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Abhishek Bachchan, Meezan Jafri Not Approached For Hindi Remake Of 'Oh My Kadavule': Spokesperson
According to a statement released by the spokesperson of the makers of the popular Tamil film, the Hindi remake is still in the scripting stage and no actor has been finalised for the project as yet.
Abhishek Bachchan and Meezan Jafri have not been approached for the Hindi remake of 'Oh My Kaduvale'	-
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Updated: 26 Aug 2021 5:14 pm
A spokesperson for the makers of the popular Tamil romantic-fantasy film 'Oh My Kadavule' have denied reaching actors Abishek Bachchan and Meezaan Jafri for the Hindi remake of the same film.
"This is with regards to the rumours that have been doing the rounds that Abhishek Bachchan and Shalini Pandey have been approached for the Hindi remake of hit Tamil film 'Oh My Kadavule', directed by Ashwath Marimuthu. We would like to clarify that the news is untrue. As of now the makers are on the scripting stage and no actors have been finalized for the project," the spokesperson said in a statement, as reported by Times Of India.
Earlier there were reports that Bachchan and Jafri were onboard the Hindi remake of the popular Tamil film which had released on Valentine's Day last year.
Meanwhile, Bachchan had revealed that he underwent a surgery after he met with an accident on the sets of his new film.
"Had a freak accident in Chennai on the set of my new film last Wednesday. Fractured my right hand. Needed Needed surgery to fix it! So a quick trip back home to Mumbai. Surgery done, all patched-up and casted. And now back in Chennai to resume work. As they say... The show must go on! And as my father said.... Mard ko dard nahin hota! Ok, ok, ok it hurt a little. Thank you all for your wishes and get-well-soon messages," he wrote on Instagram.
A post shared by Abhishek Bachchan (@bachchan)
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El Metro de Nueva York (en inglés, New York City Subway) es el sistema de transporte ferroviario urbano más grande en los Estados Unidos y uno de los más grandes del mundo, con entre 420 y 475 estaciones (dependiendo de cómo se contabilicen los puntos de transbordo: la MTA usa 469 como número oficial de estaciones) y 660 millas (1.062 km) de vías primarias en servicio. Si se cuentan las vías secundarias en talleres y cocheras el total asciende a 846 millas (1.361 km). Este metro lo explota la Autoridad de Tránsito de la Ciudad de Nueva York (New York City Transit Authority en el original inglés), denominándose coloquialmente MTA New York City Transit por parte de la Autoridad Metropolitana de Transporte (Metropolitan Transportation Authority en inglés, en adelante MTA) de la que es una agencia afiliada. Ambas son agencias creadas por el legislativo del Estado de Nueva York, en 1953 y 1968, respectivamente, para explotar los transportes de titularidad pública de la ciudad de Nueva York en el caso de MTA New York City Transit por un lado y para supervisar el transporte público de masas en la Región de la Ciudad de Nueva York en el caso de MTA.

Está pendiente de aprobación una Ley que unirá las operaciones de metro de MTA New York City Transit con MTA Staten Island Railway para conformar la nueva agencia MTA Subways. A su vez, la explotación de los autobuses de MTA New York City Transit pasarán a otra agencia denominada MTA Bus (ya creada y que actualmente acoge a los antiguos operadores privados de autobuses de la ciudad, adquiridas entre el 3 de enero de 2005 y el 20 de febrero de 2006).

Aunque es conocido como the Subway (lo que implica operaciones subterráneas), aproximadamente un cuarenta por ciento del sistema circula sobre el terreno, en estructuras elevadas de acero o, más raramente, de hierro forjado, viaductos de hormigón armado, en trincheras cubiertas o a cielo abierto y -ocasionalmente- sobre rutas en superficie. Todos estos modos de transporte están completamente separados de la infraestructura vial.

Historia

Mientras que la primera línea de metro subterráneo abrió en 1904, la primera línea elevada (la línea de la Novena Avenida del IRT) abrió aproximadamente 35 años antes. La estructura más vieja que aún se usa (aunque reforzada) abrió en 1885 como parte de la línea de la Avenida Lexington y ahora es parte de la línea de Jamaica de BMT en Brooklyn. La línea más antigua abierta totalmente separada del tráfico es la West End de BMT, en uso desde 1863. En el ferrocarril de Staten Island (Staten Island Railway), circulan coches del metro (modelo R44) pero no está considerado parte del metro.

En la época en que el primer metro abrió, las líneas estaban agrupadas en dos sistemas separados de propiedad privada, Brooklyn Rapid Transit Company (BRT, más tarde Brooklyn-Manhattan Transit Corporation, BMT) e Interborough Rapid Transit Company (IRT). El Ayuntamiento estaba implicado de cerca; cada línea construida para la IRT y la mayor parte de las líneas construidas o mejoradas para la BRT después de 1913 fueron construidas por el Ayuntamiento y alquiladas a las compañías (mediante los Contratos originales 1 y 2 para el metro de IRT y los Contratos Duales para las expansiones posteriores). La primera línea operada por el Sistema de Metro Independiente (Independent Subway System, IND) de propiedad municipal, abrió en 1932; el sistema estaba concebido para competir directamente con los sistemas privados y permitir que se desmantelaran algunos de los ferrocarriles elevados y esto puede comprobarse por la proximidad entre las líneas de la Séptima y Octava Avenidas (IRT e IND, respectivamente) y en las líneas de Jerome Avenue (IRT) y Grand Concourse (IND) en el Bronx, por citar dos ejemplos.

En 1934, los trabajadores del BRT, IRT e IND se unieron para formar el Sindicato de Trabajadores del Transporte de América (Transport Workers Union of America, TWU), organizada como Local 100. La Local 100 se mantiene como el capítulo local más influyente de todo el sindicato. Desde su fundación, han mantenido tres huelgas debido a disputas contractuales con la MTA: 12 días en 1966, 11 días en 1980, y tres días en 2005.

En 1940 los dos sistemas privados fueron comprados por el Ayuntamiento, algunas líneas elevadas se cerraron pronto. La integración fue lenta, pero se construyeron bastantes conexiones entre el IND y el BMT y ahora operan como una sola división, la División B. Debido a que el IRT es más estrecho, se ha mantenido como una división propia, la División A.

El actual sistema de Metro
El Metro de Nueva York está pensado para transportar un gran número de personas cada día laborable. Funciona las 24 horas, todos los días del año; solo tres Metros en todo el mundo lo hacen. En 2009 viajaron en el Metro  pasajeros, con una media en días laborables de  de usuarios. Una estación de metro típica tiene andenes de espera que miden entre 400 y 700 pies (122 a 213 m), suficientes para acomodar un gran número de personas. Los usuarios entran en una estación a través de escaleras en dirección a las taquillas y máquinas de venta para comprar el billete, actualmente con una MetroCard. Después de pasar por el torno, los usuarios bajan a los andenes de espera. Algunas líneas en los distritos exteriores y en el Alto Manhattan tienen vías elevadas con estaciones que los pasajeros tienen que subir. Con algunas excepciones, los túneles del metro entre estaciones tienen una forma rectangular.

La mayoría de líneas y estaciones tienen servicios locales y expresos. Estas últimas tienen tres o cuatro vías -las dos exteriores son para trenes locales y la/las central/es para trenes expresos. Las estaciones donde paran los trenes expresos son habitualmente puntos de destino o de transbordo importantes. Una línea (la de Jamaica, rutas J y Z) usan servicio "skip-stop" (alternan paradas) en algunos tramos, en el que dos servicios operan en la línea en horas punta y estaciones menos importantes son servidas por una de las dos rutas en la línea. Desde 1989 y hasta el 31 de mayo de 2005, las rutas 1 y 9 ofrecieron el servicio de paradas alternas en los tramos comprendidos entre las calles 238 y 145, siendo eliminado este servicio por MTA New York City Transit y sustituido por la ruta 1 que ahora hace todas las paradas en la línea de Broadway y Séptima Avenida.

Un convoy típico del metro está compuesto de 8 a 11 coches (los transbordadores o "shuttles" tienen como poco 2 coches); cuando están compuestos, pueden medir desde 150 a 600 pies (de 46 a 183 metros) de largo. Como norma general los trenes de las líneas herederas del IRT son más cortos y estrechos que los trenes que operan en las otras líneas (IND y BMT); el resultado es que hay dos divisiones diferentes que no pueden compartir trenes (división "A" para los trenes de la antigua IRT y división "B" para los del BMT e IND).

Las estaciones de metro están localizadas a lo largo de Manhattan, Brooklyn, Queens y el Bronx. Todos los servicios pasan por Manhattan, excepto una ruta, la línea local G Brooklyn-Queens Crosstown, que une directamente estos dos distritos y los transbordadores de Rockaway Park y Franklin Avenue, que operan respectivamente en Queens y Brooklyn.

Staten Island está servido por el ferrocarril operado por MTA Staten Island Railway, que une las puntas norte y sur de esta isla y que es en realidad una división operativa de la sección de Metros de MTA New York City Transit, aunque no es considerado como parte del metro, pues está unido al sistema central de los ferrocarriles estadounidenses.

Por otro lado, existe un Metro con plena autonomía sistémica que une las dos orillas del río Hudson, entre Nueva York (Manhattan, terminales en calle 33/Herald Square y World Trade Center) y Nueva Jersey (terminales en Newark, Hoboken, Journal Square y Exchange Place), pero que no es operado por MTA sino por la Autoridad Portuaria de Nueva York y de Nueva Jersey, denominado Port Authority Trans-Hudson (conocido por su sigla PATH); como su sistema hermano, reúne las características de un Metro (separación total de cualquier otro sistema de tráfico y subterráneo en su mayor parte del trazado) y funciona las 24 horas del día, todo el año.

En 1994 el sistema de metro introdujo un sistema especial de pago de tarifas llamado MetroCard que permite a los viajeros usar tarjetas que almacenan dinero abonado al taquillero o en una máquina de venta. La MetroCard fue mejorada en 1997 para permitir a los usuarios hacer transbordos entre metros y autobuses en un plazo de dos horas. Otras MetroCard con transbordos solo entre metros también fueron puestas en circulación. El mundialmente famoso token fue retirado en 2003, el mismo año en que MTA subió la tarifa base a 2 dólares pese a las protestas de usuarios y grupos de presión como Straphangers Campaign. En 2005 la MTA incrementó los precios de las tarjetas MetroCard para viajes ilimitados, pero dejó la tarifa base en los 2 dólares.

Por ser un sistema antiguo, la mayor parte de las estaciones no son accesibles para gente con minusvalías. Las excepciones son las nuevas construcciones (o reformas, caso de Coney Island-Stillwell Avenue que fue totalmente reconstruida) y las estaciones importantes, tal y como estipula la Ley de Americanos con Discapacidades ("Americans with Disabilities Act, ADA", en inglés).

La MTA inició en el verano de 2005 las pruebas para una automatización progresiva de su metro, que incluye la conducción automatizada. Se iniciaron con la línea de BMT de Canarsie (ruta L). Se eligió esta ruta debido a que no tiene ramales y prácticamente no se cruza con ninguna otra línea. La siguiente línea planeada para ser automatizada es la de Flushing (ruta 7) del IRT para la década de 2010.

La automatización permitirá utilizar la llamada "Operación de Trenes con Una Persona" ("One Person Train Operation, OPTO", en la terminología que utilizan los empleados de tránsito). Los beneficios del metro automatizado incluyen reducción de costes, seguridad y fiabilidad. Los sistemas automatizados pueden ser más seguros, debido a que todos los trenes están comunicados vía radio con todos los demás (llamado "Communications-Based Train Control, CBTC", control de trenes basado en comunicaciones) y su posición y velocidad son controlados con precisión. Esto conllevaría menos retrasos y un mejor servicio. El nuevo sistema reemplazará a la vieja electrónica en servicio desde hace décadas y que frecuentemente falla debido a inundaciones (o también debido a incendios; el 25 de enero de 2005, un incendio en un cuarto de señales en la estación de la calle Chambers dejó sin señales a los trenes de las líneas A y C (Octava Avenida del BMT) y las reducciones de servicio en esta línea se prolongaron durante unas dos semanas).

Los trenes automáticos no son enteramente nuevos, actualmente existen en Barcelona, Los Ángeles y París. Un experimento para automatizar el transbordador de la calle 42 en Nueva York, iniciado en 1959, finalizó con un incendio en Grand Central-42nd Street el 24 de abril de 1964.

Los detractores de esta automatización aducen que el operar trenes con una sola persona, pone en riesgo la seguridad personal de los viajeros, pues normalmente el conductor (el empleado que abre y cierra las puertas de los trenes y hace los anuncios de estaciones donde estos no están automatizados) es el encargado de avisar a los servicios de emergencia en caso necesario. Este puesto sería eliminado y sus tareas pasarían al maquinista.

Líneas y rutas

Muchos metros operan rutas más o menos estáticas, por lo que una línea ferroviaria es casi siempre sinónimo de ruta ferroviaria. En Nueva York, las rutas cambian con frecuencia debido a nuevas conexiones o por cambios en el patrón de servicios. La línea describe la línea de ferrocarril física o una serie de líneas que una ruta de tren usa en su camino de una terminal a otra. Las rutas (también llamados servicios) se distinguen por una letra o un número. Las líneas tienen nombres.

Por ejemplo, el tren D, ruta D o servicio D, aunque coloquialmente llamada la línea D, circula sobre las siguientes líneas en su recorrido:
 En el Bronx, la línea Concourse;
 En Manhattan, la línea de la Octava Avenida, la línea de la Sexta Avenida y la Conexión de la calle Chrystie;
 En Brooklyn, la línea de la Cuarta Avenida y la línea del West End.

Hay 27 servicios de tren en el sistema del metro, incluyendo tres transbordadores cortos ("shuttles"). Cada ruta tiene un color, representando la parte de línea que discurre por Manhattan de la ruta en cuestión; un color diferente está asignado a la ruta Brooklyn-Queens Crosstown, pues no opera en Manhattan y los transbordadores todos tienen el color gris oscuro. Cada servicio también está nombrado por su ramal de Manhattan (o "crosstown") y está marcado como local o expreso.

Los trenes están marcados por etiquetas de servicio en blanco o bien en negro (para un contraste apropiado) en un campo en el color de su línea principal. El campo está cerrado en un círculo para la mayor parte de los servicios o un rombo para los servicios especiales, tales como trenes expresos que circulan solo en horas punta en una ruta que opera normalmente como local. Los paneles también incluyen normalmente el nombre del servicio y las terminales.

División A (IRT) consiste en el 1 Local de Broadway y Séptima Avenida, 2 Expreso de la Séptima Avenida, 3 Expreso de la Séptima Avenida, 4 Expreso de la Avenida Lexington, 5 Expreso de la Avenida Lexington, 6 Local de la Avenida Lexington, 7 Local de Flushing y S Transbordador de la calle 42.

División B (BMT/IND) consiste en el A Expreso de la Octava Avenida, B, Expreso de la Sexta Avenida, C Local de la Octava Avenida, D Expreso de la Sexta Avenida, E Local de la Octava Avenida, F Local de la Sexta Avenida, G Local Brooklyn-Queens Crosstown, J Expreso de la calle Nassau, L Local de la calle 14 y Canarsie, M Local de la calle Nassau, N Expreso de Broadway, Q Expreso de Broadway, R Local de Broadway, S Transbordador de la Avenida Franklin, S Transbordador de Rockaway Park, W Local de Broadway, y Z Expreso de la calle Nassau.

División C consiste en las operaciones no asociadas al transporte de pasajeros, incluyendo mantenimiento de vías y operaciones en cocheras.

Proyección proyectada de los servicios de la división B:

La división C consiste en áreas de no servicios, incluyendo en áreas de mantenimiento de vías y operaciones de yardas.

Datos de operación

 Apertura: 1904 (tramo operativo más antiguo)
 Operador: New York City Transit Authority (popularmente, MTA New York City Transit)
 Líneas: 24
 N.º de estaciones en 2009: 468
 Viajeros en 2009 (año): 1.579.866.600
 Beneficio bruto en 2009: 4.107.653.160 TM
Precio de un billete sencillo 3$ (2,60 euros) TM
 Promedio diario de viajeros (en días laborables) en 2009: 5.086.833
 Promedio diario de viajes (en días laborables) en 2009: 8.279
 N.º de viajes en 2006: 2.680.573
 Empleados en 2006: 27.807
 Kilometraje red: 1.062,6 km (660 Mi)
 N.º de coches en 2009: 6.380
 Distancia media entre averías (2009): 246.553,11 km (153.201 Mi)

Flota

El metro de Nueva York tiene la flota de coches más grande del mundo. Aproximadamente unos 6.300 coches en 2009 están en la lista de New York City Transit. Los coches adquiridos por el Ayuntamiento de Nueva York desde la creación de la IND y para el resto de divisiones desde 1948 están identificadas por la letra "R" seguida por un número (p.e. R32). Este es el número de contrato por el que los coches fueron adquiridos. Coches con números próximos (p.e. R1 a R9) suelen ser virtualmente idénticos, habiendo sido simplemente adquiridos mediante contratos diferentes. Los coches fueron conocidos como de "Tipo-R" para distinguirlos de los modelos construidos para los operadores privados.

El sistema mantiene dos flotas separadas de coches, uno para las líneas del IRT y otra para las líneas del BMT e IND. Todo el equipamiento de IRT es de aproximadamente 8 pies 9 pulgadas (aproximadamente 2,67 metros) de ancho y 51' (aprox. 15,5 metros) de largo, mientras que todo el equipamiento de BMT e IND es de aproximadamente 10' (unos 3 metros) de ancho y o bien 60' (unos 18,3 metros) o 75' (unos 22,86 metros) de largo.

Aunque el equipamiento de las dos flotas puede operar en las mismas vías, el factor clave que impide la interoperatividad es el hecho de que los dos contratos originales construidos para el IRT fueron hechos para un perfil más pequeño. Esto es así, porque IRT eligió usar equipamiento del mismo tamaño que la que estaba en uso en todos los ferrocarriles elevados existentes en la ciudad. Este perfil estaba en consonancia con líneas más antiguas en servicio en Filadelfia, Boston y Chicago.

Cuando la Brooklyn Rapid Transit Company inició las conversaciones para operar las nuevas líneas de metro, hicieron la decisión de diseñar un nuevo tipo de coche, de 10 pies de ancho y 67 pies de largo, objeto de numerosas patentes, cuyo perfil más largo era más similar a los coches de ferrocarriles de vapor, permitiendo una mayor capacidad de pasaje, asientos más confortables y otras ventajas. La BRT desveló su diseño al público en 1913, recibiendo tal aceptación que todas las futuras líneas fueran construidas para la BRT, el IRT o, finalmente, la IND, sería construida para albergar los coches más anchos.

Como resultado, la mayoría de las líneas del IRT podrían acoger el equipamiento del BMT e IND más grande, con modificaciones en los andenes de las estaciones y el equipamiento de los laterales de las vías. Esto no parecía factible, de todas maneras, porque el metro original, más estrecho, incluye porciones de las dos líneas primarias de Manhattan, así como partes críticas de las líneas de Brooklyn. Esto podría ser solucionado, pero a gran coste. Por otro lado, sería relativamente fácil convertir la mayoría de las líneas del Bronx para las operaciones del BMT e IND; algunos de los planes para la línea de la Segunda Avenida han incluido una conversión de la línea de Pelham del IRT.

Planes de expansión y grandes proyectos

La expansión más importante es la construcción de la línea de la Segunda Avenida, denominada línea  y cuya Fase I (desde las calles 96 a 63, donde conectará con las líneas de Broadway y Queens Boulevard), dando comienzo las obras el 12 de abril de 2007. Se prevé la apertura de la esta línea como un ramal de la actual línea  en 2014.

Esta línea está planificada desde los inicios del metro, pero la crisis de los años 20 y 30 (el Jueves Negro de la Bolsa neoyorquina, en 1929, produjo la recesión más importante de la economía estadounidense en el siglo XX) lo impidieron y, sucesivamente, la Segunda Guerra Mundial y el auge en la construcción de autopistas a lo largo y ancho de los Estados Unidos en los años 50 y 60, no contribuyeron a que arrancara este proyecto. La primera fase de este línea (con tres estaciones a las calles 72, 86, y 96) fue inaugurada el 1 de enero de 2017.

Finalmente, su construcción fue iniciada en los años setenta, aunque posteriormente fue paralizada debido a problemas presupuestarios (la crisis fiscal de la Ciudad de Nueva York en los años 70) y aún no tiene secciones que puedan ser utilizadas.

Esta será la expansión más importante en el Metro neoyorquino, que permanece prácticamente inalterado desde 1940, cuando los tres operadores fueron fusionados en una sola corporación (solo la conexión de la Calle Chrystie en el bajo Manhattan, las extensiones del Metro a Rockaway –adquirida al Ferrocarril de Long Island y a Archer/Parsons (en 1988), el túnel de la Calle 63, bajo el río Este (en 1989) y la conexión de la Calle 63 (entre el túnel de la calle 63 y la línea Queens Boulevard, en 2001), han sido las obras más significativas desde entonces).

Otros proyectos significativos son:

La extensión del tren número 7 desde su terminal en Times Square, hasta la Undécima Avenida y Calle 34 (al lado del centro de convenciones Jacob K. Javits, a orillas del río Hudson). Las obras se iniciaron el 3 de diciembre de 2007 y la apertura está prevista en 2013.

La reconstrucción de la estación de South Ferry, terminal de la línea 1, para que permita acoger trenes completos (actualmente es una estación con forma circular, data de los primeros tiempos del Metro y solo permite acoger cinco remolques, lo que causa enormes retrasos en los trenes que circulan por la Séptima Avenida) está en marcha, lo que causa cortes en el servicio los fines de semana. Esta nueva estación permitirá un transbordo directo entre las estaciones de South Ferry y Whitehall (R y W, línea de Broadway) sin tener que salir a la superficie. La apertura estaba prevista para 2008.

La construcción de un intercambiador, denominado Fulton Street Transit Center (Centro de Tránsito de la calle Fulton) en Broadway, Bajo Manhattan, donde convergen nueve líneas de Metro, consistirá en un nuevo edificio que facilite las conexiones entre las líneas de la Séptima Avenida (2 y 3), Lexington (4 y 5), Octava Avenida (A y C) y calle Nassau (J, M y Z). También se prevé conectar este intercambiador con la futura estación del World Trade Center, que construirá el arquitecto español Santiago Calatrava y que además de albergar el Metro PATH, existen planes para construir un tren directo al Aeropuerto Internacional John F. Kennedy. Este proyecto está previsto que se finalice en junio de 2009, está en marcha, e igualmente ocasiona cortes de servicio los fines de semana en las líneas afectadas.

Por último la construcción del conector de la calle Dey, que será la que permita la conexión directa entre el intercambiador de tránsito de la calle Fulton y la nueva terminal del World Trade Center, está realizándose, lo que ha motivado el cierre de la estación de la calle Cortlandt, en la línea de Broadway (rutas R y W). Está previsto que se reabra la estación a mediados de 2007, con la pasarela casi finalizada, aunque la obra no se rematará en tanto no esté construida la nueva terminal del World Trade Center.

En la cultura popular

El metro es a menudo visto como una parte integral de la ciudad. Mucha gente que vivía en el área a lo largo de los años ochenta lo recuerda por su crimen y el graffiti, pero esto ha bajado desde entonces.

El metro de Nueva York ha figurado de forma protagonista en muchas películas. Probablemente la más notable de sus apariciones es en la película de 1971 The French Connection. La persecución del remolque de metro por el coche del protagonista bajo la línea elevada de BMT West End es a menudo considerada la mejor secuencia de persecución en la historia del cine (, en inglés).

Más tarde, la película de 1974 Pelham, Uno, Dos, Tres (The Taking of Pelham One Two Three) se centra en el secuestro de un tren número 6 en Manhattan.

La película de culto The Warriors, los amos de la noche (The Warriors) basa su argumento en una pandilla callejera tomando el metro desde el norte del Bronx hasta Coney Island, en el sur de Brooklyn. Los remolques completamente pintados de graffiti contrastan enormemente con el sistema de metro relativamente limpio de hoy.

En los videojuegos Grand Theft Auto III, Grand Theft Auto IV, aparece en forma de parodia.

En 2004, Spider-Man 2 contaba con una secuencia de una lucha y choque de un tren elevado fuera de control en Manhattan, aunque las vías que aparecen no existen; fue filmado en el metro elevado de Chicago.

En música, la Banda de Duke Ellington tocó el tema Take the A Train (Toma el tren A) inspirado en esta línea que va a Harlem.

En la telenovela de Telemundo Una maid en Manhattan, se puede observar en las entradas de la telenovela y algunas escenas de la historia, el metro que viaja hasta Manhattan.

En la serie de Netflix Get Down se puede apreciar la cultura del grafiti entre los jóvenes amantes de este arte callejero. Rumi y Thor, personajes de esta serie, son quienes más se ven influenciados en pintar los vagones del metro con mensajes de lucha y protesta hacia la población neoyorquina.

Referencias

 Informe Anual 2006 de Metropolitan Transportation Authority (4,30 Mb)
 Datos de Viajes de la Asociación del Transporte Público estadounidense, APTA
 Datos del Metro de Nueva York, provistos por Metropolitan Transportation Authority
 Página de MTA Capital Construction, responsable de los proyectos de expansión del Metro y otras agencias de la Autoridad
 Nota de prensa de la Autoridad, sobre el proyecto de fusión y segregación entre agencias de la Autoridad

Enlaces externos

 MTA New York City Transit - Subways (sitio oficial de la Autoridad de Tránsito, con mapas detallados y horarios).
 Metropolitan Transportation Authority (sitio oficial de la Autoridad Metropolitana de Transporte, agencia que engloba todos los transportes públicos del Área Metropolitana neoyorquina).
 Port Authority of New York and New Jersey (sitio oficial de la Autoridad Portuaria de Nueva York y de Nueva Jersey, operador del metro PATH, que une las dos orillas del río Hudson).
 New York City Subway Resources (un sitio con amplios recursos actuales e históricos sobre el metro neoyorquino).
 NYPIRG's Straphangers Campaign (Grupo de defensores de los viajeros de los transportes neoyorquinos).
 Hopstop (búsquedas de direcciones usando el transporte público).
 Forgotten New York (Muestras fotográficas de la arquitectura del Metro, el Arte de estaciones y las estructuras demolidas o abandonadas).
 NYC Map 360° Mapas de transporte de Nueva York
 Historia: 70 fotografías del Metro de Nueva York entre 1976 y 1984.

redpajama_set_name: RedPajamaWikipedia


text:
www.bob
少年封神
The year was 1999. The summer movie season was about to kick off with one of the most anticipated films of all time. This would be the year that would see the return of the greatest franchise in cinema histo
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手游抓住了快节奏生活中的碎片化时间所带来的的红利,国内主机游戏市场逐渐完善也进一步吞噬了端游的市场,暗流涌动的游戏圈已经容不得这些游戏厂商再原地踏步了。
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www.bob采用百度引擎1(Baidu 7)The big game always means big trailers, and this year was no exception with fresh looks at Avengers: Endgame, Captain Marvel, Toy Story 4, Us, CBS All Access s reboot of The Twilight Zone, Netflix s nature documentary series Our Planet, and our first look at season 3 of Hulu s The Handmaid s Tale. (That s Plus, CBS Films dropped four mini teasers for the Guillermo del Toro-produced horror flick, Scary Stories to Tell In the Dark. Catch up with all of the trailers below.Trailer for Avengers: Endgame (2019) 94% Some people move on, but not us. Our second look at Endgame doesn t reveal very many new details, other than showing us a deserted New York (empty Citi Field!) and various shots of the Avengers preparing to go to battle of some kind, but the tone is far less somber than the first trailer. No moping here: the team is preparing for action. (Eagle-eyed watchers will note that the trailer pays tribute to the fallen at the very beginning.)In theaters April 26, 2019.Trailer for Toy Story 4 (2019) 97%The just-released Toy Story 4 spot gave us some insight into Ducky and Bunny (voiced by Keegan-Michael Key and Jordan Peele) who terrorize/annoy Buzz as they share wall space at a country fair carnival game. To infinity and my foot! In theaters June 21, 2019.Trailer for Our Planet 93%Nature doc lovers, rejoice! Netflix just dropped a 30-second trailer for its natural history series, Our Planet, which comes from the creators of Planet Earth, working with the World Wildlife Fund, and is narrated – of course – by Sir David Attenborough. It's a mammoth project: shot over four years in 50 countries, the series featured 600 crew members who shot for more than 3,500 days in total.Our Planet is available to stream on Netflix from April 5.Trailer for The Twilight Zone 66%Following a very short look at the new Spock on Star Trek: Discovery, CBS faked a failed transmission and then transported us to The Twilight Zone. Or at least to an empty stadium where Zone reboot producer and narrator Jordan Peele asked, "What dimension are you even in?"The Twilight Zone debuts on CBS All Access April 1, 2019.Trailer for Captain Marvel (2019) 79%Marvel Studios latest spot for Captain Marvel didn t reveal too much we hadn t already seen, but it s all-action vibe was a different approach than what we ve seen from the marketing so far. Leaning into the film s tagline – Higher, further, faster – this punchy spot was all ass-kicking and attitude.In theaters March 8, 2019.Trailer for The Handmaid's Tale: Season 3 (2019) 82%Our first look at season 3 of Hulu s The Handmaid s Tale is a chilling parody of Reagan s Morning in America campaign commercials that ends with an incredible image: hundreds of handmaids standing in formation at the Lincoln Memorial Reflecting Pool.Season 3 of The Handmaid s Tale is coming soon to Hulu.Trailer for Alita: Battle Angel (2019) 61%The James Cameron-produced, Robert Rodriguez-directed Alita: Battle Angel released a new TV spot during the Super Bowl pre-show, with the focus squarely on Mahershala Ali's villain and messaging pushing the film as a must-see 3-D event. That falls in line with what early reviews have been saying: while the film lacks a little something in the script department, critics are almost unanimous that the movie provides plenty of big-screen spectacle.In theaters February 14, 2019.Four mini teasers for Scary Stories to Tell in the Dark (2019) 77%Horror mastermind Guillermo del Toro produces this CBS Film s thriller from director André Øvredal (Trollhunter), which sees a group of teenagers trying to solve the mystery behind a series of deaths in their small town. The first two mini teasers are light on detail, but big on creepiness, with the first featuring a chilling we re next and a jump-scare reveal of the kind of monster only Del Toro could conjure, and the second showing that hiding under your bed isn t going to save you. One more mini teaser is expected to drop throughout the Super Bowl broadcast.The third and shortest teaser shows mysterious trouble in a red-lit hallway. If you want a clearer look at the Pale Lady at the end of the hallway, CBS Films has supplied.The team behind Scary Stories to Tell In the Dark saved the grossest vignette until last, with their mini teaser revealed in the fourth quarter giving horror fans a mirror scare for the ages.In theaters August 9, 2019.Trailer for Us (2019) 93%Our second look at Jordan Peele s Get Out follow-up, Us, is just as freaky as the first. The film – which sees a family attacked by a group of doppelgängers while on vacation – is set to open the South By Southwest Film Festival in March.In theaters March 22, 2019.Trailer for Wonder Park (2019) 34%An all-star voice cast headlines this American-Spanish animation co-production, with Jennifer Garner, Kate Hudson, Matthew Broderick, Kenan Thompson, John Oliver, and Mila Kunis all on board. The film tells the tale of a young girl who discovers that the amusement park she imagined as a young girl is actually real – and under threat. The just-released Super Bowl trailer promises plenty of sassy animals and rollercoaster-style action.In theaters March 15, 2019.Trailer for Fast & Furious Presents: Hobbs & Shaw (2019) 67%Remember when the Fast and the Furious franchise was all about relatively modest muscle cars and the family that raced them? This new trailer – which we expect to be shown during the game (perhaps in a shorter form) – shows just how far the Furious team has come, with a spinoff that features Idris Elba as a cyber-genetically enhanced villain and Dwayne Johnson and Jason Statham racing each other down the face of a building with ropes and an elevator, respectively, as you do.In theaters August 2, 2019.Trailer for Hanna 80%Game watchers got another look at the Amazon Prime Video adaptation of Joe Wright s film, Hanna, the first episode of which is available for 24 hours following the game – but will disappear after that until the series launches in March.The pilot Hanna debuts on Amazon Prime Video after the game and is available for 24 hours.Trailer for Million Dollar MileThis latest entry in the American Ninja Warrior-style average-people-doing-extraordinary-things genre comes to us via executive producer LeBron James.Prepare to watch world-class athletes go up against some of the most inspiring people in the world. The chase begins March 27 at 9/8c. #MillionDollarMile pic.twitter.com/9OCTG2p15o Million Dollar Mile (@MillionDollar) February 4, 2019Million Dollar Mile premieres on CBS March 27, 2019.
1. www.bob
虽然天涯明月刀手游公测时间并不长,但还是好评如潮,玩家们都觉得这游戏很不错,尤其是画质可以给五分了。什么时候dnf能有这种画质,那么重回14年巅峰也只是时间问题。 就我个人而言,我觉得在使命召唤手游中,最吸引我的地方还是玩法。毕竟我自己还是个FPS游戏玩家,而且在使命召唤手游中,从经典爆破,据点争夺,团队冲锋,战术冲锋到个人竞技,使命召唤手游的每个玩法包含了不同的特色,不同模式下的游戏体验非常丰富。
dnf又叫地下城与勇士,这款游戏在所有游戏里也算是比较多玩家了解的游戏了吧,很多玩家都是有在玩的。而且这款游戏是要出手游的,这里也是跟大家说一说dnf手游什么时候上线,大家一起来了解一下吧。www.bob官方近期宣布之后LOL手游将会2周进行一次测试,其原因也是很简单,为了让游戏更加靠近端游。并且布隆也上线了,玩家们纷纷调侃听到这熟悉的声音就知道国服真的要来了。但具体什么时候进行首测都不好说,可能在未来两个月的时候,或者说在10月份左右,但有玩家推断很有可能在S3赛季的时候,那么就会在7月份左右开启国服,而首测应该会在6月份的时候。
《大战英雄》是一款传承还原传世经典传奇的复古攻沙手游,回味传奇霸气攻沙!在保留原始原味的传奇玩法的同时,加入类道士招五狗,大招全屏清怪等技能传奇设定和热血玩法;力求让广大玩家拥有更加爽快的挂机游戏体验!
在去年,有相关截图和资讯出来时候,我对英雄联盟手游还是挺期待的。从有关截图和视频来看,英雄联盟手游英雄技能和召唤师峡谷地图,都在保留和端游差不多样子。
www.bob采用百度引擎3(Baidu 6)建构,当然了想让我们国内的玩家等上个一年半载的肯定不太实际,所以大量的国人跑到了日服、东南亚服以及其他几个服务器去游戏。而如果大家想要有一个好的游戏体验的话我这里给大家推荐一位LOL手游大神,他可是B测RANK第一以及全球公测第一位钻石玩家,KS的主播LOL手游大白兔。
事实证明,虽然大部分手游都是免费游戏,并不需要充钱才能游玩,但是还是会有很多玩家愿意消费,从而达到满足的心理。不过需要注意的事,这款游戏的玩家中未成年人占比极高,如何进行有效的监管也是关键问题。 从各大游戏社区对英雄联盟手游的评论来看,无论是游戏本身的可玩性、精益求精的细节品质,还是在英雄联盟IP还原基础上的移动化创新,英雄联盟手游都得到了召唤师们的高度认可,在先锋测试、超燃测试两轮测试之后,玩家们对即将到来的不删档上线更具信心。
据中国游戏产业报告中显示,2020年度移动游戏市场实际营销收入为亿元,比上年增加亿元,同比增长;移动游戏用户规模为亿人,同比增长。手游市场的发展速度奇快,成为游戏市场的中流砥柱。www.bob最终我们将游戏定位为一款慢节奏的、轻松愉快的、人与人互动更紧密的休闲社交类手游。也是我们认为可能最贴近成年小摩尔对摩尔手游幻想的样子。
另外,还有的玩家和若风的看法一致,《英雄联盟手游》整体的游戏时长偏短,因此各个节点的决策就显得十分重要。有的玩家形容得十分贴切,《英雄联盟手游》就像是把大乱斗的感觉带到了召唤师峡谷中。
游戏挣钱离不开运营,有经验的运营团队可以自助开发,或者加盟游戏平台都可以,那么不懂游戏运营的人呢?难道真的只能看着别人抢在风口之上自己眼红?其实,只要选择了一个靠谱的平台,就像归客手游平台,平台对你进行多对一的培训,教你如何看后台,如何进行推广,你没有经验,不懂运营推广也能做游戏代理。
8.84.2 1月喜迎是一款趣味十足的动作冒险手游,这里有着十分精致细腻的像素画风,操控你的角色在这个荒野森林开启冒险旅程。玩法操作十分的简单,每一位小伙伴都能轻松上手,途中的乐趣等你来体验。
One gave us Michael Myers and the Thing, the other Freddy Krueger and Ghostface – and both gave us many, many sleepless nights. But who is the king of making us quake? In our latest episode of Vs., we're slicing and dicing the numbers to find out who is the true master of horror: John Carpenter or Wes Craven. Will it be the famed director – and killer composer – who essentially defined the slasher genre with Halloween? Or will it be Craven, who let us know that danger lurked under the stairs, in the last house on the left, and in our dreams? Our favorite Final Boy and Rotten Tomatoes contributing editor Mark Ellis is examining Tomatometer and Audience Score data, box office performance, iconic moments and characters from their films, to make a call. And if you don't agree, have at him: He's just putting on some Jiffy Pop right now and his phone number is… we mean, let us know in the comments!On an Apple device? Follow Rotten Tomatoes on Apple News.Thumbnail image: © New Line, © First Run Features
Fresh off a surprise history-making Emmy win, Euphoria star Zendaya is back with a holiday special for the hit HBO series this month — and that's not all that's in store. With new outings from Pennyworth, Big Mouth, a final season for Chilling Adventures of Sabrina, and more, it's time to buckle up for a binge-tastic holiday season.
This Week s Ketchup brings you seven headlines from the world of film development news, covering spinoffs or sequels following Aquaman, Before Sunrise, and Mad Max: Fury Road. This WEEK S TOP STORYANYA TAYLOR-JOY MIGHT TAKE OVER AS FURIOSA IN FURY ROAD PREQUEL(Photo by Focus Features)Everyone has their own way to pass the time during their COVID-19-related quarantines, but apparently, George Miller is using this time to start looking for the new star of his prequel to the 2015 fan favorite Mad Max: Fury Road (Certified Fresh at 97%). Furiosa will reportedly depict what Charlize Theron s character was doing years before meeting Mad Max, so Miller is looking for a younger actress for the role. To that end, Miller has Skype-tested (instead of screen-tested ) a number of actresses, and the one name that was floated out this week was 23-year-old Anya Taylor-Joy, who first came to most people s attention as the star of The Witch and Split, before more recently starring in Emma and the upcoming Marvel movie The New Mutants. George Miller hopes to start filming Furiosa sometime in 2021 after he wraps filming of his current project, Three Thousand Years of Longing, starring Idris Elba and Tilda Swinton.Other Top Headlines1. ALEJANDRO GONZÁLEZ IÑÁRRITU HAS APPARENTLY STARTED FILMING A SECRET PROJECT(Photo by Atsushi Nishijima/Fox Searchlight Pictures)This year marks the five-year anniversary of the release of Mexican director Alejandro González Iñárritu s The Revanant (Certified Fresh at 79%) in 2015, and we now know that Iñárritu has recently been spotted by various sources filming in Mexico City. Iñárritu and cinematographer Bradford Young (Arrival, Selma, Solo: A Star Wars Story) were spotted at locations like Chapultepec Castle doing what appeared to be camera tests using 90s period clothing, cardboard cutouts of politicians Carlos Salinas de Gortari and José López Portillo, and pieces of the sets from enormously popular Mexican comedy show El Chavo del Ocho. Those details might give us ideas about Iñárritu s next film (something like Alfonso Cuaron s Roma, perhaps?), or they could all just be completely random choices, potentially meant to throw people off.2. ETHAN HAWKE HINTS AT FOURTH FILM IN RICHARD LINKLATER S BEFORE SERIES(Photo by Despina Spyrou/Sony Pictures Classics)Ever since his very first feature film, 1990 s Slacker (which arguably inspired aspects of the mumblecore genre), director Richard Linklater has shown an unusual willingness to experiment with production standards for someone who has also had mainstream success with movies like School of Rock. The most acclaimed example of this was 2014 s Boyhood, which was filmed over a dozen years (2001 to 2013) to depict the growth of a young boy into a young man. (Linklater is currently signed to direct an adaptation of Stephen Sondheim s Merrily We Roll Along, which will also be filmed over several years.) Frequent Linklater collaborator Ethan Hawke revealed recently that a fourth film may still happen in the series that started with Before Sunrise (Certified Fresh at 100%) in 1995 and continued with Before Sunset (Certified Fresh at 95%) in 2004 and Before Midnight (Certified Fresh at 98%) in 2013. The hypothetical fourth film (again co-starring Julie Delpy, of course) could take many different forms, one of which would be filmed 20 years after Before Midnight, suggesting a release sometime in 2033.3. DISNEY S LIVE-ACTION THE LITTLE MERMAID WILL FEATURE FOUR NEW SONGS (Photo by Walt Disney courtesy Everett Collection)One of the biggest productions that was recently shut down because of COVID-19 just before filming was set to start was Disney s The Little Mermaid, which was to have begun fimling in London last week. So it may be a while before we start seeing what performers like Halle Bailey (Ariel), Melissa McCarthy (Ursula), or Jonah Hauer-King (Prince Eric) look like in their respective costumes (or CGI characters). In the meantime, however, songwriter and composer Alan Menken talked to Rosie O Donnell this week and revealed that he and Lin-Manuel Miranda have written four new songs for the live-action remake. This suggests that possibly some of the songs from the original film might either be left out or be shortened for the sake of a reasonably family-friendly runtime. Menken and Miranda are also currently working on songs for Disenchanted, the long-in-development sequel to Disney s 2007 hit Enchanted (Certified Fresh at 93%).4. DETAILS ABOUT AQUAMAN HORROR SPINOFF THE TRENCH REVEALED (Photo by Warner Bros. Pictures)In late 2018 and early 2019, as Aquaman (Fresh at 66%) continued its box office success (ultimately earning .148 billion worldwide), a series of news stories broke about both Aquaman 2 (12/16/2022) and a spinoff monster movie called The Trench. Screenwriter David Leslie Johnson-McGoldrick (who s currently working on Aquman 2) was asked about The Trench this week, and his answer was that theoretically, it takes place between 1 and 2. But some pieces of this are still being worked out. The interesting thing about this is that The Trench is expected to be released after Aquaman 2, so this horror movie spinoff might end up feeling like a prequel to Aquaman 2 (or something). As for Aquaman 2 itself, Johnson-McGoldrick suggested that fans should read pretty much any Silver Age story featuring Black Manta. Watchmen star Yahya Abdul-Mateen II is expected to return as Black Manta in Aquaman 2.5. RYAN GOSLING RETURNING TO SPACE TO THROW THE HAIL MARY AND SAVE THE WORLD (Photo by Saeed Adyani/©Columbia Pictures courtesy Everett Collection)After a particularly prolific stint from 2010 to 2017, Ryan Gosling appears to be slowing his career down a bit, as it s now been almost a year and a half since his last feature film, 2018 s First Man (Certifed Fresh at 86%). For his next project, Gosling might be returning to outer space, as he is now signed to produce and star in MGM s adaptation of an upcoming sci-fi novel by author Andy Weir (The Martian). Ryan Gosling will play a solitary astronaut (not unlike The Martian) on a spaceship who is tasked with saving the planet. Random House will publish The Hail Mary sometime in the spring of 2021. Andy Weir s novel Artemis is also being developed as a project the directing team of Phil Lord and Chris Miller (The LEGO Movie).6. TRAIN TO BUSAN SPINOFF PENINSULA WILL TAKE PLACE FOUR YEARS LATER(Photo by Well Go USA Entertainment)Since the 1990s, there has been a Korean New Wave in cinema that has slowly been appreciated more widely in the United States (Oldboy, Memories of Murder, Snowpiercer, The Handmaiden), which ultimately led this year to Parasite (Certified Fresh at 99%) winning four Academy Awards, including Best Picture and Best Director for Bong Joon-ho. Another South Korean film that has done well in the United States is the 2016 zombie movie Train to Busan (Certified Fresh at 93%), which, incidentally, you can currently watch on Netflix. The indie distributor Well Go USA acquired the U.S. rights in January to a spinoff variably called Peninsula or Train to Busan Presents: Peninsula. Well Go USA hasn t announced a release date yet for the film, but revealed that the setting is four years after the events of Train to Busan, after government authority has been decimated after the zombie outbreak of Korea, and there is nothing left except the geographical traits of the location which is why the film is called Peninsula. You can also see some early photos from Peninsula in this gallery at ComingSoon.7. JENNIFER HUDSON S ARETHA FRANKLIN BIOPIC RESPECT TO GET AWARDS SEASON PUSH (Photo by Derek Storm/Everett Collection)Although the Aretha Franklin biopic Respect, starring Jennifer Hudson, has been developed and produced relatively quickly, a few different factors have prevented the film from its original release date this summer of August 14, 2020. The COVID-19 crisis is an obvious factor, and one has to figure that National Geographic s choice to cast Cynthia Erivo as Franklin in the upcoming third season of Genius (covering Franklin after Albert Einstein and Pablo Picasso) was possibly also a reason for a date change. Setting those aside, MGM is saying that the mind-blowing dailies for the film have ultimately led the studio to reposition Respect as an awards season platform release starting on Christmas Day (12/25/2020), expanding a little more on 1/8/2021, and then going wide on January 15, 2021, which is also Martin Luther King Jr. Day weekend. This is probably not the last major change to the awards season slate, and it s also one that may cause other films scheduled for December to be pushed to 2021. You can watch the first teaser trailer of Jennifer Hudson as Aretha Franklin right here.8. NEON PICKS UP NICOLAS CAGE REVENGE THRILLER ABOUT HIS KIDNAPPED PIG(Photo by Patti Perret/©Alchemy courtesy Everett Collection)The COVID-19 crisis is challenging everyone involved in film to change their lives and strategies, and that includes the smaller indie film distributors, some of which are not necessarily just jumping on the VOD bandwagon. Let s start with Neon, which had a massive surprise Academy Awards success with Parasite this year. Neon has won a heated bidding war to acquire a revenge thriller called Pig in which Nicolas Cage plays a truffle hunter whose prize pig is kidnapped, prompting him to wreak vengeance on the perpetrators. (Basically, it sounds like John Wick in the forests of Oregon, but about a pig instead of a dog.) Neon does have a distribution deal with Hulu, but the company says Pig will be released in theaters. Neon also picked up the rights to the sci-fi thriller Possessor starring Andrea Riseborough (Mandy), Sean Bean (Ned Stark from Game of Thrones), and Jennifer Jason Leigh (The Hateful Eight). In related news, Searchlight Pictures won the rights to Olivia Wilde s Perfect, about Olympic gymnast Kerri Strug, and STX won the rights to the psychological horror film A Head Full of Ghosts, starring Margaret Qualley (Once Upon a Time in Hollywood).9. MICHAEL GIACCHINO AND BRAD BIRD ARE COLLABORATING ON A LIVE-ACTION MUSICAL(Photo by Priscilla Grant, Desiree Navarro/Everett Collection)Frequent Pixar director Brad Bird (The Incredibles, Ratatouille) has now also directed two live-action films (Tomorrowland, Mission: Impossible Ghost Protocol), and he s currently developing what might be his third. Although we don t yet know a title or a premise, Bird announced in January that he s currently developing a movie musical, and this week, frequent Pixar composer Michael Giacchino (Up, Coco, Inside Out) confirmed that he is indeed collaborating with Bird on exactly that. Giacchino didn t reveal a premise for the live-action musical, saying only that We are in the early stages of doing that, working on 'Ok, what is this thing gonna be? What's it going to sound like. Let's come up with at least one idea we can start bouncing around and seeing how we feel about it.' So that's where we are. It is still early stages. But the idea is great, and, you know, it's pure Brad Bird. It's just really fun and emotional and exciting and silly – all those great things you expect from his movies. I am looking forward to that. I don't know when it's coming out… but yeah, we're working on it. Brad Bird has also said that the (mostly) live-action musical will also have about 20 minutes of animation in it.
James Wan's Aquaman may have started with the lowest opening ever in the DC Universe, but seven days later, it is looking more like Michael Phelps than some lowly dog paddler. The film is entering very exclusive territory this weekend just as two more December releases join the 0 million club by the time the clock strikes midnight on New Year's Eve. That makes 32 for 2018 with at least two more films still hoping to surpass last year's (and 2014's) total of 33 to become second only to 2013's 35 0 million-plus films. That record may come up short, but Hollywood has shot past its previous ticket sales record (.37 billion in 2016) and is now eyeing a billion year at the box office.King of the Crop: Aquaman Joins Impressive Club of December Releases(Photo by Jasin Boland/ ™ & © DC Comics)After its first weekend, Aquaman was million behind Justice League. After weekend two it is now million ahead and climbing. How high? Quite actually. Because as of this Sunday, Wan's film is now the sixth highest grossing December release after 10 days, behind five little films: Star Wars trio The Force Awakens, The Last Jedi, and Rogue One, as well as Avatar and Lord of the Rings: The Return of the King. All seven December films to have made 0 million by this point have reached the 0 million mark, and Aquaman is million ahead of The Two Towers. Peter Jackson's film opened on a Wednesday, so that pace will tighten over the next couple of days. But Return of the King made .8 million in its second weekend and ended with 9.7 million. Aquaman grossed .5 million and is likely looking at a final gross in that vicinity, which would surpass both Suicide Squad and Batman v Superman for second highest grossing feature film in the DC Universe behind Wonder Woman. With 8 million worldwide, it is the seventh highest grossing film of 2018 and will be passing Mission: Impossible – Fallout and Venom soon with its eye then on a billion dollars.Fresh Surprise: WWI Documentary Out-Performs New Releases(Photo by Warner Bros. Pictures)Speaking of Peter Jackson, his WWI 3D documentary, They Shall Not Grow Old, has become one of the top-grossing documentaries of the year. After just two nights. Fathom Events held special single-night screenings on December 17, when it broke the company's record with .3 million, and then again this past Thursday, when it broke it again with another .37 million. That was more than this week's openers, Holmes Watson and Vice, grossed on Thursday with a full day of screenings. With .7 million in two nights it has made nearly as much as partisan documentaries, Death of a Nation (with a 0% Tomatometer score) from pardoned felon Dinesh D'Souza (.88 million) and Michael Moore's Fahrehheit 11/9 (.35 million). Warner Bros. will open the film in a few cities on January 11, and you can expect it to rise from the seventh highest grossing documentary of 2018 into the top five – and maybe even higher.Rotten Returns: Holmes Watson (aka the Anti-Aquaman)(Photo by Columbia Pictures)Holmes Watson opened in theaters without being screened for critics. Hey, Disney did the same thing for Christmas opener, Tombstone, back in the day, too. How bad could it be? Well, it is currently just the third wide-release of the year to score lower than 10% on the Tomatometer after Slender Man and Death of a Nation's golden doughnut of 0%. That is where Holmes was with its initial set of reviews, but folks were already in the midst of paying good money to see it on Christmas Day. Around .4 million and 24 hours later, some were already calling it a "commercial flop" on Twitter despite the fact that only four of 23 films to open on Christmas to more than million failed to reach million.That still would not have been enough to cover its million budget in domestic dollars, but it's not like it was Mortal Engines or Welcome to Marwen this month; however, Holmes Watson's audience numbers have been scaling down to its current Rotten Tomatoes score of 9%. Though .7 million after its first six days still has it pacing for somewhere between -60 million, its numbers are diminishing at the pace of Aliens Vs. Predator – Requiem, which finished with just .7 million after it opened on Christmas. So it will depend on international audiences to determine whether the film is "a commercial flop" or not.The Top Ten and Beyond: Poppins Bumblebee To Join 0 Million Club Soon(Photo by Walt Disney Studios)Mary Poppins Returns just missed becoming the 26th film opening in December to reach 0 million in its first 12 days; though it will do so on New Year's Eve. Of the films in its 12-day company that had between million to 7 million at this point, Poppins' -million weekend is second only to Daddy's Home's .2 million. (Poppins is likely to fly past Daddy's Home's 0 million.) The next crop of films above them (sans Marley Me) are all 0 million grossers. So as long as Rob Marshall's film maintains its current pace it should rise high enough to be one of the three highest grossing films of the season.Spider-Man Into the Spider-Verse did join the 0 million club this weekend. At 3.6 million it is in the company of Catch Me If You Can, Les Miserables (2012), Into the Woods, True Grit (2010), and Unbroken, but its third weekend of .3 million surpasses all of theirs, suggesting the film is headed for north of 0 million — an estimate that could continue to rise with the word-of-mouth it is receiving.Bumblebee, with another million this weekend, is also headed for 0 million like every other film from December to have million after 10 days. Clint Eastwood's The Mule, on the other hand, took 17 days to hit the million mark, but it is not out of the running to become the 34th film of 2018 to reach 0 million. For a film that needs around 0 million to break even, million seems to be the worst-case domestic scenario at this moment. As it is pretty closely aligned with the 0.7 million–grossing The Pelican Brief, there is still a possibility this will be Clint's sixth film as a director to reach that height.While Holmes and Watson was grossing .4 million on Christmas Day, Adam McKay's award hopeful, Vice, was gathering up .7 million and a 64% score on the Tomatometer. It has made million in its first six days and eyes somewhere around million final domestic gross, but is already Annapurna's highest grossing film to date surpassing this summer's Sundance pickup, Sorry To Bother You. Ralph Breaks the Internet has fallen behind the pace of last year's Coco, but is still million ahead of Tangled, which keeps 0 million very much in the picture. It only takes Ralph and Poppins to break the single-year record of most films to reach the milestone in any year. A 0 million final gross may be out of reach for Illumination's The Grinch, but its 6 million makes it undoubtedly one of the biggest hits of the season, even while it could end up being the company's third-lowest grossing film to date; albeit one with still over 0 million in profit.Beyond the Top Ten you will find both The Favourite (.2 million) and Mary Queen of Scots ( million) doing decent business in less than 850 theaters each. Both continue to do better than Robert Zemeckis' Welcome to Marwen, which has grossed .7 million. There are still seven films this year further in the red than Marwen (including Ralph Breaks the Internet), though it is still little comfort being among the 10 biggest financial losers of 2018.In further limited release news, we have the three best per-theater-averages of the week: The Ruth Bader Ginsburg drama, On the Basis of Sex (74%) averaged ,909 this weekend and has made .5 million in 33 theaters since Christmas. Destroyer (76%) has been in three theaters since Christmas and has made 5,661. It averaged ,491 this weekend. Then there is Stan Ollie (89%), which opened on Friday in five theaters, averaging ,935 for a total of ,674. Aquaman had the fourth best average with ,497, and Barry Jenkins' If Beale Street Could Talk was fifth, adding 60 theaters (for a total of 65). It averaged ,686 and has grossed nearly million.This Time Last Year: The Last Jedi Held Off Jumanji for the Last Time(Photo by Walt Disney Pictures)Star Wars: The Last Jedi maintained the top spot for a third straight week (and passed the 0 million mark), though Jumanji: Welcome to the Jungle closed the gap with a .5 million-to- million showdown. Christmas day openers, All the Money in the World and Molly's Game made .7 million and .3 million, respectively, in their first full week of release. Steven Spielberg's The Post and Paul Thomas Anderson's Phantom Thread led the per-theater-average list with ,342 (nine theaters) and ,124 (four theaters). The Top Ten films grossed a total of 3.3 million over the weekend, which included New Year's Eve, and they averaged 65.1% on the Tomatometer. This year's Top Ten grossed 3.1 million and averaged 65.6%.On the Vine: There Is No Escape From Horror in 2019(Photo by Columbia Pictures)The new year kicks off with horror about domains from which there appears to be no safe room, though do not expect to see a Tomatometer score for either until later in the week. The PG-13 Escape Room with Taylor Russell, Deborah Ann Woll, and Tyler Labine should get a score just before it opens. Then Eli, from the director of Sinister II, will get reviews from critics brave enough to check out the tale of a boy with auto-immune issues stuck in a dangerous home when it opens on Friday.The Full Top 10: December 28-30Aquaman .5 million (8.7 million total)Mary Poppins Returns .0 million (.9 million total)Bumblebee – .5 mi
如今休闲游戏已成为了人们的首选,因为休闲类游戏不受时间,地点的限制,方便的特性受到了更多玩家的喜爱,各大平台也紧抓发展趋势,对于火热的游戏进行宣传推广,赢得更多玩家的加入。根据移动游�
Without any major romantic comedy releases dropping in theaters this year for Valentine s Day, you might find yourself trying to pick the perfect rom-com on your favorite streaming services and apps. On one hand, it's wonderful that there are so many choices. However, that paradox of choice could also leave you browsing for hours without ever picking a film, as the sheer number of options can result in decision paralysis (it's a first-world problem, but it's real). That s how you end up scrolling through titles until you watch Always Be My Maybe for the 117th time (which isn't a bad thing, because it features Randall Park singing about punching Keanu Reeves).In an effort to make your decision a little easier, we analyzed 428 rom-com posters and, based on patterns we discovered, placed them into nine categories. We then figured out each category s Tomatometer and Audience Score averages, then ranked them from worst to best. This way, the next time you re in the mood for a romantic comedy, and you see characters back-to-back on the poster, or a collage of faces, or a heavily photoshopped image of two people looking at each other — or somewhere else entirely — you'll know if the movie is likely to be worth your time. Read on to see what we discovered!9. Posters with One Character Standing in Front of Another(Photo by ©Universal Pictures, ©Columbia Pictures)Average Tomatometer Score: 40.7%Average Audience Score: 53.3%Average of Tomatometer and Audience Scores: 47%After sorting through decades of rom-com posters and becoming familiar with their eccentricities and similar themes, it was always obvious that this motif was arguably the laziest. You just get the feeling that a marketing department intern slapped some publicity stills on the poster, then went to lunch. While Waitress or Trainwreck are the complete opposite of trainwrecks, others such as When in Rome, The Wedding Planner, and Leap Year photoshopped in their A-list actors, and the end result says very little about the movies they represent. It makes you wish that in an alternate reality there is a Leap Year poster that features Amy Adams leaping in the air while she's holding Matthew Goode in her arms (see category below).8. Posters with Characters Back-to-Back, Leaning on Each Other, or Being Picked up(Photo by ©Buena Vista Pictures, ©Paramount Pictures)Average Tomatometer Score: 40.1%Average Audience Score: 56.4%Average of Tomatometer and Audience Scores: 48.25%While these types of posters may come across as dynamic and dangerous (leaning = falling, picking someone up = bad back), they typically signify a Rotten result. Maybe it's that the back-to-back visual makes us think that the two characters are about to engage in a Hamilton-esque duel. All we know is that of all these posters, only While You Were Sleeping could muster a Tomatometer score above 80%, while 23 of the 31 posters in the group were Rotten. We have No Reservations pointing out The Ugly Truth that these posters make us want to give these films Two Weeks Notice. However, if you are looking for diamonds in the rough, we recommend Brown Sugar (we still don't know what Taye Diggs is doing with Sanaa Lathan's leg though) or How to Lose a Guy in 10 Days, which at least showcases Kate Hudson's iconic dress.7. Posters with Characters Not Looking Directly at Each Other(Photo by ©20th Century Fox Film Corp., ©Netflix, ©Walt Disney Studios Motion Pictures)Average Tomatometer Score: 49.5%Average Audience Score: 55.2%Average of Tomatometer and Audience Scores: 52.35%This category could be considered a cousin to Posters with One Character Standing in Front of Another; here, the characters are standing next to each other, and that seems to make a world of difference. That said, these characters aren t looking at one another; they are either staring off into the distance, presumably laughing at a funny joke, or looking rather pleased with themselves, sometimes with their arms crossed. The 52.35% average is Fresh-adjacent, so proceed with caution, as you could pick winners like Always Be My Maybe or The Proposal, or you could be stuck with Good Luck Chuck or The Pallbearer.Random Pro Tip: Look for the posters where there's some contact between the characters. For instance, popular Fresh films such as Dave, Plus One, and Date Night actually make an attempt to portray couples who appear to like each other, and that generally seems to reflect in the Tomatometer score.6. Posters with Three Characters on Them(Photo by ©Universal, ©20th Century Fox, ©Warner Bros.)Average Tomatometer Score: 50.1%Average Audience Score: 55.4%Average of Tomatometer and Audience Scores: 52.8%The nice thing about these posters is they immediately clue you into what kind of movie you'll be watching. The three people signify either a love triangle or a meddling parent (Think Monster-In-law or Why Him?) who will provide comedic drama. Who will be picked? Will the meddling parent get over themselves? Will Hugh Grant and Colin Firth engage in another spectacular fight? The 52.8% Tomatometer average means these films trend towards decent, but be careful when deciding, because you could either pick wonderful films like The Half of It (watch it now) and Broadcast News (watch it immediately after The Half of It), or be stuck with My Best Friend's Girl or My Boss's Daughter.Random Pro Tip: Avoid the films with pronouns like Me (You, Me and Dupree), I (I Think I Love My Life), Her (Over Her Head Body) and My (My Boss's Daughter) in their titles. The majority of these are Rotten.5. Posters with Four or More Characters on Them(Photo by ©Buena Vista Pictures, ©New Line Cinema, ©Universal Pictures)Average Tomatometer Score: 54.2%Average Audience Score: 61%Average of Tomatometer and Audience Scores: 57.6%These posters showcase that the movie will be an ensemble piece by utilizing collages, tiers, or wide shots of several actors. Also, after looking through as many posters as we did, you'll notice a trend that there is a central couple, and surrounding them are likable supporting characters. This is a marketing tactic to tell viewers, "Hey, if you don't like the central couple, we have some other fun people who pop up occasionally." That s always reassuring, since there s no guarantee you ll enjoy spending time with the primary lovebirds, and those side characters can often make or break a movie like that.4. Posters with Two Characters and At Least One Giant Face(Photo by ©Paramount Pictures, ©Universal Pictures)Average Tomatometer Score: 59.3%Average Audience Score: 62.7%Average of Tomatometer and Audience Scores: 61%These posters are concerned with showcasing the mugs of your favorite actors and letting you know that big stars are in the film. By inserting at least one massive face on a poster, studios are banking on you recognizing it and thinking, "I know that famous person." It s a smart move, and films like Notting Hill, What Women Want, The Silver Linings Playbook, and Kate Leopold all took advantage of the tactic, but once you get those casual moviegoers into the theater, you ve got to deliver. As it turns out, these films did, more often than not, ensuring that the big bucks the studios paid for their marquee stars were well spent.3. Posters with Two Characters Sitting(Photo by ©Netflix, ©Hulu, ©Fox Searchlight)Average Tomatometer Score: 62.7%Average Audience Score: 62.5%Average of Tomatometer and Audience Scores: 62.6%With Palm Springs, Enough Said, About a Boy, Sleeping With Other People, Manhattan, Singles, and The Lovebirds in this category, it's easy to understand why it's Fresh overall. These films include "hip" romantic comedies, or slightly offbeat films that occasionally stray from the formula. The visual of two people sitting down suggests some intimacy and, depending on the backdrop, communicate a lot about the circumstances of the central relationship. It s a shorthand that works, and the movies that employ it are, on the whole, pretty solid.2. Posters with Two Characters Looking at Each Other(Photo by ©Warner Bros., ©Columbia Pictures)Average Tomatometer Score: 60.3%Average Audience Score: 67.5%Average of Tomatometer and Audience Scores: 63.9%It would seem like a no-brainer that movie posters featuring characters looking into each other's eyes have a Fresh Tomatometer average. The posters for Crazy Rich Asians, Shakespeare in Love, When Harry Met Sally, and Sleepless in Seattle are all designed this way, and those films reputations obviously speak for themselves. There's an intimacy to this pose, which suggests the characters like each other (or will like each other after a chase through an airport). Movies like The Bounty Hunter, Fool's Gold, Gigli, and Blended bring the score down, but at least they feature Jennifer Anniston, Kate Hudson, Jennifer Lopez, and Drew Barrymore, which helps make them watchable to an extent.1. Posters with Only One Character(Photo by ©Columbia Pictures, ©20th Century Fox, ©MGM)Average Tomatometer Score: 71.8%Average Audience Score: 70.2%Average of Tomatometer and Audience Scores: 71%It may seem counterintuitive, but rom-com posters with only one person on the poster have the highest Tomatometer and Audience Score average. This includes movies like Moonstruck, Amelie, Under the Tuscan Sun, Knocked Up, The 40-Year Old Virgin, Easy A, There's Something About Mary, and Hitch, which all proudly showcase their A-list leads proudly. Not unlike the giant face posters (with two or more people), these posters want you to know who is the star of the film and have no problem ignoring every other member of the cast.These posters clearly show confidence in the leads. They're basically the equivalent of Babe Ruth calling his shot before he smashed the baseball out of the park in the 1932 World Series. These posters say "Emma Stone will change your life in Easy A", or "Cher's performance in Moonstruck will bowl you over." There s confidence and swagger in having Seth Rogen's head take up 97% of the Knocked Up movie poster, but the film ultimately pulled in 0 million at the worldwide box office. Even Rotten movies like Sweet Home Alabama, Boomerang and 27 Dresses, were big hits that easily cleared 0 million domestically. In other words, putting one person on a rom-com poster is daring, inspired, and, more often than not, a successful marketing ploy.There you have it! Rom-com posters featuring only one character have the highest Tomatometer and Audience Score averages. Hopefully this will help you in the future when you're looking for something to watch. Enjoy!On an Apple device? Follow Rotten Tomatoes on Apple News.
Disney's latest reimagining of its animated classics looks back at the origin of Cruella de Vil, with Emma Stone portraying the One Hundred and One Dalmatians villain. Titled Cruella, the live-action movie arrives in theaters and on Disney+ (with Premier Access) in two weeks, but critics have already seen it and begun sharing their thoughts on social media. Going by this initial buzz, Cruella is a surprisingly fun prequel, particularly delightful in its performances and all of its design elements, especially the costuming.Here's what critics are saying about Cruella:Is this another win for Disney?Cruella is ICONIC. Shannon McGrew, Nightmarish ConjuringsRidiculously entertaining. Tania Lamb, Lola LambchopsCruella is spectacular fun. Erik Anderson, AwardsWatchCruella is absolutely divine. Deliciously devilish, wonderfully wicked, undeniably outrageous. Courtney Howard, Fresh FictionCruella is an absolute blast!! Wickedly wild, it's a darkly comic joy! One of the biggest and best surprises of the year! Jimmy O, JoBloCruella is going to be the biggest surprise of the summer. Josh Wilding, ComicBookMovie.comIt s easily my favorite movie of the year. Tessa Smith, Mama s Geeky(Photo by ©2021 Disney Enterprises)It is award-worthy?Cruella is this year s first true Oscar contender in many, many categories! Tessa Smith, Mama s GeekyHair Makeup, Production Design, and Costume Design are sure bets for Oscars noms. Scott Menzel, We Live EntertainmentWill it even satisfy Disney haters?Cruella [is] bold, dark, and wonderfully anti-Disney… Definitely not for kids, which is so refreshing to see from Disney. Scott Menzel, We Live EntertainmentNow THIS is the kind of Disney Princess I can get behind, darling. Grace Randolph, Beyond the TrailerHow does it compare to Disney s other live-action remakes?Possibly the best live-action Disney movie yet…this movie is something special. Josh Wilding, ComicBookMovie.comIt completely stands out on its own from all the other Disney live action films thus far. Scott Menzel, We Live EntertainmentWhat about the two previous versions of 101 Dalmatians?Audaciously reshapes the infamous villain's narrative. Nods to the animated classic are FUN. Courtney Howard, Fresh FictionEmma Stone is FLAWLESS as Cruella, and her version blows Glenn Close s version out of the water. Tessa Smith, Mama s Geeky(Photo by ©2021 Disney Enterprises)Is the film reminiscent of anything else?Cruella is the spiritual successor to The Devil Wears Prada. Courtney Howard, Fresh FictionCruella is Joker meets The Devil Wears Prada. Josh Wilding, ComicBookMovie.com[Cruella] has Joker moments here and there, but she is definitely her own character. Grace Randolph, Beyond the TrailerCruella is the perfect combination of Batman Returns meets The Devil Wears Prada. Scott Menzel, We Live EntertainmentCruella is a fabulous heist film. John Nguyen, Nerd ReactorCruella is a tasty caper. Scott Thompson, IGN MoviesHow is Emma Stone?Emma Stone is perfection. Jimmy O, JoBloEmma Stone crackles as she evolves in the titular lead. Simon Thompson, IGN MoviesEmma Stone legitimately gave me CHILLS at one point. Sarah El-Mahmoud, CinemaBlend(Photo by ©2021 Disney Enterprises)What about Emma Thompson?There are two queens in Cruella. Emma Stone and Emma Thompson both shine in a battle of who is more wicked. Tania Lamb, Lola LambchopsEmma Stone is just mind-blowing, and Emma Thompson matches her every step of the way. Josh Wilding, ComicBookMovie.comEmma Stone and Emma Thompson are truly an iconic pairing, and they play it to the hilt. Courtney Howard, Fresh FictionI loved Emmas Stone and Thompson chewing and gnashing at the scenery with glee. Erik Anderson, AwardsWatchEmma Stone absolutely shines as Cruella, and Emma Thompson is wonderfully wicked as the Baroness. John Nguyen, Nerd ReactorEmma Stone/Emma Thompson are a devious match whose performances test the boundaries of a Disney film. Shannon McGrew, Nightmarish ConjuringsAre there any other highlights in the cast?Paul Walter Hauser is absolutely hilarious. Erik Anderson, AwardsWatchPaul Walter Hauser is terrific and Winks the dog is adorable. Scott Menzel, We Live EntertainmentI also have to mention Paul Walter Hauser, because he s a real highlight and so, so funny (I d say the same about Joel Fry, too). Wonderful double act who play off Emma Stone perfectly. Josh Wilding, ComicBookMovie.comPaul Walter Hauser and Joel Fry are terrific as Horace and Jasper. They're animated without being cartoony, giving their supporting characters multi-faceted internality and introspection. They're heart and humor. Courtney Howard, Fresh FictionJoel Fry and Paul Walter Hauser make for delightful partners in crime. Simon Thompson, IGN MoviesWe have the first officially out and proud Disney character (John McCrea) in her gang! Grace Randolph, Beyond the Trailer(Photo by ©2021 Disney Enterprises)How about those costumes, though?Gorgeously costumed by Jenny Beaven. Erik Anderson, AwardsWatchEvery outfit is STUNNING and fits perfectly in the London punk rock era. Tessa Smith, Mama s GeekyA visual feast of 1970s London and high fashion. Tania Lamb, Lola LambchopsStylish and sassy. The dive into 70s fashion is fab. Sarah El-Mahmoud, CinemaBlendCostume designer Jenny Beavan deserves third billing. Courtney Howard, Fresh FictionDo any other elements stand out?Rich visuals and creative cinematography enhance this pithy origin story dipped in camp. Simon Thompson, IGN MoviesAn exciting score by Nicholas Britell. Erik Anderson, AwardsWatchIt's got a killer soundtrack. Courtney Howard, Fresh FictionThe soundtrack is FIRE! Tessa Smith, Mama s Geeky(Photo by ©2021 Disney Enterprises)How is Craig Gillespie s work as director?I m so glad Cruella had a director like Craig Gillespie, who has explored the horror genre with the 2011 remake of Fright Night, cause it helped set a darker, more insidious undertone. Shannon McGrew, Nightmarish ConjuringsHow about Craig Gillespie's superb direction? [He] continues to showcase his range as a filmmaker. Scott Menzel, We Live EntertainmentDoes it have any problems?The film is too long. Tania Lamb, Lola LambchopsA bit long in the tooth at 2h 15m. Erik Anderson, AwardsWatchThere are questionable things with Cruella s backstory that make it hard to pair up with the villain we hate to love… Anyone concerned about the need for an origin story for Cruella de Vil will find things to be frustrated about. Ian Sandwell, Digital SpyA Cruella De Vil origin still wasn t earned for me overall. Cruella felt forced and over indulgent. Sarah El-Mahmoud, CinemaBlendAny parting thoughts?Don t miss the post credit scene! WOW! Tessa Smith, Mama s GeekyIt SCREAMS for a sequel. Grace Randolph, Beyond the TrailerCruella opens in theaters and streams on Disney+ with Premiere Access on May 28, 2021.On an Apple device? Follow Rotten Tomatoes on Apple News.
Ghcxuf DNF其实在很久之前就披露过要制作DNF手游的想法,但是随着内测的次数越来越多,公测时间一延再延,玩家们对DNF手游也不抱多大的希望了。 😈😈
www.bob 《光与夜之恋》是一款女性向恋爱手游,由北极光工作室群研发。在游戏中,玩家将以「设计师」的身份邂逅数名男主角。阿杰、李元韬、赵路、吴磊等多名声优均参与了配音。
令人惊叹的厨师餐厅生活是一款十分有意思的餐厅管理烹饪玩法手游,在这款游戏中玩家将经营一家餐厅,为满足各类顾客的需求不断制作各色各样的美食菜品,玩法休闲益智,对这款游戏感兴趣的玩家就快来下载体验吧! 结合虚幻4早就在手游上稳定,和端游玩家因为排斥手游而给差评,并不能与手游玩家互通悲喜这两点来看,我认为于情于理,手游玩家都不应该受端游试玩版的负面消息影响。
e and as a measure of cultural significance. So we broke out our calculators, scoured the internet, and spent hours organizing dollar amounts, Tomatometer scores, and lists upon lists of movies to settle on the Best Summer Ever. Movie-wise, that is.Before we dig into the good stuff, though, a few notes about the process: We began with 1975 the year of Steven Spielberg s Jaws and included every summer through 2018. We looked at every film released during the months of May through August and collected box office totals (adjusted for inflation) and Tomatometer averages for the top 25 grossing films of each summer. We then ranked them in order for both categories 1975, incidentally, scored the Highest Tomatometer Average of All Summers, while 2007 earned the Highest Total Box Office of All Summers. Lastly, we as a staff curated lists of the most culturally significant films of each summer and made our best attempt to rank every year s summer by the legacy of its most important and influential movies. For this third category, we took into consideration any impact on the industry as a whole, the introductions of new talent and new franchises, and general pop culture relevance on best of and all time lists. For example, a year like 1984, which gave us Ghostbusters, Gremlins, and Sixteen Candles among a slew of others, would rank near the top; on the other hand, a year like 1976, which gave us The Omen, The Outlaw Josey Wales, and The Man Who Fell to Earth, but almost nothing else, ranks at the very bottom. In addition, there were plenty of cases when certain years (including the entirety of the 1990s, surprisingly enough) failed to score high enough in all three metrics (box office, average Tomatometer, cultural significance) or performed well in one metric but scored too low in the others to rank very high overall. Needless to say, the process was long and difficult; many tears were shed, and much blood was spilled.So which summer came out on top when the final calculations were made? Was it the summer when Poltergeist, E.T., Blade Runner, and The Thing all opened in the same month? Or was it the summer that introduced the world to an evil Empire and the plucky Rebels who stood up to it a long time ago in a galaxy far, far away? Or maybe the summer that brought us two of the best superhero movies of all time and paved the way to where we are today? Read on to see the 10 Best Summers Ever, and then click through the decades to see full stats on every summer from 1975 to 2018.See Full Data on Every Summer1970s | 1980s | 1990s | 2000s | 2010sThe 10 Best Summer Movie Seasons Ever10. Summer of 2011Box Office Total: ,162,184,886 (adjusted for inflation)Tomatometer Average: 58.72%Cultural Ranking: 17/44Significant Films: Bridesmaids, Captain America: The First Avenger, Crazy Stupid Love, Harry Potter and the Deathly Hallows Part 2, The Help, Midnight in Paris, Rise of the Planet of the Apes, Thor, X-Men: First Class, Winnie the PoohAs noted further down this list, sequels and reboots were an age-old tradition long before 2011 rolled around, but this summer was especially full of them. One sequel in particular ruled every other film this year, and that was the hotly anticipated final installment of the Harry Potter series. The Deathly Hallows – Part 2 not only earned the top box office spot, but it was also the best-reviewed film of the summer (Certified Fresh at 96%), and whether or not you feel it was plagued by sequelitis or reboot fever, the rest of the year s summer was no slouch, either. We got breakout hits like Bridesmaids, awards contenders like Beginners, The Help, and Midnight in Paris, an animated gem in Winnie the Pooh, acclaimed reboots of Planet of the Apes and X-Men (OK, so that one isn t technically a reboot, but it also kinda was), and the introduction of both Captain America and Thor into the the Marvel Cinematic Universe. Thanks to a more than solid box office showing, a decent Tomatometer average, and a handful of films that have helped shape the movie landscape in the ensuing years, 2011 just managed to eke its way into our overall top 10.9. Summer of 1979Box Office Total: ,930,224,349 (adjusted for inflation)Tomatometer Average: 67.09%Cultural Ranking: 10/44Significant Films: Alien, The Amityville Horror, Apocalypse Now, Breaking Away, Escape from Alcatraz, Monty Python s Life of Brian, Moonraker, The Muppet Movie, Phantasm, Rocky IIThis would be the last year that a horror film would top the summer box office in North America. The movie that pulled it off was The Amityville Horror (29% on the Tomatometer), which also holds the less impressive distinction of being the second-worst–reviewed movie to top a summer box office in our data set (no. 1 is 2009's Transformers: Revenge of the Fallen, with a Tomatometer of 19%). It's appropriate that a horror film came out on top in 1979, as this was a year defined by big horror smashes, most of which we remember more frequently, and more fondly, than Amityville — think of titles like Alien and Phantasm. And, speaking of horror, it was also the year that Francis Ford Coppola unleashed Apocalypse Now upon the world (remarkably, the dark, epic war drama was third at the box office for the summer). 1979 had a very high average Tomatometer, as well as enough cultural high points, across many genres, to put it nearer the top of the list – The Muppet Movie, Life of Brian, Moonraker – but a relatively low overall box office means it remains at the back end of the top 10.8. Summer of 1989Box Office Total: ,445,649,578 (adjusted for inflation)Tomatometer Average: 58.88%Cultural Ranking: 4/44Significant Films: The Abyss, Batman, Dead Poets Society, Do the Right Thing, Indiana Jones and the Last Crusade, Lethal Weapon 2, Licence to Kill, Parenthood, Road House, Sex, Lies Videotape, Weekend at Bernie s, When Harry Met SallyHollywood had truly fallen head over heels for sequels by 1989 — a full quarter of this summer s top 20 box office earners were part twos or later installments in franchises. Two sequels earned a place in the top three films of the summer, and year, at the box office (Indiana Jones and the Last Crusade, followed by Lethal Weapon 2), while for Star Trek and A Nightmare on Elm Street (just outside the top 20 of the summer at 21), we were onto our fifth films in their respective series. But it was an original, of sorts — Tim Burton's Batman — that would dominate the season and, some say, redefine the modern blockbuster. The film broke all sorts of opening weekend records, established the opening weekend as the thing to watch, and, like the blockbusters of today, was supported by a seemingly endless marketing campaign that put awareness through the roof. The movie's impact on cinema for the three decades that followed is a big part of the reason why 1989 scored big points when we were considering cultural impact. But while the caped crusader was sucking up a lot of the oxygen in the room, there was enough air for the likes of seminal comedies like When Harry Met Sally and Weekend at Bernie s to make an impact, as well as classics like Dead Poets Society, Parenthood, and Road House (don't fight us on this one). Also, worth noting, and celebrating: the summer of 1989 gave us the first big breakout films of Spike Lee (Do The Right Thing) and Steven Soderbergh (Sex, Lies and Videotape).7. Summer of 1981Box Office Total: ,229,262,780 (adjusted for inflation)Tomatometer Average: 60.50%Cultural Ranking: 5/44Significant Films: An American Werewolf in London, Arthur, Blow Out, Clash of the Titans, Dragonslayer, Escape from New York, The Great Muppet Caper, Heavy Metal, Raiders of the Lost Ark, Superman II1981 was the year the world first met Indiana Jones – and it turned out that the world liked what it saw. Raiders of the Lost Ark topped the summer with almost 0 million, and its 80s sequels would be the second highest earners of their summers, with Temple of Doom just bested by Ghostbusters in 1984 and The Last Crusade coming in behind Tim Burton's Batman in 1989. Spielberg had already dominated a summer prior to 1981 with Jaws, but with Indy he had given life — as Lucas had done with Star Wars — to a character and idea that could spawn a franchise which would dominate summer moviegoing for decades to come. (Speaking of, Superman II and The Great Muppet Caper also made an impact in the warm months of 1981). Perhaps the big surprise of the summer was Arthur (88% on the Tomatometer), the Dudley Moore comedy, which came in third at the box office with almost 0 million; its sequel was a disaster on all fronts, earning just 14% on the Tomatometer and about million. [Note: This piece originally said Spielberg had dominated two summers prior to 1981, with Jaws and E.T. The latter film was released in 1982; the article has been updated to correct the error.]6. Summer of 2002Box Office Total: ,252,688,780 (adjusted for inflation)Tomatometer Average: 60.68%Cultural Ranking: 21/44Significant Films: About a Boy, The Bourne Identity, Lilo Stitch, Men in Black II, Minority Report, Signs, Spider-Man, Star Wars: Episode II Attack of the Clones, xXx2002 may not immediately strike you as a big year for summer movies, but it raked in quite a bit of cash and ranked in the top third from our data set by average Tomatometer. Plus, it s difficult to downplay the significance of Sam Raimi s Spider-Man, which was not only a hit with critics, but also became the third highest-grossing film of all time in its initial run, behind only Titanic and Star Wars: Episode I The Phantom Menace. Beyond that, while the first X-Men movie a couple of years prior proved there was still interest in superhero films after the Batman franchise had begun to flounder, Spider-Man s tremendous success helped pave the way for future endeavors in the genre. You know, for better or worse, depending on how you feel about it. Other than Spider-Man, though, 2002 also introduced the world to a more contemporary spy with the initials J.B. in The Bourne Identity, which would make an action star out of Matt Damon and spawn a franchise of its own. Finally, this summer brought us a pair of benchmark sci-fi films from two well-known directors: M. Night Shyamalan s Signs was his last Certified Fresh movie until he achieved the distinction again a decade and a half later with 2017 s Split, and the Certified Fresh 91% that Steven Spielberg s Minority Report received would be met (2015 s Bridge of Spies) or exceeded (Catch Me If You Can, which was released later the same year and reached 96%) by the director only twice in the subsequent 16 years.5. Summer of 1977Box Office Total: ,498,651,999 (adjusted for inflation)Tomatometer Average: 64.4%Cultural Ranking: 12/44Significant Films: The Kentucky Fried Movie, The Hills Have Eyes, The Rescuers, Smokey and the Bandit, Sorcerer, The Spy Who Loved Me, Star Wars, SuspiriaNot content to sit back while his buddy Steven Spielberg basked in the glow of Jaws, George Lucas decided to drop a game-changer of his own in 1977, and it not-so-quietly became one of the biggest game-changers of all time. Our data revealed that only 10 of the 43 years we examined featured a film that was not only the best-reviewed but also the biggest box office earner of the summer, and Star Wars is the earliest example to show up on the list. Yes, there was another James Bond movie this year (The Spy Who Loved Me), as well as an early cult-favorite John Landis comedy (The Kentucky Fried Movie), and even one of the most celebrated horror films of all time (Suspiria). But Luke, Leia, and Han ruled 1977 and kickstarted a multi-billion dollar franchise comprised of films, tv series, books, video games, toys, and more that s still going strong to this day. Lucas achieved the kind of ubiquitous pop culture influence that few other filmmakers if any at all will ever see, and even if it had been the only movie released during this summer, 1977 would still have ranked as one of the more important blockbuster years in history.4. Summer of 2015Box Office Total: ,093,563,710 (adjusted for inflation)Tomatometer Average: 61.28%Cultural Ranking: 19/44Significant Films: Amy, Ant-Man, Avengers: Age of Ultron, Entourage, Inside Out, Jurassic World, Mad Max: Fury Road, Minions, Mission: Impossible Rogue Nation, Shaun the Sheep Movie, Spy, Straight Outta Compton, TrainwreckIf nothing else, Jurassic World was a testament to how incredible Steven Spielberg s Jurassic Park was. The 1993 original is one of the most celebrated and beloved films in the director s distinguished career, and after a 14-year hiatus following the decidedly lackluster Jurassic Park III (50% on the Tomatometer), fans were beside themselves in anticipation of the new installment, even without Spielberg at the helm. And boy, did people show up to see this one. After ending its initial run as the third highest-grossing film of all time, period, Jurassic World still currently sits in seventh position, having been gently knocked down a few spots by the likes of Star Wars: The Force Awakens later that same year and, you know, a couple of Avengers movies. Apart from Jurassic World, though, 2015 also brought us a number of outright amazing films. Pixar s Inside Out was the third-biggest earner of the summer, but it also received rave reviews and became the highest-rated film of the season, as well as one of the best-reviewed animated films of all time. Likewise, the year s highly anticipated new installment of the Mad Max franchise, Fury Road, is currently the best-reviewed action movie of all time. Add titles like Mission: Impossible Rogue Nation, the surprise hit action-comedy Spy, another animated treat in Shaun the Sheep Movie, and F. Gary Gray s musical biopic Straight Outta Compton, which scored the biggest opening of any film by a black director (before he bested himself in 2017 with The Fate of the Furious), and it was a pretty impressive summer on several counts.3. Summer of 1984Box Office Total: ,206,212,855 (adjusted for inflation)Tomatometer Average: 64.08%Cultural Ranking: 2/44Significant Films: Ghostbusters, Gremlins, The Karate Kid, Indiana Jones and the Temple of Doom, The Last Starfighter, The Neverending Story, Once Upon a Time in America, Purple Rain, Red Dawn, Revenge of the Nerds, Sixteen CandlesThe pull of nostalgia has admittedly become a tad cloying these days, but longing for the movies of summers past isn t entirely unreasonable if those summers are anything like 1984. Some of the most beloved films of the decade adventures and teen films and children s fantasies and comedies of all stripes came from the summer of 1984 and became definitive icons of the era. It was an embarrassment of riches, really, and we d be lucky to experience another year so chock-full of cultural touchstones. Ivan Reitman, Bill Murray, Harold Ramis, and Dan Aykroyd (no disrespect to Ernie Hudson; we love you too!) joined forces for Ghostbusters, one of the greatest comedies ever; Joe Dante unleashed a horde of cute but deadly critters both horrifying and hilarious in Gremlins; Daniel-san and Mr. Miyagi showed us the effectiveness of waxing on and off, and the power of a crane kick (but were they the villains all along?); Falkor made everyone long for a luck dragon of their own; and Indiana Jones sat down to a meal of monkey brains and faced down a cult leader who spent his leisure time ripping people s hearts out of their chests just to name a few. The cultural impact this run of films has had over the decades is huge: Ghostbusters was recently rebooted, the next Indiana Jones movie is currently in the works, and the YouTube Red series Cobra Kai turned out to be a surprise winner. On top of all that, 1984 s films were also influential in a much more tangible way: uproar over Temple of Doom and Gremlins ultimately resulted in the creation of the PG-13 rating, which is basically the bread and butter of the movie industry today.2. Summer of 2008Box Office Total: ,292,073,950 (adjusted for inflation)Tomatometer Average: 58.44%Cultural Ranking: 6/44Significant Films: The Dark Knight, Hellboy II, The Incredible Hulk, Indiana Jones and the Kingdom of the Crystal Skull, Iron Man, Mamma Mia!, Man on Wire, Pineapple Express, Sex and the City, Step Brothers, Tropic ThunderLike it or loathe it, superhero movies dominate our current cinema, and 2008 was perhaps the single most significant year for the genre. In July, we had The Dark Knight, which was, until 2018's Black Panther, the best-reviewed live-action superhero movie of all time, and which featured arguably the best performance ever given in a movie like this, with Heath Ledger's Oscar-winning turn as the Joker. As Tim Burton had done with Batman almost 20 years before, Christopher Nolan redefined blockbuster cinema again – it could be dark, so serious, and great. And it helped if it was about Batman. Just two months before The Dark Knight's release, Marvel Studios was doing its own redefining, releasing Iron Man and kicking off phase one of the Marvel Cinematic Universe: 22 Fresh films later, Marvel Studios' tentpoles are rivaled only by new Star Wars and Jurassic movies. Away from all that spandex, 2008 also gifted us with a landmark Pixar flick (Wall-E), a not-so-well-loved but lucrative Indiana Jones movie, and one of the greatest documentaries of all time, according to the Tomatometer (Man on Wire). For its huge impact on the decade of cinema that followed, and a very healthy box office – the sixth highest-earning year from our data set – 2008 is the salutatorian of our summer movie season class.1. Summer of 1982Box Office Total: ,531,699,214 (adjusted for inflation)Tomatometer Average: 67.3%Cultural Ranking: 1/44Significant Films: Blade Runner, Conan the Barbarian, E.T., Fast Times at Ridgemont High, Mad Max 2: The Road Warrior, An Officer and a Gentleman, Poltergeist, Star Trek II: The Wrath of Khan, The Thing, TronIf Jaws introduced the idea of the summer blockbuster season to the world in 1975, Hollywood essentially produced a near-perfect version of it just seven years later. We could break down the individual releases in analysis, but really, the slate of movies speaks for itself. 1982 offered up a wealth of enduring, genre-defining sci-fi classics, from Blade Runner and Star Trek II: The Wrath of Khan to Tron, Mad Max 2: The Road Warrior, and E.T. the Extra-Terrestrial, which not only topped the box office but also earned the highest Tomatometer score of any film that summer. We also got iconic entries in several genres, including horror (The Thing, Poltergeist), comedy (Fast Times at Ridgemont High), and romantic drama (the groundbreaking An Officer and a Gentleman, for which Louis Gosset Jr. became the first black actor to win the Best Supporting Actor Oscar). This is the kind of lineup that inspires teens to theater-hop, and thanks to a decent box office take, a phenomenal Tomatometer average, and a wealth of culturally significant films, 1982 is officially the best summer ever!See Full Data on Every Summer1970s | 1980s | 1990s | 2000s | 2010s
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Political momentum continues to drive lawmakers' efforts to combat elder financial abuse. In our last report on the subject, Bates considered the current state of play as indicated by the North American Securities Administrators Association's (NASAA) survey results on (i) firm practices and policies applicable to senior customers and (ii) state securities regulator perspectives on senior financial fraud. Since then, federal and state legislatures have enacted bipartisan laws to expand agency authority over elder abuse and to better cope with guardianship issues.
On October 18, 2017, President Trump signed into law the Elder Abuse Prevention and Prosecution Act ("Elder Abuse Act"). The new law directs federal resources to several regulatory agencies and enacts tough provisions to permit greater oversight of guardians and conservators.
Another provision of the new law concerns proceedings relating to guardians and conservators. The Court-Appointed Guardian Accountability and Senior Protection Act was incorporated into the broader Elder Abuse Act and helps to protect seniors from neglect and financial exploitation by strengthening oversight and accountability for guardians and conservators.
According to Texas Senator John Cornyn, under the tougher guardian and conservator provisions, "state courts would be able to apply for funding to assess the handling of proceedings relating to guardians and conservators, and then make the necessary improvements to their practices." He suggested that courts could now conduct background checks on potential guardians and conservators, or implement an electronic filing system in order to better monitor and audit conservatorships and guardianships." Further, under these provisions, DOJ must now publish best practices for improving guardianship proceedings and model legislation related to guardianship proceedings.
The report identifies "red flags" of financial abuse, examples of exploitation, and provides information on how to report suspected abuse." Specifically, NASAA warns against: (i) the use of guardianship authority to transfer property for the guardian's benefit; (ii) personal payments from a protected individual without court permission; (iii) frequent cash withdrawals from the protected individual's accounts without explanation; (iv) use of property for personal benefit without court authorization; and (v) unexplained decisions that are not in the protected individual's best interest.
Many state and local efforts continue to move apace. In Texas, for example, the Elder Financial Protection Act took effect on September 1st. The new law sets standards to combat financial scams by allowing financial institutions the option to place a 10-day hold on an account once a report is made to law enforcement, and it allows a financial adviser or institution to contact a trusted third party if they suspect financial exploitation, as long as the third party isn't the suspected party.
On the regulatory front, there is an expectation that new FINRA Rule 2165, which permits members to place temporary holds on disbursements of funds or securities from the accounts of specified customers where there is a reasonable belief of financial exploitation of these customers, and FINRA Rule 4512, which requires members to make reasonable efforts to obtain the name and contact information for a trusted contact person for a customer's account, will help reduce the incidence of elder abuse. These rules go into effect on February 5, 2018.
The consequences of multiple state and federal actors working to address elder financial abuse are yet to be determined, but we will continue to follow this issue as it progresses and keep you apprised of any impact reported.