Langley Airfield was built on Parlaunt Farm in 1938 for Hawker Aircraft Ltd. A factory was built on the site to produce Hawker aircraft. The main runway was a grass strip 05/23 and 1,289yds (as of 1951) long, possibly reduced from 1,400yds. Two other grass runaways 10/28 of 1,100yds long and 17/35 of 984yds and the three runways were quite wide at around 197yds.
During the Second World War, the airfield retained a Hurricane for its self-defence, it thankfully was never needed. Another defensive measure was the installation of a series of drums around the perimeter. If it was felt that an air raid was imminent, the contents of the drums would be burned and the resultant smoke would cover and hide the airfield.
'My father William Tyrie worked at the airfield during the early part of the war before being called up. He told me that the factory was hit by a bomb, which went through the roof and hit a purlin or longitudinal member in the roof frame, the casing split open and did not explode. He and others spent time sweeping up the explosive powder for disposal.
Similarly he spoke of the airfield being bombed and having to measure the distance between the craters for others to estimate the height and speed of the bombers. Similarly, and it may have been the same occasion, he told me about the line of craters heading from the airfield towards where we were living in at 103 Meadfield Road, where by an act of god, the spacing of the craters indicated that a bomb should have hit our house, but did not. The line of craters continued beyond where we were living.
The RAF Film Production Unit was formed in 1941 and mainly headquartered at Pinewood Studios. The unit produced films to document the RAF's work in the air and on the ground as well as to produce propaganda films during the Second World War. It had a number of aircraft of various types based at RAF Benson and RAF Langley including Bristol Beaufort, Avro Anson, Lockheed Hudson, Douglas Havoc and Auster aircraft. One source of my research suggests that Langley had at least four Havocs based there.
An example of a Douglas Havoc. This is a bomber version from a different unit. The aircraft types used by the RAFFPU would no doubt have been adapted from machines no longer required for 'front line' service.
Among the personnel with RAFFPU was Richard Attenborough who served under the command of Flight Lieutenant John Boulting (of the Boulting Brothers). Qualifying as sergeant, Attenborough flew a number of missions over Europe in the rear gunner's position of various aircraft filming the outcome of Bomber Command sorties.
John Boulting joined the RAFFPU and became a flight lieutenant. Among other projects he worked on was the dramatised documentary movie Journey Together (1945) which followed the training and careers of two bomber crew. The film starred Richard Attenborough and was written by Boulting and Terence Rattigan. It was directed and produced by Boulting.
Filming by the RAFFPU ended in 1945 and the unit was stood down at RAF Stanmore Park in March 1947. It then became the Film Production Unit Library.
Personnel from the unit were sometimes present on raids, notably Operation Jericho, a raid on Amiens prison which was an attempt to free members of the French Resistance who were under threat of imminent execution. Personnel on this raid may not have been from Langley.
The Hamilcar X had a range of 1,675 miles and a maximum speed under its own power of 145mph.
The General Aircraft Hamilcar Mk X was constructed at Langley Airfield. It was a propeller-powered version of the Hamilcar I assault glider that was used during the Normandy landings by the Allied forces in World War Two. The engines were added so as to extend the range of the glider. It was thought that this might prove effective especially for use on Japanese occupied islands in the Pacific War. However, the war against Japan ended before the Hamilcar was needed.
The Hamilcar had been designed to transport a single light tank, typically a Tetrarch or later a M22 Locust, or two Universal Carriers, commonly known as Bren Carriers, or one Universal Carrier and an anti-tank gun. Because of the lack of space, tank crews would travel to the destination in their vehicles as boarding them in flight was virtually impossible.
A display of a Locust tank emerging from the hold of a Hamilcar.
Many thanks to Dave Scott for additional information and photographs on this article.
Another company involved in aircraft activity, Airwork Services, moved its headquarters to Langley Airfield in 1947 from Gatwick.
The company was originally formed at the new Heston Aerodrome in 1928 and before moving to Langley, the company had been responsible for setting up the national airlines United Arab Airlines, Indian Airlines and Central African Airways.
Apart from the airline, the company's activities diversified over the years as an airline, a flying training provider for the RAF, manufacture of aircraft parts such as wings for Lancaster bombers, maintenance of several aircraft types and aerial photography (Aerofilms Ltd). Apart from its maintenance base at Langley and Elementary Flying schools set up for the RAF, Airworks had operations at Blackbushe and Lasham. In summer 1959, Airwork relocated its headquarters from Langley to Hurn. The company still exists today as a wholly-owned subsidiary of VT Group.
Powered by two 1,200hp Pratt and Whitney Twin Wasp radial engines, the Dakota had a cruising speed of 207mph (top speed 230mph) at 8,500ft and a range of 1,500 miles. It carried 21-32 passengers.
State-owned airline British South American Airways (BSAA) was formed in January 1944 flying operations out of the new Heathrow Airport. Post-war the company used Langley Airfield by as a maintenance base.
The BSAA fleet included: ten Avro Lancastrian and six Avro Tudor for passengers; four converted Lancaster and seven Avro Tudor for freight; two Airspeed Consul and one Airspeed Oxford for navigation and radio training; and an Avro 19 and a Percival Proctor for company transport.
The Avro Tudor was Britain's first pressurised airliner. It was powered by four 1,170 hp Rolls-Royce Merlin 100 engines giving a cruising speed of 283mph at 12,000ft (top speed 320 mph). The Tudor IV carried 32 passengers.
Two of BSAAs Avro Tudor aircraft were among the first to disappear over the area that was to become known as the Bermuda Triangle. G-AHNP Star Tiger made its last communication on 31st January 1948 and G-AGRE Star Ariel disappeared on 17th January 1949. Despite large searches being made no trace of either aircraft was ever found.
The maintenance operations were eventually transferred to Heathrow and the company became part of British Overseas Airways Corporation (BOAC).
Silver City Airways was a private British civil airline established in November 1946 at Langley Airfield. The first aircraft types were four ex-military Douglas Dakotas and three Avro Lancastrians. The airline's first commercial flight was by Lancastrian G-AHBW which took off in late 1946 from Heathrow Airport for Sydney via Johannesburg. When Langley closed in 1947 the airline moved its headquarters to Blackbushe.
The Lancastrian had capacity for 9 passengers or 3,560kg of freight as a mail plane. Powered by four 1,250hp Rolls-Royce Merlin piston engines, could achieve a top speed of 310mph and had a range of 4,150 miles. 91 aircraft were built or converted from Lancaster bombers.
The name Skyways was first applied to a company which provided instruction in aviation, navigation and signalling.
In 1946 the airline Skyways was formed at Langley airfield and would soon become the largest operator of non-scheduled air services in Europe. It was particularly active in charter flights for the British military, the oil industry and specialist freight services.
The company's first flight took place in 1946 when an Avro York carried personnel and freight for the Anglo-Iranian Oil Company from Langley Airfield to Basra. In those early days of civilian airlines and the limitations of the aircraft the flight included stops at Manston in Kent (because Langley had no customs facilities), Malta, Cairo (overnight stopover) and Lydda. The route became a regular contract service with two return flights per week and each trip took 4 days to complete with 35 flying hours.
The York was another aircraft developed from the Lancaster bomber. Its wider fuselage had a capacity for 56 passengers or a payload of 9,100kg. It was powered by four 1,280hp Rolls-Royce Merlin engines giving a top speed of 298mph and a range of 3,000 miles. 259 were built including prototypes.
By November 1946 Skyways moved its main operations to Dunsfold Airfield near Guildford. At some point the airline established Samlesbury Engineering at Dunsfold to handle its maintenance needs.
The map shows that the part or the Hawker factory on the south-east side of the airfield was leased to Ford motors. The proximity of the developing Heathrow Airport, and the fact that Langley only had a grass runway and were entering the jet age, contributed to the demise of the airfield. According to the control tower records, the last recorded aircraft movement on the airfield was in 1956.
From 1951, Hawker began shifting aircraft production to Dunsfold Aerodrome, Surrey. The company continued manufacturing operations at Langley with most of the major assembly work on Sea Hawks and Hunters being done there. These components were then taken by road for final assembly at Dunsfold until about 1958.
Many of the airlines mentioned on this page had already moved their maintenance operations to other airfields such as Dunsfold and Blackbushe. The factory and site was eventually taken over by Ford Commercial Vehicles.
The site of the airfield was being redeveloped a long time before Ford left in 1997 into an industrial area and a housing estate. All that remains of the airfield now is the electricity substation rated at 33/11kV which I believe still bears the name Hawker Aircraft.
Hawker's chief test pilot Group Captain PWS 'George' Bulman flew the prototype Hurricane K5083 from Brooklands on 6 November 1935. He also did the flight testing on the final production Hurricane PZ865, 'The Last of the Many', which was completed on 27 July 1944.


We have no stop-in office.
Our CDA locations / activities are located at 8 different sites: lakeside, river put-ins, and properties in and around CDA. Please review your confirmation email.
We do all our CDA adventures reservations online or over the phone and have eliminated the need for a stop-in office in the new digital era.
We will receive your online reservation(s) request and confirm it with you!
View confirmation email for address location related to specific activity.
Please call if you have any questions! Ph: 208-918-2082 or email us: cdaadventures@gmail.com.
Kayak and SUP Rentals: Ride our shuttle and we bring you and gear to North Idaho College Beach area. Great place to kayak Tubbs Hill or the bay! The shop is downtown. Please reserve in advance.
Check In is 30 minutes before trip departure.
TIME ZONE: Meeting time is Mountain Time Zone. Coeur d'Alene is in Pacific Time Zone.
Exit 66 (Fish Creek) and take a left off the ramp.
You will pass over the I-90 freeway.


This vertical structure is the trunk and consists of a certain number of people on each store, varying from 1 to 9 people depending on the castle and this also gives us the name of the castle.
As the castle is erected different tunes are played to identify what is happening. E.g. see the "toc de castells" (the castle's reveille). The gralla –an old kind of pipe– and the timbal –a small drum– are the traditional musical accompaniment to castle performances and are as much an exciting part of it as the castle building in itself. The beginning and the end of each performance have their own special tunes ("toc d'entrada a la plaça" –entering the square: which urges the people to come and watch– and "toc de vermut"–refreshment time:that signals the time to have a snack after the performance–).
Come to Catalonia to see them live-it's well worth it!
There had been different groups of castellers in Barcelona City throughout the 19th century, but they weren't very successful in establishing the custom in a large city some distance from the grass roots areas in the Tarragona and Penedes counties.
Even though the early days were not a bed of roses, the pastime of making castles was integrated gradually into Barcelona popular culture with the Castellers creating bigger and better structures. So by the early 70's, 7 storey castles were regular performances. In the early 80's, 8 storeys were the norm, and by the end of the 90's, complex 9 storey castles were being done. This situated the Castellers de Barcelona in amongst the elite 9 high storey castle category which is awarded by the Coordinadora de Colles Castelleres de Catalunya, (Catalonian Castle Group Co-ordinators) which has 60 active associate group members at present.
But the going wasn't always easy; such as the time we had to find new fixed premises for training in at c/ Rossend Nobas 33 Barcelona (from 1984 onwards) or when an important group of people from Santa Coloma de Gramenet, a village to the north of Barcelona, decided to leave in 1985 and found their own group in their village. From then on the colla rolled up its sleeves to consolidate the techniques and recoup the castle-making levels of beforehand while at the same time getting in touch with different institutional bodies and entities.
From a technical point of view the Castellers de Barcelona were doing 8 storey castles during the 80's up to the 90's and it was in 1995 when a great step was taken. The Colla decided on attempting the 2 de 8 amb folre a fragile 8 storey structure including a folre. The folre is a smaller group of castellers who stand on top of the pinya–the base– to support the second storey of a high fragile structure. This castle was successfully completed during the Barcelona local holiday (the Mercè; –Our lady of Mercy– on the 24th of September in Plaça de Sant Jaume).
This was the breakthrough to begin doing bigger and better castles, the next goal set was of course to build a real 9 storey high structure; a new challenge which only about ten colles have managed to fulfill. This 9-storey structure was completed on the 22nd of November 1998 during the Diada of the Minyons de Terrasa and was admired by both castellers and the attending public alike in the Old Square.
One of the most famous castles executed was the 4 de 9 amb folre –four people on each storey and 9 storeys high with support: the folre–. This was done for the first time during the festivities of the Mercè in 1999 in Barcelona. Less than a year later after crowning this castle the Castellers de Barcelona managed to repeat this feat in one of the most exciting and memorable occasions ever.
The 3 de 9 amb folre the same as the 4 de 9 amb folre but with three people on each storey was achieved for the first time the following year, in November 2000 during the festivities of the Diada of the Minyons de Terrassa. The 3 de 9 amb folre was crowned and safely brought down for the first time during the Mercè in 2001, a castle which the colla would repeat on different occasions, that very year and the following ones too.
The 5 de 8 five people on each of eight storeys was crowned and safely brought down at the festivities of the Mercè in 2003. This castle is nicknamed the cathedral because of its size and although it is only eight storeys high it is considered to be of great difficulty. It was mastered and was duly celebrated by the Colla.
Please feel free to contact us at colla@castellersdebarcelona.cat or at telephone number Spain +34 93.498.27.28 (office-telephone/fax and answering machine) and mobile phone +34 609.32.77.56.
If you want to consult our agenda, you will be able to know when we have performances and other events consulting the calendar (Actualitat/Calendari).


text:
Hosted by the State Archives of Belgium
Data sharing policies and incentives for data sharing: An interview study with members of funding agencies
Contact Depositor Share
Devriendt, Thijs, 2022, "Data sharing policies and incentives for data sharing: An interview study with members of funding agencies", https://doi.org/10.34934/DVN/JCMXTY, Social Sciences and Digital Humanities Archive – SODHA, V2
This dataset contains anonymized transcripts of interviews performed during a qualitative interview study with members of 16 research funding agencies.
Sample: Funding agencies were located mainly, but not exclusively, in Europe. Funding agencies were selected using a purposive sampling strategy that aimed to acquire sufficient representation of (a) national and international agencies; (b) public and philanthropic agencies; and (c) agencies in continental European and the anglophone world. Suitable funding agencies were selected through various means, such as a list of health research funding organizations according to their annual expenditure on health research ( https://www.healthresearchfunders.org/health-research-funding-organizations/) and Science Europe Working Groups.
Background: Open science policy documents have emphasized the need to install more incentives for data sharing. These incentives are often understood as being reputational or financial. Additionally, there are other policy measures that could be taken, such as data sharing mandates.
Aim: To document views of funding agencies on (1) potential alterations to recognition systems in academia; (2) incentives to enhance the sharing of cohort data; (3) data sharing policies in terms of the governance of cohort data; (4) other potential interactions between science policy and data sharing platforms for cohorts. Our study focused on the sharing of patient- and population-based cohorts through data infrastructures. (2022-08-19)
Computer and Information Science; Medicine, Health and Life Sciences; Social Sciences
Motivation, Information dissemination, Policy, Data management
Public agency (12)
National/regional (10)
Interview 10_anonymized.docx
MS Word - 27.6 KB - Aug 23, 2022 - 3 Downloads
MD5: 2632c245a6a043dec284a7b701fbc42b
Public agencyGeneralistNational/regional
MD5: f9436f229e299118be51e5db8f708cf1
FoundationInternationalSpecialist
MD5: 0c7cb38d60a70815ce9a62a81803b9d4
MD5: c03fabc1fe2caeade20a708cfd062df7
Public agencyNational/regionalSpecialist
MD5: ade938275e29cd85969bf0e5b69e026b
MD5: db4bd429ae7eb3d6886f73c535cbe797
Interview 1_anonymized.docx
MD5: 93520d523949085b1143fcc5f34e8ed8
Interview 2_translated_anonymized.docx
MD5: 0403c88513d1197acd6a1fbec029d97c
MD5: 327097bf847b8634c7be9d1b5ae9c12b
MD5: 9527f71b6c60476a0abe6a6f4032245b
doi:10.34934/DVN/JCMXTY
Title of Dataset
Devriendt, Thijs (Associatie KU Leuven) - ORCID: 0000-0002-3540-1096
Devriendt, Thijs (Associatie KU Leuven)
Motivation (MeSH) https://www.nlm.nih.gov/mesh/meshhome.html
Information dissemination (MeSH) https://www.nlm.nih.gov/mesh/meshhome.html
Policy (MeSH) https://www.nlm.nih.gov/mesh/meshhome.html
Data management (MeSH) https://www.nlm.nih.gov/mesh/meshhome.html
Government, political systems and organisations (CESSDA Topic Classification) https://vocabularies.cessda.eu/vocabulary/TopicClassification
Information society (CESSDA Topic Classification) https://vocabularies.cessda.eu/vocabulary/TopicClassification
Science and technology (CESSDA Topic Classification) https://vocabularies.cessda.eu/vocabulary/TopicClassification
Language(s) of the Data
Devriendt, Thijs
Anonymized transcripts - Uncoded
Funding agencies were selected using a purposive sampling strategy that aimed to acquire sufficient representation of (a) national and international agencies; (b) public and philanthropic agencies; and (c) agencies in continental European and the anglophone world. Suitable funding agencies were selected through various means, such as a list of health research funding organizations according to their annual expenditure on health research (https://www.healthresearchfunders.org/health-research-funding-organizations/) and Science Europe Working Groups.
Target Sample Size / Number of Units
Interviews over Zoom and Microsoft Teams
Consult the "Terms of Use" field just below to see if a waiver was selected for this dataset. If the "Terms of Use" field is empty, then no waiver has been selected for this dataset.
This work is licensed under a Creative Commons Attribution 4.0 International License (CC-BY).
https://www.sodha.be/api/access/datafile/
Please read and accept the SODHA Deposit Agreement.
Click on the button in the top right corner to enlarge the window.
Click here to download the individual PDF versions for each language: DE - EN - FR - NL
Deposit License Requirements
This dataset cannot be published until Social Sciences and Digital Humanities Archive – SODHA is published. Would you like to publish both right now?
This dataset cannot be published until Social Sciences and Digital Humanities Archive – SODHA is published by its administrator.
This dataset cannot be published until Social Sciences and Digital Humanities Archive – SODHA and are published.

redpajama_set_name: RedPajamaCommonCrawl


text:
Top Game Design & Development Programs in Virginia
Written by Michelle Burton. Last updated August 07, 2017.
U.S. News & World Report has some good news for Virginia. Many of the state's major colleges and universities made the list of top schools in the nation and a large number of are in the top 50. The U.S. is home to thousands of colleges and universities, so making the top 50 is a major accomplishment. Virginia Tech, University of Virginia, Washington and Lee University, College of William and Mary, and the University of Richmond are just a few lucky winners. These schools earned the title based on factors such as quality of production facilities, competitiveness, program selection, class size, convenience, clubs/organizations, cost, and more.
Virginia, the 12th largest state, is home to an impressive 129 Title IV schools total. It is one of only 16 states with 100+ Title IVs. Many of Virginia's top schools offer excellent programs for aspiring game designers & developers. Programs are offered through the computer engineering, computer science, and/or the art and design schools of each school and degree levels include B.A., B.S., B.F.A., M.F.A., M.A., and M.S.
Continue reading to find out which Virginia schools offer top-tier game design & development programs and where to find them. Please note that the schools listed below are in order from largest to smallest student population.
Top Game Design & Development School Programs Virginia Major Cities
Student Population: 2,289
Backdrop: Urban, 21-acre campus
Degrees Offered: B. A. Graphic Design, B. S. Information Technology with Specialization in Interactive Media
Top Game Design & Development School Programs Virginia Other Cities and Towns
Virginia Polytechnic Institute and State University (Virginia Tech)
Student Population: 23,700
Backdrop: Town, 2,600-acre campus
Degrees Offered: B.S. Computer Science with Media/Creative Computing Track; M.S. Computer Science with Media/Creative Computing Track. This track is intended for students wishing to prepare for entry-level positions in game engineering, animation programming, and media technology or graduate studies in those areas as well as research in entertainment uses of computing and HCI. Built upon the proposed HCI track, this track is an alternative to a graphics track for students excited by applications of computing in entertainment.
Other Degrees Offered: B. F. A. Studio Arts with Concentration in Digital Art, B. F. A. Visual Communication Design; M. F. A. Creative Technologies. Studio Arts majors can choose a concentration from disciplines including animation, ceramics, creative technologies, digital art, drawing, painting, and sculpture. Visual communication and graphic design offers concentrations in 3D animation, creative technologies, visual communication design, graphic design, and modeling.
Backdrop: Small City, 806-acre campus
Degrees Offered: B. F. A. Computer Game Design; B. A., B. F. A. Art and Visual Technology with Concentration in Graphic Design, New Media; M. F. A. Art and Visual Technology with Emphasis in New Media; M. A. Graphic Design
More Programs to Consider:
Winter Park, FL & Online
Computer Animation - Bachelor's - Online & Campus
Game Programs - Bachelor's & Master's - Online & Campus
Graphic Design & Digital Arts - Bachelor's - Online & Campus
Film & Digital Cinematography - Bachelor's & Master's - Online & Campus
Mobile Development - Bachelor's - Online & Campus
Simulation & Visualization - Bachelor's - Campus
Top 10 in Florida for Graphic Design (#4) - 2019
Best Game Design & Development Programs in Virginia
Top Animation Programs in Virginia
Top Graphic Design Programs in Virginia
Game Design & Development Schools in Virginia
Best Animation Programs in Virginia
Best Graphic Design Programs in Virginia


text:
Ferguson demonstrations block roads in US cities
Dora Whitaker
Turkish women hit back over twitter. Image by Andy Melton / CC BY-SA 2.0
Two major highways in Oakland, California and the Lincoln Tunnel and FDR Drive in New York became blocked on Tuesday night as people took to the streets in cities across the US in support of the Ferguson protest. There were new, mainly non-violent, demonstrations in cities from Seattle to Greenville, North Carolina, and Minneapolis to Boston with many expressing their anger by blocking roads. In Nashville protesters walked into the heart of the entertainment district, mixing with tourists and shoppers, and shut down a major intersection. The hashtag #ShutitDown became a Twitter trend early on Wednesday morning. The protest first started in Ferguson, Missouri on Monday night after the grand jury decided not to indict police officer Darren Wilson for the fatal shooting of a black teenager in August. Read more: usatoday.com
Manhattan vs Brooklyn: which New York City borough will fit your travel vibe?
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The best restaurant in the world is closing. Why fine dining is becoming unsustainable
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6 of the best day trips from New York City
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The 10 best concerts and shows in the US you won't want to miss in 2023
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🌍 Help Me, LP! How can I get tickets to the next World Cup?
After watching the World Cup over the past four weeks, I really want to go to a tournament. How do I go about getting tickets to the World Cup in 2026?
Ring in 2023 in the world's 10 best New Year's Eve destinations
New Year's is a truly global celebration, and you'll find a party on every continent. These 10 cities promise an unforgettable New Year's Eve experience.
11 of the top things to do in the USA
From baseball to bluegrass, road trips to wildlife, there are endless fantastic experiences to have across the US. Here are some of the best things to do.
Everything you need to know about spending the holidays in New York City
With rows of Christmas trees lending the sidewalks their piney scent and twinkly lights everywhere you look, New York is magical around the winter holidays.
How to get around New York State by train, plane and automobile
From Niagara Falls to the Hamptons, you'll have many options for exploring beautiful New York State by train, bus, car or plane.


text:
Q: How to make Wolfram Alpha give me a range of possible answers for an equation if the subject is assumed to be an integer? I am trying to use Wolfram Alpha, and I am trying to get it to give me a range of possible answers for y=(391-x)/x, if y was an integer. However, there are two problems I face with this. The first is that I'm not sure as to how to tell WA that I want both my pronumerals to be an integers. I found this answer on how to do it but it seems to be outdated.
My second problem is that even if WA know that  both x and y are positive  integers, how would I tell it to give me a set of possible values for x and y in order to satisfy the equation?
If anyone can help me, please give me an answer. Thanks!

A: Try  solve y=(391-x)/x over the integers

redpajama_set_name: RedPajamaStackExchange


Austin357 needed a new logo design and created a contest on 99designs.
A winner was selected from 140 designs submitted by 33 freelance designers.
Our company buys air time for paid programming products. We are a media buying ad agency.
We would like it to say GB and then below it say Media.


text:
Annapolis City Council approves $152M fiscal 2022 budget, passes 14 amendments
By Brooks DuBose
Annapolis Planning and Zoning Director Sally Nash testifies Monday about one of more than a dozen amendments to next year's fiscal budget before the Annapolis City Council. (Brooks DuBose)
The Annapolis City Council approved Mayor Gavin Buckley's $152 million budget for the next fiscal year along with more than a dozen amendments, including funding for a task force to study merging city services with Anne Arundel County and an on-demand micro-transit program.
The council passed the spending plan for the fiscal year 2022, which begins July 1 with a vote of 6-2 with one abstention by Alderman Ross Arnett, D-Ward 8.
"I know we are balancing this budget with a lot of one-time-only money, but it is balanced," said Arnett, the Finance Committee chair.
He repeated a concern shared by others on the council that the fiscal year 2023, however, will be far more difficult to balance.
"This is the best process we've had and in the face of COVID," Buckley said. "We agreed that this year would be a structural deficit, but we have to realize that our revenues were hit like every other business and every other household in America."
Aldermen Fred Paone, R-Ward 2, and DaJuan Gay, D-Ward 6, voted no.
Paone cited the council's unwillingness to cut the budget to address the looming shortfall.
"Year after year, I leave meetings like this saying, 'You know, next (year) we're going to be in so much trouble,'" he said. "I don't see any remotely serious effort to try to cut back on expenditures."
This will be Paone's last budget as he has chosen not to seek reelection this fall.
"This is a sound budget, but it is in no way a budget that reflects the people of the City of Annapolis," Gay said, pointing to a lack of funding initiatives to address the opioid epidemic and youth career development.
The council spent about six hours debating 19 amendments, approving 14 and voting down two. Three were withdrawn.
Among those approved was a $5,000 proposal to fund the task force and another $50,000 for a citywide community survey. The resulting data will help direct resources and policy-making for future budgets, said Alderwoman Sheila Finlayson, D-Ward 4, who made both recommendations.
"This task force will be empowered to do the research to see if it is really viable to make that merger take place," Finlayson said, adding that her colleagues "saw the wisdom" of completing a survey.
A $100,000 pilot micro-transit program proposed by Alderwoman Elly Tierney, D-Ward 1, was also approved.
Tierney worked with Acting Transportation Director Kwaku Agyemang-Duah to craft the program, which will use one-time-only funds to pay for a phone app to connect residents to the city's transportation hubs in different parts of the city.
It would act as an on-demand transportation service, Tierney said.
"This is exactly the kind of risk we should be willing to take," said Alderman Brooks Schandelmeier, D-Ward 5. "It's a very small investment. If it works, we can start ramping it up. If it does not work, well, we tried to learn something."
Other votes Monday evening included the position classification and pay plan resolution, R-12-21, which moved six existing positions to civil service status and approved previously negotiated cost of living increases for city employees next fiscal year. It passed 8-0; Gay was absent for the vote.
The fees schedule, R-13-21, passed 7-2. Paone and Gay voted no.
R-14-21, the fines schedule, also passed, 8-1, including a handful of Tierney-sponsored amendments to increase fines for violations such as selling alcohol to a minor and discharging firearms. Gay voted no.
Two amendments by Paone were voted down. One would have reduced the city's property tax rate to the constant yield. Another contained about $450,000 in budget cuts to pay for some of the lost revenue that would've come from that proposal.
Gay had an additional 15 amendments he'd intended to introduce on the floor but wasn't able to because he missed a submission deadline. Gay's proposals included a pilot universal basic income program and another to study building a dirt bike park in the city. He plans to submit the proposals in ordinance form.
Most of the council agreed there was a need to study merging city and county services and conduct a citywide professional survey.
Gay stressed the need for communities of color and a range of socioeconomic levels be captured in the survey.
Paone opposed both amendments saying the task force should not be funded before it is formed and the needs of its members are determined. He added the survey is unnecessary because it is the council's job to gauge their constituents' priorities.
"I don't think I need a $50,000 survey to tell you or the people in my ward what they prioritize," Paone said. "This is way more money than we need to set aside for this."
Alderman Rob Savidge, D-Ward 7, said a professionally conducted survey would be far more effective in capturing a truly objective picture of the city that couldn't be done by the council alone.
Alderwoman Rhonda Pindell-Charles, D-Ward 3, concurred, saying each ward has different needs.
Other amendments
$400,000 in additional construction costs and $20,000 of overhead costs to the new Department of Public Works headquarters on Hudson Street. The funding will come from bonds
Transfers $101,200 from Public Works to Planning and Zoning to fund a new liaison position to communicate with the Housing Authority of the City of Annapolis
Conversion of two contractual employee positions to full-time status; one in Planning and Zoning, and another in the soon-to-be-created Office of Community Services
Funding for a traffic circle on Taylor Avenue where a new hotel will be built
$52,500 in bonds for a feasibility study to build a new city-owned dock at Wells Cove public water access
$25,000 for a consultant to review Planning and Zoning processes and regulations in the building permitting office using the reserve for one-time uses
$17,000 to Recreation and Park to purchase self-watering flower planters using reserve for one-time uses


Sean Maher presents The Zealot's Lore: Gotham Central Free Comics Giveaway, Part Duex!
We have a winner in the first part of the Gotham Central giveaway! Behold, Good Mister Sean Witzke (no relation) has jumped on board the book and will soon receive a little bonus for his efforts. Look how happy he looks!
Enjoy those books, Mr. Witzke! I'm glad to know you'll be enjoying Gotham Central with the rest of us lucky readers.
Here's the thing. I'm having a lot of fun pimping out this great book and trying to get you people reading. I really want people to start checking out this book. So I don't want to stop just because one guy won already.
And I just remembered that the first five issues of Gotham Central were released in a nice, cheap $10 trade that would really fill in the space to the left of my "Half A Life" trade nicely.
You know what THAT means. That means five more extra issues of Gotham Central sitting around my apartment, looking for a good home. Everyone else who posts a picture (or a link to a picture, which I guess is more realistic) of themselves holding #28 and #29 by the end of the week (let's call it 12:00 Sunday) will be thrown into a hat and the one will be chosen randomly to have the FIRST five issues sent to them for free!
Sound good? Go buy some great comics!


text:
class CreateArticlesPhotos < ActiveRecord::Migration
  def change
    create_table :articles_photos do |t|

      t.integer   :article_id, null: false, default: 0
      t.integer   :photo_id, null: false, default: 0

      t.timestamps null: false
    end

    add_index :articles_photos, [:article_id], name: 'idx_articles_photos_by_aid'
    add_index :articles_photos, [:photo_id], name: 'idx_articles_photos_by_pid'
  end
end

redpajama_set_name: RedPajamaGithub


A dishwasher is an absolute prerequisite in today's world, much like a washing machine or computer.
With newer models hitting the marketplace daily – models that are faster and better compared to prior models, it makes choosing the best type if dishwasher for your business difficult. In the event you own a café or perhaps even a restaurant, a simple domestic dishwasher won't cut it. To be able to keep up with substantial demands, many businesses have begun using commercial dishwashers.
For the catering industry, there's a demand for utilities to shine. Shining utilities fundamentally improve your total income. Thus, acquiring an excellent commercial dishwasher needs to really be at very top of the checklist.
Unlike home dishwashers, industrial ones are built to do more. One dishwasher may operate significantly a lot longer than thirty cycles every day. Utilizing the most out of this machine will probably help save you money than purchasing a dishwasher that you'll operate just one or two times every day. While those more compact industrial dishwashers may not look any different than ordinary domestic types, it's their mechanism that differs significantly.
The most wash period of those washers is among 4 and half an hour. They truly have been extremely power efficient and have just 10 13 g of strength. While these centers may be lesser compared to bigger dishwashers, they however operate effortlessly due for their large working rate.
In the event you'd like clear and clean utilities with no hint of microorganisms, then your industrial grills would be the most appropriate for you. A standard dishwasher may wash the cutlery in 60-70 levels as an industrial dishwasher may soon decide on a temperature of 82 degrees. In your home, you could clean your meals to have the cleanliness you will want but, in a restaurant, even the exact rate of processing is crucial. You want a spot to become cleaned at 30 minutes and industrial cleansers would be the sole ones that may accomplish this career. Moreover, the more compact units are ideal to get a distance restricted foodstuff items dwelling.
How to Buy Dark Chocolate?
Charliewantsaburger is an organization that share information, technique, ideas or anything about Foods.


text:
Q: Can I reuse and republish code snippets from Stack Exchange sites under a new license? I want to start a project, Scheme Cookbook, with a better license because an old cookbook, that is no longer available online, was licensed under LGPL, which requires the inclusion of the license with any use of the recipes.
How exactly does the license work on Stack Overflow (and other Stack Exchange sites)? I was reading the license and the terms of service (TOS), but I'm not exactly sure if I understand. The text is difficult to understand (especially since English is not my native language). From what I do understand, the license protects the case where someone wants to create a clone of Stack Overflow and the TOS says that the user can only do that for non-commercial or personal projects. Did I understand it right?
Can I take code snippets (not that many) for the Scheme language and license it with a different license like CC0 or do I need to license them with CC-BY-SA?
Is this a good place to ask this? Or should I ask on Law Stack Exchange?

A:
Is this a good place to ask this? Or should I ask on https://law.stackexchange.com/?

Either's fine, I think.  I frequent both, so I'll take a crack at it.

From what I understand, the license is protection when someone will want to create a clone of Stack Overflow and the TOS says that the user can only do that for non-commercial or personal projects. Did I understand it right?

No, not quite.  You might be thinking of a license like CC BY-NC, which restricts commercial use.  Stack Exchange uses CC BY-SA, which allows commercial use.  In fact, that's the only license Stack Exchange itself has to the content, and it's commercial.

Can I take code snippets (not that many) for the Scheme language and license it with a different license like CC0 or do I need to license them with CC-BY-SA?

No, you'll have to use CC BY-SA.  That's the SA part: "ShareAlike."  It means that, in their words, "[i]f you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original." In other words, you must distribute the code (including any changes you make to it) under the same CC BY-SA license.  You can't relicense it to CC0 or any other license.  You also need to give appropriate credit, the details of which vary based on the version of the license.  As the licensing page notes, the version used depends on when the content was posted.


Simply beautiful dress and jacket set in light, flowy georgette.
This simply beautiful dress and jacket set in light, flowy georgette fabric with subtle beaded trim is the perfectly elegant and stylish choice for any church event or formal occasion. Collarless, unlined 25" jacket features a fashionable high-low hemline, subtle beaded trim, a single hidden closure, slimming princess seams, and long sleeves. Lined sleeveless sheath dress, 50 1/2" from center back neck, has shaping darts for fit and flattery. 100% polyester. Dry clean. Imported.


text:
Engaging Youth and Communities in protecting African heritage: A Deeper Look into "Heritage Hubs" as sustainable and vibrant platforms in Kenya, Rwanda and South Africa.
Within the Youth.Heritage.Africa programme, ICCROM is working to establish a new type of co-creative and interactive initiative called "Heritage Hubs". The aim is to link heritage to daily life and ensure that in protecting and promoting it, heritage can also become a source of livelihood for the youth of Africa. ICCROM is partnering with institutions in different countries to implement various projects and activities that include informing, training and engaging young people in order to cultivate learning and broaden horizons. We aspire to create Heritage Hubs as knowledge-based innovation centres that foster youth engagement, entrepreneurship, and business development skills through creative arts and partnership within Africa's heritage protection and promotion cycle. The Hubs agenda goes beyond promoting understanding and appreciation of African cultural heritage among youth by touching specifically on how young people can use heritage to achieve the Sustainable Development Goals.
This webinar will dive deeper into the specificity of some of the Hubs and how they help leverage local knowledge and expertise to connect young people to real opportunities and ensure the sustainability of the activities.
Espéra Donouvossi, ICCROM
Robert Masozera, Director General of Rwanda Cultural Heritage Academy (RCHA), Rwanda Heritage Hub
Purity Kiura, Deputy Director of National Museums of Kenya, Focal Point for Kenya Heritage Hub
Arafat Mukasa, Swahili Heritage Pot, Implementing Partner of Kenya Heritage Hub
Thabo Ngomommu, Cultural Manager at South Africa National Parks, SanPARKS, partner of UCT Heritage Hub.


text:
Installation view, The La-A Consortium, Waiting Room, partial view, Institute for Contemporary Art, Richmond, Virginia, 2018. Photo: Terry Brown
Installation view, The La-A Consortium, Waiting Room, partial view. Institute for Contemporary Art, Richmond, Virginia, 2018. Photo: Terry Brown
Autumn Knight, LaLa Consortium, performance, The McKinney Avenue Contemporary, 2016
Autumn Knight with Nontsikelelo Mutiti
THE LA-A CONSORTIUM,
The La-A Consortium, Waiting Room is a deconstructed waiting room for an imagined consortium of institutions named after people of African diasporic heritage. Those institutions are present yet inaccessible: a door and welcome mat lead nowhere; branded materials sit out of reach. These strategies give form to an alternate future and envision new forms of power and visibility.
The namesakes are informed by the African American naming traditions that followed the Black Power Movement of the 1960s. These community-constructed names sought to convey distinct identities by combining conventional names with French prefixes (la and de) and invented suffixes (-iqua, -isha, and -aun). By incorporating these naming trends, Knight critiques institutional practices that enforce permanence and legacy by restricting power, access, and wealth.
The La-A Consortium, Waiting Room, 2018. Mixed-media installation including light, vinyl, pamphlets, welcome mat, water bottles, and sound. Courtesy of the artist and collaborator.
3rd Floor Landing
In this moment, the challenging circumstances of our political climate are producing a surge of ways to reimagine power structures. We view this as an absolutely productive strategy to move us out of this turmoil. This particular work is in conversation with those who feel charged with the task of reshaping tradition, reshaping chaos, reclaiming time. –Autumn Knight
WHAT MOTIVATES YOU AS AN ARTIST?
I'm motivated by my interest in the world–its systems, its failures, its joys.
PLEASE SHARE A BRIEF DESCRIPTION OF THE WORK YOU'RE SHOWING IN DECLARATION.
My work in the show, entitled La-a Consortium, is both an installation and a performance. The work puts forth a proposed group of organizations that exist in the near future named after prominent Black Americans. Both the installation and the performance wrestle with unexpected shifts in power and perspective.
ARE THERE DETAILS ABOUT THE WORK YOU'RE SHOWING IN DECLARATION THAT YOU'D ESPECIALLY LIKE AUDIENCES TO PAY ATTENTION TO?
I'd like audiences to pay attention to the potential power of making a "declaration." Both the installation and performance of La-a Consortium are declarations about space, agency, and authorship.
WHAT DOES THE WORD "DECLARATION" MEAN TO YOU?
The word "declaration" in my work is about the boundaries of the imagination and the audience's ability to join the artist in pushing into new territory.
WHAT DOES IT MEAN TO YOU TO BE SHOWING YOUR WORK AT THIS MOMENT IN HISTORY? IN THIS LOCATION?
In this moment, the challenging circumstances of our political climate are producing a surge of ways to reimagine power structures. We view this as an absolutely productive strategy to move us out of this turmoil. This particular work is in conversation with those who feel charged with the task of reshaping tradition, reshaping chaos, reclaiming time.
AUTUMN KNIGHT
Born 1980 Houston, Texas; Lives in New York, New York
Autumn Knight is an interdisciplinary artist who creates charged performances that play off the social dynamics of her audiences, amplifying the race, gender, and power relationships in the room. Her performances are created collectively with many other artists and incorporate a myriad of performative actions, from choreographed dance to partially scripted comedic dialogues to impromptu group performances, and more.
Knight received her BA in Theater Arts and Speech Communications from Dillard University in New Orleans and her MA in Drama Therapy from New York University. Select solo exhibitions: Krannart Art Museum in Champaign, Illinois (2017); Artspace in San Antonio, Texas (2015); Fresh Arts in Houston, Texas (2014); and Project Row House in Houston, Texas (2012-2013). Select group exhibitions: Contemporary Art Museum Houston, Texas (2015-2016); Crystal Bridges Museum in Bentonville, Arkansas (2014); and Texas State University Museum in Houston (2013). Select awards: Studio Museum Harlem Residency (2017), Artadia (2015), and The Idea Fund Grant (2014).
NONTSIKELELO MUTITI
Born 1982 Harare, Zimbabwe; Lives in New York and Richmond, Virginia
Mutiti's is a graphic designer and educator whose practice traverses the boundaries of fine art, design, and public engagement.
Mutiti received her BFA in Multimedia Art from the Zimbabwe Institute of Vigital Arts and an MFA in Graphic Design from Yale School of Arts. She has produced designs for: Black Women Artists for Black Lives Matter (2016); Harlem Postcard Project (2016); Simone Leigh's Waiting Room (2014/2016); and Reading Zimbabwe (2016-ongoing). Select exhibitions: The Metropolitan Museum of Art in New York (2017); We Buy Gold in Brooklyn, New York (2017); Whitney Museum in New York (2016); and Studio Museum Harlem (2015). Awards and residencies include: Museum of Contemporary Art, Detroit; Recess, New York; Centre for Book Arts, New York; The Joan Mitchell Foundation Emerging Artist Grant; and Keleketla Library Residency in Johannesburg, South Africa. Mutiti is currently an associate professor at Virginia Commonwealth University in the department of Graphic Design.
Last updated on August 24th, 2018 at 10:00 am | ©2019 Institute for Contemporary Art


text:
Jan Páleníček – violoncello
Cellist Jan Palenicek, as soloist and chamber musician is heir to a great musical family tradition that was established by his father Josef Palenicek, pianist, world-famous interpreter of Janacek, and founder of the first Smetana Trio.
Cellist Jan Palenicek, as soloist and chamber musician is heir to a great musical family tradition that was established by his father Josef Palenicek, pianist, world-famous interpreter of Janacek, and founder of the first Smetana Trio. Jan Palenicek was the pupil of the greatest Czech cellists of their generation, Saša Večtomov and Miloš Sádlo, and studied chamber music with Prof. Josef Vlach (first violin of the Vlach Quartet). His meeting with Paul Tortelier, the French cellist of world renown, represented the culmination of his artistic training. His early participation in competitions brought him a number of prizes and accolades.
Major concerto performances have been given with the Prague Symphony Orchestra, Brno State Philharmonic, Janáček Philharmonic Ostrava, the Lugano Festival Orchestra, the Suk Chamber Orchestra, the Monte Carlo Philharmonic, the Bamberg Symphony Orchestra, KwaZulu-Natal Philharmonic Orchestra in Durban, Symphony Orchestra Brasilia.
Festival appearances include Prague Spring, Janáček May, Moravian Autumn and others. He has given concerts in most European countries as well as in Japan, America and South Africa.
He has recorded more than two dozen CDs for home and international labels, highlights from which include concertos by Dvorak, Tchaikovsky, Haydn, Triple Concerto by Beethoven, Double Concerto by Brahms and the complete cello works by Brahms, Martinu and Rachmaninov.
Chamber music is closest to Jan Páleníček's heart. He did after all grow up in a chamber music environment par excellence. Jan Páleníček is a member of the world-famous SMETANA TRIO together with the violinist Jan Talich and the pianist Jitka Čechová.
For a number of years he taught at the Prague Conservatory and the Academy of Performing Arts.
He is also prominent as an artistic director and organiser of cultural events. He is Artistic Director of the cycle of festivals "Czech Culture Festivities" and director of the art agency "TRIART Management".
Jan Páleníček
Nad Stráněmi 343
251 66 Senohraby
jan.palenicek@gmail.com
Skype janpalenicek
2017 © Jan Páleníček


WOOMER Insurance & Financial Services offers a broad range of Insurance & Financial solutions. As an independent agent, we have the leverage and commitment to search the marketplace for the most competitive and comprehensive coverage available. We offer Personal Coverage for Home Insurance, Auto Insurance, Recreational Vehicles, Life & Disability, Commercial Coverage for Business Insurance, General Liability, Workers Compensation, Financial Services for Life, Health, Disability, and Retirement Planning.
We are Independent Agents in Apex, North Carolina, free to choose the best carrier for your insurance needs. We do not work for an insurance company; we work for you. We work on your side when you have a loss and follow through to see that you get fair, prompt payment and service. WOOMER Insurance & Financial Services represents a carefully selected group of financially strong, reputable insurance companies, therefore, we are able to offer you the best coverage at the most competitive price.


text:
Skillful Means
Work Burn Out
Work-place burnout is now officially a recognized mental health concern: What you should know
Burnout — the type of extreme stress or fatigue that can lead to everything from respiratory problems to gastrointestinal issues — is now officially a recognized mental health concern.
The World Health Organization (WHO) included burnout in its International Classification of Diseases, or ICD-11, a diagnostic tool for medical providers.
Burnout, called an "occupational phenomenon" by WHO, is described as "resulting from chronic workplace stress that has not been successfully managed." The guidelines note that burnout is only applicable related to work-induced stress.
The handbook says medical providers can look for these three symptoms when it comes to diagnosing burnout: Feelings of energy depletion or exhaustion; increased mental distance from one's job or feelings of negativism or cynicism related to one's job; and reduced professional efficacy.
The ICD-11 diagnosis guidelines will not go into effect until 2022.
In the U.S., medical providers follow another set of guidelines, the Diagnostic and Statistical Manual of Mental Disorders, or DSM–5. Burnout is not listed as a diagnosis in DSM-5.
Burnout among millennials was in the spotlight late last year when BuzzFeed reporter Anne Helen Petersen described in an essay how she could excel in her job and some parts of her personal life but felt paralyzed in others.
"I'd put something on my weekly to-do list, and it'd roll over, one week to the next, haunting me for months," Peterson wrote of what she labeled "errand paralysis."
"They are seemingly high-effort, low-reward tasks, and they paralyze me," she wrote.
Signs of burnout can include insomnia, chronic fatigue, difficulty concentrating, apathy, irritability, anxiety and getting sick more often. It can have physical consequences that include everything from respiratory problems to gastrointestinal issues, according to ABC News chief medical correspondent Dr. Jennifer Ashton.
Are you suffering from burnout?
There are four questions you can ask yourself to determine if you are suffering from burnout, explained Ashton.
Rate yourself on each question using a number one through four, with one being never, two sometimes, three often and four always. Then total your points from all four questions.
1. How often are you tired and lacking energy to go to work in the morning?
2. How often do you feel physically drained, like your batteries are dead?
3. How often is your thinking process sluggish or your concentration impaired?
4. How often do you feel emotionally detached from co-workers (or customers) and unable to be sensitive to their needs?
If you scored less than nine, you are not suffering from burnout.
If you scored between a 10 and 12, you are on the verge of burnout.
If you scored between a 13 and a 16, you are suffering full-on burnout.
How to help burnout
Bea Arthur, a New York City-based licensed therapist, recommends starting to ease burnout by removing the urgency from things in your life that are truly not urgent.
"You know what is urgent in your life, like seeing your family and friends more," said Arthur, who tries not to answer work-related emails and calls past 7 p.m. because she knows, in her work, nothing tragic is going to happen if she answers in the morning.
She also schedules her vacations three and six months in advance, which lets her know that she can take a pause.
"Even if the work is still there when you get back from vacation, you'll come back better," she said.
Ann Shoket, author of "The Big Life," said the millennial women she meets are often fixated on small things that distract from their bigger lives.
She recommends being intentional about the type of self-care you give yourself.
"I don't mean get a mani[cure] and facial," Shoket told "GMA" earlier this year. "It's about putting yourself first once in a while. Turn off your phone. Leave work at a reasonable hour. Draw boundaries between your life and your work that allow you to succeed in both."
Accepting that your life can be big and messy is also good way to move forward, noted Shoket.
"You have to embrace the mess," she said. "Don't get caught up in the idea that things have to be perfect or there has to be a balance. A big, ambitious hungry life is a messy life."
Amy Kurtz, a bestselling author and health and wellness coach, works with her clients to "flip the script" on burnout by establishing personal rituals, from practicing meditation to getting exercise, eating a healthy diet, getting proper rest and setting boundaries on your apps and phone.
She also stresses the importance of saying no.
"If it's not a heck yes, it's a heck no," Kurtz said. "If you're not totally jazzed about doing something, just say no."
Life Balance CoWorking
We'd love to show you all we have to offer! Feel free to book a tour today!
2222 Harold Way Berkeley, CA 94704
Mon - Friday 9 am - 5 pm
Coworking with Wisdom is an alcohol and drug-free facility.


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text:
Q: Fabric.js asynchronous rendering from JSON I have a "double sided" canvas in fabric.js. Both of them are loaded from a JSON string.
I have a function to fit the canvas to the window size, which also resize every object. The problem is when there is a imageblob in one of the JSON, it takes more time to load. So when I call my function I end up with all objects on one canvas and none on the other one. I have done a setTimeout, but it's not the best solution. How can I resize everything in the same time, without the settimeout? Here is my funciton
function fitWindow(){
        var windowWidth = $("#wrapper").innerWidth();
        var originalWidth = canvas.getWidth();
        var originalHeight = canvas.getHeight();

        var newWidth = windowWidth-30;
        var newHeight = (originalHeight / originalWidth)* newWidth;

        canvas.setWidth(newWidth);
        canvas.setHeight(newHeight);

        var myScale = originalWidth/newWidth;

        var objects = canvas.getObjects();

        for (var i in objects) {
            var scaleX = objects[i].get('scaleX');
            var scaleY = objects[i].get('scaleY');
            var left = objects[i].get('left');
            var top = objects[i].get('top');

            var tempScaleX = scaleX * (1 / myScale);
            var tempScaleY = scaleY * (1 / myScale);
            var tempLeft = left * (1 / myScale);
            var tempTop = top * (1 / myScale);

            objects[i].set('scaleX',tempScaleX);
            objects[i].set('scaleY',tempScaleY);
            objects[i].set('left',tempLeft);
            objects[i].set('top',tempTop);

            objects[i].setCoords();
        }

        canvas.renderAll();

        var ojS = canvas.toObject(['name']);
        var savedCanvas = JSON.stringify(ojS);

        canvas.clear();
        canvas.loadFromJSON(canvas2, canvas.renderAll.bind(canvas));
        setTimeout(function(){

            var objects2 = canvas.getObjects();
            for (var k in objects2) {
                var scaleX2 = objects2[k].get('scaleX');
                var scaleY2 = objects2[k].get('scaleY');
                var left2 = objects2[k].get('left');
                var top2 = objects2[k].get('top');

                var tempScaleX2 = scaleX2 * (1 / myScale);
                var tempScaleY2 = scaleY2 * (1 / myScale);
                var tempLeft2 = left2 * (1 / myScale);
                var tempTop2 = top2 * (1 / myScale);

                objects2[k].set('scaleX',tempScaleX2);
                objects2[k].set('scaleY',tempScaleY2);
                objects2[k].set('left',tempLeft2);
                objects2[k].set('top',tempTop2);

                objects2[k].setCoords();
            }
            canvas.renderAll();

            var ojS2 = canvas.toObject(['name']);
            canvas2 = JSON.stringify(ojS2);

            canvas.clear();
            canvas.loadFromJSON(savedCanvas, canvas.renderAll.bind(canvas));

            canvas.renderAll();
        },100);
    }

A: Ok, I think I found the solution. I'm binding the functions to the callback of the JSON load, like this:
canvas.loadFromJSON(canvas2, function() {

                scaleObjects(scale,canvas.getObjects());
                canvas2 = savedCanvasJSON(canvas.toObject(['name']));
                canvas.clear();
                canvas.loadFromJSON(savedCanvas, canvas.renderAll.bind(canvas));
            });

It is working as expected


text:
Q: How auto create a folder when i register a user Hello how can i create a new folder in storage for every user i register to my app
code user
 Future resUer() async {
    await FirebaseAuth.instance.createUserWithEmailAndPassword(email: _gmailController.text,
        password: _contrasenaController.text).then(FirebaseStorage.instance.);

    addUser(_usuarioController.text, _gmailController.text, _contrasenaController.text);

  }

Method to implement to my code

A: To create a new folder in Firebase Storage for every user you register to your app, you can use the Firebase Authentication UID of the user as the folder name. Here's an updated version of your code that creates a new folder for the user in Firebase Storage:
Future<void> registerUser() async {
  try {
    // Create user in Firebase Authentication
    final userCredential = await FirebaseAuth.instance.createUserWithEmailAndPassword(
      email: _gmailController.text,
      password: _contrasenaController.text,
    );

    // Get the UID of the user
    final uid = userCredential.user.uid;

    // Create a new folder in Firebase Storage with the UID as the name
    await FirebaseStorage.instance.ref(uid).putString('');

    // Add user data to Firestore or your database
    addUser(_usuarioController.text, _gmailController.text, _contrasenaController.text);
  } catch (e) {
    // Handle any errors
    print('Error creating user: $e');
  }
}

In this updated version of the code, we first create a new user in Firebase Authentication using the createUserWithEmailAndPassword method as before. We then get the UID of the user from the userCredential object. Next, we create a new folder in Firebase Storage using the putString method of a StorageReference object with the UID as the reference path. This will create a new folder in Firebase Storage with the UID as the name. Finally, we call the addUser function to add the user data to your database or Firestore. Note that in this code, we're assuming that you're using Firebase Authentication and Firebase Storage in your app. If you're using a different authentication or storage provider, you'll need to adjust the code accordingly.


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text:
Q: How can i store chat history in Android I am working on an XMPP client app that sends and receives IM using ASmack library. I want to store the Chatting history among the users. This history must be persistent until i clear the chat by clicking a button.
What is the best possible way to maintain the chat history and any snippets will be of great help.

A: A simple Sqlite database comes to mind. You could then save all history of all chats for as long as you need. And selectively erase one chat session and not another.
See : http://developer.android.com/guide/topics/data/data-storage.html#db
And you'll find a lot of easy tutorial to follow along on the interweb.


At least three people told me Maximo's is their favorite restaurant, and it's easy to see why.
The food is excellent, and it's fancy in all the right ways. You get the feeling the owner spends more money on really nice pieces of snapper and excellent mozzarella cheese than on cosmetic stuff like reupholstering cracked chairs or sprucing up a place that's very cozy as it is.
The snapper fillet was at least half an inch thick, beautiful fish covered in a tasty sauce that didn't overpower it, with artichoke hearts, a little cream and red peppers. We fought over it -- a short skirmish that my dining partner won by brandishing a fork. I got four or five bites, just enough to make me really want more.
My partner reported the next day that it was even better as leftovers.
The sides were nothing super -- raw spinach that seemed like it needed something on it, mashed potatoes that were very buttery and good, and saut�ed peppers and onions.
Mostly, you'll remember the fish -- flaky and just right. Maximo's serves snapper in a couple of other dishes, so you can tell that the owner has a good connection for that particular fish.
I ordered Ethiopian beef stew, which comes in a tomato base and tastes a little bit like my mom's killer Swiss steak, only sharper with a kick of chili that I barely noticed until I was sweating while finishing my plate.
Sides were yellow rice, the lonely spinach and the saut�ed onions and peppers.
We also had a salad -- big slabs of mozzarella with basil and tomato slices and a light dressing. The mozzarella was excellent; the tomatoes, so-so. I'm getting really picky about those because I've been eating homegrown tomatoes. They're so good you feel like taking them to the restaurant with you and asking the chef to chop them up and stick them on your salad instead of the others.
As a test, we also tried to keep the cost of the meal under $50. It came in at $48. But we didn't get dessert because of the $50 thing, which was kind of a bad move.
We'll order dessert next time for sure, and maybe I can squeeze another column out of it and eat there again on the company.


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This cream of chicken noodle soup is so loaded with white meat chicken and veggies , it eats like a meal.
I've had a nice creamy chicken noodle soup on the brain lately and for the strangest reason.
Recently, my friend Pam from Skinny Sweets Daily and her whole family had one of the most terrible cases of the flu you'd ever see. I kept telling her that I'd send her some virtual chicken noodle soup to speed up her recovery. It had to be virtual because even though we are both in New York, I live upstate and she lives downstate so I couldn't run over to her house with a pot of soup. All this talk of chicken soup sort of got me hungry for some.
This one starts out with white-meat chicken; a boneless skinless breast. Now this cut of chicken doesn't make the tastiest stock–you need bone, fat and dark meat for that–but I have tons of skinless breast and wanted to use that in the soup itself. When I make stock the real way, I never use that meat in the soup itself. That's strictly a treat for my dogs (my cat won't eat chicken or turkey–he only wants his 9-Lives or dry dog food. Go figure????).
So, because I was using a part of the chicken that doesn't deliver too much flavor for a stock, I cooked it in a really tasty store-bought variety. I used College Inn Bold Rotisserie Chicken. That has a very good flavor–almost as good as homemade. But if you are lucky enough to have some great stock in your freezer that you made, that's the stuff to use!
This soup tastes a lot like a good pot pie filling. I didn't put potatoes in, I used noodles. And my choice of veggies were the standard carrots, but the very non-traditional green beans. I didn't want peas–the fact that I didn't have any made the decision even easier! If you want to get traditional here, then use some frozen mixed vegetables.
This soup is creamy and a delight to eat. With all the breast meat and veggies in this, I'd call this a meal. A nice green salad on the side and a crusty roll is all you need.
Place chicken, stock, pepper, carrots and optional herb add-ins (if using) into a 4-5 quart slow cooker.
Cover and set on high and cook for 2.5-3 hours, or until chicken is done.
Add the egg noodle and the green beans. Continue cooking on high for an additional 30 minutes or until noodles are almost done.
Add the cream and if the soup needs it, the salt.
Reduce heat to low and cook for 15 minutes just to heat the cream.
My recommendation for a tasty store-bought stock is College Inn Bold. Also Knorr concentrated and Better Than Boullon.
You can use half-n-half, light or heavy cream. Heavy cream is strongly recommended. Milk and especially lower-fat milks won't produce a tasty soup.
Thank you Judith. Sounds nice and I love my slow cooker. Have a great week.


text:
Q: Java - Reflection, casting to an unknown Object? Basically, I scan through all components in a JFrame, checking if it has the method setTitle(String arg0), if it does, then set it's title to "foo". However, in order to set it's title I need to cast it to a suitable object.
    public void updateTitle(Container root){

        for (Component c : root.getComponents()){

            String s = "";
            for (Method m : c.getClass().getDeclaredMethods()){

                s += m.getName();
            }

            if (s.contains("setTitle")){

                c.setTitle("foo"); //Here is where I need the casting
            }

            if (c instanceof Container){

                updateTitle((Container) c);
            }
        }
    }

Problem is, I don't know what class is it. Is there any way to cast it to itself, or I should try doing something else?

A: When you have a Method, you can use invoke() to call it:
 for (Method m : c.getClass().getDeclaredMethods()){
     if( "setTitle".equals( m.getName() ) {
         m.invoke( c, "foo" ); // == c.setTitle("foo"); but without the casts
     }
 }

A: You can call setTitle() via reflection, not via casting

A: for (Method m : c.getClass().getDeclaredMethods()){
    if (m.getName().equals("setTitle")) {
        m.invoke(c, "foo");
    }
}

Delete all other unnecessary code. Your String s is useless (because anyway, it makes no sense to append all method names and check for contains. What if the class had methods called setT and itle?)


As we get a high number of country requests, we have created a template that you can follow to get the countries added into the next available update!
Once you have filled this out, you can either send us a message on Facebook or email us at countryrequests@inst.coffee.
(You can add more names, just copy and paste the naming template at the bottom :)).
Iraq, Usa, Mexico, Brazil, Uk.
Croatia and Bosnia and Herzegovina!!!


text:
Electric Cars are for Girls
A nerdy girl's take on electric vehicles, conversions, and climate
Electric Car History
Electric Car Acronyms and Abbreviations
Electric Car Books
Electric Car Advantages
Electric Cars for Sale
Plug in America
Neighborhood Electric Cars
Fuel Cell Cars
Conversion Central
Build Your Own Electric Car
Electric Car Conversion
Conversion Q&A
Conversion videos
Conversion Kits and Project Assistance
Most Popular Electric Car Motors
Solar Grand Plan
Effects of Global Warming
No Free Lunch: Climate Hoax
Human Cost of Climate Change
Electric Powered Cars: Coal or ICE
More Electric Cars are for Girls
Global Warming 101: The Problem
Global Warming? So what's wrong with that!? Plenty, because We're all in this TOGETHER.
Think global warming won't hurt much? Well...
In the temperate regions of the world, maybe where you live, you might not even notice a few degrees warming. (Honestly, sometimes it sounds pretty good to me! It's freezing here!) Anyway, you can always crank the air conditioner up another notch, right?
But if you live in a place with big, old trees, you might notice them drying out in the summer, getting cinnamon-colored dead spots from the drought and insects.
You might notice the fall and winter storms are getting bigger.
You might notice the monster tornados barrelling through the Midwest.
You might notice the mountains don't get snow on them until late, and shed their snow coat earlier in the spring.
You might notice that last year, there was flooding in areas that there was never flooding before, and that there were more BUGS this summer than you remember.
These are all generally attributed to global warming, or climate change.
So is climate change REAL, or what?
First Person Singular - Climate Change
Okay. So it seems like several things contribute to the problem:
Burning fossil fuels.When oil, gas, coal, wood, or other carbon-containing fuels (called fossil fuels because they come from living things which have died) are burned, carbon dioxide and water vapor are released into the atmosphere. These gases are called greenhouse gases, as you know, because they trap long-wave radiation from the sun and heat up the atmosphere, just like the glass in a greenhouse. More fossil fuels are burned to power CARS with gasoline engines than for any other purpose, and as more of the world becomes modernized, more and more people are driving gas-burning cars.China is adding a thousand cars a day, every day, to the roads...and adding gobs of heat-trapping gas to the atmosphere.Read my Australian friend's thoughtful assessment of the Kyoto Protocol, developing nations' contribution to global warming, and the resistance of Australia and the United States to the Kyoto Treaty (based on economic worries) at his website, Alternate Energy Sources.
Deforestation.Trees use carbon dioxide from the air to eat (photosynthesis), and they eat a lot. The more humans cut down forests - including the tropical rain forest - the fewer trees are available to gobble the carbon dioxide up. Trees also breathe, just like us; they "inhale" oxygen and "exhale" carbon dioxide...but they use much more carbon dioxide than they produce. Since wood burns, it must be full of carbon, from using carbon dioxide.
Feedback loops, in which the warming effects such as melting of glaciers cause further warming which accelerates out of control. This is the most worrisome cause of global warming on the list, because nobody knows how close we might be to the tipping point - the point at which global warming accelerates out of control.
And yes, natural sources of global warming.
'Natural' Climate Change
Natural sources of climate change do exist, such as the seasons, accumulation of naturally-occurring greenhouse gases, solar storms which occasionally bombard the earth with excessive solar energy, and volcanoes which spew ash and greenhouse gases into the atmosphere.
Because of natural sources of climate change, unscrupulous people use this as an excuse to claim that human activity (such as driving gas or diesel powered cars) is not a major contributor to climate change. We've all heard them, and have speculated that their opinions might just be related to the amount of money those people and their friends and families have invested in oil and oil-burning products (like cars).
Remember when once the tobacco companies rented scientists to claim (and testify before Congress) that smoking was not bad for your health, or at least, not worse than other naturally-occurring things? Like in the first season of Mad Men.
Well, I'm pretty sure it's a similar thing with gas-burning cars and climate change science.
More about Global Warming on page 2.
Electric Car Conversion Using E-Golf Power Train
Mar 06, 20 05:30 PM
I own a '19 VW E-golf and would love to transplant the electric powertrain into an old beetle or possibly a Thing (if I can find one cheap enough). Would
𝐓𝐰𝐨 S𝐢𝐠𝐧𝐢𝐟𝐢𝐜𝐚𝐧𝐭 𝐕𝐞𝐡𝐢𝐜𝐥𝐞𝐬 L𝐞𝐚𝐯𝐢𝐧𝐠 𝐭𝐡𝐞 𝐑𝐨𝐮𝐭𝐞 𝟔𝟔 𝐄𝐥𝐞𝐜𝐭𝐫𝐢𝐜 𝐕𝐞𝐡𝐢𝐜𝐥𝐞 𝐌𝐮𝐬𝐞𝐮𝐦
On this upcoming Saturday, November 9th, a transport truck and trailer will roll into Kingman, Arizona from Los Angeles, California to pickup our very rare circa 1959-1960 Henney Kilowatt with only 40…
Electric Car Facts and FAQ
Electric car facts and frequently asked questions from the e-mail bag. There's no such thing as a dumb question!
I promise to use it only to send you Charge On!.
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826 Valencia Tenderloin Center by INTERSTICE Architects was awarded the Special Commendation Award for Social Responsibility from the AIA San Francisco's 2017 Design Awards Program.
The Bohlin Cywinski Jackson architecture studio is behind the interior design project for the San Francisco Bay Area café, a Blue Bottle Coffee brand café.
Postmates is a revolutionary delivery service that links people with the things they need in less than an hour. Rapt Studio is an architecture and design studio that links brands to the spaces in which they work.
Rapt Studio of California designed the interior of the Trulia building. Trulia is an online real estate agency that uses communities to find the best solutions; Rapt Studio has given the company's physical space a brand identity in line with its visual marketing.
Late this spring the Contemporary Jewish Museum in San Francisco will officially open the doors to 6 thousand square metres of new display space.
The museum was destroyed in the earthquake only a few years after its 1894 opening. Rebuilt in 1921, it was damaged again in 1989.


Last night during the Ingrid Michaelson concert (which, by the way, was one of the most fun I've ever been to), she played a mix of old songs and new. Several of her songs from the Boys and Girls album reminded me of the period after I'd moved home from France and would drive from work to Yoga before heading home to my parents'. Ingrid's album was the soundtrack of those few months and last night I found myself thinking about that wonderful moment with music- the one when you are so distraught or lost that you can only sing someone else's words over and over again. And it gives you strength.
This is the power of break-up songs, isn't it? The message that you're better off and your life will be ok and you are finally free. The freedom that I have felt in the past after break-ups has always been fueled by music, both Ingrid's and others.
Last night I thought about how my life has been pretty good lately and how the space within me to connect with some of those secretly-longing-to-be-freer lyrics seems to have shifted. I still hear the songs, I still understand where the lyrics come from, but they no longer resonate with me. I suppose that means I'm happy.
When you've spent 28 years grasping at the hints of love that find their way into your life (both Love and love), it is an odd feeling to have drained that pool. The 'what if' path is well-worn in my love life; I have, many times, left something with substance for the possibility of something more. I never left someone because there was nothing left. Rather, I left because I suspected there was nothing more to find.
The moments of rebound, of self-motivated bounce-back, that have defined who and how I am... they are part of my identity. For a split second during the concert, I mourned their loss. And then I imagined all of the other moments that I don't even know about yet- the moments AFTER the starting gate of a relationship, the time that doesn't involve finding someone but rather staying with and working on life together with someone. Those I know nothing about yet.
One of the reasons I so love Ingrid is because she's about the same age as I am. As she discovers life, so do I. And I'm so excited for the day when she puts out an album about this next step in Love; to see how she interprets it, to sing along and consider how I connect with it... that's going to be great.
AND a stopover in Finland... nice.
Once again, the complex issue of being stuck.


text:
Working At Home Often Comes With Isolation, Distractions
By RALPH GARDNER JR.THE NEW YORK TIMES
Jan 7, 2008 at 12:01 AM Jan 7, 2008 at 6:29 AM
Before they were married in September, Nicci Young and Richard Wiese first had to split up. The problem was not romantic, but spatial: Young Wiese, who organizes community development safaris to Africa, and Wiese, a writer and explorer, found that their one-bedroom in New York City was not big enough for the two of them after both decided to work from home.
"He kept talking to me about his work, which is very interesting, but it was really taking time out of my workday," Young Wiese said. "And when I was alone there was a sense of loneliness and procrastination."
Wiese, who is writing a how-to book about exploration for teenagers, acknowledged the problem. "Nicci tends to be a lot more intense," he said. "Especially with lighter work, I can be watching a ball game. If I saw a funny e-mail coming through I'd want to share it. I'd get these glances from her, like, 'I'm working!'"
Young Wiese is one of many of the millions of Americans now working outside traditional workplaces who have found themselves surprised by how difficult home-office life can be. It requires strict self-discipline and an ability to tune out spouses, children and pets. For the more sociable or emotionally needy, it can feel like house arrest, especially if the phone hasn't rung in a while.
Young Wiese's solution was to rent space in a communal office, an increasingly popular option for those who can afford it. (According to Sara Horowitz, executive director of the Freelancers Union, a nonprofit organization that advocates for the self-employed, the use of communal work spaces has been on the rise among members for about three years, "and in the last year it's started accelerating.") Those who can't afford a separate space, or who find home too convenient or rewarding a workplace base to give up, learn to live with the challenges, coming up with smaller-scale solutions over time.
One of the hardest adjustments for those working from home is deciding when to take a break, and when to quit for the day. With the computer always beckoning and the commute measured in the time it takes to cross the living room, there's always a reason to go back to work - or an excuse to avoid it. "It's sort of a guilty feeling - I should be working," said Kathy McHugh, a headhunter for high-tech companies who has worked out of her Manhattan apartment on and off for several years. "My office is 2 feet away."
SETTING A ROUTINE
Children can be a distraction, as Barbara Magnoni, an international development consultant, discovered when she and Magali Montes, a business associate, tried to hold meetings in Magnoni's apartment after picking up their children from school.
"We'd meet at home with our kids running around and they would think it was a play date when it actually wasn't," Magnoni said.
Sid Holt, a media senior vice president whose office is in a barn a few steps from his house in northern Westchester County, described the difficulty of pacing himself. "There are no cigarette breaks," he said. "You're either working too hard or not hard enough."
Holt said he finds it helpful to schedule his time in a way that mimics the 9-to-5 life of his years spent working in an office. He tries to keep to a routine that includes breakfast at a local coffee shop - reminiscent of his ritual of picking up coffee and a bagel on the way to his former job - and a 10 a.m. conference call with three other employees of go2Media, a Boston-based mobile Web service for which he oversees editorial content.
The conference call and frequent e-mail exchanges with other employees contribute to a sense of accomplishment that would be harder to achieve if he were working entirely on his own, he said. And they also help him to feel that he has earned the reward that once greeted him on his return from Manhattan, and that he still uses to punctuate the day. "I say to myself, there's a martini waiting for me down at the house and I'm leaving now."
For home-office workers who aren't in regular touch with colleagues or clients, a frequent complaint - even among those who say they are distracted by other members of their households - is of isolation. David Behl, a photographer whose studio is connected to his TriBeCa loft, said he enjoys working at home when the jobs are pouring in and the studio is filled with clients and assistants. But at other times, he added, he misses the studio he used to share with two other photographers.
"You don't see anybody," he said. "You don't go out for lunch. It's easier to get depressed because there's no one to complain to."
McHugh said business lunches can be a lifeline after a couple of weeks working from home, and that she often finds herself glomming onto her daughter when she gets home from high school in the afternoon. "I'm happy to see somebody who's out in the world," she said.
These issues have been observed at IBM, where a "mobile work force" strategy has led to 30 percent of employees working full time from home (as well as a savings on office space that the company estimates at $100 million a year). "We found if you're working from home and do not have an interaction with someone from work, or a client, or a physical meeting, after three days you start to feel isolated," said Dan Pelino, who manages IBM's mobile work force program. Soon after the company introduced the program in 2001, he added, "people have said to me, 'IBM stands for 'I'm By Myself.' "
The company has tried to mitigate this problem with "mobility centers," communal spaces that it maintains wherever it has offices, offering desks, phone and Internet lines, and office equipment for the periodic use of home-based workers.
It has also promoted "IBM clubs," meant to encourage employee bonding. Club members have taken day trips together to a zoo, traded cookie recipes and "gone to a race track and learned how to be a NASCAR driver," Pelino reported.
need to socialize
For those who can't depend on corporate beneficence, it is now possible to rent a desk or office in communal work spaces all over the country. The Regus Group, a Dallas-based company that rents temporary office space around the world and has 17 locations in Manhattan alone, has been doubling its American business every two years, according to Guillermo Rotman, the company's chief executive for the Americas. In addition to cubicles and individual offices in various configurations, its spaces all have business lounges with sofas, armchairs, Internet ports, coffee machines and companionship for those seeking it. (The company also sells $300-a-year passes to its business lounges, which number 950 around the world and cater to itinerant laptoppers.)
One Regus client in New York, David Robertson, said he had been looking forward to working at home from his Lower Manhattan apartment when he took a job in 2006 with a startup company that licenses images from college sports events, but that he lasted less than three months.
"There seemed to be a lot of distractions," he said, "whether it was my children, or the refrigerator, or some home improvement project that was just sitting there staring at me."
His company pays slightly less than $1,000 a month for the cubicle he selected over an office with a closing door because it presented more opportunities to socialize. He now wears a suit and tie to work when he wants to, and enjoys the reassuring cadences of the 9-to-5 world, as well as the camaraderie of his new office mates.
"It's not like they're best friends," he said of his fellow business lounge denizens and the Regus staff members who are there to support them. "But they're adults you can have a conversation with."