text:
Relentless Health Value
American Healthcare Entrepreneurs and Execs you might want to know. Talking.
⬅ EP158: What if Amazon Decides to Break...
EP160: Eliminating Prescription Errors... ➡
"EP159: Medical Storytelling in Pursuit of Patient Outcomes, with Dhruv Khullar, MD"
by Stacey Richter
Dr. Dhruv Khullar and I discuss the manifold ways that medical storytelling can be used to oil the wheels of shared decision-making and working toward the outcomes that matter to patients. Storytelling also plays a role when healthcare organizations want to align care teams around a standard of care. It can help clinicians and other care providers understand longitudinal patient data. And, it can help when trying to explain thinking to colleagues.
Dhruv Khullar, M.D., M.P.P. is a physician at NewYork-Presbyterian Hospital and a researcher at the Weill Cornell Department of Healthcare Policy and Research. He is also a contributor at the New York Times, where he explores the intersection of medicine, health policy, and economics. He recently worked in the ABC News Medical Unit, helping to curate and communicate evolving health stories, and was previously at the White House Office of Management and Budget (O.M.B.), focusing on Affordable Care Act implementation.
Dr. Khullar completed his training in internal medicine at the Massachusetts General Hospital and Harvard Medical School, and earned his medical degree (M.D.) at the Yale School of Medicine. He also received a Masters in Public Policy (M.P.P.) from the Harvard Kennedy School, where he was a fellow at the Center for Public Leadership.
His work has appeared in the New England Journal of Medicine, Journal of the American Medical Association (JAMA), New York Times, Washington Post, Wall Street Journal, USA Today, The Atlantic, Slate, and other lay and academic publications. He was recently recognized by LinkedIn as one of the Top 10 Healthcare Professionals Under 35.
Thank you to Jim Klus-Salisbury for his help with this episode.
@Outcomes_guru ; outcomesguru.blogspot.com
00:00 The epiphany that Dhruv had about patient care.
04:15 Defining medical storytelling.
06:45 The categories of medical storytelling.
08:10 Two components to inspiring an organization to do something differently.
08:20 Having evidence to convince people of change.
08:40 A narrative that inspires people to change.
09:00 "It's also helping people understand how this fits into the identity of their organization and their identity as professionals."
10:00 "It's the stories of the patients you have to bring to life."
12:40 "What's going to motivate that change?"
13:00 Getting people to care emotionally about issues.
16:20 Having patients tell their own stories.
17:45 How storytelling in medicine has value for the storyteller as well.
18:40 "What is the context of care here?"
20:00 Dhruv's advice for developing story-gathering and storytelling skillsets.
21:50 "Stories are often what move us to get us there."
22:30 A framework for taking stories and eliciting change.
22:50 "The story of self, the story of us, the story of now."
25:50 Encouraging teams to use storytelling, whether formally or fully trained or not.
29:30 Why people in the sciences are wary of stories.
33:25 Pharmaceutical advertising as an example of storytelling.
38:00 You can learn more by following Dhruv's writing in the Well section of the New York Times and The Upshot.
Please subscribe if you enjoyed the episode. Also, consider leaving a rating and review on any of the online players so we can continue to improve our offerings. Thank you for your help.
Share | Tweet | print | email
Permalink | | Posted on: November 9, 2017 in Audios
Let's Fix Health Care Together
Relentless Health Value is the podcast for business leaders working in payer/insurance carrier and provider organizations, as well as for pharmaceutical, medical device, patient advocacy, and other health care organizations. Health care–oriented venture capitalists (VCs) and digital health entrepreneurs also regularly engage with our show. Finally, we have a growing contingent of employer CFOs and benefits professionals who tune in.
The podcast mission is to help transform health care by fostering collaboration and breaking down silos. Our panel of expert guests connects you with other health care leaders trying to achieve the quadruple aim of improving population health and patient and provider experience, while managing costs effectively.
Relentless Health Value is one of the oldest and largest podcasts dedicated to health care industry decision makers trying to do the right thing.
Select any of the following options to subscribe:
Please leave us an honest rating on any of the online players so we can continue to improve our offerings. Thank you for your help.
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©2019 Stacey Richter Powered by the Get Noticed! Theme.


1. Short structural length, only 1/4-1/8 of that of traditional flanged check valve.
2. Low volume,light weight, only 1/4-1/20 of those of traditional flanged check valve.
3. Quick valve disc closedown, low water hammer pressure.
1. Lift check valve is divided into two kinds of vertical and horizontal.
2. Swing check valve is divided into a single type, double valve and valve type three.
3. Butterfly check valve is straight through.
More than three kinds of check valve in the form of connection can be divided into threaded connection, flange connection, welding connection and clip connection.
Equipped with a professional factory, Naibang Valve is a professional manufacturer and supplier of single disc check valve in China. If you want to buy quality product of various beautiful bags, you can get it at a cheap price from us.


text:
package com.adobe.testing.s3mock.dto;

import static com.adobe.testing.s3mock.dto.DtoTestUtil.deserialize;
import static org.assertj.core.api.Assertions.assertThat;

import java.io.IOException;
import org.junit.jupiter.api.Test;
import org.junit.jupiter.api.TestInfo;

public class DeleteTest {

  @Test
  void testDeserialization(TestInfo testInfo) throws IOException {
    Delete iut = deserialize(Delete.class, testInfo);

    assertThat(iut.isQuiet()).isFalse();
    assertThat(iut.getObjectsToDelete()).hasSize(2);

    S3ObjectIdentifier s3ObjectIdentifier0 = iut.getObjectsToDelete().get(0);
    assertThat(s3ObjectIdentifier0.getKey()).isEqualTo("key0");
    assertThat(s3ObjectIdentifier0.getVersionId()).isEqualTo("versionId0");

    S3ObjectIdentifier s3ObjectIdentifier1 = iut.getObjectsToDelete().get(1);
    assertThat(s3ObjectIdentifier1.getKey()).isEqualTo("key1");
    assertThat(s3ObjectIdentifier1.getVersionId()).isEqualTo("versionId1");
  }
}

redpajama_set_name: RedPajamaGithub


Nicoloe Yousting was booked on 10/29/2018 9:32:00 AM. Yousting was arrested by BOONE COUNTY in Boone, Indiana. Yousting was 21 years old at the time of the arrest.
Nicoloe Yousting may not have been convicted of the charges or crimes listed and are presumed innocent until proven guilty. Please contact the BOONE COUNTY for more information regarding arrest records.


text:
Nik Kirkham
Nik's Musings
The Intrepid Explorer
IO (2019) – The MacGuffin
Thus far, Netflix only counts 13 original Sci-Fi films their own. It is all the more disappointing that one of their newest entries, IO, is a big letdown. The concept is great. We meet Sam (Margaret Qualley), a young woman (probably in her early twenties, but not quite clear) and one of the last people…
The Boys – Brilliant Anti-Superhero Superhero TV Show
Amazon Studios has delivered another winner for its streaming service Prime. The Boys at times feels like a comedy, but is as dark as it gets. The Boys is set in a fictional version of today, where superheroes are a given. However, unlike most superhero films and shows, the world of The Boys doesn't give…
The Intrepid Explorer: First Flight Out Now!
I am most happy to announce that my first novel, The Intrepid Explorer: First Flight is now finally available to buy via Amazon! The Intrepid Explorer: First Flight follows the adventure of a disjointed group of refugees, who need to work together and learn to trust and rely upon each other in order to survive,…
The Lion King Franchise
This review discusses the new 2019 version of the Lion King, as well as all other previously released material. There will be no further spoiler warnings, as we are dealing with commonly known plot points. The Lion King is a fascinating franchise. For one, it has been shrouded in controversy, as it appears to have…
Avengers Endgame – The culmination of the first cinematic universe
I have been busy writing in my new job and while there was a lot of material I could have written about over the last few months, there is no better opportunity for me to upload another review, than Avengers Endgame. Endgame truly is the culmination of eleven years of storytelling over twenty three films…
SOLO – Yet Another Star Wars Story…
I skipped SOLO in theatres, as I was not the least bit interested in seeing it, but I recently caught it at a friend's place, who had bought the digital version of the film, so I am ending up reviewing it after all. Right of the back, I want to mention that SOLO did not…
Tom Clancy's Jack Ryan – The Perfect Book to Blockbuster Movie to Streaming Show Adaptation
John Krasinski stars as Tom Clancy's Jack Ryan in Amazon's newest show and it is a blast (sometimes literally). Though despite the fact that Michael Bay was an executive producer on the show, there are actually very few explosions in the show. They are more prominently featured on the promo material, where Jack walks away…
Bla Bla Bland – La La Land (2016) Review
After a very long summer break, I am back with more movie reviews and we start things off with La La Land (2016). I skipped this one, when it came out in theatres and only recently got around to viewing it. With films that are talked about a lot, I often like to wait until…
Life Is Like a Musical
It's been a long summer break and now it is time to populate this section with some of my daily experiences. I believe the reason why I come up with creative stories and why I love to do so, is because my life often plays out like a TV show, a movie or a musical.…
Westworld Season 2 – Review
Westworld is by far the best television series currently on air and season two only reinforces that fact. While it is uneven at times, season two continues to deliver on all the key elements that make Westworld great: emotional character drama, wild plot twists and mysteries. SPOILERS ahead. Season two gets off to a slightly…
Never Want to Miss an Update?
Copyright © 2023 Nik Kirkham. All rights reserved.

redpajama_set_name: RedPajamaCommonCrawl


You can see how the model assessed the latest round of matches here. The movement arrows cover the last seven days so will also include the midweek round of fixtures.
Sheffield Wednesday's win over Newcastle wasn't all that surprising given their consistently high ratings this season.
Wolves looked a bit hard done by in defeat at Bristol City and like the Robins have looked far better than their league position this season, so both teams should resist the urge to make big changes over the summer.
It's still early days but the latest changes at Nottingham Forest look as though they're working, with their rating ticking upwards promisingly.
Despite their defeat at the weekend, Newcastle look narrowly likelier to claim the title than Brighton due to their easier remaining matches.
The battle for the final play-off place looks to have swung in Sheffield Wednesday's favour after their win over the Magpies. While Fulham also won and remain just two points behind with better goal difference, they have trickier fixtures remaining including a trip to Hillsborough.
At the bottom the relegation zone is looking increasingly final despite Wigan's win over Rotherham. Thanks to a good week for the clubs just outside the bottom three, the Latics and Blackburn need to recover deficits of seven and four points respectively.


The theme was to depict that smoking is injurious to health.
Technically it was an experimentation with FumeFX for smoke simulation in 3D to refine smoke simulation in 3D.
Smoke was done using FumeFX, scene was designed in 3dsmax, rendered in vray and post processing was done in photoshop.


text:
«Мина́й» () — украинский футбольный клуб из села Минай Ужгородского района Закарпатской области. Основан в 2015 году. С сезона 2018/19 имеет профессиональный статус. С сезона 2020/21 выступает в Премьер-лиге.

История

Областные турниры, Любительский чемпионат Украины
В первом же году команда победила во Второй лиге Чемпионата Закарпатской области и пробилась в Высшую лигу Чемпионата Закарпатской области. Наибольшие успехи пришли к команде в кубковых соревнованиях региона, где «Минай» дважды завоевал .

В дебютном для себя Любительском чемпионате Украины в  «Минай» одержал 11 побед и поднялся на 1 строчку турнирной таблицы группы 1, однако в 1/4 финала серии плей-офф уступил команде .

Вторая и Первая лиги, Премьер-лига
В сезоне 2018/19 команда выступала во Второй лиге, где заняла второе место, таким образом, завоевав путёвку в Первую лигу. В сезоне 2019/20 команда заняла первое место в Первой лиге, что дало право играть в Премьер-Лиге. В дебютном сезоне в Премьер-лиге команда заняла последнее 14-е место, но сохранила место в высшем дивизионе из-за снятия с чемпионата сезона 2021/22 донецкого «Олимпика».

Достижения
 Профессиональный уровень
Первая лига Украины:
 Победитель (2019/20)
Вторая лига Украины:
 Серебряный призёр (2018/19)
Кубок Украины:
 Полуфиналист (2019/20)

 Любительский уровень
 1-е место в группе 1 чемпионата Украины среди любительских команд ()
 Чемпион Закарпатской области (2017)
 Обладатель  — 2 раза (2017, 2018)
 Обладатель  (2017)

Инфраструктура
Образованный в 2015 году ФК «Минай» вынужден был пользоваться несовершенной футбольной инфраструктурой села Минай, поэтому учредители клуба поставили себе цель улучшить футбольные объекты в нём: обустроить дополнительные тренировочные площадки, создать тренировочно-реабилитационный центр и офис клуба, а с 2016 года начали коренную перестройку местного стадиона  для нужд профессионального клуба.

В период работ по реконструкции местного стадиона команда немало своих игр проводила на ужгородском стадионе «Автомобилист», а когда заявилась в Любительский чемпионат Украины и в Минай, то выступала на ужгородском же «Авангарде».

Руководство
 Президент:
 Вице-президент: Евгений Плавайко
 Спортивный директор: Сергей Билан

Тренерский штаб
 Главный тренер: Владимир Шаран
 Тренер: Игорь Лучкевич
 Тренер: Сергей Симоненко
 Тренер: Вадим Чернышенко
 Тренер вратарей: Андрей Новак
 Тренер юношеской команды: Сергей Мизин

Текущий состав

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|-
! colspan="9" bgcolor="#B0D3FB" align="left" |

|-
! colspan="9" bgcolor="#B0D3FB" align="left" |

Главные тренеры

Примечания

Ссылки
 Официальный сайт клуба
 Профиль клуба на официальном сайте ПФЛ

ФК «Минай»
Минай
Ужгородский район

redpajama_set_name: RedPajamaWikipedia


text:
Feb 26: Piano Recital Galina Chistiakova at the Shoe Factory in Nicosia
GALINA CHISTIAKOVA
The Shoe Factory, Nicosia / 8.30pm
The Pharos Arts Foundation, with the kind support of The Keyboard Charitable Trust in London, presents a recital with the extremely talented Russian pianist Galina Chistiakova. A Prizewinner in more than 30 international Competitions, including the Moscow International Chopin Competition for Young Pianists, the International Piano Competition in Memory of Emil Gilels, and the Scriabin International Piano Competition in Moscow, Galina Chistiakova has, since 2000, been appearing as a recitalist and as a soloist with important orchestras all over the world. For her recital in Cyprus, which will take place on Friday 26 February 2016 at The Shoe Factory / 8:30pm, Chistiakova will perform an all-French programme of works by Debussy, Poulenc, Satie and Ravel.
F. Poulenc: 15 Improvisations / C. Debussy: "Estampes" / E. Satie: Gnossiennes / M. Ravel: "La Valse"
As a gifted performer as well as a composer, Francis Poulenc questioned his own ability to compose with his mind rather than his hands. "Many of my pieces have failed," suggests the composer, "because I know too well how to write for the piano ... as soon as I begin writing piano accompaniments for my songs, I begin to be innovative. Similarly, my piano writing with orchestra or chamber ensemble is of a different order. It is the solo piano that somehow escapes me. With it I am a victim of false pretences." And while he had rather harsh opinions of some of his own works, his set of fifteen Improvisations composed between 1932-1959 still met with his approval as the composer looked back on them later in life.
"When you don't have any money to go on holiday, you must make do by using your imagination," Debus! sy wrote, and the first two pieces in his triptych Estampes constitute an exotic travelog; the third piece is stay-at-home music, watching the rain. "Estampes" means print or engraving, and these three pieces are musical depictions of particular moments at particular locales. They also represent an interior journey of sorts, a newly personal idiom for Debussy, who is now seemingly unconcerned with the conventions and expectations of the salon and the concert hall.
The title of Satie's Gnossiennes has baffled interpreters. Some believe it is a reference to a gnostic doctrine, others see it as an insinuation to the ancient palace of Knossos and the stately Cretan figures endlessly circling the dark pottery there. Whatever purpose the title serves, it is without a doubt that the Rumanian music at the Universal Exposition of Paris of 1889 greatly influenced the life of these works. The Gnossiennes stand out from Satie's other compositions in three fundamental ways: th! ey are considered to be one of two priceless testimonies from his youth; they are the first compositions in modern musical history written in bar-less notation; and they are the first of his works to contain his famous witty instructions and indications.
GALINA CHISTIAKOVA piano
Galina Chistiakova was born in 1987 in Moscow into a musical family. She started her piano studies at 3 years old with her mother Liubov Chistiakova and professor Helena Khoven.
From 1993 to 2005 she studied at The Central Music School of the Moscow Conservatory P. Tchaikovsky with Professors Helena Khoven and Anatoly Ryabov. In 2014, Galina graduated with a postgraduate diploma from the Moscow Conservatory, where she studied under of Professor Mikhail Voskresensky.
Chistiakova has been a Prizewinner in more than 30 international Competitions, including the Moscow International Chopin Competition for Young Pianists, the International Piano Competition in Memory! of Emil Gilels, the Scriabin International Piano Competition in Moscow, the "Maria Callas Grand Prix" in Athens, the Concerto International Piano Competition in China, and the F. Busoni International Piano Competition in Italy.
Since 2000, Galina Chistiakova has been appearing as a recitalist and as a soloist with important orchestras all over the world, and she has also been adjudicating a number of youth and international piano competitions. She is currently furthering her studies with Professor Boris Petrushansky at the International Piano Academy "Incontri col Maestro" in Imola.
The concert is kindly supported by the Keyboard Charitable Trust: The Keyboard Charitable Trust's mission is to help young keyboard players reduce the element of chance in building a professional musical career. The Trust identifies the most talented young performers (aged 18-30) and assists their development by offering them opportunities to perform in the most important m! usic centres in Europe and the Americas. For more information: http://www.keyboardtrust.org
Information: Pharos Arts Foundation Tel. (+357) 22-663871 / www.pharosartsfoundation.org
Tickets: €15 / €10 Concessions & members of the Pharos Arts Foundation,
Box Office: Directly from the Foundation's website www.pharosartsfoundation.org/Tickets_online.htm or Tel. 9666-9003 (Monday - Friday 10:00am-3:00pm)


text:
, ( - ) est une (nonne bouddhiste) et poétesse japonaise de la période Edo. Elle est également connue comme  du nom de sa province d'origine. Elle est considérée comme une des grandes poétesses japonaises.

Biographie
Née à 松任 (Mattō, plus rarement prononcé Matsutō), préfecture d'Ishikawa, elle commence à étudier le haïku dès l'âge de douze ans. À dix-sept ans, elle est reconnue par le maître Shikō Kagami (1665-1731). Elle se marie à dix-huit ans, mais son mari meurt deux ans plus tard. Devenue bonzesse en 1754, elle se lie d'amitié avec de nombreux haïjins de cette époque.

Poésie
Les fleurs, et en particulier les liserons (volubilis dans certaines traductions), reviennent souvent dans ses haïkus :

Son haïku le plus célèbre est d'ailleurs celui dit du liseron et du seau, dont il existe de nombreuses traductions dans chaque langue ; en voici deux en français :

Bibliographie

Éditions originales
On connaît d'elle deux recueils de haïkus :
 1764. Chiyo-ni kushu (« Recueil des haikus de Chiyo-ni »), 564 haïkus
 1771. Haikai matsu no koe (« Haiku du chant des pins »), 327 haikus

Éditions en français
Monographies
 2017. Chiyo-ni Une femme éprise de poésie Haïkus traduits et présentés par Grace Keiko et Monique Leroux Serres Editions Pippa

 2005. Bonzesse au jardin nu (trad. CHENG Wing Fun ; bilingue), éd. Moundarren, 110 pages,

Anthologies
 2002. Haiku : anthologie du poème court japonais (trad. Corinne Atlan et Zéno Bianu ; texte français seulement), éd. Gallimard, coll. « Poésie » , 239 pages, , 133 auteurs, 504 haïkus (dont 6 de Chiyo)

Références

Liens externes
 Biographie et 93 haïkus (japonais/français) chez Nekojita (en Archive.org)

Poétesse japonaise
Écrivain japonais du XVIIIe siècle
Écrivain japonais de l'époque d'Edo
Femme de lettres japonaise
Naissance en 1703
Décès en octobre 1775


text:
Megan Thee Stallion's Cotton Candy Hair Looks, Literally, Good Enough to Eat
Her Coachella weekend one looks did not disappoint.
By Addison Aloian
To all the hotties, this one's for you. Megan Thee Stallion just performed at Coachella for the first time, and she didn't forget to keep all of her fans in the loop during the festival's first weekend through her social media posts that showed behind-the-scenes moments as well as her on-stage performance.
Our favorite post? Obviously, it's the one where she's teasing a never-before-heard song in a brand-new 'do. The "Sweetest Pie" rapper took to Instagram and Twitter on April 18 to post a video of herself in the car with a group of friends while she's looking at the camera, rapping the lyrics, and twerking from her seat. Purr.
But let's talk about that hair because… wow. Styled into a high ponytail, her hair is two-toned in shades of pastel pink and blue, not dissimilar to that of cotton candy. In fact, let's just say that while the pink vanilla flavor graces the top of her head, the left side of her head, and the bangs, the blue raspberry flavor fills in the right side and the bottom of the ponytail. Did anyone else's stomach just growl?
But if we know Megan — and we'd like to think that we do — her hair isn't the only part of her beauty look that's completely on-point. Her makeup matches superbly, with pink eye shadow of the same shade covering her eyelids including a blue inner corner highlight. As for her nails, they consist of either acrylic extensions or gel extensions of the same pastel pink, but they have a little sparkle to them.
"If you was wondering YEAH BOY IM STILL THAT B****," she wrote in the caption. "Wondering if I should drop this before I perform at Coachella next weekend." Please, Megan… I've never wanted anything else in my life.
We're confident that Tina Snow will continue to outdo herself on the second weekend of Coachella. We don't know how, but we can't wait to see.
More on hair:
The Best Hair Oils for Deep Hydration and Shine
You'll Never Guess How Many Celebrities Wear Hair Extensions
13 Stylist-Approved Shears for Cutting Your Hair at Home
Now, see how hair color has evolved within the past 100 years:
*Don't forget to follow Allure on Instagram and Twitter.
Addison Aloian is a New York City-based lifestyle journalist. A graduate of New York University, she is obsessed with all things beauty, wellness, and pop culture. Her work has been published in StyleCaster, L'Officiel USA, V Magazine, VMAN, Gotham Magazine, Ocean Drive, and others. When she's not researching the newest... Read more
KeywordsNewsMegan Thee Stallioncelebrity hairHairCoachella
17 Makeup and Cosmetic Bags for Easy Storage at Home & On the Go
Your vanity has never looked tidier.
By Alexis Rhiannon
Jennifer Lopez Is Already Prepping for Spring With This Butter-Yellow Manicure
Sunny days ahead!
Ariana Grande Brought Back This Iconic Hairstyle and Fans Are Freaking Out
We're back in our "Thank U, Next" era.


text:
Blissia est un genre de collemboles de la famille des Isotomidae.

Liste des espèces
Selon Checklist of the Collembola of the World (version du 29 août 2019) :
 Blissia glabra Rusek, 1985
 Blissia robusta Fjellberg & Potapov, 1998

Publication originale
 Rusek, 1985 : Blissia glabra gen. n., sp. n. (Collembola: Isotomidae) from northwestern Canada. Canadian Journal of Zoology, , , .

Liens externes

Notes et références

Isotomidae
Genre de collemboles (nom scientifique)


text:
Demänovské vrchy jsou geomorfologickou částí Ďumbierských Tater. Zabírají sever centrální části Nízkých Tater a nejvyšším vrchem je Krakova hoľa (1572 m n. m.).

Vymezení
Území zabírá severovýchodní část Ďumbierska Tater, mezi Križskou dolinou na západě a Bocianskou dolinou na východě. Severní okraj vymezuje Ľubelská pahorkatina a Liptovské nivy, geomorfologické části Liptovské kotliny. Bocianská Dolina tvoří hranici s Priehybou, patřící do Kráľovohoľských Tater, jižním směrem pokračují Nízké Tatry částí Ďumbier a na západě navazují Salatíny, oddělené Križskou dolinou.

Ochrana území
Demänovské vrchy patří mezi přírodně nejcennější oblasti na Slovensku, což potvrzuje množství chráněných území. Téměř celá část leží v Národním parku Nízké Tatry, okrajové oblasti v jeho ochranném pásmu. Zvláště chráněnou lokalitou je národní přírodní rezervace Demänovská dolina, Jánska dolina a Ohniště, národní přírodní památka Jeskyně Zlomísk, Starý hrad, Štefanová, Velká ledová propast a Záskočská jeskyně a přírodní památka Dogerské skaly .

Turismus
Turisticky vyhledávané jsou zejména krasové území Demänovské a Jánské doliny, ale celá oblast je vybavena sítí značkovaných tras. Centrální částí vede přístup do Jasné, poblíž kterého je unikátní komplex Demänovských jeskyní. V Jánské dolině je nejznámější Stanišovská jeskyně. Mezi střediska turistiky a volnočasových aktivit patří i okolí Liptovského Jána, lyžařské středisko při Závažnej Porube a při Pavčinej Lehote, kde se nachází i bobová dráha.

Reference

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text:
Seventeen Days es el tercer álbum de estudio de la banda de rock estadounidense 3 Doors Down, lanzado el 8 de febrero de 2008 a cinco años del álbum debut de la banda, The Better Life. El tema "Landing in London" es cantado a dúo por el vocalista de la banda, Brad Arnold, y por Bob Seger.

Lista de canciones
 "Right Where I Belong" – 2:31
 "It's Not Me" – 3:14
 "Let Me Go" – 3:52
 "Be Somebody" – 3:15
 "Landing in London" presentando a Bob Seger – 4:31
 "The Real Life" – 3:52
 "Behind Those Eyes" – 4:19
 "Never Will I Break" – 3:50
 "Father's Son" – 4:12
 "Live for Today" – 3:47
 "My World" – 3:00
 "Here by Me" – 3:47

Pistas adicionales
 "Here Without You (versión acústica)" – 3:52
 "Away from the Sun (versión acústica)" – 3:45

Notas adicionales
 Este disco estuvo retrasado porque la banda estuvo muy ocupada con la gira del álbum previo Away from the Sun.
 La versión en vivo de "It's Not Me" se presentó en el EP "Another 700 Miles".
 Muchos fanáticos pensaron que el disco tenía ese nombre por haberse realizado en "17 días" pero no es así. El nombre se debe a que la banda solo tenía 17 días libres desde que termina la gira del Away from the Sun y el regreso al estudio a grabar el álbum.
 El disco fue certificado Platino un mes después de su lanzamiento.

Referencias

Álbumes de 3 Doors Down
Álbumes de rock alternativo
Álbumes de 2005
Álbumes de post-grunge
Álbumes en inglés
Álbumes de rock


I know. I usually have photos of horses for the WordPress Photo Challenge. But for this one…..windows…..I am diverting from my usual equine direction. I do have one horse "window" but since I absolutely love taking photos of and through windows I could not resist responding to this challenge with a few of my favorites that I have taken recently in England. So here we go….
First up is a view from inside the Tate Modern in London looking toward St. Paul's.
Then Salisbury Cathedral where the still waters of the Baptismal font reflect the stained glass window.
Next is Strawberry Hill near London. This was built under the direction of Horace Walpole in 1747-1792. He described it as a "little Gothic castle" . He was very keen to have stained glass windows but following Oliver Cromwell and the Reformation when many churches had their stained glass windows broken there was a scarcity of stained glass and Walpole had to have it made specially for his 'little castle'. Here are a few of the windows.
And….here is a detail from a bedroom window. Yes ….horses!
My final window is from the entrance hallway in Wilton House near Salisbury,the home of the Earl of Pembroke. This window looks across the courtyard to matching windows on the other side.
Previous Post Biasini Speaks: I found a Poem!
Next Post My horse. My Therapist.
Thank you. I'm home again now and back to normal life. All the best to you!
Ah I love your blogs with all this beauty from abroad. makes me want to get on a plane and fly from down here to the beauties and wonders in the Northern Hemisphere.
Thank you. England Has a lot of "old world" beauty that does not exist in Canada or down under. But I've been to NZ and AUS and there is much natural beauty in both those places.
What beautiful windows you have here, lovely photographs!
Very stunning! And you did get a horse in there!
Thank you, You have taken me to the 18th century England !
You are most welcome. We are time travelers!
Lovely windows and beautifully framed shots.
Thank you and I will give Biasini a hug. Enjoy your weekend.


Still from the highly anticipated movie, Dunkirk.
Dunkirk opens this Friday, and the highly anticipated film about the daring British rescue of hundreds of thousands of Allied soldiers surrounded by Germans on a beach in France during World War II is chock full of Irish actors.
Cillian Murphy from Co. Cork is one of the stars. He plays the character known as the "Shivering Soldier," and he said that working with director Christopher Nolan never gets boring. (They've collaborated on many films before, including Inception and The Dark Knight).
"I hope the film takes people on an exciting, visceral journey into this experience, but that they're ultimately moved by the human story that anchors it all. That's what Chris does so well with all films, and very much so with Dunkirk," Murphy said during a recent interview.
Murphy's career is going from strength to strength – he stars in the popular British series Peaky Blinders which streams here on Netflix – but don't ask him about social media.
"I'm too old for that," he laughed when asked about his lack of a social imprint at the Dunkirk premiere in London on Thursday.
Then there's rising star Barry Keoghan, 24, a native of Dublin's inner city who was dubbed a "next big thing" by The Hollywood Reporter in May. Keoghan is well known to Irish audiences thanks to appearances on the popular crime drama Love/Hate; in addition to appearing in Dunkirk, he'll also be seen later this year with Colin Farrell and Nicole Kidman in The Killing of a Sacred Deer.
Barry Keoghan, star of Dunkirk.
Keoghan's got quite a back story. He and his brother spent five years in foster homes until they went to live with their grandmother when Keoghan was 10. Their mother, unfortunately, was a heroin addict, and the drug eventually killed her.
"I try to be there and be present and use that history that I have. I have a different story to tell," he told The Hollywood Reporter.
Keoghan and Murphy made their way to Dublin on Sunday to attend the Irish premiere of Dunkirk, where Keoghan told a reporter that he has no intention of increasing his new-found fame with a move to Hollywood.
"Jesus, no. I feel that it's a great place to be, good vibes or whatever, but here I feel I have my feet on the ground, or in the mud as it may be. I'm surrounded by good people and I just think over there, it could get to my head and I don't want that," he said.


text:
Beyoglu Eye Journal Ciliary Sulcus Implantation of Ahmed Glaucoma Valve in Patients with Corneal Decompensation Risk [Beyoglu Eye J]
Ciliary Sulcus Implantation of Ahmed Glaucoma Valve in Patients with Corneal Decompensation Risk
Serhat Imamoglu, Nimet Yesim Ercalik, Buse Guneri Beser, Nimet Burcu Celik
Department of Ophthalmology, Haydarpasa Numune Training and Research Hospital, Istanbul, Turkey
INTRODUCTION: The goal of this study was to examine the safety and efficacy of ciliary sulcus implantation of the Ahmed glaucoma valve (AGV; New World Medical, Inc., Rancho Cucamonga, CA, USA) in patients with a risk of corneal decompensation.
METHODS: Patients with a corneal decompensation risk who underwent AGV implantation at a single institution were included in this retrospective study. The patients' preoperative intraocular pressure (IOP), best corrected visual acuity (BCVA), and the number of anti-glaucomatous eye drop medications used was compared with postoperative values. The success criteria were defined as a postoperative IOP of 5 to 21 mmHg and no loss of light perception.
RESULTS: Twenty-three eyes of 23 (16 male, 7 female) patients were included in the study. The mean age of the patients was 64.6±14.6 years and the mean follow-up period was 15.8±8.3 months. The preoperative mean IOP was reduced from 33.6±9.1 mmHg to 16.9±5.1 mmHg at the last follow-up (p=0.000). The mean preoperative number of anti-glaucomatous eye drop medications used was 3.5±1.3. Postoperatively the mean was 1.7±1.4 at the last follow-up (p=0.000). The rate of total success was determined to be 78%. The postoperative mean BCVA did not change significantly. One patient lost light perception. A decrease in corneal clarity was observed in only 1 patient (4.3%). The postoperative complications observed were: bleb encapsulation (43%), hyphema (39%), tube occlusion (13%), choroidal detachment (8.7%), decompression retinopathy (8.7%), and corneal decompensation (4.3%).
DISCUSSION AND CONCLUSION: Ciliary sulcus implantation of an AGV was effective, both in terms of IOP and the decrease in anti-glaucomatous drug use in the short term. This technique may be a good choice in patients with a corneal decompensation risk due to the posterior chamber implantation.
Keywords: Ahmed glaucoma valve, ciliary sulcus, corneal decompensation.
Serhat Imamoglu, Nimet Yesim Ercalik, Buse Guneri Beser, Nimet Burcu Celik. Ciliary Sulcus Implantation of Ahmed Glaucoma Valve in Patients with Corneal Decompensation Risk. Beyoglu Eye J. 2019; 4(2): 115-119
Corresponding Author: Serhat Imamoglu, Türkiye


text:
Q: JAX-RS - Loading @Provider classes from a jar file I have a simple Rest application that is deployed to an IBM MobileFirst 7.1 Liberty Server. (I don't know the implementation of the JAX-RS but it is included with the liberty server runtime I believe)
I have to share some of my common code with other teams, so I moved some of the code into a separate maven project to be jared and added as a server library. This all works great until I had to add some @Provider annotated classes into the separate maven project. Specifically, some ExceptionMapper implementations marked with the @Provider annotation.
I have tried setting the class directly within the Application classes getClasses() method. This seemed to work, but I get a warning message saying that my exception mapper implementations need to be marked with the @Provider or @Path annotations (which they are).
Is there some sort of trick to get JAX-RS to recognize these resource classes from a Jar file?

A: In order to have the @Provider recognized, please try to put the JAR inside the adapter /lib folder instead of the server/lib folder.

redpajama_set_name: RedPajamaStackExchange


Directions: After cleansing face, apply on moistened cotton or with fingertips and pat over entire face. Do not rub. Facial skin is now properly prepared for Glycolic Acid Cream and other day & night creams.
Ingredients: Water, Glycolic Acid, Ammonium Hydroxide, Hyaluronic Acid, Aloe Vera, Allantoin, Phenoxyethanol, Ethylhexylglycerin, Potassium Sorbate, Beta Carotene.


text:
Q: GCC - no warning about an uninitialized array with -O0 My GCC 7.3.0 and 8.2.0 has some strange behavior I can't explain.
This program, which obviously ends in a Segmentation fault:
int main()
{
    double array[2]={0, 0};
    printf("%f\n", array[999]);

    return 0;
}

Compiled with
gcc -Wall -O2 main.c

Produces the warning
main.c: In function 'main':
main.c:6:5: warning: 'array[999]' is used uninitialized in this function [-Wuninitialized]
     printf("%f\n", array[999]);
     ^~~~~~~~~~~~~~~~~~~~~~~~~~

But with optimization turned off:
gcc -Wall main.c

it produces no warning at all.
My Code linter and Debug compile (gcc -g) uses -O0 and didn't pick up on a similar out of bounds error I made, until I compiled it as Release with Optimization turned on. Setting -O1 in the linter posts the warning as expected.

A: This is a long-standing, documented limitation in GCC. Quoting the manual for GCC 3.0:

-Wuninitialized
Warn if an automatic variable is used without first being initialized or if a variable may be clobbered by a setjmp call.
These warnings are possible only in optimizing compilation, because they require data flow information that is computed only when optimizing. If you don't specify -O, you simply won't get these warnings.

The current version of the manual has actually removed the second paragraph of this quotation, saying instead "Because these warnings depend on optimization, the exact variables or elements for which there are warnings depends on the precise optimization options and version of GCC used."  This is because, at some point between GCC 3.0 (released 2001) and GCC 8.2 (released 2018) the compiler was improved so that it will give warnings for at least some uses of uninitialized variables when not optimizing.  For instance, the trivial test
int foo(void) { int x; return x; }

does provoke a warning when compiled with GCC 8.2 using -O0 -Wall.
It is worth pointing out that perfect diagnosis of uninitialized variables reduces to the infamous Halting Problem—which means it can't be done.  You can implement a set of rules that are conservatively correct (they will detect all uses of uninitialized variables, but they may claim that some variables are used uninitialized when they aren't), e.g. Java's definite assignment rules, but that approach has historically been unpopular among C programmers.  Given a demand for minimal false positives but also quick compilation when not optimizing, GCC's approach of doing more elaborate analysis when optimization is on is understandable.


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Will you M&A bankers out there shed some light on the differences? Some pros and cons will do. Please focus on the experience of an incoming analyst. Of course, specific details are greatly appreciated. Thanks all.
Work in buy side advisory vs. sell side investment banking?
Experiences for bankers on the buy side and on the sell side can be quite different. For clarity, a buy side bank represents the buyer in a given transaction and a sell side banking team represents the company that is selling itself or a given asset.
Generally speaking, buy side processes involve more modeling and more technical analysis focused on structure and determining the price of an asset purchase. A sell side process involves working with a company's management team to put together promotional materials, handle the bidding process, and handle items such as the virtual dataroom.
Sellside gives you all the fundamentals wrt process. Buyside gives you the modeling/valuation skills you can discuss in interviews (especially sponsor buyside, but that's rare). If you get to work on 1-2 sellsides and 1-2 buyside towards middle of your first year, you should be pretty set for interviews.
As an analyst, you learn more and get a better experience on a typical sell-side. It's a longer process and you do a lot more work. You also get much more exposure to your client (often spending significant time at your client's site especially at the beginning of a deal). Though once you've done a few sell-sides, they can get boring as the processes are usually the same.
The other advantage of sell-side is that they have a much higher chance of closing (1 seller, many buyers). While that's not going to affect your bonus as an analyst, it's nice to work on deals that close (helps with exit opportunities too). It's not to say you can't learn a lot on buy-side too as you'll do valuation and modeling and help with due diligence but a lot of buy-side is just acting as a conduit of information between your client and the sell-side advisor.
Both sell-side and buy-side M&A require a lot of tedious administrative work (setting up conference calls, meetings) from the analyst but sell-side has a higher ratio of real work.
You can read more about this topic on a seperate thread on Wall Street Oasis.
when you charge your fee based on a % of the transaction, sellside is advantageous because you are able to boost your fee by negotiating the highest bid. buyside you are engaged to help negotiate the lowest price, which results in a lower fee.
sellside you will have to write a memo on the company used to give to potential buyers. buyside will not require this.
i have found that companies are typically more willing to speak to someone who is representing a buyer than someone representing a seller.
as an analyst, you learn more and get a better experience on a typical sell-side. it's a longer process and you do a lot more work. you also get much more exposure to your client (often spending significant time at your client's site especially at the beginning of a deal). though once you've done a few sell-sides, they can get boring as the processes are usually the same. the other advantage of sell-side is that they have a much higher chance of closing (1 seller, many buyers). while that's not going to affect your bonus as an analyst, it's nice to work on deals that close (helps with exit opportunities too). it's not to say you can't learn a lot on buy-side too as you'll do valuation and modeling and help with due diligence. but a lot of buy-side is just acting as a conduit of information between your client and the sell-side advisor. both sell-side and buy-side M&A require a lot of tedious administrative work (setting up conference calls, meetings) from the analyst but sell-side has a higher ratio of real work.
I've heard the opposite. Though it's obviously true that a sell-side assignment is more likely to close, I've heard you learn a lot more from a buy side assignments -- its where you learn the most about modeling/due diligence which is key for exit opps.
thanks for your comments. Can someone also talk a little bit about the nature of M&A transactions at the top bb's. GS, MS, ML, LB, Citi, BS, CS, UBS, etc.


text:
Visualizing Categorical Distributions¶
Data come in many forms that are not numerical. Data can be pieces of music, or places on a map. They can also be categories into which you can place individuals. Here are some examples of categorical variables.
The individuals are cartons of ice-cream, and the variable is the flavor in the carton.
The individuals are professional basketball players, and the variable is the player's team.
The individuals are years, and the variable is the genre of the highest grossing movie of the year.
The individuals are survey respondents, and the variable is the response they choose from among "Not at all satisfied," "Somewhat satisfied," and "Very satisfied."
The table icecream contains data on 30 cartons of ice-cream.
icecream = Table().with_columns(
'Flavor', make_array('Chocolate', 'Strawberry', 'Vanilla'),
'Number of Cartons', make_array(16, 5, 9)
Number of Cartons
Vanilla 9
The values of the categorical variable "flavor" are chocolate, strawberry, and vanilla. The table shows the number of cartons of each flavor. We call this a distribution table. A distribution shows all the values of a variable, along with the frequency of each one.
Bar Chart¶
The bar chart is a familiar way of visualizing categorical distributions. It displays a bar for each category. The bars are equally spaced and equally wide. The length of each bar is proportional to the frequency of the corresponding category.
We will draw bar charts with horizontal bars because it's easier to label the bars that way. The Table method is therefore called barh. It takes two arguments: the first is the column label of the categories, and the second is the column label of the frequencies.
icecream.barh('Flavor', 'Number of Cartons')
If the table consists just of a column of categories and a column of frequencies, as in icecream, the method call is even simpler. You can just specify the column containing the categories, and barh will use the values in the other column as frequencies.
icecream.barh('Flavor')
Features of Categorical Distributions¶
Apart from purely visual differences, there is an important fundamental distinction between bar charts and the two graphs that we saw in the previous sections. Those were the scatter plot and the line plot, both of which display two numerical variables – the variables on both axes are numerical. In contrast, the bar chart has categories on one axis and numerical frequencies on the other.
This has consequences for the chart. First, the width of each bar and the space between consecutive bars is entirely up to the person who is producing the graph, or to the program being used to produce it. Python made those choices for us. If you were to draw the bar graph by hand, you could make completely different choices and still have a perfectly correct bar graph, provided you drew all the bars with the same width and kept all the spaces the same.
Most importantly, the bars can be drawn in any order. The categories "chocolate," "vanilla," and "strawberry" have no universal rank order, unlike for example the numbers 5, 7, and 10.
This means that we can draw a bar chart that is easier to interpret, by rearranging the bars in decreasing order. To do this, we first rearrange the rows of icecream in decreasing order of Number of Cartons, and then draw the bar chart.
icecream.sort('Number of Cartons', descending=True).barh('Flavor')
This bar chart contains exactly the same information as the previous ones, but it is a little easier to read. While this is not a huge gain in reading a chart with just three bars, it can be quite significant when the number of categories is large.
Grouping Categorical Data¶
To construct the table icecream, someone had to look at all 30 cartons of ice-cream and count the number of each flavor. But if our data does not already include frequencies, we have to compute the frequencies before we can draw a bar chart. Here is an example where this is necessary.
The table top consists of U.S.A.'s top grossing movies of all time. The first column contains the title of the movie; Star Wars: The Force Awakens has the top rank, with a box office gross amount of more than 900 million dollars in the United States. The second column contains the name of the studio that produced the movie. The third contains the domestic box office gross in dollars, and the fourth contains the gross amount that would have been earned from ticket sales at 2016 prices. The fifth contains the release year of the movie.
There are 200 movies on the list. Here are the top ten according to unadjusted gross receipts.
top = Table.read_table('top_movies.csv')
Gross (Adjusted)
Star Wars: The Force Awakens Buena Vista (Disney) 906723418 906723400 2015
Avatar Fox 760507625 846120800 2009
Titanic Paramount 658672302 1178627900 1997
Jurassic World Universal 652270625 687728000 2015
Marvel's The Avengers Buena Vista (Disney) 623357910 668866600 2012
The Dark Knight Warner Bros. 534858444 647761600 2008
Star Wars: Episode I - The Phantom Menace Fox 474544677 785715000 1999
Star Wars Fox 460998007 1549640500 1977
Avengers: Age of Ultron Buena Vista (Disney) 459005868 465684200 2015
The Dark Knight Rises Warner Bros. 448139099 500961700 2012
The Disney subsidiary Buena Vista shows up frequently in the top ten, as do Fox and Warner Brothers. Which studios will appear most frequently if we look among all 200 rows?
To figure this out, first notice that all we need is a table with the movies and the studios; the other information is unnecessary.
movies_and_studios = top.select('Title', 'Studio')
The Table method group allows us to count how frequently each studio appears in the table, by calling each studio a category and assigning each row to one category. The group method takes as its argument the label of the column that contains the categories, and returns a table of counts of rows in each category. The column of counts is always called count, but you can change that if you like by using relabeled.
movies_and_studios.group('Studio')
AVCO 1
Buena Vista (Disney) 29
Dreamworks 3
Lionsgate 3
MGM 7
MPC 1
Thus group creates a distribution table that shows how the movies are distributed among the categories (studios).
We can now use this table, along with the graphing skills that we acquired above, to draw a bar chart that shows which studios are most frequent among the 200 highest grossing movies.
studio_distribution = movies_and_studios.group('Studio')
studio_distribution.sort('count', descending=True).barh('Studio')
Warner Brothers and Buena Vista are the most common studios among the top 200 movies. Warner Brothers produces the Harry Potter movies and Buena Vista produces Star Wars.
Because total gross receipts are being measured in unadjusted dollars, it is not very surprising that the top movies are more frequently from recent years than from bygone decades. In absolute terms, movie tickets cost more now than they used to, and thus gross receipts are higher. This is borne out by a bar chart that show the distribution of the 200 movies by year of release.
movies_and_years = top.select('Title', 'Year')
movies_and_years.group('Year').sort('count', descending=True).barh('Year')
All of the longest bars correspond to years after 2000. This is consistent with our observation that recent years should be among the most frequent.
Towards numerical variables¶
There is something unsettling about this chart. Though it does answer the question of which release years appear most frequently among the 200 top grossing movies, it doesn't list all the years in chronological order. It is treating Year as a categorical variable.
But years are fixed chronological units that do have an order. They also have fixed numerical spacings relative to each other. Let's see what happens when we try to take that into account.
By default, barh sorts the categories (years) from lowest to highest. So we will run the code without sorting by count.
movies_and_years.group('Year').barh('Year')
Now the years are in increasing order. But there is still something disquieting about this bar chart. The bars at 1921 and 1937 are just as far apart from each other as the bars at 1937 and 1939. The bar chart doesn't show that none of the 200 movies were released in the years 1922 through 1936, nor in 1938. Such inconsistencies and omissions make the distribution in the early years hard to understand based on this visualization.
Bar charts are intended as visualizations of categorical variables. When the variable is numerical, the numerical relations between its values have to be taken into account when we create visualizations. That is the topic of the next section.


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text:
https://www.yourconroenews.com/neighborhood/moco/sports/article/GOLF-Four-LPGA-legends-to-compete-in-3M-Greats-13774378.php
GOLF: Four LPGA legends to compete in 3M Greats of Golf at Insperity
Updated 9:18 am CDT, Wednesday, April 17, 2019
Annika Sorenstam and her playing partner Gary Player fist bump after putting on the 10th green during the second round of the Insperity Invitational at the The Woodlands Country Club Saturday, May 5, 2018, in The Woodlands, TX. (Michael Wyke / For the Chronicle)
Annika Sorenstam and her playing partner Gary Player fist bump after putting on the 10th green during the second round of the Insperity Invitational at the The Woodlands Country Club Saturday, May 5, 2018, in
Photo: Michael Wyke, Freelance / For The Chronicle
Legendary golfer Annika Sörenstam made history at the Insperity Invitational last spring, becoming the first woman to ever compete in the 3M Greats of Golf event during the annual PGA TOUR Champions stop.
The 10-time LPGA major champion is returning to the annual competition at The Woodlands Country Club Tournament Course this year with three other women who have shaped the history of the game with their prolific careers. Juli Inkster, Nancy Lopez and Pat Bradley will tee off alongside some of the other greats of the sport, including Jack Nicklaus, Gary Player and Lee Trevino.
"It was a dream come true for me last year to be able to play with Jack and Gary," Sörenstam said in a press release. "I was very, very honored and thrilled at the same time, so I'm excited to be able to come back. The Insperity Invitational has done such a great job recognizing the careers of many of the greatest to play the game, which has rekindled memories for the spectators and all of us as well. I'm so happy to be able to help celebrate the women's game by having Nancy, Juli and Pat, who I looked up to throughout my career, with us this year."
Sörenstam will team up with Nicklaus, Player and Trevino for an 18-hole scramble against three others teams following the final tee time of the second round of the Insperity. The players will hit the course around 12:30 p.m. on Saturday, May 4. Bradley will compete alongside Tom Weiskopf, David Graham and Tony Jacklin; Lopez will join forces with Dave Stockton, Larry Nelson and Hale Irwin; and Inkster will team up with Fuzzy Zoeller, Ben Crenshaw and Bill Rogers.
"Not only is this a group of great golfers, they are incredible people and special role models for all of us," Insperity executive director Brian Naugle said in a press release. "Reuniting these extraordinary ambassadors of our game has become a staple of tournament week for us. They provide hours of entertainment and a lifetime of memories for our fans each year. I think it is a highlight of the year, not only for all of us, but also for these great players who get to have a fun competition with their friends."
All four of the women competing in the event are members of the World Golf Hall of Fame.
Sörenstam ranks third all-time with 72 victories on the LPGA TOUR and is fourth in major championships with 10. She was named Player of the Year eight times before retiring in 2008 and was inducted into the Hall of Fame in 2003.
Lopez racked up 48 victories during her illustrious career on the LPGA TOUR. She won three major titles and was elected to the Hall of Fame in 1987.
Inkster won 31 tournaments on the LPGA TOUR and captured seven major victories. She is the only player in tour history to win two majors for three consecutive decades. She joined the Hall of Fame in 2000.
Bradley was a two-time Player of the Year and captured six major titles and 35 wins. She was named to the Hall of Fame in 1991.
"I think it is wonderful we have added four women professional players this year," Player said in a press release. "I have watched a lot of women's golf over the last five years, and I have been so impressed. When you play with them, it is quite a shock. I was unaware of how well they play. They all play such beautiful golf. I think this is a tremendous treat for the spectators, and especially the young girls who will be inspired by watching them play."
More information about the 3M Greats of Golf and the Insperity Invitational can be found at www.InsperityInvitational.com.


text:
Home >> News >> Contractors urged to sign online petition against dividend tax hike
Contractors urged to sign online petition against dividend tax hike
Last updated: January 22, 2016 | News
The new April 2016 dividend tax will cost company owners thousands each year. This controversial measure could be debated in Parliament once an online petition reaches the 100,000 signature mark. Are you ready to take part?
What is the new dividend tax?
From April 2016, the current system of dividend taxation (which involves applying a tax credit to net dividends, and taxing the 'gross' dividend) will be retired, and replaced a series of fixed tax rates, corresponding to the basic, higher and additional tax bands.
Announcing the change during the July 2015 Budget, the Chancellor said that he expected the new measure to raise an extra £2.5bn during 2016/17 alone.
Despite the measure being implemented to "remove some of the tax benefits of incorporating compared to employment", all limited company shareholders will be targeted, and many will pay significantly more tax as a result.
Our summary page on the new dividend tax has been widely viewed over the past few months. It contains a illustrative table showing the effects of the tax hike on typical limited company contractors.
A contractor earning around £8,000 in salary and £80,000 in dividends will be over £4,000 worse off as a result of this new tax next year.
Shareholders at all income levels will be affected; a company owner drawing down £10,600 in salary and £30,000 in dividends will pay an extra £1,500 per year.
You can try our dividend tax hike calculator to work out how the tax will affect you.
Last September, entrepreneur Serena Humphrey (pictured above, front right, with her team) launched an online petition against the proposed increased on the GOV.UK website, as part of her broader Survive and Succeed campaign, which aims to increase the long term survival rates of small businesses.
Once the 10,000 signature mark had been reached, the Government were obliged to provide a written response.
In our view, the Government's response was very disappointing.
The new tax has been created in response to so-called 'tax-motivated incorporation', i.e. to increase the tax burden on those who work via limited companies purely to pay less tax. However, all limited company owners will pay more tax as a result, not merely those who may view incorporating as simply a tax-saving measure.
Contractors cannot legally undertake contract work without having an intermediary in place (umbrella or limited company), so they have no choice but to work via a company.
Business owners take on a lot of risks – they receive no sick or holiday pay, employers' insurance cover, employers' pension contributions, or any other perks traditional employees typically receive. Any 'tax advantage' derived from being limited will now be significantly reduced, but the cost of paying to enjoy the same so-called 'perks' as normal employees remains the same.
You can read our full response to the Government's arguments here.
More signatures needed
Speaking earlier today, Serena Humphrey told us: "We are finding that so many business owners still know nothing at all about the tax and yet we know that every business owner we've spoken to is very angry about it and the damage it's going to do the SME economy."
"This is not a fat cat tax, it will affect hundreds of thousands of ordinary business owners. With a mere 40% of businesses surviving beyond 5 years, this new tax will surely force even more small businesses into liquidation," Humphrey continued.
"We have five weeks left to reach the 100,000 signature mark required to propel the issue towards a possible debate in Parliament. Please share the link with your colleagues, clients and friends – via social media, email, and any other method."
You can sign the petition here. The deadline for signatures is 24th February.
Written by James Leckie
Accountant urges contractors to put money aside for dividend tax hike
Contractors urged to plan in advance of dividend tax rise
Government responds to dividend tax petition – and gets it all wrong
Petition calls on Government to scrap IR35 public sector rules
Cover from just £8.25 per month.


Little Rays, Moira is located in a beautiful Grade II listed building, the nursery also boasts a new modern and contemporary extension which has been kitted out with all the latest equipment a child could possibly need.
The nursery is ideally located just 100m from Moira town centre.
Be the first to review Little Rays, Moira.


text:
.class final Lorg/holoeverywhere/app/TabSwipeController$TabSwipeAdapter;
.super Landroid/support/v4/app/FragmentStatePagerAdapter;
.source "TabSwipeController.java"

# interfaces
.implements Landroid/support/v4/view/ViewPager$OnPageChangeListener;
.implements Lcom/actionbarsherlock/app/ActionBar$TabListener;

# annotations
.annotation system Ldalvik/annotation/EnclosingClass;
    value = Lorg/holoeverywhere/app/TabSwipeController;
.end annotation

.annotation system Ldalvik/annotation/InnerClass;
    accessFlags = 0x12
    name = "TabSwipeAdapter"
.end annotation

# instance fields
.field final synthetic this$0:Lorg/holoeverywhere/app/TabSwipeController;

# direct methods
.method public constructor <init>(Lorg/holoeverywhere/app/TabSwipeController;Landroid/support/v4/app/FragmentManager;)V
    .locals 0
    .param p2, "fragmentManager"    # Landroid/support/v4/app/FragmentManager;

    .prologue
    .line 63
    iput-object p1, p0, Lorg/holoeverywhere/app/TabSwipeController$TabSwipeAdapter;->this$0:Lorg/holoeverywhere/app/TabSwipeController;

    .line 64
    invoke-direct {p0, p2}, Landroid/support/v4/app/FragmentStatePagerAdapter;-><init>(Landroid/support/v4/app/FragmentManager;)V

    .line 65
    return-void
.end method

# virtual methods
.method public getCount()I
    .locals 1

    .prologue
    .line 69
    iget-object v0, p0, Lorg/holoeverywhere/app/TabSwipeController$TabSwipeAdapter;->this$0:Lorg/holoeverywhere/app/TabSwipeController;

    # getter for: Lorg/holoeverywhere/app/TabSwipeController;->mTabs:Ljava/util/List;
    invoke-static {v0}, Lorg/holoeverywhere/app/TabSwipeController;->access$000(Lorg/holoeverywhere/app/TabSwipeController;)Ljava/util/List;

    move-result-object v0

    invoke-interface {v0}, Ljava/util/List;->size()I

    move-result v0

    return v0
.end method

.method public bridge synthetic getItem(I)Landroid/support/v4/app/Fragment;
    .locals 1
    .param p1, "x0"    # I

    .prologue
    .line 61
    invoke-virtual {p0, p1}, Lorg/holoeverywhere/app/TabSwipeController$TabSwipeAdapter;->getItem(I)Lorg/holoeverywhere/app/Fragment;

    move-result-object v0

    return-object v0
.end method

.method public getItem(I)Lorg/holoeverywhere/app/Fragment;
    .locals 3
    .param p1, "position"    # I

    .prologue
    .line 74
    iget-object v1, p0, Lorg/holoeverywhere/app/TabSwipeController$TabSwipeAdapter;->this$0:Lorg/holoeverywhere/app/TabSwipeController;

    # getter for: Lorg/holoeverywhere/app/TabSwipeController;->mTabs:Ljava/util/List;
    invoke-static {v1}, Lorg/holoeverywhere/app/TabSwipeController;->access$000(Lorg/holoeverywhere/app/TabSwipeController;)Ljava/util/List;

    move-result-object v1

    invoke-interface {v1, p1}, Ljava/util/List;->get(I)Ljava/lang/Object;

    move-result-object v0

    check-cast v0, Lorg/holoeverywhere/app/TabSwipeController$TabInfo;

    .line 75
    .local v0, "info":Lorg/holoeverywhere/app/TabSwipeController$TabInfo;
    # getter for: Lorg/holoeverywhere/app/TabSwipeController$TabInfo;->mFragmentClass:Ljava/lang/Class;
    invoke-static {v0}, Lorg/holoeverywhere/app/TabSwipeController$TabInfo;->access$100(Lorg/holoeverywhere/app/TabSwipeController$TabInfo;)Ljava/lang/Class;

    move-result-object v1

    # getter for: Lorg/holoeverywhere/app/TabSwipeController$TabInfo;->mFragmentArguments:Landroid/os/Bundle;
    invoke-static {v0}, Lorg/holoeverywhere/app/TabSwipeController$TabInfo;->access$200(Lorg/holoeverywhere/app/TabSwipeController$TabInfo;)Landroid/os/Bundle;

    move-result-object v2

    invoke-static {v1, v2}, Lorg/holoeverywhere/app/Fragment;->instantiate(Ljava/lang/Class;Landroid/os/Bundle;)Lorg/holoeverywhere/app/Fragment;

    move-result-object v1

    return-object v1
.end method

.method public onPageScrollStateChanged(I)V
    .locals 0
    .param p1, "scrollState"    # I

    .prologue
    .line 86
    return-void
.end method

.method public onPageScrolled(IFI)V
    .locals 0
    .param p1, "position"    # I
    .param p2, "percent"    # F
    .param p3, "pixels"    # I

    .prologue
    .line 81
    return-void
.end method

.method public onPageSelected(I)V
    .locals 1
    .param p1, "position"    # I

    .prologue
    .line 90
    iget-object v0, p0, Lorg/holoeverywhere/app/TabSwipeController$TabSwipeAdapter;->this$0:Lorg/holoeverywhere/app/TabSwipeController;

    # invokes: Lorg/holoeverywhere/app/TabSwipeController;->dispatchTabSelected(I)V
    invoke-static {v0, p1}, Lorg/holoeverywhere/app/TabSwipeController;->access$300(Lorg/holoeverywhere/app/TabSwipeController;I)V

    .line 91
    return-void
.end method

.method public onTabReselected(Lcom/actionbarsherlock/app/ActionBar$Tab;Landroid/support/v4/app/FragmentTransaction;)V
    .locals 0
    .param p1, "tab"    # Lcom/actionbarsherlock/app/ActionBar$Tab;
    .param p2, "ft"    # Landroid/support/v4/app/FragmentTransaction;

    .prologue
    .line 96
    return-void
.end method

.method public onTabSelected(Lcom/actionbarsherlock/app/ActionBar$Tab;Landroid/support/v4/app/FragmentTransaction;)V
    .locals 2
    .param p1, "tab"    # Lcom/actionbarsherlock/app/ActionBar$Tab;
    .param p2, "ft"    # Landroid/support/v4/app/FragmentTransaction;

    .prologue
    .line 100
    iget-object v0, p0, Lorg/holoeverywhere/app/TabSwipeController$TabSwipeAdapter;->this$0:Lorg/holoeverywhere/app/TabSwipeController;

    invoke-virtual {p1}, Lcom/actionbarsherlock/app/ActionBar$Tab;->getPosition()I

    move-result v1

    # invokes: Lorg/holoeverywhere/app/TabSwipeController;->dispatchTabSelected(I)V
    invoke-static {v0, v1}, Lorg/holoeverywhere/app/TabSwipeController;->access$300(Lorg/holoeverywhere/app/TabSwipeController;I)V

    .line 101
    return-void
.end method

.method public onTabUnselected(Lcom/actionbarsherlock/app/ActionBar$Tab;Landroid/support/v4/app/FragmentTransaction;)V
    .locals 0
    .param p1, "tab"    # Lcom/actionbarsherlock/app/ActionBar$Tab;
    .param p2, "ft"    # Landroid/support/v4/app/FragmentTransaction;

    .prologue
    .line 106
    return-void
.end method


text:
Q: jqGrid select editOptions are not updated immediately I'm trying to dynamically load values into a select in a jqGrid. It almost works. The problem is that the values that are returned from the server, are not displayed until the user change row! When I debug, I can see the correc values are being set, but the selection list does not update! Using IE9.
        $("#my_grid").setColProp("master_col", { editoptions: { value: data.verksamheter, dataEvents:
        [
            { type: 'change', fn: function (e) {
                var url = '@Url.Action("GetData", "Controller")'
                $.getJSON(url, { id: e.srcElement.value }, function (data) {
                    $("#my_grid").setColProp("details_col", { editoptions: { value: data.verksamhetsslag} });

                });

            }
            }
        ]
        }
        });

A: If you need to update the select list of one column ("details_col") during the editing is already started, for example if you need update the select list of the column "details_col" is the user changes the option in select of another column ("master_col"), you have to do this manually. Just setting of new value of editoptions is not enough.
In the answer I demonstrated how to do this. The code is not short, but the steps are really required.


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Cool Text Design Generator Logo Bright Idea has Publish by in Category logo at November 10th, 2018. Tagged with cool text design generator.
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text:
Red Sox vs. Phillies Odds, Preview, Prediction: How to Bet Opener With Aaron Nola Against Boston (May 21)
Chris Bernacchi/Diamond Images via Getty Images. Pictured: Aaron Nola.
Mike Ianniello
May 21, 2021, 03:01 PM EDT
The Red Sox and Phillies open an interleague set on Friday night with Aaron Nola facing MLB's best offense.
Boston will have to adjust to playing in a National League park, which means J.D. Martinez will have to play in the outfield without a designated hitter.
Mike Ianniello breaks down where he sees betting value below, delivering his best bet for the game.
Red Sox vs. Phillies Odds
Red Sox Odds +135
Phillies Odds -160
Over/Under 8.5
Time 7:05 p.m. ET
TV MLB.TV
Odds as of Friday morning and via PointsBet
With the most wins in the American League, the Boston Red Sox (27-18) will head to Philadelphia for an interleague set against the Phillies (22-22).
The Phillies have lost two of their past three series and are coming off two straight losses at the hands of the Miami Marlins.
On the other side, Boston has won its last two series and enters having won two straight against the Blue Jays in Florida. The Red Sox have been the biggest surprise of the season to this point with the best lineup in baseball, while also getting surprisingly great pitching from a staff with low expectations.
One of those pitchers who has been better than expected is Martín Peréz. The 30-year old is having the best season of his career with a 3.40 ERA, 3.51 FIP and an 8.39 K/9 through eight starts.
The downside to Peréz is that he isn't really a pitcher who can go deep into games, averaging fewer than five innings per start this year. However, the left-hander was able to go six frames in his last start for the first time this season, allowing just three hits and no runs for a stellar performance against the Angels.
Peréz has a higher xERA and xwOBA than his current actual numbers, which could point to possible regression, but he doesn't allow much hard contact and has allowed just two home runs all season.
The Red Sox will do some lineup juggling as designated hitter J.D. Martinez will have to play in the outfield in a National League ballpark. The Sox need to keep Martinez's bat in the lineup. He has been fantastic this year, batting .331 with a 1.013 OPS and 12 home runs while ranking second in the majors with 37 RBIs.
Martinez and Xander Bogaerts have helped power a Boston lineup that leads baseball in wOBA, wRC+ and OPS, as well as ranking second in batting average.
Opposite Peréz will be one of the best pitchers in baseball in Aaron Nola. The Phillies' ace has a 3.64 ERA and 2.99 FIP in nine starts this year. Over 54 innings, Nola has 61 strikeouts and just nine walks in 2021.
Nola is throwing his fastball a lot more this season, up from 25% to 38%. His curveball still remains his best pitch, though. The bender is allowing just a .194 xBA and .220 xwOBA and generating a 35% strikeout rate.
The Phillies continue to be without two of their best bats with both J.T. Realmuto and Didi Gregorius dealing with injuries. Instead it has been Rhys Hoskins and rookie Nick Maton doing most of the damage over the last week.
Philadelphia's offense has been fairly average this season, sitting 12th in batting average, 19th in wOBA and 19th in wRC+. However, the Phils have been much better at home this season.
The must-have app for MLB bettors
The best MLB betting scoreboard
Red Sox-Phillies Pick
As pedestrian as the Philadelphia offense has been this season, it has been much better against left-handed pitchers, like the one they will face Friday night. The Phillies are batting .249 with a .316 wOBA against southpaws this season. Hoskins, Maton and Andrew McCutchen are all right handers who have crushed lefties.
While the Red Sox have had a ton of success against right-handed pitching this season, Nola is a different beast. Boston also loses the benefit of the designated hitter and will be forced to bat the pitcher.
Similar to Philly's bats, pitching at Citizens Bank Park has made a big difference for Nola. He has been dominant at home this year, posting a 2-0 record with a 1.40 ERA and a .196 batting average against in four starts there. On the road, he is 1-3 with a 5.65 ERA and .227 batting average against in five starts.
No matter who I pick here, I am going to get in trouble. My mother is a diehard Red Sox fan and my fiancée loves the Phillies. I know somebody is going to be mad at me, but I am not willing to bet against Nola, especially at home.
Pick: Phillies -160 or better
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Learn when to `return` and when to `exit()` for the best results.
Word choice matters. When do you exit, and when do you return?
Welcome back to another post in our Trigger Optimization 101 series, where we try and find small tweaks that help you write faster, more efficient triggers. If you're just joining us, make sure to check out our previous post, Trigger Optimization 101: Return Quickly, to learn how to avoid processing waste. Please leave any comments or feedback below, as well as any requests for future topics to cover, and I'll get back to you personally.
If you want to follow along with this week's post, pop on over to the online demo, where you can play in your own sandbox without worrying about taking down production EDAs (leave that to me).
With housekeeping out of the way, let's get started on this week's topic: the proper way to stop trigger execution.
Watch this video (4:24) for a demonstration of this weeks topic: when to use exit (never) versus return (always).
A few more lines of code, but if you watch the video, you still save processing cycles over using exit()!
That's all for this week. If you have any old triggers laying around, go check 'em for exit() calls. Bundles uploaded to new systems are automatically scrubbed, but always better to be safe than sorry. We'll be back next week for more trigger optimization goodness.


Web Safe colors, also known as browser safe colors, were introduced many years ago, when the web was in its infancy. And despite the advances in graphics cards, monitors and browsers, you can still find the web safe palette in many graphics programs.
A question that comes up every now and then is whether modern web designers should be using this type of palette - or not?
Before we answer this question, let's look at some background information. Essentially, the web safe palette is made up of 216 colors with 40 left over. These 40 colors vary on both PCs and Macs. The 216 colors were designed to work cross-platform.
When this palette came into usage, most computer users had a graphics card that would only allow them to view 256 colors at a time. Today, hardly anyone--if anyone at all--has a computer of this type, so if you do use the web safe palette, you're doing so for a minority of users, who still view the web in 256 colors. This, in my opinion, is a waste of time. The only other reason would be if you want a nostalgic effect.
Otherwise, I recommend that you avoid its usage and stick with a modern 256 color palette, such an adaptive palette for GIF files.
Color and monitors have come a long way since then. Now users can view web images in 16.7 million colors. Still, the issue of color balancing is with us, now more than ever, partly because of the way that monitors are manufactured, the different graphics cards that are available and the environments in which a computer is used.
If color is important to you, and especially if you're a photographer or serious image maker, you'll need to make use of color balancing for your images, not just because it will give you a standard to work from; it will also increase the chances of your web images displaying the best possible quality on a wide variety of monitors. Unfortunately, everyone won't see your images in the best possible light, despite your best efforts.
Many people think than when you create web images that they look more or less the same on different monitors, but that's not the case. Here are few reasons why they don't: different monitor manufacturers, how the monitor is viewed, aspect ratio, screen coating and more.
Then there's the issue of where the monitor is located. Is the user at the beach? In an office? Does the lighting in the room change because of windows or is the monitor in an office where the lighting is constant? Are the walls painted a neutral gray or are there colors? Is the monitor protected by a shield that filters out stray light? Does the operator wear neutrally colored clothes?
And as for the monitor itself, is the screen background a neutral gray? All of these conditions affect color. And color calibration definitely helps, but it can only do so much. If the environment keeps changing, your color work will be unreliable.
If accurate color is important to you, then you need to calibrate your monitor. This is your only way of ensuring accurate color. You cannot control the systems of other users, though you can control your own. Here are a couple of solutions that will help you with your color needs: Spyder3DPro and GretagMacbeth.
Keep the computer in a room where the lighting is constant.
Make sure that the lighting is filtered or muted in some way, to prevent glare on the monitor.
Wear clothes that are a neutral gray in color (bright colors will cause reflection on the screen and interfere with your color perception).
Use a high resolution CRT monitor. These are the best for accurate color. Check out Super Warehousefor options. While it can be tempting to use an LCD monitor, the viewing angle can play havoc with your perception of color, so I recommend that you avoid using them.
If necessary, to prevent stray light from falling on the monitor screen, create a hood which covers the monitor on the top and sides.
For the monitor itself, get rid of all wallpaper and use a background of a solid neutral gray color (RGB 127, 127, 127).
Assuming you make use of the above, your color perception and results will improve considerably.