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The Relationship Between Patient Medication Adherence and Following Preventive Medicine Recommendation
Michal Shani, Yochai Schonmann, Doron Comaneshter and Alex Lustman
The Journal of the American Board of Family Medicine November 2021, 34 (6) 1157-1162; DOI: https://doi.org/10.3122/jabfm.2021.06.210202
Michal Shani
the Department of Family Medicine Sackler Faculty of Medicine, Tel Aviv University, Tel Aviv, Israel (MS, AL); Department of Family Medicine Central District, Clalit Health Service, Rehovot, Israel (MS, AL); Department of Quality Measurements and Research, Clalit Health Services, Tel Aviv, Israel (YS, DC); Siaal Research Center for Family Medicine and Primary Care, Faculty of Health Sciences, Ben-Gurion University of the Negev, Beer-Sheva, Israel (YS).
Yochai Schonmann
Doron Comaneshter
Alex Lustman
vol. 34 no. 6 1157-1162
https://doi.org/10.3122/jabfm.2021.06.210202
Print ISSN
Online ISSN
Received for publication May 15, 2021
Revision received July 29, 2021
Accepted for publication July 30, 2021
Published online November 12, 2021.
© Copyright 2021 by the American Board of Family Medicine.
Michal Shani, MD, MPH,
Yochai Schonmann, MD, MSc,
Doron Comaneshter, PhD and
Alex Lustman, MbCHB, MPH
From the Department of Family Medicine Sackler Faculty of Medicine, Tel Aviv University, Tel Aviv, Israel (MS, AL); Department of Family Medicine Central District, Clalit Health Service, Rehovot, Israel (MS, AL); Department of Quality Measurements and Research, Clalit Health Services, Tel Aviv, Israel (YS, DC); Siaal Research Center for Family Medicine and Primary Care, Faculty of Health Sciences, Ben-Gurion University of the Negev, Beer-Sheva, Israel (YS).
Corresponding author: Dr. Michal Shani, MD, MPH, Department of Family Medicine, Central District, 56 Chen St., Rehovot, Israel, Phone: 972-8-9466394 (E-mail: michal.shani{at}gmail.com).
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Michal Shani, Yochai Schonmann, Doron Comaneshter, Alex Lustman
The Journal of the American Board of Family Medicine Nov 2021, 34 (6) 1157-1162; DOI: 10.3122/jabfm.2021.06.210202


The bio on Angeliska Polacheck 's website says she is a "WRITER, AMBIANCEUSE, WITCH, SOOTHSAYER, SILVERSMITH, OCEAN-HARPIST, ANTIQUE DEALER," and "SPECTACLE-MAKER." She is also Sister Temperance, Tarot card reader extraordinaire. (I'm still working up my courage to schedule a reading.) We connected online–Angeliska is also a perfume fan–and I had been wanting to meet her in person for quite some time, so when she posted an invitation on FB to her birthday party/exhibit (Angeliska can never be or do just one thing at a time) I couldn't pass it up. It was fate.
The exhibit/party was in a small house that had been converted to a vintage shop/wig parlor/beauty salon (the multiplicity theme continues) and the attire of the guests matched the space and the display. There was music playing on a working phonograph. Angeliska was resplendent in one of her own creations.
She told me proudly that her creations are meant to be worn. They're sturdy enough to survive a night at a party or a New Orleans second line or anything else you might have in mind.
Each crown was unique. To see a whole room of them at once was magical. There were baubles and feathers and bees. There were flowers and fox goddesses.
There was a spider wearing a water droplet on its head.
And all manner of things that made you want to take a closer look.
I'm so glad I went.
P.S. All these pieces and more were for sale at the exhibit. I don't know if they're still around, but if you simply must have one I'm sure Angeliska would welcome inquiries.
Images: All mine, from my second-rate phone, enhanced by the fun photo programs on my new used Mac.


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Emmanuel Lewis Net Worth: What Does Emmanuel Lewis Say About Michael Jackson?
Leave a Comment / Celebrity / By Thomas Winfield / October 16, 2022 October 16, 2022
Emmanuel Lewis Net Worth: American actor Emmanuel Lewis rose to fame as the show's young namesake in the 1980s comedy Webster. He has also been featured in ads for major companies such as Colgate, Burger King, Campbell's Soup, and Life Cereal. Lewis is the youngest of four children born to a former computer scientist.
After finishing high school at Midwood, he continued his education at Clark Atlanta University, where he earned a degree in theatre arts. In addition to being the head of a record label, he is also a vocalist. His single "City Connection" reached #2 on the Oricon chart in Japan, adding that country to his list of fan bases.
As one of the most successful American child stars of all time, Lewis is frequently compared to Gary Coleman. In his spare time, he enjoys participating in the martial art of taekwondo, in which he is an avid practitioner. Lewis's longtime friend Michael Jackson passed away a few years ago.
1 Emmanuel Lewis Early Life
2 Emmanuel Lewis Career
3 Emmanuel Lewis's Personal Life
4 Emmanuel Lewis's Net Worth
5 About Michael Jackson, What Does Emmanuel Lewis Say?
Emmanuel Lewis Early Life
Emmanuel Lewis was born to his mother Margaret in 1971 in Brooklyn, New York. There are five of his siblings, and he's the youngest. After spending his formative years in Midwood, Lewis decided to further his education at Brooklyn College. After that, he attended Clark Atlanta University, a historically black Methodist university in Atlanta.
He only attended Clark in the autumn semester so he could focus on his acting profession throughout the rest of the year, and he graduated with a bachelor's degree in 1997. Lewis made his acting debut on the ABC sitcom "Webster" in 1983, when he was 12. Acting as the lead, he played a young orphan adopted by former NFL player George Papadopoulos and his wealthy socialite wife, Katherine.
Lewis received four consecutive Young Artist Award nominations for his performance. However, Lewis grew increasingly weary of being on the show and playing a character around half his age as the years progressed. Although he was still relatively short for his age (17), he was no longer a good fit for the lead. Alex Karras and Susan Clark, his co-stars, agreed with him, and the show ended in 1989.
Webster embarked on a journey aboard the Starship Enterprise from "Star Trek" in place of a typical series finale in the episode "Webtrek." Many reminiscences from "Webster's" six seasons are interspersed with his interaction with Lt. Worf from "Star Trek: The Next Generation." Along with this, you can also read Nicki Minaj's Net Worth.
Emmanuel Lewis Career
Starting, Emmanuel Lewis may be seen in advertisements for anything from cars to soup to coffee, pizza to glue, and fruit juice to burgers. Multiple ads for Campbell's Soup and Life Cereal, as well as four for Burger King, featured him. Equally, well-received is his Colgate commercial. Outside of advertisements, his first acting role was in a production of "A Midsummer Night's Dream" by the Joseph Papp New York Shakespeare Festival.
Lewis played the lead part in the 1983 TV series Webster. He was nominated for two Young Artist Awards for his performance but ultimately fell short. His appearances followed this in "Only the Good Die Young," an episode of The Love Boat, and "A Christmas Dream," a holiday-themed TV movie. The actor appeared as a guest star in two episodes of the sitcom Family Matters in 1997.
He landed a part in the drama 'Moesha' the following year. After that, in 1999, he appeared in "Malcolm & Eddie." In 2001, he participated in the British television quiz show The Weakest Link. Two years later, Lewis joined the likes of Gabrielle Carteris, Corey Feldman, MC Hammer, Jerri Manthey, Brande Roderick, and Vince Neil for the inaugural season of the reality show The Surreal Life.
Somebody asked Emmanuel Lewis was broke… pic.twitter.com/xTpJ1r1oQf
— Pantha266 (@Pantha2661) October 9, 2022
The American actor appeared on the 2005 MTV reality show My Super Sweet 16, which followed privileged kids' lives. He also appeared on the sitcom One on One that same year. The next film he appeared in was Harvey Glazer's comedy 'Kickin' It Old Skool' (2007), in which he played a cameo as a young dancer who suffered a head injury at a talent show and then spent the next two decades in a coma.
A subsequent edition of "Between Two Ferns" included Lewis. Television Guidance Counselor," hosted by Ken Reid, had him on their show on November 9, 2014. As a vocalist, Lewis is more well-known in Japan. His "City Connection" song reached number two on the Oricon list.
Emmanuel Lewis's Personal Life
Emmanuel Lewis has chosen to maintain anonymity on purpose. Whether he is married or merely seeing someone is unknown. There was no mention of a life partner, and now that Emmanuel Lewis is 51 (as of this writing), we're all wondering if we'll soon start seeing him strolling down the street holding hands with a lovely lady.
He does not have any children. Regarding his family, there is currently no information accessible. TheCityCeleb has not yet made a decision based on their findings.
Emmanuel Lewis's Net Worth
American actor Emmanuel Lewis has a net worth of $600,000. His breakout role as the eponymous hero of the 1980s comedy Webster has brought him widespread recognition. Eventually, he started making guest appearances on popular comedies like "In the House," "Family Matters," and "Moesha." Lewis appeared in "Dickie Roberts: Former Child Star" and "Kickin' it Old Skool" as a cameo in the 2000s.
About Michael Jackson, What Does Emmanuel Lewis Say?
Emmanuel Lewis has used Twitter on multiple occasions to dispel rumors regarding his alleged connection to Michael Jackson. After the airing of Leaving Neverland, Emmanuel got numerous tweets from viewers claiming Peter had molested him. Emmanuel responded to each of these tweets individually to disprove the claims.
Let's be 100% clear here I was never a victim. My big Bro Michael has been nothing but kind and a role model to me and my family. I suggest you pick a subject you really know because obviously you don't know Michael and you don't know me. Spread peace not false rumors. ✌🏽 & Love
— Emmanuel Lewis (@imemmanuellewis) February 19, 2019
Final Lines: We genuinely hope that you enjoy reading this piece. This article looked into every facet of Emmanuel Lewis's Net Worth. If you liked this post, please spread the word on social media. You can read more articles like this and learn how much money Cynthia Bailey and Kane Lim have at talkxbox.com
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Thomas Winfield
Hey Guys, This is Thomas. I am currently working as a Content writer for the website that you're surfing right now. Make sure you read my articles and don't forget to give your feedback in comments.
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redpajama_set_name: RedPajamaCommonCrawl


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Akmakjian, Hiag "30,000 Mornings"
Akmakjian, Hiag "30,000 Mornings" - 1999
A weird novel about the fashion industry and the troubles it can bring. I think the description "Unconsciously reinforcing the maxim that the US is a salad bowl rather than a melting pot" says it all. There is some insight into the human psyche and relationships but overall this book wants to be more than it really is. It's not achick lit but it's not deep, either. I think I was drawn to this book more through the name of the author than anything else. I should have judged the book by its cover. Not really my thing.
"Inge, a twentysomething Finnish model, has a photographer boyfriend with more than just an eye for art. Inge torments herself with imaginary kidnapping scenarios after her fellow Finn disappears, but visits to her shrink lead her to admit that her sense of loss may have another basis."
Labels: Chick Lit, USA, Women
Andrić, Ivo "The Bridge on the Drina"
Andrić, Ivo "The Bridge on the Drina" (Serbo-Croat: На Дрини Ћуприја or Na Drini Ćuprija) - 1945
This is the story of a bridge. From the day it was built in the 16th century up until a couple of hundred years later in the 20th.
It is amazing what such a building or the river below it goes through during the centuries. We people only live a very short time compared to anything around us. In the long run, the life of one person is nothing compared to history.
The author manages to describe this very well. The river runs smoothly, or sometimes not so smoothly, and so does the history of man. Leaders come and go, war rages, natural catastrophes, the bridge still stands and watches over the lives of the people who cross the river.
Reading this makes you almost feel like being the bridge seeing the river flow below you.
But it also shows you a lot of the history of the Balkans that was always in the middle of the Western and Eastern Empires, the Occident and the Orient. As with most Eastern literature, there is quite a bit of poetry in the book, as well. You might want to concentrate on one part at the time. The book certainly brings you to a different part of this world.
Once you read it, you will understand why he was awarded the Nobel Prize for just writing one piece of fiction. It is a masterpiece.
"In the small Bosnian town of Visegrad the stone bridge of the novel's title, built in the sixteenth century on the instruction of a grand vezir, bears witness to three centuries of conflict. Visegrad has long been a bone of contention between the Ottoman and Austro-Hungarian Empires, but the bridge survives unscathed until 1914, when the collision of forces in the Balkans triggers the outbreak of World War I.
The bridge spans generations, nationalities and creeds, silent testament to the lives played out on it. Radisav, a workman, tried to hinder its construction and is impaled alive on its highest point; beautiful Fata leaps from its parapet to escape an arranged marriage; Milan, inveterate gamble, risks all in one last game on it. With humour and compassion, Andric chronicles the lives of Catholics, Moslem's and Orthodox Christians unable to reconcile their disparate loyalties."
Ivo Andrić received received the Nobel Prize for Literature in 1961 "for the epic force with which he has traced themes and depicted human destinies drawn from the history of his country".
Labels: Bosnia-Herzegovina, Classic, Europe, Historical Fiction, Movie, Nobel Prize, Serbia, Translation, War: WWI
Never judge a book by its cover?
They say "Never judge a book by its cover". That might ring true metaphorically in a lot of situations but, literally, it does not. Of course, I judge a book by its cover. And in 99% of the cases, the result speaks for itself. I've never seen a pink book that isn't a chick lit, for instance. Or, another example, a lot of crime stories are black. The thing is, that's what the publishers want us to do, they want us to judge the books by their covers, they want us to think that this book appeals to us, they want us to buy it. Why else would they choose certain colours, certain images? The design changes throughout the years. Why? Why not keep the original cover, even if it is a couple of hundred years old? Because it wouldn't sell as well. And why change the cover as soon as a movie is out? Because people remember the movie and want to buy the book.
We can actually use this to our advantage. If you don't like chick lits (sorry, but it is just such a great example), stay away from pink and purple. Easy as that. The colour of a cover often says more about the book than those magazine blurbs, e.g. ABC newspaper says "Fantastic book!" or XYZ critic "Best novel since ..." I don't even have an idea about the content there.
Both the colour and the jacket design tell us a lot about the book, about the reader it is looking for. We can guess the genre, the style, even the story. That doesn't mean it isn't misleading sometimes, but generally, it is a good help. Recommendations from friends or other helpful readers, articles about a book, reviews on your favourite internet pages, they all contribute to getting a good selection of literature appropriate for the individual but if you're on your own when you come across something new, which is your favourite colour?
So, go ahead, judge books by their covers! Pick the ones that appeal to you most. The most important part is, that you read those you might like most. After all, you are reading the novel, not the cover.
Binchy, Maeve "Tara Road"
Binchy, Maeve "Tara Road" - 1998
I found this book for a pound in a bargain bookshop when I first started reading English books. Somehow it was always moved to the bottom of my pile of books. Then I moved on to a little more challenging books and "Tara Road" looked less and less appealing. A friend told me this was a great book and I should read it, she wanted to lend me the book. I told her I had it at home and then I had no choice but to start it. What do you think? I liked it. It's one of those "easy read" books but it's different. It leaves a story behind that I still remember years after reading this. Something I can't say about most of those similar reads.
Two women switch houses, both of them want to run away from a problem, of course, they are the sort of problem you can't really run away from, so the problem follows them to their respective resort. Nice easy read, even if that's not what you're looking for.
"Ria Lynch and Marilyn Vine have never met. Their lives have almost nothing in common. Ria lives in a big ramshackle house in Tara Road, Dublin, which is filled day and night with the family and friends on whom she depends. Marilyn lives in a college town in Connecticut, New England, absorbed in her career, an independent and private woman who is very much her own person.
Two more unlikely friends would be hard to find. Yet a chance phone call brings them together and they decide to exchange homes for the summer. Ria goes to America in the hope that the change will give her space and courage to sort out the huge crisis in her life that is threatening to destroy her. Marilyn goes to Ireland to recover in peace and quiet from the tragedy which she keeps secret from the world, little realising that Tara Road will prove to be the least quiet place on earth.
They borrow each other's houses, and during the course of that magical summer they find themselves borrowing something of each other's lives, until a story which began with loss and suffering grows into a story of discovery, unexpected friendship and new hope. By the time Ria and Marilyn eventually meet, they find that they have altered the course of each other's lives for ever."
Labels: Chick Lit, Divorce, Drama, Europe, Ireland, Love, Movie, Oprah, USA, Women
Conrad, Joseph "Heart of Darkness"
Conrad, Joseph "Heart of Darkness" - 1902
I found this book when reading Jane Smiley's "13 Ways of Looking at the Novel". It sounded interesting and I found it in the library the next time I went.
The author, a Polish novelist who wrote in English, wrote this story about an English captain who goes to Africa for an assignment. His ship is destroyed before he arrives and he is forced to travel into the dark continent. He conveys his thoughts about his experiences, his encounter with the inhabitants, both native and colonists.
Even though this is a novella, only 110 pages, so not very long, there is a lot of information crammed into the story, there is no way you can skip even one sentence and you will have lost the plot. He has a special kind of writing style, probably due to the fact that English is not his mother tongue and he still keeps the flow of his native language, as we probably all do somehow.
In any case, he gives us an interesting insight into colonisation, the impact it had on the people in Africa and also on the Europeans who went there. It is a highly interesting study about a part of history that still influences our lives today.
My favourite quote: "The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much. What redeems it is the idea only. An idea at the back of it; not a sentimental pretence but an idea; and an unselfish belief in the idea - something you can set up, and bow down before, and offer a sacrifice to ..."
"In a novella which remains highly controversial to this day, Conrad explores the relations between Africa and Europe. On the surface, this is a horrifying tale of colonial exploitation. The narrator, Marlowe journeys on business deep into the heart of Africa. But there he encounters Kurtz, an idealist apparently crazed and depraved by his power over the natives, and the meeting prompts Marlowe to reflect on the darkness at the heart of all men. This short but complex and often ambiguous story, which has been the basis of several films and plays, continues to provoke interpretation and discussion.
Heart of Darkness grew out of a journey Joseph Conrad took up the Congo River; the verisimilitude that the great novelist thereby brought to his most famous tale everywhere enhances its dense and shattering power.
Apparently a sailor's yarn, it is in fact a grim parody of the adventure story, in which the narrator, Marlow, travels deep into the heart of the Congo where he encounters the crazed idealist Kurtz and discovers that the relative values of the civilized and the primitive are not what they seem. Heart of Darkness is a model of economic storytelling, an indictment of the inner and outer turmoil caused by the European imperial misadventure, and a piercing account of the fragility of the human soul."
Labels: Adventure, Africa, Anthropology, Classic, Colonialism, Congo, Historical Fiction, Movie, Novella, Oscar, Travel
Novels and their link to reality
I love reading historical novels, or novels based on real life. The downside of it? I more or less know what is going to happen. You come towards a date where you know a war will start or something else will take place and you keep begging, quietly, oh, please, don't let the war start, don't let anything happen to that wonderful person, community, building, place ... Or you can't wait for that date to happen because that is going to be the end of the war and the end of the suffering for our heroes. The thing is, that is great writing, making you still want to go on and find out what exactly happens to that particular character the author invented. You know they are invented but they come alive because they are written so beautifully.
Kent, Christobel "A Party in San Niccolò"
Kent, Christobel "A Party in San Niccolò" - 2003
An English "colony" in Italy. A party is celebrated. Not my usual kind of literarute. But something spoke to me when I chose this book. And I was not disappointed. The author is a good writer, she describes people and country beautifully. The plot was alright though a little overdone at times. Still, if you are looking for a nice litle read, this book is worth it.
"An entrancing story that is one of the most absorbing examinations of the English in Italy since A Room With A View. Set during one week in springtime Florence, A Party In San Niccolo follows the events leading up to the seventy-fifth birthday party for Frances Richardson, a much-loved English resident. Around her, Frances' friends are gearing up for the party too: Frank, a disenchanted journalist; Jane, who runs an Italian cookery school for rich Home Counties wives; her shady husband Niccolo; and Gina, a beleaguered mother-of-three who has come to Florence for a break. Before the week is out love, death, family secrets and old memories will come to a head at Frances' party, with dramatic results..."
Labels: Chick Lit, Crime, Europe, Expats, Italy
Plenzdorf, Ulrich "The New Sufferings of Young W."
Plenzdorf, Ulrich "The New Sufferings of Young W." (German: Die neuen Leiden des jungen W.) - 1972
Any German who visited school after 1972 will have read this book as well as Goethe's "The Sorrows of Young Werther" (which probably will have been read by any German visting school after 1774).
Same as the original "Sorrows", the "New Sufferings" spoke to the people. Ulrich Plenzdorf grew up in the German Democratic Republic. His play is not a nostalgic memoir of one of the greatest stories ever written in the German language, it is a criticism of society.
We hear about a young man reading Goethe's masterpiece and finding a lot of similarities to his own life. The author uses the slang the youth language of the time which contributes to the familiar feeling you get when reading about this young man and his problems.
The play was an instant success in both parts of Germany and certainly belongs to the major works by German authors.
"One of the most talked-about works ever published in the German Democratic Republic! This innovative novel by an East German writer is a worthy companion to the classic it parodies and parallels: Goethe's The Sufferings of Young Werther. Goethe and J. D. Salinger were the two greatest influences on Edgar Wibeau, 'Young W.' Edgar is a 17-year-old with the frustrations of teenagers all over the world, living with the added pressures of an East-bloc state. A model all-GDR boy, the son of a factory director, he suddenly drops out. But not from socialism per se--just from conformity, picky regulations, and official disapproval of jeans, the blues, and girls. Hiding out, he finds and devours an old copy of The Sufferings of Young Werther. From then on he wards off reality with Goethe texts, and young Wibeau's fate is superimposed on that of Werther like a transparent overlay. It is an ironic and revealing linkage."
Labels: Author: Johann Wolfgang von Goethe, Death, Drama, Europe, German book, Germany, Love, Movie, Teenagers
A Reader's Little Joys
One of the joys can just be the arrival of a new book. I tend to buy used copies, when and where available. Not only are they cheaper, they often have a history. And I love recycling.
The other day, one of those little gems arrived on my doorstep. The seller had mentioned that the book was "used, as new". That's not necessarily a guarantee, "as new" can mean a lot of things to different people but usually, it's pretty accurate. Alright, sometimes they don't really look "as new" any more but that's a small price to pay for having the books available that I really would like to read. Well, this one did. Looked as new. Even smelled as new. But the greatest thing of all, it had a little surprise waiting for me. When I opened the cover page, I noticed that the copy had been signed by the author.
Unfortunately, I am not able to go to many readings, so I don't get to talk to many authors personally and can't ask them for their autographs. I have a few but not many. So, this was really nice, especially since that wasn't mentioned at all.
Oh bliss, we can be delighted so easily.
Otto, Whitney "How to make an American Quilt"
Otto, Whitney "How to Make an American Quilt" - 1991
This is one of the few books I read after watching the movie. Can you tell that I loved the movie? It is full of wonderful women, one character cast better than the next. They all have a story to tell, and they tell their story to Finn who is the granddaughter of one of the quilt ladies and is about to get married. I expected the book to be just as good.
And it was. Whether this is due to the fact that I had the most vivid images in front of me already and have to thank the director of the movie more than the author of the book, I will never know. I just know that I will love this story forever.
"An extraordinay and moving reading experience, HOW TO MAKE AN AMERICAN QUILT is an exploration of women of yesterday and today, who join together in a uniquely female experience. As they gather year after year, their stories, their wisdom, their lives, form the pattern from which all of us draw warmth and comfort for ourselves."
Labels: Drama, Europe, Family, France, Friendship, Love, Movie, USA, Women
Dohaney, M.T. "The Corrigan Women"
Dohaney, M.T. "The Corrigan Women: - 1986
A Canadian friend recommended this book to me. A portrayal of life in Newfoundland at the beginning of the last century, well, at the beginning of the First World War. The story of a girl who works as a household helper, who is not treated well by the family she works for. The story of a family during and after a war, of a soldier who is never the same again, of a daughter, who repeats the history of her mother.
And within this turmoil, M.T. Dohaney manages to describe the beauty and ruggedness of that part of Canada, makes you believe you've been there, includes a little bit of history but, best of all, gives you an insight why people survive even the harshest conditions.
"M.T. Dohaney has been described as Newfoundland's answer to Frank McCourt. Her first novel, The Corrigan Women, a richly textured portrayal of outport life, is a contemporary classic. Long out-of-print, this first novel in the trilogy that ends with the critically acclaimed A Fit Month for Dying, is now available once again. This intense family drama opens in pre-Confederation Newfoundland, on the eve of the First World War. Fifteen-year-old Bertha Ryan leaves home to work as the hired girl in the troubled Corrigan household in a larger village, called the Cove. There, she is browbeaten by her employer and raped by the deranged son. Pregnant and terrified, Bertha marries her assailant's brother, with whom she is in love. But the war intervenes, and when her husband returns, he is shell-shocked and nothing is the same. Bertha's daughter Carmel fares no better. During the Second World War, she marries a charming, handsome American soldier stationed at the nearby base and later she discovers that he is already married. The weight of the accumulated shame eventually falls upon Carmel's daughter Tessie, who reaches adulthood caught in the crossfire between the ways of the Cove and the world beyond Newfoundland. With characteristic wit and compassion, Dohaney depicts a trio of resilient women who face life with dignity, courage and irrepressible humour. When The Corrigan Women first appeared in 1988, readers kept asking M.T. Dohaney, "Well, what happened? Did Bertha keep visiting the grave?" Dohaney would reply, "I don't know. The Corrigan Women is fiction." "But she must have told you." "No, Bertha is fictional, and that was 1918, long before my time." And so it went, until the immediacy of The Corrigan Women and the characters that would not stay on the page drove Dohaney to write two more Corrigan Women novels in this highly acclaimed now popular trilogy."
I also read the second part of the story "To Scatter Stones" which I quite liked and the third "A Fit Month for Dying" which I didn't.
Labels: Canada, Drama, North America, Trilogy, War: WWI, War: WWII, Women
Dohaney, M.T. "To Scatter Stones"
Dohaney, M.T. "To Scatter Stones" - 1992
"To Scatter Stones" picks up where "The Corrigan Women" left us. A daughter returns home after her divorce and gets busy in her little village. Again, many obstacles are in her way that are just as difficult in the second half of the century than they were in the first one. However, M.T. Dohaney manages to describe them just as well and the spirit of the Corrigan women has not left. It is still there and will be there in any of their descendants, no matter what the problems will be.
"Described as Newfoundland's answer to Frank McCourt, M.T. Dohaney's To Scatter Stones is available once again. Long out of print, the highly anticipated To Scatter Stones was first published in 1992, the second novel in Dohaney's celebrated Corrigan Women trilogy. Now it's available to readers once again. In this novel, Tess Corrigan, newly divorced, has moved from Montreal to St. John's as manager of a travel agency. On a visit to her birthplace, a tiny outport called the Cove, she agrees to stand as the Liberal candidate in the forthcoming provincial election. Little by little, she becomes wrapped up in the lives of her childhood friends and neighbours. But the return to her roots is also difficult. The last of the Corrigan women, Tess is the daughter of Carmel and an American soldier, who turns out to be a bigamist. In addition to the uncomfortable echoes from her past, Tess's politics stir up conflict in the traditionally Tory village. Not only does she face discouraging odds and hard ethical choices, but she is the first 'petticoat candidate' ever to run for office in the Cove. On top of these external crises, Tess must deal with her own conflicting emotions and the love of youth, Dennis Walsh, now a priest, who reappears in the Cove. To Scatter Stones spans from the 1960s into the 1990s, marking not only the life changes of the last of the Corrigan women, but the radical changes as Newfoundland moved from paternalism and an economy based on the fishery to a more equitable political ideal. With wit and insight, M.T. Dohaney carries the story of the Corrigan women into the final decades of the 20th century."
When I heard there is a third novel "A Fit Month for Dying", I read that one as well but was hugely disappointed.
Labels: Canada, Divorce, Drama, North America, Trilogy, War: WWI, War: WWII, Women
Atwood, Margaret "The Handmaid's Tale"
Atwood, Margaret "The Handmaid's Tale" - 1985
The Handmaid's Tale. A young lady called Offred tells us the story of Gilead, a country in the future, situated in a part of the present United States of America. Some catastrophes must have led to the state they are in, certainly some ecological disaster but also a revolution that caused the situation the people find themselves in, in a way they have a dictatorship in Mosaic times, the fertile young girls are sent to an older man whose wife can't have children, like Hagar who was the handmaid who was brought to Sarah's husband Abraham in order to bear him children. A lot of the parts of their lives are named after biblical characters or events.
We never get to know the name of the narrator, she just doesn't wish anyone to know it so she can believe there is another life, another place to go back to after all the horror in her life is over. I was wondering about the weird name the author gave to our protagonist until I came across the next ladies who all had a similar one. Offred = Of Fred. Sounds like a dream for guys that all the women carry their name, as if they were their possession ......
I don't even remember what I thought this book would be about, I certainly didn't think it might be a dystopian novel. I love those kind of stories better than the utopian ones, I cannot believe in a glorious future where everyone is peaceful and nobody has to suffer. Those stories that tell us about worlds gone wrong seem much more realistic.
The breeding part reminded me of Hitler's maternity institutions "Lebensborn" where he wanted to breed "pure" Aryans. Here, they just want to breed human creatures which seems to have become a problem. They also know what to do with people who do not comply or are otherwise useless. Their concentration camps are called "colonies" and people are sent there to work in contaminated regions where they will slowly, but very surely, die.
The biblical part reminded me more about what is going on in the United States now, interesting how Margaret Atwood could foresee that almost thirty years ago. Every law, every rule, everything has to confirm to the bible, anything that doesn't is evil. I can very well imagine that in the event of a major catastrophe, these kind of people will try to take over and a dictatorship not much unlike the one described could develop from this.
What I also really liked about the novel, even though it might be tempting and Offred does dream of a better world, she does not have any unrealistic hopes that this will ever happen. Nothing written with rose-tinted glasses.
Yes, a wonderful story, well told, changing between past and present, an interesting, nor foreseeable conclusion at the end, I loved the style. I loved the story. I will definitely read more by Margaret Atwood.
My favourite quote: "Maybe I'm crazy and this is some new kind of therapy. I wish it were true, then I could get better and this would go away."
I re-read this novel with our international book club in 2018. See my new review here.
"The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire – neither Offred's nor that of the two men on which her future hangs.
Brilliantly conceived and executed, this powerful evocation of twenty-first-century America gives full rein to Margaret Atwood's devastating irony, wit and astute perception."
Margaret Atwood was shortlisted for the Booker Prize for "The Handmaid's Tale" in 1986.
Margaret Atwood received the Peace Prize of the German Book Trade (Friedenspreis) in 2017.
Labels: Author: Margaret Atwood, Book Club, Booker, Canada, Environment, Epistolary, Favourites, Friedenspreis, Movie, North America, Religion, TV Series, USA, Utopia/Dystopia, War: Others, Women


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The X-Men films ranked from worst to best
"Mutant and proud."
I've been a fan of the X-Men films since I was a wee boy. Following viewing the first film, I ran out the cinema with straws in my hands thinking I was Wolverine (only a lot smaller, chubbier and less hairy). So despite a lack of major hype for Apocalypse, I myself can't wait. Perhaps like many others, I've been watching all the films in the lead up to it. Which ones are the best? Read this list to find out. (Deadpool is excluded from the list).
7. X-Men Origins: Wolverine
(© – 20th Century Fox)
By far the worst in the series, fans of the series were appalled at this entry. For such a fantastic character, this poorly scripted, cliche-filled affair does him no justice. The action sequences were okay, but not memorable. Not to mention the absolutely unforgivable portrayal of Wade Wilson.
6. X-Men: The Last Stand
The third film in the series did not live up to the hype. It was supposed to be the ultimate X-Men film, with a range of new characters including a personal favourite of mines Beast, and a massive showdown. Instead, impressive action sequences were used at the expense of character development. Also the questionable Phoenix storyline didn't do the film any favours.
5. The Wolverine
I'm happy to say The Wolverine does a lot of things right. Scenes with Wolverine tearing through enemies are mega-satisfying, and we get a closer take on the character. Albeit the end became a little silly, there's plenty to appreciate.
Many words could be used to describe X-Men, one that strikes to mind for me is groundbreaking. I very much consider it the driving force behind superhero films gaining popularity. It brought Wolverine and a roster of other characters to the screen for the first time, as well as a solid narrative and amazing special effects.
3. X-Men: First Class
Back in 2011 when this was released, I wasn't sure what to expect. But it turns out this prequel to the franchise is one of the best superhero films out there. Bursting with energy and confidence, First Class is perfect for fans of the series and those new to it.
A sequel to both The Last Stand and First Class, DOFP boasts an incredible narrative with an impressive cast. The story revolves around time travel between the present day and the past, therefore cast from the prequel such as the amazing Fassbender and McAvoy are present alongside acting veterans McKellen and Stewart.
X-Men 2
This was a hard decision for me, as I do love First Class and DOFP. But X-Men 2 has a special place in my heart. Growing up it was definitely my favourite. It carried all the successful elements from the first film, and expanded upon them; more action, more substance – generally more ambitious. If you need one reason to watch it, there's plenty scenes of Wolverine in action.
"Shiiiiit." (© – 20th Century Fox)
Will X-Men: Apocalypse place itself at the top of this list, or will it flop? My review will be up on Saturday 21st May. Check out the trailer below.
What do you think? Do you agree with me? Let me know in the comments, or tweet @film_swot.
Author: Cameron Frew
Posted on May 18, 2016 May 18, 2016 Author Cameron FrewCategories ReviewTags film, fox, list, marvel, superhero, superheroes, wolverine, x-men, x-men apocalypse, xmen
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Back in 1914, a new cinema came to 19 Utica Street in Hamilton. Through the decades, it has served as a shoe repair shop, community garage, and manufacturing warehouse.
Like a trunk of costumes hidden away in the attic, it was waiting to be rediscovered and used once again for the entertainment and edification of art lovers, young and old. In 2002, the wait came to an end.
The Palace Theater returned to its roots after a $2 million renovation, financed through gifts to the Colgate University Parents and Grandparents Fund. Operations transferred to the Hamilton Initiative.
In 2015, just in time for the building's 101st birthday, a group of devoted Hamiltonians formed a new entity, Arts at the Palace (AATP), to take over Palace Theater management from the Hamilton Initiative. This 501(c)(3) is a new twist on a proven idea: art is best presented by the people, for the people.


On 12/31/2013 at approximately 2:20am the Auburn Police Department responded to DeKalb Health, 1316 East Seventh Street, in response to a reported theft from a vehicle.
Upon arrival it was learned that "Peanut" a pure bread miniature Schnauzer had been taken from a vehicle. The owner of the K-9 stated he had left Peanut in his vehicle while he helped his mother into the hospital. The owner stated when he returned to his vehicle approximately two hours later Peanut was gone. The vehicle was not able to be locked. Peanut had on a blue collar at the time he was last seen.
Peanut is a male approximately 19 months old and is salt and pepper in color. Anyone who may have information on the whereabouts of Peanut is asked to call the Auburn Police Department at 260-920-3200.


Estimated to be worth between $15,000 and $18,000, this water cooler is one of only two known examples.
This extremely rare water cooler by potter Justus Morton, circa early 1850s, is one of only two known examples. The other one is in the Royal Ontario Museum in Toronto.
Justus Morton (1801-1859) was a well-respected American potter when he left Lyons, New York to come to Brantford, Ontario to set up his stoneware business in 1849. Morton was one of the first stoneware potters in Canada West and according to a 2018 story in the Brantford Expositor, by 1851 he was operating the only stoneware factory in Canada.
This spectacular piece stands 16.5 inches tall and has a 12-inch diameter (roughly 42 by 30 cm). It is elaborately decorated with applied figures – something that significantly adds to both its appeal and its rarity.
The large applied figure on the front of the cooler appears to be a man wrestling two lions, which have fish-like heads, according to Mr. Johnson. But he admits the figures "are tough to decipher". On the upper left is what looks like a man smoking a pipe, and the upper right a woman taking snuff. There are multiple applied figures all around the cooler, some harder to identify than others. That's why Mr. Johnson intends to enlist the expertise of biblical, classical Greek or Roman scholars during his research, hoping they might recognize the figures and know what they symbolize.
"This is an important piece because it describes a way of life in the 1800s, it embodies the itinerant potter, and the applied motifs make it very rare and very interesting," he adds.
By 1853, Morton was employing six men and producing $8,000 worth of pottery a year at his Brantford business. And he was good at it. According to the Brant Historical Society, Morton was awarded a first and second prize for "the best specimen of pottery" at the 1852 Provincial Exhibition.
Morton's stoneware was more durable, and more expensive to produce than the more common earthenware made by other potters, which was weaker and more porous. Morton's hard and impermeable stoneware was made from a special clay with a high kaolin and silica content. It had to be imported from Amboy, New Jersey since at the time there was none available in Canada. It was shipped to Brantford by boat across Lake Erie to the Grand River and its canal system, which had been opened up and was then operated by the Grand River Navigation Company. This increased Morton's production costs significantly.
His pieces were salt-glazed, which involved literally throwing rock salt into the hot kiln, which then vitrified, or essentially melted into a glass-like glaze. This was considered preferable and healthier than some of the lead glazes often used by other potters, who even then were becoming aware of the health risks associated with lead.
The water cooler is hand stamped 'MORTON & Co.' and 'Brantford, C.W.' (which stands for Canada West).
But it wasn't just Morton's experience and keen business sense that set him apart from other potters. Lavish, applied decorations like the ones on this water cooler pre-date embellishments more commonly associated with the decorative art pottery of the late 1800s and early 1900s. This, says Mr. Johnson, is what makes this water cooler such an exceptional piece and why it's so exciting to see it offered at public auction.
Auction Details: Canadiana & Historic Objects - February 9, 2019. 10 am.
© Miller and Miller Auctions Ltd. 2019.


For an unforgettable experience TAKE a trip to Natural Bridge Gold Coast, get in touch with us. We offer personally guided tours for giving you memories that will last you a lifetime. The tour package also includes pick you REMOVE up and drop you REMOVE off at your Gold Coast accommodation. As soon as you make reservations with us we will contact you to discuss your special preferences making the tour unique to you. To know more about us, visit https://www.paradisetours.com.au/gold-coast-mountains-tour/ or call 061 0429 805 045.


A PhD studentship opportunity, funded by the Natural Environment Research Council, (NERC) is available to join my group for a project on using eDNA to study habitat use by marine vertebrate predators in the Mediterranean. The studentship is open to UK and EU students, with a closing date of 7th January 2019, and start date of October 2019.
The project forms part of the MeD for Med programme, which is a collaboration with Dr Elena Valsecchi at University of Milano-Bicocca, Italy.
Understanding how animals use their habitats in relation to environmental and ecological factors is fundamental to basic ecological studies, evaluating potential exposure to impacts from human activities, and assessing species vulnerability to climate and ecosystem change. Such knowledge is also vital for spatial conservation planning, including determining where to site protected areas and evaluating how species might interact with existing protected areas.
With support from Italian shipping companies, and marine mammal observer programmes (run by ISPRA, Italian Higher Institute for Environmental Conservation and Research), we will use passenger ferries traversing Mediterranean routes as mobile sampling platforms. These routes are ideal since they traverse many known marine biodiversity hotspots, and collaboration with marine mammal observer programmes allow cross checking of eDNA results against visual detections of cetaceans. In addition we will also undertake systematic sampling of other locations based on existing published data and models of Mediterranean marine biodiversity, to evaluate the predictive capacity of eDNA tools. Ultimately such eDNA tools have potential to become an essential part of biodiversity monitoring tool kits, with direct implication for conservation management, and evaluating environmental impacts from human activities.
Develop and validate novel eDNA tools for detection and monitoring marine vertebrates with a particular focus on cetaceans and large predatory fish.
Develop efficient ship-based eDNA sampling platforms, and compare eDNA surveys against marine mammal observer records.
Compare eDNA measures of diversity against existing data on spatial marine biodiversity in the Mediterranean to evaluate the utility of eDNA as a marine biodiversity monitoring tool.
The project will involve a combination of fieldwork based in the Mediterranean to collect eDNA samples from ship and boat based platforms, laboratory work to extract, process and sequence eDNA (with primary focus on Illumina based platforms but with potentially opportunities to test others such as Nanopore), and analysis of eDNA sequence data via relevant bioinformatics pipelines. Spatial eDNA data will be integrated with data from marine mammal observer programmes and published data on the spatial distribution of Mediterranean biodiversity in order to compare patterns of marine predator habitat use inferred from different methodologies.
Hons degree and/or Masters in a topic relating to Biology, Zoology, Ecology, Genetics, Marine Sciences, Biodiversity, Evolution, Bioinformatics, Maths & Biology etc. An interest in working at the interface of ecology, biodiversity and population/evolutionary genomics is desirable. Prior experience of bioinformatics is helpful but not essential. However interest in developing skills in bioinformatics and computing is important.
Amongst other topics, training will be provided in field and laboratory skills relevant to eDNA and metabarcoding projects, population and evolutionary genetics/genomics, metabarcoding data analysis pipelines, phylogenetics, bioinformatics, spatial statistical modelling in R, and use of high performance computing facilities. As well as on the job training within our research groups, the student will have chance to participate in national and international training workshops on these topics, and to present results at various conferences at home and overseas.
This project is part of a collaboration involving researchers from the University of Leeds and University of Milano-Bicocca, Italy. The student will join the Ecology and Evolution group in the School of Biology, Leeds, and will be integrated with the LIDA and Leeds Omics, virtual institutes which encompass a large group of researchers working on genomics and bioinformatics related projects. The student will also spend significant time working with Dr Valsecchi in Milan, conducting fieldwork in the Mediterranean, and visiting other collaborating institutions across Europe and further afield.
For details on how to apply, please see our NERC-DTP website here: http://www.nercdtp.leeds.ac.uk/. Closing date for applications is 7th January 2019.
Download these details as PDF.


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Unity Lab Services are available in many geographic locations. Please consult with your Sales Representative for details.


3. Send on the award to 15 other bloggers whose blogs that you appreciate and then let them know that they have won the award.
1. The nickname my family calls me is "Munch". I have had that nickname since I was a few months old.
2. My biggest dream in life is to be able to pay back my loved ones for everything they have given to me.
3. I am half Filipino.
4. I am a perfectionist but I hate it.
5. I am massively soppy and anything cute makes me go weak at the knees.
6. My favourite number is 13.
7. I am terrified of spiders and I cry at the sight of them.
Like Danielle, I haven't nominated 15 people because a lot of the lovely bloggers I follow already have this award... I'm not even sure that the people I have nominated haven't been nominated before, I have just selected the ones who don't have the badge displayed on their blog. At the same time, I'm sure I may have missed out some as I was skimming through my huge blog list!
thanks you so much for the nomination!
feeling your hate for the spiders too!
thank you for the nomination! I'm so excited(: your second fact is so sweet, and it's definitely also a fact about me. I'm so thankful for all the people around me, and I try to repay them as much as I can!


File photo dated 03/06/15 of a Merseyrail train at Hunts Cross station in Liverpool as the train company is pledging to transport golf fans to The Open on Sunday despite a strike by guards in a row about driver-only trains.
It would take more than 200 years for all train stations to be made accessible for disabled people, according to new analysis by Labour.
Official figures show just 493 stations out of 2,557 around the UK - less than 20% - have step-free access to all platforms.
Despite claims by the government that it is "committed to ensuring that disabled people have equal access to transport services and opportunities to travel", the number of fully accessible stations has increased by just 2% over the last four years - meaning it would take until 2218 for all stations to be brought up to the same standard.
Shadow transport secretary Andy McDonald said: "As the country which pioneered the railways, we shouldn't have to wait two centuries for it to become accessible.
He said Labour has pledged £50 million to reverse cuts to the government's Access For All scheme, which funds improvement works to stations and has seen its budget slashed by 42%.
Shadow transport secretary Andy McDonald.
"Even government research recognises these schemes are high value for money," he added.
Blogging for HuffPost UK, disability rights campaigner Paula Peters said her life had been placed on a hold as a direct result of difficulties accessing public transport.
"Both of my nearest train stations were due for the installation of lifts to make both stations accessible for disabled and older adults and parents with pram passengers," she said.
"But due to the Conservatives' cuts these urgent improvements have been delayed for five years.


There are many ways to rehydrate butterflies. The method below is the one I use and find works well for me every time. It is best to practice first on some cheap or damaged butterflies before you try it on something you've paid a lot of money for.
Fill a dish with boiling water. Dip the antennae into the hot water for a few seconds. Be careful not to wet the wings.
Using a small syringe, inject the thorax with hot water. I usually keep injecting until water has dribbled out for a few seconds. Be careful not to inject water into the space between the wings.
Place the specimen on a paper towel while you do any other specimens you have.
Have a shallow plastic container already prepared for the specimens. Put a few layers of paper towels inside the container and spray each layer with water until damp (not soaking wet).
Place a dry piece of unwaxed paper on top of the damp paper towels.
Place your specimens on top of the dry unwaxed paper.
Put the lid on the container and let your specimens sit for about an hour. I put the container on top of the container of hot water.
Place the specimen on a paper towel and gently press on the thorax with the blunt end of a pair of tweezers until you feel (and hear) it crush. Be careful not to squash the thorax completely. Repeat on the other side.
If the specimen is quite old you need to be especially careful.
Holding the specimen as shown, squeeze the tweezers so that the wings open slightly.
Hold the wing where it joins the thorax and manipulate the wings open and closed. The idea is to make everything supple so that the wings open easily. Repeat on the other side.
Push a pin through the thorax and pin it to the pinning board so that where the wings join the thorax is level with the top of the pinning board. I make my own boards from pieces of stiff foam glued together.
Pin thin strips of card on either side of the body as shown in the picture.
Place a pin next to the abdomen on the side you are going to pin out first. This keeps the body more or less in place while you open the wing out.
Move the wings into the position you want using the pair of tweezers. I use stamp collecting tweezers because they are nice a smooth and won't damage the wings. Be careful not to rip the wings.
Hold the wing in position by pressing down gently on the cardboard strip. Place a piece of unwaxed paper over the wing and pin around the outside. Repeat on the other side.
Remove the pin from next to the abdomen.
This is what the finished specimen should look like.
If the abdomen droops or is off centre, use pins to put it in the correct position.
Use a strip of card and pins to position the antennae.
Leave the specimen in a cool, dry place for about a week to dry out fully. Keep ants etc away by using some surface spray in the area where your specimen will dry.
Once it is dry, remove the pins and store your specimen in a safe place. Use plenty of moth balls.


There is no such legal status for those born to illegal aliens in the US, too be called US Citizens... The Courts, have deliberately and 'criminally' abused their powers; too, create a false Citizenship status, for such children, under the color of law..
No one born in the US to parents illegally in the US have a lawful Constitutional claim to US Citizenship... Eventually, the criminal extension of such Citizenship must be revoked and those who aided and abetted such unlawful activity properly punished; Judges and Lawyers, who perpetrated this folly and fraud upon the legitimate Citizens of the United States of America must be punished.
Illegals cross the border have a baby and it is treated as a citizen.
Been that way from lib interpretations.
There will be wailing like you never heard when that gets reversed.
Good... the sooner the better.
The sooner these criminals are dealt with the quicker the travesty they created can be stopped and rectified. The extension of our Constitutional protections to the world... are part of the progressive and new world order's plans for universal citizenship and borderless States... and one world government.
This is The Battle of the Ages.
" ... Rachel Maddow should be tried and sentenced to the maximum extent of the law as an example to journalists that this sort of behavior is not acceptable—you cannot break the law and get away with it just because you think you are right.
Worst of all, Maddow has risked everything over what is essentially a non-story. Despite all the hype and moral grandstanding of Democrats, all these taxes reveal is that President Trump pays his fair share in taxes.
In fact, Trump pays more in taxes than Barrack Obama, Bernie Sanders, and even MSNBC's parent company Comcast, which manages to pay an effective tax rate of 24 percent despite the fact that the average corporate tax rate is almost 40 percent.
It was clear, even to liberals, that Maddow was trying to scare up ratings for her failing show. She dedicated an hour to a non-story that ultimately makes Trump look great. The president has used this as an opportunity to push for tax reform. President Trump paid millions in taxes, but said he would be happy to pay more. He stated he does not think it is fair that factory workers pay a higher effective rate than a billionaire, and he will seek to lower taxes on the middle class. ..."
Many of the MSM talking heads are violating the Espionage Act... by knowingly releasing classified documents and communications to the public. Intent too commit espionage is not necessary to be charged and convicted... one is supposed to know that releasing classified information ... obtained from any source, without having it down graded for release, is a serious crime.
However, for a crime to be punished one needs an AG and possibly an FBI Director able and ready to prosecute... So far, Dir. Comey and AG Sessions are woefully negligent in enforcing the laws of the United States... so much so, that they have both proven inadequate and incapable of doing the job needed to keep America safe.
Pres. Trump needs to have a heart to heart talk with both Comey and Sessions... give them their marching orders... too, indict and prosecute EVERY ONE in the Swamp or resign... and sooner, rather than latter.
Spoken as a good commanding officer. Fish or cut bait, boys.
I agree with Ron Gorman - we do not change the site, we motivate Constitutional Moral and Fiscal Conservatives to be Activists on this site and publicize each and every Saul Alinsky action and story that occurs anywhere on the planet. We comment on these Saul Alinsky / Barack Obama actions to show that each one is part of The Plan to destroy the United States and other conservative nations to create "The New World Order," a quite Satanic cult run by The Families who believe they can control the world currency. This, of course, is the reason Barack Obama was put into office, and why he has set up shop in a mansion in DC funded by a "60 Million book sale" to conclude his destruction of The U. S. . There are no coincidences in life and our job as Tea Party Patriots .is to demonstrate this fact each and every time The Propaganda Media issues a story designed to promote the destruction of our Biblical Constitutional Country. . .


Richly illustrated folding guide highlights 140 species of plants and animals found throughout this diverse region. Lightweight, laminated format makes this guide excellent for the field. Compact 4" x 8" size unfolds to 8" x 22". Color pictures and information are printed on both sides of the card. Perfect introductory guide for all ages and experience levels. From Waterford Press.


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Home English President Farmaajo signs into law Company and Public Finance Management bill
President Mohamed Farmaajo has today signed into law the Companies Act and Public Finance Management Act noting the two legislations would be vital in setting the framework for economic reforms and bolstering the war against corruption in Somalia.
The President said in a statement the Company law in particular would be instrumental in promoting trade, job creation and investment opportunities in the country while also protecting the rights of citizens.
The passage of the two laws demonstrate "Somali government's efforts 'over the last few years to solve the challenges faced by Somali businesses and ensure the credibility of international investors", said statement from the government.
The two sets of laws were passed Wednesday by the Lower House of the Federal Parliament.
The Public Finance Management Act is crucial in management of resources in public institution by instilling best practices and holding accountable those tasked with management of public resources.
The Act will also be significant in taming corruption in public institutions as Somalia seeks to shed off the 'most corrupt' tag attested by subsequent Transparency International indices.
The passage of the Company Law Bill will also be instrumental in establishing the legal framework under which companies are established, run and even dissolved in Somalia.
It also provides the regulatory framework for licensing and management of both public and private companies in the country.


text:
Yeehaw! 54th Stampede Championship Rodeo rides back into the Salem Civic Center Friday
by: Colleen Guerry
SALEM, Va. (WFXR) — Grab your cowboy hats and boots! After being canceled last year because of the coronavirus pandemic, the longest-running family show at the Salem Civic Center — the Stampede Championship Rodeo — is returning for the weekend!
The Stampede Championship Rodeo has been a Salem tradition since 1969. Professional cowboys and cowgirls compete in several events like bull riding, barrel racing, and more.
PREVIOUS: Stampede Championship Rodeo set to return to the Salem Civic Center in January
"This year, our rodeo clown is probably our biggest addition. He's someone new that we haven't seen or had here in the past," said Kevin DeBusk, director of media relations for the Stampede Championship Rodeo. "And then, of course, things that are continuing on are our pre-show. We're inviting everyone to come down one hour prior. They can come down, get on the area dirt, look up and close and personal at some of the livestock, and meet some of the cowboys."
Animal shelters remind southwest Virginians that tethering pets outside in freezing, severe weather is illegal
The 54th annual rodeo kicks off at 7:30 p.m. on Friday, Jan. 7 and runs through Sunday, Jan. 9 at the civic center.
Tickets range from $20 to $30. You can purchase them either online or at the box office until 5 p.m. on Friday.
If you have any questions about the COVID-19 policies for the Stampede Championship Rodeo, click here.
Coronavirus / 7 mins ago


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Grant Thornton LLP Canada
ITC recapture and ITR restriction: Phase-out update
tax alert
It is finally happening! The ongoing compliance and recapture restrictions that large business have had to contend with since 2010 in Ontario (and 1997 in Quebec) are finally going away. While the changes are very welcome, ensuring your organization is prepared and correctly accounting for the change is almost as important as the initial reporting was to ensure that your organization is no longer absorbing the tax, or a portion of the tax, as a cost—a concept that effectively is contrary to the basics of a value-added tax regime.
The specific provisions previously applied to large businesses—organizations that exceeded $10 million in taxable and zero-rated revenues during their last fiscal year (including all sales made by associated entities). These organizations were required to recapture a portion of their input tax credits (ITCs) claimed in respect of the provincial part of the HST paid or payable on specified property and services in Ontario and Prince Edward Island.1 Similarly, large businesses in Quebec were subject to restrictions related to input tax refunds (ITRs).
Specified property and services
Generally speaking, the specified property and services to which the recaptured input tax credit (RITC) requirement and the ITR restriction applies include:
specified road vehicles;
fuel (other than diesel) for use in specified road vehicles;
energy (not directly used for manufacturing purposes);
most telecommunication services; and
certain meals, beverages and entertainment (generally those subject to the 50 percent income tax limitation).
Failure to recapture ITCs or restrict ITRs at the time and in the manner required can result in the imposition of penalties. Penalties can be assessed for both under- or over-reported RITCs or restricted ITRs.
Rate of ITC recapture and phase-out
RITCs are administered by the federal government on behalf of the governments of Ontario and Prince Edward Island under the terms of their respective HST agreements. In both cases, the agreements provided that the rate of ITC recapture will be 100 percent for the first five years in which the agreement is in place and will then be gradually phased out as the recapture rate is reduced by 25 percent per year. The ITC recapture for Ontario was to be phased out as shown in the following table:
Table A
ITC recapture – Ontario
(8%provincial component of HST)
Period Recapture rate
July 1, 2010 to June 30, 2015 100%
July 1, 2015 to June 30, 2016 75%
On or after July 1, 2018 0%
Prince Edward Island began its three-year phase-out period of the province's HST RITC rules on April 1, 2018. The ITC recapture for Prince Edward Island will be phased out as follows:
Table B
ITC recapture – Prince Edward Island
(10% provincial component of HST)
April 1, 2013 to March 31, 2018 100%
April 1, 2018 to March 31, 2019 75%
On a after April 1, 2021 0%
Rate of phase-out of the ITR restriction
After a very long wait, the QST system is changing to allow large businesses to claim an ITR in respect of property and services that are currently subject to ITR restrictions. As a result, unless the provincial government announces changes to this schedule, QST that becomes payable on or after January 1, 2018, in respect of acquisition of property and services currently subject to the restrictions may be included in calculating an ITR at the rate shown in the following table:
Table C
ITC recapture – Quebec
(9.97% of QST)
January 1, 2018 to December 31, 2018 25%
On or after January 1, 2021 100%
With the phase-out of the ITR restrictions in Quebec and the phase-out of recaptured ITCs in Ontario and Prince Edward Island always evolving, large businesses must ensure that their systems are updated to correctly account for the ITR rate and the rate of ITC recapture for specified property and services.
Because large businesses are required to account for RITCs in the GST/HST return for the first period in which the ITC becomes available, the change in rate will have to be reflected in the first return due following the change in the recapture rate.
If the adjustment is not made in the return as required and the ITC continues to be recaptured at a higher rate (instead of the reduced rate), it will not be possible to recover the tax in question by simply adjusting a subsequent return. Instead, the business will be required to write to its assigned CRA tax centre and request that the return for the period in question be amended.
The changes affect not only purchases made directly by the organization but also, to a significant extent, employee reimbursements and allowances which generally have a significant amount of restricted or recaptured expenses included.
Thus, managing the change in recapture and restrictions rates often involves multiple changes within an organization's accounting system.
Please contact one of our firm's sales tax specialists if you have any questions about the application of these rules.
1 For these purposes, the threshold amount for large business will include taxable and zero-rated revenues in respect of supplies made in Canada or outside Canada through a permanent establishment in Canada by the organization and its associates. Certain financial institutions also qualify as large businesses for these purposes, regardless of their threshold amount.
Tax alerts
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Essay by Norah Colvin, a member of the Congress of Rough Writers.
I was quite fascinated with Charli's introduction to this conversation about raw literature right here on her blog at Carrot Ranch Communications. I was unfamiliar with the term but her explanation made it clear.
Her description makes these works feel authentic, real, and valuable in their own right, without a requirement to be measured against anything else. They are first works; not drafted, revised, and edited; not polished for publication; but works that deserve recognition for their contribution to the process that is writing.
As an early childhood educator, I was immediately excited about how the concept of "raw literature" might apply to the writings of children. Surely nothing can be more raw than those first steps into the world of writing; nothing more authentic, more real, or more valuable in their own right. Surely these first works need to encouraged, nurtured, and respected as are those of any writer.
Unfortunately, all too often, writing done in school is seen as an opportunity to bring out a red pen and have all its failings highlighted. If that were to happen to one of our first works immediately we downed our pen, or removed our fingers from the keyboard, how would we respond? Would it encourage us, or would we feel crushed, never to try again?
Too often school writing requires children to write a single draft, about a given topic, in a particular genre, in a set and limited amount of time, with little opportunity for planning or discussion, or for editing and revision.
Then they are assessed on it.
They are required to be pantsers whether they like it or not. Some do, relishing the challenge. These are often the children with advanced language and literacy skills; able to use book language, having an understanding of story and other literary structures, and an above average ability to use conventional spellings. A red mark on their work is rare. They are more likely to receive words of encouragement, if one could consider "Good work" to be encouragement.
Many more children dread the challenging experience, knowing that whatever they produce, their pages will soon be more red than black. As with much else at school, they accept their lack of choice and do what they can to meet task requirements.
Far better than this approach is that of "process" or "portfolio" writing. In some ways, it does for writing what DEAR (Drop Everything and Read) does for reading. It values writing, and the process of writing. Everyone, including the teacher, writes. Every. Day.
Children keep all their pieces of writing, their first works, their raw literature in a folder or portfolio. Teachers conference with them about their writing, and children choose the pieces to work on, the pieces to polish for publication.
In a conference, children talk about their writing; including their purpose for writing, what it is about, what they like about it, and where they think it needs improvement. The child might read it to the teacher, and the teacher responds as a listener, requesting more information if required for meaning, asking questions to prompt ideas for revision. A teacher's pen never touches the paper, but children are taught and provided with guides which they use for editing their own work. Only when a piece is near ready for publication might a teacher, in the child's presence and with the child's permission, edit the work. For early childhood writers, perfection is never a requirement anyway. Their invented spellings and implied complications and solutions are always a treasure.
Conference responses are also modelled for, and taught to, the children to enable them to share with and respond to each other in ways that help progress their writing process. Responses from peers are always appreciated and valuable.
Children's raw writing is just one facet of a classroom program identified by an immersion in literacy and literature. Without exposure to literature it is impossible for children's writing to develop. Children must be read to daily from a wide range of rich literature. They must have many opportunities for independent reading, and be involved in group reading such as readers' theatre.
When I first became involved with process writing in the 1980s, we called ourselves "A Class of Writers". We wrote daily. In addition to their independent "process writing" time, children wrote a diary, which was really about communication between each child and me. They wrote to me first thing in the morning. I wrote back to each in the afternoon after school, and so it went, every day of the school year.
The children were always bubbling with ideas, begging for writing time. Ideas came from what we had read together, or they had read independently. Sometimes they wrote about real experiences, sometimes from their imagination.
Alongside all of this, there was instruction, guidance, encouragement, and support, often referred to as "scaffolding".
We cannot simply give the children pencils and paper and expect them to write. We must model the skills for them, and make them privy to techniques that writers use, through an appreciation for, not an analysis of, literature.
We need to extend children's repertoire by sometimes providing a stimulus, a suggestion, a structure; by modelling a genre; and writing collaboratively to teach particular aspects of the writing process. And more than that. Every teacher must be a writer. I don't mean a published writer; but every teacher needs to write, with and alongside their children. How else can they understand the process and what they are expecting of children?
If we view children's writing as raw literature, giving it the same respect as we give our own, how differently may we view them as writers? How differently may they view themselves?
If you are interested in reading more of my thoughts about children's writing, check out Writing to order – done in a flash! and Writing woes – Flash fiction on my NorahColvin blog, or my early childhood teaching resources for writing on readilearn.
Charli, thank you very much for this opportunity to share (some of) my thoughts about children's raw literature.
By Charli Mills in Raw Literature on March 14, 2017 .
Interesting to wind it back to the start. In my time and date I said it yours it was all about process – spelling and grammar. The imagination the concept all that came second. And at 15 I was so put off I didn't write for 35 years!! Ah if only your ideas where current then.
I agree, Geoff. I was fortunate to have a teacher who encouraged my writing to practice spelling words and storytelling. Not once did he red pen a story in two years. That gave my imagination freedom. Then high school…granted, I learned more about grammar but the focus on grammar shut down my creativity.
I was one of those who loved writing at school, loved finding the twist in the topic, the way of looking at it that nobody else did. I wrote for the teacher at school, but I wrote for myself and my imagined audience at home. It is now a wonderfully affirming experience to connect with readers, especially appreciative readers like those here at the Carrot Ranch.
Something else Mr. Price did for me was to let me read my stories aloud to the class each week. That let me interact with my "audience" of classmates and I wrote to entertain them. Now I'm realizing what a gift that was because I learned there is an audience for stories. And I'm pleased we can comprise an audience to one another here.
Lovely to have your confirmation of the process, Geoff. It's also good to know that, even after 35 years out of writing, you've still got it. Your imagination takes us on amazing journeys in every story you share. I'm so pleased they found a way out.
I'm sure if there's a connection there to be made, you know what it is.
Thank you, Norah, for expressing your knowledge in such a way that validates the efforts of writers, as well as students. The point you make about students who can write well in school have certain skills. But without feedback, how does a student know what those skills actually are? Then, of course, the red pen feedback shuts down many budding writers before they ever have a chance to bloom. Your classroom model is one that would work well in writer's critique groups, too. When I was an editor for a magazine, I "queried" writers for any necessary clarifications on submitted articles. The goal was to work together to bring clarity and correctness to each submission. It seems the approach you describe in the class focuses on similar goals of success.
Thank you for providing the opportunity for me to share my views. I love the way your ideas spark others for me and the conversation and collective wisdom grows as we each contribute a little more to our understanding. The more we interrogate our process, the better we understand, and can therefore explain, it; and it becomes less of a mystery. I think this is particularly important for teachers and their children. The process may differ a little for each of us, but getting from words on a page to communication is what's important.
Great post, Norah. Your approach to developing children's writing seems the ideal balance between the extremes of perfectionism and "anything goes", and indeed a model that would work equally well for adult writing mentors. I also detect in this the origins of your lovely encouraging comments on writers' blogs.
I find it fascinating that although my early schooling was overly strict, we had a lot of freedom when it came to writing stories. However, the fact that I don't remember much red penning could be that the skill was never taken seriously!
I like those words "ideal balance"! Thank you. I try, or tried. It's interesting you see a relationship between my classroom approach and my comments on blogs. I guess it's true, the whole world is my classroom! Trouble is, some students are still not listening. 🙂 I'm sure your work never suffered too much red penning at school. Thanks for your comment.
Many moons ago when I taught…children too young to write – I remember always expressing something positive about their drawings. I would never guess at what they drew always asking them to tell me more. I might say I like that shade of yellow, and they would tell me it was the sun or a flower. Then I could expand my own encouragement to their creativity.
I do that now with my grands. My Little Miss is in a full day pre-school now but she was over last week. Her birth name is slightly different than what her family calls her. Though at school they do use her birth name. Little Miss is about 3 1/2 but after drawing something at my home and attempting her name letters – I wrote her nick name…she knew a letter was missing – but not quite where it went. So I wrote both names out in print for her to see.
I even wrote her family name which is ten letters long! And a mouthful to say. 🙂 I have always encouraged my grands to write or tell me stories about their drawings and create booklets for them. Son of Son has a few that I've gifted his parents. It is amazing where imagination can go when encouraged!
Thank you for sharing your experiences with your grands. How wonderful it is for them to have your encouragement and support. What you say about responding to the children's artwork is very important too. It is much better to have them tell us about their creations than try to 'guess', as our guesses sometimes appear judgmental and may be far from the artist's intent.
It's so good to be back at the Ranch! How I've missed it! I'm so sorry I've come to the party late as usual Norah, but I am just so glad to be here at last reading your impassioned post about the meaning of true education. English was always my favourite subject in school, but I don't remember anything like the discourse between teacher and student. Just those red pen notations with corrections written in the margin. Or, if not, just a 'good work' and that was it. I don't remember feeling remotely inspired by any of my teachers. If only we could have had you as a teacher Norah, or your teacher Charli, who let you read your stories to the class, giving you such an indepth understanding of audience at a young age. How many children have given up (and Geoff, concurring with Norah, how wonderful that you are writing now…and look at you, wow!) without that encouragement in their raw literature. You make an excellent point that 'every teacher must be a writer'. I had to think about that and yes, how many teachers actually do write? I am out of the loop with education in the UK today, since my children are not longer at school, so I wonder if the portfolio way of writing is used. I don't know. I hope so though! How wonderful for children to view themselves as having the ability to produce something worthwhile and valuable with their first, raw efforts, something to work on as they feel encouraged and led, rather than slammed at the first hurdle, slashed into a crushing sense of failure with that red pen weapon. Thank goodness for educators like you Norah.
Thank you for your lovely comment, Sherri. I think Charli would agree, it's never too late to join the party, and the doors are always open for someone as lovely as you. Your final statement about being "slammed at the first hurdle, slashed into a crushing sense of failure with that red pen weapon" is an awesome piece of writing – so expressive. If it was written "off the cuff" so to speak, it is an awesome piece of raw literature. I'm not sure how better the annihilation of joy in writing could be expressed. Sometimes I think we need to make a collection of Quotes by Rough Writers. The wisdom shared belongs to many topics.
Thank you, Sherri. I am very touched by the generosity of your comment.
I would have loved to have had an opportunity like this to write at school. So interactive. My experience at school was very much the red pen approach.


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