I'm calling from Real's mobile phone.
Kathryn should've told Connie the truth in the first place.
Tommy already knows the answer to that question.
That jacket is really too big for Indra.
As an overweight woman, Daniele has experienced many incidents of people judging her based on her size.
Shatter arrived at just the right moment.
Let's go back to Marco.
Ed is trying to do that now.
Morgan doesn't even remember what happened last night.
Terrence wanted to protect himself.
The man in the flat next to Marcia is quite odd.
Shankar was one of my students.
Thomas doesn't like multiple choice exams.
Mario wasn't right about that.
Jennifer isn't looking too good.
Ben has disappeared without a trace.
Margie used to be mean.
Jerome has given up smoking.
Barrio broke a window in the classroom.
Jem is suspected of being a Russian spy.
Caleb certainly isn't as smart as he thinks he is.
Perry told me a lot about Boston.
Patrick won't be getting any help from Lloyd.
Michel can learn incredibly fast.
Could it have been Kenton? Possibly.


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While it's not a exhaustive examination of every recording of Dowland's solo lute music in history, I believe all the major recordings are here, and a lot of others as well. If I've missed anything important I trust that members of the lute community will let me know!
Only recordings on compact disc are considered here. I began collecting lute recordings in the early 1990s, and while I have many CDs that are remasters originally released on LP, by the time I began to study the lute I had mostly abandoned my vinyl collection. I haven't had a working record player in nearly 30 years. Despite the triumph of streaming music services, digital download, the resurgence of vinyl, and the predicted demise of the compact disc, as of this writing it's still my format of choice for lute recordings. For a robust discography of lute recordings on CD, click here.
I am not a critic. Although I write about music from many different perspectives and occasionally stray into territory covered by critics (like CD reviews), I generally avoid writing from that perspective. This essay is meant to describe the recordings that have been made and are available, to the best of my knowledge, in hope that such a survey may be of use to others interested in Dowland's music, as well as a way of helping me to order my own impressions about them.
Dowland left behind more music for solo lute than any of his contemporaries – but unlike his songs, most of which were published during his lifetime, little of it was published until the 20th century. Most of Dowland's solo lute tablatures are found in English manuscripts, some in manuscripts scattered across continental Europe, and many of his pieces exist in more than one version. To my knowledge, no complete catalog of his known works has yet been assembled, although a tremendous step towards this was done by Diana Poulton and Basil Lam, who gathered his solo lute music into The Collected Lute Music of John Dowland, a scholarly performing edition published in 1974. "P" numbers attached to untitled or generically titled pieces on these recordings refer to this edition.
Lindberg, Jakob, 1994/1995. John Dowland: The Complete Solo Lute Music. BIS-CD-722/724.
Jakob Lindberg's John Dowland: The Complete Solo Lute Music was the first such collection to be released – it came out in 1995. This was in the middle of the decade of my life when my absorption in the lute repertoire was at its height. I bought this set as soon as it appeared at the NYC Tower Records store I haunted, waiting for treasures like this to show up. The Swedish label BIS Records released all four discs in one package – Lindberg's collection is distinct in this; O'Dette's and North's collections were originally issued one disc at a time, and only repackaged as box sets after all discs had their individual releases. A single disc of selections from the complete set was subsequently released by BIS as John Dowland: Selected Lute Music in 1996.
I decided to group the pieces according to the sources that my chosen versions come from. To group them chronologically is a mistake since, as Diana Pouton puts it in her book on Dowland, 'the making of an accurate chronological list is an impossibility'. It would also restrict one to choosing the earliest version of each piece. This is not desirable since later versions are often more reliable. Undoubtably subjectivity plays a part when one decides which one of many versions is the 'best' and I sometimes differ from my dear teacher Diana Poulton in this respect. My correction of 'mistakes' and my reconstructions of unclear or missing bars are also personal, as are the varied repeats I have added when these are missing in the originals.
I own a number of BIS recordings from this time and the impression I have is that they were made with an audiophile in mind, i.e. with primarily an aesthetic dedicated to recreating a sound image as close as possible to that experienced by a listener in the presence of the original audio source, in the room where it was recorded. Perhaps with a hi-fidelity system including excellent speakers situated the correct distance apart and from the listener, these CDs sound the way they were meant to but alas! although I am an avid CD collector, I am a musician, not a true audiophile. Due to the demands of work and family life, my time available to listen to recordings is often while I'm in the car or the kitchen. As gauche as it may be, I generally prefer to listen to lute recordings that come closer to recreating the brilliant, warm, and intimate sound I experience when I am playing the lute myself, and I have not listened to these fine recordings as much as others in my collection.
O'Dette, Paul, 1995. John Dowland: Complete Lute Works, Vol. 1. Harmonia Mundi HMU 907160.
Paul O'Dette (b 1954) began recording his John Dowland: Complete Lute Works for the French label Harmonia Mundi around the same time that Lindberg was recording his collection, and it was difficult at the time to escape the impression that there was rivalry between the two eminent musicians around the timing and execution of these projects.
O'Dette took a thorough and expansive approach when constructing the programs for his complete Dowland edition. Lindberg's statement that "to group them chronologically is a mistake" notwithstanding, to some extent this is what O'Dette did, especially with volumes 2 (earlier works) and 4 (later works). O'Dette's sensibility as a performer is very much in evidence in the selections he chose for all five CD programs: each includes a well-sequenced variety of examples of the full palette of forms Dowland composed in: pavans, galliards, almains, fantasies, toys, and variations on English ballad tunes.
The instruments and whether he chose to string their courses in octaves or in unison also reflect O'Dette's attention to changing practices in lute performance over the course of Dowland's lifetime, and his methodical illustration of these nuances through these performances. Lute builders made increasingly larger instruments with added bass courses during the second half of the 16th century and into the 17th, and O'Dette's choices reflect these developments. Instruments used for the project include 8-course instruments by Paul Thompson (1, 2, 3), Malcolm Prior (1), and Klaus Jacobsen (4, 5); a 6-course by Paul Thompson (2); a 10-course by Ray Nurse (4, 5); and an orpharion by Stephen Barber (1).
O'Dette's Complete Dowland features a significantly larger number of tracks (111) than either Lindberg's (92) or North's (86). One reason for this is that rather than record only one "best" version of a number of Dowland's pieces that exist in more than one version, O'Dette recorded both early and late versions of a number of these over the course of the project.
Dowland was a restless reviser, constantly updating and rearranging earlier works with increasingly fanciful ornamentation and richer harmonies. Most of his earlier pieces exist in later and more elaborate versions.
Another reason that accounts for this disparity in "completeness" across the three collections is that Volume 5 features works that technically may not be part of the Dowland "canon". Volume 5 is in fact a veritable Dowland "apocrypha".
It is possible that none of the pieces on this CD were conceived by Dowland as lute solos in their present form. Some of them are arrangements of Dowland's music by other lutenists…, some were written by other composers in the style of Dowland…, while others are consort lute parts performed as solos… I have also included the three surviving pieces by John's son Robert.
Several of the works heard here are attributed to Dowland in the sources, but are unlikely to have been written by him.
Each volume of O'Dette's Dowland's Complete Lute Works received the prestigious French Diapason d'Or, and the 5-CD boxed set received the Diapason d'Or Of The Year Award (1995, 1997).
North, Nigel, 2004. John Dowland: Complete Lute Music – 1. Naxos 8.557586.
Recorded for Naxos a decade after O'Dette's collection, Nigel North's John Dowland: Complete Lute Music is the first (and only) complete Dowland edition released by an English lutenist. Like Paul O'Dette, Nigel North was born in 1954.
Fancyes, Dreams and Spirits features Dowland at his most free and inventive, and includes the fantasies alongside his various toys and idiosyncratic pieces.
Dowland's Tears features a selection of pieces including seven pavan and galliard pairs that revolves around Lachrimae and illustrates Dowland at his most melancholy.
Pavans, Galliards and Almains is an ingenious progression of 21 pieces, seven triptychs each consisting of a pavan, a galliard, and an almain.
The Queen's Galliard concludes North's edition with Dowland's remaining galliards (he wrote more than 30 altogether) and his variations on English ballad tunes.
On these recordings North plays an 8-course lute by Paul Thompson (1, 4), 9-course lutes by Paul Thompson (1) and Lars Jönsson (3, 4), and a 10-course lute by Ray Nurse (2). He employs a broad range of pitch standards including A = 392, 400, 415, and 440!
In developing his programs for these discs, North explores the 16th century tradition of pairing pavans and galliards to a greater extent than Lindberg and O'Dette did on their recordings.
In 1597 Dowland's contemporary Thomas Morley wrote that pavans and galliards were often paired together and the galliard was " a kind of music made out of the other". Unlike some contemporaries such as Anthony Holborne and Francis Cutting, Dowland left us very few pavan and galliard pairs. The only true pair is the Lachrimae Pavan and Galliard to Lachrimae, although probably not written at the same time.
In 1604 Dowland published his now famous collection Lachrimae or Seaven Teares… the collection begins with Seaven Passionate Pavans, all based on Lachrimae, which are then followed by "divers other Pavans, Galliards, and Almands". It is both wonderful to have this set of music by Dowland, prepared by him and printed for all to play, and yet also strange that he never made a similar collection for solo lute. So here I have tried to imagine what Dowland might have chosen for a solo lute collection.
In his liner notes, North describes the program for CD 3 as similarly inspired by both Dowland's 1604 collection and Holborne's Pavans, Galliards, and Almains (1599).
North also contributes his own lute solo versions of a few of Dowland's notable songs including I saw my lady weep; Come again, sweet love; and Awake, sweet love.
All three of these editions collect together fine performances and each provides the listener with a different window on how Dowland's music might have been heard and understood by his contemporaries. Both Lindberg and O'Dette chose to play a few pieces in their editions on orpharion – a nod to Dowland's pieces included in William Barley's A new Booke of Tabliture for the Orpharion (1596?). The wire-strung instrument was tuned identically to the lute and their repertoires were regarded as interchangeable.
While O'Dette's performances may demonstrate a slightly more consistent approach to performance across his entire collection than the others, all three were clearly developed with thoughtful attention and a sense that these recordings are scholarly exhibits, not mere commodities. Lindberg and O'Dette were in their early forties when they recorded their editions; North was in his early fifties. A difference may be discerned here in some of North's choices of tempo, approach to phrasing, and other interpretive considerations, which reveal at times a more mature and relaxed performance sensibility: North had about a decade's more experience as a lutenist than either Lindberg or O'Dette when he recorded his collection.
By walterbitner in Early Music, Music, The Lute on September 2, 2018 .


text:
Lenses for Canon EF Mount with Full-Frame Sensor
MOUNT AnyCanon EFCanon MCanon RFFour-ThirdsFujifilm GFujifilm XHasselblad XCDLeica LLeica SMicro Four-ThirdsNikon FNikon 1Nikon ZPentax KPentax QPentax 645Sigma SSony ASony E BRAND AnyCanonIrixSigmaTokinaTamronSamyangVenusZeissZY Optics CROP-FACTOR AnyFull-FrameAPS-H (1.3X)APS-C (1.6X) STATUS AnyCurrentDiscontinued
FILTER THESE LENSES
Focal Range
Max F/no
Magni.
Canon EF 100-400mm F/4.5-5.6L IS II USM 100 - 400mm F/4.5 - 5.6 0.31X Full-Frame 1570g 94 x 193mm 2014-11-10 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Canon EF 100-400mm F/4.5-5.6L IS USM 100 - 400mm F/4.5 - 5.6 77mm 0.2X Full-Frame 1380g 92 x 189mm Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Canon EF 100mm F/2 USM 100mm F/2 58mm 0.14X Full-Frame 460g 75 x 74mm Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 100mm F/2.8L Macro IS USM 100mm F/2.8 67mm 1X Full-Frame 625g 78 x 123mm Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 11-24mm F/4L USM 11 - 24mm F/4 Full-Frame 1180g 108 x 132mm 2015-02-05 Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 135mm F/2.8 Softfocus 135mm F/2.8 52mm 0.12X Full-Frame 390g 69 x 99mm Autofocus Lens
Canon EF 135mm F/2L USM 135mm F/2 72mm 0.19X Full-Frame 750g 83 x 112mm Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 14mm F/2.8L II USM 14mm F/2.8 0.15X Full-Frame 645g 80 x 94mm Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 15mm F/2.8 Fisheye 15mm F/2.8 0.14X Full-Frame 330g 73 x 62mm Fisheye Lens. Shows straight lines as curves. Autofocus Lens
Canon EF 16-35mm F/2.8L II USM 16 - 35mm F/2.8 82mm 0.22X Full-Frame 640g 89 x 112mm Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 16-35mm F/2.8L III USM 16 - 35mm F/2.8 82mm 0.22X Full-Frame 790g 89 x 128mm 2016-08-25 Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 16-35mm F/4L IS USM 16 - 35mm F/4 77mm 0.23X Full-Frame 615g 83 x 113mm 2014-05-13 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 17-40mm F/4L USM 17 - 40mm F/4 77mm 0.24X Full-Frame 500g 84 x 97mm Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 180mm F/3.5L Macro USM 180mm F/3.5 72mm 1X Full-Frame 1090g 83 x 187mm Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 200-400mm F/4L IS USM 1.4X 200 - 400mm F/4 0.15X Full-Frame 3620g 128 x 366mm 2013-05-14 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 200mm F/2.8L II USM 200mm F/2.8 72mm 0.16X Full-Frame 765g 83 x 136mm Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 200mm F/2L IS USM 200mm F/2 0.12X Full-Frame 2520g 128 x 208mm Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 20mm F/2.8 USM 20mm F/2.8 72mm 0.14X Full-Frame 405g 78 x 71mm Autofocus Lens
Canon EF 24-105mm F/4L IS II USM 24 - 105mm F/4 77mm 0.23X Full-Frame 795g 84 x 118mm 2016-08-25 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 24-105mm F/4L IS USM 24 - 105mm F/4 77mm 0.23X Full-Frame 670g 84 x 107mm Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 24-70mm F/2.8L USM 24 - 70mm F/2.8 77mm 0.29X Full-Frame 950g 83 x 124mm Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 24-70mm F/2.8L USM II 24 - 70mm F/2.8 82mm 0.21X Full-Frame 805g 89 x 113mm 2012-02-07 Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 24-70mm F/4L IS USM 24 - 70mm F/4 77mm 0.7X Full-Frame 600g 84 x 93mm 2012-11-06 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 24mm F/1.4L II USM 24mm F/1.4 77mm 0.17X Full-Frame 650g 84 x 87mm Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 24mm F/2.8 IS USM 24mm F/2.8 58mm 0.23X Full-Frame 280g 68 x 56mm 2012-02-07 Image Stabilized Lens Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 28-135mm F/3.5-5.6 IS USM 28 - 135mm F/3.5 - 5.6 72mm 0.19X Full-Frame 540g 79 x 97mm Image Stabilized Lens Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 28-300mm F/3.5-5.6L IS USM 28 - 300mm F/3.5 - 5.6 77mm 0.3X Full-Frame 1670g 92 x 184mm Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 28mm F/1.8 USM 28mm F/1.8 58mm 0.18X Full-Frame 310g 74 x 56mm Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 28mm F/2.8 28mm F/2.8 52mm 0.13X Full-Frame 185g 68 x 43mm Autofocus Lens
Canon EF 300mm F/2.8L IS II USM 300mm F/2.8 Full-Frame 2350g 128 x 248mm 2010-08-26 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 300mm F/2.8L IS USM 300mm F/2.8 0.13X Full-Frame 2550g 128 x 252mm Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 300mm F/4L IS USM 300mm F/4 77mm 0.24X Full-Frame 1190g 90 x 221mm Image Stabilized Lens Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 35mm F/1.4L USM 35mm F/1.4 72mm 0.18X Full-Frame 580g 79 x 86mm Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 35mm F/1.4L USM II 35mm F/1.4 72mm 0.21X Full-Frame 760g 81 x 106mm 2015-08-27 Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 35mm F/2 35mm F/2 52mm 0.23X Full-Frame 210g 68 x 43mm Autofocus Lens
Canon EF 35mm F/2 IS USM 35mm F/2 Full-Frame 335g 78 x 63mm 2012-11-06 Image Stabilized Lens Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 35mm F/2.8 IS USM 35mm F/2.8 58mm 0.2X Full-Frame 260g 69 x 52mm 2012-02-07 Image Stabilized Lens Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 400mm F/2.8L IS II USM 400mm F/2.8 0.17X Full-Frame 3850g 163 x 343mm 2010-08-26 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 400mm F/2.8L IS III USM 400mm F/2.8 Full-Frame 2840g 163 x 343mm 2018-09-05 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 400mm F/4 DO IS USM 400mm F/4 0.12X Full-Frame 1940g 128 x 233mm Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 400mm F/4 DO IS USM II 400mm F/4 0.13X Full-Frame 2100g 128 x 233mm 2014-09-15 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 40mm F/2.8 STM 40mm F/2.8 52mm 0.18X Full-Frame 130g 68 x 23mm 2012-06-08 Autofocus Lens
Canon EF 500mm F/4L IS II USM 500mm F/4 52mm 0.15X Full-Frame 3190g 146 x 383mm 2011-02-07 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 50mm F/1.8 II 50mm F/1.8 52mm 0.15X Full-Frame 130g 62 x 41mm Autofocus Lens
Canon EF 50mm F/1.8 STM 50mm F/1.8 49mm 0.21X Full-Frame 159g 69 x 40mm 2015-05-10 Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 50mm F/2.5 Compact Macro 50mm F/2.5 52mm 0.5X Full-Frame 280g 68 x 63mm Autofocus Lens
Canon EF 600mm F/4L IS III USM 600mm F/4 Full-Frame 3050g 168 x 448mm 2018-09-05 Image Stabilized Lens Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 70-200mm F/2.8L IS II USM 70 - 200mm F/2.8 77mm 0.21X Full-Frame 1490g 89 x 199mm 2010-01-05 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 70-200mm F/2.8L IS III USM 70 - 200mm F/2.8 77mm Full-Frame 1440g 89 x 199mm 2018-06-08 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 70-200mm F/2.8L IS USM 70 - 200mm F/2.8 77mm Full-Frame 1470g 86 x 197mm Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 70-200mm F/2.8L USM 70 - 200mm F/2.8 77mm Full-Frame 1310g 85 x 194mm Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 70-200mm F/4L USM 70 - 200mm F/4 67mm 0.21X Full-Frame 705g 76 x 172mm Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 70-300mm F/4-5.6 IS USM 70 - 300mm F/4 - 5.6 58mm 0.18X Full-Frame 630g 77 x 143mm Image Stabilized Lens Autofocus Lens
Canon EF 70-300mm F/4-5.6L IS USM 70 - 300mm F/4 - 5.6 67mm 0.21X Full-Frame 1050g 89 x 143mm 2010-08-26 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 70-300mm F/4.5-5.6 DO IS USM 70 - 300mm F/4.5 - 5.6 58mm 0.19X Full-Frame 720g 83 x 100mm Image Stabilized Lens Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 70-300mm F/4.5-5.6 IS II USM 70 - 300mm F/4 - 5.6 67mm Full-Frame 710g 80 x 146mm 2016-09-15 Image Stabilized Lens Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 75-300mm F/4-5.6 III 75 - 300mm F/4 - 5.6 58mm 0.25X Full-Frame 480g 71 x 122mm Autofocus Lens
Canon EF 75-300mm F/4-5.6 III USM 75 - 300mm F/4 - 5.6 58mm 0.25X Full-Frame 480g 71 x 122mm Autofocus Lens
Canon EF 8-15mm F/4L Fisheye USM 8 - 15mm F/4 0.39X Full-Frame 540g 79 x 83mm 2010-08-26 Weatherproof - Seals protect from dust, humidity and light splashing. Fisheye Lens. Shows straight lines as curves. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 85mm F/1.2L II USM 85mm F/1.2 72mm 0.11X Full-Frame 1025g 92 x 84mm Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon EF 85mm F/1.4L IS USM 85mm F/1.4 77mm 0.12X Full-Frame 950g 87 x 106mm 2017-08-29 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Canon MP-E 65mm F/2.8 1-5X Macro 65mm F/2.8 58mm 5X Full-Frame 710g 81 x 98mm Manual Focus Only lens.
Canon TS-E 135mm F/4L Macro 135mm F/4 82mm 0.5X Full-Frame 1110g 89 x 139mm 2017-08-29 Manual Focus Only lens.
Canon TS-E 17mm F/4L 17mm F/4 0.14X Full-Frame 820g 89 x 107mm 2009-02-18 Manual Focus Only lens.
Canon TS-E 24mm F/3.5L II 24mm F/3.5 82mm 0.34X Full-Frame 780g 89 x 107mm 2009-02-18 Manual Focus Only lens.
Canon TS-E 45mm F/2.8 45mm F/2.8 72mm 0.16X Full-Frame 645g 81 x 90mm Manual Focus Only lens.
Canon TS-E 50mm F/2.8L Macro 50mm F/2.8 77mm 0.5X Full-Frame 945g 87 x 115mm 2017-08-29 Manual Focus Only lens.
Irix Blackstone 11mm F/4 11mm F/4 0.07X Full-Frame 790g 118 x 103mm 2017-03-02 Weatherproof - Seals protect from dust, humidity and light splashing. Manual Focus Only lens.
Irix Blackstone 15mm F/2.4 15mm F/2.4 95mm 0.11X Full-Frame 685g 114 x 100mm 2016-03-18 Weatherproof - Seals protect from dust, humidity and light splashing. Manual Focus Only lens.
Irix Dragonfly 150mm F/2.8 Macro 150mm F/2.8 77mm 1X Full-Frame 840g 87 x 135mm 2018-09-24 Weatherproof - Seals protect from dust, humidity and light splashing. Manual Focus Only lens.
Irix Firefly 11mm F/4 11mm F/4 0.07X Full-Frame 730g 118 x 103mm 2017-03-02 Weatherproof - Seals protect from dust, humidity and light splashing. Manual Focus Only lens.
Irix Firefly 15mm F/2.4 15mm F/2.4 95mm 0.11X Full-Frame 608g 114 x 100mm 2016-03-18 Weatherproof - Seals protect from dust, humidity and light splashing. Manual Focus Only lens.
Samyang 100mm F/2.8 ED UMC Macro 100mm F/2.8 67mm 1X Full-Frame 770g 73 x 150mm 2015-04-02 Manual Focus Only lens.
Samyang 12mm F/2.8 ED AS NCS Fisheye 12mm F/2.8 Full-Frame 565g 74 x 99mm 2014-09-10 Fisheye Lens. Shows straight lines as curves. Manual Focus Only lens.
Samyang 135mm F/2 ED UMC 135mm F/2 77mm Full-Frame 830g 82 x 148mm 2014-01-12 Manual Focus Only lens.
Samyang 14mm F/2.8 IF ED UMC Asph 14mm F/2.8 Full-Frame 573g 94 x 87mm 2009-09-18 Manual Focus Only lens.
Samyang 20mm F/1.8 ED AS UMC 20mm F/1.8 77mm Full-Frame 497g 83 x 88.4mm 2016-08-06 Manual Focus Only lens.
Samyang 20mm T/1.9 ED AS UMC 20mm F/1.9 77mm Full-Frame 498g 83 x 85.9mm 2016-08-06 Manual Focus Only lens.
Samyang 24mm F/1.4 ED AS UMC 24mm F/1.4 77mm Full-Frame 680g 97 x 83mm 2011-08-12 Manual Focus Only lens.
Samyang 35mm F/1.4 AS UMC 35mm F/1.4 77mm Full-Frame 660g 111 x 83mm 2010-09-16 Manual Focus Only lens.
Samyang 50mm F/1.4 AS UMC 50mm F/1.4 77mm Full-Frame 535g 82 x 75mm 2014-08-26 Manual Focus Only lens.
Samyang 50mm T/1.5 VDSLR AS UMC 50mm F/1.5 77mm Full-Frame 575g 82 x 75mm 2014-08-26 Designed for Cinematography. Manual Focus Only lens.
Samyang 85mm F/1.4 IF MC Asph 85mm F/1.4 72mm Full-Frame 513g 78 x 72mm 2011-12-15 Manual Focus Only lens.
Samyang AF 14mm F/2.8 EF 14mm F/2.8 0.15X Full-Frame 485g 91 x 96mm 2018-01-08 Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Samyang Premium MF 14mm F/2.4 14mm F/2.4 0.08X Full-Frame 791g 95 x 110mm 2016-09-12 Manual Focus Only lens.
Samyang Premium MF 85mm F/1.2 85mm F/1.2 86mm 0.13X Full-Frame 1050g 93 x 99mm 2016-09-12 Manual Focus Only lens.
Samyang T-S 24mm F/3.5 ED AS UMC 24mm F/3.5 82mm Full-Frame 680g 113 x 86mm 2012-09-07 Manual Focus Only lens.
Samyang VDSLR 135mm T2.2 ED UMC 135mm F/2 77mm Full-Frame 830g 82 x 148mm 2015-01-12 Manual Focus Only lens.
Samyang VDSLR 14mm T3.1 AS IF UMC 14mm F/3.1 Full-Frame 573g 94 x 87mm 2012-08-09 Manual Focus Only lens.
Samyang VDSLR 24mm T1.5 ED AS UMC 24mm F/1.5 77mm Full-Frame 680g 83 x 97mm 2012-08-09 Manual Focus Only lens.
Samyang VDSLR 35mm T1.5 AS UMC 35mm F/1.5 77mm Full-Frame 660g 111 x 83mm 2012-08-09 Manual Focus Only lens.
Samyang XP 10mm F/3.5 10mm F/3.5 0.07X Full-Frame 731g 95 x 98mm 2019-02-25 Manual Focus Only lens.
Samyang XP 14mm F/2.4 14mm F/2.4 0.08X Full-Frame 791g 95 x 110mm 2016-11-28 Manual Focus Only lens.
Samyang XP 50mm F/1.2 50mm F/1.2 86mm 0.17X Full-Frame 1200g 93 x 118mm 2018-02-20 Manual Focus Only lens.
Samyang XP 85mm F/1.2 85mm F/1.2 86mm 0.13X Full-Frame 1050g 92 x 99mm 2016-11-28 Manual Focus Only lens.
Sigma 100-300mm F4 EX DG APO HSM 100 - 300mm F/4 82mm 0.2X Full-Frame 1480g 93 x 224mm 2006-01-06 Autofocus Lens
Sigma 105mm F/2.8 EX DG OS HSM Macro 105mm F/2.8 62mm 1X Full-Frame 725g 79 x 127mm 2011-06-28 Image Stabilized Lens Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Sigma 105mm F2.8 EX DG Macro 105mm F/2.8 58mm 1X Full-Frame 450g 74 x 95mm 2006-02-24 Autofocus Lens
Sigma 12-24mm F/4.5-5.6 EX DG HSM II 12 - 24mm F/4.5 - 5.6 0.16X Full-Frame 670g 85 x 120mm 2011-02-08 Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Sigma 12-24mm F4.5-5.6 EX DG ASP HSM 12 - 24mm F/4.5 - 5.6 0.14X Full-Frame 600g 88 x 103mm Autofocus Lens
Sigma 120-300mm F/2.8 EX DG OS APO HSM 120 - 300mm F/2.8 105mm 0.125X Full-Frame 2950g 115 x 289mm 2011-02-08 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Sigma 120-300mm F2.8 EX DG APO HSM 120 - 300mm F/2.8 105mm 0.12X Full-Frame 2600g 113 x 269mm Autofocus Lens
Sigma 120-400mm F4.5-5.6 DG APO OS HSM 120 - 400mm F/4.5 - 5.6 77mm 0.24X Full-Frame 1750g 93 x 204mm 2010-05-14 Image Stabilized Lens Autofocus Lens
Sigma 150-500mm F5-6.3 APO DG OS HSM 150 - 500mm F/5 - 6.3 86mm 0.19X Full-Frame 1910g 96 x 252mm 2008-01-31 Image Stabilized Lens Autofocus Lens
Sigma 150mm F/2.8 EX DG OS HSM APO Macro 150mm F/2.8 72mm 1X Full-Frame 895g 80 x 150mm 2011-02-08 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Sigma 150mm F2.8 EX APO DG HSM Macro 150mm F/2.8 72mm 1X Full-Frame 895g 80 x 137mm 2006-12-07 Autofocus Lens
Sigma 15mm F2.8 EX DG Diagonal Fisheye 15mm F/2.8 0.26X Full-Frame 330g 74 x 71mm Fisheye Lens. Shows straight lines as curves. Autofocus Lens
Sigma 180mm F/2.8 EX DG OS HSM APO Macro 180mm F/2.8 86mm 1X Full-Frame 1638g 95 x 204mm 2012-09-05 Image Stabilized Lens Autofocus Lens
Sigma 200-500mm F2.8 APO EX DG 200 - 500mm F/2.8 72mm 0.13X Full-Frame 15700g 237 x 726mm 2008-01-31 Autofocus Lens
Sigma 20mm F1.8 EX DG ASP RF 20mm F/1.8 82mm 0.25X Full-Frame 520g 89 x 87mm Autofocus Lens
Sigma 24-70mm F2.8 EX DG Macro 24 - 70mm F/2.8 82mm 0.26X Full-Frame 700g 89 x 116mm 2004-09-22 Autofocus Lens
Sigma 24-70mm F2.8 IF EX DG HSM 24 - 70mm F/2.8 82mm 0.18X Full-Frame 790g 87 x 95mm 2008-09-23 Autofocus Lens
Sigma 24mm F1.8 EX DG ASP Macro 24mm F/1.8 77mm 0.37X Full-Frame 485g 83 x 80mm Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Sigma 28-300mm F3.5-6.3 DG Macro 28 - 300mm F/3.5 - 6.3 62mm 0.33X Full-Frame 460g 74 x 84mm Autofocus Lens
Sigma 28mm F1.8 EX DG ASP Macro 28mm F/1.8 77mm 0.34X Full-Frame 480g 84 x 80mm Autofocus Lens
Sigma 300-800mm F5.6 EX DG APO HSM 300 - 800mm F/5.6 0.14X Full-Frame 5870g 157 x 542mm 2002-09-30 Autofocus Lens
Sigma 300mm F2.8 EX APO DG HSM 300mm F/2.8 0.13X Full-Frame 2400g 119 x 214mm 2010-07-26 Autofocus Lens
Sigma 50-500mm F4.5-6.3 APO DG OS HSM 50 - 500mm F/4.5 - 6.3 95mm 0.32X Full-Frame 1970g 105 x 219mm 2010-02-20 Image Stabilized Lens Autofocus Lens
Sigma 500mm F4.5 EX DG APO HSM 500mm F/4.5 0.13X Full-Frame 3100g 123 x 350mm 2005-04-18 Autofocus Lens
Sigma 50mm F1.4 EX DG HSM 50mm F/1.4 77mm 0.13X Full-Frame 505g 85 x 68mm 2008-03-18 Autofocus Lens
Sigma 50mm F2.8 EX DG Macro 50mm F/2.8 55mm 1X Full-Frame 320g 72 x 64mm 2008-01-31 Autofocus Lens
Sigma 70-200mm F2.8 EX DG APO Macro HSM II 70 - 200mm F/2.8 77mm 0.28X Full-Frame 1370g 87 x 185mm 2006-11-03 Autofocus Lens
Sigma 70-200mm F2.8 EX DG OS HSM 70 - 200mm F/2.8 77mm 0.12X Full-Frame 1370g 87 x 198mm 2010-02-20 Image Stabilized Lens Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Sigma 70-300mm F4-5.6 APO DG Macro 70 - 300mm F/4 - 5.6 58mm 0.5X Full-Frame 530g 77 x 120mm 2008-01-31 Autofocus Lens
Sigma 70-300mm F4-5.6 DG Macro 70 - 300mm F/4 - 5.6 58mm 0.5X Full-Frame 530g 77 x 120mm 2008-01-31 Autofocus Lens
Sigma 70-300mm F4-5.6 DG OS 70 - 300mm F/4 - 5.6 62mm 0.25X Full-Frame 610g 77 x 127mm 2009-09-04 Image Stabilized Lens Autofocus Lens
Sigma 85mm F1.4 EX DG HSM 85mm F/1.4 77mm 0.12X Full-Frame 725g 87 x 88mm 2010-02-21 Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Sigma 8mm F3.5 EX DG Circular Fisheye 8mm F/3.5 0.21X Full-Frame 400g 74 x 69mm Fisheye Lens. Shows straight lines as curves. Autofocus Lens
Sigma A 105mm F/1.4 DG HSM 105mm F/1.4 105mm 0.12X Full-Frame 1645g 116 x 132mm 2018-02-26 Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Sigma A 12-24mm F/4 DG HSM 12 - 24mm F/4 0.2X Full-Frame 1150g 102 x 132mm 2016-09-19 Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Sigma A 135mm F/1.8 DG HSM 135mm F/1.8 82mm 0.23X Full-Frame 1130g 92 x 115mm 2017-04-05 Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Sigma A 14-24mm F/2.8 DG HSM 14 - 24mm F/2.8 0.18X Full-Frame 1150g 97 x 135mm 2018-02-09 Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Sigma A 14mm F/1.8 DG HSM 14mm F/1.8 0.11X Full-Frame 1170g 97 x 127mm 2017-03-09 Autofocus Lens
Sigma A 20mm F/1.4 DG HSM 20mm F/1.4 0.14X Full-Frame 950g 92 x 130mm 2015-10-16 Autofocus Lens
Sigma A 24-105mm F/4 DG OS HSM 24 - 105mm F/4 82mm 0.21X Full-Frame 885g 89 x 110mm 2013-10-14 Image Stabilized Lens Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Sigma A 24-35mm F/2 DG HSM 24 - 35mm F/2 82mm 0.22X Full-Frame 940g 88 x 123mm 2015-06-19 Autofocus Lens
Sigma A 24-70mm F/2.8 DG OS HSM 24 - 70mm F/2.8 82mm 0.2X Full-Frame 1020g 89 x 107mm 2017-03-09 Image Stabilized Lens Autofocus Lens
Sigma A 24mm F/1.4 DG HSM 24mm F/1.4 77mm 0.18X Full-Frame 665g 85 x 90mm 2015-02-10 Autofocus Lens
Sigma A 28mm F/1.4 DG HSM 28mm F/1.4 77mm 0.15X Full-Frame 865g 83 x 108mm 2018-09-25 Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Sigma A 30mm F/1.4 DC HSM 30mm F/1.4 62mm 0.14X Full-Frame 435g 74 x 64mm 2013-01-29 Autofocus Lens
Sigma A 35mm F/1.4 DG HSM 35mm F/1.4 67mm 0.19X Full-Frame 665g 77 x 94mm 2012-11-07 Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Sigma A 40mm F/1.4 DG hSM 40mm F/1.4 82mm 0.15X Full-Frame 1270g 88 x 131mm 2018-09-25 Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Sigma A 50mm F/1.4 DG HSM 50mm F/1.4 77mm 0.17X Full-Frame 815g 86 x 100mm 2014-04-11 Autofocus Lens
Sigma A 70mm F/2.8 DG Macro 70mm F/2.8 49mm 1X Full-Frame 515g 71 x 106mm 2018-02-26 Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Sigma A 85mm F/1.4 DG HSM 85mm F/1.4 86mm 0.12X Full-Frame 1000g 95 x 126mm 2016-09-19 Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Sigma C 100-400mm F/5-6.3 DG OS HSM 100 - 400mm F/5 - 6.3 67mm 0.26X Full-Frame 1160g 87 x 183mm 2017-03-09 Image Stabilized Lens Autofocus Lens
Sigma C 150-600mm F/5-6.3 DG OS HSM 150 - 600mm F/5 - 6.3 95mm 0.2X Full-Frame 2660g 105 x 260mm 2014-09-12 Image Stabilized Lens Autofocus Lens
Sigma Cine 20mm T/1.5 20mm F/1.5 Full-Frame 1335g 95 x 118mm 2016-09-07 Designed for Cinematography. Manual Focus Only lens.
Sigma Cine 24-35mm F/2.2 24 - 35mm F/2.2 82mm Full-Frame 1440g 95 x 123mm 2016-09-07 Designed for Cinematography. Manual Focus Only lens.
Sigma Cine 24mm T/1.5 24mm F/1.5 82mm Full-Frame 1125g 95 x 82mm 2016-09-07 Designed for Cinematography. Manual Focus Only lens.
Sigma Cine 50mm T/1.5 50mm F/1.5 82mm Full-Frame 1295g 95 x 102mm 2016-09-07 Designed for Cinematography. Manual Focus Only lens.
Sigma S 120-300mm F/2.8 DG OS HSM 120 - 300mm F/2.8 0.125X Full-Frame 3390g 122 x 291mm 2013-04-24 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Sigma S 150-600mm F/5-6.3 DG OS HSM 150 - 600mm F/5 - 6.3 105mm 0.2X Full-Frame 2860g 121 x 290mm 2017-04-05 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Sigma S 500mm F/4 DG OS HSM 500mm F/4 0.15X Full-Frame 3310g 145 x 381mm 2016-09-19 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Sigma S 60-600mm F/4.5-6.3 DG OS HSM 60 - 600mm F/4.5 - 6.3 105mm 0.3X Full-Frame 2700g 121 x 269mm 2018-09-25 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Sigma S 70-200mm F/2.8 DG OS HSM 70 - 200mm F/2.8 82mm 0.22X Full-Frame 1805g 94 x 203mm 2018-09-25 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Tamron Di 17-35mm F/2.8-4 OSD 17 - 35mm F/2.8 - 4 77mm 0.21X Full-Frame 460g 84 x 93mm 2018-08-06 Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Tamron Di 28-300mm F/3.5-6.3 VC PZD 28 - 300mm F/3.5 - 6.3 67mm 0.28X Full-Frame 540g 75 x 96mm 2014-06-19 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Tamron Di 35-150mm VC OSD 35 - 150mm F/2.8 - 4 77mm 0.27X Full-Frame 796g 84 x 127mm 2019-04-25 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Tamron Di 70-210mm F/4 VC USD 70 - 210mm F/4 67mm 0.32X Full-Frame 859g 76 x 175mm 2018-02-22 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Tamron Di 70-300mm F/4-5.6 LD 70 - 300mm F/4 - 5.6 62mm 0.5X Full-Frame 458g 77 x 117mm 2006-02-15 Autofocus Lens
Tamron Di AF 28-200 F/3.8-5.6 XR 28 - 200mm F/3.8 - 5.6 62mm 0.25X Full-Frame 354g 71 x 75mm 2005-02-21 Autofocus Lens
Tamron Di AF 28-300 F/3.5-6.3 XR 28 - 300mm F/3.5 - 6.3 62mm 0.34X Full-Frame 420g 73 x 84mm 2004-08 Autofocus Lens
Tamron Di AF 28-300 F/3.5-6.3 XR VC 28 - 300mm F/3.5 - 6.3 67mm 0.33X Full-Frame 555g 78 x 99mm 2008-05-15 Image Stabilized Lens Autofocus Lens
Tamron Di SP 15-30mm F/2.8 VC USD 15 - 30mm F/2.8 Full-Frame 1100g 99 x 145mm 2014-09-12 Image Stabilized Lens Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Tamron Di SP 15-30mm F/2.8 VC USD G2 15 - 30mm F/2.8 0.2X Full-Frame 1110g 99 x 145mm 2018-09-01 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Tamron Di SP 150-600mm F/5-6.3 Di VC USD 150 - 600mm F/5 - 6.3 95mm Full-Frame 1951g 106 x 258mm 2013-12-17 Image Stabilized Lens Autofocus Lens
Tamron Di SP 150-600mm F/5-6.3 VC USD G2 150 - 600mm F/5 - 6.3 95mm 0.25X Full-Frame 2010g 109 x 260mm 2016-09-01 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Tamron Di SP 24-70mm F/2.8 VC 24 - 70mm F/2.8 82mm 0.5X Full-Frame 825g 88 x 117mm 2012-02-06 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Tamron Di SP 70-200mm F/2.8 VC USD G2 70 - 200mm F/2.8 77mm 0.16X Full-Frame 1500g 88 x 194mm 2017-02-06 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Tamron Di SP 70-300mm F/4-5.6 VC USD 70 - 300mm F/4 - 5.6 62mm 0.25X Full-Frame 765g 82 x 151mm 2010-09-25 Image Stabilized Lens Autofocus Lens
Tamron Di SP 85mm F/1.8 VC USD 85mm F/1.8 67mm 0.14X Full-Frame 700g 85 x 92mm 2016-02-22 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Tamron Di SP 90mm F/2.8 Macro VC USD 90mm F/2.8 62mm 1X Full-Frame 610g 79 x 117mm 2016-02-22 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Tamron Di SP AF 180mm F/3.5 180mm F/3.5 72mm 1X Full-Frame 920g 85 x 166mm 2003-06-30 Autofocus Lens
Tamron Di SP AF 200-500 F/5-6.3 200 - 500mm F/5 - 6.3 0.2X Full-Frame 1237g 94 x 227mm 2001-10-02 Autofocus Lens
Tamron Di SP AF 28-75mm F/2.8 XR 28 - 75mm F/2.8 67mm 0.25X Full-Frame 510g 73 x 92mm 2008-05-15 Autofocus Lens
Tamron Di SP AF 70-200mm F/2.8 70 - 200mm F/2.8 77mm 0.33X Full-Frame 1150g 90 x 194mm 2008-09-20 Autofocus Lens
Tamron Di SP AF 90mm F/2.8 MACRO 90mm F/2.8 55mm 1X Full-Frame 405g 72 x 97mm 2008-09-2 Autofocus Lens
Tamron Di SP 35mm F/1.4 USD 35mm F/1.4 72mm 0.2X Full-Frame 815g 81 x 105mm 2019-06-07 Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Tamron SP 24-70mm F/2.8 Di VC USD G2 24 - 70mm F/2.8 82mm 0.2X Full-Frame 905g 89 x 111mm 2017-07-01 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Tamron SP 35mm F/1.8 Di VC USD 35mm F/1.8 67mm 0.4X Full-Frame 450g 81 x 81mm 2015-09-03 Image Stabilized Lens Weatherproof - Seals protect from dust, humidity and light splashing. Quick-Shift Autofocus, also called Direct Manual-Focus (DMF).
Tokina AT-X 107 AF DX Fish-Eye NH 10 - 17mm F/3.5 - 4.5 0.39X Full-Frame 350g 70 x 71mm Fisheye Lens. Shows straight lines as curves. Autofocus Lens
Tokina AT-X 16-28mm F/2.8 Pro FX 16 - 28mm F/2.8 0.19X Full-Frame 950g 90 x 134mm 2010-07-05 Autofocus Lens
Tokina AT-X 17-35mm F4 PRO FX 17 - 35mm F/4 82mm 0.2X Full-Frame 600g 89 x 95mm 2011-06-27 Autofocus Lens
Tokina AT-X 24-70mm F/2.8 PRO FX 24 - 70mm F/2.8 82mm 0.21X Full-Frame 1010g 90 x 108mm 2015-06-26 Autofocus Lens
Tokina AT-X 70-200mm F/4 Pro FX VCM-S 70 - 200mm F/4 67mm 0.28X Full-Frame 1020g 82 x 168mm 2013-01-29 Image Stabilized Lens Autofocus Lens
Tokina AT-X V 10-17mm F/3.5-4.5 AF 10 - 17mm F/3.5 - 4.5 0.4X Full-Frame 350g 70 x 71mm 2017-02-09 Fisheye Lens. Shows straight lines as curves. Designed for Cinematography.
Tokina AT-X V 17-35mm F/4 Pro FX AF 17 - 35mm F/4 82mm 0.2X Full-Frame 600g 89 x 94mm 2017-02-09 Designed for Cinematography.
Tokina ATX-I 100mm F/2.8 FF Macro 100mm F/2.8 55mm 1X Full-Frame 525g 73 x 98mm 2019-11-15 Autofocus Lens
Tokina Opera 16-28mm F/2.8 FF 16 - 28mm F/2.8 0.19X Full-Frame 920g 89 x 134mm 2019-02-21 Autofocus Lens
Tokina Opera 50mm F/1.4 FF 50mm F/1.4 72mm Full-Frame 950g 80 x 108mm 2018-10-12 Weatherproof - Seals protect from dust, humidity and light splashing. Autofocus Lens
Venus Laowa 100mm F/2.8 2:1 Ultra-Macro APO 100mm F/2.8 67mm 2X Full-Frame 638g 72 x 125mm 2018-04-20 Manual Focus Only lens.
Venus Laowa 105mm F/2 STF 105mm F/2 67mm Full-Frame 745g 76 x 99mm 2016-03-01 Manual Focus Only lens.
Venus Laowa 12mm F/2.8 Zero-D 12mm F/2.8 0.2X Full-Frame 609g 75 x 83mm 2016-07-22 Manual Focus Only lens.
Venus Laowa 12mm T/2.9 Zero-D Cine 12mm F/2.9 Full-Frame 675g 102 x 87mm 2020-01-13 Designed for Cinematography. Manual Focus Only lens.
Venus Laowa 15mm F/4 Macro 15mm F/4 77mm 1X Full-Frame 410g 84 x 64mm 2015-06-01 Manual Focus Only lens.
Venus Laowa 24mm F/14 2X Macro Probe 24mm F/14 2X Full-Frame 474g 38 x 408mm 2018-08-01 Manual Focus Only lens.
Venus Laowa 25mm F/2.8 2.5-5X Ultra-Macro 25mm F/2.8 5X Full-Frame 400g 65 x 82mm 2018-03-07 Manual Focus Only lens.
Venus Laowa 60mm F/2.8 2X Ultra-Macro 60mm F/2.8 62mm 2X Full-Frame 503g 70 x 95mm 2015-01-07 Manual Focus Only lens.
Zeiss Apo Sonnar T* 135mm F/2 135mm F/2 77mm 0.25X Full-Frame 930g 130 x 79mm 2012-09-07 Manual Focus Only lens.
Zeiss Distagon T* 15mm F/2.8 15mm F/2.8 95mm Full-Frame 820g 103 x 135mm 2012-03-16 Manual Focus Only lens.
Zeiss Distagon T* 18mm F/3.5 18mm F/3.5 82mm Full-Frame 510g 87 x 85mm 2009-09-14 Manual Focus Only lens.
Zeiss Distagon T* 21mm F/2.8 21mm F/2.8 82mm Full-Frame 720g 87 x 112mm 2009-09-28 Manual Focus Only lens.
Zeiss Distagon T* 25mm F/2 25mm F/2 67mm Full-Frame 600g 73 x 98mm 2011-10-27 Manual Focus Only lens.
Zeiss Makro-Planar T* 100mm F/2 100mm F/2 67mm 0.5X Full-Frame 680g 76 x 113mm 2009-12-04 Manual Focus Only lens.
Zeiss Makro-Planar T* 50mm F/2 50mm F/2 67mm 0.5X Full-Frame 570g 75 x 88mm 2009-12-04 Manual Focus Only lens.
Zeiss Milvus 100mm F/2 ZE 100mm F/2 67mm 0.5X Full-Frame 843g 81 x 103mm 2015-09-10 Weatherproof - Seals protect from dust, humidity and light splashing. Manual Focus Only lens.
Zeiss Milvus 135mm F/2 ZE 135mm F/2 77mm 0.25X Full-Frame 1123g 90 x 115mm 2016-09-08 Weatherproof - Seals protect from dust, humidity and light splashing. Manual Focus Only lens.
Zeiss Milvus 15mm F/2.8 ZE 15mm F/2.8 95mm 0.11X Full-Frame 947g 103 x 100mm 2016-09-8 Weatherproof - Seals protect from dust, humidity and light splashing. Manual Focus Only lens.
Zeiss Milvus 18mm F/2.8 ZE 18mm F/2.8 77mm 0.14X Full-Frame 721g 90 x 93mm 2016-09-08 Weatherproof - Seals protect from dust, humidity and light splashing. Manual Focus Only lens.
Zeiss Milvus 21mm F/2.8 ZE 21mm F/2.8 82mm 0.2X Full-Frame 851g 96 x 95mm 2015-09-10 Weatherproof - Seals protect from dust, humidity and light splashing. Manual Focus Only lens.
Zeiss Milvus 25mm F/1.4 25mm F/1.4 82mm 0.21X Full-Frame 1225g 95 x 123mm 2017-10-18 Weatherproof - Seals protect from dust, humidity and light splashing. Manual Focus Only lens.
Zeiss Milvus 35mm F/2 ZE 35mm F/2 58mm 0.18X Full-Frame 702g 77 x 83mm 2015-09-10 Weatherproof - Seals protect from dust, humidity and light splashing. Manual Focus Only lens.
Zeiss Milvus 50mm F/2 Macro ZE 50mm F/2 67mm 0.5X Full-Frame 730g 81 x 76mm 2015-09-10 Weatherproof - Seals protect from dust, humidity and light splashing. Manual Focus Only lens.
Zeiss Milvus 85mm F/1.4 ZE 85mm F/1.4 77mm 0.12X Full-Frame 1280g 90 x 113mm 2015-09-10 Weatherproof - Seals protect from dust, humidity and light splashing. Manual Focus Only lens.
Zeiss Otus 100mm F/1.4 100mm F/1.4 86mm 0.11X Full-Frame 1405g 101 x 129mm 2019-02-24 Manual Focus Only lens.
Zeiss Otus 28mm F/1.4 ZE 28mm F/1.4 95mm 0.16X Full-Frame 1390g 109 x 137mm 2015-10-14 Manual Focus Only lens.
Zeiss Otus 55mm F/1.4 55mm F/1.4 77mm Full-Frame 1030g 83 x 143mm 2013-10-07 Manual Focus Only lens.
Zeiss Otus 85mm F/1.4 85mm F/1.4 86mm 0.12X Full-Frame 1200g 102 x 141mm 2014-09-09 Manual Focus Only lens.
Zeiss Planar T* 50mm F/1.4 50mm F/1.4 58mm Full-Frame 380g 71 x 71mm 2008-09-15 Manual Focus Only lens.
ZY Optics Mitakon Creator 135mm F/2.8 II 135mm F/2.8 58mm 0.11X Full-Frame 700g 66 x 103mm 2016-12-07 Manual Focus Only lens.
ZY Optics Mitakon Creator 20mm F/2 20mm F/2 4.5X Full-Frame 230g 62 x 60mm 2016-12-19 Manual Focus Only lens.
ZY Optics Mitakon Creator 35mm F/2 35mm F/2 55mm 0.23X Full-Frame 310g 68 x 65mm 2016-08-23 Manual Focus Only lens.
ZY Optics Mitakon Creator 85mm F/2.8 1-5X Super Macro 85mm F/2.8 58mm 5X Full-Frame 750g 67 x 122mm 2019-11-28 Manual Focus Only lens.
ZY Optics Mitakon Speedmaster 85mm F/1.2 85mm F/1.2 77mm 0.09X Full-Frame 921g 96 x 83mm 2015-04-17 Manual Focus Only lens.

redpajama_set_name: RedPajamaCommonCrawl


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Prototype: Class 01.5 steam express locomotive with an oil tender. GDR German State Railroad (DR/GDR) "Reko" version. Includes Boxpok wheels, type 2´2´T34 standard design tender as an oil tender. Special design Witte smoke deflectors for the class 01.5, continuous dome streamlining, and inductive magnet on one side. Road number 01 0503-1. The locomotive looks as it did in the mid-Seventies.
Model: The locomotive has an mfx+ digital decoder and extensive sound functions. It also has controlled high-efficiency propulsion with a flywheel, mounted in the boiler. 3 axles powered. Traction tires. The locomotive and tender are constructed mostly of metal. The 7226 smoke unit can be installed in the locomotive. The triple headlights change over with the direction of travel. They and the smoke unit that can be installed in the locomotive will work in conventional operation and can be controlled digitally. The cab lights can also be controlled digitally. Maintenance-free warm white LEDs are used for the lighting. There is a close coupling with a guide mechanism between the locomotive and tender. There is a close coupler with an NEM pocket and a guide mechanism on the tender. The minimum radius for operation is 360 mm / 14-3/16". Protective sleeves for the piston rods and brake hoses are included as detail parts. Length over the buffers 28.2 cm / 11-1/8".
Striking Boxpok wheels and continuous dome streamlining.
"World of Operation" mfx+ decoder and extensive operation and sound functions included.
A set of express train passenger cars to go with the class 01.5 steam locomotive can be found in the Märklin H0 assortment under item number 42982.
This model can be found in a DC version in the Trix H0 assortment under item number 22909.
With some luck it was also an elegant steam locomotive from the class 01.5, the swan song of steam locomotive reconstructions by the German State Railroad (DR) of the GDR. A total of 35 units of the class 01 underwent extensive reconstruction at the beginning of the Sixties. Initially, only the installation of a new welded boiler was planned, but the condition of the locomotives selected finally forced extensive conversions that in many parts made new locomotives out of the units. The maintenance facility in Halberstadt delivered the "Reko" boilers, and they were installed at the maintenance facility in Meiningen. During the rebuilding program the boiler was placed higher, continuous dome streamlining adorned the top of the boiler, and the cabs were replaced by a new welded version. The locomotives rebuilt in this way had hardly anything in common with their original look. After the rebuilding program, these units were therefore given the new class designation of 01.5. Beginning with road number 01 519 (rebuilt in 1964) the locomotives were equipped with oil firing, and the remaining units were converted accordingly in 1965/66. Only six locomotives kept grate type firing. Ten locomotives were equipped at times with Boxpok wheels.


14 events found on Revelry's timeline.
Revelry is a 39 m / 128′0″ luxury motor yacht. She was built by Hakvoort in 2010. With a beam of 7.924 m and a draft of 2.43 m, she has a steel hull and aluminum superstructure. She is powered by engines giving her a maximum speed of 13 knots and a cruising speed of 11 knots. The motor yacht can accommodate 10 guests in 5 cabins with an interior design by Illuminus Design Group and an exterior design by Cor D.Rover.


DOVER-FOXCROFT — Mainers sure do enjoy apple trees. Whether they are newly planted or as old as the land they are rooted in, they are a treasure to us. The staff at the Piscataquis County Soil and Water Conservation District (PCSWCD) have witnessed this "fruit tree enthusiasm" first hand over the past 3 years, as we have hosted CJ Walke, Orchard Specialist at the Maine Organic Farmers and Gardeners Association, for our Orcharding Series. This year, the PCSWCD is welcoming CJ back for a very interesting and beneficial workshop, Renovating Old Apple Trees.
On Saturday, March 3rd, 2018, the PCSWCD will host CJ Walke for this 4th installment in our Orcharding Series. The Renovating Old Apple Trees Workshop will offer participants information on tree nutrient management, disease and pest control, pruning techniques specific to older trees, maintenance timelines and instruction on how participants can successfully bring old apple trees back into production. The information provided during this workshop will be coupled with hands-on demonstrations and opportunities for participants to practice techniques, ask questions specific to their trees and obtain confidence to carry out these techniques at home.
CJ Walke has years of experience teaching and mastering organic orcharding practices, and has worked alongside many orcharding experts such as John Bunker of FEDCO Trees and Michael Phillips, author of The Holistic Orchard, among others. CJ has taught orcharding workshops covering topics such as grafting, pruning, pest management, restoring and revitalizing old trees and much more.
The Renovating Old Apple Trees Workshop will be held in Dover-Foxcroft. Pre-registration is required and space is limited to 30 participants. If you are interested in joining us, we encourage you to register early, as these workshops have always filled to capacity. Workshop participants should plan to bring pruning shears or poles, a bagged lunch and dress for an outdoor event. The PCSWCD will provide hot beverages and snacks upon arrival. For more information and to register, please contact the Piscataquis County Soil and Water Conservation District by calling (207) 564-2321 ext. 3, by emailing us at info@piscataquisswcd.org or by stopping in our office in the USDA Service Center at 42 Engdahl Drive in Dover-Foxcroft, ME.
Join us and learn how to bring your old, beautiful fruit trees back into production!


Cancellations for this event must be made before April 16, 2019 — 8:30pm.
Come learn about the color mapping features of the Zing Laser. Find out how to separate a basic .svg image into different layers which are able to be manipulated with different settings in the print screen of the laser. General questions about the laser will also be answered. This is not a beginner course. You must have completed laser 102 to participate.


So you may have heard, Amazon just opened another concept bricks-and-mortar retail store called Amazon Go. It has the potential to revolutionize the physical shopping experience in ways I imagine most of us would welcome: no check-out lines! Customers simply scan their way in to the store using an app on their phones, find what they want, and walk out. Cameras, sensors and algorithms similar to those used in self-driving cars keep track of everything and charge our accounts accordingly. To anyone familiar with using other purchase services such as Amazon Prime, Dash, Pantry and Fresh, as well as Apple Pay, PayPal, Venmo and the like, (and let's not forget Alexa), it won't be that hard to overcome concerns about accuracy and security. There are plenty of other things to think about, including impacts on employment and the environment (there seems to be an awful lot of plastic in play around the perishables), but when viewed from an evolutionary and innovation perspective, this is exciting.
Right now the concept walks and quacks like a convenience store, but there's nothing to suggest the technology underpinning the experience won't translate to thousands of other physical retail shopping experiences. It wasn't that long ago (1997) when Jeff Bezos submitted his "Method and system for placing a purchase order via a communications network" to the US Patent & Trade Office. That became Amazon 1-click, a technology that millions of us utilize every day on Amazon, Apple iTunes, and in pretty much every other major online retailer's shop. Who's to say Amazon isn't simply field-testing another technology that "everybody else" is going to have to license in order to compete in the physical world?
In these early days immediately after Amazon's announcement, pundits are arguing about how "feasible" it will be for Amazon to compete against major grocery chains such as Kroger and Whole Foods. "They don't have the infrastructure!" "It's not their core strength!" "Etc.!" To me the story isn't as much about Amazon as it is about how hard and creatively some of our more innovative retailers are thinking about the shopping experience. Disney's MagicBand and Wall-Mart's Pick Up & Fuel programs are already well established, as is self check-out in most major grocery chains and zero-currency programs on cruise ships. The former and the latter separate the shopping and spending experiences, a phenomenon that Amazon Go seems to be taking to the next level. Some will argue that, by so drastically streamlining the transaction process, we risk enabling irresponsible behavior and exacerbating personal financial instability. Maybe so, but these are not reasons to hamstring efforts to innovate. Consumers are famously bad at knowing what to do to improve a product or service. We're better at communicating what doesn't work, and we're notorious for normalizing behaviors that, once they're addressed, we mock as absurd.
The technologies behind Amazon Go have the potential not only to disrupt, but to fully upend the physical retail shopping experience. In the not-too-distant future, we (or at least the next generation) might be pointing and laughing at the very notion of standing inline waiting to pay for goods that we're not buying online.
For the time-being the first store, in Seattle, is open only to employees, so we don't have direct consumer feedback on the experience. We do have a lot of questions arising in social media networks, though. They tend to center on the specifics of the technology, and whether the data that Amazon collects about customers will be used "against us." There's a lot of skepticism and suspicion, which is to be expected when such significant change is potentially in the offing. To quote the late science fiction writer Arthur C. Clarke, "Any sufficiently advanced technology is indistinguishable from magic."


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Joss Whedon elaborates on the "heartbreaking" decision to exit 'Batgirl'
Joss Whedon explains why he left the "Batgirl" movie (Watch) https://t.co/tIV7Qvsnen pic.twitter.com/yjJ2F7CqAj
— Variety (@Variety) April 24, 2018
In February, Joss Whedon announced that he was no longer writing or directing Batgirl. The only reason he gave at the time was that he didn't have a story. Last night at the premiere of Avengers: Infinity War, Whedon elaborated on why he decided to exit Batgirl.
"It had been a year since I had first pitched the story. A lot happened in that year and I felt some of the elements might not work as well and the story kind of just crumbled in my hands," Whedon told Variety. "There were elements that I just hadn't mastered that I… after a long time felt like I wasn't going to. So, I told people that I didn't have an idea, which isn't exactly true. I had an idea, it just didn't fit in the space that was left for it. It was a little heartbreaking because I was so excited about it, but I'm currently working on something of my own and there's nothing more exciting than that."
Since Whedon left Batgirl, Christina Hodson was brought in the write the script. We recently learned that Batgirl will be introduced in Birds of Prey before getting her own solo movie.
David Ayer shares short, unreleased Suicide Squad clip
David Ayer has shared a short clip of an unused Joker scene from his original cut of Suicide Squad. What else might he have...


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Huntley Community School District 158NewsPress ReleasesHHS Presents "A Midsummer Night's Dream"
HHS Presents "A Midsummer Night's Dream"
Huntley 158
Huntley High School is preparing for its second theatrical production of the season with a classic, "A Midsummer Night's Dream" by William Shakespeare. Arguably one of his most beloved comedic works, this production takes the audience to the stage… literally!
For the first time in Huntley's history, theater goers will be seated on the stage in a 'three-quarter thrust' type of setting (similar to a 'theater in the round' setting). This setup not only asks actors and designers to go beyond their normal work, as they must play to more than just those in front of them, but invites the audience to a one-of-a-kind experience through a world of magic and fantasy.
Multiple storylines intertwine in "A Midsummer Night's Dream" to tell the story of the marriage of the Duke of Athens. Throw in four Athenian lovers, a group of amateur actors, some mischievous woodland fairies, music, dancing and romance, and there is much more planned than anyone could have ever imagined. Finally, a Shakespeare play that everyone can understand and enjoy!
The directing team of Christine DeFrancesco, Jill Corapi, Joseph Domka, along with fantastical lighting and sound effects by Nathan Knapke puts a modern twist on this Shakespeare classic. Performances will be Thursday, Friday, and Saturday, November 12, 13, and 14 at 7:00 p.m. along with a 2:00 p.m. matinee at the Performing Arts Center at Huntley High School, 13719 Harmony Road.
Tickets are $5 each and will be sold at the door 60 minutes prior to show times. Children 3 and under are free.
For questions, please contact Christine DeFrancesco at cdefrancesco@district158.org or PAC Director Lorie Woods at (847) 659-6107.
Download Press Release as PDF
HHS • Parents • Students • Press Releases
Winter Weather Closing FAQs HHS Blended Learning Program Draws International Interest


Search Results for "United States" "1900-1949"
6. "This ain't no laughing matter!"
Command and General Staff College (U.S.). School of Logistics, author.
United States. Selective Service System, author.
41. An Bord der "Amerika"


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redpajama_set_name: RedPajamaGithub


Today I took my turn on the end of the windlass, after spending most of the trip so far at the tiller, concentrating hard but not exerting myself much (though you do get a sore right shoulder, and tired feet). The locks came evenly-spaced so the work was steady and there wasn't much time in between for relaxing. We started with the staircase lock, where this time a boat was coming up, and there was some confusion amongst the chief-less Indians about how to handle it, with an alarmingly-exposed cill at one point. The unusually tall gates on this one weigh 3330kg each (the others are mostly around 1500kg).
We're going down the canal now, which makes things easier, and despite feeling unhurried and chatting with the boaters going up, we were finished with the day's quota of locks by lunchtime. It was lovely to be surrounded by fields and trees and flowers; but some of us were feeling pressured to secure a mooring by the pub chosen for our last night's dinner, and we pressed on again, into the messy suburbs, under bridges busy with noisy traffic.
All was well: we moored right outside the pub - The Moorings - well within staggering distance of the boat, and enjoyed a well-earned Scrumpy Jack or Erdinger outside on the terrace in the long, warm evening. The food there, by the way, is terrific, the best of the trip - a great way to end our last full day on the Grand Union.


Withering Disruptor Beam Array is a Disruptor-based directed energy damage weapon available for starships. Beam Arrays fire a series of average damage beams across a 250° arc. Their damage will fall off with distance to the target.
Withering Disruptor Dual Beam Bank is a Disruptor-based directed energy damage weapon available for starships. Dual Beam Banks fire a series of dual beams that are similar to a Beam Array, but they cause more damage and are limited to a 90° arc. Their damage will fall off with distance to the target.
Withering Disruptor Cannon is a Disruptor-based directed energy damage weapon available for starships. Cannons fire a series of pulses that cause more damage than a Turret, but are limited to a 180° arc. They are only mountable in forward weapon slots. Their damage will fall off with distance to the target.
Withering Disruptor Dual Cannons are a Disruptor-based directed energy damage weapon available for starships. Dual Cannons fire in a 45° arc - 3 times per cycle, at 2 shots per second, for a total of 6 shots, and then recharge for 2 seconds. With less damage but more shots per cycle, they have the same DPS as Dual Heavy Cannons. They can only be mounted in the fore weapon slots. Their damage will fall off with distance to the target.
Withering Disruptor Dual Heavy Cannons are a Disruptor-based directed energy damage weapon available for starships. Dual Heavy Cannons fire in a 45° arc - 2 times per cycle, at 2 shots per second, for a total of 4 shots, and then recharge for 3 seconds. They have the same DPS as Dual Cannons, however they come with innate +10 Critical Severity bonus. They can only be mounted in the fore weapon slots. Their damage will fall off with distance to the target.
Withering Disruptor Turret is a Disruptor-based directed energy damage weapon available for starships. Turrets fire a series of pulses across a 360° arc, which has the widest firing arc, but the lowest damage output of standard energy weapons. Their damage will fall off with distance to the target.
Withering Disruptor space weapons are charged with Withering Radiation, which has a chance to deal additional Radiation damage based on the number of Withering Radiation stacks present on the target.
Withering Disruptor space weapons can drop from the [Terran Task Force Equipment Requisition] crate, or they can be purchased from the Tier IV Terran Task Force reputation store for 22,500 .
Rare Withering Disruptor weapons (space) will have two modifier suffixes, Very Rare will have three, and Ultra Rare will have four. Epic adds a fifth unique modifier.
Last modified: 26 December 2018 at 16:41.


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Francesco Taglianini
Dr. TAGLIANINI, FRANCESCO.
Was a pioneer of Homoeopathy in Italy.
According to Quin he was practicing in Ascoli in 1834. Rapou says that it was in 1826 that the celebrated physician Taglianini came to Naples and there observed under the conduct of Romano the results of homoeopathic treatment : he left the city filled with admiration for this method that had so soon showed its superiority over the old procedure.
Dadea says that Taglianini acquired his knowledge of Homoeopathy from the translations of Romani of the Materia Medica Pura.
Rapou says that the celebrated physician, Dr. Taglianini. at the beginning of the year 1826 went to Naples to observe, under the treatment of Dr. Romani, the results of homoeopathic treatment and left the place filled with admiration at a method so superior in every way to old medical means.
He was of Ascoli. He went with Romani in the suite of the Count and Countess of Shrewsbury to England. There is some doubt as to the date of this visit. It would seem that it was not as early as 1827, but even as late as the year 1830.
(Rapou, volume 1, page 134,
Brit. Journ. Hom., volume 14, page 192,
World's Conv. , volume 2, page 96)


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24 Hours of Le Mans - How the Slow Zones work
Slow zones were introduced at the 24 Hours of Le Mans in 2014. But when and how does race control decide to activate a slow zone? Read on to learn more about this procedure, which means less safety car presence on track.
© ALEXIS GOURE (ACO)
What is a slow zone?
A slow zone is a portion of the track that has been neutralised: speed is limited to 80 km/h in one part the circuit and overtaking is forbidden, making it safer for marshalls and emergency teams to intervene when necessary.
When does race control decide to activate a slow zone?
Martin Goureau, ACO's head of track safety explains: "Race control will activate a slow zone when something happens on track and the marshals are required to go on, for example to pick up a bollard used to mark out the track boundaries, or when a boom lift is needed to lift a car from the gravel trap. The aim to ensure safe conditions on the track for the technical staff."
How many slow zones are there around the 13.629-km circuit in Le Mans?
There are 35 zones split into nine sectors. The start of each zone coincides with a 'main signaller' post (the post with a track light, a yellow board with 'NEXT SLOW' written in black, and an orange board marked 'SLOW', and the signallers with their flags).
Do the slow zones replace the safety car?
Martin Goureau has the answer again: "The slow zones mean far fewer safety car interventions. Without the slow zones, we'd have an American Nascar-style race where the safety car is out virtually all the time. Yes, the slow zone neutralises the race over a kilometre or two but things carry on as normal over the remaining 10 or 12 km."
The slow zones were introduced to make for a more interesting race for drivers and spectators alike, while improving safety for technical staff. The safety cars (three in all) are still required: the race may still be neutralised entirely at any time and, in that case, the safety cars come out, reducing competitors' speed all the way round the circuit.
PHOTO: There are 35 zones split into nine zones around the 13.629-km Le Mans circuit. The first sector stretches from the starter's vantage point to the Dunlop Bridge.
#Le Mans 24 Hours3975


Bible I (2 Semesters, 1 Credits) - The involvement of God in the life of the individual is the emphasis of this class. First semester begins with a look at the Bible as the source of our beliefs and practices and continues to examine evidence from the Old Testament that God can be trusted. The second semester looks at the life of Christ as the clearest evidence of God's desire to be a part of our lives.
Bible II (2 Semesters, 1 Credits) - This course focuses upon the impact Christ has upon His family as a whole rather than just upon the individual. Evidence from the Old Testament will be covered first semester while challenges facing the Christian church from the time of Christ to the present will be the focus second semester. From this study we will look for evidence of God's desire for His church family today.
Bible III (2 Semesters, 1 Credits) - Junior Bible or Bible Doctrines focuses on the beliefs held by the Seventh-day Adventist church and will examine how each of these doctrines relate to the person of Jesus Christ and His will for us. Special attention will be given to events just prior to the Second Coming and the opportunity of sharing the Good News of His coming with others.
Bible IV (2 Semesters, 1 Credits) - An introduction to moral philosophy that emphasizes the importance of a personal code of ethics to the good of society as well as a survey of historical ethical thought. The identification of a Christian value system is studied. Units on friendships, dating, marriage and family focus on assisting students in establishing a Christian philosophy of bonding.
ESL – Introduction to the Bible (2 Semester, 1 Credits) - A course designed to introduce students to Christianity to non-native English speakers. The class will cover the basic tenants of the Christian faith and the unique beliefs of the Seventh-day Adventist Church. This will be done through inductive Bible study as well as discussions, which will allow students the opportunity to explore different worldviews and how they compare to Christianity. The class will also analyze Christian philosophy and culture in the modern era as it relates to Christianity.
Algebra I (2 Semesters, 1 Credits) —All entering students will take a math placement test to determine their class level. Algebra I is a study of the processes involved in the solution of problems of algebraic methods. Study is given to positive and negative numbers, equations, factors, graphs, and quadratics. This course supplies the foundation necessary for further study in mathematics and science.
Geometry (2 Semesters, 1 Credits) - A study of the principles of Euclidian geometry. The techniques of deductive reasoning will be used in the designing of acceptable proofs and constructions. Units on analytic geometry and trigonometry are included.
Algebra II (2 Semesters, 1 Credits) – This course prepares the student for pre-calculus. It covers a review of topics from Algebra I and further study of quadratic equations and functions, linear and quadratic systems, graphs and introduction to functions, exponents and logarithms, elementary analytic geometry, statistics, and trigonometry.
Function, Statistics, and Trigonometry (FST) (2 semesters, 1 Credits) – This course meets the Washington state requirement for algebra II, but it does not prepare the student for pre-calculus. It is a less intense version of algebra II covering a review of topics from Algebra I and further study of quadratic equations and functions, linear and quadratic systems, graphs and introduction to functions, statistics, and trigonometry.
Pre-Calculus (2 Semesters, 1 Credits) - This course is designed to prepare students for Calculus. Topics covered are trigonometry, vectors, matrices and determinants, polar graphs, sequences, series, limits, exponential and logarithmic functions, probability, statistics, derivatives and integrals.
Prerequisite: "C" in Algebra II or permission from instructor.
Physical Science (1 semester, .5 Credits) - This course emphasize the development of basic scientific skills and concepts in chemistry, physics, earth science and biology. In addition, scientific vocabulary and reading comprehension will be addressed to assist students in furthering their science education.
Anatomy & Physiology (2 Semesters, 1 Credits) – This is a two-semester course that covers the basic structure and function of the human body using a systems approach. Major topics covered include the endocrine, cardiovascular, lymphatic, respiratory, digestive, urinary, and reproductive systems along with immunity, metabolism, and fluid, electrolyte, and acid- base homeostasis. Laboratory work includes dissection, micros- copy, models, and experimental demonstration of concepts covered in class. Dissection of preserved animal specimens is required. This course is designed primarily for students majoring in nursing or allied health fields. There is an additional lab fee of $30 per semester for this class.
Prerequisite: "C" in Biology or permission from instructor.
Physics (2 Semesters, 1 Credits) - A study of the fundamental laws of physics as related to the following fields: mechanics, heat, sound, light, electricity, magnetism and atomic-nuclear physics. This course is intended to meet the needs of a student who may be required to take an introductory course in college physics. Field experiences are part of this class. Lab work is required. There is an additional $30 lab fee for this class.
English I (2 Semesters, 1 Credits) - This course offers an introduction to literary forms in reading — short story, drama, nonfiction, poetry and the novel. The primary purpose of reading in this class is to develop appreciation for good literature and increase vocabulary and reading comprehension. The class includes extensive writing practice with special emphasis on the essay.
English II (2 Semesters, 1 Credits) - Sophomore English integrates a chronological overview of American literature with continued emphasis on research and writing skills, especially essays and poetry. Some oral presentations required.
English III (2 Semesters, 1 Credits) - This course offers a survey of British literature and continued honing of writing and presentation skills. Special emphasis is placed on developing test-taking skills in the areas of reading, writing and vocabulary. Students also develop a writing portfolio for use in college applications. Interested students may take the AP exam in language in addition to this class.
Speech (1 Semester, .5 Credits) - Students will analyze the purpose and audience of an oral presentation. They will study how to gather information in a logical organization of ideas for public presentation. Students will perform oral presentations in front of the class demonstrating the various techniques studied.
English IV (1 Semester, .5 Credits) The first quarter of the class is devoted to research writing and presentation. The second quarter focuses on cultural literacy. We will survey the writing of several major civilizations and read modern writers from many cultures. Practice on in-class essays will be emphasized. Class meets one semester. Interested students may take the AP exam in literature in addition to this class.
College Writing (1 Semester, .5 Credits) - Senior students will work on improving and expanding their writing skills through various writing projects throughout the semester. This course is designed to prepare students for writing at the college level, and emphasizes academic essay writing and the research writing process and paper production. Students give oral presentations of their written work in this course as well. Interested students may take the AP Language & Composition Exam at the end of the year to earn college credit.
World History (2 Semesters, 1 Credit) – This course provides a general overview to world history, examining ancient civilizations, dynasties, and empires and ending after the French Revolution. During our study of world cultures, we will learn about religious, social, civic, legal, and economics contributions of various nations around the world. Integrated into the class will be a survey of literature, art, music, philosophy, as well as scientific discoveries that influenced the course of history.
U.S. History (2 Semesters, 1 Credit) - This course begins with the early exploration and settlement of the New World and closes at the end of the nineteenth century. Major events examined include Colonial Society, Revolutionary Era, Development of the Constitution, the Civil War and Reconstruction, Social Movements, Industrialism, the Native Americans and the Western Frontier, and the development and influence of American art, philosophy, religion, and literature.
This course focuses on the development, organization, and role of government in the United States. Students learn the ways in which government in this country is organized, the ways in which it is controlled by the people, the many things that it does, and the various ways in which it does them.
Geography (2 semesters, 1 Credit) - Students learn about the geography of the various continents and countries of the world, including the 5 themes of geography: why a place is located where it is, what it is like, what the significance of its location is, and the issues that affect it. Students also learn how to read and draw maps and to recall place names and locations. Geography includes climate patterns, how to study people and cultures and how to use various geographic tools.
Contemporary World History (1 semester, .5 credit) - This course will challenge students to understand the dynamics of global interactions among nations and regions present issues that affect all humanity. These dynamics include competing beliefs and goals, methods of engagement, and conflict and cooperation. Contemporary issues have political, economic, social, historic, and geographic components. Students will evaluate approaches to addressing global and regional issues reflect historical influences and multiple perspectives.
Civics (1 Semester, .5 Credits) - This course will provide a comprehensive background for the understanding of United States citizenship and the foundations and operation of the federal, state and local government organizations and procedures, with special emphasis on the rights and responsibilities of Washington citizens. Students will apply this understanding to current event topics relevant to our nation and election issues. They will be able to analyze and interpret data relevant to government and politics, and be able to critically analyze relevant theories and concepts, apply them appropriately, and develop connections throughout this course. This course will emphasize civic participation by the students.
History through Film & Literature (1 semester, .5 credits) – History as viewed through the cultural mediums of literature and selected films. The student will evaluate the impact of these mediums upon the average person in society. Mini units with selected themes will be offered and evaluated. A minimum grade of C must be maintained for credit for the Enriched program.
Spanish I (2 Semesters, 1 Credits) - The principal emphasis of the first year of Spanish is understanding the language and learning to speak it through the study of grammar and vocabulary. The class also attempts to build a better understanding of the customs, language and peoples of the Hispanic world.
Spanish II (2 Semesters, 1 Credits) - The second year of the language seeks to expand the student's knowledge of grammar and vocabulary so that they may communicate and understand the language on a more advanced level. Writing and reading the language is also emphasized as well as an appreciation of and exposure to the Hispanic culture. Prerequisite: A grade of C or higher in Spanish I or permission from the teacher.
English as a Second Language (ESL) (.5 Credits per Semester) - ESL is an introductory class for students whose first language is not English. Students who are not yet proficient in English, as determined by placement tests, will be required to enroll in ESL until satisfactory skills are acquired and a minimum TOEFL score of 61 (IBT). Students who are enrolled in ESL class may receive a pass/fail grade in some subjects until the teacher deems the student has a sufficient mastery of the English language to comprehend and communicate subject concepts. An extra fee is charged for ESL class. This class includes cultural awareness and students will have mandatory activities outside of school hours.
Physical Education I/II (3 Semesters total, 1.5 credits) - Team and individual sports are covered. Fitness testing is done twice a year. Participation, cooperation and sportsmanship are emphasized. Advanced strategy and skill is stressed.
Health – (1 semester, .5 credit) – This course focuses on the importance of healthful living and making responsible choices conducive to life-long wellness. Students will explore the biblical principles of healthy living as well as the connection between physical activity, life-style choices, and wellness.
Varsity Sports (.25 Credits each sport) - This course involves the strenuous conditioning, advanced skill and strategy development, practice time and game involvement required for membership on academy varsity teams. Extra fee and permission from instructor required.
Computer Applications (2 Semesters, .5 Credits) - Introduces students to other business applications of computer technology using Windows XP Professional and Microsoft Office 2010. These include utilizing spreadsheets using Excel, databases through Access, combining applications, creating presentations in Power Point, and using the Internet. History of computers and computer ethics are also covered.
Art (.25 credits/semester) – Art is offered to all students who are interested in drawing and painting. The first semester is devoted to drawing techniques. The second semester is devoted to acrylic painting. Throughout the year artists and art styles will be researched, including some written assignments. Grading is based on individual proficiency.
Band (.25 Credits/Semester) - Band is offered to those who have some proficiency with a musical instrument. Varied styles of secular and religious music may be performed at schools, churches, and special events. An audition is required. Participation is required at all performances. Students may not drop during the semester. Students must maintain a grade of "C" or higher to remain in band.
Choir (.25 Credits/Semester) - A general singing group open to interested students. All aspects of proper vocal technique are emphasized, particularly those dealing with group singing. The choir may perform at local churches, service clubs, and other special events. Participation is required at all performances. Students may not drop during the semester. Students must maintain a grade of "C" or higher to remain in choir.
Community Service (1 Credit per year = 25 hours) —All students are required to complete personal community service. Please see the Chaplain's office for hourly details. The biennially scheduled international mission trip counts for up to 12 hours.
Work Experience (.5 Credits/Semester) – Limited work experience is available. Students enrolled in the scholarship program are given the first opportunity to interview for a position.
Study Skills (.25 credit/quarter) Students will learn how to improve their study habits through the use of organizational skills, discovering their personal learning style, and other techniques useful for having a successful high school experience. This is a major part of the orientation day for freshmen. These required techniques are incorporated into all freshmen courses at the beginning of the year.
Correspondence Classes/Distance Learning - Puget Sound Adventist Academy has partnered with Greenways Academy of Washington to offer elective classes to students through their correspondence program. Please visit our web site for a link, or go directly to www.greenwaysacademy.com/washington for class details. Other online distance learning programs may be acceptable with school approval.


text:
package jmemproxy.common;

import java.nio.channels.SocketChannel;

public class Request {
	private SocketChannel channel;
	private byte[] requestString;

	public Request(SocketChannel c, byte[] buf) {
		this.channel = c;
		this.requestString = buf;
	}

	public SocketChannel getChannel() {
		return this.channel;
	}

	public byte[] getRequestString() {
		return this.requestString;
	}
}


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Whether you're marketing your restaurant (chef/owner)....your glassware (manufacturer).....or, your ability to provide them in better ways to end users than anyone else (dealer).....you better be developing a content marketing approach.
You can bet your competitors are.
"People aren't looking for cheaper prices.
They are looking for better experiences."
No matter whether its in the restaurants they choose, the retail stores they frequent, or cars they drive.
It's a better overall customer experience that we all seek.


Fox International Channels is positioning itself for a growth spurt in China with the move of rising-star executive Joon Lee to a new post that will put greater focus on operations in North Asia. The company also said it will ramp up its investment in production of Chinese-language content.
Describing the shuffle as a restructuring that takes effect on Sept. 1, Fox said the move reflects "emerging opportunities in these markets" including China, Japan and Korea.
"Japan and Korea are two of the biggest media markets in our footprint. In view of recent strategic partnerships we've forged in both countries, including with JTBC to launch JTBC3 FOX Sports in Korea and with Avex in Japan as part of an OTT offering, we see massive potential for further growth in these markets," said Zubin Gandevia, president of FIC Asia Pacific & Middle East.
Like most foreign channels, FIC's networks do not have wide access to mainland Chinese consumers – they are largely restricted to hotels, diplomatic compounds and upscale apartment blocks. But a China strategy that involves co-production, content sales and OTT transmission is being explored by Fox and other international groups.
The move seems an indicator of a more aggressive effort to expand in China under the leadership of James and Lachlan Murdoch at 21st Century Fox. James Murdoch, who was named CEO in July, was for several years based in STAR TV's Hong Kong office, before a localization process within Asia shifted management responsibility to India and regional units.
21st Century Fox (then known as News Corp.) also previously sold off a cluster of Chinese-targeted channels after group chairman Rupert Murdoch became frustrated with the lack of progress in establishing "landing rights" in China. The sell-off in stages was completed as recently as January 2014.
The buyer was China Media Capital, a mainland Chinese media-focused, private equity fund with enviable backers and connections, which now operates Star China Media with channels including Xing Kong China Channel, Xing Kong International Channel and Channel [V]. Unlike FIC's 'foreign-owned' channels Star China Media's channels now have a footprint that spans mainland China, Hong Kong/Macau, Taiwan and SE Asia.
Simeon Dawes, who was promoted in April last year, now steps into Lee's shoes. He will take on the additional territory of Hong Kong & SE Asia where he will be responsible for the region's P&L. He will continue to oversee FIC's Middle East business as well as ad sales across Asia Pacific. His title will be Executive Vice President – Advertising Sales & Partnerships, and Managing Director – Hong Kong, Southeast Asia & Middle East.
Keertan Adyanthaya, who was promoted only two months ago and shifted from Mumbai to FIC's Hong Kong hub, takes on the role of executive VP, content & communications – Hong Kong & SE Asia. He will be responsible for all content, channel operations and marketing for the region covering the Hollywood and Chinese entertainment, and factual genres.
Rohit D'Silva continues in his role as executive VP, commercial and sports, overseeing the FOX Sports Asia business and leading affiliate and content partnerships as well as non-linear products.
FIC's core channel brands include Fox, Fox Sports, Fox Life, Fox+ and National Geographic Channel. FIC's movie channels include Fox Movies, Fox Movies Premium and SCM (formerly Star Chinese Movies).


Gill Garden News Create Your Own Butterfly Garden!
One of my favorite pastimes, in between planting, fertilizing and trimming and mulching, is sitting in my backyard and watching the butterflies dance around my garden. Below are a few tips to entice these beauties to YOUR GARDEN!
Butterflies and most butterfly attracting plants require bright sunshine.
Butterflies visit flowers in search of nectar to eat. Many butterflies seem to prefer purple, yellow, orange and red- orange blossoms. Clusters of short, tubular flowers or flat-topped blossoms provide the ideal shapes for butterflies to easily land and feed.
Select single flowers rather than double flowers.
The nectar of single flowers is more accessible and easier for butterflies to extract than the nectar of double flowers, which have more petals per flower.
Use large splashes of color in your landscape.
Butterflies are first attracted to flowers by their color. Groups of flowers are easier for butterflies to locate than isolated plants.
Plan for continuous bloom throughout the season.
Butterflies are active from early spring until late fall. Plant a selection of flowers that will provide nectar throughout the entire growing season.For blooms throughout the year, plant hamelia, shrimp plant. jatropha, lantana, bulbine, buddleia, mist flower, & penta. For flowers spring and fall, try mexican flame vine, verbena, mexican mint marigold, pavonia, passion vine, salvias, & fall chrysanthemums.
Plant some evergreen trees or shrubs for perching and rain shelter. Example: Yaupon holly or desert willow.
Include host plants in your garden design.
Host plants provide food for the caterpillar and lure female butterflies into the garden to lay eggs.
Include damp areas or shallow puddles in the garden.
Some butterflies drink and extract salts from moist soil. Occasionally large numbers of male butterflies congregate around a moist area to drink, forming a "puddle club".
Place flat stones in the garden.
Butterflies often perch on stones, bare soil or vegetation, spread their wings and bask in the sun. Basking raises their body temperature so they are able to fly and remain active.
Do not use pesticides in or near a butterfly garden.
Most traditional garden pesticides are toxic to butterflies. Use predatory insects, insecticidal soap or hand remove the pests if problems occur.


Wego Chemical Group is an experienced importer of Disodium Inosinate. Wego has the capability to stock and sell Disodium Inosinate in numerous countries around the world. Wego is a supplier and distributor of Disodium Inosinate worldwide. As a supplier of Disodium Inosinate, Wego provides supply chain solutions to partners and customers in numerous industries. We do this by working with competitive and reliable manufacturers of Disodium Inosinate.
Wego supplies Disodium Inosinate to users/customers for Food & Beverage. This product is also known as Disodium 5'-Inosinate, Sodium 5'-Inosinate, Disodium Inosine 5'-Monophosphate, Inosine 5'-(Disodium Phosphate), Sodium Inosinate, Disodium [(2R,3S,4R,5R)-3,4-Dihydroxy-5-(6-Oxo-3H-Purin-yl)Oxolan-2-yl]Methyl Phosphate.


text:
Payrah Chal-e Monar (, also Romanized as Pāyrāh Chāl-e Monār) is a village in Lalar and Katak Rural District, Chelo District, Andika County, Khuzestan Province, Iran. At the 2006 census, its population was 83, in 11 families.

References

Populated places in Andika County

redpajama_set_name: RedPajamaWikipedia


Every year, 9 out of 10 wildland fires are started by humans. So be the 'one' and help us & do your part to prevent wildfires in Arizona.
Be a responsible camper and always put out your fire before walking away. When towing a vehicle - take an extra minute to make sure tow chains are secure before hitting the road. You can also by creating defensible space around your property. Cut back trees, reduce dead fuels, keep your lawn cut and watered, and remove all flammable materials away from your home.
For fire information, tips, and agency updates - follow us on social media, on Facebook, Twitter, and Instagram.


If you've ever tried to type in a cold room, you know that you end up frantically rubbing your hands together every few minutes to try and warm them up. It's not great! Why not make sure your home office can keep you comfortable automatically? All you need is the SmartThings app, a Multipurpose Sensor, an Outlet, and the space heater of your choice.
Use the "Add Device" feature in the SmartThings app to pair a SmartThings Outlet Sensor with your SmartThings Hub.
Place the SmartThings Multipurpose Sensor on your office door so that it can act as a temperature sensor as well.
Plug the SmartThings Outlet into a power socket and connect a portable heater.
Use the "Virtual Thermostat" SmartApp in the Marketplace section of the SmartThings app to configure your portable heater to turn on when the door is opened and the temperature is below your comfort level.
Grab some more Multipurpose Sensors and Outlets.


"Capital is a two-way street - love this example of Amazon employees! https://bit.ly/2UDoC6T"
This community has its roots in the IC Knowledge Center launched by Mary Adams in 2006. The focus was and is on developing methodologies and experience with multi-capital models.
The ideas developed here have contributed to the launching of two other communities. The Exit Planning Exchange which brings long-term thinking to the private company market. And the Integrated Reporting U.S. Community which brings long-term thinking to public companies.
The core ideas are intangible/multi-capitalism, systems thinking, exit planning and integrated reporting. The goal is profit and prosperity. It's the only thing that makes sense in the long term.
Hope you learn from and share with our community!


An object representing the current clothes of players and certain npcs.
Represents the inventory of a player or npc.
Represents an npc, i.e. animals, humans, monsters etc.
An object representing the current visual appearance of players and human npc.
Determines the npc type, i.e. if it's an animal, human etc.