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[Reflections] Touring 3 Countries in 12 hours.
What a day. I woke up this morning in the sunny beaches of Guam and checked out of my hotel and headed for the airport. As the plane took off for my second country of the day, Japan, I could see the beautiful ocean surrounding the island of Guam. 3 hours later I arrived to Japan where I was faced with a tough decision to either stay in the Narita Inetrnational Airport for 8 hours before my connecting flight to Beijing or to head out of the airport for a couple of hours. As you may know, Narita International Airport is NOT located in Tokyo. In fact, it's located in another prefecture: Chiba. A lot of people think that a short lay over in Narita Airport is enough time to check out downtown Tokyo but it takes at least a 2 hours roundtrip from the airport to the heart of Tokyo. The largest city surrounding the airport is Narita city but again, there's really not too much to do in this city. But since Narita International Airport Terminal 1 has even fewer options and things to do I decided to head out.
I've been in China for the last 6 months and so this was the first time back in Japan since I left. I noticed that there are much more Chinese tourists now in Japan than before. It's always interesting to observe Japanese people and Chinese tourists visiting Japan interact with one another. The Japanese shopkeepers don't speak English nor Chinese and the old Chinese man will continue to force his way through his thick Chinese accent. In short, the Japanese vendor tells him to write down which number he wants but this message does not go through. They spend about 3 minutes just staring at each other and the old Chinese man is getting a bit annoyed and impatient. For the first time in his life no one understands him. I think these kinds of interactions are important no matter what for the future of these two neighboring states. The more Chinese people and Japanese people interact the better for the understanding. Today, I spent a total of 4 hours in Japan just observing these interactions and by the end of it I saw that both sides usually try to help each other to accomplish what they want. I headed back to Narita International Airport and hopped on a plane back to Beijing where pollution welcomed me back home. I still can't believe I was on an island this morning watching the sunrise by the palm trees on th beach.
Two Lover's Point in Guam.
This entry was posted on December 8, 2010 by Go Katayama. It was filed under Japan, Reflections and was tagged with Chinese Tourist in Japan, Guam, How far is Narita from Tokyo, Japan, Narita Aiport, Narita International Aiport, Two Lover's Point.
Justin Wolf
Wow, that is quite the observation and quite that day you had. I noticed when people cannot understand each other, they usually form a consensus to use hand signals and noises to imitate things. It is quite amazing what kind of basic interactions everyone experiences and everyone innately knows, but never uses until they feel that communication is on the breakdown. I interact a lot with Japanese and Chinese students here at OSU, and it is quite amazing to see that even though most know at least some English, they still feel awkward around the others speaking their respective language because they know the feeling they get when they cannot understand the other. Yet, when it comes to reading and writing, which they can understand at a similar level, they find a lot of common ground. Thus when they cannot explain something in English, they just write it down because of the Kanji/Chinese Characters being similar in meaning. On another note, that picture of Guam creates envious sentiment in me! So beautiful…


Welcome to the Cabaret! The portraits shown on this page were all created during a "Cabaret Night" themed company Holiday Party in a historical building in San Francisco. My tools were an iPad Pro 12.9″, Apple Pencil and Procreate app. At this event I was a "roving artist", interacting and sketching guests throughout the evening in different locations within the venue. Each portrait subject received a JPEG file of their portrait plus an MP4 video file of the replay of their portrait from start to finish, as you see examples of below. The theme conjured up visions of artist Henri de Toulouse-Lautrec sketching at the Moulin Rouge! I created a custom portrait background (and dressed) with that in mind.


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Two Female Spies with Flowered Panties (1980)
Two Female Spies with Flowered Panties (1980) Watch Online Free
Two pretty chorus girls, Cecile and Brigitte, who have been sentenced to prison terms, agree to undertake risky undercover work for Senator Conolly in exchange for their freedom. Investigating the disappearance of well-known personalities, as well as young women, Conolly wants the dancers to get hired by a Canary Islands nightclub to keep tabs on the owners, Mr. and Mrs. Forbes…
Actors: Albino Graziani, Claude Boisson, Joëlle Le Quément, Lina Romay, Mel Rodrigo, Nadine Pascal, Olivier Mathot
Country: Portugal, Spain
Gone in Sixty Seconds
Upon learning that he has to come out of retirement to steal 50 cars in one night to save his brother Kip's life, former car thief Randall "Memphis" Raines enlists…
Roland Sallinger is an LA cop who after nearly being killed by his greedy partner, and eventually being forced to retire for medical reasons, flees to San Antonio, Texas, after…
An obsessed cop is on the trail of a serial killer prowling the streets of Buffalo, N.Y. but when his teenage daughter disappears, he drops any professional restraint to get…
Country: Canada, France, USA
Genre: Crime, Mystery, Thriller
Liam wakes from a car crash with no memory of who he is. As he makes his way into town to look for help, he finds only dead bodies, all…
Psycho III
Norman Bates is still running his little motel, and he has kept the dressed skeleton he calls 'mother'. One day a nosey journalist comes to see him to ask questions…
Ophelia comes of age as lady-in-waiting for Queen Gertrude, and her singular spirit captures Hamlet's affections. As lust and betrayal threaten the kingdom, Ophelia finds herself trapped between true love…
Genre: Drama, History, Romance, Thriller, War
A maverick skydiver and a former KGB agent team up to stop the Russian mafia from stealing gold.
Genre: Action, Mystery, Romance, Thriller
6 Bullets
An ex-mercenary known for finding missing children is hired by a mixed martial arts fighter whose daughter has been kidnapped.
In New York, racist Capt. Stanley White becomes obsessed with destroying a Chinese-American drug ring run by Joey Tai, an up-and-coming young gangster as ambitious as he is ruthless. While…
Jay Austin is now a civilian police detective. Colonel Caldwell was his commanding officer years before when he left the military police over a disagreement over the handling of a…
Genre: Action, Crime, Mystery, Thriller
Watch Two Female Spies with Flowered Panties (1980) Online Free

redpajama_set_name: RedPajamaCommonCrawl


The Transportation Planning Division is responsible for project planning and prioritization of infrastructure investment that assists the Agency and City to create a multi-modal transportation system for citizens to live, work, learn and play. The Transportation Planning Division works strategically to rebuild, maintain and expand the city's multi-modal transportation network into one that addresses the transportation needs of residents, commuters, and visitors; supports economic development; incorporates sustainability goals; and realizes the vision of growing Baltimore's neighborhoods.
DOT Planning has established several programs to assist and encourage communities to take a lead in beautification and enhancement projects. These programs provide a process for applying and approving community-led and community-funded projects in the public right-of-way. Please contact us for more information.


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Henry Murphy may refer to:

 Henry C. Murphy (1810–1882), American politician
 Henry Murphy (architect) (1857–1954), American architect who was hired by Chiang Kai-shek for a variety of projects
 Henry Murphy (field hockey) (1882–1942), Irish field hockey player
 Henry Murphy (politician) (1921–2006), Canadian politician and judge
 Henry George Murphy (1884–1939), English art deco silversmith
 Henry V. Murphy (1890–1960), American architect who specialized in churches and schools for Roman Catholic clients
 Henry Murphy (bishop) (1912-1973), Catholic bishop of Limerick.

See also
Hank Murphy (disambiguation)
Harry Murphy (disambiguation)

redpajama_set_name: RedPajamaWikipedia


This is the busy person's chocolate dessert, which is made in an instant but tastes like you slaved all day.
It freezes like a dream – so why not whip up two of them while you're at it?
Begin by toasting the hazelnuts on a baking sheet on the top shelf of the oven for 7 minutes, using a timer.
You can watch how to do this in our Cookery School Video on the right. After that, roughly chop them, then remove the paper from the cake, turn it on its side on a board and, using a serrated knife, cut it lengthways into five slices. Then arrange the slices on the board in the order you cut them (as you'll be reassembling them into their original shape a little later).
Next brush rum all over the cake slices, making sure it's all used up. Then, in a bowl, whip the cream with the icing sugar until quite stiff, using an electric hand whisk. Spread four layers of the cake (not the top one) with the chocolate spread, then spread the same four layers with about 4 heaped tablespoons of the cream. After that, layer the cake back together, pressing the top down lightly. Now cover the whole lot with the remaining cream and finally sprinkle with the hazelnuts. Cover and chill for about 3 hours before serving.


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var sourceOne = Rx.Observable.range(1,5);
var sourceTwo = Rx.Observable.range(6,5);

var merged = sourceOne.merge(sourceTwo);
var disposal = merged.subscribe(function (x) {
    console.log('Merged onNext: ' + x);
});

redpajama_set_name: RedPajamaGithub


Why stay in Budget Hotel?
Often, accommodation sums up to one of the bigger portion of your travel spending. Most people would think that when you traveling, you should travel in comfort but is comfort the same as luxury?
So, when you are booking your accommodations, you need to think; Would you like to stick to the relevance and features like of a five star hotel in a budget hotel or you want to spend a lot of money on a luxury hotel?
The question will mock all of those minds who are planning their vacations ahead. It is common to see that people tend towards the luxury hotels without realizing the true meaning of a great holiday vacations. The true picture of a great vacation is to enjoy the quality time with your loved ones, where you can do lots of shopping, visit the famous destinations and do lots of eating etc. However, it is common to see people spending a lot of money on the luxury hotels without realizing that they can enjoy the same facilities and features in a budget hotel. Moreover, if they opt for a budget hotel they can save a lot of money and they can use it on the other vacation activities.
Malaysia is a popular tourism destination and it is famous for its exotic islands with beautiful beaches & marine parks, tourist friendly shopping malls like Sunway Pyramid & KLCC, and many more interesting places. Located in the beautiful region of Southeast Asia, the weather of Malaysia is tropical round the year with high level of humidity which is the reason that it gives a positive edge to the tourists to enjoy their vacation on this tropical island in the summer season.
There are many luxury hotels and as well as the budget hotels in Malaysia, both provide perfect stay for tourist with types of hospitality services amenities for the tourists, depending on the types of hotels you booked. Budget Hotels & Business Hotels are usually cost effective hotels and provide the facilities, note less than of a five star hotel. Most budget hotels in Malaysia have simple yet elegant room designs, equipped with an air-conditioner, free WI-FI facility , hot water shower and beddings similar to a luxury hotel. All these basic and simple amenities is provided to ensure that your comfort is taken care with limited services. Of course, hotel staff would also do it's best to satisfy guest for anything they need.
Indeed, Malaysia is one of the most exotic tropical island and a favourite tourist destination in the world. Malaysia is home to some of best budget hotels which provide the start of art facilities with matchless hospitality services for the tourists.
So plan your trip wisely to enjoy a pleasant holiday trip in the beautiful tropical island of Malaysia which makes Malaysia truly Asia.
Visiting Malaysia Soon? Stay with New Town Hotel for a wonderful and value for money experience! New Town provides accommodation mainly in Klang Valley; the Kuala Lumpur City Centre, Bandar Sunway Resort City & Klang I-City. Contact Us for more info!


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Dit is een lijst van windmolens in Friesland. In Friesland staan ca. 150 complete windmolens en enkele tientallen windmotoren. Van de Nederlandse provincies heeft Friesland de meeste windmolens.

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Zie ook
 Lijst van voormalige windmolens in Friesland

Friesland


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Is Utah trending toward San Francisco-style rents?
If you earn a six-figure salary in San Francisco and have a family of four, you could qualify for Section 8 housing. The U.S. Department of Housing and Urban Development has released its 2017 low-income guidelines for each county in the U.S., and in San Francisco a yearly income of $105,350 now is considered low-income, which is defined as 80 percent of the median.
Sounds outrageous, doesn't it? You may be surprised to hear the Salt Lake area is on the same trend line, which will continue unless leaders make
it easier to build.
You might expect a high cost of living in the bay area, where the median home price is about $1.2 million, but my guess is most Americans would find all of this outrageous, and a little cruel to people of moderate means.
Two years ago, Fortune did a story on what $350,000 will buy in San Francisco. The answer is a 110-year-old shack, 765 square feet of (at that time) unlivable space originally built after the famous 1906 earthquake.
As any good realtor will tell you, the key is location, location, location. The shack would get you into a desirable city where demand far outstrips the housing supply. Oh, and don't forget to bring a hammer and a credit card.
By comparison, Salt Lake County's low-income limit of $60,300 for a family of four seems reasonable. But if there were no San Francisco, it might seem high, as well. For example, in Custer County, Oklahoma, where I once lived and labored as a sports editor (in the early '80s), low income is defined as $44,500.
In Utah County, low income is $55,350 or less. In Weber County it's $61,300. In Utah's San Juan County, the level is $54,150.
In Los Angeles County, it's $72,100, not an unreasonable distance from Salt Lake levels.
A lot of folks of a certain age, myself included, choke on figures like these because we remember how it used to be. So let's do some historical comparisons. According to HUD, the current median family income nationwide is $68,000. Using an inflation calculator, I find that this would be $23,048.32 in 1980 dollars. Actually, the median income that year was $21,023, which means people are doing a bit better today than they were then.
Using that figure for comparison, San Francisco's current low-income level would be the equivalent to $35,707.95 in 1980. However, the Census that year calculated that San Francisco's median income (in 1979) was $15,866. That gives you an idea of how things have risen there over time.
Why is San Francisco so expensive? Quite simply, there is a shortage of housing. In a blog he published last year, Eric Fischer, a developer and data artist at Mapbox, examined historical data and determined San Francisco has a long and consistent upward trend in rents, dating to at least the 1950s. He calculate that returning rents to 1995 levels would require a 30 percent increase in housing construction. Just keeping rents steady would require a 1.5 percent increase, which is three times the growth rate since 1975.
But that would require changing some rules and overcoming the objections of people who misguidedly argue that letting developers catch up with demand would make things harder on low-income people, as if that were possible.
Don't think Salt Lake City's problems aren't similar — albeit on a smaller scale. In March, the Deseret News reported on how "a group of home builders, real estate professionals and municipal leaders" is warning of a demand crisis along the Wasatch Front that is nearing a tipping point. The answer, the group said, is to allow more high-density development and to give the private market more flexibility to meet market demands.
"What we're seeing now is couples and families doubling-up with friends or their families while house hunting," said Jaren Davis, executive officer of the Salt Lake Home Builders Association.
Coincidentally, I received a call from a pollster the other day asking whether I favored more high-density housing in South Jordan, where I live, and where houses get snatched up before a "For sale" sign can be erected. It's a hot issue right now.
An even hotter issue, however, should be whether we want to be more like San Francisco some day, or like a city where folks actually can afford to live.


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Review: Burial - Kindred EP
Burial pins down the unsettling elements of everyday urban life — the anonymity, the disorienting movement, the shared loneliness — and communicates them, nearly wordlessly, in a way that makes them seem simultaneously familiar and foreboding
Chris Barth
A | 03.06.12 | HYPERDUB | STREAM | MP3
It's been noted that Burial's Kindred EP is the type of music that gets music critics drooling, tripping over their own feet to paint adjective-laden pictures of the sounds William Bevan manages to brew up. With good reason, ladies and gents. In the course of just over half an hour, Burial manages to recast his signature sound with paradoxical tracks that, while sparse, seem to contain worlds. I've been living with this album for weeks – really living with it, since I can't seem to get it off my speakers – and I still don't think I'm close to unpacking it.
Burial's music has always had an inextricably cinematic element. But it's a prescriptive soundtrack – one that necessarily establishes a scene and fills in the details. You get the feeling that Burial is composing tracks as he maneuvers through an urban world around him, looking at the scene, say, "In McDonalds," or, "Near Dark," and translating those visual elements and moods into sonic fabric. Like the best of his ambient and (post)dubstep contemporaries, Burial's music inspires imagination. His music seems to contain worlds because it very much does. On Kindred, those worlds continue to grow like the living things that they are; the subway cars aren't so empty, the snatches of conversation are less disjointed, and the city's harsh edges have softened a nearly imperceptible amount.
Kindred is a clear descendent of Burial's earlier work, with fragments of ancestors on Burial, Untrue, and Street Halo melding seamlessly into their latest incarnations. He's played with ethereal strings and vocals loops before, and the clackering rhythms found across this EP will sound familiar. But never before has he put them together in quite this way, in full, brooding form that seems to push at the outer edges of the tracks. There's a sense of simultaneous foreboding and release, tied to a center that swirls from left to right and back again, leaving the listener both entranced and off-balance. It's amazing how much he can do with so little.
Though the record is only comprised of three tracks, each listing is worth a few songs each, composed with crescendos and decrescendos, left and right turns, and occasionally short stretches of complete silence. There's a sense that each track is a journey — what is it about Burial and subway rides that seems unavoidable? — each a self-contained story that doesn't necessarily follow a single narrative path from start to finish. All three tracks have significant pauses, as if Burial is forcing you to take out an earbud and listen to something outside of this record for a second, and each time the track comes back it's a relief. Not our stop. Burial hasn't left us to try to decipher this quite yet.
Title track "Kindred," which opens the album, starts with a needle drop that soon morphs into the soft rain and far-off thunderstorm that paint the melancholy of much of this album. The song pops and crackles, alive with the discordant ambiance of a rain-soaked city, until its fits and starts finally give way to the familiar future-garage clattering of a Burial beat. In many ways "Kindred" is a typical Burial track – particularly when you synthesize his early work with the more recent, longer collaborations he's put out with Four Tet and Thom Yorke. But though it's familiar, "Kindred" is far from ordinary. By the time its eleven and a half minutes have faded away, the seed has been planted. This EP is beautiful realism painted with a prodigy's brush.
Kindred's second track, "Loner," kicks off with the spoken promise, "there's something out there." Separated into three parts, the track is a faster twirl around our sound city, riding a pulsing 4/4 beat and wild, swirling synths and trying to find what that something is. It's a disorienting taxi ride filled with sirens; it's a pounding pill-fueled headache; it's a lonely kid looking at strangers at a rave. Where "Loner" really shines is in its sweet, minute-long epilogue – a near complete departure from its first six and a half minutes. As the first two segments of the track recede (accompanied by storm clouds), the din of the city is replaced by Kindred's most moving vocal sample. "Hold on," it tells us, while the pieces of a beat echo along with the remnants of vinyl raindrops and static thunder. A girl sings as a man walks slowly down an empty hallway. I won't pretend to know what just happened.
"Loner," aided by its angelically wistful ending, has the remarkable effect of producing a vaccum when it finally leaves for good. The track's final seconds are among the loneliest on this overcast release. Perhaps that's why "Ashtray Wasp" so easily shakes me to my core. The track, by far Burial's most impressive to date, is twelve minutes of having your breath taken away. "This is good," I thought during "Kindred." "Loner" made it great. "Ashtray Wasp" makes it transcendent.
It's as if Kindred is a cloud gathering static energy throughout its first twenty minutes, only to finally explode into lightning sparks on "Ashtray Wasp." Like it's predecessors, the track moves in and out, with beats surfacing, submerging, surfacing again. The vocal samples – less adulterated here – are more distinguishable but no less otherworldly. There's a pitch-shifting section at 9:45 that is simultaneously beautiful and bone-chilling. And there's an overwhelming feeling that, try as you might, you can't escape this disorienting spiral. Burial transports you to a gloomy city not too dissimilar from the world outside our doors, and he does it with fleeting memories tied to a metronome that never stops moving forward. That is what makes this EP so fantastic. Burial pins down the unsettling elements of everyday urban life — the anonymity, the disorienting movement, the shared loneliness — and communicates them, nearly wordlessly, in a way that makes them seem simultaneously familiar and foreboding. This might not be my life, this journey captured on record. But I recognize it.
Stream 'Kindred' in its entirety here.
A | 03.06.12 | HYPERDUB | REVIEW | MP3
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Math 2374
Vector algebra
Parametrization of a line examples
Suggested background
Parametrization of a line
Find a parametrization of the line through the points $(3,1,2)$ and $(1,0,5)$.
Solution: The line is parallel to the vector $\vc{v}= (3,1,2) - (1,0,5) = (2,1,-3)$. Hence, a parametrization for the line is \begin{align*} \vc{x} = (1,0,5) + t(2,1,-3) \qquad \text{for} \quad -\infty < t < \infty. \end{align*} We could also write this as \begin{align*} \vc{x} = (1+2t, t, 5-3t) \qquad \text{for} \quad -\infty < t < \infty. \end{align*} Or, if we write $\vc{x}=(x,y,z)$, we could write the parametric equation in component form as \begin{align*} x &= 1+2t,\\ y &= t,\\ z &= 5-3t, \end{align*} for $-\infty < t < \infty$.
Find a parametrization for the line segment between the points $(3,1,2)$ and $(1,0,5)$.
Solution: The only difference from example 1 is that we need to restrict the range of $t$ so that the line segment starts and ends at the given points. We can parametrize the line segment by \begin{align*} \vc{x} = (1,0,5) + t(2,1,-3) \qquad \text{for} \quad 0 \le t \le 1. \end{align*} (Or we could use any of the other forms of the parametric equation in example 1, as long as we restrict $t$ to lie in the interval $[0,1]$.)
Previous: Parametrization of a line
Next: Matrices and determinants
Next: Forming planes
Lines (and other items in Analytic Geometry)
A line or a plane or a point?
Intersecting planes example
An introduction to parametrized curves
Derivatives of parameterized curves
Tangent lines to parametrized curves
Tangent line to parametrized curve examples
Parametrized curve and derivative as location and velocity
Line integrals are independent of parametrization
Nykamp DQ, "Parametrization of a line examples." From Math Insight. http://mathinsight.org/line_parametrization_examples
Keywords: line, parametrization
Send us a message about "Parametrization of a line examples"
Parametrization of a line examples by Duane Q. Nykamp is licensed under a Creative Commons Attribution-Noncommercial-ShareAlike 4.0 License. For permissions beyond the scope of this license, please contact us.


To apply, please fill out this questionnaire form.
A three-week course in Innovation, Creativity and Entrepreneurship (SMO 330) will be offered for second-year Students in Engineering, Business, and Science in May 2018.
A company has to know how it makes money.
Increasing competition means that companies have to be more creative in order to be innovative, with effective teams responding to shorter product design and development cycles. Thirty per cent or more of jobs are at risk of automation. This is a double edged sword for people starting their career.
No single discipline covers everything needed to be a creative, innovative entrepreneur. But we are offering in introductory course intended to give you a head start in being one of those entrepreneurs.
A three-week version of SMO 330 will be offered as an intensive short course for 60 engineering, science, and business students, after the end of the Winter term: May 1-19, 2018. This course is based on a model developed at Reykjavik University, and attended by the instructing team.
Working actively in a multidisciplinary team in afternoons (and evenings).
Participating in regular one-on-one meetings with mentors, three times per week, plus access to instructors as needed.
Why Might You Want to Take This Course?
Engineering and Science are innovative professions; and most engineers and scientists will work in a business. Business students need to work with others who provide the technical direction of a company. If you want to be part of starting a business, then you will need to develop your entrepreneurial skills, and find people with complementary skills.
It will be good for your future career.
Registration will be based on selection criteria related to demonstrated interest in innovation and entrepreneurship, and ability to work in teams. Successful applicants will be informed in late April, and then can be manually registered in SMO 330 (a three credit course, which for Engineering students meets one of the complimentary studies requirements).


"Heard of rainbow hair?" I said, "You wanted me to go more platinum blonde. Ok. Deal. And when I do, I want that." I showed her a photo.
But clearly this was beyond my hair stylist's comfort zone so I gave up.
So here I am. Three boxes of home dye and a few months later, I've got the right shade. Nothing fell out, and I didn't even have to resort to chopping anything off.
I'm still annoyed at my hairdresser for not listening to me and/or not knowing enough to do techniques I know are possible (and I'm not really a hairstyling maven here, so what I'm suggesting probably isn't rocket science). As a data point, a layered haircut here consists of pulling your hair into a ponytail and cutting it. Every hairdresser does the same.damn.thing. In front for light layers, in back for more dramatic ones. Which is ingenious, really, but definitely NOT complicated.
Yep. Color and cut by yours truly. I think I might never go back.
And your hair looks great! I've been cutting my hair myself here as well. Annnndddd I've gotten the same, "Don't you want to be blonde?" question again and again. Admittedly, I did get blonde highlights recently, but only because my cunhada did them for free. But previous to that I found the box dye here to be TERRIBLE in quality. I opted for coffee soaks to keep my color bright. I brewed coffee, added some conditioner to the wet grounds, and slathered all over my hair. I used the brewed coffee to soak my hair first though. I threw a grocery bag and then a towel over my hair and let it soak for an hour. A dye job it was not, but it did make my hair color warmer and my hair much softer. And hey, coffee is abundant and cheap..
coffee soaks! What a neat idea! I've used coffee and tea to dye clothes before, of course it would work on hair too… I've been using the L'Oreal brand. Stuff like this, I usually start by paying the extra to go with the American brand that I know then slowly branching outwards. Sounds like maybe I shouldn't bother trying the others!
ALSO, I did use jello to dye my hair once upon a teenage-life. The color never came out bright.. but if you want rainbow colored hair, it's an option!


text:
UK Sport performance director steps down just months before Tokyo 2020
Chelsea Warr, the UK Sport performance director, has stepped down from her role to join ... more
> All Leisure News Fitness Sport Spa Hospitality Entertainment & Gaming Commercial Leisure Property Design & Architecture Tourism Travel Visitor Attractions Theme & Water Parks Arts & Culture Heritage & Museums Parks & Countryside Sales & Marketing Public Sector Training People Suppliers
UK only International
Jessica Ennis-Hill to speak at ukactive Summit
By Tom Walker 02 Oct 2019
Ennis-Hill will offer delegates insight into her career story and charting the way physical activity changed her life
Olympic champion Dame Jessica Ennis-Hill will add a bit of stardust to this year's ukactive Summit.
Ennis-Hill will attend the Summit and take part in conversation on stage, offering delegates insight into her career story and charting the way physical activity changed her life – taking her from elite athlete to a creator of her own fitness brand, Jennis.
She is one of three additions to the lineup of speakers at the event, which will be held at the Queen Elizabeth II Centre at Westminster on 31 October.
The other two new speakers are Sport England CEO Tim Hollingsworth and consumer specialist Kate Hardcastle.
Hollingsworth's keynote will anchor a special strand at the event, exploring the impact of 'place' on physical activity. His speech will include an insight into the approach Sport England will take to develop its next strategy.
Retail expert Kate Hardcastle, meanwhile, will deliver a session on how the physical activity sector can better reach consumers on our high streets and support its regeneration.
Commenting on her involvement, Ennis-Hill said: "I look forward to sharing my experience with delegates. I'll be discussing my career, including my achievements and the challenges of getting back into elite competition post-childbirth.
"Since retiring from competing, I am now looking to inspire expectant and new mums to continue their fitness journeys, and I'm looking forward to sharing my personal story at the Summit in October."
Other keynote speakers to have earlier been confirmed for the summit include former Cabinet Secretary Lord Gus O'Donnell and professor Helen Stokes-Lampard, the chair of the Royal College of General Practitioners (RCGP).
The keynotes will be at the heart of the summit's agenda, which will this year explore the future of public health, the workplace and the high street.
The theme for the event is "The Backbone of a Modern Britain", positioning physical activity – and the sectors that deliver it – as critical to the future health, wellbeing and prosperity of the nation.
For more information on the ukactive Summit, click here.
Olympic champion Dame Jessica Ennis ukactive Summit
Elemis reaveal Ennis-Hill a fan ahead of Rio Games
As the buzz for the Rio Olympic Games reaches its peak ahead of its opening ceremony later today (5 August), ... more
Sheffield EIS track upgraded for Rio 2016 preparations
The indoor track which will be used by Jessica Ennis-Hill in the run-up to Rio 2016 has undergone a "major ... more
Jessica Ennis opens new-look Sheffield gym
World heptathlon silver medallist Jessica Ennis has officially opened a new-look gym at the English Institute of Sport (EIS) in ... more
Visit icelab
Founded in 1983, Technogym is a world-leading international supplier of technology and design-driven products and services in the wellness and fitness industry.
RLSS UK - First choice for all aquatic rescue, pool management, first aid qualifications and training
The Royal Life Saving Society UK (RLSS UK) is proud to be the industry leader in water-related safety qualifications and training. More than 40,000 pool lifeguards qualify with an RLSS UK National Pool Lifeguard Qualification (NPLQ) every year.


In March 2013, the Office of Diversity and inclusion was created to strengthen and sustain a culture of inclusion that aligns with Palmetto Health's Vision, Behavior Expectations and the Palmetto Health Experience - ONE PERSON. ONE MOMENT. ONE LOVE. Valuing diversity and inclusion creates an environment that allows team members to use their skills, abilities and capabilities to achieve both organization and personal goals. Diversity and inclusion enhances the patient experience and makes the community we serve feel welcomed. When we value each other, everyone accomplishes more and is greater than the sum of the parts.
Palmetto Health is committed to valuing, respecting and making all who experience us feel visible. At Palmetto Health we know that diversity is more than what we see (race/ethnicity, age, gender or disability-primary dimensions); it also includes those cultural traits we cannot see (family status, work experience, religion, socioeconomic status and many others aspects-secondary dimensions). Valuing all dimensions makes inclusion possible.


text:
iCivics and Our Courts: Video Game Instructional Design
iCivics teaches students how government works by having them experience it directly through digital games that convey information while teaching skills for effective civic engagement. The vision of Supreme Court Justice Sandra Day O'Connor, iCivics grew out of her concern that young people were not gaining the tools necessary to become knowledgeable and active participants in civic life. When Justice O'Connor recruited experts in education, law, history, and technology to craft immersive learning experiences that teach usable civics, CCT contributed its instructional design expertise to the project.
In the beginning, the project was known as Our Courts, and was an interactive, Web-based program designed to teach and engage middle-school students in civics. In Our Courts, students could participate in realistic simulations that enabled them to use real law to investigate and argue actual cases, as well as to view cases from multiple perspectives (a judge, a legislator, and an executive). The Arizona State University and Georgetown University law schools were leaders of the development effort.
Recognizing that young people spend roughly 40 hours per week using digital media on their own time, Our Courts was designed to support student learning in both in-school and out-of-school settings. Our Courts developed a series of problem-oriented, discovery-based curricula that addressed issues that affected the lives of young people. The program's activities were designed to be used either as a complete civics curriculum or as a supplement to an existing curriculum. Our Courts also worked on building an immersive simulation designed be embedded in a 3D virtual world based on core principles from the serious games and learning movement.
The Web-based iCivics games are available for free online to students and teachers for use in classes, enrichment programs, or extracurricular activities. To learn more about iCivics, visit the website: https://www.icivics.org/
Cornelia Brunner (PI)


Jianghai company is a manufacturer of high quality electrolytic capacitors. The company was founded in 1958. Production has been completely switched to lead-free technology since 1992. Jianghai is currently China's largest producer of aluminum electrolytic capacitors and ranks among the top 5 in the world. Jianghai is listed on the stock exchange since 2010.
The product range includes electrolytic capacitors (snap-in, screw and radial) and polymer capacitors (THT and SMT). Offered capacitors can operate at voltages from 10V to 630V. Operating temperature range is from -40 ° C to +125 ° C and life time is 20,000 hours at 85°C.
Company's R&D department cooperates with many universities and institutions and has access to the latest prefabricated elements. It allows Jianghai to create solutions tailored to individual customer needs. The main recipient of Jianghai products is industrial sector, especially in the field of demanding professional applications.


text:
Marie Sallé (1707–1756) was a French dancer and choreographer in the 18th century known for her expressive, dramatic performances rather than a series of "leaps and frolics" typical of ballet of her time.

Biography
Marie Sallé was a prominent dancer and choreographer in early 18th-century dance. She helped to create ballet d'action (a form continued by her student, Jean-Georges Noverre); she challenged the male-dominated theatrical world; she reformed traditional "feminine" costumes. Born to fairground performers and tumblers in 1707, Marie grew up performing around France with her family.

She made her first public performance with her brother, Francis, at London's Lincoln's Inn Fields Theatre in 1716. They made their Paris debut at the Saint Laurent fair in 1718 performing La Princesse Charisme, created by Véronique Lesage. In 1725, their family returned to England, but they stayed. The pair is said to have studied with Claude Balon, star of the Paris Opéra, as well as his partner, Françoise Prévost, and fellow dancer at Paris Opera, Michel Blondy. They spent two more seasons at Lincoln's Field Inn, performing dances from George Frideric Handel's opera Rinaldo as well as pantomimes.

Sallé went solo and started performing with the Paris Opera in late 1727. In her premiere, she performed in Jean-Joseph Mouret's Les Amours des Dieux. She danced alongside Marie Camargo, also a student of Prévost; however, they each formed different approaches to their dancing – Camargo as the technician and Sallé as the actress. Her legacy never quite separated from Camargo despite their differing styles. Sallé never settled in at the Paris Opera as she left three times after conflicts with the administration. Nevertheless, she left her mark there, especially during her collaboration with Jean-Philippe Rameau. She continued to London in 1734 for her fourth season. She was engaged by John Rich to perform at Covent Garden. She danced in "Terpsicore," a prologue to a revision of Handel's "Il pastor fido," and in the premieres of the same composer's "Alcina" and "Ariodante."

Also In 1734 she presented her first original, and almost famous work in 1734, Pygmalion, a mythological tale of a statue that comes to life and the sculptor who creates it. This piece made her the first woman to choreograph a ballet in which she also danced. In Pygmalion, Sallé chose to dress in Greek robes, wear her hair down and dance in sandals while playing the role of the statue in an attempt to make it a more realistic characterization. According to Susan Au, her choreography "gave the impression of a danced conversation" (Ballet and Modern Dance 32). During this season, Covent Garden also saw her pantomime Bacchus and Ariadne and her collaboration with Handel.

She returned to Paris in 1735 and choreographed and danced in scenes for Jean-Phillipe Rameau's opéra-ballets. She retired from the public stage in 1741. However, she continued to dance at court (i.e. to the request of royalty for them and the nobility at court). She taught at the Opéra-Comique in 1743 and, according to her student Jean-Georges Noverre, she practised daily. Sallé came out of retirement for a few performances at Versailles between 1745-47.  She died on June 27, 1756.

Private life and public image
The theatrical scene in 18th-century London and Paris was male-dominated and unreceptive to change. It was the men who held the influential positions in courts and theaters, who were the artists, and women were only seen as able to interpret what the men had created. Marie Sallé, not only an expressive dancer but also a noteworthy choreographer, challenged these boundaries given to women. However, despite being one of the first women to stage and dance in her own original productions in London and Paris opera houses, her achievements received overwhelmingly negative feedback if any at all compared with her male counterparts. This disparity occurred mostly likely because – as Christine Battersby theorizes – male writers consciously excluded women from their definitions of creative potential. Sallé's accomplishments in her early years were translated by the male-dominant theatre space into reflections of her virtuosity and proper femininity. She was often described as having a "virginal image," earning her the nickname of "La Vestale," referencing the vestal virgins of Rome who were the only women excused from having male guardianship. In fact, Nicholas Lancret, in 1732, painted a portrait of Sallé as the virgin goddess, Diana, further cementing Sallé's public virtuous image in her early years. Images of the rose also followed her after her role in Jean-Philippe Rameau's Les Indes Galantes in 1735.

In contrast, Sallé also gained a reputation of being highly sensual with a mysterious private life. In dancing, she was described as the goddess of Grace and Voluptuousness, but this alternate image clashed with one of virginity and virtuosity, creating this tension that critics and public spectators struggled to reconcile. As a result, Sallé's pure public image began to deteriorate, replaced by one of sexual predilection and scandal. After Sallé's return to Paris in 1735, rumors began to spread of an affair between her and Manon (Marie) Grognet, a dancer and colleague Sallé had met in London. At this time, Sallé was in her mid-thirties and had no heterosexual attachment, thus, the public speculated that colleagues of hers may have used her abstinence as a cover for her casual affairs. However, all rumors and publications on Sallé's sexual or romantic activity had no tangible evidence. Battersby theorizes that the controversial perception of her private life probably was related to the fact that, at the time, Sallé was experiencing success as a choreographer.

Sallé retired at the age of thirty-three. Interestingly, once removed from the public gaze, she disappeared from the writings of her contemporaries as well. What written documentation remained after her retirement alluded once again to the virginal image of her early years. In her later life, Sallé lived in "domestic contentment" with an Englishwoman, Rebecca Wick, whom she named as her "amiable amie" five years prior to her death, when bequeathing her estate to Wick as her sole heir.

Costume Reform

Although mainly a choreographer and performer, Sallé also laid the foundation for an influential new wave of costume reform in dance history spearheaded by her pupil, Jean-Georges Noverre, in the late 18th century. Sallé introduced audiences to the idea of the rejection of masked dancers and vouched for the importance of dance and performance to mimic real life, including the costumes. She argued that costumes should reflect and represent the character, a novel idea at the time. This engendered a sense of "realism" that had been largely ignored up to this point in the evolution of ballet and also allowed for greater physical freedom among the female dancers, unburdening them of the restrictions of unwieldy and elaborate clothing on stage. This ideology of rejecting masks and realism mimicry was quickly picked up by Noverre and emphasized in his later works such as Letters.

Unfortunately, Sallé's costume innovations were seen as overly radical and were rejected by French critics of her time. The culture and bureaucracies of dance in France in the eighteenth century were restrictive, thus it was common for dancers to turn to courts elsewhere for freedom to develop personal expressions of art. London in particular attracted many budding dancers as their lack of state patronage directly contrasted with France's strict bureaucracies regulating dance practices, and Sallé was one of these dancers. London audiences proved to be more accepting of innovation in dance, and Sallé's pantomime acting abilities fit well within the liberal climate of London audiences. There, she was able to choreograph and perform in arguably her most famous production, Pygmalion. Sallé's appearance on stage in her production without a pannier, or a skirt that was the typical expectation of women's costumes in her time, roused shock from French contemporaries and critics, who were appalled that she dared appear on stage without a skirt, headdress, or even a corset. Despite this negative feedback, Sallé continued to push her desires for realism in costuming, presenting what Sarah McCleave describes as one of Sallé's boldest costuming reform attempts in Handel's Alcina. There, she performed in what the Abbé Prévost later labeled as "male attire" that went against the feminine image typical of dancers in the eighteenth century. Sallé changed the traditional costuming from heavy long dresses to muslin-flowing material which caused shock and delight. She often performed without a skirt or bodice (sans-paniers), rebelling against the traditional costume and accepted gender norms of a very regimented era.

Critiques of Sallé's costume reforms ultimately returned to the strong patriarchal authority in the theatre sphere, where the dominant male voice imposed expectations of female grace and docility and criticized the female creators that strayed from this definition of femininity. Yet, Sallé was able to slowly gain respect for herself and her work despite the strong criticism by collaborating with influential composers such as George Frideric Handel and Christoph von Gluck, commissioning compositions from them for her choreography.

See also
 Women in dance

References

Further reading

 McCleave, Sarah. "Marie Sallé, a Wise Professional Woman of Influence" Women's Work: Making Dance in Europe before 1800, Lynn Matluck Brooks (Ed.), University of Wisconsin Press, 2007, pp. 160– 181.
 Schmidt, Carl B. "Dance (opera)", Grove Music Online ed L. Macy (Accessed 3 April 2007), grovemusic.com, subscription access.
 Hogwood, Christopher. Handel (1988), Thames and Hudson, .
 Au, Susan.  Ballet and Modern Dance (1988), Thames and Hudson, .
 Ed. Selma Jeanne Cohen and Dance Perspectives Foundation. "The International Encyclopedia of Dance" (1998), Oxford University Press, published online: 2005, , http://www.oxfordreference.com/view/10.1093/acref/9780195173697.001.0001/acref-9780195173697-e-1523?rskey=GQwkE4&result=1, Accessed October 22. 2017.
 Highfill, P. H., et al A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800, Volume 13, by Philip H. Highfill, Kalman A. Burnim, and Edward A. Langhans; SIU Press, 1991, p. 184.

French ballerinas
1707 births
1756 deaths
18th-century French actresses
French stage actresses
Ballet choreographers
Sociétaires of the Comédie-Française
18th-century French ballet dancers
Salle
French women choreographers


text:
Q: Mass Emailing API? (EmailBlast) We have a project coming up where I want to create a webservice (EmailBlast) that will talk to our 3 or 4 intranet apps. These intranet apps will make webservice calls to EmailBlast informing EmailBlast of the emails that need to be sent out. I will have a simple Approval workflow so that when a request comes in I will notify admins and request thier approval before sending the emails.
So rather than do the entire project myself I was wondering if there is a Email API that can queue up emails, create reports on bounce backs etc..  And then I would wrap all that up with my Workflow stuff and web services to communicate with my intranet apps.
Is there something like that out there? Or am I going about this the wrong way?

A: I wrote the SOAP API for Lyris Listmanager. It is an excellent product. Sending out emails is no trivial task. You need things like domain keys, SPF etc or your emails will end up in the junk mail box, or you can easily be blacklisted.  You don't want this to happen to your corporate sendmail.
Also automated bounce handling is a huge time saver. You can have the system retry after x number of times, and remove from the list if you want.
Most commercial email management systems will handle this for you. Listmanger is one of the few stand alone email management systems that you can install locally and start using it. Check out the free trial, it will save you alot of headache down the road.

A: MailChimp offers a great mass-mailing service and has an API for it.  However, it's an external service, not something you can install internally.
There are also hardware systems that you can install internally that do this sort of thing.  Google "mail appliance".

redpajama_set_name: RedPajamaStackExchange


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text:
Q: PHP не работает Post Параметры с формы должный отправляться методом post в функцию, а функция должна записывать данные с формы в csv файл.
<form action="index.php" method="post">
        <input type="text" name="SecondName" placeholder="Second Name">

        <input type="text" name="mark" placeholder="Mark">

        <button>Send</button>
</form>

function putCsv() {
$file = 'csv.csv';
$fp = fopen($file, 'w');
$val = fputcsv($fp, $_POST['mark']);
fclose($fp);
return $val;
}

A: fputcsv ожидает передачи массива в качестве второго аргумента.
Вот, посмотрите пример.
<?php
?>
<form action="" method="post">
        <input type="text" name="SecondName" placeholder="Second Name">

        <input type="text" name="mark" placeholder="Mark">

        <button>Send</button>
</form>
<?php
?>
<form action="" method="post">
        <input type="text" name="SecondName" placeholder="Second Name">

        <input type="text" name="mark" placeholder="Mark">

        <button>Send</button>
</form>
<?php
if(isset($_POST['SecondName'])){
    $secondName = $_POST['SecondName'];
} else {
    $secondName = "";
}
if(isset($_POST['mark'])){
    $mark = $_POST['mark'];
} else {
    $mark = "";
}
if($mark){
    $params = array(
        "SecondName"=>$secondName,
        "mark"=>$mark
    );
    putCsv($params);
}

function putCsv($c) {
    $file = 'csv.csv';
    $fp = fopen($file, 'w');
    $val = fputcsv($fp, $c);
    fclose($fp);
    return $val;
}


text:
<?php
/**
 * PartyFiltersModel
 *
 * PHP version 5
 *
 * @category Class
 * @package  BumbalClient
 * @author   Swaagger Codegen team
 * @link     https://github.com/swagger-api/swagger-codegen
 */

/**
 * Bumbal Client Api
 *
 * Bumbal API documentation
 *
 * OpenAPI spec version: 2.0
 * Contact: gerb@bumbal.eu
 * Generated by: https://github.com/swagger-api/swagger-codegen.git
 *
 */

/**
 * NOTE: This class is auto generated by the swagger code generator program.
 * https://github.com/swagger-api/swagger-codegen
 * Do not edit the class manually.
 */

namespace BumbalClient\Model;

use \ArrayAccess;

/**
 * PartyFiltersModel Class Doc Comment
 *
 * @category    Class
 * @package     BumbalClient
 * @author      Swagger Codegen team
 * @link        https://github.com/swagger-api/swagger-codegen
 */
class PartyFiltersModel implements ArrayAccess
{
    const DISCRIMINATOR = null;

    /**
      * The original name of the model.
      * @var string
      */
    protected static $swaggerModelName = 'PartyFiltersModel';

    /**
      * Array of property to type mappings. Used for (de)serialization
      * @var string[]
      */
    protected static $swaggerTypes = [
        'id' => 'int[]',
        'party_type_name' => 'string[]',
        'party_type_id' => 'int[]',
        'name_1' => 'string[]',
        'name_2' => 'string[]',
        'nr' => 'string[]',
        'contact_person' => 'string[]',
        'url' => 'string[]',
        'links' => 'object[]',
        'updated_at_since' => '\DateTime',
        'updated_at_till' => '\DateTime'
    ];

    /**
      * Array of property to format mappings. Used for (de)serialization
      * @var string[]
      */
    protected static $swaggerFormats = [
        'id' => null,
        'party_type_name' => null,
        'party_type_id' => null,
        'name_1' => null,
        'name_2' => null,
        'nr' => null,
        'contact_person' => null,
        'url' => null,
        'links' => null,
        'updated_at_since' => 'date-time',
        'updated_at_till' => 'date-time'
    ];

    public static function swaggerTypes()
    {
        return self::$swaggerTypes;
    }

    public static function swaggerFormats()
    {
        return self::$swaggerFormats;
    }

    /**
     * Array of attributes where the key is the local name, and the value is the original name
     * @var string[]
     */
    protected static $attributeMap = [
        'id' => 'id',
        'party_type_name' => 'party_type_name',
        'party_type_id' => 'party_type_id',
        'name_1' => 'name_1',
        'name_2' => 'name_2',
        'nr' => 'nr',
        'contact_person' => 'contact_person',
        'url' => 'url',
        'links' => 'links',
        'updated_at_since' => 'updated_at_since',
        'updated_at_till' => 'updated_at_till'
    ];

    /**
     * Array of attributes to setter functions (for deserialization of responses)
     * @var string[]
     */
    protected static $setters = [
        'id' => 'setId',
        'party_type_name' => 'setPartyTypeName',
        'party_type_id' => 'setPartyTypeId',
        'name_1' => 'setName1',
        'name_2' => 'setName2',
        'nr' => 'setNr',
        'contact_person' => 'setContactPerson',
        'url' => 'setUrl',
        'links' => 'setLinks',
        'updated_at_since' => 'setUpdatedAtSince',
        'updated_at_till' => 'setUpdatedAtTill'
    ];

    /**
     * Array of attributes to getter functions (for serialization of requests)
     * @var string[]
     */
    protected static $getters = [
        'id' => 'getId',
        'party_type_name' => 'getPartyTypeName',
        'party_type_id' => 'getPartyTypeId',
        'name_1' => 'getName1',
        'name_2' => 'getName2',
        'nr' => 'getNr',
        'contact_person' => 'getContactPerson',
        'url' => 'getUrl',
        'links' => 'getLinks',
        'updated_at_since' => 'getUpdatedAtSince',
        'updated_at_till' => 'getUpdatedAtTill'
    ];

    public static function attributeMap()
    {
        return self::$attributeMap;
    }

    public static function setters()
    {
        return self::$setters;
    }

    public static function getters()
    {
        return self::$getters;
    }

    /**
     * Associative array for storing property values
     * @var mixed[]
     */
    protected $container = [];

    /**
     * Constructor
     * @param mixed[] $data Associated array of property values initializing the model
     */
    public function __construct(array $data = null)
    {
        $this->container['id'] = isset($data['id']) ? $data['id'] : null;
        $this->container['party_type_name'] = isset($data['party_type_name']) ? $data['party_type_name'] : null;
        $this->container['party_type_id'] = isset($data['party_type_id']) ? $data['party_type_id'] : null;
        $this->container['name_1'] = isset($data['name_1']) ? $data['name_1'] : null;
        $this->container['name_2'] = isset($data['name_2']) ? $data['name_2'] : null;
        $this->container['nr'] = isset($data['nr']) ? $data['nr'] : null;
        $this->container['contact_person'] = isset($data['contact_person']) ? $data['contact_person'] : null;
        $this->container['url'] = isset($data['url']) ? $data['url'] : null;
        $this->container['links'] = isset($data['links']) ? $data['links'] : null;
        $this->container['updated_at_since'] = isset($data['updated_at_since']) ? $data['updated_at_since'] : null;
        $this->container['updated_at_till'] = isset($data['updated_at_till']) ? $data['updated_at_till'] : null;
    }

    /**
     * show all the invalid properties with reasons.
     *
     * @return array invalid properties with reasons
     */
    public function listInvalidProperties()
    {
        $invalid_properties = [];

        return $invalid_properties;
    }

    /**
     * validate all the properties in the model
     * return true if all passed
     *
     * @return bool True if all properties are valid
     */
    public function valid()
    {

        return true;
    }

    /**
     * Gets id
     * @return int[]
     */
    public function getId()
    {
        return $this->container['id'];
    }

    /**
     * Sets id
     * @param int[] $id Unique Identifier
     * @return $this
     */
    public function setId($id)
    {
        $this->container['id'] = $id;

        return $this;
    }

    /**
     * Gets party_type_name
     * @return string[]
     */
    public function getPartyTypeName()
    {
        return $this->container['party_type_name'];
    }

    /**
     * Sets party_type_name
     * @param string[] $party_type_name Type of this party
     * @return $this
     */
    public function setPartyTypeName($party_type_name)
    {
        $this->container['party_type_name'] = $party_type_name;

        return $this;
    }

    /**
     * Gets party_type_id
     * @return int[]
     */
    public function getPartyTypeId()
    {
        return $this->container['party_type_id'];
    }

    /**
     * Sets party_type_id
     * @param int[] $party_type_id PartyTypeID of this party. 2 = contractor, 3 = booking
     * @return $this
     */
    public function setPartyTypeId($party_type_id)
    {
        $this->container['party_type_id'] = $party_type_id;

        return $this;
    }

    /**
     * Gets name_1
     * @return string[]
     */
    public function getName1()
    {
        return $this->container['name_1'];
    }

    /**
     * Sets name_1
     * @param string[] $name_1 Name 1 for party
     * @return $this
     */
    public function setName1($name_1)
    {
        $this->container['name_1'] = $name_1;

        return $this;
    }

    /**
     * Gets name_2
     * @return string[]
     */
    public function getName2()
    {
        return $this->container['name_2'];
    }

    /**
     * Sets name_2
     * @param string[] $name_2 Name 2 for party
     * @return $this
     */
    public function setName2($name_2)
    {
        $this->container['name_2'] = $name_2;

        return $this;
    }

    /**
     * Gets nr
     * @return string[]
     */
    public function getNr()
    {
        return $this->container['nr'];
    }

    /**
     * Sets nr
     * @param string[] $nr Number of this party
     * @return $this
     */
    public function setNr($nr)
    {
        $this->container['nr'] = $nr;

        return $this;
    }

    /**
     * Gets contact_person
     * @return string[]
     */
    public function getContactPerson()
    {
        return $this->container['contact_person'];
    }

    /**
     * Sets contact_person
     * @param string[] $contact_person Contact person for party
     * @return $this
     */
    public function setContactPerson($contact_person)
    {
        $this->container['contact_person'] = $contact_person;

        return $this;
    }

    /**
     * Gets url
     * @return string[]
     */
    public function getUrl()
    {
        return $this->container['url'];
    }

    /**
     * Sets url
     * @param string[] $url Url for party website
     * @return $this
     */
    public function setUrl($url)
    {
        $this->container['url'] = $url;

        return $this;
    }

    /**
     * Gets links
     * @return object[]
     */
    public function getLinks()
    {
        return $this->container['links'];
    }

    /**
     * Sets links
     * @param object[] $links Activity Link ids
     * @return $this
     */
    public function setLinks($links)
    {
        $this->container['links'] = $links;

        return $this;
    }

    /**
     * Gets updated_at_since
     * @return \DateTime
     */
    public function getUpdatedAtSince()
    {
        return $this->container['updated_at_since'];
    }

    /**
     * Sets updated_at_since
     * @param \DateTime $updated_at_since Show updated since
     * @return $this
     */
    public function setUpdatedAtSince($updated_at_since)
    {
        $this->container['updated_at_since'] = $updated_at_since;

        return $this;
    }

    /**
     * Gets updated_at_till
     * @return \DateTime
     */
    public function getUpdatedAtTill()
    {
        return $this->container['updated_at_till'];
    }

    /**
     * Sets updated_at_till
     * @param \DateTime $updated_at_till Show updated till
     * @return $this
     */
    public function setUpdatedAtTill($updated_at_till)
    {
        $this->container['updated_at_till'] = $updated_at_till;

        return $this;
    }
    /**
     * Returns true if offset exists. False otherwise.
     * @param  integer $offset Offset
     * @return boolean
     */
    public function offsetExists($offset)
    {
        return isset($this->container[$offset]);
    }

    /**
     * Gets offset.
     * @param  integer $offset Offset
     * @return mixed
     */
    public function offsetGet($offset)
    {
        return isset($this->container[$offset]) ? $this->container[$offset] : null;
    }

    /**
     * Sets value based on offset.
     * @param  integer $offset Offset
     * @param  mixed   $value  Value to be set
     * @return void
     */
    public function offsetSet($offset, $value)
    {
        if (is_null($offset)) {
            $this->container[] = $value;
        } else {
            $this->container[$offset] = $value;
        }
    }

    /**
     * Unsets offset.
     * @param  integer $offset Offset
     * @return void
     */
    public function offsetUnset($offset)
    {
        unset($this->container[$offset]);
    }

    /**
     * Gets the string presentation of the object
     * @return string
     */
    public function __toString()
    {
        if (defined('JSON_PRETTY_PRINT')) { // use JSON pretty print
            return json_encode(\BumbalClient\ObjectSerializer::sanitizeForSerialization($this), JSON_PRETTY_PRINT);
        }

        return json_encode(\BumbalClient\ObjectSerializer::sanitizeForSerialization($this));
    }
}


text:
using System;
using System.Collections.Generic;
using System.Linq;
using System.Text;
using System.Threading.Tasks;
using Reactive.Streams;

namespace Reactive4.NET.operators
{
    sealed class ParallelFlowableDoOnNextTry<T> : AbstractParallelOperator<T, T>
    {
        readonly Action<T> onNext;

        readonly Func<long, Exception, ParallelFailureMode> handler;

        public ParallelFlowableDoOnNextTry(IParallelFlowable<T> source, Action<T> onNext, Func<long, Exception, ParallelFailureMode> handler) : base(source)
        {
            this.onNext = onNext;
            this.handler = handler;
        }

        public override void Subscribe(IFlowableSubscriber<T>[] subscribers)
        {
            if (Validate(subscribers))
            {
                int n = subscribers.Length;
                var parents = new IFlowableSubscriber<T>[n];

                for (int i = 0; i < n; i++)
                {
                    var s = subscribers[i];
                    if (s is IConditionalSubscriber<T> cs)
                    {
                        parents[i] = new DoOnNextTryConditionalSubscriber(cs, onNext, handler);
                    }
                    else
                    {
                        parents[i] = new DoOnNextTrySubscriber(s, onNext, handler);
                    }
                }

                source.Subscribe(parents);
            }
        }

        sealed class DoOnNextTrySubscriber : IConditionalSubscriber<T>, ISubscription
        {
            readonly IFlowableSubscriber<T> actual;

            readonly Action<T> onNext;

            readonly Func<long, Exception, ParallelFailureMode> handler;

            bool done;

            ISubscription upstream;

            internal DoOnNextTrySubscriber(IFlowableSubscriber<T> actual, Action<T> onNext, Func<long, Exception, ParallelFailureMode> handler)
            {
                this.actual = actual;
                this.onNext = onNext;
                this.handler = handler;
            }

            public void Cancel()
            {
                upstream.Cancel();
            }

            public void OnComplete()
            {
                if (done)
                {
                    return;
                }
                done = true;
                actual.OnComplete();
            }

            public void OnError(Exception cause)
            {
                if (done)
                {
                    return;
                }
                done = true;
                actual.OnError(cause);
            }

            public void OnNext(T element)
            {
                if (!TryOnNext(element) && !done)
                {
                    upstream.Request(1);
                }
            }

            public bool TryOnNext(T element)
            {
                if (done)
                {
                    return false;
                }

                long retry = 0;
                for (;;)
                {
                    try
                    {
                        onNext(element);
                    }
                    catch (Exception ex)
                    {

                        switch (handler(++retry, ex))
                        {
                            case ParallelFailureMode.Error:
                                upstream.Cancel();
                                OnError(ex);
                                return false;
                            case ParallelFailureMode.Skip:
                                return false;
                            case ParallelFailureMode.Complete:
                                upstream.Cancel();
                                OnComplete();
                                return false;
                            default:
                                continue;
                        }

                    }

                    actual.OnNext(element);
                    return true;
                }
            }

            public void OnSubscribe(ISubscription subscription)
            {
                if (SubscriptionHelper.Validate(ref upstream, subscription))
                {
                    actual.OnSubscribe(this);
                }
            }

            public void Request(long n)
            {
                upstream.Request(n);
            }
        }

        sealed class DoOnNextTryConditionalSubscriber : IConditionalSubscriber<T>, ISubscription
        {
            readonly IConditionalSubscriber<T> actual;

            readonly Action<T> onNext;

            readonly Func<long, Exception, ParallelFailureMode> handler;

            bool done;

            ISubscription upstream;

            internal DoOnNextTryConditionalSubscriber(IConditionalSubscriber<T> actual, Action<T> onNext, Func<long, Exception, ParallelFailureMode> handler)
            {
                this.actual = actual;
                this.onNext = onNext;
                this.handler = handler;
            }

            public void Cancel()
            {
                upstream.Cancel();
            }

            public void OnComplete()
            {
                if (done)
                {
                    return;
                }
                done = true;
                actual.OnComplete();
            }

            public void OnError(Exception cause)
            {
                if (done)
                {
                    return;
                }
                done = true;
                actual.OnError(cause);
            }

            public void OnNext(T element)
            {
                if (!TryOnNext(element) && !done)
                {
                    upstream.Request(1);
                }
            }

            public void OnSubscribe(ISubscription subscription)
            {
                if (SubscriptionHelper.Validate(ref upstream, subscription))
                {
                    actual.OnSubscribe(this);
                }
            }

            public void Request(long n)
            {
                upstream.Request(n);
            }

            public bool TryOnNext(T element)
            {
                if (done)
                {
                    return false;
                }

                long retry = 0;
                for (;;)
                {
                    try
                    {
                        onNext(element);
                    }
                    catch (Exception ex)
                    {

                        switch (handler(++retry, ex))
                        {
                            case ParallelFailureMode.Error:
                                upstream.Cancel();
                                OnError(ex);
                                return false;
                            case ParallelFailureMode.Skip:
                                return false;
                            case ParallelFailureMode.Complete:
                                upstream.Cancel();
                                OnComplete();
                                return false;
                            default:
                                continue;
                        }

                    }

                    return actual.TryOnNext(element);
                }
            }
        }
    }
}


eCommerce facility for digital content.
Security of sensitive client information.
Originally built in 2014, it outgrew it's original design.
The new design had to utilize the new branding colours and logo and allow client to update in the future.
It required instant download of ebooks and central facility to communicate with purchasers.
Protection of sensitive information from people who should not have access and to easily share documents and product manuals with customers/members.
Keep track of how people use the website so to continually improve over time.


text:
Tooltips are labels that appear on hover and focus when the user hovers
over an element with the cursor, focuses on an element using a leopard
(usually through the tab key), or upon touch (without releasing) in a touch UI.
They contain textual identification for the element in question. They may
also contain brief helper text regarding the function of the element.
The label itself cannot receive input focus.


text:
NGC 5248 (nota anche come C 45) è una galassia a spirale barrata visibile nella costellazione del Boote; è stata scoperta da William Herschel nel 1784.

Osservazione
Si individua circa 9° a ESE della stella Vindemiatrix, una gigante gialla appartenente alla costellazione della Vergine; la regione di cielo in cui si trova è in realtà povera di stelle appariscenti. Può essere scorta anche con un telescopio amatoriale da 114 mm, se il cielo è in ottime condizioni atmosferiche.

La galassia si trova a circa 9° dall'equatore celeste; ciò comporta che sia facilmente osservabile da entrambi gli emisferi celesti, senza rilevanti differenze. Gli osservatori dell'emisfero nord sono leggermente più avvantaggiati. Il periodo più adatto per la sua osservazione nel cielo boreale va da marzo ad agosto.

Caratteristiche
NGC 5248 presenta un nucleo brillante attraversato da una barra molto appariscente, da cui partono due bracci di spirale principali piuttosto deboli, più altri bracci secondari; si stima che il suo diametro sia di 123.000 anni luce, con una massa di 140 miliardi di Soli. Tende ad allontanarsi dalla Via Lattea con una velocità pari a 1156 km/s.

Note

Bibliografia

Opere generali

Carte celesti

Voci correlate
 Oggetti non stellari nella costellazione del Boote

Altri progetti

Collegamenti esterni

NGC 5248
5248
0045
Oggetti nella costellazione del Boote


text:
Q: Grouping values in DB SAS Help to solve the problem, please. I have some ideas, but none of them gives the desired result. DB have
Site Num Pres Began Start A B C
01   101 yes  no    yes   1 1 3
01   101 no   yes   yes   2 1 7
01   102 yes  yes   no    1 2 1

DB want (txt-file)
Site  Num  Pres Began Start  Quantity
01    101  yes  no    yes    1
                             1
                             3
01    101  no   yes   yes    2
                             1
                             7
01    102  yes  yes   no     1
                             2
                             1

If you have any thoughts on this, I will be very grateful!!!


text:
Sorcerer's Place Game Store
Sorcerer's Place brings you our favourites in association with:
In our store, we are able to offer you all of the games covered at Sorcerer's Place, and more. As an Amazon Associate and GOG.com affiliate, sorcerers.net earns from qualifying purchases. It is important to note, however, that product prices remain unaffected.
Standalone (A)D&D Games (PC)
Planescape: Torment: Enhanced Edition
Show/hide the game's description
Read the reviews and/or buy it at
Planescape: Torment: Enhanced Edition includes the unaltered original version and the Enhanced Edition in one definitive collection exclusively on GOG.com.
The original Planescape: Torment was released in 1999 to widespread critical acclaim. It won RPG of the Year from multiple outlets for its unconventional story, characters, and amazing soundtrack. Since then, millions of Planescape: Torment fans have enjoyed exploring the strange and dangerous city of Sigil and surrounding planes through the Nameless One's eyes.
Discover an incredibly rich story and a setting unlike anything else in fantasy. Defeat strange and alien creatures, engage in rich dialogue, and explore the dark and dangerous Planescape setting in this 50+ hour RPG classic.
This is Planescape: Torment like you've never seen before.
"What can change the nature of a man?" - You are the Nameless One, a hulking figure covered in scars and tattoos collected over the course of countless lives—none of which you can remember, but are now coming back to haunt you. You are prodded awake by Morte, a floating skull and keeper of secrets, to embark on an adventure taking The Nameless One from the dirty streets of Sigil into the mysterious Outer Planes and even into the depths of Hell itself.
Portals riddle the planar metropolis of Sigil, providing access to anywhere in existence, but only if you have the proper key. Known as the "City of Doors," Sigil is a neutral ground where demons, devas, and races from across the multiverse gather under the watchful shadow of the Lady of Pain, the city's enigmatic ruler. This is a place where the word is mightier than the sword, where thought defines reality, and belief has the power to reshape worlds.
In your search for answers, you'll find companions matching the bizarre nature of the planes: a chaste succubus who can kill with a kiss, a confused crossbow-wielding cube, a suit of armor animated by a spirit demanding JUSTICE, and more. With these companions and others at The Nameless One's side, you will explore worlds in search of answers, all to discover that some destinies cannot be escaped and some memories cost more than an even an immortal can bear.
Enhanced Planescape: Chris Avellone, Lead Designer on Planescape Torment, has partnered with Beamdog to curate gameplay updates, bug fixes, and enhancements to best capture his original vision for the game.
The Planes Await: Planescape is a setting you've never experienced before, filled with strange magics, bizarre adversaries, and Dungeons & Dragons locations from across the multiverse.
Conversations to Remember: Encounter personable items, philosophic undead, and rat hiveminds while walking the planes with the strangest collection of allies ever seen in an RPG.
Pick Your Path: Character creation is just the beginning. The Nameless One can change his class, alignment, and even gain new abilities based on your choices.
Remastered Music: The full Planescape: Torment soundtrack has been remastered in-game to add more depth to Sigil and the multiverse.
4K Interface: Sigil has never looked this good! The interface of Planescape: Torment has been rebuilt in high definition with tons of new convenience features.
A Planescape For Today: The Enhanced Edition includes modern features such as tab highlighting, area zooming, combat log, quickloot, and more!
Play It Your Way: Enable Enhanced Edition features as you desire or turn them off to experience Planescape: Torment in its original glory.
Cast Comprehend Languages: Planescape: Torment: Enhanced Edition is available in English, French, Polish, German, and Korean. The English, French, Polish, and German versions feature the original fully-localized voice-over in each language. The Korean version is Korean text with voice-overs in English.
Amazon.com | Amazon.ca | Amazon.co.uk | Amazon.de
Explore Sigil, the City of Doors. The doors serve as the town's gateway to everything and everywhere that matters. Step through one door and enter the halls of Ysgard, or turn down a particular alley and discover the Abyss. There are more gateways in Sigil than can be imagined. But there's a lot more out there than just Sigil. Get outside the city and there's the planes themselves: the throne of the gods, the battleground of the eternal Blood War, and home to more horrors and wonders than ever existed on any prime world. There's enough crusades, exploits, treasures, and mysteries to keep a band of adventurers busy for centuries to come. All it takes is the right door, so step right through.
In Planescape: Torment, you play a nameless, scarred, immortal on a quest to discover his past, his identity, and his role in the conflict over the nature of reality. The brilliant role-playing and adventure game focuses on the "Planescape" campaign setting of the Advanced Dungeons & Dragons game, and combines the best elements of Interplay's phenomenally successful Baldur's Gate with an enthralling story line, well-written dialogue, and beautiful artwork and graphics.
In an inspired choice, Black Isle Studios, the developer of Planescape: Torment, has chosen to provide the player, at least initially, with as little details about the story as possible. After viewing a mysterious introductory movie, players guide The Nameless One on a journey through the bleak city of Sigil and its underground catacombs. The story leads from there to the bizarre realities of alternate planes of existence, where belief and thought determine the laws of physics. Through dialogue with hundreds of nonplayer characters, puzzle solving, and point-and-click combat, The Nameless One discovers clues about his identity and the circumstances surrounding his condition.
Gamers overwhelmed by detailed role-playing games will find Planescape: Torment easier to grasp; players can freely switch between three different character classes (Fighter, Mage, Thief) for The Nameless One as the game progresses, and learning the combat and magic system--with a simple point-and-click interface--takes only a few minutes. Literally hundreds of weapons, items, spells, and "tattoos" can be collected and affixed to The Nameless One or any of the several party members acquired during the course of the game. If you're a fan of role-playing or adventure games, Planescape: Torment's engrossing world creates a must-have gaming experience.
Fascinating, unique setting
Engrossing story
Rich graphics and spell effects
Intriguing dialogue
Built with the Bioware Infinity Engine, the same as Baldur's Gate
Pool of Radiance: Ruins of Myth Drannor
Return to the Pool of Radiance that spawned the golden age of computer role-playing games. Pool of Radiance 2 carries on the story of the first PC Advanced Dungeons & Dragons game: the Pool has resurfaced, and it renders everything it touches undead. The player must create a party of six adventurers and explore the haunted elven ruins of Myth Drannor in order to stop the Pool's evil influence.
Pool of Radiance 2 is the first game to use the Dungeons & Dragons 3rd Edition rules. Playable character classes are Fighter, Barbarian, Paladin, Ranger, Cleric, Sorcerer, Monk, and Rogue, while the races include Half-Orc, Human, Halfling, Dwarf, Elf, and Half-Elf. Characters advance from 1st to 16th levels, allowing spellcasters access to 8th-level spells.
As you explore the ancient ruins of Myth Drannor, the Dungeon Master will communicate all important events and findings. Combat is based on turns, just as in the tabletop game. With a great single-player campaign as well as multiplayer support, Pool of Radiance 2 is ready to carry on the legacy of the famous Gold Box games and lead D&D RPGs into the era of 3rd Edition rules.
Set in the Forgotten Realms of Dungeons & Dragons using new 3rd Edition rules
Featuring new character classes and races, such as Barbarians, Monks, Paladins, and Half-Orcs
Cast over 100 spells: both Sorcerer and Cleric, plus Orisons and Cantrips
Create 4 characters of a 6-character party
3-D animated characters battle monsters in interactive environments
Three renegade warriors, each with unique fighting abilities. All drawn together by an inexplicable force. After triggering a chain of catastrophic events, they must combine powers to survive a treacherous journey of fate and redemption.
Forgotten Realms: Demon Stone delivers the feel of an action movie in an incredible role-playing experience. Its award-winning game engine combines with an incredible story written by best-selling fantasy author R.A. Salvatore. Journey to the mythic land of Faerun, where monsters and magic are real. You set out in a party of three, to right an ancient wrong and restore order to the world. Fulfill prophecies and build a legend as you fight to stop demons from destroying all that you know. Features voice talent by Patrick Stewart and Michael Clarke Duncan.
Select a party of three distinct characters
Send them off to hack apart enemies, blow them up with magic or sneak through the shadows
Battle in 10 beautifully detailed levels from the world of the Forgotten Realms, from Gemspark Mine to the Jungles of Chult
Face off against incredible enemies from D&D lore
Foes include Bugbears, Trolls, Mind Flayers, Slaads, Yuan-Ti's and more
Tons of weapons and items to enhance a character's abilities--magic gauntlets, rings and cloaks
Purchase character upgrades and create powerful warriors that can face any challenge
The Temple of Elemental Evil: A Classic Greyhawk Adventure
On the outskirts of the village of Nulb, a temple dedicated to elemental evil lies in ruins. Destroyed by the good armies and the infamous Circle of Eight, its blood-stained history remains a distant memory--until now. Suspicious men have begun roaming the roads leading to the villages. Who and what these men are, no one can be sure. All claim to be slaying monsters and bringing peace and security to the area, but rumors persist regarding their true intent. In this land, deeds speak louder than words and lies cloak the true purposes of the malevolent.
So begins the classic Dungeons & Dragons module, The Temple of Elemental Evil, brought to the PC for the first time by Troika Games. Assemble a party of up to five adventurers and embark upon an epic journey like no other. Immerse yourself in gripping gameplay featuring the Dungeons & Dragons v.3.5 rules set. Prepare to enter the very heart of evil itself!
Literal computer translation of one of the world's most beloved Dungeons & Dragons campaign settings, the Realm of Greyhawk. The first and only PC game to utilize the newly released D&D v.3.5 rules
Options for creating up to five characters per party, in a reactive world filled with non-playable characters (NPCs) that react differently to the unique attributes of the adventuring party
Improved, easy-to-use, turn-based combat system quickens gameplay and allows players to better manage battles and spell-casting
Dozens of skills and class abilities, over 50 feats, and hundreds of spells from which to chose, including cleric domain spells
Multiple quest solutions lead to different paths for different parties
Over 50 side quests allow players to explore beyond the main storyline
Multiple starting points depending on the party's alignment, and multiple end games depending on how the game is played
More than 100 monster types, from goblins and hill giants to elementals and demons
Dragonshard is a real-time strategy experience based in the mystical world of Eberron, the acclaimed new Dungeons & Dragons realm. Within this wholly imaginative setting lives an inventive gameplay fusion: dramatic RTS play is affected by the risks and rewards of a thrilling RPG-styled underworld.
As players direct troops over the land, they also plunge smaller, hero-led parties below ground to an RPG-modeled world of beasts, battles, and bounty. Experience and items gained in this underworld result in great powers and abilities above ground.
Using magic, weaponry, and skilled maneuvers, players command armies from varying races to control, protect--or destroy--the powerful Heart of Siberys. Obtaining this omnipotent artifact will unleash its full forces, good or evil, upon the entire world.
The first Dungeons & Dragons real-time strategy experience
The first D&D game from the all-new Eberron campaign setting
Groundbreaking game design with two levels of interconnected action: dramatic RTS war above ground and critical RPG-styled battles in dungeons below
Four ranges of controllable units: powerful champions, heroic captains, trainable henchmen, and nearly unstoppable battlefield juggernauts
Unit development based on 'Experience Points', allowing players to "level up" units--an added RPG twist to the classic RTS gameplay structure
An innovative village grid system--the "Nexus System"--where choice and placement of buildings can specifically affect units' powers
Co-op and head-to-head multiplayer modes; for 1 to 8 players
Three warring factions (in multiplayer modes), each with its own history, campaigns, unique strengths... and weaknesses
Game story by Eberron creator Keith Baker
A variety of threatening environments, all with the "Hyper Terrain" feature, creating real-time terrain deformation in the wake of unit movements
Vegetarianism, the latest trend in the ogre community...
"See battle, Boo? Run Boo, Run!" -Minsc, Baldur's Gate II
Buy Baldur's Gate: Enhanced Edition now!
96 adventurers are currently exploring Sorcerer's Place


CALGARY, ALBERTA–(Marketwired – Sept. 29, 2015) - Terra Energy Corp. ("Terra" or the "Company") (TSX:TT) is pleased to announce that the Company has closed the previously announced sale of certain of the Company's non-core, P&NG assets in the Boundary Lake and Worsley areas of the Province of Alberta for $10.615 million. Net proceeds from the sale transaction will be used to strengthen the Company's balance sheet, reduce total debt and improve on operational efficiencies and production.
Assets sold include 42 net wells (57 gross) with current production of approximately 500 boe/day (comprised of 38% oil/liquids and 62% gas), and undeveloped land of 23,104 net acres (24,355 gross acres). Total Proved plus Probable reserves assigned by GLJ Petroleum Consultants Ltd. as at December 31, 2014 was approximately 1,245 mboe.
Black Spruce Merchant Capital acted as exclusive advisor to the Special Committee of Independent Directors of Terra in connection with the sale transaction.
The Company will, as previously announced, continue to review and evaluate possible opportunities to further enhance shareholder value including the sale of additional oil and gas properties, entering into strategic alliances, mergers, restructuring or recapitalization of the Company.
In accordance with Canadian practice, production volumes are reported on a company gross basis, before deduction of Crown and other royalties, unless otherwise stated. Unless otherwise specified, all reserve volumes in this media release and all information derived there from are based on "company interest reserves" using forecast prices and costs. "Company interest reserves" consist of "company gross reserves" (as defined in National Instrument 51-101 ("NI 51-101″)) plus Terra's royalty interests in reserves. "Company interest reserves" are not a measure defined in NI 51-101 and does not have a standardized meaning under NI 51-101. Accordingly our Company interest reserves may not be comparable to reserves presented or disclosed by other issuers. Our oil and gas reserves statement for the year ended December 31, 2014, which includes complete disclosure of our oil and gas reserves and other oil and gas information in accordance with NI 51-101, is contained within our Annual Information Form which is available on our SEDAR profile at www.sedar.com. In relation to the disclosure of estimates in the operations update discussion, such estimates for individual properties may not reflect the same confidence level as estimates of reserves for all properties, due to the effects of aggregation.
This media release may contain certain statements which constitute forward-looking statements or information ("forward-looking statements"), including the use of proceeds of transaction and the review and evaluation of opportunities to enhance shareholder value. Although Terra believes that the expectations reflected in our forward-looking statements are reasonable, our forward-looking statements have been based on expectations, factors and assumptions concerning future events which may prove to be inaccurate. As such, readers are cautioned not to place undue reliance on the forward-looking statements, as no assurance can be provided as to future results, levels of activity or achievements. The risks, uncertainties, material assumptions and other factors that could affect actual results are discussed in our Annual Information Form and other documents available at www.sedar.com. Furthermore, the forward-looking statements contained in this document are made as of the date of this document and, except as required by applicable law, Terra does not undertake any obligation to publicly update or to revise any of the included forward-looking statements, whether as a result of new information, future events or otherwise. The forward-looking statements contained in this document are expressly qualified by this cautionary statement.