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Digital Fortress of Information
5G, Machine Learning & Artificial Intelligence
Artificial Intelligence in Telecom – From Hype to Reality – AI
AI vs. Human
Incredible Examples Of AI And Machine Learning In Practice
Must Have Marketing Skills to Survive in The Age of AI
What is 5G? The Ultimate Guide Available on Internet
5 Reasons Why 5G is The Future
The Technology of The Year 2020 Will Be 5G
How Operators Should Expedite 5G Deployment
Evolution of 5G in Internet of Medical Things (IoMT)
5G in South Asia: Opportunities & Challenges
Beamforming 5G – Mobile Radio With Pinpoint Accuracy
Scientists Warn of Health Risks From 5G
5 Ways the IoT Can Change the Business World
IoT Data Security Issues Popped up in 2019
IoT Security Threats and How to Handle Them
Business Internet Of Things | IoT Applications 2019
Future Technology Predictions 2020
Machine Learning Trend To Find Bugs
Secret Methods of Applying Text Analytics ( AI and Machine Learning Application )
The Present And Future of Machine Learning on Devices
What is Cloud Computing? Explained With Examples!
Blade Shadow Cloud Gaming Review
AMD Ryzen 9 3900X Stress Test Results – Incredible Performance Show
Why AMD Makes Less Sales and Profits in Q2 FY 2019
2019 Onward: Everyday Is Information Cyber Security Day
Russian Security Researcher Accessed Xiaomi Furry Tail Pet Smart Feeder
FaceApp Aging Challenge: Is FaceApp A Danger To Our Privacy?
2 Steps to Ensuring Project Success
Public Sector vs Private Sector For IT Professional in EU
Healthy Employees Manage Digital Transformation Better
How to Protect Production Facilities Effectively in 2020
Great Example of Socially Responsible Business
Cutting Edge Technologies That Will Change Marketing Industry Forever
This is How Phone Phishing Scams Try To Fool You
Google is Buying Fitbit: Now What?
Privacy and Security is in WhatsApp's DNA
The End of the iPhone? Apple is Planning the Next Big Thing
Google Wants to Do More with Chrome
What are the biggest IoT security risks and challenges
High-speed 5G mobile networks not only connect people more efficiently, but also enhance the interconnection and control of machines, objects and devices. High data rates, low latency, and high capacity are good for both consumers and businesses. But as one company that introduced 5G early experiences, these benefits also carry new, significant security risks.
Global home electronics manufacturer Whirlpool has already begun building 5G at one of its plants. The company still uses IoT devices for predictive maintenance, environmental control, and process monitoring over its existing local area Wi-Fi network, but the introduction of 5G will enable autonomous forklifts and other vehicles not possible with Wi-Fi.
"The plant is heavily metal," said Douglas Barnes, Whirlpool's North American IT and OT manufacturing infrastructure application manager. WiFi is reflected in the metal. I built a mesh Wi-Fi in the factory, but I can't help but have too much metal.5G passes through walls and is not reflected by metal. "
"When 5G is deployed at the plant, Whirlpool will see a breakthrough," he says. "We will be able to introduce true autonomous vehicles across the facility, covering everything from maintenance and delivery to manufacturing operations." This business case is significant and can provide significant cost savings. The 5G rewards are great. "
Vans said the test has already been completed to verify the normal operation of the autonomous vehicle. The budget will be allocated starting this month, and vehicles will be based on 5G by the end of the year. "If the results are good, the autonomous vehicle business case will work everywhere else," Vans said.
Vans is well aware of the cybersecurity issues already occurring in the enterprise and the extent to which all these issues will amplify as the transition to 5G moves. Whirlpool worked with 5G partner AT & T to address the concerns. "I wrestle with security issues every day." "Before we started, the first thing we talked with AT & T was how to build a secure network."
The following are seven key areas that companies such as Whirlpool should consider when developing a 5G implementation plan for IoT.
1. 5G Network Traffic Encryption and Protection.
With 5G, the amount of traffic flowing through these networks increases dramatically with the number of intelligent devices connected to the network. According to Gartner, the number of enterprise and vehicle IoT devices will reach 5.8 billion, up 21 percent next year, from 4.8 billion, the expected number of IoT endpoints this year. For attackers, this means a much richer network of targets than it is today.
According to Vans, Whirlpool will configure the 5G antenna to encrypt all 5G traffic and accept only authorized traffic to address this issue. "When we add a device, we configure it as an acceptable device in 5G," said Barnes. It does not receive traffic from devices that are not included in the whitelist. In addition, the traffic is encrypted, so don't worry. "If someone picks up the signal, there is very little that can be done."
Vans said that when traffic leaves the local network and is sent over public 5G or the Internet, the content is protected via a secure VPN tunnel, "we've done this in advance in case we need to communicate with the outside using 5G."
2. Protect and Isolate Vulnerable Devices:
The next potential weakness is the device itself. Vans said, "There is a weak security awareness throughout the industry." In particular, industrial equipment uses its own operating system and often does not have the ability to install patches, or patches are often prohibited under licenses. "It's not designed with patches in mind," Vans said.
Jonathan Tanner, senior security researcher at Barracuda Networks, said that the vast majority of IoT security mistakes haven't been fixed, and some devices have problems that cannot be fixed by a firmware update, or that there is no mechanism to update the firmware. Even if device manufacturers add security to the next generation of devices, the older, unsafe devices will still be used.
Tanner disregards this and ignores security researchers who point out vulnerabilities. "There are cases where companies that make vulnerable devices go out of business. In this case, the vulnerable device is left untouched. "
What should companies do with insecure IoT devices? Whirlpool's Vans said using network isolation along with other network security technologies could help. Barnes said, "The whirlpool uses a two-tiered approach. The first layer is network security, which monitors all traffic, and the second layer is protocol-based security, looking for malicious activity embedded in the protocol through deep packet inspection. "
In addition, general security hygiene applies, such as patching immediately above this layer, regular security audits for all devices, and inventorying all devices on the network.
3. Prepare for Larger DDoS attacks
In general, 5G is not less secure than previous generation wireless technologies. Kevin McNami, head of the Nokia Threat Intelligence Lab, said, "5G brings new security features that aren't actually available in 4G or 3G. In 5G, the entire control plane is transferred to a Web services type of environment, which is strongly authenticated and very secure. "
This improvement is offset by increased opportunities for botnets," McNami said. "In 5G, the bandwidth available to devices is significantly increased. As bandwidth increases, IoT bots will increase." This bandwidth will of course increase. "The
increased bandwidth can be used to find more vulnerable devices and spread the infection, increasing the number of vulnerable devices that the botnet can find. As Whirlpool says, companies use IoT devices a lot, as do other types of organizations, including government agencies, and
when 5G is deployed, they will be able to deploy the device in remote, difficult-to-maintain locations. Interest in the Oregon Wireless Internet Service Providers Union "A lot of sensors record everything from weather to air quality to video feeds," says co-chairman Cameron Camp. "There's a lot of new machines that are likely to be hacked and botnetized." It will be difficult to find and respond to hacks. "
IoT devices are also typically used for a long time. The user does not have to replace the device that performs the desired function well. Attackers prefer a stealthy approach in order not to draw attention. Even if a patch is released or a manufacturer releases a more secure version of the device, it's useless if the customer doesn't want to change it.
Many smart IoT devices, on the other hand, run a comprehensive operating system, such as embedded Linux, allowing them to behave almost like normal computers. It is therefore possible to use infected devices to host illegal content, malware, command control data and other useful systems and services for attackers. Users don't consider these devices to be computers that need antivirus, patches, or updates. Many IoT devices do not keep logs for inbound and outbound traffic. It's even harder to get rid of botnets because attackers can stay active without being caught.
Eventually, all three threats increase: the number of devices that can be exploited, the bandwidth available for botnet proliferation, and the bandwidth available for devices to launch DDoS attacks. Many devices are still unprotected and some cannot be patched at all, so in a 5G environment, companies must be prepared for a much larger DDoS attack than they are today.
4. Switching to IPv6 May Replace Private Internet Addresses with Public Addresses
As the number of devices increase and communication speeds improve, companies may want to use IPv6 instead of IPv4, which is now commonly used. IPv6, with longer IP addresses, has become an Internet standard since 2017.
The maximum number of available addresses for IPv4 addresses is 4.3 billion, which is not enough. Some registrars have faced address shortages since 2011 and organizations have begun their transition to IPv6 in 2012. But according to data from The Internet Society, less than 30 percent of current Google users access the Google platform via IPv6.
Nokia's McNami said that many organizations, and nearly all home devices and many cell phone networks, use private IPv4 addresses instead of IPv6, "private IPv4 addresses are not exposed to the Internet, providing natural protection from attacks."
As the world moves to 5G, carriers will have to switch to IPv6 to support billions of new devices. But if the carrier chooses a public IPv6 address rather than private, the device is exposed to the Internet. McNami said this isn't an issue with IPv6 or 5G, but it could lead to a situation where companies that switch devices from IPv4 to IPv6 inadvertently leave them in the public address space.
5. Increased Attack Surface due to Edge Computing:
There is a growing interest in edge computing among customers or companies looking to reduce latency and improve performance for their distributed infrastructure. When 5G is deployed, the communication capabilities of endpoint devices are enhanced, further increasing the benefits of edge computing.
At the same time, edge computing also dramatically increases the potential attack surface. Companies that have not yet started their transition to zero-trust network architecture should look at this architecture before investing heavily in edge computing infrastructure. If you actually build a zero-trust network architecture, security should be treated as the most important consideration, not as a follow-up.
6. New IoT Companies Focus on Preoccupation, Not Security:
When the IoT gold rush begins, new players will enter the market and existing ones will launch new devices ahead of time. Barracuda's Tanner says there are more IoT devices than security researchers already looking for vulnerabilities, and that new manufacturers will add new cycles of security mistakes.
Tanner notes that as the same mistake continues to occur, the number of vulnerabilities reported on IoT devices is not decreasing, but increasing. "There is not enough learning from events in other companies in the industry."
"The company doesn't care about security," says Joe Coates, who focuses on corporate network intrusions, leading penetration testing at A-lign Compliance and Security. Earlier this year, I bought five devices related to the ability to turn the lights on and off, and I could access four of them outside the home. The test mode embedded in the device was released by the vendor without being removed. "
Cortes said all companies want to enter the market first. Many companies use ready platforms such as embedded Linux to get devices to market as quickly as possible. Cortes said, "I recently got IoT malware that can bring a device down with seven lines of code." Cortes said that manufacturers who do not tighten their devices are vulnerable.
For example, an attacker could use this malware to shut down a plant or critical infrastructure, or to hold a company's system hostage and demand a ransom. "That's not happening yet," Cortes said. "5G is not widely deployed." As 5G adoption increases and IoT increases, it is likely that exploitation of industrial systems, such as the manufacturing industry, will increase significantly. "
7. Everyone is Responsible for IoT security:
The biggest obstacle to IoT security is psychological obstacles, not technology. Nobody wants to take responsibility. Everyone wants to pass on to someone else. The buyer accuses the vendor of not making the device secure. Vendors blame buyers for finding cheap, insecure products. Avoiding responsibility for IoT security in the 5G world leads to even greater wave lengths.
In a last year's Radware survey, 34 percent of respondents said that the responsibility for IoT security rests with their device manufacturers, 11 percent with service providers, 21 percent with individual consumers, and 35 percent with business organizations. Mike O'Malley, vice president of strategy at Radware, said: "In other words, there is no consensus." O'Malley also said that consumers have no knowledge or skills. Companies do not hire enough people. Manufacturers are so numerous and different that they are difficult to control.
Companies can hire service providers to take some of the responsibility off, but that doesn't solve the problem of unprotected consumer devices, passive manufacturers in change, and the absence of consistent global regulations and enforcement.
Everyone should be responsible for IoT security. Buyers should ensure that their products do not use a default password or test mode, that communications are encrypted and authenticated, and that devices are regularly patched and updated. Vendors should stop selling unprotected devices and consider security at the start of the product design process, rather than adding features later.
Amram David
Amram is a technical analyst and partner at DFI Club Research, a high-tech research and advisory firm .He has over 10 years of technical and business experience with leading high-tech companies including Huawei,Nokia,Ericsson on ICT, Semiconductor, Microelectronics Systems and embedded systems.Amram focuses on the business critical points where new technologies drive innovations.
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This is our collection of Comic issues where the cover was drawn by Ed McGuinness.
If you find an issue in the database that is not shown here, please edit that issue adding "Ed McGuinness" as one of the Cover Artists.
See Also: A gallery of comic covers created by Ed McGuinness.


Rusted Cast iron chain hook ceiling plate. This ceiling plate is designed to allow lighting flex and chain to hang down to a pendant style lampholder using cloth braided cord or similar flex. It allows the perfect length chain and cord to be adjusted and set.
A masonry connection plate complete with 4 brass screws is also supplied. This allows simpler connection to a brick or concrete surface as well as tile, timber and plaster. This plate is also compatible with US 4″ J- boxes.
Made from cast iron with a rough cast and rusted finish it can hold up to 20kg suspended.
Masonry mounting plate also compatible with 4″ J-boxes.


text:
Walking the Baltic Way
Perception of the Baltic Way 1989
The peaceful protest has shown unprecedented scale and degree of participation supporting the noble idea. Compared to the real scale of the event, there is a danger of the individual experience (storytelling from people) being limited and the delivery from the media (news, photos, books) being abstract and detached from the truthful understanding of the event. Physically no one has perceived the dramatic human chain from Talinn to Vilnius by one sight or walking. The scale of the protest was vast enough to make us hard to experience the degree of collaboration from different villages, cities and states.
Walking the Baltic Way suggests to frame this predicament, the scale of the Baltic Way: the number of people, the length of human chain, the cities and villages involved into the demonstration, into a form of a continuous walkway. In this simple covered promenade, supported by linear columns, we would like to provide an experience of walking the Baltic Way 1989, Vilnius to Talinn at the site, informing the knowledge of every cities, number of people through the columns. While we walk the Baltic Way Memorial, touching and connecting the engraved memories, we can participate in the human chain, perceive the scale of the event, reproducing the true meaning and celebration.
Participation to complete the demonstration
Along with the covered walkway, the elongated columns facing to the walking viewers present engraved silhouette of protesters from 1989. Not only those panels present the figure of the human chain, but also describe the geographical information in the actual Baltic Way corresponding to the location of column. It leaves a room between columns and, depending on the view while walking, it shows that people are connected and disconnected in another view. This play of connection and disconnection allows us to participate in the demonstration in symbolic way touching the stone left and right to connect them all. This event will create a living memory of the Baltic Way.
Extending the joy of walking in Riga
The suggested memorial walk attempts to extend the enjoyable walking culture in Riga, making a loop from Latviešu Strēlnieku Laukums to Doma Laukums, Stone Bridge to Doma Laukums. At the same time, this loop will increase the accessibility from the city to the Stone Bridge and waterfront area. This possibly suggests the extended demonstration of the event from the competition site to the larger urban framework.
Toward True Memorial
Memorialization can be framed into the three chronological developments, reflecting on how they set up the reference of the event or idea. 1. Direct Reference: The most sacred and historical form of memorialization. It shows direct figure of people, objects or keepsakes. Focusing on linear didacticism, it can be easily detached from people's daily life. There is a danger for this to be a propaganda or a tool for redemption to forget the past. 2. Conceptual Reference: This transitional works towards sensational reference present Anti-Monuments, questioning the role of physical presence of the direct reference. Participation and the role of 'reader' is introduced. 3. Sensational Reference: Experience and artistic sensation in the park setting is emphasized. This appeals to our daily life without clearly asking what to remember. Our proposal suggest to overcome these paradigms combining 'direct reference (human chain as continuing columns and the Baltic Way in the site)' and 'sensational reference (promenade and gradual elevation)'.
SITE PLAN MAPPED WITH THE ORIGINAL BALTIC WAY
People walk through the revived Baltic Way while learning the city, people and local information in that corresponding location of the Baltic Way. While walking on the path, viewers can tag their smartphone to receive the local information of the area. And people can upload their participation using a device in the column.
The ground floor landscape where the path is located is divided by 9 different areas representing three Baltic States.
Simple Construction using steel framing and prefab-concrete panels
To essentialize the human collaboration supporting a noble idea, one side column row supporting cantilevered roof is suggested. Steel framing and curtain wall panel system can allow lighting fixture, digital device inside of the columns, which are covered by thin prefabricated concrete panels, panelized into a certain size to reduce the cost and for the ease of production.
Elevated Walkway and Supporting programs
By walking from Vilnius to Talinn, the viewers are gradually going up by accessible 5% ramp to reach 3.5m height, where it provides unexpected views. This spot is the highlight of the celebration and accumulation of victory. At the same time, it avoids unpleasant encounter with the heavy vehicle road(Novembra Krastmala). The programs such as Gallery, Cafe and shop are located under the walkway. Therefore, the re-configured Baltic Way is not interrupted by programs but easily accessible on the ground floor.

redpajama_set_name: RedPajamaCommonCrawl


text:
Albi es un cráter de impacto del planeta Marte situado a -41.8° Norte y 35.1° Oeste (-41.5° Norte y 324.9° Este). El impacto causó una abertura de 8,5 kilómetros de diámetro en la superficie del cuadrángulo NEREID del planeta. El nombre fue aprobado en 1976 por la Unión Astronómica Internacional en honor a la localidad de Albi (Francia).

Notas y referencias

Enlaces externos
 Localización del cráter Albi en Google Mars.

Cráteres de Marte

redpajama_set_name: RedPajamaWikipedia


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I need help with an excel spreadsheet in the format listed below. I have been struggling to finish some accounting that requires me to use aggregate functions inside of Microsoft Excel.
This is the format originally but needs to be done by the way it is listed below the astericks.
This assignment requires that I need to look up specific stock symbols, identify the company name, and the closing price-per-share (PPS) value at the end of business for five weekdays. Then, create an average price for the week for each stock. Finally, I need to compare the relative growth of each stock over the course of the week to determine which one performed the best during that time period.
Using Microsoft Excel, create a spreadsheet with a similar format and solve Juan's problem. Use the following stock symbols: MSFT, YHOO, AAPL, IBM, and JAVA. Complete the weekly average analysis using aggregate functions.
It would be greatly appreciated if oyu can assist me with this. Thanks!!
Please find attached, a formatted MS Excel spreadsheet containing the information below, as well as notes on how the figures were calculated. Feel free to contact me in the future, in the event that additional assistance is required.
This file contains a formatted MS Excel spreadsheet containing instructions on how to perform a stock price comparison.


1. Ahead, Forrader, Forward, Forwards, Onward, Onwards : آگے کی طرف : (adverb) in a forward direction.
2. Ahead, Before, In Front : سامنے - آگے : (adverb) at or in the front.
The barrier is closed ahead.
Could you please just drop me ahead?
I see the lights of a town ahead.
The road ahead is foggy.
3. Ahead, Forward : مستقبل میں : (adverb) toward the future; forward in time.
4. Ahead, Beforehand, In Advance : قبل از وقت : (adverb) ahead of time; in anticipation.
When you pay ahead (or in advance) you receive a discount.
We like to plan ahead.
Flying Ahead of the Airplane.
Decade Ahead: Applications and Contexts of Motivation and Achievement.
101 Best Ways to Get Ahead.
Ahorse : گھوڑے کی پشت پر : on the back of a horse.
Agrological : زرعی حیاتیات سے متعلق : of or related to agrology.
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Office de Tourisme de Caen la Mer, Destination Normandie
Discover Caen la mer
Enjoy the sea air on the Côte de Nacre !
Caen, a city with a thousand faces
Nature escapades in Caen la mer
The D-Day landings and the Battle of Normandy at Caen-la-Mer
Campsites and parking areas for recreational vehicles
Tourism Residences
All the accommodation
Local specialities, restaurants and catering
Bars & Coffee Shops
All the restaurants
Visits, museums & leisure activities
Sites, museums & places to visit
Walks and natural spaces
Visits & excursions
Festyland theme park
Ouistreham Casino
Artists & craftspeople
Services and Transport
All the shops and services
The Tourist Office's Shop
Around the old church in Thaon
In a green setting, less than ten miles from Caen, there is a church that is almost one thousand years old. Thaon Church is a gem of Norman architecture in the Mue Valley. Taking in the Middle Ages, forest footpaths and disused underground quarries, we enjoyed a nature break around the old St Peter's Church.
A church nestled in a green setting
As you make your way along the route leading down into the wood, you don't expect to find a charming little church hiding behind the trees.
It is a luminous white colour, gradually appearing along the way until you arrive at the apse. The old St Peter's Church dates from the late 11th century. The spire is from the same period as the abbeys in Caen.
The nave and the decoration are representative of 12th century Norman style: geometric patterns with gadroons. The building was remodelled in the 12th, 15th and 18th centuries, but the church still had its original decoration, with modillons, checked patterns and capitals. You should take the time to look at the extravagant modillons or corbels. You will see animals, people and strange smiles, plus a man who seems to be showing his backside... The theme of punishment and luxury is depicted, with a dragon biting the head of a poor sinner.
The inside of the church is not accessible. It is closed to the public, but regular visits are organised by the association of friends of the old church of Thaon, especially in July and August.
A few abandoned graves from an old cemetery can be seen beside the church. You can hear the River Mue flowing nearby. This peaceful spot seems to invite visitors to stay longer. Why not have a picnic?
The church floor was raised by 80cm in the 18th century due to the advance of the marshland, especially near the River Mue. The church was abandoned in 1840 and was later listed as a Historic Monument.
Shaded from the sunshine and sheltered by the trees, a pretty path goes through the wood towards the town of Fontaine Henry. After passing a ford across the River Mue, the path goes into a wooded area alongside the river.
The former stone quarries
Along the way, we can see the cave walls. They were dug out as stone quarries, and today some of them are mushroom beds. Stone was quarried here until the early 19th century. In 1944, the inhabitants took refuge inside the caves to escape from the fierce fighting taking place on the plain. This easily accessible path has quite a mysterious atmosphere.
L'ambiance bucolique qui règne autour de la vieille église
Longer les anciennes carrières de pierre
On your way
Visite de l'ancienne église Saint Pierre (le dimanche en été)
Vieilles pierres
Grand air
A day's bike ride from Caen to Ouistreham
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Convocation speakers stress inclusive community [ARTICLE+ILLUSTRATION]
Columbia Daily Spectator 4 September 1996
... the audience to remember that the opening of Furnald Hall after years of renovation proved that "even major projects ...
SPECTATOR PERSPECTIVES This is not your father's Columbia: Students face construction and curricular changes [ARTICLE+ILLUSTRATION]
Columbia Daily Spectator 26 August 1996
... temporary building constructed as a substitute to Ferris Booth Hall (FBH), and placed atop the tennis courts that formerly ...


text:
Sick of Deliveroo? Riya Grover runs Feedr, a sustainable, cheaper and nutritious alternative
Features Editor, Real Business
Feedr is a cloud-based canteen offering sustainably delivered and nutritious food produced by artisan vendors. Should Deliveroo watch out?
Where can hard-working 9-5ers get their hot and nutritious office meals from these days? The answer is – with difficulty. Whilst the likes of Leon, Pret, and EAT, are widely available, they're not cheap nor necessarily nutritious. This leaves many office workers stuck between a rock, (a home prepared pasta dish that's gone soggy during the work commute), and a hard-place, (an overly expensive and possibly calorific sandwich from a high-street cafe chain).
Could Feedr become the newer and better Deliveroo for consumers?
This is where nutrition advocate and cloud entrepreneur Riya Grover, and her business, Feedr, comes in. She's disrupting the Deliveroo/homemade sandwich binary via her business that offers office workers hot, healthy and competitively priced dishes sent straight to their offices.
"I've always had a personal passion for the health and nutrition space," says Grover. "I was always interested in artisan food vendor space and how they produce fresh meals," she adds. "A lot of my own friends cared about health and wellbeing, but they couldn't access healthy options very easily at work, so that's where my inspiration came from."
Feedr = food nutrition + disruptive tech
Founder and CEO of Feedr, Riya Grover is the daughter of entrepreneurs. Source: Forbes
"I grew up within an entrepreneurial family," says Grover. "The business was like their other baby, it was an integral part of their lives. I knew I wanted to have a professional life that I loved and was just as passionate about."
But entrepreneurial life didn't begin right away for Grover, who graduated with a degree in economics at Oxford University and then went on to work in investment banking," it really wasn't my calling," she says.
After attending Harvard Business School and getting acquainted with its ecosystem of tech talent, an inspired Grover started looking into health-conscious artisan food suppliers and vendors back in the UK. "I realised they had great products and could be selling way more from their kitchens, but they didn't have the access or the distribution opportunities to do it on a bigger scale."
Moving away from 'fast-food' models
Does Grover feel pressured by the likes of Deliveroo and Uber Eats to provide her customers with a limitless array of options? "That's not what we're about," says Grover. "We use limited menus because we use our data to predict what we need to produce more of. Then we do this at a better price and in larger quantities. It's all about producing at scale and using a more predictive insight to do it better each time."
"We have created a cloud canteen, which is a virtual canteen that we've integrated with workplaces and university campuses," says Grover.
"We feature a couple of those suppliers every day where the menus become more personal for the consumers over time depending on what they like to order." "What makes us different from the on-demand Deliveroo model is that by giving limited menus to customers, we're able to curate menus to the preferences and behaviors of the individual user. Our goal is to give customers the dishes they love by using data insights to make the right food production decisions."
Is Feedr the new Deliveroo?
"We respect the work Deliveroo's done in the space, but we're doing something that's different to what they're doing," says Grover. "Whilst they're defined by multiple meal offerings and fast order frequencies, we're about having a highly curated content library of recipes, we're after recipe innovation more than anything."
Making the pricing competitive
We're also happy to drive our standard £7 pricing per meal down via subsidised partnerships with the businesses we service," she says. "We also help to drive down prices via sourcing our meals from virtual kitchens, and kitchens without restaurants who have fewer overheads, to begin with."
Sustainable logistics and green supply chains
"We use a third-party provider that use non-polluting and carbon neutral bikes to deliver our goods to customers," says Grover. "But, the important thing to remember about us is that we're not an on-demand service. Our logistical requirements are different from the likes of Deliveroo."
"We know what companies we have integration points with, and we do single pickups," says Grover.
"That means we have lower fleet requirements than the likes of Uber. We cut off the order options at 10.30 am, so customers order their lunch in the morning by that time. Following that, we let our vendors know what and how much they need to make for that day, it's a win-win for model for our producers and our buyers," she adds.
Making consumers mindful about their lunch choices
Feedr helps consumers make more informed choices about office meals.
"We've seen people order their meals a week in advance," says Grover. "Our business is encouraging people to be mindful about their nutrition plans whilst at work, which is a busy time anyway, so having an organised and easy-to-access healthy diet plan takes the edge off."
So, yes Feedr requires a little more proactive work from the customer. But their body is going to thank them for it.
Deliveroo Feedr Food tech Riya Grover


After Oxford (and rejection by the military), he edited Sight and Sound, turning what he called a "terminally boring" English film magazine into a precursor of Cahiers du Cinéma, offering poisonous reviews along with serious contributions by Carl Dreyer, Jean Renoir, Josef von Sternberg, and Lindsay Anderson, a friend of Gavin's since public school and Oxford, and as formidable a critic as he was later to become a stage and film director. Gavin worked for a while as an assistant to, script doctor for, and part-time lover of the director Nicholas Ray. Moving to California, he wrote The Slide Area, seven connected stories about Hollywood's marginal and downsized fringe, modeled on Christopher Isherwood's Goodbye to Berlin, and was nominated for an Academy Award for his screenplay (shared with T.E.B. Clarke) of Sons and Lovers.
In the years since we met, there have been numerous scripts and ten more books, including the novel Inside Daisy Clover, On Cukor (a series of conversations with the director George Cukor that is as stimulating about film as Hitchcock Truffaut), and GWTW, about the making of Gone With the Wind, which is dedicated to my wife, Joan Didion, and me. Now, with Natalie Wood: A Life, he has found an almost perfect subject, his friend Natalie Wood, the star of Inside Daisy Clover, perhaps her best film role (with a screenplay by Lambert). She was a movie star out of a post–Joan Crawford, pre–Julia Roberts age—promiscuous, insecure, talented, irrational, funny, generous, shrewd, occasionally unstable, and untrusting of anyone who would get too close to her—except for a Praetorian Guard of gay men.


Author: Brad Esposito, BuzzFeed News.
You will make me change my band's name, and I'll shout it to the blue summer sky.
Representatives from animal rights group PETA sent a letter to the members of vintage Australian rock band Hunters & Collectors on Thursday morning "urging" them to consider an "animal-friendly" new name.
"By agreeing to change your name, you would help raise awareness of the cruelty inherent in hunting waterbirds and give ducks a fighting chance," says the letter.
Animal rights an important issue but PETA is a fruit loop organisation doing harm to the cause. Hunters & Collectors campaign misconceived.
PETA asking Hunters & Collectors to change their name is just the batshit lunacy I needed in my life today.
PETA asking Hunters & Collectors to change their name is as stupid as asking Midnight Oil to change their name to a renewable energy source.
So some clown at @PETA wants Hunters and Collectors to change their name… could I suggest PETA stops wasting money on useless campagins?
None of the members of Hunters & Collectors have responded to the request… yet.


The game is pretty self explanatory. Just give it a try and have fun!
The game features 5 'levels' of gameplay, or rather one level that is re-purposed five times. I had plans for a lot more, but I don't feel like they really would have added much to the game.
One note: I did all of my testing within unity, so there is some tiny UI items that failed to stretch that I missed, sorry about that. It all still works, unless you go on a giant resolution- then the cutscenes will overlap.
As always, I planned way more than I could finish. However, I feel like I've got a somewhat complete game here and I'm happy with what I accomplished. I also developed a much better relationship with blender in the process.
Edit: I added in MAC and Linux builds, but I have not tested them. I don't even have a MAC so.. good luck there!
The little illustrations were fun to look at and the scenery was nice. The color choice was especially good I think.
Them some cute monsters :v This is awesome!
Really good! Reminded me a little of Cubivore or something at first.
Loved illustrations for the story bits and the movement of the grass. The game looked great!
Plays really smooth, nice game!
Simple game, but the story adds a lot and makes the whole thing much more memorable.
You made me care for a blocky abomination that slaughters wildlife, well done.
Hahaha, that ending, brilliant! I love the animation, pouncing feels really satisfying. The camera can be a bit wonky when moving though, and it's not very clear if you're dealing damage to the dogs until they die. I had fun with it though, would love to see it expanded into something like Tokyo Jungle. Great work!
The illustrations and animation were great!
The story really sold it to me.
I loved playing this. It's just so charming! The art-style is beautiful and evocative. Your background music really sets the mood. The attack animation was playful and that made me care about the monster even though he was an indiscriminate killer. Just about everything was adorable. Feels, so many feels.
Animations are really smooth and the graphical style is very nice. Gameplay is fluid with nice relaxing music. Nice job.
The ending is so sad.
The technical level of the game is really good.
The controls, the tutorials and the progression felt very good.
Holy christ man, I nearly fell out of my chair there.
Spent like 10 minutes trying to catch the running bastards, even managed to kill 2 of them, but after that they didn't die even when I landed right on top of them. So I travelled to the right and nearly ruined my undergarments. Not entirely sure what the ending was all about (PoKeMoN reference? I don't know much about the series but the reference to a "trainer" tipped me off), but it terrified me.
Also, the music was very nice at first but it very quickly got frustrating. And the pacing was very slow, the gameplay did feel fairly repetitive and took longer than neccessary.
I played till the end. Not sure how does it fit to the theme, and I also unsure about the final... mine is very sad but I hope there are different one. Camera movement can e improved I guess. I like the sound and the story based gameplay.
I didn't sign up for these feels! But brilliant game!


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text:
Port Clinton Bus Accident Lawyer
Home » Port Clinton Personal Injury Lawyer » Port Clinton Bus Accident Lawyer
A bus collision can result in serious injuries, both to the passengers on board as well as people in other vehicles, pedestrians, and motorcyclists. If you have been involved in this type of crash, a Port Clinton bus accident lawyer can investigate liability to determine whether you could be eligible for compensation from one or more parties.
If the negligence of the bus driver or another person or entity was behind the crash, you could be entitled to a wide range of potential damages. A skilled attorney can manage your case with competency and work hard to get you the best possible results in your personal injury claim.
Common Factors Impacting Liability in Port Clinton Bus Collisions
Bus collisions often occur due to one of several common negligent factors. Driver negligence is one of the leading causes of severe transportation vehicle wrecks, whether the crash involves a tour, city, commercial, charter, or school bus. For example, a bus driver who is speeding, under the influence of alcohol, makes an improper lane change, or drives too aggressively could cause a severe accident. In these circumstances, the bus driver or the company that hired them could be legally liable for injuries or property damage from a crash.
Sometimes, outside factors apart from the driver's negligence can contribute to a bus accident. A disorderly passenger could distract the bus driver, causing the driver to hit another vehicle or object. Sometimes, poor road conditions, faulty bus equipment, negligent maintenance and inspection protocols can lead to a collision. For these incidents, the bus company, a maintenance worker, or the government could bear legal responsibility for an accident.
Because there can be numerous factors behind a bus wreck, liability can sometimes be challenging to determine. For this reason, it is often best to hire a seasoned Port Clinton legal professional to handle a bus accident case. They can investigate the details of the crash and how it happened in order to determine which individuals or entities could be liable for the claimant's injuries and damages.
Bus Crash Injuries and Compensable Losses
Depending on the impact of the crash, a bus accident can result in very grave injuries, to both passengers and other drivers. When a bus collides with a vehicle or object, passengers may be thrown from their chair, hitting the floor or the seat in front of them. They could sustain broken bones and head, neck, or back injuries. If the bus collides with a car, passengers inside the much smaller motor vehicle could likely be in grave danger of injuries such as concussions, spinal cord trauma, soft tissue injuries, and nerve damage.
Individuals who sustain injuries in a bus crash could be entitled to an array of compensatory damages. For example, a Port Clinton legal representative could help someone recover bus crash damages such as medical bills, property damage, and wage loss. Someone injured in a bus wreck could also be eligible for a wide range of non-economic forms of compensation, such as pain and suffering, mental distress, and emotional anguish damages.
Deadline to File an Injury Claim for a Port Clinton Bus Wreck
Ohio Revised Code § 2305.10 contains the statutory deadline for most personal injury claims filed in Ohio, include those involving bus accidents. Under this statute, a person has two years from the date of the personal injury to file a lawsuit against the responsible individual or entity, or else they forfeit their right to compensation.
Request Legal Advice from a Port Clinton Bus Accident Attorney
If you suffered harm in a recent crash, you should speak with a Port Clinton bus accident lawyer who can provide you more information about your legal rights and options. They can explore the facts of your crash to assess whether the bus driver, company, owner, a local government entity, or another third party could be liable for your injuries and damages. Call a dedicated attorney today to receive your confidential case evaluation.
Port Clinton Personal Injury Lawyer
Bike Accident
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Holland, Ohio 43528 (419) 823-9733
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I just can't go out like this and I'm ashamed to say that it is almost the last day of 2008 – my first full calendar year of blogging – and I have not posted a blog on my number one discovery of the year, the Naked or Bottomless Portafilter holder, You what ? You may say, but take a look below and don't be shy to ask, if you are a novice of course, what is this ?
OK ! I'm going to make this quick and as exciting as possible because although this looks straight forward, it can be quite complicated explaining what this tool of tools is. Luckily for you, I've ploughed through a few articles, blogs and discussions to try and summarize what this little invention is all about. Traditionally, you have the normal portafilter holder, with two spouts (for making 2 espressos at once) or one spout (for making one espresso at a time). Anyway one day, someone wanted to know, what goes on if there are no spouts and you can see right through, hence the terminology, "naked" or if you go with the more simplistic terminology, bottomless. In this way, you can see how the coffee begins to come out through the little spore holes in the filter and approximately how many seconds the coffee beings to emerge at what bar/pressure level to make the exact quantity – Are you still with me ? I hope so, because I cannot make it more simple than that. In any case, the next step was to cut off the spouts, so that you have two types of portafilters like below.
The traditional one is below and the bottomless one is above. You will be glad to know that to make your portafilter "naked" or bottomless, you don't have to get your chainsaw out or find a local mechanic who will really think you are crazy but who will nevertheless take your money – you can order one form the best, La Marzocco, of course. OK ! it might not be that cheap, mine cost about 60 Euros ($75 now), but it will be cheaper in the States and you can get one for about $60, made by another company like Rancillo.
From an academic view point, if we want to scare you off even more and bring in words that remind you of school, like the word "academic", the bottomless filter is a good training tool. For example, if you can see what is happening from a "naked/exposed" view point, you can correct your mistake and improve your espresso shots. I can't get away with this, but I'm going to have to go into "Lesson" mode for this tool, so that you really appreciate what I'm trying to share with you, so here goes.
Assumptions:You are an espresso freak and you know the essentials about making an espresso using a really good grinder and good heavy brass espresso machine (upwards of $500). So you know that you buy relatively fresh beans, grind and then tamp them with 30 pounds of pressure, so that the 30 ml of crema top espresso coffee comes out in about 23-27 seconds. OK ! so you are a coffee geek or coffee snub, that's settled.
Lesson 1: If you don't tamp properly or use too little coffee, assuming you are using the correct grind, then some of the coffee will be under less pressure and your espresso cup will fill up more quickly, violating the 23-27 second pour rule for approximately 30ml of coffee. In short, if using the naked portafilter, you will see a blondish type cone pouring into your cup, which will be flowing with bad tasting coffee. Furthermore, the coffee will be spitting from the outside all over the cup and your coffee machine, making a right mess. It's like the coffee is saying, if you can't handle me right, then I'm going to spit on you. In any case, the spitting occurs, because the coffee has not been tamped well or is too little in a particluar area of the portafilter and hence the pressure pushes it out with a lot of force. I don't have a picture of this for you, but trust me, it has happended to me, when I used less than the recommended 14-15 grammes of freshly ground coffee for a double espresso – I was in a rush to get the kids to school. Also, in this spitting scenario, if you attempt to take a picture, you might get coffee all over your lenses.
Lesson 2: If you tamp properly but the grind is too fine, your coffee will take ages to come out and will taste sour/burnt. In this case, using the naked portafilter, you will see that when you get to 18 seconds, drops of honey like espresso begin to pour out – it may look good, but it isn't going to taste good, trust me and of course you are not going to get 30ml of espresso coffee into your cup between 23-27 seconds, but much less. Again this has happened to me when I got a new bag of coffee and wanted to test for the right grind. Seeing this scenario, I quickly loosened the settings on the grinder to avoid wasting anymore precious coffee.
Now, doesn't that look lovely ? You can see a few colours here. The darker ones have a higher concentrate of well extracted coffee and you will notice that the coffee seems to be flowing right, without any gushing.
If you are feeling brave, hold a single shot espresso cup carefully over the naked portafilter, making sure you watch the extraction closely so that you don't burn your hand with free flowing 93C degree coffee and you can also make a ristretto, with should display excellent crema as evident by the dark brown bits, which dominated this cup of ristretto (i.e half a cup of espresso).
Conclusion/Analysis: Using the naked portafilter helps you to (i) estimate very quickly if you have the right grind (ii) improve your tamping technique, especially in making it more even (iii) know very quickly if you used to much coffee or too fine a grind (thick honey drops) and (iv) look good, if you invite your friends to show them a perfect extraction, but practice beforehand.
What Else ?According to some experts, because the extracted coffee comes into less contact with metal, because it basically flows from the portafilter into your cup, you should get a more "purer" taste of coffee. If you notice, there will be very tiny bubbles in your cup.
In any case, I usually use mine when I get a new bag of coffee from a different roaster or a different type of coffee. When I got my naked portafilter, I used it for several weeks, because I just liked the way it flowed into the cup. Serious coffee shops like Origins Coffee Roastingin Cape Town have naked portafilters, like the one below, extracted on their Synesso Cyncra machine.
Also, my favourite coffee shop in London, Flat White have them, as evident by my request for a triple espresso, using a naked filter (see my post of 25 March 2008), but you will have to make a request for it.
My advice, go on experiment and enjoy, HAPPY NEW YEAR !


text:
"Bad command or file name" is a common and ambiguous error message in MS-DOS and some other operating systems.

COMMAND.COM, the primary user interface of MS-DOS, produces this error message when the first word of a command could not be interpreted. For MS-DOS, this word must be the name of an internal command, executable file or batch file, so the error message provided an accurate description of the problem but easily confused novices. Though the source of the error had to be the first word (often a mistyped command), the wording gave the impression that files named in later words were damaged or had illegal filenames. Later, the wording of the error message was changed for clarity. Windows NT displays the following error message instead (where "foo" is replaced by the word causing error):

Some early Unix shells produced the equally cryptic "" for the same reasons. Most modern shells produce an error message similar to "".

See also
Abort, Retry, Fail?
List of DOS commands

References

Computer error messages
DOS on IBM PC compatibles


text:
from django_tabulate.base import tabulate_qs
from django_tabulate.mixins import TabulateMixin, TabulateQuerySet

redpajama_set_name: RedPajamaGithub


Liability coverage protects you or another driver insured under your policy if either of you are found legally responsible to pay for someone else's injuries, damages or losses arising from an accident. This coverage will pay damages for bodily injury and property damage. Bodily injury is broadly defined to include the sickness, injury, or death of another person. This typically includes economic losses, such as medical bills and wage loss, as well as non-economic losses such as pain and suffering, provided such losses arise out of a bodily injury. Property damage covers financial losses arising from the damage, destruction or loss of use of another person's property. Since liability coverage protects you and your personal assets, it is one of the most important coverages you can buy. Washington law only requires that you have minimum bodily injury liability limits of $25,000 per person/$50,000 per accident. The lower "per person" limit is the maximum amount of coverage available to a single injured person for a given accident. The higher "per accident" limit is the maximum total amount of coverage the insurer will pay when more than one person is injured in the same accident. However, no matter how many people are injured or how serious the injuries are, the per accident limit is the maximum amount of coverage available to protect you. These minimum limits are often insufficient to cover the damages caused by a serious accident, especially with medical costs skyrocketing. If your liability insurance limits are not sufficient, the person injured by you may come after your personal assets. For your own protection, you should thus buy the highest liability coverage limits you can afford. Purchasing high liability limits is also important because these limits will also determine the amount of underinsured motorist coverage (UIM) available to you. You should buy the highest per person coverage you can afford and that coverage amount should be the same coverage as your per accident limits. This is known as a "single limit" policy. Under such a policy, anyone person can recover up to the limits, and this same limit will be the maximum the insurer will pay if more tban one person is injured in a given accident. A single limits policy thus provides you with more protection than the split "per person"/"per accident" liability policy. If you can afford it, you should buy at least $500,000 single limits liability coverage. You should have property damage liability coverage of at least $50,000 and preferably $100,000. If you have had other accidents, however, or have a bad driving record, you may not be able to purchase coverage above the minimum limits required by state law.
PIP pays for medical expenses and wage loss for you and other passengers in your car, regardless of who caused the accident. It also covers pedestrians and bicyclists who are injured in an accident with you. Although you are not required to purchase PIP coverage, we recommend that you buy the maximum amount of PIP coverage available.
PIP coverage provides for payment of medical expenses, wage loss benefits, burial expenses, and other services such as home nursing care and domestic help during recovery from an injury. Unlike health insurance, there is no deductible or per visit out-of-pocket co-payment. So long as the charge is reasonable, necessary and accident related, PIP should pay 100% of a given medical bill. Thus, even if you have medical insurance, it is still recommended that you purchase PIP coverage on your auto policy. PIP benefits are limited by a maximum dollar amount and for a specific period of time, whichever comes first. State law requires that PIP coverage be offered and that it meet certain minimum requirements. You will automatically have PIP coverage in the minimum amounts identified below, unless you (or your spouse on a joint policy) reject this in writing. For medical expenses, the minimum coverage is $10,000 for bills incurred within three years of the accident. Funeral expenses up to $2,000 must be covered, and wage loss benefits for one year after the accident (with a 14-day waiting period) up to $10,000, must also be offered. Benefits for such services as home nursing care and domestic help – known as "essential services" – must be available for a minimum of $5,000. RCW 48.22.095.
Insurance companies are, upon request, also obligated to offer higher PIP coverage – at an additional cost – for payment of medical expenses up to $35,000, and for loss of services up to $40 per day for up to one year from the date of the accident. RCW 48.22.100.
Despite the trend toward making PIP coverage more available, many insurance companies are becoming increasingly aggressive in restricting payments for treatment they consider "unreasonable" or "unnecessary." For instance, insurers are increasingly likely to attempt to cut off PIP payments before one year when chiropractic care is involved. Usually this is done by them demanding that you attend an "Independent Medical Examination" (IME) with a doctor of the insurance company's choosing. If you refuse to attend such an examination, your PIP benefits will also likely be suspended or terminated. You should immediately talk to a lawyer if your insurance company attempts to restrict your PIP coverage following an accident, or demands that you attend an IME.
Despite the fact that auto insurance is mandatory in Washington, many people nevertheless drive without any insurance or without adequate insurance to fully compensate an injured person. As noted above, mandatory insurance laws require liability coverage of only $25,000 per person/$50,000 per accident, which given rising medical costs is often insufficient to cover the damages caused by a serious accident.
Underinsured Motorist Coverage (UIM) covers you, members of your family, and other people riding in the car against damages caused by an uninsured or underinsured motorist, up to the amount of the UIM coverage purchased. This coverage also extends to you or members of your family who may be injured by an uninsured/underinsured motorist while you are a pedestrian or riding a bicycle.
That's why it's important, if you experience an injury or loss caused by a driver who is uninsured or underinsured, to have your own UIM. UIM coverage is considered so important that the law requires insurance companies to offer it to all customers. RCW 48.22.030. The amount of UIM coverage offered must be the same amount as your liability coverage unless you make a written request for less coverage. Again, UIM coverage will exist by law unless it was rejected by you (or your spouse on joint policies) in writing.
As with PIP coverage, UIM is a very affordable coverage that should always be purchased. You should never waive this coverage or reduce it below your liability coverage to cut costs. Consider paying higher deductibles or even dropping collision or comprehensive coverage instead. There are simply too many uninsured and underinsured motorists on the road today. You may also buy UIM property damage to pay for damage to your vehicle caused by an uninsured or underinsured motorist. You will not need coverage limits any higher than the value of your vehicle. This coverage overlaps with collision coverage since both cover damage to your vehicle, but there may be different deductibles.
Collision coverage pays for damage to your vehicle from an accident or collision regardless of who may be at fault. Collision coverage pays for repair or replacement of a vehicle, up to the fair market value of the vehicle, subject to a deductible which may range from $250 to $1,000. You can reduce the cost of this coverage by choosing a higher deductible amount. Your cost can also be reduced by not carrying collision coverage on older vehicles which have lower values.
This coverage protects your vehicle from damage caused by fire, theft, vandalism, weather, glass breakage and contact with an animal. Note, however, that this coverage usually does not cover such "portable" items as cassette tapes, CDs, personal music devices (iPods, etc.), tape decks or cell phones. Coverage for these items can typically be added by specific endorsement. The recommended deductible for comprehensive is $100 – $500.
Other coverage which is typically offered includes towing and car rental. For a small additional cost, these benefits are usually worthwhile to have on your policy, as towing and car rental costs can be substantial if you are hit by an uninsured driver and have no other way to obtain coverage for these items.


Dr. David Banks, MD, practices Pediatrics in Atlanta, GA. Dr. Banks received his medical degree from Emory Univ Sch Of Med, Atlanta Ga 30322.
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Google GO is a systems language Google uses on it's own production instances. It's nearly as fast as C++, has garbage collection, and can handle thousands of concurrent "routines". When we started with GO, we followed the installation notes, but noticed a few other steps that needed to take place as well. We hope you find this walk through helpful.
Disclaimer: Hey, this is Appirio, right? Why a systems language? What's that have to do w/ Cloud? The GO team is working w/ the Google App Engine team (no release date yet) and it already has huge ramifications on EC2 environments… we think it'll be a major player down the road. Always healthy to stay ahead of the curve.
Add the following code to your .bash_profile. If you don't have one, create it in your ~ directory.
There's way too much output to be useful copying to this article. I noticed a different set of output then described in the installation guide. I think the safest way to test if it was successful is to go ahead and follow the Hello World example. If you're confident that existence = success, you can always run which 8g or which 8l. Both of those files exists after the language is compiled.


Try this new twist on an old Greek favorite. Grill eggplant instead of lamb or chicken and make this recipe vegan and vegetarian friendly.
Our eggplant seasoning also works really well with tofu or seitan strips.
"VBQ" by Nadine Horn and Jorg Mayer, is great for any vegan looking for more options for backyard barbecues this summer.
Total Hands-On Time: 2-1/2 hrs.
Cut the eggplants into slices 1 cm thick. Mix them with 1-1/2 teaspoons of the salt and let sit for 10 minutes. Wash the slices under running water, drain well and pat dry.
Combine the remaining 1-1/2 teaspoons salt with the paprika, oregano, garlic powder, nigella seeds, mustard seeds and oil and stir into a marinade.
Add the eggplant slices to the marinade and leave for at least 2 hours. Next, grill the slices over direct heat for 3 to 4 minutes each side, take them off the grill and mix with the leftover marinade.
Cut the bread into quarters. Toast them over direct heat for 2 minutes.
Slice the tomato and cucumber. Thinly slice the onion.
Fill the pita quarters with eggplant slices, tomato, cucumber, onion, and cabbage and top with tahini and yogurt sauce and fresh dill.
Tip: Our eggplant seasoning also works really well with tofu or seitan strips.


Use sys-auth/elogind for session tracking.
sys-apps/dbus-1.6.12 fails tests with FEATURES="network-sandbox"
>=sys-apps/dbus-1.10.20 hangs with 100% CPU with "too many open files"
sys-apps/dbus[user-session] prevents login with message "Could not sync environment to dbus."
Signed-off-by: Mikle Kolyada <zlogene@gentoo.org> Package-Manager: Portage-2.3.51, Repoman-2.3.11 RepoMan-Options: --include-arches="alpha"
Signed-off-by: Mikle Kolyada <zlogene@gentoo.org> Package-Manager: Portage-2.3.51, Repoman-2.3.11 RepoMan-Options: --include-arches="s390"
Package-Manager: Portage-2.3.28, Repoman-2.3.9 RepoMan-Options: --include-arches="ppc64"
sys-apps/dbus: Don't mess with EPREFIX and EROOT.
sys-apps/dbus: Added dev-libs/expat to DEPEND.
sys-apps/dbus: Added sys-devel/autoconf-archive to DEPEND.
sys-apps/dbus: Prepare reintroduction of tests.
sys-apps/dbus: arm64 stable (bug 611392).
Package-Manager: Portage-2.3.5, Repoman-2.3.2 RepoMan-Options: --include-arches="arm64"
sys-apps/dbus: ppc ppc64 stable (bug 611426).
Package-Manager: Portage-2.3.5, Repoman-2.3.2 RepoMan-Options: --include-arches="ppc ppc64"
sys-apps/dbus: Stable for HPPA (bug #611392).
sys-apps/dbus: Stable for HPPA PPC64 (bug #596772).
sys-apps/dbus: Security bump to versions 1.8.22 and 1.10.12 (bug #596772).
sys-apps/dbus: Stable for HPPA (bug #578946).


Sprocket originally experienced the Pier at Burning Man 2011 & 2012. She admired the story telling aspect of the piece especially the attention to detail on The Ship. She felt very fortunate to become part of the crew that would bring it back to life in the dry bed of Lake Lahontan.
Sprocket had the honor of placing the sign on Pappy's Bait Shoppe. Curating and creating the Bait Shoppe was Sprocket's favorite part of installing The Pier.


it has been re-scheduled to coming Sunday.
26 games. Liverpool is at ninth position with just one point behind with 36 points.
of position in the league standing.
0 Respones to "Liverpool to play Swansea City on Sunday February 17 2013"


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Week 10 brought with it one of the season's most mouthwatering parties: Fuse Meets Next Wave. With that in mind, this week's column tells the Next Wave story. In addition, Ben Turner steps up for a thorough "Ibiza histories," and there are reviews of Glitterbox, Circoloco's star-studded 16th anniversary and tINI and the gang.
For everything you need to know about the island in 2014, take a look at our comprehensive Ibiza guide.
There are several reasons why middle-sized promoters don't have it easy in Ibiza. As prices continue to rise every year, visitors to the island grow increasingly more inclined to go with what they know, preferring to pay a little extra for a guaranteed good time at Space or Amnesia, rather than pay less and risk attending a half-empty party. The global rise of DJ culture hasn't helped either. With a different superstar on show every night of the week, lesser known artists and promoters have to graft day and night just to get a look in.
And then, of course, there are the superclubs. Their strict business approach and island-wide dominance leaves little room for smaller venues, making it very difficult for an alternative, underground scene to exist. All in all, pushing a niche sound in Ibiza can be a lonely business. Thankfully, though, that hasn't stopped people from trying.
Next Wave was founded by Tina Bavdek and Ricardo Quiroz in 2011. The pair met in Ibiza several years before, united by common friends and a shared love for a specific type of techno. In 2010, Quiroz started throwing parties in Privilege's Coco Loco room, booking the likes of Valentino Kanzyani, Masomenos and Rhadoo. But for one reason or another, Cigarra Under (named after a friend's internet radio station in his native Chile) never took off.
During its brief run, Bavdek, a regular at the events, would advise Quiroz on aspects of the party, drawing on her own promoting experience back home in Slovenia. When it became clear Cigarra was going nowhere, she suggested they work together. He accepted, and after some deliberation, they settled on Next Wave, named after a run of forward-thinking parties that came to a premature end at club Ambasada Gavioli in Ljubljana. "It fitted with us trying to show something different to the Ibiza scene," Bavdek explained over lunch in Santa Gertrudis.
The opening party took place on July 6th, 2011, in the 600-capacity basement of Marina Botafoch's Hotel Corso, headed up by Rhadoo and current Cadenza staple Dani Casarano. It went well, so they threw another a week later. After that, however, things took a left turn. The then-owner of the hotel fell ill, leaving his wife to cancel all future events. Next Wave, faced with the first of many hurdles in their existence, had to find a new home. After several weeks, they came across Ibiza Underground and finished the season, hosting a particularly memorable closing with Ricardo Villalobos. But with space for only 200 people on the dance floor, Next Wave decided to move again in 2012.
Starting at Club Punta Arabi in Es Canar ("open-air, by the pool, amazing location but too far away"), they bounced around La Sal Rossa in Playa d'en Bossa and La Trobada in Es Vive, before ending up at Privilege's newly christened Vista Club for the last week of August. Here they settled for a while, seeing out the season with six parties in six weeks. Villalobos returned for another momentous closing, and it felt as if Bavdek and Quiroz had struck gold. In 2013, they were invited back by Privilege to hold down their first summer residency.
Things didn't work out. Opening in June, typically the season's slowest period, they could never get enough people through the door, despite a wealth of great bookings (Thomas Melchior, Onur Özer, Praslea.) "I loved that room, and we were really happy that they gave us the chance," Bavdek said. "But we couldn't find a common language with the venue. We were too different. We never wanted to be so big. To work with a venue like that you need an established clientele, a solid base, because in June there is nobody here. We didn't have that." After just four weeks, they called time on the residency.
You'd think after all that you might want to place your energies elsewhere. Instead, Next Wave dusted themselves off and returned in October for their annual Villalobos-led closing party. It was held at MOMA, beneath Hotel Garbi in Playa d'en Bossa, and was deemed a hot and sweaty success. Valued for their dogged determination, Next Wave were presented with various residency offers in 2014, but rejected them all. "It makes no sense. We already tried," says Bavdek. "I'm sick of sitting in business meetings trying to explain what this kind of music is. Sooner or later there is always this money issue arising. Like, 'It needs to be successful, it needs to be full!' But as soon as it gets like this, we don't want to be a part of it."
One of the clubs that offered them a regular slot was Sankeys, a conversation that would lead to this summer's five-party plan. The first three would run on Tuesdays in The Lab, alongside London event Fuse in the Basement, before switching to Wednesdays later in September.
For Bavdek, the partnership with Fuse was an obvious one. "We have a lot of the same clientele. The same goals. They're also not interested in big things, and they like a challenge." The similarities don't stop there. For one, music takes centre-stage at both parties. It might sound clichéd, but in Ibiza, where flashiness is rife, a stripped-back approach actually sets you apart from the rest. Similarly, Fuse and Next Wave each have their own small pools of artists that they draw from, keen to preserve a family-and-friends feel about what they do. Unlike this summer's other collaboration, Elrow + Kehakuma, Next Wave and Fuse are close enough to complement each other, while remaining different enough to offer the customer a truly valuable two-for-one experience. For these reasons and more, Tuesday's opening party was one of the best of the summer so far.
The day started as most days do in Ibiza: on the beach. Sporting simple Fuse and Next Wave t-shirts, the young, trendy promo teams weaved in and out of towels on a jam-packed Salinas, handing out flyers and stopping to talk to anyone that they felt might fit the vibe. "We're choosy about who we talk to," explained Luca Renton, the promo manager for Fuse. "It's important we attract the right crowd, people who really want to be there." Judging by the audience at Sankeys later that night, this meant a real mix of people, from the habitual British clubbers through to older, black-clad Europeans and the odd scruffy raver. From 2 AM onwards, The Lab was packed, busier perhaps than it's ever been. In the booth, Raresh was just coming to the end of his set, spinning typically groovy house.
As Villalobos took over, people watched from the room's balconies. This gave the room a real warehouse feel. With so many bodies on the floor, the vibe was lively and loud, helped along by Villalobos' pace-setting excursions through freeform jazz and Latin numbers. Several tracks later, though, and we were in the grips of a banging techno set, highlighted by Floorplan's atmospheric "Re-Plant" remix of "Never Grow Old."
In the Basement, Fuse offered the club some respite from the oven-like temperatures elsewhere. Managing to hit the soundsystem's sweet spot, the swing of Julian Perez and Guti sounded punchy and crisp, without hurting the ears. The room was never at capacity, but given that someone of the stature of Villalobos was playing in The Lab, the Fuse boys more than held their own all night.
From there, things got twisted. Journeying into the nether regions of percussion and low-slung rave, Villalobos offset his rough rhythms with sinister yet seductive vocals. Able to indulge his more experimental side, it was a thrilling performance from start to finish. After a couple of trippy techno workouts to close, he signed off as he did at Cocoon two weeks ago, with a full-frontal slice of Brazilian samba. The place went nuts.
Tuesday shined a light on both parties, and showed Sankeys at its full potential. When full and firing on all cylinders, it's reputation as Ibiza's best underground club stands true. It felt markedly different to any other space on the island—darker and rawer—while still maintaining a cavernous superclub appeal. As for the collaboration, Ibiza can only benefit from more of the same. Taking on board Next Wave's tireless attitude and sense of self-belief, Ibiza could once again be a place of rebellious experimentation and musical discovery.
Ben Turner estimates he's been to Ibiza more than 300 times. Over the course of his 20-plus year relationship with the island, he's experienced it from every possible angle: as a customer, journalist, film-maker, businessman, editor, promoter... The list is endless. With such an unbridled passion and in-depth understanding of Ibiza, it made sense for us to sit down and sift through his history.
You came to the island in 1993, what was it that brought you to Ibiza?
I think I'd seen a programme on Channel 4 called A Short Film About Chilling, which at the time was the biggest, most viewed youth culture film on Channel 4, which was quite a new TV channel at the time. I'd never been to Ibiza. I was in love with electronic music but I hadn't really realised there was this island where everything was completely focused on that incredible music. I watched the show over and over again, and eventually found a friend who would come with me and got myself over there.
Within the first 24 hours we went down to Cafe Del Mar and experienced the sunset with Phil Mison, Jose Padilla, Darren Emerson and people like that, and it just completely blew my mind. It was really quite a moving and emotional experience you know, seeing the day go into night with that kind of musical backdrop. So we ended up going back for the next 13 nights of the holiday. Every night began there, and from there sprung all sorts of connections and relationships, and that was it, I was hooked. The clubs were a massive pull but it was as much about the whole spiritual thing and the Balearic sound and the sunset that did it for me.
What were those initial nights out, what kind of music you were listening to, what were the parties?
I was into techno and the DJs at the time, certainly from a UK perspective, were Richie Hawtin, David Holmes, Darren Emerson, Andrew Weatherall. A lot of these guys were getting gigs in Ibiza but I think that a lot of them weren't particularly great gigs. I mean at Richie Hawtin's first gig in Ibiza he famously got asked to stop playing.
At Space, funnily enough. It was not a place for that music. When you think about that, that was 1994, so when Sven [Väth] started Cocoon, you start to realise quite how that guy single-handedly changed the musical landscape of that island for that music.
It wasn't just Richie—the Chemical Brothers hated Ibiza when they played it, horrible experiences, none of them ever wanted to go back. You know it took a long, long time, it really took Sven to pioneer underground music on that island, so it is an incredible shift from what it was like then to what it is like now. Back then though, other than Darren Emerson at Space, we were going to Pacha and Amnesia and the beautiful Balearic music that I'd seen in that 1990 TV show had already gone by that point; there was a lot of very bad commercial music around.
Fast-forward to when you were working at Muzik Magazine, how were you covering Ibiza?
So I went on holiday in '93, went back in '94 as a journalist for Melody Maker, and then launched Muzik Magazine in June 1995. And I think in the first or the second issue I went back to Ibiza and stayed in San Antonio and just did this whole piece on Café Del Mar, about having been so blown away by it. I think I probably went back a couple of times that year, but then from '96 onwards Ibiza was exploding on many levels from a UK audience point of view, so I was probably going back five or six times a summer. And then we were documenting a lot of what was going on but we were trying to filter the crap and really try and focus on the good stuff that was happening. Muzik was very much about that more leftfield, more discerning stuff, but we were still covering Paul Oakenfold's trance parties that he used to do at the top of the hills. There were some pretty interesting things going on at that point. But you know you also had Cream exploding and that whole other side of the island and the whole British promoter invasion thing.
I actually released a book in 1999 about Ibiza, it was called "Inspired Images of the Island of Dance," which Random House published. I also made quite a few TV shows about Ibiza for Channel 4 and ITV and released a compilation called The Chill Out. I was just getting in amongst it you know, as the editor of Muzik I was in a very privileged position and was very well looked after on the island, and I guess these relationships still stand today.
When did Ibiza first become a place of business for you?
At the end of 1999 I was involved in a dot-com called Worldpop.com, which was very heavily funded. It was an online music magazine and I remember we had a webcam for the Ibiza sunset, which I watched every single day I wasn't on the island from my office. And I created a venture called Mobile Ibiza with Pacha and Pete Tong where if you subscribed to our service and took your mobile phone down to the beach bar in San Antonio then got a free ticket into Pacha. It sounds quite basic but in 1999 that was pretty revolutionary.
We were moving people around the island, chasing free tickets around, and we ended up with a huge subscriber base and a really quite visionary platform, so I was really starting to do quite more than just document it as a journalist. Then I started to make these TV programmes and various other things. As Rob da Bank's manager, we did two years of amazing beach parties as Sunday Best—at venues like Cap d'es Falco, Bennirras and Sestanyol. And then in 2003, I launched the magazine for Pacha, which I was the editorial director of for a decade. Back then with Pacha we were trying to correct a misconception of what Ibiza was about, try to really focus on the positive sides of the island and make the island more aspirational. Maybe we made it too aspirational because of what it has now become but it was an important time. Every time I'd see Sven [Väth] over those ten years he would thank for me helping correct the image of the island.
Just going back to 1999 when Cocoon and Circoloco landed—was that something you were going to and documenting from the start?
Yeah, very much so. I actually made a TV programme about DC-10 during its first or second year. It never saw the light of day but I was very proud of what we did with it. It was very crazy afterhours behaviour in those days. I ended up there probably too much, and likewise Cocoon. That first year it was only really one room, the Main Room, and you had this techno legend passing champagne bottles to the crowd. I remember seeing the Prince of Saudi Arabia or something crazy in the VIP. People talk now about how techno has gone all VIP, but Sven had that at his fingertips a long time ago. And seeing this underground techno DJ kind of embrace the Ibiza lifestyle, I was always warmed by that and took great enjoyment out of seeing him enjoy himself so much.
You've experience the island from every possible vantage point. Do you still love it as much as you used to?
Yeah I really do, though I'm there with a lot more responsibility now than before. The thing for me was I always wanted Ibiza to be promoted and documented the right way. TV shows, magazines, conferences, events, festivals... I've done everything I can to deliver something special to Ibiza, but also something special to the outside world looking in. I've fought very hard against Sky and all the other channels that have come here and trashed the scene, exposing the island for all its negatives. At the end of the day, electronic music has changed people's lives forever, and it's currently doing the same to a new generation. The positives far outweigh the negatives. I care deeply and passionately about how this music is perceived and about how the media document it. Ibiza is at the heart of all that.
Glitterbox has been through something of a transformation in recent weeks. My last visit, in late June for Greg Wilson, was characterised by fantastic music and too-few people to hear it. But as my ears adjusted to the classic-tinged sounds of Dimitri From Paris last weekend, I instantly found myself bobbing and weaving amongst the throng. There's no denying it: the party looked better busy. Ranging from preppy teens and mature mothers to gay couples, there was a distinctly mixed crowd, reflecting disco's all-inclusive ethos. As if to celebrate the fact, Dimitri set a lively tone from early on, dropping his edit of Prince's "I Wanna Be Your Lover," followed by Chaka Khan's "I'm Every Woman," to a volley of feet-stomping approval.
The night's indisputable main draw, though, was Hercules & Love Affair. Currently touring live, the New York collective worked the crowd from a side stage, settling straight into their blend of diva vocals and chunky house beats. Comprising two singers (later three) and Andy Butler and Mark Pistel on Ableton, synths and effects, the show was largely captivating (especially their rendition of the "Good Life"-inspired hit "You Belong.") The only gripe was that "Blind" sounded too sinister, lacking the warmth and depth of Anthony Hegarty's original performance. It was great to see Glitterbox in full swing on Saturday, playing host to some of Ibiza's more colourful characters.
From looking at DC-10, you wouldn't have guessed Circoloco was celebrating its birthday on Monday. There were no balloons, no streamers, not even an oversized clown face in sight. And the lineup was solid, as ever, without drawing any gasps. But then again, Circoloco always has a jubilant energy, especially during The Garden's opening hours. Since it has become a permanent fixture, The Martinez Brothers have dominated the space, with their brand of spirited house music a perfect fit for the environment. For the anniversary, the Bronx pair appeared to be smiling more than usual, inflecting their signature swing with some heavy-duty 303s and dramatic breakdowns.
Meanwhile inside, another DJ was staking his claim as the next in line to the Terrace throne. Back for the third time, Black Coffee was once again presented with the tricky sunset slot. Unfazed, the South African DJ owned the room from the go, wowing the audience with his fusion of choppy African rhythms, huge synth lines and sad, soaring vocals. It's an epic sound, and one that garnered reactions unlike any I've seen in that room. After, it was over to the Main Room for a varied and uplifting set of house and techno from Ryan Elliott. Damiano Von Erckert's "House Em" was the highlight, upstaged only by a sudden entrance from P. Diddy, Naomi Campbell and R&B singer Cassie. While the latter two hid behind large shades and a fan, Diddy did the opposite, commanding the booth from every angle.
There are lots of positives to draw from tINI's residency at Sands, but arguably none more so than the discovery of new talent. With none of the budget of the big clubs, the Munich DJ builds her lineups from a mix of small-time DJ talent, close friends and the odd big name. As a result, her party has become one of the few places on the island to hear undiscovered underground acts, outside of the workers scene in San Antonio. Two such names are David GTronic and Chad Andrew, residents of the We Are Rebels boat parties. The pair played back-to-back for more than two hours on Wednesday, weaving cohesively between gravelly house, crackly dub techno and swinging tech house. Impressively, the energy never dipped during their set.
At 10:30 PM, tINI took her place in front of the masses. Her set felt more musical than usual, lacing her dubby drums with Eastern pipes, R&B samples and breathy vocals. Regardless of what was layered atop, however, the basslines remained as twisted as ever. As the sun dips beneath the mountains behind Sands, a sense of abandonment creeps over the beach club, encouraged by tINI's sleek, dark music. Outside, it's packed and almost pitch black, while inside people either lie draped over armchairs or mill about talking. There's something fresh and unstuffy about the place, largely because it attracts a young audience. It's a crowd that's musically savvy, too, which isn't easy to come across in Ibiza.
For more information on what's happening on the island in 2014, check out our comprehensive Ibiza guide below.


Last month as I caught up on the April issue of Vogue, I was thumbing through the pages when an article entitled 'Weight Watcher" caught my eye. It was about a mom who put her 7-year-old on a diet.
I started right in and the further I read, the more disturbed I became.
The writer, a mother of an overweight seven-year-old, described the Weight Watchers-type diet onto which she signed her daughter against the backdrop of her own lifelong struggle with weight and food.
Horrified at what I was reading, I hoped that by the end, the author would redeem herself and win me back over to her side. She never did. The next day, I was still disturbed. When I went online to find the article, I found that others had been equally as troubled.
I'm not a parent but I hope to be one day and any maternal instinct I have tells me that this mother's approach was wrong.
I'm all about health and wellness for the whole family where weight loss occurs as a side effect.
The more I thought about some of the mistakes the Vogue mother made, I wanted to re-frame her actions with more constructive tips.
I appreciate all the dedicated, hard-working parents and understand that parenting isn't always easy and not so black-and-white as I've outlined above. So if you're doing what you can and your heart is in the right place, I applaud you!
How do you encourage healthy habits at home?
I like healthy snacks because it makes me feel better if my kids don't eat that great at mealtime. Sometimes I mix in other healthy things into snacks that my kids already eat all the time. Like, they love apples, so sometimes I cut up apples and carrots together and they end up eating more carrots than usual. Or, right now, I am trying to get my 1 1/2 yr old to eat almonds, so I mix a couple in with cheerios, raisins, dried cranberries etc., things she already eats and likes. And occasionally for a treat or reward, I will mix in some mini chocolate chips for my 3 yr old.


Hats have always been a major part of all kinds of cultures and history has seen much change always when it comes to hat apparel. While these days people are more into such items like baseball caps, Seahawks apparel and sweatshirt hats that they can wear at the next Super Bowl game, there was a time when hats serve better purposes and were worn in a completely different fashion. This is why it is an interesting history to look over. When we go back in time, we see that initially hats were developed as a means of protection and safety against weather conditions and such, and later they were also used for religious reasons.
Even in the military hats have always been representations of ranks while normal people wore it to indicate their social status. But what are the main features of hat design that make up a hat? Well basically all hats have four design features including a crown, peak, brim and puggaree. The crown is the part that lies on top of the head and among the different kinds of crowns are open crown hats, tapered crown and center crease. The peak is the portion which is also known as the visor. This is the part which is stiff and provides protection from sun. The brim is the portion that is not present in baseball caps and covers the circumference of the entire hat with a stiff projection. The Puggaree is something like a hatband which is usually adjustable and used in designs like the military hats and pith helmet.
Hat making that began from London was introduced by the hat makers Locks of St James's street and Sharp and Davis. In America the pioneer hat maker was John B. Stetson of the famous Stetson hats which are popular to this day. There are almost seventy different types of hats which are worn all over the world including the top hat, the Akubra, beret, baseball caps, bucket hat, custodian helmet, dunce cap, Gatsby, hardee hat, mortar board worn by graduates on their convocations, peaked caps and trucker hats. From protection to serving as a uniform, hat apparel has been a part of many religious cultures and modern fashion traditions. Even today it is one of the most noticeable item in one's attire and the addition of a simple hat can change the beauty of an attire from zero to maximum in no time. They are simply one of the most fashionable accessories ever worn.
The Milliners were the first people to make hats popular and available to the people. The Millinery has been an integral part of British culture since the sixteenth century. These were actually haberdashers that were always travelling to Britain from other regions like Milan. These people were always selling off attire and apparel to the people in the British region and they became popular for introducing all the hat fashions as well to the British people. Millaners today are known only to make hats for women and that is what they are traditionally known for.


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