text:
Ed Atkins
"The new cannot be born". On the failure to resolve the parallel realities, crises, affinities & alliances of the 58th Venice Biennale
TC, 5 June 2019
'An Afternoon for Ian' @ The Showroom, Dec 3
Pure Fiction @ Marian Goodman Gallery, Jun 10 – Jul 22
The Pure Fiction group exhibition is on at Paris' Marian Goodman Gallery, opening June 10 and running to July 22.
Curated by Julie Boukobza, the show presents selected works by artists living a "double life" in using both visual and written means as part of their practice. The survey spans people born between 1899 and 1990, including Ed Atkins, Win McCarthy, Josef Strau, Michael Dean and Pierre Klossowski, along with works like Bunny Rogers' Cunny Poems and Lily-Reynaud Dewar's A body as public as a book can be.
The press release opens with a quote from Belgian-born poet Henri Michaux —also included in the exhibition — that says "Born, raised, educated in an exclusively 'verbal' milieu and culture, I paint to de-condition myself".
Accompanying the exhibited works, will be books and writing presented on a shelf that doubles as a long frieze, while others contributions come from Robert Filliou, Giuseppe Penone and Marcel Broodthaers.
See the Marian Goodman Gallery website for details.**
Bunny Rogers @ Rapport de face à face. Rogers / Le Fraga / Abreu / Dragonetti @ Hester, New York. Image courtesy Ijin Chung.
Header image: Michael Dean, 'analogue x' (2015). Install view. Courtesy the artist + Marian Goodman, Paris.
Jerwood Award call for applications
Jerwood/Film and Video Umbrella Awards are accepting applications until March 11.
The theme of the fourth commission in the award's history is Not One Thing or Another. The two successful applicants will receive £20,000 each to realise a new film work, which will later be exhibited at London's Jerwood Space in 2017.
The theme addresses ambiguity, not belonging fully to one single thing, being in between states. It also invites artists to think about video as a medium, about the nature of projection, resolution, focussing and hovering.
Previous winners of the award are Marianna Simnett, Alice May Williams, Ed Atkins and Naheed Raza.
See the Jerwood/FVU page for details**
Marianna Simnett, 'The Udder' (2014). Film Courtesy Jerwood/ FVU.
Ed Atkins @ dépendance reviewed
Ed Atkins' 'Hisser' is inspired by the true story of a man in Florida whose bedroom fell into a sinkhole that opened suddenly and was never found. The immersive dimension of the exhibition consists two-channel video with multiple audio channels and mixed media. It presents at Brussel's dépendance, running October 31 to November 28, and almost constitutes a closed box. Entering the space from the back of the set, the viewer finds themselves facing the double video display, giving it the sense of looking at oneself in the mirror. Before walking in the installation, a quotation by famous American writer and activist Helen Keller -printed on a poster representing a wolf's head -warns us, "Avoiding danger is no safer in the long run than outright exposure… Life is either a daring adventure or nothing".
It is the same poster which is pinned above the bed of the character in the 'Hisser' video whose bed (and life) is on the brink of collapse into a sinkhole. Inside, the high definition video plays concurrently on two large projections and shows the inside of a man's bedroom, which in turn tries to show us the inside of him. The scene takes place at night, windows are opened, curtains are shaken by the wind. The bed is sometimes empty, sometimes occupied by the man in the grip of the sadness, anxiety. Talking to himself, inhaling, panting; sometimes he tries to fall asleep, to calm his spirit. "I'm sorry, I didn't know", the digitised voiceover says.
Ed Atkins, Hisser (2015). Exhibition view. Photo by Sven Laurent. Courtesy dépendance, Brussels.
Stretched out with eyes open in his white sheets, sat in front of his bedroom door, or going through forms sketched in ink on pieces of paper like a kind of Rorschach test, we are the whole inside his body, merged with his corporeality, devoured by it. The fuzziness of the image picked up by a subjective camera could be his view blurred by tears. An oppressive sound heard as if underwater could also be his breath. Another sound, of a hard drive or software repeats throughout in the film. We could ourselves become his random access memory.
Realised in CGI and animation, 'Hisser' questions the successive breaks at work in the equation of representation and technology. Between full technological power and human failure, 'Hisser' shows a character at the heart of a universe of mold-able movie effects, where in their emancipation they are also paradoxically prisoner of themselves; of a human condition, a psychic wandering. If physically this wandering is not limited to the space of the huge white desert landscape where the character finds himself walking naked at the end of the film, it indeed finds its breaking points in the story: when the rooms collapses, when the man kind of cries looking at the viewer from his bed. The video and audio also breaks in the image editing and sound treatment; effects which tremble or split into halves and a sound that is suffocating. It's a reality which twists itself, which repeats itself, as a mirror of itself as well.
Ed Atkins, 'Hisser' (2015). Install view. Photo by Sven Laurent. Courtesy dépendance, Brussels.
Atkins uses modern tools and forms to produce a film which plays on a tipping point between the ultra-presence of the image and a total wandering; a perdition, a quasi-disappearance of a character in the grip of doubt, fear, loneliness and death. But in spite of this ampleness of device, it makes the process of compassion just as extreme, a kind of existential vacuity persists. Because it is indeed the failure which is at work here. It's something that is controlled by the digital tool, but how is it embodied in the image? How does the feeling of the protagonist reach us? How can all our psychic suffering -which make us human – be at work in this hyper-realistic representation of this man?
In an2014 interview with Modern Painters Magazine the artist was asked the question of how he came to the hyperreal HD aesthetic for his videos, to which he responded: "It offers some weird possibility for performing the endeavour toward verisimilitude — lifelikeness — while completely falling short or, rather, falling back into image and structure and manipulation and design. It's this axis of emotion and artifice and performance and power that I'm totally into". 'Hisser' speaks to this 'verisimilitude', in a concept of digital i-representativeness, the paradox of the hyper-reality that is somewhere between super-materiality and invisible substance. **
Ed Atkins Hisser was on at Brussels' dépendance, running October 30 to November 28, 2015.
Header image: Ed Atkins, 'Hisser' (2015). Install view. Photo by Sven Laurent. Courtesy dépendance, Brussels.
Co-Workers – Network as Artist @ MAM reviewed
NC-15, 30 October 2015
Ed Atkins @ dépendance, Oct 30 – Nov 28
Äppärät opening reception @ Ballroom Marfa, Sep 25 – Feb 14
A reception for a new group exhibition titled Äppärät is opening at Texas' Ballroom Marfa on September 25, running until February 14, 2016.
The group show, curated by writer, curator and Frieze Contributing Editor Tom Morton, features the works of thirteen artists—among them Ed Atkins, Cécile B. Evans, Sophie Jung, Lee Lozano and Marlie Mul—examining conditions of labour and those of play, and how the two interact.
The new exhibition, which takes its title from the name of a fictional, post-iPhone device found in Gary Shteyngart's 2010 near-future novel Super Sad True Love Story, is about "the mammalian hand, and the tools it touches, holds and uses". DJ Mike Simonetti will be playing in the Ballroom Marfa courtyard following the opening reception.
See the exhibition page for details. **
An interview with Natalia Sielewicz
"I love internet cafes," says Natalia Sielewicz through a chuckle, "I have an unhealthy fascination with them". The curator is in a coffee shop next to a converted furniture sales department store of PRL Poland, that is now, temporarily, the Museum of Modern Art Warsaw where she works. She's just closed a huge four month programme of exhibitions, performances and talks by artists from around the world called Private Settings, Art After the Internet and if you're familiar with the art, or just the miscellaneous cities that that art comes from, you'd certainly understand her enthusiasm for the public-private space of the online interface.
It's an exhibition that features work by artists often labelled as, but not necessarily personally identifying with, an art movement known as 'post-internet'. There are all the key touchstones, from Ryan Trecartin, Ed Atkins and DIS, to Takeshi Murata, Metahaven and Jon Rafman, as well as some lesser-known but no less interesting artists include Bunny Rogers, Darja Bajagić, and Nicolas Ceccaldi. Pamela Rosenkranz's Fiji water bottle and spandex canvases are stretched out on one wall of the MoMAW atrium, while Korakrit Arunandonanchai's Levi's jeans body paintings are hanging on the other. Harm van den Dorpel's MoMAW building selfie is winding itself into an endless sphere, hanging from the ceiling between them.
Pamela Rosenkranz, 'Untouched by the Air of the 21. Century (My Colour Hurts)' (2014) @ Private Settings, Art After the Internet. Installation view. Courtesy MoMAW.
You might note that those artists mentioned above are based along the faultline of a 'global' network that's still centered around the traditional economic centres of the US, UK and western Europe. But there's also the 'Live Distillation' (2013) single-channel video-installation from South Africa's CUSS Group, work by Saudi Arabia's Sarah Abu Abdallah and a response to Derek Jarman's 1993 film Blue by Poland's Gregor Różański. There are a few artists you'd expect to be included that aren't and even a couple that you wouldn't that are.
That's because the conversation going on around Private Settings is more interesting than age groups and vaguely shared aesthetics. With less of the corporate and none of the speculative, the focus of the exhibition is set squarely on interrogating subjectivity and its interaction with the contemporary consumer-focussed, hyper-capitalist milieu of the internet, by extension questioning what exactly 'post-internet' as a branded catch-all really represents. That is, post-internet as a contemporary condition that doesn't just affect those living where the major markets are, while recognising its influence as a hegemonic spread: "Maybe it's even more honest to speak from this western-centric perspective because we're not colonising other countries with this hot word in a very ideologically-charged way that's both socially and geographically placed."
You mentioned that when curating the show there was less of a focus on the aesthetics associated with this particular generation of artists and more on identity and the body.
Natalia Sielewicz: I started by looking at Private Settings as a space of intimacy, of performing your identity, not only online; also of how there's this constant feedback between your online space and offline space interacting with each other. I thought that maybe we could define that precisely as 'private settings' and ask whether this is specifically domestic space, is it feminised space? Or is it basically a space where all these issues collide with each other?
And an important thing to me was also, not really thinking about 'private settings' as privacy settings, all the issues around surveillance and manipulation. Of course, that is also part of the show but what I found more intriguing was how the 'black mirror' of your iPhone or your laptop can give an illusion of intimacy, even though we're constantly performing in a very narcissistic, exhibitionistic way among our peers and on social media.
I think we have to come to a new conclusion on how to define this condition that we live in and how to apply it to different groups of artists, and different media, without sounding crass and without pissing anyone off. Because even some artists who are in the show wouldn't want be branded as 'post-internet', where as maybe there would be a need for some of the Polish artists to be part of the bandwagon. Or maybe not. It's treacherous ground [laughs].
There's often a misconception that because something is presented online, that it has some kind of broadened reach. But the internet, and social media specifically, is so personalised, dispersion is so specific. You can post something and assume that everyone will see it, but everyone won't.
NS: Well, going back to this thread of colonisation, regional colonisation and also social colonisation, after 1989 many former eastern European countries tried to abolish the label of being 'eastern', with or without much success. But for at least 10 years the market, the galleries, the institutional shows, everywhere in Europe would really help to colonise eastern European arts of the 90s, or of the early 2000s. The same artists would reappear and it would be something that the later generations would also have to fight against. So maybe it's just the natural order, but that brings me to this whole conversation about, say, African post-internet art. I'm sure that it would create a scene that will be perceived as, you know, the Nigerian 'post-internet scene' of 2015, 2018 [laughs] and maybe that will evolve into something else…
But it's still a label that's originated in the west so maybe you're right in suggesting that it should potentially stay western-centric…
NS: Yeah, I don't know, I've been thinking about this. There's such richness in art-making everywhere and there's such a richness in the internet that's not western-specific. Maybe we should just let region-specific art flourish without branding it immediately with our Western stamp of evaluation.
I also have a problem with white hegemonic institutions doing there documentA-style research… putting it in neat boxes and categories and high-fiving itself. There is of course the educational potential of that, as long as we allow the subaltern voices to be truly heard, clear and loud.
One of the things that blows my mind, it how impressive Polish graphic design was in the 60s and 70s and how bad it is now. It seems like an extreme reaction to anything that looks vaguely Soviet.
NS: Partially, yeah, that's a part of it. We have this term that's called 'typo polo'…
Typo Polo (2014) curated by Rene Wawrzkiewicz. Exhibition view. Courtesy MoMAW.
Like disco polo?
NS: It reflects the terrible aesthetic of early capitalism from the 90s, where it was basically like GeoCities but in the public sphere. People started opening their own enterprises and small businesses, and when you'd drive on the 'Route 66' in Poland you'd see all of these really horrible advertising billboards, with really horrible typography. They'd have company names that stand for a thirst for one's own first business, or their first million, so anything with a suffix '-ex' or 'pol'. Like, 'Natalex', for Natalia, or 'Glaspol'; anything that would connote western glamour and success 'incorporated', whatever service you're offering and wherever this service is originating from.
This is actually now fetishised in Poland. You have DJ collectives that play on this trope, what we call the 'kwejk aesthetic'. Kwejk is a website that's like 4chan or something but rooted in a Polish aesthetic and Polish domains. It's really crass and disgusting, quite funny but in a very crude way, and it's embracing this identity that was really pushed under the carpet for many, many years by intellectual and social elites.
It's quite interesting how, with modernisation, you have to work with these tensions between your aspirations and retaining your identity, even questioning whether there is such a thing as a core identity of a nation state or a nationality.
That reminds me of those pierogi restaurant chains here, Zapiecek, where the wait staff wear those generic folk outfits…
NS: Well, that's catered to tourists, right? That happens everywhere. I'm talking about something more 'street' and something more rooted in everyday vernacular, of kebabs that are falling apart and underground kiosks near the central railway station…
We had this show at the Museum, which was actually called Typo Polo, and featured graphic design of the 90s from old public services and private businesses and there's an amazing energy in this abundance and excess. I think it's really interesting to think about in terms of excess. Because, perversely, and speaking of post-internet, I don't think it's dealing with excess, I think it's trying to contain things and feelings to an object.
It's interesting to think of 'typo polo' as this kind of contemporary folk art. I heard that there's a similar thing going on with immigrant communities running small businesses in places like Berlin, that this internet café and kebab shop aesthetic is actually tied to identity.
NS: I think that's what CUSS from South Africa is doing too. It's a totally different aesthetic but they do in situ projects in internet cafés and I think it's part of this aestheticisation, or a certain genre of the internet cafe as this transitory place. It's also sad because here you can't find them any more.
Speaking of London, it's like this really clandestine public space, where you're with other people sending money through Western Union, expats are looking for flats and families from the Middle East are on Skype because they can't set up a direct debit so they can't have a BT or Virgin Mobile broadband connection…
But to give you an example of the Polish 'typo polo' corporate aesthetic present in, let's say, Polish post-internet art that I think is happening, is that instead of Red Bull of Fiji water, artists would use Monster Energy drink, or these Polish slippers from the 90s called Kubota [laughs].
I felt like this Private Settings exhibition was a good bookend to thinking about post-internet for 2014, or a significant point of transition at least. The label has already been absorbed as a fashion, there are artists making a lot of money and the brand has been reabsorbed into corporate advertising, even as it has just recently been appropriated from it. But I think the exhibition represents a certain maturity of the themes being explored across its artists.
NS: Well, I wonder if in general that might be a certain perception of post internet as this immature hedonistic youth culture of the present… Of course, I am critical of the show as well, but one thing I really didn't want to do was replicate the aesthetic, to the point that at one moment I was like, 'oh my god, this is not looking like post-internet art' [laughs]. **
Select arrow top-right for exhibition photos.
Private Settings, Art after the Internet group exhibition, curated by Natalia Sielewicz was on at Museum of Modern Art Warsaw, running September 25 to January 4, 2015.
Header image: Korakrit Arunandonchai @ Private Settings, Art After the Internet (2014). Courtesy MoMAW.
Private Settings @ MOMAW, Sep 25 – Jan 6
Ed Atkins' exhibition + performance @ Serpentine galleries reviewed
Ed Atkins is a multimedia artist whose primary means of expression is high-definition 3D animation. His strange, psychedelic and almost psychotic eponymous solo exhibition at the Serpentine uses a CGI avatar, 'Dave', as a performing protagonist who appears across multiple screens across the gallery. Dave, or dismembered parts of his body, is/are scattered throughout the show: a surprisingly bloodless head dropping down stairs, a piece of a torso mounted MDF board accompanied by poetry, a drunk resting on a table with a glass of booze and never-ending cigarette in hand – Dave is everywhere. His naked body appears with scrawled black marks that verge between poorly made tattoos and reminder notes. Dave is a bald, at times menacing, extreme drinker who revels in his own gratuitous self-effacing dialogue. His story is not narrated; his dialogue is without reason. He is an abstract fantastical character intent on creating a submersing and chaotic environment without any clear purpose.
Currently hosting the largest UK exhibition to date of work by Atkins, the Serpentine hosted a poetry reading by the artist at Smiljan Radi pavilion on July 11th complement the solo show, integrating sounds, drinks and props found in the his animated videos.
Ed Atkins Installation view, Serpentine Sackler Gallery, London (11 June – 25 August 2014) Photograph © 2014 READS
Atkin's vividly animated avatar performs and harmonises throughout 'Ribbons' (2014), a three channel video piece that forms the core of the exhibition. Part of the allure of the work is that it's impossible to place. 'Ribbons' is part music video, part horror story, part sound poetry, and totally over the top. In some ways Atkins is updating several of the curatorial coordinates mapped by Mathew Barney in his Cremaster Cycle series – through autobiography, fantastical alternate realities, the use of screens as sculptural interventions, and most notably by displaying components of the film in the form of props through out the gallery – but for the most part Atkins is creating his own haunting metaverse where the visitor is forced to come face to face with the artist's digital surrogate.
The video channels that make up 'Ribbons' and their accompanying speakers are configured in an intriguing way. Standing at different parts of the show you can view different screens at once or hear different harmonies from different angles. Watching Dave's mouth is mesmerising and he (Atkins provides the voice and animation), can sing surprisingly well, belting out Henry Purcell's 'Tis women makes us love' (1865), Randy Newman's 'I Think it's Going to Rain Today' (1968) and songs from Bach's 'St Matthew Passion' (1727). The effect is eerie, and the mixture of tunes is both comedic and melodramatic.
Stills from the three-channel HD video 'Ribbons' (2014) © 2014 Ed Atkins. Courtesy of CABINET, London and Galerie Isabella Bortolozzi, Berlin
For all its randomness there are times in which Atkins succeeds in harbouring a unique focus towards the materials he's digitising. Poured blood, piss and vodka have a globular hyper-defined appearance that is complemented by sounds that are clearer then the glass they land in. Broken glass sounds sharper than if it were on fragmented across pavement. These noises add to the overall ambiance of the show, they serve as an integral facet to Dave's dialogue: hyper-realistic found-object sound poetry. There is a lack of perceptible clarity in Atkins' output, as is the case with Ryan Trecartin and Lizzie Fitch's installations or Ian Cheng's free-floating balls of assembled 3D matter. This however is a draw, Atkins produces psychedelic immersive digital environments that are striking in their immediacy, not art-historically rooted works.
Atkin's video practice is complemented by his tact as a writer. He recently concluded his sojourn as artist in residence at the Whitechapel Gallery, and his Serpentine Park Nights event on July 11 featured a poetry reading where the artist voiced several stanzas from the exhibition on repeat. For the completion of the performance, half of the attendees (who were in on the act) harmonised with the artist, providing a surround sound ending to the drink-fueled evening. This emulated the effect achieved by the surround sound in the gallery – not to mention the glasses were the same ones animated in 'Ribbons'. Much like the secondary semantics of the exhibition, it was the feeling of being in the space that counted. **
Ed Atkins' solo exhibition is running at London's Serpentine Galleries, June 11 to August 25, and his Park Nights performance ran on July 11, 2014.
Header image: Ed Atkins, Installation view, Serpentine Sackler Gallery, London (2014). Photograph © 2014 READS
Ed Atkins + Park Nights @ Serpentine galleries, Jul 11
Ed Atkins @ Serpentine Gallery, Jun 11 – Aug 25
Serpentine galleries is hosting an exhibition of artist Ed Atkins' work, running at London space from June 11 to August 25.
As one of the most prominent artists of his generation, Ed Atkins' work often takes the form of High Definition video and text, subverting the conventions of both literature and moving images, as is the case with his recent and multi-screen video project, Ribbons, which will celebrate its UK premiere at at the gallery.
As the gallery adapts to suit the sub-horror atmosphere of Ribbons, its walls will become submerged in syncopated sounds, bodies, and spaces that explore the ambivalent relationships between reality and its virtual form.
There will also be an introduction to the exhibition, led by curator Lucia Pietroiusti, on June 21.
See the Serpentine galleries exhibition page for details. **
Ribbons installation view. Image courtesy Serpentine galleries.
Shimmering World Conference submissions close Jan 7
There's been much talk around aesthetics and the slick image in art lately and speaking out for the 'pro' camp will be the Shimmering World: gloss, sheen and the politics of production values in contemporary culture conference in Manchester on April 25, 2014.
The venue is still yet to be announced but confirmed speakers include Ed Atkins, David Panos, Hannah Sawtell and Tamara Trodd. In the meantime, organisers Paul Clinton and Luke Healey are calling for papers exploring the possibilities of "highly polished modes of production". Carrying on from Jan Verwoert's claim of "the dead elegance of the cibachrome print", they're welcoming abstracts on the subject, with and from the position of the art object, until close of submissions, January 7.
See the Shimmering World website for details. **
Tomorrow Never Knows @ Jerwood Space reviewed.
Right now, the prevalence of HD video is a focus in contemporary art and Southwark's Jerwood Space is ideal for looking at the way emerging practitioners are using the medium. Tomorrow Never Knows (The Jerwood Film and Video Awards) presents us with a story of twos. There are two artists, Ed Atkins and Naheed Raza, and their two films, 'Warm, Warm, Warm Spring Mouths' (2013) and 'Frozen in Time' (2013), respectively. They're presented at an exhibition based on the completion of a two-year cycle, which has seen four moving-image artists compete for the bursary and commissioning fund of £56,000 from Film and Video Umbrella.
Naheed Raza, 'Frozen in Time', installation view, 2013. Image courtesy of the artist.
Continue reading Tomorrow Never Knows @ Jerwood Space reviewed.


早在 sunny 寫 Craigslist 那篇文章的時候,就已經準備要寫這一篇下集了,期間也有一位好心網友提醒過,不過拖拖拉拉還是到現在,趁著比家人早起的週日早晨,趕快來寫吧!!!
sunny 就把 Goodwill 翻譯為 "好心願" 吧!
How do we achieve our purpose? Since San Diego's Goodwill chooses NOT to conduct traditional fundraising activities, we use the revenue we gain from selling your donations; fee-for-service, reuse, recycling and salvage activities to fund the operation of paid job training programs and employment services.
說實話, sunny 拿東西去捐獻站捐了無數次,還沒去過一次好心願商店呢,因為之前在我們附近並沒有 Goodwill 的商店。上圖的這一家,就是今年才蓋的新店 (等紅燈的時候拍的),離 sunny 家很近, 6/10 要開幕營業了,據說開幕之後,將會是全聖地牙哥區面積最大的好心願實體商店,到時候一定要去看看!
NOTE: Retail Store opening June 10, 2010 10:00am.
Please note that we do not accept everything that is considered e-waste, only computers, laptops, cellphones, telephones, and computer parts & accessories and other electronic items. We DO NOT accept florescent lights, or batteries of any sort.
We offer pick up services for donations that include furniture items in good to great condition with no missing pieces, tears or stains (excluding mattresses and items that are too heavy)- or for large loads pre-qualified by customer service. Lead time can range from 2-4 weeks depending on when you call and are based on your zip code and our fixed truck routes.
下次家中大掃除,不知道如何處理不用的東西,也不想花時間做 garage sale 的話,就把東西拿到 Goodwill 來捐吧! 利人又利己,何樂而不為呢?
Note: Document Destruction drop off closes 1/2 hour before store.
Donation Center: (back of Store) 8:30-4:30 daily.
NOTE: Donations may be brought in through the front door after 4:30.
Please call Department for current hours.
CHULA VISTA/ TELEGRAPH CANYON - DONATION CENTER Don's Auto Center, 495 Telegraph Canyon Road, Chula Vista, CA 91910 (805 & Telegraph Canyon) Open 7 days from 8:30-5:00.
North of Route 52 on Convoy outside entrance to recycling center.
NOTE: We are unable to accept electrical items OR electronics (including TVs and computers) at this location. We do accept these items, working or not- at all of our other locations.
I-15 & Mira Mesa Blvd.
Just west of the freeway on the north side of the street.
Please call for current hours: (619)428-2718.
East San Ysidro Blvd to Border Village, go west to Front St.
說到這個,Sunny 剛來美國的時候,還曾經對 garage sale 和 yard sale 有過很深的困惑,因為當時不知道有這種形態的拍賣,可是每個週末總會看見路邊會有一些寫著這些字眼的廣告牌子, sunny 當時很不能理解,為什麼賣房子不連著車庫或院子一起賣,而是單獨賣車庫或是院子? 家裡自己住,把車庫賣給別人停車,或是把院子賣給別人用,這樣不是很奇怪嗎???
話說前一陣子 sunny 的電腦螢幕突然死掉不能用了,查了一下店裡的價格,加上稅之後最便宜的也要 $150 以上 (是說現在加州的州稅又漲了,美國居大不易呀~), 所以我就上 craigslist 去看看能不能找到合適的二手螢幕。結果ㄋㄟ,買到一台 "全新未拆封" 的螢幕,只花了 $100, 很巧的還是從一位台灣學生買來的呢!
話說前天 sunny 要到 Chase 銀行的得來速車道去存一張支票的時候,發現它們的提款機變了! 變得好神奇喔!
螢幕上接著問我: "你存進去的金額是 $ (金額自動馬賽克~),此金額是否正確?" 哇????? 這老虎不但可以吃進去支票,還可以看得懂支票上手寫的金額耶!!! 傑克,這真是太神奇了!!!! 因為他顯示的金額完全正確耶!!! 我簡直驚訝得快合不攏嘴了,我真的懷疑老虎機器裡面躲著一個小人呢!
就因為這麼奇怪的設計 (有時候真的覺得美國人的邏輯思考觀念很怪!!!), 所以很難想像連人都有可能弄錯面額的鈔票, Chase 銀行的新式 ATM 可以立刻判斷出來存進去的紙鈔每種面額各多少張,簡直是太神奇了!!! 我下回要來試試看! 只是萬一機器數錯的話,該怎麼辦呢?
在 Horton Plaze 停車可以有三個小時的免費停車,可是離開停車場之前,必須要先到驗票亭去插卡認證才行,認證機長這樣 "Parking Validation"
倒是維他命 B (Energy B) 還不錯喔,也粉好吃,而且重點是.... 它寄來的時候沒有被高溫融化..... 哈哈!
Delicious gummy vitamins with no artificial colors, flavors or preservatives.
Glucose Syrup (Corn), Sucrose, Gelatin, Natural Flavors, Citric Acid, Lactic Acid, Colors (Annatto, Turmeric, Carrot and Blueberry Juice), Fractionated Coconut Oil and Beeswax.
Take only as directed. Do not exceed suggested dosage. If you have a medical condition, are on medication or are pregnant or nursing, do not use this product. Seek the advice of a qualified health care professional before using. Do not use if inner seal is broken or missing. Keep out of the reach of children.
This product may settle during shipping. Store at room temperatures. Do not expose to excessive heat or moisture. Natural colors will darken over time. This does not alter the potency of the product.
所以出門在外,如果要找洗手間的時候,可以說:" Excuse me, where is the restroom?"
理論上小費是對於滿意的服務的一種感謝, 可是由於不成文的習慣, 造成美國餐飲業的服務人員不受最底工資的保護, 必須仰賴小費的收入來維持合理的薪水. 所以雖然 "理論上" 小費是自由給的, 但是實際上, 小費是非給不可的, 你沒有自由可以到一個有人為你服務的餐廳去用餐而不付小費的.
基本上, 只要有人為你服務的服務業, 你都得付小費, 包括餐廳 (速食店不必), 旅館, taxi, 美容院 等等. 其中到餐廳吃飯付小費是最常碰到的情況了.


text:
Frank "Sonny" Milano (born May 12, 1996) is an American professional ice hockey left winger who is currently playing for the  Washington Capitals of the National Hockey League (NHL). He was selected by the Columbus Blue Jackets in the first round, 16th overall, of the 2014 NHL Entry Draft.

Early life
Milano was born on May 12, 1996, to parents Frank and Caroline Milano in Massapequa, New York. Growing up, Milanow was a fan of the New York Islanders and his favorite player was Ziggy Palffy. He began skating at the age of two after seeing his sister skate during her figure skating lessons.

Playing career
Growing up in New York, Milano played in the 2009 Quebec International Pee-Wee Hockey Tournament with the New York Rangers minor ice hockey team. He left home at the age of 15 after being recruited by Cleveland Barons coaching director Tim Alexander to play for the Barons' Midget Minor Tier 1 team. Milano spent his freshman year at the Portledge School in Locust Valley before moving to Rocky River High School while playing with the Barons. During the 2011–12 season with the Barons, Milano led the entire Tier 1 Elite Hockey League with 44 goals and 43 assists for 87 points through 40 games. He subsequently tried out for the USA Hockey National Team Development Program in January 2012 but failed to make the team.

Junior
Milano was rated as a top prospect who was widely projected to be a first round selection in the 2014 NHL Entry Draft. He trained with the USA Hockey National Team Development Program team during the 2012–13 and 2013–14 seasons, and was invited to participate in the 2013 CCM/USA Hockey All-American Prospects Game.

Milano was committed to play for the Boston College Eagles men's ice hockey team in the Hockey East Association.  However, on August 16, 2014, Eagles' head coach Jerry York announced Milano had advised the team of his intention to sign a professional contract with the Blue Jackets, thus forgoing his college eligibility. During the 2014–2015 season, Milano was playing for the Plymouth Whalers in the OHL. On September 11, 2014, Milano signed a three-year entry-level contract with the Blue Jackets.

Professional

Columbus Blue Jackets

On March 23, 2015, Milano concluded his OHL career and was assigned to the Blue Jackets American Hockey League (AHL) affiliate, the Springfield Falcons. He immediately made his professional debut with the Falcons and recorded five assists through 10 games. Milano participated in the Blue Jackets training and development camp before being re-assigned to their new AHL affiliate, the Lake Erie Monsters, for the 2015–16 season. Upon joining the Monsters, Milano tallied 12 goals and 27 points through 48 games before being recalled to the NHL level on an emergency basis on March 30, 2016. He scored his first career NHL assist in his second game on April 2 to help the Blue Jackets beat the Carolina Hurricanes 5–1. Milano remained with the Blue Jackets for three games before returning to the AHL for the remainder of the season. He finished the 2015–16 regular season with 14 goals and 31 points through 54 games. He finished tied for fifth in goals and sixth in points for the Monsters. Milano was an important player for the Monsters in their 2016 Calder Cup playoffs push. He accumulated four goals and four assists for eight points through 17 games as the Monsters clinched the Calder Cup.

Following their Calder Cup win, Milano returned to the Blue Jackets' 2016 development and training camp prior to the 2016–17 season. Although he was originally assigned to their newly named AHL affiliate, the Cleveland Monsters, to begin the season, Milano was recalled to the NHL on October 21. At the time of the recall, he had accumulated one goal through two games. He did not play during his callup and was returned to the AHL for two more games before returning to the NHL on November 4. Milano made his season debut on November 9, playing on the second line alongside center Boone Jenner and right wing Cam Atkinson. Despite the numerous call ups, Milano ranked second among all Cleveland players with .33 goals per game in all situations through six games played. By February 21, Milano ranked second in team scoring with 11 goals and 14 assists for 25 points while also tying Markus Hännikäinen for most goals among active Monsters players. His production continued to steadily increase as the season continued and he added five goals and 13 assists by April. As a result of his play, Milano earned his third call up of the season on April 3. Milano played in one game with the Blue Jackets before returning to the AHL level on April 5. He earned two more call ups on April 9 and 15 as the Monsters concluded their regular season. Milano finished his second professional season leading the Monsters in points and assists with 18 goals and 29 assists for 47 points. While with the Blue Jackets, Milano made his Stanley Cup playoffs debut on April 16 during their first-round series against the Pittsburgh Penguins. His debut came during Game 3 as he replaced a suspended Matt Calvert.

After spending the majority of two seasons in the AHL, Milano played a career-high 55 games at the NHL level during the 2017–18 season. For the first time, he made the Blue Jackets roster directly out of training camp and immediately scored his first career NHL goal on October 6, 2017, to shut out the Islanders 5–0. He continued to produce and quickly accumulated four goals in his first three games of the season. As the season progressed, coach John Tortorella played Milano on the left wing on the third line where he averaged around 15 minutes a game and earned time on the power play. Despite his early success, Milano was sent back down to the Cleveland Monsters on December 3, 2017, after registering 10 points in 24 games. Coach Tortorella later explained that he was re-assigned due to an overflow of forwards in the lineup not as a result of his play. Milano recorded two assists through two games with the Monsters before being recalled back to the Blue Jackets on December 9. After continuing to go pointless in the NHL through the following four games, Milano was returned to the Monsters on December 22. However, as injuries quickly began to befall the Blue Jackets lineup, Milano and forward Jordan Schroeder were recalled to the NHL on December 26 an emergency basis. During this recall, Milano recorded his second two-goal game of the season in a loss to the Ottawa Senators on December 29. His overall play earned him an extended stay in the Blue Jackets lineup as he replaced Boone Jenner on the left wing of the second line. However, he shortly thereafter suffered a torn oblique muscle during a game against the Toronto Maple Leafs on January 8 and was expected to miss four to six weeks to recover. At the time of the injury, Milano had recorded eight goals and five assists for 13 points through 35 games. Once Milano was activated off of injured reserve on February 16, he was re-assigned to the AHL level. This would be Milano's last assignment as he was recalled to the NHL on February 26 and stayed with the team for the remainder of the season. He subsequently finished the 2017–18 AHL season with two goals and three assists for five points and four penalty minutes through nine contests. Upon returning to the Blue Jackets, Milano was often paired with centre Nick Foligno and right winger Oliver Bjorkstrand. However, Foligno was replaced with Brandon Dubinsky once he suffered a long-term injury in late March. As the Blue Jackets clinched a berth in the 2018 Stanley Cup playoffs, Milano finished the regular season with 14 goals and 22 points in 55 games. Despite this, he was made a healthy scratch for Game 1 of the Stanley Cup first round to make room for Foligno's return. Milano made his post-season debut  in Game 2 as a replacement for an injured Alexander Wennberg. Milano played three games with the Blue Jackets during the postseason, averaging 6:45 minutes of ice time but recording no points, shots, or shot attempts.

For the second straight season, Milano was named to the Blue Jackets' opening night roster prior to the start of the 2018–19 season. However, after scoring only one goal in eight games for the Blue Jackets, Milano returned to the Monsters for the remainder of the season. Injuries severely limited Milano's playing ability with the Monsters and he finished the season with 11 goals and 13 assists for 24 points through 27 games. At the conclusion of the season, Milano accepted the Blue Jackets' qualifying offer to remain with the team through the 2019–20 season. During the 2019 offseason, Milano switched trainers and stated he felt more confident in his game. After making the teams' opening night roster for the 2019-20 season, Milano played his first NHL game in 349 days. He recorded five goals and 13 assists for 18 points through 46 games with the Blue Jackets before being traded to the Anaheim Ducks in exchange for Devin Shore on February 24, 2020.

Anaheim Ducks and Calgary Flames
Upon joining the Anaheim Ducks, Milano recorded two goals and three assists through nine games before the season was paused on March 12 due to the COVID-19 pandemic. On July 28, 2020, the Ducks signed Milano to a two-year, $3.4 million contract extension. Once the 2020–21 NHL season began, Milano was placed on the Ducks' top line alongside Ryan Getzlaf and Rickard Rakell. However, they struggled to produce and only earned one point among them through the teams' first four games. Milano shortly thereafter suffered another injury and he was assigned to the Ducks' AHL affiliate, the San Diego Gulls, on a Long-Term Injury Conditioning Loan on February 17.

At the conclusion of the  season and his contract with the Ducks, despite establishing new offensive career highs, Milano was not tendered a qualifying offer and was released as a free agent. After going un-signed over the summer, Milano opted to join the Calgary Flames on a professional tryout contract to attend training camp. He participated in the pre-season with the Flames before he was released from his tryout without a contract on September 27, 2022.

Washington Capitals

Beginning the  season without a club, Milano was belatedly signed to a one-year, $750,000 contract with the Washington Capitals on October 17, 2022. He was immediately placed on waivers and upon clearing was assigned by the Capitals to AHL affiliate, the Hershey Bears. Milano recorded three points through five games with Hershey before being recalled to the NHL level on November 2, 2022. During this call-up, Milano collected a primary assist in his 200th career NHL game as the Capitals fell 4–1 to the Pittsburgh Penguins on November 8. As he became a mainstay in the lineup, Milano found a place on a line with Dylan Strome and Nicolas Aubé-Kubel. He was later placed on a line with veterans Tom Wilson and Niklas Bäckström. By early February, Milano ranked fourth on the team in goals and sixth in scoring since his NHL debut. He ranked third on the team with eight even-strength goals and had also recorded 14 assists through 40 games. As a result of his performance, Milano signed a three-year contract extension with an annual salary cap hit of $1.9 million.

International play

As a 16-year-old Milano won a bronze medal with Team USA at the 2013 World U-17 Hockey Challenge, and as a 17-year-old he helped the USA squad capture the gold medal at the 2014 IIHF World U18 Championships. Milano recorded 2 goals and 2 assists at the 2015 World Junior Championships. Milano was part of the bronze medal-winning USA U20 squad at the 2016 World Junior Ice Hockey Championships.

Milano was named to Team USA to compete at the 2018 IIHF World Championship, along with teammate Cam Atkinson.

Personal life
On July 7, 2019, Milano and then-Colorado Avalanche forward A. J. Greer, were arrested in New York City for alleged third degree assault. The alleged assault was reportedly over the victim demanding money after getting Greer and Milano table service at a nightclub. Charges were subsequently dropped in January 2020 after Greer and Milano paid an undisclosed amount for the victim's medical bills and completed community service.

Career statistics

Regular season and playoffs

International

Awards and honors

References

External links

1996 births
Living people
American men's ice hockey forwards
Anaheim Ducks players
Cleveland Monsters players
Columbus Blue Jackets draft picks
Columbus Blue Jackets players
Hershey Bears players
Lake Erie Monsters players
Ice hockey players from New York (state)
People from Massapequa, New York
National Hockey League first-round draft picks
Plymouth Whalers players
San Diego Gulls (AHL) players
Springfield Falcons players
USA Hockey National Team Development Program players
Washington Capitals players

redpajama_set_name: RedPajamaWikipedia


The newest update to Yonex's Pro Bag Series, this infinite blue 12 pack bag is the perfect durable, stylish bag for any competitive player on the market today. The Yonex Pro Series 12 Pack bag features three large racquet compartments which will hold up to 12 uncovered racquets plus extra gear. One compartment features a climate protective thermal lining inside the bag, helping to protect rackets and gear against harmful weather conditions. Very convenient zippered shoe compartment located at the bottom of the bag. Two padded adjustable straps that can be used as backpack straps and two grab handles for an easy carry. Heavy duty design.
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The average Fahim Anwar tickets price will cost you between $88 and $90, if you are looking for the cheapest seats then catch the event being held at the Jimmy Kimmel's Comedy Club at the LINQ, Las Vegas on 19/05/2019. The average ticket will cost you the highest on 17/05/2019 at the Jimmy Kimmel's Comedy Club at the LINQ, Las Vegas.
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text:
Rink Wraps
2013 Rink Wrap: Troy Brouwer
From Alzner to Ward, we're taking a look at and grading the 2013 season for every player who laced 'em up for the Caps for a significant number of games during the campaign, with an eye towards 2013-14. Next up, Troy Brouwer.
By Kareem E. May 23, 2013, 11:00am EDT
Share All sharing options for: 2013 Rink Wrap: Troy Brouwer
Photo by Clyde Caplan/clydeorama.com
Japers' Rink Player Card (click for hi-res version; a glossary of terms used in this post can be found here; data via Behind the Net, Hockey Analysis, CapGeek and NHL.com; h/t Habs EOTP):
Brouwer and his most frequent linemates:
2013 Capitals 5v5 Forward Usage, via Hockey Abstract:
Brouwer's Past Five Seasons (via Hockey Analysis):
Previous Rink Wrap: 2011-12 (5.60 rating)
Key Stat: Brouwer's 0.40 goals per game output (and 33 goal pace across a full 82-game season) was the highest output from a Caps second-line winger since Alexander Semin's 0.43 goal pace in 2010-11.
Interesting Stat: Troy Brouwer, a right wing, had a 48% faceoff percentage across 232 draws, a higher win percentage than Mike Ribeiro (45%).
The Good: Brouwer had a good regular season, and was among the team leaders in a number of areas. He finished second on the team in goals with 19 (including a team-high 7 game-winners), power play goals with 7, shots (111) and hits (108). His average ice time (18:47) and power play time (1:31) were both third among Caps' forwards (excluding oft-injured Brooks Laich), and he was one of two Caps forwards (Nicklas Backstrom being the other) who skated more than a minute-and-a-half per game on each special teams unit. And he only took nine minor penalties, finishing the season with the fewest minors per minute of any top-six forward. Overall, Troy did what was expected of a second-line winger – he scored, he was physical, he played special teams and he avoided putting the team in bad situations.
He even danced.
But the bigger question looming over Brouwer before the season started whether he would be able to fill the void left by the departing Alexander Semin, the divisive, love-him-or-hate-him (or both) former Cap who had the second-line scoring winger role locked down in the nation's capital for years. Big shoes to fill, no doubt, but Brouwer's stat-line was certainly comparable.
In Semin's last two seasons in DC, he averaged 0.35 goals, 0.76 points and 0.89 penalty minutes per game. Brouwer's pace in 2012-13 was 0.40 goals, 0.70 points and 0.60 penalty minutes, a similar stat line (save for the reduced penalty minutes). Additionally, Brouwer was able to give the team a bit more in terms of penalty killing and physicality, while not being relegated to a perimeter game. True, Troy wasn't going to pull people out of their seats with marvelous play-making the way Semin often had... but all goals count the same, right? And with Brouwer's cap hit of $3.7 million, they came at almost a 50% discount over the pricier Semin. More importantly, Brouwer's ascendancy into the second-line wing at half the price freed up enough cash for the Caps to bring in Mike Ribeiro, aka that coveted 2C the team had desperately needed for years.
Aside from the offense and the cheaper price tag, the way Brouwer was used by Adam Oates shouldn't go unnoticed (see above usage chart). He played tough minutes without the benefit of a lot of offensive zone starts, which likely explains his lower possession metrics (47.9% Fenwick, 10th among Caps' forwards, and a -3 CORSI Rel, 11th on team). Give him easier minutes and more o-zone starts, and it's likely he'd see those numbers creep over to the good side of the Fenwick line.
The Bad: While he mimicked Semin's more recent output in the regular season, he also mimicked Semin's more recent playoff disappearances - an aspect of Semin's game that were not missed when he left town. The Disappearing Act That Was Troy Brouwer wasn't for lack of trying, of course; he finished the playoffs with a respectable 13 shots and threw in some physicality with 19 hits. But in the end trying wasn't enough, as Brouwer netted just one goal and one assist in seven games against the Rangers, and was noticeably absent for long stretches of the series.
Playoff performance aside, a further look at Brouwer's numbers show that he, like some of his teammates, grew fat on the power play. Of his 33 points on the season, he only produced 13 at even strength, and his 1.35 Pts/60 at five-on-five placed him tenth among Caps forwards, behind Joel Ward and Jason Chimera. He was 11th among forwards in even strength goals/60, 11th in goals-against/60 and 14th in Diff/60. Part of that is obviously due to the tough minutes he logged, but there's certainly room for improvement - especially as a top-six forward (and of course a healthy Brooks Laich should help ease his workload). Ultimately, Brouwer had what amounts to a career year because of his performance on the power play, something that may not be repeatable if teams begin to adjust to Adam Oates 1-3-1.
And then there was his penchant for talking... perhaps too much at times (especially for someone whom certain segments of the fanbase still resent this atrocity). From his summer comments on Roman Hamrlik to taking swipes at Alex Semin, his signal-to-noise ratio is questionable. Regardless of whether he's right or wrong, his style and tone can come off inflammatory and potentially be a distraction to a team that already deals with enough drama. Then again, George McPhee has referred to him as one of the game's great leaders - so maybe the buttons he's pushing are the right ones.
The Vote: Rate Brouwer below on a scale of 1-10 (10 being the best) based on his performance relative to his potential and your expectations for the season - if he had the best year you could have imagined him having, give him a 10; if he more or less played as you expected he would, give him a 5 or a 6; if he had the worst year you could have imagined him having, give him a 1.
The Discussion: What role should Brouwer be used in next year? Should he tone down his statements to the press, or is it good for the Caps to have an outspoken player like Brouwer on the team? What would it take for him to earn a "10"?
More on Brouwer's season: GM on a Couch - Troy Brouwer: Season in Review
Rink Roundtable: Caps at the Half 41 games down, 41 to go... the Rink Crew chats about where the Caps are and where they're going.
Hagelin? How About Hagelout? When every dollar matters, every dollar matters
The Noon Number: Not So Special A look at a problem you knew the Caps had and one that you maybe didn't realize

redpajama_set_name: RedPajamaCommonCrawl


text:
Chris Hanson
Huddersfield golfer Chris Hanson steaming on with new sponsorship deal
Hanson said: "To have the backing from such a highly respected world-renowned organisation gives me a huge confidence boost"
Linda Whitwam
John Eyre (left) Woodsome Hall pro, Chris Hanson (centre) and David Pitts of The Jacobite
Chris Hanson has unveiled a key sponsorship deal with David Pitts and The Jacobite steam train for the coming PGA Challenge Tour.
The Jacobite is the line made famous in the Harry Potter movies and runs from Fort William to Mallaig from April to October.
Hanson said: "To have the backing from such a highly respected world-renowned organisation gives me a huge confidence boost.
"Along with the financial support allowing me to plan and commit to all this year's tour events, I am also proud to represent Woodsome Hall Golf Club and have their support."
The Jacobite's David Pitts added: "I have the belief that 2014 will be the year that Huddersfield can proudly boast of having a top European Tour professional, and we will be proud to be a part of that.
"Chris has the ability and attitude to compete with the world's greatest and I am sure we will hear much more about him in the coming months."
Hanson leaves for Dubai en route to Kenya at the end of February. But he has not been letting the (frozen) grass grow under his feet.
As well as spending time with his young family, the Woodsome Hall man has converted his garage to a mini gym for core strengthening exercises under the guidance of Andy Appleyard, strength and conditioning coach, and sports physiotherapist Craig Coulson.
He added: " It sounds crazy but when you're on the road from week to week you don't really get to develop your game.
"It's more about play, play, play and prep for each event.
"I've had a good month of hard work in January with swing coach Mark Pearson and Iain Highfield, my mind coach at Oulton Hall, and I feel my game is certainly going in the right direction."
Anyone thinking of using Glasgow and Edinburgh as a base for next year's Ryder Cup at Gleneagles can get a discount of up to 10% on the Jacobite by quoting 'C-Hanson-Ryder' when booking.


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text:
Q: How to fetch data after clicking button and limit number of fetch-es I would like to use SWAPI (https://swapi.co/) to fetch data, I have created below code, but I am concern that I use too much fetch- that the architecture is wrong.
The plan is: 1st fetch base data (create buttons from them) then click the button and fetch data from another URL and display them (when links are shown, also change them to buttons)
I have created buttons and fetch data (for now console.log them)
//get the base list of attributes
let mainContent = document.getElementById('mainContent'); // div with id=mainContent
let mainList = new Map();
let mainUrl = fetch('https://swapi.co/api/'); //base URL

mainUrl
  .then(response => response.json())
  .then(list => {
    for (let main in list) {
      mainList.set(main, list[main]);
    }
    mainList.forEach((value, key) => {
      createButton(value, key);
    });
  })
  .catch(err => console.error('Caught error: ', err));

let createButton = (value, key) => {
  let button = document.createElement('button');
  button.setAttribute('name', key);
  button.setAttribute('value', value);
  button.innerHTML = key;
  button.addEventListener('click', e => {
    console.log(e.target.value);
    return fetch(e.target.value)
      .then(response => response.json())
      .then(resp => {
         console.log(resp.results);
      });
  });
  mainContent.appendChild(button);
};

I expect to list people etc. from clicked URLs but i would expect to use less fetch

redpajama_set_name: RedPajamaStackExchange


This Network Programming Study Guide provides notes and information intended to guide students towards successful completion of the Network Programming (CMST 355) class offered by K–State Polytechnic, which is the campus of Kansas State University located in Salina, Kansas.
The text book for this class is Foundation of Python Network Programming by John Goerzen, Apress, 2004, with updates from the second edition of the same. All references in this guide to The Text Book are to Goerzen's text. See the Preface to the Network Programming Study Guide for some comments about the book and this study guide.
Network Programming is a class taught at K–State Polytechnic by Tim Bower. Self study of the material in the Study Guide is welcome.
1.3. Welcome to Network Programming!
2.10. What Does That Line of Python Code Do?
© Copyright 2009, Tim Bower. Created using Sphinx 1.4.4.


text:
Reshaun Walkes comes full circle in being drafted by Toronto FC
TORONTO — Reshaun Walkes watched the MLS SuperDraft online, hoping to see his name pop up. Then the MLS site crashed.
Fifteen minutes later he got a call from his agent saying he had been drafted.
"But the site's down," the 22-year-old forward from Brampton, Ont., recalled thinking. "I was in shock in a way. I didn't see it so I didn't want to believe it until I saw it. But if he's telling me, then it must be true. So it was a mixed reaction.
"But I saw it at in the end. It was an unreal moment — especially being my home team."
Walkes, taken in the third round (59th overall) of the virtual draft last Tuesday, has come full circle.
The six-foot 167-pounder left home to pursue his soccer dream, first at Lewis and Clark Community College in Godfrey, Illinois, and then the University of Texas Rio Grande Valley in south Texas.
Toronto FC has already played part of that dream. He survived a couple of tryouts with the TFC academy before being cut about a decade ago.
"It was definitely a motivating factor," he said. "Because the way I am, whoever doubts me I try to prove them wrong, in a way. So I felt that it pushed me more to get where I am now and it's funny that it's the same team (that drafted me)."
Walkes did not hold grudges. He grew up supporting TFC — as well as Arsenal, with Thierry Henry a favourite — and attended matches at BMO Field, even serving as a ball boy once.
He said his family had been rooting for him to be taken by Toronto in the draft.
Bob Bradley, TFC's new head coach and sporting director, said Walkes' attraction was simple.
"He's a goal-scorer. He's athletic, he's a threat and I like the way when he gets in certain situations that he finishes,'' he said.
Walkes scored 27 goals and added 19 assists in 30 games with Lewis and Clark.
In Texas, he led the Vaqueros last season in points (25), goals (nine), assists (seven), shots (37), shots on goal (25), and game-winning goals (two) while playing in all 17 matches, including 13 starts.
He finished third in goals and fourth in assists and points in the Western Athletic Conference and was named to the All-WAC second team for the second year in a row. He had five goals in eight games in his first season.
UTRGV coach Bryheem Hancock noted the increase in assists by Walkes in his second year in the program.
"I saw an unselfishness out of him this season. I saw him take more of a leadership (role)," Hancock told the school website. "I thought he had a very consistent year."
The Vaqueros roster included fellow Canadians Trevor Schneider (Coquitlam, B.C.) and Elyad Shojaei (Vancouver) as well as talent from Brazil, England, Germany, Ghana, Mexico, New Zealand and the U.S.
Walkes had considered trying going straight to the Canadian Premier League after high school but said he listened to advice that he combine school and soccer.
"I ended up taking the chance and going to (college). And it paid off, thankfully."
Walkes, calling his time in Texas a "great experience," credited Hancock for helping him improve on and off the field.
"I feel they just pushed me to be not just a better player but as a person towards my teammates as well — the whole complete thing," he said. "Because I came in from my JUCO (Lewis and Clark) thinking of just myself, I guess you could say.
"And coach Hancock, everyone in the coaching staff, showed me that it's a team game. You play well, the team plays well, we all play well together, you get results."
He will take that attitude to TFC, looking to improve his game so he can help "whatever team I get put on."
"Obviously it would be the first team if I had a choice but … wherever I go I'm willing to give my hardest."
Toronto players are scheduled to undergo medicals Sunday and Monday before flying to California on Tuesday in search of warm weather for training camp. The season kicks off Feb. 26 in Dallas.
Walkes is the second player in UTRGV history to be taken in the MLS SuperDraft after Kyle Edwards (Houston Dynamo, fourth round, 2020).
Walkes also helped the Des Moines Menace win the USL League Two regular-season and playoff titles in 2021, scoring one goal in 13 appearances for the Menace.
Follow @NeilMDavidson on Twitter
This report by The Canadian Press was first published Jan. 15, 2022
Neil Davidson, The Canadian Press
Toronto FC adds Canada Soccer Hall of Famer Paul Stalteri to coaching staff
Toronto FC head coach Bob Bradley has added former Canadian international Paul Stalteri to his coaching staff. A club spokesman said Bradley, who doubles as TFC's sporting director, has also brought Mike Sorber on board as technical director while Carlo Valladares will serve as video analyst coach. Bradley is retaining incumbent goalkeeper coach Jon Conway. The MLS team escaped snowy Toronto on Tuesday, flying south in search of warm weather in California where it will hold the first portion of
How might patients access the COVID-19 antiviral pill?
Infectious diseases specialists Dr. Susy Hota and Dr. Isaac Bogoch talk about how people might be able to access the new COVID-19 antiviral pill, Paxlovid, and how it could impact the health-care system.
Microsoft buys Activision Blizzard
Microsoft is paying nearly $70 billion for Activision Blizzard, the maker of 'Candy Crush' and 'Call of Duty,' as it seeks an edge in the fiercely competitive businesses of mobile gaming and virtual-reality technology. (Jan. 18)
COVID-19 concerns lead to voluntary 10-day lockdown in Fort McPherson, N.W.T.
The community of Fort McPherson, N.W.T., went into a voluntary 10-day lock down Jan. 15 after 28 people had to go into self-isolation due to COVID-19 exposures. People in the hamlet of 730 people are being asked to stick to their household bubbles. The hamlet and housing offices have closed. "Just as a precaution and as a concern, we decided that's the easiest and best way to address COVID-19 in the community," Mayor Richard Nerysoo told CBC Northwind host Wanda McLeod. Nerysoo said people shoul
WASHINGTON (AP) — During his first year in office, President Joe Biden took action on a number of his key campaign promises, from rebuilding U.S. alliances globally to distributing vaccines across America and the world. But others remain works in progress or dependent on Congress to address. That's particular true of his promises to reform the nation's immigration system, where Biden is caught between the demands of his Democratic base and Latino voters and the realities of a steep influx of mig
Quebec, Ontario officials express cautious COVID optimism, others brace for the worst
Officials in Quebec and Ontario expressed hope on Monday that the peak of the current wave of COVID-19 hospitalizations could soon be behind them, while other provinces braced for new hardships. Ontario Premier Doug Ford told Ottawa radio station CFRA that his government may announce a plan to reduce COVID-19 restrictions in the coming days, even as the province set a new daily record for hospitalizations. "There's no one that dislikes these lockdowns more than I do. I actually despise them," th
Groundwater — not ice sheets — is the largest source of water on land and most of it is ancient
Groundwater is the second-largest store of water on Earth. Governments and industry use groundwater reservoirs to store waste, but it may also have environmental functions that haven't been revealed.
Durham board won't change name of Julie Payette Public School despite controversy
The Durham District School Board says it has decided it won't change the name of a Whitby, Ont. elementary school named after former governor general Julie Payette. Trustees voted in favour of keeping the name of Julie Payette Public School at a meeting on Monday, according to Margaret Lazarus, the board's superintendent of equitable education, and Andrea Williams, the school's principal. Lazarus and Williams said in a letter to parents and guardians on Tuesday that the board had set up a school


The former Canadian ambassador to the United States and past premier of Manitoba, Gary Doer, has joined Dentons in its Toronto office.
In the role of senior business adviser, Doer will be working with all of the firm's offices across Canada (including Calgary, Edmonton, Ottawa, Montréal and Vancouver), throughout the United States and around the world.
"I think advocacy through an international law firm, particularly with assets in the United States could be a real advantage for Canadians and for Americans to get stuff done," says Doer.
Doer served as Canada's ambassador to the United States from October 2009 to March 2016.
Prior to that, Doer was the 20th premier of Manitoba, from 1999 to 2009, leading the New Democratic Party to win three consecutive majority governments. During his 10 years in office as premier, he led strategic investments in health care, education and infrastructure, and worked with both U.S. and Mexico governors to improve trade and energy co-operation.
"I was involved as a premier in the European trade discussions and one of the big issues for Europe was procurement for subnational governments. I was very involved in that process and very aware of what the benefits are for Canada. I was very involved in TPP (Trans Pacific Partnership) negotiations, which gives some certainty and parameters to state-owned enterprises in dealing with free market countries like Canada, the United States and Mexico," he says.
Doer also referenced Prime Minister Justin Trudeau's current visit to China.
With the U.S. election months away, Doer says whatever the outcome — Trump or Clinton — the focus for Canada will be to emphasize that Canada is the largest trading partner Americans have.
Doer will work with Dentons' Canada-U.S. trans-border practice. He will also be deeply involved in the firm's global public policy initiatives.
"We are honoured to welcome Gary to Dentons — his arrival further strengthens the unmatched talent and scope of our team of business and public policy advisors," said Chris Pinnington, Dentons' Canada chief executive officer, in a statement.


text:
Ex-police chief accused of making 'racial' comments, mayor's office says
By EVAN MACDONALD • Updated Aug 30, 2017 at 9:17 AM
AKRON (TNS) — Derogatory comments that now-former Akron Police Chief James Nice is accused of making before Mayor Dan Horrigan asked him to resign were "of a racial nature," a spokesman for the mayor's office said.
Horrigan said Monday at a press conference that Nice is accused of making disrespectful remarks about other city employees. Horrigan asked Nice to resign after he learned of the remarks and other misconduct allegations against Nice over the weekend.
Horrigan declined to elaborate on Nice's remarks, but Assistant to the Mayor and Chief of Staff James Hardy confirmed they were racial in nature. Hardy declined to say who the remarks were directed toward.
"Out of respect for the employee involved we will not be commenting further in regards to that conduct," he said in an email.
Nice's attorney, Michael Callahan, could not be reached for comment Tuesday morning.
Horrigan said at the press conference that Nice made the remarks while discussing a criminal investigation involving his nephew. Joseph Nice, 41, was indicted April 12 on charges of grand theft, forgery and tampering with evidence, Summit County Common Pleas Court records show. He's accused of forging a motor vehicle title, records show.
The Summit County Prosecutor's Office is investigating the misconduct allegations against Nice, who resigned Sunday. The prosecutor's office declined to comment on the ongoing investigation.
The allegations against Nice include conduct unbecoming of an officer, inappropriate contact with a city employee and potential criminal misconduct, Horrigan said.
The Akron Beacon Journal reported that Nice is accused of coercing a female employee into a relationship. Horrigan and other officials declined to elaborate on any additional allegations.
Horrigan appointed Maj. Kenneth Ball as interim chief of the police department. The mayor and other city officials will follow a formal process outline in the city's charter before selecting the a permanent police chief, Horrigan said.
(c)2017 Advance Ohio Media, Cleveland
Visit Advance Ohio Media, Cleveland at www.cleveland.com.


The rivalry between South Dakota State and South Dakota ended after the 2003 season, when the Jackrabbits left the North Central Conference and moved their athletic teams to the Division I level.
After eight years apart, the rivalry resumed in 2012, after USD completed its own transition to Division I and joined the Missouri Valley Football Conference.
The Jackrabbits won that first Division I meeting 31-8, and have maintained the upper hand since. USD is still looking for its first DiI win over SDSU, coming into Saturday's regular-season finale with an 0-6 record. SDSU also won the final three meetings in the Division II era, so the Jacks have a nine-game winning streak going against the Coyotes.
Here's a look back at all six meetings of the new era, and a few of the more memorable ones from Division II.
For the first time, SDSU and USD came into their meeting both ranked as FCS teams, both on their way to the playoffs.
In a back-and-forth battle between the two most prolific offenses in the Valley, took a 17-7 lead on a 69-yard touchdown pass from Taryn Christion to Jake Wieneke, but USD rallied back to take a 21-17 lead on a 10-yard strike from Chris Streveler to Dakarai Allen.
The Jacks, however, built a 10-point lead late on a 17-yard touchdown pass from Christion to Cade Johnson, and while the Coyotes got within three with another connection between Streveler and Allen in the final minutes, SDSU recovered an onside kick and ran out the clock.
Future Philadelphia Eagle Dallas Goedert had 11 catches for 117 yards.
The Jacks came in at 6-3, closing in on a playoff berth and conference championship. The Coyotes were 4-5, theoretically holding on to longshot playoff hopes but mostly looking to play spoiler. They almost succeeded.
In the first game of the rivalry to be played at Dana J. Dykhouse Stadium, the teams were tied at 21 in the fourth quarter when USD's Alex Gray intercepted Taryn Christion and the Coyotes drove into the Jackrabbit red zone with a chance to take the lead. But normally reliable kicker Miles Bergner pushed a 32-yard field goal attempt wide right, and the Jacks responded with 80-yard scoring drive that ended with a 7-yard touchdown run by Christion to provide the winning margin.
Before this game the Coyotes had yet to even really compete with SDSU in one of their D1 clashes, but USD had spent the better part of 2015 distancing themselves from a dismal 2014 campaign, and took a 20-10 lead into the fourth quarter.
Freshman quarterback Taryn Christion struggled for the Jacks, so coaches John Stiegelmeier and Eric Eidsness called upon veteran Zach Lujan in the fourth quarter, and watched the junior lead the team to a come-from-behind victory.
Lujan directed a quick scoring drive early in the fourth to cut the lead to 20-17, then engineered another one as soon as the Jacks got the ball back, giving them a 24-20 lead.
When Nick Farina added a 41-yard interception return for a touchdown, the Jacks had a 20-0 fourth quarter blitz and went on to secure the win.
At 7-3, a playoff spot was probably secure for SDSU, but a win in the regular season finale would certainly lock it up. This one was never close.
In the last home game of Zach Zenner and Austin Sumner's careers, SDSU scored three first-quarter touchdowns on their way to a 37-0 lead before USD landed a couple of late punches in garbage time.
Sumner threw for a career-high 395 yards and three touchdowns, dropping the Coyotes to 2-10 on the season, which included an 0-8 mark in the Valley.
A crowd of 10,845 was on hand to witness SDSU's return to the DakotaDome, and the Coyotes put up a fight.
Trailing 13-6 at the half, USD got a 13-yard touchdown pass from Kevin Earl to Terrance Terry in the third quarter, but missed the extra point, allowing the Jacks to maintain a one-point edge.
The Jacks pushed their lead to eight on a 5-yard pass from Sumner to Jason Schneider early in the fourth, and it stayed that way until USD drove into Jacks territory late in the game looking for a game-tying score, when Winston Wright picked off an Earl pass and raced 82 yards for a score to put it away.
The Coyotes were welcomed to Division I by a crowd of 15,278, who watched the Jackrabbits roar to a 21-0 first quarter lead and dominate USD with their defense.
The Jacks led 24-0 heading to the fourth, when USD finally got on the board when Mike Garvey scooped up a blocked punt and took it in for a score. After a two-point conversion made it a two-score game, USD tried an onside kick and failed.
SDSU took advantage of the short field with Zenner taking one in from a yard away to provide the final margin. The All-American running back had 164 yards on 28 carries in the game.
The first game ended in a 6-6 tie in a game played in Sioux Falls. Touchdowns were worth four points back then, with conversions worth two. According to a story written by Chuck Cecil this fall for State magazine, it took two days traveling by horse for the SDSU squad to get to Sioux Falls for the game.
No details aside from the 6-6 final exist, other than it was part of a two-day series of competitions between the two schools in Sioux Falls that included baseball, a track meet, and an oratorical contest. When the series resumed in 1900, USD did not lose its first game to SDSU until 1919.
On the way to a 6-1 record and a North Central Conference championship, the Jackrabbits played in front of a Hobo Day crowd estimated at more than 10,000. It was considered the biggest crowd for a football game in state history at the time.
"Funston" (no first name was given) from USD put the Coyotes up 3-0 with a dropkick in the second quarter but the Jacks answered with a 29-yard field goal from Frank Welch to tie it. Welch then hit Frank Kelley with a 37-yard touchdown pass in the second half to give SDSU the lead and a 10-3 victory. The Jacks' only loss that season was to Michigan State.
SDSU was amid a fight for its first – and only – Division II playoff berth in its first-ever visit to the DakotaDome. The Jacks took at 33-21 lead with 4:54 to play on a four-yard run from Gary Maffett, but the Coyotes responded with an Emmett Huston TD run with a little more than two minutes remaining.
USD go the ball back with 1:02 to play and were on the Jacks' 25 with 17 seconds left when Brian Hermanson, current Washington High School football coach, intercepted a pass to end USD's threat. It was the first time SDSU had won in Vermillion since 1966.
USD was on its way to the Division II national championship game that season but needed to beat the Jacks for the second time in 1986 to stay in the hunt for a playoff spot.
Quarterback Scott Jones scored five touchdowns for the Coyotes, including three in the span of seven minutes in the third quarter that broke the game open. SDSU's Jeff Tiefenthaler caught 14 passes for 234 yards, establishing an NCC record with 23 career TD receptions in a 51-39 Coyote win.
The last game, played at the DakotaDome, was a 22-11 Jackrabbit victory. The Jacks scored 19 seconds into the contest with Brad Nelson hitting Brian Janacek on a slant pattern that went for an 84-yard touchdown.
SDSU led 22-8 at half and limited the USD offense in the second half with the help of Coyote turnovers. Former Detroit Lion Stefan Logan finished with 160 yards rushing for USD.


Today I was downloading another spiritual self-help video. In the process of making sure that it was saved to the place I intended, I accidentally ran across a yearly astrological birth chart analysis that I had saved from 2015. Just for fun I decided to check it out before deleting it, although I was sure there would not be anything there that would be useful in almost 2017. But nothing could have been further from the truth. When I originally received it in 2015, I had skimmed through it. I did notice that it actually mentioned a few dates reaching into 2017, which I ignored at that time. It was very detailed, with many categories and dates, so it was impossible to remember or properly digest all of it at one time.
For months after that I read parts of it now and then, and each time I found the current information interesting, but spread through the document in such a way as to be overwhelming in scope. So one day, instead of making yet another attempt at digesting the information, I sat down and colored every pertinent date yellow, like a computer version of a yellow highlighter pen. Then I gave it an icon on my desktop, and occasionally, when the spirit moved me, I would skim through it and look at what applied to the current date.
I never noticed anything particularly earth-shattering there, but it always gave me comfort and hope for good things to come. Then I would forget all about it for a while again. My visits to those pages became less and less often, and now it has been several months since I even thought about looking at it. In fact, I had forgotten that it was even on the desktop, and this time I actually noticed it in my documents list. Before I deleted it, I figured I should at least see what I was throwing away, and I am very glad I did.
Whew! This information is all applicable to my present life, especially those words and phrases I have underlined. Note how they resonate with what I have already expressed in this blog for the past 2 weeks! I have talked about learning about myself and who I am—my identity--by reviving long buried memories. And also how I now understand better the root causes of some of my past suffering and that of my family members. I have mentioned how inspiration has at times flooded my mind again lately.
My angels have apparently chosen to reacquaint me with the information in that guide from 2015 to let me know that I am following my destined path. This is evident as my book continues to make progress toward being in the hands of people who can be helped by it. And further evidence is shown in the deepening of my understanding of myself and expanding my spiritual insight regarding my unique place in the fabric of the cosmos.
They say hindsight is better than foresight, and it does apply here. When I originally read the guide I was looking forward, and it all sounded like a flight of fancy. But now that I can look back on what actually happened, it is amazingly descriptive of the developments in my life for the past 2 years. Maybe there really is something to this birth star-chart thing……or perhaps it is just my angels wanting to give me confirmation that they are guiding me to a destination that I cannot yet see. And all this is occurring within the exact time frame that was laid out over 2 YEARS AGO!!!
For instance, just today I realized that this blog that they guided me to start 2 weeks ago may one day be the content for a follow-up book to HELLO MYRMIDON. It would have a similar format, but instead of letters between pen pals it could be a series of messages from my angels to me and to the readers, to help us all to understand ourselves better. For sure that is my best Christmas gift this year, and knowing that it is lovingly sent especially to me from God's angels makes it perhaps the best Christmas gift of my lifetime.


After a pair of deflating losses in Games 3 and 4 of their Blue Mountain League semifinals matchup against Northampton, Limeport co-manager Mike Cudwadie knew two things: The Bulls needed a quick start and their bats needed to come alive in Game 5.
Limeport scored 15 runs in Games 1 and 2 of that series to take a 2-0 lead. But the bats seemed to disappear after Northampton evened the series at two games apiece and held the Bulls to just one run.
Professional soccer will be back in Bethlehem and the Philadelphia Union made things official on Wednesday afternoon at Lehigh University's Goodman Stadium.
The Union held a press conference announcing it will continue its player development structure by launching its own team in the lower division United Soccer League.
Union CEO Nick Sakiewicz was joined by Lehigh University president John Simon and USL CEO Alec Papadakis for the announcement.
The team is expected to play in Goodman Stadium and implements an important element in the club's player development.
Jake Hebert's story is a unique one.
Hebert, one of a handful of talented pitchers on the Northern Yankees' pitching staff, grew up in Missouri and later attended his first years of college in Illinois. Just last November, Hebert moved to the Macungie area and transfered to Lehigh Carbon Community College where he plays baseball in the spring.
On Sunday night, Hebert brought the Yankees one step closer to their first Blue Mountain League title after experiencing plenty of success in the Tri-County League.
The saga of expanding the PIAA football classifications from four to six classes will continue into the fall.
The PIAA's two committees responsible for the matter the strategic planning committee and the football steering committee met in late July to discuss the eight proposals on the table for football classification expansion.
Ultimately, no decisions were made on the fate of moving to six classes, as the boards agreed to table the discussion for this fall when the strategic planning committee meets in September, followed by a PIAA board meeting in October.
Just a week ago, it looked as if the road to another championship appearance in the Blue Mountain League would be easy for Limeport.
The Bulls, who finished the regular season with the No. 1 seed in the playoffs at 25-11, quickly built a 2-0 series lead against the Northampton Giants. A pitching spectacle from ace Adam Maini in Game 1 led to an 8-0 win. A 7-5 victory the next day brought the Bulls within one win of their fourth championship appearance in six years.
After plenty of success in the Tri-County ranks in recent years, the Northern Yankees transitioned to the Blue Mountain League a year ago with much of the same triumph. In their inaugural BML season, the Yankees were one of the final four teams standing in last year's playoffs.
But a 1-0 series lead in the semifinals against Limeport quickly diminished to a 3-1 series defeat in a matter of days, leaving an uneasy feeling in the Yankees' stomachs.
When Tim Hertzog took over the Lower Macungie Connie Mack team this summer, he would have been pleased with a .500 record.
Lower Mac achieved more than that, and one win separated the Mustangs from a potential spot in the state tournament. After a 10-8 record in the regular season, a 2-1 series defeat to Nazareth was the only thing that kept Lower Mac from being one of six teams representing the Lehigh Valley in states.
And while Hertzog would have enjoyed that stage with such a young team, he's particularly proud of how Lower Mac finished 2015.
Lower Macungie wasn't able to field a team for the 2014 Lehigh Valley Legion season, but came back strong this season, getting off to an 8-1 start. It was at that point though that things took a turn and could have gone very badly for the team, if not for the coaches and players not allowing things to fall apart.
Lower Macungie pictured a much different end to its Lehigh Valley Legion season than what it encountered Sunday in the Region 2 playoffs. The Mustangs exited after just two games in the double-elimination tournament with losses to Perkiomen and Muhlenberg in their first two games of the event, which was held in Freemansburg.
Muhlenberg eliminated Lower Macungie in a 7-6 game that went 10 innings. Muhlenberg scored a quick run in the bottom of the tenth on a double, sacrifice bunt and an RBI single that pushed across the winning run.
Every summer, the main goal for the Emmaus boys basketball team is to reach Sunday at the Stellar Catch A Rising Star Tournament.
The Green Hornets are always looking to play well, win games, and improve as a team to gain experience for the winter season, but moving on to Sunday is the benchmark each team looks for.
Down two players in injured starters Joey Polczynski and David Kachelries, Emmaus won two games and advanced to Sunday's final day.


While we had seen hints at changes to the Windows Phone People and Phone apps coming to Windows 10 for phones before, a BUILD 2015 presentation focusing on Windows Phone user data revealed more about how contacts will be handled within the new operating system as well as a few visual design changes.
In addition to the previously revealed streamlined design, new circular profile photos and the removal of the Rooms feature, other observed changes include the expected transition to the Universal App format, the addition of Voice Mail to the Phone app's upper menu, contacts' photos now showing up next to their names in Call History, and a new pull-down menu for specific contact information from select services such as the phone's SIM card, Skype, Lync, and Xbox.
Pulling contact information from multiple services is, as current Windows Phone users already know, a feature already implemented in the People app on Windows Phone but the inclusion of a pull-down menu to separate each category of information does reduce the need for excessive scrolling and finger swiping for the user. This is something Microsoft has already been seen focusing on as seen by the new links for People, Groups, and What's New which will all be viewable on screen at once in Windows Phone 10 for phones as opposed to the continuous horizontal menu design which is currently used.
An interesting addition is the support for connecting contacts to Xbox accounts which is a functionality that has been long overdue, especially when you consider Microsoft owns the gaming platform and already links Xbox accounts to other Microsoft services. With the shift to Universal Apps and the potential for the People app to appear on the Xbox One console itself, the possibility is there for further integration between the Xbox Friends List and linked contacts to allow greater ease in finding friends to add all from within a single app as opposed to having to type in or search for a Gamertag after acquiring it directly from the user as is currently the case.
With the numerous features available to Windows Phone users, it's easy to forget that the device's main purpose is to actually be a phone and while changes to the way contacts are handled may not initially be as exciting as new camera filters or video editing tools, the evolution of the People app is something that will affect the way every single Windows Phone owner uses their device on a daily basis.


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Senior Interns at World Famous Apollo Theater
(photos courtesy of the Apollo Theater)
George Jackson '76 is Fordham Prep's most famous alumnus who made his mark in the record industry. Among other career successes, Jackson, was named president and CEO of Motown records in 1997. During his tenure, he guided the Temptations to their first hit album in over 20 years.
Senior Janssen Rhea's career aspirations can only be described as Jacksonian. To that end, this fall Rhea participated in an internship at the world famous Apollo Theater in Harlem. He is spending eight weeks after school alongside members of the Apollo's staff learning about all aspects of their operations including, production, marketing, and community outreach.
A friend of Rhea's father, his father himself a graduate of a Jesuit high school (University of Detroit High School) first introduced him to the idea of participating in the program. Janssen has been playing music for as long as he can remember and is an active participant in the Fordham Prep music program as a drummer. This was the first time he really thought about making it a career.
Not knowing what to expect, he was pleasantly surprised with his acceptance. After securing the blessing of the administration to leave slightly early from school on the days he was assigned to work, Rhea began the program in the early fall.
He has spent time working for multiple departments but has mainly focused on programming. Rhea and the rest of his internship class have been tasked with the development of an event that will take place at the Apollo in 2020. Janssen's role is to find young musicians to participate in the program. This includes reviewing online submissions as well as attending concerts at venues like the historic Carnegie Hall. As part of his work, he has also spent time honing his office skills like reviewing contracts and creating presentations.
He credits Fordham Prep with helping him develop the skills to be prepared for such an endeavor. During his time on the Rose Hill Campus he has played hockey and ran track. He has also been involved in student government. Rhea said, "The Prep taught me serious time management skills as well as the ability to work with others." He credits his experience on those sports teams, the band, and the collaborative nature of Dr. Martin Carney's junior year Religious Studies class in helping him develop the latter.
As he prepares to leave the Prep in the spring, Rhea is confident the school has changed him. It has not only given him the tools to succeed in college but it has allowed him to follow his passions both inside and outside the classroom. It may just have helped him find his life's work. While his internship officially ends this month, the event he has helped to create will take place next year. He is very excited to see the finished product. Similarly, the Fordham Prep community is excited to see what Janssen has in store for himself and, quite possible, the music industry, in the years to come.


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Q: Reprocess specific masstransit message in a new saga and finalize current I'm using Masstransit 5.1.4 with sagas. I have a saga where I want to implement the following behaviour:

*

*When a StartMsg is received -> transition to Active state

*While in Active state, several events are processed

*If a StartMsg is received in this state, the current saga is finalized and reprocess the StartMsg within a new saga instance

How can I achieve this?
Here is a small pseudocode
Initially(
    When(StartEvt)
        .Then(...)
        .TransitionTo(Active)
    );
During(Active,
    When(OneEvt)
        .Then(...),
    When(AnotherEvt
        .Then(...),
    When(EndEvt)
        .Finalize(),
    When(StartEvt)
        // Finalize current saga
        // Transition to initial state reprocessing StartMessage bound to StartEvt

A: You would need to finalize the current saga, and publish an event (or send it, to the same queue, using Send) which would create a new saga instance. In this case, you'd also need to use a saga repository which would properly lock around the correlationId, so that you aren't processing two messages at the same time for the same correlation, which would likely find the existing instance before it was deleted.
You could NOT do it in a single message handler, although, thinking about it, why would you need to finalize, versus resetting the current saga instance back to an initial state?
Also, you might consider using a separate correlationId for the subsequent startMsg, so that you can keep track of each "attempt" at finishing. Otherwise, you won't know if late messages from a previous attempt would confuse the actual state of the current attempt - since you'd have no way to distinguish them.


A doctor was having an affair with his nurse. Shortly afterward, she told him she was pregnant. Not wanting his wife to know he gave the nurse a sum of money and asked her to go to Italy and have the baby there.
He replied, "Just send me a postcard and write 'spaghetti' on the back." "I'll take care of expenses." Not knowing what else to do, the nurse took the money and fly to Italy.
Six months went by and then one day the doctor's wife called him at the office and explained.
"Dear, you received a very strange postcard in the mail today from Europe, and I don't understand what it means."
Later that evening the doctor came home, read the postcard, fell to the floor with a heart attack.
Paramedics(护理人员) rushed him to the ER. The lead medic stayed back to comfort the wife. He asked what trauma had precipitated the cardiac arrest.
So the wife picked up the card and read "Spaghetti, Spaghetti, Spaghetti, Spaghetti - Two with sausage and meatballs, two without."


McKee Homes presents the Nelson with an open and comfortable floor plan. In additional to a formal dining room and study, the large family room and eat-in kitchen make for perfect entertaining opportunities. On the second floor, the sizeable master suite provides a relaxing escape. Depending on your needs, the adjacent bonus room can become a game room, craft room, or even a fourth bedroom. The unfinished third floor adds plenty of storage, or can be finished to create additional living space. The Village at Rockfish is located near I-95 and Hwy 87. Only 10 minutes from downtown Fayetteville and 20 minutes from Fort Bragg. The development borders Rockfish Creek, where canoes can be seen paddling along. With direct access to Interstate 95, its only a short drive to Raleigh or the coast.
Exterior: Low maintenance vinyl siding, vinyl shakes and vinyl trim. Garage door with opener and two remotes. Single hung vinyl windows with tilt out bottom sashes, half screens and grids. 20 year 3-tab shingles. Professional landscape package with sod in front and sides (up to 15 pallets) and seeded rear. Home Team Pest Defense TAEXX Built-in Pest Control System. Schlage electronic front door lock compatible with Apple Homekit. Gutters on front of the home. Covered back porch (per plan).
Dining Room: Chair rail and decorative elements.