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Baroness Scotland of Asthal moved Amendment No. 26:
Page 8, line 6, leave out from "B," to end of line 19 and insert—
"(ca) where subsection (1A) applies, A knows or could reasonably be expected to know of the circumstances by virtue of which he is in a position of trust in relation to B, and
(cb) either—
(i) B is under 18 and A does not reasonably believe that B is 18 or over, or
(ii) B is under 13.
(1A) This subsection applies where A—
(a) is in a position of trust in relation to B by virtue of circumstances within section 23(2), (3), (4) or (5), and
(b) is not in such a position of trust by virtue of other circumstances.
17 Jun 2003 : Column 709
(1B) Where in proceedings for an offence under this section it is proved that the other person was under 18, the defendant is to be taken not to have reasonably believed that that person was 18 or over unless sufficient evidence is adduced to raise an issue as to whether he reasonably believed it.
(1C) Where in proceedings for an offence under this section—
(a) it is proved that the defendant was in a position of trust in relation to the other person by virtue of circumstances within section 23(2), (3), (4) or (5), and
(b) it is not proved that he was in such a position of trust by virtue of other circumstances,
it is to be taken that the defendant knew or could reasonably have been expected to know of the circumstances by virtue of which he was in such a position of trust unless sufficient evidence is adduced to raise an issue as to whether he knew or could reasonably have been expected to know of those circumstances."
The noble Baroness said: My Lords, I shall speak to a large group of amendments. Various Members of the House have taken issue with the way in which the drafting of certain clauses in the Bill shifts the burden of proof from the prosecution to the defendant and back again to the prosecution. Apart from concerns that have been raised as to whether reverse persuasive burdens are ECHR compatible, this shifting of burdens has been criticised as unduly complicated and confusing for juries.
We are still of the opinion that it is not unfair to expect a defendant to explain to the jury why he was mistaken about facts that were particularly within his sphere of knowledge, for example that he did not know that he was in a position of trust, or in a familial relationship with someone, that he did not know that someone he was caring for had a mental disorder or learning disability, or that he was mistaken about the age of a child to whom he is related or with whom he is in a close, caring relationship. Nevertheless, in response to the concerns that have been raised, we have decided to table a series of amendments in relation to the abuse of trust offences, the familial child sex offences, the sex with an adult relative offences and the care worker offences, so that the burden of proof rests with the prosecution throughout.
However, the prosecution will be assisted by a presumption in each case, so that the defendant's mental element in relation to the child's age, the nature of the relationship or the other person's mental disorder or learning disability will be taken to have been made out unless the defendant raises an issue as to these matters in evidence.
For example, Amendment No. 26 amends Clause 18 (Abuse of position of trust: sexual activity with a child) so that the prosecution is required to prove all of the facts of the case, namely that a relevant sexual act took place between the defendant and a child under 18 with whom he was in a position of trust, and that for the positions of trust arising in an institution, the defendant knows or could reasonably be expected to know of that position of trust, and that (where the child is 13 or over) the defendant did not reasonably believe that he was 18 or over. Where the defendant claims to have reasonably believed that the child was aged 18 or over, and adduces sufficient evidence to
persuade the judge that he has raised an issue as to this claim, the prosecution is required to prove that he did not have any reasonable belief.
The effect of our amendment is that, first, the persuasive burden placed on the defendant in relation to his state of mind concerning such issues in the previous draft of the Bill has been removed, and secondly the burden of proof rests with the prosecution, although they are assisted in this by a presumption which places an evidential burden on the defence. The burden no longer shifts from the defence and back to the prosecution in respect of two different elements of the same defence. Rather there is a new element of the offence to be proved by the prosecution. This simplifies the clause.
Amendments Nos. 27, 28 and 29 make the same changes in relation to the other abuse of position of trust offences at Clauses 19, 20 and 21. Amendments Nos. 39 and 40 make similar amendments in relation to the familial child sex offences, in those cases where the defendant claims to have believed that the child was 18 or over, or that he did not know that a familial relationship existed between them. Amendments Nos. 78 and 80 make the same amendments in the clauses relating to the sex with an adult relative offences, in relation to lack of knowledge of the familial relationship. Amendments Nos. 58 to 65 have the same effect in relation to the care worker offences at Clauses 40 to 43.
We believe that these amendments address the concerns that have been raised about the rebuttal presumptions.
I understand that the noble Lord, Lord Lucas, intends to degroup his amendment and therefore I will deal with my response to that amendment when we come to it. I beg to move.
Lord Thomas of Gresford: My Lords, this has been my particular hobbyhorse from the very beginning, at Second Reading, in Committee and on Report. I was concerned with two things: first, whether the presumptions as originally drafted could possibility satisfy the requirements of the European Convention on Human Rights. I was of the view that as the earlier part of the Bill had presumptions which were inevitably fatal, there was an argument here. My other concern was that it was almost impossible to explain clearly to a jury how a persuasive burden could shift from the prosecution to the defence and then back to the prosecution, involving different standards of proof: proof beyond reasonable doubt when the prosecution was concerned, proof on a balance of probabilities when the defendant had to prove something. It was impossible.
Like many noble Lords today, I pay tribute to the noble and learned Lord the Lord Chancellor and to his excellent team. I paid tribute to them on an earlier occasion. They have all worked hard on the Bill and have brought forward a sensible and practical way of dealing with the issues and with the policy that the Government wish to carry forward in this area. I commend the amendments that we are discussing.
Baroness Noakes: My Lords, I associate myself with the remarks of the noble Lord, Lord Thomas of Gresford. I pay tribute to the hard work that he has done throughout the Bill to produce formulations that might satisfy the Government as regards finding a simpler and better way forward.
Baroness Scotland of Asthal: My Lords, I, too, pay tribute to the enormous contribution that the noble Lord has made. He has contributed to this and to other Bills. I am sure that he will also contribute to a Bill with which we shall deal shortly.
On Question, amendment agreed to.
Clause 19 [Abuse of position of trust: causing or inciting a child to engage in sexual activity]:
Page 8, line 31, leave out from "B," to end of line 44 and insert—
Clause 20 [Abuse of position of trust: sexual activity in the presence of a child]:
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1. Dealerships can help you obtain a specific make/model.
If you have a particular dealership you want to purchase from, but you want a car they don't have, let them know. They may be able to work with nearby dealerships to get you the car, or they can be on the lookout at auctions to purchase one you may be interested in.
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Banks and other financial institutions will usually give their members a good rate for vehicle loans, however the finance and insurance office at a dealership can also offer competitive rates. How do they do that? They shop rates for you, and then offer a loan based on their findings. Before you sign the dotted line at your bank, see what kind of lending opportunities your dealership has available.
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Section, AL
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Scottsboro Jackson Heritage Center
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Fort Payne Depot Museum
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redpajama_set_name: RedPajamaCommonCrawl


text:
Der Archipel Quirimbas besteht aus ca. 30 kleinen Koralleninseln im Indischen Ozean, die sich entlang der Küste der Provinz Cabo Delgado im Norden von Mosambik erstrecken. Namensgeberin für den Archipel ist die Insel Quirimba, die größte und bevölkerungsreichste ist dagegen deren Nachbarinsel Ibo. Die elf südlichsten Inseln sind Bestandteil des Nationalparks Quirimbas.

Weitere Inseln des Archipels:
 Matemo
 Quilaluia
 Quisiva
 Rolas

UNESCO-Welterbe
Aufgrund ihrer Bedeutung sowohl für das Natur- als auch das Kulturerbe wurde der Archipel am 20. August 2008 in die Tentativliste der UNESCO in der gemischten Kategorie Kultur- und Naturerbe aufgenommen.

Seit 2018 sind die Inseln und der Nationalpark Teil des Biosphärenreservats Quirimbas.

Landwirtschaft
Auf der Insel Quirimba unterhält ein deutschstämmiges Geschwisterpaar eine Farm mit ca. 30.000 Kokospalmen. Die Geschichte der Farm und des Landes schilderte ein Bericht in der FAZ vom Oktober 2013.

Weblinks

 The Quirimbas Archipelago – UNESCO World Heritage Centre

Einzelnachweise

Inselgruppe (Afrika)
Geographie (Mosambik)
Inselgruppe (Indischer Ozean)
Provinz Cabo Delgado
Biosphärenreservat in Afrika

redpajama_set_name: RedPajamaWikipedia


We are looking for one full-time, top-level PHP web develper. Chess.com is a very complicated site with lots of advanced technologies, so we are only looking for a highly-skilled PHP/MySQL programmer. This person will help us build the next set of awesome tools and features on Chess.com!
We are looking to fill a critical role: Senior Web Developer at Chess.com. This role requires an experienced, unique, multi-talented individual who can code for HIGH traffic websites as well as advise on technical issues such as architecture, mobile development, API integration, and analytics. If you love code + business + technology, and want a flexible, fun, challenging environment, this might be the perfect role for you.
Chess.com is the #1 online chess site and gets millions of monthly visits and hundreds of millions of monthly pageviews, and you will work to keep them happy We have more than three million members across our main Chess.com site, Facebook app, igoogle, mobile chess, and ChessKid.com. Our site is always growing both in users and features. We have an awesome team of staff that manages customer service, content creation, marketing, and programming. Our team members live all around the world - from USA to Argentina to London to Poland to Russia. We are a hard-working, fun group of people who love chess and enjoy building a successful website that serves so many people. We are a profitable company. We are looking to add another senior developer to work on the main site functionality of Chess.com.
You speak and write fluent English and are online during at least 6 US business hours.
You enjoy games and hopefully chess, though you are not required to be a great player. But you understand the passion that chess inspires.
You want to work at a real company. Not so big that you're lost in the shuffle, but not a crazy napkin-idea startup that will probably fail.
You know how to communicate ideas, not just write code.
You love tinkering with and learning new web technologies.
You are easy to work with, have a fun personality, and like to work hard.
You have great references and a portfolio of sites you can share.
You will integrate our main site, facebook, and igoogle into one database.
You will enhance our API to support new mobile features on iPhone, Android, etc.
You will enable our site to support multiple languages and build a community-driven translation environment.
You will build a gaming ladder using input from our members.
You will write clean code that will serve millions of per day.
You will be proud of what you do.
We're web people. We know how to build scalable, popular, friendly, useful web businesses.
We're a stable, privately-held business with no outside investors.
We're chess players who were lucky enough to have the opportunity to change the face of online chess forever. We love working every day.
We're a small, fun, distributed team sprinkled around the world: from California to Buenos Aires to Poland to Russia to London to North Carolina. And we're all friends.
You will get an above-market salary because you are a well-above-average, amazing person.
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First, please make sure you qualify. We are only looking for expert-level programmers with experience in high-level, high-traffic web development, not junior programmers.
Who are you? What do you care about in life?
Write a sentence about each of the 3 best sites on the web and why you love them.
What are 3 things you like, and 2 things you don't like about Chess.com?
What singular programming accomplishment are you most proud of to date?
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We are recruiting for a Help to Buy - Wales – data entry administrator based out of Cardiff.
We currently have an opportunity for a temporary Data Entry Administrator to join our Cardiff office as part of the Help To Buy Wales (HTBW) team.
Experience of working within a recovery or collections background.
From working in our investment and portfolio teams, through to finance and marketing, as well as our Help to Buy Wales team, we've a range of exciting roles available.


It's nice to finally see this on the mainstream media - YEARS after we've been talking about it.
Better later than never I guess.
The ultimate problem is that Congress can be - and is - bought and sold by the highest bidder. Unfortunately, the highest bidders are the biggest criminals, Wall Street.
Note: The criminal enterprise known as the Florida Republican Party succeeded in having Alan Grayson, the economist turned Congressman featured in this segment, voted out of office in 2010.
Florida holds onto is position as the political cesspool the nation.


text:
Our Centre Community – Ravi Albright
Dedicated to my father, Matt Albright RIP
Ravi Albright, part of our Centre Community
I was born at home in Seattle where my father was at the University of Washington getting a Masters in Middle Eastern Studies. I am the middle child of 5,: my brother Abe, sisters Margaret, Annie, and Beth. Our family moved to Sequim on the Olympic Penninsula when I was about 8 or so. My dad, Matt Albright, worked for the Olympic National Park, first volunteering and then working in revegetation where he grew native plants to replant in the park in areas where people had trampled the indigenous plants.
It was through my father than I met Babaji and first came to Salt Spring Centre in the 1990's. It was Babaji who suggested I start studying tabla after he saw me perform on guitar at the summer retreat.
When I was about 14, I was in a terrible car accident and had to have 9 surgeries. A speeding driver slid out of control in the snow and I was hit in the leg. They didn't know if I would ever walk again, but I did. During that time I was out of school for a year. Soon after, when I was about 15 I moved down to Mount Madonna Center and starting living and working there on my own.
I went to India for the first time of many, and got into tabla. I studied Babaji's teachings and started doing Sadhana. I worked on the rock crew, learning masonry, and was the resident tabla player for weekly satsang, kirtan, and retreats. Priya and I got married in 2005, and after my father passed away from cancer in 2007, we moved to Seattle. Priya also grew up in the Mount Madonna Community, and with our combined talents and skills we started a non-profit arts organization, ACIT Seattle, in 2009.
Priya and Lio
At that time I didn't know what career I wanted to follow, if I should continue with masonary or maybe become a postal worker. I realized that I wanted to put all my energy into tabla, which had always been there. Right after that we started our non-profit organization, ACIT Seattle.org, where I teach and perform in Washington. We've been doing this for about 7 years now.
Ravi with performers at ACIT Recital, 2016
After my parents divorce when I was about 9, things at school got harder. I was not a well-behaved adolescent – I was suspended and kicked out of school more than once. In a way the car accident saved me because being out of school for so long, I started to study guitar which led to tabla. My dad and my mom, Ellen Adams, realized that public school was not meeting my needs, so the idea to move to MMC was a chance to change the direction if my life.
I have always had intense focus on whatever I am interested in, and absolute disinterest in being forced to learn things that were not relevant to me. This has been a mixed blessing, but gives me the drive to practice tabla at least 2-3 hours a day for the last 18 years or so.
Performing with Tejendra Majumdar
Performing with Srivani, 2013
My dad was the biggest inspiration for me in music and life. He was always interested in Eastern culture, philosophy, and music. He could read and write in Arabic and used to tutor in Seattle at a mosque. He played the violin as a teenager and played in a youth state orchestra. He gave up violin though because he didn't like the pressure of public performance. I think he would be happy to see me performing now with some of the greatest musicians of India.
As a kid I would wake up hearing recordings of Ali Alkbar Khan on sarod or Ravi Shankar on sitar or Ustad Bismalla Khan on shenai, that my dad would blare on the stereo. That is what started my love for Indian Classical music. Later Babaji jokingly named me Ravi Shankar.
My dad also could grow native plants that no one else could, including a type of northwestern red heather that only grows at very altitude. After he passed, they dedicated the Matt Albright Native Plant Center in Sequim, Washington, after him.
I have had many other mentors in the community, Sanatan and Anuradha took me under their wing like surrogate parents. Pratibha sponsored me in my first trip to India and always supported me. I learned rock work from Jai/Sunil and Babaji. I learned electrical work from my first good buddy at MMC, Umesh.
Now we have two boys, Matt age 7 (named after my dad) and Lio 17 months. We will support them no matter what they want to do, and give them lots of music exposure along the way. Seattle is a good place for our family and I'm glad we are close to the Salt Spring Centre so we can stay connected with the community where it all started for me.
Ravi Albright is a professional tabla player, Executive Director and head instructor of ACIT Seattle, www.ACITSeattle.org, and Adjunct Faculty at Lewis & Clark College in Portland. Ravi teaches in the greater Seattle area and performs throughout the West coast.


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Jana Kramer Worries She's 'Going to Resent' Mike Caussin Forever: 'Divorce Sucks'
Jamie McCarthy, Getty Images
Jana Kramer is continuing to navigate the difficult process of divorce from her estranged husband Mike Caussin, and in a new episode of her Whine Down podcast, the singer and actor focuses on discussing the "anger" stage of grief.
"It's been a rough week again. I'm just waiting for when they say it gets better, but in the meantime, it's definitely been hard," Kramer admits (quote via People.) "The hardest part is when you imagine something and you work for something and the rug gets pulled from underneath you. You're just kind of left there on the floor spinning. Divorce sucks."
During the Whine Down episode that came out last Monday (May 3) — the first Kramer released since the couple announced their split — she opened up about her grieving process, saying she had felt like a "zombie" since filing for divorce and telling listeners that she was "the weakest I have ever been." When she announced the divorce on social media, she hinted that Caussin might have been unfaithful again. His infidelity is the main issue the couple faced in the past, and it even caused a previous separation — though the couple reconciled after their 2016 split, even renewing their vows.
A source confirms to People that Kramer and Caussin's divorce is due to another incident of infidelity, and while Kramer says she knows she "made the right decision" in ending the marriage, that doesn't change how hurt she is by the situation.
"Right now I have a lot of resentment with how things are going. I think it's just making me angry," she explains, offering as an example the fact that she recently felt unable to have Caussin over at her house even to spend time with their two children, 5-year-old Jolie and 2-year-old Jace.
"I fear I'm going to resent him for the rest of my life for breaking up my family, and that seems so heavy to carry," she reflects.
"I think I imagined this healthy change that I was promised," Kramer says. "I was dreaming that it was always something that it wasn't. I don't even know if that image was real, but it was real in my dreams. That's what I'm losing: That idea that I dreamt and fought for."
15 Country Music Breakups That Hit Us Like a Ton of Bricks:
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Source: Jana Kramer Worries She's 'Going to Resent' Mike Caussin Forever: 'Divorce Sucks'
Filed Under: jana kramer


Same lumen output as 28w 2D fitting, Average LED lamp life of 50,000 plus hours, Energy Efficient-ECA compliant, Suitable for both interior and exterior use.
Suitable for surface mounting with rear BESA provision, side entry for through wiring with entry into 3-way terminal block and tool-free gear tray fixation. 3hr Emergency version with a dedicated emergency LED.


Chalice Gold Mines is pleased to advise it will be attending the following industry and investor events.
Watch Alex Dorsch, CEO, present at the Denver Gold Conference in Colorado Springs, 25th September 2018.
Watch Alex Dorsch, CEO, present at the 121 Mining Investment Conference, New York, 4th October 2018.
We look forward to announcing further events and actively communicating with our investors as the year progresses. We invite you to sign up to our newsletter and follow our Twitter and LinkedIn profiles for the latest news.


text:
Why Kevin McCarthy's Speaker Bid Was Doomed
Oct. 8, 2015 , at 6:28 PM
By Harry Enten
Filed under Congress
U.S. Rep. Kevin McCarthy, on Thursday on Capitol Hill.
Having a conservative track record isn't everything in the Republican Party. Just ask Donald Trump, who doesn't have one. Or Rep. Kevin McCarthy, who does. McCarthy decided today not to run for speaker of the House after supposedly having the edge. He faced opposition from the Freedom Caucus, a group of House Republicans who have pushed for a more confrontational approach with Democrats.
McCarthy is in the middle of the House GOP ideologically. Of course, because the GOP as a whole has gotten much more conservative in recent years, that means McCarthy is quite conservative too. But the resistance to electing him speaker wasn't just about ideology; McCarthy represents a Republican establishment less willing to threaten a government shutdown or refuse to raise the debt ceiling to achieve legislative goals. The split within the party is largely a disagreement over tactics.
The Freedom Caucus1 isn't composed exclusively of far-right Republicans; many members sit squarely in the GOP's ideological mainstream. You can see this in the following chart, which shows Freedom Caucus members according to two metrics:
How conservative are they? This is measured by the "first dimension" of DW-Nominate, an algorithm that rates members of Congress on a liberal-conservative scale based on their votes in Congress.
How establishment are they? This is measured by the "second dimension" of DW-Nominate. The second dimension has measured different things over time. Today, the authors of the DW-Nominate system argue that it correlates best with the establishment vs. outsider dynamic.
Clearly, the members of the Freedom Caucus are on the more conservative side of the Republican Party. Notice, however, that its members also tend to be toward the bottom (or anti-establishment) portion of the chart. In fact, the correlation between Freedom Caucus membership and the two different dimensions are nearly equal — in other words, being in the Freedom Caucus is just as much about being anti-establishment as it is about being conservative.
We saw this in action during the speakership vote at the beginning of the year. Again, more conservative Republicans were more likely to vote against Speaker John Boehner, but Republicans with higher anti-establishment scores (toward the bottom of the chart) were also more likely to vote against him.
The importance of "outsiderness" in the GOP has been evident for a few years. We saw it in votes on the debt ceiling in 2011, the fiscal cliff in 2013, and the budget battles of the last month. As the political scientists who maintain the DW-Nominate system have pointed out about the second dimension: "Although Congress is nearly one-dimensional liberal-conservative, enough stress has built up to clearly divide the Republican Party on many issues."
If all this sounds familiar, it might be because it's also playing out in the Republican primary for president. Ben Carson and Trump don't rank as highly conservative in our ideological rankings as most other 2016 candidates. Nor do they rank as super conservative in the minds of Republican voters. Yet, Trump and Carson currently rank first and second, respectively, in polls of the GOP race. Why? Carson and Trump are outsiders. In FiveThirtyEight's graphical view of the GOP race, Carson and Trump are far, far away from the establishment.
Neither Carson nor Trump has ever held elected office. Carson is a soft-spoken, nice guy who doesn't get entangled playing politics. Trump is the exact opposite: fighting everyone under the sun. Typical politicians are a little bit of each.
The normal rules of politics seem to apply less to the Republican Party each passing day. Carson and Trump's tenure atop the polls is evidence of that. Boehner came to realize it. And McCarthy apparently figured that out too.
A group of 30 or more mostly conservative Republicans who want to take a more hard-line tone with Democrats.
Harry Enten was a senior political writer and analyst for FiveThirtyEight. @forecasterenten
Donald Trump (1614 posts) Congress (549) Republican Party (112) Ben Carson (56) Kevin McCarthy (18) John Boehner (14) Freedom Caucus (13)


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Der Burggraf von Glatz () war ein königlicher Beamter, der auf der Burg in Glatz (Kladsko) als Statthalter des böhmischen Königs amtierte. Da das Glatzer Land, das Anfang des 12. Jahrhunderts als "Provincia Kladsko" bezeichnet wurde, im böhmischen Staatsverband eine Sonderstellung einnahm, wurde das Burggrafenamt häufig an Mitglieder des hohen böhmischen Adels "zu gesamter Hand" vergeben. Zu den bekanntesten Burggrafen gehörten der Witigone Witiko von Prčice und Ernst von Hostýně (Arnošt z Hostiného), der Vater des ersten Prager Erzbischofs Ernst von Pardubitz.

Geschichte
Der höchste Glatzer Landesbeamte wurde zunächst als "Castellanus" oder "Praefectus" bezeichnet. Für das Jahr 1262 ist erstmals der Titel "Burchgravius" belegt. Ab 1305 wurde er vereinzelt und ab 1360 überwiegend als "Hauptmann" betitelt, manchmal auch als "Amtmann".

Als Stellvertreter des Königs oblagen dem Burggrafen juristische und militärische sowie Verwaltungsaufgaben. Im Adels- oder Mannengericht der Glatzer Lehnsleute war er Vorsitzender. Erst wenn er in dieser Position einem Beklagten sein Recht verweigerte, konnte dieser eine Berufung beim Prager Hofgericht einreichen. Veränderungen des Stadtrechts in den königlichen Städten Glatz, Habelschwerdt, Wünschelburg und Landeck bedurften seiner Genehmigung. Als oberster Befehlshaber des Landes hatte er zugleich für dessen Schutz zu sorgen und Burgen und Städte in Verteidigungszustand zu halten. Er befehligte die Lehnsleute und deren Knappen sowie Söldner, die von den Städten zu stellen waren. Zudem war er verpflichtet, die königlichen Mühlen, die für die Versorgung der Stadt eine große Bedeutung hatten, stets betriebsfähig zu halten und Zölle sowie Abgaben einzuziehen, soweit hierfür nicht die Stände zuständig waren. Schließlich hatte er für den Unterhalt der acht tschechischen Erbwächter auf der Glatzer Burg zu sorgen, die ihren Wohnsitz auf dem königlichen Kammergut Piltsch hatten. Als Statthalter des Königs war er auch für die Zuweisung von Land an die Lokatoren bzw. die Freirichter zuständig.

Zu seiner Unterstützung standen dem Burggrafen ein oder mehrere Notare zur Verfügung sowie ein Pfänder, der für die Vorladungen und die Ausführung der Gerichtsbeschlüsse zuständig war. Für die Erhebung der Landessteuern waren Steuerbeamte (collectores sen receptores bernae), für die königlichen Forsten Forstbeamte (officiales forestarii) zuständig.

Dem besonderen Schutz des Burggrafen unterstanden Witwen und Waisen sowie Geistliche. Gegenüber dem zuständigen Prager Erzbistum oblag ihm das Präsentationsrecht vakanter Priesterstellen jener Kirchen, die im Glatzer Land dem Patronat des Königs unterstanden.

Gegen Ende des 14. Jahrhunderts wurde das Amt des Landeshauptmanns eingeführt. Trotzdem amtierte zeitweise weiterhin auch der ihm unterstellte Burggraf. Erst 1459 erhob König Georg von Podiebrad das Glatzer Land zur Grafschaft Glatz.

Glatzer Burggrafen (nicht vollständig)
 1169 Hroznata (vermutlich Hroznata von Ovenec)
 1175/76 Rivin/Rivinus mit Bruder Peregrin
 1177 Witiko von Prčice
 1177–1189 Bohuš/Bogussa, nach Josef Myslimír Ludvík: Bohuš Bradatý
 1195 Hermann/Heřman aus dem Geschlecht der Markwartinger
 1196 Ratibor
 1211 Smil von Ronow
 1213 Mitkastellan Zbyslav von Bratschitz
 1222 möglich: Budiwoj von Krumau
 1252–1253 Hawel/Gallus von Lemberg
 1256–1262 Ctibor Hlava von Cimburg
 1278–? Richard von Dahme (Damis)
 1283–? Heinrich von Apolda
 1289 Zdislav von Sternberg
 1295–? Conrad von Rein
 um 1300–? Ernst von Hostina (; ), Vater des ersten Prager Erzbischofs Ernst von Pardubitz
 1302–1305 Beneš von Wartenberg (Beneš z Vartenberka)
 1328 Albert von Pack
 1337 Peregrin von Peterswalde
 1341 Titzko (Tyczko) von Pannwitz, ab 1327 Mitbesitzer von Rengersdorf und ab 1346 als Besitzer der Herrschaft Hummel belegt
 1345 Wolfram von Pannwitz; Erbherr eines Anteils von Rengersdorf
 1346–1350 Albrecht von Krenowitz, zugleich Pfandherr der Provinz Glatz
 1352 Jeschkin von Horzitz (Ješek z Hořic)
 1348–1355 Hanns/Hanß Wustehube auf Neurode
 1399 Předbor von Ronow
 1358–1364 Wolfhard von Zedlitz, zugleich Hauptmann
 ? Johann von Wartenberg († 1409/10; verheiratet mit Margareta von Dohna)
 1477–1501 Hans von Pannwitz auf Rengersdorf
 1516 Heinrich von Tschischwitz auf Ullersdorf
 1518 Heinrich von Hundt und Alten-Grottkau, zugleich Komtur des Glatzer Malteserordens und 1524 Hauptmann
 1527 Hans Prag von Wellnitz (Hanuš Prog z Velnic), auch Hans Prog von Welenitz/Velnice, nach 1537 auch Landeshauptmann
 1536–15??, Heinrich von Haugwitz auf Tuntschendorf
 1584–1588 Hans von Pannwitz auf Mechwitz und Neudeck

Siehe auch: Liste der Landeshauptleute der Grafschaft Glatz

Literatur
 Ernst Maetschke: Das Amt der Glatzer Burggrafen bis zum Anfang des 16. Jahrhunderts. In: Festschrift zu Dr. Franz Volkmers 75. Geburtstag. Glatzer Heimatschriften, Band 5, Frankes Buchhandlung, Habelschwerdt 1921, S. 9–11.
 Landes-Hauptleute der Graffschaft Glatz. (Nach Köglers handschriftlichen Chroniken.) In: Vierteljahrsschrift für Geschichte und Heimatkunde der Grafschaft Glatz. 2. Jahrgang 1882–1883, S. 166–170.

Weblinks
 Christoph von Donigk's: Der Adel des Glätzer Landes bis 1319

Einzelnachweise

Grafschaft Glatz
Geschichte Böhmens im Mittelalter
Glatz
Glatz


text:
Borders Closure is Green Light for Bookstore Innovation
Borders Books and Music was a place of pilgrimage for book lovers, music lovers and people who loved to sit with coffee and read, chat or peruse magazines they might or might not buy. It has played a vital role in the distribution of books of both wide and narrow market interest, and has driven the cathedral-warehouse paradigm of big bookstore chains. Its failure, however, opens the field for more innovative, more reader-friendly experiments in book selling.
Some have argued that Barnes and Noble was changed by its competition with Borders. Barnes and Noble has long been a leader in the big bookstore sector. But Borders, in many places, went bigger. It stocked everything that might fit into the mainstream book, magazine and music market, and was aggressive in putting full-size cafes in its bookstores, where patrons could sit and read books, whether they bought them or not.
But Barnes and Noble made two crucial decisions whose value Borders seemed not to understand. First, it built its own site for online sales, and built the BN.com brand to sustain it. Second, it saw the power of the Kindle reader and made sure not to cede mass-market e-book distribution to its online rival. By making its Nook and Nook Color readers available in its stores, Barnes and Noble successfully merged electronic and print media in a way that appealed to bricks-and-mortar bookstore browsers.
Borders could have done the same, but instead of building its own website early on, it made a deal with Amazon, and avoided—or so it seems to outside observers—learning too much about how to sustain its overall business through online sales and marketing. When it made the switch, serious book readers had already figured out it was better to just use BN or Amazon. They forfeited their leadership position and radically increased the costs of getting to parity, when they finally decided to make a run for it.
Borders also lagged in the e-book revolution. Though in 2001, small publishers—like the publisher of this publication, Casavaria—were experimenting with independent e-books and early global distribution formats, Borders treated e-books as a question of stocking electronics that might be of interest to readers.
They did not—again, as it would seem to outside observers—understand that e-books were about the direct text-to-eyeball relationship publishers, and booksellers, could develop with readers. They did not understand—though in fairness, few major industry players did—what Amazon figured out early on: an optimal e-book platform required a screen that would feel more like print on paper than a screen.
Though Joseph Epstein, and many other publishing luminaries, had said the book was a technology that was almost impossible to improve upon, Amazon and e-Ink figured out that the convenience of digital technology with the feel of a book, would be the next step. Borders did not see this crucial moment coming.
Its Kobo e-book reader is not actually a Borders product. Kobo is its own enterprise, and Borders' plan was to piggyback on Kobo's innovation. Like its Amazon deal, Borders' Kobo deal clearly showed that Borders did not understand that the Kindle and the Nook are not books; they are bookstores and libraries, personalized for the convenience of the reader. Kobo is now having to defend its reputation and advertise its independence and its survival.
This may be good for Kobo, because it will no longer be linked with the big bookstore chain, and that may give it some cachet among bibliophiles. But it will have to compete for quality, and Borders may not have done Kobo a great service by channeling its development through a failing chain bookstore.
Kobo, to its credit, figured out that e-Ink was the right way to make electronic text enjoyable. While a very cogent, and legitimate, analysis suggests print publishers may now commit to lower print runs for many, if not most, of their titles, the collapse of Borders may be, for writers, readers and publishers, something more of an opportunity than a calamity.
A massive economy of scale is not always best for quality innovation. In Borders' case, it appears to have been an obstacle. The size of the giant enterprise blinded its directors to the most meaningful developments swirling around them. Small bookstores survive not because of the scalability of a global business plan. They survive when their bottom line, and their ability to fund their operations, reflect three things: discipline, sensitivity and good fortune.
This last comes from clients, location and other hard-to-manage variables that cannot easily be planned for. What is most important about small bookstores is that they cannot survive by just hawking gold-print embossed bestsellers and books that have been made into movies. They cannot even survive just by stocking the headier titles on the New York Times bestseller list or which have been reviewed in the major publications.
They have to know their readers, and treat their clients as readers, not as cash machines. It is this knowledge element that may now gain more traction. Knowledge… sensitivity to the lay of the land, and to reader interest… and innovation. What might some innovations be?
The true cafe/bookstore: A more balanced relationship between the bookstore and cafe sections of a retail space, with high quality coffee, with events and music, gatherings and opportunities to sit down with authors, and a bookstore that echoes this quality with content.
The information oasis: Bookstores can reposition themselves as trusted sources of information, a more robust 21st century newsstand, stocking quality publications, some new to newcomers, and unique titles with real depth and scope, understood by intelligent, engaged buyers and salespeople. Mainstream media may be an echo-chamber, but bookstores can be places where the individual is free to think for herself.
The genius bar: One of the reasons Apple's stores are popular with Mac lovers is that they provide information and knowledge that is useful; customers can learn from staff. Bookstores could make sure to be a source of guidance to the reading public, taking back that role from distributors and advertisers and being more pro-active about deciding what they stock.
The cyber-paper crossover: Barnes and Noble, BN.com and the Nook, have made for an impressive collaboration. Small bookstores can take Borders' market share, collectively, if they learn the lesson Borders missed: assist your readers in all media, and they will stand by you. Wifi is useful, but dedicated new-fangle web access, whatever that looks like, could help bricks-and-mortar independents sell print books.
These are just a few ideas, but there is no mistaking the fact that as we enter the age of hyper-convergence, oversized enterprises won't make it if they don't innovate, and independent bookstores can do what microbreweries and coffee houses have done: become creative micro-distributors invested in the knowledge and emotion that naturally flow from, and to, the products they love.
Originally published July 20, 2011, at TheHotSpring.net
Categories UncategorizedTags Amazon, Barnes and Noble, BN, books, bookstores, Borders, e-ink, ebooks, Hyper-convergence paradigm, Kindle, Kobo, Nook, publishing, Quipu Economic ForumLeave a comment
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Optimism is high over in the United States as they host the Copa America in its centenary year and Jurgen Klinsmann's side will be keen to show what they do. With the home advantage this places pressure on the Yanks, however the German manager may have added to that already, after targeting a semi-final place to the press last week.
Ahead of this tournament, the US has four unimpressive consecutive wins. Three wins in friendlies (two homes: Bolivia and Ecuador, away to Puerto Rico) and one in the World Cup qualifier against Guatemala. In this Copa opener, they face a different beast in Jose Pekermen's Colombia.
They have a poor record in history against the Colombians. In the head-to-head, Colombia has 11 wins, three draws and only three defeats against the United States and after winning all three of their last three matches, the Colombians enter this tournament on a real high.
While those victories including World Cup qualifiers against Ecuador (3-1 home) and Bolivia (3-2 away) – again they do not impress anyone. However, they have proven that they can turn over Bolivia at high altitude, so they will not feel intimidated by facing the hosts.
Colombia's quality in the young squad they have taken to Copa 100 is staggering. Real Madrid's James Rodriguez, Chelsea's Juan Cuadrado and AC Milan's Carlos Bacca are going to attack Tim Howard's goal. Guatemala, Bolivia and Ecuador… this is not.
I confidently feel that Colombia has too much talent for the U.S. and will control the ball and create many chances as they will fire themselves to victory in the tournament opener.


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I am loading master data full load from R3 to BW.The load is failing by giving the Error Message: "Too many error records - update terminated" and "Error 4 in the update"
In details tab it is showing red entries as "Record 4857 :Value 'ATF-34143-TR1G ' for characteristic 0VEND_MAT contains invalid character".
This is due to extra white space character added to the value of the field.
I can edit the record from PSA and reconstruct it.But as it is a full load, the error is repeating daily.
Any body help me in resolving this issue permanently.
If the problem with extra white space character add ALT 255 in RSKC character List and then load, you problem will be resolved.
what's your RSKC contain ?
try put ALL_CAPITAL in RSKC ?
Just check the characters that are defined as valid in transaction RSKC. Also 0VEND_MAT bc does not allow lower case letters. Also check this and let us know if the problem is solved.
I doubt that the error has arised due to space character.
What exactly have you done in PSA? Deleted spaces?
Can you provide the hex codes of erroneous record?
I have tried ALL_CAPITAL in RSKC and reran the load , but the same error repeated.
if it's only a textfield in 0VEND_MAT advise your R/3 guys to maintain this material in R/3.
Execute SE37, type in RSKC_ALLOWED_CHAR_GET.
You'll be brought to LRSKCTOP include.
As you can see, there is a space as a first character.
So, in order to help you try to answer questions I asked in my first post.
HOW TO ADD ALT+255 to RSKC or for that matter any ALT characters...????


text:
Free Wellness Test
Wellness Test
Affirmations for Self Love Affirmations for Success Christian Affirmations Gratitude Prompts
Quotes of the Day Inspirational Images
Relationship Ideas
30 Day Happiness Challenge 30 Day Habits of Successful People Challenge 30 Day Wellness Challenge 30 Day Yoga and Mindfulness Challenge
The Eight Dimensions of Wellness
Princess Diana – How Diana become The People's Princess
The story of Princess Diana
Author of the story: Nathan Brennan
Princess Diana was seen as the people's princess, we will go over the path that she took that led her to this reputation amongst the public.
More true stories
In the modern-day Princess Diana (Princess of Wales) is known as the royal who broke all sorts of boundaries previously unknown to royal family members. She was seen as a woman who was a revolutionary in many ways in regard to royal family protocol at the time, despite all the good she did in her life, Diana would go on to tragically pass away in a fatal car crash. In this piece we will go over what she did during her lifetime, her struggles and accomplishments, as well as her legacy that she has left behind after her tragic death.
Early on in her life, Diana's family struggled a lot with their legacy, feeling very stressed and panicked at the lack of a son to continue their family name. They were close with members of the royal family also. This stress would eventually go on to lead to her parent's divorce, meaning Diana had that to deal with at such an early stage in her life prior to her time as a royal.
Diana's biggest combat was most probably that of her fight with bulimia whilst an active member of the royal family. She struggled with bulimia mainly due to the hollowness of her marriage to Prince Charles, rather than solely 'insecurities' like the royals had assumed at the time. She struggled immensely with her marriage to Charles, with him supposedly having consistent affairs with his past lover, this being especially highlighted with their re-marriage upon Diana's passing. The emptiness of Diana's marriage was something that left her with great feelings of worthlessness and with remarks that Charles had made to her in reference to her 'chubby' figure a week after their engagement, it had only hammered home the low self-image that Diana had had of herself at the time.
On many occasions, Diana had attempted suicide throughout her life. Despite these attempts not being serious attempts, but rather calls for help from the outside, they were still concerning. One example of Diana's struggles with life was when she had thrown herself into a glass cabinet, highlighting her battle with mental health at a time where she was crying out for help from somebody.
Diana would often visit homeless shelters as well as terminally ill patients in hospitals, however she would resent the media attention that her life and these visits received and would often visit in the evening and later at night to avoid these kind acts being wrapped in media attention, showing the good intentions of her heart.
She also helped ease the stigmas surrounding HIV-positive people at the time, with many fearing even interacting with those who had contracted the dreadful disease. She broke these boundaries by embracing a person known to have the disease.
She also would go on to pursue and support a campaign set on banning the use of landmines in combat. This campaign aimed to ban landmines due to their common nature to cause post-combat deaths, with many of the injured from these remaining landmines being children. She set out on a campaign to an abandoned minefield in Angola, which now bears fruit due to the Ottawa treaty, which has since banned the use of landmines in combat, which she no-doubt played her role in doing.
She would die young tragically, but that did not stop her passing on her unique mindset to her sons William and Harry. Harry especially took the torch in continuing the legacy his mother had left behind in terms of breaking royal protocol and boundaries to do what is right. Harry's now-wife Meghan Markle has had comparisons drawn to Diana in many ways for the way she conducted herself as a royal despite their very public step-back from royal duties.
Key Lessons
1. Be kind
Princess Diana had found herself in a privileged position in life, and despite battling her own demons, was self-aware enough to realize this. Her acts of selflessness and kindness to those worse off than her in life in homeless shelters and hospitals for example, even when the media was not watching was something that we can all admire to treat people how we would want to be treated regardless of our current situation, their background or the background we ourselves are from.
2. Break barriers regardless of what others will think
Being a royal, Diana had many protocols that she was expected to adhere to during her time as part of the royal family, however she ignored many of them. She would break the barriers as previously mentioned when it came to the stigma surrounding HIV-positive infected people by embracing them, as well as breaking barriers in terms of supporting the end of political campaign such as pursuing the banning of landmines in warfare. She was a woman who was not conservative enough to hide her thoughts and was always truthful when speaking her mind regarding any topic, despite the grip that being a royal family member can often have around ones next. She was a revolutionary figure whose life was tragically cut short so early on in her lifetime.
Princess Diana will go down in history as the royal family member who broke the boundaries between the family and the public, as well as breaking barriers in terms of moving outside of what was expected from a royal. She was the relatable princess, the people's princess, and a woman whose legacy continues to inspire many all over the world and a woman whose work continues to live on through her sons in the modern-day despite her tragic early death in a fatal car crash.
Do not miss the chance to check out other inspirational and true stories available at SuninMe.org
Created with Love © 2021


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text:
Yasin Hamed (Nagyszalonta, 1999. szeptember 12. –) szudáni válogatott labdarúgó, a Nyíregyháza Spartacus középpályása.

Pályafutása

Klubcsapatokban
Hamed a román ASA Tîrgu Mureș akadémiáján nevelkedett, a felnőtt csapatban 2016-ban mutatkozott be. 2017-ben a román élvonalbeli Pandurii Târgu Jiu labdarúgója volt. 2018-ban igazolta le őt a román élvonalbeli Sepsi OSK Sepsiszentgyörgy csapata.

Válogatott
2019. november 13-án mutatkozott be a szudáni válogatottban.

Mérkőzései a szudáni válogatottban

Jegyzetek

Szudáni labdarúgók
Labdarúgó-középpályások
A Pandurii Târgu Jiu labdarúgói
A CFR Cluj labdarúgói
A Nyíregyháza Spartacus labdarúgói
A Csíkszereda labdarúgói
1999-ben született személyek
Élő személyek


text:
How To Transpose Instruments
Transposing Instruments 1. In other words, if we call this an E-flat transposition, think E-flat Major: thatÕs three flats. Transposing chords on ukulele (or any other instrument) basically means shifting all the chords in a song up (or down) the same number of steps. It has exceeded my expectations and we are just at the beginning of the software developement…. Horn in F, Sax in Eb, Clarinet in Bb). (or an organ or keyboard) If the C you played on your instrument sounds in the same pitch as the C on the piano, you don't have a transposing instrument. Remember that the further you go, the weirder it sounds. Topical Modules. First selecting the right instrument (Trumpet in C) and making this a transposing instrument as (A) Up M3, Add 3 flats. A true transposing instrument (as opposed to an octave transposing instrument—more on the distinction in a minute) is a wind instrument (aerophone) for which the musical notes on the page differ from the notes the instrument makes. Transposing allows, for instance, an alto sax (an Eb instrument) and tenor sax (a Bb instrument) player to see the same notes on the page and use the same fingerings. In spite of its light weight and ultra-small size, the AW-2+ boasts a broad tuning range (A0 – C8) and a full complement of solid tuning features. This is because they are what is commonly called a "transposing instrument". TablEdit is a program for creating, editing, printing and listening to tablature and sheet music (standard notation) for guitar and other fretted, stringed instruments, including mandolin, ukulele, bass and banjo (even taking into consideration the special aspect of the fifth string). Transposition Chart. Fork and make pull requests! - musescore/MuseScore. Follow these steps. Band instruments like: Clarinet, French horn, saxophone, trumpet, and cornet are the most common transposing instruments. Instruments for which the music is not notated at the actual pitch of the sound, but is transposed upwards or downwards by some specific musical interval. Move the key up one whole step (or whole tone). How to Transpose Music If the sheet music you want to play is in a major or minor key that doesn't suite your vocal range, or contains difficult chord shapes etc, you can transpose it to another major or. It normalizes transposition. Modern instruments strive to make all notes equal in quality and do that pretty well, but some keys still remain more natural to the instrument than others. Ok, transpose is on the wishlist for VIPro! And in VEPro too: would be cool if midi transpose per channel or instrument would be implemented. Like if someone plays an F# on a piano, I can say "that's an F#, because it sounds like an F# dammit!" I guess I'm just way too attuned to A=440. This is because they are what is commonly called a "transposing instrument". Now as far as HOW to transpose, here goes. This means that notes played on a saxophone will sound different from a note of the same name played on another instrument such as the piano or guitar. If you prefer for the effects of the transpose to both be seen and heard, then do not place a check in this box. Some instruments (notably the saxophone family, French horn, English horn, and some trumpets and clarinets) are 'transposing' instruments, which means that when they play their "C", the instrument will sound a different note (a Bb, an F, etc). If your instrument is not found you can manage the list by adding your own custom instrument. If you don't see your instrument, you might be able to select a different instrument that has the same transposition. Why do transposing instruments exist? Why would musicians invent something so confusing?. Transposing instruments synonyms, Transposing instruments pronunciation, Transposing instruments translation, English dictionary definition of Transposing instruments. High-Grade Keyboards. They include: piccolo, double bass, guitar, bass flute, contrabassoon, C-melody sax, heckelphone, tenor voice, and descant and bass recorders (but. If you have the sheet music here is an online transpose tool Copy and transpose keys easily. MuseScore has a number of features to facilitate the scoring of these instruments. a musical instrument that is written in a different pitch to how it sounds, often for ease of playing multiple instruments of the same family that have different ranges. So a song played on the transposing instrument will sound familiar, but played in a different key. Since a closed air column does not produce even harmonics, the holes in the column must cover a wider range that those of the flute , carrying the instrument up to the third harmonic of the full column. At Alesis, while our products range from keyboards, synthesizers, hard disk recorders, iPod recording and playback devices, electronic drums, mixers, signal processors, effects units, amplifiers and speakers one thing remains consistent; our passion for inspiring musical creativity and innovation through new technology. If a pianist is accompanying a singer and the song is a little too high for the singer's voice , it is very useful if he is able to transpose it down so that the music sounds in a lower key. By Marty Jourard. For players of these transposing instruments, such as the clarinet, transposition theory is one of the first things they need to learn at clarinet school. Some music sheets specificaly say the piece is written in 'CONCERT' C for example, so that people with transposing instruments know they have to transpose it and play it. Therefore we can say that a non-transposing instrument such as the violin or piano plays "in. Has all of the instruments on, examples of pitch relative to concert pitch. When transposing to the instruments natural key, a check in this box will ensure that MIDI playback will still sound correctly through your sound card. To write for a Bb instrument, which sounds a whole step LOWER, you need to transpose a whole step HIGHER. This formula to transpose music is so simple and straightforward that many electronic instruments, and interfaces such as amplifiers, come equipped with the ability. The first thing to understand is that not all instruments play in the same key. Transpose children's songs. Several examples of common transposing instruments include the clarinet in B♭, trumpet in B♭, alto saxophone in E♭, and F horn. To play in a key that is easier for another musician. Learn with flashcards, games, and more — for free. If you wanted to move a song in A up to B, you'd go up two half steps - or 200 cents. Know the key to transposition. The piano is a non-transposing instrument, which means the pitch in the notation is exactly the same as the pitch you hear (the concert pitch). The reason behind this is that the saxophone is a transposing instrument, while the flute is not. When we write down a C, and we expect a C to be heard when the note is played, the note C is described as being in concert pitch. Plus I am currently trying to transpose music to flute and clarinet parts. The clarinet is a transposing instrument, which means the pitch in the notation is different than the concert pitch. Transpose definition, to change the relative position, order, or sequence of; cause to change places; interchange: to transpose the third and fourth letters of a word. written up a Major 9th). You will probably be safer to transpose one instrument at a time, so you transpose at the exact spot you want to go from one key to another. Some instruments are "transposing instruments" which means that the note written on the score is, in fact, not the pitch that is sounding. How to Transpose Music. From the makers of Planning Center Organize your whole worship service online including music, charts & volunteers. Any staff can be defined to have any instrument transposition; for example, a trumpet staff can be notated up a whole step, yet Finale still plays the music at concert pitch. Note that transposing to an instrument key does not affect the pitch of displayed chord names. In order to give complete descriptions of families of transposing instruments this page also includes a section listing their non-transposing members. This is because they are what is commonly called a "transposing instrument". Perhaps because you are playing a tuba, clarinet or saxophone (transposing instruments) where the other band members are using non-transposing instruments (guitar, cello, flute, piano etc. Transposing instruments are most commonly found in C, E-flat, F, G, A, and B-flat. How to Transpose for a B-flat Instrument. For example, when the written note C is played on a trumpet, it is the same note as an Bb on a piano. It prevents a player from reading extra ledger lines in order to play their parts. Some instruments (notably the saxophone family, French horn, English horn, and some trumpets and clarinets) are 'transposing' instruments, which means that when they play their "C", the instrument will sound a different note (a Bb, an F, etc). These are known as transposing instruments. Learn vocabulary, terms, and more with flashcards, games, and other study tools. These chords that are found here aren't the very easy way to perform on string instruments. This main category is then further divided into four subtypes—lutes, zithers, lyres, and harps—according to the manner in which the strings are positioned in relation to the…. But, that particularity is of no consequence to a player using this transposing method. Trade-in your gear such as band instruments, drums, amps, bass guitars, and keyboards. The music for transposing instruments is not written or read at concert pitch. Now includes Score Builder and Lead Sheet Creator. To transpose a score, make sure the score is loaded on the right-hand side of the viewer. <-- why that would be the behavior is beyond me. From the makers of Planning Center Organize your whole worship service online including music, charts & volunteers. The clarinet is a transposing instrument, which means the pitch in the notation is different than the concert pitch. A global semiconductor company, TI innovates. MDF Instruments is a US-based branded manufacturer of handcrafted stethoscopes, neural reflex hammers, sphygmomanometers, blood pressure monitors cuffs, digital thermometers, digital blood pressure monitors and medical diagnostic penlights. Saxophones, trumpets and clarinets are transposing instruments. Learn vocabulary, terms, and more with flashcards, games, and other study tools. It sounds harder than it really is. Why does Sibelius transpose the Sax to B-Major when clicking "Transposing score"? Shouldn't it be C-Major?! A Bari Sax is "tuned to" Eb which also the Sibelius instrument's dialogue is set to, but why does it transpose to B-Major then, instead of C-Major or do i make a mistake in my transposing there?. Inside each circle is a letter that represents the key of an instrument. [Syllabus] Revised John Ellinger, January - September 2013. You might truly transpose an ordinary song if you want to acquire some specific tone that's from very chords set. Their notes do not match the pitches of the same notes on Concert key instruments like the piano, guitar, flute or violin. for 1993 Star and their brass caption head, Jim Prime. This page was last edited on 20 August 2019, at 22:38. A written middle C on a transposing instrument produces a pitch other than middle C, and that pitch identifies the interval of transposition. The piano is a non-transposing instrument, which means the pitch in the notation is exactly the same as the pitch you hear (the concert pitch). Search • Write to us. Just line the two keys up next to each other for an instant visual reference. Re: How to transpose multiple virtual instruments at once? Post by Juno » Mon Oct 12, 2015 2:25 pm fredfish wrote: I am pretty sure Bob knows that - what he wants to do (if I read it correctly) is to transpose more than one track at a time in live play. We refer to those instruments that don't transpose as being in " Concert " key or the key of C. If the previous or the chosen instrument is a transposing. This how to video explains transposing music from one key to another. Standard Keyboards. However, this just drops a non-transposing violin part into the piece. This is when you discover that your saxophone is in a different key. Transposing this melody for non-transposing instrument. So a song played on the transposing instrument will sound familiar, but played in a different key. From the makers of Planning Center Organize your whole worship service online including music, charts & volunteers. Then just take another 2x3 block to a key you like to transpose into and find in it the replacing chords. With Pizzicato, you will also be able to: Easily transpose one or more mesures: you specify the scale or transposition interval and Pizzicato transposes, including accidentals. TablEdit is a program for creating, editing, printing and listening to tablature and sheet music (standard notation) for guitar and other fretted, stringed instruments, including mandolin, ukulele, bass and banjo (even taking into consideration the special aspect of the fifth string). Transposing music involves the moving of a musical pitch up or down, but remaining in the same interval. This handy pocket-sized guide has a dual function-it shows how to transpose chords in any key and has a guide to capo placements in any key. Tenor saxophones are tuned to B♭, and alto saxophones are tuned to E♭, but when playing the same note on a score, the fingerings are the same. How to Transpose for a B-flat Instrument. If you wanted to move a song in A up to B, you'd go up two half steps - or 200 cents. The transpose section seems to only recognize the currently selected range. Transposition affects both audio and software instrument Apple Loops (except drum loops, and other Apple Loops with no defined key) as well as MIDI regions. Players of transposing instruments look at notes in two ways - the name they give to a note is not the same as the way it sounds. Many scores use transposing instruments. This page lists the common transposing instruments in the orchestra, and their transpositions. Transposing instruments cheat sheet - Michael Norris, Composer Home. Going down a 4th is easy. Transposing instruments. com is done by a professional music typesetter with an eye for layout, ease of readibility, and a clean design. The transpose of one matrix is another matrix that is obtained by using rows from the first matrix as columns in the second matrix. Transposing instruments synonyms, Transposing instruments pronunciation, Transposing instruments translation, English dictionary definition of Transposing instruments. How to Transpose Music Step 1: Choose Your Transposition. What is a Transposing Instrument? A transposing instrument is an instrument whose parts are not written in concert pitch. Our key of C Major transposes to a key of D Major. Playing a written C on a transposing instrument produces a pitch other than C, and that pitch identifies the interval of transposition when describing the instrument. Check out the video on the topic and feel free to leave your comments: Was this article. A transposing instrument is a musical instrument whose music is recorded in staff notation at a pitch different from the pitch that actually sounds (concert pitch). For more details on using "\transpose", see the GNU LilyPond Notation Reference – Transpose. Check out our dedicated transposition help to get a the latest resources. Transposing the song to the key of E is as easy as changing each note by the same pitch interval, two steps up. Perten Instruments uses cookies to ensure that we give you the best experience possible on our website. Transposing a staff. And if the score contains several instruments, you can of course extract parts, i. TablEdit is a program for creating, editing, printing and listening to tablature and sheet music (standard notation) for guitar and other fretted, stringed instruments, including mandolin, ukulele, bass and banjo (even taking into consideration the special aspect of the fifth string). Transposing music involves the moving of a musical pitch up or down, but remaining in the same interval. Choose options based on the source material: single voice or instrument versus a group of instruments (ensemble or polyphonic), and how long you want to wait for processing to finish: better quality can take a long time if you're processing several tracks. For players of these transposing instruments, such as the clarinet, transposition theory is one of the first things they need to learn at clarinet school. I hope this helps you when transposing songs. It easy to explain transposing wood wind instruments but ambiguities occur when brass instruments are concerned. Suppose you want to play a duet with your friend, who plays the alto saxophone. My sax is in tune, thanks! My ear is really atrocious, though, so I'm never sure if something is in the right key just from playing it, though I can tell if the distance between notes is off (and apparently my ear was right that that second section was EEG not EEG#!). Here's a step by step, it's soooo easy I promise! Go to the Children's Songbook page on lds. Example: mp3. When we write down a C, and we expect a C to be heard when the note is played, the note C is described as being in concert pitch. Then, read across to the column that represents the key you want to change to, where the corresponding notes are listed. Writing for these transposing instruments, or discussing parts with the musicians who play them, requires special care. Transposing instruments cheat sheet - Michael Norris, Composer Home. Whatever your style of music, it delivers the control you need to unlock your creativity. Instrument Name – Sometimes the instrument name at the start of the stave will give the key it is in (e. While you're working on the document, you can be looking at the instrumental staves either in their transposed or concert-pitch forms. Which FORTE edition is the right one? FORTE Support October 04, 2019 10:03 you can easily transpose your score. Alternate Key Signatures for Transposing Instruments One thing we take for granted with music notation programs is that, for transposing instruments in a transposing score, the software automatically displays the correct key signature and transposes by the appropriate interval. While you're working on the document, you can be looking at the instrumental staves either in their transposed or concert-pitch forms. Transposing Charts sheet music - All Instruments sheet music by Ron Greene: Hal Leonard. a transposing instrument is a musical instrument for which written notes are read at a pitch different from concert pitch, that a non-transposing instrument, such as a piano, would play. Click here for the Canadian version. Writing for these transposing instruments, or discussing parts with the musicians who play them, requires special care. While you're working on the document, you can be looking at the instrumental staves either in their transposed or concert-pitch forms. But all the notes differ from the real notes by the same musical interval. Is this the correct method please?The chords have remained in concert pitch but the key signature has also remained the same. Convert WAVE to MIDI using intelliScore for music notation, finding chord names, music transcription, live performance and making a multi-track MIDI score from multi-instrument audio files. Buy Transposing Charts : Transpose Music for All Instruments Including Band Instruments at Walmart. Gestillte Sehnsucht. This is music that I have transposed: Last line of Twinkle Twinkle Little Star from C to E. Meant for the piano but it can be played on any C instrument. The Cubase Transpose track can be applied to an entire project, or different sections of a project, or on individual parts of a project. You'll need to move down 1. Songs are truly flexible creations. Translation for 'transposing instrument' in the free English-Portuguese dictionary and many other Portuguese translations. If the duet is scored for two flutes, trying to play it as it is would simply not work. transposing instrument - WordReference English dictionary, questions, discussion and forums. I have heard of the "trick" used to play bass clef music on a treble clef instrument just by reading the bass clef as if it were treble clef and adding three sharps to the bass clef instrument's original key (e. And I don't want to worry about changing transpose settings for each song, even if I can automate it, because that is just extra processing I don't need to consume. NSSE participating institutions may append up to two Topical Modules - short sets of questions on designated topics such as academic advising, civic engagement, experiences with diversity, technology, and writing. This process is called transposing. Know the key to transposition. I play the trumpet and have configured iReal b using Hub -> Settings -> Transposing Instrument -> Bb. Get James M. You can learn a lot by looking at scores to see the sounds that the saxophone makes and how these fit together with the other instruments while thinking about the roles the saxophone plays. Welcome to Song Galaxy, home of professional backing tracks and software tools for gigging musicians. As a pianist, knowing how to change the pitch of a song is important. Is this the correct method please?The chords have remained in concert pitch but the key signature has also remained the same. Theory for the modern musician. And really, that's what makes this formula work is that it helps us tap into technique we already posses on our instruments. So, we use the piano's notes as "concert pitch". How To: Transpose Your Sheet Music Using the OnlineSheetMusic Viewer The OnlineSheetMusic Viewer is a powerful tool that you can use to transpose your sheet music by key, instrument, clef, or interval. For wind instruments, you can change the global transposition in the Preferences. Now as far as HOW to transpose, here goes. Transposing Chart For Bb & Eb Saxophones Eb Instruments Alto & Baritone Sax C Instruments Piano, Guitar, Flute, Bb Instruments Soprano & Tenor Sax C Eb or D# F C# or Db E F# or Gb D F G D# or Eb F# or Gb G# or Ab E G A F G# or Ab Bb or A# F# or Gb A B G Bb or A# C G# or Ab B C# or Db A C D Bb or A# C# or Db D# or Eb B D E. Even if you do happen to play a C instrument, the ability to transpose is a skill that will serve you well. Now rewrite the music, changing all the notes by the correct. It does so by changing the MIDI key numbers of note events and by pitch-shifting audio clips. If the duet is scored for two flutes, trying to play it as it is would simply not work. The saxophone is a transposing instrument. That is, for historical reasons. Change the pitch of an audio region in Logic Pro X You can transpose the pitch of an audio region in semi-tones, and fine tune in cents. I'm trying to learn how to transpose any instrument but I'm not finding the right resources to learn from. Transposing Using Personal Composer This post is going to be boring, informational, boring, instructive, boring, hopefully helpful… and did I mention boring? Unless, of course, you want more detailed information on transposing scores using the personal composer demo. How to Transpose Music Step 1: Choose Your Transposition. -Decide which instrument you would like to transpose the instrument to. The piano is a non-transposing instrument, which means the pitch in the notation is exactly the same as the pitch you hear (the concert pitch). The note C played for example on a trumpet, a clarinet, a tenor sax or a soprano sax sounds like a Bb on the piano. Musical notation written for transposing instruments shows the relative pitches, rather than the exact pitches. (They just learn different fingerings for the B-flat side. com transposes your tab files to different keys and shows the resulting chords in guitar, ukulele, mandolin, banjo, keyboard or notes format. This is a common feature of many, but not all, woodwind and brass instruments. Transposing for instruments in different keys. But all the notes differ from the real notes by the same musical interval. There are various ways we can create harmonies in Live - instrument racks, multiple copies of audio clips across a scene or in a track group, the Chord MIDI effect device or the Apple AU Pitch device (put. The clarinet is a transposing instrument, which means the pitch in the notation is different than the concert pitch. To transpose a score, make sure the score is loaded on the right-hand side of the viewer. So, we use the piano's notes as "concert pitch". What is a Transposing Instrument? A transposing instrument is an instrument whose parts are not written in concert pitch. Just slide the slider to the left or right to adjust the key. The violin is a non-transposing instrument, which means when asked to play, for example, a "C", the violin plays its "C" and the pitch is the same as a "C" on the piano. However, other instruments are not created in this manner. If your music contains only one type of instrument, such as a piano solo, and does not contain percussion, consider the bargain priced intelliScore Polyphonic to convert audio to notation. She advised organists to transpose their accompaniments to a more accommodating key. The clarinet in Bb as well as some other instruments are called transposing instruments because played notes sound higher or lower than the written notes. Your screenshot shows the dialog for the transposition for individual instruments (e. The clarinet is a transposing instrument--its part in the score is written at a different pitch from the one actually sounded. • Thousands of musical instruments (Multi-sample and Recorded from real instruments) • 3 Low-latency methods (in settings) • DNC Instruments with After-touch • Thousands of rhythms (Include Intros, Variations, Fills, Break, Endings, and Pads) with Real Chord (Press 3 or more keys). I have browsed a number of posts dated over the last year, but all of the messages dealing with transposing have to do with orchestra instruments. These sound down a Major 2nd + 1 Octave from where written (down a Major 9th from where written). This transposition grid was sent straight from heaven. Instruments in D-flat, D, E, A-flat, and B do or once did exist but are uncommon or obsolete. To transpose your part, go to the instruments settings by clicking the instrument button on the left on the toolbar, then click on "Manage instruments". But you want to transpose to G major, which has one sharp. Knowing music theory never hurt anyone—not Bach, not Chopin, not Schoenberg. Transposing chords on ukulele (or any other instrument) basically means shifting all the chords in a song up (or down) the same number of steps. Transpose instruments by looking up the difference between a concert pitch note and the one produced by the instrument in question. , guitar or piano), and if you wish to specify pitch material in more than one part at a time, then you'll need to deal with the fact that the trumpet is a transposing instrument. If you want to fix this, then you have to change or transpose this key or entire chord chart if you want to make it much easier for singing. I have browsed a number of posts dated over the last year, but all of the messages dealing with transposing have to do with orchestra instruments. Instruments which sound exactly an octave different from their written music, are included in the category 'transposing instruments'. 2) The keys that need to be pressed are two octaves below the highest white key (C7) and two octaves above middle (C3). Like trombones, bassoons are non-transposing. The Basic Safety Standards Directive introduced a new dosimetric concept in order to protect the health of workers and general public soundly and comprehensively. Instruments for which it is necessary to transpose the music are called transposing instruments. You will probably be safer to transpose one instrument at a time, so you transpose at the exact spot you want to go from one key to another. Transposing music involves changing the key in which a musical piece is performed. Learn to transpose from concert pitch to various transposing instruments, such as the French horn, the alto saxophone, and Bb trumpet with this interactive and never-ending music theory quiz and lesson. The parts of numerous musical instruments are written at an interval above or below the actual notes played by the performer. Re: Transposing Horn in F to Alto Saxophone Reply #31 - 2006-12-06 11:03 pm Probably nobody cares, but when I transpose a bass part to treble, I copy the staff into a system with treble clef, move it up two whole notes and then apply transposition; for Eb instruments -3, for Bb instruments +2. Perhaps because you are playing a tuba, clarinet or saxophone (transposing instruments) where the other band members are using non-transposing instruments (guitar, cello, flute, piano etc. Songs are truly flexible creations. When the viola is in alto clef the clarinetist reads the music in bass clef, adds two sharps to the key signature and reads the music down an octave. Choose options based on the source material: single voice or instrument versus a group of instruments (ensemble or polyphonic), and how long you want to wait for processing to finish: better quality can take a long time if you're processing several tracks. So, for a solo composer, they can write a melody, and then easily transpose it for whoever is available with the click of a button!. This means that notes played on a saxophone will sound different from a note of the same name played on another instrument such as the piano or guitar. Brass: most trumpets and cornets, baritones that play treble clef, French horns, and a few others in the marching band family that aren't as common like mellophone. Transposing is a useful skill for people who play an instrument, especially the piano, organ, or some other keyboard instrument. ' 'I give students many different opportunities to read single-line transposing instruments before presenting them with full band or orchestral scores. We can now simply select all the midi notes with our command + A shortcut (MAC) or Ctrl + A (PC) and use the up/down arrow keys to transpose up or down, or by adding shift, we can move up or down in octaves. Other musicians play instruments that require transposition in order to play in tune with regular instruments. So a song played on the transposing instrument will sound familiar, but played in a different key. Transpose loops into new melodies and progressions in real time; Resizable user interface; In-app update; 15 voice loop synthesizer; Transform loops on the fly with Output's proprietary modifiers; 11 effects, 4 sliders and deep modulation capabilities; 15 channel mixer with 4 insert master bus and 2 bus sends; Audio previewing in original and session tempo/key. Introduction to reading and writing music for transposing instruments. Some Non-transposing, Non-C Instruments Alto recorder - undamenFtal note is an F. ¡Gracias!. With this function notes are transposed in the score without affecting the way they are played back. , when you read and finger a G, the ocarina sounds a G. If you are using a program like ABCexplorer or midi2abc then you will transpose this way: Theorbo: up two octaves Lute/Harp/Horn/Drum: up one octave Clarinet/Bagpipe: leave as is Flute: down one octave However, if you are using the program LOTRO midi player then you will need to transpose this way:. Most woodwinds and brass are transposing instruments. If a pianist is accompanying a singer and the song is a little too high for the singer's voice , it is very useful if he is able to transpose it down so that the music sounds in a lower key. 400 Tones, 77, Rhythms plus Key Lighting system; USB connects to Chordana Play app for lessons and more; Go-anywhere portability with 61 full-size keys. A transposing instrument is a musical instrument that does not play the notes you might think it will play. The clarinet is a transposing instrument, which means the pitch in the notation is different than the concert pitch. Some Non-transposing, Non-C Instruments Alto recorder - undamenFtal note is an F. How-To Transpose A Soprano Saxophone To Alto , Transposing Instruments , How to Transpose Notes for the Alto Saxophone , How to Play Alto Saxophone : How to Transpose Notes on an Alto Sax , "A Whole New World"- Sax SHEET MUSIC and Cover Sax Duet Alto/Soprano , SaxTutor - Software based Saxophone Scales and Finger Chart , Counting Stars- Alto. In spite of its light weight and ultra-small size, the AW-2+ boasts a broad tuning range (A0 – C8) and a full complement of solid tuning features. Ok, transpose is on the wishlist for VIPro! And in VEPro too: would be cool if midi transpose per channel or instrument would be implemented. Transposing instruments are generally wind instruments. In order to give complete descriptions of families of transposing instruments this page also includes a section listing their non-transposing members. So a song played on the transposing instrument will sound familiar, but played in a different key. Instrument transposition is laid out to transpose any given line of the music for a particular instrument. Writing for these transposing instruments, or discussing parts with the musicians who play them, requires special care. I reset all my properties so there was no transpose turned on; not per track, per region, or as a default track property (the latter as I'd been doing before). Transposing Instruments How the names work, and why. Transposing. Tenor saxophones are tuned to B♭, and alto saxophones are tuned to E♭, but when playing the same note on a score, the fingerings are the same. Now when we select the horizontal list then it will show TRANSPOSE(E1:V1). Composers and orchestrators make use of the tonal differences between D and Bb trumpets, Eb and F horns, etc. , guitar or piano), and if you wish to specify pitch material in more than one part at a time, then you'll need to deal with the fact that the trumpet is a transposing instrument. 3) Transposing Instruments With Octave Displacement. 5 steps to transpose your piece for an E-flat instrument, thus your new key is F Major. Transpose Matrix. Any staff can be defined to have any instrument transposition; for example, a trumpet staff can be notated up a whole step. LMMS is a free, open source, multiplatform digital audio workstation. Transposing instruments. If you need help counting out the steps,. What is the best way to learn how to transpose. We are also asking trombone players to play trombone as a transposing instrument, something that is anathema to some people. ) Using the Chart. They include: piccolo, double bass, guitar, bass flute, contrabassoon, C-melody sax, heckelphone, tenor voice, and descant and bass recorders (but. Understanding how transposing works is a first step to being able to transpose at sight, a vital skill for many musicians, especially those who play certain orchestral instruments. Transposing for Alto Sax To Transpose from Concert Pitch to Alto Sax, you have to play a Minor Third (or 3 half steps) lower on the Alto. So, yes it is possible to make a non-transposing saxophone, one that would be in concert pitch like most other instruments. In order for a clarinet tuned to B flat to accompany a piano tuned to C natural, one of their scores must be transposed. A trumpet player reads/fingers/plays a C, but the note he plays is a concert pitch B flat, because that note corresponds to a B flat on the piano (or any other non-transposing instrument). Concert Pitch means that the note seen by the performer on the staff and heard by the listener are the same note. Clarinets in B flat that read a C will sound a B flat below C. We can now simply select all the midi notes with our command + A shortcut (MAC) or Ctrl + A (PC) and use the up/down arrow keys to transpose up or down, or by adding shift, we can move up or down in octaves. Every transposition at QuickTranspositions. So a song played on the transposing instrument will sound familiar, but played in a different key. There are is now software that can do this task very quickly. Transposition affects both audio and software instrument Apple Loops (except drum loops, and other Apple Loops with no defined key) as well as MIDI regions. We'll also talk about how to do it, so you can apply it right away. This lesson will show you how to transpose audio files so your musicians can rehearse them in the right key. How to Transpose Music from C to F. Score - Transposing Instruments Tue Dec 04, 2012 7:07 am I have been working on a transcription exercise of an orchestral score and I have hit a frustrating situation with writing a B flat clarinet in the key of D. Other musicians play instruments that require transposition in order to play in tune with regular instruments. I have a MIDI keyboard controller and would like to print the music from the staff view so that when he plays the notes they sound the same as the keyboard or guitar etc. A score contains ALL of the music for ALL of the instruments. Transposing Instruments. ' 'I give students many different opportunities to read single-line transposing instruments before presenting them with full band or orchestral scores. However, the piano chords don't transpose!. (Wikipedia) Thus, when a Bb clarinet plays a WRITTEN C, they produce a SOUNDING Bb. Say you had a melody in the key of C that went like this: C – D – E. ' 'The lower oboes are treated as transposing instruments, their parts written to be fingered like treble oboe parts. This is when you discover that your saxophone is in a different key. There is also a Spotify search box at the top right, seems to instantly let you search songs on Spotify. Then play the E ♭ alto saxophone part while the instructor plays the accompaniment. We do this so that the people can sing the higher or lower notes in the normal voice range. Transposing this melody for non-transposing instrument. Naturally it recorded at A440. (They just learn different fingerings for the B-flat side.


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Resolving Conflicts between Human Rights
The Judge's Dilemma, 1st Edition
By Stijn Smet
236 pages | 1 B/W Illus.
Under the influence of the global spread of human rights, legal disputes are increasingly framed in human rights terms. Parties to a legal dispute can often invoke human rights norms in support of their competing claims. Yet, when confronted with cases in which human rights conflict, judges face a dilemma. They have to make difficult choices between superior norms that deserve equal respect. In this high-level book, the author sets out how judges the world over could resolve conflicts between human rights. He presents an innovative legal theoretical account of such conflicts, questioning the relevance of the influential proportionality test to their resolution. Instead, the author develops a novel resolution framework, specifically designed to tackle human rights conflicts. The book combines concerted normative theory with profound practical analysis, firmly rooting its theoretical arguments in human rights practice. Although the analysis draws primarily on the case law of the European Court of Human Rights, the book's core arguments are applicable to judicial practice in general. As such, the book should be of great interest to academics, postgraduate students and legal practitioners in Europe and beyond. The book is particularly suited for use in advanced courses on legal theory, human rights law and jurisprudence.
Introduction Part 1: Identifying Conflicts between Human Rights 1. Conflicts between Human Rights: It Does Really Make a Difference 2. Defining Conflicts between Human Rights 3. Defusing and Minimizing Conflicts between Human Rights Part II Difficulties in Balancing Human Rights 4. Theoretical Challenges to Balancing Human Rights 5. Practical Obstacles to Balancing Human Rights Part III Making Balancing Work for Conflicts between Human Rights 6. A Structured Balancing Test for Human Rights Conflicts 7. Alternative (Non-)Balancing Approaches 8.Human Rights Dilemmas and the Limits of the Structured Balancing Test
Stijn Smet
Learn more about Stijn Smet >>
Stijn Smet is Postdoctoral Fellow at the Law School of Ghent University. His research interests are human rights, legal theory and political theory. He has published on human rights conflicts in Human Rights Law Review, American University International Law Review and Religion & Human Rights.
Routledge Research in Human Rights Law
This series contains thought-provoking and original scholarship on human rights law. The books address civil and political rights as well as social, cultural and economic rights, and explore international, regional and domestic legal orders. The legal status, content, obligations and application of specific rights will be analysed as well as treaties, mechanisms and institutions designed to promote and protect rights.
Human Rights Law & Civil Liberties
Jurisprudence & General Issues
LAW000000
LAW / General
LAW / Civil Rights
LAW / Judicial Power