text:
Click the social media link:
MUSIC/VIDEOS
Writers: Ryan Lau/Keegan Bost/Chesney Claire
Producer: Ryan Lau
Executive Producer: Kim Hébert (Zeiss Entertainment,LLC)
Engineers: Mike Proctor/Sam Moses
Here's the Spotify link:
https://open.spotify.com/track/5uzuWjAFtQerwnJyc4Ftgv?si=f98b9854425b41bb
OUT ON ALL STREAMING PLATFORMS!!!
Pop Singer/Songwriter Chesney Claire was born July 10, 2001. She graduated from Bell City High School in Bell City, Louisiana in 2019. Right after graduation, Chesney moved to Branson, Missouri to work and ultimately begin her music career.
With the help of Music Producer Rich Brown and Atlantis Recording, Chesney would successfully record and release 6 cover singles. While in Branson, Chesney's talents caught the eye (and ears) of several Las Vegas producers and songwriters. In March of 2020, Chesney and her "Momager" Kim Hebert found themselves moving across the country to "Sin City", (Las Vegas) in order to be closer to more industry professionals. Immediately upon moving to Vegas, Chesney provided vocals for two original songs that were recorded and released. Mid 2020 (amongst COVID) proved to be the perfect opportunity to write music. With 47 original songs under her belt, she flew to Orlando, FL with a local Vegas producer and had her 1st original single, "15 Candles" perfected by Producer Tim Coons (Pres. of Cheiron Music Group/Original Producer of The Backstreet Boys). "15 Candles" was released June 12, 2020.
Soon after "15 Candles" was released, Chesney began working on her next release, "Moving On".
By September of 2020 Chesney started making preparations to release "Moving On", but Industry Awards poured in and demanded her attention. In 2020 alone, Chesney was nominated for an Independent Music Award for her Michael Jackson cover of "BAD". She was also nominated for Best Upcoming Artist at the Las Vegas Music Awards, and she won Female Artist of The Year at Indie Star Radio in Hollywood, California.
Fast forward to December 18, 2020.... Chesney released "Moving On".
Chesney's single "Hours" was released February 1, 2021 and "Come Alive" was properly released right after the pandemic (May 14th 2021). Chesney released "Distracted" in 2021.
She continues to write music to add to her "Magic Book of Spells" (as she calls it).
You can be expecting MORE NEW ORIGINAL RELEASES in the very near future. As of October 2021, Chesney has been nominated for (16) music Industry awards and has become a TOP 5 charting" artist with thousands and thousands of FM radio spins! October 2021 has brought many surprises. (2) WORLD-WIDE songwriting awards, a coveted Josie Award nomination and a 2021 ISSA GOLD WIN for Female Vocalist of the Year! In 2021 Chesney was a prestigious nominee for the 2021 Hollywood Music in Media Awards as an Independent Musician along side huge names associated with Sony Pictures, Walt Disney and others and continues her quest for music placement in feature films, documentaries, and other media sources. She is currently working with Asia Brands for sync placement in a New York City Hulu series and Mac N Me- a Las Vegas Comedy Sitcom. Most recently Chesney ,(at the age of 20), has just purchased Zeiss Records (an independent record label producing charting hits such as "Come Alive"- 2021 and "Distracted"- 2021).
Chesney considers her music her business. She owns her own Publishing Company, and works hard every day making new contacts and developing new business relationships. Chesney is working with other artist/producers daily and still writing! Currently Chesney is touring with the "Break The Silence Extravaganza" featuring actor Danny Glover, The Amazing Howard Hewett, JonJon from Troop, Juanita Wynn, Rodney Allen Rippy and more.
Chesney has worked with NPA Management, Limited in the UK. She has worked with Producer Tim Coons (Backstreet Boys, N'Sync, JoJo, etc), Producer Rich Brown, Producer Luis "The LP" Pacheo (Jason Derulo, 50 Cent, Alicia Keys, Five Finger Death Punch, Lady GaGa), David Davidian (Tour Manager for Alice Cooper and The Hollywood Vampires), Nashville Producer Ryan Lau and other great record labels in Nashville, Florida, and Los Angeles, CA.
Chesney's plan is to be signed with a major label.
If Chesney were stock, NOW would be the time to invest!
Bucky Heard
The Righteous Brothers
"Please support Chesney Claire! She is not only a talented singer/songwriter, but she is an incredible person."
J.D. Nicholas
Lead Singer, THE COMMODORES
"Chesney is a HUGE star! She has a fab voice! She's definitely one to watch! MUCHO success I'm sure she'll have!"
Jaime Lynch
Lead singer, Pussycat Dolls
Burlesque Review
"Chesney is a dynamic singer/songwriter with a lyrical depth and tone well beyond her age. She possesses a natural talent and soulfulness that puts her far beyond artists of her age. Chesney is a born performer and definitely an upcoming artist you don't want to miss!"
Owner ITNS Radio
"Chesney is a rising star who warmly embraces the stage (She's the reason stages are created). A celestial voice second to none...a gifted composer/wordsmith and does it so naturally- Evidence of a truly God-given gift."
Actor (Cheech & Chong)
" Congratulations on your career, Chesney Claire! I see great things in your future! Your music is BANGIN', man!"
Chesney Claire is a PCG Alumni
IPI# 01021259505
Member of BMI Performing Rights Organization
Chesney is a Member of ISSA and the 2021 GOLD Female Vocalist of the Year
Chesney is a Hollywood Music in Media Member and Award Nominee in the Pop genre
Chesney is a member of The Americana Music Association
#TEAMCHESNEY:
www.chesneyclairemusic@gmail.com
FM Radio Promoter(s): Larry Wier (larry_weir@sbcglobal.net) Stephen Foster (howler@howler.biz)
I am professionally represented by: Gotcha Back Management in Beverly Hills, CA
gotchabackmanagement@gmail.com


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Q: cant echo >> sudoers file 'permission denied: /etc/sudoers' I wanted to write a script to add some tools to my VPS or VMS and I write something like that
# Edit sudoers
echo -e "${GREEN}Configure sudoers...${NOCOLOR}"
echo
echo '# Allow user to use sudo without passwd' >> /etc/sudoers
echo '$USER ALL=(ALL) NOPASSWD:ALL' >> /etc/sudoers

this script run as Sudo and i test echo $USER in Sudo is the user name, not root I mean I'm kind of new so I did not know that and write this but when I test it I'm getting error permission error i don't know what to do I did some search but can't find anything

A: I have three things to point out there. One, you should really use visudo to edit the /etc/sudoers file, even if you set $EDITOR to a script that echoes that content. The other is that it is sub-optimal to let any user run any command without a password. Finally, $USER will equal root, so that will be pointless.
If you really want to do that, make a separate script that has this in it:
echo '# Allow user to use sudo without a password' >> $1
echo "$PERSON ALL=\(ALL\) NOPASSWD:ALL" >> $1

Second, make yet another script that runs your main script like this:
sudo "env PERSON=$USER /your/script/here"

That should tidy it up a bit, because you can be sure that the whole script is being run as root, and visudo keeps backups in case you screw up the sudoers file.

A: Instead of using:
sudo echo "# This is a comment" >> someFile.txt

You can use:
echo "# This is a comment" | sudo tee -a someFile.txt

NOTE: Don't forget the -a flag for the tee command, otherwise you will end up overwriting the whole file with the new comment line.
Read more about tee here:

*

*https://man7.org/linux/man-pages/man1/tee.1.html

*https://man7.org/linux/man-pages/man2/tee.2.html

redpajama_set_name: RedPajamaStackExchange


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Syndrome K: The Fake Disease That Saved Lives
Kaushik Patowary Mar 20, 2019 0 comments
In the fall of 1943, as German soldiers began rounding up Jews in Italy and deporting them by the thousands to concentration camps, a mysterious and deadly disease called "Syndrome K" swept through the city of Rome causing dozens of patients to be admitted to the Fatebenefratelli Hospital located in the middle of the boat-shaped island on Tiber river. The details of the disease are sketchy, but the symptoms include persistent coughing, paralysis and death. The disease was said to be highly contagious.
The 16th-century Fatebenefratelli Hospital has a history of infectious diseases. In the 17th century, it was used to quarantine plague patients, and when there was a cholera outbreak in Rome in 1832, Fatebenefratelli—by virtue of its isolation—became a natural shelter for the infected.
Fatebenefratelli Hospital on the Tiber river Island, Rome. Photo credit: 4thebirds/Shutterstock.com
But "Syndrome K" was different. There was no mention of it in medical textbooks, and outside of the staff at Fatebenefratelli, nobody had heard of it before. It sounded similar to Koch Syndrome, which was tuberculosis, a terribly frightening disease at that time. When the German soldiers went to raid the Fatebenefratelli, the doctors explained the disease to the men and what lay behind the closed doors. None of them dared to go in. And that's how at least a hundred Jews who were taking refugee at the hospital escaped death. "Syndrome K" was a made up disease.
The disease was created by Giovanni Borromeo, the hospital's head physician, with the assistance of other doctors to save those Jews and anti-fascists who sought refuge there. Borromeo began providing Jews a safe haven in the hospital from 1938, the year Italy introduced antisemitic laws. One of the refugees was Vittorio Sacerdoti, a young Jewish doctor, for whom Borromeo prepared false papers and gave him a position in the hospital. Another psychiatrist, Adriano Ossicini, was an antifascist who had been imprisoned several times before he found work under Borromeo. Ossicini, along with many other doctors, ran a semi-clandestine resistance base at the Fatebenefratelli.
On October 1943, the Nazis raided a Jewish ghetto in Rome, and many Jews fled to Fatebenefratelli, where Borromeo admitted them as "patients". The refugees were given a new fatal disease—Syndrome K—in order to identify them from the actual patients. The letter K was chosen after German officer Albert Kesselring, who led the troops in Rome. K was also the initial of the last name of a Nazi officer in Rome, Herbert Kappler.
Fatebenefratelli Hospital. Photo credit: ChameleonsEye/Shutterstock.com
"Syndrome K" was purported to be a neurological illness whose symptoms included convulsions, dementia, paralysis, and, ultimately, death from asphyxiation. Just what it might be was left for interpretation. When the Nazis came to visit, patients were instructed to cough a lot whenever soldiers passed by their door.
The ruse worked. "The Nazis thought it was cancer or tuberculosis, and they fled like rabbits," said Dr Vittorio Sacerdoti during an interview with BBC in 2004, sixty years after the event.
In 2016, the 96-year-old Ossicini spoke to the Italian newspaper La Stampa about the invention of the disease:
Syndrome K was put on patient papers to indicate that the sick person wasn't sick at all, but Jewish. We created those papers for Jewish people as if they were ordinary patients, and in the moment when we had to say what disease they suffered? It was Syndrome K, meaning 'I am admitting a Jew,' as if he or she were ill, but they were all healthy.
The idea to call it Syndrome K, like Kesserling or Kappler, was mine.
How many lives Syndrome K actually saved is hard to tell, but accounts vary from two dozens to over a hundred.
After the war, Borromeo was honored by the Italian government by awarding the Order of Merit and the Silver Medal of Valor. He died in 1961 at his own hospital. He was posthumously recognized as a "Righteous Among the Nations" by the Israeli government.
The hospital itself was recognized as a "House of Life" by the International Raoul Wallenberg Foundation, which advocates on behalf of Holocaust saviors.
Aerial view of Fatebenefratelli Hospital. Photo credit: Aerial-motion/Shutterstock.com
History Hospital Italy Landmarks Nazi

redpajama_set_name: RedPajamaCommonCrawl


A lead provider in document destruction services in Florida and Georgia since 2000. Mobile onsite shredding - business and residential.
Whereorg has 3 results under Document and Office Record Destruction Companies in Jacksonville, FL.


The first-gen Suzuki GSX-R initiated the competition-model manufacture prototypes trend worldwide. It was a motorbike you might take directly of the Suzuki store and knockout the stadium with. These GSX-Rs (and those that arrived later) were all affectionately named 'GIXXERs' by their holders and fans similarly. In addition, therefore, the motivation for the term of Suzuki Bike India's top innovative 155cc bikes – the Suzuki Gixxer.
The innovative Suzuki Gixxer has been precisely built for India and its adjacent areas with the emphasis being on designing, fuel productivity and reasonable manufacturer. Besides the motorbike ranks in attractive much these entire features. The Suzuki Gixxer is wonderfully remarkable with clear appeal shapes. Many lines also have a determination, which creates the design twice as pleasant. The well-built and sophisticatedly carved fuel tank has huge knee break offering outstanding hold providing the Gixxer a giant scrambler feel and also has the section customary 12-litre fuel capability. There's also the now trending '3D' Suzuki symbol on the tank with jumpy tank revelations comportment the Gixxer terminology.
It's a highway scrambler, thus the Suzuki Gixxer achieves an eye-catching three-sided headlight with a swimsuit fairing. The well-shaped side rectangles convey an up-to-the-minute muted black and metal gold permutation. Next exceptional design feature is its strong dual-type finish, which the company has utilized for the first time on a sub-250cc bike. Suzuki proves that this dissipate design isn't only for display, but truly assists the process of rummaging.
The implementation of the back design is particularly praiseworthy with the body coloured grab rails just about combining into the side rectangles and a little LED backlight. What also enthralled me was the carved out seat. And though the pillion seat looks small, it is fairly comfortable. Finally, a smart set of 'Y' formed compound wheels enthused from Hayabusa and GSX-R comprehensive the huge comrade encouraged design. From the entire perspectives, there are flat smooth charm lines.
With a leg on each side of it and the riding point feels exactly right as Suzuki has obtained the ergonomics exact with the best amalgamation of an extensive all-in-one handlebar, back set foot pegs and 780mm saddle height. The switches and grips have the typical Suzuki superiority and surface. Some metalheads about the obverse fork and regulates grip displayed marks of corroding, which was carried to the company's notification, and positively it will be determined in the production prototypes.
The Suzuki Gixxer has a state-of-the-art smartphone similar to entirely digital clock, which has gear point and rpm pointer, together with the consistent tacho, do, trip meter and a fuel device. The kick-start has a fascinating 'S' silhouette to sidestep the back brake device when used.
We have chosen for the more expedient electric-begin to crank-up the anew advanced 155cc. It's a single tube, SOHC, air-conditioned and carbureted engine which is available with a five-speed gearbox. The engine and the motorbike's control have been established under the alert eyes of the equal creators who have also formed the Suzuki GSX-R series. Without any comparison of the power scores of both these motorbikes, as the Gixxer yields a diffident 14.8PS of highest power at 8,000rpm and 14Nm of highest rotation at 6,000rpm.
Positioning into a major, the grip feels graceful and enlightened as one has experienced in many Suzuki motorbikes. The power transfer is smooth and the scrambler doesn't object when raced high, whereas the engine continues ambience free all through. It has a good low-end rotation which makes it perfect to ride at town speeds; however, mid-range and top-end power aren't extraordinary. The motorbike feels amazing when it isn't strapped quite tougher as power be likely to smooth out on the top. Undoubtedly a settlement to achieve maximum fuel efficiency.
This lightweight bike is fortified with the corporation's SEP (Suzuki Eco Performance) technology that diminishes mechanical damages. Making use of which, the company has a claim, the Suzuki Gixxer 155 takings the first-rate fuel economy of 63.5kmpl. Thus, in practical situations, anticipate it to reoccurrence about 50-55kmpl.
Considering just 135kg, the Suzuki Gixxer is very lightweight and tremendously dexterous. The weight delivery is well-organized and the extensive handlebar also includes to the manoeuvrability. The muscular 41mm obverse divides and 7-step variable back mono-shock interruptions are adjusted to counterpart the extensive back tire and also helps in handling.
This is a well-intentioned city-based athletic 155cc bike, with individual design and fortunate modification. Rated aggressively at Rs 72,199 (ex-showroom Delhi), it challenges most of its race by almost Rs 3,000, comprising the Yamaha FZ series, which the innovative Suzuki Gixxer directly intends at.
Auto Expo around the World!


I am always on the hunt for good eBay deals and whilst looking I came across a very beautiful looking Alive in Wonderland necklace, costing only £1.20 with free postage. The listing image was the picture featured below, which looks beautiful, but I know that often when looking at cheaper items and eBay deals online the image doesn't necessarily match the item you receive.
I had seen the same necklace in an earlier search for around £7 so I thought I would give it ago, see the quality of the item when it arrived and whether it was worth it. The order was coming from China so I knew that there would be a bit of a wait but it actually arrived within about 2 weeks.
When it arrived I was so happy with it, the quality is quite high and the listing image actually matches with the item itself – one of my successful eBay deals! The image quality of the image isn't as high or as detailed as the listing image but it still looks lovely if you are an Alice in Wonderland fan.
The listing mentions a silver chain which this definitely is not, its brass toned to match the pendant base. The clear dome encasing the image is very strong and tough, I think it is actually glass but for the price I was expecting it to be plastic. The high quality dome on the necklace makes it seem far more expensive than it actually was.
Overall I was very impressed with my eBay deal. If you received this necklace as a gift you would not know that it was a cheap item as it looks far higher quality.
Remember if you are on the hunt for more eBay deals to check out my other online bargains here.


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HomeBasketballBoeheim keeps Orange ego in check
December 6, 2012 Lauren Duda Basketball
Syracuse needs to do better, Boeheim says
Much like McKayla Maroney and her Olympic silver medal, Coach Jim Boeheim is not impressed with his Orange.
Even the wake of an 84-48 blowout win over Eastern Michigan on December 3, the coach made it clear that the team still has a long way to go in terms of progress.
"This team has a lot to learn," Boeheim explained. "We have a lot of work to do to be good—we want to be good," he continued.
With the Orange off to a 6-0 start to the season, fans are asking themselves: "Well, aren't we already good?" After all, the Orange has already recorded a win against San Diego State University, who was a top-ranked team in the NCAA last year.
» More SU basketball: Cuse alum Warrick high on Orange
Fans may view these early victories as an indication for how the team will fare during the tournament this spring, but Boeheim knows better.
"Playing really good teams in November will help your team right away—for the next two or three weeks—but it's not going to help you in March," the coach stated. Instead, Boeheim prefers to take each early season game as a learning experience, and the Eastern Michigan game was no different. He revealed that, "This game helps us because we can point out the mistakes and turnovers that will cost us in a big game. We can show where we didn't defend in a couple of situations. These are learning experiences. The score doesn't matter."
Boeheim also directly addressed the Syracuse community's "overwhelming confidence" in its team, which is something that he cannot justify from his point of view.
"I laugh when I see everybody thinking that we're going to win every game," he said. "Anybody we play can come in here and beat us. That's college basketball. To just assume that we're going to win every game is the most arrogant thing I've seen in my life," he remarked candidly.
The coach urged fans to gage their expectations based on the talent of the current team and not last year's all-star lineup.
» More SU basketball: Blowouts mean something, after all
"Last year's team was good right now. This team is not good, they have got to get to be good," Boeheim reminded fans. "It bothers me this year when people say 'Oh, you're going to go 17-0 or 18-0,' because we've got a long ways to go to get to be that team," he added.
Although Boeheim hopes to win every game that they play in December, he wants to keep pushing his team to the limits of their talent and athleticism. "We're going to have to play well, we're going to have to play better and we're going to have to work on things," he reiterated. "Then that will help us get ready for the conference, and that's a whole other world."
Indiana offers 2015 wing Malachi Richardson — Cuse Clicks


text:
@confluenceyyc
theconfluenceyyc@gmail.com
Ep. 17: City hall's greatest hits
Ten current and former city hall reporters talk about their favourite memories with host Annalise Klingbeil. 1. Robson Fletcher invents a word that's now part of the Calgary lexicon 2. The famous Lucas Meyer unveils his highlight reel of council impressions 3. Helen Pike on puns, zucchinis and threats 4. Bill Kaufmann reveals what happened in Las Vegas 5. Jason Markusoff, of the pearl-clutching media, chuckles in shock 6. Shawn Logan reflects on a time before strict...
Ep. 16: Alberta's Opioid Crisis — 'There's no end in sight'
Across Alberta, there were 482 opioid-related accidental deaths in the first nine months of 2017. Take a minute to let that number sink in. Nearly two Albertans are dying every single day from fentanyl and other opioids, and there's no end in sight. This crisis is killing young men at a higher rate than anyone else. The majority of victims are dying in their own homes, and in Calgary, most fatalities are occurring outside the downtown core, in the suburbs. Behind the startling...
Ep. 15: 'We only really notice things when they're gone'
For years, more than 30,000 drivers a day rolled by a long row of character homes along Memorial Drive, west of 10 Street N.W., with little thought. When a construction fence surrounded the homes, some Calgarians took note. After a bulldozer destroyed the vacated abodes, all of a sudden, citizens remarked that something was missing from their daily commutes. "We only really notice things when they're gone," says Josh Traptow, the executive director of the Calgary Heritage...
Ep. 14: SW BRT 101 (Why expanded transit is so controversial in southwest Calgary)
When city council debated a pair of dedicated bus lanes proposed for southwest Calgary this week, it wasn't the first time — and it likely won't be the last. Despite getting the green light from council in 2011, controversy over the southwest bus rapid transit (BRT) project continues to rear its head. "It seems that every six months to a year, we're going through the southwest BRT," said Ward 14 Coun. Peter Demong during the latest debate. On this episode, host Annalise Klingbeil and...
Ep.13: 'Not your grandma's suburb'
Ward 12 Coun. Shane Keating has a bumper sticker in his office. It says: "I do suburbs, but I do them right." On this episode, host Annalise Klingbeil drives (and complains about an abundance of traffic circles) as Keating tours listeners around Calgary's deep south. We travel through master-planned, mixed-use, compact neighbourhoods that Keating believes have been done right. These aren't the Calgary suburbs of decades past, where single-family, cookie-cutter homes with double-car...
Ep. 12: 'It's a blood sport and I don't see any bleeding'
He calls city hall the big blue playpen and he's been covering it for nearly three decades. On this episode of the Confluence podcast, host Annalise Klingbeil speaks to ever-opinionated Calgary Sun columnist Rick 'the Dinger' Bell about the looming municipal election. With less than three weeks left before voters head to the ballot box, Bell says the mayoral race is shaping up to be interesting because it's not yet clear just who will win council's top seat. "In Calgary mayoral...
Ep. 11: 'This just isn't right'
When he ran for mayor in 2010, Naheed Nenshi campaigned on 12 better ideas for Calgary. "Better idea number one is about secondary suites," Nenshi said in a 2010 campaign video before he won council's top job. "This is one of those areas where our city council could have acted decisively so long ago and they just haven't." But after seven years with Nenshi at its helm, council still hasn't acted decisively on the issue. On this episode, host Annalise Klingbeil interviews Nenshi about...
Ep 10: Secondary Suites 101
If you're a homeowner in Calgary and you want to put a stove in your basement, prepare for a process that's unheard of in any other major Canadian city. Calgary remains one of the only municipalities across the country where most property owners who want a secondary suite must plead for a zoning change directly to city council. On this episode, host Annalise Klingbeil and producer Kerianne Sproule take you into the wild world of secondary suites in Calgary. We go over the basics, find...
Ep. 9: Downtown Calgary's 10-to-20-year problem
Picture Calgary's downtown core, where tall office towers and cranes working on the next big project have long dominated the skyline. Today, the equivalent of one in four of those buildings sits completely empty. The city's record-high downtown vacancy rate has even surpassed that of Manhattan at the height of the Great Depression. That's a major problem for Calgary, which has historically relied on downtown for one in four jobs and 40 per cent of its non-residential tax revenue. On this...
Ep. 8: School's out for summer
City council's final meeting before their summer break felt like it would simply never end. Thankfully, after three long days, it finally did. "Ladies and gentleman, school is out for the summer," said Mayor Naheed Nenshi around 10:00 p.m. on Wednesday August 2, at the conclusion of a meeting that literally started the month before. On this episode, hosts Trevor Howell and Annalise Klingbeil discuss that three-day meeting, look back at the big issues that have plagued elected officials in...
Ep. 7 — The Babysitters Club
One's a retired Court of Queen's Bench judge. The other a University of Calgary law professor. Together, they are tasked with keeping Calgary's mayor and councillors on a short leash and under a watchful eye as city hall's first integrity commissioner and ethics advisor. On this episode, Trevor Howell and Annalise Klingbeil sit down with Allen Sulatycky and Alice Woolley to reflect on the challenges they faced establishing the new watchdog positions, explain what their roles entail, the...
Ep. 6: The don't forget your helmet edition
What happens when a podcast host goes for a bike ride with city council's most ardent opponent of cycle infrastructure? Well, for starters, she learns that Ward 4 Coun. Sean Chu can indeed bike. Chu is the happy owner of a blue mountain bike and a helmet, which he regrettably forgot on our ride-along on Northmount Drive N.W. On this episode, hosts Trevor Howell and Annalise Klingbeil dive into the issue of bicycles in Calgary. And, in a city where the words WAR. ON. CARS. are uttered...
Ep. 5: An '80s TV dad for mayor and Calgary's garish Stampede cartoons
The race to become Calgary's next mayor has another entrant. Bill Smith, a Calgary lawyer and former president of the Alberta Progressive Conservative Party, formally kicked off his campaign at a well-attended event at Fort Calgary on June 12. On this episode, we visit the launch party and speak to Postmedia politics reporter James Wood about his thoughts on a "very easy-going, likeable guy" who surprisingly, hasn't had his fill of politics just yet. Hosts Trevor Howell and Annalise...
Ep. 4: Grabbing a tiger by the tale and much ado about slates
The former owners of a well-known restaurant have sued Druh Farrell, accusing the inner-city councillor of — among others things — defamation, "systematically" flouting her public duties and corruption. And a foursome with conservative ties announced their intention to run as a slate in the October 16 Calgary Board of Education (CBE) election under the banner Students Count. Hosts Trevor Howell and Annalise Klingbeil talk to corporate lawyer and blogger Susan Wright (we highly recommend...
Ep. 3: How do you eat an elephant?
How do you eat an elephant? One bite at a time. It's Calgary's most ambitious infrastructure project to date. A 46-kilometre, $4.65-billion (and counting) light rail transit line that will tunnel beneath the downtown core and ease commutes for thousands of Calgarians in the deep south and far north. In early 2015, the Green Line LRT was still years, if not decades, away from becoming a reality. But a $1.53-billion pre-election funding promise from the former federal Conservative government...
Ep. 2: They got asked... a lot
In this week's episode, we're joined by Ask Her board member Sarah Elder-Chamanara, former Calgary alderwoman Gael MacLeod, and Minister for the Status of Women Stephanie McLean to discuss why so few women run for public office, the discrimination they face, and ongoing efforts to boost the number of females on the ballot in Calgary's fall election. Women, on average, hold about a quarter of elected seats in municipal politics. The 2013 municipal elections saw just 490 women elected to...
Ep. 1: Nothing to lose
A popular mayor seeking re-election and vying to secure his political legacy. A veteran Ward 10 councillor with "nothing to lose" and everything to gain ... if he can woo enough voters in his favour on election day. No, we're not previewing this October's mayoral bout between Naheed Nenshi and Andre Chabot for the first full episode of The Confluence — we'll tackle that match-up in the coming months. Instead, we're taking a look back to the 1998 municipal election when then-alderman Ray...
Join hosts Trevor Howell and Annalise Klingbeil for thoughtful discussions on critical municipal issues with community leaders, policy makers, politicians and, most importantly, Calgarians who make this city unique and vibrant. Stay tuned for our first full episode on Friday, April, 21, 2017.


The English Learner Support Division of the California Department of Education convenes the Bilingual Coordinators Network (BCN) meetings four times a year. BCN's purpose is to disseminate policies, research and best practices that relate to English learners in California. BCN consists of representatives from county offices of education, school districts with the top 10 English learner population and other agencies.


I have appeared before the CRTC and provided strategic legal advice in leading copyright and telecommunications appeals at the Federal Court of Appeal and the Supreme Court of Canada. I have also appeared before parliamentary commissions and been involved in all of the revisions of the Canadian Copyright Act beginning with the NAFTA amendments in 1994 up to and including the enactment of the Copyright Modernization Act in 2012.
I speak about copyright, telecommunications and technology law at many legal forums and seminars and taught music licensing at a private media arts institute as well as a university guest lecturer on copyright and telecommunications law. I chaired the board of an "avant garde" art gallery and am on a number of advisory committees that help artists and creators with legal issues.
I am a member of the International Literary and Artistic Association (ALAI) and a Fellow of the Intellectual Property Institute of Canada (IPIC).


An area of marshland lying between the Crau steppes and the River Rhone, alongside the Camargue.
The site holds 20,000 or more waterbirds in winter, on a regular basis (including Anas crecca 4,500; Anas platyrhynchos 3,000; Anas clypeata 1,000; Fulica atra 7,000).
BirdLife International (2019) Important Bird Areas factsheet: Marais entre Crau et Grand Rhône: Meyranne, Chanoine, Plan de Bourg et Salins du Caban. Downloaded from http://www.birdlife.org on 24/04/2019.


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Jaguar XK 150 3.8 Litre FHC, 1960 | € 118.500,--
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Sound driving
Make history
Jaguar XK 150 3.8 Litre FHC, year 1960. Matching numbers, a Heritage certificate is present. Colour British Racing Green combined with a black leather interior. This fabulous Jaguar XK 150 was fully restored by the renowned Dutch firm of Brooklands Classic Cars in the past. This firm was renowned for their top-class detailed restorations of Jaguar XK models. A photo report and invoices of the restoration are present. The chassis was sand blasted and stove enamelled black, and the body was restored from the bare metal. The panel fit is very impressive as is the superb paintwork. Of course, all the mechanical components were fully rebuilt, and new wiring was fitted. This fine Jaguar XK 150 3.8 Litre Fixed Head Coupe (FHC) is in superb top condition and the car drives perfectly! The automobile features chrome wire wheels a Getrag 5-speed manually operated gearbox, disc-brakes on all wheels, Vredestein Sprint Classic tyres, a Stainless-Steel exhaust, Kenlow electric cooling fan, Jaguar head-lamps, a Moto-lita sports steering wheel with wood rim, a walnut dashboard, a period Philips auto radio, lucas long-range lamps at the front and a Brakelock anti-theft system. The original tool-set is also present. This is a top quality XK 150 FHC fitted with the desirable and most powerful 3.8 Litre engine!
This Jaguar is for sale at Classic Cars Friesland.
Price: Euro 118.500, -.
CCF 1806
The XK 150 replaced the Jaguar XK 140 in 1957. The undercarriage of the XK 150 was for the greater part equal to the XK 140's, but its bodywork was new and broader. Though its design was again very refined, it was somewhat less dynamic as compared with the XK 120 and XK 140. The bodywork was less sleek and the design of the characteristic wing lines was now less markedly sloping. The increased width of the bodywork resulted in a wider grille which, in line with the best Jaguar's tradition, was delicately integrated in its design. The XK 150 was the first of XK series with an unbroken panoramic windscreen.
Compared with the XK 140, the following technological improvements can be noted: the XK 150 was fitted with disc brakes on the front wheels and with more powerful engines. The 3.4-litre XK engine fetched a standard 210 hp, and the SE Special Equipment version even 250 hp. From 1958, the XK 150 was also available with a 3.8-litre XK engine with a capacity of no less than 265 hp.
Like the XK 120 and XK 140, the XK 150 was available in three variants: the roadster, the more spacious DHC (Drop Head Coupé) and the FHC (Fixed Head Coupé) with fixed steel roof. Production of the XK 150 was stopped in 1961, and after 13 years, the XK 120, XK140 and the XK 150 series were replaced by the Jaguar E-type.
Technical data*
six cylinder engine (DOHC)
cylinder capacity: 3781 cc.
carburettors: 2 x S.U. 1¾ inch
capacity: 265 bhp. at 5500 rpm.
torque: 348,7 Nm at 4000 rpm.l
top-speed: 132 mph. - 212,4 km/h.
acceleration 0-60 mph.: 7,6 sec.
gearbox: 4-speed manual (overdrive optional)
weight: approx. 1400 kg. (differs per model)
*Source: The Jaguar File
Though the Jaguar brand was first used in 1945, its factory had been founded long before. In 1922, William Lyons and William Walmsley laid the foundation of the firm in Blackpool, England, with the name of Swallow Coachbuilding Co. The factory constructed motorcycles and sidecars and later bodies based on the Austin Seven chassis. When in the 1930s their own SS cars were built, the company name was changed into SS cars Ltd.
The SS cars were conventional saloons and drophead coupes in the way many other British brands built them.
For obvious reasons, After World War II the company name SS Cars Ltd. was changed into Jaguar Cars Ltd. It was the birth of the now famous and popular make of Jaguar.
The pre-war SS models were sold under the name of Jaguar until 1948, and in this year the saloon, the MK-V, and a sports car, which was the much talked of XK 120, were brought onto the market.
The XK 120 was very successful, and established the fame of this name as one of the icons in the history of motorcars. The XK 120 could reach 120 miles an hour (almost 200 km/h), which made it the fastest production car of its time. Moreover, the XK 120 cost much less than the other comparable production models by Aston Martin and Ferrari.
In 1951 and 1953, Jaguar won the 24-hour of Le Mans with a racer based on the XK 120, the Jaguar C-type. It made the name outright immortal. Success was continued the next years with the Jaguar D-type, which surpassed its competitors with its disc brakes.
The XK sports car series was a success and the XK 120 was succeeded by the XK 140 and XK 150 over the years. The deluxe saloons were a spur to victory with the introduction of the MK I in 1957 and the MK II in 1959. This self-willed, streamlined sedan was a real 'wolf in sheep's clothing'. The car was fitted with the powerful 3.4 litre XK six-cylinder engine, which was good for reaching a top-speed of about 200 km/h.
In 1960, Jaguar took over the British Daimler, and from that time onward it used the name of Daimler for its deluxe, comfort-oriented models, and the name of Jaguar for its sporty cars.
In 1961, the famous Jaguar E-Type was born. The E-Type was inspired by the D-Type racing car from the fifties. Like the XK, the E-Type was an icon in the history of car making, with an almost alien design and excellent technology. The E-Type appeared as a roadster, as an FHC (Fixed Head Coupe) and as a 2+2. They also built some special lightweight E-Types to prolong the racing successes of the past. However, they did not succeed as competitors had copied the technical achievements of the D-Type.
In the production of the deluxe saloons, a large MK X was added to the MK II, and the contiguous S-Type, the 240/340 series and the 420/420G series were brought onto the market.
In 1968, the Jaguar XJ was designed and though evolved in many ways, the XJ is available to this very day.…
In 1971, a V12 engine was added to the Jaguar E-Type, and later in the Daimler Double Six and the Jaguar XJ 12. At that time, it was the only twelve-cylinder engine in serial production in the world.
In the mid-seventies, the E-Type had to clear the field and besides the XJ, the special-lined 2+2 came onto the market. It was the XJS. This car was also available as a convertible.
So far the classic period. In the future the Jaguar history from 1980 will be filled in.
© Marc Vorgers
Seller: Classic Cars Friesland
Sudkant 1
8495 KC Aldeboarn
© Marc Vorgers 2000 - 2020
F&J webcreation Disclaimer


Search Result for "dr podcast anesthesia"
List of ebooks and manuels about "dr podcast anesthesia"
Download our dr podcast anesthesia eBooks for free and learn more about dr podcast anesthesia . These books contain exercises and tutorials to improve your practical skills, at all levels!
You can download PDF versions of the user's guide, manuals and ebooks about dr podcast anesthesia, you can also find and download for free A free online manual (notices) with beginner and intermediate, Downloads Documentation, You can download PDF files about dr podcast anesthesia for free, but please respect copyrighted ebooks.


text:
Q: 404 Not Found when trying to install ESLint 8.4.4 with create-react-app Whenever I try to run npx create-react-app my-app, it shows the error:
npm ERR! code E404
npm ERR! 404 Not Found - GET https://registry.npmjs.org/@types/eslint/-/eslint-8.4.4.tgz - Not found
npm ERR! 404
npm ERR! 404  '@types/eslint@http://registry.npmjs.org/@types/eslint/-/eslint-8.4.4.tgz' is not in this registry.

When I try like eslint-8.4.0.tgz I can download it but 8.4.4 just doesn't exist.

A: There is an issue with v.8.4.4 on the NPM
Change your package.json and use 8.4.3 instead!
Pin it in "resolutions" for yarn
  "resolutions": {
    "@types/eslint": "8.4.3"
  }

or "overrides" for npm
  "overrides": {
    "@types/eslint": "8.4.3"
  }

more info about overriding values in NPM:
How do I override nested NPM dependency versions?
more about issue (check it here):

A: It is not a problem of React, but a problem of a package @types/eslint. Seems like the bad version of the package was upgraded and it's not downloadable.
To solve the issue, you may want to create a react app, without using create-react-app. To do this, try to use the following tutorial
Or you can wait until the package is fixed.


text:
Ultan's Library *
a web resource for the study of Gene Wolfe
Book of the New Sun
Fifth Head of Cerberus
Latro (Soldier) novels
Ultan's Tumblr
Author: C. S. E. Cooney
An Homage to my Honorary Grandfather
By C. S. E. Cooney
In Articles, Gene Wolfe, Latest
Just shy of eighteen, I met Gene Wolfe. My father introduced us, and then we all went out to dinner: Gene, his wife Rosemary, my father, my stepmother Terry, and me.
I'd been shy about meeting him—not because I'd read his books (I'd read one, The Shadow of the Torturer, just recently, not having any idea who the author was or who he'd be to me)—but because I was shy of new people in general.
Halfway through dinner, I found myself asking if he'd read my novel. I don't know what brazen ghost possessed me. I could see the moment his face changed. Got very careful indeed. Gently he said, "I can read it, but I can't promise to say anything about it."
I remember backpedaling, saying I'd just send the first three chapters. He twinkled at me. (He has very twinkly eyes.)
And after I sent my chapters, I received a letter.
I don't know if Gene ever read past the first chapter. But he wrote me a long letter about what he did read, what he'd observed, and it was a letter full of keen incite, encouragement, what I was doing well (Dialogue! Character!), and most importantly, stuff I needed to work on. For example, I had a tendency to interrupt my dialogue with long infodumps. He used the phrase "lumps of prose like uncooked dumplings," which delighted me—and has stayed with me these many years.
I could feel my brain cracking open and horizon pouring in. I wrote him back. I thanked him. I asked him questions. He started teaching me about short stories.
The subject had come up at that initial dinner. "Write short stories," he advised me. "Build your byline. Once you have a body of work and some name recognition, you'll be ready to sell your novel. Learn your craft; novels are the easiest to write. Short stories are harder. Poetry is the hardest of them all."
That made me feel smug; I was already a poet.
"How do you write a short story?" I asked. I'd never been able to write short. A teacher in high school had called me "prolific," in a tone of voice that was half-admiring, half-resentful.
"Anything can be a short story," said Gene. "Look around. This chair could be a short story. That waiter. How they interact."
Immediately I had an idea for a sentient chair and its best friend, the waiter.
To this day, I still write long, often novella-length. But I marvel at the engineering behind a Gene Wolfe short story. How can he pack all that story into such a limited frame? I have to sit with his stories and sink in; they go down so deep. They resound.
Gene taught me how to write cover letters. How to submit. How to subscribe. "Writers who don't subscribe to the magazines they submit to are cutting their own throats." He was clear on that point.
I still overwrite my early drafts (Gene told me he does too), and I still have to watch out for "lumps of uncooked prose."
He once advised, "Always tell a story as cleanly and as clearly as possible."
I find myself coming back to that. I often garland my stories in gilded curlicues of language that I later sometimes want to slash back to the bone. But there was this one time, after I wrote "Three Fancies from the Infernal Garden" (Subterranean Magazine: Winter 2009) and showed it to Gene, telling him I'd probably need to cut much of the sing-songy rhythm and internal rhyme, he urged me not to take my knife to it.
So I remember that too: Not only "Tell the story as cleanly and as clearly as possible," but also—remember that sometimes, the elaborate is beautiful.
In a decade and a half of loving advice, encouragement, introductions, brilliant brunches, and road trips that Gene Wolfe has gifted to me, another moment sticks out. Early on in my submitting-short-stories process, I'd written him this letter—hyperbolic, tear-stained—about receiving yet another rejection. I'd thrown myself against a wall, I said, I'd wailed. And he wrote back, "Good on you! That means you care. It's good to care."
He wrote it better of course; but memory synthesizes our experience. And what a thing to remember! Especially for a young writer, addled by self-doubt, newborn-barefoot on the fierce terrain of the unknown. Rejection is a natural part of the process, and so is the artist's reaction against it. It's all right; we're supposed to feel—even Gene Wolfe still gets sad at a rejection letter. It's good to feel.
"And when it's done," he told me, "look at your story again. Scrub her face. Give her a new dress. And send her back out into the world."
It's because of Gene Wolfe that I view each new story as an intrepid daughter of Nellie Bly: suitcase in hand, checkered suit impeccable, head held high, heading off into the sky.
C. S. E. Cooney (csecooney.com/@csecooney) is the author of Bone Swans: Stories (Mythic Delirium 2015), the title story of which was nominated for the 2015 Nebula Award. Her novella "The Two Paupers," second installment of her Dark Breakers series, is included in Rich Horton's The Year's Best Science Fiction and Fantasy 2016. She is an audiobook narrator for Tantor Media, the singer/songwriter Brimstone Rhine, and the Rhysling Award-winning author of the poem "The Sea King's Second Bride," which can be found in her collection How to Flirt in Faerieland and Other Wild Rhymes. Her short fiction and poetry can be found at Uncanny Magazine, Lakeside Circus, Black Gate, Papaveria Press, Strange Horizons, Apex, GigaNotoSaurus, Goblin Fruit, Clockwork Phoenix 3 & 5, The Mammoth Book of Steampunk, and elsewhere.
Categorically:
A Solar Labyrinth
Book of the Long Sun
Book of the Short Sun
Shadows of the New Sun
Wolfeana
Cave Canem Robert Borski's site about the mystery that is the Fifth Head of Cerberus
Hoof & Hide "Perhaps for other Wolfe Fans this can be a sort of crossroads or gateway to the sources they are looking for."
Lupine Nuncio (site down/gone) Wolfe news and links
Silk for Caldé Regularly updated blog about Gene Wolfe, originally focussing on Long Sun, but now more general
Sirius Fiction Home of Lexicon Urthus, Michael Andre-Driussi, and the forthcoming book about Book of the Long Sun
The URTH mailing list Ongoing old-fashioned email discussion of Wolfe, and everything else that is important
Wolfewiki A wiki about Gene Wolfe
Contact Master Ultan
Jonathan and Nigel can be contacted at:
ultan01 [at] yahoo.co.uk


Malvern Private is Australia's leading provider of Drug and Alcohol Addiction Rehabilitation Recovery Treatment Programs. We are a fully accredited and health fund endorsed facility. As a Private Hospital, Private Health Insurance excess and gap costs vary depending on the level of cover. Our staff will give an estimate of the fees prior to admission. We have contracts with most funds and claim directly from them. The admission and referral process is initially via the phone and can be done by self-referral, GP or by other clinicians such as psychologists and counsellors.
For more information or to book an assessment time please call 03 9885 9621.
Our aim to provide a rounded program, offering not only withdrawal from drugs and alcohol, but a range of therapies and tutorials to focus on mind, body and soul, restoring optimal health. Before any person is admitted, they will undergo a pre-admission assessment by an Assessment Specialist.
Malvern Private ensure that patients are discharged free of Alcohol and Drugs, that's why we are considered one of the best Rehabilitation Centres Melbourne has to offer. We do not prescribe maintenance doses of medication, as we believe this is a benefit to long-term success. We also firmly believe that abstinence is possible.
Malvern Private offers bright, renovated surroundings during your stay. Clients are admitted into the intensive residential Drug and Alcohol Addiction Rehabilitation Recovery Treatment Program. The residential stay encompasses elements of detoxification and rehabilitation. The program attempts to replicate a normal living environment within the confines of a hospital. Clients need to be a minimum age of 21 years of age to be accepted into the program.
We monitor and measure client recovery rates and outcomes and benchmark ourselves against the best programs in the world. We pride ourselves on being Australia's leading Drug & Alcohol Rehabilitation Treatment Facility.
Detoxification is different for every client and the detoxification process can last for several days. We do not prescribe maintenance doses of medication. During the detoxification or withdrawal period, we will do everything possible to ensure clients are as comfort as possible.
Introduction to a range of therapeutic approaches to recovery, from trained, experienced and dedicated staff.
Psychological interventions include Cognitive Behavioural Therapies (CBT) and role-plays scenarios.
Therapeutic listening and problem solving programs, focusing on specific situations with individually tailored strategies.
Healthy ways to reduce anxiety and improve sleep.
Attendance at the Day Program and Continuing Care Programs.
Continued education and support at the Family Support Program if needed, so they understand how to best support recovery.
If you require community services post discharge, these will be organised prior to your discharge.
Where required and practicable, arrangements will be made for clients to go into supported accommodation post-discharge.


Obama Now Global Head of Al-Qaeda - Will President order drone strike on White House?
/ Obama Now Global Head of Al-Qaeda - Will President order drone strike on White House?
Thread title needs a little help... and the drone crisis is WAAAY bigger than Obama.


This is quite clever marketing (read sneaky) as the cheapest and most expensive models can be identified at a glance by their colour.
8GB model represents the best value for money (if you use the extra capacity).
Star Rating: 8.5 Stars An evolutionary improvement from the original iPod Nano at a cheaper price.


text:
Country 105 presents: Drew Gregory with Jordyn Pollard
He says he's better in the bar, but we'll take Drew Gregory's anywhere! We're very happy to welcome back this local superstar to the legendary King Eddy stage.
In honour of Calgary's favourite 10 days of the year, King Eddy is bringing you a multi-genre roundup of sizzlin' hot tunes for Stampede 2019. Catch this country-and-more lineup all day and all night on a historic stage just 600 metres from Stampede Park.
About Drew Gregory:
There is an authenticity and truthfulness to the music of Drew Gregory that is undeniable. The songs of this award-winning Alberta country music sensation are infused with a down home realism, a gritty honesty and vibrant sense of rootedness that comes from years spent working the land as a farmer – an aspect of his life that is deeply connected to his talent as a musician, singer and songwriter.
Gregory the singer is also Gregory the farmer – two sides of the same engaging, unpretentious and amiable coin, solidly rooted in the landscape and soil of his rural homestead. The music on his forthcoming EP Good Place to Start is as approachable as he is, something that also translates on stage as he forms an instant rapport with any audience for whom he performs.
Show Disclaimer:
This is the earlier of multiple shows we're presenting on this date. The next show is scheduled to begin at 11:30 pm. When this show is over, we ask that you please make room for fellow ticket-holding live music lovers. Tickets for the second show at the door (subject to availability).
Price: $20 advanced tickets, $25 on the day of the show


text:
Mary Margaret Truman Daniel (February 17, 1924 – January 29, 2008) was an American classical soprano, actress, journalist, radio and television personality, writer, and New York socialite. She was the only child of President Harry S. Truman and First Lady Bess Truman. While her father was president during the years 1945 to 1953, Margaret regularly accompanied him on campaign trips, such as the 1948 countrywide whistle-stop campaign lasting several weeks. She also appeared at important White House and political events during those years, being a favorite with the media.

After graduating from George Washington University in 1946, she embarked on a career as a coloratura soprano, beginning with a concert appearance with the Detroit Symphony Orchestra in 1947. She appeared in concerts with orchestras throughout the United States and in recitals throughout the U.S. through 1956. She made recordings for RCA Victor, and made television appearances on programs like What's My Line? and The Bell Telephone Hour.

In 1957, Truman abandoned her singing career to pursue a career as a journalist and radio personality, when she became the co-host of the program Weekday with Mike Wallace. She also wrote articles as an independent journalist, for a variety of publications in the 1960s and 1970s. She later became the successful author of a series of murder mysteries, and a number of works on U.S. First Ladies and First Families, including well-received biographies of her father, President Harry S. Truman and mother Bess Truman.

She was married to journalist Clifton Daniel, managing editor of The New York Times. The couple had four children, and were prominent New York socialites who often hosted events for the New York elite.

Early life
Mary Margaret was born at Delaware Street in Independence, Missouri, on February 17, 1924, and was christened Mary Margaret Truman (for her aunt Mary Jane Truman and maternal grandmother Margaret Gates Wallace), but was called Margaret from early childhood. She attended school in Independence until her father's 1934 election to the United States Senate, after which her education was split between schools in Washington, D.C. and Independence.

In 1942, she matriculated at George Washington University, where she was a member of Pi Beta Phi, and earned a Bachelor of Arts degree in history in 1946. In June 1944, she christened the battleship USS Missouri at Brooklyn Navy Yard, and spoke again in 1986 at the ship's recommissioning. She studied singing with Estelle Liebling, the voice teacher of Beverly Sills, in New York City.

Career

Singing

After classical vocal training, Truman's singing career began with a debut radio recital in March 1947, followed shortly thereafter with her professional concert debut with the Detroit Symphony Orchestra. She sang professionally for the next decade, appearing with major American orchestras and giving several national concert tours. Some of her credits include concert appearances with the Los Angeles Philharmonic at the Hollywood Bowl, the National Symphony Orchestra, the NBC Symphony Orchestra, the Pittsburgh Symphony, the Philadelphia Orchestra, and the Saint Louis Symphony among others. While she never performed in staged operas, she did perform opera arias in concert. Her performances were mainly of both sacred and secular art songs, lieder, and works from the concert soprano repertoire. In 1951 and 1952, RCA Victor issued two albums by Truman, one of classical selections, the other of American art songs. She also made recordings of German lieder for NBC. A 1951 Time Magazine cover featured Truman with a single musical note floating by her head. She performed on stage, radio, and television through 1956.

At the beginning of her career, critical reviews of Truman's singing were positive, polite or diplomatic in tone, with some later reviewers speculating that negative opinions were held back out of deference for her father as a current sitting United States President. This practice was broken in 1950 when Washington Post music critic Paul Hume wrote that Truman was "extremely attractive on the stage... [but] cannot sing very well. She is flat a good deal of the time. And still cannot sing with anything approaching professional finish." The review angered President Truman (who was dealing that same day with the sudden death of his childhood friend and White House Press Secretary Charlie Ross), who wrote to Hume, "Some day I hope to meet you. When that happens you'll need a new nose, a lot of beefsteak for black eyes, and perhaps a supporter below!" Hume wanted to publish the letter, but Washington Post publisher Philip Graham vetoed the idea. However, Hume showed the letter to a number of his colleagues, including Milton Berliner, music critic of the rival Washington Times, which published a story. The Post was then forced to acknowledge the letter, which drew international headlines, becoming a minor scandal for the Truman administration. Reviewers after that felt more free to be honest in their reviews of her performances, with mixed criticism for her singing thereafter.

Acting, radio, and journalism
Truman's professional acting debut occurred April 26, 1951. She co-starred with James Stewart in the "Jackpot" episode of Screen Directors Playhouse on NBC radio. On March 17, 1952, Truman was guest soloist on The Railroad Hour in a presentation of the operetta Sari.

Truman also performed on the NBC Radio program The Big Show. There she met writer Goodman Ace, who gave her advice and pointers; Ace became a lifelong friend, advising Truman even after The Big Show.
She became part of the team of NBC Radio's Weekday show that premiered in 1955, shortly after its Monitor program made its debut. Paired with Mike Wallace, she presented news and interviews aimed at a female listening audience.

She appeared several times as a panelist (and twice as a mystery guest) on the game show What's My Line? and guest-starred more than once on NBC's The Martha Raye Show.

In 1957, she sang and played piano on The Gisele MacKenzie Show

Writing
Truman's full-length biography of her father, published shortly before his 1972 death, was critically acclaimed. She also wrote a personal biography of her mother and histories of the White House and its inhabitants (including first ladies and pets).  Truman published regularly into her eighties.

Novels
From 1980 to 2011, 25 books in the Capital Crimes series of murder mysteries, most set in and around Washington, D.C., were published under Margaret Truman's name.

Professional ghostwriter Donald Bain (1935-2017) acknowledged in the March 14, 2014, issue of Publishers Weekly that he had written "27 novels in the Margaret Truman Capital Crimes series (mostly bylined by Truman, my close collaboratormy name is on only the most recent entries, released after her death)."

In 2000, another ghostwriter, William Harrington, had claimed in a self-written obituary before his apparent suicide that Margaret Truman and others were his clients.

Institutions
She served on the board of directors for the Harry S. Truman Presidential Library and Museum and the Board of Governors of the Roosevelt Institute, and served as a Trustee for her alma mater.

Personal life
On April 21, 1956, Truman married Clifton Daniel, a reporter for  The New York Times and later its managing editor, at Trinity Episcopal Church in Independence; he died in 2000. They had four sons:
 Clifton Truman Daniel (born June 5, 1957), Director of Public Relations for Harry S Truman College.
 William Wallace Daniel (May 19, 1959 – September 4, 2000), a psychiatric social worker and researcher at Columbia University. He died after being struck by a taxicab in New York City.
 Harrison Gates Daniel (born 1963)
 Thomas Washington Daniel (born 1966)

Popular culture
Italian dress designer Micol Fontana – the designer of Margaret Truman's wedding gown – was invited to appear as a mystery guest on the April 15, 1956, episode of TV show What's My Line? in New York City. The Truman/Daniel wedding occurred a few days later on April 21, 1956, in Independence, Missouri.

Later years and death
In later life, Truman lived in her Park Avenue home. She died on January 29, 2008, in Chicago (to which she was relocating to be closer to her son Clifton). She was said to have been suffering from "a simple infection" and had been breathing with the assistance of a respirator. Her ashes and those of her husband were interred in Independence in her parents' burial plot on the grounds of the Truman Library.

Bibliography

Non-fiction

Fiction
The Capital Crimes series:

As of 2021, six further novels in the series had been published under Truman's name as "with Donald Bain" or "with John Land."

References

External links

 trumanlibrary.org

1924 births
2008 deaths
20th-century American actresses
20th-century American historians
20th-century American memoirists
20th-century American musicians
20th-century American novelists
21st-century American novelists
20th-century American women writers
21st-century American women writers
20th-century American biographers
American women biographers
21st-century American biographers
Writers from Independence, Missouri
American book editors
American information and reference writers
American mystery writers
George Washington University alumni
George Washington University trustees
American women novelists
Harry S. Truman
Truman family
Children of presidents of the United States
Children of vice presidents of the United States
Columbian College of Arts and Sciences alumni
Writers from Manhattan
Women mystery writers
Novelists from Missouri
Novelists from New York (state)
People from the Upper East Side
Infectious disease deaths in Illinois

redpajama_set_name: RedPajamaWikipedia


Hosted by the Canadian Children's Book Centre and TD Bank Group, the Children's Literature Awards will celebrate great Canadian children's books and present the winners of the awards on the evenings of October 28 and November 6, 2014 in Montreal and Toronto, respectively. Look for my announcement about the winners then.
WOW! These are all wonderful books - glad I don't have to pick the winners.


text:
Q: Error accured in get_money() function #include <iostream>
#include <iomanip>
int main ()
{
   long double price;
   std::cout << "Please, enter the price: ";
   std::cin >> std::get_money(price);

   if (std::cin.fail()) std::cout << "Error reading price\n";
   else std::cout << "The price entered is: " << price << '\n';

   return 0;
}

I am getting error forlling error while compiling the above program.
getmoney.cpp: In function int main()':
getmoney.cpp:10: error:get_money' is not a member of `std'.
get_money is the predefined function. I don't know why i am receiving this error.

A: If you included iomanipbut nevertheless the compiler issues an error it means that your compiler does not support C++ 2011 standard or you did not select such an option of the compiler.

A: Did you include the header "iomanip" in your code?

A: Wen you have such problem go to check on a reference website such as http://www.cplusplus.com/reference/iomanip/get_money/
and you will see that
This manipulator is declared in header <iomanip>.

and you even often have an example code which show you how to use it.
So including iomanip may solve your problem
If that is not working, you are probably using an older compiler which does not support C++ 11. And therefore you could simply not use this function without changing your compiler.


text:
Why you should never "review" a genre
June 5, 2011 Madeline
I couldn't sleep, so in between catching up on some anime I hit Twitter. And what did I find there? My pals hashing the hell out of #YASaves, a hashtag directed squarely at none other than the Wall Street Journal, in response to this piece by Meghan Cox Gurdon. Snip:
Pathologies that went undescribed in print 40 years ago, that were still only sparingly outlined a generation ago, are now spelled out in stomach-clenching detail. Profanity that would get a song or movie branded with a parental warning is, in young-adult novels, so commonplace that most reviewers do not even remark upon it.
This is what happens when you put an op-ed rant in a book review column. Ms. Cox Gurdon does summarize a number of young adult books, but the title of the piece is "Darkness Too Visible," and the permalink is called "Book Review: Young Adult Fiction." However, the piece is pure opinion, and as such it's no different from this very blog entry. It doesn't evaluate the works in any depth, or from any contextual standpoint aside from "This isn't like Louisa May Alcott and I don't like it!" And that's all well and good when you're having low blood sugar on Livejournal, but it's not aesthetic critique.
This is unfortunate, because Ms. Cox Gurdon is making a point that Michel Foucault made decades ago about culture. Naming a pathology makes it real and grants it the opportunity to flourish within the discourse, where it can then be normalized within a culture. Ms. Cox Gurdon explains the process with less theory jargon here:
Yet it is also possible—indeed, likely—that books focusing on pathologies help normalize them and, in the case of self-harm, may even spread their plausibility and likelihood to young people who might otherwise never have imagined such extreme measures. Self-destructive adolescent behaviors are observably infectious and have periods of vogue. That is not to discount the real suffering that some young people endure; it is an argument for taking care.
But here's the thing about "pathologies": they're not always sicknesses. They're often just ways of being which our culture has yet to find the right words for. And that's what writing is: the quest for the right word. Anyone who writes, whether badly or well, contributes to that quest. They carry the torch that little bit further. Like scientists conducting tiny variations of the same experiment over decades, they slowly build up new definitions of the reality we have always inhabited. That is their task. It is not an easy one, and it is not made any easier by vultures circling above, shrieking at those on the path to please stop, they don't want to fly any further in pursuit.
Let's not forget that fiction for young adults has always been edgy. It is just as troublesome and confusing as the characters that inhabit it. Ms. Cox Gurdon contends that forty years ago, YA as a genre didn't exist. Perhaps my math isn't right, but To Kill A Mockingbird was published (and won the Pulitzer) in 1960, and continues to be a classic of young adult literature. It deals with rape and incest and racism. And you're fucking well right there are a lot of swear words in it. And no, it's not terribly uplifting. It's a wonderful story about familial and neighbourly love, but it ends with two acts of police corruption and outright murder.
Maybe we should look to film for examples:
A poster for "Splendor in the Grass," (1961) wherein Natalie Wood is committed to a mental hospital when Warren Beatty leaves her for a girl who will sleep with him.
Oh. Maybe not.
I have no doubt that Ms. Cox Gurdon is writing for the tastes of her readers, including those who follow her column at the Washington Examiner, where she writes about being a mother to five children, and how she occasionally wishes that automobiles would be replaced by their 17th Century forebears, the horse and buggy. I have no doubt that those readers are fine, upstanding Americans who care deeply about the state of literature. My hope is that those readers donate to their libraries on a regular basis, that they consistently vote for levies that improve literacy among youth and the underprivileged, and that they rail against tax cuts that would diminish budgets for education. But judging by the other columns I saw at The Examiner, I doubt that's what's happening. As a paper, it trends socially conservative. And that's fine. The anvil that is the Constitution of the United States of America can bear the heat of free speech, even when that heat is more like the inflammation of an arthritic joint.
But no writer, and no paper, and no culture, is in the position to tell our youth who or what they are. That's their own quest — finding the right words to answer those questions, and finding new words when the old ones aren't big enough. Because no matter what label we ascribe to our youth, the only thing we know they are for sure is this: they are changing.
Meta, This is why we can't have nice things
books, fiction, genre, YA
I love "Jaws" so much I could eat it alive.


text:
RELIABLE TIMER
12.06.2018 13.05.2018 Categories World of models
Timer "school", published in "M-K" № 12 in 1986, is a unique combination of reliability, service life and good flight properties. Now that our group operated two such machines, we can safely say that. It should be noted that "loss" in sports-related accidents time, unfamiliar to us. Believe it or not, in such main circuit, accurate Assembly of the frame on the plasticized resin and Mylar covering to break the model, even with strongly uprated engine is almost impossible! Of course, strength isn't everything. But the important and time-saving Modeler, especially spending on "nasty" repairs. So, now all the "repairs" been reduced to mere convergence of the split nodes. At the same time with extraordinary strength achieved and very high rigidity of the machine, which is extremely important for engine model.
But after the final debugging of this timemay no equal in the stability of the engine rise, and sustainability in planning (and this is with a smooth Mylar covering!). The model is not critical to the direction and strength of the throw and forgiving even gross errors at startup. The average time of flight with a modified motor "Junior" is more than 3 min, thus overlapping the most stringent requirements for the "school" technique. Results serial engine more modest. On average, MK-17 with the standard screw stably extracts timesnow the result of 1.5 minutes is Not too much, you say? But if you're at all familiar with the problems of youth modeling, then you will appreciate the fact that such a model almost never happens launches "zero"?
Last modification timarchi this scheme is very close to the model-prototype, at least, not inferior to it in performance. And changed this. Most importantly, the car became even more compact (it is even stronger). With a decrease in amplitude could be expected to reduce the time of planning. But, apparently, positively affected the increase of the chord, respectively, and Reynolds numbers: planning the short model is not inferior to the prototype. Went for the benefit and installation of two vortex generators that complement the ability of the exposed edges of the stringers to turboservice air flow. Note that socks ribs on the new model are mounted not for the sake of profiling, but as a means of increasing the hardness of the set and the leading edge. Simplified mounting of the wing — now it is clearly fixed on the pylon due to poluchaemyh protrusions of the Central rib that goes in the socket on the upper end of the pylon. Rubber ring goes through the front pin and the rear ledge pillar platform. Ears hung on to short the pins of the wire OVS Ø 2.5 mm and pulled rubber bands (segments of the nipple tube), put on and glued to the ribs "ears" and the center of micrococci. Themselves "ears" are shorter on one section.
Fig. 1. Timer model.
Fig. 2. Templates.
Fig. 3. The Central part of the wing:
1 — front edge pine (5X5 mm), 2 — the ending (Linden 5 mm), 3 — extra wall (plywood 1 mm), 4 — shelf side member (pine dense 3X5 mm; the entire length between the shelves to put the wall out of plywood 1 mm), 5 — rib (lip 2 mm), 6 — trailing edge pine (3X12 mm), 7 — lower insert (Linden 2 mm), 8 — strengthening the back edge (lip 2 mm), 9 — oblique rib (lip 2 mm), 10 covers (Mylar film with a thickness of 0,025…0,020 mm) 11 — turbulence (film type "arokal" in two layers), 12 — spout (Linden 2 mm), 13 — strengthening (Linden 3 mm) 14 — pad shelves (Linden 3 mm), 15 Central rib (Linden 8 mm), 16 — stringers (pine 2X3 mm). In the end sections of the spar between the additional rails glued tube-the"equalizer" for pins, and the bottom in the endings in the area of the spar — hooks for fixing rubber loops.
Fig. 4. The "eye" of the wing. Section and material details coincide with the wing design.
Fig. 5. Stabilizer:
1 — covering (Mylar film with a thickness of 0.015…0.02 mm), 2 — stringer (pine 2X3 mm), 3 — the front edge pine (3X4 mm), 4 — front solitaire (Linden 2 mm), 5 — of the Central rib (Linden 4 mm), 6 — shelf side member (pine-1,5X3 mm; on the scale to put a wall of lime 0.8 mm), 7 — rib (lip 1.2 mm), 8 — ending (Linden 3 mm), 9 — solitaire (Linden 1.5 mm)The 10 — trailing edge pine (2X10 mm).
Fig. 6. The tail part of the fuselage:
1 — panel diamond-shaped beams (pine 3X15 mm, the end section reduced to 2X8 mm; when assembling the console parts to install with a step of 120 mm frames made of foam PVC 2 mm thick; tight beam — thick Mylar film on the elastic type glue BF-6 or "Moment"), 2, 3, 7, 8 — the elements of the power circuit of the keel (Linden 3 mm), 4 — pin (aluminum knitting needle Ø 2 mm), 5 — brace (Linden 2X2 mm), 6 — wire ski 9 — wheel 10 — hooks wick (OVS wire Ø 0.8 mm; seal the liner to clean up with needle files to wrap a thin thread), 11 — boss adjustment of the angle of attack 12 stand (plywood 1.5 mm and a fake rack), 13 — edge of the tilted fixing of the stabilizer (plywood 1.5 mm with rubber tip).
Fig. 7. The nose of the fuselage.
Despite the decline in the elongation of the wing, we have gone from "trendy" extra-long fuselage in favor of a shorter, but more rigid in torsion variants. The efficiency ratio of the horizontal tail remained in acceptable limits and is now equal to 1.1. This value is characteristic for modern time and can be recommended by PLANO-convex profiling of the wing. While reducing the dimensions of the model gain on the weight (prototype had to reload with lead in an amount of about 50 g) was even more noticeable, so instead of ballast the "extra" weight is transferred to the enlarged cross-section of all parts. And even as such, the new timer was extremely korotkonogiy which amazed our opponents on standard models bow shoulder when installing the engine "Junior" is not less than 120 mm. and we still motor lightweight!
Finally, we note that the proposed technique is designed for students that already have acquired some experience with modeling materials. Knowledge of the intricacies of the technologies of working with wood, resin and Mylar film largely determines the strength and reliability of the device, and its future flight characteristics. It is important and the ability to modify domestic models of micro-motors of a type "Junior".
Full bearing area of 22,50 DM2;
Take-off weight – 460 g;
The efficiency ratio of the horizontal tail – 1,10.
A. BORISOV, athletic 1-th digit
ELECTRIC "BOUZOUKI"
The training model "air combat". The emergence in recent years of specialized model stores are relatively inexpensive and fairly powerful electric motors allow to transfer a number of...
"BIRD" IN THE SKY
The need for such airplane appeared when our young conovici already know the basics of management "phanerogam", and for them it is time to explore the simplest aerobatics. "Tit" (so was...
TRUCK TENANT
CHROMIUM THEMSELVES


text:
Sam Meikle
100% Wolf (working title)
Freddy Lupin's werewolf transformations aren't quite going to plan. He knows he's destined to join the ranks of the elite and heroic Night Patrol, but people don't take you seriously when your wolf form is... a poodle. Freddy and his best friend Batty, a scrappy street dog undergoing her own transformation, must prove themselves worthy while studying at the prestigious Howlington Academy. But with a thief in possession of the sacred moonstone, a young Wolfhunter sniffing around Howlington, and a terrifying Uberwolf whose sights are set on Freddy - it's going to be a bumpy year! Freddy and Batty must join forces with unexpected allies to save the stone, Howlington, and Freddy's fluffy butt, proving anyone can be 100% Wolf!
493 x 60mins
This medical drama focuses on the working and personal lives of the doctors and nurses working on the front line of a busy inner city Emergency Department at All Saints Hospital.
All Saints series 10
A weekly one-hour series of self-contained stories with several continuing threads for permanent characters. It is centered on the drama of life in a hospital emergency department seen through the eyes of the people who carry most responsibility for it - the men and women of the nursing staff.
All Saints series 6
ALL SAINTS is a weekly one hour series of self contained stories with several continuing threads for permanent characters. It is centred on the drama of life in a hospital ward seen through the eyes of the people who carry most responsibility for it - the men and women of the nursing staff.
ALL SAINTS is a weekly one-hour series of self-contained stories with several continuing threads for permanent characters. It is centered on the drama of life in a hospital emergency department seen through the eyes of the people who carry most responsibility for it - the men and women of the nursing staff.
A boy, a dead body, a relentless pursuit - it's not what you see, it's how you see it. BOUND is an urban tragedy that jumps back and forth in time to reveal instincts colliding and lives unravelling in a world that rushes on regardless. It is about what happens when you make all the wrong decisions for the right reasons.
The Easter Tide
Every night William Walker has dinner with his wide, Juney. She never eats, she never speaks, an ocean of guilt between them, his loving memory the only thing to stem the tide...
Knee-high to a grasshopper, Heidi, a young orphan brunette with curly hair and the face of an angel, is brought by her aunt to the Swiss Alps to live with her grand-father, a silent and solitary old man. Taking up the challenges of her new existence, she will display all her strength and natural resources to find her rightful place in a sometimes harsh and unfriendly environment. Whether in the mountains with Peter, the goatherd, or in a Frankfurt mansion with Clara, a disabled girl confined to a wheelchair, Heidi learns the priceless value of friendship and support.
Here Come the Habibs!
Lebanese migrant family The Habibs of South West Sydney have just won Lotto… and now they're moving to Vaucluse. Yalla!
Here Come the Habibs! series 1
It's a second migration for the Habib family, first it was Lebanon to Australia, now Lakemba to Vaucluse. But not everyone is happy to see them, and soon the Habibs find themselves in conflict with their new next door neighbours. The O'Neills are Vaucluse royalty - old money and proud of it. They're extremely uncomfortable with goats and chickens, shisha pipes and people of Mediterranean appearance, but the Habibs can't understand what all the fuss is about. One family want to stay, the other family want them gone. Here Come The Habibs brings a fresh comic perspective to multicultural Australia.
Comic mayhem engulfs the ritzy (middle) Eastern suburbs as lottery winner Fou Fou Habib and his family resume hostilities with their blueblood neighbours, the O'Neills. All your favourite characters return for series two of Here Come the Habibs: head of the Habib household Fou Fou, his wife Mariam, their wannabe entrepreneur son Toufic, social media queen Layla, lovestruck Elias, plus family hangers-on Jahesh and Mustafa. Returning on the other side of the fence are O'Neill matriarch Olivia, her downtrodden husband Jack and daughter Madison.
5230 x 25mins
Examines the lives, loves, drama and heartache of the residents of Summer Bay.
Home and Away series 20
A suicide, a devastated fiancée and a young woman with a story to tell - sadness is a trap.
Two friends make a porn film together... How hard can it get?
With a smile and a laugh and a shoulder to cry on, the people of Ramsay Street stick with each other through life's highs and lows - friends to the end and always good neighbours.
Neighbours series 28
Rescue Special Ops
Rescue Special Ops series 2
A one-hour action drama series based around the lives and loves of the Special Operations Rescue Unit.
Each week our heroes risk their lives to save others in the most spectacular ways. In series 3, the Rescue Operations Unit has come under threat from a private rescue outfit hell-bent on taking over Rescue's operations. It's game on in series 3 as RESCUE goes head-to-head with 'Lifeblood' in a battle for survival.
In icy winter farmland, an accident leaves a young girl injured. 11-year-old Sam abandons her to continue caring for his grief-stricken family until the weight of his decision bears down on him and he sets back out to find her. 'Snow' is a short film seen through the eyes of a boy carrying a burden beyond his years until an unexpected act of kindness offers hope to his barren world.
A young man alone on an open road waits for a road to nowhere in particular. He encounters a couple of 'grey nomads' in a hearse, who take him on a demented journey towards his destiny.
Tashi
When Jack's parents bundle him off to stay with his distant cousin, Tashi, the two boys become swept up in a series of wild adventures, exploring a fantastical land far, far away and protecting Tashi's village from a host of creatures and villains.
Together in the Middle of Nowhere
Vince embarks on an odyssey through the city streets while his girlfriend Jacqui works in a strip club until dawn. Over one night they journey into the darkness of their own hearts to find out what really matters.
Vicky the Viking
Inspired by Runer Jonsson books, VIC THE VIKING is the story of a little boy who, despite his diminutive size and sensitive nature, is an ingenious, extremely astute boy. The son of Halvar the Viking chief, Vic often accompanies the crew on sea voyages aboard their drakkar. Regularly involved in perilous situations, the vikings spontaneously try to settle their problems by the use of force. Vic, however, prefers peaceful solutions and relies on brainpower. Courageous and clever, he untangles the most complicated situations thanks to the clever idea that he sees appear when he rubs his nose.
Australia 1850s. WILD BOYS follows a gang of bushrangers as they stage hold-ups determined to keep ahead of the troopers or wind up at the end of a noose.


The Brookside Grill was established in 2018 as a cozy restaurant with a modern finish. The Brookside Grill boast a staple breakfast menu, an eclectic dinner menu, and a rustic bar finish.
Breakfast available weekends only. Expanded hours for dinner!


text:
A Points South essay from the South Carolina Music Issue. Myrtle Beach has always capitalized on tourists' desire to put a soundtrack to their vacations. Long before the days of the megachurch-style country music theaters, like the Carolina Opry and… by Sarah Bryan | Nov, 2019
Beyond the Sea
A Points South essay from the South Carolina Music Issue. All of Bill's anecdotes about Diz played to this theme: here was a man, a titan of American music, whose genius helped revolutionize jazz in the forties, opening the door… by Maxwell George | Nov, 2019
I Remember His Sweetness
Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina. It is fitting that this Southern Music Issue (the Oxford American's twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better… by Oxford American | Nov, 2019
The Music of South Carolina
A feature essay from the South Carolina Music Issue. Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. "People talk about born geniuses, but I… by Jon Kirby | Nov, 2019
The Wonder of It All
Track 23 – "Resurrection" (Live) by Benny Starr feat. the FOUR20s "Resurrection," the first song on A Water Album, facilitates a kind of reconciliation between the Fitzgerald Wiggins of my youth and the man I aim to be. Seeing others… by Benny Starr | Nov, 2019
"Resurrection" (Live)
Track 5 – "Bad Case of the Blues" by Linda Martell "Bad Case of the Blues" shouldn't be compelling, but it is—because of Martell, the way she guides, colors, and shades the song. She infuses it with the dissonance of… by Katie Moulton | Nov, 2019
"Bad Case of the Blues"
A feature essay from the South Carolina Music Issue. There's a high-achieving aptitude to it all, a certain polyglot prodigiousness. He knows how to hack and fuse genres, how to enter and exit. Part of his genius is that he's… by Lauren Du Graf | Nov, 2019
Now I Don't Know Who…
We would like to hear from you. The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019
Write to the Oxford American
Art Criticism Essay Fiction Food Interview Music Notebook Poetry Reportage Symposium Video
Eyes on the South
Democratic Spaces
Somewhere Else explores the cultural differences we encounter in Southern commons—democratic spaces such as rural convenience stores, gas stations, and produce stands.
December and Everything After looks closely at end-of-life suffering with a lens on the artist's aging parents. The images included here follow the steady decline of Polly Gaillard's mother since 2014, when she was found to have a slow growing abdominal sarcoma.
Foxtail and Barbed Wire
Here, in Virginia, at the places between public roads and private land, are uncultivated plants left to grow as they might. A Virginia Roadside Companion is an ode to these back road still lifes.
The Foreign and Familiar
How to Orient Yourself in the Wilderness began as a way for photographer Jack Deese to distance himself from a documentary practice that had grown stale.
Some Folks Stay
In What Survives, Michael Morris looks at the values of faith and family that persist despite dwindling economies in rural Kentucky.
Current and Ephemeral
Before The Storm: A Photographic Study of America's Coastline is an aerial photographic documentation, a portraiture, of the current and ephemeral American coastline. This selection includes images from Eyes on the Edge: J Henry Fair Photographs the Carolina Coast, an exhibit at Columbia Museum of Art closing on October 23, 2016.
The Prison Farm
Constructed in 1904, the Mississippi State Penitentiary at Parchman covers 20,000 acres, forty-six square miles, in the heart of the Mississippi Delta. In 1994, Kim Rushing began photographing the inmates.
Florida's Utopia
Rylan Steele's Ave Maria is an investigation of the 5000-acre unincorporated town that goes by the same name. Founded in South Florida by pizza mogul Tom Monaghan, Ave Maria was built in 2005 and marketed as a utopia for strict Catholics to retirees and young families alike.
The Uninvited Drone
Justin Ward's Unmanned Landscapes uses a consumer-grade unmanned aerial vehicle to photograph Savannah, Georgia's suburbs.
The Inhabited
Slowly, Over Time is a documentary of Parker Stewart's neighborhood in Savannah, Georgia, recorded over a half decade.


text:
Herbert "Herbie" Harper (* 2. Juli 1920 in Salina, Kansas; † 21. Januar 2012) war ein amerikanischer Jazz-Posaunist.

Herbie Harper spielte mit Gene Krupa, Benny Goodman, Charlie Barnet und ab 1947 als Studiomusiker in Los Angeles. Dort leitete er auch zeitweise ein eigenes Ensemble. Im Laufe seiner Karriere nahm Harper Platten mit Ray Brown, Maynard Ferguson, Bob Florence, Fred Katz und Pete Rugolo auf und begleitete Billie Holiday.

Diskografie (Auswahl)
 1954 – Herbie Harper Quartet: The Complete Nocturne – Jazz in Hollywood Series, Vol. 1 (Fresh Sound Records) mit Bob Gordon, Jimmy Rowles, Harry Babasin, Roy Harte
 1955 –  Five Brothers (VSOP, 1955) mit Bob Enevoldsen (vtb, ts), Don Overburg (g), Red Mitchell (b), Frank Capp (dr)
 1957 – The Herbie Harper Sextet mit Howard Roberts, Marty Paich, Jay Corre, Frank Capp oder Mel Lewis

Literatur
 Richard Cook, Brian Morton: The Penguin Guide of Jazz on CD. 6. Auflage. Penguin, London 2002, ISBN 0-14-051521-6.

Einzelnachweise

Jazz-Posaunist
Musiker (Vereinigte Staaten)
US-Amerikaner
Geboren 1920
Gestorben 2012
Mann


Based on Natural Resources Canada 2019 Fuel Consumption Guide published ratings for both plug-in hybrid electric vehicles and battery-electric vehicles. Estimated combined range rating when fully charged and with a full tank of gas. Actual results will vary based on driving habits and other factors.
Based on Natural Resources Canada 2017 Fuel Consumption Guide published ratings for plug-in hybrid vehicles. Actual results will vary based on driving habits and other factors.
The latest Toyota hybrid technology and the most fun you've ever had in a Prius.
Based on Natural Resources Canada 2017 Fuel Consumption Guide published ratings for plug-in hybrid vehicles. Actual results will vary based on driving habits and other factors. Learn more about Fuel Consumption Ratings.
Brought this car home over 6 weeks ago and have over 2600 km and still have gas in the tank!!!
PHV is rated 4.8 out of 5 by 47.
Rated 5 out of 5 by VC63 from Seamless deceptive performance Back in February we bought our Prime and we couldn't be more pleased. The plug-in process is so easy, and there's a timer to take advantage of off-peak electricity rates. EV acceleration is quite a change, sonically, from the sound of a revving gas engine, but I'm readily adapting to it! So smooth! Over 2400 km and we've barely used 3 tanks of gas, and the summer driving will be even better. The information / entertainment centre is easy to figure out.The handling is crisp and the ride is comfy. The only drawback is that it only seats 4.
Rated 5 out of 5 by Krishna from Fabulous car Had it for a month. Gives 50 km on one charge. Power mode has peppy acceleration.
Rated 5 out of 5 by perco from I'm always looking for my next drive! I've rarely felt this passionate about a car. I came in from a Prius V, so I knew what to expect a bit but even after 5 weeks owning this car, I can't wait until my next drive. I try to find myself excuses to go run errands! Quiet drive, comfy seats... and so cheap on gas! In terms of cons... I don't understand why Toyota has not even released Android Auto on this "technology oriented" car instead of their 65yr+ Avalon! The only downfall of this car is seriously the lack of Android Auto. The overall UI and voice recognition system seems like it was engineered by someone stuck in the 1990's. It makes almost no sense to drive this car with my 5.8" phone for GPS purposes while I have a dazzling 11.6" screen on the side.
Rated 4 out of 5 by ROGART from interisting car to own and drive Bought a month ago but not driven very much yet.
Rated 4 out of 5 by TishL from Some great feature and wish it had more I love the power beneath the hood. Had a prius C before. So glad I upgraded to the prius prime. Saving money especially using my EV mode to work and back. Only feature I wished it had was the third seat at the back which I did not notice only after leasing the car. Had to drive an extra person sitting on the armrest between the two seats.Yikes without seatbelt. Limited to only four passengers. That's the bummer. Otherwise I am very happy with my car!!
Rated 5 out of 5 by Jon B from The Ultimate Prius After owning several Prii, I can confidently say this is the best one by far. The EV driving experience is smooth and quiet with a wave of torque as you accelerate from a stop. The changes to the suspension make it a much more comfortable car with less jolts transmitted into the cabin. The handling is also much improved with a greater sense of confidence around corners. I like the design with the quad LED headlights that gives the car a premium look. The dual wave rear window garners attention as does the 11.6" HD screen. The JBL audio system is fantastic and much improved over the last two generations. The interior is spacious and the front seats are comfortable for my size. Downsides? The cargo area is wide but shallow so it's hard to store things under the tonneau cover. 40km electric range is nice but greater range is welcomed. The 11.6" appears under-utilized. A satellite view of the map or 360 degree camera system can help fill the screen. Lastly, Entune 3.0 isn't available so no traffic, weather, remote charging or even charging station POIs.
Rated 4 out of 5 by METK from Great Drive Overall it is great car and has presented very few surprises (positive or negative). There are challenges with understanding the complexity of the electronic controls. Even the use and choice of driving modes is not straight forward. I suggest an extensive series of orientation videos be developed for sales agents and customers.
Rated 4 out of 5 by ElvisPepin from Love th car, MINUS Entune... 4 stars for the great Prius Prime! 1 star lost, could be 2... Entune does not lack presence in Canada: it is absent! Very disappointing for such a "hi-tech" vehicle. At least CarPlay or an option for CarPlay!
Compare Toyota Prius Prime to competitors like Chevrolet Volt and Hyundai Ioniq PHEV.
Interested in Toyota's original hybrid?


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text:
Q: Get last page number from html using python I am trying to get the last page number from a html code:
47

url = "https://www.jumia.com.ng/womens-dresses/"
def getLastPageNumber(soup):
  number = []
  for item in soup.find_all("a", class_="pg _act"):
    x = item.text
    number.append(x)
  return max(number)

getLastPageNumber(soup)

Whenever I run this code, it only returns '1', if I change the url to url = "https://www.jumia.com.ng/womens-dresses/?page=48" , it outputs 48. What I wanted is for it to append the page numbers and return the maximum value.

A: You could get this element by aria-label="Last Page" and get the number of last page by regex, code here:
from bs4 import BeautifulSoup
import requests, re

url = "https://www.jumia.com.ng/womens-dresses/"
regex = r"page=(.*)#"
resp = requests.get(url)
soup = BeautifulSoup(resp.text)
target_tag = soup.find("a", {"aria-label": "Last Page"})
print(re.search(regex, target_tag.get("href")).group(1))

And this gave me:
50

It's the same as the page:


text:
It's Friday. Thanksgiving is firmly in the rear-view mirror. It's time to look forward to what's to come. But, before we go to far forward
4:00PM Today: New Profile Drops (Huge Upside Potential)
> Extremely Important SMS Sign-up Info Below <
It's Friday. Thanksgiving is firmly in the rear-view mirror. It's time to look forward to what's to come.
But, before we go too far forward, please allow me to do a quick recap of what's transpired over the previous week and a half at SWN.
We've seen three profiles provide staggering intraday breakouts. Here's the official list:
12/5 profile surged from $.015 to $.05 (233% Intraday)
12/4 profile climbed from $.0031 to $.0052 (67% Intraday)
11/27 profile sprinted from $.02 to $.0695 (247% Intraday)
Let me tally that up for ya... That's 3 profiles in a row that have combined to drop 547% in intraday runs combined!
Now, it's time to turn towards the future and what's to come. At 4:00PM EST today, I plan on delivering a full report on your next potential breakout idea.
This under-the-radar company appears to be an undervalued stock with significant upside potential that you'll need on your radar going into Monday, 12/9.
That said, here's something you can do ahead of my full report release to help you get ahead of the masses:
Keep an eye out for my report dropping at 4:00PM EST. It promises to be a doozy.
Disclosure: I am not a lice.nsed finan.cial adviser. All potential percentage gains are based on from the low to the high of day. StockWireNews full disclosure is to be read and fully understood before using StockWireNews website, or joining StockWireNews' email or text list. By viewing StockWireNews website and/or reading Stock Wire News email or text newsletter you are agreeing to StockWireNews full disclosure which can be read at www.stockwirenews.net/disclosure Make sure to always do your own research and due diligence on any day and swing profile I bring to your attention. Stock Wire News (stock wire news . com) is owned by Stock News Wire LLC, a limited liability company. A member of Stock News Wire, LLC owns an interest in the limited liability company that owns and operates small cap firm . com ("SCF") and an interest in the limited liability company that owns and operates fierce analyst . com ("FI"). From time to time, non-affiliated third parties hire Stock Wire News, SCF and/or FI jointly to publicly disseminate information about a company via website, email, SMS and other points of media.