text:
/**
 * @file Dom vendor
 */

// Vendors
import domContains from 'dom-helpers/contains';

/**
 * @param el
 * @param parentEl
 * @returns {null|{top: number, left: number}}
 */
export function getOffset(el, parentEl = document.body) {

    if (!el) {
        return null;
    }

    const offset = {
        top: el.offsetTop,
        left: el.offsetLeft
    };

    // Handle offset
    let offsetParent = el.offsetParent;
    while (offsetParent) {

        if (parentEl && offsetParent.contains(parentEl)) {
            break;
        }

        // append layout offset
        offset.top += offsetParent.offsetTop;
        offset.left += offsetParent.offsetLeft;

        // append transform offset
        const transform = window.getComputedStyle(offsetParent).transform;
        const matched = transform.match(/^matrix\((.*)\)$/);
        if (matched && matched[1]) {
            const matrix = matched[1].split(/\s*,\s*/);
            offset.top += +matrix[5];
            offset.left += +matrix[4];
        }

        offsetParent = offsetParent.offsetParent;

    }

    // Handle scroll
    let scrollParent = getClosestScrollable(el.parentElement);
    while (scrollParent) {

        if (parentEl && scrollParent.contains(parentEl)) {
            break;
        }

        // drop scroll offset
        offset.top -= scrollParent.scrollTop;
        offset.left -= scrollParent.scrollLeft;

        scrollParent = getClosestScrollable(scrollParent.parentElement);

    }

    return offset;

}

/**
 * @returns {number}
 */
export function getScrollHeight() {
    return document.body.scrollHeight || document.documentElement.scrollHeight;
}

/**
 * @param parentEl
 * @returns {number|*}
 */
export function getScrollLeft(parentEl) {

    if (window.SCROLL_EL && window.SCROLL_EL.scrollLeft) {
        return window.SCROLL_EL.scrollLeft;
    }

    if (parentEl && parentEl !== document.body) {
        return parentEl.scrollLeft;
    }

    return document.body.scrollLeft || document.documentElement.scrollLeft;

}

/**
 * @param parentEl
 * @returns {number|*}
 */
export function getScrollTop(parentEl) {

    if (window.SCROLL_EL && window.SCROLL_EL.scrollTop) {
        return window.SCROLL_EL.scrollTop;
    }

    if (parentEl && parentEl !== document.body) {
        return parentEl.scrollTop;
    }

    return document.body.scrollTop || document.documentElement.scrollTop;

}

/**
 * @param el
 * @param className
 * @returns {*|boolean}
 */
export function hasClass(el, className) {

    if (!el || !className) {
        return false;
    }

    const elClassName = el.className;

    if (!elClassName) {
        return false;
    }

    const elClass = elClassName.split(/\s+/);

    return elClass && elClass.findIndex(item => item === className) !== -1;

}

/**
 * @param el
 * @param className
 */
export function addClass(el, className) {

    if (!el || !className) {
        return;
    }

    const elClassName = el.className;

    if (!elClassName) {
        el.className = className;
        return;
    }

    const elClass = elClassName.split(/\s+/),
        index = elClass ? elClass.findIndex(item => item === className) : -1;

    if (index !== -1) { // already has this className
        return;
    }

    elClass.push(className);
    el.className = elClass.join(' ');

}

/**
 * @param el
 * @param className
 */
export function removeClass(el, className) {

    if (!el || !className) {
        return;
    }

    const elClassName = el.className;

    if (!elClassName) {
        return;
    }

    const elClass = elClassName.split(/\s+/),
        index = elClass ? elClass.findIndex(item => item === className) : -1;

    if (index === -1) { // no this className
        return;
    }

    elClass.splice(index, 1);
    el.className = elClass.join(' ');

}

/**
 * @param el
 * @param className
 * @param bool
 */
export function toggleClass(el, className, bool) {
    bool ?
        addClass(el, className)
        :
        removeClass(el, className);
}

/**
 * @param el
 * @param className
 * @returns {(() => (Node | null)) | ActiveX.IXMLDOMNode | (Node & ParentNode)}
 */
export function findParentByClassName(el, className) {

    if (!el || !className) {
        return null;
    }

    while (el) {
        if (hasClass(el, className)) {
            return el;
        }
        el = el.parentNode;
    }

    return null;

}

/**
 * @param el
 * @param parentEl
 * @returns {boolean}
 */
export function isParent(el, parentEl) {

    if (!el || !parentEl) {
        return false;
    }

    do {

        el = el.parentNode;

        if (el === parentEl) {
            return true;
        }

    } while (el);

    return false;

}

/**
 * @param values
 * @returns {boolean}
 */
export function isScrollable(...values) {
    return values.some(value => value === 'auto' || value === 'scroll');
}

/**
 * @param el
 * @returns {boolean}
 */
export function isElementScrollable(el) {
    const style = window.getComputedStyle(el);
    return isScrollable(style.overflow, style.overflowY, style.overflowX);
}

/**
 * @param el
 * @returns {null|*}
 */
export function getClosestScrollable(el) {

    if (el == null) {
        return null;
    }

    if (!isElementScrollable(el)) {
        return getClosestScrollable(el.parentElement);
    }

    return el;

}

/**
 * @param el
 * @param scrollEl
 * @returns {{top: number, left: number}}
 */
export function getTotalScrollOffset(el, scrollEl = document.body) {

    const result = {
        left: 0,
        top: 0
    };

    if (!el || !scrollEl) {
        return result;
    }

    while (el && domContains(scrollEl, el)) {
        result.left += el.scrollLeft;
        result.top += el.scrollTop;
        el = el.parentElement;
    }

    return result;

}

/**
 * @param el
 * @returns {boolean}
 */
export function isElementFixed(el) {
    return window.getComputedStyle(el).position === 'fixed';
}

/**
 * @param el
 * @returns {null|*}
 */
export function getClosestFixed(el) {

    if (el == null) {
        return null;
    }

    if (!isElementFixed(el)) {
        return getClosestFixed(el.parentElement);
    }

    return el;

}

export default {
    getOffset,
    getScrollHeight,
    getScrollLeft,
    getScrollTop,
    hasClass,
    addClass,
    removeClass,
    toggleClass,
    findParentByClassName,
    isParent,
    isScrollable,
    isElementScrollable,
    getClosestScrollable,
    getTotalScrollOffset,
    isElementFixed,
    getClosestFixed
};


text:
Can the Houston Rockets Dethrone the Golden State Warriors?
The Houston Rockets are on a 17 game winning streak. They are the number one seed in the Western Conference. With every passing game, it seems inevitable that we are headed for a Houston Rockets and Golden State Warriors Western Conference Finals. The question is, can they dethrone the Warriors? Daryl Morey, the GM of the Houston Rockets has stated that the Rockets were built to beat the Warriors. He has even gone as far as saying that he is obsessed with beating Golden State. But they can they do it? The 2017-2018 NBA season is the first season that this Golden State run has had a legitimate challenger in the western conference. The Rockets have a chance to finish first in the west and have home court advantage throughout the playoffs. The Rockets are 2-1 versus the Warriors this season. They are the only team to beat the Warriors twice in a season since Steve Kerr took over head coaching duties in 2014. Whether the wins will translate to the playoffs remain to be seen but the Rockets are definitely feeling confident when they lace them up versus the Warriors. Let's start with what the Rockets have and why they look like the team that can knock off Golden State.
James Harden. I'll say it again...James Harden. James Harden looks like he is headed to the MVP crown. He leads the league in points at 32 per game and is giving you almost 9 assists per contest. He is a walking triple double and has the only 60pt triple double in the history of the NBA. He is having such an amazing season, there are talks of him being the greatest isolation player in the history of the league. Harden's handle and ability to get into the paint to score or draw fouls can cause NBA coaches to break a few clipboards. Harden also can get into the paint and set up his teammates, hence the 9 assists per game. Clint Capela is a big time recipient of these assists. He posts an impressive 65.5% fg percentage. He is averaging 14pts per game and is a big part of their success. The Rockets have 7 players averaging double figure scoring and some of that can be attributed to newcomer Chris "Cp3" Paul.
One of the best game managers in the history of the NBA was added in the offseason. Chris Paul going to the Rockets from the Clippers was met with skepticism. The talks about Paul and Harden's pairing drew criticism in reference to their ability to play together on the court. There were questions of if the two stars can share the ball or if Chris Paul can play off ball and be effective in an offense. The transition of Chris Paul from the Clippers to the Rockets has been quick and seemingly easy. The Rocket's backcourt of Harden and Paul deliver more assists that any other backcourt in the league. Now the Rockets have two stars who can run an offense effectively and play of the ball effectively. The Rockets have 18 games this season where they have made at least 19 three pointers. With Paul and Harden's ability to draw double teams and find an open player such as Trevor Ariza, Ryan Anderson or Eric Gordon, there's no wonder they make so many three pointers. The Rockets scoring points and making three pointers come as no surprise. That is not what will carry them to a series victory against the Warriors if they matchup. The Warriors can score just as well as anyone. Ever hear of Steph Curry, Klay Thompson and Kevin Durant?
The Rockets need to play consistent defense in order to have a chance of holding the the Larry O'Brien Trophy. There are even video compilations on YouTube criticizing James Harden's defense. The Rockets were 21st in defensive rebound percentage a year ago and they are 2nd this season. The more defensive rebounds that they get means that teams aren't getting as many second chance points against them. The Rockets have had an uptick in steals since the addition of Chris Paul. They are 4th in steals in the NBA, last year they were 13th. The Rockets are 6th in points allowed per game, they finished 19th last season. If the Rockets can continue to play consistent defense or improved defense, the Warriors could have a dog fight on their hands if they meet the Houston in the Western Finals. The Warriors have had defensive lapses and have look unmotivated. Despite the Rockets success, the Warriors are still the Warriors and they are still the team that came back from a 3-1 deficit before Kevin Durant joined the team. For now, the Warriors are still the team to beat. We can trust them because they have been there before and won 2 out of the last 3 titles. Can the Rockets beat the Warriors? The Rockets believe so but believing and doing are two different things. The Warriors don't speak about the Rockets as much as the Rockets discuss them but as the season winds down and the playoffs approach, it seems as though the Warriors will be forced to address the threat of the Rockets.

redpajama_set_name: RedPajamaCommonCrawl


text:
package com.dfferentia.junit;

import java.lang.annotation.ElementType;
import java.lang.annotation.Retention;
import java.lang.annotation.RetentionPolicy;
import java.lang.annotation.Target;

/**
 * @author Saurabh Raje
 * @email saurabh.raje@gmail.com
 *
 * @created 02-Apr-2014
 */
@Target(ElementType.METHOD)
@Retention(RetentionPolicy.RUNTIME)
public @interface DataProvider {
	Class<?> clazz();

	/**
	 * Any no-arg static method which returns Collection<Object[]>
	 *
	 * @return
	 */
	String method();

	/**
	 * Should the index of iteration be passed as the FIRST parameter to the @Test
	 * method?
	 *
	 * @return
	 */
	boolean index() default false;
}

redpajama_set_name: RedPajamaGithub


This circuit, enclosed in a small plastic box, can be placed into a bag or handbag. A small magnet is placed close to the reed switch and connected to the hand or the clothes of the person carrying the bag by means of a tiny cord. If the bag is snatched abruptly, the magnet looses its contact with the reed switch, SW1 opens, the circuit starts oscillating and the loudspeaker emits a loud alarm sound. The device can be reverse connected, i.e. the box can be placed in a pocket and the cord connected to the bag. This device can be very useful in signalling the opening of a door or window: place the box on the frame and the magnet on the movable part in a way that magnet and reed switch are very close when the door or window is closed.
A complementary transistor-pair is wired as a high efficiency oscillator, directly driving a small loudspeaker. Low part-count and 3V battery supply enable a very compact construction.
The loudspeaker can be any type, its dimensions are limited only by the box that will contain it.
If the circuit is used as anti-bag-snatching, SW1 can be replaced by a 3.5mm mono Jack socket and the magnet by a 3.5mm. mono Jack plug with its internal leads shorted. The Jack plug will be connected with the tiny cord etc.
Do not supply this circuit with voltages exceeding 4.5V: it will not work and Q2 could be damaged. In any case a 3V supply is the best compromise.


text:
Q: Getting error Unrecognized font family 'din-next-lt-w23-regular' in react-native 0.61.4 only for iOS i am using fonts in my app. So i need to add the font din-next-lt-w23-regular in my app. But i am getting error in iOS i.e., Unrecognized font family 'din-next-lt-w23-regular'. I added .ttf files in ios/Resources and info.plist.
Here is my code
react-native.config.js
module.exports = {
  project: {
    ios: {},
    android: {},
  },
  assets: ['./assets/fonts/'],
};

Screenshot:-

A: Check the PostScript name of the font, it is what IOS uses to recognize fonts.
 You can check the postscript name of a font file in Font book.
Here is a good guide to add fonts to react-native https://medium.com/@mehran.khan/ultimate-guide-to-use-custom-fonts-in-react-native-77fcdf859cf4

redpajama_set_name: RedPajamaStackExchange


The healthcare and life-sciences sector has been an early adopter of linked data and semantic technologies driven from academic projects and research. There is widespread adoption and use of use of large open datasets and taxonomies to describe the clinical healthcare domain such as SNOMED-CT, RxNorm, MedDRA, WHO-ATC, and MeSH.
Through our work with the Cochrane Collaboration, Data Language has significant experience in the use of RDF based linked data in this field. We have worked together with Cochrane to developer a PICO ontology framework (Population, Intervention, Comparator and Outcome) for the expression of evidence in clinical trials and the construction of an extensive best of breed vocabulary drawing from, and linking out to, the open datasets widely used in the healthcare sector.
The use of linked data to express and describe clinical evidence is an ideal mechanism for making published content machine interpretable.
How do you maximise the impact of evidence based health information when it is locked in text documents. The ability to ask questions across the set of knowledge, and to share insights between people and systems is constrained.
Develop domain specific models to describe the questions being answered. Describe these models with standards based vocabularies and associate them with the evidence. This unlocks the ability for your data to contribute to, and enrich the evidence ecosystem.
"Data Language have helped Cochrane transform from a document centric organisation to a data centric one. Their knowledge of linked data and data strategy is world class. They deliver."


A British copywriter stays for a week at his composer friend Oskar's elegant, ultramodern apartment in a glum Eastern European city. The instructions are simple: feed the cats, don't touch the piano, and make sure nothing harms the priceless wooden floors. Content for the first time in ages, he accidentally spills some wine. Over the course of a week, both the apartment and the narrator's sanity fall apart in this original and "weirdly addictive" (Daily Mail) novel. As the situation in and out of the sleek apartment spirals out of control, more of Oskar's notes appear, taking on an insistent - even sinister - tone. Care of Wooden Floors is a must-listen for anyone who's ever bungled a housesitting gig, or felt inferior to a perfectionist friend - that is to say, all of us.


text:
Do Catholic people have their own Bible?
Do Catholics use the King James Bible?
Is there a difference between a Catholic Bible and a Protestant Bible?
What religion uses the King James Bible?
What is wrong with the KJV Bible?
Catholics generally don't know their Bible as well as Protestants, especially evangelicals, whose worship and private devotion are centered on Scripture. Catholics rely on the Bible, of course, but they also turn to rituals to enact the full meaning of Scripture.
Catholic Bible is the general term for a Christian Bible. King James Bible is one of the versions of the Bible available in Christianity. Catholic Bible has 46 books of Old and 27 books of the New Testament.
Main Differences Between Catholic Bible and Protestant Bible
The Roman Catholic Bible consists of 73 books in the old testaments whereas the Protestant Bible contains only 66 books. … The protestants don't believe in human beings being infallible and their only head of the church is Jesus.
The King James Version is still the favoured biblical translation of many Christian fundamentalists and some Christian new religious movements. It is also widely regarded as one of the major literary accomplishments of early modern England.
But there are a number of King James Version Bible errors and mistranslations that completely altered the meaning of the original text. For example, one 1631 edition ordered people to commit adultery. … The history of the King James Bible is no exception. It includes multiple mistranslations, errors, and other problems.
IT IS INTERESTING: You asked: What Bible do WELS Lutherans use?


text:
Dano Pendygrasse has been part of snowboarding since its formative years. From Craig Kelly to the Whiskey movies, and onto the Forum 8, he was there with camera in hand. 2021 marks 30 years since he got his first camera and was published. If you follow Dano's Instagram, you've probably seen the "Deep Dive" he has started, going through thousands of his photos year by year. I'm thankful Dano took the time to sit down with me, and speechless he's sharing some of his never before seen photos of Craig Kelly with us. Take time to read through the interview, and really look at these photos. These images are special and his stories are real. Dano Pendygrasse is a pillar in our snowboard culture and history. Enjoy.
By Rob Lemay | @_lemay
Craig Kelly, Whistler, 1995 | Recently scanned and never before seen image.
Thank you for taking the time to sit down with me. Selfishly, I want to pick your brain as a photographer, and as a fan of snowboarding, I just want to hear your stories. You're celebrating 30 years as a published snowboard photographer and going through all your old photos. How many photos are we talking about here?
I'm a total photo hoarder. I didn't throw anything away. Unless it was wildly out of focus, or total crap, I kept everything.
I love seeing the deep dive on Instagram.
Thanks. When I added the "Ask Me Anything" part, it got really crazy because people started doing requests. I thought it would just be a couple of my friends like "What about that time, yo?".
It's been really cool to follow. It's a real snowboard photo archive.
I still have photos of Craig Kelly that I've just scanned this year for the first time that nobody's ever seen. Like the one that I put out on Instagram yesterday, it was the first time anyone's ever seen that photo.
A post shared by Dano Pendygrasse (@danopendygrasse)
And that's from one day, a really, really productive day. People are like, "Oh, you spent a lot of time with Craig." Nah, we rode together a few times, but I only shot with him one solid day.
Craig Kelly "The Line", Whistler, 1995 | Also never before seen.
How many frames do you think you got from one day?
A bunch got published, but I have, what I would consider to be A-grade photos, probably 10. Which, for some people that's all I got shooting with them their entire career. And then some photos have aged really well too. Like as I get older, I see them in a different light. Like this photo that when I first looked at, I was like, "I don't even see anything there." And then you look at it now, after he's passed away and with context, it feels really powerful in a different way. So, some of the stuff was instantly publishable and obviously like, "That's a great Craig photo." Then there's other stuff that has grown up a lot. It's cool. Photos age like wine, some look like shit now and some just get better and better.
Yeah, I agree 100%. You've worked a few different magazines over your career. Do you still follow snowboard media as much as you used to?
Yeah, a lot. I spent about a decade kind of away from it. I wouldn't say I had completely burnt out, but I definitely needed a change of scenery. In that time, I was in a relationship and I wasn't really around snowboarding that much. It kind of dragged me away from the mountains. I'm not blaming anyone. That's just how it goes sometimes. I just kind of didn't care. Snowboarding was getting into the really spin-to-win contest scene, and it got … I mean, I grew up in the era of freestyle skiing where freestyle aerials were doing triple twisting triples and then the quad quad, and I watched that game of one-upping on spins in freestyle skiing. I always thought it was just corny and boring. Eventually it was like, "Now what are you going to do?" And it was like, "Nothing." The whole thing just fucking flopped. I look at the 14's and the quad cork and whatever is going on in contests, I mean I'll always watch most contests, but I just couldn't care less. It's an impressive feat and I'm stoked, but I can't follow it and I guarantee that 90% of people who are watching it outside of snowboarding have no idea what's going on. They don't know if they're coming in switch or normal, they don't know if they spin frontside or backside, they don't know the difference between a flat spin and a cork. It's TV audience, man. The reason that snowboard is big is because a lot of people who don't really know about snowboarding are watching it. I think it has lost its appeal. [We have to mention this conservation happened prior to Natural Selection] Having said that, there's so many dudes doing cool shit on snowboards these days. When Side Hit Euphoria came out, I was just like, "Holy shit, that's it." Because it's surreal. It's the stuff that anyone can hit on every single day, and it felt like us, how we learned to snowboard or how we learned to do an air.
Alex Warburton, Blackcomb Mountain, 1994 | Side hits are timeless.
Chris Brown, 1998 | Simple, just let the riding speak for itself. Goliath frontside air.
Trevor Andrew, Brohm Ridge, 1999 | Lots of time and work went into this one, just look at the entire scene. Not an easy exposure to make.
Yeah, it's relatable to us.
Totally. But it's not just relatable in a way that it's like, "That's the terrain I would hit." But it's impressive in a way, like, "How the fuck would you go that big and find that mini tranny?" It's a whole different level of something that's available to everybody. I love that shit. And some people who are putting blunt landings into shit or that do a laid out method into a corked spin. There's cool shit going on. Anytime that there's a really strong element of style and innovation in something, I'm going to probably like it. So yeah, I definitely follow it. I follow it more now then I have in a while, for sure. Backcountry is such a trip though. I still see stuff that we hit for the first time and people are doing the same tricks.
You're totally right, but even Don Schwartz was telling me..
No way!
Yeah, I was talking to him this morning. He said how he's seeing a new level of progression. He's been guiding up at Powder Mountain for years and the Oakley team came up and started ripping lines that he hadn't ever considered before. Personally, I definitely see a refinement out there. Yes, there are some same tricks on the same features, but that's cause the bar was set so high to start, and the ones pushing it now have to really step up and bring their own flavour.
Talking to Don was the best. You can hear the love in his voice when he was getting nostalgic about the early Whistler days. One of the standout stories was how hyped he was on this sticker placement you and him did together.
Oh my god. It's still there.
I asked him to send me a photo. He said he always sends you one when he drives that route.
In those days, the Snoboard Shop triangles had some really good vinyl that would really stick to anything.
Yeah, he said they were industrial strength.
At least the initial ones were. They looked like a warning sign, so a lot of people were like, "Oh, that's just a warning, I won't pull it off." But that one, I just don't know how anyone would even take it off. I was holding him by his fucking ankles and he was hanging over traffic putting the sticker on. Yelling up at me, "Wait, I've just got to clean it off." It's still there to this day.
Kevin Young, Blackcomb Glacier, 1992 | Never seen before. Note the yellow Snowboard Shop stickers.
Yeah he said it's on the highway overpass on your way to Banff heading east. He also mentioned you had the nickname, "Cargo", back in the early days?
Fuck, I forgot I was called Cargo. I was 17 when I moved to Whistler, and my older brother got his license, and he was the one who got to use the car. And living with those guys, nobody was going to let me learn on their car. Plus it was Whistler in the late '80s, early '90s, you could just walk out into the street and somebody would see you and you'd get a ride. But then I started getting sent on these trips where people would send me the plane ticket and say, "Your rental car is waiting for you at the airport." I was like, "Oh, is anyone else going to be there?" There were also periods where I didn't leave Whistler for 24 months. It was just like, "Why?"
Two years! Yeah, I get it. I mean Whistler is self-sufficient in a way. It has everything to keep you happy.
Totally. The thing that I missed was live shows. There was live music in Whistler, but I missed going to shows in the city and I think that's one of the things that got me to start going back down. But like '87 to '91 or '92, I barely left Whistler.
Nice. Man, I wish I could go back in time to experience those days. I was also messaging with Alex Warburton. He said to ask you about living with hippies in the basement.
I don't think I can talk about too much of that.
I will say that mushrooms grow free and plentiful near and around Whistler.
It was just one of those things. That house was really big, and at some point, the suite downstairs got rented by two other guys I knew, Clark Gatehouse, and Ian Free, great guys. I ended up moving down with them, and they were hippies. They went to Dead shows and came back with acid and all the stuff that goes along with that.
Nice. That's pretty tame in the grand scheme of things.
It's tame, but my parents are still alive so I don't want to share too much about that.
There're some stories I can't tell until they're gone.
I feel the same, no need to scare my mom anymore than I already do.
Totally. I don't think mine googles my name, but you never know.
It must have got a little crazy in the early Whiskey video days. I'm told you were right in there but that you never got too crazy.
Totally. At one point at the end of the '90s, Kearns and I quit drinking for a year. We made a $5,000 bet, and if either one of us drank, you owed $5,000. If either one of us even asked to get out of the bet, you owed $5,000. So it was a self-sealing bet. There was no way of getting out of it. We both went the whole way. Although I heard many years later that he had a slip up, but I don't give a fuck. When we got to the end, I was like, "Cool, been sober for a year," and went another two months.
Sean Kearns, New Zealand, 1995 | Not sober.
Sean Kearns, 1995 | Critiquing local graffiti.
Sean Kearns Crystal Ridge, Whistler, 1995
Sean Kearns, 1995 | Comfortably numb excerpt.
Nice man, good work.
That night though, Kearns was like, "Bong" and was just straight back to it.
Sticking with Kearns, that brings me to a question from Brocklebank. He wants to know what happened after Kearns knocked down the ice sculpture at Big White.
I went home and they kept partying. I had my cameras and they had video cameras, but they were thrashing a video camera every two weeks, and didn't really care. They were sort of semi-disposable. But my camera was worth fucking five grand for body, plus lenses, so I wasn't willing to let that shit get destroyed. By the time Johnson was on the pool table, I was already back at home.
Sean Johnson, 1993
Sean Johnson, Brandywine Road Gap, 1996
Sean Johnson, 1997 | One of those photos that aged really well.
Time to get the camera back home at least.
But that's not the story. He hit the ice sculpture, and that's the thing that really pissed those guys off. Interestingly, you could walk on their pool game and kick the balls around, no big deal, but you tackle the ice sculpture and that's a big deal. They got out of the bar fine. There was maybe a bit of a scuffle, but it wasn't a big deal. What happened was back in the condo when we got back. We were staying at Johnson's parents' condo, which is super small, and there were like six of us in it. It was a super competitive group of guys as you can imagine. I don't mean that like who can do the better trick, but more like just making fun of each other, that was a sport that never stopped. It was kind of the basis of Whiskey era, just competitively making fun of each other. Later on that night, a whole bunch of guys from the mountain decided to come up to the condo and set things straight. They knocked on the door at like three in the morning and filed in. I think the door was unlocked. There was a bunch of fucking drunk, passed out or, about to be passed out people like, "What the fuck?" And I remember them standing along the bar and not saying anything. It was fucking weird to me. And then one of them starts punching his fist into his hand. And it was like, "Oh, this is on." And Johnson, because it's his parents' place and he's concerned about it. It's one thing to get drunk at the bar, another in your parents' condo or whatever. And it was a basement condo, it wasn't super fancy Whistler style, it was just old school, Big White. Johnson goes right up to the guy and says, "Get out of my place." And the guy's like, "No," and Johnson, I watched his eyes go black and then he jumped, he had to jump to punch the guy in the jaw because the guy was so fucking tall and Johnson was 5'8'-5'9" maybe, and knocked him straight to the ground. He hit him three times before he hit the ground, knocked the guy out and then the whole place exploded. It was a fucking brawl. And the other guys got worked.
Hernan Kahs, Big White, 1994 | From the same trip with the ice sculpture fiasco.
Yeah. I remember at the end of it, after it kind of broke up was, everyone was like, "Woah, we got them," or whatever. Halopoff was screaming at a guy as he was running away, "You made me break my hand." Because he punched him so many times. Anyways, brutal. In the morning, there was this guy that came back to get his radio that was knocked off in the mayhem. Hagar's on the fucking radio going to the whole mountain, "Ha ha," and just heckling the entire mountain. Can you imagine being lift maintenance in the morning and you're just going up to work on the lifts and you hear this random rant from these kids basically. It turns out the guy was the head of the local fire department, and there was one that was the head of mountain ops. They were fucking reputable dudes. Anyway, there's footage of the guy coming in and begging for his radio back. We filmed it, because of course we did. And it didn't go in the movie because it's so fucking incriminating. He's talking about how his wife kicked him out and stuff. It's funny because it's kind of like after a hockey brawl where by the end of it, he got his radio back, and we're all just joking around. But they did come back and steal Johnson's snowboard, so…
Jimmy Halopoff, Big White, 1994 | Before he broke his hand.
Damn, sounds like a bit of the wild west of snowboarding. Let's jump back to photography. I want to ask you more of a tech/nerdy question. What are your preferences as far as wide-angle over long-lens, or even camera settings?
For me, it was way more about what I was shooting than how I was shooting it. I learned pretty early on that what the world wanted to see from me was the guys in the space that I was in, doing progressive freestyle stuff on natural terrain. I really focused on that. If that meant that I had to shoot something wide, great, and if it meant that I had to shoot something long lens, great. They wanted to see new stuff on cool terrain, and that's the vast majority of stuff that I shot. It's one of the reasons why I shot a lot of sequences because people were doing a lot of new tricks in front of me.
Yeah, I get that.
But I regret a little bit being so sequence heavy in my life. When you're shooting a sequence, it's like you're documenting this new trick and everyone cares about that for 10 months. And then nobody gives a shit about who did the first whatever. Some people do, but not enough for it to be a really classic image. Which is why some of my earlier stuff is even more classic than the later stuff. I kind of went through a phase with the early stuff where you didn't sequence stuff because it was a lot of straight airs. Later on, I got really obsessed with making an image and less about the trick. But I never stopped wanting the shot to be of natural terrain and progression.
What would you say makes a great photo?
I mean, it's a lot of things. We talked before a little bit about how photos age, sometimes that's because of the person in them. You can have an average photo with a great person, and that will be a good photo. But if you take the name off of it and what makes a photo great, I think it's a unique way of telling a story. If the story is just progressive snowboarding, then how can you make that story interesting? If the story is about backcountry exploration, then how is that story interesting? But you can try a lot of ways to make that happen in a way that's unique, and in the backcountry I don't think that there's a lot of new ground left to tell there. I think that it's been done really well, by really good people, for a really long time. But you have to try. Sometimes people come out with something that's just like, "Holy fuck. I've looked at this thing a million times, and I've never seen it that way."
Dave Short in the Kootenays, 2006
Wille Yli-Luoma, 2006
Yeah, I have definitely heard the late night drunk rambles of old timer's in Whistler say stuff like, " Everything's been done, snowboarding is finished." For me, even if the trick's been done, it's done by someone new, and with some new flavour. It's also usually part of a new story. But, you also talked about a sequence only lasting 10 months, whereas nowadays you're lucky for an image to have longevity that spans more than a day or two, before the next big thing.
It's about how you curate the body of work, too. It's not necessarily about a single image, but there are people who have come into snowboarding and shot one really great photo and disappeared, and those photos stand the test of time. There's not very many of them, but it certainly has happened. Then there's people who consistently make ground-breaking images, and I think that you have to take chances to do that and you have to come up with new ideas and approaches. Go back and watch Grant (Brittain), and how he started shooting into the sun with a fucking on-camera strobe to pop the colours. In the late '70s and early '80s, that was groundbreaking and totally beautiful. There's always people who are showing you a thing you haven't seen in a different way. And there's no question that that's still valid. And it's not about what's happening in the trick, because the photos are still fucking amazing. I can get stopped in my tracks by a photo of a turn.
Colin Whyte, Switzerland |
Not only can he write better than most snowboarders,
he can put in one hell of a turn.
And every once in a while, just a big method shot is going to blow your fucking mind. But there also has to be a universality about it. Like if it's super inside baseball, people fucking don't get it. Like, if it's just so fucking cool, but nobody really understands what's happening.
Like if it's ahead of it's time?
For sure. I remember being in tons of conversations in the early to mid '90s where people would be like, "That's fucking whatever. I've seen a fucking frontside air before." And then the person will be like, "It's switch." And it's like, "Whoa." It changes things. So context matters and the trick matters. But that's maybe too inside for it to become super popular.
But that has that cult value.
It has cult value for sure. But you know, all the photos that people like of mine, that are the most liked, there's an obvious reason people like them. There's an initial impact that's just like, "Shit, that's awesome."
People say that luck favours the prepared, and that it's the right place at the right time that makes a great photo.
The harder I work, the luckier I get.
Well yeah, you can get away with three-star photos, but when that fourth star hits… and one of those is always going to be luck.
I have to ask about that storm photo that you took.
The one in Vancouver?
Yeah, was that a natural phenomenon or something?
Weird, insane. What I was saying before, there has to be an element of populism. That was just … I walked out on my deck and I was like, "Oh, there's lightning over there." And as the thing went across I'm like, "This is a fucking intense little storm." I was too lazy to get my tripod, I was just doing a little like put it down on my railing and handheld to see if I could catch a lightning strike. And I caught it, I was like, "Oh cool." And then it came across in a burst. So I have, I don't know, like 40 photos of that. For that couple of minutes, I was like, "Jesus, look at this fucking thing."
Yeah, the skies literally opened. It was like Noah's ark or something almost.
You just don't see microburst that often. I've seen pictures of them. I've seen people who've filmed them. It happened right over the East End. I still have people getting in touch with me saying, "I was in that storm that day." That's the kind of impact a storm like that has. And they'll be like, "I want to get that shot." I've sold that shot a ton and I don't sell weather photos. But it had a little bit of a viral effect. It went a little bit nuts, and people got super into it.
You know what's hard about that photo? Nothing. Nothing is hard about it at all. It's just fucking stand there and click the shutter. It's easy. It was probably aperture priority. Because you don't need to go manual, it wasn't about that. It was about what nature was doing in front of me, it wasn't about what I was doing.
Vancouver, BC, 2020
Yeah, it's the right place, right time, 100%. It's also being prepared and having experience and having the right gear. It's all those kinds of things.
Well Dano, it sounds to me like you really love snowboarding. What does the future look like for you? Do you think we will see you out shooting snowboarding again?
I'm missing shooting snowboarding right now. More so than ever before. I think there are great visual stories that aren't being told. I gained a lot of insight since I walked away a decade ago, and I actually feel like I have something to bring to it now that I didn't have before. And I came from editorial, so I really love shooting for a story. It's a bit sad that the glory days of magazine stories are behind us, but those lessons transfer to a lot of the current media world. As Sidechannel grows I'll be certain to shoot snowboarding for us, but ideally I'd like to build and shoot a campaign with a snowboard brand that has a world class team. We started Sidechannel specifically to spend more time snowboarding, and fishing; doing the things we love with people we love. So whether there are paying gigs in snowboarding or not, my goal is to spend more time doing it, and shooting it. I guess it's still the same as it started. Just doing whatever I can to ride more.
Good riddance 2020, hello first issue of 2021. Pressed, printed and shipping now. Visit your local shop, subscribe, or shop our online store....


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text:
ComedyDrama
When a member of a popular New York City improv troupe gets a huge break, the rest of the group - all best friends - start to realize that not everyone is going to make it after all.When a member of a popular New York City improv troupe gets a huge break, the rest of the group - all best friends - start to realize that not everyone is going to make it after all.When a member of a popular New York City improv troupe gets a huge break, the rest of the group - all best friends - start to realize that not everyone is going to make it after all.
Watch 'Don't Think Twice': Practicing Monologues
Watch Don't Think Twice
Chris Gethard
Tami Sagher
Emily Skeggs
Shy Sarah
Audience Chuck
Sunita Mani
Sondra James
Richard Kline
Mr. Coughlin
Glenn Wein
Neil Fleischer
Pianist Seth
Gary Richardson
Steve Waltien
Hugh Finn
Kati Rediger
Alicia Bonham
Hallie Bulleit
Audience Claudia
Sleepwalk with Me
Ghost Team One
Answers to Nothing
The Pathological Optimist
Greenlit
My Man Is a Loser
Split at the Root
Spinning Plates
Mike Birbiglia: Thank God for Jokes
The main cast did two weeks of improv rehearsals before performing in front of live audiences. Footage from their performances were used in the film.
When Bill reads a Huffington Post article about Jack's casting, it explains that Daniel Radcliffe will be hosting the season premiere. When Lindsay reads a LaughSpin article, it says Ben Stiller will be hosting the season premiere. When the season premiere finally occurs, Lena Dunham hosts.
Bill: Your 20s are all about like hope, and then your 30s are all about realizing how dumb it was to hope.
After thanking The Upright Citizens Brigade theater and The Second City, there's a note saying "Thank youuuuuu" referencing the movie's running gag about Bill's father.
Featured in The Tonight Show Starring Jimmy Fallon: Mila Kunis/Mike Birbiglia/A$AP Mob (2016)
Written by Ben Sollee
Performed by Ben Sollee
Published by Lawrence Graefenburg / pubBLAST! Songs (BMI)
Courtesy of sonaBLAST! Records
Birbiglia's Love Letter to All Creative Performers
Written, directed by, and starring stand-up comedian Mike Birbiglia, Don't Think Twice is a heartfelt love letter to all creative performers, particularly those not so young anymore, still scrambling to make a living in a very competitive field. It must take a lot of nerve for artists to resist safer careers in more modest vocations (what up accounting, I'll see you tomorrow!), and Birbiglia aims to recognize this in his very personal drama. Don't be fooled by the funny people on the poster, this is not a comedy, it's a drama ABOUT comedy.
The film centers on an improv troupe of six people who are also best friends, roommates, and lovers when they are not at the offshoot theater where they perform. One of the more interesting ideas is the honest portrayal of how one might feel towards the perceived success of a good friend in a make or break industry. Sure, you're smiling on the outside, but inside…"you lucky SOB."
The movie also throws some serious shade at Saturday Night Live, an institution that I have to assume some of the cast auditioned for at some point in real life. Costarring Keegan-Michael Key and the lovely Gillian Jacobs, Don't Think Twice is one of a kind and worth the trip to the indie theater.
follin-greg
July 22, 2016 (United States)
Не думай двічі
Cold Iron Pictures
Secret Public Productions
The Film Arcade
By what name was Don't Think Twice (2016) officially released in India in English?


Craft Room: My Polka Dot Pin Board.
I am super excited for tonight's party.
and the other one is because Cutting Edge Stencils will be with us hosting a great GIVEAWAY!
I have used my polka dot stencil quite a bit and let me tell you I'm not even done with it yet.
This is another little project that I did for my Craft Room.
The Polka Dot Cork Board.
This is what $3.00 will buy you: A huge permanent marker stain.
The steps I took for this small project are the same steps you'll take if you decide to stencil a BIG area such as a wall.
I love red but I wanted a really simple neutral board so I knew I had to paint it to solve the Sharpie's problem and the color problem.
I knew I had to give my board some EXTRA love, what I didn't know is that love could come this easy!
To place your stencil all you need to do is put it in the chosen surface and secure it with the help of tape.
If I tell you the truth this is the part that I was scared about when I first got my stencil.
How was I going to keep it straight?
This is how… with the help of the smartest invention EVER!
There is this small leveler that came with my stencil.
You just clip it in the middle of the stencil and it WILL STAY THERE.
Did you hear me? IT WON'T MOVE!
Shut it… Open it and then… shut the front door again!
You don't need to hold it.
Then stand up… this little guy deserves a standing ovation.
I want my polkadots to go in the same direction as my walls.
To do that I had to place it vertically… so I did.
I am not a believer in rollers for stenciling therefore I did my own old way… I tapped the paint with a flat stenciling brush.
…Of course there is always another side.
I just pulled the stencil off and I overlapped the last set of the painted polka dots with the first set of polka dots on the stencil.
I made sure that the little bubble in the leveler was centered and I placed it in the right spot.
Before I knew… around 10 to 15 minutes later I was done!
I hope you come back this evening at 6:00 pm to party with me.
I can't wait to show you more!
PreviousCraft Room: No Sew Window Treatment.
Hello! What is the colour that you painted the background first? Grey?
It is a light tan color but gray would look fantastic as well!
I love this Desiree – all of the polka dot projects you have done this week are so cute! I featured you today in my Friday I'm In Love favorites!


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text:
Klaus Bachler ist der Name folgender Personen:

 Klaus Bachler (* 1951), österreichischer Schauspieler und Theaterintendant, siehe Nikolaus Bachler (Intendant)
* Klaus Bachler (Rennfahrer) (* 1991), österreichischer Automobilrennfahrer

Siehe auch:
 Nikolaus Bachler

redpajama_set_name: RedPajamaWikipedia


The way Lin Junjie decided to release Due 2 is also worth a mention. Due 2 is a free update that replaces the old Due app on the App Store, bringing a new UI and the features mentioned above. For new customers, the app will be $4.99 as usual. For old customers only, four features will be locked with a $2.99 In-App Purchase: background sync, 45 new tones, auto snooze options, and the ability to pause timers. This is, effectively, a way to implement upgrade pricing on the App Store for an existing SKU – new customers won't see the IAP and old owners of the app will automatically be brought into the new Due app with an option to pay for new functionality.
Interesting model, and I'm happy that Junjie was able to figure out a way to charge for an discounted upgrade. It's a hack, but it works.
From the outset, the great difficulty has been discerning whether the authorities are driven by malevolence or incompetence. The Ferguson police let Brown's body lie in the street for four and a half hours, an act that either reflected callous disregard for him as a human being or an inability to manage the situation. The release of Darren Wilson's name was paired with the release of a video purportedly showing Brown stealing a box of cigarillos from a convenience store, although Ferguson police chief Tom Jackson later admitted that Wilson was unaware of the incident when he confronted the young man. (McCullough contradicted this in his statement on the non-indictment.) Last night, McCullough made the inscrutable call to announce the grand jury's decision after darkness had fallen and the crowds had amassed in the streets, factors that many felt could only increase the risk of violence. Despite the sizable police presence, few officers were positioned on the stretch of West Florissant Avenue where Brown was killed. The result was that damage to the area around the police station was sporadic and short-lived, but Brown's neighborhood burned. This was either bad strategy or further confirmation of the unimportance of that community in the eyes of Ferguson's authorities.
My buddies, Gabe and Jeff, have a new app out for beer nerds and it's a power user's (drinker's?) tool for sure. You can basically keep track of everything related to the beers you love—or hate, for that matter. Seriously, everything. And it's only $4.99. Also, if you haven't already, you should be listening to their new podcast. Great guys, making great stuff.
Verizon and AT&T will tell you they just want to help serve you more relevant ads, which isn't so bad on the face of it — but we've seen networks like this used for much more questionable ends, most notably when the NSA took over Google's cookie-tracking network to help target malware injections. Tracking is tracking, and it's hard to tell what else might be built on top of the network once it's in use. For Verizon and AT&T customers — which, put together, compose a little more than two-thirds of US citizens — the result is a comprehensive surveillance system that they didn't approve and, until this month, were largely unaware of.
I've been in the market for a desktop Mac for a few months. I began considering the Mac Pro, but the $3000 entry price seemed like overkill. Then I looked at the Mac mini, specifically the quad-core models, but they were outdated—and the newly updated Mac minis only offer dual-core processors. Then along comes the Retina iMac, and even though I've got a perfectly nice 24-inch display on my desk, I'm sorely tempted to join the Retina party.
This is the promise of the 27-inch iMac with Retina 5K Display: It's one of the fastest Macs ever attached to the best Mac display ever. Yes, it's an iMac, meaning you can't attach a newer, faster computer to this thing in two or three years. But I have a feeling that these iMacs will have the processor power, and the staying power, to make the aging process much less painful.
I'm not sure I'm willing to take the risk, but we'll see. I really want to be able to use AirDrop on my 2011 MacBook Air.
My buddy Chris Gonzales was nice enough to interview me about my setup over at The Sweet Setup. It's a site I read all the time, so I was excited when asked to share. Check it out.
Nice terminal hack from Rob Griffiths at Many Tricks. I like the look.
Greg Pierce knocked it out of the park with Drafts 4. It's an incredibly powerful tool, and even after using it for a couple of months, I'm still discovering things that make the app even better. You should absolutely pick it up.


text:
James Norman Hall Mutiny on the Bounty Tahiti
A Visit to James Norman Hall's Home in Tahiti
One of the most pleasant stops on the Island of Tahiti is the home of the author, James Norman Hall. Not far from Papeete the modest wood structure is now a small museum celebrating Hall's life and his books and movies.
His most famous work is the Bounty Trilogy, comprising the story of the mutiny on the British ship, HMS Bounty, and the aftermath.
The first section, Mutiny on the Bounty, is the story of the ship's voyage from the West Indies to Tahiti to collect breadfruit seedlings to be planted for slave food and the infamous mutiny led by Fletcher Christian who didn't want to leave the sybaritic island. He and a few other sailors commandeered the ship and set the captain and the remainder of the sailors adrift.
The second, Men Against the Sea, tells the story of one of the most amazing nautical feats ever undertaken: Captain Bligh's journey in an open boat – 23-feet long filled with 18 loyal sailors – on a journey of 3600 miles to safety in the Dutch East Indies.
The trilogy is completed with Pitcairn's Island, recounting the violent life of the mutineers after they settled on Pitcairn Island, a speck in the middle of the Pacific. The mutiny and the story of the mutineers' lives have been retold many times in film: first an Australian effort with Errol Flynn, followed by the American versions starring Clark Gable, Marlon Brando, and most recently with Mel Gibson cast as Fletcher Christian, the lead mutineer. (I met one of Christian's descendants on Pitcairn.)
Of Hall's 12 books Passage to Marseille, Hurricane and Botany Bay were also made into films.
The modest home's living-dining room has a large bookcase to display the many editions of the writer's work, each with its colorful book jacket depicting titles in dozens of languages. Movie posters from his films decorate the walls. Another room has mementos of Hall's service in World War I when he joined the famous Lafayette Escadrille, the American squadron named in honor of France's champion of American independence. Hall was shot down and spent time as a German prisoner of war. Later he was awarded almost every honor France could bestow including the Legion of Honor and the Croix d'Guerre.
The home is open to the surrounding gardens filled with torch ginger and other tropical colors. When my husband and I visited we met Hall's delightful daughter. The elegant old lady, wearing a pink dress, a flower over her right ear and a string of luscious black pearls around her neck, sat by a window overlooking the gardens. She regaled us with stories of her Tahitian childhood and read from the book her father wrote for her and her brother when they were children. She also talked about their fear of invasion during World War II, not without reason as nearby Bora Bora was used by the U.S. as a military supply base. Old naval defense guns still remain on the island resting on the jungled slopes above luxury hotels.
Whatever the fears of the past, the home was a haven, an oasis where it was easy for me to imagine the author using the peaceful surroundings to concentrate on telling us timeless stories.
Tea with Uncle Joe
Via Etrusca


One of most common ways in which people try to make sense of suffering is by thinking that they are called to pay for their sins through their suffering. The good news of the gospel of Jesus Christ says something radically different: Christ suffered once for sins, the righteous for the unrighteous, that He might bring us to God. You do not suffer in order to pay for your sins; Jesus did that for you.
How is this possible? What gives baptism this saving power? Peter says that it is the work of resurrection and ascension, and the authority given to Jesus on that basis. The difference between the Old Covenant and New Covenant is that when God's people washed and sacrificed before Jesus came, they were temporarily spared and told to come back later, but after Jesus rose and ascended, the once for all sacrifice had been made, and perfect cleansing had been accomplished.
So how can your sin be paid for? Verse 18: Christ suffered and died for it! How can you get the clean conscience of verse 21? On the basis of Jesus' resurrection, baptism washes you clean. How can you be brought to God (verse 18)? Jesus knows the way. He's already been lifted up to God (verse 22), and in baptism, He joins you to Himself so that He can bring you along with Him.
What does this mean for the mission of the church? It means this: don't ever try to tell the story or share the gospel without baptism and the ascension. How does baptism relate to mission? It is the mission! Matthew 28: Go therefore, and make disciples, baptizing them! Acts 2:38: repent and be baptized! Gal. 3: as many as have been baptized into Christ have put on Christ! Baptism saves you.
How does the ascension relate to the mission? Ascension is the reason why the mission succeeds. Eph. 1: the ascension is where Jesus was installed as king and given power and authority. Heb. 4: We have access to God because our high priest passed through the heavens. If Christ were not at God's right hand, we would still be facing a "check back later" sign. Jesus would still be walking around on earth, which sounds good, but we need Jesus to be talking face to face with God more than we need to be able to talk face to face with Jesus. Since Jesus has ascended, He can bring us to God. The ascension saves you.
Who may ascend the hill of the Lord? And who can stand in His holy place? He who has clean hands and pure heart. You need to be cleansed, and you need to be lifted up. Baptism cleans you up, and through His ascension, Jesus lifts you up. The mission of the Church is to spread this good news to the ends of the earth.


text:
Q: combination of two sequences that converges to the derivative of function f. I saw the following statement somewhere in the other post: Given $f$ is differentiable at $x$. Let $\{x_n\}$ and $\{y_n\}$ be two sequences that converges to $x$ and $x_n > y_n$ for all $n$. Then $\frac{f(x_n)-f(y_n)}{x_n-y_n}$ converges to $f'(x)$. This result seems to be intuitive but I couldn't find a way to formally prove it.

A: If $y_n<x<x_n$ then $\frac {f(x_n)-f(y_n)} {x_n-y_n} -f'(x)= [\frac {f(x_n)-f(x)} {x_n-x}-f'(x)] \frac {x_n-x} {x_n-y_n} +[\frac {f(x)-f(y_n)} {x-y_n}-f'(x)] \frac {x-y_n} {x_n-y_n}$ and similar identities hold when $x<y_n<x_n$ and when $y_n<x_n<x$. from these identities it is easy to see that the left side tends to $0$.


We've created a detailed tutorial explaining how to change the batteries in your glass break detector. To view this tutorial, click here.
My glass break detector isn't showing up on my panel. What should I do?
If your sensor has a history of low battery life, the battery is probably dead and needs to be replaced.
Make sure that the sensor is within approximately 200 feet of your panel. If it's further than 200 feet from the panel, it's out of range and additional equipment needs to be installed.If this does not explain why your sensor isn't connecting to the panel, contact our Customer Care team for assistance.
Can something other than breaking glass trigger a false alarm?
There are a lot of factors that can accidentally set off your glass break detector, including loud noises of any type, high-frequency vibrations, shaking, or even the sound of glass breaking in a movie. If you know that you will be watching a loud movie or that there will otherwise be a lot of noise or vibration in the home, it is best to either leave the system disarmed or bypass the glass break detector. You can learn how to bypass a sensor on your control panel by clicking here.


The CO-OP Midget AA Bombers are back in town this weekend as they will host the first place Cross Lake Islanders.
Games are this Saturday at 4 and Sunday at 11 at the Whitney Forum.
Cross Lake is tied with Thompson for first overall at 9-3 while Flin Flon is third at 5-6-0-1. These will be the final two home games before Christmas.
The Bombers will travel to the Pas to battle Norway House next weekend.


With his shark preserved in formaldehyde and a cow and a calf cut into sections, Damien Hirst first hit the headlines in the early 1990s.
And now, 20 years on, his works are going to be exhibited in Croydon for the first time in a brand new gallery that opens on Friday.
The owner of the gallery, Kevin Zuchowski-Morrison, will not give too much away about what works are to be show in the Iconoclasm exhibition.
But he said the works are more commercial than Hirst's earlier pieces, and include his butterflies and spots works.
Other artists that will be on display, and for sale, when Rise Gallery opens its doors in St George's Walk, Croydon, include Banksy and Andrew Warhol.
Mr Zuchowski-Morrison is also using his premises to showcase work by artists people might not be aware of, like Juliette Clovis (pictured below).
He has worked in the art world for several years and said he hopes the business is just the start for Croydon as a destination for art.
The 34-year-old said: "I have lived in Croydon for a long time and I was fed up with the borough getting negative press.
His eventual aim is to set up an art quarter in the town centre with 140 regularly changing murals in the streets near to St George's Walk and said the gallery is the 'first point of call'.
He added: "All my contemporaries that I work with in central London said 'Why there?' and I said 'It has got an edge to it and it's an exciting place to be'.
"I would like Croydon to be one of the best places in London and the south east for visual arts.
It took Mr Zuchowski-Morrison about 18 months of work behind the scenes to get to the stage where the business is ready to open.
Above the gallery is Arthalo, a not for profit organisation set up by Mr Zuchowski-Morrison to help vulnerable adults and people with mental health problems to express themselves through art.
The Damien Hirst exhibition runs until November 30.
Go to www.rise-gallery.co.uk for more details about the gallery.


I have been married for almost 20 years now, which is hard to believe. It's even harder to believe that I have three teenagers/high schoolers/ drivers. How did that happen?
I love spending time with my family, I am a better person because of them. They have each played a big role in helping me to open my heart up, learn compassion for myself, and recognize that the strongest relationships are those rooted in grace.
I love to read, write, travel, bake, eat, hike, get to know people, learn new things, take pictures, and be creative.
This blog is where I want to share with others what I am learning on my life journey, it is my hope that it will provide encouragement. Thank you for taking the time to read it! It is a labor of love for me.
Wishing you blessings on your journey!


Falcons News · Sep 1 Attention Falcon Business Owners!
Business owners and Falcon fans. Show your support of the Falcons this season as a premier athletics/activities website sponsor. Contact Kecia Chappel at 913-620-4598 or kchappel@varsitynewsnetwork.com for details on this unique sponsorship opportunity. Show your community spirit and introduce families, parents, and fans to your products and services. Let's continue to build a strong community! Go Falcons Go!
Be sure to come to Stocksdale Park (south and east of William Jewell College) for Saturday's cross country meet! C Team girls race at 8:00am, C Team boys at 8:30, JV girls at 8:55, JV boys at 9:25, varsity girls at 9:50 and varsity boys at 10:20. GO FALCONS!!


text:
Ранчо ел Оливо има више значења:

 Ранчо ел Оливо (Ринкон де Ромос), насеље у савезној држави Агваскалијентес у Мексику
 Ранчо ел Оливо (Хименез), насеље у савезној држави Чивава у Мексику


Vauxhall is teasing us with this picture of the all new fifth-generation Corsa IntelliLux LED headlight which are glare-free and fully-LED.
Vauxhall has confirmed that there will be a battery electric version (BEV) in the range.
The all new Vauxhall Corsa will be launched this year.


If list owners and renters fail to self-regulate and adopt new privacy practices governing data sharing in 2008, the government will do it for them. You can rely on that outcome like death and taxes.
Imagine a scenario where no transactional data can be rented, sold or shared, unless your customers have given their express written consent to receive unsolicited communications from third parties. Last year, over a dozen states considered legislation to restrict unsolicited mail and information sharing in various forms. This year, the DMA is expecting approximately twice that number to take a second look at this festering issue.
If any of these bills pass this year, your list management income and livelihood may be in jeopardy.
For many direct marketing companies, marketing their customers' names to pre-screened third parties is among their most profitable endeavors. If this form of transactional data sharing is either curtailed or banned, revenue will fall. The value of certain companies will also decline because their most important asset, their customer list, is no longer as valuable as it was in preceding years. If you don't believe me, ask your accountant or list manager.
How about consumer co-op database participation? Now would be a good time to ask cooperative database companies how they intend to serve you if data sharing regulations are enacted. Consumer catalog companies and retailers are at particular risk if the prevailing political winds blow the wrong direction.
Whether "your names" are on the market or in a co-op, there's still time and a compelling reason to ask your customer's permission before you share their names with known third parties or marketing partners who operate co-ops. Surprisingly, you may still find that most customers will "opt-in," as one of our high-profile cataloger clients discovered over 10 years ago, when they followed our sage advice and asked permission via first-class mail before considering a change in their "we will never rent, sell, or share your name" policy.
It is highly beneficial for direct marketers to maintain privacy policies that give customers control over how their transactional information may be used. If you have delivered value to your customers, they should be more likely to extend the privilege of sharing their purchase information with affiliates, outside companies, or organizations that you have deemed have appropriate offers that may be of interest.
Marketers should not fear requesting an "opt-in" from their customers, regardless of marketing channel, which includes both direct mail and e-mail. Opt-in names should command a premium for list rentals, which will increase list management income.
Have you ever wondered about direct marketers or online companies who tout that they will never sell or share their customer information? That promise defies credibility. Consumers know a lot of data sharing goes on, with and without their knowledge. What happens to the customer list when a business is sold? Why not be up-front with them and ask before you tell!
If consumers know that you share transactional information with third parties and are given the option to accept or reject certain offers, you just raised the privacy bar even higher for your company. Maintaining strong consumer-friendly privacy practices is good for direct marketers because they engender mutual trust, which translates into greater customer loyalty and return on investment (ROI).
A handful of visionary catalog and financial services companies have engaged in consumer-friendly privacy practices for many years, long before the government or privacy advocates began the process of scrutinizing data sharing practices in the direct marketing industry. For these noteworthy companies and others, maintaining trusting relationships with loyal customers is paramount. If there is a breach of trust, the ultimate sanction is "loss of consortium." When companies lose customers, those customers are not only expensive to replace but often tell others about their misfortune. There is something to be said about trusted brands in this day and age. Is your company one of them?
The Direct Marketing Association has championed self-regulation for years. Regrettably, most direct marketers are not members of the DMA and are therefore not subject to its regulatory guidelines. Aside from educating consumers and businesses about contemporary privacy issues and associated best practices, the DMA also needs to recruit new members to help support its mission to keep direct marketing and data sharing lawful in all 50 states.
In conclusion, it is advisable for direct marketing companies who rent or exchange their names to reconsider their data sharing and privacy practices — and then to confidently join those who demonstrate their concern about consumer privacy by asking before telling.


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Q: Publishing msi project c# We do have an application which did not have any setup (click once with updates checking, etc).
However it gives very little information for our customers when installing.
We have added Setup Project and everything works fine while installing from VS or from the folder. However, when we publish the application (local or to the web) it is still using click once. Setup.exe begins installation without loading any setup project files.
How to publish the project with the msi installer only so the installation includes setup project?
We use VS 2010 Pro.

A: In C:\Users\user\Documents\Visual Studio 2010\Projects\solution\project\bin\release there is an EXE file that contains the .exe that would need to be run (outside of the click once). If you add that to the msi when you create it, it shouldn't deploy in Click Once.


WEST LAFAYETTE -- During the West Lafayette Village Council meeting last Monday night, Village Administrator Dave Kadri announced that bids had been opened on March 12 for the planned upgrades to the village's wastewater treatment plant. Bids were received from Winelco for $1,494,700, Bogner for $1,525,000, Stanley Miller for $1,573,800, and Hathaway for $1,574,000. The difference from the highest to lowest bids was at $79,340 on the average bid of 5.1 percent. Each bid was below the engineer's estimate which allows the bids to be awarded/ The village's consultants are now in the process of reviewing each of the bids for completeness.
Mayor Jack Patterson commended the Heartland Council Girl Scouts on its 100th anniversary. The Girl Scouts were organized on March 12, 1912.
Council approved Tyler Williams as a part time patrolman for the police department. Williams recently completed the Ohio officer's training program.
Following a third reading, council approved a resolution notifying Governor John Kasich, State Senator Troy Balderson, and State Representative Brian Hill regarding local governments needing to continue to control and administer the collection of local municipal income taxes.
Council also approved a resolution for the Mayor to sign a memorandum of understanding with the Ohio Department of Transportation for the Safe Routes to School program.
The next regular council session will be a half hour earlier (March 26 at 6:30 p.m.) in order for information to be presented to council regarding village employee insurance.


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BriefingEurope
Sunak Will Have Trouble Improving U.K.-China Ties, Even if He Wanted To
Peter Harris Dec 1, 2022 December 1, 2022
British Prime Minister Rishi Sunak leaves 10 Downing Street, in London, Nov. 30, 2022 (AP photo by Alberto Pezzali).
This week, U.K. Prime Minister Rishi Sunak gave a speech that some commentators took as evidence that Sunak intends to soften London's stance toward China. In reality, domestic politics and international events are unlikely to permit major changes to one of the most controversial aspects of British foreign policy.
By: Peter Harris


Movie review writing may appear simple simply for the reason that there isthe means of writing and viewing the film. This isn't the facts due to the fact you will find a complete large amount of things that the composer of movie review papers should think about before writing the essay. Measures involved in composing movie review papers are many and complicated and therefore the primary reason why pupils like to get online help that is writing. Our essay company that is writing certainly one of organizations which provide quality movie review documents to students. Here are several of movie reviews composing steps which our essay writers will observe whenever writing your educational movie review essays.
The step that is first writing film review documents will be view the film. Some essay authors mislead students by providing those writings that are not original. How will you claim to own written customized film reviewsalong with maybe not yet viewed the movie? Movie review writing just isn't an essay task mainly because the writer should view the flicks many times. When watching the movie make certain you have actually someplace you will be putting down major and essential points which you will definitely use in writing your movie review documents assignments. Having viewed the movie and feel it is the high time to place your opinions about the movie that you are familiar with all the activities in the movie. Whenever writing movie review papers, it's recommendable to create the review with your own individual review hence utilize the persona aspect that is first. Our essay authors are trained on how best to compose quality movie review documents.
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The outline should really be produced whenever writing your movie review papers. How could you write quality film reviews without outlining what you're likely to cover? Creativity is another thing that you simply should consider whenever writing your movie review documents. By using your movie review outline, it will be feasible to create film review papers that are original. The reason being you will definitely range from the point that is main also format the job in a fashion which allows the audience known just what the film is speaking about. A few of the plain things that you ought to include whenever composing your film review include things like actors, the area regarding the film, the dwelling regarding the movie, some areas of light utilized in the film, music and so forth. Our essay writings are original due to the fact we utilize the actual writing procedure. Purchase your movie reviews essays from our business and you also shall have the best prices ever.


It's not all about the pitch itself (though that's vital). Establishing relationships and knowing a thing or two about online traffic and SEO help, too.
Pitches are an integral part of PR, yet a surprising number of professionals don't know what makes a pitch successful. They are often left wondering why a particular journalist never takes a briefing.
In search of the best pitching advice, I have attended a few seminars on the topic and compiled a list of what elements media folk consider to be the most important components of a pitch.
1. Do your research on the journalists and publications that you want to pitch. Don't waste the journalist's time—and your own—by pitching irrelevant stories. Though this may seem obvious, you'd be surprised how often it happens. To avoid doing this, find them on social media, and learn their interests and what they've been writing about.
2. Stop broadcasting, and start building relationships. Think: How am I going to target my key people? Tailor your pitches to key journalists instead of just blasting the same message to everyone. A bonus: Once you've built a relationship you can ask questions like, "Why didn't you cover my last pitch?" "What can I do to get my client covered?" "Is there a story coming up that might be a good fit for my client?" You can strengthen these relationships by offering helpful tips and useful information. Remind the journalist of any previous occasions that you've worked together.
3. Journalists value stories, not vendor-centric releases. Always ask yourself, "What is the story?" OK, your client released a new product, but why should we care? The answer to this question should constitute the focus of your pitch. De-emphasize your client, and highlight its newsworthiness or its importance to a user.
4. Get and use customer testimonials. Do you have access to end users? Get them to talk about the value of your product/service. It is important for the PR team to meet with the sales team at least once a month, because salespeople have valuable insights into customers that the marketing team doesn't have. Offer your salespeople incentives for getting customers to talk about products, specifically if they agree to be contacted for a story. When it's too early to have an end user, remember to focus on the problem your product/service solves, rather than on the vendor.
5. Track publications. See which articles get the most clicks. Which keywords get articles more hits? If you use this information in your planning stage, you'll be more likely to get your article placed. Journalists are under pressure to write stories that generate lots of clicks and interest, so learn what those are. Is there an interesting trend you can provide insight into? Right now on Bloomberg, the most-clicked on articles are about Goldman-Sachs and Apple.
6. Help the publication drive traffic to your article. If your articles get tons of hits, the publication is going to want you back. Clicks equal money for them. Getting more hits also helps to solidify your relationship with the journalist, because more hits make you both look good.
7. Keep your pitches short. Most writers bail out by sentence three (the patient ones might give you a whole paragraph), so make sure you get to the meat right away. This also ties in with point No. 8.
8. Start your pitch with the pitch, not small talk. Journalists don't have all day to read your life story and credentials. Jump right into the meat of the story. Answer who, what, when, where, why in the first few sentences. Once you've hooked them, then you can share the long list of companies you've worked for over however many years. Give them a reason to care right away.
9. When answering HARO or other journalist service requests with reactive pitches, the subject line should be the same. Journalists, like you, also work under deadline. They don't have time to flip through clever headlines looking for email responses to their inquiry. Lay it out for them so your email doesn't automatically get filtered out.
10. Find the perfect title/subject line. The average knowledge worker receives 93 emails a day. For journalists, it's far worse. Don't get lost in the clutter. Stand out from the noise with a clever, catchy, and direct title.
Monika Hathaway can be reached at mhathaway@sterlingpr.com. Follow her on Twitter @Jazzpatron. A version of this post first appeared on Sterling Communications.


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Bulletin - January 29, 2023
by Saint Veronica
Bulletin - January 1, 2023 (Mary, Mother of God)
Bulletin - December 25, 2022 (Christmas)
Bulletin - December 18, 2022 (Fourth Sunday of Advent)
Bulletin - December 11, 2022 (Third Sunday of Advent)
Bulletin - December 4, 2022 (Second Sunday of Advent)
Bulletin - November 27, 2022 (First Sunday of Advent)


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My daughter footloose and CAREFREE!
Taken at Gullfoss, on August 5th in Iceland.
She's the perfect subject. You caught her with arms, legs, even hair in wonderful position.
Now, THAT is carefree. What a delightful photo!
Great photo of a most photogenic subject.
She is stunning…just like her mother. Great capture Gail!! How fun.
Whoa! Iceland!! It must have been beautiful. Isn't it amazing the "air" the young ones achieve when they jump? If I tried that I'd be sore for days! Great shot!!


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package com.intellij.openapi.options.colors;

import com.intellij.openapi.editor.colors.TextAttributesKey;
import com.intellij.openapi.extensions.ExtensionPointName;
import com.intellij.openapi.fileTypes.SyntaxHighlighter;
import org.jetbrains.annotations.NonNls;

import javax.annotation.Nonnull;
import javax.annotation.Nullable;
import javax.swing.*;
import java.util.Map;

/**
 * Interface for a custom page shown in the "Colors and Fonts" settings dialog.
 */
public interface ColorSettingsPage extends ColorAndFontDescriptorsProvider {
  ExtensionPointName<ColorSettingsPage> EP_NAME = ExtensionPointName.create("com.intellij.colorSettingsPage");

  /**
   * Returns the icon for the page, shown in the dialog tab.
   *
   * @return the icon for the page, or null if the page does not have a custom icon.
   */
  @Nullable
  @Deprecated
  default Icon getIcon() {
    return null;
  }

  /**
   * Returns the syntax highlighter which is used to highlight the text shown in the preview
   * pane of the page.
   *
   * @return the syntax highlighter instance.
   */
  @Nonnull
  SyntaxHighlighter getHighlighter();

  /**
   * Returns the text shown in the preview pane. If some elements need to be highlighted in
   * the preview text which are not highlighted by the syntax highlighter, they need to be
   * surrounded by XML-like tags, for example: <class>MyClass</class>.
   * The mapping between the names of the tags and the text attribute keys used for highlighting
   * is defined by the {@link #getAdditionalHighlightingTagToDescriptorMap()} method.
   *
   * @return the text to show in the preview pane.
   */
  @NonNls
  @Nonnull
  String getDemoText();

  /**
   * Returns the mapping from special tag names surrounding the regions to be highlighted
   * in the preview text (see {@link #getDemoText()}) to text attribute keys used to
   * highlight the regions.
   *
   * @return the mapping from tag names to text attribute keys, or null if the demo text
   * does not contain any additional highlighting tags.
   */
  @Nullable
  Map<String, TextAttributesKey> getAdditionalHighlightingTagToDescriptorMap();
}


Wnt proteins are secreted ligands that bind to cell surface receptors and have important effects during development, which it now seems may also contribute to phenotypes of stem and progenitor cells associated with aging. Liu et al. examined stem cell properties in mice carrying a mutation in the Klotho protein, which show characteristics of accelerated aging. They observed increased senescence of stem cells in the mutant mice and found that the Klotho protein physically interacted with and inhibited Wnt proteins in transfected cells. Exposure of mouse embryo fibroblasts in culture to excessive Wnt signaling enhanced senescence, and in transgenic mice it also promoted senescence of skin cells. Brack et al. found that Wnt signaling appeared to be more active in aging animals. Injection of Wnt3A into young regenerating muscle reduced proliferation and increased deposition of connective tissue. Thus, antagonizing Wnt signals could provide a strategy to ease the effects of aging and age-related diseases.
You are going to email the following Wnt, the Fountain of Youth?


UPDATE, 12/18/15, 4:22pm ET: The Center for Science in the Public Interest has deleted University of Colorado professor and former American Heart Association president Robert Eckel MD as a signatory on a letter to the British Medical Journal requesting that an article by journalist/author Nina Teicholz be retracted.
Below the hash marks is my original item in which Dr. Eckel and the University of Colorado legal counsel stated that he chose to remove his name because I filed a public records request.
Since I reported that item, the university completed my records request. In the near future, I plan to report about what turned up.
Robert H. Eckel MD, a long-time faculty member at the University of Colorado and former president of the American Heart Association, is removing his name from a letter to the BMJ (formerly the British Medical Journal) that was signed by more "than 180 prominent cardiovascular and nutrition scientists from 19 countries."
The letter, which was organized by the Center for Science in the Public Interest (CSPI), a Washington, DC advocacy nonprofit, urged the BMJ to retract The scientific report guiding the US dietary guidelines: is it scientific?, a September 23, 2015 article by New York City journalist/author Nina Teicholz.
Before I get to why Dr. Eckel says he chose to remove his name from the letter, have you ever heard of the U.S. Dietary Guidelines or the Dietary Guidelines Advisory Committee (DGAC)?
I hadn't until recently when they were brought to my attention by Yale professor/author/columnist Dr. David L. Katz.
I was reporting a story about an Amazon book review and two Huffington Post columns in which Dr. Katz praised a novel called reVision without disclosing he wrote it under a pseudonym.
(reVision) is not at all the relevant story here.
As I wrote to Dr. Katz, that sounded like an interesting story I might wish to report.
Per this CSPI press release, on November 5 the story got even more interesting.
I'd never heard of an attempt by scores of credentialed professionals -- including Dr. Katz -- to urge a medical journal to retract an article by a journalist, so I wanted to learn more.
Click here for the letter and you'll see that a few dozen of the co-signers work at public institutions.
I was curious to learn why Dr. Eckel decided to remove his name from the letter, so last night I asked him.
To my surprise, in a series of back and forth e-mails -- see below and click here to download -- he explained that it had to do with my records request and that the university informed him he may face "criminal actions."
I was out of town and that's what the University legal office voice mail message indicated if I didn't respond [to your records request] by a certain date. When I finally reached them my decision was to withdraw my name.
I'm not positive, but Dr. Eckel may be under the impression that removing his name from the CSPI letter terminates the university's obligation to complete my records request.
In any event, I've instructed the university to complete my request and I'll report the results.


Be the first to review this childcare provider. Write a review about Deanna Durnin-Blad & Bryann Gaede. Let other families know what's great, or what could be improved. Please read our brief review guidelines to make your review as helpful as possible.


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Live from Grudziądz, Poland. Radio Maryja Family Meeting and Holy Mass for the 90th Anniversary of the Parish Community of the Sacred Heart of Jesus-Tarpnie. Presided by Bishop Józef Szamocki, Titular Bishop of Clypia, Auxiliary Bishop of Toruń.
Live from Aparecida, São Paulo, Brazil. Holy Mass on the 6th Day of the Novena of Our Lady of Aparecida, with the theme 'Mary, Joy of the Birth of Jesus; God with Us', from the Basilica and National Shrine of Nossa Senhora da Conceição Aparecida. Presided by Bishop Gílio Felício, Bishop of Bagé, Rio Grande do Sul.
Channels Broadcasting Live: Canção Nova
Live from Aparecida, São Paulo, Brazil. Holy Mass on the 7th Day of the Novena of Our Lady of Aparecida, with the theme 'Mary, Joy of Submission and Faithfulness to God', from the Basilica and National Shrine of Nossa Senhora da Conceição Aparecida. Presided by Archbishop Luís Gonzaga Silva Pepeu, Archbishop of Vitória da Conquista, Baia.
Channels Broadcasting Live: EWTN, Telepace, TV2000, TRSP, K-TV, TV TRWAM, KTO
Live from Wigratzbad, Germany. Holy Mass, Exposition of the Blessed Sacrament and Blessing of the Sick, from Seminary of Wigratzbad.
Channels Broadcasting Live: K-TV
Live from Aparecida, São Paulo, Brazil. Holy Mass on the 8th Day of the Novena of Our Lady of Aparecida, with the theme 'Mary, Joy of those who seek God', from the Basilica and National Shrine of Nossa Senhora da Conceição Aparecida. Presided by Archbishop Fernando Antônio Saburido, Archbishop of Olinda e Recife, Pernambuco.
Rebroadcast from Detroit, Michigan, USA. Divine Liturgy, in the Maronite Rite, from the 15 May 2012 on the occasion of the Pastoral Visit of Patriarch Béchara Boutros Raï to the USA, from St. Sharbel Church. Presided by Patriarch Béchara Boutros Raï, Patriarch of Antioch and The Whole Levant (Maronite).
Live from St. Peter's Square, Vatican City. Papal Mass for the Opening of the Year of Faith, with the Synodal Fathers, the Presidents of the Bishop's Conferences and the Conciliar Fathers, on the 50th Anniversary of the opening of Second Vatican Ecumenical Council (Vatican II). Presided by Pope Benedict XVI.
Channels Broadcasting Live: Telepace, EWTN, TV2000, KTO, K-TV, TV TRWAM, Canção Nova, TRSP, Noursat
Live from Włocławek, Poland. Concert followed by Holy Mass for the 40th Anniversary Jubilee of the Ordination of Bishop Wieslaw Alojzy Mering, Bishop of Włocławek, from the Cathedral of the Assumption of the Blessed Virgin Mary.
Live from St. Peter's Square, Vatican City. Prayer Vigil and Candlelight Procession, for the Opening of the Year of Faith. Presided by Pope Benedict XVI.
Channels Broadcasting Live: Telepace, EWTN, TV2000, KTO, K-TV, TV TRWAM
Live from Aparecida, São Paulo, Brazil. Holy Mass on the 9th Day of the Novena of Our Lady of Aparecida, with the theme 'Mary, Joy of being disciples and missionaries of God', from the Basilica and National Shrine of Nossa Senhora da Conceição Aparecida. Presided by Bishop Milton Kenan Júnior, Titular Bishop of Aquae in Byzacena, Auxiliary Bishop of São Paulo.
Rebroadcast from Detroit, Michigan, USA. Divine Liturgy, in the Melkite Rite, for the 48th Annual Melkite Convention 5-8 July 2012, from Our Lady of Redemption Church. Presided by Bishop Robert Rabbat, Bishop of St. Michael's of Sydney, Australia (Melkite Greek).
Live from Aparecida, São Paulo, Brazil. Holy Mass on the Feast of Our Lady of Aparecida, from the Basilica and National Shrine of Nossa Senhora da Conceição Aparecida. Presided Claudio Cardinal Hummes, Archbishop Emeritus of São Paulo, Prefect Emeritus for the Congregation for the Clergy.
Live from Rumia, Poland. Holy Mass for the Coronation of the Image of Mary, Help of Christians, from the Silesian Church of Mary, Help of Christians. Presided by Archbishop Sławoj Leszek Głódź, Archbishop of Gdańsk.
Live from Fatima, Portugal. Prayer Vigil, Procession, and Holy Mass for the October International Pilgrimage, on the Anniversary of the Final Apparition of Our Lady in Fatima and the Miracle of the Sun. Blessing of the Candles and recitation of the Rosary in the Chapel of the Apparitions, followed by Candlelight Procession and finally celebration of Holy Mass. Presided by José da Cruz Cardinal Policarpo, Patriarch of Lisbon.
Channels Broadcasting Live: Canção Nova International, Telepace, K-TV
Live from Kafra- Beit Mery, Lebanon. Divine Liturgy, in the Maronite Rite, for the Ordination of Sub-Deacons to the rank of Deacon, from the Church of St. Augustine. Presided by Archbishop Paul Youssef Matar, Archbishop of Beirut (Maronite).
Live from Fatima, Portugal. Recitation of the Rosary, Procession, Holy Mass and Blessing of the Sick for the October International Pilgrimage, on the Anniversary of the Final Apparition of Our Lady and the Miracle of the Sun. Presided by José da Cruz Cardinal Policarpo, Patriarch of Lisbon.
Live from Zduńska Wola, Poland. Holy Mass for the Włocławek Diocesan Pilgrimage to the Basilica of the Assumption of the Blessed Virgin Mary, the Shrine of the Birth and Baptism of St. Maximilian Maria Kolbe. Presided by Bishop Wieslaw Alojzy Mering, Bishop of Włocławek.
Live from Belém, Pará, Brazil. Holy Mass and Procession of the Círio de Nazaré (Taper of Nazaré), from the Basilica Nossa Senhora de Nazaré do Desterro (Our Lady of Nazareth of Exile). Presided by Archbishop Alberto Taveira Corrêa, Archbishop of Belém do Pará.
Channels Broadcasting Live: Telepace, TV2000, K-TV, TV TRWAM, KTO, EWTN, TRSP
Live from Washington D.C, USA. Holy Mass and Pilgrimage for Life and Liberty, from the Basilica of the National Shrine of the Immaculate Conception. After Mass, Exposition of the Blessed Sacrament, recitation of the Rosary, Eucharistic Procession and Benediction. Presided by Archbishop William Edward Lori, Archbishop of Baltimore.
Tags: Catholic, Fatima, Nossa Senhora da Conceição Aparecida, Pilgrimage for Life and Liberty, Pope Benedict XVI, Smolensk, Television, Vatican II, Wieslaw Alojzy Mering, Year of Faith


The Genie Scissor Lift is one of the most popular and most recognized access machines in the world. Tough and reliable, it is built to the highest standards.
All electric, weighing in at 2447 Kg, this popular machine is a market leader in Scissor lifts. Recognised as a quality machine that professionals like to use.
Narrow boom lift is a versatile machine with a 1.5m narrow chassis. The HR12N boom lift is ideal for working in confined spaces, such as warehouses, factories etc.
15m working height, full electric drive with zero tail swing. Then horizontal outreach is 8.5m.
This Access Platform is compact and robust and has an excellent access envelope.