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text:
April 21, 2022 3:07 pm - Ilhan Omar, India, Kashmir, News
India Strongly Condemns Rep. Omar's Visit to Kashmir
Nick Kenrick, CC by 2.0
Representative Ilhan Omar (D-MN) recently visited the area, which has been the subject of often violent conflict between India and Pakistan for decades.
India's Ministry of External Affairs Spokesperson Arindam Bagchi called the visit "condemnable" and criticized Omar's "narrow minded politics".
He said at a press conference, "We have noted that US Representative Ilhan Omar has visited a part of the Indian Union Territory of Jammu and Kashmir that is currently illegally occupied by Pakistan. If such a politician wishes to practice her narrow-minded politics at home, that may be her business. But violating our territorial integrity and sovereignty in its pursuit makes it ours. This visit is condemnable."
India and Pakistan have been in a dispute over the region since the partition of 1947. Four wars have been fought over it, the latest in 1999.
Omar has been a vocal critic of Indian Prime Minister Narendra Modi and has frequently pressed the Biden administration about what she characterizes as their failure to criticize India's government on its human rights issues and actions against Muslim minorities.
In addition to meeting with Pakistan's Minister of State for Foreign Affairs Hina Rabbani Khar, Omar also met with the recently ousted Pakistani Prime Minister Imran Khan.
He alleges that Donald Luu, assistant secretary for the Bureau of South and Central Asian Affairs at the Department of State, was involved in a "foreign conspiracy" to remove his government. The State Department has denied the allegations.

redpajama_set_name: RedPajamaCommonCrawl


Join Elizabeth May, MP for Saanich Gulf Islands, for a Town Hall on Democratic Reform.
Learn more about the work of the Electoral Reform Committee and the historic opportunity for Canada to improve our democracy.
This is a free, non-partisan event held by her constituency office.
See the testimony to the Electoral Reform Committee by going to our blog at http://www.sgigreenparty.ca/electoral_reform.


What's the Buzz? Discussion 2 from "The Busiest Buzz Buzz Bee.
I will define brilliance as the unrestricted ability to use what inspires you in your own unique way. Brilliance abandons perfection. The lines don't need to be parallel and the colors don't need to blend. You express your own style and creativity. Within boundaries that offer protection children need to be supported and encouraged to confidently make choices, leaving their own unique signature. They don't need to be concerned about doing things perfectly but rather doing them confidently. Therefore, a healthy sense of esteem is necessary to unleash brilliance.
A parent resource, http://kidshealth.org has two great articles; Developing Your Child's Self-Esteem and Raising Confident Kids. They are short reads and offer some useful suggestions to help develop self-esteem and confidence.
Crafting or painting to create something independently.
Offer choices and the opportunity to choose. Offer praise for the choices made.
Praise and encourage efforts both big and small.
Encourage independence with tasks that match abilities, and tasks that challenge abilities.
Previous PostPrevious What's the Buzz? Discussion 1 from "The Busiest Buzz Buzz Bee".
Next PostNext What's the Buzz? Discussion 3 from "The Busiest Buzz Buzz Bee".


text:
Cause for General Concern
Via Jeralyn at TalkLeft, it looks like Politico has finally caught up with me on Obama's prospects for the general election, namely, crappy. The reporters couch the entire article as a "this is the stuff the Clintons are saying," and offer it as some kind of explanation for why the stupid bitch won't quit, probably to cover their asses, but the fundamentals of the article are no more or less than what any fact-based observor of the electoral map could have told you after Ohio and Texas.
Obama is a poor general election candidate, he has always been a poor general election candidate, and his imploding campaign is demonstrating exactly why he is weak in the general, even if Hillary were to stop her campaign cold right now.
The Democratic constituencies he is weak with have nothing to do with Hillary, such as working class voters (and that is more than just "white" people) who don't like his position on trade and health care. His response to their doubt is to call them racist. These are constituencies who could very well go McCain in the general. He has no idea how to appeal to these voters and has no track record of note to use to back up claims that he will serve their interests. He's sort of generic liberal guy on those counts, not offering even as much as Kerry did last time. Politico talks about the Florida vote being "Jewish" and not liking Obama's association with anti-Israel speakers, but that state is also full of Democrats who overwhelmingly voted for HRC and are having their votes deliberately voided to ensure Obama's nomination. My very Catholic mother-in-law and all of her senior female friends in Florida will not vote for Obama in November in a way that they probably would have voted for Edwards or Biden. His claims to being able to win Western states dissolves when his weakness with Hispanic voters is examined.
Hillary's problematic Democratic constituencies are problematic for different reasons. With AA voters, she had enjoyed enormous support until two things happened: first, Obama won Iowa and showed himself to be a viable candidate and, second, the Obama campaign launched their no-holds barred filth-fest to portray Hillary as racist and an enemy of the AA community, including threatening black party leaders who protested this portrayal. Her problems with this constituency are because of Obama, and are much more due to the former cause than the latter. She has a long public record of her work on behalf of the AA community and, even after the trashing some people within it have heaped on her, she will continue to do so. That's just the kind of person she is. A certain segment of the liberal elite, wonderfully embodied by UC Berkeley Economics professor Brad Delong and his clueless arrogance, hate her with a passion that is simply irrational and might vote Nader if their Precious isn't handed the nomination. After that, she will have to fight hard for the Reagan Democrat constituency, who will prefer her economic acumen to McCain's "more of the same," but who can be swayed by national security arguments. In the exit polling done in 2004, it was John Kerry's perceived weakness on security that was the deciding factor in key coutines in Ohio - exactly those counties Hillary dominated in the primary.
Furthermore, it's not just the constituencies, but the distribution of those voters on the Electoral College map. Let's go to my favorite electoral map site, 270 to Win, and look at recent electoral match up maps:
Hillary vs. McCain: She starts out ahead of him in electoral votes, 202 to 198. Pretty evenly matched, with only 4 electoral votes between them. Of the states that are not in McCain's column, how can Hillary pick up 68 electoral votes from swing states to make the magic 270?
CT - 7 (202+7=209)
NJ - 15 (209+15=224)
DE - 3 (224 +3=227)
HI - 4 (227+4=231)
FL - 27 (231+27=258)
WV - 5 (258+5=263)
and either WA or MN or MO or WI or MI or VA
The first four states should go to any Democratic nominee. Hillary can win back WV if she is getting Pennsylvania and Ohio, and she's consistently winning Florida. Michigan is likely for her because of pushing to count their vote in the primary, Washington is a traditionally blue state, Missouri is a long shot, and Minnesota and Wisconsin are fully competitive. Virginia may say swing, but I doubt its competitive. Winning two of the final group and losing WV would still work. Winning Nevada is a possibility, but wouldn't be enough on its own to clinch the Electoral College.
On McCain's side, he has to get 72 electoral votes to win. That means even winning Virginia and Florida are not enough to put him over the top. He would have to win three of the following: WA, MN, MO, WI, MI, NV, WV. With Nevada or West Virginia as the third, that means he must win MI and either WA or MO, to reach 270. Also, if the three are MN, WI and either MO or WA, he is one vote short, and thus must win at least Nevada or West Virginia as well. Basically, if McCain has lost OH and PA, he must win MI, FL and VA to have a chance. If Hillary takes Florida out of play, McCain is highly unlikely to win.
Obama vs. McCain: Obama starts 28 points bakc, 180 vs. 208, and McCain is ahead of where he started with Hillary. More states are swing states because Obama is not clearly leading in them, thus momentum is leaning towards McCain. Of the states that are not in McCain's column, how can Obama pick up 90 electoral votes from swing states to make the magic 270?
PA - 21 (180+21=201)
OH - 20 (201+20=221)
MI- 17 (221+17=238)
NJ - 15(238_15=253)
and then at least two of the following - MN, WI, VA, CO, IA, but the two cannot be CO and IA as they do not total 17.
See a problem here? Yeah, he tanked in Ohio and New Jersey, has dissed Michigan by refusing to let them revote even when he might have won it, and is trailing badly in Pennsylvania. Minnesota and Wisconsin are probably easier for him to win than they are for Hillary, though they are swing states for her as well, and it is questionable whether he could pull out Virginia or Colorado. He simply isn't competitive in any border state - KY, TN, MO, AR - or in Florida. If he loses Ohio and Pennsylvania, he basically has to take evey other swing state to make up for their electoral deficit, whereas if McCain picks up just OH and PA, he only needs 21 more votes to clinch the election, and that means just Virginia and South Carolina. Not a good bet.
These are projections, of course, but they have some basis in the demographic makeup of the states and reference the historical voting patterns of those states.
And all of this, the Politico article and the latest polls, were done before Obama's recent blather about bitter lower-class voters.
Obama's ability to win the Democratic nomination itself presupposes that Florida and Michigan are eliminated from the delegate count and that he wins big in all the remaining primaries and that the lion's share of the super delegates break his way. Barring votes from Michigan and Florida will cripple the Democartic party in those states in November. It does not look likely that he will win big in the upcoming primaries. Super delegates, according to the Politico report, are beginning to question the wisdom of their initial pledge.
Dr. Dean, what are you wishing for now?
Labels: Barack Obama, Election 2008, Political Legitimacy, Political strategy
You know the thing that creeps me out -- the filthy-rich assholes who are at the heart of this little power struggle for control of the Democratic party don't really care if we win in November or not.
They aren't shooting to defeat McCain. They're shooting to defeat us. If they lose the general election but shove us hoi polloi back in our place, they will count it as a victory.
Why? They'll be fine no matter who wins. This is just one cadre of rich fucks struggling against another. The election is just the way they keep score. Their lives aren't at stake.
I just wonder whether or not these arguments -- correct and accurate -- of Obama getting his ass handed to him in the GE aren't like shooting bullets at a science fiction monster that doesn't exist in this dimension, and so the bullets just slide right through.
marirebel said...
I wonder how this xenophobia thing plays out. So, is it just poor white people who become xenophobic, or do poor black folk exhibit the same trait? What does Obama have to say about the xenophobia of the black community, and of Rev. Wright'? Do they cling to religion and guns and hate those who do not look like them also? How do these ideas affect the GE? Should we throw up our hands and say all poor people are toads, while developing new ways to help the S.F. Democrats who can afford to attend Pacific Heights fundraisers?
janiscortese: You're right. If Obama wins the nomination and loses the general you can be sure that we'll hear the Democratic elite and the MSM cry media until the end of the year. Instead of analyzing deeper issues as to why many Clinton supporters will not support Obama, they will just label us as racists because that is the easy explanation for everything in this election.
Don't be surprised if they (Obama, Dean, Brazille, Pelosi, Kerry, Kennedy and all the rest of these arrogant fools) SHAME Clinton supporters into voting for Obama if he is the nominee. It will backfire but they are going to once again talk about racism and why the Democratic party needs to come together to take back America - even those hillbilly racists who supported Clinton in the primary. Whenever Obama talks about race it's usually about white racists/Clinton supporters against blacks (i.e. him). It's always about him. He actually does not have a good concept of race in America at all and I wouldn't expect anyone who would listen to Rev. Wright for 20 years have a real grasp on the complexities of race in America beyond the concept that small town and rural whites are the devil.
sorry for the typo:
You're right. If Obama wins the nomination and loses the general you can be sure that we'll hear the Democratic elite and the MSM cry *racism* until the end of the year.
Chinaberry Turtle said...
This is just one cadre of rich fucks struggling against another. The election is just the way they keep score. Their lives aren't at stake.
Wow Janis. That's a whole new way of looking at this. You know, I'm starting to believe that maybe you've hit the nail on the head here.
With Obama at the helm, the Dem vs. Repub fight really becomes just a culture war between George Soros and Rupert Murdoch. Lost in the shuffle of this abstract culture-competition between rich Lord Byron-esque Romantics on the Left and rich Puritanical Ebenezer Scrooges on the Right are all the ordinary folk just trying to find answers to the mundane problems that beset their lives but don't warrant the attention of either of these "rich fucks."
Meanwhile there's Hillary: "Too many have been invisible for too long. Well, you are not invisible to me." Neither side likes this kind of talk b/c she's not interested in this "old money" vs. "new money" culture war and instead wants to address stupid boring stuff like health care.
I think that's exactly right, and is one of the reasons the dem leadership and the media seem to hate the Clintons. It's also why Edwards got marginalized this cycle. They don't want to talk about class or what their gargantuan stupidity has done to the working class. They'd much rather talk about race, as if only the unwashed masses were the bigots of this world. They, obviously, are the enlightened ones.
Janis, I agree with you that they have no skin in the game. They'll be fine whatever happens. But the rest of us won't. And the rest of the planet won't either. That's the big reason this election is so endlessly frustrating to me. Everyone with power is out to sink the only candidate who will address the issues that matter.
gendergappers said...
Little by little it comes out how the Power Dems have been grooming BO for this Primary. Then he opens his mouth and his real character falls out.
Eleanor A said...
(((wild applause)))
This is great stuff, folks. Keep it up.
I live in Tennessee, one of three states (Missouri and Ohio are the others) that virtually always vote for the winner in each Presidential election.
There's no way Obama can win here. Sure, he'll score 95% in Memphis and probably nearly as well in Nashville, but I can just hear the folks out in Giles County now talking about his voting record and how he made fun of them as "bitter".
News flash to BO: America doesn't consist of a handful of large cities filled with fat cat donors, while the rest is designated "flyover country". You better learn how to talk to people in CAT hats, stat.
And America's cities aren't ALL filed with fat-cats squillionaires, either. And a lot of us "creative class" white collar types come from blue- and pink-collar roots.
For all their mouthing of platitudes about the American Dream, they seem strangely willing to forget that and act like white-collar and blue-collar Americans are some separate species. I thought this country was the land of class mobility. Silly me.
avidreader said...
The NAACP in Detroit invited Rev. Wright to speak at their fundraiser dinner Apr. 27. It is advertised as the largest sit-down dinner in the country. They expect/hope for 10,000 people. Why Rev. Wright? That would be interesting to know.
I'm inclined to agree with janiscortese-the party Democrats would rather throw away the election than elect Hillary to defeat McCain. I didn't understand this until Anglachel laid out the numbers. Clinton hatred is so intense-is it a class thing only? WTF is going on?
Daschle and Nutter were interviewed together yesterday re: O's "bitter" -Daschle looked absolutely ill, but maintained the party line. Nutter was composed and spoke quietly. He's easy to like.
O. doesn't appear to be a bright man-he loses his place to often, can't remember what he said, has no real academic background he appears to draw on, never mentions reading anything. He's empty. Perfect for a Democratic/wealthy group conspiracy.
Clinton hatred is so intense-is it a class thing only? WTF is going on?
Hi avireader. Anglachel has posted a bunch on the sexism involved as well. Here is one interesting post she made on the subject recently. (If you were just asking the question rhetorically, my apologies.)
No Blood for Hubris said...
Hey, people, please -- don't get over-obsessed with the PA "bitter" thing.
Obama wants us to join him in worrying about the high price of arugula.
Wait -- isn't that bitter, too?
I meant to add:
http://nobloodforhubris.blogspot.com/2008/04/let-them-eat-arugula-its-bitter-too.html
Hm. That didn't work. Anyhow, scroll down and click through.
cal1942 said...
Absolutely superb. I'd say you took the words right out of my mouth, but I could never write it with such clarity, eloquence and force.
Brilliant. A tour de force.
janiscortese, in comments, said that there are people in the party who don't really care if we win in November.
I think they want to win but for me it's abundantly clear that they care FAR more about their power position in the party than they do about winning. The Dean gang knows that if Hillary is the nominee, their positions and influence are gone.
Anglachel's right. They went after Hillary at the opening bell. The evidence is irrefutable beginning with the MI/FL death penalty. The DNC knew that Clinton was going to win both MI and FL. The death penalty was irregular and despite the claims of the Obama people was not THE rule. IA, NH, NV and SC also violated the rules but were not punished. In fact the DNC broke its own rules by selective punishmment and by not holding a hearing prior to levying a penalty.
The DNC knew that if Clinton won MI and FL early that she would be unstoppable. They knew Obama would have a chance in IA and NH, smaller states where a major candidate can be vulnerable to a concentrated effort by a less known opponent. After Hillary won NH, out came the Kennedy's and no one at the DNC put a cork in JJ Jr's mouth for the naked racism of his post-NH no tears for Katrina victims remark calculated to inflame African American voters in South Carolina.
It should be noted that the GOP took away half of MI's and FL's delegates as well as half of NH's delegates. There was no death penalty and they did not selectively penalize. The penalized ALL violators. Remember the GOP NV caucus and SC primary did not occur simultaneous to the Democratic contests. Neither NV nor SC violated GOP rules. Apparently, when it comes to elections, they're not that stupid and seem to have their eyes on the prize. There seems to be a 'line up' attitude in that party that Democrats should emulate.
The calls from the Obama camp, pundits and heavy hitters in the party for Hillary's withdrawal are not the same as the GOP's line-up routine. The DNC's version is manipulate, bend the rules and stop short to get a desired result.
The DNC's stand that both candidates had to agree on MI/FL re-votes eliminated all doubt about their culpability. They knew full well that Obama would never go along with a re-vote.
Random Passerby said...
I am a 40-year-old feminist, not the "Obama gurl" stereotype I frequently see derided in anti-Obama posts on the feminist blogosphere. And I am voting for Obama.
As far as I can see, it's only the Clinton partisans who are wringing their hands over the "bitter" remark. Yes, the rural poor are bitter. Hell, even Joe Bageant, who could never be accused of being a liberal elitist, says, "Yep, we're bitter. So?" And as a friend of mine says, "If you're living in the U.S. and you're not bitter, you're either in power or you're delusional."
I certainly don't buy into the cult of personality around Obama — there is much to be desired in his outlook and proposed policies. But, honestly, I think that you and various other feminist bloggers — especially on Shakesville — are making him into a scapegoat for all the misogyny out there directed at Clinton. "Periodically she gets down"? "The claws come out"? The first is grasping at straws, and the second, while winceworthy and not admirable on Obama's part, is nowhere in the same class as what's been slung at her from the likes of Matthews and Co.
If Clinton intends to bring back the 1990s over which her husband presided, she's certainly not the friend to the working class that you imagine her to be — and her choice of campaign manager implies that she does, in fact, wish to continue "triangulating" most of us into the poorhouse.
Nor am I persuaded of her feminist bona fides. She supported Rick Santorum's "Workplace Religious Freedom Act," which could be construed in a manner that would allow pharmacists to deny birth control to women out of "conscience." And then there's her deep involvement with The Family.
Finally, I question your reading of the poll numbers. Per Real Clear Politics:
Clinton v McCain - McCain + 2.4 (trend accelerating based on chart)
Obama v McCain - Obama + 0.6 (trend accelerating, but more slowly)
This is What a Democrat Sounds Like
Oh My, Darling
Blowback Ahead
Must Read Series on FLDS
Metaphor? No, Murder.
Obamacant
Olbermann Calls for Clinton's Murder
Party Rules and Political Reality
Exit Poll Data
Obama Leaving PA
Radical Politics
Radical Divergence
Stereotypes, Facts and Ideals
Myth of the Bitter White Working Class
Notes for Commenters
In Praise of Cities
Much Better Than I Can Say It
Progressive Derangement Syndrome
Hands of the King - Complete
Post-Racial Politics
That Giant Sucking Sound
Weeding Out the Competition
Myth of the Media Darling
The United States of Obama
Reality Bites
Legitimacy = 2214
Feel Good Health Care
Proving the Point
Resentment


text:
The Convergence of Equity and Sustainability
Our vision of sustainable business should encompass diversity, equity, and inclusion (DEI), yet inside companies, sustainability and DEI are often led by two separate teams with two distinct agendas. The many expressions of support for racial justice from companies following the murder of George Floyd made clear the need for more sustained action over time, but also revealed the disconnect that exists inside companies among multiple social, economic, and human rights topics. How can companies take more strategic and integrated approaches that bring together disparate elements of sustainable business? How can DEI, sustainability, human rights, and other teams work more closely together on a shared, urgent, and ambitious agenda?
Nancy Mahon
Senior Vice President, Global Corporate Citizenship and Sustainability
The Estée Lauder Companies
Senior Vice President, Global Corporate Citizenship and Sustainability, The Estée Lauder Companies
Nancy Mahon is the senior vice president of global corporate citizenship and sustainability at The Estée Lauder Companies, Inc., where she leads the company's corporate citizenship, sustainability, and global philanthropy efforts. She is also global executive director of the M·A·C AIDS Fund, which offers support to individuals in marginalized communities living with HIV/AIDS worldwide through prevention, treatment, and basic needs services. Currently, the fund gives away US$44 million annually throughout the world.
Prior to her current roles, she was appointed by President Obama in 2011 as chair of the President's Advisory Council on HIV/AIDS, a position she served in for five years. She also served as executive director of God's Love We Deliver; senior program executive with Open Society Foundations; private delegate to the UN Commission on Women; and was a founding member of the National Institute of Medicine's Forum on Global Private Public Partnerships.
Cecily Joseph
Advisor, Initiative for Equity & Social Justice
Advisor, Initiative for Equity & Social Justice, Presidio Graduate School
Cecily Joseph is a non-profit and advisory board member, lawyer, and sustainability executive recognized as a thought leader and influencer in social and environmental responsibility, ethics, and diversity.
Joseph is the former vice president of corporate responsibility at Symantec Corporation, where she oversaw all environment, social, and governance (ESG) programs and led the Symantec Foundation. Joseph is an ongoing champion for diversity and inclusion, having also served as chief diversity officer and pioneered numerous initiatives to increase diversity and equity within the technology industry and broader society. Prior to Symantec, Joseph was executive director of the Veritas Foundation.
With more than 20 years of experience, Joseph has built and managed programs and teams in ethics and compliance, strategic philanthropy, community relations, environmental sustainability, and diversity and inclusion.
Yerina Mugica
Senior Director, Natural Resources Defense Council
Yerina Mugica leads multidisciplinary teams to advance strategies that support strong, just and resilient communities that bring together economic, social and environmental solutions to help maintain health and prosperity in the face of climate disruption. Mugica's work through Resilient Communities is centered on local and national partnerships. Mugica recently completed a year as NRDC's first interim chief equity officer. In this role, she spearheaded institution-wide initiatives to support NRDC's goals of centering equity and inclusion and to help transform our culture to one of active anti-racism.
Aditi Mohapatra
Managing Director, BSR
Aditi works with BSR members across sectors to help them improve and advance their sustainability strategies. She leads BSR's global portfolio of work on women's empowerment across consulting, collaboration, and research.
Aditi joined BSR after several years at Calvert Investment Management, a leading sustainable and responsible investment firm. There, she led strategic planning for Calvert's executive committee, and held various roles within the sustainability research team. Her portfolio included companies in the information and communications technology sector, and she led corporate engagements on the subjects of gender corporate governance and gender equality, including the advancement of the Calvert Women's Principles.
Aditi holds an M.B.A. in Finance from George Washington University, and a B.S. in International Economics from the University of Florida.
Follow Aditi @AditiMohapatra.


text:
Create convincing soundscapes for your next AV project
Pro audio tools have entered the cloud, becoming more affordable for creatives as a result.
If you're working in the creative realm, you're likely well aware of how important a role sound plays in any multimedia project. The first thing that comes to mind is, of course, the music or the score that accompanies the visuals in films, trailers, games, corporate AV presentations, and so on. Less obvious but just as vital are sound effects and consequently, the sound design of a production.
Music, dialogue/voice, and sound effects together make up the 'soundscape', the aural equivalent to a landscape or the place where the story takes place, the space surrounding the story. If you picture a movie scene or a video game scene, or even just a dream, your mind simultaneously and automatically pictures, or rather hears, the sounds that belong to that scene.
Imagine a scene of a dog running through a fall forest – you hear the rustling of leaves in your head, don't you? But even such a small scene is accompanied by all sorts of sounds, such as the panting of the dog, the pattern and pace of its stride, the wind blowing through the trees, children playing in the background, and more.
It's the sound designer who makes all these elements come together in a way to support the story. Let's take a closer look at the creation of soundscapes and what makes them work.
Sound designer David Barbee working with the Pro Sound Effects Hybrid Library
What's your goal for the scene?
First thing's first: what do you want to achieve with the score for your project? In an interview with Polyglon.com, Brian Schmidt, executive director of the GameSoundCon convention and one of the leading experts in video game music and video game sound design, said that music and audio in games serve a lot of different purposes, some obvious, some not so.
"From a player perspective, music can kind of manipulate you," said Schmidt, who created sound for a number of pinball machines and arcade games including Hook and NARC. "Music can really pull at your strings and get you going in the direction the game designer wants you to get going."
Sound can also be used to inform players, he said. For instance, when a player has a power-up, the audio might change until the power is gone. Or if a player is dying, the audio might change to note that. "You can both play with the emotions of a player in a subtle way and also directly inform them about what's going on," he said.
The tools for scoring
Just a few short decades ago, it was an enormous task to produce a convincing, professional-sounding soundtrack for a film, TV show, or any multimedia project. A room full of live musicians or a whole orchestra, recorded in a professional studio, was the norm. This required a lot of time and big budgets.
Today, convincing scores can be written and performed by one person using virtual instruments and a plethora of desktop music creation tools. Many of these software tools are of such high quality that, in context, the average person cannot tell whether they're listening to an orchestra playing or to a score composed on a computer.
We spoke to EastWest Sounds, the market leader of virtual instruments for over 25 years. The company also owns a legendary recording studio complex in Hollywood, EastWest Studios, where iconic musicians have recorded the most celebrated music of the last 50 years, from Frank Sinatra to The Rolling Stones. These studios have produced more Grammy-winning albums than any other studio in the world and it's here that EastWest records the instruments for its libraries.
The recording of EastWest's StormDrum3, a massive library of percussive instruments
To answer the demands for scoring in a growing AV market, EastWest – as the first virtual instrument maker – recently removed the barrier between the hobbyist and the professional by introducing a very affordable subscription model, Composer Cloud, that gives composers access to their enormous catalogue of 9000 instruments and over a million sounds for less than a dollar a day.
"We've seen what's happening," says Doug Rogers, founder and producer of EastWest. "If you can't afford the best instruments, your composition will never sound as good as those from professional composers, and that's a frustrating experience. This is why we decided to offer Composer Cloud at a price anyone can afford. Composer Cloud is a way to level the playing field. Composers can now get the tools the masters use for less than the cost of their daily latte."
Listen to an example of a score produced with only virtual instruments
What about sound effects?
Sound effects are something we're not consciously paying attention to when we experience an AV projects, but they play a huge role and we certainly notice when they are done well. To illustrate just how important sound effects are in a visual production, a leading Hollywood sound designer and mixer Beau Borders, Oscar nominee for Best Sound Mixing and credits such as The Lord of the Rings: The Return of the King, Titanic, Iron Man 3, and more, recently put together the following short video.
As a professional, Beau works with a number of tools to create the effects he needs for his work, and one of the resources he recommends is Pro Sound Effects. For professional sound designers as well as big media production companies like EA, BBC, Red Bull, Google, and many others, Pro Sound Effects offers professional royalty-free sound effects libraries, but just like in the case of EastWest, Douglas Price, the founder of Pro Sound Effects, has seen the company's market widen to now encompass freelancers, independent sound designers and video editors who can't afford sound effects library prices in the tens of thousands of dollars like large production companies can.
To satisfy this end of market, they offer their Hybrid Library at $2500 to applicants who qualify for freelancer pricing and flexible subscription plans to their Online Library starting at $29 a month.
NYC Ambisonics, software-controlled sound effects
But what really sets Pro Sound Effects apart is their quest for innovation. In July, they launched NYC Ambisonics, a new sound effects library that comes with software from TSL Products allowing users to point 'virtual microphones' in any direction and with a variety of polar patterns for greater control and creativity.
NYC Ambisonics was produced and recorded in 24-bit/96kHz high-resolution using a four-capsule SoundField microphone to capture the ambiences from all angles as separate tracks. The Ambisonics format allows the user to manipulate the tracks in real time to create virtually endless perspectives within a scene.
Creating a powerful soundscape is every bit as important as visuals in a production, and we're seeing new innovations and tools being launched every day to support power of the unseen on screen. For composers and sound designers who are just starting out, the fact that a lot of the professional tools come down-market is a huge advantage. With the unquenchable thirst of the public for online AV content constantly increasing, so do the opportunities for creative work – whether it's in the game/film/TV industry, or on places like YouTube.
Words: Martina McConnon
Martina McConnon has been working in the music production industry all her professional life. She and husband Brian run Music Marcom, a PR agency specialized in music technology, musical instruments, and pro audio. She lives and works in Phoenix, Arizona.
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text:
English Players Abroad
News, transfer updates and interviews with English players abroad.
Complete list of players
Veron Parkes & Andrew Mills make professional league debuts
Post author By Cam
No Comments on Veron Parkes & Andrew Mills make professional league debuts
Congratulations to two English abroad who made their professional league debuts yesterday! Andrew Mills featured for Swedish top-flight side Östersunds and Veron Parkes came off the bench to make his senior debut for Dutch second-tier side FC Dordrecht.
Andrew Mills – the key info (information obtained from the player himself)
Date of birth: 12/12/93
Place of birth: Huyton, Liverpool
Liverpool-born 'keeper Andrew Mills has been playing in Sweden for six years and has been at Östersunds for three of those. After several appearances in the Swedish Cup and several more times featuring on the bench, the 26-year-old finally got his Allsvenskan debut yesterday.
It turned out to be an impressive one with Mills making several important saves to ensure his side won 3-2 away to Sirius. Whilst he made important stops at the back, his compatriot Blair Turgott bagged a brace.
Veron Brandon Parkes – the key info (information obtained from a source close to the player)
Place of birth: London
In contrast to Mills, Veron Parkes only made the move abroad this summer. He grew up playing for Crystal Palace, joining them in 2009 before moving across London to join West Ham in 2018. He turned down the offer of a contract with the Irons to join Eredivisie side Fortuna Sittard on a three-year deal.
Earlier this month, he joined second-tier side FC Dordrecht on a season-long loan deal and that is where his debut in senior came yesterday. He came on for the final few minutes of a 2-2 draw with Almere City, who have Shayon Harrison in their side.
Tags Anndrew Mills, Veron Parkes
← Iceland goal machine Gary Martin: I want to get more British players to this country → Five breakout stars of the 2020 season
© 2021	English Players Abroad


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The Writings of Eloise Butler
Wild Balsam Occupies Low Places in Wild Gardens; Leaves Shine Like Silver When Put in the Water.
Published in the Minneapolis Sunday Tribune August 20, 1911
[Note: To facilitate identification of plants, we have taken the liberty of adding the information that is within square brackets and also all the botanical names have been put into italics. The language of Eloise's day is left as written. Additional notes at the bottom of the page.]
Spotted Jewelweed, Impatiens capensis (old biflora)
Every inch of space on low, moist soil not held firmly by tufted meadow grasses and sedges is occupied by the Wild Balsam (Ref. #1). The smooth, glossy stem has a translucent appearance, and its joints are swollen, affording another proof, of course, that rheumatism is induced by dampness! The leaves are thin and delicate. When dipped in water, their under-surfaces appear to gleam like quicksilver, an appearance due to tiny hairs that catch the water and enmesh air bubbles. The hairs keep the pores that are abundant on the under side of the leaves from being clogged with water. Some water beetles show the same phenomenon when they dive; but, in their case, the air bubbles supply them with the requisite oxygen during the period of immersion.
Pale Jewelweed, Impatiens pallida
Little girls are familiar with the plant as Jewelweed. By means of the curved nectar spur, they hook the flowers in their ears and are fine ladies, for the nonce, with gold ear-drops. The most common species of Balsam has flowers usually spotted with brown, of varying shades of orange and yellow, and sometimes pink or white. This is called Impatiens biflora. I pallida has larger, pale yellow, often unspotted flowers, with stouter spurs.
The term Impatiens refers to the nature of the seed-vessel, the origin of another common name, touch-me-not. If you gently press the plump, ripe seed-pod between your thumb and forefinger you will be startled by its breaking up into writhing, wormlike pieces, and by the seeds snapping out several feet into space. Many other plants are seed-catapults, among them the violets. If you do not pick your pansies before they go to seed you may lose your eyes some day when leaning over the pansy bed.
Showy Tick-trefoil (or Canada Tick-trefoil) Desmodium canadense.
Fur-bearing animals are involuntary agents of seed-dispersal. Cows have been seen patiently chewing their cuds with their faces plastered over with "beggars' lice" and their tails festooned with burdock burrs. People are brought into service. You will be busy for some time after a walk in the woods in getting rid of various stick-tights that have taken a free ride attached to your clothing, some even burrowing into the flesh. The tick trefoils (ref #2) will be in the crowd. You will know them by the scalloped pea-pods, covered with small barbed grapplers. When you pull them off, the scallops separate, each one having a single seed. The tick trefoils have, as the name implies, compound leaves made up of three leaflets. The blossoms are bright purplish pink, clustered in long racemes.
The seed pods of Showy Tick-trefoil as described in the text above.
We stop long to admire the delicate, pure white flowers and splendid leaves of the arrowhead or sagittaria, which densely fringes the margins of brooks and ponds. Disappointment will follow if we are tempted to pick them for a bouquet, for the flowers and leaves wither quickly, when detached from their natural element, the water. The print suggests how their beauty might be preserved in decorative designs for leather, metal or wood. [Note - that newspaper photo is shown in the pdf of the article.] The leaves of sagittarias vary greatly in width. Some are very slender and others are without the arrow lobes.
Further east, thickets of tall, leafy Buttonbush, Cephalanthus occidentalis, abound in the neighborhood swamps. The "buttons" are creamy balls over an inch in diameter, composed of closely packed, small, tubular flowers. A specimen of this interesting plant, with many other species, was shipped from Massachusetts for planting in the wild garden in July of the first year of its founding (Ref. #3). The location of the plant was not recorded, and it was supposed to have died out. The next year another plant was obtained, which produced one blossom the following season, and the next summer a dozen or more blooms.
While admiring these, a random glance perceived a bush some distance within the swamp luminous with starry globes. It was the first buttonbush, all covered with buttons à la mode, which had grown to maturity, undetected in the rank vegetation.
Buttonbush flower ball, Cephalanthus occidentalis.
Broadleaf Arrowhead, Sagittaria variabilis.
The mature seed pod of London Planetree, Platanus Xacerifolia. See Ref. #4.
The buttonbush must not be confused with the Buttonwood [Platanus occidentalis], a tree which is also strung with buttons hanging from long, fibrous stems. This tree is [not] (Ref. #4 ) a native of Minnesota. It is called also plane tree, because of its smooth bark, which scales off in patches, leaving light-colored spots, as if it were affected with leprosy.
It reaches a magnificent growth on the river bottoms of the Middle West, where it is known by another name, the Sycamore. You remember the sobriquet of Senator Vorhees of Indiana - the "Tall Sycamore of the Wabash."
The present season seems favorable to the Wild Onion, Allium cernuum (Ref. #5), for pink balls of fairy grace lifted on slender, leafless stalks give a magical brilliancy to the billowing grasses of large expanses of the prairie. Do not be disconcerted by the name. The onion is, after all, a sort of lily, considered by every one a flower queen, and the odor is not perceptible, except when the plant is bruised. The leaves of this Allium are very narrow, unlike those of the early leek, so abundant in the wood in early spring.
If you should peer under the boughs of a dense plantation of prickly ash in the wild garden, you would see stars - not from being cruelly pricked by the thorns, nor do you see them as a reflection from the sky, but actual stars -geasters, literally, earth-stars - not revolving in space, but grubby, toad-colored bodies attached to the ground. In fact, a species of puffball, with a thick envelope that breaks up when mature into starlike rays reflexed to the ground. Before the rays are formed the geaster looks like a big, dull acorn.
The species photographed is the Collar Earth-star, Geaster triplex [now Geastrum triplex]. Other species are collarless and in some the spore-bearing part is unstalked. A tiny species has been found at Minnehaha, about the size of a pea. The edibility of the earth-stars has not been tested.
Wild Onion, Allium cernuum.
Collar Earth-star, Geastrum triplex, Photo ©Michael Kuo.
1. Wild Balsam. As Eloise explains further on, this is a common name at that time for Jewelweed. "Wild Balsam" is derived from the Latin family name for the species, BALSAMINACEAE and in English as the Touch-me-not Family. The name Jewelweed is more commonly in use today in the United States. The current botanical classification of the two species is Impatiens capensis for the Spotted Jewelweed (Formerly I. biflora) and Impatiens pallida for the Pale Jewelweed.
2. There are two tick trefoils extant in the Eloise Butler Wildflower Garden today: Showy Tick-trefoil (or Canada Tick-trefoil) Desmodium canadense; and Pointed-leaved Tick-trefoil, Desmodium glutinosum.
3. The first plant was obtained from Malden MA and planted on July 2, 1907. The plant could have been collected in Minnesota as it is native, but its range is restricted to the counties on the eastern edge of the State from Pine in the north to Houston in the south, Goodhue excepted.
4. Platanus occidentalis. The western most range of this tree is Iowa and its northern range almost reaches southern Minnesota. A hybrid of this tree and the Oriental Planetree of Europe, Platanus orientalis, and named London Planetree, Platanus Xacerifolia (Ait.) Willd., is widely used in parts of the Southwest for landscape planting.
5. Allium cernuum. This plants common name is Nodding Wild Onion. The other common wild onion of this area is known as "Prairie Wild Onion" and is Allium stellatum. Flowers are similar in structure other than A. stellatum flowers are not nodding when in flower but rather held upright resembling stars.
Tours to the Garden. The following was also printed at the beginning of the text.
Miss Butler will conduct parties through the Wild Botanic Garden in Glenwood Park, Tuesday and Thursday mornings, meeting them at the terminus of the Fourth avenue south and Sixth avenue north Street Railway, Sixth avenue and Russell avenue, at 10 o'clock; also Saturday & Sunday afternoons, meeting then at 2:30 o'clock at the same place. One hour later on the same days, persons coming by automobile or carriage will be met at the entrance to the Garden, on the boulevard, at a point northeast of Birch Pond in Glenwood Park. To reach Birch Pond, turn in at the left on Western Avenue where the Park Boulevard intersects the avenue. Phone - T. S. Calhoun 1021; N. W. Main 4295.
More information and photos on some of these plants can be found under these links:
Pale Jewelweed
Spotted Jewelweed
Showy Tick-trefoil
Pointed-leaved Tick-trefoil
Nodding Wild Onion
Wild Onion
The text of this article, along with photos by Mary Meeker of Earth Stars, Arrowhead, Buttonbush and Wild Onion, was published on Sunday August 20, 1911 in the Sunday Minneapolis Tribune. It was one of a series of weekly articles Eloise Butler published in 1911 to help acquaint the public with her newly established Wild Botanic Garden in Glenwood Park which, in her honor, was renamed the Eloise Butler Wild Flower Garden in 1929. Some of the plants she discusses are extant in the Garden today. Links above will give you additional information. In brackets within the text, and in the notes, have been added the necessary common name or scientific name, that she did not list in her article. Nomenclature is based on the latest published information from Flora of North America (Ref. #W7) and the Checklist of the Vascular Flora of Minnesota. (Ref. #28c)
Printable PDF Version
PDF of original article.
Garden History Archive
Friends' Home Page
Friends of the Wild Flower Garden, Inc. "www.friendsofeloisebutler.org." Photos are ©G D Bebeau or as otherwise credited. Photo of Eloise Butler, ca. 1921, photo courtesy Minneapolis Public Library, Minneapolis Collection. 032322


text:
Add Photo — Add Link — Add Commentary — Correct this page
Indianapolis in Marion County, Indiana — The American Midwest (Great Lakes)
T.C. Steele Studio and Herron
By J. J. Prats, October 20, 2018
1. T.C. Steele Studio and Herron Marker, side one
Inscription.
T.C. Steele Studio and Herron. . By 1886, artist T.C. Steele resided here on estate called Tinker or Talbott property. By 1887, he built a studio on the grounds and opened it to the public. He taught classes, exhibited work, and helped advance the quality of Midwestern art, notably as part of Society of Western Artists. He served as vice-president of Art Association of Indianapolis (established 1883). . . Art Association purchased the property here in 1901, to create John Herron Art Institute, which included school and museum. Herron opened 1902 and grew quickly, fulfilling Association's goal "to cultivate and advance Art." Herron hosted large exhibitions of Steele's work in 1910 and 1926. Evolved into Herron School of Art and Design and Indianapolis Museum of Art. . This historical marker was erected in 2015 by Indiana Historical Bureau, David E. Steele, Friends and Family of T.C. Steele. It is in Indianapolis in Marion County Indiana
By 1886, artist T.C. Steele resided here on estate called Tinker or Talbott property. By 1887, he built a studio on the grounds and opened it to the public. He taught classes, exhibited work, and helped advance the quality of Midwestern art, notably as part of Society of Western Artists. He served as vice-president of Art Association of Indianapolis (established 1883).
Art Association purchased the property here in 1901, to create John Herron Art Institute, which included school and museum. Herron opened 1902 and grew quickly, fulfilling Association's goal "to cultivate and advance Art." Herron hosted large exhibitions of Steele's work in 1910 and 1926. Evolved into Herron School of Art and Design and Indianapolis Museum of Art.
Erected 2015 by Indiana Historical Bureau, David E. Steele, Friends and Family of T.C. Steele. (Marker Number 49.2015.2.)
Location. 39° 47.335′ N, 86° 9.327′ W. Marker is in Indianapolis, Indiana, in Marion County. Marker is on East 16th Street
2. T.C. Steele Studio and Herron Marker, side two
east of North Pennsylvania Avenue, on the left when traveling east. Touch for map. Marker is at or near this postal address: 119 E 16th St, Indianapolis IN 46202, United States of America. Touch for directions.
Other nearby markers. At least 8 other markers are within walking distance of this marker. Indianapolis Propylaeum (approx. 0.2 miles away); First Home of The Children's Museum (approx. 0.2 miles away); First Lady Caroline Harrison (approx. 0.3 miles away); World War II Memorial (approx. 0.3 miles away); Home of Benjamin Harrison (approx. 0.3 miles away); The Old Northside (approx. 0.3 miles away); Brig. General Benjamin Harrison (approx. 0.3 miles away); Camp Morton (approx. 0.3 miles away). Touch for a list and map of all markers in Indianapolis.
Also see . . .
1. Indiana Historical Bureau entry for this marker. This entry contains footnote annotations to the text of the marker. Example: "Eighteen Midwestern artists, three each from Indianapolis, Cleveland, Detroit, Chicago, St. Louis, and Cincinnati, gathered in Chicago on March 11, 1896. The group formed the Society of Western Artists with the aim of increasing public appreciation for Midwestern art. ... The founding Indianapolis artist-members were T. C. Steele, William Forsyth, and J. Ottis Adams. In many ways, the Indiana painters led the movement to reside and paint in the Midwest, as opposed to moving east or overseas as had been the norm for serious artists. According
3. Herron High School and Marker
to Perry, because the Hoosier Group was already established and had received national critical acclaim, they 'were considered leaders in a potential movement to establish a distinctly American school of painting.' Steele was particularly looked to as a leader both by art critics and Society members." (Submitted on December 15, 2018.)
2. T. C. Steele entry in Wikipedia. "Theodore Clement Steele (1847–1926) was an American Impressionist painter known for his Indiana landscapes. Steele was an innovator and leader in American Midwest painting and is one of the most famous of Indiana's Hoosier Group painters. In addition to painting, Steele contributed writings, public lectures, and hours of community service on art juries that selected entries for national and international exhibitions, most notably the Universal Exposition (1900) in Paris, France, and the Louisiana Purchase Exposition (1904) in Saint Louis, Missouri. He was also involved in organizing pioneering art associations, such as the Society of Western Artists." (Submitted on December 15, 2018.)
3. WikiArt entry for T.C. Steele. This page contains images of many of his Impressionist landscapes. (Submitted on December 15, 2018.)
Categories. • Arts, Letters, Music • Education •
4. T.C. Steele Studio and Herron Marker
Oil by Wayman Elbridge Adams, 1921
5. "The Art Jury." T.C. Steele is on the left
Oil by T. C. Steele, 1892
6. "Vernon Beaches"
More. Search the internet for T.C. Steele Studio and Herron.
Credits. This page was last revised on December 15, 2018. This page originally submitted on December 15, 2018, by J. J. Prats of Powell, Ohio. This page has been viewed 56 times since then and 19 times this year. Photos: 1, 2, 3, 4, 5, 6. submitted on December 15, 2018, by J. J. Prats of Powell, Ohio.


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	function OS_ShowSigMenu() {
	?>

<a href="<?=OS_HOME?>?action=signature">Signatures

	<?php
	}

	function OS_ShowSignatureForRegistered() {
?>

You must be <a href="<?=OS_HOME?>?login">logged in to create signatures

<?php
	}

	function OS_ShowSignature() {
?>

	 <?php
	 if ( isset($_GET["sig"]) AND !empty($_GET["sig"]) AND is_numeric( $_GET["sig"] ) ) {
	 $image = SIG_PATH."user_".(int)$_GET["sig"].".jpg";
	 ?>

Signature

	 <a href="<?=OS_HOME?>?action=signature&user=<?=(int)$_GET["sig"]?>" target="_blank">
	 <img src="<?=OS_HOME?>?action=signature&user=<?=(int)$_GET["sig"]?>" alt="" />

		  Direct url:
		  <input style="padding-left:5px" type="text" size="70" value="<?=OS_HOME?>?action=signature&user=<?=(int)$_GET["sig"]?>" />
		  <a href="<?=OS_HOME?>?action=signature&user=<?=(int)$_GET["sig"]?>" target="_blank">Link

		  BBCode:
		  <textarea style="margin: 0px; width: 453px; height: 62px; padding-left:5px;">[url=<?=OS_HOME?>?u=<?=(int)$_GET["sig"]?>][img]<?=OS_HOME?>?action=signature&user=<?=(int)$_GET["sig"]?>[/img][/url]</textarea>

		  HTML:
		  <textarea style="margin: 0px; width: 453px; height: 62px; padding-left:5px;"><a href="<?=OS_HOME?>?u=<?=(int)$_GET["sig"]?>"><img src="<?=OS_HOME?>?action=signature&user=<?=(int)$_GET["sig"]?>" /></textarea>

	 <?php
	 }

	 if ( empty($_GET["sig"]) OR !isset($_GET["sig"]) ) {
	    ?>

Create a signature

	<?php if (isset($_GET["not_found"])) { ?>

User not found

	<?php } ?>

	<form action="" method="post">
	<input type="hidden" value="signature" name="action" />

	     Enter player name:
		 <input type="text" class="field" name="sig_name" />

		 <input type="submit" class="menuButtons" name="create_sig" />

	</form>
		<?php
	 }
	 ?>

<?php
	}

	function OS_Signatures() {

	if ( isset($_GET["sig"]) OR !isset($_GET["user"]) ) {

	if (SIG_USE==1 AND !is_logged() ) { } else
	AddEvent("os_content",  "OS_ShowSignature");
	}

	if ( isset($_GET["user"] ) AND is_numeric($_GET["user"]) ) {

	   global $db;
	   global $lang;
	   $userID = safeEscape((int)$_GET["user"]);

	   $SigPath = SIG_PATH."user_".$userID.".jpg";

	if (file_exists( $SigPath ) AND time() - SIG_CACHE*60 < filemtime( $SigPath ))
	 {  $NewImage =imagecreatefromjpeg( $SigPath );//image create by existing image
         header("Content-type: image/jpeg");// out out the image
         //imagejpeg($NewImage);//Output image to browser
		 //file_put_contents('img/signatures/html.html', 'aaa');
         echo file_get_contents( $SigPath ); exit;
	 }

	   $sth = $db->prepare("SELECT * FROM ".OSDB_STATS." WHERE id = :uid ");
	   $sth->bindValue(':uid', $userID, PDO::PARAM_INT);
	   $result = $sth->execute();
	   if ( $sth->rowCount()>=1) {

		$row = $sth->fetch(PDO::FETCH_ASSOC);
		$id        = (int)($row["id"]);
		$player  = ($row["player"]);

		$score  = number_format($row["score"],0);
		$games  = number_format($row["games"],0);
		$wins  = number_format($row["wins"],0);
		$losses  = number_format($row["losses"],0);
		$draw  = number_format($row["draw"],0);
		$kills = number_format($row["kills"],0);
		$deaths  = number_format($row["deaths"],0);
		$assists  = number_format($row["assists"],0);
		$creeps = number_format($row["creeps"],0);
		$denies = number_format($row["denies"],0);
		$neutrals  = number_format($row["neutrals"],0);
		$towers  = ($row["towers"]);
		$rax  = ($row["rax"]);
		$banned  = ($row["banned"]);
		$ip  = ($row["ip"]);

		include("inc/geoip/geoip.inc");
	    $GeoIPDatabase = geoip_open("inc/geoip/GeoIP.dat", GEOIP_STANDARD);
		$letter   = geoip_country_code_by_addr( $GeoIPDatabase, $ip );
	    $country  = geoip_country_name_by_addr( $GeoIPDatabase, $ip );

	    if (empty($letter) ) {
	    $letter  = "blank";
	    $country = "Reserved";
	    }

	    if($row["wins"] == 0 and $row["wins"]+$row["losses"] == 0)
	    $winloose = 0;
	    else
	    $winloose = round( $row["wins"]/( $row["wins"] + $row["losses"] ), 3)*100;

		if ( $row["kills"]>=1 )
		$killsPerGame = ROUND( $row["kills"] / $row["games"],1); else $killsPerGame = 0;

		$sth = $db->prepare( "SELECT
		SUM(`left`)
		FROM ".OSDB_GP."
		WHERE LOWER(name)= :player LIMIT 1" );

		$sth->bindValue(':player', strtolower($player), PDO::PARAM_STR);
	    $result = $sth->execute();
	    $res = $sth->fetch(PDO::FETCH_ASSOC);
		$TotalDuration=secondsToTime($res["SUM(`left`)"]);

		$TotalHours=ROUND($res["SUM(`left`)"]/ 3600,1);
		$TotalMinutes=ROUND($res["SUM(`left`)"]/ 3600*60,1);
		$TimePlayed = secondsToTime( $res["SUM(`left`)"] , $lang["h"], $lang["m"], $lang["s"]);

		$dbh = $db->prepare( OS_MostPlayedHero( strtolower($player) ) );
		$result = $dbh->execute();
		$r = $dbh->fetch(PDO::FETCH_ASSOC);
		$MostPlayedHero=strtoupper($r["original"]);
		$MostPlayedHeroName=$r["description"];
		$MostPlayedCount=$r["played"];
		$MostPlayedTime=secondsToTime($r["timeplayed"]);

		$NewImage =imagecreatefromjpeg( SIG_PATH."_signature.jpg");

		$TextColor = imagecolorallocate($NewImage, 255, 246, 0);    //text color - RGB
		$TextColor2 = imagecolorallocate($NewImage, 255, 255, 255); //text color - RGB
		$TextColor3 = imagecolorallocate($NewImage, 253, 193, 193); //text color - RGB

imagestring($NewImage, 5, 10, 1, $player, $TextColor);

//score
imagestring($NewImage, 2, 10, 26, "Score:", $TextColor3);
imagestring($NewImage, 2, 68, 26, $score, $TextColor2);

//games
imagestring($NewImage, 2, 10, 42, "Games:", $TextColor3);
imagestring($NewImage, 2, 68, 42, $games, $TextColor2);

//wins
imagestring($NewImage, 2, 10, 58, "Wins:", $TextColor3);
imagestring($NewImage, 2, 68, 58, $winloose."%", $TextColor2);

//Kills Per Game
imagestring($NewImage, 2, 10, 82, $killsPerGame." Kills per game", $TextColor2);
//imagestring($NewImage, 2, 102, 82,$kpg, $TextColor2);

//duration
imagestring($NewImage, 2, 10, 98,"Time:", $TextColor3);
imagestring($NewImage, 2, 52, 98, $TimePlayed, $TextColor2);

//Creep Kills
imagestring($NewImage, 2, 140, 82, "Creeps:", $TextColor3);
imagestring($NewImage, 2, 200, 82, $creeps, $TextColor2);

//Creep Denies
imagestring($NewImage, 2, 140, 98, "Denies:", $TextColor3);
imagestring($NewImage, 2, 200, 98, $denies, $TextColor2);

//kills
imagestring($NewImage, 2, 140, 26, "Kills:", $TextColor3);
imagestring($NewImage, 2, 200, 26, $kills, $TextColor2);

//deaths
imagestring($NewImage, 2, 140, 42, "Deaths:", $TextColor3);
imagestring($NewImage, 2, 200, 42, $deaths, $TextColor2);

//assists
imagestring($NewImage, 2, 140, 58, "Assists:", $TextColor3);
imagestring($NewImage, 2, 200, 58, $assists, $TextColor2);

	//COUNTRY FLAGS
    $NewImage2 = imagecreatefromgif("img/flags/".$letter.".gif");
	imagecopy($NewImage, $NewImage2, 220, 3, 0, 0, imagesx($NewImage2), imagesy($NewImage2));
	imagestring($NewImage, 2, 250, 3, $country, $TextColor2);
    imagedestroy($NewImage2);

	//FAVORITE HERO
    $NewImage2 = imagecreatefromgif("img/heroes/".$MostPlayedHero.".gif");
	imagecopyresized($NewImage,$NewImage2,306,54,0,0,32,32,64,64);
	imagedestroy ($NewImage2);

	imagestring($NewImage, 2, 280, 25, "Favorite Hero", $TextColor3);
	imagestring($NewImage, 1, 280, 39, $MostPlayedHeroName, $TextColor2);

header("Content-type: cache");// out out the image
imagejpeg($NewImage, $SigPath, 100);//Output image to browser
imagedestroy($NewImage);

header("Content-type: image/jpeg");// out the image
$NewImage =imagecreatefromjpeg($SigPath);//image create by existing image
imagejpeg($NewImage);//Output image to browser
imagedestroy($NewImage);
exit;

	header("location: ".OS_HOME."?action=signature&sig=".$userID.""); die;

	   } else {
	   header("location: ".OS_HOME."?action=signature&unknown"); die;
	   }

	}

	}

}
?>

redpajama_set_name: RedPajamaGithub


Channels must implement the IChannel interface, which provides informational properties such as ChannelName and ChannelPriority . Channels designed to listen for a particular protocol on a particular port implement IChannelReceiver and channels designed to send information implement IChannelSender. Both the TcpChannel and HttpChannel objects implement both of these interfaces, so they can be used to send or receive information.
If you are publishing a remotable object, call ChannelServices.RegisterChannel prior to registering your server object.
If you are consuming a remotable object's functionality, call RegisterChannel prior to creating an instance of your server object.
Channels can also be loaded from the remoting configuration file. For details, see Configuration.
On the client side, messages are passed to the client channel sink chain after they traverse the client context chain. The first channel sink is typically a formatter sink; it serializes the message into a stream, which is then passed down the channel sink chain to the client transport sink. The client transport sink then writes this stream out to the wire.
On the server side, the server transport sink reads requests from the wire and passes the request stream to the server channel sink chain. The server formatter sink at the end of this chain deserializes the request into a message. It then passes this message to the remoting infrastructure. For more information about channel sinks, see Sinks and Sink Chains.
At least one channel must be registered with the remoting system on the server before a remote object can be called. Channels must be registered before objects are registered. If a channel is not registered on the client, the remoting system chooses or creates one to send outbound calls.
If the client expects a callback function, a listening channel must be registered on the client and the server must be configured to use a compatible channel.
Channels are registered on a per-application-domain basis. A single process can contain multiple application domains. When a process ends, all channels registered by it are automatically destroyed.
Channel names must be unique within an application domain. For example, because the default channels have names, to register two HttpChannel objects in one application domain, you must change the names of the channels before registering them. The following C# code example demonstrates this.
You cannot register a channel that listens on a specific port more than once. Even though channels are registered on a per-application-domain basis, different application domains on the same machine cannot register the same channel listening on the same port.
If you are not sure about whether a port is available, use 0 (zero) when configuring your channel's port and the remoting system chooses an available port for you.
Clients can communicate with a remote object using any registered channel. The remoting system ensures that the remote object is connected to the right channel when a client attempts to connect to the object. The client is responsible for calling ChannelServices.RegisterChannel before attempting to communicate with a remote object. If it expects a callback function, the client must register a channel and a port.
When a client calls a method on a proxy, the call is intercepted, bundled into a message, and passed to an instance of the RealProxy class. The RealProxy class forwards the message to the message sink for processing. A message sink establishes a connection with the channel registered by the remote object and dispatches the message over the channel into the originating application domain. There, the message is unmarshaled and the call is made on the remote object itself.
When remoting initializes a proxy to a remote object in the client's domain, a message sink capable of communicating with the remote object is retrieved from the channel configured by the client by calling IChannelSender.CreateMessageSink on the selected channel.
One confusing aspect of the remoting system is the relationship between remote objects and channels. For example, how a WellKnownObjectMode.SingleCall remote object listen for clients to connect, if the object is activated only when a call arrives.
This is possible in part because remote objects share channels; a remote object does not own a channel. Server applications that host remote objects must register the channels they require as well as the objects they expose with the remoting system. When a channel is registered, it automatically starts listening for client requests at the specified port. In the case of synchronous calls, the connection from the client is maintained for the duration of the message call. Since each client connection is handled in its own thread, a single channel can service multiple clients simultaneously.


Wambui Njogu is the fashion designer for the Moo- Cow label as well as a founding Director. In addition to the Brand, Wambui also consults in fashion design and production, styling and fashion production events in the industry. Wambui has consulted for Tinga Tinga, Enkarasha, Ivory and Kasuku brands amongst others. Moo-cow also recently did the show production for Origin Africa Fashion show. MOO-COW is a ladies-wear designer brand that likes to embrace innovation. The designers are always looking for new materials and new embellishing techniques, experimenting with fabrics and leather, refining the outlook, mood and styling of the classics and coming up with modern cutting edge designs. Some collections are designed with a social topic in mind, other collections are commercial.


Today, artificial intelligence (AI) is more accessible than ever before. No longer in the world of sci-fi novels and billions of futurists, AI incorporated can now be introduced into companies of all sizes, from verticals such as healthcare to hospitality for law enforcement. Contact Webstream to discuss our AI software development services and start optimizing your business and automation processes today.
We program and integrate machine learning, deep learning and artificial neural networking software for your existing IT infrastructure to find patterns among your business data and automate mission-critical processes. Machine learning is used in industries that are as diverse as cyber security, healthcare, marketing automation, finance and banking.
Our Natural Language Processing solutions are designed to generate key insights from and responses to unstructured and semistructured content, including searches, mined web data, business data sources and audio sources. We program NLP software for BI and analysis tools, chatbots and digital assistants, compliance monitoring systems and more.
We integrate Robotic Process Automation (RPA) software for existing or new applications used in office and administrative work to automate standard processes. Integrated management and change management tools ensure compliance with different industry standards. Our RPA services apply to individual platforms and multi-system infrastructures.
Our intelligent intelligent document recognition software (IDR) is designed to quickly classify information and extract metadata from a wide variety of document types. These include invoices, taxes, applications, journals, handwritten notes and much more. Our IDRs can also be used for multi-channel input systems, for example. Business Data Archives.
Our software engineers have worked on multiple AI-powered security solutions, including face, speech and handwriting recognition software with biometric, biographical and contextual matching features. Other security processes automated by AI include object detection, situation analysis and threat assessments.


Amelia Indie Authors (AiA) is pleased to present an interview with Alaska-based author Laurie Robertson. Visiting Amelia Island in February to see family and attend the 2019 Amelia Island Book Festival. Laurie also attended the February 14th "we love indie authors" celebration we co-sponsored with the Book Loft. There she won one of several drawing prizes: a personal interview published on our blog. The benefit is ours, however, in that we get to learn more about this lovely woman.
AiA: Welcome to our screen, Laurie! To start, please tell us a little about your background, and what brought you from Alaska to Amelia Island?
LR: Detroit, Michigan was my hometown, and in the mid-1970s—because of economics and the lure of adventure—I settled in Alaska during the oil pipeline era. I received my teaching degree in secondary science and master's degree from the University of Alaska, Fairbanks, and Anchorage.
I've just retired from 35 years of teaching in Alaska. It was a great career that covered a range from teaching in the rural Athabaskan villages of Rampart and Nikolai to the urban setting of Fairbanks. I have spent most of my career in alternative education working with students at risk for dropping out of high school.
Some of my family lives in Yulee, Florida. My sister and brother-in-law own two stores on Centre Street, in downtown Amelia Island, so I'm fortunate to be able to visit. People around the island are friendly, and I love strolling along the beautiful ocean beaches — especially in the morning fog.
AiA: What was your impression of the Amelia Island Book Festival. Do you attend other similar festivals? Any recommendations here for other indies?
LR: The Book Loft indie reception was a great way to meet several authors and publishers from the area. The writers' workshop provided a wealth of information. It had two tracks to mix and match, so participants could individualize the program according to their needs and interests. I also would highly recommend the manuscript critique that was available there. Steve McCondichie was very helpful with his recommendations from a publisher's perspective, and his commentary was valuable. I wouldn't hesitate to do it again.
AiA: Did you always write, or is writing a new interest for you? How did you come to it?
LR: I've been a poet since I learned how to write but never thought about writing a novel until an idea came to my head. I was about 30 at that time and did not realize I would publish a book. I wrote the first draft in longhand. I spent part of three summers traveling around the west gathering information about the Oregon trail and the Native American culture. It was fascinating, and with that, along with my handwritten version, my novel was born.
AiA: Where do you find your inspiration?
LR: Storylines appear in my head seeming from out of nowhere. I used to be an avid reader, but presently, it seems I'm always choosing between reading or writing. Writing, predominately, wins out. Sometimes, to develop characters, I refer back to parts of my favorite movies or a TV series. I study certain actors to see how their facial tics or body movements portray a specific personality type or motivation. I love concentrating on writing deep characters, so I'm a people watcher in real life situations.
AiA: How long did it take you to complete your first book? What were the speed bumps or stumbling blocks along the way?
LR: I'm embarrassed to admit this because it took almost twenty years to publish my novel, Crossing at Sweet Grass. Not only was I was raising a family and working full time as a high school teacher, but I had another journey beside traveling the Oregon Trail. That journey was learning my writing style. At first, I had no idea about the skills it took to author a good novel. I had to learn about writing several drafts, point of view, and cutting out pages and pages of flashbacks and campfire stories. My biggest speedbump was myself. Some years I put away my manuscript and didn't work on it, but now I encourage authors to write daily.
AiA: What is your writing process like?
LR: I have a grown family, so I have more time to write. I usually go to Jazzercise first thing in the morning, then come back home and sit at my desk or kitchen table to write. If I'm doing first draft writing, it's pretty much a stream of keyboarding for about four hours a day. If it's the second draft, then I spend the time to fill in plot and characters. I like to grammar check on the second draft. While I'm contemplating what the characters would do and say, I get up and move, watch the birds at the feeder or take a walk. There are ski and hiking trails right outside my door. I move to the next chapter if I get stuck. Sometimes I write scenes that have nothing to do with the particular section I'm working on. They get filed in a separate folder on my desktop, and I'll usually cut and paste them into other chapters. Early on I realized writer's block inhibits me only when I worry what other people will think about my writing. If I don't dwell on that, my characters come alive on their terms, and I keep writing.
AiA: How did you find your editor, and what did you think of the editing process?
LR: I love the editing process as it demands a spectrum of emotions; it makes you cry, it makes you quit, and it makes you begin again. My strength is in the rewrite, so I have surrendered to that process as a positive aspect of writing. A dear friend is a content editor, and she patiently reads my material and has wonderful insights. I have a few beta readers; one reads across several genres, one is a retired psychologist, and another has a great sense of humor. These avid book lovers give me needed feedback and insight. For my first two books, I used a line editor with an indie publishing firm and found it immensely beneficial. Now for my zombie action series, I'm looking online for content and line editors since I plan to direct publish.
AiA: What drew you to Alaska, and does the location influence your writing content, style or process in any way?
LR: Even as a child, I wanted to go to Alaska. I love the wilderness adventure lifestyle. It's hard to believe, but I don't mind the cold weather. I love snow skiing and the arctic colors during twilight. While my stories don't originate in an Alaskan setting, the Native American characters in Crossing at Sweet Grass were inspired by my time teaching in the rural communities and travels. They are lovely people rich in cultural traditions and ways of knowing the natural world.
Alaska has a wealth of artists and authors. A fun writers conference to check out if you're interested in coming to Alaska during the summer would be the Kachemak Bay Writers Conference June 14 – 18.
AiA: Your first book is historical romance, and your second is poetry. How did you choose these genres?
My challenge as a writer is to describe my books since my writing style naturally crosses genres. The Ascension Circus Comes to Town is like a poetic novella with seven chapters. It took a long time to gently combine my poems into a circus theme that makes personal growth seem like fun and adventure.
AiA: What are you working on now? Do you have a new book underway? Please tell us about it.
Imagine you're young, beautiful and alone in a world of zombies. What would be your journey? Join Savannah's self-discovery through survival challenges, heartache, and love.
Thank you so much to the Indie writers of Amelia Island.
AiA: Thank you for sharing your story with us, Laurie! We wish you great success with all of your writing endeavors. Please visit us again!


With the continued student protests, the guys speak about police intervention in our society. The police are meant to make us feel safe, yet many would disagree that this is the outcome of their presence. When it comes to social unrest, they more often than not tend to escalate the situation rather than calm it down and bring peace. Police are supposed to be the people we trust, but we often feel uncomfortable in their presence, even in our day to day lives. It's a riot in studio as special guest Luthuli Dlamini gives his views on the #FeesMustFall protests and police intervention. Above and beyond that, they speak about the current influence of the youth in our society. TUT hosts a talent contest to prove that as the youth, we have so much to offer other than civil unrest. Hear it from our youths in studio – Mr P who hosts the Mr & Miss TUT, as well as Brenda who is a current student at the university.