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Congresswoman: "We Need Analysis of How Christian Militants or Others Might Bring Down the Country"
Texas' most embarrassing Congressional representative and member of the House Homeland Security Committee, Rep. Sheila Jackson Lee (D-TX), says that we need to be looking broadly at the threat faced by our nation, namely analyzing how Christian militants and "others" could undermine our laws and bring down our country:
What I'm saying is that as we look to be informational we should include an analysis of how Christian militants or others might bring down the country. We need to look broadly, do we not?
The issue is whether or not their intent is to undermine the laws of this nation, and I think it is clear that is the case.
While we're at it, let's look at, analyze, and prosecute all of the "others" who would threaten our nation and undermine its laws, starting with:
Illegal immigrants who enter the United States without permission and undermine our laws by doing so. This poses a serious economic, as well as social threat that could, arguably, be responsible for bringing down our nation from a financial standpoint. Incidentally, Congresswoman Lee is not only a supporter of immigrant amnesty and an immigration lottery, but is fully enabling the undermining of our immigration law.
The private Federal Reserve which has undermined our currency for nearly 100 years and has no realistic transparency over their operations. Ms. Lee has withheld her sponsorship for The Federal Reserve Transparency Act of 2011, which was introduced by Rand Paul earlier this year. Ms. Lee also cast a "nay" vote on the Federal Reserve Reserve Transparency Act of 2009, making it clear that while Christians may pose a threat to the rule of law, out of control monetary policy with no oversight is just fine and dandy.
The banking conglomerates that have orchestrated one of the largest financial swindles (and continue to do so) and subsequent meltdown in the history of the world. They pose a threat that not only undermines our laws, but the very economic foundation of the United States. While it may not have stopped the financial collapse, The Glass Steagall Act provided regulatory control over speculation and large leverage limits. The act was repealed in 1999 by passage of the Financial Services Moderation Act, thanks in part to Sheila Jackson Lee who voted "Yea."
Dirty Congressional representatives willing to undermine our laws through enabling, and perhaps being directly involved in, voter fraud as has been suggested of Ms. Sheila Jackson Lee in her very own district – Congressional District 18. If there's one thing that could undermine the rule of law in our nation, it would certainly be falsified voting records and failure to check identification of voters.
The illegal use of taxpayer money for personal gain. Taxes are reportedly paid in order for it to be possible for the government to conduct the peoples' business. The laws of this country are undermined when elected representatives use this money for personal gain or personal vacations. In the case of Rep. Sheila Jackson Lee, she's been known to use public funds (against house rules) to have a government vehicle and chauffeur bring her to work, a trip distance of approximately one block. Most recently Ms. Lee utilized public funds to attend the funeral of Michael Jackson, a completely personal affair.
If we're going to be investigating Christian militants and others who are responsible for undermining the rule of law and posing a threat to this country, the agencies responsible should do this in concert with investigations that include analyzing upper echelons of our government, Congress, corruption in law enforcement (on all levels) and financial conglomerates.
Sheila Jackson Lee would be a great place to start.
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"I'm sure that Metallica don't need the money": Best Fit meets Future of the Left
Words: Andy Johnson / 24 June 2009, 09:00 BST
Fresh from reviewing the new second album from Future of the Left, we meet up with Future of the Left's frontman Andy Falkous to talk about the writing and sound of Travels With Myself and Another, as well as the complexities of music piracy and merits of the words "ace" and "psyched".
How pleased are you and the rest of the band with the new album?
We're very very pleased. We did the previous album two years ago, written three years ago, and we were very proud of that record , we were particularly inspired at that time and wondered at one stage if we were ever going to better it. But I think after about nine months of doubt when nothing was really happening, all of a sudden we had two months where absolutely everything went right and we wrote about 16 songs in a two month period. Certainly in terms of the band it's our favourite record, there will be people who prefer the first record which they're in their rights to do.
You think as a band you managed to top the first album then?
Yeah definitely – I mean not exactly to take it on in its own terms, because Curses is a sort of nastier, more angular record, it's got sort of more bite to it. I mean this record is just massive, I don't mean in terms of commercial reach I just mean in terms of the way it sounds, it sounds as if it was recorded in crumbling caverns underneath mountains or something, it's just sort of this gigantic sound which wasn't really what we were reaching for, it's just the way the songs pushed us, I suppose.
It sounds to me like an anxious, sort of agitated album, where do you think that comes from?
You see I was just saying exactly the opposite in the last interview we did – I think Curses sounds like an anxious, aggravated album… I mean I haven't listened to that much, if I'm at my mother's house and I go for a run or something I'll put it on, because 33 minutes is the right sort of time to go for a run, but to me it sounds incredibly confident and it has it's natty little moments, don't get me wrong – stupid little lyrics about dinosaurs and the like, but anxious isn't something I get from it, to be quite honest with you.
Fair enough… it's funny that you mention that dinosaur lyric (on "Yin / Post-Yin") because that's always one of the ones that stands out for me. There are quite a few surreal moments like that aren't there, lyrically speaking?
Yeah absolutely. And it's the only way it can be for us really, trying to write about the things which are important to you, unfortunatelyyou can end up sounding very worthy and po-faced. And obviously there are songs on the album which are about subjects which are close to our hearts, there are love songs on there and there are songs about people which are cleverely (or not, as you may choose to look at it) interspersed with bits of pure bollocks, but it's fun to write a song about dinosaurs, as opposed to some girl who left you and broke your heart. I mean how distinctly uninteresting and unoriginal is that? Maybe it's the age, but I'm not interested in hearing about somebody's heartbreak really. Maybe if it had some new and exciting spin… there's nothing new you can say to me about that. I don't mean you personally, I'm sure you have lots of incredibly invigorating tales of heartbreak, but the way rock bands write about heartbreak just isn't something that interests me at all.
Less heartbreak, more dinosaurs?
Well you know that's a little bit of a generalisation, but if it looks good on a T-shirt then let's have that as the manifesto.
It's a really fun song, that. You were saying that the album is quite strong in parts, it is quite strident isn't it… it doesn't feel overtly serious a lot of the time.
Absolutely. Like you say there are moments on "Yin / Post Yin" there are moments, there are lines in it which are very serious lines and when those particular people hear those lines they're meant to basically sit back in a leather chair, light a cigarette and go "that's so true about… stuff" but you know to intersperse that with little bit about dinosaurs going back to college after doing a part time job for a while is pretty much how I choose how to write songs, it's not neccesarily true of lots of bands that I like, but our strengths are – I wouldn't say stupid lyrics – but more inventive uses of language. The problem is of course that then you get into something of a comedy band ghetto where having a sense of humour makes you exclusive from the rest of rock bands, which isn't true because lots of people in rock bands are funny individuals who understand and appreciate comedy, but who for some reason are scared of showing that in any kind of way in their music, and as a result we stand out a little bit more than we should for that factor, because humour is a part of our music, rather than being waved around in a plastic booby kind of way, a la the Bloodhound Gang or some shite like that.
It seems that whilst there may be bands out there that might have funny personable people in person, but they seem to see music as a serious business.
It's a manifestation of an idea of what music should be. The bands I love, their music conveys their personalities, for better or worse, all the foibles, all the good and the bad bits. The curmudgeonly nature perhaps, the humour, the excitement, the genuine aggression, the love, the loss, the whole picture, as opposed to some quasi-gothic fucking distillation of a failed love affair. That's not everything that life's about, life isn't about jumping around a stage in shorts screaming about "society". Society's a very complex thing and it isn't all just about you know, singing about what "the government" does to them, fought with getting tattoos and wearing shorts on stage, which is a great way to "stick to the man".
Just reminds me of a Bad Religion song called "You Are (The Government)" which seems like quite a good retort to that…
Well yeah it is. The power exists in people's minds and ultimately in their hands. The problem I find with political music… I mean we're relatively political individuals, all left-leaning, but the problem with explicitly political music for me at least is that it's preaching to the converted and as such I choose not to put my best efforts into that direction. And also musically it can sound very po-faced. Putting a personal perspective on an issue is fine, but when a band sing about politics they've got to do something particularly special musically in order to engage me at least.
Besides the surreal lyrics, there are a few songs on the album and particularly titles which even very abstractly made me think of topical things as well, a bit.
Well "Drink Nike" is about branding, for example… the beginning of "Lapsed Catholics", the final song of the record, is something of a stream of consciousness rant which was inspired by Sky News announcing that Morgan Freeman had died which reminded me again of what happened on Sky News on September 11th when the presenter announced that the entire eastern seaboard of the United States was under attack, it's not news really is it, it's soap opera dressed up with occasionally convenient fact. The only really difficult song to explain on the record is "Yin / Post Yin" which is just a meeting point of surrealism and well-meaning bluster about ex-girlfriends. But "Arming Eritrea" is a very difficult song to explain, I've already tied myself in knots trying to explain that on a couple of occasions… but all the other songs have a much more linear sense to the lyrics, and you have stories underneath them which is a new thing for me, I'm quite proud!
One of the songs which springs to mind is "The Hope that House Built" which I believe is going to be a single is it not?
It was a single a while ago now… and it was spectacularly unsuccessful.
That would explain my confusion then… but what would you say that one's about?
Well musically the song comes from wanting to do something completely ridiculous. I mean personally I'm a huge Queen fan, I just love the unashamed, undiluted over the top parts of classic Queen, particularly mid-70s things like Sheer Heart Attack which is one of my top 5 albums ever. And also in a totally unashamed way I wanted to write a record which part sounded like fighting music but part sounded like a series of a Klingon war chants or something, not that I'm a huge Star Trek fan but I just found that notion particularly appealing. That's musically where that song came from, lyrically it's about hopeless causes. We feel like a hopeless cause a lot of the time, I mean we love playing shows, the people that like our band seem to really like our band, and believe me we appreciate that but the song is about feeling that you have a pre-destined fate, that being a good person and endeavouring to succeed in the best kind of way isn't going to be enough but shouldn't stop you falling lemming-like off the cliff. Life isn't always about the end, the process can be the end in itself. I think a lot of bands get that sometimes, I think records become a means to success and money or a particular tour, or getting their dick sucked by a sucession of women with low self-esteem. But it's important to step back sometimes and realise that sometimes the process of the album can be the end in itself as well, it's not simply a device to attain another level of existence but it is the thing it itself. Sorry that's a little profound for one song! But that's kind of what it's about, we sometimes see ourselves as a hopeless cause but that doesn't make us any less proud to be in the band.
Calling yourselves a "hopeless cause", which is of course a phrase used in that song, reminds me of your recent anti-piracy rant on MySpace, talking about the lengths you'd gone to as a band to try to prevent the album leaking. How do you feel about that whole situation now?
It was absolutely heartfelt, and it wasn't put out there to judge people for downloading the record, I mean it's human nature. If you can get something for free, the chances are you will. Unless you're a morally stoic individual, you are going to take what you can for free. I was just trying to add another angle to the whole narrative of what pirating of music has become – to give a different angle in a sense that most of the argument is people who are pro-downloading going "I'm sure Metallica doesn't need the money". I'm sure that Metallica don't need the money, unless you're talking of a fourth holiday home or whatever, but it doesn't really change the moral issue. Theft is still theft, whether it's from Metallica, Puddle of Mudd, Echobelly, Pulled Apart By Horses, it doesn't matter. As far as I'm concerned, if people want to steal stuff then that's on their conscience, it's not for me to step in and tell them what's right and wrong, that's their personal morality. But once they've taken that decision they should really run and hide in a corner and consider their ill-gotten gains rather than come on the internet and morally justify how music should be available for free. I'd say that if we were really living in this agrarian hippy fucking free-for-all there are more basic human rights than free music…. free clothing, free food, free water, free electricity, I'd say they all come before free music. As far as I'm concerned the way to end the pro-download argument now is to accuse everyone who downloads music of being middle class.
It is such a convenient, middle class attitude to take, believe me there are working class kids out there making music, wanting to make a living out of it, which shouldn't neccesarily mean that they're artistically compromised in any way. I've made what you may laughingly call a living out of music for the last couple of years and it hasn't compromised me one bit. If somebody tries to give their music away for free believe me they'll fucking headbutt somebody. Has anybody suggested to the Wu-Tang Clan that they give their music away for free? It's such a middle class thing to come up with ridiculous notions of how life should be. At the end of the day we live in a first-world economy, but the people I've met who out forward the argument that music should be free are the sons of rich financial advisors and as a result their opinion on the subject is almost invalid. But it is funny, and they should keep it coming.
One of the things I thought that was a bit different about what you had to say, was the way that you managed to communicate with a lot of people using MySpace, and that your perspective was quite different from that of the major labels.
They've tried to portray it as just black and white, which is never the way to deal with a problem, or an issue. It turns the whole thing into a one-dimensional cartoon debate, as opposed to a very real issue which actually affects people. It's a real shame because it didn't come out of nowhere, pirating, it's not a simple matter of the technology becoming available, it comes from record labels overcharging for CDs for years – new releases, £14 or £15. Which didn't all begin in a vacuum, maybe in that sense piracy was stealing from the rich and giving to the poor, and unfortunately that mindset imbues a lot of people these days but believe me, stealing from a band like ourselves or the kind of label we're on, you're not stealing from the rich, you're simply putting the artist out of business, and it's as simple as that. If people understand that and still steal, then well I've done my job. There's an argument that they should just sit and consider the effects of their actions.
I guess there comes a point when you feel you've done what you can do, and you have to just let this album and everything else you've done stand up by itself?
Yeah absolutely. We're very much of that mindset as a band, things rarely go as smoothly as you might like. But we put everything into our live performances, we put as much love and pride into every performance whether it's in front of 550 people as it was in London the other week or 28 as it was in Carlisle 4 or 5 days ago. I mean I can tell you obviously which one I preferred, it was the bigger show with the great reaction, as opposed to the room full of a support band, who were Oasis wannabes and a selection of rather bemused-looking locals, but as a band you give you everything to every particular situation and the things we can't affect, we can say about how the different ways they play out affect our lives, but there's only so much we can let those things worry us. Expressing an opinion about downloading is one thing but then we just have step back away from the debate hopefully having added something to it and let people get on with their lives, and the formation and re-formation of their moral codes.
I think you've certainly added something to it, and certainly something rather different to the sledgehammer approach which is what the big labels seem to do, that whole "you're either for us or against us" idea.
They don't help anyone with that, and the silence of the big labels over the last few years shows that they've realised that doesn't work any more.
Let's get back to the band – do you feel like now, you can bury of the axe of being ex-members of bands and you can be seen as Future of the Left as a unit?
Yeah, to a degree. Maybe not quite yet at this early stage. I really do hope so, because it is like talking about an ex-girlfriend every day, three and half years after you split up. It's understandable, because she had great fucking legs, and those kind of eyes which can enchant any man, but it does get a little bit tedious for a lot of reasons. We're proud of what happened with Mclusky and Kelson's proud of Jarcrew but all three of the people in this band have far more belief and excitement in their current endeavour which is understandable… but the consistency we've shown on these two records dwarfs anything that myself and Jack did in Mclusky and anything Kelson did in Jarcrew, as far as I'm concerned. Some people prefer the previous bands, and I understand if they do if they're into a more particularly straightforward type of music. It would be nice to move on from it one day. I would suggest that even if we end up being ridiculously successful it will still never happen. People love talking about what no longer exists. They love to romanticise the past and thanks to the medium of the internet people can always find out about bands. And believe me if everyone who talks about Mclusky with such fervent love and attention had been there at the time I'd be conducting this conversation from a golden sofa on a golden phone and after I'd finished talking to you I'd take a helicopter ride to my local baguette shop where I'd get two thai sweet chili baguettes, one which I might choose not to even eat.
Maybe give it a few years and you might be there! I'm sure that's not what you really want though…
No of course not… if everybody who wanted to said they'd seen us at the 100 Club the capacity would have been about 1,500 instead of about 300 which is what it actually is. The amount of times people have come up to us at shows and said "I love your music I can't understand why you're not bigger" and we say "did you buy the record?" and they say "no I downloaded it". You think, you need to go and sit somewhere, and think about what you just said.
I think you're right about people wanting to talk about things that are gone, despite being The Beatles, The Beatles still could never kill off the Quarrymen.
They just love it. The path of criticism follows – the new album is not as good as your old album. There are a few exceptions to that where it's beyond debate but there's always people who prefer the previous album. The amount of angry emails I've got from people over the course of my career saying "I don't like your new album as much as your last album" and you just think, start your own band, listen to the album again, you're not getting the same album again, grow up.
And then if they got the same album again they'd moan about that…
There's a particular type of fan who does just want the same record over and over again. Mclusky Do Dallas was very successful in Germany, but the next album just didn't work there at all. But particularly in Germany, Curses didn't get any following at all, and it's only now getting a cult following and the new record is coming out, and people aren't liking that! So it's all about the revisionism, all about the "yeah this is good and everything, but remember when it was so much better?" I'll tell you what shows us the mindset of this type of person… there was something on our forum the other day, which is something I only check every so often, and it was somebody saying they didn't like the new album as much as the last album, which they'd loved. But that was the first post on our forum – their first action was to come on and criticise. Everyone talks about Mclusky Do Dallas as this classic album but believe me when it came out it was not regarded as a classic album. Because it wasn't – it was only a classic album two and a half years later when the next record came out. It's the way people work critically I suppose.
The people that love something just tend to shut up and not mention it…
Yeah they just tend to be drowned out by people whose only way of discussing music is by using words like "ace". Personally the word "ace"doesn't exist for me, an "ace" is a fighter pilot. The same if someone tells me they're "psyched" for one of our shows… that one just passes me by. Generally speaking the people I'm going to like don't use those words. Generally you dip your toe in the wider lexicon with me but "ace" is the kind of way that people who like twee bands talk about those bands. The bands I liked were never ace. Wire were never "ace", Shellac – never "ace". Different words, more human words I would use to describe.
I ought to ask you about the live shows, I know that playing live is something you're all enthused about, how has that been going?
The shows – apart from when things break and believe me my friend, they always break – have been fantastic. We've just done a difficult run of shows, Carlisle, Edinburgh and Crewe… not the kind of thing you talk about unless you want to have the kind of depression which breaks the heart of most sober audiences but the tour we just did was meant to be at the same time as the album release but that hasn't happened as the album isn't out until 22 June. But the attendances generally speaking have been OK, they need to be better though if we're to sustain ourselves as a band. But the live shows have been enjoyable, I think we're quite lucky in that we played the songs from the last album just long enough, we didn't get bored of them. But if we'd been on a bigger label, if they'd tried to milk that album, maybe we'd have been on tour for three or four more months playing that same set and it would have become tedious. I think we manage to turn it around at just the right time – we always approach each show with the same level of conviction and enthusiasm, like I say if it's for 550 people or 28 people in Carlisle.
It just reminds me how long it is until the album comes out… I feel like a dirty pirate already for having heard it.
That's the way piracy affects bands, in terms of momentum. A lot of the praise expended on in webzines or in the printed press can have dissipated. A lot of doing a record is about building a momentum between the different parts of the industry – playing live, the reaction on the internet, maybe the radio play in a fantasy land where John Peel is still alive, about all those things happening at the same time. The problem we've had as a bad is that people have said very nice things about us but it all happens in a really fragmented fashion, which means that there's never really enough momentum to break through into a slightly more wide audience.
It's really interesting to hear all that from a band's perspective.
There's a notion again that comes from what we were talking about earlier, that middle class ethos of pirating. With bands, you're not allowed to say you want to be successful, whatever successful means. You're not allowed to say you want to sell records, it's not the cool thing to do. I have no shame about that at all. The second it compromises the music we make we should feel snowed under by shame but we want to take the music we make naturally to its biggest possible audience. Which we don't see as being arenas or whatever… but as far as I'm concerned I can't see why it's unreasonable to play to a thousand people a night, and I refuse to see that as mutually exclusive to maintaining a sense of artistic credibility. Believe me, we are so informed by our pride and our innate sense of what credibility means in our own terms, that we're not going to compromise that for something as crass as money.
You were talking about that idea of playing to a thousand people a night, but what other things are hoping to achieve, what's next for Future of the Left and for you personally?
There's going to be a lot of touring over the next six to nine months , touring that record. On a personal level, hopefully getting in more exercise than I have over the last month or two, reading a lot of books, working some other… I'd hesitate to call them side projects but other music, until we feel ready to write a new record, that's pretty much it really. As a band we just need to step up a level in terms of the number of people we play to. We've stepped the music up on the album, we did that in terms of our live performances and frankly in terms our hilariously quick-witted comedy, we just need to tally that with the number of people. And if we do that there's no reason why we can't sustain ourselves over the next few years until the point where it eventually becomes boring for all concerned and we just stop just like that.
I'm sure that's not too close… it is a great album.
Thanks very much for that, maybe speak to you around the time of the next record!
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Janeiro 6, 2019 5:37 pm
More than a mere border, the sea is increasingly being used as a form of leisure via a range of different activities.
Every year on July 4th, the waters of Madeira host the Blue Marlin World Cup Championship. The competition takes place on the same day in different parts of the world and the winning place goes to the team who catches the heaviest Marlin.
This isn't a novel competition, neither is the inclusion of Madeira on the list of places in the world where it takes place. The competition is just one example of the different leisure activities associated to the sea which has a long withstanding tradition on the island.
Big Game Fishing is an all year round sport, although different species are caught at different times of the year and according to season. However, this is only one possibility amongst a list of different marine activities which can take place in the surrounding waters of this popular award-winning island destination.
Historically the sea has always been an obstacle but as time passed it became a challenge. In addition to the traditional use of maritime resources for activities such as fishing or as a means to transport cargo and passengers, it has extended into the world of tourism which developed throughout the twentieth century.
Nautical recreation, sport competitions, or the simple act of swimming and sunbathing were all concepts developed throughout the century and are currently part of a wide range of activities which include surf, stand up paddle, bodyboard and many more.
The location of these islands has meant they have been on the main maritime routes of the Atlantic for years and still are nowadays as a great number of yachtsmen stop-off at one of the three marinas or two recreational ports in Madeira and Porto Santo, with a combined total of 1.000 mooring posts. They are also a stop-off point for many international regattas such as Transquadra.
But for many the relationship with the sea is directly linked to going to the beach. In that sense Madeira cannot pride itself of having vast golden sandy beaches as many are pebbled beaches, of basaltic origin. Others are a mixture of sand and pebbles together like Praia Formosa in Funchal. Others such as Seixal on the North Coast are of basaltic sand.
Even so, the list is long and includes other manmade accesses which total at 30 beaches and bathing areas, a number which doesn't feature the hotels which have built their very own sea access.
It may come as strange to some that locals would sunbathe on a cement platform, which they dive off from or use to access the sea via a few stone steps. But if you look at it from another point of view it's a distinctive feature of the island.
There are also other places of incomparable beauty such as the natural swimming pools of Porto Moniz served by a modern beach complex or Doca do Cavacas in Funchal. Another is Fajã dos Padres where a steep escarpment softens into a shingle beach; or Calhau da Lapa which is highly sought after for its tranquility and only accessible via hundreds of steps.
The reason for all of this? The Archipelago of Madeira is part of an underwater mountain range, mainly submersed. The islands are the visible part of those mountains which explains the rugged terrain.
The best beach of the archipelago is in Porto Santo. A stretch of 9 km of golden sand and winner of many prizes, its therapeutic properties are what makes it unique. The emerald green waters spare further comments: The beach in Porto Santo is an ex-libris.
It's also here that we can find the only artificial reef used for diving, created with the sinking of the merchant ship "Madeirense". Diving is also common in Madeira and practiced in places such as the natural reserve of Garajau or at Clube Naval do Funchal which has an underwater route with sign posts. They aren't the colourful waters of the Caribbean however there is a lot of visibility and the added advantage of being able to access the sea directly from land without the need for a support boat.
Most of the subaquatic beauty of Madeira can be found on the remaining islands of the Archipelago. Located 180 miles south of the island are the Selvagens, a sanctuary of natural beauty but difficult to access. A little closer and just off the coast of Funchal are the Desertas. Several companies offer daily round trips including an island visit, lunch and possible whale and dolphin-watching.
Whale-watching is one of the most popular activities with several boats leaving the Port of Funchal and Calheta on a daily basis. What makes it interesting is that in Madeira there is a large probability of whale and dolphin sightings all year round. And even if this isn't possible, the journey along the south coast is always pleasant.
An added emphasis is being placed on the sea for leisure activities. The subject was recently behind a study by the Chamber of Commerce and Industry in Funchal which shows how nautical activities have a high growth potential on a par with other marine resources such as fishing, investigation or energy.
In addition to leisure, the Port of Funchal is also an unavoidable icon in this case, not only due to its tradition and history but because it's responsible for bringing in around half a million of passengers a year.
And if all this want enough, Madeira has a relationship with the sea that only an island could dream of. In a single day, it's both possible to go for a stroll in the mountains and a swim in the sea at the end of the day.
The proximity is to such an extent that the sea seems to want to involve us in all its vastness. A simple contemplation, whilst savoring food at a restaurant or enjoying the view from an esplanade, is at the reach of a will at any time of the year…


Vitamins are low-molecular substances that trigger and support the normal course of cascades of biochemical transformations taking place in the cells of the human body. To understand the importance of vitamins, it is necessary to know that absolutely all the physiological functions of various organs and tissues, as well as their nutrition and oxygen supply, take the form of successive cascades of biochemical reactions.
Each function in the body is performed by a certain type of reactions, which are activated and maintained at normal speed by vitamins. And each vitamin activates and maintains the rate of flow of only a certain type of biochemical reactions.
Since the hair is the appendage of the skin, which needs food and oxygen supply, they, like other organs, need vitamins. Vitamins provide a normal course of metabolic and respiratory processes in the hair follicle and directly in the cells of the hair itself. On how optimally the hair is provided by vitamins, their appearance and structure depend, as well as the growth rate and loss.
With the necessary amount of vitamins, the hair is beautiful, lush, shiny, elastic, fast growing and not falling out. If there is a deficiency of vitamins, the hair becomes dull, lifeless, brittle, with split ends, poorly growing and dropping out. Thus, the importance of vitamins for hair is obvious.
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LiveU Reports Massive Growth in in Data Usage at Qatar 2022 Compared to 2018
By SVG Staff | Tuesday, January 10, 2023 - 3:10 pm
LiveU released its statistics from the world football tournament in Qatar, reflecting a massive increase in usage across the board. Over 1,000 field units were used by broadcasters and sports […] More
Broadcasters Air FIFA World Cup with Virtual Studio Graphics Powered by Zero Density
By SVG Staff | Friday, January 6, 2023 - 10:37 am
From Morocco's historic win against Portugal (becoming the first African team ever to make it to the semi-finals) to Richarlison's bicycle kick and Messi's fairytale ending; this World Cup has […] More
FIFA World Cup 2022: Ateme Customers See 116% Spike in Traffic, Increased Quality of Experience on OTT
By SVG Staff | Tuesday, December 20, 2022 - 9:59 am
Streaming service providers experienced an exceptional traffic demand on their video networks during the FIFA World Cup as millions of viewers gathered to follow their team across the tournament. On […] More
Africa's MultiChoice Leverages Imagine Comms Gear to Launch UHD Channels for Qatar 2022 Coverage
MultiChoice, operator of Africa's premier sports broadcaster, SuperSport, took UHD channels to air for the first time using a hybrid SDI-IP playout and infrastructure foundation from Imagine Communications. A long-established […] More
FIFA World Cup 2022: BBC on Sharing Facilities for Its Coverage
By George Bevir, SVG Europe Editorial Director | Tuesday, December 20, 2022 - 9:26 am
The proximity of the Qatar 2022 World Cup stadiums provided the BBC with an opportunity to approach its presentation of the football tournament in a different manner. Four years ago, […] More
FIFA World Cup 2022 in Review: Check Out All of SVG's Coverage From Qatar and Around the Globe
By SVG Staff | Monday, December 19, 2022 - 11:37 am
Prior to Lionel Messi and Argentina ascending to the summit of the footballing world, the editorial teams of SVG and SVG Europe have reported on the production operations and technological […] More
Live From FIFA World Cup: Inside Fox Sports' Remote Production Ops at Pico Blvd. Facility in L.A.
By Jason Dachman, Chief Editor | Friday, December 16, 2022 - 2:48 pm
While Fox Sports has rolled a robust presence in Doha for the 2022 FIFA World Cup, it's Pico Blvd. broadcast facility back home in Los Angeles and FOX Media Center […] More
Live From FIFA World Cup: In Conversation With World Cup Final Director Laurent Lachand
By George Bevir, SVG Europe Editorial Director | Thursday, December 15, 2022 - 12:19 pm
Ask Director Laurent Lachand how he'll approach directing Sunday's 2022 FIFA World Cup Final, and his answer is similar to one that a player might give. "A match is a […] More
Live From FIFA World Cup: Host Broadcast Services Hails Impact of Cine-Style Cameras
If viewers were asked to select a star performer at the World Cup, they might point to the likes of France's Kylian Mbappe, Argentina's Lionel Messi or England's Jude Bellingham. […] More
Live From FIFA World Cup: Switching Lines and Sourcing Footage With NOS
NOS is one of many World Cup rights holders to have a base at the IBC in Doha, where it is switching lines for colleagues back in the Netherlands and […] More
Live From FIFA World Cup: Timeline TV on Providing Groundbreaking Joint Facilities for ITV Sport, BBC Sport
By Heather McLean, SVG Europe Editor | Thursday, December 15, 2022 - 12:07 pm
Timeline TV is trailblazing with the provision of joint facilities and services for both ITV Sport and BBC Sport at the 2022 FIFA World Cup, delivering a more sustainable approach […] More
FOR-A Technology Provides Production Facilities for Many Broadcasters at Football Event in Qatar
By SVG Staff | Thursday, December 15, 2022 - 11:25 am
While the match content is provided by the host broadcast organisation, at major international sporting events like the football competition in Qatar, many major broadcasters need on-location production facilities to […] More
Live From FIFA World Cup: Poland's TVP Sport Supports Broadcast Operations With Onsite OB Van
By Kristian Hernández, Senior Editor | Thursday, December 15, 2022 - 9:00 am
The FIFA World Cup brings nations near and far to the International Broadcast Centre, and situated within the Qatar National Convention Centre, countries big and small are sending feeds back […] More
Live From FIFA World Cup: Telemundo Deportes Descends on Souq Waqif for Immersive Studio Coverage
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By Ken Kerschbaumer, Editorial Director | Thursday, December 8, 2022 - 9:57 am
The Telemundo Deportes 2022 World Cup efforts literally span the globe. The broadcaster's Miami-based Telemundo Center produces content 24/7, and its Doha-based team ensures that it gets everything it needs […] More
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← How Numbers Crowd Us, 2013
Artist Talk: Ed Woodham →
SOCIAL PRACTICE ARTISTS RUN OUT OF TOWN
Posted on April 2, 2018	by StrangeMakings
Artists Samantha Hill and Ed Woodham in front of their temporary downtown Macon apartment
NEA FUNDED MILL HILL ARTIST RESIDENCY
IS ART WASHING
FOR IMMEDIATE RELEASE: Wednesday, July 27– Artists Samantha Hill from Chicago and Ed Woodham from Brooklyn have been terminated from the Mill Hill artist residency as of July 26, 2016 and requested to vacate their downtown Macon, Georgia apartment by Friday, July 29 after only 21 days of the 3-4 month long residency.
According to the Macon Arts Alliance website, the Mill Hill Visiting Social Practice Artist Residency is a 3 to 9-month residency program that brings together social practice artists, residents, and local artists. During their residency, visiting artists will work with local artists to engage the neighborhood in creative projects that will result in a creative assets map and cultural master plan for the neighborhood. These artists will partner with key stakeholders to develop programming that engages residents, families, and youth living in the area.
As Hill and Woodham began to connect with Macon residents, they realized that the goal of residency program was to create 'art washing' projects.
Quote about art washing from Save Boyle Heights Facebook Page:
"Developers have learned that a key tool in the speculative real estate game is the use of arts initiatives to change the composition of historically working class and poor neighborhoods. Art spaces move in, rents go up, tenants and local businesses are evicted, and capital washes away […]
Art-washing has become so prevalent that artists have to ask ourselves some extremely urgent questions. 1) What kind of art spaces are possible and what kind of art institutions do we need to not only refuse complicity but resist gentrification? 2) What kind of art practices can thrive and magically transform everyday life while refusing and resisting being a tool for growth by dispossession? And 3) what political movements can art contribute to that expose the lie of gentrification inevitability? "
Woodham states, "Samantha and I worked in solidarity to look closely at 1) the possibility of displacement of the residents 2) the history of how East Macon was originally destroyed under the guise of urban renewal 3) how East Macon residents and Macon's African American community genuinely felt that they were not represented accurately by the MAA."
Hill states, "As we interviewed people from the neighborhood and talked to members of Macon's African American community, it became very clear that Ed and I had been bamboozled and were part of a gentrification 'art washing' scenario. As we began to ask for genuine responses off script of the MAAs selected voices, we learned that many people in Macon's art community felt marginalized by the narrow vision of the Macon Arts Alliance. Our findings were much different than the rhetoric presented in the Mill Hill Artist Residency call for artists and the Mill Hill webpage."
Also according to the residency program guidelines, Hill and Woodham were going to live in East Macon so they could have an opportunity to be immersed in the Fort Hawkins neighborhood. According to a July 6 Knight Foundation (one of the Mill Hill major funders) blog post written by Jonathan Hartwell-Dye, Hill and Woodham were "moving into the Ft. Hawkins cottages in a few days" when in fact the artists were housed in a downtown Macon apartment since their arrival. "It wasn't clear when the cottages would be ready for us to move in," stated Woodham, "we asked for a walk through since our arrival and never got one. The cottages and a studio was part of our contract but it never happened."
In a brief meeting on Tuesday evening at the Macon Arts Alliance (MAA) led by Jan Beeland, MAA Executive director joined by Jonathan Hartwell-Dye, MAA Director of Creative Placemaking, and Sam Mcfie, former MAA Board President, Mill Hill resident artists, Samantha Hill and Ed Woodham were informed via an exit letter:
"You have failed to participate in public relations and interviews related to the program and failed to work closely with the residents in the Mill Hill/Ft Hawkins neighborhood. Based on feedback from our partners and other community members, you have not been a positive representative of Mill Hill and the Program at all times. For these reasons, Mill Hill has chosen to terminate your participation in the Program immediately."
"I think the MAA is afraid of what we were learning" says Woodham, "and as a result quickly terminated our contract offering a severance of one month's stipend if we signed an agreement stating we were in the wrong."
Neither Hill or Woodham signed the agreement nor accepted the severance check.
Samantha Hill is a transdisciplinary artist from Chicago, IL with an emphasis on archives, oral story collecting & art facilitations. She received her MFA from the School of the Art Institute of Chicago and her BFA from Moore College of Art & Design. Hill developes public programs for art organizations including the Anchorage Museum, Hyde Park Art Center and McColl Center for Art & Innovation. Hill's work is also featured in the book Problematizing Public Pedagogy, published by Routledge Press, Chicago Tribune and WBEZ 90.1 Chicago Public Radio. Hill's current endeavor, the Kinship Project, is an archive of over 150 years of African American family photography and oral history recordings. She utilizes archives as source material for social engagement/installation projects to connect personal experiences to historic developments within regional culture.
Ed Woodham has been active in community art, education, and civic interventions across media and culture for over twenty-five years. Responding to constriction of civil liberties, Woodham created the project Art in Odd Places presenting visual and performance art to reclaim public spaces in New York City and beyond. In New York, Woodham teaches "City as Site: Public Performance and Social Intervention" at the School of Visual Art, as well as workshops in politically based public performance at New York University's Hemispheric Institute's EMERGENYC. He was a 2013 Blade of Grass Fellow in Social Engagement. Currently, he is working on a commissioned work, "The Keepers," for 2016 in his longtime neighborhood of Gowanus, Brooklyn.
For more information and high resolution photos contact:
Ed Woodham / edwoodham@gmail.com / 347-350-4242
Samantha Hill / shgallery@gmail.com / 773-828-9549


Gola Harrier was originally created in 1968 and was suitable for a variety of sports and general training. Harrier is one of Gola's most iconic and revered styles having been produced in hundreds of different colour combinations since the late 60's. Today it remains one of the top casual trainer designs.


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Our Utmost in dealing with our Faith
by:	Ron Rolheiser, OMI in Articles, Tue, Aug 29th 2017
The complexity of adulthood inevitably puts to death the naiveté of childhood. And this is true too of our faith. Not that faith is a naiveté. It isn't. But our faith needs to be constantly reintegrated into our persons and matched up anew against our life's experience; otherwise we will find it at odds with our life. But genuine faith can stand up to every kind of experience, no matter its complexity.
Suicide - Redeeming the Memory of a Loved One
by:	Ron Rolheiser, OMI in Articles, Tue, Aug 22nd 2017
One year ago, virtually everyone who knew him was stunned by the suicide death of the most prominent American Hispanic theologian that we have produced up to now, Virgilio Elizondo. Moreover, Virgil wasn't just a very gifted, pioneering theologian, he was also a beloved priest and a warm, trusted friend to countless people.
The Gospel Challenge to Enjoy our Lives
by:	Ron Rolheiser, OMI in Articles, Thu, Jul 27th 2017
Joy is an infallible indication of God's presence, just as the cross is an infallible indication of Christian discipleship. What a paradox! And Jesus is to blame. Like any loving parent, God wants his children to flourish in their lives, to make the sacrifices necessary to be responsible and altruistic, but not to see those sacrifices themselves as the real reason for being given life.
Inchoate Desire
by:	Ron Rolheiser, OMI in Articles, Fri, Jul 14th 2017
Yes, our lives, with all their tensions, restlessness, youthful immaturities, adult depressions, cold lonely seasons, times of doubt, times of desperation, breakdowns, and occasional irresponsible exuberance will surely be marked by flirtations and encounters that seem to exhibit desires that are not for the bread of life. But, they are, ultimately, and one day they will find and know their full consummation.
Christianity and Noon-Day Fatigue
by:	Ron Rolheiser, OMI in Articles, Fri, Jul 7th 2017
There's a popular notion which suggests that it can be helpful to compare every century of Christianity's existence to one year of life. That would make Christianity twenty-one years old, a young twenty-one, grown-up enough to exhibit a basic maturity but still far from a finished product. How insightful is this notion
To Whom Can We Go?
by:	Ron Rolheiser, OMI in Articles, Tue, Jul 4th 2017
"To whom else shall we go? You have the message of eternal life." Peter says these words to Jesus. But they are spoken in a very conflicted context: Jesus had just said something that upset and offended his audience and the gospels tell us that everyone walked away grumbling that what Jesus was teaching was "intolerable".
Fear of the News
by:	Catherine Vale-The Tablet in Articles, Mon, Jul 3rd 2017
There is a well-known quote from US children's television host, Fred Rogers, which often circulates on social media in the wake of horrific events: "When I was a boy and I would see scary things in the news, my mother would say to me, 'Look for the helpers. You will always find people who are helping'."
Step back from the hard brexit brink
by:	The Tablet - June 9, 2017 in Articles, Tue, Jun 20th 2017
This general election campaign was supposed to be about Britain leaving the European Union – Brexit – but was instead dominated by security issues, where Theresa May's Government had a lot of explaining to do. Now Brexit looms large, with the opening negotiations only days away. Yet for all the talk, the issues are not much clearer.
The Tablet Interview - Once a Catholic...
by:	Peter Stanford - The Tablet in Articles, Wed, Jun 14th 2017
The Tablet Interview - Once a Catholic... screenwriter and renowned TV producer Jimmy McGovern talks to Peter Stanford. He might have lost his faith, but as the Liverpudlian scriptwriter tells Peter Stanford, his stories reflect a deep and sympathetic fascination with Catholicism.
When Does Fatih Disappear?
by:	Ron Rolheiser in Articles, Fri, Jun 2nd 2017
How is belief different from faith? In normal, everyday parlance to say that we believe something to be true means that we are able to square that truth with our imagination, that is, we are able to somehow circumscribe it imaginatively so that it makes sense to us.
A theology in dialogue
by:	Céline Hoyeau - La Croix International in Articles, Tue, May 30th 2017
"In a highly secularized country, theology has a capacity to listen to contemporary requests and to enter into dialogue with society," he says, noting the academic exchanges between theologians and specialists in other discipline.
'Monks have been involved in politics throughout history'
by:	Margaret Hebblethwaite - The Tablet in Articles, Sun, May 21st 2017
"Monks have been involved in politics throughout history," said Vázquez, in an interview with Religion Digital. "St Bernard, who is the teacher of the Cistercian order, was a man who always had a lot of interest in transforming the situation so that people's lives should be improved, and I believe that this is the desire of a monk: the monastic life in reality is a school for connecting a person with his heart, with compassion; and, in some way, politics reminds us of this."
The Church must be ready to change
by:	The Tablet - 11 May 2017 in Articles, Fri, May 19th 2017
It is reasonable to interpret the natural world as a revelation of the divine – its very rationality in particular – but God's Creation was not a scientific moment, and Br Consolmagno warns against treating it as such. Arguing from the Big Bang to theism, or indeed to intelligent design, is unsound.
by:	John Cosgrove - The Tablet in Articles, Wed, May 17th 2017
Unlocking the potential of pupils for whom English is not their first language is often a daunting challenge for teachers. But with care and good preparation, miracles can be achieved. Schools are under huge pressure from a dramatic rise in the number of children from European migrants' families, official figures show, and many teachers feel unprepared to teach children with English as an Additional Language (EAL).
'Judgmentalism' of Irish Catholics is causing people to reject faith, Archbishop Martin says
by:	Sarah Mac Donald-The Tablet in Articles, Tue, May 9th 2017
In his Easter reflection he blamed the scandals within Catholicism as well as "judgmentalism" for causing people to reject faith. "We can be so judgemental and hurtful towards those whom we decide have failed and those who drift outside our self-made ideas of respectability," he said.
East Africa Food Crisis: Humanitarian aid is more than food. It is a sign of hope.
by:	Michael O'Riordan - The Tablet in Articles, Thu, May 4th 2017
Here lies the heart of the matter; humanitarian aid is more than food. It is a sign of hope. It is a sign someone is watching and listening to what they are saying. It is a sign someone cares, that they are not forgotten. The people of South Sudan are longing for peace and security. To return to a sense of normality to return to their homes, for their children to return to school and to go back to farming their land….
Where is Easter hope for Egypt's terrorized Christians?
by:	Bruno Frappat - La Croix International in Articles, Mon, Apr 24th 2017
They will not see the Paschal season through and have been deprived of the resurrection and joy of Easter Sunday.What is there left for hope in the wake of such an event, a tragedy that could so easily inspire vengeful thoughts in those confronted with such evil that God has allowed to be committed against his own? What fragment of joy is there to be found in this infernal scene of dereliction?
"Leadership Isn't About Being Great, Its About Enabling Others To Be Great"?
by:	David McQueen - Twitter @theleadersshipp in Articles, Thu, Mar 23rd 2017
As I sipped on my tea at a mentoring session last week, a long term colleague and friend posed a question: "How Can I Be A Great Leader?!" I gave the question some more thought - with seven words he had really got my mind racing! I finally responded: "Leadership isn't about being great. It's about enabling others to be great."
Ever wondered why we laugh?
by:	Ciara McCarthy - Varsity.co.uk in Articles, Tue, Mar 14th 2017
Babies first laugh when they are between two and six months old. This is triggered by surprise in an environment in which they feel safe: think peek-a-boo. Even congenitally deaf and blind children laugh, suggesting that the ability to laugh is something we are born with rather than learn from the behaviour of those around us.
Social media and mental health: friends or foes?
by:	Electra Wallington -Varsity.co.uk in Articles, Mon, Mar 13th 2017
Electra Wallington asks whether social media helps or hinders mental health. "This obsession over the way we present ourselves, and the ever-blurring distinction between what's real and what's fake, also brings with it intense over-analysis"


This group exists to foster discussion and dissemination of research and teaching methods related to the intersection of music and computer science. Its content explores ways in which each can be used to enhance education through the other. The rationale for this initiative is that, on the one hand, music applications are inherently interesting to CS students, and there are many computational issues in these applications that both illustrate CS concepts and present interesting problems. On the other hand, technology is used so heavily in virtually all music performance and composition today that it behooves musicians to learn basic computing concepts to help them develop and refine their craft to the fullest extent possible.


are formed and prepared so that [we] may speak what [we] have heard.
And doesn't this resonate with all of us who spend our time here in this virtual space? We share our experience and our reading and our revelations with others, in hopes of offering words, sharing stories, which might help someone else to find their way.
But silence, Merton says, and time apart from others is necessary for all of us.
At church yesterday our priest spoke about a similar theme, discussing Jesus' time in the desert – in desolation, in silence, tempted and tried. Like Jesus, he said, during these quiet times God teaches us how to distinguish His voice — that voice planted like a seed deep within us at the moment of conception — from all the other voices that might ring in our ears.
As dark isolation settles with a chill.
Separate from all but One.
What does it reveal about that girl nearly a half century ago? Fear of being alone.
I used to hate being alone. The silence when I was alone was never silent. When I was little, being alone scared me in that ghost-and-hobgoblin sort of way. As I got older, I just didn't know what to do with silence and alone-ness.
Still, now when I am silent and talking with God, I have a strong sense of His coming to rest beside me, His quiet loving presence cleansing me and making me whole again.
And even though there is a peacefulness associated with the experience, there is an incredible excitement. The crowd — all those unformed feelings and partial thoughts and gentle urgings — they rally up within me in a sort of freedom song in which I catch a glimpse of the person He intended me to be. They demand my attention, insist that I free them from my own anxieties and fears and expose them to the Light of His grace.
This entry was posted in freedom, God's love, God's presence and tagged quiet, silence, Thomas Merton by Mary Adrienne. Bookmark the permalink.


When raising a family, your schedule is busy as it is. You do not have time to run to different dental offices for everyone in your family. To simplify dental care, you need a dentist in Brownstown who offers all the services your family needs.
Each member of your family will have different oral health needs at each stage of life. These needs will change over the years. With one dentist by your family's side, everyone's needs will be met from one dental office. This not only saves you time and money, but also allows us to provide more effective dental care.
By building a relationship with each member in your family and monitoring their oral health over the years, we can provide a higher quality of care. We will have a better understanding of how genetics plays a role in your family's smiles. This allows us to provide intervention for potential dental problems, decreasing the need for more invasive treatments in the future. In addition, all your family's dental records will be kept at one location for easy reference.
Research shows that children who visit one dentist regularly are more likely to maintain their oral health into adulthood with regular dental visits. The younger a child starts to see their family dentist, the more likely they are to develop a trusted relationship with their dental team. As a result, children will look forward to seeing the dentist while also understanding the importance of regular dental care.
Together, we will set the right foundation for a lifelong commitment to oral health. We will not just meet your child's dental needs today, but also as they age. We become a trusted and valuable asset to your child's oral health—even as they reach the teen years and beyond.
It is difficult raising a family. Dental care should not further complicate your life. You need one caring dentist in 48183 working with your family to simplify your life while enhancing your family's dental health. With one amazing dental team, we will make dental care more convenient and accessible so you can spend more time focusing on more important matters.
If you are ready to benefit from comprehensive dental care for the entire family, contact Ultimate Dental today to schedule a consultation.


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Kenya, witchdoctors and their cure-all adverts
International	› APA
Burkina Faso: Campaign for local elections to kick off Saturday
Published on 08.05.2017 at 13h21 by APA News
The electoral campaign for the partial and complementary local elections of 28 May in Burkina Faso starts next Saturday at midnight, according to the Independent National Electoral Commission (CENI).A total of 20 political parties and groups of independent candidates will take part in the polls, with some 20 constituencies up for grasp, the CENI confirm.
Ahead of the launch of the electoral campaign and in accordance with the provisions in force, the High Council of Communication (SCC) on Friday drew lots of candidates and political parties for their campaign messages on the national broadcasters.
It was at the headquarters of the body in Ouagadougou, in the presence of representatives of political parties and independents candidates.
The partial and complementary municipal elections in Burkina Faso will concern, on the one hand, the municipalities having difficulties in setting up the local executives, following 2016 municipal polls and, on the other hand, the constituencies where the exercise could not be held last 22 May 2016.
Tags : APA | burkina-faso | POLITICS | WEST


SCOTTSDALE, Ariz., /PRNewswire/ — Remarkable Health, an innovative technology partner for behavioral health and DD providers, announced today new survey data on the IT readiness of behavioral health providers for value-based reimbursement models.
Agencies still using traditional electronic health record technology are seeing the need to upgrade to capabilities that embrace the evolution of how clinicians work with clients and the way behavioral health services are documented and billed.
Since many responding agencies also report the intention to expand their services in community- and home-based settings, readiness will increasingly involve the ability to capture clinical documentation in a mobile setting and to capture billing-ready service data from the field to improve client outcomes and lower care costs.
Powered by Bells, an intelligent care assistant, machine learning will leverage the many data points captured by a provider's EHR platform to increase engagement, enrich the care experience and keep staff informed of clients' progress in between sessions.
"The mission at Remarkable Health is to help providers remove the obstacles to quality care and outcomes through technology," says Peter Flick, CEO.
Over the past year, Remarkable Health has worked closely with several providers to develop its offline mobile app for client information, case management documentation and scheduling.
"The mobile app helps our staff stay more informed and know what is happening with the client before arriving for a visit.
About Remarkable Health: For more than 25 years, Remarkable Health has pioneered innovation through technology for behavioral health and I/DD service providers.
We believe the services our partners deliver work best when centered around the needs of their clients.


The Life of Nephi, the Son of Lehi. See: Wollstonecraft, Mary, Love's Usuries (English) (as Author) South Africa and the Transvaal War, Vol. Cabot, John York, see: O'Brien, David Wright, cachetero,. Being the First of the First Voyage. (English) (as Author) Wikipedia Demonology and Devil-lore (English) (as Author) George Washington's Rules of Civility Traced to their Sources and Restored by Moncure. 08, February 22, 1914 (English) (as Editor) Dew Drops, Vol. Paluureitti voisi johtaa Gerbermühlen, "nahkurimyllyn" kautta. N 04 (de 12) (Portuguese) (as Author) Noites de insomnia, offerecidas a quem no pde dormir. N 07 (de 12) (Portuguese) (as Author) Noites de insomnia, offerecidas a quem no pde dormir. (English) (as Author) Marietta: A Maid of Venice mies etsii naista seksiseuraksi oulu (English) (as Author) Marion Darche: A Story Without Comment (English) (as Author) Marzio's Crucifix, and Zoroaster (English) (as Author). De (Jean-Baptiste-Joseph) See: Champagnac,.-B.-J. Corneille, Tome 04 (French) (as Author) uvres.
Brunssipartion neljä jäsentä oli pitkästä aikaa yhdessä koossa, joten oli hyvä aika startata kauan suunniteltu blogi. Frankfurt am Main sijaitsee nimensä mukaisesti todellakin Main-joen varrella. Myös muissa kaupungeissa on jokia, mutta tuskin missän muualla joki. Valokuvaussivusto: vilkas keskustelufoorumi ja uutissivu, jossa joka päivä valokuvaukseen ja valokuvausvälineisiin liittyviä tuoreita uutisia. Wings FOR life world RUN APP RUN - create your own.
Ignez de Castro Cantata por Manoel Maria Barbosa du Bucage; A Que Se Ajunta o Episdio, Ao Mesmo Assumpto, do Immortal Luiz de Cames (Portuguese) (as Author) Obras Completas de Luis de Cames, Tomo II (Portuguese) (as Author) Obras Completas de Luis de Cames, Tomo. Volume 18: Return to Naples (English) (as Author) The Memoirs of Jacques Casanova de Seingalt. 04, December 1883 (English) (as Author) The Chautauquan, Vol. 04, January 1884 A Monthly Magazine Devoted to the Promotion of True Culture. 01 Or, Flower-Garden Displayed (English) (as Author) The Botanical Magazine, Vol. (French) (as Author) Chantal,.-B.-J. 442 Volume 17, New Series, June 19, 1852 (English) (as Editor) Chambers's Edinburgh Journal,.


I started building one, then the need to buy more parts, materials, building an online social life with friends in the chat and on Skype from here, plus a lot of other things going down led to that project going on hold a long while ago.
hey, check out the possible meet-up thread and let me know what you think!
Hey, How are you doing? I got a message on spreading rep around? Anyway, thought I'd say hi and thanks anyway. Hope all is going well in your part of the world.
Hope you have a fun new year!
I found it now. I live in Lake Zurich which is North West of Chicago. I live about as far away from Oswego as Oswego is from Chicago. So I'm not to far from it. It wouldn't be a huge road trip to head down there.
Oswego is in New York right, unless is there another one in Illinois? Is there?
good luck with your new classes and all!
hey, is your first name jake?
I'll take some photos right now and upload them.


~1225, Nicholas born in England, s/o §Nicholas de Barenton & Joan Montoft.
~1225, Agnes born in England, d/o §Sir William Chetwynd.
Nicholas married Agnes and his father settled Barrinton Hall at Triplow, Cambridgeshire on him and his wife.
1259, Roger de Quency, earl of Winchester granted to Nicholas de Barenton and Agnes his wife, and to his heirs by her, all the land they held of the fee in the town of Cington, Wiltonshire by half a knight's fee. Nicholas paid 100s.
Nicholas wrote his will and died before his father: … to Lady Agnes his wife … son John 6 marks … Humphrey his brother a horse … Sir Nicholas his father ... Agnes his wife … executors … to be buried at Triplow.
1263, Lady Agnes de Barenton, sometime wife of Nicholas de Barenton, made an agreement with Peter Nicholas … to have to hold all her lands for 6 years.
1279, Agnes held Barrinton Hall in dower; with a view of frankpledge and the assize of bread and ale.
(S) Transaction of the Essex Archaeological Society, 1878, P257. (S) History of the County of Cambridge, V8, 1982. (S) Barrontage of England, Betham, 1801, P72.
· 5/24/1221, Nicholas of Barrington gives the king a palfrey for having a weekly market on Thursdays, until the king comes of age, at his manor of Ramsden , and to have an annual two-day fair there. (S) FRsHIII.
· 1228, Nicholas held Barrinton Hall at Triplow, Cambridgeshire.
· 1249, Nicholas de Barrington held Appletons manor. (S) History of the County of Essex, V4, 1956.
· 1/13/1253 at Windsor, Nicholas de Barenton witnessed a charter of Richard de Ulmis to the church of St. Mary, Stratford. CChRs.
· 3/4/1267, Protection until Michaelmas for Nicholas de Barenton, provided that if the king have given away his lands he shall stand to the said award. (S) CPRs.
· Nicholas de Barrington [the father] died 1274.
· Joan d/o Sir Ralph Montoft.
· 9/30/1283, Joan de Barenton released to her grandson Nicholas lands that had been settled on her on receiving an annuity of 14 marks.
i. Elizabeth de Barenton (23640385), born ~1242 in England.


Ride Day Registration 8:00 a.m. – 10:00 a.m.
Join us for a fun-filled day of riding with a lunch all while helping to raise money to fight prostate cancer for our local community!
Due to regulation changes, side-by-sides and factory 2-up machines are welcome!
Ride is approximately 70 km long. Lunch will be served at the midway point.
Trail pass is not required – ride takes place on Crown Land.
Campers welcome, overnight spots available, free of charge no hydro or water provided).


Last year in October 2012 I've got my license for giving whitewater instructions on grade III water. I've described some of my experiences with the course in the past on this blog, last year we had a week of training with two days of exams following to test if we were good enough to pass the exam. I've written the below piece for the Dutch Kanosport magazine, the official magazine of the dutch canoeing association NKB (now Watersportverbond).
In the last week of october an education week from the Watersportverbond was held in the French Alpes with directly appended an exam for (assistent) instructors whitewater on grade II and grade III. A week full with theoretical but mostly practical tips. For some instructors in training a nice opportunity to finish the course to be a whitewater instructor after two years of seperate learning days with safety, didactics and teaching others. For others a good opportunity to learn a lot new things and get more practice. At the end of the weeks two days of exams would be held. 3 almost instructors would only do the exam and came in on Friday and Saturday.
With seven potential instructors we started the week on monday morning on the slalomcourse of L'Argentiere on the Durance. On the way over we worried a bit about the water conditions, but if the conditions stayed this way the whole week it was enough to a Whitewater grade III exam at the end of the week. The same week a big group of Frech potential instructors were there as well, so a river full of potentials!
The first day was dedicated to teaching each other and deeply handling a couple of technics, so we can transfer our knowledge and practice to our students. The weather helped with a nice sunny day and some 20 degrees, so we could easily give the first lessons and the others could act out and empathize in their roll as a student. For a potential instructor it's important that the students make the same mistakes als real students, so you can get in your roll as an instructor. Above all you must see and feel what a student is doing wrong and why something fails. As a lesson preparation, it's important to make an overview on paper on what you want to do, where, what you need, and what mistakes the students can make while doing your lesson. This lesson needs to be delivered to the examinators before the exam, so it can be judged as well. The error analysis in this prepartion is really important, so you know which solutions are available if a certain mistake is made by your student. The lesson preparation is an excellent tool for this. Even candidates that teach for a longer time got convinced to use it to prepare. The evenings were filled with theorie and preparing the lessons for the next day. Off course there was time for relaxing and enjoying the french cuisine.
was used many times the rest of the week. Keep thinking about what you are doing and keep making alternive solutions in your head to prepare for eventual situations was the challenge for the rest of the week.
Wednesday and thursday were devoted to teaching and whitewater technicks. Safety was also extensively covered. Rescuing a Boat, paddle and person from your boat and throwing ropes, but especially avoiding dangerous situtions was covered.
Friday and saturday were exams day. The nice weather was gone, it rained and it was cold with only 10 degrees. To examinate safety and one owns paddling skills a wet suit was required (brrrr), so another instructor could show a good rescue. Afterwards, each instructor got to teach his own lesson to this students and could show that he was worthy of the instructors license. As a student in the group you could expect an assignment from the examinator, like pretending you were really cold, flip over in an instant or flush out of an eddy. Off course a good instructor handles those sitations well and has control over the group and the safety.
Excting, did we make it or not? Especially the instructors that did their exam on friday needed a lot of patience, as the result was delivered saturday night. Unfortunately we didn't get a 100% score, but we were close! Sunday morning… packing our bags and breaking up the tent in the snow and with a few hours delay everybody got through the snowmountains over the mountaintops to get home.
Our first purpose was off course to pass the exam, but this was especially a nice, cosy, cold, learnable, inspiring weeks with countless tips and exercises so you can function as an instructor. Our "instructor tool box" was filled to the brim with new stuff. In our eyes such an education week is a very good initiative from the Watersportverbond, and highly recommended if you want to be a whitewater instructor.
@eddokloosterman: @ajtetteroo leuk artikel; ben nu wel benieuwd hoe je als 'entertainer' optreedt als instructeur ;-).
Static freediving, useful for kayakers!


text:
About Faculty Governance
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Home / Faculty Code / Article 6: The Schools and Colleges
Article 6: The Schools and Colleges
[Entire article revised March 23, 2007]
§ 6-1. Academic deans
(a) The chief academic officer of each school or college is a dean. The chancellor appoints deans for indefinite terms in consultation with the faculty concerned. A dean is formally evaluated for continuation in office not less frequently than once in every five years.
(b) The duties of a dean include the following:
1. To initiate and implement educational programs and policies of the school or college in consultation with the faculty;
2. To administer all curricular and degree programs, all regulations governing academic standards, and such other special functions as may be delegated to the school or college;
3. To convene the faculty, or a duly established body representative of the faculty, at least once each semester for the purpose of acting on matters that must be put before the Faculty Council; approving or rejecting new courses; clarifying and interpreting rules and regulations; planning for the initiation of changes in educational policies and practices; establishing or revising personnel policies; establishing or revising criteria for faculty appointments, promotions, and tenure; and transacting any other business that requires action by or consultation with the faculty;
4. To call and preside over meetings of the faculty of the school or college;
5. To advise his or her administrative superior on any matter affecting the school or the University;
6. To make recommendations for faculty appointments, promotions, and tenure and for faculty salary adjustments;
7. To supervise and evaluate the performance of support staff assigned to the school or college;
8. To prepare and transmit to the chancellor an annual administrative budget and an annual report of the school or college; and
9. To prepare materials concerning the school or college for the university catalogs.
§ 6-2. Administrative boards
(a) The College of Arts and Sciences, the General College, the Graduate School, and the Summer School each has an administrative board appointed by the chancellor upon recommendation of the dean. Professional schools also have administrative boards, unless the chancellor finds that one is not needed after consulting the dean and faculty of the school. If a professional school does not have an administrative board, the duties described in subsection (b), below, are performed by the faculty as a whole or by a duly established body representative of the faculty.
Except as otherwise specified in this Code, the majority of the members of an administrative board are members of the faculty of the school or unit concerned. The term of office is three years. Terms are staggered so that approximately the same number of terms expires each year. A member who has served two successive terms is not eligible for immediate reappointment.
(b) Subject to the powers of the faculty of the school or college concerned and of the Faculty Council, administrative boards have the following duties:
1. To formulate, together with the dean, educational policies;
2. To advise the dean in handling administrative matters;
3. To review and approve new programs and curricula;
4. To examine and pass finally on all new courses proposed to the particular school or college; and
5. To perform such other duties as may be delegated to them by the dean.
§ 6-3. Department chairs
(a) In the College of Arts and Sciences and professional schools organized into departments, the academic head of each department is the department chair. Chairs are appointed by the chancellor for terms of three to five years on recommendation of the dean, who consults with the departmental faculty in identifying nominees for department chair.
The chancellor may terminate a chair's appointment before the term expires upon recommendation of the dean who consults with the assembled voting faculty of the department before making that recommendation. A chair's appointment is terminated only for good cause shown and the chair is entitled to a specification of the reasons. The chair has the right to appear in person before the Advisory Committee to present his or her perspective on the situation. In exceptional cases requiring immediate action, the chancellor may suspend a chair's appointment pending the dean's consultation with the departmental faculty.
(b) Department chairs have the following duties, which are performed in consultation with the voting faculty of the department:
1. To administer the departmental budget;
2. To supervise and evaluate the performance of support staff assigned to the department;
3. To initiate appointments to faculty positions, to initiate recommendations for reappointment and promotion of faculty members, and to recommend adjustments in faculty salaries;
4. To formulate and implement educational policies;
5. To maintain instructional facilities, including library resources; and
6. To report annually to the dean on the work and activities of the department.
Chairs have the right of appeal in budgetary and other matters from the dean to the provost and to the chancellor.
§ 6-4. School and departmental faculty meetings
The school or department holds regular faculty meetings at least once in each semester. The dean or chair may call special meetings and must do so upon request of one-half of the voting faculty of the school or department. The dean or chair presides at all meetings and ensures that an accurate record of the proceedings is kept. Members of the school or departmental faculty who are members of the voting faculty as defined in § 1-4 of the Faculty Code are eligible to vote in faculty meetings, except that fixed-term faculty are not eligible to vote on tenure-track appointments, reappointments, or promotions. [Amended March 18, 2011.]
Faculty Code
Article 1: The General Faculty
Article 2: The Faculty Council and Faculty Executive Committee
Article 3: Officers of the Faculty
Article 4: Committees
Article 5: Appointments, Promotions, and Tenure Members of the Faculty
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Article 8: The College of Arts and Sciences
Article 9: The Graduate School
Article 10: The Summer School
Article 11: Records, Registration, and Undergratuate Admissions
Article 12: Administrative Board of the Library
Joint Rules of Procedure of the General Faculty and Faculty Council
Procedures for the Faculty Grievance Committee
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When Nick and Kara asked me to be the wedding planner for their awesome wedding at Pravda Studios I was thrilled! They are one of the nicest couples and it was a blast working with them. Plus they really know how to let loose and have an amazing party (the dance floor was packed all night thanks to DJ Austin Beaver)!!!
Nick and Kara used personal touches and minimalist décor to achieve a fun yet stylish wedding that represented who they are as a couple. Each table was given a nickname to represent milestones in their relationship – such as their first date. To achieve the "fun, festive, natural" feel that the couple wanted for their wedding, simple yet statement-worthy centerpieces were designed using Northwest branches covered in snowberries, leaves and purple blooms in narrow vases filled with river rocks. Hundreds of candles filled the room with a romantic soft glow.


text:
PBS provides Canvas for "The Painter"
Chicago-based Amarok Productions brings tragic loss of innocence to life in its anti violence film screening in the prestigious PBS Shorts Showcase Film Festival. This event highlights films from around the world online as well as weekly on PBS-KVCR throughout Southern California. The Shorts Showcase offers Amarok the opportunity to get their message to millions of viewers world-wide through continuous exposure through television and online streaming. You can watch and vote for The Painter through July 31 at the Showcase's website at: http://shortsshowcase.com/portfolio/painter/ (http://shortsshowcase.com/portfolio/painter/). Winners will be announced at the Annual Gala held this fall at The Show in Rancho Mirage, California.
Filmed at Columbia College's Media Production Center and featuring a cast of Chicago South Side youth, The Painter portrays a boy who lives in a world where violence surrounds him and his sole means of survival is to escape through his art. Amarok worked with two highly regarded Chicago organizations that help children living in high-risk neighborhoods: UCAN and Youth Guidance. Children from both organizations played roles in front and behind the camera.
"There is no single social issue in our cities more tragic than the killing of children and young people in high-risk neighborhoods. Children do not make choices about where they are born, and yet each day in America there are what equate to child soldiers struggling to survive due to the constant violence in their neighborhoods. We'd like to thank PBS for its support of The Painter allowing us to be one more outspoken voice asking ourselves as a nation 'What are we doing to help these innocent children?'" – stated writer/director Kevin Cooper .
Critically recognized by top tier festivals around the world, this film has screened at 12 international festivals and has been featured on Indiewire (http://blogs.indiewire.com/shadowandact/watch-trailer-for...) and We Are Movie Geeks (http://www.wearemoviegeeks.com/2013/09/kevin-coopers-the-...). The Painter was written and directed by Columbia College Chicago faculty member Kevin Cooper, produced by Deanna Cooper and executive produced by Emil Arab. In October of 2013, the film was recognized by the Illinois Film Office as the winner of their Annual Shortcuts Competition at the Chicago International Film Festival. For more information on the film, please
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totalmage – Page 3 – The Ramblings of An Old Gamer.
Chris Quinn is an Idiot, stop blaming video games.
Blizzard Lay Offs could be good for classic.
EA and the Changing Video game market.
Is Anthem EA's final chapter?
Video Game Content and Time Management.
Video Recap Of My first week in BDO.