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How Does The Author Create A Feeling Of Suspense Or Tension In This Story?
The latest New York Times bestseller from the author of the beloved book club favorite The Kitchen House is a heart racing story about a man's treacherous journey through the twists and turns of the Underground Railroad on a mission to save the boy he swore to protect.Glory Over Everything is "gripping…breathless until the end" (Kirkus Reviews).
Jul 16, 2013 · Sean D'Souza runs a zany marketing site at Psychotactics and deconstructs headlines in his spare time. Learn how to assemble (and audit) your headlines in seconds with Sean's powerful headline report, when you subscribe to the Psychotactics Newsletter.And don't miss his binge-worthy, music-filled podcast, The Three Month Vacation.
But as the story expands, so too does its cast. and daunting ruins that create a tangible atmosphere of threat and tension. Furthermore, our heroes' predicament becomes direr with each page you.
Q&A: What Does Crowdsourcing Really Mean? 11. Q&A: Using Crowd Power for R&D 12. Q&A: Crowdsourcing Soccer in the U.K. Editor's Note: This story is reprinted from. They all work in a very similar.
Dickens has initially created the unexplainable which builds up the tension and. Signalman' at the time would arguably feel more tension, because the story. do the authors create the feeling of suspense and mystery in the two short stories.
Author Of The Tortoise And The Hare Valentine Poems For Parents From Babies If you want to combine a bunch of these ideas into one pretty box,
Jan 02, 2019 · Why are thriller movies so popular? Is it because they have interesting plot? Or is it because they have troubled characters who can't seem to get a handle on their lives? Or both? Whatever be the reason, I love suspense films as much as anybody else. That's why I thought of.
A. Plot Definition of Plot: Events that form a significant pattern of action with a beginning, a middle and an end. They move from one place or event to another in order to form a pattern, usually with the purpose of overcoming a conflict.
Bay Area Book Club BAY AREA. you in the San Francisco Bay Area region to get your holiday plans started. APRIL 20: Kiwanis Annual
Dec 8, 2012. Because "How do you create suspense?. Lee Child is the author of 17 Jack Reacher novels, including "One Shot," the basis for the 2012.
T he short story is a narrative of interrelated events, involving a conflict and a resolution. The following are essential features of the short story. CHARACTERISTICS OF A SHORT STORY. A short story should create a single impression.
Mar 29, 2019 · How to Write a Mystery Story. A good mystery story will have fascinating characters, exciting suspense, and a puzzle that keeps you turning the pages. But it can be difficult to write an engaging mystery story, especially if you have never.
It is because when readers feel frustration in the length of the story, the writers use. If he writes a short story, he does not have to tell his tale through many pages, with a leisurely-paced sequence that helps keep the tension in the story high. Suspense is the key that makes the story powerful and keeps it fast paced , but.
Valentine Poems For Parents From Babies If you want to combine a bunch of these ideas into one pretty box, this package includes a notecard for
And you say, if there's a 90 percent chance of clickbait or 95 or 85, depending on how you feel. Mosseri. is that an individual false news story will be copy and pasted by a bunch of other people.
Being bodily present in the story seeds the need to be active, to "do." But how does the audience know. of the story-worlds we create. It's up to us to convince the audience to suspend disbelief.
The side of a ship on which it was laden (that is loaded) was called the ladeboard, but its opposite, starboard, influenced a change in pronunication to larboard.Then, because larboard was likely to be confused with starboard because of their similarity of sound, it was generally replaced by port.
PLZ HELP MEHHH!!!!! When you write a short story, why might you use a thesaurus to look up synonyms of descrip… Get the answers you need, now!
The horror genre has ancient origins with roots in folklore and religious traditions, focusing on death, the afterlife, evil, the demonic and the principle of the thing embodied in the person. These were manifested in stories of beings such as witches, vampires, werewolves and ghosts.European horror fiction became established through works by the Ancient Greeks and Ancient Romans.
Big City Book Club Bright Lights, Big City is an American novel by Jay McInerney, published by Vintage Books on August 12, 1984. It
The tension. create a purposeful life. What is required is a commitment to take small strides forward, knowing the path will reveal itself as long as you uphold a purposeful intent. Master author.
There are places like The Million Year Picnic and East by Northeast and Merengue that feel like home to me. "Drown," was published in 1996. Does the act of reading (or writing) an individual story.
The best thing I've read about the story sharing network Upworthy. Elsewhere I have noted how authors will take two elements that do not belong together and juxtapose them, creating a tension that.
Point of view is important to any story, because it can help create the mood, and setting of a piece. first person point of view to create suspense and tension, while letting the reader try. The way he does portray them creates a sense of suspense that makes you feel as if you are. Author: Schoolworkhelper Editorial Team.
Conceptually, this recommendation may feel good as a way to take back total. of questions to ask ourselves in deciding how to create a more mindful and conscious engagement with our technology.
How does human culture influence machines' voices. even if a female computer voice relays the same information. This, the authors theorize, is due to learned social behaviors and assumptions.
Feb 11, 2015. Tension and suspense are powerful emotional experiences that occur in. during the audiovisual presentation of a suspenseful story (Zillmann et al., 1975). While some authors question the possibility of experiencing suspense in the. may contribute to feelings of tension and suspense and can create.
Martha Alderson, aka the Plot Whisperer, is the author of the Plot Whisperer series of plot books for writers: The Plot Whisperer Book of Prompts: Easy Exercises to Get You Writing, The Plot Whisperer Workbook: Step-by-Step Exercises to Help You Create Compelling Stories – a companion workbook to The Plot Whisperer: Secrets of Story Structure Any Writer Can Master.
Turns out, there's a strategic decision-making story behind the blockbuster. And it's a case that Jennifer Riel and her co-author, Roger Martin. and over in the organization, or if you feel an.
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(A necessary disclosure: Kotaku is. How does it play out? Like this: Earlier this month, the New York Times covered Intel's capitulation in the face of a coordinated Gamergate campaign, called.
Elements of Story or Fiction – character, setting, plot, point of view, style, tone, theme. Elements of fiction and elements of story in general can be used by the reader to increase their enjoyment and understanding of different literary pieces.
Suspense can be regarded as a progressive emotion, whereas surprise is a perfective. A feeling of suspense in reading a crime fiction or a thriller may be more. fiction but also literary stories by authors such as Mansfield and Hemingway. problem, they experience "great tension between the alternatives [alternative.
Artist Day Schildkret works with New Yorkers to create an. it was hard to feel that sense of community after time had passed." The next step forward might be intentional secular communities.
Students are asked to write literary analysis essays because this type of assignment encourages you to think about how and why a poem, short story, novel, or play was written. To successfully analyze literature, you'll need to remember that authors make specific choices for particular reasons.
All writers should work suspense into their stories. You, as the author, can generate suspense out of relatively mundane things, as long as they are. A cop hero who is calm and collected in a shoot-out might feel his stomach clench with anxiety. What writing styles and tricks did the authors use to create suspense?
Guest post by Bridget McNulty. Tension is the secret sauce that ensures that "I'll read just one more page before bed" feeling. Four ways to ensure your story has the right amount:. 1.
What Is Epic Poetry? American poets in the late eighteenth and early nineteenth centuries struggled to produce a good epic poem on the American
Nov 23, 2012. Students interview author Malorie Blackman about her techniques for writing. We find out how she creates tension and suspense in a book and when. of planning and using descriptions of the senses: see, hear, feel, taste.
It does not answer essential. emphasize the emotional arc of the story, engaging readers first and foremost with the plight and character of Odysseus. Relying on this forward motion, she is able to.
That is, Genet's story. show feel, ultimately, like a pile of fake flowers. I'm sure that, when Andrews and his team were putting this show together, it seemed like a good idea to cast the.
This produces an anxious low hum in the reader—it feels like a familiar and fun form of suspense—until you realize that the. I love novels that are full of interiority but still have a wonderful.
On one end of the spectrum, a performance or a piece of music that does just what you'd expect. Not only do notes themselves create tension, a performer can delay resolutions to heighten suspense.
Yet it's not enough to call Resident Evil 4 one of the high. so suffice it to say the story is filled with surprises, and it further does a great job of continually ratcheting up the sense of.
Mar 25, 2019. In this article, I refer to suspense as the feelings created by uncertainty in a. To go a step further: If mystery writers skip those tension-raising. become the writer , in a way, restlessly imagining how the story will unfold.
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Good Evening and Welcome to DocKarate presented to you by DocRadio in association with DocMagazine. This program airs live every Saturday night at 9 PM EST. To call into the show please dial 1-(646)-716-6825 to speak with our host & executive producer Kancho Daniel J. Vena & co-host Renshi Kyle Forrest. Tonights subject matter will be Stand Up Fighting -vs- Ground Fighting and what the differences are and how they apply. Join us for this living room type discusion and share your thoughts and experience with us and our loyal listeners.


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National Research and Education Network of Haiti will be integrated to RedCLARA
Photo: Haiti State University
Luiz Alberto Rasseli
RedCLARA and RENES, the National Network of Higher Education of Haiti, will sign the integration agreement from the new NREN to the Latin American regional network in a ceremony to be held on Thursday, April 28, 2022, at 6 p.m. GMT, with live broadcast on the communication channels of the involved organizations.
Through RENES, Haiti will be the first Caribbean country to join RedCLARA as an active member. In this way, the country and its network will be able to count on value-added services that will allow students, teachers and researchers in the country to join working groups to collaborate on topics of common interest, in addition to accessing some of the specialized digital services most used by the academic community. Among them are eduroam and identity federation, key services in supporting the digitization and development of educational and research institutions around the world.
The Executive Director of RedCLARA, Luis Eliécer Cadenas, the Director of the University Corporation for Internet Development (CUDI Mexico), Carlos Casasús, the Secretary General of the Union of Universities of Latin America and the Caribbean (UDUAL), Roberto Escalante Semerena, the Director of the Francophonie University Agency (AUF), Saulo Neiva, the coordinator of the Regional Public Universities of Haiti (UPR), Narcisse Fievre, and the Rector of the State University of Haiti ( UEH), Fritz Deshommes, will be present at the event.
In addition to the live broadcast from the RedCLARA channels on YouTube and Facebook, the event will have simultaneous translation with channels in Spanish, French and English. The broadcast will start at 6:00 p.m. GMT (12:00 p.m. in Mexico / 1:00 p.m. in Colombia / 2:00 p.m. in Haiti and Chile / 3:00 p.m. in Brazil and Argentina).
TagsRedClara RENES
EOSC Future RDA Open Call #6: RDA cross-disciplinary adoption in support of EOSC
New training programme: IT Forensics for System Administrators – Module 2

redpajama_set_name: RedPajamaCommonCrawl


When kicking off a new home remodeling project, start by determining how much of a home remodeling budget you have to work with. Consider what you plan to put in for cash as well as any expected financing. One key tip, just remember that things always cost more than expected and circumstances always arise during a home remodeling project. Consequently set some funds aside for contingencies. I would suggest a contingency figure of about 10% of what you think the overall cost of your home remodeling budget will be.
Next, it is important to estimate each and every home remodeling cost.
The more thorough and accurate your costs estimates are, the more accurate your overall home remodeling budget will be. Understanding all of your home remodeling budget costs up front can help you plan the size of your home renovation or remodeling project, and how to pay for them. Also, don't forget to include engineering, architect, and home remodeling permit costs.
Engineering and architect costs can be quite expensive. Remodeling permits are typically inexpensive, but by not accounting for them you may forget to pull them. Not pulling home remodeling permits can be quite costly, as the local government could demand you tear the new home addition down or cease and desist with your home remodeling construction.
When developing your home remodeling budget you can start out with your own rough home remodeling cost estimates, but as your home remodeling plans are fleshed out they should be replaced with accurate costs.
By obtaining contractor and subcontractor quotes you should be able to get a fairly accurate idea of your overall home remodeling budget costs, as well as the specific costs for each aspect of your home remodeling project.
Also, break up costs in terms of labor and materials whenever possible. This way you can have better visibility and control. For example, by breaking out material costs you may decide to use a different type of siding, carpeting, or flooring.
Likewise, if the labor costs are broken out you may see areas where you are being potentially price gouged, and can then look to higher alternative subcontractors.
Finally, during the home remodeling construction phase it is important to methodically monitor and maintain you're your home remodeling budget.
Knowing where you are at all times in your home remodeling budget costs is the best way for not only controlling costs, but also managing the project.


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The Fullerton Hotel Sydney set for October debut
The Fullerton Hotel Sydney is set to debut on October 18, 2019, in the heart of the city's CBD.
Currently operating as The Westin Sydney, the property will be a sister to The Fullerton Hotel Singapore, which shares a similar rich history as a former General Post Office (GPO) building.
The Fullerton Hotel Sydney is the brand's first international expansion outside of the Lion City and in the lead-up to the launch, remediation works on the façade of the historic landmark continues.
The first stage of cleaning commenced in April and is expected to be completed in time for the Hotel's official opening in October.
"We have earned our reputation as custodians of heritage through our transformation of The Fullerton Hotel Singapore. Similarly, in Sydney, we hope to advocate heritage preservation and shine the spotlight on the unique characteristics of the historic building, especially one as iconic as Sydney's former GPO. It is our desire to retain the soul of the building and share it with locals and global travellers," said Cavaliere Giovanni Viterale, General Manager of The Fullerton Heritage.
Guests at The Fullerton Hotel Sydney will experience a home away from home feeling, delivered with genuine service and utmost discreet luxury by the Fullerton team which espouses "hospitality from the heart."
"Genuine personalised service and hospitality from the heart is at the core of what we do. While we advocate the employment of new technologies, automation and digitisation, our view is that sincerity and compassion make us human, and that these are the elements that keep our guests returning," added Viterale.
As part of The Fullerton Hotels and Resorts' unique trait to showcase experience-based travel and local colour, Fullerton Experiences, a bespoke programme created for The Fullerton Hotels and Resorts, allows guests to discover a different side of the city they are in, through a range of guided activities, excursions and experiences.
Viterale said The Fullerton Hotel Sydney will offer bespoke experiences to guests keen to get up close and personal with Sydney's history, diversity, arts and culture.
"Each of our properties delivers an authentic and rich cultural experience, based on both its location, and its heritage. Our commitment to experience-based travel connects our guests with the distinctive characteristics of the cities in which we operate, through local arts, cultural and culinary adventures," he said.
"Starting from opening weekend, The Fullerton Hotel Sydney will offer complimentary heritage tours for hotel guests and the public," Viterale said. "We plan to share the building's fascinating history, which spans the hallowed hallways of the heritage building to the ornamental carvings on the façade.
"We want to tell the tales of early Sydney, where the building dominated the Sydney skyline, and bring the building's soul and historical significance to life," he said.
The Fullerton Hotels and Resorts' commitment to heritage, arts, culture and community is part of the brand's DNA. Beyond breathing new life into its buildings and the locations they inhabit, the Fullerton team wants to engage with locals through events.
In the mid-20th century, Sydneysiders dressed to the nines and came into town to meet under the GPO clock. The building was long known as an iconic rendezvous point. The Fullerton Hotel Sydney aims to recreate this upon its opening, with plans currently underway to host several community events at the Hotel, starting with launch celebrations in October.
The brand is also committed to implementing corporate social responsibility programmes and will implement an extension of Singapore's Fullerton Academy at The Fullerton Hotel Sydney.
"At The Fullerton Hotels Singapore, we have The Fullerton Academy, a staff volunteerism programme that provides hands-on mentoring and training for underprivileged teens," Viterale said. "The Fullerton team actively engage the youths to impart both hospitality and creative skillsets through regular workshops on culinary, service, pastry, videography and photography.
"Personally, I have conducted a course on dining etiquette too. We are looking to replicate that in Sydney, and are currently seeking a suitable partner, with details to be revealed after opening," he said.
Sharing stories of the people, food, culture and heritage behind each of the properties and locations is important to The Fullerton Hotels and Resorts, which positions itself as a storyteller keen on sharing stories of provenance, as well as creating new stories.
"In our ongoing efforts to share stories that matter, we have embarked on a "Fullerton Stories" project which is currently being researched and written by a team of historians. The project will chronicle memories and tales of the former Sydney GPO building's past through the personal recounts of former employees and members of the public," Viterale said.
Sustainability and green technology are integral to The Fullerton Hotels and Resorts' business and The Fullerton Hotel Sydney will be no exception. Committed to a raft of sustainable strategies which build upon existing environmentally friendly credentials, The Fullerton Hotels and Resorts signed a Plastic ACTion commitment (PACT) agreement with the World Wildlife Fund to reduce a significant amount of single-use plastic by 2020. This includes the elimination of plastic straws and plastic bags.
"Beyond delivering excellent service and customer satisfaction, we strive to be responsible stewards of the environment in the way we operate and serve. The Fullerton Hotels and Resorts is dedicated to reducing its environmental footprint and increasing sustainability initiatives across our hotel property portfolio by 2020. Through our efforts, we hope to send an important message about sustainability and join the global effort in creating a greener future," Viterale said.
Building a sustainable Fullerton does not just stop at reducing the use of plastic. The Fullerton Hotels and Resorts' in-room tablet is one of the many digital sustainable initiatives which reduces paper wastage. The e-Compendium tablet runs Tapendium, a technology solution that provides a digital concierge service. At the touch of a button, guests of The Fullerton Hotel Sydney will be able to place a dinner reservation; book a spa treatment; schedule a taxi or arrange a laundry pick-up service.
The Ritz-Carlton New York Central Park's fresh look


Actress Crystal Liu Yifei ( catch her in upcoming Once Upon a Time) brings a modern take on wuxia for her Cosmo photoshoot by Liu Zongyuan. Now i really want a modern wuxia film with this type of styling.
More below the cut and here.
This entry was posted in Mainland China, Photoshoot and tagged Crystal Liu Yifei, cyberpunk wuxia by idarklight. Bookmark the permalink.


When it comes designing and installing indoor & outdoor volleyball courts, Sport Court of Wisconsin is your go-to court builders. We install volleyball courts that provide safer surfaces and quick installation for both indoor & outdoor courts. Not only that, we have been the official court builder for USA Volleyball for over 20 years!
You want to know that you are getting the best volleyball court available. Sport Court has been the official supplier for the USA national teams since 1989 and the only surface used by the NCAA Volleyball Championships since 1993. You may also notice our courts at the Wisconsin State High School Championships each year!


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GIHE: Tracks Of 2021
by Get In Her Ears
It's safe to say 2021 has been a tough one… but if there's one positive to take away from this year, it's the immense amount of incredible new music that's been released! We wanted to shed some light on some of the tunes that got us through the hard times, accompanied the good times, and generally saw us through 2021.
To start our annual round-ups, we're sharing our 'Tracks Of 2021' ahead of features on our favourite albums and 'highlights' next week. There's been a HUGE amount of music released throughout the year, so we haven't held back with this list! Read about our whopping 43 favourite songs of the year and hit play on our mammoth, super eclectic playlist at the end of this post…
Little Simz – 'Speed'
Little Simz has done it again, this year's album Sometimes I Might Be Introvert (in my case it's always) is a total, immense masterpiece. 'Speed' is my favourite track on the album, in the same vein as previous faves 'Boss' and 'Offence', it's propelled by a gritty, driving energy and Simz's spot on lyricism, with a touch of orchestral grandeur. The perfect motivational anthem I've needed to get me through 2021.
(Mari Lane – Co-Founder)
Planningtorock – 'Gay Dreams Do Come True'
I was lucky enough to see Planningtorock this year at Scala. It really was so powerful to watch an artist, and a human, express themselves through music, and even more powerful when they opened up about their historic struggles – you can hear their joy and freedom in the music they make today. This track encompasses just that.
(Natasha Walker – Co-Founder)
Halsey – 'i am not a woman, i'm a god' (Gazelle Twin Remix)
One of my favourite artists, Gazelle Twin, remixed one of my favourite tracks of the year from Halsey – and I've had it on a loop since it was released. Gazelle Twin brings her trademark shadowy energy to this powerful remix and I can't get enough of it.
(Kate Crudgington – Co-Founder)
Denise Chaila – '061'
Another infectious offering from Irish artist Denise Chaila, '061' is propelled by a swirling, gritty drive, showcasing her immense, immersive rap, combining a tongue-in-cheek wit with poignant cultural references. I just love Chaila's empowering energy and the unashamed confidence of the lyrics: "History made, your children's children's children will learn about me…. I'm here to stay, if you hate it you should write to your local MP."
(ML)
Maria Uzor – 'Innocence'
There is no denying how much we love Maria Uzor on Get In Her Ears – first meeting Maria as part of post-punk dance duo Sink Ya Teeth. I was lucky enough to catch Maria at a last minute gig at The Windmill supporting Black Midi and OH WHAT A NIGHT! The energy that Maria brings to the stage is enough to get anyone's feet moving and shoulders shifting – this is one of my fave songs from her debut EP Innocence and Worldliness. So excited to see what 2022 has in store for Maria!
(TW)
Sans Soucis – 'I'm On'
An uplifting blend of lush vocals, warm synth textures and smooth beats, songwriter & producer Sans Soucis' single 'I'm On' is a genre-bending reflection on her own experiences of recovering from an extended period of depression, and the joy she experienced when she was able to reconnect with herself again.
(KC)
Self Esteem – 'I Do This All The Time'
It took me ages to realise that I loved this song. But that's hardly surprising, is it? 'I Do This All The Time' has pretty much reinvented pop. Rebecca Lucy Taylor, also known as Self Esteem, broke every rule to create the most uplifting, empowering song of the year, maybe even the decade. Like a dance-floor pep talk from someone you really care about, the powerful lyrics explore self-love, self-loathing, and that tricky space in-between. I love how Taylor's rich northern vocals speak so directly to the listener, and the way the verses unexpectedly build to a big, punchy pop chorus, like magic. 'I Do This All The Time' is an important song that shows the limitless possibilities of an artist at the height of their creative powers.
(Vic Conway – Contributor)
CIRCE – 'Mess With Your Head'
A glistening dark-pop tune that ruminates on the rush of emotions that come when you surrender yourself to love, I adore this track by London-based artist Circe. Co-produced by Emre Turkmen (formerly Years & Years), 'Mess With Your Head' is a dazzling blend of sultry vocals, Kate Bush inspired beats and jagged electronics, flowing in the same cinematic vein as Circe's previous creations. I love everything she creates and I can't wait to hear more from her in 2022.
HAVVK – 'Halfway Out'
Taken from Irish band HAVVK's epic latest album Levelling, stirring single 'Halfway Out' oozes an ethereal splendour as the haunting, celestial power of Julie's vocals immerses the listener instantly. The whole album intertwines this captivating, twinkling majesty with a grunge-tinged grit throughout, and I've been listening to it on repeat this year. I had the pleasure of chatting to front person Julie about the album back in October – have a read of the interview here.
Pixie Cut Rhythm Orchestra – 'Empty Envelope'
Recommended to me by Fears, Dublin trio Pixie Cut Rhythm Orchestra stole my heart this year. This track 'Empty Envelope' is a disarming, brooding lament to the cyclical nature of bad decisions. Vocalist Sarah Deegan delivers cutting lines with a raw and rare type of grace, her lyric "I'm not that sweet" swirls around my skull all the time.
Meggie Brown – 'Dusty Smells'
Taken from their recent EP HOME, 'Dusty Smells' was my introduction to London based artist Meggie Brown, and I became a fan instantly. A nostalgia-inducing anthem for anyone struggling with their identity, I love the deadpan-yet-poetic reflections of this track and its scuzzy, lilting musicality. Of 'Dusty Smells, Meggie Brown – who has recently come out as transgender – explains: "Coming to terms with one's gender identity has been both beautiful and challenging during this lockdown. When I wrote and recorded 'Dusty Smells' I wanted it to match through sound how non-binary those emotions and realisations were."
Trouble Wanted – 'Lonely Cowgirl'
'Lonely Cowgirl' comes from a band I had the total pleasure of seeing live at my first gig of 2021. I rocked up to The Shacklewell Arms and was delivered with this sexy, queer, western delight by Trouble Wanted, who are just brilliant live. The video directed by Lydia Garnett (who is also in the band) is such a delight. To set the scene for you all now, "IN A FANTASY ROADSIDE BAR A LONELY COWGIRL AND A DYKE TRUCKER SHARE MORE THAN JUST LUSTY LOOKS." What a night.
VERO – 'Beg!'
A seething guitar anthem fuelled by the anger that's left behind by a flawed relationship, 'Beg!' is the debut single from Stockholm-based trio VERO. Released via PNKSLM and one half of an upcoming 7″ single that's set for release on 14th January, the track is saturated with brooding bass lines, swirling riffs and stinging vocals. I LOVE it and can't wait to hear more from the trio next year.
Bad Waitress – 'Strawberry Milkshake'
Taken from the Toronto based band's debut album No Taste, 'Strawberry Milkshake' blasts into the ears with pulsating hooks and thrashing beats, as Kali-Ann Butala's seething vocals soar with a riotous power. I have been obsessed with the album over the last few months, and I cannot wait to hear more from this exciting new band.
M(h)aol – 'Asking For It'
A vital, lurching anthem that provided a moment for rage and reflection during an overwhelming International Women's Month back in March, M(h)aol's 'Asking For It' is a damning aural statement that makes listeners think twice before pointing the finger at victims of gender-based violence, instead of directly at their perpetrators.
Grandmas House – 'Always Happy'
A thumping post-punk anthem, 'Always Happy' by Bristol trio Grandmas House was a solid GIHE favourite this year. Released via Brace Yourself Records, the track is a raucous juxtaposition of the confident image we project externally to others, when internally we often feel the complete opposite.
LibraLibra – 'Candy Mountain'
This year's single from total heroes LibraLibra, 'Candy Mountain' showcases their knack for creating immense, swirling soundscapes, propelled by the magnificent, angst-driven power and gritty splendour of front woman Beth Cannon's impassioned vocals. Another wonderfully genre-defying cacophony from the band. Kate and I were lucky enough to catch LibraLibra live at their single launch in November – they really are one of the most exciting bands to see; fizzing with a captivating charisma and riotous energy.
Wet Leg – 'Chaise Longue'
Like everyone else with ears, I am OBSESSED with Isle of Wight duo Wet Leg. We caught them at their debut London show at Omeara earlier this year, and it was a joy to listen to their infectious indie anthems. They also walked on stage to 'Concerning Hobbits' from The Lord Of The Rings soundtrack, which is an iconic move in itself.
ARXX – 'Deep'
Brighton duo Hanni and Clara – aka ARXX – have been long-term faves of us at GIHE, ever since first blowing us away with their debut EP Daughters Of Daughters back in 2018, and have put on epic live shows for us on numerous occasions. This March, they blasted back into our ears with 'Deep' and it still packs a punch on each listen. An empowering ode to leaving behind all your anxieties and getting what you want, it instantly hits you with its raw, anthemic rush and gritty, sensual prowess. Consistently honing their sound with each offering, impossible to pigeonhole into one genre, ARXX continue to impress us with everything they do and remain one of the most exciting bands I've ever come across.
Fräulein – 'Belly'
London-based duo Joni Samuels and Karsten van der Tol – aka Fräulein – are fast becoming the band I'm most excited about. Building with a visceral power to a brooding, immersive cacophony, 'Belly' will take you on a fierce sonic journey; an evocative soundscape showcasing this innovative duo's consistent ability to develop their exquisite musical prowess with each new release. And we're crossing all our fingers and toes that we're able to kick off 2022 with Fräulein playing for us on 21st January at The Victoria, along with Breakup Haircut and Naz & Ella – tickets on DICE now!
BISHI, Darren Chetty – 'Good Immigrant'
Multi-instrumentalist and GIHE fave BISHI released her third album Let My Country Awake earlier this year, which this track is taken from. The record explores dual identities and urges listeners to lean into compassion and empathy in a chaotic and disconnected world. BISHI is so supportive of the underground music scene and women in the arts and it was a joy to have her as a guest on our Soho Radio show earlier this year.
Wendy Rae Fowler – 'This Is Not A Love Song'
Taken from her Wendy Rae Fowler's recently re-released and re-mastered album Warped: Resurrection, 'This Is Not A Love Song' offers a truly bewitching soundscape. Oozing a dark, psychedelic allure, it's propelled by a gritty energy as Wendy's soaring, bewitching vocals flow against whirring psychedelic hooks and tribal beats, creating a captivating escape from reality.
Brimheim – 'poison fizzing on a tongue'
Mari played this track from Danish artist Brimheim on one of our Soho Radio shows earlier this year and I have been OBSESSED with her music ever since. I cannot wait to hear her new album, the magnificently titled Can't Hate Myself Into a Different Shape, when it's released in January next year.
Momma – 'Medicine'
A melodic reflection on the intoxicating power of new romance, this single from New York City four-piece Momma is so, so, SO good! Released via Polyvinyl Record Co. & Lucky Number, the track is an aural headrush centred around the passionate emotions that come with an all-consuming crush, full of hazy vocals and infectious guitar riffs.
Bleach Lab – 'Real Thing'
This Bleach Lab track melts me every time I listen to it. I had a lovely chat with Jenna & Frank about this and their EP, A Calm Sense Of Surrounding, which also makes me a big ball of feelings too. Read here.
Beckie Margaret – 'FF'
Beckie Margaret's 'FF' was Inspired by the Bob Marley quote "I don't have that type of richness. My richness is life, forever." Released via Cool Thing Records, her voice dissolves me every time I hear it, and this lush, atmospheric offering is no exception.
Okay Kaya – 'If I can Help Somebody'
Okay Kaya was the last person I saw before lockdown 2020 at SET in Dalston, so I was over the moon when I saw she had released some new music. 'If I can Help Somebody' is the lead single from her mixtape The Incompatible Okay Kaya (out now on Jagjaguwar). This cover strips back the song we normally hear performed with a gospel choir, and if you listen really closely, you can almost hear the emotion about to break in her voice. What a voice; what gentleness.
Elodie Gervaise – 'Free Babe'
Here is one of my fave discoveries of 2021: mixed beats, intricate synths and electronics… I think when I first played this song I described it as some kind of audible light show. From French-Australian artist, Elodie Gervaise, whose new EP, Syzygy (undoubtedly my word sound of the year), is great – so go listen if you haven't heard it yet!
KIN – 'The Runaways'
Consisting of Grace, Adam and Ritu, GIHE faves KIN have previously played live for us and continue to charm our ears with their glistening alt-pop. Reflecting on the mixed feelings of leaving a settled life and starting afresh somewhere new, 'The Runaways' showcases the distinctive celestial allure of Grace's vocals alongside chiming hooks and a shimmering energy. 'The Runaways' is accompanied by a really beautiful self-directed video which you can watch here.
Duval Timothy ft. Lil Silva & Melanie Faye – 'Fall Again'
I am totally obsessed and in love with this song. Rhythmic piano to start, before it slowly layers and builds, with hazy gentle vocals sweeping over the top such a dreamy sonic soundscape that feels so good in my ears.
Mai – 'Control'
An evocative electronic gem that urges listeners to surrender to the inevitability of change, I love Essex-based musician & vocalist Mai's debut single 'Control'. Released via Cool Thing Records, the track is a collaboration between Mai aka Rosie Gulliver of Petty Phase, and songwriter and producer Liam Watkins from A Cause In Distress.
O Hell – 'Down'
After years spent touring and recording music in alternative bands around the UK, Lucy Sheehan ventured into fresh sonic territory under new moniker O Hell earlier this year. Influenced by a love of eclectic, brooding soundscapes and aspirations for pure self-autonomy, their debut single 'Down' is an "exercise in refusing compromise" brimming with Sheehan's distinctive vocals and jagged electronics.
Tirzah – Tectonic
No surprises that Tirzah made it onto my 2021 list. Anyone who has asked what I've been listening to over the last couple of years, will have consistently had one answer – TIRZAH. Her album Colourgrade came out this autumn and I got to see her not once by twice – totally mesmerising. This song 'Tectonic' is one of my faves; totally hypnotic, discordant drones, rough vocals and mixed together with that intensity we all know and love from Tirzah. And don't even get me started on the lyrics.
Alex Loveless – 'Phone Keys Wallet'
I had this lo-fi, sultry single on repeat when Hackney-based musician Alex Loveless shared it earlier this year. Recorded, mixed and produced entirely by Loveless, the track is lifted from their debut EP of the same name.
F.R.U.I.T.Y – 'U.P.S'
Taken from their eponymous debut EP which was released in August this year, 'U.P.S. from Belfast-based queer artist Dan O'Rawe – aka F.R.U.I.T.Y – is propelled by off-kilter glitchy beats and offers a wonderfully quirky, futuristic soundscape whilst reflecting on themes of identity in O'Rawe's trademark deadpan Northern Irish drawl. A perfect soundtrack to woozy summer evenings, which I'm missing a lot right now…
FLOSSING – 'SWITCH'
FLOSSING is the new project from Heather Elle, formerly of Bodega and The Wants. I love her candid, moody sound on 'SWITCH', which explores her own sexuality and "the deviant nature of men." If you like what you hear, you should check out her EP, Queen Of The Mall, too.
Evil House Party – 'Head Held High'
I love this captivating synth-pop tune from Copenhagen-based duo Evil House Party. Taken from their debut EP Grand Theft Audio, the track is a heady reflection on personal uncertainty, lamenting the struggle of trying to survive in the real world whilst also trying to fulfil your dreams.
DROWND – 'Sinner' (KANGA Remix)
I'm a big fan of KANGA's industrial, pop-tinged sounds and I am obsessed with her remix of DROWND's track 'Sinner'. Full disclosure – DROWND is the new project of my older brother Joe – and I am thrilled that KANGA has remixed this track for him, as he is also a big fan of her work. You can check out the slick visuals for the original DROWND track here.
SPIDER – 'Water Sign'
A slow-burning, dark-pop tune that ripples with sultry power, I'm a big fan of this single from Irish-born, London-based musician and producer SPIDER. Filled with atmospheric synth textures and heady beats, 'Water Sign' is inspired by the Goddess Olokun of the Nigerian bini tribe, who presides over the darkest depths of the ocean.
John Glacier – 'Icing'
This song comes in at just under two minutes and leaves me gaggin, gasping for more… It is by elusive East London vocalist John Glacier, taken from her 12-track project SHILOH: Lost For Words, released earlier this year. Be sure to pay attention because this track is over almost as soon as it starts.
Flowerkid – 'I Met The Devil At 4 Years Old'
This song comes from Sydney-based Flowerkid, and is taken from his much-anticipated debut EP, Everyone Has A Breaking Point. The EP covers many personal issues and topics, from gender dysphoria, to mental health a misogyny – seeking true self-expression beyond ever-restricting heteronormative constraints. Cannot argue with that. It's also a tune.
Fears – 'fabric'
Irish musician Fears was fearless in her musical efforts this year, releasing her debut album Oiche via her own label TULLE Collective, drumming & touring with M(h)aol and still finding time to chat to us on our radio show. I love the cyclical, buoyant synth loops on this track 'Fabric', which mirror intrusive or recurring thought patterns, whilst her lyrics capture the mental push-and-pull of processing, accepting and learning to let things go.
Shamir – 'Cisgender'
I've been a fan of Shamir for years and really admire how they're constantly developing their sound and not shying away from being their true self. And this year's 'Cisgender' is a beautiful and moving reflection on their non binary identity. I don't think anything I say about this track will do Shamir justice, so I'll leave you with the lyrics: "I'm not cisgender / I'm not binary trans / I don't wanna be a girl / I don't wanna be a man / I'm just existing on this god forsaken land." Solidarity and love to you Shamir, always.
Massive thanks to all the artists and bands creating wonderful tunes this year! Keep an eye out for our Albums Of The Year, 2021 Highlights and Ones To Watch for next year, and listen to our Tracks Of 2021 playlist now:
Posted in FeaturesTagged end of year feature, new music, tracks of 2021, tracks of the year, women in music
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Michelle Jurkovich
Media & Public Engagement
My research is motivated by a desire to be both policy-relevant and theoretically driven. My work draws on my interests in the politics of hunger and food security, economic and social rights, and ethics.
My book Feeding the Hungry: Advocacy and Blame in the Global Fight Against Hunger (Cornell University Press, 2020) focuses on international anti-hunger advocacy and the challenges activists face when constructing campaigns around complex and chronic problems like hunger. You can access a free "sampler" of the introduction chapter, provided by the publisher, by clicking the link at the bottom of this page. Who is to blame for chronic hunger? What causes the problem? How can it best be solved? Relying on in-depth interviews as well as surveys with senior and executive staff at top international anti-hunger organizations (including Oxfam, ActionAid, CARE, Save the Children, Amnesty International, FIAN, among others), I document the diverse targets and proposed solutions of contemporary anti-hunger advocacy. Arguing that dominant models in the literature are unable to explain the fragmented activism around the human right to food, I provide an alternative model of transnational activism which I call the "buckshot model," and examine the causes and consequences of the diffusion of blame on activist efforts in this important issue area.
How is it possible that international anti-hunger campaigns behave so differently from campaigns already documented in the literature? Central to explaining activist behavior in this issue space is understanding the normative environment in which activists are working. Although scholars often assume that all human rights codified in law have been translated into norms, I argue that there is no norm around the right to food and examine implications for advocacy efforts when no norm is present. The hunger case encourages scholars to consider more carefully the difference between shared moral principles (i.e. "people ought not be hungry") and norms (i.e. "good governments ought to ensure their people have enough food to eat"). This book offers readers an expanded conceptual toolkit to understand the social and moral forces at play in human rights advocacy.
I am currently working on several additional projects, including a new project on ethics and ration composition in food assistance, which examines how authorities decide what constitutes a "good enough" ration for different communities in need and how the language of science and nutrition, social understandings of the "appropriate" diet, and the role of stereotyping and racism has affected and continues to affect important decision-making on what constitutes an "appropriate" ration for a given community. Research on contemporary rations began during 2017-2018 when I worked full-time with the Office of Food for Peace as an American Association for the Advancement of Science fellow. Historical work began in the summer of 2019 at the U.S. National Archives and has continued during my fellowship with the Library of Congress in 2021.
I am also working on a new book project (Aspiration in World Politics, under advance contract with Cornell University Press) with Martha Finnemore (GWU) on the role of aspiration in climate politics and the Sustainable Development Goals, which builds off of our article recently published in International Studies Quarterly). This paper recently was awarded a 2021 Best Paper award for the International Theory section of the International Studies Association (ISQ has graciously agreed to ungate the article for 30 days as a result: click the file below for free access). Additionally, together with co-authors Dina Bishara (Cornell) and Chantal Berman (Georgetown), I am working on a paper on social understandings of state obligation for the economic and social rights to food and health care in Tunisia, based off of a nationally representative survey we conducted in Tunisia in 2017. I have conducted archival work on the construction of hunger as a global problem at the UN FAO archives in Rome, the UK National Archives and the US National Archives. Continuing my interest in ethics and social theory, I have a new article ("What isn't a norm?") in International Studies Review examining the difference between norms, moral principles, supererogatory standards, and law and how conceptual slippage between these concepts can hinder our ability to make sense of economic and social rights in IR. An earlier version of this paper was awarded the Best Faculty Paper Award 2018 for the International Law section of the International Studies Association.
During the 2017-2018 year I worked full time in the Office of Food for Peace (FFP) at USAID as a gender and youth fellow on the food security technical team. In this capacity, I assisted with food security technical team visits to the Democratic Republic of the Congo, Zimbabwe, Malawi, South Africa, and Djibouti among other visits. As a AAAS fellow, I worked to bridge the gap between academic and policy work by contributing to USAID projects including conducting focus groups with refugee populations and food aid recipients during the fellowship year. In the course of the fellowship I was also a member of the Protection from Sexual Exploitation and Abuse (PSEA) working group in the Administrator's Action Alliance for Preventing Sexual Misconduct (AAPSM) which was tasked with improving USAID's policies to prevent the sexual exploitation and abuse of aid recipients by humanitarian aid workers and contractors.
Please see my C.V. for additional information on grants, fellowships, and public engagement as they relate to my research.
Introduction Chapter (Feeding the Hungry)
ISQ Politics of Aspiration (ungated for 30 days).pdf


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Latest News / Feature
Winners and Losers - Australia
Mercedes Force India McLaren Lotus Australia Williams Red Bull Ferrari Toro Rosso Sauber Marussia
Lewis Hamilton scored a classy triumph in the 2015 season-opener, but he and Mercedes weren't the only team celebrating on Sunday night. Sauber put a tumultuous few days behind them in style, Ferrari made a welcome return to the podium - while McLaren were two laps down, but did at least see the chequered flag. We take a team-by-team look at the highs and lows of Sunday's action at Melbourne Park...
Lewis Hamilton, P1
Nico Rosberg, P2
While a 1-2 finish looked easy for Mercedes, it wasn't for the drivers as they played a cat and mouse game of fuel and tyre conservation in between fastest lap-setting spurts. As they circulated way ahead of their opposition, Hamilton judged things finely and was always in control of the race, but knew that the slightest slip would hand the result to Rosberg.
Sebastian Vettel, P3
Kimi Raikkonen, Retired lap 41, loose rear wheel
Vettel was delighted to finish third after passing Massa during the pit stops, especially after inadvertently pushing team mate Raikkonen wide in the first corner. The Finn lost ground in that incident, was delayed further during his first pit stop, and then retired at his second when the same left rear wheel proved problematic. It was improperly fastened, but the team were unaware of the issue and he managed to pull off the road before it parted company with the SF15-T. For that reason the stewards did not impose any penalty for unsafe release.
A welcome return to the podium for Ferrari then - but it is worth pointing out that Vettel was 34.5s behind Hamilton, pretty much the same distance that Alonso was behind Rosberg last year.
Felipe Nasr, P5
Marcus Ericsson, P8
What a difference a few days made! Beleaguered by the driver situation until Friday night, Sauber enjoyed a superb race. Nasr put in an excellent performance to take fifth place after a fight with Raikkonen, Sainz and Ricciardo, thus becoming the best Brazilian debutant in F1 history. Ericsson added to the shine with eighth, instantly helping to sweep away memories of last year's failure to score a single point.
Felipe Massa, P4
Valtteri Bottas, Did not start, back injury
Williams went one man down when Bottas was instructed not to race after tearing an annular disc in his lower back during Q2. Initially Massa held third comfortably from Vettel, but then he lost ground in the pit stop and fell behind the Ferrari. He said later that the red car was simply faster, and that he couldn't mount a sustained challenge to regain his lost podium position.
Daniel Ricciardo, P6
Daniil Kvyat, Did not start, transmission
This was not Red Bull's most auspicious race. Kvyat didn't get to the grid thanks to transmission failure, while Ricciardo struggled throughout with inconsistency and poor driveability, saying later that he thought Red Bull had slipped two seconds off the pace.
Nico Hulkenberg, P7
Sergio Perez, P10
Despite lacking pace, Force India picked up seven valuable points in Australia. Hulkenberg put in one of his trademark smooth runs to capture an impressive seventh, while Perez got delayed in a clash with Button and by a long pit stop, but recovered to grab the final point.
Carlos Sainz Jr, P9
Max Verstappen, Retired lap 33, fire
Toro Rosso got short-changed. Sainz was running comfortably in the top seven until the left rear wheel stuck during his pit stop, dropping him to 13th. He fought back well to eighth, but could not resist Ericsson, who was on fresher soft tyres, in the closing stages. Nevertheless, ninth on his debut was impressive. Verstappen, who at 17 became F1's youngest-ever starter, also impressed with a controlled early run on mediums which promised a charge on softs in the final stint. Sadly, smoke in the cockpit obliged him to retire.
Jenson Button, P11
Kevin Magnussen, Did not start, power unit
McLaren's race hadn't even begun before Magnussen had retired on his way to the grid with engine failure - grim viewing for the watching Honda presidents. But Button somehow kept running in a car that had hitherto never managed more than 12 consecutive laps. He was uncompetitive and two laps down on the winning Mercedes, but it was a major step forward for the beleaguered team and the mileage provided key data on which the McLaren-Honda alliance can build.
Romain Grosjean, Retired lap 1, power loss
Pastor Maldonado, Retired lap 1, accident
After the promise of both cars getting into Q3 on Saturday, Lotus's race could not have been worse. Maldonado was the innocent victim in the first corner melee between Raikkonen, Sainz and Nasr, and was out immediately. Grosjean at least made it back to the pit lane, but he too retired on the opening lap with power loss.
Will Stevens, did not start
Roberto Merhi, did not start
Marussia's 11th-hour rescue meant it was always going to be an uphill battle to be ready for Australia. They deserve credit for getting their cars to the garage at Melbourne, but that was as far as they got as both Stevens and Merhi spent the weekend on the sidelines due to software issues.


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The Destruction of the Native Gaelic Education System
One of my young students in Molloy College's Irish Studies Institute (we have all ages learning Irish) asked another excellent question after our last class. Paraphrasing, she asked why the learned institution of filidheacht (prophet-poetry) as taught in scoileanna na filidheachta (the schools of prophet-poetry, often called 'bardic schools' in English) ceased to exist given that it was so important in Irish society. I've thought about it since and can come at the answer this way.
But first, no one who was alive then is alive now. No one who is alive now is responsible for what happened then. In other words, what I write below is not meant as incitement. It's just history.
Think of the highest levels of knowledge we have today in whatever field – science, math, literature, law, history, philosophy, theology, etc. Think of the number of years it takes for an individual to attain mastery of those subjects. Think of how much support that takes in terms of resources – teachers, schools, libraries, administrative staff, etc. Think of how much money it takes to pay for all that whether that money comes from the individual student, his or her parents, private donors, corporate donors, private foundations, government agencies, etc.
In 1691, Ireland lost Cogadh an Dá Rí / The War of the Two Kings. The Penal Laws were imposed in 1692. All government support at every level was withdrawn from the educational system. The government at all levels was taken over by foreigners who wouldn't support the native Irish educational system or who wanted to destroy it. The government confiscated all the good land which could be used to create wealth. This took time but the government stayed at it for about a century until the native population owned only about 5-10% of the land, and the worst pieces at that. The government forbade the native population from government office (so they couldn't make money that way), from owning any land (so they couldn't make money that way), from entering into any contracts (so they couldn't make money that way), that included entering into any leases (so they couldn't make money that way), from owning decent horses (so they couldn't make money that way), etc.
In so doing, the government wiped out the means by which the native population could grow or pay for its own food, let alone an education system. Mass starvation was frequent. There were several so-called 'famines' in Ireland in the 18th century as bad as the one of the 1840s.
So, there was no need to outlaw education. But the government did that anyway. School was forbidden. The leading scholars and artists and musicians of all kinds were reduced to clawing all day for potatoes grown in ditches and bogs in order to try to find enough to feed themselves and their families.
And just to make sure, the native population's intelligencia were hunted down and executed by law in the 16th century, and routinely ground down, stripped of possessions, and terrorized in the 17th century. Dubhaltach Mac Fhirbhisigh, author of Ireland's greatest surviving genealogical work, was murdered with impunity. Everyone knew who did it. Nobody was brought to trial.
So, that's how Ireland's extensive secular educational system was destroyed. And with it, the learned institution and literature of prophet-poetry. A gap, a lost treasure, a cultural genocide, which reminds of the continuing need to support education for the arts and humanities.
Go raibh mile maith agat as do cheist, a Bhernadette! / Many thanks for your question, Bernadette!


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New York Yankees / Top Story
The Importance Of Being Didi
by Gary Armida February 9, 2018 February 9, 2018
FanGraphs Steamer says that Gregorius will hit about .248/.310/.366 with 12 doubles, six homers, and an 88 wRC+ in 146 games. That would be just fine for his first year in pinstripes. – Pinstripe Alley, Dec. 2014.
Talking about exceeding expectations.
With just days before pitchers and catchers report to Spring Training, Didi Gregorius is about to begin his fourth season as the New York Yankees shortstop. Pending any last minute moves, the soon to be 28 year old will be the senior member of the Yankees' infield. Even if a veteran is brought in to fill either second base or third base, Gregorius will be the most tenured infielder on the roster. While that speaks to how young and flexible Brian Cashman has built the Yankees, it also speaks to the importance of Gregorius as he must provide stability on an everyday basis.
Based on his track record and personality, the shortstop position is in good hands for 2018. In past years, it would be a foregone conclusion that Gregorius would be the Yankees' shortstop for the foreseeable future. But, Major League Baseball has changed. If Gregorius wants to remain in New York, he will have to do the same.
As important as the left-handed hitting shortstop is to the Yankees, his 2018 performance may have more meaning for him. With one more year of arbitration eligibility, Gregorius enters the season quite possibly playing for his Yankees' future. That seems a bit far-fetched, but given the potential free agent market and the depth of the Yankees' system, it is not unreasonable to see the Yankees parting ways with Gregorius in 2019 or allowing him to leave via free agency in 2020.
The significance of pending free agent Manny Machado moving to shortstop in 2018 should not be lost. Machado, entering his age 25 season, will be the premier free agent on the market next winter. Much can change in a year; the Orioles could make a surprise move and sign their best player to a long-term deal (unlikely) or Machado could struggle at shortstop and have more value as a third baseman. But, given the inherent match between Machado and the Yankees, there is more than a possibility of Manny Machado playing on the left side of the Yankees infield in 2019.
There is also the possibility that Gregorius gets usurped by Gleyber Torres, generally ranked as the Yankees best prospect. Torres, in competition for the second base or third base job heading into Spring Training, is a shortstop by trade. If he proves that he can handle Major League pitching during 2018, there is a chance that he takes the shortstop job in 2019, given Gregorius' rising arbitration cost and the low cost of having the younger Torres play that position. With the Yankees' desire to stay under the luxury tax threshold, they could save $10 million with that type of decision. Where Machado and/or Torres could play might depend on Gregorius' growth during his age 28 season.
Didi Gregorius has improved each day since he arrived to the Yankees' organization in the December 2014 three-team trade involving the Tigers and Diamondbacks. With the unenviable task of replacing Derek Jeter as the Yankees shortstop, Gregorius plowed through a rough start. The raw 25-year-old had never held an everyday job during his tenure in Arizona, playing in 183 games over the course of two seasons at multiple positions. Given his lack of playing experience and still underdeveloped approach at the plate, a slow start was to be expected.
Unfortunately, for him, that slow start happened.
Given his recent success, it is easy to forget the outcry from fans and mainstream media for the Yankees to move on from the young shortstop during the early part of the 2015 season. When he limped out to a .206/.261/.238 April, the calls were loud. When he only modestly improved in May with a .232/.300/.341 line, the calls grew louder. Reminiscent of Tino Martinez hearing Don Mattingly chants during his first couple of months, Gregorius received little fan and media support. Early defensive struggles led to even more questions about whether or not Gregorius could handle the job.
Three years later, all of that seems a bit ridiculous. He would finish 2015 with a strong second half, batting .294/.345/.417 over his last 74 games along with 12 doubles, 2 triples, and 5 home runs. That second half performance would carry over to 2016 as he would pair with Starlin Castro to provide one of the most stable and reliable keystone combinations in Major League Baseball. Gregorius would appear in 153 games and hit .276/.304/.447 with 32 doubles, 2 triples, 20 home runs, and 70 RBI. It would be the best offensive output from a Yankees' shortstop since Jeter's 2012 season. But, there was a negative to Gregorius' breakout 2016 season. Defensively, he posted a minus-9 defensive runs saved mark, ranking him 21st among the 24 qualified shortstops.
Despite the defensive lapse, Gregorius entered the 2017 season with high expectations. In a period of two seasons, he overcame the Jeter comparisons and forged his own identity as an everyday player in the Major Leagues. 2017 didn't start as hoped as Gregorius injured his shoulder during the World Baseball Classic, causing him to miss the first month of the season.
But, when he returned, he immediately became one of the Yankees' most consistent players. In 136 games–42 out of the cleanup spot–Gregorius posted career bests in home runs (25), RBI (87), batting average (.287), and slugging percentage (.478). Even more importantly, he bounced back from that poor defensive season in 2016 to post a +1 DRS, ranking 11th among qualified shortstops.
There is no doubt that Gregorius is improving at the plate, despite such an aggressive approach. Last season, he swung at 58.2 percent of all pitches he saw. In comparison, the league average is 46.5 percent. That elevated swing rate is a product of swinging at pitches outside of the zone at a 40.8% (league average: 29.8%) and swinging at pitches that are strikes at an 81.7% rate (league average 66.7%).
That level of aggressiveness works because he does have an above average ability to make contact, posting an 80 percent contact rate, compared to a 76 percent league average. While such an aggressive approach could lead to prolonged slumps or putting too many bad pitches in play with poor contact, thus far it has not hurt Gregorius. His career .288 BABIP is just below the league average of .300, meaning his batting average isn't a product of luck. And, he hasn't had wild fluctuations with the type of contact he's made. Obviously, this approach leads to extremely low walk rates, but his contact skill has helped him avoid high strikeout rates, posting just a 12.3 percent strikeout rate in 2017, compared to the league average of 21 percent.
Along with his aggressive approach, Gregorius has seen an incremental decrease of his strikeout rate, which, as already stated, is quite low. He's also become more of a pull hitter, pulling the ball at a 40.3 percent rate last season, up from 38% and 37% from the previous two seasons. He has also made an effort to hit the ball in the air as evidenced by his rising flyball rate, which has increased every year in pinstripes from his 2015 mark of 34 percent to his 2017 mark of 43.8 percent.
But, that doesn't mean his approach comes without risk. An overly aggressive hitter is prone to prolonged slumps and extremes in production. His on base percentage will always be tied to his batting average. If there is ever an extreme uptick in poor contact or he begins to make contact with too many bad pitches, there is no elite skill to really to fall back on. While the developing power from the shortstop position is positive, it is not an elite skill. He is a good power hitter for a shortstop, but he will never be mistaken for an elite power hitter. The Yankees don't necessarily need Gregorius to be a power hitter given their lineup. They need him to be a quality left handed hitter in a lineup that predominately is right handed power. He filled that role last year, but there will need to be a bit more refinement in his approach as he ages. Aging players don't gain bat speed. Aging players continue to produce because they refine their approach. This isn't an issue for 2018, but Gregorius will have to give some sort of hint that he is capable of that evolution.
This winter's hot stove has proven one thing. The League's top executives are not handing out long term, big money deals to players who are past their prime or have little ceiling left. The game is no longer paying players for what they have done. A few years ago, a 30 year old shortstop coming off of five solid years of production would garner a big money deal in free agency. But, that is no longer the case. But, Gregorius will be that 30 year in just two winters from now.
Right now, Didi Gregorius is a good player in the right lineup at the right time. He has above average contact skills and has developed some power. He handles himself well and has worked hard to establish himself as a consistent, reliable regular over the past three seasons. 2018 looks to be the ideal year in the ideal lineup for the 28 year old.
But, he is not an elite defender. He is not an elite home run hitter, nor does he get on base at an above average rate. His three seasons as a Yankees' regular have been great. His fourth one will likely be great as well, again, considering the lineup he is in. That won't be enough to guarantee that he will be back in 2019. That won't guarantee him a long term deal in 2020 from the Yankees or anybody else.
For the Yankees, there is a superstar who is three years younger who may be available next winter as a free agent. And, there is an elite prospect already on the team who may prove more well rounded for far less of a cost. It may sound cold, but the business of baseball is often cold. Either option is will likely replace Gregorius in 2019.
That is, of course, unless Gregorius does what he has done since he's come to New York—adapt, evolve, develop, and survive. That seems unlikely, but it also seemed unlikely back in 2015 to envision that Gregorius would be the most tenured, most important member of the Yankees' infield in 2018. He proved everyone wrong in 2015. Maybe, he can do that again. If he does, the 2018 Yankees will be better for it. And, Didi Gregorius' future will be much more secure, whether in New York or elsewhere.
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Kishor is the impression of our social and cultural activities. Kishor's all Diwali issues are special to me from last 26 years. It helps to build interest of reading in teenagers. My daughter also enjoys reading 'Kishor' as well. Keep it up Kishore team and All the best!


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Will it have an airfield of its own? And what aircraft will make use of it? Not just the transport aircraft to fly personnel and cargo to and from China, South Sudan, Mali or wherever but I would think also things like KJ-200 or -500 in support of the anti-piracy mission and the deployments in Africa. UAV's?
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The Japanese base/airfield has P-3's so if the Chinese have an airfield i imagine their new GX-6 would be great to have over there. A good maritime patrol aircraft.
taxiya, GreenestGDP, perfume and 4 others like this.
Construction starts at the end of the year.
newguy02, mr.bean and Blackstone like this.
Things moving quickly in Djibouti, I wonder how many countries tried to stop it behind the scene. Can't see India being happy about it.
Probably more interesting to know how many countries made overtures to play host to a Chinese base before Djibouti was selected.
TBH, I think its a buyers market out there are present. China doesn't need many overseas bases at present, whereas plenty of countries could use the investment and economic boost a massive military base will bring to the local and national economy.
The initial development and construction work will almost certainly be worth billions. The annual rent for the base will also be a significant amount of direct income for the government. With its thousands of troops/support personnel/families living on the base, they will represent a very large market for local goods and services.
A large foreign military base could effectively support much of the local economy of the area it is built, and provide a massive direct and long term economic boost to the host nation as a whole.
That is a vast amount of incentives for small to medium countries/economies, and unlikely to be matched by anyone else looking to play spoiler.
Even if someone was rich and stupid enough to offer to outbid the Chinese to pay nations not to host a PLA base, they will have to effectively pay off all potential host nations, whereas China just needs one to say yes and all the other spending would have been wasted.
For a country like Djibouti, they also enjoy the advantage that those looking to play spoiler cannot really strong-arm Djibouti.
Most of the nations likely to want to play spoiler already have bases themselves in Djibouti, so the local government got cards it can play if anyone was looking to play hardball.
As for India, well they care an unhealthy amount about what China does, even trying to stick its nose into the SCS.
However, their reach does not come close to matching their ambitions. I doubt what India feels even came up as a factor when Djibouti was making its decision. And TBH, India should be breathing a massive sigh of relief Djibouti was chosen, as opposed to some of the other mooted locations.
Djibouti was chosen because unlike India, China cares very little about India. Its base is about safeguarding its interests in the Middle East and Africa, not about needling India.
India would do well to start showing some reciprocity and adjust its needlessly confrontational attitude towards China before they elevate themselves from mere naucience into something the Chinese government feels like it has to do something about.
cn_habs, taxiya, delft and 2 others like this.
I seriously believe Seychelles will some day in the not so remote future become another one as it is in the middle of the sea lane to east and south east African countries including Kenya (new partner), Tanzania (traditional ally) and South Africa (BRICS partner).
UCAV would be perfect to track, chase and sink (if necessary) a pirate speed boat.
Marintime patrol aircraft would be useful for anti-piracy mission.
And I can NOT tell the difference between a Marintime patrol aircraft and an ASW aircraft.


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My story starts in Hackney, East London. Back then, Hackney wasn't the "up-and-coming" district that it is now. In fact, the area that this tale begins was endearingly nicknamed "murder mile". So, there I was, in my parents house using the scissors as a tool for cutting hair – perhaps a controversial choice of weapon and use for this area. The streets were dangerous, and I was on a mission to escape it. Trust me when I say this – it was life or death. And life was hair.
I had the pleasure of working as head creative on the Beardimation project with four-time Oscar-winning animation studio, Aardman Animations, to create the world's first stop-motion animation film using beards. Created to mark the launch of the brand new Braun Styling Range, the Braun Beardimation video uses advanced stop-frame animation to take the viewer on a journey of eye-catching shapes, patterns and designs as they are etched into facial and body hair using the Braun styling tools. The video features faces, heads and chests of over 70 men to convey a scintillating story of precision that inspires creativity when it comes to shaving. The video's below tells the story.
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FeaturedLos Angeles Rams
3 Rams Rookies With Immediate Impact And 3 With An Uphill Climb
By Alejandro AvilaAugust 21, 2020No Comments
We've made it to training camp and players have got their pads back on not just in the pursuit of a successful season, but a season in general. You probably forgot that the NFL draft DID happen this year, and with that, we look at three rookies that are ready to stand out and three that will face an uphill battle their first year.
Three Rookies That Will Impact The Rams This Season, And Three Rookies That Won't
Rookies With Impact
Cam Akers – Running Back
This dynamic running back out of FSU could not have landed with a better team. After an aching breakup with former Rams darling Todd Gurley, Cam Akers has become the speculative lead back for an offense looking to find its spark again. With a head coach on a mission to become an NFL mainstay rather than a flavor of the week, the Rams Sean McVay may be pulling old tricks with a loaded offensive roster that carries the same ceiling as the Super Bowl 51 team. But with greater potential to eclipse 13 points on the biggest stage.
Akers' flashes of elusive speed out of the backfield for FSU makes you wonder if this team will be better with a hungry Akers compared to an elite running back with injury issues. The ceiling for Akers will be an intriguing aspect to watch this upcoming season.
Sam Sloman – Kicker
The process of helping the Rams move on from coveted kick Greg Zuerlein rests on the shoulder of 7th-round pick Sam Sloman. The kicker out of the University of Miami Ohio was a well-warranted pick with the departure of Greg "The Leg" Zuerlein.
The Rams are a team that can play to stay in close competition, setting up their special teams to convert field goals with a McVay offense can carry the team downfield. You've probably heard some statement about correlation not equalling causation, but when you look at how rarely you see good kicking on a bad offense, success in kicking is a great indicator for an elite offense.
The Rams average number of field goal attempts in 2019 was the 12th highest in the league with 2.1. In 2018 as a top-3 offense, the Rams finished the year with 2.7 field goal attempts per game (highest average in the NFL). Whoever wins this position in training camp will have their jersey called plenty in a comeback year for the Rams offense and one of the top kickers from this year's draft is nearing his moment in the spotlight.
Van Jefferson – Wide Receiver
Van Jefferson's obstacle this season is the abundance of talent at the receiver position for the Rams. The trio of Cooper Kupp, Robert Woods, and Josh Reynolds will put a heavy cap on Jefferson's snaps in favor of the veteran three.
Josh Reynolds is first in line to give up snaps to the rookie, and while everyone's expecting Reynolds to break out this season, we'll be the first to tell you that we like Van's outstanding potential enough to bet he climbs the depth chart at some point in the season.
Rookies Facing The Uphill
Jordan Fuller – Safety
The safety out of Ohio State is more of a project than prospect coming into the league. Lacking size, speed, and footwork to cover the field at the same level as Taylor Rapp or John Johnson III will keep this rookie's time away from the field. A chance to shadow both players and arrive for DC Brandon Staley's first year leading the defensive unit gives this player hope of a starting role in the future.
Burgess must pick up where Robey-Coleman left off in a year that feels like the Rams' last shot at a Super Bowl in a long time.
Brycen Hopkins – Tight End
Consider this a good season for any tight end on the Rams roster not named Tyler Higbee or Gerald Everett to sit back and watch the emerging tandem put up numbers. Hopkins has a similar skill set to Noah Fant, but unless an injury or trade were to happen, this player fit for a starting role or solid package feature will remain on the sidelines.
Terrell Burgess – Safety
Terrell Burgess is another case of inheriting a position that was once preceded by an elite player. What Sloman inherits from the departing Greg Zuerlein, Burgess receives the call to fill a void at the nickel corner position left by Nickell Robey-Coleman. As mentioned in a previous article, the Rams have a good shot of returning to the Super Bowl — still led by a great organization, coaching staff, and roster — with a return to playing with a stout defense shaped by an elite secondary.
What Aqib Talib and Marcus Peters left was a blueprint that allows the McVay system to find its groove by keeping the opposing offense off the field. Burgess must pick up where Robey-Coleman left off in a year that feels like the Rams last shot at a Super Bowl in a long time. He can be a Jason McCourty type of cornerback/safety for the Rams which will go a long way.
Los Angeles Rams Safety Jordan Fuller. Photo Credit: MGoBlog | Under Creative Commons License
Was Brandon Staley's First Season A Success, Or A Failure?
Chase BendelJanuary 16, 2022
Key Matchups And Playoff Storylines: Rams Vs Cardinals Part III
Ryan AndersonJanuary 16, 2022
Author Alejandro Avila
My name is Alejandro Avila and as far back as I can remember, I always wanted to be a journalist. While writing across a spectrum of topics has its rewarding moments, there is a quality to writing about sports that feels natural and most gratifying. Numbers always matter at the end of the day, but in sports, anything can happen beyond the bounds of what's possible. In covering the day-to-day news, one must also consider the improbable because this sport makes superstars out of underdogs. Without an unlikely helmet catch on February 3, 2008, I wouldn't be as passionate about football and it hasn't let me down. Being a SoCal kid all my life, I'm ready to see Los Angeles take the credit it deserves in the world of football and cover it every step of the way. Also interested in fantasy football (never bet against Fred Jackson), Thai food, garments, jiu jitsu, and good films.
More posts by Alejandro Avila


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No penalty for face masking
By Sheboygan Beacon on September 22, 2020 • ( Leave a comment )
ROBBY MICHAEL (2) is poised for another stellar football season. – Photo by Jenni Pickel
A face mask on a face mask.
Welcome to high school football during COVID-19.
Like others across the state, the Kohler/Lutheran/Christian co-op football team will have safety masks attached to their helmet's face mask when it opens the delayed season Friday at Kiel.
Blue Bombers coach Ryan Eigenberger says KLC has been used to it for awhile now.
"As soon as we heard – which was halfway through August, I think – the decision came down, we started doing our workouts in masks right away," he said. "We were trying to get used to it, so by now we're used to it and it's almost part of the uniform now. But there was definitely a little bit of a learning curve, a little bit of having to tell guys/remind guys to keep it on. But I think right now, they don't even notice it anymore."
And if anyone complains, all he has to do is remind them there are several a few conferences in Wisconsin that moved their season to spring because of the pandemic.
"Exactly," the coach said. "That's what I told our team, too. Whether you personally agree or disagree, it doesn't matter. If we want to play football this fall, that's the way we have to play."
WHO ARE THESE GUYS? The WIAA decided on several conference realignments about a year and a half ago, and as a result, KLC has moved from the Big East to the Eastern Wisconsin this season.
So instead of having to deal with the likes of Cedar Grove-Belgium and Hilbert, the Blue Bombers get to battle the reigning Division 4 state runner-up Raiders.
"I think we'll be really competitive in it, just like we would've been in the old conference," Eigenberger said. "So I just see a lot of similarities for the overall talent level."
KLC, however, will be the only team wearing face masks during games because the Eastern Wisconsin is not making its teams do so. The Big East is, and since Kohler, Christian and Lutheran still compete in that league in other sports, it was decided the Blue Bombers would still wear them.
THESE GUYS ARE KNOWN: KLC junior quarterback Robby Michael and junior receiver Colin Girdaukas return after making first-team all-BEC last season.
Michael watched film in the offseason, worked out and got a lot stronger, according to his coach. He throws the football harder, too.
"That's something a lot of the guys noticed right away because their hands were hurting," Eigenberger said. "I think that has to do with all the work he put in, both on the field and the weight room, and kind of off the field as well."
Girdaukas also worked out with his quarterback and performed in some combines. He improved his route running, increased his speed and still has great hands, says Eigenberger.
"His work ethic has always been great but he's starting to turn another gear on, where he looks like that type of player that could have some success at the college level," Eigenberger said. "He just always is working hard and going hard on every single play."
Two other juniors also made all-Big East in 2019: Casey Verhagen (second team receiver and defensive back) and Tristan Moctezuma (honorable mention offensive lineman).
According to Eigenberger, Verhagen already has a basketball scholarship offer from Michigan Tech but is always good on focusing on football when the time comes.
"He's looking real good," Eigenberger said.
Moctezuma is continuing to work through an injury from last season and will not be ready for Week 1.
"He's itching to get back and has been around the team, working hard," Eigenberger said. "So we're excited and ready for him to come back, too."
Fall state tourneys will not be held at UW
94-year-old respite, care camp maps its future
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So, I was planning on giving you the down low (or was it the low down?) on Tahiti today, since my last post flew us on over.
Wait: the "down low" in Tahiti sounds like I'm going to tell you where to score transgendered prostitutes.
Either way, first I need to tell you about my trip mates, right? Well, actually, though I could happily sing the praises of this fabulous batch of ladies for days, I specifically wanted to point you in the direction of writer Sara Reistad-Long's fab food blog with pal Camille Noe Pagán, Svelte Gourmand, all about gourmet food (love) that's healthy (love) and will make us all skinny like French women in Bora Bora (love most). See how I brought that back around??
Not just a hat rack, ladies and gentleman.
Seriously, I need to start reading this sitch. And not just because the creators both have cool names with hyphens and accents and stuff. But because, now that I've returned to my inviting LA couch, I seem to want to eat everything in sight. So it might as well be healthy.
Meanwhile, can someone PLEASE explain to me why, now that I've stopped swimming around Bora Bora and running around NYC, NOW I'm hungriest? I thought exercise was supposed to make you want to eat? I'm sedantary. Shouldn't I be full?
Whatever. I'm just going to have to become a svelte gourmand. Just as soon as they deem fried Pepper Salt tofu from my neighborhood Chinese spot healthy. It is, right? Right, Sara? Don't answer that.


I could try and ignore it, but the problem is, it cuts in the ground too, its almost like the view distance was shortened or something. Any help would be appreciated!
PS, I don't get this in other games, it only happens on this one!
Im trying to play Soul Calibur 3 and SSX on tour, both on ISO. I do not have an issue with Soul Calibur 3, I only have an issue with SSX on Tour.
And I'm assuming it fixed it?
(07-02-2018, 06:48 PM)weirdbeardgame Wrote: And I'm assuming it fixed it?
(07-02-2018, 06:52 PM)TheRealKazukiZ Wrote: Sadly, it did not.
Can.you post your GSdx settings again with the newer plugin?


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Why DID Sabo kill Cobra?
admin 1 month ago 06 mins
In the manga and anime series Cobra, Sabo is a supporting character who is revealed to be alive after being thought dead for many years. He is the chief of staff of the Revolutionary Army and one of Monkey D. Luffy's best friends. In the story, he is shown to have a great sense of justice and is willing to sacrifice anything for the sake of others. This leads him to kill the villainous Cobra in order to save Luffy and the others.
Sabo was always an independent spirit, even as a young boy. He never wanted to be tied down, and he always wanted to be in control of his own destiny. When he was just ten years old, he ran away from home to become a pirate. He quickly rose through the ranks and became one of the most feared and respected pirates on the seas.
When the World Government tried to take control of the seas, Sabo rebelled. He joined forces with Monkey D. Dragon, the leader of the Revolutionary Army. Together, they fought against the World Government's tyranny.
Sabo hated the World Government because they had taken away his freedom. They had also killed his brother, Ace. When Sabo learned that Cobra, one of the World Government's most dangerous agents, was responsible for Ace's death, he vowed to kill him.
And so, when Sabo finally confronted Cobra, he did not hesitate to kill him. He did it for Ace, and he did it for all the other people who have been oppressed by the World Government.
The Different Types of Sabo
Sabo is a skilled fighter and strategist, but he is also a ruthless killer. He has killed many people in cold blood, including Cobra, the leader of a criminal organization.
There are different types of Sabo. Some are more ruthless than others. Some kill for sport or pleasure, while others kill to further their own goals.
The most ruthless type is the one who kills without mercy or remorse. This type of Sabo is often motivated by hatred or a desire for revenge. They take joy in killing their victims and feel no regret or remorse for their actions.
The second type is the type that kills to further their own goals. This type of Sabo may be motivated by power, money, or even just a desire to see the world burn. They are often willing to kill innocent people if it means furthering their own agenda.
The third and final type of Sabo is the type that kills for sport or pleasure. This type of Sabo enjoys the act of killing itself and takes pleasure in the suffering of their victims. They may also kill to impress others or to prove their worthiness.
Cobra's Death
Cobra's death was one of the most difficult things Sabo ever had to do. Cobra was like a father to him, and killing him was against everything Sabo stood for. But he knew it had to be done.
Sabo knew that Cobra was going to be executed anyway, and that by killing him, he would be sparing him a far worse death. He also knew that if he didn't kill Cobra, someone else would eventually, and that it would likely be much more painful for Cobra than if Sabo did it himself.
In the end, Sabo chose to kill Cobra because he loved him and didn't want to see him suffer. It was an act of mercy, and one that Cobra appreciated.
Sabo's reasons for killing Cobra were twofold. First, he wanted to avenge the death of his brother, Ace. Second, he wanted to protect Luffy from Cobra's nefarious plans. In the end, did what he thought was best for both himself and Luffy, and paid the ultimate price.
Tagged: sabo sabo killed cobra
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Hibernation Hearth & Home is a home decor retail store in Tuolumne County, California. They specialize in wood and gas heating stoves and fireplace inserts. Hibernation's local competition includes Lowes, WalMart and Orchard Supply. They are proof that a local small business can continue to survive and thrive even as large retail chains move into and replace small businesses in rural communities. Their attention to details like branding and interior design combined with a high level of customer service, product knowledge, and support help to position their business to compete successfully with big box retailers.
In the process of designing their logo and branding we explored a variety of options. The best solutions are arrived at after considering multiple approaches and ideas.