independent scholars, and members of the precariat as well as contributions that are explicitly feminist, queer, anti-racist, and decolonial. We would like to be as inclusive as possible, so please contact us if you have any questions.
Short abstracts of around 200 words are due by December 2 to ViatorIssue@gmail.com, with essays to be submitted by January 15.
This entry was posted in cfp, publication on 12 November 2019 by ANZAMEMSComms.
Folger Institute Research Fellowships 2020-21
www.folger.edu/institute/fellowships
The Folger Shakespeare Library is embarking on a major renovation project to commence in early 2020. While this work is underway, the Folger Institute is committed to continuing its support of collections-based research, and to providing scholars with the resources they need to pursue and advance their work. The renovation offers the Institute the opportunity to create new kinds of awards, to make fellowships more adaptable, and to forge new relationships with archives, collections, libraries, and museums around the world.
Fellowship awards will be $3,500 to support four continuous weeks of work. The deadline for applications is January 1, 2020. Fellowships may be undertaken between July 2020 and May 2021.
Applicants should make a strong case for their proposed topic's importance, its relevance to a field of study broadly supported by the Folger Library's collections and programs, and the originality and sophistication of its approach. They should also describe the proposed location(s) of their work, with a justification of why and how this agenda will advance their project. Here are some scenarios an applicant might propose:
• A researcher is planning a trip to multiple archives in order to consult a range of rare materials, all in one trip.
• A researcher requests access to select electronic resources while writing from home.
• A researcher needs the dedicated time to work with a local collection.
• A researcher wishes to conduct research at a repository which is non-traditional, under-funded, or under-utilized.
The Folger has also arranged for a select number of archives, collections, libraries, and museums, without research fellowship endowments of their own, to host Folger fellows at their institutions. Each of these awards comes with an assurance of availability of collections items, space to work, and a contact person for reference consultations. Learn more about hosting partnerships at Jamestown Rediscovery, The John Rylands Research Institute, the Kislak Center at the University of Pennsylvania, Shakespeare's Globe, and the Wellcome Collection.
Apply now online. Deadline for research fellowships is January 1, 2020.
This entry was posted in grant on 12 November 2019 by ANZAMEMSComms.
Parergon Reviews Editor
Dr Hélène Sirantoine, the Reviews Editor of Parergon, has signalled her intention to step down from the role at the next ANZAMEMS AGM (tentatively scheduled for April 2020) and so we are seeking a new Reviews Editor. Members interested in further details about this position vacancy should contact Parergon Editor Professor Susan Broomhall (editor@parergon.org) or Dr Hélène Sirantoine (reviews@parergon.org)
This entry was posted in ANZAMEMS on 8 November 2019 by ANZAMEMSComms.
CFP Field of Cloth of Gold Conference 2020
In celebration of the 500th anniversary of the Field of Cloth of Gold and as part of the AHRC funded Network "Henry VIII on Tour: Tudor Palaces and Royal Progresses", Historic Royal Palaces will be hosting a two-day conference on 29-30 June 2020 at Hampton Court Palace.
Confirmed keynote speakers:
• Simon Thurley
• Mary Hill Cole, Mary Baldwin University
• Glenn Richardson, St Mary's University
• Tracy Borman, Historic Royal Palaces (Introduction)
We invite proposals for papers of 20 minutes reflecting the conference theme. In particular, we encourage papers that examine not only that most spectacular of royal progresses, the 1520 Field of Cloth of Gold expedition itself, but the phenomenon of royal progresses more generally, including the logistics of royal travel and the politics of progress. We would also like to explore broader aspects of the Tudor court on progress, including the social, religious, chivalric and cultural implications of royal progresses (e.g. the hunting, jousting, music, drama, art and architecture associated with the royal palaces and other progress venues). Papers addressing a comparative European or international aspect of the theme are welcomed as, too, are contributions that consider the theme from the point of view of heritage management, heritage science and curatorial practice. We encourage proposals from scholars at all stages of their career, including early career researchers and PhD students (for whom a discounted registration rate will be available).
Please send abstracts of 250 words to Dr Laura Tompkins, Research Manager, HRP (Laura.Tompkins@hrp.org.uk) by 12 January 2020.
This information is also available on the HRP website.
Organising Committee: Anthony Musson (HRP), Tom Betteridge (Brunel), John Cooper (York), Suzannah Lipscomb (Roehampton), Alden Gregory (HRP)
This entry was posted in cfp, conference on 7 November 2019 by ANZAMEMSComms.
CFP Medieval and Renaissance Music Conference
The organisers and the Programme Committee invite proposals for the 2020 Medieval and Renaissance Music Conference to be held in Edinburgh on 1-4 July 2020.
Proposals on all topics relating to Medieval and Renaissance Music, broadly construed, are welcomed, but we are particularly interested in the following areas: Music in Britain; Chant; Gender and music; Music and medievalism; Music and the environment; Music outside of continental Europe; Early Music and Digital Technologies; The state of the discipline
Conference languages: English, French, German, Italian, Spanish
Possible formats of presentations include, but are not limited to:
• individual papers of 20 minutes
• paired papers
• themed sessions
• round tables
• workshops/ lecture-recitals
The conference will include a dedicated poster session.
Please send proposals to medren2020@gmail.com by 31 December. Notification of acceptance will be given by February 14th. Proposals should include:
· Title of paper
· Speaker(s)
· Affiliation
· A proposal of c.250 words
For themed sessions:
• title of paper
• chair (if known)
• names of all participants
• total required duration (blocks of 90 minutes are preferred)
• short description of contents
Registration will go live on February 1 2020 at the following address: https://www.efdelegates.ed.ac.uk/MedRen2020
Programme Committee:
• James Cook
• Marianne Gillion
• Thomas Schmidt
• Adam Whittaker
• Miriam Wendling
• Raquel Rojo Carillo,
• Tess Knighton,
• Elisabeth Giselbrecht
• Victori Coelho
• Catherine Bradly
• Antonio Chemotti
Call for Nominations: Parergon Early Career Committee
Parergon, the journal of the Australian and New Zealand Association for Medieval and Early
Modern Studies (Inc.), seeks nominations for interested early career scholars within
ANZAMEMS to participate as members of the 2020 Early Career Committee (ECC). The aim
of this committee is to recognise and support early career researcher contributions to
ANZAMEMS, and specifically, Parergon.
The ECC meets quarterly, and offers an opportunity to provide advice to the Editorial team and
gain a deeper understanding of the detailed intellectual and practical processes of production
of a prestigious, peer-reviewed scholarly journal.
Additionally, participation in the ECC will provide valuable service experience for those
interested in pursuing academic and publishing career pathways. Membership of the ECC is
not a paid position.
A maximum of 6 places are currently available for the 2020 ECC Committee.
Terms are for a calendar year, with a possible maximal renewal of an additional, immediate
Nominations are sought from late-stage doctoral students through to those five years post PhD
or equivalent), who are current members of ANZAMEMS.
Applications should consist of a cv, and a covering email outlining disciplinary expertise to the
Editor of Parergon, susan.broomhall@uwa.edu.au
Doctoral students wishing to apply should also provide an email from their supervisor
indicating support for their application.
Nominations close on 6 December 2019. Successful candidates will be notified in late
December.
For more information including selection criteria, see the attached PDF:
CFP Medieval English Theatre Conference
Consumption, Performance, and Early Theatre, University of Wolverhampton・Saturday, 4 April 2020
Consumption involves the using up of a resource, whether through acts of imbibing or intake and acts of expenditure or through decaying or wasting away. Early performance relies on consumption, whether this takes the form of Eucharistic consumption accompanying liturgy; Eve's sinful act of consumption that provided pretext and plot for urban biblical pageants; the use of performance to sell goods and medicines; the material goods required to create dramatic spectacle; the consumption of drink, ideas and time by spectators and performers; or the Tudor feasts that produced space for dramatic interludes. The Records of Early English Drama, with their lists of goods, payments and services, provide an archive of evidence for consumption practice. Yet acts of consumption in early drama are often fraught. Consumption is as often used to articulate doubt or mark characters and performance makers as morally dubious as it is to ensnare the senses of audiences. In a climate both preoccupied with material consumption at a global level and in which we, as researchers, theatre practitioners and teachers are frequently reminded that our labour is also consumer material, this conference seeks to examine how consumption is manifested, managed and questioned in early performance. Topics might include but are not limited to:
• The consumption of raw materials and/ or material culture in the production and performance of early drama
• Food or fasting in early performance; the morality, ethics and/or theology of consumption
• Economies of consumption in early performance
• Ritual performance and faith; inclusion and community
• Subversive consumption, over-consumption and/or consumption as a source of 'othering'
• Consumption, spectacle and the senses
• The consumption of play manuscripts and texts
• Critical reflections on the role of consumption within modern performances and broadcasts of early drama
• Critical reflections on the role of consumption in early drama pedagogy and/or research
We invite 300-word proposals from scholars at any stage of study or career, for 20 minute papers or roundtable sessions; please submit your proposals by 1 December 2019 to Daisy Black d.black3@wlv.ac.uk
On the day before the conference (Friday, 3 April 2020) there will be a Postgraduate and Early Career Symposium organised with the Early English Drama & Performance Network; more information about this will be posted soon.
Further details and registration information will be posted soon at Medieval English Theatre.
This entry was posted in cfp, conference on 28 October 2019 by ANZAMEMSComms.
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We regularly post call for papers, conference announcements, job postings, prize announcements, workshops, and other listings that may be of interest to our members. All postings to the newsletter also are published on our Twitter page. Please email submissions as a word document or in plain text to the Editor.
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