text:
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Land & Sites
Frances Street Kilrush Co. Clare
info@patconsidine.com
Donogrogue, Killimer, V15 XP86
Cottage House
The property is situated in the rural countryside setting of Dunogrogue between Killimer and Kilrush. The cottage is set in a quiet area on a narrow country road but within 6kms of Kilrush town. Kilrush is the largest trading town in West Clare. It consists of shops, supermarkets, restaurants, cafes, pubs, 2 primary schools one of which is an Irish speaking school, secondary school, banks, credit union, post office, church, library, community hall, creche and a playground.
The dwelling is an old-style single storey stone cottage that requires extensive renovation work. The house consists of a kitchen/living room, bathroom and two bedrooms. The house is set on a small site of approximately 0.2 acres with an additional 1.8 acres and a small shed across the road.
ACCOMODATION:
Kitchen/Living Room: Flag floor, open hearth fireplace, timber ceiling. 3.9 x 3.8
Bathroom: Wc, whb, bath. 1.4 x 1.8
Bedroom 1: Concrete floor. 1.7 x 2.4
Bedroom 2: Concrete floor, timber ceiling. 3.9 x 2.7
Small 38sq. metre stone cottage in need of repair.
Ideal for parties looking for a project.
Property includes 1.8 acres and a small shed across the road.
Excellent potential to extend and renovate.
Short distance from Kilrush town and Killimer Car Ferry.
Please note we have not tested any apparatus, fixtures, fittings, or services. Interested parties must undertake their own investigation into the working order of these items. All measurements are approximate and photographs provided for guidance only.
Killimer Neighbourhood Guide
Explore prices, growth, people and lifestyle in Killimer
Explore Killimer
David Considine
Map View Satellite View
Sli Leag Ard, Miltown Malbay, V95 XN99
3beds ·3 baths ·
Francis Street, V15 W882
Doonaha West, Doonaha, V15 A523
Pat Considine Auctioneers
Frances Street
Email: info@patconsidine.com
PSRA Licence Number: 004248
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Why do I like Audio?
3D Printing Is 3D Printing Responsible For Bankruptcies?
The toy industry has the potential become one of the largest beneficiaries of 3D printing, with the industry projected to be worth $135 billion by 2020. 3D print users stand to etch out a significant piece of this market, as toys are commonly ideal shapes and sizes for 3D print manufacturing and are typically made from common 3D print materials that include plastics, carbon fibers, and ceramics. This allows for the development of replacement parts, missing accessories and new features via 3D printers.
The toy industry has increasingly realized the potential for allowing users to create their own toys and parts. In 2017, Mattel plans to release 'ThingMaker,' a 3D printer geared towards children that pairs with an accompanying software application and allows users to print a range of toys that includes jewelry and figurines. Simiarly, XYZprinting offers the 'da Vinci miniMaker,' which allows users to print smaller items of varying shapes.as they're seen as a way for children to use their creativity and imagination while building a foundation to learn technology and engineering skills.
Toys R Us once was the dominant player, with 1600 stores. Yet, they filed from bankruptcy. Is this another case of a firm ignoring the 3D Printing trend, just as magazines ignored the internet? In this 3D Printing book, I talk about how 3D Printing is here, and firms better pay attention.


text:
Q: React set state not updating object data I'm trying to update state using handleChangeProps method, but some how finally the fields.fileName is set as empty string instead of actual value. I'm using material-ui DropZone for file and for name TextField. The addNsmFile is called when onSubmit is called. The remaining fields: name, fileData are not empty and the actual value is set and I can get them in addNsmFile function. Can you help me to figure out why fields.fileName is set as empty finally?
const [fields, setFields] = useState({
    name : '',
    fileName: '',
    fileData: ''
})

const handleChangeProps = (name, value) => {

    if (name === 'name' ) {
       if (validator.isEmpty(value.trim())) {
            setNameError('Enter NSM Name')
       } else if (value.trim().length > 512) {
            setNameError('The maximum length for NSM name is 512. Please re-enter.')
       } else {
            setNameError('')
       }
    }

    if (name === 'fileData') {
        console.log('fileData', value)
        if (validator.isEmpty(value.trim())) {
            setFileuploadError('Drag and drop or browse nsm file')
       } else {
            setFileuploadError('')
       }
    }

    setFields({ ...fields, [name]: value })

}

const addNsmFile = () =>{
    let nsmForm = new FormData()
    nsmForm.append('name', fields.name)
    nsmForm.append('fileName', fields.fileName)
    nsmForm.append('fileData', fields.fileData)
    NSMDataService.addFile(nsmForm).then((response)=>{

        if (response.data.substring(0, 1) === '0') {
            const results = JSON.parse(response.data.substring(2))
            addNotification('success', 'NSM file is being added successfully.')
            //props.onRowSelectionChange(results.addFile)
            props.setOpenDialog(false)
            props.setRefresh(results.addFile[0].id)
        } else if (response.data.substring(0, 1) === '1') {
            addNotification('error', response.data.substring(2))
            props.setOpenDialog(false)
        }

    }).catch((error)=>{
        console.log(error)
    })
}
<DropzoneArea
    acceptedFiles={[".csv, text/csv, application/vnd.ms-excel, application/csv, text/x-csv, application/x-csv, text/comma-separated-values, text/x-comma-separated-values"]}
    maxFileSize={1000000000} //1GB
    dropzoneText='Drag and drop a NSM file here or click to add'
    showFileNames= {true}
    showPreviews={false}
    useChipsForPreview={true}
    showAlerts={true}
    filesLimit={1}
    classes={{root:classes.rootDropzoneArea, icon: classes.iconDropzoneArea, text: classes.textDropzoneArea}}
    onChange={(files) => {
        files.forEach((file) => {
            console.log(file)
            handleChangeProps('fileName', file.name)
            let reader = new FileReader()
            reader.onload = function(event) {
                let contents = event.target.result
                handleChangeProps('fileData', contents)
                console.log("File contents: " + contents)
            }
            reader.onerror = function(event) {
                console.error("File could not be read! Code " + event.target.error.code)
            }
            reader.readAsText(file);
        })
    }}
    onDelete={(file)=> {
        handleChangeProps('fileData', '')
    }
    }
/>

A: I think the problem might be with your setFields() update in handleChangeProps. Try to do like this:
setFields(prevState => ({
  ...prevState,
  [name]: value,
}))

redpajama_set_name: RedPajamaStackExchange


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Just 4.68km up the Dartmoor Valley, the little bit of luxury that is Milton Villa Cottage is just 15mins (20km) from Napier Airport. Close by is the Puketapu Hotel, part of the Classic Pub Network in New Zealand, and Moana Park Winery. There is also a beautiful cycle way 5km down the road, that is part of the extensive Hawke's Bay Cycle Trail. Milton Villa Cottage is ideal for a relaxing holiday with that home-away-from-home feel.
Hosts Lesley and Des Wilson will make you feel welcome.
不適合嬰幼兒(2歲以下)和寵物入住或無法提供安全的住宿環境 - No cot available.


text:
Partit Democràtic dels Turcmans del Kurdistan ((Hizbi Dimokrati Turkomani I'raq) és una organització política dels turcmans del Kurdistan Iraquià, membre de l'Associació Nacional dels Turcmans. Està aliat estretament al Partit Democràtic del Kurdistan i afavoreix el punt de vista kurd sobre els límits territorials de l'estat federal kurd. El seu cap és Dilsahd Chawashli i el seu lloctinent Nafi Qassab.

Referències
 Partits del Kurdistan

Partits polítics turcmans

redpajama_set_name: RedPajamaWikipedia


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* Pension scheme 5% matched by employer.
Please reply with your CV along with your mobile number if interested and I shall call to discuss in more detail.
Apply for this role now by following the link to send Priyanka your CV & Covering letter.
Lawrence Harvey are one of the leading HR transformation recruitment specialists in the UK, representing Workday directly, the partner network and the end-user community. We deliver into a mix of consultancy and end user customers on optimisation, upgrade, support and Greenfield projects to support our partners with the challenges faced with business critical HCM transformation.


to connect you with the correct contact person in our plants.
In addition to production and toolmaking, the headquarters in Coburg also include centralized administration, purchasing and sales departments.
In Ummerstadt we operate a pure production plant.


Provision of Payroll processing and HR administrative services.
Provision of a software licence and ongoing support for a term of 5 years and implementation services.
Note 2. For the purpose of this report the previous 12-month period has been determined as the 12-month period from 01 January 2005 to 31 December 2005.


This Quilt Looks Complicated, But It's Made Easy Using Pre-Cuts!
Isn't this heart quilt simply stunning? I love everything about this, from the ombre color pattern to the easy to follow instructions on how to piece this beauty together! I especially love the background – it's huge, 12-inch grey and white stripes! In other words, this quilt works up fast so you can dive right into the machine quilting!
Angela Walters is here with another edition of the Midnight Quilt show. She walks us through every step of the way to make this beautiful heart quilt!
You'll start by cutting your 5-inch squares in half. Then you'll arrange your triangles into one of two blocks. Either you'll have 4 mini triangles that you'll arrange in a square, like the photo above, or you'll have two mini triangles making up one half of the square, and a large triangle making up the second half. That's really it!
The other great thing about this pattern is that you don't have to spend time worrying over every little color choice. The pattern actually tells you which colors to arrange for each little block you make. Of course, you can switch it up and use whichever colors you want, but sometimes it's nice to have a plan in place! Go ahead and see how easy this quilt is to piece together in the video below!


He teaches one course each semester in the department and also serves as the campus' Jewish Chaplain. Previously he served for twenty five years as a congregational rabbi, first in Des Moines, Iowa and then in Minneapolis. From 1996-2009, he was the director of the Jay Phillips Center, a venture devoted to fostering sustained interfaith education, based at St. John's University in Collegeville, Minnesota.
He graduated from Columbia University in New York, from which he also received an M.A. , was ordained at the Jewish Theological Seminary of America [Conservative Judaism] and received a Ph.D. from Iowa State University. With colleague Earl Schwartz of Hamline University, he has written two texts exploring Jewish ethical teachings, When Life is in the Balance and Who Renews Creation. He was a regular contributor to the Minneapolis Star Tribune for many years, and remains active in national interfaith activities and publications.


text:
Gilles Taillon (born August 11, 1945) is the former leader of the Action démocratique du Québec (ADQ). A politician, teacher and businessman in Quebec, Canada; he was the ADQ Member of the National Assembly of Quebec (MNA) for the district of Chauveau in the Quebec City area from the 2007 to the 2008 elections.

He was not sitting as an MNA when he was selected as the party's new leader in the Action démocratique du Québec leadership election on October 18, 2009. However, he announced his resignation from that position less than a month later following a caucus revolt.

Background
Taillon was born in Saint-Jérôme, Quebec. He studied at the Université de Montréal from 1967 to 1974 and received a bachelor's degree in arts and literature and a diploma in industrial relations.

Taillon was a teacher in secondary school for 5 years before being an adviser in working relations. He was a director for the Ministry of Education. He was also the operations vice-president for the Commission de la santé et de la sécurité au travail. Taillon also worked as a lecturer at the Université de Sherbrooke.

Conseil du patronat du Québec
Taillon was the president of the Conseil du patronat du Québec from 1998 to 2006. The Conseil du Patronat is the main association for businesspeople across the province. Taillon was also heavily involved in the education sector, serving as general manager for the Sherbrooke school board, the human resources director for the defunct Gamelin school board in Gatineau and vice-president of the Federation des commissions scolaires du Quebec.

Provincial politics
In 2005 Taillon, who had previously been a Liberal supporter, joined the ADQ and served as president of the party from 2006 to 2007.

2007 election
In September 2006, Taillon decided to run for provincial politics in the 2007 election as one of the ADQ's star candidates. He was easily elected in the Quebec City area riding of Chauveau with 56% of the vote. Liberal incumbent Sarah Perreault finished second with 22% of the vote.

While Taillon focussed on issues sensitive to the education system, he was among several candidates in favor of abolishing school boards across the province and giving the responsibility to municipalities.

On March 29, 2007, Taillon was appointed deputy leader of the Official Opposition. On April 19, 2007, he was selected to be the Official Opposition's Shadow Minister of Finance.

On April 25, 2008, Parti Québécois leader Pauline Marois tabled a $900,000 lawsuit against Taillon after comments he made in which he linked Marois to the Norbourg financial scandal.

2008 election
On October 31, 2008, Taillon announced that he would vacate his Chauveau seat and run for the riding of Chapleau, in the Outaouais region. According to La Presse, Taillon indicated that he was disappointed about politics and wanted to move to Outaouais for personal reasons. Initially, it was rumoured he would run in the riding of Papineau against Liberal Chief Whip Norman MacMillan, before he decided to run in Chapleau, where former provincial Liberal cabinet minister Benoît Pelletier had announced that he did not intend to seek reelection. Taillon lost his bid for election in Chapleau, finishing in third place behind the victorious Liberal, Marc Carrière, and Parti Québécois candidate Yves Morin.

Leadership campaign
Following the resignation of ADQ leader Mario Dumont after the 2008 general election, Taillon announced his candidacy for the leadership. His campaign manager was MNA François Bonnardel.

Taillon was elected leader by two votes cast, over rival Éric Caire. The election result was very controversial, as it was later reported that a television personality, in an on-air stunt, voted in the election under the name of recently deceased Gabonese strongman Omar Bongo. Later reports also revealed that the party president, who was supposed to be neutral in the race, helped raise money and organize for Taillon. Following the narrow victory, Taillon named a new shadow cabinet that did not include a critic's role for his leadership rival, Caire. Caire later resigned from the party to sit as an independent MNA, joined by caucus colleague and supporter Marc Picard.

On November 10, 2009, just 23 days after his election as party leader, Taillon announced a new leadership race, citing the party infighting and alleging irregularities in the party's financial affairs, dating back to 2003, which he had called in the Sûreté du Québec to investigate.

References

External links

 Gilles Taillon

1945 births
Action démocratique du Québec MNAs
Canadian businesspeople
French Quebecers
Living people
People from Saint-Jérôme
Université de Montréal alumni
21st-century Canadian politicians


We started the day quite early so we would be in the city in time for our Third Reich walking tour. Unfortunately it was a wet day which put a bit of a 'dampener' on the tour, but still it was interesting and a good way to see some of the city.
We started with the Holocaust Memorial where the guide explained some interpretations of the monument, then we moved on to the site where Hitler's bunker had been located. Unfortunately all that remains is an information sign on the edge of a carpark between some buildings. After the war they tried to blow up the bunker, but didn't succeed because it was so strongly built. Then more recently someone wanted to develop apartments on the ground above, but needed to remove the bunker to lay the foundations. They dug it up, and removed the first layer of cement. After a lot of effort, they decided it was too much hassle to destroy so gave up (they ended up building the apartments on the opposite block). So, a half destroyed bunker still remains underneith, but I guess there's nothing to walk through anymore so we couldn't. It was interesting hearing about how the bunker was used as an office by Hitler and other military officials during the last few days of the war. We were told that the water table in Berlin in quite high, so pumps had to constantly remove water to keep the bunker dry. The conditions would've been terrible, particularly given so many extra people would have been down there (and it wasn't decided for living in 24/7). It was also at that site that Hitler and his wife (whom he married the day before) committed suicide, and their bodies were burned by soldiers. Apparently there's a piece of his skull on display in Russia, but our guide was somewhat doubtful as to its legitimacy.
We went past the current government offices, which were built during Hitler's time. It was one of the few buildings not destroyed during bombing. It was quite an intimidating building, with high windows, sharp square pillars and corners and large, plain grey stones. It was built that way to help show the civilians the power and authority of the government.
We stopped into the museum for a warm up coffee (it was quite a chilly day – probably one of the coldest we had on the trip), then wandered through the Topography of Terror where the headquarters of the National Socialist SS and police had been located. The foundations of the buildings actually remain, and along the strip of brick walls are posters and information detailing important dates during Hitler's time in Berlin. The information was presented in German, although there was a smaller English translation below. It was strange seeing English as the secondary language, because at home any tourist information is (obviously) in English, but another language might be present as a translation.
As we walked through the city we crossed a thin paved strip in the road. Throughout the city, two lines of bricks have been laid down where the Berlin wall used to stand – quite a clever way to remember the structure. Our guided tour ended at Check-point Charlie which was one of the key crossings from East Berlin to West. It was here that Russian and US tanks came to a stand off, and was also the site of a number of amusing illegal border crossing stories (There was one guy who apparently drove under the boom gate in the lowest convertible he could find. A few weeks later someone else crossed using the same method, after which the East lowered the height of the boom gate so it couldn't happen again.) Once someone had crossed from East to West Berlin they were able to safely travel to West Germany.
It was interesting throughout the day noticing the difference between the buildings on the East and West of the city. The (previously) communist East were much more rigid buildings, with very little decoration – basically they were buildings built for a function. On the West the buildings were slightly more elaborate.
Bud, Jess and I went for some lunch after the tour, then Bud and I wandered the city for a little while. We checked out the main strip where we found some very cool traffic light man t-shirts (the whole shop was dedicated to the little guy with his hat – t-shirts, pants, shoes, pens, books, key rings, stickers, etc etc).
We met up with Aaron, after which Bud went back to the hostel for a nap, while Aaron and I wandered through the park and back to Check-point Charlie where we met up with a couple of others who were waiting for the bus back to the hostel.
That night a pub crawl had been organised. We were all given David Hasselhoff t-shirts (apparently the Germans love him…which was proven on our way back to the hostel when the lady we were buying hotdogs from got very excited at the sight of my t-shirt). We visited three bars, all with a slightly different style. They were all nice places, with couches and a good atmosphere to sit and talk. We ended at a night club which was pretty much like a club at home. One difference, though, was that they charged an extra 50c for drinks as a deposit for the glass or bottle. Then, when you returned the glass or bottle, they gave you back the 50c. A clever way to keep the bar tidy without having to send people around to collect glasses, but also a nice way to make some extra money since, especially if you're not going back for another drink, returning your glass can be a bit of a hassle.
Well, that was the end of the day, and we headed back to the hostel way too late given that our bus out of town was 7:30 the next morning. Overall, Berlin was a nice city, and reminded me a bit of Melbourne. It was one of the newer cities we visited, since most buildings had to be either rebuilt or undergo heavy repairs after the war. So although there was a lot of history in the city, there were less buildings showing the history as a lot of them were destroyed.
I'm planning to finish writing about Amsterdam and London as well then print it all out. It might not go online, but I'll finish it for myself anyway.
Thanks for following it so far, and commenting along the way!


Brushing your teeth is the first step in any good daily oral care routine. It's critical for cleaning away plaque before it becomes troublesome and removing surface stains from tooth enamel. Without a good oral hygiene routine, tooth decay and disease can occur. Give Power Ranch Dental a call at (480) 988- 2282 if you have any questions.


Get A Whopping 50% Off On DOOGEE N10 smartphone on Banggood.com. Only $79.99 USD to get the beautiful smartphone! Hurry up, only 99 limited pieces per day! Note that the promotion sale is slated to end on April 15th.


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At Moving Day we have specialized in moving families and their belongings from one home to another, sometimes within Colorado and many times to another state altogether. Since we've been family-run local movers for almost 20 years, we take great interest in making sure that your next move is always your best move as your local and long-distance movers of choice.
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We offer free estimates (click HERE for free estimate form) for your local or long-distance move. Whether you are moving around the block or across the country, we always provide great service for a great price. We treat your belongings like we would our own, and we treat you like we would treat our own family. Click HERE to contact us for more information.
We want to earn the honor of being your Colorado Springs movers of choice. We know you'll love us – thousands of satisfied customers over the years have told us so. Give us a call at 719-531-0250 for a free long distance moving quote and let's get started!
Please call me at 719-531-0250.
We know there are many Colorado Springs moving companies, so Moving Day, Inc. services every possible address and location in town. We are literally minutes away and we've got the crew and equipment to move you no matter where you are located!
We thank you for choosing Moving Day as your moving company of choice. Of course, you have many choices in a mover, as a result, we want to earn your satisfaction by providing the best moving experience possible. With our commitment to customer satisfaction, years in business, modern and reliable equipment and highly trained personnel we know how to please our customers!
At Moving Day we specialize in moving families and their belongings from one home to another, sometimes within Colorado and many times to another state altogether. Since we're a family-run local moving business for more than 20 years, we take great interest in making sure that your next move is always your best move as your residential movers of choice.
Give us a call at (719) 531-0250 now for a free quote on your next move!
We know that packing your belongings in a truck and unloading them carefully (and without damage) at your new home can be a very stressful operation. We also know that many things can and do go wrong. Weather creates problems, equipment failures can arise and sometimes the situation becomes very tense. We've got so many years working with moving situations that our crew is trained to act like pros and get the job done as politely and as respectfully as possible.
Having moved many hundreds of families through the years, we know how to successfully move your family or your business with the least amount of stress possible. We want to make sure your next move is your best move, so give us a call at 719-531-0250 for a free quote and let's get started!
Whether you're moving across town or just across the apartment complex you're in now – we can move you more efficiently than other movers in town because we're experienced apartment movers in Colorado Springs. You might be surprised at how little stress you will experience when you let professional apartment movers handle your next move.
We always give you a free quote – click HERE to get a free quote by email – so you know EXACTLY what your move will cost.
We show up on time and get right to work – no dilly-dallying around!
We know your time is valuable and moving can naturally be a stressful situation. That's why we're pros and we only hire professional movers!
Call us now at (719) 531-0250 for a free estimate on your next move.
It's no wonder why people want to relocate to Colorado Springs, Pueblo or Denver. We have one of the best-educated populations in the country, low tax rates, and a favorable environment for business investment that beats most other states in the Union. In fact, people and businesses are moving to Colorado in record numbers – more than 200,000 people have moved to Colorado in 2013 and 2014 alone, with another 70,000 in 2017. And with big moves in populations, business relocations and growth are on the rise as well. Moving Day Commercial Movers can handle all your commercial moving needs.
For all your moving needs we're up to the job! Call us now for a quote.
As your business grows, your need for office and manufacturing space grows too. And Moving Day, Inc. is an experienced commercial mover with years of experience moving businesses in Colorado. All along the Front Range, from Fort Collins to Denver to Colorado Springs to Pueblo, we have been moving and relocating businesses large and small for almost 20 years.
We have the experience, equipment, and trained personnel to make your next commercial move your best. Additionally, we know that every minute your business is in transit is profits lost. That's why we work on tight schedules, with the ultimate goal to get you moved in the shortest time possible at the least possible cost.
Why not let Moving Day be your movers of choice? We guarantee you'll be happy with our moving services!
Moving families and businesses out-of-state with a long distance move is a big part of Moving Day Inc's moving services. It doesn't matter where you're moving to of how far it is from our home location, Moving Day has the long-haul equipment and highly trained personnel to get you there on time and for the quoted price – not a penny more!
In more than 20 years of moving families and businesses all along the Front Range, Moving Day, Inc. has helped relocate hundreds of families to and from other states. Our customers appreciate our personal service and budget-friendly prices.
Remember – we move families and businesses all along the Front Range!
If you are moving to Falcon or Peyton, we are your movers! We know the area and we are ready to make your move a success!
Just bought a home on the Westside – maybe Manitou Springs or Old Colorado City? We've been taking care of customers there for over 20 years! Let us quote your next move and you'll see why we're one of the top movers of choice!
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Give us a call at (719) 531-0250 for a Free Estimate on your next move!
We were in a pinch to get moved after dealing with a bad mover. Moving Day stepped up and took over the next day. They were able to get us moved in to our new home over the New Years Day holiday and didn't even charge extra. They were very courteous, helpful and even had extra boxes and tape when we ran out. We did the packing and unpacking ourselves, while Moving Day loaded and unloaded and placed and assembled our furniture, this saved us money even though Moving Day is very affordable. It was a 5 hour drive over I-70 during the winter requiring them an overnight stay and cost under $2000 for a 24 ft truck. Thank you Moving Day!
Give us a call now at (719) 531-0250 or click HERE to email us.


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View by Caliber
.17 to .244
.245 to .280
.401 and up
5.4mm < 7mm
7mm and up
12 gauge > 20
20 gauge > .410
.410 Bore
View by Action
Break-action
Pump-action
Ranking Guns by Groupings
Reader Don comes up with an interesting idea: Listing the top five or ten firearms by smallest grouping. Several readers also say, 'Thanks, but no thanks' and oppose universal background checks. More...
Single-Stack Carry Pistols from Springfield, Smith, & SIG Sauer
Subscribers Only — We put four smaller 9mm pistols through rigorous side-by-side testing and grading. What would our shooters find out about the XDE and Hellcat pistols, the Shield M2.0, and the much-ballyhooed P365XL? More...
Survival Guns: TPS, Savage, And Rossi Go Head to Head
Subscribers Only — Yes, we realize your B-52 probably won't get shot down over remote wilderness where you'll need a firearm to help you make it out. But these 22 LR/.410 Bore combination guns have other uses as well. More...
Pistol Safes: We Compare Four
We look hard at a quartet of boxes from Boyt, GunVault, Liberty Safe, and Hornady to find the best combination of safe storage and access control when space is tight. More...
Perhaps Trump Slump Is Over?
According to the FBI, more than 200,000 background-check requests associated with the purchase of a firearm were submitted to the agency on Black Friday 2019, marking the second-highest gun-sales day ever. The previous record was set on the day after Thanksgiving in 2016. More...
I Believe Them
One of the issues gun owners face is whom to believe when politicians stake out policy positions on gun controls they would implement if they are elected to higher office. You and I both know politicians lie about such things, so we tend to dismiss the rantings of anti-gun campaigners and say, "It can't happen here, 2nd Amendment, mumble mumble." But when I see a politician campaigning to limit my gun rights, I believe them. Read More
Value Guide
VALUE GUIDE: Centerfire Bolt-Action Rifles (Multiple Chamberings)
A directory of all bolt-action centerfire rifles we've reviewed in the past three or so years. Read More
Firing Line
Reloading Advice from Veterans
I want to thank you for publishing the article on automatic powder dispensers. Although I think you may catch some flack for those who think Gun Tests should just test guns, and maybe ammo, I find that articles such as these are very helpful and informative for those of us who pursue reloading, gunsmithing or other peripheral "hobbies." Read More
Firearms Prices
Gun Tests has been independently reviewing firearms since 1989. This website contains many older reviews. Unless otherwise noted, these reviews carry the guns' prices at the time of the original review
Police Department Implements Viridian Weapon-Mounted Camera »
Gun Tests Staff | August 15, 2018
Viridian Weapon Technologies announces that the West Hennepin Public Safety Department located just outside of Minneapolis, Minnesota has deployed the FACT Duty Weapon-Mounted Camera (WMC) to all of its officers. More
Which Window Stickers Scream 'Gun Inside' to Car Burglars? »
Todd Woodard | July 19, 2018
Sergeant Parkerson posted on the Nextdoor.com app, "Burglary of Motor Vehicle suspects were recently caught breaking into vehicles in what they considered to be an upper-scale apartment complex. Their objective was to locate and steal guns from vehicles they identified on the property. Their method for choosing which vehicles they would break into was to simply locate any vehicle on the property that had some form of Law Enforcement, Fire Department, or Military-style decal on it. From their experience, they [the suspects] have learned that these vehicles would have a higher probability of having a weapon in it that they could then steal." More
Judge Brett Kavanaugh: A So-So Gun Guy? »
From the standpoint of gunowners' rights, will Judge Kavanaugh be "fer us or agin' us" if he's elevated to the Supreme Court? Or, said another way, will he be a "good guy on guns" or just a so-so one? "Right now, nobody knows for sure how a 'Justice Kavanaugh' might rule on gunowner rights at the SCOTUS level," said Gun Tests Editor Todd Woodard. "But the tea leaves, the entrails, the penumbras suggest he strongly leans our way." More
More Legal Problems for SIG's P320 »
In response to social media rumors questioning the safety of the P320 pistol, a variant of which was selected by the U.S. government as the U.S. Army's Modular Handgun System (MHS), SIG SAUER, Inc. has full confidence in the reliability, durability and safety of its striker-fired handgun platform. There have been zero (0) reported drop-related P320 incidents in the U.S. commercial market, with hundreds of thousands of guns delivered to date. More
© 2020 Copyright AG Media, Inc. All rights reserved.

redpajama_set_name: RedPajamaCommonCrawl


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National Film Awards 2020
by National Film Academy
Porchester Hall
Porchester Road
W2 5HS
The National Film Awards UK which celebrates the achievements of established and independent filmmakers, actors, actresses, casting directors, production companies and crew who make up the motion picture industry take place on the 20th of March 2020 in London and will be broadcast exclusively on Sky Showcase and syndicated in all major territories around the world.
Over 2.9 million fans submitted their nominations across 26 categories and today film fans and the public nationwide can vote via www.nationalfilmawards.org/voting
The National Film Academy produces the National Film Awards in the UK and the National Film & TV Awards ceremony in the USA annually. Actress, Sharon Stone was honoured at the US version of the awards ( NFTA) in December . This year, Anthony Hopkins, Hugh Grant, Pierce Brosnan, John Cleese and Rowan Atkinson all lead nomination for Global Contribution to Motion Picture.
United Kingdom Events City of Westminster Events Things to do in London London Conventions London Film & Media Conventions
National Film Awards 2020 at Porchester Hall
Porchester Road, London, W2 5HS, United Kingdom


Punjab National Bank (PNB) is a nationalized bank and one of the largest public sector banks in India. The bank offers a wide range of fixed deposit schemes for regular depositors as well as for the senior citizens. Fixed deposit is a popular investment option in the country, and PNB offers many schemes to maximize its customers profit. The bank offers competitive interest rates on all FDs with the added benefit for senior citizens allowing them to avail special PNB FD Interest Rates on all types of deposits.
PNB allows investment as low as Rs. 10,000 to Rs. 99,99,000 for tenures ranging from 7 days to 10 years. The PNB FD Eligibility criteria states that – any individual, organization, club, a private company, HUF or society can open these fixed or term deposit accounts. Moreover, the PNB FD Eligibility criteria allow some deposit schemes for NRIs too.
The PNB bank fixed deposit rates are higher compared to a regular savings account. Fixed deposit rates in the PNB bank is competitive and are based on the tenure of the deposit. The interest rate applies only until the maturity date of the account. But, the current interest rate will not be the same as in a few years from now as they change as per the market rates. Given below is the PNB bank fixed deposit rates for different tenure.
The PNB FD Interest Rates for regular deposit differs from that of senior citizens. PNB offers a higher interest rate as high as 7.25% for senior citizens making it a viable option of investment for them. Given below is the PNB fd rates for different tenures for senior citizens.
If depositors opt for auto-renewal their term deposit automatically renews after maturity except for term deposits under the Capital Gain Scheme, Recurring Deposit Scheme, Bulk Term Deposits (above Rs.10 crores), PNB Tax Saver Scheme, and Inter-Bank Deposits.
PNB enables the visually impaired and the illiterate to open a fixed deposit account.
PNB FDs are designed to serve every category of depositors, right from High School students to beneficiaries of road accident insurance claims.
PNB provides different term deposit alternatives such as Sugam term deposits, e-FDs, multi-benefit, ordinary, special, and Anupam term deposit schemes. Given below are some of the information in brief related to the different PNB bank FD schemes.
This insurance scheme is for the recipients of the motor insurance claims. Anyone can open an account under this scheme. Minors under the guardianship can also open an account on condition that there are court orders in support of the claim in their names.
This account can be opened by anybody as a single or joint account with a minimum of 1 year up to 10 years even for incomplete quarters.
FDs from Rs. 10,000 to Rs. 10 crores for as brief as 46 days. There is No penalty on premature, part/ full withdrawal.
FDs from Rs. 10,000 to Rs.99.99 lakhs can be booked from 24 months to a maximum period of 120 months.
Has an inbuilt overdraft facility, deposits from Rs. 10,000 to Rs.99,99,000.
This scheme is for all the girls of class VIII from Kasturba Gandhi Girls High School and the SC/ST quota passing class VIII and enroll for class IX in state/UT government aided or local body schools from the academic year 2008-2009. A sum of Rs. 3,000 will be deposited in their name.
Joint accounts cannot be opened under this scheme. This account is booked to credit amount from capital gain.
FDs can be opened for a period up to 99 months with a minimum amount of Rs. 5,000 and in multiples of Re 1/- and Rs. 1 crore per day. Non-resident Indians can also open NRO accounts under the scheme.
Avail multiple benefits for a deposit of anything from Rs. 100 to Rs. 99.99 lakhs.
Minimum Rs. 25,000/- and after that in multiples of Re.1/- subject to a maximum of Rs. 10 crores. Senior citizens earn extra 0.50% interest on deposit. They can avail monthly payout comprising of interest in addition to the principal.
The PNB FD calculator helps with the calculation of the interest that the money will earn when kept in the PNB FD. Moreover, it gives the details of the principal amount on maturity after the interest is compounded on the basis of days, months, quarterly, half-yearly or yearly basis. PNB FD Calculator helps one understand about how the FD earns interest and how much will be one's earning at the end of the chosen tenure.
PNB FD rates can be calculated by providing the following details and clicking on the calculate button.
The most significant advantage of a fixed deposit is that it comes handy as an emergency fund and also allows one to grow with the corpus.


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Broadband rollout update for Central Devon MP
Plans for the ongoing rollout of broadband across Devon and Somerset have been discussed with MP Mel Stride.
The MP for Central Devon met with the team from Connecting Devon and Somerset (CDS), and broadband provider Gigaclear, at Sandford, near Crediton. He was briefed on the roll-out of Fibre to the Home in his constituency by Gigaclear's Chief Executive Matthew Hare and representatives from CDS.
Gigaclear also provided a demonstration of its LIDAR laser imaging vehicle being used to survey roads where ultrafast fibre will be installed.
As part of the CDS programme, Gigaclear will be providing a new ultrafast full fibre network that will connect direct to 47,000 homes and businesses across the CDS region. This will enable both homes and businesses in the CDS contract area to access speeds of up to 1Gbps (1,000Mbps).
Mel Stride MP said: "The CDS programme is now moving into those more rurally isolated areas – such as around Sandford. It's a real challenge but we're meeting that challenge. Over the next year, with CDS working with Gigaclear, we're going to see a number of people and businesses getting a really fast service and that's so important because those areas also suffer from connectivity problems in other ways such as transport issues – which makes fast broadband doubly important, and I'm really encouraged by what I've seen."
Cllr Stuart Barker
Councillor Stuart Barker, Devon County Council Cabinet Member for Economy and Skills, said: "We're making good progress with broadband provision in Central Devon, and across Devon and Somerset, but we will see a significant improvement over the next couple of years. So far, in Central Devon, CDS has funded 55% of the broadband infrastructure even though Government has estimated that, overall, two thirds of all broadband infrastructure in rural England will be provided commercially. Without our investment, commercial provision would only have covered 19% of home and businesses in the Central Devon constituency."
Matthew Hare
Matthew Hare, Chief Executive of Gigaclear, said: "Working with CDS, we are building an all new full fibre network that will transform the online abilities of those living and working in these areas. To design this network as efficiently as possible and to minimise disruption to local traffic we plan to avoid digging in the highway wherever possible. To facilitate this we have invested in several new technologies, one of which is our LIDAR truck which performs a laser and radar survey of the paths the new fibre cables will take to better understand the make-up of the ground to be dug, improving design deliverability."
Combined CDS and commercial superfast in Central Devon is currently 74% and is set to reach 90% by 2020.
CDS connects some of the hardest to reach communities in England, where the commercial market will not provide the infrastructure. It does this by awarding public subsidised contracts to companies through competitive tender to build the infrastructure needed, such as fibre cables or wireless masts. CDS is only able to invest where suppliers have no declared and credible plans to invest their own resources to extend their networks.
The CDS programme is the largest of its kind in England. It is supported with funding from the Department for Digital, Culture, Media and Sport, the EU's European Regional Development Fund, the Heart of the South West Local Enterprise Partnership and local authorities across the region.
To date, the CDS programme has provided access to superfast broadband to almost 300,000 homes and businesses across the whole of Devon and Somerset – with a further 38,000 in the two counties now able to access improved broadband speeds.
CDS will be launching a new broadband voucher scheme for residents and businesses in the coming months, and it is also planning to launch schemes to support community broadband solutions later this year.


On the eve of the Paris Motor Show a barge carrying brightly coloured jumbo Barbour wellingtons floated on the Seine as the latest Land Rover was introduced by model Rosie Huntington-Whiteley. The day before, Stella McCartney had unveiled her cutely personalised Jaguar XJ; the 'baby' Jaguar had received a theatrical London debut a few weeks earlier.
Jaguar Land Rover's recent dramatics could be perceived as over the top if not for the convincing new products. The company is cash rich - it certainly felt the envy of others under the hot fluorescent lights of the half-empty pavilions at the Paris Expo Porte de Versailles. JLR is spending wisely on carefully calculated cars across the range, opening up the marque to a wider, younger audience.
Its confidence is almost infectious. The big German three - BMW, Audi and Mercedes-Benz, who hold hegemony in the premium sector - must be feeling a little pinched. One unnamed car designer compared today's Jaguar with the Audi of 15 years ago, when it raced its way to the top.
In terms of trends at Paris, the crossover remains ubiquitous, overtaking the hatchback and people carrier. Theoretically, a hybrid of family-life practicality and fun, sporty motoring is a winning combination. Yet finding the right design remains a bit of a challenge. Notable exhibits at Paris included the Peugeot Quartz, Lexus NX 200t, Toyota C-HR and Fiat 500X.
Tiny urban runarounds also took centre stage in some pavilions, though given the urgency to downsize, there were surprisingly few pioneering concepts floating around. Smart's latest ForFour is a cute little gadget and Mazda's MX-5 is a roadster for the masses. Mini's Superleggera Vision, too, is worth noting - a small, handsome roadster that signals a fresher direction for the brand.
There were few genuine surprises in Paris, though; the blogosphere certainly spoils the fun. Mercedes-Benz took the wraps off the much-anticipated GT by AMG. The marque is having a design renaissance and the latest product from its performance arm is a highly focused and exceptionally handsome car.
Lamborghini proved that superpower could marry sustainability with the Asterion LP1 910-4 show car, the Italian's first plug-in hybrid. Elsewhere, Volkswagen did quite the opposite. The Ducati-powered XL Sport concept sees a V2 motor power the bullet body originally envisaged as the ultimate eco-car.
The pavilions of the Gallic hosts were equally inspired, with such concepts as the Citroën Divine DS, Peugeot Quartz and Renault Eolab on show. Some (Renault, for instance) were a little light on material, but overall the French do show cars extremely well. They are fun, innovative and full of drama - and we hope to see more of their daring design language translated to production cars.


At Technix Rubber & Plastics, we are well known for our wide range of safety surfacing products. We manufacture and supply a variety of safety surfaces to cater for any scenario.
Our grass mats are the ideal solution for any walking grass surface and our play surfacing is perfectly suited for where ground surface safety is of upmost importance.
Our solutions range from wet pour, playtiles, rubber spheres and rubber mulch and we even have all the accessories required to get everything set up and in place.
For more information on some of our most common surfacing applications please click here to download our brochure or contact us with your enquiry for a quotation.


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These Steelmakers Deserve A Place On Your 2023 Watch List
Tag: Alt Energy
Tesla Said To Apply For State Grant Money To Adapt Supercharger Network To Other EVS
ElasticComputeFarm / Pixabay Tesla Inc (NASDAQ:TSLA) has reportedly started to apply for government grants to secure funding to adapt its Supercharger stations to support electric vehicles from other manufacturers. The automaker had previously announced plans to open its charging stations to other EV...
Beaten Down Income Stocks To Buy For The...
In my high-yield investment service, the Dividend Hunter, the economic and social disruptions of 2020 forced a host of changes in my recommended...
Rates Are Still Going To Rise – Here's...
If you think that last week's inflation numbers would cause the Fed to pivot, I have a bridge conveniently located in lower Manhattan...
May was certainly a positive month for the yellow metal. Gold could keep its momentum later this year, but a lot depends on the...
What You Need To Know About ETFs (Exchange-Traded...
ETFs (Exchange-Traded Funds) are financial products designed to track an index like the S&P 500, a stock market index tracking the stock performance...
PepsiCo Makes a Big Chinese Purchase for $705...
Fast growth in China has just led beverage giant PepsiCo to purchasing a Chinese snack brand called Be & Cheery for $705 million....


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Q: What's the difference between grammar and syntax? I've never understood the difference between these two terms. I understand the difference between semantics and syntax, or between semantics and grammar, but I'm not sure what's the difference between the meaning of the words syntax and grammar.
Crosspost @Linguistics.SE: What's the difference between grammar and syntax?

A: As defined from the NOAD, grammar is, "the whole system and structure of a language or of languages in general, usually taken as consisting of syntax and morphology (including inflections) and sometimes also phonology and semantics."
It includes the syntax, but it's not limited to that.
The syntax of a language is, "the arrangement of words and phrases to create well-formed sentences in a language."
For example, the syntax is about which order subject, verb, and object have in a sentence to form a well-formed sentence. A sentence like "like it I" is not considered a well-formed sentence, basing on the English syntax, even if people would understand that the correct sentence is "I like it."

A: As I hear them used, grammar

*

*is usually a subfield of English or any other specific language

*can be both descriptive and prescriptive

*seeks to define parameters for use of a specific language

whereas syntax

*

*is a subfield of linguistics

*is descriptive only

*seeks to describe language use in terms of language-neutral universal parameters

Both grammar and syntax are usually focused at the level of words-in-sentences (a level above pronunciation, a level below prose-style) but can spill over into these and other subfields.


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Tag Archive: Michelle Clifford
The Sleaziest Jersey Has to Offer: Ginger (1971)
Filed under: 1971 — 6 Comments
This month (March) is the 43rd anniversary of the premier of the first of Cheri Caffaro's three Ginger movies. (The others being The Abductors (1972) and Girls Are For Loving (1973). Caffaro's Ginger is known as one of the more amoral and cynical sexploitation heroines of that decade, according to author Randall Clark's At a Theater or Drive-In Near You: The History, Culture, and Politics of the American Exploitation Film, which is why we still love these films. Being shot in Jersey and the subpar interior set design up the sleaze factor in this flick, making it an annual watch for me.
Ginger was the brainchild of director Don Schain, who started as director of the softcore flick The Love Object, starring future pornstar Kim Pope. His idea for Ginger, according to Bill Landis and Michelle Clifford in The Sleazoid Express, was "taking a female character and putting her in a role that was traditionally reserved for a man." In this case, that character was a cross between a female James Bond and a contract killer. Ginger is also known for having one the first male full frontal nude scenes, and for having gay pornstar Casey Donovan in a supporting role.
Caffaro, the "legendary cult movie star" has left the building
Cheri Caffaro had a too brief career in which the Ginger films appeared to be her high water mark. On her own–apparently abandoned–website she calls herself a "legendary cult movie star" which seems several orders of magnitude more than what she was. She and Schain ended up married for ten years, divorcing at some point in the early 1980s. That the film was promoted in the manner of porno chic–big bold ads with lots of innuendo–was cause for a bit of nervousness for Caffaro, but that was apparently wiped away when it did so well. Ginger was a top-50 film for 1971.
Today, Caffaro's pretty much disappeared back into private life away from show business. Schain is still active as a producer for Disney Channel saccharine sweet TV movies–he brought us all three High School Musical dreck. I think I speak for everyone when I say that I prefer the older stuff.
Tags: Bill Landis, Casey Donovan, Cheri Caffaro, Don Schain, Ginger (1971), Girls Are For Loving (1973), Kim Pope, Michelle Clifford, Randall Clark, The Abductors (1972), The Love Object (1970)
Cannibal Holocaust's Enduring Legacy
Filed under: 1980, Blogathon Entry — 4 Comments
I'm very happy to help fellow cinema aficionado Nitrate Diva in this year's Italian Film Culture Blogathon, but it is a bit intimidating to take on a subject that so many have already taken on. For instance, we should note at the outset Cannibal Holocaust started the "found footage" genre–with later examples being Paranormal Activity and The Blair Witch Project. Many, many cinema bloggers have taken up the film, and to try and find something new to say about Cannibal Holocaust seems a tall order indeed.
The consensus is that this film is one of–if not the most–violent and exploitive films ever produced. It is rumored that there is a much longer version out there, but this 96-minute version is more than sufficient. Despite the title on the video, this version is dubbed into English, and there are no Spanish subtitles:
This epic revolves around the viewing of found footage from an ill-fated journalistic expedition to South America to find cannibalistic tribes. Ratings-hungry studio execs are looking to a local anthropologist who recovered the film to make a documentary of the ill-fated expedition. The anthropologist, played by hardcore porn veteran Robert Kerman (NSFW), urges the execs to cool their heels until he shows them all of the found footage. Once they see the intrepid journalists engaged in all manner of depravity towards the flora, fauna, and inhabitants of the jungle–including a couple acts that could be legitimately prosecuted as war crimes if our explorers were military folks instead of journalists–and then get their just reward in the final scene, the head honcho exec orders the footage burned, and Kerman wonders who the real "savages " are–the white explorers laying waste to all they encounter, or the brown "primitives." This last bit is the key to the whole film, and offers a sort of weak rationale for why this films is so violent.
Robert Kerman in Cannibal Holocaust
The film is most notorious for the scenes of the journalists killing animals–these were real, not staged; in all 6 animals were killed on film. In the most infamous scene a large turtle is caught, beheaded, totally dissected and finally eaten by the actors. Also, a pig is shot, and a coatimundi (often mistaken for a monkey) is also killed on camera and consumed. The actors were not aware animals were going to be killed on set, and the incident with the coatimundi nearly caused a mass walkout by the cast–until they remembered they were miles and miles from anywhere. The lead journalist–Alan Yates, played by Carl Gabriel Yorke–refused to speak publicly about his role in this film for 25 years.
This sort of activity filled the set with tension, as you might guess: Kerman refused to have anything to do with killing the pig, and privately according to Clifford and Landis, Kerman said later of director Ruggero Deodato "The guy is a real sadist." Kerman prayed that God would punish Deodato and the movie would flop. Clifford and Landis concluded: "It says something when a director can drive an actor who's been desensitized by years in the sex industry to prayers of destruction." For Deodato's part, he often says that he grew up in the countryside and has a different relationship with animals than cityfolk. But it's hard to imagine that someone with simply a different relationship to the animal kingdom would go as far as he did–to the point where much of the cast was wretching in the jungle off camera. Says Deodato:
[People] don't make the connection between the food on the table that mummy has cooked from the supermarket, and the fact the animal has actually been killed. When you go to a Third World country people kill animals. I saw pigs and rabbits being killed growing up on a country farm when I was young. My son has not seen this because times have changed, he hasn't had the experiences I have, for him it all comes pre-packed.
This seems a pretty weak argument for what we see in the film, and strikes me as unconvincing. Deodato makes the point that his film is about casual acceptance of violence–if he were serious about that, I would expect to hear more about that, rather than this bit on having a different relationship to the animal kingdom when I was a kid…
Director Ruggero Deodato on set of CH.
The film, to the degree it has a moral center, revolves around the question of "who is the real 'savage'?" Deodato often takes to the convention circuit and gives us his rationale. Mainly, this film was a response to the casual acceptance of horrific levels of violence in contemporary society. In a 2011 interview he mentions the actual Holocaust as one example, and in another conducted by his son in 1998–(part one; part two) he explains: he was appalled at media coverage of Red Brigade political violence and terrorism in Italy in the 1970s. Specifically, how the media of the day was stepping all over one another–and victims of the violence–to get the most salacious stories of suffering on the air. That's interesting, and this rationale brings to mind works like Apocalypse Now and Heart of Darkness, but I'm not sure how it explains what others saw as pure sadism on set.
But this comparison may overthink CH's rationale. The disparity between an artistic meditation on apathy towards violence and a movie that was designed as a receptacle simply to put successive acts of extreme violence on film seems too much to overcome–and suggests the debate we see every time Quentin Tarantino releases a film: is it art or is it trash? With CH there is also the matter of it being an alleged snuff film–that the violence in the final scene was so realistic as the cannibals set upon the journalists that a court was going to charge Deodato with murder. To drum up publicity, he made the cast not appear in other films or the press, which helped give the illusion that he had indeed created a snuff film. This sort of thing does not strike me as something someone trying to make an artistic examination of the role of excessive violence in our society–it sounds like publicity stunts or perhaps performance art. It all seems a bit much to start comparing CH with works like Apocalypse Now, and I doubt any amount of retroactive rationales or rehab will bring Deodato and Cannibal Holocaust into the realm of art, but it will remain a solid hit with the cult exploitation film community, as well as those who can't look away, for some time.
Tags: Bill Landis, Cannibal Holocaust (1980), Carl Gabriel Yorke, found footage films, Michelle Clifford, Nitrate Diva, Paranormal Activity (2007), Robert Kerman, Ruggero Deodato, The Blair Witch Project (1999)
Bhaskar Roy Chowdhury: Dance, Horace, Dance!
Filed under: 1961, 1970, 1972, 1978 — 7 Comments
Bhaskar as "Horace Bones"
The first thing you need to know about Bhaskar Roy Chowdhury (1930-2003)–satanist hippie cult leader in "I Drink Your Blood" was that he was a master hoofer. His specialty were the dances of his native India, and he had his own dance company, taught these dances at the university level, and was a celebrated choreographer–these talents were Bhaskar's career: IDYB was a bit of a fun one-off, and something he probably didn't see as playing any part in his legacy, even though it was his best known role on film.
One can read the high points of Bhaskar's career on his IMDB page, but as is often the case with actors in exploitation cinema, this does not do nearly enough justice to his career. It's too bad that most references to Bhaskar–either online or in print–mention the great performance he turned in for IDYB and then simply regurgitate IMDB without probing any deeper. To get beyond a simple listing of his film appearances, I tracked down someone who can help us get to know Bhaskar a little better–my contact worked with Bhaskar in the 1970s. The association also gave her some insight into the parts of his life that are gaps for the usual sources of info and showed some areas where these sources appear incomplete.
Baskhar and Candace in a 1976 publicity shot
My contact for the project of getting to know Bhaskar a bit better is Candace Hibbard Lillie, now living in Oklahoma. 37 years ago, about 6 years after IDYB was released, Candace was Bhaskar's dance partner in his dance company–Bhaskar: Dances of India–and came to know him and his story pretty well. I noticed her website dedicated to the dance company as I started researching this post, and I started e-mailing her with questions, which she was all too happy (I think) to answer.
Sri Bhaskar Burmin Roy Chowdhury Jr., was born into an elite family in Madras, India that was deeply involved in the arts. His father was a painter, and his mother–an actual princess says Candace–encouraged Bhaskar to sing and dance. He also had a short-lived boxing career, but a match with someone called "Tiger Terry" cost him his front teeth and that particular career path.
In the mid-1950s Bhaskar emigrated to the US, became a citizen, and was involved in several touring dance companies before starting his own. Candace tells me that in 1956 he had a small uncredited part in a TV musical version of Marco Polo that starred the legendary Broadway actor Alfred Drake in the leading role. Bhaskar was a comparative religion major in college, and married an American woman, who died very shortly afterwards of heart failure.
Within his dance companies, Bhaskar taught dancers, and he also occasionally taught in colleges, and held classes at the former Jerry Leroy Studio. Bhasker suspected that Jack "the father of theatrical jazz dance" Cole (1911-1974) stole some of his moves that he taught at Jerry LeRoy's place, which shut its doors in 2008 after 73 years as a dance studio. Here is perhaps where is real legacy is seen: dancers he trained on a pro bono basis, often in their homes. Leading directly to careers made. Bhaskar was a hard teacher, but as many said of him at his funeral in 2004:
This man was impossible, he drove me crazy, he drank way too much, he worked me harder than anyone ever had before. Giving freely of himself, he taught me at no charge, put me on the stage, and I owe him more than I can ever say.
Bhaskar dancing as Brahma in "The Creation of Woman"
Bhaskar got his start in film in 1960 by choreographing and starring in "The Creation of Woman"–Indian creation myths, with some Christian elements as well–set to dance. Bhaskar was already on top of his game and one gets the sense that securing him for the film was something of a coup for film producer Ismail Merchant. The film, a 14-minute short, was nominated for best short at both Cannes and at the Oscars in 1961, but didn't score either award.
The film is also notable for being the backdrop–during its run at Cannes–for the introduction of Merchant and American film director James Ivory, (who went on to helm A Room With a View, Howard's End, and The Remains of the Day, among many others) who, together established Merchant Ivory Productions, which developed more than 50 films, often set in India and/or period pieces like the above films for the next 40 years, earning 6 Oscars in the process.
DVD cover for "Pratidwandi," known internationally as "The Adversary"
Back to Bhaskar, the decade after The Creation of Woman was spent back at his dance company, but he returned to film in 1970 with a trio of films, The Epitaph, The Adversary, and of course, I Drink Your Blood. The Epitaph is an Indian film which I cannot readily find much information, except that it too was nominated for best short film at Cannes 1970.
The Adversary, on the other hand was directed by the great Indian filmmaker, Satyajit Ray (1921-1992) and this film was the first of his "Calcutta Trilogy," looking at social and spiritual malaise in urban India after colonialism and the partitioning of India and Pakistan. Ray was a major influence on the Merchant Ivory films, and Ray's early (1967) screenplay The Alien was copied and revised so many times in the Hollywood machine that it arguably became the basis of Steven Spielberg's E.T.: The Extra-Terrestrial in 1982. (An argument Spielberg denies.)
Mark LaRoche's head!
So, with a promising film career and already well established dance career, what would possess Bhaskar to seek out a role in a movie like I Drink Your Blood? Candace seems to think Bhaskar ran into David Durston socially and/or Bhaskar needed the money. Either way, Bhaskar did not consider IDYB to be any part of his artistic legacy. Mainly, this was a fun break for him.
Turning to Bhaskar's private life, in 1960, a few years after his wife passed away, Bhaskar became involved with Mark LaRoche, who had a bit role in I Drink Your Blood–mainly as a model for the severed head tossed around in the finale–and was so for the rest of his life. Candace says Bhaskar and Mark were "married" in 1960–I'm not sure what that means most of a decade before Stonewall, but I take the point that they had a loving, committed relationship that stood the test of time, even if Mark's head literally rolled in one movie. As an aside–in a post full of asides–we may note other homosexual couples in the broader story here: I Drink Your Blood director David Durston was in a longterm relationship with John DiBello (also known as "Jack Damon," who must be the "John Damon" playing "Roger Davis" in the film?) Landis and Clifford in Sleazoid Express talk about a "gay sensibility" Durston brought to the imagery of IDYB. Ismail Merchant and James Ivory of Merchant Ivory were also a longterm gay couple.
Bhaskar had three more film roles: in 1971 he teamed up again with Durston in Blue Sextet, in 1972 he was the male lead in the Bollywood film, Trisandhya. More specific information on these two films is hard to come by, it seems. In 1978 Bhaskar had a bit part in Ghar, another Bollywood film, this one about a couple dealing with emotional issues in the aftermath of the wife's rape.
Tragedy struck Bhaskar on October 25, 1977 when he was rehearsing for a dance performance at Purdue University and took a 35-foot fall and was paralyzed from the waist down for the remaining 26 years of his life. He lived for a while at New York City's Rusk Institute, and then went back to his apartment in The Big Apple's Upper West Side. He did one performance from his wheelchair, but for a man who never let others even see him brush his teeth, he found the idea of performing from the chair humiliating, and would not permit himself to become anyone's object of pity. After his accident, he won his lawsuit against Purdue, he took to painting, wrote (but did not publish) a children's book. He died in 2003 at the age of 74.
Bhaskar in his later years.
Next up in this series, the life of Jadin Wong. But before that, some comments on Cannibal Holocaust and Cannibal Ferox for Nitrate Diva's blogathon on Italian cinema.
Tags: Alfred Drake, Bhaskar Roy Chaudhury, Blue Sextet (1972), Candace Hibbard Lillie, David Durston, Ghar (1978), I Drink Your Blood (1970), Ismail Merchant, Jack Cole, James Ivory, Jerry LeRoy Studios, John Damon, Mark LaRoche, Merchant Ivory Productions, Michelle Clifford, Satyajit Ray, The Adversary (1970), The Creation of Woman (1961), The Epitaph (1970), Trisandhya (1972)
Looking at David Durston's Film Career
Filed under: 1964, 1965, 1970, 1972, 1975, 1978 — 11 Comments
Durston on the set of IDYB, 1969. Source.
We all know Durston, who passed away a couple years back at the age of 88, as the director of I Drink Your Blood. But what else did he do? In this post, I want to share a bit of what I found from rooting around to give a fair shake to Durston's film career. I'm not sure I'm any closer to feeling like I understand the man, but giving a little more on his body of work he left us is hopefully a step in the right direction. Limiting to feature films–as opposed to his radio and TV credits (a comprehensive list of these contributions here)–in the thirty years ending in 1994, Durston acted, wrote, directed, produced or edited not quite a dozen films, from exploitation fare as in IDYB, by far his most famous film, to gay hardcore porn. Not the most prolific career, but an interesting one, to be sure.
Some say of Durston, reflecting on films such as Stigma (1972), Blue Sextet (1970), and Felicia (1964), let alone Manhole (1978) and Boy-Napped (1975), that he, in the words of Classic TV History Blog "seems to have been one of those figures who hovered on the fringes of the movie industry for decades, carving out a marginal career with an energy that surpassed his talent." While Stephen Thrower, author of Nightmare USA: The Untold Story of the Exploitation Independents (FAB Press, 2007) remembers Durston in a much more positive light. Both could well be true.
According to Randall Rutledge's problematic book, From Movie City to Music City USA: My Journey through Showbiz and how it Works [sic] (Magic Valley Publishers, 2008), Durston started as journalism major in Missouri, but ended up a contract player in George Cukor's Winged Victory in 1944. Durston's IMDB entry, which contains a lot less work and awards than Rutledge claims he accomplished–Durston did not earn seven Emmys, for example–says he was also in the cast of Winged Victory's Broadway production. He worked as a writer and producer on a couple of radio and television shows in the 1950s (Navy Log, Your Hit Parade), presumably learning various jobs behind the camera.
Durston took the helm of several films in the 1960s. First up was Felicia in 1964, but since it was not released in the US, not much info about it is readily available. It did have a novelization (see bookcover, right) by the very prolific Michael Avallone (writing as Mark Dane), and probably the first film role by a young–he'd have been about 24 at the time–Raul Julia. The lead was played by Louise Allbritton.
LSD was the topic of his next film, The Love Statue, in 1965. This was an early exploitation movie about the drug, and Durston actually dropped acid (under the watch of a physician) to get a better feel for his subject matter. The name of the film was changed from The Love Drug to The Love Statue when newspapers of the day would not run ads with the former name. In 1967 Durston directed the English dubbed version of the pathbreaking 1964 Turkish film Susuz yaz (also known as "Dry Summer," or sometimes as "Reflections"). However, Durston did not have anything to do with the original making of this one.
This brings us to I Drink Your Blood in 1970, which I won't dwell on much here since I talked about it at length last time. This film was inspired by a couple things on Durston's mind: an article about a rabies outbreak abroad, the then-recent Manson murders, and tales from a friend who'd just emerged from a cult. These fun little vignettes come together in IDYB. For more information on IDYB's history, especially on the existence of several different cuts and its cult status, see Horror at the Drive-In: Essays in Popular Americana (McFarland, 2008).
The next year, Durston put out The Blue Sextet, a vampire movie starring two actors from I Drink Your Blood–Bhaskar Roy Chowdhury and John Damon. The latter was also a producer for The Blue Sextet.
In 1972, Durston's other moderately famous film, Stigma came out, which launched the short career of Phillip Michael Thomas, as a physician suffering horrible racist slurs while treating a super duper virulent STD in a small town:
Another I Drink Your Blood actor makes an appearance in this one: Rhonda Fultz (the pregnant and inexplicably bewigged "Molly" in IDYB)
From here, Durston's career as a filmmaker goes into its swan song. Durston had "always had a hand in the specialized and insular netherworld of gay hardcore porn," according to Landis and Clifford's indispensable book, Sleazoid Express (2002). Durston wrote and directed these last couple films under the name "Spencer Logan" and/or "David Ransom." In 1975 he made Boy-napped! a hardcore gay porn film starring the late Jamie Gillis–-who, as it happened, passed away just a few months before Durston in 2010. In 1978 another gay hardcore film Manhole was made, also with Gillis. Landis and Clifford say this last film was called Manhold, not Manhole, as IMDB has it, and that it was not released because one of the cast members got a role in Escape from Alcatraz, and the association with gay hardcore would have been bad for this unspecified person's career, as well as for Clint Eastwood's blockbuster. At any rate, I don't have much elaboration on Durston's apparent long relationship in this "insular netherworld" of the cinema world. Durston seems to have left cinema in the 1980s and 1990s, returning only in 1994 as the editor of Hard Drive, an independently produced softcore flick.
There's not enough information here to get a sense of Durston as an individual, nor much about his legacy. So to jump to the conclusion that Durston "seems to have been one of those figures who hovered on the fringes of the movie industry for decades, carving out a marginal career with an energy that surpassed his talent" seems too harsh, especially since most accounts of him dwell on his cult hit I Drink Your Blood, and them list out his other work without saying anything more about Durston or his work. Hopefully, I'll find more info to fill in some of the gaps here.
Next time, I'll see what I can find about IDYB's main tour de force, Bhaskar Roy Chowdhury, who passed away in 2003.
Tags: Bhaskar Roy Chaudhury, Blue Sextet (1972), Boy-Napped (1975), Charles Manson, David Durston, Felicia (1964), George Cukor, I Drink Your Blood (1970), Jamie Gillis, John Damon, Louise Allbritton, Manhole (1978), Michael Avallone, Michelle Clifford, Phillip Michael Thomas, Randall Rutledge, Raul Julia, Stephen Thrower, Stigma (1972), The Love Statue (1965), Winged Victory (1944)
Long Live "I Drink Your Blood"
Filed under: 1968, 1970, 1972 — 8 Comments
This is one of my all-time favorite exploitation movies. It really has it all–a good sampling of exploitation tropes, quirky casting decisions, and lots of graphic footage. If the exploitation bug has bitten you only recently, this is a good film to start with. It was also one of the first films to be rated X for violence, not sex.
The crux of the film is that the van of nihilistic satanist hippies–how likely is that?–breaks down in a small town, our merry bunch make pests out of themselves. A young kid in the only moment of greatness in his life decides to lace their food with rabies-infected dog blood as revenge for the beatdown–and acid–the hippies gave Grandpa. The hippies eat the bad food, which has an odd interaction with the copious amounts of acid they've already taken onboard, and they emerge as mindless, zombie-like monsters who, despite their mindlessness, have the uncanny ability–bordering on on a superpower–of finding the nearest blade and going after the others of their group or townsfolk. The only thing to do is to put them down like the mad dogs they are.
This film comes and goes on YouTube. It was there a couple years back, then removed. It was posted again in late April 2013, but was removed less than a month afterwards. It has recently (26 April 2013) been again reposted in its entirety. But it has been reliably available at Daily Motion. The version below appears to be nearer the 86-minute director's cut, as opposed to the 77-minute version that's also out there:
The second half of the movie, the hippies as mindless zombies half, is "a blatant a blatant bid to ride Night of the Living Dead's cult coattails," in the words of Joe Kane. Being derivative does not make this flick any less enjoyable, thankfully. But not everyone seems to have thought so. When this film appeared as a double feature with Wes Craven's Last House on the Left, Craven's son was teased in school.
Bill Landis and Michelle Clifford say of this film, "I Drink Your Blood is the pinnacle of the blood horror movie. It's fast, unrelentingly violent, and sexually explicit, dishing out a new shock every few minutes." All true, but what I like about this film is that it is a kind of exploitation "sampler." Consider all these tropes: the then- (and in some places, still-) current stereotypes of country bumpkins ("hixploitation"), as our small town residents are not at all prepared for the trouble our satanist hippies bring with them. Then, there are our hippies themselves, as the film relentless describes them as being a dangerous subculture. It's also obviously exploits the recent Charles Manson murders, as pointed out by both Landis and Clifford and Kim Newman. Bhaskar Roy Chowdhury, playing the hippies' leader "Horace Bones" plays up the unpredictable nihilism that reminds us very much of a more comprehensible version of Charles Manson.
Jadin Wong getting a blood facial
We also see exploitation of Asians in the presence and behavior of the character of Sue-Lin, a silent, malevolent Asian woman. Her presence and demise by self-immolation is unnecessary to move the story forward; her death exploits images that were then not too distant memories of the war in Southeast Asia of silent Buddhist monks making the same decision. The most peculiar casting decision is Jadin Wong as the aforementioned Sue-Lin. Wong, who would have turned 100 years old this year (she passed away in 2010 at age 96) was already a mainstream star, having gotten her start in show business at a young age, and entertained troops in Europe during World War II. Wong was a pioneer of Asian-American women in entertainment, but only made ten movies as an actress. Her real mark was as an agent for younger Asian-American actors and actresses for nearly a half century. In 2004 the US House of Representatives and President George W. Bush recognized Wong for her 70+ years in show business and her cultural contributions. All this does not add up to Wong taking a role in a low budget exploitation flick.
By this point, I'm way over-thinking this movie, so it's probably best I end here. This is an excellent exploitation flick that has a bit of everything in it, and is worth 83 minutes of your precious time.
This post was modified: removed dead YouTube link and added a line about IDYB coming and going on YouTube. (28 May 2013).
Tags: Bill Landis, Charles Manson, hippies, I Drink Your Blood (1970), Joe Kane, Kim Newman, Last House on the Left (1972), LSD, Michelle Clifford, Night of the Living Dead (1968), satanists, Wes Craven