text:
Q: What is androidx.browser and how to resolve this error Task :app:checkDebugAarMetadata FAILED? Configuration on demand is an incubating feature.

Task :app:checkDebugAarMetadata FAILED

Deprecated Gradle features were used in this build, making it incompatible with Gradle 7.0.
Use '--warning-mode all' to show the individual deprecation warnings.
See https://docs.gradle.org/6.7.1/userguide/command_line_interface.html#sec:command_line_warnings
43 actionable tasks: 2 executed, 41 up-to-date
FAILURE: Build failed with an exception.

*

*What went wrong:
Execution failed for task ':app:checkDebugAarMetadata'.

A failure occurred while executing com.android.build.gradle.internal.tasks.CheckAarMetadataWorkAction
The minCompileSdk (33) specified in a
dependency's AAR metadata (META-INF/com/android/build/gradle/aar-metadata.properties)
is greater than this module's compileSdkVersion (android-31).
Dependency: androidx.browser:browser:1.5.0-alpha01.
AAR metadata file: C:\Users\akshay.patel.gradle\caches\transforms-2\files-2.1\41677513f37fd3ff659f9e9ccebf1218\browser-1.5.0-alpha01\META-INF\com\android\build\gradle\aar-metadata.properties.

*

*Try:
Run with --stacktrace option to get the stack trace. Run with --info or --debug option to get more log output. Run with --scan to get full insights.

*Get more help at https://help.gradle.org
BUILD FAILED in 28s
error Failed to install the app. Make sure you have the Android development environment set up: https://reactnative.dev/docs/environment-setup.
Error: Command failed: gradlew.bat app:installDebug -PreactNativeDevServerPort=8088
FAILURE: Build failed with an exception.

*

*What went wrong:
Execution failed for task ':app:checkDebugAarMetadata'.

A failure occurred while executing com.android.build.gradle.internal.tasks.CheckAarMetadataWorkAction
The minCompileSdk (33) specified in a
dependency's AAR metadata (META-INF/com/android/build/gradle/aar-metadata.properties)
is greater than this module's compileSdkVersion (android-31).
Dependency: androidx.browser:browser:1.5.0-alpha01.
AAR metadata file: C:\Users\akshay.patel.gradle\caches\transforms-2\files-2.1\41677513f37fd3ff659f9e9ccebf1218\browser-1.5.0-alpha01\META-INF\com\android\build\gradle\aar-metadata.properties.

*

*Try:
Run with --stacktrace option to get the stack trace. Run with --info or --debug option to get more log output. Run with --scan to get full insights.

*Get more help at https://help.gradle.org
BUILD FAILED in 28s
at makeError (D:\User\mobile\node_modules\execa\index.js:174:9)
at D:\User\mobile\node_modules\execa\index.js:278:16
at processTicksAndRejections (internal/process/task_queues.js:95:5)
at async runOnAllDevices (D:\\mobile\node_modules\@react-native-community\cli-platform-android\build\commands\runAndroid\runOnAllDevices.js:109:5)
at async Command.handleAction (D:\User\mobile\node_modules\react-native\node_modules\@react-native-community\cli\build\index.js:142:9)

info Run CLI with --verbose flag for more details.
npm ERR! code ELIFECYCLE
npm ERR! errno 1
npm ERR! xyz@0.0.1 dev-local: npx react-native run-android --port=8088
npm ERR! Exit status 1
npm ERR!
npm ERR! Failed at the xyz@0.0.1 dev-local script.
npm ERR! This is probably not a problem with npm. There is likely additional logging output above.
npm ERR! A complete log of this run can be found in:
npm ERR!     C:\Users\akshay.patel\AppData\Roaming\npm-cache_logs\2022-11-03T08_05_27_690Z-debug.log
Yes I tried updating my build.gradle by
android {
    compileSdk = "33"

    defaultConfig {
        targetSdk = "33"
    }
}

but I still get the same error
please help Thanks in advance

A: I got the root cause of the above problem that androidx.browser so I have resolved this by adding the below code snippet in android/app/build.gradle file
configurations.all {
        resolutionStrategy { force 'androidx.browser:browser:1.4.0' }
    }


text:
Homewebfic novelIDOLiSH7 Movie Concert Will Air in May 2023
IDOLiSH7 Movie Concert Will Air in May 2023
The first movie adaptation of IDOLiSH7 will come out in Japanese theaters on May 20, 2023. This is less a movie and more a concert. Though Troyca handles the show, Oranges is in charge of the movie. The title is IDOLiSH7 Live 4bit BEYOND THE PERIOD. [Thanks, Comic Natalie!]
Here is the key visual.
Oranges previously worked on the music video from "Mr. Affection," which is a song by the titular band IDOLiSH7. All four main bands – making a total of 16 characters – will appear in the movie. This is based on the live concert that Part 6 of the game's main story brings out. You will be able to hear songs from IDOLiSH7, TRIGGER, Re:vale, and ZOOL.
As well, there is a trailer for the IDOLiSH7 movie:
https://www.youtube.com/watch?v=-tvDEgEfqEc
IDOLiSH7 is an anime series based on the game of the same name. The story follows the unit as they come together, debut, and make their way through the musical industry. As they overcome misunderstandings and drama (both personal and business-related), they become a true group of friends. Bandai Namco has also released CDs of the songs in the game, as well as held live concerts with the voice actors.
The IDOLiSH7 movie will air on May 20, 2023 in Japan. The show is available for streaming on Crunchyroll.
The post IDOLiSH7 Movie Concert Will Air in May 2023 appeared first on Siliconera.

redpajama_set_name: RedPajamaCommonCrawl


text:
Expressways that burn up the road between Hanoi and northern provinces
By Ba Do, Giang Huy, Minh Cuong &nbspNovember 18, 2019 | 08:10 am GMT+7
Nine major expressways that cost VND128 trillion ($5.5 billion) have considerably sped up connections between Hanoi and northern localities.
A VND6.7 trillion ($289.6 million) expansion project to upgrade the Phap Van-Cau Gie expressway, the southern gateway to Hanoi, from four to six lanes was completed late last year and put into operation earlier this year.
The Phap Van-Cau Gie Expressway, which first opened in 2002, runs more than 32 kilometers (20 miles) to the south of Hanoi and links up with another expressway to the nearby Ninh Binh Province. The six-lane expressway is expected to cater to 60,000 vehicles per day and daily revenue from toll fees is estimated at more than VND2 billion ($86,400).
Opening to traffic at the end of 2011, the 50km Cau Gie-Ninh Binh expressway connects Hanoi and other northern provinces with central provinces. This expressway has so far served 28 million vehicles averaging 23,000 to 25,000 vehicles per day.
Work on the Cau Gie – Ninh Binh expressway was started in January 2006 with total investment of nearly VND9 trillion ($389 million). The six-lane expressway is the first in Vietnam to be lined with acacia trees on both sides, allowing vehicles to run up to 120 kph. Standard toll rate is VND1,500 ($0.7) per vehicle per kilometer.
Bac Giang - Lang Son, the long-delayed expressway, which runs from Bac Giang Province, 80 kilometers northeast of Hanoi, to Chi Lang District in the northern mountainous province of Lang Son on the China border, was officially opened to traffic on September 29, 2019.
The 64-kilometer, VND12.19 trillion ($527 million) expressway will link up with the Hanoi-Bac Giang Expressway, and help enhance trade between Vietnam and China.
The expressway is designed to allow vehicles to travel at a speed of 100 kph. It runs parallel to the existing National Highway 1A, the 2,300-km transnational road, and will reduce the travel time from Hanoi to Lang Son by 30 minutes to two and a half hours.
The Hanoi - Hai Phong Expressway, which connects the capital with the northern port city of Hai Phong, opened in December 2015. It was built as a build-operate- transfer (BOT) project costing VND45 trillion ($1.94 billion).
The expressway is among Vietnam's biggest transport infrastructure projects. According to Vietnam Infrastructure Development and Finance Investment JSC, it serves over 27,000 vehicles each day on six lanes that allow speeds of up to 120 kph. The 105-km-long expressway has reduced the travel time from Hanoi to Hai Phong from two and a half hours to one hour.
The $1.5-billion Noi Bai - Lao Cai Expressway, which connects Hanoi with the northern highlands resort town of Sa Pa, opened to traffic in September 2014, helping reduce travel time to three and a half hours.
The Noi Bai (Hanoi) - Yen Bai section of the expressway has four lanes and allows for a maximum speed of 100 kph. From Yen Bai to Lao Cai, two lanes allow vehicles to run at 80 kph.
Also inaugurated in 2014, the Hanoi - Thai Nguyen Expressway is 63 km long. Built with a total investment of more than VND10 trillion ($432 million), it runs through several northern provinces including Bac Ninh and Thai Nguyen.
The expressway is designed with four lanes for traffic and two emergency stop lanes, allowing vehicles to run at a maximum speed of 100 kph, cutting travel time from Hanoi to Thai Nguyen to one hour instead of three hours before.
The Ha Long - Hai Phong Expressway, which opened last year after three years of construction, reduces travel time between the capital city and the renowned Ha Long Bay in the northern province of Quang Ninh to just an hour and a half.
Built at a cost of VND13 trillion ($552 million), the 24.6-kilometer expressway connects National Highway 18 in Ha Long's Dai Yen Ward with the Hanoi-Hai Phong Expressway in Hai Phong's Hai An District.
The highlight of the project is a cable-stayed bridge across the Bach Dang River.
Opened this year after four years of construction, the 60 km Ha Long - Van Don Expressway connects the UNESCO heritage site of Ha Long Bay with the Van Don International Airport, reducing travel time to 50 minutes.
The expressway, running through mountainous terrain, was built at a cost of about VND12 trillion ($516 million) under BOT investment form. It allows vehicles to travel at a maximum speed of 100 kph.
The Thang Long Boulevard in Ha Noi was declared the most modern highway in the country when it opened in 2010 on the occasion of the 1,000th anniversary of the capital city.
The 29-km boulevard, costing VND8 trillion ($346 million), starts at the intersection of Lang-Hoa Lac Road and Ring Road 3, and ends at the intersection between Lang-Hoa Lac Road, National Highway 21 and Ho Chi Minh Highway.
Tags: major expressways transportation Vietnam Hanoi northern provinces Van Don Airport Ha Long Bay traffic infrastructure roads construction
Reading: Expressways that burn up the road between Hanoi and northern provinces


In 2014, students and faculty started a food recovery program on Drake's campus called Next Course after noticing excess amounts of unused food at both Hubbell Dining Hall and Quad Creek Café. Partnering with Sodexo, Next Course sends volunteers Mondays, Wednesdays and Fridays to take untouched food to five partner agencies who supply the food to those in need.
Next Course meets at 6 p.m. every other Tuesday in the Pomerantz Conference Room or in the lower Olmsted conference rooms. The organization has approximately 14 members.
Without the help of volunteers, including non-members, Next Course would not be able to deliver food to their partner agencies. Approximately 25 to 120 pounds of excess food are delivered during each recovery, which prevents food waste from ending up in landfills.
In addition to reducing food waste at Hubbell, Next Course is partnering with Drake Environmental Action League and Sodexo to implement a composting program at Quad.
DEAL focuses on small changes like recycling something instead of throwing it away, LeFevre said. The organization meets at 9 p.m. on Tuesdays in Medbury Hall 115. Originally created in the 1990s, the club has approximately 20 active members.
In 2013, members of DEAL noticed the need for fresh food alternatives in the Des Moines community and began Sprout – the Des Moines Urban Youth Learning Garden.
Located east of the Knapp Center on 25th and Forest, the Sprout Garden provides free access to produce to the Des Moines community. Drake student volunteers to water, weed and harvest the garden daily. The Free Little Pantry, right outside the sprout garden, allows members of the community to freely take what they need.
Almost 1.6 billion tons of food produced for human consumption is wasted each year, according to the Boston Consulting Group website.
According to Move for Hunger, wasted food that ends up in landfills releases excess amounts of methane, a greenhouse gas that absorbs almost 100 times more heat in the atmosphere than carbon dioxide.
Many urban and impoverished areas, including parts of Des Moines, are classified as food deserts, or areas with limited access to fresh and healthy food, according to the American Nutrition Association.
In the past, Next Course, DEAL and the Sprout Garden have collaborated on multiple environmental projects.


text:
The Big Tree
Deborah Sheedy
Patrick Parker
Domonick GrilloAge: 93 years1905–1998
Domonick Grillo
Domonick
Donald "Don" Grillo
Americanized Name
Donald Grillo
Occupational Name
Name prefix
Birth January 20, 1905 24 19
Joliet, Will, Illinois, United States
Latitude: N41.5225 Longitude: W88.140556
Census January 1, 1920 (Age 14 years) Age: 15
Gary, Lake, Indiana, United States
Engagement Ursuline J. McGuire — View this family
before January 6, 1932 (Age 26 years)
Marriage Ursuline J. McGuire — View this family
Log Cabin Chapel, University of Notre Dame, South Bend, Saint Joseph, Indiana, United States
#1 Donald George "Don" Grillo
Saint Joseph Hospital, South Bend, Saint Joseph, Indiana, United States
Latitude: N41.680471 Longitude: W86.239954
Residence April 25, 1933 (Age 28 years)
315 W Angella, South Bend, Saint Joseph, Indiana, United States
#2 Eugene Edward "Gene" Grillo
#3 James Richard Grillo
Death of a father Gaetano Grillo
Mercy Hospital, Gary, Lake, Indiana, United States
Burial of a father Gaetano Grillo
Calumet Park, Merrillville, Lake, Indiana, United States
Divorce Ursuline J. McGuire — View this family
Death of a mother Maria Guizeppa Grande
Burial of a mother Maria Guizeppa Grande
Death of a wife Ursuline J. McGuire
Regency Place Nursing Home, Greenfield, Hancock, Indiana, United States
Cremation of a wife Ursuline J. McGuire
Central Indiana Crematory, Indianapolis, Marion, Indiana, United States
Cremation March 17, 1998 (3 days after death)
Wyatt Crematory, Wyatt, Saint Joseph, Indiana, United States
Maria Guizeppa Grande
Gaetano Grillo
Birth: estimated 1881 — Italia
Death: March 6, 1955 — Mercy Hospital, Gary, Lake, Indiana, United States
Birth: July 8, 1885 — Italia
Death: May 24, 1959 — Mercy Hospital, Gary, Lake, Indiana, United States
Marriage: April 18, 1903 — Chicago, Cook, Illinois, United States
Ursuline J. McGuire
Donald George "Don" Grillo
Eugene Edward "Gene" Grillo
James Richard Grillo
Birth: January 20, 1905 24 19 — Joliet, Will, Illinois, United States
Death: March 14, 1998 — Saint Joseph Hospital, South Bend, Saint Joseph, Indiana, United States
Family with Ursuline J. McGuire - View this family
Birth: October 7, 1911 42 40 — Belmond, Wright, Iowa, United States
Death: January 29, 1998 — Regency Place Nursing Home, Greenfield, Hancock, Indiana, United States
Marriage: February 5, 1932 — Log Cabin Chapel, University of Notre Dame, South Bend, Saint Joseph, Indiana, United States
Divorce: between 1956 and 1960 —
Sandra Sue "Sandy" Alvey
Birth: April 25, 1933 28 21 — Saint Joseph Hospital, South Bend, Saint Joseph, Indiana, United States
Death: June 10, 2011 — Harbour Assisted Living, Fort Wayne, Allen, Indiana, United States
Mary Elizabeth Grillo
Birth: May 6, 1935 30 23 — Saint Joseph Hospital, South Bend, Saint Joseph, Indiana, United States
Death: November 25, 2016
Birth: July 16, 1938 33 26 — Saint Joseph Hospital, South Bend, Saint Joseph, Indiana, United States
Death: November 24, 2007 — Dallas, Dallas, Texas, United States
South Bend Tribune (IN) - Thursday, March 19, 1998
Deceased Name: Dr. Donald Grillo
Jan. 20, 1905 - March 14, 1998
GRANGER - Dr. Donald Grillo, 93, of Covington Parkway, Granger, Ind., a South Bend, Ind., physician for 45 years, died after an exten-ded illness at 2:20 a.m. on Saturday mor-ning, March 14, in Saint Joseph Medi-cal Center.
Dr. Grillo was born in Joliet, Ind., Jan. 20, 1905, to the late Thomas and Maria (Grande) Grillo. In 1907 his family moved to Gary, Ind., where he attended elementary and high school.
On July 28, 1984, he married the former Virginia T. Kapsa, who survives. He is also survived by three sons, Donald George Grillo of Indianapolis, Ind., Eugene E. Grillo of Fort Wayne, Ind., and James R. Grillo of Clayton, Ind.; two stepdaughters, Dianne Kapsa Horvath of South Bend and Judith Kapsa Lawrence of Crown Point, Ind.; 14 grandchildren and nine great-grandchildren; two brothers, Dr. S. Philip Grillo of Belleville, Mich., and Frank Grillo of Merrillville, Ind.; and by two sisters, Mrs. Lena Matteo of Miamisburg, Ohio, and Mrs. Jean Kelly of Chicago, Ill.
He was preceded in death by two brothers, Dr. Sam Grillo, D.D.S., of South Bend and Dr. Angelo Grillo, D.D.S., of Gary, Ind.; and by a sister, Mrs. Mary Pin of Gary.
Dr. Grillo graduated from Indiana University School of Medicine in 1929 where he served as the president of his class. He moved to South Bend in 1930 and began his internship at Saint Joseph Hospital of South Bend.
After establishing his general practice in South Bend, he became interested in local politics and, in 1936, was elected for two terms as the Saint Joseph County Coroner. During this depression era Dr. Grillo generously performed many surgeries and made many house calls without compensation. When some of the local mutual aid societies needed a doctor to perform examinations, Dr. Grillo was the front runner to perform any required medical examinations free of charge.
Dr. Grillo continued his education and did his post-graduate studies at the University of Pennsylvania where he specialized in colon and rectal surgery, but World War II temporarily halted his growing practice. Dr. Grillo served during the war in the armed services as a Captain in the Medical Corps. When he was honorably discharged in 1945, he had attained the rank of Major and was awarded the Bronze Star for meritorious service to his country.
After the war he returned to his South Bend practice where he began to specialize in diseases of the rectum and colon. He also continued in his service to the community.
Dr. Grillo was on staff at both Saint Joseph and Memorial Hospitals in South Bend. He also treated patients at Saint Joseph Hospital in Mishawaka.
He served on various committees at Saint Joseph Hospital, South Bend, and was the president of the medical staff. He served on the lay advisory board for 18 years and was instrumental in attaining federal funds for a building for the nursing school. Dr. Grillo served for 12 years on the board of directors of the South Bend Medical Foundation, and was a member of the Saint Joseph County Cancer Society.
Realizing a need for a support group, Dr. Grillo founded the Ostomy Club of Saint Joseph County, an affiliate of the national organization.
Dr. Grillo was an active member of the American Society of Colon and Rectal Surgeons, The American College of Surgeons, The American Medical Association, Indiana State Medical Society, Saint Joseph County Medical Association and was a fellow in the American College of Surgeons.
Dr. Donald Grillo was an exceptional physician and surgeon. He was charitable, compassionate and an outstanding civic leader. Dr. Grillo was a great humanitarian, who dedicated his life to the service of others. He will be missed not only by his family but also by the local Italian-American community that loved him.
Memorial services for Dr. Grillo will be at 3:30 p.m. on Monday, March 23, in the Basilica of the Sacred Heart, Notre Dame.
In lieu of flowers, memorial contributions may be made to the Saint Joseph County Ostomy Club, Saint Joseph Medical Center, Hospice of Saint Joseph County, Christ Child Society or to Sacred Heart Church.
The 'Hickey Funeral Homes' is serving the family of Dr. Grillo.
Page: B4
Family with Ursuline J. McGuire
Charles Clyde McGuire
Laura Colletta Parker
Domonick Grillo(1905–1998)
Ursuline J. McGuire1932
Donald George "Don" Grillo(1933–2011)
Eugene Edward "Gene" Grillo(1935–2016)
James Richard Grillo(1938–2007)
For technical support or genealogy questions contact Philip Weiss.


When we talk 1" sensors: what's up for the future with mirrorless cameras?
Of course Nikon steps further there. We are very satisfied with the J5. In Europe, it holds a market share between 2 and 10 percent, depending on the country, in Japan we even achieve more than 10%. We also have an eye on different sensor sizes. But we do not want something to our customers which might be only a compromise. With our DSLR we drive Formula1, so with a new mirrorless we do not want to sit in a go-kart.
I am still not sure if Nikon 1 products were even on display at the Nikon booth at Photokina.
How is the Nikon 1 system doing in Europe? Is it still being promoted?
The Nikon 1 system will definitely still be be around in the future - there are no plans to withdraw it from the market, as you can tell by our stand which has a large Nikon 1 area. The Nikon 1 J5 camera is selling really well, allowing us to achieve up to 10% share with just one camera model in some European countries. Again, the smaller sensor size gives the Nikon 1 system some key advantages when compared to larger sensor cameras.
Check out Nikon's remote-controlled robot cameras at PopPhoto (Nikon recently acquired Mark Roberts Motion Control).
Nikon did not have any DL camera prototypes on display at Photokina.
This entry was posted in Nikon 1, Nikon DL and tagged Mark Roberts Motion Control, Nikon 1 is not dead, Nikon remote controlled robot cameras, Photokina 2016. Bookmark the permalink. Trackbacks are closed, but you can post a comment.


Hugh Palmer, outside St Paul's Underground (Exit 2)"I was quite old so no one wanted to employ me"
I used to be a sales manager for a menswear chain in 2000 but then the company went bust and I lost my job. And that's when all the problems started.
In 2011 I went bankrupt and in 2012 I found that I had lost everything. I only had the clothes I was standing in and I was nearly homeless. In 2013 someone told me about The Big Issue so I went to them and explained my situation. I was on a small pension and had no money, I was quite old so no one wanted to employ me. They understood the situation and said I was OK to sell the magazine. I've been on this pitch since 2013. There are no best hours really. I spend a long time here. Lunch time is probably my quietest time, as even though there are a lot of people they are not interested in buying the magazine. I have a lot of regular customers, but I'm trying to get new ones. I plan to take credit cards in the future – The Big Issue said they can help set it up for me.
People wonder why I'm here until 10 at night, even later sometimes. It's because in the evening, especially in the city, business people are going home. They don't work regular hours, so I can sell a lot of magazines in the evenings between about 7 and 10pm. This year I've had some problems with the station because they put in new escalators downstairs. This has meant a lot of customers have to make a special journey to see me because they can't use the exit where I am. A lot will make the effort and that's the main thing.
I have a lot of people coming up from the Tube who are going to St Bartholomew's hospital. Sometimes they like to talk about their health issues and I can talk with them and discuss with them what they are going through.
I had a guy last year who had a brain tumour and he used to come up here before he had the operation and I would talk to him and reassure him that I was sure everything would be OK.
He had the operation and they stopped the growth of the tumour. Some weeks later he sent a letter into The Big Issue, which was very nice of him, and he said how much I helped him through his traumas.
I am pretty well known here and everyone knows my face. One customer wanted to take me to lunch the other day but I said I couldn't because I had to work. People automatically buy you a coffee but I don't look for that. The main thing is to sell The Big Issue and talk about it.
I have a flat in North London. I have been there a long time. The Big Issue helps me pay my rent. I have a small pension but I couldn't live in London with it. There is just no way.
I am 73 in February – maybe I will create a record and be the oldest Big Issue guy. I do enjoy selling the magazine. I wouldn't be doing it otherwise. It is not just about the money.


text:
'Picker of pockets' Joao Carvalho cannot do it on his own as Nottingham Forest miss Lewis Grabban terribly
'Picker of pockets' cannot do it on his own as Reds miss Grabban
Nottingham Forest's Joao Carvalho reacts after the 3-1 defeat to Aston Villa (Image: Dan Westwell)
Martin O'Neill pretty much summed it up. A disappointing night. Three poor goals conceded, albeit against a very good Aston Villa team.
But perhaps the most chastening thing we were left to reflect upon on after the defeat to Aston Villa on Wednesday night was how unlikely it looked that Forest were ever going to find a goal.
"We lacked that creative spark," O'Neill said – a fact that may have disappointed one player in particular.
A few hours earlier, when the teams were announced, there had been a ripple of excitement around the City Ground.
He takes some 'physical pressure' off Nottingham Forest - but Martin O'Neill also wants to see goals from striker
News of a place in the starting XI for Joao Carvalho for the first time in the Northern Irishman's tenth game as Forest manager was music to the ears of many supporters yearning for a little more craft and guile from the Reds.
What the 90 minutes that followed confirmed, however, is that it is not as straightforward as throwing the £13 million summer signing in to the team and hoping for a flash of magic, a wave of that wand of a right boot – as he had done against Hull City four days earlier – to illuminate the Reds' attacking play.
All in all it was a frustrating night for the Portuguese.
There were a few of those silken touches, in the early stages of the game, that we have become familiar with this season: the little Cruyff to Karim Ansarifard in the opening minutes as the Iranian and Iberian tried to calibrate their movement and thoughts; a delicious little shuffle-and-flick, with his back to goal, again to play in Ansarifard, before a recovering Villa defender blocked the striker's left-footed shot.
Aston Villa's Jack Grealish clashes with Nottingham Forest's Joao Carvalho (Image: Dan Westwell)
But overall the duo struggled to link up with any meaningful effect and, on an evening when Forest's midfield was uncharacteristically off-colour, support from behind was in short supply for Carvalho too.
This is the thing: Carvalho is very different to someone like Joe Lolley.
Very rarely does he collect the ball and slalom through a line of defenders as Lolley did in the build up to Forest's early goal.
Carvalho is a picker of pockets of space, a roamer between the lines.
He's the link-up man, the conduit, between midfield and attack — but he needs someone to play with.
Ansarifard worked hard enough but was largely anonymous before his withdrawal in the second-half.
Ryan Yates makes plenty of lung-busting forward runs, does his utmost to get on the end of crosses swung into the box, but he is unlikely to be found exchanging nimble-footed passes around the penalty box with Carvalho like John McGinn and Jack Grealish do for Villa so well.
Colback has been given more licence to roam under O'Neill, but aside from his fortuitous goal failed to ruffle Villa's feathers going forward.
Lolley's driving infield runs offer Carvalho the best opportunity to do what he does best, but otherwise he was left to feed off scraps for much of Wednesday night.
Yes, Carvalho gave the ball away needlessly a few times, and it he is capable of a moment of brilliance to light up a game like that wonder-strike last Saturday.
As teams falter, the curious play-off battle leaves the door still open for Nottingham Forest
But it was hard not to feel a little sympathy for the 22-year-old who, having been given his first start under O'Neill, found himself in a team without Lewis Grabban, Daryl Murphy or Matty Cash to link-up with, or even Ben Osborn unshackled from defensive duties.
Forest will be desperately hoping Grabban, as O'Neill has intimated, will declare himself fit after the international break. Not just for his goals but for his all-round play and intelligence in key moments.
Achilles injuries are not straightforward though – I ruptured mine during my time at Chesterfield and I know from experience that any injury to that blood-starved part of the body is slow to heal and can be agonising to play though.
Murphy has led the line admirably in recent weeks but the reality is that Forest don't have anyone else with the knack Grabban has for finding the back of the net.
And it is becoming increasingly hard to see Forest finding the goals and points needed to climb into the play-offs without him on the pitch.
How Michael Dawson can be an influential figure again for Nottingham Forest
The return of Cash will be welcome too. He has developed into a genuinely high-grade Championship winger this season and his cut and thrust has been sorely missed.
Yes, Forest have signed 20-odd players this season so sympathy about injuries won't be in plentiful supply. But any team would suffer from the loss of their most potent attacking threat.
Look at Villa, whose points haul with and without Grealish in the side has been startling.
His return from injury, along with McGinn, appears to have come just in the nick of time for Dean Smith and I would not be surprised to see Villa in that top six come May.
But back to Forest, and it was up to O'Neill to sum things up once again: all is not lost and Forest are definitely "still in the hunt," as O'Neill said.
A win against Ipswich Town on Saturday would mean the Reds go into the international break, ahead of that definitive final stretch, with hopes and dreams still very much alive.
City Ground


text:
Mulcahey, Holly, 4 results 4
Mussey, Ann, 1 results 1
Shepherd, Susie, 1 results 1
Costa, Norm, 1 results 1
Watts, Roberta, 1 results 1
Bimrose, Art, 1912-, 1 results 1
Paulus, Norma, 1 results 1
Oregon. Legislative Assembly, 1 results 1
Oregonian (Firm), 1 results 1
Hansen, Clark, 1 results 1
Kafoury, Gretchen Miller, 1 results 1
Roberts, Betty, 1923-2011, 1 results 1
Oregon Historical Society, 1 results 1
Carson, Wallace P., Jr., 1934-, 1 results 1
Boe, Jason, 1929-1990, 1 results 1
Oregon. Supreme Court, 1 results 1
United States, 11 results 11
Oregon, 11 results 11
Lake Oswego (Or.), 1 results 1
Wasco County (Or.), 1 results 1
Clackamas County (Or.), 1 results 1
Rajneeshpuram (Or.), 1 results 1
Burns (Or.), 1 results 1
Cape Kiwanda State Natural Area (Or.), 1 results 1
Women's bookstores, 4 results 4
Gay rights, 2 results 2
Alcoholism, 1 results 1
Leather lifestyle, 1 results 1
HIV (Viruses), 1 results 1
Editorial cartoons, 1 results 1
Interviews, 11 results 11
Part, 2 results 2
Gay and Lesbian Archives of the Pacific Northwest Oral Histories
Mss 2988-SR
The Gay and Lesbian Archives of the Pacific Northwest (GLAPN) was established in Portland, Oregon, by Tom Cook in the early 1990s. Since then the organization has collected archival materials and oral histories from organizations and individuals active in lesbian and gay issues in the Portland area and throughout the Pacific Northwest. Many of these oral histories were gathered by Portland State University students, from the late 90s to present.
Oral history interview with Norma Paulus
This oral history interview with Norma Paulus was conducted by Clark Hansen at Paulus's home in Salem, Oregon, in Lincoln City, Oregon, and in Portland, Oregon; and at the Oregon Historical Society in Portland, Oregon, from February 10, 1999, to November 2, 2000, and from February 10 to 27, 2010. In the interview, Paulus discusses her family background and early life in Burns, Oregon, including life during World War II and contracting polio at the age of 19. She also discusses working as a secretary for the Harney County district attorney, Leland Beckham; moving to Salem to work for a law firm; working for Judge Earl Latourette; and going to law school. Paulus describes meeting Bill Paulus while attending law school; his family background; and their marriage. Paulus discusses her involvement with the Republican Party; working as an appellate lawyer for the Oregon Supreme Court; working on Wally Carson's campaign for the Oregon Legislature in 1965; and getting her first political appointment, to the Marion County Boundary Commission, where she focused on land-use and city planning issues. She focuses on managing a career in law and politics while raising two young children and building a house.
She then discusses her time in the Oregon House of Representatives, from 1970 to 1976, including environmental issues such as the Bottle Bill of 1971 and recycling; education; the criminal code; taxes; attempts to make Cape Kiwanda a state park; and the Rajneeshees. Paulus goes into detail about the women's caucus and the bills they focused on for women's rights, as well as efforts to pass the Equal Rights Amendment. She describes working with Bob Smith, Paul Hanneman, Betty Roberts, Stafford Hansell, Jack Anunsen, Wally Priestly, Dick Eymann, Lynn Newbry, Glenn Jackson, Jason Boe, and Gretchen Kafoury. She also talks about being co-chair for Clay Myers' 1974 race for Oregon governor.
Paulus goes on to speak about her time as Oregon's first woman secretary of state from 1977 to 1985, including her first campaign in 1976 against Blaine Whipple; her efforts to increase voter turnout; and conducting audits, particularly of the Forestry Department. She also discusses the secretary of state's role as state archivist and the conflict between the Oregon State Archives and the Oregon Historical Society over which records belong with which institution. She also discusses working with Governor Vic Atiyeh. Paulus discusses running for governor against Neil Goldschmidt in 1986 and the challenges her campaign faced. She discusses her position on the Northwest Power Planning Council from 1987 to 1990, including working with Ted Hallock and Bob Duncan. She also discusses her position as Oregon superintendent of public instruction from 1990 to 1999, including her efforts to fund K-12 education. Paulus also relates a story about sharing an airplane with Moshe Dayan.
Paulus, Norma
Oral history interview with Norm Costa
Norm Costa has lived in the Portland metro area since 1958. He transitioned from an engineering career to running his own beauty salon in Lake Oswego for several years during the 1960's. More recently, Costa has worked for decades as a gay rights activist, mostly working with local health departments on HIV prevention efforts. This interview describes many aspects of the gay experience in Portland over the course of those years, including his experience with politics and activism, personal experiences, gay-oriented clubs and businesses over the years, and the spread of the HIV virus in the early 1980's.
Costa, Norm
Oral history interview with Holly Mulcahey
History of "It's My Pleasure", a bookstore and lending library for women, lesbians, bisexuals and transgender people. She discusses how the place evolved from it's original incarnation in the early 1990s to what was at the time of the interview, in 2000.
Mulcahey, Holly
Oral history interview with Ann Mussey
Ann Mussey talks about moving to Portland, Oregon in 1971 and living in a lesbian collective in Southeast Portland, called Red Emma. She also discusses the lesbian community in the Portland area, including other collectives, businesses and women's health clinics.
Mussey, Ann
Oral history interview with Susie Shepherd
Susie talks about coming out as a lesbian in the early 1970s, lobbying the Oregon State Legislature on gay rights with the Portland Town Council, gay rights nationally, alcoholism and Alcoholics Anonymous, and the Leather community.
Shepherd, Susie
Oral History Interview with Art S. Bimrose Jr., by Roberta Watts
Art Bimrose discusses his educational background, and how he became an editorial cartoonist for the Oregonian.
Bimrose, Art, 1912-
Oral history interviews with Holly Mulcahey (Sound Recording 01)
SR4147_T01S1
Tape 1 Side 1. History of "It's My Pleasure", a bookstore and lending library for women, lesbians, bisexuals and transgender people. She discusses how the place evolved from it's original incarnation in the early 1990s to what was at the time of the interview, in 2000.
Oral history interviews with Holly Mulcahey (Transcript)
SR4147_Transcript
Transcript. History of "It's My Pleasure", a bookstore and lending library for women, lesbians, bisexuals and transgender people. She discusses how the place evolved from it's original incarnation in the early 1990s to what was at the time of the interview, in 2000.


Council's draft Policies for the Payment of Expenses and Provision of Facilities to Mayor and Councillors; and General Manager are on public exhibition.
Sections 252 and 253 of the Local Government Act 1993 require Council to adopt a Policy on Payment of Expenses and Provision of Facilities to Mayor and Councillors within the first 12 months of each term of Council. The Mayor and Councillor Policy has been reviewed together with the General Manager Policy and following the conclusion of the exhibition period, a further report shall be submitted to Council in December 2017 with details of any submissions received for its determination.


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Liang YuanweiVenice
Posted on April 3, 2017 by EstherArtNewsletter
Palazzo Pisani, Venice
K11 Art Foundation presents
Liang Yuanwei: Behind the Curtain
A project coinciding with the 57th Biennale di Venezia
Opening reception: Thursday 11 May 2017 | 6-8pm
Curator: Loïc Le Gall
Exhibition: 12 May – 18 June 2017
Palazzo Pisani, First floor
Conservatorio di musica Benedetto Marcello
San Marco 2810, 30124 Venezia
http://www.k11artfoundation.org/en/
The K11 Art Foundation (KAF)
present Behind the Curtain, a new exhibition of work by Liang Yuanwei, one of China's influential names in contemporary art. The show runs simultaneously with the 57th Biennale di Venezia and is curated by Loïc Le Gall, Assistant Curator at Centre Pompidou. Liang Yuanwei represented China in the 54th Biennale di Venezia in 2011.
The title of the exhibition, Behind the Curtain, alludes to the operatic traditions of both China and Europe, a stage curtain often being a work of art in its own right but also revealing a reality behind it. Behind the Curtain is an homage to Venice and the Teatro La Fenice, as well as the carnival during which participants wander masked throughout the city. For the artist, the curtain also serves as a paradigm, a representation of the world, a way of looking at things. In the Peking opera where the decor is immutable, a table and two chairs are reconfigured to represent multiple scenes. This same pattern can be understood in the context of traditional Chinese painting: while the subjects remain, the techniques change. The exhibition title, Behind the Curtain also references the exhibition's revelation of Liang Yuanwei's intimate artistic practice.
Visitors to Venice's Palazzo Pisani will see a selection of Liang's impressive oil paintings, products of her attempt to perfectly imitate the detailed textures of fabrics. The works on show also can be read in reference to questions of seriality and reproducibility which are engaged in more explicitly conceptual contemporary art. In this sense, the paintings are a digression from Liang's original artistic intention; patterns and words are repeated to the extent they are transformed and their original meaning exhausted.
Adrian Cheng, Founder and Honorary Chairman, K11 Art Foundation, says:
"We are excited about this exhibition and working again with Liang Yuanwei, an exceptional artist whose career we have followed for some time, and whose works we have exhibited at the chi K11 art museum in Shanghai. Part of KAF's wider initiative is to support exceptional young artists from Greater China and to encourage important intercultural dialogues across borders. For this exhibition we bring her work to the world's most prominent art stage – in Venice over the Biennale."
Loïc Le Gall, Curator, says:
"Liang is a captivating artist whose work combines conceptual rigor with emotional experience, resulting in works that are strong and leave a lasting impression. This wonderful collaboration was made possible by the K11 Art Foundation and I am delighted for this exhibition to be taking place in Venice, being the crossroads of cultural exchange, as Liang's work covers a vast range of cultural traditions."
About Liang Yuanwei
Liang Yuanwei was born in 1977 and currently lives and works in Beijing. She graduated from the School of Design at the Central Academy of Fine Arts (CAFA) and was a founding member of N12, an enterprising young art collective that exhibited together in the early 2000s. Liang Yuanwei is represented by Beijing Commune and represented China at the 54th Venice Biennale, in 2011, and has participated in group exhibitions at the Berkeley Art Museum (US), Joan Miró Museum (Spain), Kunstmuseum Bern (Switzerland), Minsheng Art Museum (China) and Taikang Space (China). She has been the subject of solo exhibitions at the Beijing Boers-Li Gallery, China (2008), and the Beijing Commune, China (2010 and 2013). Her works have also been included in important publications including 'Vitamin P2: New Perspectives in Painting' by Phaidon Press, 'The Chinese Art Book' by Phaidon Press, and 'The Generational: Younger than Jesus' by New Museum in New York City.
About Loïc Le Gall
Loïc Le Gall is Assistant Curator, contemporary and prospective art, working on exhibitions and acquisitions at the Centre Pompidou, Paris. He regularly participates in artist publications and catalogues. He has recently contributed to the following exhibitions in 2016: Cher(e)s Ami(e)s : Hommage aux donateurs des collections contemporaines; La collection Thea Westreich Wagner et Ethan Wagner; Melik Ohanian, Under Shadows; Polyphonies. Le Gall has organised screenings including: Hoël Duret (2017); Table rase (2016). Working independently, he is curator for Liang Yuanwei, Behind the Curtain, with the K11 Art Foundation, Palazzo Pisani, Venice (2017); and Zhao Yang, in Between, Kuandu Museum of Fine Arts, Taipei (2016).
Loïc Le Gall holds an MA in Art History and Curatorial Studies from the Université Paris-Sorbonne, Paris and he specialises in visual art by artists from the Middle East and China. Currently, he is studying the time spent by artists in periods of travel, with particular focus on the context of the globalization, and the ways in which moments of displacement can lead an artist to create works of art.
About the K11 Art Foundation
Founded by Adrian Cheng in 2010, the K11 Art Foundation (KAF) is a registered not-for-profit organisation that supports the development of Chinese contemporary art from Greater China. KAF provides a creative platform that nurtures Chinese artistic talents and brings them to the international stage through collaborations with leading art institutions across the world. The Foundation also serves as a unique incubator for young and emerging Chinese artists and curators to create new and meaningful works, through research, initiatives, partnerships and an artist-in-residence program in the K11 Art Village in Wuhan, China.
https://www.k11artfoundation.org
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Ross Bryant just moved to LA from Chicago. Most recently, he wrote and performed in the critically-acclaimed review Let Them Eat Chaos on The Second City Mainstage. Previously, Ross toured the country with Second City's national touring company, co-wrote the reviews One Nation Under 1% and American Mixtape for the UP! Comedy Club, and appeared in Second City's Guide to the Opera at Lyric Opera. Ross can be seen performing all over the country with Baby Wants Candy and The Improvised Shakespeare Company.


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Holding true to the instrument of destruction for which it is named, the 1983 film Sledgehammer will bludgeon your psyche until all that remains is an unrecognizable pulpy mass. I'm not sure what I was expecting from this movie, purportedly the first shot-on-tape slasher flick made for the home video market...okay, maybe I expected a few things, considering it hails from David A. Prior, the writer/director of a little something called Killer Workout. I expected some laughs. I expected lots of, you know, 80s-ness. That "shot-on-tape" angle had me expecting crappy quality and the onset of a large bout of warm fuzzies (you know I loves my VHS). I got all of that, certainly, but then I got so much more, so much I had no way of anticipating. You see, you don't watch Sledgehammer, oh no. Sledgehammer HAPPENS TO YOU.
The film opens with a shot of a nice farmhouse nestled in a lush valley. After lingering on this farmhouse for 20 seconds or so, we become privy to the horrors that wait within: mom's a big ol' slut who's here with her lover, but also with her son. She finds a quick resolution to this problem by locking her son in a closet. At this point, we witness the Sledgehammer's first egregious use of slo-mo. The time it takes to zoom from here:
to here:
is 30 seconds. 30 seconds! It's obvious that the slo-mo represents the idea that being locked in a closet totally messes with the boy's mind; it takes longer for the viewer to realize, however, that it also means that Sledgehammer is messing with your mind. Sledgehammer plays by its own temporal and spatial rules, but the thing is, it actually HAS no rules. Sledgehammer does what it wants! Sledgehammer says FUCK YOU.
As mom and lover are about to get down, someone wielding a sledgehammer- go figure, right?- also gets down, but, like, in a death-making way, not a love-making way. That would just be sick!
Ten years later, a group of...of...people, I guess...okay. I know they're people, yeah, but that's the best I can figure out as to who these people are. In my notes, I wrote "Van full of___________?" They're a group of people. They're driven to the house in a van, then dropped off. I guess they're friends...? There are some couples. They're all too old for college. They unpack their bags from the van in slo-mo. They really enjoy going "Woo! Wooooooooo!" a lot. I guess it doesn't really matter who they are or why they're at this house, beyond that most horror movie of reasons: a weekend of partying. Woo! Wooooooooo! Sledgehammer plays by its own rules, period.
One of the couples, Chuck and...girl, are apparently having problems. Chuck insists that for this weekend, at least, they should forget their troubles and have a good time (Wooooooooo!). It's a good attitude to have, for it saves the writer of Sledgehammer the bother of things like "explanations" and "character development". All we need to know about Chuck is this: he is played by Ted Prior, star of Killer Workout and brother of director David. He walks around barechested most of the time. He plays the acoustic guitar whilst barechested. He looks like a walking, talking page from the International Male catalogue. I love Chuck! All we need to know about his girlfriend "girl" is this: she puts up with Chuck.
In a sequence meant to show that Chuck and girl are, I guess, forgetting their troubles, tender flute and guitar music plays as the couple walks...and walks. Then Chuck grabs a handful of girl's hair and yanks her backwards.
Then they walk some more, pointing to something offscreen. Then they walk. Then Chuck puts his beer can on girl's head, then their romantic walk is over. Oh, by the way- this all happens in slo-mo, and the scene takes TWO MINUTES.
Hold on, I just got a telegram from Sledgehammer!
After a party scene where the guys go "Woo! Wooooooooo!" and crush beer cans, there's a dinner scene. Chuck dumps mustard on girl's head, and this leads to a food fight and more "Woo! Wooooooooo!"-ing. This group continues to baffle me, particularly girl. Chuck, our hero, is an a-hole!
That night, Chuck decides they should hold a seance. He tells the story of Easy Mom, the Lover, and the Boy in the Closet, and we see...everything we saw at the beginning of the film. Again. Slo-mo included. Chuck and one of the other guys have set up some practical jokes to go along with the spirit summoning, but as you might expect, the real spirit of the boy in the closet is resurrected. I think? I don't know.
As you know by now, Sledgehammer does as Sledgehammer wants, and what Sledgehammer wants is not to explain squat. All I know for sure is that years of living in a closet didn't stunt the sledgehammer-wielding dude's growth at all, because he's 10 feet tall. No really...he barely fits in the hallway!
Is it the boy? Did he survive and grow up, like, in the closet? Where did the (admittedly creepy) mask come from? You'll never know what's going on- not ONLY because nothing is explained, but because like I said: Sledgehammer follows its own rules of time and space. The man is there, then he's gone, then he's the boy, then he's the man, then he's in two places at once. It's even suggested that the hammer itself is a ghost- a ghost sledgehammer!- I guess. At least, that's what I understood when it faded from view. There's no logic to ANY of it. Oh Sledgehammer, you so crazy!
All of this mindfuck is wrapped up in a fuckier mindfuck: the INSANE amounts of slo-mo and freeze frames used throughout, and oh honey, the score. The synth track drones and drones and drones and persists in your earholes until it becomes something akin to tinnitus. It's possible that you're not even really HEARING it anymore, but it's there, always there, knocking at the back door of your brain. There's a lethargy to the entire affair that you cannot escape. Eventually it's over, but then...it's never really over. Again, this is a movie that happens to you and once Sledgehammer is in your head, my friends, I fear it will never leave.
What's going on here? Your guess is as good as mine.
And that is nothing short of awesome! It's rare that you meet a movie that doesn't give a flying fuck about things like rules and logic and reality and what YOU think- and I mean all that not strictly in regards to filmmaking acumen, but more in regards to...I don't know, the accepted laws of SCIENCE. Sledgehammer just IS, and you can either get with that program or not. It's SO goddamn VHS, from the "Director of Videography" credit to the fonts used in those credits to the impression you get that it was largely edited in-camera to the feel...the feel of it! The sound of it! The slight blur, the white hallways, the washed-out colors, the tin can audio...Sledgehammer feels less like a horror movie and more like an ambitious home-made commercial you'd see on public access.
Chuck has had ENOUGH
If this has you on your knees crying "I need to see Sledgehammer!", then my work here is done, because you DO need to see Sledgehammer. Gather your friends, lock the doors, sit back, and let Sledgehammer pummel you into submission.
Kids, looking for a fun drinking game? Read this review aloud and drink everytime you say "sledgehammer"!
TODAY'S VOCAB: oh my god i love Killer Workout, reviews, VHS rules
Marvin the Macabre said...
Hilarious write-up. But somehow I don't feel the need to watch Sledgehammer now. In fact, I think all the entertainment I would get out of Sledgehammer is right here in this post. So does that mean you haven't done your job, or you have? You did just save me 80 minutes of my life after all.
I need a sledgehammer to the face, because I've never heard of this film before. I'll be adding this to my queue and woo wooing all night. I hope Sledgehammer is kind enough to send me a telegram.
Ryan Clark said...
OMG I NEED TO SEE SLEDGEHAMMER!!! I hope the killer is as creepy as he seems to be in those screenshots. Also, the cinematography looks surprisingly good for a shot on video flick.
Steven and Elizabeth said...
God, that sounds awesome. Just looking at the stills made me want to take a shower. But then again, most 70's films make me want to take a shower.
Is it possible to find a copy of this gem without having to build a time machine, and pilot said time machine back to a Van Nuys video store in 1983?
ScandyTangerineMan said...
LOVED it. So cheap and meandering at times, but the Prior Brothers were young and adventurous, and the whole thing was a fucking joy! Just great.
Art Almquist said...
I loved this review so much that I sent it to a friend, and I had to share her immediate response with you:
"my eyes are still leaking!!! how crap, that review is funnier than any movie I have seen in like...I don't know, maybe EVER. the telegram!!! the telegram!!! oh, I am crying again...."
You are truly one of the smartest and funniest writers out there, and I love that you write about horror. And the 80s. And horror in the 80s. Is there anything better???
Wow, Chuck looks kind of like the Monster from Rocky Horror Picture Show.
It just got a DVD release, so it should be fairly available. I saw it at a store today!
the2ndsuitor said...
Have you seen Blood Lake? That is some VHS goodness. Tell Tony I sent you!
zombivish said...
Apparently Sledgehammer is the honey Badger of VHS films, it just don't give a shit.
One Teeny-Tiny issue with the write up though (really Teeny-Tiny): You mention David A. Prior and his Killer Workout, but not the awesomeness that is Deadly Prey?
I assume this is because a) you haven't seen Deadly Prey and are rushing to correct that as i type this or
B) You are too cool for school (which we all know you are) and figured everyone already knows the glory that is Deadly Prey and you wanted to spread the love to some of Mr. Prior's other work.
Marc P. said...
This movie is for sale on VHS. Yes, VHS! The Mondo Tees folks in Austin started their own VHS label this year. This year!
http://blog.mondotees.com/2011/05/09/mondo-video-is-here-vhs-lives/
Oops. It's sold out. But here is where you COULD have bought it. I, myself, could not make it through the trailer. But I love reading about it!
http://www.mondotees.com/Sledgehammer-VHS_p_281.html
I'm afraid I've only seen the POSTER for Deadly Prey, but I feel confident assuming that I'll love it as much as I love Prior's other work. I need to track it down!
I swear, it's like Mondo is simply a printer hooked up to my brain. I love everything they do.
StuartOhQueue said...
Thanks for the heads up. That looks awesomely bad. I need a true crapsterpiece after sitting through the mediocrity that was "Sword and the Sorcerer." There's nothing worse than going into a bad movie, hoping for hilarity, and receiving mundanity.
Reelybored said...
LOL hilarious review. Makes me just want to check this movie out with a couple of friends and a few drinks and laugh our asses off!
Eclipse Babies are here!
where the grass is green and the girls are grody
Review-O!
Paura- Fulci Remembered: Volume One
The Something That Somethings


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Howard Stern is Older
By Gary Murray
The self-proclaimed 'voice of honesty', Shock Jock Howard Stern has been making waves and irritating the FCC for years. This radio maniac has been giving both program directors and audience members details about his personal life and penis size just to get laughs from Robin Quivers his co-host.
He has written a couple of books about his life, Private Parts and Miss America. They became some of the fastest selling works in publishing history.
In 1997, he turned Private Parts into a major motion picture (Private Parts movie sounds like something at the back of the video store).
After all the lengthy battles with the FCC, Howard signed off on terrestrial radio and began broadcasting on Sirius Satellite Radio. He has truly not been heard from again.
To revamp his career, he signed on to be a judge on the television show America's Got Talent, a program that proves Americans will watch any crap put on the boob tube.
Posted in Comedy Birthdays
← Invisible Driver in the Drive-ThruJulia Louis-Dreyfus has a cake in her future →
Gene McGuire on 01/14/2013 at 12:36 pm
Don't care for Sterns radio show. I do admire his guts and conviction to his talent. He wasn't a bad actor either. Stern at his best is when he appears on David Letterman.
Crock rocker S. Irwin
Crocodile Hunter Steve Irwin was most well-known for being a wildlife expert and television personal[...]
2/16 - Happy Birthday, Edgar Bergen
Here's the pitch... "We are going to put a ventriloquist on the radio!" "Wait, the audience ca[...]
2/5 - Happy Birthday, Christopher Guest
When the gods of music and comedy merge, Christopher Guest becomes their mavin. This performer gave [...]
Mr Brenner, you're looking older
Davie Brenner was a favorite comic when Johnny Carson ruled the television airwaves. This master of [...]
2/03 - Happy Birthday, Shelley Berman
Shelley Berman There are names that get lost in the bane of history, people who were successful in [...]
Tommy Smothers' Mom liked him best....
Tommy Smothers is half of one of greatest comedy duo's of all time--The Smothers Brothers. They wou[...]
Pauly Shore is having a birthday
Pauly "The Weasel" Shore was destined to become a comic. His mother owned a famous comedy club in L[...]


This entry was posted in David Lynch Week, Noise Variations and tagged Blue Velvet, Bobby Vinton, Brenda Lee, David Lynch, doo-wop, jazz, Pat Martino, pop, The Clovers, The Moonglows, Thomas Truax, Tony Bennett. Bookmark the permalink.
Maybe compared to Ice Cube's classic, but in comparison to most AK-less tracks, it's pretty great.
Although the scene is amazing, amidst all those other entries, Isabella's rendition is pretty lacking.
Love The Moonglows, which I'd say blows the rest of them away. Martino is characteristically fantastic. And I've always loved the beginning of The Clovers' version more than the rest. Can't fault Lynch using Vinton's version, either, it's pure innocent beauty. A perfect tone-setter.
Hm. These are all interesting. I think I'm a Bobby Vinton man, but Brenda Lee's coming on strong. (Yes! "Blue Velvet" x 7, plus "Radar Love" reference).
The Clovers and Moonglows versions are great, too — and I agree about that lovely soft sax that opens the Clovers version. But for my money, Brenda's got the strongest voice, and Bobby's got the sweetest arrangement.


Hi I am looking for someone who is experienced in podiatry surgery procedure who is willing to help out a beginner. I have coded many types of specialties but podiatry is really stumping me. I am having trouble with pulling the procedures. I am thinking that I am missing key words to accurately code the correct procedures.
Hi there, I code podiatry and might be able to help you out, what are you looking for?
I am having trouble with bunions. I am not sure what key words I should be looking for to determine the correct code. Do you have any types of cheat sheets that could help? I appreciate you taking the time to respond.
For the most part bunions are repaired with two osteotomies: Chevron, Aiken, Austin and so forth. If the are two osteotomies then 28299 is your code which you will use 80% of the time.
For choosing other codes, see where the osteotomy is performed which will let you know the code.


text:
Concinnum är ett släkte av plattmaskar. Concinnum ingår i familjen Dicrocoeliidae.

Kladogram enligt Catalogue of Life:

Källor

Sugmaskar
Concinnum

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Before a long flight and holiday you need to prepare. This is what I have been doing the week before Paris.
Chemist shop – Stocked up with Panodol, Hydrolyte, hand sanitiser, hair ties and tampons. Yes, Australian tampons are often very different to ones found overseas..Best to stock up before you travel.
Waxing appointment- No need to pack a razor or worry about shaving legs on holiday if its all done prior.
Hydrating – Air travel is extremely dehydrating. To keep my skin hydrated I made time for some hydrating treatments at The Wellness Manor in Mornington. Absolute heaven on earth. I arrived a little late as my daughter had a fall at school and I went to check she was ok. I hate being late to appointments as I worry about the knock on effect that to has for the staff and their other customers, However when I arrived rushed from my hectic morning I was made to feel welcome and told no problems, they can push my appointment back for me so that I will have time to enjoy the beautiful spa's first. How accomodating! Another really nice touch was that no paperwork was thrown at me as soon as I walked in the door. This was discussed in a friendly personal way once I was within the first treatment room. The Wellness Manor is an old vicarage, a beautiful building that has been renovated and styled so tastefully. The feature tiles are stunning and when I stepped in the change room to take off my winter layers and put my bathers and robe on, it was a moment of bliss feeling the heated change room floor tiles on my bare feet. The spa was 38 degrees and so relaxing. Lovely Cartier from reception brought me an iced water to drink and on delivery reminded me its important to stay hydrated. I didn't have to watch the clock, When it was time for my first treatment the lovely Emily reminded me. I dried off and went into the first treatment room, where a pod was installed. I had a 'Driftaway in time which include, Exfoliation,Vichy Rain Shower,Body mud,Steam Infusion,Scalp Massage and Body Hydration. It was so relaxing. I moved outside to the sheltered relaxation area and was very comfortable snuggled on sheepskin. The next treatment I experienced was a Hydra Facial, which involved exfoliation and deep cleansing to the surface layer of the skin. Prue, the in-house nurse applied part glycolic part salicylic acid, exfoliated, then vacuumed off the dead skin. Then, antioxidants and nutrients were applied to my fresh skin and a moisturiser was applied to seal in the benefits. Prue explained that this new technology improves skin health and creates an instantly noticeable improvement in skin tone and texture. My skin was glowing after this amazing treatment! My experience was far from over, back to the day beds where I was offered and served champagne, herbal tea and an amazing platter that had all my favourites. White anchovies, marinated octopus, cheese, ham and pickled onions. I took my time relaxing and was given privacy and space to do so. I didn't want to leave, but unfortunately school pick-up was looming. I'm definitely feeling hydrated and relaxed before my flight and holiday. You can find more information on the Wellness Manor visit their website.
note. I was a guest of The Wellness Manor.


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Polinton
Polintons (also called Mavericks) are large DNA transposons which contain genes with homology to viral proteins and which are often found in eukaryotic genomes. They were first discovered in the mid-2000s and are the largest and most complex known DNA transposons. Polintons encode up to 10 individual proteins and derive their name from two key proteins, a DNA polymerase and a retroviral-like integrase.[1][2][3][4][5]
4 Discovery and nomenclature
Properties[edit]
A typical polinton is around 15–20 kilobase pairs in size, though examples have been described up to 40kb.[6] Polintons encode up to 10 proteins, the key elements being the protein-primed type B DNA polymerase and the retroviral-like integrase from which they derive their name. Polintons are sometimes referred to as "self-synthesizing" transposons, because they encode the proteins necessary to replicate themselves.[5] Most polintons also encode an adenoviral-like cysteine protease, an FtsK-like ATPase, and proteins with homology to the jelly-roll fold structure of viral capsid proteins. The presence of putative capsid proteins has prompted suggestions that polintons may be able to form virions under some conditions; however, this has not been demonstrated experimentally.[3][5][7]
Polinton sequences contain terminal inverted repeats characteristic of transposable elements, usually on the order of 100-1000 base pairs.[3] They also possess a 6bp target site duplication sequence at the insertion site.[6]
Distribution[edit]
Polintons have been detected in all groups of eukaryotes other than the Archaeplastida (containing red algae, green algae, glaucophytes, and land plants). They are particularly common in unikonts, a group that includes animals.[3] The pathogenic parasite Trichomonas vaginalis, which causes trichomoniasis, has a unique genome composed of up to 30% polintons.[2]
Evolution[edit]
The genetic network linking various types of Bamfordvirae viruses and selfish genetic elements, represented by labeled circles. Links between circles are color-coded by the gene whose sequence homology establishes the link.[8]
Early descriptions of polintons identified them as likely to be ancient, at least one billion years old and possibly associated with an early ancestor of modern eukaryotes.[1] Phylogenetic analyses of known polinton sequences support this ancestry model and suggest that transmission of polintons is mainly vertical[6] (though horizontal gene transfer of a polinton has been reported[9]).
The evolutionary relationships between polintons, double-stranded DNA viruses, and selfish genetic elements are complex. The first descriptions of polintons linked them by sequence relationship to linear plasmids, bacteriophages, and adenoviruses.[1] More recently, relationships have been identified between polintons, virophages, and giant viruses. Polintons are increasingly thought to form one component of a complex genetic network linking selfish genetic elements in eukaryotic genomes with double-stranded DNA viruses. Through homology in at least one and usually several genes, polintons are evolutionarily linked to linear plasmids, virophages (especially Mavirus virophage, family Lavidaviridae), giant viruses (Megavirales), Ginger 1 transposons, Tlr1 transposons, transpovirons, eukaryotic viruses of the Adenoviridae family, and bacteriophages of the Tectiviridae family.[3][5][8]
The Maveriviricetes class of viruses is named after their resemblance to Maverick/Polinton transposons. All the viruses mentioned are united under Bamfordvirae for their double jelly-roll capsid.[10] Some polinton-like viruses (PLVs) other than Tlr1 have also been identified, and are yet to be put into a taxon (presumably under Maveriviricetes).[3]
Discovery and nomenclature[edit]
Giant transposable elements were originally discovered in the mid-2000s, beginning with the description of a novel family of retroviral-like integrase proteins[11] which were then associated with transposable elements given the name Mavericks.[2][12] Meanwhile, an overlapping class of transposable element was described under the name polintons, derived from the key proteins polymerase and integrase, by Vladimir Kapitonov and Jerzy Jurka.[1] Both terms continue in common use.[3][6]
Because of their viral capsid-like proteins and self-replication abilities, it has been suggested that polintons are capable of forming virions and would properly be termed polintoviruses.[7] However, this terminology is not yet accepted and awaits experimental validation of the virion hypothesis.[3][4]
^ a b c d Kapitonov, V. V.; Jurka, J. (14 March 2006). "Self-synthesizing DNA transposons in eukaryotes". Proceedings of the National Academy of Sciences. 103 (12): 4540–4545. doi:10.1073/pnas.0600833103. PMC 1450207. PMID 16537396.
^ a b c Pritham, Ellen J.; Putliwala, Tasneem; Feschotte, Cédric (April 2007). "Mavericks, a novel class of giant transposable elements widespread in eukaryotes and related to DNA viruses". Gene. 390 (1–2): 3–17. doi:10.1016/j.gene.2006.08.008. PMID 17034960.
^ a b c d e f g h Krupovic, Mart; Koonin, Eugene V. (22 December 2014). "Polintons: a hotbed of eukaryotic virus, transposon and plasmid evolution". Nature Reviews Microbiology. 13 (2): 105–115. doi:10.1038/nrmicro3389. PMC 5898198. PMID 25534808.
^ a b Yutin, Natalya; Shevchenko, Sofiya; Kapitonov, Vladimir; Krupovic, Mart; Koonin, Eugene V. (11 November 2015). "A novel group of diverse Polinton-like viruses discovered by metagenome analysis". BMC Biology. 13 (1). doi:10.1186/s12915-015-0207-4. PMC 4642659. PMID 26560305.
^ a b c d Krupovic, Mart; Koonin, Eugene V (June 2016). "Self-synthesizing transposons: unexpected key players in the evolution of viruses and defense systems". Current Opinion in Microbiology. 31: 25–33. doi:10.1016/j.mib.2016.01.006. PMC 4899294. PMID 26836982.
^ a b c d Haapa-Paananen, Saija; Wahlberg, Niklas; Savilahti, Harri (September 2014). "Phylogenetic analysis of Maverick/Polinton giant transposons across organisms". Molecular Phylogenetics and Evolution. 78: 271–274. doi:10.1016/j.ympev.2014.05.024. PMID 24882428.
^ a b Krupovic, Mart; Bamford, Dennis H; Koonin, Eugene V (2014). "Conservation of major and minor jelly-roll capsid proteins in Polinton (Maverick) transposons suggests that they are bona fide viruses". Biology Direct. 9 (1): 6. doi:10.1186/1745-6150-9-6. PMC 4028283. PMID 24773695.
^ a b Yutin, Natalya; Raoult, Didier; Koonin, Eugene V (2013). "Virophages, polintons, and transpovirons: a complex evolutionary network of diverse selfish genetic elements with different reproduction strategies". Virology Journal. 10 (1): 158. doi:10.1186/1743-422X-10-158. PMC 3671162. PMID 23701946.
^ Dupuy, C.; Periquet, G.; Serbielle, C.; Bézier, A.; Louis, F.; Drezen, J-M (31 March 2011). "Transfer of a chromosomal Maverick to endogenous bracovirus in a parasitoid wasp". Genetica. 139 (4): 489–496. doi:10.1007/s10709-011-9569-x.
^ Koonin EV, Dolja VV, Krupovic M, Varsani A, Wolf YI, Yutin N, Zerbini M, Kuhn JH (October 2019). "Create a megataxonomic framework, filling all principal taxonomic ranks, for DNA viruses encoding vertical jelly roll-type major capsid proteins". ICTV Proposal (Taxoprop): 2019.003G. doi:10.13140/RG.2.2.14886.47684.
^ Gao, X; Voytas, D (March 2005). "A eukaryotic gene family related to retroelement integrases". Trends in Genetics. 21 (3): 133–137. doi:10.1016/j.tig.2005.01.006. PMID 15734571.
^ Feschotte, C; Pritham, E (October 2005). "Non-mammalian c-integrases are encoded by giant transposable elements". Trends in Genetics. 21 (10): 551–552. doi:10.1016/j.tig.2005.07.007. PMID 16084623.
Genetics: repeated sequence, transposon, gene duplication
Repeatome
Repeated sequence
Satellite DNA
Variable number tandem repeat/Minisatellite
Short tandem repeat/Microsatellite (Trinucleotide repeat disorders)
Interspersed
Gene conversion
DNA transposon
Helitron
Inverted repeat
Direct repeat
Alu sequence
LTRs
HERV
MER4
retroposon
Academ
EnSpm/CACTA
IS3EU
ISL2EU
Tc1/mariner
MuDR
Novosib
P element
PiggyBac
Transib
Zator
Zisupton
Gene duplication
Gene amplification
Tandemly arrayed genes
Ribosomal DNA
Gene cluster
Pseudogene
Genomic island
Pathogenicity island
Symbiosis island
Low copy repeats
Retrieved from "https://en.wikipedia.org/w/index.php?title=Polinton&oldid=964745228"
DNA mobile genetic elements
This page was last edited on 27 June 2020, at 09:45 (UTC).


This page contains Wizards and Warriors cheats list for PC version. Now we have 0 cheats in our list, which includes . We hope information that you'll find at this page help you in playing Wizards and Warriors on PC platform. If you didn't find needed cheats put request or ask question about this at special section of the game. Also you can subscribe on all new cheats that we'll find for you in the future!
To run the on Windows XP, install the full installation.
Once installed, browse to its folder, and right click on the "townavi"
called Virtualdub, or a program which saves .AVI files uncompressed.
their original names as listed in the "townavi" folder.
uncompressing them. Once finished, click on "wiz& warriors.exe"
to play the game once again .


text:
Q: MapView not showing - Objective C I'm trying to get the map view in my app by creating it dynamically but the map view is just showing the pale yellow coloured view. I imported the MKMapView and CoreLocation frameworks. Here is my code, please help me to solve this issue. Thanks in Advance!!
MKMapView *map_view;
    map_view = [[MKMapView alloc] initWithFrame:frame];
    map_view.showsUserLocation = YES;
    map_view.mapType = MKMapTypeHybrid;
map_view.delegate = self;
    [_scrollView addSubview:map_view];

A: I think you are not friendly with MkMapView, How to use MkMapView

A: in .h file you can insert following
@interface YourViewController : UIViewController <MKMapViewDelegate>
{

    IBOutlet MKMapView *mapview;
}

@property(nonatomic, retain) IBOutlet MKMapView *mapview;

in .m file you can insert following
@implementation YourViewController

@synthesize mapview;

-(void)ViewDidLoad
{
    mapview.mapType=MKMapTypeStandard;
    mapview.showsUserLocation = YES;
    mapview.delegate=self;
}

redpajama_set_name: RedPajamaStackExchange


Compare and Contrast Drama Essay Identify first, then compare and contrast the plot, climax, and protagonist for each of the plays you have selected.
Othello or the play Fences as one of the three plays you analyze, then compare and contrast.
limit your focus on the three literary devices that I have identified for you in this essay only.
have selected. Remember that you must include the play Othello or the play Fences as one of the three plays you analyze, then compare and contrast.
consistently. If you are quoting or paraphrasing other sources make sure that you document them appropriately within the body of your essay as well. Please limit your focus on the three literary devices that I have identified for you in this essay only.
here are the dramas: Othello by William Shakespeare or Fences, Twilight by Anna Deavere Smith, The sound of Voice by David Henry Hwang.


text:
Q: Firefox Addon: Sending data from main.js to dev tool tab I am trying to implement an addon that will intercept the HTTP response and then log it on to dev tool tab similar to the way XHRs are logged into web console.
Addon code has following files:
data/index.html
lib/main.js

I have defined devtoolTabDefinition :
devtoolTabDefinition = {
    id: "logger",
    ordinal: 3,
    icon: "chrome://browser/skin/devtools/inspector-icon.png",
    url: self.data.url("index.html"),
    label: "HRRL",
    tooltip: "HTTP Request Response Logger",
    // Rest of the code

I have registered an observer,HttpResponseListener from Ci.nsIObserverService to observe "http-on-examine-response". HttpResponseListener intercepts the responses and I get the response string in it's onDataAvailable method.
I need to send rather add this response string to the dev tool tab's index.html.
AFAIK I don't have to use content script because I have nothing to do with the main page window. I just need to intercept the response and log it in dev tool tab.
Thanks in advance.

A: If you look at the example, the communications channel is set up in the build method, which you don't show in your code. You can see a working example of this approach here:
https://github.com/canuckistani/jetpack-devtools-template/blob/master/lib/main.js#L42-L51
*Aside: starting with Firefox 34 (now in nightly) there will be new devtools apis to make this all easier, for a really simple example see here.


Using a phenomenological approach, semi-structured interviews were conducted with eight individuals who were employed as collegiate outdoor recreation coordinators through each of the family status changes that included single, committed relationship without children and committed relationship with children. Based on the demographics of collegiate outdoor recreation coordinators and the understanding that family status changes typically impact females differently than males, only males were selected for participation in this study.
The findings of this study suggest that changes in family status affect collegiate outdoor recreation professionals for a variety of reasons with the most prevalent being stress related to travel, role pressures, job perception, and enrichment, and to a lesser degree levels of engagement, guilt, family/work balance, and support systems. The findings also indicate that these categories are interrelated and most frequently influence one another.
The results of this study can benefit individuals considering a career in collegiate outdoor recreation, those currently employed as collegiate outdoor recreation professionals and those who supervise these individuals. Understanding the perceived challenges and benefits could serve to help better prepare future coordinators to remain positive throughout their career, reassure current coordinators that their experience is normal, and assist supervisors in maintaining a positive working environment for outdoor coordinators.
Martin, Andrew K., "Perceived effects of family status changes on male collegiate outdoor recreation coordinators" (2015). Theses and Dissertations @ UNI. 172.


text: Q: Oculus Quest: Recording Video within the Oculus Quest I'm working on a VR application (in Unity) for the Quest that one of its features is to be able to record yourself from a camera. I have tried some assets like VR capture (by RockVR), but they only work on certain platforms such as Windows or macOS. I have also tried capturing frames and then converting them to a .gif or .mp4 file but that also requires a platform-specific library. Does anyone have a solution?


We burn a lot of coal in this country, leaving behind a lot of coal ash, which contains mercury, arsenic, selenium and other dangerous substances. And it all has to go somewhere.
On "Recut," we'll give listeners a way to stay informed and connected to their city while giving a behind-the-scenes look at WFPL's stories and the people who report them.


Add the kimchi paste to the apples and marinade well. Put it in the fridge for 2 hours so the flavours because more pronounced, but if you really can't wait that long, it's fine to eat as it is too!
Enjoy your weird and wonderful meal!
Once you've finished cooking and you're suitably proud of the results, why not post a pic to Instagram with the hash tag #pinklady2096? We'd love to see!


text:
JPC to have 30 members, Chacko likely to head
NEW DELHI - The Joint Parliamentary Committee (JPC) to be set up to investigate alleged irregularities in 2G spectrum allocation is likely to have 30 members, with senior Congress leader P.C. Chacko as its head, informed sources said.
According to the sources, the government has agreed to the opposition demand for a 30-member panel for a wider representation of political parties.
The government was earlier planning to have a 21-member panel.
The decision to have 30 members was taken after senior Bharatiya Janata Party (BJP) leaders conveyed to the government that smaller parties also want representation in the panel, the formation of which was promised by Prime Minister Manmohan Singh Tuesday.
The committee will have 20 members from the Lok Sabha and 10 from the Rajya Sabha and representation of each party would be decided on the basis of its strength in the two houses.
In the 30-member panel, the Congress will have 11 members - eight from the Lok Sabha and three from the Rajya Sabha.
The BJP will have six members - four from the Lok Sabha and two from the Rajya Sabha.
However, BJP sources said that of its four members from the lower house, one will be from its ally Shiv Sena.
Congress ally DMK, whose jailed leader and former communication minister A. Raja is at the centre of the controversy, will have two members and the AIADMK one.
The Nationalist Congress Party (NCP) and the Trinamool Congress - both allies of the Congress - will have one member each. The Bahujan Samaj Party, the Janata Dal-United and the Left will have two each.
The Samajwadi Party and the Biju Janata Dal will also have one member each.
The sources said the Congress has "more or less" made up its mind to have Chacko, an MP from Kerala, as the head of the "sensitive" panel.
Chacko, a Congress old-timer, is considered loyal and reliable to handle the job, they said.
"The government has drafted the terms of reference of the committee and these would be finalized by this (Wednesday) evening," a minister said.
The motion for the formation of JPC will be listed as a supplementary in Thursday's list of business and would be moved by any minister, not necessarily by Telecom Minister Kapil Sibal, at 2 p.m. in the Lok Sabha.
This will be followed by a discussion and the motion would then go to the Rajya Sabha.
Tags: A Raja, Manmohan Singh, New Delhi
Dalai Lama expresses grief over New Zealand quake
PM's council approves Green India Mission
Now thousands march in Athens, clash with police
Protests singe Arab world, Gaddafi defiant as Libya burns (Roundup)
Congress MPs add to Telangana chorus, Lok Sabha disrupted (Roundup)
NGO contracts: Chhattisgarh minister criticised for irregularities
Libyan minister quits, diplomat claims genocide
Egypt unrest toll put at 384
Manmohan Singh News
Congress MPs add to Telangana chorus, disrupt Lok Sabha (Second Lead)
Congress MPs from Telangana disrupt Lok Sabha
Government hit by integrity, leadership deficit: BJP
Libya unrest: India readying evacuation plan, 1 Indian killed in accident
After winter vibes, warmth of peace in parliament
Opposition unhappy with PM's language on JPC
Government gives in, announces JPC (Roundup)
PM's announcement of JPC tasteless: Jaitley
'NDA will win in Bihar, Congress won't touch double-digits'
LUCKNOW - The National Democratic Alliance (NDA) would return to power in Bihar, and the Congress' s...
Eight days of adjournment cost nation Rs.63 crore
NEW DELHI - The eight successive days of adjournment of parliament without any major business trans...
2G logjam: Parliament adjourned yet again
NEW DELHI - Both Houses of Parliament were adjourned till noon within minutes of opening amid an Op...
Parliament adjourned for day over JPC demand
NEW DELHI - Both houses of parliament were Tuesday again adjourned for the day as the opposition con...
Parliament adjourned again over JPC demand
NEW DELHI - Both houses of parliament were Tuesday adjourned till noon as opposition MPs persisted w...
CAG report on 2G with parliamentary panel
NEW DELHI - The Comptroller and Auditor General (CAG) report on the 2G spectrum controversy was dist...
Not told to resign, says Yeddyurappa, to meet Gadkari Tuesday (Night Lead)
NEW DELHI/BANGALORE - Karnataka Chief Minister B.S. Yeddyurappa, who flew in to the capital Monday e...
Pranab meets PM to discuss ways to end parliament impasse
NEW DELHI - Finance Minister Pranab Mukherjee met Prime Minister Manmohan Singh Monday evening to br...
All-party meet fails to break logjam, opposition firm on JPC (Second Lead)
NEW DELHI - Congress' main trouble-shooter Pranab Mukherjee's efforts to resolve the deadlock in par...
Pranab's effort to resolve JPC deadlock fails
NEW DELHI - Congress leader Pranab Mukherjee's effort to resolve the deadlock over a joint parliamen...


text:
McCune School of Music and Art minutes
Typed and shorthand meeting minutes. The materials record issues discussed in faculty meetings at the school.
McCune School of Music and Art records
Identifier: MSS 249
Records range in date from 1922-1957 and consist of correspondence, teaching notes, files on faculty members, scrapbooks, miscellaneous items; and financial, attendance, and grade reports. The materials document the policies, functions, finances, activities, students, and curriculum of the institution.
Mormon pioneers : music collection
Collection — oversize-folder: 1
Scope and Contents "The Mormon Pioneers" is the seventh album in the Columbia Records Legacy Collection and was produced by Goddard Lieberson with the aid of the Special Projects Staff: Charles Burr. Joan Meyers, Ira Teichberg, David Rubinson, John Simon, and Arlene Steibel. The songs contained in this album are songs that the Mormon pioneers sang as they migrated West and settled in Utah. The collection contains one 33 1/3 record of "The Mormon Pioneers"; a cassette tape copy of the record; and a printed...
Marcellus Smith musical scores
Musical scores, narrative scripts, a printed program, and poetry. Many of the materials relate to the Cavalcade of Mormon Music Pageant. This pageant was presented by the Los Angeles Stake of the Church of Jesus Christ of Latter-day Saints and is a musical story of Mormon pioneers. Also included is music relating to The Grubstake, Leisure Lines, and The Concertmaster: A Make Believe T.V.
President's Leadership Council keepsake The Seer by John Taylor
Contains a keepsake to members of BYU's President's Leadership Council. It contains a copy of The Seer written by Apostle John Taylor. Materials are dated 2011.
Eliza R. Snow and Brigham Morris Young papers
File — Folder: 1
Printed programs of musical productions largely on Mormon themes, a hymn written by Eliza R. Snow, and a typewritten history of the founding of the Young Men's Mutual Improvement Association of the Church of Jesus Christ of Latter-day Saints.
Leroy J. Robertson scores and other material
Collection consists of published scores with accompanying manuscripts and/or photocopies of many of Robertson's works, as well as computer-burned sound recordings and a typewritten draft copy of Wilson's book, "Leroy Robertson: Music Giant from the Rockies," with annotations, circa 1930-2007.
Leroy Robertson : music giant from the Rockies
Identifier: MSS SC 2887
Typed copy of the book manuscript, "Leroy Robertson," a noted musical composer, which was written by his daughter. The item describes Robertson's life and works, including his teaching in the music department of Brigham Young University (1925-1948) and the University of Utah (1948-1965) and his involvement with music in the Mormon Church. Also included is a published copy of the book signed by the author.
Sketch of the life of Thomas Durham
Scope and Contents Photocopy of a microfilm reproduction of a typed manuscript. The item is a biography of Thomas Durham. He lived in England, joined the Mormon Church in 1850, married Mary Morton in 1852, and migrated to Utah in 1856 with the Martin handcart company. He soon went to Parowan, Utah, where he led the local choir for 62 years. He married a second wife, Mary Mitchell, in 1860 and took a third wife, Carole Mortensen, in 1867. Durham made a living as a furniture maker. Alfred M. Durham...
Subject: Church of Jesus Christ of Latter-Day Saints X
Subject: Church music -- Church of Jesus Christ of Latter-day Saints X
L. Tom Perry Special Collections 17
L. Tom Perry Special Collections. University Archives 2
Church music -- Church of Jesus Christ of Latter-day Saints 17
Arts, Humanities, and Social Sciences 11
Church of Jesus Christ of Latter-Day Saints 4
Colleges and Universities 4
Scores 4
Church music -- Church of Jesus Christ of Latter-day Saints -- History 3
Music -- Manuscripts 3
Art schools -- Utah -- Salt Lake City -- History 2
Conservatories of music -- Utah -- Salt Lake City -- History 2
Histories 2
Material Types 2
American literature -- Mormon authors 1
Architecture -- Utah 1
Architecture -- Utah -- Provo 1
Arrangers (Musicians) 1
Church music -- Church of Jesus Christ of Latter-day Saints -- Instruction and study 1
Church music -- Utah -- History 1
Church work -- Church of Jesus Christ of Latter-day Saints 1
Composers -- Biography 1
Composers -- United States -- Correspondence 1
Composition (Music) 1
Education, Higher -- Utah -- Provo 1
Family histories 1
Home and Family 1
Immigration and American Expansion 1
Missions and Missionaries 1
Mormon Church -- Anniversaries, etc. 1
Mormon Church -- Education 1
Mormon architecture 1
Mormon authors 1
Mormon handcart companies 1
Mormon missionaries -- Denmark 1
Mormon pioneers 1
Mormon pioneers -- Songs and music 1
Mormon temples 1
Mormons -- Colonization 1
Mormons -- Poetry 1
Mormons -- Utah -- Parowan 1
Music -- 20th century 1
Musical works 1
Musicians -- Biography 1
Musicians -- Utah -- Biography 1
Obituaries -- United States 1
Panguitch (Utah) 1
Parowan (Utah) -- History 1
Patriotism 1
Polygamy -- Religious aspects -- Church of Jesus Christ of Latter-day Saints 1
Priesthood -- Mormon Church 1
Programs 1
Provo (Utah) -- Social life and customs 1
Recreation 1
School music -- Instruction and study 1
Sketches 1
Souvenirs (Keepsakes) 1
Teachers -- Training of 1
Visions 1
Youth Auxiliaries 1
Brigham Young University 2
McCune School of Music and Art 2
Robertson, Leroy J. 2
Allen, David Len, 1955- 1
Baker, Ward 1
Brigham Young University. Department of Music 1
Bushman, Richard L. 1
Cheney, Thomas E. (Thomas Edward), 1901-1993 1
Christensen, T. C. 1
Church of Jesus Christ of Latter-day Saints. Chicago University Branch 1
Church of Jesus Christ of Latter-day Saints. Los Angeles California Stake 1
Church of Jesus Christ of Latter-day Saints. Young Men's Mutual Improvement Association 1
Czerny, Peter G., 1941- 1
DeWitt, Abel Alexander, Jr., 1865-1953 1
DeWitt, Ruth Leila Kempe, 1880-1943 1
Durham, Alfred M. 1
Durham, Thomas, 1828-1909 1
Edward Martin Emigrating Company 1
Foxley, William M. 1
Gates, Crawford 1
Hafen, LeRoy R. (LeRoy Reuben), 1893-1985 1
Hatch, Ephraim 1
Hatch, Verena 1
Kemp family 1
Kempe (Family : Kempe, Christopher Jensen, 1837-1901) 1
Kempe, Christopher Jensen, 1837-1901 1
LDS Motion Picture Studio 1
Lauper, Jean Vernon Gordon, 1904-1977 1
Law, Lue Groesbeck, 1913-1978 1
Lieberson, Goddard, 1911-1977 1
Manookin, Robert P., 1918-1997 1
President's Leadership Council (Brigham Young University) 1
Primary Association (Church of Jesus Christ of Latter-day Saints) 1
Sherman, William T. (William Tecumseh), 1820-1891 1
Smith, Marcellus 1
Snow, Eliza R. (Eliza Roxey), 1804-1887 1
University of Chicago 1
University of Utah. Department of Music 1
Wilson, Marian Robertson, 1926- 1
Young, Brigham Morris, 1854-1931 1


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