Op-ed: Will This Poultry Giant Stop Crippling Birds for Rapid Growth in Virginia?
But what happens behind this poultry giant's closed doors, when the company thinks no one is watching, tells a starkly different story.
A worker cruelly and improperly kills a bird.
Working inside Atlantic Farm in Virginia, a Tyson-contracted factory farm with more than 225,000 birds crowded into filthy, barren sheds, a COK investigator documented birds being violently slammed or thrown around; workers killing sick or injured birds by brutally bludgeoning or stepping on them; birds crushed to death by forklifts; one worker impaling live chicks with a nail at the end of a metal pipe, and other rampant horrors.
This gut-wrenching footage marks the second time in more than a year that a COK investigation has exposed Tyson's torture. In 2016, a COK investigation inside multiple Tyson Foods broiler breeder factories in Virginia revealed similar violent abuses: workers punching, kicking, and throwing live birds, birds crushed by forklifts, and more. That evidence drove the first court trials for cruelty to broiler birds (chickens raised for meat), resulting in nine former Tyson employees being convicted of 24 counts of animal cruelty. The video also prompted Tyson to end the barbaric practice of stabbing a plastic nose "bone" through the nostrils of male breeder birds, but Tyson has yet to address a root cause of suffering: rapid growth.
A baby chick has a beak deformity.
Both of these shocking COK investigations uncover a tradition of torture that goes far beyond the intentional acts of violence and abuse. These videos reveal the painful reality of chicken production in the United States: baby birds forced to endure the crushing burden of genetic manipulation for unnaturally fast growth. These birds are bred to grow so obese, so quickly their legs often cripple under the weight of their overgrown bodies.
Genetic manipulation of birds for rapid growth is standard throughout the chicken industry. In the 1950s, it took 84 days to raise a five-pound chicken. Today, because of selective breeding and growth-promoting drugs, birds reach slaughter weight in just 45 days. If humans grew at the same rate as a factory-farmed chicken, we'd weigh 660 pounds by the time we turned two months old.
Chickens who were killed or found dead.
As the nation's largest poultry producer, it's long past time for Tyson Foods to step up and demonstrate it's a true leader by ending its cruel genetic manipulation of birds for unnaturally fast growth, and move toward the future of food, as consumer demand is already pointing to: plant-based protein.
Op-ed: Do Hampton Roads Schools Flunk Lunch?
Erica has served as COK's Executive Director since 2005, after being an active volunteer starting in 2000. Since taking the helm, she's taken the organization to new heights with continued growth and accomplishments for animals that include ending the egg industry's use of the misleading claim "Animal Care Certified" and successfully persuading BOCA foods to stop using eggs. Vegan for 20 years, Erica has been working in the animal protection field since college. In 2013, she was honored with the prestigious Animal Rights Hall of Fame award.


text:
Mt. Kisco
Mt. Kisco Daily Voice serves Mt. Kisco, NY
Thursday, jan 20 19°
Lewisboro
serves Bedford, Bedford Hills & Katonah
Former Borders Site In Downtown Mount Kisco Sold To Lerner, Modell Families
Tom Auchterlonie
07/16/2015 7:00 a.m.
William Null, an attorney representing the applicant, speaks to the Mount Kisco Planning Board about the proposed Modell's Sporting Goods. Photo Credit: Tom Auchterlonie
A photo of the proposed floor plan for the upper level of Modell's. The bottom of the floor plan visual is oriented towards East Main Street. Photo Credit: Tom Auchterlonie
A photo of the proposed floor plan for the lower level of Modell's, which is adjacent to a parking lot. Photo Credit: Tom Auchterlonie
No major facade changes are proposed for the former Borders site in Mount Kisco, with signage and elevator equipment being exceptions. A photo of the exterior renderings is pictured. Photo Credit: Tom Auchterlonie
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MOUNT KISCO, N.Y. -- For the second time in less than a year, the former Borders bookstore property in Mount Kisco has changed ownership.
Stephen Lerner, founder of commercial real estate firm Lerner Properties, told Daily Voice that the property is now 50-percent owned by himself and his cousin, Richard Grobman. The Modell family, which owns the Modell's Sporting Goods business, has the remaining 50-percent stake, he added.
The property was acquired about a month ago, Lerner said. Lerner declined to discuss the price of the purchase.
Addressing the sale, Lerner called Mount Kisco a "great town with a great downtown," and added "we like that particular location."
Lerner also noted the Modell family's support.
"They have a lot of confidence in Mount Kisco."
The families' ownership is through a trio of companies, according to Lerner. They are SL Mount Kisco, LLC, Grobman Mt. Kisco, LLC and M&M Mt. Kisco, LLC.
The property has been vacant since Borders went out of business in 2011.
The families acquired the property from an entity called GCCFC 2007-GG11 Kisco Retail, LLC, which took possession of the site last August following a foreclosure auction and a $6.5 million credit bid. The entity first became involved with the site as the holder of a $6.3 million mortgage taken out by the prior owner, Mt. Kisco Associates, LP. Previous coverage of the foreclosure history is available here.
Modell's Sporting Goods is proposed to be the site's primary occupant; representatives appeared before the Mount Kisco Planning Board on Tuesday as part of a special-permit application.
The proposal, which was outlined at the Planning Board meeting, calls for Modell's to occupy around 16,800 of the building's roughly 22,600 square feet. Of that amount, about 12,800 would be on the upper floor facing East Main Street, while around 4,000 would be on the lower level facing a parking lot.
The southern portion of the building, which includes about 5,050 square feet on the upper level and roughly 1,050 on the lower level, would be partitioned off for other usage. No tenants have been found yet for the rest of the space, according to Lerner.
The property is located at 154-162 E. Main St.
The proposal also calls for installing a new elevator and stairwell on the southwestern corner of the building, which was used for Borders' cafe space.
The exterior will generally stay the same under the plan, it was noted, with outside equipment for the second elevator, along with new retail signage, being exceptions.
Mark Aarons, a company vice president, told the board that Modell's typically has store spaces between 15,000 to 20,000 square feet. Asked why Modell's is not seeking to use the whole building, Aarons cited a statistical analysis of what sales can be generated per square foot.
Aarons also told the board that Modell's hosts athletes and book signings. Modells also works with sports programs through an initiative called "community ambassadors," according to Aarons.
The anticipated hours of operation are approximately 9 a.m. to 9 p.m. from Monday through Saturday, Aarons said. Sunday hours could either be the same or run from 9 a.m. to 6 p.m., Aarons added.
A public hearing pertaining to the application is slated for the Planning Board's Aug. 25 meeting.
Images of the proposed floor plans for Modell's can be viewed here and here.
Northern Westchester Hospital
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Not in Mt. Kisco?

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text:
(REFERENCE COPY - Not for submission) Children's Television Programming Report
CPR-133586
K19GH-D
EUGENE, ETC.
Digital Class A
Children's TV Programming Report
Current Step is General Information
Children's Television Information
Digital Core Programming
Digital Core Programming Summary
Non-Core Educational and Informational Programming
Sponsored Core Programming
Liaison Contact
Report reflects information for : Third Quarter of 2012
Station Type
Station Type Network Affiliation
Affiliated network FOX
Nielsen DMA Eugene
Web Home Page Address www.OregonsFox.com
State the average number of hours of Core Programming per week broadcast by the station on its main program stream 5.0
State the average number of hours per week of free over-the-air digital video programming broadcast by the station on other than its main program stream 136.0
State the average number of hours per week of Core Programming broadcast by the station on other than its main program stream. See 47 C.F.R. Section 73.671: 4.0
Does the Licensee provide information identifying each Core Program aired on its station, including an indication of the target child audience, to publishers of program guides as required by 47 C.F.R. Section 73.673? Yes
Does the Licensee certify that at least 50% of the Core Programming counted toward meeting the additional programming guideline (applied to free video programming aired on other than the main Yes No program stream) did not consist of program episodes that had already aired within the previous seven days either on the station's main program stream or on another of the station's free digital program streams? Yes
Digital Core Programs(19)
Digital Core Program (1 of 19)
Program Title Young Icons (KEVU)
Origination Syndicated
Days/Times Program Regularly Scheduled Wednesdays 7am (7/04-9/26/12)
Total times aired at regularly scheduled time 13
Total times aired
Number of Preemptions 0
Number of Preemptions for other than Breaking News
Number of Preemptions Rescheduled
Length of Program 30 mins
Age of Target Child Audience 13 years to 16 years
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. "The Young Icons" is a television program that provides educational and informational segments exposing the target audience of young viewers to accomplished teens that have set goals and are giving back to their communities as mentors, scholars, entrepreneurs and philanthropists. The program provides a motivational and inspirational message that empowers audiences of all ages that hard work, dedication and looking beyond ourselves will pay off for everyone. The program was regularly scheduled between the hours of 7am and 10pm. The program is 30 minutes in length and was identified as an educational and informational show,targeted to 13-16 year-olds, at the beginning and through each broadcast and in listings provided to publishers of program guides.
Does the Licensee identify the program by displaying throughout the program the symbol E/I? Yes
Program Title Teen Kids' News (KLSR)
Days/Times Program Regularly Scheduled Mondays 9am (7/02-9/24/12)
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. "Teen Kids' News" is a news program hosted by a diverse news team made up of young journalists reporting from a professional news set. The show not only entertains but educates as well, presenting current events in a way that interests children. Teachers nationwide can download the television news scripts from Weekly Reader's award-winning website and use them in the classroom to help students become better public speakers and writers. The program was regularly scheduled between the hours of 7am and 10pm. The program is 30 minutes in length and was identified as an educational and informational show, targeted to 13-16 year-olds, at the beginning and through each broadcast and in listings provided to publishers of program guides.
Program Title The Real Winning Edge (KLSR)
Days/Times Program Regularly Scheduled Saturdays 8am (7/07-9/29/12)
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. "The Real Winning Edge" is more than a showcase for kids with exceptional talent and athleticism. It's about teenagers who have built character through their struggles with cancer or death of a loved one. It's about kids who came face to face with drug abuse and peer pressure without losing their focus on their goal. Through interviews and profiles,these remarkable young people provide honest answers about how they dealt with adversity in their lives. The program was regularly scheduled between the hours of 7am and 10pm. The program is 30 minutes in length and was identified as an educational and informational show,targeted to 13-16 year-olds, at the beginning and through each broadcast and in listings provided to publishers of program guides.
Program Title Now Eat This! With Rocco DiSpirito (KLSR)
Days/Times Program Regularly Scheduled Saturdays 8:30am (9/23-9/29/12)
Total times aired at regularly scheduled time 2
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. "Now Eat This! With Rocco DiSpirito" is a different version of a cooking show. Different in that the emphasis is on families and changing a family's behavior and cooking culture with the goal of making the family's kids healthier. The program was regularly scheduled between the hours of 7am and 10pm. The program is 30 minutes in length and was identified as an educational and informational show, targeted to 13-16 year-olds, at the beginning and through each broadcast and in listings provided to publishers of program guides.
Program Title Animal Rescue (KEVU)
Days/Times Program Regularly Scheduled Tuesdays 7am (7/03-9/25/12)
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. "Animal Rescue" serves the educational and informational needs of children 13-16 years of age with its program content, including safety tips and real-life in-the-field experiences of professional and ordinary people taking care of, treating and helping various animals. The program was regularly scheduled between the hours of 7am and 10pm. The program is 30 minutes in length and was identified as an educational and informational show, targeted to 13-16 year-olds, at the beginning and through each broadcast and in listings provided to publishers of program guides.
Program Title Jack Hanna's Into The Wild (KLSR)
Age of Target Child Audience 3 years to 14 years
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. "Jack Hanna's Into the Wild" is a program suitable for both the secondary classroom and general audience with content addressing several academic outcomes designed by both state and national life science standards. Shot from a number of photographic perspectives, the viewer is introduced to the biodiversity of the area, how animals have adapted to the environment and the changes humans have imposed on the environment as well as the positive impact of local conservation efforts in the region. In addition to the educational content of the program, Jack Hanna brings the affective aspect to the wildlife education, engaging the emotional appeal of the wild animals and the conservation message to encourage the audience to take an active interest in preserving wildlife. The program was regularly scheduled between the hours of 7am and 10pm. The program is 30 minutes in length and was identified as an educational and informational show, targeted to 3-14 year-olds, at the beginning and through each broadcast and in listings provided to publishers of program guides.
Program Title Mystery Hunters (KLSR)
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. "Mystery Hunters" is an excellent example of a children's program that is innovative and empowering. Through critical observation, analytical thinking, and scientific testing, the series encourages children to question the world around them. Through both the travel aspect and investigation of ancient myths and mysteries, there is a profound focus on history, culture, geography, and international customs. The program is 30 minutes in length and was identified as an educational and informational show, targeted to 13-16 year-olds, at the beginning and through each broadcast and in listings provided to publishers of program guides.
Program Title Now Eat This! With Rocco DiSpirito (KEVU)
Days/Times Program Regularly Scheduled Sundays 11am (9/23-9/30/12)
Program Title Eco-Company (KEVU)
Days/Times Program Regularly Scheduled Fridays 7am (7/06-9/28/12)
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. What does it mean to go green as a teen? A whole new generation has made the environment, global warming and going green their cause. "Eco-Company" was created to chronicle the passions of this new generation and to answer the questions we have. "Eco-Company" is a national TV show hosted by a dynamic and diverse group of teens who combine their natural curiosity with their enthusiasm for preserving the planet they will inherit. The program was regularly scheduled between the hours of 7am and 10pm. The program is 30 minutes in length and is identified as an educational and informational show, targeted to 13-16 year-olds, at the beginning and through each broadcast and listings provided by publishers of program guides.
Digital Core Program (10 of 19)
Program Title Sports Stars of Tomorrow (KLSR)
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. "Sports Stars of Tomorrow" displays the hard work and dedication that it takes to be a true sports star. It chronicles the trials and tribulations of the young athletes as they strive to become a "top level" performer in the sports arena. The program helps young people realize that their full potential in both life and the playing field are attainable with lots of hard work and determination. It reinforces the importance of key values like dedication, discipline, commitment and community involvement. The program was regularly scheduled between the hours of 7am and 10pm. The program is 30 minutes in length and was identified as an educational and informational show, targeted to 13-16 year-olds, at the beginning and through each broadcast and in listings provided to publishers of program guides.
Program Title Animal Rescue (KLSR)
Program Title Career Day (KEVU)
Days/Times Program Regularly Scheduled Thursdays 7am (7/05-9/27/12)
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. "Career Day" is a television program that introduces young adults to career exploration and awareness. Students often do not know what they want to do and are unsure of potential interests they may have that could be a career. "Career Day" provides an avenue to view experts in their respective fields as they discuss their work, the education/training to prepare for the job, and experiences that led them to choose their career. The program was regularly scheduled between the hours of 7am and 10pm. The program is 30 minutes in length and is identified as an educational and informational show, targeted to 13-16 year-olds, at the beginning and through each broadcast and listings provided by publishers of program guides.
Program Title Sport Stars of Tomrrow (KLSR)
Days/Times Program Regularly Scheduled Saturdays 11am (7/07-9/29/12)
Program Title Teen Kids' News (KEVU)
Total times aired 11
Number of Preemptions Rescheduled 0
Digital Preemption Programs #1
Title of Program Teen Kids' News (KEVU)
List date and time rescheduled NA
Is the rescheduled date the second home? No
Were promotional efforts made to notify the public of rescheduled date and time? No
Date Preempted 2012-07-15
Reason for Preemption Other
Program Title Pets TV (KLSR)
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. "Pets.TV" celebrates the pets we love, and the people who love them, pet news,pet care, pet health and pet lifestyles. The program was regularly scheduled between the hours of 7am and 10pm. The program is 30 minutes in length and was identified as an educational and informational show, targeted to 13-16 year-olds, at the beginning and through each broadcast and in listings provided to publishers of program guides.
Program Title MLB Player Poll (KLSR)
Origination Network
Days/Times Program Regularly Scheduled Saturdays 12pm (7/07-9/29/12)
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. MLB Player Poll will serve the educational and informational needs of teenagers by providing insight into the opinions and perspectives of Major League Baseball players. Specifically, the 2012 season of MLB Player Poll will educate young viewers on how the game of baseball is played and provide instructions regarding the techniques that successful players use. The show will also glean insight into players preferences in areas outside of baseball with topics like What Career Interests You After You Retire from Baseball?, or What Is Your Favorite City To Play In? or What Player From History Would You Most Like To Watch/Play For/Play Against. In addition, MLB Player Poll will provide examples of healthy debate, expressing an opinion using supporting evidence and analyzing statistics to confirm or refute a previous held belief. The results of the poll question that will serve as the heart of each episode will be represented graphically using traditional charts and graphs in a manner designed to help teenagers process similar information they will encounter in newspapers, magazines and textbooks. The program will be regularly scheduled and air between the hours of 7am and 10pm. The program is 30 minutes in length and will be identified as an educational and informational show, targeted to 13-16 year-olds, at the beginning and through each broadcast and in listings provided to publishers of program guides.
Program Title Animal Atlas (KEVU)
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. Following in the great, classical tradition of National Geographic, "Animal Atlas" is a light, fun-filled educational program designed to entertain kids and adults of all ages. The show takes viewers on an up close and personal journey into the wild and whacky behavior of animals, observing species of all kinds in the wild and nature preserves all over the world. The program was regularly scheduled between the hours of 7am and 10pm. The program is 30 minutes in length and was identified as an educational and informational show, targeted to 3-16 year-olds,at the beginning and through each broadcast and in listings provided to publishers of program guides.
Program Title The Real Winning Edge (KEVU)
Days/Times Program Regularly Scheduled Sundays 10:30am (7/01-9/30/12)
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. The Real Winning Edge" is more than a showcase for kids with exceptional talent and athleticism. It's about teenagers who have built character through their struggles with cancer or death of a loved one. It's about kids who came face to face with drug abuse and peer pressure without losing their focus on their goal. Through interviews and profiles,these remarkable young people provide honest answers about how they dealt with adversity in their lives. The program was regularly scheduled between the hours of 7am and 10pm. The program is 30 minutes in length and was identified as an educational and informational show,targeted to 13-16 year-olds, at the beginning and through each broadcast and in listings provided to publishers of program guides.
Program Title Aqua Kids (KLSR)
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. "Aqua Kids" educates young people about the diversity of marine animals around the world, emphasizing the importance of preserving their habitats. The program was regularly scheduled between the hours of 7am and 10pm. The program is 30 minutes in length and was identified as an educational and informational show, targeted to 13-16 year-olds, at the beginning and through each broadcast and in listings provided to publishers of program guides.
Non-Core Educational and Informational Programming (0)
Sponsored Core Programming (0)
Does the Licensee publicize the existence and location of the station's Children's Television Programming Reports (FCC 398) as required by 47 C.F.R. Section 73.3526(e)(11)(iii)? Yes
Name of children's programming liaison Sandra Dornon-Belmont
Address 2940 Chad Drive
City Eugene
State OR
Email Address sbelmont@OregonsFox.com
Include any other comments or information you want the Commission to consider in evaluating your compliance with the Children's Television Act (or use this space for supplemental explanations). This may include information on any other noncore educational and informational programming that you aired this quarter or plan to air during the next quarter, or any existing or proposed non-broadcast efforts that will enhance the educational and informational value of such programming to children. See 47 C.F.R. Section 73.671, NOTES 2 and 3. K19GH-D terminated analog program service on or about December 11, 2009 when it flash-cut to digital and filed its application for a digital license. As a result, it provided only digital service during all of 3rd quarter 2012. K19GH-D carries the programming of station KLSR-TV on its primary digital stream (19.1) and the programming of Class A station KEVU on its second digital stream (19.2)
Other Matters (15)
Other Matters (1 of 15)
Program Title Mystery Hunters
Days/Times Program Regularly Scheduled Tuesdays 9am (10/02-12/25/12)
Age of Target Child Audience from 13 years to 16 years
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. See above. The program will be regularly scheduled and air between the hours of 7am and 10pm. The program is 30 minutes in length and will be identified as an educational and informational show, targeted to 13-16 year-olds, at the beginning and through each broadcast and in listings provided to publishers of program guides.
Days/Times Program Regularly Scheduled Mondays 7am (10/01-12/24/12)
Age of Target Child Audience from 3 years to 16 years
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. See above. The program is 30 minutes in length and will be identified as an educational and informational show, targeted to 3-16 year-olds, at the beginning and through each broadcast and in listings provided to publishers of program guides.
Program Title The Young Icons (KEVU)
Days/Times Program Regularly Scheduled Wednesdays 7am (10/03-12/26/12)
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. See above. The program is 30 minutes in length and will be identified as an educational and informational show, targeted to 13-16 year-olds, at the beginning and through each broadcast and in listings provided to publishers of program guides.
Days/Times Program Regularly Scheduled Fridays 7am (10/05-12/28/12)
Days/Times Program Regularly Scheduled Saturdays 10:30am (10/06-12/29/12)
Days/Times Program Regularly Scheduled Sundays 11am (10/07-12/30/12)
Days/Times Program Regularly Scheduled Thursdays 7am (10/04-12/27/12)
Other Matters (10 of 15)
Days/Times Program Regularly Scheduled Saturdays 10am (10/06-12/29/12)
Days/Times Program Regularly Scheduled Saturdays 7:30am (10/06-12/29/12)
Describe the educational and informational objective of the program and how it meets the definition of Core Programming. See above. The program will be regularly scheduled and air between the hours of 7am and 10pm. The program is 30 minutes in length and will be identified as an educational and informational show, targeted to 3-14 year-olds, at the beginning and through each broadcast and in listings provided to publishers of program guides.
Program Title Sport Stars of Tomorrow (KLSR)
Days/Times Program Regularly Scheduled Sundays 10:30am (10/07-12/30/12)
The undersigned certifies that he or she is (a) the party filing the Children's Television Programming, or an officer, director, member, partner, trustee, authorized employee, or other individual or duly elected or appointed official who is authorized to sign on behalf of the party filing the Children's Television Programming; or (b) an attorney qualified to practice before the Commission under 47 C.F.R. Section 1.23(a), who is authorized to represent the party filing the Children's Television Programming, and who further certifies that he or she has read the document; that to the best of his or her knowledge, information,and belief there is good ground to support it; and that it is not interposed for delay.
California Oregon Broadcasting, Inc.
No Attachments.


text:
Q: No way to infer the exact line number of this "print_block" definition execution without metaprogramming in Elixir? I am working with Elixir...I found that when defining the below code without macros, I have to put inspect __ENV__ and subtract 2 from the printed line number to get the line number that print_block is getting run on.
h1 do
  h2 do
    print_block "prints message" do
      IO.puts "hello world!"
      IO.inspect(__ENV__)
    end
  end
end

The function definition of print_block then looks something like:
def print_block(_msg, do: code_block), do: code_block

Similar code defines h1 and h2 blocks.
Now if I instead define h1, h2, and print_block as macros, I'm able to get the exact line number of print_block in the existing file by walking the AST produced when I inspect code_block.
defmacro print_block(_msg, do: code_block) do
  IO.inspect(code_block)
  code_block
end

Because Elixir metaprogramming lets you examine the AST, the only way to match on exact the line number of print_block without resorting to "subtracting some number" then is to define it via macros. You can't do it with traditional run-time modules/functions, is that correct? Pretty sure that's the case, just looking to confirm.

A:
Because Elixir metaprogramming lets you examine the AST [...]

This is not exactly the case. What macro does, it literally injects the AST in the place of the call before compilation happens. The compiled code has no trail of any macro, they are all gone, substituted by AST they returned during the compilation stage.
That means, your macro does not work as you expect. IO.inspect is executed during the compilation stage. The BEAM won't print out anything, nor there would be any __ENV__.line or like accessible.
OTOH, Kernel.SpecialForms.quote/2 has a specifically dedicated location: :keep option to preserve the file and line number. It won't happen automatically out of the box.
Also, there is @compile module attribute one might put into modules to specify which functions should be inlined; basically inlining does nearly the same as calling macro.

I was unable to understand what is the exact goal you are after, but the assumption that macro would magically help to notch the exact line number is plain wrong.

Here is a demonstration of all the possibilities to get a line from __ENV__:
bat /tmp/foo.ex
───────┬───────────────────────────────────────────────────────────────────
       │ File: /tmp/foo.ex
───────┼───────────────────────────────────────────────────────────────────
   1   │ defmodule Foo do
   2   │   @compile {:inline, print_block_inline: 2}
   3   │
   4   │   def print_block_inline(_msg, do: code_block), do: code_block
   5   │   def print_block_normal(_msg, do: code_block), do: code_block
   6   │   defmacro print_block_macro(_msg, do: code_block), do: code_block
   7   │
   8   │   def test do
   9   │     print_block_normal "prints message" do
  10   │       IO.puts("hello world!")
  11   │       IO.inspect(__ENV__.line, label: "11")
  12   │     end
  13   │
  14   │     print_block_inline "prints message" do
  15   │       IO.puts("hello world!")
  16   │       IO.inspect(__ENV__.line, label: "16")
  17   │     end
  18   │
  19   │     print_block_macro "prints message" do
  20   │       IO.puts("hello world!")
  21   │       IO.inspect(__ENV__.line, label: "21")
  22   │     end
  23   │   end
  24   │ end
  25   │
  26   │ Foo.test()

Everything is successfully printed.
elixir /tmp/foo.ex

hello world!
11: 11
hello world!
16: 16
hello world!
21: 21

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Public education's core functions are teaching and learning, an endeavor in which private enterprise plays a growing role. Edbizbuzz is an opinion blog offering a perspective on this emerging school improvement industry.
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Industry access to Washington policy is predominately through Republican and conservative doors. Until that changes, we are subject to "material" political risk.... Our trade groups need to attract Democrats, while maintaining ties to Republicans. The industry must create a political base pegged on the vital center.
The demand for third party school improvement program evaluation services will only grow over the next decade.
Educators Can Bypass the Middle Men for Teaching Content?


Garantie de 10 ans si vous enregistrez votre micro en ligne (www.rodemic.com/warranty).
D'une fabrication à toute épreuve et doté d'une puissante capsule néodyme, le micro dynamique de scène RØDE M1 est conçu pour offrir des services irréprochables, concert après concert. Nous sommes tellement convaincus de sa longévité, que nous offrons une garantie à vie si vous enregistrez votre micro sur le site. Le corps ergonomique et tout en métal du M1 tient parfaitement dans la main. Robuste et fiable, il est parfaitement équilibré sans être lourd et les bruits de maniement sont pratiquement éliminés grâce à la conception interne du micro. Restituant un son chaud et d'une définition incroyable pour un micro dynamique, le M1 se distingue par une clarté fluide présentant chaque voix sous son meilleur jour. La directivité cardioïde stricte minimise la captation de bruits de fond et la génération de larsen. Connu pour être l'un des meilleurs micros de chant live, le M1 peut tout aussi bien capter des amplis de guitare, des grosses caisses, des caisses claires, des toms et des percussions.
The mic is built like the proverbial brick outhouse and with full heavy metal jacket construction...a lifetime warranty with the M1 must be seen as a major plus; I certainly can't think of another manufacturer that offers a similar level of backup... I really like the RØDE M1... it took my weedy voice and made it 100% Rock n' Roll!!!
The tonal characteristics of the RØDE M1 should give good results with the majority of both male and female vocalists... If you like the idea of studio-quality live vocals then it's a great little mic... It's built to last and has a more open-sounding high end than most dynamic mics.
With the M1, Rode has brought what amounts to a very solid addition into the already somewhat crowded live microphone arena. Their years of experience building top-notch yet within reach studio microphones has led them to create a live vocal mic that not only approaches condenser studio-like quality in sound but is built to withstand ridiculous amounts of abuse. I have a feeling a lot of these will be going strong well after the grill has crusted over with nasty green growth.
While the RØDE M1 is extremely well built you can be sure that you don't get a whole lot of unnecessary weight (or lack thereof in some cases) that is involved with a lot of other stage microphones. Just by placing the ergonomically tapered microphone and its included accessories such as the stand mount and thread adaptor in your hands, not only will you be overly satisfied with how comfortable they are to hold but their durability will become increasingly evident too. You simply cannot look past the build quality of any RØDE product.
The M1 provides a punch similar to what you could imagine the M1 Carbine Rifle would if it could be directly converted to a microphone. Its sound quality is much clearer and more dynamically detailed than any other microphone within its class, especially considering the price tag. Its high output volume, cardioid pickup pattern (to reduce feedback) and gold plated XLR connectors just further push this microphone up higher on its plinth.
There is only one way to describe this microphone as a whole if you are willing to compare it to a microphone that is familiar to us all... the SM58 killer.
They're sensitive enough for grand piano, plenty robust for drums also, and by far excels on vocals. I will never use another live vocal mic now that I have several M1s.
I've been trying the M1 myself, and are surely convinced that there is absolutely no question about the quality and differences between the M1 and for example the SM58/Beta58. Just like the RØDE M2, the M1 has a very robust and powerful output, not to mention the sound of the thing. It has much more detail, more high tones, and more power in the low-end region of my voice than an SM58 or Beta58. I would absolutely recommend everyone trying an M1.
Naturally as soon as I got mine home I put it through its paces predominantly on the drum kit A/Bing it with a 57 and a drum mic pack tom clip mic. The M1 killed in all regards. Both my drummer and I were unanimous that it had such a fuller punchier sound then the 57 on snare and on toms it really shone. Best mic I have heard on toms so far. The smooth character of the mic and the subtle low end boost it seems to have just gave the toms so much body but did not detract at all from the nice snap of the skin.
The RØDE M1 is essentially a Shure SM58 with a new lease on life. The clarity was better. Great warmth. The off-axis sound was great. It looks and feels good. I bought it.


Why join the Clarsach Society?
Above all, you become a member of an organisation with a long history of promoting education and playing of the clarsach.
Alternatively you can download a Membership Application Form and send the completed form along with the appropriate membership fee (see below) to the National Office, as detailed on the form. (Paper copies of the membership application are available on request).
Note: members who join the Society on or before 31 March will be asked to renew their annual membership at the beginning of the Society's financial year being 1 July; members who join between 1 April and 30 June will be asked to renew their annual membership at the beginning of the Society's financial year the year after.


text:
<?php

namespace Google\AdsApi\AdManager\v202211;

/**
 * This file was generated from WSDL. DO NOT EDIT.
 */
class ChildContentEligibility
{
    const UNKNOWN = 'UNKNOWN';
    const DISALLOWED = 'DISALLOWED';
    const ALLOWED = 'ALLOWED';

}

redpajama_set_name: RedPajamaGithub


Blacksmith is a dynamic Interior Design company, which has distinguished itself in the retail, hospitality and leisure markets since 1993, both locally and abroad.
The practice is involved in creating dynamic design solutions from project inception, through to conceptualisation, documentation, implementation and procurement. Focusing in three divisions namely: Hospitality, Entertainment and Commercial.
The Company has offi ces in both Johannesburg and Cape Town, with a combined team consisting of 13 members, including 2 partners, conceptual designers, technical wizards, administration personnel and outsourced procurement. They utilise cutting edge technology, combined with hands-on service. They have also formed a Level 2 BBBEE company with Solebi Interiors called Solebi Blacksmith, which has successfully completed a number of projects.
To create a natural look and feel to the interior of Sun International's Tatso buffet, and to enhance the natural grain of the timber. The 0% VOC and associated food safety characteristics ensured an eco-friendly environment for visitors.


Qtxmp3 has released a promotional version of Destruction´s new record called D.E.V.O.L.U.T.I.O.N. .Destruction are one of the oldest German Thrash Metal bands. These guys became famous for albums like Infernal Overkill and Eternal Devastation in the latter half of the 1980s. Although, the new record cannot quite keep up with these all-time thrash metal classics it is still some piece of music all you thrash metal heads better not miss out.


text:
2019: The Worst (The Films We Hated)
2019 had its fair share of bad films. Horror, action, animation, and documentaries all made it on to this list. Keep an eye out for the two films that the filmmakers should actually be ashamed of.
Black Christmas is a bad film. Not because of the message it is giving us because that message is an important one. No, it is a bad film simply because it is bad. You take out the message and what you have is a half baked slasher film that steals it's the best scare from The Exorcist III. Outside of the lead character, who is actually given something to make her someone we want to root for, all of the other characters are one-dimensional morons who bring nothing new to the table. Add on top of that a villain whose identity is known by the audience as soon as that person is seen for the first time because of course the killer is that person and terrible kills and you have not only one of the worst films of 2019 but also one of the worst slasher movies ever made.
I am not the biggest fan of haunted houses. They pop up around Halloween and offer nothing more than cheap thrills for more money than you would expect. Being a non-fan of haunted house this would mean that I probably don't like haunts either. These are riskier than a regular haunted house, taking a more extreme presentation. Putting these feelings aside, I figured Haunt would be good because the horror community was raving over it. Much my feelings for haunted house, Haunt sucked. Paper-thin characters we really just want to see die, a location that should be interesting but feels cheap, and kills that are strange, to say the least. There is a kind of cool twist in terms of the killer but that can't save a film that has nothing else going for it.
I like Michael Bay films. I like his style, the way he moves his camera, and how beautiful he makes everyone look. You would think that after making five Transformers films that he would be raring to go on a film like 6 Underground, but it just feels like the same old same old. The action scenes are decent when you can tell what is going on, but everything else is a confusing mess. When you keep asking "what?" every five minutes or so, you know you are in for a bad time. Bay used to make good films but now it seems like he is bored with filmmaking.
Have you ever watched a documentary where the person making said documentary puts himself on camera thus forcing himself into a story they otherwise would not have been a part of and wanted to risk jail time by punching the shit out of them? I have and he made The Amazing Johnathan Documentary. This doc should have been gold. You have, as your subject, a brilliant comedian/magician who has terminal cancer who has survived four times as long as all the doctors thought. You go in there and shoot what you need to shoot and you are golden. The problem lies with the filmmaker who, while denying he ever even thought this way (yeah right), wants Johnathan to die so his doc can be the best there is. Needless to say, Johnathan doesn't die and the doc turns its focus from Johnathan to the filmmaker himself as he "struggles" with how to finish this thing. This doc is just as self-centered as the filmmaker who is glad to have the focus on him. Once Johnathan leaves the doc (he comes back later) it turns into a mind-numbing experience because we hate the filmmaker and would do anything to get him off the screen. Stay away from this bullshit film.
The first Lego Movie was brilliant. It took the concept of playing with your toys to the next level and made it funny and smart. The Lego Movie 2 is what everyone thought the first film would be. This is a film that isn't funny, is tirelessly boring, and is woefully misguided. Instead of trying something new, the filmmakers just remake the first film only now with songs. Hopefully, this will bury the Lego franchise for a while as it was growing stale.
I was looking forward to Pet Semetary. I am not a fan of the original film, but the book is pretty good and I was hoping that this version would do the book justice. Boy, did it not. Even leaving the book aside, this film is not good at all. There are no scares to speak of and scenes that should have had an emotional impact, like the killing of one of the kids via semi-truck, is shot so poorly that I wasn't really sure what had happened until I went to the scene again. Going back to the book, there are things that are deleted that I am not sure of why and the sick sister is given way too much screen time and her story ends with a laugh out loud moment that sucked any horror out of what came after. If anything, this version of Pet Semetary proves that adaptations of Stephen King novels are more often than not just bad.
I don't really have a problem with remakes. Every form of media has remade things all the time. I like being able to see different versions of stories. Without remakes, we would not have classics like John Carpenter's The Thing, Phillip Kaufman's Invasion of the Body Snatchers, or David Cronenberg's The Fly. How many versions of Dracula or Frankenstein have we had over the years? Some of them are great while some are not. The remake of The Lion King is a remake that was not needed nor was it wanted. I have not met a single person who liked this film and yet it became the highest-grossing animated feature of all time (worldwide). Had people actually watched the film they would have seen that this is one of the worst remakes I have ever seen. The original film was alive and vibrant. This version is cold and grey. The original had some of the best songs found in any animated film. This version takes those songs and destroys them, leaving behind a hollowed-out carcass of each song. The original had performances that brought these animals to life. This version doesn't allow "acting" and requires the actors to deliver performances more sleepy than full of life. The Lion King 2019 is a terrible film that would have been the worst film of 2019 had it not been for two films that even more disgraceful.
Very few times will you hear me say that a filmmaker should be ashamed of one of their films as no one is going to like every film out there, but the next two films I can honestly say that the filmmakers should be ashamed that they made these films. The first is The Haunting of Sharon Tate, a film that was made and released to coincide with the 50th anniversary of the Tate murders at the hands of the Manson family. The film tells a very fictionalized version of the last three days of Tate and her housemates. We see Tate haunted by visions of her own death but decides to stay in the house and let these things happen to her and her friends. The acting is horrible, the writing and directing are appalling awful, and the ending is a punch in the face of the families of the victims and anyone who appreciates anything that comes close to "good" filmmaking. I hated this film so much that I could not take it out of my player fast enough. This film should be studied by wannabe filmmakers on everything NOT to do when making a film.
The second film that ties for the worst film of 2019 (and possibly one of the worst of 2010s) is the laziest documentary ever made, Leaving Neverland. The film was "directed" by a One Punch Man cosplayer (seriously, look up what the director looks like and then look up One Punch Man and tell me that they are not the same person) and is about two jackasses who up until a few years ago, never had a bad thing to say about Michael Jackson, but now they are saying that Jackson had married one of them (seriously, ring and all) and diddled one of them in a place at Neverland Ranch that hadn't been built at the time this supposed diddling took place. Now, with this film, like The Haunting of Sharon Tate, I have to say that everyone involved should be ashamed of themselves. It has been proven time and time again that Jackson did nothing wrong with anyone and these two failed abortions are just in it for the money. There is no truth to anything these guys are spewing, but HBO decided to buy up the FOUR HOUR documentary and show it over a two-night event. So HBO should be ashamed of themselves as well. Then there's Oprah, who made her career out of sucking at the teet of Jackson during his heyday. She hosted a follow-up to the doc that aired after the doc. She should be ashamed for turning her back on someone she always called a "friend". If I learned anything from this doc, I would be that you can't trust anyone and that the person you think is a friend is actually someone who will shame your name after you are gone.
2019 Action Animation Based on a Book Disney Documentary Horror Michael Bay Remake Ryan Reynolds Stephen King The Amazing Johnathan Worst Worst of 2019


text:
Q: Unable to format pen drive These are the errors i am facing.
 I have tried gparted and disks.
Gparted error:
Input/output error during write on /dev/sdc

Error formatting volume
Error wiping device: Command-line `wipefs -a "/dev/sdc1"' exited with non-zero exit status 1: wipefs: error: /dev/sdc1: probing initialization failed: Device or resource busy
 (udisks-error-quark, 0)

Unable to access "6.2 GB Volume"
Error mounting /dev/sdc1 at /media/s/e1564750-3802-4dbb-8df8-d1bdff3f6a93:
Command-line `mount -t "ext4" -o "uhelper=udisks2,nodev,nosuid" "/dev/sdc1" "/media/s/e1564750-3802-4dbb-8df8-d1bdff3f6a93"' exited with non-zero exit status 32: mount:
wrong fs type, bad option, bad superblock on /dev/sdc1,
missing codepage or helper program, or other error
In some cases useful info is found in syslog - try
dmesg | tail or so.

A: It sounds like you may have a broken pendrive; go to a terminal and try these commands; ensure the pendrive is in fact /dev/sdc 1st though (use mount):
sudo -i
fdisk /dev/sdc
p # Lists the partitions
d # This deletes the partition. Again, be careful you have the right one!
p # check...
n # Create a new partition
b # This one isn't a command, it's a type selection - vfat
w # Save changes

This should give you a list of partitions; delete the only one there (if more, repeat 'd' until there aren't - whilst being careful that this is definitely the right drive! It should then create a new one, set it to FAT32, and write it.
If that works, type fdisk -t vfat /dev/sdc1 ; exit & you're done.
If not, try cat /dev/zero >/dev/sdc & let it run for a while (-c when bored..) - if it generates no errors, try step 1 again. If you still get I/O errors, it's damaged.


text:
«I am keen to address emerging and existing concerns that fall within the scope of the mandate, and to focus on the implementation of international norms and standards, engaging with a wide variety of stakeholders in an open and inclusive manner.»
Dr. Ahmed Shaheed Special Rapporteur of the United Nations on Freedom of Religion or Belief
By Liviu Olteanu, PhD, Secretary General of the International Association for the Defense of Religious Liberty
H.E. Dr. HAMAD AL SHEIKH AHMED AL SHAIBANI, & KHALIFA MOHAMMED AL SUWAIDI, invited the Secretary-General of the AIDLR to participate together with worldwide religious leaders and scholars at the 'World Tolerance Summit'; during WTS Dr. Olteanu also talked with Ambassador MUSSIE HAILU, Regional Director for Africa
Dubai, 13-14th November 2019
The Second 'World Tolerance Summit' was organized in Dubai from 13-14 November 2019 under the Patronage of His Highness, Sheikh Mohammed bin Rashid Al Maktoum, Vice-President and Prime Minister of the UAE and Ruler of Dubai. This international event focused on how education and knowledge-sharing can be a powerful tool to raise awareness on tolerance in diversity. Dr. Liviu Olteanu, the Secretary-General of the AIDLR, was invited to participate by H.E. Dr. Hamad Bin Al Sheikh Ahmed Al Shaibani, Managing Director of the International Institute for Tolerance and Chairman of the Higher Committee of WTS, and Khalifa Mohammed Al Suwaidi, General Coordinator of the World Tolerance Summit. During that time, Dr. Olteanu had exchanges with WTS organizers, and many religious leaders and scholars from the Middle East, North Africa, and other parts of the world, on the importance of religious liberty as a fundamental principle that must be respected and promoted globally, and on behalf of all people, as a fundamental contributor for peace and security. At the World Tolerance Summit, Secretary-General of the AIDLR also talked with Ambassador Mussie Hailu, Regional Director for Africa and Representative of the United Religions Initiative to the African Union and UN Office in Nairobi and Geneva, who expressed the will to cooperate and work together on religious freedom and peace with the AIDLR. The World Tolerance Summit has analyzed some vital issues for the promotion of tolerance and peaceful co-existence, and has debated its impact on the microcosm of society - women, youth, educators, employees, students, artists, government officials, entrepreneurs sharing their insights on building a tolerant society. The final item to be discussed was the means by which to begin and develop an active collaboration between the AIDLR and the World Tolerance Summit.
Some photos of the event: