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Naruto: Ultimate Legends :: Other Content :: Storage :: Fate Wars stuff :: Fuyuki City :: Miyama Town Share
Fuyuki Bridge
Subject: Fuyuki Bridge Sat Feb 08, 2014 5:54 am
A large, state of the art bridge that spans the Mion river, connecting Miyama Town and Shinto together.
Subject: Re: Fuyuki Bridge Sun Feb 09, 2014 3:04 am
On top of one of trusses of the bridge, Lancer straightened up, a bottle in one hand and his horn in the other. Finishing off the drink in a long gulp, he tossed the bottle behind him, where it would, eventually, land in the river. After his scouting of the city, where he'd found a few good locations for battle, but no enemy servants yet, he'd gone to truly prepare for war. There where three things a man had to do before a fight to death, or else they weren't a man at all. Women and drink had been easy enough, as it turns out, Neal had been a bit taller than normal for men in this city, and Lacer was a deal taller. And damn more attractive if he was any judge. The hard part had been getting away from them afterwards.
As for the last one, there was no real helping it. He held out his now empty hand, and his sword materialized in it. Thrusting the blade towards the sky, he brought his horn to his lips and blew three long blasts, the sound booming and echoing through the city. A battle unheralded would bring only misfortune, but now this would be a glorious war. And, this might solve the problem of not being able to find any of the other servants. Would any be brave enough to meet the challenge?
Mood: Pumped
Condition: Healthy
Strength: B • Endurance: A • Agility: B • Magic Power: D • Luck: E
Nyrax123
Location : Somewhere deep in the caverns of my own mind
Vlad looked up sharply as he heard the horn sounding. He couldn't quiet sense it, but it wasn't a normal horn by any means. No, it had to mean something. Vlad and Pax had been in the city for a few days now and had gotten a good lay of the land. Vlad smiled as he now heard a servant. It was time for this war to start. He turned to Pax to address her.
"I'd bet my life that's a servant," he said in a low voice. "We need to move closer, but I want you to conceal yourself. Hide until I need you, if I need you," he explained. "This could likely be a trap to lure someone like us out, caution is necessary...and then they will suffer at our hands," Vlad said before smacking the girl's back. "For glory!" Vlad shouted before darting off.
It would be a few minutes before Vlad showed up on the bridge. The man was standing atop the bridge. Oh yes, with an outfit like that he was most definitely a servant. No one dressed like that or stood in such a place for fun. "Why don't you come on down," Vlad shouted as he pulled out his kilij and held it in his hand. "You do not look like a coward to me" Vlad asked as he kept his senses open. The horn was loud, it was likely that some other servant might also feel a need to drop by.
Strength: A • Endurance: A • Agility: C • Magic Power: E • Luck: E
Location : Hill of Sorrow
Subject: Re: Fuyuki Bridge Sun Feb 09, 2014 11:25 pm
Pax Romania
"Right… yeah… ha…" Vlad would likely not catch her general lack of enthusiasm for getting the actual battling underway having taken off so quickly, but enthusiastic or not it was time to toughen up and prepare for a possible fight to the death.
She waited until Vlad was a good distance ahead of her before following at a slower pace. She'd arrive at the bridge much later, sticking to the lower walkways as she viewed the ongoing meeting from a distance.
Magic Capacity: A • Magic Output: A • Magic Resistance: A
Strength: D • Agility: B • Endurance: D
As Lancer felt the large glob of magical energy that could only be another servant approaching, he smiled. One already, that was good. It hadn't taken him long though, no doubt more would arrive, he'd be disappointed if this war only had one other brave fighter. As the servant called out to him, Lancer put his horn away, then waved, his cape billowing in the wind behind him, and his sword held loosely at his side.
"Why not come up? The view up here is excellent, and the fight even more thrilling!" He took a short walk along one of the metal beams, moving a bit away from the man down below. "I won't attack on your way up, and people might try to use the bridge. We don't want to have to interrupt our fight to kill them, do we?"
Subject: Re: Fuyuki Bridge Mon Feb 10, 2014 12:01 am
Vlad's eyes narrowed as the man made his case. How dare he speak to Vlad in such a way! Did he not know who he was speaking to! Vlad bent his knees before giving a powerful leap and landing on a metal beam that was a bit away from where the other servant was. Vlad straightened himself up as he still held his kilij in his hand.
Vlad stared at the man for a moment. "I see no point in waiting, do you?" Vlad asked as he pointed the curved sword at the man. "Let's decide who the first corpse is," Vlad said before moving forward and immediately performing several slashes, aiming to either hack the man apart or at least force him to move his ground.
Subject: Re: Fuyuki Bridge Mon Feb 10, 2014 1:26 am
Lancer shifted his sword into a ready position as Vlad leaped up to join him on the trusses, but merely shifted repeatedly backwards on the beam as Vlad slashed at him, avoiding the blows while giving ground down the arch. "You seem awfully hasty, we've got the whole war ahead of us, why rush?" A few more steps back and he reached one of the cross bars, and instead of continuing to retreat backwards, he slid to the side, moving along the level beam.
"So, who am I facing then? You seem a bit too straightforward to be Assassin, though I suppose you could be Rider." The man was clearly skilled with the sword, so there was a good chance he was Saber, but if he wasn't, Lancer wasn't going to say anything that would admit he wasn't Saber to anyone who might be watching. That was the whole point of using his sword for the opening fight. It wasn't tricking them, really, he was just stopping people from gathering information. Right?
Vlad's patience was starting to shorten, which wasn't that hard given Vlad's normal temperment. However, the spell that Pax used to summon the man had also made him a bit more insane. He was very likely to lose his temper, leading him to jump straight in to the fight. This guy was a talker huh, that annoyed Vlad. They were all going to be trying and killing each other, what the hell was the point of getting to know each other?
The man dodged Vlad's attack, causing Vlad's blade to sink into the metal and leaving a deep scratch. Vlad was not a weak man by any means. This man was insiting on attacking though. "Introduce yourself before asking my name you cur, I am Vlad, son of the Dragon!" the Berserker said angrily. "I don't even care who you are though. We are here to spill blood. God is on my side, and I will not be bested by some barbarian. He will smite you down and I shall be the instrument!" Vlad shouted angrily.
He leapt forward and attempted to slash down at the man. He could play around as long as he wanted, but if he didn't pull out his blade soon Vlad would land a hit...and he wouldn't forget that anytime soon.
Subject: Re: Fuyuki Bridge Wed Feb 12, 2014 9:04 pm
That... was unexpected. It was unusual for a servant to reveal their true name, Lancer had been fishing for the class title, but he wasn't even sure how much difference it would make. Vlad the Impaler was well, a dude who loved impaling people a lot, he couldn't think of any weaknesses. Well, he'd have to set Neal onto researching it.
"I'm afraid I'm not polite enough to give you mine, but its an honor to face you, Vlad!" He made a quick dash backwards to avoid the slice, then made a strike of his own, slashing with one hand towards Vlad's chest.
Vlad's light sword was good for such quick fights. It was weighted at the tip in order to gain momentum, but the rest of the sword was rather light. When Lancer slashed at Vlad, the Imapler lifted his blade and blocked the blow. He smiled, as he could tell that his strength was more than Lancer's. Vlad doubted that this man was saber.
Vlad quickly used his free hand and grabbed Lancer by his shirt. With his grip firm, Vlad attempted to launch a headbutt right in to the man's face. Usually no one won in a headbutt, but thankfully Vlad had quite a thick skull.
Lancer grinned as their battle progressed. Judging from the strength he'd put into the block, Vlad was stronger than him, but a bit slower. And a headbutt, beautiful! Lancer ducked his head down as Vlad pulled him in, so the headbutt would collide with the top of his skull, at the same time sending his free hand flying towards Vlad's gut. He might be a little weaker, but he was confident in his ability to take blows!
The man in front of Vlad took part of the headbutt, but used that opportunity to launch an attack of his own at Vlad's stomach. The blow landed, but Lancer hadn't taken the knowledge that Vlad might have just as high endurance as him. Vlad grinned as the blows hit, he flinched but that was about it.
Vlad's grip on Lancer tightened before he quickly turned and threw the man right at one of the metal beams that was a part of the tower. That was going to hurt a bit if the man didn't slow himself down or do something.
Subject: Re: Fuyuki Bridge Fri Feb 14, 2014 12:56 am
Lancer wore a wild grin as he was sent flying backwards by Vlad's throw. He thrust his sword behind him shortly before he hit the beam, the blade sending up a scream of metal and sparks as it sunk a few inches into the support. Holding the sword with one hand, he flipped up to land on top of the beam, pulling his sword out after him to point towards Vlad. What an exchange! This was what he was summoned for, a battle of heroes!
He reached into his bag and pulled out a plain short sword with his other hand, then clashed the blades together and leaped back across space between their beams, swinging his waved blade towards Vlad as he went.
Vlad turned and saw what the man did to stop himself from crashing in to the wreckage. Impressive, but it was just a trick. That kind of skill wasn't going to help him with someone like Vlad. When the man pulled out a second sword, Vlad smiled. Yes, make yourself weaker. The man wasn't as strong as Vlad, so he was going to attempt to use his speed in order to tip the fight in his favor. It wasn't a bad move, but Vlad knew how to counter it.
Vlad took his sword in both hands and swung it back on the blade that the man was using to attack him. Vlad swung with power, using his full strength in each swipe. Vlad was naturally stronger, so using both hands was going to make his strikes more powerful than this man's. Vlad swung downwards against the man, aiming to use gravity to his advantage with each blow. He had to keep swinging to get this guy on the defensive.
Subject: Re: Fuyuki Bridge Tue Feb 18, 2014 1:26 am
As Vlad went for a two handed downward slice, Lancer hacked upwards and to the side with his sword, using the second blade to push against the tip of the backside of his first, using the force of the blow to redirect Vlad's attack to the side. Then he disengaged the second blade to stab out towards Vlad, trying to keep his first sword locked with his opponents.
Subject: Re: Fuyuki Bridge Thu Feb 27, 2014 12:49 am
Vlad felt the blade pierce his skin, stabbing in to his side as the tip caused Vlad to feel some pain. The berserker howled in pain before that yell quickly turned in to a laugh. He looked down at the man and grinned. "Bad move my friend," he said as Lancer would feel that Vlad's sword arm was pushing down harder than it had been before. At the same time, Vlad released one of his hands and punched it straight in to his enemy's gut.
Vlad got stronger the more he was injured, so while it had been a good blow, that only made Vlad release the anger more. Being this close to Vlad when he was injured was a very bad idea.
Subject: Re: Fuyuki Bridge Thu Feb 27, 2014 1:30 am
Lancer hadn't gotten as firm a foothold on the beam they were currently fighting on as he might have liked, so as the force behind Vlad's blade increased, he began to slip slightly, which was around when he took the blow to stomach.
The strength of the punch was enough to send him backwards, so with the bad footing he already had, Lancer could tell he wouldn't be able to stay on top of the bridge. He pushed off the beam before his feet could leave it completely, and jerked the sword that had pierced Vlad to the side, hopefully causing a bit more damage as he fell away from the bridge. As he neared the water, he thrust the waved blade down, causing a split to form in the surface of the river, allowing him to slide down the side, slowing his fall. As the water began to pour back into the gap, he pushed off, jumping up to land on the surface of the water, and dashed to the shore. His speed would let him stay on top without sinking as long as he moved, but any combat there would be tricky at best.
Vlad felt the blade leaving his side, allowing another yell to leave his mouth as the man he was fighting went off of the edge of the bridge. He growled and ran to the edge of the bridge before looking over and seeing the man land in the water before making his way to the shore. Damn it, Vlad didn't consider chasing after the man once he fell down at the ground.
Vlad looked around and saw that there were actually a few people that were starting to come by. The battle had apparently been making quite a scene, and now that Lancer was retreating Vlad decided to call it for now. He had an estimate of the man's power, so when they next men Vlad would know what to do. For now, he considered this a victory. He turned and quickly left, heading out of the area before disappearing. Vlad and his mage would have to meet up to discuss this predicament.
As he reached the shore, Lancer looked up to the top of the bridge, his eyes just able to make out Vlad heading away. Letting out a small snort, he returned both blades to his bag, then sped away back into town. The fight had given him a good grasp on at least one opponents capabilities, and the braveness of the others. The fact that only one hero had met his challenge was frankly disgusting, though hopefully a few servants, or masters, had been spying on the fight and tagged him as Saber.
Subject: Re: Fuyuki Bridge
Naruto: Ultimate Legends :: Other Content :: Storage :: Fate Wars stuff :: Fuyuki City :: Miyama Town


As the title says, I am still in school but want to learn a bit of philosophy. I am always confused about what is moral and ethical and what not, among many other things. I hope I can get into philosophy get answers for these. What is a good starting point? which books should I read? good youtube channels to start?
Re: A kid trying to get into philosophy !
Ethics is the study of moral standards. If you carefully keep the distinction between ethics and moral standards, even though the two terms are commonly used interchangeably, you will begin to somewhat reduce your confusion.
All human cultures have different moral standards thus, there is no one single ensemble of moral standards which is the final set, so you need not feel lacking simply because, at this time, you cannot decide on which set of moral standards you shall subscribe to. I believe each person has a natural set of moral standards so to speak built-in to one's personhood so, introspection could be a good bet for you to become clear on what you deem to be right conduct.
Two short, easy to read books I might start with are Plato's Apology, about the death of Socrates, and the Enchiridion, by Epictetus.
On youtube, you could try "Crash Course Philosophy" for a very broad overview of various philosophies, to see what interests you.
When you find something you think you will like, try searching youtube for Greg Sadler. He does excellent and easy to understand videos explaining the basics of many great works and philosophers; I can't recommend him highly enough. Search "Sadler Aristotle", Sadler Kierkegaard", "Sadler existentialism" or whatever you want to check out, and he will probably have a series of videos ready for you. (My personal favorite is the chapter by chapter analysis of the Enchiridion).
My advice would be to get a little taste of as many different views as you can and dig deeper into what rings true for you. For me, it's the stoics and the existentialists, but it might be very different for you. Enjoy.


Try a kind buy half inderal of psychological.
Max: Under the sea! Under the sea!
It's a good thing I like the Little Mermaid as I definitely cannot dance.
Full disclosure, although it's probably obvious, I was what they might call a Disney nerd growing up. Mulan is still my favourite, though.
I'd actually never heard of Mulan until some time in high school, I think.
My favourite was probably The Lion King (at least, I think so. It was the only one I had on VHS), though my favourite children's animated movie was hands down The Nightmare Before Christmas. In fact, it held that place until I saw Toy Story 3.
I understand it's pretty far fetched for them to be dancing to this song (it's really obscure and not very danceable), but it was still what Laurielle's final outburst made me think of. Also, I loved the penultimate beat panel!
Colors are mostly good, in the last panel on the top though, Laurielle's shadow is a bit green (like her dress's shadow, rather than skin shadow), not sure if that was intentional, or just missed, I think the latter.
Also, I like how the "You weally can't" can have multiple meanings, either a) he can't dance, or b) he really can't expect to get a girlfriend if he doesn't like the little mermaid.
Colours look good to me, LOVE Laurielle's expressions. The attitude of this comic is perfect. I had to have this breakthrough a couple of times growing up, it took a bit of repeat exposure for me to finally lock onto the idea that it doesn't matter how you dance as long as you're having fun doing it.
Also, I was totally Laurielle growing up with the Little Mermaid obsession. I'm still a but of a Disney nerd and and waiting on the epic team-up of Mulan and Elsa from Frozen. I feel like they would get along.


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MNA – Qatari Emir Sheikh Tamim Bin Hamad al-Thani on Monday congratulated Iranian President Hassan Rouhani over the 40th anniversary of Iran's Islamic Revolution.
The emir of Qatar sent a congratulatory cable to Rouhani on Islamic Revolution anniversary.
Hundreds of thousands of citizens went on marches all over the country in celebration of the 40th anniversary of the 1979 Revolution in Iran which toppled the US-backed Shah regime of Mohammad Reza Pahlavi, an event seen as a turning point in Iran's history.
In the capital Tehran, people swarmed to the streets, chanting anti-US and anti-Israeli slogans and carrying images of Ayatollah Ruhollah Khomeini, late founder of the Islamic republic, and his successor and the Leader Ayatollah Ali Khamenei.


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What Place Does Politics Have in Advertising?
In the wake of HSBC's politically fuelled OOH and digital campaign (even though they insist it's entirely separate to the Brexit issue…) we began to wonder what place politics has in advertising.
Refreshing Goals and Staying Motivated This January
As the January blues start to really take root, it's easy to lose motivation for all of those well intentioned goals and resolutions that we all set for the New Year.
WhatsApp's Updates for 2019 Are Set To Improve User Experience…Except One
WhatsApp is one of the most widely used messaging apps; due in part to the developers' devotion to updating the application regularly.
The History Of Boxing Day and What It Means Today
A day reserved for Christmas Day leftovers, buffets and finishing off the last of those chocolate boxes, Boxing Day is a UK tradition which is now celebrated in a number of countries, and can also be known as 'St Stephen's Day.
Evergreen Content – Good for SEO, Your Business and Everyone Else!
When it comes to SEO and the online world as a whole, content is king. However, with online conversation moving so fast amongst an abundance of different voices, a new challenge has come in the form of shaping content that is sustainable.
6 Signs it's Time To Rebrand In 2019
'New Year New Me' is a cliché for a reason. Nothing feels better than a fresh start – a whole new year to change things for the better; Get that job you've always wanted, show everyone how amazing you can be when you really try.
Is Printed Press Still Relevant?
Is printed press still relevant? Ask any journalist this question, and they'll assure you that it is. Ask any corner shop owner, and they might disagree.
The History of Cadbury Chocolate
This throw-back Thursday, we take a look at how you take an iconic company and create a brand to stand the test of time.
Did Coke Really Rebrand Christmas?
We've all heard the wives tales about Santa Claus. You're sure to hear the story at least once a year about how Santa was originally clad in Green robes until the Coca Cola corporation came along, claimed him and recoloured his garments. But how much truth is in the wives tale?
Creativity Drives Digital Marketing Success – And Here's How
It's hard to avoid the evidence that supports the importance of implementing a digital marketing strategy for your growing business – both for small businesses that are in the process of finding their feet and for corporate organisations who endeavour to keep pace with the developing landscape of digital advertising and the more targeted audience access that it provides.
Disney – Selling Through Story Telling
Disney. A name instilled into us from our earliest of years, and one that resonates with us well into our childhood, Disney is loved and cherished the world over.
The One Agency Round-Up: The Best Ever Christmas Adverts Of All Time
Christmas is just around the corner, and as the first weekend of December approaches, we wanted to take a look back on the best ever Christmas adverts of all time.d.
How To Shine A Light On Black Friday
Black Friday. The two little words that fill retail assistants with dread and the internet into melt-down. Gaining a bad rep in recent years, the notoriously hostile sale has seen shoppers transgress into shopping sin and, let's face it, to commit crimes against humanity
One Agency and GMCA Launch The Big Alcohol Conversation
Earlier this year, One Agency was invited to tender for a really exciting campaign that was being run by GMCA, entitled The Big Alcohol Conversation.
Vickie Butterworth Reflects On Kindness In The Workplace This #WorldKindnessDay
I volunteered to write this weeks' blog because I actually love to write and don't ever get the time. Full time work and motherhood have quashed that creative outlet!
The Legacy of the PSL: How Starbucks marketed the cult drink of the decade.
Over time, the notorious Pumpkin Spiced Latte has become synonymous with autumn
What's New in Social Marketing?
Instagram is in the process of rolling a new tool for social advertisers. The format is a gateway the platform's enviable story viewership, allowing marketers to boost their stories so that they're seen by more people.
Lighting Up the Skies With DOOH
Bonfire night is one of the best nights of the year, without a doubt. Is there honestly anything better than shoving a pair of wellies on and marching to the local park for a toffee apple by the bonfire and maybe a quick spin on the waltzers before catching the display? We think not.
An Interview With One Agency's Radio Expert – Gemma Brereton
As social media transgresses from a social sharing platform to everything from a viable news source to the most widely used entertainment platforms, many other media formats have been called into question for their relevance.
Celebrating The Couture Club's Flagship Store's First Birthday
A host of celebrities turned up to The Couture Club flagship at the intu Trafford Centre to celebrate the store's first birthday.
One Agency Look At The Most Spooktacular Ads Of 2018 – 'It's Halloween, everyone's entitled to one good scare'.
The One Agency Halloween Ad Round-Up of 2018.
WhatsApp Are Making Some Changes…And It's A Love It Or Hate It Scenario
Since the Facebook corporation added WhatsApp to its list of assets, there has been discussion about how to effectively monetise the platform.
What Should Your Brand Sound Like?
Avast ye, it's talk like a pirate day, so we thought we'd give ye a wee chat about how to nail a belter of a tone of voice for yer brand.
One Agency's Top Tips On How To Fight Procrastination
Procrastination – that little thing we all hate to love. We've rounded up some simple tips to help you fight that little devil on your shoulder.
Brand Loyalty; What Is It and How Do You Get It
Brand loyalty is a vast and powerful concept, only truly realised when executed through multiple facets.
Video Didn't Actually Kill The Radio Star
As media formats like streaming websites and digital out of home rise in proficiency, it's all too easy to forget about our faithful friend the radio..
Meet The One Agency Creative Team – #BookLoversDay
This #BookLoversDay we turned to our fabulous One Agency Creative Team for their thoughts on their favourite books.
Is London…done?
Recently the One Agency team ventured down south to take in the industrialism, ambition and comradery that our capital has to offer.
The Psychology Behind Billboards
We all know the bonuses to advertising using OOH…tapping into the unconscious psychology of a geotargeted group of consumers is a huge one, because your tactically selected audience has minimal control over the information that they digest in their day to day lives.
Why Choose The Great Outdoors – The Cultural Significance Of OOH
We take a look into the cultural significance of Out of Home advertising, exploring how it works and what it could achieve for businesses and brands; 'Good OOH ads give something whilst selling something. Great ones magnify the experience.'
An Interview with Manchester's Sun Goddess
As Manchester basks in the glory of long hazy summer days and the sight of the sun glimmering off the side of the city's glass castles, our thoughts are drawn to our client Ezili Swim, and their Managing Director Ally, who embodies the glamour, ambition and innovation that Manchester is famed for.
Key 103 Reveals Huge Re-Brand With New National Roll-Out
Our good friends at Key 103 have announced that they're soon to become Hits Radio, broadcasting nationwide as part of an innovative multi-million pound rebrand from Bauer Radio.
Who Owns Your Personal Data?
The Mark Zuckerberg testimony that took place last week was instigative of many questions concerning data sharing and user rights.
One-Manchester-One Love, One Manchester
One Manchester is our very own lifestyle magazine, dedicated to providing honest and engaging lifestyle news from around the city. Whether it's promoting our latest favourite Manchester-based brand, or sharing our newest dinging obsession, we like to think we do things differently and with you in mind, always. Here's our latest collection of stories from around Manchester.

redpajama_set_name: RedPajamaCommonCrawl


ESAB stands behind its products. We are committed to providing the highest level of customer service and support to help you maintain and maximize your investment. ESAB offers a wealth of product support resources, including a range of technical and service publications, from Safety Data Sheets and downloadable product manuals to process certifications.
ESAB Group Triple Certificate Certification with appendix list of covered sites (pdf).


text:
1. DVD SALE IN DECEMBER: If you didn't ask for a printed listing of the hundred-plus DVDs on sale, there's still time. Call or e-mail me and I'll get one right out to you. A corrupt PDF file has prevented me putting up sale PDFs right now. The person at Naxos who created them is away until Monday, Dec. 4. Check back on Monday for these PDFs. There are no printed catalogues from the labels themselves available - if you have internet access, you can go to each label's web-site and punch in the catalogue numbers if you want more information or, if you call in, you can ask me to do it for you but availability of time may be a problem there.
2. Recent title availability issues: I've been getting a number of orders containing items lumped together over the months going back to Aug. and Sept. Note: the cover items of Sept (Cowen/Coleridge-Taylor) and Oct. (Brun) have been unavailable since before the ends of those respective months. Their distributors have still been unable to resupply as of Dec. 1. Also - 08I008 (historic recordings of violin concertos by Douglas Coates and Moeran) was sold out by the label, Divine Art. No more of that until they decide to remanufacture which is Who-Knows-When.
December One Sheet
December DVD Sale
12I001
DON GILLIS (1912-1978): Symphony No. 1 "An American Symphony", Symphony No. 2 "A Symphony of Faith", Symphony No. 5 1/2 "A Symphony for Fun".
EMIL HARTMANN (1836-1898): Scherzo - Nordic Folk Dance, Op. 18, Old Memories, Op. 6a, The Elf-Miads and the Hunters - Scherzo, Op. 6b, Halling and Minuet - Wedding Music, Op. 2, Spring Dance, Op. 3, A Carnival Feast, Op. 32, Hakon Jarl, Op. 40.
CHARLES-AUGUSTE DE BÉRIOT (1802-1870): Violin Concertos No. 2 in B Minor, Op. 32, No. 4 in D Minor, Op. 46 and No. 7 in G, Op. 73.
ALBERT ZABEL (1834-1910): Harp Concerto in C Minor, Op. 35, ELIAS PARISH-ALVARS (1808-1849): Concerto for 2 Harps and Orchestra in D Minor, Op. 91, CARL REINECKE (1824-1910): Harp Concerto in E Minor, Op. 182.
SERGEI TANEYEV (1856-1915): Piano Concerto in E Flat (Joseph Banowetz [piano], Russian Philharmonic of Moscow; Thomas Sanderling), Prelude in F, Lullaby in B Flat, Theme and Variations in C Minor, Allegro in E Flat, Andantino semplice in B Minor, Repose (Elegy) in E, March in D Minor, The Composer's Birthday for Piano Four-Hands (also version with Narrator Vladimir Ashkenazy), ANTON ARENSKY (1861-1906)/ALEXANDER GLAZUNOV (1865-1936)/SERGEI RACHMANINOV (1873-1943)/TANEYEV: 4 Improvisations (Adam Wodnicki [piano]).
CESARE CIARDI (1818-1877): Flute and Orchestra: Gran Concerto in D, Op. 129, L'Eco del'Arno, Op. 34, Il carnevale di Venezia, Op. 22, Flute and Piano: Le Rossignol du Nord, Op. 45, Un sospiro del cuore, La Smorfiosetta, Di Chi?, Piccola fantasia su due Stornelli napoletani.
HEINRICH VON HERZOGENBERG (1843-1900): Die Geburt Christi, Op. 90.
LEOPOLD GODOWSKY (1870-1938): Studies on Chopin's Études Nos. 1, 7, 8, 13, 18, 44 & 45, The Gardens of Buitenzorg from Java Suite, SALVATORE SCIARRINO (b.1947): Anamorfosi, GEORGE ANTHEIL (1900-1959): Piano Sonata No. 4 "Jazz Sonata", and more including Wagner-Liszt and Verdi-Liszt.
FRANCISCO DE MADINA (1907-1972): Concerto vasco for 4 Guitars and Orchestra (Los Romero), Basque Rhapsody, Concertino Vasco for Harp and String Orchestra (Xavier de Maistre [harp]), Aita Gurea for Soprano, Mixed Choir and Orchestra (Ana Salaberria [soprano], Orfeón Donostiarra), Basque Christmas Suite for Choir and Orchestra (O.D.), La cadena de oro for Narrator, Soprano, Mixed Choir and Orchestra (Salaberria, Elena Barbé [sopranos], O.D.),Agur Maria for Mixed Choir and Orchestra (O.D.), Basque Children Overture, Christmas Triptych, Danza, Orreaga.
HERMAN D. KOPPEL (1908-1998): Piano Quintet, Op. 57, 9 Variations for Piano Trio, Op. 80, Piano Quartet, Op. 114.
EGON WELLESZ (1885-1974): Complete Piano Works - Der Abend, Op. 4, 3 Skizzen, Op. 6, 3 Klavierstücke, Op. 9, 3 Tänze, Op. 10, 4 Eklogen, Op. 11, 3 Studien, Op. 13, 5 Epigramme, Op. 17, 5 Idyllen, Op. 21, 6 Klavierstücke, Op. 26, 3 Studien, Op. 29, 5 Tanzstücke, Op. 42, 5 Klavierstücke, Op. 83, Triptychon, Op. 98, 5 Studien in Grau, Op. 106, 2 Couranten, Gaillarde, Klaverstück, Variation über einen Walzer von Franz Schubert.
GEORGES MIGOT (1891-1976): Le Zodiaque - 12 études de concert, Prélude, Salut et Danse, 2 pièces.
NIKOS SKALKOTTAS (1904-1949): The Land and the Sea of Greece, Island Images, The Maiden and Death, Procession to Acheron, Echo.
NIKOS SKALKOTTAS (1904-1949): Concertino, MIKIS THEODORAKIS (b.1925): Cretan Concertino, Adagio, THEODORE ANTONIOU (b.1935): Concerto Piccolo, MINAS ALEXIADIS (b.1960): Phrygian Litany, VASSILIS TENIDIS (b.1936): Rhapsody of Pontos, MANOS HADJIDAKIS (1925-1994): Mr. Knoll.
JOHANNES BRAHMS (1833-1897): Piano Quartets No. 1 in G Minor, Op. 25, No. 2 in A, Op. 26 and No. 3 in C Minor, Op. 60, 3 Intermezzi, Op. 117.
CHIARA MARGARITA COZZOLANI (1602-1677): Vespro della Beata Vergine.
CHIARA MARGARITA COZZOLANI (1602-1677): Messa Paschale.
GIACOMO CARISSIMI (1605-1674): Jonas, Dixit Dominus, Magnificat, Judicium Extremum, GIOVANNI GABRIELI (1557-1612): Sonata a 8.
JEAN-BAPTISTE LULLY (1632-1687): Amadis.
Bolivian Baroque, Vol. 2 JUAN DE ARAUJO (1646-1712): Cayósole al Alba, Si el Amor se quedare dormido, GIOVANNI BATTISTA BASSANI (1657-1716): Missa Encarnación, JAN JOSEF IGNAC BRENTNER (1689-1742): Glória et honóre, PIETRO LOCATELLI (1695-1764): Sonata No. 10, IGNACIO BALBI (1720-1775): Sonata No. 9, ANON. (18th cen.): Stella coeli extirpávit, Quis me a te sponse separábit, Tota salútis, Salve Regina, Tota pulchra es María, DON JANUARIO: Trad. Bolivian Melody (arr. Florilegium).
SÉBASTIEN DE BROSSARD (1655-1730): In convertendo Dominus, Miserere mei, Deus, Canticum eucharisticum pro pace.
JOHANN CASPAR FERDINAND FISCHER (1656-1746): Complete Organ Works - 5 Ricercars, Blumen-Strauss, Ariadne Musica.
JEAN-ADAM GUILAIN (c.1680-after 1739): Suites du 1er & 2ème tons pourle Magnificat, JEAN-FRANAÇOIS D'ANDRIEU (1660-1733): Magnificat de 4ème ton, JEAN-JACQUES BEAUVARLET-CHARPENTIER (1734-1794): Magnificat in D, MICHEL CHAPUIS (b.1930): Magnificat du 4ème ton improvisé.
TOMASO ALBINONI (1671-1751): Concerto IV a 6 in G, Op. 2/8, ANTONIO VIVALDI (1678-1741): Violin Concerto in G, RV 310, Concerto for 4 Violins and Cello, R. 580, GIUSEPPE VALENTINI (c.1680-c.1760): Concerto XI a 6 with 4 Violins obbligati in A Minor, Op. 7, FRANCESCO NAVARA (fl.1695-99): Sinfonia/Sonata a 5 in C, Sinfonia/Sonata a 5 in A Minor, GIOVANNI LEGRENZI (1626-1690): 3 Balletti and 3 Correnti from Op. 16, ANON. (c.1695): Laudate pueri Dominum for Voice and 5 Instruments (Mhairi Lawson [soprano]).
ANTONIO VIVALDI (1678-1741): Cantatas: Tremori al braccio, RV 799, Elvira, anima mia, RV 654, Lungi dal vago volto, RV 680, Violin Sonatas ("Graz" Sonatas) in D, Rv 11, and in D Minor, RV 37, Sonata for Violin, Cello and Continuo in C Minor, RV 83.
JEAN-PHILIPPE RAMEAU (1683-1764): Daphnis et Aeglé - selections, JEAN-FÉRY REBEL (1666-1747): La Fantaisie, Les Plaisirs champêtres, MICHEL RICHARD DELALANDE (1657-1726): Aria of Tirsis from L'Amour fléchi par la Constance, MARC-ANTOINE CHARPENTIER (1636-1704): Aria of Jason from Médée, JEAN-BAPTISTE LULLY (1632-1687): Overture and Passacaille from Armide, Aria of Acis from Acis et Galatée.
JEAN-BAPTISTE LOEILLET, DE GANT (1688-c.1720): Recorder sonatas: Sonata I, Op. 3, Sonata III, Op. 4, Sonata V, Op. 2, JEAN-BAPTISTE LOEILLET, DE LONDRES (1680-1730): Sonatas II & VI a 3 with Flute and Oboe, Op. 2, Sonata IV, Op. 3, JACQUES LOEILLET (1685-1748): Sonata for 2 Flutes, 2 Recorders and Continuo.
GIOVANNI BATTISTA SAMMARTINI (1700/01-1775): Della Passione di Gesù Cristo, L'addolorata Divina Madre.
GIOVANNI BATTISTA FERRANDINI (1710-1791): Cantatas: O Spettacolo pur troppo funesto, Ecco quel tronco, Arietta: Liebste Mutter voll der Schmerzen, Flute Concerto in F, String Quartet in G Minor.
JOHANN GOTTLIEB GOLDBERG (1727-1756): Harpsichord Concertos in D Minor and in E Flat.
ANNA BON DE VENEZIA (1740-after 1767): Flute Sonatas in D, Op. 1/4 and in G Minor, Op. 1/5, Harpsichord Sonatas in B Minor, Op. 2/5 and in G Minor, Op. 2/1, Divertimenti in D and D Minor for 2 Flutes and Continuo, Op. 3/2&3 and in G for Flute, Violin and Continuo, Op. 3/1.
ANTOINE MAHAUT (c.1720-c.1785): Symphony No. 4 for Strings in C Minor, FRANÇOIS-JOSEPH GOSSEC (1734-1829): Symphony in B Flat, Op. 6/6, JOHANN CHRISTIAN BACH (1735-1782): Symphony in E for Double Orchestra, KARL DITTERS VON DITTERSDORF (1739-1799): Symphony in C "The Four Ages", JOHAN BAPTIST VANHAL (1739-1813): Symphonies in F and G Minor, JOSEPH MARTIN KRAUS (1756-1792): Symphony in C Minor, ANTONIN REICHA (1770-1836): Symphony in E Flat, Op. 41.
LUIGI BOCCHERINI (1743-1805): Guitar Quintets Vol. 3 - No. 6 in G, G. 450, No. 7 in E Minor, G. 451 and No. 9 in C, G. 453 "La Ritirata di Madrid".
CARL STAMITZ (1745-1801): Quartets, Op. 14, "Orchestral": No. 1 in C, No. 2 in G, "Concertante": No. 4 in F & No. 5 in B Flat.
WOLFGANG AMADEUS MOZART (1756-1791): Le Nozze di Figaro (sung in German).
WOLFGANG AMADEUS MOZART (1756-1791): Die Zauberflöte.
WOLFGANG AMADEUS MOZART (1756-1791): La finta giardiniera.
PAVEL VRANICKY (1756-1808): Grande Sinfonie caractéristique pour la paix avec la Republique française in C Minor, Op. 31, Symphony in D, Op. 52.
JAKUB JAN RYBA (1765-1815): Czech Christmas Mass (Jitka Sobehartová [soprano], Marie Mrázová [contralto], Vladimír Dolezal [tenor], Richard Novák [bass], Kühn Chamber Chorus, Frantisek Xaver Thüri [organ], Dvorák Chamber Orchestra; Libor Pesek, Christmas Songs from the foothills of the Giant Mountains, from the time of the Hussites, Christmas Pastorals (various vocal soloists, Pilsen Chorus Czech Song, Femail Chorus Iuventus Paedagogica, Prague Brass Quintet, Musica Bohemica; Jaroslav Krcek).
FERDINAND RIES (1784-1838): Symphonies Nos. 1-8.
FELIX MENDELSSOHN (1809-1847): Piano Trio in D Minor, Op. 49, Piano Sextet in D, Op. 110.
FRANZ LISZT (1811-1886): Gretchen from A Faust Symphony (arr. Liszt), Sonata in B Minor, S178, LISZT/CARL TAUSIG (1841-1871): Tasso.
LEON MINKUS (1826-1917): La Bayadère (arr. John Lanchbery).
LEON MINKUS (1826-1917)/EDOUARD DELDEVEZ (1817-1897): Paquita (rev. & compl. David Coleman).
PETER TCHAIKOVSKY (1840-1893): The Seasons, Op. 37bis (orch. Alexander Gauk [1893-1963]), The Tempest, Op. 18.
ANTONÍN DVORÁK (1841-1904): Requiem.
EDVARD GRIEG (1843-1907): Complete Solo Piano Works (Eva Knardahl), Piano Concerto in A Minor (Knardahl, Royal Philharmonic Orchestra; Kjell Ingebretsen), Piano Concerto in A Minor (original version - Love Derwinger [piano], Norrköping Symphony Orchestra; Jun'ichi Hirokami).
LEOS JANÁCEK (1854-1928): Lachian Dances, Suite for String Orchestra, Idyll for Strings.
LEOS JANÁCEK (1854-1928): Taras Bulba, Adagio for Orchestra, Suite for Orchestra, Op. 3, Jealousy, The Cossack Dance, Serbian Reel, The Fiddler's Child, The Ballad of Blaník.
LEOS JANÁCEK (1854-1928): Sinfonietta, The Danube, Violin Concerto "Pilgrimage of the Soul", Schluck und Jau.
WILHELM KIENZL (1857-1941): Der Evangelimann, Op. 45.
FRANK BRIDGE (1879-1941): Piano Music, Vol. 1 - Capriccio No. 1, 3 Sketches, Capriccio No. 2, The Hour Glass, Vignettes de Marseille, Sonata.
KOMITAS (1869-1935): Armenian Songs: The Apricot Tree, It's Springtime, Homeless, Caw, Crane, Springtime, Our Father, Lullaby, Like a Poplar, The Sky is Cloudy, Dera Shogher, I Cannot Dance, Striding, Beaming, I Came Down from the Mountain, This Brook, Hoy, Nazan, Shaxkur-shouxkur, Oh, My Dear Doe, Mount Alagyaz, The Incense Tree, Heaven Has Become Clouded in Arches, Stride Up and Down!, The Partridge Song, This Moonlit Night, Oh, What a Catastrophe, The Crane, Armenia, German Songs: April, Frühlingsuhe, Du fragst?, Komm, o Nacht, Meeresstille, Glückliche Fahrt, Nachtlied, Nebel, Sturmesmythe.
RUDOLF FRIML (1879-1972): Valse Silhouette, Op. 18, Lullaby, Op. 58, Dumka, Op. 63, The Devil's Joke, Romance, Op. 17, Canzonetta, Op. 51, Russian Romance, La danse des demoiselles, Op. 48 (transcr. Fritz Kreisler), Love Song, Bygone Days, Op. 65, Spanish Serenade, From Bohemian Woods, Mazurka, Op. 72/2, Chanson (transcr. A. Walter Kramer), Moon Dawn (transcr. Arthur Hartmann), Berceuse.
ILDEBRANDO PIZZETTI (1880-1968): Debora e Jaele.
GIAN FRANCESCO MALIPIERO (1882-1973): Giulio Cesare.
ERNST TOCH (1887-1964): Tanz-Suite for Flute, Clarinet, Violin, Viola, Double Bass and Percussion, Op. 30, Concerto for Cello and Chamber Orchestra, Op. 35.
HANS CHRISTIAN LUMBYE (1810-1847): Kopenhagen Eisenbahn-Dampf Galopp, AARON COPLAND (1900-1990): John Henry - A Railroad Ballad, ALOIS PACHERNEGG (1892-1964): Unter Damft! Ein Zug färht vorüber, JACQUES IBERT (1890-1962): Le Metro from Petite suite symphonique, VINCENT D'INDY (1851-1931): Horizons verts - Falconara from Poème des rivages, Op. 77, EDUARD STRAUSS (1835-1916): Bahn freil Galopp, Op. 45, Mit Dampf!, Op. 70, HEITOR VILLA-LOBOS (1887-1959): The Little Train of the Caipira from Bachianas Brasileiras No. 2, SILVESTRE REVUELTAS (1899-1940): Construction of the Railroad from Musica para charlar, HILDING ROSENBERG (1892-1985): Railway Fugue from Voyage to America, JOHANN STRAUSS II (1825-1899): Vergnügungszug, LEONARD BERNSTEIN (1918-1990): Subway Ride and Imaginary Coney Island from On the Town, ARHTUR HONEGGER (1892-1955): Pacific 231, ANTONÍN DVORÁK (1841-1904): Humoreske, Op. 101/7 (arr. Bohuslav Leopold [1888-1956]).
BOHUSLAV MARTINU (1890-1959): Complete Piano Music, Vol. 1 - 8 Préludes, Fenêtre sur le jardin, Fables, 3 esquisses, Le Noël, Esquisses de Danses, Foxtrot.
EDMUND RUBBRA (1901-1988): Symphony No. 3, Op. 49, Symphony No. 4, Op. 53, A Tribute, Op. 56, Overture Resurgam, Op. 149.
WILLIAM WALTON (1902-1983): Portsmouth Point, Siesta, Music for Children, Suite - The Quest, Sinfonia Concertante for Orchestra with Piano Obbligato, Scapino, Capriccio Burlesco.
WILLIAM ALWYN (1905-1985): Symphony No. 1, Symphony No. 4.
ARNOLD BAX (1883-1953): Symphony No. 1 in E Flat, Symphony No. 7 in A Flat.
ALAN RAWSTHORNE (1905-1971): Symphony No. 1 (London Philharmonic Orchestra; John Pritchard), Symphony No. 2 (A Pastoral Symphony) (BBC Symphony Orchestra; Nicholas Braithwaite), Symphony No. 3 (LPO; Norman Del Mar).
WALTER GOEHR (1903-1960): Malpopita.
ANDRÉ JOLIVET (1905-1974): Solo Flute: Incantations, Pour que l'image devienne symbole, Ascèses, Flute and Piano: Cabrioles, Fantaisie-Caprice, Sonata, Flute and Percussion: Pipeaubec, Suite en concert, Une minute-trente, Petite Suite for Flute, Viola and Harp, Pastorales de Noël for Flute, Bassoon and Harp, Chant de Linos for Flute, String Trio and Harp, Sonatine for Flute and Clarinet, Alla rustica for Flute and Harp, Concerto for Flute and String Orchestra.
DMITRI SHOSTAKOVICH (1906-1975): The Golden Age, Op. 22.
ELISABETH LUTYENS (1906-1983): Présages for Solo Oboe, Op. 53, Trio for Flute, Clarinet and Bassoon, Op. 52, String Trio, Op. 57, Verses of Love, Fantasie Trio for Flute, Clarinet and Piano, Op. 55 (Endymion), For Choir: The Country of the Stars, Op. 50, Motet (Excerpta Tractati Logico-Philosophici), Op. 27, Magnificat and Nunc Dimittis (Exaudi; James Weeks).
JEAN FRANÇAIX (1912-1997): L'Horloge de Flore for Oboe and Orchestra, String Quartet, Quartet for English Horn and String Trio, Trio for Oboe, Bassoon and Piano.
MORTON GOULD (1913-1996): Hosedown, WILLIAM THOMAS MCKINLEY (b.1938): Presidential Overture, And the President Said... for Narrator, Piano Obbligato and Orchestra, Wild Stallion for Trumpet and Orchestra, ROGER DAVIDSON: American Meditation for Narrator, Trumpet and Orchestra.
ANDRZEJ PANUFNIK (1914-1991): Old Polish Suite, Concerto in Modo Antico for Trumpet and Orchestra, Jagiellonian Triptych, Old Polish Music: Divertimento after Janiewicz, Hommage à Chopin for Flute and String Orchestra.
ALBERTO GINASTERA (1916-1983): Panambí, Op. 1, Estancia, Op. 8.
GRAHAM WHETTAM (b.1927): For Solo Piano: Night Music, Prelude, Scherzo and Elegy, Prelude and Scherzo Impetuoso, For Piano Duet: Ballade Hébraïque, Fantasy.
PHILIP GRANGE (b.1956): Piano Trio "Homage to Chagall", JOHN PICKARD (b.1963): Piano Trio, PAUL MEALOR (b.1975): Borderlands, CAMDEN REEVES (b.1974): Starlight Squid.
JOHN HARBISON (b.1938): String Quartet No. 3, Fantasia on a Ground, Soprano and String Quartet: The Rewaking, Thanks Victor.
LAURENT PETITGIRARD (b.1950): Le Douze Gardiens du Temple, Euphonia, Poème.
MICHAEL HERSCH (b.1971): Symphonies Nos. 1 and 2, Fracta, Arraché.
EERO HÄMEENNIEMI (b.1951): Symphony No. 3 in C (Finnish Radio Symphony Orchestra; Sakari Oramo), Viola Concerto (Tommi Aalto [viola], FRSO; Hannu Lintu).
CHRISTOS HATZIS (b.1953): Pyrrichean Dances (Rivka Golani [viola], Beverley Johnston [percussion]), Telluric Dances.
MORTON FELDMAN (1926-1987): The Viola in My Life (Karen Phillips [viola], Anahid Afemian [violin], Seymour Barab [cello], David Tudor [piano], Paula Robison [flute], Arthur Bloom [clarinet], Raymond DesRoches [percussion], Morton Feldman [conductor]. Rec. 1970), False Relationships and the Extended Ending (Matthew Raimondi [violin], Seymour Barab [cello], Paul Jacobs, Tuji Takahashi [pianos], Arnold Fromme [trombone], Richard Fitz [percussion], Feldman [conductor]. Rec. 1970), Why Patterns? (Eberhard Blum [flute], Jan Williams [percussion], Feldman [piano]. Rec. 1978).
JULIAN ANDERSON (b.1967): Symphony, Eden, Imagin'd Corners (City of Birmingham Symphony Orchestra; Sakari Oramo, Martyn Brabbins), Book of Hours (Lamberto Coccioli, Scott Wilson [live electronics], Birmingham Contemporary Music Group; Oliver Knussen), 4 American Choruses (City of Birmingham Symphony Chorus; Simon Halsey).
DANIEL WOLFF (b.1967): Concerto for Clarinet and String Orchestra, JOHN BAVICCHI (b.1922): Concerto for Clarinet and String Orchestra, Op. 11 (Orquestra de Câmara da Ulbra; Tiago Flores), PAUL HINDEMITH (1895-1963): Clarinet Concerto (Buenos Aires Philharmonic Orchestra; Arkady Leytush).
EVAN GARDNER (b.1978): Lights Out, ORJAN MATRE (b.1979): 4 Miniatures, JØRGEN KARLSTRØM (b.1981): Tristanfilter II, JAN ERIK MIKALSEN (b.1979): Ghouls and Moons I-III.
CLAUDE VIVIER (1948-1983): Orion for Orchestra, Siddhartha for Orchestra in 8 Groups, 5 chansons for Percussion.
IANNIS XENAKIS (1922-2001): Dmaathen for Oboe and Percussion, Komboï for Harpsichord and Percussion, Kassandra for Voice and Percussion, Oophaa for Harpsichord and Percussion, Solo Percussion: Psappha, Rebonds B/A, Percussion Ensemble: Persephassa, Pléïades, Okho.
BETSY JOLAS (b.1926): Quatuor IV "avec clarinette" for Clarinet and String Trio, Motet IV "Ventosum vocant" for Soprano, Flute, Clarinet, Violin, Cello and Harp, Lovemusic for Flute and Bass Clarinet, Trio "Les heures" for Piano Trio.
GEORGE CACIOPPO (1926-1984): Time on Time in Miracles for Soprano, 2 Horns, 2 Trombones, Piano, Cello and Percussion (Janet Pape [soprano], Ensemble 2e2m; Paul Méfano), Mod 3 for Flute, Percussion and Contrabass (Ensemble 2e2m), Holy Ghost Vacuum or America Faints (George Cacioppo [electric organ]), Advance of the Fungi for Male Choir, 3 Clarinets, 3 Trombones, 2 Horns and Percussion (Nicholas Isherwood [bass voices], Atelier de Musique Contemporaine du CNR de Versailles; Renaud François), Two Worlds for Soprano, Flute, Oboe, Piano, Perucssion, String Trio and Double Bass (Sevan Manoukian [soprano], Ensemble 2e2m; Méfano), Bestiary I: Eingang for Soprano, Piano and 5 Percussionists (Pape, Atelier de Musique; Lionel Arnaud).
MAURICIO KAGEL (b.1931): Pandorasbox (Mauricio Kagel [bandoneon, voice]. Rec. 1965), Tango Alemán (Kagel [voice], Alejandro Barletta [bandoneon], Jorge Risi [violin], Carlos Roqué Alsina [piano]. Rec. 1978), Bestiarium (Beth Griffith, Mesías Maiguashca, Kagel [whistles]. Rec. 1976), (Hörspiel) Ein Aufnahmezustand (Peter Brötzmann [reeds, voice], Heinz-Georg Thor [bass], Michael Vetter [voice, recorders], Alfred Feussner [voice, noises], Deborah Kagel, William Pearson [vocals], Mauricio Kagel, Christoph Caskel [drums, voice]. Rec. 1969), Ludwig van (on DVD. Film 1969). English subtitles. 5.1 surround. 4:3 screen-size).
ÉRIC TANGUY (b.1968): String Quartet No. 2, Nocturne for Cello and Piano, Capriccio for Clarinet, Prélude et Rondo for Cello, Further for Flute, Elégie for Violin, Musique pour Ming for Flute and Cello, Mélancolie for Violin and Piano, 3 Esquisses for Cello, Sonata breve for Violin.
ÉRIC TANGUY (b.1968): Sonata No. 1, Passacaille, 5 Préludes, 2 Études, Sonata No. 2.
TRYGVE MADSEN (b.1940): Grotesques and Arabesques, WOLFGANG PLAGGE (b.1960): Mare, Op. 93, Concerto Grosso III, Op. 108, BJØRN KRUSE (b.1946): Boogie Retention.
LOUIS ANDRIESSEN (b.1939): Very Sharp Trumpet Sonata, CHARLES WUORINEN (b.1938): Fifty Fifty, ALEXANDER GOEHR (b.1932): only two notes for olly (the other five for later), DETLEV GLANERT (b.1960): Dancing Landscape, ELLIOTT CARTER (b.1908): Au Quai, HANS WERNER HENZE (b.1926): Olly on the Shore, AUGUSTA READ THOMAS (b.1964): Light the First Light of Evening, ROBERT ZUIDAM (b.1964): I suppose a Fugue is out of the Question, COLIN MATTHEWS (b.1946): Flourish, with fireflies, JULIAN ANDERSON (b.1967): Quasi una Passacaglia, MARK-ANTHONY TURNAGE (b.1960): Snapshots, GEORGE BENJAMIN (b.1960): Olicantus, MAGNUS LINDBERG (b.1958): Bubo bubo.
OLIVIER MELLANO (b.1971): Perpetuus animarum motus I for Contralto (Émilie Nicot), riVIÈere - String Quartet No. 1 (Quatuor Debussy), La chair des anges for 2 Harpsichords and Organ (Bertrand Cuiller & Frédéric Rivoal [harpsichords], Olivier Vernet [organ]), As the fire's tongues of earthly pleasures licks the holy's wings for Voices and Guitars (Valérie Gabail [voices], Olivier Mellano [guitars]), Chant d'électrons for Computer, Eterre for Harpsichord (Bertrand Cuiller), Perpetuus animarum motus II for Soprano, Contralto and 2 Tenors (Les Voix imaginaires).
MARTIN BRESNICK (b.1946): String Quartet No. 2 "Bucephalus"(Flux Quartet), Piano Trio (Jupiter Trio), The Bucket Rider, BE JUST! (Bang on a Can All-Stars), DVD: For the Sexes: The Gates of Paradise (Lisa Moore [piano, voice]).
SYLVANO BUSSOTTI (b.1931): Fragmentation, Labirinto, Nuovi Labirinti, Fragmentations pour un joueur de harpes.
HANS ZENDER (b.1936): Cabaret Voltaire for Voice and 8 Instruments, Mnemosyne - Hölderlin lesen IV for Female Voice, String Quartet and Tape.
JESÚS VILLA-ROJO (b.1940): Vosotros y... for Clarinet, Flute, Bassoon, Horn, Trombone, Percussion, Violin, Cello and Double Bass, Divertimento III for Saxophone Duo, Eglogas for 3 Trumpets, 3 Trombones and 3 Horns, Commemorativa for Flute, Clarinet and Piano Trio, Música sobre unos módulos for 2 Flutes and Viola, Espirales for Flute, Clarinet, Bassoon, Horn, Trombone and String Trio.
MASSIMO BOTTER (b.1965): Les Algues for Orchestra (Spanish Radio and TV Orchestra; Adrian Leaper), Sheet of Sounds for Saxophone Quartet (Arte Quartet), ALESSANDRO SOLBIATI (b.1956): 6 pezzi for String Orchestra (Laghi Chamber Orchestra; Tito Ceccherini) O vere beata nox for Soprano, Reciter and String Quartet (Laura Catrani [soprano], Turin String Quartet).
RUDOLF FRIML (1879-1972): The Firefly.
FERENC ERKEL (1810-1893): Festival Overture, Palotás Dance, JÓZSEF MÜLLER (??-1850s): Kossuth March, JAKAB PAZELLER (1863-1957): Souvenir de Herkulesfürdö, BÉLA KÉLER (1820-1882): Ungarische Lustspiel, Op. 108, CARL MICHAEL ZIEHRER (1843-1922): Gruss an Pesth, LÉO DELIBES (1836-1891): Csárdás, FRANZ VON SUPPÉ (1819-1895): Leichte Kavallerie, JOSEPH LANNER (1801-1843): Pesther-walzer, Op. 93, JOHANN STRAUSS II (1825-1899): Éljen a Magyar!, Op. 132, CARL MARIA VON WEBER (1786-1826): Andante e rondo ungarese for Violin and Orchestra, Op. 9, HECTOR BERLIOZ (1803-1869): Marche Hongroise.
Husum Festival 2005 NIKOLAI MEDTNER (1880-1951): Improvisation, Op. 31/1 (Ekaterina Derzhavina), PANCHO VLADIGEROV (1899-1978): Prelude, Op. 15/1 (Ludmil Angelov), SERGEI PROKOFIEV (1891-1953): Waltz, Op. 102/1 (Roland Pöntinen), FLORENT SCHMITT (1870-1958): Ombres, Op. 64/1, LOUIS MOREAU GOTTSCHALK (1829-1869): Bamboula - danse de Nègres, Op. 2 (Cecile Licad), WOLFGANG AMADEUS MOZART (1756-1791): 9 Variations on "Lison dormait", K 264 (Andrea Bacchetti), GEORGE ENESCU (1881-1955): 2nd movement of Sonata No. 3, Op. 24/3 (Konstantin Lifschitz), FRANZ SCHUBERT (1797-1828): Dances, PIERRE SANCAN (b.1916): Boîte à Musique (Michael Endres), CHICK COREA (b.1941): Spain, JEROME KERN (1885-1945): All the Things You Are, (Markus Becker).
The British Light Music Classics series
MATTHEW CURTIS (b.1959): Orchestral Works, Vol. 3 - Flute Concerto (Jennifer Stinton), Divertimento Concertante for Clarinet and Orchestra (Verity Butler), 5 Dances for String Orchestra, Partita, At Twilight, On the Move.
PAUL PATTERSON (b.1947): Little Red Riding Hood, The Three Little Pigs, HOWARD BLAKE (b.1938): The Snowman.


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The Law Offices of Frederick W. Nessler & Associates
Maria Anne Gust
Maria Anne Gust - Springfield, IL
536 N. Bruns LaneSuite 1Springfield, IL 62702
Springfield Personal Injury Lawyer
Maria Gust began her career at Nessler & Associates in 2007. She has spent most of her legal career as an attorney with Nessler & Associates. She handles personal injury claims, including automobile accidents, slip and fall accidents and most other injury cases. She also assist the victims of sexual abuse to help them recover for the abuse they have suffered. She has successfully tried several cases to verdict in favor of the plaintiffs. She is recognized by the National Trial Lawyers as a Top...
MoreMaria Gust began her career at Nessler & Associates in 2007. She has spent most of her legal career as an attorney with Nessler & Associates. She handles personal injury claims, including automobile accidents, slip and fall accidents and most other injury cases. She also assist the victims of sexual abuse to help them recover for the abuse they have suffered. She has successfully tried several cases to verdict in favor of the plaintiffs. She is recognized by the National Trial Lawyers as a Top...Maria Gust began her career at Nessler & Associates in 2007. She has spent most of her legal career as an attorney with Nessler & Associates. She handles personal injury claims, including automobile accidents, slip and fall accidents and most other injury cases. She also assist the victims of sexual abuse to help them recover for the abuse they have suffered. She has successfully tried several cases to verdict in favor of the plaintiffs. She is recognized by the National Trial Lawyers as a Top 40 Under 40 Trial Lawyer in Illinois.
About Maria Anne Gust
Automobile Negligence
Illinois, 2010
Illinois State Bar Association, 2010 - 2011
American Bar Association, 2010 - 2011
Sangamon County Bar Association, 2010 - 2011
Thomas M. Cooley Law School, Lansing, Michigan
Honors: cum laude
Honors: Certificate of Merit: Advanced Writing - 2009
Honors: Certificate of Merit: Family Law - 2009
Honors: Certificate of Merit: Pre-Trial Skills - 2009
Honors: Certificate of Merit: Water Law - 2010
Law Journal: Board of Editors, Senior Communications Editor, 2009 - 2010
University of Illinois at Springfield, Springfield, Illinois, 2006
Honors: Dean's List
Honors: Legal Assistant Certification
Major: Legal Studies
Clark Hill, Legal Clerk, 2010
Downstate Illinois Innocence Project
National Trial Lawyers, Top 40 Under 40 Trial Lawyer in Illinois
http://www.nesslerlaw.com
http://www.facebook.com/nesslerlaw
www.nesslerlaw.com


The #2 seed Pocahontas County High School girls basketball team opened West Virginia Class A Region III Section 1 quarter-final play February 19 at PCHS and hosted the #7 seed Webster County Highlanders. All 10 PCHS girls and all nine Lady Highlanders saw action in the game, and 18 of the 19 players scored in the game.
The #9 ranked (AP Poll) PCHS squad entered the post-season with a 14-6 record and completely dominated the Highlanders (1-19) in the first half 55-10 effort. Sophomore Laila Calhoun was the only player in double digits, and she scored 14 of her game high 21 points in the second quarter. Sophomores Kira Bircher, with nine points, and Sage McLaughlin and Charity Warder, both with eight points, were the next three game-high scorers. The home team, in a total-team effort, produced 39 rebounds, 29 deflections, 24 assists and 23 steals. The final score, with lots of bench play by both teams, was 71-30.
PCHS then hosted #3 seed Valley (Fayette), who was sporting a 12-7 record, February 21. The Greyhounds advanced to the semi-final round at PCHS by beating #6 seed Richwood 41-33 at Smithers in a closer-than-expected quarter-final game.
Valley was led by junior Hannah Foster, and she would finish with game high scoring honors of 20 points that included hitting nine of 12 foul shots and a season scoring total of 407 points. Forty-three fouls were evenly called in the game. If the scores were added for the first, second and fourth quarters, the game would have been a 34-34 tie. PCHS won the game by seven points, 50-43, and the third quarter 16-9 effort was the difference in the game.
Bircher hit a three at the buzzer ending the first quarter that allowed PCHS to take their first lead in the game 7-6. The second quarter was marked by seven more lead changes and two ties. Bircher again hit a three at the half-time buzzer to put PCHS ahead 18-17. PCHS would hit 8 of 14 fourth quarter free throws to seal the win.
Bircher led the scoring in the first half with 10 points, and Calhoun was high scorer in the second half with all 14 of her game points after half-time. Bircher tallied 15 points, six deflections and four steals, while Calhoun also grabbed nine rebounds. Warder also fought for nine rebounds and finished with seven points Alexa Taylor dished out five assists, grabbed five rebounds and scored six points. Brianna Hefner tallied five points and seven rebounds. PCHS out-rebounded Valley 38 to 25 and committed nine fewer turnovers, 21-30.
#4 seed Charleston Catholic made it to the Section 1 championship game that was held at PCHS February 23, by upsetting #1 seed Midland Trail 42-41 on Trail's court in the semi-final round. The upset of the top seeded team allowed #2 seed PCHS to host their third post-season game in a row. This was the second year in a row that Catholic had upset Trail. CCHS had advanced to the second round by beating #5 seed Fayetteville in Charleston 42-14 in the quarter-finals.
The Lady Warriors stormed on to the court motivated by a big, loud and supportive fan base to take the first quarter 8-2. PCHS had beaten CCHS 49-35 at PCHS in their only regular season matchup on January 6. This battle soon turned into a defensive contest, but Pocahontas never trailed in the first half that ended in their favor 13-8. The Irish would win the game in the third quarter with 5'5" junior point guard Jordan Keener scoring 10 points to give CCHS the 20-19 lead going into the final frame. Keener had only scored six points in their first meeting this season, and five of those were in the first quarter. The lead would change three times late in the third period and two more times early in the fourth period.
Bircher was team-high scorer with seven points, four deflections and two blocks. alhoun was next with 13 rebounds and six points. Warder also scored six points and added six rebounds, three steals, five deflections and two blocks. Alexa Taylor, who always directs the team well in every game from the point guard position, scored four points. Sage McLaughlin made two points and dished out three assists. PCHS out-rebounded the smaller team 28 to 19 and committed fewer turnovers 18 -19. CCHS shot better at the foul line, making five of seven, and PCHS made only four of nine. PCHS drops to 16-7 and unranked Catholic improves to 10-13. Sixteen of the Irish opponents so far this season have been top-10 teams in A and AA, while PCHS played eight top-10 teams in A and AA.
PCHS will travel to the Section 2 winner, #1 seed Summers County (#7 AP Poll), to play in one of the two Region III co-finals that will send both winners to Charleston.


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All Eyes on Tesla Motors Inc (TSLA) and NXP Semiconductors NV (NXPI) Earnings This Evening
Julie Lamb- October 26, 2016, 3:59 PM EDT
All eyes eagerly look to this evening's big earnings party as electric car giant Tesla Motors Inc (NASDAQ:TSLA) and chip maker NXP Semiconductors NV (NASDAQ:NXPI) are delivering third-quarter reports after market close. Oppenheimer weighs in sidelined on TSLA while offering perspective into an updated model for the company's restated financials, but decidedly more bullish on NXP Semiconductors amid the rumble of merger and acquisition chatter. Let's delve in deeper:
Tesla Motors Inc
Tesla's quarterly print is soon on its way, and investors anxiously wait to take a closer look at the company's forthcoming conversion to reporting GAAP revenue. Ahead of the print, Oppenheimer analyst Colin Rusch reiterates a Perform rating on shares of TSLA without listing a price target.
The analyst has tweaked his model to no longer include deferred revenue from lease accounting. For the third quarter, the analyst has lowered revenue from $2,327.4 million to $1,866.3 million. Adjusted gross margin will be reported based on GAAP revenue and gross profit will be altered for stock-based compensation after the reporting change. The analyst has reduced his gross margin estimate from 23.0% to 22.2%.
Rusch notes, "Given the potential confusion around TSLA's anticipated reporting changes, we are publishing an updated model to help investors navigate these adjustments. The critical change in proforma revenue is the recognition of lease revenue not total vehicle value. Due to high percentage of deferred revenue (~35%), this change also materially changes EPS. We expect cash flow estimates to remain intact."
"We also believe the new reporting structure highlights the importance of TSLA's lease partners and risks around TSLA's used vehicle market whether it is older vehicles cannibalizing new sales or the brisk pace of innovation limiting interest in older vehicles. While used Tesla's have held value well to date, we view the end of lease vehicle strategy as a critical variable for future cash needs," Rusch concludes.
As usual, we like to include the analyst's track record when reporting on new analyst notes to give a perspective on the effect it has on stock performance. According to TipRanks, four-star analyst Colin Rusch is ranked #440 out of 4,197 analysts. Rusch has a 47% success rate and gains 8.2% in his annual returns. When recommending TSLA, Rusch garners 88.9% in average profits on the stock.
TipRanks analytics exhibit TSLA as a Hold. Based on 11 analysts polled in the last 3 months, 2 rate a Buy on TSLA, 5 maintain a Hold, while 4 issue a Sell. The 12-month price target stands at $214.56, marking a 6% upside from where the shares last closed.
NXP Semiconductors NV
Ahead of NXP Semiconductors' third-quarter financial report, Oppenheimer analyst Rick Schafer remains bullish on what he deems "the leading semiconductor to the automotive market, our favorite multi-year vertical." Therefore, the analyst reiterates an Outperform rating on NXP while raising the price target from $100 to $110, which represents a 10% increase from current levels.
For the third quarter, the analyst projects EPS of $1.59. For the fourth quarter, the analyst forecasts EPS guidance of $2.02. Schafer likes the "multiple levers" the company has as leverage drivers for free cash flow (FCF) and EPS. Meanwhile, the company has guided OM of 27.5%. For the second half of 2017, the analyst expects OM to hit over 30% and for FCF to reach $2.2 billion in 2017. The company anticipates to close 2016 with over $300 million in annualized OpEx improvement, compared to its initial synergy target of $200 million.
Schafer opines, "We expect NT fundamentals to take a back seat to mgmt commentary surrounding recent reports (beginning with TheStreet.com on 9/29) that QCOM is in talks to acquire NXPI for ~$110/share. We also see NXPI as an accretive use of QCOM's nearly $30B offshore cash horde that can allow the company to diversify away from handsets. NXPI represents a relatively inexpensive non-US asset (at ~13x CY17E). We think a QCOM/NXPI deal is more likely than not. Near term shares likely react more to M&A speculation than fundamentals."
Additionally, the analyst likes NXPI's odds for a deal with QUALCOMM, Inc. (NASDAQ:QCOM). "While reports haven't been confirmed or denied by either company, we believe a QCOM/NXPI acquisition makes strategic sense. QCOM needs to diversify its ~100% mobile exposure and holds ~90% of its $31B cash stockpile offshore, making NXPI (a Dutch company) a logical target," Schafer concludes.
Long-term, the analyst expects growth of both EPS as well as FCF to be "significant."
Rick Schafer has a very good TipRanks score with a 72% success rate and he ranks at #13 out of 4,197 analysts. Schafer has a five-star rating and realizes 15.9% in his yearly returns. When suggesting NXP, Schafer yields 11.1% in average profits on the stock.
TipRanks analytics exhibit NXP as a Strong Buy. The consensus price target stands at $111.50, marking a nearly 12% increase from where the stock is currently trading.
Chip stocks face up to the grim implications of the coronavirus outbreak
Smarter Team, February 28, 2020
Bloggers CornerTechnology
This Week's Top Wall Street Upgrades: VMW, NXPI, PM
Smarter Team, October 4, 2019
Hedge Funds Pile Into Facebook (FB), PayPal (PYPL), NXPI Semiconductors (NXPI) Stocks
Harriet Lefton, August 27, 2018


Electronics recycling is still somewhat of a new industry in some areas. Many people I speak to are still unfamiliar with recycling their old electronics. Because of this, some recycling businesses take advantage of their customers' lack of knowledge and mislead them. This is unfortunate because this reflects poorly on all of us that run electronics recycling businesses.
There exist a few certifications that are available to the electronics recycling industry. These certifications are meant to help control our practices and ensure we are handling the material in an appropriate manner. Some large businesses require the companies they use to have these certifications. They are costly, and in my opinion, really have no teeth to them. Nevertheless, they are good for some companies.
What is not good are companies that misrepresent themselves by saying they have these certifications, when they don't. The use of the logo is prohibited and to say you are in process of getting a certification, that is prohibited also. We have another local company in town that is falsely using the R2 logo in order to mislead their customers and misrepresent their business. On all accounts, this is wrong. Companies like this leave a bad reputation for all of us that run an electronics recycling business.
If you are looking into having your electronics recycled and these certifications mean something to you, do your research. Make sure the company is really who they say they are. If you find a company that is lying to their customers about their certifications, you can bet they are lying to you when it comes to your data and how they handle the electronics.
Mobile Hard Drive Shredding That's not data security!


The Mystic Museum of Art Contemporaries Committee will host an event for art and bourbon enthusiasts alike on Friday, May 13th from 5:30pm to 7:30pm at our 15 Water Street Gallery location. "Burgers & Bourbon" is an exclusive event, sponsored by Engine Room Restaurant, featuring Engine Room "Happy Hour" burgers, with dry aged beef from Beriah Lewis Farm in North Stonington, and Old Fashioned's featuring Four Roses bourbon. A special pop-up installation will be on view that night showcasing art by Amelia Onorato, a Providence based cartoonist.
All proceeds from ticket sales will support "Art for All" Scholarships to MMoA's studio classes. The scholarship program affords program access to children of all ages who would not otherwise be able to participate in art classes and summer art camps at MMoA. Admission to the event is $15 (non-members); $12 (members). Online tickets are no longer available. Please purchase your ticket at the door. We hope to see you there!


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Read our update on COVID-19 and The Way Back here
Our staff is specially trained to use the American Society of Addiction Medicine (ASAM) screening tool. The ASAM criteria is the most widely used and comprehensive set of guidelines for placement, continued stay and transfer/discharge of clients with substance use disorder and co-occurring conditions, and all staff at The Way Back have specialized training in conducting these screenings, as well as utilizing the evidenced based practice of Motivational Interviewing and Relapse Prevention.
In addition to all of The Way Back's counseling staff being registered with the California Consortium of Addiction Programs and Professionals (CCAPP), we have licensed Marriage and Family Therapists on staff who provide Cognitive and Dialectical Behavioral Therapy and Solution Focused Therapy. These therapists train the counseling staff to use a strength-based approach to treat clients. The Way Back's Medical Director oversees the medical component of treatment to ensure that all clients address physical or medical concerns while in a structured and safe environment
Executive Director: Chris Thomas, LMFT
Chris started working in the substance use treatment back in 1995 as a volunteer group leader. After completing San Diego City College 'Alcohol and other Studies' program he started working as a substance use counselor in 2000. He has worked in all levels of care from outpatient, residential; both for-profit and non-profit programs.. He took over as executive director of The Way Back in May of 2019. Chris has a bachelor's degree in psychology and received his master's degree in counseling in 2012; he is a licensed marriage and family therapist. "My personal mission for The Way Back is to keep the flavor of Social Model treatment alive while implementing the evidenced-based medical model approach to substance use disorder as outlined in the Drug Medi-Cal Organized Delivery service." Chris reports that his philosophy is to treat all people with loving kindness. "This is my heart's work; I love what I do and I love seeing lives transform when people find their way back to their authentic selves."
Medical Director: Aleka Heinrici, MD
Board Certified Family Physician and Addiction Specialist with clinical and administrative/directorship experience.
I am passionate about providing an evidence-based and holistic approach to chronic care, preventative medicine, family planning, sexual health, mental health, sports medicine and urgent care issues. While I thrive in one-on-one patient interactions and build rapid, honest rapport, I have also found joy in working on the administrative side of medicine. The ability to lead teams, teach, problem solve and aim to reinvent systems to improve quality of services- are all challenges that I enjoy. Additionally, I am a Board-Certified Addiction Specialist with years of experience in detox/withdrawal management, Medication Assisted Treatment and working in the residential and clinical setting.
Director of Operations: Brian Bauers, RADT
Brian Bauers started working in the field of addiction treatment in 2014, working in residential treatment as an intern for Choices in Recovery, and Alpha Project's Casa Rafael. Brian was hired on at The Way Back as a Substance use disorder counselor and promoted to Director of Operations in April of 2019. Brian's extensive knowledge of the Drug Medi-Cal organized delivery system has helped The Way Back Inc. marry the old social model framework with the new managed care model of the future, while increasing successful treatment outcomes for the clients The Way Back Inc. serves. "While my focus may be on compliance, and the operations of our facility, my goal is to create an atmosphere of recovery inclusive of all cultural, ethnic, social, and sexual identities. I believe that anyone has the ability and the right to recover from their substance use, and mental health disorders".
Clinical Director: Anthony Simone, LMFT
Anthony graduated from the University of California at Santa Cruz in 2009 with a Bachelor's Degree in Psychology and completed his Master's Degree in Marriage and Family Therapy at The California School of Professional Psychology (CSPP), Alliant International University in 2012. Anthony has extensive experience working with the forensic population, as well as individuals with co-occurring (mental health and substance use) disorders. "I have had the wonderful opportunity to work with, learn from, and be mentored by amazing people throughout my career, as well as having the fortune to mentor incredible therapist and counselors. I have also had the privilege to be a part of numerous people's journey in life toward a better future; assisting them in coping with their mental health and learning how to remain clean and sober." Anthony incorporates a Narrative Therapy approach, with the mission of helping, "…people re-write, re-author their story in order to gain the power and understanding to write the next chapter in their life".
Program Manager: Richard Freitas, RADT
Richard started working in the field of substance abuse treatment in 2014. He is an alumnus of The Way Back and was hired shortly after graduation to be maintenance and weekend staff. His desire to work more closely with clients prompted a promotion to evening SUD counselor. In 2019 he was promoted to Program Manager. "I have been clean and sober since 2014 and I'm attending San Diego City College majoring in Alcohol and other Drug Studies to further my knowledge about addiction and recovery." He states, "I enjoy helping other men on their road to recovery."
SUD Counselor: Joseph Sternberg, RAC
SUD Counselor: Ralph Ramirez, RADT
Ralph Ramirez began his internship in the field of addiction treatment in 2018 where he was quickly hired on staff as a Substance Use Disorder Counselor for Tradition One, a residential treatment facility. Ralph's strong work ethic and unyielding passion for helping others throughout their recovery process was quickly recognized and was then offered a position here at The Way Back. Ralph was hired on at The Way Back as the Lead Substance Use Disorder Counselor and stated, "it a priority to put clients first so that they not only manage their addiction but thrive throughout their recovery." Ralph brings a fresh new feel to the clients that stem from his youth as well as incorporating real life experiences that he brings in from growing up in the tough streets of Compton, CA. where drugs and alcohol still run rampant today. "I truly believe in more than just second chances. There is and will always be successes in failures in everyday life. One of my strongest lessons I bring to others going through tough situations in life, especially drug/alcohol addiction, is that we are not defined by our mistakes or failures but by our perseverance to push forward through all the pain and adversity that life throws our way."
SUD Counselor: Austen Smith, RADT
Austen started working in the field of addiction treatment in 2018. Austen battled addiction for over 15 years, being institutionalized in an out of rehabs; Austen is no stranger to the devastating consequences of drug and alcohol addiction. He had to experience and learn how to overcome this disease by getting the help he needed, accepting the help of others has been instrumental in his recovery. Being clean, sober, and healthy since 2016, Austen has the heart and desire to passionately help those struggling what he once was chained down by. As a counselor, Austen brings a refreshing sense of hope and knowledge through experience, strength, and hope to those who feel hopeless. Encouraging them that through resilience, there is a way back to living life with joy, addiction free.
SUD Counselor: Vincent Garside, RADT
SUD Counselor/Intake Coordinator: Gwen Hamilton "Bleu", RADT
Overnight SUD Counselor: Robert Sutherland, RADT
Kitchen Manager/Lead Chef: Scott Sargent
Intake Line 619-703-6332
2516 A St. San Diego, CA 92102
Call us to begin your journey.
The Way Back, Inc. is under contract with San Diego County Behavioral Health Services and is funded by the County of San Diego and Medi-Cal.
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