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Civilisation est le quatrième album studio du rappeur français Orelsan, sorti le . Il fait suite à la réédition de La Fête est finie, sortie le . L'album est produit par les labels  et 3e Bureau pour la maison de disque Wagram Music et édité par Warner Chappell Music France.

L'album est réédité le  en une édition augmentée, intitulée Civilisation Édition Ultime, contenant  supplémentaires présentés sur un second disque nommé Civilisation Perdue.

Genèse

Contexte
Après le succès commercial de La Fête est finie, avec lequel il a été récompensé d'un disque de diamant et d'une victoire de la musique, Orelsan se fait plutôt discret : sur l'année 2019, il ne participe qu'à . Avant de commencer à travailler sur son prochain album, le rappeur arrête de consulter ses réseaux sociaux.

Écriture et enregistrement

Civilisation
En , à l'annonce des mesures de confinement liées à la pandémie de Covid-19, Orelsan quitte Paris pour se retrancher avec sa famille dans sa maison de Ver-sur-Mer, dans le Calvados. Il s'y est fait construire un studio d'enregistrement dans son jardin, livré juste avant le début du confinement. Son frère, Clément Cotentin, qui vient de quitter son poste de journaliste sportif à Canal+, débute le tournage des images qui composeront la deuxième saison de Montre jamais ça à personne. Orelsan entame cette période inédite avec l'objectif d'écrire  qu'il présentera à Skread, son compositeur et producteur de longue date, et Ablaye, son ami et associé, pour  dès qu'ils pourront se retrouver. Avant de réellement commencer l'écriture de l'album, Orelsan dit avoir déjà  et réfléchit également à un concept pour l'album, qu'il décrit comme . Skread voit quant à lui un album . Orelsan profite également de ce temps libéré pour se renseigner sur le processus de fabrication d'un vêtement, qui l'inspirera par la suite sur le titre Baise le monde.

Rattrapé par le syndrome de la page blanche, l'artiste remet brièvement en question sa volonté de composer un nouvel album. Face à la caméra de son frère, il déclare que . Le Petit Guide pour être un Grand Fils de Pute est le nom de travail de la première maquette sur lequel Orelsan travaille : après une journée passée à chercher des samples utilisant l'expression  dans des films français et  de travail, ce titre  ne le satisfait pas.

À l'issue de ces sessions d'écriture et d'enregistrements de démos, Orelsan déclare être satisfait par  de morceaux. Ces morceaux ne sont encore que des ébauches et des bribes mais déjà les toutes premières versions de Du Propre, Bébéboa, Rêve Mieux, Seul avec du monde autour, L'Odeur de l'essence et Jour Meilleur ainsi que le concept de Baise le monde sont posés durant cette période. À ce stade, Point de Rupture est .

Le quatuor se rend en  à Saint-Martin-de-Bréhal, lieu de rencontre de Skread et Ablaye durant leur adolescence, où ils louent un pavillon. Pendant deux semaines, Orelsan et Skread écrivent ensemble mais rien ne se dégage de ces sessions. Skread compose néanmoins une instrumentale, intitulée Lieutenant Dan, qui sera réarrangée pour servir de base à Jour Meilleur.

En , Orelsan poursuit l'écriture de son album à Tulum, au Mexique, où, accompagné de son frère Clément et d'Ablaye, il a suivi Skread pour le soutenir sur un projet professionnel. Néanmoins, l'ouragan Zeta met à mal les rendez-vous prévus entre Skread et ses collaborateurs internationaux et le groupe décide de se concentrer à nouveau sur l'album d'Orelsan.

Fin , la composition du morceau Ensemble se rapproche considérablement de sa forme définitive mais, à cette date, aucun titre de Civilisation ne peut encore prétendre être arrivé à ce stade. En , Orelsan, son frère Clément, Skread et Ablaye louent une villa de Saint-Cast-le-Guildo, en Bretagne, pour continuer la composition de l'album. Durant ces sessions, Jour Meilleur est le premier morceau dont l'écriture se finalise, engrangeant une dynamique stimulante qui permet à Orelsan d'également terminer Bébéboa, Seul avec du monde autour et Baise le monde.

En , toutes les ébauches et les textes d'Orelsan, stockés sur l'application Notes de son Macbook Pro, disparaissent du jour au lendemain. Après l'intervention de son ami informaticien Mout, les notes seront récupérées en juin 2021. Orelsan écrit le titre Manifeste, inspiré par son travail de scénariste sur Comment c'est loin et par le climat de manifestations grandissant en France avec le mouvement des Gilets Jaunes.

Le producteur français Phazz, déjà présent sur La Fête est finie, est appelé en renfort sur le projet : son profil technique et ses influences variées rendent ses capacités complémentaires avec celles de Skread. Orelsan et Phazz travaillent ensemble pendant une à deux semaines, à Lyon dans le Rhône,  à la recherche de nouvelles mélodies et sonorités. Phazz créé l'instrumentale de Rêve Mieux en samplant la voix du rappeur. En , la promotion autour du retour de l'artiste débute, alors que l'album  d'après Skread. Orelsan retourne travailler avec Phazz à Lyon en . L'instrumentale de la Quête est composée durant cette période, avec l'aide de Skread. Orelsan et son équipe de production se déplacent à Bruxelles, en Belgique, pour travailler avec Angèle sur l'écriture du titre Évidemment.

L'écriture de Civilisation entre en pause vers la fin du mois d' dans le cadre de la préparation et la célébration du mariage d'Orelsan, de son vrai nom Aurélien Cotentin, avec sa compagne Ahélya. Quelque temps après, cet évènement ainsi qu'une remarque de son frère sur sa récente paternité inspireront l'artiste normand sur l'écriture du dernier couplet de la Quête. Les jeunes mariés partent en voyage de noces en Grèce pendant  et le travail sur l'album peut reprendre fin .

Le rappeur et ses acolytes s'envolent sitôt après pour le Mexique en vue de se mettre en quarantaine pour pouvoir ensuite rejoindre les États-Unis. Le documentaire de Clément Cotentin révèle qu'à ce stade de l'écriture de l'album, son frère travaillait sur  : Président et Les Meufs sont les titres de travail de pistes qui ne seront pas présentes sur Civilisation. En une semaine de travail, les paroles de dix morceaux , mais l'artiste a des difficultés à achever certains textes, notamment celui du titre Évidemment. Une fois la période de quarantaine écoulée, le groupe rejoint le studio d'enregistrement de Pharell Williams à Miami, aux États-Unis, pour écrire et enregistrer un featuring avec The Neptunes, Orelsan étant un grand admirateur du duo. Williams compose une instrumentale et enregistre un refrain qui inspire grandement le rappeur, qui écrit le reste du morceau en .

Début  est écrit et enregistré, en , le titre Casseurs Flowters Infinity, sur lequel Orelsan a invité son complice de toujours et seconde moitié du duo Casseurs Flowters, Gringe. Alors que la date de rendu de l'album approche, l'écriture des chansons Civilisation et Évidemment n'est pas encore terminée – cette dernière sera complétée, pour la part d'Orelsan,  avant la date limite. La voix d'Orelsan est enregistré dans les  dernières semaines, mais l'équipe de production met  pour retrouver les mêmes conditions d'enregistrement que les démos, nécessaires sur certains morceaux. Phazz qualifie le mixage de Civilisation de vrai . Alors qu'Orelsan et son entourage s'affèrent à finaliser l'album, l'artiste doit également commencer la promotion relative à la sortie dudit album et du documentaire Montre jamais ça à personne : participer aux interviews, valider la direction artistique de l'album, préparer la tournée de concerts, etc. Le , Angèle annonce à Orelsan qu'elle n'est pas satisfaite de son texte ni disponible pour enregistrer sa voix sur le morceau Évidemment, qui se voit donc donc exclu de Civilisation.

Le , Skread termine l'instrumentale de Manifeste, tandis que Phazz et Nk.F travaille le mixage et le mastering de l'album. Le dernier texte à être écrit est le couplet final du titre Civilisation : Orelsan le voulait initialement plus long, mais Skread l'en dissuade au profit d'une outro dont la force réside dans sa concision.

Civilisation devait être rendu le  à midi, la production de l'album se conclut finalement  plus tard, le , après l'achèvement du mixage et du mastering de l'album.

Civilisation Perdue
Vers , après avoir visionné les images tournées par son frère Clément durant les première sessions d'écriture de Civilisation  plus tôt, Orelsan redécouvre certaines maquettes qui furent à l'époque jugées trop mauvaises pour continuer la production. L'artiste, qui les considère finalement , décide de les retravailler et de terminer leur enregistrement. Le titre à l'histoire houleuse Évidemment, en featuring avec Angèle, est également enfin achevé.

Caractéristiques artistiques

Style et influences

Orelsan imagine, aux prémices du projet, un album de ce qu'il nomme . L'artiste ne veut pas  mais affirme , considérant sa musique comme du rap .

Analyse

Civilisation est une œuvre moins autocentrée et introspective que les  précédents albums du rappeur, un constat que lui-même reconnait.

Sur ses intentions, Orelsan ne veut pas que son audience interprète l'album .

Direction artistique

Drapeau
L'élément le plus mémorable de la direction artistique de l'album est un drapeau multicolore, créé pour l'occasion. Civilisation est un album moins introspectif que les précédents travaux d'Orelsan, abordant principalement le sujet de la société : l'artiste s'efface ainsi derrière le drapeau, symbole impersonnel et fédérateur, d'une . En recherchant quels symboles utilisés pour confectionner le drapeau de sa propre nation fictive, Orelsan se renseigne sur la signification des couleurs du drapeau de la France – bleu et rouge pour les couleurs de la ville de Paris, blanc pour la royauté. Le graphiste Rægular est chargé de créer le drapeau sur les idées d'Orelsan : il révèlera avoir ébauché près de  de l'objet avant d'arriver à la forme qu'on lui connait.

Le drapeau de Civilisation est plein de significations variées. Les couleurs bleue et rouge sont récupérées du drapeau de la France, pays qu'Orelsan apprécie malgré ses reproches envers la société occidentale, comme il l'écrit sur le titre Civilisation : . Ces mêmes nuances peuvent également référencer les couleurs symbolique de Caen et notamment de son club de football, le Stade Malherbe Caen. Le blanc du pavillon français n'est pas gardé car la royauté  du rappeur, qui insinue ainsi que sa micronation ne serait pas une monarchie. Sur la gauche du drapeau est présente une bande de couleur verte, symbolisant à la fois la province et la nature, dont la place au sein d'un pays est jugé importante aux yeux de l'artiste. Un damier gris et blanc est présent sur la droite du drapeau, figurant le caractéristique  du logiciel Photoshop, et qui permettrait à chaque personne de s'approprier le pavillon pour le construire à son image :  déclare Orelsan. Au centre, un rectangle noir reflétant le respect et l'idée qu' et, par-dessus, un dessin géométrique blanc à la double signification : l'artiste y voit un shuriken, incarnant la défense armée de son pays, et une étoile, représentant l'espoir et la diversité de croyances de sa population.

Photographie
Les photographies composant le recto et le verso de la pochette sont le travail d'Alice Moitié. L'imposant drapeau, attaché à la façade d'un bâtiment, a été fabriqué et cousu par Lucie Coudurier. Pour le shooting photo, Orelsan a été habillé par Marina Monge avec l'aide de Joa Jappont et son apparence arrangée par Julia Wretzky.

La présence d'un chien sur la photographie du verso de l'album est improvisée : il s'agit de la chienne de la photographe, Pipa, qui s'est allongée sur le drapeau de manière imprévue et dont le cliché a plu et a été gardé.

Emballage
Le disque est originalement vendu dans un boitier transparent sur lequel est inscrit en blanc le titre de l'album, le nom de l'édition limitée et son nombre d'exemplaires correspondant, ainsi que le numéro unique de la copie. Le fourreau cartonné, présentant la pochette au recto et la liste des titres au verso, s'insère horizontalement.

Civilisation Perdue, la réédition augmentée de l'album, abandonne le jeu de transparence de l'édition originale, le boîtier se voyant affublé d'un livret noir contenant  et où l'on retrouve le drapeau sur sa couverture. Le fourreau délaisse la photographie d'Alice Moitié pour un aplat noir uniquement agrémenté de l'étoile du drapeau.

Disques en éditions limitées

Orelsan, Skread et Rægular réfléchissent à un format physique mémorable pour la parution de Civilisation :  déclare le rappeur. Sur le modèle des jeux de cartes à collectionner dont l'artiste et son frère sont friands, ils cherchent à créer un sentiment de surprise et de satisfaction au déballage de l'album. Avec le boîtier transparent, le disque est présenté comme l'élément le plus valorisé au sein de l'objet.

 de disques différentes, à l'image des  de l'album, sont confectionnées par Rægular. Elles sont toutes produites en exemplaires limités et sont proposées à la précommande avant la sortie de l'album. Les éditions limitées non-vendues lors de la période de précommande ont ensuite étés distribués aléatoirement dans les points de vente du monde entier.

Le visuel représentant le titre Shonen fait référence à l'univers graphique des mangas, dont Orelsan est un grand fan. La Quête est représenté sous la forme d'un disque compact enregistrable, dit , un moyen répandu de stocker des données à partir des années 90 et qui évoque la nostalgie de la jeunesse de l'artiste. L'illustration de Du propre présente les armoiries et les couleurs de la ville de Caen, à laquelle le rappeur est très attaché et où il passa son adolescence – Rægular dévoilera qu'une photographie d'une broche de kebab a été envisagée, en référence au fast-food Magic Beau Gosse de Caen mentionné dans la chanson. Bébéboa est représenté par une canette de bière, ouverte et consommée, vue d'en haut, symbolisant l'alcool peu cher que les personnes alcoolodépendantes se procurent en quantité. L'édition Rêve mieux comporte une multitude d'émojis, idéogrammes massivement utilisés sur les réseaux sociaux que la chanson dénonce. Seul avec du monde autour est représenté par un panorama stéréographique, c'est-à-dire une photographie à 360 degrés, d'une plage au coucher de soleil où seule une personne est présente. Le visuel de Manifeste propose une photographie en négatif, aux teintes verte et noire, montrant un black bloc, fumigène à la main et dont la tête est astucieusement masquée par le trou du disque. L'Odeur de l'essence est représenté par une flaque du même liquide, insinué par les reflets iridescents caractéristiques du carburant. La photographie représentant Jour Meilleur est basée sur une parole de la chanson –  – et dépeint une étendue de sable infinie sous un ciel bleu profond, dont les tons sont très saturés. Baise le Monde est représenté par une boule à facettes, symbole de la fête chez les jeunes adultes, dont les reflets peignent la forme des continents du globe terrestre, et en particulier celle de l'Afrique, pour souligner les différences de qualité de vie à travers le monde. Le titre Casseurs Flowters Infinity est exprimé par une composition typographique sobre, centrée sur les initiales manuscrites issues du logo du duo. Dernier verre est représenté par un bloc de texte distordu répétant le titre du morceau ainsi que le nom des artistes. Le visuel de Ensemble propose deux alliances en or rose imbriquées l'une dans l'autre, suggérant l'impossibilité de séparer deux personnes qui s'aiment. Athéna est représenté par la photographie d'une Drachme, pièce de monnaie de la Grèce antique sur laquelle le profil de la déesse a été pressé. Pour finir, le visuel du titre Civilisation n'est autre que le même drapeau présent sur la pochette de l'album.

À la sortie de l'album, le , sont introduites  nouvelles éditions respectivement Verte, Bleue, Rouge et Noire, en référence aux couleurs du projet. Le visuel présent sur le disque consiste, pour toutes ces éditions, en un aplat de la couleur correspondante agrémenté des lettres en surimpression : lorsque l'on aligne les quatre disques dans le bon ordre, ces mêmes lettres forment le titre de l'album, Civilisation. Le , Orelsan annonce sur ses réseaux sociaux la mise en vente d'une édition Shuriken, où l'arme blanche est représentée par des formes géométriques reprenant les couleurs du projet, ainsi qu'une édition Rægular pour remercier et célébrer le travail du graphiste sur Civilisation. Toutes ces nouvelles éditions sont éditées à  chacune.

Fiche technique

Liste des pistes
Tous les titres sont écrits par Orelsan et composés et réalisés par Skread, sauf mention contraire.

Musiciens

 Skread – batterie électronique, synthétiseur, programmation (sauf pistes 4, 5 et 14)
 Phazz – batterie électronique, synthétiseur, programmation (pistes 2, 7, 8, 13 et 15)
 Eddie Purple – guitare (pistes 4 et 9), guitare basse (piste 13)
 Pharrell Williams – batterie électronique, synthétiseur, programmation (piste 12)
 Chad Hugo – batterie électronique, synthétiseur, programmation (piste 12)
 Mike Larson – programmation (piste 12)

Production
Civilisation est produit et édité par les labels  et 3e Bureau, filiale de Wagram Music, avec l'intervention de la boîte de production d'Orelsan Strong Ninja, pour le compte de Warner Chappell Music France.

Équipe de production
 Skread – production exécutive, réalisation, enregistrement
 Phazz – supervision, production, mixage additionnel et enregistrement
 Ablaye – management
 Nk.F – mixage (sauf piste 12), mastering
 Mike Larson – mixage (piste 12), programmation additionnelle
 Benjamin Joubert – mastering vinyle
 Rægular – direction artistique
 Alice Moitié – photographie

Parution et réception

Sortie et promotion
Le , Orelsan annonce la sortie de Civilisation pour le . Il dévoile par la même occasion la pochette ainsi que la liste des titres du disque. L'album est disponible à la précommande à partir du  à .

Civilisation est publié lors du week-end le plus fourni en sorties musicales : le  sortent également les albums 30 d'Adele, Noyé de Hatik, Country Rock d'Eddy Mitchell, On lâche pas l'affaire de Bénabar, The Bridge de Sting ou encore Brûler le feu de Juliette Armanet, qui sera nominé pour l'album de l'année aux Victoires de la musique 2022 au même titre que Civilisation.

Le 10 décembre sort l'album au format vinyle.

Tournée
Avant qu'Orelsan ne retrouve la scène après la sortie de Civilisation, le dernier concert de l'artiste datait du  au festival du Cabaret Vert à Charleville-Mézières.

Le  est publié le clip de Millions, un titre réalisé pour la mystérieuse compilation No Limit, en collaboration avec Ninho et sur une production signée Skread et Phazz. Si l'association entre deux des rappeurs français les plus populaires est déjà remarquable, c'est un des plans du clip qui interpelle le plus les fans de l'artiste normand : Orelsan y est assis au sommet d'un panneau publicitaire annonçant  consécutifs à l'Accor Arena en  – premier indice sur un potentiel retour en studio du rappeur, attendu depuis la sortie de la réédition de La Fête est finie en 2018.

Orelsan annonce le , à travers une vidéo postée sur ses réseaux sociaux, une tournée des zéniths de France agrémentée de dates en Belgique et en Suisse et débutant  à Caen. La billetterie de cette tournée ouvre  plus tard, le  à . La production des concerts, dont la gestion est assurée par Astérios Spectacles, a été travaillée par l'artiste et son équipe, composée d'environ , pendant près d'.

À la suite des restrictions liées à la pandémie de Covid-19, les premières dates de la tournée, comprises entre le  et le , se voient reportées sur une période allant du  au . Une date supplémentaire est néanmoins planifiée au Zénith de Caen pour que l'artiste inaugure sa tournée dans sa ville de cœur.

Le , sur la scène du Zénith de Rouen, Orelsan interprète pour la première fois et en exclusivité  issus de la réédition Civilisation Perdue, dont la sortie est prévue  plus tard.

Orelsan aura joué  en 2022 dans le cadre de la promotion de Civilisation. La salle la plus jouée durant cette tournée est l'Accor Arena de Paris avec  consécutives, suivie du Zénith de Caen avec .

Vidéographie

Montre jamais ça à personne

Montre jamais ça à personne est une série documentaire française créée par Clément Cotentin, frère d'Orelsan, et Christophe Offenstein. Diffusée à partir du  sur Prime Video, elle précède d' la sortie de Civilisation.

Monté sur , Le documentaire retrace la vie et la carrière d'Orelsan au travers d'images filmées par son frère de la moitié des années 2000 à la sortie de La Fête est finie en 2017.

En conclusion du sixième et dernier épisode de la première saison sont brièvement montrées des images d'Orelsan planchant sur l'écriture de nouvelles musiques.  après le lancement de la série, le rappeur officialise enfin son retour en annonçant la date de sortie de Civilisation.

Clips vidéo

Pour la promotion de Civilisation,  sont réalisés en l'espace de .

L'Odeur de l'essence

Le clip musical de L'Odeur de l'essence est réalisé par David Tomaszewski, collaborateur de longue date d'Orelsan, qui fut notamment  sur Le Chant des Sirènes (2011) et sa promotion. Tomaszewski retrouve Orelsan et son équipe, avec qui il n'a plus collaborer depuis 2014, dans le cadre de la réalisation du documentaire Montre jamais ça à personne (2021). Aux alentours du , au cours d'une conversation, Tomaszewski avertit Orelsan qu'il juge que  – ce qui n'empêche pas ce dernier de le recontacter  plus tard pour lui demander de réaliser le clip du single principal de Civilisation. La situation est urgente car il ne reste que  pour réaliser la vidéo. Tomaszewski est alors vu par Orelsan comme . Tomaszewski accepte dans la foulée, ayant  avec le rappeur. La préparation du clip, avec le réalisateur et l'artiste, commence dès le lendemain. Orelsan imagine une mise en scène théâtrale ainsi qu'un tournage en studio. Parallèlement, Tomaszewski visite et obtient l'accès à un plateau comportant une technologie nouvelle : un écran LED démesuré permettant de s'affranchir des fonds verts, une avancée technique qui a notamment fait ses preuves sur la série télévisée The Mandalorian. Le réalisateur ne cherche pas à utiliser ce plateau pour créer l'illusion du décor, la caméra quittant intentionnellement le champ de l'écran, car il préfère l'investir et en faire une sorte d'.

Au même titre que la chanson, la vidéo musicale est sombre, explosive et assurément politique, en véritable reflet de son époque. Durant l'introduction du morceau, un plan au steadicam évolue dans un atelier obscur mais moderne. On y retrouve les acolytes de toujours d'Orelsan : Skread travaillant sur son logiciel de MAO, Ablaye assis sur un canapé de cuir noir et Clément Cotentin sortant d'un luxueux SUV. Le rappeur émerge de derrière un paravent et se dirige, avec la caméra, vers le centre du plateau. L'écran affiche alors des images de la ville de Paris avant que des performeurs ne sortent d'une rame de métro. Lorsque le rappeur assène un impératif , l'écran géant affiche un plan serré de sa tête sur un fond noir, non pas sans rappeler le personnage de Big Brother dans l'adaptation cinématographique de 1984 (1949). Durant le premier couplet, alors qu'Orelsan pose la réalité d'une société tiraillée par les opinions extrêmes, le rappeur se fait bousculer au milieu d'une foule d'anonymes, comme si chacun avait décidé de la direction dans laquelle marcher sans se soucier de percuter quelqu'un sur sa route. Les vidéos affichées sur l'écran accompagnent et mettent en image les paroles de la chanson : camp de réfugié, grands ensembles HLM, glacier s'effondrant dans la mer, décharge qui semble infinie – des problèmes sociétaux d'une actualité terrifiante. Arrivant au pont, au rythme plus reposé comme si l'artiste devait reprendre son souffle, Orelsan fait semblant de lancer un cocktail Molotov sur l'écran qui s'embrase et affiche des plans serrés d'incendies, noyant la scène de nuances d'orange. La chanson repart avec des images des manifestations des Gilets Jaunes, du Casino de Monte-Carlo ou encore d'une petite fille utilisant un fusil à pompe. Lorsqu'Orelsan adresse le terme réducteur de , des policiers viennent violemment interpeller les performeurs autour de lui, avant que l'écran ne montre des vidéos de policiers de la CRS en action durant une manifestation. À la seconde mention de ce terme, l'écran affiche des images de la Statue équestre de Gengis Khan puis, lorsqu'il exprime la chute des différents empires, on peut voir une ville s'effondrer, possiblement due à une guerre. Sont également représentés des circuits imprimés lorsque l'artiste évoque les deepfakes et le jeu de plateau Monopoly pour parler de la corruption. Sur un très court moment, Orelsan est vu comme ayant des pupilles entièrement blanches : Tomaszewski intègre ici un clin d'œil au personnage de Raelsan, créé  plus tôt, qui comporte la même caractéristique. Les performeurs s'attaquent entre eux quand l'artiste évoque la compétition latente et donc l'idée de méritocratie à l'école ou au travail. Quand Orelsan conclut sa chanson par un constat d'une civilisation qui , les vidéos s'arrêtent aussi abruptement que le titre et seul la mention de , en blanc sur un fond noir, ne persiste.

Le clip de L'Odeur de l'essence est publié sur YouTube le ,  avant la sortie de Civilisation : une décision assumée par Orelsan et Skread, qui ne veulent pas  la parution de l'album.

Jour Meilleur
La vidéo musicale de Jour Meilleur est également réalisé par David Tomaszewski.

La Quête
Le clip de La Quête, sorti le , est réalisé par Victor Haegelin.

Du propre
Le clip vidéo de Du propre, sorti le , est réalisé par Kourtrajmeuf.

Ensemble
Quentin Deronzier réalise le dernier clip en date d'Orelsan, Ensemble, publié le .

Accueil

Accueil critique
Le Temps regrette à Civilisation .

L'album fait également réagir des personnalités. Selon Libération, le président de la République française Emmanuel Macron se serait fendu d'un commentaire positif à propos du titre L'Odeur de l'essence, alors même que sa fonction de chef d'état y est attaqué : . Le comédien Jean-Paul Rouve déclare au même journal écouter Civilisation en boucle : .

Accueil commercial
 après le lancement de la période de précommande de Civilisation, le ,  sont déjà vendus. Alors qu'Orelsan n'a encore dévoilé aucune chanson, l'album totalise environ .

L'album totalise  et écoutes sur les plateformes de streaming seulement  après sa sortie, arrivant presque au même nombre d'équivalents ventes que La Fête est finie (2017) après une semaine de commercialisation. Civilisation atteint , dont , après une semaine, signant le meilleur démarrage de l'année 2021 tout styles confondus.

Au sein de son genre, le rap français, Civilisation décroche le record du plus gros démarrage en première semaine depuis l'ère du streaming, en devançant Deux Frères (2019) du groupe PNL et ses  en . Orelsan ne parvient néanmoins pas à battre le record d'IAM, établi le  avec L'École du micro d'argent (1997) et ses  vendus dès le premier jour, à une époque où le streaming n'existait pas.

Le , le SNEP annonce que Civilisation est l'album le plus vendu de l'année 2021, en seulement  et  de commercialisation, avec .

Postérité
 après la sortie de Civilisation, le fast-food Magic Beau Gosse de Caen, mentionné sur le titre Du propre, enregistre une progression de  de sa fréquentation.

Le drapeau représentant le projet est encadré et affiché sur un mur de l'Accor Arena. L'exemplaire est personnalisé : le damier gris et blanc est remplacé par une photo de la salle et l'artiste normand l'a dédicacé en écrivant , en référence aux paroles du titre Shonen.

Classements et certifications

Classements
Établissant le record de ventes en première semaine dans l'histoire du rap français depuis l'ère du streaming, l'album entre directement en tête des ventes en France la semaine suivant sa sortie. Lors de sa deuxième semaine d'exploitation, l'album s'écoule à près de  et garde toujours la première place du Top Albums lors de la semaine du 3 décembre 2021.

Certifications et ventes en France
Civilisation est déjà éligible au disque d'or avant sa sortie à la suite de ses . L'album décroche le premier disque de platine après  d'exploitation, le double disque de platine en  puis, seulement  après sa sortie, il est certifié triple disque de platine. Civilisation devient disque de diamant le  : avec  et  de commercialisation, il s'agit du disque de diamant obtenu le plus rapidement dans l'histoire du rap français.
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Tous les titres de l'album (hors réédition) sont certifiés :

Shonen
 La Quête
 Du propre
 Bébéboa
 Rêve mieux
 Seul avec du monde autour
 Manifeste
 L'Odeur de l'essence
 Jour meilleur
 Baise le monde
 Casseurs Flowters Infinity (feat. Gringe)
 Dernier verre (feat. The Neptunes)
 Ensemble (feat. Skread)
 Athéna
 Civilisation

Civilisation Perdue
 Évidemment (feat. Angèle)

Distinction
 Victoires de la musique 2022 : nomination pour la Victoire de l'album.

Notes et références

Notes

Références

Annexes

Article connexe
 Discographie d'Orelsan

Liens externes

Album d'Orelsan
Album musical sorti en 2021
Album de hip-hop français
Album produit par The Neptunes

redpajama_set_name: RedPajamaWikipedia


Arjun Atwal scored a superb bogey free 7 under par round and has moved into top ten of the leaderboard.
Arjun Atwal who is playing at the Barracuda Championship, scored 6 birdies and 2 double bogeys in the opening round and is tied for 48th position.
On Day 2, Arjun Atwal had 6 birdies 2 bogeys and 2 double bogeys and has just made the weekend cut. He is currently T60.
On Day 3, Arjun Atwal had 6 birdies and double bogey and has moved to T42.
Anirban finishes birdie, birdie to go 9 under and stay in contention at the Wyndham.
Anirban on T9, four shots behind the leader at the halfway point.
Arjun Atwal, who won the Wyndham championship in 2010, failed to make the cut sadly. He finished at +1 at the midway point, four shots away from the cut line.
Tightly packed field with Anirban within 4 shots of the lead but also 4 shots from the 50th place. Hopefully, he'll finish strong and get his confidence back on the PGA tour.
After 7 holes on Day 3, Anirban is 1-over par today (8-below par for the tournament) and has slipped to T23.
Anirban did better the rest of the day to finish 2-under par for the third round, and now lies at T11.
Another poor putting day for Anirban; missed 2 putts from under 8 feet in the first few holes.
It is hard to be a top player on the PGA tour with his putting stats. Almost everyone on the tour can drive long off the green and has a good scrambling game. Putting is one of the big differentiators left in pristine conditions.
And missed another from 9 feet on the 10th.
And now a 7-footer missed on the 13th.
Poor final day score of 2-over par caused Anirban to finish T28 with a tournament score of 9-under.
Anirban Lahiri is playing the FedEx Cup playoffs.
At Event no 1- The Northern Trust Open, he scored a 5 over par round 1 with an eagle, a birdie, a double bogey and 6 bogeys.
Only highlight for the day is his 91 feet putt for an eagle at 13th hole.
Anirban Lahiri had a 4 over par round 2 and has missed the cut.
At Event no 2 - Dell Technologies Championship, Anirban had a 2 over par round 1 and is T42.


text:
Population pharmacokinetic and pharmacodynamic analysis of linezolid and a hematologic side effect, thrombocytopenia, in Japanese patients
Tomohiro Sasaki, Hiroshi Takane, Katsuhiro Ogawa, Sayaka Isagawa, Takeshi Hirota, Shun Higuchi, Toshinobu Horii, Kenji Otsubo, Ichiro Ieiri
臨床薬学
Linezolid is an antimicrobial agent to treat infections by Gram-positive pathogens, including methicillin-resistant Staphylococcus aureus (MRSA). While effective, linezolid treatment frequently is associated with hematological side effects, especially thrombocytopenia. However, little is known about the mechanism of this side effect and the exposure-response relationship. The present population pharmacokinetic/pharmacodynamic (PPK/PD) study was undertaken to elucidate the factors that determine linezolid levels, the relationship between exposure to linezolid and a decrease in platelet counts, and appropriate dosage adjustments based on exposure levels. In total, 50 patients (135 plasma samples) were used for the PPK analysis. The PPK analysis revealed that renal function and severe liver cirrhosis (Child Pugh grade C) significantly affect the pharmacokinetics of linezolid according to the equation clearance (liter/h) = 2.85 x (creatinine clearance/60.9)0.618 × 0.472CIR (CIR indicates cirrhosis status; 0 for noncirrhosis, 1 for cirrhosis patients). Using 603 platelet counts from 45 patients, a PPK/PD analysis with a semimechanistic pharmacodynamic model described the relationship between linezolid exposure and platelet counts quantitatively, and the newly constructed model was validated using external data (776 platelet counts from 60 patients). Simulation indicated considerable risks in patients with insufficient renal function (creatinine clearance, ≤30 ml/min) or severe liver cirrhosis. For these patients, a reduced dosage (600 mg/day) would be recommended for sufficient efficacy (area under the concentration-time curve over 24 h in the steady state divided by the MIC, >100) and safety.
Antimicrobial Agents and Chemotherapy
https://doi.org/10.1128/AAC.01185-10
出版済み - 5 2011
薬理学(医学)
10.1128/AAC.01185-10
「Population pharmacokinetic and pharmacodynamic analysis of linezolid and a hematologic side effect, thrombocytopenia, in Japanese patients」の研究トピックを掘り下げます。これらがまとまってユニークなフィンガープリントを構成します。
Linezolid Medicine & Life Sciences 100%
Thrombocytopenia Medicine & Life Sciences 73%
Pharmacokinetics Medicine & Life Sciences 59%
Platelet Count Medicine & Life Sciences 50%
Liver Cirrhosis Medicine & Life Sciences 24%
Creatinine Medicine & Life Sciences 20%
Fibrosis Medicine & Life Sciences 19%
Sasaki, T., Takane, H., Ogawa, K., Isagawa, S., Hirota, T., Higuchi, S., Horii, T., Otsubo, K., & Ieiri, I. (2011). Population pharmacokinetic and pharmacodynamic analysis of linezolid and a hematologic side effect, thrombocytopenia, in Japanese patients. Antimicrobial Agents and Chemotherapy, 55(5), 1867-1873. https://doi.org/10.1128/AAC.01185-10
Population pharmacokinetic and pharmacodynamic analysis of linezolid and a hematologic side effect, thrombocytopenia, in Japanese patients. / Sasaki, Tomohiro; Takane, Hiroshi; Ogawa, Katsuhiro; Isagawa, Sayaka; Hirota, Takeshi; Higuchi, Shun; Horii, Toshinobu; Otsubo, Kenji; Ieiri, Ichiro.
In: Antimicrobial Agents and Chemotherapy, Vol. 55, No. 5, 05.2011, p. 1867-1873.
Sasaki, T, Takane, H, Ogawa, K, Isagawa, S, Hirota, T, Higuchi, S, Horii, T, Otsubo, K & Ieiri, I 2011, 'Population pharmacokinetic and pharmacodynamic analysis of linezolid and a hematologic side effect, thrombocytopenia, in Japanese patients', Antimicrobial Agents and Chemotherapy, vol. 55, no. 5, pp. 1867-1873. https://doi.org/10.1128/AAC.01185-10
Sasaki T, Takane H, Ogawa K, Isagawa S, Hirota T, Higuchi S et al. Population pharmacokinetic and pharmacodynamic analysis of linezolid and a hematologic side effect, thrombocytopenia, in Japanese patients. Antimicrobial Agents and Chemotherapy. 2011 5;55(5):1867-1873. https://doi.org/10.1128/AAC.01185-10
Sasaki, Tomohiro ; Takane, Hiroshi ; Ogawa, Katsuhiro ; Isagawa, Sayaka ; Hirota, Takeshi ; Higuchi, Shun ; Horii, Toshinobu ; Otsubo, Kenji ; Ieiri, Ichiro. / Population pharmacokinetic and pharmacodynamic analysis of linezolid and a hematologic side effect, thrombocytopenia, in Japanese patients. In: Antimicrobial Agents and Chemotherapy. 2011 ; Vol. 55, No. 5. pp. 1867-1873.
@article{4010a7aec2b74d06967bf7af59a9c1ae,
title = "Population pharmacokinetic and pharmacodynamic analysis of linezolid and a hematologic side effect, thrombocytopenia, in Japanese patients",
abstract = "Linezolid is an antimicrobial agent to treat infections by Gram-positive pathogens, including methicillin-resistant Staphylococcus aureus (MRSA). While effective, linezolid treatment frequently is associated with hematological side effects, especially thrombocytopenia. However, little is known about the mechanism of this side effect and the exposure-response relationship. The present population pharmacokinetic/pharmacodynamic (PPK/PD) study was undertaken to elucidate the factors that determine linezolid levels, the relationship between exposure to linezolid and a decrease in platelet counts, and appropriate dosage adjustments based on exposure levels. In total, 50 patients (135 plasma samples) were used for the PPK analysis. The PPK analysis revealed that renal function and severe liver cirrhosis (Child Pugh grade C) significantly affect the pharmacokinetics of linezolid according to the equation clearance (liter/h) = 2.85 x (creatinine clearance/60.9)0.618 × 0.472CIR (CIR indicates cirrhosis status; 0 for noncirrhosis, 1 for cirrhosis patients). Using 603 platelet counts from 45 patients, a PPK/PD analysis with a semimechanistic pharmacodynamic model described the relationship between linezolid exposure and platelet counts quantitatively, and the newly constructed model was validated using external data (776 platelet counts from 60 patients). Simulation indicated considerable risks in patients with insufficient renal function (creatinine clearance, ≤30 ml/min) or severe liver cirrhosis. For these patients, a reduced dosage (600 mg/day) would be recommended for sufficient efficacy (area under the concentration-time curve over 24 h in the steady state divided by the MIC, >100) and safety.",
author = "Tomohiro Sasaki and Hiroshi Takane and Katsuhiro Ogawa and Sayaka Isagawa and Takeshi Hirota and Shun Higuchi and Toshinobu Horii and Kenji Otsubo and Ichiro Ieiri",
doi = "10.1128/AAC.01185-10",
journal = "Antimicrobial Agents and Chemotherapy",
publisher = "American Society for Microbiology",
T1 - Population pharmacokinetic and pharmacodynamic analysis of linezolid and a hematologic side effect, thrombocytopenia, in Japanese patients
AU - Sasaki, Tomohiro
AU - Takane, Hiroshi
AU - Ogawa, Katsuhiro
AU - Isagawa, Sayaka
AU - Hirota, Takeshi
AU - Higuchi, Shun
AU - Horii, Toshinobu
AU - Otsubo, Kenji
AU - Ieiri, Ichiro
N2 - Linezolid is an antimicrobial agent to treat infections by Gram-positive pathogens, including methicillin-resistant Staphylococcus aureus (MRSA). While effective, linezolid treatment frequently is associated with hematological side effects, especially thrombocytopenia. However, little is known about the mechanism of this side effect and the exposure-response relationship. The present population pharmacokinetic/pharmacodynamic (PPK/PD) study was undertaken to elucidate the factors that determine linezolid levels, the relationship between exposure to linezolid and a decrease in platelet counts, and appropriate dosage adjustments based on exposure levels. In total, 50 patients (135 plasma samples) were used for the PPK analysis. The PPK analysis revealed that renal function and severe liver cirrhosis (Child Pugh grade C) significantly affect the pharmacokinetics of linezolid according to the equation clearance (liter/h) = 2.85 x (creatinine clearance/60.9)0.618 × 0.472CIR (CIR indicates cirrhosis status; 0 for noncirrhosis, 1 for cirrhosis patients). Using 603 platelet counts from 45 patients, a PPK/PD analysis with a semimechanistic pharmacodynamic model described the relationship between linezolid exposure and platelet counts quantitatively, and the newly constructed model was validated using external data (776 platelet counts from 60 patients). Simulation indicated considerable risks in patients with insufficient renal function (creatinine clearance, ≤30 ml/min) or severe liver cirrhosis. For these patients, a reduced dosage (600 mg/day) would be recommended for sufficient efficacy (area under the concentration-time curve over 24 h in the steady state divided by the MIC, >100) and safety.
AB - Linezolid is an antimicrobial agent to treat infections by Gram-positive pathogens, including methicillin-resistant Staphylococcus aureus (MRSA). While effective, linezolid treatment frequently is associated with hematological side effects, especially thrombocytopenia. However, little is known about the mechanism of this side effect and the exposure-response relationship. The present population pharmacokinetic/pharmacodynamic (PPK/PD) study was undertaken to elucidate the factors that determine linezolid levels, the relationship between exposure to linezolid and a decrease in platelet counts, and appropriate dosage adjustments based on exposure levels. In total, 50 patients (135 plasma samples) were used for the PPK analysis. The PPK analysis revealed that renal function and severe liver cirrhosis (Child Pugh grade C) significantly affect the pharmacokinetics of linezolid according to the equation clearance (liter/h) = 2.85 x (creatinine clearance/60.9)0.618 × 0.472CIR (CIR indicates cirrhosis status; 0 for noncirrhosis, 1 for cirrhosis patients). Using 603 platelet counts from 45 patients, a PPK/PD analysis with a semimechanistic pharmacodynamic model described the relationship between linezolid exposure and platelet counts quantitatively, and the newly constructed model was validated using external data (776 platelet counts from 60 patients). Simulation indicated considerable risks in patients with insufficient renal function (creatinine clearance, ≤30 ml/min) or severe liver cirrhosis. For these patients, a reduced dosage (600 mg/day) would be recommended for sufficient efficacy (area under the concentration-time curve over 24 h in the steady state divided by the MIC, >100) and safety.
U2 - 10.1128/AAC.01185-10
DO - 10.1128/AAC.01185-10
JO - Antimicrobial Agents and Chemotherapy
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redpajama_set_name: RedPajamaCommonCrawl


A Swedish security agent is summoned to interrogate a terror suspect held by the FBI in this sophisticated, fast-paced thriller—but the prisoner isn't the only one with something to hide.
Kjell Eriksson has made a huge splash around the globe with his Ann Lindell police procedural series. Now Eriksson is back with another stunning mystery packed with surprises.


In recent years, Unmanned Aerial Vehicles (UAVs) have moved from strictly military platforms to many areas, including; agriculture, law enforcement, utilities, and construction. Although the FAA is still working to finalize rules that balance safety with commercial and recreational interests, companies across the US and around the globe have been pouring funds into this exploding sector. This program will show the applicability of UAVs to tasks related to electric utility line work, including surveying, preventative inspection, and damage assessment.
California Polytechnic State University Mr. Simonian is a Professor in the College of Architecture and Environmental Design and is also a graduate course instructor in the College of Engineering at California Polytechnic State University (Cal Poly). He is a licensed Professional Electrical Engineer in the State of California, and a Project Management Institute (PMI) certified Project Management Professional. Professor Simonian's previous experience includes positions as an Electrical Engineer at San Diego Gas and Electric, an Electrical Engineering Supervisor at Bechtel, and Senior Project Manager for Berkeley Laboratory. His teaching responsibilities at Cal Poly have included instructing classes in Building Mechanical, Electrical, and Plumbing (MEP) Systems, Construction Contracts, Construction Project Administration, Principles of Construction Management, Project Controls, Management of the Construction Firm, Professional Practice for Construction Project Managers, and co-instructor of an Interdisciplinary Design-Build Studio.


by Cather, Willa, Tapper, Gordon A.
Cather, Willa, Tapper, Gordon A.
"No romantic novel ever written in America, by man or woman, is one half so beautiful as 'My Antonia'. It is the finest thing of its sort ever done in America."Cather, Willa is the author of 'My Antonia', published 2005 under ISBN 9781593082024 and ISBN 1593082029.
Loading marketplace prices 33 copies from $0.30 How does the rental process work?


Welcome to Menomonee Falls! "Wisconsin's Largest Village" occupies a scenic 33 square mile setting with small town charm, yet a modern convenient lifestyle. Menomonee Falls' motto is "More than a village" referring to the excellence of its community which means that you are always welcome in Menomonee Falls!
Germantown, WI has distinguished itself among some of the best communities to live and do business, not only in Wisconsin but in the entire nation. This is reflected in Germantown being listed as one of Money magazine's "Best Places to Live". Whether you live in Germantown, commute from out of town, or are just visiting, Germantown welcomes all to come experience everything that it has to offer.
Brookfield, WI is a city where superior schools, high quality public services and a wide range of employment create a unique community that is highly desirable to families and business alike. Brookfield's parklands and natural landscape provide spaces for recreation as well as connecting safe and attractive neighborhoods.


text:
Behind Enemy Lines KPOO interview: Kiilu Nyasha and Terry Collins remember Hugo 'Yogi' Pinell
KPOO interview: Kiilu Nyasha and Terry Collins remember Hugo 'Yogi' Pinell
This interview was broadcast live on Aug. 18, 2015, on Terry Collins' show, The Spirit of Joe Rudolph. Listen to it in full at http://www.thespiritofjr.com/show/august-18-2015/21; these are highlights.
Kiilu Nyasha – Photo: BAVC Commons
Terry Collins: A lot of people around here are definitely in deep mourning for the murder of Hugo Pinell on the 12th of August, this month. From my correspondence with him over the past three or four years, I know he was a person full of love.
I loved Hugo or Yogi Bear, as he was called, and he really helped me sustain myself through some of the problems I thought I had with growing old and still trying to keep the struggle going on. I know you love Hugo also, so tell me some of the things you want to talk about.
Kiilu Nyasha: If there was one word that could describe Yogi Bear, it would be love. His love energies are what sustained him for 45 years in solitary confinement beginning December 1970.
They couldn't torture him enough, because he was in total opposition to white supremacist racism and he was subjected to it the whole time he was imprisoned. He was first sent to prison in 1965 after having spent a year in the county jail.
His redemption came in the form of revolutionary politics, learning from W.L. Nolen, from George Jackson and many other brothers that were in the California prison system in the '60s and transformed themselves from the gangster mentality to a revolutionary mentality and started studying and practicing how to serve the people, how to break down the barriers between the ethnic groups.
At that time, it was mostly Mexicans and Whites and Blacks (in California prisons), and Blacks were constantly under attack because the racism targeting Blacks was overt and extreme. The Aryan Brotherhood and the Nazis were in collusion with the racist guards and brothers were turning up dead.
There was an attack on three of the conscious brothers. W.L. Nolen was shot; he was known as the Marvin Hagler of the prison system, the middle weight champion of long ago, because he was a terrific fighter, and nobody would have challenged him on the yard if they didn't know that a guard was prepared to shoot him.
And he did. He was shot dead as soon as one of these racists attacked him. It was set up anyway, because they put the most arch-racists out on the yard with these Black conscious brothers, knowing that a fight would break out; in fact I think they orchestrated it.
Terry Collins – Photo: ©Kenneth Monteiro
So the bottom line is they had two other brother rush to W.L.'s rescue, and they were shot and all three were left to bleed to death. That precipitated the case of the Soledad Brothers, because where their demands were not met and they had a kangaroo court that brought back the usual verdict of that time of justifiable homicide.
We heard that left and right, Terry; you remember those days. Every time you turn around someone was being acquitted on the basis of justifiable homicide if they had killed a Black person or a Brown person. So the bottom line is the brothers retaliated and a guard was thrown off the tier to his death and three brothers – George Jackson, Fleeta Drumgo and John Clutchette – were eventually acquitted, George Jackson posthumously, because they figured out how to kill him on Aug. 21, 1971.
And so now they have gotten his comrade, Hugo Pinell, and Hugo had gotten himself transferred to San Quentin so he could be beside George. The two of them were liberators. They were freedom fighters.
Hugo was always talking to me about becoming the new man, growing and developing and changing and loving the people and serving the people. He was always asking about other people and telling us how to take better care of ourselves. You talk about that a minute, Terry.
Hugo had gotten himself transferred to San Quentin so he could be beside George. The two of them were liberators. They were freedom fighters.
TC: The first letter I got from him, I was so inspired. I mean here was a brother locked down inside Pelican Bay, and the letters that came showed that the guards had opened them up to put the stamp on it, so I knew everything that came back and forth between me and him was going to be read, so I was hoping he wouldn't get in no trouble.
I found out you couldn't say nothing about George Jackson, so I asked about W.L. Nolen and I said, "Hugo, can't somebody put this in the paper, the San Francisco Bay View?" And he said "Yeah, that's ok if you do." I said, "I ain't gonna do it if you don't want me to."
And then he talked about W.L. Nolen, how (he was) from Oakland and he was a gangster, a real gangster, and he changed from a gangster to a revolutionary. And that's what inspired (Hugo), because he could not believe someone like him – as you said he was a great boxer – someone like W.L. Nolen came to him and said we got to start reading, we got to start studying.
Really, in his writings he always talked about growth and development, development of a new woman, a new man. And believe me, his letters to me really helped me, because at a certain age am I any value anymore? But he would let me know, you're still a youngster, you know what I mean? (laughter)
Terry Collins and Kiilu Nyasha came to Hunters Point for Malcolm X Day, on May 17, 2015, at Kenneth Harding Plaza, named by the community for the 19-year-old who was murdered there by SFPD when he didn't have a transfer to prove he'd paid his $2 Muni fare. – Photo: Rochelle Metcalfe
So I love Hugo Pinell. I never got to meet the brother, but just through his letters, I loved that brother. To be honest, I still ain't recovered. Every day I am still thinking about him; it's hard for me to even realize that he is not with us anymore.
KN: I know. He's been on my mind constantly. I'm just struggling hard to take Jian Qing's advice, the widow of Mao Tse Tung. When he died, she told the Chinese people to "turn grief into strength." That was in 1976 and I've been using that motto ever since.
I said to myself, well, I better give myself this order because I've been having to do so much damage control and cleanup work behind all the lies and slander and vilification of Yogi by the mainstream (media), and even some of the left that don't have good sense have been repeating some of the madness.
So you know, it's very difficult, but I'd like to share a little bit of Mao Tse Tung. I put it in front of a statement from the San Quentin Six, who of course loved the hell out of Yogi. I don't know any prisoners who didn't love Yogi who knew him. I mean they all loved him. Anyway, here is a quote from Mao from the Red Book that is really perfect for our beloved warrior:
"I hold that it is bad as far as we're concerned if a person, a political party, an army or a school is not attacked by the enemy, for in that case it would definitely mean that we have sunk to the level of the enemy. It is good if we are attacked by the enemy, since it proves that we have drawn a clear line of demarcation between the enemy and ourselves. It is still better if the enemy attacks us wildly and paints us as utterly evil and without a single virtue; it demonstrates that we have not only drawn a clear line of demarcation between the enemy and ourselves but achieved a great deal in our work."
And he has achieved a great deal in his work, because he is the one who has been the most inspiring in instituting the Agreement to End Hostilities that was a result of the hunger strike, and Yogi was in Pelican Bay and was one of the original hunger strikers. It's (the Agreement was announced) the same date, Aug. 12, 2012, as he was assassinated, on Aug. 12, 2015.
And I honestly think that the Agreement to End Hostilities – the Nazis and the Aryan Brotherhood and the racist prison guards, they hate that. Even the prison administration, they don't want all their prisoners coming together and ending hostilities. How are they going to control a prison if everybody is one?
The Agreement to End Hostilities – the Nazis and the Aryan Brotherhood and the racist prison guards, they hate that. Even the prison administration, they don't want all their prisoners coming together and ending hostilities. How are they going to control a prison if everybody is one?
TC: Yogi he was from the Fillmore (then the largest Black neighborhood in San Francisco, dubbed Harlem of the West), and when he went into prison, he stayed with his brothers from the Fillmore inside the prison, and that's when the problem happened, because he wouldn't go along with being with "the Mexicans." He was not (Mexican); he was from the Fillmore and he was a Nicaraguan.
KN: Yeah, he wrote to me about that, how they were mad because he hung with the Blacks.
TC: When he went in jail, the administration, as you said, they played that, you know? That's how they keep control of everybody. That's what's happening in this country right now.
KN: Exactly, the bottom line is we need to stop this nonsense and come together. White people don't like any of us, the racist ones, the white supremacists. And Black people get the brunt of their racism because we are the darkest.
Terry Collins stands at the door to KPOO, which owns its building on Divisadero in the historically Black Fillmore District. – Photo: SFSU
But hey, look out (laughs): Black Lives Matter. Yeah, all lives matter – that's automatic – but whose lives are targeted every day of the week? And since we are your brothers and sisters, why aren't you standing up for us? Ask yourself that question if you don't happen to be Black. Why aren't you standing up for Black people if you're not racist?
TC: That's what Hugo Pinell stood for.
KN: They hated him for it. What really makes me angry is that he is being painted as the most violent man on earth, the most dangerous man on the planet practically and Geronimo ji-Jaga, known by the military as Sgt. Elmer Pratt, who came back from Vietnam after doing two tours of duty, highly decorated, was a green beret.
Now you know he had to have killed some Viet Cong for him to have been decorated like that, but he comes back home and he sees, and it came out of his mouth: "I saw them treating Black people," meaning the police, "like we were the Viet Cong," he said. He was really pissed off.
He joined the Black Panther Party when he was on the UCLA campus, and he began teaching Black people how to defend themselves. He was the one who fortified the LA chapter's office so that when they went to vamp on that and massacre some Panthers like they did in Chicago when they killed Fred Hampton and Mark Clark, they were ready for them.
Four days later, they tried to do the same in LA, and they were ready and some of the sisters knew how to deal with them and defended the office well enough that they held off the whole LAPD for five hours until the media and people were all outside and they could surrender themselves safely.
Geronimo wasn't even there at the time, but they framed him for a murder, a murder he did not commit. He was put in jail for 27 years, and he was finally exonerated and settled in court for about $4 million.
But as long as he was over there killing other folks who didn't ever call him nigger, when he came over here and tried to help Black people learn how to defend themselves, all of a sudden he was a monster. So we need to think about this double standard for violence.
As long as you are killing everyday ordinary people for this fascist government, overseas in some other country, mowing down civilians, you are fine. You're a hero. But if you stay here and try to defend people against these domestic terrorists they call police, then all of a sudden you are violent.
TC: Geronimo also talks about Hugo Pinell, that he is one of the mostly loving persons that he met. He would stand up for anybody. If he saw guards mistreating somebody, Hugo Pinell would go to try to stop the guards. He didn't even have to know them.
KN: Exactly! He would jump in and defend them. He would never stand by and watch a guard brutalize another prisoner. Another thing, he was telling me Cleve Edwards, the one who was shot to death on the yard that I was mentioning earlier, he got thrown in the hole, and he (Hugo) said, "I got thrown in the hole myself so that I could go see about him." I mean, who does that? That's why he was so loved.
Kiilu Nyasha, then known as Pat Gallyot, stands between renowned lawyer Charles Garry – she worked with him as a volunteer – and Huey P. Newton in 1970.
TC: Yeah, he still lives; he has to live. They can take his body, but he lives; he still lives among the people. Through his letters, that keeps him alive.
KN: I have them all, cards …
TC: I have his letters too.
KN: Yogi wrote me a letter one time – and you may have noticed I stopped saying, "Free all political prisoners!" He said they can't free me. I am already free. He chastised me for saying, "Free Hugo Pinell!" He said, "I am already free. They can just release me."
TC: (laughing) The letters he wrote to me, sometimes I said, "Wow, I mean how can somebody who don't even see the sunlight, who never saw the sky, who never saw stars, who never seen green trees, heard the sound of birds, nothing like that, be so full of love?"
KN: That is exactly what sustained him is love. And I believe in the power of love. I really do. And Yogi, he sustained me all these years, because like you just said, if he can handle 24/7 isolation with no creature comforts, no contact, no phone calls, nothing but concrete and madness surrounding him and keep his sanity and his love and his humanity, what have I got to complain about?
I feel his spirit. His spirit is still here. I am not religious, but I believe in spiritual energy, love energy. Hugo Pinell will long be remembered.
TC: He's gotta be talked about. We can never let somebody that powerful, that great, with that much love ever be forgotten. Thank you, Kiilu.
KN: Not as long as I'm alive, he won't be forgotten. Listeners, please go to www.hugopinell.com and you'll find a letter that Hugo wrote to Terry that is profound. Thank you.
Terry Collins is co-founder, in 1971, and president of the board at KPOO, Poor Peoples Radio, broadcasting 24/7 at 89.5FM from the Fillmore in San Francisco, and hosts The Spirit of Joe Rudolph on Tuesdays, 10 p.m. to midnight. Kiilu Nyasha, Black Panther veteran and revolutionary journalist, hosts the TV talk show Freedom Is a Constant Struggle, broadcast live on San Francisco Channels 29 and 76, and blogs at The Official Website of Kiilu Nyasha, where episodes of Freedom are archived. She can be reached at Kiilu2@sbcglobal.net.
"Agreement to End Hostilities"
"turn grief into strength"
©Kenneth Monteiro
45 years in solitary confinement
Black conscious brothers
Black Fillmore district
Black neighborhood in San Francisco
California prison system
Cleve Edwards
development of a new man
domestic terrorists
fascist government
Fleeta Drumgo
Fred Hampton and Mark Clark
Geronimo ji jaga
Harlem of the West
hunger strikers
Jian Qing
John Clutchette
justifiable homicide
Kenneth Harding Plaza
Kiilu Nyasha
KPOO
lawyer Charles Garry
Malcolm X Day
Marvin Hagler of the prison system
murder of Hugo Pinell
murdered by SFPD
Pat Gallyot
Poor Peoples Radio
prison administration
racism targeting Blacks
racist guards
racist prison guards
Revolutionary politics
Rochelle Metcalfe
San Quentin Six
Scott Braley
SFSU
Sgt. Elmer Pratt
soledad-brothers
Terry Collins
The Spirit of Joe Rudolph
UCLA campus
W.L. Nolen
white supremacist racism
white supremacists
widow of Mao Tse Tung
Recognizing prison resistance: From George Jackson and Attica to the Agreement to End Hostilities
Liberate our elders! California Prison Focus demands Gov. Newsom protect peacemakers from COVID-19 by releasing them immediately
The four California prisoner class representatives call for solidarity and change
Liberate the Caged Voices: Free Sitawa!
Artivists in Action and Solidarity: Rattle the KAGE Dec. 7, 4-7pm
Black August, from 1971 to 2011-13
California prisoners say videos show 'gladiator fights' at Soledad State Prison
California prisoners endangered by forced integration of snitch yards
Rally in solidarity: Join the California Hunger Strikes' four 'main reps' in court Aug. 21


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constituency Amethi and also contesting in Wayanad district of Kerala. The voting will be held on 23rd for this constituency. The nomination has begun for this.
Rahul Gandhi, who is in the Wayanad constituency amid strong expectations, will file his nomination today (Thursday). He travels from Calicut to the Kalpetta by helicopter. Then he goes to Wayanad District Collectorate at Kalapeta on Thursday at 11.30 and lays his nomination.Prior to this Rahul Gandhi participate in a rally with Priyanka, his sister and Congress general secretary, Former Congress President Sonia Gandhi will not participate in these events due to ill health.
Senior party leader AK Antony, General Secretaries Oommen Chandy, KC Venugopal, Mukul Wasnik, Kerala Opposition Leader Ramesh Chennithala and state party president Mullappally Ramachandran are also present at the occasion of Rahul Gandhi's vehicle rally and nomination.
Meanwhile, security arrangements have been strengthened in the wake of Rahul and Priyanka's arrival. Police have been conducting additional surveillance tasks since Maoist movement was frequently identified and recently Maoist was shot dead.As Rahul Gandhi is under very high security, special security commandos and security arrangements are being investigated in his areas of welfare. It is also said that Rahul Gandhi's vehicle rally will take place depending on their determination.
10 companies have been permitted for the parliamentary elections. It is noteworthy that a company involving the Indo-Tibetan forces has been pioneered in the country.Congress candidate Rahul Gandhi today filed a nomination for his candidature, the Bharatiya Janata Party (BJP) -led National Democratic Alliance (NDA) candidate and Bharat Dharm Janasena's leader, Tusshar Velappalli filed yesterday. Later, he told reporters that Rahul Gandhi was contesting for the sake of integrating Muslim votes.


Just like any other Android smartphone, we have to root the device to avail more features in the Smartphone. After rooting, you can install Custom ROMs, Mods, Tweaks, etc. In this article, I'll guide you on how to root Sony Xperia SP. But, before that please read the disclaimer and prerequisites for your safety only.
Disclaimer: Continue at your own risk! We are not responsible for anything that happens to your phone.
Your phone needs to have an Unlocked Bootloader.
Installing a custom ROM will wipe all the data like SMS,Contacts,Music,Videos,Apps present in your phone.
Visit http://unlockbootloader.sonymobile.com and follow the instructions to unlock the bootloader of your phone.
After successful unlocking the bootloader, Then I would assume that fast-boot is already setup on your computer.
Extract the above file and place the boot.img inside the fastboot folder on your PC.
Now power off your phone.
Enter fastboot mode by connecting the phone via a USB cable to your PC while pressing the Volume up button.
Open Command Prompt(open run and type cmd) and navigate to the fastboot folder.
Now type fastboot flash boot boot.img.
This will flash the kernel on your device.
Congratulations you have finally rooted your Sony Xperia SP.


text:
Leftover Klangwerk Aug. 19th – 21st, 2022
Leftover Klangwerk
by Ariel Orah and Johanes "Mo'ong" Santoso Pribadi (Soydivision Kollektiv)
In the framework of Hack the Panke Festival - Art, Science, Sound and more in Berlin-Wedding.
Date: 19-21 August 2022
Location: Panke River & AnaConda Cafe terrasse
Leftover Klangwerk is a socially engaged and sonic art creation activity in the form of a participatory workshop and collective improvisation performance. The title is inspired by the English word "Leftover" refers to waste and the German word "Klangwerk" which means "sound creation".
The workshop was divided into three major parts. In the first part, participants will collect different kinds of waste objects from specific neighborhoods (based on the understanding of the characteristics and also the social-political history of that specific neighborhood).
The second part will be building those waste materials into several self-made instruments. The third part will be presenting the instruments in an improvisation music performance. Inspired by circular design/upcycling methodology, both workshop and performance will introduce and invite the community to channel a form of freedom in the form of sound through the sound-making object, without the limitations of conventional music.
This project will be facilitated by Ariel Orah and Johanes "Mo'ong" Santoso Pribadi from the Berlin-based Indonesian art collective Soydivision.
The Hack the Panke Festival is funded Berliner Projektfonds Urbane Praxis // DRAUSSENSTADT – Call for Action.
Bangkok-born and Java-raised, Johanes "Mo'ong" Santoso Pribadi is an experimental music composer and instrument builder. His main area of study is music Nusantara, or the music of Indonesia. Mo'ong started his studies in Western classical music with a major in double bass, but soon moved back to his roots to explore the wisdom of Javanese folklore, He continued his Masters studies in the arts at the Indonesian Institute of the Arts, Surakarta, receiving a graduate degree in music composition supervised by composer Rahayu Supanggah. He was selected as a young emerging composer on IRC+ (International Rostrum of Composer) in 2015. Mo'ong has been involved with a variety of national and international projects in many different genres of music, and with multidisciplinary projects within modern dance, modern theater, contemporary puppet theater, installation art, and performance art. In 2015 he initiated the Limbah Berbunyi project, where he created and composed musical instruments from found objects or waste. Another recent work, Raja Kirik, is a Duo Experimental with musician/composer Yennu Ariendra about the war of narratives during the Dutch occupation in Indonesia. He has also worked as a sound designer and written music for several independent films.
Ariel William Orah (a.k.a ravenative) is a sound artist, performer and curator. He was born in Bandung, Indonesia and has lived and worked in Berlin, Germany for the past 10 years. His work and research interests include socially engaged art creation, social+climate injustice, as well as identity, memory, and scarcity. As part of his artistic practice, Orah works with various sound media, techniques and formats such as sound art, sound installation, sound performance, sound workshop, sound setting and sound composition for film and theater. Since 2008, Orah has presented his work in Germany, the United Kingdom, Denmark, Switzerland, Italy, Belgium, Australia, Lithuania, Malaysia, Singapore, and Indonesia.
Orah did not train or graduate from an art school, but his past and current art practice are strongly influenced by his studies and experiences as an Indonesian diaspora and migrant in Germany. A graduate of Steinbeis University Berlin with a focus on sustainability management, he also holds degrees in human-centered, empathic and experiential design from the School of Design Thinking Potsdam/Stanford and KAOSPILOT Århus.
He is co-founder of the empathy-driven sound artist collective L-KW, the Berlin-based Indonesian contemporary art collective SOYDIVISION.BERLIN, and the non-profit arts and culture organization Diantara e.V.. Selected sound works include an experimental music theater "ARYATI" (2022), sound performance and diorama "TANA SADJI" (work in progress for Hamburger Bahnhof - Museum für Gegenwart Berlin, as part of the exhibition "Nation, Narrative, Narcosis, 2022), lecture performance on decolonizing sounds GAUNG - UNVORHERBESTIMMTE RESONANZ for Ballhaus Naunynstrasse Berlin (2021), a theater music composition "Götzendämmerung. Post-Funk-Tische Ergüsse zum Zeitgeschehen" for Zimmertheater Tübingen (2019) and a sound and image installation commissioned for Tanz im August Festival Berlin (2016). He has released numerous solo albums under the pseudonym ravenative and is actively involved in various music projects such as grau&, soydivision ensemble, böseblick ensemble and OKNUM.
In addition to his work as an artist, he is also active as a curator, especially in the field of sound. His recent curatorial activities include soy&synth (experimental music and food showcase, 2018-present), NNN Fair 2021 (diaspora art festival, Rotterdam, 2021), KAUM Performance & Film Festival (Berlin, 2021) and CTM Festival Hacklab (Berlin, 2022).
Where does the event happen? Panke River &
Ana Conda Cafe am Ufer
Uferstraße 23, 13357 Berlin, Germany
When does the event happen? Aug. 19th – 21st, 2022
Regular ticket


All countries are being urged to consider introducing a sugary drinks tax by the World Health Organisation as an effective way of curbing the soaring obesity rate, especially in children.
It will strengthen the hand of campaigners in countries such as Colombia, where the drinks industry has succeeded in having an anti-sugar broadcast banned.
A report from the WHO says that a tax of 20% or more results in a drop in sales and consumption of sugary drinks. People consume fewer "free sugars" such as fructose and glucose, take in fewer calories and reduce their risk of tooth decay.
"Consumption of free sugars, including products like sugary drinks, is a major factor in the global increase of people suffering from obesity and diabetes," said Dr Douglas Bettcher, director of the WHO's department for the prevention of non-communicable diseases.
The WHO has already published nutritional advice saying nobody actually needs sugar in their diet. Its guidance says we should restrict our intake of free sugars to a maximum of 10% of our energy needs, preferably 5%. The UK government's scientific advisory committee on nutrition and health echoed that advice, which led to the decision to introduce a sugary drinks tax in the UK, although not until 2018. Other countries, including the Philippines and South Africa, are now looking at introducing similar measures.
Mexico's 10% tax on sugary drinks appears to have successfully reduced sales and consumption. The government is being urged by campaigners to double the tax.
The WHO says a tax has most impact on the young, those on low incomes and others who consume a lot of sugary drinks and will have the greatest positive effect on the health of those groups.
Other fiscal measures that work include subsidising fresh fruit and vegetable prices by 10-30%, it says. Taxing food and other drinks that are high in saturated fats, trans fats, free sugars and salt "appears promising", it adds, because there is evidence that higher prices reduce consumption.
Battle lines are being drawn in Colombia, where a consumer movement is pressing the case for a sugary drinks tax and the industry is fighting back. Sales of sugary drinks have been increasing faster in Colombia, where half the adult population and 17% of children are overweight or obese, than any other Latin American country.
Last month, the Asociación Educar Consumidores – the consumer organisation which, like its Mexican equivalent, has backing from Bloomberg Philanthropies in the US – produced an educational video to be broadcast on television, warning that drinking too many sugary drinks can lead to diabetes and other diseases.
But after a complaint from Postobón, the Colombian beverage giant, the government's regulatory agency charged with consumer protection banned any showing of the video on TV, saying it was inaccurate and could confuse the public.
Senior health experts in the US have joined the fray, supporting a tax in Colombia. Barry Popkin, professor of nutrition at the University of North Carolina at Chapel Hill, Walter Willett, of the Harvard Chan School of Public Health, and others have written to the Colombian ministry of health about the dangers of sugar consumption and the effectiveness of taxation.
Michael Bloomberg, founder of Bloomberg Philanthropies and now the WHO's global ambassador for non-communicable diseases, said: "Obesity is a major contributor to diabetes, heart disease and other preventable health problems that kill millions of people every year – and the problem is getting worse, particularly among children and in developing countries. Smart policies can help turn the tides on this deadly epidemic, especially those aimed at reducing consumption of sugary drinks, which are fuelling obesity rates.


Yes, it's a transatlantic podcast, with the Spraggster reading out some listeners' emails and discussing various pressing matters with Nick (such as Paul's alien girlfriend!). There's also talk of the Eighth Doctor sale and a reminder about the competition.
Meanwhile, back in the US, Alex Macqueen, Dalek Empire and the Movellans are under discussion. This is the first part of our Gallifrey One panel. The next instalment will feature in the next regular podcast. In the meantime, the Toby Hadoke Who's Round podcasts are coming thick and fast, positively festooned with anecdotes - don't miss them.
As always, send any comments, questions or threats to podcast@bigfinish.com.


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ThreatQuotient wins Frost & Sullivan's best practices competitive strategy leadership award for XDR
John Czupak, President and Chief Eexecutive Officer, ThreatQuotient
ThreatQuotient, a leading security operations platform innovator, announced that Frost & Sullivan has presented ThreatQuotient with the 2021 Best Practices Competitive Strategy Leadership Award for excelling in Extended Detection and Response (XDR).
Frost & Sullivan strictly reserves this recognition for companies at the forefront of innovation and growth in their respective industries and believes that ThreatQuotient will emerge as a transparent and reliable vendor that supports security operations aligned with XDR's vision.
Why is the ThreatQuotient platform unique?
ThreatQ's platform, takes a data-driven approach to simplify detection and response through high fidelity data management capabilities, integration options and capabilities.
ThreatQ's open integration architecture empowers customers to embrace XDR by fusing together disparate data sources, systems and teams through its innovative DataLinq Engine.
This adaptive engine imports and correlates external and internal data.
ThreatQ's platform curates and analyses data for decision making and action and exports a prioritised data flow across the infrastructure for accelerated detection and response.
"ThreatQuotient is proud to be recognised by Frost & Sullivan as a leader in the extended detection and response (XDR) market," said John Czupak, President and CEO, ThreatQuotient.
"XDR is generating a tremendous deal of interest from security operations professionals and is becoming one of the most discussed topics in the cybersecurity industry."
"ThreatQuotient approaches XDR differently compared to competitors, as a destination towards which the market is evolving, not necessarily as a silver bullet solution."
"ThreatQuotient's platform supports a wide range of use cases, from threat detection, investigation and response, making security operations more efficient and effective."
ThreatQuotient recognised by Frost & Sullivan
Frost & Sullivan's analysis on the XDR space and award criteria identified ThreatQuotient as a leading vendor-agnostic solution that aggregates data from a range of security controls for teams to detect, investigate and respond to threats in a more holistic manner.
ThreatQuotient earned the 2021 Frost & Sullivan Global Competitive Strategy Leadership Award in XDR for strong overall performance in all the participating categories.
Strategy effectiveness and execution, competitive differentiation, executive team alignment, stakeholder integration, price and performance value, customer purchase and ownership experience, and customer service experience.
Mikita Hanets, Frost & Sullivan industry analyst added, "In contrast to most early XDR offerings, the ThreatQ Platform enables security operations teams to ingest data from a wide array of security controls, whether they are from a single vendor or multiple providers."
"The company has an extensive list of out-ofthe-box integrations that allow ThreatQuotient's customers to start benefiting from those partnerships in a matter of minutes."
According to the Frost & Sullivan award write-up, ThreatQuotient's security operations platform outperforms most early XDR offerings by enabling the correlation of threat data, integrating with a wide range of third-party solutions, and taking a data-driven approach to automation.
Positioned as a company that will power the industry evolution towards the XDR vision, this recognition comes on the heels of two major product updates announced in 2021.
These are ThreatQ TDR Orchestrator and ThreatQ Data Exchange.
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SBS MTV's 'The Show' will not be airing any new episodes for the rest of 2018.
On December 18, 'The Show' stated, "After the live broadcast which aired back on December 4, 2018, 'The Show' does not have any remaining live content. We will notify you of our plans for resumption in future updates."
The music program is expected to resume some time next year. But in the meantime, reruns of previous episodes will be airing on Tuesdays at 6:30 PM KST, beginning with December 18. This week's 'The Show' lineup includes IZ*ONE, JBJ95, HOTSHOT, Golden Child, Gugudan, Dream Note, ATEEZ, Spectrum, etc.


text:
Q: Spring MVC doesnt work hi I can t deploy my programm but when I click on submit form nothing happen,my controller is(Create ticket controller)
<bean id="urlMapping" class="org.springframework.web.servlet.handler.SimpleUrlHandlerMapping">
    <property name="mappings">
        <props>
            <prop key="index.htm">indexController</prop>
            <prop key="eventHome.htm">eventHomeController</prop>
            <prop key="offsetHome.htm">offsetHomeController</prop>
            <prop key="ticketingHome.htm">ticketHomeController</prop>
            <prop key="searchProject.htm">searchProjectController</prop>
            <prop key="createTicket.htm">createTicketController</prop>
            <prop key="createEvent.htm">createEventController</prop>
            <prop key="listEvent.htm">listEventController</prop>
        </props>
    </property>
</bean>

<bean id="viewResolver"
      class="org.springframework.web.servlet.view.InternalResourceViewResolver"
      p:prefix="/WEB-INF/jsp/"
      p:suffix=".jsp" />

<!--
The index controller.
-->

<bean name="ticketHomeController"
      class="org.springframework.web.servlet.mvc.ParameterizableViewController"
      p:viewName="ticketing/ticketingHome" />
<bean name="indexController"
      class="org.springframework.web.servlet.mvc.ParameterizableViewController"
      p:viewName="index" />
<bean name="eventHomeController"
      class="org.springframework.web.servlet.mvc.ParameterizableViewController"
      p:viewName="event/eventHome" />
<bean name="offsetHomeController"
      class="org.springframework.web.servlet.mvc.ParameterizableViewController"
      p:viewName="allocation/OffsettingHome" />

<bean name="searchProjectController"
      class="org.hatfrust.eventportal.controller.project.SearchProjectController">
    <property name="formView" value="allocation/searchProject"/>
    <property name="projectService" ref="projectService"/>
</bean>
<bean name="createTicketController"
class="org.hatfrust.eventportal.controller.ticketing.TicketController">
    <property name="commandName" value="ticketBean"/>
    <property name="commandClass" value="org.hatfrust.eventportal.view.ticketing.TicketBean"  />
     <property name="formView" value="ticketing/createTicket"/>
    <property name="successView" value="ticketing/success"/>
    <property name="ticketService" ref="ticketService"/>
</bean>
<bean name="listEventController"
      class="org.hatfrust.eventportal.controller.eventmng.ListEventController">
    <property name="eventService" ref="eventService"/>
    <property name="formView" value="event/listEvent"/>

</bean>

<bean name="createEventController"
      class="org.hatfrust.eventportal.controller.eventmng.EventMngController">
    <property name="commandName" value="EventBean"/>
    <property name="commandClass" value="org.hatfrust.eventportal.view.event.EventBean" />
    <property name="formView" value="event/createEvent"/>
    <property name="successView" value="event/successEvent"/>
    <property name="eventService" ref="eventService"/>
</bean>

here is my  controller.........
public class TicketController extends SimpleFormController {

TicketingService ticketService;

@Override
protected ModelAndView onSubmit(HttpServletRequest request,
        HttpServletResponse response,
        Object command, BindException errors) throws Exception {
    TicketBean ticketBean = (TicketBean) command;
    System.out.println("TicketBean=" + ticketBean);

    ticketService.createTicket(Integer.parseInt(String.valueOf(Math.random())),
            ticketBean.getTicketId(),  ticketBean.getEventDate(),
                 ticketBean.getEmail());

    return new ModelAndView(getSuccessView(), "ticketBean", ticketBean);
    }
}

A: Spring MVC most assuredly does work.  Your code is wrong somewhere.
What you have looks OK.  Could be a problem with your JSP.  Do you have a form with a POST in your createTicket.jsp?

redpajama_set_name: RedPajamaStackExchange


The Managing Authority of ETC Programmes would like to draw your attention to the fact that any expenditures PAID OUT until 31-12-2018 must be inserted in the Management Information System (MIS) at the latest by 08-02-2019.
IMPORTANT: When you complete with the insertion of the expenditures in the MIS, please do not SUBMIT the Table of Verified Expenditures, just SAVE it on MIS, inform us by email and come in contact with your FLCer, so that he/she can verify the expenditures.
Expenditures incurred and paid out in 2019 should be inserted in an additional Table of Expenditures.
The procedure for verification of these expenditures (2018) must be completed by 01/03/2019.
This procedure is very important in order to check the state of play of your actions per beneficiary, so that we can proceed with Payment Requests and Budget Allocations.


text:
Holiday Inn Lancaster
Waterside Park
Caton Road
Lancaster,Lancashire
LA1 3RA
reservations@hilancasterhotel.co.uk
Lancaster Waterside Park Caton Road
1.5 MI/ 2.41 KM
Reebok Stadium Bolton
Convenience Store:
1 MI/ 1.61 KM
Lancaster Castle and Lancaster Museum
Williamsons Park - Ashton Memorial/Butterfly House
Lake District (Lake Windermere)
Beatrix Potter Museum
Blackpool (Pleasure Beach)Illuminations
Kendal (Gateway to the Lakes)
Holker Hall and Gardens
Lancaster Museum
Ullswater Steamers
Trafford Shopping Centre, Manchester
South Lakes Animal Park
Morecambe Bay "Eric Morecambe Statue"
Lakeland Motor Museum (Bluebird landspeed exhibit)
Windermere Lake Cruises
Fleetwood Freeport Designer Outlet Village
For unbeatable views of windswept moorlands, drive to the edge of the Forest of Bowland, just 10 minutes from the hotel. Be sure to wear sturdy walking shoes for traversing bogs, marshes and gritstone fells en route to Clougha Pike, where natural sculpture artist Andy Goldsworthy has created three cairns with oval cut-outs. You can enjoy sweeping panoramas from the top of nearby Grit Fell.
A 45-minute drive from the hotel, the seaside town of Blackpool is known for its annual Blackpool Illuminations festival, when thousands of lights shine along the promenade, from September to November. If you miss it, try Illuminasia, a huge, indoor exhibit of Chinese lantern-inspired sculptures, or take your kids to the Pleasure Beach amusement park for roller coasters and family rides.
Half an hour's drive from the hotel, the Lakeland Motor Museum displays thousands of motor vehicles, including automobiles, motorcycles and even motorboats. There are exhibitions tracing the history of motoring in the Lake District, as well as auto memorabilia, driving outfits and a charming recreation of a 1920s garage. The eco-friendly museum also has an exhibit on climate change.
The Ullswater Steamers fleet comprises five heritage boats, including a couple of colourful vessels dating from the 19th century, that cruise Ullswater Lake year-round. You can board at Glenridding pier, under an hour's drive from the hotel, before sailing the length of the lake. The surrounding mountain scenery features some of the area's highest peaks, including Helvellyn.
Lancaster,Lancashire Hotels