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Home / India News / CM gives clearance to build music village in Varanasi in Bismillah Khan's honour
CM gives clearance to build music village in Varanasi in Bismillah Khan's honour
The village will be named 'Bismillah Khan Sangeet Gram' and it will house a museum centre along with a training-cum-research centre.
india Updated: Apr 07, 2017 14:36 IST
Oliver Fredrick
Hindustan Times, Lucknow
A village will be developed in Varanasi in honour of shehnai maestro Bismillah Khan.(HT File Photo)
Varanasi, the land of Ustad Bismillah Khan, will soon get a music village.
The one-of-its-kind village to be named as 'Bismillah Khan Sangeet Gram' will have a museum centre, a training-cum-research centre and many other rarities associated with musical 'gharanas.'
The project conceived by Padma Shri Soma Ghosh, the adopted daughter of the legendary shehnai player, got the clearance from chief minister Yogi Adityanath on Thursday.
The chief minister also promised to provide suitable land to set up the musical hamlet as soon as possible.
"It is indeed the biggest day of my life as I can see my father's dream become a reality soon," said Ghosh soon after meeting the chief minister at his official residence here.
"The idea to set up a musical hamlet came in 2005. It was a long cherished desire of my late father to preserve India's ancient musical heritage, including traditional musical instruments," said Ghosh who is the first woman to sing in the Parliament.
A noted classical singer, Ghosh boasts of a collection of rarest of the rare instruments like surbahar, vichitra veena, rudra veena, saraswati veena, shehnai, tar shehnai, table tarang, sundaree, dukkar, tutari, israj and many others.
"A lot of efforts have gone into collecting such rare items. I went around contacting personal collectors, museums, individuals and old musical gharanas to procure, and many times, buy the age-old instruments," said Ghosh who initially faced lot of criticism for her idea.
"The critics said there was no point in collecting old pieces of scrap in the age of sitar and guitar," said Ghosh, whose "madness" later got appreciation from former president APJ Abdul Kalam, Prime Minister Narendra Modi and many others.
Having collected many a rare pieces, the task on her hand was to make use of them
"I was clear that their display at a museum alone won't help, I wanted an academy or a hamlet where these can be studied, researched and practised," she added.
Her search for land began in 2015. "But since the government then was busy with assembly polls, my plea went unheard and unnoticed," she said.
On Tuesday, she again decided to take her plea to chief minister and left a message.
To her surprise, she received a call from chief minister's official residence, fixing an appointment for Thursday. "I really appreciate Yogi ji's gesture who also gave clearance to the hamlet," she said.
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https://www.hindustantimes.com/india-news/cm-gives-clearance-to-build-music-village-in-varanasi-in-bismillah-khan-s-honour/story-wwlVNMIModCLkyDeaqiYHJ.html
https://www.hindustantimes.com/india-news/paswan-defends-caa-npr-but-feels-protesters-have-a-right-to-express-themselves/story-lqd2YSSCCIxDIb1urL7WNM.html
https://www.hindustantimes.com/india-news/20-farmers-six-cops-injured-in-chalo-assembly-rally-at-amaravati/story-n0ORinvun3fOV2r2gApXFP.html
20 farmers, six cops injured in 'Chalo Assembly' rally at Amaravati
https://www.hindustantimes.com/india-news/inspired-by-shaheen-bagh-protests-women-in-ranchi-begin-anti-caa-stir/story-L4z7gl6KnEKVIzmxdllV3N.html
Inspired by Shaheen Bagh protests, women in Ranchi begin anti-CAA stir
https://www.hindustantimes.com/india-news/tukde-tukde-gang-union-home-ministry-has-no-info-centre-tells-rti-applicant/story-hiE5PgL56C0b0EidtDsfAK.html

redpajama_set_name: RedPajamaCommonCrawl


TULSA, Okla., Oct. 17, 2018 (GLOBE NEWSWIRE) -- Matrix Service Company (Nasdaq: MTRX) announced today that it has been certified for the third consecutive year by the independent analysts at Great Place To Work®. The certification is based on anonymous surveys completed by employees of Matrix Service Company and its subsidiaries. A summary of these results can be found at http://reviews.greatplacetowork.com/matrix-service-company.
"As a top tier EPC contractor to the energy, power, and industrial markets, it is our people who drive our success and represent our most important and sustainable competitive advantage," said Matrix Service Company president and chief executive officer John R. Hewitt. "This certification is just one confirmation of our position as an employer of choice in the engineering and construction industry and our commitment to attracting, developing, and retaining best-in-class employees to meet the needs of our customers.


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Q: Initialize several variable from console input as the title say, i need to affect values to several variable from one console input. I would like to store 3 number at once from an input line looking like this: -number1-space-number2-space-number3-
Right now i am doing it like this:
numbers = input("Enter three numbers separated by spaces: ")
nb1 = int(numbers.split()[0])
nb2 = int(numbers.split()[1])
nb3 = int(numbers.split()[2])

But it wouldnt surprise me if you could do something like this:
nb1, nb2, nb3 = input("Enter three numbers separeted by spaces: ",? ,?)

Replace question mark by code actually working.
So if you know a better way of doing this, i would be thankfull.

A: msg = "Enter three numbers separated by spaces: "
n1, n2, n3 = (int(n) for n in input(msg).split())

redpajama_set_name: RedPajamaStackExchange


Scott Prior's bucolic, more than real landscapes hold layers of yearning, a romantic and retrospective vision. His traditional, classic scenes of villages, sun-bathed fields and memory-laden gardens comment on the passage of time, like Ferlinghetti's Coney Island of the Mind, "those myriad mornings rise/when every living thing/cast its shadow in eternity/and all day long the light/like early morning/with its sharp shadows shadowing/a paradise…"1 He combines familiar landscapes to create an idyll of peacefulness, bathed in the light of dawn and sunset.
Prior was born in 1949 and spent most of his childhood in Topsfield, Massachusetts, a small town north of Boston within range of the Atlantic coast. On his website he describes bike trips that led him to other towns outside the range of his family's small world. These trips heightened his vision, developing an explorer's sense of wonder and amazement on a child's scale. As a teenager, he hung out at the seaside tourist resorts of Hampton Beach and Salisbury Beach, New Hampshire, where amusement parks may have sparked imagery for eventual paintings, as well as the Topsfield Fair with its rides and games. This sense of child-like discovery continues in his work in the present, where he recreates the feeling of newly discovered territory by turning the ordinary extraordinary, tweaking color and increasing contrasts within a penumbral shadow. The ordinary reality was his middle-class family, and his mother, an amateur painter, signing him up for painting lessons at age fourteen, recognizing his self-motivation early.
In Northampton he met the realist artist Gregory Gillespie, an obsessive, spiritually inclined painter twelve years Prior's senior, who became his friend and mentor. Other realists in the area included Gillespie's wife Fran, Robin Freedenfeld, Jane Lund and Randall Deihl, all of whom came to be known as 'Valley Realists.' The Pioneer Valley and Berkshires provided Prior with subject matter, and he has used California and Cape Cod landscapes as well. An accomplished photographer, he often takes as many as a hundred photographs for a painting, merging images in Photoshop to create a final workable template. He puts a grid over the photograph and draws the scene very simply on one of the gessoed wood panels he favors. In landscapes, he usually paints from top to bottom, trying to get the painting right the first time, glazing over certain parts later, working meticulously with tiny brushes. The scale of his landscapes is diminutive—although his more ambitious figure paintings and landscape paintings can be quite large, such as Red Ball in Early Spring (1994), 72"x 108".
A child's ball shows up in many of Prior's paintings. The balls rest, abandoned in a pond, collecting snow, or by a tree in autumn, yet never showing the effects of time. In summer paintings, balls linger in light-filled pools or on bright summer grass, color and pattern intact. They are players in the mnemonic, haunting, nostalgic quality of Prior's work, a kind of time capsule.
Deep reflection within a painting overshadows any question of technique. The viewer accepts the sense of wholeness offered by the painter and does not ask how the painter achieved what he/she did. Sometimes questions are asked later, and studies evolve that illuminate particular technologies used in the era. Vermeer's work is like this—admired, collected and shown, for years no questions were asked of provenance or production. Yet art historians came to suggest that Vermeer and other seventeenth-century Dutch artists used the camera obscura, where an image is viewed through projection of light through a pinhole onto a wall or in a box, a kind of primitive camera capturing light, image and detail. The use of that primitive camera by Vermeer and others has always been a curious footnote to the brilliant, light-drenched Dutch canvases known so well. For contemporary painters, using digital tools such as Photoshop, heightening color, enlarging details and instantly seeing and manipulating images is increasingly commonplace. Like the camera obscura, convex mirrors and other lenses reviewed by David Hockney in his book Secret Knowledge: Rediscovering the lost techniques of the Old Masters,3 digital tools are now taken for granted as part of the available range of media techniques used in our time.
Yet these tools also can alter perception. In Prior's work, color seems to be accentuated or enhanced. Both his choice of time of day, temperature, mood and season and the ability to digitally enhance the tone and relationship among colors increase our emotional reaction to his work. His paintings seem to capture memory, increasing responsiveness to light and its effects. Many works offer a warm glow of perpetual summer, Eden-like, and even in winter, homes, abandoned toys and remnants of summer landscapes continue to glow.
In Community Garden at Sunrise I (2004–06), Prior presents a community garden in late summer. Overgrown flowers and vines choke fences and climbing structures. An old green metal chair is half hidden in the foliage; a bench's angles are softened by tall grass. In the pearly light of early morning, a sky mottled with light orange, blue and grey like a diminished fireball candy sweeps over the top of the painting, while the lower two thirds consist of a tangle of green growth. Dots of yellow and red flowers cause the eye to dance around the strongly horizontal surface, while strange, otherworldly overgrown plants on trellises create a kind of surreal ménage of creatures in the background. An abandoned boot stuck on a post upside down offers a gesture of human presence. In the dense world portrayed here, with excessive texture and obsessive detail, a sense of menace hovers until the awkward boot and dismissed furni-ture become humorous, actors on a vaudeville stage.
Prior's abandoned amusement park paintings show the "effects of time on landscape," which might more realistically be called 'time's ruin.' Mountain Park (35"x72", 2002) presents the graffitied walls and remnants of game booths of a once-favored destination. Families from Holyoke Center could take the trolley to the outskirts of town for outings, concerts, games. Now the park is a hollow, empty shadow, a place being overgrown by nature. In late autumn at dusk, bits of color on buildings' contours glow strangely against bare tracings of trees in background mist, becoming artifacts of a time of innocent pleasure. Nostalgia for previous happy times pervades this painting and others, including more light-hearted and warm-toned images than this one.
Prior speaks nostalgically of the 1960's, of Woodstock, the mixed blessings of freedom and freewheeling elation, as the Vietnam War raged. He calls it a "bad and good time." The Beatles' song "Across the Universe" recalls in its lyrics the "Pools of sorrow, waves of joy…drifting through my open mind…" including the refrain, "Nothing's going to change my world, Nothing's going to change my world…"4 Prior's work evokes a similar polarity, gently suggesting timeless joys through artifacts of family ritual: picnic tables, beach towels left on summer laundry lines, pumpkins, birdbaths, sunflowers, arched flower trellises, lighted Christmas decorations, bonfires. In contrast, he also evokes the ravage of time with old houses, railroad tracks, diners, dark ponds and empty summer chairs.
Prior critiques many realists for focusing primarily on technique, insisting that the subject and feeling a painter paints is most important. Painters he respects and loves include Flemish Renaissance painters like Jan van Eyck, Pieter Breugel, George Inness, the Hudson River School painters, Martin Johnson Heade and the mysterious Louis Elshemius. Antonia Lopez-Garcia, a contemporary Spanish painter, is a fellow realist whose work he continues to admire. The British landscape painter and draughtsman Samuel Palmer also seems connected to what Prior is trying to do: discover the magic of nature in various light conditions, steeping the viewer in enchantment. Prior has shown for many years in realist galleries such as Alpha Gallery in Boston and at William Baczek Fine Arts in Northampton.
In Valley in Winter (2014), a recent large painting he has spent five months on, Prior worked from photographs of ten different places to get the combination of location and image he wanted. The painting portrays a village nestled in between hills at the end of the day. The upside-down arc of hills is mirrored in the irregular-edged pond in the foreground. Cloaked in snow, the houses cluster together irregularly; while their lights, just turned on at dusk, create a cheerful, scattered effect. The painting is crisp, with dark edges and shapes against white. Details of dried grass and tree branches are part of the overall highly textured scene. A glaze of orange light rests on the pond's ice, where a discarded child's ball sits askew, frozen into the surface. A dark red barn and white rectangular roof are stable shapes in the lap-like valley. One can imagine walking briskly on the road that curves and winds through the village; the effect is timeless, familiar, without reference to clothing, style or era. No telephone lines etch across the space above houses. Color is dark/sweet, punctuated by warm yellows and oranges and a clear blue sky with purple clouds.
Influencing Valley in Winter is one of Prior's favorite paintings, Pieter Breugel's Hunters in Snow (1565), a work that casts cool light on a winter afternoon. This painting reminds him of Northampton and the Holyoke range, and he always yearned to do his own version. In Breugel's attention to detail, sweep of dark branches and trees, crows and people one can see what interested Prior as an artist, especially the atmosphere of a darkening chilly afternoon. Unlike Breugel, in Prior's work the only reference to people is a discarded ball and a snowman in the foreground. Both Prior and Breugel manifest a similar narrative interest in a place that is 'home.' Valley in Winter is a moment of time stopped and remembered, an iconic place. It is almost hard to imagine being able to see all these details of such a valley with the naked eye. The advantage of digital photography is the ability to attend to all parts of a scene at once, without atmospheric perspective, blurring or prioritizing one section of the painting over another.
Subtle humor, often hidden in Prior's work, is evident in such paintings as Two Cows (2005). Next to a country road, these two animals have been caught as if in a theater spotlight. They turn to look at the painter, two sets of big eyes taking him in—their lanky bodies paused, parallel in stance—as if waiting to make a big decision. The painting consists of a simple blue house, a bank of trees, a vivid sky and the cows, almost a couple, standing by their home. The yellow line of the road completes this picture, offering a quick exit for the eye back into landscape. The road itself, a gorgeous purple reflecting sky, with hints of pink and orange where the rain is drying off, contrasts beautifully with the blandness of the brown and cream colored cows, together suggesting speed and stasis, human design and nature.
Prior's simplest paintings describe a path or dirt road heading straight up into the distance at the center of the painting. Depicting different times of day and night, illumined or darkened by the forest surrounding, the changing color of the beaten track beckons. Favored times are sunrise or sunset. The composition offers little beyond a strong central line dizzyingly cutting the painting in two. Like the colors in some of his works that are almost too sweet to be real, these paintings feel like illustrated archetypal myths. Titled variously, Dirt Road, Sunset, Sunrise, Path along Old Railroad Bed, Dunes at Sunrise, they contrast with the sheer volume of detail in many of the other paintings—and offer an opportunity for projection of the viewer's own memory, vision or spiritual need. In their emptiness, they are more like vessels for experience and feeling, in contrast to other more information-laden landscapes providing every cue of a scene, every feeling, every detail. They are like templates for reflection, like old photographs of Greek ruins.
The viewer asks that landscape reveal something about nature, that it take us into it, and that it tell us as well about the painter. Although it takes thousands of years for landscape to really change, in fact it is changing moment-to-moment and season-to-season. The painter attempts to stop the clock and capture timelessness. Prior's paintings, then, are a reflection of the world of the 50's when he was a child, the 60's when he was a college student and young painter and the present, ever-changing moment. George Santayana, whose work was especially read and extolled in the sixties, wrote, "Art …recasts in idea a world which we have no present means of recasting in reality."5 Prior's paintings are longings for a timeless, almost spiritual present, yet are informed by the everyday, the "bad and good" of it. He seems to be haunted by a longing for clarity, simplicity and peacefulness that is thwarted. He mentions the character in "The Dead,"6 a short story by James Joyce, who gazes out at the snow at the end of the story, agonizingly aware that life is not simple or what he had understood it to be. The polarity of order and chaos; the poignancy of memory and time lost permeate his work.
Discovering magic, memory and human feeling imprinted in landscape, Scott Prior both dims and softens the light just enough in his paintings to take us along with him on his bicycle trip to a new town. Exploring both the unexpected and the familiar, the diner in winter, a red ball left by a huge tree, the picnic table abandoned in the rain, the central path to who knows where, he creates satisfying, appreciative paeans to life and to nature. He shows us how memories collect in the mind, how yearning for clarity and crispness pulls also towards timelessness and generality. In his paintings he reminds the viewer of how one would like things to be—and how art can rekindle idyllic memories of childhood—evoking a powerful vision of warmth and collective love.
1. Lawrence Ferlinghetti, A Coney Island of the Mind (New York: New Directions, 1958), 35.
2. Interview with the artist, March 28, 2016. Unless otherwise noted, Prior's remarks are taken from this interview.
(London: Thames and Hudson, 2001).
5. George Santayana, Little Essays Drawn from the Writings of George Santayana (New York: Scribner, 1920), 114.
6. James Joyce, Dubliners (New York: The Modern Library, 1967).


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1. Bolsonaro summoned by Federal Police to discuss illegal leak of investigation
Brazilian President Jair Bolsonaro was summoned by the Federal Police (PF) to discuss the leak of confidential documents related to the attack of the Superior Electoral Court (TSE) internal network in 2018.
On August 4, 2021, Bolsonaro posted a document about the leak on his social media channels. At the time, he claimed the document proved the Brazilian electoral system was untrustworthy.
TSE demanded that Federal Supreme Court Justice Alexandre de Moraes investigate the case. Moraes accepted the request, considering it to be related to the "Fake News" investigation.
This is the second time Bolsonaro has been summoned by the Federal Police. The first was during an investigation into his interference with the leadership of the PF following an accusation by former minister Sergio Moro.
G1: PF intima Bolsonaro a depor sobre vazamento de inquérito sigiloso que investiga ataque ao TSE
Estadão (relembre): Bolsonaro enfrenta a mais dura reação a seu governo
2. Poll reveals 55% of Brazilians disapprove of the Bolsonaro administration
This week, the IPEC polling institute revealed that 55% of Brazilians think the Bolsonaro administration is bad or awful. The number is increasing steadily – it was 53% in September, 49% in June, and 39% in February. Furthermore, the President's approval rate is decreasing. According to the poll, only 19% of Brazilians believe the administration is doing a good job. This figure was 22% in September, 24% in June, and 28% in February.
The percentage of Brazilians who believe the Bolsonaro administration is average is now 25%. In February, it was 31%, 26% in June, and 23% in September. Those who did not know or did not want to answer the poll were 2% of Brazilians in February and 1% in the last three polls.
IPEC also published its voting projection poll for the 2022 presidential election. In the first round of elections, former president Lula is leading with 48% of the vote. President Jair Bolsonaro is in second place with 21%. Former judge Sergio Moro is in third with 6% and is technically tied with Ciro Gomes, who has 5%. The margin of error is 2 percentage.
G1: Pesquisa Ipec: reprovação ao governo Bolsonaro chega a 55%
Folha de S. Paulo: Ipec: Lula lidera no 1º turno, seguido por Bolsonaro e com Moro e Ciro distantes em 3º
3. Precatory Constitutional Amendment Bill approved in first round of votes, authorizing Auxílio Brasil
The Chamber of Deputies approved the text for the Precatory Constitutional Amendment Bill in the first round of votes, accepting all alterations suggested by the Senate. In total, 327 representatives voted in favor of the bill, 147 voted against, and one abstained from voting. With this limitation on precatory payments, the country will have over $100 billion R available to pay for Auxílio Brasil from the 2022 budget.
Among the changes suggested by the Senate and now approved by the Chamber of Deputies is authorizing payment of government debts in installments until 2026. Parties and senators disagreed on this issue. Another passage that was not approved concerned the postponement of payments.
Representatives had to analyze changes suggested by the parties. The bill still needs to go through a second round of voting before it is enacted.
CNN: Câmara aprova em 1º turno texto principal da nova PEC dos Precatórios
Reuters: Lira diz que votação de destaques da PEC dos Precatórios terá placar ainda maior
4. Brazilian GDP per capita will take 7 years to return to 2013 levels
Many people wonder how the coronavirus pandemic and the current economic downturn will affect Brazilians over the next few years. A study by the Brazilian Institute of Economics at Fundação Getulio Vargas (IBRE/FGV) reveals that economic recovery will be slow for Brazilians. This is borne out by per capita Gross Domestic Product (the sum added value created in the country divided by the number of inhabitants) projections. It will take at least seven years for Brazilian GDP per capita to match 2013 levels.
According to IBRE/FGV, per capita GDP will reach R$36,661 at the end of this year, 3.8% above its figure last year. The index is 1% below pre-pandemic levels in 2019 (R$36,969). The country reached its highest GDP per capita figure in 2013, (R$39,685 – 7.7% higher than the current level).
According to Silvia Mattos, coordinator of the IBRE/FGV study, the country will only be able to return to 2013 levels in 2028. However, to achieve this, GDP will need to grow by 2.1% a year from 2023 to 2028. Disregarding population increase, this would entail a 1.5% per year increase of per capita GDP – an optimistic rate.
Estadão: Com economia patinando, PIB per capita só volta ao patamar de 2013 em 2028, estima Ibre/FGV
O Globo: Após queda no setor de serviços, analistas já revisam projeções do PIB anual e do quarto trimestre
5. ANVISA demands proof of COVID-19 vaccination from travelers
Beginning on December 13, Brazilian authorities should have demanded that all travelers from abroad present proof of vaccination upon arriving at airports or land borders. This requirement was enacted by the Brazilian Health Regulatory Agency (ANVISA). However, it was not followed in airports, as many passengers did not present proof of vaccination.
Travelers complained about long lines and delays at international airports in São Paulo and Rio de Janeiro, claiming they waited for hours with no social distancing. This resulted in many being allowed into the country without showing proof of vaccination, including travelers from Europe, the United States, and other South American countries.
The proof of vaccination requirement was officially mandated on Saturday (11th) through a provisional decision by Federal Supreme Court Justice Luís Roberto Barroso.
Estadão: Cobrança do passaporte da vacina começa com filas, fiscalização tem falhas
Folha de S. Paulo: Passaporte da vacina é exigido de forma parcial na chegada ao Brasil


Explore Mykonos genuine tradition and discover a fascinating world where glamour meets simplicity.
Our tour will start at 11.00 a.m. with our visit to the Archaeological Museum of Mykonos, highlighting the island's rich legacy in the history and the tradition. It is one of the oldest in Greece and it was built in the early years of the 20th century to house the finds from the excavations at Rinia. The museum includes six rooms and here are collection of sculptures and tombs of Rinia but also important finds from excavations in Mykonos.
During our tour we will have the opportunity to enjoy a vast collection of exhibits from the Hellenistic period and prehistoric times including vessels, statues and columns.
We leave the interesting exhibition of the museum and we head towards the traditional village of Ano Mera in order to visit the organic farm Mykonos Vioma. Established in 1994 as the result of Nikos Asimomytis' desire to abandon Athens and return to his fatherland, the farm offers a unique opportunity to tour around its old monastery vineyard of Maou and taste the farm's organic, bio-dynamic wines, based on the principles of Rudolph Steiner.
During our staying at the farm we will have the chance to take a walk around the property and taste, together with the wines, many other traditional products of Mykonos!


A PERFECT DAY/UN GIORNO PERFETTO is a methodically told, well acted Italian drama that tries to explore the psychology of domestic violence. Director Ferzan Ozpetek opens with the police being called to the apartment of one of their own - a cop called Antonio who works as the bodyguard of an MP. After this framing device we move back 24 hours to see the events leading up to the gun-shots.
Valerio Mastandrea gives a superb performance as Antonio, the cop, driven mad with rage when his abused wife Emma (Isabella Ferrari) finally takes their two children and leaves him. It is testament to the nuances of his performances that the audience can feel sympathy for such a brutal man. Isabella Ferrari is also very convincing in an award-winning performance as the put-upon wife, dressing younger than her age, overlooked by life, unable to take on any more problems. The sub-plot sees Antonio's employer, an MP, losing power and his young wife tempted into leaving him for his son by an earlier marriage.
The central story - based on a novel by Melania Gaia Mazzucco - is powerful and handles a difficult subject with understanding and fine balance. However, the romantic sub-plot reeks of daytime TV soap opera. Nonetheless, insofar as the bulk of the movie is an intelligent adult drama, and such intelligence is rarely seen on our screens, this movie is still worth seeking out.
A PERCECT DAY played London, Toronto and Venice 2008 where Isabella Ferrari won the Pasinetti Award for Best Actress. It opened earlier this year in Italy and opens next week in Turkey.
I must have seen a completely different movie, because I think this movie is simply rubbish. Stay away at all cost!
Even I saw the same film which you saw Mr. Anonymous. Not the one which is reviewed above. Ferzan looked very confused and the editing was not seamless. Acting was below average. The Character Transformation Graph is missing and due to that the last act does not look very convincing. Also the parallel story was not balanced well. I am still confused who is the main protagonist of the film and if it is the bodyguard , i should say he looked just like a supporting actor. And "who let the teachers out of the school in the night?"
The filmmaker looks promising in some parts and I really hope a better film from him. He has the talent but needs to work on the totality of the films outcome.


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Overcoming Discrimination in Burundi
ANANIE (CENTRE) IN CLASS WITH FRIENDS
Meet Ananie.
She's a sweet 16 year old living in Burundi. Ananie is a hard worker who is doing quite well in school; she expects to graduate high school in two years. Her mom proudly boasts about Ananie's strong character and position as a role model in their community. If you met her today, you'd probably never guess her back story.
Ananie was born into a persecuted minority tribe in Burundi, called the Batwa. As an indigenous people comprising only 1% of the population, the Batwa have been repeatedly discriminated against by their own government, forcibly removed from their land, and plunged into destitution. Originally hunter-gatherers from the forest, they now survive mainly by selling clay pots or working for others as casual labourers. As the most disadvantaged tribe in Burundi, their children predominantly do not attend school.
FASHIONING CLAY POTS IS A LONGSTANDING BATWA TRADITION, AND A MAIN SOURCE OF INCOME
MANY BATWA HOMES, LIKE THIS ONE, ARE MADE SIMPLY WITH STRAW
SOME BATWA HOMES ARE MADE WITH CLAY AND BRANCHES, BUT PROVIDE LITTLE SHELTER FROM SEASONAL STORMS
That's why it's such a miracle that Ananie has made it all the way to Grade 10! But the road getting there wasn't easy.
Ananie and her seven siblings were raised solely by their mother; their father passed away when she was still young. As a Batwa, and as a girl, it was inconceivable that she would get an education. But for whatever reason, her parents chose Ananie and one of her brothers to be the only two children they sent to school. With the pressures of coming from a poverty stricken home, however, she didn't last long. Ananie dropped out of school after Grade 1.
But FH Burundi is working hard to promote education among the Batwa community, to give them equal opportunity to education as all other children in Burundi. When they identified Ananie as a vulnerable child, they quickly registered her as a Sponsored Child.
FH STAFF MEMBER, ANNE MARIE, REGULARLY VISITS THE BATWA COMMUNITY IN BUTAGANZWA
FH staff members began following up with Ananie and her family. After several home visits and long conversations, Ananie's mom agreed that going back to school would be good for her daughter. As a sponsored child, each year she received school fees, school supplies, and a uniform. Her mom also took part in many of the health and livelihood trainings offered by FH. Home visits by staff encouraged Ananie and her family to incorporate into their everyday lives the new things they learned in school and FH workshops.
FH TRAINING SESSION FOR LOCAL FARMERS
Ananie remembers, "As I grew up, I slowly started to recover from the trauma of stigma, and I felt that I was gaining confidence and I stopped looking down on myself. By the time I got to Grade 6, I was already excited about school and was determined to do well. At the end of that school year, I got very good grades and was promoted to secondary school."
This achievement was a real turning point in Ananie's life, and changed her status in the community. "There were many children who used to discriminate against me who did not qualify for secondary school. Now they respect me. I am grateful to Kenaz, the FH staff member who helped me realize that God loves me and values me like any other child."
ANANIE (IN RED) WITH HER FRIENDS AT SCHOOL
Ananie's mother proudly confirms the impact that Ananie's achievements are having in their community. "My tribespeople look upon her as a model [of success]. If FH had not come to my community, my daughter would be illiterate.
"I pray that she will become an important person and help her siblings who did not have the same chance she did, and to serve our vulnerable people."
SPONSOR A CHILD
Burundi ChildSponsorship Education HealthNutrition Soup Campaign
Food for the Hungry: Overcoming Discrimination in Burundi
https://2.bp.blogspot.com/-jbit7jWohP0/WNK7eWLm7zI/AAAAAAAADWs/mO8mSfmeBoAK3zZiEaWpwH6C3rhyDYOwwCLcB/s1600/ananie%2Bin%2Bclass.JPG
https://2.bp.blogspot.com/-jbit7jWohP0/WNK7eWLm7zI/AAAAAAAADWs/mO8mSfmeBoAK3zZiEaWpwH6C3rhyDYOwwCLcB/s72-c/ananie%2Bin%2Bclass.JPG
https://blog.fhcanada.org/2017/05/overcoming-discrimination-in-burundi.html


Assume red flames. See the negative disease body is burning in those red flames.
Consciously feel that you are out of that disease. It is out of your physical body and was burnt.
Feel your vitality levels and you will find that, their energy levels are raised. You have seen all your negativities and diseases burnt. Sense that you have no more diseases and all are burnt. Feel the healthy inner happiness. Continue the exercise till you feel better.
Do practice alternative therapies along with taking therapy from a Doctor. They fasten your curing process.
May all human beings be blessed with health, happiness and peace.


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Andrei Linde
Theoretical Physicist, Stanford; Father of Eternal Chaotic Inflation; Inaugural Recipient, Fundamental Physics Prize
The Non-Returnable Universe
Thanks to online shopping, buying things now is much easier than before. You do not like something—you can always return it back for a full refund. A physicist might say that one can turn the arrow of time back for non-used purchases. A cosmologist may comment that we use a similar time reversal method in our research.
Indeed, to understand the origin of the universe we may study its present evolution, and then solve the Einstein equations back in time. What we find is very similar to what happens then we play a movie back. At present, galaxies move away from each other. Playing the movie back shows them moving closer together. Going further back in time, we see that at some point the density of matter becomes infinitely large. This is the cosmological singularity.
Solving the same equations forward in time, starting from the singularity, one finds that all matter appears from the singularity in a huge explosion, called the Big Bang. When the original cosmic fire cools down, matter condenses into galaxies, and they fly away from each other.
The possibility to go back and forth in time is a powerful tool, which helps us to visualize the evolution of the universe. The resulting picture is so convincing that many of us are using it even now in our lectures. It tells us, essentially, that our universe is a gift sent to us from the cosmological online retailer 14 billion years ago. We can track its delivery from its origin to the present time, running our calculations all the way back to the Big Bang.
Of course, we know that one cannot turn the arrow of time back because of the second law of thermodynamics. But the standard lore of the Big Bang theory was that the expansion of the universe was nearly adiabatic, and therefore approximately reversible. In particular, it was assumed that the total number of elementary particles in the universe did not change much during the cosmological evolution.
Some parts of this picture, however, were problematic. One may wonder, for example, who paid the bill for sending us more than 1090 elementary particles populating our universe, and who made the universe uniform and suitable for life?
In the beginning of the '80s, it was found that one can solve these problems if soon after the Big Bang there was a short stage of an exponentially fast expansion of the universe, called inflation. This idea experienced numerous modifications, and now we do not even think that the universe was born in fire. Instead, it could be created from a tiny vacuum-like speck of matter with special properties, weighting less than a gram and containing no elementary particles at all. Normal matter emerged only later, when the universe became exponentially large and its original vacuum-like state decayed.
During the last 35 years, many predictions of this theory have been verified by cosmological observations, but nevertheless it is somewhat difficult to get used to it, in part because it does not match the conventional picture of the time-reversible universe.
Indeed, let us try to follow the cosmological evolution back in time in this scenario. At first, galaxies move towards each other and the universe becomes very dense, just as in the standard Big Bang theory. But then something really weird happens. Suddenly, at the moment corresponding to the end of inflation, played back in time, all 1090 elementary particles populating our part of the universe completely disappear!... And then—not a flash, not a sound, nothing, except the exponentially shrinking and disappearing empty universe.
Thus, in this scenario, the movie played back in time has a nonsensical ending. Making 1090 elementary particles instantly vanish is absolutely impossible!
But there is nothing wrong about it, if one moves in the proper time direction. According to inflationary theory, all elementary particles in the universe were created by conversion of vacuum energy to matter during the decay of the original vacuum-like state. The theory of this process is well developed, but this process is irreversible: once particles are created, they cannot be un-created.
This is a part of the mechanism that makes the new theory work: We do not need anybody to send us a huge container with more than 1090 elementary particles; a tiny package with one gram of matter is more than enough. On its way to us, this package started growing up, unwrapping itself, producing billions of galaxies containing hundreds of billions of stars. We cannot, even in our imagination, follow this package back to its origin and watch all matter dissolving into nothingness. Our universe is unreturnable, so our only choice is to accept this gift and use it to the best of our abilities.


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Visitors walk into Auschwitz I museum in Oswiecim, Poland, January 25, 2015. (Sean Gallup/Getty Images)
Teens Detained for Stealing From Auschwitz, Then Let Go
Two British students spent the night in a Polish prison after allegedly nabbing glass, a spoon, buttons and the remains of a hair clipper
By Jas Chana
June 23, 2015 • 4:37 PM
A pair of British teenagers have reportedly been freed after stealing possessions from the museum at the former Auschwitz death camp. The boys, aged 17 and 18, were with their school on an educational tour when they were caught with historical artifacts that once belonged to Holocaust victims, inside their backpacks. The students, who were detained at 3 p.m. on Monday, and spent the night in a Polish jail, face a maximum term of ten years if convicted, reported The Guardian.
The teenagers were spotted by security guards in block 5, a part of the concentration camp where personal belongings of prisoners were stowed during World War II. This prompted the guards to search the students' bags in which they allegedly found fragments of glass, a piece of a spoon, buttons and the remains of a hair clipper. Local police reported that the students had found the items on the ground where, apparently, these types of Holocaust-era items are commonly found. According to The Independent, "Following the camp's liberation, the warehouses were torched by guards but rainfall often brings small—once buried—objects up to the surface."
The guards reported the incident to the local police who detained the kids, and interrogated them using a translator. The alleged criminals spent last night in "a special jail for youths," The Guardian reported. The Malopolska police deputy inspector Mariusz Ciarka told the Krakow Gazette that the boys had maintained their innocence throughout questioning, adding that they did not seem unfamiliar with "the dramatic history associated with Auschwitz."
"We have a duty to educate the next generation to prevent ignorance and hate, and in over 15 years of organizing for thousands of British teenagers to visit Auschwitz-Birkenau, we have never known of such an incident. We would gladly work with these young boys to ensure they understand the implications of their actions although this is now a matter for the police."
The teenagers supposed ignorance might make this seem like a unique case, but stealing from the former concentration camp is not an uncommon occurrence. In April 2014, an Italian tourist tried to smuggle a 16-inch strand of barbed wire from Auschwitz out of the country. A few months later a German teacher was caught with ten stolen artifacts, including a fork and a pair of scissors. Most notoriously, a Swedish man was jailed in 2014 for planning to steal the "Arbeit macht frei" gate ("Work sets you free") from the Dachau concentration camp.
The Jewish Chronicle quoted Karen Pollock, CEO of the Holocaust Educational Trust, who said, "This is absolutely shocking and shows gross disregard to the memory of the Holocaust. Every single artefact found at Auschwitz-Birkenau tells a story of the more than a million people who were ruthlessly murdered by the Nazis there and this incident serves to show why our work is crucial now more than ever.
The teenagers in question this week attend The Perse School, an independent secondary school located in Cambridge. A spokesperson for the school said that the two pupils are cooperating with Polish authorities: "We understand they have explained that they picked up the items without thinking, and they have apologized unreservedly for the offense they have given, and expressed real remorse for their action," The Independent reported.
Today, the BBC reported the teenagers were let go, and fined about £170.
Previous: Tourist Steals Barbed Wire From Auschwitz
'Arbeit Macht Frei' Gate Stolen From Dachau
German Teacher Caught Stealing From Auschwitz
Visitors to Auschwitz Are Stealing 'Souvenirs'
Related: Amy Schumer Satirizes the Rite of Visiting Holocaust Memorials—and Nails it
Uncertain Future
Jas Chana is a former intern at Tablet.
Auschwitz-Birkenau
Robert Oppenheimer's Jewishness
By Bridget Kevane
My Kind Heaven
By Perry Farrell


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In India, Missionaries of Charity will again offer children for adoption
by Catholic News Service
A member of the Missionaries of Charity laughs as she interacts with children in 2016 at Nirmala Shishu Bhavan, a children's orphanage founded by St. Teresa of Kolkata in India. (CNS/Rupak De Chowdhuri, Reuters)
New Delhi, India — The Missionaries of Charity congregation has agreed to resume its service of offering children for adoption.
The congregation founded by St. Teresa of Kolkata, commonly known as Mother Teresa, discontinued giving babies from their orphanages for adoption in October 2015 after disagreeing with a new federal law that allowed single and divorced woman to adopt children, reported ucanews.com.
The congregation has revised its stance and will join the centralized adoption service system set up by the government, said Maneka Gandhi, who heads the Ministry of Women and Child Development.
A delegation of three Missionaries of Charity, including Sr. Mary Prema Pierick, met the minister Oct. 29 and decided that children in the nuns' 79 homes can go into family care, ucanews.com reported.
In a Nov. 2 statement, the nuns said they had agreed to register all their child care homes with respective state governments as mandated by the Juvenile Justice Act of 2015.
Gandhi has asked them to undergo registrations of all their homes and link them with specialized adoption agencies who would carry out the placement of children declared legally free for adoption.
Most Missionaries of Charity homes for children are already registered and the remaining homes are in the process of completing registration formalities, the release said.
"It is mandatory for every orphanage to get registered with the state government, and children in an orphanage will go for adoption irrespective of the concerns of those who run it," said Sr. Clara Animuttil, who runs an orphanage in Madhya Pradesh state.
"Orphanages without registration run the risk of closing down and the government offers no exception to anyone."
Pierick did not explain why the congregation had revised its stance.
The meeting with Gandhi was the first since July, when her ministry ordered all states to carry out inspections of all children's homes run by the Missionaries of Charity following allegations of the illegal sale of children at a home in Ranchi, the capital of Jharkhand state.
Missionaries of Charity Sister Concilia, who ran the Ranchi home, was arrested. She remains in jail after Jharkhand's High Court rejected her bail application Oct. 30, saying her release may hamper investigations.
Pierick said the nuns were praying that the collaboration between the congregation and the ministry "will serve for the good of God's children in need of love and care."
Ministry | In India, Missionaries of Charity will again offer children for adoption
Leader of India religious calls on cardinal to reach out to nun in rape case
Death of Fr. Swamy, tribal rights defender, motivates India's Catholic religious
Indian nun expelled from her community loses Vatican appeal, goes to India courts
Why aren't we talking about the farmers' protest in India?
Q & A with Sr. Preetha Varghese, providing food and clothes to those who need it in New Delhi
Life in India's lockdown: A desert experience
Indian nuns aid migrant laborers stranded on way home during lockdown
Q & A with Sr. Joan Mumaw, providing an update on South Sudan
Iowa guest house helps women get back on their feet after prison
'Saintly warrior' sister fights for lowest of low castes in India
Babies abandoned in Uganda find advocacy and love at sister-run home
Story of a missionary: from Congo to Tanzania


This picturesque, year-round waterfront home is nestled on the sought after island of Islesboro. It is privately set on 7 acres, w/ 650 ft. of varied shorefront, a deep water dock in protected Seal Harbor, and thoughtful landscaping w/ views across Penobscot Bay to the Camden Hills. This home was custom-built to the highest standards, and exemplifies exquisite form and function, allowing for smooth transitions among the gracious formal and casual informal living and entertaining spaces, indoors and out. This home offers a generous master bedroom plus 4 additional bedrooms, some w/ windows seats, a sitting room w/ balcony, covered porch and screened porch, a greenhouse, sunroom, a library w/ wood burning fireplace and hand-built custom shelves and cabinets, living room w/ wood burning fireplace, a formal dining room w/ custom built-lighted shelving, and kitchen w/ an AGA stove. Additional amenities include home office, laundry room, radiant heat, whole-house generator and 2-car garage.
5 miles from Islesboro Ferry Terminal. Ferry Road to West Bay Road. Turn left on Main Road. Turn left on Big Tree Lane (after Big Tree Beach). House down on right with gated entrance.


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HGAR Awards Renee Zurlo of BHG Rand in Central Valley as its 2018 "REALTOR® of the Year"
HGAR News
William Jansz, Senior Officer, Branch Administration for Trustco Bank, Named 2018 HGAR "Affiliate Member of the Year"
White Plains, NY (November 2018) At its 102nd Annual Meeting held October 29 at the DoubleTree Hotel in Tarrytown, the Hudson Gateway Association of REALTORS® (HGAR) honored Renee Zurlo of BHG Rand Realty in Central Valley as its "REALTOR® of the Year" for 2018. William Jansz, Senior Officer, Bank Administration for Trustco Bank, was named the HGAR "Affiliate Member of the Year" for 2018. Trustco Bank has 20 branch locations throughout Westchester, Putnam, Dutchess, Rockland and Orange counties.
Zurlo has been a Realtor for almost 25 years and served as President of the Hudson Gateway Multiple Listing Services (HGMLS) for the past three years. She has been very active in the Association for many years, serving on several councils and committees. She is also a certified New York State real estate instructor.
Before entering the world of real estate, she was a full-time mom for 10 years. After joining a Hudson Valley firm in 1994, her entrepreneurial spirit led her to open her own agency, which eventually grew to over 40 agents. A few years later, she became part of the BHG Rand family of real estate offices.
Jansz has been a continuous supporter of HGAR over the years, sponsoring and attending countless Association events. Jansz has worked with Trusto Bank for over 15 years and oversees branch operations throughout the lower Hudson Valley. Opening its first branch in upstate New York in 1902, Trustco now has 148 branch locations on the East Coast.
Other award winners included:
Spirit Awards: Crystal Hawkins Syska of Keller Williams New York Realty in White Plains and Emi Cacace of Portico Realty Group in Scarsdale and Manhattan. Both are co-chairs of HGAR's Fair Housing & Cultural Diversity Committee.
Extra Mile Awards: Ray Hollingsworth Falu of Hollingsworth Real Estate in White Plains and Irene Guanill of Meet the Sellers in the Bronx. Both co-chair HGAR's Broker/Owner/Manager Committee.
President's Award: Gail Fattizzi of Westchester Real Estate Inc. in Somers. Fattizzi, who serves as Secretary/Treasurer for the HGAR Board of Directors, was chosen by HGAR President Barry Kramer for her hard work and dedication throughout the year.
Albert P. Schatz Legislative Advocacy Award: Leah Caro of Park Sterling Realty in Bronxville. Caro has been instrumental in Realtor legislative affairs and planning of "Lobby Day" in Albany. She is a two-time past president of HGAR, the 2011 HGAR "Realtor of the Year" and a current co-chair of the Board of Directors for Westchester Residential Opportunities.
Stephanie Crispinelli Humanitarian Award: Christopher Greco of Richard Greco Real Estate in the Bronx. Greco founded Christopher's Voice, a not-for-profit organization created to help families of autistic children. He is also a decorated police detective, president of the Police Association of New Rochelle, and the recipient many police awards.
Up & Coming Award: Richard Herska of BHG Rand Realty in Nyack. Herska is co-chair of HGAR's RPAC Committee (Realtors Political Action Committee).
Edward I. Sumber Memorial Award: (The award was created this year in memory of Ed Sumber, who served as the Association's legal counsel from 1975 to 2015. Ed passed away in June 2018.) John Dolgetta of Dolgetta Law in White Plains. Dolgetta was Sumber's partner and now serves as HGAR's outside Counsel.
"Congratulations to all of our award winners for their extraordinary contributions to this organization and to their communities," said Richard Haggerty, HGAR CEO. "Their selfless volunteer work and 'go-give' attitude has continued to be an inspiration for us all."
The Hudson Gateway Association of REALTORS® (HGAR) is a not-for-profit trade association covering more than 11,000 real estate professionals doing business in Westchester, Putnam, Rockland, and Orange counties, as well as the Bronx and Manhattan. It is the second largest REALTOR® Association in New York, and one of the largest in the country. The Hudson Gateway Multiple Listing Service (HGMLS), owned and operated by HGAR, offers some 24,000 properties in the Bronx, Westchester, Putnam, Dutchess, Rockland, Orange, Sullivan and Ulster counties. It is among the top 50 largest MLSs in the country.
Mary T. Prenon
(914) 681-0833, ext 322
mary.prenon@hgar.com
Choose a CategoryIn the NewsPress Releases
Journal News | Human Rights Commission: 138 co-op applications rejected in 6 months
NYREJ | Hudson Gateway Association of Realtors and RISMedia co-host forum, "The State of Real Estate Data in NYC"
Journal News | Where the Housing Market is Hottest and Coolest
NY Real Estate Journal | HGAR Welcomes Brian Levine
HG Realtor Foundation "Runway for Hope" Fashion Show Raises Over $30K


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redpajama_set_name: RedPajamaGithub


While we may associate this verse and thought with the words of Jesus, we need to understand that the writer of the psalm felt this truth personally. What the psalmist and Jesus did we can do. We may not reach this point in life easy because as humans we want to be in control of things, especially our life. We may feel we have figured it out and can take care of ourselves but deep down we know it's not true.
It's not in man that walks to guide his steps. We are blind to the future, and so the truth is, we don't have a clue where to step next. Humans are the blind leading the blind. Jesus tried to warn us about that. We walk in darkness and cannot see the dangers in front of us. Jesus is the light of God, sent to show us the way if we will commit ourselves to Him.
We cannot redeem ourselves, and neither can anyone else redeem us. We have neither the price nor the ability to bring about our own redemption. God does and God will if we commit to Him and let Him have His way with us.
The psalmist reminds us that our Lord is a faithful God. You cannot trust anything or anyone of this world. This world and its inhabitants are marred and live in darkness. Nothing earthly can save us nor will anything earthly even try. This world is headed for destruction and so are its denizens unless they turn to God and commit their souls into His keeping. God has said and therefore God will.
Task for Today: Turn loose. Let go. Give it up. Put yourself in the hands of a redeeming God who will not because He cannot, fail you. Unlike the world, God will be faithful in His care of your spirit. You'll be in good hands!


2. Add the dal, dry chillies, coriander and fenugreek.
3. Fry for a 30 to 60 seconds and grind to a powder.
4. Add little bit more oil to the same pan and fry the mustard seeds, asafoetida powder, sundakkai vatral and curry leaves.
5. Add turmeric powder, tamarind extract and salt.
7. Add the ground powder and simmer for 2 to 3 minutes.
8. Pour this over the rice and mix well.
9. Transfer to serving plates and serve hot.
Tip: Instead of sundakkai vatral you can also use manathakkali vathal.
Feel free to comment or share your thoughts on this Kattu Sadam (Packed Rice) Recipe from Awesome Cuisine.