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Capital: Suva
Currency: Fijian dollar
Continent: Oceania
Population: Approximately 900,000 made up of Fijians, Indians, Chinese, Europeans and other South Pacific islanders
Official languages: English, Fijian, Fiji Hindi
Fiji is a land of blue-green lagoons, lush rainforests, pine forests, mountains and 1666 kilometers of white sandy beaches. There are over 320 tropical islands scattered across 709,660 square kilometers of ocean.
Fiji has tropical weather throughout the year with two seasons. From May to November, the weather is cooler and ranges from 18 degrees to 29 degrees. From December to April, the temperature ranges from 22 degrees to 33 degrees.
Fiji is free from yellow fever, malaria and major tropical diseases. One requires inoculations only if travelling from an infected area. Fiji has an effective medical system in place with government and privately run hospitals, clinics, surgical centers, dental service and pharmacies available.
Fijian, Chinese and Indian styles of cooking are popular in Fiji. Kokoda is considered the national dish and is made of raw fish marinated in coconut cream and lime. Other popular foods are rourou (dalo leaves) with boiled cassava(tapioca) and taro. The national drink is called Kava. It is usually prepared by pounding the roots of the Kava plant and then mixing it with cold water and consumed as soon as possible. It is usually consumed to relax as it has sedating effects. On special occasions a "lovo" is made which involves cooking all the food underground for 2–3 hours. A "lovo" is commonly made during special events such as funerals, weddings, Christmas or birthdays. It is a very healthy meal because no oil is used in cooking and tastes very much like a smoked or BBQ style dinner.
You'll find many retail outlets here, suitable for traditional tourist shopping-curio and handicraft vendors, indian merchandise and speciality gift stores. Most prices are generally fixed, however a little bit of bargaining always is a part of the experience. So, go ahead and give it a shot! A lot of times, you will be pleasantly surprised!
Phone calls and internet
Fiji's country code is +679. Fiji is well serviced by local mobile networks including Vodafone Fiji Limited, Digicel and Inkk Mobile. You can also arrange roaming status before travelling here as well as on arrival.
Internet access and email is available in most parts of Fiji and internet cafes are abundant in major cities and towns.
Electric point
The electric current is 240 volts AC 50Hz. Fiji has three-pin power outlets, identical to Australia and New Zealand. Leading hotels and resorts offer universal outlets for 240v or 11v shavers, hair dryers and other electrical appliances. However, you may want to carry your own universal adapters.
A 9% Government Value Added Tax (VAT) is applicable to all goods and services in Fiji. Visitors staying in hotels and resorts are subject to 10% Hotel Turnover Tax (HTT) and Environment Levy of 6%.
Duty free and custom duty
Every passenger 17 years and over can bring into Fiji the following goods duty and VAT free, provided they are accompanied and not for sale. Cigarettes not exceeding 250 sticks or cigars not exceeding 250gms or tobacco not exceeding 250gms or a combination of all three provided the total net weight does ot exceed 250gms. Spirits up to 2.25liters or wines/beer up to 4.5liters or a combination of both provided it does not exceed the permissible limit.
Fiji is 12 hours ahead of Greenwich Mean Time and 6.5hrs ahead of India.
However, from November to February, Fiji moves one hour ahead with its own daylight savings.
A 4-month visa is granted automatically on arrival to visitors from most countries. You can check the list here All you need is a passport that is valid for at least 6 months beyond your stay. Those not on this list can apply for one through their nearest Fiji High Commission.
Getting into Fiji
Fiji may seem far away, nestled in the middle of the South Pacific ocean, however, getting here is fairly easy. Fiji Airways, Fiji's national carrier has regular, direct flights to and from many international destinations like Los Angeles, Sanfranscisco and Honolulu in United States of America, Hongkong, Singapore and Seoul in the Far East, Adelaide, Brisbane, Melbourne and Sydney in Australia and Auckland, Christchurch and Wellington in New Zealand. Nadi International Airport (NAN) is Fiji's main international airport. Suva airport also has some international flights. Besides, Fiji Airways there are other airlines that have flights into Fiji like Jetstar, Air New Zealand, Korean Air, Pacific Blue, Virgin Australia, Air Niugini, Air Vanuatu, Air Caledonie and others that also fly regularly to Fiji.
Travelling within Fiji
Getting around Fiji is easy and cheap. The domestic airlines offer reliable, comfortable and comprehensive range of schedules to connect from one island to another. There's a good network of buses that offer cheap, often windowless travel which is a very friendly and true way to enjoy a Fijian experience. Taxis and ferries are available to travel within Fiji's main islands. Hiring a car is a good way to explore the two largest islands. Besides this, seaplanes and helicopter transfers from island to island are also available. One can also charter a boat or small plane to get between islands. Sea plane options are available straight from Nadi airport to the various islands. Yachting and cruising are also great ways to explore the country.
Fiji is a multi-cultural nation with many religious beliefs. The culture of Fiji is a tapestry of indigenous Fijian, Indian, European, Chinese, and other nationalities. It is important to dress modestly when away from hotels and resorts and particularly when visiting a Fijian village. Avoid wearing a hat in a village as it is considered an insult to the village chief. It is also insulting to touch someone's head. It's best to not wear shoes if visiting someone's house.
Modern Fiji's national dress is the sulu, which resembles a skirt. It is commonly worn by both men and women.Women usually wear a multi-layered Tapa cloth on formal occasions or may be dressed in a chamba, a sulu with a specially crafted matching top.Fridays are generally "Bula dressing" which is the western equivalent to "casual dressing". Men wear bula shirts which are tropical colourful shirts.
People in Fiji don't expect a tip, however you can always offer extra payment for exceptional service if you wish to.
The Fijian dollar is the basic unit of currency, available in denominations of $5, $10, $20, $50 and $100. Coins are 5c, 10c, 20c, 50c, $1 and $2. FJD 1 is equivalent to approxmitely INR 30. Normal banking hours are from Mon-Fri: 9:30am to 4:00pm and Sat: 9:00am to 1:00pm at some selected banks. There is a 24 hour currency exchange service at the arrivals concourse at Nadi Airport. ATMs are available around the country and at larger resorts and hotels.
Fiji is very particular in maintaining the eco-system and therefore prohibits the entry of any foreign plant and animal pests and diseases without the permission from the Ministry of agriculture, fisheries and forests. So ensure that you are not carrying any food items that can be restrictive under quarantine.
VAT refund schemes
As a tourist, you can claim VAT spent on purchases above FJD500. In order to claim refund, you need to ensure that you ask for the refund form and tax invoice from the licensed retailer for goods purchased over FJD500. Your purchase needs to be taken out of Fiji within two months as check-in baggage or hand luggage for verification at Nadi International Airport or Suva Wharf as the final port of departure to a foreign destination.
The climate of Fiji being tropical, there is only a slight variation of seasonal temperatures, which makes Fiji an all year round destination for all outdoor activities that this country offers, such as scenic boat trips, water sports, hiking, observing wildlife, and surfing, scuba diving etc. Occasionally between November to April, hurricanes can occur, but not always, Peak travel months include Apr–May and Dec–Jan.
May Jun Jul Aug Sep Oct Nov Dec Jan Feb Mar Apr
High / Low temperatures 83°
Chance of precipitation 59% 57% 54% 57% 54% 61% 65% 62% 61% 62% 63% 64%
Communicating in Fiji
While almost everyone in Fiji speaks English, which is the country's official language, knowing a few key phrases in the Fijian language is not only polite but will endear you to the already warm and welcoming Fijian people. One word you will hear constantly is the infectious "Bula!" which means "hello" or "welcome." Below are a few key words that will help you while touring Fiji islands.
Hello bula morning yadra (yandra)
Bye moce (mo-they) Excuse me Tolou (too low)
Yes Io (ee-o) Thank you Vinaka (vee-nahka)
No Sega (senga) House bure (burey)
What is this ? A cava oqo? (ah thava ongo) Man tagane (tahng-ahney)
It's a… E dua na… (ey do-ah nah…) Woman marama (mah-rah-mah)
How are you? Vacava tiko? (vadava teeko) Coconut Niu (new)
I am fine Sa bulabula vinaka tiko Eat Kana (karna)
Village Koro (ko ro) Drink Gunu (goo noo)
Shop Sitoa (seetoah) Quickly Vaka totolo (vaka toe-toe-lo)
Church Lotu Slowly Vaka malua (vaka mar lua)
Toilet Vale lailai (valey lie lie) Small lailai (lie-lie)
One Dua (ndu a) Big levu (leyvu)
Two Rua (ru a) Please help Kere kere (kay ray kay ray)
No worries Seganaleqa (Senga na lenga) Sorry vosota sara
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Copyright, Designs and Patents Act 1988
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Chapter XMiscellaneous and General
Crown and Parliamentary copyright
163Crown copyright
(1)Where a work is made by Her Majesty or by an officer or servant of the Crown in the course of his duties—
(a)the work qualifies for copyright protection notwithstanding section 153(1) (ordinary requirement as to qualification for copyright protection), and
(b)Her Majesty is the first owner of any copyright in the work.
(2)Copyright in such a work is referred to in this Part as "Crown copyright", notwithstanding that it may be, or have been, assigned to another person.
(3)Crown copyright in a literary, dramatic, musical or artistic work continues to subsist—
(a)until the end of the period of 125 years from the end of the calendar year in which the work was made, or
(b)if the work is published commercially before the end of the period of 75 years from the end of the calendar year in which it was made, until the end of the period of 50 years from the end of the calendar year in which it was first so published.
(4)In the case of a work of joint authorship where one or more but not all of the authors are persons falling within subsection (1), this section applies only in relation to those authors and the copyright subsisting by virtue of their contribution to the work.
(5)Except as mentioned above, and subject to any express exclusion elsewhere in this Part, the provisions of this Part apply in relation to Crown copyright as to other copyright.
(6)This section does not apply to a work if, or to the extent that, Parliamentary copyright subsists in the work (see sections 165 and 166).
164Copyright in Acts and Measures
(1)Her Majesty is entitled to copyright in every Act of Parliament or Measure of the General Synod of the Church of England.
(2)The copyright subsists from Royal Assent until the end of the period of 50 years from the end of the calendar year in which Royal Assent was given.
(3)References in this Part to Crown copyright (except in section 163) include copyright under this section; and, except as mentioned above, the provisions of this Part apply in relation to copyright under this section as to other Crown copyright.
(4)No other copyright, or right in the nature of copyright, subsists in an Act or Measure.
165Parliamentary copyright
(1)Where a work is made by or under the direction or control of the House of Commons or the House of Lords—
(b)the House by whom, or under whose direction or control, the work is made is the first owner of any copyright in the work, and if the work is made by or under the direction or control of both Houses, the two Houses are joint first owners of copyright.
(2)Copyright in such a work is referred to in this Part as "Parliamentary copyright", notwithstanding that it may be, or have been, assigned to another person.
(3)Parliamentary copyright in a literary, dramatic, musical or artistic work continues to subsist until the end of the period of 50 years from the end of the calendar year in which the work was made.
(4)For the purposes of this section, works made by or under the direction or control of the House of Commons or the House of Lords include—
(a)any work made by an officer or employee of that House in the course of his duties, and
(b)any sound recording, film, live broadcast or live cable programme of the proceedings of that House;
but a work shall not be regarded as made by or under the direction or control of either House by reason only of its being commissioned by or on behalf of that House.
(5)In the case of a work of joint authorship where one or more but not all of the authors are acting on behalf of, or under the direction or control of, the House of Commons or the House of Lords, this section applies only in relation to those authors and the copyright subsisting by virtue of their contribution to the work.
(6)Except as mentioned above, and subject to any express exclusion elsewhere in this Part, the provisions of this Part apply in relation to Parliamentary copyright as to other copyright.
(7)The provisions of this section also apply, subject to any exceptions or modifications specified by Order in Council, to works made by or under the direction or control of any other legislative body of a country to which this Part extends; and references in this Part to "Parliamentary copyright" shall be construed accordingly.
(8)A statutory instrument containing an Order in Council under subsection (7) shall be subject to annulment in pursuance of a resolution of either House of Parliament.
166Copyright in Parliamentary Bills
(1)Copyright in every Bill introduced into Parliament belongs, in accordance with the following provisions, to one or both of the Houses of Parliament.
(2)Copyright in a public Bill belongs in the first instance to the House into which the Bill is introduced, and after the Bill has been carried to the second House to both Houses jointly, and subsists from the time when the text of the Bill is handed in to the House in which it is introduced.
(3)Copyright in a private Bill belongs to both Houses jointly and subsists from the time when a copy of the Bill is first deposited in either House.
(4)Copyright in a personal Bill belongs in the first instance to the House of Lords, and after the Bill has been carried to the House of Commons to both Houses jointly, and subsists from the time when it is given a First Reading in the House of Lords.
(5)Copyright under this section ceases—
(a)on Royal Assent, or
(b)if the Bill does not receive Royal Assent, on the withdrawal or rejection of the Bill or the end of the Session:
Provided that, copyright in a Bill continues to subsist notwithstanding its rejection in any Session by the House of Lords if, by virtue of the Parliament Acts 1911 and 1949, it remains possible for it to be presented for Royal Assent in that Session.
(6)References in this Part to Parliamentary copyright (except in section 165) include copyright under this section; and, except as mentioned above, the provisions of this Part apply in relation to copyright under this section as to other Parliamentary copyright.
(7)No other copyright, or right in the nature of copyright, subsists in a Bill after copyright has once subsisted under this section; but without prejudice to the subsequent operation of this section in relation to a Bill which, not having passed in one Session, is reintroduced in a subsequent Session.
167Houses of Parliament: supplementary provisions with respect to copyright
(1)For the purposes of holding, dealing with and enforcing copyright, and in connection with all legal proceedings relating to copyright, each House of Parliament shall be treated as having the legal capacities of a body corporate, which shall not be affected by a prorogation or dissolution.
(2)The functions of the House of Commons as owner of copyright shall be exercised by the Speaker on behalf of the House; and if so authorised by the Speaker, or in case of a vacancy in the office of Speaker, those functions may be discharged by the Chairman of Ways and Means or a Deputy Chairman.
(3)For this purpose a person who on the dissolution of Parliament was Speaker of the House of Commons, Chairman of Ways and Means or a Deputy Chairman may continue to act until the corresponding appointment is made in the next Session of Parliament.
(4)The functions of the House of Lords as owner of copyright shall be exercised by the Clerk of the Parliaments on behalf of the House; and if so authorised by him, or in case of a vacancy in the office of Clerk of the Parliaments, those functions may be discharged by the Clerk Assistant or the Reading Clerk.
(5)Legal proceedings relating to copyright—
(a)shall be brought by or against the House of Commons in the name of "The Speaker of the House of Commons"; and
(b)shall be brought by or against the House of Lords in the name of "The Clerk of the Parliaments".
Other miscellaneous provisions
168Copyright vesting in certain international organisations
(1)Where an original literary, dramatic, musical or artistic work—
(a)is made by an officer or employee of, or is published by, an international organisation to which this section applies, and
(b)does not qualify for copyright protection under section 154 (qualification by reference to author) or section 155 (qualification by reference to country of first publication),
copyright nevertheless subsists in the work by virtue of this section and the organisation is first owner of that copyright.
(2)The international organisations to which this section applies are those as to which Her Majesty has by Order in Council declared that it is expedient that this section should apply.
(3)Copyright of which an international organisation is first owner by virtue of this section continues to subsist until the end of the period of 50 years from the end of the calendar year in which the work was made or such longer period as may be specified by Her Majesty by Order in Council for the purpose of complying with the international obligations of the United Kingdom.
(4)An international organisation to which this section applies shall be deemed to have, and to have had at all material times, the legal capacities of a body corporate for the purpose of holding, dealing with and enforcing copyright and in connection with all legal proceedings relating to copyright.
(5)A statutory instrument containing an Order in Council under this section shall be subject to annulment in pursuance of a resolution of either House of Parliament.
169Folklore, &c.: anonymous unpublished works
(1)Where in the case of an unpublished literary, dramatic, musical or artistic work of unknown authorship there is evidence that the author (or, in the case of a joint work, any of the authors) was a qualifying individual by connection with a country outside the United Kingdom, it shall be presumed until the contrary is proved that he was such a qualifying individual and that copyright accordingly subsists in the work, subject to the provisions of this Part.
(2)If under the law of that country a body is appointed to protect and enforce copyright in such works, Her Majesty may by Order in Council designate that body for the purposes of this section.
(3)A body so designated shall be recognised in the United Kingdom as having authority to do in place of the copyright owner anything, other than assign copyright, which it is empowered to do under the law of that country; and it may, in particular, bring proceedings in its own name.
(5)In subsection (1) a "qualifying individual" means an individual who at the material time (within the meaning of section 154) was a person whose works qualified under that section for copyright protection.
(6)This section does not apply if there has been an assignment of copyright in the work by the author of which notice has been given to the designated body; and nothing in this section affects the validity of an assignment of copyright made, or licence granted, by the author or a person lawfully claiming under him.
Transitional provisions and savings
170Transitional provisions and savings
Schedule 1 contains transitional provisions and savings relating to works made, and acts or events occurring, before the commencement of this Part, and otherwise with respect to the operation of the provisions of this Part.
171Rights and privileges under other enactments or the common law
(1)Nothing in this Part affects—
(a)any right or privilege of any person under any enactment (except where the enactment is expressly repealed, amended or modified by this Act);
(b)any right or privilege of the Crown subsisting otherwise than under an enactment;
(c)any right or privilege of either House of Parliament;
(d)the right of the Crown or any person deriving title from the Crown to sell, use or otherwise deal with articles forfeited under the laws relating to customs and excise;
(e)the operation of any rule of equity relating to breaches of trust or confidence.
(2)Subject to those savings, no copyright or right in the nature of copyright shall subsist otherwise than by virtue of this Part or some other enactment in that behalf.
(3)Nothing in this Part affects any rule of law preventing or restricting the enforcement of copyright, on grounds of public interest or otherwise.
(4)Nothing in this Part affects any right of action or other remedy, whether civil or criminal, available otherwise than under this Part in respect of acts infringing any of the rights conferred by Chapter IV (moral rights).
(5)The savings in subsection (1) have effect subject to section 164(4) and section 166(7) (copyright in Acts, Measures and Bills: exclusion of other rights in the nature of copyright).
172General provisions as to construction
(1)This Part restates and amends the law of copyright, that is, the provisions of the [1956 c. 74.] Copyright Act 1956, as amended.
(2)A provision of this Part which corresponds to a provision of the previous law shall not be construed as departing from the previous law merely because of a change of expression.
(3)Decisions under the previous law may be referred to for the purpose of establishing whether a provision of this Part departs from the previous law, or otherwise for establishing the true construction of this Part.
173Construction of references to copyright owner
(1)Where different persons are (whether in consequence of a partial assignment or otherwise) entitled to different aspects of copyright in a work, the copyright owner for any purpose of this Part is the person who is entitled to the aspect of copyright relevant for that purpose.
(2)Where copyright (or any aspect of copyright) is owned by more than one person jointly, references in this Part to the copyright owner are to all the owners, so that, in particular, any requirement of the licence of the copyright owner requires the licence of all of them.
174Meaning of "educational establishment" and related expressions
(1)The expression "educational establishment" in a provision of this Part means—
(a)any school, and
(b)any other description of educational establishment specified for the purposes of this Part, or that provision, by order of the Secretary of State.
(2)The Secretary of State may by order provide that the provisions of this Part relating to educational establishments shall apply, with such modifications and adaptations as may be specified in the order, in relation to teachers who are employed by a local education authority to give instruction elsewhere to pupils who are unable to attend an educational establishment.
(3)In subsection (1)(a) "school"—
(a)in relation to England and Wales, has the same meaning as in the [1944 c. 31.] Education Act 1944;
(b)in relation to Scotland, has the same meaning as in the [1962 c. 47.] Education (Scotland) Act 1962, except that it includes an approved school within the meaning of the [1968 c. 49.] Social Work (Scotland) Act 1968; and
(c)in relation to Northern Ireland, has the same meaning as in the [S.I. 1986/594 (N.I.3).] Education and Libraries (Northern Ireland) Order 1986.
(4)An order under subsection (1)(b) may specify a description of educational establishment by reference to the instruments from time to time in force under any enactment specified in the order.
(5)In relation to an educational establishment the expressions "teacher" and "pupil" in this Part include, respectively, any person who gives and any person who receives instruction.
(6)References in this Part to anything being done "on behalf of" an educational establishment are to its being done for the purposes of that establishment by any person.
(7)An order under this section shall be made by statutory instrument which shall be subject to annulment in pursuance of a resolution of either House of Parliament.
175Meaning of publication and commercial publication
(1)In this Part "publication", in relation to a work—
(a)means the issue of copies to the public, and
(b)includes, in the case of a literary, dramatic, musical or artistic work, making it available to the public by means of an electronic retrieval system;
and related expressions shall be construed accordingly.
(2)In this Part "commercial publication", in relation to a literary, dramatic, musical or artistic work means—
(a)issuing copies of the work to the public at a time when copies made in advance of the receipt of orders are generally available to the public, or
(b)making the work available to the public by means of an electronic retrieval system;
(3)In the case of a work of architecture in the form of a building, or an artistic work incorporated in a building, construction of the building shall be treated as equivalent to publication of the work.
(4)The following do not constitute publication for the purposes of this Part and references to commercial publication shall be construed accordingly—
(a)in the case of a literary, dramatic or musical work—
(i)the performance of the work, or
(ii)the broadcasting of the work or its inclusion in a cable programme service (otherwise than for the purposes of an electronic retrieval system);
(b)in the case of an artistic work—
(i)the exhibition of the work,
(ii)the issue to the public of copies of a graphic work representing, or of photographs of, a work of architecture in the form of a building or a model for a building, a sculpture or a work of artistic craftsmanship,
(iii)the issue to the public of copies of a film including the work, or
(iv)the broadcasting of the work or its inclusion in a cable programme service (otherwise than for the purposes of an electronic retrieval system);
(c)in the case of a sound recording or film—
(i)the work being played or shown in public, or
(ii)the broadcasting of the work or its inclusion in a cable programme service.
(5)References in this Part to publication or commercial publication do not include publication which is merely colourable and not intended to satisfy the reasonable requirements of the public.
(6)No account shall be taken for the purposes of this section of any unauthorised act.
176Requirement of signature: application in relation to body corporate
(1)The requirement in the following provisions that an instrument be signed by or on behalf of a person is also satisfied in the case of a body corporate by the affixing of its seal—
section 78(3)(b) (assertion by licensor of right to identification of author in case of public exhibition of copy made in pursuance of the licence),
section 90(3) (assignment of copyright),
section 91(1) (assignment of future copyright),
section 92(1) (grant of exclusive licence).
(2)The requirement in the following provisions that an instrument be signed by a person is satisfied in the case of a body corporate by signature on behalf of the body or by the affixing of its seal—
section 78(2)(b) (assertion by instrument in writing of right to have author identified),
section 87(2) (waiver of moral rights).
177Adaptation of expressions for Scotland
In the application of this Part to Scotland—
"account of profits" means accounting and payment of profits;
"accounts" means count, reckoning and payment;
"assignment" means assignation;
"costs" means expenses;
"defendant" means defender;
"delivery up" means delivery;
"estoppel" means personal bar;
"injunction" means interdict;
"interlocutory relief" means interim remedy; and
"plaintiff" means pursuer.
178Minor definitions
In this Part—
"article", in the context of an article in a periodical, includes an item of any description;
"business" includes a trade or profession;
"collective work" means—
a work of joint authorship, or
a work in which there are distinct contributions by different authors or in which works or parts of works of different authors are incorporated;
"computer-generated", in relation to a work, means that the work is generated by computer in circumstances such that there is no human author of the work;
"country" includes any territory;
"the Crown" includes the Crown in right of Her Majesty's Government in Northern Ireland or in any country outside the United Kingdom to which this Part extends;
"electronic" means actuated by electric, magnetic, electro-magnetic, electro-chemical or electro-mechanical energy, and "in electronic form" means in a form usable only by electronic means;
"employed", "employee", "employer" and "employment" refer to employment under a contract of service or of apprenticeship;
"facsimile copy" includes a copy which is reduced or enlarged in scale;
"international organisation" means an organisation the members of which include one or more states;
"judicial proceedings" includes proceedings before any court, tribunal or person having authority to decide any matter affecting a person's legal rights or liabilities;
"parliamentary proceedings" includes proceedings of the Northern Ireland Assembly or of the European Parliament;
"rental" means any arrangement under whch a copy of a work is made available—
for payment (in money or money's worth), or
in the course of a business as part of services or amenities for whch payment is made,
on terms that it will or may be returned;
"reprographic copy" and "reprographic copying" refer to copying by means of a reprographic process;
"reprographic process" means a process—
for making facsimile copies, or
involving the use of an appliance for making multiple copies,
and includes, in relation to a work held in electronic form, any copying by electronic means, but does not include the making of a film or sound recording;
"sufficient acknowledgement" means an acknowledgement identifying the work in question by its title or other description, and identifying the author unless—
in the case of a published work, it is published anonymously;
in the case of an unpublished work, it is not possible for a person to ascertain the identity of the author by reasonable inquiry;
"sufficient disclaimer", in relation to an act capable of infringing the right conferred by section 80 (right to object to derogatory treatment of work), means a clear and reasonably prominent indication—
given at the time of the act, and
if the author or director is then identified, appearing along with the identification,
that the work has been subjected to treatment to which the author or director has not consented;
"telecommunications system" means a system for conveying visual images, sounds or other information by electronic means;
"typeface" includes an ornamental motif used in printing;
"unauthorised", as regards anything done in relation to a work, means done otherwise than—
by or with the licence of the copyright owner, or
if copyright does not subsist in the work, by or with the licence of the author or, in a case where section 11(2) would have applied, the author's employer or, in either case, persons lawfully claiming under him, or
in pursuance of section 48 (copying, &c. of certain material by the Crown);
"wireless telegraphy" means the sending of electro-magnetic energy over paths not provided by a material substance constructed or arranged for that purpose;
"writing" includes any form of notation or code, whether by hand or otherwise and regardless of the method by which, or medium in or on which, it is recorded, and "written" shall be construed accordingly.
179Index of defined expressions
The following Table shows provisions defining or otherwise explaining expressions used in this Part (other than provisions defining or explaining an expression used only in the same section)—
account of profits and accounts (in Scotland) section 177
acts restricted by copyright section 16(1)
adaptation section 21(3)
archivist (in sections 37 to 43) section 37(6)
article (in a periodical) sectio 178
artistic work section 4(1)
assignment (in Scotland) section 177
author sections 9 and 10(3)
broadcast (and related expressions) section 6
building section 4(2)
business section 178
cable programme, cable programme service (and related expressions) section 7
collective work section 178
commencement (in Schedule 1) paragraph 1(2) of that Schedule
commercial publication section 175
computer-generated section 178
copy and copying section 17
copyright (generally) section 1
copyright (in Schedule 1) paragraph 2(2) of that Schedule
copyright owner section 101(2) and 173
Copyright Tribunal section 145
copyright work section 1(2)
costs (in Scotland) section 177
country section 178
the Crown section 178
Crown copyright sections 163(2) and 164(3)
defendant (in Scotland) section 177
delivery up (in Scotland) section 177
dramatic work section 3(1)
educational establishment sections 174(1) to (4)
electronic and electronic form section 178
employed, employee, employer and employment section 178
exclusive licence section 92(1)
existing works (in Schedule 1) paragraph 1(3) of that Schedule
facsimile copy section 178
film section 5
future copyright section 91(2)
general licence (in sections 140 and 141) section 140(7)
graphic work section 4(2)
infringing copy section 27
injunction (in Scotland) section 177
interlocutory relief (in Scotland) section 177
international organisation section 178
issue of copies to the public section 18(2)
joint authorship (work of) sections 10(1) and (2)
judicial proceedings section 178
librarian (in sections 37 and 43) section 37(6)
licence (in sections 125 to 128) section 124
licence of copyright owner sections 90(4), 91(3) and 173
licensing body (in Chapter VII) section 116(2)
licensing scheme (generally) section 116(1)
licensing scheme (in sections 118 to 121) section 117
literary work section 3(1)
made (in relation to a literary, dramatic or musical work) section 3(2)
musical work section 3(1)
the new copyright provisions (in Schedule 1) paragraph 1(1) of that Schedjule
the 1911 Act (in Schedule 1) paragraph 1(1) of that Schedule
on behalf of (in relation to an educational establishment) section 174(5)
Parliamentary copyright sections 165(2) and (7) and 166(6)
parliamentary proceedings section 178
performance section 19(2)
photograph section 4(2)
plaintiff (in Scotland) section 177
prescribed conditions (in sections 38 to 43) section 37(1)(b)
prescribed library or archive (in sections 38 to 43) section 37(1)(a)
programme (in the context of broadcasting) section 6(3)
prospective owner (of copyright) section 91(2)
publication and related expressions section 175
published edition (in the context of copyright in the typographical arrangement) section 8
pupil section 174(5)
rental section 178
reprographic copies and reprographic copying section 178
reprographic process section 178
sculpture section 4(2)
signed section 176
sound recording section 5
sufficient acknowledgement section 178
sufficient disclaimer section 178
teacher section 174(5)
telecommunications system section 178
typeface section 178
unauthorised (as regards things done in relation to a work) section 178
unknown (in relation to the author of a work) section 9(5)
unknown authorship (work of) section 9(4)
wireless telegraphy section 178
work (in Schedule 1) paragraph 2(1) of that Schedule
work of more than one author (in Chapter VII) section 116(4)
writing and written section 178
PrintThis Chapter only
PDF This Chapter only
Web page This Chapter only

redpajama_set_name: RedPajamaCommonCrawl


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Q: How can I fix errors in my colors.xml file? I am new to Android programming and running on version 3.6.3. I am having a Build failed: error 1; XML document must start and end with the same entity.
<manifest xmlns:android="http://schemas.android.com/apk/res/android" package="androidx.constraintlayout.widget"> //This one is errorTagged with "Element manifest must be declaired."

    <uses-sdk android:minSdkVersion="9" //This one is tagged with "Tag start is not closed" but when I close it with '/>', it changes to 'Unexpected ending.'```

A: <?xml version="1.0" encoding="utf-8"?>
<resources xmlns:tools="http://schemas.android.com/tools">
    <color name="colorPrimary">#008577</color>
    <color name="colorPrimaryDark">#ff0000</color>
    <color name="colorAccent">#00ff00</color>
    <color name="mtrl_textinput_default_box_stroke_color" tools:override="true">#000</color>
</resources>

redpajama_set_name: RedPajamaStackExchange


Since you mentioned The King James Translation, have you ever read The Geneva, Wyclife, or Tyndale Bible translations?
The KJV, Geneva and Tyndale are all from the Textus Receptus. The Geneva is from the Latin Vulgate. The KJV was updated into Modern English in the late 1700's s(we speak Contemporary English today). The Authorized King James Bible is the 1769 Pure Cambridge Text. As far as recommending other versions, I stick to the time trusted and widely available KJV. It is available even at the dollar store, anyone can read it.
Know Mr Hagee personally... you sir are wrong on him! The rest of your writing is spot on!
I would never trust anyone who is on TBN.


Forza Motorsport 5 is the next upcoming installment of the Forza Motorsport series of racing games. The game is being developed by Turn 10 Studios and will be published by Microsoft exclusively for the Xbox One.
The game touts realistic graphics and humanlike AI capable of leveraging the Xbox One cloud to analyze your driving style and habits to challenge the player. Additionally, the cloud-based "Drivatar" feature allows the players personal profile to participate in races while players are away, accruing points for players that aren't actually playing the game at the time.
Forza Motorsport 5 is technically the sixth instalment to the Forza franchise, Forza Horizon being the fifth, and plays similar to its predecessor's with a few tweaks. It is a racing simulator that is similar in style to the Gran Turismo series.
Here's a list of vehicles for Forza Motorsport 5, sorted by the company that produces the car.
Turn 10 plans to release Car Packs monthly through to the month of May. The Season Pass, which costs $49.99, will include all six of these Car Packs. For more information on the DLC available for Forza 5 check out the pages linked below.
You can find details about the various editions for Forza 5 on the following pages.


We met at work. It was love at first sight (over the cubicle walls). He surprised me with a big bouquet of flowers and I didn't let him finish asking before I said yes.
I didn't have much in mind besides the colors. We loved the circle cards for the save the dates because they were different. But what really put our wedding correspondence over the edge was the charming custom map of Chicago created by artist Connor Woods. Connor's map marked locations of significant events for my fiance and I since we met. If you love this concept should contact him at connorwoods41@yahoo.com to create something special for you, too!
Was there anything about the process of choosing your invitations that you weren't expecting?
I wasn't expecting to be able to identify what was right for me so easily! But I worked with people I knew who helped me narrow down the options based on my taste. I also wasn't expecting so many compliments!
She was wonderful to work with and had a clear vision of what the bride wanted and what would look best. She took into consideration Vera Wang's quality of paper, their font styles and print process. Barb tweaked the proofs, with the final result being a collaboration between Barb, me and the bride. It's always a pleasure working with a team who trusts the stationer's taste, etiquette and knowledge.
We are seeing a lot of oversized invitations, like Emily and Bradley's. Why do you think this format is so popular right now?
With a larger invitation, the location(s) of the wedding and reception fit nicely on one piece of paper. Duograms and motifs also seem to be on trend right now. In Emily's case, she wanted a very clean, classy and uncluttered look.
When it comes to choosing wedding invitations, how is today's bride different from those five years ago?
They have access to so many examples and inspirations through the Internet, television, magazines and social media. Weddings used to be very private, but now it's all out there.
Are you a stationer or bride who has a William Arthur or Vera Wang wedding invitation you'd like to feature in Real Weddings? Email us at submissions@crane.com.


THESE SHORTS WILL SAVE YOUR LIFE. Okay, maybe not literally, but if like many girls you struggle to find the perfect booty short (the one that isnt too short or too long, the waist not too high or too low) these will make you scream "FINALLY!".


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A Forgotten Denzel Washington Movie Has Been Dominating Netflix All Month
Christian Bone Apr 25, 2021 3:25 pm Apr 25, 2021 4:23 pm
On Netflix, a little star power goes a long way. There are countless movies that didn't make much of an impact on the world when they premiered in theaters which have enjoyed a whole other life on streaming, and that's often thanks to them featuring an A-list actor, whose familiar face convinces subscribers looking for something new to watch to give the title a click.
Case in point: The Equalizer 2, an action pic starring Denzel Washington, which has been dominating Netflix this past month. Having been circulating the Top 10 for the last few weeks, it's currently sitting at number 11 on the chart of the most viewed films on Netflix across the globe, as per the latest stats from FlixPatrol.
A follow-up to 2014's The Equalizer, the sequel reunited Washington with director Antoine Fuqua for their fourth collaboration – the other two being Training Day and The Magnificent Seven remake. The films sees Washington play Bob McCall, a former Marine and DIA agent who comes out of retirement to act as a vigilante hero to those in need. The two-time Oscar winner is joined by the likes of Pedro Pascal, Bill Pullman and Melissa Leo.
Fun fact: this is the only sequel that Washington ever made. And, though it came and went without much of a fuss at the time, it actually earned just as much money as its predecessor (around $190 million worldwide). You might think a third outing for Washington would be in the works, then, but instead the franchise has moved onto the small screen. A gender-flipped reboot starring Queen Latifah is currently airing its debut season on CBS.
Denzel Washington was most recently seen in crime thriller The Little Things, which just hit VOD this weekend, and he'll next show up in the title role in an adaptation of Shakespeare's Macbeth from Joel Coen. The Equalizer 2, meanwhile, can be found on Netflix in many territories, though it isn't currently available in the US. It can instead be viewed on FX Now or purchased through Amazon Prime.


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The ancient Greek physician Hippocrates was the first to bestow the name Iris on the tall, elegant show-stopping flowers, in honour of the Greek goddess of the rainbow. Messenger of the Olympian gods, Iris would descend Olympus to visit the people of Greece, wearing a seven-coloured robe that mirrored the meteorological phenomenon. The name could not be more fitting for the flower of wisdom, hope, trust and valour, with its elongated deportment and royal hues. Immortalised by the brush of Van Gogh, the violet queen of florals has inspired artists since ancient times, from the walls of the palace of Knossos on Crete, to the Roman city arms of Florence.
Vincent Van Gogh, Irises, 1889. Image: J. Paul Getty Museum, Los Angeles, Digital image courtesy of the Getty's Open Content Program
After studying Van Gogh's series of Iris paintings from the previous century, in the early 1990s William Kentridge delved into his own garden of inspirations. Kentridge worked with master printer Jack Shirreff to develop the large-scale complexities for Dutch Iris II. The subtle shading and fine delineation of the flower's curling petals exhibit a painterly rendering of rich colour with all the dynamism and flair of Kentridge's palimpsest-like drawing. Kentridge was able to use the intaglio medium not just as a means of replication, but as a medium of such flexibility as to rival painting. The artist is best known for his inventive charcoal drawings in which he draws and erases subjects, recording expressionistic and monochromatic compositions at each stage. In his etchings, Kentridge was able to replicate this process using Shirreff's print matrixes, allowing his natural creative process to come alive in this medium.
In Dutch Iris II a fragile flower floats above a rich deep burgundy background, with echoes of its previous forms visible around the purple and blue pigments. It is as if she is blooming in front of the viewer, morphing with the light as her petals open and close. The movement brings the image alive, dramatically sensualising the curves of nature against the angular man-made surround.
'I decided to publish this state because it shows William Kentridge's skill with a brush and Jack Shirreff's
lift-ground aquatint skills as well.' —David Krut
Rosalind Krauss, p. 13
Property from a Private South African Collection
Etching and aquatint in colours, on Arches paper, with full margins.
I. 108.4 x 59.4 cm (42 5/8 x 23 3/8 in.)
S. 121 x 80.2 cm (47 5/8 x 31 5/8 in.)
Signed and numbered 25/30 in pencil (there were also 5 artist's proofs), published by David Krut, Johannesburg, framed.
£20,000 - 30,000 ‡ ♠


As many of you know, I am somewhat of an MSC Cruises enthusiast. I love their family-friendly cabins and kid's clubs, and they offer some of the best cruise "deals" in the business. I also love the fact that they let kids ages 11 and under cruise free on many of their itineraries, including ships I have sailed on such as the MSC Divina and MSC Poesia.
If you're considering a Mediterranean cruise in the future, you'll want to know that the cruise line is launching a new ship this month — the MSC Bellissima. The MSC Bellissima is the sister ship of the MSC Meraviglia, which I am planning to sail out of Denmark and into Norway in June of this year. This new ship is set to offer an array of family-friendly amenities including an aqua park with three water slides to a splash pool, an overwater "skywalk," an 82-foot long mail pool, and an indoor promenade with one of the largest LED domes in any cruise ship today.
In terms of dining, the MSC Bellissima is slated to offer twelve different venues. The selection includes the main buffet and main dining room along with a teppanyaki restaurant, a sushi bar, a steakhouse, and a tapas bar.
Where Will the MSC Bellissima Sail?
While MSC Cruises tends to alternate their ships between Europe and the Caribbean, the Bellissima is currently scheduled within the Western Mediterranean. Ports of call include Malta, Genoa, Naples, and Messina, Italy, Barcelona, and Marseille, France.
Prices vary from month to month but run as low as $688 per person for early April cruises this year. Two adults and two kids ages 7 and 9 could book a balcony cabin with the "Fantastica" experience for $3,279 including port taxes and fees for the April 7, 2019 departure, for example.
Whether you choose to sail the Mediterranean on the MSC Bellissima or select another cruise line, it's important to remember how easy it is to pay for cruise fare with points and miles. Popular cards that offer fixed travel credit like the Barclaycard Arrival Plus World Elite Mastercard and Capital One Venture Rewards let you redeem points to cover cruises at a rate of one cent per point, and they both offer big signup bonuses and 2x points for each dollar you spend.
You can also opt to sign up for a flexible travel credit card that lets you redeem points for cruises. The Citi Premier, Citi Prestige, Chase Sapphire Preferred and Chase Sapphire Reserve are all popular options.
Are you planning any cruises this year? How are you covering your cruise with rewards?


After the harsh winter we're having this year, the thought of Groundhog Day (and perhaps an early spring?!) is soooo appealing right now! I live in Woodstock, Illinois, where the Groundhog Day movie was filmed. The holiday is one of the most significant days of the year for us! We have our own Woodstock Willie the Groundhog come out and give his prediction with the Mayor, and the whole weekend is filled with events, tours, and family activities. The bed and breakfast from the movie is still in business (and as beautiful as ever!). And the 'flea bag hotel' from the movie on the Square is actually our historic Opera House, where Orson Welles got his start in acting. I get so proud of our town's history!
Today, though, we have Groundhog Day activity pages – lots of them! An easy I spy worksheet, several word puzzles, a groundhog connect the dots, and to make Groundhog Day your own, there's a step by step guide to drawing a groundhog!
You might also like our Groundhog Day coloring pages, too.


Get Started Now Online Loans From The Best Lenders. Our Extensive Network of Lenders offer loans for borrowers with Good or Bad Credit Scores. Loans for several months to several years. Finding options from top lenders in Currie.
There countless areas that currently offer cash loan as well as they're really simple to get. short-term loans are among the fastest as well as simplest ways there is to obtain the cash you need currently. As well as, depending upon the provider, you can obtain a cash loan and personal loans for $1000 or as up to $35,500.
The amount you could borrow would depend on which sort of lending you avail. Keep in mind that there are likewise sub-types for unsecured individual lendings such as a payday advance. Authorization fasts and also relatively simple although the quantity you can get would be minimal, as well as may just be perfect for things like an emergency, paying energy costs, as well as tuition fees, or perhaps a trip.
People with low credit history locate it hard to obtain a lending. Creditors turn them down due to the fact that there is that risk of not having the ability to stay on top of month-to-month repayments, or a minimum of pay back the loan amount. It is a depressing reality, but a reality however.
Our Local Lenders In Currie, North Carolina Are Here to Help!
If you do not have an excellent credit score and also you occur to be looking for cash presently, understand that yours is not a hopeless case. Whilst in the past it was virtually difficult to obtain a loan provider to accept a lending for a person operating bad credit rating, today, lending institutions have actually already understood that there is a profitable market for this as well as therefore, there is now more than one choice for individual lendings offered to people with bad credit history. Allow us review the most common ones.
Cash advance Loans – these loans are the most prominent option for utilized people. All it takes is discovering a lending institution in Currie North Carolina that could give you operating this type of loan, supply them operating the necessary details such as your complete name, address, employment information, and also financial institution information (checking account). You would certainly need to equip them operating a post-dated check, which they will deposit on your payday. These financings are quite simple to obtain so as long as you satisfy the requirements.
Unsecured Company Loans – normally, people would certainly believe that it is really hard to get a company loan if they have bad credit rating- this is not entirely real. Lenders are greater than going to supply financings to entrepreneurs so as lengthy as all the needed documents are submitted as well as they have the ability to settle the lending.
Debt Combination Financings – a lot of us want to obtain a lending in order to settle our financial obligations. This is particularly true for those operating huge charge card equilibriums due to the fact that the interest rates for credit cards are extremely, extremely high. To be able to cut down on charges, people like obtaining financial obligation combination loans. Although not always the situation, this type of financing could be taken into consideration "unsecured" so no collateral is needed.
Financings from Family members and also Buddies – depending upon the type of situation you have, this could either be your first or last alternative. An individual lending from individuals you recognize is advised because you obtain very little or no passion charges, plus you could avail of it without needing to protect any type of demands whatsoever. Sometimes though it is challenging to lending from friends and family since they most likely have no cash to spare or it might likewise be that you are also ashamed to inform them about your monetary issues.


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Did you know that nearly every financial scam, including Bernard Madoff's $65 billion Ponzi scheme, could have easily been avoided?
Ken Fisher's New York Times best seller, How to Smell a Rat, arms you with five simple signs that can alert you to possible scams and help insulate you against financial fraud.
How to Smell a Rat is an informative look at recent and historic examples of fraudsters, how they operated, and how their scams could have been avoided. Page by page, Ken Fisher highlights various features of potential frauds and provides you with an insider's view on how to spot financial disasters before you become a part of them.
Most investment scams can be easily detected and more easily avoided. While Bernard Madoff may be a criminal, the greater crime is that investors continue to be swindled for no reason. Pick up Ken Fisher's How to Smell a Rat, and learn how to protect yourself as best you can from financial fraud.
Connect with Ken
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DisclaimerDisclaimer
Investing in stock markets involves the risk of loss and there is no guarantee that all or any capital invested will be repaid. Past performance neither guarantees nor reliably indicates future performance. © 2006-2019 Ken Fisher. All rights reserved.


Back for its fourth series! In the next episode of Comms Business Live David Dungay is joined industry distributors to talk about the big technology trends hitting the Channel this year.
The term digital transformation gets thrown about with reckless abandon but what does it actually look like for partners and the products they take on?
In this episode we will look at the transition in the market from a distributor point of view and how they plan to furnish partners with the right skills and products to enable this transition.
Joining David Dungay will be Bruce Hockin, Partner Development Director, Cloud Distribution, Paul Emery, VP of Cloud Solutions and Services for Europe, ScanSource and Hanspeter Eiselt, Nuvias CMO.
Tagged as Comms, Comms Business.


This page displays sold house prices for Everswell Avenue in Cardiff.
Everswell Avenue in Cardiff CF5 consists predominantly of semi-detached houses. Properties on Everswell Avenue typically have values around £200,000 - £250,000, ranging upwards of £250,000 for larger semi-detached houses.
Map showing Everswell Avenue in Cardiff.


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Eustis takes control of tempo in win over Nature Coast
By Joe Williams and Sentinel Staff Writer
EUSTIS -- Brooksville Nature Coast Coach Travis Priddy knew the only chance his boys basketball team had in Thursday night's Class 4A, Region 2 quarterfinal with Eustis was if the Sharks controlled the tempo.
Behind the scoring of Josh Ortiz and Chris Bossio they did a pretty good job of doing just that for a little less than one and a half quarters.
Then Eustis turned up the defensive pressure and, in a matter of minutes, took control of the game. The Panthers (21-7) went on a 13-2 run over the final 5:21 of the first half and pulled away for a 70-47 victory.
Eustis advances to host Tuesday night's regional semifinal against Port Orange Atlantic, which beat Belleview 68-38.
"I felt like we were playing at their tempo," said Corey Rollins, Eustis' interim head coach. "I think they wanted the game in the 40s, which was right where they were at. We wanted to get the game into the 60s. We had to do something to get it up there."
Before Eustis went on the spurt, Nature Coast hung in the game with Ortiz (14 points) and Bossio (six points) scoring all of the Sharks' points in the first half.
Eustis had just a 20-18 lead until Mike Bedford hit a 3-point basket for the Panthers with 5:21 left in the second quarter.
That basket, combined with Eustis' defense, got the Panthers going.
Bedford, who finished with 16 points, later scored on a layup after making a steal at halfcourt. Damon Evans (nine points, six rebounds, three steals) hit two jump shots during the run and 6-foot-5 junior center Kenny Dale (12 points, seven rebounds and three blocked shots) also had a basket as Eustis sprinted away.
"We knew going into the game if they were going to press us, we were going to have problems," Priddy said. "We don't have the kind of athletes like they have in our area. We can't simulate their quickness in practice.
"We knew we would have our hands full. J.O. [Ortiz] was the one kid we had who could hang with their athletes."
Copyright © 2023, Orlando Sentinel


Barbara Hill is an East coast native who now finds herself in the big city of Chicago, Illinois. With her masters in Biblical counseling, and currently finishing her second degree in Clinical Mental Health Counseling, she is passionate about one day soon working in the field of trauma counseling. Barbara previously lived in California working with The A21 Campaign, a global anti human trafficking organization, and echoes the mission of A21 to see slavery abolished in the 21st century. She also loves all things health and beauty, and is a licensed Esthetician and make-up artist. Barbara also has a passion for music, as she grew up singing in her home church in Baltimore, Maryland. On any given day, you can find Barbara out with friends, drinking coffee, and contemplating her next adventure. Follow along with Barbara on her personal blog, The Edges of His Ways.
I'm sure most of us have been to a carnival or fair where they reserve some of the most "fixed" and frustrating games around.


WISCAPE produces and distributes policy briefs, working papers, research reports, and other publications representing a wide variety of perspectives on postsecondary education issues. Authors include the center's staff, scholars, and affiliates, as well as those with no formal connection to WISCAPE. In keeping with its mission, the center shares its publications with an extensive network of scholars, researchers, policymakers, practitioners, students, business and community leaders, and media.


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101 Whiskies
My Handcrafted Opinions on Whiskies, Distilleries and Other Related Stuff
Hull Distillery Company Ltd, Hull, England
You won't find this mentioned on very many whisky blogs because it is not a whisky distillery. In fact it doesn't even exist anymore, but over time the site has transformed into the Saltend Chemicals Park (or SCP) operated by BP. The site is not open to the public (or even part of a "British Petrochemical Trail") but because of my job (Amazingly I am not a full time whisky blogger!) I was able to get a tour of SCP which still produces industrial alcohol / biofuel today from grain in August 2016. The history of the Hull Distillery Co Ltd goes back to 1924 when Herbert Green opened an industrial distillery and in 1925 he sold it to DCL. By 1963 DCL had three divisions, a Drinks Group that manufactured Scotch Whisky, Gin and Vodka, a Food Group that included United Yeast Co, and Peerless Refining Co. and an Industrial Group principally involved in chemicals and plastics. In 1967 sold their Chemcials and Plastics business to British Petroleum (BP) including the Saltend Distillery.
Now an interesting footnote in UK distilling history but no samples on this tour... which was probably for the best.
Ref: http://saltendchemicalspark.co.uk/history
More in this category: « Teeling Distillery, Dublin, Ireland The London Distillery Company, London, England (Ver 2) »
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Random Distillery
Auchentoshan, Glasgow, Scotland
While we lived in Aberdeen we didn't get to Glasgow much, and with so many distilleries on our doorstep in Speyside and the rest of the Highlands it seemed I would probably never get to this one. However we took a brief holiday in February 2011 and landed in Glasgow airport late on a Friday night and decided to stay in hotel in Glasgow rather than drive the two plus hours back to Aberdeen. The next morning a detour via Auchentoshan was negotiated and agreed with Tammy and my daughter. I really liked this tour, they allowed our daughter to come along and it was just the three of us on the first tour of the day. The tour guide was knowledgeable and the tour was detailed, even explaining in considerable depth the complex triple (well more like 2 ½) distillation process unique to Auchentoshan in Scotch whisky. They also had some unique features on their tour, for example they allowed me to taste the fermented wash right out of the washback prior to distillation. I found it tasted like apple juice or rough cider but soured with some vinegar, brought back memories of the short lived Cider Gate in Exeter in the early 1990's. They also allowed you to hit a barrel in the warehouse with a sledgehammer to pop the bung out! All good fun.
Did some tasting at the end of the tour from the Auchentoshan family, but had to restrain myself as I had to drive for next couple of hours and we ended buying a bottle of the 18 year old (as well as an unusual bottle of Drambuie made with 15 year old speyside whisky).
Tweets by @SoManyWhiskies
2011-2015 Copyright SoManyWhiskies.com - All Rights Reserved.
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THE AFS METHOD PT 1.
It feels like everyone is saying the same old things these days. No one has anything new and no one has anything in an email I'd want to read. I've thought about this so many times and even asked myself am I now one of those endless ranters that want to sell something to anyone that wants to buy?
So today I wanted to tell you a story. Yes it's about marketing but it is also about something that repeats itself time and time again in my life. It can affect everything you do in business. I know that because it literally has changed everything not just for myself but for my clients and partners.
THE AFS EFFECT PART 1.
Today I called it … THE AFS METHOD because of what I have seen this effect do but in the early years all I knew was something didn't work and now because of this it is.
In 1989 I opened my fits high street business. It was a hairdressing salon. I can remember the day I signed the 7-year contract for the lease with my landlord Peter Rimmer. I was nervous about doing it but at the same time I never really gave it a lot of thought. This was a year when I was just married for two years, I was spending a lot of time putting a new home together and my first child – Christian – the mad one - would arrive just months after the new salon opened.
Before the salon I had spent my first few years of adult life getting fired from jobs. That was fine because I hated being told what to do. Before my job I had walked out of school life when I was just 15 years old so education in those days wasn't something I had a huge encounter with. Stick with this because it's relevant for you.
So let me take you forward again to late 1989 because things were about to get more dramatic.
I opened the salon in May 1989. I assumed that everyone would want to come and use my services because at that young arrogant age I thought I was the best at what I was doing (nothings changed). By the time Christian my son arrived and arrived more chaos where I was suddenly in a position where I couldn't pay the bills. The reason was very simple – more was going out than was coming in so clearly there wasn't enough cash.
Now very easily on I was behind on my rent, behind on my tax, behind on my rates and generally behind on everything. This also meant the only way to no longer be behind was to double my income and double it fast.
2 staff and 250 sq. ft. of working area to 16 staff and 2000 sq. ft. of working area. Now I had only just survived the small salon so how the hell was I going to survive the huge place? My ego was bigger than anything so I just took the risk. Within a couple of months I had so much debt it was terrifying. I could pay nothing. My first weeks outgoings were around £3,000. My first week taking was around £700 if I remember right. Week one and the debt was starting.
Now during all of this time I kept reading in the hairdresser's journal about a course that Paul Mitchell was running in London about salon management. I wanted to go but couldn't go because I didn't have the £2,000 to pay at the time.
Then one Saturday while my salon was packed two men came into the front of the busy reception and asked for Alan Forrest Smith. Obviously that was me. I went to the desk where around 10 clients were sitting. The guys told me they were from the Revenue services and I had two hours to pay over £10,000 or they would remove the equivalent value from the salon.
All the clients heard this and I just wanted to die. They took a small payment and some post-dated checks and left. I can tell you for the next couple of hours the salon was silent.
After I went home I kept wondering if this course in London would help me or not so I called the telephone number in the hairdressers journal. An agreement was made to pay in monthly payments but this was to be a payment I had a feeling would help me, my business and my life.
I had one small son and another son had just arrived. I had also moved home and I also had a young wife that enjoyed buying new things for her new home.
So I finally went on the training. At the first course I learnt everything I was doing wrong from a management and marketing perspective. I also learnt how much I need to do to get things right.
I drove back from London very late that Sunday excited to make sweeping changes. They helped me to believe I could really do this and I started to believe it also.
When I left my salon on the Saturday before the course I was charging £6.95 for a haircut. Two days later on Monday I decided to take their advice and charge a higher rate. That rate went to £18.95. That was a rise of £12.00 in two days. How would my customers react? They really never mentioned it. In fact it was one tool that created strong positioning for my salon.
Within months I had discovered something called marketing and on the back of that by 1992 I had also discovered that sending letters to my customers made them loyal customers rather than just fleeting customers.
Now what you need to know is this; in those days unless you did your direct mail printing at the printers doing it at home or in the office was not easy when you had 500 pieces to send each week because you simply didn't have the same computing tools like we have now.
As far as I knew I was the only hair salon in the UK actually doing direct mail or sending letters but the problem I had was in those days unless you spent a fortune on a laser that would cost well over a grand I only had a dot-matrix printer. This meant that all the letters were on one roll and all had to be torn off but had perforated edges like a stamp. Not slick but it did do the job at the time.
The effect of what I was dong was now becoming massive for the salon. We had opened in a town of 35 established salons and had positioned ourselves from a new start-up to number one in just 18 months!
There was a reason for this and that reason had been hard, continuous and relentless at the time. Baby number three was on his way so I failure wasn't an option and there was no way I was going to go and get a job working for someone else.
The EFFECT that was taking place was starting to get noticed by others outside my business. Companies would call and ask who was doing my marketing. Clients would ask who was doing it and some would even start to call, ask for me and ask if we could meet to talk about their business and how I could help them. The effect was becoming clear I just couldn't see it at the time.
One day a guy from a company I had been dealing in my salon had noticed all the marketing my salon had been doing and asked if I could help him. We did a deal for a ton of salon products and I helped him out. His product was new and he had been sending letters to 5000 salons on a regular basis. This was costly and frankly was getting him nowhere. He was out of cash and almost out of his wife. She had told him if it carries on she would leave him.
He knew about the effect of what I was doing and asked if it would work for him so I put together a system for him that I felt would work. Now let me remind you of the numbers here.
He was mailing 5000 salons at a cost of around £7000 a campaign. His response at this point had been zero! Not a bean!
My suggestion was to send just 100 mailers to 100 carefully chosen salons along with a specific offer and a system of mailing.
The effect was huge. Not only did I create a record-breaking direct response sales letter with a 47% response rate but I created a monster that eventually generated my client over £800,000 in sales! I got paid nothing at the time apart from product!
Another salon client that owned a car showroom asked me to do something very similar. I repeated the system but bespoke the process at the same time. This time the product was an Audi TT sports car. This company would send literally tens of thousands of mailers to sell a single car. I created a handful of mailers that sold £1.5 million in Audi sports cars in less than a month. Again the EFFECT was huge!
Word started to spread as others heard about the EFFECT that was changing things for people and their business and of course their lives.
Now don't forget at this point I had now two salons to run – yes I had grown my own business – I had another baby arrive (Oliver) and was now in the middle of building my own house whilst myself and my family lived in a mobile home in the middle of a field.
On the back of this I had accidently created something that would have a startling EFFECT on my life and ultimately my future and the future of many others.
Even I was shocked and still am shocked with what I am about to tell you next.
THE AFS METHOD PT 2.


IAS question as one of the critical sections of IAS Exam plays an important role in the selection of an IAS aspirant. The IAS aspirants should focus more on the topics which are happening in the recent time. Here, keeping the pattern of UPSC IAS Exam in mind, we have provided IAS questions based on the current affairs useful for the IAS Prelims Exam 2018.
IAS Exam needs a comprehensive study of static as well as the dynamic sections of UPSC IAS Exam syllabus. The IAS aspirants must follow the prescribed authentic sources for IAS Exam like The Hindu, PIB, The Economic Times etc. Here, we have created the IAS questions from such authentic for IAS Exam will be much beneficial for IAS Prelims Exam 2018.
1) It is a joint initiative by the Ministries of Power and Textiles.
2) Under this initiative, Energy Efficiency Services Limited (EESL) would procure energy efficient Powerlooms, motors and Rapier kits in bulk and provide them to the small and medium Powerloom units at no upfront cost.
The use of this efficient equipment would result in energy savings and cost savings to the unit owner and he would repay in instalments to EESL over a 4 to 5 year period. This is the aggregation, bulk procurement and financing model that EESL has successfully deployed in several sectors like LED bulbs, Smart Meters and Electric Vehicles.
1. The overall objective of PMKKKY scheme is to implement various developmental and welfare programs in mining-affected areas.
2. PMKKKY will be implemented by the District Mineral Foundations (DMFs).
3. The Mines and Minerals Amendment Act of 2015 mandated the setting up of District Mineral Foundations (DMFs) in all districts in the country affected by mining-related operations.
The Pradhan Mantri Khanij Kshetra Kalyan Yojana (PMKKKY) will be implemented by the District Mineral Foundations (DMFs) of the respective districts using the funds accruing to the DMF.
The Mines and Minerals (Development & Regulation) Amendment Act, 2015, mandated the setting up of District Mineral Foundations (DMFs) in all districts in the country affected by mining-related operations. The Central Government has notified the rates of contribution payable by miners to the DMFs.
• to ensure long-term sustainable livelihoods for the affected people in mining areas.
1. Nanotechnology is science, engineering, and technology conducted at the nanoscale, which is about 1 to 100 nanometers.
2. The efficiency in the use of nanotechnology in the solar panel has already gone up to 46 % from 15 %, and it will climb to 50 % shortly.
Nanotechnology is science, engineering, and technology conducted at the nanoscale, which is about 1 to 100 nanometers. Nanoscience and nanotechnology are the study and application of extremely small things and can be used across all the other science fields, such as chemistry, biology, physics, materials science, and engineering.
The ideas and concepts behind nanoscience and nanotechnology started with a talk entitled "There's Plenty of Room at the Bottom" by physicist Richard Feynman at an American Physical Society meeting at the California Institute of Technology (CalTech) on December 29, 1959, long before the term nanotechnology was used. In his talk, Feynman described a process in which scientists would be able to manipulate and control individual atoms and molecules. Over a decade later, in his explorations of ultraprecision machining, Professor Norio Taniguchi coined the term nanotechnology. It wasn't until 1981, with the development of the scanning tunnelling microscope that could "see" individual atoms that modern nanotechnology began.
4. Recently, which of the following Indian cities has been included in the list of UNESCO Creative Cities?
Chennai was on 31 October 2017 included in the Creative Cities Network list of United Nations Educational, Scientific and Cultural Organisation (UNESCO) for its rich musical tradition. With this, Chennai became the third Indian city on the list of UNESCO Creative Cities list after Jaipur and Varanasi.
UNESCO Director-General Irina Bokova designated 64 cities from 44 countries as UNESCO Creative Cities. These cities join a network of UNESCO's effort to promote innovation and creativity for a more sustainable and inclusive urban development.
UNESCO Creative Cities Network List highlights its members' creativity within seven fields: Crafts and Folk Art, Design, Film, Gastronomy, Literature, Media Arts and Music. Presently, the list includes a total of 180 cities in 72 countries.
5. India has slipped in 'business optimism' index to the 7th position in the September quarter, from the 2nd slot in the previous three months. The business optimism' index is released by which of the following organisations/institutions?
India has slipped in 'business optimism' index to the 7th position in the September quarter, from the 2nd slot in the previous three months, showing clear signs of lag in the economy, says a survey.
Indonesia is at the top, followed by Finland (2nd), the Netherlands (3rd), Philippines (4th), Austria (5th) and Nigeria (6th), as per Grant Thornton's International Business Report (IBR). According to the quarterly global survey on business optimism, Indian businesses have expressed low confidence over revenue expectations in the next 12 months.
They also saw a drastic fall in confidence for profitability with 54 per cent showing optimism as against 69 per cent in the last quarter.
Other parameters like expectations of an increase in selling prices and exports have also suffered a slight fall in optimism in this quarter, the survey said.


like the one in the central park of Cuidad Juárez.
they treat their giraffe like a tourist.
meander through Bo Kaap and District Six.
and ululate when she reached refuge.
gave his freedom speech at City Hall: cheering crowds, gees.
all day seared by the sun to vote for the first time.
swap recipes for koeksusters, bredie, umngqusho.
we'd twist our necks to catch a glimpse of our very own giraffe.
abandon our picnics, use our own recipes.
Maybe I won't give you a giraffe Cape Town, maybe I won't.


text:
Priority Issues
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Home | Racism the Subject of House Resolution
Racism the Subject of House Resolution
The Minnesota Legislature returned to St. Paul for the second time in as many months for another special session on July 13. State law requires the Legislature to be in session should the governor implement or extend a peacetime emergency declaration. Gov. Walz did just this week, extending the existing emergency declaration into mid-August. While the GOP-led Senate voted to end the emergency, the House rejected a similar effort.
In addition to consideration of the emergency declaration, the Legislature is working to find agreement on proposals to fund major municipal, university, and other public infrastructure projects, as well as a package of tax relief. Many legislators hope to pass policing and law enforcement reform in the wake of George Floyd's murder, but the GOP and DFL proposals differ dramatically in scope.
The House may also consider H.R. 1, a resolution stating that racism is a public health problem. The text of the resolution, available here, notes that the American Academy of Pediatrics and other notable physician and health care organizations "recognize that racism is a social determinant of health that has a profound impact across the lifespan of an individual and that failure to address racism is an urgent public health issue that will exacerbate and perpetuate existing health inequities." The resolution, authored by Rep. Ruth Richardson (DFL – Mendota Heights), passed out of the House Rules Committee and was referred to the House floor. The resolution does not at present have a Senate author. While resolutions such as this do not carry the force of law, they can serve to highlight important issues and communicate that an issue is of great importance.
MNAAP members are urged to contact their legislators urging them to take up and pass H.R. 1. To learn how to contact your state legislators please click HERE. An effective message to legislators will note your experience as a pediatrician or pediatrician-in-training. As is always the case when communicating with policy makers, telling a story about your patients or practice is an effective way to make the case for action.
MNAAP News
Word from the President
Member News MNAAP Newsletter
Minnesota Statistics & Reports
Minnesota is home to 1.3 million children and youth under the age of 18, comprising 23 percent of the state's population.
About 1 in 5 children live in families receiving medical or public assistance.
Although Minnesota ranks among the top states for health and education outcomes, major disparities persist for children of color.
To learn more about the overall health and well-being of Minnesota children, visit Minnesota Compass or Minnesota KIDS COUNT.
The Minnesota Chapter of the American Academy of Pediatrics is incorporated in the state of Minnesota.
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I have loved and enjoyed this. been blogging for coming to two year now, and this is profound knowledge. Everything ties in together and everything stands out well for me, especially because one without the other enlists a bit of compromise on the holistic picture of a blog. Thank you.
I think effective bloggers also respond to comments to build community.
Never give up! I've given up on blogging before and I've learned so much from that mistake. This time I have realistic expectations, and a plan for consistent content. Thank you for this post!
Every new blogger like me should read this article, thanks for sharing!
Already 2273 readers have "liked" this and 91 persons have reblogged it, but that's okay. I will be #92. And I was #2274! All us writers are looking for ways to improve our writing, right? This blogger has practical ideas that resonated with me. I think they will touch your blogging heart, too!
This post really strikes a chord with me…I try to do most of this stuff and it's nice to know that despite the fact that I'm still a little new to blogging, I'm on the right track! Thanks for such a great post. It's really inspiring!
I think I get it! Prolific+creative+passionate+learning+ +consistency+visible+ persistent= Lots of VERY COOL followers and fellow bloggers. THANKS for posting!
Good advice—particularly on the art of writing. One must write in order to become a better writer.
Thank you for the insight. 3 weeks into blogging and it's overwhelming. Everyone's comments are encouraging.
Here's some good encouragement for being an effective blogger!
Good article. I've been blogging for 4 years and love it. I think being creative is key as you've mentioned. The key is to not be afraid to try something different. If it doesn't work, So be it, better than not trying at all. If it works, pretty cool to watch others copy what you are doing or try.
Reblogged this on SUCCESS is YOURS and MINE!.
I think the most important of these seven traits is the first, writing a lot. I've blogged daily for over four years now, and I've found that blogging daily has fed the other six traits.
I think the most effective bloggers are both passionate and engaged with their community. 🙂 Happy Blogging!
I agree. Thank you, Beth!
Enjoyed this post a lot! I couldn't agree more with being persistent and engaging!
I can attest to the engaging blogger because I now have over 400 readers and I am truly passionate about writing and getting back to my readers/commenters!
They almost always are. Gotta work an awful lot for that overnight success.
Great read! All seven are essential to becoming a great and successful blogger, but I really like #2.
Superb! I am in complete agreement with you! very sensible advice!
Those are excellent points. I think consistency and quality are important.
Great tips and useful advice that will help me on my blogging journey. Thank you.
I think this is a fantastic blog! I have just started blogging about my passion that I've been avoiding for SO long. Why? Because it is everywhere and so many woman already do this. But I had an itch that I had to scratch! BAM… Blog.
Anywho! I believe that it is important that successful bloggers have empathy. They need to understand and step into their reader's shoes. Then, it may be easier to write for them and yourself!
Very profound and useful advice. I am a new blogger and appreciate the tips you had to offer. I even took notes!
I have been blogging for a few years now, it's hard work but I enjoy it and get great feedback.
Excellent post! Thank you. I am just starting out and learning new skills everyday.
Love this – short, sharp, simple tips – helpful motivators. I'm relatively new to blogging and am still learning, it's good to hear that persistence pays!
All of these habits that you mentioned are extremely important and valuable, but I think that passion is extremely important. In my opinion, one can't do much without passion. No matter what you're doing. Passion is what keeps you hooked and it gives you the ability to truly be able to push beyond limitations. It's natural to get stuck and sometimes not even know what to write about next but once the passion strikes up within you again, the words start flowing through you. Thank you so much for sharing this. Great post!
Thank you for this post, Cristian. I'm so grateful I found your blog today. You've given me a lot to think about and study. I'm relatively new to blogging but have been a passionate writer for over 50 years.
Like most bloggers, I'm sure, writing has been one of the joys of my life. I've always admired people who could share their writing openly. I shared my stories with my friends and family but only began sharing with others on the internet after I became a grandmother. The love for these children, the need to leave something of value behind — I think that was my catalyst. I finally got brave enough to (self) publish a small volume of poetry two years ago. The most important thing for me in writing has been to lose myself in my writing and let go of every notion of about who I am. In person I'm shy and self-conscious, but that goes away when I write. When I let go, that's when my muse shows up. I started writing my blogs this way about four years ago, but I wasn't consistent until recently. This daily need for fresh content was daunting! I found a way to to meet this challenge that works for me personally, I reach out in meditation on the "innernet" to try to feel what the world needs to hear that day. My blog under1000skies was created to publish inspirational photos, stories and poems submitted by homeless creatives. Since most of my homeless friends are very busy with survival, it's not often we're gifted with these treasures. On the days in between, I try to keep the blog inspiring with beautiful photos and quotes — great advice from wise people. I know what inspires, me but it's hard to know if it will inspire others too. So for me, showing up daily despite doubt, letting go of limiting beliefs about my voice, is my priority right now. I still have a lot to learn. Thanks for reading. Your words really made me think today!
Thank you! I am glad you enjoyed reading this post.
I am inspired on the last haibt about being persistent. I will take that to heart. Thanks.
Thank you for sharing this post. I'm new to blogging so all the tips are really meaningful !!
Just started blogging and I'm glad I saw this post! Thank you.
Changing quickly hardly never happens in real life. It is a long hard process, so what are sustainable changes we can make as bloggers?
Started blogging in October and it's still overwhelming. There are a lot of days that I feel totally dumb concerning everything. It's really nice to see something as encouraging as this. Thank you so much.
This is very good advice and as a new blogger I am coming with a lot of passion, creativity and eagerness to learn, and I am becoming enveloped in the process more and more every day. So according to this post, I am well on my way to becoming a highly effective blogger! I am very excited. Thank you!


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Current: Mercedes-Benz C-Class Coupé and Cab coming soon
Mercedes-Benz C-Class Coupé and Cab coming soon
The two-door models, with new four-cylinder engines, are expected in the GCC in Q3
Just a few weeks after the world premiere of the saloon, the two-door version of the C-Class proves it is also enjoying its new top form with the coupé and cabriolet.
The two models get a sharper design, digital cockpit and Dynamic Body Control suspension. The new four-cylinder engines with increased performance in the C 200 and C 300 as well as the Mercedes-AMG C 43 4MATIC now with 390 horses underscore the dynamic nature of this highly emotive appealing C-Class variant.
A new generation of four cylinder petrol engines (M264) is being launched for the new C-Class. With a displacement of 2.0 litres they will now have an increased output of 204 horses in the C 200 and 258 in the C 300.
With a multitude of carefully coordinated measures, the AMG developers have enhanced the two-door performance models dynamics even further. The 3.0-litre V6 engine now develops 390 horses — that's 23 horses more than before. The peak torque of 520Nm is available in a wide engine speed range from 2,500 to 5,000rpm. The new C 43 4MATIC Coupé accelerates from a standstill to 100kph in 4.7 seconds, and the Cabriolet in 4.8 seconds. The top speed is electronically limited to 250kph.
The exterior of the C 43 4MATIC Coupe and Cabriolet is considerably more expressive, strongly identifying the new models as members of the family.
The latest C-Class models will be available in the GCC region in Q3 2018.
2020 Mercedes-Benz GLC review: Class act
Mercedes-Benz has updated its popular GLC SUV with enhanced off-road capability, a new turbocharged four-cylinder engine, latest infotainment tech and some design tweaks. We drive it in Germany
2019 Mercedes-benz A-Class Sedan review: A class apart
Stuttgart follows up its successful hatchback with a saloon version and hopes to attract a completely new client base into the fold with it
2021 Mercedes C-Class spied
Early prototype spotted testing in very snowy conditions...
2019 Mercedes-Benz C200 review: Fight club
The updated C-Class hits all of the right notes — but is that enough to fend off its perennial German rivals, and a host of others? We take it for a spin to find out...
Mercedes-Benz announces S-Class Coupé Night Edition
Special model with blacked out accents, paint and upholstery will be officially launched at the Detroit show next month


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Show off your favourite collection in this Artesia console table. Whether that's hardcover books, fine china or even your eclectic cookie jars, there is plenty of room to keep your treasures looking great behind these four glass doors. Solid pine wood ensures this cabinet is even sturdy enough to hold heavy items. Elsewhere, the finely milled feet and rich espresso finish add to the rustic Mexican inspiration of this piece.
Enjoy the energy this Mexican-inspired style brings to your home.
Display your best-loved items on the shelves behind the framed glass doors.
The solid pine construction is stable and sturdy without being overwhelmingly heavy.
Bronze-coloured hardware adorns each cabinet door for a rich accent.
This dark and rich wood finish pairs well with a variety of household decor.
A rich finish with warm undertones, this classic shade adds depth and style to any living space.
Save a bottle or two for a special occasion in the Artesia wine rack. This tall tower has 10 levels on which to store wine until it's ready to serve. The chocolate-coloured finish pairs just as well in the dining room setting as it does in basement cellar, while the solid pine construction and carved details bring a Mexican-inspired style to your home. Pull up a seat, pop a cork and enjoy.
Display your famous cookie jar collection in this Artesia accent cabinet. Two sets of doors enclose a shelf with plenty of space for family photos, books or Great-Grandma's favourite vase. Solid pine wood ensures this cabinet is sturdy enough to hold even heavy items. You'll love how the furniture's rustic design is enhanced by the wood hardware.
Let your guests admire your favourite collection in this Artesia display cabinet. A set of doors encloses two shelves with enough space for your favourite books, family photos and even Grandma's plate collection. Solid pine wood ensures this cabinet is sturdy enough to hold even heavy items. You'll love how the furniture's rustic design is enhanced by the modern painted steel handles.


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Anushka Sharma in 'Zero'
Zero: Anushka Sharma talks about her 'challenging' role
ANI | Updated: Nov 02, 2018 18:38 IST
Mumbai (Maharashtra) [India], Nov 2 (ANI): Anushka Sharma on Friday opened up about her "challenging" role in one of the most anticipated films of the year, 'Zero'.
The trailer of the film was released at a grand event here, which was attended by the star cast, including Shah Rukh Khan, Katrina Kaif and Anushka.
In the 3 minute 14 seconds-long trailer, the 'Sanju' star - whose role was kept under wraps - features as a struggling scientist on wheelchair.
Speaking at the launch, Anushka said, "I am playing a character who has a cerebral palsy. I realised it was going to be very challenging. I could emote so much as I was going through these ups and downs in the film. The only way I could emote everything I was feeling was by just really being centered and being on that chair and not move."
The 30-year-old further talked about how she prepared for her role.
"I used to just come on the set and be there and only get up when I had to go for lunch or something. Otherwise, I used to just be on that chair on the set all the time," she said.
The trailer takes you on a journey of Bauua Singh (played by SRK) - a vertically challenged man on a lookout for a bride. Katrina plays the role of an actress, battling alcoholism.
According to the makers, Bauua's experiences with these women "take him on a journey to complete his 'incompleteness' and broaden his horizons to find a purpose he never knew he had."
The Aanand L. Rai-directorial is all set to hit the big screens on December 21. (ANI)
Aanand L. Rai


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Prices from £16 - Enquire for a fast quote from Holly Cottage Chiropractic Clinic. 1 verified patient review.
Located in the heart of Sutton Coldfield, staff at Holly Cottage Chiropractic Clinic have been dedicated to providing patients in Birmingham and the West Midlands with the best possible care since 1991 -- combining skill and expertise that spans the entire chiropractic spectrum. The team of chiropractors is committed to bringing you better health and a better way of life by teaching and practicing the true principles of chiropractic.
Patients seeking treatment at Holly Cottage are assured of receiving only the finest quality care through the use of modern chiropractic equipment and technology. Ashley Burn and Trine Hansen along with their team have a genuine concern for the health of your spine!
I had a car accident and have been to see a physiotherapist and another chiropractor over a period of 10 months with no affect. I came to Ashley Burn at Holly Cottage and he is really helping me with my back and neck problems. I thought I would always have pain until meeting Ashley.
I immediately felt at ease from my first appointment and everything is explained to me clearly about my treatment. I am more than happy with the service this clinic offers and would recommend anyone to come here for treatment.
On your first visit to Holly Cottage Chiropractic Clinic you will recieve a consultation, full examination, diagnosis and treatment plan advice for £35. If including treatment the cost is £55.
Prenatal chiropractic care is offered by Trine Hansen who have a special interest and post graduate education inboth pre and postnatal chiropractic care.
A treatment session, which will be tailored to your individual need, may be involving chiropractic adjustments or manipulation, also massage, ultrasound, trigger point therapy, stretches, interferential and exercises is commonly utilised.
Our Massage Therapist is fully trained and can use different styles of massage according to your requirements.
Is a senior partner at Holly Cottage Chiropractic Clinic.
Graduated from the Anglo-European College of Chiropractic with BSc (Hons) in Neuromusculoskeletal Sciences and a Masters degree in Chiropractic (MChiro - distinction).
His interest in chiropractic developed through receiving successful treatment for sports injuries.
He enjoys treating a wide spectrum of patients and has experience treating professional athletes, varying from PGA golfers to WWE wrestlers.
Ashley has conducted studies into the "Prevalence of Injury in Elite Male Golfers" which has been used in sports conferences in the UK and Internationally.
Has full registration with the GCC and is a member of the BCA.
Has presented her own research material, regarding spinal manipulative therapy, at professional conferences to Chirporactors, Physiotherapists and Osteopaths.
Trine was first exposed to chiropractic after hurting her lower back whilst playing Handball in Norway.
Trine enjoys treating a wide variety of patients, she has treated patients as young as 7 days old suffering from Colic, to helping patients in their 90s suffering from spinal degeneration. Proving Chiropractic can benefit people of all ages.
Is a senior partner at Holly Cottage Chiropractic Clinic. Graduated in 2003 from the University of Hull with a BSc(Hons) in Sports and Exercises Sciences. Completed a BSc (Hons) degree in Chiropractic at the University of Glamorgan. Jonathan has a keen interest in sports injury recovery, prevention and also performance enhancement and has worked with hundreds of elite level athletes in a variety of sporting fields. As a former international athlete himself, representing Great Britain for over 12 years, he has a wealth of experience in elite level training, sports psychology, physiology and nutrition. He also enjoys geriatric care helping a large number of patients with arthritic problems. Has full registration with the GCC and is a member of the BCA.