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Amplifier power control light The difference between component and coaxial
Digital screen in Dynacord mixer
There is a digital screen in Dynacord mixers that uses the following:
Adjust Effects (Fx)
Save Effects (Fx Save)
Determines the graphic equalizer
Adjusting the output power (Watts)
Apply the Tap button
Settings for "Midi"
The adjustment of all features and capabilities of the screen is done via five buttons and a rotating screw. Although the digital screen is rarely seen in the Dynacord mixer, it is one of the most useful elements.
If the digital screen is not present in the Dynacord mixer or is damaged for any reason, the effect cannot be applied practically.
Four buttons below the screen
Below the screen there are 4 buttons, the function of which is written in each menu below the screen. These four buttons are used to change the default effects, save the new effect, and some other settings.
In all sections of the menu, the first button on the right is used to cancel (Esc) the settings made. And the second button from the right is for exiting (Back) from any page of the menu.
On some menu and setting pages, the use of these two buttons is different. On such pages, the device itself writes the application of each of these buttons below the screen (above each button).
This count only applies to the four buttons below the screen and the Tap button is separate. To enter the device menu, simply press the knob next to the (Parameter) screen once.
Of course, you can only enter the device menu after turning on the device. Before entering the Menu section, a screen appears where you can select the preset effects.
Dynacord mixers can apply two different effects at the same time. Each effect that exists on Dynacord devices or that you store has a number (effect number) and a short description (name).
Both of the four buttons I described above for changing an effect type are device effects. You can use both buttons to change the effect number of the "Fx1" and "Fx2" sections. That is, increasing or decreasing the numbers to achieve the desired effect.
Effect mode page
After you turn on your device and see the device manufacturer logo, a page will appear for you. This page is called the Effect Mode page.
On this page you can see some information. On this page you can select the preset effects. Each selected effect is applied to the "Fx1" and "Fx2" effect lines.
In the following figure you can see the elements of the Effect Mode page.
This indicator is for speaker protection. This indicator shows the output power of the device. If the device is more powerful than the speakers, the bands may be damaged.
Shows the "LPN" optimizer selection mode.
This item shows the USB output peak.
This indicator shows the "Midi" output.
This indicator shows the "Fx2" effect pattern.
This indicator shows the number of the "Fx2" effect.
This section contains a description of the "Fx2" effect.
This index is used to increase the number of the "Fx2" effect.
This item indicates the type of effect.
This indicator is used to reduce the number of the "Fx2" effect.
This indicator is used to increase the number of the "Fx1" effect.
Indicates the type of effect.
The description shows the value of the "Fx1" effect.
This indicator shows the number of the effect "Fx1".
Well this is the first page you will come across after turning on the device.
Edit Effects
As I explained, there is a digital volume button next to the screen. You can access the main menu of the Dynacord device by pressing it once.
Well, you will need this menu to access any of the digital settings of the device. After entering the menu, you will be able to switch between menu options by turning the volume key next to the screen.
You can access any menu item by pressing the volume key again.
After entering the device menu, the first and second options from the top of the menu include "Edit Fx 1" and "Edit Fx 2". As the name suggests, these two options are used to change the effects of the device (Fx1 / Fx2).
You will not be able to change the effect type in this menu. In this section you can edit only the effect parameters you want.
There are several types of Effects (Fx) by default on Dynacord devices. On these devices you will not be able to create a new type of effect.
And you can only use the default effects of the device and change the parameters of each effect to achieve the desired effect. On the first screen you will encounter after turning on the device, you can see the effects stored on the device.
To do this, simply increase or decrease the number of effects on the device using the four buttons below the screen. The type of each effect you use with the four buttons on the effect lines "Fx1" and "Fx2" is written above the effect number.
The most commonly used effects include the following:
Mono Delay effect
Stereo delay
Ping pong effect
One of the most important uses of a digital screen in a Dynacord mixer is to help you adjust the effects.
Effects settings
First of all, let me say that in each parliament the tastes of the singer and the listener are different from the other parliament. You can't have the same effect that you throw at a wedding party for a fan or at a radio job.
In my opinion, the effect you give to the sound depends on what your definition of the right effect is. I intend to define the basis of your work in each work.
For example, in our eulogy, different types of stylistic features such as passion, background, lament, roza, dodmeh, unity, and 5 rozas are recited very slowly. After the roza, little by little the praise comes into play, who is a little faster. (In some cases, it's called a lament instead of context, which is more acute than context.)
Among the styles of praise, passion and attack have the most acute rhythm. The basis of my work in the style of lament, roza, dudmeh is to adjust the effect so that the last word is repeated once after the sentence is completed.
And in contextual and unitary styles, I try to repeat the last words after the conversation. I have said all this to get to this point: the effects are not one when one reaches only one number.
The web is the best kind of effect anywhere. In radio and television work the effect is much less on sound because the radio and television audience is not always young.
Usually in meetings where the majority of the population is younger, you should increase the volume of effects and bass. Slightly older people usually don't like low sounds and prefer high pitched sounds.
Also, reduce the sound of the effect a bit in crowded meetings.
Adjust the effects
I myself have seen several methods that people use to adjust the effect. For example, some adjust the effect by the multiplication distance of the sound. Others keep their effects and numbers.
I keep the range of the effect alone and adjust the exact number after listening to the effect. Then I use the sound multiplier to see if the effect I have set is correct.
I think 90% of the effects and learning setting is experimental and I can only teach you a maximum of 10 things I know. Well, let's go to set the effect, first of all you should know that each effect contains a number of parameters.
You need to know what each parameter sets or what you can do with each parameter. What you are reading here is for Dynacord devices only.
In digital mixers you may encounter more complex parameters and settings.
Delay is the distance between each effect and the next effect. In older mixers, the Speed names can also be used to specify this parameter. Delay is, in my opinion, the most important parameter for setting the effect.
If you enter the wrong amount of feedback, you can compensate largely by changing the Fx level or effect feeders. But if you set the delay amount incorrectly, there is no way to compensate for it.
Note that I am not saying that the feedback parameter is not important, I am saying that the daily setting is more important than the setting of the feedback and other parameters. If you want to change the effect quickly, remember to change the Delay first.
In my opinion, the feedback parameter is a completely experimental thing. The feedback expresses the percentage of the original sound which is then repeated with a delay interval.
In general, the greater the feedback, the more repetitive the effect sound after the original sound. If the feedback reaches zero (0%), zero percent of the original sound is repeated, so it makes sense that you won't have any effect.
On Dynacord devices, you don't have the option to increase the feedback rate to 100%. I'm just saying for information that if the feedback reaches 100%, the effect sound will never stop.
This means that if I say a word, the effect is the same word with the same volume. In other words, the effect never ends and repeats itself constantly.
In some audio editing software, you have the option to increase the feedback rate by more than 100%. For example, if your feedback rate is 150%, the effect sound will be 50% louder than the original sound.
Also, the next sound is 50% of the previous sound, which is twice the original sound. This means that not only does the effect sound not stop and continue, but the sound increases every moment.
Well, turning up the volume can distort your sound. I myself have never tried to increase the volume of the audio feedback by more than 50%.
As the name suggests, this parameter can cut a certain amount of Lo sound. Let me remind you that the sounds are the same low frequency sounds that make up the bass sounds.
Please note that the premises you apply in this section only affect your effect. I always set Low Cut to 50Hz and increase it if necessary.
For example, if I see letters like "P" sound very low, I turn up the volume. The higher the bass cut, the more frequencies the device filters from the bass section.
Consequently, the lower the cut, the more bass will be lost.
High Cut does the same thing as Low Cut. The only difference with Low Cut is that Locat filters out the low frequencies but Cut cuts the high frequencies.
Again, high frequencies include high-pitched and high-pitched sounds. I always set High Cut to 16,000Hz or 16kHz and reduce it if necessary.
If you see that the volume is too loud, you can reduce the High Cut a bit. The point here is that the High Cut and Low Cut you set up here are for sound effects only.
This means that if I reduce the High Cut, the sharpness of the original sound will not decrease. The only thing that happens here is that the sharpness of the sound effect that repeats after the original sound decreases.
Set Mono Delay
I stress once again that the setting of the effect is up to you and the one I present here is just my personal experience. Mono Delay is the simplest effect in my opinion.
In this case, the sound of the left and right bands and the effect that is applied to them are exactly the same. This effect is very useful in delegations for reciting the Quran and mentioning the background of the main sound.
Adjusting the Mono Delay effect is, in my opinion, a very experimental thing. And the more I think about it, the more I come to the conclusion that it is difficult to explain in writing.
The Quran effect is applied to sound in mono, or at least I haven't seen it applied in stereo to sound. The following numbers can help you adjust the mono effect in your praise styles:
Praise style
Minimum Delay
Maximum Delay
Feedback rate
1 Quran 530ms 570ms 35
2 roze 560ms 680ms 19-23
3 Background 530ms 570ms 24-26
4 monody 490ms 530ms 23-25
5 vahed 720ms 730ms 18-20
6 fast vahed 480ms 490ms 18-23
7 shoor 450ms 475ms 25-32
8 Single vahed 450ms 530ms 20-22
9 Mention the context 530ms 550ms 35-38
10 Mention the shore 455ms 470ms 35-40
These numbers are my personal experience, and well, I do not always follow these numbers, but it may help you adjust the volume.
Set stereo effect (Stereo Delay)
Usually, to set the stereo effect, select 50 of the saved effects and work with it. Well, since I've explained the effect parameters above, I won't explain them in full anymore.
Delay: the distance between each effect and the next effect
Feedback: determines the amount of repetition of the sound
Low Cut: Filter to reduce bass effects
High Cut: a filter for sharp effects
Firstly, as I explained above, the basis of my effect is to repeat the last word once after the main sound. In stereo delay, individual effects always go to one line and effects are also transferred to another line.
For example, when I say a word, the first effect of my word goes to the right bands at a lower volume than the original sound. And the next effect of my word goes to the left bands with a lower sound than the first effect.
In stereo effects, I try not to increase the feedback by more than 30 and usually set it between 17 and 25.
Adjust the stereo effect in praise
Well, to distinguish the eulogy effect from the empirical discussion of my work, I have memorized a series of numbers that help me adjust the effect correctly.
2 before zamine 630ms 680ms 19-22
3 zamine 530ms 570ms 23-24
8 The final lament 590ms 690ms 17-20
The faster the fan or singer sings and the faster the pace or style, the less you have to delay. And the slower the fan or singer sings and the slower the rhythm or style, the more you need to increase the Delay.
The fewer delays, the more feedback needed to make the effect feel. If not, the effect is too dry to hear or may be difficult to hear with loud noises.
Be careful not to overfeed the feedback, as this may cause the effect sound to be muted. So it may also be difficult for you to adjust the volume and not notice the effect.
In the background and passion styles, if Zakir starts to mention, you should increase the feedback of the lead vocal to be audible. Otherwise, the original sound effect is difficult to hear and it seems that the original sound has no effect.
This is if you played the Zakir sound according to lines 8 and 9 of the previous table.
Effects storage
Any effect that modifies and deactivates is considered a modified or modified effect. If you return to the Effect Mode page, you will see the letter "E" next to the number of the effect you have edited.
This stands for Edit, which indicates that this effect is not predefined. Once you have edited the desired effect and achieved the desired effect, you can save it in the same effect edit page.
All you have to do is press the first button on the left, from the series of buttons below the screen. If you've noticed, the word "Save" is written at the top of this button.
After pressing this button, specify an effect number for the edited effect and a description for it. Saving is a very basic and simple effect, so I don't need to explain it.
If you have any questions about saving or changing the effect, you can ask your question in the comments section.
Other effects
The parameters I described above are only for setting the Mono Delay and Stereo Delay effects. In my opinion, these two effects are the most used effects.
You may need to be familiar with other parameters to adjust other effects. I do not intend to comment on these parameters at this time because I do not think it would be useful to explain them.
Some examples of these parameters include "Predelay", "Reverb Decay" and "Liveliness".
Tap the button
Next to the digital screen in the Dynacord mixer is a button called Tap. Some mixers have one or more tap buttons. Using Tap allows the recorder to adjust the Delay effect of the effect by multiplying the sound.
Pressing this button twice determines the time interval between these two presses of this switch. I suggest you try using this function less in Dynacord mixers.
Because I was unable to properly adjust the delay switch after a test or two. This is because my hands and brain have delays which, although small, are not ineffective in sounding the effect.
Especially in the stereo delay effect, 5ms (milliseconds) are also important to me. At the top of the Tap button, there is a light that indicates the taps of the Tap button.
This light helps you to find out if you have adjusted the dial according to the beat of the sound after applying this button.
In the main menu of the Dynacord mixer digital screen there is an option called "Fx Control Setup". The "TAP Button Ctrl" option allows you to specify which effect the Tap button is applied to.
You can set this value to "Fx2", "FX1" or both (FX 1 + 2). This means that the Tap button you apply will be applied to any effect.
Effects control configuration
Since I've explained the Tap button, I'll give you a brief explanation of the other sections of this menu. This menu is for general device effect settings.
Footswitch Ctrl: This item is used to apply the footswitch device to the effects of the device.
FX1 Start Preset: The number in front of this item indicates which number the FX1 starts with after the device is turned on.
FX1 MIDI Channel: When turned on, the MIDI jack on the back of the power supply is used to output an effect.
MIDI PrgCh Count: control valve of the MID jack for the bytes of the effector
USB output settings
After entering the main menu, selecting the "USB Record Routing" option, you can access the USB output settings (USB). If you pay attention, there is a plug called "Digital Audio Interface" on top of the Dynacord mixers.
This socket is a USB 2.0 socket.
With this socket you can connect your Dynacord device to your computer or laboratory. This will give you the ability to play Dynacord audio via USB.
In other words, you can use this feature to record audio. A "Digital Audio" interface is required to record audio through this output.
On the "USB Record Routing" page, you have two choices, or in other words, you can output audio in two ways.
In Live mode you will have two audio channels in the audio output. One master output channel (Master L + R) and one Aux output (Aux 1 + 2). Note that the document record output (REC Send) is controlled by a black volume.
Here, too, the output of the Master in "Digital Audio" can be controlled through the same volume. In this case you will also have an Iux output channel (Aux 1 + 2) which can be controlled via Iux power supplies.
Studio mode is used for four-channel recording.
In this case you will have the following 4 output channels:
Aux2
As I explained above, the sound of the Ayux output channels (Aux 1 + 2) can be controlled via the Ayux power supplies. And it makes sense that the sound of the mon channels can also be controlled via the blue power supplies.
USB recording prerequisites
Well, it makes sense that you need a "Digital Audio" interface to record via the USB output. You also need a computer system or a laboratory.
Dynacord mixers have a driver, which means you need to install the device driver on your computer before you can start recording. Installing the Dynacord drivers is as simple as installing the software and I see no reason to explain it.
If you are having trouble installing the drivers, you can raise the issue via the comments section. Many professional applications have the ability to record via USB input.
These include QUBIS and Adobe Addition.
Apply graphic equalization
You can adjust the output to which the graphic equalizer is applied via the digital screen in the Dynacord mixer. To do this, you need to enter the "Equalizer Routing" page through the main menu.
On this page you can apply the graphic equalizer to Master, Mon 1, Mon 2 or both. Note that if you apply the graphic equalizer to the Moon, this equalizer will no longer be applied to the master.
In this case the main master's output will be the same as master B without equalization. Next to the digital screen in the Dynacord mixer there is a volume button through which you can change the applied equalizer.
Internet Settings (LPN)
Another application of the digital display in the Dynacord mixer is the LPN settings. The LPN voice is used to modify and optimize the bass sound.
In fact, as far as I know, this option works for subwoofers. You can increase or decrease the bass volume by adjusting the LPN settings. To access the LPN settings, you need to select the "LPN Processing" option after entering the main menu of the device.
In this menu, there are three options that are used to control the bass sound:
High: This option is recommended for small to medium sized woofers. (15, 12, 8 inch size wafers)
Medium: This option is recommended for large woofers with a wide Hz range. (12 '' and 15 '' size wafers)
Flat: If you select the Flat option, you have effectively disabled the LPN filter.
One thing to note here is that the "CMS" versions of the Dynacord mixers do not have this feature.
Power output settings
Another application of the digital display in the Dynacord mixer is the adjustment of the output power of the device. Use this part of the device to match the output power (device output power) with the band (speakers).
You can limit the maximum output power of the device via this section and not allow the output power to exceed a certain value. If the output power of the device is higher than the power of the bands, this could cause damage to the bands.
To access this section, you need to select the "Speaker Protection" option from the device menu. To choose the right option, you first need to figure out how many watts your bands are and how much power they have.
Their power level is usually written on the back of the bands. Try setting the maximum output power of the device a little more than the power of the bands. For example, if your bands are 350 watts (W), you can set the device's maximum power to 400 watts.
If you select the "Power Control Off" option, the output power of the 4 ohm device will be 1000 watts per output. A very obvious thing here is that device power is only available in PowerMit mixers.
This feature is not available in the "CMS" versions of Dynacord mixers.
You have a number of digital display settings in the Dynacord mixer that help you enable a number of settings. In the device menu there is an option called "Device Setup" which includes the following settings:
As the name suggests, it refers to the brightness of the screen. You can adjust the brightness of the mixer screen via this option. The screen brightness is applicable as a percentage.
It is a screensaver and turns on or off after the specified interval.
When the device is switched on, a text is displayed under the Dynacord logo. By default, this text is set to the name "Dynacord", which is the name of the device manufacturer. You can edit this post with this option.
Dynacord devices are equipped with guides. Enabling this option activates the device guide.
Play USB To 2Track
Since I have fully explained Rajab "2Track" in previous articles, I don't see the need to repeat it. All you need to know is that by activating this option, you can access the device via USB.
When this option is enabled, you can play audio on USB lines 1-2 and 3-4 via a lab or computer.
I don't think anyone is familiar with using this option, this option is for restoring the device to factory settings. If the device is formatted, all effects and device parameters will revert to their default state.
Firmware Info
This option will show you the device specifications. Through this option it is possible to view all the information of the device.
If there is a problem with the digital page content in the Dynacord mixer, please let us know in the comments section.
Many friends have asked me questions about the above article, some of which I intend to answer in this section ...
Set the Dinacord equalizer for praise
There is no uniform equalizer for praise. The whole work of the equalizer depends on the type of sound you intend to reproduce from the bands. Usually before the eulogy, several people on staff do a sound test to make sure the sound is suitable for the meeting.
How you set up the Dinacord equalizer also depends on the following:
Microphone type or microphone equalizer (microphone perception of different frequencies)
Type of bands and speakers and related equalizers
The sex of the preacher
The tastes of parliamentarians and admirers
Some mics have bass sound and others have clearer sound. This goes back to using the microphone, and if you choose the right microphone for your job, your equalizer will have a better effect on the sound.
Sennheiser or shure microphones are commonly used in religious services for the principal member.
Type of Speaker
Just as each microphone has a different perception of sound, so do the straps and speakers, each depending on the structure and design. This is why external speakers use different speakers to reproduce audio than internal ones.
The power of dual-band audio playback of different models at a different sound frequency, which has different reasons.
Some of these reasons include the following:
Headband design type and body shape
Insulation and build quality of the loudspeaker body
Twitter speaker type
Twitter frequency speaker
Also, in some active bands you have the option to apply a special equalizer to the sound. The settings you make on these active bands will certainly affect the sound quality of the audio player.
Some people's voices are high-pitched and others are low. You should try to balance the sound everywhere; The sound should be neither too high nor too low. If you notice that the praiseer's voice is so low that the words he is saying are difficult to understand, turn the volume down.
And if you notice that the praiseer's voice is so high that it annoys the ear, reduce the pitch of the voice.
Fans usually like their voice to be low or high, and I have rarely seen a fan accepting any sound that is bad for him. Some fans like the bass sound more than the high pitched sound and the high pitched sound more than the bass sound.
Do not forget that you are responsible for adjusting the volume, if you see that the voice of the praise annoys people's ears, it is your duty to change the voice, even if it is not the wishes of the praise. If you do your job well, you no longer need to judge the admirer's opinion.
Apart from these, you should also evaluate the tastes of the people present in parliament. Usually young people don't like high voices very much and old people don't like bass sounds very much.
If you find that the fan wants a different sound than people approved, try giving that sound to that fan. For example, praise likes a strong voice, but this high-pitched voice annoys other people:
In this case, sharpen the sound of the fan monitors and keep the sound balanced in the other bands.
Dynacord arrangement for the Koran
At the top of the article, I explained that I suggest using the mono effect with Daily 530 to 570 on 35 feedbacks for the Quran effect. However, there are other effects you can use, but I suggest the same effect to you.
Dynacord digital mixer
In Dynacord mixers, the effects section is generally done digitally and parts of this device are digital. But we don't have something called a Dynacord digital mixer, or at least it's not a popular device if there is one.
My definition of a digital mixer is that all the work you do in any part of a mixer is digital. I haven't seen this in any of the mixers from the Dynacord series of mixers.
If any of Rajab's information friends have such a device, please let me know so I can edit this article.
Arrange Dynacord for praise
In the tables I explained in the article above with the effect of setting the effect, you can set the device for the desired effect. If you have any questions about how to apply the effect on your Dynacord device, please refer to the following articles:
Apply effects
Apply effects to the outputs
There are many friends who ask to set the Dynacord effect to praise, so I have decided to add some additional explanations to this article. Again, the type of effect you give varies depending on the type of encounter and the effect the fan can refer to.
There are a number of ready-made effects in Dynacord devices that have the closest effect and settings for eulogy effects. You can use the same effects, but the problem is you can't give the device a consistent effect this way.
However, the eulogist changes his style of him during the eulogy, or he can read a part of the poem quickly and a part of the poem slowly. You need to modify these effects.
Number of effects close to praise effects
Some of these effects include the following: (In the table below, the number refers to the device effect number.)
Row Dynacord device effect number
1 Number 90
Number of effects suitable for praise on the Dynacord device
Also note that changing the effect while reading the eulogy is not correct at all, as these effects are digital and after changing the effect number, you need to wait for the device to run on the sound for a few seconds.
In other words, the change in the effect number of the device is applied to the sound after a few seconds, and in these few seconds the sound is reproduced without effect and the listener is fully aware of the change in the effect.
I personally don't recommend using the effects from the table above without modifying them. The important thing in adjusting the effect is to fine-tune it. In stereo effects, even a 5 millisecond difference can affect the sound, or the 5 millisecond cartridge may not be able to pronounce the dhikr correctly and the dhikr may remain on the original sound.
So one must always be at the top of the fixture to adjust the correct effect. The sound effect is an experimental thing in my opinion, but I try to explain some of the effects in certain situations.
I would also like to say that dinacord mixers are analog and, for example, the zero volume of one device is different from the zero volume of another device. The settings of an effect in one mixer can be completely different from the settings of the same effect in another mixer.
Adjust the praise effect for the shrine
To set the praise effect for the sanctuary, I make the following settings on the Dynacord device:
Adjust the eulogy effect for roze
mono effect
mono delay effect 480- 485 ms
Mono feedback effect 40 percent
Stereo effect
Stereo effect number Number 50
Delay stereo effect 470 ms
Feedback stereo effect 25 percent
Other settings to determine the amount of effect
Microphone sound line input effect be placed on the number 5
Effect fader Set to zero
Necessary settings for the roza effect in the Dynacord mixer
Depending on the bandwidth of the monitor and the amount of effect the fan likes, the amount of feeder effect and the input effect of the microphone's audio line, or fx1 and fx2, may be different. So don't try to insert exactly these effects with exactly the same numbers.
Adjust the praise effect for the background
Set the eulogy effect for zamine
Daily stereo effect 475 ms
Stereo effect feedback 25 percent
Other settings to set the effect
Microphone sound line input effect Be on the number 5
Effect feeder Set to zero
Necessary settings for background effect in Dynacord mixer
Adjust the praise effect to mention the background
Set the eulogy effect for zekr zamine
Microphone sound line input effect Set to zero
Necessary settings for the background mention effect in Dynacord mixer
Adjust the eulogy effect for passion
Set the eulogy effect for shoor
Daily stereo effect 465-460 ms
Necessary settings for the salt effect in the Dynacord mixer
Adjust the praise effect to mention the passion
Set the eulogy effect for shoor zekr
Stereo effect feedback 43-45 percent
Necessary settings for the salt mention effect in Dynacord mixer
Rajab Effects Tips
Effects number 5 and 20 The Reverb effect, or more colloquially so-called, is a room that is mainly used for Arabic speech or praise.
Effects number 58 and 59 are used for those who are used to old effects (examples of these effects can be found in old echo devices or mobile or old echoes).
Effects number 89 and 90 are also useful for breastfeeding. Especially if you want to reproduce the sound of the chest inside the house from the bands, I suggest you to use these effects.
Adjust the effect of the Dinacord 1000 series 2
The digital screen of the Dynacord mixer is slightly different from the rest of the models, and if you learn how to work with one of the Dynacord mixers, you will have no problem working with the rest of them.
Adjust the Dynacord effect
Adjusting the effect is done using a digital screen in the Dynacord mixer.
Dynacord driver
In the future I will publish an article titled Dynacord Driver so that you, dear ones, can do your job by connecting Dynacord to your computer. For now, if you need these drivers, you can visit the Dynacord site.
Set up the mixer for the wedding
At weddings, a song is usually played and a person eventually sings with the singer if he doesn't speak. In this case, there is no need to adjust the Dynacord mixer.
Here are just a few:
First of all, most wedding halls don't have the correct band arrangement, so don't use stereo effects at all.
If a word is to be read, try to elevate the everyday to reading a beautiful word.
If a singer sings a song, do not alter his voice at all and, if necessary, try to make this effect as minimal as possible.
If the hall space was closed, make sure that the sound of the bands is not too low. Because people who are close to bands have headaches.
Try not to increase the gain of the sound too much. If the bands start booing, people will think of you as an amateur and nothing else.
In any case, even if the sound is broken and something special has happened, try to stay calm.
Nobody expects you to do a professional job at a wedding party with a Dinacord mixer, so don't force yourself to do a professional job.
Text updates
A table of mono effects and effect numbers for praise styles has been added.
Some stereo effect numbers have been changed.
Added Quran effects to the mono effects table.
Added the FAQ section of the article Digital Page in Dynacord Mixer
Add the number of effects suitable to be praised on the digital screen in the Dynacord mixer
Add tables to adjust the eulogy effect on the digital screen in the Dynacord mixer
See this article in another language:
FA (Persian)
dynacord mixer digital screen
work with the dynacord screen
using dynacord digital screen
dynacord mixer screen settings


Download exe and source code here.
mujhe koi ye program smjha do,means every step kaise kaise ho rha ek array box example me le k plz plz!
Q-wap input a string then find out occurence of each character?
and by the way , that program uses the concept of string as a two dimensional array . the limitation is that you got to decide the maximum number of letters in the word and the exact number of words in the sentence at the beginning of the program ……in the above case, being 5 words(exactly) and maximum of 6 letters in the word.
Hey faras raoof…Thanx for ur program. But There is something missing.
guyz actually i am doing one program same like replace word.


Islamic Relief has renewed calls for world leaders to act to end the suffering in Yemen.
Islamic Relief is determined to carry on doing all we can to ease the suffering in Yemen, and recently pledged to spend $7.6 million (R110 million) on humanitarian efforts in the war-torn country. However, we know this is a fraction of what is needed and so we are renewing calls for world leaders to provide aid to Yemen – and to bring about a total ceasefire and peace talks that end this devastating crisis.


as per the requirements of the smu university.
you can check the free samples of the synopsis and project report at our website www.projecthelpline.in.
We provide the 100 % approval guarantee on the synopsis topics provided by us.We also provide the viva prepration questions kit to the students.


This programme provides employees of all levels with the skills, knowledge and confidence needed to spot the signs, understand and offer support when encountering colleagues and customers with mental health issues.
Unit 1 – Mental Health Awareness is delivered via an eLearning module, with the support of a study book, and provides learners with an understanding and awareness of common mental health disorders and issues.
Unit 2 – Mental health first aid is delivered via a one-day face to face course and provides learners with the opportunity to apply their knowledge of mental health through recognising and responding to the signs of mental ill health in themselves and others. Individuals will be able to offer mental health first aid to people experiencing mental ill health.
Please be aware that both the eLearning and face to face elements of this programme cover topics that may be challenging and/or raise personal issues for some learners . Please ensure that candidates selected for this training are aware and comfortable with this before booking them a place. If a learner feels distressed whilst studying the eLearning or face to face elements of the training, they are at liberty to discontinue the programme.
To find out more about our next course, leave your contact details below.
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For more information fill in the form below to discuss specific requirements and rates.


Me at the finish of the Peterborough Tri, bruised but not broken.
A few weekends ago, I did the Peterborough Subaru swim/bike. I had a terrific swim, but after that things didn't go exactly as planned. It was pouring rain all morning and when I got on the bike it was really wet. About 10 minutes into the bike I was taking a turn and my back tire slid out from under me and I was down. My first fall in a race. Well this drove home 2 important lessons.
First, bike maintenance is essential for a good race, but more importantly to stay healthy. Ayesha had been telling me to change my bald back tire for weeks, but I just kept putting it off (the trainer really chews up the back tire fast). Fortunately for me I only suffered some road rash and bruises, but it could have been worse. A broken bone and all my Ironman training would all be for not.
Second, it is important to train in all race conditions because you never know what race day will bring you. It you have no experience riding in the rain and it rains on race day it could be disastrous.
Don't neglect you bike maintenance and train in all race conditions and you'll be more likely to stay all both wheels during race day.


text:
Q: Typescript extends types any Here is the decorator function:
const func = className => {
  let instance = new className();
  extendObservable(instance, instance.observables);
  return instance;
};

export default func;

Here is the class:
@func
class testClass {
  observables = {
    name: "",
    fname: "",
    age: 0,
  };
  .
  .
  .
  .
  someMethod() {
    let a = this.name  // <<<<< I'm getting property name does
                       //       not exist on type testClass
  }
}

How to remove this error without copying all the observables' properties to the class like that:
 name: string
 fname: string
 age: number
 observables = {
    name: "",
    fname: "",
    age: 0,
  };

redpajama_set_name: RedPajamaStackExchange


There were a number of interesting sales taxes on the ballot this year for public safety, transit, and TBDs, as well as Tacoma's first-of-its-kind cultural access program. We'll also briefly discuss I-1634, which prohibits local soda taxes but will have no impact on sales tax revenues.
This blog post looks at the issues that stood out in the 2018 primary elections.
MRSC's Population and Tax Data page contains information on property taxes, sales tax distributions, and population from 2010 to present. This data can help you examine basic financial information and trends within your jurisdiction since 2010 or compare your jurisdiction to nearby or peer jurisdictions.
Have you ever wondered exactly where local sales taxes go or why one jurisdiction has higher (or lower) sales taxes than another? A new tool from MRSC can help provide some answers.
Olympia passed the state's second affordable housing sales tax, the Naches fire district will replace its outdated fire station, and Pullman is passing two bond measures, following uncertainty about whether the measures reached their validation requirements in November.
Senior Communications Coordinator Steve Hawley recaps some of the local funding measures in this year's general election, including the state's first affordable housing sales tax, the failure of a voted REET 2 measure, and low turnout causing problems for bonds and levies.
How Did Ballot Measures Fare in the Primary?
MRSC's Senior Communications Coordinator Steve Hawley looks at how ballot measures across the state fared in the 2017 primary election.
In the second of this 2-part series on recent ballot results, MRSC's Steve Hawley looks at levies, bonds, and an effort to institute an income tax in the city of Olympia.
In the recent general election, voters got the chance to weigh in on many important issues statewide. This post will focus on election results for city and county charter amendments, advisory votes, and other non-financial measures.
This post highlights selected ballot measures from the August 2 primary election, including a sales tax to help address the opioid epidemic, large capital projects in Eastern Washington, and a police funding measure that experienced a 180-degree turnaround from last year.
A recap of important and noteworthy local ballot measure results from the April 2016 special election.
The second in a two part series breaking down ballot measures from the 2015 general election. This post focuses on charter amendments, initiatives, and other governance changes.
The first in a two-part look at ballot measure results from the November 2015 general election.
A roundup of the more interesting ballot measure results from the 2015 primary election.
Editor's note: This post has been updated to reflect the final election results, which were certified on November 26.
The Washington State general election results have officially been certified, so we now know the fates of all of the local ballot measures.


text:
Candy Crush Addiction Is Real—and Can Lead to Destructive Results
By Joshua Fruhlinger • 02/10/19 8:00am
Guest play the new Valentine's Day update in Candy Crush Friends Saga during the "Sweet n Solo" Singles Dining Experience at Dirt Candy on February 6, 2019 in New York City. Ilya S. Savenok/Getty Images for King Games
If you've been anywhere in public that requires a bit of a wait—travel, commuting, waiting room at a doctor's office—you've almost certainly come across someone playing Candy Crush Saga. If you don't think you have, chances are still good that you, in fact, have. It's a game played on smartphones that looks something like a cross between Tetris and a Las Vegas video slot machine. You may have even heard it when played by a socially awkward person who doesn't have the courtesy to turn the sound down (but that's a story for another day).
If you haven't run into a Candy Crush-playing human, well, you're in the minority (or more likely, a liar). That's because Candy Crush Saga (not to mention its variants) is, by far, the most-popular mobile game in the world right now.
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Of all the apps that people logged into last year via Facebook, Candy Crush Saga was the third most-popular behind only music-streaming app Spotify and picture-sharing network Pinterest.
But wait, there's more: out of all of the apps of 2018 (including Tinder and YouTube) that require you to log in, three versions of Candy Crush (I'll get to that in a moment) made it to the top-10 list. That's 30 percent of the world's 10 most-popular apps. No other app in the world can claim that kind of dominance for our attention and time, Facebook included.
The Candy Crush games were created by King, a studio now owned by gaming giant Activision. The games satisfy a bored public: people on commutes who are looking for something to eat up the minutes, people with jobs that aren't mentally demanding, or people who simply have time on their hands. Apparently, though, there are a lot of people who have time on their hands.
Candy Crush is the most popular game of all time on Android smartphones (beating out Angry Birds and Pokémon Go, among others). It pulls in close to $200 million in revenue per quarter. According to market analyst Sensor Tower, players of Candy Crush games spent an average of $4.2 million per day in 2018, up 6.5 percent from 2017. The franchise has made King $1.5 billion so far, and 230 million people jumped on the game in 2018—that's a 17 percent increase over 2017.
So Why Is Candy Crush So Popular—and Is It Bad for Us?
Candy Crush is the most popular game of all time on Android smartphones (beating out Angry Birds and Pokémon Go, among others). PHILIPPE HUGUEN/AFP/Getty Images
Candy Crush is, in short, the greatest boredom-killer in human history. It's perfectly engineered to be easy to get into, satisfying to stick with and addictive as hell. It's less imminently dangerous than cigarettes, it can be done anywhere, and when you're doing it, you're not bothering anyone else (as long as you have the sound off).
Candy Crush eats up what Adam Alter calls "time slack"—five hours or more time per day that doesn't need to be spent doing anything else. Alter is an NYU associate professor who speaks about addictive behavior and incessant smartphone use. He's also author of the book Irresistible, which considers why so many people today are addicted to things like Candy Crush.
"Most people don't have five hours," Alter told Observer. "That very limited time should be spent on other things, more 'profitable' things. The opportunity cost is high. If you have a job, a family, loved ones—you will be doing less of those things if you spend a huge amount of time playing Candy Crush. Candy Crush is a very isolating experience."
That all sounds obvious at first: don't play so much, pay attention to your family and those around you, and make some time to interact. But for anyone who has had to make his or her way around a Candy Crush zombie on the subway, it's pretty clear that a lot of people are indeed playing too much.
Not only are three versions of Candy Crush among the top-10 most popular smartphone apps used, but game developer King is making more. On its website alone, King lists 11 versions—11!—of its Saga games, from AlphaBetty Saga to Scrubby Dubby Saga.
And they're all virtually the same game with different visual "skins" laid over an addictive engine that Alter says is near perfect in the way that it sucks up time by tickling what he refers to as the human brain's reptilian reward center.
Many Candy Crush addicts have multiple versions of the game on their phones—hence the reason that three versions of the game are among the top-10 used—because if you play too long or lose too much, it times you out. Instead of putting the phone down, players simply load up another version and play that one until the timer runs out. Or, if they must get back in for the next big win, they can, of course, pay real money for continue tokens.
"It's like when the supply of one drug dries up, you turn to a substitute," Alter explained.
But Why Is It Drug-Like? What Makes Candy Crush So Addictive?
Believe it or not, too much Candy Crush can lead to destructive results Pixabay
"Humans hate leaving goals incomplete," Alter continued. "That's why we complete reading books we don't enjoy. That's why we spend huge amounts of time playing games so that we can complete them. Completing those games gives us a sense of mastery."
"Games like Candy Crush reward you with goals, so you feel good about yourself. The designers of these games, though, create moving goals so that just when you reach one, there's another."
Alter went on to explain that Candy Crush's moving goal design reflects Zeno's paradox: no matter how often you move halfway toward a goal, you will never reach it. As players get closer to the goals of Candy Crush, for example, the developers just add more levels, or they push players to another, very similar game that presents a whole new series of goals.
It's not just goals that tick people's addictive fancy, though. The games are unpredictable in the way that they reward players, much like slot machines, and if you've ever seen a slot machine addict spend an entire night spinning wheels to no end, you know what this behavior looks like.
Candy Crush, in essence, makes play pleasurable with small rewards as players move toward moving goals. Occasionally, players are rewarded with cascading goal completions (or a payout, if we're talking slot machines), making them think they're getting somewhere and making them want to play more. Just one more spin.
"It hits something," Alter explained. "I'm not sure what it is, but it makes you want to play more."
Alter assured me that anyone—including himself—is susceptible to Candy Crush's seductive embrace. But neither he nor I have fallen prey.
In fact, I've always loved video games, especially long, epic adventures like the Uncharted series on PlayStation or Zelda on Nintendo consoles. But I've never been a big mobile game player, especially those on my smartphone. When I'm commuting on the New York subway, for instance, I spend my time reading or zoning out to my favorite music. For whatever reason, gaming on my phone just isn't my thing. No mobile game has hooked me.
But that doesn't make me any better than those who play Candy Crush. It just means that I know how it works, and I know when to put the phone down.
Alter insists that Candy Crush, on its own, isn't a bad thing. We're not talking about cancer from cigarettes or liver disease from alcohol here. But he does warn that too much can lead to destructive results, just like any other addictive behavior that seeks to eat up your slack time.
He cites four major dangers to look out for: if playing the game hurts you financially (i.e., you're playing it instead of working), socially (you're playing it when you should be with family or friends), psychologically (it makes you feel anxious), or physiologically (you're spending the day on the couch looking for that next level), it may be time to put the phone down.
In 2013, (yes, Candy Crush has been around that long), TIME reported that in a survey of 1,000 players, 32 percent ignored friends or family to play the game; 28 percent played during work; 10 percent got into arguments with significant others over their play time; and 30 percent admitted they were addicted.
But, for now, it's just another time waster, for those who have the time.
A view the game projected on a building during the Candy Crush Friends Saga Global Launch Event at Brookfield Place on October 11, 2018 in New York City. Tasos Katopodis/Getty Images for Candy Crush Friends Saga
Filed Under: Business, Technology, addiction, Candy Crush, King, smartphone addiction, Candy Crush Saga, Adam Alter
SEE ALSO: World's Nicest Boss Bill Gates Realizes There's a Limit to How Nice a Boss Can Actually Be

redpajama_set_name: RedPajamaCommonCrawl


Announce your arrival with style when you sport this titanium chrono. Key details for this 1-second chrono that measures up to 60 minutes include 12/24 hour time, date, luminous hands & markers, and sapphire crystal. This rugged titanium black ion plated model features a 43mm screw-back case and foldover clasp with push button, and is 100 meters water resistant.


The Century Association, led by President Subdeacon John Lasichak, hosted the annual St. Tatiana's Luncheon on Thursday, January 25th. Seminarians were treated to a wonderful lunch and awesome deserts prepared by association members who were also present.
Century Association members contribute at least $100 each year in support of the seminary. Subdeacon John presented Fr. Steven Voytovich, Seminary Dean, with a check for $6,000, representing contributions by many members!
St. Tatiana is a second-century martyr, the patron saint of students. This identification occurred in the context of the Empress Elizabeth founding the Moscow University on her feast day in 1755. St. Tatiana Chapel remains an integral part of that university today.
You too can support the work of the Century Association by becoming a member. Please click here for more information. Please also place the date of May 6, 2018 on your calendar, to join Association members and many others to celebrate Hospitality a la Russe IX, at St. Michael's Center, in Jermyn, PA!
May God grant many years to all those who support the work of the seminary through the Century Association!


text:
Eliot Higgins
Eliot Higgins is the founder of Bellingcat and the Brown Moses Blog. Eliot focuses on the weapons used in the conflict in Syria, and open source investigation tools and techniques.
Revisiting Syria's 2013 Sarin Attack on Saraqeb, Idlib
In May 2013 Bellingcat's predecessor, the Brown Moses Blog, published an analysis of the April 29th 2013 chemical attack on the town of Saraqeb, Idlib. In light of information recently published by the French government about the attack this post revisits the earlier analysis with updated information.
Summary of events in Saraqeb
The following summary of events is mainly based on open source information, reports by Ian Pannell, who visited Saraqeb in mid-May 2013, and information released by the French government on April 26th 2017.
Shortly after midday April 29th the town of Saraqeb was attacked from government position, reportedly 8km away. A unknown number of projectiles hit the town, possibly artillery rounds or rockets.
A helicopter was spotted high above the town, with three objects dropped from the helicopter as it travelled across the town. The objects left a smoke trail as they fell through the sky.
The objects landed in the garden of Mariam Khatib, a dirt track, and outside the town by the side of a road. Mariam Khatib's family was affected by the gas when they went to investigate the objects, as well as opposition fighters who went to assist them.
The objects themselves appear to have been different designs of grenades placed inside a cinder-block and/or box.
Witnesses claim that shortly after the objects landed casualties began to arrive at Saraqeb hospital.
Doctors told the BBC eight people were admitted, some of whom had been driven to the hospital by car. The 2017 French report states 20 people were injured, and one killed.
The victims were later taken to the hospital in Reyhanli, Turkey, where one victim, Mariam Khatib, died. Reports claims that between 11 and 13 victims were taken to the Reyhanli hosptial, with no further details given. Samples from the scene were reportedly taken to Britain, France, Turkey and America for testing.Reports in May 2013 would state Turkish doctors found no presence of sarin gas in the victims blood samples, but a later December 2013 UN report would state the autopsy of the only fatality of the Saraqeb attack "clearly indicated signatures of a previous Sarin exposure". The presence of sarin in biomedical samples was also confirmed in the 2017 French report.
The 2017 French report would also include analysis of one of the grenades that didn't explode, including a chemical analysis of the contents of the grenade which included "a solid and liquid mix of approximately 100ml of sarin at an estimated purity of 60%. Hexamine, DF and a secondary product, DIMP."
Devices used in the attack
Eyewitnesses told the BBC at least two devices were dropped from a helicopter, producing trails of smoke, with video of one of the devices appearing to show it was burning as it fell (1:18)
The 2017 French report describes this as follows:
That mid-afternoon, a helicopter arriving from the north-east flew over the city of Saraqib at high altitude. Three unidentified objects, emitting white smoke, were dropped on neighbourhoods to the west of the city, on a north-south trajectory.
The report also includes a map showing the impact sites and path of the helicopter:
One device landed on the outskirts of Saraqeb, with "eyewitnesses describing a box-like container with a hollow concrete casing inside", likely a cinder-block:
In the video civilians seem unconcerned about coming very close to the impact site, but according to the 2017 French report an unexploded device was recovered from this impact site, suggesting the munition did not release any chemical agent.
The smell at the scene of the attack is described to the BBC as being very strong:
"It was a horrible, suffocating smell. You couldn't breathe at all. Your body would become really tired."
In this video it's stated "These are smelly, and a lot of them were used.".
Witnesses claimed inside each package dropped from the helicopter there were two canisters, with one of the recovered canister shown in two videos. Firstly this video (0-30s)
Then this example of the same canister, inside a large jar:
The canister is also featured in this photograph:
You'll note 4 holes with black marks around them on the body of the canister, which may relates to the burning seen in the video of one of the canisters being dropped.
This canisters match devices recovered from a scene of a earlier attack in Sheikh Maghsoud on April 13th 2014 (details here), which shared a number of other similarities with the Saraqeb attack. Photographs from the scene of the attack shows greyish-white powder covering the area, possibly the remains of a cinder-block, for example:
Mohammed Aly Sergie reported some details of the Sheikh Maghsoud attack provided by witnesses:
Canisters with a phosphorous type chemical, causing Sarin-like symptoms, were dropped on a home in Sheikh Maqsood on April 13 around 2 a.m.
— Mohammed Aly Sergie (@msergie) April 14, 2013
Some survivors said the canisters were dropped from a helicopter, but others didn't hear rotors. Doctors don't know what the chemicals were
Two children died in the attack, and their mother died later on the way to a hospital in Atme, Idlib. More than a dozen people were exposed
Survivors from Sheikh Maqsood all gave the same story today. Syria's war is tiptoeing into the chemicals weapons phase.
"Phosphorous type chemical" would suggest either smoke or burning, as seen in the Saraqeb attack. There's also reports of the device being dropped from a helicopter, with a small number of casualties.
This photograph from the Sheikh Maghsoud attack shows the upper body of two of the canisters from the Sheikh Maghsoud:
Both have had what's known as a "fly-off lever" reattached to them. A fly-off lever is what you see on a hand grenade, and it is released when a ring pull is removed, which then allows the lever to rotate over the top of the device due to a spring load, releasing a securing pin that renders the device live (more details here). The fly-off lever may or may not detach, and in this example it appears they have, as they've been put back on the upper body of the canister backwards. This indicates the canisters are in fact some form of grenade.
Another interesting point is that while the upper body on the left is a match to what we've seen in Saraqeb the upper body on the right appears to be a different design.
There's one more piece of evidence that points to these items being some kind of grenade. This photograph, taken by Jeffry Ruigendijk, shows a Jabhat al-Nusra fighter carrying one of the weapons in question:
A close up of the grenade shows the finer details:
This matches what has been seen in Saraqeb and Sheikh Maghsoud almost perfectly, the only details that are different is that the fly-off lever appears to be black (although that might just be the reflection of his attire), and the presence of the ring pull.
The 2017 French report also provides images of the remains of grenades recovered from the scene. The first image is of a grenade recovered from the second impact site, the courtyard of a home where multiple victims were affected:
The image in the French report is low resolution, but it clearly does not match the white grenade shown above. A third grenade was recovered at the third impact point, close to a main road on the southwest side of the town, where no victims were reported:
This grenade does not appear to match the other two types of grenades. It it also noteworthy witnesses had referred to two canisters in each package dropped from the helicopter in the BBC report on the attack, but the French report only talks about two grenades from two different sites, and does not refer to the white grenade shown above. In the Sheikh Maghsoud attack the remains of two grenades were recovered, seemingly from one impact site, suggesting that in that attack the two grenades were dropped together, as described by witnesses in the BBC report.
In the 2017 French report the third, unexploded, grenade was tested, and shown to contain sarin:
The chemical analyses carried out showed that it contained a solid and liquid mix of approximately 100ml of sarin at an estimated purity of 60%. Hexamine, DF and a secondary product, DIMP, were also identified. Modelling, on the basis of the crater's characteristics, confirmed with a very high level of confidence that it was dropped from the air.
Victims of the attack
There appears to be some confusion over the number of victims, with the BBC being told by doctors there were 8 victims; two women, one child, and five men, but with later reports that the victims were taken to in Reyhanli, Turkey, claiming up to 13 people were treated:
Medics tested the blood samples — which were taken from some 13 victims of an attack that included white powder in the northern village of Saraqeb on April 29 — at the Reyhanli hospital on the same day, but did not find anything unusual, they said.
The 2017 French report describes "one person was killed and about 20 injured".
Three videos from Saraqeb showing the victims, shown below, were posted online, as well as video footage from the BBC
Using this video footage it was possible to identify separate victims that were treated in Saraqeb:
Female victim 1
Unknown female. Possibly the wife of Mohammed Khatib, see female victim 2 for more details.
Mariam Khatib, mother of nine children, three of which were also casualties of the attack. According to the BBC report one of the devices dropped from the helicopter landed in her garden
"A canister was released from a helicopter and Mariam Khatib came running to the courtyard and called her son, Mohammed and told him there was a canister with white smoke coming out of it" says Mariam's nephew, Maed Barish.
"She immediately became unconscious and fell down, as did Mohammed and his wife. Fighters came to help the family but they were also affected by the smoke."
The BBC reports Mariam Khatib was the worst affected, with videos showing her unconscious, with dilated pupils, with doctors claiming she had signs of chemical exposure. It appears she is in the background of this clip, with the man in the foreground claiming the following
I was not present then, but the FSA members came here and said that those chemicals were dropped on the southwestern side of the town. The injuries varies from bad to minor. The symptoms include constriction of the pupil, forth around the mouth, complete loss of consciousness as result of (inhaling) the smoke. The smoke was smelly, and the guy who rushed to help the victims lost consciousness when he got to the site.
The BBC also reports Mariam Khatib was taken to a hospital on the border with Turkey
Four patients were taken to a hospital near the border.
Dr Jumaa Samadi, who treated them, says they were all given decontamination showers and atropine to treat their symptoms before being sent to a hospital in Turkey. By the time they arrived, Mariam Khatib was dead.
"The symptoms she displayed – unconsciousness, vomiting, pinpoint pupils – they all correspond to poison gas exposure," he says.
"They often match organophosphate poisoning. It has many derivatives, one of which is Sarin gas."
A later December 2013 UN report would state the autopsy of Mariam Khatib "clearly indicated signatures of a previous Sarin exposure."
Mariam Khatib is the only recorded fatality of this attack.
Mariam Khatib's daughter, according to the BBC report. In the footage in the BBC report she appears to have a distended tongue, but in the footage from Youtube it appears that may not be the case, although the angle makes it difficult to be sure.
Male victim 1
This uniformed victim is retching, and spitting out liquid. Possibly one of the opposition members who went to help the Khatib family.
Unknown identity, no obvious symptoms. The doctor with him in the video explains the symptoms he's seen, symptoms such as froth around the mouth, convulsions and constriction of the pupil, which he says suggests sarin use.
Possibly Mohammad Khatib, Mariam Khatib's son. In one video he's shown with froth coming from his mouth, and in apparent discomfort, and in two other videos (1, 2), shown with a drip, receiving oxygen. If this is Mohammad Khatib he's interviewed by the BBC 2:24 into their report:
Today Mohammed lives in a tent outside of town. He says he is too afraid to return to the house, too distraught by what happened there.
Speaking for the first time he says he still feels weak and exhausted.
"You'd lose all senses. You'd feel like you were dead. You couldn't even see. I couldn't see anything for three or four days."
Unknown victim, appears to not have severe symptoms in the video he's featured in.
An unknown uniformed male in distress, possibly another of the opposition fighters who went to help the Khatib family. Clearly in great discomfort and retching, at 11s he is uttering the shahadda, and as 43s he's raising his index finger. The shahadda is often recited when someone expects to die, often with an index finger raised.
Mariam Khatib's younger son, featured in the BBC report at 2:07, with the BBC report stating they "apparently suffered respiratory and visual problems, and appear to have constricted pupils.".
4 years on from the attack on Saraqeb it is now clear that this attack was the deployment of sarin as a chemical weapon by Syrian government forces against a civilian population that pre-dates the August 21st 2013 sarin attack by 4 months. While many questions have now been answered about the attack, one question remains. Why did Syrian forces use sarin in such a bizarre way, with helicopters throwing grenades filled with sarin onto a town in what appears to be boxes holding cinder-blocks? While we can state for certain the 2013 attack on Saraqeb was a sarin attack, we are yet to understand exactly why the attack took place in the manner it did.
Unpublished OPCW Douma Correspondence Casts Further Doubt on Claims of 'Doctored' Report
The OPCW Douma Leaks Part 3: We Need To Talk About A "False Flag" Attack


text:
Homechevron_rightKeralachevron_rightSriram Venkitaraman...
date_range 3 Aug 2019 12:26 PM GMT
Sriram Venkitaraman was behind the wheels, police confirms
Thiruvananthapuram: City police commissioner Sanjay Kumar Gurudin has confirmed that IAS officer Sriram Venkitaraman was behind the wheels at the time of the tragic accident in which journalist KM Basheer was killed.
The confirmation comes after the verification of CCTV visuals obtained from the area.
Venkitaraman and his friend Wafa Firoz, who was also in the car, have confirmed this, the commissioner said.
Witnesses of the accident had told media that Sriram was driving the car. However, the police seemed reluctant to confirm the account and said that it could be confirmed only after verification.
Meanwhile, a conspiracy to save the officer was alleged as it emerged that the blood sample of Venkitaraman was not taken immediately after the accident.
The doctor who examined the officer told media that only a physical examination was conducted as police did not request a blood test. The doctor said that an alcoholic odour emanated from him during the time of examination.
Web Title - Sriram Venkitaraman was behind the wheels, police confirms


Cancer sunny-side up Survivors show perception is an important part of fighting disease By Joanne Turner I was not sitting in a greasy spoon diner filled with the aroma of bacon and stale coffee. I most certainly did not order it from a tired looking waitress wearing a pink dress and white stained apron named Flo. But before I knew it, a big plate full of unpleasant news was placed in front of me, looking like two big fried eggs staring me straight in the eye. The only problems was that unlike a serving of eggs, I could not quickly gobble it down, nor simply return it to the kitchen to make it all disappear. You see, in May of 1997, I did not order this healthy serving of Acute Lymphoblastic Leukemia that was placed before me. Yet, like an estimated 129,300 people served this dish each year in Canada, I was facing a diagnosis I did not want and one that would change my life forever. Cancer and eggs do not seem to have a whole lot in common, but as you read on, it will become more apparent that how you perceive cancer is all in the eyes of the beholder. Like eggs, cancer comes in many different forms. One person may see his or her cancer as scrambled or confused. Another might perceive it as hard-boiled or lifeless. But I joined the ranks of millions of cancer patients around the world who choose to see their cancer as sunny-side up. As a peer counselor to people experiencing cancer, I have had the privilege of speaking to hundreds of cancer survivors from all over the world, all walks of life and all stages of health or illness. In each case, there are always feelings of despair, fear, frustration, anger and indescribable sadness. There is no question that this one powerful word represents everything from diagnosis to death, and everything in between. I admire each individual's approach to the cancer challenge. Every person has their own unique way of coping with the mountain of information that he or she is invariably inundated with. But more importantly, I appreciate the common link that holds us all together with such power and strength. It is certain that our cancer team shares many strategies and lessons. This combined wisdom is the common thread that links each cancer survivor. To me, this thread may as well be made of gold as it is priceless and reflects the glow in the hearts of all of those who have woven it. Take Tanya, a 34-year-old cervical cancer survivor who states, "I have learned to savour everyday occurrences. I have learned to counter the sacred within the ordinary." This quote perfectly sums up one of the greatest gifts cancer can ever bring, the ability to appreciate the joy in life's most mundane things. This is a skill that hardly ever makes it onto one's resume of life. A simple skill that appears so easy to attain, yet how often is it actually practised in most people's daily routine? If nothing else, cancer presents the opportunity to open one's eyes to the diamonds that already exist in our own backyards. Despite all the difficult conditions cancer brings — hospitals, chemotherapy, physical decline and sickness — one can always adhere to the above principle with enough determination and strength. There is always a simple moment to savour, a simple pleasure to enjoy, one friend to call and one person to love or one smile to offer. It is all in how one chooses to see the world and whether or not one allows his or her eyes to drink in the beauty that surrounds us. All of a sudden the sky can look bluer and the grass can be felt growing beneath one's feet. Cancer survivors often have the unbelievable ability to smile at everyone they meet. They generally expect something good is bound to happen, no matter what happened yesterday. I am the first to admit that this is a massive task, but I am also the first to admit that it can make all the difference in the world to yourself and everyone you encounter. James, a 24-year-old survivor of Hodgkin's disease remarked, "I never realized how happy I could be driving on the highway in my beat up old Toyota. Who would have thought cancer could bring me such ecstasy — and I don't mean the chemical kind." Many people continue to strive for the bigger, faster and more expensive things in life. James ably illustrates that true value comes from a feeling deep inside and not from something that can be found in Bloomingdales or on the Internet. Daphne du Maurier underlines this so well in her quote, "Happiness is not a possession to be prized. It is a quality of thought, a state of mind." Don't get me wrong, I am not suggesting that it takes a cancer diagnosis to join this club of simple joy. Membership after all is available to anyone who seeks it out. "Cancer forced me to take a leap of faith and start believing in myself. I was just waiting to be asked to make my dreams come true," says Cathy a 56-year-old breast cancer survivor. The body is an amazing thing that has an incredible ability to heal itself if it is asked. This does not mean that every body recovers from the huge impact that cancer brings, sadly this is not the case. However, unbelievable things can happen to bodies that appear to be incapable of accomplishing such enormous tasks. Take Lance Armstrong as an example, the American cyclist who recently won the Tour de France for the second year in a row. Yet in 1996, Lance was diagnosed with testicular cancer that had spread to his lungs and brain. Few people had the confidence that Lance would survive his cancer, let alone be able to continue with his professional cycling career. After much surgery, chemotherapy and radiation, Lance decided to push the limit and defy all logical thinking. He decided to train for the Tour. In July of 1999 and 2000, Lance brought tears to the eyes of cancer survivors around the world as he leaped up on to the winner's podium on the Champs d'Elysée in Paris. There is only one thing that made this remarkable feat possible. It is called faith. Lance had the faith in himself, in his doctors, in his body and most importantly in his spirit. He believed from the deepest part of his soul that his wildest dreams could come true. It just required the confidence to try. I believe that Lance represents the true essence of faith to cancer survivors and anyone else who chooses to take note. I have yet to meet a cancer survivor who dreams of winning the Tour de France but I have met hundreds who dream of having a baby, going to Hawaii, seeing their grandchildren or planting tulips in their garden. The dream is not what is important. What is important is that they believe so strongly in themselves and have the faith to leap off of their comfortable little rocks into the pond of life. Many cancer survivors believe cancer has given them the confidence to do this, to have the courage and to trust the loving wisdom of their hearts. A very wise woman, Helen Keller, once said, "No pessimist ever discovered the secrets of the stars or sailed to an uncharted land or opened a new heaven to the human spirit." I am sure her words rang true so many years ago, but perhaps today her message is even more important as cancer and non-cancer patients alike are constantly bombarded with forces that destroy our confidence and faith in our minds, bodies and spirits. In many of my conversations with cancer survivors, it is clear that faith in a larger being, whether it is God or another spiritual being, is also often of paramount importance. Paul, a 52-year-old survivor of Acute Myeloid Leukemia, illustrates this by stating, "My best achievement is my belief and trust in The Lord Jesus Christ. He is the inspiration and the source of my inner strength along with my family and friends." "My strength comes from God. Although I m not a regular churchgoer, my faith has given me so much strength. One of my favorite sayings is that courage is fear that has said its prayers," says Phyllis a 70-years-young breast cancer survivor. Although I would not consider my own spirituality to be religious, I most certainly believe it signifies that things happen for a reason and in the end, there is always good. Like my cancer teammates, I find this to be an amazing way to train my mind to accept and cope with any of life's tragedies. When one can replace fear with peace, I believe he or she has accomplished more in life than we could ever hope for. It is unfortunate that it took cancer to show me this lesson, but I, like many others, am eternally grateful for this ability to calm the stormy seas in my mind. The appreciation of one's family is a universal benefit that cancer brings to so many people. Anne, a 61-year-old breast cancer survivor, states: "My family has always been important to me but now I think of the joy they give me constantly. Most of all I know that they love me." This quote has particular significance to me because Anne happens to be my mother. One could choose to look at this situation as unfair and disheartening. In an ideal world, I would not choose for anyone to endure cancer, let alone both my mother and I. However, our cancers have awoken our senses. They have allowed us to cherish our relationship like no other and they have created a bond between us that nothing could chisel its way through. My respect for my mom is unsurpassed and my gratitude to her for providing me with the tools to cope with my own disease is unequaled. I can honestly say, that no one reflects this article's words of wisdom better than my own, very dear mother. I have recognized the universal bonds that link cancer patients together, as I was diagnosed and treated in Sydney, Australia. Thus, a good portion of my cancer teammates are true-blue Aussies who without a doubt share the same issues and attitudes as those in Canada. I am very proud to have been a cancer patient and a Canadian in a foreign place. I love Canada's land, its people and its maple leaf but there is one thing that makes me want to wave my Canadian flag more than anything else. It is Terry Fox. Terry was a young man, who unlike me, lost his body to cancer — but he never allowed it to take away his soul. He had a dream called The Marathon of Hope and with the dip of his artificial toe into the icy waters of the Atlantic Ocean, he embarked on one of the most incredible journeys of all time. "I'm not a dreamer, and I'm not saying this will initiate any kind of definitive answer or cure to cancer, but I believe in miracles. I have to," said Terry on Oct. 15, 1979. His miracle has come true. In 1996, over 1 million people participated in the Terry Fox Run in Canada and around the world. In 1997, total monies raised in Terry's name for cancer research reached $200 million. The year 2000 marks the 20th anniversary of the Marathon of Hope. It marks 20 years of running for cancer research and 20 years of hope for cancer patients around the globe. It is a chance to reflect on one very remarkable individual who left the comfort and safety of his living room to venture out on a safari of his spirit. He taught us what it means to be a cancer patient and more importantly, he has taught us what it means to be Canadian. Sunday, Sept. 17, 2000 is your opportunity to contribute to the lives of all cancer patients by taking part in the Terry Fox Run. Choose to honour this day and the life of Terry Fox. Choose to participate, live and dream. Choose to see cancer sunny-side up. Joanne Turner lives in Whistler and volunteers for the Canadian Cancer Society. With her cancer in remission, she spends a maximum amount of her time skiing, hiking or biking and a minimum amount of her time on her couch. If you or someone you love is experiencing cancer and would like to speak with Joanne, please e-mail her at joinsnow@hotmail.com. BOX AT BOTTOM Registration for the Terry Fox Run will start at Nesters Square at 9 a.m. on Sunday, Sept. 17, 2000. The run will begin at 10 a.m. Please call Martha Heintzman at 905-9715 for more information or to volunteer.


Two PokerStars Caribbean Adventure Main Event champions made it to the final nine of this inaugural LAPT Bahamas Main Event -- Galen Hall (2011) and Dimitar Danchev (2013) -- but only one made it the official final table of eight.
Hall was ninth of nine in chips to start play once the players redrew for seats around the final table. On just the third hand he picked up pocket eights and min-raised to 50,000, leaving himself almost 550,000 behind. It folded around to Jose Carlos Garcia who three-bet to 132,000, and when the action got back to Hall he took a moment.
Hall sat motionless for a half-minute looking intently at Garcia. From the live feed we knew he had an ace in his hand, but his second card had been obscured from view. Finally Hall folded his eights -- a faint reprise a famous fold he made here at the Atlantis while heads-up in the Main Event four years ago -- and play continued.
About 10 minutes later Hall was dealt 7♣7♥ in the hijack and open-pushed his last 440,000, and when it folded to Martin Finger who'd picked up A♦Q♠ in the cutoff Hall had a customer.
Alas for Hall, the board came Q♦4♠6♦, then K♥, then T♦, and he departed with a ninth-place finish worth $27,820.
Josh Kay is still the chip leader with 2.76 million, with Jose Carlos Garcia next in line wiht 2.359 million. They're taking a short break for pictures. Back shortly with profiles of the final eight.
Photography from LAPT8 Bahamas by Carlos Monti. Click here for live updates in Spanish, and here for live updates in Portuguese. And be sure to check out the cards-up final table coverage over at EPT Live.


Our Heartbeat leggings are back, in a classic look and feel.
These 7/8 leggings are crafted using super-soft yarns, with a supportive high-rise waist for maximum comfort. The best-selling design features sculpted seams to contour your booty, while staying totally squat-proof.
Comfort combined with style, Heartbeat is the Collection that complements all of your training outfits. Supportive, sweat-wicking and figure-enhancing – it's got it all, so you can give more.


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redpajama_set_name: RedPajamaGithub


Dora and Boots stumbled into an adventure when Boots ate a magical banana and made him Babayaga's minion. Help Dora save Boots and beat Babayaga in an exciting and thrilling adventure.
Dora and Boots stumbled into an adventure when Boots ate a magical banana and made him Babayaga's minion. Help Dora save Boots and beat Babayaga in an exciting and thrilling adventure.


The attorneys at Oberheiden, P.C. are a team of former federal health care prosecutors and veteran health care fraud defense attorneys. Our attorneys include the former chief for health care fraud at the U.S. Attorney's Office, former Assistant United States Attorneys (AUSA), former Special Assistant United States Attorneys (SAUSA), former Department of Justice Trial Attorneys, the former Deputy Chief of the Trial Section at the U.S. Attorney's Office, and distinguished criminal defense lawyers. We help clients across the country who are under investigation by federal investigators. Call one of our senior attorneys today for a free and confidential consultation.
What Is a Civil Investigative Demand (CID)?
A Civil Investigative Demand (CID) is a mechanism state and federal investigators use to collect information and evidence for use within the context of a civil investigation. The government may use the CID to request information or documents, or both, and federal prosecutors may issue CIDs prior to, or in lieu of, bringing formal judicial proceedings.
Under the (federal) False Claims Act (31 U.S.C. § 3729 et seq.), individuals and entities are held accountable for submitting false or fraudulent claims for payment to the United States government. For example, a medical service provider billing Medicare for unnecessary treatments to a patient or a laboratory billing Medicare for tests that were never performed would qualify as violations of the False Claims Act. Importantly, the Affordable Care Act ("Obamacare") expressly clarifies that any claim for payment submitted in violation of the Anti-Kickback Statute also constitutes a false claim under the False Claims Act.
What Are the Penalties Under the False Claims Act?
The penalties for violating the False Claims Act include: 1) fines ranging from up to $ 10,957 to up to $ 21,916 per false claim; 2) monetary judgments of up to three times the government's damages as a result of the false claim(s); and 3) temporary or permanent exclusion from participation in federal health care programs. A criminal false claims act statute (18 U.S.C. § 287) also authorizes criminal penalties such a criminal fines, prison sentences, and probation.
Even though CIDs are civil in nature, if they are not responded to in a prompt, accurate, and thorough manner, they may perk investigators' suspicions and even lead to criminal charges. Therefore, it is critical that anyone who receives a CID call an experienced health care fraud defense attorney. An experienced health care fraud defense attorney will handle all communications with federal investigators and prosecutors, review document productions for responsiveness, and organize your production in the manner expected by the government.
At Oberheiden and McMurrey, our top priority in every representation is avoiding criminal charges against our clients. One way we accomplish this is by convincingly demonstrating to the government that they cannot prove all elements of the alleged health care fraud against our client. Oftentimes, the missing element is our client's intent to commit health care fraud. Contrary to the allegations we regularly see contained in criminal indictments and civil complaints, we understand that people rarely sit around and conspire about how to defraud the government. In reality, people often back into violations of health care statutes entirely by mistake caused by neglect, disorganization, lack of supervision, or manipulation by others. Wherever possible, we strive to present our client's side of the story to government prosecutors as early as possible in an investigation in order to prevent them from developing unfounded beliefs and assumptions. As former federal prosecutors ourselves, we wholeheartedly appreciate that the burden of proof is on the government to prove every element of a crime and that no prosecutor wants to risk bringing a weak case to trial.
Anyone who receives a CID should assume that the federal government is investigating him/her. Generally speaking, the government only issues CIDs to individuals or business who are either under investigation or who have valuable information about another individual or entity that is under investigation. However, federal agents often mislead the targets of their investigations into believing that the investigation is about someone else, when it is really about them. Therefore, anyone who is contacted by federal agents should assume he/she is personally under investigation. Furthermore, individuals unfamiliar with federal investigations are prone to responding to CIDs too casually and without proper preparation. Such an attitude may cause someone who was originally a mere witness to become an actual target of the investigation. For these reasons, the smartest thing anyone who receives a CID can do is to immediately call a federal health care fraud defense attorney with experience handling government investigations. An experienced criminal defense attorney will understand the context of the CID request and adeptly prepare a response that neither incriminates nor perjures the client. Ultimately, you want to be truthful and cooperative while at the same time protecting yourself from self-incriminating answers or admissions. If you have received a CID request, contact Oberheiden, P.C..
The minute you receive a CID request, you become obligated to take all reasonable steps to prevent the destruction of any responsive documents, including electronic documents such as emails and even text messages. Failure to exercise due care in this regard may expose you to charges of obstruction of justice. Therefore, once you receive a CID request, it is smart to disable any auto-delete functions in your email, voicemail, and document retention systems. Additionally, if applicable, you should instruct your staff against destroying any hardcopy files or throwing away any equipment, such as smartphones, laptops, or servers.
CIDs are typically very wide in scope, often addressing a plethora of topics and potentially implicating thousands of pages of responsive documents. The best way to ensure that you are able to produce a comprehensive response within the given deadline is to evaluate the CID with your attorney as soon as possible after you receive it. That way you can construct a game plan for gathering the responsive documents, including creation of a timeline of tasks and allocation of the proper resources to the project. While you may be able to negotiate an extension of time to respond to the CID with the prosecutor if it will not be feasible for you to adequately respond within the deadline provided in the CID, your likelihood of success will be much higher if you reach out to them promptly and if you have identified specific reasons why you need more time.
As you might gather from Steps 1-3, preparing a CID response is a time consuming and resource intensive task. Therefore, early preparation and organization are key to putting together a thorough and timely response. The sooner you work with your attorney to develop a game plan and schedule for your response, the more likely you will be to meet this goal. Your schedule should take into consideration time for your attorney to review and organize all of the documents that you gather for the response. Your timeline should also account for any documentation that must be obtained from third party agents, such as your bank or telephone service provider. In addition, if you need to delegate any tasks to employees, such as your IT staff, you need to plan for the time it will take them to properly perform their responsibilities.
Oberheiden, P.C.'s team of former federal health care prosecutors and veteran health care fraud defense attorneys are available seven days a week to speak with you about your case. All of our consultations are handled by senior attorneys and are free and confidential. Our attorneys include the former chief for health care fraud at the U.S. Attorney's Office, former Assistant United States Attorneys (AUSA), former Special Assistant United States Attorneys (SAUSA), former Department of Justice Trial Attorneys, the former Deputy Chief of the Trial Section at the U.S. Attorney's Office, and distinguished criminal defense lawyers.
Call Oberheiden, P.C. today for a free and confidential consultation. Our attorneys are available to take your call seven days a week – including weekends. We can answer your most pressing questions or discuss how we may be able to help you with your case. Contact us now.


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What does it mean to be disabled?
On behalf of Baddour, Parker, Hine & Hale, P.C. posted in Social Security Disability on Tuesday, June 27, 2017.
The term "disability" can mean different things to different people, from physical injuries and illnesses to genetic conditions that affect how a person functions in society.
No matter how we define the word "disability," we can all agree on one fact: disabilities affect people in different ways, sometimes to the point where a person may be unable to work and earn a living because of their condition.
When considering disabilities and access to Social Security Disability Insurance (SSDI) and Supplemental Security Income (SSI) benefits, there are four main things to keep in mind:
1.) The Social Security Administration's definition of disability.
You may be considered disabled by SSA is you:
Are unable to work as you did before
Cannot adjust to other work because of your condition
Have been told by doctors that your condition will last for no less than a year
Have been told by doctors that you will pass away from your condition
2.) SSA only considers long-term disabilities.
It's very important to know that short-term or temporary disabilities do not qualify for SSDI or SSI benefits. That's because SSA assumes you have access to other resources, including savings, workers' compensation or short-term disability insurance.
As an example, even though a broken bone can make work difficult or impossible and make it difficult to adjust to other work, a broken bone would not qualify for SSDI or SSI because it does not meet all of the bullet points above, specifically the last two.
3.) Disabilities aren't always apparent from the outside.
Things like learning disabilities, mental health conditions and chronic pain are not apparent from the outside, however, they can qualify a person for SSDI and SSI benefits. Just because someone looks "normal," doesn't mean they don't meet the strict SSA requirements above.
In fact, there are a number of conditions on the Compassionate Allowances Conditions list that immediately qualify someone for SSDI and SSI benefits, but you wouldn't be able to tell the individual had a disability just by looking at them.
4.) You may need to appeal the decision for your disability benefits.
According to the most recent SSA statistics, more than 70 percent of initial applications for disability benefits are denied for various reasons. In many cases, this even happens to people with legitimate claims.
When a legitimate application is denied, an applicant has the right to appeal the decision. It's important to know that this process can be incredibly complex and should be handled by someone with considerable experience with the process, such as a qualified Social Security disability attorney.
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Contralto Marian Anderson was born in Philadelphia, Pennsylvania. A variety of sources suggested February 17, 1902, as her birthdate; however, Anderson's birth certificate, released by her family after her death, listed the date as February 27, 1897. Her father was an ice and coal salesman, and her mother was a former teacher.
Although Anderson had early showed an interest in the violin, she eventually focused on singing. The Black community, recognizing her talent, gave her financial and moral support. She also gained the notice of tenor Roland Hayes, who provided guidance in her developing career.