Whether you want to know more about the man behind the vision, go on a fast-paced scavenger hunt with your family, or discover the secrets of this park, there is a tour available for you.
This five hour behind the scenes tour is the ultimate Magic Kingdom experience – if you are ready to see behind the curtains!
This tour is adults only, as some of the magic of Walt Disney World is explained, and because of the length.
On this tour, you get a chance to peek into the inner workings of what it takes to keep the magic alive at the Magic Kingdom every single day.
Part of this tour is a stop in the Utilidors, the underground network of tunnels that Disney uses to move characters – and trash! – out of guest's vision.
Your knowledgeable tour guide will fill you in along the way with little known trivia.
Another stop you will make on the tour is the backstage parade area.
Lunch is included, and reservations are required.
Walk-up tours are based on availability at Guest Services.
If your family wants a special tour, don't miss the Family Magic Tour, an interactive scavenger hunt around the Magic Kingdom!
Your guide will help you follow the map and clues, and you may even meet some surprise characters along the way!
This tour takes around two hours, and winds around most of the park – so be ready to cover some ground and have fun! Reservations required.
Engineer your visit by learning more about the Steam Trains at the Magic Kingdom, and the role they play in the daily operation of the park.
You will get to see where the trains are stored and serviced, and what it takes to keep the engines chugging!
Each train is named and lovingly cared for, and this three hour tour also gives you a chance to meet the engineers who keep the trains going every day.
Walt Disney's idyllic hometown of Marceline, Missouri greatly influenced his vision of Main Street USA, and this tour gives you an insider glimpse of Walt's life, including his time in Marceline.
This guided walking tour is based on the man behind the magic, and some of the history leading up to the opening of the park. One perk of this tour is early entry to the park.


text:
using System;
using System.Collections.Generic;
using System.Linq;
using System.Net.Http;
using System.Net.Http.Headers;
using System.Web;

namespace WebApiFileUpload.API.Infrastructure
{
    public class UploadMultipartFormProvider : MultipartFormDataStreamProvider
    {
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            {
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}

redpajama_set_name: RedPajamaGithub


Dose Market is hip. Dose Market is stylish. Dose Market is tasty. Dose Market is it.
Once a month, Chicago's most creative minds convene at the River East Arts Center to share in the latest trends in food and fashion. Welcoming about 45 vendors a month, the public is invited to see what's new in Chicago. Curated by four fashion forward women, Dose is the place to be seen.
My first Dose experience was on October 16th, and it was absolutely amazing. Walking into the River East Arts Center, you are able to peer over the railing and get a glimpse of all of the excitement on the floor. Walking down the stairs, I gladly received an immediate sensory overload. I was not sure whether I should stop to take pictures of the dapper young men that were shopping around, or indulge in a sticky bun from Floriole.
I was even more thrilled to run into Klayton Korver from Seer Outfitters which was the Dose Cause of the month. All proceeds from the Seer Outfitters clothing line go to fund projects through the Kyle Korver Foundation. Cute clothes for a great cause, the perfect excuse to shop.
Caroline spent much of her time gawking at vintage clothes. Story of her life.
Our favorite designs were probably from the Chicago born, New York City based designer Samantha Sleeper (those are her designs in the background of this blog). This dress almost made us die.
To sum it all up, Dose Market is a great way to spend a Sunday afternoon; who wouldn't love to rub elbows with Chicago's food and fashion elite?! A germaphobe. But we are not germaphobes, and we love rubbing elbows with people. Be sure to find us at the next Dose on December 4th, can't wait to see you there!


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On Friday, December 5 a crowd of accidental pedagogues met on Twitter via #digped to raise their voices. We considered the notion that critical pedagogy is not only a theory of teaching, but also a social movement. An eclectic group of educators (loosely defined) joined together to discuss the expansive world of critical pedagogy, seeking to (re)define its borders.


I'm sick of people posting crap that doesn't even look like willwill's mockups. So, I took matters into my own hands this time.
As of right now, I don't have his same wallpaper or the options icon, but I'll get them ASAP.
If anybody can figure out how to get the face browser working the way he drew it, let me know.


text:
Posts Tagged 'Martini Odoni'
Corbyn Calls for Britain to Condemn Israeli War Crimes after UN Report
This is a very interesting video of just under five minutes long, posted by the Last American Vagabond yesterday, 4th March 2019. It's an excerpt from a much longer piece, but it reports that Jeremy Corbyn has called for Britain to condemn and stop arms sales to Israel after the publication a few days ago of a UN Report describing Israeli war crimes against Palestinian civilians.
The Vagabond was obviously talking in his longer broadcast about American intervention in Syria, as he begins this segment by saying that America is in Syria to protect Israel. And the double-standards in this is shown by a story in Anti-Media reporting that Corbyn called for the UK to condemn Israel's killing of Palestinians. The Vagabond states that they all know the stories of Corbyn being called an anti-Semite because he calls out Israel's crimes. This is breaking through, but he'll still be called an anti-Semite. That's their plan to diminish the efforts of people, who point out the crimes they're committing. You're and anti-Semite if you point out the crimes of Israel, just as if you call out America in Syria, you're anti-Christian. This doesn't work.
But this is important. This has been growing. And he's using the recent UN report to say that we all can see what's happening, they need to be condemned for their actions. Corbyn is calling for the British government to condemn Israel's killing of Palestinians, and freeze arms sales to the occupation state. Nothing about Jewish people, nothing about anti-Semitism, just saying that the Israeli government is killing these people, which is very easy to see. The UN report said the Israelis are intentionally killing children and journalists. And because of this we need to freeze arms sales. But people don't want this to be the case, as Israel is very powerful and has influence in all of these government.
Corbyn's remarks came in the wake of the UN Report, the funny thing of which was, and they did this more than once, says that Israel might have committed war crimes, while presenting the evidence of all the children, women and doctors they've killed. Which shows the absurd nature of the United Nations and its ruling factions. But it's another opportunity to get this out to people, who've never seen it before, who don't realise that the Israelis are killing children and journalists. Corbyn is now jumping on this to make what should happen, happen, that the international community should have the courage to say 'You guys are a criminal organisation, your government organisation, not the entirety of Israel but what this government is doing, is very bad.' And when you realise that they are allowed to get away with this stuff to a certain degree, it gives smaller nations, that really do want to carry this out, not necessarily the power, the drive to do so. Because Israel can get away with it, and shows them the line they can use to get away with it, say Iran's there, say they're all terrorists, same with what the US is doing.
He then quotes a tweet from Corbyn, which said
Israel's killing of demonstrators in Gaza, including children, paramedics and journalists, may constitute war crimes against humanity. The UK government must unequivocally condemn the killing and freeze arms sales to Israel.
The UN report published earlier this week said
The Israeli security forces killed and maimed Palestinian demonstrators who did not pose an eminent threat of death or serious injury to others when they were shot. Nor were they directly participating in hostilities. And the protest had been predominantly civilian in nature.
He says it's on record that thousands and thousands of people have been shot in the nine months, unarmed, verified – that's a crime. And it's time they paid for it and were held accountable.
This is why the Blairites, the Israel lobby and the British establishment are so determined to destroy Corbyn and have him and his supporters purged from the Labour party. Why they smear decent, anti-racist people like Tony Greenstein, Jackie Walker, Ken Livingstone, Marc Wadsworth, Mike, Martin Odoni and so many, many others as anti-Semites. It's because Corbyn stands up for the Palestinians against Israeli racism and colonialism. Because Corbyn's supporters call out the neo-Conservative lies, distortions and the selective editing of history to try to justify the Israeli state's crimes against humanity. Just like they call out racism and injustice at home, like the Tories' targeting of immigrants and folk of colour for vilification and deportation.
Now the departure of the eight quitters from the Labour party last week, and the manufactured outrage against Chris Williamson for daring to book a room to show the film Witchhunt, about the anti-Semitism smear campaign in the Labour party, makes me wonder if the Israelis knew the report was coming out, and so mobilised their puppets in readiness. Because of the eight splitters, six were members of Labour Friends of Israel. Joan Ryan was its chair, and as she was filmed saying by al-Jazeera, she obtained a million pounds worth of funding from the Israelis and most days met Shai Masot, the Israeli embassy official, who conspired to have Alan Duncan removed from the cabinet. And the Independent group is a private corporation, precisely so they don't have to disclose their funding. Which seems to me will almost certainly include money from the Israelis.
Tags:'The Witchhunt', al-Jazeera, Alan Duncan, anti-semitism, Anti-Semitism Smears, Arms Trade, Blacks, Children, Chris Williamson, Christianity, Civilians, Conservatives, Deaths, Deportations, doctors, Establishment, Ethnic Minorities, Funding, Immigrants, Independents, Israel, Israel Lobby, Israeli Army, Israeli Embassy, Jackie Walker, Jeremy Corbyn, Joan Ryan, Jouranlists, Ken Livingstone, Labour Friends of Israel, Last American Vagabond, Marc Wadsworth, Martini Odoni, Mike Sivier, Neocons, Palestinians, Private Corporation, Protests, racism, Shai Masot, Shootings, tony blair, Tony Greenstein, War Crimes, Women
Posted in America, Arabs, Crime, Democracy, Industry, Iran, Israel, Judaism, Medicine, Persecution, Politics, Syria, Terrorism, The Press, Uncategorized, United Nations | Leave a Comment »

redpajama_set_name: RedPajamaCommonCrawl


text:
Home|News||ACC Chris Singer Takes Up New Chariman Role.
ACC Chris Singer Takes Up New Chariman Role.
We'd like to formally welcome our new company chairman Chris Singer.
Former Assistant Chief Constable of Warwickshire & West Mercia Police –
Chris joined the Police service with Devon and Cornwall Police in 1986 where he rose through the ranks undertaking roles in local policing, as an authorised firearms officer, a detective in the Child Protection Team and in intelligence.
He was also seconded to the Princes' Trust as a team leader, enabling him to follow one of his passions – helping young people to succeed.
He led on custody provision, playing a key role in the development of national doctrine for the safer handing of detainees and led the introduction of full time medical care embedded in custody units.
Under an international media spotlight, he was responsible for the Devon and Cornwall policing operation for the arrival of the Olympic Torch in 2012, and then formed part of the command cohort at the Olympic Sailing event in Weymouth working closely with private security companies and the Military to deliver a safe and secure Olympic Sailing event.
Holding command in Torbay and Plymouth, Chris worked closely with key partners to develop highly effective relationships that helped keep communities safe. He later held a unique position as a seconded member of the executive team at Plymouth County Council, helping to identify and reap gains from stronger collaboration across the public and voluntary sector.
A highly experienced senior commander, Chris held command for the response to significant incidents, including joint command for the multi-agency operation in response to significant flooding in 2014, engaging with Government through COBRA and planning short notice high profile visits of the Prime Minister and other VIPs.
Chris joined Warwickshire and West Mercia Police in 2015 as Assistant Chief Constable responsible for the Protective Services portfolio covering Major and Serious Crime, Special Branch, specialist operations including roads policing, public order, firearms and dogs, covert authorities and protecting vulnerable people.
He ran significant and sensitive policing operations, including major public order policing involving far right demonstrations and operations relating to national security.
A specialist firearms commander, Chris delivered over 100 firearms operations during 2016/17 for both pre-planned and dynamic incidents involving the deployment of armed officers.
During 2016/17 Chris served as Temporary Deputy Chief Constable for West Mercia Police, delivering improved performance in key areas and engaging closely with the Chief Constable and Police and Crime Commissioner to deliver the Police and Crime plan.
Having served for 31 years, Chris retired in July 2017 to take up appointment with UK Protection as company chairman and senior consultant whilst also taking time to enjoy his passion for sailing and spending time with his family.


text:
Why is Ireland so bad at music production?
admin · Posted on August 19, 2021
A new report shows how Ireland has lagged behind other countries in its music production capacity.
In the last decade, Ireland recorded a decline in the number of recorded artists and recorded artists only recorded under 20,000, but this has now reversed.
"It is absolutely amazing, in many ways it is amazing, and yet at the same time, it is also quite worrying," said Noel O'Neill, a music producer and the executive director of the Recording Industry Association of Ireland.
"Because we are so far behind in the global music production industry.
There is still a lot of work to do in terms of making sure that we're doing the right things for the music industry."
There are around 15,000 recorded artists in Ireland, but the country has recorded just 13,000 of them.
The industry is not producing as many as it could be.
The report by the Recording Institute of Ireland, which includes a range of experts, finds that Ireland has only recorded 14% of recorded music in the last 15 years.
The Institute estimates that only 16% of the recorded music is created by independent artists.
"If you look at our industry overall, the number one producer of recorded works is the Recording Council of Ireland," said Mr O'Sullivan.
"The number one recording artist is the RIAA."
The RIAE produces music for many recording artists, including Madonna, Eminem, Eminem Live, Madonna, Coldplay and many others.
"The RCA is really important to the industry because it is a big company, so we know what it's doing," said Ms O'Neil.
"There are some artists that are more successful in the industry, and they're able to make a lot more money, but that's it.
It's a big gap."
I think we're a bit of a small player compared to the rest of the world.
I think that we are behind the curve.
"We don't have any of the big record labels, and that's why it's not as good as it should be."
Mr O'Ollies report also shows that the number-one producer of Irish music is the Royal Irish Academy of Music, which also makes music for the Royal Family.
"Irish music has been around for a long time and there is so much history there," said Dr O'Malley.
"I think that the Royal Academy of Musicians is doing really good work, and the RCA does well, but it is certainly a bit behind."
It says Ireland also has an "incredibly low" quality of audio and video.
"While there are some fantastic musicians, there are many others who are not doing as well," Dr OMalley said.
"They're just not making as much money as they could be."
While the recording industry has struggled in recent years, there has been an improvement in the quality of sound produced.
"This is a reflection of the fact that there is a lot less noise than in the past," Dr Olmstead said.
"We're doing a lot better, and we're making a lot higher quality recordings."
A report by Music Ireland found that Ireland is one of the top countries in terms
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How to get your pictures perfect on the new Oculus Rift headset
admin · Posted on September 29, 2021
The Oculus Rift is expected to launch on June 28 for $599, or about £500 (about AU$7000), and it will allow users to move and zoom in and out in virtual worlds, a new feature that the developer of Oculus Rift says will allow them to create stunning 360-degree videos.The new Oculus software, developed by …
How to upgrade to Oracle software for free on Apple iPhone 6 and 6 Plus
Now Playing: Apple launches new 'Gigantic' iPhone 6 line up article Now Watching: Apple unveils new iPhone 6 design with OLED display, more features, and specsNow Playing: Watch a trailer for 'Avengers: Infinity War' Now Playing, Apple to introduce new iPhone 7, 7 Plus, and 7S models with curved displaysNow Playing, Sony to unveil new …
How to stop yourself from being a victim of ransomware
admin · Posted on June 18, 2021
It's the perfect storm for ransomware.A massive ransom demand, a growing number of infected computers and the most powerful malware in history.And the ransomware's latest attempt to infect millions of people has left some wondering how it was able to infect thousands of computers in just over a week.What's the best way to protect yourself …
admin · Posted on December 10, 2021
You can buy microphones and microphones are usually sold in the hardware and software departments of stores and online.That can get complicated quickly, though.The key is to understand what to look for and when to buy them.Let's look at what microphones and how they work.1.What microphones are and aren't good for audio recording?Mophones are microphones …
admin · Posted on December 9, 2021
In the new year, landscape software maker Raven is bringing to market its first consumer-ready product, the Raven Garden.Raven says it has been working on the product for about a year, but its debut comes in the form of the Garden.The product is a new sort of landscape software — it can handle any type …
Landscape software can help you stream audio from your iPad to your iPhone, Apple says
admin · Posted on November 26, 2021
A few weeks ago, Apple unveiled its latest iOS update.It added the new iOS 11.4.1, and it added some new features, including an improved, full-featured video streaming app called AirPlay.While many of the new features and new features were new, the iOS 11 update included some other changes, like adding an audio recording feature to …


text:
The Rapid Blaster is a main weapon in the Splatoon series.
The Rapid Blaster is a Shooter-class weapon (offically part of the Blaster Class in Splatoon 3) that is similar to the Blaster, but fires much faster and has greater range. However, this comes at the cost of less Ink coverage, a smaller blast radius, and weaker shots. At minimum, it takes one direct hit and one indirect hit to splat an opponent with this weapon. Its close relative, the Rapid Blaster Pro, has slightly longer range and a slightly slower firing rate. The fire rate is faster than the Luna Blaster, and slower than the Clash Blaster.
1 Appearance
2.1 Data
2.2 Version history
2.4 Gallery
2.5 Demonstration
4.2 Badges
The Rapid Blaster is mainly red with a black handle. Attached to the nozzle is a gray part. The weapon has many odd attachments, including a bolt on the bottom part and a metal grate above the handle.
Category Main
Class Shooter
Sub Ink Mine
Special Bubbler
Fire rate
Charge speed
Ink speed
Obtainable at
Cost 10,000
Base damage 12.5–40 (Splash)
25–80 (Blast)
80 (Direct hit)
Ink consumption 8%
Base accuracy
MPU effect
SPU effect
Other variant Rapid Blaster Deco
The Rapid Blaster comes with Ink Mines and Bubbler. Each shot consumes 8% of the ink tank capacity, and the ink tank recovers 1.67% of its capacity between each shot, allowing the player to fire 15 shots before needing to refill the tank.
The Rapid Blaster is a middleweight weapon.
Each shot consumes 8% of the ink tank capacity.
This stat can be changed with Ink Saver (Main).
When firing continuously, it shoots a bullet every 35 frames (1.71 shots per second).
When firing while moving, the player's movement speed is set to 0.62 units per frame.
After firing, there is a 25 frame cooldown before the ink tank starts refilling.
Each shot has a base damage of 80.
Shots travel straight for 11 frames.
Shots have a radius of 2 units.
Shots cannot ever deviate from the inner reticle while on the ground.
The angle its shots can deviate while in the air is 10 degrees.
The outer reticle immediately expands after jumping. The outer reticle will finish shrinking after 60 frames.
When jumping, the chance to shoot towards the outer reticle instead of the inner reticle is immediately set to 40%.
Shots initially travel straight at a rate of 12 units per frame for 11 frames. Shots travel straight for 132 distance units.
Ink droplets occur every 15.4 units.
The frequency at which ink drips from a shot occurs at a rate of 10 droplets per shot.
There are a total of 1 different droplet patterns that can be created while firing this weapon.
Droplets that occur within 11 units of the player have a radius of 19.2 units.
Droplets that occur when they travel past 200 units of the player have a radius of 18 units.
All other ink droplets have a radius of 11 units.
The shot explodes 15 frames after being fired.
The far damage radius of the explosion is 35 units.
When the shot explodes on the ground or wall, the far damage radius is 17.5 units.
The near damage radius of the explosion is 5 units.
Damage from the explosion scales from 25 at the far damage radius to 80 at the near damage radius.
When the shot explodes on the ground or wall, the damage scales from 12.5 at the far damage radius to 40 at the near damage radius.
When the shot explodes in the air, it creates a splash of paint with a radius of 28 units.
The wall impact painting radius is 17 units.
▲ Fire rate when firing from a Squid state: 0.28 → 0.20
▲ Recovery time after firing: 0.43 sec. → 0.33
▲ Special gauge loss: 50% → as low as 40%
▲ Movement speed while firing increased by about 12%
Sheldon's Introduction
The Rapid Blaster is a Blaster modified to increase its rate of fire and ink efficiency. It's not as powerful as the Blaster, but its fast shots and powerful Ink Mines are great for pressuring foes. With a Bubbler as well, it's probably the easiest blaster to use, so I'd recommend giving it a try!(NA)[a]
" Mitigates the weaknesses of the regular Blaster by giving up a little shot power for a better rate of fire. "
— In-Game Description(NA/EU/OC)[b]
↑ North America
↑ North America, Europe, and Oceania
Promo image.
The second farthest left Inkling wields the Rapid Blaster
The Rapid Blaster's range.
Official art of a team of Inklings - the farthest is holding a Rapid Blaster.
Official art of an Inkling holding the Rapid Blaster.
Concept art of an Inkling wielding the Rapid Blaster.
Concept art of various weapons, with the Rapid Blaster at the lower left.
An Inkling firing the Rapid Blaster in an early version of Blackbelly Skatepark.
Click to load content
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Special Splat-Bomb Launcher
Cost 9,800
Base damage 17.5 (Splash)
35 (Blast)
Other variants Rapid Blaster Deco
Kensa Rapid Blaster
The Rapid Blaster returns in Splatoon 2 looking identical to how it was in the first game, but with a slightly tweaked performance. It comes with Ink Mines and Splat-Bomb Launcher. Each shot consumes 7% of the ink tank capacity, allowing the player to fire 14 shots before needing to refill the tank.
It appears in five Octo Expansion Stations:
F06 Duh-Oh Station
F08 Jump Station
H04 Shooter McStation
J06 D11 Ink & Watch Station
The matchmaking range is 167. Splatoon 2 matchmaking looks at a team's average matchmaking range value, and matches them against a team with a similar average.
The ink consumption of 7% and ink tank capacity of 100% allows players to fire 14 shots before needing to refill the ink supply.
When initially firing the weapon in humanoid form, the first shot takes 12 frames to come out.
When firing from squid or octopus form, the first shot takes 21 frames to come out.
The interval between firing and when the player is able to become a squid or use a sub weapon is 20 frames.
The bullet hitbox has a radius of 2 units.
The angle its shots can deviate while in the air is 8 degrees.
The outer reticle immediately expands after jumping. After 40 frames, the outer reticle will start shrinking, and will finish shrinking after 70 frames.
After that, the shot's velocity is set to 11.3305 units per frame if it is not already lower than the listed value, and decreases further as it travels.
Ink droplets have a radius of 11 units.
Droplets have their radius multiplied by a value ranging from 1 if they fell from a height above 100 units to 1.2 if they fell from a height below 30 units.
Main Power Up increases the far damage radius up to 35 units.
The near damage radius of the explosion is 9.4 units.
Main Power Up increases the near damage radius up to 10 units.
Damage from the explosion is 35. Damage does not change based on distance from the center of the explosion.
When the shot explodes on the ground or wall, the damage is 17.5.
The radius of wall dripping paint is 10 units.
▲ Ink consumption per shot: 8.0% → 7.0%
▲ Direct hit damage: 80 → 85
▲ Min. splash damage: 25 → Splash damage is now locked at 35
▲ Angle of shot deviation while jumping: 10 degrees → 8 degrees
▼ Max. splash damage: 75.9 → Splash damage is now locked at 35
▼ Movement speed while firing: 0.616 → 0.55
▼ Time taken to begin recovering ink after shooting: 0.42 seconds → 0.83 second
▼ Points to fill special gauge: 180 → 210
▼ Decreased radius of damage dealt by exploding shots by roughly 6%.
▲ Points to fill special gauge: 210 → 200
▲ The Main Power Up gear ability will now also increase the radius of explosions while equipped when using these main weapons.
The above effect will be maxed out when 2.9 times the normal amount of gear ability is equipped.
Each additional gear ability is worth .3 of the effect of the base gear ability.
▲ Increased damage dealt to the Rainmaker barrier by roughly 11%.
The Rapid Blaster features an improved rate of fire and reduced ink consumption. It comes with the trade-off of less attack power, but you can reveal your opponents' positions to teammates with the Ink Mine! Finish off the tracked opponents with the Splat-Bomb Launcher! Recommended for players that like to work closely with their team!
Class Blaster
Special Triple Inkstrike
Base damage
Ink consumption
Other variant
The Rapid Blaster returns in Splatoon 3 with an updated design, and has Ink Mines as its sub and Triple Inkstrike as its special.
It appears in only 1 mission in Alterna:
0507 One-Way Ride through Target Town
The Rapid Blaster lives up to its name with an improved rate of fire and modest ink consumption. Now, if you know me at all, you know I'm going to tell you about a big trade-off, and it's this: low power. But using the Ink Mine to reveal enemy positions helps make up for it. What I'd do with a combo like this is use the Rapid Blaster to create a whirlwind of ink, then take it to the next level with a Triple Inkstrike. This setup lets you focus in on key areas of the map - whether you're defending the home base or pushing an advance into hostile territory.
Main article: Badge#Weapon freshness
Reaching certain Freshness levels with the Rapid Blaster will reward the player with special badges that they can use on their Splashtag.
Rapid Blaster Badges
4★ Rapid Blaster User
An Inkling holding the Rapid Blaster while placing Ink Mines.
2D icon.
The Tableturf card icon of the Rapid Blaster.
This weapon resembles a toy dart gun.
The Rapid Blaster actually has a longer range than the Range Blaster.
Despite being called the Rapid Blaster, the fire rate of this blaster is slower than the Clash Blaster's, though the Clash Blaster was introduced later.
The orange cap on the tip of the Rapid Blaster's barrel in Splatoon 3 resembles those seen on toy guns in the United States, which requires toy firearms to be painted partially or completely in safety orange to avoid confusion with real ones. This cap is also seen on the Rapid Blaster Pro.
Japanese ラピッドブラスター
rapiddo burasutā Rapid Blaster
Dutch Flitsblaster Flash Blaster
French (NOA) Turboblasteur Turbo Blaster
French (NOE) Turboblaster Turbo Blaster
German Turbo-Blaster Turbo Blaster
Italian Blaster rapido Rapid Blaster
Russian Бластермат
Blastermat Blastermat
Spanish (NOA) Turbolanzamotas Turbo Speck Thrower
Spanish (NOE) Devastador exprés Express Devastator
Chinese (Simplified) 快速爆破枪
kuàisù bàopòqiāng (Mandarin) Quick Blaster
Chinese (Traditional) 快速爆破槍
Korean 래피드 블래스터
laepideu beullaeseuteo Rapid Blaster
↑ Splatoon - NormalShotExplosionLight.params
↑ Splatoon 2 - Parameter Database
↑ Splatoon 2 - Weapon and Gear Database
Retrieved from "https://splatoonwiki.org/w/index.php?title=Rapid_Blaster&oldid=334716"
Main weapons in Splatoon
Main weapons with Ink Mine
Main weapons with Bubbler
Main weapons in Splatoon 2
Main weapons with Splat-Bomb Launcher
Main weapons with Triple Inkstrike
Splatoon Version 1.0.0
Splatoon 2 Version 1.0.0


text:
Q: How destroy activity works? I'm new in android development, and there is something about the life cycle activity that I don't understand, especially with the following example of application that i'm working on.
In my app, I have a Login activity and a Main activity.

*

*In my Login activity, with successful attempt, there is a Intent that start the main activity, and finish() the login activity.
==> There, my login activity is destroyed, so this should not show up again.
Intent intent = new Intent(this, MainActivity.class);
intent.putExtra("authentResult", tokenDto);
startActivity(intent);
finish(); //destroy activity to not open it with back button`

*In my Main activity, I have a disconnect button that create an Intent that start a (new ?) login activity.
==> Until there, everything's normal, and the login activity is displyed.
Intent loginActivity = new Intent(this, LoginActivity.class);

startActivity(loginActivity);

*In the login activity, using the Back button should close the app.
To do that, I send an intent with special flag to the main activity to finish it (So the back button will not wake up the main activity), and then I finish the login activity. The onDestroy method is called and I see the login window close itself.
==> From here I expect the app to be closed. But a "new" login activity shows up, and i suspect that it would be the activity of the first point, so I'm a little lost there...
public void onBackPressed() {
   Log.d(TAG, "BACK PRESSED - loginActivity");
   //Finish MainActivity
   Intent intent = new Intent(getApplicationContext(), MainActivity.class);
   intent.setFlags(Intent.FLAG_ACTIVITY_CLEAR_TOP);
   intent.putExtra("EXIT", true);
   startActivity(intent);
   finish(); // finish login activity
}

In the onCreate in the mainActivity, I begin with this :
       if (getIntent().getBooleanExtra("EXIT", false)) {
             finish();
       }

Do anyone could explain to me what I'm missing, or show me a better way to close the app directly ?
Don't hesitate to telle me if something's not clear.

A: If you declare the Login activity as main activity in the Manifest, if you don't destroy it when you launch the second activity then i think the back button will do all you expect without any additional code, and if you press back key on the login activity it will go to phone home screen
On Android applications is the system that decides when to close/kill application.

redpajama_set_name: RedPajamaStackExchange


The chiropractic care that I am receiving at Harbor Front Family Chiropractors helps me in sports because it makes me feel better. So when I'm running or dribbling, my back feels good and I can do better!
The chiropractic care that I have received from Harbor Front Family Chiropractors has helped me by promoting a pro-active and preventative strategy. Chiropractic enabled my body to improve precision, increased my stability, and I have obtained maximum benefits. Overall, making me a better athlete.
When I first arrived at Harbor Front Family Chiropractors, I had a debilitating back injury which prohibited me from continuing to dance professionally. After several months of chiropractic care I was able to perform professionally again, feeling stronger than I had pre-injury.
Getting regular chiropractic adjustments has helped relieve pains that I would experience while I played many sports. I don't feel any more pain while I compete and now I can perform at my best.
Chiropractic care from Drs. Toellner and Stokely have made my body feel so much better as I have competed throughout my high school career. Even when I got the bumps that made my back ache, I just came in and got adjusted and it fixed it! They work around your schedule very well so you can always find time to get in.
Getting an adjustment after a workout helps re-align my body so I can be at my peak performance and play to my best ability.
I started chiropractic care recently because of a sports injury. It is a great way to keep your body healthy and helps me perform to my full potential.
I have received chiropractic care all through Jr. High and High School. I try to go every week during my sports which are cross country, wrestling, and track. My performance when I don't have weekly adjustments is below average. I always do a lot better when I get adjusted regularly. My wrestling takes a lot out of my body physically and is stressful. Chiropractic care released that stress, enabling me to perform at the top of my level.
Ever since I've started coming here I would be able to come back from dance class not as sore as I was before Chiropractic care. Also, I have been sleeping better and my posture has improved.


Bologna is the seventh largest city in Italy as far as the number of inhabitants is concerned (almost 400,000), and sixth in economic importance. The metropolitan area of Bologna (more than 900,000 inhabitants) ranks second after Milan. Important features of Bologna are its high level of economic development and extensive pre-school, educational, social, cultural and sport services.
Bologna is the seventh Italian city for number of inhabitants that became around 1 million with the passage to the metropolitan authority with 55 municipalities. With its strategic location, stable economy, a modern and efficient public administration, the University and its research institutes, well established and emerging sectors, as well as all its urban transformations, Bologna is a vibrant area with excellent opportunities for investment despite the international economic downturn.
The metropolitan area of Bologna is characterised by high social and health standards and economic vivacity, with 32.662 operating enterprises; more than 30% of start-up registered in Emilia Romagna are located in Bologna. What's more, each citizen of Bologna can enjoy 18 m2 of public green space (one of the highest ratios in Italy) and centuries-old wine and food traditions which are renowned and savored all over the world.
Bologna is strategically situated at the heart of freight and passenger traffic transiting between Europe and the Mediterranean. With its growing city airport, one of Europe's largest intermodal platforms, five railway lines and four motorways which connect it with Milan-Turin and France to the North-West, Padua-Venice and Eastern Europe to the North East and Austria to the North, as well as two coastal routes, one along the Adriatic the other along the Tyrrhenian, linking it with the South of the peninsula, Bologna is the biggest national motorway and railway hub and an ideal point of access to Italian markets. It is soon to become a transit point for the trans-European intermodal corridor I and will be within easy reach of corridor V. Bologna is the cultural, administrative and commercial capital of the Emilia-Romagna region, and one of the areas with the highest social and economic standards in Europe.
Bologna's industrial system stands out for the presence of certain clusters. The most consolidated sectors in the area – automatic machinery, motor industry, electronics, fashion, agro-food – owe their success to the ongoing innovation of production lines, industrial processes and services, and to the fact of having been capable of adapting to the constantly changing demands of clients and markets.
The Municipality works actively towards the goal of urban sustainability.
The Municipality of Bologna has a wide experience in the participation in European projects and currently participates (or has participated) as co-ordinator, main contractor or partner in many European projects. The commitment of Bologna in international activities is also confirmed by the participation of the City in the Steering Committee of important international networks such as EUROCITIES, European Digital Cities, Global Cities Dialogue, ICLEI (Bologna was a founder member), Creative Cities Network, WHO-Healthy cities network and has adopted the Charter of European Cities and Towns Towards Sustainability (The Aalborg Charter).
The Bologna Municipality will help in identifying and prioritizing the required functionalities, thus participating in and supporting the design phase, and will participate in evaluation and refinement of resulting solutions, through a demonstration of the delivered system in their operational environment.
BOL will be responsible for leading WP5 about Validation and Demonstration in Operational Environment, incl. Tasks 5.1, 5.2 & 5.4.
WP5's objective is the validation of the COMPACT platform by means of the use case applications against their requirements. This WP drives the validation through use cases in operational environments of the project outcomes which will be exploited and disseminated (through WP6 and WP7) to interested stakeholders and a wide audience, proving the benefits arising from the adoption of COMPACT technologies. After, the use cases definition in WP2, the use cases will be used in this WP to validate the COMPACT framework, benchmark it and validate it against the use case requirements.


Kentucky's most well-known horse racing enterprise may be making moves if – or when – the state approves legal sports betting.
The owners of Churchill Downs, home of the Kentucky Derby, have invested in a new multi-million dollar gaming center in the state and have applied to operate another. The organizers of the nation's most famous horse race are now positioned at the forefront of potential legalized sports betting in the Bluegrass State.
Churchill Downs officials have denied these moves are in preparation for expanded sports betting in Kentucky, according to the Louisville Courier-Journal. Company president Kevin Flanery told the publication the company isn't anticipating a law that would allow them to take bets on sports beyond horse racing like football and basketball.
Even without sports betting, the new facilities are impressive.
The company opened Derby Center Gaming racetrack in Louisville last week. The $65 million facility covers 85,000 square feet and includes a 50-seat sports bar surrounded by televisions – a feature similar to sportsbooks in Nevada and other states with legal sports betting.
A similar, even larger facility could come to the state shortly. Churchill Downs has petitioned regulators to open a $125 million property in Hopkinsville similar to Derby Center Gaming. With or without sports betting, these destinations are expected to be major drawls for bettors.
Odds are, patrons will be able to place a bet there sooner than later.
Kentucky didn't pass a sports betting bill in 2018. It's positioned to do so in 2019.
A bipartisan, bicameral group of legislators introduced a sports betting legalization bill this summer ahead of next year's legislative session. Several have reiterated support during public forums and with such widespread backing, it's sure to be a focal point of debate when lawmakers return to Frankfort in January.
That doesn't mean it's a sure bet.
The state still has strong anti-gambling sentiments, despite more than a century as the epicenter of the nation's horse betting industry. In part due to influence from the state's conservative and religious advocacy groups, Republican Gov. Matt Bevin has not exactly championed expanded sports betting for the state and could present a veto threat if a bill emerges.
High taxation could also pose a challenge. The current iteration of the bill calls for some of the highest taxes on winnings in the world. At 60 percent of profits, it would be higher than Rhode Island (51 percent) and Pennsylvania (33 percent), both of which have struggled to attract would-be betting operators willing to open for business under such burdensome taxes.
Other factors including access, oversight and implementation will also need to be hammered out as part of a multifaceted process that has delayed sports betting for months in other states. Despite these obstacles, a vocal push from a wide array of legislators puts Kentucky on the fast track for sports betting. It may need to do so before its left behind in the quickening expansion race.
Kentucky could be among the first wave of states to take a legal sports bet. One of its neighbors is already doing so.
West Virginia took its first bet earlier this month, becoming the fifth state in the nation to do so. The Mountain State is rolling out an online market as well which, combined with five brick-and-mortar gaming centers, is expected to become a major lure for bettors across the region.
Even without Kentucky, the line of states with legal sports betting could quickly become more crowded.
Ohio lawmakers introduced a placeholder sports betting bill ahead of its 2019 legislation. Though not as fleshed out as Kentucky's, it shows lawmakers are serious about sports betting in the Buckeye State. Indiana, Illinois and several other states bordering Kentucky are considering bills of their own.
If Pennsylvania can overcome its tax hurdles and get it's betting market running, there could be more than a dozen states east of the Mississippi with sports betting before the end of next year. Kentucky is an early favorite to be one of them – another asset for gambling stakeholders like Churchill Downs.


text:
VIVE Network Chooses Tulix for UHD HDR Delivery
media24 | February 19, 2019 | Press Release | No Comments
Atlanta, GA, February 19, 2019 –(PR.com)– Tulix has today announced a deal with VIVE Network that will see Tulix distribute VIVE's live sports events in UHD HDR across multiple platforms. As part of the deal, Tulix has designed and implemented a complete OTT streaming workflow for VIVE, including a suite of applications that are available on all major devices.
VIVE Network aims to fill the UHD entertainment void by democratizing the production, distribution, and monetization of live UHD HDR content, such as niche sports with massive fan bases, thereby addressing the demand of multimillions of UHD viewers worldwide. VIVE and Tulix have developed a workflow that eliminates the need for satellite trucks, therefore allowing for a small footprint at venues and backhauling to a central studio that packages and prepares streams for distribution in real time to all devices globally. The complicated workflow designed, simplified and implemented by Tulix includes distribution via the Tulix MultiCDN.
"This was a very interesting and challenging project for us. It involved coordinating with some of the most prominent encoding, mobile, and TV providers in the world and has given us the chance us to work with cutting edge technologies," says Tulix CEO George Bokuchava. "We started with HDR 10 of the HDR standard and quickly progressed to HDR Dolby vision and HDR HLG to cover all UHD HDR standards. Our knowledge of streaming technologies has allowed us to achieve the desired results for VIVE. The significant progress and milestones we have achieved has given us a great impulse to do even more cutting edge technologies, including 8K HDR standards in the near future."
"We are tremendously grateful to George [Bokuchava], Nino [Doijashvili] and their team for seeing the vision and the need for this broadcasting breakthrough. We never could have gotten this project off the ground without them," says John Jacaman, VIVE Network Founder.
The first event will be the WBC World Youth Lightweight Title fight between Ortiz and Quiroz on February 23rd, with the undercard starting from 7pm EST. Additional event details, account registration and tickets to watch the event in UHD HDR or HD HDR are available at https://tickets.vivetv.network/ for the "Early Bird" price of $14.99 (USD) until midnight Friday, February 22, 2019, after which time the price will increase to $19.99 (USD). Download the app in the Google Play Store, Apple iOS and tvOS App Stores, Roku Channel Store, or other app store ecosystems by searching "VIVE 4K TV."
About Tulix
Tulix is a streaming technology incubator that supports innovators, investors, and enterprises by providing guidance and resources on; strategy, infrastructure, technology, and business models across the whole streaming eco-system. Tulix provides complete 360° managed streaming solutions from its data centers in the United States and Europe. The company operates its own streaming-optimized CDN. www.tulix.com
About VIVE Network
VIVE is a UHD HDR digital linear TV network and live event platform as a service for third-party content creators available globally on every screen in every format. The network comprises niche channels offering original lifestyle television series and programs, as well as live sports and concerts.
As a pioneer of the TV Revolution and UHD Initiative, VIVE's mission is to facilitate the creation, proliferation, and monetization of UHD HDR entertainment to address the domain of the multi-millions of viewers around the globe, and in doing so, establishing the network as the ultimate UHD entertainment destination.
Tulix Systems
www.tulix.com
Read the full story here: https://www.pr.com/press-release/777659
Press Release Distributed by PR.com
Source: PR.com
Tags:technology news
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Creating amazing experiences, promoting education and enriching lives of young people in Basingstoke and North Hampshire through the power of performing arts.
Central Studio, Anvil Arts and Proteus Theatre Company are working together to bring accessible theatre experiences for all young people through Basingstoke Youth Theatre. With opportunities to participate in two productions each year, students will gain fantastic experience performing on at least two well knowl theatre stages in the local area such as the Haymarket and Central Studio. Working with professional artists in the performing arts industry, this programme offers an opportunity like no other to make a lasting impact on all young people who choose to be involved in the performing arts.
From the foundation group for younger children,ProActivate for 6-8 year olds, where students take their first steps in learning skills such as improvisation, movement, storytelling, music and mime, to our semi-professional theatre group; Proteus Young Company for 16-21 year olds, where members devise new work and continue their theatrical development with the support of professional artists, there are opportunities for all young people to be involved.
Our foundation group for younger children, these high quality and affordable workshops are an excellent introduction to drama. It allows students to take their first steps in learning new skills such as improvisation, movement, storytelling, music and mime for the stage. The workshops allow them to create their own drama through role-play, either as a class or in smaller groups. All are welcome, regardless of ability or experience. £60 per term, 3 terms per year.
Building further on drama skills, this group takes a more serious approach to drama and theatre and with more emphasis on performance, focusing on physical theatre, text-based work, characterisation and voice.
Anyone is eligible to join our inclusive groups. Weekly rehearsals are run by professionals and take place at Central Studio (on the campus of Queen Mary's College) or at the Creation Space.
For more information or to register your interest, please contact us on 01256 354541 or email info@proteustheatre.com. Spaces are limited and are offered on a first-come, first-served basis.


Collaborating with some of the finest embroiders in the Indian district of Uttar Pradesh, Jupe by Jackie is a unique design concept launched in 2010. Collections such as men's Jupe by Jackie ties show off the benefits of such a partnership, with an unrivalled penchant for detail, thread and fabric. Classic ties are treated with a range of original twists, such as intricately embroidered flowers, raw edges or a delicately stitched stripe. Subtle yet skillful, men's Jupe by Jackie ties deliver a statement that is utterly unique.


text:
define([
    'underscore',
    'backbone',
    'knockout',
    'contrail-model',
    'config/alarm/common/ui/js/models/AlarmRuleModel',
    'config/alarm/common/ui/js/ConfigAlarmFormatters'
], function (_, Backbone, Knockout, ContrailModel, AlarmRuleModel, AlarmFormatter) {
    var formatter = new AlarmFormatter();
    var AlarmRuleOrModel = ContrailModel.extend({

        defaultConfig: {
            andRules: null,
            and_list: []
        },

        constructor: function (parentModel, modelData) {
            this.parentModel = parentModel;
            ContrailModel.prototype.constructor.call(this, modelData);
            return this;
        },

        validateAttr: function (attributePath, validation, data) {
            var model = data.model().attributes.model(),
                attr = cowu.getAttributeFromPath(attributePath),
                errors = model.get(cowc.KEY_MODEL_ERRORS),
                attrErrorObj = {}, isValid;

            isValid = model.isValid(attributePath, validation);

            attrErrorObj[attr + cowc.ERROR_SUFFIX_ID] = (isValid == true) ? false : isValid;
            errors.set(attrErrorObj);
        },

        formatModelConfig: function(modelConfig) {
            var self = this,
                andRuleModels = [], andRuleModel,
                andRuleCollectionModel,
                andRuleObj = {}, andRuleList = getValueByJsonPath(modelConfig, 'and_list', []),
                andRuleListLen = andRuleList.length;
            if (andRuleListLen > 0) {
                for (var i = 0 ; i < andRuleListLen; i ++) {
                    var ruleObj = andRuleList[i];
                    var operand2Key = 'uve_attribute';
                    if (getValueByJsonPath(ruleObj, 'operand2;json_value') != null) {
                        operand2Key = 'json_value';
                    }
                    var operand2 = getValueByJsonPath(ruleObj, 'operand2;'+operand2Key);
                    var operation = ruleObj['operation'] + cowc.DROPDOWN_VALUE_SEPARATOR + operand2Key,
                    andRuleObj = {
                        operand1: ruleObj['operand1'],
                        operand2: operand2,
                        operation: operation,
                        variables: ruleObj['variables'],
                    };
                    andRuleModel = new AlarmRuleModel(self, andRuleObj);
                    andRuleModels.push(andRuleModel);
                }
            } else {
                andRuleModels.push(new AlarmRuleModel(self, {}));
            }
            andRuleCollectionModel = new Backbone.Collection(andRuleModels);
            modelConfig['andRules'] = andRuleCollectionModel;
            return modelConfig;
        },

        addOrRuleAtIndex: function(data, event) {
            var self = this,
                orRules = this.model().collection,
                orRule = this.model(),
                orRuleIndex = _.indexOf(orRules.models, orRule),
                newOrRule = new AlarmRuleOrModel(self.parentModel(), {});

            orRules.add(newOrRule, {at: orRuleIndex + 1});
            kbValidation.bind(self.parentModel().editView,
                    {collection: newOrRule.model().attributes.andRules});

            $(event.target).parents('.collection').accordion('refresh');
            $(event.target).parents('.collection').accordion("option", "active", orRuleIndex + 1);

            event.stopImmediatePropagation();
        },

        deleteOrRule: function() {
            var orRules = this.model().collection,
                orRule = this.model();

            if (orRules.length > 1) {
                orRules.remove(orRule);
            }
        },

        getOrClauseText: function (data) {
            var andRules = data.andRules()(),
                orRuleText = '',
                andRuleArray = [];

            $.each(andRules, function (andRuleKey, andRuleObj) {
                var operand1 = andRuleObj.operand1(),
                    operand2 = andRuleObj.operand2(),
                    operation = andRuleObj.operation(),
                    vars = andRuleObj.variables(),
                    andRuleStr = '', operationStr = '';
                operand1 = contrail.checkIfFunction(operand1) ? operand1() : operand1;
                operand2 = contrail.checkIfFunction(operand2) ? operand2() : operand2;
                operation = contrail.checkIfFunction(operation) ? operation() : operation;
                vars = contrail.checkIfFunction(vars) ? vars() : vars;
                operationArr = operation.split(cowc.DROPDOWN_VALUE_SEPARATOR);
                if (operationArr[1] == 'uve_attribute') {
                    operationStr += 'UVE Key';
                } else if (operationArr[1] == 'json_value') {
                    operationStr += 'Value';
                }
                operationStr += " "+operationArr[0];
                if (operand1 != null && operand2 != null && operation != null ) {
                    andRuleStr += operand1 + ' ' + operationStr + ' ' + operand2;
                    if (vars != null){
                        if (typeof vars == 'string') {
                            andRuleStr += ', variables ' + vars;
                        } else if (typeof vars == 'object' && vars.length > 0){
                            andRuleStr += ', variables ' + vars.join(',');
                        }
                    }
                    andRuleArray.push(andRuleStr);
                }
            });
            if (andRuleArray.length) {
                orRuleText = andRuleArray.join('   AND   ');
            }
            return  orRuleText != '' ? orRuleText : '...'
        },
        validations: {

        }
    });

    return AlarmRuleOrModel;
});


Have you ever worked on a painting, 3d render or shot a photograph and it turned out looking like the subject was a toy instead of something bigger than life? I've seen some images made by people where you say, hmm… sure looks like a toy to me – and it wasn't intended to look like a toy. I had a render of my Mclaren automobile that looked like it belonged in a toy box. What went wrong. Well maybe this will help a bit. It turns out that you can make reality look like a miniature set or a bunch of toys! The trick is to add a lot of depth of field effect (blurring the background and foreground). Add a high angle and voila… miniatures! These people do it on purpose, now I know what I can do to avoid it.
A couple of days ago we had a nice spring snow fall so I took this shot of our neighbor's tree. I think it makes a good reference shot (especially for those of you who don't get the benefits of snow in those milder climates). Of course all the snow is gone now and it's quite warm (24C or around 75F). If you click on the image it will load the larger version (about 225kb).
This beauty was part of a double rainbow seen out the same direction as the lightning shots below. You can sort of see the second rainbow off to the mid right of the main rainbow. An interesting thing I noticed after taking this shot was that the sky to the right of the rainbow is darker than to the left. It almost looks fake.
*"This is the sign of the covenant I have established between me and all life on the earth" – Genesis 9:17.
Here are some photos I took at around 2:00am last night. A bit of a storm pushed through our area and so we enjoyed the light show for about an hour. So instead of trying to sleep through the thunder and lightning, I grabbed my Nikon D70 propped it up on the headboard and took a bunch of photos out of our bedroom window.
The trick was to keep the focus, catch the lightning and keep it steady. Having it on top of the headboard I placed the lens hood right against the window – that made a makeshift tripod which took care of the steadiness problem. In order to capture the lightning I took a lot of 2 to 4 second exposures at bulb setting one after the other… I just opened the shutter then counted 1 to 4 (or so) let the shutter close and immediately opened it again. After about 20 shots I went through and deleted any images that didn't work out (of course this was when the neatest lightning decided to strike). For focus I set the focus at infinity – well actually just a little before the infinity symbol (play around with your camera during the day to know exactly where the actual infinity focus is – it varies from camera to camera and can be a little bit before or after the infinity symbol). The wonder of digital cameras!
This morning I marveled not only at the pictures and awesome wonder of lightning, but that I could actually do all those things half asleep!
Last summer I had some time to stay up late and take some astrophotographs. This is my first attempt at taking a picture of M101 galaxy. In astrophotography the exposures have to be quite long (compared to regular standards) and this, coupled with the fact that the earth spins, makes it quite tricky. It means you have to keep the telescope/camera assembly pointed at the right part of the sky for the length of the exposure. I used a digital camera for the shot, but due to the 'noise' that develops from the CCD (the electronic version of film) you are limited to the length of the exposure. The solution is to take more, shorter exposures and 'add' them together in something like Photoshop. My tracking is off a bit (the stars aren't exactly round) and that is partly due to the poor quality of my telescope mount (donations for a new fancier and shmancier mount are gratefully accepted ). If you want to see what the Hubble space telescope sees when it looks at this galaxy, check out this page. I downloaded the high resolution image and it's now my background on my dual monitor setup. It's breathtaking and my image is nowhere near the quality of this amazing mosaic.
It's been a week and I haven't posted anything… it's really been a week? Wow. I've been knee deep in projects and that is good. Some pretty cool stuff I get to work on, but unfortunately I can't talk about – at least not yet.
Anyway, on a side note… here is a composite image I created last year when the earth cast a shadow on our moon. Boy I miss going out with my camera and telescope (it's been too busy, cold and cloudy)…. too many interests and so little time. I think I'm starting to envy Methuselah's life span!


Visitors are welcome daily between the hours of 10am and 8pm. Because patient rest is very important to their overall recovery we advise that friends and family do not phone direct to patient's room phone after 9.00 p.m. Similarly, we advise that visitors be minimal at 2 - 4 visitors at a time.
By arrangement with nursing staff.
Visitors are asked to consult with the nursing staff before giving patients gifts of food or drink as some items may compromise the patients treatment or tests.
We encourage visitors to take advantage of our Coffee Shop located on the 2nd Floor. Relatives and visitors may purchase meals prepared by the Catering Department. Meals are at a minimum cost and should be paid for at reception.
For visitor convenience, there are lounge areas located near Sutherland Unit and in Streeton Unit. An outside patient court-yard is also accessible from Streeton Unit and can be used by visitors and patients, weather permitting.


The Kamal Hotel is centrally located within Agadir, a great choice for anyone wishing to spend a relaxing holiday exploring the city or by the nearby beach. You can find all the amenities and attractions within the city all close by, with the nearest shops and bars only steps away and even more entertainment with the main nightlife and restaurants are not much further. This charming and quaint 3-star hotel provides a warm and welcoming place to relax while in the city, with a pleasant choice of 128 simple yet comfortable rooms along with friendly staff and some fine facilities such as the outdoor pool that all help you to enjoy your stay. Guests can also enjoy some delicious meals at the a-la-carte restaurant or simply relax with friends and family while enjoying your favourite drink with a choice of bars. Additional services provided by the helpful staff at the hotel also include car rental, excursions, laundry and an airport transfer service available on request.


text:
Dynamis, nicknamed Philoromaios (, Dynamis, friend of Rome, c. 67 BC – AD 8), was a Roman client queen of the Bosporan Kingdom during the Late Roman Republic and part of the reign of Augustus, the first Roman Emperor. Dynamis is an ancient Greek name which means the "powerful one". She was a monarch of Iranian and Greek Macedonian ancestry. She was the daughter of King Pharnaces II of Pontus and his Sarmatian wife. She had an older brother called Darius and a younger brother called Arsaces. Her paternal grandparents had been the monarchs of the Kingdom of Pontus, Mithridates VI of Pontus and his first wife Laodice, who was also his sister. Dynamis married three times. Her husbands were Asander, a certain Scribonius and Polemon I of Pontus. According to Rostovtzeff, she also had a fourth husband, Aspurgos.

Life

Marriage with Asander
In 47 BC king Pharnaces II put Asander in charge of his Bosporan Kingdom when he went away to invade Roman territories in eastern Anatolia. Asander revolted against Pharnaces II. He hoped that by betraying Pharnaces II he would win favour with the Romans and that through them he could become king of the Cimmerian Bosporus. Pharnaces took over Anatolian territories in the east but had to stop an advance into western Anatolia because of Asander's rebellion. He was eventually defeated by Gaius Julius Caesar. According to Appian, before the battle with Caesar Pharnaces sent envoys to him to negotiate a peace. They "bore a golden crown and foolishly offered him the daughter of Pharnaces [Dynamis] in marriage."   After his defeat, Pharnaces returned to the Cimmerian Bosporus with his cavalry. Asander defeated Pharnaces II, who died in battle. Asander took over the Bosporan Kingdom and married Dynamis, probably to legitimise his rule.

Exile
Asander was soon overthrown. Julius Caesar gave a tetrarchy in Galatia and the title of king to Mithridates of Pergamon. He also allowed him to wage war against Asander and conquer the Cimmerian Bosporus because Asander "had been mean to his friend Pharnaces." This must have been in late 47 BC or early 46 BC. We know this date because this is the date given by Cassius Dio about a rebellion against Caesar plotted by Caecilius Bassus, who gathered troops to take over Syria. He was investigated and he claimed that "he was collecting these troops for the use of Mithridates the Pergamenian in an expedition against Bosporus." Mithridates of Pergamon overthrew Asander and became Mithridates I of the Bosporus. According to Mayor, Asander and Dynamis were exiled and during their time in exile they were sheltered by her mother's Sarmatian tribe.

Second reign with Asander
Strabo wrote that Asander overthrew Mithridates. He did not give a date for this event.

According to Lucian, Asander had been an ethnarch and then was proclaimed king of the Bosporus by Augustus.  Ethnarchs were rulers of client kingdoms who did not rise to the level of kings. Minns thought that Lucian's attribution of Asander's elevation in status to Augustus was inaccurate and that this occurred by the concurrence of Octavian (the name used by historians for Augustus before he became the emperor) and Mark Antony when they shared the rule of the Roman Empire.

Minns reckoned that Asander started issuing coins in his name in 44 BC, the year Caesar, who supported Mithridates of Pergamon, died. Then he started minting with the acquiescence of Octavian, whose head featured on his coins. For the first three years the coins had the inscription ΑΡΧΟΝΤΟΣ ΑΣΑΝ ΔΡΟΥ (Archiontos Asandrou), archon Asander. Here we also have the first occurrence of φιλορώαμιος (philoromaios, friend of Rome) on coinage. Thus, his title was archon (ruler) rather than basileus (king) and remained so for the first three years.  Philoromaios shows that his rule was recognised by the Romans. These coins also had an inscription about his wife Dynamis which reads ΒΑΣΙΛΙΣΣΗΣ ΔΥΝΑΜΕΩΣ (basilises Dynamis), of queen Dynamis. From the fourth year onwards, his title on his coins was king and his head features on them.  On the obverse there was the head of Mark Antony instead of that of Octavian, most probably because Antony took charge of Rome's eastern provinces in 42 BC.

Queen of Scribonius
When Asander died Dynamis was entrusted with the regency of Bosporan Kingdom. She married a certain Scribonius. Scribonius was overthrown and Dynamis married Polemon I of Pontus, who had been sent by the Romans to fight against Scribonius. This would not have been before 17/16 BC because in that year Dynamis had issued a solitary stater in her name. This shows that in that year she reigned on her own and had not yet married Scribonius.

Cassius Dio wrote that a certain Scribonius claimed to be a grandson of Mithridates VI of Pontus and that he had received the Bosporan Kingdom from Augustus after the death of Asander. He married Dynamis, who had been entrusted with the regency of the kingdom by her husband Asander. Marcus Vipsanius Agrippa sent Polemon I of Pontus against him. Scribonius was killed by the people before Polemon got there because they had heard of his advance. Scribonius was murdered by the Bosporans, leaving Dynamis as sole ruler of the country. They resisted Polemon because they were afraid that he may be appointed as their king. Polemon defeated them but was unable to quell the rebellion until Agrippa went to Sinope to prepare a campaign against them. At that point the people surrendered. Polemon was appointed as their king. He married Dynamis with the sanction of Augustus. Agrippa was awarded a triumph, but this was nor celebrated.

Queen of Polemon
By marrying Dynamis, Polemon became the king of the Bosporan Kingdom in addition to being the king of "that part of Pontus bordering on Cappadocia" and of Lesser Armenia. The former two kingship had been given to him by Mark Antony. With this marriage Dynamis preserved her position of the Bosporan throne. The marriage "effectively unified the kingdoms of Pontus and the Bosporus, and the triumph voted to Agrippa by the Senate commemorated the apparent establishment of peace in the former kingdom of Mithridates."

Mithridates VI had conquered the eastern shores of the Euxine Sea (the Black Sea), from Colchis to the Cimmerian Bosporus, thus joining the region with his kingdom of Pontus. The Cimmerian Bosporus became a separate kingdom when his son, Pharnaces II, rebelled against his father when the latter was defeated by Pompey in the Third Mithridatic War (73-63 BC) and withdrew to the Cimmerian Bosporus. Pharnaces hoped to obtain the favour of the Romans. He sent the body of his father, who had himself killed after a suicide attempt in 63 BC, to Pompey. Pharnaces obtained the crown of the Cimmerian Bosporus.

This marriage was Polemon's first marriage and Dynamis' second. The couple had no children, Dynamis was already an elderly woman.  Minns thought that Dynamis' marriage was forced on her and that this represented an assertion of Roman power which almost coincided with "the assumption by Augustus of the sole right to coin gold and the limitation of other coining rights." This was the start of a period in Bosporan history in which "the Romans controlled the issues of the Bosporan mint." From 8/9 BC to 80/1 AD, the gold coins did not have the full name of the king or his head. Instead, the rulers were identified with monograms.

Kersley thinks that Rome's support for Polemon I in the Bosporus was about seeking to limit the power of Dynamis and challenging her sovereignty. However, we do not know the details about who Scribonius was, what the circumstances of his marriage with Dynamis were and why Rome was opposed to his power bid.

Sole queen
The marriage between Dynamis and Polemon I lasted not much longer than a year. Polemon married Pythodorida of Pontus. The date of this marriage is uncertain. Rostovtzeff argued that it was in 12 or 13 BC. After this there is no record of Dynamis until 8 BC, when she reappeared on Bosporan coins and inscriptions. Thus, it seems that after the death of Polemon she regained the Bosporan kingdom and she appears to have ruled until 7-8 AD. Rostovtzeff assumed that during this period of absence from the record Dynamis took refuge with nearby Sarmatian tribes. However, there is no evidence for this. Or Dynamis died in 14 BC and Polemon ruled until 8 BC.

Rose formerly argued that Dynamis might have accompanied Agrippa when he left Anatolia and returned to Rome in 13 BC and stayed there until Polemon died. When she returned home she dedicated statues to Augustus and his wife Livia and coinage with the portraits of Augustus and Agrippa. Phanagoria was renamed Agrippia. Rose abandoned his earlier view that the figures of an background woman and a boy on the southern panel of the Ara Pacis Augustae (Altar of Augustan Peace) in Rome were depictions of Dynamis and her son. In this relief the figures are next to Agrippa. Agrippa had undertaken a three-year tour of the east (Greece, Anatolia, Syria and Judea) to deal with political affairs in the east from late 17/early 16 BC to 13 BC.  However, the woman is a Roman, not a foreign queen.  The boy is an Eastern prince, probably a Parthian.

The woman on the Ara Pacis panel wears a brill mistaken for a diadem. Dynamis' grandfather, Mithridates VI, associated himself with the god Dionysus. Not surprisingly, there was a sanctuary of Dionysus in Panticapaeum, the Bosporan capital. The presence of this foreign prince and others on the Ara Pacis illustrates the success of Roman foreign policy in a now peaceful world. It also provides a visual reference to "the foreign rulers and members of their families who sought refuge or residence with [Augustus] in Rome."

Sole rule and allegiances
Hardly anything is known about Dynamis from the ancient literature. The only reference to her are Cassius Dio's mention that she was the wife of Asander and that Scribonius and Polemon I married her and Appian's mention that Pharnaces II offered her in marriage to Gaius Julius Caesar (see above). The fact that she returned to power in the Bosporan kingdom is indicated by numismatic and epigraphic evidence, which also suggests that she ruled on her own.

Two inscriptions attest that, during her reign, Dynamis dedicated two statues to Augustus, one in Phanagoria, and the other in Panticapaeum. Another inscription attests a dedication of a statue to Livia Drusilla, the wife of Augustus, by Dynamis at the temple of Aphrodite. In all inscriptions she describes herself as βασίλισσα Δύναμις φιλορώαμιος, Queen Dynamis philoromaios (friend of the Romans). The inscription in Phanagoria reads:
 αύτoκράτoρα Kαίσαpα θεού υίόν | Σεβαστόν τόν [π]άσης γής καί | [πάσης] θαλάσσης ά[ρχ]οντα | τόν έαυτής σωτ[ήρα καί εὐ]εργέτη[v] | βασίλισσα Δύν[αμις φιλορώ]μαιος
 The emperor, Caesar, son of god, | August (venerable), of all land and | all sea the overlord, | to her saviour and benefactor, | queen Dynamis philoromaios

Similarly, the inscription in Panticapaeum reads:
 α]ύτoκράτoρα Kαίσαpα θεόν | [θ]εού υίόν Σεβαστόν τόν έαυτής | [σ]ωτήρα καί εὐεργέτηv | [β]ασίλισσα] Δύνα]μις φιλορώμαιος
 The emperor Caesar, god, | son of god, August, to her| saviour and benefactor, | queen Dynamis philoromaios.

The inscription of the statue dedicated to Livia reads:
 Λιουίαν τήν τού Σεβαστού γuναίκ[α] | [β]ασίλισσα] Δύνα]μις φιλορώμαιος | [τήν έαυ]τής εὐεργέτηv
 Livia, the wife of the August, | Queen Dynamis philoromaios | to her benefactress.

The people of Phanagoria erected a statue dedicated to Dynamis. The inscription reads:
[β]ασίλισσα Δύναμις φιλορώμ[αιος | τη]ν έκ βασιλέω[ς μ]εγάλου Φαρνάκου [τό]ν έκ βασιλέως βασιλέων Μιθ[ραδάτη]ν Ευπάτορος [Διό]νυσ[ο]ν [τή]ν έαυτών σ[ώτειραν κ]αί ευε[ργέτι]ν [ό δ]ήμος [ό Άγριπ]πέων.
Queen Dynamis philoromaios, | [daughter] of king the great Pharnaces, [son] of king of kings Mithridates Epurator Dionysus, to their saviour and benefactress, the people of the city of Agrippa.

These inscriptions show that Dynamis had close associations with Augustus, Livia and Agrippa. Rose sees them as supporting his theory that Dynamis might have gone to Rome with Agrippa and stayed there while Polemon was married with Pythodorida. Roses also suggests that she might have been one of "the foreign rulers and members of their families who sought refuge or residence" with Augustus whom he enumerated in his Res Gestae Divi Augusti. One problem with this is that the Res Gestae did not mention Dynamis. However, it can be noted that no females were mentioned.

Rostovtzeff noted that the inscriptions by Dynamis attest some beneficence by Augustus and Livia and of that the one by people of Phanagoria attest some beneficence by Dynamis. All inscriptions refer to some act of salvation.

Rostovtzeff also argued that the evidence points to Dynamis being the sole ruler after 8 BC. The inscription by the people of Phanagoria can be dated approximately. It could not date to before the intervention of Agrippa in the Bosporus and the adoption by this city of the name of Agrippia, which indicates that this city was grateful to him. Orieshnikoff suggests that other city adopted the name of Caesarea at the same time as indicated by two series of coppers coins with the inscriptions Αγριππέωv (Agrippia) and Κασαρέωv (Caesarea) respectively. Orieshnikoff thinks that the city was Panticapaeum and he also connects these coins to a series of gold staters with the heads of Augustus and Agrippa on them which starts from 8 BC and "goes up to 7 AD."

The changes of names by cites in the Bosporus probably date to the time of the start of this series of staters and therefore not to Dynamis' reign in 17-16 BC or the time of her marriage with Polemon. There is no reference to Polemon on the coins and Dynamis appears as the sole ruler. In addition to this, they bear a monogram which Mommsen deciphered into the name of Dynamis. The inscription by the people of Phanagoria states that she was the daughter of Pharnaces I and granddaughter of Mithridates VI. This emphasised her right to the throne by virtue of belonging to the line of these two kings. It would have been a belittling of Polemon. He would not have allowed this.

Another inscription which stated that Dynamis was the daughter of Pharnaces and granddaughter of Mithridates was found in February 1957 during excavations in the site of ancient Panticapaeum (near modern Kerch). In this inscription Mithridates is referred to as king, rather than king of kings.

Dynamis dedicated a gravestone to a Sarmatian man called Matian, the son of Zaidar. The gravestone depicts a horseman with a bow and quiver. This indicates that Asander's practice of using Aspurgian cavalry detachments and warriors of Sarmatian origin who used daggers, long swords and quivers to assist the defence of the kingdom was continued by Dynamis.

Rostovtzeff argued that a bronze bust of a female found in the Crimea is the portrait of a member of the Bosporan royal family. He maintained that it represented Dynamis. Roses seems to agree with its attribution to the Bosporan royal family. However, he maintains that its attribution to Dynamis is questionable. The woman wears a diadem and a Phrygian cap decorated with stars. Her hair has long corkscrew curls that fall to the shoulders. Roses argues that her features and hairstyle are much closer to the coin portraits of Gepaepyris, the daughter of Cotys VIII (the king of Sapaean Thracians from 12 AD to 19 AD) and Antonia Tryphaena. The latter was the daughter of Polemon I and Pythodorida.

Theory of a marriage with Aspurgos
Several scholars have argued that Aspurgos, who was the king of the Bosporus Dynamis, was a son Dynamis had with her first husband Asander. Rose questions this notion. He notes that this is based on a single piece of evidence, an inscription [CIRB 40] of the late Augustan and the Tiberian periods about a Bosporan king which reads: ἐκ βασιλέως Ἀσανδρόχου (from basileus [king] Asandrochou).) The latter word would allegedly be a scribal error for "Asandrou" (of Asander - the son of Asander). However, "Asandrochou" would be an unusual mistake for "Asandrou," and Rose agrees this identification was inconclusive and said without more conclusive evidence it "is difficult to subscribe to this thesis." Kiessling considered this Asandrochou as a Sarmatian king who had nothing in common with Asander. Rostovtzeff agreed with Kiessling and went further. He argued that Dynamis married Aspurgos after Polemon's death. Thus, Aspurgos was Dynamis' fourth husband.

According to Rostovtzeff, it is possible that Agrippa had wanted Polemon and Dynamis to marry to stabilise the Bosporus, but the marriage did not work and out and Polemon married Pythodoris. He thinks that Dynamis fled to one of the neighbouring Sarmatian tribes because, according to Appian, two of these tribes, the Siraces and the Aorsi, had supported Pharnaces I, her father, in his rebellion against Mithridates VI. (Strabo mentioned that the Siraces and Aorsi, who lived on the eastern shores of Lake Maeotis (today's Sea of Azov), supplied him with combined force of 220,000 cavalry.) Dynamis' mother was probably a Sarmatian woman from one of these two tribes. Aspurgos was probably the king of the tribe which sheltered Dynamis. He might have been a lesser king of the Sarmatian tribes. Rostovtzeff further hypothesises that Aspurgos was the leader of a group of young tribesmen who followed him in his advance to the Bosporus and formed his bodyguard, which assumed the name Aspurgians and gave their name to the land they occupied. Thus, the Aspurgians were not a tribe, but followers of king Aspurgos whom he led "from the shores of the Sea of Azov or from the depths of Sarmatia."

Aspurgos may have hoped to seize the Bosporus, and thus may have supported Dynamis and married her. Dynamis organised a rebellion by the Sarmatians with the help of Aspurgos. This forced Polemon into military actions, which included the capture of Colchis and the sack of the city of Tanais, which were documented by Strabo. Dynamis, Aspurgos and the tribes on the shores of the Lake Maeotis held out and continued the resistance on and off from 13 BC to 8 BC. Rostovtzeff thought that this interpretation explained Polemon marrying Pythodorida.

In this theory, the link between Aspurgos and the Aspurgians is demonstrated by the support the Sarmatians gave to him and his successor, Mithridates VII. Aspurgos was probably also related to Dynamis through her Sarmatian mother.  Rostovtzeff also argued that Strabo enumerated the Maeotian tribes and then set apart the Aspurgians a "new tribe" in the region. However, Strabo mentioned the Aspurgians as having been attacked by Polemon and indicated that all Maeotian tribes were new tribes, not just the Aspurgians (the Aspurgians were one of these tribes).

The relevance of a possible link between Aspurgos and the Aspurgians in this theory is that Polemon was captured and killed when he attacked the Aspurgians by treachery. This was discovered, and he was outfoxed. According to Rostovtzeff, Polemon was striving to become the de facto ruler of the Bosporus, rather than just a vassal king. Dynamis succeeded in removing him with the help of Aspurgos. Augustus then had to settle the fate of the Bosporus. He supported Dynamis because of the military strength of Dynamis and Aspurgos, while Pythodorida could not guarantee the stability of the region as she had three children.

Minns noted that we first hear of the Aspurgians when they defeated and killed Polemon and wrote that "it is hardly a coincidence that Aspurgos is the name of the next king of whom we know, the rightful heir of Asander. It would be natural to suppose [the Aspurgians] to be a political party of [Aspurgos'] adherents having its chief strength in that part of the country ...". However, the name Aspurgos occurs in a late third century inscription about an officer of the Bosporan monarchy. This may support Rostovtzeff's theory that the Aspurgians were a military entity. The region where they settled, the Taman Peninsula, was later called τά Λσπονργιανά (Asporgya) and was a local division of the kingdom. Minns made no reference to Rostovtzeff's idea that Dynamis took refuge among the Sarmatian tribes and allied with or married Aspurgos.

Rose notes that "the inscriptions and coins do not support" Rostovtzeff's theory that Dynamis married Aspurgos after Polemon's death.

Minns related Polemon's struggles in Colchis and the eastern coast of Lake Maeotis, which led to the sack of Tanais, to Polemon having "no possible right to the Bosporus." His father was from Laodicea on the Lycus in western Anatolia, far from the Cimmerian Bosporus. He had been elevated to the kingship of Lycaonia next to the Pontus, and Lesser Armenia by Mark Antony. Similarly, his second wife, Pythodorida, was the daughter of Pythodoros of Tralles (modern Aydın), also in western Anatolia, whom Mark Antony married to his eldest child, Antonia Prima. She, too, owed her status to Mark Antony.

Views about the character of Dynamis' rule
Rostovtzeff also thought that with Augustus' appointment of Dynamis the autonomy of the Bosporan kingdom ended. The head of Dynamis and her full title were not on the coins of the time. Only the mentioned monogram testified that she was the ruler (this was the practice established in 8/9 BC by Augustus for Bosporan coins which endured until 80/1 AD, see above). She was the ruler in the name of Augustus and this was testified by the head of Augustus being on one of the sides of the coins. The head of Agrippa, who by then had died, without an insignia on the other side of the coins was in his memory and a sign of Augustus' reverence towards a man who had played a crucial role in the establishment of his power in Rome and who had worked hard to settle affairs in the east. The specifications of these coins must have been decided in Rome or by the Roman representative in the Bosporus.

In Rostovtzeff's view Dynamis had to show that she was thankful to Augustus and Livia and emphasise that she was philoromaios. The latter was an indication that she was a vassal of Rome despite being a descendant of Mithridates VI. She also felt obliged to change the name of two cities to Caesarea and Agrippia in honour to Augustus and Agrippa and to call Augustus a saviour and benefactor. The city of Phanagoria, which also had risked being sacked by Polemon like Tanais, honoured Dynamis as its saviour with a statue and did not forget to describe her as philoromaios.

Kersley holds a view which contrasts to that of Rostovtzeff and sees Dynamis' sole rule positively. It could have been expected that when Octavian became the emperor Augustus, he "would have taken steps to curtail or remove from power any other queen within the empire he controlled after the victory over" Mark Antony. During his struggle with Antony, Octavian denigrated Cleopatra VII, the queen of Egypt (Antony's lover and ally) because of her gender and the fact that she was foreign. (Cleopatra committed suicide when she and Antony were defeated, Octavian removed her children from Egypt). Instead, he left in place the 'political character' of the Pontic region established by Mark Antony. This led to the recognition of two females as rulers (Dynamis and Pythodorida). The "cultural difference between Rome and the East over the legitimacy of a female ruler … did not result in Augustus failing to acknowledge the queen of the Bosporan kingdom as an outright ruler." Despite Rome's tradition of excluding women from politics, "[f]ar from removing Dynamis as a ruler because of sex, Augustus … actually enhanced her authority … [he] maintained her royal power and elevated her status in the cities of the Pontic region and beyond."

See also
 Bosporan Kingdom
 Roman Crimea

Notes

References
 Primary sources
Appian, The Civil Wars, Penguin Classics, 1996;
Cassius Dio, Roman History, vol. 5, Books 46-50 (Loeb Classical Library), Loeb, 1989;
Cassius Dio, Roman History, vol. 6, Books 51-55 (Loeb Classical Library), Loeb, 1989;
Strabo, Geography, vol. 5, Books 10-12 (Loeb Classical Library), Loeb, 1989;
 Secondary sources
 Braund, D., Rome and the Friendly King: The Character of the Client Kingship, Palgrave Macmillan, 1984; ; Kindle Edition, Routledge, 2014; ASIN: B00JKEYVK2

Gajdukevic, V., Das bosporanische Reich, Akademie-Vlg. in AG mit Hermann Böhlaus Nachf. Berlin/Köln, 1971;
Kersley, R. A., Women and Public Life in Imperial Asia Minor, in Tsetskhladze, G. R., (ed.), Ancient West & East, Vol 4, No.1, BRILL, 2010;
 Macurdy, G., Vassal - Queens and Some Contemporary Women in the Roman Empire, Johns Hopkins Press, 1937; ASIN: B000WUFYY0
 Mayor, A., (2009), The Poison King: the life and legend of Mithradates, Rome's deadliest enemy, Princeton University Press. ASIN: B003V5WKPE
 Minns, E., H., (2011) Scythians and Greeks, A Survey of Ancient History and Archaeology on the North Coast of the Euxine from the Danube to the Caucasus, Cambridge Library Collection – Archaeology, Cambridge University Press; reissue edition, 2011 (original edition 1913);
 Rose, C. B., "Princes" and Barbarians on the Ara Pacis, American Journal of Archaeology, Vol. 94, No. 3 (July 1990), pp. 453–467
 Rostovtzeff, M., Queen Dynamis of Bosporus, The Journal of Hellenic Studies, vol. 39 (1919), pp. 88–109
 Smith, W., (ed.). Dictionary of Greek and Roman Biography and Mythology, articles on Asander , Pharnaces II , Polemon I ; Scribonius
 Sullivan, R.D., Dynasts in Pontus, ANRW II 7.2 (1980) pp. 919–20;

External links
A picture of a Bronze Bust of Dynamis on page 90 from the Encyclopedia of women in the ancient world. In this picture Dynamis, is wearing a Royal Persian Headdress called the Tiara Orthe, covered with stars. In Dynamis' portrait, she may have imitated one of Livia's hairstyles.

Monarchs of the Bosporan Kingdom
14 BC deaths
1st-century BC women rulers
Ancient queens regnant
Year of birth unknown
Mithridatic dynasty

redpajama_set_name: RedPajamaWikipedia


text:
La Torre Efizia será un rascacielos ubicado en Avenida Santa Fe, Col. Cruz Manca, en el Distrito de Santa Fe, Delegación Cuajimalpa en la Ciudad de México. Se convertirá en uno de los rascacielos más altos del Distrito Federal, donde también se convertiría entre lo más altos sería en Ciudad Santa Fe el año 2012, año en que sería también terminada la construcción de las Torres City Santa Fe de 235 y 200 m. Se espera que la construcción del edificio tenga fin en el año 2012.

La forma

 Su altura será de 161 metros y tendrá 34 pisos.

 Su uso será mixto.

 El área total del rascacielos será de 66,000 m².

 Se le reconocerá por la doble fachada con doble acristalamiento de vidrio con un distintivo de forma irregular por una rejilla de acero inoxidable que pone menos énfasis en los sistemas de aire acondicionado y reducirán el consumo de energía. En todas las zonas públicas de tecnología led de luminarias reducirán drásticamente el consumo eléctrico, el techo cubierto de zonas verdes, también se capturara el agua de lluvia y se usara en los sanitarios.

 La altura de piso a techo será de 5 m, siendo estos entrepisos uno de los más altos del mundo.

Detalles importantes

 La torre fue seleccionada en el MIPIM FUTURE PROJECTS AWARDS como uno de los tres mejores Tall buildings del mundo del 2009, en proceso de diseño.

 Su construcción comenzara a mediados del 2009 y está tendrá fin a finales del 2012.

 La torre se encuentra actualmente sujeta a la certificación LEED, y el edificio ya ha obtenido el "oro" en su nivel anterior fase de la certificación.

 Por su desempeño ambiental se le considerara como uno de los más ecológicos de los rascacielos más altos del país.

 Tendrá 4 elevadores de alta velocidad que se moverán a 6.3 metros por segundo.

 Contara con 7 niveles subterráneos de estacionamiento.

 Los materiales que se usaran en la construcción de este rascacielos es: aluminio, concreto armado y vidrio.

 Será considerado un edificio inteligente, debido a que el sistema de luz es controlado por un sistema llamado B3, al igual que el de Torre Mayor, Torre Ejecutiva Pemex, World Trade Center México, Torre Altus, Arcos Bosques, Arcos Bosques Corporativo, Torre Latinoamericana, Edificio Reforma 222 Torre 1, Haus Santa Fe, Edificio Reforma Avantel, Residencial del Bosque 1, Residencial del Bosque 2, Torre del Caballito, Torre HSBC, Panorama Santa fe, Reforma 222 Centro Financiero, Santa Fe Pads, St. Regis Hotel & Residences, Torre Lomas.

Datos clave

 Altura: 161 metros.
 Área Total: 66,000 metros cuadrados.
 Pisos: 7 niveles subterráneos de estacionamiento en los 41 niveles totales.
 Condición: Proyecto.
 Rango:
 En México, 2011, 30º lugar
 En Ciudad de México, 2011, 20.º lugar
 En Santa Fe, 2011,  lugar
el proyecto es obra del despacho de diseño [SPACE], Juan Carlos Baumgartner

Véase también
Comparación con los principales rascacielos de la Ciudad de México:
 Lista de rascacielos de Ciudad de México

 Lista de rascacielos de México

 Lista de rascacielos de América del Norte

 Lista de rascacielos de Latinoamérica

 Santa Fe

Enlaces externos

 Sitio Oficial

 Skyscraperpage (Efizia Tower)
 SPACE

Rascacielos de Ciudad de México