Norton by Symantec, today released its findings from the Norton Cybersecurity Insights Report* which sheds light on the truths of online crime and the personal effect it has on consumers in Malaysia.
56% of consumers believed it's more likely to have their credit card information stolen after shopping online rather than out of their wallets.
More than six in 10 (59 percent) of Malaysians believe using public Wi-Fi is riskier than using a public restroom.
Additionally, 33 percent reported they have personally experienced cybercrime in the past year.
Cybercrime takes a true emotional toll with 4 in 10 (41 percent) of consumer cybercrime victims in Malaysia feeling frustrated after becoming a victim.
76 percent believe it is riskier to share their email password with a friend than lend them their car (24 percent), yet sharing of password is still common.
Of those using passwords, nearly two in five (38 percent) respondents always use a secure password – a combination of at least eight letters, numbers and symbols. People are sharing passwords to online sensitive accounts with friends and family. Of those sharing passwords, one in three (34 percent) share the password to their banking account.


text:
Once you know the basic chords, it might be easier to think of them the way the function inside a key. For example, when in the key of E, the E (I) is called the Tonic. It's what all the other chords want to get to—which is what helps give western music its sense of motion. The A (IV) in the key of E functions as the Subdominant—it's sort of a passive in-between, just as happy to continue forward, as to relax back to the Tonic. The Dominant is just what it sounds like: it leads you where it wants to go. In the key of E, that role is filled by the B (V), and will definitely make your brain want to get back to the Tonic! When you get more familiar with the chords, and want to sketch out a tune, try writing it as I-IV-V (or variations of that) instead of E-A-B. It will make it much easier to transpose when you find out your singer cannot sing in the original key!
The previously discussed I-IV-V chord progressions of major triads is a subsequence of the circle progression, which ascends by perfect fourths and descends by perfect fifths: Perfect fifths and perfect fourths are inverse intervals, because one reaches the same pitch class by either ascending by a perfect fourth (five semitones) or descending by a perfect fifth (seven semitones). For example, the jazz standard Autumn Leaves contains the iv7-VII7-VIM7-iiø7-i circle-of-fifths chord-progression;[80] its sevenths occur in the tertian harmonization in sevenths of the minor scale.[81] Other subsequences of the fifths-circle chord-progression are used in music. In particular, the ii-V-I progression is the most important chord progression in jazz music.
MIDI converters use a hexaphonic guitar signal to determine pitch, duration, attack, and decay characteristics. The MIDI sends the note information to an internal or external sound bank device. The resulting sound closely mimics numerous instruments. The MIDI setup can also let the guitar be used as a game controller (i.e., Rock Band Squier) or as an instructional tool, as with the Fretlight Guitar.
"With a note of music, one strikes the fundamental, and, in addition to the root note, other notes are generated: these are the harmonic series.... As one fundamental note contains within it other notes in the octave, two fundamentals produce a remarkable array of harmonics, and the number of possible combinations between all the notes increases phenomenally. With a triad, affairs stand a good chance of getting severely out of hand."
Many influences are cited as antecedents to the modern guitar. Although the development of the earliest "guitars" is lost in the history of medieval Spain, two instruments are commonly cited as their most influential predecessors, the European lute and its cousin, the four-string oud; the latter was brought to Iberia by the Moors in the 8th century.[7]
After you've made your selections from the best selection of guitar and bass tabs, you'll want to download the Musicnotes.com apps for your Android, iPad, iPhone, or other device to gain access to your digital library anywhere. The option to print the file is still available, and you will also have all of your sheet music stored in your personal account to access your digital file from any computer or mobile device. If any issues arise, make sure to contact our customer support of musicians, ready to help fellow musicians.
{"eVar4":"shop: accessories","eVar5":"shop: accessories: strings","pageName":"[gc] shop: accessories: strings","reportSuiteIds":"guitarcenterprod","eVar3":"shop","prop2":"[gc] shop: accessories: strings","prop1":"[gc] shop: accessories","evar51":"default: united states","prop10":"category","prop11":"strings","prop5":"[gc] shop: accessories: strings","prop6":"[gc] shop: accessories: strings","prop3":"[gc] shop: accessories: strings","prop4":"[gc] shop: accessories: strings","channel":"[gc] shop","linkInternalFilters":"javascript:,guitarcenter.com","prop7":"[gc] sub category"}
Justin Sandercoe has thought long and hard about how to teach people to play the guitar, and how to do this over the internet. He has come up with a well-designed series of courses that will take you from nowhere to proficiency. I tried to learn how to play years ago, using books, and got nowhere. I've been using Justin's site for just over a year and I feel I've made real progress. What's more, Justin offers his lessons for free - a boon for any young player who has the urge to play, but whose pockets are empty. I've seen and used other sites for learners: none of them offer as clearly marked a road as Justin does.
I would especially like to stress the gentle approach Justin takes with two key aspects that contributed to my development as a musician - music theory and ear training. Justin has succeeded in conveying the importance and profoundness of understanding music both theoretically and through your ears while maintaining a simple and accessible approach to them, all while sticking to what is ultimately the most important motto: 'If it sounds good, it is good'.
Most electric guitar bodies are made of wood and include a plastic pick guard. Boards wide enough to use as a solid body are very expensive due to the worldwide depletion of hardwood stock since the 1970s, so the wood is rarely one solid piece. Most bodies are made from two pieces of wood with some of them including a seam running down the center line of the body. The most common woods used for electric guitar body construction include maple, basswood, ash, poplar, alder, and mahogany. Many bodies consist of good-sounding, but inexpensive woods, like ash, with a "top", or thin layer of another, more attractive wood (such as maple with a natural "flame" pattern) glued to the top of the basic wood. Guitars constructed like this are often called "flame tops". The body is usually carved or routed to accept the other elements, such as the bridge, pickup, neck, and other electronic components. Most electrics have a polyurethane or nitrocellulose lacquer finish. Other alternative materials to wood are used in guitar body construction. Some of these include carbon composites, plastic material, such as polycarbonate, and aluminum alloys.
This unique degree program combines contemporary music performance training with the rigorous study of traditional disciplines including sight-reading, music history, arranging, conducting, recording and more. The comprehensive program instructs students to demonstrate stylistic depth, creative maturity and professional competence in preparation for careers in today's music industry.

redpajama_set_name: RedPajamaCommonCrawl


text:
Q: Remove index.php from URLs in Kohana 2.x I want to configure Kohana 2.x to have links in this format:
http://localhost/mysite/web/admin/support

instead of this:
http://localhost/mysite/web/admin/index.php/support

I removed the index.php from the config.php file ( $config['index_page'] = '';) and I added the following line in the .htaccess file:
RewriteRule ^(.*)$ /index.php?/$1 [L]

If you hover above a link you can see that the links are like I wanted them but there is always this error:

Not Found
  The requested URL /mysite/web/admin/support was not found on this server

I don't know how to change the configuration like I want to.

A: Write following code in htaccess::
RewriteEngine On

RewriteBase /

RewriteRule ^(application|modules|system) - [F,L]

RewriteCond %{REQUEST_FILENAME} !-f
RewriteCond %{REQUEST_FILENAME} !-d

RewriteRule .* index.php/$0 [PT,L]

you can also change the config.php file to:

$config['index_page'] = '';

another one try
RewriteEngine on
RewriteCond %{REQUEST_FILENAME} !-f
RewriteRule !^index\.php index.php%{REQUEST_URI} [L]

try more solution then see
How to set up .htaccess for Kohana correctly, so that there is no ugly "index.php/" in the URL?
see also following tuts::
http://kohanaframework.org/3.0/guide/kohana/tutorials/clean-urls

redpajama_set_name: RedPajamaStackExchange


Luxurious Gatefold Thank You Cards are available for all special occasions when you want to send a personalised thank you.
Thank You Cards are printed on a thick heavy weight (270gsm) hammered card and are available in either white or ivory.
We provide free matching hammered envelopes with all our thank you cards.
Guest name printing if required.


text:
Vincent Danen introduces two command-line programs, wall and mail, that allow you to send simple alerts and e-mail messages to users.
Send messages and alerts from the command line
by vincentdanen in Software
on September 1, 2008, 11:00 PM PDT
The command line is a great environment for doing many things. It can be used to schedule commands, navigate directories, chain simple commands together to create complex commands, automate system monitoring, and more. The flexibility that the command line offers makes it worth investing the time into learning more about it, as its power far exceeds that of GUI operating environments.
CLI environments, especially with multi-user systems such as servers, provide a great way to communicate between users as well. Two tools in particular are of great value: wall, which will communicate messages on all active consoles, and mail, which will send e-mail via the command-line.
Wall is an interconsole "instant messenger" and is available on all Linux and UNIX systems. With it, you can broadcast alert messages, such as an impending system reboot or other maintenance process. Using wall is simple:
$ wall "just fooling around"
Broadcast message from vdanen (pts/16) (Mon Aug  4 20:47:03 2008):
just fooling around
Any user logged into the system will see the identical notice. The only exception is when a user has set their "message" flag off. For instance, to disable seeing these wall notices, use:
$ mesg n
$ mesg
is n
The mesg command takes exactly one of two arguments: y and n; if no argument is supplied, it shows the current message value.
Another useful tool is the mail command, which will send e-mail messages on the CLI. This can be used in conjunction with a command such as at to send reminder e-mails, or it can be used to send an alert when a task or command is complete. There are a few different providers of the mail command; some distributions use the mailx package, others use nail, others the original Berkely mail package. If mail doesn't work as expected, read the mail(1) manpage. Most mail commands use the same syntax for the basics, however. To send an e-mail to an SMS relay to alert you of an upcoming meeting, use:
$ echo "20 minutes to meet with Sally." | /bin/mail -s "Meeting" sms@myhost.com
This will send an e-mail with the subject "Meeting" to sms@myhost.com; the body of the message will contain, "20 minutes to meet with Sally." As has been illustrated, this can be used as a quick means of sending reminders, or it can be used to send the output of jobs when completed. The mail command takes standard input as the body of the message; other options can be used to specify CC and BCC recipients as well.
E-mail messages sent via mail are sent from the calling user on the system's hostname; for instance, if the user account joe were sending this on the system foo.bar.org, then the e-mail would be seen to come from joe@foo.bar.org. Because of this, you may want to ensure proper message rules are in place that permit the relaying or reception of these addresses, or adjust the hostname of the computer accordingly.
Get the PDF version of this tip here.
Delivered each Tuesday, TechRepublic's free Linux and Open Source newsletter provides tips, articles, and other resources to help you hone your Linux skills. Automatically sign up today!
vincentdanen
Published: September 1, 2008, 11:00 PM PDT Modified: September 1, 2008, 11:00 PM PDT See more Software
Share: Send messages and alerts from the command line
By vincentdanen
Vincent Danen works on the Red Hat Security Response Team and lives in Canada. He has been writing about and developing on Linux for over 10 years and is a veteran Mac user.
Contact vincentdanen
See all of vincentdanen's content


Are there going tı be any maintenance versions of these releases which will be released as GA?
1. Updated versions of JBoss GA ?
2. Updated versions of JBoss GA ?
Thank you for this link, which shows the progress of JBoss 6.1.0. This is good news.
And, is there going to be a GA for 6.0.1 or some other maintenance release for 6.x?
Also, are the GA versions of 5.x now deprecated?
3. Updated versions of JBoss GA ?


text:
Miguel Molina González (* 17. Februar 1989 in Barcelona) ist ein spanischer Automobilrennfahrer. Er trat von 2006 bis 2009 in der Formel Renault 3.5 an und startete von 2010 bis 2016 in der DTM.

Karriere
Molina begann seine Motorsportkarriere 1999 im Kartsport, den er bis 2005 ausübte. Parallel gab er 2004 Jahr sein Debüt im Formelsport und belegte den sechsten Gesamtrang in der spanischen Formel Renault Junior. 2005 wechselte Molina in den Formel Renault 2.0 Eurocup und belegte den 28. Platz im Gesamtklassement. 2006 ging er in der spanischen Formel-3-Meisterschaft an den Start und erreichte mit einem Sieg den sechsten Platz in der Gesamtwertung. Außerdem gab er in diesem Jahr sein Debüt in der Formel Renault 3.5, in der er an sechs Rennen teilnahm. 2007 bestritt Molina seine erste komplette Saison in dieser Meisterschaft und es gelang ihm zwei Rennen für sich zu entscheiden. Mit zwei weiteren Podest-Platzierungen belegte er am Saisonende den siebten Gesamtrang.

2008 blieb Molina in der Formel Renault 3.5. Er schaffte erneut zwei Rennsiege und verbesserte sich in der Gesamtwertung auf den vierten Platz. 2009 ging Molina erneut in der Formel Renault 3.5 an den Start. In seiner vierten Saison gewann er allerdings kein Rennen und verschlechterte sich auf den achten Gesamtrang. Außerdem musste Molina die letzten vier Rennen auslassen, da sein Team – Ultimate Motorsport – vorzeitig aus der Formel Renault 3.5 ausgestiegen war.

In der Saison 2010 trat er für Abt Sportsline in einem ein Jahr älteren Audi A4 DTM in der DTM an. Mit einem achten Platz bei seinem Debütrennen in Hockenheim holte er auf Anhieb seinen ersten Punkt. In seiner ersten Saison erzielte er bei insgesamt fünf Rennen Punkte und ein vierter Platz war sein bestes Resultat. Zudem fuhr er einmal die schnellste Runde. Am Saisonende belegte er den zehnten Platz in der Fahrerwertung. 2011 absolvierte Molina für Abt Sportsline seine zweite DTM-Saison. Beim achten Lauf in Oschersleben erzielte er seine erste DTM-Pole-Position und im Rennen als Achter schließlich seinen ersten Saisonpunkt. Nachdem er beim Saisonfinale erneut von der Pole-Position startete, folgte mit einem dritten Platz seine erste Podest-Platzierung. Die Saison schloss er auf dem elften Platz im Gesamtklassement ab.

2012 wechselte Molina zusammen mit Mike Rockenfeller von Abt zu Phoenix Racing, wo er einen Audi A5 DTM erhielt. Während Rockenfeller mit 85 Punkten als bester Audi-Pilot Vierter wurde, beendete Molina die Saison mit 8 Punkten auf dem 18. Platz der Fahrerwertung. 2013 blieb Molina bei Phoenix in der DTM. Ein fünfter Platz war Molinas bestes Ergebnis. Intern unterlag er erneut seinem Teamkollegen Rockenfeller, der in diesem Jahr die Gesamtwertung gewann. Molina lag am Saisonende auf dem 17. Gesamtrang.

2014 kehrte Molina in der DTM zu Abt zurück. Auf dem Hungaroring erzielte er beim dritten Rennen mit einem zweiten Platz sein bis dahin bestes DTM-Ergebnis. In der Gesamtwertung wurde er erneut 17. Darüber hinaus absolvierte Molina 2014 einen Gaststart in der Stock Car Brasil. 2015 blieb Molina bei Abt in der DTM. Er wählte die 17 als seine Startnummer. Auf dem Nürburgring gelang ihm sein erster DTM-Sieg. Wie in den Vorjahren beendete er die Saison erneut auf dem 17. Gesamtrang. Außerdem bestritt er ein Rennen in der Blancpain Endurance Series. In der DTM-Saison 2016 fuhr Molina erneut für Abt. Auf dem Lausitzring gewann er ein Rennen. In Hockenheim folgte ein weiterer. Am Saisonende lag er auf dem 13. Platz der Fahrerwertung.

Statistik

Karrierestationen

Le-Mans-Ergebnisse

Einzelergebnisse in der FIA-Langstrecken-Weltmeisterschaft

Einzelergebnisse in der DTM

Weblinks

 Offizielle Website von Miguel Molina

Einzelnachweise

Rennfahrer (Spanien)
DTM-Rennfahrer
Sportler (Barcelona)
Spanier
Geboren 1989
Mann
Rennfahrer der 24 Stunden von Le Mans
Langstrecken-WM-Rennfahrer

redpajama_set_name: RedPajamaWikipedia


Idea About Birds Coop is free HD wallpaper. This wallpaper was upload at March 3, 2017 upload by steven in Chicken Coop Design Ideas.
Idea About Birds Coop is high definition wallpaper and size this wallpaper is 1600x1186. You can make Idea About Birds Coop For your Desktop Wallpaper, Tablet, Android or iPhone and another Smartphone device for free. To download and obtain the Idea About Birds Coop images by click the download button below to get multiple high-resversions.


There's a part of me that misses being a tourist in Italy. The excitement of new places, new adventures, new tastes. Sometimes we'll be so intent on getting from one place to the other, that I might not notice all the happy faced sunflowers beaming at me, or the clouds racing behind the silhouette of a castle.
Yesterday evening was such a pleasure for me, because I was able to watch as others experience the fun and joy of people experiencing new tastes and experiences. What a lovely group of people at Villa Urbano! And for me, one of the rewarding things is teaching younger people, because it's the only way to carry on the traditions. And maybe I'm not Italian, and maybe Megan isn't Italian, but we are both, in our way, trying to preserve traditions. Bravi Ragazzi!
And to the whole gang at Villa Urbano, we hope to see you again, and hope the rest of your trip is filled with fun, laughter, and plenty of big parking spaces!!


text:
Chapter 4: Boston
The game continued from Chapter 3: New York.
Frail Sisters
played on November 2, 2009
On the train to Boston and around town, people who had never met Alexandria reacted to her as if knowing that she was involved in prostitution. Unable to find La Lumière since the library was closed for the night, the group wandered into MacFinn's pub. Jacques won a fight with a burly local by stabbing him, but Elise had to buy a round of drinks to calm the crowd. Katerina learned from the bartender that murders were happening in South End, where men and women were found dead together, always in a pair; he told them to find a hooker named Stella. Crossing Boston Common, they ran towards a scream and fought a crazed homeless man with a meat cleaver; Jacques defeated him but not before Alexandria took a serious injury to her shoulder. The group rushed her to the hospital, where Katerina discovered one of the flyers around town that identified Alexandria and told people to turn her in to the Park Street Church. At the police precinct, a sergeant named O'Neill questioned the group and explained his theory that this was some kind of copycat killing based on Jack the Ripper from ten years earlier. The group retired to a hotel for the night. (more detail)
• Elise for convincing the police of the group's innocence
• Jacques for defeating Jenkins and the park murderer
• Katerina for getting a lead from the bartender
After some difficulty finding her, the group questioned occult-practicing fellow La Lumière agent Theresa O'Neill. She explained that the prostitute murders were committed by a powerful werewolf spirit. She also warned the group to avoid the dangerous cult called the Six-Fingered Hand that was after Gao. Unable to determine anything by rubbing wolfsbane against their wounds or a corpse in the morgue, the group confronted Father Joseph Blenk about the lies he had spread about Alexandria. Katerina reduced him to sobs, and he admitted his grudge and his assignment to spy on Katerina. The group ordered him to leave them alone, and convinced the townspeople that Alexandria would help them, not endanger them. Next, they tracked down a well-connected prostitute named Stella, but she was attacked by another indigent who seemed to recognize the group. Elise shot him dead in self-defense. (more detail)
• Alexandria for earning the townpeople's trust
played on November 16, 2009
Leaving Stella's murder scene before they could be found, the group sought advice from Theresa O'Neill, who told them to seek a connection between the various killers and victims. Through questioning a bum and a hooker, the group learned of a Dr. Charles Witherspoon, who operated a clinic for the city's poor. Alexandria knew of his side business: fencing items stolen by prostitutes from their wealthy clients. Elise's research discovered that his wife Jeanne was Jack the Ripper's final victim in London ten years earlier. While the men tried to break into Witherspoon's house and met his butler, the women visited his clinic, where Witherspoon denied knowing anything about the similar murders now happening in Boston. Hoping to talk to the spirit that was committing murders, the group sought a séance with Thomas Carnacki, a professional ghost finder. (more detail)
• Elise for good questioning and research
• John for leadership
From Hell
Conducting a séance with Thomas Carnacki, the group interviewed the frightened spirit of Mary Jane Kelly, a victim of Jack the Ripper in London. She said that the murderer kept accusing her of associating with "Charles," even though she didn't have any customers by that name. The spirit of the first bum possessed in Boston gave similar hints. They deduced that Jeanne Witherspoon, the doctor's wife, might have been Jack the Ripper herself, so they summoned her. She angrily threatened to kill them all, starting with the "witch" they knew, Theresa O'Neill. Leaving Carnacki, they raced to Theresa's house, and burst inside to find her home alone. Suddenly Jacques lunged at her with a knife, possessed by Jeanne's spirit. After a scuffle, John kicked Jacques through the open doorway into the yard, seriously injuring him. After they healed him, they decided to confront Dr. Witherspoon, but at his house they found a maelstrom in activity in the parlor, which he had converted into a shrine to Jeanne: Her spirit flew around the room, her hands elongated into sword blades, while bric-à-brac whisked around the room in a flurry of activity, the ordinary items turned into knives. While Alexandria and Lawrence tried in vain to get Charles to talk to his wife's spirit, Rachael and Gao tried assaulting it without success, and Jacques's magic was no help either. As the stabbing attacks wore them nearly to death, John grabbed the funereal urn below her portrait and scattered her ashes on the snowy lawn, dissipating her spirit. Theresa thanked the group for saving the city, and offered to take them to Salem to meet fellow witches and recover from their injuries in peace. (more detail)
• Gao for protecting Theresa
• Lawrence for telling Witherspoon how to calm his wife's spirit
Theresa led the group to Salem, where they stayed in a house of seven gables. The residents were a coven of witches who called themselves the Circle. They had once been a powerful group who protected ancient secrets, but the witch trials had dwindled their kind to only six survivors. At dinner, Elise was revealed to have come from magical origins, and the owner Hepzibah promised to help her develop her magic potential. Lawrence was tempted by a voice to free something locked in the basement, and Alexandria nearly helped him do it, but the group decided against it. Jacques discovered that Gao's cat Melchitt had drunk a half-bottle of wine and started a conversation with it. Melchitt revealed that he was a human "red Indian" cursed to live as a cat, and Jacques agreed to keep the secret. John and Theresa discovered feelings for each other, independently. Overnight, a werewolf struck Vinny and gave him its curse, but got away before the group could find it; it was revealed to be a resident of the house. In the morning, a telegram summoned Lawrence to his family home in Connecticut, and he left with Alexandria, promising to return in a few days. (more detail)
• Alexandria for advancing several subplots
• Lawrence for role-playing and humor
The game continued in Chapter 5: Arkham.
Jack the Ripper or Jean the Ripper?.. Go »
To the attention of William Randolph Hearst, It is i Jacques LeBeau illusionist and magician extraordinaire sending my informational review of our current situation... Go »
Boston by John We heard there were some disturbances of a natural that could be considered occult... Go »
On the way to Boston I was stunned and somewhat flattered to find that there were people on the train who knew of me!.. Go »
Here we are in Boston, a bit too close to home for my comfort... Go »


In May 1975 the average high temperature in Adak Island, AK was 42.0°F, and this was 2.7°F cooler than the average of 44.7°F. The hottest day in May 1975 was 11 May when the temperature reached 45.0°F. Overnight the average temperature in May is 36.8°F and in 1975 the average overnight temperature was 2.7°F cooler at 34.1°F.
In May the average monthly rainfall in Adak Island, AK is 1.65 inches with rain usually falling on 21 days. In May 1975 there was a total of 2.49 inches of rain, that fell on 29 days.


text:
National Geographic : 1958 Jun
SJ Hubbard Medal of the National Geo graphic Society, first struck for Peary in 1906, has now been awarded 17 times for historic geographic achievements. Antarctic Scientist Honored by The Society D R. PAUL ALLMAN SIPLE, scientific leader of the first group of men ever to winter at the South Pole, received the National Geographic Society's highest honor for exploration, its Hubbard Medal, at Washington, D. C., on March 28, 1958. The Chief Justice of the United States, a Trustee of The Society, presented the medal to the Nation's Mr. Antarctica "for his ex traordinary feat, for the increases he has made in geographic knowledge, and for his superb leadership in the International Geophysical Year." Dr. Siple, who has spent more time in Ant arctica than any other man, thus joined the roster of outstanding explorers of this century who have won the Hubbard Medal. "This medal has a very special meaning to me," said Dr. Melville Bell Grosvenor, The Society's President and Editor, in introducing Chief Justice Earl Warren and Dr. Siple be fore distinguished audiences at Constitution Hall. "It is named for my great-grandfather, Gardiner Greene Hubbard, who was the first President of our Society." He recalled being present as an 11-year-old boy "the day that the North Pole met the South Pole, when Admiral Peary presented our medal to Roald Amundsen. Three South Pole Veterans Meet Again After receiving the Hubbard Medal, Dr. Siple greets Lt. (jg.) John Tuck, Jr., who com manded military personnel at the polar station, and Bravo, Antarctic-born malemute husky, first dog to winter at the Pole. Instead of selling Bravo as surplus property, the Navy, at Dr. Siple's behest, had just proclaimed him a VID (Very rtti,,. -3" Important Dog), given him this honorable discharge, and placed him under the orders of Lieutenant Tuck, who bottle raised him from birth. 792


Why is the French Riviera Famous And What is it Famous For?
Why is the French Riviera famous?
And what is it famous for?
There is a great diffrence between being famous for something and why you are famous, and these are the two questions we'll answer in this article.
Known all over the world for its stunning climate and beautiful scenery, and reputable for being a place where the rich and famous come to spend their vacation, the French Riviera has become the go-to place for many celebrities and wealthy individuals to spend their summers due to the climate it offers, the beautiful scenery, and the wonderful way of life.
But what is it that makes the French Riviera famous? How has it established itself as a luxury resort of glitz and glamour? And as one of the top such in the world?
Or has the French Riviera always had this reputation?
There are two ways to view this matter. First off, there's a different between "being famous for" and why something is famous.
While there are differences between these two things, it's not completely uncommon that they very much align with each other.
In this article, you'll learn why the French Riviera is famous, what has made the French Riviera famous all over the world, as well as what the French Riviera is famous for.
The French Riviera being famous has mostly to do with the history of the French Riviera. Today, the French Riviera attracts people from all over the world, and it may very well be one of the most iconic cities in the world.
You may say that the modern history of the French Riviera begins when the British aristocracy, including other European aristocrats, such as Russians and Parisians started going to the French Riviera during the winter. In fact, for these individuals, the French Riviera, worked as a winter health resort, and in a way, you can even say that the French Riviera was the first or one of the first modern resorts, but unlike today, these people went to the French Riviera during the winter in order to get away from the darkness and the cold in the home country.
In the "modern" French Riviera, most tourists who visit the Riviera for tourist purposes (not business etc.) visit in the summer, and this is also something that you'll discover when you visit during summer since the beaches are packed, and the French Riviera is very alive.
The British aristocracy and other European aristocrats started going to the French Riviera in the late 18th century, and with the arrival of the railway in the middle of the 19th century, the French Riviera become a popular playground and hideout place, not only for the British but now also for Russians and other Europeans.
The railway allowed for relatively fast transportation which enabled people to get the Riviera easier and faster. In 1864, the first railway of the Riviera was completed. In fact, in 1865, the year after the railway was inaugurated, one hundred thousand visitors arrived at the French Riviera. Furthermore, in 1874, the foreign residents in Nice was 25,000, most of which were British.
In 1763, Tobias Smollett visited Nice and discovered the beautiful landscape and incredible climate that the French Riviera had to offer. Smollett described the benefits of the Riviera and brought attention to the pleasant weather on the French Riviera, comparing it the rainy and grimy weather back home in England.
Furthermore, at this time, some doctors even prescribed their patients "climatotherapy" where patients were prescribed to change their climate to sunny and warm in order to treat and cure diseases, such as tuberculosis.
The aristocrats discovering the French Riviera is often seen as the starting point for the modern French Riviera and what it is known for today. The aristocrats started building large houses and buildings, many of which you can still see today, such as the iconic Negresco hotel in Nice, and Carlton Intercontinental in Cannes.
It's no secret that the French Riviera has a reputation of glitz, glamour, and prestige, and something that has contributed to this is all of the celebrities who have visited. Not only in recent years but maybe most importantly because of royal people and other famous individuals. This includes individuals like Queen Victoria, King Edward VII the Rothschild family to name a few.
In the first half of the 20th century, the French Riviera started to welcome a new group of people who had become aware of the immense beauty of the French Riviera and the pleasant climate. From the first half of the 20th century, the French Riviera started to welcome a large number of different artists and writers, both European and American. These individuals came to the French Riviera to seek inspiration and to find relaxation in the pleasant climate.
Artists who visited the French Riviera once or regularly were Picasso, Matisse, Edith Wharton, and Aldous Huxley, Ernest Hemmingway, F. Scott Fitzgerald, and many more. Traces of many of the writers and artists can still be seen today, with things like the Picasso museum.
Coco Chanel has actually played quite an important role in making the French Riviera famous and giving it the reputation as a summer and beach resort.
In other words, one may say that Coco Chanel created the "trend" of sunbathing and created the trend of sunbathing with the intention of getting tanned.
From the British, a tanned look was especially desirable since not a lot of people could afford to go on vacations or did so, and as color film and commercial air travel came about in the 1960s, people started getting more money, and it became more common for people to go on sunbathing vacation. With the prestige and reputation that the French Riviera had built up, the Mediterranean and the French Riviera started drawing large crowds, not only in the winter anymore, but now, the French Riviera had instead become a summer resort instead.
A study found that that 50% of the British thought that returning from their vacation was the most important reason to go on holiday, and considering the large number of people laying on the beach on the French Riviera during summer, it may very well be true.
It's safe to say that the Cannes film festival has played an important role in making the French Riviera famous.
Every year, the Cannes Film Festival draws immense press to the city and the surrounding area, and maybe most importantly is the fact that tens and hundreds of celebrities come to visit the French Riviera, many of which fall in love with the charm and natural beauty of the Riviera.
Now, how popular is the French Riviera actually?
More than 14 million tourists visit the French Riviera every year.
52% of the visitors are foreign customers.
65 million nights are spent on the French Riviera.
Tourists spend 5 billion euros every year.
75,000 jobs are related to tourism on the French Riviera.
Tourism is 18% of total employment in the Alpes-Maritimes.
3 million admissions to museums and monuments take place on the French Riviera.
There are obviously a number of other factors that have also mace the French Riviera famous, but these are the most important reasons.
There's a difference between what the French Riviera is famous for and why it is famous. Of course, in many ways, these are integrated into each other, since, for example, the amazing weather of the French Riviera is an important reason why many tourists find their way there, but at the same time, the Riviera is also known for having amazing weather.
All of these things combined, both what the French Riviera is famous for, but also why the French Riviera is famous, makes the French Riviera what it is today. A popular resort that attracts many of the world's rich and famous, and which is known for glitz and glamour.


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Српска православна црква Ваведења Богородице у Инђији је подигнута 1754-1755. године и налази се на списку заштићених споменика културе од великог значаја.

Изглед

Црква у Инђији је посвећена Ваведењу Пресвете Богородице и представља репрезентативну барокну грађевину са богато рашчлањеним фасадама. Западна фасада је у доњем делу решена са волутама. На северној, источној и јужној фасади налазе се пиластри односно лезене у два нивоа, од доње ивице прозора до кровног венца. Доњи део са пиластрима формира полукружно затворене нише, а горњи понавља исти облик, плитко назначен лезенама, док по две нише из доње зоне чине оквир за један прозор.

Иконостас непознатог аутора показује барокне и понегде рококо форме: престоне иконе одвојене су канелираним стубовима који се завршавају композитним капителима са изувијаним гранчицама храстовог лишћа, винове лозе са грожђем и ружа. Иконостас и икону на митрополијском трону сликао је непознати сликар 18. века, али је 1858. године иконостас чишћен и обнављан, а иконе на митрополијском столу су пресликане 1923. године. Зидне слике радио је Немања Бркић 1954. године.

Конзерваторско-рестаураторски радови обављани су на цркви 1979. године, када су уз звоник подигнуте две просторије за паљење свећа, a конзервација иконостаса изведена је 1980–1986. године.

Види још
 Списак споменика културе у Сремском округу
 Споменици културе од великог значаја

Референце

Спољашње везе

 Списак споменика културе од великог значаја у Војводини
 Републички завод за заштиту споменика културе - Београд
 Листа споменика

Споменици културе у Сремском округу
Споменици културе од великог значаја
Цркве Епархије сремске
Цркве у Војводини
Историја Срема
Верски објекти у Инђији
Православни храмови у Србији


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Operation forces Sir Bobby Charlton to miss ceremony
Tuesday February 07 2012, 12.00am, The Times
Sir Bobby Charlton had surgery to remove a gallstone yesterday after being taken ill on the eve of the 2012 Laureus World Sports Awards.
The 74-year-old had been due to be presented with a Lifetime Achievement award at the ceremony in London, but returned to his home on Sunday after feeling unwell.
Sir Alex Ferguson, the Manchester United manager, picked up the award on Charlton's behalf, and said: "Sir Bobby is fine. It was felt he should go back to Manchester. I'll be taking the statuette back to Old Trafford for him."
While Novak Djokovic was rightly lauded for his outstanding accomplishments by being named World Sportsman of the Year, the exploits of Northern Ireland golfers Rory McIlroy and Darren Clarke were also rewarded.
McIlroy


Prove you are the #1 New York Giants fan with this NY Giants Men's Limited Eli Manning Red Alternate #10 C Patch Jersey! You can boast your team spirit while wearing this New York Giants jersey. It features printed New York Giants graphics, showing the world who you cheer for. Recommended: Victor Cruz NY Giants Jerseys.


text:
Ranil calls on Govt. to seek IMF assistance or come up with a credible alternative as food crisis looms
The government must approach the International Monetary Fund (IMF) and seek assistance without further delay or come up with an acceptable alternative, former Prime Minister and United National Party Leader (UNP) Ranil Wickremesinghe said.
Releasing a special statement on Tuesday (28), Wickremesinghe called on the government to finalise the credit line with India to purchase essential food items and fuel as soon as possible, adding that the foreign exchange crisis and the general deterioration of the economy had pushed the people to the brink of rioting.
He said that despite the COVID pandemic, a number of countries had shown economic progress in both 2020 and 2021.
"People can't tolerate this anymore. The businesses are down, people are losing jobs, the middle class is shrinking, and the farmers are ruined. The government is blaming COVID-19 for everything but there are a lot of countries that have done well in the last two years. We too can solve these," he said.
The former Premier also warned of a food shortage in the near future around the time of the Sinhala and Tamil New Year. He said that many regions across the country are reporting that this year's harvest will be only around 60% of the harvest from the previous time.
"Getting a swap and credit lines will not solve the forex crisis but at least we will have food, fuel and medicine in the country. Until we figure out a medium or long term solution to the forex crisis, we must at least try to prevent chaos in the next few months," he added.


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Home Education The female brain reacts more strongly to prosocial behavior than the male...
The female brain reacts more strongly to prosocial behavior than the male brain, study finds
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Behavioral experiments have shown that women share a sum of money more generously than men.
Credit: © suthisak / Fotolia
Behavioral experiments have shown that women share a sum of money more generously than men. To gain a more in-depth understanding of this behavior, neuroscientists from the Department of Economics looked at the areas of the brain that are active when decisions of this kind are made. They are the first to demonstrate that the brains of men and women respond differently to prosocial and selfish behavior.
Selfish behavior activates reward system more strongly in men
The striatum, located in the middle of the brain, is responsible for the assessment of reward and is active whenever a decision is made. The findings show: The striatum was more strongly activated in female brains during prosocial decisions than during selfish decisions. By contrast, selfish decisions led to a stronger activation of the reward system in male brains.
Disrupted reward system leads to more selfish behavior in women
In the second experiment, the reward system was disrupted by administering medication to the participants. Under these conditions, women behaved more selfishly, while men became more prosocial. The latter result surprised the researchers. As Soutschek explains, "these results demonstrate that the brains of women and men also process generosity differently at the pharmacological level." The results also have consequences for further brain research, with Soutschek stating that "future studies need to take into account gender differences more seriously."
Culturally conditioned behavior patterns are decisive
Even if these differences are evident at the biological level, Soutschek warns against assuming that they must be innate or of evolutionary origin. "The reward and learning systems in our brains work in close cooperation. Empirical studies show that girls are rewarded with praise for prosocial behavior, implying that their reward systems learn to expect a reward for helping behavior instead of selfish behavior. With this in mind, the gender differences that we observed in our studies could best be attributed to the different cultural expectations placed on men and women." This learning account is also supported by findings that indicate significant differences in the sensitivity of the reward system to prosocial and selfish behavior across cultures.
Story Source: Materials provided byUniversity of Chicago Original written by Whitney Clavin.Note: Content may be edited for style and length.
Alexander Soutschek, Christopher J. Burke, Anjali Raja Beharelle, Robert Schreiber, Susanna C. Weber, Iliana I. Karipidis, Jolien ten Velden, Bernd Weber, Helene Haker, Tobias Kalenscher, Philippe N. Tobler. The dopaminergic reward system underpins gender differences in social preferences. Nature Human Behaviour, 2017; DOI: 10.1038/s41562-017-0226-y
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Alviso, Calif.-- TiVo announced it has expanded distribution of its Series 2 digital video recorder products to more than 4,000 retail stores, including the recent addition of the Target discount department store chain.
TiVo said the expansion resulted from recently completed distribution efforts and a reduction of the suggested retail pricing for its 40-hour DVR to below $100 after rebate.
Prominent national retail chains now on board with TiVo include: Target, Best Buy, Circuit City, Sam's Club, Costco, CompUSA, Dell, Tweeter, Ultimate Electronics, Fry's and Good Guys.
TiVo requires a subscription fee for its onscreen program listings service, which is necessary to operate its DVRs. Subscripiton fees run $12.95 per month for the TiVo service, and $6.95 for each additional box in the home.
Series 2 TiVo boxes offer advanced features including "home media capabilities" that allow broadband subscribers to connect to their PCs to playback digital music and photos through the TiVo unit on a TV screen. The company will also launch later this year its TiVo2Go feature, which will enable TiVo Series2 owners to transfer programs recorded on their TiVo hard drives to the hard drive of a laptop PC for viewing on the laptop screen screen out of the home. The content is protected against further distribution by TiVo's proprietary TiVoGuard software-based content protection.
Users will be able to download software upgrades for the TiVo2Go feature for no additional charge.


Austrake Milanese Wrist Bands with Magnet Lock for Fitbit Alta HR/Fitbit Alta, upgrades your taste for any occasion by the excellent and unique design.
Band Size: Wrist size 6.7 -9.4 inches (170mm-240mm).
You will get 1 year warranty and quality assurance, please feel free to contact us for any quality issue. Replacement or full refund does not need return.
We provide friendly customer service, all you questions or e-mails will be replied within 12 hours.?
HIGH QUALITY & ADJUSTBALE: Made of High Quality Stainless Steel. It's Comfortable and Durable. Adjusting the Band Length by the Magnetic Closure.
SIZE: Fits Fitbit Alta HR/Fitbit Alta perfectly, Wrist Size 6.7" - 9.4" (170mm-240mm).
SIMPLE & FASHIONABLE: Easy to Install. With Excellent and Fashionable Design, Suits Women/Men for Leisure Places.
PACKAGE: TRACKER Not INCLUDED. 1*Austrake Fitbit Alta HR Milanese Band , 1*Austrake Package.
WARRANTY : 1 Year Warranty and Quality Assurance. Please Contact Us for Any Quality Issue. Do Not Need Return for Replacement or Refund.


text:
module SaasuConnect
	class BankAccount < Base
		def initialize(data = nil)
			self.fields = ActiveSupport::OrderedHash.new

			self.fields[:uid] = :int
			self.fields[:last_updated_uid] = :string
			self.fields[:type] = :string
			self.fields[:name] = :string
			self.fields[:is_active] = :bool
			self.fields[:display_name] = :string
			self.fields[:bsb] = :string
			self.fields[:account_number] = :string

			super(data)
		end
	end
end

redpajama_set_name: RedPajamaGithub


Milliner, Dana Jauker, has a refreshing 'get on with it' spirit in response to the contemporary fashion landscape; something that follows through her whole universe. Her unassuming studio in Bologna is where Jauker and her small team 'who are really in love with their work' make by hand about 2000 pieces per season for a prestigious collection of retailers.
Each season Jauker has a new discovery in her extraordinary archive. Covering almost every wall of her studio from floor to ceiling is the collection of 2000+ antique woodblock forms, some of which date back as far as 1917. Dana starts with these and then reinvents their forms with new materials and different shapes.


Legislation in the United States requiring ship owners to pay to clean up their ships' pollution. Ships may be refused the right to travel in certain waters if their owners cannot show that they have the ability to pay for any potential clean-ups.
Section 401(a) originated as section 21(b) of the Water Quality Improvement Act of 1970, and the language of section 401 remained identical to section 21(b) through the 1972 enactment and all subsequent amendments of the CWA.
200) This provision was first drafted in 1970 as section 21(a) of the Water Quality Improvement Act of 1970, and it originally referred to "any discharges allegedly contributing to pollution from any such Federal property .
Section 401 was adopted from section 21(b) of the Water Quality Improvement Act of 1970, which did not provide for a definition of discharge.


It seems crucial that you realize deeply that your worth and value does not depend on anyone else. You are a person worth being loved and called to give love. Keep saying to yourself: "I am being loved by an unconditional, unlimited love and that love allows me to be a free.
The more you can come to realize this, the more you will be able to forgive those who have hurt you and love them in their brokenness.
Without a deep feeling of self-respect, you cannot forgive and will always feel anger, resentment, and revenge. Loving one another means forgiving one another over and over again.
Posted on February 12, 2019, in Contemplative Quotes, Life, Mindfulness, quotes, Relationships, Wisdom Quotes. Bookmark the permalink.	1 Comment.


Before we answer the question, let's flesh it out a bit. The real question here is: Why does it cost merchants more to process American Express credit card transactions than it does to process MasterCard and Visa transactions? The answer is simple. American Express operates on a different business model. Now… let's flesh out the answer.
Unlike MasterCard and Visa, both large credit card brands that are distributed through issuing banks, American Express issues their cards directly to the end user. With MC and Visa, the bank that issued the card takes on any financial risks from a credit card transaction, regardless of the card brand, while the card brand associations make their money from charging a processing fee called an interchange fee. This fee is eventually covered by the merchant, along with a number of other processing fees charged by their credit card processor.
American Express acts as its own card brand and bank, so the debt from any charges made on their card brand is due directly to them. By using their own network for processing credit card transactions, the only fees they receive are from the merchant for the use of their processing network. On the surface of things, it would seem that American Express fees should be less. However, even though American Express cuts out the middle man, their internal processing network costs a lot to maintain and the company does need to offset those costs. But that's not considered the number one reason for why AmEx processing fees are higher than they are for MasterCard and Visa.
So Why Does American Express Have Higher Processing Fees?
The American Express business model is based on the rewards they offer for using their card brand to pay for purchases. And because they believe they attract a more affluent customer, they claim their cardholders make more purchases and buy higher priced items. The cost of these perks have to be covered somehow. American Express justifies charging merchants a higher processing fee to cover the benefits they offer to their cardholders because of their claim that they attract more affluent cardholders who charge more higher priced items. No, you're not imagining it…and no we haven't mistakenly copied over a sentence. Read on and, hopefully, this will all make more sense!
Basically, other credit card brands make their money in a direct line: a charge is processed, it's approved, the issuing bank pays a fee to the brand association for being allowed to process that brand's card, and then the brand association is out of the loop (unless, of course, there's a chargeback dispute, and then the card brand charge more fees to cover those costs). Remember, we're only describing here how the brand association makes its money… not where the money comes from. Because in the end the merchant is the one who actually pays this fee as a cost of being able to accept credit cards.
…which leads to better sales for the merchant, who in turn pays a premium rate so American Express can afford to offer these quality perks.
Based on this description of their business model, it does seem that you pay higher transaction fees to American Express to subsidize their rewards program. But have you looked carefully at your monthly credit card processing statement lately? If you have, you'll notice you can actually pay a higher processing fee for credit card transactions using a MasterCard or Visa rewards card. And more and more savvy shoppers prefer to use their rewards card for…well, for the rewards! So when you process other rewards cards, you may not be paying that much less in fees then you would to accept the American Express card.
We could quote a lot of figures for MasterCard and Visa processing fees versus American Express rates. But these figures change and if you want the up-to-date numbers to compare, you can find them with a quick search or ask your credit card processor.
But that's not the question we're answering here. The question is not how much more does it cost to accept the American Express card brand at your place of business, but why does it cost more? American Express charges higher processing fees and claims the giveback to the merchant is more discriminating customers who spend more money. It's left to you to decide if it's worth the extra cost.


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Album: Stone Gods – Silver Spoons & Broken Bones
Thrash Hits » Reviews » Album » Album: Stone Gods – Silver Spoons & Broken Bones
Stone Gods
Silver Spoons & Broken Bones
Integral/PIAS
by Ryan Williams
From the ashes of The Darkness has come Stone Gods. It's impossible to talk about this band without mentioning the multi-million selling band that spawned them, so why bother trying.
The formula of retro rock – AC/DC and Def Leppard the templates rather than Queen and Led Zeppelin this time – is wonderfully familiar. The band's style is raucous but grounded and with the explosive, unpredictable, self-combustible factor of Justin Hawkins out of the equation, there appears to be a bit more stability with Richie Edwards at the helm.
Stone Gods have been taking their time and touring the UK incredibly hard prior to the release of Silver Spoons & Broken Bones and it appears their hard work is paying off as the y gain plaudits from critics and fans alike.
Opening track 'Burn The Witch' is dumb, family fun and totally sets the tone for an unruly hard rocking ride. That's the key. It's hard rock in the '80s style for dudes who have a family. It's beautifully inoffensive and just overblown enough to be bloody brilliant.
Watch the video to 'Knight Of The Living Dead' by Stone Gods
It's important to remember that this is Dan Hawkins' baby and he was just as important to The Darkness as his brother but was the understated workhorse rather than the flamboyant showman. As a result, this album apes music from decades gone just as much but a lot less conspicuously.
The self-indulgent factor has gone out of the window and a new level of maturity has come into Hawkins' songwriting which allows the songs to flow and differentiate with commanding choruses and foot-stamping verses.
If you pick this record up hoping for the third Darkness record you will be slightly disappointed because if you're just looking for a bit of fun, you won't get it here. Stone Gods mean business and they will deliver.
Silver Spoons & Broken Bones by Stone Gods is out now on Integral/PIAS
Metal Hammer Golden Gods 2008: winners list and hot gossip Album: Gallows – Orchestra Of Wolves Album: Caliban – The Undying Darkness
Bands Stone Gods
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This Teacher Training is meant for everybody who would like to teach Critical Alignment Yoga. To join you already need some experience: you are already practicing Critical Alignment Yoga for at least a year or you are a teacher in another yoga/movement style.
The teacher training is intended to give you the tools to develop your own research into the human body and soul. It is not about the perfect asana, of even the perfect class. What I would like to give you in this teacher training is the tools to develop yourself as a human being and teacher: an open and inquisitive mind, and an interest in and compassion for both yourself and your students.
The first year has quite a technical approach, where we study the body in anatomy classes, you learn the asana's, study movement patterns, compensations and common problems we find in our own and our students' bodies. Right from the start we will practice didactic skills so you get a lot of experience with teaching.
In the second year we will study more the connection between body and mind: what do these physical asana's have to do with tension and how can you address in your classes not just the physical level, but the root causes of tension build-up as well. At the end of the second year you do a practical exam.
The last half a year is more focused on finding your own teaching style and interests: you do an internship (teaching) and your own research. About which you write a report and present the results to your fellow Critical Alignment teachers.
During 2,5 years you follow at least 2 classes a week, with Selle or, if you don't live close to Wageningen, with another teacher specialized in Critical Alignment Yoga. In that case it is strongly advised to follow classes with Selle whenever possible, the Yoga Week in Winterswijk is a good option and the 3-day intensive with Christmas. If there is enough interest it is also an option to organize a yoga week especially for teachers in training.
The first and second year you have 14 Teacher Training days on Saturday. In one weekends it is followed by another training day on Sunday. This comes down to one training day or weekend in about three weeks. In the last half a year there are two more training days.
In the theory classes you are schooled in the following subjects: anatomy, asana's and movement chains and patterns, didactic, how to structure a class, and manual corrections. In the second year classes in philosophy and psychology will be added. Part of these classes will be taught by guest teachers.
In the practice classes you will be more 'hands-on'. Practicing teaching on each other so you gain a lot of experience teaching a group.
Throughout the 2,5 years you have 6 private classes. The first is the intake in which we discuss your motivation and wishes. The other five classes you can use to look at your own body (what are the area's in your body that need your focus, what are your blind spots?), we can work on specific asana's, of put together a program for your self practice. But we can also talk about your progress as a teacher, difficulties you meet there or trouble-shoot about your research. This makes that there is a lot of personal attention and teacher and student stay close.
The Exam follows after the two first years and consists of a short class you teach. It will be evaluated by the teacher and you will be given an advice that you can work on during the internship classes you give during the last half year.
In the last half a year you teach two (parts of) classes on which you receive feedback from your teacher.
Because yoga and movement is by no means a work field that is 'finished', being a yoga teacher means that you are constantly doing research. Into the movement patterns of your students, their behavior and into the insights that are being gained around the world on the subjects of movement, mindfulness and relaxation. During the first two years of your teacher training you will already be asked to do small (literature) research, together with your fellow students. In the last half a year you do a bigger research and present the results to other interested yoga teachers.
These prices do not include your weekly yoga classes. You can buy 10-class cards or a passe-partout with Selle, or follow your yoga classes with another Critical Alignment Yoga teacher. A year passe-partout at Yoga met Selle in combination with the teacher training costs €575,- (The studio is open for at least 40 weeks a year).
Prices include taxes, but do not include study books. It is possible to pay your fee in two parts.
Please note the Teacher Training will be taught in Dutch!


text:
Q: MYSQL Syntax Error LEFT JOIN Im having issues trying to figure out this syntax error. Heres the SQL query:
SQL QUERY
SELECT oh.date_modified, oh.physicianNote, os.name AS status
FROM order oh
LEFT JOIN order_status os ON oh.order_status_id = os.order_status_id
WHERE oh.order_id = '118' AND os.language_id = '1'
ORDER BY oh.date_added ASC LIMIT 0,10

SQL ERROR

1064 - You have an error in your SQL syntax; check the manual that
  corresponds to your MySQL server version for the right syntax to use
  near 'order oh LEFT JOIN order_status os ON oh.order_status_id =
  os.order_status_i' at line 2

Not really sure whats wrong with it.

A: ORDER is a reserved word.  Quote it in backticks:
SELECT   oh.date_modified, oh.physicianNote, os.name AS status
FROM     `order` oh LEFT JOIN order_status os USING (order_status_id)
WHERE    oh.order_id = '118' AND os.language_id = '1'
ORDER BY oh.date_added
LIMIT    0,10

A: "ORDER" is reserved word. This is error. Use the word order Quote in backticks


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text:
Dr. Ambedkar on Marxist Idea of Religion
Sep 1, 2020 14:40&nbspUTC
Sep 2, 2020 at 16:35&nbspUTC
Decoding Fashion Industry: Need for Fashion Law
By Saloni Thapa 34 Minutes Read
"Fashion is not something that exists in dresses only. Fashion is in the sky, in the street. Fashion has to do with ideas, the way we live, what is happening."
-COCO CHANEL
Fashion exists in myriad forms in everyone's life; it is a multilingual concept that speaks for each individual in its own way. As an industry it has turned into a global phenomenon treated with utmost regard and principles- over centuries, the definition of fashion has taken various shapes and forms and catered to its audience in a platter. With rampant expansion of the industry, more and more people are willing to pay through their nose, to look like their favourite movie star or their favourite artist; however, with growing interest of people towards the world of fashion and an abundance of design ideas, designers faced problems with new found obstacles never experienced in the past.
This is where fashion law plays its part. As previously mentioned, with time, the fashion industry had to deal with challenges that required set rules and norms, in order to avoid chaos. The fashion industry not only deals with apparel but is also inclusive of the stream of footwear, jewelry, textile, handloom, cosmetics, accessories, modeling, etc. Therefore consequently, an industry with a long chain of infrastructure requires guaranteed laws governing it, for conducting effective businesses smoothly and to grow bigger.
The fashion industry in India did not gain sufficient recognition until recently, therefore, the structure of fashion laws in the country is yet to stem out. However, fashion law as a field of study and profession has comparatively flourished in the west. Fashion industry being a massive contributor to economies, concerns every individual of a country, after all, even those who disregard fashion, get up every day to choose their outfits- fashion is just a piece of clothing we use you hide our naked body.
The ambit of fashion law deals with intellectual property along with other fields such as that of labour and real estate law. Other fundamental issues included in the field of fashion law are those related to business and finance, international trade, consumer cultures, media, textile production, cosmetics, modeling, etc. These issues have arisen throughout the course of history of the fashion industry, be it in case of designs and looks created for artists, by designers that limits others from purchasing or wearing those garments, to problems related to trade restrictions between brands or other intellectual property protection related issues.
Over the years, many have fallen victim to the cruel operations of this industry- from budding designers who have been betrayed in the name of guidance or models who work for brands, face constant criticism and misdemeanor, to garment workers who operate for supply chains of multinational brands, are forced to live a life of poverty and labour, where their efforts are unacknowledged. This is a gist of what the industry beholds; as a prerequisite to gain insights of the fashion world, one must understand the dark side of its functionality, where lies a less utilitarian psyche of tricking people into believing in a standard definition of fashion.
This article shall solely focus on the need of the hour, fashion laws in India. Across the globe, fashion law is a growing niche in the legal industry, for example, Ms. Susan Scafidi, was the first professor to introduce a course in Fashion Law at Fordham Law School, New York, as a matter of fact, Fordham is the only institute who offers their expertise for this course and runs an independent nonprofit by the name of 'Fashion Law Institute' for those willing to pursue degrees of Jurist Doctor as well as LL.M. However, in India a full time graduation course is not available but Indian Institute of Fashion & Design, based in Chandigarh offers courses related to 'Fashion Retail Law' and Diploma in 'Fashion & Law.'
Therefore, this article wishes to concerns itself in implicating the need for a concise area of law dedicated to this industry, namely 'fashion law', which covers all requirements efficiently i.e. broadly governs problems related to retail, business, manufacturing, IP, labour, modeling, financing, international trade, marketing, corporate structure, etc. However, this article will only talk about the major issues related to exploitation of IP protection and labour laws in this industry.
IP LAWS: ARMOUR OF THE FASHION WORLD
The mantra of the fashion industry is to create new ideas of designs and innovations every day. Due to the cut throat competition that prevails throughout this industry, one must always be on their toes to prove themselves worthy enough to stay in the market. Therefore, with upcoming novel innovations like colour changing wearable techs, self-adjusting shirts and auto-drying jackets, consumer base is often explored in context of its choice. On the other hand, the fashion industry's thriving creativity streak also creates a gap in the form of affordability- this is where counterfeit products of the original come into the market.
India, a nation full of 'third copy' street markets, is witness to a bunch of piracy running businesses off duplicate products. Unlike other countries, such as France, where laws are strict enough to even hold the buyer of duplicate goods liable of causing damage to a designers' product, India only procures for designers to take their infringers to court and claim damages. This is where Intellectual Property plays its part.
Everyone has heard of the famous designer, Sabyasachi Mukherjee's brand label, it is easy to decipher from its 'tiger' logo, or Christian Louboutin's brand of red sole footwear, these are trademarks of these designers that help distinguish them from their competition. However, the Indian fashion industry faces challenges when it comes to protecting their work of creation due to the lack of knowledge towards intellectual property protection in the country. As the Indian fashion industry spreads its wings on global platforms, the need of the hour is for designers and brand houses to protect their creations.
The Copyrights Act, 1957 acknowledges artistic work in various forms- from drawings (both two and three dimensional), sketches, structures, etc., however, Section 15 of the Copyright Act[1] restricts the registration of those designs that are previously registered under the Designs Act, 2000. So was the case in 'Rajesh Masrani v. Tahiliani Design Private Limited'[2], where the High Court of Delhi held that the work of the designer in question was 'artistic' in nature, and must be afforded protection under the Indian IP law.
Therefore, the fashion industry can always seek help in the form of intellectual property protection with creative works such as artistic works are protected under the Indian Copyright Act, 1957 whereas, the Designs Act, 2000 assists in registering designs which are applied to a specific class of articles. Over the years some Indian fashion houses and fashion designers have been slapped with infringement lawsuits, where a few others have been successful in dragging their infringer to court.
To begin with a famous Indian case of 'Ritika Apparels v Biba where the conflict between copyrights and designs were resolved- the plaintiff took to court stating that the defendants had copied their design from one of their creations and further reproduced and sold the product in their own name i.e. Biba. However, the defendants took refuge of Section 15(2) of the Copyright Act, 1957[3] further claiming that the plaintiff party had lost their right over their product due to the production of more than fifty numbers of products via industrial production, therefore not amounting to copyright infringement i.e. the design created by Ritika apparels was not previously registered under the Designs Act, 2000 due to which the plaintiff only had rights over producing products with that particular design not more than 50 in number. Due the plaintiff's lack of knowledge of laws governing intellectual property in the nation, landed BIBA out of liability.
As an example of how the fashion industry in the West is fully secure i.e. how designers are rightly aware of their rights to protect their artistic works such as drawings, sketches, paintings, designs, detailing, etc. in order to save their legacy and also to prevent any damage to their business. Such is the case of 'Christian Louboutin v Kamal Footwear & Anr'[4], where the world renowned brand of red sole shoes that is famous amongst celebrities and the whole fashion industry, invariably also creates a huge craze for the customers who wish to follow their favourite actor's or artist's style of fashion, needless to say, those red sole high heels cost a fortune. Christian Louboutin's footwear designs is more of a luxury brand as it steers clear of the reach of a majority of consumers. The Louboutin brand held a reputation and goodwill in the fashion industry way before it entered into the Indian market, however, the brand was faced with a challenge when the defendants started producing counterfeit products of the brand and sold them at a cheaper value, with different patterns, designs and colours but the soles of the footwear were red. When Christian Louboutin (plaintiff) took the case to court seeking a permanent injuction and compensation from the defendants selling red sole shoes from two outlets, the court ruled in favour of the plaintiff as the brands products were protected under trademark laws. The Delhi High Court in their judgment made the defendants pay a hefty amount as damages and brought a permanent injuction on the defendants for carrying out trade of counterfeit products. This case is a classic example of why designers and brand owners need to be vigilant in protecting their trademark.
Similarly, in the case of 'Crocs Inc. USA v. Bata India Ltd & Ors'[5], where the issue of whether a design could equally function as a trademark was put into perspective- the plaintiff to the suit was unsuccessful in achieving a favour for the design infringement suit filed against the Indian brand 'Bata" as the designs were found to be not new or original. The judgment in favour of the defendant stated that 'as long as the elements of design are not used as a trade mark, but a larger trade dress get up, presentation of the product through its packaging and so on, given that a passing off claim can sustain. A passing off action has been held to be maintainable with respect to elements of trade dress and overall get up, other than registered design and not with respect to registered design. It was argued by the Defendant that if the passing off is claimed of elements of the design as a trade mark, no passing off action lies. Since the plaintiff itself relied on use of its registered designs as a shape trade mark and no additional features qualifying as trade dress, which are not part of the registered design, have been pleaded or pointed out, the passing off suit is not maintainable.
The court agreed with the Defendant that the plaintiff has not been able to show any extra features, besides the design, which is used as a trade mark.'[6] Consequently, the Court interpreted the legal ambit of the Designs Act, 2000 in the form of granting limited monopoly by way of registering designs and thereafter, the same should be open for use for anyone, once the registration period has lapsed, therefore, if Designs Act permitted to continue using ones designs in the form of a trademark, post the registration term, the whole legislative intent of the design would lose its value. 'The court used the analogy of patents rights which is granted for a limited period and observed that the intention to give design protection for a limited time cannot be extended to protection in perpetuity by claiming trademark rights.'[7]
A recent yet eye-opening case took place when the high fashion French brand of Christian Dior was allegedly found to have copied the styles and design of a young startup called 'People Tree'.[8] People Tree is a small platform created for people to pitch in ideas of creative works and mainly involves handloom and self-woven crafts to create apparels. In the case of Dior copying People Tree's designs- People Tree in one of their projects, with the help of artisans from the land of Rajasthan, had collaborated to create designs in the form of block prints which were ultimately projected on their clothes and manufactured into the market. Unfortunately, Christian Dior's brand happened to copy the designs of the block prints and was later seen on a magazine cover with famous actress, Sonam Kapoor wearing a dress with the same designs. This IP related case ploughed into all legislative intents under the blanket of Intellectual Property laws. However, People Tree won the case and was able to retain their artistic work under the Copyright Act, 1957.
Such cases give hope to both, the fashion industry and the IP sector in the country to gain better infrastructure in order to preserve the quality of work produced in India, with other designers like Rohit Bal, Anita Dongre, Anju Modi, etc. who have been the first in the industry to register their work of fashion under the Indian IP laws, whereas, on the other hand, the requirement for stricter and broader legislation in the form of 'fashion laws' is the need of the hour.
LABOUR EXPLOITATION: FASHION INDUSTRY'S DARK SIDE
But these are not the only hiccups in the fashion industry, behind its many follies, the enormous efforts and labour of the workers who toil for these global fashion brands, goes unnoticed. Labour exploitation has been an ongoing dilemma over the years and has been rampant with the increasing vices of the fashion industry.
The garment industry in particular is a woman dominated sector (39.1% of women are directly employed in the industry, as a proportion of all employees)[9], along with an irrational employment rate of child labour. According to a survey conducted by the International Labour Organization, estimates of 170 million children around the world are engaged in child labour.[10] Some forcefully made to labour and others, helpless to provide for themselves and their family- although child labour is strictly forbidden in some countries, is still extensively common in developing nations. Child labour has been a long known issue in the fashion industry due to the heavy requirement of cheap labour and activities to be carried out that are better suited for children than adults. Garment manufacturers who produce cotton products often own the whole supply chain of growing, harvesting, weaving, yarning and manufacturing; cotton picking is an intricate task to conduct, therefore, such manufacturers often employ children for their small fingers to pluck cotton buds and avoid any damage.
Along with child labour, women face oppression too, as labourers of factories that work for these brands as their supply chain. The detrimental quality of lifestyle procured to these factory workers, at most instances does not even round up to half of what a daily wage worker's salary looks like. In times where fast fashion is in vogue, brands around the globe trot to win the race, which leads them to turn to third world countries, where cheap labour is freely available.
An article by 'The Guardian' covered a report by the Centre for Research on Multinational Corporations (SOMO) and the India Committee of the Netherlands (ICN) that uncloaked the stories of instances occurred in the south of India, disclosing that recruiters would approach parents of young girls belonging to rural and backward areas, convincing them to send their wards to 'spinning mills with promises of a well-paid job, accommodation, three nutritious meals a day and opportunities for training and schooling, as well as a lump sum payment at the end of three years'.[11] However, these false promises of providing a decent lifestyle are nothing but a bait to invite them into 'working under appalling conditions that amount to modern day slavery and the worst forms of child labour.'[12]
According to reports by Centre for Research on Multinational Corporations (SOMO), developing countries such as Uzbekistan, Pakistan, Egypt, India, China, Thailand, and Bangladesh are primarily the only ones who notoriously practice child labour in their textile and garment industries- where children are made to participate in each stage of their supply chains, for instance, Benin includes children in the process of production of cotton seeds, Uzbekistan in harvesting, Bangladesh in various phases of putting garments together and India in the process of yarn spinning.[13]
Various reports and surveys have suggested that the inhumane conditions inflicted upon both, women and children are neglected so, even in present times, where human rights plays an enormous role in conducting employer-employee activities. Amidst a pool of atrocities these workers experience, women often face situations of low and untimely salaries, forceful labour for overtime hours, unhygienic and substandard living conditions and are likely to be subjected to abuse and beatings, if ever complained. On the other hand, children workers in the garment industry are treated as naïve and susceptible victims of badly paid work, where they are tricked into performing varied dangerous tasks in the name of money; they are also made to work for extra hours, and in case of cotton industries, are frequently exposed to pesticides and are yet paid below the minimum wage bracket. 'In developing countries where cotton is one of the main crops, children are enlisted to help harvest the delicate crop and reports suggest they work long hours sowing cotton in the spring, followed by weeding through the summer months.'[14]
However so, it is an unfortunate state of affairs where these slaving women and children workers cannot find anyone to advocate for their oppression, and be their voice. Such was the situation in the incident of Rana Plaza collapse, in Dhaka, Bangladesh where over a 1000 workers died and approximately 2000 workers were severely injured; the eight-storey building was housing garment producing factories for various multinational brands, however, the building was in a dilapidated structure and the owners had been informed to vacate and immediately cease all factory work. Nonetheless, the workers were summoned to come in for work, the result of which cost them their lives. Such is a case of pure labour exploitation with nil justice, news reports state that various labour advocates were willing to campaign for the workers compensation but found no success.
In light of the problems caused by the garment industry, the greatest hurdle in taming such exploitations is the multi-layered chain of supply that each garment, belonging to each brand holds. Global brands such as Zara, H&M, Marks & Spencers, etc. are owned by countries that have rigid and stringent labour laws and these brands place strict guidelines on the work of their suppliers, however, in the process of manufacturing products, their work is often sublet or sub-contracted to other factories, which in turn makes it easier for buyers to be curtained from having knowledge of such practices.
In addition to this issue, the garment industry also faces a lack of transparency when it comes to their corporate structure- in a research conducted by ICN and SOMO on the garment industries thriving in Southern India, found that 'The number and precise locations of different units is equally difficult to figure out. It is not even easy for outsiders to find out whether a firm is horizontally and/or vertically organized. Publicly available information about employment relations, including human resource policies and practices, is also negligible. Details about the size of the workforce, the methods for recruiting workers, whether the workers are lodged in hostels and the location of these hostels and the number of hostel residents are not easily obtainable. Likewise, information about wages and benefits is not readily available.'[15]
In light of the question of 'fashion', whether it is a boon or a bane, it has been a thriving industry with not only being a mass contributor to the economy but has also helped in establishing foundations of the richness of the culture and folklore of a country. In India, the first ever discovery of its own identity of clothing was with the inception of the Swadeshi Movement, in the year 1905. With the beginning of the 1600's, the inception of the East India Company took place in East and Southeast Asia (India included). Ever since the British landed foot on the Indian soil, our trade and textile industry hit rock bottom in ways, where it became difficult to curb the deteriorating conditions of welfare of the Indian society. Decades passed by, and with each industrial revolution, the local handloom workers ran out of business- India was the land of cheap labour as well as a mass producer of cotton textile, which lured the British to take over our country.
The industrial revolution saw the growth of novel machinery and mechanism that replaced the work of handloom workers and weavers, therefore exploiting and enticing them to sell their products at cheaper rates to the British, who further exported it to Britain at higher rates. Similarly, with the growth of control of the British Raj in India, farmers were forced to solely grow industrial crops in order to fulfill the needs of the British exports, for example, the industrial revolution had already looped in labourers to work in British factories for cheap wages and nil welfare costs, at the same time farmers and cultivators were also being stripped off their own lands by landlords who worked for the British, forcing them to grow only cash crops such as cotton and indigo, for their selfish purposes. Such practices left the cultivators' lands barren for ages and therefore, farmers dealt with years of famine and poverty.
However, in response to the gruesome atrocities of the industrial revolution, the Swadeshi movement was launched by our national leaders such as Lokmanya Bal Gangadhar Tilak, Lala Lajat Rai, Aurobindo Ghosh, V.O. Chidambaram Pillai and Babu Genu, who were the brain child behind the movement. Swadeshi movement was the first ever revolt made in our nation against the domination of the British- this movement brought in light the importance of handmade woven 'khadi', that is associated with India till date. Similarly, the 'Make in India' reform promoted by Prime Minister Narendra Modi, in order to bring recognition to the work of creation in the form of handloom and textile that is produced in our country, is a building block in the process of establishing a fort for the Indian fashion industry and pinning it on the globe.
To conclude the research, the Indian fashion industry has been exponentially oozing with better and novel innovations and works of art, at the same time the IP eco-system in the Indian legal chain is becoming more structural and proliferated in terms of widening its umbrella of understanding of newer challenges faced in the form of intellectual property protection. Keeping in mind, as previously mentioned, the wide ambit of the fashion industry, stretching from international trading, business and finance, modeling to textiles, cosmetics, apparel and even footwear, this multifaceted field of work requires rigorous attention in order to keep flourishing, perhaps a legislation governing all the aspects together could bind the fashion world's challenges into one.
[1] Special provision regarding copyright in designs registered or capable of being registered under the 1[***] Designs Act, 1911–
[2] Indlaw DEL 2023
[3] Copyright in any design, which is capable of being registered under the 1 [***] Designs Act, 1911 (2 of 1911), but which has not been so registered, shall cease as soon as any article to which the design has been applied has been reproduced more than fifty times by an industrial process by the owner of the copyright, or, with his license, by any other person.
[4] 2017 CS (COMM) 714/2016
[5] 2019 SCC OnLine Del 6808
[6] Crocs Inc USA v. Bata India Ltd & Ors, case summary, Casemine, 18 February, 2019
[7] Crocs Inc USA v. Bata India Ltd & Ors, 2019 SCC OnLine Del 6808, Khurana & Khurana Advocates and IP Attorneys, 09 March, 2020.
[8] No citation available, as an out-of court settlement was carried out, not revealing details of the whole case.
[9] 'Labour Absorption in Indian Manufacturing: The Case of the Garment Industry" Jayan Jose Thomas & Chinju Johny, Centre for Sustainable Employment, Azim Premji University' May 2018.
[10] 'Child Labour in the fashion supply chain: Where, why and what can be done', Josephine Moulds, The Guardian (sponsored by UNICEF)
[12] 'Flawed Fabrics: The abuse of girls and women workers in the South Indian textile industry', SOMO & ICN, October, 2014
[14] U.S Department of Labour
Saloni Thapa
Student @ Symbiosis Law School, Hyderabad "Hi. I'm Saloni. I'm mostly an ambivert but writing makes the more outgoing person in me come out. Somewhere between Law School and all the back pains, I thought of pursuing writing and I've come a long way since, needless to say, everyone does always require progress. I like to think of writing as my forte, although I believe the procrastinator in me who relies on "Oh! Just one more episode of 'How to get away with murder'", won't hurt the quality of the work I produce; Well, I am wrong. So here I am with a strong will and an equally capable hand to pen my intellect into words. Also, an author always welcomes healthy and constructive criticism……"


Back then, I was working full time as Creative Services Director, and got up to paint before going to work. That gave me 20–45 min. of painting time about three times a week.
Each day I took a photo of my painting in progress. I liked seeing the painting develop, and knew that I could "blow it" with my next brush stroke. I figured if I had a record of what it looked like when I liked it, I could get back to that stage.
Opaque oil paints are "forgiving" because you can always paint over a passage you don't like.
Watercolors are transparent, so there's really "no going back". Instead we continually move forward, adjusting our plans to make use of any perceived mistakes along the way.
I still take photos of my paintings in progress. I like to see the evolution of paintings — and so do my students.
Basically this means that each brush stroke is done quickly, decisively, courageously … and then I STOP, step back, and look to see what's happening with the painting.
If I know what to do next, I continue on with this "Get in, Get Out, Step Back, Repeat…" method.
Sometimes there's a long pause between brush strokes. Sometimes it's because I don't know what to do next. Sometimes it's because there is something else that must be done (dinner anyone?).
Most of my paintings take weeks to complete. Even when I think a painting is finished, I put it away for a day or two so that the next time I look at it I have "fresh eyes".
This is one reason I like to have many paintings in progress at one time. I can easily switch from one to another if I get stuck.
My students long to see me finish a painting in class. Sigh. They want to know how to know when a painting is finished.
Alas, this is a subjective matter.
Keep painting. The more you do it, the better you get, and the easier it will be to know when your painting is finished.
It's an unsatisfying answer, yet true.


text:
Desi TV Duniya
Posted on: July 31, 2018 by: Deshvidesh
Dr. Hathi of Taarak Mehta Ka Ooltah Chashmah No More
Kavi Kumar Azad, known for his portryal of Dr. Hansraj Haathi on Taarak Mehta Ka Ooltah Chashma died of cardiac arrest on July 9. His sudden demise has left his and the show's fans heartbroken.The actor was only 46. Just before his death, he was reportedly unwell and was admitted to Wockhardt Hospital on Mira Road in Mumbai. His co-stars as well as Bollywood actors mourned his death. Munmun Dutta, Babita ji on the show, took to Instagram and shared a picture of Azad during his last shot.
Azad informed the show's producer, Asit Kumarr Modi, in the morning he couldn't attend shoot. The team received news of his death in the afternoon. The shoot was instantly cancelled.
His last rites were performed in Mumbai. His co-stars Mandar Chandwadkar, Neha Mehta, Jennifer Mistry and Shailesh Lodha attended. Modi spoke to Spotboye.com. "We will have to replace Dr. Hathi. It's the actor who has passed away, not the character." Show makers are yet to finalize who will replace Azad on the show.
Azad's doctor Muffi Lakdawalla made a shocking revelation about the actor recently. Though the doctor had advised him to lose weight, Azad had told if he grew thin, he wouldn't get work. Azad had been associated with the show for eight years and his character was loved by the audiences. He did a few cameos in movies like Aamir Khan's Mela and Funtoosh.
Kasautii Zindagii Kay 2: Hina Khan May Play Komolika
Since Ekta Kapoor announced the launch of Kasautii Zindagii Kay reboot, fans are going crazy. Kasautii Zindagi 2 will return to television after 17 years, albeit with new actors.
The original show cast comprised Shweta Tiwari as Prerna , Cezanne Khan who was later replaced by Hiten Tejwani as Anurag, Ronit Roy as Mr. Bajaj and Urvashi Dholakia as Komolika.
Komolika's character is central to the story as she is the one who creates trouble for Prerna and Anurag. Hina Khan's name has reportedly been finalized for the show's reboot.
The actress is a favorite after playing Akshara in Yeh Rishta Kya Kehlata Hai. She was last seen in Bigg Boss 11. Now, she will be back on small screen in a villainous role, which is completely different from the perfect bahu.
Meanwhile, Erica Fernandes is playing the role of Prerna in the show and has already filmed the teaser. Who will play the role of Anurag and Mr. Bajaj in the show is yet to be known. Several names doing the rounds for Anurag's character include Ssharad Malhotra of Kasam – Tere Pyaar Ki fame. Other rumors are that Omkar Kapoor, Arslan Goni may also be a part of the show.
Khatron Ke Khiladi Season 9 Contestants Shoot in Argentina
The contestants of Khatron Ke Khiladi are getting ready for their shoot in Argentina. The ninth season of the reality show hosted by Rohit Shetty is based on the American reality show Fear Factor. Celebrity contestants have been included for the show. Khatron Ke Khiladi season 9 will be more fun and entertaining according to the producers.
The contestants' line up includes Bigg Boss 11 fame Vikas Gupta, Zain Imam, Shamita Shetty, Bharti Singh with husband Haarsh Limbachiyaa, Avika Gor, Jasmin Bhasin, Sreesanth, Aditya Narayan, Aly Goni, Ridhima Pandit and Punit Pathak.
The participants left for Argentina last week and are all set to face their fears. They have been sharing candid pictures on social media. It remains to be seen how well they perform in the show. Audiences are looking forward to the new season as they wait for what is in store.
Contestants Aly, Vikas, Jasmin, Zain, Bharti and Haarsh are having a grand time together. They are doing the touristy thing by visiting city sites and taking selfies.
Sachin Shroff Says Juhi Parmar Never Loved Him
Sachin Shroff recently broke his silence regarding his divorce with Juhi Parmar. He admitted that theirs was a loveless marriage and nothing he did could make Juhi love him. The former couple were married for eight years and have a five-year-old daughter Samaira, whose sole custody is with the mother.
Sachin told Times of India that the divorce was mutual, amicable and happened in a dignified manner. "One-sided relationships are doomed from the beginning," he said.
Speaking about his daughter he said he has ensured that he gets proper visitation rights. He is sad that he can't live with his daughter, but takes solace in the fact that now she will have two happy homes instead of one unhappy home. "It's better than us living together for the sake of convention, buried in bitterness and fights," he said.
Sachin has admitted that he was deeply in love and heartbroken, and he is healing emotionally at the moment. He now realizes love must be two-sided. "It's too early for me to think about another relationship or marriage," he said.
The actor however is optimist about his life and happy that he has his work to fall back on to keep his busy and focused.
Posted on: 07-31-2018 by: Deshvidesh
Awe-Inspiring Fashion at Akash Ambani & Sholka Mehta's Engagement Party
Categories: Bollywood TV, News


We have some amazing members of the Cadence family. I'm always so thankful at how God always seems to bring just the right people at the right time.
Today I present to you – Sam.
Sam has worked with us for several months now, and I love having him as part of our team. He won't be with us forever. He's studying to get his real estate license, and when he does he's going to be one of the best in his field.
There's not a day that goes by, a shift that he works, that Sam doesn't impact the atmosphere of the entire coffee shop. Every customer that walks in the doors, is greeted with a lively "Hey! How ya doin!?!?" His interaction with even the most cantankerous of customers is always so positive and cheerful. Last week he had to tell a grumpy old guy, who was cussing at him like a sailor, to not come back, but he did it in the kindest way possible.
How do I affect the atmosphere of the room?
Do people feel better when I enter the room, or when I leave?
Not Sam. He makes you glad you're where he is, and Sam, if you're reading this I want you to know bro, I'm glad you are in our room.
Sam's favorite coffee drink is a Cortado.
Sam's desire superpower if he were to be a superhero would be the power to control metal, like Magneto from X-men.
Sam, if he were an ice cream flavor, would be Chocolate Chip Cookie Dough.
If Sam were brick in a wall, he would be a brick in the bottom to hold up the rest of the wall.