text:
#include "lapacke_utils.h"

lapack_int LAPACKE_chetri( int matrix_layout, char uplo, lapack_int n,
                           lapack_complex_float* a, lapack_int lda,
                           const lapack_int* ipiv )
{
    lapack_int info = 0;
    lapack_complex_float* work = NULL;
    if( matrix_layout != LAPACK_COL_MAJOR && matrix_layout != LAPACK_ROW_MAJOR ) {
        LAPACKE_xerbla( "LAPACKE_chetri", -1 );
        return -1;
    }
#ifndef LAPACK_DISABLE_NAN_CHECK
    if( LAPACKE_get_nancheck() ) {
        /* Optionally check input matrices for NaNs */
        if( LAPACKE_che_nancheck( matrix_layout, uplo, n, a, lda ) ) {
            return -4;
        }
    }
#endif
    /* Allocate memory for working array(s) */
    work = (lapack_complex_float*)
        LAPACKE_malloc( sizeof(lapack_complex_float) * MAX(1,n) );
    if( work == NULL ) {
        info = LAPACK_WORK_MEMORY_ERROR;
        goto exit_level_0;
    }
    /* Call middle-level interface */
    info = LAPACKE_chetri_work( matrix_layout, uplo, n, a, lda, ipiv, work );
    /* Release memory and exit */
    LAPACKE_free( work );
exit_level_0:
    if( info == LAPACK_WORK_MEMORY_ERROR ) {
        LAPACKE_xerbla( "LAPACKE_chetri", info );
    }
    return info;
}

redpajama_set_name: RedPajamaGithub


text:
Baptism: A Pre-Christian History
WHEN JOHN THE BAPTIST came to the deserts of Judea "preaching a baptism of repentance for the forgiveness of sins" he was met with great success. Matthew 3:5 says, "People went out to him from Jerusalem and all Judea and the whole region of the Jordan. Confessing their sins, they were baptized by him in the Jordan River." Luke adds that crowds were coming out to be baptized by him. And, "When all the people were being baptized, Jesus was baptized too." (Luke 3:7, 21).
The Jewish people to whom John's ministry was directed were familiar with the concepts of repentance and forgiveness of sins (1 Kings 8:33-34; Isa 55:6, 7) even though complete forgiveness was not possible apart from the shed blood of Christ (Heb 9:15). But what about baptism? What familiarity did the Jews of the first century have with the practice of baptism?
The New Testament clearly points out that the baptism of John was from God. It came from heaven (Matt 21:25). It was administered for the spiritual purpose of proclaiming repentance and receiving forgiveness of sins (Mark 1:4). But the act of baptism itself has a history beyond the Scriptures.
The Greek World
"The Greek word "baptizo" as used in Mark 1:4 ( "And so John came, baptizing in the desert region . . ." ) was very common among Greek-speaking people; it is used in every period of Greek literature and was applied to a great variety of matters, including the most familiar acts of everyday life. Greek speakers and hearers understood the word at the time John was preaching; it had no doubtful meaning. It meant what we express by the Latin word 'immerse' and kindred terms; no one could then have thought of attributing to it a different meaning, such as 'sprinkle' or 'pour.'" (Boles, H. Leo Commentary on Matthew. Gospel Advocate Pub. Pg 74).
The Encyclopedia of Religion (McMillan. 1987. Pg. 59) continues by pointing out that the word baptism means to plunge, to immerse, or to wash; it also signifies, from the Homeric period onward, any rite of immersion in water. The baptismal rite is similar to many other ablution (the washing of one's body or part of it as a religious rite) rituals found in a number of religions..."
Pre-Christian Religions
The practice of baptism in pagan religions seems to have been based on a belief in the purifying properties of water. In ancient Babylon, according to the Tablets of Maklu, water was important as a spiritual cleansing agent in the cult of Enke, lord of Eridu. In Egypt, the Book of Going Forth by Day contains a treatise on the baptism of newborn children, which is performed to purify them of blemishes acquired in the womb. Water, especially the Nile's cold water, which was believed to have regenerative powers, is used to baptize the dead in a ritual based on the Osiris myth. Egyptian cults also developed the idea of regeneration through water. The bath preceding initiation into the cult of Isis seems to have been more than a simple ritual purification; it was probably intended to represent symbolically the initiate's death to the life of this world by recalling Osiris' drowning in the Nile.
In the cult of Cybele, a baptism of blood was practiced in the rite of the Taurobolium: where one was covered with the blood of a bull. At first this rite seems to have been to provide the initiate with greater physical vitality, but later it acquired more of a spiritual importance. A well-known inscription attests that he who has received baptism of blood has received a new birth in eternity. However, the fact that this baptism was repeated periodically shows that the idea of complete spiritual regeneration was not associated with it.
The property of immortality was also associated with baptism in the ancient Greek world. A bath in the sanctuary of Trophonion procured for the initiate a blessed immortality even while in this world. The mystery religions of that period often included ablution rites of either immersion or a washing of the body for the purposes of purification or initiation. Other concepts said to have been associated with these forms of cultic baptisms included the transformation of one's life, the removal of sins, symbolic representation, the attainment of greater physical vitality, a new beginning, spiritual regeneration. It is believed that all ancient religions recognized some form of spiritual cleansing, renewal or initiation that was accomplished through a washing or immersion in water.
The liturgical use of water was common in the Jewish world. The Law of Moses required ablutions (washings) on the part of priests following certain sacrifices and on certain individuals who were unclean because of an infectious disease (Num. 19:1-22; Lev 14,15, 16:24-28). The natural method of cleansing the body by washing and bathing in water was always customary in Israel. The washing of their clothes was an important means of sanctification imposed on the Israelites even before the law was given a Mt. Sinai (Ex 19:10). The use of water for cleansing was used symbolically as well in such passages as Eze 36:25 where God says, "I will sprinkle clean water on you, and you will be clean; I will cleanse you from all your impurities . . ." We do not believe that the practice of baptism for the remission of sins as taught in the New Testament was based in any way on the Old Testament, however the Old Testament washings with or in water that were for the purpose of physical cleansing can be seen as a type or shadow of New Testament baptism, which is for the purpose of spiritual cleansing (1 Peter 3:21).
Toward the beginning of the Christian era, the Jews adopted (as a custom unrelated to Divine guidance) the custom of baptizing proselytes seven days after their circumcision. A series of specific interrogations made it possible to judge the real intentions of the candidate who wished to adopt the Jewish religion. After submitting to these interrogations, he was circumcised and later baptized before witnesses. In the baptism, he was immersed naked in a pool of flowing water; when he rose from the pool, he was a true son of Israel. After their baptism, new converts were allowed access to the sacrifices in the Temple.
The Baptism of John
When John the Baptist came on the scene in the first century Jewish world, his teaching included the necessity of baptism. The people of his day were familiar with the act or practice of baptism as just discussed. However, John's baptism was not based on or authorized by the Jewish law or pagan religious customs and traditions. John was called to preach by God, armed only with the Word of God (Luke 3:2). Jesus tells us that the baptism that John taught was from heaven, not from men ( Matt 21:25). When John preached a baptism for the remission of sins, the people heard and obeyed. They submitted to the baptism that had been authorized by God. It was the first time in human history in which a person had the opportunity to be baptized for the remission of his sins, pagan and Jewish religious customs, notwithstanding. A necessary refinement in the administration of baptism had to be made following the death of Jesus, however, as Acts 19:1-7 points out. Rather than submitting to the baptism of John, which was a baptism of repentance, we can now be baptized into the name of the Lord Jesus.
The New Schaff-Herzog Encyclopedia of Religious Knowledge. Baker Book House. 1960. Vol. Pg. 440-44, 449-44-50.
The Encyclopedia of Religion. McMillan. 1987. Vol 2. Pg 59-61. The Jewish Encyclopedia. KTAV Pub. House Inc. Vol. II. Pg 499-450.
By Ed Barnes
From Expository Files 12.10; October 2005
http://www.bible.ca/

redpajama_set_name: RedPajamaCommonCrawl


text:
Welcome to the Student Center
Columbia's Campus Plan
Just Say 'Yes'
Campus Communications Staff / Oct 03, 2022
Luke Miller '05 worked behind the camera on the show "Grace and Frankie."
The set of "Grace and Frankie."
Alum Luke Miller '05, director of photography for "Grace and Frankie," works his way through and up LA's film and television industry.
Last Spring, Luke Miller '05 wrapped up a seven-season stint working on the hit show Grace and Frankie starring Hollywood legends Jane Fonda and Lily Tomlin. During his time with the show, he transitioned from gaffer to director of photography (DP). This achievement checked a significant box on the 10-year life plan Miller had mentally outlined when he first came to Los Angeles. And it attests to the success of Miller's primary professional strategies: Make connections and just say 'yes.'"
In fact, it was a 'yes' that lead Miller to LA in the first place. He had been working in indie films in Chicago after graduating from Columbia with a degree in cinematography and film and television production. While initially interested in directing at Columbia, he eventually became enamored by the world of lighting and cinematography. When his then-girlfriend/now wife was accepted into the Directors Guild of America (DGA) training program in LA, an opportunity for an LA move presented itself. "I knew I wanted to move to Los Angeles," he says. "All I needed was that little push."
Once there, he immediately reached out to his Columbia contacts in LA, many of whom he had met in class and continue to be friends today. "I was just calling anyone I knew who had already moved to LA and saying 'Hey, I'm here. I need work if you have anything," he says. "And it worked surprisingly quickly. I had a mental mode of saying yes to everything. I did not turn down a single job for something like four years after I moved here unless I was already working."
That meant agreeing to every job, even if the rate was low, even it was a night shoot, and he had a shoot the next day. Miller served as lighting technician, best boy, gaffer, whatever he could get but with his eye always on being a DP. At one point, he landed consistent work gaffing Hallmark movies, but later left for a web series called "Quarterlife," created by television heavy-hitters Marshall Herskovitz and Edward Zwick. A novel idea at the time, the web series failed when brought to network television but helped Miller gain his membership to the electrician's union as a gaffer, a huge door-opener. This led to jobs in the movies Fame and Dance Flick and shows like New Girl and Switched at Birth, with larger shows and movies giving him an on-set education about the DP role.
"I was doing my job as an electrician, but I was watching the DP," he says. "And I think that made me a better electrician because I didn't need to be told as much information. If you told me you needed to put a certain light over in a certain area, I had a pretty good guess of what I was supposed to be doing with it."
While working on the set of Warren Beatty's film Rules Don't Apply as an electrician, a veteran gaffer asked the crew for gaffer recommendations for an upcoming show with Fonda and Tomlin, a job the veteran had passed on.
"I said, 'I would like that job, sir," Miller recalls. "But I'm working for him as an electrician, so he didn't know anything about where I've come from or what I've done; he didn't immediately take me seriously."
When the veteran asked Miller if he could put together a crew, Miller said 'yes' and earned the veteran's recommendation. That night, Miller made calls to his network, formed the team, and eventually got the job at Grace and Frankie.
"Years later, the DP told me that he couldn't possibly not give me the job because I was so enthusiastic and I was so ready," Miller says. "And I thought I had just listened through most of the interview."
That same DP would play a critical role in Miller's professional development. As the scouting and filming demands of the DP role grew at Grace and Frankie over the years, producers decided to add on another DP. The existing DP insisted that Miller should be that person.
"I remember thinking that this is exactly what I wanted…to be able to make that move on a show that was basically a family surrounded by people who I already knew and trusted," he says.
Since the show ended, Miller has worked on several shorts as a DP and he recently signed with the Murtha Skouras Agency, which is helping him plot his next move because that 10-year plan is now complete. "All those things have now been accomplished …. working as a DP, getting a house, having a kid," he says.
Columbia Alums Meet With Students at NRF 2023 in New York City
Semester in LA Amplifies Opportunities for Audio Arts and Acoustics Student
Theatre Alum Brings Columbia Learned Skills to Center Stage
Columbia Named One of 2023's Top Animation Schools
Columbia Holds Sixth Annual Hip-Hop Festival


text:
Haute Living Magazine names Fisher Island Club one of the top members-only clubs in Miami
bernardlackner August 26, 2015 November 26, 2016 In the News
I am proud to announce that Fisher Island Club has been named one of the top members-only clubs in Miami by Haute Living magazine.
Below is a portion of the article:
"Fisher Island Club is said to be Miami's most exclusive private membership club, and well we sure do believe it. Accessible only by private yacht or by the Fisher Island private auto-ferry service, Fisher Island has redefined exclusivity. Members of the Fisher Island Club have access to South Florida's premier seaside golf country club, racquet club, casual and fine dining restaurants, spa, salon & wellness center, the marinas, private beach club, the Vanderbilt Mansion pool, and access to the club's exclusive member events. The world-class amenities at Fisher Island Club appeal to those who want to relax or those who seek some action. Fisher Island Club is committed to providing its members with the crème de la crème in resort living. Turns out that being a part of one of the most enviable zip codes in the United States is possible after all if the price is right."
Click here to read the full story.
Bernard Lackner, Fisher Island, Fisher Island Club, Haute Living, Members-only, Miami, Miami Beach
Previous Fisher Island Club's "1936" in Ocean Drive Venezuela
Next Luxury Retreats Magazine names Fisher Island Club's Executive Chef Stephane Caporal one of the Hottest Chefs in Miami


text:
package com.echopf.contents;

import android.os.Parcel;
import android.os.Parcelable;

import com.echopf.*;

import org.json.JSONArray;
import org.json.JSONException;
import org.json.JSONObject;

/**
 * {@.en An ECHOContentsCategoryObject is a particular category object.}
 * {@.ja カテゴリオブジェクト。{@link com.echopf.contents.ECHOContentsCategoriesMap}の構成要素。}
 */
public class ECHOContentsCategoryObject extends ECHODataObject<ECHOContentsCategoryObject>
										implements  Fetchable<ECHOContentsCategoryObject>,
													Pushable<ECHOContentsCategoryObject>,
													Deletable<ECHOContentsCategoryObject>,
													TreeNodeable<ECHOContentsCategoryObject> {

	private ECHOContentsCategoryObject newParent = null;

	/* Begin constructors */

	/**
	 * {@.en Constructs a new ECHOContentsCategoryObject.}
	 * {@.ja 新しいカテゴリをオブジェクトとして生成します。}
	 *
	 * @param instanceId
	 * 		{@.en the reference ID of the instance to which this object belongs}
	 * 		{@.ja 新しいカテゴリを所属させるインスタンスのID}
	 */
	public ECHOContentsCategoryObject(String instanceId) {
		super(instanceId, "categories");
	}

	/**
	 * {@.en Constructs a new ECHOContentsCategoryObject based on an existing one on the remote server.}
	 * {@.ja 既存のカテゴリをオブジェクトとして生成します。}
	 *
	 * @param instanceId
	 * 		{@.en the reference ID of the instance to which this object has belonged}
	 * 		{@.ja 既存カテゴリが所属するインスタンスのID}
	 * @param refid
	 * 		{@.en the reference ID of the existing one}
	 * 		{@.ja 既存カテゴリのID}
	 */
	public ECHOContentsCategoryObject(String instanceId, String refid) {
		super(instanceId, "categories", refid);
	}

	/**
	 * Constructs a new ECHOContentsCategoryObject based on an existing one on the remote server.
	 * @param instanceId the reference ID of the instance to which this object has belonged
	 * @param refid the reference ID of the existing one
	 * @param source : a source JSONObject to copy
	 */
	public ECHOContentsCategoryObject(String instanceId, String refid, JSONObject source) {
		this(instanceId, refid);
		copyData(source);
	}

	/* End constructors */

	/*
	 * Implement Fetchable
	 * @see com.echopf.Fetchable#fetch()
	 */
	public ECHOContentsCategoryObject fetch() throws ECHOException {
		doFetch(true, null);
		return this;
	}

	/*
	 * Implement Fetchable
	 * @see com.echopf.Fetchable#fetchInBackground()
	 */
	public void fetchInBackground(FetchCallback<ECHOContentsCategoryObject> callback) {
		try {
			doFetch(false, callback);
		} catch (ECHOException e) {
			throw new InternalError();
		}
	}

	/*
	 * Implement Pushable
	 * @see com.echopf.Pushable#push()
	 */
	public ECHOContentsCategoryObject push() throws ECHOException {
		doPush(true, null);
		return this;
	}

	/*
	 * Implement Pushable
	 * @see com.echopf.Pushable#pushInBackground()
	 */
	public void pushInBackground(PushCallback<ECHOContentsCategoryObject> callback) {
		try {
			doPush(false, callback);
		} catch (ECHOException e) {
			throw new InternalError();
		}
	}

	/*
	 * Implement Deleteable
	 * @see com.echopf.Deleteable#delete()
	 */
	public ECHOContentsCategoryObject delete() throws ECHOException {
		doDelete(true, null);
		return this;
	}

	/*
	 * Implement Deleteable
	 * @see com.echopf.Deleteable#deleteInBackground()
	 */
	public void deleteInBackground(DeleteCallback<ECHOContentsCategoryObject> callback) {
		try {
			doDelete(false, callback);
		} catch (ECHOException e) {
			throw new InternalError();
		}
	}

	/*
	 * Implement TreeNodeable
	 * @see com.echopf.TreeNodeable#setNewParent()
	 */
	public void setNewParent(ECHOContentsCategoryObject newParent) {
		this.newParent = newParent;
	}

	@Override
	protected JSONObject buildRequestContents() {
		JSONObject obj = super.buildRequestContents();

		try {

			// parent_refid
			obj.remove("parent_refid");
			if(this.newParent != null) {
				String new_parent_refid = this.newParent.getRefid();

				if(!new_parent_refid.isEmpty()) {
					obj.put("parent_refid", new_parent_refid);
					this.newParent = null;
				}
			}

		} catch (JSONException e) {
			throw new RuntimeException(e);
		}

		return obj;
	}

	@Override
	protected void copyData(JSONObject source) {
		if(source == null) throw new IllegalArgumentException("Argument `source` must not be null.");

		JSONArray categories = source.optJSONArray("categories");

		JSONObject category = null;
		if(categories != null) { // if the data is a tree format
			category = categories.optJSONObject(0);
		}else{ // the data is a category object
			category = source;
		}

		if(category == null) return; //skip

		category.remove("children"); // remove children

		// super
		super.copyData(category);
	}

	/* Begin Parcel methods */

	public static final Parcelable.Creator<ECHOContentsCategoryObject> CREATOR = new Parcelable.Creator<ECHOContentsCategoryObject>() {
        public ECHOContentsCategoryObject createFromParcel(Parcel in) {
            return new ECHOContentsCategoryObject(in);
        }

        public ECHOContentsCategoryObject[] newArray(int size) {
            return new ECHOContentsCategoryObject[size];
        }
    };

    public ECHOContentsCategoryObject(Parcel in) {
    	super(in);
     }

 	/* End Parcel methods */
}


The gospel which began Sunday continues today. This is the story of Jesus being the Good Shepherd and opens with the statement, "I am the good shepherd." John, in a reference to the passion and death of Jesus, tells us that the good shepherd lays down his life for his sheep. In this way John tells us the strength of God's love for us. To Jesus, this idea of saving man from sin is something that he (Jesus) is absolutley committed to not something which he does as a job, like a hired hand. He goes even further and tells us, "I know my own, and my own know me!" Here he speaks of our responce of faith. If we accept the Word of God, faith takes root and we recognise Jesus for who he is.....and he brings us into his circle of friends; we become part of his flock, his focus of care, seen and acknowledged by the Son of God. There is a wonderful promise here, something about our dignity as children of God.....let the idea flow into you....Jesus knows you as his own!!


text:
PAMAM
Refs.
PAMAMOS and circuit boards - first public discussion at IMAPS
Midland, Mich. – Attendees at the upcoming symposium of the International Microelectronics and Packaging Society (IMAPS) have the opportunity to hear the first disclosure of a technology to directly form circuit patterns in the fabrication of printed wiring boards.
David A. Dalman, development manager of Dendritech, Inc., will present the technology involving polyamidoamine-organosilicon (PAMAMOS) at the symposium Sept. 4 to 6 in Denver, Colo. Associated authors are Dr. Petar R. Dvornic of Michigan Molecular Institute (MMI) and M. Frederick Hoover of Hoover Technologies.
Dendritech and MMI scientists have found that PAMAMOS solutions, when cast on a variety of dielectric substrates, possess sufficient conductivity to be directly electroplated to build copper conductors. Dalman will provide details as well as discuss how PAMAMOS technology can minimize the need for copper-clad laminates, photolithography and electroless copper plating. A patent to protect the technology has been applied for.
More than 4,000 people will attend IMAPS this fall. It is the largest symposium related to the microelectronics industry and the electronic packaging industry in the world. Dalman is scheduled to present in the session on High Density Substrates and Boards.
With offices and manufacturing facilities in Midland, Mich. Dendritech, Inc. is a privately held company that was established in 1992. The company is licensed by The Dow Chemical Company to manufacture and sell ethylenediamine-core poly (amidoamine) [PAMAM] dendrimers and other specialty dendrimers.
Dendritech, Inc.
The world leader in commercial dendrimer production. Period.
Copyright 2018 Dendritech, Inc. | 3110 Schuette Drive - Midland, Michigan 48642
Phone: +1 (989) 496-2016 | Email: scheibert@dendritech.com


text:
Drugsbunny's Horror Reviews
Archive for Chasing Amy
Red State (2011)
Posted in Horror Review with tags Chasing Amy, Clerks, Clerks II, Cop Out, Dogma, Jay and Silent Bob Strike Back, Jersey Girl, John Goodman, Kevin Smith, Kyle Gallner, Melissa Leo, Michael Angarano, Michael Parks, Red State, Zack and Miri Make a Porno on January 3, 2012 by Pass the Popcorn!
Director: Kevin Smith
Writer: Kevin Smith
Tagline: Fear God
Plot: Set in Middle America, a group of teens receive an online invitation for sex, though they soon encounter fundamentalists with a much more sinister agenda.
Cast: Michael Parks – Abin Cooper
Melissa Leo – Sara
John Goodman – Joseph Keenan
Kyle Gallner – Jarod
Michael Angarano – Travis
Red State is one of those movies that might just have worked if it had been directed by some anonymous indie director and not by a well established Hollywood director like Kevin Smith. Kevin Smith became popular in the 90's with movies like Clerks, Dogma & Chasing Amy but in the 00's he really went downhill (especially after releasing Jay and Silent Bob Strike Back) with pretty average movies like Jersey Girl, Clerks II & Zack and Miri Make a Porno (I didn't see Cop Out because it received really bad reviews), and lately Red State which is, arguably, the last nail in the coffin of his career. Although Kevin didn't release a really good movie in about 10 years I still think that his less successfull movies have interesting scripts which were well written. Unfortunately, I can't say that about Red State. First of all, we've already seen Kevin deal with topics like religion and extreme violence in Dogma, so what was the point in making a clearly inferior movie with such similiarities to the cult classic? And second of all, the dialogue in Red State was just awful – and Kevin Smith is the guy who wrote some of the most memorable lines in 90's cinema!
Honestly, when I started watching Red State I knew it wasn't going to be the next Chasing Amy or something like that but I at least expected a fairly entertaining fun; instead I got this boring mixture of weak acting (except for Michael Parks who plays the pastor Abin Cooper, and maybe John Goodman in some scenes, although his real potential is overlooked), bland characters and pointless action scenes. The movie starts off as a psychological thriller with some survival horror influences only to turn into an action shoot out in the second act. And by time the audience is just following a one group of undeveloped characters trying to kill the other group of undeveloped characters, I find that to be horrendously boring. Despite the fact the first part of the movie was nothing new nor original I would have rather watched another wannabe torture porn movie than to be forced to watch this strange genre changing direction the movie has taken. The third, and the final, act of the movie was, I think, supposed to be some social commentary and possible criticism against the USA goverment (?), which could have been good if it had been following the movie's pacing. Because of that, John Goodman's final lines seem to come out of nowhere and noone can possibly take them seriously.
I don't know why Kevin Smith decided to change the movie's plot so violently and rapidly after the first act but it definitely seems forced, especially when you consider the fact that Red State's duration is less than 90 minutes (and considering that no valid plot points happen in the first 20 minutes!). The direction of the movie is also not remarkable, in spite of some decent camera angles. It is really disappointing to see Kevin Smith go this low.
My Raing: 3/10… One of the most anticipated movies of the year (because I'm a really big 90's Kevin Smith fan) turned to be one of the worst movies of the year. Forgetable characters, boring actors, and worst of all, a really bad script ruined it for me.
A Serbian Film aka Srpski Film (2010)
Great Directors Of Our Time: Guillermo del Toro
Dead Silence (2007)
Welcome, this is my blog about horror movies. I try to write posts here as much as possible. So if you are a horror movie addict (just like I am) check me out daily. Thank you!
You can also follow me on Twitter and Last.fm . On those sites I post updates about the blog regularly.
Oh yeah, I have to mention that I take the info for the movies from IMDB
Here are all of my reviews listed in alphabetical order:
28 Days Later (2002)
28 Weeks Later (2002)
A Nightmare on Elm Street 2: Freddy's Revenge (1985)
A Nightmare on Elm Street 4: Dream Master (1988)
A Nightmare on Elm Street: The Dream Child (1989)
Cabin Fever (2002)
Carrie (1976)
Cube 2: Hypercube (2002)
Dead Set (2008)
Diary Of The Dead (2007)
Død snø (2009)
Dog Soldiers (2002)
Drag Me To Hell (2009)
El espinazo del diablo (2001)
Freddy's Dead: The Final Nightmare (1991)
Freddy vs Jason (2003)
Gwoemul (2006)
L'uccello dalle piume di cristallo (1970)
Låt den rätte komma in (2008)
Leptirica (1973)
Nasty Nancy (2010)
Night of the Living Dead (1968)
Pandorum (2009)
Phenomena (1985)
Profondo Rosso (1975)
REC (2007)
REC 2 (2009)
The Blair Witch Project (1999)
The Collector (2009)
The Descent (2005)
The Descent 2 (2009)
The Last House on the Left (1972)
The Texas Chainsaw Massacre (2003)
The Wolfman (2010)
Wrong Turn (2003)
Miscellaneous Posts
Top 15 Zombie Movies pt. 1
What happened to Mr. Romero?


This topic contains 3 replies, has 4 voices, and was last updated by ☕coffee addict 6 months ago.
why does RY have a crown by his name?
My pronouns are officially whatever.
You don't have a question with daas yochid's or my coffee cup?
Because he wants to. Anyone can edit their name.


If last season's golf bag is looking a little worn down after all those rounds, rest assured you can find your new bag, but without the hefty price tag. We have clearance golf bags from well known brands like Sun Mountain, Callaway and more. Peruse the stylish discount stand and cart bags offered in Golfballs.com's sales section to find the carrier that fits your needs.
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LFI Labs Elements Selenium - Ingredients, Benefits, Buy & Price!
LFI Labs Elements Selenium – Ingredients, Benefits, Buy & Price!
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LFI Labs Elements Selenium Reviews: Do you really know about the importance of selenium then it is not your fault and you are also not alone? But after reading this review until the end you will definitely come to know about it. In this review, you will also come to know about the product. It is the item which has the ingredients that can make you the very active person from inside. It aims to make you completely healthy by making your immune system of the body. This item does not have any kind of problems. All you need to do is order LFI Labs Elements Selenium and fulfill the deficiency of selenium in your body. If you are suffering from asthma then also it can be of great help to you.
This item is providing you the minerals which people generally do not worry about. But this deficiency can lead to great problems in the future. This is the reason that you should buy this item and you will also have a healthy body after you start consuming it. It is the item that can fulfill the deficiency of vitamin E. This item does not contain any kind of bad or cheap ingredients which can harm you a lot. It is the item with only natural ingredients and then you will get only the positive effects of this item. If you go for any other item then you can get a wrong product. You have a very good choice in front of you. The price for LFI Labs Elements Selenium is very genuine and you do not have to spend a very great amount for this fabulous item.
What Is LFI Labs Elements Selenium?
It is a selenium super food. Selenium is generally found in the soil so there is no other way to consume it rather than taking a supplement for it. So you are getting these vitamins and minerals all in a single item that can be of great use for you. This item works for improving the overall condition of your body. It has the power to fill the deficiency of vitamin E in your body. You will also love the fact that it has only natural ingredients in its composition. It will also flushes out all the free radicals present in your body.
It has the power to make your immune system very strong and then after that, you will not fall sick easily. This item also aims to lower the symptoms of asthma in humans. LFI Labs Elements Selenium is a very effective item as it has a very powerful composition and it is made by LFI Labs who also manufacture other health supplements as well. It is a very good and reputed company. You are getting a trustworthy item. People also trust it a lot as they used this item and have received amazing results.
It can make your body healthy and will enable the body to absorb the vitamin E properly.
Your bodily oxidative stress will also lower down and will also reduce the free radicals which are present in your body.
It is coming at a very good price and it is not expensive.
You are not getting any kind of side effect while you use this item regularly.
It will also improve the blood flow which is going through your heart.
It is also a good medication for reducing the asthma symptoms.
It is have shown the makers that they are doing a very good job. The quality of this item is loved a lot by all the users. They always praise each and every aspect of this item. They have clearly mentioned everything in their reviews so you can see that easily on the official website of this item. This trust in the product is really amazing so you can also trust this item completely. This way it has become so much famous around the world. This is a very good proof to check its effectiveness. demand so the stocks get out very quickly. Visit the website now and order your package now.
How To Use LFI Labs Elements Selenium?
If you want to know the dosage directions of this item then you will be very happy to know that they are very simple and easy. You just have to take one capsule in a day and you can take it with your meal. You can decide the timings by yourself. If you want to know in detail then you can ask your doctor as well, they can tell you more in detail. For getting the best results consuming This product is daily is a must.
Keep it away from the sunlight and you have to keep it at a dry place only.
You should not drink alcohol while consuming this item.
This item should not be consumed in high quantity for better results, it can harm you so you should not do that.
Where To Buy LFI Labs Elements Selenium?
You can buy LFI Labs Elements Selenium Reviews very easily from the official website and you will not have any kind of problem there as well. You can open your web and then you will be easily able to fill the form which is given on the website. You just have to give your name, email, and address so that it can be delivered easily. Then you will also have to select the mode of payment by yourself. It is the item which is very exclusive so you can only buy it from the internet only. You will not be able to get it in the offline stores. So go on its official website now so that you can get it easily because it is in high demand so the stocks get out very quickly. Visit the website now and order your package now.


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Q: Оптимизация php кода рассылки Всем привет, еще не сильна в PHP, вот я сделала вот такой простенький скрипт для рассылки по своей группе ВК:
  <?php
const VK_KEY = ""; //тот самый длинный ключ доступа сообщества
const VERSION = "5.80"; //ваша версия используемого api
$host = ''; // адрес сервера
$database = ''; // имя базы данных
$user = ''; // имя пользователя
$password = ''; // пароль

$mysqli = new mysqli($host, $user, $password, $database);
    if ($mysqli->connect_error) {
    die('Ошибка : ('. $mysqli->connect_errno .') '. $mysqli->connect_error);
    }

$mysqli->set_charset("utf8");

include "vk_api.php";

$message = $_POST['message'];
$attach =$_POST['atach'];
$password = $_POST['pass'];

        if ($password == 'ПАРОЛЬ') {
                $vk = new vk_api(VK_KEY, VERSION);
                $baza = $mysqli->query("SELECT `user_id` FROM `user`");

                    $row = mysqli_fetch_row($baza);
                         while ($row = mysqli_fetch_row($baza)) {
                                   $vk->sendMessage($row[0],$message,$attach);
                         }

             mysqli_free_result($result);
                header('Location: http://site.ru/spam.html');
        }else{
            header('Location: http://idinahuj.com/');
        }

?>

Cуть скрипта, рассылка сообщений пользователям, которые есть в базе, соответственно ID подгружаются из БД. Как можно оптимизировать скрипт, чтобы он не умирал при большом объеме ?

redpajama_set_name: RedPajamaStackExchange


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Board Recognizes "Career Technical Education Month"
February 2007 Set Aside to Promote Education and Help Students Realize Potential
Sacramento County Office of Education / Sacramento County Office of Education News / Board Recognizes "Career Technical Education Month"
The Sacramento County Board of Education has designated February 2007 as "Career Technical Education Month" in Sacramento County.
The commemoration was proclaimed by the Association for Career and Technical Education
(ACTE). The month is designed to promote education that prepares students to enter the workforce. ACTE is the largest national education association dedicated to the advancement of career education.
Career technical education is about helping students, workers and lifelong learners realize their working potential. It prepares students for post-secondary education programs and a wide variety of careers. The Sacramento County Office of Education (SCOE) is a regional leader in providing career technical education to high school students and adults.
"Many studies have confirmed the positive effect career technical education has on motivating students, keeping them in school, and preparing them for the future," said David W. Gordon, Sacramento County Superintendent of Schools. "High-level career technical education programs can open doors for many students."
SCOE provides wide-ranging educational training in career preparation through the Regional Occupational Program (ROP), which serves more than 14,000 students each year in over 60 different program areas.
ROP offers tuition-free career preparation training in occupational areas including automotive, construction, office computer skills, computer technology training, health occupations (such as nurse assistant, dental assistant, chiropractic assistant, EMT), retail sales, and child development.
Many of the available ROP courses offer "on-the-job" internships at employer job sites in addition to classroom training.
ROP partners include Sacramento-area employers, Los Rios Community College District, the Sacramento Employment and Training Agency (SETA), the Sacramento Metro Chamber, and Linking Education and Economic Development (LEED).
For more information on SCOE career technical education programs, call (916) 228-2721.


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WHO, IATA, CommonCheck, EU jostle for digital health passes, guidance to get world moving
Airport processing times could reach 8 hours without interoperable health passes
Dec 13, 2021 | Frank Hersey
Categories Biometrics News | Civil / National ID | Mobile Biometrics
Representatives from travel, intergovernmental organizations and a non-profit discuss the issues facing the standardization and interoperability of health passes around the world. Tools are reaching completion to allow verifiers to check digital health passes issued by governments, health services and test centers worldwide. With all the integrated health pass verifiers touting similar products promising similar transparency and security, will one take the lead?
The first webinar in a series called the 'Road to Border Management and Identity Conference,' which will now take place in Bangkok in December 2022, brought together speakers from the EU, IATA, WHO and The Commons Project to share their views. The webinar, 'Digital Health Certificates for Cross-Border Mobility' was arranged by the Asia-Pacific Smart Card Association (APSCA) and hosted by Denato Colucci, head of Border and Identity Solutions at the IOM.
WHO: Digital Documentation of COVID-19 Certificates as worldwide guidance
First up, Nataschja (Nat) Ratanaprayul, technical officer, Public Health Technology, Department of Digital Health and Innovations at the World Health Organization laid out their guidance to member states, spanning everything from interoperability to environmental awareness.
As guidance, this is not a platform or solution in its own right nor a policy document, but clear sets of guidelines for how member states might implement digital health pass systems and technologies in ways that can interact with approaches used in other countries. The WHO's guidance and upcoming tools are intended to get the world moving again in a fair, transparent way.
"Interoperability of systems stems from interoperability of people," said Ratanaprayul, referring to the need for agreements as much as the need for people to be able to travel. Given the competing products already coming to market, the private sector could monopolize the solutions, she added. Representatives from some of the other organizations would later state that issues are for governments, not the private sector.
The WHO is producing technical specifications and implementation guidance on the Digital Documentation of COVID-19 Certificates (DDCC), with 11 design principles covering functionality, data representation, national trust architectures, ethics, privacy protection, open standards and avoidance of vendor lock-in on the individual and national levels.
In a bid to make certification as accessible as possible whether for vaccination status or test result, Ratanaprayul said, "It should be possible to potentially have something that's hand-written on paper, but then have a QR code that's embedded on it that can be verified." The QR code would contain a data set.
Fraud in the form of fake paper or digital health passes is a growing concern, urging the WHO to develop its guidance.
The Canada Border Services Agency (CBSA) says it has intercepted almost 500 suspected fake COVID-19 test results and vaccination records from people trying to enter the country by land and air. The CBC reports 374 suspected fraudulent test results and 92 fake vaccination certificates had been identified by the end of October.
DDCCs are not intended to be identity documents, said Ratanaprayul. States must decide if they want to link documents to citizens' ID and how – whether to a health number, ID number, passport numbers and so on. The WHO intends for the developments to integrate with states' digital health systems and underpin future immunization campaigns.
New tools developed as part of WHO efforts are almost ready. By the end of 2021, the DDCC Gateway (PKI) beta reference software is expected and a Universal Status Checking app beta, using Google Android FHIR SDK and based on the EU DCC (see below). It is intended to be able to recognize all the health pass QR code formats being used worldwide.
Then further test result certificate generation service tools will be available in January 2022 and further guidance on test results published by the end of Q1 2022.
IATA: Airline organization ready to take on the task to avoid 8-hour airport processing
"COVID has been the most severe crisis for aviation during the time aviation has existed," said Vinoop Goel, Asia-Pacific regional director, Airports and External Relations, International Air Transport Association (IATA).
Pre-COVID, the average time spent in processing at the airport at either end of a journey was 1.5 hours. This has already doubled at peak times, despite overall lower passenger numbers. "If travel returns to pre-COVID levels in numbers, that processing time will increase to 8 hours."
As a result, and at the request of its members, IATA developed the IATA Travel Pass. It creates a digital identity from a traveler's passport (with more authentication steps if it is not an e-passport), communicates with testing laboratories to import results and also checks the organization's database of countries' entry requirements around COVID.
"You can pretty much verify whether this person should be allowed into the country or not," said Goel. The app's information can be securely shared with airlines, immigration and airports, but the passenger has control in the decentralized identity framework with nod central database. A move which removes the airlines from the position of data middleman, according to Goel.
IATA has had interest from almost every airline in the world, some are trialling the system and the organization is working with governments on compliance as it is hoping for them to use the service for health pass pre-approval for passengers before arrival. It is also working with laboratories around the world on integrating test results with its open APIs and open standards.
The Seychelles is the latest country to devise a system for pre-approving passenger health statuses, allowing them to walk down a biometric detection corridor on arrival.
Meanwhile, "We are hoping that the future processes will be contactless end-to-end, based on biometrics," said Goel, with an eye to the IATA One ID concept.
CommonCheck: government-type service when the government is not prepared
"This is fundamentally a government issue, it's not an airline issue to solve," said Paul Meyer, executive founder and president, The Commons Project, which stems from the Rockerfeller Foundation as a non-profit which aims to deliver global-scale digital platforms and services for the common good.
"The idea that an airline check-in agent looking at a piece of paper of a test result in any language is actually a reliable way of ensuring that someone actually got tested – it's just not reliable," said Meyer, who added that governments would have to re-verify, if they cared enough.
While getting the world moving again may come down to government efforts, "You'll never get a verifiable credential from the US government," said Meyer who has been in digital health for 25 years and has never before seen such rapid adoption of open and interoperable standards in the field. Yet in the States, you might get state, hospital or pharmacy-issued health credentials rather than federal.
One of The Commons Project's divisions is the SMART Health Card which has become the de facto standard in the U.S., according to Meyer. It has been adopted as the state-level standard in nine states so far with three more underway reports Forbes and is being adopted by other countries such as Canada, Japan, North Macedonia, Rwanda and a number of other African countries.
The organization is also offering CommonCheck, a tool to simplify interoperability by recognizing all health pass formats. Governments would be able to set their rules for entry and then, pre-departure, a passenger would enter their documentation and if they qualify, would receive a certificate. Airlines and immigration could also access the secure record.
The system is already integrated into passenger locator form portals such as the Cayman Islands'.
EU: Built on freedom of movement, countries line up to join
The European Union's Digital COVID Certificate (EU DCC) was implemented in 64 days over the spring and helped save the EU's tourism sector in the summer. It is built on the EU's commitment to the freedom of movement, not specifically for crossing the bloc's external border, said Michiel Sweerts, policy officer, Directorate-General for Communications Networks, Content and Technology at the European Commission.
It issues certificates per vaccine dose, per test and per COVID recovery. Together these have already passed 707 million certificates, 490 million of which are vaccination certificates.
Fifty-two countries are now connected to the EU DCC Gateway, a system which uses a digitally-signed QR codes and public and private keys to mean that when the public keys are exchanged via national backends to the EU DCC Gateway, no health of personal data cross borders, just the key.
The 52 countries already integrating are the EU27, 3 EEA and 22 third countries such as Switzerland, Turkey, Israel, the UK and newest member, El Salvador. A further 29 countries across five continents are under assessment, with one or two more joining the line each week.
All standards are open, meaning countries have been able to use them to build their own systems or parts thereof, such as the UK. While the EU has provided a common template for the app, QR code reader and wallet, it has no plans at the European level to have unified app or wallet.
"We're seeing a convergence of different initiatives at the moment where the potential for using these kinds of digital tools in a broader context to potentially materialize in the coming years," said Sweerts, referring to the revision of EIDAS regulations with electronic ID, the intention to deploy health as a use case, the Digital Services Act and the European Health Data Space.
While this will be a slow process, he notes, acceleration of digital certificates across the world has huge potential.
It seems that as a standards-setter, the EU could have a significant role in this.
While others debate digital health passes, the EU has already hit the ground running
The devilish details of digital health passes in an atmosphere of urgency, uncertainty
Almost half in UK would welcome digital health passes for public events
Digital health passes going live in EU and UK; but for what?
Privacy protections of digital health passes in focus with Quebec questions, Yoti endorsement
EU digital wallet to lower friction around identity authentication
airports | APSCA | biometrics | border management | digital ID | document verification | health passes | International Air Transport Association | interoperability | standards | travel and tourism | verifiable credentials
The importance of two-factor authentication
Different Fingerprint Types Affect the Verification Process
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BIO Emerging from Las Vegas, NV is a new Hip-Hop trio known as FREEPLAY777. FREEPLAY777 is a group of 3 Hip-Hop artists (Cee Lyle, Teddy Crooklyn and PartyHari) that definitely come with something to prove. They perform both as solo artists and as a collective bringing together their distinct sounds. Teddy Crooklyn is a master of hooks bringing unique melodies and impressive songwriting skills. PartyHari showcases his distinct voice along with descriptive story telling. Cee Lyle's smooth style and incredible ability to switch flows seems to be the way he attracts the female audience. The 3 artists have a powerful stage presence and confidence that makes It hard to NOT pay attention. They've opened for artists such as Paul Wall, Travis Porter, Joe Budden, JR Castro and more. Their signed to and part owners of their own independent label, Get Bizzy Music and been featured on the homepage of popular music site, Stream The Creators. They've already performed across the country performing their incredibly popular songs, "All In One" & "Dasani". The collective plans to continue to build their fan base and break into mainstream music.
What got you into music? We needed an outlet to tell our story. We knew we had talent, so we put it to work.
Anything to say to your fans? Hard work creates talent. Push through the discouragement. Stay patient and educate yourself.
Goals for 2018? We're looking to go on tour and get our music on the radio. Establishing ourselves as a group is really important right now and really just make music our full time job.


Cognitive Therapy is the most effective psychological treatment for mild, moderate and severe depression and is as effective as antidepressants for many types of depression.
Our therapists have experience treating Depression, Anxiety, Eating Disorders and numerous related conditions.
Life stress, whether in the workplace, in the schools, or in the home and with families are commonly addressed.
Using the latest in Positive Psychology, we work to go beyond alleviating symptoms to helping clients thrive.
Dr. Arthur Blouin and Dr. Jane Blouin are the founders and current Directors of the Centre for Cognitive Therapy. They are the senior Psychologists who oversee the operation of the Centre.
Dr. Arthur Blouin brings a rich knowledge base to the Centre. In addition to directing professional development, he is dedicated to enhancing understanding and helping clients.
Dr. Jane Blouin is an innovator in the delivery of cognitive therapy services. She has developed many successful practices at the Centre and is appreciated for truly caring for clients.
As Directors of the Centre, Dr. Arthur Blouin and Dr. Jane Blouin have assembled a team of outstanding therapists with varied research backgrounds, each bringing specific areas of expertise to the Centre.
Cognitive Therapy has been found to be an effective treatment for a variety of disorders. For depression, Cognitive Therapy has been found to have lower relapse rates than medication alone. Researchers found Cognitive Therapy to be more cost-effective for depression than anti-depressants.


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Nelson Leafs
Nelson Vacation Guide 2017
West Kootenay Bride 2017
Customers and vendors at the Cottonwood Market, August 2020. Photo: Bill Metcalfe
Artisans return to Nelson farmers' markets
Markets will still follow COVID-19 guidelines
Bill Metcalfe
Aug. 20, 2020 11:30 a.m.
Artisans will be returning as vendors to the Nelson farmers markets starting on Saturday.
Council made this decision at its Monday meeting following a recommendation by its market advisory committee, which was formed earlier this summer. The committee includes several farmers who are market vendors.
"Farmers want to see the artisans back," Councillor Jesse Woodward, who is on the committee, told council.
"Jordan Martin (who manages the markets for the city-run Nelson and District Youth Centre), made it very clear that we can not just cram the market the way it was," he said. "We have to follow protocols. It has to be organized."
In April the provincial government, as part of COVID-19 provisions, ruled that farmers' markets could not sell anything but food. Since then it has allowed artisans back to markets.
Martin, in an interview, said booths will be mapped out and safely distanced and there is high demand for the spots, although farmers will still have priority.
"It's going to be very limited and it's filling up fast," she said.
The number of customers allowed into the market will continue to be limited.
"We ask that people be patient with us because there's a lineup at 9 a.m. [on Saturdays] and we've had to hold people up," Martin said. "Social distancing is key."
Woodward also emphasized to council the intention to follow COVID-19 protocols strictly.
"We don't want to be the town that has a COVID-19 outbreak at the farmers market," he said.
When council took over the markets from the West Kootenay EcoSociety this year and assigned the youth centre to run them, it decided to move the Wednesday market from its established location on Baker Street to Cottonwood Park.
The advisory committee has also discussed the desire of many market vendors to move the market back downtown on Wednesdays. But it has decided that's an issue for next year.
"The committee has agreed that to try to move the market this late in the season would just create confusion," Martin said.
"Moving to Baker Street," Woodward told council, "is off limits this year because of COVID and [because we want] brick and mortar businesses to have all they need to keep going."
Martin said that the number of customers at the Saturday market in the past couple of weeks has been close to previous years (952 customers this past week) and that the Wednesday market, even though it started slow, with fewer vendors, is also increasing (600 customers this week).
She said the market is working with BC Transit to allow people with mobility issues to use handyDart to get to and from the market.
The BC Farmers' Market Association's coupon program, which provides $21 per week of coupons for lower-income families, pregnant women and seniors, is being well-used, Martin said.
"We even now have a food security ambassador who's doing deliveries to individual homes."
• City of Nelson takes over farmers' markets from EcoSociety
• Nelson inviting applications for farmers' market advisory committee
bill.metcalfe@nelsonstar.com
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Northern Valley
Northern Valley Daily Voice serves Harrington Park, Haworth, Northvale, Norwood, Old Tappan & Rockleigh
Pascack Valley
serves Emerson, Hillsdale, Montvale, Park Ridge, River Vale, Washington Township, Westwood & Woodcliff Lake
Cresskill-Closter
serves Closter, Cresskill & Demarest
serves Bergenfield, Dumont & New Milford
Late NJ Dad Walked Miles To Train So Wife Could Use Car For Son With Autism, Campaign Says
Cecilia Levine
12/04/2021 12:22 p.m.
Tanya and Anthony are left mourning the loss of Alexi Novikov. Photo Credit: GoFundMe photo (Matt Watkins)
More Articles Obituaries
Beloved Hunterdon County Native, Penn State Grad Megan Greene D…
Inseparable Couple Killed In Hoboken Fire Was 'Loving To A Faul…
Support is surging for a New Jersey mom and her son after the patriarch of the family died suddenly.
Aliaksei Novikau of Wayne passed away on Nov. 28. He was 47 years old.
Meanwhile, his wife, Tanya, and their son Anthony, who has autism, are left grieving his loss.
More than $1,800 had been raised as of Saturday morning on a GoFundMe for the mother and son.
He was being remembered as a caring and devoted husband and dad.
"Any time someone needed help with something, Alex dropped whatever he was doing to lend a hand," GoFundMe founder Matt Watkins said.
"Our car broke down in the cold late at night on a Sunday. Our call woke him up but he was still there in fifteen minutes picking us up to go home. Alex walked miles to the train every day so Tanya would be able to use the car to get Anthony to and from where he needed to be."
According to his obituary, Aliaksei, who went by Alex, was born in the Ukraine and moved to Belarus in 1986. He moved to the US in 2001 and worked at Americo Group Inc. in New York for the last 20 years.
Watkins went on to say that Tanya is always smiling, and that Anthony is a reflection of his parents: "Gentle and loving, focused on his interests and also able to name almost any composer after hearing the first few notes of a piece.
"Anthony's special needs never stopped him from smiling but they do call for continuous care."
Follow Cecilia Levine on Instagram
Chickens Killed, Dog, Pet Birds Rescued In Hawthorne House Fire
Lines Wrap Around North Jersey Pizza Shop After Barstool's Port…
Not in Northern Valley?


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I Was In The Vodafone Christmas Advert With Martin Freeman
This is Vodafone's Christmas advert from 2018, starring Martin Freeman. Vodafone decided to shoot their film in my picturesque home village of Aldbourne, in Wiltshire from Thursday 4th to Saturday 6th October. This posed a wonderful opportunity to observe a live film set in action and I even got to be an extra on screen! The video is called "Glide Through Christmas" and can be seen on Vodafone's Youtube Channel by clicking the image above.
A week before the shoot, Vodafone spent £20,000 building a huge ice rink in the centre of our village and they decorated the surrounding houses and pub of the village green to make it feel like Christmas, even though it was October. The first night was really incredible, lots of villagers turned up at 6pm when filming started to see what was going on (myself included). There were about 20 cast and crew working on the production; director, editors, sound and lighting technicians, camera crew, make-up artists, marketing people from Vodafone, professional skaters and more. It was brilliant seeing them all working together on the production.
We didn't know what the advert consisted of, but we thought there would be a skating, dream sequence somewhere as Martin had to skate alone on the ice in once scene. For the skating parts, they couldn't have Martin Freeman do it because firstly, he doesn't have the skills required and secondly, he is too valuable. So, they had the British Champion No.1 and No.2 skaters to do the routines instead. The British No.2 skater was about the same height as Martin and looked similar too, so they put him in a wig and dressed him up as a body double. Then he performed a pre-rehearsed routine on the ice 10+ times and it was captured using a huge £500,000 camera crane to get high angle shots of the ice rink while he skated. He danced to the tune "Beautiful Dreamer" by Roy Orbison, which we assumed would be the backing track of the dance in the advert. The routine was quite beautiful and it was the first time I'd seen professional ice skating live too.
Then Martin Freeman arrived and some crew placed him into a rig that could skate along the ice, allowing him to spin around and make it look, from the top half, as thought he was actually skating. They had people to push Martin around and film close up shots using a camera fixed to another skating dolly. During this time, they kept reviewing the professional ice skater's routine and got Martin to synchronize the movements his movements with the professional's. This was ok at the beginning, but I noticed the director wasn't good at his job as he kept asking Martin to "do it again" with not direction as to how improve his movements. This showed as Martin looked a bit frustrated at times, having to be in the skating harness for hours at a time. Martin's face acting was one thing he did have full control over and it was wonderful. He really expressed a cheeky joy and love of ice skating, it was great to watch.
By about 2am everyone who wasn't working on the production had gone home to bed, but my Dad and I stayed, because although we were very tired, it was so intriguing to watch the dynamic of a film crew working together. As I hope to design graphics for TV and film, I will need to work with crew on sets, making sure the graphics are placed correctly and working with the actors who will interact with the graphics I've made. It was also lovely seeing the ideas people behind the advert on set, working with the director and editors to start composing a rough cut of the ad with the footage as they had just captured. The shoot was a full 12 hours, 6pm to 6am. As dawn broke, they filmed a final take, wrapped up production and packed their kit away. We went home and everyone on set was impressed that we'd stayed for the entire 12 hour shoot after a full day as most of the crew had gotten up at about mid-day, but it was so interesting, we couldn't leave.
Next evening, at 6pm, we returned for the second day of filming and the crew we'd spoken to the day before greeted us and we walked up and prepared for the second night. They told us that on this second night, the extras would be on set and we casually asked if we could be in the advert too. One of the really lovely concept creators said "Yeah, I'll go and check" to see if would be ok. He came back a few minutes later with a kind production manager who had noticed us the day before. She said because of our dedication staying for the entire shoot the previous night, my Dad, Mum and I could be extras! She quickly printed contracts for us to sign, which stated that they would pay us "£1" for our work to bind us financially, so we would not disclose any information about the advert before it was released etc… Having never acted or signed a film contract before it was very exciting, even though I was just an extra in an advert.
Soon the extras started turning up and I had some lovely conversations with a Canadian man who's been in 100s of ads and does it for a living. Also, an Asian woman who's been an extra in several block-buster movies with Tom Cruise. These people were experienced and we were novices, which felt a bit intimidating. Before shooting the extras were all positioned around the exterior set. We were on the table directly behind the main scene of action where Martin greets his family, and I had a walking role, from the door of the pub to my seat at the bench behind the action. We did the same take over 20 times before the director was satisfied.
Next came a lot of standing around in the freezing cold, waiting to be needed again. We were needed for a later shot where Martin was back skating on the ice, and we sat in different positions for that, but our job as extras was mostly over. About 1am, all the extras went up to the church where the crew had laid hot drinks and most people slept on pews. This was a good insight into being an extra and how much waiting around there is.
During one of Martin's breaks, I got to chat with him for a short time. I told him I really liked him in Sherlock and The Office and my Dad asked whether he managed to get a decent cup of tea, because the night before he tried to get a simple up of English breakfast tea, but no one could find any. That was a fun little interaction I will never forget.
The photo above is a candid shot a friend from our village took of me on set, which I didn't know about until a month after we shot the ad. I didn't get bored however, as the filming was still really interesting and I got to spent some time in the warm pub, watching the filming on the monitors while I warmed up a bit. I also had a nice chat with the No.2 British skating champion, who told us how skaters struggle to get funding even though they're world champions and they actually teach young kids how to skate for a living. He was lovely and did a great job as Martin's double. I also chatted with the actor who played "Auntie Sue" who's mainly does theatre.
At about 6:30am, exterior shooting ended. I helped push and load the large camera crane back into the lorry it was stored in… needless to say, I was very careful. According to some of the crew, the total amount of tech on set came to about £1,000,000, which seams crazy for a 60 second advert. The crew then recorded a final scene in the pub and we stood outside and I watched one of the audio technicians working and making sure every line was perfectly clear on his laptop. We all said goodbye and all in all, it was an intriguing, cold and exciting experience.
This was my first time acting and my first time on a live film set. It was a wonderful experience and really interesting watching the cast and crew interacting and making the advert in front of our eyes. In graphic design, there is a lot of collaboration and we saw that in a professional sense over the 24 hours of filming. Discussions were had, compromises were made and ideas were changed as the filming was happening. In terms of professional practice, this was quite a rare and valuable experience to have during my second year of university.
The footage was edited in about 3 weeks and the final advert aired on Youtube and TV on November 9th. I was surprised to see it up so early, but that's Christmas adverts for you. Anyway, I actually appear twice in the final ad, first at the beginning in the establishing shot. I can be seen walking to the table and sitting down, but I am barely recognizable. Later in the video though, I get 3 seconds of screen time from 0:07 – 0:09 in the center left of the frame. You can see me chatting to my Dad and I even turn my head. It was really fun but surreal during the lead-up to Christmas to be watching TV and then see myself on the screen during the ad breaks. Although I'm proud to be in the advert, from a filmmaking point of view, the final outcome is a bit rubbish. The concept is a bit week and it doesn't have a good narrative, or point, or anything really. But I'm in it and that's all that matters.
Filed Under: My Design Process


text:
package aggrmetrics

import (
	"context"

	"go.chromium.org/luci/common/errors"
	"go.chromium.org/luci/common/logging"
	"go.chromium.org/luci/common/retry/transient"
	"go.chromium.org/luci/common/tsmon/field"
	"go.chromium.org/luci/common/tsmon/metric"
	"go.chromium.org/luci/common/tsmon/types"
	"go.chromium.org/luci/gae/service/datastore"

	"go.chromium.org/luci/cv/internal/prjmanager"
)

var (
	metricPMStateCLs = metric.NewInt(
		"cv/internal/pm/cls",
		"Number of tracked CLs(# of vertices in the CL graph).",
		nil,
		field.String("project"),
	)
	metricPMStateDeps = metric.NewInt(
		"cv/internal/pm/deps",
		"Number of tracked CL dependencies (# of edges in the CL graph)",
		nil,
		field.String("project"),
	)
	metricPMStateComponents = metric.NewInt(
		"cv/internal/pm/components",
		"Number of tracked CL components (~ connected components in the CL graph)",
		nil,
		field.String("project"),
	)
	metricPMEntitySize = metric.NewInt(
		"cv/internal/pm/entity_size",
		"Approximate size of the Project entity in Datastore",
		&types.MetricMetadata{Units: types.Bytes},
		field.String("project"),
	)
)

// maxProjects is the max number of projects to which the pmReporter will
// scale in its current implementation.
//
// If a bigger amount is desired, batching should be implemented to avoid
// high memory usage.
const maxProjects = 500

type pmReporter struct{}

// metrics implements aggregator interface.
func (*pmReporter) metrics() []types.Metric {
	return []types.Metric{
		metricPMStateCLs,
		metricPMStateDeps,
		metricPMStateComponents,
		metricPMEntitySize,
	}
}

// report implements aggregator interface.
func (*pmReporter) report(ctx context.Context, projects []string) error {
	if len(projects) > maxProjects {
		logging.Errorf(ctx, "FIXME: too many active projects (>%d) to report metrics for", maxProjects)
		return errors.New("too many active projects")
	}

	// We need to load & decode Datastore entities as prjmanager.Project objects
	// in order to compute metrics like the number of components.
	// But we also need to figure out the Datastore entities' size in bytes, which
	// is unfortunately not easy to compute off the prjmanager.Project objects.
	//
	// So, load each project entity as both prjmanager.Project and the
	// projectEntitySizeEstimator objects. Note, that both objects have
	// datastore's Kind is exactly the same (see `gae:"$kind..."` attribute in
	// both structs.
	//
	// Finally, behind the scenes, datastore library should optimize this to load
	// only N entities instead of 2*N.
	eSizes := make([]projectEntitySizeEstimator, len(projects))
	entities := make([]prjmanager.Project, len(projects))
	i := 0
	for _, p := range projects {
		eSizes[i].ID = p
		entities[i].ID = p
		i++
	}
	err := datastore.Get(ctx, eSizes, entities)
	if err != nil {
		return errors.Annotate(err, "failed to fetch all projects").Tag(transient.Tag).Err()
	}

	for i, e := range entities {
		project := eSizes[i].ID
		metricPMEntitySize.Set(ctx, eSizes[i].bytes, project)
		metricPMStateCLs.Set(ctx, int64(len(e.State.GetPcls())), project)
		metricPMStateComponents.Set(ctx, int64(len(e.State.GetComponents())), project)
		deps := 0
		for _, pcl := range e.State.GetPcls() {
			deps += len(pcl.GetDeps())
		}
		metricPMStateDeps.Set(ctx, int64(deps), project)
	}
	return nil
}

type projectEntitySizeEstimator struct {
	// Kind must match the kind of the prjmanager.Project entity.
	_kind string `gae:"$kind,Project"`
	ID    string `gae:"$id"`
	bytes int64
}

// Load implements datastore.PropertyLoadSaver.
func (e *projectEntitySizeEstimator) Load(m datastore.PropertyMap) error {
	e.bytes = m.EstimateSize()
	return nil
}

// Save implements datastore.PropertyLoadSaver.
func (e *projectEntitySizeEstimator) Save(withMeta bool) (datastore.PropertyMap, error) {
	panic("not needed")
}


There are 12 hidden Comic Books that you can find in Hope's Country. If you want to unlock the locations of all Comic Books you need to complete the Golden Age Nostalgia side mission, also you can buy the map from the shop with 1200$.
Below we have locations of all the Comic Books, so you can find them easily.


text:
A TALE OF GLOUCESTER
Long-lost West Country post-punks LIFE STUDIES have just issued a career-spanning anthology.
The Gloucester trio only managed to release one EP - 1983's Homeward - during their lifetime, but achieved a modicum of fame thanks to the record being picked up for airplay by John Peel.
The band made several recordings during their brief career before splitting, but continued to make music, which can be found on Joy Riding. Vive Le Rock caught up with band-member Phil Thomas to hear the band's story...
How did the band get together? How old were you at the time?
The kernel of the group was always me and Graham Nicholson. In true rock'n'roll fashion, we first met at a David Bowie gig in 1978 so I'd have been 17, Gray 18. We found that we shared similar musical tastes, punk, Bowie, Roxy, Talking Heads, and I played a bit of guitar and Gray had started playing the drums, so we formed a band. Gray's colleague from work, Tony, came in on bass, then his next-door neighbour, Nick, who really knew how to play, on guitar. He's responsible for the riffs on the early 'punkier' stuff. Nick moved on after a couple of gigs and we started playing as a three-piece. This incarnation is what you can hear on the tracks 'Territory' and 'New Friends' for example.
Was there much of a 'scene' in Gloucester at the time? If so, what other bands were you playing/hanging out with?
There was a pretty good 'scene' in and around Gloucester. The first local band I remember was Demob, a fairly hardcore punk band who did pretty well given the thousands of bands that grew out of the punk scene nationally. There's a good Facebook group that gives a far more comprehensive overview than I ever could. And the fact that it has nearly 500 members suggests there's a lot of love for the bands who were around at the time.
I understand Animals That Swim's Del Crabtree was in the band at one point….? Any other famous names pass through the ranks?
I knew Del from school and the village we all lived in, Brockworth, was quite small so everyone ended up hanging out with one another at some time or other. As we evolved into the next incarnation, as Tony left and Martyn [Bennett] joined us, we shifted to a more acoustic sound, inspired by the bands like the Pale Fountains, Felt and a lot of the Cherry Red stuff that was coming out on that label. Martyn was another mate from school and began to learn the guitar, pretty soon outclassing all of us, and the trio of Gray, Mart and I became the Life Studies that most people remember. Del came along to augment the sound with his trumpet. I don't think anyone else who got involved with us went on to become famous.
What sort of gigs were you playing? Did you get to support any touring bands?
We did quite a few local gigs as Life Studies. Gray tended to organise them, venues were still limited but a few local entrepreneurs would set up gig nights at various places around town. The legendary venues in Glos were The Barge, Semington (an actual Barge in the docks), that was the centre of the local arts scene. The British Flag, a pub now renamed The Tall Ships, that held regular gigs for a whole variety of bands. We also played our local pubs in Brockworth too. One story I never tire of telling is that one of Banarama's first gigs was supporting us in Cheltenham. We had a slot supporting post-punk poster boys Department S, whose single 'Is Vic There?' was in the charts and their singer Vaughn Toulouse had brought along 'three girls' who are going to mime to their new record 'Aie A Mwana'. I can't recall how they went down but as the saying goes 'people were still booing them when we came on!'
How did the single get picked up by John Peel? Did you ever meet him?
We decided to make a single which we recorded at a place called Spadger Studios just outside Gloucester which was a converted barn, on a farm, with egg boxes (naturally) on the walls and ceiling for soundproofing. We had rehearsed there a lot and got on well with the owner, John [Eeles], so we decided to record a single. It was our first time in a 'proper' studio and like kids in a sweet shop we threw everything at the tunes. John had an early keyboard that had settings for organ, vibes, piano all the usual stuff so we just piled on the instruments! 40 years later a nice stripped back version of 'Girl On Fire' would be lovely! We sent the record in to JP but none of us heard him play it. A friend of the band, Mark, heard it on the show and apparently JP said something along the lines of 'It's the year of the acoustic guitar'. We did get to meet him several years later but only to shake hands at a Fall gig that was held in his honour at the Royal Festival Hall.
The Joy Riding anthology incorporates material from 1980 to 2016. Presumably Life Studies as a band haven't existed for all that time…? How do the recording dates span out across the years…? What did you do next?
The anthology is the result of one or two cassettes being unearthed by Gray and a friend, Colin Anderson (later to be a bandmate). Life Studies per se dissipated around 1984 as Mart went off to work for the VSO in the Caribbean. Gray and I carried on with a variety of line ups, the most successful of which were The Trout Faced Few, an obvious Beefheart reference and heavily influenced by The Fall and their ilk. The Trouts had more gig success than Life Studies we supported the band Apple Mosaic (from Glos) at Dingwall's and played larger venues like the Bridge in Bristol. That morphed into a band called The Citizens, with Gray and I, another old friend Pete and the singer from the Trouts, Ju. Gray also played with another band, The Erratic Strides. The reason I included 'Suzy Don't' on Joy Riding was that it is just Gray and I, with Gray on vocals this time and felt like a Life Studies thing. Gray still jams along with some friends and played quite a few gigs with a covers band called The Lawn Dogs in and around Gloucester. We have lived quite a distance from each other for 25 years so don't get to play together often.
The music changes from quite lo-fi (post-)punk to more jangly indie-pop? Was this a conscious decision at a more approachable sound? What were some of your influences over the years….. you sound very Go-Betweensy in parts.
Thank you for the Go Betweens nod, still a band we all love today. We defiantly wanted to try new and different things all the time. We would rope friends, and local buskers even, into playing with us to try and add something new to the sound. We weren't very 'studio smart' so tended to just record everything live with the odd overdub but we would test ourselves. We once did a gig with just acoustic instruments, with our singer Helen taking over lead vocals where we just sang Cole Porter covers.
How did you approach songwriting?
Fitfully. No method, if anyone came up with a good riff in rehearsal, we would build on it. I would often come up with the words and basic tune or riff as I enjoyed it but at the end of the day it was always a collective approach (unless, that is, any of the songs suddenly takes off and gets recorded by Adele in which case I wrote it all by myself!!).
Are you still in touch with the other band members? Are you still making music?
Gray and I still see a lot of each other. Sadly, Mart died a few years back, but we had all remained close until then. I chat to a few ex-members on the Facebook page . I still spend hours creating tunes at home mainly for my own amusement, although I have had bit of success with some sync tunes for TV etc. Gray and I also send each other stuff we've done but rarely find the time to sit down and knock out a completed tune.
In summation, Life Studies were a band with potential, that we think could have done more but didn't really grasp the opportunities at the time. Still there is a small legacy and a lot of great memories, so no regrets.
Joy Riding is available now through Bandcamp.


text:
package org.jboss.arquillian.persistence.core.exception;

public class DatabaseDumpException extends RuntimeException {

    private static final long serialVersionUID = 1530509676042166133L;

    public DatabaseDumpException() {
    }

    public DatabaseDumpException(String message) {
        super(message);
    }

    public DatabaseDumpException(Throwable cause) {
        super(cause);
    }

    public DatabaseDumpException(String message, Throwable cause) {
        super(message, cause);
    }

}


We had been on the bus for 23 hours on our route from Lima to Cuzco, making it the longest bus ride I had ever been on. We went with a company called Flores (Flowers) and we would never use them again. First of all, they played movies late into the night with the sound cranked so loud that the speakers were crackling and distorting: that is if the movies were in Spanish. If the movie was English, they never bothered to turn the sound beyond a whisper. Not that it mattered, as they had chosen their movies from some archive of Hollywood's Worst Atrocities. Some Chinese film got played twice, there was an Eddy Murphy as power-executive who's lost his way, and so many more. A few times the movies looked like they had promise but were substituted within the first half hour. And the movies weren't even my big gripe. The bathroom became a toxic spill zone, but the worst offense was they didn't serve me breakfast. Admittedly, Ty (who said he tried to wake me up) could have grabbed mine for me when I woke up, but they should have either given it to me or set it aside. Instead, when I got up to find us stopped at a roadblock (for construction) and asked the hostess for my breakfast she just told me to get back on the bus. Bear in mind this was all in Spanish so there was no misunderstanding. OK, but can you bring my breakfast? Get on! So you'll bring it eventually? On! She came a couple hours later with coffee and I asked her again for my breakfast. Cafe? No thanks, can I just have my breakfast? A confused look on her face as she asked again, coffee? No coffee, listen. I didn't have breakfast. I'm hungry and I want my breakfast. No coffee? She asked. Do you speak Spanish? I replied. Yes, of course. Well then I want you to bring e my breakfast that I never had and paid for, OK? Needless to say I never did see her or the breakfast after that.
So I arrived in Cuzco hungry and annoyed in spite of the fact that a sick Ty (almost everybody traveling, it seems) had no appetite for his and gave it to me. Role reversal from the trek, I guess. There was a lady at the bus station with brochures for a decent looking hostel called Machu Picchu and we managed to get it for 15 solas with breakfast which, in Cuzco, is a fantastic deal. We went and checked in and soon Virgilio walked in from his bus and we switched rooms so he could get a good deal too. Cuzco, in addition to being the high-altitude gateway to Machu Picchu (at 3600m) is also a beautiful town in its own right and we walked around and enjoyed the late afternoon sun before the evening cold settled down on the town. We also spent some time that day and the next in travel agents. I already knew I didn't have a chance of getting on the Inca Trail but I asked around anyway and found one person who thought he might be able to get me on but alas. The Inca Trail is the famous trek that passes many ancient ruins to arrive at the centrepiece, Machu Picchu. There are several alternative treks available, notably a Jungle trek that starts with a huge mountain bike descent on the first day and takes about four days to get there. The second is called Salkantay and takes you high up into the alps. Both end in a town called Aguas Calientes at the base of Machu Picchu and from there you climb up in the morning on the last day to see the site, ruins, and go back. Otherwise, the treks are both ordinary and could be done anywhere.
Ty and I gave it some thought and decided that we had just done a big mountain trek in Huaraz and, at least for me, I'd be heading into the Amazon in Bolivia, so there was no need to add on a trek just for the sake of doing so. We discovered also that we could save about $50 making our way to Aguas Calientes on our own with a combination of busses and trekking in a day thus also saving time. So with that agreed on we set out for the Temple of the Moon, a set of ruins above Cuzco. It was a solid hour of walking to get up there and we passed the Saqsaywaman ruins and got a good look at them for free as were didn't enter but walked on a road that wound around them and then were given permission to cut across by a guard. The Temple of the Moon ruins weren't very impressive even though we met a guide there who was just hanging around and he generously took us around the site and showed us what had once been and then refused payment. We chatted with him and his girlfriend until just about sunset and then he offered to meet us later and take us to the bus station for tickets to start our DIY Machu Picchu excursion. We met him at 8:00 and he took us up to the station and then we walked back with the two of them.
We were going to all go for dinner but his girlfriend got a phone call that resulted in us being invited to her family's home for dinner. After making it clear we didn't want to impose we gratefully accepted this rather unique and generous offer and went to their home. It was an adobe brick home no matter how many times I see them I always wonder how they last so long. Inside was quite a bit larger than it looked and in spite of the gravel foyer had a nice dining room complete with an 18th century painting of Jesus that apparently brings people knocking on their door to pray all the time but especially in March. Dinner was leftovers from her mom's birthday the night before and included a mix of cheese, river weed, cuy (guinea pig), chicken, sausage, and some sort of fried dough with greens in it. I didn't opt for more cuy but otherwise it was all good. And that was just the starter. Then they brought us out beef stefado and ram with rice. Finally, it was mate (a shared tea) with orange cake for dessert. We have been really fortunate to meet such great people here in Peru so far and obviously we were all both floored and extremely grateful for their hospitality. We said goodnight to them and went back to the hostel to pack and get ready to set out in the morning on our next adventure: Machu Picchu.


text:
Toothpaste Records
トゥースペースト レコード
Toothpaste Records was founded in 2018 to create international releases for the best artists in the Japanese indie music scene.
The label was founded by Brighton-based Johnny Hartford, and Tokyo-based Philippe Boehm.
The first release on the label, Tentenko's debut international release, was universally praised by critics and fans and made the "Best Albums Of 2018" lists at VICE/Noisey, Vinyl Factory and Sister Ray.
Copyright © 2020 Toothpaste Records – All rights reserved – Design by bibi


Hydrating the face is as easy as incorporating the correct ingredients into your regimen. One of the most popular ingredients for hydration is Hyaluronic Acid (HA). This is a non-exfoliating molecule compound that draws 1000x its weight in water to your skin.
What does this mean? Less dry patches, more balanced skin sebum production and less flaky dry skin. HA is ideal for both oily and dry skin types, in short, who doesnt need more water?
Looking for easy ways to incorporate HA into your regimen? While everyone may not be a fan of 10 step facial regimens, Jade & Fox has a wide variety of products that you are already using that contains Hyaluronic Acid.
What will the results look like from adding this simple ingredient into your regimen? More even textured skin, less rough patches/dry skin and face eczema. Dewy "glass skin" look along with the balance of hydration in skin.
Now that you've properly hydrated your face, we need to seal in the hydration with moisturizers. Similar to the body, hydrators are water based and need to be sealed in with moisture (oil) based products. After incorporating hydration, seal In with your favorite oil based moisturizer.


Nate James from The Voice UK and Iliana Lorraine host the hottest acoustic sessions through the looking glass every Monday from 8pm.
This night brings together London's finest, most promising and talented emerging artists in a whirlwind of musical artistry.
Discover some of London's fierce up-and-coming musical talent, brought to you by #Sessions58.
Special £5 cocktails available on the night!
Free entry from 8pm to 9pm, then £5.