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Although Maria hasn't completely made up her mind about the field she will end up studying, she does have a particular interest in two majors: computer science and criminal justice. She played on the girls soccer team at Valley High School and speaks highly of her soccer coach as one of the great people in her life that she can count on. She counts self-defense classes as one of the most memorable of her experiences while attending the Nicholas Academic Center.


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text:
Reasons Why Office 365 is Safer than In-house Servers
You may think that data stored in an in-house datacenter is in more secure hands than data in the cloud. But that may not be true. In fact, there is a wide range of security features that you can take advantage of when you put your data in a cloud service like Office 365.
Check these added security benefits which may convince you for Microsoft Office 365 migration:
A wider scope of identifying threats
When your on-premises servers are attacked externally, you can take steps to protect yourself from subsequent attacks from that culprit. With Office 365, instead of simply reacting to individual attacks, you will gain the benefit of intelligence gathered from threats against other customers within the service as well. An attack launched against any organization in Office 365 can functionally inoculate everyone else.
It is simple, and can easily detect anomalies
When the cloud first came out, they were mostly based on the same on-premises products that you always used—except they were deployed and managed on servers owned by the provider. Today, cloud services have changed to dramatically simplify configuration options, server roles and management complexity. This simplification gives services the ability to consolidate how they protect, detect and respond to threats. Since software is the main source of interaction, illicit activity by cybercriminals is easier to identify.
Office 365 innovates regularly
Office 365 security teams face two key pressures when building security capabilities: Every feature breaks at some scale, and every customer brings a particular set of concerns and requirements. Microsoft finds that a robust set of well-designed and implemented capabilities may address most customer concerns, but the growth of the cloud service constantly challenges the design. These factors challenge the Office 365 to innovate on a regular basis.
There is a lesser chance of breaches
A crucial part of security is by making your breach boundary as small as possible. Sensitive assets should be isolated from each other, so it will be difficult for an attacker to move from one asset to another. Most companies draw their breach boundaries at the directory level. If an attacker can acquire domain admin privileges, they can access any information managed in that domain. When you subscribe to cloud services, it is more difficult for the attacker to breach your domain and gain access to any of the data in the cloud service beyond normal "front-door" access to the services which are audited. The delegation of management to a third party gives you a more secure breach boundary.
Office 365 is always transparent
Office 365 has one security feature that we really love: transparency. With many organizations using Office 365, Microsoft is compelled to operate in the full light of day. Microsoft allows their customers to control how a Microsoft support engineer accesses their data. The Office 365 business model relies profoundly on the belief that there are no shortcuts and no excuses when it comes to the security of your data.
For anyone who is currently facing doubts on migrating to Office 365—based on a set of objections relating to security in the cloud— I hope the security features I mentioned above solves your concerns.
Categories: Office 365 Updates

redpajama_set_name: RedPajamaCommonCrawl


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text:
Q: Django test command fail after changing models.py to a directory structure This is in Django 2.0 , python 3.6.5
I have an app called posts, and I changed models.py to a folder structure, i.e., create a directory models and move the file models.py insid. Also config __ init__.py file, as explained next.
The project runs ok, but my test suite fails.
In my settings, installed apps i have the app as:
'myproject.apps.posts.apps.PostsConfig'

My app config (posts/apps.py)
from django.apps import AppConfig
class PostsConfig(AppConfig):
    name = 'posts'
    verbose_name = 'posts'

I have move posts/models.py to a directory structure. So I have
posts/models/models.py
posts/models/proxymodels.py
posts/models/__init__.py

inside models/__ init__.py I do import my models as explained in doc
from .models import Job
from .proxys import ActiveJob

The project works well, but when trying to run tests:
python manage.py test

I have this error:
RuntimeError: Model class tektank.apps.posts.models.models.Job doesn't declare an explicit app_label and isn't in an application in INSTALLED_APPS.

The model is a normal one, with fields, nothing extrange. The thing is that if I declare in the meta
class Meta:
    app_label = 'posts'

I got the following error:
RuntimeError: Conflicting 'job' models in application 'posts': <class 'posts.models.models.Job'> and <class 'tektank.apps.posts.models.models.Job'>.

Note: If I use pytest, I run the command:
pytest

It runs OK
UPDATE
Same error if I execute:
./manage.py test myproject/apps/posts

If I execute only with app name, no tests are detected
./manage.py test posts
Ran 0 tests in 0.000s
OK

If I put the path of the tests folder, it works ok.
./manage.py test myproject/apps/posts/tests
Ran 2 tests in 0.074s
OK
./manage.py test posts.tests
Ran 2 tests in 0.103s
OK

But I am not satisfied with this, if I want to run all tests, it will still fail.

redpajama_set_name: RedPajamaStackExchange


Note: I recommend watching them in order. That way, you can see how my skills progress over time. I also spend more time on basic concepts in the earlier videos.
I am not an expert cook, so my amateur mistakes should be entertaining.
I'm easily grossed out. Hopefully also entertaining.
I like to learn by example. I'd like my example to help others.
I want to produce videos, and something formulaic like a cooking show means easy content.
I have prior experience in food-related instructional video production.
What's with the theme song? Chicken and ketchup?
I'm a very picky eater, and terrified of trying new things. My belief is that it's fine to be adventurous with many things in life, but food is necessary for survival, and therefore should not be messed with. Air is also necessary for survival, and nobody's ever told me to be adventurous and try breathing chlorine for a change. So, when I find something I like, I tend to eat it a lot, rather than looking for variety. After witnessing me assemble and eat a chicken and ketchup sandwich one day, my friends have forever associated me with meals consisting only of chicken, ketchup, and Caesar salads. One even remarked that my taste in food hasn't advanced since the age of five. In reality, however, I rarely eat chicken sandwiches.
So, that's the story behind it. The song was written and performed by moonrocket.


text:
Share this Story: Mark Sanchez's mother withdraws support, calls for "Tebow Time" in New York
Mark Sanchez's mother withdraws support, calls for "Tebow Time" in New York
j.Bowman
Oct 10, 2012 • October 10, 2012 • 5 minute read
The SECOND Tim Tebow was cast off from the Denver Broncos and landed on the New York Jets, fans have been clamoring for him to replace beleaguered quarterback Mark Sanchez (I'm assuming in this case "beleaguered" actually means terrible).
To put it mildly with a touch of rhyme, the Jets have had an uneven season. Bad play on both sides of the ball have led to "Gang-green" searching for answers while the New England Patriots assume their regular spot atop the AFC East. I count myself among the legion of Jets fans who have been frustrated with how the 2012 campaign has gone so far.
Mark Sanchez's mother withdraws support, calls for "Tebow Time" in New York Back to video
But the biggest lightning rod for my dissatisfaction is without a doubt Jets QB Mark Sanchez (followed by Darrelle Revis' season-ending injury and the fact that "Gang-green" is a terrible nickname). I have never been a fan of Sanchez, and in my opinion if New York is dedicated to having a QB that can't throw the ball, why not have it be someone who can at least run it?
("Sorry Tim, Mark Sanchez is our guy")
I will admit to being a Sanchez fan for all of 5 minutes back in 2009 when this incredible moment happened. It's a shame NFL Films guru Steve Sabol passed away before he got a chance to do an incredibly dramatic hourlong breakdown of this:
[View:http://www.youtube.com/watch?v=Mh71pVqGKTc]
Head coach Rex Ryan has remained dedicated to Sanchez throughout all the loses and increasing public pressure for Tebow, who himself has been rumoured to be frustrated with his diminished role in the Jets offense. Adding to the confusion is Jets ownership claiming today that Tebow WILL REMAIN a Jet for the next 3 years.
Luckily, 4th & Blog field correspondent and "lawsuit lightning rod" El Pittsburgh Luchador was in the Big Apple Monday night to take in the Jets/Texans game which saw the Texans continue their undefeated streak due to another bad performance from Sanchez. He submitted the following report this morning, and swears it is 100% accurate:
Hola j.Bow.
Mark Sanchez once again failed to lead the Jets to victory on Monday night, prompting me to suggest his nickname change from "The Sanchize" to "Los Terrible Quarterback Who I Wouldn't Let Throw A Party, Much Less A Football". It's a mouthful, I know, but accuracy has to count for something.
Sadly this concept is lost on Senor Sanchez.
(I miss the days being compared to Green Lantern was a good thing)
Although not at abysmal as Tony Romo's cinco interception epic last Monday night, Sanchez threw 2+ interceptions, which seems to be his trademark. Obviously, the fans in New York booed the young QB after the game was over. In fact, one of the few things he completed all night was the actual game, as his statline showed:
(I made no changes to this photo. This tweet and that stat is legit)
I wonder what Sanchez looked like the moment that sunk in. Being compared to JaMarcus Russell is never a good thing unless you are in an eating contest or you are a police officer looking to find a comparable way to describe a HUGE drug bust.
(You can almost see the exact moment his heart breaks)
After the game, I was granted access to the Jets locker room (once again threatening security with dropkicks and hurricanranas) and I conducted several interviews regarding Sanchez and his status as QB1 in New York.
"He's our quarterback, no question about it" huffed Rex Ryan, in between desirable glares at a nearby dessert cart. "I'm sticking with Mark in this situation, he gives our team the best chance of winning. Also, I'd like to announce that I'm sticking with Mitt Romney, HD DVD and the belief that the Earth is flat. Romney will lead this cubed planet to greatness, and Mark Sanchez will lead this team to the Super Bowl".
Jets offensive lineman D'Brickashaw Ferguson (5 time winner of the NFL's "Greatest Name" poll) wasn't so optimistic.
"I'm not so optimistic" said Ferguson. "That's… uhh… that's all I got to say about it really. Do you have enough?"
Pro bowl cornerback Darrelle Revis, who was lost to a season ending injury weeks ago, wasn't commenting on the situation, instead choosing to repeatedly point to his self made "Jets 2013" sign hanging in his locker.
But what about the man at the center of all this controversy?
"I support Mark all the way" said backup QB Tim Tebow. "As the bible says; Judge not lest ye be intercepted all the time and cost your football team big wins".
Although his reaction immediately following that statement leads me to question the validity of that bible verse.
Sanchez wasn't taking questions from the media, instead choosing to review game film to see where he went wrong (he should be available for interviews around week 13), but luckily I was able to get a word with one Jets fan who is pretty close to the situation.
"We've gotta go with Tebow, this is getting ridiculous" said Mark Sanchez' mother."Don't get me wrong, I love my son, but love only gets you so far in life before you need to start seeing some touchdowns". I then asked her if she had anything to say to her son in case he reads this report, and she simply stated…
"Mark, sweetie, your terrible play is making your father and I get divorced. It's Tebow Time!!"
Riveting stuff.
Before my night was over, I also managed to snag an interview with Sanchez's girlfriend Eva Longoria. However she wasn't in the mood to talk about his poor play and as soon as she saw me throw a wad of paper into a trash bin across the room, demanded that we make out for several hours.
So we did.
(We held hands and everything. It was mucho caliente)
That's all from New York. Adios Bow-chaco!
EPL out. Arriba!
Wow, of all the things in that report that are hard to believe, there is no way I'm buying that Rex Ryan thinks HD DVD will be a viable format. No chance.
As always, if you take offense to anything E.P.L. said in his report, feel free to sue him if you happen to know his identity. Until next time (which is hopefully Tebow Time), good day to you fine readers of 4th & Blog.
I leave you with former Jets QB Joe Namath, who I never got to see play, but that doesn't mean I don't get to see the highlights.
[View:http://www.youtube.com/watch?v=Gc65NC44dSk]
You can follow j.Bow on twitter (@jBowmancouver). "Tebow Time" still ranks below "Tool Time", "Clobberin' Time" and "Hammer Time" on his preferred list of times.


text:
Machiavelli::Application.routes.draw do
  root 'graphs#index'

  post "submit" => "graphs#submit", as: "submit"
  post "stop_time" => "graphs#stop_time", as: "stop_time"
  post "absolute_time" => "graphs#absolute_time", as: "absolute_time"

  get "refresh" => "graphs#refresh", as: "refresh"

  get "metric" => "metrics#get", as: "get_metric"
  get "search" => "metrics#list", as: "list_metric"
end

redpajama_set_name: RedPajamaGithub


text:
Psychological Research and Reviews
Suspicious Jealousy Is Related to Anxious Attachment and Is Mediated By Fear of Intimacy
Research Article of International Journal of Psychological Research and Reviews
Gabriel Dominguez-Pereira, PhD1, Tiffany Field, PhD1,2, James Vivian, PhD1, Sybil L. Hart, PhD3 and Debra Bendell, PhD1
1Fielding Graduate University; 2University of Miami School of Medicine; 3Texas Tech University
Relationships between insecure attachment (anxious and avoidant), fear of intimacy and romantic jealousy (suspicious and reactive) were explored in this study. The Experiences in Close Relationships Questionnaire, the Fear-of-Intimacy Scale, and the Multidimensional Jealousy Scale were administered to a sample of 210 ethnically diverse adults via Qualtrics Panels. Anxious attachment, fear of intimacy, and suspicious jealousy were positively correlated. Conversely, negative associations were noted between avoidant attachment and reactive jealousy, and between fear of intimacy and reactive jealousy. Mediation analysis revealed that fear of intimacy mediated the effect of anxious attachment on suspicious jealousy and marginally mediated the effect of avoidant attachment on suspicious jealousy. These results are consistent with the transactional model of jealousy and they uniquely specify that fear of intimacy is a significant mediator of the relationship between anxious attachment and suspicious jealousy.
Keywords: reactive jealousy, suspicious jealousy, anxious attachment, avoidant attachment, fear of intimacy, romantic jealousy.
Free Full-text PDF
Gabriel Dominguez-Pereira, Tiffany Field, James Vivian, Sybil L. Hart, and Debra Bendell.Suspicious Jealousy Is Related to Anxious Attachment and Is Mediated By Fear of Intimacy. International Journal of Psychological Research and Reviews, 2019, 2:23. DOI: 10.28933/ijprr-2019-10-2705
1. Attridge, M. (2013). Jealousy and relationship closeness: Exploring the good (reactive) and bad(suspicious) sides of romantic jealousy. SAGE Open, pp., 1-16.
2. Barelds, D. P. H., & Dijkstra, P. (2006). Reactive, anxious and possessive forms of jealousy and their relation to relationship quality among heterosexuals and homosexuals. Journal of Homosexuality, 51, 183-198.
3. Baron, R. M., & Kenny, D. A. (1986). The moderator-mediator variable distinction in social psychological research: Conceptual, strategic, and statistical considerations. Journal of Personality and Social Psychology, 51, 1173-1182.
4. Brennan, K. A., Clark, C. L., & Shaver, P. R. (1998). Self-report measurement of adult romantic attachment: An integrative overview. In J. A. Simpson & W. S. Rhodes (Eds.), Attachment theory and close relationships (pp. 46-76). New York, NY: Guilford.
5. Bringle, R. G. (1991). Psychosocial aspects of jealousy: A transactional model. In P. Salovey (Ed.), The psychology of jealousy and envy (pp. 103-131). New York, NY: Guilford.
6. Bumby, K. M., & Hansen, D. J. (1997). Intimacy deficits, fear of intimacy and loneliness among sexual offenders. Criminal Justice and Behavior, 24, 315-331.
7. Burchell, J. L., & Ward, J. (2011). Sex drive, attachment style, relationship status and previous infidelity as predictors of sex differences in romantic jealousy. Personality and Individual Differences, 51(5), 657-661.
8. Collins, N. L., & Read, S. J. (1994). Cognitive representations of attachment: The structure and function of working models. In K. Bartholomew & D. Perlman (Eds), Advances in personal relationships: Vol. 5. Attachment processes in adulthood (pp.53-90). Bristol, PA: Kingsley.
9. Descutner, C. J., & Thelen, M. H. (1991). Development and validation of a Fear-of-Intimacy Scale. Psychological Assessment, 3, 218-225.
10. Doi, S. C., & Thelen, M. H. (1993). The Fear-of-Intimacy Scale: Replication and extension. Psychological Assessment, 5, 377-383.
11. Elphinston, R., Feeney, J., & Noller, P. (2011). Measuring romantic jealousy: Validation of the Multidimensional Jealousy Scale in Australian samples. Australian Journal of Psychology, 63, 243-251.
12. Firestone, R. W., & Catlett, J. (2006). Fear of intimacy. (10th ed.). Washington, DC: American Psychological Association.
13. Fraley, C. R., & Shaver, P. R. (2016). Attachment, loss, and grief: Bowlby's views, new developments, and current controversies. In J. Cassidy & P. R. Shaver (Eds.), Handbook of attachment: Theory, research, and clinical applications (3rd ed., pp. 40–62). New York, NY: Guilford Press.
14. Güclü, O., Senormanci, Ö., Senormanci, G., & Köktürk, F. (2017). Gender differences in romantic jealousy and attachment styles. Psychiatry and Clinical Psychopharmacology, 27, 359-365.
15. Guerrero, L. K. (1998). Attachment-style differences in the experience and expression of romantic jealousy. Personal Relationships, 5, 273-291.
16. Harris, C. R. (2009). Jealousy. In H. T. Reis & S. Sprecher (Eds.), Encyclopedia of human relationships (pp. 937-941). Thousand Oaks, CA: SAGE.
17. Hayes, A. F. (2013). Introduction to mediation, moderation, and conditional process analysis: A regression-based approach. New York, NY: The Guilford Press. doi:10.1111/jedm.12050
18. Hazan, C., & Shaver, P. (1987). Conceptualizing romantic love as an attachment process. Journal of Personality and Social Psychology, 29, 270-280.
19. Joel, S., MacDonald, G., & Shimotomai, A. (2011). Conflicting pressures on romantic relationship commitment for anxiously attached individuals. Journal of Personality, 79, 51-74.
20. Kim, K., Feeney, B., & Jakubiak, B. (2017). Touch reduces romantic jealousy in the anxiously attached. Journal of Social and Personal Relationships. Advance online publication. doi:10.1177/0265407517702012
21. Knobloch, L. K., Solomon, D. H., & Cruz, M. G. (2001). The role of relationship development and attachment in the experience of romantic jealousy. Personal Relationships, 8, 205-224.
22. Lopez, F. G., & Gormley, B. (2002). Stability and change in adult attachment style over the first-year college transition: Relations to self-confidence, coping, and distress patterns. Journal of Counseling Psychology, 49, 366– 364.
23. Mikulincer, M., & Erev, I. (1991). Attachment style and the structure of romantic love. British Journal of Social Psychology, 30, 273–291.
24. Murphy, S. M., Vallacher, R. R., Shackelford, T. K., Bjorklund, D. F., & Yunger, J. L. (2006). Relationship experience as a predictor of romantic jealousy. Personality and Individual Differences, 40(4), 761-769.
25. Murray, S. L., Holmes, J. G., & Collins, N. L. (2006). Optimizing assurance: The risk regulation system in relationships. Psychological Bulletin, 132, 641–666.
26. Murray, S. L., Holmes, J. G., & Griffin, D. W. (2000). Self-esteem and the quest for felt security: How perceived regard regulates attachment processes. Journal of Personality and Social Psychology, 78, 478–498.
27. Pfeiffer, S. M., & Wong, P. T. P. (1989). Multidimensional jealousy. Journal of Social and Personal Relationships, 6, 181-196.
28. Radecky-Bush, C., Farell, A. D., & Bush, J. P. (1993). Predicting jealous responses: The influence of adult attachment and depression on threat appraisal. Journal of Social and Personal Relationships, 10, 569-588.
29. Rydell, R. J., & Bringle, R. G. (2007). Differentiating reactive and suspicious jealousy. Social Behavior and Personality, 35, 1099-1114.
30. Sharpsteen, D. J & Kirkpatrick, L. A. (1997). Romantic Jealousy and Adult Romantic Attachment. Journal of personality and social psychology, 72, 627-640.
31. Stieger, S., Preyss, A. V., & Voracek, M. (2012). Romantic jealousy and implicit and explicit self-esteem. Personality and Individual Differences, 52, 51-55.
32. Tarrier, N., Beckett, R., Harwood, S., & Bishay, N. (1990). Morbid jealousy: A review and cognitive-behavioral formulation. British Journal of psychiatry, 157, 319-326.
33. Totterdell, P., Parkinson, B., Briner, R. B., & Reynolds, S. (1997). Forecasting feelings: The accuracy and effects of self-predictions of mood. Journal of Social Behavior & Personality, 12(3), 631-650.
34. White, G. L. (1981). A model of romantic jealousy. Motivation and Emotion, 5, 295-310.
35. Wilson, T. D., & Gilbert, D. T. (2005). Affective forecasting: Knowing what to want. Current Directions in Psychological Science, 14, 131–134.
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The Bank of Okolona is a hometown bank that has been serving Chickasaw County and the surrounding area for over 75 years. Whether it is a personal deposit account or a business loan that brings you to the Bank of Okolona, we can help. We hope this website and its contents will be helpful with your banking from home or the office.
We invite you to visit our main office located at 227 West Main Street, Okolona, MS, or our branches, the Houston Banking Center, located at 321 West Madison, Houston, MS, and the Bank of Mantee, located at 54 First Street, Mantee, MS, or Calhoun Banking Center, located at 200 South Pontotoc Road, Bruce, MS.
Bank of Okolona. Member FDIC. Equal Housing Lender.


Taking inspiration from the 2018 Colour of the Year Pantone Purple, we have created the Bloomsbury. With it's deep mulberry, lazy lavender and pale blue it will add a glow to your day.
Either wear it showing one colour or wrap them all together.
100% luxurious woollen yarn which is soft to the Touch.
190cm long by 35cm wide approximately.


text:
Nuffield Health home
Mr Neil De Zoysa
MB BS, MRCS, FRCS (ORL-HNS), BSc (Hons), DOHNS, MRCS, MSc (Dist)
Practicing since: 2006
ENT (Otolaryngology)
Thursday all day
Mr Neil De Zoysa is a Consultant Ear, Nose, Throat and Thyroid Surgeon who works in Poole, Bournemouth and Dorchester hospitals. In his undergraduate and postgraduate training, he has won a number of prestigious academic prizes.
He undertook specialist training at some of the most renowned hospitals in London and Australia where he developed a comprehensive range of specialist skills and expertise in the management of adult and children's Ear, Nose and Throat conditions. His Practice represents a combination of up to date thinking with a versatile and precise surgical technique underpinned by a personable approach.
In his dedicated ENT Consulting Suite, he runs a weekly Ear Clinic for the management of hearing loss, tinnitus, dizziness and ear infections. This includes comprehensive hearing testing (including bone conduction and masking for an accurate and reliable result).
Mr De Zoysa's international training has provided him with skills of minimal access or 'keyhole' techniques. This allows patients to experience less pain and enjoy a shorter recovery time with minimal blood loss. These include the use of endoscopes, lasers, microscopes and robotics.
He has a special interest and expertise in the management of patients complaining of nasal symptoms such as blockage and catarrh. He has also developed his skills the treatment of sinus disorders which includes diagnosis, medical treatment, and when needed, an ability to perform advanced sinus surgery.
As a qualified Head and Neck Surgeon Mr De Zoysa has significant experience in the early diagnosis and prevention of Head and Neck cancer, with a special interest in the throat and voice box where patients can present with change in their voice and a feeling of a lump in their throat. He has specialist skills in the management of thyroid and other neck conditions such as the salivary glands. He uses advanced energy devices to minimise blood loss and neuromonitoring to protect important nerves.
Mr De Zoysa has a comprehensive experience in children's ENT which allows him to use specialist coblation surgery in selected cases for tonsillectomy and adenoidectomy with less pain and bleeding than traditional methods. He can also use this technique to treat tonsil stones and snoring. Mr De Zoysa was trained in London at Guys and St Georges hospital, as well as the Evelina Children's hospital.
He has undertaken International Fellowship level training in Head & Neck and Skull Base surgery including the prestigious Princess Alexandra Hospital in Brisbane Australia.
Neil has a special interest in the treatment of Thyroid cancer as well as all other cancers in the head and neck in both adults and children.
He has also undertaken advanced fellowship training in Plastic & Reconstructive surgery and Oral and Maxillofacial surgery at Castle Hill Hospital in Yorkshire. This has allowed him to learn techniques employed other allied specialities and tailor them to his patients in ENT.
He completed his undergraduate medical education at UCL where he was awarded a Honours in his Final MB Medicine examination.
Neil then went onto complete a Master's degree at Imperial College London here he was awarded a Distinction and the Deans prize for his work in surgical Technology and Robotics.
Ear infections; Snoring; Sleep Apnea; Nose bleeds; Sinusitis; Nasal polyps; Perforated Ear Drum; Glue ear; Tonsillitis; Quinsy; Neck Abscess; Branchial Cyst; Thyroid; Head & Neck; Head & Neck Cancer; Thyroglossal cyst; Salivary surgery; Parotid; Submandibular gland; Pinnaplasty; Otoplasty; Protruding ears; Blocked nose; Hoarse Voice; Laryngology, Voice; Tongue Tie, Pharyngeal Pouch.
Mr De Zoysa has an active interest in the training of surgical trainees and plays an active role in the career development of future consultants. He has organised several courses and is invited a faculty to train surgeons both in the UK and abroad.
Mr De Zoysa has also been a charity volunteer in surgical outreach programmes, both for the rural aboriginal communities in the remote parts of Australia as well as in Sri Lanka following the tsunami. In his spare time Mr De Zoysa, with his wife and children, enjoy the beautiful surroundings of the Dorset countryside. He enjoys cycling, cricket, swimming, football and world cuisine - both cooking and eating!
Treatments and tests offered by Mr Neil De Zoysa at Nuffield Health
Antral washout
Parathyroidectomy
Mastoid surgery
Middle ear surgery
Polypectomy
Ear pinning cosmetic surgery (Pinnaplasty)
Deviated septum (Septoplasty)
Functional endoscopic sinus surgery (FESS)
Ear drum repair (Myringoplasty)
Parotid gland removal (parotidectomy)
Palatoplasty
Frenotomy
Adult audiology hearing aid provision
Microsuction of ear canal
Otoplasty (ear correction / ear repositioning)
Submandibular gland removal
Grommet insertion
Larynx diagnostic endoscopy
Craniofacial reconstruction
Locations Mr Neil De Zoysa works with
67 Lansdowne Road, Bournemouth, BH1 1RW
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Having enjoyed excellent training, Mr De Zoysa is passionate about the development of upcoming surgeons and plays a crucial role in the career development of future surgical consultants. His skills as a trainer are well recognised and he is regularly invited to train other surgeons in operative technique at several international courses.
Mr De Zoysa has also written multiple academic papers on nasal surgery, voice, surgical robotics, cancer and sleep apnoea. He is now a reviewer for new reserch papers submitted to academic journals.
Fellow of the Royal College of Surgeons of England
British Medical Association
British Association of Head and Neck Oncologists
British association of Endocrine and Thyroid Surgeons
British association of Paediatric Otolaryngologists
Other post held
ENT Consultant in Poole & Dorset County Hospital
Insurers Mr Neil De Zoysa works with
Mr Neil De Zoysa works with the following private medical insurance providers:
Aviva Health
AXA PPP Healthcare
AXA PPP International
Benenden Health
Health-on-Line
InterGlobal
Simplyhealth
Universal Provident
Vitality Health (Pru Health)
Westfield Health WPA
Medical Care Direct
SecureHealth
Bupa On Demand
Childsure
Exeter Family Friendly
Tesco Bank
Mr Neil De Zoysa does not hold a share or financial interest in this hospital, another Nuffield Health hospital or the company.
Mr Neil De Zoysa does not have a share or financial interest in equipment used at this hospital or another Nuffield Health hospital.
Mr Neil De Zoysa does not hold any paid advisory role(s) at this hospital or on behalf of Nuffield Health.


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Jane Graham Memorial Award
Applications for 2022 have closed, stay tuned for fall 2023 applications
Jane Graham was a much-loved and respected visual artist living and working in the Guelph area for many years prior to her death in 2005. Donations in her memory made possible the creation of the GAC Jane Graham Memorial Fund at The Guelph Community Foundation. Through the fund, GAC offers an annual award for a visual artist(s) to pursue professional development opportunities.
Research and Renewal Award
In February 2021 Guelph Arts Council staff were approached by supporter Jason Nadon, who shared an idea for an award for Guelph artists that would bring together artistic creation with themes of heritage and community. This award will provide artists with the funds to research and interpret local stories and histories, to engage with Guelph residents through their artistic projects, and to build community connections.
lEARN ABOUT PAST RECIPIENTS
Pay it Forward Arts Fund
Applications for 2022 have closed, stay tuned for spring 2023 applications
The award is the gift of artist Barbara Salsberg Mathews and her husband, Bruce Mathews. It is designed to encourage artists to rise to the challenge and pay it forward by using their talents to benefit others and the Guelph community.
Guelph Arts Council is presenting a new opportunity for all artists, musicians, writers and creators in the Guelph-Wellington Community to submit applications for the Pay it Forward Fund. The fund totals $5,000 per year for the next four years and will support one or more projects per year. This award will help local artists, in any discipline, fund art projects that pay it forward and benefit the community.
Youth Opportunities Award
Applications have now closed, Stay tuned for Fall 2023 applications.
–YOUTH ARE PARTICULARLY ENCOURAGED TO APPLY–
Guelph Arts Council's Youth Fund was initially established as a result of the financial success of Youth in Performance presentations that Guelph Arts Council sponsored between 1980 and 1990. Additions to the fund were made over the years, and awards were extended to graduating Guelph high school students in recognition of talent, excellence and creativity in the visual or performing arts. In 2005, the awards program was discontinued and Guelph Arts Council began to assess how best to support youth in the arts. At the same time, in order to get the best return on investment, the capital of the fund was turned over to The Guelph Community Foundation to manage. Commencing in 2009, through funds generated from Guelph Arts Council Youth Opportunities Fund, Guelph Arts Council offers an award(s) to initiate, enhance or expand opportunities for children and youth to experience or become engaged in the arts.
If you have any questions about the Youth Opportunities Award please contact [email protected]
View our Past Recipients
Read our 2021 Press Release
Sue Richards Artist Relief Fund
Deadline: Ongoing
The Guelph Arts Council Sue Richards Artist Relief Fund provides emergency financial relief to local artists living with debilitating health issues. This fund was created in response to a growing community realization of the plight of self-employed artists whose health leaves them unable to work. Guelph Arts Council provides this relief, within the limits of the funds available annually, through donations made in honour of the late Guelph artist Sue Richards and a 2017 bequest from her estate.
If you have any questions about the Sue Richards Artist Relief Fund please contact [email protected]
'Hug' by Sue Richards


"With 22 ha in Chateauneuf du Pape and 11ha in Cotes du Rhone, winemaker Andre Brunel makes wines from grapes grown on his estate, as well as those in neighbouring vineyards that he tends.
The Cotes du Rhone Domaine Sommelongue 2012 consists of 85% Grenache and a splash of Cinsault, Mouvedre and Syrah, all taken from vines over 60 years old. A nose of red fruit coulis, liquorice and black pepper gives way to a delicate, light-bodied palate full of raspberries and cranberries with high acidity - this wine is crying out for a plate of charcuterie.
The Chateauneuf-du-Pape Les Cailloux 2011, meanwhile, had spent 18 months in large oak casks and the wood influence was evident on this velvety, medium-bodied wine with good acidity and flavours of plum, blackberries and vanilla along with a touch of menthol and leather tang"


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Philips 65oled984 price
Love films? You'll see—and hear—every detail. See all benefits. If you're eligible for VAT relief on medical devices, you can claim it on this product.
The VAT amount will be deducted from the price shown above. Look for full details in your shopping basket. Support for Dolby's premium sound and video formats means the HDR content you watch will look—and sound—gloriously real.
Whether it's the latest streaming series or a Blu-Ray disc set, you'll enjoy contrast, brightness and colour that reflect the director's original intentions. And hear spacious sound with clarity, detail and depth. With Philips Ambilight, movies and games feel more immersive. Music gets a light show. And your screen will feel bigger than it is.
Intelligent LEDs around the edges of the TV cast on-screen colours onto the walls and into the room, in real time. You get perfectly tuned ambient lighting.
And one more reason to love your TV. Experience endless movies, TV, music, apps and games online. More to love. Discover new levels of nuance and detail thanks to our P5 picture processing. Do more with up-to-the-minute smart functions and immerse in the content you love with Ambilight. It's more than OLED.
See our OLED TVs with the truest of blacks, vibrant colours, most-realistic natural skin tones and incredibly smooth motion. Now you can see every detail with greater depth impression, and clean yet sharper picture performance. A picture this lifelike demands true sound.Incredible images and stunning sound combine to make the OLED worthy of its eye-watering price tag.
What more could you ask for? But this degree of wishlist fulfilment comes at an eye-watering cost. All of which means that it needs to be seriously brilliant. No-one is going to spend this much money on a TV with an expensive integrated sound system without intending to use it, but it would be nice to have the option to split the two if, for example, you wanted to combine the screen with a full home cinema system at some point in the future.
Still, as an all-in-one solution, this is delightful, with the stalk of the stand positioned at the back of the floor plate so that it runs up the wall if positioned against one.
The idea is that by separating the tweeter from the cabinet it will be less susceptible to diffraction effects and therefore produce a cleaner, more even sound. Behind the classy fabric cover of the big, main speaker enclosure are three discrete speakers for left, right and centre channels. We don't expect you will. The left and right units also feature their own tweeters, which are pushed to the extremities of the enclosure to help reduce diffraction and create a wider spread of sound.
The drivers used here are much bigger than is normal for a TV and that means that the speaker enclosure is rather thick. The plastic casework on the rear of the TV panel is a little thicker than most and covers a larger area, too, presumably at least partly as a result of the Ambilight system it houses.
The neck upon which everything is mounted and which contains hidden cable channels adds yet more thickness. The overall depth of the set when wall mounted is If free-standing, the footplate takes this measurement to However, we've been told that Freeview Play was mistakenly added to the TV as part of the most recent software update and could well disappear soon, along with some or all of the catch-up apps.
BBC iPlayer should remain available, but there are no guarantees regarding the others. Broadly speaking, Android TV is now a pretty good TV operating system, with a decent amount of customisation and value-added features such as Chromecast and Google Assistant, but it is still a fair way short of the bespoke operating systems of Samsung and LG and feels less like the heart and engine of the user experience and more like a source. This is especially annoying when watching Amazon Prime Video as the app loads from scratch when you click the app icon, leaving you to scroll the menus to reopen what you were just watching.
Philips argues that most HDMI 2. That reduces input lag to 33ms, which, while not super-low by current standards, will be imperceptible to most gamers. Ultimately, you can start with Vivid and tone it down or start with Standard and pump it up - the results are the same. Even on its lowest setting we find ourselves regularly distracted by shimmer and noise around tricky motion.
And the set struggles to keep track of the soldiers manning the machine guns on the military 4x4s as they race through the trees towards the end of Logan on Blu-ray. The only solution is to turn the motion processing off entirely, even though this results in a fair amount of judder and blur. In the long run, we find that less distracting. In terms of detail, sharpness and contrast, there is currently no better TV. Edges are crisper, details are brought to the surface and contrast is more pronounced, but nothing seems artificial.
But even with all three features switched off, this is a much punchier, more dynamic and three-dimensional performer than even the brilliant Panasonic GZB. Switching to standard-def from the integrated tuner, our tweaked Vivid mode still produces a nice picture. If you find this to be a problem, you can switch on the Noise Reduction, which improves things significantly. It draws you into the picture, makes the screen seem bigger and increases perceived contrast.
Unlike most Ambilight TVs, which have strips on the left, right and top edges, the OLED also has a strip along its bottom to complete the effect. The idea is that the OLED is a complete system for everything you watch and listen to, including music. Compared to the Panasonic GZitself a good-sounding TV, the Philips is vastly more open, spacious and rhythmic, with a genuine soundstage that boasts precisely placed instruments and effects.
The delivery is crisp, taut and punchy, with detail and dynamics hitherto unheard from a TV sound system. Switch to a Dolby Atmos soundtrack and the Philips continues to impress. Some might crave the sofa-shaking low-end of a subwoofer, but the bass of the integrated drivers is more than deep enough to satisfy most people.
Philips 984 OLED+: Spectacularly immersive audio and visuals
We were hoping that the Philips 65OLED would be something special, and that turns out to be the case. If you have a big enough budget and the desire to make a seriously stylish statement, this is the TV for you.Moments latter, we meet the trapper camp, all chatter and crackling fire. As it comes under attack, the soundtrack is punctuated by taught, rhythmic drum beats.
These have real body and cut through the soundstage. The running battle in Sicily in Aquaman Ultra HD Blu-ray has bass impact, but there's a rolloff of low frequencies that steals the final layer of cinematic delight. Still, when the bell flies from the bell tower, the deliberate slo-mo bass note is conveyed, and the way the TV marshals the smorgasbord of FX in this scene, from crumbling masonry and laser fire to the propulsive score, is superb.
Set it on and it will force an Atmos height effect from all content; in Auto it will only kick in with Dolby Atmos material it's also on by default with Movie mode. Despite there being no upfiring drivers here, this processing can be rather effective, enlarging the soundfield and emphasising certain soundmix elements.
Only at times did I find it missed a beat, but Original, which sounds natural and still immersive, is a fine alternative. This 4K HDR set presents the natural beauty of The Revenant's cinematography and naturalistic colour palette to thrilling effect.
Philips' 3rd Gen P5 processor now a dual-chip design and the OLED panel's considerable brightness combine to create a picture that subjectively doesn't want for dynamism. Shadow detailing and near dark handling also impresses. In Chapter 3, as the trappers scramble to escape on the boat at dusk, the frame is filled with dark details — the boat's wooden hull, its shadowy interiors, coils of dirty brown rope.
The image doesn't crush, with fine details remaining apparent. Those who used to own a plasma TV will be familiar with it — a natural, almost organic feeling to the picture that backlit designs can struggle to attain; those self-emissive pixels make their presence felt. Criticisms are minor. Philips myriad user adjustments can also prove daunting. The biggest consideration is whether this model serves your needs. There's a price premium here over most other 65in OLED TVs LG's wall-mountable W9 being an exception and if you have an interest in running or later upgrading to a discrete sound system you shouldn't pay it.
But the OLED, which builds both display and soundbar into a smart design, is aimed at a different market.
Philips 65OLED984 TV
What will you be buying? Lovecraft, and working with Nic Cage and alpacas Want to see your home cinema system featured in the pages of HCC? Click here for more info. Search form Search.
Opinion Hardware Software Interviews. Pro-Install Readers' Room. Related Latest Reviews News.JavaScript seems to be disabled in your browser. For the best experience on our site, be sure to turn on Javascript in your browser. Stocks vary on this model, so we give priority to customers who have gone out of their way to make a special journey to us, by only making it available in store.
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Please note: 03 numbers are NOT premium rate numbers. Hi-Fi View our hottest hi-fi deals! How do I know I'm getting the most from my hi-fi? What exactly is a 'Network Music Player'? A guide to speaker cables Why pay more for stereo amplifiers? Setting up your turntable Why pay more for turntables? Surround sound explained What is a soundbar?
Philips 65OLED984 review
Why pay more for home cinema amplifiers? What is multi-room? How do I get the best from my headphones? Headphone driver types explained. Is specialist furniture worth the cost? Speaker Stands A guide to speaker cables Do cables really make a difference? How do I control my entire system from one remote? What are the difference between HDMI cables?
Wi-Fi or Wired? Lowest Price Guaranteed! Find out more. Expert Advice.The Philips 55OLED is aimed perfectly at people who want to pay a little more attention to sound, but who also want to keep an eye on their budget. Here you will also find the complete specifications per model. Combining a television with a soundbar, it always results in a remarkable result. That is all the more true if you start from the super slim profile of an OLED screen.
The screen has a beautiful brushed metal back that seamlessly folds around the screen, creating a fine frame. At the rear are the connections, electronics and the Ambilight LEDs in the black plastic housing. It is quite short, has a parallelogram profile and is covered with Kvadrat speaker fabric. This has a soundbar and that can be seen. The OLED also comes with an extra neck specifically for wall mounting. It still protrudes a part behind the device, but less far than the neck for the standing arrangement.
Really super-tight wall mounting is therefore not possible.
Review: Philips 55OLED934 – oled TV with Bowers & Wilkins soundbar
The remaining connections at the back point to the bottom. Those who want to give their soundbar some extra oomph can connect a subwoofer to the subwoofer pre-out. The new GPU, together with the new Android version, provides a smoother experience, but the latest Sony models work just a little smoother.
The interface of Android 9 Pie organizes all content in channels that occupy horizontal rows on the screen. You can adjust or remove these channels yourself. It is very light and the layout looks somewhat busy. The dark inscriptions on the silver background are not always easy to read, but it is better than the white inscriptions that we found on the OLED A remote with a somewhat more premium look would certainly not look out of place with this device.
It looks a bit cheap to our taste, but this remote is not too bad in daily use. It fits well in the hand, and the low profile keys are easy to press. The Android Home key centrally under the d-pad could have been indicated a little more clearly. The remote has a keyboard at the back, and uses Bluetooth for voice commands, but also works completely via infrared. So good alignment remains required. Via the shortcut menu button at the top left you get an alternative way to select inputs, to call up the channel list, or to go to the frequently used settings.
Recording can be done to a USB hard disk, but recording and simultaneously watching another channel is only possible if one of the two channels is not encrypted Free to Air.
Good detection of film and video frame rates and excellent deinterlacing make jagged line edges or moire effects very rare often still important for those who watch TV with a set-top box. The third generation P5 processor received improved noise reductionwhich does a great job of random noise.
Compression noise block formation is a bit more difficult, but is also tackled well. Set sharpness to 1 and activate Ultra Resolution for some extra detail, which is also improved in the new processor. Where Philips still has some work: getting rid of color bands. That provides good, but certainly not perfect, results. Fast moving images retain a lot of detail on an OLED screen.
This way you lose as little detail as possible.
If you want smooth pan images, switch to Standard or Smooth, although the latter choice continues to create some small visible image artifacts in complex scenes.The result is an impressive OLED television with a powerful soundbar, in a striking design.
A premium option for the home theater enthusiast. Here you will also find the complete specifications per model. It exudes luxury from head to toe, and more than any other TV you should see it as a lifestyle object. The entire construction is particularly strong.
We cannot deny that we secretly hoped for a swivel base. The soundbar is covered with Kvadrat speaker fabric, also on the side, and has a strip at the top made of the same brushed metal material as the base. The tweeter is protected with a decorative grid. The vertical position is at the back of the base plate, and is finished with a mirror finish.
It has a key shape with a flat line at the front. Because of the mirror finish, the key shape disappears as it were and you only see that narrow frontal line, that is very beautiful. A very nice setup, but one with some challenges. Where do you put your peripherals, for example? The device itself is on the floor, it is not intended to stand on furniture.
Long cables will therefore be a necessity. Wall mounting is possible. The lower support and the foot plate can be released. You then mount the television and soundbar on the wall. Provide a sturdy support, because even without a foot the whole weighs 38 kg!
All connections are still on the screen. A clip is provided to tie the cables together, and you can lead them down through a hole in the central position. There are also two USB connections, wireless and wired network, and Bluetooth for wireless keyboards and the remote. In addition to the headphone output and digital optical output, there is also a subwoofer pre-out. Ideal if you really want to make it thunder. All connections at the back point downwards. Installation is now even easier, linking to a google account is easy by entering a code on your smartphone on androidtv.
It is very light and the layout of the keys looks pretty busy. He therefore looks a bit cheap. The white inscriptions can sometimes not be read on that silver background under certain lighting conditions. The keys have a very low profile, but are clearly noticeable and do not require too much pressure. During use, the layout turned out to be less problematic than it looks.
At the top you will find buttons for Ambilight, with the quick menu, Google Assistant and the sources from left to right. The Home key is at the center of the d-pad.
He was allowed to get an accent so that he stands out more. The Back key and Options key are left and right of it. The play keys are close to your thumb for easy use. At the rear it has a keyboard. In short, the remote is not an outstanding player, but it is sufficiently handy. It works entirely via IR, except of course for the voice commands, which are sent via Bluetooth.Read about our review ethos and the meaning of our review badges.
Deals Amazon deals Bargain threads Classified adverts. Log in Register. What's new Search Search. Search titles only. Search Advanced search…. Latest activity. Log in. JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding. Is this the best-sounding TV ever? Review Specs Discussion Hop to What is the Philips ? What is the Philips ? The new model builds on the success of last year with a stylish European design and the third generation P5 processing engine.
The runs the latest version of the Android operating system and also includes 4-sided Ambilight. The inclusion of a custom-designed 3. Let's find out. The bottom part of the stand beneath the speaker can be removed and the screen and speaker can be wall mounted using an included bracket.
The attached speaker uses three front-firing channels composed of a woofer and a tweeter. The entire speaker cabinet is wrapped in Kvadrat fabric, which adds another touch of class. The is a gorgeous piece of industrial design — all chrome, brushed metal and Kvadrat fabric. There are USB 2. Philips has also included a headphone socket, an optical digital output, composite and analogue stereo inputs, a CI Common Interface slot, an Ethernet port and a subwoofer output.
In terms of wireless connections, the sports There's a full set of connections and Philips's clever dual-sided remote control. The includes the 3rd generation P5 processor which now uses a dual-chip arrangement designed to add extra computational power to key intensive parts of the processing chain. The 3rd generation of P5 extends picture performance by improving noise reduction, sharpness, colour accuracy and contrast.
Sound Quality. The new sound system is based around a large separate speaker cabinet that uses a three-channel layout. This is a speaker rather than a soundbar because the 60W of amplification 20W per a channel is built into the TV itself. There's no subwoofer, but you have the option of adding a wired sub if you feel the need for one.
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The Vienna Piano Trio's program at West Shore Unitarian seemed traditional at first glance, but looks are deceptive. This well-respected group (now 25 years old, though with some changes of personnel over the years) specializes in the familiar classical repertoire of Austria and Germany, and last night was no exception — Beethoven, Brahms, and Schoenberg. But both the performances and the pieces themselves were full of surprises.
Beethoven was represented by the quirky "Kakadu" variations. It took a Beethoven to make the slightest of material — a trivial popular song ("I am the tailor Cockatoo") — into a technically demanding set of variations. Full of the composer's typical contrasts, these variations provided excellent ground for musical acrobatics by these very accomplished instrumentalists — pianist Stefan Mendl, cellist Matthias Gredler, and (the newest member of the group) violinist Bogdan Božović.
The Vienna players made the most of opportunities for excitement: all froth at one moment, and Sturm und Drang the next! But the surprises went further than mere showmanship: Beethoven bookended his show-off variations with significantly more profound writing — a beautiful extended Adagio at the start, and a matching variation near the end — and the performers took us into that seriousness as well as the fun.
The Vienna Trio painted its sound with rich, contrasting colors, booming with Beethovenian ferocity when called for, and then, in an instant, pulling back to the kind of delicate intensity that stimulates the ear even more than volume. Playing with flexibility and panache, they brought to the music the kind of togetherness that comes from being a dedicated ensemble, not just an ad hoc collection of three excellent musicians.
The second piece, and the second surprise, was Arnold Schoenberg's Verklärte Nacht ("Transfigured Night"). Often played as a piece for string orchestra, it was originally written for string sextet (in 1899). If one knew Schoenberg only by his reputation as an austere, twelve-tone modernist, one might well be surprised to encounter the rich, late-Romantic language of this tone poem. A further surprise in this concert was to hear it in this arrangement for piano trio by the Austrian pianist Eduard Steuermann, a frequent collaborator with Schoenberg.
Contrast and coloration are the essential elements of Verklärte Nacht, and — as with the Beethoven — these were abundant in the Vienna's performance. But while the Beethoven benefitted from a degree of amused detachment in the playing, the Schoenberg — a passionate narrative of guilt and forgiveness — demands sustained intensity over the whole arc of the piece, some 25 or 30 minutes long. The Vienna players gave us a profoundly committed reading, articulating the changes of mood without ever losing their expressive through-line.
As a piano trio, this complex piece is less successful than as a string sextet. The compression of its multiple voices (necessary in reducing the forces) strips the piece of some of the density that is central to its impact. The percussive articulation of the keyboard (an essential aspect of a piano trio, of course) gives, paradoxically, too much clarity to a piece that is so committed (like Schoenberg's contemporary, Freud) to demonstrating the mysteries of human emotion and interaction.
Another surprise came after intermission in the very familiar Brahms Piano Trio in B, op. 8. While it started out as expected with its unforgettably gorgeous cello melody, a few minutes into the first movement, it became a piece that for me, at least, seemed quite unfamiliar. Most trios play the version that Brahms revised late in his life, wonderful in its own right. But this was the rarely-played original version, the one which the young Brahms took to Düsseldorf when he visited Clara and Robert Schumann in 1853, and which puzzled Clara.
Puzzling indeed, though fascinating as well. Interspersed in Brahms's unmistakably Romantic combination of lyricism and restless energy, this version also features strange dialogues of imitation, disconcerting shifts of key, and even a full-fledged and angular fugue. It sounds at times as if 19th-century sonata form had somehow been grafted onto Bach's The Art of Fugue. A little pizzicato episode near the end of the second movement nearly turns a Mendelssohn-like scherzo into a piece of cool jazz, a seeming precursor to Dave Brubeck.
While the program notes (perhaps supplied by the Vienna Trio, though unsigned) were generally helpful, they were not clear enough in explaining just what version of the Brahms was being performed, implying that the unfamiliar elements were introduced in the composer's process of revision rather than being original.
The audience gave a very warm ovation after the Brahms, and the trio gracefully responded with an encore, the lovely Andante con moto tranquillo from Mendelssohn's first piano trio.
Congratulations to the Rocky River Chamber Music Society for presenting the Vienna Piano Trio, who are near the beginning of a busy, 10-day North American tour. It was great to see so many chamber music aficionados out on a Monday night; but…where were the young people?


Update: Scroll down to see images from today's protest, including anti-ICE banners unfurled across the state and shots of protesters blocking roads near the detention center.
The Broward Transitional Center is basically a jail for people who haven't committed crimes. It's designed to hold "low-level" immigrant detainees slated for deportation after they've been arrested on minor charges — such as driving without a license — or picked up on no criminal charges at all.
The center is also run by Boca Raton's gigantic private-prison contractor, the GEO Group, which means a private company is making money from keeping immigrants locked up.
Given those two facts, progressive activists who oppose both the private-prison industry and the concept of imprisoning immigrant detainees awaiting deportation say they plan to stage a "Families Are Not for Profit" protest outside the facility from 10 a.m. to 1 p.m. today.
The event is hosted by immigrant-rights groups such as the Florida Immigrant Coalition, Broward Immigrant Justice Coalition, and United We Dream, as well as the Miami-Dade and Broward chapters of the Democratic Socialists of America. As of Wednesday evening, more than 60 people said they would rally outside the facility.
"Families belong together outside of detention centers. We denounce the Trump administration and elected officials who are complicit with GEO Group and corporations capitalizing on the incarceration of our immigrant communities," the organizers wrote online earlier this week. "We will be rallying outside of the Broward Transitional Center, a privately owned immigration detention center, to call for an end to the profiteering of immigrant lives."
GEO Group (previously known as Wackenhut) is a powerful firm in both Florida and D.C. politics. The corporation rains money on political candidates across the state, from Sen. Marco Rubio to gubernatorial candidate Adam Putnam to a good number of Florida Democrats. In the meantime, the firm has been sued for allegedly forcing immigrants to work for food and supplies, accused of operating a Colorado facility where detainees were tortured, and had multiple immigrant detainees die inside its facilities. GEO also has close ties to Attorney General Jeff Sessions and dumped cash into Donald Trump's presidential campaign.
The Broward Transitional Center also has seen its fair share of protests. In 2012, New Times published a profile of two undocumented activists who infiltrated the center and reported what they said were abysmal conditions. New Times later toured the facility alongside an Immigration and Customs Enforcement spokesperson.
After protests, sit-ins, a detainee hunger strike, and news of one detainee being raped with a Sharpie marker became public, 22 Democratic members of Congress demanded ICE conduct a "thorough, case-by-case review" of every immigrant detained at the facility.
This past May, ThinkProgress and New Times each detailed the case of Mary Caceres, an undocumented woman with a "Dreamer" daughter living in Jacksonville. Caceres had finally obtained a valid work visa this year before ICE detained her for no reason and shipped her all over the state, her daughter said. Caceres wound up at the Broward Transitional Center.
"To me, they're profiting off her being there," her daughter, Daniela Gaona, told New Times. "We have to pay for her commissary. Just for her to call me, it costs $20 for like 20 minutes."
But at least in some political circles, it's becoming too politically toxic to accept donations from GEO anymore. The Florida civil rights group Dream Defenders has launched anti-private-prison campaigns this year, and a huge number of Democratic candidates across Florida have signed the group's "Freedom Pledge" to refuse private-prison cash. That list includes every major Democratic candidate for Florida governor.


Pure Anada cosmetics and skincare are formulated and handcrafted on the Canadian prairies, and distributed to retailers across Canada. We manufacture for other brands as well - shipping organic cosmetics around the world. However, one of our favourite aspects of business, is meeting our customers face to face. Locals who have supported this homegrown business to make it what it is today, just warms our hearts!
If you ever find yourself in Southern Manitoba, we invite you to be our guest in either one of our local boutiques! Morden is our headquarters, where all Pure Anada products are produced. Behind the antique glass door you will catch a glimpse of our products being made on site. Winkler is our second storefront, which opened in November of 2016.
We'd love to keep in touch with you! Follow our retail boutiques on Instagram, or Like us on Facebook to stay up-to-date.
We offer our own brand, "Pure Anada", as well as other items made in our lab. Bath Salts, lotions, body butter, hair care, etc. We've teamed up with a local soap-maker to make us a lovely selection of hand made soaps and bath bombs. They just FLY off the shelf! We also enjoy featuring other locally or Canadian-made products in our little store. We especially appreciate brands who love using natural, botanicals in their formulas…just like we do!
Visit our boutiques during regular business hours for product recommendations and to swatch/sample Pure Anada products. We would love to help you clean up your beauty routine!
Pure Anada doesn't offer makeup artistry services for special occasions. However, we would be happy to put you in touch with a local, independent Pure Anada makeup artist for your special occasion makeup.


Below is information about the "Unofficial DragCave Community" asylum on InsaneJournal. To join this asylum, click here. You may leave the asylum at any time.
Post eggs, hatchlings, and adults freely.
Theme: Post your dragcave eggs and hatchlings!
Miles away from the cave of dragons, you spot a rather large hut filled with various rooms. Humans coming and going from room to room carrying either a hatchling or a dragon's egg, tending to their every need, including those in need of emergency care. Intrigued, you decide to go inside to take a look around and see if others will help you tend to your hatchlings and eggs.
♦ Be respectful to the owners and fellow caretakers.
♦ Only post once every 24 hours. Please include any dragon related questions or information you think should be shared in your daily post instead of making a separate post.
♦ Keep all eggs/hatchlings under an LJ Cut. The only exceptions are emergency eggs/hatchlings(2 days 23 hrs).
♦ Be sure to return the favor and click other peoples eggs too!
♦ Do not post sprites from other sites here. This is for DragCave only!
♦ Keep swearing to a minimum. Kids post here too so try to think of them.
♦ Please do not post your adult dragons with your eggs and hatchlings. If you want to show off your adults, please link to your scroll instead.
♦ You may post a to link your scroll, but do post your eggs along with it. They'll get more unique views that way.
♦ You may only post other people's eggs if you have their permission.
♦ There will be absolutely NO BEGGING!


Sometimes we decide to change our lives for better too late. Mary has been struggling with obesity since she was a teen, her twin sister Ruth and her son's concern about her health were not persuasive enough to start eating healthy. Until one day, a tragedy came to Mary's door.
Twin sisters Mary and Ruth appeared on the Oprah show, sharing their story. Back then Mary had weighed 420 pounds when her sister had 120 pounds. Before they were 10, girls looked exactly the same, but later something changed, and Mary lost control over eating.
Ruth was ashamed of her twin, who could not fit in the chair in the hairdressing salon. It was hard to get her in and out of the car.
Mary's son Chris had never told mom how he felt, but on the show, he revealed his feelings. The boy was in tears, sharing his fear of losing his mother. He said, she made him angry when ordering a large portion of fast food, and eat that all just in few bites.
That stroke Mary, but not hard enough to make changes anyway. But a few years later Chris died in the car accident. Mary was shocked and heartbroken and for more than a year could not cope with depression. Then she realized, enough was enough.
She must live how her son wanted her to. She started working out and eating healthy. That's when her weight dropped and she could feel more comfortable in her own body.
It is so sad, Mary realized she needed to step on the healthy path only after the horrible tragedy. Her son would have been proud of her now.


[#] Best of luck with this!
[#] I'm outraged for you!
[#] For our non-Pittsburgh peeps.
I'm sorry to hear this happened to you, but am really impressed that it's blown up into such an internet cause! (I came via Slashdot, btw.) Best of luck with it; looks like you have many, many people rooting for you!
Illadore, I'm so sorry this has happened to you. That woman deserves to be pecked to death by wild attorneys, and from the sound of it she will be.
I am a web copywriter and frankly this infuriates me. I'm not sure if this has already been posted or suggested, but if you put together some sort of donation mechanism for the legal challenge I would definitely contribute.
Just reading that response made my blood boil and it wasn't my article! I hope like hell the internety goodness comes together and let's this person know what she did was reprehensible.
I saw the article on what happened. I consider this a punk move and would be furious as well if I were you. I am all for giving people recipes but give credit where credit is due.
I equate Cooks Source being to publishing what Rachel Ray is to cooking. If you seriously need to steal someone elses work on something as simple as apple pie then you shouldn't even be an editor. Everyone for years has written about apples so why the hell steal your work!?
I think the public has been more then clear on how they feel about this. I know I would never give them the light of day after this.
This is why I love the internet. Everyone! Grab your pitchforks and torches, we're going to slay a monster!
If you belong to any writers' organizations with legal support, I'd suggest that you sue.
I love the it-was-not-any-good-anyways defense to copyright infringement. THEN WHY DID YOU WANT TO USE IT?
Ye gods! I don't know where this woman gets off claiming to be an editor. Just as throwing ingredients into a Cuisinart won't make you a chef, her chopping up your article and serving it doesn't make her an editor. Her punctuation is atrocious, and her grammar is no better. The worst part is her arrogance in suggesting that Wonderful She has done lowly little you a tremendous favor by not plagiarizing the entire work - completely ignoring the fact that she finishes by stating that it was so badly written it had to be extensively edited, of course.
My advice? Embarrass and humiliate her - you shouldn't have to lift a finger.
This story is on the local news in Portland Oregon. I wonder if Cook's Source is going to survive this onslaught of well deserved anger.
Also, your medieval pie recipe looks awesome and I am going to try it soon.
Three words: Class action suit!!
I have wanted to be a published writer all of my life.
During my first years of using livejournal, over half a decade ago, I naively would share personal writing, (with rights info stated clearly). Still it was livejournal, not a website, publication, etc.
I was very popular back then online, I 'managed' and led 3 gigantic livejournal groups, an international occult community, and was a regular and well-read blogger of arts and musical happenings.
Amoung my friends list were several publishers, editors, writers, and celebrity artists, including one of the main editors of this country's leading and most widely read science fiction magazines. This individual added me, but was constantly passive aggressively snubbing me in personal posts. I, as always, was kind and dismissive, not taking his issues personally. Eventually, this man copy pasted 90% of a work I posted in my private journal, and announced, publicly, that this was his very first personal writing that he was going to have published, and asked for his audience to offer their opinions. It was my work, word for word, with his own intro and ending added on. In the first five minutes, 184 fans commented that his work was genius, marvelous, amazing, inspiring, and that he was a gifted writer who definitely needed to be published immediately and stop hiding behind his editorial mask, and that they would support him and purchase his writing when published.
I couldn't sleep for weeks.
I was suffering from a serious illness at the time, and that event put me in the emergency room, just from the resulting physical toil of the upset.
I pulled all of my work off the net and never posted any personal work online again. Your story is somewhat different than mine, but it reminded me of how horrible that experience was, to feel helpless because someone with more power than you decides to steal your words and work, make you feel like you are too small and insignificant to have rights or to defend ownership of the work, and you have no recourse. I hope if anyone reading this who's ever doubted that stealing other people's work has no real harmful consequences has a change of mind and heart. Plagiarism is not only illegal, it is an attack, it is harmful, it's a personal violation, and we don't do near enough in this country to penalize copyright violators.
I seriously hope you gather everyone who's been ripped off by these ruthless pirates and form a class action suit to put them out of business for good.
I just wanted to say that I'm so sorry you went through that. I've been plagiarized, too, and it was grueling enough even though everyone recognized the theft and came out on my side. What you went through is unimaginably horrible. I hope that you're still writing, and that you'll one day get the recognition that you deserve and that was stolen from you.
Report them to the Writers Guild (http://www.wgaeast.org/). This is a professional writer service that catalog, and sometimes takes legal action, against this type of thing.


text:
Q: Spring Cloud WebMvc Integration Tests IllegalStateException I have created a basic Spring Cloud microservice project where I have the following services:

*

*Config

*Discovery

*Gateway

*StudyProgramme

Now I want to write integration tests for my studyprogramme controller but I'm getting an IllegalStateException: Failed to load ApplicationContext which seems to be caused by some cloud config "PropertySourceBootstrapConfiguration" but I have no clue on where to look or how to fix this exception as I don't have that much experience with Spring Cloud
Extra info:

*

*I run tests with JUnit4

@RunWith(SpringRunner.class)
@WebMvcTest(value = StudyProgrammeController.class)
public class StudyProgrammeControllerIntegrationTests {
    @Autowired
    private MockMvc mockMvc;

    @MockBean
    private StudyProgrammeService studyProgrammeService;

    @Test
    public void getCoursesShouldReturnUnauthorizedWhenRoleHeaderMissing() throws Exception {
        mockMvc.perform(get("/studyprogramme")
                        .contentType(MediaType.APPLICATION_JSON)
                        .accept(MediaType.APPLICATION_JSON))
                .andExpect(status().isUnauthorized());

    }
}

pom.xml dependencies:
<dependencies>
        <dependency>
            <groupId>org.javassist</groupId>
            <artifactId>javassist</artifactId>
            <version>3.23.1-GA</version>
        </dependency>
        <dependency>
            <groupId>org.springframework.cloud</groupId>
            <artifactId>spring-cloud-starter-openfeign</artifactId>
        </dependency>
        <dependency>
            <groupId>org.springframework.cloud</groupId>
            <artifactId>spring-cloud-starter-netflix-eureka-client</artifactId>
        </dependency>
        <dependency>
            <groupId>org.springframework.cloud</groupId>
            <artifactId>spring-cloud-starter-config</artifactId>
        </dependency>
        <dependency>
            <groupId>org.springframework.boot</groupId>
            <artifactId>spring-boot-starter-web</artifactId>
        </dependency>
        <dependency>
            <groupId>org.springframework.boot</groupId>
            <artifactId>spring-boot-starter-test</artifactId>
            <scope>test</scope>
        </dependency>
        <dependency>
            <groupId>org.springframework.cloud</groupId>
            <artifactId>spring-cloud-starter-sleuth</artifactId>
        </dependency>
        <dependency>
            <groupId>org.springframework.cloud</groupId>
            <artifactId>spring-cloud-starter-zipkin</artifactId>
        </dependency>
        <dependency>
            <groupId>org.glassfish.jaxb</groupId>
            <artifactId>jaxb-runtime</artifactId>
            <version>2.3.2</version>
        </dependency>
        <dependency>
            <groupId>org.mariadb.jdbc</groupId>
            <artifactId>mariadb-java-client</artifactId>
            <version>2.6.0</version>
        </dependency>
        <dependency>
            <groupId>org.springframework.boot</groupId>
            <artifactId>spring-boot-starter-data-jpa</artifactId>
        </dependency>

        <dependency>
            <groupId>com.h2database</groupId>
            <artifactId>h2</artifactId>
            <version>1.2.140</version>
            <scope>test</scope>
        </dependency>
        <dependency>
            <groupId>org.mockito</groupId>
            <artifactId>mockito-core</artifactId>
            <version>2.22.0</version>
            <scope>test</scope>
        </dependency>
        <dependency>
            <groupId>io.springfox</groupId>
            <artifactId>springfox-swagger-ui</artifactId>
            <version>2.9.2</version>
        </dependency>
        <dependency>
            <groupId>io.springfox</groupId>
            <artifactId>springfox-swagger2</artifactId>
            <version>2.9.2</version>
        </dependency>
    </dependencies>

The exception:
java.lang.IllegalStateException: Failed to load ApplicationContext

    at org.springframework.test.context.cache.DefaultCacheAwareContextLoaderDelegate.loadContext(DefaultCacheAwareContextLoaderDelegate.java:125)
    at org.springframework.test.context.support.DefaultTestContext.getApplicationContext(DefaultTestContext.java:108)
    at org.springframework.boot.test.mock.mockito.MockitoTestExecutionListener.postProcessFields(MockitoTestExecutionListener.java:99)
    at org.springframework.boot.test.mock.mockito.MockitoTestExecutionListener.injectFields(MockitoTestExecutionListener.java:79)
    at org.springframework.boot.test.mock.mockito.MockitoTestExecutionListener.prepareTestInstance(MockitoTestExecutionListener.java:54)
    at org.springframework.test.context.TestContextManager.prepareTestInstance(TestContextManager.java:246)
    at org.springframework.test.context.junit4.SpringJUnit4ClassRunner.createTest(SpringJUnit4ClassRunner.java:227)
    at org.springframework.test.context.junit4.SpringJUnit4ClassRunner$1.runReflectiveCall(SpringJUnit4ClassRunner.java:289)
    at org.junit.internal.runners.model.ReflectiveCallable.run(ReflectiveCallable.java:12)
    at org.springframework.test.context.junit4.SpringJUnit4ClassRunner.methodBlock(SpringJUnit4ClassRunner.java:291)
    at org.springframework.test.context.junit4.SpringJUnit4ClassRunner.runChild(SpringJUnit4ClassRunner.java:246)
    at org.springframework.test.context.junit4.SpringJUnit4ClassRunner.runChild(SpringJUnit4ClassRunner.java:97)
    at org.junit.runners.ParentRunner$3.run(ParentRunner.java:290)
    at org.junit.runners.ParentRunner$1.schedule(ParentRunner.java:71)
    at org.junit.runners.ParentRunner.runChildren(ParentRunner.java:288)
    at org.junit.runners.ParentRunner.access$000(ParentRunner.java:58)
    at org.junit.runners.ParentRunner$2.evaluate(ParentRunner.java:268)
    at org.springframework.test.context.junit4.statements.RunBeforeTestClassCallbacks.evaluate(RunBeforeTestClassCallbacks.java:61)
    at org.springframework.test.context.junit4.statements.RunAfterTestClassCallbacks.evaluate(RunAfterTestClassCallbacks.java:70)
    at org.junit.runners.ParentRunner.run(ParentRunner.java:363)
    at org.springframework.test.context.junit4.SpringJUnit4ClassRunner.run(SpringJUnit4ClassRunner.java:190)
    at org.junit.runner.JUnitCore.run(JUnitCore.java:137)
    at com.intellij.junit4.JUnit4IdeaTestRunner.startRunnerWithArgs(JUnit4IdeaTestRunner.java:69)
    at com.intellij.rt.junit.IdeaTestRunner$Repeater$1.execute(IdeaTestRunner.java:38)
    at com.intellij.rt.execution.junit.TestsRepeater.repeat(TestsRepeater.java:11)
    at com.intellij.rt.junit.IdeaTestRunner$Repeater.startRunnerWithArgs(IdeaTestRunner.java:35)
    at com.intellij.rt.junit.JUnitStarter.prepareStreamsAndStart(JUnitStarter.java:235)
    at com.intellij.rt.junit.JUnitStarter.main(JUnitStarter.java:54)
Caused by: java.lang.IllegalStateException: Cannot load configuration class: org.springframework.cloud.bootstrap.config.PropertySourceBootstrapConfiguration
    at org.springframework.context.annotation.ConfigurationClassPostProcessor.enhanceConfigurationClasses(ConfigurationClassPostProcessor.java:414)
    at org.springframework.context.annotation.ConfigurationClassPostProcessor.postProcessBeanFactory(ConfigurationClassPostProcessor.java:254)
    at org.springframework.context.support.PostProcessorRegistrationDelegate.invokeBeanFactoryPostProcessors(PostProcessorRegistrationDelegate.java:282)
    at org.springframework.context.support.PostProcessorRegistrationDelegate.invokeBeanFactoryPostProcessors(PostProcessorRegistrationDelegate.java:126)
    at org.springframework.context.support.AbstractApplicationContext.invokeBeanFactoryPostProcessors(AbstractApplicationContext.java:692)
    at org.springframework.context.support.AbstractApplicationContext.refresh(AbstractApplicationContext.java:530)
    at org.springframework.boot.SpringApplication.refresh(SpringApplication.java:754)
    at org.springframework.boot.SpringApplication.refreshContext(SpringApplication.java:386)
    at org.springframework.boot.SpringApplication.run(SpringApplication.java:307)
    at org.springframework.boot.builder.SpringApplicationBuilder.run(SpringApplicationBuilder.java:137)
    at org.springframework.cloud.bootstrap.BootstrapApplicationListener.bootstrapServiceContext(BootstrapApplicationListener.java:208)
    at org.springframework.cloud.bootstrap.BootstrapApplicationListener.onApplicationEvent(BootstrapApplicationListener.java:104)
    at org.springframework.cloud.bootstrap.BootstrapApplicationListener.onApplicationEvent(BootstrapApplicationListener.java:70)
    at org.springframework.context.event.SimpleApplicationEventMulticaster.doInvokeListener(SimpleApplicationEventMulticaster.java:172)
    at org.springframework.context.event.SimpleApplicationEventMulticaster.invokeListener(SimpleApplicationEventMulticaster.java:165)
    at org.springframework.context.event.SimpleApplicationEventMulticaster.multicastEvent(SimpleApplicationEventMulticaster.java:139)
    at org.springframework.context.event.SimpleApplicationEventMulticaster.multicastEvent(SimpleApplicationEventMulticaster.java:127)
    at org.springframework.boot.context.event.EventPublishingRunListener.environmentPrepared(EventPublishingRunListener.java:74)
    at org.springframework.boot.SpringApplicationRunListeners.environmentPrepared(SpringApplicationRunListeners.java:54)
    at org.springframework.boot.SpringApplication.prepareEnvironment(SpringApplication.java:338)
    at org.springframework.boot.SpringApplication.run(SpringApplication.java:297)
    at org.springframework.boot.test.context.SpringBootContextLoader.loadContext(SpringBootContextLoader.java:127)
    at org.springframework.test.context.cache.DefaultCacheAwareContextLoaderDelegate.loadContextInternal(DefaultCacheAwareContextLoaderDelegate.java:99)
    at org.springframework.test.context.cache.DefaultCacheAwareContextLoaderDelegate.loadContext(DefaultCacheAwareContextLoaderDelegate.java:117)
    ... 27 more
Caused by: java.lang.ExceptionInInitializerError
    at org.springframework.context.annotation.ConfigurationClassEnhancer.newEnhancer(ConfigurationClassEnhancer.java:122)
    at org.springframework.context.annotation.ConfigurationClassEnhancer.enhance(ConfigurationClassEnhancer.java:110)
    at org.springframework.context.annotation.ConfigurationClassPostProcessor.enhanceConfigurationClasses(ConfigurationClassPostProcessor.java:403)
    ... 50 more
Caused by: org.springframework.cglib.core.CodeGenerationException: java.lang.reflect.InaccessibleObjectException-->Unable to make protected final java.lang.Class java.lang.ClassLoader.defineClass(java.lang.String,byte[],int,int,java.security.ProtectionDomain) throws java.lang.ClassFormatError accessible: module java.base does not "opens java.lang" to unnamed module @3abfe836
    at org.springframework.cglib.core.ReflectUtils.defineClass(ReflectUtils.java:464)
    at org.springframework.cglib.core.AbstractClassGenerator.generate(AbstractClassGenerator.java:336)
    at org.springframework.cglib.core.AbstractClassGenerator$ClassLoaderData$3.apply(AbstractClassGenerator.java:93)
    at org.springframework.cglib.core.AbstractClassGenerator$ClassLoaderData$3.apply(AbstractClassGenerator.java:91)
    at org.springframework.cglib.core.internal.LoadingCache$2.call(LoadingCache.java:54)
    at java.base/java.util.concurrent.FutureTask.run(FutureTask.java:264)
    at org.springframework.cglib.core.internal.LoadingCache.createEntry(LoadingCache.java:61)
    at org.springframework.cglib.core.internal.LoadingCache.get(LoadingCache.java:34)
    at org.springframework.cglib.core.AbstractClassGenerator$ClassLoaderData.get(AbstractClassGenerator.java:116)
    at org.springframework.cglib.core.AbstractClassGenerator.create(AbstractClassGenerator.java:291)
    at org.springframework.cglib.core.KeyFactory$Generator.create(KeyFactory.java:221)
    at org.springframework.cglib.core.KeyFactory.create(KeyFactory.java:174)
    at org.springframework.cglib.core.KeyFactory.create(KeyFactory.java:153)
    at org.springframework.cglib.proxy.Enhancer.<clinit>(Enhancer.java:73)
    ... 53 more
Caused by: java.lang.reflect.InaccessibleObjectException: Unable to make protected final java.lang.Class java.lang.ClassLoader.defineClass(java.lang.String,byte[],int,int,java.security.ProtectionDomain) throws java.lang.ClassFormatError accessible: module java.base does not "opens java.lang" to unnamed module @3abfe836
    at java.base/java.lang.reflect.AccessibleObject.checkCanSetAccessible(AccessibleObject.java:357)
    at java.base/java.lang.reflect.AccessibleObject.checkCanSetAccessible(AccessibleObject.java:297)
    at java.base/java.lang.reflect.Method.checkCanSetAccessible(Method.java:199)
    at java.base/java.lang.reflect.Method.setAccessible(Method.java:193)
    at org.springframework.cglib.core.ReflectUtils$1.run(ReflectUtils.java:61)
    at java.base/java.security.AccessController.doPrivileged(AccessController.java:554)
    at org.springframework.cglib.core.ReflectUtils.<clinit>(ReflectUtils.java:52)
    at org.springframework.cglib.core.KeyFactory$Generator.generateClass(KeyFactory.java:243)
    at org.springframework.cglib.core.DefaultGeneratorStrategy.generate(DefaultGeneratorStrategy.java:25)
    at org.springframework.cglib.core.AbstractClassGenerator.generate(AbstractClassGenerator.java:329)
    ... 65 more

Process finished with exit code -1


When an infection is difficult to diagnose, includes high fever or doesn't respond to treatment, a primary care physician may refer patients to an infectious disease (ID) specialist.
Treatment for ID conditions will vary from case to case, but often includes prescription medication. Some ID patients can be instructed on how to use intravenous (IV) antibiotic therapy at home.
Our providers are able to prescribe and manage home IV therapy, which is becoming more prevalent as a treatment option. Our providers excel at this type of care for their patients.
It's that time of year again when children are back in school, leaves will soon be falling and the flu (influenza) will make another unwanted appearance. That's right; flu season is on the way!
MRSA Infections: Hospital Or Community?


The M1 Fairway Wood by Taylor Made is more forgiving and produces better launch and spin than prior models. It features a repositioned sliding weight track, Open Channel Speed Pocket, and weight reducing materials.
The M1 Fairway Wood offers multiple ways to customize the club to fit a wide range of players. The sliding weight track was moved farther back on the head to improve the center of gravity and forgiveness. The intuitive design of the track features a 25-gram weight that optimizes draw or fade bias by sliding the weight from toe to heel along the track. It also takes customization another step farther with a 4-degree aluminum loft sleeve to dial in the loft and face angle for a better fit.
The open channel speed pocket on the face has been enhanced to provide more forgiveness, launch, and spin than prior generations.
The multi-material construction produces a strong and light fairway wood. The body is made of 450 stainless steel, the face uses Ni-Co C300, and the crown uses the same 6-layer carbon composite material as the M1 drive. The carbon composite material saves weight in the head which allowed the center of gravity to be repositioned lower.
For superior comfort and performance, the M1 Fairway Wood uses Lamkin UTx cord grips. They provide phenomenal traction in all weather conditions.
You are about to post a review for Taylor Made M1 Fairway Woods based on your knowledge of its playability. This review will show up under all variations of Taylor Made M1 Fairway Woods, including new, personalized, and custom logo.


text:
'TIS THE SEASON TO BE SPOOKY: IGLOO RELEASES DISNEY'S THE NIGHTMARE BEFORE CHRISTMAS PLAYMATE COOLER
December 8, 2020 (Katy, Texas) – Today, Igloo and Disney released a brand-new Disney's The Nightmare Before Christmas Playmate just in time for the holiday season. Through the use of custom artwork, the stop-motion animated film's two most beloved (and in love) characters, Jack Skellington and Sally, are united on one cooler. This special-edition The Nightmare Before Christmas Jack & Sally Playmate Pal is available now at igloocoolers.com/disney.
"There's no better way to celebrate the holiday season than by incorporating a little Disney magic," said Brian Garofalow, Chief Marketing Officer at Igloo. "With this new Disney The Nightmare Before Christmas Playmate cooler featuring Halloween Town's favorite couple—Jack and Sally—fans will be able keep their Christmas party refreshments perfectly chilled; plus, it makes the perfect holiday gift for a fellow fan."
In Tim Burton's "The Nightmare Before Christmas", viewers can't help but adore the central characters Jack Skellington, Forever The Gentleman, and Sally as they fall in love with each other throughout their merry misadventure in Halloween Town and Christmas Town. With this special-edition Playmate, Igloo was able to capture the eternal and enchanting couple and their Misfit Love through detailed graphics: One side of the Playmate features Jack in his familiar dress suit and when it's flipped around, the beautifully stitched Sally can be seen.
With a 7-quart capacity (fitting up to nine 12-ounce cans), Igloo's The Nightmare Before Christmas Jack & Sally Playmate Pal cooler can be purchased for $39.99, while supplies last, at igloocoolers.com/disney.
To keep up with all things Igloo, follow and like:
About Igloo:
Born from a modest metalworking shop back in 1947, Igloo has been instrumental in redefining how we live, work and play. What began with bringing clean water to the worksite quickly moved into super-functional, best-in-class ice chests. Igloo products made the family outdoor recreation movement of the 20th century possible. Suddenly, taking your kids camping on the weekend became easy and cross-country road trips became a summer vacation staple.
As we approach our next century, Igloo is 1,200 employees strong. We are proud to call—a 1.8-million-square-foot, three-building facility in—Katy, Texas home. With more than 500 products sold at thousands of retailers around the globe, we can confidently call ourselves the number one cooler manufacturer in the world.
And through it all we haven't lost sight of our original goal—to create products that enable the pursuit of happiness (however you define it). That's why we're still working hard every day to innovate, create and make it easier for you to get out, work hard and play even harder.