text:
Baptiste Amann
The territory is a fundamental theme for me – I even made it the title of a trilogy. The ˝line˝ motif is recurrent in my work in that it can form a link to or, on the contrary, follow on from a territory, being intimate, geographical, political, social. Also, the Fabulamundi project and its title ˝Beyond Borders˝ offers me a fabulous basis for the experiment to extend my lines of enquiry while at the same time contrasting them with other countries, other populations, other languages. Within this context, I would like to explore more deeply the relationship centre/marginal (suburbs/city centre, conurbation/rurality, institutional networks/alternative networks…).
It is also an opportunity, at a time when there is hesitation between openness and restriction, to ponder what this European 'territory' is about; its identity or lack thereof, its history or want of it, its ebb and flow.
Selected texts 2017-2020
Baptiste Amann was born in Avignon in 1986. From 2004 to 2007 he attended actor's training course at ERAC (Cannes Regional Acting School).
He has been Associate Author with The Comédie de Reims since 2015.
In 2010, with Solal Bouloudnine, Victor Lenoble and Olivier Veillon, he co-founded "The Tool", a production platform which collates the personal works of each.
He is an active member of the IRMAR artistic collective (Institut of Research Leading to Nothing).
In 2013, he wrote Des Territoires (Nous sifflerons la Marseillaise…) first part of the Des Territoires trilogy which won a grant from Centre National du Théâtre.
In November 2014, a first reading was presented at Focus in Théâtre Ouvert, FTO#1 and, in December, this play was recorded in public and broadcast on France Culture.
In 2015, he wrote Les Fondamentaux, at the request of the theatre director Rémy Barché, for the end-of studies performance of the Ecole de la Comédie of Reims' students. The performance was staged again in November during the Focus at Théâtre Ouvert (FTO#2) and then at The Comédie of Reims.
Commissioned by Le Théâtre de la Colline, he wrote "DETER", a short version aimed at high schools in November in Paris and directed by Rémy Barché.
In November, Des Territoires (Nous sifflerons la Marseillaise…) was published in Tapuscrit.In January of 2016, he staged Les Territoires (Nous sifflerons la Marseillaise…) at The Globe Theatre in Bordeaux, Théâtre Ouvert and at La Comédie of Reims. The performance toured at the Merlan, the National Theatre of Marseille, and the National Theatre of Bordeaux in Aquitaine, and at the Centquatre in Paris.
In May, his work La Truite was staged by Rémy Barché, at Théâtre Ouvert during the Focus (FTO≠3). The production was created at the Comédie of Reims in March 2017 and will be performed again at Théâtre Ouvert in march of 2018.
In 2017, for his play Des Territoires (Nous sifflerons la Marseillaise…) he received the Bernard-Marie Koltès prize initiated by the National Theatre of Strasbourg awarded by high school students, and the Production's grant from The Centre National du Théâtre (ARTCENA) for the second part of his trilogy, Les Territoires (…D'une prison l'autre…).
In May, he directed the first staging of that work at Théâtre Ouvert under the aegis of EPAT (Ecole Pratique des Auteurs de Théâtre). The production was staged in September of 2017 at the Merlan, during the Actoral Festival, and then in Paris in November at the Théâtre de la Bastille, during the Autumn Festival.
Starting in 2018, he will be an associate artist at the Merlan, National Theatre of Marseille.
Characters: 3 women, 3 men
Six young people meet together one evening in a small apartment. It is a brainstorming session. The next day they are putting online a kind of public educational website, half Wikipedia and Youtube. They are only missing a promotional video. Once the last bottles of beer are empty, it is time to get to work. They have to talk, a lot. Yet, what else can they talk about but their friend, who suddenly left France to go on a jihad? What answers will he find over there that he has not found here in their friendship, interacting in their own way with the world? What can they do to counter the radicalism of his commitment?
DES TERRITOIRES (NOUS SIFFLERONS LA MARSEILLAISE…)
Characters: 1 woman, 3 men
Four siblings meet, after their parents' death, in the show-house of a social housing scheme where they spent their childhood. Between the funeral preparations and the organisation of the house's resale, there is a great deal to worry about. The prospect of letting go the family 'cradle', as impersonal as it is, sets off a counterpoint to their ambivalent relations to this 'territory'. Complications arrive when a firm of surveyors discovers human remains in the garden. The inheritance is changed completely.


The stock market closed lower on light volume. Oil slide further lower impacting commodities and overall stock market. Our algorithm selected 5 stocks for day trading today: 3 long, 2 short.
Stock Market closed at: DOW -50, S&P -3, NASDAQ +3.


text:
Denver est une ville du comté de Bremer, en Iowa, aux États-Unis. La ville s'est d'abord appelée Jeffersion City. Mais après la mise en place du , par le département des Postes des États-Unis,  un service de courrier fourni aux villes sans service fédéral, la ville change de nom. Lorsque le bureau de poste fédéral est ouvert en 1863, la ville est baptisée Denver. Elle est incorporée le .

Références

Articles connexes
 Liste des villes de l'Iowa
 Iowa

Liens externes
 .

Source de la traduction

Ville en Iowa
Comté de Bremer

redpajama_set_name: RedPajamaWikipedia


Chocolate made with Porcelana beans carries a higher price for two main reasons, firstly there is incredibly little grown and harvested each year so there is a very severe shortage of the bean and the sheer quality of the bean itself and the flavours that are available to expert chocolate makers - and Bonnat is certainly one of those.
This 75% chocolate typifies Bonnat's approach: a rich creaminess that just washes over your and smothers you with decadent love. As would expect from this bean too, the flavours are mild and characterising raspberry, ream and perhaps even a milder form of hazelnut. If you prefer less acidic, intense chocolate but love your quality then this is a great place to get your fix.


This simple snack is a cute package of tiny popcorn-like rice crackers infused with rich soy sauce. These are common in mom and pop style stores run by actual mom and pops. A classic with Japanese children and perfect if you want a light snack that isn't weighed down by a lot of sugar.
These gummies come from a collaboration with Nintendo and their very popular Splatoon videogame. The bouncy gummies are fruity orange soda and juicy melon flavor. You'll be surprised by how much flavor explodes from each little bite. I haven't had a chance to play the actual Splatoon videogame, but here is hoping Santa Bemmu will visit me with a Switch this Christmas and change that.
<Aaron> Fall has finally reached Tokyo. This is actually one of the best times of the year to visit Japan. October to November is pretty dry and it isn't too cold. Schools are still in session too so you can find a lot of places practically empty compared to other times of the year. The fall foliage is great too. It's much prettier and easier to find than spring sakura in my opinion.
<Bemmu> In my city there are a lot of capsule toy machines (gashapon). Even just 15 minutes by bicycle I could easily find about 200 such machines. When you put money in, you get a random item from a collection.
The collections might be related to something you are a fan of, such as Dragon Ball figurines or Sailor Moon jewelry. Or they can be something wacky, such as "groovy moai statues" or fake pieces of cheese.
What would you think of a service where each month you could pick which ones you want, and I would then go around to gather and then ship them to you? I estimate for 6 capsules mailed the total cost would be about $27.
If this sounds interesting to you, could you send me an email (me@bemmu.com) with a subject like "I'm in for capsules!". I'll then consider you joined and will send you the catalog to choose from if enough others show interest.
Please also include any feedback that comes to your mind. For example I'm curious if the number of capsules to send per month (6) that I just came up with from thin air is a good number or not.


Paws'n'Hooves is a non-profit animal rescue group, based in Sydney, who work towards saving animals from certain death in pounds, shelters and from the knackery. Our aim is to rescue these animals and find them permanent loving new homes. We are run by dedicated volunteers who give up their own time and resources to achieve this goal.
While mostly dealing with larger breed dogs we also re-home cats, horses and other domestic animals (chickens, ducks, fish, cows, you name it). All our dogs come de-sexed, microchipped, vaccinated, heartworm tested, wormed, flea treated, vet checked and sometimes with lifetime registration, for a reimbursement of our Vet fees of $220.
You can contact us at Paws and Hooves and let us know about your requirements and the type of animal your looking for and we'll try to assist in matching you with the right companion.
We hope you enjoy our site and if anyone would like more information, about our group in general or becoming a foster carer, then please feel free to contact us. As a non-profit organisation and are very grateful for any donations, even towels, blankets, toyss and anyone that can spare 5 minutes of their time.


During 2016 and 2017, the humanitarian situation in Somalia continued to deteriorate because of the poor rains in successful Gu and Deyr seasons of 2016 and 2017, causing widespread food insecurity, deepening health, nutritional and water related issues and exacerbated by large-scale movement of people. In response, UNICEF declared a L-2 emergency in February and developed a 45-day scale up plan for implementation March-April 2017. The plan addressed operational systems, staffing and supplies management in a holistic manner; all building on work underway and already scaled up during 2016. UNICEF greatly increased its response across sectors, supporting health and nutrition service delivery, accessibility of safe water and sanitation and reinvigorating protection services after a slight hiatus whilst continuing the support of children with sustained education interventions given fresh perspective due to the emergency processes.
• To assess the extent to which the preparedness activities have fed into the current emergency response noting this is reliant on the strategy, planning and implementation of scaling up existing operations.
• UNICEF scaled up substantially with variation between and inside sectors with the necessary prioritisation of life-saving services over longer-term goals.
• Beneficiaries and implementing partners (IPs) working in the field mention needs in WASH, nutrition, and health care, which confirms the priority given by UNICEF to these sectors.
• The September malnutrition indicators were higher than in January when the L-2 was declared.
• UNICEF's work in the cholera response is highly commended for forestalling deaths, controlling the epidemic.
• UNICEF strength and forward thinking in terms of establishing hubs, shortening supply chains and delegating responsibilities with regard to PCAs paid dividends.
• Beneficiaries and local institutions have expressed unanimous satisfaction of UNICEF support. UNICEF support and delivery of supplies to IPs has been widely appreciated and positive.
• Scale up allowed response in a timely and effective way. The UNICEF overall engagement has, without doubt, saved lives.
• There remain gaps in the frequency of service provision in hard-to-reach areas.
• UNICEF' response in 2017 prioritised life-saving activities over resilience and sustainability, which should be the focus moving forward.
• UNICEF' response is currently largely not sustainable for laying down resilience to further cyclical climatic and conflict related emergencies.
• The expansion of humanitarian access has been one of main factors in determining a much-improved response (from 2011).
1. UNICEF Somalia should expedite the convergence approach building integrated programming as a key objective to achieve outcomes in the 2018-2021 strategy.
2. UNICEF should work on critical enablers of programme delivery: risk management and security.
3. Undertake a comprehensive gap analysis of the capacity of government and local government.
4. This is a chronic, protracted set of crises and 72 hours might not be feasible in the majority of large-scale crises.


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Susan Edwards Martin/The Original Lady Blues Of Torch Song Trilogy Is Back In Town At Feinstein's/54 Below
BroadwayWorld.com Feb. 27, 2019
FEINSTEIN'S/54 BELOW, Broadway's Supper Club, presents Susan Edwards MARTIN in "THE ORIGINAL LADY BLUES OF TORCH SONG TRILOGY IS BACK IN TOWN!", on Saturday, March 23, 2019 at 9:30pm. An unpredictable musical evening with the song stylings and comedy of Broadway's Susan Edwards Martin, featuring music from the American Songbook, Broadway and her own original Broadway bound show, UNLIMITED! YOU'LL HAVE THE TIME OF HER LIFE! with a virtual appearance by Harvey Fierstein! This multi-talented and captivating performer is someone you do NOT want to miss!
Susan Edwards Martin, is the original "Lady Blues" in Harvey Fierstein's Tony Award winning Broadway play, Torch Song Trilogy. She most recently performed her critically acclaimedcabaret show at Vitello's in Los Angeles and starred as Minnie in the Musical Theatre Guild's production of MINNIE'S BOYS. Ms. Edwards Martin is currently in production of her original musical, Unlimited! You'll Have the Time of Her Life! with a virtual appearance by Harvey Fierstein!
Susan is accompanied by the outstanding award winning musician, J. William McDaniel on the ivories! McDaniel was the music director and/or arranger for Broadway's Bonnie and Clyde, Catch Me If You Can, Brooklyn, Taboo, Annie Get Your Gun, Patti LuPone in Concert, Grease, and Company. He has frequently collaborated with Rosie O'Donnell, including as a producer and composer as well as her bandleader for her Emmy-winning talk show. In Los Angeles, John recently arranged & orchestrated the highest grossing show in the history of The Geffen Playhouse, LIGHTS OUT: NAT KING COLE. He also directed and conducted HAIR and INTO THE WOODS in concert at the historic Patchogue Theatre in New York.
Susan Edwards MARTIN in "THE ORIGINAL LADY BLUES OF TORCH SONG TRILOGY IS BACK IN TOWN!" plays Feinstein's/54 Below (254 West 54th Street) Saturday, March 23rd at 9:30pm There is a $35-$45 cover charge and $25 food and beverage minimum. Tickets and information are available at www.54Below.com. Tickets on the day of performance after 4:00 are only available by calling (646) 476-3551.
MORE ABOUT Susan Edwards MARTIN
Susan Edwards Martin, is the original "Lady Blues" in Harvey Fierstein's Tony Award winning Broadway play, Torch Song Trilogy. She most recently performed her critically acclaimedcabaret show at Vitello's in Los Angeles and starred as Minnie in the Musical Theatre Guild's production of MINNIE'S BOYS. Ms. Edwards Martin is currently in production of her original Broadway bound musical, Unlimited! You'll Have the Time of Her Life! with a virtual appearance by Harvey Fierstein!
Susan has been in many Broadway and Off-Broadway productions including Bubbling Brown Sugar, The Suicide (starring Derek Jacobi) and the long-running musical comedy Scrambled Feet. National Tours include Prince of Grand Street (with Robert Preston) and Stephen Schwartz's The Magic Show. Ms. Edwards Martin has numerous television credits including a recurring role on Days of Our Lives, guest appearances on "NYPD Blue", "Designing Women", "Dallas", "Designing Women", "Falcon Crest", "Colombo" and "Perry Mason" to name a few. Her national commercials include Disney Destinations, Walmart, Dunkin' Donuts, DirectTV and appearing with Patti LaBelle as her pianist and singing partner for Prempro.
Susan starred as 'Jenny Grossinger' with the L.A. Jewish Symphony in a concert version of Grossinger's...The Last Resort and headlined on the luxury Crystal Symphony Film & Theatre cruise.
Susan has toured extensively on the Florida circuit, performed for corporate and private events, both nationally and internationally and was a winner in the Latin category of the International John Lennon Songwriting Competition for her song "El Amor Te Aspera".
Ms. Edwards Martin is an accomplished singer, musician, actress, composer, and comedienne and enjoys sharing her passion for Broadway and beyond. She creates an atmosphere of intimacy which makes everyone feel as if they're being entertained in their own living room!
This multi-talented and captivating performer is someone you do NOT want to miss!
For more information please visit: www.unlimitedsusanedwardsmartin.com
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redpajama_set_name: RedPajamaCommonCrawl


The last blog I wrote was in the summer when I was packing up to leave for a 3 month Sabbatical from September 1 – December 1. My packing included the blue ceramic handmade tile with the word LISTEN, on it. This tile was a gift from my long time prayer partner Sr. Maureen, who is a member of Our Lady of Grace Monastery, a Benedictine Community in Beechwood Grove, Indiana. I was paired up with Sister Maureen through my participation in the "Women Touched by Grace," program I joined in 2008. I am exceedingly grateful for Sister Maureen's prayers and for the precious tile.
The word LISTEN faithfully guided me through my Sabbatical.
Most days I gazed at the word LISTEN and gave thanks, anticipating that I would hear from God that day. Over the months I practiced listening to my whole life and with my full body and I heard God's presence in creatures (Spiders, cardinals, herons, bees, dogs and hummingbirds), in Nature (on a special trip to the Canadien Rockies with my mother), in scripture and poetry and in friends, family and strangers.
I arrived at the Sabbatical time feeling weary and fairly numb. The world around me in DC had depleted the reserves I usually held in my being — that faith-filled place where I knew that I was beloved no matter what, seemed buried beneath the rubble of multiple challenges, some that were long-term and some new.
I knew I needed spiritual renewal.
Renewal to me is about reconnecting with God, self and the world in a way that allows the Spirit of God to flow through ordinary life. Renewal allows us to hear the still small voice of God and to re-connect with our own voice. And as God has done across the ages, this reconnection within calls for a renewed sense of connection with ministry and purpose in the world.
I began the Sabbatical with an almost weekly discipline of Monday retreats with Sister Rosemary, my long time Franciscan Spiritual Director who lives at St Stephens Convent in Jarrettsville, MD. Each time we engaged prayer, singing, reflection, faithful conversation, silence and food. My place for quiet and seclusion was two rooms — they became my "Hermitage," in the convent.
Slowly over time, contemplation and reflection were part of the way God reworked the space in me to hear again the various modes and methods of God's grace. It was like the slow drip of water that over time wears away at hard surfaces.
In my last retreat with Sister Rosemary she offered me extravagant grace — including revealing that she wasn't convinced 3 months prior, that I would experience renewal. "I wasn't convinced either," I responded. We both smiled, and in our smiling we listened again to the way our loving God does more in us and among us than we can imagine.
LISTEN to this sabbath truth — our belovedness does not go away no matter what, and for that, I give deep thanks. And I am exceedingly grateful for the Luther Place Congregation and Staff that gave me the time and the resources to make renewal real.


text:
Q: What does this mean? What does the following sentence mean?
Self-serving bias beckons us not to false modesty but to a humility that affirms our genuine talents and virtues and likewise of others.
closely looking at the word humility and its meaning in the sentence.

A: The passage quoted in the question is untrue if taken by itself.  In context it reads:

Being mindful of self-serving bias beckons us not to false modesty, but to a humility that affirms our genuine talents and virtues, and likewise those of others.

It is awareness of self-serving bias that so beckons;  self-serving bias itself has no such effect.
The phrase "beckons us not to false modesty" means that being aware of self-serving bias will not cause people to engage in false modesty.  That is, such awareness should not lead one to downplay one's actual skills, but should instead promote an egoless attitude of recognizing the true skills of oneself and others.

redpajama_set_name: RedPajamaStackExchange


Another port day, this time Cartagena, Columbia. Now this is a port we haven't been to so we went all out and booked an extensive excursion to see the city. And extensive it was. Cartagena is a beautiful port city, rich with history, but one which is still figuring out how to deal with boat-loads (literally) of tourists. The amount of hawkers, street vendors and sidewalk sales people selling everything from Panama hats (OK Columbian hats made in Ecuador) to sun glass to jewelry to art to what have-you was impressive even to me, and I've been everywhere! Did it ruin our visit? Not a chance; with the right attitude it adds to the ambiance of a visit to a slightly exotic place.
The fortress in Cartagena is truly impressive, but a challenge to navigate. Be prepared for some steep climbing, hot temperatures and then cramped quarters inside. If you like forts and history from these time periods, your efforts will be rewarded.
The rest of the city visit is impressive as well, with charming streets with plenty of balconies, flowers and people.
Back on board ship, sail away is beautiful as the sun sets against the modern skyline of the city.
On board after a full day, we had deviated from our usual late seating dinner (8:30) and made earlier seating arrangements at Murano. This was a night for another specialty restaurant. Having been at Murano previously on the Equinox and the renovated Century, we knew what to expect and everything met our expectations. We set a casual tone with our servers and were treated to a relaxed, but wonderfully prepared and presented meal. It is worth coming here for a special occasion and pampering which is nearly impossible to attain in the main dining room, but certainly attainable at the Tuscan Grille. The difference to me is in the ambiance of the surroundings, with Murano being that much more cozy and intimate than Tuscan Grille. Both have service and preparations above and beyond the main dining room, with the ambiance at Tuscan slightly more energetic, Murano more sedate.
Having truly relaxed and indulged at Murano, we still wanted to catch a show, so we dashed to the theatre to see a wonderful ventriloquist act. We had to put the elevator in 4th gear to get there in time – we were going so fast the tree in the atrium is just a blur looking out the glass windows.
There Goes the Atrium Tree!


• Lake Joy continued to have fairly clear water, with low nutrient concentrations and low algal growth. • Long-term trends suggest that water quality in Lake Joy has been improving over time, with decreasing nitrogen, phosphorus, and chlorophyll concentrations. • No algal blooms were reported for toxin testing in 2018.
Please see below for a link to the full 2018 Lake Joy Monitoring Report.


text:
Q: Error when pulling from git in ansible - {Failed to find required executable git} I am trying to pull from two of my Git repos using Ansible but I seem to be getting this error:
failed: [app01] (item={u'dest': u'/etc/', u'repo': u'Vigorate'}) =>{"failed": true, "item": {"dest": "/etc/", "repo": "Vigorate"}, "msg": "Failed to find required executable git"}
failed: [app01] (item={u'dest': u'/etc/', u'repo': u'Paint-UI'}) => {"failed": true, "item": {"dest": "/etc/", "repo": "Paint-UI"}, "msg": "Failed to find required executable git"}

My git.yml playbook looks like this:
EDIT:
- hosts: app01
vars:
 - destination: /home/vagrant/rep
tasks:

- name: Install dependencies
  apt: name={{ item }} state=present
  with_items:
    - htop
    - git-all

- name: Pull from Git
  git: repo=http://git@github.com/*****/{{ item.repo }}.git
       dest={{ item.dest }}
      # accept_hostkey=yes
      # force=yes
      # recursive=no
  with_items:
    -
      dest: "{{ destination }}"
      repo: RepoEexample
  #  -
   #   dest: "{{ destination }}"
    #  repo: RepoExample

Any help would be appreciated

A: I believe this error suggests that the git: in your ansible playbook is unrecognized and doesn't exist. You want to make sure that you've installed git before using it. Something like:
 - name: Install dependencies
   yum: name={{ item }} state=present
   with_items:
     - htop
     - git-all
     - python-devel

would install htop, git, and python so then you run your git stanza.
If you're sure git is installed, then the next possible error might be the syntax of your with_items section. Try breaking it up into two different stanzas of code (tedious, yes) just to make sure it works and if it does, it's the formatting of current version and not a git problem.
----------UPDATE
Make sure the below works and then focus on having multiple repos cloned with the single stanza of code.
- name: Pull from Git
  git: repo=git@github.com/daniyalj/Vigorate.git
       dest=/path/to/destination


text:
Le stade Souidani-Boudjemaa (en ) est un stade olympique de football et d'athlétisme situé à Guelma en Algérie. Il fait partie du complexe olympique OPOW Souidani Boujemaa.

Le stade est baptisé en hommage à Souidani Boudjemaa, ancien joueur de ES Guelma et militant nationaliste du FLN mort durant la guerre d'Algérie.

Équipement sportif achevé en 1986
Stade multifonction en Algérie
Stade de football en Algérie
Stade d'athlétisme en Algérie
Stade portant le nom d'une personnalité politique
Guelma


text:
Bis(ethylenediamine)cadmium(2+) bis[dicyanoaurate(1-)]
Regulatory process names 7 CAS names 1 IUPAC names 1 Other identifiers 1
Print infocard Open Substance Regulatory Obligations
Important to know Important to know
This section highlights four regulatory activities or outcomes under REACH – Registration, Evaluation, Authorisation and Restriction of Chemicals – Regulation (EC) No 1907/2006:
Community rolling action plan - indicates if the substance is or was included in the Community rolling action plan (CoRAP). The CoRAP list includes substances that could pose a risk to human health or the environment and whose (potentially hazardous) properties are to be evaluated by the Member States in the next three years. After evaluation, proposals may be made for further regulatory action regarding the substance.
Candidate List - indicates if the substance is included in the candidate list of substances of very high concern (SVHCs). The Candidate List includes substances that are subject to additional protocols and reporting obligations and which may eventually be included in the Authorisation List, further limiting their use.
Authorisation list (Annex XIV to REACH) - indicates if the substance is included in the Authorisation list. These substances cannot be placed on the market or used after a given date, unless an authorisation is granted for their specific use, or the use is exempted from authorisation.
Restriction list (Annex XVII to REACH) - indicates if the substance is included in the Restriction List. The Restriction List describes the conditions for the manufacture, placing on the market or use of certain substances, either on their own or in mixtures or articles.
Please note: The identification of relevant regulatory activities and outcomes is done automatically and without manual verification. Substances may be grouped together under a specific regulatory activity for more efficient risk management and legislative processing (e.g. restriction on "Lead and its compounds"). In these cases, Infocards may not identify all substances in the group.Therefore it does not represent official and legally–binding information. To confirm if a substance is covered by a specific regulatory action the official publication, e.g. the electronic edition of the Official Journal of the European Union should be consulted.
Some uses of this substance are restricted under Annex XVII of REACH.
Restriction list
REACH Annex XVII. Substances for which certain uses are Restricted under REACH at EU level.
Emission medium
Process/equipment
Maximum emissions
Average emissions
Maximum limit
Maximum sampling duration
Average limit
Average sampling duration
European Union Industrial Emissions Directive Waste gases Combustion plants co-incinerating waste 0.05 mg/Nm3 8.0 h These average values cover also the gaseous and the vapour forms of the relevant heavy metal emissions as well as their compounds Emission limit value defined as total emission limit for the total sum of cadmium and thallium expressed as average value over the sampling period All emission limit values shall be calculated at a temperature of 27315 K a pressure of 1013 kPa and after correcting for the water vapour content of the waste gases For technical provisions regarding 'Monitoring of emissions' see Part 6 (Annex VI). For 'Formula to calculate the emission concentration at the standard percentage oxygen concentration' see Part 7 (Annex VI). For 'Assessment of compliance with emission limit values' see Part 8 (Annex VI) Directive 2010/75/EU
European Union Industrial Emissions Directive Waste gases Waste incineration plants 0.05 mg/Nm3 8.0 h All emission limit values shall be calculated at a temperature of 27315 K a pressure of 1013 kPa and after correcting for the water vapour content of the waste gases.They are standardised at 11 % oxygen in waste gas except in case of incineration of mineral waste oil as defined in point 3 of Article 3 of Directive 2008/98/EC when they are standardised at 3 % oxygen and in the cases referred to in Point 2.7 of Part 6 These average values cover also the gaseous and the vapour forms of the relevant heavy metal emissions as well as their compounds Emission limit value defined as total emission limit for the total sum of cadmium and thallium expressed as average value over the sampling period For technical provisions regarding 'Monitoring of emissions' see Part 6 (Annex VI). For 'Formula to calculate the emission concentration at the standard percentage oxygen concentration' see Part 7 (Annex VI). For 'Assessment of compliance with emission limit values' see Part 8 (Annex VI) Directive 2010/75/EU
European Union Industrial Emissions Directive Waste gases Combustion plants co-incinerating waste 0.05 mg/Nm3 8.0 h These average values cover also the gaseous and the vapour forms of the relevant heavy metal emissions as well as their compounds Emission limit value defined as total emission limit for the total sum of cadmium and thallium expressed as average value over the sampling period All emission limit values shall be calculated at a temperature of 27315 K a pressure of 1013 kPa and after correcting for the water vapour content of the waste gases O2 content 6% for solid fuels and 3% for liquid fuels For technical provisions regarding 'Monitoring of emissions' see Part 6 (Annex VI). For 'Formula to calculate the emission concentration at the standard percentage oxygen concentration' see Part 7 (Annex VI). For 'Assessment of compliance with emission limit values' see Part 8 (Annex VI) Directive 2010/75/EU
European Union Industrial Emissions Directive Waste gases Cement kilns co-incinerating waste 0.05 mg/Nm3 8.0 h These average values cover also the gaseous and the vapour forms of the relevant heavy metal emissions as well as their compounds Emission limit value defined as total emission limit for the total sum of cadmium and thallium expressed as average value over the sampling period All values are standardised at 10 % oxygen All emission limit values shall be calculated at a temperature of 27315 K a pressure of 1013 kPa and after correcting for the water vapour content of the waste gases For technical provisions regarding 'Monitoring of emissions' see Part 6 (Annex VI). For 'Formula to calculate the emission concentration at the standard percentage oxygen concentration' see Part 7 (Annex VI). For 'Assessment of compliance with emission limit values' see Part 8 (Annex VI) Directive 2010/75/EU
European Union Industrial Emissions Directive Waste water from the cleaning of waste gases Waste incineration plants and waste co-incineration plants 0.05 mg/l
European Union Water Environmental Quality Standards Directive Inland surface waters 0.6 µg/l 0.09 µg/l 1.0 yr Unless otherwise specified the EQS parameter expressed as an annual average value (AA-EQS) applies to the total concentration of all isomers. Inland surface waters encompass rivers and lakes and related artificial or heavily modified water bodies. The EQS values may vary depending on the hardness of the water as specified in five class categories For Cadmium and its compounds (No 6) the EQS values vary depending on the hardness of the water as specified in five class categories (Class 1: < 40 mg CaCO3/l Class 2: 40 to < 50 mg CaCO3/l Class 3: 50 to < 100 mg CaCO3/l Class 4: 100 to < 200 mg CaCO3/l and Class 5: ≥ 200 mg CaCO3/l).
European Union Water Environmental Quality Standards Directive Surface waters other than inland surface waters 0.6 µg/l 0.2 µg/l 1.0 yr Unless otherwise specified the EQS parameter expressed as an annual average value (AA-EQS) applies to the total concentration of all isomers. Inland surface waters encompass rivers and lakes and related artificial or heavily modified water bodies. The EQS values may vary depending on the hardness of the water as specified in five class categories For Cadmium and its compounds (No 6) the EQS values vary depending on the hardness of the water as specified in five class categories (Class 1: < 40 mg CaCO3/l Class 2: 40 to < 50 mg CaCO3/l Class 3: 50 to < 100 mg CaCO3/l Class 4: 100 to < 200 mg CaCO3/l and Class 5: ≥ 200 mg CaCO3/l).
European Union Water Environmental Quality Standards Directive Inland surface waters 0.45 µg/l 0.08 µg/l 1.0 yr Unless otherwise specified the EQS parameter expressed as an annual average value (AA-EQS) applies to the total concentration of all isomers. Inland surface waters encompass rivers and lakes and related artificial or heavily modified water bodies. The EQS values may vary depending on the hardness of the water as specified in five class categories For Cadmium and its compounds (No 6) the EQS values vary depending on the hardness of the water as specified in five class categories (Class 1: < 40 mg CaCO3/l Class 2: 40 to < 50 mg CaCO3/l Class 3: 50 to < 100 mg CaCO3/l Class 4: 100 to < 200 mg CaCO3/l and Class 5: ≥ 200 mg CaCO3/l).
European Union Water Environmental Quality Standards Directive Surface waters other than inland surface waters 0.45 µg/l 0.2 µg/l 1.0 yr Unless otherwise specified the EQS parameter expressed as an annual average value (AA-EQS) applies to the total concentration of all isomers. Inland surface waters encompass rivers and lakes and related artificial or heavily modified water bodies. The EQS values may vary depending on the hardness of the water as specified in five class categories For Cadmium and its compounds (No 6) the EQS values vary depending on the hardness of the water as specified in five class categories (Class 1: < 40 mg CaCO3/l Class 2: 40 to < 50 mg CaCO3/l Class 3: 50 to < 100 mg CaCO3/l Class 4: 100 to < 200 mg CaCO3/l and Class 5: ≥ 200 mg CaCO3/l).
Batteries Directive
Batteries Directive - Prohibitions & Labelling
EU. Prohibited Substances (Article 4) & Labelling Requirements (Article 21(3)), Directive 2006/66/EC on Batteries and Accumulators, 26 September 2006, as amended by Directive 2018/849/EU, 14 June 2018
This list contains use prohibitions of mercury and cadmium above certain thresholds in batteries and accumulators, with certain exceptions. It also captures certain labelling requirements on such products containing mercury, cadmium and lead above specified quantities.
Construction Products Regulation
Construction Product Regulation - Annex I (3) - Hazardous Substances
EU. Hazardous Substances for Purposes of Annex I (3) (Requirements for Construction Works), Regulation 305/2011/EU on Marketing of Construction Products, amended by Regulation 574/2014/EU, 28 May 2014
This list contains a non-exhaustive inventory of substances taken from: (1) Table 3 of Annex VI to CLP; (2) the Candidate List of SVHCs; (3) Annex XIV of REACH (Authorisation List); (4) Annex XVII of REACH (Restrictions List); (5) F-gases subject to emission limits/reporting per Regulation 517/2014/EU; and (6) volatile organic compounds (VOCs) listed in the Ambient Air Directive 2008/50/EC. The basis of the list is Annex I(3) of the Construction Products Regulation 305/2011/EC, which stipulates that construction works must not have a high impact on human health or the environment as a result of: giving off toxic gas; emissions of dangerous substances, volatile organic compounds (VOC), greenhouse gases or dangerous particles into indoor or outdoor air; release of dangerous substances into drinking water, ground water, marine waters, surface waters or soil.
Cosmetic Products Regulation
Cosmetic Products Regulation, Annex II - Prohibited Substances
EU. Prohibited Substances: Annex II, Regulation 1223/2009/EC on Cosmetic Products, as amended by Regulation (EU) 2022/1531, OJ L 240, 16 September 2022
This list contains substances which are banned from use in any cosmetic products marketed for sale or use in the European Union.
End-of-Life Vehicles Directive
End-of-Life Vehicles Directive - General Use Exemptions
EU. General Use Exemptions from Article 4(2)(a) (Annex II), Directive 2000/53/EC on End-of-Life Vehicles, as amended by Directive 2020/363/EU, 5 March 2020
This list contains the Annex II material and component general use exemptions that apply to the substances prohibited from use in the manufacture of automobiles under Art. 4(2)(a) of the ELV Directive.
End-of-Life Vehicles Directive - Specific Use Exemptions
EU. Specific Use Exemptions from Article 4(2)(a) (Annex II), Directive 2000/53/EC on End-of-Life Vehicles, as amended by Directive 2020/363/EU, 5 March 2020
This list contains the specific Annex II material and component use exemptions for the substances prohibited from use in the manufacture of automobiles under Art. 4(2)(a) of the ELV Directive.
General Product Safety Directive
General Product Safety Directive - Hazardous Substances
EU. Hazardous Substances for Purposes of General Product Safety Directive (2001/95/EC), 15 January 2002, amended by Reg 596/2009/EC, 18 July 2009
This list contains a non-exhaustive inventory of substances that fall within the European Union's hazardous substance definitions, as provided on: (1) Table 3 of Annex VI to the CLP Regulation 1272/2008/EC; (2) Annex III of Directive 2000/54/EC (Biological Agents); Candidate List of SVHCs; and REACH Annexes XIV and XVII (Authorisation and Restriction lists). They can be considered hazardous for purposes of the General Product Safety Directive 2001/95/EC.
Industrial Emissions Directive
IPPC - Industrial Emissions Directive, Annex II - Polluting Substances
EU. Polluting Substances: Annex II, Directive 2010/75/EU on Industrial Emissions (IPPC), 17 December 2010
This list contains the polluting substances for which emission limit values are assigned under Directive 2010/75/EU on Industrial Emissions (Integrated Pollution Prevention and Control - IPPC). Member States must permit all qualifying facilities in order to ensure that they minimize impact on the environment. The permit issued must provide emission limit values for pollutants on this list.
IPPC, Annexes V, VI, VIII - Provisions relating to industrial plants
EU. Emission Limit Values: Annexes V (combustion plants), VI (waste incineration/co-incineration plants), VIII (TiO2 installations), Dir. 2010/75/EU on Industrial Emissions (IPPC), 17 December 2010
This list contains emission limit values for polluting substances in waste gases and waste water, assigned according to facility type (i.e., combustion plants (Annex V), waste incineration/co-incineration plants (Annex VI), and installations producing titanium dioxide (Annex VIII)), under Directive 2010/75/EU on Industrial Emissions (Integrated Pollution Prevention and Control - IPPC). For this list, if a substance presents 2 values in the ''Average sampling duration'' field, these indicate minimum and maximum average sampling period.
Inland Transport of Dangerous Goods Directive
Inland Transport of Dangerous Goods Directive, Annex I - ADR
EU. Dangerous Goods List (ADR, Chap. 3.2, Table A), Directive 2008/68/EC, last amended by Directive 2020/1833/EU, 4 December 2020
This list contains the ADR Dangerous Goods List, as implemented by the European Union's Directive 2008/68/EC. This Directive applies the European Agreements on the international transport of dangerous goods by road (ADR) and inland waterways (ADN), and the regulations concerning the international carriage of dangerous goods by rail (RID). Any specific CAS linked as members for substances where the list refers to finished material/article/compound/component are representative examples, but not exhaustive.
Inland Transport of Dangerous Goods Directive, Annex II - RID
EU. Dangerous Goods List (RID, Chap. 3.2, Table A), Directive 2008/68/EC, last amended by Directive 2020/1833/EU, 4 December 2020
This list contains the RID Dangerous Goods List, as implemented by the European Union's Directive 2008/68/EC. This Directive applies the European Agreements on the international transport of dangerous goods by road (ADR) and inland waterways (ADN), and the regulations concerning the international carriage of dangerous goods by rail (RID). Any specific CAS linked as members for substances where the list refers to finished material/article/compound/component are representative examples, but not exhaustive.
Inland Transport of Dangerous Goods Directive, Annex III - ADN
EU. Dangerous Goods List (ADN, Chap. 3.2, Table A), Directive 2008/68/EC, last amended by Directive 2020/1833/EU, 4 December 2020
This list contains the ADN Dangerous Goods List, as implemented by the European Union's Directive 2008/68/EC. This Directive establishes rules for the safe transport of dangerous goods between EU countries by road (ADR) and inland waterways (ADN), and the regulations concerning the international carriage of dangerous goods by rail (RID). Any specific CAS linked as members for substances where the list refers to finished material/article/compound/component are representative examples, but not exhaustive.
RoHS - Restriction of Hazardous Substances in Electrical & Electronic Equipment Directive
ROHS - Exemptions from Article 4(1) Restrictions, Annexes III & IV
EU. Exemptions from Art. 4(1) Restrictions (Annexes III & IV), Directive 2011/65/EU (RoHS), as amended by Directive (EU) 2022/1632, OJ L 245, 22 September 2022
This list contains the application exemptions listed in Annexes III and IV to RoHS (2011/65/EU). Annex III contains applications exempted from the restriction in Article 4(1), while Annex IV lists applications exempted from the restriction in Article 4(1) specific to medical devices and monitoring and control instruments.
ROHS Directive - Restricted Substances as per Article 4(1), Annex II
EU. Restricted Substances Referred to in Article 4(1) (Annex II), Directive 2011/65/EU (RoHS), as amended by Directive 2015/863/EU, 4 June 2015
This list contains the substances listed in Annex II to the Directive on the restriction of hazardous substances in electrical and electronic equipment (RoHS - 2011/65/EU). Restricted per Art. 4(1) of RoHS, each listed substance includes a maximum concentration value tolerated by weight in homogeneous materials.
Toy Safety Directive
Toy Safety Directive - Substances Restricted in Toys
EU. Substances Restricted in Toys, Directive 2009/48/EC, OJ L 170/1, 30 June 2009, last amended by Directive (EU) 2021/903, 4 June 2021
This list contains substances whose use in toys is restricted in the European Union in accordance with points 8 and 13, Part III, and Appendices A and C of Annex II (Particular Safety Requirements) to Directive 2009/48/EC on toy safety. List entries include substance name, CAS number, limit values for certain product types and, where applicable, notes on restrictions.
Water Environmental Quality Standards Directive
Annex I, Part A - Priority Substances & Pollutants in water
EU. Environmental Quality Standards (EQS) for Priority Substances: Annex I, Part A, Directive 2008/105/EC, 24 December 2008, amended by Directive 2013/39/EU, 24 August 2013
This list contains environmental quality standards (EQS), including annual averages and maximum allowable concentrations, for priority substances and certain other pollutants, as provided for in Article 16 of Directive 2000/60/EC establishing a framework for Community action in the field of water policy.
Water Framework Directive
Water Framework Directive, Annex X - Priority Substances
EU. Annex X to Directive 2000/60/EC, Priority Substances in the Field of Water Policy, as amended by Directive 2013/39/EU, OJ L 226/1, 24 August 2013
This list contains substances identified as priority substances that are targeted for reduction and eventual removal from waste water discharge. The list includes 'priority hazardous substances' which are subject to special restrictions.
Bis(ethylenediamine)cadmium(2+) bis(dicyanoaurate(1-))
Bis(ethylenediamine)cadmium(2+) bis[[]dicyanoaurate(1-)]
Cadmium ethylenediamine gold cyanide
Cadmium(2+), bis(1,2-ethanediamine-kappaN,kappaN')-, (T-4)-, bis(bis(cyano-kappaC)aurate(1-))
Cadmium(2+), bis(1,2-ethanediamine-kappaN1,kappaN2)-, (T-4)-, bis(cyano-kappaC)aurate(1-) (1:2)
CAS names
Cadmium(2+), bis(1,2-ethanediamine-.kappa.N1,.kappa.N2)-, (T-4)-, bis(cyano-.kappa.C)aurate(1-) (1:2)
cadmium(2+);ethane-1,2-diamine;gold(1+);tetracyanide
Cadmium and its compounds - - Expert judgement (ECHA)
Cadmium and cadmium compounds - - Expert judgement


The word, 'courage,' has roots in the Latin word, 'cor'—which means heart. And heart, way back when, referred originally to the passions, all of them: anger, greed, love, lust—the entire range of big feelings.
It wasn't until the 17th century that the French hooked up 'corage' with the concept of bravery.
For me, what I notice about courage is that it's first and foremost an act of choice. As an artist, you make choices all the time that reflect the bravery of your heartfelt passions—often in the face of disparagement.
As I see it, there are three areas where your bravery shows up. For today, let's just take the first one: making your art.
It's not just that you love what you do; it's that making art is so interwoven with your identity that the boundaries blur between you and a piece of your work.
And then he asked me this critical question: "How can I sustain this feeling?" And I thought, yes, how can that feeling be sustained—especially when you're feeling the urgency to make a living, or when confusion is fogging up your windshield?
This is when making art becomes your first act of courage; because even when you don't know the answers to these questions, you are there in your studio, doing it anyway.
Notice this week where you make a choice to put your art first even when it feels risky to do so.
And I invite you to comment, below, and tell me when was the last time you felt yourself making a courageous choice.
As a writer, art-career coach, and entrepreneur who grew up in a family of artists, Ariane learned that it is possible for your creative right brain, and your career-strategy left brain, to become smooth-as-silk dancing partners. She is also your best art-career ally, especially if you understand that presenting your work with confidence and credibility is as basic as good art supplies.
Click here to add Ariane's presentation to Your Art Career Library!
on the internet. Five million dollars in federal funding was spent'.
I hzve a challenge that I'm just now running on, and I hae been on the llook out forr such info.
lack of income, and long term medical expenses.


text:
[![Build Status](https://github.com/Silab-Bonn/online_monitor/actions/workflows/main.yml/badge.svg?branch=master)](https://github.com/SiLab-Bonn/online_monitor/actions)
[![Coverage Status](https://coveralls.io/repos/SiLab-Bonn/online_monitor/badge.svg?branch=master&service=github)](https://coveralls.io/github/SiLab-Bonn/online_monitor?branch=master)

# Installation

The last stable code is hosted on PyPi. Thus for installation type:
```
pip install --upgrade pip
pip install online_monitor
```

Otherwise download the code and run

```
pip install -e .
```

You can run the unit tests to check the installation

```
pytest online_monitor
```

# Usage
For a demo type into the console:

```
  start_online_monitor
```
To stop all instances of `online_monitor` (e.g. converter, receiver, etc), type
```
stop_online_monitor
```

# Info
This package is a meta package providing all tools to convert data in real time distributed on several PCs and to visulize them in real time (> 20 Hz). The online monitor is based on a concept with these enitites:

- Producer:
  This is your DAQ system that sends data via a ZMQ PUB socket. The data format is your choise. The producer is not part of the online_monitor. For testing / debugging a simulation producer is provided that can generate fake data.

- Converter:
  A converter converts data from one (ore more) producers (e.g. histogramming) and publishes the converted data as a ZMQ PUB socket. Since the converter is specific to your data type you have to define the converter! Take a look at the example folder.

- Receiver:
A receiver connects to a converter and defines the plots to be shown. Since the receiver is specific to your wished / data you have to define the receiver! Take a look at the example folder.

Complex chains are possible with several parallel/interconnected converters, receivers and producers. One configuraion *. yaml file defines your system. Take a look at the example folder or the main folder for a configuration.yaml example.

There are start script to start the online monitor and/or the converters and producers simulating data.

To start the online monitor including simulation producers / converters type into the console:
```
start_online_monitor configuration.yaml
```

To start the converters type:
```
start_converters configuration.yaml
```
# Custom plugins
To use your own `online_monitor` plugins within your e.g. DAQ system, you have to add your respective converter / receiver/ etc paths to the [OnlineMonitor.ini](online_monitor/OnlineMonitor.ini). This can be done by using the `plugin_online_monitor` script, running
```
plugin_online_monitor path/to/my/plugin/folder
```
or
```
cd path/to/my/plugin/folder
plugin_online_monitor
```
This makes all converter / receiver / etc. instances within `path/to/plugin/folder` available to `online_monitor`.

# Custom receiver
Have a look at [the examples](online_monitor/examples/receiver).
When building your custom receiver, use `pyqtgraph` only for plotting-related tasks e.g. `pg.ImageItem` etc.
Avoid using `pyqtgraph` for building generic widgets (especially the deprecated `QtGui` submodule), instead use `pyqt5` directly:
```
from PyQt5 import QtWidgets, QtCore

my_custom_label = QtWidgets.QLabel("My label")
my_custom_double_spinbox = QtWidgets.QDoubleSpinBox()
my_custom_grid_layout = QtWidgets.QGridLayout()
my_custom_signal = QtCore.pyqtSignal(str)
...
```

# Custom producer
The producer allows to replay previously recorded data at a custom replay rate. For most SiLAB-type DAQ systems, the [silab_default_producer](online_monitor/examples/producer_sim/silab_default_producer.py) works out-of-the box and is automatically availabe after install.

# Testing
Everything is tested on Windows and Linux for Python 3.8/9 with coverage.
Have a look at the [tests](online_monitor/testing) as well as the respective [GH actions](https://github.com/SiLab-Bonn/online_monitor/actions) and [coverall.io](https://coveralls.io/github/SiLab-Bonn/online_monitor) pages.

redpajama_set_name: RedPajamaGithub


text:
Edited By Dialga-Brite on 12/30/2011
This is a platform game made with MMF2 where you are Princess Luna (My Little Pony).
You may or may not know, but there's this creepy series out there where you are Luna, there's not much in the way of game mechanics and you always die a horrible death in the end.
Well this is different, I'm making something innocent. And it also has enemies, bosses, etc, its a traditional platform game to play!
It does have some references to the creepy series though, just for fun. Same Luna graphics too, they originally came from a program called "Desktop Ponies". I think those sprites are just adorable.
The game has crossovers with other things like Whale Wars, Pokemon, Digimon, to name a few. Also a movie called "Minor Details" and a metroid level where the metroids actually suck on you. Then Ridley is a boss and he has the ability to pick you up like in Metroid Fusion.
I'm almost done the main story, the different things, like the whalers and the Pokemon going mad, are going to be tied together as being caused by Discord's chaos. I just have to finish making the final chapter. I've started, but its not in the download yet. I've also changed the Apollomon/Dianamon fights to be less annoying, but the download doesn't include that yet either.
download: http://biancagames.com/Luna_is_Cute1.zip
facebook page: http://www.facebook.com/#!/InnocentLunaGame
my youtube (also contains video coverage): http://www.youtube.com/user/Groudon128
This game is a DEMO. Feel free to discuss it in the projects section, I hope submitting it to both isn't seen as spam.
I'm not here for any kinda harsh critisism, whether it be about graphics, any kind of of quality, or subject matter ("ewww you used girly stuff and My Little Pony", etc). Only here to happily share my games.
http://biancagames.com/Luna_is_Cute1.zip (123 mmb )
No comments have been posted for this download.
Dialga-Brite
Sanaki's Quest
Innocent Luna Game
Meloetta: Melody of Discord
Snuggle Children
Precure Magica: Deconstruction of Discord
Precure: Passion of Discord
Touhou: Warriors of Friendship
Touhou: Warriors of Friendship 2
Spiritia: Spirit of Friendship


text:
Copyright (C) 2023 by Patrick's People all rights reserved Updated 24 January 2023
, John of Argyll
(About 1265-1316)
Allan (Ailean)
(About 1292-)
John (Eoin Gallda) of Argyll, Lord of Lorn
1. ISAAC, Joanna
Isabella of Argyll, co-heiress of Lorn+
Janet of Argyll, co-heiress of Lorn+
John (Eoin Gallda) of Argyll, Lord of Lorn 1 2 3
Born: About 1320
Marriage (1): ISAAC, Joanna 1
Died: by 1377 2
User ID: K40.
John married Joanna ISAAC, daughter of Thomas ISAAC and Matilda BRUCE Princess of Scots.1 (Joanna ISAAC was born about 1330.)
Marriage Notes:
" ...(1) Joanna, married to John, Lord of Lorn."
from Scots Peerage (vol 1) 1
1 e-books, The Scots Peerage ed. Sir James Balfour Paul vol. 1 (1904).
2 Internet Site, https://en.wikipedia.org/wiki/John_Gallda_MacDougall.


text:
TSXV: TK $
Darwin Shareholders
Ayawilca
Colquipucro
NI 43-101 PEA Technical Report
PFIC Year-End September 30, 2018
Community/Environment
Darwin Shareholders Approve The Arrangement
Tweet View PDF
Vancouver, Canada — Tinka Resources Limited ("Tinka") (TSXV:TK) and Darwin Resources Corp. ("Darwin") (TSXV:DAR, OTCPK:DARWF and Frankfurt: DWU) are pleased to announce that at Darwin's Special Meeting of Shareholders held on Friday, July 11, 2014, in Vancouver, British Columbia (the "Meeting"), the Darwin shareholders voted in favour of a special resolution to approve the proposed plan of arrangement (the "Arrangement") between Darwin, Tinka and the Darwin shareholders.
The Arrangement remains subject to certain conditions including final acceptance from the TSX Venture Exchange and final approval of the Supreme Court of British Columbia (the "Court"). A final application to approve the Arrangement will be set down for hearing before the Court in Vancouver on July 17, 2014, or such other date as the Darwin directors may by resolution decide.
Provided all conditions to completion of the Arrangement are satisfied or waived, on the effective date of the Arrangement, each shareholder of Darwin will receive 0.1818 of a Tinka common share for each share of Darwin held immediately prior to the effective date of the Arrangement, subject to adjustments. In order to receive Tinka shares, after completion of the Arrangement, former Darwin shareholders must surrender the certificates representing their Darwin shares together with a duly completed and executed Letter of Transmittal to Computershare Investor Services Inc. The Letter of Transmittal was mailed to Darwin shareholders with Darwin's management information circular dated June 8, 2014 and is available on Darwin's website at http://www.darwinresources.com/s/AGM.asp and under Darwin's profile on SEDAR athttp://www.sedar.com.
This announcement is for informational purposes only and does not constitute an offer to purchase, a solicitation of an offer to sell the shares or a solicitation of a proxy.
This news release does not constitute an offer to sell or a solicitation of an offer to buy any of the securities in the United States. The securities have not been and will not be registered under the United States Securities Act of 1933, as amended (the "U.S. Securities Act") or any state securities laws and may not be offered or sold within the United States or to U.S. Persons unless registered under the U.S. Securities Act and applicable state securities laws or an exemption from such registration is available.
About Tinka Resources Limited
Tinka is a junior resource acquisition and exploration company. Tinka's focus is on its 100% owned Colquipucro and Ayawilca projects located in the highly mineralized silver-lead-zinc belt of Central Peru.
About Darwin Resources Corp.
Darwin is a resource acquisition and development company focussing on Peru. Darwin has an option to acquire 100% of the Suriloma epithermal gold property in the Department of La Libertad.
Forward Looking Statements. Certain information in this news release contains forward-looking statements and forward-looking information within the meaning of applicable securities laws (collectively "forward-looking statements"). All statements, other than statements of historical fact are forward-looking statements. Forward-looking statements are based on the beliefs and expectations of each of Darwin and Tinka as well as assumptions made by and information currently available to each of Darwin's and Tinka's management. Such statements reflect the current risks, uncertainties and assumptions related to certain factors including, without limitations, failure to successfully complete the Arrangement, capital and other costs varying significantly from estimates, production rates varying from estimates, changes in world metal markets, changes in equity markets, uncertainties relating to the availability and costs of financing needed in the future, equipment failure, unexpected geological conditions, imprecision in resource estimates or metal recoveries, success of future development initiatives, competition, operating performance, environmental and safety risks, delays in obtaining or failure to obtain necessary permits and approvals from local authorities, community relations, and other development and operating risks. Should any one or more of these risks or uncertainties materialize, or should any underlying assumptions prove incorrect, actual results may vary materially from those described herein. Although each of Darwin and Tinka believe that assumptions inherent in the forward-looking statements are reasonable, forward-looking statements are not guarantees of future performance and accordingly undue reliance should not be put on such statements due to the inherent uncertainty therein. Except as may be required by applicable securities laws, each of Darwin and Tinka disclaim any intent or obligation to update any forward-looking statement.
Neither the TSX Venture Exchange, its Regulation Services Provider (as that term is defined in the policies of the TSX Venture Exchange), nor the Frankfurt Stock Exchange accepts responsibility for the adequacy or accuracy of this news release.
Mariana Bermudez, Corporate Secretary
Email: mbermudez@chasemgt.com
SUBSCRIBE HERE for Company Updates
The Qualified Person, as defined by NI 43-101, Dr. Graham Carman, Tinka's President and CEO and a Fellow of the Australasian Institute of Mining and Metallurgy, has reviewed and verified the contents of this website.
Copyright © 2020 Tinka Resources Ltd.. All rights reserved.


You are invited to a very special event. . .
Three years ago Anna and Melisa created this event and it has grown and deepened with wonderful results for our clients and their horses at home. We have some amazing women from across the US joining us for this intense and private workshop weekend. HOWEVER. . . PRIOR to the event you are invited to join us on Friday evening and learn about our philosophies and techniques in working with horses… and moving away from Fear and into Love through horses.
Both Anna and Melisa will share their lifetime of work through demonstrations as well as entertain questions from the attendees that may be about your particular horses or understanding.
The event is held in an indoor arena so no matter the weather please come ahead. . . and share a cup of coffee or cocoa with like minded people .. laugh learn and share! If you join us for the full weekend, the Expo Evening is included FREE in the Weekend Workshop Registration.
We hope you will join us for a fun filled and educational evening as we kick off our event weekend!
Anna and Melisa in 2013!
their interpretation of horses and humans they have begun to work more closely together and today collaborate on several projects.
Melisa will share her experiences with horses clairesentient abilities that she sees everyday as she partners with horses who emotionally heal humans through her Equine Gestalt(TM) process. Anna will share her insights as a natural horsewoman who has traveled the world working with and studying equine behavior. She will show how they are effected in ways you may not even be aware of when you are working with them and what you can watch for with your horse.
This is your last chance to work with them in 2013. Bring your own horse (stall fees additional and needs pre-arrangment). . . (space is limited) OR work with Melisa's amazing healing team of horses. Whether you are professional trainer OR if you are a lover of horses but have never been around them. . . this weekend can be for you . If you do not own a horse, are an equine novice Or cannot haul your horse to the event. . . you will be working with Melisa's beautiful healing team.
Previous postWe Posted New YouTube Videos!
Next postTIme is Running Out!


text:
package edu.nyu.classes.nyugrades.api;

public class MultipleSectionsMatchedException extends Exception
{
    public MultipleSectionsMatchedException(String message) {
        super(message);
    }
}


Free Giveaway : 1940's Vintage Furniture - Dresser, Chest, Bed Frame (Anaheim) - GiftsDetective.com | Home of Gifts ideas & inspiration for women, men & children. Find the Perfect Gift.
1940's bedroom set. Has very obvious wear but still in decent condition. Could be restored and really be a nice set! Very heavy so bring help with you! Text or email me for address.


The relationship between Bond and M is heavily tested while at the same time a threat against MI6 tests Bond to the fullest so that he can destroy the threat.
This is Bond at his best, some classic Bond one liners, cool and smooth. Yes the action might be less than in other Bond films and there might be a lot of talking – remind you of anything cough The Dark Knight Rises cough – but it brings that cool Bond-ness to the big screen and incorporates bits from previous Bond films as well as the blatant product placement throughout. The promoting of Skyfall was indeed massive and seemed to be everywhere including Adele singing the theme and Sky having their own channel dedicated to Bond, Sky Movies 007. Something that makes a Bond film so memorable are the villains, in this case it was Javier Bardem playing Silva, a gay villain who is charming while at the same time quite manic and freaky, perfect for a Bond villain.
On a side note there where some moments of predictability and a couple of things that annoyed me. Why was there no one on the tube when it crashed in rush hour (this is not a spoiler unless you haven't seen the trailer) and it was lucky, or unlucky in Bond's case, that there was a random chain on the top of the train near the beginning also I do not feel that the Bond girls where given much screen time or added much to the film.
This film really was about Bond and M and their relationship with the quite brilliant Silva thrown in. The film appears to be a new beginning story for James Bond and we know that there will be at least another 2 more starring Daniel Craig. If they are along the same guise as Skyfall then we could be in for some great future films. Given the amount of money that Skyfall has already made at the box office you don't need me to tell you to go and see this because you probably already have.
At two seconds shy of 143 minutes, this is the second longest Bond movie of all time, the longest being Casino Royale at 144 minutes. The third longest running time for a Bond movie is On Her Majesty's Secret Service which runs 142 minutes.


text:
When manufacturers come to the rescue
In the first months of the Covid-19 pandemic, many companies switched part of their production to urgently needed face masks, protective shields or ventilators. In the Horizon 2020 project Eur3ka, Torbjørn Netland, Professor of Production and Operations Management at ETH Zurich, is studying what it takes to implement such repurposing quickly and efficiently: a conversation about capabilities, new value chains and philanthropy.
Torbjørn Netland, you are involved in Eur3ka, a European research project that was launched in response to the pandemic. How did this project come about?
Eur3ka is a project funded by a special call for coronavirus studies in EU's Horizon 2020 research programme. In essence, the project aims to develop models and platform technologies that enable fast repurposing and supply of critical products for future pandemics. We are 24 partners, a mix of industrial associations, research centres and universities, small and medium-sized enterprises and global companies. In the early stage of application preparation, I was contacted by the coordinators who wanted us to be part of it.
Because of your expert knowledge about repurposing?
Perhaps. There are several background stories to it: First, let's rewind to the discussions during the early days of the pandemic. Suddenly, all countries experienced a skyrocketing demand for many healthcare products. Surgical face masks, for example, were out of stock everywhere –and those that were ordered couldn't be shipped due to the grounding of planes. So many companies in related businesses started to produce them to help out or to catch at a business opportunity. The scale of such manufacturing repurposing was unprecedented.
And second?
The ventilator shortage. Because Covid-19 is a respiratory disease, the need for medical ventilators surged. As for face masks, many companies wanted to manufacture ventilators – and went public with these plans. There was plenty of media coverage for firms who wanted to make them. However, making face masks and making ventilators are two very, very different undertakings. As a professor of production and operations management, I knew the world would be better served with another approach – or at least in addition to all these initiatives. So, I wrote an article about it for the World Economic Forum, «A better response for the ventilator shortage». I suggested that we should accelerate existing ventilator supply chains and use their technology instead of trying to come up with something new. This article caught quite some attention and was also read by the early Eur3ka consortium.
There were efforts within ETH Zurich as well to produce healthcare equipment.
Yes, and that's in fact my third background story. I was personally involved in a manufacturing repurposing initiative, led by helpfulETH – a bottom-up community-led initiative by ETH students and staff. In March 2020, helpfulETH started to 3D-print face shields using the open-sourced product design by the Czech 3D printer company Prusa Research. I read about this honourable initiative in the ETH news and – again – I knew there was a more productive way to produce them.
«I suggested that we should accelerate existing ventilator supply chains and use their technology instead of trying to come up with something new. This article caught quite some attention.»
So, I joined helpfulETH and contacted Hubert Britschgi from Geberit in Jona, who jumped at the idea and committed to mass-produce head frames for face shields using their injection moulding machines. Within weeks, Geberit designed and produced more than 12,000 frames. helpfulETH also found a plastic producer for the transparent shields, SwissPrimePack. ETH Zurich's Student Project House assembled and shipped the face shields, which we offered for free to doctors, dentists or other people who would need them. There were many challenging issues in this venture, particularly on the legal side, but we all learned a lot and we are proud of the achievements we made.
Who is coordinating Eur3ka?
It's the Italian company Engineering Ingegneria Informatica SPA. In our team, Wan Ri Ho is our main resource in data collection – which she also uses for her doctoral project. Dr. Omid Maghazei is another resource and mentor for Wan Ri Ho in the project and I am overseeing the project and am responsible for our deliveries.
For the data collection, I saw that you interviewed 45 different companies. Was it easy to find them?
Wan Ri Ho: Some companies were hesitant. But those who were willing to talk to us really wanted to share all their experiences with us in order to help future organisations.
And they are spread all over Europe?
Netland: In our sample, yes – but of course, everywhere in the world companies tried to produce various products in high demand. Some tried to make money out of it, which is good if they really helped filling the demand. Others were more altruistic, saying, «We are doing this for a good cause», and others admitted, «This is good PR», – which must not be underestimated when reading media reports about repurposing.
Were there any surprises about the companies that were active in repurposing?
Ho: Yes, it is very interesting to see how diverse they are. Companies in widely different industries jumped into this. It shows that it is not only existing production capabilities that matter for repurposing, but also whether the company has response capabilities to quickly switch capacities to a sudden need.
Is there a company which stands out?
Netland: I think our Italian partner SEACSUB SPA could serve as a good example because they were very early, experiencing the first large Covid-19 outbreak in Europe in Northern Italy. SEACSUB produces among other things full-face snorkelling masks. They repurposed this product and the production line to produce breathing masks compatible with hospital ventilators. You may have seen photos of this product used for Covid-19 patients in intensive care units. Other companies were less successful. There has been lots of smoke and mirrors – especially from the many companies that aimed to solve the ventilator shortage. Partly because it is very difficult to build and maintain the capabilities required to repurpose manufacturing effectively and efficiently. What exactly it was that made the difference between success and failure is what we study.
You study the internal and external factors in the process of repurposing. Are the internal ones more important?
No! It is impossible to repurpose manufacturing alone, unless you are a producer of ventilators already – and even then, you depend on suppliers. What is truly unique in this process is the mutual dependence of many players and stakeholders. It is akin to «open innovation», the active use of the outside world to bring about innovations. And in the case of repurposing for pandemic response, many are involved: the government for example is very important, providing funding and incentives and building joint consortia. We also saw how open-sourced designs helped companies repurpose faster. Everything has to come together in order to create success.
«What is truly unique in this process is the mutual dependence of many players and stakeholders.»
Omid Maghazei: The more complex a product is the more collaboration is needed to ensure a successful manufacturing repurposing. This was very clear in the case of ventilators.
Netland: Yes, that's an important point. In the production of hand sanitisers, many companies were very successful: distilleries could easily make sanitiser liquids, also breweries like BrewDog in the United Kingdom. Not many continued, because it wasn't a viable business in the long run. But it was good for them to get the credit for it in the public eye and of course it helped out during a critical period of the pandemic. What we study is what made them able to respond quicker than others and take the opportunity.
Isn't this something that depends very much on personal initiative?
Yes, you need people who burn for and thrive with this kind of things. But no such project can run solely on one person's initiative.
And how important are the efforts of the community?
Ho: For the face shields for example, they were very important. To design such a product from scratch would take a lot of time. But we saw that there were many open platforms, where engineers shared their designs and challenges so that others would be able to overcome them. We also observed that people worked together remotely during the lockdown, where they assembled the shields at home. To overcome the shortages of raw materials, again, where possible, the community helped: people started calling each other and delivering products to the companies that needed them.
«When people work together to reach a higher purpose, you have much less conflict, since they really care about what they do.»
Did the role of philanthropy in such actions surprise you?
Netland: To some extent, yes. If we are talking about pure businesses spending so much time and resources on these projects. Let me put it this way: I think the share of companies that got involved in order to earn more money was much smaller than I thought would be the case originally. Many companies went into repurposing with the desire to actually help out. Like Geberit. They invested considerable time and money into creating the needed injection moulding tool and producing face shields for Switzerland.
You are now in the middle of the two-year study and have first results. What are the most interesting findings?
Ho: It was interesting to see how these large international companies were coming together. They put all their differences aside and also their hierarchies. Everybody was open to solve the problem.
What about certain organisational structures which can slow down things?
Netland: This wasn't a serious issue as far as I am concerned.
Maghazei: It has to do with the element of trust. When these companies came together to build ventilators, they trusted the core competencies of the different players.
Netland: We call it purpose-driven organisation. When people work together to reach a higher purpose, you have much less conflict, since they really care about what they do. But these initiatives are also a bit like balloons: at some point, the project has to be economical. If it isn't, it will deflate fast. Many companies we studied stopped their projects. Only very few came up with a new product during the pandemic that they are still manufacturing.
What are your next steps now?
Eur3ka has a very hairy goal which is challenging to achieve. The idea is to create a digital platform which enables the EU in a future crisis like a pandemic to have a faster response to meet the demand of whatever product will be needed. It can be medicine, protection equipment, hospital beds – whatever. Our input is the information on how manufacturing companies are able to repurpose faster and better – a small but important piece in this large puzzle.
We now look into the more challenging products to repurpose: the ventilators with their complex technology and supply chains and the physical health care properties involved in it. Learning from this complex product will help us give advice to companies and governments on how to repurpose better in the future.
Interview with Torbjørn Netland
Torbjørn Netland
Torbjørn Netland joined ETH Zurich in 2016 as Assistant Professor of Production and Operations Management (POM). The Chair of POM at the Department of Management, Technology, and Economics focuses on smart manufacturing, behavioural operations, global operations, and operational excellence. Netland conducts his research in close cooperation with companies. Born in Norway in 1980, he studied industrial engineering and management at the Norwegian University of Science and Technology (NTNU), Trondheim. He is a Member of the World Economic Forum's Global Future Council on Advanced Manufacturing and Value Chains and a Fellow of the European Academy of Industrial Management. Torbjørn Netland is married and father of three small children.
Eur3ka: EUropean Vital Medical Supplies and Equipment Resilient and Reliable Repurposing Manufacturing as a Service Network for Fast Pandemic Reaction
Programme: Kollaboratives Projekt (24 Partner)
Duration: 1. December 2020 – 30. November 2022
Contribution for ETH Zurich: 207'500 €
www.eur3ka.eu


Developing a software framework for RH to serve as a testbed for development, verification and validation of RH modeling elements.
Developing a system for hierarchically validating the software framework.
Extending an existing experimental effort, centered on radiative shocks, to obtain data and quantify uncertainties in the experiments.
Simulating these experiements and quantifying the accuracy of the simulations.
The potential impacts of the project include NNSA lab use of advanced methods in radiation hydrodynamic simulations and methods for uncertainty quantification developed in the Center and the hiring by the laboratories of people trained in predictive radiation hydrodynamics through the Center.
CRASH is funded by grants from DoE NNSA.


So here we are in 2016 and we're rolling out our brand new joint venture - Small Circle Studio. We are photographers, so what better way to introduce ourselves than with a few photos? To kick off the new biz, we headed out to Pete and Jen's Backyard Birds for some updated portraits and a fun day on the farm with our talented friend and colleague Angela Klempner ... and some chickens and some bunnies!
Andrew wins the prize for best portraits with dried up kale plants AND chickens - hands down. Check these out!
So now that we have the visuals, here's the short version of the story that brings us to where we are and what we're doing today. Andrew and I were both working for a local camera store after college. We were fast friends, bonded through our shared passion for things like photography, travel, live music, winter sports and dogs. Time went by, and the friendship sparked something more. There was a simple country wedding down a small dirt road in rural Vermont in 2012. Followed by a honeymoon to New Zealand's south island in 2013! Now in 2016, on the tenth anniversary of Jessamyn's solo business, we're launching the long desired joint venture. We so sincerely hope that you will follow along the journey we are embarking on and let us be of service to you in the near future. We can't wait to hear your story!


text:
Q: Replace whole or partial string in C# I would use Replace in strings that match a whole string or also a single part of the string:
My pattern example string
My strings
This is the first example string
This is the second example

What I want to get
This is the first
This is the second

If I use .Replace(pattern, string) I achieve only the first result, not the second.
Please someone can help me?
Here a more exhaustive example:
Golf 7ª serie
GOLF 1.6 TDI TREND

Golf 7ª serie
Golf 1.6 TDI 90 CV 5p. Business Trendline BlueMotion Tech.

Freelander 2ª serie
Freelander 2.2 TD4 S.W. XS

Juke
Juke 1.5 dCi Start&Stop Acenta

As you can see, in the first 3 examples, th pattern is partially matched in the string, while in the 4th example it matches completely the string.
I want to obtain:
1.6 TDI TREND
1.6 TDI 90 CV 5p. Business Trendline BlueMotion Tech.
2.2 TD4 S.W. XS
1.5 dCi Start&Stop Acenta

So any word contained in the first string must be deleted from the second

A: Using the following should remove both 'example' and 'string' from the starting string.
using System.Text.RegularExpressions;

var result = Regex.Replace("This is the first example string", "(example|string)?", "" );

A: Try this. This is a generic solution.
static void Main(string[] args)
{
    var fs = "This is the first example string";
    var ss = "This is the second example";
    var patternString = "example string";

    var patterns = patternString.Split(" ");

    foreach (string pattern in patterns)
    {
        fs = fs.Replace(pattern, "");
        ss = ss.Replace(pattern, "");
    }

}

A: You could iterate over each word in the pattern and replace them one by one
var val = "This is the first example string";
var pattern = "example string";

foreach(var removeWord in pattern.Split(null))
{
    val = val.Replace(removeWord, string.Empty);
}

A: If you want everything before example the simplest way is :
string substring = yourstring.Substring(0, one.IndexOf("example"));

The regex example is also available:
Match result = Regex.Match("yourstring", @"^.*?(?=example)");
Console.WriteLine(result);

A: An efficient way to do this would avoid if possible string.Replace.
When dealing with tasks that involve contains questions, using sets is usually the best option:
var patternWords =
    new HashSet<string>(
        pattern.Split(
           new[] { ' ' },
           StringSplitOptions.RemoveEmptyEntries));

var words = str.Split(
    new[] { ' ' },
    StringSplitOptions.RemoveEmptyEntries);
var matches = words.Where(
    w => !patternWords.Contains(w));
var newStr = string.Join(
    " ", matches);


text:
Q: How to organize my Eclipse GWT project for Java 7? For the backend (services) I would like to use Java 7 and the new language features. For the frontend this is impossible, because the GWT compiler is unable to parse Java 7 language constructs at this point. So I would like to setup two Eclipse projects: One for the frondend with Java 6 and one for the backend with Java 7. Any idea how to do the build (no Ant, just in Eclipse) and manage the dependencies?

A: I think you would like three projects.
1: The frontend project which uses GWT to compile code to Javascript. This should use Java 6.
2: The backend project, which is pure Java and can use Java 7.
But, they will need to share some code (async interfaces, data structures, etc). Therefore you need a third project:
3: Shared project which contains shared code. This should also use Java 6 and GWT and should define a GWT module. The frontend project can therefore reference this project as a GWT module and that should cause the shared code to be compiled to Javascript.
The backend project should be able to reference this project even though it is Java 6.

A: Isn't it enough simply don't use java 7 features on your client and shared packages? I don't think you need two projects
I think GWT can run fine over a Java 7 VM, and the GWT compiler don't care about your server package

A: You should be able to set the project's Java in the project settings.
Select the project in Eclipse, then select Project > Properties.
Java Build Path > Add Library. You can Add/Remove the JRE you want. After those changes, make sure that the settings under Java Compiler look right too.


text:
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                Melbourne Fringe Festival 2013
                18 September to 6 October 2013

It's Happening in the Space Between My Face and Yours

                    We love. We fuck. We live. We survive. We're afraid.

September/October

        	S
            M
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            W
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            F
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		18

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		1

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		6

            Sold out
            Cancelled

Time

9.15pm (60min)

Tickets

Full Price: $19.00
Concession: $15.00
Tuesday: $14.00

Venue

Sketch and Tulip

364 Victoria Street
North Melbourne

		Location Map

Transport

Tram: 57
Stop: 9

Category

Performance

                Show location info

                            Performance

Sketch and Tulip

The rent's due, Jack's missing and the wolves are at the door. It's open, come on in. This brand new work is an exploration of love, sex and death.

Wet sky falls over us,

sour breath, rough face

hands stick to leather, don't slide.

Scrape fingernails on denim,

find a gap in the seams, a pocket, a pouch

gripping his face I am slipping his smokes

into my jacket pocket. (Jel, Act 1)

"dizzy poetic language envoking the headiness of sexual rush and angst" - Time Out Sydney

Co-presented by Monash Uni Student Theatre and Spare Room

Written by Izzy Roberts-Orr

Directed by Nick Fry

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text:
Yuri Synodov, the head of the site roem.ru, in his telegram-channel @sinodov convinces a number of...
Source: http://www.jacta.ru/opinion/article/?id=3235
"All that I warned my colleagues about a year ago - came true," the Synodov wrote, referring to the publication of the publication "Kommersant Money" about advertisers fraudsters from the Laboratory of Investment Technologies and the Exchange University. Another similar company, Unity Finance, has a closed site, and no "tails" of this office can be found. Yuri Synodov notes that the reaction of some media to exposing the scammers they promoted is "very interesting": TJournal "quietly deleted his article, as if nothing happened", "Medusa" also deleted two articles and stated that in order to refuse Advertiser, the editor usually looks for formal reasons, checks the licenses, founders and the essence of the advertising message. "Lies. To deny the advertiser you need only your desire, "- answers the Synod. In the editorial rules of "Medusa" - do not advertise Forex. Synods convicts journalists of guile: "Do not advertise Forex, and advertise breakfast in the office of Forex trading - an elegant way to deceive your own rules. Obviously, people from selling seminars can only be dragged into Forex, which the office is engaged in, otherwise, why spend money? ".
Earlier, Yuri Synodov wrote a note entitled "Why native advertising is a hole for scammers", in which he mentioned "TJournal", which posted a paid article on stock exchange trading. The material even claimed that "there are no risks in the companies of trust management". Of course, such "zazyzy" are designed for ordinary citizens who do not have financial education and are prone to naivety. In addition, the Synods criticized the article of the resource Meduza.io, noting, however, that "these are not such morons as on TJournal, but also handsome", they write tailored articles thinner and trickier. In the expositions of the Synod, Ekho Moskvy, Business FM and other media are also mentioned.
The employee of the Moscow communication agency interviewed by us believes that the problem is not only in native advertising: "The so-called natural, native or hidden advertising is really a hole for scammers. But most of the both native and non-native advertisements related to financial services, various business trainings and the like are advertising scammers, or, more rarely, real sectarians, who hide behind business rhetoric. Not only Medusa and Ekho Moskvy are involved, but also many other publications of very different levels and different orientations.


Maciej joined Amrop in 2008. He is an equity Partner of Amrop's Warsaw office, Global Leader of Amrop's Consumer & Retail Practice, and a member of the Life Sciences Practice. Additionally, he works extensively in the Technology & Media sectors.
Since 1995 Maciej has held a variety of management and executive positions in leading consumer goods companies – TetraPak, Nutricia, US Pharmacia, Diageo and Kompania Piwowarska (SABMiller). In those roles he held Board positions three times and acted as a Managing Director of a Life Science company.
Maciej's experience and expertise includes large business unit management, business and marketing strategy, multi-cultural leadership, regional and international expansion issues, people management and M&A.
Maciej has MA degrees in Economics from Warsaw Agricultural University and in International Marketing from University of London. He is fluent in Polish and English, and conversant in Russian and Slovak.