On the occasion of the World Bedwetting Day (May 30, 2017), MITERA Children's Hospital, a member of HYGEIA Group, is offering a bedwetting investigation for children aged 6 to 15 at the special rate of €20.
The investigation includes a physical exam by a pediatric urologist. During the exam, the doctor will take down the child's medical history, provide information to parents, and give instructions – based on each child's individual needs – and a follow-up schedule. Once the instructions have been followed for three months, it is necessary for the child to have a kidney and bladder ultrasound performed, at the special rate of30€.
The exam is available to anyone visiting the MITERA website (www.mitera.gr) as well as its Facebook page on https://www.facebook.com/Mitera.paidon from Monday May 29 to Friday June 9, 2017. Anyone filling out their details on the special form (http://www.omilos-hygeia.gr/microsite/nuxterini-enourisi/) will receive an email with all the information on how to have the exam performed.
MITERA Children's Hospital is the only private hospital in Greece that runs a dedicated Clinic for child & adolescent urinary disorders, with the aim of offering comprehensive diagnosis and treatment of these conditions. The Clinic caters for children with urinary bladder dysfunctions. These may include daytime accidental wetting or nighttime bedwetting, overactive bladder, frequent urinary tract infections, neurogenic bladder and postoperative urethral stricture, which may cause temporary or permanent kidney damage if left untreated. It is equipped with the latest technology for diagnosing and treating even the most complicated conditions, while its skilled staff offer continuous training and support to children and their families.


'Don't do that please,' the mother said.
The girl was scratching some sign into the pebbles with a rolled umbrella.
I thought how much things have changed. My mother would never have said that 'please.' Like she'd never have used coconut oil for frying.
That 'please', I suppose, is supposed to make all the difference between telling and asking. Are children fooled by the illusion they have a choice? Or perhaps the 'please' was meant for me, for my ears only. In which case I am not duped either.
I continue on my way. Moments later the girl with folded umbrella comes running back. She rushes past me. She runs across the tulipped lawn and into the trees.
Now here comes the dark eyed mother. She comes striding by, sticking to the gravelly path. She's carrying her own umbrella. She doesn't know which way the girl's gone, and she's not going to ask.
I head to the cafe thinking I might find mother and daughter or one or the other, and I'm thinking about how girls shouldn't listen to their mothers for fear of repeating their mistakes or turning out not like themselves. If I see that girl again, I'll warn her.
The rain's drooped the daffodils onto the bark chip path. The sun's out in patches. And this the place I once saw a goldcrest, only the second goldcrest I ever saw.
Then, here they are, mother and daughter, up ahead, coming round by the shrubbery, the mother carrying two umbrellas, the kid up front, kicking at the gravel.


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The arrival of this year's freshman class marks the thirteenth year of students from throughout Douglas County embarking upon a path of study in the International Baccalaureate Program at DCHS. We are honored to offer the most rigorous academic course of study available to high school students in the world, designed to develop outstanding communication, problem solving, and social skills, while encouraging active extra-curricular involvement and service.
This year, nearly 400 PreIB and IB students from six continents will work toward earning the full IB diploma. Our students thrive in the inclusive and supportive environment at Douglas County High School, contributing in exceptional ways in academics, athletics, the arts, public service, and a host of other extracurricular pursuits.
Colleges and universities have tremendous respect for the comprehensive program of study that requires students to take 22 IB classes, and particularly the willingness of those who take the most challenging courses available during their high school years. IB graduates enjoy twice the usual acceptance rate to competitive universities, and three times that at the service academies. In recognition of their dedication and success in the IB program, students from DCHS have been accepted to Harvard, Duke, Vanderbilt, Georgia Tech, the University of Georgia, MIT, West Point, the Air Force Academy, Cornell, Carnegie Mellon, Cal Tech, Emory, the University of Chicago, Yale, Stanford and many other outstanding schools in the United States and abroad.
In addition to college acceptance benefits, International Baccalaureate provides great advantages in earning college credits and winning scholarships. Each year a number of our IB graduates earn more than 20 credit hours, and some as many as 36, saving a great deal of time and money at the post-secondary level. The members of this year's senior class earned offerings of more than $20 million in scholarships, truly a testament to the respect colleges and universities have for the academic rigor and tireless work of the students at Douglas County High School.
We hope that all of our visitors find this site informative and engaging. It is truly our pleasure to serve and support the students and families that come from all corners of Douglas County to join us at DCHS as IB Tigers.


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Learn to Sing Like a Star is, without doubt, a Kristin Hersh record that's not entirely divorced from a Throwing Muses record (she has announced that the Muses aren't a dead concern), while also touching on 2001's Sunny Border Blue and her last solo offering, The Grotto, released in 2003. Her first solo offering in nearly four years, Learn to Sing Like a Star is nigh on worthy of rejoicing over. Hersh produced the record herself, and plays everything on it but drums — played by bandmate David Narcizo — with support from Martin and Kimberlee McCarrick on cello and violin, respectively. She has a bona fide single in the opening cut, "In Shock." A fast waltz tempo is ushered in by drums, electric guitar, and piano and the hook opens itself because in some sense, the rhythm is the hook. The dynamic is taut, and Hersh goes right into what she does best: lays out a naked lyric that sears immediately, simply peeling the flesh back: "Pinned by a dream state/You are fearless/And your empty arms/Waiting for no one/You wanted to be wanted…." The strings enter and underscore the shuffling kick drum and snare, and Hersh's voice is already reaching for it, that place in her body where the well overflows with emotion, completely free of bullsh*t observation. Of course, it reaches the listener that way, too.
The three-and-a-half-minute "Day Glo," ushered in by both electric and downtuned acoustic guitar, underscores a single-note lyric line. Narcizo comes in on the refrain: "Getting up is what hurts…." By the time the second chorus comes around, strings, her backing vocals, and a full-on kit drum and bassline break the emotion in the tune wide open. She returns to the subtle dynamic that is raged, caged, and ready to spring at the first opportunity. Her voice becomes a torn seam, a ragged-edge knife as she nearly screams: "Then you melt into the background/Adding injury to your insult…" She loses it near the end with layers of backing vocals soaring behind her unhinged electric guitar. Cacophony and near silence hold hands on this recording. The instrumental blues "Christian Hearse" follows here, out of tune, faltering, but never out of time, though it is out of space, someplace from the Delta where it met the northern climes. There are two more instrumental pieces titled simply "Piano 1" and "Piano 2." They break the album in places to allow you to catch your breath.
"Wild Vanilla" could have been done by Lou Reed early in his solo career, and would have fit well on his self-titled debut, or even on Coney Island Baby. But it's all Hersh: as the guitars swirl, an acoustic keeping rhythm with Narcizo's kit work along with a psychedelic wobbly, distorted, and time-warped lead line, she sings: "You messing with my head makes a terrible noise." "The Thin Man" is one of those tracks, a ballad that cannot be described. Its poetic and compositional acumen are irrevocably linked, two terribly mismatched lovers rolling together in a dance of starvation and obsession. Learn to Sing Like a Star was certainly worth the wait, and if fans will listen closely enough, they'll understand that Hersh's sophistication as both a singing poet and composer has grown almost immeasurably. It defines whatever brilliance is these days — it's necessary, and it's a carefully crafted yet compulsively delivered gem. As far as pop music goes, it should not be passed up by anyone who has ever felt that whatever happens underneath the skin is driven by the pitted, pitiable, scarred, and shape-shifting heart.


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An Interview with Actress Scarlett O'Neil
The Late Great Farley Granger
Sir Dirk Bogarde's 90th Birthday
Houdini's Assistant Dorothy Young Passes On
You may not recognise the name "Scarlett O'Neil," but I suspect in a few years you will. Scarlett O'Neil is a talented young actress who has already appeared in commercials, short subjects, independent films, and in the major motion picture Piranha 3D. Following is my interview with this up and coming star.
Terence: Now many people might think you were named for the old comic strip character, Invisible Scarlett O'Neil, but that's not the case. Who were you named for?
Scarlett: Actually, a lot of people think I was named after Scarlett Johanssen. I'm not sure why. She is only a few years older than me, so that wouldn't make much sense. I'm glad I'm not named after her. I'm not convinced that's even her real name. Anyway, I was named after Scarlett O'Hara from Gone With the Wind. My mom loves that movie. My older sister is named Tara after the plantation, and my younger sister is Bonnie B from Scarlett's daughter. Out of the three names, I personally think I have the best one. It's also funny because I was the only one of the sisters that has brown hair like Scarlett O'Hara.
Terence: How did you become interested in acting? And have you always wanted to be an actress?
Scarlett: I've wanted to be an actress as long as I can remember. I was watching the Rugrats one day when I was little, and it came to me that I needed to act. It was really strange how suddenly that feeling came over me, and it's been with me ever since. I want to act because it's another world. It's a world of fantasy where anything can happen, and I love that. That is the only reason I've modelled as well. Modelling is acting without words to me. I don't consider myself to be a hot swimsuit model, but I can pretend to be and it works.
Terence: What have you done so far as movies and the stage?
Scarlett: I've done more theatre than film. I acted in a lot of school plays during high school, and I did a few church stories in college. I can't really remember the first film I did. Isn't that strange? My first photo shoot was when I was 18 years old, and I was acting officially soon after that. I was featured in Piranha 3D, and I have done countless independent films such as Monique and Hollywood Gamble. Hollywood Gamble was my first film that I made in LA, and I hope to make many more soon. My main goal is to act in film, but I wouldn't mind acting in television as well. I've been meeting with casting directors so hopefully something good will happen soon.
Terence: Are there any arts besides acting that you have pursued, such as writing, singing, dancing, etc.?
Scarlett: I haven't pursued anything else as a career if that's what you mean. I'm not sure if modelling counts, but modeling was never my dream job. I do that to build a fan base, and it does help me get noticed from casting directors. I do love to write though. I have a lot of followers on fanfiction, but I try to keep that world separate from my acting world. I love to write. I also love to dance and sing. I did Irish dancing when I was younger, but I prefer ballet. I also love horseback riding.
Terence: What movies have inspired you in your life?
Scarlett: That's a hard one. I don't know if any movies have actually inspired me. I know that certain people have, and stories throughout history inspire me every day, but I don't know about a film. I think all movies are amazing. When you sit back and think about it, we are actually watching real people through a little box in our family rooms. That really is mind bobbling, and I'm sure if we traveled back in time 100 years, people would never have believed that this could really happen.
Terence: Is there any particular genre of movie in which you would prefer to act?
Scarlett: It doesn't matter to me at all. I'll act in anything. My favourite genre right now is horror, but that is because I am trying to find a movie that will really scare me. Casting directors have told me time and time again that I am perfect for the girlfriend type, and so I will probably be playing a lot of those. I'm also double jointed in both arms which basically means I can break my arms on command. Horror movie directors LOVE that. In every horror film I've done, the director was like, "In this scene, we're going to break your arms". It's classic.
Terence: What actors have inspired you in your career?
Scarlett: Well, my favourite actress is Vivien Leigh. If she didn't play Scarlett, I might not have gotten my name. She was a brilliant actress, and she was beautiful. She took acting seriously, and she wanted to act since she was a child as well. I also love Lillian Gish simply because she was one of the first actresses to perform on film, and she was talented. I think I am partial towards the old actors like Buster Keaton and Mary Pickford simply because they were the first. I also love Judy Garland and Clark Gable. As for the newer actors, I think Nicole Kidman and Catherine Zeta Jones are amazing. Alex Reid from England (Beth from The Descent) has a promising career, and Johnny Depp continues to inspire me in everything he is in. I also love Matthew Gray Gubler, but that might be because he is adorable. =)
Terence: Okay, now for the big question. How many times have you seen Gone With the Wind?
Scarlett: Does anyone really want to know that? I think I have seen it more times than I can count which is sad seeing as the movie is over 3 hours long. I also have the behind the scenes edition, photographs, letters from set, interviews, and the dolls. Isn't that fun?
Terence: Any closing thoughts?
Scarlett: I had a fun time with this interview. The questions were interesting, and I love to talk about movies. Any of the readers can feel free to add me on Facebook, MySpace, or follow me on Twitter. Just look up my name and I am the one and only. =)
Farley Granger, who appeared in such films as Rope (1948), They Live By Night (1949), and Strangers on a Train (1951), passed at the age of 85 on 27 March 2011.
Farley Granger was born on 1 July 1925 in San Jose, California. The family moved to Los Angeles after the stock market crash of 1929 killed his father's car dealership. It was his mother who pushed young Farley Granger into entertainment, in hopes that he would become a tap dancer. He was not yet 18 when he appeared in the play The Wookie in which both Samuel Goldwyn and Lillian Hellman noticed him. He then found himself making his film debut in Hellman's The North Star (1943) at the tender age of 17. It was followed by Lewis Milestone's The Purple Heart (1944).
Farley Granger's acting career was interrupted by a stint in the Navy during World War II. Unlike many actors the war did not hinder his career. In fact, after being demobilised he found himself cast in one of his best known films by the most famous director he was ever to work with. The film was Rope (1948). The director was Alfred Hitchcock. He would be directed by another notable director, Nicholas Ray, in the classic They Live By Night (1949) before Mr. Hitchcock would use him again in Strangers on a Train (1951). In between these films he appeared in such movies as Enchantment (1948), Side Street (1950), and Edge of Doom (1950).
Sadly, Mr. Granger was not able to capitalise on his success in such films as Rope, They Live By Night, and Strangers on a Train, largely because of the roles Samuel Goldwyn chose for him. Appearing in such films as Behave Yourself (1951) and Hans Christian Andersen (1952), Farley Granger bought out his contract with Samuel Goldwyn in 1953. For the remainder of the Fifties Farley Granger appeared in the Italian film Senso (1954), The Naked Street (1955), and as Harry Kendall Thaw in The Girl in the Red Velvet Swing (1955). He began to appear more and more on television, appearing in such series as Schlitz Playhouse, The 20th Century Fox Hour, Climax, Wagon Train, and The United States Steel Hour.
Sadly, the Fifties would be the only decade in which Farley Granger would be a matinee idol. The Sixties saw him performing on stage and appearing on television. He appeared in such series as Run For Your Life, Ironside, Get Smart, Hondo, The Name of the Game, and Hawaii Five-O. He appeared in the films Guerilla Strike Force (1970) and the spaghetti Western comedy My Name is Trinity (1970). In the Seventies Farley Granger would appear in more films, but they were most often of the low budget variety. He appeared in the films Something is Crawling in the Dark (1971), Amuck (1972), The Red Headed Corpse (1972), The Serpent (1973), The Man Called Noon (1973), Arnold (1973), and Savage City (1974). He also appeared in the TV series Nakia, Ellery Queen, The Invisible Man, One Life to Live, and The Edge of Night.
From the Eighties into the Naughts Farley Granger appeared in such films as The Prowler (1981), Death Mask (1984), Very Close Quarters (1986), The Imagemaker (1986), and The Next Big Thing (2001). He appeared on such shows as Tales from the Darkside and Murder, She Wrote.
Farley Granger was an actor whose career should have been bigger than it was. His heyday, roughly from 1948 to 1957, was all too brief. He obviously had a good deal of talent, enough to play a variety of roles. He could play the sympathetic protagonist, tennis pro Guy Haines, in Strangers on Train, but then turn around and play jealous and not quite sane husband Harry Kendall Thaw in Girl on the Red Velvet Swing. Even when he was doing low budget movies in the Seventies, Farley Granger was still an actor capable of good performances. He proved this playing none too honest lawyer Evan Lyons in the cult film Arnold. It seems likely that had Mr. Granger received better roles early in his career, he could have kept up the momentum in his career built up by Rope, They Live By Night, and Strangers on a Train. He certainly had the talent to do so.
It was 90 years ago today that actor and novelist Sir Dirk Bogarde was born. In his native Britain he would become the number one box office star of the Fifties and there he remains a household name. In the United States, Sir Dirk Bogarde is not a household name, yet chances are good that most Americans have seen at least one movie starring the actor.
Sir Dirk Bogarde was born Derek van den Bogaerde in Hampstead, London. Given his parents' occupations, it was perhaps inevitable that young Dirk would go into some artistic field. His father, Ulric van den Bogaerde, was art editor for The Times. His mother, Margaret Niven, had been an actress. As surprising as it may be, Sir Dirk Bogarde was not set to go into acting as a young man. After attending Allen Glen's School in Glasgow and University College School in London, he attended the Chelsea College of Art and Design with the intent of becoming a commercial artist. While he would work as a commercial artist and scenic designer in the Thirties, young Dirk would abandon art for acting.
Sir Dirk Bogarde studied acting with the Amersham Repertory Company, It was in 1939 that he made his debut on the West end in the play Cornelius. At the time he was billed as Derek Bogaerde. It would also be in 1939 that he would make his film debut, in an uncredited role as an extra in Come On George (1939). His acting career would be interrupted by World War II, in which he served in the Queen's Royal Regiment. Following the war, he returned to acting. It would be his agent who give him the name by which he would become known, "Dirk Bogarde." He was signed by the Rank Organisation, but it would be Wessex Films which would give him his first leading role. Stuart Granger had been set to star in Sin of Esther Waters. Mr. Granger would drop out of the production, after which Wessex Films cast Sir Dirk Bogarde in the role. Following Sin of Esther Waters the Rank Organisation signed Sir Dirk Bogarde to a long term contract.
Sir Dirk Bogarde would play a number of different roles for the Rank Organisation, but it would be the comedy Doctor in the House (1954) which would make him a star. The first of the "Doctor" series, Mr. Bogarde played Simon Sparrow, a role he would reprise in three more films. Appearing in such films as The Sleeping Tiger (1954), A Tale of Two Cities (1958) , and Libel (1959), he became a major star in the United Kingdom, the number one box office draw of the Fifties in that country. He would continue with a string of successes in the Sixties, becoming one of the most respected actors in the world.
Sir Dirk Bogarde's success was most like due to his skill as an actor. It is true that he was a handsome leading man type. Indeed, when people think of a Dirk Bogarde character, it is a charming, sophisticated Englishman that is most likely to come to mind. That having been said, throughout his career Sir Dirk Bogarde played a variety of roles, many as different from each other as night and day. While he became known for playing the charming Dr. Simon Sparrow in the "Doctor" series, Sir Dirk Bogarde was capable of playing characters who were not at all likeable. This is most obvious in The Night Porter (1974), in which he played a former and still quite sadistic S.S. officer. He would also play a rather sadistic Nazi in the controversial film The Damned (1969). Here it must be pointed out that while these characters are not at all likeable, they are hardly cardboard villains. Like any other character, Sir Dirk Bogarde made them three dimensional. Indeed, Sir Dirk Bogarde could go from likeable to somewhat unlikeable in the course of one film. The Mind Benders (1963) features one of his most impressive performances. While Dr. Henry Longman is a fairly likeable fellow at the beginning of the film, he is not quite so likeable by the film's end (I cannot say more without spoiling the plot).
While Sir Dirk Bogarde is often regarded as a British Cary Grant or a British Rock Hudson, he was quite capable of playing the average Englishman. In the comedy Hot Enough for June (1964) he played Nicholas Whistler, who is not only a rather average Englishman but something of a slacker. When he finds himself in the middle of spy intrigue, he does not suddenly develop skills he did not realise he had, but instead reacts as the average person would--that is, he is bewildered, confused, and scared. In Accident (1967) Sir Dirk Bogarde played an Oxford professor going through a mid-life crisis. Sir Dirk Bogarde could quite as easily play such average Englishmen as he could the more villainous or heroic types.
Of course, Sir Dirk Bogarde played his fair share of heroes. Perhaps none is more notable than Sydney Carton in the 1958 version of A Tale of Two Cities. Here Sir Dirk Bogarde plays a man who was something of a reprobate and slacker, but who in the end finds it in himself to make the ultimate sacrifice. While Ronald Colman had played Carton in 1935 version, arguably Sir Dirk Bogarde's Sidney Carton is the most impressive. In The Password is Courage played Sergeant Major Charles Coward, a real life British officer who plotted an escape from a German prisoner of war camp during World War II.
Here it must be pointed out that Sir Dirk Bogarde was not only an actor. In later years he would also become a successful author. Starting with A Postillion Struck by Lightning, Sir Dirk Bogarde wrote several memoirs and autobiographies. In 1980 his first novel, A Gentle Occupation, would be published. It would be followed by five more.
Sir Dirk Bogarde was an extremely talented and versatile actor, who played a wide variety of roles in his lifetime. He was also a successful writer and novelist, proving that he had more talents than acting. It is a shame that he is not better known in the United States, as I rather suspect he was more talented than many better known actors here. Few actors could play a heroic figure in one film, a base villain in another, and an average bloke in yet another. Sir Dirk Bogarde played them all.
Dorothy Young, who served as Houdini's stage assistant for one year on tour, passed on March 20 at the age of 103.
Dorothy Young was born on 3 May 1907 in Otisville, New York. Her father was a minister and her mother a church organist. In Manhattan, at only the age of 17 in 1925 she won an audition to be Houdini's stage assistant. Miss Young shared the stage with Houdini, possibly the most famous magician and escape artist of all time, and his wife Bess. Sadly, Houdini would pass in 1926. In that year, however, people did take notice of Miss Young. A skilled dancer, she teamed up with Gilbert Kiamie and toured the country as a dancing team called Gilbert and Dorothy. She would later dance in a few movies, including Flying Down to Rio (1933).
Miss Young would outlive both Houdini and his wife Bess. Houdini died in 1926 of peritonitis. Bess Houdini died of a heart attack in 1943. Even decades after the death of Houdini and his wife, Dorothy Young would not reveal the secrets of how Houdini performed his illusions. She said in an interview with the PBS series American Experience, "I was sworn to secrecy, never to divulge any of Houdini's secrets."

redpajama_set_name: RedPajamaCommonCrawl


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Bollywood Tackled the Topic of ED Back in 2017
Drug Prices Expected to Rise Faster Than Inflation in 2020
One-Stop Guide to Soy, Testosterone, ED, Heart, and Prostate Health
Face Milestone Birthdays in the 2020s with Healthy ED Prevention
Participating in Dry January? Your Sex Life May Benefit
CVS, Walgreens, and Walmart: 6-Month Average Prices for ED Meds
6-Month Average Prices for Propecia and Finasteride: CVS, Walgreens, and Walmart
New Study Finds Link Between Mitral Valve Prolapse and ED
Prices for Three Major ED Drugs Drop in Second Half of 2019
Should Parents Talk to Adolescent Sons About ED?
Which Men Develop ED? Here Is Your Definitive Guide
It's Official: The Average Erect Penis Size is 5.17 Inches
20 Jan, Monday
72.57° F
Sex Lubes
Company Seeks FDA Approval for Sildenafil Cream for Women
"Female Viagra" may soon come in the form of a topical cream.
Daré Bioscience, Inc. and Strategic Science & Technologies, LLC are moving forward with presenting their clinical trial plan to the FDA, with hopes of commencing Phase 2b of Sildenafil Cream, 3.6% (Sildenafil Cream) trials by the end of 2019. Sildenafil is the active ingredient in Viagra and has been studied for the purpose of treating Female Sexual Arousal Disorder (FSAD). It seems that Sildenafil Cream may become the first FDA-approved medication on the market for treating FSAD.
An estimated 10 million women experience distress related to FSAD in the United States, making this a groundbreaking treatment option if approved by the FDA. Read ahead for the answers to questions everyone is asking about the release of Sildenafil Cream.
What's so Unique About Sildenafil Cream?
Sildenafil would be the first treatment specifically approved to treat FSAD. Unlike other forms of sexual arousal disorders, FSAD is characterized by an inability to attain or maintain sufficient physical response to sexual stimulation. While a limited number of products currently exist to treat issues pertaining to desire, such as Hypoactive (low) Sexual Desire Disorder (HSDD), Sildenafil Cream potentially treats issues related to physiological arousal.
How Does Sildenafil Cream Work?
Sildenafil, the active ingredient in both Viagra and Sildenafil Cream, works by increasing local blood flow and potentially improving genital arousal response and overall sexual experience for women.
Orally administered sildenafil has not demonstrated effectiveness in treating FSAD. However, topically administered sildenafil has shown to be effective in improving local blood flow to the genital area. An initial Phase 2a sample of healthy women demonstrated significant success at improving blood flow, supporting the ongoing evaluation of Sildenafil Cream in larger trials.
What Are the Next Steps for the Developers?
In order to obtain approval for the release of Sildenafil Cream, the company will have to complete Phases 2 and 3 of clinical trials and will have to proceed with regulatory filing with the FDA.
Phase 2b of the clinical trials will evaluate the comparison of FSAD symptom relief between candidates using a placebo and candidates using Sildenafil Cream in their home setting. Findings from the 2a trial and the comprehensive plan for Phase 2b implementation will be reviewed in a Category C meeting with the FDA by the end of 2019. Phase 2b should commence by the end of 2019, which could give way to Phase 3 beginning soon after.
When Can We Expect to See Sildenafil Cream on the Market?
The CEO of Daré Bioscience, Inc. stated the company was happy with Phase 2a trial results and was hopeful that Phase 2b of Sildenafil Cream trials would commence by the end of 2019. In fact, the company was optimistic enough to share their current standing and projected progress at the H.C. Wainwright 21st Annual Global Conference in September.
Completion of clinical trials for regulatory approval is a time-intensive process, but it seems that progress for Sildenafil Cream is moving forward at a steady pace. Stakeholders will continue to watch and wait from the sidelines while Daré moves through the remaining phases for approval with the FDA.
There are many medication options available via the click of a button for improving sexual health. Visit eDrugstore.com to learn about treatments for erectile dysfunction and other common issues pertaining to sexual health.
By Shelby Graves
About the Author / Shelby Graves
Shelby is a public health professional with research and field experience in sexual and reproductive health. She holds a Master of Public Health (MPH) and is a Certified Health Education Specialist (CHES).
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TEEN WOLF Headed To Comic-Con 2012
MTV announced today the hit drama "Teen Wolf" will be back at Comic-Con for the third consecutive year, with a panel featuring all the stars from the series, and a special sneak peek of an all-new episode.  In addition, MTV Geek! will host a live pitch competition between three top comic creators in the industry.  For those who can't make it to San Diego this year, MTV News and MTV Geek! will bring the Con to fans providing wall-to-wall convention coverage.
"Teen Wolf" cast members Tyler Posey, Dylan O'Brien, Crystal Reed, Tyler Hoechlin, Holland Roden and Colton Haynes are taking Comic-Con by storm again, and giving fans an exclusive first-look at an all-new episode, along with the latest scoop from season two during the Q&A session, moderated by TV Guide Magazine Senior Writer, Damian Holbrook.  Fans will want to stick around for the can't-miss world premiere trailer of MTV's upcoming scripted comedy series, "The Inbetweeners," immediately following the Q&A session.  The series, from executive producer Brad Copeland ("Arrested Development," "My Name is Earl"), will premiere Monday, August 20 at 10:30 p.m. ET/PT on MTV.
On Thursday, July 12, join MTV Comics Executive Editor Tom Akel for MTV Presents: Creator Pitch LIVE!,  a live pitch competition between three of the top creators in the business, including Image co-founder/Top Cow CEO and co-creator of "Witchblade" and "The Darkness," Marc Silvestri, co-creator of the "Teenage Mutant Ninja Turtles" and owner/editor/publisher of "Heavy Metal," Kevin Eastman, and Eisner Award-winning creator of the all-ages hit "Mouse Guard," David Petersen.
Just three weeks prior to Comic-Con, the creators will each be given the same topic, something that's been a hot button issue to the industry from the past year, from which they will draw their inspiration to develop a new comic series.  Creators have 10 minutes to present their pitch to the fans, there will be time for questions, and then put it to a vote that's determined by the fans.
MTV News and MTV Geek will be live all week long from San Diego delivering complete coverage from the panels, on the floor, in the press rooms, on the streets, and live broadcasts from the Hilton and the Omni hotels throughout the week.  Join hosts Josh Horowitz and Steven Smith for fan-favorite movies, comic creators, TV shows, cosplay, gaming and more!  Keep it locked to www.comic-con.mtv.com for the schedule and updates and follow along on Twitter using #MTVSDCC.
Please Note: Series stars and creative teams scheduled to attend are subject to change
SUPERNATURAL Comic-Con 2019 Photos
"Teen Wolf" Panel
CBS SHOWTIME CW Booth Autograph Signing Schedule
Science Comic-Con 2012 Announcement


The answer to the report title "Does normal pest get a grip on perform?" is YES. Like other get a grip on pest products and services, natural pest items have alternatives that will remove specific common pests like roaches, travels, mosquitoes, rodents, termites, insects and many others. What's hard is deciding on the best product for a specific pest. It's recommended to question skilled pest controllers who employs organic products and services since they both price costs and effectiveness. It is good to see tag and follow instructions and find data from specialists or through the web.
Earth friendly pest get a grip on is good for wellness and environment. It offers a secure and less-toxic get a grip on for pests and bugs. An planet pleasant approach to pest get a grip on guarantees you of a pest free house while keeping in-sync with nature and atmosphere by avoiding dangerous elements. Applying non-chemical material could be the method in an earth pleasant pest control.Some specialists regarding planet helpful pest control consider these practices in controlling pests in your home without the need for hazardous chemicals. They claim that you caused an expert in removing the pests using planet friendly approach Dedetização de Pulgas .
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text:
Die Möve im Felsenkeller (kurz: Der Felsenkeller) ist eine Kneipe in der Akazienstraße im Berliner Ortsteil Schöneberg.

Die Kneipe ist eine Schlauchkneipe. Wenig mehr als fünf Meter breit ist sie 4,30 Meter hoch und etwa 20 Meter lang. Das Interieur mit Holzpaneelen an den Wänden stammt aus den 1920er Jahren, das Hinterzimmer ist mit der Einrichtung einer ehemaligen Kneipe in Berlin-Mitte aus den 1900er Jahren ausgestattet. Frank Jansen charakterisierte sie im Tagesspiegel als "Berliner Kneipenkultur in Hochform". Die Ausstattung besteht aus Holztischen, das Publikum laut dem Berliner Stadtmagazin Zitty aus "intelligent aussehenden Schönebergern", der Reiseführer Marco Polo verortet dort "Akademiker um die 30."

Im Jahr 2007 sollte die Miete für den Felsenkeller erhöht werden, sodass der Betrieb des Lokals nicht mehr wirtschaftlich gewesen wäre. Die Inhaber Günter Döring und Michaela Friedrich wollten das Interieur nach New York verkaufen. Erst durch Presseberichterstattung und den Einsatz von Bezirksbürgermeister Ekkehard Band konnte der Vermieter überzeugt werden, die Mieterhöhung zurückzunehmen.

Zu den regelmäßigen Gästen gehörten Max Raabe, Markus Lüpertz und Daniel Brühl. Der Roman Middlesex, für den Jeffrey Eugenides einen Pulitzer-Preis gewann, entstand während eines Aufenthalts des Autors in Schöneberg – auch im Hinterzimmer des Felsenkellers. Die Lokalität selbst wird im Buch erwähnt, lässt sich aber ebenso unschwer in der Schilderung Berliner Kneipenszenen wiedererkennen.

Einzelnachweise

Berlin-Schöneberg
Gastronomiebetrieb (Berlin)
Kneipe
Bier (Berlin)

redpajama_set_name: RedPajamaWikipedia


UIA Expert Eddy Adams highlights in this video animation the main elements of the BRIDGE project set in Rotterdam-South.
In the first Zoom-In produced for the BRIDGE project being implemented in the city of Rotterdam we learn about the importance for young people from its most deprived neighbourhood, Rotterdam South, to make the right choice in their education. It highlights how technology is making the choice harder and there are many tempting alternatives in the neighbourhood to drop-out of school and make fast money even if through illegal means. The video provides an overview on the elements of the project and the tools used to reach their objectives.
The UIA will publish a collection of Zoom-In's from its funded projects annually in a variety of formats including: articles, interviews, videos or infographics. Zoom-In's are an in-depth look into a specific part of the project allowing us to deepen the knowledge generated by the project concerning the solutions designed and implemented. It provides further information on how to overcome the main challenges related to the experimentation of innovative projects in a real urban setting.


This wallpaper is a reproduction of an earlier American wallpaper produced ca. 1800. Created during the waning years of the Colonial Revival movement it bears a strong neoclassical look with its inclusion of columns, obelisk and drapery swags. The design is in the pillar and arch format which was a popular British fashion from the late eighteenth century into the early years of the nineteenth century, and is printed in soft muted colors frequently used on reproduction papers of this period to reflect the faded colors of the original document.
I recently pulled the original wallpaper used to inspire this design to show a group of visiting scholarly collectors. The original is quite beautiful in its simplicity and naiveté. Designed and produced within a year of Washington's death, the wallpaper pays tribute to aspects of his life, namely his participation in the order of Freemasons and his military career. The design contains numerous Masonic emblems including a pyramid containing a bust of Washington, the all-seeing eye, and the Masonic pavement in the checkerboard design. At the base of the pedestal are shown trophies of war, with a cannon, cannonballs, and a drum. As you will notice many of these elements have been removed from the reproduction wallpaper. All the Masonic emblems are gone except the Masonic pavement, and the elements of war have also been removed. The pyramid with the all-seeing eye, still in use on the dollar bill, has been changed to an obelisk with Washington's portrait suspended on a ribbon. The drapery swag has been enlarged and raised up to fill in the void created by the removal of the war trophies. And while the original is quite faded it was most likely printed in bright primary colors and green.
The reproduction paper is quite handsome in its design, and the elements still have a nice energy which keeps the viewer's eyes moving over the surface. But knowing the history of the original document it is interesting to make comparisons to the reproduction to see what was left out, namely the major components that were George Washington's professional life.
This paper bears a remarkable resemblance to Nancy McClelland's paper "George Washington in Masonic Triangle" (also a reproduction) found in the collection of Historic New England.
The original document did inspire a number of reproductions and I believe the Cooper Hewitt has two different versions. While the original document was woodblock printed, the small size of the pattern repeat made it ideal for reproducing by machine using printing rollers.


text:
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Dr. Mark Leung is a Lecturer in the Department of Family and Community Medicine at the University of Toronto. He was the 2011-2013 Journal Club Director for the University of Toronto Sport & Exercise Medicine fellowship. He completed his Primary Care Sport Medicine Fellowship at the University of Toronto, and a Master's focusing on Medical Education at the University of Toronto.
He is currently a Team Physician for Canada Men's Basketball, from which he has "earned" two bronze medals. He is also a Team Physician at the University of Toronto, where he works at the campus Sport Medicine clinic. He was an event physician at the 2010 Winter Olympics at the Whistler Sliding Centre covering Bobsled, Luge, and Skeleton. He has also been a Chief Medical Officer for Skate Canada and a consulting physician for the Toronto FC soccer team, the CFL combine, and Hockey Canada.
Dr. Leung is currently actively involved in musculoskeletal education for medical students and residents at the University of Toronto. He is part of an initiative to improve the musculoskeletal knowledge of family medicine residents at Mount Sinai Hospital. His clinical interests include evidence-based sport medicine. He is an active member of the Canadian Academy of Sport & Exercise Medicine, on their Team Physician Committee, Cardiac Subcommittee, and Research Committee
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text:
Мельниківська сільська́ ра́да — адміністративно-територіальна одиниця та орган місцевого самоврядування в Чорнобаївському районі Черкаської області. Адміністративний центр — село Мельники.

Загальні відомості
 Населення ради: 2 120 осіб (станом на 2001 рік)

Населені пункти
Сільській раді підпорядковані населені пункти:
 с. Мельники
 с. Воронинці
 с. Червонохижинці

Склад ради
Рада складалася з 16 депутатів та голови.
 Голова ради: Компанієць Світлана Сергіївна
 Секретар ради: Колісник Надія Миколаївна

Керівний склад попередніх скликань

Примітка: таблиця складена за даними сайту Верховної Ради України

Депутати
За результатами місцевих виборів 2010 року депутатами ради стали:

За суб'єктами висування

За округами

Природно-заповідний фонд
На землях сільради розташовано ботанічний заказник місцевого значення Червонохиженський.

Примітки та джерела

Адміністративний устрій Чорнобаївського району


text:
> https://stackoverflow.com/a/36614339
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    console.log(this.someComponent);
  }
}
```

redpajama_set_name: RedPajamaGithub


Final Fantasy XIV: Take Two.
[PS4 Version Update: As you might suspect, the PS4 version of FFXIV: ARR takes advantage of the next-gen console's specs with better textures in full 1080p, draw distance, and loading times. Apart from that, it works pretty much as the PS3 version does, with assignable skills on eight different hotbars that utilize all of the shoulder buttons on the Dualshock 4 controller. The one major difference, however, is that the touchpad can be used to control the mouse for targeting and selecting options.
Square Enix took the risk/reward approach to game design with the release of Final Fantasy XIV in 2010. The results were… not good, to put it lightly. I don't think I've ever encountered a person who truly liked the original Final Fantasy XIV, and the overwhelmingly negative reception has led us here to the release of Final Fantasy XIV: A Realm Reborn. In just a couple of weeks the largely retooled MMORPG has already passed the original in terms of acclaim and overall buzz, despite some maddening server issues in the first week or so (there's nothing I hate more than spamming the log in button for 30+ minutes to no avail). But those dark days are behind me, and I can say that Square Enix has successfully executed on its MMORPG rebirth.
A large part of the success hinges on the expansive and visually appealing world presented in A Realm Reborn. The continent Eorzea is home to all kinds of beautiful coastline views and vibrant grasslands, which makes exploring and traveling less of a chore and more of an enjoyable experience. The three starting locations—the forest town Gridania, the seaport Limsa Lominsa, and the wealthy city Ul'dah—stand out as particularly impressive due to their divergence in appearance and feel. My journey began in Limsa Lominsa, a seaside port with ships and water as far as the eye can see. I've spent plenty of time in the other two locations, but Limsa Lominsa remains my favorite of the hub worlds. The added benefit of the Final Fantasy brand means fans will enjoy things like Cactuar pets and endless chocobo rides. As someone who grew up on Final Fantasy games, it definitely hits a nostalgic nerve.
The impressive setting compensates for the convoluted and less-than-engaging narrative. The Garlean Empire and Eorzean Alliance battle each other, Bahamut wreaks havoc, Eorzea faces turmoil for five years, and then the player comes into the equation. Oh, and he/she has visions of a crystal… I'd go into more detail but that would spoil it. The guild quests prove far more interesting thanks to some charismatic characters and unexpected story beats. But let's be honest, most people don't come to MMORPGs for the riveting storyline.
The prospects of character creation are more enticing in a MMORPG, and A Realm Reborn delivers on this front. The game comes with five races to choose from, each with their own subdivisions to better serve particular skills. A myriad of customization options are presented to the more creative types out there, so anyone who wants to adjust things like ear size and jaw shape can absolutely do that. Then we arrive at the all-important decision: Which class should I pick? There are eight to choose from and they all fall into the warrior/mage/ranger archetypes expected from this genre. I went with an arcanist for my guy Octavel to have plenty of spells to help take down dangerous foes.
But one of the best things about A Realm Reborn is the class flexibility it offers players. Don't want to play as a particular class after 10 hours? Not a problem, just find the appropriate guild and change classes. It's as simple as switching out weapons—in this way, players can experiment or change their minds in just a few short seconds. Arcanist remains my primary class for Octavel, but he's also a level 20 weaver, level 10 goldsmith, and level 15 conjurer. In addition to classes are jobs, which provide even more customization options. For example, a level 30 arcanist and level 15 conjurer can become a scholar, which acts as a specialized healing class. This allows players to have different builds for group and/or solo purposes, which ends up being especially helpful after 30-40 hours.
Despite the upside of class flexibility, the mechanic also acts as a double-edged sword considering the quest structure in A Realm Reborn. Get ready to kill X number of monsters and fetch X number of items for quite a few hours. The cycle repeats after changing classes, though a helpful experience boost is provided based on the class with the highest level. Nevertheless, repetition kicks in and the grind becomes more and more of a problem. In many ways it's an inherent flaw of the genre, but that doesn't make it any less tedious. Even after 30+ hours I was faced with these kinds of fetch quests, and that was with my primary arcanist class.
Quests can be obtained by traditional methods, but there are also levemetes scattered throughout the world that carry levequests. Players must spend allowances to accept levequests, though allowances are only provided every three hours in real time. This essentially represents a daily quest mechanic so that players always have something to do in order to get more experience and level up. Levequests are often your standard monster-killing fare, though I feel compelled to single out the awful emoticon quests. What's more fun than escorting a NPC to safety? Using "/beckon" every few seconds so they don't get left behind! Trust me when I say it's annoying, and sadly there are quite a few levequests like that, like some that require you to "/soothe" angry dodos.
Fortunately, the group mechanics in the game don't follow the same tedious formula. Creating a party to tackle group quests or dungeons is where A Realm Reborn shines. Battles are tougher, more teamwork is required, and in the case of dungeons, there are always color-coded loot! Taking on huge bosses is also a highlight since teams have to deal with additional enemies that do their best to ruin strategies. These group quests—called duties—can also be done with a random collection of players thanks to the duty finder. I had a hard time finding a match as a DPS class, but once I got in there I had plenty of fun. Friends can also keep in touch with one another outside of parties with the help of linkshells, specialized lines of chat communication across a single server.
FATEs are another key group activity in A Realm Reborn. These events occur randomly across battlefields for a set amount of time, so players must race to a location on the map to take part in the large-scale encounters. At that point it's all about contribution since experience and money is rewarded based on individual performance. FATEs are loud, hectic, and often hard to follow, but that's what makes them so much fun. And if chat requests are any indication, they're a great way to earn experience in a short amount of time.
Ultimately, I've enjoyed my time with Final Fantasy XIV: A Realm Reborn, though I can't deny its derivative quality. Much of what I've discussed regarding this game, good or bad, has been done by other games in the genre and some done better. But then we'll need to get into the merits of all MMOs, and that's a discussion for another day. As it stands now, A Realm Reborn vastly improves on its predecessor and delivers a wonderful fantasy world to spend countless hours in. It has its fair share of flaws, especially in regard to the quest structure, but I imagine fans of the genre will enjoy their time with the game regardless.
Code provided by publisher. Review based on PC version.


The Kansas Department of Wildlife, Parks and Tourism is a cabinet-level agency with a Secretary appointed by the Governor. A seven-member, bipartisan commission, also appointed by the Governor, advises the Secretary and approves regulations governing outdoor recreation and fish and wildlife resources in Kansas. The commission conducts business during regular public sessions.
KDWPT employs approximately 460 full-time employees in five divisions: Executive Services , Administrative Services , Fisheries and Wildlife , Law Enforcement , Parks and Tourism.


text:
GUSTAV WILLEIT
Born in the mountainous regions of northeast Italy, photographer Gustav Willeit seems fascinated by vertiginous landscapes. While he is used to taking alpine panoramas, he nonetheless very quickly feels the need to explore other locations, travelling all over the globe in search of unusual images. From 2000 to 2004 he studied at the prestigious photography school F+F Schule für Kunst und Mediendesign in Zurich, then worked as a photographer's assistant before launching his freelance career in 2006. He has since participated in many solo and collective exhibitions in Europe. The power of his images is expressed through their inaccessible aspect, unusual points of view, and the intensity of the contrasts and chromatic nuances. When nature does not deploy its elements of its own accord, the artist uses digital techniques to recreate environments from his imagination, also inventing their titles. It is therefore difficult to make out reality from fantasy. ... See more See less
Find Gustav Willeit on social networks
Porda
Gerboe
" The power of his images is expressed through their inaccessible aspect, unusual points of view, and the intensity of the contrasts and chromatic nuances"
The Themes of His/Her Artworks
Terpe


Nostalgia is denial. Denial of the painful present. The name for this denial is Golden Age thinking, the erroneous notion that a different time period is better than the one one's living in. It's a flaw in the romantic imagination of those people who find it difficult to cope with the present.
I suppose most people share Gil's nostalgia for a different time period. I know I do: every time I listen to Dean Martin, watch a screwball comedy, or venture through vintage LIFE covers, I am more and more convinced that I should've been born is the 1910s, so that I'd catch the 30s, 40s and 50s in full swing. But I'm also aware that that's probably not true. Gil was a little more convinced.
In Midnight in Paris Woody Allen gives his protagonist, Gil (Owen Wilson), the chance to live his dream: when midnight strikes in Paris a 1920s car stops and an excited gentleman comes out, inviting Gil to ride with him, promising good times. Gil – writer, dreamer, in love with that magic Paris sizzle – embraces adventure and ends up time traveling to the roaring 20s, his period of choice. There he will meet some of his artistic idols, such as Scott (Tom Hiddleston) and Zelda Fitzgerald (Alison Pill), Pablo Picasso, Cole Porter, Ernest Hemingway (Corey Stoll), Salvador Dalí (Adrien Brody), Henri Matisse, Luis Buñuel, T.S. Eliot… and of course, he will fall in love, or at least be bewitched, with Adriana (Marion Cotillard), an aspiring fashion designer.
His reaction to time travelling, how long it takes him to figure out he's not in the present, and all these little encounters with famous artists, are some of the film's strongest aspects. It also succeeds in balancing the 20s atmosphere with the present, and eventually La Belle Époque. The costume designs in particular are an achievement, as well as some of the set design – I'm especially fond of the room with the stuffed animals where Gil has an hilarious conversation with Buñuel.
There's plenty of great actors here, some well known (Wilson, Cotillard, Bates, Brody, McAdams, Hiddleston), some not so famous, but that still proved fitting. And though most of them had a difficult task at hand, everything came out swell: from Hemingway's assertation of a man's courage, to Scott and Zelda's troublesome relationship and Dalí's fixation with rhinos, every famous character was easily identifiable, their defining traits cleverly captured and, naturally, all wrapped up with Allen's impeccable sense of humour.


text:
Author Jim Gigliotti, Who HQ
Illustrated by Gregory Copeland
On sale Dec 04, 2018 | 112 Pages | 978-0-448-48860-8
Reading Level: Lexile 830L | Fountas & Pinnell X
English Language Arts > Nonfiction > Autobiography / Biography > Politics
Social Studies & History > History > By Region (excluding U.S.) > Europe
Social Studies & History > History > Events > Military & Wars
Social Studies & History > Influential People > Politics > Political Figures
Learn more about Napoleon Bonaparte, the decorated French military leader who conquered much of Europe in the early nineteenth century.
Born in the Mediterranean island of Corsica, Napoleon Bonaparte felt like an outsider once his family moved to France. But he found his life's calling after graduating from military school. Napoleon went on to become a brilliant military strategist and the emperor of France. In addition to greatly expanding the French empire, Napoleon also created many laws, which are still encoded in legal systems around the world.
Jim Gigliotti View titles by Jim Gigliotti
Gregory Copeland View titles by Gregory Copeland
One day early in 1784, a heavy snowstorm covered the grounds of the military school for boys in Brienne, France. There was so much snow that the students couldn't get their usual exercise after class. But fourteen-year-old Napoleon Bonaparte had an idea: snowball fight!
This being a military school, however, Napoleon wasn't thinking about any ordinary snowball fight. Instead, he wanted the boys to put to use what they had been learning in the classroom. They built forts and dug trenches. On Napoleon's orders, a snowball war began. It lasted two full weeks during the times that the boys weren't in class. Some days, Napoleon commanded one side. Some days, he commanded the other.
The snowball war wasn't entirely harmless. After a while, small rocks got mixed in with the hard ice. Those snowballs hurt! So the school put an end to it. Napoleon's first "war" was over.
The teachers weren't happy about their students getting hurt. But they were happy to see Napoleon take charge. Ever since he arrived at the school four years earlier, he had been moody and quiet. He didn't have a lot of friends. But he seemed happy to lead the school's snowball battles.
Little did his teachers know that Napoleon would go on to become one of the most famous military commanders in the history of the world. He would lead hundreds of thousands of men into battle. And with a combination of courage and strategy, he won most of the battles he fought.
Napoleon went on to build a vast empire for France. At the height of his career, he ruled over more than seventy million people. To the French people, Napoleon was a good guy. To his enemies, he was not. Late in Napoleon's life, those same enemies defeated him and sent him to live on a tiny island. There, he had plenty of time to talk about his memories.
"What a novel my life has been!" Napoleon exclaimed one day to the assistant who was writing it all down.
Napoleon's life had it all: friends and enemies, politics and war, a love story, and so much more. And Napoleon himself—the main character—was famous, clever, and brave. But a novel is a made-up story. Napoleon lived it all for real.
Chapter 1: Island Beginnings
Napoleon Bonaparte's life began in Corsica, a small island in the Mediterranean Sea. Corsica is about fifty miles west of what is now Italy and one hundred miles southeast of France.
For almost five hundred years, Corsica had belonged to Genoa, a city that is now part of Italy. But the Corsican people wanted to be free. They often fought with soldiers from Genoa. When the government of Genoa grew tired of the fighting, they sold the island to the French in 1768.
That upset the Corsicans even more! They didn't believe they should be bought and sold. And so they started fighting the French. But at that time France was one of the most powerful nations in the world. It easily conquered the island.
When Napoleon was born in Ajaccio, Corsica, on August 15, 1769, he automatically became a French citizen. But the influence of hundreds of years of Italian rule on Corsica didn't go away overnight: Napoleon, like most of the people on Corsica, spoke Italian.
Napoleon's father was named Carlo and his mother was named Letizia. Even though they helped Corsica fight the French before Napoleon's birth, his parents knew there was no use keeping up the fight after the battle was lost. They grew to respect the new French government. Napoleon's father even changed his first name from Carlo to Charles because it sounded less Italian. He changed the family's last name from Buonaparte to Bonaparte because it sounded more French.
Life was not easy on the island. Most of the people in Ajaccio were craftsmen or fishermen. Charles was a lawyer, and Napoleon's family had more money than many in the town, but no one there was very rich.
The Bonapartes lived in a nice house and had a couple of servants. They grew much of their food on their land. Their four-story home even had a mill downstairs that was used to grind flour for making bread. They had a vineyard to make wine and an olive grove to make olive oil. But the family had money to spend only on the basics: clothing for their children and any food that couldn't be grown on their land.
And there were many children to clothe and mouths to feed! Napoleon had four brothers and three sisters. Napoleon was the second-oldest child. His older brother Joseph had been born in 1768. His other brothers were Lucien, Louis, and Jerome. Napoleon's sisters were Elisa, Pauline, and Caroline.
Napoleon was the most willful of the large group. He had a terrible temper, and he didn't always tell the truth. His family called him a troublemaker. Napoleon never was in serious trouble, though. Once in a while, he was punished for fighting, but even that didn't seem to be a big deal. After all, the grown-ups on Corsica had been fighting battles all their lives. Napoleon fit right in.
Napoleon practiced fighting with a wooden sword. He and his friends in Ajaccio would pretend to be soldiers. They set up battles that lasted all day long. Napoleon was always in charge of his side. When it was too dark to play outside anymore, they picked up the next day where they had left off. Some of the play battles lasted for days at a time. Days turned into weeks, and weeks into months. Napoleon loved playing war!
When Napoleon was about five years old, he began going to school. Every day, his mother sent him off with some white bread for lunch. And every day on the way to school, he traded his bread to a French soldier for one of his daily rations. The white bread was soft and fresh. The soldier's brown bread was hard and old. But, Napoleon explained to his mother, "If I am going to be a soldier, I must get used to eating soldiers' bread."
In school, Napoleon was good at geography, and he was very good at math. Mostly, though, he loved reading about history. He wanted to know all he could about famous battles and military heroes, such as Alexander the Great. He dreamed of one day becoming a conquering hero just like Alexander.
Copyright © 2018 by Jim Gigliotti. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Dark Hearts
The World's Most Famous Horror Writers
Jim Gigliotti, Karl James Mountford
What Is Black Lives Matter?
Who Was Kobe Bryant?
Ellen Labrecque, Who HQ, Gregory Copeland
What Is the Story of Doctor Who?
Gabriel P. Cooper, Who HQ, Gregory Copeland
What Is the Stanley Cup?
Where Is Walt Disney World?
Joan Holub, Who HQ, Gregory Copeland
What Was the Titanic?
Stephanie Sabol, Who HQ, Gregory Copeland
What Is Rock and Roll?
Jim O'Connor, Who HQ, Gregory Copeland
What Was the Age of the Dinosaurs?
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L (« Place du mémorial de la Grande Guerre en Indiana ») est un ensemble architectural situé à Indianapolis dans l'Indiana, aux États-Unis afin d'honorer la mémoire des vétérans de la Première Guerre mondiale.

Description

Construite sur cinq blocs, la place est conçue en 1919 dans le but d'être à la fois le siège national de l'American Legion et un mémorial aux vétérans du pays. L'administration ainsi qu'un cénotaphe sont situés au nord de la place, alors que l'obélisque est au sud de celle-ci. Au centre, le mémorial d'Indiana pour la Grande Guerre est construit sur le modèle du mausolée d'Halicarnasse. Le  le  est reconnu comme National Historic Landmark. En 2007, un musée consacré à l' y est inauguré.

Notes et références

Bibliographie

Voir aussi

 American Legion

Liens externes

Musée en Indiana
Mémorial de la Première Guerre mondiale aux États-Unis
Musée militaire aux États-Unis
National Historic Landmark à Indianapolis
Registre national des lieux historiques en 1989
National Historic Landmark en 1994


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Andy Smith, GCA's Installation Sales Manager explained thatall of the B200's panel design, engineering and wiring harness fabrication wasdone at the company's facility in Lakeland then shipped down to CIAC's aircraftmaintenance center in Bogotá.


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text:
Home → Articles → North Carolina → Law and Literature 101
Law and Literature 101
Criminal defense attorney William Terpening looks to books for insight
Published in 2011 North Carolina Super Lawyers magazine By Betsy Graca on January 20, 2011
When newspaper headlines and evening news anchors brand William R. Terpening's clients as villains or greedy business executives, he has to tell the other side of the story to jurors. "Part of my job is to humanize these folks and make sure that the jury gets a deeper and kind of more comprehensive picture of who they really are and what led to the decisions that they made," he says. In doing so, he turns to what he calls an increasingly rare attorney development resource: literature.
Terpening, partner at Charlotte's Anderson Terpening, is part of a law and literature movement, which he says offers a perspective not always found in law school. It's not so much a group of middle-aged lawyers camping out in vans reading Kafka, he says with a laugh, but rather a discipline that's now gaining popularity on campuses. Exploring literature offers attorneys a way to develop both the ability to better understand the legal system and the skills necessary to help juries care more deeply about cases, Terpening says. The movement, which began about 30 years ago, was established to fill a void that began in the 1940s and 1950s when law schools began neglecting areas like rhetoric, philosophy and the study of ancient ethics, topics that had previously played a significant role in the legal curriculum.
As an adjunct professor at Charlotte School of Law, Terpening shares his literary knowledge with students in the school's first "Law and Humanities" course. It's a natural role for Terpening, who attended law school at Duke University where, while concurrently earning his master's in English, he first explored the idea of using literature to enhance his legal skills. "While the rigor of law school can be helpful in terms of logical thinking and problem solving and doing what lawyers have to do," Terpening says, "that way of thinking also conditions people out of other important ways they need to think as well—including the ability to see things from the perspective of other people; the ability to tolerate gray area."
Terpening knows what it's like to face a jury on behalf of a client whose actions are not easily understood. In his 10 years as a criminal defense attorney, Terpening has represented accused drug traffickers and professionals such as physicians, accountants and lawyers accused of embezzlement, fraud and malpractice, among other allegations.
Terpening pursued law for the same reasons he was interested in literature: the chance to have direct impact on people's lives by figuring out how people work, and how they handle certain stressors and situations. He found complex criminal and civil litigation rewarding because it offers a challenge. "What attracted me to this area of practice is the opportunity to make sure that the process is fair and that my clients feel like they got a fair shake," he says. "That's a big part of why I do what I do. There's something very frightening to me about a government that in a federal system has as much power as it does—unless there are people doing what I do who check that power and make sure that they're exercising it the way that they're allowed to."
In 2008, Terpening began representing Lance Poulsen, the former CEO of National Century Financial Enterprises—once the nation's largest health care securitization company—who was tried on securities fraud charges in Ohio. He considers United States v. Poulsen his most challenging case. "One of the overarching lessons was the whole notion [that] a jury being a jury of your peers is not really the case if you're a white-collar criminal defendant," Terpening says. After a monthlong trial, Poulsen was sentenced to 30 years in prison by a federal judge. (The decision was appealed, and when Super Lawyers went to print, Terpening was waiting for an opinion from the 6th Circuit, hoping it would remand the case for a new trial.)
In 2007, Terpening argued, along with firm partner Peter Anderson, in federal court and successfully obtained an acquittal for a prominent Wilmington tax attorney, Rick Graves. Since then, he has litigated more than a dozen appeals before the Federal Court of Appeals for the 4th Circuit and federal circuit courts nationwide.
For Terpening, trials are similar to dramas: A lawyer tells a story, creates tension to retain the jury's interest, develops characters and worries about plot. When he speaks to juries, Terpening finds inspiration in the writings of Faulkner, Thoreau, Hemingway and Kafka, and other authors, to convey to a jury how his clients could have reached their boiling points or found themselves in certain predicaments. Terpening says such authors have explored the deeper psychological and emotional levels of the human condition and can demonstrate how certain situations can present themselves when unmediated, insights which help Terpening better translate the situation for jurors.
While it's only been in recent years that law and literature courses have been offered at law schools across the country, Terpening finds that many attorneys engage in the movement's practices without even realizing it. "I think most lawyers … have interest in the arts and the humanities anyway," he says. "Whether they do it consciously or not, they think about what they're reading in their free time … as it would apply to law a little bit and take lessons [that] they can apply to their practice of law."
Photo by: Mitchell Kearney
William Terpening
Top Rated White Collar Crimes Lawyer
Terpening Law PLLC
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Anderson County tallied three runs in the sixth inning. The Mavericks big bats were led by Eli Varner, Andrew Fox, and Connor Tackett, who each had RBIs in the inning.
Ryan Moog earned the win for Anderson County. He went six innings, allowing one run on one hit and striking out 11.
Lockard took the loss for Clinton. He lasted two innings, allowing six hits and four runs while striking out one and walking one.
The Mavericks tallied 12 hits on the day. Tackett, Zach Webber, Tyler Phillips, Preston Seiber, and Fox all managed multiple hits.
Connor Moody went 1-for-2 at the plate to lead Clinton in hits.